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ON HEROES, HERO-WORSHIP,
AND THE HEROIC IN HISTORY
By Thomas Carlyle
Transcriber's Note:
Transcription Note:
The text is taken from the printed "Sterling Edition" of Carlyle's Complete Works, in 20 volumes, with the following modifications made in the etext version: Italicized text is delimited by underscores, thusly. The footnote (there is only one) has been embedded directly into text, in brackets, [thusly]. Greek text has been transliterated into Latin characters with the notation [Gr.] juxtaposed. Otherwise, the punctuation and spelling of the print version have been retained.
The text is taken from the printed "Sterling Edition" of Carlyle's Complete Works, in 20 volumes, with the following modifications made in the etext version: Italicized text is delimited by underscores, thusly. The footnote (there is only one) has been embedded directly into the text, in brackets, [thusly]. Greek text has been transliterated into Latin characters with the notation [Gr.] placed next to it. Otherwise, the punctuation and spelling of the print version have been retained.
Contents
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LECTURES ON HEROES.
LECTURE I. THE HERO AS DIVINITY. ODIN. PAGANISM: SCANDINAVIAN MYTHOLOGY.
[May 5, 1840.]
We have undertaken to discourse here for a little on Great Men, their manner of appearance in our world's business, how they have shaped themselves in the world's history, what ideas men formed of them, what work they did;—on Heroes, namely, and on their reception and performance; what I call Hero-worship and the Heroic in human affairs. Too evidently this is a large topic; deserving quite other treatment than we can expect to give it at present. A large topic; indeed, an illimitable one; wide as Universal History itself. For, as I take it, Universal History, the history of what man has accomplished in this world, is at bottom the History of the Great Men who have worked here. They were the leaders of men, these great ones; the modellers, patterns, and in a wide sense creators, of whatsoever the general mass of men contrived to do or to attain; all things that we see standing accomplished in the world are properly the outer material result, the practical realization and embodiment, of Thoughts that dwelt in the Great Men sent into the world: the soul of the whole world's history, it may justly be considered, were the history of these. Too clearly it is a topic we shall do no justice to in this place!
We have set out to discuss Great Men, their role in our world, how they have shaped history, the perceptions people have of them, and the work they accomplished—specifically, Heroes, along with how they are received and how they perform; what I refer to as Hero-worship and the Heroic in human affairs. It’s clear this is a huge topic that deserves much more attention than we can provide right now. A vast topic; indeed, one without limits; as broad as Universal History itself. Because, in my opinion, Universal History, the record of what humanity has achieved in this world, fundamentally revolves around the Great Men who have made an impact here. These remarkable individuals were the leaders; they shaped, inspired, and, in many ways, created everything that the general population has managed to achieve. Everything we see realized in the world is essentially the outer material result, the practical realization and embodiment, of the ideas that lived in these Great Men sent into the world: the essence of the entire history of the world can justifiably be viewed as the history of these figures. It is abundantly clear that this is a topic we cannot do justice to in this context!
One comfort is, that Great Men, taken up in any way, are profitable company. We cannot look, however imperfectly, upon a great man, without gaining something by him. He is the living light-fountain, which it is good and pleasant to be near. The light which enlightens, which has enlightened the darkness of the world; and this not as a kindled lamp only, but rather as a natural luminary shining by the gift of Heaven; a flowing light-fountain, as I say, of native original insight, of manhood and heroic nobleness;—in whose radiance all souls feel that it is well with them. On any terms whatsoever, you will not grudge to wander in such neighborhood for a while. These Six classes of Heroes, chosen out of widely distant countries and epochs, and in mere external figure differing altogether, ought, if we look faithfully at them, to illustrate several things for us. Could we see them well, we should get some glimpses into the very marrow of the world's history. How happy, could I but, in any measure, in such times as these, make manifest to you the meanings of Heroism; the divine relation (for I may well call it such) which in all times unites a Great Man to other men; and thus, as it were, not exhaust my subject, but so much as break ground on it! At all events, I must make the attempt.
One comforting thought is that great people, no matter how you look at them, are valuable company. We can’t observe a great person, no matter how imperfectly, without gaining something from the experience. They are like a living fountain of light, which is good and enjoyable to be around. This light illuminates, having brightened the darkness of the world—not just as a lit lamp, but more like a natural source of light shining by a gift from above; a flowing fountain of pure insight, humanity, and heroic nobility—in whose glow all souls feel content. No matter the circumstances, you wouldn’t mind spending time in such a presence. These six types of heroes, selected from diverse countries and times, and differing entirely in appearance, should, if we examine them closely, illustrate several lessons for us. If we could truly see them, we’d catch glimpses into the very essence of the world’s history. How wonderful it would be if I could somehow reveal to you the meanings of heroism and the divine connection (as I may rightly call it) that has linked great people to others throughout history; and thus, rather than exhausting my topic, simply scratch the surface of it! In any case, I must try.
It is well said, in every sense, that a man's religion is the chief fact with regard to him. A man's, or a nation of men's. By religion I do not mean here the church-creed which he professes, the articles of faith which he will sign and, in words or otherwise, assert; not this wholly, in many cases not this at all. We see men of all kinds of professed creeds attain to almost all degrees of worth or worthlessness under each or any of them. This is not what I call religion, this profession and assertion; which is often only a profession and assertion from the outworks of the man, from the mere argumentative region of him, if even so deep as that. But the thing a man does practically believe (and this is often enough without asserting it even to himself, much less to others); the thing a man does practically lay to heart, and know for certain, concerning his vital relations to this mysterious Universe, and his duty and destiny there, that is in all cases the primary thing for him, and creatively determines all the rest. That is his religion; or, it may be, his mere scepticism and no-religion: the manner it is in which he feels himself to be spiritually related to the Unseen World or No-World; and I say, if you tell me what that is, you tell me to a very great extent what the man is, what the kind of things he will do is. Of a man or of a nation we inquire, therefore, first of all, What religion they had? Was it Heathenism,—plurality of gods, mere sensuous representation of this Mystery of Life, and for chief recognized element therein Physical Force? Was it Christianism; faith in an Invisible, not as real only, but as the only reality; Time, through every meanest moment of it, resting on Eternity; Pagan empire of Force displaced by a nobler supremacy, that of Holiness? Was it Scepticism, uncertainty and inquiry whether there was an Unseen World, any Mystery of Life except a mad one;—doubt as to all this, or perhaps unbelief and flat denial? Answering of this question is giving us the soul of the history of the man or nation. The thoughts they had were the parents of the actions they did; their feelings were parents of their thoughts: it was the unseen and spiritual in them that determined the outward and actual;—their religion, as I say, was the great fact about them. In these Discourses, limited as we are, it will be good to direct our survey chiefly to that religious phasis of the matter. That once known well, all is known. We have chosen as the first Hero in our series Odin the central figure of Scandinavian Paganism; an emblem to us of a most extensive province of things. Let us look for a little at the Hero as Divinity, the oldest primary form of Heroism.
It's often said that a person’s religion is the most important aspect of who they are. This applies to individuals or entire nations. By "religion," I’m not just talking about the church doctrine someone claims to follow, the beliefs they agree to, and express either verbally or in writing—often, it’s not even that at all. We see people of various declared faiths achieving every possible level of virtue or vice while adhering to those beliefs. What I define as religion is not just professing or declaring beliefs; often, it’s merely a statement that comes from the surface, from a purely intellectual standpoint, if even that. Instead, it’s what a person genuinely believes deep down (and often they don’t even acknowledge it to themselves, let alone share it with others); it's what a person truly holds in their heart, and understands clearly about their essential connection to this mysterious universe, including their responsibilities and fate within it. This is the main aspect for them, shaping everything else. That is their religion, or it could simply be skepticism or non-religion altogether: it reflects how they perceive their spiritual connection to the unseen world or lack thereof. If you can tell me what that is, you reveal a lot about the person and what they are likely to do. When we inquire about a person or a nation, we should first ask, "What religion did they practice?" Was it paganism with many gods, merely a sensory representation of the mystery of life, with physical force as the primary recognized element? Was it Christianity, faith in an invisible power recognized not just as real but as the ultimate reality; where time, down to the smallest moment, is grounded in eternity; where the pagan empire of force is replaced by a higher authority of holiness? Was it skepticism, uncertainty, and questioning whether there’s an unseen world or any mystery of life beyond madness—doubt, or perhaps outright denial? Answering this question reveals the core of that person's or nation’s history. Their thoughts give rise to their actions; their feelings give rise to their thoughts. It’s the unseen and spiritual aspects of them that shape their external reality—again, their religion is the central fact about them. In these discussions, although our scope is limited, it will be valuable to focus largely on this religious aspect. Once that is understood well, everything else follows. We have chosen Odin, the central figure of Scandinavian paganism, as our first hero in this series; he serves as a symbol of a broad and deep spectrum of ideas. Let’s take a moment to examine the hero as a divine figure, the oldest primary form of heroism.
Surely it seems a very strange-looking thing this Paganism; almost inconceivable to us in these days. A bewildering, inextricable jungle of delusions, confusions, falsehoods, and absurdities, covering the whole field of Life! A thing that fills us with astonishment, almost, if it were possible, with incredulity,—for truly it is not easy to understand that sane men could ever calmly, with their eyes open, believe and live by such a set of doctrines. That men should have worshipped their poor fellow-man as a God, and not him only, but stocks and stones, and all manner of animate and inanimate objects; and fashioned for themselves such a distracted chaos of hallucinations by way of Theory of the Universe: all this looks like an incredible fable. Nevertheless it is a clear fact that they did it. Such hideous inextricable jungle of misworships, misbeliefs, men, made as we are, did actually hold by, and live at home in. This is strange. Yes, we may pause in sorrow and silence over the depths of darkness that are in man; if we rejoice in the heights of purer vision he has attained to. Such things were and are in man; in all men; in us too.
Surely, this Paganism seems pretty strange; almost unimaginable to us today. It's a confusing, tangled mess of delusions, misunderstandings, lies, and absurdities that covers the whole spectrum of life! It astonishes us, and almost makes us incredulous—because it's hard to believe that rational people could ever calmly accept and live by such beliefs. That people worshipped their fellow humans as gods, and not just them, but also trees, rocks, and all kinds of living and non-living things; and created such a chaotic maze of illusions as their understanding of the universe: this all sounds like an unbelievable story. Yet, it’s a clear fact that they actually did this. Such a horrible, tangled mess of misguided beliefs is something that people, just like us, genuinely held onto and lived in. This is strange. Yes, we can pause in sorrow and silence over the darkness that exists in humanity, while also celebrating the heights of clearer understanding we have reached. Such things were and are present in humanity; in all people; in us too.
Some speculators have a short way of accounting for the Pagan religion: mere quackery, priestcraft, and dupery, say they; no sane man ever did believe it,—merely contrived to persuade other men, not worthy of the name of sane, to believe it! It will be often our duty to protest against this sort of hypothesis about men's doings and history; and I here, on the very threshold, protest against it in reference to Paganism, and to all other isms by which man has ever for a length of time striven to walk in this world. They have all had a truth in them, or men would not have taken them up. Quackery and dupery do abound; in religions, above all in the more advanced decaying stages of religions, they have fearfully abounded: but quackery was never the originating influence in such things; it was not the health and life of such things, but their disease, the sure precursor of their being about to die! Let us never forget this. It seems to me a most mournful hypothesis, that of quackery giving birth to any faith even in savage men. Quackery gives birth to nothing; gives death to all things. We shall not see into the true heart of anything, if we look merely at the quackeries of it; if we do not reject the quackeries altogether; as mere diseases, corruptions, with which our and all men's sole duty is to have done with them, to sweep them out of our thoughts as out of our practice. Man everywhere is the born enemy of lies. I find Grand Lamaism itself to have a kind of truth in it. Read the candid, clear-sighted, rather sceptical Mr. Turner's Account of his Embassy to that country, and see. They have their belief, these poor Thibet people, that Providence sends down always an Incarnation of Himself into every generation. At bottom some belief in a kind of Pope! At bottom still better, belief that there is a Greatest Man; that he is discoverable; that, once discovered, we ought to treat him with an obedience which knows no bounds! This is the truth of Grand Lamaism; the "discoverability" is the only error here. The Thibet priests have methods of their own of discovering what Man is Greatest, fit to be supreme over them. Bad methods: but are they so much worse than our methods,—of understanding him to be always the eldest-born of a certain genealogy? Alas, it is a difficult thing to find good methods for!—We shall begin to have a chance of understanding Paganism, when we first admit that to its followers it was, at one time, earnestly true. Let us consider it very certain that men did believe in Paganism; men with open eyes, sound senses, men made altogether like ourselves; that we, had we been there, should have believed in it. Ask now, What Paganism could have been?
Some speculators have a simple view of the Pagan religion: they say it’s just nonsense, priestly manipulation, and deception; no rational person ever really believed it—only those unworthy of being called rational were convinced! It’s often necessary for us to push back against this kind of thinking about people’s actions and history; and right from the outset, I want to challenge this notion regarding Paganism and all other ideologies through which humanity has long tried to navigate this world. Each of these beliefs has contained some truth, or else people wouldn’t have embraced them. While deception and manipulation do exist, especially in the later, declining stages of religions, these were never the original driving force; instead, they were a sign of decline, a clear indicator that something was nearing its end! We must always remember this. The idea that deception could give rise to any genuine belief—even among primitive people—is a sad hypothesis. Deception creates nothing; it kills everything. We won’t grasp the true essence of anything if we only focus on its deceits; we must totally reject them as mere illnesses and corruptions that our primary duty is to eliminate from our thoughts and actions. Humanity is fundamentally opposed to lies. Even Grand Lamaism, for instance, contains a certain truth. Check out the honest, perceptive, somewhat skeptical Mr. Turner’s *Account of his Embassy* to that region, and you’ll see. The people of Tibet believe that Providence sends an incarnation of itself in every generation. Essentially, they hold a belief in a kind of Pope! Even more deeply, they believe there is a *Greatest* Man; that he is discoverable; and that once found, he should be treated with unfathomable obedience! This is the truth of Grand Lamaism; the only error lies in the notion of “discoverability.” Tibetan priests have their own ways of identifying who the Greatest Man is, fit to be in charge of them. Their methods may be flawed, but are they really any worse than our ways—understanding him to be always the firstborn of a certain lineage? Alas, finding reliable methods for this is a tough challenge! We’ll start to grasp Paganism when we first acknowledge that, at one point, it was sincerely believed by its followers. Let’s accept as a fact that people truly believed in Paganism—people with clear sight, sound judgment, just like us; had we been there, we would have believed too. Now the question arises: What could Paganism have been?
Another theory, somewhat more respectable, attributes such things to Allegory. It was a play of poetic minds, say these theorists; a shadowing forth, in allegorical fable, in personification and visual form, of what such poetic minds had known and felt of this Universe. Which agrees, add they, with a primary law of human nature, still everywhere observably at work, though in less important things, That what a man feels intensely, he struggles to speak out of him, to see represented before him in visual shape, and as if with a kind of life and historical reality in it. Now doubtless there is such a law, and it is one of the deepest in human nature; neither need we doubt that it did operate fundamentally in this business. The hypothesis which ascribes Paganism wholly or mostly to this agency, I call a little more respectable; but I cannot yet call it the true hypothesis. Think, would we believe, and take with us as our life-guidance, an allegory, a poetic sport? Not sport but earnest is what we should require. It is a most earnest thing to be alive in this world; to die is not sport for a man. Man's life never was a sport to him; it was a stern reality, altogether a serious matter to be alive!
Another theory, which is somewhat more respectable, suggests that these things are due to Allegory. According to these theorists, it was a creative play of poetic minds; an allegorical story, personification, and visual representation of what these minds had experienced and felt about the Universe. They claim this aligns with a fundamental law of human nature, still clearly active everywhere, even in less crucial matters: that what a person feels deeply, they strive to express, to see represented in a tangible way, as if it has its own life and historical reality. There’s certainly some truth to this law, and it fundamentally applies to this situation. I consider the theory that links Paganism mostly to this concept to be a bit more credible; however, I still cannot accept it as the true explanation. Think about it: would we embrace and follow an allegory as our guiding principle in life, as if it were a playful notion? We need something serious, not just a game. Being alive in this world is a very serious matter; dying is not a lighthearted affair for anyone. Life has never been a trivial matter; it is a serious reality, and living it demands our utmost seriousness!
I find, therefore, that though these Allegory theorists are on the way towards truth in this matter, they have not reached it either. Pagan Religion is indeed an Allegory, a Symbol of what men felt and knew about the Universe; and all Religions are symbols of that, altering always as that alters: but it seems to me a radical perversion, and even inversion, of the business, to put that forward as the origin and moving cause, when it was rather the result and termination. To get beautiful allegories, a perfect poetic symbol, was not the want of men; but to know what they were to believe about this Universe, what course they were to steer in it; what, in this mysterious Life of theirs, they had to hope and to fear, to do and to forbear doing. The Pilgrim's Progress is an Allegory, and a beautiful, just and serious one: but consider whether Bunyan's Allegory could have preceded the Faith it symbolizes! The Faith had to be already there, standing believed by everybody;—of which the Allegory could then become a shadow; and, with all its seriousness, we may say a sportful shadow, a mere play of the Fancy, in comparison with that awful Fact and scientific certainty which it poetically strives to emblem. The Allegory is the product of the certainty, not the producer of it; not in Bunyan's nor in any other case. For Paganism, therefore, we have still to inquire, Whence came that scientific certainty, the parent of such a bewildered heap of allegories, errors and confusions? How was it, what was it?
I find that while these Allegory theorists are getting closer to the truth, they haven’t fully reached it yet. Pagan Religion is indeed an Allegory, a Symbol of what people felt and understood about the Universe; and all Religions are symbols of that, constantly changing as those feelings and understandings change. However, I believe it's a fundamental distortion, even an inversion, to present that as the origin and driving force when it was really the result and conclusion. People didn’t ask for beautiful allegories or perfect poetic symbols; they wanted to understand what they should believe about this Universe, how they should navigate it, and what they had to hope for and fear, and what actions they should take or avoid. The Pilgrim's Progress is an Allegory, and a beautiful, accurate, and serious one: but think about whether Bunyan's Allegory could have come before the Faith it represents! The Faith had to exist first, already believed by everyone—of which the Allegory could then become a reflection; and despite its seriousness, we might say it’s a playful reflection, just a whim of the Imagination, in comparison to the profound Reality and scientific certainty it poetically tries to represent. The Allegory is a product of that certainty, not its creator; this is true for Bunyan and for others as well. Therefore, for Paganism, we still need to explore where that scientific certainty came from, the source of such a tangled mess of allegories, mistakes, and confusions. What was it, and how did it come about?
Surely it were a foolish attempt to pretend "explaining," in this place, or in any place, such a phenomenon as that far-distant distracted cloudy imbroglio of Paganism,—more like a cloud-field than a distant continent of firm land and facts! It is no longer a reality, yet it was one. We ought to understand that this seeming cloud-field was once a reality; that not poetic allegory, least of all that dupery and deception was the origin of it. Men, I say, never did believe idle songs, never risked their soul's life on allegories: men in all times, especially in early earnest times, have had an instinct for detecting quacks, for detesting quacks. Let us try if, leaving out both the quack theory and the allegory one, and listening with affectionate attention to that far-off confused rumor of the Pagan ages, we cannot ascertain so much as this at least, That there was a kind of fact at the heart of them; that they too were not mendacious and distracted, but in their own poor way true and sane!
Surely, it would be a foolish attempt to pretend to "explain" in this place, or anywhere, such a phenomenon as that distant, chaotic mess of Paganism—more like a cloud of confusion than a solid, factual continent! It’s no longer a reality, yet it was one. We should understand that this seeming cloud of confusion was once real; it wasn't just poetic allegory, let alone trickery or deception that gave rise to it. People, I say, never truly believed in idle songs; they never risked their souls on allegories. Throughout history, especially in earnest times, people have had a knack for spotting frauds and rejecting them. Let’s see if we can set aside both the fraud theory and the allegory, and listen carefully to the distant, muddled whispers of the Pagan ages. Perhaps we can determine at least this: that there was a kind of truth at their core; that they, too, were not deceiving and scattered, but in their own flawed way, true and rational!
You remember that fancy of Plato's, of a man who had grown to maturity in some dark distance, and was brought on a sudden into the upper air to see the sun rise. What would his wonder be, his rapt astonishment at the sight we daily witness with indifference! With the free open sense of a child, yet with the ripe faculty of a man, his whole heart would be kindled by that sight, he would discern it well to be Godlike, his soul would fall down in worship before it. Now, just such a childlike greatness was in the primitive nations. The first Pagan Thinker among rude men, the first man that began to think, was precisely this child-man of Plato's. Simple, open as a child, yet with the depth and strength of a man. Nature had as yet no name to him; he had not yet united under a name the infinite variety of sights, sounds, shapes and motions, which we now collectively name Universe, Nature, or the like,—and so with a name dismiss it from us. To the wild deep-hearted man all was yet new, not veiled under names or formulas; it stood naked, flashing in on him there, beautiful, awful, unspeakable. Nature was to this man, what to the Thinker and Prophet it forever is, preternatural. This green flowery rock-built earth, the trees, the mountains, rivers, many-sounding seas;—that great deep sea of azure that swims overhead; the winds sweeping through it; the black cloud fashioning itself together, now pouring out fire, now hail and rain; what is it? Ay, what? At bottom we do not yet know; we can never know at all. It is not by our superior insight that we escape the difficulty; it is by our superior levity, our inattention, our want of insight. It is by not thinking that we cease to wonder at it. Hardened round us, encasing wholly every notion we form, is a wrappage of traditions, hearsays, mere words. We call that fire of the black thunder-cloud "electricity," and lecture learnedly about it, and grind the like of it out of glass and silk: but what is it? What made it? Whence comes it? Whither goes it? Science has done much for us; but it is a poor science that would hide from us the great deep sacred infinitude of Nescience, whither we can never penetrate, on which all science swims as a mere superficial film. This world, after all our science and sciences, is still a miracle; wonderful, inscrutable, magical and more, to whosoever will think of it.
You remember Plato's idea about a man who grew up in a dark place and was suddenly brought into the light to see the sunrise. Imagine his wonder and awe at a sight we often take for granted! With the innocent perspective of a child and the mature understanding of an adult, his heart would ignite at that sight, recognizing it as divine, and his soul would bow in reverence. Just like that childlike wonder existed in early civilizations. The first thinker among primitive people, the very first person to start reflecting, was essentially this child-man from Plato's vision. Simple and open like a child, yet possessing the depth and strength of an adult. Nature didn’t have names for him yet; he hadn’t labeled the endless variety of sights, sounds, shapes, and movements we now group under terms like Universe or Nature, which allows us to distance ourselves from them. For that wild, open-hearted person, everything was still fresh and raw, not obscured by names or concepts; it appeared bare, dazzling him with its beauty, terror, and indescribability. To this person, nature was as it always is to Thinkers and Prophets: extraordinary. This green, flower-covered, rocky earth, the trees, mountains, rivers, and the multi-sounding seas; that vast blue ocean above us; the winds blowing through it; the dark clouds forming, now erupting with fire, now pouring rain or hail—what is it? Indeed, what? Ultimately, we still don’t know; we may never fully know. It’s not our greater understanding that helps us overcome this mystery; it’s our lack of depth, our distractions, our ignorance. By not thinking, we stop being amazed by it. Wrapped around us, completely enclosing every idea we have, is a covering of traditions, hearsay, just words. We label the fire from the black thundercloud as "electricity," and discuss it like experts while making it from glass and silk; but what is it? What created it? Where does it come from? Where does it go? Science has achieved a lot for us, but it’s a poor science that tries to conceal from us the vast, sacred unknown that we can never truly grasp, the very basis upon which all science skims the surface. This world, despite all our scientific knowledge, remains a miracle; wonderful, mysterious, magical, and even more, to anyone willing to think about it.
That great mystery of TIME, were there no other; the illimitable, silent, never-resting thing called Time, rolling, rushing on, swift, silent, like an all-embracing ocean-tide, on which we and all the Universe swim like exhalations, like apparitions which are, and then are not: this is forever very literally a miracle; a thing to strike us dumb,—for we have no word to speak about it. This Universe, ah me—what could the wild man know of it; what can we yet know? That it is a Force, and thousand-fold Complexity of Forces; a Force which is not we. That is all; it is not we, it is altogether different from us. Force, Force, everywhere Force; we ourselves a mysterious Force in the centre of that. "There is not a leaf rotting on the highway but has Force in it; how else could it rot?" Nay surely, to the Atheistic Thinker, if such a one were possible, it must be a miracle too, this huge illimitable whirlwind of Force, which envelops us here; never-resting whirlwind, high as Immensity, old as Eternity. What is it? God's Creation, the religious people answer; it is the Almighty God's! Atheistic science babbles poorly of it, with scientific nomenclatures, experiments and what not, as if it were a poor dead thing, to be bottled up in Leyden jars and sold over counters: but the natural sense of man, in all times, if he will honestly apply his sense, proclaims it to be a living thing,—ah, an unspeakable, godlike thing; towards which the best attitude for us, after never so much science, is awe, devout prostration and humility of soul; worship if not in words, then in silence.
That great mystery of TIME, if there were nothing else; the vast, silent, never-resting thing called Time, rolling and rushing on, quick and quiet, like an all-encompassing ocean-tide, on which we and the entire Universe float like vapor, like apparitions that exist and then do not: this is truly a miracle; something that leaves us speechless, because we lack the words to express it. This Universe, oh my—what could the wild man understand of it; what can we still know? That it is a Force, and a thousand-fold Complexity of Forces; a Force that is not us. That's all; it is not us, it is completely different from us. Force, Force, everywhere Force; we ourselves are a mysterious Force at the center of that. "There isn't a leaf decaying on the road that doesn't contain Force; how else could it rot?" Surely, for an Atheistic Thinker, if such a person were even possible, it must be a miracle too, this massive boundless whirlwind of Force that surrounds us here; an endless whirlwind, as vast as the universe, as old as Eternity. What is it? God's Creation, religious people say; it belongs to the Almighty God! Atheistic science poorly explains it, using scientific names, experiments, and whatnot, as if it were a lifeless thing, to be trapped in Leyden jars and sold over counters: but the natural sense of humanity, throughout history, if honestly applied, acknowledges it as a living thing—oh, an indescribably, godlike thing; toward which the best stance for us, no matter how much science we know, is awe, devout humility, and submission of spirit; worship if not in words, then in silence.
But now I remark farther: What in such a time as ours it requires a Prophet or Poet to teach us, namely, the stripping-off of those poor undevout wrappages, nomenclatures and scientific hearsays,—this, the ancient earnest soul, as yet unencumbered with these things, did for itself. The world, which is now divine only to the gifted, was then divine to whosoever would turn his eye upon it. He stood bare before it face to face. "All was Godlike or God:"—Jean Paul still finds it so; the giant Jean Paul, who has power to escape out of hearsays: but there then were no hearsays. Canopus shining down over the desert, with its blue diamond brightness (that wild blue spirit-like brightness, far brighter than we ever witness here), would pierce into the heart of the wild Ishmaelitish man, whom it was guiding through the solitary waste there. To his wild heart, with all feelings in it, with no speech for any feeling, it might seem a little eye, that Canopus, glancing out on him from the great deep Eternity; revealing the inner Splendor to him. Cannot we understand how these men worshipped Canopus; became what we call Sabeans, worshipping the stars? Such is to me the secret of all forms of Paganism. Worship is transcendent wonder; wonder for which there is now no limit or measure; that is worship. To these primeval men, all things and everything they saw exist beside them were an emblem of the Godlike, of some God.
But now I notice something more: In times like ours, it takes a Prophet or Poet to teach us about shedding those meaningless, shallow labels and scientific jargon—something the ancient, earnest soul did for itself without these distractions. The world, which is now considered divine only by the gifted, was once seen as divine by anyone who chose to look at it. They faced it directly and openly. "All was Godlike or God": Jean Paul still sees it this way; the giant Jean Paul, who has the ability to break free from clichés: but back then, there were no clichés. Canopus shining down over the desert, with its bright blue sparkle (that wild, spirit-like brightness, far more intense than anything we witness here) would penetrate the heart of the wild, wandering man whom it guided through the desolate landscape. To his untamed heart, filled with emotions but lacking words for any feeling, Canopus might seem like a small eye looking out at him from the vastness of Eternity; revealing an inner Splendor to him. Can’t we understand how these men worshipped Canopus and became what we call Sabeans, who worshipped the stars? To me, this is the essence of all forms of Paganism. Worship is a profound wonder; a wonder that knows no limits or measurements; that is worship. To these early men, everything they saw around them was a symbol of the Godlike, of some God.
And look what perennial fibre of truth was in that. To us also, through every star, through every blade of grass, is not a God made visible, if we will open our minds and eyes? We do not worship in that way now: but is it not reckoned still a merit, proof of what we call a "poetic nature," that we recognize how every object has a divine beauty in it; how every object still verily is "a window through which we may look into Infinitude itself"? He that can discern the loveliness of things, we call him Poet! Painter, Man of Genius, gifted, lovable. These poor Sabeans did even what he does,—in their own fashion. That they did it, in what fashion soever, was a merit: better than what the entirely stupid man did, what the horse and camel did,—namely, nothing!
And look at the lasting truth in that. Isn’t there a sense of a visible God in every star and every blade of grass if we just open our minds and eyes? We don’t worship that way anymore, but isn’t it still considered a quality, a sign of what we call a "poetic nature," to see the divine beauty in every object? Isn’t every object truly "a window through which we can gaze into Infinity itself"? Those who can appreciate the beauty of things are called Poets! Artists, gifted individuals, charming. These poor Sabeans did what he does—in their own way. That they managed to do it, in whatever form, is commendable: better than what the completely ignorant person, the horse, and the camel did—which was nothing!
But now if all things whatsoever that we look upon are emblems to us of the Highest God, I add that more so than any of them is man such an emblem. You have heard of St. Chrysostom's celebrated saying in reference to the Shekinah, or Ark of Testimony, visible Revelation of God, among the Hebrews: "The true Shekinah is Man!" Yes, it is even so: this is no vain phrase; it is veritably so. The essence of our being, the mystery in us that calls itself "I,"—ah, what words have we for such things?—is a breath of Heaven; the Highest Being reveals himself in man. This body, these faculties, this life of ours, is it not all as a vesture for that Unnamed? "There is but one Temple in the Universe," says the devout Novalis, "and that is the Body of Man. Nothing is holier shall that high form. Bending before men is a reverence done to this Revelation in the Flesh. We touch Heaven when we lay our hand on a human body!" This sounds much like a mere flourish of rhetoric; but it is not so. If well meditated, it will turn out to be a scientific fact; the expression, in such words as can be had, of the actual truth of the thing. We are the miracle of miracles,—the great inscrutable mystery of God. We cannot understand it, we know not how to speak of it; but we may feel and know, if we like, that it is verily so.
But now, if everything we see symbolizes the Highest God, I would say that more than any of those things, man is the greatest symbol. You've likely heard St. Chrysostom's famous saying about the Shekinah, or the Ark of Testimony, the visible Revelation of God among the Hebrews: "The true Shekinah is Man!" Yes, it's absolutely true; this isn't just a fancy saying, it truly is so. The essence of our being, the mystery within us that identifies itself as "I,"—ah, what words can we use for such things?—is a breath of Heaven; the Highest Being reveals Himself in humans. This body, these abilities, this life of ours, isn't it all just clothing for that Unnamed? "There is but one Temple in the Universe," writes the devoted Novalis, "and that is the Body of Man. Nothing is holier than that high form. Bowing before people is an act of reverence for this Revelation in the Flesh. We touch Heaven when we lay our hand on a human body!" This might sound like mere flowery rhetoric; but it isn't. If contemplated thoughtfully, it turns out to be a scientific fact; the expression, in whatever words we can find, of the actual truth of the matter. We are the miracle of miracles—the great, unfathomable mystery of God. We can't fully comprehend it, and we often struggle to articulate it; but we can feel and recognize, if we choose, that it is indeed true.
Well; these truths were once more readily felt than now. The young generations of the world, who had in them the freshness of young children, and yet the depth of earnest men, who did not think that they had finished off all things in Heaven and Earth by merely giving them scientific names, but had to gaze direct at them there, with awe and wonder: they felt better what of divinity is in man and Nature; they, without being mad, could worship Nature, and man more than anything else in Nature. Worship, that is, as I said above, admire without limit: this, in the full use of their faculties, with all sincerity of heart, they could do. I consider Hero-worship to be the grand modifying element in that ancient system of thought. What I called the perplexed jungle of Paganism sprang, we may say, out of many roots: every admiration, adoration of a star or natural object, was a root or fibre of a root; but Hero-worship is the deepest root of all; the tap-root, from which in a great degree all the rest were nourished and grown.
Well, these truths were once felt more readily than they are now. The younger generations of the world, who had the innocence of children but also the seriousness of adults, didn’t believe they had figured everything out just by giving things scientific names. They needed to look at them directly, with awe and wonder. They understood better the divine aspect within both man and nature; they could, without being irrational, worship nature and humanity more than anything else in the natural world. Worship, as I mentioned earlier, means to admire without limits: they could do this fully, with all their abilities and genuine hearts. I see hero-worship as the key element in that ancient system of thought. What I referred to as the confusing jungle of paganism came from many sources: every admiration or adoration of a star or natural object was a root or a part of a root. But hero-worship is the deepest root of all; it’s the taproot, from which a lot of the others drew nourishment and grew.
And now if worship even of a star had some meaning in it, how much more might that of a Hero! Worship of a Hero is transcendent admiration of a Great Man. I say great men are still admirable; I say there is, at bottom, nothing else admirable! No nobler feeling than this of admiration for one higher than himself dwells in the breast of man. It is to this hour, and at all hours, the vivifying influence in man's life. Religion I find stand upon it; not Paganism only, but far higher and truer religions,—all religion hitherto known. Hero-worship, heartfelt prostrate admiration, submission, burning, boundless, for a noblest godlike Form of Man,—is not that the germ of Christianity itself? The greatest of all Heroes is One—whom we do not name here! Let sacred silence meditate that sacred matter; you will find it the ultimate perfection of a principle extant throughout man's whole history on earth.
And now, if worshiping even a star has some significance, how much more does that of a Hero! Worship of a Hero is a deep admiration for a Great Man. I believe great men are still worthy of admiration; I assert that, at its core, there's nothing else truly admirable! There is no nobler feeling than this admiration for someone who is greater than oneself that resides in the heart of man. It is, to this day and at all times, the revitalizing force in human life. I find that religion is based on this; not just paganism, but much higher and truer religions—all known religions. Hero-worship, sincere and profound admiration, submission, and an overwhelming, limitless devotion for the noblest godlike Form of Man—couldn't that be the essence of Christianity itself? The greatest of all Heroes is One—who we do not name here! Let sacred silence reflect on that sacred subject; you will discover it to be the ultimate embodiment of a principle present throughout human history.
Or coming into lower, less unspeakable provinces, is not all Loyalty akin to religious Faith also? Faith is loyalty to some inspired Teacher, some spiritual Hero. And what therefore is loyalty proper, the life-breath of all society, but an effluence of Hero-worship, submissive admiration for the truly great? Society is founded on Hero-worship. All dignities of rank, on which human association rests, are what we may call a Heroarchy (Government of Heroes),—or a Hierarchy, for it is "sacred" enough withal! The Duke means Dux, Leader; King is Kon-ning, Kan-ning, Man that knows or cans. Society everywhere is some representation, not insupportably inaccurate, of a graduated Worship of Heroes—reverence and obedience done to men really great and wise. Not insupportably inaccurate, I say! They are all as bank-notes, these social dignitaries, all representing gold;—and several of them, alas, always are forged notes. We can do with some forged false notes; with a good many even; but not with all, or the most of them forged! No: there have to come revolutions then; cries of Democracy, Liberty and Equality, and I know not what:—the notes being all false, and no gold to be had for them, people take to crying in their despair that there is no gold, that there never was any! "Gold," Hero-worship, is nevertheless, as it was always and everywhere, and cannot cease till man himself ceases.
Or coming into lower, less talked-about areas, isn't all loyalty similar to religious faith? Faith is loyalty to an inspired teacher or a spiritual hero. So, what is true loyalty, the life force of all society, but a reflection of hero-worship, a humble admiration for the truly great? Society is built on hero-worship. All ranks and honors that human connections depend on can be called a Heroarchy (Government of Heroes)—or a Hierarchy, because it is “sacred” enough as well! The Duke means Dux, Leader; King is Kon-ning, Kan-ning, a man who knows or can. Society everywhere is, in some way, a representation, not too inaccurately, of a structured reverence for heroes—showing respect and obedience to truly great and wise individuals. Not too inaccurately, I say! These social leaders are like banknotes, all representing gold—some of them, unfortunately, are always forged notes. We can manage with some counterfeit notes, even quite a few; but not all, or most of them being forged! No: then revolutions have to happen; cries for Democracy, Liberty, and Equality, and I don't know what else:—when all the notes are fake and there’s no gold to back them, people end up crying in despair that there’s no gold, that there never was any! “Gold,” hero-worship, is, nonetheless, as it always has been everywhere, and it cannot stop until humanity itself stops.
I am well aware that in these days Hero-worship, the thing I call Hero-worship, professes to have gone out, and finally ceased. This, for reasons which it will be worth while some time to inquire into, is an age that as it were denies the existence of great men; denies the desirableness of great men. Show our critics a great man, a Luther for example, they begin to what they call "account" for him; not to worship him, but take the dimensions of him,—and bring him out to be a little kind of man! He was the "creature of the Time," they say; the Time called him forth, the Time did everything, he nothing—but what we the little critic could have done too! This seems to me but melancholy work. The Time call forth? Alas, we have known Times call loudly enough for their great man; but not find him when they called! He was not there; Providence had not sent him; the Time, calling its loudest, had to go down to confusion and wreck because he would not come when called.
I know that nowadays, hero-worship, which I refer to as such, claims to be dead and gone. For reasons worth exploring at some point, this is an era that practically denies the existence of great individuals; it denies the value of great individuals. When we show our critics a great person, like Luther, for instance, they start to "explain" him; not to honor him, but to minimize his significance and reduce him to a small figure! They say he was just a "product of his time"; his era brought him forth, the era did everything, while he did nothing that we, the small critics, couldn’t have done too! This seems like a sad business to me. The era calls for greatness? Sadly, we have seen eras *call* loudly enough for their great individuals but fail to find them when they do! He wasn’t there; fate hadn’t sent him; the era, *calling* as loud as it could, had to face confusion and ruin because he wouldn’t come when summoned.
For if we will think of it, no Time need have gone to ruin, could it have found a man great enough, a man wise and good enough: wisdom to discern truly what the Time wanted, valor to lead it on the right road thither; these are the salvation of any Time. But I liken common languid Times, with their unbelief, distress, perplexity, with their languid doubting characters and embarrassed circumstances, impotently crumbling down into ever worse distress towards final ruin;—all this I liken to dry dead fuel, waiting for the lightning out of Heaven that shall kindle it. The great man, with his free force direct out of God's own hand, is the lightning. His word is the wise healing word which all can believe in. All blazes round him now, when he has once struck on it, into fire like his own. The dry mouldering sticks are thought to have called him forth. They did want him greatly; but as to calling him forth—! Those are critics of small vision, I think, who cry: "See, is it not the sticks that made the fire?" No sadder proof can be given by a man of his own littleness than disbelief in great men. There is no sadder symptom of a generation than such general blindness to the spiritual lightning, with faith only in the heap of barren dead fuel. It is the last consummation of unbelief. In all epochs of the world's history, we shall find the Great Man to have been the indispensable savior of his epoch;—the lightning, without which the fuel never would have burnt. The History of the World, I said already, was the Biography of Great Men.
If we really think about it, no time ever had to fall apart if it had found a person great enough, someone wise and good enough: wisdom to truly understand what the time needed, courage to guide it on the right path; these are the keys to saving any era. I compare common, sluggish times—filled with disbelief, distress, and confusion, with their weary doubters and awkward situations, impotently crumbling into even worse chaos on the way to ruin—to dry, dead fuel, waiting for the lightning from Heaven to ignite it. The great person, with their unique force coming directly from God, is that lightning. Their words are the wise, healing words that everyone can believe in. Everything around them ignites into a fire like theirs once they strike it. The dry, rotting sticks are thought to have summoned them. They certainly needed him; but as for calling him forth—! Those who claim, "Look, don’t the sticks make the fire?" are usually people with a limited perspective. There’s no sadder indication of a man’s smallness than their disbelief in great individuals. There’s no more depressing sign of a generation than that widespread blindness to spiritual lightning, favoring only the pile of barren, dead fuel. It marks the ultimate culmination of disbelief. Throughout all eras of history, we find that the Great Man has been the essential savior of their time—the lightning without which the fuel would never ignite. As I mentioned before, the History of the World is essentially the Biography of Great Men.
Such small critics do what they can to promote unbelief and universal spiritual paralysis: but happily they cannot always completely succeed. In all times it is possible for a man to arise great enough to feel that they and their doctrines are chimeras and cobwebs. And what is notable, in no time whatever can they entirely eradicate out of living men's hearts a certain altogether peculiar reverence for Great Men; genuine admiration, loyalty, adoration, however dim and perverted it may be. Hero-worship endures forever while man endures. Boswell venerates his Johnson, right truly even in the Eighteenth century. The unbelieving French believe in their Voltaire; and burst out round him into very curious Hero-worship, in that last act of his life when they "stifle him under roses." It has always seemed to me extremely curious this of Voltaire. Truly, if Christianity be the highest instance of Hero-worship, then we may find here in Voltaireism one of the lowest! He whose life was that of a kind of Antichrist, does again on this side exhibit a curious contrast. No people ever were so little prone to admire at all as those French of Voltaire. Persiflage was the character of their whole mind; adoration had nowhere a place in it. Yet see! The old man of Ferney comes up to Paris; an old, tottering, infirm man of eighty-four years. They feel that he too is a kind of Hero; that he has spent his life in opposing error and injustice, delivering Calases, unmasking hypocrites in high places;—in short that he too, though in a strange way, has fought like a valiant man. They feel withal that, if persiflage be the great thing, there never was such a persifleur. He is the realized ideal of every one of them; the thing they are all wanting to be; of all Frenchmen the most French. He is properly their god,—such god as they are fit for. Accordingly all persons, from the Queen Antoinette to the Douanier at the Porte St. Denis, do they not worship him? People of quality disguise themselves as tavern-waiters. The Maitre de Poste, with a broad oath, orders his Postilion, "Va bon train; thou art driving M. de Voltaire." At Paris his carriage is "the nucleus of a comet, whose train fills whole streets." The ladies pluck a hair or two from his fur, to keep it as a sacred relic. There was nothing highest, beautifulest, noblest in all France, that did not feel this man to be higher, beautifuler, nobler.
Small critics do what they can to promote disbelief and a general spiritual standstill, but thankfully they don’t always succeed completely. Throughout history, it’s possible for someone great enough to rise up and realize that these critics and their ideas are just fantasies and distractions. Interestingly, at no point can they fully wipe away a unique kind of respect for Great Men from the hearts of the living; genuine admiration, loyalty, and adoration, no matter how vague or twisted it may be, persist. Hero-worship lasts as long as humanity lasts. Boswell truly admires his Johnson, even back in the Eighteenth century. The non-believing French still believe in their Voltaire and express their own strange kind of hero-worship around him during the final moments of his life when they “smother him with roses.” I’ve always found this about Voltaire quite fascinating. If Christianity represents the highest form of hero-worship, then Voltaireism could be one of the lowest! His life mirrored something like an Antichrist, but on this side, he shows an intriguing contrast. The French of Voltaire were never very inclined to admiration at all. Their whole mindset was characterized by irony; there was no place for adoration in it. Yet look! The old man from Ferney arrives in Paris, an elderly, shaky, frail man of eighty-four. They sense that he is also a hero; that he has spent his life fighting against error and injustice, helping the Calas family, and exposing hypocrites in high positions; in short, that he too, though in a peculiar way, has battled like a brave man. They also realize that if irony is the key element, there has never been anyone quite as ironic as him. He embodies the ideal every one of them aspires to be; the epitome of being French. He is truly their god—such a god as they are suited for. Consequently, everyone from Queen Antoinette to the customs officer at Porte St. Denis worships him, right? Nobility disguises themselves as tavern waiters. The Postmaster, with a loud oath, orders his driver, “Hurry up; you are driving Mr. Voltaire.” In Paris, his carriage is “the center of a comet, whose tail fills entire streets.” Ladies pluck a hair or two from his coat to keep as a sacred keepsake. There was nothing highest, most beautiful, or noblest in all of France that didn’t view this man as higher, more beautiful, and nobler.
Yes, from Norse Odin to English Samuel Johnson, from the divine Founder of Christianity to the withered Pontiff of Encyclopedism, in all times and places, the Hero has been worshipped. It will ever be so. We all love great men; love, venerate and bow down submissive before great men: nay can we honestly bow down to anything else? Ah, does not every true man feel that he is himself made higher by doing reverence to what is really above him? No nobler or more blessed feeling dwells in man's heart. And to me it is very cheering to consider that no sceptical logic, or general triviality, insincerity and aridity of any Time and its influences can destroy this noble inborn loyalty and worship that is in man. In times of unbelief, which soon have to become times of revolution, much down-rushing, sorrowful decay and ruin is visible to everybody. For myself in these days, I seem to see in this indestructibility of Hero-worship the everlasting adamant lower than which the confused wreck of revolutionary things cannot fall. The confused wreck of things crumbling and even crashing and tumbling all round us in these revolutionary ages, will get down so far; no farther. It is an eternal corner-stone, from which they can begin to build themselves up again. That man, in some sense or other, worships Heroes; that we all of us reverence and must ever reverence Great Men: this is, to me, the living rock amid all rushings-down whatsoever;—the one fixed point in modern revolutionary history, otherwise as if bottomless and shoreless.
Yes, from Norse Odin to English Samuel Johnson, from the divine Founder of Christianity to the faded Pope of Encyclopedism, throughout history, the Hero has been celebrated. This will always be the case. We all admire great individuals; we love, respect, and humbly bow down before them: can we really bow down to anything else? Doesn’t every genuine person feel that they are elevated by honoring what is truly above them? There is no nobler or more blessed feeling in a person's heart. It’s reassuring to know that no amount of skeptical thinking, triviality, insincerity, or the dryness of any era can diminish this noble, inherent loyalty and reverence that exists in humanity. In times of disbelief—which inevitably lead to periods of upheaval—much sorrowful decay and ruin are visible to everyone. Personally, in these days, I find comfort in the unbreakable nature of Hero-worship; it is a steadfast foundation beneath which the chaos of revolutionary change cannot sink. The chaotic disintegration all around us in these times of revolution will crumble only so low; no lower. It’s an eternal cornerstone, from which recovery and rebuilding can begin. The fact that people, in one way or another, worship Heroes and that we all must respect Great Men is, for me, the solid ground amidst all turmoil; it’s the one fixed point in our otherwise endless and tumultuous modern history.
So much of truth, only under an ancient obsolete vesture, but the spirit of it still true, do I find in the Paganism of old nations. Nature is still divine, the revelation of the workings of God; the Hero is still worshipable: this, under poor cramped incipient forms, is what all Pagan religions have struggled, as they could, to set forth. I think Scandinavian Paganism, to us here, is more interesting than any other. It is, for one thing, the latest; it continued in these regions of Europe till the eleventh century: eight hundred years ago the Norwegians were still worshippers of Odin. It is interesting also as the creed of our fathers; the men whose blood still runs in our veins, whom doubtless we still resemble in so many ways. Strange: they did believe that, while we believe so differently. Let us look a little at this poor Norse creed, for many reasons. We have tolerable means to do it; for there is another point of interest in these Scandinavian mythologies: that they have been preserved so well.
I find so much truth, though wrapped in an outdated old form, in the pagan beliefs of ancient cultures. Nature is still divine, revealing the workings of God; heroes are still worthy of worship: this is what all pagan religions have tried, in their limited ways, to express. I believe Scandinavian paganism is more fascinating to us than any other. For one thing, it's the most recent; it persisted in these parts of Europe until the eleventh century: eight hundred years ago, Norwegians were still worshipping Odin. It's also interesting as the belief system of our ancestors; the men whose blood still flows in our veins, and whom we undoubtedly still resemble in many ways. It's strange: they believed one way, while we believe so differently. Let’s take a closer look at this old Norse belief system for many reasons. We have pretty good means to do so; another interesting point about these Scandinavian myths is that they have been preserved remarkably well.
In that strange island Iceland,—burst up, the geologists say, by fire from the bottom of the sea; a wild land of barrenness and lava; swallowed many months of every year in black tempests, yet with a wild gleaming beauty in summertime; towering up there, stern and grim, in the North Ocean with its snow jokuls, roaring geysers, sulphur-pools and horrid volcanic chasms, like the waste chaotic battle-field of Frost and Fire;—where of all places we least looked for Literature or written memorials, the record of these things was written down. On the seabord of this wild land is a rim of grassy country, where cattle can subsist, and men by means of them and of what the sea yields; and it seems they were poetic men these, men who had deep thoughts in them, and uttered musically their thoughts. Much would be lost, had Iceland not been burst up from the sea, not been discovered by the Northmen! The old Norse Poets were many of them natives of Iceland.
On that strange island, Iceland—a place that geologists say was formed by fire from the ocean floor; a wild land of desolation and lava; consumed for many months each year by dark storms, yet possessing a wild, shining beauty in the summer; rising stark and formidable in the North Atlantic with its snow-capped peaks, thundering geysers, sulfur springs, and terrifying volcanic fissures, like a chaotic battlefield of Ice and Fire—where we least expected to find Literature or written records, the history of these things was documented. Along the coastline of this wild land is a stretch of grassy land where cattle can graze and people can survive through them and what the sea provides; and it seems these were poetic individuals, men with profound thoughts, who expressed their ideas musically. Much would have been lost if Iceland had not emerged from the sea, if it had not been discovered by the Norse! Many of the old Norse Poets were natives of Iceland.
Saemund, one of the early Christian Priests there, who perhaps had a lingering fondness for Paganism, collected certain of their old Pagan songs, just about becoming obsolete then,—Poems or Chants of a mythic, prophetic, mostly all of a religious character: that is what Norse critics call the Elder or Poetic Edda. Edda, a word of uncertain etymology, is thought to signify Ancestress. Snorro Sturleson, an Iceland gentleman, an extremely notable personage, educated by this Saemund's grandson, took in hand next, near a century afterwards, to put together, among several other books he wrote, a kind of Prose Synopsis of the whole Mythology; elucidated by new fragments of traditionary verse. A work constructed really with great ingenuity, native talent, what one might call unconscious art; altogether a perspicuous clear work, pleasant reading still: this is the Younger or Prose Edda. By these and the numerous other Sagas, mostly Icelandic, with the commentaries, Icelandic or not, which go on zealously in the North to this day, it is possible to gain some direct insight even yet; and see that old Norse system of Belief, as it were, face to face. Let us forget that it is erroneous Religion; let us look at it as old Thought, and try if we cannot sympathize with it somewhat.
Saemund, one of the early Christian priests there, who probably still had a soft spot for Paganism, gathered some of their old Pagan songs that were just on the verge of fading away—poems or chants of a mythical, prophetic nature, mostly religious: what Norse critics refer to as the Elder or Poetic Edda. The word Edda, with uncertain origins, is believed to mean Ancestress. Snorro Sturleson, an impressive Icelandic figure who was educated by Saemund's grandson, took it upon himself, nearly a century later, to compile a sort of Prose Synopsis of the entire mythology, along with new fragments of traditional verse. This was a work crafted with great skill and native talent, what one might call unconscious art; it's a clear, engaging work still enjoyable to read: this is the Younger or Prose Edda. Through these texts and the many other Sagas, mostly from Iceland, along with commentaries—whether Icelandic or not—that continue to be produced in the North to this day, it’s possible to gain some direct insight and see the old Norse belief system face to face. Let’s set aside the fact that it represents an incorrect religion; let’s approach it as old thought and see if we can't find some common ground with it.
The primary characteristic of this old Northland Mythology I find to be Impersonation of the visible workings of Nature. Earnest simple recognition of the workings of Physical Nature, as a thing wholly miraculous, stupendous and divine. What we now lecture of as Science, they wondered at, and fell down in awe before, as Religion The dark hostile Powers of Nature they figure to themselves as "Jotuns," Giants, huge shaggy beings of a demonic character. Frost, Fire, Sea-tempest; these are Jotuns. The friendly Powers again, as Summer-heat, the Sun, are Gods. The empire of this Universe is divided between these two; they dwell apart, in perennial internecine feud. The Gods dwell above in Asgard, the Garden of the Asen, or Divinities; Jotunheim, a distant dark chaotic land, is the home of the Jotuns.
The main feature of this old Northland mythology that I notice is the personification of the visible forces of nature. A sincere and simple acknowledgment of the workings of physical nature, regarded as entirely miraculous, impressive, and divine. What we now discuss as science, they marveled at and approached with reverence as religion. They imagined the dark, hostile forces of nature as "Jotuns," enormous, hairy beings with a demonic nature. Frost, fire, and sea storms are Jotuns. The friendly forces, like summer warmth and the sun, are gods. The kingdom of this universe is split between these two; they exist separately, in a constant state of conflict. The gods reside in Asgard, the home of the Aesir, or deities; Jotunheim, a distant and chaotic land, is where the Jotuns live.
Curious all this; and not idle or inane, if we will look at the foundation of it! The power of Fire, or Flame, for instance, which we designate by some trivial chemical name, thereby hiding from ourselves the essential character of wonder that dwells in it as in all things, is with these old Northmen, Loke, a most swift subtle Demon, of the brood of the Jotuns. The savages of the Ladrones Islands too (say some Spanish voyagers) thought Fire, which they never had seen before, was a devil or god, that bit you sharply when you touched it, and that lived upon dry wood. From us too no Chemistry, if it had not Stupidity to help it, would hide that Flame is a wonder. What is Flame?—Frost the old Norse Seer discerns to be a monstrous hoary Jotun, the Giant Thrym, Hrym; or Rime, the old word now nearly obsolete here, but still used in Scotland to signify hoar-frost. Rime was not then as now a dead chemical thing, but a living Jotun or Devil; the monstrous Jotun Rime drove home his Horses at night, sat "combing their manes,"—which Horses were Hail-Clouds, or fleet Frost-Winds. His Cows—No, not his, but a kinsman's, the Giant Hymir's Cows are Icebergs: this Hymir "looks at the rocks" with his devil-eye, and they split in the glance of it.
This is all quite intriguing, and not pointless or foolish if we consider its roots! The power of Fire, or Flame, which we label with some simple chemical name, causing us to overlook the fundamental sense of wonder that exists within it, just like in all things, is seen by these old Norse people as Loke, a quick, clever Demon, part of the Jotun family. The indigenous people of the Ladrones Islands (as some Spanish explorers report) believed that Fire, which they had never seen before, was a sort of devil or god that hurt you when you touched it and thrived on dry wood. For us, no Chemistry would be able to obscure, without Stupidity's assistance, that Flame is a marvel. What is Flame?—Frost, as the ancient Norse Seer recognized, is a monstrous, ancient Jotun, the Giant Thrym, Hrym; or Rime, an old word that’s nearly out of use here, but still used in Scotland to mean hoar-frost. Rime was not regarded in those times as a lifeless chemical entity, but as a living Jotun or Devil; the monstrous Jotun Rime would lead his Horses home at night, "combing their manes,"—those Horses being Hail-Clouds or swift Frost-Winds. His Cows—actually, not his but his kinsman, the Giant Hymir's Cows are Icebergs: this Hymir “looks at the rocks” with his devilish gaze, and they split at his glance.
Thunder was not then mere Electricity, vitreous or resinous; it was the God Donner (Thunder) or Thor,—God also of beneficent Summer-heat. The thunder was his wrath: the gathering of the black clouds is the drawing down of Thor's angry brows; the fire-bolt bursting out of Heaven is the all-rending Hammer flung from the hand of Thor: he urges his loud chariot over the mountain-tops,—that is the peal; wrathful he "blows in his red beard,"—that is the rustling storm-blast before the thunder begins. Balder again, the White God, the beautiful, the just and benignant (whom the early Christian Missionaries found to resemble Christ), is the Sun, beautifullest of visible things; wondrous too, and divine still, after all our Astronomies and Almanacs! But perhaps the notablest god we hear tell of is one of whom Grimm the German Etymologist finds trace: the God Wunsch, or Wish. The God Wish; who could give us all that we wished! Is not this the sincerest and yet rudest voice of the spirit of man? The rudest ideal that man ever formed; which still shows itself in the latest forms of our spiritual culture. Higher considerations have to teach us that the God Wish is not the true God.
Thunder was not just electricity, whether positive or negative; it was the God Donner (Thunder) or Thor—also the God of the life-giving summer heat. The thunder represented his anger: the gathering of dark clouds symbolized Thor's furrowed brows; the lightning bolt bursting from the sky was the mighty hammer thrown by Thor: he drives his loud chariot over the mountaintops—that's the rumble of thunder; furious, he "blows in his red beard"—that's the rustling storm that precedes the thunder. Balder, the White God, the beautiful, just, and kind figure (who early Christian missionaries noted resembled Christ), represents the Sun, the most beautiful of all visible things; still wondrous and divine, despite all our calculations and calendars! But perhaps the most remarkable god we hear about is one that Grimm, the German etymologist, mentions: the God Wunsch, or Wish. The God Wish; who could grant us all that we wished for! Isn’t this the most genuine yet simplest expression of the human spirit? The simplest ideal that humanity has ever conceived, which still appears in the latest forms of our spiritual beliefs. Higher insights teach us that the God Wish is not the true God.
Of the other Gods or Jotuns I will mention only for etymology's sake, that Sea-tempest is the Jotun Aegir, a very dangerous Jotun;—and now to this day, on our river Trent, as I learn, the Nottingham bargemen, when the River is in a certain flooded state (a kind of backwater, or eddying swirl it has, very dangerous to them), call it Eager; they cry out, "Have a care, there is the Eager coming!" Curious; that word surviving, like the peak of a submerged world! The oldest Nottingham bargemen had believed in the God Aegir. Indeed our English blood too in good part is Danish, Norse; or rather, at bottom, Danish and Norse and Saxon have no distinction, except a superficial one,—as of Heathen and Christian, or the like. But all over our Island we are mingled largely with Danes proper,—from the incessant invasions there were: and this, of course, in a greater proportion along the east coast; and greatest of all, as I find, in the North Country. From the Humber upwards, all over Scotland, the Speech of the common people is still in a singular degree Icelandic; its Germanism has still a peculiar Norse tinge. They too are "Normans," Northmen,—if that be any great beauty—!
Of the other gods or giants, I'll mention just a couple for the sake of etymology. Sea-tempest is the giant Aegir, a very dangerous being; and even today, on our River Trent, I've learned that the Nottingham bargemen, when the river is particularly flooded (there’s a kind of backwater or swirling eddy that can be very dangerous for them), call it Eager; they shout, "Watch out, the Eager is coming!" Isn't it interesting? That word has survived, like the peak of a sunken world! The oldest Nottingham bargemen used to believe in the god Aegir. In fact, a significant part of our English ancestry is Danish and Norse; or rather, at the core, Danish, Norse, and Saxon show almost no difference, except for superficial ones—like being pagan or Christian. But all across our island, we've mixed a lot with proper Danes, thanks to the constant invasions: this is more pronounced along the east coast and, as I've found, most noticeably in the North Country. From the Humber northward, across all of Scotland, the everyday language of the common people still retains a remarkably Icelandic quality; its Germanic roots also have a unique Norse flavor. They too are "Normans," Northmen—if that’s any big deal—!
Of the chief god, Odin, we shall speak by and by. Mark at present so much; what the essence of Scandinavian and indeed of all Paganism is: a recognition of the forces of Nature as godlike, stupendous, personal Agencies,—as Gods and Demons. Not inconceivable to us. It is the infant Thought of man opening itself, with awe and wonder, on this ever-stupendous Universe. To me there is in the Norse system something very genuine, very great and manlike. A broad simplicity, rusticity, so very different from the light gracefulness of the old Greek Paganism, distinguishes this Scandinavian System. It is Thought; the genuine Thought of deep, rude, earnest minds, fairly opened to the things about them; a face-to-face and heart-to-heart inspection of the things,—the first characteristic of all good Thought in all times. Not graceful lightness, half-sport, as in the Greek Paganism; a certain homely truthfulness and rustic strength, a great rude sincerity, discloses itself here. It is strange, after our beautiful Apollo statues and clear smiling mythuses, to come down upon the Norse Gods "brewing ale" to hold their feast with Aegir, the Sea-Jotun; sending out Thor to get the caldron for them in the Jotun country; Thor, after many adventures, clapping the Pot on his head, like a huge hat, and walking off with it,—quite lost in it, the ears of the Pot reaching down to his heels! A kind of vacant hugeness, large awkward gianthood, characterizes that Norse system; enormous force, as yet altogether untutored, stalking helpless with large uncertain strides. Consider only their primary mythus of the Creation. The Gods, having got the Giant Ymer slain, a Giant made by "warm wind," and much confused work, out of the conflict of Frost and Fire,—determined on constructing a world with him. His blood made the Sea; his flesh was the Land, the Rocks his bones; of his eyebrows they formed Asgard their Gods'-dwelling; his skull was the great blue vault of Immensity, and the brains of it became the Clouds. What a Hyper-Brobdignagian business! Untamed Thought, great, giantlike, enormous;—to be tamed in due time into the compact greatness, not giantlike, but godlike and stronger than gianthood, of the Shakspeares, the Goethes!—Spiritually as well as bodily these men are our progenitors.
We will talk about the main god, Odin, later. For now, just understand this: the essence of Scandinavian and all Paganism is recognizing the forces of Nature as godlike, immense, personal entities—gods and demons. It’s not hard for us to grasp. It reflects humanity’s early thoughts opening up, full of awe and wonder, to this vast Universe. To me, there's something very authentic and grand about the Norse system that feels very human. There’s a broad simplicity and a down-to-earth quality that sets it apart from the light elegance of ancient Greek Paganism. It’s genuine thought from deep, earnest minds, directly engaging with the world around them—a straightforward and heartfelt examination of reality, which is the hallmark of all meaningful thought throughout history. Unlike the graceful lightness and playful attitude of Greek Paganism, here we find a kind of honest truthfulness and rustic strength with a raw sincerity. It’s strange, after seeing our beautiful Apollo statues and cheerful myths, to encounter Norse gods "brewing ale" for a feast with Aegir, the Sea Giant; sending Thor to fetch the caldron in the land of giants; Thor, after many adventures, putting the giant pot on his head like a massive hat and walking away with it—completely swallowed up in it, with the pot's ears dragging down to his heels! A sort of overwhelming awkwardness and sheer size defines that Norse system; tremendous power, yet completely unrefined, moving about clumsily in uncertain strides. Just think about their primary creation myth. After the gods defeated the giant Ymir—a giant formed from “warm wind” amidst the chaotic clash of Frost and Fire—they decided to create a world from his body. His blood became the Sea; his flesh was turned into Land, his bones were the Rocks; from his eyebrows, they built Asgard, their realm of gods; his skull formed the great blue sky, and his brain turned into the Clouds. What a colossal undertaking! Untamed thought, enormous and giant-like, waiting to be refined into a solid greatness—not giant-like, but god-like and stronger than mere gianthood, like the works of Shakespeares and Goethes! Spiritually and physically, these men are our ancestors.
I like, too, that representation they have of the tree Igdrasil. All Life is figured by them as a Tree. Igdrasil, the Ash-tree of Existence, has its roots deep down in the kingdoms of Hela or Death; its trunk reaches up heaven-high, spreads its boughs over the whole Universe: it is the Tree of Existence. At the foot of it, in the Death-kingdom, sit Three Nornas, Fates,—the Past, Present, Future; watering its roots from the Sacred Well. Its "boughs," with their buddings and disleafings?—events, things suffered, things done, catastrophes,—stretch through all lands and times. Is not every leaf of it a biography, every fibre there an act or word? Its boughs are Histories of Nations. The rustle of it is the noise of Human Existence, onwards from of old. It grows there, the breath of Human Passion rustling through it;—or storm tost, the storm-wind howling through it like the voice of all the gods. It is Igdrasil, the Tree of Existence. It is the past, the present, and the future; what was done, what is doing, what will be done; "the infinite conjugation of the verb To do." Considering how human things circulate, each inextricably in communion with all,—how the word I speak to you to-day is borrowed, not from Ulfila the Moesogoth only, but from all men since the first man began to speak,—I find no similitude so true as this of a Tree. Beautiful; altogether beautiful and great. The "Machine of the Universe,"—alas, do but think of that in contrast!
I also love their depiction of the tree Yggdrasil. They represent all of life as a Tree. Yggdrasil, the Ash-tree of Existence, has its roots deep in the realms of Hel or Death; its trunk stretches high into the sky, spreading its branches across the entire Universe: it is the Tree of Existence. At its base, in the land of Death, sit Three Nornas—the Fates: the Past, Present, and Future—watering its roots from the Sacred Well. Its "branches," with their budding and shedding—events, experiences, accomplishments, disasters—extend through all lands and times. Isn't every leaf a biography, every fiber an act or word? Its branches tell the Histories of Nations. The rustling of it is the sound of Human Existence, echoing back to ancient times. It grows there, the breath of Human Passion stirring through it; or tossed by storms, the wind howling through it like the voice of all the gods. It is Yggdrasil, the Tree of Existence. It encompasses the past, the present, and the future; what was done, what is being done, what will be done; "the infinite conjugation of the verb To do." When I consider how human things are interconnected, each intrinsically linked with all others—how the words I speak to you today are borrowed not only from Ulfila the Moesogoth but from all humanity since the first man began to speak—I find no analogy as accurate as that of a Tree. Beautiful; utterly beautiful and grand. The "Machine of the Universe"—oh, just think about that in contrast!
Well, it is strange enough this old Norse view of Nature; different enough from what we believe of Nature. Whence it specially came, one would not like to be compelled to say very minutely! One thing we may say: It came from the thoughts of Norse men;—from the thought, above all, of the first Norse man who had an original power of thinking. The First Norse "man of genius," as we should call him! Innumerable men had passed by, across this Universe, with a dumb vague wonder, such as the very animals may feel; or with a painful, fruitlessly inquiring wonder, such as men only feel;—till the great Thinker came, the original man, the Seer; whose shaped spoken Thought awakes the slumbering capability of all into Thought. It is ever the way with the Thinker, the spiritual Hero. What he says, all men were not far from saying, were longing to say. The Thoughts of all start up, as from painful enchanted sleep, round his Thought; answering to it, Yes, even so! Joyful to men as the dawning of day from night;—is it not, indeed, the awakening for them from no-being into being, from death into life? We still honor such a man; call him Poet, Genius, and so forth: but to these wild men he was a very magician, a worker of miraculous unexpected blessing for them; a Prophet, a God!—Thought once awakened does not again slumber; unfolds itself into a System of Thought; grows, in man after man, generation after generation,—till its full stature is reached, and such System of Thought can grow no farther; but must give place to another.
Well, it's quite unusual this old Norse perspective on Nature; different enough from what we believe today. Where it specifically came from is hard to pin down! One thing we can say: it originated from the thoughts of Norse people—especially from the thought of the first Norse individual who had the ability to think creatively. The First Norse "man of genius," as we might call him! Countless people had walked across this Universe, with a vague, dumb wonder similar to what animals might feel; or with a painful, fruitless curiosity that only humans experience—until the great Thinker arrived, the original man, the Seer; whose articulated thoughts awaken everyone else's dormant ability to think. This is always the way with the Thinker, the spiritual Hero. What he expresses is something all other men were close to saying, something they longed to say. The thoughts of all spring forth, as if from a painful enchanted sleep, in response to his thought; confirming it, Yes, exactly! It brings joy to mankind like the dawn breaking after night;—is it not, in fact, the awakening from non-existence to existence, from death to life? We still honor such individuals; we call them Poet, Genius, and so on: but to these wild people, he was a true magician, a provider of miraculous and unexpected blessings; a Prophet, a God!—Once thought is awakened, it does not sleep again; it develops into a System of Thought; it grows, from person to person, generation after generation,—until it reaches its full potential, and such a System of Thought can evolve no further; but must give way to another.
For the Norse people, the Man now named Odin, and Chief Norse God, we fancy, was such a man. A Teacher, and Captain of soul and of body; a Hero, of worth immeasurable; admiration for whom, transcending the known bounds, became adoration. Has he not the power of articulate Thinking; and many other powers, as yet miraculous? So, with boundless gratitude, would the rude Norse heart feel. Has he not solved for them the sphinx-enigma of this Universe; given assurance to them of their own destiny there? By him they know now what they have to do here, what to look for hereafter. Existence has become articulate, melodious by him; he first has made Life alive!—We may call this Odin, the origin of Norse Mythology: Odin, or whatever name the First Norse Thinker bore while he was a man among men. His view of the Universe once promulgated, a like view starts into being in all minds; grows, keeps ever growing, while it continues credible there. In all minds it lay written, but invisibly, as in sympathetic ink; at his word it starts into visibility in all. Nay, in every epoch of the world, the great event, parent of all others, is it not the arrival of a Thinker in the world—!
For the Norse people, the man now known as Odin, the Chief Norse God, was just that. A Teacher and a Leader of both spirit and body; a hero of immeasurable worth; admiration for him, surpassing all limits, evolved into adoration. Doesn’t he possess the ability for articulate thinking and many other miraculous powers? So, with endless gratitude, the rough Norse heart would feel. Has he not unraveled the riddle of this Universe for them and assured them of their own destiny within it? Through him, they now understand what they need to do here and what to look forward to in the future. Existence has become clear and harmonious through him; he was the one who brought Life to life! We can call him Odin, the origin of Norse Mythology: Odin, or whatever name the First Norse Thinker had when he walked among men. Once his perspective on the Universe was shared, a similar viewpoint emerged in all minds; it grows and continues to grow as long as it remains credible. It was written in every mind, but invisibly, like in sympathetic ink; at his command, it becomes visible to all. Indeed, in every era of the world, the greatest event, the source of all others, is not the arrival of a Thinker in the world—!
One other thing we must not forget; it will explain, a little, the confusion of these Norse Eddas. They are not one coherent System of Thought; but properly the summation of several successive systems. All this of the old Norse Belief which is flung out for us, in one level of distance in the Edda, like a picture painted on the same canvas, does not at all stand so in the reality. It stands rather at all manner of distances and depths, of successive generations since the Belief first began. All Scandinavian thinkers, since the first of them, contributed to that Scandinavian System of Thought; in ever-new elaboration and addition, it is the combined work of them all. What history it had, how it changed from shape to shape, by one thinker's contribution after another, till it got to the full final shape we see it under in the Edda, no man will now ever know: its Councils of Trebizond, Councils of Trent, Athanasiuses, Dantes, Luthers, are sunk without echo in the dark night! Only that it had such a history we can all know. Wheresover a thinker appeared, there in the thing he thought of was a contribution, accession, a change or revolution made. Alas, the grandest "revolution" of all, the one made by the man Odin himself, is not this too sunk for us like the rest! Of Odin what history? Strange rather to reflect that he had a history! That this Odin, in his wild Norse vesture, with his wild beard and eyes, his rude Norse speech and ways, was a man like us; with our sorrows, joys, with our limbs, features;—intrinsically all one as we: and did such a work! But the work, much of it, has perished; the worker, all to the name. "Wednesday," men will say to-morrow; Odin's day! Of Odin there exists no history; no document of it; no guess about it worth repeating.
One more thing we shouldn’t forget; it will help clarify some of the confusion around these Norse Eddas. They aren’t a single, coherent system of thought; rather, they’re the sum total of several successive systems. Everything we see about old Norse beliefs in the Edda appears to us from one vantage point, as if it's a picture painted on one canvas, but that’s not how it really is. It exists at all sorts of different distances and depths, representing various generations since these beliefs first emerged. Every Scandinavian thinker, starting from the earliest ones, contributed to that Scandinavian system of thought; through continuous development and new ideas, it has become the collective work of them all. What history it had, how it evolved shape by shape through each thinker’s contributions until reaching the final form we see in the Edda, no one will ever know: its Councils of Trebizond, Councils of Trent, Athanasiuses, Dantes, Luthers are all lost without a trace in the dark night! The only thing we can know for sure is that it had such a history. Wherever a thinker emerged, they brought a contribution, an addition, a change or a revolution. Sadly, the greatest “revolution” of them all, the one brought by Odin himself, is also lost to us, like the rest! What history do we have of Odin? It’s strange to think that he even had a history! This Odin, in his wild Norse attire, with his wild beard and eyes, his rough Norse speech and mannerisms, was a man like us; with our sorrows and joys, with our bodies and features—essentially just like us—and did such incredible work! But much of that work has disappeared; only the name of the worker remains. "Wednesday," people will say tomorrow; Odin's day! There is no history of Odin; no document about him; no speculation worth repeating.
Snorro indeed, in the quietest manner, almost in a brief business style, writes down, in his Heimskringla, how Odin was a heroic Prince, in the Black-Sea region, with Twelve Peers, and a great people straitened for room. How he led these Asen (Asiatics) of his out of Asia; settled them in the North parts of Europe, by warlike conquest; invented Letters, Poetry and so forth,—and came by and by to be worshipped as Chief God by these Scandinavians, his Twelve Peers made into Twelve Sons of his own, Gods like himself: Snorro has no doubt of this. Saxo Grammaticus, a very curious Northman of that same century, is still more unhesitating; scruples not to find out a historical fact in every individual mythus, and writes it down as a terrestrial event in Denmark or elsewhere. Torfaeus, learned and cautious, some centuries later, assigns by calculation a date for it: Odin, he says, came into Europe about the Year 70 before Christ. Of all which, as grounded on mere uncertainties, found to be untenable now, I need say nothing. Far, very far beyond the Year 70! Odin's date, adventures, whole terrestrial history, figure and environment are sunk from us forever into unknown thousands of years.
Snorro simply and almost in a straightforward way writes in his Heimskringla about how Odin was a heroic prince in the Black Sea region, accompanied by Twelve Peers and leading a large population that was cramped for space. He describes how Odin led these Asen (Asiatics) out of Asia and settled them in northern Europe through military conquest; he invented letters, poetry, and more—and eventually became worshipped as the Chief God by these Scandinavians, with his Twelve Peers transformed into Twelve Sons who were also Gods like him: Snorro firmly believes this. Saxo Grammaticus, a very inquisitive Northman from the same century, is even more certain; he has no hesitation in identifying a historical fact in every single myth and records them as earthly events in Denmark and elsewhere. Torfaeus, learned and cautious, several centuries later, estimates a date for this: Odin, he claims, arrived in Europe around 70 years before Christ. About all this, which is based on mere uncertainties and has been proven untenable, I need to say nothing. Far, far beyond the year 70! Odin's timeline, adventures, entire earthly history, identity, and surroundings have vanished into the vast unknown thousands of years ago.
Nay Grimm, the German Antiquary, goes so far as to deny that any man Odin ever existed. He proves it by etymology. The word Wuotan, which is the original form of Odin, a word spread, as name of their chief Divinity, over all the Teutonic Nations everywhere; this word, which connects itself, according to Grimm, with the Latin vadere, with the English wade and such like,—means primarily Movement, Source of Movement, Power; and is the fit name of the highest god, not of any man. The word signifies Divinity, he says, among the old Saxon, German and all Teutonic Nations; the adjectives formed from it all signify divine, supreme, or something pertaining to the chief god. Like enough! We must bow to Grimm in matters etymological. Let us consider it fixed that Wuotan means Wading, force of Movement. And now still, what hinders it from being the name of a Heroic Man and Mover, as well as of a god? As for the adjectives, and words formed from it,—did not the Spaniards in their universal admiration for Lope, get into the habit of saying "a Lope flower," "a Lope dama," if the flower or woman were of surpassing beauty? Had this lasted, Lope would have grown, in Spain, to be an adjective signifying godlike also. Indeed, Adam Smith, in his Essay on Language, surmises that all adjectives whatsoever were formed precisely in that way: some very green thing, chiefly notable for its greenness, got the appellative name Green, and then the next thing remarkable for that quality, a tree for instance, was named the green tree,—as we still say "the steam coach," "four-horse coach," or the like. All primary adjectives, according to Smith, were formed in this way; were at first substantives and things. We cannot annihilate a man for etymologies like that! Surely there was a First Teacher and Captain; surely there must have been an Odin, palpable to the sense at one time; no adjective, but a real Hero of flesh and blood! The voice of all tradition, history or echo of history, agrees with all that thought will teach one about it, to assure us of this.
No, Grimm, the German scholar, goes so far as to claim that Odin never existed. He supports this by looking at the roots of words. The term Wuotan, which is the original form of Odin, is a name used as the title of their chief god across all the Teutonic nations. According to Grimm, this word connects to the Latin vadere, the English wade, and similar terms, meaning primarily Movement, Source of Movement, and Power; it’s a fitting name for the highest deity, rather than any human. He states that the word signifies Divinity among the old Saxons, Germans, and all Teutonic people; adjectives derived from it all imply divine, supreme, or something related to the chief god. Quite likely! We should trust Grimm on etymological matters. Let’s accept that Wuotan means Wading, force of Movement. But still, what stops it from being the name of a heroic figure and Mover, as well as a god? As for the adjectives and words derived from it—didn’t the Spaniards, in their admiration for Lope, start saying “a Lope flower,” “a Lope dama,” if the flower or woman was exceptionally beautiful? If this had continued, Lope would have become an adjective in Spain meaning godlike. In fact, Adam Smith, in his Essay on Language, suggests that all adjectives were formed this way: a particularly green thing, noted for its greenness, was called Green, and then the next item remarkable for that quality, like a tree, was called the green tree—as we still say "the steam coach," "four-horse coach," and so on. According to Smith, all primary adjectives were created this way; they were originally nouns and tangible things. We can’t just erase a figure for etymologies like that! Surely there was a First Teacher and Leader; surely there must have been an Odin, real and sensed at one time; not just an adjective, but a genuine Hero of flesh and blood! The voice of all tradition, history, or the remnants of history supports everything that reason tells us about it, assuring us of this.
How the man Odin came to be considered a god, the chief god?—that surely is a question which nobody would wish to dogmatize upon. I have said, his people knew no limits to their admiration of him; they had as yet no scale to measure admiration by. Fancy your own generous heart's-love of some greatest man expanding till it transcended all bounds, till it filled and overflowed the whole field of your thought! Or what if this man Odin,—since a great deep soul, with the afflatus and mysterious tide of vision and impulse rushing on him he knows not whence, is ever an enigma, a kind of terror and wonder to himself,—should have felt that perhaps he was divine; that he was some effluence of the "Wuotan," "Movement", Supreme Power and Divinity, of whom to his rapt vision all Nature was the awful Flame-image; that some effluence of Wuotan dwelt here in him! He was not necessarily false; he was but mistaken, speaking the truest he knew. A great soul, any sincere soul, knows not what he is,—alternates between the highest height and the lowest depth; can, of all things, the least measure—Himself! What others take him for, and what he guesses that he may be; these two items strangely act on one another, help to determine one another. With all men reverently admiring him; with his own wild soul full of noble ardors and affections, of whirlwind chaotic darkness and glorious new light; a divine Universe bursting all into godlike beauty round him, and no man to whom the like ever had befallen, what could he think himself to be? "Wuotan?" All men answered, "Wuotan!"—
How Odin came to be seen as a god, the chief god?—that’s definitely a question no one would confidently claim to know the answer to. As I mentioned, his people had boundless admiration for him; they had no way to measure it yet. Imagine your own generous heart's admiration for someone you consider great expanding until it goes beyond all limits and fills your entire mind! Or what if this man Odin—possessing a deep soul, filled with inspiration and a mysterious wave of vision and impulse he doesn’t understand—felt that perhaps he was divine; that he was some expression of "Wuotan," "Movement," the Supreme Power and Divinity, to whom all of Nature was a magnificent flame? That perhaps some part of Wuotan resided within him! He wasn’t necessarily deceiving himself; he was just mistaken, speaking the deepest truth he knew. A great soul, any sincere soul, doesn’t really know what it is—oscillating between the highest highs and the lowest lows; it can hardly measure—Itself! How others perceive him and what he thinks he might be; these two aspects strangely interact and influence each other. With everyone reverently admiring him and his own passionate soul filled with noble emotions, chaotic darkness, and brilliant new light; with a divine universe bursting into stunning beauty around him, and with no one else having experienced anything like it, what could he think he was? "Wuotan?" Everyone answered, "Wuotan!"
And then consider what mere Time will do in such cases; how if a man was great while living, he becomes tenfold greater when dead. What an enormous camera-obscura magnifier is Tradition! How a thing grows in the human Memory, in the human Imagination, when love, worship and all that lies in the human Heart, is there to encourage it. And in the darkness, in the entire ignorance; without date or document, no book, no Arundel-marble; only here and there some dumb monumental cairn. Why, in thirty or forty years, were there no books, any great man would grow mythic, the contemporaries who had seen him, being once all dead. And in three hundred years, and in three thousand years—! To attempt theorizing on such matters would profit little: they are matters which refuse to be theoremed and diagramed; which Logic ought to know that she cannot speak of. Enough for us to discern, far in the uttermost distance, some gleam as of a small real light shining in the centre of that enormous camera-obscure image; to discern that the centre of it all was not a madness and nothing, but a sanity and something.
And then think about what simply time will do in such cases; how if a person was great while alive, they become even greater after death. What an incredible magnifier Tradition is! How something expands in human Memory and human Imagination when love, worship, and all that exists in the human Heart support it. And in the darkness, in complete ignorance; without date or document, no book, no Arundel marble; just a few scattered, silent monumental stones. In thirty or forty years, without any books, any great person would become mythical, with only their contemporaries who had seen them all gone. And in three hundred years, and in three thousand years—! Trying to theorize about such things wouldn't be very useful: these are matters that resist being theorized and diagrammed; which Logic should understand that it cannot talk about. It's enough for us to see, far in the distant haze, a flicker of a small real light shining at the center of that enormous camera-obscura image; to realize that the center of it all was not madness and nothing, but sanity and something.
This light, kindled in the great dark vortex of the Norse Mind, dark but living, waiting only for light; this is to me the centre of the whole. How such light will then shine out, and with wondrous thousand-fold expansion spread itself, in forms and colors, depends not on it, so much as on the National Mind recipient of it. The colors and forms of your light will be those of the cut-glass it has to shine through.—Curious to think how, for every man, any the truest fact is modelled by the nature of the man! I said, The earnest man, speaking to his brother men, must always have stated what seemed to him a fact, a real Appearance of Nature. But the way in which such Appearance or fact shaped itself,—what sort of fact it became for him,—was and is modified by his own laws of thinking; deep, subtle, but universal, ever-operating laws. The world of Nature, for every man, is the Fantasy of Himself. This world is the multiplex "Image of his own Dream." Who knows to what unnamable subtleties of spiritual law all these Pagan Fables owe their shape! The number Twelve, divisiblest of all, which could be halved, quartered, parted into three, into six, the most remarkable number,—this was enough to determine the Signs of the Zodiac, the number of Odin's Sons, and innumerable other Twelves. Any vague rumor of number had a tendency to settle itself into Twelve. So with regard to every other matter. And quite unconsciously too,—with no notion of building up "Allegories "! But the fresh clear glance of those First Ages would be prompt in discerning the secret relations of things, and wholly open to obey these. Schiller finds in the Cestus of Venus an everlasting aesthetic truth as to the nature of all Beauty; curious:—but he is careful not to insinuate that the old Greek Mythists had any notion of lecturing about the "Philosophy of Criticism"!—On the whole, we must leave those boundless regions. Cannot we conceive that Odin was a reality? Error indeed, error enough: but sheer falsehood, idle fables, allegory aforethought,—we will not believe that our Fathers believed in these.
This light, ignited in the deep darkness of the Norse Mind, dark yet alive, just waiting for illumination; this, to me, is the core of everything. How that light will then radiate and, in a breathtaking array of forms and colors, expand depends less on the light itself and more on the National Mind that receives it. The colors and forms of your light will reflect the cut-glass it has to shine through. It’s interesting to consider how, for every individual, even the truest fact is shaped by that person's nature! I believe that the earnest individual, speaking to their fellow humans, must always convey what seems to them a fact, a genuine Aspect of Nature. However, the way this Aspect or fact shapes itself—what kind of fact it becomes for them—is influenced by their own thinking patterns; deep, subtle, yet universal and constantly active laws. The world of Nature, for each person, is the Fantasy of Themselves. This world serves as the complex "Image of their own Dream." Who knows what indescribable subtleties of spiritual law give shape to all these Pagan Fables! The number Twelve, the most divisible of all, which can be halved, quartered, and divided into three or six, is the most remarkable number—this was enough to define the Signs of the Zodiac, the number of Odin's Sons, and countless other Twelves. Any vague notion of number tended to settle into Twelve. The same goes for every other topic. And quite unconsciously too—without any intention of creating "Allegories"! But the fresh, clear perspective of those Early Ages would quickly recognize the hidden relationships between things and be completely open to following them. Schiller finds in the Cestus of Venus an eternal aesthetic truth about the nature of all Beauty; curious:—but he’s careful not to suggest that the old Greek Myths intended to teach any "Philosophy of Criticism"!—Overall, we must leave those vast territories. Can we not imagine that Odin was a real figure? Mistakes certainly, many mistakes: but we won't believe that our Ancestors believed in pure falsehoods, idle tales, or premeditated allegories.
Odin's Runes are a significant feature of him. Runes, and the miracles of "magic" he worked by them, make a great feature in tradition. Runes are the Scandinavian Alphabet; suppose Odin to have been the inventor of Letters, as well as "magic," among that people! It is the greatest invention man has ever made! this of marking down the unseen thought that is in him by written characters. It is a kind of second speech, almost as miraculous as the first. You remember the astonishment and incredulity of Atahualpa the Peruvian King; how he made the Spanish Soldier who was guarding him scratch Dios on his thumb-nail, that he might try the next soldier with it, to ascertain whether such a miracle was possible. If Odin brought Letters among his people, he might work magic enough!
Odin's Runes are a major part of who he is. Runes, along with the "magic" he performed with them, play an important role in tradition. Runes are the Scandinavian alphabet; imagine if Odin was the one who invented letters, as well as "magic," for that culture! It's the greatest invention humanity has ever created—this idea of capturing the unseen thoughts within us through written characters. It's like a second form of speech, nearly as miraculous as the first. You recall the surprise and disbelief of Atahualpa, the Peruvian king; how he had the Spanish soldier guarding him scratch Dios on his thumbnail, so he could test the next soldier with it to see if such a miracle was even possible. If Odin brought letters to his people, he could definitely cast enough magic!
Writing by Runes has some air of being original among the Norsemen: not a Phoenician Alphabet, but a native Scandinavian one. Snorro tells us farther that Odin invented Poetry; the music of human speech, as well as that miraculous runic marking of it. Transport yourselves into the early childhood of nations; the first beautiful morning-light of our Europe, when all yet lay in fresh young radiance as of a great sunrise, and our Europe was first beginning to think, to be! Wonder, hope; infinite radiance of hope and wonder, as of a young child's thoughts, in the hearts of these strong men! Strong sons of Nature; and here was not only a wild Captain and Fighter; discerning with his wild flashing eyes what to do, with his wild lion-heart daring and doing it; but a Poet too, all that we mean by a Poet, Prophet, great devout Thinker and Inventor,—as the truly Great Man ever is. A Hero is a Hero at all points; in the soul and thought of him first of all. This Odin, in his rude semi-articulate way, had a word to speak. A great heart laid open to take in this great Universe, and man's Life here, and utter a great word about it. A Hero, as I say, in his own rude manner; a wise, gifted, noble-hearted man. And now, if we still admire such a man beyond all others, what must these wild Norse souls, first awakened into thinking, have made of him! To them, as yet without names for it, he was noble and noblest; Hero, Prophet, God; Wuotan, the greatest of all. Thought is Thought, however it speak or spell itself. Intrinsically, I conjecture, this Odin must have been of the same sort of stuff as the greatest kind of men. A great thought in the wild deep heart of him! The rough words he articulated, are they not the rudimental roots of those English words we still use? He worked so, in that obscure element. But he was as a light kindled in it; a light of Intellect, rude Nobleness of heart, the only kind of lights we have yet; a Hero, as I say: and he had to shine there, and make his obscure element a little lighter,—as is still the task of us all.
Writing in Runes has a sense of originality among the Norse people: it's not a Phoenician Alphabet, but a native Scandinavian one. Snorro tells us that Odin invented Poetry; the rhythm of human speech and that miraculous runic representation of it. Imagine yourself in the early childhood of nations; the first beautiful morning light of our Europe, when everything was still fresh, basking in the glow of a great sunrise, and our Europe was just beginning to think, to exist! Wonder and hope, an infinite radiance of both, like a child's thoughts, filled the hearts of these strong men! Strong sons of Nature; and here was not just a wild Captain and Fighter, keenly discerning what to do with his wild, flashing eyes, and boldly going after it with a lion-hearted courage, but also a Poet—everything we associate with a Poet, Prophet, great devoted Thinker and Creator—as the truly Great Man always is. A Hero is a Hero in every aspect; first and foremost within the soul and mind. This Odin, in his rough, semi-articulate way, had something to say. A big heart open to embrace this vast Universe and human Life here, capable of expressing a profound thought about it. A Hero, in his own unrefined way; a wise, talented, noble-hearted man. And now, if we still admire such a person above all others, what must these wild Norse souls, just starting to think, have made of him! To them, still without names for it, he was the noblest; Hero, Prophet, God; Wuotan, the greatest of all. Thought is still Thought, regardless of how it is expressed or spelled. Deep down, I suspect this Odin was made of the same stuff as the greatest men. A great thought lay in the wild depths of him! The rough words he spoke, aren't they the primitive roots of the English words we still use? He worked in that obscure realm. But he was like a light ignited within it; a light of Intellect, raw Nobleness of heart, the only kind of lights we have so far; a Hero, as I say: he had to shine there and make his obscure element a little brighter—as is still the task for all of us.
We will fancy him to be the Type Norseman; the finest Teuton whom that race had yet produced. The rude Norse heart burst up into boundless admiration round him; into adoration. He is as a root of so many great things; the fruit of him is found growing from deep thousands of years, over the whole field of Teutonic Life. Our own Wednesday, as I said, is it not still Odin's Day? Wednesbury, Wansborough, Wanstead, Wandsworth: Odin grew into England too, these are still leaves from that root! He was the Chief God to all the Teutonic Peoples; their Pattern Norseman;—in such way did they admire their Pattern Norseman; that was the fortune he had in the world.
We can imagine him as the ideal Norseman; the best Teuton that race has ever produced. The rugged Norse heart swelled with limitless admiration for him; he was adored. He serves as a root for so many great things; his legacy has been growing for thousands of years, covering the entire landscape of Teutonic life. Our own Wednesday, as I mentioned, is it not still Odin's Day? Wednesbury, Wansborough, Wanstead, Wandsworth: Odin made his presence felt in England too; these are still branches from that root! He was the Chief God for all the Teutonic peoples; their model Norseman;—in this way did they admire their model Norseman; that was the fortune he had in the world.
Thus if the man Odin himself have vanished utterly, there is this huge Shadow of him which still projects itself over the whole History of his People. For this Odin once admitted to be God, we can understand well that the whole Scandinavian Scheme of Nature, or dim No-scheme, whatever it might before have been, would now begin to develop itself altogether differently, and grow thenceforth in a new manner. What this Odin saw into, and taught with his runes and his rhymes, the whole Teutonic People laid to heart and carried forward. His way of thought became their way of thought:—such, under new conditions, is the history of every great thinker still. In gigantic confused lineaments, like some enormous camera-obscure shadow thrown upwards from the dead deeps of the Past, and covering the whole Northern Heaven, is not that Scandinavian Mythology in some sort the Portraiture of this man Odin? The gigantic image of his natural face, legible or not legible there, expanded and confused in that manner! Ah, Thought, I say, is always Thought. No great man lives in vain. The History of the world is but the Biography of great men.
So, if the man Odin himself has completely disappeared, there's this huge shadow of him that still hangs over the entire history of his people. For this Odin, once recognized as a god, we can clearly see that the entire Scandinavian view of nature—or lack of it, whatever it may have been—would now start to evolve in a completely different way and develop anew from then on. What Odin perceived and taught with his runes and rhymes was embraced and carried forward by the entire Teutonic people. His way of thinking became their way of thinking: that’s how the history of every great thinker unfolds under new circumstances. In massive, confusing shapes, like an enormous camera obscura shadow cast up from the deep past and covering the entire Northern sky, isn't Scandinavian mythology in some way a portrait of this man Odin? The gigantic image of his natural face, whether clear or unclear, expanded and distorted in that way! Ah, thought, I say, is always thought. No great man lives in vain. The history of the world is just the biography of great men.
To me there is something very touching in this primeval figure of Heroism; in such artless, helpless, but hearty entire reception of a Hero by his fellow-men. Never so helpless in shape, it is the noblest of feelings, and a feeling in some shape or other perennial as man himself. If I could show in any measure, what I feel deeply for a long time now, That it is the vital element of manhood, the soul of man's history here in our world,—it would be the chief use of this discoursing at present. We do not now call our great men Gods, nor admire without limit; ah no, with limit enough! But if we have no great men, or do not admire at all,—that were a still worse case.
To me, there’s something really touching about this ancient idea of Heroism; in the simple, genuine, but heartfelt way that people welcome a Hero. It’s a feeling that, despite being so vulnerable, is one of the noblest emotions, and it’s a feeling that has been a constant part of humanity. If I could communicate even a bit of what I’ve felt deeply for a long time now, that it represents the essential spirit of manhood and the essence of our history here in this world—it would be the main purpose of this discussion right now. We don’t call our great figures Gods anymore, nor do we admire them without limit; oh no, we admire them with plenty of limits! But if we have no great figures or fail to admire anyone at all—that would be an even worse situation.
This poor Scandinavian Hero-worship, that whole Norse way of looking at the Universe, and adjusting oneself there, has an indestructible merit for us. A rude childlike way of recognizing the divineness of Nature, the divineness of Man; most rude, yet heartfelt, robust, giantlike; betokening what a giant of a man this child would yet grow to!—It was a truth, and is none. Is it not as the half-dumb stifled voice of the long-buried generations of our own Fathers, calling out of the depths of ages to us, in whose veins their blood still runs: "This then, this is what we made of the world: this is all the image and notion we could form to ourselves of this great mystery of a Life and Universe. Despise it not. You are raised high above it, to large free scope of vision; but you too are not yet at the top. No, your notion too, so much enlarged, is but a partial, imperfect one; that matter is a thing no man will ever, in time or out of time, comprehend; after thousands of years of ever-new expansion, man will find himself but struggling to comprehend again a part of it: the thing is larger shall man, not to be comprehended by him; an Infinite thing!"
This unfortunate admiration for Scandinavian heroes, this entire Norse perspective on the Universe and how to fit into it, has an undeniable value for us. It represents a primitive, childlike way of recognizing the divinity in Nature and Humanity; it's very raw, yet genuine, strong, and monumental, suggesting what a remarkable person this child might become!—It was a truth, and it is no longer. Isn't it like the muted, suppressed voices of the long-gone generations of our Fathers, calling out from the depths of history to us, in whom their blood still flows: "This is what we made of the world: this is all the image and understanding we could form of this great mystery of Life and Universe. Don’t look down on it. You are elevated above it, having a wide-ranging view; but you, too, have not yet reached the peak. No, your understanding, although much broader, is still just a partial, incomplete one; matter is something no person will ever fully grasp, in time or out of time. After thousands of years of constant discovery, humanity will find itself again struggling to understand just a part of it: the reality is bigger than man, and it cannot be fully understood; it is an Infinite thing!"
The essence of the Scandinavian, as indeed of all Pagan Mythologies, we found to be recognition of the divineness of Nature; sincere communion of man with the mysterious invisible Powers visibly seen at work in the world round him. This, I should say, is more sincerely done in the Scandinavian than in any Mythology I know. Sincerity is the great characteristic of it. Superior sincerity (far superior) consoles us for the total want of old Grecian grace. Sincerity, I think, is better than grace. I feel that these old Northmen wore looking into Nature with open eye and soul: most earnest, honest; childlike, and yet manlike; with a great-hearted simplicity and depth and freshness, in a true, loving, admiring, unfearing way. A right valiant, true old race of men. Such recognition of Nature one finds to be the chief element of Paganism; recognition of Man, and his Moral Duty, though this too is not wanting, comes to be the chief element only in purer forms of religion. Here, indeed, is a great distinction and epoch in Human Beliefs; a great landmark in the religious development of Mankind. Man first puts himself in relation with Nature and her Powers, wonders and worships over those; not till a later epoch does he discern that all Power is Moral, that the grand point is the distinction for him of Good and Evil, of Thou shalt and Thou shalt not.
