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Walking
by Henry David Thoreau
I wish to speak a word for Nature, for absolute Freedom and Wildness, as contrasted with a freedom and culture merely civil,—to regard man as an inhabitant, or a part and parcel of Nature, rather than a member of society. I wish to make an extreme statement, if so I may make an emphatic one, for there are enough champions of civilization: the minister and the school committee and every one of you will take care of that.
I want to say something in support of Nature, for true Freedom and Wildness, as opposed to a freedom and culture that's just civil. I want to see people as a part of Nature, rather than just members of society. I want to make a bold statement, if it means I can make it clear, because there are already plenty of advocates for civilization: the minister, the school committee, and all of you will handle that.
I have met with but one or two persons in the course of my life who understood the art of Walking, that is, of taking walks—who had a genius, so to speak, for sauntering, which word is beautifully derived “from idle people who roved about the country, in the Middle Ages, and asked charity, under pretense of going à la Sainte Terre,” to the Holy Land, till the children exclaimed, “There goes a Sainte-Terrer,” a Saunterer, a Holy-Lander. They who never go to the Holy Land in their walks, as they pretend, are indeed mere idlers and vagabonds; but they who do go there are saunterers in the good sense, such as I mean. Some, however, would derive the word from sans terre without land or a home, which, therefore, in the good sense, will mean, having no particular home, but equally at home everywhere. For this is the secret of successful sauntering. He who sits still in a house all the time may be the greatest vagrant of all; but the saunterer, in the good sense, is no more vagrant than the meandering river, which is all the while sedulously seeking the shortest course to the sea. But I prefer the first, which, indeed, is the most probable derivation. For every walk is a sort of crusade, preached by some Peter the Hermit in us, to go forth and reconquer this Holy Land from the hands of the Infidels.
I have met only a couple of people in my life who truly understood the art of walking—specifically, taking walks—those who had a knack, so to speak, for sauntering. This word is beautifully derived from “idle people who wandered around the countryside in the Middle Ages, asking for charity while pretending to be going à la Sainte Terre,” to the Holy Land, until children would shout, “There goes a Sainte-Terrer,” a saunterer, a Holy-Lander. Those who never actually go to the Holy Land in their walks, as they claim, are just idlers and vagabonds; but those who do are real saunterers in the best sense. Some, however, trace the word back to sans terre, meaning without land or a home, which in a positive way suggests being without a specific home, yet feeling equally at home everywhere. This is the secret of successful sauntering. Someone who stays still in a house all the time may be the biggest wanderer of all; but the true saunterer is no more aimless than a meandering river actively seeking the shortest path to the sea. Personally, I prefer the first explanation, which seems more likely. Every walk becomes a kind of crusade, preached by a Peter the Hermit within us, urging us to go forth and reclaim this Holy Land from the hands of the non-believers.
It is true, we are but faint-hearted crusaders, even the walkers, nowadays, who undertake no persevering, never-ending enterprises. Our expeditions are but tours, and come round again at evening to the old hearth-side from which we set out. Half the walk is but retracing our steps. We should go forth on the shortest walk, perchance, in the spirit of undying adventure, never to return,—prepared to send back our embalmed hearts only as relics to our desolate kingdoms. If you are ready to leave father and mother, and brother and sister, and wife and child and friends, and never see them again,—if you have paid your debts, and made your will, and settled all your affairs, and are a free man; then you are ready for a walk.
It’s true, we’re just reluctant adventurers now, even the ones who walk, taking on no challenging, never-ending quests. Our outings are just trips, and they circle back to the same warm home we started from. Half the walk is just retracing our steps. We should embark on the shortest journey, perhaps, with a spirit of endless adventure, never to return—ready to send back our preserved hearts as mere keepsakes to our lonely realms. If you’re prepared to leave your parents, siblings, spouse, children, and friends, and never see them again—if you’ve settled your debts, made your will, and taken care of everything, and you’re free; then you’re ready for a walk.
To come down to my own experience, my companion and I, for I sometimes have a companion, take pleasure in fancying ourselves knights of a new, or rather an old, order—not Equestrians or Chevaliers, not Ritters or Riders, but Walkers, a still more ancient and honorable class, I trust. The chivalric and heroic spirit which once belonged to the Rider seems now to reside in, or perchance to have subsided into, the Walker—not the Knight, but Walker Errant. He is a sort of fourth estate, outside of Church and State and People.
To share my own experience, my friend and I, since I sometimes have a friend, enjoy imagining ourselves as knights of a new, or rather an old, order—not Equestrians or Chevaliers, not Ritters or Riders, but Walkers, an even more ancient and honorable group, I hope. The chivalrous and heroic spirit that once belonged to the Rider now seems to be found in, or maybe has moved into, the Walker—not the Knight, but the Walker Errant. He is like a fourth estate, separate from the Church, State, and the People.
We have felt that we almost alone hereabouts practiced this noble art; though, to tell the truth, at least if their own assertions are to be received, most of my townsmen would fain walk sometimes, as I do, but they cannot. No wealth can buy the requisite leisure, freedom, and independence which are the capital in this profession. It comes only by the grace of God. It requires a direct dispensation from Heaven to become a walker. You must be born into the family of the Walkers. Ambulator nascitur, non fit. Some of my townsmen, it is true, can remember and have described to me some walks which they took ten years ago, in which they were so blessed as to lose themselves for half an hour in the woods; but I know very well that they have confined themselves to the highway ever since, whatever pretensions they may make to belong to this select class. No doubt they were elevated for a moment as by the reminiscence of a previous state of existence, when even they were foresters and outlaws.
We feel like we’re almost the only ones around here who practice this noble art; although, to be honest, if you believe my neighbors, most of them would love to walk as I do sometimes, but they can't. No amount of money can buy the necessary leisure, freedom, and independence that are essential in this profession. It only comes by the grace of God. It requires a direct blessing from Heaven to become a walker. You have to be born into the family of Walkers. Ambulator nascitur, non fit. Some of my neighbors can indeed remember and have told me about walks they took ten years ago, during which they were fortunate enough to get lost for half an hour in the woods; but I know very well that they’ve stuck to the main roads ever since, no matter how much they claim to belong to this exclusive group. No doubt they felt a brief lift as if they were reminded of a previous life when they, too, were foresters and outlaws.
“When he came to grene wode,
In a mery mornynge,
There he herde the notes small
Of byrdes mery syngynge.
“It is ferre gone, sayd Robyn,
That I was last here;
Me lyste a lytell for to shote
At the donne dere.”
“When he arrived in green wood,
On a cheerful morning,
There he heard the soft notes
Of birds joyfully singing.
“It’s been a long time,” said Robin,
“Since I was last here;
I’d like to shoot a little
At the doe.”
I think that I cannot preserve my health and spirits, unless I spend four hours a day at least—and it is commonly more than that—sauntering through the woods and over the hills and fields, absolutely free from all worldly engagements. You may safely say, A penny for your thoughts, or a thousand pounds. When sometimes I am reminded that the mechanics and shopkeepers stay in their shops not only all the forenoon, but all the afternoon too, sitting with crossed legs, so many of them—as if the legs were made to sit upon, and not to stand or walk upon—I think that they deserve some credit for not having all committed suicide long ago.
I believe I can't keep my health and spirits up unless I spend at least four hours a day—often even more—wandering through the woods and over the hills and fields, completely free from any worldly responsibilities. You might say, "A penny for your thoughts," or even a thousand pounds. When I occasionally remember that mechanics and shopkeepers stay in their shops not only all morning but all afternoon too, sitting with their legs crossed, as if legs were meant only for sitting and not for standing or walking, I think they deserve some credit for not having given up on life a long time ago.
I, who cannot stay in my chamber for a single day without acquiring some rust, and when sometimes I have stolen forth for a walk at the eleventh hour, or four o’clock in the afternoon, too late to redeem the day, when the shades of night were already beginning to be mingled with the daylight, have felt as if I had committed some sin to be atoned for,—I confess that I am astonished at the power of endurance, to say nothing of the moral insensibility, of my neighbors who confine themselves to shops and offices the whole day for weeks and months, aye, and years almost together. I know not what manner of stuff they are of—sitting there now at three o’clock in the afternoon, as if it were three o’clock in the morning. Bonaparte may talk of the three-o’clock-in-the-morning courage, but it is nothing to the courage which can sit down cheerfully at this hour in the afternoon over against one’s self whom you have known all the morning, to starve out a garrison to whom you are bound by such strong ties of sympathy. I wonder that about this time, or say between four and five o’clock in the afternoon, too late for the morning papers and too early for the evening ones, there is not a general explosion heard up and down the street, scattering a legion of antiquated and house-bred notions and whims to the four winds for an airing—and so the evil cure itself.
I, who can’t stay in my room for even a day without feeling dull, and when I’ve sometimes gone out for a walk at the last minute, or around four in the afternoon, too late to make the most of the day, while the shadows of night are already creeping in with the daylight, have felt like I’ve done something wrong that needs fixing—I admit I’m amazed by the endurance, not to mention the moral indifference, of my neighbors who spend their entire days in shops and offices for weeks, months, and even years on end. I can't understand what kind of people they are—sitting there now at three in the afternoon as if it were three in the morning. Bonaparte may brag about his "three-in-the-morning courage," but it doesn’t compare to the strength it takes to sit down happily at this hour in the afternoon facing someone you've known all morning, holding out against a group you feel so connected to. I wonder why, around this time, or say between four and five in the afternoon, too late for the morning papers and too early for the evening ones, there isn't some big explosion heard up and down the street, sending a bunch of outdated and domestic ideas and quirks flying out for some fresh air—thus allowing the problem to resolve itself.
How womankind, who are confined to the house still more than men, stand it I do not know; but I have ground to suspect that most of them do not stand it at all. When, early in a summer afternoon, we have been shaking the dust of the village from the skirts of our garments, making haste past those houses with purely Doric or Gothic fronts, which have such an air of repose about them, my companion whispers that probably about these times their occupants are all gone to bed. Then it is that I appreciate the beauty and the glory of architecture, which itself never turns in, but forever stands out and erect, keeping watch over the slumberers.
I don’t know how women, who are even more stuck at home than men, manage it; but I suspect that a lot of them don’t manage it at all. When we’re shaking the dust of the village off our clothes on a summer afternoon, hurrying past those houses with their purely Doric or Gothic designs that look so peaceful, my friend whispers that the people in those homes have probably all gone to bed by now. That’s when I really appreciate the beauty and majesty of architecture, which never sleeps but always stands tall, keeping watch over those who are resting.
No doubt temperament, and, above all, age, have a good deal to do with it. As a man grows older, his ability to sit still and follow indoor occupations increases. He grows vespertinal in his habits as the evening of life approaches, till at last he comes forth only just before sundown, and gets all the walk that he requires in half an hour.
No doubt personality, and especially age, play a significant role in this. As a man gets older, his ability to be still and engage in indoor activities improves. He becomes more of an evening person as he nears the later stages of life, until eventually he only goes out just before sunset, getting all the walking he needs in half an hour.
But the walking of which I speak has nothing in it akin to taking exercise, as it is called, as the sick take medicine at stated hours—as the swinging of dumb-bells or chairs; but is itself the enterprise and adventure of the day. If you would get exercise, go in search of the springs of life. Think of a man’s swinging dumb-bells for his health, when those springs are bubbling up in far-off pastures unsought by him!
But the kind of walking I'm talking about isn’t like exercising, as people call it, like the sick taking medicine at certain times, or the swinging of dumbbells or chairs; it’s more like an adventure for the day. If you want to get exercise, seek out the sources of life. Imagine a man swinging dumbbells for his health while those sources are bubbling up in distant pastures that he hasn't bothered to explore!
Moreover, you must walk like a camel, which is said to be the only beast which ruminates when walking. When a traveler asked Wordsworth’s servant to show him her master’s study, she answered, “Here is his library, but his study is out of doors.”
Moreover, you need to walk like a camel, which is said to be the only animal that chews its cud while walking. When a traveler asked Wordsworth’s servant to show him her master’s study, she replied, “Here is his library, but his study is outside.”
Living much out of doors, in the sun and wind, will no doubt produce a certain roughness of character—will cause a thicker cuticle to grow over some of the finer qualities of our nature, as on the face and hands, or as severe manual labor robs the hands of some of their delicacy of touch. So staying in the house, on the other hand, may produce a softness and smoothness, not to say thinness of skin, accompanied by an increased sensibility to certain impressions. Perhaps we should be more susceptible to some influences important to our intellectual and moral growth, if the sun had shone and the wind blown on us a little less; and no doubt it is a nice matter to proportion rightly the thick and thin skin. But methinks that is a scurf that will fall off fast enough—that the natural remedy is to be found in the proportion which the night bears to the day, the winter to the summer, thought to experience. There will be so much the more air and sunshine in our thoughts. The callous palms of the laborer are conversant with finer tissues of self-respect and heroism, whose touch thrills the heart, than the languid fingers of idleness. That is mere sentimentality that lies abed by day and thinks itself white, far from the tan and callus of experience.
