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The Queen of Sheba before Solomon
The Queen of Sheba before Solomon

The Queen of Sheba before Solomon
The Queen of Sheba visits Solomon

(Costume of 15th century.)

15th-century costume

Fac-simile of a miniature from the Breviary of the Cardinal Grimani, attributed to Memling. Bibl. of S. Marc, Venice. (From a copy in the possession of M. Ambroise Firmin-Didot.)

Facsimile of a miniature from the Breviary of Cardinal Grimani, attributed to Memling. Library of S. Marc, Venice. (From a copy owned by M. Ambroise Firmin-Didot.)

The King inclines his sceptre towards the Queen indicating his appreciation of her person and her gifts; five ladies attend the Queen and five of the King's courtiers stand on his right hand.

The King tilts his scepter toward the Queen, showing his admiration for her and her talents; five ladies surround the Queen, and five of the King's courtiers stand at his right side.

Manners, Customs, and Dress During the Middle Ages, and During the Renaissance Period.

By Paul Lacroix
(Bibliophile Jacob),
Curator of the Imperial Library of the Arsenal, Paris.

Illustrated with
Nineteen Chromolithographic Prints by F. Kellerhoven
and upwards of
Four Hundred Engravings on Wood.

Preface.

The several successive editions of "The Arts of the Middle Ages and Period of the Renaissance" sufficiently testify to its appreciation by the public. The object of that work was to introduce the reader to a branch of learning to which access had hitherto appeared only permitted to the scientific. That attempt, which was a bold one, succeeded too well not to induce us to push our researches further. In fact, art alone cannot acquaint us entirely with an epoch. "The arts, considered in their generality, are the true expressions of society. They tell us its tastes, its ideas, and its character." We thus spoke in the preface to our first work, and we find nothing to modify in this opinion. Art must be the faithful expression of a society, since it represents it by its works as it has created them--undeniable witnesses of its spirit and manners for future generations. But it must be acknowledged that art is only the consequence of the ideas which it expresses; it is the fruit of civilisation, not its origin. To understand the Middle Ages and the Renaissance, it is necessary to go back to the source of its art, and to know the life of our fathers; these are two inseparable things, which entwine one another, and become complete one by the other.

The various editions of "The Arts of the Middle Ages and Period of the Renaissance" clearly demonstrate its popularity among the public. The aim of that work was to open up a field of study that had previously seemed accessible only to scholars. That bold attempt was so successful that it encouraged us to explore even further. In reality, art alone can't fully teach us about a specific era. "The arts, looked at in their broad sense, are the true reflections of society. They reveal its preferences, ideas, and character." We stated this in the preface to our first book, and we stand by this belief. Art should genuinely reflect a society, as it showcases what that society has produced—unquestionable evidence of its spirit and customs for future generations. However, it's important to recognize that art is merely the result of the ideas it communicates; it is the output of civilization, not its source. To truly grasp the Middle Ages and the Renaissance, we must return to the roots of its art and understand the lives of our ancestors; these two aspects are intertwined and complete each other.

The Manners and Customs of the Middle Ages:--this subject is of the greatest interest, not only to the man of science, but to the man of the world also. In it, too, "we retrace not only one single period, but two periods quite distinct one from the other." In the first, the public and private customs offer a curious mixture of barbarism and civilisation. We find barbarian, Roman, and Christian customs and character in presence of each other, mixed up in the same society, and very often in the same individuals. Everywhere the most adverse and opposite tendencies display themselves. What an ardent struggle during that long period! and how full, too, of emotion is its picture! Society tends to reconstitute itself in every aspect. She wants to create, so to say, from every side, property, authority, justice, &c., &c., in a word, everything which can establish the basis of public life; and this new order of things must be established by means of the elements supplied at once by the barbarian, Roman, and Christian world--a prodigious creation, the working of which occupied the whole of the Middle Ages. Hardly does modern society, civilised by Christianity, reach the fullness of its power, than it divides itself to follow different paths. Ancient art and literature resuscitates because custom insensibly takes that direction. Under that influence, everything is modified both in private and public life. The history of the human race does not present a subject more vast or more interesting. It is a subject we have chosen to succeed our first book, and which will be followed by a similar study on the various aspects of Religious and Military Life.

The Manners and Customs of the Middle Ages:—this topic is incredibly interesting, not just for the scientist, but also for the everyday person. In it, we don’t just look at a single time period, but two distinct ones. In the first, public and private customs present a fascinating mix of barbarism and civilization. We see barbarian, Roman, and Christian customs and traits coexisting in the same society, and often in the same individuals. Everywhere, conflicting tendencies are evident. What a passionate struggle during that lengthy period! And what an emotional picture it paints! Society is trying to rebuild itself in every way. It aims to create, so to speak, from all directions—property, authority, justice, etc., in short, everything that can provide a foundation for public life; and this new order has to be created from elements provided by the barbarian, Roman, and Christian worlds—a remarkable achievement that consumed the entire Middle Ages. Just as modern society, shaped by Christianity, reaches its peak, it begins to divide and follow different paths. Ancient art and literature come back to life because customs gradually shift in that direction. Under that influence, everything changes in both private and public life. The history of humanity doesn't present a subject more vast or more intriguing. It’s the subject we've chosen to follow our first book, and it will be succeeded by a similar study on various aspects of Religious and Military Life.

This work, devoted to the vivid and faithful description of the Manners and Customs of the Middle Ages and Renaissance, answers fully to the requirements of contemporary times. We are, in fact, no longer content with the chronological narration and simple nomenclatures which formerly were considered sufficient for education. We no longer imagine that the history of our institutions has less interest than that of our wars, nor that the annals of the humbler classes are irrelevant to those of the privileged orders. We go further still. What is above all sought for in historical works nowadays is the physiognomy, the inmost character of past generations. "How did our fathers live?" is a daily question. "What institutions had they? What were their political rights? Can you not place before us their pastimes, their hunting parties, their meals, and all sorts of scenes, sad or gay, which composed their home life? We should like to follow them in public and private occupations, and to know their manner of living hourly, as we know our own."

This work, dedicated to the lively and accurate portrayal of the customs and lifestyles of the Middle Ages and Renaissance, fully meets the needs of today's world. We are no longer satisfied with just chronological accounts and simple names that used to be deemed enough for education. We no longer believe that the history of our institutions is less interesting than that of our wars, nor do we think that the stories of the lower classes are irrelevant to those of the upper classes. We push even further. What is mainly sought in historical works today is the essence and true character of past generations. "How did our ancestors live?" is a question we ask every day. "What institutions did they have? What were their political rights? Can you show us their pastimes, their hunting trips, their meals, and all kinds of scenes, both sad and happy, that made up their home life? We want to follow them in their public and private lives and understand their daily routines as well as we know our own."

In a high order of ideas, what great facts serve as a foundation to our history and that of the modern world! We have first royalty, which, weak and debased under the Merovingians, rises and establishes itself energetically under Pépin and Charlemagne, to degenerate under Louis le Débonnaire and Charles le Chauve. After having dared a second time to found the Empire of the Caesars, it quickly sees its sovereignty replaced by feudal rights, and all its rights usurped by the nobles, and has to struggle for many centuries to recover its rights one by one.

In a higher order of ideas, what major facts lay the groundwork for our history and that of the modern world! First, there's royalty, which, weakened and diminished under the Merovingians, rises and establishes itself strongly under Pépin and Charlemagne, only to decline again under Louis the Pious and Charles the Bald. After attempting a second time to establish the Empire of the Caesars, it quickly finds its sovereignty replaced by feudal rights, with all its powers taken over by the nobles, and has to fight for many centuries to regain its rights one by one.

Feudalism, evidently of Germanic origin, will also attract our attention, and we shall draw a rapid outline of this legislation, which, barbarian at the onset, becomes by degrees subject to the rules of moral progress. We shall ascertain that military service is the essence itself of the "fief," and that thence springs feudal right. On our way we shall protest against civil wars, and shall welcome emancipation and the formation of the communes. Following the thousand details of the life of the people, we shall see the slave become serf, and the serf become peasant. We shall assist at the dispensation of justice by royalty and nobility, at the solemn sittings of parliaments, and we shall see the complicated details of a strict ceremonial, which formed an integral part of the law, develop themselves before us. The counters of dealers, fairs and markets, manufactures, commerce, and industry, also merit our attention; we must search deeply into corporations of workmen and tradesmen, examining their statutes, and initiating ourselves into their business. Fashion and dress are also a manifestation of public and private customs; for that reason we must give them particular attention.

Feudalism, clearly rooted in Germanic traditions, will also be a focus for us, and we’ll outline this legal system briefly, which starts off as barbaric but gradually becomes influenced by moral progress. We’ll find that military service is at the core of the "fief," from which feudal rights arise. Along the way, we’ll speak out against civil wars and support emancipation and the formation of communes. By following the many details of people’s lives, we’ll observe how the slave becomes a serf and the serf becomes a peasant. We’ll witness justice being administered by royalty and nobility, the formal meetings of parliaments, and we’ll see how complex rituals, which were a key part of the law, develop in front of us. The activities of merchants, fairs and markets, manufacturing, commerce, and industry also deserve our attention; we need to look closely at the organizations of workers and tradespeople, studying their rules, and getting to know their practices. Fashion and clothing also reflect public and private customs; for this reason, we must pay special attention to them.

And to accomplish the work we have undertaken, we are lucky to have the conscientious studies of our old associates in the great work of the Middle Ages and the Renaissance to assist us: such as those of Emile Bégin, Elzéar Blaze, Depping, Benjamin Guérard, Le Roux de Lincy, H. Martin, Mary-Lafon, Francisque Michel, A. Monteil, Rabutau, Ferdinand Séré, Horace de Viel-Castel, A. de la Villegille, Vallet de Viriville.

And to achieve the work we’ve set out to do, we’re fortunate to have the diligent research of our former colleagues in the significant efforts of the Middle Ages and the Renaissance to support us: including those by Emile Bégin, Elzéar Blaze, Depping, Benjamin Guérard, Le Roux de Lincy, H. Martin, Mary-Lafon, Francisque Michel, A. Monteil, Rabutau, Ferdinand Séré, Horace de Viel-Castel, A. de la Villegille, and Vallet de Viriville.

As in the volume of the Arts of the Middle Ages, engraving and chromo-lithography will come to our assistance by reproducing, by means of strict fac-similes, the rarest engravings of the fifteenth and sixteenth centuries, and the most precious miniatures of the manuscripts preserved in the principal libraries of France and Europe. Here again we have the aid of the eminent artist, M. Kellerhoven, who quite recently found means of reproducing with so much fidelity the gems of Italian painting.

As in the volume on the Arts of the Middle Ages, engraving and chromo-lithography will help us by creating accurate reproductions of the rarest engravings from the fifteenth and sixteenth centuries, as well as the most treasured miniatures from manuscripts held in the major libraries of France and Europe. Once again, we have the support of the distinguished artist, M. Kellerhoven, who recently discovered ways to reproduce the masterpieces of Italian painting with remarkable accuracy.

Paul Lacroix
(Bibliophile Jacob).

Paul Lacroix (Bibliophile Jacob).

Table of Contents.

Disorganization of the West at the Beginning of the Middle Ages.--Mixture of Roman, Germanic, and Gallic Institutions.--Fusion organized under Charlemagne.--Royal Authority.--Position of the Great Feudalists.--Division of the Territory and Prerogatives attached to Landed Possessions.--Freeman and Tenants.--The Læti, the Colon, the Serf, and the Labourer, who may be called the Origin of the Modern Lower Classes.--Formation of Communities.--Right of Mortmain.

Disorganization of the West at the Start of the Middle Ages.--Mix of Roman, Germanic, and Gallic Systems.--Fusion organized under Charlemagne.--Royal Authority.--Role of the Major Feudal Lords.--Division of the Land and Rights tied to Landholdings.--Freemen and Tenants.--The Læti, the Colon, the Serf, and the Laborer, who can be seen as the Beginning of the Modern Lower Classes.--Development of Communities.--Right of Mortmain.

Elements of Feudalism.--Rights of Treasure-trove, Sporting, Safe-Conducts, Ransom, Disinheritance, &c.--Immunity of the Feudalists.--Dues from the Nobles to their Sovereign.--Law and University Dues.--Curious Exactions resulting from the Universal System of Dues.--Struggles to enfranchise the Classes subjected to Dues.--Feudal Spirit and Citizen Spirit.--Resuscitation of the System of Ancient Municipalities in Italy, Germany, and France.--Municipal Institutions and Associations.--The Community.--The Middle-Class Cities (Cités Bourgeoises).--Origin of National Unity.

Elements of Feudalism.--Rights of treasure trove, hunting, safe conducts, ransom, disinheritance, etc.--Immunity of the feudal lords.--Duties owed by nobles to their sovereign.--Legal and university fees.--Interesting charges resulting from the universal system of dues.--Struggles for the liberation of classes subject to dues.--Feudal spirit versus citizen spirit.--Revival of the system of ancient municipalities in Italy, Germany, and France.--Municipal institutions and associations.--The community.--The middle-class cities (Cités Bourgeoises).--Origin of national unity.

The Merovingian Castles.--Pastimes of the Nobles: Hunting, War.--Domestic Arrangements.--Private Life of Charlemagne.--Domestic Habits under the Carlovingians.--Influence of Chivalry.--Simplicity of the Court of Philip Augustus not imitated by his Successors.--Princely Life of the Fifteenth Century.--The bringing up of Latour Landry, a Noble of Anjou.--Varlets, Pages, Esquires, Maids of Honour.--Opulence of the Bourgeoisie.--"Le Ménagier de Paris."--Ancient Dwellings.--State of Rustics at various Periods.--"Rustic Sayings," by Noël du Fail.

The Merovingian Castles.--Noble Pastimes: Hunting, Warfare.--Home Life.--Charlemagne's Private Life.--Domestic Practices during the Carolingians.--Impact of Chivalry.--The Simplicity of Philip Augustus's Court not Mimicked by His Successors.--Royal Life in the Fifteenth Century.--The Upbringing of Latour Landry, a Noble from Anjou.--Varlets, Pages, Squires, Maids of Honor.--Wealth of the Bourgeoisie.--"Le Ménagier de Paris."--Ancient Homes.--Condition of Peasants at Different Times.--"Rustic Sayings," by Noël du Fail.

History of Bread.--Vegetables and Plants used in Cooking.--Fruits.--Butchers' Meat.--Poultry, Game.--Milk, Butter, Cheese, and Eggs.--Fish and Shellfish.--Beverages: Beer, Cider, Wine, Sweet Wine, Refreshing Drinks, Brandy.--Cookery.--Soups, Boiled Food, Pies, Stews, Salads, Roasts, Grills.--Seasoning, Truffles, Sugar, Verjuice.--Sweets, Desserts, Pastry,--Meals and Feasts.--Rules of Serving at Table from the Fifteenth to the Sixteenth Centuries.

History of Bread.--Vegetables and Plants Used in Cooking.--Fruits.--Meat.--Poultry and Game.--Milk, Butter, Cheese, and Eggs.--Fish and Shellfish.--Beverages: Beer, Cider, Wine, Sweet Wine, Refreshing Drinks, Brandy.--Cooking.--Soups, Boiled Dishes, Pies, Stews, Salads, Roasts, Grills.--Seasoning, Truffles, Sugar, Verjuice.--Sweets, Desserts, Pastry.--Meals and Feasts.--Rules for Serving at the Table from the Fifteenth to the Sixteenth Centuries.

Venery and Hawking.--Origin of Aix-la-Chapelle.--Gaston Phoebus and his Book.--The Presiding Deities of Sportsmen.--Sporting Societies and Brotherhoods.--Sporting Kings: Charlemagne, Louis IX., Louis XI., Charles VIII., Louis XII., Francis I., &c.--Treatise on Venery.--Sporting Popes.--Origin of Hawking.--Training Birds.--Hawking Retinues.--Book of King Modus.--Technical Terms used in Hawking.--Persons who have excelled in this kind of Sport.--Fowling.

Venery and Hawking.--Origin of Aix-la-Chapelle.--Gaston Phoebus and his Book.--The Patron Saints of Sportsmen.--Sporting Clubs and Brotherhoods.--Sporting Monarchs: Charlemagne, Louis IX, Louis XI, Charles VIII, Louis XII, Francis I, etc.--Treatise on Venery.--Sporting Popes.--Origin of Hawking.--Bird Training.--Hawking Crews.--Book of King Modus.--Technical Terms used in Hawking.--Notable Figures in this Sport.--Fowling.

Games of the Ancient Greeks and Romans.--Games of the Circus.--Animal Combats.--Daring of King Pepin.--The King's Lions.--Blind Men's Fights.--Cockneys of Paris.--Champ de Mars.--Cours Plénières and Cours Couronnées.--Jugglers, Tumblers, and Minstrels.--Rope-dancers.--Fireworks.--Gymnastics.--Cards and Dice.--Chess, Marbles, and Billiards.--La Soule, La Pirouette, &c.--Small Games for Private Society.--History of Dancing.--Ballet des Ardents.--The "Orchésographie" (Art of Dancing) of Thoinot Arbeau.--List of Dances.

Games of the Ancient Greeks and Romans.--Games of the Circus.--Animal Combats.--Daring of King Pepin.--The King's Lions.--Blind Men's Fights.--Cockneys of Paris.--Champ de Mars.--Cours Plénières and Cours Couronnées.--Jugglers, Tumblers, and Minstrels.--Rope-dancers.--Fireworks.--Gymnastics.--Cards and Dice.--Chess, Marbles, and Billiards.--La Soule, La Pirouette, etc.--Small Games for Private Gatherings.--History of Dancing.--Ballet des Ardents.--The "Orchésographie" (Art of Dancing) by Thoinot Arbeau.--List of Dances.

State of Commerce after the Fall of the Roman Empire; its Revival under the Frankish Kings; its Prosperity under Charlemagne; its Decline down to the Time of the Crusaders.--The Levant Trade of the East.--Flourishing State of the Towns of Provence and Languedoc.--Establishment of Fairs.--Fairs of Landit, Champagne, Beaucaire, and Lyons.--Weights and Measures.--Commercial Flanders.--Laws of Maritime Commerce.--Consular Laws.--Banks and Bills of Exchange.--French Settlements on the Coast of Africa.--Consequences of the Discovery of America.

State of Commerce after the Fall of the Roman Empire; its Revival under the Frankish Kings; its Prosperity under Charlemagne; its Decline leading up to the Time of the Crusaders. -- The Levant Trade of the East. -- Thriving Towns of Provence and Languedoc. -- Establishment of Fairs. -- Fairs of Landit, Champagne, Beaucaire, and Lyons. -- Weights and Measures. -- Commercial Flanders. -- Laws of Maritime Commerce. -- Consular Laws. -- Banks and Bills of Exchange. -- French Settlements on the Coast of Africa. -- Consequences of the Discovery of America.

Uncertain Origin of Corporations.--Ancient Industrial Associations.--The Germanic Guild.--Colleges.--Teutonic Associations.--The Paris Company for the Transit of Merchandise by Water.--Corporations properly so called.--Etienne Boileau's "Book of Trades," or the First Code of Regulations.--The Laws governing Trades.--Public and Private Organization of Trades Corporations and other Communities.--Energy of the Corporations.--Masters, Journeymen, Supernumeraries, and Apprentices.--Religious Festivals and Trade Societies.--Trade Unions.

Uncertain Origin of Corporations.--Ancient Industrial Associations.--The Germanic Guild.--Colleges.--Teutonic Associations.--The Paris Company for the Transit of Merchandise by Water.--Corporations in the proper sense of the term.--Etienne Boileau's "Book of Trades," or the First Code of Regulations.--The Laws governing Trades.--Public and Private Organization of Trades Corporations and other Communities.--Energy of the Corporations.--Masters, Journeymen, Extra Workers, and Apprentices.--Religious Festivals and Trade Societies.--Trade Unions.

Taxes under the Roman Rule.--Money Exactions of the Merovingian Kings.--Varieties of Money.--Financial Laws under Charlemagne.--Missi Dominici.--Increase of Taxes owing to the Crusades.--Organization of Finances by Louis IX.--Extortions of Philip lo Bel.--Pecuniary Embarrassment of his Successors.--Charles V. re-establishes Order in Finances.--Disasters of France under Charles VI., Charles VII., and Jacques Coeur.--Changes in Taxation from Louis XI. to Francis I.--The Great Financiers.--Florimond Robertet.

Taxes during Roman Rule.--Money Collection by the Merovingian Kings.--Types of Currency.--Financial Regulations under Charlemagne.--Missi Dominici.--Tax Increases due to the Crusades.--Financial Organization by Louis IX.--Excesses of Philip the Fair.--Financial Struggles of his Successors.--Charles V. restores Order in Finances.--Challenges in France during Charles VI., Charles VII., and Jacques Coeur.--Taxation Changes from Louis XI. to Francis I.--The Major Financiers.--Florimond Robertet.

The Family the Origin of Government.--Origin of Supreme Power amongst the Franks.--The Legislation of Barbarism humanised by Christianity.--Right of Justice inherent to the Right of Property.--The Laws under Charlemagne.--Judicial Forms.--Witnesses.--Duels, &c.--Organization of Royal Justice under St. Louis.--The Châtelet and the Provost of Paris.--Jurisdiction of Parliament, its Duties and its Responsibilities.--The Bailiwicks.--Struggles between Parliament and the Châtelet.--Codification of the Customs and Usages.--Official Cupidity.--Comparison between the Parliament and the Châtelet.

The Family: The Origin of Government. - The Origin of Supreme Power among the Franks. - How the Legislation of Barbarism was Humanized by Christianity. - The Right to Justice is Inherent to the Right of Property. - The Laws Under Charlemagne. - Judicial Procedures. - Witnesses. - Duels, etc. - The Organization of Royal Justice under St. Louis. - The Châtelet and the Provost of Paris. - The Jurisdiction of Parliament, Its Duties and Responsibilities. - The Bailiwicks. - Conflicts Between Parliament and the Châtelet. - The Codification of Customs and Usages. - Official Greed. - A Comparison Between Parliament and the Châtelet.

The Old Man of the Mountain and his Followers in Syria.--The Castle of Alamond, Paradise of Assassins.--Charlemagne the Founder of Secret Tribunals amongst the Saxons.--The Holy Vehme.--Organization of the Tribunal of the Terre Rouge, and Modes adopted in its Procedures.--Condemnations and Execution of Sentences.--The Truth respecting the Free Judges of Westphalia.--Duration and Fall of the Vehmie Tribunal.--Council of Ten, in Venice; its Code and Secret Decisions.--End of the Council of Ten.

The Old Man of the Mountain and his Followers in Syria.--The Castle of Alamond, Paradise of Assassins.--Charlemagne, the Founder of Secret Tribunals among the Saxons.--The Holy Vehme.--How the Tribunal of the Terre Rouge was Organized and the Procedures They Used.--Condemnations and Execution of Sentences.--The Truth about the Free Judges of Westphalia.--Duration and Fall of the Vehmie Tribunal.--Council of Ten in Venice; its Code and Secret Decisions.--End of the Council of Ten.

Refinements of Penal Cruelty.--Tortures for different Purposes.--Water, Screw-boards, and the Rack.--The Executioner.--Female Executioners.--Tortures.--Amende Honorable.--Torture of Fire, Real and Feigned.--Auto-da-fé.--Red-hot Brazier or Basin.--Beheading.--Quartering.--The Wheel.--Garotting.--Hanging.--The Whip.--The Pillory.--The Arquebuse.--Tickling.--Flaying.--Drowning.--Imprisonment.--Regulations of Prisons.--The Iron Cage.--"The Leads" of Venice.

Refinements of Penalty Cruelty.--Tortures for Different Purposes.--Water, Screw-boards, and the Rack.--The Executioner.--Female Executioners.--Tortures.--Amende Honorable.--Fire Torture, Real and Fake.--Auto-da-fé.--Red-hot Brazier or Basin.--Beheading.--Quartering.--The Wheel.--Garotting.--Hanging.--The Whip.--The Pillory.--The Arquebuse.--Tickling.--Flaying.--Drowning.--Imprisonment.--Prison Regulations.--The Iron Cage.--"The Leads" of Venice.

Dispersion of the Jews.--Jewish Quarters in the Mediæval Towns.--The Ghetto of Rome.--Ancient Prague.--The Giudecca of Venice.--Condition of the Jews; Animosity of the People against them; Vexations Treatment and Severity of the Sovereigns.--The Jews of Lincoln.--The Jews of Blois.--Mission of the Pastoureaux.--Extermination of the Jews.--The Price at which the Jews purchased Indulgences.--Marks set upon them.--Wealth, Knowledge, Industry, and Financial Aptitude of the Jews.--Regulations respecting Usury as practised by the Jews.--Attachment of the Jews to their Religion.

Dispersion of the Jews.--Jewish Quarters in the Medieval Towns.--The Ghetto of Rome.--Ancient Prague.--The Giudecca of Venice.--Condition of the Jews; Hostility of the People towards them; Harsh Treatment and Severity from the Rulers.--The Jews of Lincoln.--The Jews of Blois.--Mission of the Pastoureaux.--Extermination of the Jews.--The Price at which the Jews bought Indulgences.--Marks placed upon them.--Wealth, Knowledge, Industry, and Financial Skills of the Jews.--Regulations regarding Usury as practiced by the Jews.--Commitment of the Jews to their Religion.

First Appearance of Gipsies in the West.--Gipsies in Paris.--Manners and Customs of these Wandering Tribes.--Tricks of Captain Charles.--Gipsies expelled by Royal Edict.--Language of Gipsies.--The Kingdom of Slang.--The Great Coesre, Chief of the Vagrants; his Vassals and Subjects.--Divisions of the Slang People; its Decay, and the Causes thereof.--Cours des Miracles.--The Camp of Rogues.--Cunning Language, or Slang.--Foreign Rogues, Thieves, and Pickpockets.

First Appearance of Gypsies in the West.--Gypsies in Paris.--Manners and Customs of these Wandering Tribes.--Tricks of Captain Charles.--Gypsies expelled by Royal Edict.--Language of Gypsies.--The Kingdom of Slang.--The Great Coesre, Chief of the Vagrants; his Vassals and Subjects.--Divisions of the Slang People; its Decline, and the Causes of it.--Cours des Miracles.--The Camp of Rogues.--Cunning Language, or Slang.--Foreign Rogues, Thieves, and Pickpockets.

Origin of Modern Ceremonial.--Uncertainty of French Ceremonial up to the End of the Sixteenth Century.--Consecration of the Kings of France.--Coronation of the Emperors of Germany.--Consecration of the Doges of Venice.--Marriage of the Doge with the Sea.--State Entries of Sovereigns.--An Account of the Entry of Isabel of Bavaria into Paris.--Seats of Justice.--Visits of Ceremony between Persons of Rank.--Mourning.--Social Courtesies.--Popular Demonstrations and National Commemorations--New Year's Day.--Local Festivals.--Vins d'Honneur.--Processions of Trades.

Origin of Modern Ceremonial.--Uncertainty of French Ceremonial up to the End of the Sixteenth Century.--Consecration of the Kings of France.--Coronation of the Emperors of Germany.--Consecration of the Doges of Venice.--Marriage of the Doge with the Sea.--State Entries of Sovereigns.--An Account of the Entry of Isabel of Bavaria into Paris.--Seats of Justice.--Visits of Ceremony between Persons of Rank.--Mourning.--Social Courtesies.--Popular Demonstrations and National Commemorations--New Year's Day.--Local Festivals.--Vins d'Honneur.--Processions of Trades.

Influence of Ancient Costume.--Costume in the Fifteenth Century.--Hair.--Costumes in the Time of Charlemagne.--Origin of Modern National Dress.--Head-dresses and Beards: Time of St. Louis.--Progress of Dress: Trousers, Hose, Shoes, Coats, Surcoats, Capes.--Changes in the Fashions of Shoes and Hoods.--Livrée.--Cloaks and Capes.--Edicts against Extravagant Fashions.--Female Dress: Gowns, Bonnets, Head-dresses, &c.--Disappearance of Ancient Dress.--Tight-fitting Gowns.--General Character of Dress under Francis I.--Uniformity of Dress.

Influence of Ancient Costume.--Costume in the Fifteenth Century.--Hair.--Costumes in the Time of Charlemagne.--Origin of Modern National Dress.--Headpieces and Beards: Time of St. Louis.--Progress of Dress: Trousers, Socks, Shoes, Coats, Surcoats, Capes.--Changes in the Styles of Shoes and Hoods.--Livrée.--Cloaks and Capes.--Laws against Extravagant Fashions.--Women's Dress: Gowns, Bonnets, Headpieces, etc.--Disappearance of Ancient Dress.--Tight-fitting Gowns.--Overall Style of Dress under Francis I.--Uniformity of Dress.

Table of Illustrations.

I. Chromolithographs.

1. The Queen of Sheba before Solomon. Fac-simile of a Miniature from the Breviary of Cardinal Grimani, attributed to Memling. Costumes of the Fifteenth Century.

1. The Queen of Sheba before Solomon. Facsimile of a miniature from the Breviary of Cardinal Grimani, attributed to Memling. Costumes of the fifteenth century.

2. The Court of Marie of Anjou, Wife of Charles VII. Fac-simile of a Miniature from the "Douze Perilz d'Enfer." Costumes of the Fifteenth Century.

2. The Court of Marie of Anjou, Wife of Charles VII. Reproduction of a Miniature from the "Douze Perilz d'Enfer." Fashion of the Fifteenth Century.

3. Louis XII. leaving Alexandria, on the 24th April, 1507, to chastise the City of Genoa. From a Miniature in the "Voyage de Gênes" of Jean Marot.

3. Louis XII. leaving Alexandria on April 24, 1507, to punish the City of Genoa. From a miniature in the "Voyage de Gênes" by Jean Marot.

4. A Young Mother's Retinue. Miniature from a Latin "Terence" of Charles VI. Costumes of the Fourteenth Century.

4. A Young Mother's Retinue. Miniature from a Latin "Terence" of Charles VI. Costumes of the Fourteenth Century.

5. Table Service of a Lady of Quality. Fac-simile of a Miniature in the "Roman de Renaud de Montauban." Costumes of the Fifteenth Century.

5. Table Service of a Lady of Quality. Fac-simile of a Miniature in the "Roman de Renaud de Montauban." Costumes of the Fifteenth Century.

6. Ladies Hunting. From a Miniature in a Manuscript Copy of "Ovid's Epistles." Costumes of the Fifteenth Century.

6. Women Hunting. From a Miniature in a Manuscript Copy of "Ovid's Epistles." Fashion of the Fifteenth Century.

7. A Court Fool. Fac-simile of a Miniature in a Manuscript of the Fifteenth Century.

7. A Court Jester. Replication of a Miniature in a 15th Century Manuscript.

8. The Chess-players. After a Miniature of the "Three Ages of Man." (End of the Fifteenth Century).

8. The Chess Players. After a Miniature of the "Three Ages of Man." (End of the Fifteenth Century).

9. Martyrdom of SS. Crispin and Crépinien. From a Window in the Hôpital des Quinze-Vingts (Fifteenth Century).

9. Martyrdom of SS. Crispin and Crépinien. From a Window in the Hôpital des Quinze-Vingts (Fifteenth Century).

10. Settlement of Accounts by the Brotherhood of Charité-Dieu, Rouen, in 1466. A Miniature from the "Livre des Comptes" of this Society (Fifteenth Century).

10. Settlement of Accounts by the Brotherhood of Charité-Dieu, Rouen, in 1466. A Miniature from the "Livre des Comptes" of this Society (Fifteenth Century).

11. Decapitation of Guillaume de Pommiers and his Confessor at Bordeaux in 1377 ("Chroniques de Froissart").

11. Beheading of Guillaume de Pommiers and his Confessor in Bordeaux in 1377 ("Chroniques de Froissart").

12. The Jews' Passover. Fac-simile of a Miniature in a Missal of the Fifteenth Century of the School of Van Eyck.

12. The Jews' Passover. Facsimile of a miniature in a missal from the fifteenth century of the Van Eyck school.

13. Entry of Charles VII. into Paris. A Miniature from the "Chroniques d'Enguerrand de Monstrelet." Costumes of the Sixteenth Century.

13. The entry of Charles VII. into Paris. A Miniature from the "Chroniques d'Enguerrand de Monstrelet." Fashion of the Sixteenth Century.

14. St. Catherine surrounded by the Doctors of Alexandria. A Miniature from the Breviary of Cardinal Grimani, attributed to Memling. Costumes of the Fifteenth Century.

14. St. Catherine with the Doctors of Alexandria. A miniature from the Breviary of Cardinal Grimani, attributed to Memling. 15th Century clothing.

15. Italian Lace-work, in Gold-thread. The Cypher and Arms of Henri III. (Sixteenth Century).

15. Italian lace work in gold thread. The cipher and coat of arms of Henri III. (Sixteenth century).

II. Engravings.

  • Aigues-Mortes, Ramparts of the Town of
  • Alms Bag, Fifteenth Century
  • Amende honorable before the Tribunal
  • America, Discovery of
  • Anne of Brittany and the Ladies of her Court
  • Archer, in Fighting Dress, Fifteenth Century
  • Armourer
  • Arms of Louis XI. and Charlotte of Savoy
  • Arms, Various, Fifteenth Century
  • Bailiwick
  • Bailliage, or Tribunal of the King's Bailiff, Sixteenth Century
  • Baker, The, Sixteenth Century
  • Balancing, Feats of, Thirteenth Century
  • Ballet, Representation of a, before Henri III. and his Court
  • Banner of the Coopers of Bayonne
  •   "             "        La Rochelle
  •   "           Corporation of Bakers of Arras
  •   "             "            Bakers of Paris
  •   "             "            Boot and Shoe Makers of Issoudun
  •   "           Corporation of Publichouse-keepers of Montmédy
  •   "           Corporation of Publichouse-keepers of Tonnerre
  •   "           Drapers of Caen
  •   "           Harness-makers of Paris
  •   "           Nail-makers of Paris
  •   "           Pastrycooks of Caen
  •   "                 "        La Rochelle
  •   "                 "        Tonnerre
  •   "           Tanners of Vie
  •   "           Tilers of Paris
  •   "           Weavers of Toulon
  •   "           Wheelwrights of Paris
  • Banquet, Grand, at the Court of France
  • Barber
  • Barnacle Geese
  • Barrister, Fifteenth Century
  • Basin-maker
  • Bastille, The
  • Bears and other Beasts, how they may be caught with a Dart
  • Beggar playing the Fiddle
  • Beheading
  • Bell and Canon Caster
  • Bird-catching, Fourteenth Century
  • Bird-piping, Fourteenth Century
  • Blind and Poor Sick of St. John, Fifteenth Century
  • Bob Apple, The Game of
  • Bootmaker's Apprentice working at a Trial-piece, Thirteenth Century
  • Bourbon, Constable de, Trial of, before the Peers of France
  • Bourgeois, Thirteenth Century
  • Brandenburg, Marquis of
  • Brewer, The, Sixteenth Century
  • Brotherhood of Death, Member of the
  • Burgess of Ghent and his Wife, from a Window of the Fifteenth Century
  • Burgess at Meals
  • Burgesses with Hoods, Fourteenth Century
  • Burning Ballet, The
  • Butcher, The, Sixteenth Century
  • Butler at his Duties
  • Cards for a Game of Piquet, Sixteenth Century
  • Carlovingian King in his Palace
  • Carpenter, Fifteenth Century
  • Carpenter's Apprentice working at a Trial-piece, Fifteenth Century
  • Cast to allure Beasts
  • Castle of Alamond, The
  • Cat-o'-nine-tails
  • Celtic Monument (the Holy Ox)
  • Chamber of Accounts, Hotel of the
  • Chandeliers in Bronze, Fourteenth Century
  • Charlemagne, The Emperor
  •      "       Coronation of
  •      "       Dalmatica and Sandals of
  •      "       receiving the Oath of Fidelity from one of his great Barons
  •      "       Portrait of
  • Charles, eldest Son of King Pepin, receiving the News of the Death of his Father
  • Charles V. and the Emperor Charles IV., Interview between
  • Château-Gaillard aux Andelys
  • Châtelet, The Great
  • Cheeses, The Manufacture of, Sixteenth Century
  • Chilpéric, Tomb of, Eleventh Century
  • Clasp-maker
  • Cloth to approach Beasts, How to carry a
  • Cloth-worker
  • Coins, Gold Merovingian, 628-638
  •   "    Gold, Sixth and Seventh Centuries
  •   "     "    Fourteenth and Fifteenth Centuries
  •   "    Gold and Silver, Thirteenth Century
  •   "     "               Fifteenth and Sixteenth Centuries
  •   "    Silver, Eighth to Eleventh Centuries
  • Cologne, View of, Sixteenth Century
  • Comb in Ivory, Sixteenth Century
  • Combat of a Knight with a Dog, Thirteenth Century
  • Companion Carpenter, Fifteenth Century
  • Cook, The, Sixteenth Century
  • Coppersmith, The, Sixteenth Century
  • Corn-threshing and Bread-making, Sixteenth Century
  • Costume of Emperors at their Coronation since the Time of Charlemagne
  •     "   King Childebert, Seventh Century
  •     "   King Clovis, Sixth Century
  •     "   Saints in the Sixth to Eighth Century
  •     "   Prelates, Eighth to Tenth Century
  •     "   a Scholar of the Carlovingian Period
  • Costume of a Scholar, Ninth Century
  •      "   a Bishop or Abbot, Ninth Century
  •      "   Charles the Simple, Tenth Century
  •      "   Louis le Jeune
  •      "   a Princess
  •      "   William Malgeneste, the King's Huntsman
  •      "   an English Servant, Fourteenth Century
  •      "   Philip the Good
  •      "   Charles V., King of France
  •      "   Jeanne de Bourbon
  •      "   Charlotte of Savoy
  •      "   Mary of Burgundy
  •      "   the Ladies of the Court of Catherine de Medicis
  •      "   a Gentleman of the French Court, Sixteenth Century
  •      "   the German Bourgeoisie, Sixteenth Century
  • Costumes, Italian, Fifteenth Century
  • Costumes of the Thirteenth Century
  •      "   the Common People, Fourteenth Century
  •      "   a rich Bourgeoise, of a Peasant-woman, and of a Lady of the Nobility, Fourteenth Century
  •      "   a Young Nobleman and of a Bourgeois, Fourteenth Century
  •      "   a Bourgeois or Merchant, of a Nobleman, and of a Lady of the Court or rich Bourgeoise, Fifteenth Century
  •      "   a Mechanic's Wife and a rich Bourgeois, Fifteenth Century
  •      "   Young Noblemen of the Court of Charles VIII
  •      "   a Nobleman, a Bourgeois, and a Noble Lady, of the time of Louis XII
  •      "   a rich Bourgeoise and a Nobleman, time of Francis I
  • Counter-seal of the Butchers of Bruges in 1356
  • Country Life
  • Cour des Miracles of Paris
  • Court Fool
  •      "  of Love in Provence, Fourteenth Century
  •      "  of the Nobles, The
  •      "  Supreme, presided over by the King
  •      "  of a Baron, The
  •      "  Inferior, in the Great Bailiwick
  • Courtiers amassing Riches at the Expense of the Poor, Fourteenth Century
  • Courts of Love in Provence, Allegorical Scene of, Thirteenth Century
  • Craftsmen, Fourteenth Century
  • Cultivation of Fruit, Fifteenth Century
  •          "            Grain, and Manufacture of Barley and Oat Bread
  • Dance called "La Gaillarde"
  •    "  of Fools, Thirteenth Century
  •    "  by Torchlight
  • Dancers on Christmas Night
  • David playing on the Lyre
  • Dealer in Eggs, Sixteenth Century
  • Deer, Appearance of, and how to hunt them with Dogs
  • Deputies of the Burghers of Ghent, Fourteenth Century
  • Dice-maker
  • Distribution of Bread, Meat, and Wine
  • Doge of Venice, Costume of the, before the Sixteenth Century
  •             "             in Ceremonial Costume of the Sixteenth Century
  •             "             Procession of the
  • Dog-kennel, Fifteenth Century
  • Dogs, Diseases of, and their Cure, Fourteenth Century
  • Dortmund, View of, Sixteenth Century
  • Drille, or Narquois, Fifteenth Century
  • Drinkers of the North, The Great
  • Druggist
  • Dues on Wine
  • Dyer
  • Edict, Promulgation of an
  • Elder and Juror, Ceremonial Dress of an
  • Elder and Jurors of the Tanners of Ghent
  • Eloy, St., Signature of
  • Empalement
  • Entry of Louis XI. into Paris
  • Equestrian Performances, Thirteenth Century
  • Estrapade, The, or Question Extraordinary
  • Executions
  • Exhibitor of Strange Animals
  • Falcon, How to train a New, Fourteenth Century
  •     "      How to bathe a New
  • Falconer, Dress of the, Thirteenth Century
  •        "      German, Sixteenth Century
  • Falconers, Thirteenth Century
  •       "         dressing their Birds, Fourteenth Century
  • Falconry, Art of, King Modus teaching the, Fourteenth Century
  •       "       Varlets of, Fourteenth Century
  • Families, The, and the Barbarians
  • Fight between a Horse and Dogs, Thirteenth Century
  • Fireworks on the Water
  • Fish, Conveyance of, by Water and Land
  • Flemish Peasants, Fifteenth Century
  • Franc, Silver, Henry IV.
  • Franks, Fourth to Eighth Century
  •    "    King or Chief of the, Ninth Century
  •    "    King of the, dictating the Salic Law
  • Frédégonde giving orders to assassinate Sigebert, from a Window of the Fifteenth Century
  • Free Judges
  • Funeral Token
  • Gallo-Roman Costumes
  • Gaston Phoebus teaching the Art of Venery
  • German Beggars
  •   "    Knights, Fifteenth Century
  •   "    Soldiers, Sixth to Twelfth Century
  •   "    Sportsman, Sixteenth Century
  • Ghent, Civic Guard of
  • Gibbet of Montfaucon, The
  • Gipsies Fortune-telling
  •   "     on the March
  • Gipsy Encampment
  •   "   Family, A
  •   "   who used to wash his Hands in Molten Lead
  • Goldbeater
  • Goldsmith
  • Goldsmiths of Ghent, Names and Titles of some of the Members of the Corporation of, Fifteenth Century
  •     "      Group of, Seventeenth Century.
  • Grain-measurers of Ghent, Arms of the
  • Grape, Treading the
  • Grocer and Druggist, Shop of a, Seventeenth Century
  • Hanging to Music
  • Hare, How to allure the
  • Hatter
  • Hawking, Lady setting out, Fourteenth Century
  • Hawks, Young, how to make them fly, Fourteenth Century
  • Hay-carriers, Sixteenth Century
  • Herald, Fourteenth Century
  • Heralds, Lodge of the
  • Heron-hawking, Fourteenth Century
  • Hostelry, Interior of an, Sixteenth Century
  • Hôtel des Ursins, Paris, Fourteenth Century
  • Hunting-meal
  • Imperial Procession
  • Infant Richard, The, crucified by the Jews at Pontoise
  • Irmensul and Crodon, Idols of the Ancient Saxons
  • Iron Cage
  • Issue de Table, The
  • Italian Beggar
  •    "    Jew, Fourteenth Century
  •    "    Kitchen, Interior of
  •    "    Nobleman, Fifteenth Century
  • Jacques Coeur, Amende honorable of, before
  •                  Charles VII
  •       "        House of, at Bourges
  • Jean Jouvenel des Ursins, Provost of Paris, and Michelle de Vitry, his Wife (Reign of Charles VI.)
  • Jerusalem, View and Plan of
  • Jew, Legend of a, calling the Devil from a Vessel of Blood
  • Jewish Ceremony before the Ark
  •   "    Conspiracy in France
  •   "    Procession
  • Jews taking the Blood from Christian Children
  •   "  of Cologne burnt alive, The
  •   "  Expulsion of the, in the Reign of the Emperor Hadrian
  •   "  Secret Meeting of the
  • John the Baptist, Decapitation of
  • John the Fearless, Duke of Burgundy, Assassination of
  • Judge, Fifteenth Century
  • Judicial Duel, The
  • Jugglers exhibiting Monkeys and Bears, Thirteenth Century
  •    "     performing in Public, Thirteenth Century
  • King-at-Arms presenting the Sword to the Duc de Bourbon
  • King's Court, The, or Grand Council, Fifteenth Century
  • Kitchen, Interior of a, Sixteenth Century.
  •    "     and Table Utensils
  • Knife-handles in Ivory, Sixteenth Century
  • Knight in War-harness
  • Knight and his Lady, Fourteenth Century
  • Knights and Men-at-Arms of the Reign of Louis le Gros
  • Labouring Colons, Twelfth Century
  • Lambert of Liége, St., Chimes of the Clock of
  • Landgrave of Thuringia and his Wife
  • Lawyer, Sixteenth Century
  • Leopard, Hunting with the, Sixteenth Century
  • Lubeck and its Harbour, View of, Sixteenth Century
  • Maidservants, Dress of, Thirteenth Century
  • Mallet, Louis de, Admiral of France
  • Mark's Place, St., Venice, Sixteenth Century
  • Marseilles and its Harbour, View and Plan of, Sixteenth Century
  • Measurers of Corn, Paris, Sixteenth Century
  • Measuring Salt
  • Merchant Vessel in a Storm
  • Merchants and Lion-keepers at Constantinople
  • Merchants of Rouen, Medal to commemorate the Association of the
  • Merchants of Rouen, Painting commemorative of the Union of, Seventeenth Century
  • Merchants or Tradesmen, Fourteenth Century
  • Metals, The Extraction of
  • Miller, The, Sixteenth Century
  • Mint, The, Sixteenth Century
  • Musician accompanying the Dancing
  • New-born Child, The
  • Nicholas Flamel, and Pernelle, his Wife, from a Painting of the Fifteenth Century
  • Nobility, Costumes of the, from the Seventh to the Ninth century
  • "    Ladies of the, in the Ninth Century
  • Noble Ladies and Children, Dress of, Fourteenth Century
  • Noble Lady and Maid of Honour, Fourteenth Century
  • Noble of Provence, Fifteenth Century
  • Nobleman hunting
  • Nogent-le-Rotrou, Tower of the Castle of
  • Nut-crackers, Sixteenth Century
  • Occupations of the Peasants
  • Officers of the Table and of the Chamber of the Imperial Court
  • Oil, the Manufacture of, Sixteenth Century
  • Old Man of the Mountain, The
  • Olifant, or Hunting-horn, Fourteenth Century
  • "    "    details of
  • Orphaus, Gallois, and Family of the Grand Coesre, Fifteenth Century
  • Palace, The, Sixteenth Century
  • Palace of the Doges, Interior Court of the
  • Paris, View of
  • Partridges, Way to catch
  • Paying Toll on passing a Bridge
  • Peasant Dances at the May Feasts
  • Pheasant-fowling, Fourteenth Century
  • Philippe le Bel in War-dress
  • Pillory, View of the, in the Market-place of Paris, Sixteenth Century
  • Pin and Needle Maker
  • Ploughmen. Fac-simile of a Miniature in very ancient Anglo-Saxon Manuscript
  • Pond Fisherman, The
  • Pont aux Changeurs, View of the ancient
  • Pork-butcher, The, Fourteenth Century
  • Poulterer, The, Sixteenth Century
  • Poultry-dealer, The
  • Powder-horn, Sixteenth Century
  • Provost's Prison, The
  • Provostship of the Merchants of Paris, Assembly of the, Sixteenth Century
  • Punishment by Fire, The
  • Purse or Leather Bag, with Knife or Dagger, Fifteenth Century
  • Receiver of Taxes, The
  • Remy, St., Bishop of Rheirns, begging of Clovis the restitution of the Sacred Vase, Fifteenth Century
  • River Fishermen, The, Sixteenth Century
  • Roi de l'Epinette, Entry of the, at Lille
  • Roman Soldiers, Sixth to Twelfth Century
  • Royal Costume
  • Ruffés and Millards, Fifteenth Century
  • Sainte-Geneviève, Front of the Church of the Abbey of
  • Sale by Town-Crier
  • Salt-cellar, enamelled, Sixteenth Century
  • Sandal or Buskin of Charlemagne
  • Saxony, Duke of
  • Sbirro, Chief of
  • Seal of the Bateliers of Bruges in 1356
  • "    Corporation of Carpenters of St. Trond (Belgium)
  • "    Corporation of Clothworkers of Bruges
  • "    Corporation of Fullers of St. Trond
  • "    Corporation of Joiners of Bruges
  • "    "    Shoemakers of St. Trond
  • "    Corporation of Wool-weavers of Hasselt
  • "    Free Count Hans Vollmar von Twern
  • "    Free Count Heinrich Beckmann
  • "    "    Herman Loseckin
  • "    "    Johann Croppe
  • "    King Chilpéric
  • "    United Trades of Ghent, Fifteenth Century
  • Seat of Justice held by Philippe de Valois
  • Secret Tribunal, Execution of the Sentences of the
  • Sémur, Tower of the Castle of
  • Serf or Vassal, Tenth Century
  • Serjeants-at-Arms, Fourteenth Century
  • Shepherds celebrating the Birth of the Messiah
  • Shoemaker
  • Shops under Covered Market, Fifteenth Century
  • Shout and blow Horns, How to
  • Simon, Martyrdom of, at Trent
  • Slaves or Serfs, Sixth to Twelfth Century
  • Somersaults
  • Sport with Dogs, Fourteenth Century
  • Spring-board, The
  • Spur-maker
  • Squirrels, Way to catch
  • Stag, How to kill and cut up a, Fifteenth Century
  • Staircase of the Office of the Goldsmiths of Rouen, Fifteenth Century
  • Stall of Carved Wood, Fifteenth Century
  • Standards of the Church and the Empire
  • State Banquet, Sixteenth Century
  • Stoertebeck, Execution of
  • Styli, Fourteenth Century
  • Swineherd
  • Swiss Grand Provost
  • Sword-dance to the Sound of the Bagpipe, Fourteenth Century
  • Sword-maker
  • Table of a Baron, Thirteenth Century
  • Tailor
  • Talebot the Hunchback
  • Tinman
  • Tithe of Beer, Fifteenth Century
  • Token of the Corporation of Carpenters of Antwerp
  • Token of the Corporation of Carpenters of Maëstricht
  • Toll under the Bridges of Paris
  • Toll on Markets, levied by a Cleric, Fifteenth Century
  • Torture of the Wheel, Demons applying the
  • Tournaments in Honour of the Entry of Queen Isabel into Paris
  • Tower of the Temple, Paris
  • Trade on the Seaports of the Levant, Fifteenth Century
  • Transport of Merchandise on the Backs of Camels
  • University of Paris, Fellows of the, haranguing the Emperor Charles IV.
  • Varlet or Squire carrying a Halberd, Fifteenth Century
  • View of Alexandria, Sixteenth Century
  • Village Feast, Sixteenth Century
  • Village pillaged by Soldiers
  • Villain, the Covetous and Avaricious
  • Villain, the Egotistical and Envious
  • Villain or Peasant, Fifteenth Century
  • Villain receiving his Lord's Orders
  • Vine, Culture of the
  • Vintagers, The, Thirteenth Century
  • Votive Altar of the Nautes Parisiens
  • Water Torture, The
  • Weight in Brass of the Fish-market at Mans, Sixteenth Century
  • Whale Fishing
  • William, Duke of Normandy, Eleventh Century
  • Winegrower, The
  • Wire-worker
  • Wolves, how they may be caught with a Snare
  • Woman under the Safeguard of Knighthood, Fifteenth Century
  • Women of the Court, Sixth to Tenth Century
  • Woodcock, Mode of catching a, Fourteenth Century

Manners, Customs, and Dress During the Middle Ages, and During the Renaissance Period.

Condition of Persons and Lands.

Disorganization of the West at the Beginning of the Middle Ages.--Mixture of Roman, Germanic, and Gallic Institutions.--Fusion organized under Charlemagne.--Royal Authority.--Position of the Great Feudalists.--Division of the Territory and Prerogatives attached to Landed Possessions.--Freemen and Tenants.--The Læti, the Colon, the Serf, and the Labourer, who may be called the Origin of the Modern Lower Classes.--Formation of Communities.--Right of Mortmain.

Disorganization of the West at the Start of the Middle Ages.--Blend of Roman, Germanic, and Gallic Systems.--Unification arranged by Charlemagne.--Royal Power.--Status of the Major Feudal Lords.--Division of Land and the Rights tied to Land Ownership.--Freemen and Tenants.--The Læti, the Colon, the Serf, and the Laborer, who could be seen as the Origin of Today's Lower Classes.--Establishment of Communities.--Right of Mortmain.

The period known as the Middle Ages, says the learned Benjamin Guérard, is the produce of Pagan civilisation, of Germanic barbarism, and of Christianity. It began in 476, on the fall of Agustulus, and ended in 1453, at the taking of Constantinople by Mahomet II., and consequently the fall of two empires, that of the West and that of the East, marks its duration. Its first act, which was due to the Germans, was the destruction of political unity, and this was destined to be afterwards replaced by religions unity. Then we find a multitude of scattered and disorderly influences growing on the ruins of central power. The yoke of imperial dominion was broken by the barbarians; but the populace, far from acquiring liberty, fell to the lowest degrees of servitude. Instead of one despot, it found thousands of tyrants, and it was but slowly and with much trouble that it succeeded in freeing itself from feudalism. Nothing could be more strangely troubled than the West at the time of the dissolution of the Empire of the Caesars; nothing more diverse or more discordant than the interests, the institutions, and the state of society, which were delivered to the Germans (Figs. 1 and 2). In fact, it would be impossible in the whole pages of history to find a society formed of more heterogeneous or incompatible elements. On the one side might be placed the Goths, Burgundians, Vandals, Germans, Franks, Saxons, and Lombards, nations, or more strictly hordes, accustomed to rough and successful warfare, and, on the other, the Romans, including those people who by long servitude to Roman dominion had become closely allied with their conquerors (Fig. 3). There were, on both sides, freemen, freedmen, colons, and slaves; different ranks and degrees being, however, observable both in freedom and servitude. This hierarchical principle applied itself even to the land, which was divided into freeholds, tributary lands, lands of the nobility, and servile lands, thus constituting the freeholds, the benefices, the fiefs, and the tenures. It may be added that the customs, and to a certain degree the laws, varied according to the masters of the country, so that it can hardly be wondered at that everywhere diversity and inequality were to be found, and, as a consequence, that anarchy and confusion ruled supreme.

TThe time known as the Middle Ages, according to the knowledgeable Benjamin Guérard, is a product of Pagan civilization, Germanic barbarism, and Christianity. It started in 476 with the fall of Agustulus and ended in 1453 when Mahomet II took Constantinople, marking the decline of both the Western and Eastern empires. Its first event, instigated by the Germans, was the destruction of political unity, which was later replaced by religious unity. Following this, we see a range of scattered and chaotic influences emerging from the remnants of central power. The barbarians shattered the yoke of imperial rule; however, the common people, rather than gaining freedom, sank into the deepest levels of servitude. Instead of one tyrant, they faced thousands, and it took a long and difficult struggle for them to break free from feudalism. Nothing was more chaotic than the West when the Roman Empire fell; there was no greater diversity or discord among the interests, institutions, and societal states handed over to the Germans (Figs. 1 and 2). In fact, it would be hard to find anywhere in history a society made up of more diverse or incompatible elements. On one side were the Goths, Burgundians, Vandals, Germans, Franks, Saxons, and Lombards—nations, or more accurately hordes, skilled in fierce and successful warfare; on the other side were the Romans, including those who, after long subjugation to Roman rule, had become closely linked with their conquerors (Fig. 3). There were free people, freed people, tenants, and slaves on both sides, with various ranks and statuses apparent in both freedom and servitude. This hierarchical system extended even to land, which was divided among freeholds, tributary lands, noble lands, and servile lands, leading to the formation of freeholds, benefices, fiefs, and tenures. Additionally, customs and, to some extent, laws varied based on who ruled the area, making it hardly surprising that everywhere there was diversity and inequality, resulting in anarchy and confusion reigning supreme.

Figs. 1 and 2.--Costumes of the Franks from the Fourth to the Eighth Centuries, collected by H. de Vielcastel, from original Documents in the great Libraries of Europe.

Figs. 1 and 2.--Costumes of the Franks from the Fourth to the Eighth Centuries, gathered by H. de Vielcastel, from original documents in the major libraries of Europe.

Fig. 3.--Costumes of Roman Soldiers.

__A_TAG_PLACEHOLDER_0__--Roman Soldier Costumes.

Fig. 4.--Costume of German Soldiers.

__A_TAG_PLACEHOLDER_0__--German Soldiers' Costume.

From Miniatures on different Manuscripts, from the Sixth to the Twelfth Centuries.

From Miniatures in various Manuscripts, from the Sixth to the Twelfth Centuries.

The Germans (Fig. 4) had brought with them over the Rhine none of the heroic virtues attributed to them by Tacitus when he wrote their history, with the evident intention of making a satire on his countrymen. Amongst the degenerate Romans whom those ferocious Germans had subjugated, civilisation was reconstituted on the ruins of vices common in the early history of a new society by the adoption of a series of loose and dissolute habits, both by the conquerors and the conquered.

The Germans (Fig. 4) had crossed the Rhine without any of the heroic qualities that Tacitus claimed they possessed in his writings, likely as a way to mock his fellow countrymen. Among the weakened Romans who had been conquered by those fierce Germans, civilization was rebuilt on the remnants of the vices that were common in the early days of a new society, adopting a range of loose and irresponsible habits by both the conquerors and the conquered.

Fig. 5.--Costumes of Slaves or Serfs, from the Sixth to the Twelfth Centuries, collected by H. de Vielcastel, from original Documents in the great Libraries of Europe.

Fig. 5.--Costumes of Slaves or Serfs, from the Sixth to the Twelfth Centuries, compiled by H. de Vielcastel, from original documents in the major libraries of Europe.

In fact, the conquerors contributed the worse share (Fig. 5); for, whilst exercising the low and debasing instincts of their former barbarism, they undertook the work of social reconstruction with a sort of natural and innate servitude. To them, liberty, the desire for which caused them to brave the greatest dangers, was simply the right of doing evil--of obeying their ardent thirst for plunder. Long ago, in the depths of their forests, they had adopted the curious institution of vassalage. When they came to the West to create States, instead of reducing personal power, every step in their social edifice, from the top to the bottom, was made to depend on individual superiority. To bow to a superior was their first political principle; and on that principle feudalism was one day to find its base.

In fact, the conquerors played the worst role (Fig. 5); while indulging in the low and degrading instincts of their past barbarism, they took on the task of rebuilding society with a kind of natural and inherent servitude. For them, liberty, which pushed them to face great dangers, was merely the right to do wrong—to satisfy their intense desire for loot. Long ago, deep in their forests, they had embraced the odd system of vassalage. When they arrived in the West to establish States, instead of diminishing personal power, every layer of their social structure, from top to bottom, was made to rely on individual superiority. Submitting to a superior became their first political principle; and on that principle, feudalism would eventually find its foundation.

Servitude was in fact to be found in all conditions and ranks, equally in the palace of the sovereign as in the dwellings of his subjects. The vassal who was waited on at his own table by a varlet, himself served at the table of his lord; the nobles treated each other likewise, according to their rank; and all the exactions which each submitted to from his superiors, and required to be paid to him by those below him, were looked upon not as onerous duties, but as rights and honours. The sentiment of dignity and of personal independence, which has become, so to say, the soul of modern society, did not exist at all, or at least but very slightly, amongst the Germans. If we could doubt the fact, we have but to remember that these men, so proud, so indifferent to suffering or death, would often think little of staking their liberty in gambling, in the hope that if successful their gain might afford them the means of gratifying some brutal passion.

Servitude was actually present in all social classes, both in the palace of the ruler and in the homes of his subjects. The vassal who was served by a servant at his own table was himself serving at his lord's table; nobles treated each other similarly, based on their rank; and all the demands each had to endure from those above him, and the obligations required from those below him, were seen not as burdensome duties but as rights and honors. The sense of dignity and personal independence, which has come to represent the essence of modern society, barely existed, if at all, among the Germans. If we needed proof, we only have to recall that these men, so proud and indifferent to suffering or death, would often think nothing of risking their freedom in gambling, hoping that if they won, their winnings might enable them to indulge some base desire.

Fig. 6.--King or Chief of Franks armed with the Seramasax, from a Miniature of the Ninth Century, drawn by H. de Vielcastel.

Fig. 6.--King or Chief of Franks equipped with the Seramasax, from a 9th-century miniature, illustrated by H. de Vielcastel.

When the Franks took root in Gaul, their dress and institutions were adopted by the Roman society (Fig. 6). This had the most disastrous influence in every point of view, and it is easy to prove that civilisation did not emerge from this chaos until by degrees the Teutonic spirit disappeared from the world. As long as this spirit reigned, neither private nor public liberty existed. Individual patriotism only extended as far as the border of a man's family, and the nation became broken up into clans. Gaul soon found itself parcelled off into domains which were almost independent of one another. It was thus that Germanic genius became developed.

When the Franks settled in Gaul, their clothing and systems were taken on by Roman society (Fig. 6). This had a disastrous impact from every angle, and it’s clear that civilization didn’t start to rise out of this chaos until the Teutonic influence gradually faded away. As long as this spirit was dominant, there was no real public or private freedom. People’s sense of patriotism only reached the limits of their family, and the nation fragmented into clans. Gaul quickly found itself divided into territories that were almost self-governing. This is how Germanic creativity began to develop.

Fig. 7.--The King of the Franks, in the midst of the Military Chiefs who formed his Treuste, or armed Court, dictates the Salic Law (Code of the Barbaric Laws).--Fac-simile of a Miniature in the "Chronicles of St. Denis," a Manuscript of the Fourteenth Century (Library of the Arsenal).

Fig. 7.--The King of the Franks, surrounded by the Military Chiefs who made up his Treuste, or armed Court, is laying down the Salic Law (Code of the Barbaric Laws).--Fac-simile of a Miniature in the "Chronicles of St. Denis," a Manuscript of the Fourteenth Century (Library of the Arsenal).

The advantages of acting together for mutual protection first established itself in families. If any one suffered from an act of violence, he laid the matter before his relatives for them jointly to seek reparation. The question was then settled between the families of the offended person and the offender, all of whom were equally associated in the object of vindicating a cause which interested them alone, without recognising any established authority, and without appealing to the law. If the parties had sought the protection or advice of men of power, the quarrel might at once take a wider scope, and tend to kindle a feud between two nobles. In any case the King only interfered when the safety of his person or the interests of his dominions were threatened.

The benefits of banding together for mutual protection first took root in families. If someone was harmed by an act of violence, they would bring the issue to their relatives, who would collectively seek restitution. The matter was then resolved between the families of the victim and the offender, all of whom were equally invested in vindicating a cause that concerned only them, without acknowledging any established authority or appealing to the law. If the parties had sought the help or advice of powerful individuals, the dispute could quickly escalate and spark a feud between two nobles. In any case, the King only intervened when his personal safety or the interests of his kingdom were at risk.

Penalties and punishments were almost always to be averted by a money payment. A son, for instance, instead of avenging the death of his father, received from the murderer a certain indemnity in specie, according to legal tariff; and the law was thus satisfied.

Penalties and punishments could almost always be avoided with a financial payment. For example, a son, instead of seeking revenge for his father's death, would receive a specified amount in cash from the murderer, based on legal guidelines; and that was enough to satisfy the law.

The tariff of indemnities or compensations to be paid for each crime formed the basis of the code of laws amongst the principal tribes of Franks, a code essentially barbarian, and called the Salic law, or law of the Salians (Fig. 7). Such, however, was the spirit of inequality among the German races, that it became an established principle for justice to be subservient to the rank of individuals. The more powerful a man was, the more he was protected by the law; the lower his rank, the less the law protected him.

The system of payment for damages or compensation for each crime set the foundation of the legal code among the main tribes of the Franks, a code that was primarily barbaric and known as the Salic law, or law of the Salians (Fig. 7). However, the inequality among the Germanic tribes meant that it became a common principle for justice to be influenced by a person's social status. The more powerful a man was, the more the law protected him; the lower his status, the less protection he received from the law.

The life of a Frank, by right, was worth twice that of a Roman; the life of a servant of the King was worth three times that of an ordinary individual who did not possess that protecting tie. On the other hand, punishment was the more prompt and rigorous according to the inferiority of position of the culprit. In case of theft, for instance, a person of importance was brought before the King's tribunal, and as it respected the rank held by the accused in the social hierarchy, little or no punishment was awarded. In the case of the same crime by a poor man, on the contrary, the ordinary judge gave immediate sentence, and he was seized and hung on the spot.

The life of a Frank was worth twice that of a Roman; the life of a servant of the King was worth three times that of an ordinary person who didn’t have that protective connection. However, punishment was more immediate and severe based on the social status of the offender. For example, if someone important committed theft, they would be brought before the King’s court, and depending on their rank in society, they would receive little to no punishment. In contrast, if a poor person committed the same crime, the regular judge would issue an immediate sentence, and that person would be captured and hanged on the spot.

Inasmuch as no political institutions amongst the Germans were nobler or more just than those of the Franks and the other barbaric races, we cannot accept the creed of certain historians who have represented the Germans as the true regenerators of society in Europe. The two sources of modern civilisation are indisputably Pagan antiquity and Christianity.

Since there were no political institutions among the Germans that were nobler or more just than those of the Franks and other barbaric groups, we cannot agree with certain historians who portray the Germans as the true reformers of society in Europe. The two foundations of modern civilization are clearly Pagan antiquity and Christianity.

After the fall of the Merovingian kings great progress was made in the political and social state of nations. These kings, who were but chiefs of undisciplined bands, were unable to assume a regal character, properly so called. Their authority was more personal than territorial, for incessant changes were made in the boundaries of their conquered dominions. It was therefore with good reason that they styled themselves kings of the Franks, and not kings of France.

After the fall of the Merovingian kings, there was significant progress in the political and social conditions of nations. These kings, who were essentially leaders of unruly groups, couldn't properly take on a royal role. Their authority was more about personal influence than territorial control, as the boundaries of their conquered lands were constantly changing. It made sense, then, that they called themselves kings of the Franks, rather than kings of France.

Charlemagne was the first who recognised that social union, so admirable an example of which was furnished by Roman organization, and who was able, with the very elements of confusion and disorder to which he succeeded, to unite, direct, and consolidate diverging and opposite forces, to establish and regulate public administrations, to found and build towns, and to form and reconstruct almost a new world (Fig. 8). We hear of him assigning to each his place, creating for all a common interest, making of a crowd of small and scattered peoples a great and powerful nation; in a word, rekindling the beacon of ancient civilisation. When he died, after a most active and glorious reign of forty-five years, he left an immense empire in the most perfect state of peace (Fig. 9). But this magnificent inheritance was unfortunately destined to pass into unworthy or impotent hands, so that society soon fell back into anarchy and confusion. The nobles, in their turn invested with power, were continually at war, and gradually weakened the royal authority--the power of the kingdom--by their endless disputes with the Crown and with one another.

Charlemagne was the first to recognize that social unity, a great example of which was shown by Roman organization, and he managed, even with the chaos and disorder he inherited, to unite, direct, and strengthen diverse and opposing forces, to establish and manage public administrations, to create and build towns, and to form and reconstruct almost a new world (Fig. 8). We hear about him assigning roles to everyone, creating a shared interest for all, turning a collection of small and scattered tribes into a large and powerful nation; in short, reviving the flame of ancient civilization. When he died, after a very active and glorious reign of forty-five years, he left behind a vast empire in a state of perfect peace (Fig. 9). But this magnificent legacy unfortunately fell into unworthy or ineffective hands, causing society to quickly spiral back into chaos and confusion. The nobles, now wielding power, were constantly at war, gradually weakening the royal authority—the power of the kingdom—through their ongoing disputes with the Crown and with one another.

Fig. 8.--Charles, eldest Son of King Pepin, receives the News of the Death of his Father and the Great Feudalists offer him the Crown.--Costumes of the Court of Burgundy in the Fifteenth Century.--Fac-simile of a Miniature of the "History of the Emperors" (Library of the Arsenal).

Fig. 8.--Charles, the oldest son of King Pepin, hears the news of his father's death, and the powerful nobles offer him the crown.--Fashion of the Burgundy Court in the Fifteenth Century.--Replica of a miniature from the "History of the Emperors" (Library of the Arsenal).

Fig. 9. Portrait of Charlemagne, whom the Song of Roland names the King with the Grizzly Beard.--Fac-simile of an Engraving of the End of the Sixteenth Century.

Fig. 9. Portrait of Charlemagne, referred to in the Song of Roland as the King with the Grizzly Beard.--Fac-simile of an Engraving from the Late Sixteenth Century.

The revolution in society which took place under the Carlovingian dynasty had for its especial object that of rendering territorial what was formerly personal, and, as it were, of destroying personality in matters of government.

The societal revolution that occurred under the Carolingian dynasty aimed to transform what was once personal into something territorial, effectively removing individual identity in governmental matters.

The usurpation of lands by the great having been thus limited by the influence of the lesser holders, everybody tried to become the holder of land. Its possession then formed the basis of social position, and, as a consequence, individual servitude became lessened, and society assumed a more stable condition. The ancient laws of wandering tribes fell into disuse; and at the same time many distinctions of caste and race disappeared, as they were incompatible with the new order of things. As there were no more Salians, Ripuarians, nor Visigoths among the free men, so there were no more colons, læti, nor slaves amongst those deprived of liberty.

The takeover of land by the powerful was limited by the influence of the lesser landholders, leading everyone to try to own land. Owning land then became the foundation of social status, and as a result, individual servitude decreased, resulting in a more stable society. The old laws of wandering tribes fell out of use, and many distinctions of caste and race disappeared, as they didn’t fit the new order. Just as there were no more Salians, Ripuarians, or Visigoths among free people, there were also no more colons, læti, or slaves among those who were without freedom.

Figs. 10 and 11.--Present State of the Feudal Castle of Chateau-Gaillard aux Andelys, which was considered one of the strongest Castles of France in the Middle Ages, and was rebuilt in the Twelfth Century by Richard Coeur de Lion.

Figs. 10 and 11.--Current Condition of the Feudal Castle of Chateau-Gaillard in Andelys, which was regarded as one of the most formidable castles in France during the Middle Ages and was reconstructed in the 12th century by Richard the Lionheart.

Heads of families, on becoming attached to the soil, naturally had other wants and other customs than those which they had delighted in when they were only the chiefs of wandering adventurers. The strength of their followers was not now so important to them as the security of their castles. Fortresses took the place of armed bodies; and at this time, every one who wished to keep what he had, entrenched himself to the best of his ability at his own residence. The banks of rivers, elevated positions, and all inaccessible heights, were occupied by towers and castles, surrounded by ditches, which served as strongholds to the lords of the soil. (Figs. 10 and 11). These places of defence soon became points for attack. Out of danger at home, many of the nobles kept watch like birds of prey on the surrounding country, and were always ready to fall, not only upon their enemies, but also on their neighbours, in the hope either of robbing them when off their guard, or of obtaining a ransom for any unwary traveller who might fall into their hands. Everywhere society was in ambuscade, and waged civil war--individual against individual--without peace or mercy. Such was the reign of feudalism. It is unnecessary to point out how this system of perpetual petty warfare tended to reduce the power of centralisation, and how royalty itself was weakened towards the end of the second dynasty. When the descendants of Hugh Capet wished to restore their power by giving it a larger basis, they were obliged to attack, one after the other, all these strongholds, and practically to re-annex each fief, city, and province held by these petty monarchs, in order to force their owners to recognise the sovereignty of the King. Centuries of war and negotiations became necessary before the kingdom of France could be, as it were, reformed.