The essence of Scandinavian, and indeed all Pagan Mythologies, is the recognition of the divinity of Nature; a genuine connection between humans and the mysterious, invisible Forces at work in the world around them. I believe this is more authentically expressed in Scandinavian mythology than in any others I know. Sincerity is its defining characteristic. This superior sincerity compensates for the complete absence of old Grecian elegance. I think sincerity is better than elegance. I feel that these ancient Northmen viewed Nature with open eyes and souls: they were earnest, honest; childlike yet mature; possessing a grand simplicity, depth, and freshness in a true, loving, admiring, and fearless way. A truly brave and genuine old race of men. This recognition of Nature is the main element of Paganism; while the recognition of Man and his Moral Duty is also present, it becomes the primary focus only in purer forms of religion. Here is indeed a significant difference and turning point in Human Beliefs; a major milestone in the religious evolution of Mankind. Initially, humans relate themselves to Nature and her Forces, marveling and worshiping them; not until a later stage do they realize that all Power is Moral, and that the key distinction for them is between Good and Evil, between Thou shalt and Thou shalt not.
With regard to all these fabulous delineations in the Edda, I will remark, moreover, as indeed was already hinted, that most probably they must have been of much newer date; most probably, even from the first, were comparatively idle for the old Norsemen, and as it were a kind of Poetic sport. Allegory and Poetic Delineation, as I said above, cannot be religious Faith; the Faith itself must first be there, then Allegory enough will gather round it, as the fit body round its soul. The Norse Faith, I can well suppose, like other Faiths, was most active while it lay mainly in the silent state, and had not yet much to say about itself, still less to sing.
Regarding all these amazing descriptions in the Edda, I’ll point out, as hinted before, that they were probably much newer; they likely weren’t very significant for the old Norsemen and were more of a kind of poetic pastime. As I mentioned earlier, allegory and poetic depiction cannot replace true religious faith; faith itself must come first, and then enough allegory will form around it, like a fitting body around its soul. I can easily imagine that Norse faith, like other faiths, was most vibrant when it was mostly silent and hadn’t yet expressed much about itself, let alone sung about it.
Among those shadowy Edda matters, amid all that fantastic congeries of assertions, and traditions, in their musical Mythologies, the main practical belief a man could have was probably not much more than this: of the Valkyrs and the Hall of Odin; of an inflexible Destiny; and that the one thing needful for a man was to be brave. The Valkyrs are Choosers of the Slain: a Destiny inexorable, which it is useless trying to bend or soften, has appointed who is to be slain; this was a fundamental point for the Norse believer;—as indeed it is for all earnest men everywhere, for a Mahomet, a Luther, for a Napoleon too. It lies at the basis this for every such man; it is the woof out of which his whole system of thought is woven. The Valkyrs; and then that these Choosers lead the brave to a heavenly Hall of Odin; only the base and slavish being thrust elsewhither, into the realms of Hela the Death-goddess: I take this to have been the soul of the whole Norse Belief. They understood in their heart that it was indispensable to be brave; that Odin would have no favor for them, but despise and thrust them out, if they were not brave. Consider too whether there is not something in this! It is an everlasting duty, valid in our day as in that, the duty of being brave. Valor is still value. The first duty for a man is still that of subduing Fear. We must get rid of Fear; we cannot act at all till then. A man's acts are slavish, not true but specious; his very thoughts are false, he thinks too as a slave and coward, till he have got Fear under his feet. Odin's creed, if we disentangle the real kernel of it, is true to this hour. A man shall and must be valiant; he must march forward, and quit himself like a man,—trusting imperturbably in the appointment and choice of the upper Powers; and, on the whole, not fear at all. Now and always, the completeness of his victory over Fear will determine how much of a man he is.
Among those mysterious Edda matters, amidst all that wild mix of claims and traditions in their melodic Mythologies, the main practical belief a person could hold was probably just this: about the Valkyrs and the Hall of Odin; about an unchangeable Destiny; and that the one essential thing for a person was to be brave. The Valkyrs are the Choosers of the Slain: an unyielding Destiny has decided who will be killed, and there's no use trying to change or soften it; this was a key belief for the Norse follower;—and it is indeed a belief for all earnest individuals everywhere, for a Mahomet, a Luther, and even a Napoleon. This principle lies at the foundation of every such person's thought; it is the fabric from which their entire worldview is woven. The Valkyrs; and then that these Choosers take the brave to a heavenly Hall of Odin; only the cowardly and base are sent elsewhere, into the realms of Hela, the Death-goddess: I believe this was the essence of the entire Norse Belief. They understood deep down that it was vital to be brave; that Odin would show them no favor, but would scorn and reject them if they lacked courage. Consider if there isn’t some truth in this! It’s a timeless duty, relevant today just as it was then, the duty to be brave. Valor is still value. The primary duty of a person remains the overcoming of Fear. We must conquer Fear; we cannot act at all until we do. A person’s actions become servile, not real but merely seeming; even his thoughts are false; he thinks like a slave and coward until he has managed to gain mastery over Fear. Odin’s creed, when we strip it down to its core, holds true even now. A person shall and must be courageous; he must move forward and carry himself like a man—trusting unflinchingly in the decisions and choices of the higher Powers; and, overall, not fear at all. Now and always, the extent of his triumph over Fear will define how much of a man he really is.
It is doubtless very savage that kind of valor of the old Northmen. Snorro tells us they thought it a shame and misery not to die in battle; and if natural death seemed to be coming on, they would cut wounds in their flesh, that Odin might receive them as warriors slain. Old kings, about to die, had their body laid into a ship; the ship sent forth, with sails set and slow fire burning it; that, once out at sea, it might blaze up in flame, and in such manner bury worthily the old hero, at once in the sky and in the ocean! Wild bloody valor; yet valor of its kind; better, I say, than none. In the old Sea-kings too, what an indomitable rugged energy! Silent, with closed lips, as I fancy them, unconscious that they were specially brave; defying the wild ocean with its monsters, and all men and things;—progenitors of our own Blakes and Nelsons! No Homer sang these Norse Sea-kings; but Agamemnon's was a small audacity, and of small fruit in the world, to some of them;—to Hrolf's of Normandy, for instance! Hrolf, or Rollo Duke of Normandy, the wild Sea-king, has a share in governing England at this hour.
It’s certainly brutal, that kind of bravery of the old Northmen. Snorro tells us they viewed it as a disgrace and misery not to die in battle; and if a natural death seemed imminent, they would inflict wounds on themselves so Odin would accept them as warriors slain. Old kings, about to die, had their bodies placed in a ship; the ship would be sent out to sea, with its sails set and a slow fire burning it, so that once it was out at sea, it would ignite in flames and properly bury the old hero, both in the sky and in the ocean! Such wild, bloody bravery; yet a kind of bravery nonetheless; better, I argue, than none at all. In the old Sea-kings, what incredible rugged strength they had! I imagine them silent, lips sealed, unaware that they were particularly brave, defying the wild ocean with its monsters and all men and things—ancestors of our own Blakes and Nelsons! No Homer sang about these Norse Sea-kings; but Agamemnon's audacity was small and had little impact in the world compared to some of them—like Hrolf of Normandy, for instance! Hrolf, or Rollo Duke of Normandy, the wild Sea-king, has a role in governing England even now.
Nor was it altogether nothing, even that wild sea-roving and battling, through so many generations. It needed to be ascertained which was the strongest kind of men; who were to be ruler over whom. Among the Northland Sovereigns, too, I find some who got the title Wood-cutter; Forest-felling Kings. Much lies in that. I suppose at bottom many of them were forest-fellers as well as fighters, though the Skalds talk mainly of the latter,—misleading certain critics not a little; for no nation of men could ever live by fighting alone; there could not produce enough come out of that! I suppose the right good fighter was oftenest also the right good forest-feller,—the right good improver, discerner, doer and worker in every kind; for true valor, different enough from ferocity, is the basis of all. A more legitimate kind of valor that; showing itself against the untamed Forests and dark brute Powers of Nature, to conquer Nature for us. In the same direction have not we their descendants since carried it far? May such valor last forever with us!
It wasn't nothing, all that wild seafaring and fighting over so many generations. It was important to determine which type of men were the strongest and who would rule over whom. Among the Northern leaders, I notice some were called "Wood-cutter"; they were Kings who felled forests. There's a lot in that. I guess at the core, many of them were both tree fellers and fighters, even if the poets mainly focus on the latter, which can mislead some critics. No group of people could survive only by fighting; that wouldn't provide enough resources! I believe the best fighters were often skilled at felling forests too, excelling in improvement, discernment, action, and work of every sort; true bravery, which is quite different from mere ferocity, is the foundation of all. That's a more legitimate kind of courage, as it confronts the wild forests and the dark, primal forces of nature, conquering nature for our benefit. Haven't we, their descendants, continued to carry that spirit forward? May such courage endure with us forever!
That the man Odin, speaking with a Hero's voice and heart, as with an impressiveness out of Heaven, told his People the infinite importance of Valor, how man thereby became a god; and that his People, feeling a response to it in their own hearts, believed this message of his, and thought it a message out of Heaven, and him a Divinity for telling it them: this seems to me the primary seed-grain of the Norse Religion, from which all manner of mythologies, symbolic practices, speculations, allegories, songs and sagas would naturally grow. Grow,—how strangely! I called it a small light shining and shaping in the huge vortex of Norse darkness. Yet the darkness itself was alive; consider that. It was the eager inarticulate uninstructed Mind of the whole Norse People, longing only to become articulate, to go on articulating ever farther! The living doctrine grows, grows;—like a Banyan-tree; the first seed is the essential thing: any branch strikes itself down into the earth, becomes a new root; and so, in endless complexity, we have a whole wood, a whole jungle, one seed the parent of it all. Was not the whole Norse Religion, accordingly, in some sense, what we called "the enormous shadow of this man's likeness"? Critics trace some affinity in some Norse mythuses, of the Creation and such like, with those of the Hindoos. The Cow Adumbla, "licking the rime from the rocks," has a kind of Hindoo look. A Hindoo Cow, transported into frosty countries. Probably enough; indeed we may say undoubtedly, these things will have a kindred with the remotest lands, with the earliest times. Thought does not die, but only is changed. The first man that began to think in this Planet of ours, he was the beginner of all. And then the second man, and the third man;—nay, every true Thinker to this hour is a kind of Odin, teaches men his way of thought, spreads a shadow of his own likeness over sections of the History of the World.
The man Odin, speaking with a Hero's voice and heart, as if with a message from Heaven, told his People the immense significance of Valor, explaining how through it a man could become a god. His People, resonating with this in their own hearts, believed his message was divine and saw him as a God for sharing it. This strikes me as the foundational seed of the Norse Religion, from which all kinds of mythologies, symbolic practices, ideas, allegories, songs, and sagas would naturally develop. Develop—how strangely! I describe it as a small light shining and forming in the vast vortex of Norse darkness. Yet the darkness itself was alive; think about that. It represented the eager, inarticulate, uninformed Mind of the entire Norse People, yearning only to express itself, to articulate more and more! The living doctrine grows, grows;—like a Banyan tree; the first seed is the key element: any branch that reaches down into the ground becomes a new root; and so, in endless complexity, we end up with a whole forest, a whole jungle, one seed the source of it all. Wasn't the entire Norse Religion, therefore, in some way, what we refer to as "the enormous shadow of this man's likeness"? Critics find some similarities in certain Norse myths, like the Creation, with those of the Hindoos. The Cow Adumbla, "licking the frost from the rocks," has a sort of Hindoo feel. A Hindoo cow, relocated to icy lands. That’s quite possible; we could even say undoubtedly, these ideas will share connections with distant lands and ancient times. Thought doesn’t vanish, it only transforms. The first person to think on this Planet of ours was the originator of everything. And then the second person, and the third person;—indeed, every true Thinker even now is a kind of Odin, teaching others his way of thinking, casting a shadow of his own likeness over parts of World History.
Of the distinctive poetic character or merit of this Norse Mythology I have not room to speak; nor does it concern us much. Some wild Prophecies we have, as the Voluspa in the Elder Edda; of a rapt, earnest, sibylline sort. But they were comparatively an idle adjunct of the matter, men who as it were but toyed with the matter, these later Skalds; and it is their songs chiefly that survive. In later centuries, I suppose, they would go on singing, poetically symbolizing, as our modern Painters paint, when it was no longer from the innermost heart, or not from the heart at all. This is everywhere to be well kept in mind.
I don't have space to discuss the unique poetic qualities or value of this Norse Mythology, and it’s not really our main focus. We do have some wild prophecies, like the Voluspa in the Elder Edda, that are profound and mysterious. However, these were relatively an unimportant addition to the subject; the later Skalds seemed to just play around with the themes, and it’s mainly their songs that have lasted. I imagine that in later centuries, they would continue to sing, using poetic symbols much like our modern painters do, even when it wasn’t coming from a deep emotional place, or perhaps not from the heart at all. This is something to always keep in mind.
Gray's fragments of Norse Lore, at any rate, will give one no notion of it;—any more than Pope will of Homer. It is no square-built gloomy palace of black ashlar marble, shrouded in awe and horror, as Gray gives it us: no; rough as the North rocks, as the Iceland deserts, it is; with a heartiness, homeliness, even a tint of good humor and robust mirth in the middle of these fearful things. The strong old Norse heart did not go upon theatrical sublimities; they had not time to tremble. I like much their robust simplicity; their veracity, directness of conception. Thor "draws down his brows" in a veritable Norse rage; "grasps his hammer till the knuckles grow white." Beautiful traits of pity too, an honest pity. Balder "the white God" dies; the beautiful, benignant; he is the Sungod. They try all Nature for a remedy; but he is dead. Frigga, his mother, sends Hermoder to seek or see him: nine days and nine nights he rides through gloomy deep valleys, a labyrinth of gloom; arrives at the Bridge with its gold roof: the Keeper says, "Yes, Balder did pass here; but the Kingdom of the Dead is down yonder, far towards the North." Hermoder rides on; leaps Hell-gate, Hela's gate; does see Balder, and speak with him: Balder cannot be delivered. Inexorable! Hela will not, for Odin or any God, give him up. The beautiful and gentle has to remain there. His Wife had volunteered to go with him, to die with him. They shall forever remain there. He sends his ring to Odin; Nanna his wife sends her thimble to Frigga, as a remembrance.—Ah me—!
Gray's pieces of Norse mythology won't give you the full picture any more than Pope will give you Homer. It’s not this dark, imposing palace made of black marble that’s all about fear and dread, like Gray describes. No, it’s rough like the northern rocks and the Icelandic deserts, with a sense of warmth, comfort, and even a hint of good humor and hearty laughter in the midst of all these scary things. The strong old Norse spirit didn’t dwell on dramatic theatrics; they didn’t have time to be scared. I really appreciate their straightforward simplicity; their truthfulness and clarity of thought. Thor “furrows his brow” in genuine Norse rage; “grips his hammer until his knuckles turn white.” There are also beautiful moments of genuine compassion. Balder, “the white God,” dies; he’s the beautiful, kind figure; he is the Sun God. They search all of nature for a way to save him, but he’s gone. Frigga, his mother, sends Hermoder to find or see him: for nine days and nine nights he rides through dark, gloomy valleys, a maze of despair; he reaches the Bridge with its golden roof: the Keeper says, “Yes, Balder passed through here; but the Kingdom of the Dead is down there, far to the North.” Hermoder continues on; he jumps Hell-gate, Hela's gate; he sees Balder and talks to him: Balder cannot be saved. It’s hopeless! Hela won't give him up, not for Odin or any God. The beautiful and gentle must stay there. His wife offered to go with him, to die alongside him. They’ll always be there. He sends his ring to Odin; Nanna, his wife, sends her thimble to Frigga as a keepsake.—Oh dear—!
For indeed Valor is the fountain of Pity too;—of Truth, and all that is great and good in man. The robust homely vigor of the Norse heart attaches one much, in these delineations. Is it not a trait of right honest strength, says Uhland, who has written a fine Essay on Thor, that the old Norse heart finds its friend in the Thunder-god? That it is not frightened away by his thunder; but finds that Summer-heat, the beautiful noble summer, must and will have thunder withal! The Norse heart loves this Thor and his hammer-bolt; sports with him. Thor is Summer-heat: the god of Peaceable Industry as well as Thunder. He is the Peasant's friend; his true henchman and attendant is Thialfi, Manual Labor. Thor himself engages in all manner of rough manual work, scorns no business for its plebeianism; is ever and anon travelling to the country of the Jotuns, harrying those chaotic Frost-monsters, subduing them, at least straitening and damaging them. There is a great broad humor in some of these things.
For sure, Valor is also the source of Compassion, Truth, and everything that’s great and good in people. The strong, down-to-earth spirit of the Norse heart really stands out in these portrayals. Isn't it a mark of true strength, as Uhland points out in his great Essay on Thor, that the old Norse heart finds a buddy in the Thunder-god? That it isn’t scared off by his thunder; instead, it recognizes that Summer heat—the beautiful, noble summer—needs thunder, too! The Norse heart adores this Thor and his hammer; it plays around with him. Thor represents Summer heat: he’s the god of Peaceful Labor as well as Thunder. He’s the Peasant’s ally; his true partner and helper is Thialfi, Manual Labor. Thor himself takes on all sorts of tough, hands-on work, never looks down on any job because it’s ordinary; he’s always on his way to the land of the Jotuns, battling those wild Frost-monsters, defeating them, or at least putting them in their place. There’s a lot of good humor in some of these stories.
Thor, as we saw above, goes to Jotun-land, to seek Hymir's Caldron, that the Gods may brew beer. Hymir the huge Giant enters, his gray beard all full of hoar-frost; splits pillars with the very glance of his eye; Thor, after much rough tumult, snatches the Pot, claps it on his head; the "handles of it reach down to his heels." The Norse Skald has a kind of loving sport with Thor. This is the Hymir whose cattle, the critics have discovered, are Icebergs. Huge untutored Brobdignag genius,—needing only to be tamed down; into Shakspeares, Dantes, Goethes! It is all gone now, that old Norse work,—Thor the Thunder-god changed into Jack the Giant-killer: but the mind that made it is here yet. How strangely things grow, and die, and do not die! There are twigs of that great world-tree of Norse Belief still curiously traceable. This poor Jack of the Nursery, with his miraculous shoes of swiftness, coat of darkness, sword of sharpness, he is one. Hynde Etin, and still more decisively Red Etin of Ireland, in the Scottish Ballads, these are both derived from Norseland; Etin is evidently a Jotun. Nay, Shakspeare's Hamlet is a twig too of this same world-tree; there seems no doubt of that. Hamlet, Amleth I find, is really a mythic personage; and his Tragedy, of the poisoned Father, poisoned asleep by drops in his ear, and the rest, is a Norse mythus! Old Saxo, as his wont was, made it a Danish history; Shakspeare, out of Saxo, made it what we see. That is a twig of the world-tree that has grown, I think;—by nature or accident that one has grown!
Thor, as we noted earlier, goes to Jotun-land to find Hymir's cauldron so the gods can brew beer. The massive giant Hymir shows up, his gray beard covered in frost; he splits pillars just by looking at them. After a lot of chaos, Thor grabs the pot and puts it on his head; the "handles reach down to his heels." The Norse poet has a playful affection for Thor. This is the Hymir whose cattle, critics have identified, are icebergs. A colossal untamed genius, needing only to be refined into figures like Shakespeare, Dante, Goethe! That old Norse story is gone now—Thor the Thunder-god has turned into Jack the Giant-killer—but the creativity behind it remains. It's fascinating how things grow, die, and yet don’t truly fade away! There are still little branches of that great world tree of Norse beliefs that can be traced. This poor Jack from the nursery, with his magic shoes for speed, his cloak of darkness, and his sharp sword, is one of them. *Hynde Etin*, and even more clearly *Red Etin of Ireland*, found in the Scottish ballads, both originate from Norse land; *Etin* is clearly a *Jotun*. Moreover, Shakespeare's *Hamlet* is also a branch of this same world tree; there's little doubt about that. Hamlet, or *Amleth*, is actually a mythical figure, and his tragedy, involving the poisoned father who is killed in his sleep by drops in his ear, is a Norse myth! Old Saxo turned it into Danish history, and Shakespeare adapted it from Saxo into what we know. That branch of the world tree has certainly *grown*, I believe—either by nature or by chance, that one has flourished!
In fact, these old Norse songs have a truth in them, an inward perennial truth and greatness,—as, indeed, all must have that can very long preserve itself by tradition alone. It is a greatness not of mere body and gigantic bulk, but a rude greatness of soul. There is a sublime uncomplaining melancholy traceable in these old hearts. A great free glance into the very deeps of thought. They seem to have seen, these brave old Northmen, what Meditation has taught all men in all ages, That this world is after all but a show,—a phenomenon or appearance, no real thing. All deep souls see into that,—the Hindoo Mythologist, the German Philosopher,—the Shakspeare, the earnest Thinker, wherever he may be:
In fact, these old Norse songs contain a truth, a deep, lasting truth and greatness—just like anything that has survived purely through tradition. It’s a greatness not of sheer size or bulk, but a raw greatness of spirit. There’s a profound, uncomplaining sadness evident in these old souls. They offer a deep, clear perspective into the very depths of thought. These brave old Northmen seemed to understand what meditation has taught humanity across all times: that this world is ultimately just a performance—a phenomenon or illusion, not something real. All deep thinkers recognize this—the Hindu mythologist, the German philosopher, Shakespeare, and any sincere thinker, wherever they may be:
"We are such stuff as Dreams are made of!"
"We are made of the same stuff as dreams!"
One of Thor's expeditions, to Utgard (the Outer Garden, central seat of Jotun-land), is remarkable in this respect. Thialfi was with him, and Loke. After various adventures, they entered upon Giant-land; wandered over plains, wild uncultivated places, among stones and trees. At nightfall they noticed a house; and as the door, which indeed formed one whole side of the house, was open, they entered. It was a simple habitation; one large hall, altogether empty. They stayed there. Suddenly in the dead of the night loud noises alarmed them. Thor grasped his hammer; stood in the door, prepared for fight. His companions within ran hither and thither in their terror, seeking some outlet in that rude hall; they found a little closet at last, and took refuge there. Neither had Thor any battle: for, lo, in the morning it turned out that the noise had been only the snoring of a certain enormous but peaceable Giant, the Giant Skrymir, who lay peaceably sleeping near by; and this that they took for a house was merely his Glove, thrown aside there; the door was the Glove-wrist; the little closet they had fled into was the Thumb! Such a glove;—I remark too that it had not fingers as ours have, but only a thumb, and the rest undivided: a most ancient, rustic glove!
One of Thor's adventures to Utgard (the Outer Garden, the central hub of Jotun-land) is notable for this reason. Thialfi and Loke accompanied him. After several escapades, they entered Giant-land; wandering over vast, wild, uncultivated areas, through stones and trees. As night fell, they spotted a house, and since the door, which was essentially one whole side of the building, was open, they went inside. It was a basic dwelling; just one large hall, completely empty. They decided to stay there. Suddenly, in the middle of the night, loud noises startled them. Thor grabbed his hammer and stood at the door, ready to fight. His companions inside ran around in panic, trying to find a way out in that rough hall; they eventually discovered a small closet and took shelter there. Thor didn't have to battle either: for, when morning came, it turned out the noise had just been the snoring of a huge but gentle Giant, Skrymir, who was peacefully sleeping nearby; what they thought was a house was actually his Glove, just tossed aside; the door was the Glove-wrist, and the little closet they had escaped into was the Thumb! What a glove!—I should note that it didn’t have fingers like ours, just a thumb, with the rest undivided: a very old, simple glove!
Skrymir now carried their portmanteau all day; Thor, however, had his own suspicions, did not like the ways of Skrymir; determined at night to put an end to him as he slept. Raising his hammer, he struck down into the Giant's face a right thunder-bolt blow, of force to rend rocks. The Giant merely awoke; rubbed his cheek, and said, Did a leaf fall? Again Thor struck, so soon as Skrymir again slept; a better blow than before; but the Giant only murmured, Was that a grain of sand? Thor's third stroke was with both his hands (the "knuckles white" I suppose), and seemed to dint deep into Skrymir's visage; but he merely checked his snore, and remarked, There must be sparrows roosting in this tree, I think; what is that they have dropt?—At the gate of Utgard, a place so high that you had to "strain your neck bending back to see the top of it," Skrymir went his ways. Thor and his companions were admitted; invited to take share in the games going on. To Thor, for his part, they handed a Drinking-horn; it was a common feat, they told him, to drink this dry at one draught. Long and fiercely, three times over, Thor drank; but made hardly any impression. He was a weak child, they told him: could he lift that Cat he saw there? Small as the feat seemed, Thor with his whole godlike strength could not; he bent up the creature's back, could not raise its feet off the ground, could at the utmost raise one foot. Why, you are no man, said the Utgard people; there is an Old Woman that will wrestle you! Thor, heartily ashamed, seized this haggard Old Woman; but could not throw her.
Skrymir carried their suitcase all day; however, Thor had his suspicions and didn’t trust Skrymir. That night, he decided to end him while he slept. Raising his hammer, Thor struck down onto the Giant’s face with a thunderbolt blow, powerful enough to shatter rocks. The Giant simply woke up, rubbed his cheek, and said, "Did a leaf fall?" Thor struck again as Skrymir fell back asleep; this hit was even stronger, but the Giant just murmured, "Was that a grain of sand?" Thor’s third blow was with both hands, and it seemed to leave a deep mark on Skrymir’s face; but he merely stopped snoring and said, "There must be sparrows roosting in this tree; what is that they’ve dropped?" At the gate of Utgard, a place so tall that you had to "strain your neck bending back to see the top," Skrymir went on his way. Thor and his friends were let in and invited to join the games happening inside. They handed Thor a drinking horn, saying it was a common challenge to drink it dry in one go. Thor drank long and fiercely, three times in total, but barely made a dent. They called him a weakling and asked if he could lift the Cat they had there. As simple as it sounded, Thor couldn’t do it, no matter how much of his godly strength he used; he bent the Cat’s back but couldn’t lift its paws off the ground, managing to raise only one foot. "Well, you’re no man," said the people of Utgard; "there's an Old Woman who will wrestle you!" Thor, feeling embarrassed, grabbed this haggard Old Woman but couldn’t throw her.
And now, on their quitting Utgard, the chief Jotun, escorting them politely a little way, said to Thor: "You are beaten then:—yet be not so much ashamed; there was deception of appearance in it. That Horn you tried to drink was the Sea; you did make it ebb; but who could drink that, the bottomless! The Cat you would have lifted,—why, that is the Midgard-snake, the Great World-serpent, which, tail in mouth, girds and keeps up the whole created world; had you torn that up, the world must have rushed to ruin! As for the Old Woman, she was Time, Old Age, Duration: with her what can wrestle? No man nor no god with her; gods or men, she prevails over all! And then those three strokes you struck,—look at these three valleys; your three strokes made these!" Thor looked at his attendant Jotun: it was Skrymir;—it was, say Norse critics, the old chaotic rocky Earth in person, and that glove-house was some Earth-cavern! But Skrymir had vanished; Utgard with its sky-high gates, when Thor grasped his hammer to smite them, had gone to air; only the Giant's voice was heard mocking: "Better come no more to Jotunheim!"—
And now, as they were leaving Utgard, the chief Jotun politely escorted them for a short distance and said to Thor: "You've been defeated; but don’t be too embarrassed—there was an illusion at play. That horn you tried to drink from was the Sea; you did make it recede, but who could drink from something so bottomless? The cat you attempted to lift—that’s the Midgard-snake, the Great World-serpent, which, curled around itself, supports the entire world; if you had pulled it out, the world would have collapsed! As for the old woman, she was Time, Old Age, Duration: who can wrestle with her? Neither man nor god can defeat her; she surpasses everyone! And those three strikes you delivered—look at these three valleys; your three strikes created them!" Thor looked at his Jotun companion: it was Skrymir; Norse critics say it was the old chaotic rocky Earth in the flesh, and that glove-house was some Earth-cavern! But Skrymir had vanished; Utgard with its towering gates had disappeared as Thor raised his hammer to strike them; all that remained was the Giant's mocking voice: "It’s best not to return to Jotunheim!"
This is of the allegoric period, as we see, and half play, not of the prophetic and entirely devout: but as a mythus is there not real antique Norse gold in it? More true metal, rough from the Mimer-stithy, than in many a famed Greek Mythus shaped far better! A great broad Brobdignag grin of true humor is in this Skrymir; mirth resting on earnestness and sadness, as the rainbow on black tempest: only a right valiant heart is capable of that. It is the grim humor of our own Ben Jonson, rare old Ben; runs in the blood of us, I fancy; for one catches tones of it, under a still other shape, out of the American Backwoods.
This is from a symbolic period, as we can see, and it’s partly a play, not completely prophetic or devout. But isn’t there real ancient Norse gold in it, like a myth? It has more genuine metal, rough from the Mimer forge, than in many well-crafted Greek myths! There’s a big, broad grin of true humor in this Skrymir; a joy resting on seriousness and sadness, like a rainbow against a dark storm. Only a truly brave heart can manage that. It’s the dark humor of our own Ben Jonson, good old Ben; I think it runs in our blood, because you can sense echoes of it, in a different form, from the American Backwoods.
That is also a very striking conception that of the Ragnarok, Consummation, or Twilight of the Gods. It is in the Voluspa Song; seemingly a very old, prophetic idea. The Gods and Jotuns, the divine Powers and the chaotic brute ones, after long contest and partial victory by the former, meet at last in universal world-embracing wrestle and duel; World-serpent against Thor, strength against strength; mutually extinctive; and ruin, "twilight" sinking into darkness, swallows the created Universe. The old Universe with its Gods is sunk; but it is not final death: there is to be a new Heaven and a new Earth; a higher supreme God, and Justice to reign among men. Curious: this law of mutation, which also is a law written in man's inmost thought, had been deciphered by these old earnest Thinkers in their rude style; and how, though all dies, and even gods die, yet all death is but a phoenix fire-death, and new-birth into the Greater and the Better! It is the fundamental Law of Being for a creature made of Time, living in this Place of Hope. All earnest men have seen into it; may still see into it.
That’s also a really striking idea, the concept of Ragnarok, the End or Twilight of the Gods. It’s found in the Voluspa Song; it seems to be a very old, prophetic idea. The Gods and Jotuns, the divine Powers and the chaotic brute ones, after a long struggle and some victories for the former, finally meet in a universal battle; the World-serpent against Thor, strength against strength; mutually destructive; and ruin, "twilight," sinking into darkness, consumes the created Universe. The old Universe with its Gods is gone; but it’s not the final death: there will be a new Heaven and a new Earth; a higher supreme God, and Justice among humans. It’s interesting: this law of change, which is also a truth deeply rooted in human thought, had been understood by these old serious Thinkers in their simple way; and how, though everything dies, and even gods die, all death is just a phoenix-like fire-death, leading to rebirth into the Greater and the Better! It’s the fundamental Law of Existence for a creature made of Time, living in this Place of Hope. All earnest individuals have seen this; and they still can.
And now, connected with this, let us glance at the last mythus of the appearance of Thor; and end there. I fancy it to be the latest in date of all these fables; a sorrowing protest against the advance of Christianity,—set forth reproachfully by some Conservative Pagan. King Olaf has been harshly blamed for his over-zeal in introducing Christianity; surely I should have blamed him far more for an under-zeal in that! He paid dear enough for it; he died by the revolt of his Pagan people, in battle, in the year 1033, at Stickelstad, near that Drontheim, where the chief Cathedral of the North has now stood for many centuries, dedicated gratefully to his memory as Saint Olaf. The mythus about Thor is to this effect. King Olaf, the Christian Reform King, is sailing with fit escort along the shore of Norway, from haven to haven; dispensing justice, or doing other royal work: on leaving a certain haven, it is found that a stranger, of grave eyes and aspect, red beard, of stately robust figure, has stept in. The courtiers address him; his answers surprise by their pertinency and depth: at length he is brought to the King. The stranger's conversation here is not less remarkable, as they sail along the beautiful shore; but after some time, he addresses King Olaf thus: "Yes, King Olaf, it is all beautiful, with the sun shining on it there; green, fruitful, a right fair home for you; and many a sore day had Thor, many a wild fight with the rock Jotuns, before he could make it so. And now you seem minded to put away Thor. King Olaf, have a care!" said the stranger, drawing down his brows;—and when they looked again, he was nowhere to be found.—This is the last appearance of Thor on the stage of this world!
And now, related to this, let’s take a look at the last myth of Thor’s appearance; and we’ll end there. I think this is the most recent of all these tales; a mournful protest against the rise of Christianity, presented reproachfully by some conservative Pagan. King Olaf has been harshly criticized for his excessive zeal in promoting Christianity; honestly, I would have criticized him much more for a lack of zeal! He paid the price for it; he was killed by the uprising of his Pagan people in battle in 1033 at Stickelstad, near Drontheim, where the main Cathedral of the North has stood for many centuries, dedicated gratefully to his memory as Saint Olaf. The myth about Thor goes like this. King Olaf, the Christian Reform King, is sailing with a proper escort along the coast of Norway, from port to port; dispensing justice, or doing other royal duties: after leaving a certain port, they discover that a stranger, with serious eyes and a red beard, of a tall and robust build, has stepped aboard. The courtiers talk to him; his responses surprise them with their relevance and depth. Eventually, he is brought to the King. The stranger’s conversation is no less remarkable as they continue sailing along the beautiful coast; but after some time, he addresses King Olaf, saying: "Yes, King Olaf, it all looks beautiful, with the sun shining on it; green, fruitful, a truly lovely home for you; yet Thor had many hard days, many wild battles with the rock giants, before he could make it so. And now you seem determined to reject Thor. King Olaf, be careful!" said the stranger, furrowing his brow;—and when they looked again, he was nowhere to be found.—This is Thor’s last appearance in this world!
Do we not see well enough how the Fable might arise, without unveracity on the part of any one? It is the way most Gods have come to appear among men: thus, if in Pindar's time "Neptune was seen once at the Nemean Games," what was this Neptune too but a "stranger of noble grave aspect,"—fit to be "seen"! There is something pathetic, tragic for me in this last voice of Paganism. Thor is vanished, the whole Norse world has vanished; and will not return ever again. In like fashion to that, pass away the highest things. All things that have been in this world, all things that are or will be in it, have to vanish: we have our sad farewell to give them.
Can't we see how the Fable could emerge without anyone being dishonest? This is how most Gods have come to be known among people: if in Pindar's time "Neptune was seen once at the Nemean Games," then what was this Neptune but a "stranger of noble, serious demeanor"—worthy of being "seen"! There’s something touching, almost tragic, in this final echo of Paganism for me. Thor has disappeared, the entire Norse world has faded away; and it will never come back. In the same way, the greatest things also fade away. Everything that has existed in this world, everything that exists or will exist in it, must eventually disappear: we have to bid them a sorrowful farewell.
That Norse Religion, a rude but earnest, sternly impressive Consecration of Valor (so we may define it), sufficed for these old valiant Northmen. Consecration of Valor is not a bad thing! We will take it for good, so far as it goes. Neither is there no use in knowing something about this old Paganism of our Fathers. Unconsciously, and combined with higher things, it is in us yet, that old Faith withal! To know it consciously, brings us into closer and clearer relation with the Past,—with our own possessions in the Past. For the whole Past, as I keep repeating, is the possession of the Present; the Past had always something true, and is a precious possession. In a different time, in a different place, it is always some other side of our common Human Nature that has been developing itself. The actual True is the sum of all these; not any one of them by itself constitutes what of Human Nature is hitherto developed. Better to know them all than misknow them. "To which of these Three Religions do you specially adhere?" inquires Meister of his Teacher. "To all the Three!" answers the other: "To all the Three; for they by their union first constitute the True Religion."
That Norse Religion, a rough but sincere and impressively serious Consecration of Valor (as we might define it), was enough for these brave Northmen. A Consecration of Valor isn’t a bad thing! We’ll embrace it as far as it goes. There’s also value in knowing something about the old Paganism of our Ancestors. Unconsciously, and blended with higher beliefs, that old Faith still exists within us! Becoming aware of it allows us to connect more deeply and clearly with the Past—acknowledging our own heritage from it. The entire Past, as I keep saying, belongs to the Present; the Past always held something true, and it’s a valuable asset. In different times and places, different aspects of our shared Human Nature have been evolving. The actual True is the sum of all these; no single one of them alone defines what Human Nature has developed thus far. It’s better to understand them all than to misunderstand them. "Which of these Three Religions do you particularly follow?" asks Meister of his Teacher. "All Three!" the other replies: "All Three; for their union forms the True Religion."
LECTURE II. THE HERO AS PROPHET. MAHOMET: ISLAM.
[May 8, 1840.]
From the first rude times of Paganism among the Scandinavians in the North, we advance to a very different epoch of religion, among a very different people: Mahometanism among the Arabs. A great change; what a change and progress is indicated here, in the universal condition and thoughts of men!
From the early, rough days of Paganism among the Scandinavians in the North, we move to a completely different era of faith among a different group of people: Islam among the Arabs. It's a significant shift; what a transformation and advancement this shows in the overall situation and mindset of humanity!
The Hero is not now regarded as a God among his fellowmen; but as one God-inspired, as a Prophet. It is the second phasis of Hero-worship: the first or oldest, we may say, has passed away without return; in the history of the world there will not again be any man, never so great, whom his fellowmen will take for a god. Nay we might rationally ask, Did any set of human beings ever really think the man they saw there standing beside them a god, the maker of this world? Perhaps not: it was usually some man they remembered, or had seen. But neither can this any more be. The Great Man is not recognized henceforth as a god any more.
The Hero is no longer seen as a God among his peers, but rather as someone inspired by God, like a Prophet. This represents the second phase of Hero-worship: the first or oldest phase has faded away for good; throughout history, there will never again be a person, no matter how great, whom others will consider a god. In fact, we could reasonably question if any group of people ever truly believed that the man they could actually see standing next to them was a god, the creator of this world? Probably not: it was often someone they remembered, or had seen before. But that view can no longer hold. The Great Man is no longer recognized as a god, either.
It was a rude gross error, that of counting the Great Man a god. Yet let us say that it is at all times difficult to know what he is, or how to account of him and receive him! The most significant feature in the history of an epoch is the manner it has of welcoming a Great Man. Ever, to the true instincts of men, there is something godlike in him. Whether they shall take him to be a god, to be a prophet, or what they shall take him to be? that is ever a grand question; by their way of answering that, we shall see, as through a little window, into the very heart of these men's spiritual condition. For at bottom the Great Man, as he comes from the hand of Nature, is ever the same kind of thing: Odin, Luther, Johnson, Burns; I hope to make it appear that these are all originally of one stuff; that only by the world's reception of them, and the shapes they assume, are they so immeasurably diverse. The worship of Odin astonishes us,—to fall prostrate before the Great Man, into deliquium of love and wonder over him, and feel in their hearts that he was a denizen of the skies, a god! This was imperfect enough: but to welcome, for example, a Burns as we did, was that what we can call perfect? The most precious gift that Heaven can give to the Earth; a man of "genius" as we call it; the Soul of a Man actually sent down from the skies with a God's-message to us,—this we waste away as an idle artificial firework, sent to amuse us a little, and sink it into ashes, wreck and ineffectuality: such reception of a Great Man I do not call very perfect either! Looking into the heart of the thing, one may perhaps call that of Burns a still uglier phenomenon, betokening still sadder imperfections in mankind's ways, than the Scandinavian method itself! To fall into mere unreasoning deliquium of love and admiration, was not good; but such unreasoning, nay irrational supercilious no-love at all is perhaps still worse!—It is a thing forever changing, this of Hero-worship: different in each age, difficult to do well in any age. Indeed, the heart of the whole business of the age, one may say, is to do it well.
It was a seriously misguided mistake to treat the Great Man as a god. But let's face it, it's always tough to know what he truly is or how to view and accept him! The most important aspect of any era's history is how it receives a Great Man. To those who truly understand, there’s something divine about him. Should they consider him a god, a prophet, or something else entirely? That’s always a significant question; by how they answer it, we get a glimpse into the very essence of their spiritual state. Because at the core, the Great Man, as he comes from Nature, is always the same: Odin, Luther, Johnson, Burns. I hope to show that they all originate from the same essence; it's only through how the world accepts them and the forms they take that they seem so vastly different. The worship of Odin is astonishing—we see people bowing down before the Great Man, overwhelmed with love and awe, feeling deep down that he was a celestial being, a god! This was pretty flawed: but was the way we welcomed a figure like Burns any better? The most precious gift Heaven gives to Earth; a person of "genius," as we call it; the soul of a man actually sent down from the skies with a message from God to us—this we let fade away like a pointless firework, here to amuse us briefly, only to reduce to ashes and nothingness: such a reception of a Great Man is hardly what I would call perfect! If we dig into it, we might even say that our treatment of Burns reveals even sadder flaws in humanity than the Scandinavian approach! Falling into sheer, blind admiration and adoration isn’t good; but the complete lack of love and irrational disdain is maybe even worse! Hero-worship is a constantly changing concept: it varies from age to age and is hard to get right in any time period. In fact, one might say that the heart of the entire matter in each age is to get it right.
We have chosen Mahomet not as the most eminent Prophet; but as the one we are freest to speak of. He is by no means the truest of Prophets; but I do esteem him a true one. Farther, as there is no danger of our becoming, any of us, Mahometans, I mean to say all the good of him I justly can. It is the way to get at his secret: let us try to understand what he meant with the world; what the world meant and means with him, will then be a more answerable question. Our current hypothesis about Mahomet, that he was a scheming Impostor, a Falsehood incarnate, that his religion is a mere mass of quackery and fatuity, begins really to be now untenable to any one. The lies, which well-meaning zeal has heaped round this man, are disgraceful to ourselves only. When Pococke inquired of Grotius, Where the proof was of that story of the pigeon, trained to pick peas from Mahomet's ear, and pass for an angel dictating to him? Grotius answered that there was no proof! It is really time to dismiss all that. The word this man spoke has been the life-guidance now of a hundred and eighty millions of men these twelve hundred years. These hundred and eighty millions were made by God as well as we. A greater number of God's creatures believe in Mahomet's word at this hour, than in any other word whatever. Are we to suppose that it was a miserable piece of spiritual legerdemain, this which so many creatures of the Almighty have lived by and died by? I, for my part, cannot form any such supposition. I will believe most things sooner than that. One would be entirely at a loss what to think of this world at all, if quackery so grew and were sanctioned here.
We have chosen Muhammad not as the most prominent Prophet, but as the one we can freely discuss. He is not necessarily the truest of Prophets, but I do consider him a true one. Furthermore, since none of us are in danger of becoming Muslims, I intend to speak of all the good in him that I rightfully can. This is the way to get to the heart of his message: let's try to understand what he meant to the world; what the world meant and means to him will then be a more relevant question. Our current idea about Muhammad, that he was a scheming fraud and a living lie, and that his religion is just a collection of nonsense and delusion, is becoming increasingly hard to defend. The falsehoods that well-meaning zeal has piled around this man only reflect poorly on us. When Pococke asked Grotius where the proof was for the story of the pigeon that was said to have picked peas from Muhammad’s ear and pretended to be an angel dictating to him, Grotius replied that there was no proof! It really is time to move past all that. The words this man spoke have guided the lives of a hundred and eighty million people for the last twelve hundred years. These hundred and eighty million were created by God just like us. More of God’s creatures believe in Muhammad’s words right now than in any other words at all. Are we to think that it was a pathetic trickery of the spirit that so many of God’s creations have lived by and died for? I, for one, cannot entertain such a notion. I would believe almost anything before I’d believe that. One would be completely at a loss as to what to think of this world if such deception thrived and was accepted here.
Alas, such theories are very lamentable. If we would attain to knowledge of anything in God's true Creation, let us disbelieve them wholly! They are the product of an Age of Scepticism: they indicate the saddest spiritual paralysis, and mere death-life of the souls of men: more godless theory, I think, was never promulgated in this Earth. A false man found a religion? Why, a false man cannot build a brick house! If he do not know and follow truly the properties of mortar, burnt clay and what else be works in, it is no house that he makes, but a rubbish-heap. It will not stand for twelve centuries, to lodge a hundred and eighty millions; it will fall straightway. A man must conform himself to Nature's laws, be verily in communion with Nature and the truth of things, or Nature will answer him, No, not at all! Speciosities are specious—ah me!—a Cagliostro, many Cagliostros, prominent world-leaders, do prosper by their quackery, for a day. It is like a forged bank-note; they get it passed out of their worthless hands: others, not they, have to smart for it. Nature bursts up in fire-flames, French Revolutions and such like, proclaiming with terrible veracity that forged notes are forged.
Unfortunately, those theories are really unfortunate. If we want to understand anything about God's true Creation, let's completely disbelieve them! They come from a time of doubt and show the saddest spiritual paralysis and lifelessness in people's souls: I don't think there's ever been a more godless theory spread on this Earth. A dishonest person found a religion? A dishonest person can't even build a brick house! If he doesn't truly understand and follow the properties of mortar, burnt clay, and whatever else he uses, he won't create a house but a pile of junk. It won't last for twelve centuries to accommodate one hundred eighty million people; it will collapse right away. A person must align themselves with Nature's laws, truly be in touch with Nature and the truth of things, or Nature will respond, No, not at all! Illusions are deceptive—oh my!—a Cagliostro, and many like him, leading figures in the world, thrive for a little while on their frauds. It's like a counterfeit banknote; they manage to pass it off from their worthless hands: others, not them, end up paying for it. Nature erupts in fiery rage, like French Revolutions and the like, loudly declaring that counterfeit notes are indeed fake.
But of a Great Man especially, of him I will venture to assert that it is incredible he should have been other than true. It seems to me the primary foundation of him, and of all that can lie in him, this. No Mirabeau, Napoleon, Burns, Cromwell, no man adequate to do anything, but is first of all in right earnest about it; what I call a sincere man. I should say sincerity, a deep, great, genuine sincerity, is the first characteristic of all men in any way heroic. Not the sincerity that calls itself sincere; ah no, that is a very poor matter indeed;—a shallow braggart conscious sincerity; oftenest self-conceit mainly. The Great Man's sincerity is of the kind he cannot speak of, is not conscious of: nay, I suppose, he is conscious rather of insincerity; for what man can walk accurately by the law of truth for one day? No, the Great Man does not boast himself sincere, far from that; perhaps does not ask himself if he is so: I would say rather, his sincerity does not depend on himself; he cannot help being sincere! The great Fact of Existence is great to him. Fly as he will, he cannot get out of the awful presence of this Reality. His mind is so made; he is great by that, first of all. Fearful and wonderful, real as Life, real as Death, is this Universe to him. Though all men should forget its truth, and walk in a vain show, he cannot. At all moments the Flame-image glares in upon him; undeniable, there, there!—I wish you to take this as my primary definition of a Great Man. A little man may have this, it is competent to all men that God has made: but a Great Man cannot be without it.
But especially for a Great Man, I dare say it's hard to believe he could be anything but genuine. To me, that's the core of who he is, the foundation of everything he embodies. No Mirabeau, Napoleon, Burns, Cromwell—no one capable of doing anything significant—can do so without being truly committed to it; what I mean by a sincere individual. I'd describe sincerity—a deep, profound, and genuine sincerity—as the first trait of all heroic figures. Not the kind of sincerity that merely claims to be sincere; oh no, that’s quite shallow; it’s more often just self-conceit pretending to be sincere. The Great Man's sincerity is the kind that he doesn't articulate or is even aware of; indeed, I think he’s more aware of his own insincerity because what person can perfectly adhere to the truth for an entire day? No, the Great Man doesn’t boast about being sincere; in fact, he probably doesn’t even question it. I’d say his sincerity isn’t something he can control; he simply is sincere! The fundamental reality of existence is significant to him. No matter how hard he tries, he cannot escape the profound weight of this truth. His mind is shaped this way; that’s what makes him great, first and foremost. This Universe, both awe-inspiring and terrifying, feels as real as life and as real as death to him. Even if everyone else ignores its truth and lives in a facade, he cannot. At every moment, he’s confronted with that undeniable truth; it’s always right there! I want you to take this as my main definition of a Great Man. A little man might possess this quality; it’s attainable by everyone God has created, but a Great Man cannot exist without it.
Such a man is what we call an original man; he comes to us at first-hand. A messenger he, sent from the Infinite Unknown with tidings to us. We may call him Poet, Prophet, God;—in one way or other, we all feel that the words he utters are as no other man's words. Direct from the Inner Fact of things;—he lives, and has to live, in daily communion with that. Hearsays cannot hide it from him; he is blind, homeless, miserable, following hearsays; it glares in upon him. Really his utterances, are they not a kind of "revelation;"—what we must call such for want of some other name? It is from the heart of the world that he comes; he is portion of the primal reality of things. God has made many revelations: but this man too, has not God made him, the latest and newest of all? The "inspiration of the Almighty giveth him understanding:" we must listen before all to him.
Such a man is what we call an original man; he comes to us directly. He is a messenger sent from the Infinite Unknown with important news for us. We can call him a Poet, a Prophet, or God;—in one way or another, we all feel that the words he speaks are unlike anyone else’s. They come straight from the true essence of things;—he lives, and must live, in daily connection with that. Rumors can't hide it from him; he is blind, homeless, and miserable if he follows hearsays; it shines brightly into his awareness. Truly, his words are a kind of "revelation;"—it's what we have to call it for lack of a better term. He comes from the heart of the world; he is part of the primal reality of things. God has made many revelations: but hasn’t God also created this man, the latest and newest of them all? The "inspiration of the Almighty gives him understanding:" we must listen to him above all others.
This Mahomet, then, we will in no wise consider as an Inanity and Theatricality, a poor conscious ambitious schemer; we cannot conceive him so. The rude message he delivered was a real one withal; an earnest confused voice from the unknown Deep. The man's words were not false, nor his workings here below; no Inanity and Simulacrum; a fiery mass of Life cast up from the great bosom of Nature herself. To kindle the world; the world's Maker had ordered it so. Neither can the faults, imperfections, insincerities even, of Mahomet, if such were never so well proved against him, shake this primary fact about him.
We won't dismiss this Muhammad as just a shallow, attention-seeking schemer; that’s not how we see him. The message he delivered was genuine, a passionate and confused expression from the unknown depths. His words weren’t false, nor were his actions here on Earth; they were a vibrant surge of Life emerging from the great heart of Nature itself. To ignite the world; the Creator had designed it that way. Even the faults, imperfections, or insincerities attributed to Muhammad, if they were ever proven, cannot undermine this fundamental truth about him.
On the whole, we make too much of faults; the details of the business hide the real centre of it. Faults? The greatest of faults, I should say, is to be conscious of none. Readers of the Bible above all, one would think, might know better. Who is called there "the man according to God's own heart"? David, the Hebrew King, had fallen into sins enough; blackest crimes; there was no want of sins. And thereupon the unbelievers sneer and ask, Is this your man according to God's heart? The sneer, I must say, seems to me but a shallow one. What are faults, what are the outward details of a life; if the inner secret of it, the remorse, temptations, true, often-baffled, never-ended struggle of it, be forgotten? "It is not in man that walketh to direct his steps." Of all acts, is not, for a man, repentance the most divine? The deadliest sin, I say, were that same supercilious consciousness of no sin;—that is death; the heart so conscious is divorced from sincerity, humility and fact; is dead: it is "pure" as dead dry sand is pure. David's life and history, as written for us in those Psalms of his, I consider to be the truest emblem ever given of a man's moral progress and warfare here below. All earnest souls will ever discern in it the faithful struggle of an earnest human soul towards what is good and best. Struggle often baffled, sore baffled, down as into entire wreck; yet a struggle never ended; ever, with tears, repentance, true unconquerable purpose, begun anew. Poor human nature! Is not a man's walking, in truth, always that: "a succession of falls"? Man can do no other. In this wild element of a Life, he has to struggle onwards; now fallen, deep-abased; and ever, with tears, repentance, with bleeding heart, he has to rise again, struggle again still onwards. That his struggle be a faithful unconquerable one: that is the question of questions. We will put up with many sad details, if the soul of it were true. Details by themselves will never teach us what it is. I believe we misestimate Mahomet's faults even as faults: but the secret of him will never be got by dwelling there. We will leave all this behind us; and assuring ourselves that he did mean some true thing, ask candidly what it was or might be.
Overall, we make too big a deal out of faults; the specifics of the situation obscure the real issue. Faults? The biggest fault, I would argue, is to be unaware of any. You’d think readers of the Bible would know better. Who is referred to as "the man after God's own heart"? David, the Hebrew King, committed enough sins; he had some serious wrongdoings; there was no shortage of sins. And that’s when the skeptics scoff and ask, Is this your man after God's heart? Honestly, that sneer seems quite shallow to me. What are faults, what are the external details of a life, if the inner struggle, the remorse, the temptations, and the often frustrated and never-ending battle are overlooked? "It is not in man that walketh to direct his steps." Of all actions, isn’t repentance the most divine for a person? The worst sin, I believe, is that same arrogant awareness of no sin;—that is death; a heart that is so self-aware is disconnected from sincerity, humility, and reality; it is dead: it is "pure" like dry sand is pure. I see David's life and story, as expressed in his Psalms, as the truest symbol of a man's moral journey and struggle on this earth. All earnest people will recognize in it the genuine struggle of a committed human soul toward what is good and best. A struggle often thwarted, deeply challenged, almost leading to total despair; yet a struggle that never ends; always, with tears, repentance, and true, unyielding determination, beginning anew. Poor human nature! Isn’t a man's journey, in reality, always that: "a series of falls"? A person can do no other. In this chaotic realm of life, he must fight to move forward; now fallen, feeling completely humbled; and always, with tears, repentance, and a wounded heart, he has to rise again, struggle again, and continue on. The key question is whether that struggle is a faithful and unwavering one. We can overlook many sad details, as long as the essence of it is true. Details alone will never teach us what it means. I believe we misjudge Muhammad's faults even as faults: but the true essence of him will never be grasped by focusing on those. We will move past all this; and convincing ourselves that he had some genuine intention, let’s openly ask what it was or could be.
These Arabs Mahomet was born among are certainly a notable people. Their country itself is notable; the fit habitation for such a race. Savage inaccessible rock-mountains, great grim deserts, alternating with beautiful strips of verdure: wherever water is, there is greenness, beauty; odoriferous balm-shrubs, date-trees, frankincense-trees. Consider that wide waste horizon of sand, empty, silent, like a sand-sea, dividing habitable place from habitable. You are all alone there, left alone with the Universe; by day a fierce sun blazing down on it with intolerable radiance; by night the great deep Heaven with its stars. Such a country is fit for a swift-handed, deep-hearted race of men. There is something most agile, active, and yet most meditative, enthusiastic in the Arab character. The Persians are called the French of the East; we will call the Arabs Oriental Italians. A gifted noble people; a people of wild strong feelings, and of iron restraint over these: the characteristic of noble-mindedness, of genius. The wild Bedouin welcomes the stranger to his tent, as one having right to all that is there; were it his worst enemy, he will slay his foal to treat him, will serve him with sacred hospitality for three days, will set him fairly on his way;—and then, by another law as sacred, kill him if he can. In words too as in action. They are not a loquacious people, taciturn rather; but eloquent, gifted when they do speak. An earnest, truthful kind of men. They are, as we know, of Jewish kindred: but with that deadly terrible earnestness of the Jews they seem to combine something graceful, brilliant, which is not Jewish. They had "Poetic contests" among them before the time of Mahomet. Sale says, at Ocadh, in the South of Arabia, there were yearly fairs, and there, when the merchandising was done, Poets sang for prizes:—the wild people gathered to hear that.
The Arabs among whom Muhammad was born are definitely an impressive people. Their land itself is remarkable; it's a fitting home for such a race. Rugged, inaccessible mountains, vast, grim deserts, alternating with beautiful patches of greenery: wherever there's water, there's life, beauty; fragrant balm shrubs, date palms, and frankincense trees. Imagine the expansive desert horizon, empty and quiet, like a sea of sand, separating inhabitable areas. You are completely alone, left to contemplate the universe; during the day, a blazing sun beats down with unbearable brightness; at night, the vast sky filled with stars. Such a place is suitable for a swift and passionate people. There's something very agile, active, yet deeply contemplative and enthusiastic in the Arab character. Persians are referred to as the French of the East; we’ll call the Arabs the Italian Orientals. They are a gifted, noble people, full of intense emotions and an iron self-restraint that showcases noble-mindedness and genius. The wild Bedouin welcomes a stranger into his tent, treating them as if they have a right to everything there; even if it’s their worst enemy, he would kill his foal to honor them, offering sacred hospitality for three days, ensuring they are well on their way; then, by another equally sacred law, he'll kill them if he can. In both speech and action, they are not a chatty people, but rather reserved; however, when they do speak, they are eloquent and gifted. They are earnest and truthful individuals. They, as we know, are of Jewish descent: but unlike the Jews' intense seriousness, they seem to possess a grace and brilliance that isn't Jewish. They held "poetic contests" long before Muhammad's time. Sale mentions that at Ocadh, in southern Arabia, there were annual fairs, and once the trading was over, poets would sing for prizes: the wild people gathered to listen.
One Jewish quality these Arabs manifest; the outcome of many or of all high qualities: what we may call religiosity. From of old they had been zealous worshippers, according to their light. They worshipped the stars, as Sabeans; worshipped many natural objects,—recognized them as symbols, immediate manifestations, of the Maker of Nature. It was wrong; and yet not wholly wrong. All God's works are still in a sense symbols of God. Do we not, as I urged, still account it a merit to recognize a certain inexhaustible significance, "poetic beauty" as we name it, in all natural objects whatsoever? A man is a poet, and honored, for doing that, and speaking or singing it,—a kind of diluted worship. They had many Prophets, these Arabs; Teachers each to his tribe, each according to the light he had. But indeed, have we not from of old the noblest of proofs, still palpable to every one of us, of what devoutness and noble-mindedness had dwelt in these rustic thoughtful peoples? Biblical critics seem agreed that our own Book of Job was written in that region of the world. I call that, apart from all theories about it, one of the grandest things ever written with pen. One feels, indeed, as if it were not Hebrew; such a noble universality, different from noble patriotism or sectarianism, reigns in it. A noble Book; all men's Book! It is our first, oldest statement of the never-ending Problem,—man's destiny, and God's ways with him here in this earth. And all in such free flowing outlines; grand in its sincerity, in its simplicity; in its epic melody, and repose of reconcilement. There is the seeing eye, the mildly understanding heart. So true every way; true eyesight and vision for all things; material things no less than spiritual: the Horse,—"hast thou clothed his neck with thunder?"—he "laughs at the shaking of the spear!" Such living likenesses were never since drawn. Sublime sorrow, sublime reconciliation; oldest choral melody as of the heart of mankind;—so soft, and great; as the summer midnight, as the world with its seas and stars! There is nothing written, I think, in the Bible or out of it, of equal literary merit.—
One Jewish trait these Arabs show is what we might call religiosity, resulting from many, if not all, high qualities. They have been passionate worshippers since ancient times, guided by their understanding. They worshipped the stars as Sabeans and revered many natural objects, seeing them as symbols and immediate manifestations of the Creator of Nature. While it was misguided, it wasn't entirely wrong. All of God's creations can still symbolize God in some way. Don't we, as I mentioned, consider it admirable to perceive a certain limitless meaning, "poetic beauty" as we call it, in every natural object? A person is regarded as a poet and honored for doing this and expressing it—it's a form of diluted worship. These Arabs had many Prophets, each a Teacher for their respective tribes, working with the understanding they possessed. But really, haven’t we long had the greatest proof, still evident to all of us, of the devotion and noble spirit that existed among these thoughtful rural people? Biblical scholars generally agree that our own Book of Job was written in that part of the world. I consider that, aside from all theories, one of the greatest pieces ever written. It feels, indeed, as if it weren’t Hebrew; it carries such a noble universality that sets it apart from mere patriotism or sectarianism. It’s a magnificent Book; a Book for all humanity! It serves as our first and oldest exploration of the eternal Problem—human destiny and God's relationship with us here on earth. And all of it unfolds in such free-flowing lines; grand in its sincerity and simplicity; in its epic melody and soothing resolution. It reveals the discerning eye and the gently understanding heart. So true in every way; true sight and perception for everything, material as well as spiritual: the Horse—"have you clothed his neck with thunder?"—he "laughs at the shaking of the spear!" Such vivid likenesses have never been created since. Sublime sadness, sublime reconciliation; the oldest choral melody resonating from the heart of humanity—so soft and grand; like a summer midnight, reflecting the world with its seas and stars! I believe nothing has been written, either in the Bible or outside of it, of equal literary quality.—
To the idolatrous Arabs one of the most ancient universal objects of worship was that Black Stone, still kept in the building called Caabah, at Mecca. Diodorus Siculus mentions this Caabah in a way not to be mistaken, as the oldest, most honored temple in his time; that is, some half-century before our Era. Silvestre de Sacy says there is some likelihood that the Black Stone is an aerolite. In that case, some man might see it fall out of Heaven! It stands now beside the Well Zemzem; the Caabah is built over both. A Well is in all places a beautiful affecting object, gushing out like life from the hard earth;—still more so in those hot dry countries, where it is the first condition of being. The Well Zemzem has its name from the bubbling sound of the waters, zem-zem; they think it is the Well which Hagar found with her little Ishmael in the wilderness: the aerolite and it have been sacred now, and had a Caabah over them, for thousands of years. A curious object, that Caabah! There it stands at this hour, in the black cloth-covering the Sultan sends it yearly; "twenty-seven cubits high;" with circuit, with double circuit of pillars, with festoon-rows of lamps and quaint ornaments: the lamps will be lighted again this night,—to glitter again under the stars. An authentic fragment of the oldest Past. It is the Keblah of all Moslem: from Delhi all onwards to Morocco, the eyes of innumerable praying men are turned towards it, five times, this day and all days: one of the notablest centres in the Habitation of Men.
To the idolatrous Arabs, one of the oldest universal objects of worship was the Black Stone, still housed in the building known as the Kaaba in Mecca. Diodorus Siculus refers to this Kaaba unmistakably as the oldest and most revered temple of his time, which was about fifty years before our Era. Silvestre de Sacy suggests there's a possibility that the Black Stone is a meteorite. If that's true, someone might have even seen it fall from the sky! It currently stands next to the Well of Zamzam; the Kaaba is built over both. A well is always a beautiful and moving sight, gushing forth like life from the hard earth—especially in those hot, dry regions where it is essential for survival. The Well of Zamzam gets its name from the bubbling sound of its waters, "zem-zem"; it is believed to be the well that Hagar discovered with her young son Ishmael in the wilderness: both the meteorite and the well have been sacred and have had a Kaaba built over them for thousands of years. The Kaaba is a fascinating site! It stands today, draped in the black cloth that the Sultan sends every year; "twenty-seven cubits high"; with an outer and inner circuit of pillars, festooned with rows of lamps and unique decorations: the lamps will be lit again tonight, glowing under the stars. It’s an authentic piece of the oldest Past. It is the Qibla for all Muslims: from Delhi all the way to Morocco, countless praying men turn their eyes toward it five times a day, today and every day: it’s one of the most significant centers in the human world.
It had been from the sacredness attached to this Caabah Stone and Hagar's Well, from the pilgrimings of all tribes of Arabs thither, that Mecca took its rise as a Town. A great town once, though much decayed now. It has no natural advantage for a town; stands in a sandy hollow amid bare barren hills, at a distance from the sea; its provisions, its very bread, have to be imported. But so many pilgrims needed lodgings: and then all places of pilgrimage do, from the first, become places of trade. The first day pilgrims meet, merchants have also met: where men see themselves assembled for one object, they find that they can accomplish other objects which depend on meeting together. Mecca became the Fair of all Arabia. And thereby indeed the chief staple and warehouse of whatever Commerce there was between the Indian and the Western countries, Syria, Egypt, even Italy. It had at one time a population of 100,000; buyers, forwarders of those Eastern and Western products; importers for their own behoof of provisions and corn. The government was a kind of irregular aristocratic republic, not without a touch of theocracy. Ten Men of a chief tribe, chosen in some rough way, were Governors of Mecca, and Keepers of the Caabah. The Koreish were the chief tribe in Mahomet's time; his own family was of that tribe. The rest of the Nation, fractioned and cut asunder by deserts, lived under similar rude patriarchal governments by one or several: herdsmen, carriers, traders, generally robbers too; being oftenest at war one with another, or with all: held together by no open bond, if it were not this meeting at the Caabah, where all forms of Arab Idolatry assembled in common adoration;—held mainly by the inward indissoluble bond of a common blood and language. In this way had the Arabs lived for long ages, unnoticed by the world; a people of great qualities, unconsciously waiting for the day when they should become notable to all the world. Their Idolatries appear to have been in a tottering state; much was getting into confusion and fermentation among them. Obscure tidings of the most important Event ever transacted in this world, the Life and Death of the Divine Man in Judea, at once the symptom and cause of immeasurable change to all people in the world, had in the course of centuries reached into Arabia too; and could not but, of itself, have produced fermentation there.
The significance of the Kaabah Stone and Hagar's Well, along with the pilgrimages of various Arab tribes, is what led to the establishment of Mecca as a town. Once a great city, it's now much diminished. It doesn’t have any natural benefits for a settlement, sitting in a sandy basin surrounded by dry hills, far from the sea. Its food, even its bread, has to be brought in. But with so many pilgrims needing places to stay, pilgrimage sites often turn into trading hubs. On the first day pilgrims gather, merchants are there too: when people come together for one purpose, they often find they can achieve other objectives as well. Mecca became the marketplace for all of Arabia. Thus, it truly became the primary hub and storage point for trade between the Eastern and Western countries, including Syria, Egypt, and even Italy. At one point, it had a population of 100,000, consisting of buyers and distributors of goods from the East and West, as well as importers of food and grain for themselves. The government functioned as a sort of irregular aristocratic republic, with some theocratic elements. Ten men from a leading tribe, chosen in a somewhat arbitrary manner, served as the Governors of Mecca and Keepers of the Kaabah. The Koreish tribe was the dominant tribe during Muhammad's time, and his own family belonged to it. The rest of the nation, divided and fragmented by deserts, lived under similar rough patriarchal systems run by one or several leaders: herdsmen, carriers, traders, and often robbers; constantly at odds with each other or with everyone else, held together by no formal bond apart from gathering at the Kaabah, where all forms of Arab Idolatry came together in shared worship—primarily held together by the inner, unbreakable connection of shared blood and language. This is how the Arabs lived for many ages, unnoticed by the world; a people with great potential, unknowingly waiting for the moment they would become recognized globally. Their idolatries seemed to be in a shaky state; much confusion and upheaval was brewing among them. Over the centuries, vague news of the most significant event ever to happen in this world—the Life and Death of the Divine Man in Judea, which was both a sign and a catalyst for immense change for all people—had also reached Arabia, inevitably stirring things up there as well.
It was among this Arab people, so circumstanced, in the year 570 of our Era, that the man Mahomet was born. He was of the family of Hashem, of the Koreish tribe as we said; though poor, connected with the chief persons of his country. Almost at his birth he lost his Father; at the age of six years his Mother too, a woman noted for her beauty, her worth and sense: he fell to the charge of his Grandfather, an old man, a hundred years old. A good old man: Mahomet's Father, Abdallah, had been his youngest favorite son. He saw in Mahomet, with his old life-worn eyes, a century old, the lost Abdallah come back again, all that was left of Abdallah. He loved the little orphan Boy greatly; used to say, They must take care of that beautiful little Boy, nothing in their kindred was more precious than he. At his death, while the boy was still but two years old, he left him in charge to Abu Thaleb the eldest of the Uncles, as to him that now was head of the house. By this Uncle, a just and rational man as everything betokens, Mahomet was brought up in the best Arab way.
In the year 570 of our Era, Mahomet was born into this Arab community, given their circumstances. He belonged to the Hashem family of the Koreish tribe, and although they were poor, they were connected to the prominent people of his land. He lost his father shortly after birth, and at the age of six, his mother—known for her beauty, worth, and intelligence—also passed away. This left him under the care of his grandfather, an elderly man who was a hundred years old. He was a kind man; Mahomet's father, Abdallah, had been his youngest favorite son. With his century-old, weathered eyes, he saw Abdallah’s spirit come back in the little boy. He loved the orphaned child dearly and often said that they needed to take good care of that beautiful little boy, as nothing was more precious in their family than him. When he died, leaving Mahomet only two years old, he entrusted him to Abu Thaleb, the eldest uncle, who was now the head of the family. Mahomet was raised by this just and reasonable uncle in the best Arab tradition.
Mahomet, as he grew up, accompanied his Uncle on trading journeys and such like; in his eighteenth year one finds him a fighter following his Uncle in war. But perhaps the most significant of all his journeys is one we find noted as of some years' earlier date: a journey to the Fairs of Syria. The young man here first came in contact with a quite foreign world,—with one foreign element of endless moment to him: the Christian Religion. I know not what to make of that "Sergius, the Nestorian Monk," whom Abu Thaleb and he are said to have lodged with; or how much any monk could have taught one still so young. Probably enough it is greatly exaggerated, this of the Nestorian Monk. Mahomet was only fourteen; had no language but his own: much in Syria must have been a strange unintelligible whirlpool to him. But the eyes of the lad were open; glimpses of many things would doubtless be taken in, and lie very enigmatic as yet, which were to ripen in a strange way into views, into beliefs and insights one day. These journeys to Syria were probably the beginning of much to Mahomet.
As Mahomet grew up, he traveled with his uncle on trading trips and similar adventures; by the time he was eighteen, he was a fighter, following his uncle into battles. However, perhaps the most important journey he undertook occurred a few years earlier: a trip to the fairs in Syria. It was here that the young man first encountered a completely different world—one crucial element that would be significant to him: Christianity. I'm not sure what to make of "Sergius, the Nestorian Monk," with whom Abu Thaleb and Mahomet are said to have stayed, or how much a monk could have taught someone so young. It's likely that the story of the Nestorian Monk is greatly exaggerated. Mahomet was only fourteen at the time; he spoke only his own language, and much of Syria must have seemed like an incomprehensible whirlwind to him. But the young man's eyes were wide open; he likely took in glimpses of many things that would remain mysterious for now but would eventually develop into views, beliefs, and insights later on. These journeys to Syria probably marked the beginning of a lot for Mahomet.
One other circumstance we must not forget: that he had no school-learning; of the thing we call school-learning none at all. The art of writing was but just introduced into Arabia; it seems to be the true opinion that Mahomet never could write! Life in the Desert, with its experiences, was all his education. What of this infinite Universe he, from his dim place, with his own eyes and thoughts, could take in, so much and no more of it was he to know. Curious, if we will reflect on it, this of having no books. Except by what he could see for himself, or hear of by uncertain rumor of speech in the obscure Arabian Desert, he could know nothing. The wisdom that had been before him or at a distance from him in the world, was in a manner as good as not there for him. Of the great brother souls, flame-beacons through so many lands and times, no one directly communicates with this great soul. He is alone there, deep down in the bosom of the Wilderness; has to grow up so,—alone with Nature and his own Thoughts.
One other thing we must remember is that he had no formal education; he had absolutely no school learning. The art of writing had just been introduced in Arabia, and it seems to be widely believed that Muhammad could never write! His education came entirely from life in the Desert and its experiences. Whatever he could comprehend of this vast Universe, from his limited perspective and with his own eyes and thoughts, was all he would ever know. It's interesting to think about, having no books. Aside from what he could observe himself or hear through uncertain gossip in the remote Arabian Desert, he knew nothing. The wisdom that existed before him or far away in the world was essentially nonexistent for him. Of the great kindred spirits, those guiding lights across so many lands and times, none directly reached out to this remarkable soul. He was alone there, deep in the heart of the Wilderness; he had to grow up like that—alone with Nature and his own Thoughts.
But, from an early age, he had been remarked as a thoughtful man. His companions named him "Al Amin, The Faithful." A man of truth and fidelity; true in what he did, in what he spake and thought. They noted that he always meant something. A man rather taciturn in speech; silent when there was nothing to be said; but pertinent, wise, sincere, when he did speak; always throwing light on the matter. This is the only sort of speech worth speaking! Through life we find him to have been regarded as an altogether solid, brotherly, genuine man. A serious, sincere character; yet amiable, cordial, companionable, jocose even;—a good laugh in him withal: there are men whose laugh is as untrue as anything about them; who cannot laugh. One hears of Mahomet's beauty: his fine sagacious honest face, brown florid complexion, beaming black eyes;—I somehow like too that vein on the brow, which swelled up black when he was in anger: like the "horseshoe vein" in Scott's Redgauntlet. It was a kind of feature in the Hashem family, this black swelling vein in the brow; Mahomet had it prominent, as would appear. A spontaneous, passionate, yet just, true-meaning man! Full of wild faculty, fire and light; of wild worth, all uncultured; working out his life-task in the depths of the Desert there.
But from a young age, he was known as a thoughtful man. His friends called him "Al Amin, The Faithful." A man of truth and loyalty; genuine in his actions, words, and thoughts. They noticed that he always had a point. He was somewhat quiet; silent when there was nothing to say, but relevant, wise, and sincere when he did speak, always bringing clarity to the conversation. This is the kind of speech that matters! Throughout his life, he was seen as a solid, brotherly, authentic man. A serious, sincere individual; yet friendly, warm, sociable, even humorous;—with a good laugh too: some men have laughs that feel as fake as their personalities; they can't truly laugh. People talked about Mahomet's beauty: his wise, honest face, tan complexion, and bright black eyes;—I also appreciate that vein on his forehead, which swelled up dark when he was angry: like the "horseshoe vein" in Scott's Redgauntlet. It was a characteristic of the Hashem family, this noticeable dark vein on the forehead; Mahomet had it prominently, it seems. A spontaneous, passionate, yet just and sincere man! Full of untamed talent, energy, and brightness; of raw worth, all unrefined; working out his life's purpose in the depths of the Desert there.
How he was placed with Kadijah, a rich Widow, as her Steward, and travelled in her business, again to the Fairs of Syria; how he managed all, as one can well understand, with fidelity, adroitness; how her gratitude, her regard for him grew: the story of their marriage is altogether a graceful intelligible one, as told us by the Arab authors. He was twenty-five; she forty, though still beautiful. He seems to have lived in a most affectionate, peaceable, wholesome way with this wedded benefactress; loving her truly, and her alone. It goes greatly against the impostor theory, the fact that he lived in this entirely unexceptionable, entirely quiet and commonplace way, till the heat of his years was done. He was forty before he talked of any mission from Heaven. All his irregularities, real and supposed, date from after his fiftieth year, when the good Kadijah died. All his "ambition," seemingly, had been, hitherto, to live an honest life; his "fame," the mere good opinion of neighbors that knew him, had been sufficient hitherto. Not till he was already getting old, the prurient heat of his life all burnt out, and peace growing to be the chief thing this world could give him, did he start on the "career of ambition;" and, belying all his past character and existence, set up as a wretched empty charlatan to acquire what he could now no longer enjoy! For my share, I have no faith whatever in that.
How he became the steward for Khadijah, a wealthy widow, and traveled on her behalf to the fairs in Syria; how he managed everything, as one can easily understand, with honesty and skill; how her gratitude and affection for him grew: the story of their marriage is entirely a graceful and understandable one, as told by Arab authors. He was twenty-five, she was forty, yet still beautiful. He seems to have lived in a very affectionate, peaceful, and fulfilling way with this wife who supported him; truly loving her and her alone. It strongly contradicts the idea of him being an impostor that he lived in this completely ordinary, peaceful manner until the end of his youth. He was forty before he ever talked about a mission from Heaven. All of his real and imagined irregularities began after he turned fifty, when the good Khadijah passed away. Up until then, all his "ambition" seemed to be simply to lead an honest life; his "fame," the good opinion of the neighbors who knew him, was enough for him. Not until he was already getting older, with the passionate heat of his life all but extinguished, and with peace becoming the most valuable thing he could obtain in this world, did he embark on a "career of ambition;" and, contradicting all his past character and life, presented himself as a miserable empty charlatan trying to acquire what he could no longer enjoy! Personally, I have no belief in that at all.
Ah no: this deep-hearted Son of the Wilderness, with his beaming black eyes and open social deep soul, had other thoughts in him than ambition. A silent great soul; he was one of those who cannot but be in earnest; whom Nature herself has appointed to be sincere. While others walk in formulas and hearsays, contented enough to dwell there, this man could not screen himself in formulas; he was alone with his own soul and the reality of things. The great Mystery of Existence, as I said, glared in upon him, with its terrors, with its splendors; no hearsays could hide that unspeakable fact, "Here am I!" Such sincerity, as we named it, has in very truth something of divine. The word of such a man is a Voice direct from Nature's own Heart. Men do and must listen to that as to nothing else;—all else is wind in comparison. From of old, a thousand thoughts, in his pilgrimings and wanderings, had been in this man: What am I? What is this unfathomable Thing I live in, which men name Universe? What is Life; what is Death? What am I to believe? What am I to do? The grim rocks of Mount Hara, of Mount Sinai, the stern sandy solitudes answered not. The great Heaven rolling silent overhead, with its blue-glancing stars, answered not. There was no answer. The man's own soul, and what of God's inspiration dwelt there, had to answer!
Ah no: this deeply passionate child of the wild, with his shining black eyes and open, deep soul, had different thoughts than mere ambition. A quietly powerful spirit; he was one of those who can't help but be sincere, someone Nature herself has chosen to be genuine. While others stick to rules and hearsay, happy to stay in that space, this man couldn’t hide behind formulas; he faced his own soul and the reality of existence. The great Mystery of Existence, as I mentioned, confronted him, with its fears and wonders; no hearsay could conceal that undeniable truth, "Here I am!" Such sincerity, as we call it, really has something divine about it. The words of such a person are a Voice coming straight from Nature's Heart. People listen to that like nothing else; everything else is just noise by comparison. Over the years, a thousand thoughts had stirred in this man during his journeys: What am I? What is this incomprehensible Thing I exist in, which people call the Universe? What is Life; what is Death? What should I believe? What should I do? The harsh rocks of Mount Hara, of Mount Sinai, and the stern, empty deserts gave no answers. The vast Heaven rolling silently above, with its blue-twinkling stars, offered no answers either. There was no answer. The man's own soul, along with what of God's inspiration resided there, had to respond!
It is the thing which all men have to ask themselves; which we too have to ask, and answer. This wild man felt it to be of infinite moment; all other things of no moment whatever in comparison. The jargon of argumentative Greek Sects, vague traditions of Jews, the stupid routine of Arab Idolatry: there was no answer in these. A Hero, as I repeat, has this first distinction, which indeed we may call first and last, the Alpha and Omega of his whole Heroism, That he looks through the shows of things into things. Use and wont, respectable hearsay, respectable formula: all these are good, or are not good. There is something behind and beyond all these, which all these must correspond with, be the image of, or they are—Idolatries; "bits of black wood pretending to be God;" to the earnest soul a mockery and abomination. Idolatries never so gilded, waited on by heads of the Koreish, will do nothing for this man. Though all men walk by them, what good is it? The great Reality stands glaring there upon him. He there has to answer it, or perish miserably. Now, even now, or else through all Eternity never! Answer it; thou must find an answer.—Ambition? What could all Arabia do for this man; with the crown of Greek Heraclius, of Persian Chosroes, and all crowns in the Earth;—what could they all do for him? It was not of the Earth he wanted to hear tell; it was of the Heaven above and of the Hell beneath. All crowns and sovereignties whatsoever, where would they in a few brief years be? To be Sheik of Mecca or Arabia, and have a bit of gilt wood put into your hand,—will that be one's salvation? I decidedly think, not. We will leave it altogether, this impostor hypothesis, as not credible; not very tolerable even, worthy chiefly of dismissal by us.
It’s something every person needs to ask themselves; something we also need to question and answer. This wild man believed it was of *infinite* importance; everything else seemed trivial in comparison. The nonsense of Greek philosophical debates, the vague traditions of Jews, the pointless rituals of Arab idol worship—none of these provided any answers. A Hero, as I keep saying, has this fundamental distinction, which we can call both the first and last—the Alpha and Omega of all his heroism: he sees beyond appearances and looks into what truly matters. Customs, popular opinions, accepted norms—they might be valid, or they might not be. But there’s something deeper and more significant that everything must align with, or else they become *idolatries*; “pieces of black wood pretending to be God,” which, for a serious soul, is a mockery and an outrage. No amount of glamour or support from influential leaders will help this man. Even if everyone else goes along with them, what good is it? The great Reality looms before *him*. He must confront it or suffer terribly. Now, or never, throughout all Eternity! Face it; *you* must find an answer. Ambition? What could all of Arabia offer this man, with the crowns of Greek Heraclius, Persian Chosroes, and all earthly rulers—what could they provide? He wasn’t interested in worldly matters; he wanted to understand the Heaven above and the Hell below. In just a few short years, where would *they* be? To be a Sheik of Mecca or Arabia and hold a piece of gilded wood—will that be his salvation? I firmly think not. Let’s completely discard this false idea as unbelievable; it’s hardly tolerable and is mostly deserving of our dismissal.
Mahomet had been wont to retire yearly, during the month Ramadhan, into solitude and silence; as indeed was the Arab custom; a praiseworthy custom, which such a man, above all, would find natural and useful. Communing with his own heart, in the silence of the mountains; himself silent; open to the "small still voices:" it was a right natural custom! Mahomet was in his fortieth year, when having withdrawn to a cavern in Mount Hara, near Mecca, during this Ramadhan, to pass the month in prayer, and meditation on those great questions, he one day told his wife Kadijah, who with his household was with him or near him this year, That by the unspeakable special favor of Heaven he had now found it all out; was in doubt and darkness no longer, but saw it all. That all these Idols and Formulas were nothing, miserable bits of wood; that there was One God in and over all; and we must leave all Idols, and look to Him. That God is great; and that there is nothing else great! He is the Reality. Wooden Idols are not real; He is real. He made us at first, sustains us yet; we and all things are but the shadow of Him; a transitory garment veiling the Eternal Splendor. "Allah akbar, God is great;"—and then also "Islam," That we must submit to God. That our whole strength lies in resigned submission to Him, whatsoever He do to us. For this world, and for the other! The thing He sends to us, were it death and worse than death, shall be good, shall be best; we resign ourselves to God.—"If this be Islam," says Goethe, "do we not all live in Islam?" Yes, all of us that have any moral life; we all live so. It has ever been held the highest wisdom for a man not merely to submit to Necessity,—Necessity will make him submit,—but to know and believe well that the stern thing which Necessity had ordered was the wisest, the best, the thing wanted there. To cease his frantic pretension of scanning this great God's-World in his small fraction of a brain; to know that it had verily, though deep beyond his soundings, a Just Law, that the soul of it was Good;—that his part in it was to conform to the Law of the Whole, and in devout silence follow that; not questioning it, obeying it as unquestionable.
Muhammad used to retreat every year during Ramadan into solitude and silence, which was a common Arab practice; a commendable tradition that a person like him would naturally find valuable. Reflecting on his own heart in the quiet of the mountains, remaining silent and receptive to the "small still voices," this was a perfectly natural habit! At the age of forty, while he had withdrawn to a cave in Mount Hira, near Mecca, during this Ramadan to spend the month in prayer and contemplation of profound questions, he one day told his wife Khadijah, who was with him and their family this year, that through an extraordinary special favor from Heaven, he had now figured everything out; he was no longer in doubt and darkness but understood everything clearly. He recognized that all these idols and rituals were nothing but miserable pieces of wood; that there was One God above and within all; and that we must abandon all idols and turn to Him. That God is great, and nothing else is great! He is the true Reality. Wooden idols are not real; He is real. He created us in the beginning and still sustains us; we and everything else are merely shadows of Him, a temporary veil covering the Eternal Splendor. "Allah akbar," God is great;—and also "Islam," meaning that we must submit to God. Our entire strength lies in accepting our submission to Him, no matter what He does to us. For this world and the next! What He sends us, even if it’s death or something worse, shall be good and the best; we resign ourselves to God.—"If this is Islam," says Goethe, "aren’t we all living in Islam?" Yes, all of us who have any moral life; we all live that way. It has always been regarded as the greatest wisdom for a person not only to submit to Necessity—because Necessity will make him submit—but to truly understand and believe that the harsh reality Necessity dictates is the wisest, the best, and exactly what is needed. To stop his frantic attempt to analyze this vast God’s world with his tiny mind; to recognize that it does indeed have a Just Law, though it is deep beyond his understanding, with goodness at its core;—that his role is to conform to the Law of the Whole and to follow it in devoted silence, without questioning it, obeying it as if it were unquestionable.
I say, this is yet the only true morality known. A man is right and invincible, virtuous and on the road towards sure conquest, precisely while he joins himself to the great deep Law of the World, in spite of all superficial laws, temporary appearances, profit-and-loss calculations; he is victorious while he co-operates with that great central Law, not victorious otherwise:—and surely his first chance of co-operating with it, or getting into the course of it, is to know with his whole soul that it is; that it is good, and alone good! This is the soul of Islam; it is properly the soul of Christianity;—for Islam is definable as a confused form of Christianity; had Christianity not been, neither had it been. Christianity also commands us, before all, to be resigned to God. We are to take no counsel with flesh and blood; give ear to no vain cavils, vain sorrows and wishes: to know that we know nothing; that the worst and cruelest to our eyes is not what it seems; that we have to receive whatsoever befalls us as sent from God above, and say, It is good and wise, God is great! "Though He slay me, yet will I trust in Him." Islam means in its way Denial of Self, Annihilation of Self. This is yet the highest Wisdom that Heaven has revealed to our Earth.
I believe this is the only true morality known. A person is right and unbeatable, virtuous and on the path to certain success, precisely when they align themselves with the deep Law of the World, despite all superficial laws, temporary appearances, and calculations of profit and loss; they are successful when they cooperate with that central Law, and not successful otherwise. The first step to cooperating with it, or getting on that path, is to fully understand with their entire being that it exists; that it is good, and the only good! This is the essence of Islam; it is fundamentally the essence of Christianity—because Islam can be seen as a confused version of Christianity; without Christianity, it wouldn't exist. Christianity also instructs us, above all, to submit to God. We shouldn’t consult with our own desires; we shouldn’t listen to any empty arguments, pointless sorrows, or wishes: we must understand that we know nothing; that what seems the worst and most cruel is not what it appears; that we must accept whatever happens to us as coming from God above, and say, It is good and wise; God is great! "Though He slay me, yet will I trust in Him." Islam embodies in its own way the Denial of Self, the Annihilation of Self. This is still the highest Wisdom that Heaven has revealed to our Earth.
Such light had come, as it could, to illuminate the darkness of this wild Arab soul. A confused dazzling splendor as of life and Heaven, in the great darkness which threatened to be death: he called it revelation and the angel Gabriel;—who of us yet can know what to call it? It is the "inspiration of the Almighty" that giveth us understanding. To know; to get into the truth of anything, is ever a mystic act,—of which the best Logics can but babble on the surface. "Is not Belief the true god-announcing Miracle?" says Novalis.—That Mahomet's whole soul, set in flame with this grand Truth vouchsafed him, should feel as if it were important and the only important thing, was very natural. That Providence had unspeakably honored him by revealing it, saving him from death and darkness; that he therefore was bound to make known the same to all creatures: this is what was meant by "Mahomet is the Prophet of God;" this too is not without its true meaning.—
A light had come, as it could, to shine on the darkness of this wild Arab soul. A confusing, dazzling brilliance as of life and Heaven, in the deep darkness that threatened to become death: he called it revelation and the angel Gabriel;—who among us can truly know what to call it? It is the "inspiration of the Almighty" that gives us understanding. To know; to genuinely grasp the truth of anything is always a mystical act,—of which the best Logics can only skim the surface. "Is not Belief the true god-announcing Miracle?" asks Novalis.—That Mahomet's entire soul, set ablaze with this grand Truth given to him, should see it as vital and the only vital thing was very natural. That Providence had immensely honored him by revealing it, saving him from death and darkness; that he was therefore obligated to share this with all creatures: this is what was meant by "Mahomet is the Prophet of God;" this too carries its true significance.—
The good Kadijah, we can fancy, listened to him with wonder, with doubt: at length she answered: Yes, it was true this that he said. One can fancy too the boundless gratitude of Mahomet; and how of all the kindnesses she had done him, this of believing the earnest struggling word he now spoke was the greatest. "It is certain," says Novalis, "my Conviction gains infinitely, the moment another soul will believe in it." It is a boundless favor.—He never forgot this good Kadijah. Long afterwards, Ayesha his young favorite wife, a woman who indeed distinguished herself among the Moslem, by all manner of qualities, through her whole long life; this young brilliant Ayesha was, one day, questioning him: "Now am not I better than Kadijah? She was a widow; old, and had lost her looks: you love me better than you did her?"—"No, by Allah!" answered Mahomet: "No, by Allah! She believed in me when none else would believe. In the whole world I had but one friend, and she was that!"—Seid, his Slave, also believed in him; these with his young Cousin Ali, Abu Thaleb's son, were his first converts.
The good Khadijah, we can imagine, listened to him with amazement and doubt. Eventually, she replied: Yes, what he said was true. One can also imagine the immense gratitude of Muhammad; of all the kindnesses she had shown him, her belief in the earnest words he spoke at that moment was the greatest. "It is certain," says Novalis, "my conviction gains infinitely the moment another soul believes in it." It is an endless favor. He never forgot this good Khadijah. Long after, Aisha, his young favorite wife—a woman who truly stood out among Muslims for various qualities—was questioning him one day: "Am I not better than Khadijah? She was a widow, old, and had lost her looks: you love me more than you loved her?" — "No, by Allah!" Muhammad replied: "No, by Allah! She believed in me when no one else would. In the whole world, I had only one friend, and she was that!" — Seid, his slave, also believed in him; along with his young cousin Ali, Abu Talib's son, they were his first converts.
He spoke of his Doctrine to this man and that; but the most treated it with ridicule, with indifference; in three years, I think, he had gained but thirteen followers. His progress was slow enough. His encouragement to go on, was altogether the usual encouragement that such a man in such a case meets. After some three years of small success, he invited forty of his chief kindred to an entertainment; and there stood up and told them what his pretension was: that he had this thing to promulgate abroad to all men; that it was the highest thing, the one thing: which of them would second him in that? Amid the doubt and silence of all, young Ali, as yet a lad of sixteen, impatient of the silence, started up, and exclaimed in passionate fierce language, That he would! The assembly, among whom was Abu Thaleb, Ali's Father, could not be unfriendly to Mahomet; yet the sight there, of one unlettered elderly man, with a lad of sixteen, deciding on such an enterprise against all mankind, appeared ridiculous to them; the assembly broke up in laughter. Nevertheless it proved not a laughable thing; it was a very serious thing! As for this young Ali, one cannot but like him. A noble-minded creature, as he shows himself, now and always afterwards; full of affection, of fiery daring. Something chivalrous in him; brave as a lion; yet with a grace, a truth and affection worthy of Christian knighthood. He died by assassination in the Mosque at Bagdad; a death occasioned by his own generous fairness, confidence in the fairness of others: he said, If the wound proved not unto death, they must pardon the Assassin; but if it did, then they must slay him straightway, that so they two in the same hour might appear before God, and see which side of that quarrel was the just one!
He talked about his beliefs to various people, but most just laughed it off or ignored him; in three years, he had only managed to gather thirteen followers. His progress was painfully slow. The encouragement he received was just the typical kind a person like him would expect in such a situation. After about three years of minimal success, he invited forty of his closest relatives to a gathering. There, he stood up and explained what he aimed to achieve: that he had something important to share with everyone, the most significant thing. He asked who among them would support him in this. Amidst the uncertainty and silence, young Ali, only sixteen at the time and tired of the quiet, jumped up and fiercely declared that he would! The gathering, which included Abu Talib, Ali's father, couldn't fully support Mahomet; still, the sight of an uneducated old man and a teenager attempting such an ambitious endeavor against all of humanity seemed laughable to them, and they broke into laughter. However, what they dismissed as a joke turned out to be serious! As for young Ali, he was someone you couldn't help but admire. He was noble-hearted, as he proved then and throughout his life, full of warmth and fiery bravery. There was something chivalrous about him; he was as brave as a lion, yet had a grace, truth, and kindness worthy of a Christian knight. He was assassinated in the Mosque in Baghdad; his death resulted from his own generous nature and trust in the goodness of others. He said that if the wound didn't kill him, they should forgive the assassin, but if it did lead to his death, then they should execute the assailant immediately, so they could both appear before God at the same time and see who was truly in the right!
Mahomet naturally gave offence to the Koreish, Keepers of the Caabah, superintendents of the Idols. One or two men of influence had joined him: the thing spread slowly, but it was spreading. Naturally he gave offence to everybody: Who is this that pretends to be wiser than we all; that rebukes us all, as mere fools and worshippers of wood! Abu Thaleb the good Uncle spoke with him: Could he not be silent about all that; believe it all for himself, and not trouble others, anger the chief men, endanger himself and them all, talking of it? Mahomet answered: If the Sun stood on his right hand and the Moon on his left, ordering him to hold his peace, he could not obey! No: there was something in this Truth he had got which was of Nature herself; equal in rank to Sun, or Moon, or whatsoever thing Nature had made. It would speak itself there, so long as the Almighty allowed it, in spite of Sun and Moon, and all Koreish and all men and things. It must do that, and could do no other. Mahomet answered so; and, they say, "burst into tears." Burst into tears: he felt that Abu Thaleb was good to him; that the task he had got was no soft, but a stern and great one.
Muhammad naturally offended the Quraysh, the Keepers of the Kaaba and the supervisors of the idols. A few influential men had joined him; the movement was growing slowly, but it was growing. Naturally, he upset everyone: Who does he think he is, acting smarter than all of us, criticizing us as fools and worshippers of wood? Abu Talib, his good uncle, spoke with him: Could he not just keep quiet about all this, believe it for himself, and not disturb others, anger the leaders, and put himself and everyone at risk by talking about it? Muhammad replied: If the Sun stood on his right hand and the Moon on his left, telling him to be silent, he still couldn't comply! No, there was something in this Truth he discovered which came from Nature itself; it was equal in importance to the Sun, the Moon, or anything else Nature had created. It would express itself as long as the Almighty allowed it, against the Sun and Moon, and all the Quraysh and all people and things. It had to do that and could do nothing else. Muhammad responded in this way, and they say he "burst into tears." Burst into tears: he realized that Abu Talib cared for him; that the mission he had was not an easy one, but a serious and important one.
He went on speaking to who would listen to him; publishing his Doctrine among the pilgrims as they came to Mecca; gaining adherents in this place and that. Continual contradiction, hatred, open or secret danger attended him. His powerful relations protected Mahomet himself; but by and by, on his own advice, all his adherents had to quit Mecca, and seek refuge in Abyssinia over the sea. The Koreish grew ever angrier; laid plots, and swore oaths among them, to put Mahomet to death with their own hands. Abu Thaleb was dead, the good Kadijah was dead. Mahomet is not solicitous of sympathy from us; but his outlook at this time was one of the dismalest. He had to hide in caverns, escape in disguise; fly hither and thither; homeless, in continual peril of his life. More than once it seemed all over with him; more than once it turned on a straw, some rider's horse taking fright or the like, whether Mahomet and his Doctrine had not ended there, and not been heard of at all. But it was not to end so.
He kept talking to anyone who would listen, sharing his teachings among the pilgrims visiting Mecca and gaining followers here and there. He faced constant opposition, hatred, and dangers, both open and hidden. His powerful relatives protected Muhammad, but eventually, on his own advice, all his supporters had to leave Mecca and seek safety in Abyssinia across the sea. The Quraysh grew more and more furious; they plotted against him and vowed to kill him themselves. Abu Talib was dead, and the good Khadijah was also gone. Muhammad wasn't looking for our sympathy, but his situation was incredibly bleak. He had to hide in caves, escape in disguise, and run from place to place; he was homeless and constantly at risk of losing his life. More than once, it seemed like it was all over for him; a small twist of fate, like a horse getting spooked, could have meant the end of Muhammad and his teachings without anyone ever hearing about them. But it wasn't meant to end that way.
In the thirteenth year of his mission, finding his enemies all banded against him, forty sworn men, one out of every tribe, waiting to take his life, and no continuance possible at Mecca for him any longer, Mahomet fled to the place then called Yathreb, where he had gained some adherents; the place they now call Medina, or "Medinat al Nabi, the City of the Prophet," from that circumstance. It lay some two hundred miles off, through rocks and deserts; not without great difficulty, in such mood as we may fancy, he escaped thither, and found welcome. The whole East dates its era from this Flight, hegira as they name it: the Year 1 of this Hegira is 622 of our Era, the fifty-third of Mahomet's life. He was now becoming an old man; his friends sinking round him one by one; his path desolate, encompassed with danger: unless he could find hope in his own heart, the outward face of things was but hopeless for him. It is so with all men in the like case. Hitherto Mahomet had professed to publish his Religion by the way of preaching and persuasion alone. But now, driven foully out of his native country, since unjust men had not only given no ear to his earnest Heaven's-message, the deep cry of his heart, but would not even let him live if he kept speaking it,—the wild Son of the Desert resolved to defend himself, like a man and Arab. If the Koreish will have it so, they shall have it. Tidings, felt to be of infinite moment to them and all men, they would not listen to these; would trample them down by sheer violence, steel and murder: well, let steel try it then! Ten years more this Mahomet had; all of fighting of breathless impetuous toil and struggle; with what result we know.