Living a lot outdoors, in the sun and wind, will likely create a certain toughness of character—like a thicker skin developing over some of the finer qualities of our nature, similar to how harsh manual work can take away some of the delicacy of our hands. Staying indoors, on the other hand, might lead to a softness and smoothness, not to mention a thinness of skin, along with an increased sensitivity to certain things. Maybe we would be more open to some influences that are important for our intellectual and moral development if we were exposed a bit less to the sun and wind; it's certainly a matter of finding the right balance between thick and thin skin. But I believe that roughness will fade quickly enough—that the natural solution lies in the balance between night and day, winter and summer, thought and experience. There will be much more air and sunshine in our thoughts. The tough hands of a laborer engage with deeper feelings of self-respect and heroism, which can stir the heart, unlike the weak fingers of idleness. It's mere sentimentality to stay in bed during the day and think of oneself as refined, far removed from the tan and calluses of real experience.
When we walk, we naturally go to the fields and woods: what would become of us, if we walked only in a garden or a mall? Even some sects of philosophers have felt the necessity of importing the woods to themselves, since they did not go to the woods. “They planted groves and walks of Platanes,” where they took subdiales ambulationes in porticos open to the air. Of course it is of no use to direct our steps to the woods, if they do not carry us thither. I am alarmed when it happens that I have walked a mile into the woods bodily, without getting there in spirit. In my afternoon walk I would fain forget all my morning occupations and my obligations to society. But it sometimes happens that I cannot easily shake off the village. The thought of some work will run in my head and I am not where my body is—I am out of my senses. In my walks I would fain return to my senses. What business have I in the woods, if I am thinking of something out of the woods? I suspect myself, and cannot help a shudder when I find myself so implicated even in what are called good works—for this may sometimes happen.
When we walk, we naturally head to the fields and woods: what would happen to us if we only walked in a garden or a mall? Even some groups of philosophers felt the need to bring the woods to themselves since they didn't go there. “They planted groves and paths of plane trees,” where they took subdiales ambulationes in open-air porticos. Of course, it’s pointless to direct our steps to the woods if they don’t actually take us there. I get anxious when I realize I’ve physically walked a mile into the woods but haven’t arrived there in spirit. During my afternoon walk, I want to forget all my morning tasks and my obligations to society. But sometimes, I can’t easily shake off thoughts of the village. The idea of some work keeps running through my mind, and I’m not where my body is—I’m out of touch. In my walks, I wish to be fully present. What business do I have in the woods if my mind is stuck on something outside of them? I worry about myself, and I can't help but feel a chill when I discover that I'm so caught up, even in what are considered good works—because this can occasionally happen.
My vicinity affords many good walks; and though for so many years I have walked almost every day, and sometimes for several days together, I have not yet exhausted them. An absolutely new prospect is a great happiness, and I can still get this any afternoon. Two or three hours’ walking will carry me to as strange a country as I expect ever to see. A single farmhouse which I had not seen before is sometimes as good as the dominions of the king of Dahomey. There is in fact a sort of harmony discoverable between the capabilities of the landscape within a circle of ten miles’ radius, or the limits of an afternoon walk, and the threescore years and ten of human life. It will never become quite familiar to you.
My area has plenty of great places to walk, and even though I've been out almost every day for many years, sometimes for days in a row, I still haven't seen it all. Discovering a completely new view brings a lot of joy, and I can still have that experience any afternoon. A couple of hours of walking can take me to a place I’ve never seen before, which feels as exciting as the kingdom of Dahomey. There’s actually a kind of balance between the landscapes you can explore within a ten-mile radius—about the distance of an afternoon walk—and the seventy years of life we get. It will never truly feel completely familiar to you.
Nowadays almost all man’s improvements, so called, as the building of houses and the cutting down of the forest and of all large trees, simply deform the landscape, and make it more and more tame and cheap. A people who would begin by burning the fences and let the forest stand! I saw the fences half consumed, their ends lost in the middle of the prairie, and some worldly miser with a surveyor looking after his bounds, while heaven had taken place around him, and he did not see the angels going to and fro, but was looking for an old post-hole in the midst of paradise. I looked again, and saw him standing in the middle of a boggy Stygian fen, surrounded by devils, and he had found his bounds without a doubt, three little stones, where a stake had been driven, and looking nearer, I saw that the Prince of Darkness was his surveyor.
These days, nearly all of humanity's so-called advancements, like building houses and cutting down forests and large trees, just spoil the landscape and make it feel more artificial and cheap. Imagine a group of people who start by burning down fences and allow the forest to thrive! I saw the fences partially burned, their ends disappearing into the prairie, while some greedy person was with a surveyor keeping an eye on his property lines, completely oblivious to the beauty surrounding him, missing out on the angels moving about, and instead searching for an old post hole in the middle of paradise. I looked again and saw him standing in a murky, dark swamp, surrounded by demons, and he definitely found his property lines, marked by three tiny stones where a stake used to be, and upon closer inspection, I noticed that the Prince of Darkness was his surveyor.
I can easily walk ten, fifteen, twenty, any number of miles, commencing at my own door, without going by any house, without crossing a road except where the fox and the mink do: first along by the river, and then the brook, and then the meadow and the wood-side. There are square miles in my vicinity which have no inhabitant. From many a hill I can see civilization and the abodes of man afar. The farmers and their works are scarcely more obvious than woodchucks and their burrows. Man and his affairs, church and state and school, trade and commerce, and manufactures and agriculture even politics, the most alarming of them all,—I am pleased to see how little space they occupy in the landscape. Politics is but a narrow field, and that still narrower highway yonder leads to it. I sometimes direct the traveler thither. If you would go to the political world, follow the great road,—follow that market-man, keep his dust in your eyes, and it will lead you straight to it; for it, too, has its place merely, and does not occupy all space. I pass from it as from a bean field into the forest, and it is forgotten. In one half hour I can walk off to some portion of the earth’s surface where a man does not stand from one year’s end to another, and there, consequently, politics are not, for they are but as the cigar smoke of a man.
I can easily walk ten, fifteen, twenty miles, starting right from my door, without passing any houses or crossing a road except where the fox and the mink do: first along the river, then the creek, then through the meadow and along the edge of the woods. There are square miles around me with no inhabitants. From many hills, I can see civilization and human settlements in the distance. The farmers and their activities are hardly more noticeable than woodchucks and their burrows. Man and his concerns—church and state, school, trade and commerce, manufacturing, agriculture, and even politics, the most alarming of them all—I’m pleased to see how little space they take up in the landscape. Politics is just a small field, and that even smaller road over there leads to it. Sometimes I guide travelers there. If you want to enter the political world, follow the main road—keep an eye on that market vendor, and his dust will lead you right to it; it too has its place, but it doesn’t fill all the space. I move away from it as if leaving a bean field for the forest, and then it’s forgotten. In just half an hour, I can walk to a part of the earth where no man stands from one year to the next, and there, of course, politics don’t exist, because they’re just like the smoke from a cigar.
The village is the place to which the roads tend, a sort of expansion of the highway, as a lake of a river. It is the body of which roads are the arms and legs—a trivial or quadrivial place, the thoroughfare and ordinary of travelers. The word is from the Latin villa which together with via, a way, or more anciently ved and vella, Varro derives from veho, to carry, because the villa is the place to and from which things are carried. They who got their living by teaming were said vellaturam facere. Hence, too, the Latin word vilis and our vile; also villain. This suggests what kind of degeneracy villagers are liable to. They are wayworn by the travel that goes by and over them, without traveling themselves.
The village is where the roads lead, like an extension of the highway, similar to how a lake feeds into a river. It’s the body supported by the roads, which act like arms and legs—a simple crossroads, a common stop for travelers. The term comes from the Latin villa, which relates to via, meaning a way, or even older terms like ved and vella; Varro connects it to veho, meaning to carry, since the villa is where things are transported to and from. Those who earned their living driving teams were said to have done vellaturam facere. This also gives rise to the Latin word vilis and our word vile; also villain. This hints at the kind of decline villagers can experience. They are worn out by the travel that passes through and around them, without embarking on journeys themselves.
Some do not walk at all; others walk in the highways; a few walk across lots. Roads are made for horses and men of business. I do not travel in them much, comparatively, because I am not in a hurry to get to any tavern or grocery or livery-stable or depot to which they lead. I am a good horse to travel, but not from choice a roadster. The landscape-painter uses the figures of men to mark a road. He would not make that use of my figure. I walk out into a nature such as the old prophets and poets, Menu, Moses, Homer, Chaucer, walked in. You may name it America, but it is not America: neither Americus Vespucius, nor Columbus, nor the rest were the discoverers of it. There is a truer amount of it in mythology than in any history of America, so called, that I have seen.
Some people never walk at all; others stick to the main roads; a few cut through fields. Roads are meant for horses and business folks. I don’t use them much because I’m not in a rush to get to any tavern, grocery store, livery, or train station that they lead to. I’m great at traveling, but I prefer not to stick to the roads. Landscape artists use human figures to indicate a path. They wouldn’t use my figure for that. I venture into a nature like that which the old prophets and poets—Menu, Moses, Homer, Chaucer—walked through. You can call it America, but it’s not really America: neither Americus Vespucius, nor Columbus, nor anyone else truly discovered it. There's more truth in mythology than in any American history book I’ve seen.
However, there are a few old roads that may be trodden with profit, as if they led somewhere now that they are nearly discontinued. There is the Old Marlborough Road, which does not go to Marlborough now, methinks, unless that is Marlborough where it carries me. I am the bolder to speak of it here, because I presume that there are one or two such roads in every town.
However, there are a few old roads that can still be worth exploring, even if they hardly go anywhere anymore. There’s the Old Marlborough Road, which doesn’t really lead to Marlborough now, I think, unless this is Marlborough where it takes me. I'm confident to mention it here because I believe there are one or two such roads in every town.
THE OLD MARLBOROUGH ROAD.
Where they once dug for money,
But never found any;
Where sometimes Martial Miles
Singly files,
And Elijah Wood,
I fear for no good:
No other man,
Save Elisha Dugan—
O man of wild habits,
Partridges and rabbits,
Who hast no cares
Only to set snares,
Who liv’st all alone,
Close to the bone;
And where life is sweetest
Constantly eatest.
When the spring stirs my blood
With the instinct to travel,
I can get enough gravel
On the Old Marlborough Road.
Nobody repairs it,
For nobody wears it;
It is a living way,
As the Christians say.
Not many there be
Who enter therein,
Only the guests of the
Irishman Quin.
What is it, what is it
But a direction out there,
And the bare possibility
Of going somewhere?
Great guide boards of stone,
But travelers none;
Cenotaphs of the towns
Named on their crowns.
It is worth going to see
Where you might be.
What king
Did the thing,
I am still wondering;
Set up how or when,
By what selectmen,
Gourgas or Lee,
Clark or Darby?
They’re a great endeavor
To be something forever;
Blank tablets of stone,
Where a traveler might groan,
And in one sentence
Grave all that is known
Which another might read,
In his extreme need.
I know one or two
Lines that would do,
Literature that might stand
All over the land,
Which a man could remember
Till next December,
And read again in the spring,
After the thawing.
If with fancy unfurled
You leave your abode,
You may go round the world
By the Old Marlborough Road.
THE OLD MARLBOROUGH ROAD.
Where they once searched for treasure,
But never found any;
Where sometimes Martial Miles
Walks alone,
And Elijah Wood,
I worry for no reason:
No other man,
Except Elisha Dugan—
Oh man of wild ways,
With partridges and rabbits,
Who has no worries
Except to set traps,
Who lives all alone,
Barely getting by;
And where life is sweetest
You constantly feast.
When spring gets me restless
With the urge to explore,
I can find plenty of gravel
On the Old Marlborough Road.
Nobody fixes it,
Because nobody uses it;
It’s a living path,
As the Christians would say.
Not many enter
Only the guests of the
Irishman Quin.
What is it, what is it
But a direction out there,
And the mere chance
Of going somewhere?
Big stone signposts,
But no travelers;
Memorials of the towns
Inscribed on their tops.
It’s worth checking out
Where you might be.
What king
Made this happen,
I'm still curious;
Set up how or when,
By which selectmen,
Gourgas or Lee,
Clark or Darby?
They’re a great ambition
To be remembered forever;
Blank stones,
Where a traveler might groan,
And in one line
Record all that is known
Which someone else might read,
In their greatest need.
I know a couple of
Lines that would work,
Literature that might spread
Across the country,
That a person could remember
Until next December,
And read again in the spring,
After the thaw.
If you set off with an open mind
You may travel the world
By the Old Marlborough Road.