Heads of families, once they settled down, naturally had different needs and customs than when they were simply leaders of wandering adventurers. The number of followers wasn't as crucial anymore; what mattered more was the security of their homes. Fortresses replaced armed troops, and during this time, anyone who wanted to protect what they had fortified their residences as best as they could. Castles and towers sprang up along riverbanks, on high ground, and in otherwise inaccessible places, surrounded by ditches that served as defenses for the landowners. (Figs. 10 and 11). These defensive structures soon became targets for attack. Safe at home, many nobles kept an eagle eye on the surrounding area, ready to swoop down not only on their enemies but also on their neighbors, hoping to catch them off guard or to ransom any unsuspecting traveler who fell into their hands. Society was essentially in ambush mode, engaged in civil war—individuals against individuals—without any peace or mercy. This was the era of feudalism. It's clear how this constant state of petty warfare undermined central authority and weakened the monarchy towards the end of the second dynasty. When the descendants of Hugh Capet sought to restore their power with a broader base, they had to systematically attack all these strongholds, effectively re-annexing each fief, city, and province held by these minor lords to force them to acknowledge the king's sovereignty. Centuries of war and negotiation were needed before the kingdom of France could be effectively reformed.

Fig. 12.--Knights and Men-at-arms, cased in Mail, in the Reign of Louis le Gros, from a Miniature in a Psalter written towards the End of the Twelfth Century.

Fig. 12.--Knights and soldiers in armor, during the reign of Louis the Fat, from a miniature in a Psalter created toward the end of the twelfth century.

The corporations and the citizens had great weight in restoring the monarchical power, as well as in forming French nationality; but by far the best influence brought to bear in the Middle Ages was that of Christianity. The doctrine of one origin and of one final destiny being common to all men of all classes constantly acted as a strong inducement for thinking that all should be equally free. Religious equality paved the way for political equality, and as all Christians were brothers before God, the tendency was for them to become, as citizens, equal also in law.

The corporations and the citizens played a significant role in restoring the monarchy and shaping French identity; however, the strongest influence during the Middle Ages was Christianity. The belief in a common origin and shared destiny for all people, regardless of class, strongly encouraged the idea that everyone should be equally free. Religious equality laid the groundwork for political equality, and since all Christians were viewed as brothers in the eyes of God, it naturally led to the idea that they should also be equal under the law as citizens.

This transformation, however, was but slow, and followed concurrently the progress made in the security of property. At the onset, the slave only possessed his life, and this was but imperfectly guaranteed to him by the laws of charity; laws which, however, year by year became of greater power. He afterwards became colon, or labourer (Figs. 13 and 14), working for himself under certain conditions and tenures, paying fines, or services, which, it is true, were often very extortionate. At this time he was considered to belong to the domain on which he was born, and he was at least sure that that soil would not be taken from him, and that in giving part of his time to his master, he was at liberty to enjoy the rest according to his fancy. The farmer afterwards became proprietor of the soil he cultivated, and master, not only of himself, but of his lands; certain trivial obligations or fines being all that was required of him, and these daily grew less, and at last disappeared altogether. Having thus obtained a footing in society, he soon began to take a place in provincial assemblies; and he made the last bound on the road of social progress, when the vote of his fellow-electors sent him to represent them in the parliament of the kingdom. Thus the people who had begun by excessive servitude, gradually climbed to power.

This transformation, however, was slow and occurred alongside improvements in property security. At first, the slave only had his life, which was only weakly protected by laws of compassion—laws that became stronger year after year. He later became a laborer, working for himself under certain conditions and obligations, often paying fines or providing services that were frequently very unfair. During this time, he was seen as belonging to the land he was born on, and at least he knew that land wouldn’t be taken from him. By dedicating part of his time to his master, he was free to enjoy the rest as he pleased. Eventually, the farmer became the owner of the land he worked on, gaining independence not just for himself but also for his property; only minor obligations or fines were required from him, which shrank over time and eventually disappeared completely. With this newfound status in society, he quickly began to participate in local assemblies and made a significant leap in social progress when he was elected by his fellow voters to represent them in the kingdom's parliament. Thus, the people who started in severe servitude gradually rose to power.

Fig. 13.--Labouring Colons (Twelfth Century), after a Miniature in a Manuscript of the Ste. Chapelle, of the National Library of Paris.

Fig. 13.--Working Colonists (12th Century), based on a Miniature in a Manuscript from Ste. Chapelle, at the National Library of Paris.

We will now describe more in detail the various conditions of persons of the Middle Ages.

We will now explain in more detail the different situations of people in the Middle Ages.

The King, who held his rights by birth, and not by election, enjoyed relatively an absolute authority, proportioned according to the power of his abilities, to the extent of his dominions, and to the devotion of his vassals. Invested with a power which for a long time resembled the command of a general of an army, he had at first no other ministers than the officers to whom he gave full power to act in the provinces, and who decided arbitrarily in the name of, and representing, the King, on all questions of administration. One minister alone approached the King, and that was the chancellor, who verified, sealed, and dispatched all royal decrees and orders.

The King, who inherited his rights by birth rather than being elected, had a kind of absolute authority that varied based on his abilities, the size of his territories, and the loyalty of his vassals. For a long time, his power was similar to that of a military general, and initially, he had no other ministers besides the officers he appointed with full authority to manage the provinces. These officers made decisions on behalf of the King, handling all administrative matters at their discretion. The only minister who was in direct contact with the King was the chancellor, responsible for verifying, sealing, and sending out all royal decrees and orders.

As early, however, as the seventh century, a few officers of state appeared, who were specially attached to the King's person or household; a count of the palace, who examined and directed the suits brought before the throne; a mayor of the palace, who at one time raised himself from the administration of the royal property to the supreme power; an arch-chaplain, who presided over ecclesiastical affairs; a lord of the bedchamber, charged with the treasure of the chamber; and a count of the stables, charged with the superintendence of the stables.

As early as the seventh century, a few government officials emerged who were specifically linked to the King's household. There was a palace count who reviewed and managed the cases brought before the throne; a mayor of the palace who at one point elevated himself from managing royal property to holding supreme power; an arch-chaplain who oversaw church matters; a lord of the bedchamber responsible for the chamber's treasury; and a count of the stables tasked with overseeing the stables.

Fig. 14.--Labouring Colons (Twelfth Century), after a Miniature in a Manuscript of the Ste. Chapelle, of the National Library of Paris.

Fig. 14.--Working Colons (12th Century), after a Miniature in a Manuscript of the Sainte Chapelle, of the National Library of Paris.

For all important affairs, the King generally consulted the grandees of his court; but as in the five or six first centuries of monarchy in France the royal residence was not permanent, it is probable the Council of State was composed in part of the officers who followed the King, and in part of the noblemen who came to visit him, or resided near the place he happened to be inhabiting. It was only under the Capetians that the Royal Council took a permanent footing, or even assembled at stated periods.

For all important matters, the King usually consulted the high-ranking officials in his court; however, since during the first five or six centuries of monarchy in France the royal residence wasn’t fixed, it’s likely that the Council of State was partly made up of the officials who accompanied the King and partly of the nobles who came to visit him or lived near wherever he was staying. It wasn’t until the Capetians that the Royal Council became established or even met regularly.

In ordinary times, that is to say, when he was not engaged in war, the King had few around him besides his family, his personal attendants, and the ministers charged with the dispatch of affairs. As he changed from one of his abodes to another he only held his court on the great festivals of the year.

In regular times, meaning when he wasn't at war, the King had few people around him except for his family, personal attendants, and the ministers responsible for handling affairs. He only held his court during the major festivals of the year as he moved from one residence to another.

Fig. 15.--The Lords and Barons prove their Nobility by hanging their Banners and exposing their Coats-of-arms at the Windows of the Lodge of the Heralds.--After a Miniature of the "Tournaments of King Réné" (Fifteenth Century), MSS. of the National Library of Paris.

Fig. 15.--The lords and barons show their nobility by hanging their banners and displaying their coats of arms at the windows of the Heralds' Lodge.--After a miniature of the "Tournaments of King René" (15th century), manuscripts from the National Library of Paris.

Up to the thirteenth century, there was, strictly speaking, no taxation and no public treasury. The King received, through special officers appointed for the purpose, tributes either in money or in kind, which were most variable, but often very heavy, and drawn almost exclusively from his personal and private properties. In cases of emergency only, he appealed to his vassals for pecuniary aid. A great number of the grandees, who lived far from the court, either in state offices or on their own fiefs, had establishments similar to that of the King. Numerous and considerable privileges elevated them above other free men. The offices and fiefs having become hereditary, the order of nobility followed as a consequence; and it then became highly necessary for families to keep their genealogical histories, not only to gratify their pride, but also to give them the necessary titles for the feudal advantages they derived by birth. (Fig. 15). Without this right of inheritance, society, which was still unsettled in the Middle Ages, would soon have been dissolved. This great principle, sacred in the eyes both of great and small, maintained feudalism, and in so doing it maintained itself amidst all the chaos and confusion of repeated revolutions and social disturbances.

Up until the thirteenth century, there wasn't really any taxation or a public treasury. The King received tributes in money or goods through special officials he appointed, and these were quite varied, often very burdensome, and mainly drawn from his personal estates. In emergencies, he would ask his vassals for financial help. Many of the nobles, who lived far from the court, either held state offices or managed their own lands, and they had setups that resembled the King's. They enjoyed numerous privileges that set them apart from other free people. Since offices and lands became hereditary, a noble class emerged; it then became essential for families to keep track of their lineages, not only to satisfy their pride but also to secure the titles necessary for the feudal benefits they inherited. (Fig. 15). Without this right of inheritance, society, which was still unstable during the Middle Ages, would have quickly fallen apart. This important principle, valued by both the high and the low, supported feudalism, and in doing so, it preserved itself amidst all the turmoil and upheaval of repeated revolutions and social unrest.

We have already stated, and we cannot sufficiently insist upon this important point, that from the day on which the adventurous habits of the chiefs of Germanic origin gave place to the desire for territorial possessions, the part played by the land increased insensibly towards defining the position of the persons holding it. Domains became small kingdoms, over which the lord assumed the most absolute and arbitrary rights. A rule was soon established, that the nobility was inherent to the soil, and consequently that the land ought to transmit to its possessors the rights of nobility.

We have already mentioned, and we can't emphasize enough this important point, that from the day the adventurous ways of the Germanic chiefs shifted to a desire for land ownership, the role of land gradually became more significant in defining the status of the people who owned it. Lands turned into small kingdoms, over which the lord claimed the most absolute and arbitrary rights. A rule quickly developed that nobility was tied to the land, meaning that the land should pass its noble rights to its owners.

This privilege was so much accepted, that the long tenure of a fief ended by ennobling the commoner. Subsequently, by a sort of compensation which naturally followed, lands on which rent had hitherto been paid became free and noble on passing to the possession of a noble. At last, however, the contrary rule prevailed, which caused the lands not to change quality in changing owners: the noble could still possess the labourers's lands without losing his nobility, but the labourer could be proprietor of a fief without thereby becoming a noble.

This privilege was so widely accepted that a commoner could become nobility after holding a fief for a long time. As a result, lands that had previously generated rent became free and noble once they were owned by a noble. Eventually, though, the opposite became the norm, meaning that the lands didn't change their status when ownership changed: a noble could still own a laborer's land without losing their nobility, but a laborer could own a fief without becoming a noble.

To the comites, who, according to Tacitus, attached themselves to the fortunes of the Germanic chiefs, succeeded the Merovingian leudes, whose assembly formed the King's Council. These leudes were persons of great importance owing to the number of their vassals, and although they composed his ordinary Council, they did not hesitate at times to declare themselves openly opposed to his will.

To the comites, who, according to Tacitus, allied themselves with the fortunes of the Germanic chiefs, succeeded the Merovingian leudes, whose assembly made up the King's Council. These leudes were very important due to the number of their vassals, and even though they formed his regular Council, they sometimes openly opposed his wishes.

Fig. 16.--Knight in War-harness, after a Miniature in a Psalter written and illuminated under Louis le Gros.

Fig. 16.--Knight in battle armor, based on a miniature from a psalter created and illustrated during the reign of Louis le Gros.

The name of leudes was abandoned under the second of the then French dynasties, and replaced by that of fidèles, which, in truth soon became a common designation of both the vassals of the Crown and those of the nobility.

The term leudes was dropped during the second of the then French dynasties and replaced by fidèles, which quickly became a common label for both the vassals of the Crown and those of the nobility.

Under the kings of the third dynasty, the kingdom was divided into about one hundred and fifty domains, which were called great fiefs of the crown, and which were possessed in hereditary right by the members of the highest nobility, placed immediately under the royal sovereignty and dependence.

Under the kings of the third dynasty, the kingdom was split into around one hundred and fifty regions known as great fiefs of the crown, which were held by the highest nobility as hereditary rights, directly under royal authority and control.

Fig. 17.--King Charlemagne receiving the Oath of Fidelity and Homage from one of his great Feudatories or High Barons.--Fac-simile of a Miniature in Cameo, of the "Chronicles of St. Denis." Manuscript of the Fourteenth Century (Library of the Arsenal).

Fig. 17.--King Charlemagne receiving the Oath of Loyalty and Respect from one of his major Vassals or High Barons.--Fac-simile of a Miniature in Cameo, from the "Chronicles of St. Denis." Manuscript from the Fourteenth Century (Library of the Arsenal).

Vassals emanating directly from the King, were then generally designated by the title of barons, and mostly possessed strongholds. The other nobles indiscriminately ranked as chevaliers or cnights, a generic title, to which was added that of banneret, The fiefs of hauberk were bound to supply the sovereign with a certain number of knights covered with coats of mail, and completely armed. All knights were mounted in war (Fig. 16); but knights who were made so in consequence of their high birth must not be confounded with those who became knights by some great feat in arms in the house of a prince or high noble, nor with the members of the different orders of chivalry which were successively instituted, such as the Knights of the Star, the Genet, the Golden Fleece, Saint-Esprit, St. John of Jerusalem, &c. Originally, the possession of a benefice or fief meant no more than the privilege of enjoying the profits derived from the land, a concession which made the holder dependent upon the proprietor. He was in fact his "man," to whom he owed homage (Fig. 17), service in case of war, and assistance in any suit the proprietor might have before the King's tribunal. The chiefs of German bands at first recompensed their companions in arms by giving them fiefs of parts of the territory which they had conquered; but later on, everything was equally given to be held in fief, namely, dignities, offices, rights, and incomes or titles.

Vassals who came directly from the King were usually called barons and mostly held strongholds. The other nobles were simply known as chevaliers or knights, a generic title that was often accompanied by the term banneret. The fiefs of hauberk were required to provide the king with a certain number of knights who were fully armored and equipped. All knights fought on horseback (Fig. 16); however, those who were knighted due to their noble birth should not be confused with those who became knights through notable acts of valor in the service of a prince or high noble, nor with members of various chivalric orders that were established over time, such as the Knights of the Star, the Genet, the Golden Fleece, Saint-Esprit, St. John of Jerusalem, etc. Initially, having a benefice or fief meant only the right to enjoy the profits from the land, a grant that made the holder dependent on the owner. He was essentially his "man," to whom he owed loyalty (Fig. 17), military service when needed, and support in any legal matters the owner might have before the King’s court. At first, the leaders of Germanic tribes rewarded their comrades in arms with fiefs from the territories they had conquered; later on, everything could be granted to be held as a fief, including dignities, offices, rights, income, or titles.

It is important to remark (and it is in this alone that feudalism shows its social bearing), that if the vassal owed obedience and devotion to his lord, the lord in exchange owed protection to the vassal. The rank of "free man" did not necessarily require the possession of land; but the position of free men who did not hold fiefs was extremely delicate and often painful, for they were by natural right dependent upon those on whose domain they resided. In fact, the greater part of these nobles without lands became by choice the King's men, and remained attached to his service. If this failed them, they took lands on lease, so as to support themselves and their families, and to avoid falling into absolute servitude. In the event of a change of proprietor, they changed with the land into new hands. Nevertheless, it was not uncommon for them to be so reduced as to sell their freedom; but in such cases, they reserved the right, should better times come, of re-purchasing their liberty by paying one-fifth more than the sum for which they had sold it.

It’s important to note (and this is where feudalism reveals its social aspects) that while the vassal had to show loyalty and devotion to his lord, the lord was obligated to provide protection in return. Being a "free man" didn’t necessarily mean owning land; however, the situation for free men without fiefs was very precarious and often difficult, as they were naturally dependent on those who owned the land they lived on. In fact, many landless nobles chose to become loyal to the King and dedicated themselves to his service. If that didn’t work out, they would lease land to support themselves and their families to avoid falling into complete servitude. If there was a change in ownership, they would move along with the land to the new owner. However, it wasn’t unusual for them to be so desperate that they would sell their freedom; in such cases, they kept the right to buy back their freedom later by paying an extra one-fifth of what they sold it for if circumstances improved.

We thus see that in olden times, as also later, freedom was more or less the natural consequence of the possession of wealth or power on the part of individuals or families who considered themselves free in the midst of general dependence. During the tenth century, indeed, if not impossible, it was at least difficult to find a single inhabitant of the kingdom of France who was not "the man" of some one, and who was either tied by rules of a liberal order, or else was under the most servile obligations.

We see that in ancient times, just like later, freedom was often a natural result of having wealth or power by individuals or families who thought of themselves as free while everyone else was dependent. During the tenth century, it was difficult, if not impossible, to find a single person in the kingdom of France who wasn't "the man" of someone else, either bound by the rules of a free society or under strict obligations of servitude.

The property of the free men was originally the "aleu," which was under the jurisdiction of the royal magistrates. The aleu gradually lost the greater part of its franchise, and became liable to the common charges due on lands which were not freehold.

The property of free men was originally the "aleu," which was managed by the royal magistrates. The aleu gradually lost most of its rights and became subject to the common charges owed on lands that were not freehold.

In ancient times, all landed property of a certain extent was composed of two distinct parts: one occupied by the owner, constituted the domain or manor; the other, divided between persons who were more or less dependent, formed what were called tenures. These tenures were again divided according to the position of those who occupied them: if they were possessed by free men, who took the name of vassals, they were called benefices or fiefs; if they were let to læti, colons, or serfs, they were then called colonies or demesnes.

In ancient times, all land of a certain size was made up of two distinct parts: one that was occupied by the owner, known as the domain or manor; the other, which was shared among people who were somewhat dependent, was called tenures. These tenures were further divided based on the status of the occupants: if they were held by free men, known as vassals, they were called benefices or fiefs; if they were rented to læti, colons, or serfs, they were called colonies or demesnes.

Fig. 18.--Ploughmen.--Fac-simile of a Miniature in a very ancient Anglo-Saxon Manuscript published by Shaw, with legend "God Spede ye Plough, and send us Korne enow."

Fig. 18.--Ploughmen.--Reproduction of a miniature from a very old Anglo-Saxon manuscript published by Shaw, with the caption "God grant you success with the plow, and give us enough grain."

The læti occupied a rank between the colon and the serf. They had less liberty than the colon, over whom the proprietor only had an indirect and very limited power. The colon only served the land, whilst the læti, whether agriculturists or servants, served both the land and the owner (Fig. 18). They nevertheless enjoyed the right of possession, and of defending themselves, or prosecuting by law. The serf, on the contrary, had neither city, tribunal, nor family. The læti had, besides, the power of purchasing their liberty when they had amassed sufficient for the purpose.

The læti held a position between the colon and the serf. They had less freedom than the colon, who was only subject to limited and indirect control by the landowner. The colon worked the land, while the læti, whether farmers or servants, worked for both the land and the owner (Fig. 18). However, they still had the right to own property, defend themselves, and pursue legal action. In contrast, the serf had no city, court, or family. Additionally, the læti had the ability to buy their freedom once they had saved enough money.

Serfs occupied the lowest position in the social ladder (Fig. 19). They succeeded to slaves, thus making, thanks to Christianity, a step towards liberty. Although the civil laws barely protected them, those of the Church continually stepped in and defended them from arbitrary despotism. The time came when they had no direct masters, and when the almost absolute dependence of serfs was changed by the nobles requiring them to farm the land and pay tithes and fees. And lastly, they became farmers, and regular taxes took the place of tithes and fees.

Serfs were at the bottom of the social hierarchy (Fig. 19). They followed slaves, marking a shift towards freedom thanks to Christianity. While civil laws offered them little protection, Church laws frequently intervened to shield them from arbitrary oppression. Eventually, they had no direct masters, and the complete dependence of serfs transformed as nobles required them to work the land and pay tithes and fees. Ultimately, they became farmers, and regular taxes replaced tithes and fees.

The colons, læti, and serfs, all of whom were more or less tillers of the soil, were, so to speak, the ancestors of "the people" of modern times; those who remained devoted to agriculture were the ancestors of our peasants; and those who gave themselves up to trades and commerce in the towns, were the originators of the middle classes.

The colons, laborers, and serfs, who were all basically farmers, were, in a way, the ancestors of today's "people"; those who continued to focus on agriculture became the ancestors of our peasants; and those who turned to trades and commerce in the towns laid the groundwork for the middle classes.

Fig. 19.--Serf or Vassal of Tenth Century, from Miniatures in the "Dialogues of St. Gregory," Manuscript No. 9917 (Royal Library of Brussels).

Fig. 19.--Serf or Vassal of the Tenth Century, from Miniatures in the "Dialogues of St. Gregory," Manuscript No. 9917 (Royal Library of Brussels).

As early as the commencement of the third royal dynasty we find in the rural districts, as well as in the towns, a great number of free men: and as the charters concerning the condition of lands and persons became more and more extended, the tyranny of the great was reduced, and servitude decreased. During the following centuries, the establishment of civic bodies and the springing up of the middle classes (Fig. 20) made the acquisition of liberty more easy and more general. Nevertheless, this liberty was rather theoretical than practical; for if the nobles granted it nominally, they gave it at the cost of excessive fines, and the community, which purchased at a high price the right of self-administration, did not get rid of any of the feudal charges imposed upon it.

As early as the beginning of the third royal dynasty, we see a significant number of free men in both rural areas and towns. As the laws regarding land and people became more detailed, the power of the elite was lessened, and servitude declined. In the following centuries, the formation of civic groups and the rise of the middle class (Fig. 20) made it easier and more common to gain freedom. However, this freedom was more theoretical than practical; even if the nobles granted it nominally, they imposed heavy fines in return, and the community, which paid a high price for the right to self-govern, still had to deal with the feudal responsibilities placed upon it.

Fig. 20.--Bourgeois at the End of Thirteenth Century.--Fac-simile of Miniature in Manuscript No. 6820, in the National Library of Paris.

Fig. 20.--Bourgeois at the End of the Thirteenth Century.--Facsimile of a Miniature in Manuscript No. 6820, in the National Library of Paris.

Fortunately for the progress of liberty, the civic bodies, as if they had been providentially warned of the future in store for them, never hesitated to accept from their lords, civil or ecclesiastical, conditions, onerous though they were, which enabled them to exist in the interior of the cities to which they belonged. They formed a sort of small state, almost independent for private affairs, subject to the absolute power of the King, and more or less tied by their customs or agreements with the local nobles. They held public assemblies and elected magistrates, whose powers embraced both the administration of civil and criminal justice, police, finance, and the militia. They generally had fixed and written laws. Protected by ramparts, each possessed a town-hall (hôtel de ville), a seal, a treasury, and a watch-tower, and it could arm a certain number of men, either for its own defence or for the service of the noble or sovereign under whom it held its rights.

Luckily for the advancement of freedom, the local governments, as if they had been divinely alerted to their future, never hesitated to accept conditions from their lords, whether civil or religious, even though they were burdensome. These agreements allowed them to function within the cities they belonged to. They created a sort of small state, almost self-sufficient in private matters, while still under the overall authority of the King and somewhat bound by their traditions or agreements with the local nobles. They held public meetings and elected officials, whose responsibilities included managing civil and criminal justice, policing, finance, and the militia. They usually maintained fixed and documented laws. Protected by walls, each community had a town hall (hôtel de ville), a seal, a treasury, and a watchtower, and they could equip a certain number of people for either their own defense or to serve the noble or ruler from whom they derived their rights.

In no case could a community such as this exist without the sanction of the King, who placed it under the safeguard of the Crown. At first the kings, blinded by a covetous policy, only seemed to see in the issue of these charters an excellent pretext for extorting money. If they consented to recognise them, and even to help them against their lords, it was on account of the enormous sacrifices made by the towns. Later on, however, they affected, on the contrary, the greatest generosity towards the vassals who wished to incorporate themselves, when they had understood that these institutions might become powerful auxiliaries against the great titulary feudalists; but from the reign of Louis XI., when the power of the nobles was much diminished, and no longer inspired any terror to royalty, the kings turned against their former allies, the middle classes, and deprived them successively of all the prerogatives which could prejudice the rights of the Crown.

A community like this couldn’t exist without the approval of the King, who put it under the protection of the Crown. At first, the kings, driven by greed, only saw these charters as a great way to extract money. If they agreed to recognize them and even help them against their lords, it was because of the huge sacrifices made by the towns. However, later on, they acted with what seemed like great generosity toward the vassals wanting to join, once they realized these institutions could become powerful allies against the major feudal lords. But starting with Louis XI's reign, when the power of the nobles significantly weakened and no longer threatened the monarchy, the kings turned against their former allies, the middle classes, and gradually stripped them of all rights that could undermine the authority of the Crown.

The middle classes, it is true, acquired considerable influence afterwards by participation in the general and provincial councils. After having victoriously struggled against the clergy and nobility, in the assemblies of the three states or orders, they ended by defeating royalty itself.

The middle classes did gain significant power later on by taking part in the general and provincial councils. After successfully battling against the clergy and nobility in the assemblies of the three states or orders, they ultimately overcame royalty itself.

Louis le Gros, in whose orders the style or title of bourgeois first appears (1134), is generally looked upon as the founder of the franchise of communities in France; but it is proved that a certain number of communities or corporations were already formally constituted, before his accession to the throne.

Louis le Gros, under whose command the term bourgeois first emerged (1134), is usually considered the founder of community franchises in France. However, it has been established that several communities or corporations were already officially formed before he became king.

The title of bourgeois was not, however, given exclusively to inhabitants of cities. It often happened that the nobles, with the intention of improving and enriching their domains, opened a kind of asylum, under the attractive title of Free Towns, or New Towns, where they offered, to all wishing to establish themselves, lands, houses, and a more or less extended share of privileges, rights, and liberties. These congregations, or families, soon became boroughs, and the inhabitants, though agriculturists, took the name of bourgeois.

The title of bourgeois wasn't just given to city dwellers. Nobles often created a sort of refuge, calling it Free Towns or New Towns, to improve and enrich their lands. They offered anyone looking to settle there land, houses, and a range of privileges, rights, and freedoms. These communities or families quickly became boroughs, and even though the residents were farmers, they were referred to as bourgeois.

Fig. 21.--Costume of a Vilain or Peasant, Fifteenth Century, from a Miniature of "La Danse Macabre," Manuscript 7310 of the National Library of Paris.

Fig. 21.--Costume of a Villain or Peasant, Fifteenth Century, from a Miniature of "La Danse Macabre," Manuscript 7310 of the National Library of Paris.

There was also a third kind of bourgeois, whose influence on the extension of royal power was not less than that of the others. There were free men who, under the title of bourgeois of the King (bourgeois du Roy), kept their liberty by virtue of letters of protection given them by the King, although they were established on lands of nobles whose inhabitants were deprived of liberty. Further, when a vilain--that is to say, the serf, of a noble--bought a lease of land in a royal borough, it was an established custom that after having lived there a year and a day without being reclaimed by his lord and master, he became a bourgeois of the King and a free man. In consequence of this the serfs and vilains (Fig. 21) emigrated from all parts, in order to profit by these advantages, to such a degree, that the lands of the nobles became deserted by all the serfs of different degrees, and were in danger of remaining uncultivated. The nobility, in the interests of their properties, and to arrest this increasing emigration, devoted themselves to improving the condition of persons placed under their dependence, and attempted to create on their domains boroughs analogous to those of royalty. But however liberal these ameliorations might appear to be, it was difficult for the nobles not only to concede privileges equal to those emanating from the throne, but also to ensure equal protection to those they thus enfranchised. In spite of this, however, the result was that a double current of enfranchisement was established, which resulted in the daily diminution of the miserable order of serfs, and which, whilst it emancipated the lower orders, had the immediate result of giving increased weight and power to royalty, both in its own domains and in those of the nobility and their vassals.

There was also a third type of bourgeois, whose impact on the growth of royal power was just as significant as that of the others. There were free men who, under the title of bourgeois of the King (bourgeois du Roy), maintained their freedom through letters of protection granted by the King, even though they settled on lands owned by nobles whose inhabitants were not free. Additionally, when a vilain—meaning the serf of a noble—rented land in a royal borough, it was a customary practice that after living there for a year and a day without being claimed by his lord, he would become a bourgeois of the King and a free man. As a result, serfs and vilains (Fig. 21) fled from all around to take advantage of these opportunities, to the point where the lands of the nobles became abandoned by all types of serfs and risked being left uncultivated. Concerned about their estates and to stop this rising emigration, the nobility tried to improve the conditions of those under their control and sought to create boroughs on their lands similar to those of the royal ones. However generous these improvements might seem, it was tough for the nobles not only to offer privileges comparable to those issued by the throne, but also to provide the same protection to those they were freeing. Despite this, a dual wave of enfranchisement emerged, leading to the gradual decline of the distressed class of serfs, which, while liberating the lower classes, also served to empower royalty in its own territories and those of the nobility and their vassals.

These social revolutions did not, of course, operate suddenly, nor did they at once abolish former institutions, for we still find, that after the establishment of communities and corporations, several orders of servitude remained.

These social revolutions didn’t happen overnight, nor did they immediately eliminate previous institutions, as we still see that after communities and corporations were established, several forms of servitude persisted.

At the close of the thirteenth century, on the authority of Philippe de Beaumanoir, the celebrated editor of "Coutumes de Beauvoisis," there were three states or orders amongst the laity, namely, the nobleman (Fig. 22), the free man, and the serf. All noblemen were free, but all free men were not necessarily noblemen. Generally, nobility descended from the father and franchise from the mother. But according to many other customs of France, the child, as a general rule, succeeded to the lower rank of his parents. There were two orders of serfs: one rigorously held in the absolute dependence of his lord, to such a degree that the latter could appropriate during his life, or after death if he chose, all he possessed; he could imprison him, ill-treat him as he thought proper, without having to answer to any one but God; the other, though held equally in bondage, was more liberally treated, for "unless he was guilty of some evil-doing, the lord could ask of him nothing during his life but the fees, rents, or fines which he owed on account of his servitude." If one of the latter class of serfs married a free woman, everything which he possessed became the property of his lord. The same was the case when he died, for he could not transmit any of his goods to his children, and was only allowed to dispose by will of a sum of about five sous, or about twenty-five francs of modern money.

At the end of the thirteenth century, according to Philippe de Beaumanoir, the famous editor of "Coutumes de Beauvoisis," there were three social classes among the common people: the nobleman (Fig. 22), the free man, and the serf. All noblemen were free, but not all free men were noble. Usually, nobility was inherited from the father and freedom from the mother. However, according to many other customs in France, a child generally inherited the lower status of their parents. There were two types of serfs: one was completely dependent on their lord, to the extent that the lord could take everything they owned during their life or after death if they wanted; the lord could imprison them or treat them poorly without answering to anyone but God. The other type, while still in bondage, had a bit more freedom since, "unless he committed some wrongdoing, the lord could ask for nothing from him during his life except the fees, rents, or fines he owed due to his servitude." If someone from this latter group of serfs married a free woman, everything he owned became the property of his lord. The same applied upon his death; he was unable to pass any of his belongings to his children and could only bequeath a small amount of about five sous, or around twenty-five francs in today's money.

As early as the fourteenth century, serfdom or servitude no longer existed except in "mortmain," of which we still have to speak.

As early as the 14th century, serfdom or servitude no longer existed except in "mortmain," which we still need to discuss.

Her chaplain the learned Robert Blondel presents her with the allegorical Treatise of the "Twelve Perils of Hell." Which he composed for her (1455). Fac-simile of a miniature from this work. Bibl. de l'Arsenal, Paris.

Her chaplain, the knowledgeable Robert Blondel, gives her the allegorical Treatise of the "Twelve Perils of Hell," which he wrote for her (1455). Facsimile of a miniature from this work. Bibl. de l'Arsenal, Paris.

Mortmain consisted of the privation of the right of freely disposing of one's person or goods. He who had not the power of going where he would, of giving or selling, of leaving by will or transferring his property, fixed or movable, as he thought best, was called a man of mortmain.

Mortmain referred to the inability to freely manage one’s own person or belongings. A person who couldn’t go wherever they wanted, give or sell, leave by will, or transfer their property, whether fixed or movable, as they saw fit, was termed a man of mortmain.

Fig. 22.--Italian Nobleman of the Fifteenth Century. From a Playing-card engraved on Copper about 1460 (Cabinet des Estampes, National Library of Paris).

Fig. 22.--Italian Nobleman of the Fifteenth Century. From a playing card engraved on copper around 1460 (Cabinet des Estampes, National Library of Paris).

This name was apparently chosen because the hand, "considered the symbol of power and the instrument of donation," was deprived of movement, paralysed, in fact struck as by death. It was also nearly in this sense, that men of the Church were also called men of mortmain, because they were equally forbidden to dispose, either in life, or by will after death, of anything belonging to them.

This name was apparently chosen because the hand, "considered the symbol of power and the instrument of giving," was unable to move, paralyzed, in fact struck as if by death. In this sense, Church leaders were also referred to as men of mortmain, because they were equally forbidden from disposing of anything that belonged to them, whether in life or through a will after death.

There were two kinds of mortmain: real and personal; one concerning land, and the other concerning the person; that is to say, land held in mortmain did not change quality, whatever might be the position of the person who occupied it, and a "man of mortmain" did not cease to suffer the inconveniences of his position on whatever land he went to establish himself.

There were two types of mortmain: real and personal; one related to land and the other to individuals. In other words, land held in mortmain did not change its characteristics, regardless of who occupied it, and a "man of mortmain" continued to experience the disadvantages of his situation no matter what land he moved to.

The mortmains were generally subject to the greater share of feudal obligations formerly imposed on serfs; these were particularly to work for a certain time for their lord without receiving any wages, or else to pay him the tax when it was due, on certain definite occasions, as for example, when he married, when he gave a dower to his daughter, when he was taken prisoner of war, when he went to the Holy Land, &c., &c. What particularly characterized the condition of mortmains was, that the lords had the right to take all their goods when they died without issue, or when the children held a separate household; and that they could not dispose of anything they possessed, either by will or gift, beyond a certain sum.

The mortmains were typically subject to a larger share of feudal obligations that had previously been imposed on serfs; specifically, they had to work for their lord for a certain amount of time without getting paid, or pay him the tax when it was due on specific occasions, such as when he got married, when he gave a dowry to his daughter, when he was captured in war, or when he went to the Holy Land, etc. What really marked the situation of mortmains was that the lords had the right to take all their belongings when they died without having children or when their children lived separately; and they couldn't give away anything they owned, either by will or as a gift, beyond a certain amount.

The noble who franchised mortmains, imposed on them in almost all cases very heavy conditions, consisting of fees, labours, and fines of all sorts. In fact, a mortmain person, to be free, not only required to be franchised by his own lord, but also by all the nobles on whom he was dependent, as well as by the sovereign. If a noble franchised without the consent of his superiors, he incurred a fine, as it was considered a dismemberment or depreciation of the fief.

The noble who granted mortmains typically imposed very strict conditions, which included various fees, labor requirements, and fines. In fact, for a mortmain individual to be free, they needed to be granted freedom by their own lord, as well as by all the nobles they were dependent on, and by the sovereign. If a noble granted freedom without the approval of their superiors, they faced a fine, as it was seen as a breach or devaluation of the fief.

As early as the end of the fourteenth century, the rigorous laws of mortmain began to fall into disuse in the provinces; though if the name began to disappear, the condition itself continued to exist. The free men, whether they belonged to the middle class or to the peasantry, were nevertheless still subject to pay fines or obligations to their lords of such a nature that they must be considered to have been practically in the same position as mortmains. In fact, this custom had been so deeply rooted into social habits by feudalism, that to make it disappear totally at the end of the eighteenth century, it required three decrees of the National Convention (July 17 and October 2, 1793; and 8 Ventôse, year II.--that is, March 2, 1794).

As early as the late fourteenth century, the strict laws of mortmain started to fade away in the provinces; however, while the term was disappearing, the situation itself persisted. Free people, whether they were from the middle class or the peasantry, still had to pay fines or meet obligations to their lords, which meant they were essentially in a position similar to that of mortmains. In fact, this practice had become so ingrained in social customs due to feudalism that it took three decrees from the National Convention (July 17 and October 2, 1793; and 8 Ventôse, year II.—March 2, 1794) to completely eliminate it at the end of the eighteenth century.

It is only just to state, that twelve or fourteen years earlier, Louis XVI. had done all in his power towards the same purpose, by suppressing mortmain, both real or personal, on the lands of the Crown, and personal mortmain (i.e. the right of following mortmains out of their original districts) all over the kingdom.

It’s important to mention that twelve or fourteen years earlier, Louis XVI had done everything he could for the same goal by eliminating mortmain, both real and personal, on Crown lands, as well as personal mortmain (i.e., the right to pursue mortmains outside their original areas) throughout the kingdom.

Fig. 23.--Alms Bag taken from some Tapestry in Orleans, Fifteenth Century.

Fig. 23.--Alms Bag taken from a tapestry in Orleans, Fifteenth Century.

Privileges and Rights. Feudal and Municipal.

Elements of Feudalism.--Rights of Treasure-trove, Sporting, Safe Conducts, Ransom, Disinheritance, &c.--Immunity of the Feudalists.--Dues from the Nobles to their Sovereign.--Law and University Dues.--Curious Exactions resulting from the Universal System of Dues.--Struggles to Enfranchise the Classes subjected to Dues.--Feudal Spirit and Citizen Spirit.--Resuscitation of the System of Ancient Municipalities in Italy, Germany, and France.--Municipal Institutions and Associations.--The Community.--The Middle-Class Cities (Cités Bourgeoises).--Origin of National Unity.

Elements of Feudalism.--Rights of treasure found, hunting privileges, safe passage, ransom, disinheritance, etc.--Immunity of feudal lords.--Obligations of nobles to their king.--Legal and university fees.--Interesting fees resulting from the universal system of dues.--Struggles to free the classes subject to these obligations.--Feudal mindset versus civic mindset.--Revival of the system of ancient municipalities in Italy, Germany, and France.--Municipal institutions and associations.--The community.--The middle-class cities (Cités Bourgeoises).--Origin of national unity.

So as to understand the numerous charges, dues, and servitudes, often as quaint as iniquitous and vexations, which weighed on the lower orders during the Middle Ages, we must remember how the upper class, who assumed to itself the privilege of oppression on lands and persons under the feudal System, was constituted.

STo understand the various fees, obligations, and burdens—often as strange as they are unfair and annoying—that burdened the lower classes during the Middle Ages, we need to consider how the upper class, which claimed the right to oppress both land and people under the feudal system, was structured.

The Roman nobles, heirs to their fathers' agricultural dominions, succeeded for the most part in preserving through the successive invasions of the barbarians, the influence attached to the prestige of birth and wealth; they still possessed the greater part of the land and owned as vassals the rural populations. The Grerman nobles, on the contrary, had not such extended landed properties, but they appropriated all the strongest positions. The dukes, counts, and marquises were generally of German origin. The Roman race, mixed with the blood of the various nations it had subdued, was the first to infuse itself into ancient Society, and only furnished barons of a secondary order.

The Roman nobles, inheritors of their fathers' agricultural lands, largely managed to maintain their status and influence despite the repeated invasions by barbarians. They still held most of the land and had the rural population working for them as vassals. In contrast, the German nobles didn't own as much land but took control of all the strongest positions. Most dukes, counts, and marquises were of German descent. The Roman people, combined with the blood of the different nations they had conquered, were the first to integrate into ancient society and mainly produced barons of a lower rank.

These heterogeneous elements, brought together, with the object of common dominion, constituted a body who found life and motion only in the traditions of Rome and ancient Germany. From these two historical sources, as is very judiciously pointed out by M. Mary-Lafon, issued all the habits of the new society, and particularly the rights and privileges assumed by the nobility.

These diverse elements, combined with the aim of shared power, formed a group that only thrived through the traditions of Rome and ancient Germany. From these two historical origins, as M. Mary-Lafon wisely notes, arose all the customs of the new society, especially the rights and privileges claimed by the nobility.

These rights and privileges, which we are about to pass summarily in review, were numerous, and often curious: amongst them may be mentioned the rights of treasure-trove, the rights of wreck, the rights of establishing fairs or markets, rights of marque, of sporting, &c.

These rights and privileges, which we are about to briefly review, were numerous and often interesting: among them are the rights to treasure found, the rights related to shipwrecks, the rights to set up fairs or markets, the rights of privateering, and the rights of hunting, etc.

The rights of treasure-trove were those which gave full power to dukes and counts over all minerals found on their properties. It was in asserting this right that the famous Richard Coeur de Lion, King of England, met his death. Adhémar, Viscount of Limoges, had discovered in a field a treasure, of which, no doubt, public report exaggerated the value, for it was said to be large enough to model in pure gold, and life-size, a Roman emperor and the members of his family, at table. Adhémar was a vassal of the Duke of Guienne, and, as a matter of course, set aside what was considered the sovereign's share in his discovery; but Richard, refusing to concede any part of his privilege, claimed the whole treasure. On the refusal of the viscount to give it up he appeared under arms before the gates of the Castle of Chalus, where he supposed that the treasure was hidden. On seeing the royal standard, the garrison offered to open the gates. "No," answered Richard, "since you have forced me to unfurl my banner, I shall only enter by the breach, and you shall all be hung on the battlements." The siege commenced, and did not at first seem to favour the English, for the besieged made a noble stand. One evening, as his troops were assaulting the place, in order to witness the scene, Richard was sitting at a short distance on a piece of rock, protected with a target--that is, a large shield covered with leather and blades of iron--which two archers held over him. Impatient to see the result of the assault, Richard pushed down the shield, and that moment decided his fate (1199). An archer of Chalus, who had recognised him and was watching from the top of the rampart, sent a bolt from a crossbow, which hit him full in the chest. The wound, however, would perhaps not have been mortal, but, shortly after, having carried the place by storm, and in his delight at finding the treasure almost intact, he gave himself up madly to degrading orgies, during which he had already dissipated the greater part of his treasure, and died of his wound twelve days later; first having, however, graciously pardoned the bowman who caused his death.

The rights to treasure trove were those that gave dukes and counts full control over all minerals found on their land. It was while asserting this right that the famous Richard the Lionheart, King of England, met his end. Adhémar, Viscount of Limoges, had found a treasure in a field, which, without a doubt, public rumors exaggerated in value, claiming it was large enough to create a life-size statue in pure gold of a Roman emperor and his family at a dining table. Adhémar was a vassal of the Duke of Guienne and, as expected, set aside what was thought to be the sovereign's share of his discovery; however, Richard, refusing to give up any part of his claim, demanded the entire treasure. When the viscount refused to hand it over, Richard appeared in full armor before the gates of the Castle of Chalus, believing the treasure was hidden there. When the garrison saw the royal standard, they offered to open the gates. "No," Richard replied, "since you’ve forced me to raise my banner, I’ll only enter through a breach, and you will all be hanged on the battlements." The siege began and initially did not seem to favor the English, as the defenders held strong. One evening, as his troops were attacking the castle, Richard sat nearby on a rock, protected by a shield— a large leather and iron-covered shield held over him by two archers. Eager to see the outcome of the assault, Richard pushed down the shield, and that moment sealed his fate (1199). An archer from Chalus, who recognized him while watching from the top of the rampart, shot a crossbow bolt that hit him square in the chest. The wound might not have been fatal, but shortly afterward, after capturing the castle in a rush, and in his excitement at finding the treasure almost untouched, he gave himself over to wild partying, during which he squandered most of his treasure and died from his wound twelve days later; although, before that, he graciously pardoned the archer who caused his death.

The right of shipwrecks, which the nobles of seaboard countries rarely renounced, and of which they were the more jealous from the fact that they had continually to dispute them with their vassals and neighbours, was the pitiless and barbaric right of appropriating the contents of ships happening to be wrecked on their shores.

The right to claim shipwrecks, which nobles in coastal countries seldom gave up, and which they fiercely guarded because they constantly had to fight over it with their vassals and neighbors, was a harsh and savage right to take whatever was found in ships that wrecked on their shores.

Figs. 24 and 25.--Varlet or Squire carrying a Halberd with a thick Blade; and Archer, in Fighting Dress, drawing the String of his Crossbow with a double-handled Winch.--From the Miniatures of the "Jouvencel," and the "Chroniques" of Froissart, Manuscripts of the Fifteenth Century (Imperial Library of Paris).

Figs. 24 and 25.--A squire or attendant carrying a halberd with a thick blade; and an archer, dressed for battle, pulling back the string of his crossbow with a double-handled winch.--From the miniatures of the "Jouvencel," and the "Chroniques" of Froissart, manuscripts from the fifteenth century (Imperial Library of Paris).

When the feudal nobles granted to their vassals the right of assembling on certain days, in order to hold fairs and markets, they never neglected to reserve to themselves some tax on each head of cattle, as well as on the various articles brought in and put up for sale. As these fairs and markets never failed to attract a great number of buyers and sellers, this formed a very lucrative tax for the noble (Fig. 26).

When the feudal lords allowed their vassals to gather on specific days to hold fairs and markets, they always made sure to keep a portion of the tax on every head of cattle, as well as on the different goods brought in to sell. Since these fairs and markets consistently drew a large crowd of buyers and sellers, this created a very profitable tax for the noble (Fig. 26).

Fig. 26.--Flemish Peasants at the Cattle Market.--Miniature of the "Chroniques de Hainaut." Manuscripts of the Fifteenth Century, vol. ii. fol. 204 (Library of the Dukes of Burgundy, Brussels).

Fig. 26.--Flemish Peasants at the Cattle Market.--Miniature of the "Chroniques de Hainaut." Manuscripts of the Fifteenth Century, vol. ii. fol. 204 (Library of the Dukes of Burgundy, Brussels).

The right of marque, or reprisal, was a most barbarous custom. A famous example is given of it. In 1022, William the Pious, Count of Angoulême, before starting for a pilgrimage to Rome, made his three brothers, who were his vassals, swear to live in honourable peace and good friendship. But, notwithstanding their oath, two of the brothers, having invited the third to the Easter festivities, seized him at night in his bed, put out his eyes so that he might not find the way to his castle, and cut out his tongue so that he might not name the authors of this horrible treatment. The voice of God, however, denounced them, and the Count of Angoulême, shuddering with horror, referred the case to his sovereign, the Duke of Aquitaine, William IV., who immediately came, and by fire and sword exercised his right of marque on the lands of the two brothers, leaving them nothing but their lives and limbs, after having first put out their eyes and cut out their tongues, so as to inflict on them the penalty of retaliation.

The right of marque, or reprisal, was a brutal practice. A well-known example illustrates this. In 1022, William the Pious, Count of Angoulême, before setting off on a pilgrimage to Rome, made his three brothers—who were his vassals—swear to live in honorable peace and good friendship. However, despite their oath, two of the brothers, after inviting the third to the Easter celebrations, attacked him at night in his bed, blinded him so he couldn't find his way back to his castle, and cut out his tongue so he couldn't name his attackers. The voice of God, however, condemned them, and the shuddering Count of Angoulême brought the matter to his lord, Duke of Aquitaine, William IV. He immediately came and, with fire and sword, enforced his right of marque on the lands of the two brothers, leaving them with nothing but their lives and limbs, after first blinding them and cutting out their tongues to deliver the punishment of retaliation.

The right of sporting or hunting was of all prerogatives that dearest to, and most valued by the nobles. Not only were the severest and even cruellest penalties imposed on "vilains" who dared to kill the smallest head of game, but quarrels frequently arose between nobles of different degrees on the subject, some pretending to have a feudal privilege of hunting on the lands of others (Fig. 27). From this tyrannical exercise of the right of hunting, which the least powerful of the nobles only submitted to with the most violent and bitter feelings, sprung those old and familiar ballads, which indicate the popular sentiment on the subject. In some of these songs the inveterate hunters are condemned, by the order of Fairies or of the Fates, either to follow a phantom stag for everlasting, or to hunt, like King Artus, in the clouds and to catch a fly every hundred years.

The right to hunt or fish was one of the most cherished privileges of the nobles. Not only were harsh and often brutal penalties imposed on "commoners" who dared to kill even the smallest game, but disputes frequently broke out between nobles of different ranks over this issue, with some claiming feudal rights to hunt on each other's lands (Fig. 27). This oppressive practice of hunting, which the less powerful nobles submitted to with deep resentment, gave rise to those old familiar ballads that express the public's feelings on the matter. In some of these songs, relentless hunters are cursed by the Fairies or the Fates to either endlessly chase a ghostly stag or, like King Arthur, hunt in the clouds and catch a fly once every hundred years.

The right of jurisdiction, which gave judicial power to the dukes and counts in cases arising in their domains, had no appeal save to the King himself, and this was even often contested by the nobles, as for instance, in the unhappy case of Enguerrand de Coucy. Enguerrand had ordered three young Flemish noblemen, who were scholars at the Abbey of "St. Nicholas des Bois," to be seized and hung, because, not knowing that they were on the domain of the Lord of Coucy, they had killed a few rabbits with arrows. St. Louis called the case before him. Enguerrand answered to the call, but only to dispute the King's right, and to claim the judgment of his peers. The King, without taking any notice of the remonstrance, ordered Enguerrand to be locked up in the big tower of the Louvre, and was nearly applying the law of retaliation to his case. Eventually he granted him letters of pardon, after condemning him to build three chapels, where masses were continually to be said for the three victims; to give the forest where the young scholars had been found hunting, to the Abbey of "St. Nicholas des Bois;" to lose on all his estates the rights of jurisdiction and sporting; to serve three years in the Holy Land; and to pay to the King a fine of 12,500 pounds tournois. It must be remembered that Louis IX., although most generous in cases relating simply to private interests, was one of the most stubborn defenders of royal prerogatives.

The right of jurisdiction, which gave authority to the dukes and counts over legal matters in their territories, had no appeal other than to the King himself. This was often challenged by the nobles, as seen in the unfortunate case of Enguerrand de Coucy. Enguerrand had ordered the arrest and execution of three young Flemish noblemen, who were students at the Abbey of "St. Nicholas des Bois," simply because they unknowingly killed a few rabbits with arrows on his land. St. Louis brought the case to himself. Enguerrand responded, but only to argue against the King's authority and demand the judgment of his peers. The King, disregarding the protest, had Enguerrand locked up in the large tower of the Louvre and nearly applied the law of retaliation to him. Eventually, he granted Enguerrand a pardon, after demanding that he build three chapels where masses were to be held for the three victims; give the forest, where the young scholars were hunting, to the Abbey of "St. Nicholas des Bois"; forfeit jurisdiction and hunting rights across all his estates; serve three years in the Holy Land; and pay the King a fine of 12,500 pounds tournois. It’s important to note that Louis IX., while very generous in matters involving private interests, was also a strong defender of royal authority.

A right which feudalists had the greatest interest in observing, and causing to be respected, because they themselves might with their wandering habits require it at any moment, was that of safe convoy, or guidance. This right was so powerful, that it even applied itself to the lower orders, and its violation was considered the most odious crime; thus, in the thirteenth century, the King of Aragon was severely abused by all persons and all classes, because in spite of this right he caused a Jew to be burned so as not to have to pay a debt which the man claimed of him.

A right that feudal lords were really invested in upholding, because they might need it due to their wandering lifestyles, was the right of safe convoy or guidance. This right was so significant that it extended even to the lower classes, and violating it was seen as a terrible crime. For instance, in the thirteenth century, the King of Aragon faced severe backlash from people of all social classes because, despite this right, he had a Jew executed to avoid paying a debt that the man claimed he owed.

Fig. 27.--Nobleman in Hunting Costume, preceded by his Servant, trying to find the Scent of a Stag.--From a Miniature in the Book of Gaston Phoebus ("Des Deduitz de la Chasse des Bestes Sauvaiges").--Manuscript of the Fourteenth Century (National Library of Paris).

Fig. 27.--Nobleman in Hunting Gear, followed by his Servant, searching for the Trail of a Stag.--From a Miniature in the Book of Gaston Phoebus ("On the Pleasures of Hunting Wild Beasts").--Fourteenth Century Manuscript (National Library of Paris).

The right of "the Crown" should also be mentioned, which consisted of a circle of gold ornamented in various fashions, according to the different degrees of feudal monarchy, which vassals had to present to their lord on the day of his investiture. The right of seal was a fee or fine they had to pay for the charters which their lord caused to be delivered to them.

The right of "the Crown" should also be mentioned, which consisted of a circle of gold decorated in various ways, depending on the different levels of feudal monarchy. Vassals had to present this to their lord on the day of his investiture. The right of seal was a fee or fine they had to pay for the charters that their lord had delivered to them.

The duty of aubaine was the fine or due paid by merchants, either in kind or money, to the feudal chief, when they passed near his castle, landed in his ports, or exposed goods for sale in his markets.

The duty of aubaine was the fee or payment made by merchants, either in goods or cash, to the feudal chief when they passed by his castle, docked in his ports, or displayed goods for sale in his markets.

The nobles of second order possessed among their privileges that of wearing spurs of silver or gold according to their rank of knighthood; the right of receiving double rations when prisoners of war; the right of claiming a year's delay when a creditor wished to seize their land; and the right of never having to submit to torture after trial, unless they were condemned to death for the crime they had committed. If a great baron for serious offences confiscated the goods of a noble who was his vassal, the latter had a right to keep his palfrey, the horse of his squire, various pieces of his harness and armour, his bed, his silk robe, his wife's bed, one of her dresses, her ring, her cloth stomacher, &c.

The lesser nobles had the privilege of wearing spurs made of silver or gold, depending on their rank as knights; they were entitled to double rations when captured as prisoners of war; they could demand a year's grace if a creditor tried to take their land; and they could never be subjected to torture after a trial unless they were sentenced to death for their crimes. If a powerful baron confiscated the property of a noble vassal for serious offenses, the noble could keep his riding horse, his squire's horse, various pieces of his armor and equipment, his bed, his wife’s bed, one of her dresses, her ring, her cloth bodice, etc.

The nobles alone possessed the right of having seats of honour in churches and in chapels (Fig. 28), and to erect therein funereal monuments, and we know that they maintained this right so rigorously and with so much effrontery, that fatal quarrels at times arose on questions of precedence. The epitaphs, the placing of tombs, the position of a monument, were all subjects for conflicts or lawsuits. The nobles enjoyed also the right of disinheritance, that is to say, of claiming the goods of a person dying on their lands who had no direct heir; the right of claiming a tax when a fief or domain changed hands; the right of common oven, or requiring vassals to make use of the mill, the oven, or the press of the lord. At the time of the vintage, no peasant might sell his wine until the nobles had sold theirs. Everything was a source of privilege for the nobles. Kings and councils waived the necessity of their studying, in order to be received as bachelors of universities. If a noble was made a prisoner of war, his life was saved by his nobility, and his ransom had practically to be raised by the "vilains" of his domains. The nobles were also exempted from serving in the militia, nor were they obliged to lodge soldiers, &c. They had a thousand pretexts for establishing taxes on their vassals, who were generally considered "taxable and to be worked at will." Thus in the domain of Montignac, the Count of Perigord claimed among other things as follows: "for every case of censure or complaint brought before him, 10 deniers; for a quarrel in which blood was shed, 60 sols; if blood was not shed, 7 sols; for use of ovens, the sixteenth loaf of each baking; for the sale of corn in the domain, 43 setiers: besides these, 6 setiers of rye, 161 setiers of oats, 3 setiers of beans, 1 pound of wax, 8 capons, 17 hens, and 37 loads of wine." There were a multitude of other rights due to him, including the provostship fees, the fees on deeds, the tolls and furnaces of towns, the taxes on salt, on leather, corn, nuts; fees for the right of fishing; for the right of sporting, which last gave the lord a certain part or quarter of the game killed, and, in addition, the dîme or tenth part of all the corn, wine, &c., &c.

The nobles were the only ones allowed to have places of honor in churches and chapels (Fig. 28) and to build funeral monuments there. They fiercely enforced this right, often leading to deadly disputes over status. The inscriptions, placement of tombs, and positioning of monuments were all potential sources of conflict or lawsuits. Nobles also had the right of disinheritance, meaning they could claim the belongings of someone who died on their land without a direct heir; they could demand a tax whenever a fief or estate changed hands; and they had the right to the common oven, meaning vassals had to use the lord's mill, oven, or press. During the harvest, no peasant could sell their wine until the nobles had sold theirs. Everything surrounded the nobles was built on privilege. Kings and councils didn’t require them to study in order to be accepted as university graduates. If a noble was captured in war, their life was spared because of their noble status, and their ransom was usually financed by the "vilains" on their lands. Nobles were also exempt from military service and didn’t have to house soldiers, etc. They had numerous excuses to impose taxes on their vassals, who were generally viewed as “taxable and to be worked at will.” In the domain of Montignac, the Count of Perigord claimed various fees, such as: "10 deniers for each censure or complaint brought before him; 60 sols for a fight where blood was shed; 7 sols if no blood was shed; the sixteenth loaf from each baking for the use of ovens; and 43 setiers for selling corn in the domain; plus 6 setiers of rye, 161 setiers of oats, 3 setiers of beans, 1 pound of wax, 8 capons, 17 hens, and 37 loads of wine." There were many other rights owed to him, including fees for the provostship, fees on legal documents, tolls and forges in towns, taxes on salt, leather, corn, and nuts; fees for fishing rights; and for hunting rights, which entitled the lord to a share of the game killed, along with the dîme, or a tenth of all corn, wine, etc.

Fig. 28.--Jean Jouvenel des Ursins, Provost of the Merchants of Paris, and Michelle de Vitry, his Wife, in the Reign of Charles VI.--Fragment of a Picture of the Period, which was in the Chapel of the Ursinus, and is now in the Versailles Museum.

Fig. 28.--Jean Jouvenel des Ursins, Provost of the Merchants of Paris, and his wife Michelle de Vitry, during the reign of Charles VI.--Fragment of a painting from that time, which was in the Chapel of the Ursinus and is now housed in the Versailles Museum.

This worthy noble gathered in besides all this, during the religious festivals of the year, certain tributes in money on the estate of Montignac alone, amounting to as much as 20,000 pounds tournois. One can judge by this rough sketch, of the income he must have had, both in good and bad years, from his other domains in the rich county of Perigord.

This nobleman also collected certain tributes in money during the religious festivals of the year from the estate of Montignac alone, which amounted to about 20,000 pounds tournois. This rough estimate gives an idea of the income he must have received, both in good and bad years, from his other lands in the wealthy region of Perigord.

It must not be imagined that this was an exceptional case; all over the feudal territory the same state of things existed, and each lord farmed both his lands and the persons whom feudal right had placed under his dependence.

It shouldn't be thought that this was an unusual situation; throughout the feudal region, the same conditions were present, and each lord managed both their land and the people who were dependent on them due to feudal law.

Fig. 29.--Dues on Wines, granted to the Chapter of Tournai by King Chilperic.--From the Windows of the Cathedral of Tournai, Fifteenth Century.

Fig. 29.--Wine taxes, granted to the Chapter of Tournai by King Chilperic.--From the Windows of the Cathedral of Tournai, Fifteenth Century.

To add to these already excessive rates and taxes, there were endless dues, under all shapes and names, claimed by the ecclesiastical lords (Figs. 29 and 30). And not only did the nobility make without scruple these enormous exactions, but the Crown supported them in avenging any act, however opposed to all sense of justice; so that the nobles were really placed above the great law of equality, without which the continuance of social order seemed normally impossible.

To make things worse, on top of the already high rates and taxes, there were countless dues of all kinds demanded by the church lords (Figs. 29 and 30). Not only did the nobility unashamedly impose these huge demands, but the Crown backed them up in punishing any actions, no matter how unjust, against them; this meant that the nobles were essentially above the fundamental principle of equality, which seemed crucial for maintaining social order.

The history of the city of Toulouse gives us a significant example on this subject.

The history of the city of Toulouse gives us a powerful example on this topic.

Fig. 30.--The Bishop of Tournai receiving the Tithe of Beer granted by King Chilpéric.--From the Windows of the Cathedral of Tournai, Fifteenth Century.

Fig. 30.--The Bishop of Tournai accepting the Beer Tithe granted by King Chilpéric.--From the Windows of the Cathedral of Tournai, Fifteenth Century.

On Easter Day, 1335, some students of the university, who had passed the night of the anniversary of the resurrection of our Saviour in drinking, left the table half intoxicated, and ran about the town during the hours of service, beating pans and cauldrons, and making such a noise and disturbance, that the indignant preachers were obliged to stop in the middle of their discourses, and claimed the intervention of the municipal authorities of Toulouse. One of these, the lord of Gaure, went out of church with five sergeants, and tried himself to arrest the most turbulent of the band. But as he was seizing him by the body, one of his comrades gave the lord a blow with a dagger, which cut off his nose, lips, and part of his chin. This occurrence aroused the whole town. Toulouse had been insulted in the person of its first magistrate, and claimed vengeance. The author of the deed, named Aimeri de Bérenger, was seized, judged, condemned, and beheaded, and his body was suspended on the spikes of the Château Narbonnais.

On Easter Day, 1335, some university students, who had spent the night celebrating the resurrection of our Savior by drinking, left the table half-drunk and started running around the town during the service hours, banging pots and pans and making such a racket that the angry preachers had to stop in the middle of their sermons and called for the local authorities of Toulouse to intervene. One of them, the lord of Gaure, left the church with five guards and tried to capture the noisiest member of the group himself. But as he grabbed him, one of the student's friends stabbed the lord with a dagger, cutting off his nose, lips, and part of his chin. This incident shocked the entire town. Toulouse felt insulted through its highest official and demanded justice. The perpetrator, Aimeri de Bérenger, was arrested, tried, sentenced, and executed by beheading, and his body was displayed on the spikes of the Château Narbonnais.

Fig. 31.--Fellows of the University of Paris haranguing the Emperor Charles IV. in 1377.--From a Miniature of the Manuscript of the "Chroniques de St. Denis," No. 8395 (National Library of Paris).

Fig. 31.--Members of the University of Paris criticizing Emperor Charles IV in 1377.--From a Miniature of the Manuscript of the "Chroniques de St. Denis," No. 8395 (National Library of Paris).

Toulouse had to pay dearly for the respect shown to its municipal dignity. The parents of the student presented a petition to the King against the city, for having dared to execute a noble and to hang his body on a gibbet, in opposition to the sacred right which this noble had of appealing to the judgment of his peers. The Parliament of Paris finally decided the matter with the inflexible partiality to the rights of rank, and confiscated all the goods of the inhabitants, forced the principal magistrates to go on their knees before the house of Aimeri de Bérenger, and ask pardon; themselves to take down the body of the victim, and to have it publicly and honourably buried in the burial-ground of the Daurade. Such was the sentence and humiliation to which one of the first towns of the south was subjected, for having practised immediate justice on a noble, whilst it would certainly have suffered no vindication, if the culprit condemned to death had belonged to the middle or lower orders.

Toulouse had to pay a high price for the respect it showed to its municipal dignity. The student’s parents submitted a petition to the King against the city for daring to execute a noble and hang his body on a gallows, violating the noble’s sacred right to appeal to his peers’ judgment. The Parliament of Paris ultimately settled the issue with an unwavering bias toward the rights of the nobility, confiscating all the property of the residents, forcing the main magistrates to kneel before Aimeri de Bérenger’s house and ask for forgiveness; they had to remove the victim's body and give it a public and honorable burial in the Daurade cemetery. Such was the sentence and humiliation imposed on one of the leading towns in the south for carrying out immediate justice on a noble, while it likely would have faced no repercussions if the condemned individual had belonged to the middle or lower classes.

We must nevertheless remember that heavy dues fell upon the privileged class themselves to a certain degree, and that if they taxed their poor vassals without mercy, they had in their turn often to reckon with their superiors in the feudal hierarchy.

We must still remember that the privileged class also faced heavy burdens to some extent, and that while they mercilessly taxed their poor vassals, they often had to answer to their superiors in the feudal hierarchy.

Albere, or right of shelter, was the principal charge imposed upon the noble. When a great baron visited his lands, his tenants were not only obliged to give him and his followers shelter, but also provisions and food, the nature and quality of which were all arranged beforehand with the most extraordinary minuteness. The lesser nobles took advantage sometimes of the power they possessed to repurchase this obligation; but the rich, on the contrary, were most anxious to seize the occasion of proudly displaying before their sovereign all the pomp in their power, at the risk even of mortgaging their revenues for several years, and of ruining their vassals. History is full of stories bearing witness to the extravagant prodigalities of certain nobles on such occasions.

Albere, or the right of shelter, was the main responsibility placed on the nobles. When a powerful baron came to his lands, his tenants were not only required to provide him and his entourage with shelter but also with food and supplies, all of which were meticulously planned in advance. Sometimes, the lesser nobles would take advantage of their power to buy back this obligation, but the wealthy nobles were eager to show off their grandeur to their ruler, even if it meant going into debt for several years and risking the financial ruin of their tenants. History is filled with accounts of the extravagant excesses of certain nobles during these visits.

Payments in kind fell generally on the abbeys, up to 1158. That of St. Denis, which was very rich in lands, was charged with supplying the house and table of the King. This tax, which became heavier and heavier, eventually fell on the Parisians, who only succeeded in ridding themselves of it in 1374, when Charles V. made all the bourgeois of Paris noble. In the twelfth century, all furniture made of wood or iron which was found in the house of the Bishop at his death, became the property of the King. But in the fourteenth century, the abbots of St. Denis, St. Germain des Prés, St. Geneviève (Fig. 32), and a few priories in the neighbourhood of Paris, were only required to present the sovereign with two horse-loads of produce annually, so as to keep up the old system of fines.

Payments in goods generally fell on the abbeys until 1158. St. Denis, which owned a lot of land, was responsible for supplying food and services to the King. This tax, which kept increasing, eventually fell on the Parisians, who finally managed to get rid of it in 1374 when Charles V made all the bourgeois of Paris noble. In the twelfth century, any furniture made of wood or iron found in the Bishop's house upon his death became the King's property. However, in the fourteenth century, the abbots of St. Denis, St. Germain des Prés, St. Geneviève (Fig. 32), and a few nearby priories in Paris were only required to provide the sovereign with two horse-loads of produce each year to maintain the old system of fines.

This system of rents and dues of all kinds was so much the basis of social organization in the Middle Ages, that it sometimes happened that the lower orders benefited by it.

This system of rents and payments of all kinds was such a fundamental part of social organization in the Middle Ages that it occasionally benefited the lower classes.

Thus the bed of the Bishop of Paris belonged, after his death, to the poor invalids of the Hôtel Dieu. The canons were also bound to leave theirs to that hospital, as an atonement for the sins which they had committed. The Bishops of Paris were required to give two very sumptuous repasts to their chapters at the feasts of St. Eloi and St. Paul. The holy men of St. Martin were obliged, annually, on the 10th of November, to offer to the first President of the Court of Parliament, two square caps, and to the first usher, a writing-desk and a pair of gloves. The executioner too received, from various monastic communities of the capital, bread, bottles of wine, and pigs' heads; and even criminals who were taken to Montfaucon to be hung had the right to claim bread and wine from the nuns of St. Catherine and the Filles Dieux, as they passed those establishments on their way to the gibbet.

Thus, after his death, the bed of the Bishop of Paris became the property of the poor invalids at the Hôtel Dieu. The canons were also required to leave their beds to that hospital as a way to atone for their sins. The Bishops of Paris had to provide two lavish meals to their chapters during the feasts of St. Eloi and St. Paul. The holy men of St. Martin were obligated, each year on November 10th, to give the first President of the Court of Parliament two square caps, and to the first usher, a writing desk and a pair of gloves. The executioner also received bread, bottles of wine, and pigs' heads from various monastic communities in the capital; even criminals taken to Montfaucon to be hanged had the right to claim bread and wine from the nuns of St. Catherine and the Filles Dieux as they passed those establishments on their way to the gallows.

Fig. 32.--Front of the Ancient Church of the Abbey of Sainte-Geneviève, in Paris, founded by Clovis, and rebuilt from the Eleventh to Thirteenth Centuries.--State of the Building before its Destruction at the End of the Last Century.

Fig. 32.--Front of the Ancient Church of the Abbey of Sainte-Geneviève, in Paris, established by Clovis, and restored from the Eleventh to Thirteenth Centuries.--Condition of the Building before its Demolition at the End of the Last Century.

Fines were levied everywhere, at all times, and for all sorts of reasons. Under the name of épices, the magistrates, judges, reporters, and counsel, who had at first only received sweetmeats and preserves as voluntary offerings, eventually exacted substantial tribute in current coin. Scholars who wished to take rank in the University sent some small pies, costing ten sols, to each examiner. Students in philosophy or theology gave two suppers to the president, eight to the other masters, besides presenting them with sweetmeats, &c. It would be an endless task to relate all the fines due by apprentices and companions before they could reach mastership in their various crafts, nor have we yet mentioned certain fines, which, from their strange or ridiculous nature, prove to what a pitch of folly men may be led under the influence of tyranny, vanity, or caprice.

Fines were imposed everywhere, all the time, and for all kinds of reasons. Under the name of épices, the magistrates, judges, reporters, and lawyers, who initially only accepted sweets and preserves as voluntary gifts, eventually demanded significant payment in cash. Scholars who wanted to gain recognition at the University sent small pies, costing ten sols, to each examiner. Students in philosophy or theology treated the president to two dinners and the other professors to eight, in addition to giving them sweets, etc. It would take forever to list all the fines imposed on apprentices and workers before they could achieve mastery in their trades, and we haven't even mentioned certain fines that, due to their bizarre or silly nature, show how far people can be driven by tyranny, vanity, or whim.

Thus, we read of vassals descending to the humiliating occupation of beating the water of the moat of the castle, in order to stop the noise of the frogs, during the illness of the mistress; we elsewhere find that at times the lord required of them to hop on one leg, to kiss the latch of the castle-gate, or to go through some drunken play in his presence, or sing a somewhat broad song before the lady.

Thus, we read about vassals sinking to the embarrassing task of splashing the water in the castle moat to quiet the noise of the frogs while the lady was ill; we also find that sometimes the lord made them hop on one leg, kiss the latch of the castle gate, perform some foolish antics in front of him, or sing a rather risqué song in front of the lady.

At Tulle, all the rustics who had married during the year were bound to appear on the Puy or Mont St. Clair. At twelve o'clock precisely, three children came out of the hospital, one beating a drum violently, the other two carrying a pot full of dirt; a herald called the names of the bride-grooms, and those who were absent or were unable to assist in breaking the pot by throwing stones at it, paid a fine.

At Tulle, all the locals who got married that year had to show up at the Puy or Mont St. Clair. Exactly at noon, three kids came out of the hospital; one was banging a drum loudly while the other two carried a pot full of dirt. A herald announced the names of the grooms, and anyone who didn’t show up or couldn’t help break the pot by throwing stones at it had to pay a fine.

At Périgueux, the young couples had to give the consuls a pincushion of embossed leather or cloth of different colours; a woman marrying a second time was required to present them with an earthen pot containing twelve sticks of different woods; a woman marrying for the third time, a barrel of cinders passed thirteen times through the sieve, and thirteen spoons made of wood of fruit-trees; and, lastly, one coming to the altar for the fifth time was obliged to bring with her a small tub containing the excrement of a white hen!

At Périgueux, young couples had to give the consuls a pincushion made of embossed leather or colorful fabric. A woman getting married for the second time was required to give them an earthen pot filled with twelve sticks from different types of wood. A woman marrying for the third time had to bring a barrel of ashes that had been sifted thirteen times, along with thirteen wooden spoons made from fruit trees. Lastly, a woman coming to the altar for the fifth time had to bring a small tub containing the droppings of a white hen!