In the thirteenth year of his mission, with all his enemies united against him, forty sworn men from every tribe waiting to kill him, and no way to continue in Mecca any longer, Muhammad fled to a place then called Yathreb, where he had gained some supporters—the place now known as Medina or "Medinat al Nabi, the City of the Prophet," because of this event. It was about two hundred miles away, through rocky terrain and deserts; despite great difficulties, in a mood we can imagine, he made his escape and was welcomed there. The entire East marks its calendar from this Flight, known as hegira: the Year 1 of this Hegira is 622 of our Era, the fifty-third year of Muhammad's life. He was becoming an old man; his friends were dying one by one; his path was desolate, surrounded by danger: unless he could find hope within himself, the external circumstances were hopeless for him. This is how it is for everyone in a similar situation. Until then, Muhammad had claimed to spread his Religion through preaching and persuasion alone. But now, driven out of his homeland, as unjust men not only ignored his sincere message from Heaven—the deep cry of his heart—but also wouldn’t allow him to live if he kept speaking it, the wild Son of the Desert decided to defend himself like a man and an Arab. If the Quraysh wanted it to be this way, then so be it. They refused to listen to news that was of immense importance to them and everyone else; they would try to suppress it through violence, steel, and murder: well, let’s see what steel can do! Muhammad had ten more years ahead, filled with intense fighting and exhausting struggle, with results we already know.
Much has been said of Mahomet's propagating his Religion by the sword. It is no doubt far nobler what we have to boast of the Christian Religion, that it propagated itself peaceably in the way of preaching and conviction. Yet withal, if we take this for an argument of the truth or falsehood of a religion, there is a radical mistake in it. The sword indeed: but where will you get your sword! Every new opinion, at its starting, is precisely in a minority of one. In one man's head alone, there it dwells as yet. One man alone of the whole world believes it; there is one man against all men. That he take a sword, and try to propagate with that, will do little for him. You must first get your sword! On the whole, a thing will propagate itself as it can. We do not find, of the Christian Religion either, that it always disdained the sword, when once it had got one. Charlemagne's conversion of the Saxons was not by preaching. I care little about the sword: I will allow a thing to struggle for itself in this world, with any sword or tongue or implement it has, or can lay hold of. We will let it preach, and pamphleteer, and fight, and to the uttermost bestir itself, and do, beak and claws, whatsoever is in it; very sure that it will, in the long-run, conquer nothing which does not deserve to be conquered. What is better than itself, it cannot put away, but only what is worse. In this great Duel, Nature herself is umpire, and can do no wrong: the thing which is deepest-rooted in Nature, what we call truest, that thing and not the other will be found growing at last.
A lot has been said about how Muhammad spread his religion through violence. It's certainly more admirable that Christianity expanded peacefully through preaching and persuasion. However, if we use this as a measure of a religion's truth or falsehood, we're making a fundamental mistake. There is the sword: but where do you get your sword? Every new belief starts off as a minority of one. It exists only in the mind of one person. One person in the entire world believes it; it's one against all. If he picks up a sword and tries to spread it that way, it won't do him much good. First, you need to obtain your sword! Overall, an idea will spread as it can. We also see that Christianity didn’t always reject the sword once it had one. Charlemagne didn't convert the Saxons through preaching. I don’t care much about the sword: I’ll let an idea fight for itself in this world, using whatever means it has—sword, words, or any tool at its disposal. We’ll let it preach, write pamphlets, fight, and do whatever it takes, fully confident that in the end, it won't conquer anything that doesn't deserve to be conquered. It can’t eliminate what is better than itself, only what is worse. In this great struggle, Nature herself is the judge and can’t be wrong: what is most deeply rooted in Nature, what we call truest, will ultimately prevail.
Here however, in reference to much that there is in Mahomet and his success, we are to remember what an umpire Nature is; what a greatness, composure of depth and tolerance there is in her. You take wheat to cast into the Earth's bosom; your wheat may be mixed with chaff, chopped straw, barn-sweepings, dust and all imaginable rubbish; no matter: you cast it into the kind just Earth; she grows the wheat,—the whole rubbish she silently absorbs, shrouds it in, says nothing of the rubbish. The yellow wheat is growing there; the good Earth is silent about all the rest,—has silently turned all the rest to some benefit too, and makes no complaint about it! So everywhere in Nature! She is true and not a lie; and yet so great, and just, and motherly in her truth. She requires of a thing only that it be genuine of heart; she will protect it if so; will not, if not so. There is a soul of truth in all the things she ever gave harbor to. Alas, is not this the history of all highest Truth that comes or ever came into the world? The body of them all is imperfection, an element of light in darkness: to us they have to come embodied in mere Logic, in some merely scientific Theorem of the Universe; which cannot be complete; which cannot but be found, one day, incomplete, erroneous, and so die and disappear. The body of all Truth dies; and yet in all, I say, there is a soul which never dies; which in new and ever-nobler embodiment lives immortal as man himself! It is the way with Nature. The genuine essence of Truth never dies. That it be genuine, a voice from the great Deep of Nature, there is the point at Nature's judgment-seat. What we call pure or impure, is not with her the final question. Not how much chaff is in you; but whether you have any wheat. Pure? I might say to many a man: Yes, you are pure; pure enough; but you are chaff,—insincere hypothesis, hearsay, formality; you never were in contact with the great heart of the Universe at all; you are properly neither pure nor impure; you are nothing, Nature has no business with you.
Here, when discussing much about Muhammad and his achievements, we need to remember how impartial Nature is; how great, deep, and tolerant she is. You throw wheat into the Earth’s embrace; that wheat might get mixed with chaff, chopped straw, barn debris, dust, and all sorts of junk; it doesn’t matter: you throw it into the right kind of Earth; she grows the wheat—silently absorbing all the junk, wrapping it in, and saying nothing about the trash. The golden wheat grows there; the good Earth remains silent about everything else—she has quietly turned all the rest into something useful too, and makes no complaints! It’s the same everywhere in Nature! She is honest and not deceptive; and yet she is so great, just, and nurturing in her honesty. All she asks is that something be genuine at heart; if so, she will protect it; if not, she won’t. There is a truth in everything that she has ever welcomed. Alas, isn’t this the story of all the highest Truths that have ever come into the world? Their outward form is imperfection, with a spark of light in the darkness: they must come to us wrapped up in mere Logic, in some purely scientific Theorem of the Universe; which cannot be complete; which will surely be found, someday, flawed, incorrect, and thus die and vanish. The form of all Truth may perish; and yet in all, I say, there is a soul that never dies; which, in new and ever-greater forms, lives on eternally, just like humanity itself! That’s how it is with Nature. The true essence of Truth never dies. To be genuine, a message from the vast depths of Nature—that's what matters most at Nature's judgment. What we consider pure or impure isn’t the ultimate question for her. It’s not about how much chaff you have; but whether you contain any wheat. Pure? I could say to many a man: Yes, you’re pure; pure enough; but you’re just chaff—insincere assumptions, rumors, superficiality; you have never truly connected with the heart of the Universe at all; you are essentially neither pure nor impure; you are nothing, and Nature has no concern for you.
Mahomet's Creed we called a kind of Christianity; and really, if we look at the wild rapt earnestness with which it was believed and laid to heart, I should say a better kind than that of those miserable Syrian Sects, with their vain janglings about Homoiousion and Homoousion, the head full of worthless noise, the heart empty and dead! The truth of it is embedded in portentous error and falsehood; but the truth of it makes it be believed, not the falsehood: it succeeded by its truth. A bastard kind of Christianity, but a living kind; with a heart-life in it; not dead, chopping barren logic merely! Out of all that rubbish of Arab idolatries, argumentative theologies, traditions, subtleties, rumors and hypotheses of Greeks and Jews, with their idle wire-drawings, this wild man of the Desert, with his wild sincere heart, earnest as death and life, with his great flashing natural eyesight, had seen into the kernel of the matter. Idolatry is nothing: these Wooden Idols of yours, "ye rub them with oil and wax, and the flies stick on them,"—these are wood, I tell you! They can do nothing for you; they are an impotent blasphemous presence; a horror and abomination, if ye knew them. God alone is; God alone has power; He made us, He can kill us and keep us alive: "Allah akbar, God is great." Understand that His will is the best for you; that howsoever sore to flesh and blood, you will find it the wisest, best: you are bound to take it so; in this world and in the next, you have no other thing that you can do!
We referred to Mahomet's Creed as a kind of Christianity, and honestly, if we consider the intense passion with which it was believed and embraced, I’d argue it’s a better form than those sad Syrian sects, with their pointless debates about Homoiousion and Homoousion, their heads filled with meaningless chatter while their hearts are empty and lifeless! The truth lies buried in huge errors and falsehoods; yet, it’s the truth that makes it believable, not the falsehood: it thrived because of its truth. It’s a flawed type of Christianity, but it’s alive; it has a heart-life in it, not just dead, empty logic! Amid all the chaos of Arab idolatries, convoluted theologies, traditions, subtleties, and the rumors and theories of Greeks and Jews, with their pointless arguments, this wild man from the Desert, with his sincere heart, as serious as life and death, and his sharp natural insight, saw through to the core of the issue. Idolatry is meaningless: those wooden idols of yours, "you anoint them with oil and wax, and the flies stick to them"—they're just wood, I tell you! They can't do anything for you; they are a powerless, blasphemous presence; a horror and abomination, if you really understood them. Only God exists; only He has power; He created us, He can kill us and keep us alive: "Allah akbar, God is great." Understand that His will is what’s best for you; that, no matter how painful it may be, you will find it is the wisest and best choice: you must accept it; in this life and the next, there’s nothing else you can do!
And now if the wild idolatrous men did believe this, and with their fiery hearts lay hold of it to do it, in what form soever it came to them, I say it was well worthy of being believed. In one form or the other, I say it is still the one thing worthy of being believed by all men. Man does hereby become the high-priest of this Temple of a World. He is in harmony with the Decrees of the Author of this World; cooperating with them, not vainly withstanding them: I know, to this day, no better definition of Duty than that same. All that is right includes itself in this of co-operating with the real Tendency of the World: you succeed by this (the World's Tendency will succeed), you are good, and in the right course there. Homoiousion, Homoousion, vain logical jangle, then or before or at any time, may jangle itself out, and go whither and how it likes: this is the thing it all struggles to mean, if it would mean anything. If it do not succeed in meaning this, it means nothing. Not that Abstractions, logical Propositions, be correctly worded or incorrectly; but that living concrete Sons of Adam do lay this to heart: that is the important point. Islam devoured all these vain jangling Sects; and I think had right to do so. It was a Reality, direct from the great Heart of Nature once more. Arab idolatries, Syrian formulas, whatsoever was not equally real, had to go up in flame,—mere dead fuel, in various senses, for this which was fire.
And now, if the wild, idol-worshipping people truly believed this and passionately embraced it in whatever form it took, I’d say it was certainly worth believing. In one way or another, it remains the most important thing for all people to believe in. A person becomes the high priest of this Temple of the World. They align with the intentions of the Creator of this World, working with them, not futilely resisting them: to this day, I know no better definition of Duty than that. Everything that is right encompasses cooperating with the true direction of the World: you succeed through this (the World’s direction will prevail), you are good, and on the right path there. Homoiousion, Homoousion, pointless logical debates, whether then or before or at any time, can argue themselves out and go wherever they like: this is the thing they all strive to mean, if they intend to mean anything at all. If they fail to convey this, they mean nothing. It’s not about whether Abstractions or logical Propositions are worded correctly or incorrectly; it’s about whether living, concrete Sons of Adam truly embrace this: that’s the key point. Islam consumed all these meaningless arguing Sects, and I think it had every right to do so. It was a Reality, coming directly from the great Heart of Nature once more. Arab idolatries, Syrian formulas, anything that wasn’t equally substantial had to burn away—merely dead fuel, in various ways, for this which was fire.
It was during these wild warfarings and strugglings, especially after the Flight to Mecca, that Mahomet dictated at intervals his Sacred Book, which they name Koran, or Reading, "Thing to be read." This is the Work he and his disciples made so much of, asking all the world, Is not that a miracle? The Mahometans regard their Koran with a reverence which few Christians pay even to their Bible. It is admitted every where as the standard of all law and all practice; the thing to be gone upon in speculation and life; the message sent direct out of Heaven, which this Earth has to conform to, and walk by; the thing to be read. Their Judges decide by it; all Moslem are bound to study it, seek in it for the light of their life. They have mosques where it is all read daily; thirty relays of priests take it up in succession, get through the whole each day. There, for twelve hundred years, has the voice of this Book, at all moments, kept sounding through the ears and the hearts of so many men. We hear of Mahometan Doctors that had read it seventy thousand times!
It was during these intense battles and struggles, especially after the Flight to Mecca, that Muhammad dictated his Holy Book, which people call the Koran, or Reading, meaning "Thing to be read." This is the work he and his followers valued greatly, posing the question to the world, "Isn't this a miracle?" Muslims hold their Koran in a level of reverence that few Christians extend even to their Bible. It is recognized everywhere as the foundation of all law and practice; the guiding principle for thought and life; the message sent directly from Heaven that Earth must follow and live by; the thing to be read. Their judges make decisions based on it; all Muslims are required to study it, looking for guidance in their lives. They have mosques where it is read every day; thirty teams of priests take turns reading it in succession, finishing the entire text each day. For twelve hundred years, the voice of this Book has continuously resonated in the ears and hearts of countless people. We hear of Muslim scholars who have read it seventy thousand times!
Very curious: if one sought for "discrepancies of national taste," here surely were the most eminent instance of that! We also can read the Koran; our Translation of it, by Sale, is known to be a very fair one. I must say, it is as toilsome reading as I ever undertook. A wearisome confused jumble, crude, incondite; endless iterations, long-windedness, entanglement; most crude, incondite;—insupportable stupidity, in short! Nothing but a sense of duty could carry any European through the Koran. We read in it, as we might in the State-Paper Office, unreadable masses of lumber, that perhaps we may get some glimpses of a remarkable man. It is true we have it under disadvantages: the Arabs see more method in it than we. Mahomet's followers found the Koran lying all in fractions, as it had been written down at first promulgation; much of it, they say, on shoulder-blades of mutton, flung pell-mell into a chest: and they published it, without any discoverable order as to time or otherwise;—merely trying, as would seem, and this not very strictly, to put the longest chapters first. The real beginning of it, in that way, lies almost at the end: for the earliest portions were the shortest. Read in its historical sequence it perhaps would not be so bad. Much of it, too, they say, is rhythmic; a kind of wild chanting song, in the original. This may be a great point; much perhaps has been lost in the Translation here. Yet with every allowance, one feels it difficult to see how any mortal ever could consider this Koran as a Book written in Heaven, too good for the Earth; as a well-written book, or indeed as a book at all; and not a bewildered rhapsody; written, so far as writing goes, as badly as almost any book ever was! So much for national discrepancies, and the standard of taste.
Very interesting: if someone was looking for "differences in national tastes," this would definitely be the prime example! We can also read the Koran; our translation by Sale is known to be quite fair. I have to say, reading it has been as laborious as anything I’ve ever done. It's a tedious, confusing mess—crude and poorly structured; full of endless repetitions and long-windedness, tangled; utterly crude and poorly organized;—in short, completely insufferable! Only a sense of duty could get any European through the Koran. We read it like we would sift through piles of paperwork in the State-Paper Office, hoping to catch glimpses of a remarkable figure. It's true we have certain disadvantages: the Arabs see more order in it than we do. Muhammad's followers found the Koran in fragments, having been written down at the time it was first revealed; much of it, they say, was scribbled on shoulder blades of mutton, tossed chaotically into a chest: and they published it without any clear order, either chronologically or otherwise;—just trying, seemingly not very rigorously, to put the longest chapters first. The true beginning, in that sense, is almost at the end: the earliest sections are the shortest. If read in its historical sequence, it might not be so bad. They also say much of it is rhythmic; a kind of wild chanting song in the original. This might be significant; a lot could have been lost in translation here. Still, even with all that in mind, it’s hard to understand how anyone could believe this Koran is a book written in Heaven, too good for Earth; a well-written book, or really even a book at all; and not just a disordered rhapsody; written, in terms of writing, as poorly as almost any book ever was! So much for national discrepancies and standards of taste.
Yet I should say, it was not unintelligible how the Arabs might so love it. When once you get this confused coil of a Koran fairly off your hands, and have it behind you at a distance, the essential type of it begins to disclose itself; and in this there is a merit quite other than the literary one. If a book come from the heart, it will contrive to reach other hearts; all art and author-craft are of small amount to that. One would say the primary character of the Koran is this of its genuineness, of its being a bona-fide book. Prideaux, I know, and others have represented it as a mere bundle of juggleries; chapter after chapter got up to excuse and varnish the author's successive sins, forward his ambitions and quackeries: but really it is time to dismiss all that. I do not assert Mahomet's continual sincerity: who is continually sincere? But I confess I can make nothing of the critic, in these times, who would accuse him of deceit prepense; of conscious deceit generally, or perhaps at all;—still more, of living in a mere element of conscious deceit, and writing this Koran as a forger and juggler would have done! Every candid eye, I think, will read the Koran far otherwise than so. It is the confused ferment of a great rude human soul; rude, untutored, that cannot even read; but fervent, earnest, struggling vehemently to utter itself in words. With a kind of breathless intensity he strives to utter himself; the thoughts crowd on him pell-mell: for very multitude of things to say, he can get nothing said. The meaning that is in him shapes itself into no form of composition, is stated in no sequence, method, or coherence;—they are not shaped at all, these thoughts of his; flung out unshaped, as they struggle and tumble there, in their chaotic inarticulate state. We said "stupid:" yet natural stupidity is by no means the character of Mahomet's Book; it is natural uncultivation rather. The man has not studied speaking; in the haste and pressure of continual fighting, has not time to mature himself into fit speech. The panting breathless haste and vehemence of a man struggling in the thick of battle for life and salvation; this is the mood he is in! A headlong haste; for very magnitude of meaning, he cannot get himself articulated into words. The successive utterances of a soul in that mood, colored by the various vicissitudes of three-and-twenty years; now well uttered, now worse: this is the Koran.
Yet I should say, it’s not hard to understand why the Arabs might love it so much. Once you put down this complicated Koran and take a step back, its true nature starts to reveal itself; and in this, there’s a value beyond just literary merit. If a book comes from the heart, it will find its way to other hearts; artistic skills and techniques can’t compare to that. One might say the main quality of the Koran is its genuineness, that it’s a bona-fide book. Prideaux and others have painted it as nothing more than a jumble of tricks; chapters created to excuse and gloss over the author's repeated wrongdoings, promote his ambitions, and charlatanism: but honestly, it’s time to let that go. I don’t claim Mohammed was always sincere: who is always sincere? However, I struggle to understand critics today who would accuse him of deliberate deceit, conscious dishonesty, or even of living in a state of constant deceit, writing this Koran like a fraud or trickster would! I think every fair-minded reader will approach the Koran quite differently. It reflects the chaotic energy of a great, raw human spirit; unrefined, uneducated, unable to read, yet passionate and earnest, fighting to express itself in words. With almost breathless intensity, he tries to express his thoughts; they rush at him all at once: overwhelmed by the sheer number of things to say, he struggles to articulate anything. The meaning within him doesn’t take a structured form, has no sequence or coherence;—his thoughts aren’t shaped at all, just thrown out chaotically as they tumble around in their confused, inarticulate state. We called it "stupid": yet natural stupidity isn’t really the nature of Mohammed’s Book; it’s more about natural uncultivation. The man hasn’t practiced speaking; in the rush and pressures of constant conflict, he hasn’t had the time to develop into a skilled speaker. The breathless urgency and passion of a man fighting for survival; that’s the mindset he’s in! A wild urgency; filled with so much meaning that he can’t find the right words. The successive expressions of a soul in that state, colored by the various ups and downs over twenty-three years; some well articulated, some less so: that’s the Koran.
For we are to consider Mahomet, through these three-and-twenty years, as the centre of a world wholly in conflict. Battles with the Koreish and Heathen, quarrels among his own people, backslidings of his own wild heart; all this kept him in a perpetual whirl, his soul knowing rest no more. In wakeful nights, as one may fancy, the wild soul of the man, tossing amid these vortices, would hail any light of a decision for them as a veritable light from Heaven; any making-up of his mind, so blessed, indispensable for him there, would seem the inspiration of a Gabriel. Forger and juggler? No, no! This great fiery heart, seething, simmering like a great furnace of thoughts, was not a juggler's. His Life was a Fact to him; this God's Universe an awful Fact and Reality. He has faults enough. The man was an uncultured semi-barbarous Son of Nature, much of the Bedouin still clinging to him: we must take him for that. But for a wretched Simulacrum, a hungry Impostor without eyes or heart, practicing for a mess of pottage such blasphemous swindlery, forgery of celestial documents, continual high-treason against his Maker and Self, we will not and cannot take him.
We should see Muhammad over these twenty-three years as the center of a world completely in turmoil. He faced battles with the Koreish and the pagans, conflicts within his own community, and struggles with his own fiery spirit; all of this kept him in constant turmoil, with his soul finding no rest. In sleepless nights, as one might imagine, the restless spirit of the man, thrown into these whirlpools, would view any light of decision as a genuine light from Heaven; any resolution that seemed blessed and essential for him there would feel like the inspiration of Gabriel. Is he a fraud or a trickster? No, absolutely not! This great, passionate heart, bubbling over like a furnace of thoughts, was not that of a trickster. His life was a reality for him; this universe created by God was a profound truth and fact. He had many faults. The man was an unrefined, semi-barbaric Son of Nature, with much of the Bedouin still in him: we must accept that. But we will not and cannot see him as a wretched imitation, a greedy impostor devoid of sight or heart, engaging in blasphemous deception, forging divine documents, and committing continual treason against his Creator and himself.
Sincerity, in all senses, seems to me the merit of the Koran; what had rendered it precious to the wild Arab men. It is, after all, the first and last merit in a book; gives rise to merits of all kinds,—nay, at bottom, it alone can give rise to merit of any kind. Curiously, through these incondite masses of tradition, vituperation, complaint, ejaculation in the Koran, a vein of true direct insight, of what we might almost call poetry, is found straggling. The body of the Book is made up of mere tradition, and as it were vehement enthusiastic extempore preaching. He returns forever to the old stories of the Prophets as they went current in the Arab memory: how Prophet after Prophet, the Prophet Abraham, the Prophet Hud, the Prophet Moses, Christian and other real and fabulous Prophets, had come to this Tribe and to that, warning men of their sin; and been received by them even as he Mahomet was,—which is a great solace to him. These things he repeats ten, perhaps twenty times; again and ever again, with wearisome iteration; has never done repeating them. A brave Samuel Johnson, in his forlorn garret, might con over the Biographies of Authors in that way! This is the great staple of the Koran. But curiously, through all this, comes ever and anon some glance as of the real thinker and seer. He has actually an eye for the world, this Mahomet: with a certain directness and rugged vigor, he brings home still, to our heart, the thing his own heart has been opened to. I make but little of his praises of Allah, which many praise; they are borrowed I suppose mainly from the Hebrew, at least they are far surpassed there. But the eye that flashes direct into the heart of things, and sees the truth of them; this is to me a highly interesting object. Great Nature's own gift; which she bestows on all; but which only one in the thousand does not cast sorrowfully away: it is what I call sincerity of vision; the test of a sincere heart.
Sincerity, in every way, seems to me the main quality of the Quran; it’s what made it valuable to the wild Arab tribes. Ultimately, it’s the first and last quality in any book; it leads to all sorts of other qualities—indeed, at its core, it can only truly give rise to any kind of quality. Interestingly, within the chaotic masses of tradition, insults, complaints, and exclamations in the Quran, there’s a thread of genuine, direct insight, almost like poetry. The essence of the Book is filled with traditional tales and impassioned, spontaneous preaching. It repeatedly returns to the old stories of the Prophets as they were known in Arab culture: how Prophet after Prophet, like Abraham, Hud, Moses, along with various real and imaginary Prophets, came to this tribe and that tribe, warning people of their sins; and how they were received just as Muhammad was—which brings him great comfort. He repeats these stories ten, maybe twenty times; again and again, with tiresome repetition; he never stops. A brave Samuel Johnson, in his lonely attic, might read the Biographies of Authors in a similar fashion! This is the core of the Quran. Yet, curiously, through all of this, there are moments when he shines as a real thinker and seer. Muhammad truly has a perspective on the world; with a certain straightforwardness and rugged energy, he shares with us the truths that have opened his own heart. I think little of his praises of Allah, which many admire; they’re mostly borrowed from the Hebrew tradition, at least they are greatly surpassed there. But the eye that pierces straight into the heart of matters and sees their truth—this is something I find highly intriguing. It’s a gift from Great Nature; one that she offers to everyone, but which only one in a thousand does not cast aside in disappointment: it’s what I call sincerity of vision; the measure of a sincere heart.
Mahomet can work no miracles; he often answers impatiently: I can work no miracles. I? "I am a Public Preacher;" appointed to preach this doctrine to all creatures. Yet the world, as we can see, had really from of old been all one great miracle to him. Look over the world, says he; is it not wonderful, the work of Allah; wholly "a sign to you," if your eyes were open! This Earth, God made it for you; "appointed paths in it;" you can live in it, go to and fro on it.—The clouds in the dry country of Arabia, to Mahomet they are very wonderful: Great clouds, he says, born in the deep bosom of the Upper Immensity, where do they come from! They hang there, the great black monsters; pour down their rain-deluges "to revive a dead earth," and grass springs, and "tall leafy palm-trees with their date-clusters hanging round. Is not that a sign?" Your cattle too,—Allah made them; serviceable dumb creatures; they change the grass into milk; you have your clothing from them, very strange creatures; they come ranking home at evening-time, "and," adds he, "and are a credit to you!" Ships also,—he talks often about ships: Huge moving mountains, they spread out their cloth wings, go bounding through the water there, Heaven's wind driving them; anon they lie motionless, God has withdrawn the wind, they lie dead, and cannot stir! Miracles? cries he: What miracle would you have? Are not you yourselves there? God made you, "shaped you out of a little clay." Ye were small once; a few years ago ye were not at all. Ye have beauty, strength, thoughts, "ye have compassion on one another." Old age comes on you, and gray hairs; your strength fades into feebleness; ye sink down, and again are not. "Ye have compassion on one another:" this struck me much: Allah might have made you having no compassion on one another,—how had it been then! This is a great direct thought, a glance at first-hand into the very fact of things. Rude vestiges of poetic genius, of whatsoever is best and truest, are visible in this man. A strong untutored intellect; eyesight, heart: a strong wild man,—might have shaped himself into Poet, King, Priest, any kind of Hero.
Mahomet can't perform miracles; he often replies impatiently: "I can't work any miracles." I? "I'm a Public Preacher," appointed to share this message with everyone. Yet the world has always seemed like one big miracle to him. "Look around the world," he says; isn't it amazing, the work of Allah? It's all "a sign to you," if only your eyes were open! This Earth, God created it for you; "appointed paths in it;" you can live here, move around on it. The clouds in the dry country of Arabia are truly remarkable to Mahomet: Great clouds, he says, born from the vastness of the sky, where do they come from? They hang there, these big black giants; they pour down rain "to revive a dead earth," and grass grows, along with "tall leafy palm trees with their clusters of dates hanging down. Isn't that a sign?" Your cattle too—Allah created them; useful, gentle animals; they turn grass into milk; you get your clothing from them, such fascinating creatures; they come home in the evening, "and," he adds, "are a credit to you!" He often talks about ships as well: Massive, moving mountains, they spread their cloth wings and soar through the water, driven by Heaven's wind; but when the wind dies down, they become still, lifeless, unable to move! Miracles? he exclaims: What miracle do you want? Aren't you there? God made you, "shaped you from a little clay." You were small once; just a few years ago you didn't exist at all. You have beauty, strength, thoughts, "you have compassion for one another." Old age creeps in, bringing gray hairs; your strength fades away; you sink down and are no more. "You have compassion for one another:" this struck me profoundly: Allah could have created you without compassion for one another—what would that have been like? This is a significant insight, a direct look at the fundamental truth of existence. Rough traces of poetic genius, of the best and truest things, are evident in this man. A strong, untamed intellect; vision, heart: a strong, wild man—could have become a Poet, King, Priest, or any kind of Hero.
To his eyes it is forever clear that this world wholly is miraculous. He sees what, as we said once before, all great thinkers, the rude Scandinavians themselves, in one way or other, have contrived to see: That this so solid-looking material world is, at bottom, in very deed, Nothing; is a visual and factual Manifestation of God's power and presence,—a shadow hung out by Him on the bosom of the void Infinite; nothing more. The mountains, he says, these great rock-mountains, they shall dissipate themselves "like clouds;" melt into the Blue as clouds do, and not be! He figures the Earth, in the Arab fashion, Sale tells us, as an immense Plain or flat Plate of ground, the mountains are set on that to steady it. At the Last Day they shall disappear "like clouds;" the whole Earth shall go spinning, whirl itself off into wreck, and as dust and vapor vanish in the Inane. Allah withdraws his hand from it, and it ceases to be. The universal empire of Allah, presence everywhere of an unspeakable Power, a Splendor, and a Terror not to be named, as the true force, essence and reality, in all things whatsoever, was continually clear to this man. What a modern talks of by the name, Forces of Nature, Laws of Nature; and does not figure as a divine thing; not even as one thing at all, but as a set of things, undivine enough,—salable, curious, good for propelling steamships! With our Sciences and Cyclopaedias, we are apt to forget the divineness, in those laboratories of ours. We ought not to forget it! That once well forgotten, I know not what else were worth remembering. Most sciences, I think were then a very dead thing; withered, contentious, empty;—a thistle in late autumn. The best science, without this, is but as the dead timber; it is not the growing tree and forest,—which gives ever-new timber, among other things! Man cannot know either, unless he can worship in some way. His knowledge is a pedantry, and dead thistle, otherwise.
To him, it’s always clear that this world is completely miraculous. He sees what, as we mentioned before, all great thinkers, even the rough Scandinavians, have managed to see in one way or another: that this solid-looking material world is, at its core, really Nothing; it is a visible and factual manifestation of God's power and presence—a shadow cast by Him on the vast Infinite; nothing more. He states that the mountains, these massive rock formations, will disperse "like clouds;" they will dissolve into the Blue just like clouds do, and then be gone! He envisions the Earth, in the Arab style, as a huge flat Plain or Plate of land, where the mountains are placed to steady it. On the Last Day, they will vanish "like clouds;" the entire Earth will spin and whirl itself into chaos, disappearing like dust and vapor into the void. Allah pulls his hand away from it, and it stops existing. The universal dominion of Allah, the presence of an indescribable Power, a Splendor, and a Terror that can’t be named—this true force, essence, and reality in everything—was always clear to this man. What a modern person refers to as the Forces of Nature or Laws of Nature, not perceiving it as a divine thing, not even as a singular entity, but merely as a collection of undivine things—marketable, interesting, useful for powering steamships! With our Sciences and encyclopedias, we tend to forget the divineness in those laboratories. We shouldn’t forget it! Once forgotten, I can’t think of anything else worth remembering. Most sciences, I believe, then become very lifeless; shriveled, contentious, and empty—like a thistle in late autumn. The best science, without this aspect, is merely dead timber; it doesn’t represent the living tree and forest—which continually provide new timber among other things! A person cannot know either, unless they can worship in some manner. Without worship, knowledge is just pedantry and a dead thistle.
Much has been said and written about the sensuality of Mahomet's Religion; more than was just. The indulgences, criminal to us, which he permitted, were not of his appointment; he found them practiced, unquestioned from immemorial time in Arabia; what he did was to curtail them, restrict them, not on one but on many sides. His Religion is not an easy one: with rigorous fasts, lavations, strict complex formulas, prayers five times a day, and abstinence from wine, it did not "succeed by being an easy religion." As if indeed any religion, or cause holding of religion, could succeed by that! It is a calumny on men to say that they are roused to heroic action by ease, hope of pleasure, recompense,—sugar-plums of any kind, in this world or the next! In the meanest mortal there lies something nobler. The poor swearing soldier, hired to be shot, has his "honor of a soldier," different from drill-regulations and the shilling a day. It is not to taste sweet things, but to do noble and true things, and vindicate himself under God's Heaven as a god-made Man, that the poorest son of Adam dimly longs. Show him the way of doing that, the dullest day-drudge kindles into a hero. They wrong man greatly who say he is to be seduced by ease. Difficulty, abnegation, martyrdom, death are the allurements that act on the heart of man. Kindle the inner genial life of him, you have a flame that burns up all lower considerations. Not happiness, but something higher: one sees this even in the frivolous classes, with their "point of honor" and the like. Not by flattering our appetites; no, by awakening the Heroic that slumbers in every heart, can any Religion gain followers.
A lot has been said and written about the sensuality of Muhammad's religion; more than is fair. The indulgences, which seem wrong to us, that he allowed were not his invention; he found them already practiced and accepted for ages in Arabia. What he did was limit and restrict them from multiple angles. His religion is not an easy one: with strict fasting, washing rituals, complex rules, prayers five times a day, and abstaining from alcohol, it did not "succeed by being an easy religion." As if any religion, or any cause that is based on religion, could succeed that way! It’s a falsehood to claim that people are inspired to act heroically by comfort, the hope of pleasure, or rewards—whether in this life or the next! Even in the humblest person, there is something greater. The poor soldier, who is paid to risk his life, still has his "soldier's honor," which is more than just following orders or the money he makes. It’s not about enjoying sweet things, but about doing noble and true deeds and proving himself under God's watch as a made-in-God's-image man that even the poorest son of Adam yearns for. Show him how to do that, and even the most ordinary worker can become a hero. It’s a huge mistake to say that man can be tempted by comfort. Challenges, sacrifice, martyrdom, and death are the true motivations that touch the human heart. Ignite the inner warmth within him, and you'll have a fire that burns away all lesser desires. Not happiness, but something greater: this is evident even among the more superficial classes, with their ideas of "honor" and the like. No, it’s not by catering to our desires; it’s by awakening the Heroic that lies dormant in every heart that any religion can attract followers.
Mahomet himself, after all that can be said about him, was not a sensual man. We shall err widely if we consider this man as a common voluptuary, intent mainly on base enjoyments,—nay on enjoyments of any kind. His household was of the frugalest; his common diet barley-bread and water: sometimes for months there was not a fire once lighted on his hearth. They record with just pride that he would mend his own shoes, patch his own cloak. A poor, hard-toiling, ill-provided man; careless of what vulgar men toil for. Not a bad man, I should say; something better in him than hunger of any sort,—or these wild Arab men, fighting and jostling three-and-twenty years at his hand, in close contact with him always, would not have reverenced him so! They were wild men, bursting ever and anon into quarrel, into all kinds of fierce sincerity; without right worth and manhood, no man could have commanded them. They called him Prophet, you say? Why, he stood there face to face with them; bare, not enshrined in any mystery; visibly clouting his own cloak, cobbling his own shoes; fighting, counselling, ordering in the midst of them: they must have seen what kind of a man he was, let him be called what you like! No emperor with his tiaras was obeyed as this man in a cloak of his own clouting. During three-and-twenty years of rough actual trial. I find something of a veritable Hero necessary for that, of itself.
Muhammad, despite everything that can be said about him, was not a sensual person. We would be mistaken to view him as a typical pleasure-seeker, focused mainly on base indulgences—or even on pleasures of any kind. His household was extremely modest; his usual diet consisted of barley bread and water. Sometimes for months, there was no fire lit in his home. It is noted with pride that he would repair his own shoes and patch his own cloak. He was a poor, hardworking man, lacking in many things; indifferent to what ordinary people strive for. I would not say he was a bad man; there was something in him that was above any sort of greed—otherwise, these wild Arab men, who spent over twenty years fighting and struggling by his side, would not have respected him so much! They were fierce individuals who frequently got into conflicts, showing all kinds of intense emotions; without genuine worth and integrity, no one could have led them. They called him a Prophet, you say? Well, he stood right there with them; unguarded, not surrounded by any mystery; visibly mending his own cloak, fixing his own shoes; fighting, advising, and leading among them: they must have recognized what kind of man he truly was, regardless of what title you give him! No emperor adorned with crowns was obeyed like this man in a self-patched cloak. Over twenty-three years of tough, real-life challenges, it takes a true Hero for that, all by itself.
His last words are a prayer; broken ejaculations of a heart struggling up, in trembling hope, towards its Maker. We cannot say that his religion made him worse; it made him better; good, not bad. Generous things are recorded of him: when he lost his Daughter, the thing he answers is, in his own dialect, every way sincere, and yet equivalent to that of Christians, "The Lord giveth, and the Lord taketh away; blessed be the name of the Lord." He answered in like manner of Seid, his emancipated well-beloved Slave, the second of the believers. Seid had fallen in the War of Tabuc, the first of Mahomet's fightings with the Greeks. Mahomet said, It was well; Seid had done his Master's work, Seid had now gone to his Master: it was all well with Seid. Yet Seid's daughter found him weeping over the body;—the old gray-haired man melting in tears! "What do I see?" said she.—"You see a friend weeping over his friend."—He went out for the last time into the mosque, two days before his death; asked, If he had injured any man? Let his own back bear the stripes. If he owed any man? A voice answered, "Yes, me three drachms," borrowed on such an occasion. Mahomet ordered them to be paid: "Better be in shame now," said he, "than at the Day of Judgment."—You remember Kadijah, and the "No, by Allah!" Traits of that kind show us the genuine man, the brother of us all, brought visible through twelve centuries,—the veritable Son of our common Mother.
His last words were a prayer; broken phrases from a heart struggling upward, filled with trembling hope, towards its Creator. We can't say that his faith made him worse; it made him better; good, not bad. There are generous things recorded about him: when he lost his daughter, he replied, in his own way, sincerely, and similar to what Christians say, "The Lord gives, and the Lord takes away; blessed be the name of the Lord." He responded the same way about Seid, his beloved freed slave, who was the second believer. Seid had fallen in the War of Tabuc, the first of Muhammad's battles with the Greeks. Muhammad said it was good; Seid had completed his Master's work, and now he had gone to his Master: all was well with Seid. Yet Seid's daughter found him weeping over the body—the old gray-haired man breaking down in tears! "What do I see?" she asked. "You see a friend mourning for his friend," he replied. He went out for the last time to the mosque, two days before his death, and asked if he had wronged anyone. He wanted to bear the consequences himself. If he owed anyone? A voice answered, "Yes, three drachms," borrowed for a specific occasion. Muhammad ordered that it be paid: "Better to be ashamed now," he said, "than on the Day of Judgment." You remember Kadijah, and the "No, by Allah!" These traits reveal to us the genuine man, the brother of us all, made visible through twelve centuries—the true Son of our common Mother.
Withal I like Mahomet for his total freedom from cant. He is a rough self-helping son of the wilderness; does not pretend to be what he is not. There is no ostentatious pride in him; but neither does he go much upon humility: he is there as he can be, in cloak and shoes of his own clouting; speaks plainly to all manner of Persian Kings, Greek Emperors, what it is they are bound to do; knows well enough, about himself, "the respect due unto thee." In a life-and-death war with Bedouins, cruel things could not fail; but neither are acts of mercy, of noble natural pity and generosity wanting. Mahomet makes no apology for the one, no boast of the other. They were each the free dictate of his heart; each called for, there and then. Not a mealy-mouthed man! A candid ferocity, if the case call for it, is in him; he does not mince matters! The War of Tabuc is a thing he often speaks of: his men refused, many of them, to march on that occasion; pleaded the heat of the weather, the harvest, and so forth; he can never forget that. Your harvest? It lasts for a day. What will become of your harvest through all Eternity? Hot weather? Yes, it was hot; "but Hell will be hotter!" Sometimes a rough sarcasm turns up: He says to the unbelievers, Ye shall have the just measure of your deeds at that Great Day. They will be weighed out to you; ye shall not have short weight!—Everywhere he fixes the matter in his eye; he sees it: his heart, now and then, is as if struck dumb by the greatness of it. "Assuredly," he says: that word, in the Koran, is written down sometimes as a sentence by itself: "Assuredly."
I really like Muhammad for his complete lack of pretense. He’s a tough, resourceful guy from the wilderness who doesn’t pretend to be anything he’s not. He has no flashy pride, but he doesn’t dwell on humility either; he stands as he is, in his own patched-up cloak and shoes. He speaks straightforwardly to all kinds of Persian kings and Greek emperors about what they need to do; he knows well what respect he deserves. In a life-and-death struggle with the Bedouins, terrible things were bound to happen; but he also showed acts of mercy, natural kindness, and generosity. Muhammad makes no excuses for the harshness, nor does he brag about his compassion. Both actions come from the genuine impulse of his heart, demanded by the situation at the time. He’s not someone who sugarcoats anything! If needed, he’s straightforwardly fierce; he doesn’t beat around the bush! He often mentions the War of Tabuk: many of his men refused to march then, citing the heat and the harvest, and he can never forget that. Your harvest? It lasts for a day. What will happen to your harvest throughout all eternity? Yes, it was hot, but “Hell will be hotter!” Occasionally, he throws out some rough sarcasm: he tells the nonbelievers they will receive the exact measure of their actions on that Great Day. It will be measured out to them; they won’t get shortchanged! He keeps a sharp focus on matters; he really sees them: sometimes his heart feels overwhelmed by their significance. “Assuredly,” he says: that word is often written alone in the Quran: “Assuredly.”
No Dilettantism in this Mahomet; it is a business of Reprobation and Salvation with him, of Time and Eternity: he is in deadly earnest about it! Dilettantism, hypothesis, speculation, a kind of amateur-search for Truth, toying and coquetting with Truth: this is the sorest sin. The root of all other imaginable sins. It consists in the heart and soul of the man never having been open to Truth;—"living in a vain show." Such a man not only utters and produces falsehoods, but is himself a falsehood. The rational moral principle, spark of the Divinity, is sunk deep in him, in quiet paralysis of life-death. The very falsehoods of Mahomet are truer than the truths of such a man. He is the insincere man: smooth-polished, respectable in some times and places; inoffensive, says nothing harsh to anybody; most cleanly,—just as carbonic acid is, which is death and poison.
No dilettantism in this Mohammed; it’s a matter of damnation and salvation for him, of time and eternity: he’s dead serious about it! Dilettantism, hypothesis, speculation, a sort of amateur search for truth, playing around and flirting with truth: this is the worst sin. The root of every other imaginable sin. It means that the heart and soul of the person have never been open to truth;—“living in a meaningless facade.” Such a person not only speaks and produces lies but is a lie themselves. The rational moral principle, a spark of the divine, is buried deep within them, in a quiet paralysis of life and death. The very falsehoods of Mohammed are truer than the truths of such a person. He is the insincere person: polished and presentable in some times and places; non-offensive, says nothing harsh to anyone; most cleanly,—just like carbonic acid, which is death and poison.
We will not praise Mahomet's moral precepts as always of the superfinest sort; yet it can be said that there is always a tendency to good in them; that they are the true dictates of a heart aiming towards what is just and true. The sublime forgiveness of Christianity, turning of the other cheek when the one has been smitten, is not here: you are to revenge yourself, but it is to be in measure, not overmuch, or beyond justice. On the other hand, Islam, like any great Faith, and insight into the essence of man, is a perfect equalizer of men: the soul of one believer outweighs all earthly kingships; all men, according to Islam too, are equal. Mahomet insists not on the propriety of giving alms, but on the necessity of it: he marks down by law how much you are to give, and it is at your peril if you neglect. The tenth part of a man's annual income, whatever that may be, is the property of the poor, of those that are afflicted and need help. Good all this: the natural voice of humanity, of pity and equity dwelling in the heart of this wild Son of Nature speaks so.
We won’t say that Muhammad’s moral teachings are always of the highest caliber; however, it’s clear that there’s always a tendency toward goodness in them. They reflect the true intentions of a heart striving for justice and truth. The profound forgiveness found in Christianity—turning the other cheek when struck—is not present here; you are expected to take revenge, but it should be in moderation, within the bounds of justice. On the other hand, Islam, like any major faith and insight into human nature, serves as a perfect equalizer among people: the soul of one believer surpasses all earthly kingships; according to Islam, all men are equal. Muhammad emphasizes not just the importance of giving to those in need, but its necessity: he specifies by law how much you must give, and failing to do so puts you at risk. The tenth of a person's annual income, no matter what it may be, is the property of the poor, of those who are suffering and in need of assistance. All of this reflects the fundamental voice of humanity, of compassion and fairness, resonating in the heart of this untamed Son of Nature.
Mahomet's Paradise is sensual, his Hell sensual: true; in the one and the other there is enough that shocks all spiritual feeling in us. But we are to recollect that the Arabs already had it so; that Mahomet, in whatever he changed of it, softened and diminished all this. The worst sensualities, too, are the work of doctors, followers of his, not his work. In the Koran there is really very little said about the joys of Paradise; they are intimated rather than insisted on. Nor is it forgotten that the highest joys even there shall be spiritual; the pure Presence of the Highest, this shall infinitely transcend all other joys. He says, "Your salutation shall be, Peace." Salam, Have Peace!—the thing that all rational souls long for, and seek, vainly here below, as the one blessing. "Ye shall sit on seats, facing one another: all grudges shall be taken away out of your hearts." All grudges! Ye shall love one another freely; for each of you, in the eyes of his brothers, there will be Heaven enough!
Muhammad's Paradise is sensuous, and his Hell is too—it's true; in both, there's enough to shock all our spiritual feelings. But we must remember that the Arabs already had these ideas; Muhammad, in whatever he changed, softened and reduced them all. The worst excesses come from his followers, not from him. In the Quran, there's actually very little said about the joys of Paradise; they’re suggested rather than emphasized. It’s also noted that the highest joys there will be spiritual; the pure presence of the Highest will far exceed all other joys. He says, "Your salutation shall be, Peace." Salam, Have Peace!—the one thing that all rational souls long for and seek, in vain, here on earth as the ultimate blessing. "You shall sit on thrones, facing one another: all grudges shall be removed from your hearts." All grudges! You shall love one another freely; for each of you, in the eyes of your brothers, there will be enough Heaven!
In reference to this of the sensual Paradise and Mahomet's sensuality, the sorest chapter of all for us, there were many things to be said; which it is not convenient to enter upon here. Two remarks only I shall make, and therewith leave it to your candor. The first is furnished me by Goethe; it is a casual hint of his which seems well worth taking note of. In one of his Delineations, in Meister's Travels it is, the hero comes upon a Society of men with very strange ways, one of which was this: "We require," says the Master, "that each of our people shall restrict himself in one direction," shall go right against his desire in one matter, and make himself do the thing he does not wish, "should we allow him the greater latitude on all other sides." There seems to me a great justness in this. Enjoying things which are pleasant; that is not the evil: it is the reducing of our moral self to slavery by them that is. Let a man assert withal that he is king over his habitudes; that he could and would shake them off, on cause shown: this is an excellent law. The Month Ramadhan for the Moslem, much in Mahomet's Religion, much in his own Life, bears in that direction; if not by forethought, or clear purpose of moral improvement on his part, then by a certain healthy manful instinct, which is as good.
In relation to the sensual paradise and Muhammad's sensuality, which is the most difficult chapter for us, there's a lot to unpack, but it’s not the right time to dive into it. I’ll just make two comments and leave the rest to your judgment. The first insight comes from Goethe; it's a casual point he made that seems worth considering. In one of his writings, in *Meister's Travels*, the protagonist encounters a group of men with very unusual customs. One of these customs is this: "We require," says the Master, "that each of our members restricts themselves in one area," meaning they must go against their desires in one respect and *make* themselves do something they don’t want to do, "if we allow them greater freedom in all other aspects." I think there's significant wisdom in this. Enjoying pleasurable things isn't the problem; it’s the enslavement of our moral selves to those pleasures that is. A man should affirm that he is in control of his habits, that he can and will break free from them when necessary; this is a valuable principle. The month of Ramadan for Muslims, much within Muhammad’s teachings, and much in his own life, aligns with this idea; whether through deliberate thought or a natural, healthy instinct for self-discipline, it serves the same purpose.
But there is another thing to be said about the Mahometan Heaven and Hell. This namely, that, however gross and material they may be, they are an emblem of an everlasting truth, not always so well remembered elsewhere. That gross sensual Paradise of his; that horrible flaming Hell; the great enormous Day of Judgment he perpetually insists on: what is all this but a rude shadow, in the rude Bedouin imagination, of that grand spiritual Fact, and Beginning of Facts, which it is ill for us too if we do not all know and feel: the Infinite Nature of Duty? That man's actions here are of infinite moment to him, and never die or end at all; that man, with his little life, reaches upwards high as Heaven, downwards low as Hell, and in his threescore years of Time holds an Eternity fearfully and wonderfully hidden: all this had burnt itself, as in flame-characters, into the wild Arab soul. As in flame and lightning, it stands written there; awful, unspeakable, ever present to him. With bursting earnestness, with a fierce savage sincerity, half-articulating, not able to articulate, he strives to speak it, bodies it forth in that Heaven and that Hell. Bodied forth in what way you will, it is the first of all truths. It is venerable under all embodiments. What is the chief end of man here below? Mahomet has answered this question, in a way that might put some of us to shame! He does not, like a Bentham, a Paley, take Right and Wrong, and calculate the profit and loss, ultimate pleasure of the one and of the other; and summing all up by addition and subtraction into a net result, ask you, Whether on the whole the Right does not preponderate considerably? No; it is not better to do the one than the other; the one is to the other as life is to death,—as Heaven is to Hell. The one must in nowise be done, the other in nowise left undone. You shall not measure them; they are incommensurable: the one is death eternal to a man, the other is life eternal. Benthamee Utility, virtue by Profit and Loss; reducing this God's-world to a dead brute Steam-engine, the infinite celestial Soul of Man to a kind of Hay-balance for weighing hay and thistles on, pleasures and pains on:—If you ask me which gives, Mahomet or they, the beggarlier and falser view of Man and his Destinies in this Universe, I will answer, it is not Mahomet—!
But there's something else to say about the Muslim concept of Heaven and Hell. Specifically, that even if they seem crude and material, they represent a fundamental truth that isn't always acknowledged elsewhere. That earthy paradise of his; that terrifying burning hell; the massive Day of Judgment he always emphasizes: what is all this but a rough reflection, in the simple Bedouin mind, of that grand spiritual Fact, and the Beginning of all Facts, which is crucial for us to recognize and understand: the Infinite Nature of Duty? That a person's actions here have an infinite significance and never truly die or come to an end; that a person, in their brief life, reaches as high as Heaven, as low as Hell, and within their sixty years of Time holds an Eternity that is both fearsome and awe-inspiring: all this has seared itself, like flame-characters, into the wild Arab soul. It is written there, in fire and lightning; terrible, indescribable, ever-present. With intense sincerity, with a fierce raw honesty, struggling to express it, he embodies this in that Heaven and that Hell. No matter how it's expressed, it is the most fundamental of all truths. It is respected in every form it takes. What is the main purpose of man here on Earth? Muhammad has answered this question in a way that might make some of us feel ashamed! Unlike a Bentham or a Paley, who calculate Right and Wrong and measure their benefits, ultimately weighing the pleasure of one against the other and asking if, overall, the Right doesn't have a significant advantage, Muhammad doesn’t do that. It's not better to choose one over the other; one is to the other as life is to death—like Heaven compared to Hell. One must never be done, and the other must never be left undone. You cannot measure them; they are incommensurable: one is eternal death for a person, and the other is eternal life. Benthamee Utility, virtue reduced to Profit and Loss; turning this divine world into a mere machine, and the infinite celestial Soul of Man into something to balance like hay and thistles, weighing pleasures and pains:—If you ask me who presents the more impoverished and false view of Man and his Destinies in this Universe, I will answer, it is not Muhammad—!
On the whole, we will repeat that this Religion of Mahomet's is a kind of Christianity; has a genuine element of what is spiritually highest looking through it, not to be hidden by all its imperfections. The Scandinavian God Wish, the god of all rude men,—this has been enlarged into a Heaven by Mahomet; but a Heaven symbolical of sacred Duty, and to be earned by faith and well-doing, by valiant action, and a divine patience which is still more valiant. It is Scandinavian Paganism, and a truly celestial element superadded to that. Call it not false; look not at the falsehood of it, look at the truth of it. For these twelve centuries, it has been the religion and life-guidance of the fifth part of the whole kindred of Mankind. Above all things, it has been a religion heartily believed. These Arabs believe their religion, and try to live by it! No Christians, since the early ages, or only perhaps the English Puritans in modern times, have ever stood by their Faith as the Moslem do by theirs,—believing it wholly, fronting Time with it, and Eternity with it. This night the watchman on the streets of Cairo when he cries, "Who goes?" will hear from the passenger, along with his answer, "There is no God but God." Allah akbar, Islam, sounds through the souls, and whole daily existence, of these dusky millions. Zealous missionaries preach it abroad among Malays, black Papuans, brutal Idolaters;—displacing what is worse, nothing that is better or good.
Overall, we want to emphasize that Muhammad's religion is a type of Christianity; it has a genuine element of the highest spiritual values shining through it, which can't be obscured by its flaws. The Scandinavian god Wish, representing all simple men—has been expanded into a Heaven by Muhammad; but this Heaven symbolizes sacred Duty and must be earned through faith and good deeds, by brave actions, and a divine patience that is even more courageous. It is Scandinavian Paganism combined with a truly celestial aspect. Don't call it false; don’t focus on its falsehoods, pay attention to its truths. For twelve centuries, it has been the religion and guiding principle for a fifth of all humanity. Above all, it has been a faith sincerely believed. The Arabs believe in their religion and strive to live by it! No Christians since the early days, or possibly only the English Puritans in modern times, have stood by their faith as Muslims do—fully believing in it, facing Time and Eternity with it. Tonight, the watchman in the streets of Cairo, when he shouts, "Who goes there?" will hear from the passerby, alongside his response, "There is no God but God." Allah akbar, Islam, resonates through the souls and everyday lives of these countless individuals. Passionate missionaries preach it among Malays, black Papuans, and savage idolaters—replacing what is worse, but not anything better or good.
To the Arab Nation it was as a birth from darkness into light; Arabia first became alive by means of it. A poor shepherd people, roaming unnoticed in its deserts since the creation of the world: a Hero-Prophet was sent down to them with a word they could believe: see, the unnoticed becomes world-notable, the small has grown world-great; within one century afterwards, Arabia is at Grenada on this hand, at Delhi on that;—glancing in valor and splendor and the light of genius, Arabia shines through long ages over a great section of the world. Belief is great, life-giving. The history of a Nation becomes fruitful, soul-elevating, great, so soon as it believes. These Arabs, the man Mahomet, and that one century,—is it not as if a spark had fallen, one spark, on a world of what seemed black unnoticeable sand; but lo, the sand proves explosive powder, blazes heaven-high from Delhi to Grenada! I said, the Great Man was always as lightning out of Heaven; the rest of men waited for him like fuel, and then they too would flame.
To the Arab Nation, it was like being born from darkness into light; Arabia became alive through it. A poor shepherd people, moving unnoticed in their deserts since the beginning of time: a Hero-Prophet was sent to them with a message they could believe in. Look, the unnoticed becomes significant, the small has grown large; within just one century, Arabia stretches from Granada on one side to Delhi on the other—shining in courage, splendor, and the light of genius, Arabia illuminated vast areas of the world for many ages. Belief is powerful and life-giving. The history of a nation becomes fruitful, uplifting, and significant as soon as it believes. These Arabs, the man Muhammad, and that one century—isn't it as if a spark had fallen, just one spark, onto what seemed like a vast expanse of black sand? But behold, the sand turns out to be explosive powder, igniting up to the heavens from Delhi to Granada! I said, the Great Man has always been like lightning from Heaven; the rest of humanity awaited him like fuel, and then they too would ignite.
LECTURE III. THE HERO AS POET. DANTE: SHAKSPEARE.
[May 12, 1840.]
The Hero as Divinity, the Hero as Prophet, are productions of old ages; not to be repeated in the new. They presuppose a certain rudeness of conception, which the progress of mere scientific knowledge puts an end to. There needs to be, as it were, a world vacant, or almost vacant of scientific forms, if men in their loving wonder are to fancy their fellow-man either a god or one speaking with the voice of a god. Divinity and Prophet are past. We are now to see our Hero in the less ambitious, but also less questionable, character of Poet; a character which does not pass. The Poet is a heroic figure belonging to all ages; whom all ages possess, when once he is produced, whom the newest age as the oldest may produce;—and will produce, always when Nature pleases. Let Nature send a Hero-soul; in no age is it other than possible that he may be shaped into a Poet.
The Hero as a God, the Hero as a Prophet, are creations of ancient times; they won't be seen again in the modern world. They rely on a certain simplicity of thought, which the advancement of scientific understanding has rendered obsolete. There needs to be, in a sense, a world that is somewhat empty of scientific concepts for people to imagine their fellow beings as gods or as those speaking with the voice of a god. The ideas of Divinity and Prophet are in the past. We now look at our Hero in the more grounded, yet still significant, role of Poet; a role that endures. The Poet is a heroic figure that belongs to every era; once a Poet emerges, every age can claim him, and both the newest and the oldest can give rise to him—Nature will do this whenever it chooses. If Nature brings forth a Heroic spirit, it is always possible in any age for that spirit to be transformed into a Poet.
Hero, Prophet, Poet,—many different names, in different times, and places, do we give to Great Men; according to varieties we note in them, according to the sphere in which they have displayed themselves! We might give many more names, on this same principle. I will remark again, however, as a fact not unimportant to be understood, that the different sphere constitutes the grand origin of such distinction; that the Hero can be Poet, Prophet, King, Priest or what you will, according to the kind of world he finds himself born into. I confess, I have no notion of a truly great man that could not be all sorts of men. The Poet who could merely sit on a chair, and compose stanzas, would never make a stanza worth much. He could not sing the Heroic warrior, unless he himself were at least a Heroic warrior too. I fancy there is in him the Politician, the Thinker, Legislator, Philosopher;—in one or the other degree, he could have been, he is all these. So too I cannot understand how a Mirabeau, with that great glowing heart, with the fire that was in it, with the bursting tears that were in it, could not have written verses, tragedies, poems, and touched all hearts in that way, had his course of life and education led him thitherward. The grand fundamental character is that of Great Man; that the man be great. Napoleon has words in him which are like Austerlitz Battles. Louis Fourteenth's Marshals are a kind of poetical men withal; the things Turenne says are full of sagacity and geniality, like sayings of Samuel Johnson. The great heart, the clear deep-seeing eye: there it lies; no man whatever, in what province soever, can prosper at all without these. Petrarch and Boccaccio did diplomatic messages, it seems, quite well: one can easily believe it; they had done things a little harder than these! Burns, a gifted song-writer, might have made a still better Mirabeau. Shakspeare,—one knows not what he could not have made, in the supreme degree.
Hero, prophet, poet—so many different names we give to great people over time and across places, depending on the various qualities we see in them and the roles they play! We could come up with many more names following the same idea. However, I want to point out an important fact: the different *roles* form the main basis for such distinctions; a hero can also be a poet, prophet, king, priest, or anything else, depending on the kind of world they’re born into. Honestly, I can’t imagine a truly great person who couldn’t embody *all* types of characters. A poet who just sits in a chair and writes verses wouldn’t ever create anything valuable. They wouldn’t be able to sing about heroic warriors unless they were, at the very least, a heroic warrior themselves. I believe that within them lies the politician, thinker, legislator, philosopher—one way or another, they could have been all of these. Likewise, I can’t understand how someone like Mirabeau, with that great passionate heart and intense emotions, couldn’t have written verses, tragedies, and poems that moved everyone if his life and education had taken him in that direction. The fundamental character of a great person is simply that they are great. Napoleon has words in him that echo the Battle of Austerlitz. Louis XIV's marshals had a certain poetic quality; Turenne’s sayings are filled with wisdom and warmth, much like those of Samuel Johnson. The great heart and the sharp, insightful eye—that’s essential; no one can truly succeed in any field without these. Petrarch and Boccaccio handled diplomatic messages quite well, and it’s easy to believe they tackled challenges even tougher than that! Burns, an incredibly talented songwriter, might have been an even greater Mirabeau. As for Shakespeare—who knows what *he* could have created at the highest level?
True, there are aptitudes of Nature too. Nature does not make all great men, more than all other men, in the self-same mould. Varieties of aptitude doubtless; but infinitely more of circumstance; and far oftenest it is the latter only that are looked to. But it is as with common men in the learning of trades. You take any man, as yet a vague capability of a man, who could be any kind of craftsman; and make him into a smith, a carpenter, a mason: he is then and thenceforth that and nothing else. And if, as Addison complains, you sometimes see a street-porter, staggering under his load on spindle-shanks, and near at hand a tailor with the frame of a Samson handling a bit of cloth and small Whitechapel needle,—it cannot be considered that aptitude of Nature alone has been consulted here either!—The Great Man also, to what shall he be bound apprentice? Given your Hero, is he to become Conqueror, King, Philosopher, Poet? It is an inexplicably complex controversial-calculation between the world and him! He will read the world and its laws; the world with its laws will be there to be read. What the world, on this matter, shall permit and bid is, as we said, the most important fact about the world.—
Sure, there are natural talents too. Nature doesn't create all great individuals in the same way, just as it doesn't with all other people. There are definitely different kinds of talent, but even more so, there are circumstances at play; and usually, it’s the latter that gets the most attention. It’s similar to how everyday people learn trades. You can take any person, still just a vague potential of a person, who could be any kind of craftsman, and turn him into a blacksmith, a carpenter, or a mason: from that point on, he is defined by that trade and nothing else. And if, as Addison points out, you sometimes see a street vendor, struggling under his load with skinny legs, while nearby a tailor with the build of a strongman is managing a piece of cloth with a tiny needle—it's clear that only natural talent hasn’t been considered in this scenario either! And for the Great Man, what is he destined to become? Given your Hero, will he be a Conqueror, a King, a Philosopher, or a Poet? It’s an incredibly complex debate between him and the world! He will learn about the world and its rules; the world with its laws will be there to analyze. What the world allows and demands on this matter is, as we mentioned, the most crucial aspect of existence.
Poet and Prophet differ greatly in our loose modern notions of them. In some old languages, again, the titles are synonymous; Vates means both Prophet and Poet: and indeed at all times, Prophet and Poet, well understood, have much kindred of meaning. Fundamentally indeed they are still the same; in this most important respect especially, That they have penetrated both of them into the sacred mystery of the Universe; what Goethe calls "the open secret." "Which is the great secret?" asks one.—"The open secret,"—open to all, seen by almost none! That divine mystery, which lies everywhere in all Beings, "the Divine Idea of the World, that which lies at the bottom of Appearance," as Fichte styles it; of which all Appearance, from the starry sky to the grass of the field, but especially the Appearance of Man and his work, is but the vesture, the embodiment that renders it visible. This divine mystery is in all times and in all places; veritably is. In most times and places it is greatly overlooked; and the Universe, definable always in one or the other dialect, as the realized Thought of God, is considered a trivial, inert, commonplace matter,—as if, says the Satirist, it were a dead thing, which some upholsterer had put together! It could do no good, at present, to speak much about this; but it is a pity for every one of us if we do not know it, live ever in the knowledge of it. Really a most mournful pity;—a failure to live at all, if we live otherwise!
Poets and prophets are seen very differently in our modern understanding. In many ancient languages, the terms are interchangeable; Vates means both prophet and poet. At their core, they share a deep connection in meaning. Fundamentally, they are still the same, especially in this crucial respect: both have delved into the profound mystery of the Universe, which Goethe refers to as "the open secret." "What is the great secret?" someone asks. "The open secret,"—accessible to all, yet perceived by almost none! That divine mystery exists everywhere in all beings, "the Divine Idea of the World, that which lies at the bottom of Appearance," as Fichte puts it; and all Appearance, from the starry sky to the grass in the field, but especially the Appearance of humanity and our creations, is merely the vesture, the embodiment that makes it visible. This divine mystery is present in all times and places; it truly is. In many cases, it is largely overlooked, and the Universe, which can always be described in one way or another as the realized Thought of God, is often seen as a trivial, inert, commonplace thing—as if, as the Satirist suggests, it were a lifeless object that some upholsterer had assembled! It wouldn’t help much to speak extensively about this now; but it's a shame for all of us if we remain unaware of it and don't live with that awareness. It’s truly a sad pity—a failure to truly live, if we live any other way!
But now, I say, whoever may forget this divine mystery, the Vates, whether Prophet or Poet, has penetrated into it; is a man sent hither to make it more impressively known to us. That always is his message; he is to reveal that to us,—that sacred mystery which he more than others lives ever present with. While others forget it, he knows it;—I might say, he has been driven to know it; without consent asked of him, he finds himself living in it, bound to live in it. Once more, here is no Hearsay, but a direct Insight and Belief; this man too could not help being a sincere man! Whosoever may live in the shows of things, it is for him a necessity of nature to live in the very fact of things. A man once more, in earnest with the Universe, though all others were but toying with it. He is a Vates, first of all, in virtue of being sincere. So far Poet and Prophet, participators in the "open secret," are one.
But now, I say, whoever may forget this divine mystery, the Vates, whether Prophet or Poet, has delved into it; he is someone sent here to make it more powerfully known to us. That is always his message; he is here to reveal that to us—the sacred mystery that he lives with more than anyone else. While others forget it, he knows it; I could say he has been compelled to know it; without his consent, he finds himself living in it, bound to it. Once again, this is not hearsay but direct insight and belief; this man cannot help but be sincere! No matter who lives in the façade of things, it is a necessity of his nature to live in the very essence of things. He is, once again, earnest with the Universe, while all others are just playing with it. He is a Vates, first and foremost, because he is sincere. So far, Poet and Prophet, participants in the “open secret,” are one.
With respect to their distinction again: The Vates Prophet, we might say, has seized that sacred mystery rather on the moral side, as Good and Evil, Duty and Prohibition; the Vates Poet on what the Germans call the aesthetic side, as Beautiful, and the like. The one we may call a revealer of what we are to do, the other of what we are to love. But indeed these two provinces run into one another, and cannot be disjoined. The Prophet too has his eye on what we are to love: how else shall he know what it is we are to do? The highest Voice ever heard on this earth said withal, "Consider the lilies of the field; they toil not, neither do they spin: yet Solomon in all his glory was not arrayed like one of these." A glance, that, into the deepest deep of Beauty. "The lilies of the field,"—dressed finer than earthly princes, springing up there in the humble furrow-field; a beautiful eye looking out on you, from the great inner Sea of Beauty! How could the rude Earth make these, if her Essence, rugged as she looks and is, were not inwardly Beauty? In this point of view, too, a saying of Goethe's, which has staggered several, may have meaning: "The Beautiful," he intimates, "is higher than the Good; the Beautiful includes in it the Good." The true Beautiful; which however, I have said somewhere, "differs from the false as Heaven does from Vauxhall!" So much for the distinction and identity of Poet and Prophet.—
Regarding their difference again: The Vates Prophet, we could say, focuses on that sacred mystery more from a moral perspective, like Good and Evil, Duty and Prohibition; while the Vates Poet emphasizes what the Germans refer to as the aesthetic side, such as Beauty, and the like. One reveals what we should do, the other reveals what we should love. However, these two areas overlap and can't be separated. The Prophet also pays attention to what we should love; how else would he understand what we should do? The highest Voice ever heard on this earth said, "Consider the lilies of the field; they do not toil, nor do they spin: yet Solomon in all his glory was not dressed like one of these." That’s a glimpse into the deepest Beauty. "The lilies of the field,"—adorned more beautifully than earthly kings, growing in the humble furrow-field; a stunning eye looking out at you from the vast inner Sea of Beauty! How could the rough Earth create these, if her essence, as harsh as she appears, is not inwardly Beauty? From this perspective, a saying of Goethe, which has puzzled many, may hold truth: "The Beautiful," he suggests, "is higher than the Good; the Beautiful encompasses the Good." The true Beautiful; which I have mentioned before, "differs from the false as Heaven does from Vauxhall!" So that’s the distinction and connection between Poet and Prophet.
In ancient and also in modern periods we find a few Poets who are accounted perfect; whom it were a kind of treason to find fault with. This is noteworthy; this is right: yet in strictness it is only an illusion. At bottom, clearly enough, there is no perfect Poet! A vein of Poetry exists in the hearts of all men; no man is made altogether of Poetry. We are all poets when we read a poem well. The "imagination that shudders at the Hell of Dante," is not that the same faculty, weaker in degree, as Dante's own? No one but Shakspeare can embody, out of Saxo Grammaticus, the story of Hamlet as Shakspeare did: but every one models some kind of story out of it; every one embodies it better or worse. We need not spend time in defining. Where there is no specific difference, as between round and square, all definition must be more or less arbitrary. A man that has so much more of the poetic element developed in him as to have become noticeable, will be called Poet by his neighbors. World-Poets too, those whom we are to take for perfect Poets, are settled by critics in the same way. One who rises so far above the general level of Poets will, to such and such critics, seem a Universal Poet; as he ought to do. And yet it is, and must be, an arbitrary distinction. All Poets, all men, have some touches of the Universal; no man is wholly made of that. Most Poets are very soon forgotten: but not the noblest Shakspeare or Homer of them can be remembered forever;—a day comes when he too is not!
In both ancient and modern times, there are a few poets who are considered perfect; criticizing them would feel like a betrayal. This is interesting and true, yet in reality, it’s just an illusion. Deep down, it’s clear that there’s no perfect poet! Everyone has a spark of poetry in their hearts; no one is entirely made of poetry. We all become poets when we read a poem well. The "imagination that shudders at the Hell of Dante" is just a similar ability, albeit weaker, compared to Dante's own. No one but Shakespeare can bring the story of Hamlet from Saxo Grammaticus to life like he did, but everyone creates some version of that story; everyone interprets it in their own way, for better or worse. There’s no need to get caught up in definitions. Where there’s no clear distinction, like between round and square, definitions can only be somewhat arbitrary. A person who has developed enough poetic talent to be noticeable will be called a poet by the people around them. World poets, those we consider perfect poets, are identified by critics in a similar fashion. Someone who rises significantly above the average level of poets will seem like a universal poet to certain critics, which is as it should be. Yet, it remains an arbitrary distinction. All poets, all people, have some universal qualities; no one is made up of just that. Most poets are quickly forgotten, but even the greatest like Shakespeare or Homer cannot be remembered forever; there will come a day when they too will be gone!
Nevertheless, you will say, there must be a difference between true Poetry and true Speech not poetical: what is the difference? On this point many things have been written, especially by late German Critics, some of which are not very intelligible at first. They say, for example, that the Poet has an infinitude in him; communicates an Unendlichkeit, a certain character of "infinitude," to whatsoever he delineates. This, though not very precise, yet on so vague a matter is worth remembering: if well meditated, some meaning will gradually be found in it. For my own part, I find considerable meaning in the old vulgar distinction of Poetry being metrical, having music in it, being a Song. Truly, if pressed to give a definition, one might say this as soon as anything else: If your delineation be authentically musical, musical not in word only, but in heart and substance, in all the thoughts and utterances of it, in the whole conception of it, then it will be poetical; if not, not.—Musical: how much lies in that! A musical thought is one spoken by a mind that has penetrated into the inmost heart of the thing; detected the inmost mystery of it, namely the melody that lies hidden in it; the inward harmony of coherence which is its soul, whereby it exists, and has a right to be, here in this world. All inmost things, we may say, are melodious; naturally utter themselves in Song. The meaning of Song goes deep. Who is there that, in logical words, can express the effect music has on us? A kind of inarticulate unfathomable speech, which leads us to the edge of the Infinite, and lets us for moments gaze into that!
But you might say, there has to be a difference between true poetry and authentic speech that isn’t poetic: what is that difference? Many things have been written on this topic, especially by recent German critics, some of which can be hard to understand at first. They claim, for example, that the poet has an infinitude within them; they communicate an Unendlichkeit, a certain quality of "infinitude," to whatever they portray. This, while not very clear, is still worth remembering regarding such a vague topic: if you think about it, some meaning will gradually emerge. Personally, I find a lot of significance in the old common distinction that poetry is metrical, has music in it, and is a song. If pushed to give a definition, I might say this as soon as anything else: If your portrayal is genuinely musical, musical not just in words but in heart and substance, in all its thoughts and expressions, in the entire conception of it, then it will be poetic; if not, it won’t. —Musical: how much is contained in that! A musical thought comes from a mind that has dived into the innermost essence of the subject; it has uncovered the deepest mystery within it, namely the melody that is hidden there; the internal harmony of coherence which is its soul, enabling it to exist and have a place in this world. All the deepest things, we might say, are melodious; they naturally express themselves in song. The significance of song runs deep. Who can express in logical words the impact music has on us? It’s a kind of inarticulate, unfathomable speech that takes us to the edge of the Infinite, allowing us to gaze into it for a moment!
Nay all speech, even the commonest speech, has something of song in it: not a parish in the world but has its parish-accent;—the rhythm or tune to which the people there sing what they have to say! Accent is a kind of chanting; all men have accent of their own,—though they only notice that of others. Observe too how all passionate language does of itself become musical,—with a finer music than the mere accent; the speech of a man even in zealous anger becomes a chant, a song. All deep things are Song. It seems somehow the very central essence of us, Song; as if all the rest were but wrappages and hulls! The primal element of us; of us, and of all things. The Greeks fabled of Sphere-Harmonies: it was the feeling they had of the inner structure of Nature; that the soul of all her voices and utterances was perfect music. Poetry, therefore, we will call musical Thought. The Poet is he who thinks in that manner. At bottom, it turns still on power of intellect; it is a man's sincerity and depth of vision that makes him a Poet. See deep enough, and you see musically; the heart of Nature being everywhere music, if you can only reach it.
All speech, even the simplest kind, has a bit of a song to it: there isn't a single community in the world that doesn't have its unique accent—the rhythm or tune that the people there sing in their conversations! Accent is like a form of chanting; everyone has their own accent, even if they only notice others' accents. Notice how all passionate language naturally becomes musical—it's a richer music than just the accent; even when someone is passionately angry, their speech turns into a chant, a song. All profound things are songs. It seems to be the very core of our being, Song; as if everything else were just outer layers and shells! The fundamental element of us; of us, and of everything. The Greeks talked about Sphere-Harmonies: it expressed their feeling about the inner workings of Nature; that the essence of all her voices and expressions was perfect music. So, we will define Poetry as musical Thought. A Poet is someone who thinks in this way. Ultimately, it still hinges on intellectual power; it's a person's sincerity and depth of insight that makes them a Poet. Look deeply enough, and you'll see musically; the essence of Nature being music everywhere, if you can just tap into it.
The Vates Poet, with his melodious Apocalypse of Nature, seems to hold a poor rank among us, in comparison with the Vates Prophet; his function, and our esteem of him for his function, alike slight. The Hero taken as Divinity; the Hero taken as Prophet; then next the Hero taken only as Poet: does it not look as if our estimate of the Great Man, epoch after epoch, were continually diminishing? We take him first for a god, then for one god-inspired; and now in the next stage of it, his most miraculous word gains from us only the recognition that he is a Poet, beautiful verse-maker, man of genius, or such like!—It looks so; but I persuade myself that intrinsically it is not so. If we consider well, it will perhaps appear that in man still there is the same altogether peculiar admiration for the Heroic Gift, by what name soever called, that there at any time was.
The Vates Poet, with his beautiful vision of Nature, seems to have a low status among us compared to the Vates Prophet; both his role and our appreciation for it are insignificant. We view the Hero first as a God, then as a divinely inspired Prophet, and now, in this next phase, we acknowledge his most miraculous words only as the work of a Poet—a talented verse creator or a genius, something along those lines!—It seems that way, but I believe that fundamentally, it isn't true. If we think about it carefully, it may become clear that in humanity there still exists the same unique admiration for the Heroic Gift, regardless of the name we give it, that there has always been.
I should say, if we do not now reckon a Great Man literally divine, it is that our notions of God, of the supreme unattainable Fountain of Splendor, Wisdom and Heroism, are ever rising higher; not altogether that our reverence for these qualities, as manifested in our like, is getting lower. This is worth taking thought of. Sceptical Dilettantism, the curse of these ages, a curse which will not last forever, does indeed in this the highest province of human things, as in all provinces, make sad work; and our reverence for great men, all crippled, blinded, paralytic as it is, comes out in poor plight, hardly recognizable. Men worship the shows of great men; the most disbelieve that there is any reality of great men to worship. The dreariest, fatalest faith; believing which, one would literally despair of human things. Nevertheless look, for example, at Napoleon! A Corsican lieutenant of artillery; that is the show of him: yet is he not obeyed, worshipped after his sort, as all the Tiaraed and Diademed of the world put together could not be? High Duchesses, and ostlers of inns, gather round the Scottish rustic, Burns;—a strange feeling dwelling in each that they never heard a man like this; that, on the whole, this is the man! In the secret heart of these people it still dimly reveals itself, though there is no accredited way of uttering it at present, that this rustic, with his black brows and flashing sun-eyes, and strange words moving laughter and tears, is of a dignity far beyond all others, incommensurable with all others. Do not we feel it so? But now, were Dilettantism, Scepticism, Triviality, and all that sorrowful brood, cast out of us,—as, by God's blessing, they shall one day be; were faith in the shows of things entirely swept out, replaced by clear faith in the things, so that a man acted on the impulse of that only, and counted the other non-extant; what a new livelier feeling towards this Burns were it!
I should say, if we don’t view a Great Man as literally divine anymore, it’s because our understanding of God, the ultimate source of splendor, wisdom, and heroism, is constantly evolving upward; it’s not just that our respect for these qualities, as seen in ourselves, is declining. This is worth reflecting on. Skeptical Dilettantism, the curse of our times, a curse that won’t last forever, really does create issues in this highest realm of human matters, as it does in all realms, making a mess of things; and our respect for great men, though crippled, blinded, and paralyzed, comes out in a poor state, almost unrecognizable. People admire the appearances of great men; most don’t believe there’s any true greatness in them to admire. It’s the saddest, most fatal belief; to hold it is to truly despair of humanity. Yet look, for example, at Napoleon! A Corsican artillery lieutenant; that’s his surface appearance: but isn’t he obeyed and revered in a way that all the crowned royalty in the world couldn’t match? High duchesses and innkeepers gather around the Scottish poet Burns;—there’s a strange feeling among all of them that they’ve never encountered anyone like this; that, overall, he is the one! In the innermost hearts of these people, it still faintly reveals itself, even if there’s no accepted way to express it right now, that this rustic, with his dark eyebrows and bright, sparkling eyes, and unique words that evoke laughter and tears, holds a dignity far above all others, incomparable to everyone else. Don’t we feel that? But now, if Dilettantism, Skepticism, Triviality, and all that sad crowd were to be cast out of us— as, by God’s grace, they one day will be; and if belief in appearances was completely eradicated, replaced by clear faith in the true essence of things, so that a person acted purely on that impulse and regarded the other as nonexistent; what a new, vibrant feeling we would have towards this Burns!
Nay here in these ages, such as they are, have we not two mere Poets, if not deified, yet we may say beatified? Shakspeare and Dante are Saints of Poetry; really, if we will think of it, canonized, so that it is impiety to meddle with them. The unguided instinct of the world, working across all these perverse impediments, has arrived at such result. Dante and Shakspeare are a peculiar Two. They dwell apart, in a kind of royal solitude; none equal, none second to them: in the general feeling of the world, a certain transcendentalism, a glory as of complete perfection, invests these two. They are canonized, though no Pope or Cardinals took hand in doing it! Such, in spite of every perverting influence, in the most unheroic times, is still our indestructible reverence for heroism.—We will look a little at these Two, the Poet Dante and the Poet Shakspeare: what little it is permitted us to say here of the Hero as Poet will most fitly arrange itself in that fashion.
In these times, as they are, do we not have two true Poets, if not divine, at least we can say they are blessed? Shakespeare and Dante are the Saints of Poetry; really, if we think about it, they are canonized, so it's almost sacrilege to engage with them. The unthinking instincts of the world, navigating through all these twisted obstacles, have led to this outcome. Dante and Shakespeare are a unique pair. They stand apart, in a sort of royal solitude; no one equals them, no one comes close: in the collective feeling of society, a certain transcendental quality, a glory of complete perfection, surrounds these two. They are canonized, even though no Pope or Cardinals were involved! Such is our unbreakable respect for heroism, even in the face of every corrupting influence, in these most unheroic times.—Let’s take a moment to look at these two, the Poet Dante and the Poet Shakespeare: what little we can say here about the Hero as Poet will most fittingly fall into that framework.
Many volumes have been written by way of commentary on Dante and his Book; yet, on the whole, with no great result. His Biography is, as it were, irrecoverably lost for us. An unimportant, wandering, sorrow-stricken man, not much note was taken of him while he lived; and the most of that has vanished, in the long space that now intervenes. It is five centuries since he ceased writing and living here. After all commentaries, the Book itself is mainly what we know of him. The Book;—and one might add that Portrait commonly attributed to Giotto, which, looking on it, you cannot help inclining to think genuine, whoever did it. To me it is a most touching face; perhaps of all faces that I know, the most so. Lonely there, painted as on vacancy, with the simple laurel wound round it; the deathless sorrow and pain, the known victory which is also deathless;—significant of the whole history of Dante! I think it is the mournfulest face that ever was painted from reality; an altogether tragic, heart-affecting face. There is in it, as foundation of it, the softness, tenderness, gentle affection as of a child; but all this is as if congealed into sharp contradiction, into abnegation, isolation, proud hopeless pain. A soft ethereal soul looking out so stern, implacable, grim-trenchant, as from imprisonment of thick-ribbed ice! Withal it is a silent pain too, a silent scornful one: the lip is curled in a kind of godlike disdain of the thing that is eating out his heart,—as if it were withal a mean insignificant thing, as if he whom it had power to torture and strangle were greater than it. The face of one wholly in protest, and lifelong unsurrendering battle, against the world. Affection all converted into indignation: an implacable indignation; slow, equable, silent, like that of a god! The eye too, it looks out as in a kind of surprise, a kind of inquiry, Why the world was of such a sort? This is Dante: so he looks, this "voice of ten silent centuries," and sings us "his mystic unfathomable song."
Many books have been written as commentary on Dante and his work; however, overall, they haven't led to significant insights. His Biography feels irretrievably lost to us. He was an insignificant, wandering, sorrowful man, and not much attention was given to him during his lifetime; most of what little there was has disappeared over the centuries since then. It's been five hundred years since he stopped writing and living here. After all the commentary, the Book itself is mainly what we know of him. The Book;—and one could also mention that portrait usually credited to Giotto, which you can't help but think is genuine, regardless of who created it. To me, it has a deeply moving expression; perhaps of all the faces I know, it's the most touching. Alone, painted as if in emptiness, with a simple laurel wrapped around it; the timeless sorrow and pain, and the acknowledged victory that is also eternal;—this embodies Dante's entire history! I believe it's the saddest face ever captured from reality; a completely tragic, heart-wrenching face. There is within it, as a foundation, a softness, tenderness, and gentle affection reminiscent of a child; but all of this seems to freeze into sharp contradiction, into rejection, isolation, and proud, hopeless pain. A gentle, ethereal soul peering out so stern, relentless, and sharply defined, as if trapped in thick, icy confinement! Along with that, it’s a silent pain too, a quietly scornful one: the lip curls in a sort of godlike disdain for the thing that is consuming his heart, as if it were a mean, insignificant thing, implying the one it could torture and suffocate is greater than it. It's the face of someone completely in protest, engaged in a lifelong, unyielding battle against the world. All affection has turned into indignation: an unwavering indignation; slow, steady, and silent, like that of a god! The eyes too look out with a sense of surprise, a kind of inquiry, wondering why the world is as it is? This is Dante: this is how he appears, this "voice of ten silent centuries," singing us "his mystic unfathomable song."
The little that we know of Dante's Life corresponds well enough with this Portrait and this Book. He was born at Florence, in the upper class of society, in the year 1265. His education was the best then going; much school-divinity, Aristotelean logic, some Latin classics,—no inconsiderable insight into certain provinces of things: and Dante, with his earnest intelligent nature, we need not doubt, learned better than most all that was learnable. He has a clear cultivated understanding, and of great subtlety; this best fruit of education he had contrived to realize from these scholastics. He knows accurately and well what lies close to him; but, in such a time, without printed books or free intercourse, he could not know well what was distant: the small clear light, most luminous for what is near, breaks itself into singular chiaroscuro striking on what is far off. This was Dante's learning from the schools. In life, he had gone through the usual destinies; been twice out campaigning as a soldier for the Florentine State, been on embassy; had in his thirty-fifth year, by natural gradation of talent and service, become one of the Chief Magistrates of Florence. He had met in boyhood a certain Beatrice Portinari, a beautiful little girl of his own age and rank, and grown up thenceforth in partial sight of her, in some distant intercourse with her. All readers know his graceful affecting account of this; and then of their being parted; of her being wedded to another, and of her death soon after. She makes a great figure in Dante's Poem; seems to have made a great figure in his life. Of all beings it might seem as if she, held apart from him, far apart at last in the dim Eternity, were the only one he had ever with his whole strength of affection loved. She died: Dante himself was wedded; but it seems not happily, far from happily. I fancy, the rigorous earnest man, with his keen excitabilities, was not altogether easy to make happy.
The little we know about Dante's life aligns pretty well with this portrait and this book. He was born in Florence into the upper class in 1265. He received the best education available at the time, which included a lot of school theology, Aristotelian logic, and some Latin classics—definitely a decent grasp of certain subjects. Dante, with his earnest and intelligent nature, undoubtedly learned more than most people could. He had a clear and well-developed understanding with great subtlety; he managed to gain the best insights of his education from those scholastics. He knew what was close to him very well, but in a time without printed books or open communication, he couldn’t grasp what was far away: the small, clear light, brilliant for nearby things, breaks into distinctive chiaroscuro when it comes to distant subjects. That was Dante's learning from the schools. In life, he went through the usual experiences; he fought as a soldier for the Florentine State twice and served on embassies. By the time he was 35, through natural talent and service, he became one of the chief magistrates of Florence. In his youth, he encountered a girl named Beatrice Portinari, a beautiful girl of his own age and social standing, and from then on, he had a distant connection with her. All readers are familiar with his touching account of this, along with their separation, her marriage to someone else, and her death shortly after. She plays a significant role in Dante's poem and seems to have been a major figure in his life. It seems as though she, kept at a distance from him, ultimately far away in the dim eternity, was the only person he ever loved with all his heart. She died; Dante himself got married, but it doesn't seem to have been a happy marriage. I imagine the serious, intense man, with his strong feelings, was not entirely easy to please.
We will not complain of Dante's miseries: had all gone right with him as he wished it, he might have been Prior, Podesta, or whatsoever they call it, of Florence, well accepted among neighbors,—and the world had wanted one of the most notable words ever spoken or sung. Florence would have had another prosperous Lord Mayor; and the ten dumb centuries continued voiceless, and the ten other listening centuries (for there will be ten of them and more) had no Divina Commedia to hear! We will complain of nothing. A nobler destiny was appointed for this Dante; and he, struggling like a man led towards death and crucifixion, could not help fulfilling it. Give him the choice of his happiness! He knew not, more than we do, what was really happy, what was really miserable.
We won’t complain about Dante’s struggles: if everything had gone as he wanted, he could have become the Prior, Podesta, or whatever they call it, of Florence, well-liked by his neighbors—and the world would have missed one of the most remarkable words ever spoken or sung. Florence would have seen another successful Lord Mayor; and the ten silent centuries would have remained voiceless, while the ten listening centuries (because there will be ten of them and more) would have had no Divina Commedia to listen to! We will complain about nothing. A greater destiny was set for this Dante; and he, struggling like a man being led to death and crucifixion, couldn’t help but fulfill it. Give him the choice of his happiness! He didn’t know, any more than we do, what true happiness was or what real misery was.
In Dante's Priorship, the Guelf-Ghibelline, Bianchi-Neri, or some other confused disturbances rose to such a height, that Dante, whose party had seemed the stronger, was with his friends cast unexpectedly forth into banishment; doomed thenceforth to a life of woe and wandering. His property was all confiscated and more; he had the fiercest feeling that it was entirely unjust, nefarious in the sight of God and man. He tried what was in him to get reinstated; tried even by warlike surprisal, with arms in his hand: but it would not do; bad only had become worse. There is a record, I believe, still extant in the Florence Archives, dooming this Dante, wheresoever caught, to be burnt alive. Burnt alive; so it stands, they say: a very curious civic document. Another curious document, some considerable number of years later, is a Letter of Dante's to the Florentine Magistrates, written in answer to a milder proposal of theirs, that he should return on condition of apologizing and paying a fine. He answers, with fixed stern pride: "If I cannot return without calling myself guilty, I will never return, nunquam revertar."
During Dante's time as a leader, the conflicts between the Guelfs and Ghibellines, the Bianchi and Neri, or other chaotic disturbances reached such a peak that Dante, whose group appeared to be the more powerful, was unexpectedly exiled along with his friends; condemned to a life of misery and wandering. All his properties were confiscated, and he felt a deep sense of injustice, believing it was wicked in the eyes of both God and man. He did everything he could to regain his position, even attempting a surprise attack with weapons in hand, but it only made things worse. There’s a record, I believe, still available in the Florence Archives, declaring that Dante, if caught, was to be burned alive. Burned alive; that’s how it’s written, they say: a very interesting civic document. Another intriguing document, many years later, is a letter from Dante to the Florentine magistrates, responding to a more lenient proposal of theirs that he could return if he apologized and paid a fine. He responds with a firm and proud tone: "If I cannot return without admitting my guilt, I will never return, nunquam revertar."
For Dante there was now no home in this world. He wandered from patron to patron, from place to place; proving, in his own bitter words, "How hard is the path, Come e duro calle." The wretched are not cheerful company. Dante, poor and banished, with his proud earnest nature, with his moody humors, was not a man to conciliate men. Petrarch reports of him that being at Can della Scala's court, and blamed one day for his gloom and taciturnity, he answered in no courtier-like way. Della Scala stood among his courtiers, with mimes and buffoons (nebulones ac histriones) making him heartily merry; when turning to Dante, he said: "Is it not strange, now, that this poor fool should make himself so entertaining; while you, a wise man, sit there day after day, and have nothing to amuse us with at all?" Dante answered bitterly: "No, not strange; your Highness is to recollect the Proverb, Like to Like;"—given the amuser, the amusee must also be given! Such a man, with his proud silent ways, with his sarcasms and sorrows, was not made to succeed at court. By degrees, it came to be evident to him that he had no longer any resting-place, or hope of benefit, in this earth. The earthly world had cast him forth, to wander, wander; no living heart to love him now; for his sore miseries there was no solace here.
For Dante, there was no home in this world anymore. He drifted from patron to patron, from place to place; proving, in his own bitter words, "How hard is the path, Come e duro calle." The miserable are not cheerful company. Dante, poor and exiled, with his proud earnest nature and moody temperament, was not the kind of person to win people over. Petrarch tells us that while at Can della Scala's court, he was criticized one day for his gloom and silence, and he didn’t respond like a typical courtier. Della Scala, surrounded by his courtiers, with mimes and entertainers (nebulones ac histriones) making him laugh, turned to Dante and said: "Isn't it strange that this poor fool can be so entertaining; while you, a wise man, sit there day after day without anything to amuse us?" Dante replied bitterly: "No, not strange; your Highness should remember the proverb, Like to Like;"—to have a jester, you must also have someone to be entertained! A man like him, with his proud, silent ways, filled with sarcasm and sorrow, was not meant to thrive at court. Gradually, it became clear to him that he had no place to rest or any hope for benefit in this world. The earthly realm had rejected him, leaving him to roam, with no living heart to love him now; for his deep miseries, there was no comfort here.
The deeper naturally would the Eternal World impress itself on him; that awful reality over which, after all, this Time-world, with its Florences and banishments, only flutters as an unreal shadow. Florence thou shalt never see: but Hell and Purgatory and Heaven thou shalt surely see! What is Florence, Can della Scala, and the World and Life altogether? ETERNITY: thither, of a truth, not elsewhither, art thou and all things bound! The great soul of Dante, homeless on earth, made its home more and more in that awful other world. Naturally his thoughts brooded on that, as on the one fact important for him. Bodied or bodiless, it is the one fact important for all men:—but to Dante, in that age, it was bodied in fixed certainty of scientific shape; he no more doubted of that Malebolge Pool, that it all lay there with its gloomy circles, with its alti guai, and that he himself should see it, than we doubt that we should see Constantinople if we went thither. Dante's heart, long filled with this, brooding over it in speechless thought and awe, bursts forth at length into "mystic unfathomable song;" and this his Divine Comedy, the most remarkable of all modern Books, is the result.
The deeper the Eternal World naturally impressed itself on him; that terrible reality over which, in the end, this Time-world, with its Florences and exiles, only flutters like an unreal shadow. You will never see Florence: but you will surely see Hell, Purgatory, and Heaven! What are Florence, Can della Scala, and the World and Life altogether? ETERNITY: indeed, that is where you and everything else is bound to go! The great soul of Dante, feeling homeless on earth, made its home more and more in that terrifying other world. Naturally, his thoughts lingered on that, as the one fact important to him. Whether in a body or not, it is the one fact important for all people:—but for Dante, in that age, it was embodied in a fixed certainty of scientific shape; he doubted no more about that Malebolge Pool, with its gloomy circles and alti guai, and that he would see it, than we doubt that we would see Constantinople if we went there. Dante's heart, long filled with this, brooding over it in silent thought and awe, eventually bursts forth into "mystic unfathomable song;" and this his Divine Comedy, the most remarkable of all modern Books, is the result.
It must have been a great solacement to Dante, and was, as we can see, a proud thought for him at times, That he, here in exile, could do this work; that no Florence, nor no man or men, could hinder him from doing it, or even much help him in doing it. He knew too, partly, that it was great; the greatest a man could do. "If thou follow thy star, Se tu segui tua stella,"—so could the Hero, in his forsakenness, in his extreme need, still say to himself: "Follow thou thy star, thou shalt not fail of a glorious haven!" The labor of writing, we find, and indeed could know otherwise, was great and painful for him; he says, This Book, "which has made me lean for many years." Ah yes, it was won, all of it, with pain and sore toil,—not in sport, but in grim earnest. His Book, as indeed most good Books are, has been written, in many senses, with his heart's blood. It is his whole history, this Book. He died after finishing it; not yet very old, at the age of fifty-six;—broken-hearted rather, as is said. He lies buried in his death-city Ravenna: Hic claudor Dantes patriis extorris ab oris. The Florentines begged back his body, in a century after; the Ravenna people would not give it. "Here am I Dante laid, shut out from my native shores."
It must have been a great comfort to Dante, and often a source of pride for him, that he could do this work while in exile; that no Florence, nor any person or group, could stop him from doing it, or even really assist him in it. He also understood, to some extent, that it was significant; the greatest thing a person could achieve. "If you follow your star, Se tu segui tua stella,"—so could the Hero, in his isolation, in his deep need, still remind himself: "Follow your star, and you won't fail to reach a glorious destination!" The effort of writing, we learn, and indeed could know otherwise, was great and painful for him; he says this Book, "which has made me lean for many years." Ah yes, it was all achieved through pain and hard work—not for fun, but in grim seriousness. His Book, like most good Books, was written, in many ways, with the blood of his heart. This Book is his entire history. He died shortly after finishing it, not very old, at the age of fifty-six;—rather broken-hearted, it is said. He is buried in the city where he died, Ravenna: Hic claudor Dantes patriis extorris ab oris. The people of Florence requested his body back a century later; the people of Ravenna refused to give it. "Here I am, Dante, laid to rest, shut out from my native shores."
I said, Dante's Poem was a Song: it is Tieck who calls it "a mystic unfathomable Song;" and such is literally the character of it. Coleridge remarks very pertinently somewhere, that wherever you find a sentence musically worded, of true rhythm and melody in the words, there is something deep and good in the meaning too. For body and soul, word and idea, go strangely together here as everywhere. Song: we said before, it was the Heroic of Speech! All old Poems, Homer's and the rest, are authentically Songs. I would say, in strictness, that all right Poems are; that whatsoever is not sung is properly no Poem, but a piece of Prose cramped into jingling lines,—to the great injury of the grammar, to the great grief of the reader, for most part! What we wants to get at is the thought the man had, if he had any: why should he twist it into jingle, if he could speak it out plainly? It is only when the heart of him is rapt into true passion of melody, and the very tones of him, according to Coleridge's remark, become musical by the greatness, depth and music of his thoughts, that we can give him right to rhyme and sing; that we call him a Poet, and listen to him as the Heroic of Speakers,—whose speech is Song. Pretenders to this are many; and to an earnest reader, I doubt, it is for most part a very melancholy, not to say an insupportable business, that of reading rhyme! Rhyme that had no inward necessity to be rhymed;—it ought to have told us plainly, without any jingle, what it was aiming at. I would advise all men who can speak their thought, not to sing it; to understand that, in a serious time, among serious men, there is no vocation in them for singing it. Precisely as we love the true song, and are charmed by it as by something divine, so shall we hate the false song, and account it a mere wooden noise, a thing hollow, superfluous, altogether an insincere and offensive thing.