At present, in this vicinity, the best part of the land is not private property; the landscape is not owned, and the walker enjoys comparative freedom. But possibly the day will come when it will be partitioned off into so-called pleasure grounds, in which a few will take a narrow and exclusive pleasure only,—when fences shall be multiplied, and man traps and other engines invented to confine men to the public road, and walking over the surface of God’s earth shall be construed to mean trespassing on some gentleman’s grounds. To enjoy a thing exclusively is commonly to exclude yourself from the true enjoyment of it. Let us improve our opportunities, then, before the evil days come.
Right now, in this area, the best parts of the land aren’t privately owned; the landscape is public, and people can walk freely. But maybe one day it will be divided into so-called pleasure grounds, where only a privileged few will enjoy a limited, exclusive experience—when fences will be everywhere, and traps and other devices will be created to keep people on the public road, making it seem like walking on God's earth is trespassing on someone’s property. Enjoying something exclusively usually means you miss out on its true enjoyment. So let’s make the most of our opportunities before those bad days arrive.
What is it that makes it so hard sometimes to determine whither we will walk? I believe that there is a subtle magnetism in Nature, which, if we unconsciously yield to it, will direct us aright. It is not indifferent to us which way we walk. There is a right way; but we are very liable from heedlessness and stupidity to take the wrong one. We would fain take that walk, never yet taken by us through this actual world, which is perfectly symbolical of the path which we love to travel in the interior and ideal world; and sometimes, no doubt, we find it difficult to choose our direction, because it does not yet exist distinctly in our idea.
What makes it so hard sometimes to figure out where to go? I think there's a subtle pull in Nature that, if we unknowingly give in to it, will guide us correctly. It matters which way we go; there is a right path. However, we often end up taking the wrong one due to carelessness and lack of awareness. We want to take a journey we’ve never experienced in this real world, which perfectly symbolizes the path we love to explore in our inner and ideal worlds. Sometimes, it's tough to choose our direction because it hasn’t yet clearly formed in our minds.
When I go out of the house for a walk, uncertain as yet whither I will bend my steps, and submit myself to my instinct to decide for me, I find, strange and whimsical as it may seem, that I finally and inevitably settle southwest, toward some particular wood or meadow or deserted pasture or hill in that direction. My needle is slow to settle—varies a few degrees, and does not always point due southwest, it is true, and it has good authority for this variation, but it always settles between west and south-southwest. The future lies that way to me, and the earth seems more unexhausted and richer on that side. The outline which would bound my walks would be, not a circle, but a parabola, or rather like one of those cometary orbits which have been thought to be non-returning curves, in this case opening westward, in which my house occupies the place of the sun. I turn round and round irresolute sometimes for a quarter of an hour, until I decide, for a thousandth time, that I will walk into the southwest or west. Eastward I go only by force; but westward I go free. Thither no business leads me. It is hard for me to believe that I shall find fair landscapes or sufficient wildness and freedom behind the eastern horizon. I am not excited by the prospect of a walk thither; but I believe that the forest which I see in the western horizon stretches uninterruptedly toward the setting sun, and there are no towns nor cities in it of enough consequence to disturb me. Let me live where I will, on this side is the city, on that the wilderness, and ever I am leaving the city more and more, and withdrawing into the wilderness. I should not lay so much stress on this fact, if I did not believe that something like this is the prevailing tendency of my countrymen. I must walk toward Oregon, and not toward Europe. And that way the nation is moving, and I may say that mankind progress from east to west. Within a few years we have witnessed the phenomenon of a southeastward migration, in the settlement of Australia; but this affects us as a retrograde movement, and, judging from the moral and physical character of the first generation of Australians, has not yet proved a successful experiment. The eastern Tartars think that there is nothing west beyond Thibet. “The world ends there,” say they; “beyond there is nothing but a shoreless sea.” It is unmitigated East where they live.
When I step outside for a walk, not sure where I’ll end up and letting my instincts guide me, I find, strangely enough, that I always end up heading southwest, toward some specific woods or fields or empty pastures or a hill in that direction. My direction doesn’t settle immediately—it wavers a little, and it doesn’t always point directly southwest, which makes sense given this fluctuation, but it consistently lands somewhere between west and south-southwest. That’s where the future feels like it lies for me, and the land seems fresher and richer in that direction. The boundaries of my walks wouldn’t form a circle; instead, they’d be more like a parabola or even one of those comet-like paths that are considered non-returning, opening westward, with my house as the sun at its center. I sometimes spin around indecisively for up to fifteen minutes before I finally decide, once again, to walk to the southwest or west. I only head east when I have to; going west feels like freedom. No obligations pull me that way. I find it hard to believe I’ll discover beautiful landscapes or enough wilderness and freedom beyond the eastern horizon. I’m not thrilled about the idea of a walk in that direction; however, I believe that the forest I see on the western horizon stretches endlessly towards the setting sun, with no towns or cities significant enough to bother me. Wherever I live, the city is on one side, and the wilderness is on the other, and I’m constantly moving away from the city and deeper into the wilderness. I wouldn’t emphasize this point if I didn’t think it reflects a broader trend among my fellow countrymen. I feel drawn to walk toward Oregon, not Europe. That’s the direction the nation is heading, and I can say that humanity progresses from east to west. In recent years, we’ve seen a southeastward migration with the settlement of Australia; however, that feels like a step backward to us, and judging by the moral and physical traits of the first generation of Australians, it hasn’t yet proven to be a successful experiment. The eastern Tartars believe there’s nothing beyond Tibet to the west. “The world ends there,” they say; “beyond that is just an endless sea.” They are fully rooted in the East where they live.
We go eastward to realize history and study the works of art and literature, retracing the steps of the race; we go westward as into the future, with a spirit of enterprise and adventure. The Atlantic is a Lethean stream, in our passage over which we have had an opportunity to forget the Old World and its institutions. If we do not succeed this time, there is perhaps one more chance for the race left before it arrives on the banks of the Styx; and that is in the Lethe of the Pacific, which is three times as wide.
We travel east to explore history and examine the art and literature, retracing the paths of our ancestors; we head west toward the future, filled with a spirit of innovation and adventure. The Atlantic serves as a river of forgetfulness, where we’ve had the chance to leave behind the Old World and its systems. If we don’t succeed this time, there may be one more opportunity for humanity before we reach the banks of the Styx; and that is in the vastness of the Pacific, which is three times wider.
I know not how significant it is, or how far it is an evidence of singularity, that an individual should thus consent in his pettiest walk with the general movement of the race; but I know that something akin to the migratory instinct in birds and quadrupeds,—which, in some instances, is known to have affected the squirrel tribe, impelling them to a general and mysterious movement, in which they were seen, say some, crossing the broadest rivers, each on its particular chip, with its tail raised for a sail, and bridging narrower streams with their dead,—that something like the furor which affects the domestic cattle in the spring, and which is referred to a worm in their tails,—affects both nations and individuals, either perennially or from time to time. Not a flock of wild geese cackles over our town, but it to some extent unsettles the value of real estate here, and, if I were a broker, I should probably take that disturbance into account.
I’m not sure how significant it is, or how much it shows uniqueness, that a person would go along with the general direction of society in their smallest actions; but I do know that there’s something similar to the migratory instinct seen in birds and mammals—like how certain squirrels sometimes engage in a mysterious mass movement, reportedly crossing large rivers on specially chosen bits of wood, their tails raised like sails, and using their bodies to bridge smaller streams. There’s something like the frenzy that affects domestic cattle in the spring, believed to be caused by a worm in their tails—that influences both nations and individuals, sometimes continuously and other times intermittently. No flock of wild geese flies over our town without affecting real estate values to some extent, and if I were a broker, I would definitely consider that disruption.
“Than longen folk to gon on pilgrimages,
And palmeres for to seken strange strondes.”
"People long to go on pilgrimages,
And travelers seek out strange shores."
Every sunset which I witness inspires me with the desire to go to a West as distant and as fair as that into which the sun goes down. He appears to migrate westward daily, and tempt us to follow him. He is the Great Western Pioneer whom the nations follow. We dream all night of those mountain ridges in the horizon, though they may be of vapor only, which were last gilded by his rays. The island of Atlantis, and the islands and gardens of the Hesperides, a sort of terrestrial paradise, appear to have been the Great West of the ancients, enveloped in mystery and poetry. Who has not seen in imagination, when looking into the sunset sky, the gardens of the Hesperides, and the foundation of all those fables?
Every sunset I see fills me with a longing to go to a West as distant and beautiful as the one where the sun sets. It seems to travel westward every day, inviting us to follow. He is the Great Western Pioneer that nations look up to. We dream all night of those mountain ridges on the horizon, even if they are just illusions, that were last touched by his light. The island of Atlantis, along with the islands and gardens of the Hesperides—like a kind of earthly paradise—seem to have been the Great West of ancient times, shrouded in mystery and poetry. Who hasn’t imagined, while gazing at the sunset sky, the gardens of the Hesperides and the origins of all those myths?
Columbus felt the westward tendency more strongly than any before. He obeyed it, and found a New World for Castile and Leon. The herd of men in those days scented fresh pastures from afar.
Columbus felt the pull to the west more strongly than anyone before him. He followed it and discovered a New World for Castile and Leon. The men of that time could sense new opportunities from a distance.
“And now the sun had stretched out all the hills,
And now was dropped into the western bay;
At last he rose, and twitched his mantle blue;
To-morrow to fresh woods and pastures new.”
“And now the sun had spread across all the hills,
And now had sunk into the western bay;
At last he got up, and adjusted his blue cloak;
Tomorrow to fresh woods and new pastures.”
Where on the globe can there be found an area of equal extent with that occupied by the bulk of our States, so fertile and so rich and varied in its productions, and at the same time so habitable by the European, as this is? Michaux, who knew but part of them, says that “the species of large trees are much more numerous in North America than in Europe; in the United States there are more than one hundred and forty species that exceed thirty feet in height; in France there are but thirty that attain this size.” Later botanists more than confirm his observations. Humboldt came to America to realize his youthful dreams of a tropical vegetation, and he beheld it in its greatest perfection in the primitive forests of the Amazon, the most gigantic wilderness on the earth, which he has so eloquently described. The geographer Guyot, himself a European, goes further—further than I am ready to follow him; yet not when he says: “As the plant is made for the animal, as the vegetable world is made for the animal world, America is made for the man of the Old World.... The man of the Old World sets out upon his way. Leaving the highlands of Asia, he descends from station to station towards Europe. Each of his steps is marked by a new civilization superior to the preceding, by a greater power of development. Arrived at the Atlantic, he pauses on the shore of this unknown ocean, the bounds of which he knows not, and turns upon his footprints for an instant.” When he has exhausted the rich soil of Europe, and reinvigorated himself, “then recommences his adventurous career westward as in the earliest ages.” So far Guyot.
Where in the world can you find an area as large as most of our States that is so fertile, rich, and diverse in its resources, and at the same time so suitable for Europeans to live in? Michaux, who only saw part of them, says that “the number of large tree species is much greater in North America than in Europe; in the United States, there are over one hundred and forty species that grow taller than thirty feet; in France, there are only thirty that reach this height.” Later botanists confirmed his findings even more. Humboldt came to America to pursue his youthful dreams of tropical vegetation, and he saw it in its greatest glory in the untouched forests of the Amazon, the largest wilderness on Earth, which he described so beautifully. The geographer Guyot, a European himself, goes even further—further than I’m willing to go; yet not when he states: “As the plant is made for the animal, and as the plant world is made for the animal world, America is made for the people of the Old World.... The person from the Old World begins his journey. Leaving the highlands of Asia, he descends from station to station towards Europe. Each step he takes is marked by a new civilization that is better than the last, with greater potential for growth. When he reaches the Atlantic, he stops on the shore of this unknown ocean, the limits of which he does not know, and briefly looks back at his footprints.” Once he has depleted the rich soil of Europe and revitalized himself, “he begins his adventurous journey westward again, just like in the earliest times.” So far Guyot.
From this western impulse coming in contact with the barrier of the Atlantic sprang the commerce and enterprise of modern times. The younger Michaux, in his Travels West of the Alleghanies in 1802, says that the common inquiry in the newly settled West was, “‘From what part of the world have you come?’ As if these vast and fertile regions would naturally be the place of meeting and common country of all the inhabitants of the globe.”
From this Western drive encountering the barrier of the Atlantic came the trade and ventures of modern times. The younger Michaux, in his Travels West of the Alleghanies in 1802, notes that the typical question in the newly settled West was, “‘Where are you from?’ as if these vast and fertile areas were naturally the meeting place and shared homeland for all the people of the world.”
To use an obsolete Latin word, I might say, Ex oriente lux; ex occidente FRUX. From the East light; from the West fruit.
To use an outdated Latin phrase, I could say, Ex oriente lux; ex occidente FRUX. From the East comes light; from the West comes fruit.