"The people of the Middle Ages and the Renaissance period were literally tied down with taxes and dues of all sorts," says M. Mary-Lafon. "If a few gleams of liberty reached them, it was only from a distance, and more in the hope of the future than as regarded the present. As an example of the way people were treated, a certain Lord of Laguène, spoken of in the old chronicles of the south, may be mentioned. Every year, this cunning baron assembled his tenants in the village square. A large maypole was planted, and on the top was attached a wren. The lord, pointing to the little bird, declared solemnly, that if any 'vilain' succeeded in piercing him with an arrow he should be exempt from that year's dues. The vilains shot away, but, to the great merriment of their lord, never hit, and so had to continue paying the dues."

"The people of the Middle Ages and the Renaissance were heavily burdened by various taxes and fees," says M. Mary-Lafon. "If they experienced any glimpses of freedom, it was mostly distant and more about hope for the future than their current reality. For example, consider a certain Lord of Laguène, mentioned in the old chronicles of the south. Every year, this crafty baron gathered his tenants in the village square. A large maypole was set up, with a wren perched on top. The lord, pointing at the small bird, declared with great seriousness that if any 'peasant' managed to shoot it with an arrow, they would be exempt from dues that year. The peasants took aim, but to their lord's amusement, they never managed to hit it, so they had to keep paying their dues."

Fig. 33.--Ramparts of the Town of Aigues-Mortes, one of the Municipalities of Languedoc.

Fig. 33.--Ramparts of the Town of Aigues-Mortes, one of the Municipalities of Languedoc.

One can easily understand how such a system, legalised by law, hampered the efforts for freedom, which a sense of human dignity was constantly raising in the bosoms of the oppressed. The struggle was long, often bloody, and at times it seemed almost hopeless, for on both sides it was felt that the contest was between two principles which were incompatible, and one of which must necessarily end by annihilating the other. Any compromise between the complete slavery and the personal freedom of the lower orders, could only be a respite to enable these implacable adversaries to reinforce themselves, so as to resume with more vigour than ever this desperate combat, the issue of which was so long to remain doubtful.

It's easy to see how a system legalized by law hindered the fight for freedom, which a sense of human dignity was constantly stirring in the hearts of the oppressed. The battle was lengthy, often violent, and at times it felt almost like a lost cause. Both sides sensed that the struggle was between two opposing principles, one of which had to ultimately destroy the other. Any compromise between complete slavery and the personal freedom of the lower classes would just be a temporary pause, allowing these relentless opponents to strengthen themselves, preparing to continue this desperate fight with even more intensity, the outcome of which would remain uncertain for a long time.

From a miniature by Jean Marot. No 5091, Bibl. nat'le de Paris.

From a small illustration by Jean Marot. No 5091, Bibl. nat'le de Paris.

These efforts to obtain individual liberty displayed themselves more particularly in towns; but although they became almost universal in the west, they had not the same importance or character everywhere. The feudal system had not everywhere produced the same consequences. Thus, whilst in ancient Gaul it had absorbed all social vitality, we find that in Germany, the place of its origin, the Teutonic institutions of older date gave a comparative freedom to the labourers. In southern countries again we find the same beneficial effect from the Roman rule.

These attempts to gain individual freedom were especially noticeable in towns; however, even though they became almost widespread in the west, they didn't hold the same significance or nature everywhere. The feudal system did not have the same outcomes everywhere. For instance, while in ancient Gaul it stifled all social vitality, we see that in Germany, its place of origin, the older Teutonic institutions allowed for relatively more freedom among workers. Similarly, in southern countries, we observe a similar positive effect from Roman rule.

On that long area of land reaching from the southern slope of the Cevennes to the Apennines, the hand of the barbarian had weighed much less heavily than on the rest of Europe. In those favoured provinces where Roman organization had outlived Roman patronage, it seems as if ancient splendour had never ceased to exist, and the elegance of customs re-flourished amidst the ruins. There, a sort of urban aristocracy always continued, as a balance against the nobles, and the counsel of elected prud'hommes, the syndics, jurors or capitouls, who in the towns replaced the Roman honorati and curiales, still were considered by kings and princes as holding some position in the state. The municipal body, larger, more open than the old "ward," no longer formed a corporation of unwilling aristocrats enchained to privileges which ruined them. The principal cities on the Italian coast had already amassed enormous wealth by commerce, and displayed the most remarkable ardour, activity, and power. The Eternal City, which was disputed by emperors, popes, and barons of the Roman States, bestirred itself at times to snatch at the ancient phantom of republicanism; and this phantom was destined soon to change into reality, and another Rome, or rather a new Carthage, the lovely Venice, arose free and independent from the waves of the Adriatic (Fig. 34).

On that vast stretch of land stretching from the southern slope of the Cevennes to the Apennines, the impact of the barbarians was much lighter than in the rest of Europe. In those favored regions where Roman organization had outlasted Roman support, it seems as though ancient glory never truly faded away, and the elegance of customs flourished amid the ruins. There, a kind of urban aristocracy persisted, counterbalancing the nobles, and the advice of elected prud'hommes, the syndics, jurors, or capitouls, who took the place of the Roman honorati and curiales in the towns, was still regarded by kings and princes as having some importance in the state. The municipal body, larger and more open than the old "ward," no longer existed as a group of unwilling aristocrats trapped by privileges that oppressed them. The major cities along the Italian coast had already accumulated immense wealth through trade, showcasing remarkable enthusiasm, activity, and power. The Eternal City, contested by emperors, popes, and barons of the Roman States, occasionally stirred to grasp at the ancient notion of republicanism; and this notion was soon destined to become a reality, leading to the rise of a new Rome, or rather a new Carthage, the beautiful Venice, free and independent from the waves of the Adriatic (Fig. 34).

In Lombardy, so thickly colonised by the German conquerors, feudalism, on the contrary, weighed heavily; but there, too, the cities were populous and energetic, and the struggle for supremacy continued for centuries in an uncompromising manner between the people and the nobles, between the Guelphs and the Ghibellines.

In Lombardy, which was heavily settled by German conquerors, feudalism, on the other hand, had a strong hold; but there, too, the cities were vibrant and full of life, and the fight for power carried on for centuries in an unyielding way between the common people and the nobles, between the Guelphs and the Ghibellines.

In the north and east of the Gallic territory, the instinct of resistance did not exist any the less, though perhaps it was more intermittent. In fact, in these regions we find ambitious nobles forestalling the action of the King, and in order to attach towns to themselves and their houses, suppressing the most obnoxious of the taxes, and at the same time granting legal guarantees. For this the Counts of Flanders became celebrated, and the famous Héribert de Vermandois was noted for being so exacting in his demands with the great, and yet so popular with the small.

In the northern and eastern parts of Gaul, the will to resist definitely still existed, although it might have been more sporadic. In fact, in these areas, we see ambitious nobles getting ahead of the King’s actions, trying to align towns with themselves and their families by eliminating the most burdensome taxes while also providing legal protections. The Counts of Flanders became well-known for this, and the famous Héribert de Vermandois was recognized for being very demanding with the powerful, yet highly popular with the common people.

Fig. 34.--View of St. Mark's Place, Venice, Sixteenth Century, after Cesare Vecellio.

Fig. 34.--View of St. Mark's Place, Venice, 16th Century, after Cesare Vecellio.

The eleventh century, during which feudal power rose to its height, was also the period when a reaction set in of the townspeople against the nobility. The spirit of the city revived with that of the bourgeois (a name derived from the Teutonic word burg, habitation) and infused a feeling of opposition to the system which followed the conquest of the Teutons. "But," says M. Henri Martin, "what reappeared was not the Roman municipality of the Empire, stained by servitude, although surrounded with glittering pomp and gorgeous arts, but it was something coarse and almost semi-barbarous in form, though strong and generous at core, and which, as far as the difference of the times would allow, rather reminds us of the small republics which existed previous to the Roman Empire."

The eleventh century, when feudal power peaked, was also the time when townspeople began to push back against the nobility. The spirit of the city was revived with that of the bourgeois (a term that comes from the Teutonic word burg, meaning habitation) and sparked a sense of opposition to the system that followed the Teutonic conquest. "But," says M. Henri Martin, "what re-emerged was not the Roman municipality of the Empire, tainted by servitude, despite its surrounding splendor and beautiful arts; instead, it was something rough and almost semi-barbaric in form, though strong and generous at its core, which, as much as the times would allow, reminds us of the small republics that existed before the Roman Empire."

Two strong impulses, originating from two totally dissimilar centres of action, irresistibly propelled this great social revolution, with its various and endless aspects, affecting all central Europe, and being more or less felt in the west, the north, and the south. On one side, the Greek and Latin partiality for ancient corporations, modified by a democratic element, and an innate feeling of opposition characteristic of barbaric tribes; and on the other, the free spirit and equality of the old Celtic tribes rising suddenly against the military hierarchy, which was the offspring of conquest. Europe was roused by the double current of ideas which simultaneously urged her on to a new state of civilisation, and more particularly to a new organization of city life.

Two powerful forces, coming from two completely different origins, drove this major social revolution, with its diverse and endless effects throughout central Europe, and it was felt to varying degrees in the west, north, and south. On one side, there was the Greek and Latin preference for ancient institutions, blended with democratic elements and a natural sense of resistance typical of barbaric tribes. On the other side, the free spirit and equality of the ancient Celtic tribes suddenly rose up against the military hierarchy born from conquest. Europe was energized by this dual flow of ideas that simultaneously pushed her toward a new phase of civilization, and especially toward a new organization of city life.

Italy was naturally destined to be the country where the new trials of social regeneration were to be made; but she presented the greatest possible variety of customs, laws, and governments, including Emperor, Pope, bishops, and feudal princes. In Tuscany and Liguria, the march towards liberty was continued almost without effort; whilst in Lombardy, on the contrary, the feudal resistance was very powerful. Everywhere, however, cities became more or less completely enfranchised, though some more rapidly than others. In Sicily, feudalism swayed over the countries; but in the greater part of the peninsula, the democratic spirit of the cities influenced the enfranchisement of the rural population. The feudal caste was in fact dissolved; the barons were transformed into patricians of the noble towns which gave their republican magistrates the old title of consuls. The Teutonic Emperor in vain sought to seize and turn to his own interest the sovereignty of the people, who had shaken off the yokes of his vassals: the signal of war was immediately given by the newly enfranchised masses; and the imperial eagle was obliged to fly before the banners of the besieged cities. Happy indeed might the cities of Italy have been had they not forgotten, in their prosperity, that union alone could give them the possibility of maintaining that liberty which they so freely risked in continual quarrels amongst one another!

Italy was naturally meant to be the country where new attempts at social renewal would happen; however, it displayed an incredible variety of customs, laws, and governments, including emperors, popes, bishops, and feudal princes. In Tuscany and Liguria, the move toward freedom progressed almost effortlessly; in contrast, Lombardy faced strong feudal resistance. Nevertheless, cities everywhere became more or less completely free, with some achieving this faster than others. In Sicily, feudalism held power over the lands; however, in much of the mainland, the democratic spirit of the cities inspired the liberation of the rural population. The feudal class was effectively dissolved; the barons were transformed into patricians of the noble towns, which granted their republican leaders the old title of consuls. The Teutonic Emperor vainly attempted to seize and manipulate the sovereignty of the people, who had broken free from his vassals' control: the newly liberated masses quickly declared war; and the imperial eagle had to retreat before the banners of the besieged cities. Those cities of Italy could have been truly happy if they hadn't forgotten, in their prosperity, that only unity could help them maintain the freedom they so recklessly risked in constant infighting!

Fig. 35.--William, Duke of Normandy, accompanied by Eustatius, Count of Boulogne, and followed by his Knights in arms.--Military Dress of the Eleventh Century, from Bayeux Tapestry said to have been worked by Queen Matilda.

Fig. 35.--William, Duke of Normandy, along with Eustatius, Count of Boulogne, and his knights in armor.--Military Dress of the Eleventh Century, from the Bayeux Tapestry, which is believed to have been created by Queen Matilda.

The Italian movement was immediately felt on the other side of the Alps. In Provence, Septimanie, and Aquitaine, we find, in the eleventh century, cities which enjoyed considerable freedom. Under the name of communities and universities, which meant that all citizens were part of the one body, they jointly interfered in the general affairs of the kingdom to which they belonged. Their magistrates were treated on a footing of equality with the feudal nobility, and although the latter at first would only recognise them as "good men" or notables, the consuls knew how to make a position for themselves in the hierarchy. If the consulate, which was a powerful expression of the most prominent system of independence, did no succeed in suppressing feudalism in Provence as in Italy, it at least so transformed it, that it deprived it of its most unjust and insupportable elements. At Toulouse, for instance (where the consuls were by exception called capitouls, that is to say, heads of the chapters or councils of the city), the lord of the country seemed less a feudal prince in his capital, than an honorary magistrate of the bourgeoisie. Avignon added to her consuls two podestats (from the Latin potestas, power). At Marseilles, the University of the high city was ruled by a republic under the presidency of the Count of Provence, although the lower city was still under the sovereignty of a viscount. Périgueux, which was divided into two communities, "the great and the small fraternity," took up arms to resist the authority of the Counts of Périgord; and Arles under its podestats was governed for some time as a free and imperial town. Amongst the constitutions which were established by the cities, from the eleventh to the sixteenth centuries, we find admirable examples of administration and government, so that one is struck with admiration at the efforts of intelligence and patriotism, often uselessly lavished on such small political arenas. The consulate, which nominally at least found its origin in the ancient grandeur of southern regions, did not spread itself beyond Lyons. In the centre of France, at Poictiers, Tours, Moulin, &c., the urban progress only manifested itself in efforts which were feeble and easily suppressed; but in the north, on the contrary, in the provinces between the Seine and the Rhine, and even between the Seine and the Loire, the system of franchise took footing and became recognised. In some places, the revolution was effected without difficulty, but in others it gave rise to the most determined struggles. In Normandy, for instance, under the active and intelligent government of the dukes of the race of Roll or Rollon, the middle class was rich and even warlike. It had access to the councils of the duchy; and when it was contemplated to invade England, the Duke William (Fig. 35) found support from the middle class, both in money and men. The case was the same in Flanders, where the towns of Ghent (Fig. 36), of Bruges, of Ypres, after being enfranchised but a short time developed with great rapidity. But in the other counties of western France, the greater part of the towns were still much oppressed by the counts and bishops. If some obtained certain franchises, these privileges were their ultimate ruin, owing to the ill faith of their nobles. A town between the Loire and the Seine gave the signal which caused the regeneration of the North. The inhabitants of Mans formed a community or association, and took an oath that they would obtain and maintain certain rights. They rebelled about 1070, and forced the count and his noble vassals to grant them the freedom which they had sworn to obtain, though William of Normandy very soon restored the rebel city to order, and dissolved the presumptuous community. However, the example soon bore fruit. Cambrai rose in its turn and proclaimed the "Commune," and although its bishop, aided by treason and by the Count of Hainault, reduced it to obedience, it only seemed to succumb for a time, to renew the struggle with greater success at a subsequent period.

The Italian movement was quickly felt on the other side of the Alps. In Provence, Septimanie, and Aquitaine, there were cities in the eleventh century that enjoyed significant freedom. Under the names of communities and universities, which meant that all citizens were part of one body, they collectively became involved in the broader affairs of the kingdom they belonged to. Their magistrates were treated as equals with the feudal nobility, and although the latter initially regarded them only as "good men" or notables, the consuls managed to establish their own standing within the hierarchy. While the consulate, which was a strong expression of the leading system of independence, did not completely eliminate feudalism in Provence as it did in Italy, it at least transformed it enough to remove its most unjust and unbearable aspects. For example, in Toulouse (where the consuls were unusually referred to as capitouls, meaning heads of the chapters or councils of the city), the local lord seemed more like an honorary magistrate of the bourgeoisie than a feudal prince in his own capital. Avignon added two podestats (from the Latin potestas, meaning power) to its consuls. At Marseille, the University of the upper city was led by a republic under the presidency of the Count of Provence, while the lower city remained under the authority of a viscount. Périgueux, divided into two communities, "the great and the small fraternity," took up arms to resist the Counts of Périgord; and Arles was governed as a free and imperial town for some time under its podestats. Among the constitutions established by the cities from the eleventh to the sixteenth centuries, there are remarkable examples of administration and governance, demonstrating impressive intelligence and patriotism often wasted on such small political arenas. The consulate, which at least nominally originated from the ancient prominence of the southern regions, did not extend beyond Lyons. In central France, cities like Poictiers, Tours, and Moulin showed only weak and easily suppressed urban progress; however, in the north, particularly in the provinces between the Seine and the Rhine, and even between the Seine and the Loire, the system of franchise gained traction and became recognized. In some areas, the change happened smoothly, but in others, it sparked fierce struggles. For instance, in Normandy, under the active and clever rule of the Dukes of Roll or Rollon, the middle class was wealthy and even militant. They participated in the duchy's councils; when an invasion of England was planned, Duke William (Fig. 35) received both financial and military support from the middle class. The situation was similar in Flanders, where the towns of Ghent (Fig. 36), Bruges, and Ypres, after being granted freedoms for a short time, developed rapidly. However, in other parts of western France, most towns were still heavily oppressed by counts and bishops. While some obtained certain freedoms, these privileges often led to their downfall due to the unreliability of their nobles. A town between the Loire and the Seine sparked the renewal of the North. The residents of Mans formed a community or association and vowed to secure and uphold certain rights. Around 1070, they rebelled and compelled the count and his noble vassals to grant them the freedom they had sworn to obtain, though William of Normandy swiftly restored order in the rebellious city and disbanded the audacious community. Nonetheless, this example quickly inspired others. Cambrai subsequently rose and declared the "Commune," and although its bishop, supported by treachery and the Count of Hainault, forced it into submission, it only appeared to falter temporarily, resurging with greater strength in a later struggle.

Fig. 36.--Civic Guard of Ghent (Brotherhood of St. Sebastian), from a painting on the Wall of the Chapel of St. John and St. Paul, Ghent, near the Gate of Bruges.

Fig. 36.--Civic Guard of Ghent (Brotherhood of St. Sebastian), from a painting on the Wall of the Chapel of St. John and St. Paul, Ghent, near the Gate of Bruges.

We have just mentioned the Commune; but we must not mistake the true meaning of this word, which, under a Latin form (communitas), expresses originally a Germanic idea, and in its new form a Christian mode of living. Societies of mutual defence, guilds, &c., had never disappeared from Germanic and Celtic countries; and, indeed, knighthood itself was but a brotherhood of Christian warriors. The societies of the Paix de Dieu, and of the Trève de Dieu, were encouraged by the clergy in order to stop the bloody quarrels of the nobility, and formed in reality great religious guilds. This idea of a body of persons taking some common oath to one another, of which feudalism gave so striking an example, could not fail to influence the minds of the rustics and the lower classes, and they only wanted the opportunity which the idea of the Commune at once gave them of imitating their superiors.

We just mentioned the Commune, but we should not confuse the true meaning of this word, which, in its Latin form (communitas), originally represents a Germanic idea, and in its new form, a Christian way of living. Societies for mutual defense, guilds, etc., had never disappeared from Germanic and Celtic regions; in fact, knighthood itself was just a brotherhood of Christian warriors. The societies of the Paix de Dieu and the Trève de Dieu were supported by the clergy to stop the bloody feuds among the nobility, and they actually formed large religious guilds. This concept of a group of people taking a common oath to each other, which feudalism exemplified so clearly, undoubtedly influenced the minds of the peasants and the lower classes. They only needed the opportunity that the idea of the Commune provided them to emulate their superiors.

They too took oaths, and possessed their bodies and souls in "common;" they seized, by force of strategy, the ramparts of their towns; they elected mayors, aldermen, and jurors, who were charged to watch over the interests of their association. They swore to spare neither their goods, their labour, nor their blood, in order to free themselves; and not content with defending themselves behind barricades or chains which closed the streets, they boldly took the offensive against the proud feudal chiefs before whom their fathers had trembled, and they forced the nobles, who now saw themselves threatened by this armed multitude, to acknowledge their franchise by a solemn covenant.

They also took oaths and shared their bodies and souls in "common;" they strategically took control of their towns' defenses; they elected mayors, city council members, and jurors to safeguard the interests of their group. They promised not to hold back their resources, their work, or their lives to gain their freedom; and not satisfied with just protecting themselves behind barricades or chains blocking the streets, they confidently went on the offensive against the proud feudal lords who had intimidated their ancestors, forcing the nobles, who now felt threatened by this armed crowd, to recognize their rights through a formal agreement.

It does not follow that everywhere the Commune was established by means of insurrection, for it was obtained after all sorts of struggles; and franchises were sold in some places for gold, and in others granted by a more or less voluntary liberality. Everywhere the object was the same; everywhere they struggled or negotiated to upset, by a written constitution or charter, the violence and arbitrary rule under which they had so long suffered, and to replace by an annual and fixed rent, under the protection of an independent and impartial law, the unlimited exactions and disguised plundering so long made by the nobility and royalty. Circumstanced as they were, what other means had they to attain this end but ramparts and gates, a common treasury, a permanent military force, and magistrates who were both administrators, judges, and captains? The hôtel de ville, or mansion-house, immediately became a sort of civic temple, where the banner of the Commune, the emblems of unity, and the seal which sanctioned the municipal acts were preserved. Then arose the watch-towers, where the watchmen were unceasingly posted night and day, and whence the alarm signal was ever ready to issue its powerful sounds when danger threatened the city. These watch-towers, the monuments of liberty, became as necessary for the burghers as the clock-towers of their cathedrals, whose brilliant peals and joyous chimes gave zest to the popular feasts (Fig. 37). The mansion-houses built in Flanders from the fourteenth to the sixteenth centuries, under municipal influence, are marvels of architecture.

It’s not the case that the Commune was established everywhere through rebellion; it was achieved after various struggles. In some places, rights were bought for money, while in others they were given out of more or less willing generosity. The goal was the same everywhere: people fought or negotiated to overturn the violence and arbitrary rule they had endured for so long, aiming to replace unlimited demands and disguised plundering from the nobility and royalty with a fixed annual payment, supported by an independent and fair legal system. Given their circumstances, what other means did they have to achieve this goal but walls and gates, a communal treasury, a standing military force, and magistrates who acted as administrators, judges, and leaders? The city hall quickly became a sort of civic temple, where the Commune's flag, symbols of unity, and the seal that authorized municipal decisions were kept. Then watchtowers were built, where guards were stationed day and night, ready to sound the alarm whenever danger loomed over the city. These watchtowers, symbols of freedom, became as essential to the townspeople as the clock towers of their cathedrals, whose striking bells and cheerful chimes added joy to community celebrations (Fig. 37). The town halls constructed in Flanders from the fourteenth to the sixteenth centuries, driven by municipal influence, are architectural wonders.

Fig. 37.--Chimes of the Clock of St. Lambert of Liége.

Fig. 37.--Sounds of the Clock of St. Lambert in Liège.

Who is there who could thoroughly describe or even appreciate all the happy or unhappy vicissitudes relating to the establishment of the Communes? We read of the Commune of Cambrai, four times created, four times destroyed, and which was continually at war with the Bishops; the Commune of Beauvais, sustained on the contrary by the diocesan prelate against two nobles who possessed feudal rights over it; Laon, a commune bought for money from the bishop, afterwards confirmed by the King, and then violated by fraud and treachery, and eventually buried in the blood of its defenders. We read also of St. Quentin, where the Count of Vermandois and his vassals voluntarily swore to maintain the right of the bourgeois, and scrupulously respected their oath. In many other localities the feudal dignitaries took alarm simply at the name of Commune, and whereas they would not agree to the very best arrangements under this terrible designation, they did not hesitate to adopt them when called either the "laws of friendship," the "peace of God," or the "institutions of peace." At Lisle, for instance. the bourgeois magistrates took the name of appeasers, or watchers over friendship. At Aire, in Artois, the members of friendship mutually, not only helped one another against the enemy, but also assisted one another in distress.

Who can fully describe or even appreciate all the happy and unhappy twists and turns involved in the establishment of the Communes? We read about the Commune of Cambrai, created four times and destroyed just as many, constantly at war with the Bishops; the Commune of Beauvais, on the other hand, supported by the diocesan prelate against two nobles who held feudal rights over it; Laon, a commune bought from the bishop, later confirmed by the King, only to be violated by deceit and betrayal, and ultimately drenched in the blood of its defenders. We also read about St. Quentin, where the Count of Vermandois and his vassals voluntarily swore to uphold the rights of the bourgeois and strictly honored their oath. In many other places, feudal lords were alarmed simply by the name of Commune, and while they wouldn’t agree to even the best arrangements under this daunting label, they didn’t hesitate to accept them when they were called the “laws of friendship,” the “peace of God,” or the “institutions of peace.” For example, in Lisle, the bourgeois magistrates referred to themselves as appeasers, or guardians of friendship. In Aire, in Artois, the members of the friendship not only helped each other against the enemy but also supported one another in times of distress.

Fig. 38.--The Deputies of the burghers of Ghent, in revolt against their Sovereign Louis II., Count of Flanders, come to beg him to pardon them, and to return to their Town. 1397--Miniature from Froissart, No. 2644 (National Library of Paris)

Fig. 38.--The representatives of the citizens of Ghent, who are in revolt against their ruler Louis II, Count of Flanders, come to ask for his forgiveness and to return to their city. 1397--Miniature from Froissart, No. 2644 (National Library of Paris)

Amiens deserves the first place amongst the cities which dearly purchased their privileges. The most terrible and sanguinary war was sustained by the bourgeois against their count and lord of the manor, assisted by King Louis le Gros, who had under similar circumstances just taken the part of the nobles of Laon.

Amiens deserves to be recognized as a top city that fought hard for its rights. The bourgeoisie faced a brutal and bloody war against their count and lord of the manor, with support from King Louis le Gros, who had similarly sided with the nobles of Laon in the past.

From Amiens, which, having been triumphant, became a perfect municipal republic, the example propagated itself throughout the rest of Picardy, the Isle of France, Normandy, Brittany, and Burgundy, and by degrees, without any revolutionary shocks, reached the region of Lyons, where the consulate, a characteristic institution of southern Communes, ended.

From Amiens, which, after its success, became a model of local governance, the idea spread throughout the rest of Picardy, the Isle of France, Normandy, Brittany, and Burgundy, and gradually, without any major upheavals, extended to the Lyon region, where the consulate, a typical institution of southern communities, came to an end.

From Flanders, also, the movement spread in the direction of the German Empire; and there, too, the struggle was animated, and victorious against the aristocracy, until at last the great system of enfranchisement prevailed; and the cities of the west and south formed a confederation against the nobles, whilst those in the north formed the famous Teutonic Hanse, so celebrated for its maritime commerce.

From Flanders, the movement also spread towards the German Empire; and there, too, the struggle was intense and ultimately successful against the aristocracy, until the overall system of enfranchisement won out; the cities in the west and south formed a confederation against the nobles, while those in the north created the famous Teutonic Hanse, renowned for its maritime trade.

The centre of France slowly followed the movement; but its progress was considerably delayed by the close influence of royalty, which sometimes conceded large franchises, and sometimes suppressed the least claims to independence. The kings, who willingly favoured Communes on the properties of their neighbours, did not so much care to see them forming on their own estates; unless the exceptional position and importance of any town required a wise exercise of tolerance. Thus Orleans, situated in the heart of the royal domains, was roughly repulsed in its first movement; whilst Mantes, which was on the frontier of the Duchy of Normandy, and still under the King of England, had but to ask in order to receive its franchise from the King of France.

The center of France gradually kept pace with the movement; however, its progress was significantly hindered by the strong influence of royalty, which sometimes granted major privileges and at other times stifled even the slightest attempts at independence. The kings, who were quick to support Communes on their neighbors' properties, were less eager to see them develop on their own lands, unless the unique status and significance of a town warranted a prudent approach to tolerance. For instance, Orleans, located in the heart of royal territory, faced resistance in its initial efforts, while Mantes, on the border of the Duchy of Normandy and still under the King of England, simply had to ask to receive its privileges from the King of France.

It was particularly in the royal domains that cities were to be found, which, although they did not possess the complete independence of communes, had a certain amount of liberty and civil guarantees. They had neither the right of war, the watch-tower, nor the exclusive jurisdiction over their elected magistrates, for the bailiffs and the royal provosts represented the sovereign amongst them (Fig. 39).

It was especially in the royal territories that cities were located, which, while not fully independent like communes, had some degree of freedom and civil rights. They didn’t have the right to go to war, maintain a watchtower, or the exclusive authority over their chosen officials, as the bailiffs and royal provosts acted on behalf of the king among them (Fig. 39).

Fig. 39.--Bailliage, or Tribunal of the King's Bailiff.--Fac-simile of an Engraving on Wood in the Work of Josse Damhoudere, "Praxis Rerum Civilium." (Antwerp, 1557, in 4to.).

Fig. 39.--Bailliage, or Tribunal of the King's Bailiff.--Copy of a Wood Engraving from the Work of Josse Damhoudere, "Praxis Rerum Civilium." (Antwerp, 1557, in 4to.).

In Paris, less than anywhere, could the kings consent to the organization of an independent political System, although that city succeeded in creating for itself a municipal existence. The middle-class influence originated in a Gallo-Roman corporation. The Company of Nautes or "the Corporation of the Water Trade," formed a centre round which were successively attached various bodies of different trades. Gradually a strong concourse of civic powers was established, which succeeded in electing a municipal council, composed of a provost of merchants, four aldermen, and twenty-six councillors of the town. This council afterwards succeeded in overstepping the royal influence at difficult times, and was destined to play a prominent part in history.

In Paris, more than anywhere else, the kings could not agree to the establishment of an independent political system, even though the city managed to create its own local governance. The influence of the middle class stemmed from a Gallo-Roman corporation. The Company of Nautes or "the Corporation of the Water Trade" formed a central hub around which various trade groups gradually joined. Over time, a strong assembly of civic powers was established, successfully electing a municipal council made up of a provost of merchants, four aldermen, and twenty-six town councillors. This council later managed to overcome royal influence during challenging times and was set to play a significant role in history.

There also sprang up a lower order of towns or boroughs than these bourgeois cities, which were especially under the Crown. Not having sufficient strength to claim a great amount of liberty, they were obliged to be satisfied with a few privileges, conceded to them by the nobles, for the most part with a political end. These were the Free Towns or New Towns which we have already named.

There also emerged a lower tier of towns or boroughs than these bourgeois cities, which were particularly under the Crown. Lacking the strength to demand a significant amount of freedom, they had to be content with a few privileges granted to them by the nobles, mostly for political reasons. These were the Free Towns or New Towns that we've already mentioned.

However it came about, it is certain that although during the tenth century feudal power was almost supreme in Europe, as early as the twelfth century the municipal system had gained great weight, and was constantly progressing until the policy of the kingdom became developed on a more and more extended basis, so that it was then necessary for it to give up its primitive nature, and to participate in the great movement of consolidisation and national unity. In this way the position of the large towns in the state relatively lost their individual position, and became somewhat analogous, as compared with the kingdom at large, to that formerly held by bourgeois in the cities. Friendly ties arose between provinces; and distinct and rival interests were effaced by the general aspiration towards common objects. The towns were admitted to the states general, and the citizens of various regions mixed as representatives of the Tiers Etat. Three orders thus met, who were destined to struggle for predominance in the future.

However it happened, it’s clear that even though feudal power was nearly absolute in Europe during the tenth century, by the twelfth century, the municipal system had gained significant influence and was continually advancing. This growth led to the kingdom's policy developing on an increasingly broader basis, making it necessary for it to shed its primitive nature and engage in the larger movement toward consolidation and national unity. As a result, the status of the large towns within the state somewhat diminished in terms of their individual standing and became somewhat comparable, in relation to the kingdom as a whole, to the role that the bourgeois once held in the cities. Friendly connections emerged between provinces, and distinct and competing interests faded away as there was a collective desire for common goals. The towns were included in the general states, and citizens from different areas came together as representatives of the Tiers Etat. Thus, three orders converged, destined to compete for dominance in the future.

We must call attention to the fact that, as M. Henri Martin says, by an apparent contradiction, the fall of the Communes declared itself in inverse ratio to the progress of the Tiers Etat. By degrees, as the government became more settled from the great fiefs being absorbed by the Crown, and as parliament and other courts of appeal which emanated from the middle class extended their high judiciary and military authority, so the central power, organized under monarchical form, must necessarily have been less disposed to tolerate the local independence of the Communes. The State replaced the Commune for everything concerning justice, war, and administration. No doubt some valuable privileges were lost; but that was only an accidental circumstance, for a great social revolution was produced, which cleared off at once all the relics of the old age; and when the work of reconstruction terminated, homage was rendered to the venerable name of "Commune," which became uniformly applied to all towns, boroughs, or villages into which the new spirit of the same municipal system was infused.

We need to highlight that, as M. Henri Martin points out, there’s an apparent contradiction: the decline of the Communes happened inversely to the rise of the Tiers Etat. Gradually, as the government became more stable from the major fiefs being integrated into the Crown, and as the parliament and other courts created by the middle class expanded their judicial and military power, the central authority, structured as a monarchy, became less likely to accept the local independence of the Communes. The State took over all aspects of justice, war, and administration from the Commune. While some valuable privileges were lost, that was just an incidental issue, as a significant social revolution occurred, wiping away all remnants of the old order; and when the reconstruction was completed, respect was paid to the esteemed name of "Commune," which came to be uniformly used for all towns, boroughs, or villages infused with the new spirit of the same municipal system.

Fig. 40.--Various Arms of the Fifteenth Century.

Fig. 40.--Different Types of Arms in the Fifteenth Century.

Private Life in the Castles, the Towns, and the Rural Districts.

The Merovingian Castles.--Pastimes of the Nobles; Hunting, War.--Domestic Arrangements.--Private Life of Charlemagne.--Domestic Habits under the Carlovingians.--Influence of Chivalry.--Simplicity of the Court of Philip Angustus not imitated by his Successors.--Princely Life of the Fifteenth Century.--The bringing up of Latour Landry, a Noble of Anjou.--Varlets, Pages, Esquires, Maids of Honour.--Opulence of the Bourgeoisie.--"Le Menagier de Paris."--Ancient Dwellings.--State of Rustics at various Periods.--"Rustic Sayings," by Noël du Fail.

The Merovingian Castles.--Hobbies of the Nobles; Hunting, War.--Home Life.--Private Life of Charlemagne.--Domestic Habits during the Carolingians.--Impact of Chivalry.--Simplicity of the Court of Philip Augustus not followed by his Successors.--Princely Life in the Fifteenth Century.--The upbringing of Latour Landry, a Noble from Anjou.--Varlets, Pages, Esquires, Maids of Honor.--Wealth of the Bourgeoisie.--"Le Menagier de Paris."--Ancient Homes.--Condition of Peasants at different Periods.--"Rustic Sayings," by Noël du Fail.

Augustin Thierry, taking Gregory of Tours, the Merovingian Herodotus, as an authority, thus describes a royal domain under the first royal dynasty of France:--

AAugustin Thierry, referencing Gregory of Tours, the Merovingian Herodotus, describes a royal territory during the first royal dynasty of France:--

"This dwelling in no way possessed the military aspect of the château of the Middle Ages; it was a large building surrounded with porticos of Roman architecture, sometimes built of carefully polished and sculptured wood, which in no way was wanting in elegance. Around the main body of the building were arranged the dwellings of the officers of the palace, either foreigners or Romans, and those of the chiefs of companies, who, according to Germanic custom, had placed themselves and their warriors under the King, that is to say, under a special engagement of vassalage and fidelity. Other houses, of less imposing appearance, were occupied by a great number of families, who worked at all sorts of trades, such as jewellery, the making of arms, weaving, currying, the embroidering of silk and gold, cotton, &c.

This residence didn't have the military feel of a medieval castle; it was a large building surrounded by Roman-style porticos, sometimes made from beautifully polished and carved wood, which was definitely elegant. Surrounding the main structure were the homes of the palace officers, both foreigners and Romans, as well as the leaders of companies who, following Germanic tradition, had pledged themselves and their warriors to the King in a special bond of loyalty and service. Other, less impressive houses were home to many families who worked in various trades, such as jewelry, weapon-making, weaving, leatherwork, and silk and gold embroidery, among others.

"Farm-buildings, paddocks, cow-houses, sheepfolds, barns, the houses of agriculturists, and the cabins of the serfs, completed the royal village, which perfectly resembled, although on a larger scale, the villages of ancient Germany. There was something too in the position of these dwellings which resembled the scenery beyond the Rhine; the greater number of them were on the borders, and some few in the centre of great forests, which have since been partly destroyed, and the remains of which we so much admire."

"Farm buildings, pastures, cow sheds, sheep pens, barns, the homes of farmers, and the cabins of the serfs made up the royal village, which closely resembled, though on a larger scale, the villages of ancient Germany. There was also something about the location of these homes that reminded one of the scenery beyond the Rhine; most of them were on the outskirts, with a few situated in the heart of large forests, which have since been partially cleared, and the remnants of which we still admire."

Fig. 41.--St. Remy, Bishop of Rheims, begging of Clovis the restitution of the Sacred Vase taken by the Franks in the Pillage of Soissons.--Costumes of the Court of Burgundy in the Fifteenth Century.--Fac-simile of a Miniature on a Manuscript of the "History of the Emperors" (Library of the Arsenal).

Fig. 41.--St. Remy, Bishop of Rheims, asking Clovis to return the Sacred Vase taken by the Franks during the Sack of Soissons.--Fashion of the Court of Burgundy in the Fifteenth Century.--Reproduction of a Miniature from a Manuscript of the "History of the Emperors" (Library of the Arsenal).

Although historical documents are not very explicit respecting those remote times, it is only sufficient to study carefully a very small portion of the territory in order to form some idea of the manners and customs of the Franks; for in the royal domain we find the existence of all classes, from the sovereign himself down to the humblest slave. As regards the private life, however, of the different classes in this elementary form of society, we have but approximate and very imperfect notions.

Although historical documents aren't very clear about those distant times, it's enough to closely examine a small part of the territory to get an idea of the customs and ways of the Franks. In the royal domain, we can see the presence of all classes, from the king himself down to the lowest slave. However, when it comes to the private lives of the different classes in this basic form of society, we only have rough and incomplete understandings.

It is clear, however, that as early as the beginning of the Merovingian race, there was much more luxury and comfort among the upper classes than is generally supposed. All the gold and silver furniture, all the jewels, and all the rich stuffs which the Gallo-Romans had amassed in their sumptuous dwellings, had not been destroyed by the barbarians. The Frank Kings had appropriated the greater part; and the rest had fallen into the hands of the chiefs of companies in the division of spoil. A well-known anecdote, namely, that concerning the Vase of Soissons (Fig. 41), which King Clovis wished to preserve, and which a soldier broke with an axe, proves that many gems of ancient art must have disappeared, owing to the ignorance and brutality of the conquerors; although it is equally certain that the latter soon adopted the tastes and customs of the native population. At first, they appropriated everything that flattered their pride and sensuality. This is how the material remains of the civilisation of the Gauls were preserved in the royal and noble residences, the churches, and the monasteries. Gregory of Tours informs us, that when Frédégonde, wife of Chilpéric, gave the hand of her daughter Rigouthe to the son of the Gothic king, fifty chariots were required to carry away all the valuable objects which composed the princess's dower. A strange family scene, related by the same historian, gives us an idea of the private habits of the court of that terrible queen of the Franks. "The mother and daughter had frequent quarrels, which sometimes ended in the most violent encounters. Frédégonde said one day to Rigouthe, 'Why do you continually trouble me? Here are the goods of your father, take them and do as you like with them.' And conducting her to a room where she locked up her treasures, she opened a large box filled with valuables. After having pulled out a great number of jewels which she gave to her daughter, she said, 'I am tired; put your own hands in the box, and take what you find.' Rigouthe bent down to reach the objects placed at the bottom of the box; upon which Frédégonde immediately lowered the lid on her daughter, and pressed upon it with so much force that the eyes began to start out of the princess's head. A maid began screaming, 'Help! my mistress is being murdered by her mother!' and Rigouthe was saved from an untimely end." It is further related that this was only one of the minor crimes attributed by history to Frédégonde the Terrible, who always carried a dagger or poison about with her.

It’s clear, however, that as early as the start of the Merovingian era, there was much more luxury and comfort among the upper classes than is usually thought. All the gold and silver furniture, the jewels, and the rich fabrics that the Gallo-Romans had gathered in their lavish homes hadn’t been destroyed by the barbarians. The Frank Kings took most of it; the rest ended up with the leaders of groups during the division of spoils. A well-known story, specifically about the Vase of Soissons (Fig. 41), which King Clovis wanted to keep, and which a soldier smashed with an axe, shows that many ancient art pieces must have been lost due to the ignorance and brutality of the conquerors; though it's pretty clear that they soon adopted the tastes and customs of the local people. At first, they took everything that appealed to their pride and desires. This is how the material remnants of Gallo-Roman civilization were preserved in royal and noble homes, churches, and monasteries. Gregory of Tours tells us that when Frédégonde, wife of Chilpéric, arranged for her daughter Rigouthe to marry the son of the Gothic king, it required fifty chariots to transport all the valuable items that made up the princess’s dowry. A strange family incident recounted by the same historian gives us a glimpse of the personal life of that ruthless queen of the Franks. "The mother and daughter frequently fought, sometimes resulting in violent confrontations. One day, Frédégonde said to Rigouthe, 'Why do you keep bothering me? Here are your father's possessions; take them and do what you want with them.' And leading her to a room where she locked up her treasures, she opened a large box filled with valuables. After taking out a number of jewels she gave to her daughter, she said, 'I’m tired; use your own hands to take what you want from the box.' Rigouthe bent down to grab the items at the bottom of the box; at that moment, Frédégonde slammed the lid down on her daughter and pressed it so hard that the princess's eyes began to bulge. A maid started screaming, 'Help! My mistress is being murdered by her mother!' and Rigouthe was saved from a tragic fate." It’s also noted that this was just one of the lesser crimes attributed to Frédégonde the Terrible, who always carried a dagger or poison with her.

Amongst the Franks, as amongst all barbaric populations, hunting was the pastime preferred when war was not being waged. The Merovingian nobles were therefore determined hunters, and it frequently happened that hunting occupied whole weeks, and took them far from their homes and families. But when the season or other circumstances prevented them from waging war against men or beasts, they only cared for feasting and gambling. To these occupations they gave themselves up, with a determination and wildness well worthy of those semi-civilised times. It was the custom for invited guests to appear armed at the feasts, which were the more frequent, inasmuch as they were necessarily accompanied with religious ceremonies. It often happened that these long repasts, followed by games of chance, were stained with blood, either in private quarrels or in a general mêlée. One can easily imagine the tumult which must have arisen in a numerous assembly when the hot wine and other fermented drinks, such as beer, &c., had excited every one to the highest pitch of unchecked merriment.

Among the Franks, like in all barbaric cultures, hunting was the favorite pastime when there wasn't a war going on. The Merovingian nobles were passionate hunters, often spending whole weeks away from their homes and families on hunting trips. But when the season or other factors kept them from fighting men or beasts, they focused on feasting and gambling. They threw themselves into these activities with a determination and intensity typical of those semi-civilized times. It was customary for invited guests to appear armed at the feasts, which occurred frequently since they were often accompanied by religious ceremonies. These long meals, followed by games of chance, sometimes ended in violence, whether from personal disputes or large brawls. One can easily picture the chaos that must have erupted in a large gathering when the hot wine and other alcoholic drinks, like beer, had pushed everyone to the peak of unrestrained revelry.

Fig. 42.--Costumes of the Women of the Court from the Sixth to the Tenth Centuries, from Documents collected by H. de Vielcastel, in the great Libraries of Europe.

Fig. 42.--Costumes of the Women of the Court from the Sixth to the Tenth Centuries, from Documents collected by H. de Vielcastel, in the major Libraries of Europe.

Some of the Merovingian kings listened to the advice of the ministers of the Catholic religion, and tried to reform these noisy excesses, and themselves abandoned the evil custom. For this purpose they received at their tables bishops, who blessed the assembly at the commencement of the meal, and were charged besides to recite chapters of holy writ, or to sing hymns out of the divine service, so as to edify and occupy the minds of the guests.

Some of the Merovingian kings took the advice of the ministers of the Catholic religion and attempted to reform these noisy excesses, even giving up the bad customs themselves. For this, they welcomed bishops to their tables, who would bless the gathering before the meal and were also responsible for reciting chapters of scripture or singing hymns from the divine service to inspire and engage the guests.

Gregory of Tours bears witness to the happy influence of the presence of bishops at the tables of the Frank kings and nobles; he relates, too, that Chilpéric, who was very proud of his theological and secular knowledge, liked, when dining, to discuss, or rather to pronounce authoritatively his opinion on questions of grammar, before his companions in arms, who, for the most part, neither knew how to read nor write; he even went as far as to order three ancient Greek letters to be added to the Latin alphabet.

Gregory of Tours highlights the positive impact of bishops being present at the meals of the Frank kings and nobles. He also mentions that Chilpéric, who was quite proud of his theological and worldly knowledge, enjoyed discussing—or rather, asserting his views on grammar during meals, even though most of his fellow warriors could neither read nor write. He even went so far as to demand that three ancient Greek letters be added to the Latin alphabet.

Fig. 43.--Queen Frédégonde, seated on her Throne, gives orders to two young Men of Térouanne to assassinate Sigebert, King of Austrasia.--Window in the Cathedral of Tournai, Fifteenth Century.

Fig. 43.--Queen Frédégonde, sitting on her throne, instructs two young men from Térouanne to kill Sigebert, the King of Austrasia.--Window in the Cathedral of Tournai, Fifteenth Century.

The private properties of the Frank kings were immense, and produced enormous revenues. These monarchs had palaces in almost all the large towns; at Bourges, Châlons-sur-Saône, Châlons-sur-Marne, Dijon, Étampes, Metz, Langres, Mayence, Rheims, Soissons, Tours, Toulouse, Trèves, Valenciennes, Worms, &c. In Paris, they occupied the vast residence now known as the Thermes de Julien (Hôtel de Cluny), which then extended from the hill of St. Geneviève as far as the Seine; but they frequently left it for their numerous villas in the neighbourhood, on which occasions they were always accompanied by their treasury.

The private properties of the Frank kings were huge and generated massive income. These rulers had palaces in nearly all the major towns: Bourges, Châlons-sur-Saône, Châlons-sur-Marne, Dijon, Étampes, Metz, Langres, Mainz, Rheims, Soissons, Tours, Toulouse, Trier, Valenciennes, Worms, etc. In Paris, they inhabited the large residence now known as the Thermes de Julien (Hôtel de Cluny), which at the time stretched from the hill of St. Geneviève all the way to the Seine; however, they often left for their many villas in the area, always taking their treasury with them.

All these residences were built on the same plan. High walls surrounded the palace. The Roman atrium, preserved under the name of proaulium (preau, ante-court), was placed in front of the salutorium (hall of reception), where visitors were received. The consistorium, or great circular hall surrounded with seats, served for legislation, councils, public assemblies, and other solemnities, at which the kings displayed their royal pomp.

All these homes were built on the same design. High walls surrounded the palace. The Roman atrium, preserved under the name of proaulium (preau, front courtyard), was positioned in front of the salutorium (reception hall), where guests were welcomed. The consistorium, or large circular hall with seats, was used for legislation, councils, public gatherings, and other formal occasions, where the kings showcased their royal splendor.

The trichorium, or dining-room, was generally the largest hall in the palace; two rows of columns divided it into three parts; one for the royal family, one for the officers of the household, and the third for the guests, who were always very numerous. No person of rank visiting the King could leave without sitting at his table, or at least draining a cup to his health. The King's hospitality was magnificent, especially on great religious festivals such as Christmas and Easter.

The trichorium, or dining room, was usually the biggest hall in the palace. It had two rows of columns that split it into three sections: one for the royal family, one for the household staff, and the last for guests, who were always plentiful. Anyone of importance visiting the King had to sit at his table or at least raise a glass to his health. The King's hospitality was grand, especially during major religious celebrations like Christmas and Easter.

The royal apartments were divided into winter and summer rooms. In order to regulate the temperature hot or cold water was used, according to the season; this circulated in the pipes of the hypocauste, or the subterranean furnace which warmed the baths. The rooms with chimneys were called epicaustoria (stoves), and it was the custom hermetically to close these when any one wished to be anointed with ointments and aromatic essences. In the same manner as the Gallo-Roman houses, the palaces of the Frank kings and principal nobles of ecclesiastical or military order had thermes, or bath-rooms: to the thermes were attached a colymbum, or washhouse, a gymnasium for bodily exercise, and a hypodrome, or covered gallery for exercise, which must not be confounded with the hippodrome, a circus where horse-races took place.

The royal apartments were split into winter and summer rooms. To control the temperature, hot or cold water was used depending on the season; this flowed through the pipes of the hypocauste, or the underground furnace that heated the baths. The rooms with chimneys were called epicaustoria (stoves), and it was customary to seal these tightly when someone wanted to be anointed with ointments and fragrant scents. Similar to Gallo-Roman homes, the palaces of the Frank kings and high-ranking nobles, whether ecclesiastical or military, included thermes, or bathhouses: the thermes were connected to a colymbum, or washhouse, a gym for physical exercise, and a hypodrome, or covered gallery for workouts, which should not be confused with the hippodrome, a racetrack for horses.

Sometimes after the repast, in the interval between two games of dice, the nobles listened to a bard, who sang the brilliant deeds of their ancestors in their native tongue.

Sometimes after the meal, during the break between two games of dice, the nobles listened to a bard, who sang about the great deeds of their ancestors in their native language.

Under the government of Charlemagne, the private life of his subjects seems to have been less rough and coarse, although they did not entirely give up their turbulent pleasures. Science and letters, for a long time buried in monasteries, reappeared like beautiful exiles at the imperial court, and social life thereby gained a little charm and softness. Charlemagne had created in his palace, under the direction of Alcuin, a sort of academy called the "School of the Palace," which followed him everywhere. The intellectual exercises of this school generally brought together all the members of the imperial family, as well as all the persons of the household. Charlemagne, in fact, was himself one of the most attentive followers of the lessons given by Alcuin. He was indeed the principal interlocutor and discourser at the discussions, which were on all subjects, religions, literary, and philosophical.

Under Charlemagne's rule, the personal lives of his subjects seem to have been less harsh and rough, even though they didn’t completely abandon their wild pleasures. Knowledge and literature, which had been hidden away in monasteries for a long time, reemerged like beautiful exiles at the imperial court, adding some charm and softness to social life. Charlemagne established a sort of academy in his palace, called the "School of the Palace," led by Alcuin, which traveled with him everywhere. The intellectual activities of this school usually gathered all the members of the imperial family, along with everyone in the household. Charlemagne himself was one of the most attentive participants in Alcuin's lessons. He was indeed the main speaker and debater during discussions that covered a wide range of topics, including religion, literature, and philosophy.

Fig. 44.--Costumes of the Nobility from the Seventh to the Ninth Centuries, from Documents gathered by H. de Vielcastel from the great Libraries of Europe.

Fig. 44.--Noble Costumes from the Seventh to the Ninth Centuries, based on documents collected by H. de Vielcastel from the major libraries of Europe.

Charlemagne took as much pains with the administration of his palace as he did with that of his States. In his "Capitulaires," a work he wrote on legislature, we find him descending to the minutest details in that respect. For instance, he not only interested himself in his warlike and hunting equipages, but also in his kitchen and pleasure gardens. He insisted upon knowing every year the number of his oxen, horses, and goats; he calculated the produce of the sale of fruits gathered in his orchards, which were not required for the use of his house; he had a return of the number of fish caught in his ponds; he pointed out the shrubs best calculated for ornamenting his garden, and the vegetables which were required for his table, &c.

Charlemagne put as much effort into managing his palace as he did into ruling his kingdom. In his "Capitulaires," a document he wrote about legislation, we see him getting into the smallest details. For example, he not only focused on his military and hunting gear but also on his kitchen and pleasure gardens. He wanted to know every year how many oxen, horses, and goats he had; he calculated the profits from selling fruits picked from his orchards that weren’t needed for his household; he kept track of the number of fish caught in his ponds; he specified which shrubs were best for decorating his garden, and the vegetables needed for his meals, etc.

The Emperor generally assumed the greatest simplicity in his dress. His daily attire consisted of a linen shirt and drawers, and a woollen tunic fastened with a silk belt. Over this tunic he threw a cloak of blue stuff, very long behind and before, but very short on each side, thus giving freedom to his arms to use his sword, which he always wore. On his feet he wore bands of stuffs of various colours, crossed over one another, and covering his legs also. In winter, when he travelled or hunted on horseback, he threw over his shoulders a covering of otter or sheepskin. The changes in fashion which the custom of the times necessitated, but to which he would never submit personally, induced him to issue several strenuous orders, which, however, in reality had hardly any effect.

The Emperor typically kept his clothing very simple. His everyday outfit was a linen shirt and underwear, along with a wool tunic secured by a silk belt. He wore a long blue cloak over the tunic, which was very long in the front and back but short on the sides, allowing him the freedom to use his sword, which he always carried. On his feet, he had bands of fabric in various colors that crossed over each other and covered his legs, too. In winter, when he traveled or hunted on horseback, he draped a cover made of otter or sheepskin over his shoulders. The fashion changes required by the trends of the time, which he refused to follow personally, led him to issue several strict orders that had little real impact.

He was most simple as regards his food and drink, and made a habit of having pious or historical works read to him during his repasts. He devoted the morning, which with him began in summer at sunrise, and in winter earlier, to the political administration of his empire. He dined at twelve with his family; the dukes and chiefs of various nations first waited on him, and then took their places at the table, and were waited on in their turn by the counts, prefects, and superior officers of the court, who dined after them. When these had finished the different chiefs of the household sat down, and they were succeeded lastly by servants of the lower order, who often did not dine till midnight, and had to content themselves with what was left. When occasion required, however, this powerful Emperor knew how to maintain the pomp and dignity of his station; but as soon as he had done what was necessary, either for some great religious festival or otherwise, he returned, as if by instinct, to his dear and native simplicity.

He was very simple when it came to food and drink, and he made it a habit to have religious or historical books read to him during meals. He dedicated his mornings, which started at sunrise in summer and earlier in winter, to running his empire. He had lunch at noon with his family; the dukes and leaders of various nations served him first and then took their seats at the table, being served in turn by the counts, prefects, and senior court officials, who dined after them. Once they finished, the different heads of the household sat down, followed lastly by the lower-ranking servants, who often didn’t eat until midnight and had to make do with what was left. However, when the situation called for it, this powerful Emperor knew how to uphold the grandeur and dignity of his position; but as soon as he had fulfilled his duties, whether for a major religious celebration or otherwise, he naturally returned to his cherished simplicity.

It must be understood that the simple tastes of Charlemagne were not always shared by the princes and princesses of his family, nor by the magnates of his court (Fig. 45). Poets and historians have handed down to us descriptions of hunts, feasts, and ceremonies, at which a truly Asiatic splendour was displayed. Eginhard, however, assures us that the sons and daughters of the King were brought up under their father's eye in liberal studios; that, to save them from the vice of idleness, Charlemagne required his sons to devote themselves to all bodily exercises, such as horsemanship, handling of arms, &c., and his daughters to do needlework and to spin. From what is recorded, however, of the frivolous habits and irregular morals of these princesses, it is evident that they but imperfectly realised the end of their education.

It should be noted that Charlemagne’s simple tastes weren’t always shared by the princes and princesses in his family, nor by the nobles at his court (Fig. 45). Poets and historians have recorded descriptions of hunts, feasts, and ceremonies that displayed a truly lavish grandeur. Eginhard, however, tells us that the King raised his sons and daughters under his watchful eye in well-rounded environments; to prevent them from becoming idle, Charlemagne required his sons to engage in physical activities like horseback riding and weaponry, while his daughters were taught needlework and spinning. However, based on what we know about the frivolous behavior and questionable morals of these princesses, it’s clear that they didn’t fully achieve the goals of their education.

Fig. 45.--Costumes of the Ladies of the Nobility in the Ninth Century, from a Miniature in the Bible of Charles the Bold (National Library of Paris).

Fig. 45.--Costumes of Noble Ladies in the Ninth Century, from a Miniature in the Bible of Charles the Bold (National Library of Paris).

Science and letters, which for a time were brought into prominence by Charlemagne and also by his son Louis, who was very learned and was considered skilful in translating and expounding Scripture, were, however, after the death of these two kings, for a long time banished to the seclusion of the cloisters, owing to the hostile rivalry of their successors, which favoured the attacks of the Norman pirates. All the monuments and relics of the Gallo-Roman civilisation, which the great Emperor had collected, disappeared in the civil wars, or were gradually destroyed by the devastations of the northerners.

Science and literature, which were once highlighted by Charlemagne and his educated son Louis, who was skilled at translating and interpreting Scripture, ended up being pushed into the shadows of the monasteries after the deaths of these two kings. This was due to the fierce competition among their successors, which made it easier for the Norman raiders to attack. All the remnants and treasures of Gallo-Roman civilization that the great Emperor had gathered were lost in the civil wars or slowly destroyed by the ravages of the northerners.

The vast empire which Charlemagne had formed became gradually split up, so that from a dread of social destruction, in order to protect churches and monasteries, as well as castles and homesteads, from the attacks of internal as well as foreign enemies, towers and impregnable fortresses began to rise in all parts of Europe, and particularly in France.

The huge empire that Charlemagne created gradually broke apart, prompting a fear of societal collapse. To safeguard churches, monasteries, castles, and homes from attacks by both internal and external enemies, towers and strong fortresses started to appear throughout Europe, especially in France.

Fig. 46.--Towers of the Castle of Sémur, and of the Castle of Nogent-le-Rotrou (Present Condition).--Specimens of Towers of the Thirteenth Century.

Fig. 46.--Towers of the Castle of Sémur, and of the Castle of Nogent-le-Rotrou (Current State).--Examples of Towers from the Thirteenth Century.

During the first period of feudalism, that is to say from the middle of the ninth to the middle of the twelfth centuries, the inhabitants of castles had little time to devote to the pleasures of private life. They had not only to be continually under arms for the endless quarrels of the King and the great chiefs; but they had also to oppose the Normans on one side, and the Saracens on the other, who, being masters of the Spanish peninsula, spread like the rising tide in the southern counties of Languedoc and Provence. It is true that the Carlovingian warriors obtained a handsome and rich reward for these long and sanguinary efforts, for at last they seized upon the provinces and districts which had been originally entrusted to their charge, and the origin of their feudal possession was soon so far forgotten, that their descendants pretended that they held the lands, which they had really usurped regardless of their oath, from heaven and their swords. It is needless to say, that at that time the domestic life in these castles must have been dull and monotonous; although, according to M. Guizot, the loneliness which was the resuit of this rough and laborious life, became by degrees the pioneer of civilisation.

During the early days of feudalism, from the middle of the ninth to the middle of the twelfth centuries, the people living in castles had little time for personal enjoyment. They were constantly prepared for battle due to the ongoing conflicts between the King and the powerful lords. On one side, they faced the Normans, and on the other, the Saracens, who, as masters of the Spanish peninsula, spread like a rising tide into the southern regions of Languedoc and Provence. It’s true that the Carolingian warriors earned significant rewards for their long and bloody struggles; they eventually captured the provinces and areas that had initially been entrusted to them. Over time, the origins of their feudal ownership were forgotten, and their descendants claimed that they held the lands—lands they had actually seized without regard for their oath—by right of heaven and their swords. It’s needless to say that domestic life in these castles must have been dull and monotonous; however, according to M. Guizot, the isolation resulting from this harsh and demanding life gradually became the forerunner of civilization.

"When the owner of the fief left his castle, his wife remained there, though in a totally different position from that which women generally held. She remained as mistress, representing her husband, and was charged with the defence and honour of the fief. This high and exalted position, in the centre of domestic life, often gave to women an opportunity of displaying dignity, courage, virtue, and intelligence, which would otherwise have remained hidden, and, no doubt, contributed greatly to their moral development, and to the general improvement of their condition.

When the lord of the estate left his castle, his wife stayed behind, but her role was completely different from what women typically had. She took on the position of mistress, representing her husband, and was responsible for the defense and honor of the estate. This elevated role at the heart of domestic life often allowed women to showcase their dignity, courage, virtue, and intelligence, which might have otherwise gone unnoticed, and it certainly played a significant role in their moral growth and the overall betterment of their situation.

Fig. 47.--Woman under the Safeguard of Knighthood, allegorical Scene.--Costume of the End of the Fifteenth Century, from a Miniature in a Latin Psalm Book (Manuscript No. 175, National Library of Paris).

Fig. 47.--Woman under the Protection of Knighthood, allegorical Scene.--Fashion from the Late Fifteenth Century, based on a Miniature in a Latin Psalm Book (Manuscript No. 175, National Library of Paris).

"The importance of children, and particularly of the eldest son, was greater in feudal houses than elsewhere.... The eldest son of the noble was, in the eyes of his father and of all his followers, a prince and heir-presumptive, and the hope and glory of the dynasty. These feelings, and the domestic pride and affection of the various members one to another, united to give families much energy and power..... Add to this the influence of Christian ideas, and it will be understood how this lonely, dull, and hard castle life was, nevertheless, favourable to the development of domestic society, and to that improvement in the condition of women which plays such a great part in the history of our civilisation."

"The significance of children, especially the eldest son, was greater in noble families than in other places. The eldest son of a noble was seen by his father and all his followers as a prince and the likely future leader, representing the hope and pride of the family legacy. These feelings, along with the love and pride shared among family members, combined to give households a lot of strength and influence. On top of that, the impact of Christian values made it clear how this isolated, monotonous, and harsh castle life was still beneficial for the growth of family life and for the progress of women's status, which plays a significant role in the story of our civilization."

Fig. 48.--Court of Love in Provence in the Fourteenth Century (Manuscript of the National Library of Paris).

Fig. 48.--Court of Love in Provence in the 14th Century (Manuscript of the National Library of Paris).

Whatever opinion may be formed of chivalry, it is impossible to deny the influence which this institution exercised on private life in the Middle Ages. It considerably modified custom, by bringing the stronger sex to respect and defend the weaker. These warriors, who were both simple and externally rough and coarse, required association and intercourse with women to soften them (Fig. 47). In taking women and helpless widows under their protection, they were necessarily more and more thrown in contact with them. A deep feeling of veneration for woman, inspired by Christianity, and, above all, by the worship of the Virgin Mary, ran throughout the songs of the troubadours, and produced a sort of sentimental reverence for the gentle sex, which culminated in the authority which women had in the courts of love (Fig. 48).

No matter what opinion one might have about chivalry, it's undeniable that this system had a significant impact on personal life during the Middle Ages. It notably changed customs by encouraging men to respect and protect women. These warriors, who were often simple and outwardly tough, needed social interaction with women to soften their demeanor (Fig. 47). By taking women and vulnerable widows under their care, they inevitably interacted with them more frequently. A profound sense of reverence for women, inspired by Christianity and especially the veneration of the Virgin Mary, flowed through the songs of the troubadours and created a kind of sentimental respect for women, which reached its peak in the influence women had in the courts of love (Fig. 48).

We have now reached the reign of Philip Augustus, that is to say, the end of the twelfth century. This epoch is remarkable, not only for its political history, but also for its effect on civilisation. Christianity had then considerably influenced the world; arts, sciences, and letters, animated by its influence, again began to appear, and to add charms to the leisure of private life. The castles were naturally the first to be affected by this poetical and intellectual regeneration, although it has been too much the custom to exaggerate the ignorance of those who inhabited them. We are too apt to consider the warriors of the Middle Ages as totally devoid of knowledge, and as hardly able to sign their names, as far as the kings and princes are concerned. This is quite an error; for many of the knights composed poems which exhibit evidence of their high literary culture.

We have now reached the reign of Philip Augustus, meaning the end of the twelfth century. This period is notable not just for its political history but also for its impact on civilization. Christianity had significantly shaped the world; arts, sciences, and literature, inspired by its influence, began to flourish again and enrich the leisure of private life. Castles were naturally the first to feel the effects of this cultural and intellectual revival, although it's often exaggerated how ignorant the people living in them were. We tend to think of the warriors of the Middle Ages as completely uneducated, barely able to sign their names, especially when it comes to kings and princes. This is a big misconception; many knights wrote poems that show their high level of literary culture.

It was, in fact, the epoch of troubadours, who might be called professional poets and actors, who went from country to country, and from castle to castle, relating stories of good King Artus of Brittany and of the Knights of the Round Table; repeating historical poems of the great Emperor Charlemagne and his followers. These minstrels were always accompanied by jugglers and instrumentalists, who formed a travelling troop (Fig. 49), having no other mission than to amuse and instruct their feudal hosts. After singing a few fragments of epics, or after the lively recital of some ancient fable, the jugglers would display their art or skill in gymnastic feats or conjuring, which were the more appreciated by the spectators, in that the latter were more or less able to compete with them. These wandering troops acted small comedies, taken from incidents of the times. Sometimes, too, the instrumentalists formed an orchestra, and dancing commenced. It may be here remarked that dancing at this epoch consisted of a number of persons forming large circles, and turning to the time of the music or the rhythm of the song. At least the dances of the nobles are thus represented in the MSS. of the Middle Ages. To these amusements were added games of calculation and chance, the fashion for which had much increased, and particularly such games as backgammon, draughts, and chess, to which certain knights devoted all their leisure.

It was, in fact, the era of troubadours, who could be considered professional poets and performers, traveling from country to country and castle to castle, sharing tales of good King Arthur of Brittany and the Knights of the Round Table; narrating historical poems about the great Emperor Charlemagne and his followers. These minstrels were always accompanied by jugglers and musicians, forming a traveling group (Fig. 49), with the sole purpose of entertaining and educating their feudal hosts. After singing a few pieces of epic poetry or lively recitations of ancient fables, the jugglers would showcase their talents in gymnastic feats or magic, which were particularly appreciated by the audience, as they could often compete with them. These wandering groups performed short comedies based on contemporary events. Sometimes, the musicians would create an orchestra, and dancing would begin. It’s worth mentioning that dancing in this era involved many people forming large circles, moving to the music or the beat of the song. At least that’s how the dances of the nobility are depicted in the manuscripts from the Middle Ages. To these entertainments were added games of strategy and chance, which had become increasingly popular, especially games like backgammon, checkers, and chess, which certain knights devoted all their free time to.

From the reign of Philip Augustus, a remarkable change seems to have taken place in the private life of kings, princes, and nobles. Although his domains and revenues had always been on the increase, this monarch never displayed, in ordinary circumstances at least, much magnificence. The accounts of his private expenses for the years 1202 and 1203 have been preserved, which enable us to discover some curious details bearing witness to the extreme simplicity of the court at that period. The household of the King or royal family was still very small: one chancellor, one chaplain, a squire, a butler, a few Knights of the Temple, and some sergeants-at-arms were the only officers of the palace. The king and princes of his household only changed apparel three times during the year.

From the reign of Philip Augustus, a notable shift seems to have occurred in the private lives of kings, princes, and nobles. Even though his territories and income were always growing, this monarch didn't really show a lot of extravagance, at least under normal circumstances. Records of his personal expenses from the years 1202 and 1203 have been kept, allowing us to uncover some interesting details that highlight the remarkable simplicity of the court during that time. The royal household was still quite small: just one chancellor, one chaplain, a squire, a butler, a few Knights of the Temple, and some sergeants-at-arms were the only officials in the palace. The king and the princes in his circle only changed their outfits three times a year.

Fig. 49.--King David playing on the Lyre, surrounded by four Musicians.--Costumes of the Thirteenth Century (from a Miniature in a Manuscript Psalter in the Imperial Library, Paris).

Fig. 49.--King David playing the Lyre, surrounded by four Musicians.--Costumes of the Thirteenth Century (from a Miniature in a Manuscript Psalter in the Imperial Library, Paris).

The children of the King slept in sheets of serge, and their nurses were dressed in gowns of dark-coloured woollen stuff, called brunette. The royal cloak, which was of scarlet, was jewelled, but the King only wore it on great ceremonies. At the same time enormous expenses were incurred for implements of war, arrows, helmets with visors, chariots, and for the men-at-arms whom the King kept in his pay.

The King’s kids slept on serge sheets, while their nurses wore gowns made of dark wool, known as brunette. The royal cloak was scarlet and adorned with jewels, but the King wore it only for major ceremonies. Meanwhile, there were huge expenses for weapons, arrows, visored helmets, chariots, and for the soldiers that the King employed.

Louis IX. personally kept up almost similar habits. The Sire de Joinville tells us in his "Chronicles," that the holy King on his return from his first crusade, in order to repair the damage done to his treasury by the failure of this expedition, would no longer wear costly furs nor robes of scarlet, and contented himself with common stuffs trimmed with hare-skin. He nevertheless did not diminish the officers of his household, which had already become numerous; and being no doubt convinced that royalty required magnificence, he surrounded himself with as much pomp as the times permitted.

Louis IX personally maintained almost the same habits. The Sire de Joinville tells us in his "Chronicles" that the holy King, upon returning from his first crusade, in order to repair the damage done to his treasury by the failure of this expedition, no longer wore expensive furs or scarlet robes and settled for ordinary fabrics trimmed with hare-skin. However, he didn't reduce the number of officers in his household, which had already grown quite large; believing that royalty required grandeur, he surrounded himself with as much splendor as the times allowed.

Under the two Philips, his successors, this magnificence increased, and descended to the great vassals, who were soon imitated by the knights "bannerets." There seemed to be a danger of luxury becoming so great, and so general in all classes of feudal society, that in 1294 an order of the King was issued, regulating in the minutest details the expenses of each person according to his rank in the State, or the fortune which he could prove. But this law had the fate of all such enactments, and was either easily evaded, or was only partially enforced, and that with great difficulty. Another futile attempt to put it in practice was made in 1306, when the splendour of dress, of equipages, and of table had become still greater and more ruinous, and had descended progressively to the bourgeois and merchants.

Under the two Philips, his successors, this grandeur grew and trickled down to the major vassals, who were soon copied by the knights "bannerets." There seemed to be a risk of luxury becoming so excessive and widespread in all classes of feudal society that in 1294, the King issued an order regulating every detail of spending for each person based on their rank in the State or the wealth they could prove. However, just like all such laws, this one ended up being easily avoided or only partially enforced, and that with great difficulty. Another unsuccessful attempt to implement it was made in 1306, when the opulence of clothing, carriages, and dining had become even more extravagant and damaging, extending progressively to the bourgeois and merchants.

It must be stated in praise of Philip le Bel (Fig. 50) that, notwithstanding the failure of his attempts to arrest the progress of luxury, he was not satisfied with making laws against the extravagances of his subjects, for we find that he studied a strict economy in his own household, which recalled the austere times of Philip Augustus. Thus, in the curious regulations relating to the domestic arrangements of the palace, the Queen, Jeanne de Navarre, was only allowed two ladies and three maids of honour in her suite, and she is said to have had only two four-horse carriages, one for herself and the other for these ladies. In another place these regulations require that a butler, specially appointed, "should buy all the cloth and furs for the king, take charge of the key of the cupboards where these are kept, know the quantity given to the tailors to make clothes, and check the accounts when the tailors send in their claims for the price of their work."

It should be noted in praise of Philip le Bel (Fig. 50) that, despite his failures to stop the rise of luxury, he went beyond just making laws against his subjects' extravagance. He actually implemented strict frugality in his own household, reminiscent of the austere times of Philip Augustus. For example, in the specific regulations regarding palace domestic arrangements, Queen Jeanne de Navarre was only permitted two ladies and three maids of honor in her entourage, and it's said she had only two four-horse carriages—one for herself and the other for her ladies. Additionally, these regulations required a specially appointed butler "to purchase all the cloth and furs for the king, keep the key to the cupboards where they are stored, know the quantity given to the tailors for clothing, and verify the accounts when the tailors submit their invoices for payment."

Fig. 50.--King Philip le Bel in War-dress, on the Occasion of his entering Paris in 1304, after having conquered the Communes of Flanders.--Equestrian Statue placed in Notre Dame, Paris, and destroyed in 1772.--Fac-simile of a Woodcut from Thevet's "Cosmographie Universelle," 1575.