I said, Dante's Poem was a Song: Tieck refers to it as "a mystic unfathomable Song;" and that's literally what it is. Coleridge makes a relevant point somewhere that wherever you encounter a sentence that has a musical quality, with true rhythm and melody, there’s also something profound and worthwhile in the meaning. Body and soul, words and ideas, come together in a remarkable way here, just as they do everywhere. Song: we mentioned earlier, it's the Heroic of Speech! All old Poems, including Homer's and others, are genuine Songs. I’d argue that all true Poems are; anything that's not sung isn’t really a Poem, but rather a piece of Prose dressed up in rhyming lines,—which seriously damages the grammar and frustrates the reader most of the time! What we want to understand is the thought the author had, if he had any: why should he twist it into rhyme if he could express it plainly? It’s only when his heart is genuinely caught up in a true passion for melody, and his very tones, as Coleridge noted, become musical through the greatness, depth, and music of his thoughts, that he earns the right to rhyme and sing; that we call him a Poet and listen to him as the Heroic of Speakers,—whose speech is Song. There are many who pretend to this; and for a serious reader, I suspect it’s mostly a very sad and often unbearable task to read rhyme! Rhyme that didn’t need to rhyme in the first place;—it should have clearly told us what it aimed to say, without any jingle. I would advise anyone who can express their thoughts not to sing them; to recognize that, in serious times, among serious people, there's no purpose in singing them. Just as we love the true song and are enchanted by it as if it's something divine, we will also dislike the false song and see it as nothing more than a hollow, unnecessary noise, something insincere and irritating.
I give Dante my highest praise when I say of his Divine Comedy that it is, in all senses, genuinely a Song. In the very sound of it there is a canto fermo; it proceeds as by a chant. The language, his simple terza rima, doubtless helped him in this. One reads along naturally with a sort of lilt. But I add, that it could not be otherwise; for the essence and material of the work are themselves rhythmic. Its depth, and rapt passion and sincerity, makes it musical;—go deep enough, there is music everywhere. A true inward symmetry, what one calls an architectural harmony, reigns in it, proportionates it all: architectural; which also partakes of the character of music. The three kingdoms, Inferno, Purgatorio, Paradiso, look out on one another like compartments of a great edifice; a great supernatural world-cathedral, piled up there, stern, solemn, awful; Dante's World of Souls! It is, at bottom, the sincerest of all Poems; sincerity, here too, we find to be the measure of worth. It came deep out of the author's heart of hearts; and it goes deep, and through long generations, into ours. The people of Verona, when they saw him on the streets, used to say, "Eccovi l' uom ch' e stato all' Inferno, See, there is the man that was in Hell!" Ah yes, he had been in Hell;—in Hell enough, in long severe sorrow and struggle; as the like of him is pretty sure to have been. Commedias that come out divine are not accomplished otherwise. Thought, true labor of any kind, highest virtue itself, is it not the daughter of Pain? Born as out of the black whirlwind;—true effort, in fact, as of a captive struggling to free himself: that is Thought. In all ways we are "to become perfect through suffering."—But, as I say, no work known to me is so elaborated as this of Dante's. It has all been as if molten, in the hottest furnace of his soul. It had made him "lean" for many years. Not the general whole only; every compartment of it is worked out, with intense earnestness, into truth, into clear visuality. Each answers to the other; each fits in its place, like a marble stone accurately hewn and polished. It is the soul of Dante, and in this the soul of the middle ages, rendered forever rhythmically visible there. No light task; a right intense one: but a task which is done.
I give Dante my highest praise when I say that his Divine Comedy is, in every way, truly a Song. The sound of it carries a canto fermo; it flows like a chant. The language, his simple terza rima, definitely supported him in this. One reads along naturally with a kind of lilt. But I must add that it couldn’t be any other way; the essence and substance of the work are themselves rhythmic. Its depth, rapt passion, and sincerity make it musical; if you go deep enough, you’ll find music everywhere. There’s a true internal symmetry, what one calls an architectural harmony, that governs it all: architectural; which also shares the character of music. The three realms, Inferno, Purgatorio, Paradiso, look out on each other like parts of a grand structure; a vast supernatural world-cathedral, standing there, stern, solemn, and awe-inspiring; Dante's World of Souls! Ultimately, it is the sincerest of all Poems; here too, we find that sincerity is the measure of worth. It came straight from the author's heart of hearts; and it resonates deeply, through countless generations, into ours. The people of Verona, when they saw him on the streets, would say, "Eccovi l' uom ch' e stato all' Inferno, Look, there’s the man who was in Hell!" Ah yes, he had been in Hell;—he had experienced enough of it, in long, severe sorrow and struggle; as someone like him surely has. Divine Comedies aren’t made otherwise. Thought, true labor of any kind, and the highest virtue itself, isn’t that born from Pain? Created as if from a black whirlwind;—true effort, in fact, is like a captive fighting to break free: that is Thought. In many ways, we are "to become perfect through suffering."—But, as I say, no work known to me is as meticulously crafted as this of Dante’s. It feels as if it was all melted down in the hottest furnace of his soul. It made him "lean" for many years. Not just the overall piece; every section is carefully worked out, with intense earnestness, into truth and vivid clarity. Each part corresponds to the others; each fits in its place, like a marbled stone precisely cut and polished. It is the soul of Dante, and in it the soul of the Middle Ages, made rhythmically visible forever. No easy task; a truly intense one: but a task that is done.
Perhaps one would say, intensity, with the much that depends on it, is the prevailing character of Dante's genius. Dante does not come before us as a large catholic mind; rather as a narrow, and even sectarian mind: it is partly the fruit of his age and position, but partly too of his own nature. His greatness has, in all senses, concentred itself into fiery emphasis and depth. He is world-great not because he is worldwide, but because he is world-deep. Through all objects he pierces as it were down into the heart of Being. I know nothing so intense as Dante. Consider, for example, to begin with the outermost development of his intensity, consider how he paints. He has a great power of vision; seizes the very type of a thing; presents that and nothing more. You remember that first view he gets of the Hall of Dite: red pinnacle, red-hot cone of iron glowing through the dim immensity of gloom;—so vivid, so distinct, visible at once and forever! It is as an emblem of the whole genius of Dante. There is a brevity, an abrupt precision in him: Tacitus is not briefer, more condensed; and then in Dante it seems a natural condensation, spontaneous to the man. One smiting word; and then there is silence, nothing more said. His silence is more eloquent than words. It is strange with what a sharp decisive grace he snatches the true likeness of a matter: cuts into the matter as with a pen of fire. Plutus, the blustering giant, collapses at Virgil's rebuke; it is "as the sails sink, the mast being suddenly broken." Or that poor Brunetto Latini, with the cotto aspetto, "face baked," parched brown and lean; and the "fiery snow" that falls on them there, a "fiery snow without wind," slow, deliberate, never-ending! Or the lids of those Tombs; square sarcophaguses, in that silent dim-burning Hall, each with its Soul in torment; the lids laid open there; they are to be shut at the Day of Judgment, through Eternity. And how Farinata rises; and how Cavalcante falls—at hearing of his Son, and the past tense "fue"! The very movements in Dante have something brief; swift, decisive, almost military. It is of the inmost essence of his genius this sort of painting. The fiery, swift Italian nature of the man, so silent, passionate, with its quick abrupt movements, its silent "pale rages," speaks itself in these things.
Maybe one would say that intensity, with so much riding on it, is the defining feature of Dante's genius. Dante doesn’t present himself as an expansive thinker; instead, he comes across as narrow and even sectarian. This is partly due to his time and circumstances, but also a reflection of his own character. His greatness has, in every sense, focused into fiery emphasis and depth. He is world-renowned not because he embraces everyone, but because he goes deep into the human experience. He penetrates all things as if digging into the essence of being. I don't know anything as intense as Dante. Take, for instance, the initial portrayal of the Hall of Dite: a red pinnacle, a red-hot cone of iron glowing through the dim vastness of darkness—so vivid, so distinct, visible forever! It symbolizes Dante's entire genius. He possesses a brevity and sharp precision; Tacitus isn't more concise or condensed, and in Dante, this condensation feels natural, almost effortless. A single striking word, and then silence, nothing more to say. His silence speaks more powerfully than words. It’s remarkable how decisively he captures the true essence of a subject, cutting into it as if with a pen of fire. Plutus, the blustering giant, crumbles at Virgil's rebuke; it’s "like sails deflating when the mast suddenly breaks." Or take poor Brunetto Latini, with his cotto aspetto, "baked" face, parched and lean; and the "fiery snow" that falls on them, a "fiery snow without wind," slow, deliberate, never-ending! Or the lids of those tombs; square sarcophagi in that silent, dimly burning hall, each containing its soul in torment; the lids are left open, to be shut on Judgment Day for all eternity. And how Farinata rises; and how Cavalcante falls—upon hearing about his son, and the past tense "fue"! Even Dante's movements have a quality that is brief, swift, decisive, almost military. This type of imagery is at the very core of his genius. The fiery, rapid Italian nature of the man, so silent and passionate, with its quick, abrupt gestures and silent "pale rages," shines through in these works.
For though this of painting is one of the outermost developments of a man, it comes like all else from the essential faculty of him; it is physiognomical of the whole man. Find a man whose words paint you a likeness, you have found a man worth something; mark his manner of doing it, as very characteristic of him. In the first place, he could not have discerned the object at all, or seen the vital type of it, unless he had, what we may call, sympathized with it,—had sympathy in him to bestow on objects. He must have been sincere about it too; sincere and sympathetic: a man without worth cannot give you the likeness of any object; he dwells in vague outwardness, fallacy and trivial hearsay, about all objects. And indeed may we not say that intellect altogether expresses itself in this power of discerning what an object is? Whatsoever of faculty a man's mind may have will come out here. Is it even of business, a matter to be done? The gifted man is he who sees the essential point, and leaves all the rest aside as surplusage: it is his faculty too, the man of business's faculty, that he discern the true likeness, not the false superficial one, of the thing he has got to work in. And how much of morality is in the kind of insight we get of anything; "the eye seeing in all things what it brought with it the faculty of seeing"! To the mean eye all things are trivial, as certainly as to the jaundiced they are yellow. Raphael, the Painters tell us, is the best of all Portrait-painters withal. No most gifted eye can exhaust the significance of any object. In the commonest human face there lies more than Raphael will take away with him.
Even though painting is one of the most external expressions of a person, it, like everything else, comes from the core of who they are; it reflects the entirety of the individual. If you find someone whose words create a vivid picture for you, you’ve found someone of value; pay attention to how they do this, as it’s very characteristic of them. First of all, they wouldn’t be able to discern the object or perceive its essence unless they have, what we might call, sympathy for it—an ability to connect with things. They also need to be sincere about it; sincere and sympathetic: a person of little substance can’t provide you with a true likeness of anything; they remain in a realm of vague appearances, deception, and trivial gossip. In fact, can we not say that intellect fully reveals itself in the ability to understand what an object truly is? Every bit of a person’s mental capacity shows here. Is it related to business, something to be accomplished? The truly talented individual is the one who sees the essential aspect and disregards everything else as unnecessary: it is also their ability, akin to that of a businessperson, to recognize the true likeness, not the false superficial one, of the task at hand. And how much morality is tied to the kind of understanding we gain about anything; "the eye perceives in all things what it has the capacity to see"! To a dull eye, everything seems insignificant, just as to someone who’s jaundiced, everything appears yellow. Raphael, the painters tell us, is the greatest portrait painter of all. No matter how gifted an eye may be, it can never fully capture the depth of any object. Even in the simplest human face, there is more than Raphael could ever carry away with him.
Dante's painting is not graphic only, brief, true, and of a vividness as of fire in dark night; taken on the wider scale, it is every way noble, and the outcome of a great soul. Francesca and her Lover, what qualities in that! A thing woven as out of rainbows, on a ground of eternal black. A small flute-voice of infinite wail speaks there, into our very heart of hearts. A touch of womanhood in it too: della bella persona, che mi fu tolta; and how, even in the Pit of woe, it is a solace that he will never part from her! Saddest tragedy in these alti guai. And the racking winds, in that aer bruno, whirl them away again, to wail forever!—Strange to think: Dante was the friend of this poor Francesca's father; Francesca herself may have sat upon the Poet's knee, as a bright innocent little child. Infinite pity, yet also infinite rigor of law: it is so Nature is made; it is so Dante discerned that she was made. What a paltry notion is that of his Divine Comedy's being a poor splenetic impotent terrestrial libel; putting those into Hell whom he could not be avenged upon on earth! I suppose if ever pity, tender as a mother's, was in the heart of any man, it was in Dante's. But a man who does not know rigor cannot pity either. His very pity will be cowardly, egoistic,—sentimentality, or little better. I know not in the world an affection equal to that of Dante. It is a tenderness, a trembling, longing, pitying love: like the wail of AEolian harps, soft, soft; like a child's young heart;—and then that stern, sore-saddened heart! These longings of his towards his Beatrice; their meeting together in the Paradiso; his gazing in her pure transfigured eyes, her that had been purified by death so long, separated from him so far:—one likens it to the song of angels; it is among the purest utterances of affection, perhaps the very purest, that ever came out of a human soul.
Dante's painting isn't just graphic; it's brief, true, and vividly ignites like fire in the dark night. On a broader scale, it's noble in every way and the product of a great soul. Francesca and her Lover—what amazing qualities are there! It’s something woven from rainbows against a background of eternal black. A faint, infinite wail speaks directly to our hearts. There's a touch of womanhood in it too: della bella persona, che mi fu tolta; and how, even in the Pit of Woe, it’s comforting that he will never be apart from her! It's the saddest tragedy in these alti guai. And the howling winds in that aer bruno carry them away again to wail forever! —It’s strange to think: Dante was friends with this poor Francesca's father; Francesca may have even sat on the Poet's knee as a bright, innocent child. There’s infinite pity, but also an unyielding strictness of law: that’s how Nature is made; that's how Dante understood her. It’s a trivial idea to think of his Divine Comedy as a petty, resentful earthly attack, casting those into Hell whom he couldn’t get revenge on in life! I believe if there ever was a man with a mother’s tender pity in his heart, it was Dante's. But a man who doesn’t understand rigor can't truly feel pity either. His pity will be cowardly, selfish—just sentimentality, or not much better. I know of no affection in the world that matches Dante’s. It’s a tenderness, a trembling, longing, compassionate love: like the soft wail of Aeolian harps; like a child's young heart;—and then that stern, deeply saddened heart! His intense feelings for Beatrice; their meeting in the Paradiso; him gazing into her pure, transfigured eyes, which had been cleansed by death and separated from him for so long:—one can compare it to the song of angels; it’s among the purest expressions of love, perhaps the very purest, that ever arose from a human soul.
For the intense Dante is intense in all things; he has got into the essence of all. His intellectual insight as painter, on occasion too as reasoner, is but the result of all other sorts of intensity. Morally great, above all, we must call him; it is the beginning of all. His scorn, his grief are as transcendent as his love;—as indeed, what are they but the inverse or converse of his love? "A Dio spiacenti ed a' nemici sui, Hateful to God and to the enemies of God:" lofty scorn, unappeasable silent reprobation and aversion; "Non ragionam di lor, We will not speak of them, look only and pass." Or think of this; "They have not the hope to die, Non han speranza di morte." One day, it had risen sternly benign on the scathed heart of Dante, that he, wretched, never-resting, worn as he was, would full surely die; "that Destiny itself could not doom him not to die." Such words are in this man. For rigor, earnestness and depth, he is not to be paralleled in the modern world; to seek his parallel we must go into the Hebrew Bible, and live with the antique Prophets there.
For the intense Dante is intense in everything; he has grasped the essence of all things. His intellectual insights as a painter, and sometimes as a thinker, are just the outcome of his various forms of intensity. Above all, we must call him morally great; it’s the foundation of everything. His scorn and grief are as profound as his love; after all, what are they but the inverse or converse of his love? "A Dio spiacenti ed a' nemici sui, Hateful to God and to the enemies of God:" lofty scorn, unyielding silent rejection and aversion; "Non ragionam di lor, We will not speak of them, just look and move on." Or consider this: "They have not the hope to die, Non han speranza di morte." One day, it became starkly clear to Dante, in his tormented heart, that he, miserable and restless as he was, would undoubtedly die; "that Destiny itself could not condemn him to never die." Such thoughts resonate within this man. For rigor, seriousness, and depth, he cannot be matched in the modern world; to find a counterpart, we would have to look to the Hebrew Bible and spend time with the ancient Prophets there.
I do not agree with much modern criticism, in greatly preferring the Inferno to the two other parts of the Divine Commedia. Such preference belongs, I imagine, to our general Byronism of taste, and is like to be a transient feeling. The Purgatorio and Paradiso, especially the former, one would almost say, is even more excellent than it. It is a noble thing that Purgatorio, "Mountain of Purification;" an emblem of the noblest conception of that age. If sin is so fatal, and Hell is and must be so rigorous, awful, yet in Repentance too is man purified; Repentance is the grand Christian act. It is beautiful how Dante works it out. The tremolar dell' onde, that "trembling" of the ocean-waves, under the first pure gleam of morning, dawning afar on the wandering Two, is as the type of an altered mood. Hope has now dawned; never-dying Hope, if in company still with heavy sorrow. The obscure sojourn of demons and reprobate is underfoot; a soft breathing of penitence mounts higher and higher, to the Throne of Mercy itself. "Pray for me," the denizens of that Mount of Pain all say to him. "Tell my Giovanna to pray for me," my daughter Giovanna; "I think her mother loves me no more!" They toil painfully up by that winding steep, "bent down like corbels of a building," some of them,—crushed together so "for the sin of pride;" yet nevertheless in years, in ages and aeons, they shall have reached the top, which is heaven's gate, and by Mercy shall have been admitted in. The joy too of all, when one has prevailed; the whole Mountain shakes with joy, and a psalm of praise rises, when one soul has perfected repentance and got its sin and misery left behind! I call all this a noble embodiment of a true noble thought.
I don’t agree with a lot of modern criticism; I really prefer the Inferno over the other two parts of the Divine Commedia. I think this preference reflects our general taste influenced by Byron, and it’s likely just a passing feeling. The Purgatorio and Paradiso, especially the former, could be seen as even better. It’s an admirable concept, that Purgatorio, “Mountain of Purification”; it represents the highest ideals of that time. If sin is so destructive and Hell is so harsh and terrifying, then through Repentance, a person can be purified; Repentance is the essential act of Christianity. It’s beautiful how Dante expresses this. The tremolar dell' onde, that “trembling” of the ocean waves, under the first pure light of morning, shining down on the wandering Two, symbolizes a change in mood. Hope has risen; an eternal Hope, even if it still walks alongside deep sorrow. The dark existence of demons and the damned is beneath them; a gentle breath of repentance rises higher and higher, reaching the Throne of Mercy itself. “Pray for me,” all the souls on that Mountain of Pain ask him. “Have my daughter Giovanna pray for me; I think her mother doesn’t love me anymore!” They labor painfully up that winding path, “bent down like corbels of a building,” many of them—crushed together “for the sin of pride;” yet over the years, ages, and eons, they will reach the top, which is heaven’s gate, and through Mercy, they will be allowed in. The joy of everyone when one succeeds is immense; the entire Mountain trembles with joy, and a song of praise rises when one soul has completed their repentance and left their sin and misery behind! I see all of this as a noble expression of a truly great idea.
But indeed the Three compartments mutually support one another, are indispensable to one another. The Paradiso, a kind of inarticulate music to me, is the redeeming side of the Inferno; the Inferno without it were untrue. All three make up the true Unseen World, as figured in the Christianity of the Middle Ages; a thing forever memorable, forever true in the essence of it, to all men. It was perhaps delineated in no human soul with such depth of veracity as in this of Dante's; a man sent to sing it, to keep it long memorable. Very notable with what brief simplicity he passes out of the every-day reality, into the Invisible one; and in the second or third stanza, we find ourselves in the World of Spirits; and dwell there, as among things palpable, indubitable! To Dante they were so; the real world, as it is called, and its facts, was but the threshold to an infinitely higher Fact of a World. At bottom, the one was as preternatural as the other. Has not each man a soul? He will not only be a spirit, but is one. To the earnest Dante it is all one visible Fact; he believes it, sees it; is the Poet of it in virtue of that. Sincerity, I say again, is the saving merit, now as always.
But really, the three parts support each other and are essential to one another. The Paradiso, which feels like an inexpressible song to me, is the saving grace of the Inferno; the Inferno wouldn’t be true without it. Together, they create the true Unseen World, as represented in Medieval Christianity; something that is always memorable and eternally true to all people. Perhaps no one has captured this truth as deeply as Dante did; he was a man sent to express it and to keep it memorable for a long time. It’s remarkable how simply he transitions from everyday reality to the Invisible; by the second or third stanza, we find ourselves in the Spirit World and exist there as if among tangible, undeniable things! To Dante, they were so; the so-called real world and its facts were merely the entrance to a vastly higher Reality. In essence, both were equally preternatural. Doesn’t every person have a soul? They are not only going to be a spirit but already are one. For the devoted Dante, it’s all one visible Reality; he believes it, sees it, and expresses it as a Poet because of that. Sincerity, I say again, is the key virtue, now as it has always been.
Dante's Hell, Purgatory, Paradise, are a symbol withal, an emblematic representation of his Belief about this Universe:—some Critic in a future age, like those Scandinavian ones the other day, who has ceased altogether to think as Dante did, may find this too all an "Allegory," perhaps an idle Allegory! It is a sublime embodiment, or sublimest, of the soul of Christianity. It expresses, as in huge world-wide architectural emblems, how the Christian Dante felt Good and Evil to be the two polar elements of this Creation, on which it all turns; that these two differ not by preferability of one to the other, but by incompatibility absolute and infinite; that the one is excellent and high as light and Heaven, the other hideous, black as Gehenna and the Pit of Hell! Everlasting Justice, yet with Penitence, with everlasting Pity,—all Christianism, as Dante and the Middle Ages had it, is emblemed here. Emblemed: and yet, as I urged the other day, with what entire truth of purpose; how unconscious of any embleming! Hell, Purgatory, Paradise: these things were not fashioned as emblems; was there, in our Modern European Mind, any thought at all of their being emblems! Were they not indubitable awful facts; the whole heart of man taking them for practically true, all Nature everywhere confirming them? So is it always in these things. Men do not believe an Allegory. The future Critic, whatever his new thought may be, who considers this of Dante to have been all got up as an Allegory, will commit one sore mistake!—Paganism we recognized as a veracious expression of the earnest awe-struck feeling of man towards the Universe; veracious, true once, and still not without worth for us. But mark here the difference of Paganism and Christianism; one great difference. Paganism emblemed chiefly the Operations of Nature; the destinies, efforts, combinations, vicissitudes of things and men in this world; Christianism emblemed the Law of Human Duty, the Moral Law of Man. One was for the sensuous nature: a rude helpless utterance of the first Thought of men,—the chief recognized virtue, Courage, Superiority to Fear. The other was not for the sensuous nature, but for the moral. What a progress is here, if in that one respect only—!
Dante's Hell, Purgatory, and Paradise symbolize his beliefs about the universe. A critic in the future, perhaps like those Scandinavian ones recently, who no longer thinks like Dante did, might see all of this as just an "Allegory," possibly a pointless one. It’s a profound expression of the spirit of Christianity. It illustrates, much like grand architectural symbols, how Dante, a Christian, perceived Good and Evil as the two opposing forces at the center of existence; these two are not distinguished by one being better than the other, but by their complete and infinite incompatibility; one is as brilliant and high as light and heaven, while the other is as hideous and dark as hell. Everlasting Justice, alongside Penitence and enduring Pity—this embodies all that Christianity was to Dante and the people of the Middle Ages. It is emblematic, yet, as I pointed out the other day, done with such genuine intent; completely unaware of any symbolism! Hell, Purgatory, Paradise—these were not created as symbols; did our contemporary European minds even consider them as such? Were they not undeniable terrifying realities, universally accepted as true, with all of nature validating them? This is how it usually is. People do not believe an Allegory. The future critic, whatever new perspectives he may have, who thinks Dante’s work was just created as an Allegory, will make a grave error! We acknowledged Paganism as an authentic reflection of humanity’s deep, awe-filled feelings toward the universe; true once, and still valuable for us today. But notice the key difference between Paganism and Christianity; one significant difference. Paganism primarily symbolized the workings of nature; the fates, efforts, interactions, and changes among things and people in this world; Christianity symbolized the Law of Human Duty, the Moral Law of Humanity. Paganism catered to the sensory nature: a raw expression of early human thought—its main recognized virtue was Courage, overcoming Fear. Christianity, on the other hand, appealed not to senses but to morals. What a leap forward this represents, at least in that one regard—!
And so in this Dante, as we said, had ten silent centuries, in a very strange way, found a voice. The Divina Commedia is of Dante's writing; yet in truth it belongs to ten Christian centuries, only the finishing of it is Dante's. So always. The craftsman there, the smith with that metal of his, with these tools, with these cunning methods,—how little of all he does is properly his work! All past inventive men work there with him;—as indeed with all of us, in all things. Dante is the spokesman of the Middle Ages; the Thought they lived by stands here, in everlasting music. These sublime ideas of his, terrible and beautiful, are the fruit of the Christian Meditation of all the good men who had gone before him. Precious they; but also is not he precious? Much, had not he spoken, would have been dumb; not dead, yet living voiceless.
And so in this, Dante, as we said, had found a voice after ten silent centuries in a very strange way. The Divina Commedia is written by Dante; yet in truth, it belongs to ten Christian centuries, with only the finishing touches being Dante's. It’s always like this. The craftsman there, the smith with his metal, his tools, and his clever techniques—how little of what he does is truly his work! All the inventive men from the past work alongside him—just as they do with all of us in everything we create. Dante is the voice of the Middle Ages; the ideas they lived by are captured here in timeless music. These sublime ideas of his, both terrifying and beautiful, are the result of the Christian reflections of all the good men who came before him. They are precious; but isn’t he precious too? If he hadn’t spoken, so much would have remained unheard; not dead, but still living without a voice.
On the whole, is it not an utterance, this mystic Song, at once of one of the greatest human souls, and of the highest thing that Europe had hitherto realized for itself? Christianism, as Dante sings it, is another than Paganism in the rude Norse mind; another than "Bastard Christianism" half-articulately spoken in the Arab Desert, seven hundred years before!—The noblest idea made real hitherto among men, is sung, and emblemed forth abidingly, by one of the noblest men. In the one sense and in the other, are we not right glad to possess it? As I calculate, it may last yet for long thousands of years. For the thing that is uttered from the inmost parts of a man's soul, differs altogether from what is uttered by the outer part. The outer is of the day, under the empire of mode; the outer passes away, in swift endless changes; the inmost is the same yesterday, to-day and forever. True souls, in all generations of the world, who look on this Dante, will find a brotherhood in him; the deep sincerity of his thoughts, his woes and hopes, will speak likewise to their sincerity; they will feel that this Dante too was a brother. Napoleon in Saint Helena is charmed with the genial veracity of old Homer. The oldest Hebrew Prophet, under a vesture the most diverse from ours, does yet, because he speaks from the heart of man, speak to all men's hearts. It is the one sole secret of continuing long memorable. Dante, for depth of sincerity, is like an antique Prophet too; his words, like theirs, come from his very heart. One need not wonder if it were predicted that his Poem might be the most enduring thing our Europe has yet made; for nothing so endures as a truly spoken word. All cathedrals, pontificalities, brass and stone, and outer arrangement never so lasting, are brief in comparison to an unfathomable heart-song like this: one feels as if it might survive, still of importance to men, when these had all sunk into new irrecognizable combinations, and had ceased individually to be. Europe has made much; great cities, great empires, encyclopaedias, creeds, bodies of opinion and practice: but it has made little of the class of Dante's Thought. Homer yet is veritably present face to face with every open soul of us; and Greece, where is it? Desolate for thousands of years; away, vanished; a bewildered heap of stones and rubbish, the life and existence of it all gone. Like a dream; like the dust of King Agamemnon! Greece was; Greece, except in the words it spoke, is not.
Overall, isn’t this a statement? This mystic Song reflects one of the greatest human souls and the highest achievement Europe has realized up to now. The Christian faith, as Dante expresses it, is very different from the pagan ideas in the rough Norse mindset; it's another thing entirely compared to the “Bastard Christianity” that was vaguely spoken in the Arab desert seven hundred years earlier! The noblest idea made real among humans is sung and symbolized enduringly by one of the greatest men. In every way, aren’t we glad to have it? I think it may last for many thousands of years to come. What comes from the deepest parts of a person's soul is completely different from what is expressed on the surface. The surface is tied to current trends and changes; it fades away swiftly in endless transformations, while what’s deepest remains the same yesterday, today, and forever. True souls throughout every generation who look upon Dante will find a connection to him; the deep sincerity of his thoughts, his struggles and hopes, will resonate with their own sincerity; they will feel that Dante was also one of them. Napoleon on Saint Helena is captivated by the genuine truth of old Homer. The oldest Hebrew Prophet, dressed in a style completely different from ours, still speaks to all of humanity's hearts because he speaks from the core of human emotion. This is the single secret to lasting significance. Dante, for his depth of sincerity, is akin to an ancient Prophet; his words, like theirs, come straight from his heart. It's not surprising that it has been predicted that his Poem might be the most lasting creation Europe has ever produced; for nothing endures like a truly expressed word. All the cathedrals, religious ceremonies, metal and stone structures, and other lasting arrangements pale in comparison to a profound heart-song like this: it feels as if it may remain meaningful to people even after everything else has been lost to new, unrecognizable forms and ceased to exist individually. Europe has accomplished much; great cities, vast empires, encyclopedias, belief systems, and bodies of thought and practice: but it has created little of the caliber of Dante's Thought. Homer is still genuinely present before every open soul among us; but where is Greece? It has been empty for thousands of years; gone, vanished; a confused pile of stones and debris, its life and existence entirely lost. Like a dream; like the dust of King Agamemnon! Greece existed; except for the words it gave us, Greece does not exist anymore.
The uses of this Dante? We will not say much about his "uses." A human soul who has once got into that primal element of Song, and sung forth fitly somewhat therefrom, has worked in the depths of our existence; feeding through long times the life-roots of all excellent human things whatsoever,—in a way that "utilities" will not succeed well in calculating! We will not estimate the Sun by the quantity of gaslight it saves us; Dante shall be invaluable, or of no value. One remark I may make: the contrast in this respect between the Hero-Poet and the Hero-Prophet. In a hundred years, Mahomet, as we saw, had his Arabians at Grenada and at Delhi; Dante's Italians seem to be yet very much where they were. Shall we say, then, Dante's effect on the world was small in comparison? Not so: his arena is far more restricted; but also it is far nobler, clearer;—perhaps not less but more important. Mahomet speaks to great masses of men, in the coarse dialect adapted to such; a dialect filled with inconsistencies, crudities, follies: on the great masses alone can he act, and there with good and with evil strangely blended. Dante speaks to the noble, the pure and great, in all times and places. Neither does he grow obsolete, as the other does. Dante burns as a pure star, fixed there in the firmament, at which the great and the high of all ages kindle themselves: he is the possession of all the chosen of the world for uncounted time. Dante, one calculates, may long survive Mahomet. In this way the balance may be made straight again.
What’s the use of Dante? We won’t say much about his "uses." A human soul that has tapped into that primal element of Song and has expressed something meaningful from it has delved into the depths of our existence; nourishing over long periods the foundational aspects of all great human endeavors—something that "utilities" can’t easily measure! We shouldn’t judge the Sun based on how much gaslight it saves us; Dante is either invaluable or worthless. One observation I can make is the contrast between the Hero-Poet and the Hero-Prophet. In a hundred years, as we saw, Muhammad had his followers in Grenada and Delhi; Dante’s Italians still seem to be stuck where they started. Should we say, then, that Dante’s impact on the world is minimal in comparison? Not at all: his sphere of influence is much smaller, but it’s also far more noble and clear—perhaps even more significant. Muhammad communicates with large groups of people in the rough dialect suited for them—a language filled with inconsistencies, crudities, and foolishness: he can only impact the masses, mixing both good and evil. Dante speaks to the noble, the pure, and the great across all times and places. He doesn’t become outdated like the other does. Dante shines like a pure star, fixed in the sky, where the great and the high from all ages ignite themselves: he belongs to all the chosen people of the world for an immeasurable time. It’s likely that Dante will outlast Muhammad. In this way, balance can be restored.
But, at any rate, it is not by what is called their effect on the world, by what we can judge of their effect there, that a man and his work are measured. Effect? Influence? Utility? Let a man do his work; the fruit of it is the care of Another than he. It will grow its own fruit; and whether embodied in Caliph Thrones and Arabian Conquests, so that it "fills all Morning and Evening Newspapers," and all Histories, which are a kind of distilled Newspapers; or not embodied so at all;—what matters that? That is not the real fruit of it! The Arabian Caliph, in so far only as he did something, was something. If the great Cause of Man, and Man's work in God's Earth, got no furtherance from the Arabian Caliph, then no matter how many scimetars he drew, how many gold piasters pocketed, and what uproar and blaring he made in this world,—he was but a loud-sounding inanity and futility; at bottom, he was not at all. Let us honor the great empire of Silence, once more! The boundless treasury which we do not jingle in our pockets, or count up and present before men! It is perhaps, of all things, the usefulest for each of us to do, in these loud times.—
But anyway, a person and their work aren't measured by their so-called impact on the world, or by what we think their impact is. Impact? Influence? Usefulness? Let a person do their work; the outcome is the responsibility of someone else. It will yield its own results, and whether it's represented in Caliph Thrones and Arabian Conquests, filling up all the morning and evening newspapers, and all histories—which are like condensed newspapers—or not represented at all, what does that matter? That's not the real outcome! The Arabian Caliph, to the extent that he accomplished something, had some significance. If the greater cause of humanity and humanity's work in God's creation didn't benefit from the Arabian Caliph, then no matter how many swords he drew, how many gold coins he collected, and how much noise he made in this world—he was just a loud but empty noise; ultimately, he didn't matter at all. Let's appreciate the great realm of Silence once again! The immense treasure that we don't jingle in our pockets, or tally up and display before others! It might be, among all things, the most useful action for each of us in these noisy times.
As Dante, the Italian man, was sent into our world to embody musically the Religion of the Middle Ages, the Religion of our Modern Europe, its Inner Life; so Shakspeare, we may say, embodies for us the Outer Life of our Europe as developed then, its chivalries, courtesies, humors, ambitions, what practical way of thinking, acting, looking at the world, men then had. As in Homer we may still construe Old Greece; so in Shakspeare and Dante, after thousands of years, what our modern Europe was, in Faith and in Practice, will still be legible. Dante has given us the Faith or soul; Shakspeare, in a not less noble way, has given us the Practice or body. This latter also we were to have; a man was sent for it, the man Shakspeare. Just when that chivalry way of life had reached its last finish, and was on the point of breaking down into slow or swift dissolution, as we now see it everywhere, this other sovereign Poet, with his seeing eye, with his perennial singing voice, was sent to take note of it, to give long-enduring record of it. Two fit men: Dante, deep, fierce as the central fire of the world; Shakspeare, wide, placid, far-seeing, as the Sun, the upper light of the world. Italy produced the one world-voice; we English had the honor of producing the other.
As Dante, the Italian, was sent into our world to musically represent the Religion of the Middle Ages, the Religion of Modern Europe, and its Inner Life; so we can say that Shakespeare embodies for us the Outer Life of Europe as it developed during that time—its chivalry, courtesy, humor, ambitions, and the practical way of thinking, acting, and viewing the world that people had back then. Just as we can still understand Ancient Greece through Homer, we can also read what modern Europe was like, in terms of Faith and Practice, through Shakespeare and Dante, even after thousands of years. Dante provided us with Faith or the soul; Shakespeare, in just as noble a way, provided us with Practice or the body. We were meant to have this latter as well; a man was sent for it, the man Shakespeare. Just when that chivalric way of life had reached its final form and was about to break down into gradual or swift collapse, as we observe everywhere now, this other great Poet, with his insightful vision and enduring voice, was sent to document it and give it a lasting record. Two remarkable men: Dante, deep and fierce like the world's central fire; Shakespeare, vast, calm, and far-sighted like the Sun, the guiding light of the world. Italy produced one world-renowned voice; we English had the privilege of producing the other.
Curious enough how, as it were by mere accident, this man came to us. I think always, so great, quiet, complete and self-sufficing is this Shakspeare, had the Warwickshire Squire not prosecuted him for deer-stealing, we had perhaps never heard of him as a Poet! The woods and skies, the rustic Life of Man in Stratford there, had been enough for this man! But indeed that strange outbudding of our whole English Existence, which we call the Elizabethan Era, did not it too come as of its own accord? The "Tree Igdrasil" buds and withers by its own laws,—too deep for our scanning. Yet it does bud and wither, and every bough and leaf of it is there, by fixed eternal laws; not a Sir Thomas Lucy but comes at the hour fit for him. Curious, I say, and not sufficiently considered: how everything does co-operate with all; not a leaf rotting on the highway but is indissoluble portion of solar and stellar systems; no thought, word or act of man but has sprung withal out of all men, and works sooner or later, recognizably or irrecognizable, on all men! It is all a Tree: circulation of sap and influences, mutual communication of every minutest leaf with the lowest talon of a root, with every other greatest and minutest portion of the whole. The Tree Igdrasil, that has its roots down in the Kingdoms of Hela and Death, and whose boughs overspread the highest Heaven—!
It's interesting how, almost by chance, this man came to us. I often think that if the Warwickshire Squire hadn't prosecuted him for deer-stealing, we might have never known him as a poet! The woods, skies, and simple life in Stratford would have been enough for him! But isn't it true that the remarkable emergence of our entire English existence, which we call the Elizabethan Era, also seemed to happen of its own accord? The "Tree Igdrasil" grows and dies by its own rules—too profound for us to fully understand. Yet it does grow and die, and every branch and leaf exists according to fixed, eternal laws; not a Sir Thomas Lucy comes but at the time meant for him. It's curious, and often overlooked, how everything works together; not a single leaf rotting on the road isn't an inseparable part of the solar and stellar systems; no thought, word, or deed of a person arises without being rooted in all humanity, influencing all of us in some way, sooner or later, whether we recognize it or not! Everything is like a tree: a flow of sap and influences, mutual connections of every small leaf with the tiniest tip of a root, and with every other part of the whole. The Tree Igdrasil has its roots deep in the realms of Hela and Death, and its branches stretch across the highest heaven!
In some sense it may be said that this glorious Elizabethan Era with its Shakspeare, as the outcome and flowerage of all which had preceded it, is itself attributable to the Catholicism of the Middle Ages. The Christian Faith, which was the theme of Dante's Song, had produced this Practical Life which Shakspeare was to sing. For Religion then, as it now and always is, was the soul of Practice; the primary vital fact in men's life. And remark here, as rather curious, that Middle-Age Catholicism was abolished, so far as Acts of Parliament could abolish it, before Shakspeare, the noblest product of it, made his appearance. He did make his appearance nevertheless. Nature at her own time, with Catholicism or what else might be necessary, sent him forth; taking small thought of Acts of Parliament. King Henrys, Queen Elizabeths go their way; and Nature too goes hers. Acts of Parliament, on the whole, are small, notwithstanding the noise they make. What Act of Parliament, debate at St. Stephen's, on the hustings or elsewhere, was it that brought this Shakspeare into being? No dining at Freemason's Tavern, opening subscription-lists, selling of shares, and infinite other jangling and true or false endeavoring! This Elizabethan Era, and all its nobleness and blessedness, came without proclamation, preparation of ours. Priceless Shakspeare was the free gift of Nature; given altogether silently;—received altogether silently, as if it had been a thing of little account. And yet, very literally, it is a priceless thing. One should look at that side of matters too.
In a way, you could say that this remarkable Elizabethan Era, with its Shakespeare, is the result and peak of everything that came before it, and it can actually be traced back to the Catholicism of the Middle Ages. The Christian Faith, which was the subject of Dante's work, led to the Practical Life that Shakespeare would later celebrate. Religion, then as now, was the core of everyday life; it was the essential truth in people's existence. It's also interesting to note that Middle-Age Catholicism was officially ended, at least as far as Acts of Parliament could manage, before Shakespeare, who was its greatest product, ever emerged. Yet he did emerge. Nature, in its own time and with whatever may have been needed—whether that was Catholicism or something else—brought him forth, without paying much attention to Acts of Parliament. Kings Henry and Queen Elizabeth come and go, and Nature continues its course. Overall, Acts of Parliament are quite insignificant, despite the noise they make. What Act of Parliament or debate in the House of Commons or elsewhere created this Shakespeare? There was no gathering at Freemason's Tavern, no opening of subscription lists, no selling of shares, and no endless chatter and attempts, whether true or false! This Elizabethan Era, with all its greatness and blessings, arrived without any announcements or preparations from us. The invaluable Shakespeare was a generous gift from Nature; given silently and received quietly, as if it were something trivial. Yet, in reality, it is incredibly valuable. One should consider that aspect too.
Of this Shakspeare of ours, perhaps the opinion one sometimes hears a little idolatrously expressed is, in fact, the right one; I think the best judgment not of this country only, but of Europe at large, is slowly pointing to the conclusion, that Shakspeare is the chief of all Poets hitherto; the greatest intellect who, in our recorded world, has left record of himself in the way of Literature. On the whole, I know not such a power of vision, such a faculty of thought, if we take all the characters of it, in any other man. Such a calmness of depth; placid joyous strength; all things imaged in that great soul of his so true and clear, as in a tranquil unfathomable sea! It has been said, that in the constructing of Shakspeare's Dramas there is, apart from all other "faculties" as they are called, an understanding manifested, equal to that in Bacon's Novum Organum That is true; and it is not a truth that strikes every one. It would become more apparent if we tried, any of us for himself, how, out of Shakspeare's dramatic materials, we could fashion such a result! The built house seems all so fit,—every way as it should be, as if it came there by its own law and the nature of things,—we forget the rude disorderly quarry it was shaped from. The very perfection of the house, as if Nature herself had made it, hides the builder's merit. Perfect, more perfect than any other man, we may call Shakspeare in this: he discerns, knows as by instinct, what condition he works under, what his materials are, what his own force and its relation to them is. It is not a transitory glance of insight that will suffice; it is deliberate illumination of the whole matter; it is a calmly seeing eye; a great intellect, in short. How a man, of some wide thing that he has witnessed, will construct a narrative, what kind of picture and delineation he will give of it,—is the best measure you could get of what intellect is in the man. Which circumstance is vital and shall stand prominent; which unessential, fit to be suppressed; where is the true beginning, the true sequence and ending? To find out this, you task the whole force of insight that is in the man. He must understand the thing; according to the depth of his understanding, will the fitness of his answer be. You will try him so. Does like join itself to like; does the spirit of method stir in that confusion, so that its embroilment becomes order? Can the man say, Fiat lux, Let there be light; and out of chaos make a world? Precisely as there is light in himself, will he accomplish this.
Of our Shakespeare, the opinion that you sometimes hear expressed in an almost idolizing way might actually be the right one; I believe that the best judgment, not just in this country but across Europe, is gradually coming to the conclusion that Shakespeare is the greatest of all poets to date, the most brilliant intellect who has left a mark on literature in our recorded history. Overall, I can't think of anyone else who has such a powerful vision and thinking ability across all its aspects. He has a deep calmness and a joyful strength; everything reflected in his great soul is so true and clear, like a serene and limitless sea! It's been said that in creating Shakespeare's dramas, there is an understanding displayed, aside from other so-called "faculties," that is equal to what we find in Bacon's Novum Organum. That is true, though not everyone may see it at once. It would become clearer if any of us tried to see how, from Shakespeare's dramatic materials, we could create something similar! The completed work seems so well-suited—perfect in every way, as if it came together by its own natural law—we forget the rough, chaotic materials it was shaped from. The sheer perfection of the piece, as if made by Nature herself, obscures the builder's skill. We may call Shakespeare more perfect than any other in this regard: he instinctively understands the conditions he works under, what his materials are, and his own strengths and how they relate to them. A fleeting insight won't suffice; it requires a thorough understanding of the entire situation; it takes a clear, "seeing" eye—a great intellect, in short. How a person constructs a narrative based on their wide-ranging experiences, and what kind of depiction they present, is the best measure of their intellect. Which elements are essential and should stand out, and which are unimportant and can be left out? Where is the true beginning, the genuine sequence, and the conclusion? To discover this, you demand all the insight that person possesses. They must understand the matter; the depth of their understanding will determine the relevance of their response. You will test them on this. Does like attract like; does a methodical spirit emerge from the chaos, turning disorder into order? Can the person say, Fiat lux, Let there be light, and create a world out of chaos? Just as there is light within themselves, so will they achieve this.
Or indeed we may say again, it is in what I called Portrait-painting, delineating of men and things, especially of men, that Shakspeare is great. All the greatness of the man comes out decisively here. It is unexampled, I think, that calm creative perspicacity of Shakspeare. The thing he looks at reveals not this or that face of it, but its inmost heart, and generic secret: it dissolves itself as in light before him, so that he discerns the perfect structure of it. Creative, we said: poetic creation, what is this too but seeing the thing sufficiently? The word that will describe the thing, follows of itself from such clear intense sight of the thing. And is not Shakspeare's morality, his valor, candor, tolerance, truthfulness; his whole victorious strength and greatness, which can triumph over such obstructions, visible there too? Great as the world. No twisted, poor convex-concave mirror, reflecting all objects with its own convexities and concavities; a perfectly level mirror;—that is to say withal, if we will understand it, a man justly related to all things and men, a good man. It is truly a lordly spectacle how this great soul takes in all kinds of men and objects, a Falstaff, an Othello, a Juliet, a Coriolanus; sets them all forth to us in their round completeness; loving, just, the equal brother of all. Novum Organum, and all the intellect you will find in Bacon, is of a quite secondary order; earthy, material, poor in comparison with this. Among modern men, one finds, in strictness, almost nothing of the same rank. Goethe alone, since the days of Shakspeare, reminds me of it. Of him too you say that he saw the object; you may say what he himself says of Shakspeare: "His characters are like watches with dial-plates of transparent crystal; they show you the hour like others, and the inward mechanism also is all visible."
Or we can say again, it's in what I called portrait-painting, portraying people and things, especially people, that Shakespeare truly shines. All of his greatness is clear here. It’s remarkable, I think, how calm and insightful Shakespeare is in his creativity. The thing he observes reveals not just one or another aspect of it, but its deepest core and essential truth: it breaks down like light before him, so he can see its perfect structure. Creative, we said: poetic creation is just about seeing the thing clearly enough, right? The word that accurately describes the thing comes naturally from such a sharp, intense understanding of it. And isn’t Shakespeare's morality—his courage, honesty, tolerance, and truthfulness; his entire powerful strength and greatness, which can overcome obstacles—also evident here? Great as the world itself. No twisted, poor convex-concave mirror reflecting all objects with its own distortions; a perfectly level mirror; —that is to say, if we want to understand it, a man rightly connected to all things and people, a good man. It’s truly a majestic sight how this great soul embraces all kinds of people and things, a Falstaff, an Othello, a Juliet, a Coriolanus; he presents them to us in their full complexity; loving, just, an equal brother to all. The Novum Organum and all the intellect you find in Bacon are of a much lesser quality; earthy, material, lacking in comparison to this. Among modern people, one finds, strictly speaking, almost nothing of the same caliber. Goethe alone, since the days of Shakespeare, reminds me of it. You can say the same about him: he saw the object; you might say what he himself said of Shakespeare: "His characters are like watches with transparent crystal faces; they show you the time like others, and their inner workings are all visible."
The seeing eye! It is this that discloses the inner harmony of things; what Nature meant, what musical idea Nature has wrapped up in these often rough embodiments. Something she did mean. To the seeing eye that something were discernible. Are they base, miserable things? You can laugh over them, you can weep over them; you can in some way or other genially relate yourself to them;—you can, at lowest, hold your peace about them, turn away your own and others' face from them, till the hour come for practically exterminating and extinguishing them! At bottom, it is the Poet's first gift, as it is all men's, that he have intellect enough. He will be a Poet if he have: a Poet in word; or failing that, perhaps still better, a Poet in act. Whether he write at all; and if so, whether in prose or in verse, will depend on accidents: who knows on what extremely trivial accidents,—perhaps on his having had a singing-master, on his being taught to sing in his boyhood! But the faculty which enables him to discern the inner heart of things, and the harmony that dwells there (for whatsoever exists has a harmony in the heart of it, or it would not hold together and exist), is not the result of habits or accidents, but the gift of Nature herself; the primary outfit for a Heroic Man in what sort soever. To the Poet, as to every other, we say first of all, See. If you cannot do that, it is of no use to keep stringing rhymes together, jingling sensibilities against each other, and name yourself a Poet; there is no hope for you. If you can, there is, in prose or verse, in action or speculation, all manner of hope. The crabbed old Schoolmaster used to ask, when they brought him a new pupil, "But are ye sure he's not a dunce?" Why, really one might ask the same thing, in regard to every man proposed for whatsoever function; and consider it as the one inquiry needful: Are ye sure he's not a dunce? There is, in this world, no other entirely fatal person.
The seeing eye! It reveals the inner harmony of things; what Nature intended, what musical idea Nature has hidden in these often rough forms. She had a purpose. For the discerning eye, that purpose can be recognized. Are they lowly, miserable things? You can laugh at them, you can cry over them; you can somehow relate to them kindly;—at the very least, you can ignore them, turning your face and others' away until the time comes to practically eliminate them! Ultimately, it is the Poet's first gift, as it is for all people, that he has enough intellect. He will be a Poet if he possesses it: a Poet in words; or if not, perhaps even better, a Poet in action. Whether he writes at all; and if so, whether in prose or verse, will depend on chance: who knows what trivial accidents may play a role—maybe it was because he had a singing teacher, or was taught to sing in his childhood! But the ability to see the inner essence of things, and the harmony that exists there (for everything that exists has a harmony at its core, or it wouldn't hold together and exist), is not a result of habits or accidents, but a gift from Nature herself; the essential quality for a Heroic Person of any kind. To the Poet, as to everyone else, we say first of all, See. If you can't do that, it’s pointless to keep putting rhymes together, clashing feelings against each other, and call yourself a Poet; there’s no hope for you. If you can, then in prose or verse, in action or thought, there’s all kinds of hope. The strict old Schoolmaster used to ask when a new student was brought to him, "But are you sure he’s not a dunce?" Well, one might ask the same question about every person put forward for any role; and consider it the only necessary inquiry: Are you sure he's not a dunce? There is, in this world, no other completely hopeless person.
For, in fact, I say the degree of vision that dwells in a man is a correct measure of the man. If called to define Shakspeare's faculty, I should say superiority of Intellect, and think I had included all under that. What indeed are faculties? We talk of faculties as if they were distinct, things separable; as if a man had intellect, imagination, fancy, &c., as he has hands, feet and arms. That is a capital error. Then again, we hear of a man's "intellectual nature," and of his "moral nature," as if these again were divisible, and existed apart. Necessities of language do perhaps prescribe such forms of utterance; we must speak, I am aware, in that way, if we are to speak at all. But words ought not to harden into things for us. It seems to me, our apprehension of this matter is, for most part, radically falsified thereby. We ought to know withal, and to keep forever in mind, that these divisions are at bottom but names; that man's spiritual nature, the vital Force which dwells in him, is essentially one and indivisible; that what we call imagination, fancy, understanding, and so forth, are but different figures of the same Power of Insight, all indissolubly connected with each other, physiognomically related; that if we knew one of them, we might know all of them. Morality itself, what we call the moral quality of a man, what is this but another side of the one vital Force whereby he is and works? All that a man does is physiognomical of him. You may see how a man would fight, by the way in which he sings; his courage, or want of courage, is visible in the word he utters, in the opinion he has formed, no less than in the stroke he strikes. He is one; and preaches the same Self abroad in all these ways.
The way a person sees the world really reflects who they are. If I were to define Shakespeare's talent, I would say it comes from his superior intellect, and I think that sums it up. So, what are these faculties we talk about? We discuss them as if they are separate abilities, like a person has intellect, imagination, creativity, etc., just as they have hands, feet, and arms. That’s a serious mistake. Then, we hear terms like "intellectual nature" and "moral nature," as if they are distinct and exist independently. Language might force us to express ourselves that way, and I recognize we need to communicate. But we shouldn't let words become rigid concepts for us. It seems to me that our understanding of this issue is often deeply flawed because of that. We should realize and remember that these divisions are essentially just labels; that a person's spiritual nature, the vital force within them, is fundamentally unified and indivisible. What we refer to as imagination, creativity, understanding, and so on, are just different expressions of the same insightful power, all connected to one another and related like different aspects of a person. If we understand one, we can understand them all. Morality itself, what we think of as a person's moral quality, is just another aspect of that single vital force by which they exist and operate. Everything a person does reflects who they are. You can tell how a person would confront a challenge by how they sing; their bravery, or lack thereof, shows in their words, in their opinions just as much as in their actions. They are one unified being, expressing the same self in all these different ways.
Without hands a man might have feet, and could still walk: but, consider it,—without morality, intellect were impossible for him; a thoroughly immoral man could not know anything at all! To know a thing, what we can call knowing, a man must first love the thing, sympathize with it: that is, be virtuously related to it. If he have not the justice to put down his own selfishness at every turn, the courage to stand by the dangerous-true at every turn, how shall he know? His virtues, all of them, will lie recorded in his knowledge. Nature, with her truth, remains to the bad, to the selfish and the pusillanimous forever a sealed book: what such can know of Nature is mean, superficial, small; for the uses of the day merely.—But does not the very Fox know something of Nature? Exactly so: it knows where the geese lodge! The human Reynard, very frequent everywhere in the world, what more does he know but this and the like of this? Nay, it should be considered too, that if the Fox had not a certain vulpine morality, he could not even know where the geese were, or get at the geese! If he spent his time in splenetic atrabiliar reflections on his own misery, his ill usage by Nature, Fortune and other Foxes, and so forth; and had not courage, promptitude, practicality, and other suitable vulpine gifts and graces, he would catch no geese. We may say of the Fox too, that his morality and insight are of the same dimensions; different faces of the same internal unity of vulpine life!—These things are worth stating; for the contrary of them acts with manifold very baleful perversion, in this time: what limitations, modifications they require, your own candor will supply.
Without hands, a man might have feet and still walk; but consider this: without morality, intellect would be impossible for him; a completely immoral man couldn't know anything at all! To truly know something, a person must first love that thing and sympathize with it—meaning they must be virtuously connected to it. If he lacks the justice to set aside his own selfishness at every turn and the courage to stand by the difficult truth at every opportunity, how will he understand? All his virtues will be reflected in his knowledge. Nature, with her truth, remains forever a closed book to those who are bad, selfish, or cowardly. What they can know about Nature is trivial, superficial, and small—useful only for the moment. But doesn't the Fox know something about Nature? Exactly: it knows where the geese are! The human trickster, found everywhere in the world, knows little more than this and similar things. Moreover, it should be noted that if the Fox didn't have a certain vulpine morality, it wouldn't even know where the geese are or how to access them! If it spent its time brooding over its own misery, its mistreatment by Nature, Fortune, and other Foxes, and so on; without courage, decisiveness, practicality, and other suitable vulpine traits, it wouldn't catch any geese. We can also say about the Fox that its morality and insight are of the same nature; different aspects of the same core unity of vulpine life!—These points are worth mentioning because the opposite of them is causing many harmful distortions in our time: you can supply your own honesty to understand what limitations and modifications they might need.
If I say, therefore, that Shakspeare is the greatest of Intellects, I have said all concerning him. But there is more in Shakspeare's intellect than we have yet seen. It is what I call an unconscious intellect; there is more virtue in it than he himself is aware of. Novalis beautifully remarks of him, that those Dramas of his are Products of Nature too, deep as Nature herself. I find a great truth in this saying. Shakspeare's Art is not Artifice; the noblest worth of it is not there by plan or precontrivance. It grows up from the deeps of Nature, through this noble sincere soul, who is a voice of Nature. The latest generations of men will find new meanings in Shakspeare, new elucidations of their own human being; "new harmonies with the infinite structure of the Universe; concurrences with later ideas, affinities with the higher powers and senses of man." This well deserves meditating. It is Nature's highest reward to a true simple great soul, that he get thus to be a part of herself. Such a man's works, whatsoever he with utmost conscious exertion and forethought shall accomplish, grow up withal unconsciously, from the unknown deeps in him;—as the oak-tree grows from the Earth's bosom, as the mountains and waters shape themselves; with a symmetry grounded on Nature's own laws, conformable to all Truth whatsoever. How much in Shakspeare lies hid; his sorrows, his silent struggles known to himself; much that was not known at all, not speakable at all: like roots, like sap and forces working underground! Speech is great; but Silence is greater.
If I say that Shakespeare is the greatest intellect, I’ve said everything about him. But there’s even more to Shakespeare’s intellect than we’ve seen. What I call an unconscious intellect has more depth than he himself realizes. Novalis beautifully points out that those dramas of his are also products of Nature, as deep as Nature itself. I see a great truth in this statement. Shakespeare’s art isn’t just clever tricks; its greatest value isn’t there by design or planning. It emerges from the depths of Nature, through this noble, genuine soul, who is a voice of Nature. Future generations will discover new meanings in Shakespeare, new insights into their own humanity; "new harmonies with the infinite structure of the Universe; alignments with later ideas and connections to the higher capacities and senses of humanity." This is worth contemplating. It’s Nature’s highest reward to a true, simple, great soul to become a part of herself. The works of such a man, no matter how consciously he strives and plans, grow unconsciously from the unknown depths within him—just like an oak tree grows from the Earth’s nurturing soil, like mountains and waters take shape; with a symmetry rooted in Nature’s own laws, aligning with all Truth. So much lies hidden in Shakespeare; his sorrows, his silent struggles known only to him; much that was never known, never able to be spoken: like roots, like sap and forces working underground! Speech is powerful, but Silence is more powerful.
Withal the joyful tranquillity of this man is notable. I will not blame Dante for his misery: it is as battle without victory; but true battle,—the first, indispensable thing. Yet I call Shakspeare greater than Dante, in that he fought truly, and did conquer. Doubt it not, he had his own sorrows: those Sonnets of his will even testify expressly in what deep waters he had waded, and swum struggling for his life;—as what man like him ever failed to have to do? It seems to me a heedless notion, our common one, that he sat like a bird on the bough; and sang forth, free and off-hand, never knowing the troubles of other men. Not so; with no man is it so. How could a man travel forward from rustic deer-poaching to such tragedy-writing, and not fall in with sorrows by the way? Or, still better, how could a man delineate a Hamlet, a Coriolanus, a Macbeth, so many suffering heroic hearts, if his own heroic heart had never suffered?—And now, in contrast with all this, observe his mirthfulness, his genuine overflowing love of laughter! You would say, in no point does he exaggerate but only in laughter. Fiery objurgations, words that pierce and burn, are to be found in Shakspeare; yet he is always in measure here; never what Johnson would remark as a specially "good hater." But his laughter seems to pour from him in floods; he heaps all manner of ridiculous nicknames on the butt he is bantering, tumbles and tosses him in all sorts of horse-play; you would say, with his whole heart laughs. And then, if not always the finest, it is always a genial laughter. Not at mere weakness, at misery or poverty; never. No man who can laugh, what we call laughing, will laugh at these things. It is some poor character only desiring to laugh, and have the credit of wit, that does so. Laughter means sympathy; good laughter is not "the crackling of thorns under the pot." Even at stupidity and pretension this Shakspeare does not laugh otherwise than genially. Dogberry and Verges tickle our very hearts; and we dismiss them covered with explosions of laughter: but we like the poor fellows only the better for our laughing; and hope they will get on well there, and continue Presidents of the City-watch. Such laughter, like sunshine on the deep sea, is very beautiful to me.
The joyful calmness of this man is remarkable. I won’t blame Dante for his suffering; it’s like a battle without a win, but a real battle—the first, essential thing. Still, I think Shakespeare is greater than Dante because he truly fought and overcame. Don’t doubt it; he had his own sorrows. His Sonnets clearly show the deep waters he navigated, struggling for his life—what man like him has ever avoided such challenges? It seems to me a careless idea, this common belief that he sat like a bird on a branch, singing freely without experiencing the troubles of others. Not true; no one is like that. How could a man go from poaching deer in the countryside to writing tragedies without facing his own hardships along the way? Or, even more so, how could he create a Hamlet, a Coriolanus, a Macbeth—so many suffering heroic hearts—if his own heroic heart had never suffered? Now, in contrast to all this, notice his playfulness, his genuine love for laughter! You’d say he only exaggerates in laughter. He has fiery outbursts, words that cut deep, but he always tempers himself; he’s never what Johnson would call a particularly "good hater." But his laughter seems to flow from him endlessly; he gives all sorts of silly nicknames to whoever he’s teasing, plays around with them in all kinds of silly antics—you’d think he laughs with all his heart. And while it might not always be the highest form of humor, it’s always warm laughter. Not at mere weakness, misery, or poverty—never that. No one who can truly laugh, like we call laughing, will laugh at those things. It’s usually just some poor character wishing to laugh and be seen as witty that does. Laughter signifies empathy; genuine laughter isn’t "the crackling of thorns under the pot." Even at foolishness and pretense, Shakespeare laughs only warmly. Dogberry and Verges make us genuinely laugh; we burst out in laughter, but we actually like the poor guys even more for it, hoping they do well and continue being the City-watch leaders. Such laughter, like sunshine on the deep sea, is truly beautiful to me.
We have no room to speak of Shakspeare's individual works; though perhaps there is much still waiting to be said on that head. Had we, for instance, all his plays reviewed as Hamlet, in Wilhelm Meister, is! A thing which might, one day, be done. August Wilhelm Schlegel has a remark on his Historical Plays, Henry Fifth and the others, which is worth remembering. He calls them a kind of National Epic. Marlborough, you recollect, said, he knew no English History but what he had learned from Shakspeare. There are really, if we look to it, few as memorable Histories. The great salient points are admirably seized; all rounds itself off, into a kind of rhythmic coherence; it is, as Schlegel says, epic;—as indeed all delineation by a great thinker will be. There are right beautiful things in those Pieces, which indeed together form one beautiful thing. That battle of Agincourt strikes me as one of the most perfect things, in its sort, we anywhere have of Shakspeare's. The description of the two hosts: the worn-out, jaded English; the dread hour, big with destiny, when the battle shall begin; and then that deathless valor: "Ye good yeomen, whose limbs were made in England!" There is a noble Patriotism in it,—far other than the "indifference" you sometimes hear ascribed to Shakspeare. A true English heart breathes, calm and strong, through the whole business; not boisterous, protrusive; all the better for that. There is a sound in it like the ring of steel. This man too had a right stroke in him, had it come to that!
We don't have space to discuss Shakespeare's individual works, though there's probably a lot still to be said about them. Imagine if we had all his plays reviewed like Hamlet is in Wilhelm Meister! That's something that could happen one day. August Wilhelm Schlegel makes a noteworthy comment about his Historical Plays, like Henry V and the others, calling them a kind of National Epic. You might recall Marlborough saying he knew no English History except what he learned from Shakespeare. Honestly, if we think about it, there aren't many histories as memorable. The main points are brilliantly captured; everything flows together into a sort of rhythmic coherence; it is, as Schlegel says, epic—just like all portrayals by a great thinker tend to be. There are truly beautiful elements in those works that, taken together, create something lovely. That battle of Agincourt stands out to me as one of Shakespeare's most perfect pieces. The description of the two armies: the tired, weary English; the crucial moment filled with fate, when the battle will begin; and then that immortal bravery: "Ye good yeomen, whose limbs were made in England!" There's a noble sense of Patriotism in it—very different from the "indifference" sometimes attributed to Shakespeare. A genuine English spirit resonates, calm and strong, throughout the whole piece; not loud or brash, and all the better for it. There's a sound to it like the clash of steel. This man also had a solid strike in him, if it came down to it!
But I will say, of Shakspeare's works generally, that we have no full impress of him there; even as full as we have of many men. His works are so many windows, through which we see a glimpse of the world that was in him. All his works seem, comparatively speaking, cursory, imperfect, written under cramping circumstances; giving only here and there a note of the full utterance of the man. Passages there are that come upon you like splendor out of Heaven; bursts of radiance, illuminating the very heart of the thing: you say, "That is true, spoken once and forever; wheresoever and whensoever there is an open human soul, that will be recognized as true!" Such bursts, however, make us feel that the surrounding matter is not radiant; that it is, in part, temporary, conventional. Alas, Shakspeare had to write for the Globe Playhouse: his great soul had to crush itself, as it could, into that and no other mould. It was with him, then, as it is with us all. No man works save under conditions. The sculptor cannot set his own free Thought before us; but his Thought as he could translate it into the stone that was given, with the tools that were given. Disjecta membra are all that we find of any Poet, or of any man.
But I have to say that in Shakespeare's works, we don’t get the complete picture of him; not even as complete as we do for many others. His works are like many windows, through which we catch a glimpse of the world that was inside him. All his writings seem, relatively speaking, hasty, incomplete, penned under restrictive circumstances; they offer only occasional glimpses of his full expression. There are passages that hit you like a burst of light from the heavens; moments of brilliance that really illuminate the essence of the matter: you think, "That is true, spoken for all time; wherever and whenever there’s an open human soul, it will be recognized as true!" Yet these moments make us feel that the surrounding context isn’t as bright; that it’s somewhat temporary and conventional. Unfortunately, Shakespeare had to write for the Globe Playhouse: his great spirit had to compress itself into that framework and nothing else. For him, like for all of us, it’s the same. No one creates without constraints. The sculptor can’t present his free thought to us; he can only shape it into the stone available to him, using the tools he has. Disjecta membra is all that we uncover from any poet, or any person.
Whoever looks intelligently at this Shakspeare may recognize that he too was a Prophet, in his way; of an insight analogous to the Prophetic, though he took it up in another strain. Nature seemed to this man also divine; unspeakable, deep as Tophet, high as Heaven; "We are such stuff as Dreams are made of!" That scroll in Westminster Abbey, which few read with understanding, is of the depth of any seer. But the man sang; did not preach, except musically. We called Dante the melodious Priest of Middle-Age Catholicism. May we not call Shakspeare the still more melodious Priest of a true Catholicism, the "Universal Church" of the Future and of all times? No narrow superstition, harsh asceticism, intolerance, fanatical fierceness or perversion: a Revelation, so far as it goes, that such a thousand-fold hidden beauty and divineness dwells in all Nature; which let all men worship as they can! We may say without offence, that there rises a kind of universal Psalm out of this Shakspeare too; not unfit to make itself heard among the still more sacred Psalms. Not in disharmony with these, if we understood them, but in harmony!—I cannot call this Shakspeare a "Sceptic," as some do; his indifference to the creeds and theological quarrels of his time misleading them. No: neither unpatriotic, though he says little about his Patriotism; nor sceptic, though he says little about his Faith. Such "indifference" was the fruit of his greatness withal: his whole heart was in his own grand sphere of worship (we may call it such); these other controversies, vitally important to other men, were not vital to him.
Whoever looks closely at Shakespeare can see that he too was a Prophet, possessing insights similar to the prophetic, although he approached it differently. Nature seemed divine to him as well; indescribable, deep as the abyss, high as the heavens; "We are made of the same stuff as dreams!" That inscription in Westminster Abbey, which few truly understand, is as profound as any seer. But this man sang; he didn't preach, except through music. We called Dante the melodic Priest of Middle Age Catholicism. Can we not call Shakespeare the even more melodic Priest of a true Catholicism, the "Universal Church" of the Future and all times? Not limited by narrow superstitions, harsh asceticism, intolerance, fanatical zeal, or distortion: a Revelation, as far as it extends, that such deeply hidden beauty and divinity exists in all of Nature; which everyone can worship in their own way! We can say without offense that a kind of universal Psalm rises from this Shakespeare as well; it's not unworthy to be heard alongside the even more sacred Psalms. Not in disharmony with these, if we understood them, but in harmony!—I cannot label this Shakespeare a "Sceptic," as some do; his apparent indifference to the beliefs and theological disputes of his time misleads them. No: he was neither unpatriotic, though he says little about his patriotism; nor a sceptic, despite saying little about his faith. This "indifference" was a sign of his greatness: his whole heart was in his own grand sphere of worship (we can call it that); these other controversies, crucial to other people, were not crucial to him.
But call it worship, call it what you will, is it not a right glorious thing, and set of things, this that Shakspeare has brought us? For myself, I feel that there is actually a kind of sacredness in the fact of such a man being sent into this Earth. Is he not an eye to us all; a blessed heaven-sent Bringer of Light?—And, at bottom, was it not perhaps far better that this Shakspeare, every way an unconscious man, was conscious of no Heavenly message? He did not feel, like Mahomet, because he saw into those internal Splendors, that he specially was the "Prophet of God:" and was he not greater than Mahomet in that? Greater; and also, if we compute strictly, as we did in Dante's case, more successful. It was intrinsically an error that notion of Mahomet's, of his supreme Prophethood; and has come down to us inextricably involved in error to this day; dragging along with it such a coil of fables, impurities, intolerances, as makes it a questionable step for me here and now to say, as I have done, that Mahomet was a true Speaker at all, and not rather an ambitious charlatan, perversity and simulacrum; no Speaker, but a Babbler! Even in Arabia, as I compute, Mahomet will have exhausted himself and become obsolete, while this Shakspeare, this Dante may still be young;—while this Shakspeare may still pretend to be a Priest of Mankind, of Arabia as of other places, for unlimited periods to come!
But whether you call it worship or something else, isn't it an incredibly glorious thing that Shakespeare has given us? Personally, I feel there's something almost sacred about a man like him being brought into this world. Isn't he an inspiration for us all; a blessed, heaven-sent bringer of light? And, in the end, wasn't it perhaps better that this Shakespeare, who was completely unconscious of his influence, didn't think he had a divine message? Unlike Muhammad, who believed he was the "Prophet of God" because he glimpsed those inner wonders, wasn't Shakespeare greater for not seeing himself that way? Greater, and if we’re counting strictly, possibly more successful too. The idea of Muhammad's supreme Prophethood was fundamentally flawed, and it has persisted through history filled with misconceptions that come with a mix of fables, impurities, and intolerances. It makes it a questionable move for me now to say that Muhammad was even a real speaker, rather than just an ambitious fraud, more of a babbler! Even in Arabia, I imagine Muhammad will fade into obscurity, while Shakespeare and Dante may still feel fresh; while Shakespeare can still claim to be a Priest of Mankind, for Arabia and elsewhere, for as long as time goes on!
Compared with any speaker or singer one knows, even with Aeschylus or Homer, why should he not, for veracity and universality, last like them? He is sincere as they; reaches deep down like them, to the universal and perennial. But as for Mahomet, I think it had been better for him not to be so conscious! Alas, poor Mahomet; all that he was conscious of was a mere error; a futility and triviality,—as indeed such ever is. The truly great in him too was the unconscious: that he was a wild Arab lion of the desert, and did speak out with that great thunder-voice of his, not by words which he thought to be great, but by actions, by feelings, by a history which were great! His Koran has become a stupid piece of prolix absurdity; we do not believe, like him, that God wrote that! The Great Man here too, as always, is a Force of Nature. Whatsoever is truly great in him springs up from the inarticulate deeps.
Compared to any speaker or singer you know, even Aeschylus or Homer, why shouldn’t he, for his honesty and universality, stand the test of time like them? He is sincere like they are, reaching deep down to what is universal and timeless. But as for Muhammad, I think it would have been better for him not to be so aware! Alas, poor Muhammad; all he was aware of was a mere mistake, a futility, and triviality—as such things always are. The truly great part of him was the unconscious: that he was a wild Arab lion of the desert who spoke with that great thunderous voice, not using words he thought to be great, but through actions, feelings, and a history that were great! His Quran has become a tedious piece of pointless absurdity; we don’t believe, as he did, that God wrote that! The Great Man here, as always, is a Force of Nature. Whatever is truly great in him comes from the inarticulate depths.
Well: this is our poor Warwickshire Peasant, who rose to be Manager of a Playhouse, so that he could live without begging; whom the Earl of Southampton cast some kind glances on; whom Sir Thomas Lucy, many thanks to him, was for sending to the Treadmill! We did not account him a god, like Odin, while he dwelt with us;—on which point there were much to be said. But I will say rather, or repeat: In spite of the sad state Hero-worship now lies in, consider what this Shakspeare has actually become among us. Which Englishman we ever made, in this land of ours, which million of Englishmen, would we not give up rather than the Stratford Peasant? There is no regiment of highest Dignitaries that we would sell him for. He is the grandest thing we have yet done. For our honor among foreign nations, as an ornament to our English Household, what item is there that we would not surrender rather than him? Consider now, if they asked us, Will you give up your Indian Empire or your Shakspeare, you English; never have had any Indian Empire, or never have had any Shakspeare? Really it were a grave question. Official persons would answer doubtless in official language; but we, for our part too, should not we be forced to answer: Indian Empire, or no Indian Empire; we cannot do without Shakspeare! Indian Empire will go, at any rate, some day; but this Shakspeare does not go, he lasts forever with us; we cannot give up our Shakspeare!
Well, here we have our humble Warwickshire Peasant, who rose up to be the Manager of a Playhouse so he could live without begging; the Earl of Southampton gave him some favorable attention; and Sir Thomas Lucy, thanks to him, wanted to send him to the Treadmill! We didn’t think of him as a god, like Odin, while he was among us—and there’s a lot to discuss about that. But I want to emphasize again: despite the current state of Hero-worship being so poor, consider what this Shakespeare has truly become for us. Which Englishman would we ever trade, in this land of ours, for that Stratford Peasant? There’s no group of high-ranking officials that we would sell him for. He is the greatest achievement we have made. For our reputation among other nations, as a jewel in our English legacy, what would we be willing to part with rather than him? Now think about it: if they asked us, "Would you give up your Indian Empire or your Shakespeare?"—you English, who never had an Indian Empire, nor ever had a Shakespeare? It’s a serious question. Official representatives would, of course, respond in formal terms, but wouldn’t we have to say: Indian Empire or no Indian Empire; we can’t do without Shakespeare! The Indian Empire will eventually fade away, but this Shakespeare won't; he remains with us forever; we can’t give up our Shakespeare!
Nay, apart from spiritualities; and considering him merely as a real, marketable, tangibly useful possession. England, before long, this Island of ours, will hold but a small fraction of the English: in America, in New Holland, east and west to the very Antipodes, there will be a Saxondom covering great spaces of the Globe. And now, what is it that can keep all these together into virtually one Nation, so that they do not fall out and fight, but live at peace, in brotherlike intercourse, helping one another? This is justly regarded as the greatest practical problem, the thing all manner of sovereignties and governments are here to accomplish: what is it that will accomplish this? Acts of Parliament, administrative prime-ministers cannot. America is parted from us, so far as Parliament could part it. Call it not fantastic, for there is much reality in it: Here, I say, is an English King, whom no time or chance, Parliament or combination of Parliaments, can dethrone! This King Shakspeare, does not he shine, in crowned sovereignty, over us all, as the noblest, gentlest, yet strongest of rallying-signs; indestructible; really more valuable in that point of view than any other means or appliance whatsoever? We can fancy him as radiant aloft over all the Nations of Englishmen, a thousand years hence. From Paramatta, from New York, wheresoever, under what sort of Parish-Constable soever, English men and women are, they will say to one another: "Yes, this Shakspeare is ours; we produced him, we speak and think by him; we are of one blood and kind with him." The most common-sense politician, too, if he pleases, may think of that.
No, leaving aside spiritual matters and looking at him simply as a real, valuable, useful possession. Soon, England—this island of ours—will contain only a small portion of the English. In America, in New Holland, and stretching east and west all the way to the Antipodes, there will be a Saxon presence covering large areas of the globe. Now, what can keep all these people united as one nation, so they don’t clash and fight, but instead live in peace, supporting one another? This is rightly considered the biggest practical challenge, the aim of all kinds of governments and authorities: what can achieve this unity? Acts of Parliament or prime ministers can’t do it. America is separated from us as much as Parliament has dictated. Don’t dismiss this as unrealistic, because there's a lot of truth in it: Here, I say, is an English King whom no time, chance, Parliament, or any combination of Parliaments can dethrone! This King Shakespeare shines above us all, as the noblest, gentlest, yet strongest symbol of unity; indestructible and truly more valuable in that sense than any other method or tool. We can imagine him glowing above all the nations of English speakers a thousand years from now. From Paramatta to New York, wherever they are, under whatever local authority, English men and women will say to each other, "Yes, this Shakespeare is ours; we created him, we express ourselves through him; we are of one blood and heritage with him." Even the most pragmatic politician can ponder that if they want.
Yes, truly, it is a great thing for a Nation that it get an articulate voice; that it produce a man who will speak forth melodiously what the heart of it means! Italy, for example, poor Italy lies dismembered, scattered asunder, not appearing in any protocol or treaty as a unity at all; yet the noble Italy is actually one: Italy produced its Dante; Italy can speak! The Czar of all the Russias, he is strong with so many bayonets, Cossacks and cannons; and does a great feat in keeping such a tract of Earth politically together; but he cannot yet speak. Something great in him, but it is a dumb greatness. He has had no voice of genius, to be heard of all men and times. He must learn to speak. He is a great dumb monster hitherto. His cannons and Cossacks will all have rusted into nonentity, while that Dante's voice is still audible. The Nation that has a Dante is bound together as no dumb Russia can be.—We must here end what we had to say of the Hero-Poet.
Yes, it's truly an amazing thing for a nation to have an articulate voice; to produce someone who can express beautifully what its heart feels! Take Italy, for instance. Poor Italy lies broken, scattered, not represented as a unified nation in any treaty or agreement; yet, noble Italy is still one: Italy gave us Dante; Italy can speak! The Czar of all the Russias is powerful with countless bayonets, Cossacks, and cannons, managing to keep such a vast territory politically united; but he still cannot articulate. There’s something great about him, but it’s a silent greatness. He hasn’t had a voice of genius that resonates with all people and eras. He must learn to speak. He has been a great silent entity until now. His cannons and Cossacks will eventually fade into nothingness, while Dante's voice will continue to be heard. A nation with a Dante is connected in a way that dumb Russia can never be.—We must now conclude what we had to say about the Hero-Poet.
LECTURE IV. THE HERO AS PRIEST. LUTHER; REFORMATION: KNOX; PURITANISM.
[May 15, 1840.]
Our present discourse is to be of the Great Man as Priest. We have repeatedly endeavored to explain that all sorts of Heroes are intrinsically of the same material; that given a great soul, open to the Divine Significance of Life, then there is given a man fit to speak of this, to sing of this, to fight and work for this, in a great, victorious, enduring manner; there is given a Hero,—the outward shape of whom will depend on the time and the environment he finds himself in. The Priest too, as I understand it, is a kind of Prophet; in him too there is required to be a light of inspiration, as we must name it. He presides over the worship of the people; is the Uniter of them with the Unseen Holy. He is the spiritual Captain of the people; as the Prophet is their spiritual King with many captains: he guides them heavenward, by wise guidance through this Earth and its work. The ideal of him is, that he too be what we can call a voice from the unseen Heaven; interpreting, even as the Prophet did, and in a more familiar manner unfolding the same to men. The unseen Heaven,—the "open secret of the Universe,"—which so few have an eye for! He is the Prophet shorn of his more awful splendor; burning with mild equable radiance, as the enlightener of daily life. This, I say, is the ideal of a Priest. So in old times; so in these, and in all times. One knows very well that, in reducing ideals to practice, great latitude of tolerance is needful; very great. But a Priest who is not this at all, who does not any longer aim or try to be this, is a character—of whom we had rather not speak in this place.
Our current discussion focuses on the Great Man as Priest. We have often tried to explain that all types of Heroes are made from the same essence; when a great soul is open to the Divine Significance of Life, that person becomes capable of speaking about, singing about, and fighting for this in a powerful, lasting way; that person is a Hero—whose outward form will be shaped by the time and environment they are in. The Priest, as I see it, is also a type of Prophet; he too needs to have a light of inspiration, as we might call it. He leads the worship of the people and connects them with the Unseen Holy. He is the spiritual leader of the people; while the Prophet acts as their spiritual King with various leaders under him: he guides them toward heaven by providing wise direction through this Earth and its tasks. The ideal Priest is someone who can be seen as a voice from the unseen Heaven; interpreting, much like the Prophet, and in a more relatable way revealing the same to humanity. The unseen Heaven—the "open secret of the Universe"—which so few can see! He is the Prophet stripped of his more terrifying grandeur; shining with a calm, steady light, serving as the guide for everyday life. This, I believe, is the ideal of a Priest. So it was in ancient times; so it is now, and so it will always be. One understands that when it comes to putting ideals into practice, a lot of tolerance is necessary; very much so. However, a Priest who fails to embody this, who no longer strives to be this, is a character we would prefer not to discuss here.
Luther and Knox were by express vocation Priests, and did faithfully perform that function in its common sense. Yet it will suit us better here to consider them chiefly in their historical character, rather as Reformers than Priests. There have been other Priests perhaps equally notable, in calmer times, for doing faithfully the office of a Leader of Worship; bringing down, by faithful heroism in that kind, a light from Heaven into the daily life of their people; leading them forward, as under God's guidance, in the way wherein they were to go. But when this same way was a rough one, of battle, confusion and danger, the spiritual Captain, who led through that, becomes, especially to us who live under the fruit of his leading, more notable than any other. He is the warfaring and battling Priest; who led his people, not to quiet faithful labor as in smooth times, but to faithful valorous conflict, in times all violent, dismembered: a more perilous service, and a more memorable one, be it higher or not. These two men we will account our best Priests, inasmuch as they were our best Reformers. Nay I may ask, Is not every true Reformer, by the nature of him, a Priest first of all? He appeals to Heaven's invisible justice against Earth's visible force; knows that it, the invisible, is strong and alone strong. He is a believer in the divine truth of things; a seer, seeing through the shows of things; a worshipper, in one way or the other, of the divine truth of things; a Priest, that is. If he be not first a Priest, he will never be good for much as a Reformer.
Luther and Knox were both officially Priests and carried out their duties in that role. However, it's more fitting for us to focus on them primarily as historical figures, specifically as Reformers rather than just Priests. There may have been other Priests equally noteworthy, in more peaceful times, for faithfully leading worship and bringing a bit of divine light into their communities’ everyday lives, guiding them in the path that God intended for them. But when that path became one of struggle, chaos, and danger, the spiritual leader who navigated through such turmoil stands out, especially to us who benefit from their guidance. He is the battling Priest, leading his people not to quiet, steady work as in peaceful times but to courageous conflict in a turbulent, fractured world—this is a more hazardous and memorable calling, regardless of whether it’s considered higher in status. We recognize these two men as our greatest Priests because they were also our greatest Reformers. In fact, I might argue that every true Reformer is, by their very nature, a Priest first. They challenge the visible forces of the world with an appeal to Heaven's invisible justice; they understand that the unseen is the truly powerful. They believe in the divine truth of existence, are visionaries who see beyond appearances, and worship in some way the ultimate truth of things; in other words, they are Priests. If one isn't a Priest at heart, they won't amount to much as a Reformer.
Thus then, as we have seen Great Men, in various situations, building up Religions, heroic Forms of human Existence in this world, Theories of Life worthy to be sung by a Dante, Practices of Life by a Shakspeare,—we are now to see the reverse process; which also is necessary, which also may be carried on in the Heroic manner. Curious how this should be necessary: yet necessary it is. The mild shining of the Poet's light has to give place to the fierce lightning of the Reformer: unfortunately the Reformer too is a personage that cannot fail in History! The Poet indeed, with his mildness, what is he but the product and ultimate adjustment of Reform, or Prophecy, with its fierceness? No wild Saint Dominics and Thebaid Eremites, there had been no melodious Dante; rough Practical Endeavor, Scandinavian and other, from Odin to Walter Raleigh, from Ulfila to Cranmer, enabled Shakspeare to speak. Nay the finished Poet, I remark sometimes, is a symptom that his epoch itself has reached perfection and is finished; that before long there will be a new epoch, new Reformers needed.
So, as we've seen Great Men in different situations creating Religions, heroic ways of living in this world, life theories deserving to be sung by a Dante, and life practices by a Shakespeare, now we need to look at the opposite process; which is also necessary and can be carried out in a heroic way. It's interesting how this is needed: yet it is necessary. The gentle glow of the Poet's light has to make way for the intense lightning of the Reformer: unfortunately, the Reformer is a figure that surely leaves a mark in History! The Poet, with his gentleness, is nothing but the end product and ultimate balance of Reform or Prophecy, with its intensity. Without the wild Saint Dominics and Thebaid Eremites, there would be no melodious Dante; rough practical efforts, Scandinavian and others, from Odin to Walter Raleigh, from Ulfila to Cranmer, allowed Shakespeare to express himself. In fact, I've noticed that a polished Poet sometimes indicates that his era has reached perfection and is complete; that soon there will be a new era, new Reformers needed.
Doubtless it were finer, could we go along always in the way of music; be tamed and taught by our Poets, as the rude creatures were by their Orpheus of old. Or failing this rhythmic musical way, how good were it could we get so much as into the equable way; I mean, if peaceable Priests, reforming from day to day, would always suffice us! But it is not so; even this latter has not yet been realized. Alas, the battling Reformer too is, from time to time, a needful and inevitable phenomenon. Obstructions are never wanting: the very things that were once indispensable furtherances become obstructions; and need to be shaken off, and left behind us,—a business often of enormous difficulty. It is notable enough, surely, how a Theorem or spiritual Representation, so we may call it, which once took in the whole Universe, and was completely satisfactory in all parts of it to the highly discursive acute intellect of Dante, one of the greatest in the world,—had in the course of another century become dubitable to common intellects; become deniable; and is now, to every one of us, flatly incredible, obsolete as Odin's Theorem! To Dante, human Existence, and God's ways with men, were all well represented by those Malebolges, Purgatorios; to Luther not well. How was this? Why could not Dante's Catholicism continue; but Luther's Protestantism must needs follow? Alas, nothing will continue.
Surely it would be better if we could always move through life like it’s a song; if we could be guided and shaped by our Poets, just like the wild creatures were by their Orpheus long ago. Or if we can't have that rhythmic musical path, how great would it be if we could at least find some steady way; I mean, if peaceful Priests, improving day by day, would always be enough for us! But it’s not like that; even this simpler path hasn’t been achieved yet. Sadly, the fighting Reformer is sometimes a necessary and unavoidable reality. Barriers are always present: the very things that used to be essential supports become obstacles; and we need to shake them off and leave them behind—often a task of huge difficulty. It’s quite significant how a Theory or spiritual Concept, as we might call it, which once encompassed the entire Universe and completely satisfied the brilliant, complex mind of Dante, one of the greatest intellects ever, has over the course of a century become questionable to common minds; become something people deny; and is now, for all of us, totally unbelievable, as outdated as Odin's Theory! For Dante, human Existence and God's interactions with people were all well illustrated by those Malebolges and Purgatorios; but for Luther, they were not. Why is that? Why couldn’t Dante’s Catholicism persist while Luther’s Protestantism had to emerge? Alas, nothing will persist.
I do not make much of "Progress of the Species," as handled in these times of ours; nor do I think you would care to hear much about it. The talk on that subject is too often of the most extravagant, confused sort. Yet I may say, the fact itself seems certain enough; nay we can trace out the inevitable necessity of it in the nature of things. Every man, as I have stated somewhere, is not only a learner but a doer: he learns with the mind given him what has been; but with the same mind he discovers farther, he invents and devises somewhat of his own. Absolutely without originality there is no man. No man whatever believes, or can believe, exactly what his grandfather believed: he enlarges somewhat, by fresh discovery, his view of the Universe, and consequently his Theorem of the Universe,—which is an infinite Universe, and can never be embraced wholly or finally by any view or Theorem, in any conceivable enlargement: he enlarges somewhat, I say; finds somewhat that was credible to his grandfather incredible to him, false to him, inconsistent with some new thing he has discovered or observed. It is the history of every man; and in the history of Mankind we see it summed up into great historical amounts,—revolutions, new epochs. Dante's Mountain of Purgatory does not stand "in the ocean of the other Hemisphere," when Columbus has once sailed thither! Men find no such thing extant in the other Hemisphere. It is not there. It must cease to be believed to be there. So with all beliefs whatsoever in this world,—all Systems of Belief, and Systems of Practice that spring from these.
I don’t think much of the "Progress of the Species" as it’s discussed these days, and I doubt you’d want to hear much about it either. The discussions on that topic are often overly dramatic and confusing. Still, I can say that the idea itself seems pretty certain; in fact, we can see its necessary existence in the nature of things. Every person, as I’ve mentioned before, is not just a learner but also a doer: they learn with the mind they’re given about what has happened, but with that same mind, they explore further, invent, and come up with their own ideas. No one is entirely without originality. No one can truly believe exactly what their grandparents believed—they expand their understanding of the Universe with new discoveries, which in turn shapes their own beliefs about the Universe. This Universe is infinite and can never be fully grasped or defined by any single perspective or theory, no matter how much it expands. They broaden their views, finding some things that were credible to their grandparents unbelievable, false, or inconsistent with new things they’ve discovered or observed. This is true for everyone, and throughout human history, we see it summarized in major historical events—revolutions, new eras. Dante's Mountain of Purgatory doesn’t exist "in the ocean of the other Hemisphere" once Columbus has sailed there! People don’t find anything like that in the other Hemisphere. It’s not there, and it must stop being believed to exist there. The same goes for all beliefs in this world—all Systems of Belief and the Systems of Practice that arise from them.
If we add now the melancholy fact, that when Belief waxes uncertain, Practice too becomes unsound, and errors, injustices and miseries everywhere more and more prevail, we shall see material enough for revolution. At all turns, a man who will do faithfully, needs to believe firmly. If he have to ask at every turn the world's suffrage; if he cannot dispense with the world's suffrage, and make his own suffrage serve, he is a poor eye-servant; the work committed to him will be misdone. Every such man is a daily contributor to the inevitable downfall. Whatsoever work he does, dishonestly, with an eye to the outward look of it, is a new offence, parent of new misery to somebody or other. Offences accumulate till they become insupportable; and are then violently burst through, cleared off as by explosion. Dante's sublime Catholicism, incredible now in theory, and defaced still worse by faithless, doubting and dishonest practice, has to be torn asunder by a Luther, Shakspeare's noble Feudalism, as beautiful as it once looked and was, has to end in a French Revolution. The accumulation of offences is, as we say, too literally exploded, blasted asunder volcanically; and there are long troublous periods, before matters come to a settlement again.
If we consider the sad reality that when belief becomes shaky, practice also falters, leading to more and more errors, injustices, and suffering everywhere, we’ll see enough reason for a revolution. At every turn, someone who truly wants to act must believe strongly. If he has to seek approval from everyone around him at every step; if he can't rely on his own judgment and make that serve him, he's just a poor worker; the tasks given to him will be done poorly. Each such person is contributing daily to the inevitable collapse. Any work he does dishonestly, just to look good on the outside, is a new offense, creating more misery for someone. These offenses pile up until they become unbearable and then burst forth as if by explosion. Dante's amazing Catholicism, which seems unbelievable in theory now and is even more damaged by faithless, doubtful, and dishonest actions, must be broken apart by a Luther. Shakespeare's once-noble Feudalism, which was as beautiful as it seemed, has to culminate in a French Revolution. The accumulation of offenses, as we say, is literally exploded, blasted apart like a volcano; and there are long periods of turmoil before things stabilize again.
Surely it were mournful enough to look only at this face of the matter, and find in all human opinions and arrangements merely the fact that they were uncertain, temporary, subject to the law of death! At bottom, it is not so: all death, here too we find, is but of the body, not of the essence or soul; all destruction, by violent revolution or howsoever it be, is but new creation on a wider scale. Odinism was Valor; Christianism was Humility, a nobler kind of Valor. No thought that ever dwelt honestly as true in the heart of man but was an honest insight into God's truth on man's part, and has an essential truth in it which endures through all changes, an everlasting possession for us all. And, on the other hand, what a melancholy notion is that, which has to represent all men, in all countries and times except our own, as having spent their life in blind condemnable error, mere lost Pagans, Scandinavians, Mahometans, only that we might have the true ultimate knowledge! All generations of men were lost and wrong, only that this present little section of a generation might be saved and right. They all marched forward there, all generations since the beginning of the world, like the Russian soldiers into the ditch of Schweidnitz Fort, only to fill up the ditch with their dead bodies, that we might march over and take the place! It is an incredible hypothesis.
Surely it’s sad enough to look only at this side of things and see that all human opinions and arrangements are just uncertain, temporary, and subject to death! In reality, it’s not like that: all death, here too, is just of the body, not of the essence or soul; all destruction, whether by violent upheaval or however it happens, is simply new creation on a larger scale. Odinism represented Valor; Christianity represented Humility, a nobler form of Valor. No thought that ever honestly resided in a person’s heart was anything but an honest insight into God’s truth, and it contains an essential truth that endures through all changes, an everlasting possession for us all. On the other hand, how sad is the idea that has to depict all men, in all countries and times except our own, as having lived in blind, blameworthy error, mere lost Pagans, Scandinavians, Muslims, all so that we could have the true ultimate knowledge! All generations of people were lost and wrong just so this current small section of a generation could be saved and right. They all marched forward, every generation since the beginning of the world, like the Russian soldiers into the ditch of Schweidnitz Fort, just to fill the ditch with their dead bodies so we could march over and take the place! It’s an unbelievable assumption.
Such incredible hypothesis we have seen maintained with fierce emphasis; and this or the other poor individual man, with his sect of individual men, marching as over the dead bodies of all men, towards sure victory but when he too, with his hypothesis and ultimate infallible credo, sank into the ditch, and became a dead body, what was to be said?—Withal, it is an important fact in the nature of man, that he tends to reckon his own insight as final, and goes upon it as such. He will always do it, I suppose, in one or the other way; but it must be in some wider, wiser way than this. Are not all true men that live, or that ever lived, soldiers of the same army, enlisted, under Heaven's captaincy, to do battle against the same enemy, the empire of Darkness and Wrong? Why should we misknow one another, fight not against the enemy but against ourselves, from mere difference of uniform? All uniforms shall be good, so they hold in them true valiant men. All fashions of arms, the Arab turban and swift scimetar, Thor's strong hammer smiting down Jotuns, shall be welcome. Luther's battle-voice, Dante's march-melody, all genuine things are with us, not against us. We are all under one Captain, soldiers of the same host.—Let us now look a little at this Luther's fighting; what kind of battle it was, and how he comported himself in it. Luther too was of our spiritual Heroes; a Prophet to his country and time.
We've seen some pretty wild ideas defended with intense passion; and this or that poor individual, along with his group of like-minded people, marching over the bodies of everyone else towards certain victory. But when he too, with his theories and supposed unquestionable beliefs, ended up in the ditch and became just another corpse, what can be said? It's an important truth about human nature that people tend to think their own understanding is final and act accordingly. I guess they'll always do this one way or another; but it needs to happen in a broader, wiser way than this. Aren't all true people, both living and dead, part of the same army, enlisted under a higher power to fight against a common enemy—the empire of Darkness and Wrong? Why should we misunderstand each other, fighting not against the real enemy but against ourselves simply because of different uniforms? All uniforms are acceptable as long as they contain truly brave individuals. All types of weapons, whether it’s an Arab turban and fast scimitar or Thor's mighty hammer striking down Jotuns, are welcome. Luther's battle cry, Dante's marching song, all genuine things are on our side, not against us. We are all under one Captain, soldiers of the same army. —Now let’s take a closer look at Luther's fight; what kind of battle it was and how he conducted himself in it. Luther was also one of our spiritual heroes; a prophet for his country and time.
As introductory to the whole, a remark about Idolatry will perhaps be in place here. One of Mahomet's characteristics, which indeed belongs to all Prophets, is unlimited implacable zeal against Idolatry. It is the grand theme of Prophets: Idolatry, the worshipping of dead Idols as the Divinity, is a thing they cannot away with, but have to denounce continually, and brand with inexpiable reprobation; it is the chief of all the sins they see done under the sun. This is worth noting. We will not enter here into the theological question about Idolatry. Idol is Eidolon, a thing seen, a symbol. It is not God, but a Symbol of God; and perhaps one may question whether any the most benighted mortal ever took it for more than a Symbol. I fancy, he did not think that the poor image his own hands had made was God; but that God was emblemed by it, that God was in it some way or other. And now in this sense, one may ask, Is not all worship whatsoever a worship by Symbols, by eidola, or things seen? Whether seen, rendered visible as an image or picture to the bodily eye; or visible only to the inward eye, to the imagination, to the intellect: this makes a superficial, but no substantial difference. It is still a Thing Seen, significant of Godhead; an Idol. The most rigorous Puritan has his Confession of Faith, and intellectual Representation of Divine things, and worships thereby; thereby is worship first made possible for him. All creeds, liturgies, religious forms, conceptions that fitly invest religious feelings, are in this sense eidola, things seen. All worship whatsoever must proceed by Symbols, by Idols:—we may say, all Idolatry is comparative, and the worst Idolatry is only more idolatrous.