Sir Francis Head, an English traveler and a Governor-General of Canada, tells us that “in both the northern and southern hemispheres of the New World, Nature has not only outlined her works on a larger scale, but has painted the whole picture with brighter and more costly colors than she used in delineating and in beautifying the Old World.... The heavens of America appear infinitely higher, the sky is bluer, the air is fresher, the cold is intenser, the moon looks larger, the stars are brighter the thunder is louder, the lightning is vivider, the wind is stronger, the rain is heavier, the mountains are higher, the rivers longer, the forests bigger, the plains broader.” This statement will do at least to set against Buffon’s account of this part of the world and its productions.
Sir Francis Head, an English traveler and former Governor-General of Canada, tells us that "in both the northern and southern hemispheres of the New World, Nature has not only created on a larger scale but has also painted the whole scene with brighter and more expensive colors than she used to depict and enhance the Old World... The skies in America seem infinitely higher, the sky is bluer, the air is fresher, the cold is harsher, the moon appears larger, the stars are brighter, the thunder is louder, the lightning is more vivid, the wind is stronger, the rain is heavier, the mountains are taller, the rivers are longer, the forests are larger, and the plains are wider." This statement at least provides a contrast to Buffon’s description of this part of the world and its features.
Linnæus said long ago, “Nescio quæ facies læta, glabra plantis Americanis” (I know not what there is of joyous and smooth in the aspect of American plants); and I think that in this country there are no, or at most very few, Africanæ bestiæ, African beasts, as the Romans called them, and that in this respect also it is peculiarly fitted for the habitation of man. We are told that within three miles of the center of the East Indian city of Singapore, some of the inhabitants are annually carried off by tigers; but the traveler can lie down in the woods at night almost anywhere in North America without fear of wild beasts.
Linnæus said a long time ago, “Nescio quæ facies læta, glabra plantis Americanis” (I don’t know what there is that's joyful and smooth about American plants); and I believe that in this country there are none, or at most very few, Africanæ bestiæ, African beasts, as the Romans called them, which makes it particularly suitable for human habitation. We hear that within three miles of the center of the East Indian city of Singapore, some locals are taken by tigers each year; but a traveler can lie down in the woods at night almost anywhere in North America without the fear of wild animals.
These are encouraging testimonies. If the moon looks larger here than in Europe, probably the sun looks larger also. If the heavens of America appear infinitely higher, and the stars brighter, I trust that these facts are symbolical of the height to which the philosophy and poetry and religion of her inhabitants may one day soar. At length, perchance, the immaterial heaven will appear as much higher to the American mind, and the intimations that star it as much brighter. For I believe that climate does thus react on man—as there is something in the mountain air that feeds the spirit and inspires. Will not man grow to greater perfection intellectually as well as physically under these influences? Or is it unimportant how many foggy days there are in his life? I trust that we shall be more imaginative, that our thoughts will be clearer, fresher, and more ethereal, as our sky—our understanding more comprehensive and broader, like our plains—our intellect generally on a grander scale, like our thunder and lightning, our rivers and mountains and forests,—and our hearts shall even correspond in breadth and depth and grandeur to our inland seas. Perchance there will appear to the traveler something, he knows not what, of læta and glabra, of joyous and serene, in our very faces. Else to what end does the world go on, and why was America discovered?
These are encouraging testimonials. If the moon looks bigger here than in Europe, then the sun likely looks bigger too. If the skies of America seem infinitely higher and the stars brighter, I hope these facts symbolize the heights to which the philosophy, poetry, and religion of its people may one day rise. Eventually, perhaps the immaterial heaven will appear just as much higher to the American mind, and the hints of brilliance it offers as much brighter. I believe that climate influences people—there’s something in the mountain air that nourishes the spirit and inspires creativity. Will people not grow toward greater perfection intellectually as well as physically under these influences? Or is it irrelevant how many foggy days they experience in life? I hope we become more imaginative, that our thoughts will be clearer, fresher, and more ethereal, just like our sky—our understanding more extensive and broader, like our plains—our intellect generally on a grander scale, like our thunder and lightning, our rivers and mountains and forests, and our hearts will also reflect the breadth, depth, and grandeur of our inland seas. Perhaps the traveler will see something he cannot name, of læta and glabra, of joy and serenity, in our very faces. Otherwise, what is the purpose of the world continuing as it does, and why was America discovered?
To Americans I hardly need to say—
To Americans, I hardly need to say—
“Westward the star of empire takes its way.”
“Westward, the star of progress makes its journey.”
As a true patriot, I should be ashamed to think that Adam in paradise was more favorably situated on the whole than the backwoodsman in this country.
As a true patriot, I should be ashamed to think that Adam in paradise had a better situation overall than a backwoodsman in this country.
Our sympathies in Massachusetts are not confined to New England; though we may be estranged from the South, we sympathize with the West. There is the home of the younger sons, as among the Scandinavians they took to the sea for their inheritance. It is too late to be studying Hebrew; it is more important to understand even the slang of today.
Our feelings in Massachusetts aren't limited to New England; even if we're distant from the South, we stand with the West. That’s where the younger generation finds its place, much like the Scandinavians who went to sea for their legacy. It's too late to be learning Hebrew; it's more crucial to grasp even today's slang.
Some months ago I went to see a panorama of the Rhine. It was like a dream of the Middle Ages. I floated down its historic stream in something more than imagination, under bridges built by the Romans, and repaired by later heroes, past cities and castles whose very names were music to my ears, and each of which was the subject of a legend. There were Ehrenbreitstein and Rolandseck and Coblentz, which I knew only in history. They were ruins that interested me chiefly. There seemed to come up from its waters and its vine-clad hills and valleys a hushed music as of crusaders departing for the Holy Land. I floated along under the spell of enchantment, as if I had been transported to an heroic age, and breathed an atmosphere of chivalry.
A few months ago, I went to see a panorama of the Rhine. It felt like a dream from the Middle Ages. I drifted down its historic river in more than just imagination, passing under bridges built by the Romans and later restored by heroes, alongside cities and castles whose names were music to my ears, each tied to a legend. There were Ehrenbreitstein and Rolandseck and Coblentz, which I only knew from history. I was mostly interested in the ruins. It felt like there was a soft music rising from its waters and vine-covered hills and valleys, as if crusaders were setting off for the Holy Land. I floated along under the spell of enchantment, as if I had been transported to a heroic age, breathing in an atmosphere of chivalry.
Soon after, I went to see a panorama of the Mississippi, and as I worked my way up the river in the light of to-day, and saw the steamboats wooding up, counted the rising cities, gazed on the fresh ruins of Nauvoo, beheld the Indians moving west across the stream, and, as before I had looked up the Moselle, now looked up the Ohio and the Missouri and heard the legends of Dubuque and of Wenona’s Cliff—still thinking more of the future than of the past or present—I saw that this was a Rhine stream of a different kind; that the foundations of castles were yet to be laid, and the famous bridges were yet to be thrown over the river; and I felt that this was the heroic age itself, though we know it not, for the hero is commonly the simplest and obscurest of men.
Soon after, I went to see a view of the Mississippi, and as I made my way up the river in today’s light, I watched the steamboats loading up with wood, counted the growing cities, looked at the fresh ruins of Nauvoo, and saw the Native Americans moving west across the river. Just as I had previously looked up the Moselle, I now looked up the Ohio and the Missouri and listened to the stories of Dubuque and Wenona’s Cliff—still thinking more about the future than the past or present—I realized that this was a Rhine river of a different sort; that the foundations of castles were yet to be built, and the famous bridges were yet to be constructed over the river; and I felt that this was the heroic age itself, though we don’t recognize it, because the hero is often the simplest and most obscure of people.
The West of which I speak is but another name for the Wild; and what I have been preparing to say is, that in Wildness is the preservation of the World. Every tree sends its fibers forth in search of the Wild. The cities import it at any price. Men plow and sail for it. From the forest and wilderness come the tonics and barks which brace mankind. Our ancestors were savages. The story of Romulus and Remus being suckled by a wolf is not a meaningless fable. The founders of every state which has risen to eminence have drawn their nourishment and vigor from a similar wild source. It was because the children of the Empire were not suckled by the wolf that they were conquered and displaced by the children of the northern forests who were.
The West I’m talking about is just another term for the Wild, and what I’ve been getting ready to say is that in Wildness lies the preservation of the World. Every tree sends its roots out in search of the Wild. Cities obtain it at any cost. People farm and sail for it. From the forest and wilderness come the tonics and remedies that strengthen humanity. Our ancestors were wild. The tale of Romulus and Remus being raised by a wolf is not just a meaningless story. The founders of every great state have drawn their strength and vitality from a similar wild source. It was because the children of the Empire weren’t nurtured by the wolf that they were conquered and displaced by the children of the northern forests who were.
I believe in the forest, and in the meadow, and in the night in which the corn grows. We require an infusion of hemlock spruce or arbor vitæ in our tea. There is a difference between eating and drinking for strength and from mere gluttony. The Hottentots eagerly devour the marrow of the koodoo and other antelopes raw, as a matter of course. Some of our northern Indians eat raw the marrow of the Arctic reindeer, as well as various other parts, including the summits of the antlers, as long as they are soft. And herein, perchance, they have stolen a march on the cooks of Paris. They get what usually goes to feed the fire. This is probably better than stall-fed beef and slaughterhouse pork to make a man of. Give me a wildness whose glance no civilization can endure,—as if we lived on the marrow of koodoos devoured raw.
I believe in the forest, the meadow, and the night when corn grows. We need a shot of hemlock spruce or arbor vitæ in our tea. There's a difference between eating and drinking for strength versus just being greedy. The Hottentots readily eat the marrow of the koodoo and other antelopes raw, naturally. Some of our northern Indians also eat the raw marrow of the Arctic reindeer, along with various other parts, including the tender tops of the antlers. In this way, they might have outsmarted the Parisian cooks. They take what usually ends up feeding the fire. That's probably better than grain-fed beef and slaughterhouse pork for building up a man. Give me a wildness that no civilization can handle—as if we lived on the raw marrow of koodoos.
There are some intervals which border the strain of the wood-thrush, to which I would migrate—wild lands where no settler has squatted; to which, methinks, I am already acclimated.
There are some places that surround the call of the wood-thrush, where I would move—untamed lands where no one has settled; to which, I think, I am already adapted.
The African hunter Cumming tells us that the skin of the eland, as well as that of most other antelopes just killed, emits the most delicious perfume of trees and grass. I would have every man so much like a wild antelope, so much a part and parcel of Nature, that his very person should thus sweetly advertise our senses of his presence, and remind us of those parts of nature which he most haunts. I feel no disposition to be satirical, when the trapper’s coat emits the odor of musquash even; it is a sweeter scent to me than that which commonly exhales from the merchant’s or the scholar’s garments. When I go into their wardrobes and handle their vestments, I am reminded of no grassy plains and flowery meads which they have frequented, but of dusty merchants’ exchanges and libraries rather.
The African hunter Cumming tells us that the skin of the eland, like that of most other recently killed antelopes, gives off a delightful scent of trees and grass. I wish every man were so much like a wild antelope, so closely connected to Nature, that his very presence would pleasantly announce itself to our senses and remind us of the natural places he loves. I don’t mean to be sarcastic when I say that even the muskrat odor from a trapper’s coat is sweeter to me than what usually comes from a merchant's or scholar's clothes. When I open their wardrobes and touch their clothing, I think of dusty merchants' exchanges and libraries rather than grassy plains and flower-filled meadows they might have enjoyed.
A tanned skin is something more than respectable, and perhaps olive is a fitter color than white for a man—a denizen of the woods. “The pale white man!” I do not wonder that the African pitied him. Darwin the naturalist says, “A white man bathing by the side of a Tahitian was like a plant bleached by the gardener’s art, compared with a fine, dark green one, growing vigorously in the open fields.”
A tanned complexion is more than just respectable, and maybe olive looks better than white for a guy—a person who lives in the woods. “The pale white man!” It’s no surprise that the African felt sorry for him. Darwin, the naturalist, says, “A white man bathing next to a Tahitian was like a plant that had been artificially bleached by a gardener compared to a vibrant, dark green one thriving in the open fields.”
Ben Jonson exclaims,—
Ben Jonson says,—
“How near to good is what is fair!”
“How close to good is what is fair!”
So I would say,—
So I'd say,—
“How near to good is what is wild!”
“How close to good is what is wild!”
Life consists with wildness. The most alive is the wildest. Not yet subdued to man, its presence refreshes him. One who pressed forward incessantly and never rested from his labors, who grew fast and made infinite demands on life, would always find himself in a new country or wilderness, and surrounded by the raw material of life. He would be climbing over the prostrate stems of primitive forest trees.
Life is full of wildness. The liveliest things are the wildest. Not yet tamed by humans, their presence revitalizes us. Someone who keeps pushing forward and never takes a break from their efforts, who develops quickly and has endless needs from life, would always find themselves in a new place or wilderness, surrounded by the raw essence of life. They would be navigating over the fallen trunks of ancient forest trees.