Fig. 50.--King Philip IV in battle gear, during his arrival in Paris in 1304, after conquering the Flemish communes.--Equestrian statue located in Notre Dame, Paris, destroyed in 1772.--Replica of a woodcut from Thevet's "Cosmographie Universelle," 1575.

After the death of the pious Jeanne de Navarre, to whom perhaps we must attribute the wise measures of her husband, Philip le Bel, the expenses of the royal household materially increased, especially on the occasions of the marriages of the three young sons of the King, from 1305 to 1307. Gold, diamonds, pearls, and precious stones were employed profusely, both for the King's garments and for those of the members of the royal family. The accounts of 1307 mention considerable sums paid for carpets, counterpanes, robes, worked linen, &c. A chariot of state, ornamented and covered with paintings, and gilded like the back of an altar, is also mentioned, and must have been a great change to the heavy vehicles used for travelling in those days.

After the death of the devout Jeanne de Navarre, who may have influenced the wise decisions of her husband, Philip le Bel, the expenses of the royal household significantly increased, especially during the marriages of the King’s three young sons, from 1305 to 1307. Gold, diamonds, pearls, and precious stones were lavishly used for the King’s clothing and that of the royal family. The accounts from 1307 list substantial amounts spent on carpets, bedspreads, robes, embroidered linen, etc. A state chariot, decorated and painted, and gilded like the back of an altar, is also mentioned, representing a significant change from the heavy vehicles commonly used for travel at that time.

Down to the reign of St. Louis the furniture of castles had preserved a character of primitive simplicity which did not, however, lack grandeur. The stone remained uncovered in most of the halls, or else it was whitened with mortar and ornamented with moulded roses and leaves, coloured in distemper. Against the wall, and also against the pillars supporting the arches, arms and armour of all sorts were hung, arranged in suits, and interspersed with banners and pennants or emblazoned standards. In the great middle hall, or dining-room, there was a long massive oak table, with benches and stools of the same wood. At the end of this table, there was a large arm-chair, overhung with a canopy of golden or silken stuff, which was occupied by the owner of the castle, and only relinquished by him in favour of his superior or sovereign. Often the walls of the hall of state were hung with tapestry, representing groves with cattle, heroes of ancient history, or events in the romance of chivalry. The floor was generally paved with hard stone, or covered with enamelled tiles. It was carefully strewn with scented herbs in summer, and straw in winter. Philip Augustus ordered that the Hôtel Dieu of Paris should receive the herbs and straw which was daily removed from the floors of his palace. It was only very much later that this troublesome system was replaced by mats and carpets.

Up until the reign of St. Louis, castle furniture maintained a style of simple beauty that still exuded grandeur. The stone in most halls was left bare, or was coated with white mortar and decorated with molded roses and leaves in distemper. Arms and armor of various kinds were displayed against the walls and pillars supporting the arches, arranged in suits and mixed in with banners and flags or adorned standards. In the large central hall, or dining room, there was a long, sturdy oak table, accompanied by benches and stools made from the same wood. At one end of this table sat a large armchair, draped with a canopy of gold or silk, reserved for the owner of the castle, and only given up to his superior or sovereign. Often, the walls of the great hall were hung with tapestries depicting groves with livestock, heroes from ancient history, or scenes from chivalric tales. The floor was typically made of hard stone or covered with glazed tiles. In the summer, it was carefully sprinkled with fragrant herbs, and in winter, straw. Philip Augustus ordered that the Hôtel Dieu of Paris be given the herbs and straw that were removed daily from the floors of his palace. It was only much later that this cumbersome practice was replaced by mats and carpets.

The bedrooms were generally at the top of the towers, and had little else by way of furniture, besides a very large bed, with or without curtains, a box in which clothes were kept, and which also served as a seat, and a priedieu chair, which sometimes contained prayer and other books of devotion. These lofty rooms, whose thick walls kept out the heat in summer, and the cold in winter, were only lighted by a small window or loophole, closed with a square of oiled paper or of thin horn.

The bedrooms were typically located at the top of the towers and had very little furniture aside from a very large bed, with or without curtains, a box for clothes that also doubled as a seat, and a priedieu chair that sometimes held prayer and other devotional books. These high rooms, with their thick walls that blocked the heat in summer and the cold in winter, were lit only by a small window or loophole covered with a square of oiled paper or thin horn.

A great change took place in the abodes of the nobility in the fourteenth and fifteenth centuries (Fig. 51). We find, for instance, in Sauval's "History and Researches of the Antiquities of the City of Paris," that the abodes of the kings of the first dynasty had been transformed into Palaces of Justice by Philip le Bel; the same author also gives us a vivid description of the Château du Louvre, and the Hôtel St. Paul, which the kings inhabited when their court was in the capital. But even without examining into all the royal abodes, it will suffice to give an account of the Hôtel de Bohême, which, after having been the home of the Sires de Nesles, of Queen Blanche of Castille, and other great persons, was given by Charles VI., in 1388, to his brother, the famous Duke Louis of Orleans.

A significant change occurred in the residences of the nobility in the fourteenth and fifteenth centuries (Fig. 51). For example, in Sauval's "History and Researches of the Antiquities of the City of Paris," we learn that the residences of the kings of the first dynasty were transformed into Palaces of Justice by Philip the Fair; the same author also provides a vivid description of the Château du Louvre and the Hôtel St. Paul, which the kings used during their court's time in the capital. However, even without looking into all the royal residences, it’s enough to mention the Hôtel de Bohême, which, after being home to the Sires de Nesles, Queen Blanche of Castille, and other prominent figures, was given by Charles VI. to his brother, the renowned Duke Louis of Orleans, in 1388.

Fig. 51.--The Knight and his Lady.--Costumes of the Court of Burgundy in the Fourteenth Century; Furnished Chamber.--Miniature in "Othea," Poem by Christine de Pisan (Brussels Library).

Fig. 51.--The Knight and his Lady.--Costumes of the Court of Burgundy in the Fourteenth Century; Furnished Chamber.--Miniature in "Othea," Poem by Christine de Pisan (Brussels Library).

"I shall not attempt," says Sauval, "to speak of the cellars and wine-cellars, the bakehouses, the fruiteries, the salt-stores, the fur-rooms, the porters' lodges, the stores, the guard-rooms, the wood-yard, or the glass-stores; nor of the servants; nor of the place where hypocras was made; neither shall I describe the tapestry-room, the linen-room, nor the laundry; nor, indeed, any of the various conveniences which were then to be found in the yards of that palace as well as in the other abodes of the princes and nobles.

"I won't try," says Sauval, "to talk about the cellars and wine cellars, the bakeries, the fruit shops, the salt storage, the fur rooms, the porters' lodges, the storerooms, the guard rooms, the wood yard, or the glass storage; nor about the servants; nor the place where hypocras was made; nor will I describe the tapestry room, the linen room, or the laundry; nor, in fact, any of the various conveniences that were found in the yards of that palace as well as in the other homes of princes and nobles."

"I shall simply remark, that amongst the many suites of rooms which composed it, two occupied the two first stories of the main building; the first was raised some few steps above the ground-floor of the court, and was occupied by Valentine de Milan; and her husband, Louis of Orleans, generally occupied the second. Each of these suites of rooms consisted of a great hall, a chamber of state, a large chamber, a wardrobe, some closets, and a chapel. The windows of the halls were thirteen and a half feetA high by four and a half wide. The state chambers were eight 'toises,' that is, about fifty feet and a half long. The duke and duchess's chambers were six 'toises' by three, that is, about thirty-six feet by eighteen; the others were seven toises and a half square, all lighted by long and narrow windows of wirework with trellis-work of iron; the wainscots and the ceilings were made of Irish wood, the same as at the Louvre."

"I’ll just point out that among the many suites of rooms that made it up, two were on the first two floors of the main building; the first was a few steps above the ground floor of the courtyard, and it was used by Valentine de Milan; her husband, Louis of Orleans, usually occupied the second. Each of these suites included a large hall, a state chamber, a big bedroom, a wardrobe, several closets, and a chapel. The hall windows were thirteen and a half feet high by four and a half wide. The state chambers were eight 'toises,' which is about fifty and a half feet long. The duke and duchess's rooms were six 'toises' by three, about thirty-six feet by eighteen; the others were seven and a half toises square, all illuminated by long and narrow wirework windows with iron trellis; the paneling and ceilings were made of Irish wood, just like at the Louvre."

French feet

French feet

In this palace there was a room used by the duke, hung with cloth of gold, bordered with vermilion velvet embroidered with roses; the duchess had a room hung with vermilion satin embroidered with crossbows, which were on her coat of arms; that of the Duke of Burgundy was hung with cloth of gold embroidered with windmills. There were, besides, eight carpets of glossy texture, with gold flowers; one representing "The Seven Virtues and the Seven Vices;" another the history of Charlemagne; another that of St. Louis. There were also cushions of cloth of gold, twenty-four pieces of vermilion leather of Aragon, and four carpets of Aragon leather, "to be placed on the floor of rooms in summer." The favourite arm-chair of the princess is thus described in an inventory:--"A chamber chair with four supports, painted in fine vermilion, the seat and arms of which are covered with vermilion morocco, or cordovan, worked and stamped with designs representing the sun, birds, and other devices, bordered with fringes of silk and studded with nails."

In this palace, there was a room used by the duke, decorated with gold fabric, trimmed with bright red velvet embroidered with roses; the duchess had a room dressed in red satin featuring crossbows, which were part of her coat of arms; the Duke of Burgundy's room was adorned with gold fabric embroidered with windmills. Additionally, there were eight glossy carpets with gold flowers; one depicted "The Seven Virtues and the Seven Vices," another illustrated the story of Charlemagne, and another showcased the history of St. Louis. There were also cushions made of gold fabric, twenty-four pieces of bright red Aragon leather, and four carpets of Aragon leather, "to be placed on the floors of rooms in summer." The favorite armchair of the princess is described in an inventory as: "A chamber chair with four legs, painted in striking red, with the seat and arms covered in red morocco leather, or cordovan, decorated and stamped with designs of the sun, birds, and other motifs, trimmed with silk fringes and featuring decorative studs."

Among the ornamental furniture were--"A large vase of massive silver, for holding sugar-plums or sweetmeats, shaped like a square table, supported by four satyrs, also of silver; a fine wooden casket, covered with vermilion cordovan, nailed, and bordered with a narrow gilt band, shutting with a key."

Among the decorative furniture were--"A large silver vase for holding sugar plums or sweets, shaped like a square table and supported by four silver satyrs; a nice wooden box covered with bright red cordovan, nailed down, and edged with a narrow gold band, secured with a key."

Fig. 52.--Bronze Chandeliers of the Fourteenth Century (Collection of M. Ach. Jubinal).

Fig. 52.--Bronze Chandeliers from the Fourteenth Century (Collection of M. Ach. Jubinal).

In the daily life of Louis of Orleans and his wife, everything corresponded with the luxury of their house. Thus, for the amusement of their children, two little books of pictures were made, illuminated with gold, azure, and vermilion, and covered with vermilion leather of Cordova, which cost sixty sols parisis, i.e. four hundred francs. But it was in the custom of New Year's gifts that the duke and duchess displayed truly royal magnificence, as we find described in the accounts of their expenses. For instance, in 1388 they paid four hundred francs of gold for sheets of silk to give to those who received the New Year's gifts from the King and Queen. In 1402, one hundred pounds (tournois) were given to Jehan Taienne, goldsmith, for six silver cups presented to Jacques de Poschin, the Duke's squire. To the Sire de la Trémouille Valentine gives "a cup and basin of gold;" to Queen Isabella, "a golden image of St. John, surrounded with nine rubies, one sapphire, and twenty-one pearls;" to Mademoiselle de Luxembourg, "another small golden sacred image, surrounded with pearls;" and lastly, in an account of 1394, headed, "Portion of gold and silver jewels bought by Madame la Duchesse d'Orleans as a New Year's gift," we find "a clasp of gold, studded with one large ruby and six large pearls, given to the King; three paternosters for the King's daughters, and two large diamonds for the Dukes of Burgundy and Berry."

In the everyday life of Louis of Orleans and his wife, everything reflected the luxury of their household. To entertain their children, they had two picture books created, adorned with gold, blue, and red, and bound in red Cordovan leather, which cost sixty sols parisis, i.e. four hundred francs. However, it was during the New Year’s gift exchange that the duke and duchess really showcased royal extravagance, as noted in their expense records. For example, in 1388, they spent four hundred francs on silk sheets given to those receiving New Year’s gifts from the King and Queen. In 1402, one hundred pounds (tournois) were paid to Jehan Taienne, a goldsmith, for six silver cups presented to Jacques de Poschin, the Duke's squire. To the Sire de la Trémouille, Valentine gifted "a cup and basin of gold;" to Queen Isabella, "a golden figure of St. John, surrounded by nine rubies, one sapphire, and twenty-one pearls;" to Mademoiselle de Luxembourg, "another small golden holy figure, surrounded by pearls;" and finally, in an account from 1394 titled "Portion of gold and silver jewels bought by Madame la Duchesse d'Orleans as a New Year's gift," we find "a gold clasp, set with one large ruby and six large pearls, given to the King; three rosaries for the King's daughters, and two large diamonds for the Dukes of Burgundy and Berry."

Fig. 53.--Styli used in writing in the Fourteenth Century.

Fig. 53.--Styluses used for writing in the 14th Century.

Such were the habits in private life of the royal princes under Charles VI.; and it can easily be shown that the example of royalty was followed not only by the court, but also in the remotest provinces. The great tenants or vassals of the crown each possessed several splendid mansions in their fiefs; the Dukes of Burgundy, at Souvigny, at Moulins, and at Bourbon l'Archambault; the Counts of Champagne, at Troyes; the Dukes of Burgundy, at Dijon; and all the smaller nobles made a point of imitating their superiors. From the fifteenth to the sixteenth centuries, the provinces which now compose France were studded with castles, which were as remarkable for their interior, architecture as for the richness of their furniture; and it may be asserted that the luxury which was displayed in the dwellings of the nobility was the evidence, if not the resuit, of a great social revolution in the manners and customs of private life.

These were the private life habits of the royal princes under Charles VI., and it's clear that the example set by royalty was emulated not just by the court but also in the farthest provinces. The major tenants or vassals of the crown each owned several grand mansions in their territories; the Dukes of Burgundy in Souvigny, Moulins, and Bourbon l'Archambault; the Counts of Champagne in Troyes; the Dukes of Burgundy in Dijon; and all the smaller nobles made it a point to mimic their superiors. From the fifteenth to the sixteenth centuries, the regions that now make up France were dotted with castles, notable for both their interior design and the richness of their furnishings. One could say that the luxury found in the homes of the nobility was evidence, if not a result, of a significant social revolution in the customs and manners of private life.

At the end of the fourteenth century there lived a much-respected noble of Anjou, named Geoffroy de Latour-Landry, who had three daughters. In his old age, he resolved that, considering the dangers which might surround them in consequence of their inexperience and beauty, he would compose for their use a code of admonitions which might guide them in the various circumstances of life.

At the end of the 14th century, there was a well-respected noble from Anjou named Geoffroy de Latour-Landry, who had three daughters. In his old age, he decided that, given the dangers they might face due to their inexperience and beauty, he would create a set of guidelines to help them navigate the different situations in life.

This book of domestic maxims is most curious and instructive, from the details which it contains respecting the manners and customs, mode of conduct, and fashions of the nobility of the period (Fig. 54). The author mostly illustrates each of his precepts by examples from the life of contemporary personages.

This book of household wisdom is really interesting and educational, especially with the details it includes about the manners, customs, behavior, and styles of the nobility at the time (Fig. 54). The author often illustrates each of his principles with examples from the lives of people who lived during that period.

Representing the Parisian costumes at the end of the fourteenth century. Fac-simile of a miniature from the latin Terence of King Charles VI. From a manuscript in the Bibl. de l'Arsenal.

Representing the Parisian costumes at the end of the fourteenth century. Facsimile of a miniature from the Latin Terence of King Charles VI. From a manuscript in the Bibl. de l'Arsenal.

Fig. 54.--Dress of Noble Ladies and Children in the Fourteenth Century.--Miniature in the "Merveilles du Monde" (Manuscript, National Library of Paris).

Fig. 54.--Clothing of Noble Women and Children in the Fourteenth Century.--Miniature in the "Wonders of the World" (Manuscript, National Library of Paris).

The first advice the knight gives his daughters is, to begin the day with prayer; and, in order to give greater weight to his counsel, he relates the following anecdote: "A noble had two daughters; the one was pious, always saying her prayers with devotion, and regularly attending the services of the church; she married an honest man, and was most happy. The other, on the contrary, was satisfied with hearing low mass, and hurrying once or twice through the Lord's Prayer, after which she went off to indulge herself with sweetmeats. She complained of headaches, and required careful diet. She married a most excellent knight; but, one evening, taking advantage of her husband being asleep, she shut herself up in one of the rooms of the palace, and in company with the people of the household began eating and drinking in the most riotous and excessive manner. The knight awoke; and, surprised not to find his wife by his side, got up, and, armed with a stick, betook himself to the scene of festivity. He struck one of the domestics with such force that he broke his stick in pieces, and one of the fragments flew into the lady's eye and put it out. This caused her husband to take a dislike to her, and he soon placed his affections elsewhere."

The first piece of advice the knight gives his daughters is to start the day with prayer. To emphasize his point, he shares this story: "A nobleman had two daughters; one was devout, always praying sincerely and attending church services regularly; she married a good man and was very happy. The other, on the other hand, was content with just attending a low mass and quickly going through the Lord's Prayer before indulging in sweets. She often complained of headaches and needed a careful diet. She married a wonderful knight, but one evening, taking advantage of her husband being asleep, she locked herself in a room at the palace and began to party with the household staff, eating and drinking excessively. When the knight woke up and found his wife missing, he got up, grabbed a stick, and headed to the celebration. He struck one of the servants with such force that his stick broke, and a piece flew into the lady's eye, causing her to lose it. This led her husband to turn away from her, and he quickly found his affections elsewhere."

"My pretty daughters," the moralising parent proceeds, "be courteous and meek, for nothing is more beautiful, nothing so secures the favour of God and the love of others. Be then courteous to great and small; speak gently with them.... I have seen a great lady take off her cap and bow to a simple ironmonger. One of her followers seemed astonished. 'I prefer,' she said, 'to have been too courteous towards that man, than to have been guilty of the least incivility to a knight.'"

"My lovely daughters," the thoughtful parent continues, "be kind and humble, because nothing is more beautiful, and nothing wins God's favor and the love of others quite like it. So, be polite to everyone, regardless of their status; speak kindly to them.... I once saw a noblewoman take off her hat and bow to a simple ironmonger. One of her companions looked surprised. 'I'd rather be too polite to that man than show even the slightest rudeness to a knight.'"

Fig. 55.--Noble Lady and Maid of Honour, and two Burgesses with Hoods (Fourteenth Century), from a Miniature in the "Merveilles du Monde" (Manuscript in the Imperial Library of Paris).

Fig. 55.--Noble Lady and Maid of Honor, and two Burgesses with Hoods (Fourteenth Century), from a Miniature in the "Wonders of the World" (Manuscript in the Imperial Library of Paris).

Latour-Landry also advised his daughters to avoid outrageous fashions in dress. "Do not be hasty in copying the dress of foreign women. I will relate a story on this subject respecting a bourgeoise of Guyenne and the Sire de Beaumanoir. The lady said to him, 'Cousin, I come from Brittany, where I saw my fine cousin, your wife, who was not so well dressed as the ladies of Guyenne and many other places. The borders of her dress and of her bonnet are not in fashion.' The Sire answered, 'Since you find fault with the dress and cap of my wife, and as they do not suit you, I shall take care in future that they are changed; but I shall be careful not to choose them similar to yours.... Understand, madam, that I wish her to be dressed according to the fashion of the good ladies of France and this country, and not like those of England. It was these last who first introduced into Brittany the large borders, the bodices opened on the hips, and the hanging sleeves. I remember the time, and saw it myself, and I have little respect for women who adopt these fashions.'"

Latour-Landry also advised his daughters to steer clear of outrageous fashion in clothing. "Don't rush to copy the outfits of foreign women. Let me share a story about a woman from Guyenne and the Sire de Beaumanoir. The lady said to him, 'Cousin, I just came from Brittany, where I saw my lovely cousin, your wife, who isn't dressed as well as the ladies of Guyenne and many other places. The edges of her dress and her bonnet are out of style.' The Sire replied, 'Since you criticize the dress and cap of my wife, and they don't suit your taste, I’ll make sure they are changed; but I will be careful not to pick styles similar to yours... Understand, madam, that I want her to be dressed according to the fashion of the refined ladies of France and this region, not like those from England. It was those women who first brought the large borders, the bodices opened at the hips, and the hanging sleeves to Brittany. I remember that time well, and I have little respect for women who follow these trends.'"

Respecting the high head-dresses "which cause women to resemble stags who are obliged to lower their heads to enter a wood," the knight relates what took place in 1392 at the fête of St. Marguerite. "There was a young and pretty woman there, quite differently dressed from the others; every one stared at her as if she had been a wild beast. One respectable lady approached her and said, 'My friend, what do you call that fashion?' She answered, 'It is called the "gibbet dress."' 'Indeed; but that is not a fine name!' answered the old lady. Very soon the name of 'gibbet dress' got known all round the room, and every one laughed at the foolish creature who was thus bedecked." This head-dress did in fact owe its name to its summit, which resembled a gibbet.

Respecting the high headpieces "that make women look like stags needing to bow their heads to enter a forest," the knight recounts what happened in 1392 at the St. Marguerite festival. "There was a young and attractive woman there, dressed very differently from everyone else; everyone stared at her as if she were a wild animal. One respectable lady approached her and asked, 'My friend, what do you call that style?' She replied, 'It’s called the "gibbet dress."' 'Really; that’s not a nice name!' the older lady responded. Soon, the name 'gibbet dress' spread around the room, and everyone laughed at the silly woman dressed that way." This headpiece actually got its name from its top, which looked like a gibbet.

These extracts from the work of this honest knight, suffice to prove that the customs of French society had, as early as the end of the fourteenth century, taken a decided character which was to remain subject only to modifications introduced at various historical periods.

These excerpts from the work of this honest knight are enough to show that the customs of French society, by the end of the fourteenth century, had developed a distinct character that would only change with modifications brought about in different historical periods.

Amongst the customs which contributed most to the softening and elegance of the feudal class, we must cite that of sending into the service of the sovereign for some years all the youths of both sexes, under the names of varlets, pages, squires, and maids of honour. No noble, of whatever wealth or power, ever thought of depriving his family of this apprenticeship and its accompanying chivalric education.

Among the customs that contributed significantly to the refinement and sophistication of the feudal class, we should mention the practice of sending all young people, both boys and girls, into service for the sovereign for several years, under titles like varlets, pages, squires, and maids of honor. No noble, regardless of wealth or power, ever considered denying their family this training and its associated chivalric education.

Up to the end of the twelfth century, the number of domestic officers attached to a castle was very limited; we have seen, for instance, that Philip Augustus contented himself with a few servants, and his queen with two or three maids of honour. Under Louis IX. this household was much increased, and under Philippe le Bel and his sons the royal household had become so considerable as to constitute quite a large assemblage of young men and women. Under Charles VI., the household of Queen Isabella of Bavaria alone amounted to forty-five persons, without counting the almoner, the chaplains, and clerks of the chapel, who must have been very numerous, since the sums paid to them amounted to the large amount of four hundred and sixty francs of gold per annum.

Up until the end of the 12th century, the number of domestic staff connected to a castle was quite limited; for example, Philip Augustus was satisfied with just a few servants, and his queen had only two or three ladies-in-waiting. Under Louis IX, this household increased significantly, and by the time of Philippe le Bel and his sons, the royal household had grown into a large group of young men and women. Under Charles VI, the household of Queen Isabella of Bavaria alone included forty-five people, not counting the almoner, chaplains, and clerks of the chapel, who must have been quite numerous since their payments totaled a hefty four hundred and sixty gold francs per year.

Fig. 56.--Court of the Ladies of Queen Anne of Brittany, Miniature representing this lady weeping on account of the absence of her husband during the Italian war.--Manuscript of the "Epistres Envoyées au Roi" (Sixteenth Century), obtained by the Coislin Fund for the Library of St. Germain des Pres in Paris, now in the Library of St. Petersburg.

Fig. 56.--Court of the Ladies of Queen Anne of Brittany, A miniature depicting this lady crying over her husband’s absence during the Italian war.--Manuscript of the "Letters Sent to the King" (16th Century), acquired by the Coislin Fund for the Library of St. Germain des Pres in Paris, now held in the Library of St. Petersburg.

Under Charles VIII., Louis XII., and Francis I., the service of the young nobility, which was called "apprenticeship of honour or virtue," had taken a much wider range; for the first families of the French nobility were most eager to get their children admitted into the royal household, either to attend on the King or Queen, or at any rate on one of the princes of the royal blood. Anne of Brittany particularly gave special attention to her female attendants (Fig. 56). "She was the first," says Brantôme in his work on "Illustrious Women," "who began to form the great court of ladies which has descended to our days; for she had a considerable retinue both of adult ladies and young girls. She never refused to receive any one; on the contrary, she inquired of the gentlemen of the court if they had any daughters, ascertained who they were, and asked for them." It was thus that the Admiral de Graville (Fig. 57) confided to the good Queen the education of his daughter Anne, who at this school of the Court of Ladies became one of the most distinguished women of her day. The same Queen, as Duchess of Brittany, created a company of one hundred Breton gentlemen, who accompanied her everywhere. "They never failed," says the author of "Illustrious Women," "when she went to mass or took a walk, to await her return on the little terrace of Blois, which is still called the Perche aux Bretons. She gave it this name herself; for when she saw them she said, 'There are my Bretons on the perch waiting for me.'"

Under Charles VIII, Louis XII, and Francis I, the service of the young nobility, known as the "apprenticeship of honor or virtue," became much more widespread. The leading families of the French nobility were very eager to have their children join the royal household, whether to serve the King or Queen or at least one of the princes of royal blood. Anne of Brittany was particularly attentive to her female attendants (Fig. 56). "She was the first," says Brantôme in his work on "Illustrious Women," "to start the great court of ladies that has lasted to this day; for she had a substantial group of both adult women and young girls. She never turned anyone away; on the contrary, she would ask the gentlemen of the court if they had any daughters, find out who they were, and request them." This is how Admiral de Graville (Fig. 57) entrusted his daughter Anne's education to the good Queen, who, in the Court of Ladies, helped her become one of the most distinguished women of her time. The same Queen, as Duchess of Brittany, established a group of one hundred Breton gentlemen who accompanied her everywhere. "They always made sure," says the author of "Illustrious Women," "to await her return on the small terrace of Blois, which is still called the Perche aux Bretons. She named it herself; for when she saw them, she said, 'There are my Bretons on the perch waiting for me.'"

We must not forget that this queen, who became successively the wife of Charles VIII. and of Louis XII., had taken care to establish a strict discipline amongst the young men and women who composed her court. She rightly considered herself the guardian of the honour of the former, and of the virtue of the latter; therefore, as long as she lived, her court was renowned for purity and politeness, noble and refined gallantry, and was never allowed to degenerate into imprudent amusements or licentious and culpable intrigues.

We must not forget that this queen, who was successively married to Charles VIII and Louis XII, made sure to enforce a strict discipline among the young men and women at her court. She saw herself as the protector of the honor of the former and the virtue of the latter; therefore, throughout her life, her court was famous for its purity and politeness, noble and refined gallantry, and was never allowed to fall into reckless entertainment or inappropriate and disgraceful intrigues.

Unfortunately, the moral influence of this worthy princess died with her. Although the court of France continued to gather around it almost every sort of elegance, and although it continued during the whole of the sixteenth century the most polished of European courts, notwithstanding the great external and civil wars, yet it afforded at the same time a sad example of laxity of morals, which had a most baneful influence on public habits; so much so that vice and corruption descended from class to class, and contaminated all orders of society. If we wished to make investigations into the private life of the lower orders in those times, we should not succeed as we have been able to do with that of the upper classes; for we have scarcely any data to throw light upon their sad and obscure history. Bourgeois and peasants were, as we have already shown, long included together with the miserable class of serfs, a herd of human beings without individuality, without significance, who from their birth to their death, whether isolated or collectively, were the "property" of their masters. What must have been the private life of this degraded multitude, bowed down under the most tyrannical and humiliating dependence, we can scarcely imagine; it was in fact but a purely material existence, which has left scarcely any trace in history.

Unfortunately, the moral influence of this admirable princess died with her. Although the court of France continued to attract various forms of elegance, and despite remaining the most refined European court throughout the sixteenth century, even amid significant external and civil wars, it simultaneously presented a disheartening example of moral laxity that negatively affected public behaviors. So much so that vice and corruption spread through the social classes, tainting all sectors of society. If we wanted to explore the private lives of the lower classes during that time, we would struggle as we have with the upper classes, since we have very little information to illuminate their grim and obscure history. The bourgeois and peasants were, as we have already noted, long considered part of the miserable class of serfs, a group of individuals without identity or importance, who from birth to death, whether alone or in groups, were the "property" of their masters. The private lives of this downtrodden population, weighed down by extreme oppression and humiliation, are hard to fathom; they essentially lived a purely material existence, leaving barely any mark in history.

Fig. 57.--Louis de Mallet, Lord of Graville, Admiral of France, 1487, in Costume of War and Tournament, from an Engraving of the Sixteenth Century (National Library of Paris, Cabinet des Estampes).

Fig. 57.--Louis de Mallet, Lord of Graville, Admiral of France, 1487, in War and Tournament Costume, from a 16th Century Engraving (National Library of Paris, Cabinet des Estampes).

Many centuries elapsed before the dawn of liberty could penetrate the social strata of this multitude, thus oppressed and denuded of all power of action. The development was slow, painful, and dearly bought, but at last it took place; first of all towns sprang up, and with them, or rather by their influence, the inhabitants became possessed of social life. The agricultural population took its social position many generations later.

Many centuries passed before the arrival of freedom could reach the social layers of this large group, which had been oppressed and stripped of any power to act. The progress was slow, difficult, and costly, but it eventually happened; first, towns emerged, and with them, or rather because of their influence, the people began to enjoy social life. The rural population found its social standing many generations later.

As we have already seen, the great movement for the creation of communes and bourgeoisies only dates from the unsettled period ranging from the eleventh to the thirteenth centuries, and simultaneously we see the bourgeois appear, already rich and luxurious, parading on all occasions their personal opulence. Their private life could only be an imitation of that in the châteaux; by degrees as wealth strengthened and improved their condition, and rendered them independent, we find them trying to procure luxuries equal or analogous to those enjoyed by the upper classes, and which appeared to them the height of material happiness. In all times the small have imitated the great. It was in vain that the great obstinately threatened, by the exercise of their prerogatives, to try and crush this tendency to equality which alarmed them, by issuing pecuniary edicts, summary laws, coercive regulations, and penal ordinances; by the force of circumstances the arbitrary restrictions which the nobility laid upon the lower classes gradually disappeared, and the power of wealth displayed itself in spite of all their efforts to suppress it. In fact, occasions were not wanting in which the bourgeois class was able to refute the charge of unworthiness with which the nobles sought to stamp it. When taking a place in the council of the King, or employed in the administration of the provinces, many of its members distinguished themselves by firmness and wisdom; when called upon to assist in the national defence, they gave their blood and their gold with noble self-denial; and lastly, they did not fail to prove themselves possessed of those high and delicate sentiments of which the nobility alone claimed the hereditary possession.

As we’ve already seen, the major push for creating communes and the bourgeoisie started during the turbulent period from the eleventh to the thirteenth centuries. At the same time, we saw the bourgeoisie emerge, already wealthy and extravagant, showcasing their personal luxury at every opportunity. Their private lives could only mimic the lifestyle of the châteaux; gradually, as their wealth grew and improved their situation, making them more independent, we see them striving for luxuries similar to those enjoyed by the upper classes, which they viewed as the pinnacle of material happiness. Throughout history, the less powerful have mimicked the powerful. It was pointless for the elites to stubbornly threaten to crush this push for equality that worried them, using their privileges to issue monetary decrees, quick laws, coercive rules, and punitive measures; over time, the arbitrary restrictions that the nobility imposed on the lower classes slowly faded away, and the power of wealth emerged despite their efforts to stifle it. In fact, there were plenty of opportunities where the bourgeois class could refute the accusations of unworthiness that the nobles aimed at them. When they took a seat in the King’s council or participated in provincial administration, many of them showed firmness and wisdom; when called upon to support national defense, they contributed their blood and wealth with noble selflessness; and ultimately, they also demonstrated the high and noble sentiments that the nobility had claimed as their exclusive inheritance.

Fig. 58.--Burgess of Ghent and his Wife, in ceremonial Attire, kneeling in Church, from a painted Window belonging to a Chapel in that Town (Fifteenth Century).

Fig. 58.--Burgess of Ghent and his Wife, in formal Dress, kneeling in Church, from a stained Glass Window in a Chapel in that Town (Fifteenth Century).

"The bourgeois," says Arnaud de Marveil, one of the most famous troubadours of the thirteenth century, "have divers sorts of merits: some distinguish themselves by deeds of honour, others are by nature noble and behave accordingly. There are others thoroughly brave, courteous, frank, and jovial, who, although poor, find means to please by graceful speech, frequenting courts, and making themselves agreeable there; these, well versed in courtesy and politeness, appear in noble attire, and figure conspicuously at the tournaments and military games, proving themselves good judges and good company."

"The bourgeois," says Arnaud de Marveil, one of the most famous troubadours of the thirteenth century, "have different kinds of merits: some stand out through honorable deeds, others are naturally noble and act accordingly. There are also those who are truly brave, courteous, straightforward, and cheerful, who, despite being poor, manage to charm with their elegant speech, frequent courts, and make themselves likable there; these individuals, well-versed in courtesy and etiquette, dress in fine clothing and prominently appear at tournaments and military games, showing themselves to be good judges and great company."

Down to the thirteenth century, however rich their fathers or husbands might be, the women of the bourgeoisie were not permitted, without incurring a fine, to use the ornaments and stuffs exclusively reserved for the nobility. During the reigns of Philip Augustus and Louis IX., although these arbitrary laws were not positively abolished, a heavy blow was inflicted on them by the marks of confidence, esteem, and honour which these monarchs found pleasure in bestowing on the bourgeoisie. We find the first of these kings, when on the point of starting for a crusade, choosing six from amongst the principal members of the parloir aux bourgeois (it was thus that the first Hôtel de Ville, situated in the corner of the Place de la Grève, was named) to be attached to the Council of Regency, to whom he specially confided his will and the royal treasure. His grandson made a point of following his grandsire's example, and Louis IX. showed the same appreciation for the new element which the Parisian bourgeoisie was about to establish in political life by making the bourgeois Etienne Boileau one of his principal ministers of police, and the bourgeois Jean Sarrazin his chamberlain.

Up until the thirteenth century, no matter how wealthy their fathers or husbands were, bourgeois women were not allowed to wear the decorations and materials that were exclusively reserved for the nobility without facing a penalty. During the reigns of Philip Augustus and Louis IX, even though these unfair laws weren't formally abolished, they took a significant hit with the respect, esteem, and honor that these kings openly showed to the bourgeoisie. We see the first of these kings, just before setting off on a crusade, selecting six prominent members from the parloir aux bourgeois (the name given to the first Hôtel de Ville, located at the corner of the Place de la Grève) to join the Council of Regency, to whom he entrusted his wishes and the royal treasure. His grandson followed his lead, and Louis IX similarly recognized the role that the Parisian bourgeoisie was starting to play in politics by appointing the bourgeois Etienne Boileau as one of his main police ministers and the bourgeois Jean Sarrazin as his chamberlain.

Under these circumstances, the whole bourgeoisie gloried in the marks of distinction conferred upon their representatives, and during the following reign, the ladies of this class, proud of their immense fortunes, but above all proud of the municipal powers held by their families, bedecked themselves, regardless of expense, with costly furs and rich stuffs, notwithstanding that they were forbidden by law to do so.

Under these conditions, the entire middle class reveled in the honors awarded to their representatives, and during the following period, the women of this class, proud of their vast wealth but especially proud of the local powers held by their families, adorned themselves, regardless of cost, with expensive furs and luxurious fabrics, despite being prohibited by law from doing so.

Then came an outcry on the part of the nobles; and we read as follows, in an edict of Philippe le Bel, who inclined less to the bourgeoisie than to the nobles, and who did not spare the former in matters of taxation:--"No bourgeois shall have a chariot nor wear gold, precious stones, or crowns of gold or silver. Bourgeois, not being either prelates nor dignitaries of state, shall not have tapers of wax. A bourgeois possessing two thousand pounds (tournois) or more, may order for himself a dress of twelve sous six deniers, and for his wife one worth sixteen sous at the most." The sou, which was but nominal money, may be reckoned as representing twenty francs, and the denier one franc, but allowance must be made for the enormous difference in the value of silver, which would make twenty francs in the thirteenth century represent upwards of two hundred francs of present currency.

Then there was an outcry from the nobles; and we read the following in an edict from Philippe le Bel, who favored the nobles over the bourgeoisie and didn't hold back on taxing the latter:—"No bourgeois shall own a carriage or wear gold, precious stones, or crowns of gold or silver. Bourgeois, not being prelates or state dignitaries, shall not have wax candles. A bourgeois with two thousand pounds (tournois) or more may buy himself a dress worth twelve sous six deniers, and for his wife one worth at most sixteen sous." The sou, which was just nominal money, can be considered as roughly twenty francs, and the denier as one franc, but we should account for the huge difference in the value of silver, which would mean twenty francs in the thirteenth century is equivalent to over two hundred francs today.

Fig. 59.--The new-born Child, from a Miniature in the "Histoire de la Belle Hélaine" (Manuscript of the Fifteenth Century, National Library of Paris).

Fig. 59.--The newborn Child, from a miniature in the "Histoire de la Belle Hélaine" (Fifteenth Century manuscript, National Library of Paris).

But these regulations as to the mode of living were so little or so carelessly observed, that all the successors of Philippe le Bel thought it necessary to re-enact them, and, indeed, Charles VII., one century later, was obliged to censure the excess of luxury in dress by an edict which was, however, no better enforced than the rest. "It has been shown to the said lord" (the King Charles VII.), "that of all nations of the habitable globe there are none so changeable, outrageous, and excessive in their manner of dress, as the French nation, and there is no possibility of discovering by their dress the state or calling of persons, be they princes, nobles, bourgeois, or working men, because all are allowed to dress as they think proper, whether in gold or silver, silk or wool, without any regard to their calling."

But these rules about how to live were so rarely or carelessly followed that all the successors of Philippe le Bel felt it was necessary to reintroduce them. In fact, Charles VII, a century later, had to criticize the excessive luxury in clothing with an edict that was, however, enforced just as poorly as the others. "It has been reported to the said lord" (King Charles VII) "that of all the nations of the habitable world, none are as changeable, outrageous, and excessive in their dress as the French. There is no way to tell a person’s status or profession, whether they are princes, nobles, bourgeois, or working men, based on their clothing, because everyone is allowed to dress as they see fit, whether in gold or silver, silk or wool, without regard to their status."

At the end of the thirteenth century, a rich merchant of Valenciennes went to the court of the King of France wearing a cloak of furs covered with gold and pearls; seeing that no one offered him a cushion, he proudly sat on his cloak. On leaving he did not attempt to take up the cloak; and on a servant calling his attention to the fact he remarked, "It is not the custom in my country for people to carry away their cushions with them."

At the end of the 13th century, a wealthy merchant from Valenciennes went to the court of the King of France dressed in a fur cloak adorned with gold and pearls. Noticing that no one offered him a cushion, he arrogantly sat on his cloak. When he was leaving, he didn’t bother to pick up his cloak, and when a servant pointed it out, he replied, "In my country, it's not customary for people to take their cushions with them."

Respecting a journey made by Philippe le Bel and his wife Jeanne de Navarre to the towns of Bruges and Ghent, the historian Jean Mayer relates that Jeanne, on seeing the costly array of the bourgeois of those two rich cities, exclaimed, "I thought I was the only queen here, but I see more than six hundred!"

Respecting a trip taken by Philippe le Bel and his wife Jeanne de Navarre to the towns of Bruges and Ghent, historian Jean Mayer recounts that Jeanne, upon seeing the fancy attire of the wealthy citizens of those two prosperous cities, exclaimed, "I thought I was the only queen here, but I see more than six hundred!"

In spite of the laws, the Parisian bourgeoisie soon rivalled the Flemish in the brilliancy of their dress. Thus, in the second half of the fourteenth century, the famous Christine de Pisan relates that, having gone to visit the wife of a merchant during her confinement, it was not without some amazement that she saw the sumptuous furniture of the apartment in which this woman lay in bed (Fig. 59). The walls were hung with precious tapestry of Cyprus, on which the initials and motto of the lady were embroidered; the sheets were of fine linen of Rheims, and had cost more than three hundred pounds; the quilt was a new invention of silk and silver tissue; the carpet was like gold. The lady wore an elegant dress of crimson silk, and rested her head and arms on pillows, ornamented with buttons of oriental pearls. It should be remarked that this lady was not the wife of a large merchant, such as those of Venice and Genoa, but of a simple retail dealer, who was not above selling articles for four sous; such being the case, we need not be surprised that Christine should have considered the anecdote "worthy of being immortalised in a book."

Despite the laws, the Parisian upper class soon matched the Flemish in the brilliance of their fashion. In the second half of the fourteenth century, the famous Christine de Pisan notes that when she visited a merchant's wife during her confinement, she was somewhat amazed by the luxurious furnishings of the room where this woman lay in bed (Fig. 59). The walls were draped with exquisite tapestries from Cyprus, embroidered with the lady's initials and motto; the sheets were made of fine linen from Rheims, costing more than three hundred pounds; the quilt was a new creation of silk and silver fabric; and the carpet shimmered like gold. The lady was dressed in an elegant crimson silk gown and rested her head and arms on pillows adorned with buttons made of oriental pearls. It's worth mentioning that this lady was not the wife of a prominent merchant like those from Venice and Genoa, but rather of a modest retailer who sold items for as little as four sous. Given this, it's no surprise that Christine found the anecdote "worthy of being immortalized in a book."

It must not, however, be assumed that the sole aim of the bourgeoisie was that of making a haughty and pompous display. This is refuted by the testimony of the "Ménagier de Paris," a curious anonymous work, the author of which must have been an educated and enlightened bourgeois.

It shouldn't be assumed that the only goal of the bourgeoisie was to show off in a proud and flashy way. This is contradicted by the insights of the "Ménagier de Paris," an intriguing anonymous work, the author of which must have been a well-educated and enlightened member of the bourgeoisie.

The "Ménagier," which was first published by the Baron Jérôme Pichon, is a collection of counsels addressed by a husband to his young wife, as to her conduct in society, in the world, and in the management of her household. The first part is devoted to developing the mind of the young housewife; and the second relates to the arrangements necessary for the welfare of her house. It must be remembered that the comparatively trifling duties relating to the comforts of private life, which devolved on the wife, were not so numerous in those days as they are now; but on the other hand they required an amount of practical knowledge on the part of the housewife which she can nowadays dispense with. Under this head the "Ménagier" is full of information.

The "Ménagier," first published by Baron Jérôme Pichon, is a collection of advice from a husband to his young wife about how to behave in society, navigate the world, and manage their household. The first part focuses on developing the young housewife's mind, while the second part discusses the arrangements needed for the well-being of their home. It's important to note that the relatively simple tasks relating to the comforts of private life that fell on the wife were not as numerous back then as they are today; however, they required a level of practical knowledge from the housewife that she doesn’t need now. In this regard, the "Ménagier" is packed with valuable information.

After having spoken of the prayers which a Christian woman should say morning and evening, the author discusses the great question of dress, which has ever been of supreme importance in the eyes of the female sex: "Know, dear sister," (the friendly name he gives his young wife), "that in the choice of your apparel you must always consider the rank of your parents and mine, as also the state of my fortune. Be respectably dressed, without devoting too much study to it, without too much plunging into new fashions. Before leaving your room, see that the collar of your gown be well adjusted and is not put on crooked."

After discussing the prayers a Christian woman should say morning and evening, the author moves on to the important topic of clothing, which has always been crucial for women. "Know, dear sister," (the affectionate term he uses for his young wife), "that when choosing your outfits, you must consider the status of your parents and mine, as well as my financial situation. Dress appropriately, but don't spend too much time on it, and avoid getting too caught up in the latest trends. Before you leave your room, make sure your dress collar is properly fitted and not crooked."

Fig. 60.--Sculptured Comb, in Ivory, of the Sixteenth Century (Sauvageot Collection)

Fig. 60.--Ivory Sculptured Comb from the Sixteenth Century (Sauvageot Collection)

Then he dilates on the characters of women, which are too often wilful and unmanageable; on this point, for he is not less profuse in examples than the Chevalier de Latour-Landry, he relates an amusing anecdote, worthy of being repeated and remembered.

Then he expands on the nature of women, which are often headstrong and hard to manage; regarding this, he is just as generous with examples as the Chevalier de Latour-Landry. He shares an amusing story that is worth repeating and remembering.

"I have heard the bailiff of Tournay relate, that he had found himself several times at table with men long married, and that he had wagered with them the price of a dinner under the following conditions: the company was to visit the abode of each of the husbands successively, and any one who had a wife obedient enough immediately, without contradicting or making any remark, to consent to count up to four, would win the bet; but, on the other hand, those whose wives showed temper, laughed, or refused to obey, would lose. Under these conditions the company gaily adjourned to the abode of Robin, whose wife, called Marie, had a high opinion of herself. The husband said before all, 'Marie, repeat after me what I shall say.' 'Willingly, sire.' 'Marie, say, "One, two, three!"' But by this time Marie was out of patience, and said, 'And seven, and twelve, and fourteen! Why, you are making a fool of me!' So that husband lost his wager.

"I heard the bailiff of Tournay say that he had found himself multiple times at a table with married men, and he had bet them the price of a dinner under the following conditions: the group would visit each husband’s home in turn, and anyone whose wife was obedient enough to immediately, without arguing or commenting, agree to count to four would win the bet; however, those whose wives displayed annoyance, laughed, or refused to comply would lose. With this in mind, the group cheerfully headed to Robin's house, where his wife, Marie, had a high opinion of herself. The husband announced in front of everyone, 'Marie, repeat after me what I say.' 'Sure, dear.' 'Marie, say, "One, two, three!"' But by then, Marie had lost her patience and responded, 'And seven, and twelve, and fourteen! Why are you trying to make a fool of me?' So the husband lost his bet."

"The company next went to the house of Maître Jean, whose wife, Agnescat well knew how to play the lady. Jean said, 'Repeat after me, one!' 'And two!' answered Agnescat disdainfully; so he lost his wager. Tassin then tried, and said to dame Tassin, 'Count one!' 'Go upstairs!' she answered, 'if you want to teach counting, I am not a child.' Another said, 'Go away with you; you must have lost your senses,' or similar words, which made the husbands lose their wagers. Those, on the contrary, who had well-behaved wives gained their wager and went away joyful."

The company then went to Maître Jean's house, where his wife, Agnescat, clearly knew how to act like a lady. Jean said, "Repeat after me, one!" "And two!" Agnescat replied dismissively, so he lost his bet. Tassin then gave it a shot and said to Mrs. Tassin, "Count one!" "Go upstairs!" she shot back, "If you want to teach counting, I’m not a child." Another chimed in, "Get out of here; you must be out of your mind," or something similar, which made the husbands lose their bets. In contrast, those with well-behaved wives won their bets and left happy.

This amusing quotation suffices to show that the author of the "Ménagier de Paris" wished to adopt a jocose style, with a view to enliven the seriousness of the subject he was advocating.

This funny quote shows that the author of the "Ménagier de Paris" wanted to use a humorous style to lighten the seriousness of the topic he was discussing.

The part of his work in which he discusses the administration of the house is not less worthy of attention. One of the most curious chapters of the work is that in which he points out the manner in which the young bourgeoise is to behave towards persons in her service. Rich people in those days, in whatever station of life, were obliged to keep a numerous retinue of servants. It is curious to find that so far back as the period to which we allude, there was in Paris a kind of servants' registry office, where situations were found for servant-maids from the country. The bourgeois gave up the entire management of the servants to his wife; but, on account of her extreme youth, the author of the work in question recommends his wife only to engage servants who shall have been chosen by Dame Agnes, the nun whom he had placed with her as a kind of governess or companion.

The section of his work where he talks about managing a household is equally important. One of the most interesting chapters is the one where he explains how young women from wealthy families should interact with their staff. Wealthy people back then, no matter their status, had to employ a large number of servants. It's fascinating to note that as far back as this time, there was a kind of registry office in Paris for finding positions for country maids. The bourgeois handed over the whole management of the household staff to his wife; however, due to her young age, the author suggests that she should only hire servants selected by Dame Agnes, the nun he had appointed as a sort of governess or companion.

"Before engaging them," he says, "know whence they come; in what houses they have been; if they have acquaintances in town, and if they are steady. Discover what they are capable of doing; and ascertain that they are not greedy, or inclined to drink. If they come from another country, try to find out why they left it; for, generally, it is not without some serious reason that a woman decides upon a change of abode. When you have engaged a maid, do not permit her to take the slightest liberty with you, nor allow her to speak disrespectfully to you. If, on the contrary, she be quiet in her demeanour, honest, modest, and shows herself amenable to reproof, treat her as if she were your daughter.

"Before hiring them," he says, "know where they come from; what homes they've been in; if they have friends in town, and if they are dependable. Find out what they can do, and make sure they aren't greedy or prone to drinking. If they come from another country, try to learn why they left; usually, there's a significant reason a woman decides to move. Once you've hired a maid, don't let her take any liberties with you, nor allow her to speak disrespectfully. On the other hand, if she is calm, honest, modest, and open to feedback, treat her as if she were your daughter."

"Superintend the work to be done; and choose among your servants those qualified for each special department. If you order a thing to be done immediately, do not be satisfied with the following answers: 'It shall be done presently, or to-morrow early;' otherwise, be sure that you will have to repeat your orders."

"Oversee the work that needs to be done, and select among your staff those who are qualified for each specific area. If you request something to be done right away, don’t accept responses like, 'It’ll be done shortly, or first thing tomorrow;' otherwise, you can be sure you’ll have to repeat your instructions."

Fig. 61.--Dress of Maidservants in the Thirteenth Century.--Miniature in a Manuscript of the National Library of Paris.

Fig. 61.--Dress of Maidservants in the 13th Century.--Miniature in a manuscript from the National Library of Paris.

To these severe instructions upon the management of servants, the bourgeois adds a few words respecting their morality. He recommends that they be not permitted to use coarse or indecent language, or to insult one another (Fig. 61). Although he is of opinion that necessary time should be given to servants at their meals, he does not approve of their remaining drinking and talking too long at table: concerning which practice he quotes a proverb in use at that time: "Quand varlet presche à table et cheval paist en gué, il est temps qu'on l'en oste: assez y a esté;" which means, that when a servant talks at table and a horse feeds near a watering-place it is time he should be removed; he has been there long enough.

To these strict instructions on managing servants, the middle-class person adds a few comments about their behavior. He suggests that they shouldn't be allowed to use foul or disrespectful language or insult each other (Fig. 61). While he believes that servants should be given enough time to eat, he disapproves of them lingering too long to drink and socialize at the table. To illustrate this point, he refers to a saying popular at the time: "Quand varlet presche à table et cheval paist en gué, il est temps qu'on l'en oste: assez y a esté," which means that when a servant talks at the table while a horse feeds near a watering hole, it’s time for him to leave; he has been there long enough.

Fig. 62.--Hôtel des Ursins, Paris, built during the Fourteenth Century, restored in the Sixteenth, and now destroyed.--State of the North Front at the End of the last Century.

Fig. 62.--Hôtel des Ursins, Paris, built in the 14th century, restored in the 16th, and now gone.--Condition of the North Front at the end of the last century.

The manner in which the author concludes his instruction proves his kindness of heart, as well as his benevolence: "If one of your servants fall sick, it is your duty, setting everything else aside, to see to his being cured."

The way the author wraps up his advice shows his kindness and generosity: "If one of your servants falls sick, it's your responsibility, putting everything else aside, to make sure he gets better."

It was thus that a bourgeois of the fifteenth century expressed himself; and as it is clear that he could only have been inspired to dictate his theoretical teachings by the practical experience which he must have gained for the most part among the middle class to which he belonged, we must conclude that in those days the bourgeoisie possessed considerable knowledge of moral dignity and social propriety.

It was in this way that a middle-class person from the fifteenth century expressed himself; and since it’s clear that he could only have been motivated to share his theoretical ideas through the practical experience he likely gained mostly among the middle class to which he belonged, we must conclude that in those days the bourgeoisie had a solid understanding of moral integrity and social correctness.

It must be added that by the side of the merchant and working bourgeoisie--who, above all, owed their greatness to the high functions of the municipality--the parliamentary bourgeoisie had raised itself to power, and that from the fourteenth century it played a considerable part in the State, holding at several royal courts at different periods, and at last, almost hereditarily, the highest magisterial positions. The very character of these great offices of president, or of parliamentary counsel, barristers, &c., proves that the holders must have had no small amount of intellectual culture. In this way a refined taste was created among this class, which the protection of kings, princes, and lords had alone hitherto encouraged. We find, for example, the Grosliers at Lyons, the De Thous and Seguiers in Paris, regardless of their bourgeois origin, becoming judicious and zealous patrons of poets, scholars, and artists.

It should be noted that alongside the merchant and working middle class—who primarily owed their success to the important roles within the municipality—the parliamentary middle class rose to power. From the fourteenth century, it played a significant role in the State, holding the top governmental positions at various royal courts over time, and eventually, almost passing down these roles through generations. The nature of these prestigious positions, such as president or parliamentary counselor, lawyers, etc., indicates that the individuals in these roles must have possessed a substantial level of intellectual education. This led to a cultivated taste among this group, which had previously only been nurtured by the patronage of kings, princes, and lords. For instance, we see the Grosliers in Lyon, the De Thous and Seguiers in Paris, who, despite their middle-class background, became thoughtful and dedicated supporters of poets, scholars, and artists.

A description of Paris, published in the middle of the fifteenth century, describes amongst the most splendid residences of the capital the hotels of Juvénal des Ursins (Fig. 62), of Bureau de Dampmartin, of Guillaume Seguin, of Mille Baillet, of Martin Double, and particularly that of Jacques Duchié, situated in the Rue des Prouvaires, in which were collected at great cost collections of all kinds of arms, musical instruments, rare birds, tapestry, and works of art. In each church in Paris, and there were upwards of a hundred, the principal chapels were founded by celebrated families of the ancient bourgeoisie, who had left money for one or more masses to be said daily for the repose of the soûls of their deceased members. In the burial-grounds, and principally in that of the Innocents, the monuments of these families of Parisian bourgeoisie were of the most expensive character, and were inscribed with epitaphs in which the living vainly tried to immortalise the deeds of the deceased. Every one has heard of the celebrated tomb of Nicholas Flamel and Pernelle his wife (Fig. 63), the cross of Bureau, the epitaph of Yolande Bailly, who died in 1514, at the age of eighty-eight, and who "saw, or might have seen, two hundred and ninety-five children descended from her."

A description of Paris from the mid-fifteenth century highlights some of the most impressive residences in the capital, including the hotels of Juvénal des Ursins (Fig. 62), Bureau de Dampmartin, Guillaume Seguin, Mille Baillet, Martin Double, and especially Jacques Duchié's hotel located on Rue des Prouvaires. This place housed an extensive collection of various arms, musical instruments, rare birds, tapestries, and artwork, all gathered at great expense. Throughout Paris, which had over a hundred churches, the main chapels were established by prominent families from the old bourgeoisie, who had donated funds for daily masses to honor the souls of their departed relatives. In the cemeteries, especially in the Innocents cemetery, the monuments of these Parisian bourgeois families were notably lavish and featured epitaphs where the living sought to immortalize the achievements of the deceased. Everyone has heard of the famous tomb of Nicholas Flamel and his wife Pernelle (Fig. 63), the cross of Bureau, and the epitaph of Yolande Bailly, who passed away in 1514 at the age of eighty-eight, and who "saw, or might have seen, two hundred and ninety-five children descended from her."

In fact, the religious institutions of Paris afford much curious and interesting information relative to the history of the bourgeoisie. For instance, Jean Alais, who levied a tax of one denier on each basket of fish brought to market, and thereby amassed an enormous fortune, left the whole of it at his death for the purpose of erecting a chapel called St. Agnes, which soon after became the church of St. Eustace. He further directed that, by way of expiation, his body should be thrown into the sewer which drained the offal from the market, and covered with a large stone; this sewer up to the end of the last century was still called Pont Alais.

In fact, the religious institutions of Paris provide a lot of curious and interesting information about the history of the bourgeoisie. For example, Jean Alais, who charged a tax of one denier on each basket of fish brought to market, and in doing so accumulated a massive fortune, left all of it upon his death to build a chapel called St. Agnes, which soon became the church of St. Eustace. He also stipulated that, as a form of atonement, his body should be thrown into the sewer that drained the waste from the market and covered with a large stone; this sewer was still known as Pont Alais until the end of the last century.

Fig. 63.--Nicholas Flamel and Pernelle, his Wife, from a Painting executed at the End of the Fifteenth Century, under the Vaults of the Cemetery of the Innocents, in Paris.

Fig. 63.--Nicholas Flamel and Pernelle, his wife, from a painting created at the end of the 15th century, beneath the vaults of the Cemetery of the Innocents in Paris.

Very often when citizens made gifts during their lifetime to churches or parishes, the donors reserved to themselves certain privileges which were calculated to cause the motives which had actuated them to be open to criticism. Thus, in 1304, the daughters of Nicholas Arrode, formerly provost of the merchants, presented to the church of St. Jacques-la-Boucherie the house and grounds which they inhabited, but one of them reserved the right of having a key of the church that she might go in whenever she pleased. Guillaume Haussecuel, in 1405, bought a similar right for the sum of eighteen sols parisis per annum (equal to twenty-five francs); and Alain and his wife, whose house was close to two chapels of the church, undertook not to build so as in any way to shut out the light from one of the chapels on condition that they might open a small window into the chapel, and so be enabled to hear the service without leaving their room.

Very often, when people made gifts during their lifetime to churches or parishes, they reserved certain privileges for themselves that could lead to questioning their motivations. For example, in 1304, the daughters of Nicholas Arrode, who had been the provost of the merchants, gave their house and land to the church of St. Jacques-la-Boucherie, but one of them kept the right to have a key to the church so she could go in whenever she wanted. In 1405, Guillaume Haussecuel purchased a similar right for eighteen sols parisis per year (equivalent to twenty-five francs). Additionally, Alain and his wife, whose house was near two chapels of the church, agreed not to build in a way that would block light from one of the chapels, on the condition that they could open a small window into the chapel to hear the service without leaving their room.

Fig. 64.--Country Life--Fac-simile of a Woodcut in a folio Edition of Virgil, published at Lyons in 1517.

Fig. 64.--Country Life--Facsimile of a woodcut from a folio edition of Virgil, published in Lyon in 1517.

We thus see that the bourgeoisie, especially of Paris, gradually took a more prominent position in history, and became so grasping after power that it ventured, at a period which does not concern us here, to aspire to every sort of distinction, and to secure an important social standing. What had been the exception during the sixteenth century became the rule two centuries later.

We can see that the bourgeoisie, especially in Paris, gradually gained a more important role in history and became so eager for power that, at a time that's not relevant to us here, they aimed for all sorts of distinction and worked to secure a significant social status. What was once the exception in the sixteenth century became the norm two hundred years later.

We will now take a glance at the agricultural population (Fig. 64), who, as we have already stated, were only emancipated from serfdom at the end of the eighteenth century.

We will now take a look at the agricultural population (Fig. 64), who, as we've mentioned before, were only freed from serfdom at the end of the eighteenth century.

But whatever might have been formerly the civil condition of the rural population, everything leads us to suppose that there were no special changes in their private and domestic means of existence from a comparatively remote period down to almost the present time.

But no matter what the civil status of the rural population was in the past, everything suggests that there haven't been any significant changes in their private and domestic ways of living from a relatively distant period up to almost now.

A small poem of the thirteenth century, entitled, "De l'Oustillement au Vilain," gives a clear though rough sketch of the domestic state of the peasantry. Strange as it may seem, it must be acknowledged that, with a few exceptions resulting from the progress of time, it would not be difficult, even at the present day, to find the exact type maintained in the country districts farthest away from the capital and large towns; at all events, they were faithfully represented at the time of the revolution of 1789.

A short poem from the thirteenth century, called "De l'Oustillement au Vilain," provides a clear, if rough, picture of the living conditions of the peasants. As strange as it may seem, it's worth noting that, with a few exceptions due to the passage of time, it wouldn't be hard, even today, to find similar types of people in rural areas far from the capital and major cities; in any case, they were accurately depicted at the time of the 1789 revolution.

Fig. 65.--Sedentary Occupations of the Peasauts.--Fac-simile from an Engraving on Wood, attributed to Holbein, in the "Cosmographie" of Munster (Basle, 1552, folio).

Fig. 65.--Sedentary Jobs of the Peasants.--Reproduction of a Wood Engraving, credited to Holbein, in the "Cosmographie" of Munster (Basel, 1552, folio).

We gather from this poem, which must be considered an authentic and most interesting document, that the manse or dwelling of the villain comprised three distinct buildings; the first for the corn, the second for the hay and straw, the third for the man and his family. In this rustic abode a fire of vine branches and faggots sparkled in a large chimney furnished with an iron pot-hanger, a tripod, a shovel, large fire-irons, a cauldron and a meat-hook. Next to the fireplace was an oven, and in close proximity to this an enormous bedstead, on which the villain, his wife, his children, and even. the stranger who asked for hospitality, could all be easily accommodated; a kneading trough, a table, a bench, a cheese cupboard, a jug, and a few baskets made up the rest of the furniture. The villain also possessed other utensils, such as a ladder, a mortar, a hand-mill--for every one then was obliged to grind his own corn; a mallet, some nails, some gimlets, fishing lines, hooks, and baskets, &c.

From this poem, which is clearly an authentic and fascinating document, we learn that the villain's home consisted of three separate buildings: one for grain, another for hay and straw, and the third for the man and his family. In this rustic home, a fire made of vine branches and sticks flickered in a large chimney equipped with an iron pot-hanger, a tripod, a shovel, heavy fire tools, a cauldron, and a meat-hook. Beside the fireplace was an oven, and nearby stood a huge bed where the villain, his wife, their children, and even a guest seeking shelter could easily fit. A kneading trough, a table, a bench, a cheese cupboard, a jug, and several baskets completed the furniture. The villain also had other tools, including a ladder, a mortar, a hand mill—since everyone had to grind their own grain at that time—a mallet, nails, gimlets, fishing lines, hooks, and baskets, etc.

Fig. 66.--Villains before going to Work receiving their Lord's Orders.--Miniature in the "Propriétaire des Choses."--Manuscript of the Fifteenth Century (Library of the Arsenal, in Paris).

Fig. 66.--Villains before going to work getting their Lord's orders.--Miniature in the "Propriétaire des Choses."--Fifteenth-century manuscript (Library of the Arsenal, Paris).

His working implements were a plough, a scythe, a spade, a hoe, large shears, a knife and a sharpening stone; he had also a waggon, with harness for several horses, so as to be able to accomplish the different tasks required of him under feudal rights, either by his proper lord, or by the sovereign; for the villain was liable to be called upon to undertake every kind of work of this sort.

His tools included a plow, a scythe, a spade, a hoe, large shears, a knife, and a sharpening stone. He also had a wagon with harnesses for several horses to handle the various tasks demanded of him under feudal rights, whether by his lord or by the king; the peasant was expected to take on all kinds of work like this.

His dress consisted of a blouse of cloth or skin fastened by a leather belt round the waist, an overcoat or mantle of thick woollen stuff, which fell from his shoulders to half-way down his legs; shoes or large boots, short woollen trousers, and from his belt there hung his wallet and a sheath for his knife (Figs. 66 and 71). He generally went bareheaded, but in cold weather or in rain he wore a sort of hat of similar stuff to his coat, or one of felt with a broad brim. He seldom wore mouffles, or padded gloves, except when engaged in hedging.

His outfit included a shirt made of cloth or leather held up by a leather belt around his waist, a thick wool overcoat that draped from his shoulders to about halfway down his legs; shoes or big boots, short wool pants, and from his belt dangled his wallet and a sheath for his knife (Figs. 66 and 71). He usually went without a hat, but in cold weather or rain, he wore a hat made of the same material as his coat or a felt one with a wide brim. He rarely wore mouffles, or padded gloves, except when he was hedging.

A small kitchen-garden, which he cultivated himself, was usually attached to the cottage, which was guarded by a large watch-dog. There was also a shed for the cows, whose milk contributed to the sustenance of the establishment; and on the thatched roof of this and his cottage the wild cats hunted the rats and mice. The family were never idle, even in the bad season, and the children were taught from infancy to work by the side of their parents (Fig. 65).

A small kitchen garden that he tended himself was usually attached to the cottage, which was protected by a large watch dog. There was also a shed for the cows, whose milk helped sustain the family; and on the thatched roof of this shed and his cottage, wild cats hunted the rats and mice. The family was never idle, even during the bad season, and the children were taught from a young age to work alongside their parents (Fig. 65).

If, then, we find so much resemblance between the abodes of the villains of the thirteenth century and those of the inhabitants of the poorest communes of France in the present day, we may fairly infer that there must be a great deal which is analogous between the inhabitants themselves of the two periods; for in the châteaux as well as in the towns we find the material condition of the dwellings modifying itself conjointly with that of the moral condition of the inhabitants.

If we see so much similarity between the homes of the villains from the thirteenth century and those of the residents of the poorest communities in France today, we can reasonably conclude that there must be a lot in common between the people of both times. In both the castles and the towns, we observe that the living conditions are changing along with the moral state of the inhabitants.

Another little poem entitled, "On the Twenty-four Kinds of Villains," composed about the same period as the one above referred to, gives us a graphic description of the varieties of character among the feudal peasants. One example is given of a man who will not tell a traveller the way, but merely in a surly way answers, "You know it better than I" (Fig. 67). Another, sitting at his door on a Sunday, laughs at those passing by, and says to himself when he sees a gentleman going hawking with a bird on his wrist, "Ah! that bird will eat a hen to-day, and our children could all feast upon it!" Another is described as a sort of madman who equally despises God, the saints, the Church, and the nobility. His neighbour is an honest simpleton, who, stopping in admiration before the doorway of Notre Dame in Paris in order to admire the statues of Pepin, Charlemagne, and their successors, has his pocket picked of his purse. Another villain is supposed to make trade of pleading the cause of others before "Messire le Bailli;" he is very eloquent in trying to show that in the time of their ancestors the cows had a free right of pasture in such and such a meadow, or the sheep on such and such a ridge; then there is the miser, and the speculator, who converts all his possessions into ready money, so as to purchase grain against a bad season; but of course the harvest turns out to be excellent, and he does not make a farthing, but runs away to conceal his ruin and rage. There is also the villain who leaves his plough to become a poacher. There are many other curious examples which altogether tend to prove that there has been but little change in the villager class since the first periods of History.

Another short poem titled, "On the Twenty-four Kinds of Villains," written around the same time as the one mentioned earlier, provides a vivid description of the different character types among feudal peasants. One example features a man who refuses to give directions to a traveler and simply responds grumpily, "You know it better than I" (Fig. 67). Another man, sitting in his doorway on a Sunday, laughs at passersby and thinks to himself when he sees a gentleman with a bird on his wrist, "Ah! that bird will eat a hen today, and our kids could all feast on it!" There's also a character depicted as a sort of madman who scorns God, the saints, the Church, and the nobility. His neighbor is a sincere simpleton who, stopping in awe before the entrance of Notre Dame in Paris to admire the statues of Pepin, Charlemagne, and their successors, gets his pocket picked. Another villain is believed to profit by representing others' cases before "Messire le Bailli;" he’s very persuasive in arguing that in their ancestors' time, cows had free access to certain pastures, or sheep to certain hills; then there's the miser and the speculator, who turns all his assets into cash to buy grain for a lean year; but naturally, the harvest turns out great, and he makes nothing, choosing instead to flee to hide his despair and anger. There’s also a villain who leaves his plow to become a poacher. There are many other interesting examples that altogether suggest that not much has changed in the villager class since the earliest periods of history.

Fig. 67.--The egotistical and envious Villain.--From a Miniature in "Proverbes et Adages, &c.," Manuscript of the La Vallière Fund, in the National Library of Paris, with this legend:

Fig. 67.--The self-centered and jealous Villain.--From a Miniature in "Proverbes et Adages, &c.," Manuscript of the La Vallière Fund, in the National Library of Paris, with this caption:

"Attrapez y sont les plus fins:
Qui trop embrasse mal estraint."

"The ones who grab the most:
Who takes too much ends up with little."

("The cleverest burn their fingers at it,
And those who grasp all may lose all.")

("The most intelligent can still get hurt by it,
And those who try to take everything might lose it all.")

Fig. 68.--The covetous and avaricious Villain.--From a Miniature in "Proverbes et Adages, &c," Manuscript in the National Library of Paris, with this legend:

Fig. 68.--The greedy and grasping villain.--From a miniature in "Proverbes et Adages, &c," manuscript in the National Library of Paris, with this inscription:

"Je suis icy levant les yeulx
Eu ce haut lieu des attendens,
En convoitant pour avoir mieulx
Prendre la lune avec les dens."

"Here I am, gazing up
In this elevated place of hopes,
Longing for something greater
To catch the moon with my teeth."

("Even on this lofty height
We yet look higher,
As nothing will satisfy us
But to clutch the moon.")

("Even atop this high peak
We still strive for more,
As nothing will satisfy us
Except for seizing the moon.")

Notwithstanding the miseries to which they were generally subject, the rural population had their days of rest and amusement, which were then much more numerous than at present. At that period the festivals of the Church were frequent and rigidly kept, and as each of them was the pretext for a forced holiday from manual labour, the peasants thought of nothing, after church, but of amusing themselves; they drank, talked, sang, danced, and, above all, laughed, for the laugh of our forefathers quite rivalled the Homeric laugh, and burst forth with a noisy joviality (Fig. 69).

Despite the hardships they usually faced, the rural community had more days of rest and fun back then than they do now. During that time, Church festivals were frequent and strictly observed, and since each one meant a mandatory break from physical work, the peasants focused on having a good time after church. They drank, chatted, sang, danced, and, most importantly, laughed, because the laughter of our ancestors could easily compete with the joyous laughter described in Homer, bursting forth with boisterous cheer (Fig. 69).

The "wakes," or evening parties, which are still the custom in most of the French provinces, and which are of very ancient origin, formed important events in the private lives of the peasants. It was at these that the strange legends and vulgar superstitions, which so long fed the minds of the ignorant classes, were mostly created and propagated. It was there that those extraordinary and terrible fairy tales were related, as well as those of magicians, witches, spirits, &c. It was there that the matrons, whose great age justified their experience, insisted on proving, by absurd tales, that they knew all the marvellous secrets for causing happiness or for curing sickness. Consequently, in those days the most enlightened rustic never for a moment doubted the truth of witchcraft.

The "wakes," or evening parties, which are still a tradition in most French provinces and have very ancient roots, were significant events in the lives of the peasants. It was during these gatherings that strange legends and common superstitions, which for so long captivated the minds of the uneducated, were mostly created and spread. Extraordinary and frightening fairy tales, along with stories of magicians, witches, spirits, etc., were shared here. The older women, whose age lent credibility to their experience, would insist on revealing, through ridiculous stories, that they knew all the amazing secrets for bringing happiness or healing sickness. As a result, back then, even the most informed villagers never doubted the reality of witchcraft for a moment.