As an introduction to the whole topic, a comment about Idolatry might be relevant here. One of Mahomet's traits, which actually applies to all Prophets, is an unyielding passion against Idolatry. It’s the main focus of the Prophets: Idolatry, the worship of dead Idols as if they were divine, is something they cannot tolerate; they must denounce it constantly and condemn it without forgiveness; it is the greatest sin they see happening in the world. This is important to note. We won’t go into the theological debate about Idolatry here. An Idol is Eidolon, something that can be seen, a symbol. It is not God but a symbol of God; one might even wonder if any misguided person ever believed it to be anything more than a symbol. I imagine they didn’t think that the poor image they made with their own hands was God; rather, they thought it represented God, that God was somehow within it. In this light, we could ask, isn’t all worship in a way worship through symbols, through eidola, or things that can be seen? Whether it’s something visible to the physical eye as an image or picture, or only visible to the inner eye, to the imagination, or to the intellect, this is a slight, but no significant, difference. It is still a Seen Thing, representing divinity; an Idol. The strictest Puritan has his Confession of Faith, along with an intellectual representation of divine concepts, and worships through that; this is how worship is made possible for him. All creeds, liturgies, religious practices, and concepts that properly express religious feelings are, in this sense, eidola, things seen. All worship must involve symbols, Idols:—we could say that all Idolatry is relative, and the worst Idolatry is just more idolatrous.
Where, then, lies the evil of it? Some fatal evil must lie in it, or earnest prophetic men would not on all hands so reprobate it. Why is Idolatry so hateful to Prophets? It seems to me as if, in the worship of those poor wooden symbols, the thing that had chiefly provoked the Prophet, and filled his inmost soul with indignation and aversion, was not exactly what suggested itself to his own thought, and came out of him in words to others, as the thing. The rudest heathen that worshipped Canopus, or the Caabah Black-Stone, he, as we saw, was superior to the horse that worshipped nothing at all! Nay there was a kind of lasting merit in that poor act of his; analogous to what is still meritorious in Poets: recognition of a certain endless divine beauty and significance in stars and all natural objects whatsoever. Why should the Prophet so mercilessly condemn him? The poorest mortal worshipping his Fetish, while his heart is full of it, may be an object of pity, of contempt and avoidance, if you will; but cannot surely be an object of hatred. Let his heart be honestly full of it, the whole space of his dark narrow mind illuminated thereby; in one word, let him entirely believe in his Fetish,—it will then be, I should say, if not well with him, yet as well as it can readily be made to be, and you will leave him alone, unmolested there.
Where, then, does the real issue lie? There must be some serious problem with it, or dedicated prophets wouldn’t condemn it so universally. Why is idolatry so despised by these prophets? To me, it seems that in the worship of those poor wooden figures, what primarily outraged the prophet and filled him with deep anger and disdain wasn’t solely what came to his mind and turned into words for others. The most primitive pagan, who worshipped Canopus or the Kaaba’s Black Stone, was still superior to the horse that worshipped nothing at all! In fact, there was a kind of lasting merit in that humble act; similar to what is still admirable in poets: the acknowledgment of a certain endless divine beauty and meaning in stars and all natural things. Why should the prophet so harshly judge him? The poorest person, who worships their fetish with genuine belief, may be an object of pity, contempt, or avoidance, if you choose; but surely cannot be an object of hatred. If his heart is truly filled with it, and his narrow mind is illuminated by it, if he completely believes in his fetish, then I would say, while it may not be perfect, it’s as good as it can be, and you should leave him alone, unbothered there.
But here enters the fatal circumstance of Idolatry, that, in the era of the Prophets, no man's mind is any longer honestly filled with his Idol or Symbol. Before the Prophet can arise who, seeing through it, knows it to be mere wood, many men must have begun dimly to doubt that it was little more. Condemnable Idolatry is insincere Idolatry. Doubt has eaten out the heart of it: a human soul is seen clinging spasmodically to an Ark of the Covenant, which it half feels now to have become a Phantasm. This is one of the balefulest sights. Souls are no longer filled with their Fetish; but only pretend to be filled, and would fain make themselves feel that they are filled. "You do not believe," said Coleridge; "you only believe that you believe." It is the final scene in all kinds of Worship and Symbolism; the sure symptom that death is now nigh. It is equivalent to what we call Formulism, and Worship of Formulas, in these days of ours. No more immoral act can be done by a human creature; for it is the beginning of all immorality, or rather it is the impossibility henceforth of any morality whatsoever: the innermost moral soul is paralyzed thereby, cast into fatal magnetic sleep! Men are no longer sincere men. I do not wonder that the earnest man denounces this, brands it, prosecutes it with inextinguishable aversion. He and it, all good and it, are at death-feud. Blamable Idolatry is Cant, and even what one may call Sincere-Cant. Sincere-Cant: that is worth thinking of! Every sort of Worship ends with this phasis.
But here comes the crucial issue of Idolatry: during the time of the Prophets, no one's mind is truly filled with their Idol or Symbol anymore. Before the Prophet can emerge who, seeing through it, recognizes it as just wood, many people must have started to vaguely doubt that it was anything more. Condemnable Idolatry is insincere Idolatry. Doubt has hollowed it out: a human soul is seen clinging desperately to an Ark of the Covenant, which it half realizes has turned into a mere illusion. This is one of the most troubling sights. Souls are no longer genuinely filled with their Fetish; they merely pretend to be filled and wish to convince themselves that they are. "You do not believe," said Coleridge; "you only believe that you believe." This is the final act of all kinds of Worship and Symbolism; a clear sign that death is approaching. It is equivalent to what we call Formalism and Worship of Formulas in our times. No more immoral act can be performed by a human being; for it marks the beginning of all immorality, or rather, it signifies the inability to have any morality at all: the deepest moral essence is paralyzed, cast into a fatal magnetic sleep! People are no longer sincere individuals. I understand why the earnest person denounces this, condemns it, and pursues it with unquenchable disgust. He and it, along with all goodness, are in a serious conflict. Blameworthy Idolatry is Cant, and even what you might call Sincere-Cant. Sincere-Cant: that's worth pondering! Every form of Worship concludes with this phase.
I find Luther to have been a Breaker of Idols, no less than any other Prophet. The wooden gods of the Koreish, made of timber and bees-wax, were not more hateful to Mahomet than Tetzel's Pardons of Sin, made of sheepskin and ink, were to Luther. It is the property of every Hero, in every time, in every place and situation, that he come back to reality; that he stand upon things, and not shows of things. According as he loves, and venerates, articulately or with deep speechless thought, the awful realities of things, so will the hollow shows of things, however regular, decorous, accredited by Koreishes or Conclaves, be intolerable and detestable to him. Protestantism, too, is the work of a Prophet: the prophet-work of that sixteenth century. The first stroke of honest demolition to an ancient thing grown false and idolatrous; preparatory afar off to a new thing, which shall be true, and authentically divine!
I see Luther as a Breaker of Idols, just like any other Prophet. The wooden gods of the Koreish, made of wood and beeswax, were no more loathsome to Muhammad than Tetzel's Pardons of Sin, made of sheepskin and ink, were to Luther. It's the nature of every Hero, at all times and in all places, to return to reality; to stand on solid ground rather than illusions. Depending on how deeply he loves and respects the harsh truths of life, the empty appearances of things—no matter how orderly, respectable, or endorsed by Koreish or Conclaves—will be unbearable and repulsive to him. Protestantism, too, is the creation of a Prophet: the prophetic work of the sixteenth century. It was the first honest blow against an ancient belief that had become false and idolatrous; a preparation for something new that will be true and genuinely divine!
At first view it might seem as if Protestantism were entirely destructive to this that we call Hero-worship, and represent as the basis of all possible good, religious or social, for mankind. One often hears it said that Protestantism introduced a new era, radically different from any the world had ever seen before: the era of "private judgment," as they call it. By this revolt against the Pope, every man became his own Pope; and learnt, among other things, that he must never trust any Pope, or spiritual Hero-captain, any more! Whereby, is not spiritual union, all hierarchy and subordination among men, henceforth an impossibility? So we hear it said.—Now I need not deny that Protestantism was a revolt against spiritual sovereignties, Popes and much else. Nay I will grant that English Puritanism, revolt against earthly sovereignties, was the second act of it; that the enormous French Revolution itself was the third act, whereby all sovereignties earthly and spiritual were, as might seem, abolished or made sure of abolition. Protestantism is the grand root from which our whole subsequent European History branches out. For the spiritual will always body itself forth in the temporal history of men; the spiritual is the beginning of the temporal. And now, sure enough, the cry is everywhere for Liberty and Equality, Independence and so forth; instead of Kings, Ballot-boxes and Electoral suffrages: it seems made out that any Hero-sovereign, or loyal obedience of men to a man, in things temporal or things spiritual, has passed away forever from the world. I should despair of the world altogether, if so. One of my deepest convictions is, that it is not so. Without sovereigns, true sovereigns, temporal and spiritual, I see nothing possible but an anarchy; the hatefulest of things. But I find Protestantism, whatever anarchic democracy it have produced, to be the beginning of new genuine sovereignty and order. I find it to be a revolt against false sovereigns; the painful but indispensable first preparative for true sovereigns getting place among us! This is worth explaining a little.
At first glance, it might seem like Protestantism completely undermines what we call Hero-worship, which we see as the foundation of all potential good, whether religious or social, for humanity. People often say that Protestantism started a new era, one that was completely different from anything the world had seen before: the era of "private judgment." By rebelling against the Pope, everyone became their own Pope and learned, among other things, that they should never trust any Pope or spiritual Hero-captain ever again! So, isn't spiritual unity, along with all hierarchy and subordination among people, now impossible? That's what we hear said. Now, I don't deny that Protestantism was a revolt against spiritual authorities, Popes, and much more. In fact, I'll concede that English Puritanism, as a revolt against earthly authorities, was the second phase of it; that the massive French Revolution was the third phase, which seemingly abolished or guaranteed the abolition of all earthly and spiritual authorities. Protestantism is the fundamental root from which all subsequent European history branches out. The spiritual will always manifest in the temporal history of people; the spiritual is the starting point of the temporal. And now, indeed, there's a widespread demand for Liberty, Equality, Independence, and so on; instead of Kings, we have ballot boxes and electoral votes. It seems that any Hero-sovereign, or loyal obedience of people to a man, whether in temporal or spiritual matters, has disappeared forever from the world. I would lose all hope for the world if that were true. One of my deepest convictions is that this isn't the case. Without true sovereigns, both temporal and spiritual, I foresee nothing but chaos, which is the most detestable thing. Yet, I find that Protestantism, despite the anarchic democracy it has fostered, is the beginning of a new, genuine sovereignty and order. I see it as a revolt against false sovereigns; a painful but necessary first step towards true sovereigns finding their place among us! This is worth explaining a bit more.
Let us remark, therefore, in the first place, that this of "private judgment" is, at bottom, not a new thing in the world, but only new at that epoch of the world. There is nothing generically new or peculiar in the Reformation; it was a return to Truth and Reality in opposition to Falsehood and Semblance, as all kinds of Improvement and genuine Teaching are and have been. Liberty of private judgment, if we will consider it, must at all times have existed in the world. Dante had not put out his eyes, or tied shackles on himself; he was at home in that Catholicism of his, a free-seeing soul in it,—if many a poor Hogstraten, Tetzel, and Dr. Eck had now become slaves in it. Liberty of judgment? No iron chain, or outward force of any kind, could ever compel the soul of a man to believe or to disbelieve: it is his own indefeasible light, that judgment of his; he will reign, and believe there, by the grace of God alone! The sorriest sophistical Bellarmine, preaching sightless faith and passive obedience, must first, by some kind of conviction, have abdicated his right to be convinced. His "private judgment" indicated that, as the advisablest step he could take. The right of private judgment will subsist, in full force, wherever true men subsist. A true man believes with his whole judgment, with all the illumination and discernment that is in him, and has always so believed. A false man, only struggling to "believe that he believes," will naturally manage it in some other way. Protestantism said to this latter, Woe! and to the former, Well done! At bottom, it was no new saying; it was a return to all old sayings that ever had been said. Be genuine, be sincere: that was, once more, the meaning of it. Mahomet believed with his whole mind; Odin with his whole mind,—he, and all true Followers of Odinism. They, by their private judgment, had "judged "—so.
Let’s point out, to begin with, that this idea of "private judgment" isn't really new; it was just new at that particular time in history. There’s nothing fundamentally original or unique about the Reformation; it was a return to Truth and Reality against Falsehood and Appearance, just like all forms of Improvement and genuine Teaching have been. If we think about it, the freedom of private judgment must have always existed in the world. Dante didn't blind himself or put himself in chains; he was at home in his Catholicism, a free-thinking soul within it—even if many like Hogstraten, Tetzel, and Dr. Eck had become trapped by it. Freedom of judgment? No iron chain or external force could ever make a person believe or disbelieve; it’s his own undeniable light that guides his judgment; he will rule and believe there, by God’s grace alone! The most pathetic, manipulative Bellarmine, preaching blind faith and passive obedience, must have first, through some kind of conviction, given up his right to be convinced. His "private judgment" indicated that as the most sensible step he could take. The right to private judgment will remain strong wherever true individuals exist. A true person believes with their whole judgment, with all the insight and understanding they possess, and has always done so. A false person, merely trying to "believe that they believe," will find some other way to manage it. Protestantism said to the latter, Woe! and to the former, Well done! Essentially, it wasn’t a new statement; it was a return to all the old truths that have ever been spoken. Be genuine, be sincere: that was, once again, the point of it. Mahomet believed with his whole mind; Odin did the same—with his whole mind, along with all true Followers of Odinism. They, through their private judgment, had "judged" —so.
And now I venture to assert, that the exercise of private judgment, faithfully gone about, does by no means necessarily end in selfish independence, isolation; but rather ends necessarily in the opposite of that. It is not honest inquiry that makes anarchy; but it is error, insincerity, half-belief and untruth that make it. A man protesting against error is on the way towards uniting himself with all men that believe in truth. There is no communion possible among men who believe only in hearsays. The heart of each is lying dead; has no power of sympathy even with things,—or he would believe them and not hearsays. No sympathy even with things; how much less with his fellow-men! He cannot unite with men; he is an anarchic man. Only in a world of sincere men is unity possible;—and there, in the long-run, it is as good as certain.
And now I want to say that using your own judgment, done honestly, doesn’t necessarily lead to selfish independence or isolation; in fact, it usually leads to the opposite. It’s not genuine inquiry that creates chaos; it’s mistakes, dishonesty, half-hearted beliefs, and lies that do. A person who stands against falsehood is on the path to connecting with everyone who values truth. There can be no real connection among people who only trust rumors. Each person's heart is lifeless; they lack the ability to empathize even with ideas—or else they would believe them rather than rumors. If they can’t even empathize with ideas, how much less will they connect with their fellow humans? They can’t bond with others; they are an anarchic individual. Only in a world full of sincere people is unity possible; and there, in the long run, it is practically certain.
For observe one thing, a thing too often left out of view, or rather altogether lost sight of in this controversy: That it is not necessary a man should himself have discovered the truth he is to believe in, and never so sincerely to believe in. A Great Man, we said, was always sincere, as the first condition of him. But a man need not be great in order to be sincere; that is not the necessity of Nature and all Time, but only of certain corrupt unfortunate epochs of Time. A man can believe, and make his own, in the most genuine way, what he has received from another;—and with boundless gratitude to that other! The merit of originality is not novelty; it is sincerity. The believing man is the original man; whatsoever he believes, he believes it for himself, not for another. Every son of Adam can become a sincere man, an original man, in this sense; no mortal is doomed to be an insincere man. Whole ages, what we call ages of Faith, are original; all men in them, or the most of men in them, sincere. These are the great and fruitful ages: every worker, in all spheres, is a worker not on semblance but on substance; every work issues in a result: the general sum of such work is great; for all of it, as genuine, tends towards one goal; all of it is additive, none of it subtractive. There is true union, true kingship, loyalty, all true and blessed things, so far as the poor Earth can produce blessedness for men.
Consider one thing, a point that's often overlooked, or rather completely ignored in this debate: It isn't essential for a person to have personally discovered the truth they believe in, or even to believe in it sincerely. A Great Man, we said, is always sincere, as that is the first requirement for him. However, a person doesn't need to be great to be sincere; that’s not a necessity of Nature and all Time, but only of certain unfortunate and corrupt periods in history. A person can genuinely believe and fully embrace what they've received from someone else, with deep gratitude for that person! The value of originality isn't in its novelty; it’s in its sincerity. The true believer is the original individual; whatever he believes, he believes it for himself, not for someone else. Every person can become a sincere, original individual in this sense; no one is condemned to be insincere. Entire eras, which we refer to as ages of Faith, are original; most people in those times are sincere. These are the great and productive eras: every worker, in every field, is working on substance rather than just appearance; every effort leads to a tangible outcome: the total of such work is substantial; all of it, being genuine, moves toward one purpose; all of it is additive, none of it is subtractive. There is true unity, true leadership, loyalty, and all genuinely blessed things, as much as this poor Earth can offer blessings to humanity.
Hero-worship? Ah me, that a man be self-subsistent, original, true, or what we call it, is surely the farthest in the world from indisposing him to reverence and believe other men's truth! It only disposes, necessitates and invincibly compels him to disbelieve other men's dead formulas, hearsays and untruths. A man embraces truth with his eyes open, and because his eyes are open: does he need to shut them before he can love his Teacher of truth? He alone can love, with a right gratitude and genuine loyalty of soul, the Hero-Teacher who has delivered him out of darkness into light. Is not such a one a true Hero and Serpent-queller; worthy of all reverence! The black monster, Falsehood, our one enemy in this world, lies prostrate by his valor; it was he that conquered the world for us!—See, accordingly, was not Luther himself reverenced as a true Pope, or Spiritual Father, being verily such? Napoleon, from amid boundless revolt of Sansculottism, became a King. Hero-worship never dies, nor can die. Loyalty and Sovereignty are everlasting in the world:—and there is this in them, that they are grounded not on garnitures and semblances, but on realities and sincerities. Not by shutting your eyes, your "private judgment;" no, but by opening them, and by having something to see! Luther's message was deposition and abolition to all false Popes and Potentates, but life and strength, though afar off, to new genuine ones.
Hero-worship? Oh, how frustrating that a person be self-reliant, original, true, or whatever we want to call it, is definitely the farthest thing from making him unable to respect and believe in other people's truths! It only prepares, requires, and forcefully drives him to doubt other people's outdated formulas, gossip, and lies. A person accepts truth with his eyes wide open, and because his eyes are open, should he really have to close them to appreciate his Teacher of truth? Only he can love, with authentic gratitude and genuine loyalty of spirit, the Hero-Teacher who has brought him from darkness into light. Isn't such a person a true Hero and Serpent-slayer, deserving of all respect? The dark monster, Falsehood, our only enemy in this world, lies defeated by his bravery; it was he who conquered the world for us!—So, wasn’t Luther himself respected as a true Pope or Spiritual Father, actually being such? Napoleon, emerging from the immense chaos of San-Culottism, became a King. Hero-worship never fades, nor can it fade. Loyalty and Sovereignty are eternal in the world:—and what’s important about them is that they are based on realness and sincerity, not on decorations and appearances. Not by closing your eyes, your "private judgment;" no, but by opening them and having something to see! Luther’s message was the removal and annulment of all false Popes and Rulers, but it offered life and strength, even from a distance, to new, genuine ones.
All this of Liberty and Equality, Electoral suffrages, Independence and so forth, we will take, therefore, to be a temporary phenomenon, by no means a final one. Though likely to last a long time, with sad enough embroilments for us all, we must welcome it, as the penalty of sins that are past, the pledge of inestimable benefits that are coming. In all ways, it behooved men to quit simulacra and return to fact; cost what it might, that did behoove to be done. With spurious Popes, and Believers having no private judgment,—quacks pretending to command over dupes,—what can you do? Misery and mischief only. You cannot make an association out of insincere men; you cannot build an edifice except by plummet and level,—at right-angles to one another! In all this wild revolutionary work, from Protestantism downwards, I see the blessedest result preparing itself: not abolition of Hero-worship, but rather what I would call a whole World of Heroes. If Hero mean sincere man, why may not every one of us be a Hero? A world all sincere, a believing world: the like has been; the like will again be,—cannot help being. That were the right sort of Worshippers for Heroes: never could the truly Better be so reverenced as where all were True and Good!—But we must hasten to Luther and his Life.
All this talk about Liberty and Equality, voting rights, Independence, and so on, we should consider a temporary situation, definitely not a final one. Although it might last a long time, with enough conflicts for all of us, we need to embrace it as a consequence of past mistakes and a promise of valuable benefits ahead. In every way, it’s essential for people to stop pretending and return to reality; whatever the cost, it needs to be done. With fake leaders and followers lacking personal judgment—charlatans pretending to control the gullible—what can you expect? Just suffering and chaos. You can’t form a community with insincere people; you can’t construct a solid foundation without proper measurements—everything has to be perpendicular to each other! In all this chaotic revolutionary activity, from Protestantism onward, I see a wonderful outcome taking shape: not the end of idolizing heroes, but rather what I would describe as a whole world of Heroes. If a Hero means a sincere person, why can’t we all be Heroes? A world full of sincerity, a world of believers: it has happened before; it will happen again—it can't be avoided. That would be the right kind of Worshippers for Heroes: truly Better people could never be honored as much as where everyone was True and Good!—But we need to move on to Luther and his Life.
Luther's birthplace was Eisleben in Saxony; he came into the world there on the 10th of November, 1483. It was an accident that gave this honor to Eisleben. His parents, poor mine-laborers in a village of that region, named Mohra, had gone to the Eisleben Winter-Fair: in the tumult of this scene the Frau Luther was taken with travail, found refuge in some poor house there, and the boy she bore was named MARTIN LUTHER. Strange enough to reflect upon it. This poor Frau Luther, she had gone with her husband to make her small merchandisings; perhaps to sell the lock of yarn she had been spinning, to buy the small winter-necessaries for her narrow hut or household; in the whole world, that day, there was not a more entirely unimportant-looking pair of people than this Miner and his Wife. And yet what were all Emperors, Popes and Potentates, in comparison? There was born here, once more, a Mighty Man; whose light was to flame as the beacon over long centuries and epochs of the world; the whole world and its history was waiting for this man. It is strange, it is great. It leads us back to another Birth-hour, in a still meaner environment, Eighteen Hundred years ago,—of which it is fit that we say nothing, that we think only in silence; for what words are there! The Age of Miracles past? The Age of Miracles is forever here—!
Luther was born in Eisleben, Saxony, on November 10, 1483. It was a coincidence that gave Eisleben this honor. His parents, poor mine workers from a nearby village called Mohra, had gone to the Eisleben Winter Fair. In the chaos of that event, Frau Luther went into labor and found refuge in a modest home there, where she gave birth to her son, MARTIN LUTHER. It’s quite remarkable to think about. This poor Frau Luther went with her husband to sell some small items; maybe she was selling a bit of yarn she had spun to buy winter essentials for their humble home. At that moment, there wasn’t a more ordinary-looking couple in the world than this miner and his wife. Yet, what were all the Emperors, Popes, and powerful people in comparison? Here, once again, a great man was born—someone whose influence would shine as a beacon for centuries and significant periods in history. The entire world and its history were waiting for him. It’s strange and profound. It reminds us of another birth, in an even humbler setting, 1800 years ago—about which we should say nothing and only think in silence; for what words can capture it? The Age of Miracles is over? The Age of Miracles is always present!
I find it altogether suitable to Luther's function in this Earth, and doubtless wisely ordered to that end by the Providence presiding over him and us and all things, that he was born poor, and brought up poor, one of the poorest of men. He had to beg, as the school-children in those times did; singing for alms and bread, from door to door. Hardship, rigorous Necessity was the poor boy's companion; no man nor no thing would put on a false face to flatter Martin Luther. Among things, not among the shows of things, had he to grow. A boy of rude figure, yet with weak health, with his large greedy soul, full of all faculty and sensibility, he suffered greatly. But it was his task to get acquainted with realities, and keep acquainted with them, at whatever cost: his task was to bring the whole world back to reality, for it had dwelt too long with semblance! A youth nursed up in wintry whirlwinds, in desolate darkness and difficulty, that he may step forth at last from his stormy Scandinavia, strong as a true man, as a god: a Christian Odin,—a right Thor once more, with his thunder-hammer, to smite asunder ugly enough Jotuns and Giant-monsters!
I think it’s completely fitting for Luther’s role on this Earth, and surely arranged wisely by the Higher Power that governs him, us, and everything, that he was born poor and raised in poverty, one of the poorest men. He had to beg, like schoolchildren of that time did, singing for money and food, going from door to door. Hardship and strict necessity were the poor boy’s constant companions; no one and nothing would pretend to flatter Martin Luther. He had to grow among realities, not illusions. A boy of rough appearance but weak health, with his large, hungry soul full of talent and emotion, he suffered greatly. But his mission was to get to know realities and stay connected to them, no matter the cost: his task was to bring the entire world back to reality, as it had lingered too long with mere appearances! A youth raised amidst winter storms and desolate darkness and struggle, so that he could finally emerge from his tumultuous Scandinavia, strong like a true man, like a god: a Christian Odin—a true Thor once more, wielding his thunder-hammer to smash apart the ugly Jotuns and giant monsters!
Perhaps the turning incident of his life, we may fancy, was that death of his friend Alexis, by lightning, at the gate of Erfurt. Luther had struggled up through boyhood, better and worse; displaying, in spite of all hindrances, the largest intellect, eager to learn: his father judging doubtless that he might promote himself in the world, set him upon the study of Law. This was the path to rise; Luther, with little will in it either way, had consented: he was now nineteen years of age. Alexis and he had been to see the old Luther people at Mansfeldt; were got back again near Erfurt, when a thunder-storm came on; the bolt struck Alexis, he fell dead at Luther's feet. What is this Life of ours?—gone in a moment, burnt up like a scroll, into the blank Eternity! What are all earthly preferments, Chancellorships, Kingships? They lie shrunk together—there! The Earth has opened on them; in a moment they are not, and Eternity is. Luther, struck to the heart, determined to devote himself to God and God's service alone. In spite of all dissuasions from his father and others, he became a Monk in the Augustine Convent at Erfurt.
The pivotal moment in his life was probably the death of his friend Alexis, struck by lightning at the gate of Erfurt. Luther had navigated his childhood, facing ups and downs, showing an eager mind and a strong desire to learn despite the obstacles. His father believed that he could make something of himself in the world and encouraged him to study law. This was the way to advance; Luther, indifferent either way, agreed to it at the age of nineteen. He and Alexis had visited the old Luther family in Mansfeldt and were returning near Erfurt when a thunderstorm hit; the lightning struck Alexis, and he collapsed dead at Luther's feet. What is this life of ours? —gone in an instant, consumed like a scroll, into the vast Eternity! What do all earthly positions, Chancellorships, Kingships mean? They all shrink away—there! The Earth has opened up beneath them; in a moment they're gone, and Eternity remains. Devastated, Luther resolved to dedicate his life solely to God and His service. Despite opposition from his father and others, he became a monk in the Augustine Convent at Erfurt.
This was probably the first light-point in the history of Luther, his purer will now first decisively uttering itself; but, for the present, it was still as one light-point in an element all of darkness. He says he was a pious monk, ich bin ein frommer Monch gewesen; faithfully, painfully struggling to work out the truth of this high act of his; but it was to little purpose. His misery had not lessened; had rather, as it were, increased into infinitude. The drudgeries he had to do, as novice in his Convent, all sorts of slave-work, were not his grievance: the deep earnest soul of the man had fallen into all manner of black scruples, dubitations; he believed himself likely to die soon, and far worse than die. One hears with a new interest for poor Luther that, at this time, he lived in terror of the unspeakable misery; fancied that he was doomed to eternal reprobation. Was it not the humble sincere nature of the man? What was he, that he should be raised to Heaven! He that had known only misery, and mean slavery: the news was too blessed to be credible. It could not become clear to him how, by fasts, vigils, formalities and mass-work, a man's soul could be saved. He fell into the blackest wretchedness; had to wander staggering as on the verge of bottomless Despair.
This was probably the first moment of clarity in Luther's life, with his true intentions finally coming to light; yet, for now, it was just a single point of light in a vast sea of darkness. He claimed he was a devout monk, ich bin ein frommer Monch gewesen; tirelessly and painfully trying to grasp the truth of his significant actions, but it seemed futile. His suffering hadn’t diminished; if anything, it had increased to an unimaginable extent. The hard labor he had to endure as a novice in the convent—various menial tasks—was not his main issue: his deeply earnest soul had fallen into a whirlpool of dark doubts and scruples. He believed he was likely to die soon, and even worse than death. It’s striking to learn that at this time, he lived in fear of unimaginable despair, convinced that he was destined for eternal damnation. Wasn’t it the humble and sincere nature of the man? What right did he have to expect to be welcomed into Heaven! He had only known misery and servitude: the idea was too good to be true. He couldn’t understand how, through fasting, vigil, rituals, and mass, a person’s soul could be saved. He sank into the deepest despair, wandering as if on the brink of bottomless futility.
It must have been a most blessed discovery, that of an old Latin Bible which he found in the Erfurt Library about this time. He had never seen the Book before. It taught him another lesson than that of fasts and vigils. A brother monk too, of pious experience, was helpful. Luther learned now that a man was saved not by singing masses, but by the infinite grace of God: a more credible hypothesis. He gradually got himself founded, as on the rock. No wonder he should venerate the Bible, which had brought this blessed help to him. He prized it as the Word of the Highest must be prized by such a man. He determined to hold by that; as through life and to death he firmly did.
It must have been a truly incredible discovery when he found an old Latin Bible in the Erfurt Library around this time. He had never seen the book before. It taught him a lesson beyond just fasting and keeping vigil. A fellow monk with pious experience was also helpful. Luther learned that a person is saved not by singing masses, but by God's infinite grace: a much more believable idea. He gradually built his foundation on this truth. It's no surprise he came to cherish the Bible, which had provided him such vital guidance. He valued it as the Word of God should be valued by someone like him. He resolved to stick to this belief; and throughout his life, and even in death, he truly did.
This, then, is his deliverance from darkness, his final triumph over darkness, what we call his conversion; for himself the most important of all epochs. That he should now grow daily in peace and clearness; that, unfolding now the great talents and virtues implanted in him, he should rise to importance in his Convent, in his country, and be found more and more useful in all honest business of life, is a natural result. He was sent on missions by his Augustine Order, as a man of talent and fidelity fit to do their business well: the Elector of Saxony, Friedrich, named the Wise, a truly wise and just prince, had cast his eye on him as a valuable person; made him Professor in his new University of Wittenberg, Preacher too at Wittenberg; in both which capacities, as in all duties he did, this Luther, in the peaceable sphere of common life, was gaining more and more esteem with all good men.
This, then, is his escape from darkness, his ultimate victory over it, what we refer to as his conversion; for himself, the most significant of all times. That he should now grow each day in peace and clarity; that, as he reveals the great talents and virtues within him, he should rise to prominence in his Convent, in his country, and become increasingly useful in all honest pursuits of life, is a natural outcome. He was sent on missions by his Augustine Order, recognized as a capable and trustworthy man suited for their tasks: the Elector of Saxony, Friedrich, known as the Wise, a truly wise and just ruler, had noticed him as a valuable individual; appointed him Professor at his new University of Wittenberg, and also Preacher there; in both roles, as in all his responsibilities, this Luther, within the peaceful realm of everyday life, was earning greater and greater respect from all good people.
It was in his twenty-seventh year that he first saw Rome; being sent thither, as I said, on mission from his Convent. Pope Julius the Second, and what was going on at Rome, must have filled the mind of Luther with amazement. He had come as to the Sacred City, throne of God's High-priest on Earth; and he found it—what we know! Many thoughts it must have given the man; many which we have no record of, which perhaps he did not himself know how to utter. This Rome, this scene of false priests, clothed not in the beauty of holiness, but in far other vesture, is false: but what is it to Luther? A mean man he, how shall he reform a world? That was far from his thoughts. A humble, solitary man, why should he at all meddle with the world? It was the task of quite higher men than he. His business was to guide his own footsteps wisely through the world. Let him do his own obscure duty in it well; the rest, horrible and dismal as it looks, is in God's hand, not in his.
It was in his twenty-seventh year when he first saw Rome, sent there on a mission from his Convent. Pope Julius II and what was happening in Rome must have filled Luther's mind with astonishment. He had come to the Holy City, the seat of God's High Priest on Earth, and found it—well, we know what it was! It must have sparked many thoughts in him, many of which we have no record of and which he might not have known how to express himself. This Rome, this place of false priests, dressed not in the beauty of holiness but in something else entirely, is false: but what does it mean to Luther? He’s just an ordinary man; how could he reform the world? That was far from his mind. As a humble, solitary man, why should he even interfere with the world? That was the job of much greater men than he. His role was to navigate his own path wisely through the world. He should focus on doing his own small duty well; the rest, terrible and bleak as it may seem, is in God’s hands, not his.
It is curious to reflect what might have been the issue, had Roman Popery happened to pass this Luther by; to go on in its great wasteful orbit, and not come athwart his little path, and force him to assault it! Conceivable enough that, in this case, he might have held his peace about the abuses of Rome; left Providence, and God on high, to deal with them! A modest quiet man; not prompt he to attack irreverently persons in authority. His clear task, as I say, was to do his own duty; to walk wisely in this world of confused wickedness, and save his own soul alive. But the Roman High-priesthood did come athwart him: afar off at Wittenberg he, Luther, could not get lived in honesty for it; he remonstrated, resisted, came to extremity; was struck at, struck again, and so it came to wager of battle between them! This is worth attending to in Luther's history. Perhaps no man of so humble, peaceable a disposition ever filled the world with contention. We cannot but see that he would have loved privacy, quiet diligence in the shade; that it was against his will he ever became a notoriety. Notoriety: what would that do for him? The goal of his march through this world was the Infinite Heaven; an indubitable goal for him: in a few years, he should either have attained that, or lost it forever! We will say nothing at all, I think, of that sorrowfulest of theories, of its being some mean shopkeeper grudge, of the Augustine Monk against the Dominican, that first kindled the wrath of Luther, and produced the Protestant Reformation. We will say to the people who maintain it, if indeed any such exist now: Get first into the sphere of thought by which it is so much as possible to judge of Luther, or of any man like Luther, otherwise than distractedly; we may then begin arguing with you.
It's interesting to think about what might have happened if Roman Catholicism had ignored Luther and continued on its way without crossing his path, forcing him to challenge it. It's quite possible that, in that scenario, he would have stayed silent about the abuses of the Church and left it to God to handle it. He was a modest, quiet man, not quick to attack those in power. His clear responsibility was to do his own duty, navigate wisely through this confusing world of wickedness, and save his own soul. But the Roman Church did clash with him: from a distance in Wittenberg, Luther found it impossible to live honestly without addressing their issues; he protested, resisted, reached a breaking point, was attacked, and struck back, leading to a battle between them. This aspect of Luther's story is important. No man with such a humble, peaceful disposition has ever created so much controversy in the world. It's clear he would have preferred a life of privacy and diligent work behind the scenes; he never sought out notoriety. What good would that bring him? His aim in this world was the Infinite Heaven, a certain destination for him: in a few years, he would either reach it or lose it forever! Let's not dwell on the unfortunate idea that it was merely a petty rivalry between an Augustinian monk and a Dominican that sparked Luther's anger and led to the Protestant Reformation. To those who still hold that view, if such people even exist today, we say: first, try to understand the mindset necessary to truly evaluate Luther or anyone like him without being distracted; then we can start to have a discussion.
The Monk Tetzel, sent out carelessly in the way of trade, by Leo Tenth,—who merely wanted to raise a little money, and for the rest seems to have been a Pagan rather than a Christian, so far as he was anything,—arrived at Wittenberg, and drove his scandalous trade there. Luther's flock bought Indulgences; in the confessional of his Church, people pleaded to him that they had already got their sins pardoned. Luther, if he would not be found wanting at his own post, a false sluggard and coward at the very centre of the little space of ground that was his own and no other man's, had to step forth against Indulgences, and declare aloud that they were a futility and sorrowful mockery, that no man's sins could be pardoned by them. It was the beginning of the whole Reformation. We know how it went; forward from this first public challenge of Tetzel, on the last day of October, 1517, through remonstrance and argument;—spreading ever wider, rising ever higher; till it became unquenchable, and enveloped all the world. Luther's heart's desire was to have this grief and other griefs amended; his thought was still far other than that of introducing separation in the Church, or revolting against the Pope, Father of Christendom.—The elegant Pagan Pope cared little about this Monk and his doctrines; wished, however, to have done with the noise of him: in a space of some three years, having tried various softer methods, he thought good to end it by fire. He dooms the Monk's writings to be burnt by the hangman, and his body to be sent bound to Rome,—probably for a similar purpose. It was the way they had ended with Huss, with Jerome, the century before. A short argument, fire. Poor Huss: he came to that Constance Council, with all imaginable promises and safe-conducts; an earnest, not rebellious kind of man: they laid him instantly in a stone dungeon "three feet wide, six feet high, seven feet long;" burnt the true voice of him out of this world; choked it in smoke and fire. That was not well done!
The Monk Tetzel, sent carelessly on a mission by Leo X, who was simply looking to raise some funds and seemed more of a Pagan than a Christian, arrived in Wittenberg and started his scandalous business there. Luther's congregation purchased Indulgences; in the confessional of his church, people told him they had already had their sins forgiven. Luther, not wanting to be seen as a lazy coward at the very center of the small territory that was his and no one else's, had to stand up against Indulgences and declare loudly that they were useless and a sad mockery, that no one's sins could be forgiven through them. This was the beginning of the entire Reformation. We know how it unfolded; starting from this first public challenge to Tetzel on the last day of October 1517, through protests and debates, it spread further and gained momentum until it became unstoppable and affected the whole world. Luther's true desire was to address this issue and other grievances; his thinking was far removed from wanting to create a division in the Church or revolt against the Pope, the Father of Christendom. The sophisticated Pagan Pope didn’t care much about this Monk and his beliefs; however, he wanted to silence him. After trying various gentler approaches over the course of about three years, he decided to end it with fire. He condemned the Monk's writings to be burned by the executioner and ordered that his body be sent bound to Rome, likely for a similar fate. This was the method they had used to silence Huss and Jerome a century earlier. A quick resolution: fire. Poor Huss came to the Council of Constance with every imaginable promise and safe conduct; he was a sincere, not rebellious man. They immediately placed him in a stone cell “three feet wide, six feet high, seven feet long;" and burned his true voice out of this world, suffocating it in smoke and fire. That was not right!
I, for one, pardon Luther for now altogether revolting against the Pope. The elegant Pagan, by this fire-decree of his, had kindled into noble just wrath the bravest heart then living in this world. The bravest, if also one of the humblest, peaceablest; it was now kindled. These words of mine, words of truth and soberness, aiming faithfully, as human inability would allow, to promote God's truth on Earth, and save men's souls, you, God's vicegerent on earth, answer them by the hangman and fire? You will burn me and them, for answer to the God's-message they strove to bring you? You are not God's vicegerent; you are another's than his, I think! I take your Bull, as an emparchmented Lie, and burn it. You will do what you see good next: this is what I do.—It was on the 10th of December, 1520, three years after the beginning of the business, that Luther, "with a great concourse of people," took this indignant step of burning the Pope's fire-decree "at the Elster-Gate of Wittenberg." Wittenberg looked on "with shoutings;" the whole world was looking on. The Pope should not have provoked that "shout"! It was the shout of the awakening of nations. The quiet German heart, modest, patient of much, had at length got more than it could bear. Formulism, Pagan Popeism, and other Falsehood and corrupt Semblance had ruled long enough: and here once more was a man found who durst tell all men that God's-world stood not on semblances but on realities; that Life was a truth, and not a lie!
I, for one, forgive Luther for completely rebelling against the Pope. The refined Pagan, through this decree, ignited a noble and just anger in the bravest heart alive in the world at that time. The bravest, though also one of the humblest and most peaceful; now that fire was lit. These words of mine, words of truth and seriousness, aim to sincerely promote God's truth on Earth and save people's souls, but you, God's representative on Earth, respond with execution and fire? You plan to burn me and them as a reply to the divine message they tried to deliver to you? You are not God's representative; I think you serve another master! I take your Bull, which is a fabricated Lie, and burn it. You will do what seems right to you next: this is what I do. — It was on the 10th of December, 1520, three years after this all began, that Luther, "with a great crowd of people," took the defiant step of burning the Pope's decree "at the Elster-Gate of Wittenberg." Wittenberg watched "with cheers;" the entire world was watching. The Pope should not have stirred that "cheer!" It was the cry of nations awakening. The calm German spirit, modest and patient for so long, had finally reached its breaking point. Formalism, Pagan Papacy, and other Falsehoods and corrupt Facades had ruled long enough: and once again, a man was found who dared to tell everyone that God's world is based on realities, not appearances; that Life is a truth, not a lie!
At bottom, as was said above, we are to consider Luther as a Prophet Idol-breaker; a bringer-back of men to reality. It is the function of great men and teachers. Mahomet said, These idols of yours are wood; you put wax and oil on them, the flies stick on them: they are not God, I tell you, they are black wood! Luther said to the Pope, This thing of yours that you call a Pardon of Sins, it is a bit of rag-paper with ink. It is nothing else; it, and so much like it, is nothing else. God alone can pardon sins. Popeship, spiritual Fatherhood of God's Church, is that a vain semblance, of cloth and parchment? It is an awful fact. God's Church is not a semblance, Heaven and Hell are not semblances. I stand on this, since you drive me to it. Standing on this, I a poor German Monk am stronger than you all. I stand solitary, friendless, but on God's Truth; you with your tiaras, triple-hats, with your treasuries and armories, thunders spiritual and temporal, stand on the Devil's Lie, and are not so strong—!
Ultimately, as mentioned earlier, we need to see Luther as a prophet and a destroyer of idols; a person who brings people back to reality. This is the role of great individuals and teachers. Muhammad said, "These idols of yours are just wood; you cover them with wax and oil, and the flies stick to them: they're not God, I’m telling you, they're just black wood!" Luther told the Pope, "This thing you call a Pardon of Sins is just a piece of rag-paper with ink on it. It’s nothing more than that; it’s exactly that, nothing else. Only God can forgive sins. The Papacy, the spiritual Fatherhood of God’s Church—is that just a hollow appearance, made of cloth and parchment? That's a harsh reality. God’s Church isn't an illusion; Heaven and Hell aren’t illusions. I stand firm on this, since you push me to it. Standing firm on this, I, a poor German monk, am stronger than all of you. I stand alone, friendless, but on God’s Truth; while you, with your tiaras, triple-crowns, treasures, and armories, and your spiritual and temporal threats, stand on the Devil’s Lie, and you’re not that strong—!
The Diet of Worms, Luther's appearance there on the 17th of April, 1521, may be considered as the greatest scene in Modern European History; the point, indeed, from which the whole subsequent history of civilization takes its rise. After multiplied negotiations, disputations, it had come to this. The young Emperor Charles Fifth, with all the Princes of Germany, Papal nuncios, dignitaries spiritual and temporal, are assembled there: Luther is to appear and answer for himself, whether he will recant or not. The world's pomp and power sits there on this hand: on that, stands up for God's Truth, one man, the poor miner Hans Luther's Son. Friends had reminded him of Huss, advised him not to go; he would not be advised. A large company of friends rode out to meet him, with still more earnest warnings; he answered, "Were there as many Devils in Worms as there are roof-tiles, I would on." The people, on the morrow, as he went to the Hall of the Diet, crowded the windows and house-tops, some of them calling out to him, in solemn words, not to recant: "Whosoever denieth me before men!" they cried to him,—as in a kind of solemn petition and adjuration. Was it not in reality our petition too, the petition of the whole world, lying in dark bondage of soul, paralyzed under a black spectral Nightmare and triple-hatted Chimera, calling itself Father in God, and what not: "Free us; it rests with thee; desert us not!"
The Diet of Worms, where Luther appeared on April 17, 1521, is regarded as one of the most significant events in Modern European History; it marks the point from which the entire history of civilization begins. After numerous negotiations and debates, it had come to this. The young Emperor Charles V, along with all the Princes of Germany, Papal envoys, and both spiritual and secular dignitaries, were gathered there: Luther was to stand and defend himself, deciding whether or not he would recant. On one side was the wealth and power of the world; on the other, stood one man, the poor miner's son Hans Luther, standing for God's Truth. Friends had warned him about Huss and advised against going; he refused to listen. A large group of friends rode out to meet him, delivering even more serious warnings; he replied, "Even if there were as many devils in Worms as there are roof tiles, I would go." The next day, as he made his way to the Hall of the Diet, the people crowded the windows and rooftops, some calling out to him in solemn tones, urging him not to recant: "Whoever denies me before men!" they cried, as a sort of solemn plea and declaration. Was this not, in fact, our petition too, the plea of the entire world, trapped in a dark soul prison, paralyzed under a black spectral nightmare and the triple-hatted beast calling itself Father in God and other names: "Free us; it’s up to you; don’t abandon us!"
Luther did not desert us. His speech, of two hours, distinguished itself by its respectful, wise and honest tone; submissive to whatsoever could lawfully claim submission, not submissive to any more than that. His writings, he said, were partly his own, partly derived from the Word of God. As to what was his own, human infirmity entered into it; unguarded anger, blindness, many things doubtless which it were a blessing for him could he abolish altogether. But as to what stood on sound truth and the Word of God, he could not recant it. How could he? "Confute me," he concluded, "by proofs of Scripture, or else by plain just arguments: I cannot recant otherwise. For it is neither safe nor prudent to do aught against conscience. Here stand I; I can do no other: God assist me!"—It is, as we say, the greatest moment in the Modern History of Men. English Puritanism, England and its Parliaments, Americas, and vast work these two centuries; French Revolution, Europe and its work everywhere at present: the germ of it all lay there: had Luther in that moment done other, it had all been otherwise! The European World was asking him: Am I to sink ever lower into falsehood, stagnant putrescence, loathsome accursed death; or, with whatever paroxysm, to cast the falsehoods out of me, and be cured and live?—
Luther didn’t abandon us. His two-hour speech was marked by a respectful, wise, and honest tone; he was submissive to anything that could justly demand submission, but not to anything beyond that. He said that his writings were partly his own and partly based on the Word of God. Where his own thoughts were concerned, human weakness played a role; unguarded anger, ignorance, and many things that he would be better off without. But regarding what was based on true principles and the Word of God, he couldn’t back down. How could he? “Refute me,” he concluded, “with proof from Scripture, or with straightforward, just arguments: I can’t recant otherwise. It’s neither safe nor wise to act against my conscience. Here I stand; I can do no other: God help me!” — This is, as we say, one of the most significant moments in Modern History. English Puritanism, England and its Parliaments, the Americas, and the immense work of these two centuries; the French Revolution, Europe and its ongoing transformations: the seed of it all was planted right there. If Luther had made a different choice in that moment, everything would have been different! The European world was asking him: Am I to continue sinking deeper into falsehood, stagnant decay, and repulsive death; or, despite the struggle, can I rid myself of these falsehoods and be healed and live?
Great wars, contentions and disunion followed out of this Reformation; which last down to our day, and are yet far from ended. Great talk and crimination has been made about these. They are lamentable, undeniable; but after all, what has Luther or his cause to do with them? It seems strange reasoning to charge the Reformation with all this. When Hercules turned the purifying river into King Augeas's stables, I have no doubt the confusion that resulted was considerable all around: but I think it was not Hercules's blame; it was some other's blame! The Reformation might bring what results it liked when it came, but the Reformation simply could not help coming. To all Popes and Popes' advocates, expostulating, lamenting and accusing, the answer of the world is: Once for all, your Popehood has become untrue. No matter how good it was, how good you say it is, we cannot believe it; the light of our whole mind, given us to walk by from Heaven above, finds it henceforth a thing unbelievable. We will not believe it, we will not try to believe it,—we dare not! The thing is untrue; we were traitors against the Giver of all Truth, if we durst pretend to think it true. Away with it; let whatsoever likes come in the place of it: with it we can have no farther trade!—Luther and his Protestantism is not responsible for wars; the false Simulacra that forced him to protest, they are responsible. Luther did what every man that God has made has not only the right, but lies under the sacred duty, to do: answered a Falsehood when it questioned him, Dost thou believe me?—No!—At what cost soever, without counting of costs, this thing behooved to be done. Union, organization spiritual and material, a far nobler than any Popedom or Feudalism in their truest days, I never doubt, is coming for the world; sure to come. But on Fact alone, not on Semblance and Simulacrum, will it be able either to come, or to stand when come. With union grounded on falsehood, and ordering us to speak and act lies, we will not have anything to do. Peace? A brutal lethargy is peaceable, the noisome grave is peaceable. We hope for a living peace, not a dead one!
Great wars, conflicts, and divisions followed the Reformation; and they continue to this day, far from being resolved. There has been a lot of discussion and blame regarding these issues. They are unfortunate and undeniable; but in the end, what do Luther or his cause have to do with them? It seems unreasonable to hold the Reformation responsible for all of this. When Hercules cleaned King Augeas's stables with a purifying river, the chaos that followed was certainly significant all around: but it wasn’t Hercules’s fault; it was someone else's fault! The Reformation could produce whatever results it would, but it simply could not be stopped from happening. To all the Popes and their supporters, who are complaining, mourning, and accusing, the world’s answer is: Once and for all, your Papacy has become untrue. No matter how good it was or how good you claim it is, we can’t believe it; the light of our minds, given to us from Heaven above, has found it to be unbelievable from now on. We will not believe it, we will not try to believe it—we dare not! The thing is untrue; we would be betraying the Giver of all Truth if we even pretended to think it was true. Away with it; let whatever comes in its place! With it, we want no further dealings! Luther and his Protestantism are not responsible for wars; the false images that forced him to protest are the ones to blame. Luther did what everyone created by God has not only the right but the sacred duty to do: he answered a Falsehood when it challenged him, "Do you believe me?"—"No!"—At whatever cost, without counting the costs, this needed to be done. A union, a spiritual and material organization that is far nobler than any Papacy or Feudalism in their best days, is surely on its way for the world; it is bound to come. But it can only come based on Fact, not on Appearance and False Images, and it will not stand when it arrives. We will have nothing to do with a union built on falsehoods that demands we speak and act lies. Peace? A brutal lethargy is peaceful, and a foul grave is peaceful. We hope for a living peace, not a dead one!
And yet, in prizing justly the indispensable blessings of the New, let us not be unjust to the Old. The Old was true, if it no longer is. In Dante's days it needed no sophistry, self-blinding or other dishonesty, to get itself reckoned true. It was good then; nay there is in the soul of it a deathless good. The cry of "No Popery" is foolish enough in these days. The speculation that Popery is on the increase, building new chapels and so forth, may pass for one of the idlest ever started. Very curious: to count up a few Popish chapels, listen to a few Protestant logic-choppings,—to much dull-droning drowsy inanity that still calls itself Protestant, and say: See, Protestantism is dead; Popeism is more alive than it, will be alive after it!—Drowsy inanities, not a few, that call themselves Protestant are dead; but Protestantism has not died yet, that I hear of! Protestantism, if we will look, has in these days produced its Goethe, its Napoleon; German Literature and the French Revolution; rather considerable signs of life! Nay, at bottom, what else is alive but Protestantism? The life of most else that one meets is a galvanic one merely,—not a pleasant, not a lasting sort of life!
And yet, while we rightly appreciate the essential blessings of the New, let’s not disregard the Old. The Old was true, even if it isn’t anymore. In Dante's time, it didn’t require any tricks, delusions, or dishonesty to be recognized as true. It was good then; in fact, it contains a lasting goodness at its core. The shout of "No Popery" is pretty silly these days. The idea that Popery is growing, with new chapels and all, might be one of the most pointless speculations around. It’s quite interesting: to add up a few Catholic chapels, listen to some Protestant arguments—mostly dull, repetitive nonsense that still calls itself Protestant—and then say: Look, Protestantism is dead; Catholicism is more alive than it and will outlast it! Sure, there are plenty of dull arguments that call themselves Protestant and are dead; but Protestantism isn't dead yet, as far as I can tell! If we take a closer look, Protestantism has produced its Goethe, its Napoleon; German Literature and the French Revolution; pretty significant signs of life! In fact, what else is truly alive other than Protestantism? The existence of most other things we encounter is just a flicker of life—neither pleasant nor lasting!
Popery can build new chapels; welcome to do so, to all lengths. Popery cannot come back, any more than Paganism can,—which also still lingers in some countries. But, indeed, it is with these things, as with the ebbing of the sea: you look at the waves oscillating hither, thither on the beach; for minutes you cannot tell how it is going; look in half an hour where it is,—look in half a century where your Popehood is! Alas, would there were no greater danger to our Europe than the poor old Pope's revival! Thor may as soon try to revive.—And withal this oscillation has a meaning. The poor old Popehood will not die away entirely, as Thor has done, for some time yet; nor ought it. We may say, the Old never dies till this happen, Till all the soul of good that was in it have got itself transfused into the practical New. While a good work remains capable of being done by the Romish form; or, what is inclusive of all, while a pious life remains capable of being led by it, just so long, if we consider, will this or the other human soul adopt it, go about as a living witness of it. So long it will obtrude itself on the eye of us who reject it, till we in our practice too have appropriated whatsoever of truth was in it. Then, but also not till then, it will have no charm more for any man. It lasts here for a purpose. Let it last as long as it can.—
Popery can build new chapels; it’s free to do so, no limits. Popery can't return, just like Paganism can't—which still exists in some places. But, honestly, this is like the ebb and flow of the sea: you watch the waves moving back and forth on the shore; for minutes, you can't tell where it's headed; check back in half an hour to see its position—or look back in fifty years to see where your Popehood stands! Alas, I wish there were no greater threat to our Europe than the poor old Pope's comeback! Thor might as well try to revive himself. And this back-and-forth has its significance. The poor old Popehood won't completely fade away, unlike Thor, for a while yet; nor should it. We could say that the Old never truly dies until all the good within it has been transformed into something practical and New. As long as there's a positive contribution that can be made by the Roman Catholic form, or, to put it broadly, as long as a pious life can still be lived through it, then some human soul will embrace it and act as a living testament to it. It will keep presenting itself to those of us who reject it, until we, in our actions, have also claimed whatever truth was in it. Only then, and not before, will it lose its appeal to anyone. It exists for a reason. Let it persist as long as it can.—
Of Luther I will add now, in reference to all these wars and bloodshed, the noticeable fact that none of them began so long as he continued living. The controversy did not get to fighting so long as he was there. To me it is proof of his greatness in all senses, this fact. How seldom do we find a man that has stirred up some vast commotion, who does not himself perish, swept away in it! Such is the usual course of revolutionists. Luther continued, in a good degree, sovereign of this greatest revolution; all Protestants, of what rank or function soever, looking much to him for guidance: and he held it peaceable, continued firm at the centre of it. A man to do this must have a kingly faculty: he must have the gift to discern at all turns where the true heart of the matter lies, and to plant himself courageously on that, as a strong true man, that other true men may rally round him there. He will not continue leader of men otherwise. Luther's clear deep force of judgment, his force of all sorts, of silence, of tolerance and moderation, among others, are very notable in these circumstances.
Regarding Luther, I’ll mention now, in connection with all these wars and bloodshed, the interesting fact that none of them started while he was still alive. The conflict didn’t escalate to violence as long as he was around. To me, this fact proves his greatness in every sense. How rarely do we see a person who incites such a massive upheaval without being swept away by it! This is typically how revolutionaries meet their end. Luther largely remained in control of this significant revolution; all Protestants, regardless of their rank or role, looked to him for guidance: and he maintained a peaceful stance, staying firmly at the center of it all. To accomplish this, a person must possess a kingly ability: they need to have the insight to recognize, at every turn, where the true essence of the issue lies and to stand resolutely on that point, as a strong and genuine individual, so that other true individuals can rally around him. He won’t remain a leader of people otherwise. Luther’s clear, deep judgment, along with his strength in various forms, including silence, tolerance, and moderation, stand out significantly in these circumstances.
Tolerance, I say; a very genuine kind of tolerance: he distinguishes what is essential, and what is not; the unessential may go very much as it will. A complaint comes to him that such and such a Reformed Preacher "will not preach without a cassock." Well, answers Luther, what harm will a cassock do the man? "Let him have a cassock to preach in; let him have three cassocks if he find benefit in them!" His conduct in the matter of Karlstadt's wild image-breaking; of the Anabaptists; of the Peasants' War, shows a noble strength, very different from spasmodic violence. With sure prompt insight he discriminates what is what: a strong just man, he speaks forth what is the wise course, and all men follow him in that. Luther's Written Works give similar testimony of him. The dialect of these speculations is now grown obsolete for us; but one still reads them with a singular attraction. And indeed the mere grammatical diction is still legible enough; Luther's merit in literary history is of the greatest: his dialect became the language of all writing. They are not well written, these Four-and-twenty Quartos of his; written hastily, with quite other than literary objects. But in no Books have I found a more robust, genuine, I will say noble faculty of a man than in these. A rugged honesty, homeliness, simplicity; a rugged sterling sense and strength. He dashes out illumination from him; his smiting idiomatic phrases seem to cleave into the very secret of the matter. Good humor too, nay tender affection, nobleness and depth: this man could have been a Poet too! He had to work an Epic Poem, not write one. I call him a great Thinker; as indeed his greatness of heart already betokens that.
Tolerance, I say; a genuine kind of tolerance: he knows the difference between what matters and what doesn't; the unimportant can be left alone. Someone complains to him that a certain Reformed preacher "won't preach without a robe." Well, Luther replies, what harm does a robe do? "Let him wear a robe to preach in; let him have three robes if that helps him!" His actions regarding Karlstadt's reckless iconoclasm, the Anabaptists, and the Peasants' War show a noble strength that's very different from erratic violence. With sharp insight, he knows what’s what: a strong and just man, he articulates the wise path, and everyone follows him. Luther's written works reflect this too. The language of these writings may seem outdated to us now, but they still hold a unique appeal. In fact, the grammar is still clear enough; Luther's impact on literary history is immense: his style became the language of written communication. These twenty-four quartos of his aren't exactly well-written; they were done quickly, with purposes other than literary ones. Yet, I haven't encountered a more robust, authentic, and I dare say noble expression of a person than in these works. There’s a raw honesty, simplicity, and solid sense. He sparks insight with his words; his striking phrases seem to reach the core of the matter. There's good humor, even a tender affection, nobility, and depth: this man could have been a poet too! He had to work an epic poem rather than just write one. I consider him a great thinker; his big heart shows that.
Richter says of Luther's words, "His words are half-battles." They may be called so. The essential quality of him was, that he could fight and conquer; that he was a right piece of human Valor. No more valiant man, no mortal heart to be called braver, that one has record of, ever lived in that Teutonic Kindred, whose character is valor. His defiance of the "Devils" in Worms was not a mere boast, as the like might be if now spoken. It was a faith of Luther's that there were Devils, spiritual denizens of the Pit, continually besetting men. Many times, in his writings, this turns up; and a most small sneer has been grounded on it by some. In the room of the Wartburg where he sat translating the Bible, they still show you a black spot on the wall; the strange memorial of one of these conflicts. Luther sat translating one of the Psalms; he was worn down with long labor, with sickness, abstinence from food: there rose before him some hideous indefinable Image, which he took for the Evil One, to forbid his work: Luther started up, with fiend-defiance; flung his inkstand at the spectre, and it disappeared! The spot still remains there; a curious monument of several things. Any apothecary's apprentice can now tell us what we are to think of this apparition, in a scientific sense: but the man's heart that dare rise defiant, face to face, against Hell itself, can give no higher proof of fearlessness. The thing he will quail before exists not on this Earth or under it.—Fearless enough! "The Devil is aware," writes he on one occasion, "that this does not proceed out of fear in me. I have seen and defied innumerable Devils. Duke George," of Leipzig, a great enemy of his, "Duke George is not equal to one Devil,"—far short of a Devil! "If I had business at Leipzig, I would ride into Leipzig, though it rained Duke Georges for nine days running." What a reservoir of Dukes to ride into—!
Richter says of Luther's words, "His words are half-battles." They can definitely be called that. His main quality was that he could fight and win; he was a true example of human bravery. No one braver, no mortal with more courage, has been recorded in that Teutonic lineage, which is known for valor. His defiance of the "Devils" in Worms wasn't just talk, unlike how it might be viewed today. Luther firmly believed that there were Devils, spiritual beings from the Pit, constantly tormenting humans. This belief shows up many times in his writings, and some have sneered at it. In the Wartburg room where he sat translating the Bible, there's still a black spot on the wall, a peculiar reminder of one of these struggles. Luther was translating one of the Psalms; he was exhausted from long work, illness, and lack of food when a hideous, undefinable image appeared before him, which he took as the Evil One trying to stop his work. Luther jumped up, defiantly confronting the demon, threw his inkstand at the apparition, and it vanished! The spot remains there, a fascinating monument to several things. Any modern apothecary’s apprentice could explain this apparition scientifically, but the heart of a man who can face off against Hell itself shows no greater proof of fearlessness. What he would truly fear does not exist on this Earth or beneath it.—Fearless enough! "The Devil knows," he writes on one occasion, "that this doesn’t come from fear in me. I have seen and defied countless Devils. Duke George," of Leipzig, a major enemy of his, "Duke George isn’t even equal to one Devil"—not even close! "If I had business in Leipzig, I would ride in there, even if it rained Duke Georges for nine days straight." What a collection of Dukes to ride into—!
At the same time, they err greatly who imagine that this man's courage was ferocity, mere coarse disobedient obstinacy and savagery, as many do. Far from that. There may be an absence of fear which arises from the absence of thought or affection, from the presence of hatred and stupid fury. We do not value the courage of the tiger highly! With Luther it was far otherwise; no accusation could be more unjust than this of mere ferocious violence brought against him. A most gentle heart withal, full of pity and love, as indeed the truly valiant heart ever is. The tiger before a stronger foe—flies: the tiger is not what we call valiant, only fierce and cruel. I know few things more touching than those soft breathings of affection, soft as a child's or a mother's, in this great wild heart of Luther. So honest, unadulterated with any cant; homely, rude in their utterance; pure as water welling from the rock. What, in fact, was all that down-pressed mood of despair and reprobation, which we saw in his youth, but the outcome of pre-eminent thoughtful gentleness, affections too keen and fine? It is the course such men as the poor Poet Cowper fall into. Luther to a slight observer might have seemed a timid, weak man; modesty, affectionate shrinking tenderness the chief distinction of him. It is a noble valor which is roused in a heart like this, once stirred up into defiance, all kindled into a heavenly blaze.
At the same time, it's a big mistake to think that this man's courage was just brute force, stubbornness, or savagery, as many believe. It's quite the opposite. There can be a lack of fear that stems from a lack of thought or love, fueled by hatred and mindless rage. We don't hold the courage of a tiger in high regard! With Luther, it was very different; no accusation could be more unfair than labeling him as just a violent beast. He had a gentle heart, full of compassion and love, which is what a truly brave heart always has. The tiger flees when faced with a stronger enemy; it isn't what we consider brave, just fierce and cruel. I know few things more touching than those soft expressions of affection, gentle as a child's or a mother's, in Luther's great wild heart. They are honest, free of any pretense; simple and raw in their expression; pure as water springing from a rock. What was that deep despair and rejection we saw in his youth, if not the result of an extraordinary kindness, with emotions that were too intense and refined? Many men like the unfortunate poet Cowper struggle in this way. To a casual observer, Luther might have seemed timid and weak; his modesty and tender affection were his most notable traits. It's a noble bravery that awakens in a heart like this once it's stirred into defiance, ignited into a divine passion.
In Luther's Table-Talk, a posthumous Book of anecdotes and sayings collected by his friends, the most interesting now of all the Books proceeding from him, we have many beautiful unconscious displays of the man, and what sort of nature he had. His behavior at the death-bed of his little Daughter, so still, so great and loving, is among the most affecting things. He is resigned that his little Magdalene should die, yet longs inexpressibly that she might live;—follows, in awe-struck thought, the flight of her little soul through those unknown realms. Awe-struck; most heartfelt, we can see; and sincere,—for after all dogmatic creeds and articles, he feels what nothing it is that we know, or can know: His little Magdalene shall be with God, as God wills; for Luther too that is all; Islam is all.
In Luther's Table-Talk, a posthumous collection of anecdotes and sayings gathered by his friends, which is now considered one of the most interesting works from him, we find many beautiful and unintentional glimpses into his character and nature. His behavior at the deathbed of his little daughter is incredibly moving—so calm, so profound, and so loving. He accepts that his little Magdalene is going to die but deeply wishes she could live; he contemplates in awe the journey of her small soul into the unknown. It's clear that he is filled with genuine emotion and sincerity, for despite all the dogmatic beliefs and doctrines, he understands how little we truly know or can know. His little Magdalene will be with God, as God decides; to Luther, that is everything; Islam is everything.
Once, he looks out from his solitary Patmos, the Castle of Coburg, in the middle of the night: The great vault of Immensity, long flights of clouds sailing through it,—dumb, gaunt, huge:—who supports all that? "None ever saw the pillars of it; yet it is supported." God supports it. We must know that God is great, that God is good; and trust, where we cannot see.—Returning home from Leipzig once, he is struck by the beauty of the harvest-fields: How it stands, that golden yellow corn, on its fair taper stem, its golden head bent, all rich and waving there,—the meek Earth, at God's kind bidding, has produced it once again; the bread of man!—In the garden at Wittenberg one evening at sunset, a little bird has perched for the night: That little bird, says Luther, above it are the stars and deep Heaven of worlds; yet it has folded its little wings; gone trustfully to rest there as in its home: the Maker of it has given it too a home!—Neither are mirthful turns wanting: there is a great free human heart in this man. The common speech of him has a rugged nobleness, idiomatic, expressive, genuine; gleams here and there with beautiful poetic tints. One feels him to be a great brother man. His love of Music, indeed, is not this, as it were, the summary of all these affections in him? Many a wild unutterability he spoke forth from him in the tones of his flute. The Devils fled from his flute, he says. Death-defiance on the one hand, and such love of music on the other; I could call these the two opposite poles of a great soul; between these two all great things had room.
Once, he looks out from his solitary place on Patmos, the Castle of Coburg, in the middle of the night: The vast sky above, long streams of clouds drifting through it—silent, lean, immense—who holds all of that up? "No one has ever seen its supports; yet it is upheld." God carries it. We must understand that God is great, that God is good; and trust when we cannot see. Returning home from Leipzig one time, he is struck by the beauty of the harvest fields: How it stands, that golden corn, on its slender stem, its golden head bowing, rich and swaying there—the humble Earth, at God's gentle command, has produced it once more; the bread of man! In the garden at Wittenberg one evening at sunset, a little bird has settled down for the night: That little bird, says Luther, above it are the stars and the vast heavens; yet it has folded its tiny wings and trustfully gone to rest there as if it were at home: the Creator has given it a home too! Neither are joyful moments lacking: there is a great free human heart in this man. His everyday speech has a rugged nobility, idiomatic, expressive, genuine; it sparkles with beautiful poetic hues here and there. One feels him to be a truly great brother. His love for music, indeed, is not this, in a way, the essence of all these feelings within him? Many deep, unutterable thoughts flowed from him through the notes of his flute. The devils fled from his flute, he says. Defiance against death on one hand, and such a love for music on the other; I could call these the two opposites of a great soul; between these two, all great things found their place.
Luther's face is to me expressive of him; in Kranach's best portraits I find the true Luther. A rude plebeian face; with its huge crag-like brows and bones, the emblem of rugged energy; at first, almost a repulsive face. Yet in the eyes especially there is a wild silent sorrow; an unnamable melancholy, the element of all gentle and fine affections; giving to the rest the true stamp of nobleness. Laughter was in this Luther, as we said; but tears also were there. Tears also were appointed him; tears and hard toil. The basis of his life was Sadness, Earnestness. In his latter days, after all triumphs and victories, he expresses himself heartily weary of living; he considers that God alone can and will regulate the course things are taking, and that perhaps the Day of Judgment is not far. As for him, he longs for one thing: that God would release him from his labor, and let him depart and be at rest. They understand little of the man who cite this in discredit of him!—I will call this Luther a true Great Man; great in intellect, in courage, affection and integrity; one of our most lovable and precious men. Great, not as a hewn obelisk; but as an Alpine mountain,—so simple, honest, spontaneous, not setting up to be great at all; there for quite another purpose than being great! Ah yes, unsubduable granite, piercing far and wide into the Heavens; yet in the clefts of it fountains, green beautiful valleys with flowers! A right Spiritual Hero and Prophet; once more, a true Son of Nature and Fact, for whom these centuries, and many that are to come yet, will be thankful to Heaven.
Luther's face really expresses who he is; in Kranach's best portraits, I see the real Luther. A rough, common face with huge, rugged brows and bones, symbolizing raw energy—at first glance, it's almost a repulsive face. Yet in his eyes, there's a wild, silent sorrow; an indescribable melancholy that carries all gentle and fine feelings, giving the rest of him a real mark of nobility. Laughter was part of this Luther, as we said; but so were tears. Tears were also part of his life, along with hard work. The foundation of his life was Sadness and Seriousness. In his later years, after all his triumphs and victories, he expressed that he was deeply weary of living; he believed that only God could and would guide the course of events, and that perhaps the Day of Judgment wasn't far off. For him, there was only one thing he longed for: to be released by God from his labor, to depart, and to find rest. Those who use this to discredit him truly misunderstand the man! I will call this Luther a true Great Man; great in intellect, courage, affection, and integrity; one of our most lovable and valuable people. Great, not like a carved monument; but like an Alpine mountain—so simple, honest, and spontaneous, not trying to be great at all; existing for a purpose other than being great! Ah yes, unyielding granite, reaching far into the Heavens; yet in its crevices, there are springs, green beautiful valleys filled with flowers! A true Spiritual Hero and Prophet; once again, a real Son of Nature and Reality, for whom these centuries and many more to come will be grateful to Heaven.
The most interesting phasis which the Reformation anywhere assumes, especially for us English, is that of Puritanism. In Luther's own country Protestantism soon dwindled into a rather barren affair: not a religion or faith, but rather now a theological jangling of argument, the proper seat of it not the heart; the essence of it sceptical contention: which indeed has jangled more and more, down to Voltaireism itself,—through Gustavus-Adolphus contentions onwards to French-Revolution ones! But in our Island there arose a Puritanism, which even got itself established as a Presbyterianism and National Church among the Scotch; which came forth as a real business of the heart; and has produced in the world very notable fruit. In some senses, one may say it is the only phasis of Protestantism that ever got to the rank of being a Faith, a true heart-communication with Heaven, and of exhibiting itself in History as such. We must spare a few words for Knox; himself a brave and remarkable man; but still more important as Chief Priest and Founder, which one may consider him to be, of the Faith that became Scotland's, New England's, Oliver Cromwell's. History will have something to say about this, for some time to come!
The most interesting phase of the Reformation, especially for us English, is Puritanism. In Luther's own country, Protestantism quickly turned into a rather empty movement—not really a religion or faith, but more like a theological debate with no heart behind it; the essence became skeptical arguments that continued to clash, right through to Voltaireism—from the disputes of Gustavus Adolphus to those of the French Revolution! But in our Island, Puritanism emerged, which even established itself as Presbyterianism and a National Church among the Scots. It came forth as a genuine matter of the heart and has produced very notable results in the world. In some ways, you could say it’s the only phase of Protestantism that ever reached the status of being a true Faith, a real heart-to-heart connection with Heaven, and evidenced itself in History as such. We should mention Knox briefly; he was a brave and remarkable man, but even more significant as the Chief Priest and Founder of the Faith that became Scotland's, New England's, and Oliver Cromwell's. History will have plenty to say about this for quite some time!
We may censure Puritanism as we please; and no one of us, I suppose, but would find it a very rough defective thing. But we, and all men, may understand that it was a genuine thing; for Nature has adopted it, and it has grown, and grows. I say sometimes, that all goes by wager-of-battle in this world; that strength, well understood, is the measure of all worth. Give a thing time; if it can succeed, it is a right thing. Look now at American Saxondom; and at that little Fact of the sailing of the Mayflower, two hundred years ago, from Delft Haven in Holland! Were we of open sense as the Greeks were, we had found a Poem here; one of Nature's own Poems, such as she writes in broad facts over great continents. For it was properly the beginning of America: there were straggling settlers in America before, some material as of a body was there; but the soul of it was first this. These poor men, driven out of their own country, not able well to live in Holland, determine on settling in the New World. Black untamed forests are there, and wild savage creatures; but not so cruel as Star-chamber hangmen. They thought the Earth would yield them food, if they tilled honestly; the everlasting heaven would stretch, there too, overhead; they should be left in peace, to prepare for Eternity by living well in this world of Time; worshipping in what they thought the true, not the idolatrous way. They clubbed their small means together; hired a ship, the little ship Mayflower, and made ready to set sail.
We can criticize Puritanism all we want, and I imagine we would all agree it has many rough edges. However, we—and everyone—can recognize that it was authentic; Nature has embraced it, and it has evolved and continues to evolve. I sometimes say that everything in this world is determined by a test of strength, where true strength is the measure of all worth. Give something time; if it succeeds, it is a valid thing. Just look at American Saxondom and that significant moment when the Mayflower sailed from Delft Haven in Holland two hundred years ago! If we had the open-mindedness of the Greeks, we would see a poem in this—a poem written by Nature herself, expressed through tremendous events across vast continents. This was the true beginning of America: there had been some wandering settlers before, and there was some material presence, but this was the heart and soul of it. These poor men, driven out of their homeland and unable to thrive in Holland, decided to settle in the New World. They faced dark, wild forests and fierce creatures, but none as brutal as the hangmen of the Star Chamber. They believed the Earth would provide for them if they farmed honestly; the boundless sky would still stretch overhead; they hoped to live in peace, using their time on Earth to prepare for eternity by living righteously and worshipping in what they considered the true way, not the idolatrous one. They pooled their limited resources, hired a ship—the little Mayflower—and got ready to set sail.
In Neal's History of the Puritans [Neal (London, 1755), i. 490] is an account of the ceremony of their departure: solemnity, we might call it rather, for it was a real act of worship. Their minister went down with them to the beach, and their brethren whom they were to leave behind; all joined in solemn prayer, That God would have pity on His poor children, and go with them into that waste wilderness, for He also had made that, He was there also as well as here.—Hah! These men, I think, had a work! The weak thing, weaker than a child, becomes strong one day, if it be a true thing. Puritanism was only despicable, laughable then; but nobody can manage to laugh at it now. Puritanism has got weapons and sinews; it has firearms, war-navies; it has cunning in its ten fingers, strength in its right arm; it can steer ships, fell forests, remove mountains;—it is one of the strongest things under this sun at present!
In Neal's History of the Puritans [Neal (London, 1755), i. 490] is an account of the ceremony of their departure: solemnity, we might call it rather, for it was a real act of worship. Their minister went down with them to the beach, and their brethren whom they were leaving behind; all joined in solemn prayer, asking that God would have pity on His poor children and go with them into that desolate wilderness, for He had created it as well, and He was there just as much as He was here.—Hah! These men, I think, had a mission! The weak thing, weaker than a child, can become strong one day, if it is a true thing. Puritanism was once seen as despicable, laughable; but nobody can laugh at it now. Puritanism has gained weapons and strength; it has firearms, navies; it has skill in its ten fingers, power in its right arm; it can navigate ships, cut down forests, move mountains;—it is one of the strongest forces under this sun today!
In the history of Scotland, too, I can find properly but one epoch: we may say, it contains nothing of world-interest at all but this Reformation by Knox. A poor barren country, full of continual broils, dissensions, massacrings; a people in the last state of rudeness and destitution; little better perhaps than Ireland at this day. Hungry fierce barons, not so much as able to form any arrangement with each other how to divide what they fleeced from these poor drudges; but obliged, as the Colombian Republics are at this day, to make of every alteration a revolution; no way of changing a ministry but by hanging the old ministers on gibbets: this is a historical spectacle of no very singular significance! "Bravery" enough, I doubt not; fierce fighting in abundance: but not braver or fiercer than that of their old Scandinavian Sea-king ancestors; whose exploits we have not found worth dwelling on! It is a country as yet without a soul: nothing developed in it but what is rude, external, semi-animal. And now at the Reformation, the internal life is kindled, as it were, under the ribs of this outward material death. A cause, the noblest of causes kindles itself, like a beacon set on high; high as Heaven, yet attainable from Earth;—whereby the meanest man becomes not a Citizen only, but a Member of Christ's visible Church; a veritable Hero, if he prove a true man!
In Scotland’s history, I can identify really just one significant period: it has hardly anything of global interest except for the Reformation led by Knox. It was a poor, barren country, full of constant fighting, conflicts, and massacres; its people were in a state of extreme rudeness and poverty, not much better than Ireland today. Hungry, fierce barons couldn’t even agree on how to split what they took from these poor laborers; they were forced, much like the Colombian Republics today, to turn every change into a revolution; the only way to change a government was by hanging the old leaders on gallows. This isn’t a historical event of great significance! There was certainly "bravery"; plenty of fierce fighting: but it wasn’t any braver or fiercer than that of their old Scandinavian Sea-king ancestors, whose feats we haven’t found worth discussing! It was a country still without a soul: only the rough, superficial, semi-animal side was developed. And now, at the Reformation, the inner life begins to spark, so to speak, beneath the surface of this outward material death. A cause, the noblest of causes, ignites like a beacon set high; high as Heaven, yet reachable from Earth;—through which the humblest man becomes not just a Citizen but a Member of Christ's visible Church; a true Hero, if he proves to be a genuine person!
Well; this is what I mean by a whole "nation of heroes;" a believing nation. There needs not a great soul to make a hero; there needs a god-created soul which will be true to its origin; that will be a great soul! The like has been seen, we find. The like will be again seen, under wider forms than the Presbyterian: there can be no lasting good done till then.—Impossible! say some. Possible? Has it not been, in this world, as a practiced fact? Did Hero-worship fail in Knox's case? Or are we made of other clay now? Did the Westminster Confession of Faith add some new property to the soul of man? God made the soul of man. He did not doom any soul of man to live as a Hypothesis and Hearsay, in a world filled with such, and with the fatal work and fruit of such—!
Well, this is what I mean by a whole "nation of heroes;" a believing nation. You don't need a great person to make a hero; you just need a god-created soul that stays true to its origins; that will be a great soul! We've seen this before, and we will see it again, in even broader forms than the Presbyterian: no real good can happen until then. —Impossible! some say. Possible? Hasn’t it happened in this world before, as a fact? Did hero-worship fail in Knox's case? Or are we made of different stuff now? Did the Westminster Confession of Faith give some new quality to the soul of man? God created the soul of man. He didn't condemn any soul of man to live as just a theory and hearsay, in a world filled with such things, along with the deadly consequences of them—!
But to return: This that Knox did for his Nation, I say, we may really call a resurrection as from death. It was not a smooth business; but it was welcome surely, and cheap at that price, had it been far rougher. On the whole, cheap at any price!—as life is. The people began to live: they needed first of all to do that, at what cost and costs soever. Scotch Literature and Thought, Scotch Industry; James Watt, David Hume, Walter Scott, Robert Burns: I find Knox and the Reformation acting in the heart's core of every one of these persons and phenomena; I find that without the Reformation they would not have been. Or what of Scotland? The Puritanism of Scotland became that of England, of New England. A tumult in the High Church of Edinburgh spread into a universal battle and struggle over all these realms;—there came out, after fifty years' struggling, what we all call the "Glorious Revolution" a Habeas Corpus Act, Free Parliaments, and much else!—Alas, is it not too true what we said, That many men in the van do always, like Russian soldiers, march into the ditch of Schweidnitz, and fill it up with their dead bodies, that the rear may pass over them dry-shod, and gain the honor? How many earnest rugged Cromwells, Knoxes, poor Peasant Covenanters, wrestling, battling for very life, in rough miry places, have to struggle, and suffer, and fall, greatly censured, bemired,—before a beautiful Revolution of Eighty-eight can step over them in official pumps and silk-stockings, with universal three-times-three!
But to get back to the point: What Knox did for his nation can truly be called a resurrection from the dead. It wasn’t an easy process; however, it was welcomed and worth it, even if it had been much tougher. Overall, worth any cost!—just like life itself. The people started to live: that was their first necessity, no matter what it took. Scottish literature and thought, Scottish industry; James Watt, David Hume, Walter Scott, Robert Burns: I see Knox and the Reformation at the core of each of these individuals and developments; without the Reformation, they wouldn’t have existed. What about Scotland? The Puritanism of Scotland turned into that of England and New England. A conflict in the High Church of Edinburgh led to a widespread battle throughout all these regions; after fifty years of struggle, we got what we now refer to as the "Glorious Revolution," a Habeas Corpus Act, Free Parliaments, and much more!—Sadly, isn’t it true what we’ve said, that many men at the front, like Russian soldiers, march into the ditch of Schweidnitz and fill it with their dead bodies so that those behind can cross over dry-shod and take the glory? How many passionate, tough Cromwells, Knoxes, and poor Peasant Covenanters, struggling for their very lives in harsh muddy places, have to endure pain and suffering and fall, heavily criticized, mired,—before a glorious Revolution of ’88 can step over them in official shoes and silk stockings, with a universal three-times-three!
It seems to me hard measure that this Scottish man, now after three hundred years, should have to plead like a culprit before the world; intrinsically for having been, in such way as it was then possible to be, the bravest of all Scotchmen! Had he been a poor Half-and-half, he could have crouched into the corner, like so many others; Scotland had not been delivered; and Knox had been without blame. He is the one Scotchman to whom, of all others, his country and the world owe a debt. He has to plead that Scotland would forgive him for having been worth to it any million "unblamable" Scotchmen that need no forgiveness! He bared his breast to the battle; had to row in French galleys, wander forlorn in exile, in clouds and storms; was censured, shot at through his windows; had a right sore fighting life: if this world were his place of recompense, he had made but a bad venture of it. I cannot apologize for Knox. To him it is very indifferent, these two hundred and fifty years or more, what men say of him. But we, having got above all those details of his battle, and living now in clearness on the fruits of his victory, we, for our own sake, ought to look through the rumors and controversies enveloping the man, into the man himself.
It seems unfair that this Scottish man, after three hundred years, should have to defend himself like a criminal in front of the world; fundamentally for having been, in the way it was possible back then, the bravest of all Scots! If he had been a mediocre person, he could have hidden away, like so many others; Scotland would not have been freed, and Knox would have no blame. He is the one Scot to whom his country and the world owe a debt. He has to argue that Scotland would forgive him for being worth more than any million "blameless" Scots who need no forgiveness! He faced battles head-on; had to row in French galleys, wander alone in exile, through storms and hardships; was criticized, shot at through his windows; had a truly difficult life full of fighting: if this world were where he got his rewards, he would have made a poor investment. I cannot apologize for Knox. To him, it really doesn't matter, for the past two hundred and fifty years or more, what people say about him. But we, having moved past all the details of his struggles, and living now in the clarity of his victories, should, for our own sake, look beyond the rumors and controversies surrounding the man, and see the man himself.
For one thing, I will remark that this post of Prophet to his Nation was not of his seeking; Knox had lived forty years quietly obscure, before he became conspicuous. He was the son of poor parents; had got a college education; become a Priest; adopted the Reformation, and seemed well content to guide his own steps by the light of it, nowise unduly intruding it on others. He had lived as Tutor in gentlemen's families; preaching when any body of persons wished to hear his doctrine: resolute he to walk by the truth, and speak the truth when called to do it; not ambitious of more; not fancying himself capable of more. In this entirely obscure way he had reached the age of forty; was with the small body of Reformers who were standing siege in St. Andrew's Castle,—when one day in their chapel, the Preacher after finishing his exhortation to these fighters in the forlorn hope, said suddenly, That there ought to be other speakers, that all men who had a priest's heart and gift in them ought now to speak;—which gifts and heart one of their own number, John Knox the name of him, had: Had he not? said the Preacher, appealing to all the audience: what then is his duty? The people answered affirmatively; it was a criminal forsaking of his post, if such a man held the word that was in him silent. Poor Knox was obliged to stand up; he attempted to reply; he could say no word;—burst into a flood of tears, and ran out. It is worth remembering, that scene. He was in grievous trouble for some days. He felt what a small faculty was his for this great work. He felt what a baptism he was called to be baptized withal. He "burst into tears."
For one thing, I’ll point out that this role of Prophet to his Nation wasn’t something he sought out; Knox lived for forty years in quiet obscurity before becoming well-known. He was the son of poor parents, received a college education, became a Priest, embraced the Reformation, and seemed quite happy to navigate his own path by its light, never forcing it on others. He lived as a tutor in wealthy families, preaching whenever a group wanted to hear his teachings: determined to follow the truth and speak it when necessary; not aspiring to more than that; not believing he was meant for anything greater. He reached the age of forty in this completely obscure way and was with the small group of Reformers besieged in St. Andrew’s Castle when, one day in their chapel, the preacher finished his exhortation to these fighters in their hopeless cause and suddenly said that there should be other speakers, that all men with a priest's heart and gift should now speak;—and among them was one of their own, John Knox. Hadn’t he? the preacher asked the audience: what, then, is his duty? The people responded affirmatively; it would be a serious neglect of his responsibility if a man like him kept silent about what he had to say. Poor Knox was compelled to stand up; he tried to respond but couldn’t find any words; he broke down in tears and ran out. It’s worth remembering that moment. He was in deep turmoil for several days. He realized how inadequate he felt for such a significant task. He understood the heavy burden he was being called to take on. He "burst into tears."
Our primary characteristic of a Hero, that he is sincere, applies emphatically to Knox. It is not denied anywhere that this, whatever might be his other qualities or faults, is among the truest of men. With a singular instinct he holds to the truth and fact; the truth alone is there for him, the rest a mere shadow and deceptive nonentity. However feeble, forlorn the reality may seem, on that and that only can he take his stand. In the Galleys of the River Loire, whither Knox and the others, after their Castle of St. Andrew's was taken, had been sent as Galley-slaves,—some officer or priest, one day, presented them an Image of the Virgin Mother, requiring that they, the blasphemous heretics, should do it reverence. Mother? Mother of God? said Knox, when the turn came to him: This is no Mother of God: this is "a pented bredd,"—a piece of wood, I tell you, with paint on it! She is fitter for swimming, I think, than for being worshipped, added Knox; and flung the thing into the river. It was not very cheap jesting there: but come of it what might, this thing to Knox was and must continue nothing other than the real truth; it was a pented bredd: worship it he would not.
Our main trait of a Hero, that he is sincere, definitely applies to Knox. No one denies that, no matter his other qualities or faults, he is one of the truest men. With a unique instinct, he clings to the truth and fact; the truth is all he sees, while everything else is just a shadow and an illusion. No matter how weak or hopeless reality may appear, that is where he stands. When Knox and the others were sent as galley slaves to the Galleys of the River Loire after their Castle of St. Andrew's was captured, some officer or priest presented them with an image of the Virgin Mother, insisting that they, the blasphemous heretics, should show it reverence. "Mother? Mother of God?" Knox responded when it was his turn. "This is no Mother of God; this is a 'pented bredd'—a piece of wood, I tell you, with paint on it! I think she’s better off swimming than being worshipped," Knox added, and threw the thing into the river. It wasn’t really a cheap joke, but no matter what happened, for Knox, this was and would always be nothing but the plain truth; it was a 'pented bredd': worship it he would not.
He told his fellow-prisoners, in this darkest time, to be of courage; the Cause they had was the true one, and must and would prosper; the whole world could not put it down. Reality is of God's making; it is alone strong. How many pented bredds, pretending to be real, are fitter to swim than to be worshipped!—This Knox cannot live but by fact: he clings to reality as the shipwrecked sailor to the cliff. He is an instance to us how a man, by sincerity itself, becomes heroic: it is the grand gift he has. We find in Knox a good honest intellectual talent, no transcendent one;—a narrow, inconsiderable man, as compared with Luther: but in heartfelt instinctive adherence to truth, in sincerity, as we say, he has no superior; nay, one might ask, What equal he has? The heart of him is of the true Prophet cast. "He lies there," said the Earl of Morton at his grave, "who never feared the face of man." He resembles, more than any of the moderns, an Old-Hebrew Prophet. The same inflexibility, intolerance, rigid narrow-looking adherence to God's truth, stern rebuke in the name of God to all that forsake truth: an Old-Hebrew Prophet in the guise of an Edinburgh Minister of the Sixteenth Century. We are to take him for that; not require him to be other.
He told his fellow prisoners, during this darkest time, to be brave; the cause they believed in was the right one and would succeed; the whole world couldn't crush it. Reality is created by God; it is the only thing that is truly strong. How many fake beliefs, pretending to be real, are better suited to swimming than being worshipped!—This Knox can only survive by sticking to the facts: he clings to reality like a shipwrecked sailor clings to a cliff. He shows us how a person can become heroic through sincerity alone: that is his great gift. We find in Knox a solid, honest intellectual talent, but not an extraordinary one; he is a limited, insignificant man compared to Luther: but in his heartfelt, instinctive commitment to truth, in sincerity, he has no equal; one might even ask who can match him. The core of him is that of a true prophet. "He lies there," said the Earl of Morton at his grave, "who never feared the face of man." He resembles, more than any modern figure, an Old Hebrew prophet. He has the same inflexible, intolerant, rigid adherence to God's truth, sternly rebuking anyone who forsakes it: an Old Hebrew prophet disguised as a 16th-century minister in Edinburgh. We should accept him as such and not expect him to be anything else.
Knox's conduct to Queen Mary, the harsh visits he used to make in her own palace, to reprove her there, have been much commented upon. Such cruelty, such coarseness fills us with indignation. On reading the actual narrative of the business, what Knox said, and what Knox meant, I must say one's tragic feeling is rather disappointed. They are not so coarse, these speeches; they seem to me about as fine as the circumstances would permit! Knox was not there to do the courtier; he came on another errand. Whoever, reading these colloquies of his with the Queen, thinks they are vulgar insolences of a plebeian priest to a delicate high lady, mistakes the purport and essence of them altogether. It was unfortunately not possible to be polite with the Queen of Scotland, unless one proved untrue to the Nation and Cause of Scotland. A man who did not wish to see the land of his birth made a hunting-field for intriguing ambitious Guises, and the Cause of God trampled underfoot of Falsehoods, Formulas and the Devil's Cause, had no method of making himself agreeable! "Better that women weep," said Morton, "than that bearded men be forced to weep." Knox was the constitutional opposition-party in Scotland: the Nobles of the country, called by their station to take that post, were not found in it; Knox had to go, or no one. The hapless Queen;—but the still more hapless Country, if she were made happy! Mary herself was not without sharpness enough, among her other qualities: "Who are you," said she once, "that presume to school the nobles and sovereign of this realm?"—"Madam, a subject born within the same," answered he. Reasonably answered! If the "subject" have truth to speak, it is not the "subject's" footing that will fail him here.—
Knox's behavior towards Queen Mary, especially the harsh visits he paid to her palace to criticize her, has been widely discussed. Such cruelty and rudeness fill us with anger. However, after reading the actual accounts of what Knox said and meant, I have to say that it ends up feeling less tragic than expected. His words aren’t as crude as they first seem; they appear to be as refined as the situation allowed! Knox wasn’t trying to be a courtier; he had a different purpose. Anyone who reads these exchanges between him and the Queen and thinks they're just vulgar insults from a common priest to a refined lady totally misses their true meaning. Unfortunately, it wasn’t possible to be polite with the Queen of Scotland without betraying the country and its cause. A man who didn’t want to see his homeland turned into a playground for scheming Guises, with God’s cause trampled by lies, had no way to be agreeable! “Better that women weep,” said Morton, “than that bearded men be forced to weep.” Knox was the constitutional opposition in Scotland: the nobles who should have taken that role were absent, so Knox had to step up. The unfortunate Queen; but even more unfortunate was the country, if she were made happy! Mary herself had her own sharpness, among her other traits: “Who are you,” she once asked, “to presume to lecture the nobles and sovereign of this realm?” — “Madam, I am a subject born within it,” he replied. A reasonable answer! If the “subject” has the truth on his side, his status won’t undermine him here.
We blame Knox for his intolerance. Well, surely it is good that each of us be as tolerant as possible. Yet, at bottom, after all the talk there is and has been about it, what is tolerance? Tolerance has to tolerate the unessential; and to see well what that is. Tolerance has to be noble, measured, just in its very wrath, when it can tolerate no longer. But, on the whole, we are not altogether here to tolerate! We are here to resist, to control and vanquish withal. We do not "tolerate" Falsehoods, Thieveries, Iniquities, when they fasten on us; we say to them, Thou art false, thou art not tolerable! We are here to extinguish Falsehoods, and put an end to them, in some wise way! I will not quarrel so much with the way; the doing of the thing is our great concern. In this sense Knox was, full surely, intolerant.
We blame Knox for his intolerance. Sure, it's important for each of us to be as tolerant as possible. But when you think about it, what is tolerance really? Tolerance must accept what’s not essential, and we need to understand what that is. Tolerance should be noble, measured, and fair even in its anger when it can’t accept something anymore. However, overall, we aren't just here to tolerate! We are here to resist, control, and overcome. We don’t "tolerate" falsehoods, thefts, or injustices when they come at us; we say to them, "You are false, you are intolerable!" We’re here to eradicate falsehoods and put an end to them in some way! I won't argue too much about how to do it; taking action is our main focus. In this regard, Knox was definitely intolerant.
A man sent to row in French Galleys, and such like, for teaching the Truth in his own land, cannot always be in the mildest humor! I am not prepared to say that Knox had a soft temper; nor do I know that he had what we call an ill temper. An ill nature he decidedly had not. Kind honest affections dwelt in the much-enduring, hard-worn, ever-battling man. That he could rebuke Queens, and had such weight among those proud turbulent Nobles, proud enough whatever else they were; and could maintain to the end a kind of virtual Presidency and Sovereignty in that wild realm, he who was only "a subject born within the same:" this of itself will prove to us that he was found, close at hand, to be no mean acrid man; but at heart a healthful, strong, sagacious man. Such alone can bear rule in that kind. They blame him for pulling down cathedrals, and so forth, as if he were a seditious rioting demagogue: precisely the reverse is seen to be the fact, in regard to cathedrals and the rest of it, if we examine! Knox wanted no pulling down of stone edifices; he wanted leprosy and darkness to be thrown out of the lives of men. Tumult was not his element; it was the tragic feature of his life that he was forced to dwell so much in that. Every such man is the born enemy of Disorder; hates to be in it: but what then? Smooth Falsehood is not Order; it is the general sum-total of Disorder. Order is Truth,—each thing standing on the basis that belongs to it: Order and Falsehood cannot subsist together.
A man sent to row in French galleys and similar places for teaching the Truth in his own country can't always be in the best mood! I’m not saying Knox had a gentle temperament, nor do I know if he had what we now call a bad temper. He definitely did not have a bad nature. Kind and honest feelings lived in this enduring, hard-working, ever-fighting man. The fact that he could rebuke queens and commanded such influence among those proud, turbulent nobles—who were proud for whatever reasons they had—and could maintain a kind of virtual presidency and sovereignty in that wild land, even though he was just "a subject born within the same," proves that he was clearly not a mean or bitter man; at his core, he was a healthy, strong, wise man. Only someone like that can truly lead in such a situation. They criticize him for taking down cathedrals and similar actions, as if he were a riotous troublemaker: the exact opposite is true when we take a closer look! Knox wanted no destruction of stone buildings; he wanted leprosy and darkness removed from people's lives. Chaos was not where he thrived; it was tragically a big part of his life. Every such man is a natural enemy of disorder; he hates being caught up in it. But what can you do? Smooth deceit is not order; it’s the overall essence of disorder. True order is Truth—each thing properly positioned on its rightful basis: Order and Falsehood cannot coexist.
Withal, unexpectedly enough, this Knox has a vein of drollery in him; which I like much, in combination with his other qualities. He has a true eye for the ridiculous. His History, with its rough earnestness, is curiously enlivened with this. When the two Prelates, entering Glasgow Cathedral, quarrel about precedence; march rapidly up, take to hustling one another, twitching one another's rochets, and at last flourishing their crosiers like quarter-staves, it is a great sight for him every way! Not mockery, scorn, bitterness alone; though there is enough of that too. But a true, loving, illuminating laugh mounts up over the earnest visage; not a loud laugh; you would say, a laugh in the eyes most of all. An honest-hearted, brotherly man; brother to the high, brother also to the low; sincere in his sympathy with both. He had his pipe of Bourdeaux too, we find, in that old Edinburgh house of his; a cheery social man, with faces that loved him! They go far wrong who think this Knox was a gloomy, spasmodic, shrieking fanatic. Not at all: he is one of the solidest of men. Practical, cautious-hopeful, patient; a most shrewd, observing, quietly discerning man. In fact, he has very much the type of character we assign to the Scotch at present: a certain sardonic taciturnity is in him; insight enough; and a stouter heart than he himself knows of. He has the power of holding his peace over many things which do not vitally concern him,—"They? what are they?" But the thing which does vitally concern him, that thing he will speak of; and in a tone the whole world shall be made to hear: all the more emphatic for his long silence.