Hope and the future for me are not in lawns and cultivated fields, not in towns and cities, but in the impervious and quaking swamps. When, formerly, I have analyzed my partiality for some farm which I had contemplated purchasing, I have frequently found that I was attracted solely by a few square rods of impermeable and unfathomable bog—a natural sink in one corner of it. That was the jewel which dazzled me. I derive more of my subsistence from the swamps which surround my native town than from the cultivated gardens in the village. There are no richer parterres to my eyes than the dense beds of dwarf andromeda (Cassandra calyculata) which cover these tender places on the earth’s surface. Botany cannot go farther than tell me the names of the shrubs which grow there—the high-blueberry, panicled andromeda, lamb-kill, azalea, and rhodora—all standing in the quaking sphagnum. I often think that I should like to have my house front on this mass of dull red bushes, omitting other flower plots and borders, transplanted spruce and trim box, even graveled walks—to have this fertile spot under my windows, not a few imported barrow-fuls of soil only to cover the sand which was thrown out in digging the cellar. Why not put my house, my parlor, behind this plot, instead of behind that meager assemblage of curiosities, that poor apology for a Nature and art, which I call my front yard? It is an effort to clear up and make a decent appearance when the carpenter and mason have departed, though done as much for the passer-by as the dweller within. The most tasteful front-yard fence was never an agreeable object of study to me; the most elaborate ornaments, acorn tops, or what not, soon wearied and disgusted me. Bring your sills up to the very edge of the swamp, then (though it may not be the best place for a dry cellar,) so that there be no access on that side to citizens. Front yards are not made to walk in, but, at most, through, and you could go in the back way.
Hope and my future aren’t in lawns and cultivated fields, or in towns and cities, but in the impenetrable and shifting swamps. When I've looked back at my interest in some farm I considered buying, I often realized I was drawn in only by a few square yards of dense, mysterious bog—a natural sink in one corner. That was the treasure that captivated me. I get more of my meals from the swamps around my hometown than from the tended gardens in the village. To me, there are no richer flowerbeds than the thick patches of dwarf andromeda (Cassandra calyculata) that cover these delicate areas of the earth. Botany can only provide the names of the shrubs that grow there—the high blueberry, panicled andromeda, lamb-kill, azalea, and rhodora—all standing in the soft sphagnum moss. I often think I’d prefer to have my house facing this mass of dull red bushes, skipping standard flowerbeds, transplanted spruce, and neatly trimmed hedges, even gravel paths—to have this lush area right outside my windows, instead of just a few imported wheelbarrows of soil to cover the sand dug out when the cellar was made. Why not place my house, my living room, behind this patch instead of behind that sparse collection of curiosities, that poor excuse for nature and art, which I call my front yard? It's a hassle to tidy up and make everything look nice once the carpenter and mason have left, though it’s done more for the passerby than for the person living there. The most stylish front-yard fence has never interested me; even the most elaborate decorations like acorn caps quickly bored and disgusted me. Bring your sill right to the edge of the swamp, then (even if it's not the best spot for a dry cellar), so there's no way in from that side for the neighbors. Front yards aren't meant for walking in, but at most, just passing through, and you could always use the back entrance.
Yes, though you may think me perverse, if it were proposed to me to dwell in the neighborhood of the most beautiful garden that ever human art contrived, or else of a dismal swamp, I should certainly decide for the swamp. How vain, then, have been all your labors, citizens, for me!
Yes, even if you think I'm odd, if I had to choose between living next to the most beautiful garden ever created by human hands or a gloomy swamp, I would definitely pick the swamp. How pointless have all your efforts been, citizens, for me!
My spirits infallibly rise in proportion to the outward dreariness. Give me the ocean, the desert, or the wilderness! In the desert, pure air and solitude compensate for want of moisture and fertility. The traveler Burton says of it—“Your morale improves; you become frank and cordial, hospitable and single-minded.... In the desert, spirituous liquors excite only disgust. There is a keen enjoyment in a mere animal existence.” They who have been traveling long on the steppes of Tartary say, “On reentering cultivated lands, the agitation, perplexity, and turmoil of civilization oppressed and suffocated us; the air seemed to fail us, and we felt every moment as if about to die of asphyxia.” When I would recreate myself, I seek the darkest wood, the thickest and most interminable and, to the citizen, most dismal, swamp. I enter a swamp as a sacred place,—a sanctum sanctorum. There is the strength, the marrow, of Nature. The wild wood covers the virgin mould,—and the same soil is good for men and for trees. A man’s health requires as many acres of meadow to his prospect as his farm does loads of muck. There are the strong meats on which he feeds. A town is saved, not more by the righteous men in it than by the woods and swamps that surround it. A township where one primitive forest waves above while another primitive forest rots below—such a town is fitted to raise not only corn and potatoes, but poets and philosophers for the coming ages. In such a soil grew Homer and Confucius and the rest, and out of such a wilderness comes the reformer eating locusts and wild honey.
My mood always lifts in direct proportion to how bleak things are outside. Give me the ocean, the desert, or the wilderness! In the desert, the fresh air and solitude make up for the lack of moisture and fertility. The traveler Burton says about it—“Your morale improves; you become friendly and open-hearted, welcoming and straightforward.... In the desert, alcoholic drinks only turn your stomach. There’s a pure joy in just basic existence.” Those who have traveled long across the steppes of Tartary say, “Upon returning to cultivated lands, the stress, confusion, and chaos of civilization overwhelmed and smothered us; the air felt like it was escaping us, and we sensed every moment that we might suffocate.” When I want to recharge, I seek out the darkest forest, the thickest, most endless, and what the city dweller sees as the most depressing swamp. I enter a swamp as if it were a sacred place—a sanctum sanctorum. That is where the essence, the strength of Nature, lies. The wild forest covers the untouched earth—and the same soil is good for both people and trees. A person's well-being needs as many acres of meadow in their view as their farm requires truckloads of fertilizer. There are the hearty foods that sustain him. A town is saved not just by the righteous people in it but by the woods and swamps that surround it. A town where one ancient forest stands high while another ancient forest decays below—such a place can produce not only corn and potatoes but also poets and philosophers for the future. In such fertile ground grew Homer and Confucius and the others, and from such wilderness comes the reformer consuming locusts and wild honey.
To preserve wild animals implies generally the creation of a forest for them to dwell in or resort to. So it is with man. A hundred years ago they sold bark in our streets peeled from our own woods. In the very aspect of those primitive and rugged trees there was, methinks, a tanning principle which hardened and consolidated the fibers of men’s thoughts. Ah! already I shudder for these comparatively degenerate days of my native village, when you cannot collect a load of bark of good thickness, and we no longer produce tar and turpentine.
To protect wild animals usually means creating a forest for them to live in or retreat to. The same goes for humans. A hundred years ago, people sold bark from our own woods right in our streets. In the very look of those primitive and sturdy trees, there was, I think, a quality that toughened and strengthened the ideas of men. Ah! I already cringe for these relatively weakened days in my hometown, when you can’t even gather a decent load of thick bark, and we no longer produce tar and turpentine.
The civilized nations—Greece, Rome, England—have been sustained by the primitive forests which anciently rotted where they stand. They survive as long as the soil is not exhausted. Alas for human culture! little is to be expected of a nation, when the vegetable mould is exhausted, and it is compelled to make manure of the bones of its fathers. There the poet sustains himself merely by his own superfluous fat, and the philosopher comes down on his marrow bones.
The civilized nations—Greece, Rome, England—have thrived thanks to the ancient forests that once decayed in place. They endure as long as the soil remains fertile. Sadly for human culture! There’s not much to hope for a nation when the earth runs out of nutrients and has to rely on the remains of its ancestors for fertilizer. There, the poet survives just by his own excess, while the philosopher is reduced to crawling on his knees.
It is said to be the task of the American “to work the virgin soil,” and that “agriculture here already assumes proportions unknown everywhere else.” I think that the farmer displaces the Indian even because he redeems the meadow, and so makes himself stronger and in some respects more natural. I was surveying for a man the other day a single straight line one hundred and thirty-two rods long, through a swamp at whose entrance might have been written the words which Dante read over the entrance to the infernal regions,—“Leave all hope, ye that enter”—that is, of ever getting out again; where at one time I saw my employer actually up to his neck and swimming for his life in his property, though it was still winter. He had another similar swamp which I could not survey at all, because it was completely under water, and nevertheless, with regard to a third swamp, which I did survey from a distance, he remarked to me, true to his instincts, that he would not part with it for any consideration, on account of the mud which it contained. And that man intends to put a girdling ditch round the whole in the course of forty months, and so redeem it by the magic of his spade. I refer to him only as the type of a class.
It’s said that it’s the job of Americans “to cultivate the untapped land,” and that “agriculture here already takes on dimensions unseen anywhere else.” I believe that the farmer pushes the Native American out because he cultivates the fields, which makes him stronger and in some ways more in tune with nature. The other day, I was surveying a straight line one hundred and thirty-two rods long through a swamp that might as well have had Dante’s words over its entrance: “Abandon all hope, ye who enter”—meaning you might never get out again. I actually saw my employer once swimming for his life in that swamp, completely submerged, even though it was still winter. There was another swamp I couldn’t survey at all because it was entirely underwater, and yet regarding a third swamp that I did survey from a distance, he insisted that he wouldn’t give it up for anything, due to the valuable mud it contained. That man plans to dig a surrounding ditch around it within forty months, hoping to reclaim it with his shovel. I mention him only as a representative of a broader group.
The weapons with which we have gained our most important victories, which should be handed down as heirlooms from father to son, are not the sword and the lance, but the bushwhack, the turf-cutter, the spade, and the bog hoe, rusted with the blood of many a meadow, and begrimed with the dust of many a hard-fought field. The very winds blew the Indian’s cornfield into the meadow, and pointed out the way which he had not the skill to follow. He had no better implement with which to intrench himself in the land than a clam-shell. But the farmer is armed with plow and spade.
The tools that have brought us our greatest victories, which should be passed down as family treasures, aren't the sword and spear, but the bushwhack, turf-cutter, spade, and bog hoe, stained with the blood of many fields and covered in the dust of countless hard-won battles. Even the winds helped blow the Indian’s cornfield into the meadow, showing him the path he lacked the skill to navigate. He had nothing better than a clam shell to dig into the land. But the farmer is equipped with a plow and spade.
In literature it is only the wild that attracts us. Dullness is but another name for tameness. It is the uncivilized free and wild thinking in Hamlet and the Iliad, in all the scriptures and mythologies, not learned in the schools, that delights us. As the wild duck is more swift and beautiful than the tame, so is the wild—the mallard—thought, which ’mid falling dews wings its way above the fens. A truly good book is something as natural, and as unexpectedly and unaccountably fair and perfect, as a wild flower discovered on the prairies of the west or in the jungles of the east. Genius is a light which makes the darkness visible, like the lightning’s flash, which perchance shatters the temple of knowledge itself—and not a taper lighted at the hearthstone of the race, which pales before the light of common day.
In literature, it’s only the wild that captivates us. Dullness is just another word for tameness. It’s the uncivilized, free, and wild thinking in Hamlet and the Iliad, in all the scriptures and mythologies, not learned in schools, that fascinates us. Just as the wild duck is swifter and more beautiful than the tame, so is wild thought—the mallard—that soars above the wetlands at dawn. A truly great book is as natural and unexpectedly beautiful and perfect as a wildflower found on the prairies of the west or in the jungles of the east. Genius is a light that makes the darkness visible, like a flash of lightning that might even shatter the very temple of knowledge itself—not just a candle lit at the hearth of tradition, which fades in comparison to the brightness of day.
English literature, from the days of the minstrels to the Lake Poets—Chaucer and Spenser and Milton, and even Shakespeare included—breathes no quite fresh and in this sense wild strain. It is an essentially tame and civilized literature, reflecting Greece and Rome. Her wilderness is a green wood, her wild man a Robin Hood. There is plenty of genial love of Nature, but not so much of Nature herself. Her chronicles inform us when her wild animals, but not when the wild man in her, became extinct.
English literature, from the time of the minstrels to the Lake Poets—Chaucer, Spenser, Milton, and even Shakespeare—doesn't really express a fresh and wild spirit. It’s mostly tame and civilized, reflecting influences from Greece and Rome. Its wilderness is a serene forest, and its wild man is a figure like Robin Hood. There’s a strong appreciation for nature, but not as much of nature itself. Its chronicles tell us about the extinction of its wild animals, but not about when its wild human spirit faded away.
The science of Humboldt is one thing, poetry is another thing. The poet today, notwithstanding all the discoveries of science, and the accumulated learning of mankind, enjoys no advantage over Homer.
The science of Humboldt is one thing, poetry is another. The poet today, despite all the discoveries of science and the knowledge that humanity has gathered, has no advantage over Homer.