In fact, one of the first efforts at printing was applied to reproducing the most ridiculous stories under the title of the "Evangile des Conuilles ou Quenouilles," and which had been previously circulated in manuscript, and had obtained implicit belief. The author of this remarkable collection asserts that the matrons in his neighbourhood had deputed him to put together in writing the sayings suitable for all conditions of rural life which were believed in by them and were announced at the wakes. The absurdities and childish follies which he has dared to register under their dictation are almost incredible.

In fact, one of the earliest attempts at printing was used to reproduce the most ridiculous stories under the title "Evangile des Conuilles ou Quenouilles," which had previously been shared in manuscript form and had gained unquestioned belief. The author of this notable collection claims that the women in his community had chosen him to write down the sayings relevant to all aspects of rural life that they believed in and shared at wakes. The absurdities and childish nonsense he has had the audacity to document under their guidance are almost unbelievable.

The "Evangile des Quenouilles," which was as much believed in as Holy Writ, tells us, amongst other secrets which it contains for the advantage of the reader, that a girl wishing to know the Christian name of her future husband, has but to stretch the first thread she spins in the morning across the doorway; and that the first man who passes and touches the thread will necessarily have the same name as the man she is destined to marry.

The "Evangile des Quenouilles," which was just as highly regarded as the Bible, reveals, among other secrets for the benefit of the reader, that a girl wanting to find out the Christian name of her future husband needs to stretch the first thread she spins in the morning across the doorway; and the first man who walks by and touches the thread will definitely have the same name as the man she is meant to marry.

Another of the stories in this book was, that if a woman, on leaving off work on Saturday night, left her distaff loaded, she might be sure that the thread she would obtain from it during the following week would only produce linen of bad quality, which could not be bleached; this was considered to be proved by the fact that the Germans wore dark-brown coloured shirts, and it was known that the women never unloaded their distaffs from Saturday to Monday.

Another story in this book says that if a woman left her distaff loaded when she finished work on Saturday night, she could be sure that the thread she got from it the following week would only make low-quality linen that couldn't be bleached. This was believed to be proven by the fact that the Germans wore dark brown shirts, and it was known that the women never unloaded their distaffs from Saturday to Monday.

Should a woman enter a cow-house to milk her cows without saying "God and St. Bridget bless you!" she was thought to run the risk of the cows kicking and breaking the milk-pail and spilling the milk.

Should a woman enter a cow barn to milk her cows without saying "God and St. Bridget bless you!" she was believed to risk the cows kicking and breaking the milk pail and spilling the milk.

Fig. 69.--Village Feast.--Fac-simile of a Woodcut of the "Sandrin ou Verd Galant," facetious Work of the End of the Sixteenth Century (edition of 1609).

Fig. 69.--Village Feast.--Replica of a Woodcut from the "Sandrin ou Verd Galant," a humorous piece from the late Sixteenth Century (edition of 1609).

This silly nonsense, compiled like oracles, was printed as late as 1493. Eighty years later a gentleman of Brittany, named Noel du Fail, Lord of Herissaye, councillor in the Parliament of Rennes, published, under the title of "Rustic and Amusing Discourses," a work intended to counteract the influence of the famous "Evangile des Quenouilles." This new work was a simple and true sketch of country habits, and proved the elegance and artless simplicity of the author, as well as his accuracy of observation. He begins thus: "Occasionally, having to retire into the country more conveniently and uninterruptedly to finish some business, on a particular holiday, as I was walking I came to a neighbouring village, where the greater part of the old and young men were assembled, in groups of separate ages, for, according to the proverb, 'Each seeks his like.' The young were practising the bow, jumping, wrestling, running races, and playing other games. The old were looking on, some sitting under an oak, with their legs crossed, and their hats lowered over their eyes, others leaning on their elbows criticizing every performance, and refreshing the memory of their own youth, and taking a lively interest in seeing the gambols of the young people."

This silly nonsense, put together like prophecies, was published as late as 1493. Eighty years later, a gentleman from Brittany named Noel du Fail, Lord of Herissaye and councillor in the Parliament of Rennes, released a work titled "Rustic and Amusing Discourses." This book aimed to challenge the impact of the well-known "Evangile des Quenouilles." It offered a straightforward and true depiction of country life, showcasing the author's elegance and natural simplicity, as well as his keen observational skills. He starts with: "Sometimes, needing to retreat to the countryside to more conveniently and quietly finish some business, on a particular holiday, I was walking and came to a nearby village, where most of the old and young men were gathered in age groups, since, as the saying goes, 'Each seeks his like.' The young were practicing archery, jumping, wrestling, racing, and engaging in other games. The older men watched, some sitting under an oak tree with their legs crossed and hats tipped down over their eyes, while others leaned on their elbows, critiquing every activity and reminiscing about their own youth, showing a lively interest in the antics of the young people."

The author states that on questioning one of the peasants to ascertain who was the cleverest person present, the following dialogue took place: "The one you see leaning on his elbow, hitting his boots, which have white strings, with a hazel stick, is called Anselme; he is one of the rich ones of the village, he is a good workman, and not a bad writer for the flat country; and the one you see by his side, with his thumb in his belt, hanging from which is a large game bag, containing spectacles and an old prayer book, is called Pasquier, one of the greatest wits within a day's journey--nay, were I to say two I should not be lying. Anyhow, he is certainly the readiest of the whole company to open his purse to give drink to his companions." "And that one," I asked, "with the large Milanese cap on his head, who holds an old book?" "That one," he answered, "who is scratching the end of his nose with one hand and his beard with the other?" "That one," I replied, "and who has turned towards us?" "Why," said he, "that is Roger Bontemps, a merry careless fellow, who up to the age of fifty kept the parish school; but changing his first trade he has become a wine-grower. However, he cannot resist the feast days, when he brings us his old books, and reads to us as long as we choose, such works as the 'Calondrier des Bergers,' 'Fables d'Esope,' 'Le Roman de la Rose,' 'Matheolus,' 'Alain Chartier,' 'Les Vigiles du feu Roy Charles,' 'Les deux Grebans,' and others. Neither, with his old habit of warbling, can he help singing on Sundays in the choir; and he is called Huguet. The other sitting near him, looking over his shoulder into his book, and wearing a sealskin belt with a yellow buckle, is another rich peasant of the village, not a bad villain, named Lubin, who also lives at home, and is called the little old man of the neighbourhood."

The author mentions that when asking one of the peasants who the smartest person present was, the following conversation happened: "The one you see leaning on his elbow, tapping his boots with white laces using a hazel stick, is named Anselme; he’s one of the wealthy guys in the village, a good worker, and not a bad writer for this flat area; and the one next to him, with his thumb in his belt, from which hangs a large game bag filled with glasses and an old prayer book, is called Pasquier, one of the sharpest minds within a day's travel—actually, if I said two, I wouldn't be lying. Anyway, he's definitely the quickest to open his wallet to buy drinks for his friends." "And what about that guy," I asked, "wearing the big Milanese cap and holding an old book?" "That guy," he replied, "who's scratching his nose with one hand and his beard with the other?" "Yes, that one," I said, "who's turned toward us?" "Well," he said, "that’s Roger Bontemps, a cheerful, carefree guy who taught at the parish school until he was fifty; then he switched careers and became a wine-grower. But he can’t resist the feast days, when he brings us his old books and reads to us as long as we want, like 'Calondrier des Bergers,' 'Fables d'Esope,' 'Le Roman de la Rose,' 'Matheolus,' 'Alain Chartier,' 'Les Vigiles du feu Roy Charles,' 'Les deux Grebans,' and others. Plus, he still has the habit of singing on Sundays in the choir, and he’s called Huguet. The other person sitting near him, peeking over his shoulder into the book and wearing a sealskin belt with a yellow buckle, is another rich peasant from the village, not a bad guy, named Lubin, who also stays at home, and is known as the little old man of the neighborhood."

After this artistic sketch, the author dilates on the goodman Anselme. He says: "This good man possessed a moderate amount of knowledge, was a goodish grammarian, a musician, somewhat of a sophist, and rather given to picking holes in others." Some of Anselme's conversation is also given, and after beginning by describing in glowing terms the bygone days which he and his contemporaries had seen, and which he stated to be very different to the present, he goes on to say, "I must own, my good old friends, that I look back with pleasure on our young days; at all events the mode of doing things in those days was very superior and better in every way to that of the present.... O happy days! O fortunate times when our fathers and grandfathers, whom may God absolve, were still among us!" As he said this, he would raise the rim of his hat. He contented himself as to dress with a good coat of thick wool, well lined according to the fashion; and for feast days and other important occasions, one of thick cloth, lined with some old gabardine.

After this artistic introduction, the author talks more about the good man Anselme. He says: "This good man had a decent amount of knowledge, was a decent grammarian, a musician, a bit of a sophist, and often critical of others." Some of Anselme's conversation is also included, and after starting by describing in glowing terms the golden days he and his contemporaries experienced, which he claims were very different from today, he continues by saying, "I must admit, my good old friends, that I look back fondly on our youth; at least the way things were done back then was way better in every way than how things are now... O happy days! O fortunate times when our fathers and grandfathers, may God bless them, were still with us!" As he said this, he would lift the brim of his hat. He was satisfied with his attire, wearing a good thick wool coat, well lined according to the fashion; and for holidays and other special occasions, he had one made of thick cloth, lined with some old gabardine.

Fig. 70.--The Shepherds celebrating the Birth of the Messiah by Songs and Dances.--Fifteenth Century.--Fac-simile of an Engraving on Wood, from a Book of Hours, printed by Anthony Verard.

Fig. 70.--The Shepherds celebrating the Birth of the Messiah through Songs and Dances.--Fifteenth Century.--Replica of a Wood Engraving from a Book of Hours, printed by Anthony Verard.

"So we see," says M. Le Roux de Lincy, "at the end of the fifteenth century that the old peasants complained of the changes in the village customs, and of the luxury which every one wished to display in his furniture or apparel. On this point it seems that there has been little or no change. We read that, from the time of Homer down to that of the excellent author of 'Rustic Discourses,' and even later, the old people found fault with the manners of the present generation and extolled those of their forefathers, which they themselves had criticized in their own youth."

"So we see," says M. Le Roux de Lincy, "at the end of the fifteenth century, that the old peasants complained about the changes in village customs and the luxury that everyone wanted to show off in their furniture or clothing. It seems that not much has changed in this regard. We read that, from the time of Homer to that of the great author of 'Rustic Discourses,' and even later, the elderly criticized the behaviors of the current generation and praised those of their ancestors, which they themselves had condemned in their own younger days."

Fig. 71.--Purse or Leather Bag, with Knife or Dagger of the Fifteenth Century.

Fig. 71.--Purse or Leather Bag, with Knife or Dagger from the Fifteenth Century.

Food and Cookery.

History of Bread.--Vegetables and Plants used in Cooking.--Fruits.--Butchers' Meat.--Poultry, Game.--Milk, Butter, Cheese, and Eggs.--Fish and Shellfish.--Beverages, Beer, Cider, Wine, Sweet Wine, Refreshing Drinks, Brandy.--Cookery.--Soups, Boiled Food, Pies, Stews, Salads, Roasts, Grills.--Seasoning, Truffles, Sugar, Verjuice.--Sweets, Desserts, Pastry.--Meals and Feasts.--Rules of Serving at Table from the Fifteenth to the Sixteenth Centuries.

History of Bread.--Vegetables and Plants used in Cooking.--Fruits.--Meat from Butchers.--Poultry and Game.--Milk, Butter, Cheese, and Eggs.--Fish and Shellfish.--Beverages, Beer, Cider, Wine, Sweet Wine, Refreshing Drinks, Brandy.--Cooking.--Soups, Boiled Foods, Pies, Stews, Salads, Roasts, Grills.--Seasoning, Truffles, Sugar, Verjuice.--Sweets, Desserts, Pastries.--Meals and Feasts.--Rules for Serving at the Table from the Fifteenth to the Sixteenth Centuries.

"The private life of a people," says Legrand d'Aussy, who had studied that of the French from a gastronomic point of view only, "from the foundation of monarchy down to the eighteenth century, must, like that of mankind generally, commence with obtaining the first and most pressing of its requirements. Not satisfied with providing food for his support, man has endeavoured to add to his food something which pleased his taste. He does not wait to be hungry, but he anticipates that feeling, and aggravates it by condiments and seasonings. In a word his greediness has created on this score a very complicated and wide-spread science, which, amongst nations which are considered civilised, has become most important, and is designated the culinary art."

"The private life of a people," says Legrand d'Aussy, who only studied the French from a food perspective, "from the beginning of the monarchy to the eighteenth century, must, like that of humanity in general, start with meeting its first and most essential needs. Not content with just having food for survival, people have tried to enhance their meals with flavors that please their taste buds. They don’t wait until they’re hungry; instead, they anticipate that hunger and intensify it with spices and seasonings. In short, this desire for better flavors has led to a complex and widespread field of study, which, among what we consider civilized nations, has become vitally important, and is known as culinary art."

At all times the people of every country have strained the nature of the soil on which they lived by forcing it to produce that which it seemed destined ever to refuse them. Such food as human industry was unable to obtain from any particular soil or from any particular climate, commerce undertook to bring from the country which produced it. This caused Rabelais to say that the stomach was the father and master of industry.

At all times, people in every country have pushed the limits of the soil they lived on, trying to make it produce things it seemed unwilling to give. Any food that human effort couldn't obtain from a specific soil or climate, trade would bring in from the regions that produced it. This led Rabelais to say that the stomach was the father and master of industry.

We will rapidly glance over the alimentary matters which our forefathers obtained from the animal and vegetable kingdom, and then trace the progress of culinary art, and examine the rules of feasts and such matters as belong to the epicurean customs of the Middle Ages.

We will quickly look at the food items that our ancestors sourced from both animals and plants, then follow the development of cooking techniques and explore the customs of feasting and other aspects related to the gourmet traditions of the Middle Ages.

Aliments.

Bread.--The Gauls, who principally inhabited deep and thick forests, fed on herbs and fruits, and particularly on acorns. It is even possible that the veneration in which they held the oak had no other origin. This primitive food continued in use, at least in times of famine, up to the eighth century, and we find in the regulations of St. Chrodegand that if, in consequence of a bad year, the acorn or beech-nut became scarce, it was the bishop's duty to provide something to make up for it. Eight centuries later, when René du Bellay, Bishop of Mans, came to report to Francis I. the fearful poverty of his diocese, he informed the king that the inhabitants in many places were reduced to subsisting on acorn bread.

Bread.--The Gauls, who mainly lived in dense and thick forests, ate herbs and fruits, especially acorns. It's possible that their deep respect for the oak tree came from this. This basic food continued to be used, at least during times of famine, until the eighth century. St. Chrodegand's regulations state that if a bad harvest made acorns or beech nuts scarce, it was the bishop's responsibility to provide something to replace them. Eight centuries later, when René du Bellay, Bishop of Mans, reported to Francis I about the alarming poverty in his diocese, he told the king that many residents had to survive on acorn bread.

Figs. 72 and 73.--Corn-threshing and Bread-making.--Miniatures from the Calendar of a Book of Hours.--Manuscript of the Sixteenth Century.

Figs. 72 and 73.--Corn-threshing and Bread-making.--Miniatures from the Calendar of a Book of Hours.--Manuscript of the Sixteenth Century.

In the earliest times bread was cooked under the embers. The use of ovens was introduced into Europe by the Romans, who had found them in Egypt. But, notwithstanding this importation, the old system of cooking was long after employed, for in the tenth century Raimbold, abbot of the monastery of St. Thierry, near Rheims, ordered in his will that on the day of his death bread cooked under the embers--panes subcinericios--should be given to his monks. By feudal law the lord was bound to bake the bread of his vassals, for which they were taxed, but the latter often preferred to cook their flour at home in the embers of their own hearths, rather than to carry it to the public oven.

In ancient times, bread was cooked in the ashes. The Romans brought ovens to Europe after discovering them in Egypt. However, even with this advancement, the old method of cooking continued for a long time. In the tenth century, Raimbold, the abbot of the monastery of St. Thierry near Rheims, specified in his will that on the day he died, bread cooked in the ashes—panes subcinericios—should be given to his monks. According to feudal law, the lord had to bake the bread for his vassals, for which they were taxed, but many chose to cook their flour at home in the embers of their own hearths instead of taking it to the public oven.

Fig. 74.--The Miller.--From an Engraving of the Sixteenth Century, by J. Amman.

Fig. 74.--The Miller.--From an Engraving of the 16th Century, by J. Amman.

It must be stated that the custom of leavening the dough by the addition of a ferment was not universally adopted amongst the ancients. For this reason, as the dough without leaven could only produce a heavy and indigestible bread, they were careful, in order to secure their loaves being thoroughly cooked, to make them very thin. These loaves served as plates for cutting up the other food upon, and when they thus became saturated with the sauce and gravy they were eaten as cakes. The use of the tourteaux (small crusty loaves), which were at first called tranchoirs and subsequently tailloirs, remained long in fashion even at the most splendid banquets. Thus, in 1336, the Dauphin of Vienna, Humbert II., had, besides the small white bread, four small loaves to serve as tranchoirs at table. The "Ménagier de Paris" mentions "des pains de tranchouers half a foot in diameter, and four fingers deep," and Froissart the historian also speaks of tailloirs.

It should be noted that the practice of leavening dough with a ferment wasn't universally accepted among ancient peoples. Because dough without leaven could only make a heavy, hard-to-digest bread, they made sure to roll it out very thin to ensure their loaves were fully cooked. These loaves acted as plates for cutting up other food, and once they absorbed the sauce and gravy, they were eaten like cakes. The use of tourteaux (small crusty loaves), originally called tranchoirs and later tailloirs, remained popular even at the most lavish banquets. For example, in 1336, the Dauphin of Vienna, Humbert II, had, in addition to the small white bread, four small loaves to serve as tranchoirs at the table. The "Ménagier de Paris" mentions "des pains de tranchouers half a foot in diameter and four fingers deep," and the historian Froissart also refers to tailloirs.

It would be difficult to point out the exact period at which leavening bread was adopted in Europe, but we can assert that in the Middle Ages it was anything but general. Yeast, which, according to Pliny, was already known to the Gauls, was reserved for pastry, and it was only at the end of the sixteenth century that the bakers of Paris used it for bread.

It’s hard to pinpoint the exact time when leavening bread became common in Europe, but we can say it was definitely not widespread during the Middle Ages. Yeast, which Pliny mentioned was already known to the Gauls, was mostly used for pastries. It wasn’t until the late sixteenth century that bakers in Paris began using it for bread.

At first the trades of miller and baker were carried on by the same person (Figs. 74 and 75). The man who undertook the grinding of the grain had ovens near his mill, which he let to his lord to bake bread, when he did not confine his business to persons who sent him their corn to grind.

At first, the jobs of miller and baker were done by the same person (Figs. 74 and 75). The man who ground the grain had ovens close to his mill, which he rented out to his lord to bake bread, when he didn't limit his business to people who brought him their grain to grind.

Fig. 75.--The Baker.--From an Engraving of the Sixteenth Century, by J. Amman.

Fig. 75.--The Baker.--From an engraving of the 16th century, by J. Amman.

At a later period public bakers established themselves, who not only baked the loaves which were brought to them already kneaded, but also made bread which they sold by weight; and this system was in existence until very recently in the provinces.

At a later time, public bakers set up shop, baking loaves that were brought to them already kneaded, as well as making bread that they sold by weight. This system continued to exist until very recently in the provinces.

Charlemagne, in his "Capitulaires" (statutes), fixed the number of bakers in each city according to the population, and St. Louis relieved them, as well as the millers, from taking their turn at the watch, so that they might have no pretext for stopping or neglecting their work, which he considered of public utility. Nevertheless bakers as a body never became rich or powerful (Figs. 76 and 77). It is pretty generally believed that the name of boulanger (baker) originated from the fact that the shape of the loaves made at one time was very like that of a round ball. But loaves varied so much in form, quality, and consequently in name, that in his "Dictionary of Obscure Words" the learned Du Cange specifies at least twenty sorts made during the twelfth and thirteenth centuries, and amongst them may be mentioned the court loaf, the pope's loaf, the knight's loaf, the squire's loaf, the peer's loaf, the varlet's loaf, &c.

Charlemagne, in his "Capitulaires" (statutes), established the number of bakers in each city based on the population. St. Louis exempted them, along with the millers, from taking their turn on watch duty so that they wouldn’t have any excuse to stop or neglect their work, which he deemed beneficial to the public. However, bakers as a group never became wealthy or influential (Figs. 76 and 77). It’s widely believed that the term boulanger (baker) came from the fact that the shape of the loaves made at one time resembled a round ball. Nevertheless, loaves varied greatly in shape, quality, and thus in name; in his "Dictionary of Obscure Words," the scholar Du Cange mentions at least twenty types made during the twelfth and thirteenth centuries, including the court loaf, the pope's loaf, the knight's loaf, the squire's loaf, the peer's loaf, the varlet's loaf, etc.

Fig. 76.--Banner of the Corporation of Bakers of Paris.

Fig. 76.--Banner of the Bakers' Corporation of Paris.

Fig. 77.--Banner of the Corporation, of Bakers of Arras.

Fig. 77.--Banner of the Corporation, of Bakers of Arras.

The most celebrated bread was the white bread of Chailly or Chilly, a village four leagues (ten miles) south of Paris, which necessarily appeared at all the tables of the élite of the fourteenth century. The pain mollet, or soft bread made with milk and butter, although much in use before this, only became fashionable on the arrival of Marie de Medicis in France (1600), on account of this Tuscan princess finding it so much to her taste that she would eat no other.

The most famous bread was the white bread from Chailly or Chilly, a village about ten miles south of Paris, which was a must-have at the tables of the elite in the fourteenth century. The soft bread, or pain mollet, made with milk and butter, was quite common before this but only became popular when Marie de Medicis arrived in France in 1600. This Tuscan princess loved it so much that she refused to eat anything else.

The ordinary market bread of Paris comprised the rousset bread, made of meslin, and employed for soup; the bourgeoisie bread; and the chaland or customer's bread, which last was a general name given to all descriptions which were sent daily from the neighbouring villages to the capital. Amongst the best known varieties we will only mention the Corbeil bread, the dog bread, the bread of two colours, which last was composed of alternate layers of wheat and rye, and was used by persons of small means; there was also the Gonesse bread, which has maintained its reputation to this day.

The everyday market bread of Paris included rousset bread, made of meslin, which was used for soup; bourgeoisie bread; and chaland or customer's bread, a general term for all types sent daily from nearby villages to the city. Among the most well-known varieties, we’ll mention Corbeil bread, dog bread, and bread of two colors, which had alternating layers of wheat and rye and was used by people with limited means; there was also Gonesse bread, which still has a good reputation today.

The "table loaves," which in the provinces were served at the tables of the rich, were of such a convenient size that one of them would suffice for a man of ordinary appetite, even after the crust was cut off, which it was considered polite to offer to the ladies, who soaked it in their soup. For the servants an inferior bread was baked, called "common bread."

The "table loaves," which were served at the tables of the wealthy in the provinces, were just the right size for someone with a normal appetite, even after the crust was trimmed off, which it was polite to offer to the ladies, who would soak it in their soup. For the servants, a lower-quality bread was made, known as "common bread."

In many counties they sprinkled the bread, before putting it into the oven, with powdered linseed, a custom which still exists. They usually added salt to the flour, excepting in certain localities, especially in Paris, where, on account of its price, they only mixed it with the expensive qualities.

In many regions, they dusted the bread with powdered linseed before baking it, a practice that still continues today. They typically added salt to the flour, except in some areas, particularly in Paris, where, due to its cost, they only blended it with the more expensive types.

The wheats which were long most esteemed for baking purposes, were those of Brie, Champagne, and Bassigny; while those of the Dauphiné were held of little value, because they were said to contain so many tares and worthless grains, that the bread made from them produced headache and other ailments.

The wheats that were most valued for baking were from Brie, Champagne, and Bassigny; meanwhile, those from Dauphiné were considered low quality because they were believed to have so many weeds and useless grains that the bread made from them caused headaches and other issues.

An ancient chronicle of the time of Charlemagne makes mention of a bread twice baked, or biscuit. This bread was very hard, and easier to keep than any other description. It was also used, as now, for provisioning ships, or towns threatened with a siege, as well as in religious houses. At a later period, delicate biscuits were made of a sort of dry and crumbling pastry which retained the original name. As early as the sixteenth century, Rheims had earned a great renown for these articles of food.

An old account from the time of Charlemagne mentions a type of bread that was baked twice, known as a biscuit. This bread was quite hard and easier to store than any other kind. It was also used, just like today, to supply ships or towns under threat of siege, as well as in monasteries. Later on, finer biscuits were made from a type of dry and crumbly pastry, keeping the original name. By the sixteenth century, Rheims had gained a great reputation for these food items.

Bread made with barley, oats, or millet was always ranked as coarse food, to which the poor only had recourse in years of want (Fig. 78). Barley bread was, besides, used as a kind of punishment, and monks who had committed any serious offence against discipline were condemned to live on it for a certain period.

Bread made from barley, oats, or millet was always considered rough food, which the poor only turned to in times of scarcity (Fig. 78). Barley bread was also used as a form of punishment, and monks who had committed serious offenses against discipline were sentenced to eat it for a certain amount of time.

Rye bread was held of very little value, although in certain provinces, such as Lyonnais, Forez, and Auvergne, it was very generally used among the country people, and contributed, says Bruyérin Champier in his treatise "De re Cibaria," to "preserve beauty and freshness amongst women." At a later period, the doctors of Paris frequently ordered the use of bread made half of wheat and half of rye as a means "of preserving the health." Black wheat, or buck wheat, which was introduced into Europe by the Moors and Saracens when they conquered Spain, quickly spread to the northern provinces, especially to Flanders, where, by its easy culture and almost certain yield, it averted much suffering from the inhabitants, who were continually being threatened with famine.

Rye bread was considered to have very little value, although in some regions like Lyonnais, Forez, and Auvergne, it was commonly consumed by the locals and contributed, according to Bruyérin Champier in his treatise "De re Cibaria," to "preserving beauty and freshness among women." Later on, doctors in Paris often recommended bread made with half wheat and half rye as a way "to maintain health." Black wheat, or buckwheat, which was brought to Europe by the Moors and Saracens during their conquest of Spain, quickly spread to the northern regions, especially to Flanders, where its easy cultivation and almost guaranteed yield helped alleviate much suffering for the residents, who were frequently at risk of famine.

It was only later that maize, or Turkey wheat, was cultivated in the south, and that rice came into use; but these two kinds of grain, both equally useless for bread, were employed the one for fattening poultry, and the other for making cakes, which, however, were little appreciated.

It was only later that corn, or turkey wheat, was grown in the south, and that rice came into use; however, these two types of grain, both equally useless for making bread, were used—one for fattening poultry and the other for making cakes, which were not really appreciated.

Fig. 78.--Cultivation of Grain in use amongst the Peasants, and the Manufacture of Barley and Oat Bread.--Fac-simile of a Woodcut in an edition of Virgil published at Lyons in 1517.

Fig. 78.--Growing Grain among the Peasants, and Making Barley and Oat Bread.--Reproduction of a Woodcut from a Virgil edition published in Lyon in 1517.

Vegetables and Plants Used in Cooking.--From the most ancient historical documents we find that at the very earliest period of the French monarchy, fresh and dried vegetables were the ordinary food of the population. Pliny and Columella attribute a Gallic origin to certain roots, and among them onions and parsnips, which the Romans cultivated in their gardens for use at their tables.

Vegetables and Plants Used in Cooking.--From the earliest historical documents, we see that during the initial period of the French monarchy, fresh and dried vegetables were the staple food of the people. Pliny and Columella claim that certain roots, including onions and parsnips, originated in Gaul, which the Romans grew in their gardens for their meals.

It is evident, however, that vegetables were never considered as being capable of forming solid nutriment, since they were almost exclusively used by monastic communities when under vows of extreme abstinence.

It’s clear, though, that vegetables were never seen as able to provide solid nourishment, as they were mainly consumed by monastic communities during times of strict abstinence.

A statute of Charlemagne, in which the useful plants which the emperor desired should be cultivated in his domains are detailed, shows us that at that period the greater part of our cooking vegetables were in use, for we find mentioned in it, fennel, garlic, parsley, shallot, onions, watercress, endive, lettuce, beetroot, cabbage, leeks, carrots, artichokes; besides long-beans, broad-beans, peas or Italian vetches, and lentils.

A law from Charlemagne, which lists the useful plants the emperor wanted to grow in his lands, shows us that most of the cooking vegetables we use today were already in use back then. It mentions fennel, garlic, parsley, shallots, onions, watercress, endive, lettuce, beets, cabbage, leeks, carrots, and artichokes, as well as long beans, broad beans, peas or Italian vetches, and lentils.

In the thirteenth century, the plants fit for cooking went under the general appellation of aigrun, and amongst them, at a later date, were ranked oranges, lemons, and other acid fruits. St. Louis added to this category even fruits with hard rinds, such as walnuts, filberts, and chestnuts; and when the guild of the fruiterers of Paris received its statutes in 1608, they were still called "vendors of fruits and aigrun."

In the thirteenth century, the plants suitable for cooking were generally called aigrun, which eventually included oranges, lemons, and other sour fruits. St. Louis even added fruits with tough skins, like walnuts, hazelnuts, and chestnuts, to this group. By the time the fruiterers' guild in Paris got its regulations in 1608, they were still referred to as "vendors of fruits and aigrun."

The vegetables and cooking-plants noticed in the "Ménagier de Paris," which dates from the fourteenth century, and in the treatise "De Obsoniis," of Platina (the name adopted by the Italian Bartholomew Sacchi), which dates from the fifteenth century, do not lead us to suppose that alimentary horticulture had made much progress since the time of Charlemagne. Moreover, we are astonished to find the thistle placed amongst choice dishes; though it cannot be the common thistle that is meant, but probably this somewhat general appellation refers to the vegetable-marrow, which is still found on the tables of the higher classes, or perhaps the artichoke, which we know to be only a kind of thistle developed by cultivation, and which at that period had been recently imported.

The vegetables and cooking plants mentioned in the "Ménagier de Paris," which is from the fourteenth century, and in the treatise "De Obsoniis," by Platina (the name used by the Italian Bartholomew Sacchi), from the fifteenth century, suggest that food gardening hadn't advanced much since Charlemagne's time. Additionally, it's surprising to see the thistle listed among gourmet dishes; it likely isn’t the common thistle, but rather a broader term that probably refers to vegetable marrow, which is still served at upscale dinners, or perhaps the artichoke, which we know to be a type of thistle that has been cultivated and was recently introduced at that time.

About the same date melons begin to appear; but the management of this vegetable fruit was not much known. It was so imperfectly cultivated in the northern provinces, that, in the middle of the sixteenth century, Bruyérin Champier speaks of the Languedocians as alone knowing how to produce excellent sucrins--"thus called," say both Charles Estienne and Liébault in the "Maison Rustique," "because gardeners watered them with honeyed or sweetened water." The water-melons have never been cultivated but in the south.

Around the same time, melons start to show up; however, the cultivation of this fruit wasn't well understood. It was poorly grown in the northern regions that, by the mid-sixteenth century, Bruyérin Champier noted that only the people of Languedoc knew how to produce great sucrins—“so named,” both Charles Estienne and Liébault say in the "Maison Rustique," “because gardeners watered them with honeyed or sweetened water.” Watermelons have only ever been grown in the south.

Cabbages, the alimentary reputation of which dates from the remotest times, were already of several kinds, most of which have descended to us; amongst them may be mentioned the apple-headed, the Roman, the white, the common white head, the Easter cabbage, &c.; but the one held in the highest estimation was the famous cabbage of Senlis, whose leaves, says an ancient author, when opened, exhaled a smell more agreeable than musk or amber. This species no doubt fell into disuse when the plan of employing aromatic herbs in cooking, which was so much in repute by our ancestors, was abandoned.

Cabbages, known for their culinary significance from ancient times, already came in various types, most of which have survived to this day. Among them are the apple-headed, the Roman, the white, the common white head, the Easter cabbage, and so on. However, the most prized was the famous cabbage from Senlis, whose leaves, as an ancient writer noted, released a scent that was more pleasant than musk or amber when opened. This type likely fell out of favor when our ancestors stopped using aromatic herbs in their cooking, which had been very popular.

Fig. 79.--Coat-of-arms of the Grain-measurers of Ghent, on their Ceremonial Banner, dated 1568.

Fig. 79.--Coat of arms of the grain measurers of Ghent, on their ceremonial banner, dated 1568.

By a strange coincidence, at the same period as marjoram, carraway seed, sweet basil, coriander, lavender, and rosemary were used to add their pungent flavour to sauces and hashes, on the same tables might be found herbs of the coldest and most insipid kinds, such as mallows, some kinds of mosses, &c.

By a weird coincidence, during the same time that marjoram, caraway seed, sweet basil, coriander, lavender, and rosemary were used to add their strong flavor to sauces and dishes, there were also herbs of the coldest and most bland types on the same tables, like mallows, certain types of moss, etc.

Cucumber, though rather in request, was supposed to be an unwholesome vegetable, because it was said that the inhabitants of Forez, who ate much of it, were subject to periodical fevers, which might really have been caused by noxious emanation from the ponds with which that country abounded. Lentils, now considered so wholesome, were also long looked upon as a doubtful vegetable; according to Liébault, they were difficult to digest and otherwise injurious; they inflamed the inside, affected the sight, and brought on the nightmare, &c. On the other hand, small fresh beans, especially those sold at Landit fair, were used in the most delicate repasts; peas passed as a royal dish in the sixteenth century, when the custom was to eat them with salt pork.

Cucumbers, though quite popular, were thought to be an unhealthy vegetable because it was rumored that the people of Forez, who ate a lot of them, suffered from recurring fevers, which might have actually been caused by toxic emissions from the ponds that were common in that area. Lentils, now seen as very healthy, were also long regarded with suspicion; according to Liébault, they were hard to digest and could lead to problems. They supposedly inflamed the stomach, affected vision, and caused nightmares, among other issues. On the other hand, small fresh beans, especially those sold at the Landit fair, were served at the finest meals; peas were considered a royal dish in the sixteenth century when it was customary to eat them with salt pork.

Turnips were also most esteemed by the Parisians. "This vegetable is to them," says Charles Estienne, "what large radishes are to the Limousins." The best were supposed to come from Maisons, Vaugirard, and Aubervilliers. Lastly, there were four kinds of lettuces grown in France, according to Liébault, in 1574: the small, the common, the curled, and the Roman: the seed of the last-named was sent to France by François Rabelais when he was in Rome with Cardinal du Bellay in 1537; and the salad made from it consequently received the name of Roman salad, which it has ever since retained. In fact, our ancestors much appreciated salads, for there was not a banquet without at least three or four different kinds.

Turnips were highly regarded by the Parisians. "This vegetable is to them," says Charles Estienne, "what large radishes are to the Limousins." The best ones were believed to come from Maisons, Vaugirard, and Aubervilliers. Lastly, there were four types of lettuce grown in France, according to Liébault in 1574: the small, the common, the curled, and the Roman. The seeds of the last type were sent to France by François Rabelais when he was in Rome with Cardinal du Bellay in 1537; the salad made from it consequently got the name Roman salad, which it has kept ever since. In fact, our ancestors really appreciated salads, as there was never a banquet without at least three or four different kinds.

Fruits.--Western Europe was originally very poor in fruits, and it only improved by foreign importations, mostly from Asia by the Romans. The apricot came from Armenia, the pistachio-nuts and plums from Syria, the peach and nut from Persia, the cherry from Cerasus, the lemon from Media, the filbert from the Hellespont, and chestnuts from Castana, a town of Magnesia. We are also indebted to Asia for almonds; the pomegranate, according to some, came from Africa, to others from Cyprus; the quince from Cydon in Crete; the olive, fig, pear, and apple, from Greece.

Fruits.--Western Europe used to have very few fruits, and it only got better through imports, mainly from Asia thanks to the Romans. The apricot came from Armenia, pistachios and plums from Syria, peaches and walnuts from Persia, cherries from Cerasus, lemons from Media, filberts from the Hellespont, and chestnuts from Castana, a town in Magnesia. We also owe almonds to Asia; some say the pomegranate came from Africa, while others believe it was from Cyprus; the quince came from Cydon in Crete; and the olive, fig, pear, and apple originated in Greece.

The statutes of Charlemagne show us that almost all these fruits were reared in his gardens, and that some of them were of several kinds or varieties.

The laws of Charlemagne reveal that nearly all these fruits were grown in his gardens, and that some of them came in different types or varieties.

A considerable period, however, elapsed before the finest and more luscious productions of the garden became as it were almost forced on nature by artificial means. Thus in the sixteenth century we find Rabelais, Charles Estienne, and La Framboisière, physician to Henry IV., praising the Corbeil peach, which was only an inferior and almost wild sort, and describing it as having "dry and solid flesh, not adhering to the stone." The culture of this fruit, which was not larger than a damask plum, had then, according to Champier, only just been introduced into France. It must be remarked here that Jacques Coythier, physician to Louis XI., in order to curry favour with his master, who was very fond of new fruits, took as his crest an apricot-tree, from which he was jokingly called Abri-Coythier.

A significant amount of time passed before the best and most delicious garden products were almost artificially cultivated. In the sixteenth century, we see Rabelais, Charles Estienne, and La Framboisière, the physician to Henry IV, praising the Corbeil peach, which was merely a lesser and somewhat wild variety, describing it as having "dry and solid flesh, not clinging to the pit." According to Champier, the cultivation of this fruit, which was no larger than a damask plum, had just been introduced to France. It’s worth noting that Jacques Coythier, the physician to Louis XI, adopted an apricot tree as his crest to win favor with his king, who loved new fruits, earning him the playful nickname Abri-Coythier.

Fig. 80.--Cultivation of Fruit, from a Miniature of the "Propriétaire de Choses" (Manuscript of the Fifteenth Century, in the Library of the Arsenal of Paris).

Fig. 80.--Growing Fruit, from a Miniature of the "Owner of Things" (15th Century Manuscript, in the Library of the Arsenal of Paris).

It must be owned that great progress has been made in the culture of the plum, the pear, and the apple. Champier says that the best plums are the royale, the perdrigon, and the damas of Tours; Olivier de Serres mentions eighteen kinds--amongst which, however, we do not find the celebrated Reine Claude (greengage), which owes its name to the daughter of Louis XII., first wife of Francis I.

It's true that significant advancements have been made in the cultivation of plums, pears, and apples. Champier states that the best plums are the royale, the perdrigon, and the damas of Tours; Olivier de Serres lists eighteen varieties—however, the famous Reine Claude (greengage), named after the daughter of Louis XII and the first wife of Francis I, is notably absent from that list.

Of pears, the most esteemed in the thirteenth century were the hastiveau, which was an early sort, and no doubt the golden pear now called St. Jean, the caillou or chaillou, a hard pear, which came from Cailloux in Burgundy and l'angoisse (agony), so called on account of its bitterness--which, however, totally disappeared in cooking. In the sixteenth century the palm is given to the cuisse dame, or madame; the bon chrétien, brought, it is said, by St. François de Paule to Louis XI.; the bergamote, which came from Bergamo, in Lombardy; the tant-bonne, so named from its aroma; and the caillou rosat, our rosewater pear.

Among pears, the most valued in the thirteenth century were the hastiveau, an early variety, and certainly the golden pear now known as St. Jean, the caillou or chaillou, a firm pear that originated from Cailloux in Burgundy, and l'angoisse (anguish), named for its bitterness—which completely disappeared when cooked. In the sixteenth century, the top prize went to the cuisse dame, or madame; the bon chrétien, said to have been brought by St. François de Paule to Louis XI.; the bergamote, which came from Bergamo in Lombardy; the tant-bonne, named for its fragrant aroma; and the caillou rosat, our rosewater pear.

Amongst apples, the blandureau (hard white) of Auvergne, the rouveau, and the paradis of Provence, are of oldest repute. This reminds us of the couplet by the author of the "Street Cries of Paris," thirteenth century:--

Among apples, the blandureau (hard white) from Auvergne, the rouveau, and the paradis from Provence, are well-known ancient varieties. This brings to mind the couplet by the author of the "Street Cries of Paris," from the thirteenth century:--

"Primes ai pommes de rouviau,
Et d'Auvergne le blanc duriau."

"Prime apples from Rouviau,
And the tough white ones from Auvergne."

("Give me first the russet apple,
And the hard white fruit of Auvergne.")

("First, give me the brown apple,
And the strong white fruit from Auvergne.")

The quince, which was so generally cultivated in the Middle Ages, was looked upon as the most useful of all fruits. Not only did it form the basis of the farmers' dried preserves of Orleans, called cotignac, a sort of marmalade, but it was also used for seasoning meat. The Portugal quince was the most esteemed; and the cotignac of Orleans had such a reputation, that boxes of this fruit were always given to kings, queens, and princes on entering the towns of France. It was the first offering made to Joan of Arc on her bringing reinforcements into Orleans during the English siege.

The quince, widely grown during the Middle Ages, was considered the most useful of all fruits. It not only served as the main ingredient for the farmers' dried preserves from Orleans, known as cotignac, which is a type of marmalade, but it was also used to flavor meats. The Portuguese quince was the most valued; the cotignac from Orleans was so well-regarded that boxes of this fruit were often presented to kings, queens, and princes when they entered towns in France. It was the first gift given to Joan of Arc when she brought reinforcements to Orleans during the English siege.

Several sorts of cherries were known, but these did not prevent the small wild or wood cherry from being appreciated at the tables of the citizens; whilst the cornouille, or wild cornelian cherry, was hardly touched, excepting by the peasants; thence came the proverbial expression, more particularly in use at Orleans, when a person made a silly remark, "He has eaten cornelians," i.e., he speaks like a rustic.

Several types of cherries were known, but this didn't stop the small wild or wood cherry from being enjoyed at the tables of the townspeople; meanwhile, the cornuille, or wild cornelian cherry, was barely eaten, except by the peasants. That's where the saying came from, especially in Orleans, when someone made a silly remark, "He has eaten cornelians," meaning he sounds like a country bumpkin.

In the thirteenth century, chestnuts from Lombardy were hawked in the streets; but, in the sixteenth century, the chestnuts of the Lyonnais and Auvergne were substituted, and were to be found on the royal table. Four different sorts of figs, in equal estimation, were brought from Marseilles, Nismes, Saint-Andéol, and Pont Saint-Esprit; and in Provence, filberts were to be had in such profusion that they supplied from there all the tables of the kingdom.

In the 13th century, chestnuts from Lombardy were sold on the streets. By the 16th century, the chestnuts from Lyon and Auvergne had taken their place and were served at the royal table. Four different types of figs, equally valued, came from Marseilles, Nîmes, Saint-Andéol, and Pont Saint-Esprit. In Provence, filberts were so plentiful that they provided for every table in the kingdom.

The Portuguese claim the honour of having introduced oranges from China; however, in an account of the house of Humbert, Dauphin of Viennois, in 1333, that is, long before the expeditions of the Portuguese to India, mention is made of a sum of money being paid for transplanting orange-trees.

The Portuguese take pride in having brought oranges from China; however, in a record from the house of Humbert, Dauphin of Viennois, in 1333—long before the Portuguese expeditions to India—there is a note about a payment made for transplanting orange trees.

Figs. 81 and 82.--Culture of the Vine and Treading the Grape.--Miniatures taken from the Calendar of a Prayer-Book, in Manuscript, of the Sixteenth Century.

Figs. 81 and 82.--The Culture of the Vine and Treading the Grape.--Miniatures taken from the Calendar of a Prayer Book, in Manuscript, from the Sixteenth Century.

In the time of Bruyérin Champier, physician to Henry II., raspberries were still completely wild; the same author states that wood strawberries had only just at that time been introduced into gardens, "by which," he says, "they had attained a larger size, though they at the same time lost their quality."

In the time of Bruyérin Champier, who was a doctor to Henry II, raspberries were still totally wild. The same writer mentions that wood strawberries had just recently been brought into gardens, "by which," he says, "they had become larger, though they also lost their quality."

The vine, acclimatised and propagated by the Gauls, ever since the followers of Brennus had brought it from Italy, five hundred years before the Christian era, never ceased to be productive, and even to constitute the natural wealth of the country (Figs. 81 and 82). In the sixteenth century, Liébault enumerated nineteen sorts of grapes, and Olivier de Serres twenty-four, amongst which, notwithstanding the eccentricities of the ancient names, we believe that we can trace the greater part of those plants which are now cultivated in France. For instance, it is known that the excellent vines of Thomery, near Fontainebleau, which yield in abundance the most beautiful table grape which art and care can produce, were already in use in the reign of Henry IV. (Fig. 83).

The vine, adapted and spread by the Gauls since Brennus's followers brought it from Italy about five hundred years before Christ, has always been productive and remains a valuable resource for the country (Figs. 81 and 82). In the sixteenth century, Liébault listed nineteen types of grapes, while Olivier de Serres counted twenty-four. Despite the unusual ancient names, we can identify most of the grapes that are now grown in France. For example, the renowned vines of Thomery, near Fontainebleau, which produce the finest table grapes through skill and care, were already being cultivated during the reign of Henry IV. (Fig. 83).

Fig. 83.--The Winegrower, drawn and engraved in the Sixteenth Century, by J. Amman.

Fig. 83.--The Winegrower, illustrated and etched in the 16th century, by J. Amman.

In the time of the Gauls the custom of drying grapes by exposing them to the sun, or to a certain amount of artificial heat, was already known; and very soon after, the same means were adopted for preserving plums, an industry in which then, as now, the people of Tours and Rheims excelled. Drying apples in an oven was also the custom, and formed a delicacy which was reserved for winter and spring banquets. Dried fruits were also brought from abroad, as mentioned in the "Book of Street Cries in Paris:"--

In the era of the Gauls, people already knew how to dry grapes by putting them in the sun or using some artificial heat, and soon after, the same methods were used to preserve plums, an industry in which, just like today, the people of Tours and Rheims were outstanding. Drying apples in an oven was also common and created a treat that was saved for winter and spring feasts. Dried fruits were also imported, as noted in the "Book of Street Cries in Paris:"--

"Figues de Mélités sans fin,
J'ai roisin d'outre mer, roisin."

"Endless figs from Malta,
I have resin from abroad, resin."

("Figs from Malta without end,
And grapes from over the sea.")

("Figs from Malta forever,
And grapes from overseas.")

Butchers' Meat.--According to Strabo, the Gauls were great eaters of meat, especially of pork, whether fresh or salted. "Gaul," says he, "feeds so many flocks, and, above all, so many pigs, that it supplies not only Rome, but all Italy, with grease and salt meat." The second chapter of the Salic law, comprising nineteen articles, relates entirely to penalties for pig-stealing; and in the laws of the Visigoths we find four articles on the same subject.

Butcher's Meat.--According to Strabo, the Gauls loved to eat meat, especially pork, whether it was fresh or salted. "Gaul," he states, "raises so many flocks, and particularly so many pigs, that it provides not just Rome, but all of Italy, with fat and salted meat." The second chapter of the Salic law, which has nineteen articles, is entirely focused on penalties for stealing pigs; and in the laws of the Visigoths, we find four articles on the same topic.

Fig. 84.--Swineherd.

__A_TAG_PLACEHOLDER_0__--Pig Keeper.

Fig. 85.--A Burgess at Meals.

__A_TAG_PLACEHOLDER_0__--A Burgess at Meals.

Miniatures from the Calendar of a Book of Hours.--Manuscript of the Sixteenth Century.

Miniatures from the Calendar of a Book of Hours. -- Sixteenth Century Manuscript.

In those remote days, in which the land was still covered with enormous forests of oak, great facilities were offered for breeding pigs, whose special liking for acorns is well known. Thus the bishops, princes, and lords caused numerous droves of pigs to be fed on their domains, both for the purpose of supplying their own tables as well as for the fairs and markets. At a subsequent period, it became the custom for each household, whether in town or country, to rear and fatten a pig, which was killed and salted at a stated period of the year; and this custom still exists in many provinces. In Paris, for instance, there was scarcely a bourgeois who had not two or three young pigs. During the day these unsightly creatures were allowed to roam in the streets; which, however, they helped to keep clean by eating up the refuse of all sorts which was thrown out of the houses. One of the sons of Louis le Gros, while passing, on the 2nd of October, 1131, in the Rue du Martroi, between the Hôtel de Ville and the church of St. Gervais, fractured his skull by a fall from his horse, caused by a pig running between that animal's legs. This accident led to the first order being issued by the provosts, to the effect that breeding pigs within the town was forbidden. Custom, however, deep-rooted for centuries, resisted this order, and many others on the same subject which followed it: for we find, under Francis I., a license was issued to the executioner, empowering him to capture all the stray pigs which he could find in Paris, and to take them to the Hôtel Dieu, when he should receive either five sous in silver or the head of the animal.

In those distant days, when the land was still filled with huge oak forests, there were great opportunities for raising pigs, well-known for their love of acorns. Bishops, princes, and lords raised many herds of pigs on their lands, both to supply their own meals and for fairs and markets. Later on, it became common for every household, whether in town or country, to raise and fatten a pig, which was slaughtered and salted at a set time each year; this tradition still exists in many regions. In Paris, for example, there was hardly a common person who didn't have two or three young pigs. During the day, these unattractive animals roamed the streets, which they helped keep clean by eating up the various scraps thrown out of homes. One of the sons of Louis le Gros, while passing through the Rue du Martroi, between the Hôtel de Ville and the church of St. Gervais, fell off his horse and fractured his skull on October 2, 1131, because a pig ran between the horse's legs. This incident led to the first order from the provosts, stating that breeding pigs within the city was prohibited. However, this deeply entrenched custom resisted the order and many subsequent ones on the same topic; under Francis I, for instance, a license was issued to the executioner, allowing him to capture all the stray pigs he could find in Paris and take them to the Hôtel Dieu, for which he would receive either five sous in silver or the pig's head.

It is said that the holy men of St. Antoine, in virtue of the privilege attached to the popular legend of their patron, who was generally represented with a pig, objected to this order, and long after maintained the exclusive right of allowing their pigs to roam in the streets of the capital.

It’s said that the holy men of St. Antoine, because of the privilege linked to the popular legend of their patron—who was usually depicted with a pig—opposed this order and continued to assert their exclusive right to let their pigs wander through the streets of the capital long after.

The obstinate determination with which every one tried to evade the administrative laws on this subject, is explained, in fact, by the general taste of the French nation for pork. This taste appears somewhat strange at a time when this kind of food was supposed to engender leprosy, a disease with which France was at that time overrun.

The stubborn determination with which everyone tried to sidestep the administrative laws on this topic is actually explained by the general preference of the French people for pork. This preference seems a bit odd considering that at the time, this type of food was believed to cause leprosy, a disease that was widespread in France.

Fig. 86.--Stall of Carved Wood (Fifteenth Century), representing the Proverb, "Margaritas ante Porcos," "Throwing Pearls before Swine," from Rouen Cathedral.

Fig. 86.--Stall of Carved Wood (Fifteenth Century), representing the Proverb, "Margaritas ante Porcos," "Throwing Pearls before Swine," from Rouen Cathedral.

Pigs' meat made up generally the greater part of the domestic banquets. There was no great feast at which hams, sausages, and black puddings were not served in profusion on all the tables; and as Easter Day, which brought to a close the prolonged fastings of Lent, was one of the great feasts, this food formed the most important dish on that occasion. It is possible that the necessity for providing for the consumption of that day originated the celebrated ham fair, which was and is still held annually on the Thursday of Passion Week in front of Notre-Dame, where the dealers from all parts of France, and especially from Normandy and Lower Brittany, assembled with their swine.

Pork was generally the main feature of home banquets. There was no big feast where hams, sausages, and black puddings weren't abundantly served at all the tables; and since Easter, which marked the end of the long fast of Lent, was one of the major celebrations, this food was the highlight of the day. It's possible that the need to prepare for this day led to the famous ham fair, which has been held annually on the Thursday of Passion Week in front of Notre-Dame, where vendors from all over France, especially from Normandy and Lower Brittany, gathered with their pigs.

Sanitary measures were taken in Paris and in the various towns in order to prevent the evil effects likely to arise from the enormous consumption of pork; public officers, called languayeurs, were ordered to examine the animals to ensure that they had not white ulcers under the tongue, these being considered the signs that their flesh was in a condition to communicate leprosy to those who partook of it.

Sanitary measures were implemented in Paris and other towns to prevent the harmful effects that might result from the huge consumption of pork. Public officials, known as languayeurs, were instructed to inspect the animals to make sure they didn’t have white ulcers under their tongues, which were seen as indicators that their meat could transmit leprosy to those who consumed it.

For a long time the retail sale of pork was confined to the butchers, like that of other meat. Salt or fresh pork was at one time always sold raw, though at a later period some retailers, who carried on business principally among the lowest orders of the people, took to selling cooked pork and sausages. They were named charcuitiers or saucissiers. This new trade, which was most lucrative, was adopted by so many people that parliament was forced to limit the number of charcuitiers, who at last formed a corporation, and received their statutes, which were confirmed by the King in 1475.

For a long time, selling pork in stores was mostly done by butchers, just like other meats. Salted or fresh pork was typically sold raw, but eventually, some retailers, mainly serving the poorer communities, started selling cooked pork and sausages. They were called charcuitiers or saucissiers. This new and profitable business became popular, leading Parliament to restrict the number of charcuitiers. They eventually formed a corporation and received their statutes, which were approved by the King in 1475.

Amongst the privileges attached to their calling was that of selling red herrings and sea-fish in Lent, during which time the sale of pork was strictly forbidden. Although they had the exclusive monopoly of selling cooked pork, they were at first forbidden to buy their meat of any one but of the butchers, who alone had the right of killing pigs; and it was only in 1513 that the charcuitiers were allowed to purchase at market and sell the meat raw, in opposition to the butchers, who in consequence gradually gave up killing and selling pork (Fig. 87).

Among the privileges linked to their profession was the right to sell red herrings and seafood during Lent, when selling pork was completely banned. Even though they had the exclusive rights to sell cooked pork, initially, they could only buy their meat from butchers, who were the only ones allowed to slaughter pigs. It wasn't until 1513 that the charcuitiers were permitted to purchase meat at the market and sell it raw, which went against the butchers, who eventually phased out slaughtering and selling pork (Fig. 87).

Although the consumption of butchers' meat was not so great in the Middle Ages as it is now, the trade of a butcher, to which extraordinary privileges were attached, was nevertheless one of the industries which realised the greatest profits.

Although people didn't eat as much meat from butchers in the Middle Ages as they do now, the butchering trade, which came with special privileges, was still one of the most profitable industries.

We know what an important part the butchers played in the municipal history of France, as also of Belgium; and we also know how great their political influence was, especially in the fifteenth century.

We know how important the butchers were in the municipal history of France and Belgium, and we also recognize the significant political influence they had, especially in the fifteenth century.

The existence of the great slaughter-house of Paris dates back to the most remote period of monarchy. The parish church of the corporation of butchers, namely, that of St. Pierre aux Boeufs in the city, on the front of which were two sculptured oxen, existed before the tenth century. A Celtic monument was discovered on the site of the ancient part of Paris, with a bas-relief representing a wild bull carrying three cranes standing among oak branches. Archæology has chosen to recognise in this sculpture a Druidical allegory, which has descended to us in the shape of the triumphal car of the Prize Ox (Fig. 88). The butchers who, for centuries at least in France, only killed sheep and pigs, proved themselves most jealous of their privileges, and admitted no strangers into their corporation. The proprietorship of stalls at the markets, and the right of being admitted as a master butcher at the age of seven years and a day, belonged exclusively to the male descendants of a few rich and powerful families. The Kings of France alone, on their accession, could create a new master butcher. Since the middle of the fourteenth century the "Grande Boucherie" was the seat of an important jurisdiction, composed of a mayor, a master, a proctor, and an attorney; it also had a judicial council before which the butchers could bring up all their cases, and an appeal from which could only be considered by Parliament. Besides this court, which had to decide cases of misbehaviour on the part of the apprentices, and all their appeals against their masters, the corporation had a counsel in Parliament, as also one at the Châtelet, who were specially attached to the interests of the butchers, and were in their pay.

The history of the great slaughterhouse in Paris goes back to the earliest days of the monarchy. The parish church of the butcher's guild, St. Pierre aux Boeufs, located in the city and featuring two carved oxen on its façade, existed before the tenth century. A Celtic monument was found at the location of the ancient part of Paris, showcasing a bas-relief of a wild bull with three cranes perched among oak branches. Archaeologists believe this sculpture represents a Druidical allegory, symbolized by the triumphant cart of the Prize Ox (Fig. 88). For centuries, the butchers in France, who primarily slaughtered sheep and pigs, were very protective of their rights and did not allow outsiders into their guild. The ownership of market stalls and the right to become a master butcher at the age of seven years and a day were reserved solely for the male heirs of a few wealthy and influential families. Only the Kings of France, upon taking the throne, could appoint a new master butcher. Since the mid-fourteenth century, the "Grande Boucherie" served as the center of an important jurisdiction that included a mayor, a master, a proctor, and an attorney. It also had a judicial council where butchers could present their cases, with appeals only considered by Parliament. In addition to this court, which handled misconduct cases involving apprentices and all their appeals against their masters, the corporation also employed counsel in Parliament and at the Châtelet, specifically dedicated to the interests of the butchers.

Fig. 87.--The Pork-butcher (Charcutier).--Fac-simile of a Miniature in a Charter of the Abbey of Solignac (Fourteenth Century).

Fig. 87.--The Pork-butcher (Charcutier).--Fac-simile of a Miniature in a Charter of the Abbey of Solignac (Fourteenth Century).

Fig. 88.--The Holy Ox.--Celtic Monument found in Paris under the Choir of Notre-Dame in 1711, and preserved in the Musée de Cluny et des Thermes.

Fig. 88.--The Holy Ox.--Celtic Monument discovered in Paris under the Choir of Notre-Dame in 1711, and kept in the Musée de Cluny et des Thermes.

Although bound, at all events with their money, to follow the calling of their fathers, we find many descendants of ancient butchers' families of Paris, in the fourteenth and fifteenth centuries, abandoning their stalls to fill high places in the state, and even at court. It must not be concluded that the rich butchers in those days occupied themselves with the minor details of their trade; the greater number employed servants who cut up and retailed the meat, and they themselves simply kept the accounts, and were engaged in dealing through factors or foremen for the purchase of beasts for their stalls (Fig. 89). One can form an opinion of the wealth of some of these tradesmen by reading the enumeration made by an old chronicler of the property and income of Guillaume de Saint-Yon, one of the principal master butchers in 1370. "He was proprietor of three stalls, in which meat was weekly sold to the amount of 200 livres parisis (the livre being equivalent to 24 francs at least), with an average profit of ten to fifteen per cent.; he had an income of 600 livres parisis; he possessed besides his family house in Paris, four country-houses, well supplied with furniture and agricultural implements, drinking-cups, vases, cups of silver, and cups of onyx with silver feet, valued at 100 francs or more each. His wife had jewels, belts, purses, and trinkets, to the value of upwards of 1,000 gold francs (the gold franc was worth 24 livres); long and short gowns trimmed with fur; and three mantles of grey fur. Guillaume de Saint-Yon had generally in his storehouses 300 ox-hides, worth 24 francs each at least; 800 measures of fat, worth 3-1/2 sols each; in his sheds, he had 800 sheep worth 100 sols each; in his safes 500 or 600 silver florins of ready money (the florin was worth 12 francs, which must be multiplied five times to estimate its value in present currency), and his household furniture was valued at 12,000 florins. He gave a dowry of 2,000 florins to his two nieces, and spent 3,000 florins in rebuilding his Paris house; and lastly, as if he had been a noble, he used a silver seal."

Although bound, in any case by their money, to pursue the profession of their fathers, we find many descendants of ancient butcher families in Paris during the fourteenth and fifteenth centuries abandoning their stalls to take on high positions in government and even at court. It shouldn't be assumed that the wealthy butchers of that time were involved in the minor details of their trade; most employed workers to prepare and sell the meat, while they mainly managed the finances and arranged through factors or foremen to buy livestock for their stalls (Fig. 89). One can gauge the wealth of some of these tradespeople by reading the account given by an old chronicler of the assets and income of Guillaume de Saint-Yon, one of the leading master butchers in 1370. "He owned three stalls, which sold meat weekly worth 200 livres parisis (with the livre being worth at least 24 francs), earning an average profit of ten to fifteen percent; he had an income of 600 livres parisis; besides his family house in Paris, he had four country houses, well-furnished with furniture and farming tools, drinking cups, vases, silver cups, and onyx cups with silver bases, each worth 100 francs or more. His wife had jewelry, belts, purses, and trinkets worth over 1,000 gold francs (the gold franc was worth 24 livres); long and short gowns trimmed with fur; and three cloaks made of grey fur. Guillaume de Saint-Yon typically had in his storerooms 300 ox-hides, worth at least 24 francs each; 800 measures of fat, worth 3-1/2 sols each; in his sheds, he had 800 sheep valued at 100 sols each; in his safes, he kept 500 or 600 silver florins in cash (the florin was worth 12 francs, which needs to be multiplied five times to estimate its value in today’s currency), and his household goods were valued at 12,000 florins. He provided a dowry of 2,000 florins for his two nieces and spent 3,000 florins on rebuilding his Paris house; and last but not least, as if he were a noble, he used a silver seal."

Fig. 89.--The Butcher and his Servant, drawn and engraved by J. Amman (Sixteenth Century).

Fig. 89.--The Butcher and his Servant, illustrated and printed by J. Amman (16th Century).

We find in the "Ménagier de Paris" curious statistics respecting the various butchers' shops of the capital, and the daily sale in each at the period referred to. This sale, without counting the households of the King, the Queen, and the royal family, which were specially provisioned, amounted to 26,624 oxen, 162,760 sheep, 27,456 pigs, and 15,912 calves per annum; to which must be added not only the smoked and salted flesh of 200 or 300 pigs, which were sold at the fair in Holy Week, but also 6,420 sheep, 823 oxen, 832 calves, and 624 pigs, which, according to the "Ménagier," were used in the royal and princely households.

We find in the "Ménagier de Paris" interesting statistics about the different butcher shops in the capital and their daily sales during that time. Excluding the households of the King, the Queen, and the royal family, which had special provisions, the sales totaled 26,624 oxen, 162,760 sheep, 27,456 pigs, and 15,912 calves each year. Additionally, we should consider not just the smoked and salted meat from 200 or 300 pigs sold at the fair during Holy Week, but also 6,420 sheep, 823 oxen, 832 calves, and 624 pigs that, according to the "Ménagier," were used in the royal and noble households.

Sometimes the meat was sent to market already cut up, but the slaughter of beasts was more frequently done in the butchers' shops in the town; for they only killed from day to day, according to the demand. Besides the butchers' there were tripe shops, where the feet, kidneys, &c., were sold.

Sometimes the meat was sent to market already chopped up, but the slaughtering of animals was more often done in the butchers' shops in town; they only killed based on daily demand. In addition to the butchers, there were tripe shops where feet, kidneys, etc., were sold.

Figs. 90 and 91.--Seal and Counter-Seal of the Butchers of Bruges in 1356, from an impression on green wax, preserved in the archives of that town.

Figs. 90 and 91.--Seal and Counter-Seal of the Butchers of Bruges in 1356, from an impression on green wax, preserved in the archives of that town.

According to Bruyérin Champier, during the sixteenth century the most celebrated sheep in France were those of Berri and Limousin; and of all butchers' meat, veal was reckoned the best. In fact, calves intended for the tables of the upper classes were fed in a special manner: they were allowed for six months, or even for a year, nothing but milk, which made their flesh most tender and delicate. Contrary to the present taste, kid was more appreciated than lamb, which caused the rôtisseurs frequently to attach the tail of a kid to a lamb, so as to deceive the customer and sell him a less expensive meat at the higher price. This was the origin of the proverb which described a cheat as "a dealer in goat by halves."

According to Bruyérin Champier, during the sixteenth century, the most celebrated sheep in France were those from Berri and Limousin; and of all the meats, veal was considered the best. In fact, calves meant for the upper classes were specially fed: for six months, or even a year, they were given nothing but milk, which made their meat extremely tender and delicate. Contrary to today's preference, kid was more valued than lamb, which led the rôtisseurs to often attach a kid's tail to a lamb to trick customers into paying a higher price for cheaper meat. This gave rise to the proverb that describes a cheat as "a dealer in goat by halves."

In other places butchers were far from acquiring the same importance which they did in France and Belgium (Figs. 90 and 91), where much more meat was consumed than in Spain, Italy, or even in Germany. Nevertheless, in almost all countries there were certain regulations, sometimes eccentric, but almost always rigidly enforced, to ensure a supply of meat of the best quality and in a healthy state. In England, for instance, butchers were only allowed to kill bulls after they had been baited with dogs, no doubt with the view of making the flesh more tender. At Mans, it was laid down in the trade regulations, that "no butcher shall be so bold as to sell meat unless it shall have been previously seen alive by two or three persons, who will testify to it on oath; and, anyhow, they shall not sell it until the persons shall have declared it wholesome," &c.

In other places, butchers didn't have the same significance as they did in France and Belgium (Figs. 90 and 91), where people consumed much more meat than in Spain, Italy, or even Germany. Still, in almost every country, there were certain regulations—sometimes quirky but almost always strictly enforced—to ensure a supply of high-quality and healthy meat. In England, for example, butchers were only allowed to slaughter bulls after they had been baited with dogs, likely to make the meat more tender. In Mans, trade regulations stated that "no butcher shall be so bold as to sell meat unless it has previously been seen alive by two or three people, who will testify to it on oath; and, in any case, they shall not sell it until those individuals have confirmed it is wholesome," etc.

To the many regulations affecting the interests of the public must be added that forbidding butchers to sell meat on days when abstinence from animal food was ordered by the Church. These regulations applied less to the vendors than to the consumers, who, by disobeying them, were liable to fine or imprisonment, or to severe corporal punishment by the whip or in the pillory. We find that Clément Marot was imprisoned and nearly burned alive for having eaten pork in Lent. In 1534, Guillaume des Moulins, Count of Brie, asked permission for his mother, who was then eighty years of age, to cease fasting; the Bishop of Paris only granted dispensation on condition that the old lady should take her meals in secret and out of sight of every one, and should still fast on Fridays. "In a certain town," says Brantôme, "there had been a procession in Lent. A woman, who had assisted at it barefooted, went home to dine off a quarter of lamb and a ham. The smell got into the street; the house was entered. The fact being established, the woman was taken, and condemned to walk through the town with her quarter of lamb on the spit over her shoulder, and the ham hung round her neck." This species of severity increased during the times of religious dissensions. Erasmus says, "He who has eaten pork instead of fish is taken to the torture like a parricide." An edict of Henry II, 1549, forbade the sale of meat in Lent to persons who should not be furnished with a doctor's certificate. Charles IX forbade the sale of meat to the Huguenots; and it was ordered that the privilege of selling meat during the time of abstinence should belong exclusively to the hospitals. Orders were given to those who retailed meat to take the address of every purchaser, although he had presented a medical certificate, so that the necessity for his eating meat might be verified. Subsequently, the medical certificate required to be endorsed by the priest, specifying what quantity of meat was required. Even in these cases the use of butchers' meat alone was granted, pork, poultry, and game being strictly forbidden.

To the many rules affecting the public's interests, we must also include the one that prohibited butchers from selling meat on days when the Church mandated abstaining from animal products. These rules impacted consumers more than vendors, who could face fines, imprisonment, or severe punishment by whipping or being put in the pillory for disobeying. Clément Marot was imprisoned and almost burned alive for eating pork during Lent. In 1534, Guillaume des Moulins, Count of Brie, requested permission for his eighty-year-old mother to stop fasting; the Bishop of Paris allowed this only if she ate in secret and still fasted on Fridays. "In a certain town," Brantôme reported, "there was a Lent procession. A woman who attended barefoot went home to eat a quarter of lamb and some ham. The smell drifted into the street; the house was raided. Once it was confirmed, the woman was captured and sentenced to walk through the town with her quarter of lamb on a spit over her shoulder and the ham around her neck." Such harshness increased during periods of religious conflict. Erasmus noted, "Anyone who has eaten pork instead of fish is punished as harshly as a murderer." An edict by Henry II in 1549 banned the sale of meat during Lent unless the buyer had a doctor's certificate. Charles IX prohibited meat sales to Huguenots, and it was ruled that only hospitals could sell meat during fasting times. Retailers were instructed to record the addresses of all purchasers, even those with medical certificates, to verify their need for meat. Later, the required medical certificate had to be approved by a priest, stating the specific amount of meat needed. Even in these cases, only butchers' meat was permitted, with pork, poultry, and game strictly banned.

Poultry.--A monk of the Abbey of Cluny once went on a visit to his relations. On arriving he asked for food; but as it was a fast day he was told there was nothing in the house but fish. Perceiving some chickens in the yard, he took a stick and killed one, and brought it to his relations, saying, "This is the fish which I shall eat to-day." "Eh, but, my son," they said, "have you dispensation from fasting on a Friday?" "No," he answered; "but poultry is not flesh; fish and fowls were created at the same time; they have a common origin, as the hymn which I sing in the service teaches me."

Chicken.--A monk from the Abbey of Cluny once visited his relatives. When he arrived, he asked for something to eat; however, since it was a fast day, they told him there was only fish available. Noticing some chickens in the yard, he grabbed a stick, killed one, and brought it to his relatives, saying, "This is the fish I'll eat today." "But, my son," they replied, "do you have permission to skip fasting on a Friday?" "No," he said; "but poultry isn't considered meat; fish and birds were created at the same time; they share a common origin, just like the hymn I sing during service tells me."

This simple legend belongs to the tenth century; and notwithstanding that the opinion of this Benedictine monk may appear strange nowadays, yet it must be acknowledged that he was only conforming himself to the opinions laid down by certain theologians. In 817, the Council of Aix-la-Chapelle decided that such delicate nourishment could scarcely be called mortification as understood by the teaching of the Church. In consequence of this an order was issued forbidding the monks to eat poultry, except during four days at Easter and four at Christmas. But this prohibition in no way changed the established custom of certain parts of Christendom, and the faithful persisted in believing that poultry and fish were identical in the eyes of the Church, and accordingly continued to eat them indiscriminately. We also see, in the middle of the thirteenth century, St. Thomas Aquinas, who was considered an authority in questions of dogma and of faith, ranking poultry amongst species of aquatic origin.

This simple legend dates back to the tenth century, and while the views of this Benedictine monk might seem odd today, it's important to realize he was simply following the beliefs of certain theologians. In 817, the Council of Aix-la-Chapelle decided that such light nourishment could hardly be called mortification as the Church understood it. As a result, an order was issued that forbade monks from eating poultry, except for four days at Easter and four at Christmas. However, this ban did not alter the established practices in some parts of Christendom, and believers continued to think that poultry and fish were the same in the eyes of the Church, maintaining their routine of eating both without distinction. Furthermore, in the mid-thirteenth century, St. Thomas Aquinas, regarded as an authority on matters of doctrine and faith, classified poultry among the types of aquatic food.

Eventually, this palpable error was abandoned; but when the Church forbade Christians the use of poultry on fast days, it made an exception, out of consideration for the ancient prejudice, in favour of teal, widgeon, moor-hens, and also two or three kinds of small amphibious quadrupeds. Hence probably arose the general and absurd beliefs concerning the origin of teal, which some said sprung from the rotten wood of old ships, others from the fruits of a tree, or the gum on fir-trees, whilst others thought they came from a fresh-water shell analogous to that of the oyster and mussel.

Eventually, this obvious mistake was dropped; but when the Church prohibited Christians from eating poultry on fast days, it made an exception, considering the old prejudice, allowing teal, widgeon, moor-hens, and also a few types of small amphibious mammals. This likely led to the widespread and ridiculous beliefs about the origin of teal, with some claiming they emerged from the decaying wood of old ships, others thought they came from the fruit of a tree, or the resin on fir trees, while still others believed they originated from a freshwater shell similar to that of oysters and mussels.