Unexpectedly enough, this Knox has a sense of humor that I really appreciate, especially when combined with his other qualities. He genuinely sees the ridiculous side of things. His History, with its serious tone, is interestingly brightened by this. When the two Prelates enter Glasgow Cathedral, argue about who comes first, quickly start shoving each other, tugging at each other's robes, and finally waving their crosiers like weapons, he finds it quite the spectacle! It's not just mockery, scorn, or bitterness—though there's plenty of that too. It's a true, affectionate, illuminating laugh that shines through his serious demeanor; not a loud laugh, but more of a laugh in his eyes. He’s an honest, brotherly man; a brother to both the high and the low; genuinely sympathetic to both. We also find he enjoyed his pipe of Bordeaux in that old house of his in Edinburgh; a cheerful social guy, beloved by those around him! Those who think Knox was a gloomy, frantic, shrieking fanatic are mistaken. Not at all; he is one of the most grounded men out there. Practical, cautiously hopeful, patient; a very perceptive, observing, and quietly insightful man. In fact, he embodies much of the character we currently associate with Scots: a certain sardonic quietness, enough insight, and a stronger heart than he realizes. He has the ability to stay silent about many things that don't really concern him—"They? What are they?" But when something truly matters to him, he will definitely speak up, and in a way that the entire world will hear him: even more powerful after his long silence.
This Prophet of the Scotch is to me no hateful man!—He had a sore fight of an existence; wrestling with Popes and Principalities; in defeat, contention, life-long struggle; rowing as a galley-slave, wandering as an exile. A sore fight: but he won it. "Have you hope?" they asked him in his last moment, when he could no longer speak. He lifted his finger, "pointed upwards with his finger," and so died. Honor to him! His works have not died. The letter of his work dies, as of all men's; but the spirit of it never.
This Prophet of the Scots is not a man I hate! He had a tough life, fighting against Popes and powerful authorities, facing defeat, conflict, and a lifelong struggle; laboring like a galley slave, living like an exile. A tough fight, but he prevailed. “Do you have hope?” they asked him in his final moments when he could no longer speak. He lifted his finger, pointed upwards with it, and then passed away. Respect to him! His work hasn't died. The written part of his work fades, like everyone else's; but its spirit never does.
One word more as to the letter of Knox's work. The unforgivable offence in him is, that he wished to set up Priests over the head of Kings. In other words, he strove to make the Government of Scotland a Theocracy. This indeed is properly the sum of his offences, the essential sin; for which what pardon can there be? It is most true, he did, at bottom, consciously or unconsciously, mean a Theocracy, or Government of God. He did mean that Kings and Prime Ministers, and all manner of persons, in public or private, diplomatizing or whatever else they might be doing, should walk according to the Gospel of Christ, and understand that this was their Law, supreme over all laws. He hoped once to see such a thing realized; and the Petition, Thy Kingdom come, no longer an empty word. He was sore grieved when he saw greedy worldly Barons clutch hold of the Church's property; when he expostulated that it was not secular property, that it was spiritual property, and should be turned to true churchly uses, education, schools, worship;—and the Regent Murray had to answer, with a shrug of the shoulders, "It is a devout imagination!" This was Knox's scheme of right and truth; this he zealously endeavored after, to realize it. If we think his scheme of truth was too narrow, was not true, we may rejoice that he could not realize it; that it remained after two centuries of effort, unrealizable, and is a "devout imagination" still. But how shall we blame him for struggling to realize it? Theocracy, Government of God, is precisely the thing to be struggled for! All Prophets, zealous Priests, are there for that purpose. Hildebrand wished a Theocracy; Cromwell wished it, fought for it; Mahomet attained it. Nay, is it not what all zealous men, whether called Priests, Prophets, or whatsoever else called, do essentially wish, and must wish? That right and truth, or God's Law, reign supreme among men, this is the Heavenly Ideal (well named in Knox's time, and namable in all times, a revealed "Will of God") towards which the Reformer will insist that all be more and more approximated. All true Reformers, as I said, are by the nature of them Priests, and strive for a Theocracy.
One last thing about Knox's work. The major offense he committed was wanting to place Priests above Kings. In other words, he aimed to turn the Government of Scotland into a Theocracy. This is essentially the crux of his wrongdoing, the fundamental sin; what forgiveness can there be for that? It's true that deep down, consciously or unconsciously, he advocated for a Theocracy, or Government of God. He believed that Kings, Prime Ministers, and everyone else—whether in public or private roles, negotiating or doing whatever they did—should follow the teachings of Christ, understanding that this was their supreme Law above all others. He hoped to see this become a reality and the Petition, Thy Kingdom come, to no longer be just words. He was deeply upset when he witnessed greedy worldly Barons take hold of the Church's property; he argued that it wasn't just secular property, but spiritual property that should be used for true church purposes like education, schools, and worship; and the Regent Murray merely shrugged and replied, "It's a devout imagination!" This was Knox's vision of right and truth; he passionately worked to make it happen. If we believe his idea of truth was too narrow or untrue, we might be glad that he couldn't bring it to life; that after two centuries of effort it remained unachievable, and is still just a "devout imagination." But how can we blame him for aiming to make it real? Theocracy, Government of God, is precisely what is worth striving for! All Prophets and zealous Priests exist for that reason. Hildebrand wanted a Theocracy; Cromwell sought it and fought for it; Muhammad achieved it. Isn't it what all passionate individuals, whether they're called Priests, Prophets, or anything else, essentially desire? That right and truth, or God's Law, reign supreme among people—this is the Heavenly Ideal (which was well articulated in Knox's time and can be named throughout history, a revealed "Will of God") towards which Reformers will argue everyone should aspire more and more. All true Reformers, as I mentioned, are inherently Priests, striving for a Theocracy.
How far such Ideals can ever be introduced into Practice, and at what point our impatience with their non-introduction ought to begin, is always a question. I think we may say safely, Let them introduce themselves as far as they can contrive to do it! If they are the true faith of men, all men ought to be more or less impatient always where they are not found introduced. There will never be wanting Regent Murrays enough to shrug their shoulders, and say, "A devout imagination!" We will praise the Hero-priest rather, who does what is in him to bring them in; and wears out, in toil, calumny, contradiction, a noble life, to make a God's Kingdom of this Earth. The Earth will not become too godlike!
How far these ideals can actually be put into practice, and when our frustration with their lack of implementation should begin, is always a question. I think we can confidently say, let them introduce themselves as much as they can! If they represent the true beliefs of humanity, everyone should feel some impatience when they’re missing. There will always be enough Regent Murrays to shrug their shoulders and dismiss it as "a fanciful idea!" Instead, let’s celebrate the hero-priest who does everything in their power to bring these ideals to life, enduring hardship, criticism, and contradiction, dedicating a noble life to create a Kingdom of God on Earth. The Earth can never be too divine!
LECTURE V. THE HERO AS MAN OF LETTERS. JOHNSON, ROUSSEAU, BURNS.
[May 19, 1840.]
Hero-Gods, Prophets, Poets, Priests are forms of Heroism that belong to the old ages, make their appearance in the remotest times; some of them have ceased to be possible long since, and cannot any more show themselves in this world. The Hero as Man of Letters, again, of which class we are to speak to-day, is altogether a product of these new ages; and so long as the wondrous art of Writing, or of Ready-writing which we call Printing, subsists, he may be expected to continue, as one of the main forms of Heroism for all future ages. He is, in various respects, a very singular phenomenon.
Hero-Gods, Prophets, Poets, and Priests are types of heroism that belong to ancient times and have appeared in the earliest eras; some of them are no longer possible and can't manifest in this world anymore. The Hero as a Man of Letters, which we will discuss today, is entirely a product of modern times; as long as the incredible art of Writing, or what we call Printing, exists, he is expected to continue as one of the main forms of heroism for all future ages. He is, in many ways, a very unique phenomenon.
He is new, I say; he has hardly lasted above a century in the world yet. Never, till about a hundred years ago, was there seen any figure of a Great Soul living apart in that anomalous manner; endeavoring to speak forth the inspiration that was in him by Printed Books, and find place and subsistence by what the world would please to give him for doing that. Much had been sold and bought, and left to make its own bargain in the market-place; but the inspired wisdom of a Heroic Soul never till then, in that naked manner. He, with his copy-rights and copy-wrongs, in his squalid garret, in his rusty coat; ruling (for this is what he does), from his grave, after death, whole nations and generations who would, or would not, give him bread while living,—is a rather curious spectacle! Few shapes of Heroism can be more unexpected.
He's new, I say; he has barely been around for a century. Never, until about a hundred years ago, did anyone see a Great Soul living in such an unusual way; trying to express the inspiration within him through printed books and seeking a living based on what the world would be willing to pay him for that. Much has been bought and sold, and left to negotiate its own deal in the marketplace; but the inspired wisdom of a Heroic Soul was never presented in such a bare manner until then. He, with his copyrights and copyright infringements, in his shabby attic, in his worn-out coat; ruling (which is exactly what he does), from his grave, after death, entire nations and generations who would, or wouldn’t, give him food while he was alive—this is quite an unusual sight! Few forms of Heroism could be more unexpected.
Alas, the Hero from of old has had to cramp himself into strange shapes: the world knows not well at any time what to do with him, so foreign is his aspect in the world! It seemed absurd to us, that men, in their rude admiration, should take some wise great Odin for a god, and worship him as such; some wise great Mahomet for one god-inspired, and religiously follow his Law for twelve centuries: but that a wise great Johnson, a Burns, a Rousseau, should be taken for some idle nondescript, extant in the world to amuse idleness, and have a few coins and applauses thrown him, that he might live thereby; this perhaps, as before hinted, will one day seem a still absurder phasis of things!—Meanwhile, since it is the spiritual always that determines the material, this same Man-of-Letters Hero must be regarded as our most important modern person. He, such as he may be, is the soul of all. What he teaches, the whole world will do and make. The world's manner of dealing with him is the most significant feature of the world's general position. Looking well at his life, we may get a glance, as deep as is readily possible for us, into the life of those singular centuries which have produced him, in which we ourselves live and work.
Sadly, the Hero from the past has had to squeeze himself into awkward forms: the world never quite knows what to do with him, so unfamiliar is his presence! It seemed ridiculous to us that people, in their naive admiration, would take some wise great Odin as a god and worship him; that they would follow a wise great Muhammad, inspired by one god, and faithfully adhere to his teachings for twelve centuries. But that a wise great Johnson, a Burns, a Rousseau would be seen as mere idle figures existing to entertain the idle, receiving a few coins and cheers to get by—this, as previously hinted, might one day seem an even stranger situation! Meanwhile, since the spiritual always shapes the material, this same literary Hero must be viewed as our most important modern figure. He, however he may be, embodies the essence of everything. What he imparts, the entire world will adopt and create. The way the world interacts with him is the most significant aspect of the world's overall stance. By examining his life closely, we might gain a glimpse, as deep as we can, into the extraordinary centuries that have produced him, in which we ourselves live and work.
There are genuine Men of Letters, and not genuine; as in every kind there is a genuine and a spurious. If hero be taken to mean genuine, then I say the Hero as Man of Letters will be found discharging a function for us which is ever honorable, ever the highest; and was once well known to be the highest. He is uttering forth, in such way as he has, the inspired soul of him; all that a man, in any case, can do. I say inspired; for what we call "originality," "sincerity," "genius," the heroic quality we have no good name for, signifies that. The Hero is he who lives in the inward sphere of things, in the True, Divine and Eternal, which exists always, unseen to most, under the Temporary, Trivial: his being is in that; he declares that abroad, by act or speech as it may be in declaring himself abroad. His life, as we said before, is a piece of the everlasting heart of Nature herself: all men's life is,—but the weak many know not the fact, and are untrue to it, in most times; the strong few are strong, heroic, perennial, because it cannot be hidden from them. The Man of Letters, like every Hero, is there to proclaim this in such sort as he can. Intrinsically it is the same function which the old generations named a man Prophet, Priest, Divinity for doing; which all manner of Heroes, by speech or by act, are sent into the world to do.
There are real Men of Letters and not-so-real ones; just like in every category, there are authentic and fake. If we take hero to mean authentic, then the Hero as a Man of Letters fulfills a role for us that is always honorable, always the highest, and was once recognized as the highest. He expresses his inspired soul in the best way he can; it’s all that a person can do in any situation. I say inspired; because what we refer to as "originality," "sincerity," "genius," or that heroic quality we can’t quite name all signify that. The Hero is someone who exists in the inner realm of things, in the True, Divine, and Eternal, which always exists, unseen by most, underneath the Temporary and Trivial: his essence lies there; he shares that with the world, through action or speech as he chooses to express himself. His life, as we mentioned earlier, is part of the everlasting heart of Nature itself: all human lives are—though the weak majority often overlook this truth and betray it most of the time; the strong few are strong, heroic, and eternal because this truth cannot be concealed from them. The Man of Letters, like every Hero, is there to proclaim this in whatever way he can. Essentially, it’s the same role that ancient generations referred to when they called a man a Prophet, Priest, or Divinity for doing; this is what all types of Heroes, through speech or action, are sent into the world to accomplish.
Fichte the German Philosopher delivered, some forty years ago at Erlangen, a highly remarkable Course of Lectures on this subject: "Ueber das Wesen des Gelehrten, On the Nature of the Literary Man." Fichte, in conformity with the Transcendental Philosophy, of which he was a distinguished teacher, declares first: That all things which we see or work with in this Earth, especially we ourselves and all persons, are as a kind of vesture or sensuous Appearance: that under all there lies, as the essence of them, what he calls the "Divine Idea of the World;" this is the Reality which "lies at the bottom of all Appearance." To the mass of men no such Divine Idea is recognizable in the world; they live merely, says Fichte, among the superficialities, practicalities and shows of the world, not dreaming that there is anything divine under them. But the Man of Letters is sent hither specially that he may discern for himself, and make manifest to us, this same Divine Idea: in every new generation it will manifest itself in a new dialect; and he is there for the purpose of doing that. Such is Fichte's phraseology; with which we need not quarrel. It is his way of naming what I here, by other words, am striving imperfectly to name; what there is at present no name for: The unspeakable Divine Significance, full of splendor, of wonder and terror, that lies in the being of every man, of every thing,—the Presence of the God who made every man and thing. Mahomet taught this in his dialect; Odin in his: it is the thing which all thinking hearts, in one dialect or another, are here to teach.
Fichte, the German philosopher, gave a remarkable series of lectures on this topic about forty years ago at Erlangen, titled "Ueber das Wesen des Gelehrten, On the Nature of the Literary Man." In line with Transcendental Philosophy, of which he was a prominent thinker, Fichte states that everything we see or interact with on this Earth, especially ourselves and other people, is like a kind of clothing or sensory appearance: beneath all of this lies what he calls the "Divine Idea of the World," which is the reality that "underlies all appearance." Most people cannot recognize such a Divine Idea in the world; they live, according to Fichte, among the surface-level distractions, practical matters, and illusions, unaware that anything divine exists beneath them. However, the Man of Letters is here specifically to discern and reveal this Divine Idea: it will show itself in a new language with each new generation, and he is meant to do just that. This is Fichte’s way of expressing a concept that I am attempting to articulate, albeit imperfectly, with different words; a concept for which there is currently no proper name: the indescribable Divine Significance, filled with splendor, wonder, and terror, that exists within every person and everything—the Presence of the God who created everyone and everything. Muhammad taught this in his language; Odin in his; it is the essential truth that all thoughtful hearts, in one language or another, are here to convey.
Fichte calls the Man of Letters, therefore, a Prophet, or as he prefers to phrase it, a Priest, continually unfolding the Godlike to men: Men of Letters are a perpetual Priesthood, from age to age, teaching all men that a God is still present in their life, that all "Appearance," whatsoever we see in the world, is but as a vesture for the "Divine Idea of the World," for "that which lies at the bottom of Appearance." In the true Literary Man there is thus ever, acknowledged or not by the world, a sacredness: he is the light of the world; the world's Priest;—guiding it, like a sacred Pillar of Fire, in its dark pilgrimage through the waste of Time. Fichte discriminates with sharp zeal the true Literary Man, what we here call the Hero as Man of Letters, from multitudes of false unheroic. Whoever lives not wholly in this Divine Idea, or living partially in it, struggles not, as for the one good, to live wholly in it,—he is, let him live where else he like, in what pomps and prosperities he like, no Literary Man; he is, says Fichte, a "Bungler, Stumper." Or at best, if he belong to the prosaic provinces, he may be a "Hodman;" Fichte even calls him elsewhere a "Nonentity," and has in short no mercy for him, no wish that he should continue happy among us! This is Fichte's notion of the Man of Letters. It means, in its own form, precisely what we here mean.
Fichte refers to the Man of Letters as a Prophet, or as he prefers to say, a Priest, who constantly reveals the divine to people: Men of Letters form a lasting Priesthood, passing on the message through generations that a God is still present in their lives, and that everything we see in the world is merely a disguise for the "Divine Idea of the World," the essence behind appearances. In the true Literary Man, there exists an inherent sacredness, whether acknowledged by the world or not: he is the light of the world; the world's Priest—guiding it like a holy Pillar of Fire through the darkness of time. Fichte clearly distinguishes the true Literary Man, what we call the Hero as Man of Letters, from countless unheroic impostors. Anyone who does not fully embrace this Divine Idea, or who only partially engages with it and does not strive to wholly embody it, is not, no matter where he lives or what wealth and success he enjoys, a Literary Man; Fichte calls him a "Bungler, Stumper." Or at best, if he is from the mundane realms, he might be a "Hodman"; Fichte even labels him a "Nonentity" at times, showing no sympathy for him and wishing for his happiness to fade. This is Fichte's view of the Man of Letters, which aligns perfectly with our understanding of the term.
In this point of view, I consider that, for the last hundred years, by far the notablest of all Literary Men is Fichte's countryman, Goethe. To that man too, in a strange way, there was given what we may call a life in the Divine Idea of the World; vision of the inward divine mystery: and strangely, out of his Books, the world rises imaged once more as godlike, the workmanship and temple of a God. Illuminated all, not in fierce impure fire-splendor as of Mahomet, but in mild celestial radiance;—really a Prophecy in these most unprophetic times; to my mind, by far the greatest, though one of the quietest, among all the great things that have come to pass in them. Our chosen specimen of the Hero as Literary Man would be this Goethe. And it were a very pleasant plan for me here to discourse of his heroism: for I consider him to be a true Hero; heroic in what he said and did, and perhaps still more in what he did not say and did not do; to me a noble spectacle: a great heroic ancient man, speaking and keeping silence as an ancient Hero, in the guise of a most modern, high-bred, high-cultivated Man of Letters! We have had no such spectacle; no man capable of affording such, for the last hundred and fifty years.
From this perspective, I believe that for the past hundred years, the most remarkable Literary figure is Goethe, who shares a homeland with Fichte. In a unique way, he was granted what we might call a life infused with the Divine Idea of the World; a vision of the inner divine mystery. Strangely, through his works, the world emerges again, beautifully crafted as if it were the creation and temple of a God. It is all illuminated, not in the harsh, impure blaze typical of Mahomet, but in soft celestial light; truly a prophecy in these very unprophetic times. To me, he is by far the greatest, although one of the quietest, among all the significant events of our era. Our chosen example of the Hero as a Literary figure would be Goethe. It would be a delightful task for me to discuss his heroism here, as I see him as a true Hero; heroic in what he expressed and did, and perhaps even more so in what he didn’t say and didn’t do—a noble sight: a great heroic figure from ancient times, speaking and remaining silent like an ancient Hero, in the form of a very modern, sophisticated, and highly cultured Man of Letters! We haven’t witnessed such a sight; no one capable of providing it in the last hundred and fifty years.
But at present, such is the general state of knowledge about Goethe, it were worse than useless to attempt speaking of him in this case. Speak as I might, Goethe, to the great majority of you, would remain problematic, vague; no impression but a false one could be realized. Him we must leave to future times. Johnson, Burns, Rousseau, three great figures from a prior time, from a far inferior state of circumstances, will suit us better here. Three men of the Eighteenth Century; the conditions of their life far more resemble what those of ours still are in England, than what Goethe's in Germany were. Alas, these men did not conquer like him; they fought bravely, and fell. They were not heroic bringers of the light, but heroic seekers of it. They lived under galling conditions; struggling as under mountains of impediment, and could not unfold themselves into clearness, or victorious interpretation of that "Divine Idea." It is rather the Tombs of three Literary Heroes that I have to show you. There are the monumental heaps, under which three spiritual giants lie buried. Very mournful, but also great and full of interest for us. We will linger by them for a while.
But right now, given the overall understanding of Goethe, it would be pointless to try to discuss him in this context. No matter how I try to explain, Goethe would still seem unclear and problematic to most of you; any impression formed would likely be a misleading one. We have to leave him for future generations. Johnson, Burns, and Rousseau—three significant figures from an earlier time and from much less favorable circumstances—will serve us better here. These three men from the Eighteenth Century lived under conditions that resemble our own in England much more than Goethe's circumstances in Germany did. Unfortunately, these men didn't conquer like he did; they fought valiantly and fell. They weren't heroic bringers of the light, but rather heroic seekers of it. They lived in oppressive conditions, struggling under enormous obstacles, and couldn't express themselves clearly or achieve a triumphant interpretation of that "Divine Idea." What I have to show you are rather the Tombs of three Literary Heroes. There are the monumental mounds where three spiritual giants rest. It's very sad, but also grand and fascinating for us. We'll take some time to reflect on them.
Complaint is often made, in these times, of what we call the disorganized condition of society: how ill many forces of society fulfil their work; how many powerful are seen working in a wasteful, chaotic, altogether unarranged manner. It is too just a complaint, as we all know. But perhaps if we look at this of Books and the Writers of Books, we shall find here, as it were, the summary of all other disorganizations;—a sort of heart, from which, and to which all other confusion circulates in the world! Considering what Book writers do in the world, and what the world does with Book writers, I should say, It is the most anomalous thing the world at present has to show.—We should get into a sea far beyond sounding, did we attempt to give account of this: but we must glance at it for the sake of our subject. The worst element in the life of these three Literary Heroes was, that they found their business and position such a chaos. On the beaten road there is tolerable travelling; but it is sore work, and many have to perish, fashioning a path through the impassable!
Complaints are often made these days about what we call the disorganized state of society: how poorly many societal forces do their jobs; how many powerful individuals are seen acting in a wasteful, chaotic, and completely unorganized way. It's a valid complaint, as we all know. But perhaps if we examine the realm of Books and the Authors of Books, we might find a reflection of all other disorganizations — a sort of heart from which, and to which, all other confusion in the world circulates! Considering what authors contribute to the world, and what the world does with authors, I would say it’s the most bizarre thing the world currently has to offer. We would dive into depths beyond measure if we tried to account for this, but we must touch on it for the sake of our topic. The worst part of the lives of these three Literary Heroes was that they found their work and position in such chaos. On the well-trodden path, travel is manageable; but it's tough work, and many have to struggle to carve out a way through the impassable!
Our pious Fathers, feeling well what importance lay in the speaking of man to men, founded churches, made endowments, regulations; everywhere in the civilized world there is a Pulpit, environed with all manner of complex dignified appurtenances and furtherances, that therefrom a man with the tongue may, to best advantage, address his fellow-men. They felt that this was the most important thing; that without this there was no good thing. It is a right pious work, that of theirs; beautiful to behold! But now with the art of Writing, with the art of Printing, a total change has come over that business. The Writer of a Book, is not he a Preacher preaching not to this parish or that, on this day or that, but to all men in all times and places? Surely it is of the last importance that he do his work right, whoever do it wrong;—that the eye report not falsely, for then all the other members are astray! Well; how he may do his work, whether he do it right or wrong, or do it at all, is a point which no man in the world has taken the pains to think of. To a certain shopkeeper, trying to get some money for his books, if lucky, he is of some importance; to no other man of any. Whence he came, whither he is bound, by what ways he arrived, by what he might be furthered on his course, no one asks. He is an accident in society. He wanders like a wild Ishmaelite, in a world of which he is as the spiritual light, either the guidance or the misguidance!
Our devout ancestors understood the significance of people communicating with each other, so they established churches, created endowments, and set regulations. Across the civilized world, you’ll find a pulpit, surrounded by various dignified and elaborate elements, where a person can effectively speak to others. They believed this was crucial; without it, nothing good could happen. It’s a noble effort on their part; it's truly beautiful! However, with the advent of writing and printing, everything has changed. The writer of a book isn't just a preacher addressing one parish on a specific day; he speaks to everyone, everywhere, at all times. It’s incredibly important that he does his job well, regardless of who does it poorly—if the eye misrepresents, then all other parts go astray! But how he does his work, whether he does it correctly or at all, hasn’t been thoughtfully considered by anyone. To a certain bookstore owner, hoping to make some sales, he might hold some significance; to everyone else, he doesn’t matter. No one questions where he came from, where he's going, how he got here, or what might assist him on his journey. He’s an accident in society. He roams like a lost Ishmaelite, in a world where he serves as a form of spiritual light, either guiding or misleading others!
Certainly the Art of Writing is the most miraculous of all things man has devised. Odin's Runes were the first form of the work of a Hero; Books written words, are still miraculous Runes, the latest form! In Books lies the soul of the whole Past Time; the articulate audible voice of the Past, when the body and material substance of it has altogether vanished like a dream. Mighty fleets and armies, harbors and arsenals, vast cities, high-domed, many-engined,—they are precious, great: but what do they become? Agamemnon, the many Agamemnons, Pericleses, and their Greece; all is gone now to some ruined fragments, dumb mournful wrecks and blocks: but the Books of Greece! There Greece, to every thinker, still very literally lives: can be called up again into life. No magic Rune is stranger than a Book. All that Mankind has done, thought, gained or been: it is lying as in magic preservation in the pages of Books. They are the chosen possession of men.
Certainly, the Art of Writing is the most amazing thing humans have ever created. Odin's Runes were the first form of a hero's work; Books filled with written words are still miraculous Runes, just the newest version! Within Books lies the soul of all past times; the clear, audible voice of the past, even when the body and physical substance of it have completely faded away like a dream. Great fleets and armies, harbors and arsenals, massive cities with tall domes and complex machinery—they're valuable and impressive, but what do they become? Agamemnon, the many Agamemnons, Pericles, and their Greece; all of it is now reduced to ruined fragments, silent and mournful wrecks. But the Books of Greece! In those, Greece, for every thinker, still very much lives: it can be called back to life. No magic Rune is stranger than a Book. Everything humanity has done, thought, achieved, or experienced is preserved like magic within the pages of Books. They are the treasured possession of humankind.
Do not Books still accomplish miracles, as Runes were fabled to do? They persuade men. Not the wretchedest circulating-library novel, which foolish girls thumb and con in remote villages, but will help to regulate the actual practical weddings and households of those foolish girls. So "Celia" felt, so "Clifford" acted: the foolish Theorem of Life, stamped into those young brains, comes out as a solid Practice one day. Consider whether any Rune in the wildest imagination of Mythologist ever did such wonders as, on the actual firm Earth, some Books have done! What built St. Paul's Cathedral? Look at the heart of the matter, it was that divine Hebrew BOOK,—the word partly of the man Moses, an outlaw tending his Midianitish herds, four thousand years ago, in the wildernesses of Sinai! It is the strangest of things, yet nothing is truer. With the art of Writing, of which Printing is a simple, an inevitable and comparatively insignificant corollary, the true reign of miracles for mankind commenced. It related, with a wondrous new contiguity and perpetual closeness, the Past and Distant with the Present in time and place; all times and all places with this our actual Here and Now. All things were altered for men; all modes of important work of men: teaching, preaching, governing, and all else.
Do Books still perform miracles, as Runes were rumored to do? They influence people. Not even the most ridiculous novel from a circulating library, which naive girls read and covet in remote villages, can help regulate the actual weddings and households of those naive girls. That's how "Celia" felt, and that's how "Clifford" acted: the foolish Theory of Life, imprinted in those young minds, eventually becomes a solid Practice. Think about whether any Rune in the wildest imagination of a Mythologist ever achieved wonders like some Books have done here on solid Earth! What built St. Paul's Cathedral? Ultimately, it was that divine Hebrew BOOK—the words partially from the man Moses, an outlaw herding his Midianite flocks four thousand years ago in the deserts of Sinai! It's the strangest thing, yet nothing is truer. With the art of Writing, of which Printing is just a simple, inevitable, and relatively minor offshoot, the true era of miracles for humanity began. It connected the Past and Distant with the Present in time and space in a remarkable new way; all times and places with our actual Here and Now. Everything changed for people; all crucial modes of work for individuals: teaching, preaching, governing, and everything else.
To look at Teaching, for instance. Universities are a notable, respectable product of the modern ages. Their existence too is modified, to the very basis of it, by the existence of Books. Universities arose while there were yet no Books procurable; while a man, for a single Book, had to give an estate of land. That, in those circumstances, when a man had some knowledge to communicate, he should do it by gathering the learners round him, face to face, was a necessity for him. If you wanted to know what Abelard knew, you must go and listen to Abelard. Thousands, as many as thirty thousand, went to hear Abelard and that metaphysical theology of his. And now for any other teacher who had also something of his own to teach, there was a great convenience opened: so many thousands eager to learn were already assembled yonder; of all places the best place for him was that. For any third teacher it was better still; and grew ever the better, the more teachers there came. It only needed now that the King took notice of this new phenomenon; combined or agglomerated the various schools into one school; gave it edifices, privileges, encouragements, and named it Universitas, or School of all Sciences: the University of Paris, in its essential characters, was there. The model of all subsequent Universities; which down even to these days, for six centuries now, have gone on to found themselves. Such, I conceive, was the origin of Universities.
To look at teaching, for example. Universities are a significant and respected outcome of modern times. Their existence is fundamentally shaped by the availability of books. Universities emerged when there were no accessible books; when someone had to give up an entire estate just to obtain a single book. In that situation, if someone had knowledge to share, gathering learners around him face-to-face was essential. If you wanted to learn what Abelard knew, you had to go listen to him. Thousands, as many as thirty thousand, came to hear Abelard and his metaphysical theology. For any other teacher with unique knowledge to share, a great opportunity opened up: so many eager learners were already gathered there, making it the best place for him to teach. For any third teacher, it was even better, and the situation improved the more teachers joined in. It just needed the King to take notice of this new phenomenon; to combine the various schools into one, provide buildings, privileges, support, and name it Universitas, or School of all Sciences: thus, the University of Paris was formed in its essential aspects. The model for all subsequent universities, which have continued to establish themselves for six centuries now, into the present day. This, I believe, was the origin of universities.
It is clear, however, that with this simple circumstance, facility of getting Books, the whole conditions of the business from top to bottom were changed. Once invent Printing, you metamorphosed all Universities, or superseded them! The Teacher needed not now to gather men personally round him, that he might speak to them what he knew: print it in a Book, and all learners far and wide, for a trifle, had it each at his own fireside, much more effectually to learn it!—Doubtless there is still peculiar virtue in Speech; even writers of Books may still, in some circumstances, find it convenient to speak also,—witness our present meeting here! There is, one would say, and must ever remain while man has a tongue, a distinct province for Speech as well as for Writing and Printing. In regard to all things this must remain; to Universities among others. But the limits of the two have nowhere yet been pointed out, ascertained; much less put in practice: the University which would completely take in that great new fact, of the existence of Printed Books, and stand on a clear footing for the Nineteenth Century as the Paris one did for the Thirteenth, has not yet come into existence. If we think of it, all that a University, or final highest School can do for us, is still but what the first School began doing,—teach us to read. We learn to read, in various languages, in various sciences; we learn the alphabet and letters of all manner of Books. But the place where we are to get knowledge, even theoretic knowledge, is the Books themselves! It depends on what we read, after all manner of Professors have done their best for us. The true University of these days is a Collection of Books.
It's clear that with the simple fact of having easy access to books, the entire landscape of education has changed dramatically. Once printing was invented, it transformed all universities or even rendered them unnecessary! Teachers no longer needed to gather students around them to share their knowledge; instead, they could print it in a book, and learners everywhere could affordably access it from their own homes, making learning much more effective! — Certainly, there is still unique value in spoken communication; even authors of books may find it helpful to speak in certain situations—just look at our meeting today! There will always be a distinct role for speech alongside writing and printing as long as humans can talk. This applies to all subjects, including universities. However, the boundaries between the two have yet to be clearly defined or implemented; a university that fully embraces the significant new reality of printed books and is firmly established for the 19th century, like the Paris University was for the 13th, has not yet emerged. When we consider it, all that a university or the highest educational institution can do for us remains what the first school did—teach us how to read. We learn to read in various languages and fields; we learn the alphabet and letters from all kinds of books. But the source of our knowledge, even theoretical knowledge, is the books themselves! Ultimately, what we learn depends on what we read, no matter how much professors have tried to assist us. The true university today is a collection of books.
But to the Church itself, as I hinted already, all is changed, in its preaching, in its working, by the introduction of Books. The Church is the working recognized Union of our Priests or Prophets, of those who by wise teaching guide the souls of men. While there was no Writing, even while there was no Easy-writing, or Printing, the preaching of the voice was the natural sole method of performing this. But now with Books!—He that can write a true Book, to persuade England, is not he the Bishop and Archbishop, the Primate of England and of All England? I many a time say, the writers of Newspapers, Pamphlets, Poems, Books, these are the real working effective Church of a modern country. Nay not only our preaching, but even our worship, is not it too accomplished by means of Printed Books? The noble sentiment which a gifted soul has clothed for us in melodious words, which brings melody into our hearts,—is not this essentially, if we will understand it, of the nature of worship? There are many, in all countries, who, in this confused time, have no other method of worship. He who, in any way, shows us better than we knew before that a lily of the fields is beautiful, does he not show it us as an effluence of the Fountain of all Beauty; as the handwriting, made visible there, of the great Maker of the Universe? He has sung for us, made us sing with him, a little verse of a sacred Psalm. Essentially so. How much more he who sings, who says, or in any way brings home to our heart the noble doings, feelings, darings and endurances of a brother man! He has verily touched our hearts as with a live coal from the altar. Perhaps there is no worship more authentic.
But for the Church itself, as I’ve mentioned before, everything has changed in its preaching and its practices due to the introduction of books. The Church is the recognized collaboration of our Priests or Prophets, those who guide people's souls through wise teaching. When there was no Writing, and even when there was no Easy-writing or Printing, preaching by voice was the only natural method to do this. But now with books!—Isn’t he who can write a true book to persuade England the Bishop and Archbishop, the Primate of England and all of England? I often say that the writers of newspapers, pamphlets, poems, and books are the real, effective Church of a modern country. Not only our preaching, but even our worship is accomplished through printed books. The beautiful sentiment that a gifted soul has wrapped in melodious words, bringing melody to our hearts—isn’t this, if we really understand it, part of what worship is? Many people, in all countries, have no other way to worship in this confusing time. Anyone who shows us more beautifully than we realized before that a lily of the fields is lovely reveals it as a reflection of the source of all beauty; as the handwriting of the great Maker of the Universe made visible. He has sung for us, making us sing with him a little verse of a sacred Psalm. Essentially so. How much more so the one who sings, who expresses, or in any way brings home to our hearts the noble actions, feelings, courage, and endurance of a fellow human! He has truly touched our hearts as if with a live coal from the altar. Perhaps there’s no worship more genuine.
Literature, so far as it is Literature, is an "apocalypse of Nature," a revealing of the "open secret." It may well enough be named, in Fichte's style, a "continuous revelation" of the Godlike in the Terrestrial and Common. The Godlike does ever, in very truth, endure there; is brought out, now in this dialect, now in that, with various degrees of clearness: all true gifted Singers and Speakers are, consciously or unconsciously, doing so. The dark stormful indignation of a Byron, so wayward and perverse, may have touches of it; nay the withered mockery of a French sceptic,—his mockery of the False, a love and worship of the True. How much more the sphere-harmony of a Shakspeare, of a Goethe; the cathedral music of a Milton! They are something too, those humble genuine lark-notes of a Burns,—skylark, starting from the humble furrow, far overhead into the blue depths, and singing to us so genuinely there! For all true singing is of the nature of worship; as indeed all true working may be said to be,—whereof such singing is but the record, and fit melodious representation, to us. Fragments of a real "Church Liturgy" and "Body of Homilies," strangely disguised from the common eye, are to be found weltering in that huge froth-ocean of Printed Speech we loosely call Literature! Books are our Church too.
Literature, in its true form, is an "apocalypse of Nature," revealing the "open secret." It could easily be called, in Fichte's terms, a "continuous revelation" of the divine in the earthly and everyday. The divine truly endures there; it comes forth, sometimes in one language, sometimes in another, with varying degrees of clarity: all genuinely talented singers and speakers are, knowingly or unknowingly, doing just that. The turbulent and angry outrage of a Byron, so unpredictable and twisted, might capture some of it; even the cold mockery of a French skeptic—his mockery of the false, along with a love and reverence for the true. How much more so in the harmonious works of a Shakespeare or a Goethe; the grand sounds of a Milton! Those simple, authentic notes of a Burns are also significant—the skylark, rising from the humble field, ascending high into the blue skies, singing so sincerely there! For all true singing is an act of worship; indeed, all genuine work can be seen in this light—of which such singing is merely the record and a fitting melodic representation for us. Fragments of a real "Church Liturgy" and "Body of Homilies," strangely disguised from the ordinary eye, can be found floating in that vast sea of printed words we loosely call literature! Books are our Church too.
Or turning now to the Government of men. Witenagemote, old Parliament, was a great thing. The affairs of the nation were there deliberated and decided; what we were to do as a nation. But does not, though the name Parliament subsists, the parliamentary debate go on now, everywhere and at all times, in a far more comprehensive way, out of Parliament altogether? Burke said there were Three Estates in Parliament; but, in the Reporters' Gallery yonder, there sat a Fourth Estate more important far than they all. It is not a figure of speech, or a witty saying; it is a literal fact,—very momentous to us in these times. Literature is our Parliament too. Printing, which comes necessarily out of Writing, I say often, is equivalent to Democracy: invent Writing, Democracy is inevitable. Writing brings Printing; brings universal everyday extempore Printing, as we see at present. Whoever can speak, speaking now to the whole nation, becomes a power, a branch of government, with inalienable weight in law-making, in all acts of authority. It matters not what rank he has, what revenues or garnitures. the requisite thing is, that he have a tongue which others will listen to; this and nothing more is requisite. The nation is governed by all that has tongue in the nation: Democracy is virtually there. Add only, that whatsoever power exists will have itself, by and by, organized; working secretly under bandages, obscurations, obstructions, it will never rest till it get to work free, unencumbered, visible to all. Democracy virtually extant will insist on becoming palpably extant.—
Or now looking at the Government of people. The Witenagemote, the old Parliament, was significant. National issues were discussed and decided there; it determined what we, as a nation, would do. But even though the name Parliament still exists, isn’t the parliamentary debate happening everywhere and all the time, in a much broader way, outside of Parliament entirely? Burke mentioned there were Three Estates in Parliament; however, in the Reporters' Gallery over there, there’s a Fourth Estate that’s far more significant than all of them. This isn’t just a clever phrase or a witty remark; it’s a literal truth—very important for us in these times. Literature is also our Parliament. I often say that printing, which naturally comes from writing, is equivalent to Democracy: invent writing, and Democracy becomes unavoidable. Writing leads to printing; it brings about universal and spontaneous daily printing, as we see today. Anyone who can speak, speaking now to the whole nation, becomes a force, a part of the government, with undeniable influence in law-making and all acts of authority. It doesn’t matter what their status is, what wealth or titles they have. The only thing needed is that they have a voice that others will listen to; this and nothing more is essential. The nation is governed by anyone with a voice in it: Democracy is virtually there. Just remember, whatever power exists will eventually organize itself; working secretly under constraints, obfuscations, and hindrances, it will never stop until it can operate freely, unencumbered, and visible to everyone. The democracy that is virtually present will demand to become visibly present.
On all sides, are we not driven to the conclusion that, of the things which man can do or make here below, by far the most momentous, wonderful and worthy are the things we call Books! Those poor bits of rag-paper with black ink on them;—from the Daily Newspaper to the sacred Hebrew BOOK, what have they not done, what are they not doing!—For indeed, whatever be the outward form of the thing (bits of paper, as we say, and black ink), is it not verily, at bottom, the highest act of man's faculty that produces a Book? It is the Thought of man; the true thaumaturgic virtue; by which man works all things whatsoever. All that he does, and brings to pass, is the vesture of a Thought. This London City, with all its houses, palaces, steam-engines, cathedrals, and huge immeasurable traffic and tumult, what is it but a Thought, but millions of Thoughts made into One;—a huge immeasurable Spirit of a THOUGHT, embodied in brick, in iron, smoke, dust, Palaces, Parliaments, Hackney Coaches, Katherine Docks, and the rest of it! Not a brick was made but some man had to think of the making of that brick.—The thing we called "bits of paper with traces of black ink," is the purest embodiment a Thought of man can have. No wonder it is, in all ways, the activest and noblest.
Everywhere we look, aren’t we led to believe that of all the things humans can create or achieve, the most significant, remarkable, and valuable are the things we call Books? Those simple pieces of paper with black ink on them— from the daily newspaper to the sacred Hebrew BOOK— what haven’t they accomplished, and what are they still doing? For really, no matter the outward appearance (just bits of paper, as we say, and black ink), isn’t it truly the highest expression of human capability that creates a Book? It is the Thought of humanity; the real magical force through which we accomplish everything. Everything we do and achieve is just the clothing of a Thought. This city of London, with all its buildings, palaces, steam engines, cathedrals, and vast, chaotic activity, what is it but a Thought, a collection of millions of Thoughts merged into One;— a vast, immeasurable Spirit of a THOUGHT, manifested in brick, iron, smoke, dust, palaces, parliaments, hackney coaches, Katherine Docks, and so on! Not a single brick was made without someone having to think about making that brick. The things we call "pieces of paper with marks of black ink," are the purest representation of what a human Thought can be. It’s no surprise that it is, in every way, the most active and noble.
All this, of the importance and supreme importance of the Man of Letters in modern Society, and how the Press is to such a degree superseding the Pulpit, the Senate, the Senatus Academicus and much else, has been admitted for a good while; and recognized often enough, in late times, with a sort of sentimental triumph and wonderment. It seems to me, the Sentimental by and by will have to give place to the Practical. If Men of Letters are so incalculably influential, actually performing such work for us from age to age, and even from day to day, then I think we may conclude that Men of Letters will not always wander like unrecognized unregulated Ishmaelites among us! Whatsoever thing, as I said above, has virtual unnoticed power will cast off its wrappages, bandages, and step forth one day with palpably articulated, universally visible power. That one man wear the clothes, and take the wages, of a function which is done by quite another: there can be no profit in this; this is not right, it is wrong. And yet, alas, the making of it right,—what a business, for long times to come! Sure enough, this that we call Organization of the Literary Guild is still a great way off, encumbered with all manner of complexities. If you asked me what were the best possible organization for the Men of Letters in modern society; the arrangement of furtherance and regulation, grounded the most accurately on the actual facts of their position and of the world's position,—I should beg to say that the problem far exceeded my faculty! It is not one man's faculty; it is that of many successive men turned earnestly upon it, that will bring out even an approximate solution. What the best arrangement were, none of us could say. But if you ask, Which is the worst? I answer: This which we now have, that Chaos should sit umpire in it; this is the worst. To the best, or any good one, there is yet a long way.
All of this about the importance and tremendous significance of the Writer in modern society, and how the Press is increasingly replacing the Pulpit, the Senate, the Academic Senate, and more, has been acknowledged for quite some time; it has often been recognized lately with a mix of sentimental pride and amazement. It seems to me that sentimentality will eventually need to make way for practicality. If Writers are indeed so incredibly influential, doing valuable work for us from generation to generation, and even day by day, then I think we can conclude that they won’t always remain like unrecognized, unregulated wanderers among us! Whatever has hidden power will eventually shed its layers and step forward with clear, visible strength. For one person to take on the role and receive the compensation for work actually done by someone else is unproductive and unfair. Yet, unfortunately, making this right—what a challenge that will be for a long time to come! Clearly, the organization of the Literary Guild is still a long way off, burdened by all sorts of complexities. If you asked me what the best possible organization for Writers in modern society is; a structure that fosters and regulates based on the actual facts of their situation and the world's situation—I would say that the problem far exceeds my abilities! It’s not one person’s task; it requires the efforts of many serious individuals over time to find even a rough solution. None of us could say what the best arrangement would be. But if you ask, what’s the worst? I would say: it’s the chaos we have now, where disorder rules; that is the worst. There’s still a long way to go to reach the best, or even a decent, solution.
One remark I must not omit, That royal or parliamentary grants of money are by no means the chief thing wanted! To give our Men of Letters stipends, endowments and all furtherance of cash, will do little towards the business. On the whole, one is weary of hearing about the omnipotence of money. I will say rather that, for a genuine man, it is no evil to be poor; that there ought to be Literary Men poor,—to show whether they are genuine or not! Mendicant Orders, bodies of good men doomed to beg, were instituted in the Christian Church; a most natural and even necessary development of the spirit of Christianity. It was itself founded on Poverty, on Sorrow, Contradiction, Crucifixion, every species of worldly Distress and Degradation. We may say, that he who has not known those things, and learned from them the priceless lessons they have to teach, has missed a good opportunity of schooling. To beg, and go barefoot, in coarse woollen cloak with a rope round your loins, and be despised of all the world, was no beautiful business;—nor an honorable one in any eye, till the nobleness of those who did so had made it honored of some!
One thing I need to mention is that royal or parliamentary financial grants are definitely not the main thing we need! Providing our writers with salaries, funding, and all kinds of financial support won’t do much for the cause. Honestly, I’m tired of hearing about the power of money. I would rather say that, for a true person, being poor isn’t a bad thing; there should be poor writers—to see if they are authentic or not! Mendicant orders, groups of good people forced to beg, were created in the Christian Church; a very natural and even necessary outcome of the spirit of Christianity. It was built on poverty, sorrow, contradiction, crucifixion, and every kind of worldly distress and degradation. We can say that if someone hasn’t experienced those things and learned from the invaluable lessons they offer, they’ve missed a great chance to grow. To beg, to go barefoot, wearing a rough wool cloak with a rope around your waist, and to be looked down upon by everyone wasn’t a glamorous job; nor was it honorable in anyone’s eyes, until the nobility of those who did it made it respected by some!
Begging is not in our course at the present time: but for the rest of it, who will say that a Johnson is not perhaps the better for being poor? It is needful for him, at all rates, to know that outward profit, that success of any kind is not the goal he has to aim at. Pride, vanity, ill-conditioned egoism of all sorts, are bred in his heart, as in every heart; need, above all, to be cast out of his heart,—to be, with whatever pangs, torn out of it, cast forth from it, as a thing worthless. Byron, born rich and noble, made out even less than Burns, poor and plebeian. Who knows but, in that same "best possible organization" as yet far off, Poverty may still enter as an important element? What if our Men of Letters, men setting up to be Spiritual Heroes, were still then, as they now are, a kind of "involuntary monastic order;" bound still to this same ugly Poverty,—till they had tried what was in it too, till they had learned to make it too do for them! Money, in truth, can do much, but it cannot do all. We must know the province of it, and confine it there; and even spurn it back, when it wishes to get farther.
Begging isn't something we focus on right now, but who can say that a person like Johnson isn't perhaps better off being poor? It’s essential for him to understand that material gain and success aren't the goals he should be pursuing. Pride, vanity, and various forms of unhealthy egoism are found in everyone's heart; what’s crucial is to remove need from his heart— to have it, no matter how painful, torn out and discarded as if it were worthless. Byron, who was born into wealth and nobility, accomplished even less than Burns, who was poor and from a humble background. Who knows, in that "best possible organization" still far ahead, whether Poverty might play an important role? What if our writers, who are trying to be Spiritual Heroes, were still—just like now—a kind of "involuntary monastic order," tied to the same unpleasant Poverty—until they’ve explored what it has to offer and learned to make it work for them? Money, indeed, can achieve a lot, but it can't do everything. We need to understand its limits and keep it within those boundaries, even rejecting it when it tries to push beyond.
Besides, were the money-furtherances, the proper season for them, the fit assigner of them, all settled,—how is the Burns to be recognized that merits these? He must pass through the ordeal, and prove himself. This ordeal; this wild welter of a chaos which is called Literary Life: this too is a kind of ordeal! There is clear truth in the idea that a struggle from the lower classes of society, towards the upper regions and rewards of society, must ever continue. Strong men are born there, who ought to stand elsewhere than there. The manifold, inextricably complex, universal struggle of these constitutes, and must constitute, what is called the progress of society. For Men of Letters, as for all other sorts of men. How to regulate that struggle? There is the whole question. To leave it as it is, at the mercy of blind Chance; a whirl of distracted atoms, one cancelling the other; one of the thousand arriving saved, nine hundred and ninety-nine lost by the way; your royal Johnson languishing inactive in garrets, or harnessed to the yoke of Printer Cave; your Burns dying broken-hearted as a Gauger; your Rousseau driven into mad exasperation, kindling French Revolutions by his paradoxes: this, as we said, is clearly enough the worst regulation. The best, alas, is far from us!
Besides, once the financial support, the right timing, and the appropriate assigner are all determined—how do we recognize the talent deserving of this support? They must go through a trial and prove themselves. This trial; this chaotic mess known as Literary Life: it’s also a sort of trial! There’s a clear truth in the idea that the struggle for those from lower social classes to rise to the upper levels and rewards of society must continue. Strong individuals are born there who should be somewhere else. The complex, universal struggle of these individuals forms, and must form, what is called societal progress. This applies to Men of Letters, just like it does to all other kinds of people. How do we manage that struggle? That’s the key question. Leaving it as it is, at the mercy of blind Chance—where everything is a whirlwind of frantic activity, canceling each other out; where one out of a thousand makes it while nine hundred and ninety-nine don’t; your noble Johnson suffering in the shadows, or stuck in a dead-end job working for Printer Cave; your Burns dying heartbroken as a tax collector; your Rousseau driven to madness, igniting French Revolutions with his controversial ideas: this, as we said, is clearly the worst approach. The best, sadly, is far from us!
And yet there can be no doubt but it is coming; advancing on us, as yet hidden in the bosom of centuries: this is a prophecy one can risk. For so soon as men get to discern the importance of a thing, they do infallibly set about arranging it, facilitating, forwarding it; and rest not till, in some approximate degree, they have accomplished that. I say, of all Priesthoods, Aristocracies, Governing Classes at present extant in the world, there is no class comparable for importance to that Priesthood of the Writers of Books. This is a fact which he who runs may read,—and draw inferences from. "Literature will take care of itself," answered Mr. Pitt, when applied to for some help for Burns. "Yes," adds Mr. Southey, "it will take care of itself; and of you too, if you do not look to it!"
And yet, there's no doubt it's coming; moving toward us, still hidden in the depths of centuries: this is a safe prediction. As soon as people recognize the significance of something, they inevitably start to organize it, simplify it, and promote it; and they won't rest until, to some extent, they have achieved that. I say that of all the Priesthoods, Aristocracies, and Governing Classes currently in the world, there is no group as important as the Priesthood of Book Writers. This is a truth that anyone can easily see—and draw conclusions from. "Literature will take care of itself," Mr. Pitt responded when asked for help for Burns. "Yes," Mr. Southey added, "it will take care of itself; and of you too if you don't pay attention to it!"
The result to individual Men of Letters is not the momentous one; they are but individuals, an infinitesimal fraction of the great body; they can struggle on, and live or else die, as they have been wont. But it deeply concerns the whole society, whether it will set its light on high places, to walk thereby; or trample it under foot, and scatter it in all ways of wild waste (not without conflagration), as heretofore! Light is the one thing wanted for the world. Put wisdom in the head of the world, the world will fight its battle victoriously, and be the best world man can make it. I called this anomaly of a disorganic Literary Class the heart of all other anomalies, at once product and parent; some good arrangement for that would be as the punctum saliens of a new vitality and just arrangement for all. Already, in some European countries, in France, in Prussia, one traces some beginnings of an arrangement for the Literary Class; indicating the gradual possibility of such. I believe that it is possible; that it will have to be possible.
The outcome for individual writers isn't that significant; they are just individuals, a tiny part of the larger group. They can keep struggling, living or dying as they usually do. But it really matters to society as a whole whether it will elevate its light to high places to guide its way or stomp it into the ground, scattering it chaotically (not without destruction), as has happened before! Light is what the world desperately needs. If we give wisdom to the world's leaders, they will win their battles and create the best world possible. I referred to the disorganized Literary Class as the core of all other issues, both a result and a cause; finding a good solution for that would be the punctum saliens of a new energy and proper order for everything. Already, in some European countries, in France and Prussia, we see early signs of an arrangement for the Literary Class, suggesting that such a possibility is gradually realistic. I believe it can happen; it will have to happen.
By far the most interesting fact I hear about the Chinese is one on which we cannot arrive at clearness, but which excites endless curiosity even in the dim state: this namely, that they do attempt to make their Men of Letters their Governors! It would be rash to say, one understood how this was done, or with what degree of success it was done. All such things must be very unsuccessful; yet a small degree of success is precious; the very attempt how precious! There does seem to be, all over China, a more or less active search everywhere to discover the men of talent that grow up in the young generation. Schools there are for every one: a foolish sort of training, yet still a sort. The youths who distinguish themselves in the lower school are promoted into favorable stations in the higher, that they may still more distinguish themselves,—forward and forward: it appears to be out of these that the Official Persons, and incipient Governors, are taken. These are they whom they try first, whether they can govern or not. And surely with the best hope: for they are the men that have already shown intellect. Try them: they have not governed or administered as yet; perhaps they cannot; but there is no doubt they have some Understanding,—without which no man can! Neither is Understanding a tool, as we are too apt to figure; "it is a hand which can handle any tool." Try these men: they are of all others the best worth trying.—Surely there is no kind of government, constitution, revolution, social apparatus or arrangement, that I know of in this world, so promising to one's scientific curiosity as this. The man of intellect at the top of affairs: this is the aim of all constitutions and revolutions, if they have any aim. For the man of true intellect, as I assert and believe always, is the noble-hearted man withal, the true, just, humane and valiant man. Get him for governor, all is got; fail to get him, though you had Constitutions plentiful as blackberries, and a Parliament in every village, there is nothing yet got—!
By far the most interesting thing I hear about the Chinese is something we can't fully clarify, but it sparks endless curiosity even in its ambiguity: namely, that they try to make their scholars their leaders! It would be reckless to claim we understand how this is done, or how successful it really is. All such attempts are probably quite unsuccessful; yet even a small degree of success is valuable; the very effort itself is precious! There seems to be, all over China, a more or less active search to discover the talented individuals emerging in the younger generation. There are schools for everyone: a rather foolish type of training, yet it's something. Young people who excel in the lower schools are promoted to better positions in the higher ones, so they can further distinguish themselves—forward and forward: it seems these are the ones from whom the officials and aspiring governors are chosen. These are the ones they try first, to see if they can govern or not. And surely with good reason: for they are individuals who have already demonstrated intelligence. Test them: they haven't yet governed or managed anything; perhaps they can't; but there's no doubt they have some understanding—without which no one can! Also, understanding isn't just a tool, as we tend to think; "it is a hand that can handle any tool." Test these people: they are the best candidates for testing. Surely, there’s no form of government, constitution, revolution, or social structure that I know of in this world so promising to one’s scientific curiosity as this. The intellectual at the helm of affairs: this is the goal of all constitutions and revolutions, if they have any goal. For the person with true intellect, as I always assert and believe, is also the noble-hearted individual, the true, just, humane, and courageous person. Get him as a governor, and everything is set; fail to get him, even if you have constitutions as plentiful as blackberries and a parliament in every village, then nothing is truly achieved—!
These things look strange, truly; and are not such as we commonly speculate upon. But we are fallen into strange times; these things will require to be speculated upon; to be rendered practicable, to be in some way put in practice. These, and many others. On all hands of us, there is the announcement, audible enough, that the old Empire of Routine has ended; that to say a thing has long been, is no reason for its continuing to be. The things which have been are fallen into decay, are fallen into incompetence; large masses of mankind, in every society of our Europe, are no longer capable of living at all by the things which have been. When millions of men can no longer by their utmost exertion gain food for themselves, and "the third man for thirty-six weeks each year is short of third-rate potatoes," the things which have been must decidedly prepare to alter themselves!—I will now quit this of the organization of Men of Letters.
These things seem really odd; they're not what we usually think about. But we’re living in unusual times; these issues will need to be thought through and made practical in some way. These, and many more. All around us, it's clear that the old ways of doing things have come to an end; just because something has existed for a long time doesn’t mean it will continue. The things from the past are falling apart, becoming useless; many people in every part of Europe can no longer survive based on what once was. When millions can’t even feed themselves despite their best efforts, and "the third person for thirty-six weeks each year can barely scrape by with subpar potatoes," the old ways definitely need to change!—I will now move on from discussing the organization of Writers.
Alas, the evil that pressed heaviest on those Literary Heroes of ours was not the want of organization for Men of Letters, but a far deeper one; out of which, indeed, this and so many other evils for the Literary Man, and for all men, had, as from their fountain, taken rise. That our Hero as Man of Letters had to travel without highway, companionless, through an inorganic chaos,—and to leave his own life and faculty lying there, as a partial contribution towards pushing some highway through it: this, had not his faculty itself been so perverted and paralyzed, he might have put up with, might have considered to be but the common lot of Heroes. His fatal misery was the spiritual paralysis, so we may name it, of the Age in which his life lay; whereby his life too, do what he might, was half paralyzed! The Eighteenth was a Sceptical Century; in which little word there is a whole Pandora's Box of miseries. Scepticism means not intellectual Doubt alone, but moral Doubt; all sorts of infidelity, insincerity, spiritual paralysis. Perhaps, in few centuries that one could specify since the world began, was a life of Heroism more difficult for a man. That was not an age of Faith,—an age of Heroes! The very possibility of Heroism had been, as it were, formally abnegated in the minds of all. Heroism was gone forever; Triviality, Formulism and Commonplace were come forever. The "age of miracles" had been, or perhaps had not been; but it was not any longer. An effete world; wherein Wonder, Greatness, Godhood could not now dwell;—in one word, a godless world!
Unfortunately, the main struggle for our Literary Heroes wasn't the lack of organization among writers, but something much deeper; from which many other issues for writers and everyone else emerged. Our Hero, as a writer, had to journey alone through a chaotic mess, leaving his own life and talent behind, just as a partial effort toward creating a path through it. If his talent hadn’t been so twisted and crippled, he might have accepted this as just the usual fate of Heroes. His tragic misery was the spiritual paralysis of the age he lived in; in which, no matter what he did, his life was half paralyzed! The Eighteenth Century was a Sceptical Century; and that little word holds a whole box of miseries. Scepticism doesn’t just mean intellectual doubt, but also moral doubt; all kinds of unbelief, insincerity, and spiritual paralysis. Perhaps, in few centuries since the beginning of the world, it was harder for a man to live a life of Heroism. It was not a time of Faith, but rather an age of Heroes! The very idea of Heroism had been, in a sense, formally rejected in everyone’s mind. Heroism was lost forever; Triviality, Formulism, and the Commonplace had taken over. The "age of miracles" might have happened, or maybe it didn’t; but it wasn’t happening anymore. A worn-out world, where Wonder, Greatness, and Godhood could no longer exist; in other words, a godless world!
How mean, dwarfish are their ways of thinking, in this time,—compared not with the Christian Shakspeares and Miltons, but with the old Pagan Skalds, with any species of believing men! The living TREE Igdrasil, with the melodious prophetic waving of its world-wide boughs, deep-rooted as Hela, has died out into the clanking of a World-MACHINE. "Tree" and "Machine:" contrast these two things. I, for my share, declare the world to be no machine! I say that it does not go by wheel-and-pinion "motives" self-interests, checks, balances; that there is something far other in it than the clank of spinning-jennies, and parliamentary majorities; and, on the whole, that it is not a machine at all!—The old Norse Heathen had a truer motion of God's-world than these poor Machine-Sceptics: the old Heathen Norse were sincere men. But for these poor Sceptics there was no sincerity, no truth. Half-truth and hearsay was called truth. Truth, for most men, meant plausibility; to be measured by the number of votes you could get. They had lost any notion that sincerity was possible, or of what sincerity was. How many Plausibilities asking, with unaffected surprise and the air of offended virtue, What! am not I sincere? Spiritual Paralysis, I say, nothing left but a Mechanical life, was the characteristic of that century. For the common man, unless happily he stood below his century and belonged to another prior one, it was impossible to be a Believer, a Hero; he lay buried, unconscious, under these baleful influences. To the strongest man, only with infinite struggle and confusion was it possible to work himself half loose; and lead as it were, in an enchanted, most tragical way, a spiritual death-in-life, and be a Half-Hero!
How small-minded and limited their way of thinking is today—not compared to the Christian Shakespeares and Miltons, but to the old pagan Skalds or any type of true believers! The living TREE Yggdrasil, with the beautiful, prophetic swaying of its far-reaching branches, as deeply rooted as Hela, has faded into the clanking of a World-MACHINE. "Tree" and "Machine": contrast these two concepts. I declare that the world is not a machine! I say that it does not operate on wheel-and-pinion "motives," self-interests, checks, or balances; there's something much deeper at play than the grind of spinning jennies and parliamentary majorities; overall, the world is not a machine at all!—The old Norse pagans had a truer understanding of God's world than these poor machine skeptics: the old Norse were sincere people. But for these skeptics, there was no sincerity, no truth. Half-truths and hearsay were considered the truth. For most people, truth meant just being plausible, measured by how many votes you could gather. They had lost any sense that sincerity was even possible, or what sincerity truly was. Countless plausibilities asked, with feigned surprise and an air of offended virtue, "What! Am I not sincere?" I say it was spiritual paralysis; nothing remained but a mechanical life, which characterized that century. For the average person, unless they fortuitously stood below their time and belonged to an earlier one, it was impossible to be a believer, a hero; they lay buried, unconscious, under these harmful influences. Even for the strongest individual, only through immense struggle and confusion could they begin to break free; and lead, in a sense, in an enchanted, tragically poignant way, a spiritual death-in-life, and be a Half-Hero!
Scepticism is the name we give to all this; as the chief symptom, as the chief origin of all this. Concerning which so much were to be said! It would take many Discourses, not a small fraction of one Discourse, to state what one feels about that Eighteenth Century and its ways. As indeed this, and the like of this, which we now call Scepticism, is precisely the black malady and life-foe, against which all teaching and discoursing since man's life began has directed itself: the battle of Belief against Unbelief is the never-ending battle! Neither is it in the way of crimination that one would wish to speak. Scepticism, for that century, we must consider as the decay of old ways of believing, the preparation afar off for new better and wider ways,—an inevitable thing. We will not blame men for it; we will lament their hard fate. We will understand that destruction of old forms is not destruction of everlasting substances; that Scepticism, as sorrowful and hateful as we see it, is not an end but a beginning.
Skepticism is what we call all of this; it’s the main symptom and the main cause of everything happening. There’s so much to say about it! It would take lots of discussions, not just a small part of one, to express what people feel about the Eighteenth Century and its attitudes. In truth, what we now refer to as Skepticism is exactly the dark affliction and life enemy that all teaching and discussions have opposed since the beginning of humanity: the ongoing struggle between Belief and Unbelief! It’s not about blaming anyone, though. We need to see Skepticism in that century as the decline of old beliefs, the distant preparation for new, better, and broader ones—an unavoidable process. We won’t criticize people for it; we’ll mourn their unfortunate situation. We’ll recognize that the destruction of old forms doesn’t mean the destruction of eternal substances; that Skepticism, as painful and unpleasant as it seems, is not the end but a new beginning.
The other day speaking, without prior purpose that way, of Bentham's theory of man and man's life, I chanced to call it a more beggarly one than Mahomet's. I am bound to say, now when it is once uttered, that such is my deliberate opinion. Not that one would mean offence against the man Jeremy Bentham, or those who respect and believe him. Bentham himself, and even the creed of Bentham, seems to me comparatively worthy of praise. It is a determinate being what all the world, in a cowardly half-and-half manner, was tending to be. Let us have the crisis; we shall either have death or the cure. I call this gross, steam-engine Utilitarianism an approach towards new Faith. It was a laying-down of cant; a saying to oneself: "Well then, this world is a dead iron machine, the god of it Gravitation and selfish Hunger; let us see what, by checking and balancing, and good adjustment of tooth and pinion, can be made of it!" Benthamism has something complete, manful, in such fearless committal of itself to what it finds true; you may call it Heroic, though a Heroism with its eyes put out! It is the culminating point, and fearless ultimatum, of what lay in the half-and-half state, pervading man's whole existence in that Eighteenth Century. It seems to me, all deniers of Godhood, and all lip-believers of it, are bound to be Benthamites, if they have courage and honesty. Benthamism is an eyeless Heroism: the Human Species, like a hapless blinded Samson grinding in the Philistine Mill, clasps convulsively the pillars of its Mill; brings huge ruin down, but ultimately deliverance withal. Of Bentham I meant to say no harm.
The other day, while talking casually about Bentham's theory of man and life, I unexpectedly called it a more impoverished perspective than Mahomet's. I have to say, now that I've voiced it, that's my honest opinion. Not that I intend any offense to Jeremy Bentham or to those who respect and believe in him. Bentham himself, and even the principles of Bentham, seem to me quite commendable. It’s a concrete idea that everyone in a cowardly, indecisive way was leaning toward. Let’s face the crisis; we’ll either face death or find a solution. I refer to this crude, steam-engine Utilitarianism as a step toward a new belief system. It represented a rejection of pretense; a real acknowledgment: "Alright, this world is a lifeless machine, ruled by Gravity and selfish Desire; let’s see what we can achieve by regulating and balancing, and fine-tuning the gears!" Benthamism possesses something whole and brave in its unwavering commitment to what it sees as true; you could call it Heroic, though it's a Heroism that is blind! It represents the peak and bold conclusion of what existed in the ambivalent state that permeated human life in the Eighteenth Century. It seems to me that all who deny divinity, and all who only pay it lip service, are bound to embrace Benthamism if they have the courage and honesty. Benthamism is a blind Heroism: humanity, like a hapless blinded Samson grinding at the Philistine Mill, desperately clings to the pillars of its Mill; it causes massive destruction but ultimately brings about liberation too. I meant no harm to Bentham.
But this I do say, and would wish all men to know and lay to heart, that he who discerns nothing but Mechanism in the Universe has in the fatalest way missed the secret of the Universe altogether. That all Godhood should vanish out of men's conception of this Universe seems to me precisely the most brutal error,—I will not disparage Heathenism by calling it a Heathen error,—that men could fall into. It is not true; it is false at the very heart of it. A man who thinks so will think wrong about all things in the world; this original sin will vitiate all other conclusions he can form. One might call it the most lamentable of Delusions,—not forgetting Witchcraft itself! Witchcraft worshipped at least a living Devil; but this worships a dead iron Devil; no God, not even a Devil! Whatsoever is noble, divine, inspired, drops thereby out of life. There remains everywhere in life a despicable caput-mortuum; the mechanical hull, all soul fled out of it. How can a man act heroically? The "Doctrine of Motives" will teach him that it is, under more or less disguise, nothing but a wretched love of Pleasure, fear of Pain; that Hunger, of applause, of cash, of whatsoever victual it may be, is the ultimate fact of man's life. Atheism, in brief;—which does indeed frightfully punish itself. The man, I say, is become spiritually a paralytic man; this godlike Universe a dead mechanical steam-engine, all working by motives, checks, balances, and I know not what; wherein, as in the detestable belly of some Phalaris'-Bull of his own contriving, he the poor Phalaris sits miserably dying!
But I will say this, and I wish everyone to understand and take it to heart: anyone who sees only mechanism in the universe has tragically missed the true essence of it. The idea that all sense of the divine could disappear from humanity's view of the universe strikes me as the most brutal mistake—one that I won't insult other belief systems by calling it a heathen error—that people could fall into. It’s simply not true; it’s fundamentally wrong. A person who thinks this way will be mistaken about everything in the world; this original error will corrupt all other conclusions they reach. One could call it the most unfortunate of delusions—not forgetting even witchcraft! Witchcraft at least honored a living devil; this, however, worships a dead, mechanical devil—no God, not even a devil! All that is noble, divine, or inspired is thereby excluded from life. What remains everywhere in existence is a despicable *caput-mortuum*; the mechanical shell, completely devoid of soul. How can a person act heroically? The "Doctrine of Motives" tells them that, in various disguises, all it boils down to is a miserable pursuit of pleasure and a fear of pain; that hunger—for applause, money, or any kind of sustenance—is the ultimate reality of human existence. This is essentially atheism, which punishes itself with terrifying consequences. I say this person has become spiritually paralyzed; this godlike universe has turned into a lifeless mechanical steam engine, functioning only on motives, checks, balances, and who knows what else; in which, like a miserable Phalaris, they sit inside a horrifying bull of their own making, slowly dying!
Belief I define to be the healthy act of a man's mind. It is a mysterious indescribable process, that of getting to believe;—indescribable, as all vital acts are. We have our mind given us, not that it may cavil and argue, but that it may see into something, give us clear belief and understanding about something, whereon we are then to proceed to act. Doubt, truly, is not itself a crime. Certainly we do not rush out, clutch up the first thing we find, and straightway believe that! All manner of doubt, inquiry, [Gr.] skepsis as it is named, about all manner of objects, dwells in every reasonable mind. It is the mystic working of the mind, on the object it is getting to know and believe. Belief comes out of all this, above ground, like the tree from its hidden roots. But now if, even on common things, we require that a man keep his doubts silent, and not babble of them till they in some measure become affirmations or denials; how much more in regard to the highest things, impossible to speak of in words at all! That a man parade his doubt, and get to imagine that debating and logic (which means at best only the manner of telling us your thought, your belief or disbelief, about a thing) is the triumph and true work of what intellect he has: alas, this is as if you should overturn the tree, and instead of green boughs, leaves and fruits, show us ugly taloned roots turned up into the air,—and no growth, only death and misery going on!
I define belief as a healthy function of the mind. It's a mysterious and indescribable process, much like all vital functions. Our minds are given to us not to argue and bicker, but to gain insight, allowing us to have clear beliefs and understanding about something, which guides our actions. Doubt, in itself, isn't a crime. We don't just grab onto the first thing we encounter and immediately believe it! Every reasonable mind harbors all kinds of doubt and inquiry, known as skepsis, about various subjects. This is the mysterious process of the mind engaging with the object it is beginning to understand and believe. Belief emerges from all of this, rising up like a tree from its hidden roots. However, if we expect someone to keep their doubts silent about even trivial matters and not to voice them until they morph into some form of affirmation or denial, how much more so concerning the profound truths that are nearly impossible to articulate? When someone flaunts their doubt and thinks that debating and logic— which at best merely represent how you express your thoughts, beliefs, or disbeliefs about something— are signs of true intellect: well, that's like upending a tree and instead of showing us lush branches, leaves, and fruit, presenting us with ugly, gnarled roots turned skyward, resulting in stagnation and despair!
For the Scepticism, as I said, is not intellectual only; it is moral also; a chronic atrophy and disease of the whole soul. A man lives by believing something; not by debating and arguing about many things. A sad case for him when all that he can manage to believe is something he can button in his pocket, and with one or the other organ eat and digest! Lower than that he will not get. We call those ages in which he gets so low the mournfulest, sickest and meanest of all ages. The world's heart is palsied, sick: how can any limb of it be whole? Genuine Acting ceases in all departments of the world's work; dexterous Similitude of Acting begins. The world's wages are pocketed, the world's work is not done. Heroes have gone out; Quacks have come in. Accordingly, what Century, since the end of the Roman world, which also was a time of scepticism, simulacra and universal decadence, so abounds with Quacks as that Eighteenth? Consider them, with their tumid sentimental vaporing about virtue, benevolence,—the wretched Quack-squadron, Cagliostro at the head of them! Few men were without quackery; they had got to consider it a necessary ingredient and amalgam for truth. Chatham, our brave Chatham himself, comes down to the House, all wrapt and bandaged; he "has crawled out in great bodily suffering," and so on;—forgets, says Walpole, that he is acting the sick man; in the fire of debate, snatches his arm from the sling, and oratorically swings and brandishes it! Chatham himself lives the strangest mimetic life, half-hero, half-quack, all along. For indeed the world is full of dupes; and you have to gain the world's suffrage! How the duties of the world will be done in that case, what quantities of error, which means failure, which means sorrow and misery, to some and to many, will gradually accumulate in all provinces of the world's business, we need not compute.
Skepticism, as I've mentioned, isn't just intellectual; it’s also moral—a constant weakening and sickness of the entire soul. A person survives by believing in something, not by endlessly debating and arguing about many things. It’s a sad situation when all he can manage to believe is something he can carry in his pocket and eat with some organ in his body! He won't sink any lower than that. We call the times when he falls to such depths the saddest, sickest, and meanest of all ages. The world's heart is paralyzed, sick: how can any part of it be healthy? Genuine action stops in all areas of the world's work; a mere imitation of action begins. The world's rewards are taken, but the world's work remains undone. Heroes have disappeared; charlatans have taken their place. So which century, since the fall of the Roman world—a time of skepticism, imitation, and overall decline—has been as filled with charlatans as the Eighteenth? Just look at them, with their inflated sentimental talk about virtue and kindness—the pitiful band of quacks, with Cagliostro leading the pack! Few men were without their own charlatanism; they had come to see it as a necessary mix with truth. Our brave Chatham himself comes into the House all wrapped up and bandaged; he "has crawled out in great bodily suffering," and so on;—forgets, says Walpole, that he is pretending to be the sick man; in the heat of debate, he snatches his arm out of the sling and oratorically swings and flaunts it! Chatham himself lives a strange life of imitation, half-hero, half-charlatan, all the while. After all, the world is full of fools; and you have to win the world's support! How the tasks of the world will be accomplished in that case, what amounts of error—meaning failure, leading to sorrow and misery for some and many—will gradually pile up in all areas of the world's business, we need not calculate.
It seems to me, you lay your finger here on the heart of the world's maladies, when you call it a Sceptical World. An insincere world; a godless untruth of a world! It is out of this, as I consider, that the whole tribe of social pestilences, French Revolutions, Chartisms, and what not, have derived their being,—their chief necessity to be. This must alter. Till this alter, nothing can beneficially alter. My one hope of the world, my inexpugnable consolation in looking at the miseries of the world, is that this is altering. Here and there one does now find a man who knows, as of old, that this world is a Truth, and no Plausibility and Falsity; that he himself is alive, not dead or paralytic; and that the world is alive, instinct with Godhood, beautiful and awful, even as in the beginning of days! One man once knowing this, many men, all men, must by and by come to know it. It lies there clear, for whosoever will take the spectacles off his eyes and honestly look, to know! For such a man the Unbelieving Century, with its unblessed Products, is already past; a new century is already come. The old unblessed Products and Performances, as solid as they look, are Phantasms, preparing speedily to vanish. To this and the other noisy, very great-looking Simulacrum with the whole world huzzaing at its heels, he can say, composedly stepping aside: Thou art not true; thou art not extant, only semblant; go thy way!—Yes, hollow Formulism, gross Benthamism, and other unheroic atheistic Insincerity is visibly and even rapidly declining. An unbelieving Eighteenth Century is but an exception,—such as now and then occurs. I prophesy that the world will once more become sincere; a believing world; with many Heroes in it, a heroic world! It will then be a victorious world; never till then.
It seems to me you’ve pointed out the core issue of the world’s problems when you call it a Sceptical World. An insincere world; a godless, false world! I believe this is the root of all social issues, like the French Revolutions, Chartisms, and so on—they all arise from this necessity. This has to change. Until it does, nothing can truly improve. My only hope for the world, my unwavering comfort when looking at its suffering, is that this is changing. Here and there, we’re starting to see individuals who realize, just like in the past, that this world is a Truth, not just a facade of Plausibility and Falsity; that they are alive, not dead or paralyzed; and that the world is alive, filled with divinity, beautiful and terrifying, just like in the beginning of time! As one person recognizes this, many others, eventually everyone, will come to know it too. It’s clear for anyone willing to take the spectacles off their eyes and look honestly! For someone like that, the Unbelieving Century, with its unworthy Products, is already behind us; a new century has already arrived. The old unworthy Products and Performances, as solid as they appear, are mere illusions, soon to fade away. To all of this and the other loud, flashy Simulacrum that the world cheers for, he can calmly step aside and say: You are not true; you are not real, just a semblance; move along!—Yes, the empty Formalism, crude Benthamism, and other unheroic atheistic Insincerity are clearly and even quickly fading. An unbelieving Eighteenth Century is just an exception—something that happens from time to time. I predict that the world will once again become sincere; a believing world; with many Heroes in it, a heroic world! Only then will it be a victorious world; not until then.
Or indeed what of the world and its victories? Men speak too much about the world. Each one of us here, let the world go how it will, and be victorious or not victorious, has he not a Life of his own to lead? One Life; a little gleam of Time between two Eternities; no second chance to us forevermore! It were well for us to live not as fools and simulacra, but as wise and realities. The world's being saved will not save us; nor the world's being lost destroy us. We should look to ourselves: there is great merit here in the "duty of staying at home"! And, on the whole, to say truth, I never heard of "world's" being "saved" in any other way. That mania of saving worlds is itself a piece of the Eighteenth Century with its windy sentimentalism. Let us not follow it too far. For the saving of the world I will trust confidently to the Maker of the world; and look a little to my own saving, which I am more competent to!—In brief, for the world's sake, and for our own, we will rejoice greatly that Scepticism, Insincerity, Mechanical Atheism, with all their poison-dews, are going, and as good as gone.—
Or what about the world and its victories? People talk too much about the world. Each of us here, whether the world succeeds or fails, doesn't he have his own life to lead? One life; a brief moment in time between two eternities; no second chances for us ever again! It would be wise for us to live not as fools and imitations, but as wise and genuine individuals. The world being saved won’t save us; nor will the world being lost destroy us. We need to focus on ourselves: there’s a lot of value in the “duty of staying at home”! Honestly, I've never heard of the “world” being “saved” in any other way. That obsession with saving worlds is just a remnant of the Eighteenth Century with its overblown sentimentalism. Let’s not get too caught up in it. For the saving of the world, I will confidently rely on the Creator of the world, and take care of my own salvation, which I’m more capable of!—In short, for the sake of the world, and for our own, we should celebrate that Scepticism, Insincerity, and Mechanical Atheism, along with all their toxic effects, are fading away, and almost gone.—
Now it was under such conditions, in those times of Johnson, that our Men of Letters had to live. Times in which there was properly no truth in life. Old truths had fallen nigh dumb; the new lay yet hidden, not trying to speak. That Man's Life here below was a Sincerity and Fact, and would forever continue such, no new intimation, in that dusk of the world, had yet dawned. No intimation; not even any French Revolution,—which we define to be a Truth once more, though a Truth clad in hell-fire! How different was the Luther's pilgrimage, with its assured goal, from the Johnson's, girt with mere traditions, suppositions, grown now incredible, unintelligible! Mahomet's Formulas were of "wood waxed and oiled," and could be burnt out of one's way: poor Johnson's were far more difficult to burn.—The strong man will ever find work, which means difficulty, pain, to the full measure of his strength. But to make out a victory, in those circumstances of our poor Hero as Man of Letters, was perhaps more difficult than in any. Not obstruction, disorganization, Bookseller Osborne and Fourpence-halfpenny a day; not this alone; but the light of his own soul was taken from him. No landmark on the Earth; and, alas, what is that to having no loadstar in the Heaven! We need not wonder that none of those Three men rose to victory. That they fought truly is the highest praise. With a mournful sympathy we will contemplate, if not three living victorious Heroes, as I said, the Tombs of three fallen Heroes! They fell for us too; making a way for us. There are the mountains which they hurled abroad in their confused War of the Giants; under which, their strength and life spent, they now lie buried.
Now, it was under these conditions, during Johnson's time, that our writers had to live. Times when there was really no truth in life. Old truths had almost become silent; the new ones were still hidden, not trying to be expressed. That life on Earth was sincere and factual, and would always remain so; no new hint, in that twilight of the world, had appeared yet. No hint; not even the French Revolution—which we recognize as a truth again, though a truth wrapped in chaos! How different Luther's journey was, with its clear goal, compared to Johnson's, surrounded by mere traditions and assumptions that had now become unbelievable and incomprehensible! Muhammad's teachings were "wood waxed and oiled," and could be burned away easily: poor Johnson's were far harder to clear out. The strong man will always find work, which means difficulty and pain, to the fullest extent of his strength. But achieving victory, under the circumstances faced by our poor hero as a writer, was perhaps more challenging than ever. It wasn't just the obstacles, disorganization, Bookseller Osborne, and his meager Fourpence-halfpenny a day; it was that the light of his own soul was dimmed. No landmarks on Earth; and, unfortunately, what does that mean if you have no guiding star in the sky? We shouldn't be surprised that none of those three men achieved victory. That they fought bravely is the highest praise. With a heavy heart, we will reflect, if not on three living victorious heroes, as I mentioned, then on the graves of three fallen heroes! They fell for us too, paving the way for us. There are the mountains they cast forth in their chaotic battle against the giants; beneath which, having spent their strength and lives, they now lie buried.
I have already written of these three Literary Heroes, expressly or incidentally; what I suppose is known to most of you; what need not be spoken or written a second time. They concern us here as the singular Prophets of that singular age; for such they virtually were; and the aspect they and their world exhibit, under this point of view, might lead us into reflections enough! I call them, all three, Genuine Men more or less; faithfully, for most part unconsciously, struggling to be genuine, and plant themselves on the everlasting truth of things. This to a degree that eminently distinguishes them from the poor artificial mass of their contemporaries; and renders them worthy to be considered as Speakers, in some measure, of the everlasting truth, as Prophets in that age of theirs. By Nature herself a noble necessity was laid on them to be so. They were men of such magnitude that they could not live on unrealities,—clouds, froth and all inanity gave way under them: there was no footing for them but on firm earth; no rest or regular motion for them, if they got not footing there. To a certain extent, they were Sons of Nature once more in an age of Artifice; once more, Original Men.
I've already talked about these three Literary Heroes, either directly or indirectly; most of you likely know this already, so I won't say it again. They are important here as the unique Prophets of their remarkable time, which they truly were. The way they and their world appear from this perspective could inspire a lot of reflections! I see them all as Genuine Men to varying degrees; they were genuinely trying, mostly without realizing it, to be authentic and connect with the fundamental truths of existence. This sets them apart significantly from the artificial crowd of their time, making them worthy of being seen as Speakers of eternal truths, as Prophets in their age. By a noble necessity from Nature itself, they had to be this way. They were individuals of such greatness that they couldn't thrive on falsehoods—illusions, trivialities, and all the nonsense just fell away beneath them: they could only stand on solid ground; they couldn't find rest or genuine progress unless they had a foundation there. To some extent, they were Sons of Nature again in a time filled with Artifice; once more, they were Original Men.
As for Johnson, I have always considered him to be, by nature, one of our great English souls. A strong and noble man; so much left undeveloped in him to the last: in a kindlier element what might he not have been,—Poet, Priest, sovereign Ruler! On the whole, a man must not complain of his "element," of his "time," or the like; it is thriftless work doing so. His time is bad: well then, he is there to make it better!—Johnson's youth was poor, isolated, hopeless, very miserable. Indeed, it does not seem possible that, in any the favorablest outward circumstances, Johnson's life could have been other than a painful one. The world might have had more of profitable work out of him, or less; but his effort against the world's work could never have been a light one. Nature, in return for his nobleness, had said to him, Live in an element of diseased sorrow. Nay, perhaps the sorrow and the nobleness were intimately and even inseparably connected with each other. At all events, poor Johnson had to go about girt with continual hypochondria, physical and spiritual pain. Like a Hercules with the burning Nessus'-shirt on him, which shoots in on him dull incurable misery: the Nessus'-shirt not to be stript off, which is his own natural skin! In this manner he had to live. Figure him there, with his scrofulous diseases, with his great greedy heart, and unspeakable chaos of thoughts; stalking mournful as a stranger in this Earth; eagerly devouring what spiritual thing he could come at: school-languages and other merely grammatical stuff, if there were nothing better! The largest soul that was in all England; and provision made for it of "fourpence-halfpenny a day." Yet a giant invincible soul; a true man's. One remembers always that story of the shoes at Oxford: the rough, seamy-faced, rawboned College Servitor stalking about, in winter-season, with his shoes worn out; how the charitable Gentleman Commoner secretly places a new pair at his door; and the rawboned Servitor, lifting them, looking at them near, with his dim eyes, with what thoughts,—pitches them out of window! Wet feet, mud, frost, hunger or what you will; but not beggary: we cannot stand beggary! Rude stubborn self-help here; a whole world of squalor, rudeness, confused misery and want, yet of nobleness and manfulness withal. It is a type of the man's life, this pitching away of the shoes. An original man;—not a second-hand, borrowing or begging man. Let us stand on our own basis, at any rate! On such shoes as we ourselves can get. On frost and mud, if you will, but honestly on that;—on the reality and substance which Nature gives us, not on the semblance, on the thing she has given another than us—!
As for Johnson, I have always thought of him as one of our great English souls. A strong and noble man; so much potential left untapped in him until the end: in a friendlier environment, what could he not have become—Poet, Priest, sovereign Ruler! Overall, one shouldn't complain about his "element," his "time," or anything like that; it's a waste of energy. His time is tough: well then, he’s here to make it better!—Johnson’s youth was poor, lonely, hopeless, very miserable. Honestly, it seems unlikely that, in any favorable conditions, Johnson’s life could have been anything but painful. The world might have benefited more or less from his work, but his struggle against it could never have been easy. Nature, in return for his nobility, told him, Live in a state of constant sorrow. Perhaps the sorrow and the nobility were deeply intertwined. Regardless, poor Johnson had to go through life burdened by ongoing depression, both physical and spiritual. Like Hercules wearing the burning Nessus' shirt, which inflicts on him relentless, incurable misery: the Nessus' shirt that he can’t take off, which is just his own skin! This is how he had to live. Picture him there, with his scrofulous diseases, his enormous, yearning heart, and his indescribable chaos of thoughts; wandering around, sorrowful as a stranger in this world; eagerly consuming every bit of spiritual food he could find: school texts and other tedious material if there was nothing better! The largest soul in all of England; and all he had to live on was "fourpence-halfpenny a day." Yet, he had an indomitable soul; a true man’s. One always remembers the story of the shoes at Oxford: the rough, skinny, rawboned College Servitor walking around in winter with his shoes worn out; how a kind Gentleman Commoner secretly left a new pair at his door; and the rawboned Servitor, picking them up, inspecting them with his dim eyes, thinking whatever he was thinking—throws them out of the window! Wet feet, mud, frost, hunger or whatever it is; but not begging: we cannot tolerate begging! Here's stubborn self-reliance; a whole world of squalor, rudeness, chaotic misery and need, yet steeped in nobility and dignity. This act of tossing away the shoes represents his life. An original man;—not a second-hand, borrowing or begging man. Let's stand on our own ground, at the very least! On the shoes we can acquire ourselves. On frost and mud, if need be, but honestly on that;—on the reality and substance Nature gives us, not on the surface, not on what she has given to someone else—!
And yet with all this rugged pride of manhood and self-help, was there ever soul more tenderly affectionate, loyally submissive to what was really higher than he? Great souls are always loyally submissive, reverent to what is over them; only small mean souls are otherwise. I could not find a better proof of what I said the other day, That the sincere man was by nature the obedient man; that only in a World of Heroes was there loyal Obedience to the Heroic. The essence of originality is not that it be new: Johnson believed altogether in the old; he found the old opinions credible for him, fit for him; and in a right heroic manner lived under them. He is well worth study in regard to that. For we are to say that Johnson was far other than a mere man of words and formulas; he was a man of truths and facts. He stood by the old formulas; the happier was it for him that he could so stand: but in all formulas that he could stand by, there needed to be a most genuine substance. Very curious how, in that poor Paper-age, so barren, artificial, thick-quilted with Pedantries, Hearsays, the great Fact of this Universe glared in, forever wonderful, indubitable, unspeakable, divine-infernal, upon this man too! How he harmonized his Formulas with it, how he managed at all under such circumstances: that is a thing worth seeing. A thing "to be looked at with reverence, with pity, with awe." That Church of St. Clement Danes, where Johnson still worshipped in the era of Voltaire, is to me a venerable place.
And yet, despite all this tough pride in manhood and self-reliance, was there ever a soul more deeply affectionate, genuinely loyal to what was truly greater than himself? Great souls are always humbly submissive, respectful of what is above them; only small, petty souls behave differently. I couldn't find a better example of what I mentioned the other day: that a sincere person is, by nature, an obedient person; that loyalty to the heroic only exists in a World of Heroes. The essence of originality is not that it should be new: Johnson fully believed in the old; he found the old opinions credible and fitting for him, and he lived under them in a truly heroic way. He is certainly worth studying in this respect. For we must note that Johnson was much more than just a man of words and formulas; he was a man of truths and facts. He stood by the old formulas; it was fortunate for him that he could do so: but in all the formulas he could embrace, there had to be a very genuine substance. It's interesting how, in that bleak Paper Age, so barren and artificial, thick with pedantries and hearsay, the great Fact of this Universe shone through, eternally marvelous, undeniable, unspeakable, divine and hellish, for this man too! How he reconciled his formulas with it, how he managed at all in such circumstances: that's something worth observing. A thing "to be regarded with reverence, with pity, with awe." That Church of St. Clement Danes, where Johnson still worshipped during the era of Voltaire, holds a special significance for me.
It was in virtue of his sincerity, of his speaking still in some sort from the heart of Nature, though in the current artificial dialect, that Johnson was a Prophet. Are not all dialects "artificial"? Artificial things are not all false;—nay every true Product of Nature will infallibly shape itself; we may say all artificial things are, at the starting of them, true. What we call "Formulas" are not in their origin bad; they are indispensably good. Formula is method, habitude; found wherever man is found. Formulas fashion themselves as Paths do, as beaten Highways, leading toward some sacred or high object, whither many men are bent. Consider it. One man, full of heartfelt earnest impulse, finds out a way of doing somewhat,—were it of uttering his soul's reverence for the Highest, were it but of fitly saluting his fellow-man. An inventor was needed to do that, a poet; he has articulated the dim-struggling thought that dwelt in his own and many hearts. This is his way of doing that; these are his footsteps, the beginning of a "Path." And now see: the second men travels naturally in the footsteps of his foregoer, it is the easiest method. In the footsteps of his foregoer; yet with improvements, with changes where such seem good; at all events with enlargements, the Path ever widening itself as more travel it;—till at last there is a broad Highway whereon the whole world may travel and drive. While there remains a City or Shrine, or any Reality to drive to, at the farther end, the Highway shall be right welcome! When the City is gone, we will forsake the Highway. In this manner all Institutions, Practices, Regulated Things in the world have come into existence, and gone out of existence. Formulas all begin by being full of substance; you may call them the skin, the articulation into shape, into limbs and skin, of a substance that is already there: they had not been there otherwise. Idols, as we said, are not idolatrous till they become doubtful, empty for the worshipper's heart. Much as we talk against Formulas, I hope no one of us is ignorant withal of the high significance of true Formulas; that they were, and will ever be, the indispensablest furniture of our habitation in this world.—
It was because of his sincerity, of his way of speaking still somewhat from the heart of Nature, even in the modern artificial language, that Johnson was a Prophet. Aren't all dialects "artificial"? Not all artificial things are false; in fact, every true Product of Nature will inevitably shape itself; we can say that all artificial things start off as true. What we call "Formulas" aren't bad in their origins; they are absolutely essential. A formula is method, habit; found wherever humans are found. Formulas develop like Paths do, like beaten Highways, leading toward some sacred or high goal, to which many people are drawn. Think about it. One person, filled with genuine passion, discovers a way of doing something—whether it's expressing their soul's reverence for the Highest or simply greeting their fellow human. An inventor was needed to do that, a poet; they have articulated the vague, struggling thoughts that lived in their heart and in the hearts of many. This is their way of doing that; these are their footprints, the beginning of a "Path." And now notice: the second person naturally walks in the footsteps of their predecessor; it's the easiest method. Following in their predecessor's footsteps; yet with improvements, with changes where it seems fitting; in any case, with expansions, the Path continually widening itself as more travel it;—until finally there is a broad Highway for the entire world to travel and drive on. As long as there is a City or Shrine, or any Reality to reach at the far end, the Highway will be greatly welcomed! When the City is gone, we will leave the Highway. This is how all Institutions, Practices, and Regulated Things in the world have come into being and faded away. Formulas all start out being full of substance; you can think of them as the skin, the articulation into shape, limbs, and skin, of a substance that is already present: they wouldn't exist otherwise. Idols, as we've said, aren't idolatrous until they become questionable, empty for the worshipper's heart. Despite how much we criticize Formulas, I hope none of us is unaware of the great significance of true Formulas; that they have been, and will always be, the most essential furnishings of our lives in this world.—
Mark, too, how little Johnson boasts of his "sincerity." He has no suspicion of his being particularly sincere,—of his being particularly anything! A hard-struggling, weary-hearted man, or "scholar" as he calls himself, trying hard to get some honest livelihood in the world, not to starve, but to live—without stealing! A noble unconsciousness is in him. He does not "engrave Truth on his watch-seal;" no, but he stands by truth, speaks by it, works and lives by it. Thus it ever is. Think of it once more. The man whom Nature has appointed to do great things is, first of all, furnished with that openness to Nature which renders him incapable of being insincere! To his large, open, deep-feeling heart Nature is a Fact: all hearsay is hearsay; the unspeakable greatness of this Mystery of Life, let him acknowledge it or not, nay even though he seem to forget it or deny it, is ever present to him,—fearful and wonderful, on this hand and on that. He has a basis of sincerity; unrecognized, because never questioned or capable of question. Mirabeau, Mahomet, Cromwell, Napoleon: all the Great Men I ever heard of have this as the primary material of them. Innumerable commonplace men are debating, are talking everywhere their commonplace doctrines, which they have learned by logic, by rote, at second-hand: to that kind of man all this is still nothing. He must have truth; truth which he feels to be true. How shall he stand otherwise? His whole soul, at all moments, in all ways, tells him that there is no standing. He is under the noble necessity of being true. Johnson's way of thinking about this world is not mine, any more than Mahomet's was: but I recognize the everlasting element of heart-sincerity in both; and see with pleasure how neither of them remains ineffectual. Neither of them is as chaff sown; in both of them is something which the seedfield will grow.
Mark how little Johnson boasts about his "sincerity." He has no belief in being particularly sincere— or particularly anything! He’s a hard-working, weary man, or "scholar" as he calls himself, trying to make an honest living in the world, not to starve, but to live—without stealing! There’s a noble unawareness in him. He doesn’t "engrave Truth on his watch-seal;" no, he stands by truth, speaks it, works and lives by it. That's always the case. Think about it again. The person whom Nature has designated to achieve great things is, above all, open to Nature, which makes him incapable of being inhim—fearful and wonderful, here and there. He has a foundation of sincerity; unrecognized because it is never questioned or susceptible to questioning. Mirabeau, Mahomet, Cromwell, Napoleon: all the Great Men I’ve ever heard of share this as their primary essence. Countless ordinary men are debating and discussing their mundane doctrines, which they’ve learned by logic, by rote, and second-hand: to that kind of person, this is still nothing. He must have truth; truth that he senses to be true. How else can he stand? His whole soul, at all times and in all ways, tells him that there’s no standing otherwise. He is under the noble necessity of being true. Johnson's way of seeing this world isn’t mine, just like Mahomet’s wasn’t: but I recognize the everlasting element of heart-sincerity in both and am pleased to see that neither of them remains ineffective. Neither is like chaff scattered; within both of them is something that the seedfield will grow.
Johnson was a Prophet to his people; preached a Gospel to them,—as all like him always do. The highest Gospel he preached we may describe as a kind of Moral Prudence: "in a world where much is to be done, and little is to be known," see how you will do it! A thing well worth preaching. "A world where much is to be done, and little is to be known:" do not sink yourselves in boundless bottomless abysses of Doubt, of wretched god-forgetting Unbelief;—you were miserable then, powerless, mad: how could you do or work at all? Such Gospel Johnson preached and taught;—coupled, theoretically and practically, with this other great Gospel, "Clear your mind of Cant!" Have no trade with Cant: stand on the cold mud in the frosty weather, but let it be in your own real torn shoes: "that will be better for you," as Mahomet says! I call this, I call these two things joined together, a great Gospel, the greatest perhaps that was possible at that time.
Johnson was a prophet to his people; he preached a gospel to them—like all great leaders do. The highest gospel he preached could be summed up as a kind of moral practicality: "in a world where there's a lot to do and little to know," figure out how you will do it! That's definitely worth preaching. "A world where there's a lot to do and little to know:" don't let yourselves get lost in endless depths of doubt and despairing disbelief; you were miserable then, powerless, crazy: how could you do or accomplish anything at all? This is the gospel Johnson preached and taught—tied, both theoretically and practically, to this other significant gospel, "Clear your mind of nonsense!" Don't engage with nonsense: stand in the cold mud on a frosty day, but make sure it’s in your own real worn-out shoes: "that will be better for you," as Muhammad says! I call this, these two things joined together, a great gospel, perhaps the greatest that was possible at that time.