Where is the literature which gives expression to Nature? He would be a poet who could impress the winds and streams into his service, to speak for him; who nailed words to their primitive senses, as farmers drive down stakes in the spring, which the frost has heaved; who derived his words as often as he used them—transplanted them to his page with earth adhering to their roots; whose words were so true and fresh and natural that they would appear to expand like the buds at the approach of spring, though they lay half smothered between two musty leaves in a library,—aye, to bloom and bear fruit there, after their kind, annually, for the faithful reader, in sympathy with surrounding Nature.
Where is the literature that truly captures Nature? A real poet would harness the winds and streams to speak on his behalf; he would pin words to their original meanings, just like farmers stake down plants in spring after the frost has lifted them; he would extract his words as often as he used them—transplanting them to his page with soil still clinging to their roots; his words would be so genuine, fresh, and natural that they would seem to grow like buds as spring approaches, even if they lay half-hidden between two dusty pages in a library—yes, they would bloom and bear fruit there, year after year, for the dedicated reader, in harmony with the surrounding Nature.
I do not know of any poetry to quote which adequately expresses this yearning for the Wild. Approached from this side, the best poetry is tame. I do not know where to find in any literature, ancient or modern, any account which contents me of that Nature with which even I am acquainted. You will perceive that I demand something which no Augustan nor Elizabethan age, which no culture, in short, can give. Mythology comes nearer to it than anything. How much more fertile a Nature, at least, has Grecian mythology its root in than English literature! Mythology is the crop which the Old World bore before its soil was exhausted, before the fancy and imagination were affected with blight; and which it still bears, wherever its pristine vigor is unabated. All other literatures endure only as the elms which overshadow our houses; but this is like the great dragon-tree of the Western Isles, as old as mankind, and, whether that does or not, will endure as long; for the decay of other literatures makes the soil in which it thrives.
I can't think of any poetry that captures this longing for the Wild. From this perspective, the best poetry feels tame. I don’t know where to find in any literature, whether ancient or modern, anything that satisfies my understanding of Nature, even the Nature I’m familiar with. You’ll notice that I want something that no Augustan or Elizabethan era, no culture, can provide. Mythology gets closer than anything else. Just think how much richer the Nature of Greek mythology is compared to English literature! Mythology is the harvest that the Old World reaped before its soil became depleted, before imagination was stunted; and it still thrives wherever its original strength remains. All other literatures live on like the elm trees that shade our homes; but this is like the ancient dragon tree of the Western Isles, as old as humanity itself, and, whether it withers or not, it will last forever; for the decline of other literatures enriches the ground in which it flourishes.
The West is preparing to add its fables to those of the East. The valleys of the Ganges, the Nile, and the Rhine, having yielded their crop, it remains to be seen what the valleys of the Amazon, the Plate, the Orinoco, the St. Lawrence, and the Mississippi will produce. Perchance, when, in the course of ages, American liberty has become a fiction of the past,—as it is to some extent a fiction of the present,—the poets of the world will be inspired by American mythology.
The West is getting ready to contribute its stories to those of the East. The valleys of the Ganges, the Nile, and the Rhine have already produced their share, and now we’ll have to wait and see what the valleys of the Amazon, the Plate, the Orinoco, the St. Lawrence, and the Mississippi will bring forth. Maybe, when American freedom has turned into a myth over the ages—just as it is somewhat a myth today—the poets of the world will find inspiration in American legends.
The wildest dreams of wild men, even, are not the less true, though they may not recommend themselves to the sense which is most common among Englishmen and Americans to-day. It is not every truth that recommends itself to the common sense. Nature has a place for the wild clematis as well as for the cabbage. Some expressions of truth are reminiscent,—others merely sensible, as the phrase is,—others prophetic. Some forms of disease, even, may prophesy forms of health. The geologist has discovered that the figures of serpents, griffins, flying dragons, and other fanciful embellishments of heraldry, have their prototypes in the forms of fossil species which were extinct before man was created, and hence “indicate a faint and shadowy knowledge of a previous state of organic existence.” The Hindoos dreamed that the earth rested on an elephant, and the elephant on a tortoise, and the tortoise on a serpent; and though it may be an unimportant coincidence, it will not be out of place here to state, that a fossil tortoise has lately been discovered in Asia large enough to support an elephant. I confess that I am partial to these wild fancies, which transcend the order of time and development. They are the sublimest recreation of the intellect. The partridge loves peas, but not those that go with her into the pot.
The wildest dreams of wild men are still true, even if they don’t appeal to the common sense of people in England and America today. Not every truth is easily accepted by common sense. Nature has room for wild clematis as well as for cabbage. Some truths are nostalgic, others simply sensible, and some are prophetic. Even some diseases may signal future health. Geologists have found that the images of serpents, griffins, flying dragons, and other fanciful things in heraldry are based on real fossil species that existed before humans, suggesting a faint understanding of a past state of life. The Hindoos believed that the earth rests on an elephant, which stands on a tortoise, which is on a serpent; and while it might seem like a minor coincidence, it’s worth noting that a fossil tortoise big enough to hold an elephant was recently found in Asia. I admit I’m fond of these wild ideas that go beyond time and development. They are the highest form of mental entertainment. The partridge loves peas, but not the ones that end up in her pot.
In short, all good things are wild and free. There is something in a strain of music, whether produced by an instrument or by the human voice—take the sound of a bugle in a summer night, for instance,—which by its wildness, to speak without satire, reminds me of the cries emitted by wild beasts in their native forests. It is so much of their wildness as I can understand. Give me for my friends and neighbors wild men, not tame ones. The wildness of the savage is but a faint symbol of the awful ferity with which good men and lovers meet.
In short, all good things are wild and free. There's something about a piece of music, whether it's from an instrument or the human voice—like the sound of a bugle on a summer night—that truly captures a wild spirit, if I can say that without being sarcastic. It reminds me of the sounds wild animals make in their natural habitats. That's as much of their wildness as I can grasp. I prefer friends and neighbors who are wild, not tame. The wildness of a savage is just a faint reminder of the fierce passion with which good people and lovers connect.
I love even to see the domestic animals reassert their native rights—any evidence that they have not wholly lost their original wild habits and vigor; as when my neighbor’s cow breaks out of her pasture early in the spring and boldly swims the river, a cold, gray tide, twenty-five or thirty rods wide, swollen by the melted snow. It is the buffalo crossing the Mississippi. This exploit confers some dignity on the herd in my eyes—already dignified. The seeds of instinct are preserved under the thick hides of cattle and horses, like seeds in the bowels of the earth, an indefinite period.
I love to see domesticated animals reclaim their natural rights—any sign that they haven’t completely lost their wild instincts and energy; like when my neighbor’s cow breaks free from her pasture early in the spring and confidently swims across the river, a cold, gray current, twenty-five or thirty rods wide, swollen from the melted snow. It’s just like a buffalo crossing the Mississippi. This act adds some dignity to the herd in my eyes—already dignified. The instincts are preserved beneath the thick hides of cattle and horses, like seeds buried deep in the earth for an indefinite time.
Any sportiveness in cattle is unexpected. I saw one day a herd of a dozen bullocks and cows running about and frisking in unwieldy sport, like huge rats, even like kittens. They shook their heads, raised their tails, and rushed up and down a hill, and I perceived by their horns, as well as by their activity, their relation to the deer tribe. But, alas! a sudden loud Whoa! would have damped their ardor at once, reduced them from venison to beef, and stiffened their sides and sinews like the locomotive. Who but the Evil One has cried “Whoa!” to mankind? Indeed, the life of cattle, like that of many men, is but a sort of locomotiveness; they move a side at a time, and man, by his machinery, is meeting the horse and the ox half way. Whatever part the whip has touched is thenceforth palsied. Who would ever think of a side of any of the supple cat tribe, as we speak of a side of beef?
Any playfulness in cattle is surprising. One day, I saw a group of about twelve bulls and cows running around and frolicking in clumsy fun, like huge rats or even like kittens. They shook their heads, raised their tails, and dashed up and down a hill, and I noticed from their horns, as well as their energy, their connection to the deer family. But, unfortunately, a sudden loud Whoa! would have instantly killed their enthusiasm, turning them from game to meat, and stiffening their muscles like a train. Who but the devil has shouted “Whoa!” at humanity? Indeed, the life of cattle, like that of many people, is just a kind of movement; they shift to one side at a time, and human machinery is meeting the horse and the ox halfway. Whatever part has been touched by the whip becomes useless. Who would ever think of a side of any of the agile cat family, as we talk about a side of beef?
I rejoice that horses and steers have to be broken before they can be made the slaves of men, and that men themselves have some wild oats still left to sow before they become submissive members of society. Undoubtedly, all men are not equally fit subjects for civilization; and because the majority, like dogs and sheep, are tame by inherited disposition, this is no reason why the others should have their natures broken that they may be reduced to the same level. Men are in the main alike, but they were made several in order that they might be various. If a low use is to be served, one man will do nearly or quite as well as another; if a high one, individual excellence is to be regarded. Any man can stop a hole to keep the wind away, but no other man could serve so rare a use as the author of this illustration did. Confucius says,—“The skins of the tiger and the leopard, when they are tanned, are as the skins of the dog and the sheep tanned.” But it is not the part of a true culture to tame tigers, any more than it is to make sheep ferocious; and tanning their skins for shoes is not the best use to which they can be put.
I’m glad that horses and cattle have to be trained before they can be made into slaves for humans, and that people still have some wildness left in them before they settle down in society. Clearly, not everyone is equally suited for civilization; just because the majority, like dogs and sheep, are naturally docile, it doesn't mean the others should be forced to conform to that same standard. People are mostly similar, but they were created different so they could be diverse. If a low task needs to be done, one person can manage just as well as another; but for a higher purpose, we need to appreciate individual excellence. Anyone can plug a hole to block the wind, but no one could fulfill such a unique role as the person who created this example. Confucius says, “The skins of the tiger and the leopard, when tanned, are like the skins of the dog and the sheep tanned.” But true cultural progress doesn’t involve domesticating tigers, just as it doesn’t mean turning sheep into fierce creatures; turning their skins into shoes isn’t the highest purpose they can serve.
When looking over a list of men’s names in a foreign language, as of military officers, or of authors who have written on a particular subject, I am reminded once more that there is nothing in a name. The name Menschikoff, for instance, has nothing in it to my ears more human than a whisker, and it may belong to a rat. As the names of the Poles and Russians are to us, so are ours to them. It is as if they had been named by the child’s rigmarole—Iery-wiery ichery van, tittle-tol-tan. I see in my mind a herd of wild creatures swarming over the earth, and to each the herdsman has affixed some barbarous sound in his own dialect. The names of men are, of course, as cheap and meaningless as Bose and Tray, the names of dogs.
When I look at a list of men's names in a foreign language, like those of military officers or authors who have written on a certain topic, I’m reminded once again that a name doesn’t mean much. Take the name Menschikoff, for example; to me, it sounds no more human than a whisker, and it could belong to a rat. Just as Polish and Russian names sound to us, our names sound to them. It’s like they were named by a child's nonsense rhyme—Iery-wiery ichery van, tittle-tol-tan. I picture a herd of wild creatures roaming the earth, and each one has been given a strange sound in the herdsman’s language. Men’s names are really as cheap and meaningless as Bose and Tray, which are names for dogs.
Methinks it would be some advantage to philosophy if men were named merely in the gross, as they are known. It would be necessary only to know the genus and perhaps the race or variety, to know the individual. We are not prepared to believe that every private soldier in a Roman army had a name of his own—because we have not supposed that he had a character of his own. At present our only true names are nicknames. I knew a boy who, from his peculiar energy, was called “Buster” by his playmates, and this rightly supplanted his Christian name. Some travellers tell us that an Indian had no name given him at first, but earned it, and his name was his fame; and among some tribes he acquired a new name with every new exploit. It is pitiful when a man bears a name for convenience merely, who has earned neither name nor fame.
I think it would benefit philosophy if people were named simply based on their general traits, as they actually are. You would only need to know the type and maybe the ethnicity or variation to identify the individual. We can’t really believe that every private soldier in a Roman army had his own unique name—because we’ve never thought he had his own unique character. Right now, our only real names are nicknames. I knew a boy who was called “Buster” by his friends because of his unique energy, and that name naturally replaced his given name. Some travelers say that for some Native Americans, a name wasn’t given at birth but earned through accomplishments, and their name reflected their reputation; in certain tribes, a person got a new name with every new achievement. It’s sad when someone holds a name just for convenience and has earned neither a name nor a reputation.
I will not allow mere names to make distinctions for me, but still see men in herds for all them. A familiar name cannot make a man less strange to me. It may be given to a savage who retains in secret his own wild title earned in the woods. We have a wild savage in us, and a savage name is perchance somewhere recorded as ours. I see that my neighbor, who bears the familiar epithet William or Edwin, takes it off with his jacket. It does not adhere to him when asleep or in anger, or aroused by any passion or inspiration. I seem to hear pronounced by some of his kin at such a time his original wild name in some jaw-breaking or else melodious tongue.