As far back as modern history can be traced, we find that a similar mode of fattening poultry was employed then as now, and was one which the Gauls must have learnt from the Romans. Amongst the charges in the households of the kings of France one item was that which concerned the poultry-house, and which, according to an edict of St. Louis in 1261, bears the name of poulaillier. At a subsequent period this name was given to breeders and dealers in poultry (Fig. 92).

As far back as modern history goes, we see that a similar method of fattening poultry was used back then, just like it is today, and it was one that the Gauls must have learned from the Romans. Among the expenses in the households of the kings of France, one item was related to the poultry house, which, according to an edict from St. Louis in 1261, is called poulaillier. Later on, this name was given to breeders and sellers of poultry (Fig. 92).

The "Ménagier" tells as that, as is the present practice, chickens were fattened by depriving them of light and liberty, and gorging them with succulent food. Amongst the poultry yards in repute at that time, the author mentions that of Hesdin, a property of the Dukes of Luxemburg, in Artois; that of the King, at the Hôtel Saint-Pol, Rue Saint-Antoine, Paris; that of Master Hugues Aubriot, provost of Paris; and that of Charlot, no doubt a bourgeois of that name, who also gave his name to an ancient street in that quarter called the Marais.

The "Ménagier" explains that, as is common practice today, chickens were fattened by keeping them in the dark and restricting their movement while overfeeding them with rich food. Among the well-known poultry farms of that time, the author mentions those of Hesdin, owned by the Dukes of Luxemburg in Artois; the King's farm at the Hôtel Saint-Pol on Rue Saint-Antoine in Paris; that of Master Hugues Aubriot, who was the provost of Paris; and that of Charlot, likely a middle-class man of that name, who also lent his name to an old street in that area known as the Marais.

Fig. 92.--The Poulterer, drawn and engraved in the Sixteenth Century, by J. Amman.

Fig. 92.--The Poulterer, created and etched in the Sixteenth Century, by J. Amman.

Capons are frequently mentioned in poems of the twelfth and thirteenth centuries; but the name of the poularde does not occur until the sixteenth.

Capons are often mentioned in poems from the twelfth and thirteenth centuries; however, the term poularde doesn't appear until the sixteenth century.

We know that under the Roman rule, the Gauls carried on a considerable trade in fattened geese. This trade ceased when Gaul passed to new masters; but the breeding of geese continued to be carefully attended to. For many centuries geese were more highly prized than any other description of poultry, and Charlemagne ordered that his domains should be well stocked with flocks of geese, which were driven to feed in the fields, like flocks of sheep. There was an old proverb, "Who eats the king's goose returns the feathers in a hundred years." This bird was considered a great delicacy by the working classes and bourgeoisie. The rôtisseurs (Fig. 94) had hardly anything in their shops but geese, and, therefore, when they were united in a company, they received the name of oyers, or oyeurs. The street in which they were established, with their spits always loaded with juicy roasts, was called Rue des Oues (geese), and this street, when it ceased to be frequented by the oyers, became by corruption Rue Auxours.

We know that under Roman rule, the Gauls were heavily involved in the trade of fattened geese. This trade stopped when Gaul came under new rulers, but the breeding of geese continued to be carefully managed. For many centuries, geese were more valued than any other type of poultry, and Charlemagne ordered that his lands should be well-stocked with flocks of geese, which were herded to eat in the fields, like sheep. There was an old saying, "Whoever eats the king's goose returns the feathers in a hundred years." This bird was considered a real treat by both the working class and the bourgeoisie. The rôtisseurs (Fig. 94) mainly sold geese in their shops, so when they banded together as a group, they were called oyers or oyeurs. The street where they operated, always filled with spits loaded with juicy roasts, was called Rue des Oues (geese), and when it was no longer frequented by the oyers, it eventually became known as Rue Auxours.

Fig. 93.--Barnacle Geese.--Fac-simile of an Engraving on Wood, from the "Cosmographie Universelle" of Munster, folio, Basle, 1552.

Fig. 93.--Barnacle Geese.--Replica of an engraving on wood from the "Cosmographie Universelle" by Munster, folio, Basle, 1552.

There is every reason for believing that the domestication of the wild duck is of quite recent date. The attempt having succeeded, it was wished to follow it up by the naturalisation in the poultry-yard of two other sorts of aquatic birds, namely, the sheldrake (tadorna) and the moorhen, but without success. Some attribute the introduction of turkeys into France and Europe to Jacques Coeur, treasurer to Charles VII., whose commercial connections with the East were very extensive; others assert that it is due to King René, Count of Provence; but according to the best authorities these birds were first brought into France in the time of Francis I. by Admiral Philippe de Chabot, and Bruyérin Champier asserts that they were not known until even later. It was at about the same period that guinea-fowls were brought from the coast of Africa by Portuguese merchants; and the travelling naturalist, Pierre Belon, who wrote in the year 1555, asserts that in his time "they had already so multiplied in the houses of the nobles that they had become quite common."

There’s every reason to believe that the domestication of the wild duck is quite recent. After this was successful, there were attempts to also domesticate two other types of aquatic birds in the poultry yard, specifically the sheldrake (tadorna) and the moorhen, but these efforts were unsuccessful. Some people credit Jacques Coeur, treasurer to Charles VII, with introducing turkeys to France and Europe due to his extensive trade connections with the East; others claim it was King René, Count of Provence. However, according to the best sources, these birds were first brought to France during the reign of Francis I by Admiral Philippe de Chabot, and Bruyérin Champier states that they weren’t known until even later. Around the same time, guinea fowls were brought from the coast of Africa by Portuguese merchants; the traveling naturalist Pierre Belon, writing in 1555, noted that by his time, “they had already multiplied so much in the houses of the nobles that they had become quite common.”

Fig. 94.--The Poultry-dealer.--Fac-simile of an Engraving on Wood, after Cesare Vecellio.

Fig. 94.--The Poultry Dealer.--Copy of an Engraving on Wood, after Cesare Vecellio.

The pea-fowl played an important part in the chivalric banquets of the Middle Ages (Fig. 95). According to old poets the flesh of this noble bird is "food for the brave." A poet of the thirteenth century says, "that thieves have as much taste for falsehood as a hungry man has for the flesh of the peacock." In the fourteenth century poultry-yards were still stocked with these birds; but the turkey and the pheasant gradually replaced them, as their flesh was considered somewhat hard and stringy. This is proved by the fact that in 1581, "La Nouvelle Coutume du Bourbonnois" only reckons the value of these beautiful birds at two sous and a half, or about three francs of present currency.

The peacock was an important part of the chivalric banquets in the Middle Ages (Fig. 95). According to old poets, the meat of this noble bird is "food for the brave." A poet from the thirteenth century claims, "thieves have as much taste for lies as a hungry man has for peacock meat." In the fourteenth century, chicken coops still had these birds; however, turkeys and pheasants gradually took their place, as their meat was considered somewhat tough and stringy. This is shown by the fact that in 1581, "La Nouvelle Coutume du Bourbonnois" lists the value of these beautiful birds at two and a half sous, or about three francs in today's money.

Fig. 95.--State Banquet.--Serving the Peacock.--Fac-simile of a Woodcut in an edition of Virgil, folio, published at Lyons in 1517.

Fig. 95.--State Banquet.--Serving the Peacock.--Replica of a woodcut from a Virgil edition, folio, published in Lyons in 1517.

Game.--Our forefathers included among the birds which now constitute feathered game the heron, the crane, the crow, the swan, the stork, the cormorant, and the bittern. These supplied the best tables, especially the first three, which were looked upon as exquisite food, fit even for royalty, and were reckoned as thorough French delicacies. There were at that time heronries, as at a later period there were pheasantries. People also ate birds of prey, and only rejected those which fed on carrion.

Game.--Our ancestors considered the heron, crane, crow, swan, stork, cormorant, and bittern among the birds that make up today’s feathered game. These provided the finest meals, especially the first three, which were regarded as gourmet food, suitable even for royalty, and were seen as true French delicacies. Back then, there were heronries, just like later there were pheasantries. People also consumed birds of prey, only avoiding those that fed on dead animals.

Swans, which were much appreciated, were very common on all the principal rivers of France, especially in the north; a small island below Paris had taken its name from these birds, and has maintained it ever since. It was proverbially said that the Charente was bordered with swans, and for this same reason Valenciennes was called Val des Cygnes, or the Swan Valley.

Swans, which were highly valued, were very common on all the main rivers of France, especially in the north; a small island just south of Paris was named after these birds and has kept that name ever since. It was famously said that the Charente was lined with swans, and for this reason, Valenciennes was called Val des Cygnes, or the Swan Valley.

Some authors make it appear that for a long time young game was avoided owing to the little nourishment it contained and its indigestibility, and assert that it was only when some French ambassadors returned from Venice that the French learnt that young partridges and leverets were exquisite, and quite fit to appear at the most sumptuous banquets. The "Ménagier" gives not only various receipts for cooking them, but also for dressing chickens, when game was out of season, so as to make them taste like young partridges.

Some writers suggest that young game was avoided for a long time because it was low in nutrients and hard to digest. They claim that it was only when some French ambassadors got back from Venice that the French discovered young partridges and leverets were delicious and perfectly suitable for the most extravagant feasts. The "Ménagier" provides several recipes for cooking them and also shares tips for preparing chickens when game was out of season to mimic the flavor of young partridges.

There was a time when they fattened pheasants as they did capons; it was a secret, says Liébault, only known to the poultry dealers; but although they were much appreciated, the pullet was more so, and realised as much as two crowns each (this does not mean the gold crown, but a current coin worth three livres). Plovers, which sometimes came from Beauce in cart-loads, were much relished; they were roasted without being drawn, as also were turtle-doves and larks; "for," says an ancient author, "larks only eat small pebbles and sand, doves grains of juniper and scented herbs, and plovers feed on air." At a later period the same honour was conferred on woodcocks.

There was a time when they fattened pheasants like they did capons; it was a secret known only to the poultry dealers, according to Liébault. Although pheasants were highly valued, pullets were even more so, fetching as much as two crowns each (not to be confused with the gold crown, but a common coin worth three livres). Plovers, which sometimes arrived by the cartload from Beauce, were very popular; they were roasted whole, just like turtle doves and larks. "For," an ancient author says, "larks eat only small pebbles and sand, doves eat juniper berries and fragrant herbs, and plovers feed on air." Later on, woodcocks were also given the same treatment.

Thrushes, starlings, blackbirds, quail, and partridges were in equal repute according to the season. The bec-figue, a small bird like a nightingale, was so much esteemed in Provence that there were feasts at which that bird alone was served, prepared in various ways; but of all birds used for the table none could be compared to the young cuckoo taken just as it was full fledged.

Thrushes, starlings, blackbirds, quail, and partridges were all equally popular depending on the season. The bec-figue, a small bird similar to a nightingale, was highly valued in Provence, so much so that there were celebrations focused solely on that bird, prepared in different styles. However, of all the birds served for meals, none compared to the young cuckoo, taken just as it was fully fledged.

As far as we can ascertain, the Gauls had a dislike to the flesh of rabbits, and they did not even hunt them, for according to Strabo, Southern Gaul was infested with these mischievous animals, which destroyed the growing crops, and even the barks of the trees. There was considerable change in this respect a few centuries later, for every one in town or country reared domesticated rabbits, and the wild ones formed an article of food which was much in request. In order to ascertain whether a rabbit is young, Strabo tells us we should feel the first joint of the fore-leg, when we shall find a small bone free and movable. This method is adopted in all kitchens in the present day. Hares were preferred to rabbits, provided they were young; for an old French proverb says, "An old hare and an old goose are food for the devil."

As far as we can tell, the Gauls disliked rabbit meat and didn’t even hunt them. According to Strabo, Southern Gaul was overrun with these troublesome animals, which ruined crops and even damaged tree bark. However, this changed significantly a few centuries later, as everyone in both towns and the countryside began to raise domesticated rabbits, and wild rabbits became a popular food source. To determine if a rabbit is young, Strabo advises checking the first joint of its front leg, where you will feel a small bone that is loose and movable. This method is used in kitchens today. Hares were preferred over rabbits, as long as they were young; an old French proverb states, "An old hare and an old goose are food for the devil."

Fig. 96.--"The way to skin and cut up a Stag."--Fac-simile of a Miniature of "Phoebus, and his Staff for hunting Wild Animals" (Manuscript of the Fifteenth Century, National Library of Paris).

Fig. 96.--"How to skin and butcher a stag."--Exact replica of a mini painting of "Phoebus and his hunting team" (15th Century Manuscript, National Library of Paris).

The hedgehog and squirrel were also eaten. As for roe and red deer, they were, according to Dr. Bruyérin Ohampier, morsels fit for kings and rich people (Fig. 96). The doctor speaks of "fried slices of the young horn of the stag" as the daintiest of food, and the "Ménagier de Paris" shows how, as early as the fourteenth century, beef was dished up like bear's-flesh venison, for the use of kitchens in countries where the black bear did not exist. This proves that bear's flesh was in those days considered good food.

The hedgehog and squirrel were also eaten. As for roe and red deer, they were, according to Dr. Bruyérin Ohampier, delicacies fit for kings and wealthy people (Fig. 96). The doctor describes "fried slices of the young horn of the stag" as the finest food, and the "Ménagier de Paris" illustrates how, as early as the fourteenth century, beef was served like bear meat in kitchens of places where black bears didn't live. This shows that bear meat was regarded as good food back then.

Milk, Butter, Eggs, and Cheese.--These articles of food, the first which nature gave to man, were not always and everywhere uniformly permitted or prohibited by the Church on fast days. The faithful were for several centuries left to their own judgment on the subject. In fact, there is nothing extraordinary in eggs being eaten in Lent without scruple, considering that some theologians maintained that the hens which laid them were animals of aquatic extraction.

Dairy Products: Milk, Butter, Eggs, Cheese.--These foods, the first that nature provided to humanity, weren't consistently allowed or banned by the Church on fasting days throughout history. For several centuries, believers were left to decide for themselves on the matter. In fact, it's not surprising that eggs were eaten during Lent without guilt, since some theologians argued that the hens that laid them were aquatic animals.

It appears, however, that butter, either from prejudice or mere custom, was only used on fast days in its fresh state, and was not allowed to be used for cooking purposes. At first, and especially amongst the monks, the dishes were prepared with oil; but as in some countries oil was apt to become very expensive, and the supply even to fail totally, animal fat or lard had to be substituted. At a subsequent period the Church authorised the use of butter and milk; but on this point, the discipline varied much. In the fourteenth century, Charles V., King of France, having asked Pope Gregory XI. for a dispensation to use milk and butter on fast days, in consequence of the bad state of his health, brought on owing to an attempt having been made to poison him, the supreme Pontiff required a certificate from a physician and from the King's confessor. He even then only granted the dispensation after imposing on that Christian king the repetition of a certain number of prayers and the performance of certain pious deeds. In defiance of the severity of ecclesiastical authority, we find, in the "Journal of a Bourgeois of Paris," that in the unhappy reign of Charles VI. (1420), "for want of oil, butter was eaten in Lent the same as on ordinary non-fast days."

It seems that butter, whether due to prejudice or just tradition, was only used fresh on fasting days and wasn't allowed for cooking. Initially, especially among monks, dishes were prepared with oil; however, in some regions, oil became very expensive or even completely unavailable, so animal fat or lard had to be used instead. Later on, the Church allowed the use of butter and milk, but this practice varied quite a bit. In the 14th century, Charles V., King of France, asked Pope Gregory XI. for permission to use milk and butter on fasting days due to his poor health caused by an attempted poisoning. The Pope required a certificate from a doctor and the King's confessor before granting the permission. Even then, he only approved it after requiring the king to say a certain number of prayers and perform specific good deeds. Despite the strictness of the Church's rules, we see in the "Journal of a Bourgeois of Paris" that during the troubled reign of Charles VI (1420), "due to a lack of oil, butter was consumed during Lent just like on regular non-fasting days."

In 1491, Queen Anne, Duchess of Brittany, in order to obtain permission from the Pope to eat butter in Lent, represented that Brittany did not produce oil, neither did it import it from southern countries. Many northern provinces adopted necessity as the law, and, having no oil, used butter; and thence originated that famous toast with slices of bread and butter, which formed such an important part of Flemish food. These papal dispensations were, however, only earned at the price of prayers and alms, and this was the origin of the troncs pour le beurre, that is, "alms-box for butter," which are still to be seen in some of the Flemish churches.

In 1491, Queen Anne, Duchess of Brittany, sought permission from the Pope to eat butter during Lent by claiming that Brittany didn’t produce oil and didn’t import it from southern countries. Many northern provinces adopted necessity as their reason, using butter since they had no oil. This led to the creation of the famous toast with slices of bread and butter, a significant part of Flemish cuisine. However, these papal dispensations were only granted in exchange for prayers and donations, leading to the creation of the troncs pour le beurre, or "alms-box for butter," which can still be seen in some Flemish churches.

Fig. 97.--The Manufacture of Oil, drawn and engraved by J. Amman in the Sixteenth Century.

Fig. 97.--The Production of Oil, illustrated and etched by J. Amman in the 16th Century.

It is not known when butter was first salted in order to preserve it or to send it to distant places; but this process, which is so simple and so natural, dates, no doubt, from very ancient times; it was particularly practised by the Normans and Bretons, who enclosed the butter in large earthenware jars, for in the statutes which were given to the fruiterers of Paris in 1412, mention is made of salt butter in earthenware jars. Lorraine only exported butter in such jars. The fresh butter most in request for the table in Paris, was that made at Vanvres, which in the month of May the people ate every morning mixed with garlic.

It’s unclear when butter was first salted for preservation or to ship it to faraway places, but this simple and natural process definitely goes back to ancient times. The Normans and Bretons especially practiced it, storing butter in large earthenware jars. In fact, the regulations given to fruit vendors in Paris in 1412 mention salt butter kept in earthenware jars. Lorraine only exported butter in those jars. The most sought-after fresh butter for dining in Paris came from Vanvres, which people ate every morning in May mixed with garlic.

The consumption of butter was greatest in Flanders. "I am surprised," says Bruyérin Champier, speaking of that country, "that they have not yet tried to turn it into drink; in France it is mockingly called beurrière; and when any one has to travel in that country, he is advised to take a knife with him if he wishes to taste the good rolls of butter."

The consumption of butter was highest in Flanders. "I'm surprised," says Bruyérin Champier, referring to that region, "that they haven't yet tried to turn it into a drink; in France, it's jokingly called beurrière; and anyone who has to travel there is advised to bring a knife if they want to sample the delicious butter rolls."

Fig. 98.--A Dealer in Eggs.--Fac-simile of a Woodcut, after Cesare Vecellio, Sixteenth Century.

Fig. 98.--An Egg Dealer.--Copy of a Woodcut, after Cesare Vecellio, 16th Century.

It is not necessary to state that milk and cheese followed the fortunes of butter in the Catholic world, the same as eggs followed those of poultry. But butter having been declared lawful by the Church, a claim was put in for eggs (Fig. 98), and Pope Julius III. granted this dispensation to all Christendom, although certain private churches did not at once choose to profit by this favour. The Greeks had always been more rigid on these points of discipline than the people of the West. It is to the prohibition of eggs in Lent that the origin of "Easter eggs" must be traced. These were hardened by boiling them in a madder bath, and were brought to receive the blessing of the priest on Good Friday, and were then eaten on the following Sunday as a sign of rejoicing.

It’s unnecessary to mention that milk and cheese followed butter's fate in the Catholic world, just like eggs followed poultry. Once the Church deemed butter lawful, a request was made for eggs (Fig. 98), and Pope Julius III granted this permission to all of Christendom, although some private churches chose not to take advantage of this permission right away. The Greeks have always been stricter about these disciplinary issues compared to the people of the West. The ban on eggs during Lent leads to the tradition of "Easter eggs." These eggs were hard-boiled in a madder dye, blessed by the priest on Good Friday, and then eaten the following Sunday as a symbol of celebration.

Ancient Gaul was celebrated for some of its home-made cheeses. Pliny praises those of Nismes, and of Mount Lozère, in Gévaudau; Martial mentions those of Toulouse, &c. A simple anecdote, handed down by the monk of St. Gall, who wrote in the ninth century, proves to us that the traditions with regard to cheeses were not lost in the time of Charlemagne: "The Emperor, in one of his travels, alighted suddenly, and without being expected, at the house of a bishop. It was on a Friday. The prelate had no fish, and did not dare to set meat before the prince. He therefore offered him what he had got, some boiled corn and green cheese. Charles ate of the cheese; but taking the green part to be bad, he took care to remove it with his knife. The Bishop, seeing this, took the liberty of telling his guest that this was the best part. The Emperor, tasting it, found that the bishop was right; and consequently ordered him to send him annually two cases of similar cheese to Aix-la-Chapelle. The Bishop answered, that he could easily send cheeses, but he could not be sure of sending them in proper condition, because it was only by opening them that you could be sure of the dealer not having deceived you in the quality of the cheese. 'Well,' said the Emperor, 'before sending them, cut them through the middle, so as to see if they are what I want; you will only have to join the two halves again by means of a wooden peg, and you can then put the whole into a case.'"

Ancient Gaul was known for its homemade cheeses. Pliny praised those from Nîmes and Mount Lozère in Gévaudan; Martial mentioned those from Toulouse, etc. A simple story passed down by a monk from St. Gall, who wrote in the ninth century, shows that cheese traditions were not forgotten during Charlemagne's time: "The Emperor, while traveling, suddenly stopped at a bishop’s house unexpectedly. It was a Friday. The bishop had no fish and was hesitant to serve meat to the prince. Instead, he offered him what he had, some boiled corn and green cheese. Charles tried the cheese but, thinking the green part was bad, carefully removed it with his knife. The bishop, noticing this, took the liberty to inform his guest that the green part was actually the best. When the Emperor tasted it, he realized the bishop was right and ordered him to send him two cases of similar cheese each year to Aix-la-Chapelle. The bishop replied that while he could easily send cheese, he couldn't guarantee it would arrive in good condition since it was only by opening them that you could be sure the quality was not misrepresented. ‘Well,’ the Emperor said, ‘before you send them, cut them in half to check if they are what I want; you can then join the two halves back together with a wooden peg and put the whole thing into a case.’"

Under the kings of the third French dynasty, a cheese was made at the village of Chaillot, near Paris, which was much appreciated in the capital. In the twelfth and thirteenth centuries, the cheeses of Champagne and of Brie, which are still manufactured, were equally popular, and were hawked in the streets, according to the "Book of Street-Cries in Paris,"--

Under the kings of the third French dynasty, cheese was made in the village of Chaillot, near Paris, that was highly valued in the capital. In the twelfth and thirteenth centuries, the cheeses from Champagne and Brie, which are still produced today, were equally popular and were sold in the streets, according to the "Book of Street-Cries in Paris,"--

"J'ai bon fromage de Champaigne;
Or i a fromage de Brie!"

"I have some good cheese from Champagne;
And I have cheese from Brie!"

("Buy my cheese from Champagne,
And my cheese from Brie!")

("Buy my cheese from Champagne,
And my cheese from Brie!")

Eustache Deschamps went so far as to say that cheese was the only good thing which could possibly come from Brie.

Eustache Deschamps went so far as to say that cheese was the only good thing that could possibly come from Brie.

The "Ménagier de Paris" praises several kinds of cheeses, the names of which it would now be difficult to trace, owing to their frequent changes during four hundred years; but, according to the Gallic author of this collection, a cheese to be presentable at table, was required to possess certain qualities (in proverbial Latin, "Non Argus, nee Helena, nee Maria Magdalena," &c.), thus expressed in French rhyme:--

The "Ménagier de Paris" praises several types of cheese, the names of which would now be hard to trace due to their frequent changes over four hundred years. However, according to the French author of this collection, for a cheese to be suitable for serving at the table, it needed to have certain qualities (in proverbial Latin, "Non Argus, nee Helena, nee Maria Magdalena," etc.), which were expressed in French rhyme:--

"Non mie (pas) blanc comme Hélaine,
Non mie (pas) plourant comme Magdelaine,
Non Argus (à cent yeux), mais du tout avugle (aveugle)
Et aussi pesant comme un bugle (boeuf),
Contre le pouce soit rebelle,
Et qu'il ait ligneuse cotelle (épaisse croûte)
Sans yeux, sans plourer, non pas blanc,
Tigneulx, rebelle, bien pesant."

"Not my (not) white like Helaine,
Not my (not) crying like Madeline,
Not Argus (with a hundred eyes), but completely blind
And also heavy like an ox,
Resistant against the pressure,
And it has a thick skin
Without eyes, without tears, not white,
Dense, resistant, very heavy."

("Neither-white like Helena,
Nor weeping as Magdelena,
Neither Argus, nor yet quite blind,
And having too a thickish rind,
Resisting somewhat to the touch,
And as a bull should weigh as much;
Not eyeless, weeping, nor quite white,
But firm, resisting, not too light.")

("Neither white like Helena,
Nor crying like Magdelena,
Neither Argus nor entirely blind,
And having a somewhat thick skin,
Resisting slightly to the touch,
And weighing as much as a bull should;
Not eyeless, crying, nor entirely white,
But solid, resistant, not too light.")

In 1509, Platina, although an Italian, in speaking of good cheeses, mentions those of Chauny, in Picardy, and of Brehemont, in Touraine; Charles Estienne praises those of Craponne, in Auvergne, the angelots of Normandy, and the cheeses made from fresh cream which the peasant-women of Montreuil and Vincennes brought to Paris in small wickerwork baskets, and which were eaten sprinkled with sugar. The same author names also the rougerets of Lyons, which were always much esteemed; but, above all the cheeses of Europe, he places the round or cylindrical ones of Auvergne, which were only made by very clean and healthy children of fourteen years of age. Olivier de Serres advises those who wish to have good cheeses to boil the milk before churning it, a plan which is in use at Lodi and Parma, "where cheeses are made which are acknowledged by all the world to be excellent."

In 1509, Platina, though Italian, talked about good cheeses, mentioning those from Chauny in Picardy and Brehemont in Touraine. Charles Estienne praised the cheeses from Craponne in Auvergne, the angelots from Normandy, and the fresh cream cheeses brought to Paris in small wicker baskets by the peasant women from Montreuil and Vincennes, which were eaten sprinkled with sugar. The same author also mentioned the rougerets from Lyons, which were always highly regarded; but above all the cheeses in Europe, he favored the round or cylindrical ones from Auvergne, made only by very clean and healthy fourteen-year-old children. Olivier de Serres recommends that anyone wanting good cheeses should boil the milk before churning it, a method used in Lodi and Parma, "where cheeses are recognized worldwide as excellent."

The parmesan, which this celebrated agriculturist cites as an example, only became the fashion in France on the return of Charles VIII. from his expedition to Naples. Much was thought at that time of a cheese brought from Turkey in bladders, and of different varieties produced in Holland and Zetland. A few of these foreign products were eaten in stews and in pastry, others were toasted and sprinkled with sugar and powdered cinnamon.

The parmesan that this well-known farmer mentions became popular in France only after Charles VIII returned from his trip to Naples. At that time, there was a lot of interest in a cheese imported from Turkey in bladders, as well as various kinds made in Holland and Zetland. Some of these foreign cheeses were cooked in stews and pastries, while others were toasted and topped with sugar and powdered cinnamon.

"Le Roman de Claris," a manuscript which belongs to the commencement of the fourteenth century, says that in a town winch was taken by storm the following stores were found:--:

"Le Roman de Claris," a manuscript from the early fourteenth century, states that in a town that was taken by storm, the following goods were found:--:

Fac-simile of a miniature from the Romance of Renaud de Montauban, a ms. of fifteenth century Bibl. de l'Arsenal

Fac-simile of a miniature from the Romance of Renaud de Montauban, a manuscript of the fifteenth century Bibl. de l'Arsenal

Costumes of the fifteenth century. From a miniature in a ms. copy of Ovid's Epistles. No 7231 bis. Bibl. nat'le de Paris.

Costumes of the 15th century. From a miniature in a manuscript copy of Ovid's Epistles. No 7231 bis. Bibl. nat'le de Paris.

"Maint bon tonnel de vin,
Maint bon bacon (cochon), maint fromage à rostir."

"Keep great wine,
Keep good bacon, and keep cheese for roasting."

("Many a ton of wine,
Many a slice of good bacon, plenty of good roasted cheese.")

("Lots of wine,
Lots of slices of good bacon, and plenty of good roasted cheese.")

Besides cheese and butter, the Normans, who had a great many cows in their rich pastures, made a sort of fermenting liquor from the butter-milk, which they called serat, by boiling the milk with onions and garlic, and letting it cool in closed vessels.

Besides cheese and butter, the Normans, who had many cows in their lush pastures, made a kind of fermented drink from the buttermilk, which they called serat, by boiling the milk with onions and garlic, and letting it cool in sealed containers.

Fig. 99.--Manufacture of Cheeses in Switzerland.--Fac-simile of a Woodcut in the "Cosmographie Universelle" of Munster, folio, Basle, 1549.

Fig. 99.--Cheese Production in Switzerland.--Reproduction of a Woodcut from the "Cosmographie Universelle" by Munster, folio, Basel, 1549.

If the author of the "Ménagier" is to be believed, the women who sold milk by retail in the towns were well acquainted with the method of increasing its quantity at the expense of its quality. He describes how his froumentée, which consists of a sort of soup, is made, and states that when he sends his cook to make her purchases at the milk market held in the neighbourhood of the Rues de la Savonnerie, des Ecrivains, and de la Vieille-Monnaie, he enjoins her particularly "to get very fresh cow's milk, and to tell the person who sells it not to do so if she has put water to it; for, unless it be quite fresh, or if there be water in it, it will turn."

If we’re to believe the author of the "Ménagier," the women selling milk in the towns really knew how to up the quantity at the cost of quality. He describes how his froumentée, which is a kind of soup, is prepared, and mentions that when he sends his cook to buy milk at the market near the Rues de la Savonnerie, des Ecrivains, and de la Vieille-Monnaie, he specifically instructs her to "get very fresh cow's milk and to tell the seller not to sell it if she has added water; because if it’s not really fresh, or if there’s water in it, it will spoil."

Fish and Shellfish.--Freshwater fish, which was much more abundant in former days than now, was the ordinary food of those who lived on the borders of lakes, ponds, or rivers, or who, at all events, were not so far distant but that they could procure it fresh. There was of course much diversity at different periods and in different countries as regards the estimation in which the various kinds of fish were held. Thus Ausone, who was a native of Bordeaux, spoke highly of the delicacy of the perch, and asserted that shad, pike, and tench should be left to the lower orders; an opinion which was subsequently contradicted by the inhabitants of other parts of Gaul, and even by the countrymen of the Latin poet Gregory of Tours, who loudly praised the Geneva trout. But a time arrived when the higher classes preferred the freshwater fish of Orchies in Flanders, and even those of the Lyonnais. Thus we see in the thirteenth century the barbel of Saint-Florentin held in great estimation, whereas two hundred years later a man who was of no use, or a nonentity, was said to resemble a barbel, "which is neither good for roasting nor boiling."

Seafood.--Freshwater fish, which used to be much more plentiful than it is now, was a common food for those living near lakes, ponds, or rivers, or those who were close enough to get it fresh. Naturally, there was a lot of variation in how different types of fish were valued at different times and in different places. For example, Ausone, from Bordeaux, praised the delicacy of perch and claimed that shad, pike, and tench should be reserved for the lower classes; this view was later challenged by people in other parts of Gaul, even including the countrymen of the Latin poet Gregory of Tours, who enthusiastically celebrated the Geneva trout. Eventually, though, the upper classes started to prefer the freshwater fish from Orchies in Flanders and those from Lyonnais. By the thirteenth century, the barbel from Saint-Florentin was highly regarded, while two hundred years later, a useless person or a nobody was said to be like a barbel, "which is neither good for roasting nor boiling."

Fig. 100.--The Pond Fisherman.--Fac-simile of a Woodcut of the "Cosmographie Universelle" of Munster, folio, Basle, 1549.

Fig. 100.--The Pond Fisherman.--Replica of a woodcut from the "Cosmographie Universelle" by Munster, folio, Basel, 1549.

In a collection of vulgar proverbs of the twelfth century mention is made, amongst the fish most in demand, besides the barbel of Saint-Florentin above referred to, of the eels of Maine, the pike of Chalons, the lampreys of Nantes, the trout of Andeli, and the dace of Aise. The "Ménagier" adds several others to the above list, including blay, shad, roach, and gudgeon, but, above all, the carp, which was supposed to be a native of Southern Europe, and which must have been naturalised at a much later period in the northern waters (Figs. 100, 101, and 102).

In a collection of crude proverbs from the twelfth century, there's a mention of the most sought-after fish, including the barbel from Saint-Florentin, as well as the eels from Maine, pike from Chalons, lampreys from Nantes, trout from Andeli, and dace from Aise. The "Ménagier" adds several more to this list, such as blay, shad, roach, and gudgeon, but most importantly, the carp, which was believed to be native to Southern Europe and must have been introduced to northern waters much later (Figs. 100, 101, and 102).

Fig. 101.--The River Fisherman, designed and engraved, in the Sixteenth Century, by J. Amman.

Fig. 101.--The River Fisherman, designed and engraved in the 16th Century by J. Amman.

Fig. 102.--Conveyance of Fish by Water and Land.--Fac-simile of an Engraving in the Royal Statutes of the Provostship of Merchants, 1528.

Fig. 102.--Transporting Fish by Water and Land.--Replica of an Engraving in the Royal Statutes of the Provostship of Merchants, 1528.

The most ancient documents bear witness that the natives of the sea-coasts of Europe, and particularly of the Mediterranean, fed on the same fish as at present: there were, however, a few other sea-fish, which were also used for food, but which have since been abandoned. Our ancestors were, not difficult to please: they had good teeth, and their palates, having become accustomed to the flesh of the cormorant, heron, and crane, without difficulty appreciated the delicacy of the nauseous sea-dog, the porpoise, and even the whale, which, when salted, furnished to a great extent all the markets of Europe.

The oldest documents show that the coastal people of Europe, especially those around the Mediterranean, ate the same types of fish as we do today. However, there were a few other fish from the sea that were also consumed but have since fallen out of favor. Our ancestors were not hard to please; they had strong teeth and were used to eating the flesh of cormorants, herons, and cranes, which made it easy for them to enjoy the rather unappetizing sea-dog, porpoise, and even whale. When salted, these provided a significant portion of the seafood available in European markets.

The trade in salted sea-fish only began in Paris in the twelfth century, when a company of merchants was instituted, or rather re-established, on the principle of the ancient association of Nantes. This association had existed from the period of the foundation under the Gauls of Lutetia, the city of fluvial commerce (Fig. 103), and it is mentioned in the letters patent of Louis VII. (1170). One of the first cargoes which this company brought in its boats was that of salted herrings from the coast of Normandy. These herrings became a necessary food during Lent, and was the cry of the retailers in the streets of Paris, where this fish became a permanent article of consumption to an extent which can be appreciated from the fact that Saint Louis gave annually nearly seventy thousand herrings to the hospitals, plague-houses, and monasteries.

The trade in salted sea fish started in Paris in the twelfth century, when a group of merchants was established, or rather re-established, based on the ancient association from Nantes. This association had been around since the foundation of Lutetia by the Gauls, the city known for its river trade (Fig. 103), and it’s mentioned in the letters patent of Louis VII. (1170). One of the first shipments this company brought in its boats was salted herrings from the Normandy coast. These herrings became an essential food during Lent, and vendors shouted about it in the streets of Paris, where this fish became a common item of consumption. This can be seen in the fact that Saint Louis donated nearly seventy thousand herrings every year to hospitals, plague houses, and monasteries.

"Sor et blanc harene frès pouldré (couvert de sel)!"

"Sour and salty fresh herring!"

("Herrings smoked, fresh, and salted!")

("Herrings smoked, fresh, and salted!")

Fig. 103.--A Votive Altar of the Nantes Parisiens, or the Company for the Commercial Navigation of the Seine, erected in Lutelia during the reign of Tiberius.--Fragments of this Altar, which were discovered in 1711 under the Choir of the Church of Notre-Dame, are preserved in the Museums of Cluny and the Palais des Thermes.

Fig. 103.--A Votive Altar of the Nantes Parisiens, or the Company for the Commercial Navigation of the Seine, was built in Lutetia during Tiberius's reign.--Pieces of this Altar, found in 1711 beneath the Choir of the Church of Notre-Dame, are kept in the Museums of Cluny and the Palais des Thermes.

The profit derived from the sale of herrings at that time was so great that it soon became a special trade; it was, in fact, the regular practice of the Middle Ages for persons engaged in any branch of industry to unite together and form themselves into a corporation. Other speculators conceived the idea of bringing fresh fish to Paris by means of relays of posting conveyances placed along the road, and they called themselves forains. Laws were made to distinguish the rights of each of these trades, and to prevent any quarrel in the competition. In these laws, all sea-fish were comprised under three names, the fresh, the salted, and the smoked (sor). Louis IX. in an edict divides the dealers into two classes, namely, the sellers of fresh fish, and the sellers of salt or smoked fish. Besides salt and fresh herrings, an enormous amount of salted mackerel, which was almost as much used, was brought from the sea-coast, in addition to flat-fish, gurnets, skate, fresh and salted whiting and codfish.

The profit from selling herrings back then was so significant that it quickly became a specialized trade; in fact, it was common in the Middle Ages for people involved in any industry to band together and form a corporation. Other entrepreneurs thought of a way to bring fresh fish to Paris using relays of transporting vehicles set up along the route, and they referred to themselves as forains. Laws were established to clarify the rights of each of these trades and to prevent disputes among competitors. In these laws, all types of sea fish were categorized into three groups: fresh, salted, and smoked (sor). Louis IX issued an edict that divided dealers into two categories: those selling fresh fish and those selling salt or smoked fish. In addition to salt and fresh herrings, a huge quantity of salted mackerel, which was also widely used, was brought from the coastline, along with flat-fish, gurnets, skate, fresh and salted whiting, and codfish.

In an old document of the thirteenth century about fifty kinds of fish are enumerated which were retailed in the markets of the kingdom; and a century later the "Ménagier" gives receipts for cooking forty kinds, amongst which appears, under the name of craspois, the salted flesh of the whale, which was also called le lard de carême. This coarse food, which was sent from the northern seas in enormous slices, was only eaten by the lower orders, for, according to a writer of the sixteenth century, "were it cooked even for twenty-four hours it would still be very hard and indigestible."

In an old document from the thirteenth century, around fifty types of fish are listed that were sold in the markets of the kingdom; and a hundred years later, the "Ménagier" provides recipes for cooking forty types, including one called craspois, which is the salted meat of the whale, also known as le lard de carême. This coarse food, sent from the northern seas in huge pieces, was primarily consumed by the lower classes, because, as a sixteenth-century writer noted, "even if it were cooked for twenty-four hours, it would still be very tough and hard to digest."

The "Proverbes" of the thirteenth century, which mention the freshwater fish then in vogue, also names the sea-fish most preferred, and whence they came, namely, the shad from Bordeaux, the congers from La Rochelle, the sturgeon from Blaye, the fresh herrings from Fécamp, and the cuttle-fish from Coutances. At a later period the conger was not eaten from its being supposed to produce the plague. The turbot, John-dory, skate and sole, which were very dear, were reserved for the rich. The fishermen fed on the sea-dragon. A great quantity of the small sea crayfish were brought into market; and in certain countries these were called santé, because the doctors recommended them to invalids or those in consumption; on the other hand, freshwater crayfish were not much esteemed in the fifteenth and sixteenth centuries, excepting for their eggs, which were prepared with spice. It is well known that pond frogs were a favourite food of the Gauls and Franks; they were never out of fashion in the rural districts, and were served at the best tables, dressed with green sauce; at the same period, and especially during Lent, snails, which were served in pyramid-shaped dishes, were much appreciated; so much so that nobles and bourgeois cultivated snail beds, somewhat resembling our oyster beds of the present day.

The "Proverbes" from the thirteenth century, which mention the freshwater fish popular at the time, also lists the sea fish that were most favored and where they came from: shad from Bordeaux, congers from La Rochelle, sturgeon from Blaye, fresh herrings from Fécamp, and cuttlefish from Coutances. Later on, conger was no longer eaten because it was believed to cause the plague. Turbot, John-dory, skate, and sole, which were quite expensive, were reserved for the wealthy. Fishermen ate sea-dragons. A large quantity of small sea crayfish was available in the market; in some regions, they were called santé, because doctors recommended them for invalids or those suffering from consumption. On the other hand, freshwater crayfish were not highly valued in the fifteenth and sixteenth centuries, except for their eggs, which were prepared with spices. It is well known that pond frogs were a popular food among the Gauls and Franks; they were always in style in rural areas and were served at the finest tables, dressed with green sauce. During the same time, especially during Lent, snails, served in pyramid-shaped dishes, were highly valued; so much so that nobles and the bourgeois cultivated snail beds, somewhat like today's oyster beds.

The inhabitants of the coast at all periods ate various kinds of shell-fish, which were called in Italy sea-fruit; but it was only towards the twelfth century that the idea was entertained of bringing oysters to Paris, and mussels were not known there until much later. It is notorious that Henry IV. was a great oyster-eater. Sully relates that when he was created a duke "the king came, without being expected, to take his seat at the reception banquet, but as there was much delay in going to dinner, he began by eating some huîtres de chasse, which he found very fresh."

The people living along the coast always ate different types of shellfish, which were known in Italy as sea-fruit; however, it wasn't until the twelfth century that anyone thought about bringing oysters to Paris, and mussels didn't show up there until much later. It's well-known that Henry IV was a big fan of oysters. Sully mentions that when he was made a duke, "the king unexpectedly came to join the reception banquet, but since dinner was delayed, he started by having some huîtres de chasse, which he found to be very fresh."

By huîtres de chasse were meant those oysters which were brought by the chasse-marées, carriers who brought the fresh fish from the coast to Paris at great speed.

By huîtres de chasse they meant those oysters that were delivered by the chasse-marées, carriers who quickly transported fresh fish from the coast to Paris.

Beverages.--Beer is not only one of the oldest fermenting beverages used by man, but it is also the one which was most in vogue in the Middle Ages. If we refer to the tales of the Greek historians, we find that the Gauls--who, like the Egyptians, attributed the discovery of this refreshing drink to their god Osiris--had two sorts of beer: one called zythus, made with honey and intended for the rich; the other called corma, in which there was no honey, and which was made for the poor. But Pliny asserts that beer in Gallie was called cerevisia, and the grain employed for making it brasce. This testimony seems true, as from brasce or brasse comes the name brasseur (brewer), and from cerevisia, cervoise, the generic name by which beer was known for centuries, and which only lately fell into disuse.

Beverages.--Beer is not only one of the oldest fermented drinks used by humans, but it was also the most popular during the Middle Ages. If we look at stories from Greek historians, we find that the Gauls—who, like the Egyptians, credited the discovery of this refreshing drink to their god Osiris—had two types of beer: one called zythus, made with honey and meant for the wealthy; the other called corma, which had no honey and was made for the poor. However, Pliny claims that beer in Gaul was called cerevisia, and the grain used to make it was brasce. This claim seems accurate, as brasce or brasse is where the term brasseur (brewer) comes from, and cerevisia, cervoise is the general name by which beer was known for centuries, a term that has only recently fallen out of use.

Fig. 104.--The Great Drinkers of the North.--Fac-simile of a Woodcut of the "Histoires des Pays Septentrionaux," by Olaus Magnus, 16mo., Antwerp, 1560.

Fig. 104.--The Great Drinkers of the North.--Facsimile of a woodcut from "Histories of the Northern Regions," by Olaus Magnus, 16mo., Antwerp, 1560.

After a great famine, Domitian ordered all the vines in Gaul to be uprooted so as to make room for corn. This rigorous measure must have caused beer to become even more general, and, although two centuries later Probus allowed vines to be replanted, the use of beverages made from grain became an established custom; but in time, whilst the people still only drank cervoise, those who were able to afford it bought wine and drank it alternately with beer.

After a major famine, Domitian ordered all the grapevines in Gaul to be removed to make space for corn. This strict action likely made beer more popular, and even though two centuries later Probus allowed the grapevines to be replanted, drinking beverages made from grain became a common practice. However, over time, while the general population still mostly drank cervoise, those who could afford it began to buy wine and drank it along with beer.

However, as by degrees the vineyards increased in all places having a suitable soil and climate, the use of beer was almost entirely given up, so that in central Gaul wine became so common and cheap that all could drink it. In the northern provinces, where the vine would not grow, beer naturally continued to be the national beverage (Fig. 104).

However, as the vineyards gradually expanded in areas with the right soil and climate, the consumption of beer was nearly abandoned, making wine so widespread and affordable in central Gaul that everyone could enjoy it. In the northern provinces, where grapes couldn’t be grown, beer naturally remained the national drink (Fig. 104).

In the time of Charlemagne, for instance, we find the Emperor wisely ordered that persons knowing how to brew should be attached to each of his farms. Everywhere the monastic houses possessed breweries; but as early as the reign of St. Louis there were only a very few breweries in Paris itself, and, in spite of all the privileges granted to their corporation, even these were soon obliged to leave the capital, where there ceased to be any demand for the produce of their industry. They reappeared in 1428, probably in consequence of the political and commercial relations which had become established between Paris and the rich towns of the Flemish bourgeoisie; and then, either on account of the dearness of wine, or the caprice of fashion, the consumption of beer again became so general in France that, according to the "Journal d'un Bourgeois de Paris," it produced to the revenue two-thirds more than wine. It must be understood, however, that in times of scarcity, as in the years 1415 and 1482, brewing was temporarily stopped, and even forbidden altogether, on account of the quantity of grain which was thereby withdrawn from the food supply of the people (Fig. 105).

In Charlemagne's time, for example, the Emperor wisely ordered that skilled brewers should be assigned to each of his farms. Monastic houses everywhere had breweries; however, even by the reign of St. Louis, there were only a few breweries in Paris itself. Despite all the privileges granted to their corporation, those few were soon forced to leave the capital due to a lack of demand for their products. They made a comeback in 1428, likely due to the growing political and commercial ties between Paris and the wealthy towns of the Flemish bourgeoisie. Then, either because wine became expensive or due to changing fashion trends, beer consumption increased in France to the point that, according to the "Journal d'un Bourgeois de Paris," it generated two-thirds more revenue than wine. It's important to note, however, that during times of scarcity, such as in the years 1415 and 1482, brewing was temporarily halted and even completely banned to prevent grain from being taken away from the food supply of the people (Fig. 105).

Fig. 105.--The Brewer, designed and engraved, in the Sixteenth. Century, by J. Amman.

Fig. 105.--The Brewer, designed and engraved in the 16th century by J. Amman.

Under the Romans, the real cervoise, or beer, was made with barley; but, at a later period, all sorts of grain was indiscriminately used; and it was only towards the end of the sixteenth century that adding the flower or seed of hops to the oats or barley, which formed the basis of this beverage, was thought of.

Under the Romans, the true cervoise, or beer, was made with barley; however, later on, all kinds of grains were used without much consideration. It wasn't until the late sixteenth century that people began to think about adding hops to the oats or barley that formed the base of this drink.

Estienne Boileau's "Book of Trades," edited in the thirteenth century, shows us that, besides the cervoise, another sort of beer was known, which was called godale. This name, we should imagine, was derived from the two German words god ael, which mean "good beer," and was of a stronger description than the ordinary cervoise; this idea is proved by the Picards and Flemish people calling it "double beer." In any case, it is from the word godale that the familiar expression of godailler (to tipple) is derived.

Estienne Boileau's "Book of Trades," edited in the thirteenth century, shows us that, besides the cervoise, another type of beer was recognized, which was called godale. We can assume that this name came from the two German words god ael, meaning "good beer," and it was stronger than the usual cervoise; this is supported by the Picards and Flemish people referring to it as "double beer." In any case, the term godailler (to tipple) is derived from the word godale.

In fact, there is hardly any sort of mixture or ingredient which has not been used in the making of beer, according to the fashions of the different periods. When, on the return from the Crusades, the use of spice had become the fashion, beverages as well as the food were loaded with it. Allspice, juniper, resin, apples, bread-crumbs, sage, lavender, gentian, cinnamon, and laurel were each thrown into it. The English sugared it, and the Germans salted it, and at times they even went so far as to put darnel into it, at the risk of rendering the mixture poisonous.

In fact, there's hardly any kind of mixture or ingredient that hasn’t been used to make beer, depending on the trends of the time. When people returned from the Crusades, spices became all the rage, so both drinks and food were packed with them. Allspice, juniper, resin, apples, bread crumbs, sage, lavender, gentian, cinnamon, and laurel were all added in. The English sweetened it, and the Germans salted it, and sometimes they even went so far as to add darnel, risking making the brew toxic.

The object of these various mixtures was naturally to obtain high-flavoured beers, which became so much in fashion, that to describe the want of merit of persons, or the lack of value in anything, no simile was more common than to compare them to "small beer." Nevertheless, more delicate and less blunted palates were to be found which could appreciate beer sweetened simply with honey, or scented with ambergris or raspberries. It is possible, however, that these compositions refer to mixtures in which beer, the produce of fermented grain, was confounded with hydromel, or fermented honey. Both these primitive drinks claim an origin equally remote, which is buried in the most distant periods of history, and they have been used in all parts of the world, being mentioned in the oldest historical records, in the Bible, the Edda, and in the sacred books of India. In the thirteenth century, hydromel, which then bore the name of borgérafre, borgéraste, or bochet, was composed of one part of honey to twelve parts of water, scented with herbs, and allowed to ferment for a month or six weeks. This beverage, which in the customs and statutes of the order of Cluny is termed potus dulcissimus (the sweetest beverage), and which must have been both agreeable in taste and smell, was specially appreciated by the monks, who feasted on it on the great anniversaries of the Church. Besides this, an inferior quality of bochet was made for the consumption of the lower orders and peasants, out of the honeycomb after the honey had been drained away, or with the scum which rose during the fermentation of the better qualities.

The goal of these various mixtures was naturally to create flavorful beers, which became so popular that a common way to criticize someone's lack of merit or the worthlessness of something was to compare it to "small beer." However, there were also more refined palates that could appreciate beer sweetened with just honey, or infused with ambergris or raspberries. It’s possible that these blends refer to mixtures where beer, made from fermented grain, was mixed with hydromel, or fermented honey. Both of these ancient drinks have origins that reach back to very early history and are mentioned in historical records from all over the world, including the Bible, the Edda, and the sacred texts of India. In the thirteenth century, hydromel, which was then known as borgérafre, borgéraste, or bochet, was made by combining one part honey with twelve parts water, flavored with herbs, and allowed to ferment for about a month or six weeks. This drink, referred to in the customs and statutes of the Order of Cluny as potus dulcissimus (the sweetest drink), must have been delightful in taste and aroma, and it was especially enjoyed by monks during significant church anniversaries. Additionally, a lower quality of bochet was produced for the lower classes and peasants, made from the honeycomb after the honey was drained or from the foam that rose during the fermentation of the better varieties.

Fig. 106.--The Vintagers, after a Miniature of the "Dialogues de Saint Gregoire" (Thirteenth Century).--Manuscript of the Royal Library of Brussels.

Fig. 106.--The Vintagers, after a Miniature of the "Dialogues de Saint Gregoire" (Thirteenth Century).--Manuscript of the Royal Library of Brussels.

Cider (in Latin sicera) and perry can also both claim a very ancient origin, since they are mentioned by Pliny. It does not appear, however, that the Gauls were acquainted with them. The first historical mention of them is made with reference to a repast which Thierry II., King of Burgundy and Orleans (596-613), son of Childebert, and grandson of Queen Brunehaut, gave to St. Colomban, in which both cider and wine were used. In the thirteenth century, a Latin poet (Guillaume le Breton) says that the inhabitants of the Auge and of Normandy made cider their daily drink; but it is not likely that this beverage was sent away from the localities where it was made; for, besides the fact that the "Ménagier" only very curtly mentions a drink made of apples, we know that in the fifteenth century the Parisians were satisfied with pouring water on apples, and steeping them, so as to extract a sort of half-sour, half-sweet drink called dépense. Besides this, Paulmier de Grandmesnil, a Norman by birth, a famous doctor, and the author of a Latin treatise on wine and cider (1588), asserts that half a century before, cider was very scarce at Rouen, and that in all the districts of Caux the people only drank beer. Duperron adds that the Normans brought cider from Biscay, when their crops of apples failed.

Cider (in Latin sicera) and perry both have a very ancient history, as noted by Pliny. However, it seems the Gauls were not familiar with them. The first historical mention refers to a meal that Thierry II, King of Burgundy and Orleans (596-613), the son of Childebert and grandson of Queen Brunehaut, hosted for St. Colomban, during which both cider and wine were served. In the thirteenth century, a Latin poet (Guillaume le Breton) states that the people in the Auge and Normandy made cider their everyday drink; however, it’s unlikely this beverage was exported from the areas where it was produced. Besides the fact that the "Ménagier" briefly mentions a drink made from apples, we know that in the fifteenth century, Parisians were content to simply pour water over apples and steep them to produce a kind of half-sour, half-sweet drink called dépense. Additionally, Paulmier de Grandmesnil, a Norman born, renowned doctor, and author of a Latin work on wine and cider (1588), claims that just fifty years earlier, cider was quite rare in Rouen, and throughout the Caux region, people primarily drank beer. Duperron adds that the Normans would bring cider from Biscay when their apple crops failed.

By whom and at what period the vine was naturalised in Gaul has been a long-disputed question, which, in spite of the most careful research, remains unsolved. The most plausible opinion is that which attributes the honour of having imported the vine to the Phoenician colony who founded Marseilles.

By whom and during what time the vine was introduced in Gaul has been a long-debated question that, despite extensive research, remains unresolved. The most reasonable theory is that the Phoenician colony that established Marseille is credited with bringing the vine.

Pliny makes mention of several wines of the Gauls as being highly esteemed. He nevertheless reproaches the vine-growers of Marseilles, Beziers, and Narbonne with doctoring their wines, and with infusing various drugs into them, which rendered them disagreeable and even unwholesome (Fig. 106). Dioscorides, however, approved of the custom in use among the Allobroges, of mixing resin with their wines to preserve them and prevent them from turning sour, as the temperature of their country was not warm enough thoroughly to ripen the grape.

Pliny mentions several wines from the Gauls that were highly regarded. However, he criticizes the vine-growers from Marseilles, Beziers, and Narbonne for tampering with their wines and adding different substances to them, which made the wines unpleasant and even unhealthy (Fig. 106). Dioscorides, on the other hand, supported the practice among the Allobroges of mixing resin into their wines to keep them fresh and stop them from spoiling, since the climate in their region wasn't warm enough to fully ripen the grapes.

Rooted up by order of Domitian in 92, as stated above, the vine only reappeared in Gaul under Protus, who revoked, in 282, the imperial edict of his predecessor; after which period the Gallic wines soon recovered their ancient celebrity. Under the dominion of the Franks, who held wine in great favour, vineyard property was one of those which the barbaric laws protected with the greatest care. We find in the code of the Salians and in that of the Visigoths very severe penalties for uprooting a vine or stealing a bunch of grapes. The cultivation of the vine became general, and kings themselves planted them, even in the gardens of their city palaces. In 1160, there was still in Paris, near the Louvre, a vineyard of such an extent, that Louis VII. could annually present six hogsheads of wine made from it to the rector of St. Nicholas. Philip Augustus possessed about twenty vineyards of excellent quality in various parts of his kingdom.

Rooted up by order of Domitian in 92, as mentioned above, the vine only returned to Gaul under Protus, who overturned the imperial decree of his predecessor in 282; after that, Gallic wines quickly regained their former fame. Under the rule of the Franks, who greatly valued wine, vineyard ownership was one of the things that the barbaric laws protected most carefully. We see in the codes of the Salians and the Visigoths very harsh penalties for uprooting a vine or stealing a bunch of grapes. The cultivation of the vine became widespread, and even the kings planted them, including in the gardens of their city palaces. In 1160, there was still a vineyard near the Louvre in Paris that was so large that Louis VII could present six hogsheads of wine made from it each year to the rector of St. Nicholas. Philip Augustus owned about twenty vineyards of excellent quality in various parts of his kingdom.

The culture of the vine having thus developed, the wine trade acquired an enormous importance in France. Gascony, Aunis, and Saintonge sent their wines to Flanders; Guyenne sent hers to England. Froissart writes that, in 1372, a merchant fleet of quite two hundred sail came from London to Bordeaux for wine. This flourishing trade received a severe blow in the sixteenth century; for an awful famine having invaded France in 1566, Charles IX. did not hesitate to repeat the acts of Domitian, and to order all the vines to be uprooted and their place to be sown with corn; fortunately Henry III. soon after modified this edict by simply recommending the governors of the provinces to see that "the ploughs were not being neglected in their districts on account of the excessive cultivation of the vine."

The culture of wine developed significantly, making the wine trade extremely important in France. Gascony, Aunis, and Saintonge shipped their wines to Flanders, while Guyenne sent hers to England. Froissart mentions that in 1372, a merchant fleet of about two hundred ships came from London to Bordeaux for wine. This booming trade took a big hit in the sixteenth century; after a terrible famine struck France in 1566, Charles IX didn’t hesitate to follow the actions of Domitian and ordered all the vines to be uprooted and replaced with corn. Fortunately, Henry III later modified this decree by simply advising the governors of the provinces to ensure that “the ploughs were not being neglected in their districts due to the excessive cultivation of the vine.”

Fig. 107.--Interior of an Hostelry.--Fac-simile of a Woodcut in a folio edition of Virgil, published at Lyons in 1517.

Fig. 107.--Interior of a Inn.--Reproduction of a Woodcut in a folio edition of Virgil, published in Lyon in 1517.

Although the trade of a wine-merchant is one of the oldest established in Paris, it does not follow that the retail sale of wine was exclusively carried on by special tradesmen. On the contrary, for a long time the owner of the vineyard retailed the wine which he had not been able to sell in the cask. A broom, a laurel-wreath, or some other sign of the sort hung over a door, denoted that any one passing could purchase or drink wine within. When the wine-growers did not have the quality and price of their wine announced in the village or town by the public crier, they placed a man before the door of their cellar, who enticed the public to enter and taste the new wines. Other proprietors, instead of selling for people to take away in their own vessels, established a tavern in some room of their house, where they retailed drink (Fig. 107). The monks, who made wine extensively, also opened these taverns in the monasteries, as they only consumed part of their wine themselves; and this system was universally adopted by wine-growers, and even by the king and the nobles. The latter, however, had this advantage, that, whilst they were retailing their wines, no one in the district was allowed to enter into competition with them. This prescriptive right, which was called droit de ban-vin, was still in force in the seventeenth century.

Although being a wine merchant is one of the oldest professions in Paris, it doesn't mean that selling wine was limited to specialized traders. In fact, for a long time, vineyard owners sold the wine they couldn’t sell by the barrel. A broom, a laurel wreath, or another similar sign hanging over a door indicated that anyone passing by could buy or drink wine inside. When wine growers didn’t announce the quality and price of their wine in the village or town through a town crier, they would station someone at the cellar door to attract the public to come in and taste the new wines. Other owners, instead of selling wine for people to take away in their own containers, opened a tavern in a room of their house, where they sold drinks (Fig. 107). Monks, who also produced a lot of wine, opened these taverns in their monasteries, as they only consumed a portion of their wine themselves; this system was widely adopted by wine growers, as well as by the king and the nobles. However, the latter had the advantage that while selling their wines, no one in the area could compete with them. This privilege, known as droit de ban-vin, was still in effect in the seventeenth century.

Saint Louis granted special statutes to the wine-merchants in 1264; but it was only three centuries later that they formed a society, which was divided into four classes, namely, hotel-keepers, publichouse-keepers, tavern proprietors, and dealers in wine à pot, that is, sold to people to take away with them. Hotel-keepers, also called aubergistes, accommodated travellers, and also put up horses and carriages. The dealers à pot sold wine which could not be drunk on their premises. There was generally a sort of window in their door through which the empty pot was passed, to be returned filled: hence the expression, still in use in the eighteenth century, vente a huis coupé (sale through a cut door). Publichouse-keepers supplied drink as well as nappe et assiette (tablecloth and plate), which meant that refreshments were also served. And lastly, the taverniers sold wine to be drunk on the premises, but without the right of supplying bread or meat to their customers (Figs. 108 and 109).

Saint Louis granted special laws to wine merchants in 1264; however, it wasn’t until three centuries later that they formed a society, which was divided into four categories: hotel owners, pub owners, tavern owners, and sellers of wine to go. Hotel owners, also known as innkeepers, provided accommodations for travelers and also took care of horses and carriages. The sellers of wine to go sold wine that couldn’t be consumed on their premises. There was typically a small window in their door through which the empty containers were passed to be returned filled, giving rise to the term still in use in the eighteenth century, “vente a huis coupé” (sale through a cut door). Pub owners provided drinks as well as table settings, meaning refreshments were served as well. Finally, tavern owners sold wine to be consumed on-site, but they were not allowed to provide bread or meat to their customers (Figs. 108 and 109).

Fig. 108.--Banner of the Corporation of the Publichouse-keepers of Montmedy.

Fig. 108.--Banner of the Corporation of the Public House Keepers of Montmedy.

Fig. 109.--Banner of the Corporation of the Publichouse-keepers of Tonnerre.

Fig. 109.--Banner of the Corporation of the Publichouse Owners of Tonnerre.

The wines of France in most request from the ninth to the thirteenth centuries were those of Mâcon, Cahors, Rheims, Choisy, Montargis, Marne, Meulan, and Orléanais. Amongst the latter there was one which was much appreciated by Henry I., and of which he kept a store, to stimulate his courage when he joined his army. The little fable of the Battle of Wines, composed in the thirteenth century by Henri d'Andelys, mentions a number of wines which have to this day maintained their reputation: for instance, the Beaune, in Burgundy; the Saint-Emilion, in Gruyenne; the Chablis, Epernay, Sézanne, in Champagne, &c. But he places above all, with good reason, according to the taste of those days, the Saint-Pourçain of Auvergne, which was then most expensive and in great request. Another French poet, in describing the luxurious habits of a young man of fashion, says that he drank nothing but Saint-Pourçain; and in a poem composed by Jean Bruyant, secretary of the Châtelet of Paris, in 1332, we find

The wines in France that were most popular from the ninth to the thirteenth centuries included those from Mâcon, Cahors, Rheims, Choisy, Montargis, Marne, Meulan, and Orléanais. Among these, one particular wine was highly valued by Henry I., who kept a supply to boost his spirits when he was with his army. The little tale of the Battle of Wines, written in the thirteenth century by Henri d'Andelys, mentions several wines that still have a good reputation today: for example, Beaune from Burgundy; Saint-Emilion from Gruyenne; Chablis, Epernay, and Sézanne from Champagne, etc. However, he rightfully places above all, according to the tastes of that time, the Saint-Pourçain from Auvergne, which was then quite pricey and in high demand. Another French poet, describing the lavish lifestyle of a fashionable young man, states that he drank only Saint-Pourçain; and in a poem written by Jean Bruyant, secretary of the Châtelet of Paris, in 1332, we find

               "Du saint-pourçain
Que l'on met en son sein pour sain."

"From Saint-Pourçain
It’s meant to be enjoyed for your health."

("Saint-Pourçain wine, which you imbibe for the good of your health.")

("Saint-Pourçain wine, which you drink to stay healthy.")

Fig. 110.--Banner of the Coopers of Bayonne.

Fig. 110.--Banner of the Coopers of Bayonne.

Fig. 111.--Banner of the Coopers of La Rochelle.

Fig. 111.--Banner of the Coopers of La Rochelle.

Towards 1400, the vineyards of Aï became celebrated for Champagne as those of Beaune were for Burgundy; and it is then that we find, according to the testimony of the learned Paulmier de Grandmesnil, kings and queens making champagne their favourite beverage. Tradition has it that Francis I., Charles Quint, Henry VIII., and Pope Leon X. all possessed vineyards in Champagne at the same time. Burgundy, that pure and pleasant wine, was not despised, and it was in its honour that Erasmus said, "Happy province! she may well call herself the mother of men, since she produces such milk." Nevertheless, the above-mentioned physician, Paulmier, preferred to burgundy, "if not perhaps for their flavour, yet for their wholesomeness, the vines of the Ile de France or vins français, which agree, he says, with scholars, invalids, the bourgeois, and all other persons who do not devote themselves to manual labour; for they do not parch the blood, like the wines of Gascony, nor fly to the head like those of Orleans and Château-Thierry; nor do they cause obstructions like those of Bordeaux." This is also the opinion of Baccius, who in his Latin treatise on the natural history of wines (1596) asserts that the wines of Paris "are in no way inferior to those of any other district of the kingdom." These thin and sour wines, so much esteemed in the first periods of monarchy and so long abandoned, first lost favour in the reign of Francis I., who preferred the strong and stimulating productions of the South.

By around 1400, the vineyards of Aï became famous for Champagne just as the vineyards of Beaune were for Burgundy. It was during this time, according to the scholar Paulmier de Grandmesnil, that kings and queens chose champagne as their favorite drink. It’s said that Francis I, Charles Quint, Henry VIII, and Pope Leo X all owned vineyards in Champagne at the same time. Burgundy, that pure and pleasant wine, was still valued, and Erasmus once said, "Happy province! She may well call herself the mother of men, since she produces such milk." However, the physician Paulmier preferred Burgundy, "if not perhaps for their flavor, then for their wholesomeness," pointing out that the vines of the Ile de France or vins français are good for scholars, invalids, the bourgeois, and anyone else who doesn’t do manual labor; because they don’t dry out the blood like Gascony wines, nor make you dizzy like those from Orleans and Château-Thierry, nor cause blockages like Bordeaux wines." Baccius shares this view in his Latin treatise on the natural history of wines (1596), stating that Paris wines "are in no way inferior to those from any other region of the kingdom." These light and sour wines, once highly valued in the early days of monarchy, fell out of favor during the reign of Francis I, who preferred the strong and invigorating wines from the South.

Notwithstanding the great number of excellent wines made in their own country, the French imported from other lands. In the thirteenth century, in the "Battle of Wines" we find those of Aquila, Spain, and, above all, those of Cyprus, spoken of in high terms. A century later, Eustace Deschamps praised the Rhine wines, and those of Greece, Malmsey, and Grenache. In an edict of Charles VI. mention is also made of the muscatel, rosette, and the wine of Lieppe. Generally, the Malmsey which was drunk in France was an artificial preparation, which had neither the colour nor taste of the Cyprian wine. Olivier de Serres tells us that in his time it was made with water, honey, clary juice, beer grounds, and brandy. At first the same name was used for the natural wine, mulled and spiced, which was produced in the island of Madeira from the grapes which the Portuguese brought there from Cyprus in 1420.

Despite the many amazing wines produced in their own country, the French also imported wines from other regions. In the thirteenth century, during the "Battle of Wines," wines from Aquila, Spain, and especially Cyprus were highly praised. A century later, Eustace Deschamps commended the wines from the Rhine, Greece, Malmsey, and Grenache. An edict from Charles VI also mentions muscatel, rosette, and the wine from Lieppe. Usually, the Malmsey that was consumed in France was a synthetic version, lacking the color and flavor of the Cyprian wine. Olivier de Serres noted that during his time, it was made with water, honey, clary juice, beer remnants, and brandy. Initially, the same name referred to the natural wine, mulled and spiced, that was produced on the island of Madeira from grapes the Portuguese brought there from Cyprus in 1420.

The reputation which this wine acquired in Europe induced Francis I. to import some vines from Greece, and he planted fifty acres with them near Fontainebleau. It was at first considered that this plant was succeeding so well, that "there were hopes," says Olivier de Serres, "that France would soon be able to furnish her own Malmsey and Greek wines, instead of having to import them from abroad." It is evident, however, that they soon gave up this delusion, and that for want of the genuine wine they returned to artificial beverages, such as vin cuit, or cooked wine, which had at all times been cleverly prepared by boiling down new wine and adding various aromatic herbs to it.

The reputation this wine gained in Europe led Francis I to import some vines from Greece, and he planted fifty acres of them near Fontainebleau. It was initially believed that the plants were thriving so well that "there were hopes," says Olivier de Serres, "that France would soon be able to produce its own Malmsey and Greek wines, instead of having to import them." However, it became clear that they soon abandoned this idea, and due to the lack of genuine wine, they returned to artificial drinks like vin cuit, or cooked wine, which had always been skillfully made by boiling down new wine and adding various aromatic herbs to it.

Many wines were made under the name of herbés, which were merely infusions of wormwood, myrtle, hyssop, rosemary, &c., mixed with sweetened wine and flavoured with honey. The most celebrated of these beverages bore the pretentious name of "nectar;" those composed of spices, Asiatic aromatics, and honey, were generally called "white wine," a name indiscriminately applied to liquors having for their bases some slightly coloured wine, as well as to the hypocras, which was often composed of a mixture of foreign liqueurs. This hypocras plays a prominent part in the romances of chivalry, and was considered a drink of honour, being always offered to kings, princes, and nobles on their solemn entry into a town.

Many wines were made under the name of herbés, which were simply infusions of wormwood, myrtle, hyssop, rosemary, and so on, mixed with sweetened wine and flavored with honey. The most famous of these drinks had the fancy name of "nectar;" those made with spices, exotic aromatics, and honey were usually referred to as "white wine," a term used for beverages based on some lightly colored wine, as well as for hypocras, which often included a mix of foreign liqueurs. This hypocras plays a significant role in chivalric romances and was regarded as a drink of honor, always offered to kings, princes, and nobles during their formal entry into a town.

Fig. 112.--Butler at his Duties.--Fac-simile from a Woodcut in the "Cosmographie Universelle," of Munster, folio, Basle, 1549.

Fig. 112.--Butler at his Duties.--Exact copy from a woodcut in the "Cosmographie Universelle," by Munster, folio, Basle, 1549.

The name of wine was also given to drinks composed of the juices of certain fruits, and in which grapes were in no way used. These were the cherry, the currant, the raspberry, and the pomegranate wines; also the moré, made with the mulberry, which was so extolled by the poets of the thirteenth century. We must also mention the sour wines, which were made by pouring water on the refuse grapes after the wine had been extracted; also the drinks made from filberts, milk of almonds, the syrups of apricots and strawberries, and cherry and raspberry waters, all of which were refreshing, and were principally used in summer; and, lastly, tisane, sold by the confectioners of Paris, and made hot or cold, with prepared barley, dried grapes, plums, dates, gum, or liquorice. This tisane may be considered as the origin of that drink which is now sold to the poor at a sous a glass, and which most assuredly has not much improved since olden times.

The term "wine" was also used for drinks made from the juices of certain fruits that didn’t involve grapes at all. These included cherry, currant, raspberry, and pomegranate wines; as well as moré, made from mulberries, which were highly praised by poets in the thirteenth century. We should also mention sour wines, created by pouring water over leftover grapes after the wine was extracted; along with drinks made from hazelnuts, almond milk, and syrups from apricots and strawberries, as well as cherry and raspberry waters, all of which were refreshing, especially in summer. Finally, there was tisane, sold by Parisian confectioners, made hot or cold, using prepared barley, dried grapes, plums, dates, gum, or licorice. This tisane can be seen as the precursor to that drink now sold cheaply to the poor at a sou a glass, which has probably not improved much since ancient times.

It was about the thirteenth century that brandy first became known in France; but it does not appear that it was recognised as a liqueur before the sixteenth. The celebrated physician Arnauld de Villeneuve, who wrote at the end of the thirteenth century, to whom credit has wrongly been given for inventing brandy, employed it as one of his remedies, and thus expresses himself about it: "Who would have believed that we could have derived from wine a liquor which neither resembles it in nature, colour, or effect?... This eau de vin is called by some eau de vie, and justly so, since it prolongs life.... It prolongs health, dissipates superfluous matters, revives the spirits, and preserves youth. Alone, or added to some other proper remedy, it cures colic, dropsy, paralysis, ague, gravel, &c."