Johnson's Writings, which once had such currency and celebrity, are now as it were disowned by the young generation. It is not wonderful; Johnson's opinions are fast becoming obsolete: but his style of thinking and of living, we may hope, will never become obsolete. I find in Johnson's Books the indisputablest traces of a great intellect and great heart;—ever welcome, under what obstructions and perversions soever. They are sincere words, those of his; he means things by them. A wondrous buckram style,—the best he could get to then; a measured grandiloquence, stepping or rather stalking along in a very solemn way, grown obsolete now; sometimes a tumid size of phraseology not in proportion to the contents of it: all this you will put up with. For the phraseology, tumid or not, has always something within it. So many beautiful styles and books, with nothing in them;—a man is a malefactor to the world who writes such! They are the avoidable kind!—Had Johnson left nothing but his Dictionary, one might have traced there a great intellect, a genuine man. Looking to its clearness of definition, its general solidity, honesty, insight and successful method, it may be called the best of all Dictionaries. There is in it a kind of architectural nobleness; it stands there like a great solid square-built edifice, finished, symmetrically complete: you judge that a true Builder did it.
Johnson's writings, which once held so much prominence and fame, are now, in a way, rejected by the younger generation. It's not surprising; Johnson's views are quickly becoming outdated. However, we can hope that his way of thinking and living will never go out of style. In Johnson's books, I find undeniable evidence of a great mind and a big heart—always welcome, no matter the obstacles or distortions. His words are sincere; he truly means what he says. He has a remarkable, somewhat pompous style—the best he could manage at the time; a measured grandiloquence that moves, or rather lurks, in a very serious manner, which feels outdated now; sometimes there's an inflated size in his wording that doesn’t match the content: yet you can tolerate that. Because the language, whether inflated or not, always has something within it. So many beautiful styles and books have nothing in them—it's a crime against the world for someone to write that! They are the ones to avoid! If Johnson had left nothing but his Dictionary, one could still see there a great intellect and a genuine person. Considering its clear definitions, overall solidity, honesty, insight, and effective method, it could be called the best dictionary of all. There’s a kind of architectural greatness in it; it stands like a solid, square-built structure, finished and perfectly symmetrical: you can tell that a true Builder created it.
One word, in spite of our haste, must be granted to poor Bozzy. He passes for a mean, inflated, gluttonous creature; and was so in many senses. Yet the fact of his reverence for Johnson will ever remain noteworthy. The foolish conceited Scotch Laird, the most conceited man of his time, approaching in such awe-struck attitude the great dusty irascible Pedagogue in his mean garret there: it is a genuine reverence for Excellence; a worship for Heroes, at a time when neither Heroes nor worship were surmised to exist. Heroes, it would seem, exist always, and a certain worship of them! We will also take the liberty to deny altogether that of the witty Frenchman, that no man is a Hero to his valet-de-chambre. Or if so, it is not the Hero's blame, but the Valet's: that his soul, namely, is a mean valet-soul! He expects his Hero to advance in royal stage-trappings, with measured step, trains borne behind him, trumpets sounding before him. It should stand rather, No man can be a Grand-Monarque to his valet-de-chambre. Strip your Louis Quatorze of his king-gear, and there is left nothing but a poor forked radish with a head fantastically carved;—admirable to no valet. The Valet does not know a Hero when he sees him! Alas, no: it requires a kind of Hero to do that;—and one of the world's wants, in this as in other senses, is for most part want of such.
One word, despite our rush, must be given to poor Bozzy. He’s seen as a petty, self-important, gluttonous guy; and in many ways, he is. Yet, his admiration for Johnson will always stand out. The foolish, arrogant Scottish nobleman, the most self-absorbed person of his time, approaching the great, grumpy teacher in his shabby attic: it shows a genuine respect for Excellence; a *worship* for Heroes, at a time when neither Heroes nor worship seemed to exist. It appears that Heroes always exist, along with a certain reverence for them! We also feel free to completely dismiss what the witty Frenchman said, that no man is a Hero to his personal servant. If that’s true, it’s not the Hero’s fault, but the servant’s: theirs is a petty *servant* soul! They expect their Hero to stride in royal regalia, with a measured pace, trailing followers behind, and trumpets heralding him. It should rather say, no one can be a *Grand-Monarque* to their personal servant. Strip your Louis XIV of his royal attire, and all you’re left with is a sad little radish with an oddly carved head;—not admirable to any servant. The servant doesn’t recognize a Hero when they see one! Alas, no: it takes a kind of *Hero* to do that;—and what the world mostly lacks, in this as in other respects, is a shortage of such.
On the whole, shall we not say, that Boswell's admiration was well bestowed; that he could have found no soul in all England so worthy of bending down before? Shall we not say, of this great mournful Johnson too, that he guided his difficult confused existence wisely; led it well, like a right valiant man? That waste chaos of Authorship by trade; that waste chaos of Scepticism in religion and politics, in life-theory and life-practice; in his poverty, in his dust and dimness, with the sick body and the rusty coat: he made it do for him, like a brave man. Not wholly without a loadstar in the Eternal; he had still a loadstar, as the brave all need to have: with his eye set on that, he would change his course for nothing in these confused vortices of the lower sea of Time. "To the Spirit of Lies, bearing death and hunger, he would in nowise strike his flag." Brave old Samuel: ultimus Romanorum!
Overall, can we not agree that Boswell’s admiration was well-placed; that he couldn’t have found anyone in all of England more deserving of his respect? Can we not say, about this great and sorrowful Johnson too, that he navigated his complicated and troubled life wisely; that he handled it well, like a truly courageous man? Amidst the chaotic struggle of being a writer; amidst the confusion of skepticism in religion and politics, in theories and practices of life; in his poverty, in his obscurity, with a sick body and a worn-out coat: he made it work for him, like a brave man. Not entirely without guidance from the Eternal; he still had a guiding star, as all brave people need: with his sights set on that, he wouldn’t change his course for anything in these tumultuous waters of the lower sea of Time. "To the Spirit of Lies, bringing death and hunger, he would never lower his flag." Brave old Samuel: ultimus Romanorum!
Of Rousseau and his Heroism I cannot say so much. He is not what I call a strong man. A morbid, excitable, spasmodic man; at best, intense rather than strong. He had not "the talent of Silence," an invaluable talent; which few Frenchmen, or indeed men of any sort in these times, excel in! The suffering man ought really "to consume his own smoke;" there is no good in emitting smoke till you have made it into fire,—which, in the metaphorical sense too, all smoke is capable of becoming! Rousseau has not depth or width, not calm force for difficulty; the first characteristic of true greatness. A fundamental mistake to call vehemence and rigidity strength! A man is not strong who takes convulsion-fits; though six men cannot hold him then. He that can walk under the heaviest weight without staggering, he is the strong man. We need forever, especially in these loud-shrieking days, to remind ourselves of that. A man who cannot hold his peace, till the time come for speaking and acting, is no right man.
I can’t say much about Rousseau and his heroism. He isn’t what I consider a strong man. He’s a sensitive, high-strung, and unpredictable person; at his best, he’s intense rather than strong. He lacks "the talent of Silence," which is an invaluable skill that few Frenchmen, or indeed people these days, excel in! A suffering person should really "consume his own smoke;" there’s no benefit in letting out smoke until you’ve turned it into fire—which, in a metaphorical sense, all smoke can become! Rousseau lacks depth and breadth, and he certainly doesn’t have the calm strength needed to face difficulties; that’s the first trait of true greatness. It’s a fundamental mistake to confuse vehemence and rigidity with strength! A man isn’t strong just because he goes into convulsions; even if six men can’t hold him down then. The real strong man is the one who can carry the heaviest load without stumbling. We always need to remind ourselves of that, especially in these loud and chaotic times. A man who can’t hold his peace until the right time to speak and act isn’t the right kind of man.
Poor Rousseau's face is to me expressive of him. A high but narrow contracted intensity in it: bony brows; deep, strait-set eyes, in which there is something bewildered-looking,—bewildered, peering with lynx-eagerness. A face full of misery, even ignoble misery, and also of the antagonism against that; something mean, plebeian there, redeemed only by intensity: the face of what is called a Fanatic,—a sadly contracted Hero! We name him here because, with all his drawbacks, and they are many, he has the first and chief characteristic of a Hero: he is heartily in earnest. In earnest, if ever man was; as none of these French Philosophers were. Nay, one would say, of an earnestness too great for his otherwise sensitive, rather feeble nature; and which indeed in the end drove him into the strangest incoherences, almost delirations. There had come, at last, to be a kind of madness in him: his Ideas possessed him like demons; hurried him so about, drove him over steep places—!
Poor Rousseau's face really shows who he is. It's high yet narrow, conveying a tight intensity: bony brows; deep, focused eyes that look almost bewildered—confused, peering distantly with keen eagerness. His face is filled with misery, even an ignoble kind of misery, along with antagonism against it; there’s something small, ordinary about it, only redeemed by intensity: the face of what we call a Fanatic—a sadly contracted Hero! We mention him here because, despite all his flaws, and there are many, he has the essential quality of a Hero: he is genuinely in earnest. Seriously earnest, more than any of those French Philosophers. In fact, it seems his earnestness is too intense for his otherwise sensitive, somewhat weak nature; and it ultimately led him into strange incoherences, almost deliriums. There came to be a kind of madness in him: his Ideas possessed him like demons; pushing him around, driving him over steep places—!
The fault and misery of Rousseau was what we easily name by a single word, Egoism; which is indeed the source and summary of all faults and miseries whatsoever. He had not perfected himself into victory over mere Desire; a mean Hunger, in many sorts, was still the motive principle of him. I am afraid he was a very vain man; hungry for the praises of men. You remember Genlis's experience of him. She took Jean Jacques to the Theatre; he bargaining for a strict incognito,—"He would not be seen there for the world!" The curtain did happen nevertheless to be drawn aside: the Pit recognized Jean Jacques, but took no great notice of him! He expressed the bitterest indignation; gloomed all evening, spake no other than surly words. The glib Countess remained entirely convinced that his anger was not at being seen, but at not being applauded when seen. How the whole nature of the man is poisoned; nothing but suspicion, self-isolation, fierce moody ways! He could not live with anybody. A man of some rank from the country, who visited him often, and used to sit with him, expressing all reverence and affection for him, comes one day; finds Jean Jacques full of the sourest unintelligible humor. "Monsieur," said Jean Jacques, with flaming eyes, "I know why you come here. You come to see what a poor life I lead; how little is in my poor pot that is boiling there. Well, look into the pot! There is half a pound of meat, one carrot and three onions; that is all: go and tell the whole world that, if you like, Monsieur!"—A man of this sort was far gone. The whole world got itself supplied with anecdotes, for light laughter, for a certain theatrical interest, from these perversions and contortions of poor Jean Jacques. Alas, to him they were not laughing or theatrical; too real to him! The contortions of a dying gladiator: the crowded amphitheatre looks on with entertainment; but the gladiator is in agonies and dying.
The faults and misery of Rousseau can easily be summed up in one word: Egoism; which truly is the root of all problems and suffering. He hadn’t mastered triumph over mere Desire; a basic Hunger, in various forms, still drove him. I fear he was quite a vain person, craving the approval of others. You remember Genlis's encounter with him. She took Jean Jacques to the Theatre, insisting on a strict incognito—"He wouldn’t want to be seen there for anything!" However, the curtain was drawn back, and while the audience recognized Jean Jacques, they hardly acknowledged him! He reacted with intense indignation, sulking all evening and speaking only in a grumpy manner. The smooth Countess firmly believed that his anger stemmed not from being seen, but from not receiving applause when he was. How thoroughly his character was tainted; filled with suspicion, isolation, and fierce moodiness! He couldn’t coexist with anyone. A man of some status from the countryside, who often visited him and showed him great respect and affection, came one day and found Jean Jacques in the foulest, most incomprehensible mood. "Monsieur," said Jean Jacques, with blazing eyes, "I know why you’re here. You’ve come to see what a miserable life I live; how little is in my poor pot that’s boiling there. Well, take a look inside the pot! There’s half a pound of meat, one carrot, and three onions; that’s it: go and tell the whole world that if you want, Monsieur!"—A man like this was quite lost. The entire world had plenty of amusing anecdotes for light laughs and some theatrical intrigue, drawn from the twists and struggles of poor Jean Jacques. Sadly, to him, they weren’t funny or theatrical; they were far too real! The contortions of a dying gladiator: the packed amphitheater watches with entertainment, but the gladiator is in pain and dying.
And yet this Rousseau, as we say, with his passionate appeals to Mothers, with his contrat-social, with his celebrations of Nature, even of savage life in Nature, did once more touch upon Reality, struggle towards Reality; was doing the function of a Prophet to his Time. As he could, and as the Time could! Strangely through all that defacement, degradation and almost madness, there is in the inmost heart of poor Rousseau a spark of real heavenly fire. Once more, out of the element of that withered mocking Philosophism, Scepticism and Persiflage, there has arisen in this man the ineradicable feeling and knowledge that this Life of ours is true: not a Scepticism, Theorem, or Persiflage, but a Fact, an awful Reality. Nature had made that revelation to him; had ordered him to speak it out. He got it spoken out; if not well and clearly, then ill and dimly,—as clearly as he could. Nay what are all errors and perversities of his, even those stealings of ribbons, aimless confused miseries and vagabondisms, if we will interpret them kindly, but the blinkard dazzlement and staggerings to and fro of a man sent on an errand he is too weak for, by a path he cannot yet find? Men are led by strange ways. One should have tolerance for a man, hope of him; leave him to try yet what he will do. While life lasts, hope lasts for every man.
And yet this Rousseau, as we say, with his passionate appeals to mothers, with his contrat-social, with his celebrations of nature, even of savage life in nature, did once again touch upon reality, struggle toward reality; he was acting as a prophet for his time. As best as he could, and as the time allowed! Strangely, amidst all that distortion, degradation, and almost madness, there is in the deepest part of poor Rousseau a spark of real heavenly fire. Once again, from the element of that dried-up mocking philosophy, skepticism, and sarcasm, there has emerged in this man an unshakeable feeling and awareness that this life of ours is true: not skepticism, theorem, or sarcasm, but a fact, an awful reality. Nature had revealed that to him; had ordered him to speak it out. He managed to get it spoken out; if not well and clearly, then poorly and vaguely—as clearly as he could. And what are all his errors and perversions, even those petty thefts, aimless confusions, and wandering miseries, if we interpret them kindly, but the blinkered dazzlement and stumbling of a man sent on a mission he is too weak for, down a path he cannot yet find? People are led by strange ways. One should show tolerance for a person, have hope for them; let them try to see what they can accomplish. While life lasts, hope lasts for every person.
Of Rousseau's literary talents, greatly celebrated still among his countrymen, I do not say much. His Books, like himself, are what I call unhealthy; not the good sort of Books. There is a sensuality in Rousseau. Combined with such an intellectual gift as his, it makes pictures of a certain gorgeous attractiveness: but they are not genuinely poetical. Not white sunlight: something operatic; a kind of rose-pink, artificial bedizenment. It is frequent, or rather it is universal, among the French since his time. Madame de Stael has something of it; St. Pierre; and down onwards to the present astonishing convulsionary "Literature of Desperation," it is everywhere abundant. That same rose-pink is not the right hue. Look at a Shakspeare, at a Goethe, even at a Walter Scott! He who has once seen into this, has seen the difference of the True from the Sham-True, and will discriminate them ever afterwards.
I won't say much about Rousseau's literary talents, which are still highly celebrated among his countrymen. His books, like him, are what I consider unhealthy—definitely not the good kind of books. There's a sensuality to Rousseau that, when combined with his intellectual gift, creates images of a certain dazzling appeal; but they aren't genuinely poetic. It’s not pure, white sunlight; it’s more operatic, a sort of artificial, rose-pink embellishment. This has become common, or rather universal, among the French since his time. Madame de Stael has a bit of it; so does St. Pierre; and right down to the current incredible upheaval of "Literature of Desperation," it's everywhere. That same rose-pink isn’t the right shade. Look at a Shakespeare, a Goethe, or even a Walter Scott! Once someone has recognized this, they can tell the difference between the True and the Sham-True and will distinguish them forever after.
We had to observe in Johnson how much good a Prophet, under all disadvantages and disorganizations, can accomplish for the world. In Rousseau we are called to look rather at the fearful amount of evil which, under such disorganization, may accompany the good. Historically it is a most pregnant spectacle, that of Rousseau. Banished into Paris garrets, in the gloomy company of his own Thoughts and Necessities there; driven from post to pillar; fretted, exasperated till the heart of him went mad, he had grown to feel deeply that the world was not his friend nor the world's law. It was expedient, if any way possible, that such a man should not have been set in flat hostility with the world. He could be cooped into garrets, laughed at as a maniac, left to starve like a wild beast in his cage;—but he could not be hindered from setting the world on fire. The French Revolution found its Evangelist in Rousseau. His semi-delirious speculations on the miseries of civilized life, the preferability of the savage to the civilized, and such like, helped well to produce a whole delirium in France generally. True, you may well ask, What could the world, the governors of the world, do with such a man? Difficult to say what the governors of the world could do with him! What he could do with them is unhappily clear enough,—guillotine a great many of them! Enough now of Rousseau.
We should look at how much good a Prophet, despite all the challenges and chaos, can achieve for the world in Johnson. In Rousseau, we need to focus on the significant amount of harm that can accompany the good in such disorganization. Historically, Rousseau presents a powerful scene. Exiled to shabby Paris attics, surrounded by nothing but his own thoughts and needs; pushed around from one place to another; tortured and frustrated until he lost his mind, he came to realize that the world was not his ally nor was its law on his side. It was essential, if at all possible, that such a man should not be set against the world. He could be confined to attics, ridiculed as a madman, left to suffer like a wild animal in a cage;—but he could not be stopped from igniting a fire in the world. The French Revolution found its preacher in Rousseau. His almost mad ideas about the hardships of civilized life, the superiority of the savage over the civilized, and similar thoughts helped create a frenzy across France. True, you might wonder, what could the world, especially its leaders, do with such a person? It's hard to say what the leaders of the world could do with him! What he could do with them is unfortunately quite clear,—guillotine a whole lot of them! Enough of Rousseau for now.
It was a curious phenomenon, in the withered, unbelieving second-hand Eighteenth Century, that of a Hero starting up, among the artificial pasteboard figures and productions, in the guise of a Robert Burns. Like a little well in the rocky desert places,—like a sudden splendor of Heaven in the artificial Vauxhall! People knew not what to make of it. They took it for a piece of the Vauxhall fire-work; alas, it let itself be so taken, though struggling half-blindly, as in bitterness of death, against that! Perhaps no man had such a false reception from his fellow-men. Once more a very wasteful life-drama was enacted under the sun.
It was a strange sight, in the dry, skeptical second-hand Eighteenth Century, to see a Hero emerge among the fake cardboard figures and productions, in the form of a Robert Burns. Like a little oasis in a rocky desert, or a sudden burst of beauty in the artificial Vauxhall! People didn’t know how to react. They mistook it for part of the Vauxhall fireworks; unfortunately, it let itself be seen that way, even as it fought against it, half-blind and bitter, as if facing death! Perhaps no one ever faced such a misunderstanding from their fellow human beings. Once again, a very extravagant life-drama played out under the sun.
The tragedy of Burns's life is known to all of you. Surely we may say, if discrepancy between place held and place merited constitute perverseness of lot for a man, no lot could be more perverse then Burns's. Among those second-hand acting-figures, mimes for most part, of the Eighteenth Century, once more a giant Original Man; one of those men who reach down to the perennial Deeps, who take rank with the Heroic among men: and he was born in a poor Ayrshire hut. The largest soul of all the British lands came among us in the shape of a hard-handed Scottish Peasant.
The tragedy of Burns's life is known to all of you. Surely we can say, if the gap between someone's position and what they deserve is a cruel twist of fate for a person, then no fate could be more cruel than Burns's. Among those lesser figures, mostly impostors, of the Eighteenth Century, there was once again a true original; one of those people who reach down to the deep truths of life, who stand among the heroic: and he was born in a poor hut in Ayrshire. The biggest heart of all the British lands appeared in the form of a hard-working Scottish peasant.
His Father, a poor toiling man, tried various things; did not succeed in any; was involved in continual difficulties. The Steward, Factor as the Scotch call him, used to send letters and threatenings, Burns says, "which threw us all into tears." The brave, hard-toiling, hard-suffering Father, his brave heroine of a wife; and those children, of whom Robert was one! In this Earth, so wide otherwise, no shelter for them. The letters "threw us all into tears:" figure it. The brave Father, I say always;—a silent Hero and Poet; without whom the son had never been a speaking one! Burns's Schoolmaster came afterwards to London, learnt what good society was; but declares that in no meeting of men did he ever enjoy better discourse than at the hearth of this peasant. And his poor "seven acres of nursery-ground,"—not that, nor the miserable patch of clay-farm, nor anything he tried to get a living by, would prosper with him; he had a sore unequal battle all his days. But he stood to it valiantly; a wise, faithful, unconquerable man;—swallowing down how many sore sufferings daily into silence; fighting like an unseen Hero,—nobody publishing newspaper paragraphs about his nobleness; voting pieces of plate to him! However, he was not lost; nothing is lost. Robert is there the outcome of him,—and indeed of many generations of such as him.
His father, a poor hardworking man, tried many things but didn’t succeed in any of them and faced constant struggles. The Steward, or Factor as they call him in Scotland, used to send letters with threats that, as Burns said, "made us all cry." The brave, hardworking, suffering father, his courageous wife, and their children, including Robert—there was no shelter for them in this wide world. The letters really did bring us to tears; think about that. The father was always a quiet hero and poet; without him, the son would never have found his voice! Burns's schoolmaster later came to London, learned about good society, but stated that he had never enjoyed better conversations than at the home of this peasant. And his poor "seven acres of nursery ground"—neither that, nor the miserable little clay farm, nor anything else he tried to make a living from ever brought him success; he fought a tough, unequal battle all his life. But he faced it with bravery; a wise, loyal, unbeatable man—swallowing countless hardships in silence, fighting like an unseen hero, with no newspaper articles celebrating his greatness or awarding him trophies! Yet, he was not lost; nothing is truly lost. Robert is the result of him—and indeed of many generations like him.
This Burns appeared under every disadvantage: uninstructed, poor, born only to hard manual toil; and writing, when it came to that, in a rustic special dialect, known only to a small province of the country he lived in. Had he written, even what he did write, in the general language of England, I doubt not he had already become universally recognized as being, or capable to be, one of our greatest men. That he should have tempted so many to penetrate through the rough husk of that dialect of his, is proof that there lay something far from common within it. He has gained a certain recognition, and is continuing to do so over all quarters of our wide Saxon world: wheresoever a Saxon dialect is spoken, it begins to be understood, by personal inspection of this and the other, that one of the most considerable Saxon men of the Eighteenth Century was an Ayrshire Peasant named Robert Burns. Yes, I will say, here too was a piece of the right Saxon stuff: strong as the Harz-rock, rooted in the depths of the world;—rock, yet with wells of living softness in it! A wild impetuous whirlwind of passion and faculty slumbered quiet there; such heavenly melody dwelling in the heart of it. A noble rough genuineness; homely, rustic, honest; true simplicity of strength; with its lightning-fire, with its soft dewy pity;—like the old Norse Thor, the Peasant-god!
This Burns faced numerous challenges: he was uneducated, poor, and born into hard manual labor; and when he did write, it was in a local dialect understood only by a small region of his country. If he had written, even what he did write, in standard English, I have no doubt he would have been widely acknowledged as one of our greatest figures. The fact that so many people have been drawn to look beyond the rough surface of his dialect shows that there was something truly special within it. He has gained some recognition and continues to do so across our vast Saxon world: wherever a Saxon dialect is spoken, it is becoming clear, through various examples, that one of the most significant Saxon figures of the Eighteenth Century was an Ayrshire peasant named Robert Burns. Yes, I will say that here was a genuine example of Saxon spirit: strong like the Harz mountains, deeply rooted in the earth; rock-solid, yet with wells of living warmth within it! A wild whirlwind of passion and talent lay quietly there; such heavenly melody residing in its core. A noble, rugged authenticity; humble, rustic, honest; a true simplicity of strength; with its fiery intensity, and its soft, gentle compassion—like the old Norse Thor, the Peasant-god!
Burns's Brother Gilbert, a man of much sense and worth, has told me that Robert, in his young days, in spite of their hardship, was usually the gayest of speech; a fellow of infinite frolic, laughter, sense and heart; far pleasanter to hear there, stript cutting peats in the bog, or such like, than he ever afterwards knew him. I can well believe it. This basis of mirth ("fond gaillard," as old Marquis Mirabeau calls it), a primal element of sunshine and joyfulness, coupled with his other deep and earnest qualities, is one of the most attractive characteristics of Burns. A large fund of Hope dwells in him; spite of his tragical history, he is not a mourning man. He shakes his sorrows gallantly aside; bounds forth victorious over them. It is as the lion shaking "dew-drops from his mane;" as the swift-bounding horse, that laughs at the shaking of the spear.—But indeed, Hope, Mirth, of the sort like Burns's, are they not the outcome properly of warm generous affection,—such as is the beginning of all to every man?
Burns's brother Gilbert, a sensible and admirable man, told me that Robert, in his younger days, despite their hardships, was usually the most cheerful speaker; a guy full of fun, laughter, insight, and spirit; much more enjoyable to be around while cutting peat in the bog than I ever knew him afterwards. I can easily believe it. This foundation of joy ("fond gaillard," as the old Marquis Mirabeau calls it), a basic element of warmth and happiness, combined with his other deep and serious qualities, is one of the most appealing traits of Burns. He possesses a strong sense of hope; despite his tragic past, he isn't a gloomy person. He bravely shakes his sorrows aside and leaps forward, triumphing over them. It's like a lion shaking "dew-drops from his mane;" like a swift horse that laughs at the threat of a spear. But truly, Hope and Joy, like Burns's, are they not the result of a warm, generous affection—such as is the beginning for every person?
You would think it strange if I called Burns the most gifted British soul we had in all that century of his: and yet I believe the day is coming when there will be little danger in saying so. His writings, all that he did under such obstructions, are only a poor fragment of him. Professor Stewart remarked very justly, what indeed is true of all Poets good for much, that his poetry was not any particular faculty; but the general result of a naturally vigorous original mind expressing itself in that way. Burns's gifts, expressed in conversation, are the theme of all that ever heard him. All kinds of gifts: from the gracefulest utterances of courtesy, to the highest fire of passionate speech; loud floods of mirth, soft wailings of affection, laconic emphasis, clear piercing insight; all was in him. Witty duchesses celebrate him as a man whose speech "led them off their feet." This is beautiful: but still more beautiful that which Mr. Lockhart has recorded, which I have more than once alluded to, How the waiters and ostlers at inns would get out of bed, and come crowding to hear this man speak! Waiters and ostlers:—they too were men, and here was a man! I have heard much about his speech; but one of the best things I ever heard of it was, last year, from a venerable gentleman long familiar with him. That it was speech distinguished by always having something in it. "He spoke rather little than much," this old man told me; "sat rather silent in those early days, as in the company of persons above him; and always when he did speak, it was to throw new light on the matter." I know not why any one should ever speak otherwise!—But if we look at his general force of soul, his healthy robustness every way, the rugged downrightness, penetration, generous valor and manfulness that was in him,—where shall we readily find a better-gifted man?
You might find it odd if I called Burns the most talented British soul of his century, but I believe we're approaching a time when it's safe to say that. His writings, despite the challenges he faced, are just a small piece of who he was. Professor Stewart accurately pointed out, which is true for all truly great poets, that his poetry wasn’t just one specific skill; it was the overall result of a naturally vibrant original mind expressing itself that way. Burns's talents, shown in conversation, are the talk of everyone who has heard him. All sorts of talents: from the most graceful polite remarks to the deepest passionate speeches; loud laughter, gentle expressions of love, concise statements, and clear insights—he had it all. Witty duchesses praise him as a man whose words swept them off their feet. That’s lovely, but even more touching is what Mr. Lockhart noted, which I've mentioned before, about how waiters and stable hands at inns would get out of bed and gather around to hear him speak! Waiters and stable hands—they were men too, and here was a real man! I've heard a lot about his speaking, but one of the best things I heard was last year from a respected gentleman who knew him well. He said Burns’s speech was always meaningful. "He spoke more sparingly than prolifically," this old man told me, "he would often be quiet in the company of those he considered superior, and whenever he did speak, it was to shed new light on the topic." I don't know why anyone would ever speak any other way! But if we consider his overall strength of character, his healthy robust nature, his directness, insight, generous bravery, and manliness—where can we find a better-gifted man?
Among the great men of the Eighteenth Century, I sometimes feel as if Burns might be found to resemble Mirabeau more than any other. They differ widely in vesture; yet look at them intrinsically. There is the same burly thick-necked strength of body as of soul;—built, in both cases, on what the old Marquis calls a fond gaillard. By nature, by course of breeding, indeed by nation, Mirabeau has much more of bluster; a noisy, forward, unresting man. But the characteristic of Mirabeau too is veracity and sense, power of true insight, superiority of vision. The thing that he says is worth remembering. It is a flash of insight into some object or other: so do both these men speak. The same raging passions; capable too in both of manifesting themselves as the tenderest noble affections. Wit; wild laughter, energy, directness, sincerity: these were in both. The types of the two men are not dissimilar. Burns too could have governed, debated in National Assemblies; politicized, as few could. Alas, the courage which had to exhibit itself in capture of smuggling schooners in the Solway Frith; in keeping silence over so much, where no good speech, but only inarticulate rage was possible: this might have bellowed forth Ushers de Breze and the like; and made itself visible to all men, in managing of kingdoms, in ruling of great ever-memorable epochs! But they said to him reprovingly, his Official Superiors said, and wrote: "You are to work, not think." Of your thinking-faculty, the greatest in this land, we have no need; you are to gauge beer there; for that only are you wanted. Very notable;—and worth mentioning, though we know what is to be said and answered! As if Thought, Power of Thinking, were not, at all times, in all places and situations of the world, precisely the thing that was wanted. The fatal man, is he not always the unthinking man, the man who cannot think and see; but only grope, and hallucinate, and missee the nature of the thing he works with? He mis-sees it, mistakes it as we say; takes it for one thing, and it is another thing,—and leaves him standing like a Futility there! He is the fatal man; unutterably fatal, put in the high places of men.—"Why complain of this?" say some: "Strength is mournfully denied its arena; that was true from of old." Doubtless; and the worse for the arena, answer I! Complaining profits little; stating of the truth may profit. That a Europe, with its French Revolution just breaking out, finds no need of a Burns except for gauging beer,—is a thing I, for one, cannot rejoice at—!
Among the great men of the Eighteenth Century, I sometimes think Burns resembles Mirabeau more than anyone else. They are very different in appearance; yet if you look deeper, there’s a similar robust, strong character in both body and soul—both based on what the old Marquis calls a fond gaillard. By nature, upbringing, and even nationality, Mirabeau tends to be more boisterous; he’s a loud, aggressive, restless guy. But the defining trait of Mirabeau is also honesty and intelligence, a sharp ability to see things clearly. What he expresses is worth remembering; it’s a moment of clarity about something. Both men speak with the same intense passions, which can also manifest as the gentlest affection. Wit, wild laughter, energy, straightforwardness, sincerity—all of these qualities exist in both of them. Their personalities are quite similar. Burns, too, could have governed and debated in National Assemblies; he was politically gifted, like few others. Unfortunately, the bravery he showed in capturing smuggling ships in the Solway Frith, in keeping silence about so many things where only inarticulate rage was possible, could have brought him recognition alongside figures like Ushers de Breze, making him visible to everyone in the management of kingdoms and significant historical periods! But his superiors reproached him, saying and writing: "You are to work, not think." Regarding your thinking-faculty, the greatest in this country, we have no need for that; you're just here to gauge beer, and that’s all we want from you. Quite remarkable—and worth mentioning, even though we know what could be said in response! As if thought, the ability to think, wasn’t always exactly what was needed in every place and situation in the world. The truly doomed individual is always the one who doesn't think, the person who can't think and see; instead, they fumble around, hallucinate, and misinterpret the true nature of what they’re dealing with. They misinterpret, mistake it as we say; they see it as one thing, but it is actually another, and they end up standing there like a pointless figure! This is the truly tragic man; utterly tragic, placed in the high roles of society. “Why complain about this?” some might say: “Strength is sadly denied its proper arena, and that has always been the case.” Certainly; and that’s unfortunate for the arena, I respond! Complaining does little good; stating the truth might be more beneficial. That Europe, with its French Revolution about to break out, sees no need for a Burns other than for gauging beer is something I cannot rejoice in—!
Once more we have to say here, that the chief quality of Burns is the sincerity of him. So in his Poetry, so in his Life. The song he sings is not of fantasticalities; it is of a thing felt, really there; the prime merit of this, as of all in him, and of his Life generally, is truth. The Life of Burns is what we may call a great tragic sincerity. A sort of savage sincerity,—not cruel, far from that; but wild, wrestling naked with the truth of things. In that sense, there is something of the savage in all great men.
Once again, we need to highlight that the main quality of Burns is his sincerity. This is evident in both his poetry and his life. The songs he sings aren't based on fantasies; they're about real feelings and experiences. The greatest strength of his work, and of his life as a whole, is truth. Burns's life can be described as a powerful tragic sincerity. It's a kind of raw sincerity—not cruel, quite the opposite; but fierce, grappling honestly with the realities of life. In that way, there’s a bit of the wild in all great individuals.
Hero-worship,—Odin, Burns? Well; these Men of Letters too were not without a kind of Hero-worship: but what a strange condition has that got into now! The waiters and ostlers of Scotch inns, prying about the door, eager to catch any word that fell from Burns, were doing unconscious reverence to the Heroic. Johnson had his Boswell for worshipper. Rousseau had worshippers enough; princes calling on him in his mean garret; the great, the beautiful doing reverence to the poor moon-struck man. For himself a most portentous contradiction; the two ends of his life not to be brought into harmony. He sits at the tables of grandees; and has to copy music for his own living. He cannot even get his music copied: "By dint of dining out," says he, "I run the risk of dying by starvation at home." For his worshippers too a most questionable thing! If doing Hero-worship well or badly be the test of vital well-being or ill-being to a generation, can we say that these generations are very first-rate?—And yet our heroic Men of Letters do teach, govern, are kings, priests, or what you like to call them; intrinsically there is no preventing it by any means whatever. The world has to obey him who thinks and sees in the world. The world can alter the manner of that; can either have it as blessed continuous summer sunshine, or as unblessed black thunder and tornado,—with unspeakable difference of profit for the world! The manner of it is very alterable; the matter and fact of it is not alterable by any power under the sky. Light; or, failing that, lightning: the world can take its choice. Not whether we call an Odin god, prophet, priest, or what we call him; but whether we believe the word he tells us: there it all lies. If it be a true word, we shall have to believe it; believing it, we shall have to do it. What name or welcome we give him or it, is a point that concerns ourselves mainly. It, the new Truth, new deeper revealing of the Secret of this Universe, is verily of the nature of a message from on high; and must and will have itself obeyed.—
Hero-worship—Odin, Burns? Well, these writers also had their own kind of hero-worship, but what a strange state that's turned into now! The waiters and grooms at Scottish inns, hanging around the door, eager to catch any word from Burns, were showing their unintentional respect for the heroic. Johnson had his Boswell to idolize him. Rousseau had plenty of admirers; princes visiting him in his shabby apartment, the powerful and the beautiful showing respect to the poor, lovesick man. Yet he faced a huge contradiction; the two sides of his life never harmonized. He dined with the elite but had to write music to make a living. He couldn't even get his music copied: "By dining out," he said, "I risk starving at home." As for his admirers, it's a questionable situation! If the way we worship heroes determines the well-being of a generation, can we say that these generations are top-notch? And still, our heroic writers do teach, lead, and act as kings or priests as you may call them; no matter what, they have that power. The world must follow those who think and observe deeply. The world can change how that happens; it can either be like a blessed summer day or a dreadful storm, with a huge difference in impact! The way it happens can be changed, but the truth of it cannot be altered by any power on Earth. Light, or if not, lightning: the world can choose. It’s not about whether we call Odin a god, prophet, priest, or anything else; it’s about whether we believe the message he brings. That’s the point. If it’s a true message, we have to believe it; believing it means we have to act on it. What title or welcome we give him or it mainly concerns us. This new Truth, the deeper revelation of the Universe's Secret, is truly like a message from above and must and will be followed.
My last remark is on that notablest phasis of Burns's history,—his visit to Edinburgh. Often it seems to me as if his demeanor there were the highest proof he gave of what a fund of worth and genuine manhood was in him. If we think of it, few heavier burdens could be laid on the strength of a man. So sudden; all common Lionism. which ruins innumerable men, was as nothing to this. It is as if Napoleon had been made a King of, not gradually, but at once from the Artillery Lieutenancy in the Regiment La Fere. Burns, still only in his twenty-seventh year, is no longer even a ploughman; he is flying to the West Indies to escape disgrace and a jail. This month he is a ruined peasant, his wages seven pounds a year, and these gone from him: next month he is in the blaze of rank and beauty, handing down jewelled Duchesses to dinner; the cynosure of all eyes! Adversity is sometimes hard upon a man; but for one man who can stand prosperity, there are a hundred that will stand adversity. I admire much the way in which Burns met all this. Perhaps no man one could point out, was ever so sorely tried, and so little forgot himself. Tranquil, unastonished; not abashed, not inflated, neither awkwardness nor affectation: he feels that he there is the man Robert Burns; that the "rank is but the guinea-stamp;" that the celebrity is but the candle-light, which will show what man, not in the least make him a better or other man! Alas, it may readily, unless he look to it, make him a worse man; a wretched inflated wind-bag,—inflated till he burst, and become a dead lion; for whom, as some one has said, "there is no resurrection of the body;" worse than a living dog!—Burns is admirable here.
My final comment is on that notable part of Burns's life—his visit to Edinburgh. It often seems to me that his behavior there is the greatest evidence of the worth and genuine character he possessed. If you think about it, few heavier burdens could be placed on a man’s shoulders. It was so sudden; all the typical fame, which ruins countless people, was nothing compared to this. It’s like if Napoleon had been suddenly made a king, jumping straight from being an artillery lieutenant in the Regiment La Fere. Burns, still only twenty-seven, is no longer a ploughman; he is rushing to the West Indies to escape disgrace and imprisonment. This month he’s a ruined peasant, earning seven pounds a year, and those earnings are gone; next month he’s in the spotlight, mingling with the elite and serving dinner to jeweled duchesses—everyone's focus! Adversity can be tough on a person, but for every one person who can handle prosperity, there are a hundred who can handle hardship. I greatly admire how Burns dealt with all this. Perhaps no one has ever been tested as severely and yet remained so composed. He was calm, unshocked; not embarrassed, not arrogant, neither awkward nor pretentious: he knows that he is Robert Burns; that “rank is just a stamp on a guinea;” that fame is merely candlelight, which reveals who a person is but doesn't make him any better! Unfortunately, unless he is careful, it can easily make him a worse person; a miserable hot-air balloon—puffed up until he bursts and becomes a dead lion; for whom, as someone has said, “there is no resurrection of the body,” worse than a living dog!—Burns is truly admirable here.
And yet, alas, as I have observed elsewhere, these Lion-hunters were the ruin and death of Burns. It was they that rendered it impossible for him to live! They gathered round him in his Farm; hindered his industry; no place was remote enough from them. He could not get his Lionism forgotten, honestly as he was disposed to do so. He falls into discontents, into miseries, faults; the world getting ever more desolate for him; health, character, peace of mind, all gone;—solitary enough now. It is tragical to think of! These men came but to see him; it was out of no sympathy with him, nor no hatred to him. They came to get a little amusement; they got their amusement;—and the Hero's life went for it!
And yet, unfortunately, as I've pointed out elsewhere, these Lion-hunters were the downfall and death of Burns. They made it impossible for him to live! They gathered around him at his farm; disrupted his work; no place was remote enough for them. He couldn't get his Lionism forgotten, even though he genuinely wanted to. He fell into discontent, misery, and faults; the world became increasingly bleak for him; health, reputation, peace of mind, all gone—now he was pretty isolated. It’s tragic to think about! These men came just to see him; it wasn’t out of any sympathy for him or hatred toward him. They came for a little entertainment; they got their entertainment—and the Hero's life was the price!
Richter says, in the Island of Sumatra there is a kind of "Light-chafers," large Fire-flies, which people stick upon spits, and illuminate the ways with at night. Persons of condition can thus travel with a pleasant radiance, which they much admire. Great honor to the Fire-flies! But—!
Richter says that on the Island of Sumatra, there are a type of "Light-chafers," large fireflies that people put on sticks to light their paths at night. Wealthy individuals can travel with a lovely glow that they really appreciate. Great honor to the fireflies! But—!
LECTURE VI. THE HERO AS KING. CROMWELL, NAPOLEON: MODERN REVOLUTIONISM.
[May 22, 1840.]
We come now to the last form of Heroism; that which we call Kingship. The Commander over Men; he to whose will our wills are to be subordinated, and loyally surrender themselves, and find their welfare in doing so, may be reckoned the most important of Great Men. He is practically the summary for us of all the various figures of Heroism; Priest, Teacher, whatsoever of earthly or of spiritual dignity we can fancy to reside in a man, embodies itself here, to command over us, to furnish us with constant practical teaching, to tell us for the day and hour what we are to do. He is called Rex, Regulator, Roi: our own name is still better; King, Konning, which means Can-ning, Able-man.
We now come to the final form of Heroism; what we refer to as Kingship. The leader of people; the one whose will we submit to, who we loyally surrender ourselves to, and find our well-being in doing so, is considered the most significant of Great Men. He essentially represents for us all the various types of Heroism; Priest, Teacher, any earthly or spiritual dignity we can imagine in a person, is embodied here, to command us, to provide us with ongoing practical guidance, to tell us each day what we are to do. He is called Rex, Regulator, Roi: our own term is even better; King, Konning, which means Can-ning, Able-man.
Numerous considerations, pointing towards deep, questionable, and indeed unfathomable regions, present themselves here: on the most of which we must resolutely for the present forbear to speak at all. As Burke said that perhaps fair Trial by Jury was the soul of Government, and that all legislation, administration, parliamentary debating, and the rest of it, went on, in "order to bring twelve impartial men into a jury-box;"—so, by much stronger reason, may I say here, that the finding of your Ableman and getting him invested with the symbols of ability, with dignity, worship (worth-ship), royalty, kinghood, or whatever we call it, so that he may actually have room to guide according to his faculty of doing it,—is the business, well or ill accomplished, of all social procedure whatsoever in this world! Hustings-speeches, Parliamentary motions, Reform Bills, French Revolutions, all mean at heart this; or else nothing. Find in any country the Ablest Man that exists there; raise him to the supreme place, and loyally reverence him: you have a perfect government for that country; no ballot-box, parliamentary eloquence, voting, constitution-building, or other machinery whatsoever can improve it a whit. It is in the perfect state; an ideal country. The Ablest Man; he means also the truest-hearted, justest, the Noblest Man: what he tells us to do must be precisely the wisest, fittest, that we could anywhere or anyhow learn;—the thing which it will in all ways behoove US, with right loyal thankfulness and nothing doubting, to do! Our doing and life were then, so far as government could regulate it, well regulated; that were the ideal of constitutions.
Many factors that lead to complex, questionable, and truly incomprehensible areas come to mind here: most of which we must firmly refrain from discussing for now. As Burke said, maybe fair Trial by Jury is the essence of Government, and that all legislation, administration, parliamentary debates, and everything else aims to bring twelve unbiased individuals into a jury box;—similarly, I can assert even more strongly that finding your Ableman and having him endowed with the symbols of ability, with dignity, respect (worth-ship), royalty, kingship, or whatever we call it, so he can genuinely guide us according to his skills—is the goal, whether achieved well or poorly, of all social processes in this world! Election speeches, Parliamentary motions, Reform Bills, French Revolutions, all essentially mean this; or nothing at all. Identify the most capable person in any country; elevate him to the highest position, and honor him: you will have a perfect government for that country; no voting booth, parliamentary rhetoric, elections, constitution-making, or any machinery can improve it even a bit. It is in its ideal state; a perfect country. The most capable person; he also signifies the most genuine, just, and noble individual: what he tells us to do must be precisely the wisest, best course of action we could learn anywhere;—the thing that we must, with sincere gratitude and without doubt, do! Our actions and lives would then be, as far as government could regulate them, well organized; that would be the ideal of constitutions.
Alas, we know very well that Ideals can never be completely embodied in practice. Ideals must ever lie a very great way off; and we will right thankfully content ourselves with any not intolerable approximation thereto! Let no man, as Schiller says, too querulously "measure by a scale of perfection the meagre product of reality" in this poor world of ours. We will esteem him no wise man; we will esteem him a sickly, discontented, foolish man. And yet, on the other hand, it is never to be forgotten that Ideals do exist; that if they be not approximated to at all, the whole matter goes to wreck! Infallibly. No bricklayer builds a wall perfectly perpendicular, mathematically this is not possible; a certain degree of perpendicularity suffices him; and he, like a good bricklayer, who must have done with his job, leaves it so. And yet if he sway too much from the perpendicular; above all, if he throw plummet and level quite away from him, and pile brick on brick heedless, just as it comes to hand—! Such bricklayer, I think, is in a bad way. He has forgotten himself: but the Law of Gravitation does not forget to act on him; he and his wall rush down into confused welter of ruin—!
Unfortunately, we all know that ideals can never be fully realized in practice. Ideals always seem to be a long way off, and we should be grateful to accept any reasonable approximation to them! Let no one, as Schiller says, too harshly "measure by a scale of perfection the meager product of reality" in this world of ours. We won't consider such a person a wise man; we will see him as a sickly, discontented, foolish individual. Yet, on the other hand, we must never forget that ideals do exist; if they are completely ignored, everything falls apart! Without a doubt. No bricklayer builds a wall perfectly vertical; mathematically, that's impossible. A certain level of verticality is sufficient for him, and he, like a good bricklayer who has to finish his work, leaves it that way. But if he strays too far from vertical—especially if he disregards the plumb line and level entirely, stacking bricks carelessly as they come—! Such a bricklayer is, in my opinion, in a bad situation. He has lost sight of his purpose: but the Law of Gravitation doesn’t forget to act on him; he and his wall come crashing down into a chaotic mess of destruction—!
This is the history of all rebellions, French Revolutions, social explosions in ancient or modern times. You have put the too Unable Man at the head of affairs! The too ignoble, unvaliant, fatuous man. You have forgotten that there is any rule, or natural necessity whatever, of putting the Able Man there. Brick must lie on brick as it may and can. Unable Simulacrum of Ability, quack, in a word, must adjust himself with quack, in all manner of administration of human things;—which accordingly lie unadministered, fermenting into unmeasured masses of failure, of indigent misery: in the outward, and in the inward or spiritual, miserable millions stretch out the hand for their due supply, and it is not there. The "law of gravitation" acts; Nature's laws do none of them forget to act. The miserable millions burst forth into Sansculottism, or some other sort of madness: bricks and bricklayer lie as a fatal chaos—!
This is the history of all revolts, French Revolutions, social upheavals throughout the ages. You've placed the too Unable Man in charge! The too lowly, cowardly, foolish man. You've forgotten that there's any principle or inherent necessity for putting the Able Man in that position. Bricks must stack on bricks as they can and will. The Unqualified Imitation of Ability, the quack, in short, must fit in with other quacks in every aspect of managing human affairs; which consequently remain unmanaged, bubbling into vast pools of failure and desperate suffering: externally, and internally or spiritually, countless miserable individuals reach out for what they deserve, and it’s not there. The "law of gravity" operates; Nature's laws don’t forget to function. The wretched masses rise up into Sansculottism or some other form of madness: bricks and bricklayers lie in a tragic chaos—!
Much sorry stuff, written some hundred years ago or more, about the "Divine right of Kings," moulders unread now in the Public Libraries of this country. Far be it from us to disturb the calm process by which it is disappearing harmlessly from the earth, in those repositories! At the same time, not to let the immense rubbish go without leaving us, as it ought, some soul of it behind—I will say that it did mean something; something true, which it is important for us and all men to keep in mind. To assert that in whatever man you chose to lay hold of (by this or the other plan of clutching at him); and claps a round piece of metal on the head of, and called King,—there straightway came to reside a divine virtue, so that he became a kind of god, and a Divinity inspired him with faculty and right to rule over you to all lengths: this,—what can we do with this but leave it to rot silently in the Public Libraries? But I will say withal, and that is what these Divine-right men meant, That in Kings, and in all human Authorities, and relations that men god-created can form among each other, there is verily either a Divine Right or else a Diabolic Wrong; one or the other of these two! For it is false altogether, what the last Sceptical Century taught us, that this world is a steam-engine. There is a God in this world; and a God's-sanction, or else the violation of such, does look out from all ruling and obedience, from all moral acts of men. There is no act more moral between men than that of rule and obedience. Woe to him that claims obedience when it is not due; woe to him that refuses it when it is! God's law is in that, I say, however the Parchment-laws may run: there is a Divine Right or else a Diabolic Wrong at the heart of every claim that one man makes upon another.
A lot of unfortunate writings, created a hundred years ago or more, about the "Divine Right of Kings," now collect dust unread in the public libraries of this country. We certainly don’t want to disrupt the peaceful process by which this material is fading away harmlessly from existence in those archives! However, we shouldn’t let this huge pile of nonsense go without retaining some essence of it, as it should; I will say it did hold some significance; something true that is important for us and everyone to remember. To claim that any man you choose to grab (through various methods of seizing him) and put a round piece of metal on his head, calling him a King—makes him instantly possess a divine quality, turning him into a kind of god, with a divinity bestowing upon him the authority and right to rule over you to any extent: what can we do with this except let it decay silently in public libraries? But I'll add that what these proponents of divine right meant is that in Kings and in all human authorities and relationships that people create, there truly is either a Divine Right or a Diabolic Wrong; one or the other of these two! For it is entirely false, as the last Sceptical Century taught us, to think that this world is just a steam-engine. There is a God in this world; and either God's approval or the breach of it is evident in all acts of ruling and obedience, in all moral actions of men. There is no act more moral between people than that of ruling and obeying. Woe to anyone who demands obedience that isn’t deserved; woe to anyone who denies it when it is! God's law is inherent in that, I assert, regardless of what the written laws might say: there is either a Divine Right or a Diabolic Wrong at the core of every claim one person makes on another.
It can do none of us harm to reflect on this: in all the relations of life it will concern us; in Loyalty and Royalty, the highest of these. I esteem the modern error, That all goes by self-interest and the checking and balancing of greedy knaveries, and that in short, there is nothing divine whatever in the association of men, a still more despicable error, natural as it is to an unbelieving century, than that of a "divine right" in people called Kings. I say, Find me the true Konning, King, or Able-man, and he has a divine right over me. That we knew in some tolerable measure how to find him, and that all men were ready to acknowledge his divine right when found: this is precisely the healing which a sick world is everywhere, in these ages, seeking after! The true King, as guide of the practical, has ever something of the Pontiff in him,—guide of the spiritual, from which all practice has its rise. This too is a true saying, That the King is head of the Church.—But we will leave the Polemic stuff of a dead century to lie quiet on its bookshelves.
It's important for us to think about this: it affects all our relationships in life, particularly in Loyalty and Royalty, the highest forms. I see the modern mistake that everything is driven by self-interest and the manipulation of greedy schemes, and that ultimately, there’s nothing noble in human connections. Even worse, in this unbelieving age, is the idea of a "divine right" for those called Kings. I say, show me the true King or capable leader, and he has a divine right over me. If we could figure out how to identify him and if everyone was ready to recognize his divine right once found, that would be the remedy that this troubled world is desperately searching for today! The true King, as a practical guide, always has some of the Pontiff in him—a guide of the spiritual, from which all action originates. It’s also true that the King is the head of the Church. But let’s leave the argumentative discussions of a bygone century to gather dust on the shelves.
Certainly it is a fearful business, that of having your Ableman to seek, and not knowing in what manner to proceed about it! That is the world's sad predicament in these times of ours. They are times of revolution, and have long been. The bricklayer with his bricks, no longer heedful of plummet or the law of gravitation, have toppled, tumbled, and it all welters as we see! But the beginning of it was not the French Revolution; that is rather the end, we can hope. It were truer to say, the beginning was three centuries farther back: in the Reformation of Luther. That the thing which still called itself Christian Church had become a Falsehood, and brazenly went about pretending to pardon men's sins for metallic coined money, and to do much else which in the everlasting truth of Nature it did not now do: here lay the vital malady. The inward being wrong, all outward went ever more and more wrong. Belief died away; all was Doubt, Disbelief. The builder cast away his plummet; said to himself, "What is gravitation? Brick lies on brick there!" Alas, does it not still sound strange to many of us, the assertion that there is a God's-truth in the business of god-created men; that all is not a kind of grimace, an "expediency," diplomacy, one knows not what—!
Surely, it’s a daunting task to have your Ableman to seek, not knowing how to go about it! That’s the sad reality we face in today’s world. We are living in revolutionary times, and have been for quite a while. The bricklayer, ignoring the plumb line and the laws of gravity, has caused chaos; everything is a mess, as we can see! But this didn't start with the French Revolution; that is more like the end, we can hope. It’s more accurate to say the beginning was three centuries earlier: during Luther’s Reformation. The institution that still called itself the Christian Church had turned into a Falsehood, shamelessly pretending to forgive sins for money, and doing many other things that, in the eternal truth of Nature, it did not truly do: this was the core problem. With the inner being corrupted, everything outward started to fall apart. Faith faded away; it was all Doubt and Disbelief. The builder threw away his plumb line; he told himself, “What is gravity? Brick on brick lays there!” Alas, doesn’t it still sound strange to many of us, the claim that there is a divine truth in the affairs of God-created beings; that not everything is just a façade, an "expediency," or some kind of diplomacy, who knows what—!
From that first necessary assertion of Luther's, "You, self-styled Papa, you are no Father in God at all; you are—a Chimera, whom I know not how to name in polite language!"—from that onwards to the shout which rose round Camille Desmoulins in the Palais-Royal, "Aux armes!" when the people had burst up against all manner of Chimeras,—I find a natural historical sequence. That shout too, so frightful, half-infernal, was a great matter. Once more the voice of awakened nations;—starting confusedly, as out of nightmare, as out of death-sleep, into some dim feeling that Life was real; that God's-world was not an expediency and diplomacy! Infernal;—yes, since they would not have it otherwise. Infernal, since not celestial or terrestrial! Hollowness, insincerity has to cease; sincerity of some sort has to begin. Cost what it may, reigns of terror, horrors of French Revolution or what else, we have to return to truth. Here is a Truth, as I said: a Truth clad in hell-fire, since they would not but have it so—!
From that first necessary declaration by Luther, "You, who call yourself Papa, you are not a Father in God at all; you are—a Chimera, and I can’t find the right words to describe you politely!"—to the shout that erupted around Camille Desmoulins in the Palais-Royal, "Aux armes!" as the people rose up against all kinds of Chimeras,—I see a clear historical progression. That shout, terrifying and almost hellish, was significant. Once again, the voice of awakened nations;—rising up confusedly, as if emerging from a nightmare, from a death-like sleep, into some vague realization that Life was real; that God's world was not just about expedience and diplomacy! Hellish;—yes, since they would have it no other way. Hellish, since it wasn't celestial or terrestrial! The hollowness and insincerity must come to an end; some form of sincerity has to begin. Regardless of the cost—reigns of terror, the horrors of the French Revolution, or anything else—we must return to the truth. Here is a Truth, as I said: a Truth wrapped in hellfire, since they insisted on it being that way—!
A common theory among considerable parties of men in England and elsewhere used to be, that the French Nation had, in those days, as it were gone mad; that the French Revolution was a general act of insanity, a temporary conversion of France and large sections of the world into a kind of Bedlam. The Event had risen and raged; but was a madness and nonentity,—gone now happily into the region of Dreams and the Picturesque!—To such comfortable philosophers, the Three Days of July, 1830, must have been a surprising phenomenon. Here is the French Nation risen again, in musketry and death-struggle, out shooting and being shot, to make that same mad French Revolution good! The sons and grandsons of those men, it would seem, persist in the enterprise: they do not disown it; they will have it made good; will have themselves shot, if it be not made good. To philosophers who had made up their life-system, on that "madness" quietus, no phenomenon could be more alarming. Poor Niebuhr, they say, the Prussian Professor and Historian, fell broken-hearted in consequence; sickened, if we can believe it, and died of the Three Days! It was surely not a very heroic death;—little better than Racine's, dying because Louis Fourteenth looked sternly on him once. The world had stood some considerable shocks, in its time; might have been expected to survive the Three Days too, and be found turning on its axis after even them! The Three Days told all mortals that the old French Revolution, mad as it might look, was not a transitory ebullition of Bedlam, but a genuine product of this Earth where we all live; that it was verily a Fact, and that the world in general would do well everywhere to regard it as such.
A common belief among many people in England and elsewhere used to be that the French Nation had, in those days, effectively gone mad; that the French Revolution was a widespread act of insanity, turning France and large parts of the world into a kind of madhouse. The Event had flared up and raged; but it was madness and a nonentity—thankfully now drifting into the realm of Dreams and the Picturesque! To such comfortable thinkers, the Three Days of July, 1830, must have been a shocking event. Here was the French Nation rising again, armed and in a deadly struggle, shooting and being shot, to validate that same crazy French Revolution! It seems the sons and grandsons of those people persist in this endeavor: they don’t deny it; they want it validated and are willing to be shot if it isn’t. To philosophers who built their life views on that “madness” being over, no event could be more troubling. Poor Niebuhr, they say, the Prussian Professor and Historian, fell heartbroken as a result; reportedly sickened and died because of the Three Days! It wasn’t exactly a heroic death—almost as trivial as Racine’s, who died simply because Louis Fourteenth glared at him once. The world has weathered many considerable shocks in its time; it might have been expected to survive the Three Days as well, still rotating on its axis even after that! The Three Days made it clear to all people that the old French Revolution, as mad as it might seem, wasn’t just a fleeting outburst of chaos, but a real consequence of this Earth where we all live; that it was indeed a Fact, and that the world at large should recognize it as such.
Truly, without the French Revolution, one would not know what to make of an age like this at all. We will hail the French Revolution, as shipwrecked mariners might the sternest rock, in a world otherwise all of baseless sea and waves. A true Apocalypse, though a terrible one, to this false withered artificial time; testifying once more that Nature is preternatural; if not divine, then diabolic; that Semblance is not Reality; that it has to become Reality, or the world will take fire under it,—burn it into what it is, namely Nothing! Plausibility has ended; empty Routine has ended; much has ended. This, as with a Trump of Doom, has been proclaimed to all men. They are the wisest who will learn it soonest. Long confused generations before it be learned; peace impossible till it be! The earnest man, surrounded, as ever, with a world of inconsistencies, can await patiently, patiently strive to do his work, in the midst of that. Sentence of Death is written down in Heaven against all that; sentence of Death is now proclaimed on the Earth against it: this he with his eyes may see. And surely, I should say, considering the other side of the matter, what enormous difficulties lie there, and how fast, fearfully fast, in all countries, the inexorable demand for solution of them is pressing on,—he may easily find other work to do than laboring in the Sansculottic province at this time of day!
Honestly, without the French Revolution, it would be hard to understand an age like this. We will celebrate the French Revolution, just like shipwrecked sailors might cling to the only solid rock in a vast, empty sea. It’s a true apocalypse, albeit a terrible one, for this false, withered, artificial time; proving once again that Nature is preternatural; if not divine, then diabolical; that appearance is not reality; it must become reality, or the world will ignite beneath it—burn it into what it is, which is Nothing! Plausibility has ended; empty routine has ended; much has come to an end. This, like the sound of a trumpet of doom, has been declared to all mankind. Those who learn this the quickest are the wisest. Many generations have been confused before this is learned; peace is impossible until it is! The earnest person, surrounded by a world of contradictions, can wait patiently, striving to do his work amidst that chaos. A sentence of death has been written in Heaven against all that; a sentence of death is now declared on Earth against it: this he can see with his own eyes. And surely, I would say, considering the other side of the issue, what enormous difficulties await, and how rapidly, fearfully quickly, in every country, the relentless demand for solutions is pressing on—he can easily find other tasks to tackle rather than working in the Sansculottic arena at this time of day!
To me, in these circumstances, that of "Hero-worship" becomes a fact inexpressibly precious; the most solacing fact one sees in the world at present. There is an everlasting hope in it for the management of the world. Had all traditions, arrangements, creeds, societies that men ever instituted, sunk away, this would remain. The certainty of Heroes being sent us; our faculty, our necessity, to reverence Heroes when sent: it shines like a polestar through smoke-clouds, dust-clouds, and all manner of down-rushing and conflagration.
To me, in these circumstances, "Hero-worship" becomes an incredibly valuable reality; the most comforting truth we can see in the world today. It offers an enduring hope for how to manage the world. Even if all the traditions, systems, beliefs, and organizations that people have ever created were to fade away, this would still be here. The assurance that Heroes are sent to us; our ability and need to honor those Heroes when they come: it stands out like a guiding star through all the chaos, confusion, and destruction around us.
Hero-worship would have sounded very strange to those workers and fighters in the French Revolution. Not reverence for Great Men; not any hope or belief, or even wish, that Great Men could again appear in the world! Nature, turned into a "Machine," was as if effete now; could not any longer produce Great Men:—I can tell her, she may give up the trade altogether, then; we cannot do without Great Men!—But neither have I any quarrel with that of "Liberty and Equality;" with the faith that, wise great men being impossible, a level immensity of foolish small men would suffice. It was a natural faith then and there. "Liberty and Equality; no Authority needed any longer. Hero-worship, reverence for such Authorities, has proved false, is itself a falsehood; no more of it! We have had such forgeries, we will now trust nothing. So many base plated coins passing in the market, the belief has now become common that no gold any longer exists,—and even that we can do very well without gold!" I find this, among other things, in that universal cry of Liberty and Equality; and find it very natural, as matters then stood.
Hero-worship would have felt very strange to those workers and fighters during the French Revolution. They had no reverence for Great Men; no hope, belief, or even desire for Great Men to appear in the world again! Nature, turned into a "Machine," seemed exhausted now; it could no longer produce Great Men:—I can tell her she might as well abandon the effort altogether; we can’t do without Great Men!—But I also have no issue with "Liberty and Equality;" with the idea that, since wise great men are impossible, a vast number of foolish small men would be enough. It was a natural belief at that time. "Liberty and Equality; no Authority needed anymore. Hero-worship, reverence for such Authorities, has proven false, is itself a lie; no more of it! We have seen such forgeries, and we will trust nothing now. With so many counterfeit coins circulating in the market, it has become a common belief that no gold exists anymore,—and even that we can manage just fine without gold!” I see this, among other things, in that universal cry for Liberty and Equality; and I find it very understandable given the circumstances at that time.
And yet surely it is but the transition from false to true. Considered as the whole truth, it is false altogether;—the product of entire sceptical blindness, as yet only struggling to see. Hero-worship exists forever, and everywhere: not Loyalty alone; it extends from divine adoration down to the lowest practical regions of life. "Bending before men," if it is not to be a mere empty grimace, better dispensed with than practiced, is Hero-worship,—a recognition that there does dwell in that presence of our brother something divine; that every created man, as Novalis said, is a "revelation in the Flesh." They were Poets too, that devised all those graceful courtesies which make life noble! Courtesy is not a falsehood or grimace; it need not be such. And Loyalty, religious Worship itself, are still possible; nay still inevitable.
And yet it’s really just the transition from false to true. When considered as the whole truth, it’s entirely false; it’s the result of complete skeptical blindness, still only struggling to see. Hero-worship exists forever and everywhere: not just Loyalty; it expands from divine adoration down to the most mundane aspects of life. "Bending before men," if it’s not just a hollow gesture, is better left aside than practiced; it’s Hero-worship—acknowledging that within our fellow beings lies something divine; that every person, as Novalis said, is a "revelation in the Flesh." It was Poets who created all those lovely courtesies that elevate life! Courtesy isn’t a falsehood or a pretension; it doesn’t have to be. And Loyalty, even religious Worship, are still possible; in fact, they are still unavoidable.
May we not say, moreover, while so many of our late Heroes have worked rather as revolutionary men, that nevertheless every Great Man, every genuine man, is by the nature of him a son of Order, not of Disorder? It is a tragical position for a true man to work in revolutions. He seems an anarchist; and indeed a painful element of anarchy does encumber him at every step,—him to whose whole soul anarchy is hostile, hateful. His mission is Order; every man's is. He is here to make what was disorderly, chaotic, into a thing ruled, regular. He is the missionary of Order. Is not all work of man in this world a making of Order? The carpenter finds rough trees; shapes them, constrains them into square fitness, into purpose and use. We are all born enemies of Disorder: it is tragical for us all to be concerned in image-breaking and down-pulling; for the Great Man, more a man than we, it is doubly tragical.
Can we not say, also, that while many of our recent heroes have acted more like revolutionaries, every Great Man, every true individual, is inherently a child of Order, not Disorder? It's a tragic situation for a genuine person to engage in revolutions. They appear to be an anarchist; and indeed, a painful element of anarchy burdens them at every turn—this person whose entire being opposes and detests anarchy. Their mission is Order; everyone’s is. They are here to transform what is chaotic and disorganized into something structured and regulated. They are the missionaries of Order. Isn't all human work in this world about creating Order? The carpenter takes rough logs; shapes them, fits them into a square form, into purpose and utility. We are all naturally opposed to Disorder: it’s tragic for all of us to be involved in destruction and tearing down; for the Great Man, more of a person than we are, it is even more tragic.
Thus too all human things, maddest French Sansculottisms, do and must work towards Order. I say, there is not a man in them, raging in the thickest of the madness, but is impelled withal, at all moments, towards Order. His very life means that; Disorder is dissolution, death. No chaos but it seeks a centre to revolve round. While man is man, some Cromwell or Napoleon is the necessary finish of a Sansculottism.—Curious: in those days when Hero-worship was the most incredible thing to every one, how it does come out nevertheless, and assert itself practically, in a way which all have to credit. Divine right, take it on the great scale, is found to mean divine might withal! While old false Formulas are getting trampled everywhere into destruction, new genuine Substances unexpectedly unfold themselves indestructible. In rebellious ages, when Kingship itself seems dead and abolished, Cromwell, Napoleon step forth again as Kings. The history of these men is what we have now to look at, as our last phasis of Heroism. The old ages are brought back to us; the manner in which Kings were made, and Kingship itself first took rise, is again exhibited in the history of these Two.
So too, everything human, even the wildest French revolutions, has to move towards Order. I say there isn’t a single person in the midst of the chaos who isn’t constantly driven toward Order. Their very existence demands it; Disorder leads to chaos, leads to death. No chaos exists without seeking a center to orbit around. As long as humans are human, figures like Cromwell or Napoleon will inevitably emerge from a revolution. —It’s interesting: in those times when hero-worship seemed completely absurd to everyone, it still emerged and made itself evident in a way that everyone had to acknowledge. Divine right, when viewed on a grand scale, is found to mean divine power too! While the old false systems are being trampled into oblivion, new, authentic realities unexpectedly reveal themselves as indestructible. In times of rebellion, when Kingship itself appears dead and gone, Cromwell and Napoleon rise again as Kings. The stories of these men are what we now need to examine as our latest example of Heroism. The old times are being brought back to us; the way Kings were made and how Kingship first arose is again highlighted in the histories of these two.
We have had many civil wars in England; wars of Red and White Roses, wars of Simon de Montfort; wars enough, which are not very memorable. But that war of the Puritans has a significance which belongs to no one of the others. Trusting to your candor, which will suggest on the other side what I have not room to say, I will call it a section once more of that great universal war which alone makes up the true History of the World,—the war of Belief against Unbelief! The struggle of men intent on the real essence of things, against men intent on the semblances and forms of things. The Puritans, to many, seem mere savage Iconoclasts, fierce destroyers of Forms; but it were more just to call them haters of untrue Forms. I hope we know how to respect Laud and his King as well as them. Poor Laud seems to me to have been weak and ill-starred, not dishonest an unfortunate Pedant rather than anything worse. His "Dreams" and superstitions, at which they laugh so, have an affectionate, lovable kind of character. He is like a College-Tutor, whose whole world is forms, College-rules; whose notion is that these are the life and safety of the world. He is placed suddenly, with that unalterable luckless notion of his, at the head not of a College but of a Nation, to regulate the most complex deep-reaching interests of men. He thinks they ought to go by the old decent regulations; nay that their salvation will lie in extending and improving these. Like a weak man, he drives with spasmodic vehemence towards his purpose; cramps himself to it, heeding no voice of prudence, no cry of pity: He will have his College-rules obeyed by his Collegians; that first; and till that, nothing. He is an ill-starred Pedant, as I said. He would have it the world was a College of that kind, and the world was not that. Alas, was not his doom stern enough? Whatever wrongs he did, were they not all frightfully avenged on him?
We've had a lot of civil wars in England—the wars of the Red and White Roses, the wars of Simon de Montfort; plenty of wars that aren’t very memorable. But the Puritan war carries a significance that none of the others have. Trusting in your understanding, which will fill in what I can't say due to space, I’ll refer to it again as part of that great universal conflict that truly makes up the History of the World—the war of Belief against Unbelief! It's the battle between those seeking the real essence of things and those focused on appearances and forms. To many, the Puritans may just seem like savage iconoclasts, violently destroying forms; but it’s fairer to call them opponents of untrue forms. I hope we can respect Laud and his King just as much as we respect them. Poor Laud seems to me to be weak and ill-fated, not dishonest—more of an unfortunate pedant than anything worse. His "Dreams" and superstitions, which are often mocked, have a kind of affectionate charm. He resembles a college tutor, for whom the entire world revolves around rules and regulations; who believes that these are essential for life and safety. Suddenly, he finds himself—not at the head of a college but a nation—trying to manage the most complex and nuanced interests of people. He thinks they should follow the old respectable rules; in fact, he believes their salvation lies in expanding and improving them. Like a weak man, he stubbornly pushes toward his goal, ignoring all voices of caution and cries for compassion: He insists his college rules must be followed by his students; that’s his priority, and nothing else matters until that is accomplished. He is indeed an ill-fated pedant, as I said. He wishes the world operated like a college of that sort, but the world was not that. Alas, wasn’t his fate harsh enough? Whatever wrongs he committed, weren't they all dreadfully avenged?
It is meritorious to insist on forms; Religion and all else naturally clothes itself in forms. Everywhere the formed world is the only habitable one. The naked formlessness of Puritanism is not the thing I praise in the Puritans; it is the thing I pity,—praising only the spirit which had rendered that inevitable! All substances clothe themselves in forms: but there are suitable true forms, and then there are untrue unsuitable. As the briefest definition, one might say, Forms which grow round a substance, if we rightly understand that, will correspond to the real nature and purport of it, will be true, good; forms which are consciously put round a substance, bad. I invite you to reflect on this. It distinguishes true from false in Ceremonial Form, earnest solemnity from empty pageant, in all human things.
It's commendable to emphasize forms; religion and everything else naturally takes shape in forms. Everywhere, the formed world is the only one we can live in. The bare formlessness of Puritanism isn't what I admire in the Puritans; it's what I feel sorry for—only praising the spirit that made it unavoidable! All substances take on forms, but there are appropriate true forms, and then there are false, unsuitable ones. To put it simply, one might say that forms which grow around a substance, if we understand that correctly, will align with its true nature and intent, and will be true and good; forms that are consciously put around a substance are bad. I encourage you to think about this. It helps differentiate true from false in Ceremonial Form, genuine solemnity from empty spectacle, in all human matters.
There must be a veracity, a natural spontaneity in forms. In the commonest meeting of men, a person making, what we call, "set speeches," is not he an offence? In the mere drawing-room, whatsoever courtesies you see to be grimaces, prompted by no spontaneous reality within, are a thing you wish to get away from. But suppose now it were some matter of vital concernment, some transcendent matter (as Divine Worship is), about which your whole soul, struck dumb with its excess of feeling, knew not how to form itself into utterance at all, and preferred formless silence to any utterance there possible,—what should we say of a man coming forward to represent or utter it for you in the way of upholsterer-mummery? Such a man,—let him depart swiftly, if he love himself! You have lost your only son; are mute, struck down, without even tears: an importunate man importunately offers to celebrate Funeral Games for him in the manner of the Greeks! Such mummery is not only not to be accepted,—it is hateful, unendurable. It is what the old Prophets called "Idolatry," worshipping of hollow shows; what all earnest men do and will reject. We can partly understand what those poor Puritans meant. Laud dedicating that St. Catherine Creed's Church, in the manner we have it described; with his multiplied ceremonial bowings, gesticulations, exclamations: surely it is rather the rigorous formal Pedant, intent on his "College-rules," than the earnest Prophet intent on the essence of the matter!
There has to be a truthfulness, a natural spontaneity in forms. In the most ordinary gatherings, when someone delivers what we call "set speeches," isn't that an offense? In a simple drawing-room setting, any courtesies that feel like forced smiles, lacking genuine emotion, are something you want to escape from. But imagine it’s about something truly important, something profound (like Divine Worship), where your whole being, overwhelmed with emotion, struggles to find the words to express itself at all and would rather remain in silent contemplation than offer any words that might not capture the moment—what would we say about someone stepping up to represent or express it for you in a superficial manner? Such a person—let them leave quickly, if they care for themselves! You’ve lost your only son; you're speechless, crushed, with not even a tear to cry: a persistent individual insistently offers to hold Funeral Games for him like the Greeks did! Such triviality shouldn’t just be ignored—it’s loathsome, unbearable. It’s what the old Prophets called "Idolatry," the worship of empty appearances; something that all sincere people will reject. We can somewhat grasp what those poor Puritans meant. Laud dedicating St. Catherine Creed's Church, as we have it described; with his numerous ceremonial bows, gestures, and exclamations: surely, he is more of a rigid formalist focused on his "College-rules" than a genuine Prophet concerned with the essence of the matter!
Puritanism found such forms insupportable; trampled on such forms;—we have to excuse it for saying, No form at all rather than such! It stood preaching in its bare pulpit, with nothing but the Bible in its hand. Nay, a man preaching from his earnest soul into the earnest souls of men: is not this virtually the essence of all Churches whatsoever? The nakedest, savagest reality, I say, is preferable to any semblance, however dignified. Besides, it will clothe itself with due semblance by and by, if it be real. No fear of that; actually no fear at all. Given the living man, there will be found clothes for him; he will find himself clothes. But the suit-of-clothes pretending that it is both clothes and man—! We cannot "fight the French" by three hundred thousand red uniforms; there must be men in the inside of them! Semblance, I assert, must actually not divorce itself from Reality. If Semblance do,—why then there must be men found to rebel against Semblance, for it has become a lie! These two Antagonisms at war here, in the case of Laud and the Puritans, are as old nearly as the world. They went to fierce battle over England in that age; and fought out their confused controversy to a certain length, with many results for all of us.
Puritanism found such forms unbearable; it trampled on them; we have to forgive it for saying, No form at all is better than that! It stood preaching in its bare pulpit, with nothing but the Bible in its hand. A man preaching from his sincere soul into the sincere souls of others: isn’t this essentially the core of all Churches? The rawest, most genuine reality is better than any appearance, no matter how dignified. Moreover, if it is real, it will eventually take on a fitting appearance. There's no fear of that; absolutely none. Given the living man, he will find himself the right clothes. But the suit of clothes pretending to be both clothing and man—! We cannot "fight the French" with three hundred thousand red uniforms; there must be men inside them! Appearance, I argue, must not separate itself from Reality. If Appearance does, then there must be men ready to rebel against Appearance, as it has become a lie! These two opposing forces in conflict here, in the case of Laud and the Puritans, are nearly as old as the world. They engaged in fierce battles over England in that time; and carried out their messy arguments to a certain extent, with many consequences for all of us.
In the age which directly followed that of the Puritans, their cause or themselves were little likely to have justice done them. Charles Second and his Rochesters were not the kind of men you would set to judge what the worth or meaning of such men might have been. That there could be any faith or truth in the life of a man, was what these poor Rochesters, and the age they ushered in, had forgotten. Puritanism was hung on gibbets,—like the bones of the leading Puritans. Its work nevertheless went on accomplishing itself. All true work of a man, hang the author of it on what gibbet you like, must and will accomplish itself. We have our Habeas-Corpus, our free Representation of the People; acknowledgment, wide as the world, that all men are, or else must, shall, and will become, what we call free men;—men with their life grounded on reality and justice, not on tradition, which has become unjust and a chimera! This in part, and much besides this, was the work of the Puritans.
In the time that followed the Puritans, their beliefs and their legacy were unlikely to be understood fairly. Charles II and his associates were not the kind of people who would appreciate the value or significance of such individuals. The notion that a person could have genuine faith or integrity was something these misguided figures and the era they represented had completely overlooked. Puritanism was treated with disdain, as if displaying the remains of its prominent leaders. Yet its influence continued to carry on. All meaningful work a person does, no matter how much you try to discredit the individual behind it, will ultimately succeed. We have our Habeas Corpus, our free Representation of the People; a global recognition that all people are or will become what we define as free individuals—people whose lives are based on truth and justice, not on outdated traditions that have turned unjust and illusory! This, along with much more, was the legacy of the Puritans.
And indeed, as these things became gradually manifest, the character of the Puritans began to clear itself. Their memories were, one after another, taken down from the gibbet; nay a certain portion of them are now, in these days, as good as canonized. Eliot, Hampden, Pym, nay Ludlow, Hutchinson, Vane himself, are admitted to be a kind of Heroes; political Conscript Fathers, to whom in no small degree we owe what makes us a free England: it would not be safe for anybody to designate these men as wicked now. Few Puritans of note but find their apologists somewhere, and have a certain reverence paid them by earnest men. One Puritan, I think, and almost he alone, our poor Cromwell, seems to hang yet on the gibbet, and find no hearty apologist anywhere. Him neither saint nor sinner will acquit of great wickedness. A man of ability, infinite talent, courage, and so forth: but he betrayed the Cause. Selfish ambition, dishonesty, duplicity; a fierce, coarse, hypocritical Tartuffe; turning all that noble Struggle for constitutional Liberty into a sorry farce played for his own benefit: this and worse is the character they give of Cromwell. And then there come contrasts with Washington and others; above all, with these noble Pyms and Hampdens, whose noble work he stole for himself, and ruined into a futility and deformity.
And indeed, as these things gradually became clear, the character of the Puritans started to take shape. Their memories were, one by one, removed from the gallows; in fact, some of them are now almost considered saints. Eliot, Hampden, Pym, even Ludlow, Hutchinson, and Vane himself are recognized as a kind of heroes; political founding figures, to whom, in no small part, we owe what makes us a free England: it would not be safe for anyone to label these men as evil today. Few notable Puritans lack defenders somewhere, and they receive a certain level of respect from serious individuals. One Puritan, I believe, and almost he alone, our poor Cromwell, still seems to be hanging on the gallows, without any true defender anywhere. Neither saint nor sinner will absolve him of great wrongdoing. He was a man of ability, immense talent, and courage, but he betrayed the Cause. Selfish ambition, dishonesty, duplicity; a fierce, coarse, hypocritical Tartuffe; turning that noble struggle for constitutional liberty into a pathetic farce for his own gain: this and worse is how they describe Cromwell. And then there are comparisons with Washington and others; especially with the noble Pyms and Hampdens, whose noble work he appropriated for himself and turned into a mess and a failure.
This view of Cromwell seems to me the not unnatural product of a century like the Eighteenth. As we said of the Valet, so of the Sceptic: He does not know a Hero when he sees him! The Valet expected purple mantles, gilt sceptres, bodyguards and flourishes of trumpets: the Sceptic of the Eighteenth century looks for regulated respectable Formulas, "Principles," or what else he may call them; a style of speech and conduct which has got to seem "respectable," which can plead for itself in a handsome articulate manner, and gain the suffrages of an enlightened sceptical Eighteenth century! It is, at bottom, the same thing that both the Valet and he expect: the garnitures of some acknowledged royalty, which then they will acknowledge! The King coming to them in the rugged unformulistic state shall be no King.
This perspective on Cromwell strikes me as a totally understandable outcome of a century like the Eighteenth. Just like we said about the Valet, the Skeptic also fails to recognize a Hero when he sees one! The Valet expected royal robes, shiny scepters, bodyguards, and the sound of trumpets; the Skeptic of the Eighteenth century looks for organized, respectable formulas, "principles," or whatever else he might call them—a way of speaking and behaving that seems "respectable," that can defend itself in a polished, articulate way and earn the approval of an enlightened, skeptical Eighteenth century! At its core, both the Valet and the Skeptic want the same thing: the trappings of some recognized royalty, which they will acknowledge only then! A King who approaches them in a rough, unrefined state will not be seen as a King.
For my own share, far be it from me to say or insinuate a word of disparagement against such characters as Hampden, Elliot, Pym; whom I believe to have been right worthy and useful men. I have read diligently what books and documents about them I could come at;—with the honestest wish to admire, to love and worship them like Heroes; but I am sorry to say, if the real truth must be told, with very indifferent success! At bottom, I found that it would not do. They are very noble men, these; step along in their stately way, with their measured euphemisms, philosophies, parliamentary eloquences, Ship-moneys, Monarchies of Man; a most constitutional, unblamable, dignified set of men. But the heart remains cold before them; the fancy alone endeavors to get up some worship of them. What man's heart does, in reality, break forth into any fire of brotherly love for these men? They are become dreadfully dull men! One breaks down often enough in the constitutional eloquence of the admirable Pym, with his "seventhly and lastly." You find that it may be the admirablest thing in the world, but that it is heavy,—heavy as lead, barren as brick-clay; that, in a word, for you there is little or nothing now surviving there! One leaves all these Nobilities standing in their niches of honor: the rugged outcast Cromwell, he is the man of them all in whom one still finds human stuff. The great savage Baresark: he could write no euphemistic Monarchy of Man; did not speak, did not work with glib regularity; had no straight story to tell for himself anywhere. But he stood bare, not cased in euphemistic coat-of-mail; he grappled like a giant, face to face, heart to heart, with the naked truth of things! That, after all, is the sort of man for one. I plead guilty to valuing such a man beyond all other sorts of men. Smooth-shaven Respectabilities not a few one finds, that are not good for much. Small thanks to a man for keeping his hands clean, who would not touch the work but with gloves on!
As for me, I would never say or imply anything negative about figures like Hampden, Elliot, or Pym; I truly believe they were worthy and useful people. I’ve read extensively about them from whatever books and documents I could find, with the genuine hope of admiring, loving, and worshiping them like heroes. Unfortunately, I have to admit that I haven't been very successful at all! Ultimately, I found that it just didn’t work for me. These men are undeniably noble, marching along in their dignified manner, with their carefully measured language, philosophies, parliamentary speeches, Ship-money, Monarchies of Man; a most constitutional, blameless, dignified group. But it’s hard to feel anything but coldness towards them; my imagination tries to create some admiration for them, but what does a man’s heart really feel? There’s no real spark of brotherly love for these men! They’ve become terribly dull! It’s common to feel overwhelmed by the constitutional eloquence of the admirable Pym, with his "seventhly and lastly." You might see it as the most wonderful thing ever, but it’s heavy—heavy as lead, as dry as brick clay; in short, there’s little left that resonates! One leaves all these noble figures in their places of honor: the rough and rugged outcast Cromwell is the one among them who still feels human. The great savage Baresark: he didn’t write any polished Monarchy of Man; he didn’t speak or act with smooth precision; he had no tidy story to tell. But he was raw, not wrapped in a euphemistic armor; he battled like a giant, face to face, heart to heart, with the unvarnished truth of life! That’s the kind of person I truly value. I admit that I hold such a man in higher regard than all the others. There are many well-groomed Respectabilities out there who aren’t worth much. It doesn’t mean much to a man who keeps his hands clean if he wouldn’t touch the work without gloves!
Neither, on the whole, does this constitutional tolerance of the Eighteenth century for the other happier Puritans seem to be a very great matter. One might say, it is but a piece of Formulism and Scepticism, like the rest. They tell us, It was a sorrowful thing to consider that the foundation of our English Liberties should have been laid by "Superstition." These Puritans came forward with Calvinistic incredible Creeds, Anti-Laudisms, Westminster Confessions; demanding, chiefly of all, that they should have liberty to worship in their own way. Liberty to tax themselves: that was the thing they should have demanded! It was Superstition, Fanaticism, disgraceful ignorance of Constitutional Philosophy to insist on the other thing!—Liberty to tax oneself? Not to pay out money from your pocket except on reason shown? No century, I think, but a rather barren one would have fixed on that as the first right of man! I should say, on the contrary, A just man will generally have better cause than money in what shape soever, before deciding to revolt against his Government. Ours is a most confused world; in which a good man will be thankful to see any kind of Government maintain itself in a not insupportable manner: and here in England, to this hour, if he is not ready to pay a great many taxes which he can see very small reason in, it will not go well with him, I think! He must try some other climate than this. Tax-gatherer? Money? He will say: "Take my money, since you can, and it is so desirable to you; take it,—and take yourself away with it; and leave me alone to my work here. I am still here; can still work, after all the money you have taken from me!" But if they come to him, and say, "Acknowledge a Lie; pretend to say you are worshipping God, when you are not doing it: believe not the thing that you find true, but the thing that I find, or pretend to find true!" He will answer: "No; by God's help, no! You may take my purse; but I cannot have my moral Self annihilated. The purse is any Highwayman's who might meet me with a loaded pistol: but the Self is mine and God my Maker's; it is not yours; and I will resist you to the death, and revolt against you, and, on the whole, front all manner of extremities, accusations and confusions, in defence of that!"—
Neither, overall, does the constitutional tolerance of the 18th century for the other more fortunate Puritans seem to be a significant issue. You could say it's just a form of Formulism and Skepticism, similar to everything else. They claim that it’s sad to think the foundation of our English Liberties was built on "Superstition." These Puritans pushed forward with their unbelievable Calvinistic beliefs, Anti-Laudisms, Westminster Confessions; primarily demanding the right to worship in their own way. The real demand should have been for the liberty to tax themselves! It was Superstition, Fanaticism, and a disgraceful lack of understanding of Constitutional Philosophy to insist on the other thing!—The liberty to tax oneself? Refusing to spend money unless there was a good reason? I would argue that no century worth its salt would define that as the first right of man! In fact, I’d say a just person typically has more valid reasons than money in whatever form before deciding to rebel against their government. We live in a very confusing world; where a good person would appreciate any government that manages to persist in a somewhat bearable way: and here in England, even today, if someone isn’t willing to pay many taxes with minimal justification, things won’t go well for them, I think! They'd better find some other place to live. Tax collector? Money? They might say: "Take my money, since you can and it’s so important to you; take it,—and take yourself away with it; and leave me to my work here. I’m still here; I can still work, even after all you’ve taken from me!" But if they come to him and say, "Acknowledge a falsehood; pretend you’re worshipping God when you’re not: believe something that's not true, just because I say so!" He will respond: "No; with God as my witness, no! You can take my wallet; but I can’t let you destroy my moral Self. The wallet belongs to any highwayman who might confront me with a loaded gun: but my Self belongs to me and to God my Creator; it’s not yours, and I will resist you to the death, and, overall, face all kinds of dangers, accusations, and turmoil in defense of that!"
Really, it seems to me the one reason which could justify revolting, this of the Puritans. It has been the soul of all just revolts among men. Not Hunger alone produced even the French Revolution; no, but the feeling of the insupportable all-pervading Falsehood which had now embodied itself in Hunger, in universal material Scarcity and Nonentity, and thereby become indisputably false in the eyes of all! We will leave the Eighteenth century with its "liberty to tax itself." We will not astonish ourselves that the meaning of such men as the Puritans remained dim to it. To men who believe in no reality at all, how shall a real human soul, the intensest of all realities, as it were the Voice of this world's Maker still speaking to us,—be intelligible? What it cannot reduce into constitutional doctrines relative to "taxing," or other the like material interest, gross, palpable to the sense, such a century will needs reject as an amorphous heap of rubbish. Hampdens, Pyms and Ship-money will be the theme of much constitutional eloquence, striving to be fervid;—which will glitter, if not as fire does, then as ice does: and the irreducible Cromwell will remain a chaotic mass of "madness," "hypocrisy," and much else.
Honestly, the only reason that makes sense for revolting is what the Puritans stood for. It's been the driving force behind all just revolts throughout history. It wasn't just Hunger that sparked the French Revolution; it was also the unbearable weight of Falsehood that manifested in Hunger, material Scarcity, and a sense of nothingness, making it undeniably false to everyone! Let's move past the Eighteenth century with its idea of "liberty to tax itself." It's not surprising that the meaning of the Puritans was lost on them. To people who don't believe in any real truth, how can a real human soul—one of the most profound realities that seems like the Voice of the world's Creator still communicating with us—make any sense? If it can't fit neatly into constitutional arguments about "taxing" or other tangible interests that are easy to grasp, that century will simply dismiss it as a jumble of nonsense. Hampdens, Pyms, and Ship-money will be the focus of much constitutional rhetoric, trying hard to be passionate; and though it may shine, it will resemble ice more than fire. Meanwhile, the undeniable Cromwell will be seen as just a chaotic mix of "madness," "hypocrisy," and much more.
From of old, I will confess, this theory of Cromwell's falsity has been incredible to me. Nay I cannot believe the like, of any Great Man whatever. Multitudes of Great Men figure in History as false selfish men; but if we will consider it, they are but figures for us, unintelligible shadows; we do not see into them as men that could have existed at all. A superficial unbelieving generation only, with no eye but for the surfaces and semblances of things, could form such notions of Great Men. Can a great soul be possible without a conscience in it, the essence of all real souls, great or small?—No, we cannot figure Cromwell as a Falsity and Fatuity; the longer I study him and his career, I believe this the less. Why should we? There is no evidence of it. Is it not strange that, after all the mountains of calumny this man has been subject to, after being represented as the very prince of liars, who never, or hardly ever, spoke truth, but always some cunning counterfeit of truth, there should not yet have been one falsehood brought clearly home to him? A prince of liars, and no lie spoken by him. Not one that I could yet get sight of. It is like Pococke asking Grotius, Where is your proof of Mahomet's Pigeon? No proof!—Let us leave all these calumnious chimeras, as chimeras ought to be left. They are not portraits of the man; they are distracted phantasms of him, the joint product of hatred and darkness.
For a long time, I have to admit, I've found this idea that Cromwell was false to be unbelievable. I can't accept that about any Great Person at all. Many Great People in history are portrayed as deceitful and selfish; but if we think about it, they’re just figures to us, incomprehensible shadows; we don’t truly see them as individuals who could have really existed. Only a superficial, skeptical generation, with no eye for the deeper truths and appearances of things, could have such views of Great People. Can a great soul exist without a conscience—the essence of all real souls, big or small?—No, we can't imagine Cromwell as a Falsehood or Foolishness; the more I study him and his life, the less I believe that. Why would we? There's no proof of it. Isn’t it odd that after all the mountains of slander he’s faced, where he's been depicted as the ultimate liar, who rarely, if ever, told the truth and only gave some clever imitation of it, not one clear lie has been pinned on him? A master liar, and no lies spoken by him. Not one that I can find. It’s like Pococke asking Grotius, Where is your proof of Mahomet's Pigeon? No proof!—Let’s dismiss all these slanderous fantasies as they deserve to be. They are not true representations of the man; they are confused illusions of him, a mix born from hatred and ignorance.
Looking at the man's life with our own eyes, it seems to me, a very different hypothesis suggests itself. What little we know of his earlier obscure years, distorted as it has come down to us, does it not all betoken an earnest, affectionate, sincere kind of man? His nervous melancholic temperament indicates rather a seriousness too deep for him. Of those stories of "Spectres;" of the white Spectre in broad daylight, predicting that he should be King of England, we are not bound to believe much;—probably no more than of the other black Spectre, or Devil in person, to whom the Officer saw him sell himself before Worcester Fight! But the mournful, oversensitive, hypochondriac humor of Oliver, in his young years, is otherwise indisputably known. The Huntingdon Physician told Sir Philip Warwick himself, He had often been sent for at midnight; Mr. Cromwell was full of hypochondria, thought himself near dying, and "had fancies about the Town-cross." These things are significant. Such an excitable deep-feeling nature, in that rugged stubborn strength of his, is not the symptom of falsehood; it is the symptom and promise of quite other than falsehood!
Looking at the man's life through our own perspective, it seems to me that a very different idea comes to mind. What little we know about his early, obscure years—although it's been distorted over time—suggests he was an earnest, affectionate, and sincere man. His nervous, melancholic temperament points to a seriousness that was perhaps too profound for him. Regarding those stories of "Spectres," such as the white Spectre seen in broad daylight, predicting he would be King of England, we don't have to take them too seriously; probably no more than the other black Spectre or the Devil he supposedly sold his soul to before the Battle of Worcester! However, Oliver's sorrowful, oversensitive, hypochondriac nature in his younger years is well documented. The Huntingdon physician even told Sir Philip Warwick that he had often been called to see Mr. Cromwell at midnight because he was consumed by hypochondria, believed he was near death, and had strange ideas about the Town-cross. These details are significant. Such an excitable, deeply feeling nature, combined with his rugged, stubborn strength, indicates not deceit but something entirely different from falsehood!
The young Oliver is sent to study Law; falls, or is said to have fallen, for a little period, into some of the dissipations of youth; but if so, speedily repents, abandons all this: not much above twenty, he is married, settled as an altogether grave and quiet man. "He pays back what money he had won at gambling," says the story;—he does not think any gain of that kind could be really his. It is very interesting, very natural, this "conversion," as they well name it; this awakening of a great true soul from the worldly slough, to see into the awful truth of things;—to see that Time and its shows all rested on Eternity, and this poor Earth of ours was the threshold either of Heaven or of Hell! Oliver's life at St. Ives and Ely, as a sober industrious Farmer, is it not altogether as that of a true and devout man? He has renounced the world and its ways; its prizes are not the thing that can enrich him. He tills the earth; he reads his Bible; daily assembles his servants round him to worship God. He comforts persecuted ministers, is fond of preachers; nay can himself preach,—exhorts his neighbors to be wise, to redeem the time. In all this what "hypocrisy," "ambition," "cant," or other falsity? The man's hopes, I do believe, were fixed on the other Higher World; his aim to get well thither, by walking well through his humble course in this world. He courts no notice: what could notice here do for him? "Ever in his great Taskmaster's eye."
The young Oliver is sent to study law and temporarily gets caught up in some youthful distractions. However, if that's true, he quickly regrets it and leaves it all behind: by the age of twenty, he's married and living as a serious and quiet man. "He returns the money he won from gambling," the story goes; he believes that any gain from that could never truly belong to him. It's quite fascinating and natural, this "conversion," as they call it; this awakening of a true soul from superficial worldly concerns, realizing the serious truths of existence—to understand that time and its distractions are all based on eternity, and that our world is just the gateway to either heaven or hell! Oliver's life in St. Ives and Ely as a responsible, hardworking farmer—doesn’t it reflect that of a sincere and devoted man? He has turned his back on the world and its ways; its rewards don’t enrich him. He works the land, reads his Bible, and gathers his workers to worship God every day. He supports persecuted ministers, enjoys listening to preachers, and even preaches himself, urging his neighbors to be wise and to make the most of their time. In all this, where’s the "hypocrisy," "ambition," "pretense," or any other form of insincerity? I truly believe the man's hopes were focused on the higher realm; his goal was to reach it by living rightly in this life. He seeks no attention: what could attention do for him here? "Always in his great Taskmaster's eye."
It is striking, too, how he comes out once into public view; he, since no other is willing to come: in resistance to a public grievance. I mean, in that matter of the Bedford Fens. No one else will go to law with Authority; therefore he will. That matter once settled, he returns back into obscurity, to his Bible and his Plough. "Gain influence"? His influence is the most legitimate; derived from personal knowledge of him, as a just, religious, reasonable and determined man. In this way he has lived till past forty; old age is now in view of him, and the earnest portal of Death and Eternity; it was at this point that he suddenly became "ambitious"! I do not interpret his Parliamentary mission in that way!
It's also striking how he steps into the public eye; he does so because no one else will take the initiative in response to a public concern. I’m talking about the issue with the Bedford Fens. Everyone else is unwilling to stand up to Authority in court; so he will. Once that matter is resolved, he retreats back into obscurity, to his Bible and his plow. "Gain influence"? His influence is the most genuine; it comes from people knowing him as a fair, faithful, reasonable, and determined man. This is how he has lived past forty; old age is now on the horizon for him, and he faces the serious reality of Death and Eternity; it was at this moment that he suddenly became "ambitious"! I don't interpret his Parliamentary mission that way!
His successes in Parliament, his successes through the war, are honest successes of a brave man; who has more resolution in the heart of him, more light in the head of him than other men. His prayers to God; his spoken thanks to the God of Victory, who had preserved him safe, and carried him forward so far, through the furious clash of a world all set in conflict, through desperate-looking envelopments at Dunbar; through the death-hail of so many battles; mercy after mercy; to the "crowning mercy" of Worcester Fight: all this is good and genuine for a deep-hearted Calvinistic Cromwell. Only to vain unbelieving Cavaliers, worshipping not God but their own "love-locks," frivolities and formalities, living quite apart from contemplations of God, living without God in the world, need it seem hypocritical.