I won’t let just names define my opinions, but I still see people as part of a group because of them. A familiar name doesn’t make someone any less unfamiliar to me. It can be given to a savage who secretly holds onto his wild name earned in the wilderness. We all have a wild side within us, and perhaps somewhere there’s a savage name recorded for us. I notice that my neighbor, who goes by the common names William or Edwin, sheds it like a jacket. It doesn’t stick with him when he’s asleep or angry, or when he’s stirred by emotion or inspiration. I can almost hear his family calling him by his original wild name in some complicated or melodic language at those moments.
Here is this vast, savage, hovering mother of ours, Nature, lying all around, with such beauty, and such affection for her children, as the leopard; and yet we are so early weaned from her breast to society, to that culture which is exclusively an interaction of man on man,—a sort of breeding in and in, which produces at most a merely English nobility, a civilization destined to have a speedy limit.
Here is this vast, wild, hovering mother of ours, Nature, surrounding us, with such beauty and affection for her children, like the leopard; and yet we are quickly separated from her embrace to enter society, to that culture which is all about interactions between people—a kind of inbreeding that at best produces just a typical English nobility, a civilization bound to reach its limits soon.
In society, in the best institutions of men, it is easy to detect a certain precocity. When we should still be growing children, we are already little men. Give me a culture which imports much muck from the meadows, and deepens the soil—not that which trusts to heating manures, and improved implements and modes of culture only!
In society, in the best institutions created by people, it’s easy to notice a certain maturity too soon. When we should still be growing up, we’re already acting like adults. Give me a culture that brings in a lot of organic matter from the fields and enriches the soil—not one that only relies on artificial fertilizers, advanced tools, and methods!
Many a poor sore-eyed student that I have heard of would grow faster, both intellectually and physically, if, instead of sitting up so very late, he honestly slumbered a fool’s allowance.
Many a struggling student I’ve heard of would grow faster, both in knowledge and physically, if, instead of staying up so late, they honestly got a reasonable amount of sleep.
There may be an excess even of informing light. Niepce, a Frenchman, discovered “actinism,” that power in the sun’s rays which produces a chemical effect; that granite rocks, and stone structures, and statues of metal “are all alike destructively acted upon during the hours of sunshine, and, but for provisions of Nature no less wonderful, would soon perish under the delicate touch of the most subtle of the agencies of the universe.” But he observed that “those bodies which underwent this change during the daylight possessed the power of restoring themselves to their original conditions during the hours of night, when this excitement was no longer influencing them.” Hence it has been inferred that “the hours of darkness are as necessary to the inorganic creation as we know night and sleep are to the organic kingdom.” Not even does the moon shine every night, but gives place to darkness.
There can be too much light, even when it comes to informing us. Niepce, a Frenchman, discovered “actinism,” which is the power in sunlight that causes chemical reactions; he noted that granite rocks, stone structures, and metal statues "are all similarly damaged during sunny hours, and without nature's equally amazing provisions, would quickly deteriorate under the gentle touch of the most subtle forces in the universe." However, he also observed that "those materials that changed during the day could return to their original state at night, when this influence was no longer affecting them." This leads to the conclusion that "the hours of darkness are just as crucial to inanimate objects as night and sleep are to living beings." The moon doesn’t shine every night either, allowing for periods of darkness.
I would not have every man nor every part of a man cultivated, any more than I would have every acre of earth cultivated: part will be tillage, but the greater part will be meadow and forest, not only serving an immediate use, but preparing a mould against a distant future, by the annual decay of the vegetation which it supports.
I wouldn't want every person or every part of a person to be cultivated, just like I wouldn't want every piece of land to be farmed: some areas should be cultivated, but most should be meadows and forests, which not only serve an immediate purpose but also prepare the soil for the future through the yearly decay of the plants that grow there.
There are other letters for the child to learn than those which Cadmus invented. The Spaniards have a good term to express this wild and dusky knowledge—Gramatica parda—tawny grammar, a kind of mother-wit derived from that same leopard to which I have referred.
There are other letters for the child to learn besides the ones that Cadmus came up with. The Spaniards have a neat term for this raw and gritty knowledge—Gramatica parda—tawny grammar, a type of common sense inspired by the same leopard I mentioned earlier.
We have heard of a Society for the Diffusion of Useful Knowledge. It is said that knowledge is power, and the like. Methinks there is equal need of a Society for the Diffusion of Useful Ignorance, what we will call Beautiful Knowledge, a knowledge useful in a higher sense: for what is most of our boasted so-called knowledge but a conceit that we know something, which robs us of the advantage of our actual ignorance? What we call knowledge is often our positive ignorance; ignorance our negative knowledge. By long years of patient industry and reading of the newspapers—for what are the libraries of science but files of newspapers—a man accumulates a myriad facts, lays them up in his memory, and then when in some spring of his life he saunters abroad into the Great Fields of thought, he, as it were, goes to grass like a horse and leaves all his harness behind in the stable. I would say to the Society for the Diffusion of Useful Knowledge, sometimes,—Go to grass. You have eaten hay long enough. The spring has come with its green crop. The very cows are driven to their country pastures before the end of May; though I have heard of one unnatural farmer who kept his cow in the barn and fed her on hay all the year round. So, frequently, the Society for the Diffusion of Useful Knowledge treats its cattle.
We’ve heard of a Society for the Diffusion of Useful Knowledge. They're always saying that knowledge is power and all that. I think there’s just as much need for a Society for the Diffusion of Useful Ignorance, which we could call Beautiful Knowledge—a kind of knowledge that’s useful on a deeper level: because what we often call knowledge is just an illusion that we know something, which prevents us from benefiting from our actual ignorance. What we refer to as knowledge is often just our active ignorance; ignorance is our passive knowledge. Over many years of diligent work and reading newspapers—since what are science libraries but stacks of newspapers—a person gathers countless facts, stores them in their memory, and then when they step out into the broader fields of thought, it’s like they become a horse that’s turned free, leaving all its gear back in the stable. Sometimes, I would tell the Society for the Diffusion of Useful Knowledge, “Take a break. You’ve been munching on hay long enough. Spring has arrived with its fresh growth. Cows are usually taken to pasture before the end of May; although I’ve heard of one strange farmer who kept his cow in the barn and fed her hay all year long. Often, this is how the Society for the Diffusion of Useful Knowledge treats its cattle.
A man’s ignorance sometimes is not only useful, but beautiful—while his knowledge, so called, is oftentimes worse than useless, besides being ugly. Which is the best man to deal with—he who knows nothing about a subject, and, what is extremely rare, knows that he knows nothing, or he who really knows something about it, but thinks that he knows all?
A man's ignorance can sometimes be not just useful, but also beautiful—whereas his so-called knowledge is often worse than useless and can be unattractive. Who is the better person to engage with—someone who knows nothing about a topic and, what is very rare, realizes that he knows nothing, or someone who knows a bit about it but believes he knows everything?
My desire for knowledge is intermittent, but my desire to bathe my head in atmospheres unknown to my feet is perennial and constant. The highest that we can attain to is not Knowledge, but Sympathy with Intelligence. I do not know that this higher knowledge amounts to anything more definite than a novel and grand surprise on a sudden revelation of the insufficiency of all that we called Knowledge before—a discovery that there are more things in heaven and earth than are dreamed of in our philosophy. It is the lighting up of the mist by the sun. Man cannot know in any higher sense than this, any more than he can look serenely and with impunity in the face of the sun: Ὁς τὶ νοῶν, οὐ κεῖνον νοήσεις,—“You will not perceive that, as perceiving a particular thing,” say the Chaldean Oracles.
My desire for knowledge comes and goes, but my longing to immerse myself in experiences beyond my reach is always there. The highest we can achieve is not Knowledge, but an understanding that resonates with Intelligence. I don’t think this deeper knowledge represents anything more specific than a surprising revelation about how inadequate what we called Knowledge before really is—a realization that there are more things in heaven and earth than our philosophies have imagined. It’s like the sun clearing away the fog. A person can’t truly know any better than this, just like they can’t gaze calmly and without harm into the sun’s light: Ὁς τὶ νοῶν, οὐ κείνον νοήσεις,—“You will not perceive that, as perceiving a particular thing,” says the Chaldean Oracles.
There is something servile in the habit of seeking after a law which we may obey. We may study the laws of matter at and for our convenience, but a successful life knows no law. It is an unfortunate discovery certainly, that of a law which binds us where we did not know before that we were bound. Live free, child of the mist—and with respect to knowledge we are all children of the mist. The man who takes the liberty to live is superior to all the laws, by virtue of his relation to the law-maker. “That is active duty,” says the Vishnu Purana, “which is not for our bondage; that is knowledge which is for our liberation: all other duty is good only unto weariness; all other knowledge is only the cleverness of an artist.”
There’s something submissive about constantly looking for a rule to follow. We can learn the laws of the physical world for our own benefit, but a truly successful life isn’t governed by rules. It’s a tough realization to discover a law that restricts us when we didn’t even know we were restricted. Live freely, child of the mist—and concerning knowledge, we are all children of the mist. The person who dares to live is above all laws because of their connection to the lawgiver. “Active duty,” says the Vishnu Purana, “is what doesn’t lead to our bondage; knowledge is what sets us free: all other duty only leads to exhaustion; all other knowledge is just the skill of an artist.”
It is remarkable how few events or crises there are in our histories, how little exercised we have been in our minds, how few experiences we have had. I would fain be assured that I am growing apace and rankly, though my very growth disturb this dull equanimity—though it be with struggle through long, dark, muggy nights or seasons of gloom. It would be well if all our lives were a divine tragedy even, instead of this trivial comedy or farce. Dante, Bunyan, and others appear to have been exercised in their minds more than we: they were subjected to a kind of culture such as our district schools and colleges do not contemplate. Even Mahomet, though many may scream at his name, had a good deal more to live for, aye, and to die for, than they have commonly.
It's striking how few events or crises have shaped our lives, how little we've challenged our minds, and how few experiences we've had. I wish I could be sure that I'm growing rapidly and deeply, even if that growth disrupts this dull calm—whether it means struggling through long, dark, muggy nights or seasons of gloom. It would be better if our lives were a grand tragedy instead of this trivial comedy or farce. Dante, Bunyan, and others seemed to engage with their thoughts far more than we do; they went through a kind of education that our local schools and colleges don’t provide. Even Muhammad, despite how some may react to his name, had much more to live and die for than most people do.
When, at rare intervals, some thought visits one, as perchance he is walking on a railroad, then, indeed, the cars go by without his hearing them. But soon, by some inexorable law, our life goes by and the cars return.
When, on rare occasions, a thought comes to you while you're maybe walking on a railroad, the trains pass by without you even noticing them. But soon, through some unavoidable rule, our life moves on and the trains come back.
“Gentle breeze, that wanderest unseen,
And bendest the thistles round Loira of storms,
Traveler of the windy glens,
Why hast thou left my ear so soon?”
"Soft breeze, that moves without being seen,
And bends the thistles around Loira of storms,
Traveler of the windy valleys,
Why have you left my ear so quickly?"
While almost all men feel an attraction drawing them to society, few are attracted strongly to Nature. In their relation to Nature men appear to me for the most part, notwithstanding their arts, lower than the animals. It is not often a beautiful relation, as in the case of the animals. How little appreciation of the beauty of the landscape there is among us! We have to be told that the Greeks called the world Κόσμος Beauty, or Order, but we do not see clearly why they did so, and we esteem it at best only a curious philological fact.
While almost all men feel a pull toward society, few feel a strong attraction to Nature. In their connection to Nature, men often seem to me, despite their achievements, lower than animals. The relationship isn’t usually beautiful, as it is with animals. How little we appreciate the beauty of the landscape! We have to be reminded that the Greeks called the world Κόσμος, meaning Beauty or Order, but we don’t fully understand why they did so, and at best, we consider it just an interesting linguistic fact.
For my part, I feel that with regard to Nature I live a sort of border life, on the confines of a world into which I make occasional and transient forays only, and my patriotism and allegiance to the state into whose territories I seem to retreat are those of a moss-trooper. Unto a life which I call natural I would gladly follow even a will-o’-the-wisp through bogs and sloughs unimaginable, but no moon nor firefly has shown me the causeway to it. Nature is a personality so vast and universal that we have never seen one of her features. The walker in the familiar fields which stretch around my native town sometimes finds himself in another land than is described in their owners’ deeds, as it were in some faraway field on the confines of the actual Concord, where her jurisdiction ceases, and the idea which the word Concord suggests ceases to be suggested. These farms which I have myself surveyed, these bounds which I have set up, appear dimly still as through a mist; but they have no chemistry to fix them; they fade from the surface of the glass, and the picture which the painter painted stands out dimly from beneath. The world with which we are commonly acquainted leaves no trace, and it will have no anniversary.