It was around the thirteenth century that brandy first became known in France; however, it doesn't seem to have been recognized as a liqueur until the sixteenth century. The famous physician Arnauld de Villeneuve, who wrote at the end of the thirteenth century and has mistakenly been credited with inventing brandy, used it as one of his remedies and stated: "Who would have believed that we could derive from wine a drink that doesn’t resemble it in nature, color, or effect?... This eau de vin is referred to by some as eau de vie, and rightfully so, since it extends life…. It boosts health, clears out excess substances, lifts the spirits, and keeps youth intact. Alone or combined with another effective remedy, it treats colic, dropsy, paralysis, fever, gravel, etc."

At a period when so many doctors, alchemists, and other learned men made it their principal occupation to try to discover that marvellous golden fluid which was to free the human race of all its original infirmities, the discovery of such an elixir could not fail to attract the attention of all such manufacturers of panaceas. It was, therefore, under the name of eau d'or (aqua auri) that brandy first became known to the world; a name improperly given to it, implying as it did that it was of mineral origin, whereas its beautiful golden colour was caused by the addition of spices. At a later period, when it lost its repute as a medicine, they actually sprinkled it with pure gold leaves, and at the same time that it ceased to be exclusively considered as a remedy, it became a favourite beverage. It was also employed in distilleries, especially as the basis of various strengthening and exciting liqueurs, most of which have descended to us, some coming from monasteries and others from châteaux, where they had been manufactured.

At a time when many doctors, alchemists, and other knowledgeable people made it their main goal to find that amazing golden liquid that would cure humanity of all its original weaknesses, the discovery of such an elixir was bound to grab the attention of all those who created miracle cures. It was under the name of eau d'or (aqua auri) that brandy was first introduced to the world; a name that was inaccurately assigned to it, suggesting that it was of mineral origin, while its lovely golden color actually came from added spices. Later on, when it lost its status as a medicine, they even sprinkled it with real gold leaves. At the same time it stopped being seen solely as a remedy, it became a popular drink. It was also used in distilleries, especially as the foundation for various strong and stimulating liqueurs, many of which have been passed down to us, with some originating from monasteries and others from châteaux, where they were produced.

The Kitchen.

Soups, broths, and stews, &c.--The French word potage must originally have signified a soup composed of vegetables and herbs from the kitchen garden, but from the remotest times it was applied to soups in general.

Soups, broths, stews, etc.--The French word potage likely originally referred to a soup made from vegetables and herbs from the garden, but since ancient times, it has been used to mean soups in general.

As the Gauls, according to Athenæus, generally ate their meat boiled, we must presume that they made soup with the water in which it was cooked. It is related that one day Gregory of Tours was sitting at the table of King Chilpéric, when the latter offered him a soup specially made in his honour from chicken. The poems of the twelfth and thirteenth centuries mention soups made of peas, of bacon, of vegetables, and of groats. In the southern provinces there were soups made of almonds, and of olive oil. When Du Gueselin went out to fight the English knight William of Blancbourg in single combat, he first ate three sorts of soup made with wine, "in honour of the three persons in the Holy Trinity."

As the Gauls, according to Athenæus, typically cooked their meat by boiling it, we can assume they used the broth for soup. It is said that one day Gregory of Tours was dining at King Chilpéric's table when the king served him a special chicken soup made in his honor. The poems from the twelfth and thirteenth centuries mention soups made with peas, bacon, vegetables, and groats. In the southern provinces, there were soups made with almonds and olive oil. When Du Gueselin went out to challenge the English knight William of Blancbourg to single combat, he first ate three types of soup made with wine, "in honor of the three persons in the Holy Trinity."

Fig. 113.--Interior of a Kitchen of the Sixteenth Century.--Fac-simile from a Woodcut in the "Calendarium Romanum" of Jean Staéffler, folio, Tubingen, 1518.

Fig. 113.--Interior of a Sixteenth Century Kitchen.--Reproduction from a woodcut in the "Calendarium Romanum" by Jean Staéffler, folio, Tübingen, 1518.

We find in the "Ménagier," amongst a long list of the common soups the receipts for which are given, soup made of "dried peas and the water in which bacon has been boiled," and, in Lent, "salted-whale water;" watercress soup, cabbage soup, cheese soup, and gramose soup, which was prepared by adding stewed meat to the water in which meat had already been boiled, and adding beaten eggs and verjuice; and, lastly, the souppe despourvue, which was rapidly made at the hotels, for unexpected travellers, and was a sort of soup made from the odds and ends of the larder. In those days there is no doubt but that hot soup formed an indispensable part of the daily meals, and that each person took it at least twice a day, according to the old proverb:--

We see in the "Ménagier," among a long list of common soups for which recipes are provided, soup made from "dried peas and the water used to boil bacon," and, during Lent, "water from salted whale;" watercress soup, cabbage soup, cheese soup, and gramose soup, which was made by adding stewed meat to the water already used for boiling meat, then adding beaten eggs and verjuice; and finally, the souppe despourvue, which was quickly prepared at inns for unexpected travelers, made from leftovers in the pantry. Back then, there’s no doubt that hot soup was an essential part of daily meals, and everyone had it at least twice a day, as the old saying goes:--

"Soupe la soir, soupe le matin,
C'est l'ordinaire du bon chrétien."

"Soup for dinner, soup for breakfast,
That's what a good Christian usually has."

("Soup in the evening, and soup in the morning,
Is the everyday food of a good Christian.")

("Soup in the evening and soup in the morning,
Is the everyday meal of a good Christian.")

The cooking apparatus of that period consisted of a whole glittering array of cauldrons, saucepans, kettles, and vessels of red and yellow copper, which hardly sufficed for all the rich soups for which France was so famous. Thence the old proverb, "En France sont les grands soupiers."

The cooking tools from that time included a shiny collection of cauldrons, saucepans, kettles, and pots made of red and yellow copper, which barely met the demand for all the delicious soups France was famous for. Hence the old saying, "En France sont les grands soupiers."

But besides these soups, which were in fact looked upon as "common, and without spice," a number of dishes were served under the generic name of soup, which constituted the principal luxuries at the great tables in the fourteenth century, but which do not altogether bear out the names under which we find them. For instance, there was haricot mutton, a sort of stew; thin chicken broth; veal broth with herbs; soup made of veal, roe, stag, wild boar, pork, hare and rabbit soup flavoured with green peas, &c.

But aside from these soups, which were considered "common and plain," there were several dishes served under the general term soup that were the main luxuries at the grand tables in the fourteenth century, though they don't entirely match the names we see today. For example, there was haricot mutton, a type of stew; thin chicken broth; veal broth with herbs; soup made from veal, roe, deer, wild boar, pork, and hare or rabbit soup flavored with green peas, etc.

The greater number of these soups were very rich, very expensive, several being served at the same time; and in order to please the eye as well as the taste they were generally made of various colours, sweetened with sugar, and sprinkled with pomegranate seeds and aromatic herbs, such as marjoram, sage, thyme, sweet basil, savoury, &c.

Most of these soups were really rich and quite expensive, with several being served at the same time. To please both the eye and the taste, they were usually made in different colors, sweetened with sugar, and topped with pomegranate seeds and aromatic herbs like marjoram, sage, thyme, sweet basil, and savory, etc.

Fig. 114.--Coppersmith, designed and engraved in the Sixteenth Century by J. Amman.

Fig. 114.--Coppersmith, created and etched in the Sixteenth Century by J. Amman.

These descriptions of soups were perfect luxuries, and were taken instead of sweets. As a proof of this we must refer to the famous soupe dorée, the description of which is given by Taillevent, head cook of Charles VII., in the following words, "Toast slices of bread, throw them into a jelly made of sugar, white wine, yolk of egg, and rosewater; when they are well soaked fry them, then throw them again into the rosewater and sprinkle them with sugar and saffron."

These soup descriptions were delightful luxuries and were enjoyed instead of desserts. To illustrate this, we can refer to the famous soupe dorée, which Taillevent, head chef of Charles VII, described in these words: "Toast slices of bread, soak them in a mixture of sugar, white wine, egg yolk, and rosewater; once they are well soaked, fry them, then soak them again in rosewater and sprinkle with sugar and saffron."

Fig. 115.--Kitchen and Table Uensils:--1, Carving-knife (Sixteenth Century); 2, Chalice or Cup, with Cover (Fourteenth Century); 3, Doubled-handled Pot, in Copper (Ninth Century); 4, Metal Boiler, or Tin Pot, taken from "L'Histoire de la Belle Hélaine" (Fifteenth Century); 5, Knife (Sixteenth Century); 6, Pot, with Handles (Fourteenth Century); 7, Copper Boiler, taken from "L'Histoire de la Belle Hélaine" (Fifteenth Century); 8, Ewer, with Handle, in Oriental Fashion (Ninth Century); 9, Pitcher, sculptured, from among the Decorations of the Church of St. Benedict, Paris (Fifteenth Century); 10, Two-branched Candlestick (Sixteenth Century); 11, Cauldron (Fifteenth Century).

Fig. 115.--Kitchen and Table Utensils:--1, Carving Knife (16th Century); 2, Chalice or Cup with Cover (14th Century); 3, Double-handled Pot in Copper (9th Century); 4, Metal Boiler or Tin Pot, from "L'Histoire de la Belle Hélaine" (15th Century); 5, Knife (16th Century); 6, Pot with Handles (14th Century); 7, Copper Boiler, from "L'Histoire de la Belle Hélaine" (15th Century); 8, Ewer with Handle in Oriental Style (9th Century); 9, Sculptured Pitcher, from the Decorations of the Church of St. Benedict, Paris (15th Century); 10, Two-branched Candlestick (16th Century); 11, Cauldron (15th Century).

It is possible that even now this kind of soup might find some favour; but we cannot say the same for those made with mustard, hemp-seed, millet, verjuice, and a number of others much in repute at that period; for we see in Rabelais that the French were the greatest soup eaters in the world, and boasted to be the inventors of seventy sorts.

It’s possible that even today this kind of soup might be liked; but we can’t say the same for the ones made with mustard, hemp seed, millet, verjuice, and several others that were quite popular back then; because we see in Rabelais that the French were the biggest soup lovers in the world, claiming to have invented seventy different kinds.

We have already remarked that broths were in use at the remotest periods, for, from the time that the practice of boiling various meats was first adopted, it must have been discovered that the water in which they were so boiled became savoury and nourishing. "In the time of the great King Francis I.," says Noël du Fail, in his "Contes d'Eutrapel," "in many places the saucepan was put on to the table, on which there was only one other large dish, of beef, mutton, veal, and bacon, garnished with a large bunch of cooked herbs, the whole of which mixture composed a porridge, and a real restorer and elixir of life. From this came the adage, 'The soup in the great pot and the dainties in the hotch-potch.'"

We’ve already noted that broths have been around since ancient times. Once people started boiling different meats, they must have realized that the water used for boiling took on a flavorful and nutritious quality. "In the time of the great King Francis I.," says Noël du Fail in his "Contes d'Eutrapel," "in many places, the saucepan was set on the table alongside only one large dish containing beef, mutton, veal, and bacon, topped with a generous bunch of cooked herbs. This entire mixture made a porridge that was a true rejuvenator and elixir of life. From this came the saying, 'The soup in the big pot and the treats in the hotch-potch.'"

At one time they made what they imagined to be strengthening broths for invalids, though their virtue must have been somewhat delusive, for, after having boiled down various materials in a close kettle and at a slow fire, they then distilled from this, and the water thus obtained was administered as a sovereign remedy. The common sense of Bernard Palissy did not fail to make him see this absurdity, and to protest against this ridiculous custom: "Take a capon," he says, "a partridge, or anything else, cook it well, and then if you smell the broth you will find it very good, and if you taste it you will find it has plenty of flavour; so much so that you will feel that it contains something to invigorate you. Distil this, on the contrary, and take the water then collected and taste it, and you will find it insipid, and without smell except that of burning. This should convince you that your restorer does not give that nourishment to the weak body for which you recommend it as a means of making good blood, and restoring and strengthening the spirits."

At one point, they created what they thought were nourishing broths for the sick, though their effectiveness was likely pretty misleading. After boiling down various ingredients in a sealed pot over low heat, they distilled the mixture, and the resulting water was given as a miracle cure. Bernard Palissy's common sense led him to see the absurdity in this and to speak out against such a silly practice: "Take a capon, a partridge, or anything else, cook it well, and when you smell the broth, you'll find it delicious. If you taste it, you'll see it has a lot of flavor; it will feel invigorating. But if you distill this and then taste the collected water, you'll find it bland and lacking any pleasant aroma, except for the smell of burning. This should make it clear to you that your supposed health tonic doesn't provide the nourishment for the weak body that you claim helps create good blood and restores energy."

The taste for broths made of flour was formerly almost universal in France and over the whole of Europe; it is spoken of repeatedly in the histories and annals of monasteries; and we know that the Normans, who made it their principal nutriment, were surnamed bouilleux. They were indeed almost like the Romans who in olden times, before their wars with eastern nations, gave up making bread, and ate their corn simply boiled in water.

The preference for flour-based broths used to be almost universal in France and across Europe; it’s mentioned many times in the histories and records of monasteries. We know that the Normans, who primarily relied on it for food, were called bouilleux. They were quite similar to the Romans who, in ancient times before their wars with eastern nations, stopped making bread and just boiled their grain in water.

In the fourteenth century the broths and soups were made with millet-flour and mixed wheats. The pure wheat flour was steeped in milk seasoned with sugar, saffron, honey, sweet wine or aromatic herbs, and sometimes butter, fat, and yolks of eggs were added. It was on account of this that the bread of the ancients so much resembled cakes, and it was also from this fact that the art of the pastrycook took its rise.

In the fourteenth century, broths and soups were made with millet flour and various types of wheat. The pure wheat flour was soaked in milk that was flavored with sugar, saffron, honey, sweet wine, or aromatic herbs, and sometimes butter, fat, and egg yolks were added. Because of this, the bread from ancient times was very much like cakes, and this is also why the art of pastry-making originated.

Wheat made into gruel for a long time was an important ingredient in cooking, being the basis of a famous preparation called fromentée, which was a bouillie of milk, made creamy by the addition of yolks of eggs, and which served as a liquor in which to roast meats and fish. There were, besides, several sorts of fromentée, all equally esteemed, and Taillevent recommended the following receipt, which differs from the one above given:--"First boil your wheat in water, then put into it the juice or gravy of fat meat, or, if you like it better, milk of almonds, and by this means you will make a soup fit for fasts, because it dissolves slowly, is of slow digestion and nourishes much. In this way, too, you can make ordiat, or barley soup, which is more generally approved than the said fromentée."

Wheat that was made into gruel for a long time was an important cooking ingredient, being the base of a well-known dish called fromentée, which was a bouillie of milk made creamy by adding egg yolks, and it was used as a sauce for roasting meats and fish. There were also several types of fromentée, all highly regarded, and Taillevent recommended the following recipe, which is different from the one mentioned above: “First, boil your wheat in water, then add the juice or gravy of fatty meat or, if you prefer, almond milk, and this way you will create a soup suitable for fasting, as it dissolves slowly, digests slowly, and provides a lot of nourishment. You can also make ordiat, or barley soup, which is generally more favored than the mentioned fromentée.”

Fig. 116.--Interior of a Kitchen.--Fac-simile from a Woodcut in the "Calendarium Romanum" of J. Staéffler, folio, Tubingen, 1518.

Fig. 116.--Interior of a Kitchen.--Reproduction from a woodcut in the "Calendarium Romanum" by J. Staéffler, folio, Tübingen, 1518.

Semolina, vermicelli, macaroni, &c., which were called Italian because they originally came from that country, have been in use in France longer than is generally supposed. They were first introduced after the expedition of Charles VIII. into Italy, and the conquest of the kingdom of Naples; that is, in the reign of Louis XII., or the first years of the sixteenth century.

Semolina, vermicelli, macaroni, etc., which were called Italian because they originally came from that country, have been used in France longer than most people think. They were first introduced after Charles VIII's expedition to Italy and the conquest of the Kingdom of Naples; that is, during the reign of Louis XII or the early years of the sixteenth century.

Pies, Stews, Roasts, Salads, &c.--Pastry made with fat, which might be supposed to have been the invention of modern kitchens, was in great repute amongst our ancestors. The manufacture of sweet and savoury pastry was intrusted to the care of the good ménagiers of all ranks and conditions, and to the corporation of pastrycooks, who obtained their statutes only in the middle of the sixteenth century; the united skill of these, both in Paris and in the provinces, multiplied the different sorts of tarts and meat pies to a very great extent. So much was this the case that these ingenious productions became a special art, worthy of rivalling even cookery itself (Figs. 117, 118, and 130). One of the earliest known receipts for making pies is that of Gaces de la Bigne, first chaplain of Kings John, Charles V., and Charles VI. We find it in a sporting poem, and it deserves to be quoted verbatim as a record of the royal kitchen of the fourteenth century. It will be observed on perusing it that nothing was spared either in pastry or in cookery, and that expense was not considered when it was a question of satisfying the appetite.

Pies, Stews, Roasts, Salads, etc.--Pastry made with fat, which some might think was invented in modern kitchens, was actually very popular with our ancestors. The making of sweet and savory pastries was trusted to the capable hands of skilled homemakers of all backgrounds, along with the pastrycooks' guild, which was only officially recognized in the mid-sixteenth century. The combined expertise of these cooks, both in Paris and in the countryside, significantly increased the variety of tarts and meat pies. So much so that these creative foods became a special art form, rivaling even traditional cooking itself (Figs. 117, 118, and 130). One of the earliest known recipes for making pies comes from Gaces de la Bigne, who served as chaplain to Kings John, Charles V, and Charles VI. This recipe appears in a sporting poem and is worth quoting in full as a record of the royal kitchen from the fourteenth century. It’s clear from reading it that no expense was spared in either pastry or cooking when it came to satisfying appetites.

"Trois perdriaulx gros et reffais
Au milieu du paté me mets;
Mais gardes bien que tu ne failles
A moi prendre six grosses cailles,
De quoi tu les apuyeras.
Et puis après tu me prendras
Une douzaine d'alouètes
Qu'environ les cailles me mettes,
Et puis pendras de ces machés
Et de ces petits oiselés:
Selon ce que tu en auras,
Le paté m'en billeteras.
Or te fault faire pourvéance
D'un pen de lart, sans point de rance,
Que tu tailleras comme dé:
S'en sera le pasté pouldré.
S tu le veux de bonne guise,
Du vertjus la grappe y soit mise,
D'un bien peu de sel soit pouldré ...
... Fay mettre des oeufs en la paste,
Les croutes un peu rudement
Faictes de flour de pur froment ...
... N'y mets espices ni fromaige ...
Au four bien à point chaud le met,
Qui de cendre ait l'atre bien net;
E quand sera bien à point cuit,
I n'est si bon mangier, ce cuit."

"Place three large, well-prepared partridges in the center of the pie; make sure you also get me six fat quails to support them. Then, after that, grab a dozen larks to arrange around the quails, and hang some of these small birds and those little ones: depending on what you have, pack them into the pie. Now you need to gather some lard, nothing spoiled, which you’ll cut into dice; this will enhance the pie’s flavor. If you want it to be just right, add a bit of grape juice and sprinkle a touch of salt ... Make sure to include eggs in the filling, and the crust should be a little rough, made from pure wheat flour ... Don’t add any spices or cheese ... Bake it in a hot oven, making sure the ashes in the hearth are clean; and when it’s well-cooked, nothing tastes as good as this dish."

("Put me in the middle of the pie three young partridges large and fat;
But take good care not to fail to take six fine quail to put by their side.
After that you must take a dozen skylarks, which round the quail you must place;
And then you must take some thrushes and such other little birds as you can get to garnish the pie.
Further, you must provide yourself with a little bacon, which must not be in the least rank (reasty), and you must cut it into pieces of the size of a die, and sprinkle them into the pie.
If you want it to be in quite good form, you must put some sour grapes in and a very little salt ...
... Have eggs put into the paste, and the crust made rather hard of the flour of pure wheat.
Put in neither spice nor cheese ...
Put it into the oven just at the proper heat,
The bottom of which must be quite free from ashes;
And when it is baked enough, isn't that a dish to feast on!")

("Place three young partridges, large and plump, in the middle of the pie; but don't forget to include six fine quail to go with them. After that, you should add a dozen skylarks, arranged around the quail; then, include some thrushes and any other small birds you can find to garnish the pie. You'll also need some bacon, which must be fresh, cut into dice-sized pieces, and sprinkled into the pie. To make it really good, add some sour grapes and just a pinch of salt ... Have eggs mixed into the dough, and make the crust fairly firm using pure wheat flour. Do not add any spices or cheese ... Bake it at the right temperature, ensuring the bottom is completely clean of ashes; and when it’s baked just right, isn't that a dish to feast on!")

From this period all treatises on cookery are full of the same kind of receipts for making "pies of young chickens, of fresh venison, of veal, of eels, of bream and salmon, of young rabbits, of pigeons, of small birds, of geese, and of narrois" (a mixture of cod's liver and hashed fish). We may mention also the small pies, which were made of minced beef and raisins, similar to our mince pies, and which were hawked in the streets of Paris, until their sale was forbidden, because the trade encouraged greediness on the one hand and laziness on the other.

From this time on, all cookbooks are filled with the same types of recipes for making "pies of young chickens, fresh venison, veal, eels, bream and salmon, young rabbits, pigeons, small birds, geese, and narrois" (a mix of cod's liver and minced fish). We should also note the small pies made of minced beef and raisins, similar to our mince pies, which were sold on the streets of Paris until their sale was banned because it encouraged greediness on one hand and laziness on the other.

Ancient pastries, owing to their shapes, received the name of tourte or tarte, from the Latin torta, a large hunch of bread. This name was afterwards exclusively used for hot pies, whether they contained vegetables, meat, or fish. But towards the end of the fourteenth century tourte and tarte was applied to pastry containing, herbs, fruits, or preserves, and pâté to those containing any kind of meat, game, or fish.

Ancient pastries, because of their shapes, were called tourte or tarte, derived from the Latin torta, which means a large lump of bread. This name later came to refer specifically to hot pies, whether they had vegetables, meat, or fish. However, by the end of the fourteenth century, tourte and tarte were used for pastries containing herbs, fruits, or preserves, while pâté referred to those made with any type of meat, game, or fish.

Fig. 117.--Banner of the Corporation of Pastrycooks of Caen.

Fig. 117.--Banner of the Pastrycooks' Corporation of Caen.

Fig. 118.--Banner of the Corporation of Pastrycooks of Bordeaux.

Fig. 118.--Flag of the Pastrycooks' Association of Bordeaux.

It was only in the course of the sixteenth century that the name of potage ceased to be applied to stews, whose number equalled their variety, for on a bill of fare of a banquet of that period we find more than fifty different sorts of potages mentioned. The greater number of these dishes have disappeared from our books on cookery, having gone out of fashion; but there are two stews which were popular during many centuries, and which have maintained their reputation, although they do not now exactly represent what they formerly did. The pot-pourri, which was composed of veal, beef, mutton, bacon, and vegetables, and the galimafrée, a fricassee of poultry, sprinkled with verjuice, flavoured with spices, and surrounded by a sauce composed of vinegar, bread crumbs, cinnamon, ginger, &c. (Fig. 119).

It was only during the sixteenth century that the term potage stopped being used for stews, which were as numerous as they were varied. On the menu of a banquet from that time, we see more than fifty different kinds of potages. Most of these dishes have faded from our culinary books, falling out of fashion; however, there are two stews that were popular for many centuries and still have a good reputation, even though they no longer fully represent what they used to. The pot-pourri, made with veal, beef, mutton, bacon, and vegetables, and the galimafrée, a fricassee of poultry seasoned with verjuice, spices, and served in a sauce made of vinegar, bread crumbs, cinnamon, ginger, etc. (Fig. 119).

The highest aim of the cooks of the Taillevent school was to make dishes not only palatable, but also pleasing to the eye. These masters in the art of cooking might be said to be both sculptors and painters, so much did they decorate their works, their object being to surprise or amuse the guests by concealing the real nature of the disbes. Froissart, speaking of a repast given in his time, says that there were a number of "dishes so curious and disguised that it was impossible to guess what they were." For instance, the bill of fare above referred to mentions a lion and a sun made of white chicken, a pink jelly, with diamond-shaped points; and, as if the object of cookery was to disguise food and deceive epicures, Taillevent facetiously gives us a receipt for making fried or roast butter and for cooking eggs on the spit.

The main goal of the cooks from the Taillevent school was to create dishes that were not only tasty but also visually appealing. These culinary masters were like sculptors and painters, as they put so much effort into decorating their creations, aiming to surprise or entertain their guests by hiding the true nature of the dishes. Froissart, reflecting on a feast from his time, noted that there were many "dishes so unusual and disguised that it was impossible to guess what they were." For example, the menu mentioned a lion and a sun made from white chicken and a pink jelly with diamond-shaped points; and, as if cooking was meant to disguise food and trick food lovers, Taillevent humorously provided a recipe for making fried or roasted butter and for cooking eggs on a spit.

Fig. 119.--Interior of Italian Kitchen.--Fac-simile of a Woodcut in the Book on Cookery of Christoforo di Messisburgo, "Banchetti compositioni di Vivende," 4to., Ferrara, 1549.

Fig. 119.--Interior of Italian Kitchen.--Replica of a woodcut from the cookbook by Christoforo di Messisburgo, "Banchetti compositioni di Vivende," 4to., Ferrara, 1549.

The roasts were as numerous as the stews. A treatise of the fourteenth century names about thirty, beginning with a sirloin of beef, which must have been one of the most common, and ending with a swan, which appeared on table in full plumage. This last was the triumph of cookery, inasmuch as it presented this magnificent bird to the eyes of the astonished guests just as if he were living and swimming. His beak was gilt, his body silvered, resting 'on a mass of brown pastry, painted green in order to represent a grass field. Eight banners of silk were placed round, and a cloth of the same material served as a carpet for the whole dish, which towered above the other appointments of the table.

The roasts were just as plentiful as the stews. A 14th-century treatise mentions about thirty kinds, starting with a sirloin of beef, which must have been one of the most common, and ending with a swan, presented at the table in full plumage. This last dish was the pinnacle of culinary art, as it showcased this magnificent bird to the amazed guests as if it were alive and swimming. Its beak was gilded, its body silvered, resting on a bed of brown pastry, painted green to represent a field of grass. Eight silk banners surrounded it, and a cloth of the same material served as a base for the entire presentation, which towered over the other items on the table.

Fig. 120.--Hunting-Meal.--Fac-simile of a Miniature in the Manuscript of the "Livre du Roy Modus" (National Library of Paris).

Fig. 120.--Hunting-Meal.--Replica of a Miniature in the Manuscript of the "Livre du Roy Modus" (National Library of Paris).

The peacock, which was as much thought of then as it is little valued now, was similarly arrayed, and was brought to table amidst a flourish of trumpets and the applause of all present. The modes of preparing other roasts much resembled the present system in their simplicity, with this difference, that strong meats were first boiled to render them tender, and no roast was ever handed over to the skill of the carver without first being thoroughly basted with orange juice and rose water, and covered with sugar and powdered spices.

The peacock, once highly regarded and now hardly valued, was presented in a similar fashion and brought to the table with a fanfare of trumpets and applause from everyone there. The ways of cooking other roasts were quite simple, similar to today, except that tough meats were boiled first to make them tender. No roast was ever handed over to the carver without being generously basted with orange juice and rose water, and coated with sugar and ground spices first.

We must not forget to mention the broiled dishes, the invention of which is attributed to hunters, and which Rabelais continually refers to as acting as stimulants and irresistibly exciting the thirst for wine at the sumptuous feasts of those voracious heroes (Fig. 120).

We should definitely mention the grilled dishes, which were supposedly invented by hunters, and which Rabelais frequently mentions as stimulants that irresistibly spark the craving for wine at the lavish feasts of those greedy heroes (Fig. 120).

The custom of introducing salads after roasts was already established in the fifteenth century. However, a salad, of whatever sort, was never brought to table in its natural state; for, besides the raw herbs, dressed in the same manner as in our days, it contained several mixtures, such as cooked vegetables, and the crests, livers, or brains of poultry. After the salads fish was served; sometimes fried, sometimes sliced with eggs or reduced to a sort of pulp, which was called carpée or charpie, and sometimes it was boiled in water or wine, with strong seasoning. Near the salads, in the course of the dinner, dishes of eggs prepared in various ways were generally served. Many of these are now in use, such as the poached egg, the hard-boiled egg, egg sauce, &c.

The practice of serving salads after roasts was already common in the fifteenth century. However, salads, no matter the type, were never served in their natural state; in addition to the raw herbs, dressed like we do today, they included several mixes such as cooked vegetables, and the crests, livers, or brains of poultry. After the salads, fish was served, sometimes fried, sometimes sliced with eggs, or turned into a paste called carpée or charpie, and sometimes boiled in water or wine with strong seasonings. Alongside the salads, various egg dishes were usually served during the meal. Many of these are still popular today, such as poached eggs, hard-boiled eggs, egg sauce, etc.

Fig. 121.--Shop of a Grocer and Druggist, from a Stamp of Vriese (Seventeenth Century).

Fig. 121.--Store of a Grocer and Pharmacist, from a Stamp of Vriese (Seventeenth Century).

Seasonings.--We have already stated that the taste for spices much increased in Europe after the Crusades; and in this rapid historical sketch of the food of the French people in the Middle Ages it must have been observed to what an extent this taste had become developed in France (Fig. 121). This was the origin of sauces, all, or almost all, of which were highly spiced, and were generally used with boiled, roast, or grilled meats. A few of these sauces, such as the yellow, the green, and the caméline, became so necessary in cooking that numerous persons took to manufacturing them by wholesale, and they were hawked in the streets of Paris.

Spices.--We've already mentioned that the appreciation for spices significantly grew in Europe after the Crusades; and in this quick overview of the cuisine of the French people during the Middle Ages, it's evident how much this appreciation had developed in France (Fig. 121). This was the beginning of sauces, almost all of which were heavily spiced and commonly served with boiled, roasted, or grilled meats. Some of these sauces, like the yellow, the green, and the caméline, became so essential in cooking that many people started producing them in bulk, and they were sold in the streets of Paris.

These sauce-criers were first called saulciers, then vinaigriers-moustardiers, and when Louis XII. united them in a body, as their business had considerably increased, they were termed sauciers-moutardiers-vinaigriers, distillers of brandy and spirits of wine, and buffetiers (from buffet, a sideboard).

These sauce makers were first called saulciers, then vinaigriers-moustardiers, and when Louis XII united them as a group due to their increased business, they were called sauciers-moutardiers-vinaigriers, distillers of brandy and spirits of wine, and buffetiers (from buffet, a sideboard).

Fig. 122.--The Cook, drawn and engraved, in the Sixteenth Century, by J. Amman.

Fig. 122.--The Cook, illustrated and printed, in the Sixteenth Century, by J. Amman.

But very soon the corporation became divided, no doubt from the force of circumstances; and on one side we find the distillers, and on the other the master-cooks and cooks, or porte-chapes, as they were called, because, when they carried on their business of cooking, they covered their dishes with a chape, that is, a cope or tin cover (Fig. 122), so as to keep them warm.

But very soon, the corporation split, probably due to the circumstances; on one side were the distillers, and on the other were the master cooks and cooks, or porte-chapes, as they were called, because when they cooked, they covered their dishes with a chape, which is a cape or tin cover (Fig. 122), to keep them warm.

The list of sauces of the fourteenth century, given by the "Ménagier de Paris," is most complicated; but, on examining the receipts, it becomes clear that the variety of those preparations, intended to sharpen the appetite, resulted principally from the spicy ingredients with which they were flavoured; and it is here worthy of remark that pepper, in these days exclusively obtained from America, was known and generally used long before the time of Columbus. It is mentioned in a document, of the time of Clotaire III. (660); and it is clear, therefore, that before the discovery of the New World pepper and spices were imported into Europe from the East.

The list of sauces from the fourteenth century, provided by the "Ménagier de Paris," is quite complex; however, when you look closely at the recipes, it’s obvious that the variety of these dishes, meant to stimulate the appetite, mainly came from the spicy ingredients used to flavor them. It’s also worth noting that pepper, which was exclusively imported from America at the time, was known and widely used long before Columbus. It’s mentioned in a document dating back to the time of Clotaire III (660), indicating that before the discovery of the New World, pepper and spices were imported into Europe from the East.

Mustard, which was an ingredient in so many dishes, was cultivated and manufactured in the thirteenth century in the neighbourhood of Dijon and Angers.

Mustard, a key ingredient in many dishes, was grown and produced in the thirteenth century near Dijon and Angers.

According to a popular adage, garlic was the medicine (thériaque) of peasants; town-people for a long time greatly appreciated aillée, which was a sauce made of garlic, and sold ready prepared in the streets of Paris.

According to a well-known saying, garlic was the remedy for peasants; city residents long enjoyed aillée, which was a garlic sauce sold pre-made on the streets of Paris.

The custom of using anchovies as a flavouring is also very ancient. This was also done with botargue and cavial, two sorts of side-dishes, which consisted of fishes' eggs, chiefly mullet and sturgeon, properly salted or dried, and mixed with fresh or pickled olives. The olives for the use of the lower orders were brought from Languedoc and Provence, whereas those for the rich were imported from Spain and some from Syria. It was also from the south of France that the rest of the kingdom was supplied with olive oil, for which, to this day, those provinces have preserved their renown; but as early as the twelfth and thirteenth centuries oil of walnuts was brought from the centre of France to Paris, and this, although cheaper, was superseded by oil extracted from the poppy.

The tradition of using anchovies as a flavoring is very old. This was also done with botargue and cavial, two kinds of side dishes made from fish eggs, mainly from mullet and sturgeon, which were properly salted or dried and mixed with fresh or pickled olives. The olives for the lower classes came from Languedoc and Provence, while the ones for the wealthy were imported from Spain and some from Syria. It was also from the south of France that the rest of the country got its olive oil, for which those regions are still famous today. However, as early as the twelfth and thirteenth centuries, walnut oil was brought from central France to Paris, and although it was cheaper, it was eventually replaced by oil made from poppy seeds.

Truffles, though known and esteemed by the ancients, disappeared from the gastronomie collection of our forefathers. It was only in the fourteenth century that they were again introduced, but evidently without a knowledge of their culinary qualities, since, after being preserved in vinegar, they were soaked in hot water, and afterwards served up in butter. We may also here mention sorrel and the common mushroom, which were used in cooking during the Middle Ages.

Truffles, although appreciated by the ancients, vanished from the culinary repertoire of our ancestors. It wasn’t until the fourteenth century that they made a comeback, but it seems there was little understanding of their culinary value, as they were preserved in vinegar, soaked in hot water, and then served with butter. We can also mention sorrel and the common mushroom, which were used in cooking during the Middle Ages.

On the strength of the old proverb, "Sugar has never spoiled sauce," sugar was put into all sauces which were not piquantes, and generally some perfumed water was added to them, such as rose-water. This was made in great quantities by exposing to the sun a basin full of water, covered over by another basin of glass, under which was a little vase containing rose-leaves. This rose-water was added to all stews, pastries, and beverages. It is very doubtful as to the period at which white lump sugar became known in the West. However, in an account of the house of the Dauphin Viennois (1333) mention is made of "white sugar;" and the author of the "Ménagier de Paris" frequently speaks of this white sugar, which, before the discovery, or rather colonisation, of America, was brought, ready refined, from the Grecian islands, and especially from Candia.

Based on the old saying, "Sugar has never spoiled sauce," sugar was added to all sauces that weren't spicy, and often some scented water, like rose-water, was mixed in as well. This was produced in large amounts by leaving a basin of water in the sun, covered by another glass basin, with a small vase of rose-leaves underneath. This rose-water was poured into all kinds of stews, pastries, and drinks. It's unclear when white lump sugar first appeared in the West. However, in a record from the house of the Dauphin Viennois (1333), there's a mention of "white sugar," and the author of the "Ménagier de Paris" frequently refers to this white sugar, which, before the discovery—or rather colonization—of America, was brought, already refined, from the Greek islands, especially from Candia.

Fig. 123.--The Issue de Table.--Fac-simile of a Woodcut in the Treatise of Christoforo di Messisburgo, "Banchetti compositioni di Vivende," 4to., Ferrara, 1549.

Fig. 123.--The Issue de Table.--A facsimile of a woodcut from Christoforo di Messisburgo's treatise, "Banchetti compositioni di Vivende," 4to., Ferrara, 1549.

Verjuice, or green juice, which, with vinegar, formed the essential basis of sauces, and is now extracted from a species of green grape, which never ripens, was originally the juice of sorrel; another sort was extracted by pounding the green blades of wheat. Vinegar was originally merely soured wine, as the word vin-aigre denotes. The mode of manufacturing it by artificial means, in order to render the taste more pungent and the quality better, is very ancient. It is needless to state that it was scented by the infusion of herbs or flowers--roses, elder, cloves, &c.; but it was not much before the sixteenth century that it was used for pickling herbs or fruits and vegetables, such as gherkins, onions, cucumber, purslain, &c.

Verjuice, or green juice, which, along with vinegar, was the key ingredient for sauces, is now made from a type of green grape that never ripens, but originally came from the juice of sorrel. Another method involved crushing the green blades of wheat. Vinegar initially referred to nothing more than spoiled wine, as the term vin-aigre suggests. The technique of making it artificially to enhance its flavor and improve its quality is quite old. It’s worth mentioning that it was often flavored with herbs or flowers—like roses, elder, cloves, etc. However, it wasn't until the sixteenth century that it became common to use vinegar for pickling herbs, fruits, and vegetables such as gherkins, onions, cucumbers, and purslane.

Salt, which from the remotest periods was the condiment par excellence, and the trade in which had been free up to the fourteenth century, became, from that period, the subject of repeated taxation. The levying of these taxes was a frequent cause of tumult amongst the people, who saw with marked displeasure the exigencies of the excise gradually raising the price of an article of primary necessity. We have already mentioned times during which the price of salt was so exorbitant that the rich alone could put it in their bread. Thus, in the reign of Francis I., it was almost as dear as Indian spices.

Salt, which has always been the ultimate seasoning, was freely traded until the fourteenth century. After that, it became a target for repeated taxes. These taxes often led to unrest among the people, who were increasingly upset as the demands of the excise pushed the price of this essential item higher. We've already pointed out instances when the price of salt soared to the point where only the wealthy could afford to add it to their bread. During the reign of Francis I., it was nearly as expensive as Indian spices.

Sweet Dishes, Desserts, &c.--In the fourteenth century, the first courses of a repast were called mets or assiettes; the last, "entremets, dorures, issue de table, desserte, and boule-hors."

Sweet Dishes, Desserts, &c.--In the fourteenth century, the first courses of a meal were called mets or assiettes; the last were referred to as "entremets, dorures, issue de table, desserte, and boule-hors."

The dessert consisted generally of baked pears, medlars, pealed walnuts, figs, dates, peaches, grapes, filberts, spices, and white or red sugar-plums.

The dessert generally consisted of baked pears, medlars, peeled walnuts, figs, dates, peaches, grapes, hazelnuts, spices, and white or red sugar-plums.

At the issue de table wafers or some other light pastry were introduced, which were eaten with the hypocras wine. The boute-hors, which was served when the guests, after having washed their hands and said grace, had passed into the drawing-room, consisted of spices, different from those which had appeared at dessert, and intended specially to assist the digestion; and for this object they must have been much needed, considering that a repast lasted several hours. Whilst eating these spices they drank Grenache, Malmsey, or aromatic wines (Fig. 123).

At the issue de table, light pastries or wafers were served, which were enjoyed with hypocras wine. The boute-hors, offered when guests had washed their hands and said grace and moved to the drawing room, included different spices than those served at dessert, specifically meant to help with digestion; and they were likely very necessary, given that a meal could last for several hours. While eating these spices, they drank Grenache, Malmsey, or aromatic wines (Fig. 123).

It was only at the banquets and great repeats that sweet dishes and dorures appeared, and they seem to have been introduced for the purpose of exhibiting the power of the imagination and the talent in execution of the master-cook.

It was only at the banquets and grand events that desserts and dorures made an appearance, and it seems they were introduced to showcase the creativity and skill of the chef.

The dorures consisted of jellies of all sorts and colours; swans, peacocks, bitterns, and herons, on gala feasts, were served in full feather on a raised platform in the middle of the table, and hence the name of "raised dishes." As for the side-dishes, properly so called, the long list collected in the "Ménagier" shows us that they were served at table indiscriminately, for stuffed chickens at times followed hashed porpoise in sauce, lark pies succeeded lamb sausages, and pike's-eggs fritters appeared after orange preserve.

The dorures were made up of all kinds and colors of jellies; swans, peacocks, bitterns, and herons were served in full plumage on a raised platform in the middle of the table, which is why they were called "raised dishes." As for the actual side dishes, a long list from the "Ménagier" shows us that they were served at random, with stuffed chickens sometimes following hashed porpoise in sauce, lark pies coming after lamb sausages, and pike's egg fritters appearing after orange preserves.

At a later period the luxury of side-dishes consisted in the quantity and in the variety of the pastry; Rabelais names sixteen different sorts at one repast; Taillevent mentions pastry called covered pastry, Bourbonnaise pastry, double-faced pastry, pear pastry, and apple pastry; Platina speaks of the white pastry with quince, elder flowers, rice, roses, chestnuts, &c. The fashion of having pastry is, however, of very ancient date, for in the book of the "Proverbs" of the thirteenth century, we find that the pies of Dourlens and the pastry of Chartres were then in great celebrity.

At a later time, the luxury of side dishes was all about the quantity and variety of pastries; Rabelais mentions sixteen different types at one meal. Taillevent talks about pastries like covered pastry, Bourbonnaise pastry, double-faced pastry, pear pastry, and apple pastry; Platina refers to white pastry made with quince, elderflowers, rice, roses, chestnuts, etc. The trend of having pastries is actually quite old, as in the book of "Proverbs" from the thirteenth century, we see that the pies from Dourlens and the pastries from Chartres were already quite famous.

Fig. 124.--The Table of a Baron, as laid out in the Thirteenth Century.--Miniature from the "Histoire de St. Graal" (Manuscript from the Imperial Library, Paris).

Fig. 124.--The Table of a Baron, as set up in the Thirteenth Century.--Miniature from the "Histoire de St. Graal" (Manuscript from the Imperial Library, Paris).

In a charter of Robert le Bouillon, Bishop of Amiens, in 1311, mention is made of a cake composed of puff flaky paste; these cakes, however, are less ancient than the firm pastry called bean cake, or king's cake, which, from the earliest days of monarchy, appeared on all the tables, not only at the feast of the Epiphany, but also on every festive occasion.

In a charter from Robert le Bouillon, Bishop of Amiens, in 1311, there's a mention of a cake made with puff pastry; however, these cakes are not as old as the solid pastry known as bean cake or king's cake, which has been present on tables since the early days of monarchy, not only during the feast of the Epiphany but also at every celebration.

Amongst the dry and sweet pastries from the small oven which appeared at the issue de table, the first to be noticed were those made of almonds, nuts, &c., and such choice morsels, which were very expensive; then came the cream or cheesecakes, the petits choux, made of butter and eggs; the échaudés, of which the people were very fond, and St. Louis even allowed the bakers to cook them on Sundays and feast days for the poor; wafers, which are older than the thirteenth century; and lastly the oublies, which, under the names of nieules, esterets, and supplications, gave rise to such an extensive trade that a corporation was established in Paris, called the oublayeurs, oublayers, or oublieux, whose statutes directed that none should be admitted to exercise the trade unless he was able to make in one day 500 large oublies, 300 supplications, and 200 esterets.

Among the dry and sweet pastries from the small oven that appeared at the issue de table, the first ones to catch attention were those made with almonds, nuts, etc., and other delicacies that were quite pricey; then came the cream or cheesecakes, the petits choux, made with butter and eggs; the échaudés, which people really enjoyed, and St. Louis even allowed bakers to make them on Sundays and feast days for the less fortunate; wafers, which date back before the thirteenth century; and finally the oublies, which, under names like nieules, esterets, and supplications, led to such a thriving trade that a guild was formed in Paris, called the oublayeurs, oublayers, or oublieux, whose rules stated that no one could be allowed to practice the trade unless they could produce 500 large oublies, 300 supplications, and 200 esterets in one day.

Repasts and Feasts.

We have had to treat elsewhere of the rules and regulations of the repasts under the Merovingian and Carlovingian kings. We have also spoken of the table service of the thirteenth century (see chapter on "Private Life"). The earliest author who has left us any documents on this curious subject is that excellent bourgeois to whom we owe the "Ménagier de Paris." He describes, for instance, in its fullest details, a repast which was given in the fourteenth century by the Abbé de Lagny, to the Bishop of Paris, the President of the Parliament, the King's attorney and advocate, and other members of his council, in all sixteen guests. We find from this account that "my lord of Paris, occupying the place of honour, was, in consequence of his rank, served on covered dishes by three of his squires, as was the custom for the King, the royal princes, the dukes, and peers; that Master President, who was seated by the side of the bishop, was also served by one of his own servants, but on uncovered dishes, and the other guests were seated at table according to the order indicated by their titles or charges."

We have previously discussed the rules and customs regarding meals during the Merovingian and Carolingian kings. We've also touched on table service in the thirteenth century (see chapter on "Private Life"). The earliest author who has provided us with documents on this intriguing topic is the esteemed middle-class man behind the "Ménagier de Paris." He vividly describes a meal that took place in the fourteenth century, hosted by the Abbé de Lagny for the Bishop of Paris, the President of the Parliament, the King's attorney and advocate, and other council members, totaling sixteen guests. From this account, we learn that "my lord of Paris," taking the honor seat due to his rank, was served on covered dishes by three of his squires, following the custom for the King, royal princes, dukes, and peers; that the Master President, sitting next to the bishop, was served by one of his own servants, but on uncovered dishes, while the other guests were seated according to their titles or positions.

The bill of fare of this feast, which was given on a fast-day, is the more worthy of attention, in that it proves to us what numerous resources cookery already possessed. This was especially the case as regards fish, notwithstanding that the transport of fresh sea-fish was so difficult, owing to the bad state of the roads.

The menu for this feast, held on a fast day, is particularly noteworthy because it shows us the many resources that cooking already had. This was especially true for fish, even though getting fresh seafood was quite challenging due to the poor condition of the roads.

First, a quarter of a pint of Grenache was given to each guest on sitting down, then "hot eschaudés, roast apples with white sugar-plums upon them, roasted figs, sorrel and watercress, and rosemary."

First, each guest was served a quarter of a pint of Grenache as they sat down, then "hot eschaudés, roasted apples with white sugar-plums on them, roasted figs, sorrel and watercress, and rosemary."

"Soups.--A rich soup, composed of six trout, six tenches, white herring, freshwater eels, salted twenty-four hours, and three whiting, soaked twelve hours; almonds, ginger, saffron, cinnamon powder and sweetmeats.

"Soups.--A flavorful soup made with six trout, six tenches, white herring, freshwater eels (salted for twenty-four hours), and three whiting (soaked for twelve hours); plus almonds, ginger, saffron, cinnamon, and sweet treats."

"Salt-Water Fish.--Soles, gurnets, congers, turbots, and salmon.

"Saltwater Fish.--Soles, gurnets, congers, turbots, and salmon."

"Fresh-Water Fish.--Lux faudis (pike with roe), carps from the Marne, breams.

"Freshwater Fish.--Lux faudis (roe pike), carp from the Marne, bream."

"Side-Dishes.--Lampreys à la boee, orange-apples (one for each guest), porpoise with sauce, mackerel, soles, bream, and shad à la cameline, with verjuice, rice and fried almonds upon them; sugar and apples.

"Sides.--Lampreys à la boee, oranges (one for each guest), porpoise with sauce, mackerel, soles, bream, and shad à la cameline, topped with verjuice, rice, and fried almonds; sugar and apples."

Fig. 125.--Officers of the Table and of the Chamber of the Imperial Court: Cup-bearer, Cook, Barber, and Tailor, from a Picture in the "Triomphe de Maximilien T.," engraved by J. Resch, Burgmayer, and others (1512), from Drawings by Albert Durer.

Fig. 125.--Officers of the Table and of the Chamber of the Imperial Court: Cup-bearer, Cook, Barber, and Tailor, from a picture in the "Triomphe de Maximilien T.," engraved by J. Resch, Burgmayer, and others (1512), from drawings by Albert Durer.

"Dessert.--Stewed fruit with white and vermilion sugar-plums; figs, dates, grapes, and filberts.

"Dessert.--Stewed fruit with white and red sugar plums; figs, dates, grapes, and hazelnuts."

"Hypocras for issue de table, with oublies and supplications.

"Hypocras for issue de table, with oublies and supplications."

"Wines and spices compose the baute-hors."

"Wines and spices make the baute-hors."

To this fasting repast we give by way of contrast the bill of fare at the nuptial feast of Master Helye, "to which forty guests were bidden on a Tuesday in May, a 'day of flesh.'"

To this fasting meal, we contrast the menu at Master Helye's wedding feast, "to which forty guests were invited on a Tuesday in May, a 'day of flesh.'"

"Soups.--Capons with white sauce, ornamented with pomegranate and crimson sweetmeats.

"Soups.--Capon with white sauce, garnished with pomegranate and red sweets."

"Roasts.--Quarter of roe-deer, goslings, young chickens, and sauces of orange, cameline, and verjuice.

"Roast battles.--A quarter of roe-deer, goslings, young chickens, and sauces made with orange, cameline, and verjuice."

"Side-Dishes.--Jellies of crayfish and loach; young rabbits and pork.

"Sides.--Crayfish and loach jellies; young rabbits and pork."

"Dessert.--Froumentée and venison.

"Dessert: Froumentée and venison."

"Issue.--Hypocras.

"Issue. -- Hypocras."

"Boute-Hors.--Wine and spices."

"Boute-Hors.--Wine and spices."

The clever editor of the "Ménagier de Paris," M. le Baron Jerôme Pichon, after giving us this curious account of the mode of living of the citizens of that day, thus sums up the whole arrangements for the table in the fourteenth century: "The different provisions necessary for food are usually entrusted to the squires of the kitchen, and were chosen, purchased, and paid for by one or more of these officials, assisted by the cooks. The dishes prepared by the cooks were placed, by the help of the esquires, on dressers in the kitchen until the moment of serving. Thence they were carried to the tables. Let us imagine a vast hall hung with tapestries and other brilliant stuffs. The tables are covered with fringed table-cloths, and strewn with odoriferous herbs; one of them, called the Great Table, is reserved for the persons of distinction. The guests are taken to their seats by two butlers, who bring them water to wash. The Great Table is laid out by a butler, with silver salt-cellars (Figs. 126 and 127), golden goblets with lids for the high personages, spoons and silver drinking cups. The guests eat at least certain dishes on tranchoirs, or large slices of thick bread, afterwards thrown into vases called couloueres (drainers). For the other tables the salt is placed on pieces of bread, scooped out for that purpose by the intendants, who are called porte-chappes. In the hall is a dresser covered with plate and various kinds of wine. Two squires standing near this dresser give the guests clean spoons, pour out what wine they ask for, and remove the silver when used; two other squires superintend the conveyance of wine to the dresser; a varlet placed under their orders is occupied with nothing but drawing wine from the casks." At that time wine was not bottled, and they drew directly from the cask the amount necessary for the day's consumption. "The dishes, consisting of three, four, five, and even six courses, called mets or assiettes, are brought in by varlets and two of the principal squires, and in certain wedding-feasts the bridegroom walked in front of them. The dishes are placed on the table by an asséeur (placer), assisted by two servants. The latter take away the remains at the conclusion of the course, and hand them over to the squires of the kitchen who have charge of them. After the mets or assiettes the table-cloths are changed, and the entremets are then brought in. This course is the most brilliant of the repast, and at some of the princely banquets the dishes are made to imitate a sort of theatrical representation. It is composed of sweet dishes, of coloured jellies of swans, of peacocks, or of pheasants adorned with their feathers, having the beak and feet gilt, and placed on the middle of the table on a sort of pedestal. To the entremets, a course which does not appear on all bills of fare, succeeds the dessert. The issue, or exit from table, is mostly composed of hypocras and a sort of oublie called mestier; or, in summer, when hypocras is out of season on account of its strength, of apples, cheeses, and sometimes of pastries and sweetmeats. The boute-hors (wines and spices) end the repast. The guests then wash their hands, say grace, and pass into the chambre de parement or drawing-room. The servants then sit down and dine after their masters. They subsequently bring the guests wine and épices de chambre, after which each retires home."

The smart editor of the "Ménagier de Paris," M. le Baron Jérôme Pichon, after giving us this fascinating overview of how people lived back then, summarizes the dining arrangements of the fourteenth century: "The various food supplies were typically managed by the kitchen squires, who selected, bought, and paid for the provisions with the help of the cooks. The dishes prepared by the cooks were placed on dressers in the kitchen using the assistance of the esquires until it was time to serve. Then, they were carried to the tables. Picture a large hall decorated with tapestries and other vibrant fabrics. The tables are covered with fringed tablecloths and sprinkled with fragrant herbs; one table, known as the Great Table, is reserved for distinguished guests. Two butlers escort the guests to their seats and provide them with water to wash their hands. The Great Table is set by a butler with silver salt cellars (Figs. 126 and 127), golden goblets with lids for the high-ranking guests, spoons, and silver drinking cups. Guests eat at least some dishes on tranchoirs—large slices of thick bread— which are later discarded into containers called couloueres (drainers). For the other tables, salt is served on hollowed-out pieces of bread prepared by the intendants, known as porte-chappes. In the hall, there's a dresser filled with plates and various wines. Two squires near the dresser provide guests with clean spoons, pour the wine they request, and remove used silverware; two other squires oversee the transportation of wine to the dresser, while a servant, under their direction, is dedicated solely to drawing wine from the casks." At that time, wine wasn't bottled, and they drew directly from the cask the needed amount for the day. "The dishes, which could include three, four, five, or even six courses called mets or assiettes, are brought in by servants and two of the lead squires, and during certain wedding feasts, the bridegroom leads the way in front of them. The dishes are placed on the table by an asséeur (placer), with help from two servants. The servants remove the leftovers at the end of each course and pass them to the kitchen squires in charge. After the mets or assiettes, the tablecloths are changed, and the entremets are brought out next. This course is the most elaborate part of the meal, and at some grand banquets, the dishes are arranged to create a sort of theatrical display. It consists of sweet dishes, colored jellies shaped like swans, peacocks, or pheasants boasting their feathers, with gilded beaks and feet, all placed in the center of the table on a pedestal. Following the entremets, which don't appear on every menu, comes dessert. The issue, or end of the meal, is usually made up of hypocras and a type of oublie called mestier; or in summer, when hypocras is too strong, they serve apples, cheeses, and occasionally pastries and sweet treats. The meal concludes with boute-hors (wines and spices). Guests then wash their hands, say grace, and move into the chambre de parement or drawing-room. The servants sit down to eat after their masters. They later bring the guests wine and épices de chambre, after which everyone goes home."

Figs. 126 and 127.--Sides of an Enamelled Salt-cellar, with six facings representing the Labours of Hercules, made at Limoges, by Pierre Raymond, for Francis I.

Figs. 126 and 127.--Sides of an Enamelled Salt-cellar, with six designs showing the Labors of Hercules, made at Limoges by Pierre Raymond for Francis I.

But all the pomp and magnificence of the feasts of this period would have appeared paltry a century later, when royal banquets were managed by Taillevent, head cook to Charles VII. The historian of French cookery, Legrand d'Aussy, thus desoribes a great feast given in 1455 by the Count of Anjou, third son of Louis II., King of Sicily:--

But all the pomp and grandeur of the feasts from this time would have seemed insignificant a century later when royal banquets were run by Taillevent, the head chef for Charles VII. The historian of French cuisine, Legrand d'Aussy, describes a grand feast held in 1455 by the Count of Anjou, the third son of Louis II, King of Sicily:--

"On the table was placed a centre-piece, which represented a green lawn, surrounded with large peacocks' feathers and green branches, to which were tied violets and other sweet-smelling flowers. In the middle of this lawn a fortress was placed, covered with silver. This was hollow, and formed a sort of cage, in which several live birds were shut up, their tufts and feet being gilt. On its tower, which was gilt, three banners were placed, one bearing the arms of the count, the two others those of Mesdemoiselles de Châteaubrun and de Villequier, in whose honour the feast was given.

On the table was a centerpiece that looked like a green lawn, surrounded by large peacock feathers and green branches, tied with violets and other fragrant flowers. In the center of this lawn was a fortress made of silver. It was hollow and served as a kind of cage, holding several live birds with gold-tipped feathers and feet. On its gold tower, there were three banners: one with the count's coat of arms, and the other two featuring the symbols of Mesdemoiselles de Châteaubrun and de Villequier, in whose honor the feast was held.

"The first course consisted of a civet of hare, a quarter of stag which had been a night in salt, a stuffed chicken, and a loin of veal. The two last dishes were covered with a German sauce, with gilt sugar-plums, and pomegranate seeds.... At each end, outside the green lawn, was an enormous pie, surmounted with smaller pies, which formed a crown. The crust of the large ones was silvered all round and gilt at the top; each contained a whole roe-deer, a gosling, three capons, six chickens, ten pigeons, one young rabbit, and, no doubt to serve as seasoning or stuffing, a minced loin of veal, two pounds of fat, and twenty-six hard-boiled eggs, covered with saffron and flavoured with cloves. For the three following courses, there was a roe-deer, a pig, a sturgeon cooked in parsley and vinegar, and covered with powdered ginger; a kid, two goslings, twelve chickens, as many pigeons, six young rabbits, two herons, a leveret, a fat capon stuffed, four chickens covered with yolks of eggs and sprinkled with powder de Duc (spice), a wild boar, some wafers (darioles), and stars; a jelly, part white and part red, representing the crests of the three above-mentioned persons; cream with Duc powder, covered with fennel seeds preserved in sugar; a white cream, cheese in slices, and strawberries; and, lastly, plums stewed in rose-water. Besides these four courses, there was a fifth, entirely composed of the prepared wines then in vogue, and of preserves. These consisted of fruits and various sweet pastries. The pastries represented stags and swans, to the necks of which were suspended the arms of the Count of Anjou and those of the two young ladies."

The first course included a hare stew, a quarter of stag that had been cured overnight, a stuffed chicken, and a loin of veal. The last two dishes were covered in a German sauce, garnished with sugared plums and pomegranate seeds... At each end, outside the green lawn, there was a massive pie topped with smaller pies, forming a crown. The crust of the large pies was silvered all around and gilded on top; each held a whole roe deer, a gosling, three capons, six chickens, ten pigeons, one young rabbit, and to add some flavor or stuffing, a minced loin of veal, two pounds of fat, and twenty-six hard-boiled eggs, seasoned with saffron and flavored with cloves. For the next three courses, there was a roe deer, a pig, a sturgeon cooked in parsley and vinegar, and sprinkled with powdered ginger; a kid, two goslings, twelve chickens, the same number of pigeons, six young rabbits, two herons, a leveret, a fat stuffed capon, four chickens covered with egg yolks and sprinkled with Duc powder (spices), a wild boar, some wafers (darioles), and stars; a jelly, half white and half red, representing the crests of the three previously mentioned individuals; cream with Duc powder, topped with fennel seeds preserved in sugar; white cream, sliced cheese, and strawberries; and finally, plums stewed in rose water. In addition to these four courses, there was a fifth course entirely made up of the popular wines of the time and preserves, which included various fruits and sweet pastries. The pastries were shaped like stags and swans, with the arms of the Count of Anjou and the two young ladies hanging from their necks.

In great houses, dinner was announced by the sound of the hunting-horn; this is what Froissard calls corner l'assiette, but which was at an earlier period called corner l'eau, because it was the custom to wash the hands before sitting down to table as well as on leaving the dining-room.

In large homes, dinner was announced by the sound of the hunting horn; this is what Froissard refers to as corner l'assiette, but earlier it was known as corner l'eau, because it was customary to wash hands before sitting down to eat as well as after leaving the dining room.

Fig. 128.--Knife-handles in Sculptured Ivory, Sixteenth Century (Collection of M. Becker, of Frankfort).

Fig. 128.--Knife handles in Sculptured Ivory, Sixteenth Century (Collection of M. Becker, Frankfort).

Fig. 129.--Nut-crackers, in Boxwood, Sixteenth Century (Collection of M. Achille Jubinal).

Fig. 129.--Nutcrackers, made of boxwood, 16th Century (Collection of M. Achille Jubinal).

For these ablutions scented water, and especially rose-water, was used, brought in ewers of precious and delicately wrought metals, by pages or squires, who handed them to the ladies in silver basins. It was at about this period, that is, in the times of chivalry, that the custom of placing the guests by couples was introduced, generally a gentleman and lady, each couple having but one cup and one plate; hence the expression, to eat from the same plate.

For these washings, fragrant water, especially rose water, was used, brought in pitchers of valuable and finely crafted metals by pages or attendants, who presented them to the ladies in silver bowls. It was around this time, during the era of chivalry, that the tradition of seating guests in pairs was introduced, typically a gentleman and a lady, with each couple sharing one cup and one plate; hence the phrase, to eat from the same plate.

Historians relate that in the thirteenth and fourteenth centuries, at certain gala feasts, the dishes were brought in by servants in full armour, mounted on caparisoned horses; but this is a custom exclusively attached to chivalry. As early as those days, powerful and ingenious machines were in use, which lowered from the story above, or raised from that below, ready-served tables, which were made to disappear after use as if by enchantment.

Historians say that in the thirteenth and fourteenth centuries, at some grand feasts, dishes were served by waiters in full armor, riding on decorated horses; but this was a custom specifically tied to chivalry. Even back then, there were powerful and clever machines that could bring up ready-served tables from below or lower them from above, making them vanish after use as if by magic.

At that period the table service of the wealthy required a considerable staff of retainers and varlets; and, at a later period, this number was much increased. Thus, for instance, when Louis of Orleans went on a diplomatic mission to Germany from his brother Charles VI., this prince, in order that France might be worthily represented abroad, raised the number of his household to more than two hundred and fifty persons, of whom about one hundred were retainers and table attendants. Olivier de la Marche, who, in his "Mémoires," gives the most minute details of the ceremonial of the court of Charles the Bold, Duke of Burgundy, tells us that the table service was as extensive as in the other great princely houses.

At that time, the table service of the wealthy needed a large staff of servants and attendants; later on, this number grew significantly. For example, when Louis of Orleans went on a diplomatic mission to Germany on behalf of his brother Charles VI, this prince increased his household to over two hundred and fifty people to ensure that France was well-represented abroad, with around one hundred of them being servants and table attendants. Olivier de la Marche, who provides detailed accounts of the court ceremonies of Charles the Bold, Duke of Burgundy, mentions in his "Mémoires" that the table service was as extensive as that of other major princely households.

This extravagant and ruinous pomp fell into disuse during the reigns of Louis XI., Charles VIII., and Louis XII., but reappeared in that of Francis I. This prince, after his first wars in Italy, imported the cookery and the gastronomic luxury of that country, where the art of good living, especially in Venice, Florence, and Rome, had reached the highest degree of refinement and magnificence. Henry II. and Francis II. maintained the magnificence of their royal tables; but after them, notwithstanding the soft effeminacy of the manners at court, the continued wars which Henry III. and Charles IX. had to sustain in their own states against the Protestants and the League necessitated a considerable economy in the households and tables of those kings.

This extravagant and wasteful display fell out of style during the reigns of Louis XI, Charles VIII, and Louis XII, but made a comeback under Francis I. After his initial wars in Italy, this king brought back the culinary traditions and luxurious dining of that country, where the art of enjoying fine food, especially in Venice, Florence, and Rome, had reached an incredible level of sophistication and grandeur. Henry II and Francis II continued the grandeur of their royal banquets; however, after them, despite the delicate refinement of court manners, the ongoing conflicts that Henry III and Charles IX faced in their own realms against the Protestants and the League forced them to practice significant austerity in their households and dining.

"It was only by fits and starts," says Brantôme, "that one was well fed during this reign, for very often circumstances prevented the proper preparation of the repasts; a thing much disliked by the courtiers, who prefer open table to be kept at both court and with the army, because it then costs them nothing." Henry IV. was neither fastidious nor greedy; we must therefore come down to the reign of Louis XIII. to find a vestige of the splendour of the banquets of Francis I.

"It was only in bits and pieces," says Brantôme, "that people were well fed during this reign, because circumstances often messed up the proper preparation of meals; this was something the courtiers really disliked, as they preferred an open table at both court and with the army since it didn’t cost them anything. Henry IV wasn’t picky or greedy; we have to look to the reign of Louis XIII to see any trace of the grandeur of the banquets of Francis I."

Fig. 130.--Grand Ceremonial Banquet at the Court of France in the Fourteenth Century, archaeological Restoration from Miniatures and Narratives of the Period.

Fig. 130.--Grand Ceremonial Banquet at the Court of France in the 14th Century, archaeological restoration from miniatures and narratives of the time.

From the "Dictionnaire du Mobilier Français" of M. Viollet-Leduc.

From the "Dictionary of French Furniture" by M. Viollet-Leduc.

From the establishment of the Franks in Gaul down to the fifteenth century inclusive, there were but two meals a day; people dined at ten o'clock in the morning, and supped at four in the afternoon. In the sixteenth century they put back dinner one hour and supper three hours, to which many people objected. Hence the old proverb:--

From the time the Franks settled in Gaul until the fifteenth century, there were only two meals a day; people had lunch at ten in the morning and dinner at four in the afternoon. In the sixteenth century, they pushed lunch back by an hour and dinner by three hours, which many people complained about. That’s where the old saying comes from:--

"Lever à six, dîner à dix,
Souper à six, coucher à dix,
Fait vivre l'homme dix fois dix."

"Wake up at six, have dinner at ten,
Have supper at six, go to bed at ten,
Helps a man live a hundred years."

("To rise at six, dine at ten,
Sup at six, to bed at ten,
Makes man live ten times ten.")

("Waking up at six, having breakfast at ten,
Eating dinner at six, and going to bed at ten,
Helps a person live to a hundred.")

Fig. 131.--Banner of the Corporation of Pastrycooks of Tonnerre.

Fig. 131.--Banner of the Pastrycooks' Corporation of Tonnerre.

Hunting.

Venery and Hawking.--Origin of Aix-la-Chapelle.--Gaston Phoebus and his Book.--The Presiding Deities of Sportsmen.--Sporting Societies and Brotherhoods.--Sporting Kings: Charlemagne, Louis IX., Louis XI., Charles VIII., Louis XII., Francis I., &c.--Treatise on Venery.--Sporting Popes.--Origin of Hawking.--Training Birds.--Hawking Retinues.--Book of King Modus.--Technical Terms used in Hawking.--Persons who have excelled in this kind of Sport.--Fowling.

Venery and Hawking.--Origin of Aix-la-Chapelle.--Gaston Phoebus and his Book.--The Presiding Deities of Sportsmen.--Sporting Societies and Brotherhoods.--Sporting Kings: Charlemagne, Louis IX, Louis XI, Charles VIII, Louis XII, Francis I, etc.--Treatise on Venery.--Sporting Popes.--Origin of Hawking.--Training Birds.--Hawking Retinues.--Book of King Modus.--Technical Terms Used in Hawking.--People Who Have Excelled in This Kind of Sport.--Fowling.

By the general term hunting is included the three distinct branches of an art, or it may be called a science, which dates its origin from the earliest times, but which was particularly esteemed in the Middle Ages, and was especially cultivated in the glorious days of chivalry.

By the term hunting, we refer to the three different branches of an art, or what can also be seen as a science, that has been around since ancient times. However, it was particularly valued during the Middle Ages and was especially developed during the glorious days of chivalry.

Venery, which is the earliest, is defined by M. Elzéar Blaze as "the science of snaring, taking, or killing one particular animal from amongst a herd." Hawking came next. This was not only the art of hunting with the falcon, but that of training birds of prey to hunt feathered game. Lastly, l'oisellerie (fowling), which, according to the author of several well-known works on the subject we are discussing, had originally no other object than that of protecting the crops and fruits from birds and other animals whose nature it was to feed on them.

Venery, which is the earliest, is defined by M. Elzéar Blaze as "the science of capturing, taking, or killing one specific animal from a group." Hawking came next. This was not only the skill of hunting with a falcon but also involved training birds of prey to hunt feathered game. Lastly, l'oisellerie (fowling), which, according to the author of several well-known works on the subject we are discussing, originally had the sole purpose of protecting crops and fruits from birds and other animals that feed on them.

Venery will be first considered. Sportsmen always pride themselves in placing Xenophon, the general, philosopher, and historian, at the head of sporting writers, although his treatise on the chase (translated from the Greek into Latin under the title of "De Venatione"), which gives excellent advice respecting the training of dogs, only speaks of traps and nets for capturing wild animals. Amongst the Greeks Arrian and Oppian, and amongst the Romans, Gratius Faliscus and Nemesianus, wrote on the same subject. Their works, however, except in a few isolated or scattered passages, do not contain anything about venery properly so called, and the first historical information on the subject is to be found in the records of the seventh century.

Venery will be considered first. Hunters always take pride in placing Xenophon, the general, philosopher, and historian, at the top of sporting writers, even though his treatise on hunting (translated from Greek into Latin as "De Venatione") offers great advice on training dogs but only discusses traps and nets for capturing wild animals. Among the Greeks, Arrian and Oppian, and among the Romans, Gratius Faliscus and Nemesianus, also wrote on this topic. However, their works, except for a few scattered passages, lack any thorough discussion on venery itself, and the first historical information about it can be found in records from the seventh century.

Long after that period, however, they still hunted, as it were, at random, attacking the first animal they met. The sports of Charlemagne, for instance, were almost always of this description. On some occasions they killed animals of all sorts by thousands, after having tracked and driven them into an enclosure composed of cloths or nets.

Long after that time, though, they still hunted randomly, going after the first animal they encountered. The hunts of Charlemagne, for example, were almost always like this. Sometimes they killed animals by the thousands after chasing and herding them into an enclosure made of cloths or nets.

This illustrious Emperor, although usually at war in all parts of Europe, never missed an opportunity of hunting: so much so that it might be said that he rested himself by galloping through the forests. He was on these occasions not only followed by a large number of huntsmen and attendants of his household, but he was accompanied by his wife and daughters, mounted on magnificent coursers, and surrounded by a numerous and elegant court, who vied with each other in displaying their skill and courage in attacking the fiercest animals.

This famous Emperor, though often engaged in wars across Europe, always took the chance to go hunting. So much so that you might say he relaxed by riding through the forests. During these outings, he was not only followed by a large group of hunters and staff from his household, but his wife and daughters also joined him, riding impressive horses and accompanied by a stylish and lavish court, all eager to show off their skills and bravery by hunting the most dangerous animals.

It is even stated that Aix-la-Chapelle owes its origin to a hunting adventure of Charlemagne. The Emperor one day while chasing a stag required to cross a brook which came in his path, but immediately his horse had set his foot in the water he pulled it out again and began to limp as if it were hurt. His noble rider dismounted, and on feeling the foot found it was quite hot. This induced him to put his hand into the water, which he found to be almost boiling. On that very spot therefore he caused a chapel to be erected, in the shape of a horse's hoof. The town was afterwards built, and to this day the spring of hot mineral water is enclosed under a rotunda, the shape of which reminds one of the old legend of Charlemagne and his horse.

It’s said that Aix-la-Chapelle originated from a hunting trip of Charlemagne. One day, while he was chasing a deer, he needed to cross a stream that was in his way. As soon as his horse stepped into the water, it pulled its foot out and began to limp as if it was hurt. Charlemagne got off his horse and, upon checking the foot, found it was very hot. This prompted him to dip his hand into the water, which he discovered was almost boiling. So, he had a chapel built right there, shaped like a horse's hoof. Later, a town was established, and to this day, the hot mineral spring is housed under a rotunda that echoes the old legend of Charlemagne and his horse.