His achievements in Parliament and during the war are genuine successes of a brave man, someone with more determination in his heart and more insight in his mind than others. His prayers to God and his heartfelt gratitude to the God of Victory, who kept him safe and pushed him forward through the intense turmoil of a world in conflict, through the desperate situations at Dunbar, through the deadly onslaught of many battles, countless acts of mercy, culminating in the "crowning mercy" of the Battle of Worcester—all of this is sincere and true for a deeply devoted Calvinist like Cromwell. Only the vain, unbelieving Cavaliers, who worship not God but their own hairstyles, trivialities, and formalities, living completely detached from thoughts of God, living without God in the world, would find it hypocritical.
Nor will his participation in the King's death involve him in condemnation with us. It is a stern business killing of a King! But if you once go to war with him, it lies there; this and all else lies there. Once at war, you have made wager of battle with him: it is he to die, or else you. Reconciliation is problematic; may be possible, or, far more likely, is impossible. It is now pretty generally admitted that the Parliament, having vanquished Charles First, had no way of making any tenable arrangement with him. The large Presbyterian party, apprehensive now of the Independents, were most anxious to do so; anxious indeed as for their own existence; but it could not be. The unhappy Charles, in those final Hampton-Court negotiations, shows himself as a man fatally incapable of being dealt with. A man who, once for all, could not and would not understand:—whose thought did not in any measure represent to him the real fact of the matter; nay worse, whose word did not at all represent his thought. We may say this of him without cruelty, with deep pity rather: but it is true and undeniable. Forsaken there of all but the name of Kingship, he still, finding himself treated with outward respect as a King, fancied that he might play off party against party, and smuggle himself into his old power by deceiving both. Alas, they both discovered that he was deceiving them. A man whose word will not inform you at all what he means or will do, is not a man you can bargain with. You must get out of that man's way, or put him out of yours! The Presbyterians, in their despair, were still for believing Charles, though found false, unbelievable again and again. Not so Cromwell: "For all our fighting," says he, "we are to have a little bit of paper?" No—!
Nor will his involvement in the King's death bring him any blame from us. Killing a King is serious business! But if you go to war with him, that’s where it all stands; everything hinges on that. Once at war, you’re betting on a battle: it’s either him who dies or you. Making peace is tricky; it might be possible, but more likely, it's impossible. It's now widely accepted that after defeating Charles First, Parliament had no viable way of coming to an agreement with him. The large Presbyterian group, now worried about the Independents, was very eager to reach a deal; they were anxious for their own survival, but it just couldn’t happen. The unfortunate Charles, during those final negotiations at Hampton Court, proved to be a man who was hopelessly unmanageable. A man who simply could not and would not understand; whose thoughts didn’t accurately reflect what was truly at stake; even worse, the words he spoke didn’t align with his thoughts. We can say this about him without being cruel, with deep sympathy instead: but it's true and undeniable. Abandoned there with only the title of Kingship left, he still, finding himself treated with outward respect as a King, believed he could pit one faction against another and sneak back into his old power by fooling both sides. Sadly, they both figured out he was deceiving them. A man whose words give no real indication of what he means or will do is not someone you can negotiate with. You either need to avoid that man or get rid of him! The Presbyterians, in their despair, still wanted to believe Charles, despite being repeatedly betrayed. But not Cromwell: “After all our fighting,” he said, “are we going to settle for just a piece of paper?” No—!
In fact, everywhere we have to note the decisive practical eye of this man; how he drives towards the practical and practicable; has a genuine insight into what is fact. Such an intellect, I maintain, does not belong to a false man: the false man sees false shows, plausibilities, expediences: the true man is needed to discern even practical truth. Cromwell's advice about the Parliament's Army, early in the contest, How they were to dismiss their city-tapsters, flimsy riotous persons, and choose substantial yeomen, whose heart was in the work, to be soldiers for them: this is advice by a man who saw. Fact answers, if you see into Fact! Cromwell's Ironsides were the embodiment of this insight of his; men fearing God; and without any other fear. No more conclusively genuine set of fighters ever trod the soil of England, or of any other land.
Everywhere, we have to recognize the decisive practical insight of this man; how he focuses on what is practical and achievable; he truly understands what facts are. Such an intellect, I assert, does not belong to someone false: the false person sees illusions, conveniences, and shortcuts; the true person is needed to grasp even practical truth. Cromwell's advice about the Parliament's Army early in the conflict, how they should get rid of their city drunks and unruly people, and choose reliable farmers whose hearts were in the mission to be their soldiers, reflects the perspective of a man who really understood. Facts reveal themselves if you truly see them! Cromwell's Ironsides were the embodiment of his insight; men who feared God and had no other fear. No more genuinely committed group of fighters ever walked the soil of England or any other land.
Neither will we blame greatly that word of Cromwell's to them; which was so blamed: "If the King should meet me in battle, I would kill the King." Why not? These words were spoken to men who stood as before a Higher than Kings. They had set more than their own lives on the cast. The Parliament may call it, in official language, a fighting "for the King;" but we, for our share, cannot understand that. To us it is no dilettante work, no sleek officiality; it is sheer rough death and earnest. They have brought it to the calling-forth of War; horrid internecine fight, man grappling with man in fire-eyed rage,—the infernal element in man called forth, to try it by that! Do that therefore; since that is the thing to be done.—The successes of Cromwell seem to me a very natural thing! Since he was not shot in battle, they were an inevitable thing. That such a man, with the eye to see, with the heart to dare, should advance, from post to post, from victory to victory, till the Huntingdon Farmer became, by whatever name you might call him, the acknowledged Strongest Man in England, virtually the King of England, requires no magic to explain it—!
We won't harshly criticize Cromwell's famous statement to them, which was so criticized: "If the King should meet me in battle, I would kill the King." Why not? These words were directed at men who stood before something greater than Kings. They had put more than just their own lives on the line. The Parliament may officially label it as fighting “for the King,” but we can’t really get that. For us, it’s not just a casual thing, nor is it some polished official matter; it’s raw, serious life and death. They have brought us to the point of War; a horrific internal conflict, man against man in intense rage—bringing out the most destructive side of humanity to face that! So, do that; since that’s what needs to be done. Cromwell's successes seem quite natural to me! Since he wasn’t shot in battle, they were inevitable. That someone like him, with the vision to see and the courage to act, should move from position to position, from victory to victory, until the farmer from Huntingdon became, no matter what title you give him, the recognized Strongest Man in England, essentially the King of England, doesn’t require any magic to explain it!
Truly it is a sad thing for a people, as for a man, to fall into Scepticism, into dilettantism, insincerity; not to know Sincerity when they see it. For this world, and for all worlds, what curse is so fatal? The heart lying dead, the eye cannot see. What intellect remains is merely the vulpine intellect. That a true King be sent them is of small use; they do not know him when sent. They say scornfully, Is this your King? The Hero wastes his heroic faculty in bootless contradiction from the unworthy; and can accomplish little. For himself he does accomplish a heroic life, which is much, which is all; but for the world he accomplishes comparatively nothing. The wild rude Sincerity, direct from Nature, is not glib in answering from the witness-box: in your small-debt pie-powder court, he is scouted as a counterfeit. The vulpine intellect "detects" him. For being a man worth any thousand men, the response your Knox, your Cromwell gets, is an argument for two centuries whether he was a man at all. God's greatest gift to this Earth is sneeringly flung away. The miraculous talisman is a paltry plated coin, not fit to pass in the shops as a common guinea.
It's truly sad for a people, just like it is for an individual, to fall into skepticism, to become superficial or insincere; not to recognize sincerity when they encounter it. What curse could be more damaging in this world and beyond? When the heart is numb, the eye cannot see. The intellect that remains is just a cunning one. It’s of little use if a true leader is sent to them; they won’t recognize him when he arrives. They scoff, asking, “Is this your leader?” The hero ends up wasting his heroic abilities on fruitless contradictions from the undeserving and achieves very little. For himself, he leads a heroic life, which is significant, perhaps everything; but for the world, he achieves relatively nothing. The raw, genuine sincerity that comes directly from Nature doesn’t easily articulate its case in your small-claims court; it’s dismissed as a fraud. The cunning intellect "detects" him. For being a man worth a thousand others, the response that figures like Knox or Cromwell receive is a debate that lasts two centuries over whether he was a man at all. The greatest gift from God to this Earth is scornfully cast aside. The miraculous talisman is seen as a cheap imitation, not worthy of passing in shops as a common coin.
Lamentable this! I say, this must be remedied. Till this be remedied in some measure, there is nothing remedied. "Detect quacks"? Yes do, for Heaven's sake; but know withal the men that are to be trusted! Till we know that, what is all our knowledge; how shall we even so much as "detect"? For the vulpine sharpness, which considers itself to be knowledge, and "detects" in that fashion, is far mistaken. Dupes indeed are many: but, of all dupes, there is none so fatally situated as he who lives in undue terror of being duped. The world does exist; the world has truth in it, or it would not exist! First recognize what is true, we shall then discern what is false; and properly never till then.
This is unfortunate! I say this needs to change. Until it changes in some way, nothing is really fixed. "Expose the frauds"? Yes, please do that for heaven's sake; but also make sure you know which people are trustworthy! Until we figure that out, what good is all our knowledge; how can we even begin to "expose"? The cunning perception that thinks it is knowledge and "detects" in that way is greatly mistaken. There are indeed many who fall for scams: but of all the fools, none is in a worse situation than the one who lives in constant fear of being scammed. The world exists; the world has truth in it, or it wouldn't exist! First, recognize what is true, and then we will discern what is false; and we will never really do that until then.
"Know the men that are to be trusted:" alas, this is yet, in these days, very far from us. The sincere alone can recognize sincerity. Not a Hero only is needed, but a world fit for him; a world not of Valets;—the Hero comes almost in vain to it otherwise! Yes, it is far from us: but it must come; thank God, it is visibly coming. Till it do come, what have we? Ballot-boxes, suffrages, French Revolutions:—if we are as Valets, and do not know the Hero when we see him, what good are all these? A heroic Cromwell comes; and for a hundred and fifty years he cannot have a vote from us. Why, the insincere, unbelieving world is the natural property of the Quack, and of the Father of quacks and quackeries! Misery, confusion, unveracity are alone possible there. By ballot-boxes we alter the figure of our Quack; but the substance of him continues. The Valet-World has to be governed by the Sham-Hero, by the King merely dressed in King-gear. It is his; he is its! In brief, one of two things: We shall either learn to know a Hero, a true Governor and Captain, somewhat better, when we see him; or else go on to be forever governed by the Unheroic;—had we ballot-boxes clattering at every street-corner, there were no remedy in these.
"Know the men you can trust:" sadly, this is still very far from reality today. Only the sincere can recognize sincerity. We need not just a Hero, but a world that’s worthy of him; a world not filled with Valets;—if not, the Hero comes almost in vain! Yes, it’s far from us: but it has to change; thank God, it’s visibly changing. Until that happens, what do we have? Ballot boxes, votes, French Revolutions:—if we act like Valets and fail to recognize the Hero when he appears, what good are all these? A heroic Cromwell comes; and for a hundred and fifty years, he cannot get a vote from us. Why? Because the insincere, unbelieving world belongs to the Quack, and to the Father of quacks and frauds! Misery, confusion, and dishonesty are the only possibilities there. With ballot boxes, we may change the appearance of our Quack; but his essence remains the same. The Valet-World has to be ruled by the Sham-Hero, by the King merely dressed in royal clothes. It’s his; he belongs to it! In short, one of two things must happen: We will either learn to recognize a Hero, a true Leader and Captain, better when we see him; or we will continue to be governed by the Unheroic;—even with ballot boxes clanging at every street corner, there’s no remedy in these.
Poor Cromwell,—great Cromwell! The inarticulate Prophet; Prophet who could not speak. Rude, confused, struggling to utter himself, with his savage depth, with his wild sincerity; and he looked so strange, among the elegant Euphemisms, dainty little Falklands, didactic Chillingworths, diplomatic Clarendons! Consider him. An outer hull of chaotic confusion, visions of the Devil, nervous dreams, almost semi-madness; and yet such a clear determinate man's-energy working in the heart of that. A kind of chaotic man. The ray as of pure starlight and fire, working in such an element of boundless hypochondria, unformed black of darkness! And yet withal this hypochondria, what was it but the very greatness of the man? The depth and tenderness of his wild affections: the quantity of sympathy he had with things,—the quantity of insight he would yet get into the heart of things, the mastery he would yet get over things: this was his hypochondria. The man's misery, as man's misery always does, came of his greatness. Samuel Johnson too is that kind of man. Sorrow-stricken, half-distracted; the wide element of mournful black enveloping him,—wide as the world. It is the character of a prophetic man; a man with his whole soul seeing, and struggling to see.
Poor Cromwell—great Cromwell! The inarticulate Prophet; the Prophet who couldn't speak. Rough, confused, and trying to express himself, with his intense depth and wild sincerity; he looked so out of place among the elegant Euphemisms, delicate little Falklands, didactic Chillingworths, and diplomatic Clarendons! Think about him. An outer shell of chaotic confusion, visions of the Devil, nervous dreams, almost semi-madness; and yet a clear, determined energy in the heart of it all. A kind of chaotic man. A beam of pure starlight and fire working within an endless sea of hypochondria, the unformed black of darkness! And despite all this hypochondria, what was it but the very greatness of the man? The depth and tenderness of his wild affections: the amount of sympathy he had for things—the insight he was yet to gain into the heart of things, the mastery he would eventually achieve over them: this was his hypochondria. The man's misery, as is often the case with greatness, stemmed from his depth. Samuel Johnson is another example of that kind of man. Sorrowful, half-distracted; engulfed by an overwhelming element of mournful black—as vast as the world. It’s the nature of a prophetic man; a man with his whole soul seeing and striving to understand.
On this ground, too, I explain to myself Cromwell's reputed confusion of speech. To himself the internal meaning was sun-clear; but the material with which he was to clothe it in utterance was not there. He had lived silent; a great unnamed sea of Thought round him all his days; and in his way of life little call to attempt naming or uttering that. With his sharp power of vision, resolute power of action, I doubt not he could have learned to write Books withal, and speak fluently enough;—he did harder things than writing of Books. This kind of man is precisely he who is fit for doing manfully all things you will set him on doing. Intellect is not speaking and logicizing; it is seeing and ascertaining. Virtue, Virtues, manhood, herohood, is not fair-spoken immaculate regularity; it is first of all, what the Germans well name it, Tugend (Taugend, dow-ing or Dough-tiness), Courage and the Faculty to do. This basis of the matter Cromwell had in him.
On this basis, I also make sense of Cromwell's supposed speech difficulties. To him, the internal meaning was crystal clear; however, the words he needed to express it were missing. He had lived silently, surrounded by a vast, unspoken sea of thoughts throughout his life, and had little reason to try to put them into words. With his keen vision and determined ability to take action, I have no doubt he could have learned to write books and speak fluently; he accomplished harder things than writing books. This type of person is exactly the kind who is capable of tackling any task you set before him. Intellect isn't just about speaking and reasoning; it's about seeing and understanding. Virtue, virtues, manhood, heroism, isn't just polished, flawless regularity; it is, first and foremost, what the Germans aptly call Tugend (Taugend, do-ing or Dough-tiness), courage and the ability to act. Cromwell had this essential quality within him.
One understands moreover how, though he could not speak in Parliament, he might preach, rhapsodic preaching; above all, how he might be great in extempore prayer. These are the free outpouring utterances of what is in the heart: method is not required in them; warmth, depth, sincerity are all that is required. Cromwell's habit of prayer is a notable feature of him. All his great enterprises were commenced with prayer. In dark inextricable-looking difficulties, his Officers and he used to assemble, and pray alternately, for hours, for days, till some definite resolution rose among them, some "door of hope," as they would name it, disclosed itself. Consider that. In tears, in fervent prayers, and cries to the great God, to have pity on them, to make His light shine before them. They, armed Soldiers of Christ, as they felt themselves to be; a little band of Christian Brothers, who had drawn the sword against a great black devouring world not Christian, but Mammonish, Devilish,—they cried to God in their straits, in their extreme need, not to forsake the Cause that was His. The light which now rose upon them,—how could a human soul, by any means at all, get better light? Was not the purpose so formed like to be precisely the best, wisest, the one to be followed without hesitation any more? To them it was as the shining of Heaven's own Splendor in the waste-howling darkness; the Pillar of Fire by night, that was to guide them on their desolate perilous way. Was it not such? Can a man's soul, to this hour, get guidance by any other method than intrinsically by that same,—devout prostration of the earnest struggling soul before the Highest, the Giver of all Light; be such prayer a spoken, articulate, or be it a voiceless, inarticulate one? There is no other method. "Hypocrisy"? One begins to be weary of all that. They who call it so, have no right to speak on such matters. They never formed a purpose, what one can call a purpose. They went about balancing expediencies, plausibilities; gathering votes, advices; they never were alone with the truth of a thing at all.—Cromwell's prayers were likely to be "eloquent," and much more than that. His was the heart of a man who could pray.
One can see how, even though he couldn’t speak in Parliament, he could still *preach*, passionately; and especially how he could excel in spontaneous prayer. These are the genuine outpourings of what’s in his heart: no method is needed; just warmth, depth, and sincerity are essential. Cromwell’s habit of prayer is a significant aspect of his character. He began all his major endeavors with prayer. In tough, confusing situations, he and his officers would gather and take turns praying for hours, even days, until they reached a clear decision, a "door of hope," as they called it, that revealed itself. Think about that. In tears, with heartfelt prayers and cries to God, asking for mercy, for His light to shine on them. They saw themselves as armed Soldiers of Christ; a small group of Christian Brothers, who had taken up arms against a vast, non-Christian, consuming world driven by greed and evil—they cried out to God in their struggles, in their desperate need, not to abandon the Cause that was His. The light that then appeared to them—how could any human soul find a better light? Wasn’t their purpose formed to be the best and wisest, the one to follow without hesitation any longer? To them, it was like the shining of Heaven's own radiance in the howling darkness; the Pillar of Fire by night, guiding them along their perilous, desolate path. *Was* it not so? Can a soul, even now, find guidance in any way other than through the sincere submission of a struggling soul before the Highest, the Giver of all Light; whether that *prayer* is spoken and articulated or silent and inarticulate? There is no other way. "Hypocrisy"? I’m starting to get tired of hearing that. Those who claim such things have no right to weigh in on these matters. They never truly formed a purpose, what one could call a purpose. They just went about balancing options and probabilities; collecting votes and advice; they were never alone with the *truth* of anything at all. Cromwell's prayers were likely to be "eloquent," and so much more. He had the heart of a man who *could* pray.
But indeed his actual Speeches, I apprehend, were not nearly so ineloquent, incondite, as they look. We find he was, what all speakers aim to be, an impressive speaker, even in Parliament; one who, from the first, had weight. With that rude passionate voice of his, he was always understood to mean something, and men wished to know what. He disregarded eloquence, nay despised and disliked it; spoke always without premeditation of the words he was to use. The Reporters, too, in those days seem to have been singularly candid; and to have given the Printer precisely what they found on their own note-paper. And withal, what a strange proof is it of Cromwell's being the premeditative ever-calculating hypocrite, acting a play before the world, That to the last he took no more charge of his Speeches! How came he not to study his words a little, before flinging them out to the public? If the words were true words, they could be left to shift for themselves.
But his actual speeches were not nearly as awkward or poorly constructed as they seem. He was, like all good speakers aim to be, quite impressive, even in Parliament; he had weight from the start. With that rough, passionate voice of his, people always understood he meant something, and they wanted to know what it was. He ignored eloquence, even scorned it; he always spoke off the cuff. The reporters at that time also seemed refreshingly honest, delivering exactly what they noted down. And what a strange indication it is of Cromwell being the calculating hypocrite who was always acting for show, that until the end, he didn’t bother to prepare his speeches! Why didn’t he take some time to consider his words before throwing them out to the public? If they were truthful words, they could stand on their own.
But with regard to Cromwell's "lying," we will make one remark. This, I suppose, or something like this, to have been the nature of it. All parties found themselves deceived in him; each party understood him to be meaning this, heard him even say so, and behold he turns out to have been meaning that! He was, cry they, the chief of liars. But now, intrinsically, is not all this the inevitable fortune, not of a false man in such times, but simply of a superior man? Such a man must have reticences in him. If he walk wearing his heart upon his sleeve for daws to peck at, his journey will not extend far! There is no use for any man's taking up his abode in a house built of glass. A man always is to be himself the judge how much of his mind he will show to other men; even to those he would have work along with him. There are impertinent inquiries made: your rule is, to leave the inquirer uninformed on that matter; not, if you can help it, misinformed, but precisely as dark as he was! This, could one hit the right phrase of response, is what the wise and faithful man would aim to answer in such a case.
But regarding Cromwell's "lying," we’ll make one comment. This, I think, or something like it, sums it up. All parties felt deceived by him; each side believed he meant this, even heard him say so, and then it turned out he meant that! They cried out that he was the biggest liar. But, isn’t this really the unavoidable fate, not of a deceitful man in such times, but simply of a superior man? Such a person must have reticences within. If he walks around showing all his emotions for everyone to pick at, he won’t get very far! There’s no point in anyone living in a house made of glass. A person should always judge for themselves how much of their thoughts they will share with others, even those they want to work with. There are intrusive questions asked: your rule should be to leave the asker in the dark about that matter; not, if you can avoid it, misleading, but exactly as uninformed as they were! This, if one could find the right way to respond, is what a wise and trustworthy person would aim to convey in such a situation.
Cromwell, no doubt of it, spoke often in the dialect of small subaltern parties; uttered to them a part of his mind. Each little party thought him all its own. Hence their rage, one and all, to find him not of their party, but of his own party. Was it his blame? At all seasons of his history he must have felt, among such people, how, if he explained to them the deeper insight he had, they must either have shuddered aghast at it, or believing it, their own little compact hypothesis must have gone wholly to wreck. They could not have worked in his province any more; nay perhaps they could not now have worked in their own province. It is the inevitable position of a great man among small men. Small men, most active, useful, are to be seen everywhere, whose whole activity depends on some conviction which to you is palpably a limited one; imperfect, what we call an error. But would it be a kindness always, is it a duty always or often, to disturb them in that? Many a man, doing loud work in the world, stands only on some thin traditionality, conventionality; to him indubitable, to you incredible: break that beneath him, he sinks to endless depths! "I might have my hand full of truth," said Fontenelle, "and open only my little finger."
Cromwell definitely spoke often in the language of small, lesser parties; he shared some of his thoughts with them. Each little group believed he was entirely on their side. That’s why they were all so furious to find out he wasn’t part of their group but had his own agenda. Was it his fault? Throughout his life, he must have realized, among these people, that if he showed them the deeper understanding he had, they would either be horrified by it or, if they accepted it, their own limited beliefs would completely fall apart. They wouldn’t have been able to operate in his realm anymore; in fact, they might not even be able to function in their own small sphere as they used to. This is the inevitable situation of a great man among lesser men. There are always small men, quite active and useful, who are everywhere, and their whole effort depends on a belief that, to you, is clearly limited; flawed, what we call an **error**. But is it always kind or even a duty to disrupt that for them? Many people, doing noisy work in the world, are standing on some fragile tradition or convention; to them, it's undeniable, to you, unbelievable: if you shatter that foundation, they’ll plunge into a bottomless pit! "I might have my hand full of truth," said Fontenelle, "and open only my little finger."
And if this be the fact even in matters of doctrine, how much more in all departments of practice! He that cannot withal keep his mind to himself cannot practice any considerable thing whatever. And we call it "dissimulation," all this? What would you think of calling the general of an army a dissembler because he did not tell every corporal and private soldier, who pleased to put the question, what his thoughts were about everything?—Cromwell, I should rather say, managed all this in a manner we must admire for its perfection. An endless vortex of such questioning "corporals" rolled confusedly round him through his whole course; whom he did answer. It must have been as a great true-seeing man that he managed this too. Not one proved falsehood, as I said; not one! Of what man that ever wound himself through such a coil of things will you say so much?—
And if this is true even in matters of belief, how much more so in all areas of action! A person who can't keep their thoughts to themselves can't accomplish anything significant at all. And we call this "dissimulation," right? What would you think if we labeled a general a dissembler just because he didn't share his thoughts with every corporal and private soldier who asked? Cromwell, I would say, handled all of this in a way that we must admire for its skill. An endless stream of questioning "corporals" swirled around him throughout his entire journey, and he did respond to them. It must have been as a very insightful person that he managed this as well. Not a single instance of dishonesty, as I mentioned; not one! Who can you name that has navigated such a web of issues and can say the same?
But in fact there are two errors, widely prevalent, which pervert to the very basis our judgments formed about such men as Cromwell; about their "ambition," "falsity," and such like. The first is what I might call substituting the goal of their career for the course and starting-point of it. The vulgar Historian of a Cromwell fancies that he had determined on being Protector of England, at the time when he was ploughing the marsh lands of Cambridgeshire. His career lay all mapped out: a program of the whole drama; which he then step by step dramatically unfolded, with all manner of cunning, deceptive dramaturgy, as he went on,—the hollow, scheming [Gr.] Upokrites, or Play-actor, that he was! This is a radical perversion; all but universal in such cases. And think for an instant how different the fact is! How much does one of us foresee of his own life? Short way ahead of us it is all dim; an unwound skein of possibilities, of apprehensions, attemptabilities, vague-looming hopes. This Cromwell had not his life lying all in that fashion of Program, which he needed then, with that unfathomable cunning of his, only to enact dramatically, scene after scene! Not so. We see it so; but to him it was in no measure so. What absurdities would fall away of themselves, were this one undeniable fact kept honestly in view by History! Historians indeed will tell you that they do keep it in view;—but look whether such is practically the fact! Vulgar History, as in this Cromwell's case, omits it altogether; even the best kinds of History only remember it now and then. To remember it duly with rigorous perfection, as in the fact it stood, requires indeed a rare faculty; rare, nay impossible. A very Shakspeare for faculty; or more than Shakspeare; who could enact a brother man's biography, see with the brother man's eyes at all points of his course what things he saw; in short, know his course and him, as few "Historians" are like to do. Half or more of all the thick-plied perversions which distort our image of Cromwell, will disappear, if we honestly so much as try to represent them so; in sequence, as they were; not in the lump, as they are thrown down before us.
But in reality, there are two common misconceptions that distort our understanding of figures like Cromwell regarding their "ambition," "deceit," and similar traits. The first mistake is what I would call confusing the goal of their careers with the initial circumstances that shaped them. The typical historian of Cromwell assumes he had already decided to be the Protector of England while he was working the marshlands of Cambridgeshire. They imagine his career as a pre-planned blueprint, a script for a whole drama, which he then dramatically enacted step by step, using cunning and deceptive theatrics as he progressed— the hollow, scheming [Gr.] Upokrites, or actor, that he was! This is a fundamental misunderstanding, almost universal in such cases. Consider how different the truth actually is! How much of our own lives can we predict? The near future is all unclear, a tangled web of possibilities, fears, tentative attempts, and vague hopes. Cromwell did not have his life laid out like a Program for him to simply act out, scene by scene! We view it like that, but for him, it was nothing like that. What absurdities would disappear on their own if this undeniable fact were honestly acknowledged by history! Historians claim they keep it in mind, but we must examine whether that’s actually true! Common history, as in Cromwell’s case, entirely neglects it; even the best histories only remember it occasionally. Remembering it thoroughly and accurately, as it actually was, requires a rare talent—so rare it may be impossible. You would need a very Shakspearean ability; or even more than Shakspeare, to enact another person’s biography, to see with that person’s eyes everything they experienced along the way; in short, to understand their journey and themselves as few "historians" are able to do. Many of the misconceptions that cloud our view of Cromwell would vanish if we genuinely attempted to view his experiences in the order they occurred, rather than lumping them together as they are presented to us.
But a second error, which I think the generality commit, refers to this same "ambition" itself. We exaggerate the ambition of Great Men; we mistake what the nature of it is. Great Men are not ambitious in that sense; he is a small poor man that is ambitious so. Examine the man who lives in misery because he does not shine above other men; who goes about producing himself, pruriently anxious about his gifts and claims; struggling to force everybody, as it were begging everybody for God's sake, to acknowledge him a great man, and set him over the heads of men! Such a creature is among the wretchedest sights seen under this sun. A great man? A poor morbid prurient empty man; fitter for the ward of a hospital, than for a throne among men. I advise you to keep out of his way. He cannot walk on quiet paths; unless you will look at him, wonder at him, write paragraphs about him, he cannot live. It is the emptiness of the man, not his greatness. Because there is nothing in himself, he hungers and thirsts that you would find something in him. In good truth, I believe no great man, not so much as a genuine man who had health and real substance in him of whatever magnitude, was ever much tormented in this way.
But a second mistake that I think most people make relates to the same "ambition" itself. We tend to exaggerate the ambition of Great People; we misunderstand what it truly is. Great People are not ambitious in that way; it’s a small, poor person who is ambitious like that. Look at the person who suffers because he doesn't stand out from others; who walks around showcasing himself, desperately anxious about his talents and achievements; struggling to force everyone—almost begging everyone, for goodness' sake—to recognize him as a great person and elevate him above others! Such a person is one of the saddest sights under this sun. A great person? A miserable, obsessive, empty person; better suited for a hospital ward than a throne among people. I suggest you avoid him. He cannot walk calmly unless you look at him, marvel at him, write about him; he cannot survive without that attention. It’s the emptiness of the person, not his greatness. Because there’s nothing substantial about him, he craves and yearns for you to find something in him. Honestly, I believe no great person, not even a truly genuine person with health and real substance, has ever been tormented in this way.
Your Cromwell, what good could it do him to be "noticed" by noisy crowds of people? God his Maker already noticed him. He, Cromwell, was already there; no notice would make him other than he already was. Till his hair was grown gray; and Life from the down-hill slope was all seen to be limited, not infinite but finite, and all a measurable matter how it went,—he had been content to plough the ground, and read his Bible. He in his old days could not support it any longer, without selling himself to Falsehood, that he might ride in gilt carriages to Whitehall, and have clerks with bundles of papers haunting him, "Decide this, decide that," which in utmost sorrow of heart no man can perfectly decide! What could gilt carriages do for this man? From of old, was there not in his life a weight of meaning, a terror and a splendor as of Heaven itself? His existence there as man set him beyond the need of gilding. Death, Judgment and Eternity: these already lay as the background of whatsoever he thought or did. All his life lay begirt as in a sea of nameless Thoughts, which no speech of a mortal could name. God's Word, as the Puritan prophets of that time had read it: this was great, and all else was little to him. To call such a man "ambitious," to figure him as the prurient wind-bag described above, seems to me the poorest solecism. Such a man will say: "Keep your gilt carriages and huzzaing mobs, keep your red-tape clerks, your influentialities, your important businesses. Leave me alone, leave me alone; there is too much of life in me already!" Old Samuel Johnson, the greatest soul in England in his day, was not ambitious. "Corsica Boswell" flaunted at public shows with printed ribbons round his hat; but the great old Samuel stayed at home. The world-wide soul wrapt up in its thoughts, in its sorrows;—what could paradings, and ribbons in the hat, do for it?
Your Cromwell, what good would it do him to be "noticed" by loud crowds of people? God, his Creator, already saw him. Cromwell was already there; no attention would change who he was. As he aged and his hair turned gray, he realized that life was limited, not infinite but finite, and everything was a measurable matter of how it went. Until then, he was content to till the land and read his Bible. In his later years, he couldn't bear it any longer without selling himself to falsehood just to ride in fancy carriages to Whitehall, and have clerks buzzing around him with "Decide this, decide that," which no man can perfectly decide without deep sorrow in his heart! What could fancy carriages do for this man? Throughout his life, didn’t he already carry a profound meaning, a mix of terror and splendor like Heaven itself? His existence as a man erased the need for embellishment. Death, Judgment, and Eternity: these were the backdrop of everything he thought or did. His life was surrounded by a sea of nameless thoughts that no mortal words could describe. God's Word, as the Puritan prophets of that time understood it: this was significant, and everything else was trivial to him. To label such a man as "ambitious," to portray him like the insufferable windbag mentioned earlier, seems to me to be the most ridiculous mistake. Such a man would say: "Keep your fancy carriages and cheering mobs, keep your bureaucratic clerks, your connections, your important matters. Leave me alone, leave me alone; there is too much of life in me already!" Old Samuel Johnson, the greatest spirit in England of his time, was not ambitious. "Corsica Boswell" paraded at public events with ribbons on his hat, but the great Samuel stayed at home. What could parades and ribbons on a hat do for a profound soul wrapped up in its thoughts and sorrows?
Ah yes, I will say again: The great silent men! Looking round on the noisy inanity of the world, words with little meaning, actions with little worth, one loves to reflect on the great Empire of Silence. The noble silent men, scattered here and there, each in his department; silently thinking, silently working; whom no Morning Newspaper makes mention of! They are the salt of the Earth. A country that has none or few of these is in a bad way. Like a forest which had no roots; which had all turned into leaves and boughs;—which must soon wither and be no forest. Woe for us if we had nothing but what we can show, or speak. Silence, the great Empire of Silence: higher than the stars; deeper than the Kingdoms of Death! It alone is great; all else is small.—I hope we English will long maintain our grand talent pour le silence. Let others that cannot do without standing on barrel-heads, to spout, and be seen of all the market-place, cultivate speech exclusively,—become a most green forest without roots! Solomon says, There is a time to speak; but also a time to keep silence. Of some great silent Samuel, not urged to writing, as old Samuel Johnson says he was, by want of money, and nothing other, one might ask, "Why do not you too get up and speak; promulgate your system, found your sect?" "Truly," he will answer, "I am continent of my thought hitherto; happily I have yet had the ability to keep it in me, no compulsion strong enough to speak it. My 'system' is not for promulgation first of all; it is for serving myself to live by. That is the great purpose of it to me. And then the 'honor'? Alas, yes;—but as Cato said of the statue: So many statues in that Forum of yours, may it not be better if they ask, Where is Cato's statue?"—
Ah yes, let me say it again: The great silent men! Looking around at the noisy meaningless chatter of the world, filled with words that mean little and actions that matter even less, one loves to think about the great Empire of Silence. The noble silent men, spread out here and there, each in their own field; silently reflecting, silently working; who aren’t mentioned in any Morning Newspaper! They are the salt of the Earth. A country that has few or none of these is in trouble. Like a forest without roots; where everything has turned into leaves and branches;—which will soon wither and cease to exist. Woe to us if we only have what we can show or talk about. Silence, the vast Empire of Silence: higher than the stars; deeper than the Kingdoms of Death! It alone is great; everything else is small.—I hope we English will long keep our grand talent pour le silence. Let others who can’t stand not being on soapboxes, shouting to be seen in the marketplace, focus solely on talking,—become a lush forest without roots! Solomon says, There is a time to speak; but also a time to keep silence. Of some great silent Samuel, not pushed to write, as old Samuel Johnson said he was, by want of money, or anything else, one might ask, "Why don’t you get up and speak; promote your ideas, start your own group?" "Honestly," he would reply, "I am continent of my thoughts so far; luckily, I have managed to keep them inside me, with no strong pressure to voice them. My 'system' isn’t meant to be broadcast first; it’s for my own living. That is the primary purpose of it for me. And what about 'honor'? Alas, yes;—but as Cato said about the statue: With so many statues in that Forum of yours, wouldn’t it be better if they asked, Where is Cato's statue?"—
But now, by way of counterpoise to this of Silence, let me say that there are two kinds of ambition; one wholly blamable, the other laudable and inevitable. Nature has provided that the great silent Samuel shall not be silent too long. The selfish wish to shine over others, let it be accounted altogether poor and miserable. "Seekest thou great things, seek them not:" this is most true. And yet, I say, there is an irrepressible tendency in every man to develop himself according to the magnitude which Nature has made him of; to speak out, to act out, what nature has laid in him. This is proper, fit, inevitable; nay it is a duty, and even the summary of duties for a man. The meaning of life here on earth might be defined as consisting in this: To unfold your self, to work what thing you have the faculty for. It is a necessity for the human being, the first law of our existence. Coleridge beautifully remarks that the infant learns to speak by this necessity it feels.—We will say therefore: To decide about ambition, whether it is bad or not, you have two things to take into view. Not the coveting of the place alone, but the fitness of the man for the place withal: that is the question. Perhaps the place was his; perhaps he had a natural right, and even obligation, to seek the place! Mirabeau's ambition to be Prime Minister, how shall we blame it, if he were "the only man in France that could have done any good there"? Hopefuler perhaps had he not so clearly felt how much good he could do! But a poor Necker, who could do no good, and had even felt that he could do none, yet sitting broken-hearted because they had flung him out, and he was now quit of it, well might Gibbon mourn over him.—Nature, I say, has provided amply that the silent great man shall strive to speak withal; too amply, rather!
But now, to balance this discussion of Silence, let me point out that there are two types of ambition; one is completely blameworthy, while the other is commendable and unavoidable. Nature has ensured that the great silent Samuel won’t stay silent for too long. The selfish desire to outshine others should be seen as entirely low and miserable. "Are you seeking great things? Don’t." This is absolutely true. Yet, I argue that there is an unstoppable urge in every person to realize their potential according to the greatness that Nature has given them; to express and act on what is inherent within them. This is right, fitting, and inevitable; in fact, it is a duty, and even the essence of our duties as individuals. The purpose of life here on Earth could be defined as the process of revealing your self, to engage in whatever you have the capacity for. It’s essential for humans, the fundamental law of our existence. Coleridge beautifully notes that infants learn to speak out of this inherent necessity they feel. Therefore, when judging ambition, whether it's good or bad, you need to consider two things. Not just the desire for the position itself but also whether the person is fit for that position: that’s the key question. Perhaps the position was his; perhaps he had a natural right, even an obligation, to pursue that role! How can we criticize Mirabeau’s ambition to be Prime Minister if he was "the only man in France who could do any good there"? It might have been better for him if he hadn’t been so acutely aware of how much good he could accomplish! But poor Necker, who could do no good and even felt he could do none, sitting heartbroken because they had thrown him out, might evoke Gibbon’s sympathy as he resigned himself to the situation. Nature, I say, has ensured that the great silent man will strive to speak out; perhaps even too much!
Fancy, for example, you had revealed to the brave old Samuel Johnson, in his shrouded-up existence, that it was possible for him to do priceless divine work for his country and the whole world. That the perfect Heavenly Law might be made Law on this Earth; that the prayer he prayed daily, "Thy kingdom come," was at length to be fulfilled! If you had convinced his judgment of this; that it was possible, practicable; that he the mournful silent Samuel was called to take a part in it! Would not the whole soul of the man have flamed up into a divine clearness, into noble utterance and determination to act; casting all sorrows and misgivings under his feet, counting all affliction and contradiction small,—the whole dark element of his existence blazing into articulate radiance of light and lightning? It were a true ambition this! And think now how it actually was with Cromwell. From of old, the sufferings of God's Church, true zealous Preachers of the truth flung into dungeons, whips, set on pillories, their ears crops off, God's Gospel-cause trodden under foot of the unworthy: all this had lain heavy on his soul. Long years he had looked upon it, in silence, in prayer; seeing no remedy on Earth; trusting well that a remedy in Heaven's goodness would come,—that such a course was false, unjust, and could not last forever. And now behold the dawn of it; after twelve years silent waiting, all England stirs itself; there is to be once more a Parliament, the Right will get a voice for itself: inexpressible well-grounded hope has come again into the Earth. Was not such a Parliament worth being a member of? Cromwell threw down his ploughs, and hastened thither.
Imagine if you had told the brave old Samuel Johnson, in his cloistered life, that he could make invaluable contributions to his country and the entire world. That the perfect Heavenly Law could be established on Earth; that the prayer he recited daily, "Thy kingdom come," would finally be answered! If you had convinced him of this truth; that it was not only possible but also something he, the silent and sorrowful Samuel, was meant to be part of! Wouldn't his entire being have ignited with divine clarity, noble speech, and determination to act; casting aside all his sorrows and doubts, viewing all hardships and opposition as insignificant—transforming the darkness of his existence into a brilliant light? That would have been a true ambition! Now consider how it was with Cromwell. For a long time, he had witnessed the sufferings of God's Church, with true, passionate preachers of the Gospel thrown into dungeons, whipped, placed in pillories, their ears cropped, and God's cause trampled by the unworthy: all of this weighed heavily on his heart. For years, he had observed it in silence, in prayer; seeing no solution on Earth; firmly believing that a remedy would emerge from Heaven's goodness—that such injustice was temporary and could not persist forever. And now, behold the dawn of change; after twelve years of silent waiting, all of England stirs; a Parliament is to convene once more, and justice will finally have a voice: an indescribable, well-founded hope has returned to the land. Wasn't being part of such a Parliament worth it? Cromwell set aside his plow and hurried there.
He spoke there,—rugged bursts of earnestness, of a self-seen truth, where we get a glimpse of them. He worked there; he fought and strove, like a strong true giant of a man, through cannon-tumult and all else,—on and on, till the Cause triumphed, its once so formidable enemies all swept from before it, and the dawn of hope had become clear light of victory and certainty. That he stood there as the strongest soul of England, the undisputed Hero of all England,—what of this? It was possible that the Law of Christ's Gospel could now establish itself in the world! The Theocracy which John Knox in his pulpit might dream of as a "devout imagination," this practical man, experienced in the whole chaos of most rough practice, dared to consider as capable of being realized. Those that were highest in Christ's Church, the devoutest wisest men, were to rule the land: in some considerable degree, it might be so and should be so. Was it not true, God's truth? And if true, was it not then the very thing to do? The strongest practical intellect in England dared to answer, Yes! This I call a noble true purpose; is it not, in its own dialect, the noblest that could enter into the heart of Statesman or man? For a Knox to take it up was something; but for a Cromwell, with his great sound sense and experience of what our world was,—History, I think, shows it only this once in such a degree. I account it the culminating point of Protestantism; the most heroic phasis that "Faith in the Bible" was appointed to exhibit here below. Fancy it: that it were made manifest to one of us, how we could make the Right supremely victorious over Wrong, and all that we had longed and prayed for, as the highest good to England and all lands, an attainable fact!
He spoke there—intense bursts of sincerity, of a truth he saw in himself, where we catch a glimpse of them. He worked there; he fought and struggled like a strong, genuine giant of a man, through cannon fire and everything else—on and on, until the Cause triumphed, its once-formidable enemies wiped out, and the dawn of hope had turned into the bright light of victory and certainty. That he stood there as the strongest spirit of England, the undisputed Hero of all England—what does it matter? It was possible that the Law of Christ's Gospel could now take root in the world! The Theocracy that John Knox might dream of as a "devout imagination" in his pulpit, this practical man, experienced in the chaos of harsh reality, dared to believe could be realized. Those at the highest levels of Christ's Church, the most devout and wise men, were meant to govern the land: to some extent, it could and should be so. Was it not true, God's truth? And if true, was it not then the right thing to do? The strongest practical intellect in England had the courage to say yes! I consider this a noble and true aim; isn’t it, in its own way, the noblest ambition that could enter the mind of a statesman or any man? For a Knox to take it up was significant; but for a Cromwell, with his great common sense and understanding of how our world was—History, I think, shows this only once to such a degree. I see it as the peak of Protestantism; the most heroic phase that “Faith in the Bible” was meant to showcase here below. Imagine if it were revealed to one of us, how we could make Right utterly victorious over Wrong, and all that we had hoped and prayed for, as the highest good for England and all nations, an achievable reality!
Well, I must say, the vulpine intellect, with its knowingness, its alertness and expertness in "detecting hypocrites," seems to me a rather sorry business. We have had but one such Statesman in England; one man, that I can get sight of, who ever had in the heart of him any such purpose at all. One man, in the course of fifteen hundred years; and this was his welcome. He had adherents by the hundred or the ten; opponents by the million. Had England rallied all round him,—why, then, England might have been a Christian land! As it is, vulpine knowingness sits yet at its hopeless problem, "Given a world of Knaves, to educe an Honesty from their united action;"—how cumbrous a problem, you may see in Chancery Law-Courts, and some other places! Till at length, by Heaven's just anger, but also by Heaven's great grace, the matter begins to stagnate; and this problem is becoming to all men a palpably hopeless one.—
Well, I have to say, the cunning intellect, with its shrewdness, alertness, and skill in "spotting hypocrites," strikes me as a pretty sad situation. We've only had one such leader in England; just one person, as far as I can see, who ever had any real intention of achieving that at all. One person, in the span of fifteen hundred years; and this was his reception. He had supporters by the hundreds or tens; opponents by the millions. If England had rallied around him—then England might have become a Christian land! As it stands, cunning awareness still grapples with its frustrating problem: "Given a world full of deceit, how to bring about honesty from their combined actions;"—it's quite a cumbersome issue, as you can see in law courts and some other places! Eventually, due to Heaven's justified anger, but also by Heaven's great kindness, things start to stagnate; and this problem is becoming a clearly hopeless one for everyone.
But with regard to Cromwell and his purposes: Hume, and a multitude following him, come upon me here with an admission that Cromwell was sincere at first; a sincere "Fanatic" at first, but gradually became a "Hypocrite" as things opened round him. This of the Fanatic-Hypocrite is Hume's theory of it; extensively applied since,—to Mahomet and many others. Think of it seriously, you will find something in it; not much, not all, very far from all. Sincere hero hearts do not sink in this miserable manner. The Sun flings forth impurities, gets balefully incrusted with spots; but it does not quench itself, and become no Sun at all, but a mass of Darkness! I will venture to say that such never befell a great deep Cromwell; I think, never. Nature's own lionhearted Son; Antaeus-like, his strength is got by touching the Earth, his Mother; lift him up from the Earth, lift him up into Hypocrisy, Inanity, his strength is gone. We will not assert that Cromwell was an immaculate man; that he fell into no faults, no insincerities among the rest. He was no dilettante professor of "perfections," "immaculate conducts." He was a rugged Orson, rending his rough way through actual true work,—doubtless with many a fall therein. Insincerities, faults, very many faults daily and hourly: it was too well known to him; known to God and him! The Sun was dimmed many a time; but the Sun had not himself grown a Dimness. Cromwell's last words, as he lay waiting for death, are those of a Christian heroic man. Broken prayers to God, that He would judge him and this Cause, He since man could not, in justice yet in pity. They are most touching words. He breathed out his wild great soul, its toils and sins all ended now, into the presence of his Maker, in this manner.
But regarding Cromwell and his intentions: Hume, along with many who came after him, acknowledges here that Cromwell was initially sincere; a sincere "Fanatic" at first, but gradually turned into a "Hypocrite" as his situation evolved. This idea of the Fanatic-Hypocrite is Hume's theory; it has been widely applied since then—to Muhammad and many others. Think about it seriously, and you'll find something in it; not a lot, not everything, but certainly not all. Truly sincere hearts don't fall apart in such a miserable way. The Sun releases impurities and gets covered with spots, but it doesn't extinguish itself and become a total Darkness! I dare say that this never happened to the great and deep Cromwell; I believe, never. He was Nature's own lionhearted Son; like Antaeus, his strength came from touching the Earth, his Mother; lifting him away from the Earth, lifting him into Hypocrisy and Inanity, took his strength away. We won't claim that Cromwell was a flawless man; that he didn't make mistakes or have his own insincerities among other issues. He wasn't an amateur professor of "perfections" or "immaculate behavior." He was a rugged figure, carving his way through real work,—surely with many a stumble along the way. Insincerities, mistakes, many, many faults daily and hourly: he was all too aware of them; known to God and himself! The Sun was dimmed many times; but it didn't mean the Sun itself had become a Dimness. Cromwell’s last words, as he lay waiting for death, were those of a courageous Christian man. Broken prayers to God, asking Him to judge him and this Cause, since no man could, both justly and out of pity. They are deeply moving words. He surrendered his wild, great soul, with its struggles and sins all ended now, into the presence of his Maker in this way.
I, for one, will not call the man a Hypocrite! Hypocrite, mummer, the life of him a mere theatricality; empty barren quack, hungry for the shouts of mobs? The man had made obscurity do very well for him till his head was gray; and now he was, there as he stood recognized unblamed, the virtual King of England. Cannot a man do without King's Coaches and Cloaks? Is it such a blessedness to have clerks forever pestering you with bundles of papers in red tape? A simple Diocletian prefers planting of cabbages; a George Washington, no very immeasurable man, does the like. One would say, it is what any genuine man could do; and would do. The instant his real work were out in the matter of Kingship,—away with it!
I, for one, won't call the guy a hypocrite! A hypocrite, a phony, his whole life just a performance; an empty, barren fraud, craving the cheers of crowds? The man managed to thrive in obscurity until his hair turned gray; and now he was, there as he stood recognized and unblamed, the de facto King of England. Can’t a person get by without royal coaches and fancy robes? Is it such a blessing to have clerks constantly bugging you with stacks of paperwork? A simple leader like Diocletian prefers growing cabbages; a not-so-remarkable George Washington does the same. One might say, it’s something any real person could do; and would do. The moment his actual work was done regarding kingship,—forget about it!
Let us remark, meanwhile, how indispensable everywhere a King is, in all movements of men. It is strikingly shown, in this very War, what becomes of men when they cannot find a Chief Man, and their enemies can. The Scotch Nation was all but unanimous in Puritanism; zealous and of one mind about it, as in this English end of the Island was always far from being the case. But there was no great Cromwell among them; poor tremulous, hesitating, diplomatic Argyles and such like: none of them had a heart true enough for the truth, or durst commit himself to the truth. They had no leader; and the scattered Cavalier party in that country had one: Montrose, the noblest of all the Cavaliers; an accomplished, gallant-hearted, splendid man; what one may call the Hero-Cavalier. Well, look at it; on the one hand subjects without a King; on the other a King without subjects! The subjects without King can do nothing; the subjectless King can do something. This Montrose, with a handful of Irish or Highland savages, few of them so much as guns in their hands, dashes at the drilled Puritan armies like a wild whirlwind; sweeps them, time after time, some five times over, from the field before him. He was at one period, for a short while, master of all Scotland. One man; but he was a man; a million zealous men, but without the one; they against him were powerless! Perhaps of all the persons in that Puritan struggle, from first to last, the single indispensable one was verily Cromwell. To see and dare, and decide; to be a fixed pillar in the welter of uncertainty;—a King among them, whether they called him so or not.
Let's point out how essential a King is in all human movements. This is clearly illustrated in this very War, where we can see what happens to people when they can't find a Leader, while their enemies can. The Scottish Nation was nearly united in Puritanism; they were passionate and in agreement about it, unlike on the English side of the Island. But they had no great Cromwell among them; just poor, uncertain, diplomatic Argyles and others like him: none of them had a heart strong enough for the truth or dared to commit to it. They lacked a leader, while the scattered Cavalier faction in that region had one: Montrose, the noblest of all the Cavaliers; a skilled, brave, and impressive man; what we might call the Hero-Cavalier. Look at this situation: on one hand, subjects without a King; on the other, a King without subjects! The subjects without a King can accomplish nothing; the King without subjects can achieve something. This Montrose, with a handful of Irish or Highland warriors, many of whom barely had guns, charges at the disciplined Puritan armies like a wild storm; he defeats them, time after time, about five times over, on the battlefield. For a short time, he was the master of all Scotland. One man; but he was a man; millions were zealous, but without the one; their forces against him were powerless! Perhaps of all the people in that Puritan struggle, from start to finish, the truly indispensable one was indeed Cromwell. To see, to dare, and to decide; to be a solid pillar in the chaos of uncertainty;—a King among them, whether they called him that or not.
Precisely here, however, lies the rub for Cromwell. His other proceedings have all found advocates, and stand generally justified; but this dismissal of the Rump Parliament and assumption of the Protectorship, is what no one can pardon him. He had fairly grown to be King in England; Chief Man of the victorious party in England: but it seems he could not do without the King's Cloak, and sold himself to perdition in order to get it. Let us see a little how this was.
Precisely here, however, lies the problem for Cromwell. His other actions have all found supporters and are generally accepted; but this dismissal of the Rump Parliament and his takeover as Protector is something no one can forgive him for. He had essentially become the King of England; the leading figure of the victorious side in England: but it seems he couldn’t do without the King’s title, and sold his soul to obtain it. Let’s take a closer look at how this happened.
England, Scotland, Ireland, all lying now subdued at the feet of the Puritan Parliament, the practical question arose, What was to be done with it? How will you govern these Nations, which Providence in a wondrous way has given up to your disposal? Clearly those hundred surviving members of the Long Parliament, who sit there as supreme authority, cannot continue forever to sit. What is to be done?—It was a question which theoretical constitution-builders may find easy to answer; but to Cromwell, looking there into the real practical facts of it, there could be none more complicated. He asked of the Parliament, What it was they would decide upon? It was for the Parliament to say. Yet the Soldiers too, however contrary to Formula, they who had purchased this victory with their blood, it seemed to them that they also should have something to say in it! We will not "for all our fighting have nothing but a little piece of paper." We understand that the Law of God's Gospel, to which He through us has given the victory, shall establish itself, or try to establish itself, in this land!
England, Scotland, and Ireland now all subdued at the feet of the Puritan Parliament, the practical question arose: What should be done with them? How will you govern these nations that Providence has mysteriously handed over to you? Clearly, those hundred surviving members of the Long Parliament, who sit there as the top authority, cannot continue to do so indefinitely. What is to be done?—It was a question that theoretical constitution-builders might find easy to answer; but for Cromwell, examining the real practicalities of the situation, there could be nothing more complicated. He asked the Parliament what they planned to decide. It was for the Parliament to determine. Yet the soldiers too, despite contradicting the rules, believed that they, who had secured this victory with their blood, should also have a say in it! We will not "fight for everything and end up with nothing but a little piece of paper." We believe that the Law of God's Gospel, through which He has granted us victory, shall establish itself, or at least attempt to establish itself, in this land!
For three years, Cromwell says, this question had been sounded in the ears of the Parliament. They could make no answer; nothing but talk, talk. Perhaps it lies in the nature of parliamentary bodies; perhaps no Parliament could in such case make any answer but even that of talk, talk! Nevertheless the question must and shall be answered. You sixty men there, becoming fast odious, even despicable, to the whole nation, whom the nation already calls Rump Parliament, you cannot continue to sit there: who or what then is to follow? "Free Parliament," right of Election, Constitutional Formulas of one sort or the other,—the thing is a hungry Fact coming on us, which we must answer or be devoured by it! And who are you that prate of Constitutional Formulas, rights of Parliament? You have had to kill your King, to make Pride's Purges, to expel and banish by the law of the stronger whosoever would not let your Cause prosper: there are but fifty or threescore of you left there, debating in these days. Tell us what we shall do; not in the way of Formula, but of practicable Fact!
For three years, Cromwell says, this question has been ringing in the ears of Parliament. They have no answer; just endless talk. Maybe it’s the nature of parliamentary bodies; perhaps no Parliament can do anything but talk in situations like this! Still, the question must and will be answered. You sixty men there, becoming increasingly hated, even despised, by the entire nation, whom the nation already refers to as the Rump Parliament, you can't keep sitting there: so who or what will follow? "Free Parliament," the right to vote, various Constitutional Formulas—this is a pressing issue facing us that we must address or be consumed by it! And who are you to go on about Constitutional Formulas and parliamentary rights? You’ve had to execute your King, carry out Pride's Purges, and expel anyone who wouldn’t let your Cause thrive by the law of the stronger: there are only fifty or sixty of you left debating now. Tell us what to do; not in terms of Formula, but in terms of practical action!
How they did finally answer, remains obscure to this day. The diligent Godwin himself admits that he cannot make it out. The likeliest is, that this poor Parliament still would not, and indeed could not dissolve and disperse; that when it came to the point of actually dispersing, they again, for the tenth or twentieth time, adjourned it,—and Cromwell's patience failed him. But we will take the favorablest hypothesis ever started for the Parliament; the favorablest, though I believe it is not the true one, but too favorable.
How they finally responded remains unclear to this day. The hardworking Godwin himself admits that he can't figure it out. The most likely scenario is that this troubled Parliament still wouldn't, and actually couldn't, dissolve and break up; that when it came down to the moment of actually dispersing, they again, for the tenth or twentieth time, postponed it,—and Cromwell's patience ran out. But let's consider the most favorable theory ever proposed for the Parliament; the most favorable one, even though I believe it's not the true explanation, but still too kind.
According to this version: At the uttermost crisis, when Cromwell and his Officers were met on the one hand, and the fifty or sixty Rump Members on the other, it was suddenly told Cromwell that the Rump in its despair was answering in a very singular way; that in their splenetic envious despair, to keep out the Army at least, these men were hurrying through the House a kind of Reform Bill,—Parliament to be chosen by the whole of England; equable electoral division into districts; free suffrage, and the rest of it! A very questionable, or indeed for them an unquestionable thing. Reform Bill, free suffrage of Englishmen? Why, the Royalists themselves, silenced indeed but not exterminated, perhaps outnumber us; the great numerical majority of England was always indifferent to our Cause, merely looked at it and submitted to it. It is in weight and force, not by counting of heads, that we are the majority! And now with your Formulas and Reform Bills, the whole matter, sorely won by our swords, shall again launch itself to sea; become a mere hope, and likelihood, small even as a likelihood? And it is not a likelihood; it is a certainty, which we have won, by God's strength and our own right hands, and do now hold here. Cromwell walked down to these refractory Members; interrupted them in that rapid speed of their Reform Bill;—ordered them to begone, and talk there no more.—Can we not forgive him? Can we not understand him? John Milton, who looked on it all near at hand, could applaud him. The Reality had swept the Formulas away before it. I fancy, most men who were realities in England might see into the necessity of that.
According to this version: At the peak of the crisis, with Cromwell and his officers on one side and the fifty or sixty Rump members on the other, Cromwell was suddenly informed that the Rump, in its desperate state, was responding in a very unusual way; in their bitter, envious despair, to keep the Army at bay, these men were rushing through the House a sort of Reform Bill—calling for Parliament to be elected by all of England; equal electoral divisions into districts; universal suffrage, and all the rest! A highly questionable proposition, or indeed, an indisputable one for them. A Reform Bill, universal suffrage for Englishmen? The Royalists themselves, silenced but not eliminated, might outnumber us; the vast majority of England has always been indifferent to our cause, merely observing it and accepting it. We are the majority in terms of weight and impact, not just by counting heads! And now, with your formulas and Reform Bills, everything we have fought hard with our swords for could be tossed back into uncertainty; reduced to just a hope, a mere likelihood, even as a small chance? And it's not just a chance; it’s a certainty we’ve achieved, by God’s strength and our own hands, and we now hold it right here. Cromwell walked over to these defiant members; interrupted their rapid progress on the Reform Bill, and ordered them to leave and stop discussing it. Can we not forgive him? Can we not understand him? John Milton, who witnessed it all up close, could commend him. Reality had overshadowed the formulas. I believe most people who were substantial figures in England could recognize the necessity of that.
The strong daring man, therefore, has set all manner of Formulas and logical superficialities against him; has dared appeal to the genuine Fact of this England, Whether it will support him or not? It is curious to see how he struggles to govern in some constitutional way; find some Parliament to support him; but cannot. His first Parliament, the one they call Barebones's Parliament, is, so to speak, a Convocation of the Notables. From all quarters of England the leading Ministers and chief Puritan Officials nominate the men most distinguished by religious reputation, influence and attachment to the true Cause: these are assembled to shape out a plan. They sanctioned what was past; shaped as they could what was to come. They were scornfully called Barebones's Parliament: the man's name, it seems, was not Barebones, but Barbone,—a good enough man. Nor was it a jest, their work; it was a most serious reality,—a trial on the part of these Puritan Notables how far the Law of Christ could become the Law of this England. There were men of sense among them, men of some quality; men of deep piety I suppose the most of them were. They failed, it seems, and broke down, endeavoring to reform the Court of Chancery! They dissolved themselves, as incompetent; delivered up their power again into the hands of the Lord General Cromwell, to do with it what he liked and could.
The bold, courageous man has faced all kinds of formulas and superficial logic against him; he has bravely questioned whether the true essence of England will back him or not. It’s interesting to see how he tries to govern in some constitutional way, seeking some sort of Parliament to support him, but he can’t find one. His first Parliament, often referred to as Barebones's Parliament, is basically a Convocation of the Notables. From all over England, the leading ministers and key Puritan officials nominate the individuals most recognized for their religious reputation, influence, and commitment to the true Cause: they come together to create a plan. They approved what had happened before and tried to mold what was to come. They were mockingly called Barebones's Parliament: the man's name, it turns out, wasn't Barebones, but Barbone—a decent man. Their work was no joke; it was a very serious attempt by these Puritan Notables to determine how far the Law of Christ could be applied as the Law of England. Among them were sensible individuals, people of some standing; most of them were probably deeply pious. However, they seemed to have failed and collapsed while trying to reform the Court of Chancery! They disbanded, admitting their inability, and turned their power back over to the Lord General Cromwell, to do with as he wished and could.
What will he do with it? The Lord General Cromwell, "Commander-in-chief of all the Forces raised and to be raised;" he hereby sees himself, at this unexampled juncture, as it were the one available Authority left in England, nothing between England and utter Anarchy but him alone. Such is the undeniable Fact of his position and England's, there and then. What will he do with it? After deliberation, he decides that he will accept it; will formally, with public solemnity, say and vow before God and men, "Yes, the Fact is so, and I will do the best I can with it!" Protectorship, Instrument of Government,—these are the external forms of the thing; worked out and sanctioned as they could in the circumstances be, by the Judges, by the leading Official people, "Council of Officers and Persons of interest in the Nation:" and as for the thing itself, undeniably enough, at the pass matters had now come to, there was no alternative but Anarchy or that. Puritan England might accept it or not; but Puritan England was, in real truth, saved from suicide thereby!—I believe the Puritan People did, in an inarticulate, grumbling, yet on the whole grateful and real way, accept this anomalous act of Oliver's; at least, he and they together made it good, and always better to the last. But in their Parliamentary articulate way, they had their difficulties, and never knew fully what to say to it—!
What will he do with it? Lord General Cromwell, "Commander-in-chief of all the Forces raised and to be raised;" he sees himself, at this unprecedented moment, as the only Authority left in England, with nothing standing between England and total Anarchy but him alone. Such is the undeniable reality of his position and England's, right then and there. What will he do with it? After thinking it over, he decides he will accept it; he will formally, with public solemnity, say and vow before God and people, "Yes, this is the reality, and I will do my best with it!" Protectorship, Instrument of Government—these are the external forms of the matter; established and approved as best as they could be, given the circumstances, by the Judges, by the leading officials, "Council of Officers and People of interest in the Nation:" and as for the matter itself, undeniably, at this critical juncture, there was no option but Anarchy or that. Puritan England could accept it or not; but the truth is, Puritan England was saved from self-destruction by it!—I believe the Puritan People did, in a vague, grumbling, yet overall thankful and genuine way, accept this unusual act of Oliver’s; at least, he and they made it work together, and it kept getting better until the end. But in their Parliamentary articulate way, they faced challenges, and never quite knew what to say about it—!
Oliver's second Parliament, properly his first regular Parliament, chosen by the rule laid down in the Instrument of Government, did assemble, and worked;—but got, before long, into bottomless questions as to the Protector's right, as to "usurpation," and so forth; and had at the earliest legal day to be dismissed. Cromwell's concluding Speech to these men is a remarkable one. So likewise to his third Parliament, in similar rebuke for their pedantries and obstinacies. Most rude, chaotic, all these Speeches are; but most earnest-looking. You would say, it was a sincere helpless man; not used to speak the great inorganic thought of him, but to act it rather! A helplessness of utterance, in such bursting fulness of meaning. He talks much about "births of Providence:" All these changes, so many victories and events, were not forethoughts, and theatrical contrivances of men, of me or of men; it is blind blasphemers that will persist in calling them so! He insists with a heavy sulphurous wrathful emphasis on this. As he well might. As if a Cromwell in that dark huge game he had been playing, the world wholly thrown into chaos round him, had foreseen it all, and played it all off like a precontrived puppet-show by wood and wire! These things were foreseen by no man, he says; no man could tell what a day would bring forth: they were "births of Providence," God's finger guided us on, and we came at last to clear height of victory, God's Cause triumphant in these Nations; and you as a Parliament could assemble together, and say in what manner all this could be organized, reduced into rational feasibility among the affairs of men. You were to help with your wise counsel in doing that. "You have had such an opportunity as no Parliament in England ever had." Christ's Law, the Right and True, was to be in some measure made the Law of this land. In place of that, you have got into your idle pedantries, constitutionalities, bottomless cavillings and questionings about written laws for my coming here;—and would send the whole matter into Chaos again, because I have no Notary's parchment, but only God's voice from the battle-whirlwind, for being President among you! That opportunity is gone; and we know not when it will return. You have had your constitutional Logic; and Mammon's Law, not Christ's Law, rules yet in this land. "God be judge between you and me!" These are his final words to them: Take you your constitution-formulas in your hand; and I my informal struggles, purposes, realities and acts; and "God be judge between you and me!"—
Oliver's second Parliament, really his first regular Parliament, selected based on the rules set out in the Instrument of Government, convened and did their work; but soon got caught up in endless debates about the Protector's right, issues of "usurpation," and so on; and had to be dismissed at the earliest legal opportunity. Cromwell's final Speech to these men is notable. The same goes for his third Parliament, which faced similar criticism for their stubbornness and pedantry. All of these Speeches are quite rough and chaotic, but they come off as very earnest. You'd think he was a sincere, frustrated man, not used to speak the grand incoherent ideas running through his mind, but rather to act on them! There’s a struggle to express himself amid such overwhelming meaning. He talks a lot about "births of Providence": all these changes, countless victories, and events weren't planned or staged by men, whether it's me or others; it's only blasphemers who insist on saying otherwise! He speaks about this with heavy, sulfurous anger. As he very well could. As if a Cromwell, in that vast, chaotic game he’d been playing, with the world around him in turmoil, had foreseen everything and orchestrated it like a pre-planned puppet show! He asserts that no man could foresee these events, no one knew what any day would bring; they were "births of Providence," guided by God's hand, and we eventually achieved clear victory, with God's Cause triumphant in these Nations; and you, as a Parliament, could gather to figure out how all this could be organized and made rational among people's affairs. You were meant to assist with your wise counsel in doing that. "You’ve had an opportunity like no other Parliament in England." Christ's Law, the Right and True, was to be, in some way, established as the Law of this land. Instead, you’ve gotten lost in your meaningless pedantries, constitutional arguments, pointless debates about the written laws concerning my arrival;— and you would send everything spiraling back into Chaos because I don't have a Notary's document, just God’s voice from the battle-whirlwind, to serve as President among you! That opportunity has slipped away; we do not know when it will come again. You’ve had your constitutional Logic; and Mammon’s Law, not Christ’s Law, still prevails in this land. "God be judge between you and me!" These are his final words to them: You take your constitutional formulas; I take my informal struggles, intentions, realities, and actions; and "God be judge between you and me!"—
We said above what shapeless, involved chaotic things the printed Speeches of Cromwell are. Wilfully ambiguous, unintelligible, say the most: a hypocrite shrouding himself in confused Jesuitic jargon! To me they do not seem so. I will say rather, they afforded the first glimpses I could ever get into the reality of this Cromwell, nay into the possibility of him. Try to believe that he means something, search lovingly what that may be: you will find a real speech lying imprisoned in these broken rude tortuous utterances; a meaning in the great heart of this inarticulate man! You will, for thc first time, begin to see that he was a man; not an enigmatic chimera, unintelligible to you, incredible to you. The Histories and Biographies written of this Cromwell, written in shallow sceptical generations that could not know or conceive of a deep believing man, are far more obscure than Cromwell's Speeches. You look through them only into the infinite vague of Black and the Inane. "Heats and jealousies," says Lord Clarendon himself: "heats and jealousies," mere crabbed whims, theories and crotchets; these induced slow sober quiet Englishmen to lay down their ploughs and work; and fly into red fury of confused war against the best-conditioned of Kings! Try if you can find that true. Scepticism writing about Belief may have great gifts; but it is really ultra vires there. It is Blindness laying down the Laws of Optics.—
We've mentioned before how messy and chaotic the printed speeches of Cromwell are. Some say they're purposely vague and confusing, like a hypocrite hiding behind a jumble of Jesuit-sounding language! But to me, they’re not like that. Instead, I believe they offer the first real insights I could ever get into who Cromwell really was, and even into the possibility of his existence. If you try to believe that he has a purpose and search earnestly for what that might be, you'll discover a true speech trapped within these rough, twisted statements; a real meaning at the core of this inarticulate man! For the first time, you’ll start to see that he was a real person, not an unfathomable mystery that seems unbelievable to you. The histories and biographies written about Cromwell, crafted by shallow and skeptical generations that couldn’t understand or appreciate a deeply believing man, are far more obscure than Cromwell’s speeches. When you look through them, all you see is a vast emptiness. "Heats and jealousies," says Lord Clarendon himself: "heats and jealousies," just petty grievances, theories, and eccentricities; these pushed slow, sober Englishmen to put down their plows and engage in an intense and chaotic war against the most reasonable of kings! Try to see if that’s true. Skepticism writing about belief may have its own strengths, but it's really ultra vires in that context. It’s like blindness trying to establish the rules of optics.
Cromwell's third Parliament split on the same rock as his second. Ever the constitutional Formula: How came you there? Show us some Notary parchment! Blind pedants:—"Why, surely the same power which makes you a Parliament, that, and something more, made me a Protector!" If my Protectorship is nothing, what in the name of wonder is your Parliamenteership, a reflex and creation of that?—
Cromwell's third Parliament divided over the same issue as his second. Ever the constitutional question: How did you get here? Show us some official document! Blind scholars: "Well, surely the same power that makes you a Parliament, and something more, made me a Protector!" If my Protectorship means nothing, then what on earth does your Parliamenteership mean, being just a reflection and creation of that?
Parliaments having failed, there remained nothing but the way of Despotism. Military Dictators, each with his district, to coerce the Royalist and other gainsayers, to govern them, if not by act of Parliament, then by the sword. Formula shall not carry it, while the Reality is here! I will go on, protecting oppressed Protestants abroad, appointing just judges, wise managers, at home, cherishing true Gospel ministers; doing the best I can to make England a Christian England, greater than old Rome, the Queen of Protestant Christianity; I, since you will not help me; I while God leaves me life!—Why did he not give it up; retire into obscurity again, since the Law would not acknowledge him? cry several. That is where they mistake. For him there was no giving of it up! Prime ministers have governed countries, Pitt, Pombal, Choiseul; and their word was a law while it held: but this Prime Minister was one that could not get resigned. Let him once resign, Charles Stuart and the Cavaliers waited to kill him; to kill the Cause and him. Once embarked, there is no retreat, no return. This Prime Minister could retire no-whither except into his tomb.
Parliaments having failed, there was nothing left but the path of Despotism. Military Dictators, each controlling their own area, to force the Royalists and other dissenters into submission, to rule them, if not through Parliament, then by the sword. Formula will not prevail while Reality is present! I will continue to protect oppressed Protestants abroad, appoint fair judges, and wise leaders at home, supporting true Gospel ministers; doing my best to make England a Christian country, greater than ancient Rome, the Queen of Protestant Christianity; I, since you won’t assist me; I while God grants me life!—Why didn’t he just give up; retreat into obscurity again, since the Law wouldn’t recognize him? many ask. That’s where they’re mistaken. For him, there was no giving up! Prime ministers have led nations, Pitt, Pombal, Choiseul; and their word was law as long as it lasted: but this Prime Minister was one who could not resign. Once he resigned, Charles Stuart and the Cavaliers were waiting to kill him; to eliminate both the Cause and him. Once committed, there is no backing down, no return. This Prime Minister could retire nowhere except into his grave.
One is sorry for Cromwell in his old days. His complaint is incessant of the heavy burden Providence has laid on him. Heavy; which he must bear till death. Old Colonel Hutchinson, as his wife relates it, Hutchinson, his old battle-mate, coming to see him on some indispensable business, much against his will,—Cromwell "follows him to the door," in a most fraternal, domestic, conciliatory style; begs that he would be reconciled to him, his old brother in arms; says how much it grieves him to be misunderstood, deserted by true fellow-soldiers, dear to him from of old: the rigorous Hutchinson, cased in his Republican formula, sullenly goes his way.—And the man's head now white; his strong arm growing weary with its long work! I think always too of his poor Mother, now very old, living in that Palace of his; a right brave woman; as indeed they lived all an honest God-fearing Household there: if she heard a shot go off, she thought it was her son killed. He had to come to her at least once a day, that she might see with her own eyes that he was yet living. The poor old Mother!—What had this man gained; what had he gained? He had a life of sore strife and toil, to his last day. Fame, ambition, place in History? His dead body was hung in chains, his "place in History,"—place in History forsooth!—has been a place of ignominy, accusation, blackness and disgrace; and here, this day, who knows if it is not rash in me to be among the first that ever ventured to pronounce him not a knave and liar, but a genuinely honest man! Peace to him. Did he not, in spite of all, accomplish much for us? We walk smoothly over his great rough heroic life; step over his body sunk in the ditch there. We need not spurn it, as we step on it!—Let the Hero rest. It was not to men's judgment that he appealed; nor have men judged him very well.
One feels sorry for Cromwell in his old age. He constantly complains about the heavy burden that Providence has placed on him. A heavy burden that he must carry until he dies. Old Colonel Hutchinson, as his wife describes, came to see him on some urgent matter, even though he didn’t really want to. Cromwell "follows him to the door" in a very brotherly, friendly, and conciliatory way; he pleads for Hutchinson to reconcile with him, his old comrade in arms; he expresses how much it pains him to be misunderstood, to be abandoned by true fellow-soldiers who he has cherished for so long: the strict Hutchinson, trapped in his Republican mindset, gloomy, goes on his way. And now, the man's hair is white; his strong arm is getting tired from its long struggle! I always think of his poor Mother, now very old, living in that palace of his; a truly brave woman; as they all lived there in an honest, God-fearing household: if she heard a gunshot, she feared it meant her son was killed. He had to visit her at least once a day so she could see with her own eyes that he was still alive. The poor old Mother! What had this man achieved; what had he gained? He lived a life of endless struggle and hard work until the very end. Fame, ambition, a place in History? His lifeless body was hanged in chains, and his "place in History"—his so-called place in History!—has instead been one of shame, accusation, darkness, and disgrace; and here, today, who knows if it's too bold of me to be one of the first to say he wasn’t a knave and a liar, but a truly honest man! Peace to him. Did he not, despite everything, accomplish much for us? We easily walk over his great, rough, heroic life; step over his body sunk in the ditch there. We need not insult it as we walk on it! Let the Hero rest. It was not to people's judgment that he appealed; nor have people judged him very well.
Precisely a century and a year after this of Puritanism had got itself hushed up into decent composure, and its results made smooth, in 1688, there broke out a far deeper explosion, much more difficult to hush up, known to all mortals, and like to be long known, by the name of French Revolution. It is properly the third and final act of Protestantism; the explosive confused return of mankind to Reality and Fact, now that they were perishing of Semblance and Sham. We call our English Puritanism the second act: "Well then, the Bible is true; let us go by the Bible!" "In Church," said Luther; "In Church and State," said Cromwell, "let us go by what actually is God's Truth." Men have to return to reality; they cannot live on semblance. The French Revolution, or third act, we may well call the final one; for lower than that savage Sansculottism men cannot go. They stand there on the nakedest haggard Fact, undeniable in all seasons and circumstances; and may and must begin again confidently to build up from that. The French explosion, like the English one, got its King,—who had no Notary parchment to show for himself. We have still to glance for a moment at Napoleon, our second modern King.
Exactly a hundred and one years after Puritanism had quieted down into proper decorum, and its effects smoothed over in 1688, a much deeper and harder-to-silence event erupted, known to everyone and likely to be remembered for a long time as the French Revolution. It is essentially the third and final act of Protestantism; a chaotic and explosive return of humanity to Reality and Fact, now that they were suffering from Appearance and Deception. We refer to English Puritanism as the second act: "Alright then, the Bible is true; let's follow the Bible!" "In Church," said Luther; "In Church and State," said Cromwell, "let's adhere to what truly is God's Truth." People have to return to reality; they can't survive on mere appearances. The French Revolution, or third act, may well be called the final one; for men can't go lower than that brutal Sansculottism. They stand there facing the rawest, undeniable Fact, constant in all times and situations; and they may and must start over confidently from that point. The French revolution, like the English one, got its King—who had no notarized documents to prove himself. We still need to take a moment to look at Napoleon, our second modern King.
Napoleon does by no means seem to me so great a man as Cromwell. His enormous victories which reached over all Europe, while Cromwell abode mainly in our little England, are but as the high stilts on which the man is seen standing; the stature of the man is not altered thereby. I find in him no such sincerity as in Cromwell; only a far inferior sort. No silent walking, through long years, with the Awful Unnamable of this Universe; "walking with God," as he called it; and faith and strength in that alone: latent thought and valor, content to lie latent, then burst out as in blaze of Heaven's lightning! Napoleon lived in an age when God was no longer believed; the meaning of all Silence, Latency, was thought to be Nonentity: he had to begin not out of the Puritan Bible, but out of poor Sceptical Encyclopedies. This was the length the man carried it. Meritorious to get so far. His compact, prompt, every way articulate character is in itself perhaps small, compared with our great chaotic inarticulate Cromwell's. Instead of "dumb Prophet struggling to speak," we have a portentous mixture of the Quack withal! Hume's notion of the Fanatic-Hypocrite, with such truth as it has, will apply much better to Napoleon than it did to Cromwell, to Mahomet or the like,—where indeed taken strictly it has hardly any truth at all. An element of blamable ambition shows itself, from the first, in this man; gets the victory over him at last, and involves him and his work in ruin.
To me, Napoleon doesn't seem nearly as impressive as Cromwell. His massive victories that spanned all of Europe, while Cromwell mostly stayed in our small England, are just like the high stilts on which he stands; they don't change the person's true height. I see no sincerity in him like I do in Cromwell; it's a much lesser kind. There's no quiet walk, through many years, with the Awful Unnamable of this Universe; "walking with God," as Cromwell called it; and strength found only in that: latent thought and courage, resting quietly, then bursting forth like a flash of Heaven's lightning! Napoleon lived at a time when belief in God had faded; the meaning of all Silence, Latency, was thought to be nothingness: he had to start not from the Puritan Bible, but from poor skeptical Encyclopedias. That was the extent of what he achieved. It’s commendable to get that far. His solid, quick, clearly defined character is perhaps small compared to our great, chaotic, inarticulate Cromwell's. Instead of a "dumb Prophet struggling to speak," we have a remarkable mix of the Quack as well! Hume's idea of the Fanatic-Hypocrite, for whatever truth it holds, fits Napoleon much better than it did Cromwell, Mahomet, or others—where, indeed, taken strictly, it has hardly any truth at all. A trace of blameworthy ambition is evident in this man from the start; it eventually overcomes him and leads to his downfall and the destruction of his work.
"False as a bulletin" became a proverb in Napoleon's time. He makes what excuse he could for it: that it was necessary to mislead the enemy, to keep up his own men's courage, and so forth. On the whole, there are no excuses. A man in no case has liberty to tell lies. It had been, in the long-run, better for Napoleon too if he had not told any. In fact, if a man have any purpose reaching beyond the hour and day, meant to be found extant next day, what good can it ever be to promulgate lies? The lies are found out; ruinous penalty is exacted for them. No man will believe the liar next time even when he speaks truth, when it is of the last importance that he be believed. The old cry of wolf!—A Lie is no-thing; you cannot of nothing make something; you make nothing at last, and lose your labor into the bargain.
"False as a bulletin" became a saying in Napoleon's time. He made whatever excuses he could for it: that it was necessary to mislead the enemy, to keep his own men's spirits up, and so on. Overall, there are no excuses. A person never has the right to lie. In the long run, it would have been better for Napoleon if he had told none. In fact, if someone has any intentions that extend beyond the moment, meant to be acknowledged the next day, what good is it to spread lies? The lies get uncovered; a heavy price is paid for them. No one will trust a liar the next time, even when they speak the truth, especially when it's crucial for them to be believed. The old cry of wolf!—A lie is nothing; you can't turn nothing into something; in the end, you create nothing and waste your effort.
Yet Napoleon had a sincerity: we are to distinguish between what is superficial and what is fundamental in insincerity. Across these outer manoeuverings and quackeries of his, which were many and most blamable, let us discern withal that the man had a certain instinctive ineradicable feeling for reality; and did base himself upon fact, so long as he had any basis. He has an instinct of Nature better than his culture was. His savans, Bourrienne tells us, in that voyage to Egypt were one evening busily occupied arguing that there could be no God. They had proved it, to their satisfaction, by all manner of logic. Napoleon looking up into the stars, answers, "Very ingenious, Messieurs: but who made all that?" The Atheistic logic runs off from him like water; the great Fact stares him in the face: "Who made all that?" So too in Practice: he, as every man that can be great, or have victory in this world, sees, through all entanglements, the practical heart of the matter; drives straight towards that. When the steward of his Tuileries Palace was exhibiting the new upholstery, with praises, and demonstration how glorious it was, and how cheap withal, Napoleon, making little answer, asked for a pair of scissors, clips one of the gold tassels from a window-curtain, put it in his pocket, and walked on. Some days afterwards, he produced it at the right moment, to the horror of his upholstery functionary; it was not gold but tinsel! In St. Helena, it is notable how he still, to his last days, insists on the practical, the real. "Why talk and complain; above all, why quarrel with one another? There is no result in it; it comes to nothing that one can do. Say nothing, if one can do nothing!" He speaks often so, to his poor discontented followers; he is like a piece of silent strength in the middle of their morbid querulousness there.
Yet Napoleon had a genuine sincerity: we should differentiate between what is superficial and what is fundamental in insincerity. Amid all his outer maneuverings and deceptions, which were numerous and quite blameworthy, we can recognize that he had an instinctive, deep-seated connection to reality and based himself on facts, as long as he had any foundation. His instinct for nature was stronger than his education. His scholars, Bourrienne tells us, during that journey to Egypt were one evening busy arguing that there couldn’t be a God. They had convinced themselves through all kinds of logic. Napoleon looked up at the stars and replied, "Very clever, gentlemen: but who made all that?" The atheistic logic just rolled off him; the big fact stared him in the face: "Who made all that?" Similarly in practice: he, like anyone who can be great or achieve victory in this world, sees, through all complications, the practical essence of the matter and drives straight toward that. When the steward of his Tuileries Palace was showing off the new upholstery, praising it and demonstrating how beautiful and cheap it was, Napoleon, giving little response, asked for a pair of scissors, snipped off one of the gold tassels from a window curtain, put it in his pocket, and moved on. A few days later, he revealed it at the right moment, to the shock of his upholstery manager; it was not gold but tinsel! In St. Helena, it’s remarkable how, even in his last days, he continues to emphasize the practical, the real. "Why talk and complain; above all, why quarrel with each other? There’s no result in that; it amounts to nothing that one can do. Say nothing if one can do nothing!" He often speaks this way to his discontented followers; he is like a solid strength amidst their constant complaints.
And accordingly was there not what we can call a faith in him, genuine so far as it went? That this new enormous Democracy asserting itself here in the French Revolution is an unsuppressible Fact, which the whole world, with its old forces and institutions, cannot put down; this was a true insight of his, and took his conscience and enthusiasm along with it,—a faith. And did he not interpret the dim purport of it well? "La carriere ouverte aux talens, The implements to him who can handle them:" this actually is the truth, and even the whole truth; it includes whatever the French Revolution or any Revolution, could mean. Napoleon, in his first period, was a true Democrat. And yet by the nature of him, fostered too by his military trade, he knew that Democracy, if it were a true thing at all, could not be an anarchy: the man had a heart-hatred for anarchy. On that Twentieth of June (1792), Bourrienne and he sat in a coffee-house, as the mob rolled by: Napoleon expresses the deepest contempt for persons in authority that they do not restrain this rabble. On the Tenth of August he wonders why there is no man to command these poor Swiss; they would conquer if there were. Such a faith in Democracy, yet hatred of anarchy, it is that carries Napoleon through all his great work. Through his brilliant Italian Campaigns, onwards to the Peace of Leoben, one would say, his inspiration is: "Triumph to the French Revolution; assertion of it against these Austrian Simulacra that pretend to call it a Simulacrum!" Withal, however, he feels, and has a right to feel, how necessary a strong Authority is; how the Revolution cannot prosper or last without such. To bridle in that great devouring, self-devouring French Revolution; to tame it, so that its intrinsic purpose can be made good, that it may become organic, and be able to live among other organisms and formed things, not as a wasting destruction alone: is not this still what he partly aimed at, as the true purport of his life; nay what he actually managed to do? Through Wagrams, Austerlitzes; triumph after triumph,—he triumphed so far. There was an eye to see in this man, a soul to dare and do. He rose naturally to be the King. All men saw that he was such. The common soldiers used to say on the march: "These babbling Avocats, up at Paris; all talk and no work! What wonder it runs all wrong? We shall have to go and put our Petit Caporal there!" They went, and put him there; they and France at large. Chief-consulship, Emperorship, victory over Europe;—till the poor Lieutenant of La Fere, not unnaturally, might seem to himself the greatest of all men that had been in the world for some ages.
And so, was there not what we could call a faith in him, genuine to the extent that it existed? This new massive Democracy asserting itself during the French Revolution is an undeniable reality that the entire world, with its old powers and institutions, cannot suppress; this was a true understanding of his, and it moved his conscience and enthusiasm— a faith. And didn't he interpret its vague meaning well? "La carrière ouverte aux talents, The tools to those who can handle them:" this truly is the fact, and even the whole fact; it encompasses whatever the French Revolution or any Revolution could signify. In his early days, Napoleon was a true Democrat. Yet, because of his nature, supported by his military background, he recognized that Democracy, if it were real at all, could not be an anarchy: he deeply loathed anarchy. On that Twentieth of June (1792), Bourrienne and he sat in a café as the mob passed by: Napoleon expressed his utmost contempt for the authorities for not controlling this rabble. On the Tenth of August, he wondered why there was no one to lead these poor Swiss; they would conquer if there were. This combination of faith in Democracy and disdain for anarchy is what propelled Napoleon through all his significant achievements. Throughout his impressive Italian Campaigns, leading to the Peace of Leoben, one might say his inspiration was: "Victory for the French Revolution; establishing it against these Austrian fakes that pretend to call it a fake!" However, he felt, and rightly so, how essential a strong Authority was; that the Revolution cannot thrive or endure without it. To rein in that great, consuming, self-consuming French Revolution; to tame it so that its inherent goals can be realized, so it can become organic and coexist among other entities and formed things, not just as a destructive force: isn't this still part of what he aimed to achieve as the true purpose of his life; in fact, what he actually accomplished? Through Wagrams, Austerlitzes; victory after victory—he achieved a lot. There was a vision in this man, a spirit to dare and do. He naturally rose to become King. Everyone recognized that he was one. The common soldiers would say on the march: "These jabbering Avocats in Paris; all talk and no action! What a surprise it all goes wrong? We'll have to go and put our Petit Caporal there!" They did go and put him there; they and all of France. Chief consulship, emperorship, victory over Europe—until the poor Lieutenant of La Fere, not surprisingly, might have considered himself the greatest of all men to have existed in ages.
But at this point, I think, the fatal charlatan-element got the upper hand. He apostatized from his old faith in Facts, took to believing in Semblances; strove to connect himself with Austrian Dynasties, Popedoms, with the old false Feudalities which he once saw clearly to be false;—considered that he would found "his Dynasty" and so forth; that the enormous French Revolution meant only that! The man was "given up to strong delusion, that he should believe a lie;" a fearful but most sure thing. He did not know true from false now when he looked at them,—the fearfulest penalty a man pays for yielding to untruth of heart. Self and false ambition had now become his god: self-deception once yielded to, all other deceptions follow naturally more and more. What a paltry patchwork of theatrical paper-mantles, tinsel and mummery, had this man wrapt his own great reality in, thinking to make it more real thereby! His hollow Pope's-Concordat, pretending to be a re-establishment of Catholicism, felt by himself to be the method of extirpating it, "la vaccine de la religion:" his ceremonial Coronations, consecrations by the old Italian Chimera in Notre-Dame,—"wanting nothing to complete the pomp of it," as Augereau said, "nothing but the half-million of men who had died to put an end to all that"! Cromwell's Inauguration was by the Sword and Bible; what we must call a genuinely true one. Sword and Bible were borne before him, without any chimera: were not these the real emblems of Puritanism; its true decoration and insignia? It had used them both in a very real manner, and pretended to stand by them now! But this poor Napoleon mistook: he believed too much in the Dupability of men; saw no fact deeper in man than Hunger and this! He was mistaken. Like a man that should build upon cloud; his house and he fall down in confused wreck, and depart out of the world.
But at this point, I think, the fatal element of deception took control. He turned away from his former belief in facts and started believing in illusions; he aimed to connect himself with Austrian dynasties, the papacy, and the old false feudal systems that he had once recognized as false—he thought he would create "his Dynasty" and so on; that the massive French Revolution meant just that! The man was "given over to strong delusion, to believe a lie," a terrifying but undeniable reality. He could no longer distinguish true from false when he looked at them—the worst consequence a person faces for surrendering to inner untruth. Self and false ambition had now become his god: once he allowed self-deception, all other deceptions followed more and more naturally. What a cheap, theatrical patchwork of paper decorations, glitter, and pretense had this man wrapped his own profound reality in, thinking it would make it more genuine! His hollow Pope's Concordat, pretending to be a re-establishment of Catholicism, was felt by him to be a way of eradicating it, "the vaccine of religion:" his ceremonial coronations, blessings by the old Italian chimera in Notre-Dame—"lacking nothing to complete the spectacle," as Augereau said, "except the half-million men who had died to end all that"! Cromwell's inauguration was through the Sword and Bible; what we must call a genuinely true one. Sword and Bible were carried before him, without any chimera: weren't these the real symbols of Puritanism, its true decorations and insignia? It had used both in a very real way, and pretended to stand by them now! But this poor Napoleon was mistaken: he believed too much in the dupability of people; he saw nothing deeper in humanity than hunger and this! He was wrong. Like someone building on clouds; his house and he would collapse in confusion, leaving this world.
Alas, in all of us this charlatan-element exists; and might be developed, were the temptation strong enough. "Lead us not into temptation"! But it is fatal, I say, that it be developed. The thing into which it enters as a cognizable ingredient is doomed to be altogether transitory; and, however huge it may look, is in itself small. Napoleon's working, accordingly, what was it with all the noise it made? A flash as of gunpowder wide-spread; a blazing-up as of dry heath. For an hour the whole Universe seems wrapt in smoke and flame; but only for an hour. It goes out: the Universe with its old mountains and streams, its stars above and kind soil beneath, is still there.
Unfortunately, we all have this element of deception within us, and it could be developed if the temptation were strong enough. "Lead us not into temptation"! But it’s deadly, I say, for it to be developed. Anything that takes it on as a recognizable part is bound to be completely temporary; and no matter how grand it may appear, it is essentially small. Napoleon's actions, then, what were they amidst all the commotion? A flash like gunpowder spread wide; a blaze like dry brush. For an hour, it seems like the entire Universe is engulfed in smoke and fire; but only for an hour. It fades away: the Universe, with its old mountains and streams, its stars above and fertile soil below, remains unchanged.
The Duke of Weimar told his friends always, To be of courage; this Napoleonism was unjust, a falsehood, and could not last. It is true doctrine. The heavier this Napoleon trampled on the world, holding it tyrannously down, the fiercer would the world's recoil against him be, one day. Injustice pays itself with frightful compound-interest. I am not sure but he had better have lost his best park of artillery, or had his best regiment drowned in the sea, than shot that poor German Bookseller, Palm! It was a palpable tyrannous murderous injustice, which no man, let him paint an inch thick, could make out to be other. It burnt deep into the hearts of men, it and the like of it; suppressed fire flashed in the eyes of men, as they thought of it,—waiting their day! Which day came: Germany rose round him.—What Napoleon did will in the long-run amount to what he did justly; what Nature with her laws will sanction. To what of reality was in him; to that and nothing more. The rest was all smoke and waste. La carriere ouverte aux talens: that great true Message, which has yet to articulate and fulfil itself everywhere, he left in a most inarticulate state. He was a great ebauche, a rude-draught never completed; as indeed what great man is other? Left in too rude a state, alas!
The Duke of Weimar always told his friends to be brave; this Napoleonism was unjust, a deception, and wouldn’t last. It’s true doctrine. The more this Napoleon trampled on the world, holding it down tyrannically, the stronger the world's backlash against him would eventually be. Injustice pays back with scary compound interest. I'm not sure he wouldn't have been better off losing his best artillery or having his best regiment drowned at sea than executing that poor German bookseller, Palm! It was an obvious, tyrannical, murderous injustice that no one, no matter how they tried to spin it, could justify. It burned deeply in the hearts of men, igniting suppressed anger in their eyes as they considered it—waiting for their moment! That moment came: Germany rose up against him. What Napoleon did will ultimately amount to what he did justly; to what Nature, with her laws, will endorse. To what reality was in him; to that and nothing more. The rest was all smoke and waste. La carrière ouverte aux talents: that great true message, which still needs to be articulated and fulfilled everywhere, he left in a very unclear state. He was a great rough sketch, a draft never finished; as, indeed, what great man is anything else? Left in too rough a state, alas!
His notions of the world, as he expresses them there at St. Helena, are almost tragical to consider. He seems to feel the most unaffected surprise that it has all gone so; that he is flung out on the rock here, and the World is still moving on its axis. France is great, and all-great: and at bottom, he is France. England itself, he says, is by Nature only an appendage of France; "another Isle of Oleron to France." So it was by Nature, by Napoleon-Nature; and yet look how in fact—HERE AM I! He cannot understand it: inconceivable that the reality has not corresponded to his program of it; that France was not all-great, that he was not France. "Strong delusion," that he should believe the thing to be which is not! The compact, clear-seeing, decisive Italian nature of him, strong, genuine, which he once had, has enveloped itself, half-dissolved itself, in a turbid atmosphere of French fanfaronade. The world was not disposed to be trodden down underfoot; to be bound into masses, and built together, as he liked, for a pedestal to France and him: the world had quite other purposes in view! Napoleon's astonishment is extreme. But alas, what help now? He had gone that way of his; and Nature also had gone her way. Having once parted with Reality, he tumbles helpless in Vacuity; no rescue for him. He had to sink there, mournfully as man seldom did; and break his great heart, and die,—this poor Napoleon: a great implement too soon wasted, till it was useless: our last Great Man!
His ideas about the world, as he shares them at St. Helena, are almost tragic to think about. He appears genuinely surprised that everything has turned out this way; that he has been cast onto this rock, while the world continues to spin. France is powerful and exceptional: at his core, he is France. He claims that England is essentially just an extension of France; “another Isle of Oleron to France.” This was how it was by Nature, by Napoleon-Nature; and yet look at where I am! He cannot make sense of it: it's unfathomable to him that reality hasn't matched his vision; that France wasn’t all-powerful, and that he wasn’t France. “What a delusion,” he muses, that he should think things are as they aren’t! His once-clear, decisive Italian nature, strong and authentic, has become muddied in a cloud of French bravado. The world wasn't meant to be crushed underfoot, to be forced into groups and assembled as he wanted, to create a pedestal for France and himself: the world had entirely different goals! Napoleon's shock is immense. But sadly, what can he do now? He chose his path, and so did Nature. Once he separated from Reality, he finds himself helpless in an empty void; there’s no saving him. He had to decline there, mournfully like few ever did; and break his great heart, and die—this poor Napoleon: a great tool used up too soon, until he became ineffective: our last Great Man!
Our last, in a double sense. For here finally these wide roamings of ours through so many times and places, in search and study of Heroes, are to terminate. I am sorry for it: there was pleasure for me in this business, if also much pain. It is a great subject, and a most grave and wide one, this which, not to be too grave about it, I have named Hero-worship. It enters deeply, as I think, into the secret of Mankind's ways and vitalest interests in this world, and is well worth explaining at present. With six months, instead of six days, we might have done better. I promised to break ground on it; I know not whether I have even managed to do that. I have had to tear it up in the rudest manner in order to get into it at all. Often enough, with these abrupt utterances thrown out isolated, unexplained, has your tolerance been put to the trial. Tolerance, patient candor, all-hoping favor and kindness, which I will not speak of at present. The accomplished and distinguished, the beautiful, the wise, something of what is best in England, have listened patiently to my rude words. With many feelings, I heartily thank you all; and say, Good be with you all!
Our last one, in more ways than one. Here, finally, our extensive explorations through so many times and places, in search of and studying Heroes, are coming to an end. I’m sorry about it; I found pleasure in this endeavor, even if it was often painful. It's a significant subject, and a serious and broad one, which I’ve casually called Hero-worship. I believe it deeply touches on the essence of human nature and our most important interests in this world, making it worth explaining now. If we had six months instead of six days, we could have done a better job. I promised to start discussing it; I’m not sure if I even managed that. I had to dive in rather roughly just to get started. Too often, my abrupt and disconnected comments have tested your patience. Your tolerance, patient understanding, and generous kindness, which I won't elaborate on now, have been greatly appreciated. Those who are accomplished and distinguished, those who are beautiful and wise—some of the best in England—have listened patiently to my clumsy words. With many emotions, I sincerely thank you all; and I wish you all well!
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