For me, I feel like I live on the edge of nature, only occasionally venturing into a world that feels distant and temporary. My loyalty to the state I seem to retreat into is like that of a cowardly outlaw. I would gladly chase even a mythical light through unimaginable swamps to reach a life I consider natural, but no moon or firefly has shown me the way there. Nature is such a vast and universal presence that we’ve never fully grasped any part of it. When walking in the familiar fields around my hometown, one can sometimes find themselves in a land that feels different from the one described in property deeds—like stepping into a distant realm beyond the actual Concord, where its influence ends and the meaning the name Concord conveys disappears. The farms I've surveyed and the boundaries I've established appear hazy, like they're seen through mist; but they lack the essence to make them permanent. They fade from view, and the image the artist created becomes faint beneath the surface. The world we're familiar with leaves no lasting mark, and it won't celebrate any anniversaries.
I took a walk on Spaulding’s Farm the other afternoon. I saw the setting sun lighting up the opposite side of a stately pine wood. Its golden rays straggled into the aisles of the wood as into some noble hall. I was impressed as if some ancient and altogether admirable and shining family had settled there in that part of the land called Concord, unknown to me—to whom the sun was servant—who had not gone into society in the village—who had not been called on. I saw their park, their pleasure-ground, beyond through the wood, in Spaulding’s cranberry-meadow. The pines furnished them with gables as they grew. Their house was not obvious to vision; the trees grew through it. I do not know whether I heard the sounds of a suppressed hilarity or not. They seemed to recline on the sunbeams. They have sons and daughters. They are quite well. The farmer’s cart-path, which leads directly through their hall, does not in the least put them out, as the muddy bottom of a pool is sometimes seen through the reflected skies. They never heard of Spaulding, and do not know that he is their neighbor,—notwithstanding I heard him whistle as he drove his team through the house. Nothing can equal the serenity of their lives. Their coat-of-arms is simply a lichen. I saw it painted on the pines and oaks. Their attics were in the tops of the trees. They are of no politics. There was no noise of labor. I did not perceive that they were weaving or spinning. Yet I did detect, when the wind lulled and hearing was done away, the finest imaginable sweet musical hum,—as of a distant hive in May, which perchance was the sound of their thinking. They had no idle thoughts, and no one without could see their work, for their industry was not as in knots and excrescences embayed.
I went for a walk on Spaulding’s Farm the other afternoon. I saw the setting sun lighting up the other side of a grand pine forest. Its golden rays streamed into the aisles of the woods like they were entering some great hall. I was struck by the idea that some ancient and truly admirable family lived there in that part of Concord, unknown to me—who the sun served—who hadn’t mingled with the village society—who hadn’t been visited. I glimpsed their park, their pleasure ground, beyond the wood, in Spaulding’s cranberry meadow. The pines formed gables as they grew. Their house wasn’t clearly visible; the trees grew around it. I can’t say if I heard sounds of muffled laughter or not. They seemed to lounge on the sunbeams. They have sons and daughters. They are doing quite well. The farmer’s cart path, which goes straight through their hall, doesn’t bother them at all, like the muddy bottom of a pool visible through the reflected sky. They’ve never heard of Spaulding and don’t even know he’s their neighbor—though I heard him whistle as he drove his team through the house. Nothing compares to the peace of their lives. Their coat of arms is simply a lichen. I saw it painted on the pines and oaks. Their attics were in the tops of the trees. They have no political views. There was no sound of work. I didn’t notice them weaving or spinning. Yet when the wind calmed, I picked up the sweetest, faintest musical hum—as if from a distant hive in May—which might have been the sound of their thoughts. They had no idle thoughts, and no one outside could see their work, as their industry wasn’t tangled up or unsightly.
But I find it difficult to remember them. They fade irrevocably out of my mind even now while I speak and endeavor to recall them, and recollect myself. It is only after a long and serious effort to recollect my best thoughts that I become again aware of their cohabitancy. If it were not for such families as this, I think I should move out of Concord.
But I find it hard to remember them. They fade away completely from my mind even now while I talk and try to recall them and collect my thoughts. It’s only after a long and focused effort to remember my best ideas that I become aware of their presence again. If it weren’t for families like this, I think I would leave Concord.
We are accustomed to say in New England that few and fewer pigeons visit us every year. Our forests furnish no mast for them. So, it would seem, few and fewer thoughts visit each growing man from year to year, for the grove in our minds is laid waste,—sold to feed unnecessary fires of ambition, or sent to mill, and there is scarcely a twig left for them to perch on. They no longer build nor breed with us. In some more genial season, perchance, a faint shadow flits across the landscape of the mind, cast by the wings of some thought in its vernal or autumnal migration, but, looking up, we are unable to detect the substance of the thought itself. Our winged thoughts are turned to poultry. They no longer soar, and they attain only to a Shanghai and Cochin China grandeur. Those gra-a-ate thoughts, those gra-a-ate men you hear of!
We often say in New England that fewer and fewer pigeons visit us each year. Our forests don’t provide any food for them. Similarly, it seems that fewer and fewer thoughts come to each person as they grow, because the grove in our minds is depleted—sold off to feed unnecessary ambitions, or ground down, leaving barely a branch for them to land on. They no longer build or breed with us. Perhaps in some kinder season, a fleeting shadow passes across the landscape of the mind, created by the wings of a thought during its spring or autumn migration, but when we look up, we can’t identify the thought itself. Our once lofty thoughts have been reduced to something ordinary. They no longer soar; they only reach a level of common grandeur. Those great thoughts, those great people you hear about!
We hug the earth—how rarely we mount! Methinks we might elevate ourselves a little more. We might climb a tree, at least. I found my account in climbing a tree once. It was a tall white pine, on the top of a hill; and though I got well pitched, I was well paid for it, for I discovered new mountains in the horizon which I had never seen before,—so much more of the earth and the heavens. I might have walked about the foot of the tree for threescore years and ten, and yet I certainly should never have seen them. But, above all, I discovered around me,—it was near the end of June,—on the ends of the topmost branches only, a few minute and delicate red conelike blossoms, the fertile flower of the white pine looking heavenward. I carried straightway to the village the topmost spire, and showed it to stranger jurymen who walked the streets,—for it was court week—and to farmers and lumber-dealers and wood-choppers and hunters, and not one had ever seen the like before, but they wondered as at a star dropped down. Tell of ancient architects finishing their works on the tops of columns as perfectly as on the lower and more visible parts! Nature has from the first expanded the minute blossoms of the forest only toward the heavens, above men’s heads and unobserved by them. We see only the flowers that are under our feet in the meadows. The pines have developed their delicate blossoms on the highest twigs of the wood every summer for ages, as well over the heads of Nature’s red children as of her white ones; yet scarcely a farmer or hunter in the land has ever seen them.
We hug the ground—how rarely do we rise up! I think we could lift ourselves a bit more. We could at least climb a tree. I once found great value in climbing a tree. It was a tall white pine on top of a hill; and even though I got a little stuck, it was worth it because I spotted new mountains on the horizon that I had never seen before—so much more of the earth and the sky. I could have wandered around the base of the tree for seventy years and still never have noticed them. But above all, I discovered—this was near the end of June—on the tips of the highest branches, a few tiny, delicate red cone-shaped flowers, the fertile blooms of the white pine reaching toward the sky. I immediately took the highest sprig to the village and showed it to random jurymen strolling through the streets—because it was court week—along with farmers, lumberjacks, woodcutters, and hunters, and none had ever seen anything like it before; they were amazed as if a star had dropped down. Just imagine ancient builders finishing their works on the tops of columns as perfectly as on the lower, more visible parts! Nature has always directed the tiny blossoms of the forest toward the heavens, above people's heads where they remain unnoticed. We only see the flowers that are at our feet in the meadows. The pines have produced their delicate blossoms on the highest twigs every summer for ages, both over the heads of Nature's red children and her white ones; yet hardly a farmer or hunter in the land has ever seen them.
Above all, we cannot afford not to live in the present. He is blessed over all mortals who loses no moment of the passing life in remembering the past. Unless our philosophy hears the cock crow in every barn-yard within our horizon, it is belated. That sound commonly reminds us that we are growing rusty and antique in our employments and habits of thoughts. His philosophy comes down to a more recent time than ours. There is something suggested by it that is a newer testament,—the gospel according to this moment. He has not fallen astern; he has got up early and kept up early, and to be where he is, is to be in season, in the foremost rank of time. It is an expression of the health and soundness of Nature, a brag for all the world,—healthiness as of a spring burst forth, a new fountain of the Muses, to celebrate this last instant of time. Where he lives no fugitive slave laws are passed. Who has not betrayed his master many times since last he heard that note?
Above all, we can't afford not to live in the present. He is truly fortunate among all people who doesn't waste any moment of life by dwelling on the past. If our philosophy doesn't hear the rooster crowing in every yard within our view, it's already outdated. That sound usually reminds us that we're becoming stale and old-fashioned in our work and ways of thinking. His philosophy is more current than ours. It suggests something like a new testament—the gospel of this moment. He hasn't fallen behind; he has gotten up early and stayed up early, and being where he is means being in season, at the forefront of time. It's an expression of the health and vitality of Nature, a boast to the world—freshness like a spring bursting forth, a new source of inspiration to celebrate this very moment. Where he lives, no fugitive slave laws are enacted. Who hasn't betrayed their master many times since they last heard that sound?
The merit of this bird’s strain is in its freedom from all plaintiveness. The singer can easily move us to tears or to laughter, but where is he who can excite in us a pure morning joy? When, in doleful dumps, breaking the awful stillness of our wooden sidewalk on a Sunday, or, perchance, a watcher in the house of mourning, I hear a cockerel crow far or near, I think to myself, “There is one of us well, at any rate,”—and with a sudden gush return to my senses.
The beauty of this bird's song lies in its complete lack of sadness. The singer can easily bring us to tears or make us laugh, but where is the one who can inspire a pure morning joy in us? When I'm feeling down, breaking the heavy silence of our quiet street on a Sunday, or perhaps in a place of mourning, and I hear a rooster crow nearby or far away, I think to myself, "At least one of us is doing well"—and I suddenly feel alive again.
We had a remarkable sunset one day last November. I was walking in a meadow, the source of a small brook, when the sun at last, just before setting, after a cold grey day, reached a clear stratum in the horizon, and the softest, brightest morning sunlight fell on the dry grass and on the stems of the trees in the opposite horizon and on the leaves of the shrub-oaks on the hillside, while our shadows stretched long over the meadow eastward, as if we were the only motes in its beams. It was such a light as we could not have imagined a moment before, and the air also was so warm and serene that nothing was wanting to make a paradise of that meadow. When we reflected that this was not a solitary phenomenon, never to happen again, but that it would happen forever and ever, an infinite number of evenings, and cheer and reassure the latest child that walked there, it was more glorious still.
We had an amazing sunset one day last November. I was walking in a meadow by a small brook when the sun finally broke through right before setting, after a cold, grey day. It reached a clear point on the horizon, and the softest, brightest morning sunlight illuminated the dry grass, the tree branches in the distance, and the leaves of the scrub oaks on the hillside, while our shadows stretched long over the meadow to the east, as if we were the only specks in its rays. It was a light we couldn’t have imagined just a moment before, and the air was so warm and calm that nothing could have made that meadow feel more like paradise. When we realized that this wasn’t a one-time event, never to be seen again, but something that would happen over and over, on countless evenings, bringing joy and comfort to the last child who walked there, it felt even more glorious.
The sun sets on some retired meadow, where no house is visible, with all the glory and splendor that it lavishes on cities, and perchance as it has never set before,—where there is but a solitary marsh hawk to have his wings gilded by it, or only a musquash looks out from his cabin, and there is some little black-veined brook in the midst of the marsh, just beginning to meander, winding slowly round a decaying stump. We walked in so pure and bright a light, gilding the withered grass and leaves, so softly and serenely bright, I thought I had never bathed in such a golden flood, without a ripple or a murmur to it. The west side of every wood and rising ground gleamed like the boundary of Elysium, and the sun on our backs seemed like a gentle herdsman driving us home at evening.
The sun sets over a quiet meadow, where no houses are in sight, shining with all the beauty and brilliance it brings to cities, perhaps even more so than ever before—where only a lone marsh hawk benefits from its golden rays, or a muskrat peeks out from its burrow, and a small, dark-veined brook begins to wind through the marsh, slowly curving around a rotting stump. We walked in such pure and bright light, illuminating the dried grass and leaves, so softly and peacefully bright, I felt like I had never experienced such a golden glow, without a single ripple or sound. The west side of every forest and rise sparkled like the edge of paradise, and the sun on our backs felt like a gentle shepherd guiding us home in the evening.
So we saunter toward the Holy Land, till one day the sun shall shine more brightly than ever he has done, shall perchance shine into our minds and hearts, and light up our whole lives with a great awakening light, as warm and serene and golden as on a bank-side in Autumn.
So we stroll toward the Holy Land, until one day the sun will shine brighter than it ever has, maybe shining into our minds and hearts, lighting up our entire lives with a great awakening light, as warm and peaceful and golden as on the riverbank in Autumn.
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