The sons of Charlemagne also held hunting in much esteem, and by degrees the art of venery was introduced and carried to great perfection. It was not, however, until the end of the thirteenth century that an anonymous author conceived the idea of writing its principal precepts in an instructive poem, called "Le Dict de la Chace du Cerf." In 1328 another anonymous writer composed the "Livre du Roy Modus," which contains the rules for hunting all furred animals, from the stag to the hare. Then followed other poets and writers of French prose, such as Gace de la Vigne (1359), Gaston Phoebus (1387), and Hardouin, lord of Fontaine-Guérin (1394). None of these, however, wrote exclusively on venery, but described the different sports known in their day. Towards 1340, Alphonse XI., king of Castile, caused a book on hunting to be compiled for his use; but it was not so popular as the instruction of Gaston Phoebus (Fig. 132). If hunting with hounds is known everywhere by the French name of the chase, it is because the honour of having organized it into a system, if not of having originated it, is due to the early French sporting authors, who were able to form a code of rules for it. This also accounts for so many of the technical terms now in use in venery being of French origin, as they are no others than those adopted by these ancient authors, whose works, so to speak, have perpetuated them.

The sons of Charlemagne also valued hunting highly, and over time, the art of hunting was developed and perfected. It wasn't until the end of the thirteenth century that an anonymous author had the idea to write down its main principles in an informative poem called "Le Dict de la Chace du Cerf." In 1328, another anonymous writer created the "Livre du Roy Modus," which outlines the rules for hunting all furry animals, from the stag to the hare. After that, other poets and French prose writers joined in, like Gace de la Vigne (1359), Gaston Phoebus (1387), and Hardouin, lord of Fontaine-Guérin (1394). However, none of them focused solely on hunting; they described various sports known at the time. Around 1340, Alphonse XI, king of Castile, had a hunting book compiled for his own use, but it didn't gain as much popularity as Gaston Phoebus's instructions (Fig. 132). The reason hunting with hounds is universally known by the French term 'chase' is that the credit for organizing it into a system, if not for originating it, goes to the early French sporting authors, who managed to establish a set of rules for it. This is also why so many of the technical terms used in hunting today are of French origin; they come directly from the terms adopted by these ancient authors, whose works have kept them alive.

Fig. 132.--Gaston Phoebus teaching the Art of Venery.--Fac-simile of a Miniature of "Phoebus and his Staff for Hunting Wild Animals and Birds of Prey" (Manuscript, Fifteenth Century, National Library of Paris)

Fig. 132.--Gaston Phoebus teaching the Art of Venery.--Facsimile of a Miniature of "Phoebus and his Staff for Hunting Wild Animals and Birds of Prey" (Manuscript, Fifteenth Century, National Library of Paris)

Fig. 133.--"How to carry a Cloth to approach Beasts."--Fac-simile of a Miniature in the Manuscript of Phoebus (Fifteenth Century).

Fig. 133.--"How to carry a cloth to approach animals."--Fac-simile of a miniature in the manuscript of Phoebus (15th Century).

The curious miniatures which accompany the text in the original manuscript of Gaston Phoebus, and which have been reproduced in nearly all the ancient copies of this celebrated manuscript, give most distinct and graphic ideas of the various modes of hunting. We find, for instance, that the use of an artificial cow for approaching wild-fowl was understood at that time, the only difference being that a model was used more like a horse than a cow (Fig. 133); we also see sportsmen shooting at bears, wild boars, stags, and such live animals with arrows having sharp iron points, intended to enter deep into the flesh, notwithstanding the thickness of the fur and the creature's hard skin. In the case of the hare, however, the missile had a heavy, massive end, probably made of lead, which stunned him without piercing his body (Fig. 134). In other cases the sportsman is represented with a crossbow seated in a cart, all covered up with boughs, by which plan he was supposed to approach the prey without alarming it any more than a swinging branch would do (Fig. 135).

The interesting tiny illustrations that go along with the text in the original manuscript of Gaston Phoebus, which have been duplicated in almost all the old copies of this famous manuscript, provide clear and vivid ideas about the different ways of hunting. For example, we see that using a fake cow to get close to wild birds was known back then; the only difference was that the model resembled a horse more than a cow (Fig. 133); we also observe hunters shooting at bears, wild boars, deer, and other live animals with arrows that had sharp iron tips designed to penetrate deep into the flesh, despite the thick fur and tough skin of the animals. However, for hares, the projectile had a heavy, solid tip, likely made of lead, which knocked them out without piercing their bodies (Fig. 134). In other instances, the hunter is shown with a crossbow seated in a cart completely covered with branches, which was meant to allow him to approach the prey without scaring it any more than a swinging branch would (Fig. 135).

Gaston Phoebus is known to have been one of the bravest knights of his time; and, after fighting, he considered hunting as his greatest delight. Somewhat ingenuously he writes of himself as a hunter, "that he doubts having any superior." Like all his contemporaries, he is eloquent as to the moral effect of his favourite pastime. "By hunting," he says, "one avoids the sin of indolence; and, according to our faith, he who avoids the seven mortal sins will be saved; therefore the good sportsman will be saved."

Gaston Phoebus is recognized as one of the bravest knights of his time, and after combat, he regarded hunting as his greatest joy. He somewhat naively claims of himself as a hunter, "that he doubts anyone is better." Like his peers, he speaks passionately about the positive impact of his favorite hobby. "By hunting," he says, "one steers clear of the sin of laziness; and according to our beliefs, anyone who avoids the seven deadly sins will be saved; therefore, a good hunter will be saved."

Fig. 134.--"How to allure the Hare."--Fac-simile of a Miniature in the Manuscript of Phoebus (Fifteenth Century).

Fig. 134.--"How to Attract the Hare."--Image of a miniature from the manuscript of Phoebus (15th Century).

From the earliest ages sportsmen placed themselves under the protection of some special deity. Among the Greeks and Romans it was Diana and Phoebe. The Gauls, who had adopted the greater number of the gods and goddesses of Rome, invoked the moon when they sallied forth to war or to the chase; but, as soon as they penetrated the sacred obscurity of the forests, they appealed more particularly to the goddess Ardhuina, whose name, of unknown origin, has probably since been applied to the immense well-stocked forests of Ardenne or Ardennes. They erected in the depths of the woods monstrous stone figures in honour of this goddess, such as the heads of stags on the bodies of men or women; and, to propitiate her during the chase, they hung round these idols the feet, the skins, and the horns of the beasts they killed. Cernunnos, who was always represented with a human head surmounted by stags' horns, had an altar even in Lutetia, which was, no doubt, in consequence of the great woods which skirted the banks of the Seine.

From the earliest times, athletes sought the protection of specific deities. For the Greeks and Romans, it was Diana and Phoebe. The Gauls, who adopted many of Rome’s gods and goddesses, called upon the moon when they went to war or hunting; but once they entered the sacred shadows of the forests, they turned specifically to the goddess Ardhuina, whose name, of unknown origin, has likely since been associated with the vast, lush forests of Ardenne or Ardennes. They built massive stone figures deep in the woods in honor of this goddess, like the heads of stags on the bodies of men or women; and to please her during the hunt, they hung the feet, skins, and antlers of the animals they killed around these idols. Cernunnos, always depicted with a human head topped with stags' horns, had an altar even in Lutetia, likely due to the extensive woods lining the Seine River.

Fig. 135.--"How to take a Cart to allure Beasts."--Fac-simile of a Miniature in the Manuscript of Phoebus (Fifteenth Century).

Fig. 135.--"How to Use a Cart to Attract Beasts."--Fac-simile of a Miniature in the Manuscript of Phoebus (Fifteenth Century).

The Gallic Cernunnos, which we also find among the Romans, since Ovid mentions the votary stags' horns, continued to be worshipped to a certain extent after the establishment of the Christian religion. In the fifth century, Germain, an intrepid hunter, who afterwards became Bishop of Auxerre, possessed not far from his residence an oak of enormous diameter, a thorough Cernunnos, which he hung with the skins and other portions of animals he had killed in the chase. In some countries, where the Cernunnos remained an object of veneration, everybody bedecked it in the same way. The largest oak to be found in the district was chosen on which to suspend the trophies both of warriors and of hunters; and, at a more recent period, sportsmen used to hang outside their doors stags' heads, boars' feet, birds of prey, and other trophies, a custom which evidently was a relic of the one referred to.

The Gallic Cernunnos, which we also see among the Romans, since Ovid mentions the antlers of the sacred stags, continued to be worshipped to some extent after Christianity was established. In the fifth century, Germain, a fearless hunter who later became the Bishop of Auxerre, had an enormous oak tree near his home, a true representation of Cernunnos, which he adorned with the skins and parts of animals he had hunted. In some regions, where Cernunnos was still revered, everyone decorated it in a similar way. The largest oak in the area was chosen to hang trophies from both warriors and hunters; and later on, hunters would display stags' heads, boar's feet, birds of prey, and other trophies outside their doors, a tradition that clearly was a remnant of the earlier practice.

On pagan idolatry being abandoned, hunters used to have a presiding genius or protector, whom they selected from amongst the saints most in renown. Some chose St. Germain d'Auxerre, who had himself been a sportsman; others St. Martin, who had been a soldier before he became Bishop of Tours. Eventually they all agreed to place themselves under the patronage of St. Hubert, Bishop of Liège, a renowned hunter of the eighth century. This saint devoted himself to a religious life, after one day haying encountered a miraculous stag whilst hunting in the woods, which appeared to him as bearing between his horns a luminous image of our Saviour. At first the feast of St. Hubert was celebrated four times a year, namely, at the anniversaries of his conversion and death, and on the two occasions on which his relics were exhibited. At the celebration of each of these feasts a large number of sportsmen in "fine apparel" came from great distances with their horses and dogs. There was, in fact, no magnificence or pomp deemed too imposing to be displayed, both by the kings and nobles, in honour of the patron-saint of hunting (Fig. 136).

On abandoning pagan idolatry, hunters would select a guardian spirit or protector from among the most famous saints. Some picked St. Germain d'Auxerre, who had been a hunter himself; others chose St. Martin, who had served as a soldier before becoming Bishop of Tours. Ultimately, they all agreed to be under the protection of St. Hubert, Bishop of Liège, a well-known hunter from the eighth century. This saint dedicated himself to a religious life after encountering a miraculous stag while hunting in the woods, which showed a glowing image of our Savior between its antlers. At first, St. Hubert's feast was celebrated four times a year: on the anniversaries of his conversion and death, and on the two days his relics were displayed. During each of these celebrations, many hunters dressed in "fine apparel" traveled from far away with their horses and dogs. There was no extravagance or grand display considered too lavish by kings and nobles in honor of the patron saint of hunting (Fig. 136).

Fig. 136.--"How to shout and blow Horns."--Fac-simile of a Miniature in the Manuscript of Phoebus (Fifteenth Century).

Fig. 136.--"How to yell and blow horns."--Exact replica of a miniature in the manuscript of Phoebus (15th century).

Costumes of the fifteenth century. From a miniature in a ms. copy of Ovid's Epistles No 7234 bis. Bibl. nat'le de Paris.

Costumes of the fifteenth century. From a miniature in a ms. copy of Ovid's Epistles No 7234 bis. Bibl. nat'le de Paris.

Fig. 137.--German Sportsman, drawn and engraved by J. Amman in the Sixteenth Century.

Fig. 137.--German athlete, created and engraved by J. Amman in the 16th century.

Hunters and sportsmen in those days formed brotherhoods, which had their rank defined at public ceremonials, and especially in processions. In 1455, Gérard, Duke of Cleves and Burgrave of Ravensberg, created the order of the Knights of St. Hubert, into which those of noble blood only were admitted. The insignia consisted of a gold or silver chain formed of hunting horns, to which was hung a small likeness of the patron-saint in the act of doing homage to our Saviour's image as it shone on the head of a stag. It was popularly believed that the Knights of St. Hubert had the power of curing madness, which, for some unknown reason, never showed itself in a pack of hounds. This, however, was not the only superstitious belief attached to the noble and adventurous occupations of the followers of St. Hubert. Amongst a number of old legends, which mostly belong to Germany (Fig. 137), mention is made of hunters who sold their souls to the devil in exchange for some enchanted arrow which never missed its aim, and which reached game at extraordinary distances. Mention is also made in these legends of various animals which, on being pursued by the hunters, were miraculously saved by throwing themselves into the arms of some saint, or by running into some holy sanctuary. There were besides knights who, having hunted all their lives, believed that they were to continue the same occupation in another world. An account is given in history of the apparition of a fiery phantom to Charles IX. in the forest of Lyons, and also the ominous meeting of Henry IV. with the terrible grand-veneur in the forest of Fontainebleau. We may account for these strange tales from the fact that hunting formerly constituted a sort of freemasonry, with its mysterious rites and its secret language. The initiated used particular signs of recognition amongst themselves, and they also had lucky and unlucky numbers, emblematical colours, &c.

Hunters and sportsmen back then formed brotherhoods, which had their ranks defined at public ceremonies, especially during processions. In 1455, Gérard, Duke of Cleves and Burgrave of Ravensberg, established the order of the Knights of St. Hubert, which only admitted those of noble blood. The insignia consisted of a gold or silver chain made of hunting horns, to which was attached a small figure of the patron saint bowing to the image of our Savior as it shone on the head of a stag. It was widely believed that the Knights of St. Hubert had the power to cure madness, which, for some unknown reason, never affected a pack of hounds. However, this wasn't the only superstitious belief linked to the noble and adventurous pursuits of the followers of St. Hubert. Among various old legends, mostly from Germany, there's mention of hunters who sold their souls to the devil in exchange for enchanted arrows that never missed their target and could hit game from extraordinary distances. These legends also mention different animals that, while being chased by hunters, were miraculously saved by throwing themselves into the arms of a saint or by seeking refuge in a holy sanctuary. Additionally, there were knights who believed that after hunting all their lives, they would continue the same pursuit in another world. History recounts the appearance of a fiery phantom to Charles IX in the forest of Lyons, as well as the ominous encounter between Henry IV and the formidable grand-veneur in the forest of Fontainebleau. These strange tales could be explained by the fact that hunting once resembled a sort of freemasonry, complete with its mysterious rituals and secret language. The initiated used specific signs to recognize each other, and they had lucky and unlucky numbers, symbolic colors, and so on.

The more dangerous the sport the more it was indulged in by military men. The Chronicles of the Monk of Saint-Gall describe an adventure which befell Charlemagne on the occasion of his setting out with his huntsmen and hounds in order to chase an enormous bear which was the terror of the Vosges. The bear, after having disabled numerous dogs and hunters, found himself face to face with the Emperor, who alone dared to stand up before him. A fierce combat ensued on the summit of a rock, in which both were locked together in a fatal embrace. The contest ended by the death of the bear, Charles striking him with his dagger and hurling him down the precipice. On this the hills resounded with the cry of "Vive Charles le Grand!" from the numerous huntsmen and others who had assembled; and it is said that this was the first occasion on which the companions of the intrepid monarch gave him the title of Grand (Magnus), so from that time King Charles became King Charlemagne.

The more dangerous the sport, the more military men enjoyed it. The Chronicles of the Monk of Saint-Gall describe an adventure that happened to Charlemagne when he set out with his huntsmen and dogs to hunt a huge bear that terrorized the Vosges. The bear, after injuring several dogs and hunters, confronted the Emperor, who was the only one brave enough to face him. A fierce battle broke out on top of a rock, where they were locked in a deadly struggle. The fight ended with the bear's death, as Charles struck him with his dagger and sent him tumbling down the cliff. At this, the hills echoed with cries of "Vive Charles le Grand!" from the many hunters and others who had gathered, and it's said that this was the first time the companions of the fearless king called him Grand (Magnus), marking the moment when King Charles became King Charlemagne.

This prince was most jealous of his rights of hunting, which he would waive to no one. For a long time he refused permission to the monks of the Abbey of St. Denis, whom he nevertheless held in great esteem, to have some stags killed which were destroying their forests. It was only on condition that the flesh of these animals would serve as food to the monks of inferior order, and that their hides should be used for binding the missals, that he eventually granted them permission to kill the offending animals (Fig. 138).

This prince was extremely protective of his hunting rights and wouldn't give them up for anyone. For a long time, he denied the monks of the Abbey of St. Denis, whom he respected greatly, the permission to hunt some stags that were ruining their forests. He only agreed on the condition that the meat from these animals would feed the lower-ranking monks, and that their hides would be used to bind the missals. This was the only way he would allow them to take down the troublesome animals (Fig. 138).

If we pass from the ninth to the thirteenth century, we find that Louis IX., king of France, was as keen a sportsman and as brave a warrior as any of his ancestors. He was, indeed, as fond of hunting as of war, and during his first crusade an opportunity occurred to him of hunting the lion. "As soon as he began to know the country of Cesarea," says Joinville, "the King set to work with his people to hunt lions, so that they captured many; but in doing so they incurred great bodily danger. The mode of taking them was this: They pursued them on the swiftest horses. When they came near one they shot a bolt or arrow at him, and the animal, feeling himself wounded, ran at the first person he could see, who immediately turned his horse's head and fled as fast as he could. During his flight he dropped a portion of his clothing, which the lion caught up and tore, thinking it was the person who had injured him; and whilst the lion was thus engaged the hunters again approached the infuriated animal and shot more bolts and arrows at him. Soon the lion left the cloth and madly rushed at some other hunter, who adopted the same strategy as before. This was repeated until the animal succumbed, becoming exhausted by the wounds he had received."

If we move from the ninth to the thirteenth century, we see that Louis IX, king of France, was as passionate about sports and as brave a warrior as any of his ancestors. He loved hunting just as much as he loved war, and during his first crusade, he had the chance to hunt a lion. "As soon as he started to understand the area around Cesarea," says Joinville, "the King and his men began hunting lions, and they caught many; but in doing so, they faced great physical danger. Here’s how they did it: They chased the lions on the fastest horses. When they got close, they would shoot a bolt or arrow at the lion, which would feel the wound and run at the first person it saw. That person would immediately turn their horse and flee as fast as possible. In the process of escaping, they would drop some of their clothing, which the lion would grab and tear apart, thinking it was the person who had hurt him. While the lion was busy with that, the hunters would approach the enraged animal again and shoot more bolts and arrows at it. Eventually, the lion would leave the cloth and charge at another hunter, who repeated the same tactic. This went on until the animal succumbed from exhaustion due to its wounds."

Fig. 138.--"Nature and Appearance of Deer, and how they can be hunted with Dogs."--Fac-simile of a Miniature in the "Livre du Roy Modus"--Manuscript of the Fourteenth Century (National Library of Paris)

Fig. 138.--"Nature and Appearance of Deer, and how to hunt them with Dogs."--Reproduction of a Miniature in the "Book of King Modus"--Manuscript from the Fourteenth Century (National Library of Paris)

Notwithstanding the passion which this king had for hunting, he was the first to grant leave to the bourgeoisie to enjoy the sport. The condition he made with them was that they should always give a haunch of any animal killed to the lord of the soil. It is to this that we must trace the origin of giving the animal's foot to the huntsman or to the person who has the lead of the hunting party.

Despite the king's passion for hunting, he was the first to allow the common people to participate in the sport. The agreement he made with them was that they would always give a haunch of any animal they killed to the landowner. This is where the tradition of giving the animal's foot to the huntsman or the leader of the hunting party originated.

Louis XI., however, did not at all act in this liberal manner, and although it might have been supposed that the incessant wars and political intrigues in which he was constantly engaged would have given him no time for amusements of this kind, yet he was, nevertheless, the keenest sportsman of his day. This tyrant of the Castle of Plessis-les-Tours, who was always miserly, except in matters of hunting, in which he was most lavish, forbade even the higher classes to hunt under penalty of hanging. To ensure the execution of his severe orders, he had all the castles as well as the cottages searched, and any net, engine, or sporting arm found was immediately destroyed. His only son, the heir to the throne, was not exempted from these laws. Shut up in the Castle of Amboise, he had no permission to leave it, for it was the will of the King that the young prince should remain ignorant of the noble exercises of chivalry. One day the Dauphin prayed his governor, M. du Bouchage, with so much earnestness to give him an idea of hunting, that this noble consented to make an excursion into the neighbouring wood with him. The King, however, managed to find it out, and Du Bouchage had great difficulty in keeping his head on his shoulders.

Louis XI didn't act in a generous way at all, and while it might have been thought that the constant wars and political scheming he was involved in would leave him no time for leisure activities, he was actually the most enthusiastic sportsman of his time. This tyrant of the Castle of Plessis-les-Tours, who was always stingy except when it came to hunting, where he was very extravagant, even prohibited the upper classes from hunting under the threat of execution. To enforce his harsh rules, he had all the castles and cottages searched, and any nets, traps, or hunting weapons found were immediately destroyed. His only son, the heir to the throne, was not exempt from these laws. Locked away in the Castle of Amboise, he wasn't allowed to leave, as the King wanted the young prince to remain unaware of the noble pursuits of chivalry. One day, the Dauphin earnestly asked his governor, M. du Bouchage, to give him a glimpse of hunting, so this noble agreed to take him on an outing to the nearby woods. However, the King found out, and Du Bouchage had a tough time staying out of trouble.

One of the best ways of pleasing Louis XI. was to offer him some present relating to his favourite pastime, either pointers, hounds, falcons, or varlets who were adepts in the art of venery or hawking (Figs. 139 and 140). When the cunning monarch became old and infirm, in order to make his enemies believe that he was still young and vigorous, he sent messengers everywhere, even to the most remote countries, to purchase horses, dogs, and falcons, for which, according to Comines, he paid large sums (Fig. 141).

One of the best ways to please Louis XI was to give him a gift related to his favorite hobbies, whether that was pointers, hounds, falcons, or servants skilled in hunting or falconry (Figs. 139 and 140). When the clever king grew old and weak, to make his enemies think he was still young and strong, he sent messengers everywhere, even to the farthest countries, to buy horses, dogs, and falcons, for which, according to Comines, he paid a lot of money (Fig. 141).

On his death, the young prince, Charles VIII., succeeded him, and he seems to have had an innate taste for hunting, and soon made up for lost time and the privation to which his father had subjected him. He hunted daily, and generously allowed the nobles to do the same. It is scarcely necessary to say that these were not slow in indulging in the privilege thus restored to them, and which was one of their most ancient pastimes and occupations; for it must be remembered that, in those days of small intellectual culture, hunting must have been a great, if not at times the only, resource against idleness and the monotony of country life.

Upon his death, the young prince, Charles VIII, took over, and he seemed to have a natural passion for hunting, quickly making up for the time and restrictions his father had imposed on him. He hunted every day and generously allowed the nobles to join him. It’s hardly surprising that they eagerly embraced this privilege, which was one of their oldest pastimes; after all, during those times of limited intellectual stimulation, hunting must have been a major, if not the only, escape from boredom and the routine of rural life.

Everything which related to sport again became the fashion amongst the youth of the nobility, and their chief occupation when not engaged in war. They continued as formerly to invent every sort of sporting device. For example, they obtained from other countries traps, engines, and hunting-weapons; they introduced into France at great expense foreign animals, which they took great pains in naturalising as game or in training as auxiliaries in hunting. After having imported the reindeer from Lapland, which did not succeed in their temperate climate, and the pheasant from Tartary, with which they stocked the woods, they imported with greater success the panther and the leopard from Africa, which were used for furred game as the hawk was for feathered game. The mode of hunting with these animals was as follows: The sportsmen, preceded by their dogs, rode across country, each with a leopard sitting behind him on his saddle. When the dogs had started the game the leopard jumped off the saddle and sprang after it, and as soon as it was caught the hunters threw the leopard a piece of raw flesh, for which he gave up the prey and remounted behind his master (Fig. 142)

Everything related to sports became popular again among the youth of the nobility, and it was their main activity when they weren't at war. They continued to invent all kinds of sporting devices. For instance, they brought in traps, tools, and hunting weapons from other countries; they spent a lot to import foreign animals into France, putting great effort into acclimating them as game or training them to assist in hunting. They brought in reindeer from Lapland, which didn’t thrive in the milder climate, and pheasants from Tartary, which they used to populate the woods. With more success, they imported panthers and leopards from Africa, using them to hunt furred game, just like hawks were used for feathered game. The method of hunting with these animals was as follows: The hunters, accompanied by their dogs, rode through the countryside, each with a leopard sitting behind them on their saddle. Once the dogs had flushed out the game, the leopard would jump off the saddle and chase after it. Once it caught the prey, the hunters tossed the leopard a piece of raw meat, which made it leave the catch and remount behind its master. (Fig. 142)

Louis XI., Charles VIII., and Louis XII. often hunted thus. The leopards, which formed a part of the royal venery, were kept in an enclosure of the Castle of Amboise, which still exists near the gate des Lions, so called, no doubt, on account of these sporting and carnivorous animals being mistaken for lions by the common people. There, were, however, always lions in the menageries of the kings of France.

Louis XI, Charles VIII, and Louis XII often hunted this way. The leopards, which were part of the royal hunt, were kept in a pen at the Castle of Amboise, which still exists near the gate des Lions, likely named because the common people confused these hunting and carnivorous animals for lions. However, there were always lions in the menageries of the kings of France.

Fig. 139.--"The Way to catch Squirrels on the Ground in the Woods"--Fac-simile of a Miniature in the Manuscript of the "Livre du Roy Modus" (Fourteenth Century)

Fig. 139.--"How to Catch Squirrels on the Ground in the Woods"--Reproduction of a Miniature from the Manuscript of the "Book of King Modus" (14th Century)

Francis I. was quite as fond of hunting as any of his predecessors. His innate taste for sport was increased during his travels in Italy, where he lived with princes who displayed great splendour in their hunting equipages. He even acquired the name of the Father of Sportsmen. His netting establishment alone, consisted of one captain, one lieutenant, twelve mounted huntsmen, six varlets to attend the bloodhounds; six whips, who had under their charge sixty hounds; and one hundred bowmen on foot, carrying large stakes for fixing the nets and tents, which were carried by fifty six-horsed chariots. He was much pleased when ladies followed the chase; and amongst those who were most inclined to share its pleasures, its toils, and even its perils, was Catherine de Medicis, then Dauphine, who was distinguished for her agility and her graceful appearance on horseback, and who became a thorough sportswoman.

Francis I was just as passionate about hunting as any of his predecessors. His natural love for the sport grew during his travels in Italy, where he lived with princes who showcased great extravagance in their hunting gear. He even earned the title of the Father of Sportsmen. His netting setup alone included one captain, one lieutenant, twelve mounted hunters, six attendants for the bloodhounds, six whips overseeing sixty hounds, and one hundred foot archers carrying large stakes for setting up nets and tents, which were transported by fifty six-horse chariots. He was quite happy when women joined in on the hunt; among those most eager to participate in its joys, challenges, and even dangers was Catherine de Medicis, then Dauphine, who was known for her agility and elegant presence on horseback, becoming a true sportswoman.

Fig. 140.-"The Way of catching Partridges with an Osier Net-Work Apparatus"--Fac-simile of a Miniature in "Livre du Roy Modus."

Fig. 140.-"How to Catch Partridges with a Willow Netting Setup"--A replica of a miniature from "Book of King Modus."

The taste for hunting having become very general, and the art being considered as the most noble occupation to which persons could devote themselves, it is not surprising to find sporting works composed by writers of the greatest renown and of the highest rank. The learned William Budé, whom Erasmus called the wonder of France, dedicated to the children of Francis I. the second book of his "Philologie," which contains a treatise on stag-hunting. This treatise, originally written in Latin, was afterwards translated into French by order of Charles IX., who was acknowledged to be one of the boldest and most scientific hunters of his time. An extraordinary feat, which has never been imitated by any one, is recorded of him, and that was, that alone, on horseback and without dogs, he hunted down a stag. The "Chasse Royale," the authorship of which is attributed to him, is replete with scientific information. "Wolf-hunting," a work by the celebrated Clamorgan, and "Yenery," by Du Fouilloux, were dedicated to Charles IX., and a great number of special treatises on such subjects appeared in his reign.

The popularity of hunting became quite widespread, and it was seen as the most noble activity people could pursue. So, it’s not surprising to find that renowned writers of high status created works about sports. The learned William Budé, whom Erasmus called the wonder of France, dedicated the second book of his "Philologie" — which includes a treatise on stag-hunting — to the children of Francis I. This treatise, originally written in Latin, was later translated into French by order of Charles IX., who was recognized as one of the boldest and most skilled hunters of his time. An extraordinary feat never duplicated by anyone else was recorded about him: he once hunted a stag alone, on horseback, without dogs. The "Chasse Royale," often attributed to him, is filled with scientific knowledge. "Wolf-hunting," a work by the famous Clamorgan, and "Yenery," by Du Fouilloux, were dedicated to Charles IX., and many specialized treatises on such topics were published during his reign.

Fig. 141.--"Kennel in which Dogs should live, and how they should be kept."--Fac-simile of a Miniature in Manuscript of Phoebus (Fifteenth Century).

Fig. 141.--"Kennel where Dogs should live, and how they should be cared for."--Fac-simile of a Miniature in Manuscript of Phoebus (Fifteenth Century).

His brother, the effeminate Henry III., disliked hunting, as he considered it too fatiguing and too dangerous.

His brother, the more delicate Henry III, didn't like hunting because he thought it was too tiring and too risky.

On the other hand, according to Sully, Henry IV., le Béarnais, who learned hunting in early youth in the Pyrenees, "loved all kinds of sport, and, above all, the most fatiguing and adventurous pursuits, such as those after wolves, bears, and boars." He never missed a chance of hunting, "even when in face of an enemy. If he knew a stag to be near, he found time to hunt it," and we find in the "Memoirs of Sully " that the King hunted the day after the famous battle of Ivry.

On the other hand, according to Sully, Henry IV, le Béarnais, who learned to hunt as a kid in the Pyrenees, "loved all kinds of sports, especially the most exhausting and adventurous ones, like hunting wolves, bears, and boars." He never passed up an opportunity to hunt, "even when facing an enemy. If he knew a stag was nearby, he made time to go after it," and we see in the "Memoirs of Sully" that the King went hunting the day after the famous battle of Ivry.

One day, when he was only King of Navarre, he invited the ladies of Pau to come and see a bear-hunt. Happily they refused, for on that occasion their nerves would have been put to a serious test. Two bears killed two of the horses, and several bowmen were hugged to death by the ferocious animals. Another bear, although pierced in several places, and having six or seven pike-heads in his body, charged eight men who were stationed on the top of a rock, and the whole of them with the bear were all dashed to pieces down the precipice. The only point in which Louis XIII. resembled his father was his love of the chase, for during his reign hunting continued in France, as well as in other countries, to be a favourite royal pastime.

One day, when he was just the King of Navarre, he invited the ladies of Pau to watch a bear hunt. Thankfully, they declined, because it would have been quite nerve-wracking for them. Two bears killed two of the horses, and several archers were crushed to death by the wild animals. Another bear, despite being wounded several times and having six or seven spearheads in its body, charged at eight men who were positioned on top of a rock, and they all fell to their deaths down the cliff along with the bear. The only trait Louis XIII. shared with his father was his passion for hunting, as hunting remained a popular royal pastime in France and other countries during his reign.

We have remarked that St. Germain d'Auxerre, who at a certain period was the patron of sportsmen, made hunting his habitual relaxation. He devoted himself to it with great keenness in his youth, before he became bishop, that is, when he was Duke of Auxerre and general of the troops of the provinces. Subsequently, when against his will he was raised to the episcopal dignity, not only did he give up all pleasures, but he devoted himself to the strictest religious life. Unfortunately, in those days, all church-men did not understand, as he did, that the duties of their holy vocation were not consistent with these pastimes, for, in the year 507, we find that councils and synods forbade priests to hunt. In spite of this, however, the ancient historians relate that several noble prelates, yielding to the customs of the times, indulged in hunting the stag and flying the falcon.

We’ve noted that St. Germain d'Auxerre, who was once the patron of athletes, made hunting his regular pastime. He was very passionate about it in his youth, before he became a bishop, when he was the Duke of Auxerre and a general of the troops in the provinces. Later, when he was reluctantly elevated to the position of bishop, he not only gave up all pleasures but also committed himself to a very strict religious life. Unfortunately, back then, not all members of the clergy understood, as he did, that the responsibilities of their sacred role were incompatible with these activities. In 507, we find that councils and synods prohibited priests from hunting. Despite this, ancient historians tell us that several noble bishops, following the customs of the time, enjoyed hunting deer and training falcons.

Fig. 142.--Hunting with the Leopard, from a Stamp of Jean Stradan (Sixteenth Century).

Fig. 142.--Hunting with the Leopard, from a Stamp of Jean Stradan (16th Century).

It is related in history that some of the most illustrious popes were also great lovers of the chase, namely, Julius II, Leo X., and, previously to them, Pius II, who, before becoming Pope, amongst other literary and scientific works, wrote a Latin treatise on venery under his Christian names, Æneas Silvius. It is easy to understand how it happened that sports formerly possessed such attractions for ecclesiastical dignitaries. In early life they acquired the tastes and habits of people of their rank, and they were accordingly extremely jealous of the rights of chase in their domains. Although Pope Clement V., in his celebrated "Institutions," called "Clémentines," had formally forbidden the monks to hunt, there were few who did not evade the canonical prohibition by pursuing furred game, and that without considering that they were violating the laws of the Church. The papal edict permitted the monks and priests to hunt under certain circumstances, and especially where rabbits or beasts of prey increased so much as to damage the crops. It can easily be imagined that such would always be the case at a period when the people were so strictly forbidden to destroy game; and therefore hunting was practised at all seasons in the woods and fields in the vicinity of each abbey. The jealous peasants, not themselves having the right of hunting, and who continually saw Master Abbot passing on his hunting excursions, said, with malice, that "the monks never forgot to pray for the success of the litters and nests (pro pullis et nidis), in order that game might always be abundant."

It’s recorded in history that some of the most famous popes were also avid hunters, including Julius II, Leo X, and before them, Pius II, who, before becoming Pope, wrote a Latin treatise on hunting under his Christian name, Æneas Silvius, among other literary and scientific works. It’s easy to see how hunting became so appealing to church leaders. In their youth, they developed the tastes and habits typical of their social class, which made them very protective of their hunting rights on their lands. Although Pope Clement V, in his well-known work called the "Clémentines," banned monks from hunting, few actually followed this rule and hunted game without worrying about breaking church laws. The papal decree did allow monks and priests to hunt under certain conditions, particularly if rabbits or predatory animals overpopulated and threatened crops. It's easy to imagine this was always the case at a time when the population was strictly prohibited from harming game, so hunting was practiced year-round in the woods and fields around each abbey. The envious peasants, who didn’t have hunting rights and often saw the Master Abbot on his hunting trips, maliciously remarked that "the monks never forgot to pray for the success of the litters and nests (pro pullis et nidis), so that game would always be plentiful."

Fig. 143.--"How Wolves may be caught with a Snare."--Fac-simile of a Miniature in the Manuscript of Phoebus (Fifteenth Century).

Fig. 143.--"How Wolves Can Be Trapped with a Snare."--Facsimile of a Miniature in the Manuscript of Phoebus (15th Century).

If venery, as a regular science, dates from a comparatively recent period, it is not so with falconry, the first traces of which are lost in obscure antiquity. This kind of sport, which had become a most learned and complicated art, was the delight of the nobles of the Middle Ages and during the Renaissance period. It was in such esteem that a nobleman or his lady never appeared in public without a hawk on the wrist as a mark of dignity (Fig. 147). Even bishops and abbots entered the churches with their hunting birds, which they placed on the steps of the altar itself during the service.

If hunting with birds of prey, as a formal practice, has only been recognized in recent times, falconry has roots that stretch back into ancient history. This sport, which evolved into a highly skilled and intricate art, was favored by nobles during the Middle Ages and the Renaissance. It was held in such high regard that a nobleman or his lady would never be seen in public without a hawk on their wrist as a sign of status (Fig. 147). Even bishops and abbots would bring their hunting birds into churches, placing them on the altar steps during services.

Fig. 144.--"How Bears and other Beasts may be caught with a Dart."--Fac-simile of a Miniature in the Manuscript of Phoebus (Fifteenth Century).

Fig. 144.--"How to Catch Bears and Other Animals with a Dart."--Replica of a Miniature in the Manuscript of Phoebus (15th Century).

The bird, like the sword, was a distinctive mark which was inseparable from the person of gentle birth, who frequently even went to war with the falcon on his wrist. During the battle he would make his squire hold the bird, which he replaced on his gauntlet when the fight was over. In fact, it was forbidden by the laws of chivalry for persons to give up their birds, even as a ransom, should they be made prisoners; in which case they had to let the noble birds fly, in order that they might not share their captivity.

The bird, like the sword, was a unique symbol that was closely tied to someone of noble birth, who often went into battle with a falcon on their wrist. During the fight, they would have their squire hold the bird, putting it back on their gauntlet once the battle was done. In fact, chivalry laws prohibited anyone from giving up their birds, even as a ransom if they were captured; in such situations, they had to let the noble birds fly free so they wouldn’t endure the same captivity.

The falcon to a certain degree partook of his owner's nobility; he was, moreover, considered a noble bird by the laws of falconry, as were all birds of prey which could be trained for purposes of sport. All other birds, without distinction, were declared ignoble, and no exception was made to this rule by the naturalists of the Middle Ages, even in favour of the strongest and most magnificent, such as the eagle and vulture. According to this capricious classification, they considered the sparrow-hawk, which was the smallest of the hunting-birds, to rank higher than the eagle. The nickname of this diminutive sporting bird was often applied to a country-gentleman, who, not being able to afford to keep falcons, used the sparrow-hawk to capture partridges and quail.

The falcon somewhat shared in his owner's nobility; he was also viewed as a noble bird according to falconry laws, just like all birds of prey that could be trained for sport. All other birds, without exception, were labeled ignoble, and this rule was upheld by the naturalists of the Middle Ages, even for the strongest and most impressive birds like the eagle and vulture. Based on this arbitrary classification, they considered the sparrow-hawk, which was the smallest hunting bird, to be more prestigious than the eagle. The nickname of this small sporting bird was often used for a country gentleman who, unable to afford falcons, relied on the sparrow-hawk to catch partridges and quail.

Fig. 145.--Olifant, or Hunting-horn, in Ivory (Fourteenth Century).--From an Original existing in England.

Fig. 145.--Olifant, or Hunting Horn, in Ivory (14th Century).--From an original that exists in England.

It was customary for gentlemen of all classes, whether sportsmen or not, to possess birds of some kind, "to keep up their rank," as the saying then was. Only the richest nobles, however, were expected to keep a regular falconry, that is, a collection of birds suited for taking all kinds of game, such as the hare, the kite, the heron, &c., as each sport not only required special birds, but a particular and distinctive retinue and establishment.

It was common for gentlemen of all social classes, whether into sports or not, to own some type of birds, "to maintain their status," as the saying went. However, only the wealthiest nobles were expected to have a proper falconry, which is a collection of birds trained to catch various kinds of game, like hares, kites, herons, etc. Each sport required not just specific birds but also a unique team and setup.

Fig. 146.--Details Hunting-horn of the Fourteenth Century.--From the Original in an English Collection.

Fig. 146.--Details of the Hunting Horn from the Fourteenth Century.--From the Original in an English Collection.

Besides the cost of falcons, which was often very great (for they were brought from the most distant countries, such as Sweden, Iceland, Turkey, and Morocco), their rearing and training involved considerable outlay, as may be more readily understood from the illustrations (Figs. 148 to 155), showing some of the principal details of the long and difficult education which had to be given them.

Besides the cost of falcons, which was often quite high (since they were brought in from faraway places like Sweden, Iceland, Turkey, and Morocco), raising and training them also required a significant investment, as can be better understood from the illustrations (Figs. 148 to 155), showing some key details of the lengthy and challenging education they needed.

To succeed in making the falcon obey the whistle, the voice, and the signs of the falconer was the highest aim of the art, and it was only by the exercise of much patience that the desired resuit was obtained. All birds of prey, when used for sport, received the generic name of falcon; and amongst them were to be found the gerfalcon, the saker-hawk, the lanner, the merlin, and the sparrow-hawk. The male birds were smaller than the females, and were called tiercelet--this name, however, more particularly applied to the gosshawk or the largest kind of male hawk, whereas the males of the above mentioned were called laneret, sacret, émouchet. Generally the male birds were used for partridges and quail, and the female birds for the hare, the heron, and crane. Oiseaux de poing, or hand-birds, was the name given to the gosshawk, common hawk, the gerfalcon, and the merlin, because they returned to the hand of their master after having pursued game. The lanner, sparrow-hawk, and saker-hawk were called oiseaux de leure, from the fact that it was always necessary to entice them back again.

To successfully train the falcon to respond to the whistle, the voice, and the signals of the falconer was the main goal of the art, and only through a lot of patience could the desired outcome be achieved. All birds of prey used for sport were generally called falcon; among them were the gerfalcon, the saker-hawk, the lanner, the merlin, and the sparrow-hawk. Male birds were smaller than females and were referred to as tiercelet—this term primarily applied to the gosshawk or the largest type of male hawk, while the males of the aforementioned birds were known as laneret, sacret, émouchet. Typically, the male birds were used to hunt partridges and quail, while the female birds were used for hare, heron, and crane. The term Oiseaux de poing, or hand-birds, was used for the gosshawk, common hawk, gerfalcon, and merlin because they would return to their master's hand after chasing game. The lanner, sparrow-hawk, and saker-hawk were called oiseaux de leure because it was always necessary to lure them back.

Fig. 147.--A Noble of Provence (Fifteenth Century).--Bonnart's "Costumes from the Tenth to the Sixteenth Century."

Fig. 147.--A Noble from Provence (15th Century).--Bonnart's "Costumes from the 10th to the 16th Century."

The lure was an imitation of a bird, made of red cloth, that it might be more easily seen from a distance. It was stuffed so that the falcon could settle easily on it, and furnished with the wings of a partridge, duck, or heron, according to circumstances. The falconer swung his mock bird like a sling, and whistled as he did so, and the falcon, accustomed to find a piece of flesh attached to the lure, flew down in order to obtain it, and was thus secured.

The lure was a fake bird made of red fabric so it could be spotted easily from far away. It was stuffed to allow the falcon to land on it comfortably and had wings from a partridge, duck, or heron, depending on the situation. The falconer swung his decoy like a slingshot and whistled while doing this, and the falcon, used to finding a piece of meat tied to the lure, swooped down to get it, which allowed it to be captured.

Fig. 148.--King Modus teaching the Art of Falconry.--Fac-simile of a Miniature in the Manuscript of "Livre du Roy Modus" (Fourteenth Century).

Fig. 148.--King Modus teaching the Art of Falconry.--Facsimile of a miniature in the manuscript of "Livre du Roy Modus" (14th Century).

The trainers of birds divided them into two kinds, namely, the niais or simple bird, which had been taken from the nest, and the wild bird (hagard) captured when full-grown. The education of the former was naturally very much the easier, but they succeeded in taming both classes, and even the most rebellious were at last subdued by depriving them of sleep, by keeping away the light from them, by coaxing them with the voice, by patting them, by giving them choice food, &c.

The bird trainers classified them into two types: the niais or simple bird, taken from the nest, and the wild bird (hagard) caught as an adult. Training the former was obviously much easier, but they managed to tame both types, and even the most unruly were eventually subdued by depriving them of sleep, blocking out the light, soothing them with their voices, petting them, and offering them special food, etc.

Regardless of his original habits, the bird was first accustomed to have no fear of men, horses, and dogs. He was afterwards fastened to a string by one leg, and, being allowed to fly a short distance, was recalled to the lure, where he always found a dainty bit of food. After he had been thus exercised for several months, a wounded partridge was let loose that he might catch it near the falconer, who immediately took it from him before he could tear it to pieces. When he appeared sufficiently tame, a quail or partridge, previously stripped of a few feathers so as to prevent it flying properly, was put in his way as before. If he was wanted for hunting hares, a stuffed hare was dragged before him, inside of which was a live chicken, whose head and liver was his reward if he did his work well. Then they tried him with a hare whose fore-leg was broken in order to ensure his being quickly caught. For the kite, they placed two hawks together on the same perch, so as to accustom them peaceably to live and hunt together, for if they fought with one another, as strange birds were apt to do, instead of attacking the kite, the sport would of course have failed. At first a hen of the colour of a kite was given them to fight with. When they had mastered this, a real kite was used, which was tied to a string and his claws and beak were filed so as to prevent him from wounding the young untrained falcons. The moment they had secured their prey, they were called off it and given chickens' flesh to eat on the lure. The same System was adopted for hunting the heron or crane (Fig. 159).

Regardless of his original habits, the bird was initially fearless around people, horses, and dogs. He was then tied to a string by one leg and allowed to fly a short distance before being called back to a lure, where he always found some tasty food. After several months of this training, a wounded partridge was released for him to catch near the falconer, who quickly took it from him before he could tear it apart. Once he seemed tame enough, a quail or partridge, with a few feathers removed to limit its flying ability, was presented to him as before. If he was needed for hunting hares, a stuffed hare was dragged in front of him, which contained a live chicken inside; if he did well, his reward was the chicken's head and liver. Then they tested him with a hare that had a broken foreleg to ensure he caught it quickly. For the kite, two hawks were placed together on the same perch to help them live and hunt together without fighting, as strange birds often tend to do, which would ruin the hunt. Initially, they fought with a hen that resembled a kite. Once they mastered that, a real kite was used, tied to a string with its claws and beak filed down to prevent it from harming the young, untrained falcons. As soon as they caught their prey, they were called off and given chicken flesh to eat from the lure. The same method was used for hunting herons or cranes (Fig. 159).

Fig. 149.--Falconers dressing their Birds.--Fac-simile of a Miniature in the Manuscript of "Livre du Roy Modus" (Fourteenth Century).

Fig. 149.--Falconers preparing their Birds.--Exact replica of a Miniature in the Manuscript of "Book of King Modus" (Fourteenth Century).

It will be seen that, in order to train birds, it was necessary for a large number of the various kinds of game to be kept on the premises, and for each branch of sport a regular establishment was required. In falconry, as in venery, great care was taken to secure that a bird should continue at one object of prey until he had secured it, that is to say, it was most essential to teach it not to leave the game he was after in order to pursue another which might come in his way.

It will be clear that, to train birds, it was essential to keep a large number of different types of game on the property, and each sport required a proper setup. In falconry, just like in hunting, great care was taken to ensure that a bird would focus on one target until it caught it; in other words, it was crucial to teach the bird not to abandon the game it was pursuing in order to chase after another that might cross its path.

To establish a falconry, therefore, not only was a very large poultry-yard required, but also a considerable staff of huntsmen, falconers, and whips, besides a number of horses and dogs of all sorts, which were either used for starting the game for the hawks, or for running it down when it was forced to ground by the birds.

To set up a falconry, you needed a really big poultry yard and a decent-sized team of hunters, falconers, and beaters, along with several horses and various dogs. These were used to flush out game for the hawks or to chase it down when the birds had forced it to the ground.

Fig. 150.--Varlets of Falconry.--Fac-simile of a Miniature in the Manuscript of "Livre du Roy Modus" (Fourteenth Century).

Fig. 150.--Young Falconers.--Replica of a Miniature in the Manuscript of "Book of King Modus" (14th Century).

A well-trained falcon was a bird of great value, and was the finest present that could be made to a lady, to a nobleman, or to the King himself, by any one who had received a favour. For instance, the King of France received six birds from the Abbot of St. Hubert as a token of gratitude for the protection granted by him to the abbey. The King of Denmark sent him several as a gracious offering in the month of April; the Grand Master of Malta in the month of May. At court, in those days, the reception of falcons either in public or in private was a great business, and the first trial of any new birds formed a topic of conversation among the courtiers for some time after.

A well-trained falcon was a highly valuable bird and the best gift someone could give to a lady, a nobleman, or even the King himself as a token of appreciation. For example, the King of France received six birds from the Abbot of St. Hubert as thanks for the protection he provided to the abbey. The King of Denmark sent him several as a kind gesture in April, and the Grand Master of Malta did the same in May. Back then, receiving falcons at court, whether publicly or privately, was a significant event, and the initial assessment of any new birds became a topic of conversation among the courtiers for quite a while afterward.

The arrival at court of a hawk-dealer from some distant country was also a great event. It is said that Louis XI. gave orders that watch should be kept night and day to seize any falcons consigned to the Duke of Brittany from Turkey. The plan succeeded, and the birds thus stolen were brought to the King, who exclaimed, "By our holy Lady of Cléry! what will the Duke Francis and his Bretons do? They will be very angry at the good trick I have played them."

The arrival of a hawk dealer from a faraway country was a big deal. It's said that Louis XI ordered constant surveillance to capture any falcons sent to the Duke of Brittany from Turkey. The plan worked, and the stolen birds were taken to the King, who exclaimed, "By our holy Lady of Cléry! What will Duke Francis and his Bretons do? They’re going to be very upset about the clever trick I've pulled on them."

European princes vied with each other in extravagance as regards falconry; but this was nothing in comparison to the magnificence displayed in oriental establishments. The Count de Nevers, son of Philip the Bold, Duke of Burgundy, having been made prisoner at the battle of Nicopolis, was presented to the Sultan Bajazet, who showed him his hunting establishment consisting of seven thousand falconers and as many huntsmen. The Duke of Burgundy, on hearing this, sent twelve white hawks, which were very scarce birds, as a present to Bajazet. The Sultan was so pleased with them that he sent him back his son in exchange.

European princes competed with each other in extravagance when it came to falconry; however, this was nothing compared to the grandeur seen in Eastern courts. The Count de Nevers, son of Philip the Bold, Duke of Burgundy, was captured at the battle of Nicopolis and was presented to Sultan Bajazet, who showcased his hunting establishment, which included seven thousand falconers and an equal number of huntsmen. Upon hearing this, the Duke of Burgundy sent twelve rare white hawks as a gift to Bajazet. The Sultan was so pleased with the gift that he returned the Count’s son as a trade.

Fig. 151.--"How to train a New Falcon."--Fac-simile of a Miniature in the Manuscript of "Livre du Roy Modus" (Fourteenth Century).

Fig. 151.--"How to train a New Falcon."--Facsimile of a Miniature in the Manuscript of "Book of King Modus" (14th Century).

The "Livre du Roy Modus" gives the most minute and curious details on the noble science of hawking. For instance, it tells us that the nobility of the falcon was held in such respect that their utensils, trappings, or feeding-dishes were never used for other birds. The glove on which they were accustomed to alight was frequently elaborately embroidered in gold, and was never used except for birds of their own species. In the private establishments the leather hoods, which were put on their heads to prevent them seeing, were embroidered with gold and pearls and surmounted with the feathers of birds of paradise. Each bird wore on his legs two little bells with his owner's crest upon them; the noise made by these was very distinct, and could be heard even when the bird was too high in the air to be seen, for they were not made to sound in unison; they generally came from Italy, Milan especially being celebrated for their manufacture. Straps were also fastened to the falcon's legs, by means of which he was attached to the perch; at the end of this strap was a brass or gold ring with the owner's name engraved upon it. In the royal establishments each ring bore on one side, "I belong to the king," and on the other the name of the Grand Falconer. This was a necessary precaution, for the birds frequently strayed, and, if captured, they could thus be recognised and returned. The ownership of a falcon was considered sacred, and, by an ancient barbaric law, the stealer of a falcon was condemned to a very curious punishment. The unfortunate thief was obliged to allow the falcon to eat six ounces of the flesh of his breast, unless he could pay a heavy fine to the owner and another to the king.

The "Livre du Roy Modus" provides the most detailed and fascinating information about the noble art of falconry. For example, it states that the nobility of falcons was so highly valued that their equipment, gear, or feeding bowls were never used for other birds. The glove they landed on was often intricately embroidered in gold, and it was only used for their own species. In private settings, the leather hoods that covered their heads to block their vision were adorned with gold and pearls, topped with feathers from exotic birds. Each bird had two small bells on its legs featuring its owner’s crest; the sound these made was distinct and could be heard even when the bird was too high to be seen, as they were designed not to ring in unison. These bells typically came from Italy, particularly Milan, which was famous for their production. Straps were attached to the falcon's legs to secure them to the perch, and at the end of each strap was a brass or gold ring with the owner's name engraved on it. In royal establishments, each ring had on one side, "I belong to the king," and on the other, the name of the Grand Falconer. This was a necessary measure because the birds often wandered off, and if they were caught, they could be identified and returned. Owning a falcon was regarded as sacred, and under an ancient barbaric law, anyone who stole a falcon faced a rather unusual punishment. The unfortunate thief was required to let the falcon eat six ounces of flesh from his own chest unless he could pay a hefty fine to the owner and another to the king.

Fig. 152.--Falconers.--Fac-simile from a Miniature in Manuscript of the Thirteenth Century, which treats of the "Cour de Jaime, Roi de Maiorque."

Fig. 152.--Falconers.--Exact copy from a 13th Century Manuscript, which discusses the "Court of Jaime, King of Majorca."

A man thoroughly acquainted with the mode of training hawks was in high esteem everywhere. If he was a freeman, the nobles outbid each other as to who should secure his services; if he was a serf, his master kept him as a rare treasure, only parted with him as a most magnificent present, or sold him for a considerable sum. Like the clever huntsman, a good falconer (Fig. 156) was bound to be a man of varied information on natural history, the veterinary art, and the chase; but the profession generally ran in families, and the son added his own experience to the lessons of his father. There were also special schools of venery and falconry, the most renowned being of course in the royal household.

A man who knew a lot about training hawks was highly respected everywhere. If he was a free man, the nobles competed to hire him; if he was a serf, his master treated him like a rare treasure, only letting him go as an extraordinary gift or selling him for a significant amount. Just like a skilled hunt, a good falconer (Fig. 156) had to be knowledgeable about natural history, veterinary medicine, and hunting; however, this profession often ran in families, with sons building on their fathers' lessons. There were also specialized schools for hunting and falconry, with the most famous ones located in the royal household.

The office of Grand Falconer of France, the origin of which dates from 1250, was one of the highest in the kingdom. The Maréchal de Fleuranges says, in his curious "Memoirs"--"The Grand Falconer, whose salary is four thousand florins" (the golden florin was worth then twelve or fifteen francs, and this amount must represent upwards of eighty thousand francs of present currency), "has fifty gentlemen under him, the salary of each being from five to six thousand livres. He has also fifty assistant falconers at two hundred livres each, all chosen by himself. His establishment consists of three hundred birds; he has the right to hunt wherever he pleases in the kingdom; he levies a tax on all bird-dealers, who are forbidden, under penalty of the confiscation of their stock, from selling a single bird in any town or at court without his sanction." The Grand Falconer was chief at all the hunts or hawking meetings; in public ceremonies he always appeared with the bird on his wrist, as an emblem of his rank; and the King, whilst hawking, could not let loose his bird until after the Grand Falconer had slipped his.

The position of Grand Falconer of France, which dates back to 1250, was one of the most prestigious in the kingdom. The Maréchal de Fleuranges mentions in his interesting "Memoirs," "The Grand Falconer, who earns four thousand florins" (the golden florin was worth about twelve to fifteen francs back then, which must be equivalent to over eighty thousand francs today), "has fifty gentlemen under his command, each earning between five to six thousand livres. He also has fifty assistant falconers making two hundred livres each, all selected by him. His establishment includes three hundred birds; he has the right to hunt wherever he desires in the kingdom; he imposes a tax on all bird-dealers, who are forbidden, under threat of having their stock confiscated, from selling a single bird in any town or at court without his permission." The Grand Falconer was in charge of all hunts or hawking events; during public ceremonies, he would always be seen with a bird on his wrist as a symbol of his status; and the King, while hawking, couldn’t release his bird until the Grand Falconer had let his go.

Fig. 153.--"How to bathe a New Falcon."--Fac-simile of a Miniature in the Manuscript of "Livre du Roy Modus" (Fourteenth Century).

Fig. 153.--"How to bathe a New Falcon."--Facsimile of a Miniature in the Manuscript of "Livre du Roy Modus" (14th Century).

Falconry, like venery, had a distinctive and professional vocabulary, which it was necessary for every one who joined in hawking to understand, unless he wished to be looked upon as an ignorant yeoman. "Flying the hawk is a royal pastime," says the Jesuit Claude Binet, "and it is to talk royally to talk of the flight of birds. Every one speaks of it, but few speak well. Many speak so ignorantly as to excite pity among their hearers. Sometimes one says the hand of the bird instead of saying the talon, sometimes the talon instead of the claw, sometimes the claw instead of the nail" &c.

Falconry, like hunting, had its own unique and professional vocabulary that everyone involved in hawking needed to understand, unless they wanted to be seen as an uninformed commoner. "Flying the hawk is a royal pastime," says the Jesuit Claude Binet, "and to discuss the flight of birds is to speak like royals. Everyone talks about it, but few do so well. Many speak so poorly that it evokes pity from their listeners. Sometimes a person says the hand of the bird when they mean the talon, sometimes they say talon when they mean claw, and sometimes claw instead of nail,” &c.

The fourteenth century was the great epoch of falconry. There were then so many nobles who hawked, that in the rooms of inns there were perches made under the large mantel-pieces on which to place the birds while the sportsmen were at dinner. Histories of the period are full of characteristic anecdotes, which prove the enthusiasm which was created by hawking in those who devoted themselves to it.

The fourteenth century was the golden age of falconry. There were so many nobles who engaged in the sport that inns had perches built under the large mantels for the birds while the hunters dined. Stories from that time are filled with memorable anecdotes that show the excitement falconry sparked in those who pursued it.

Fig. 154.--"How to make Young Hawks fly."--Fac-simile of a Miniature in the Manuscript of "Livre du Roy Modus" (Fourteenth Century).

Fig. 154.--"How to make Young Hawks fly."--Facsimile of a Miniature in the Manuscript of "Livre du Roy Modus" (14th Century).

Emperors and kings were as keen as others for this kind of sport. As early as the tenth century the Emperor Henry I. had acquired the soubriquet of "the Bird-catcher," from the fact of his giving much more attention to his birds than to his subjects. His example was followed by one of his successors, the Emperor Henry VI., who was reckoned the first falconer of his time. When his father, the Emperor Frederick Barbarossa (Red-beard), died in the Holy Land, in 1189, the Archdukes, Electors of the Empire, went out to meet the prince so as to proclaim him Emperor of Germany. They found him, surrounded by dogs, horses, and birds, ready to go hunting. "The day is fine," he said; "allow us to put off serious affairs until to-morrow."

Emperors and kings were just as eager as anyone else for this kind of sport. As early as the tenth century, Emperor Henry I earned the nickname "the Bird-catcher" because he focused much more on his birds than on his subjects. His example was followed by one of his successors, Emperor Henry VI, who was considered the best falconer of his time. When his father, Emperor Frederick Barbarossa (Red-beard), died in the Holy Land in 1189, the Archdukes and Electors of the Empire went out to meet the prince to proclaim him Emperor of Germany. They found him surrounded by dogs, horses, and birds, ready to go hunting. "The day is beautiful," he said; "let's delay serious matters until tomorrow."

Two centuries later we find at the court of France the same ardour for hawking and the same admiration for the performances of falcons. The Constable Bertrand du Guesclin gave two hawks to King Charles VI.; and the Count de Tancarville, whilst witnessing a combat between these noble birds and a crane which had been powerful enough to keep two greyhounds at bay, exclaimed, "I would not give up the pleasure which I feel for a thousand florins!"

Two centuries later, we see that the French court still carries the same passion for falconry and admiration for the skills of falcons. Constable Bertrand du Guesclin gifted two hawks to King Charles VI; and the Count de Tancarville, while watching a battle between these majestic birds and a crane that was strong enough to hold off two greyhounds, exclaimed, "I wouldn't trade the enjoyment I feel for a thousand florins!"

The court-poet, William Crétin, although he was Canon of the holy chapel of Vincennes, was as passionately fond of hawking as his good master Louis XII. He thus describes the pleasure he felt in seeing a heron succumb to the vigorous attack of the falcons:--

The court poet, William Crétin, even though he was a Canon of the holy chapel of Vincennes, loved hawking just as much as his good master Louis XII. He describes the joy he felt watching a heron fall to the fierce attack of the falcons:--

"Qui auroit la mort aux dents,
Il revivroit d'avour un tel passe-temps!"

"Anyone facing death,
Would come back to life with such a fun activity!"

("He who is about to die
Would live again with such amusement.")

("Someone on the brink of death
Would come back to life with such pleasure.")

Fig. 155.--Lady setting out Hawking.--Fac-simile of a Miniature in the Manuscript of "Livre du Roy Modus" (Fourteenth. Century).

Fig. 155.--Lady preparing for Hawking.--Replica of a Miniature in the Manuscript of "Livre du Roy Modus" (14th Century).

At a hunting party given by Louis XII. to the Archduke Maximilian, Mary of Burgundy, the Archduke's wife, was killed by a fall from her horse. The King presented his best falcons to the Archduke with a view to divert his mind and to turn his attention from the sad event, and one of the historians tells us that the bereaved husband was soon consoled: "The partridges, herons, wild ducks, and quails which he was enabled to take on his journey home by means of the King's present, materially lessening his sorrow."

At a hunting party hosted by Louis XII for Archduke Maximilian, Mary of Burgundy, the Archduke's wife, died after falling from her horse. The King gave his finest falcons to the Archduke to distract him and help him cope with the tragic event. One historian mentions that the grieving husband found comfort quickly: "The partridges, herons, wild ducks, and quails he was able to bring back home thanks to the King's gift significantly eased his sorrow."

Falconry, after having been in much esteem for centuries, at last became amenable to the same law which affects all great institutions, and, having reached the height of its glory, it was destined to decay. Although the art disappeared completely under Louis the Great, who only liked stag-kunting, and who, by drawing all the nobility to court, disorganized country life, no greater adept had ever been known than King Louis XIII. His first favourite and Grand Falconer was Albert de Luynes, whom he made prime minister and constable. Even in the Tuileries gardens, on his way to mass at the convent of the Feuillants, this prince amused himself by catching linnets and wrens with noisy magpies trained to pursue small birds.

Falconry, which had been highly regarded for centuries, eventually became subject to the same fate that befalls all great institutions, and after reaching the peak of its fame, it was destined to decline. Although the art vanished entirely during the reign of Louis XIV, who only enjoyed stag hunting and disrupted country life by drawing all the nobility to the court, no greater master of falconry had ever existed than King Louis XIII. His first favorite and Grand Falconer was Albert de Luynes, whom he appointed as prime minister and constable. Even in the Tuileries gardens, on his way to mass at the convent of the Feuillants, this king entertained himself by catching linnets and wrens with noisy magpies trained to chase small birds.

It was during this reign that some ingenious person discovered that the words LOUIS TREIZIÈME, ROY DE FRANCE ET DE NAVARRE, exactly gave this anagram, ROY TRÈS-RARE, ESTIMÉ DIEU DE LA FAUCONNERIE. It was also at this time that Charles d'Arcussia, the last author who wrote a technical work on falconry, after praising his majesty for devoting himself so thoroughly to the divine sport, compared the King's birds to domestic angels, and the carnivorous birds which they destroyed he likened to the devil. From this he argued that the sport was like the angel Gabriel destroying the demon Asmodeus. He also added, in his dedication to the King, "As the nature of angels is above that of men, so is that of these birds above all other animals."

It was during this reign that someone clever figured out that the words LOUIS TREIZIÈME, ROY DE FRANCE ET DE NAVARRE, create the anagram ROY TRÈS-RARE, ESTIMÉ DIEU DE LA FAUCONNERIE. It was also at this time that Charles d'Arcussia, the last author to write a technical book on falconry, after praising the King for dedicating himself so fully to the divine sport, compared the King’s birds to domestic angels and likened the predatory birds they hunted to the devil. From this, he argued that the sport was like the angel Gabriel defeating the demon Asmodeus. He also added, in his dedication to the King, "As the nature of angels is above that of men, so is that of these birds above all other animals."

Fig. 156.--Dress of the Falconer (Thirteenth Century).--Sculpture of the Cathedral of Rouen.

Fig. 156.--Outfit of the Falconer (13th Century).--Sculpture of the Rouen Cathedral.

At that time certain religious or rather superstitious ceremonies were in use for blessing the water with which the falcons were sprinkled before hunting, and supplications were addressed to the eagles that they might not molest them. The following words were used: "I adjure you, O eagles! by the true God, by the holy God, by the most blessed Virgin Mary, by the nine orders of angels, by the holy prophets, by the twelve apostles, &c.... to leave the field clear to our birds, and not to molest them: in the name of the Father, and of the Son, and of the Holy Ghost." It was at this time that, in order to recover a lost bird, the Sire de la Brizardière, a professional necromancer, proposed beating the owner of the bird with birch-rods until he bled, and of making a charm with the blood, which was reckoned infallible.

At that time, certain religious or rather superstitious ceremonies were used to bless the water with which the falcons were sprinkled before hunting, and prayers were offered to the eagles to keep them from interfering. The following words were used: "I call upon you, O eagles! by the true God, by the holy God, by the most blessed Virgin Mary, by the nine orders of angels, by the holy prophets, by the twelve apostles, etc.... to leave the field clear for our birds and not to bother them: in the name of the Father, and of the Son, and of the Holy Spirit." It was during this period that, to recover a lost bird, the Sire de la Brizardière, a professional necromancer, suggested beating the owner of the bird with birch rods until he bled and making a charm with the blood, which was believed to be infallible.

Elzéar Blaze expressed his astonishment that the ladies should not have used their influence to prevent falconry from falling into disuse. The chase, he considered, gave them an active part in an interesting and animated scene, which only required easy and graceful movements on their part, and to which no danger was attached. "The ladies knowing," he says, "how to fly a bird, how to call him back, and how to encourage him with their voice, being familiar with him from having continually carried him on their wrist, and often even from having broken him in themselves, the honour of hunting belongs to them by right. Besides, it brings out to advantage their grace and dexterity as they gallop amongst the sportsmen, followed by their pages and varlets and a whole herd of horses and dogs."

Elzéar Blaze expressed his surprise that the women hadn’t used their influence to keep falconry from becoming outdated. He believed that hunting provided them with an active role in an exciting and lively scene, which only required them to make easy and graceful movements, with no danger involved. "The women know," he says, "how to fly a bird, how to call it back, and how to encourage it with their voice. They’re familiar with the bird because they’ve often carried it on their wrist and sometimes even trained it themselves, so the honor of hunting rightfully belongs to them. Additionally, it highlights their grace and skill as they ride alongside the hunters, accompanied by their attendants and a whole pack of horses and dogs."

Fig. 157.--Diseases of Dogs and their Cure.--Fac-simile of a Miniature in the Manuscript of Phoebus (Fourteenth Century).

Fig. 157.--Dog Diseases and Their Treatments.--Replica of a Miniature in the Manuscript of Phoebus (14th Century).

The question of precedence and of superiority had, at every period, been pretty evenly balanced between venery and falconry, each having its own staunch supporters. Thus, in the "Livre du Roy Modus," two ladies contend in verse (for the subject was considered too exalted to be treated of in simple prose), the one for the superiority of the birds, the other for the superiority of dogs. Their controversy is at length terminated by a celebrated huntsman and falconer, who decides in favour of venery, for the somewhat remarkable reason that those who pursue it enjoy oral and ocular pleasure at the same time. In an ancient Treatise by Gace de la Vigne, in which the same question occupies no fewer than ten thousand verses, the King (unnamed) ends the dispute by ordering that in future they shall be termed pleasures of dogs and pleasures of birds, so that there may be no superiority on one side or the other (Fig. 160). The court-poet, William Crétin, who was in great renown during the reigns of Louis XII. and Francis I., having asked two ladies to discuss the same subject in verse, does not hesitate, on the contrary, to place falconry above venery.

The debate over which is more important, hunting with dogs or falconry, has always had its passionate supporters. In the "Livre du Roy Modus," two ladies argue in verse (since the topic was deemed too significant for plain prose), with one advocating for the superiority of birds and the other for dogs. Their argument is ultimately settled by a famous huntsman and falconer, who favors hunting with dogs for the interesting reason that those who pursue it experience both visual and oral enjoyment at the same time. In an ancient treatise by Gace de la Vigne, which dedicates no less than ten thousand verses to the same topic, a king (unnamed) resolves the argument by declaring that henceforth they shall be known as the pleasures of dogs and the pleasures of birds, so there’s no superiority on either side (Fig. 160). The court-poet, William Crétin, who was well-known during the reigns of Louis XII and Francis I, later asked two ladies to debate the same subject in verse and does not hesitate to declare falconry superior to hunting with dogs.

Fig. 158.--German Falconer, designed and engraved, in the Sixteenth Century, by J. Amman.

Fig. 158.--German Falconer, designed and engraved in the Sixteenth Century by J. Amman.

It may fairly be asserted that venery and falconry have taken a position of some importance in history; and in support of this theory it will suffice to mention a few facts borrowed from the annals of the chase.

It can rightly be said that hunting and falconry have played a significant role in history; and to support this idea, it’s enough to cite a few facts taken from the records of the hunt.

The King of Navarre, Charles the Bad, had sworn to be faithful to the alliance made between himself and King Edward III. of England; but the English troops having been beaten by Du Guesclin, Charles saw that it was to his advantage to turn to the side of the King of France. In order not to appear to break his oath, he managed to be taken prisoner by the French whilst out hunting, and thus he sacrificed his honour to his personal interests. It was also due to a hunting party that Henry III., another King of Navarre, who was afterwards Henry IV., escaped from Paris, on the 3rd February, 1576, and fled to Senlis, where his friends of the Reformed religion came to join him.

The King of Navarre, Charles the Bad, had pledged to stay loyal to the alliance he made with King Edward III of England. However, after the English troops were defeated by Du Guesclin, Charles realized it was in his best interest to side with the King of France. To avoid appearing disloyal, he cunningly got himself captured by the French while out hunting, sacrificing his honor for his own gain. A similar situation occurred with Henry III, another King of Navarre, who later became Henry IV. He escaped from Paris on February 3, 1576, during a hunting trip and fled to Senlis, where his supporters from the Reformed religion came to meet him.

Fig. 159.--Heron-hawking.--Fac-simile of a Miniature in the Manuscript of the "Livre du Roy Modus" (Fourteenth Century).

Fig. 159.--Hawking with Herons.--Exact copy of a miniature in the manuscript of the "Book of King Modus" (14th Century).

Hunting formed a principal entertainment when public festivals were celebrated, and it was frequently accompanied with great magnificence. At the entry of Isabel of Bavaria into Paris, a sort of stag hunt was performed, when "the streets," according to a popular story of the time, "were full to profusion of hares, rabbits, and goslings." Again, at the solemn entry of Louis XI. into Paris, a representation of a doe hunt took place near the fountain St. Innocent; "after which the queen received a present of a magnificent stag, made of confectionery, and having the royal arms hung round its neck." At the memorable festival given at Lille, in 1453, by the Duke of Burgundy, a very curious performance took place. "At one end of the table," says the historian Mathieu de Coucy, "a heron was started, which was hunted as if by falconers and sportsmen; and presently from the other end of the table a falcon was slipped, which hovered over the heron. In a few minutes another falcon was started from the other side of the table, which attacked the heron so fiercely that he brought him down in the middle of the hall. After the performance was over and the heron was killed, it was served up at the dinner-table."

Hunting was a major form of entertainment during public festivals, often showcased with great flair. When Isabel of Bavaria entered Paris, there was a stag hunt where, according to a popular tale of the time, "the streets were overflowing with hares, rabbits, and goslings." Similarly, during Louis XI's grand entry into Paris, there was a display of a doe hunt near the St. Innocent fountain; "afterward, the queen received a gift of a stunning stag made of candy, adorned with the royal arms around its neck." At the memorable festival held in Lille in 1453 by the Duke of Burgundy, a fascinating event took place. "At one end of the table," writes historian Mathieu de Coucy, "a heron was released and hunted as if by falconers and sportsmen; then, from the other end of the table, a falcon was released to hover over the heron. Moments later, another falcon was sent from the opposite side of the table, attacking the heron so fiercely that it brought it down in the middle of the hall. After the event, the heron was served at the dinner table."

Fig. 160.--Sport with Dogs.--"How the Wild Boar is hunted by means of Dogs."--Fac-simile of a Miniature in the Manuscript of the "Livre du Roy Modus" (Fourteenth Century).

Fig. 160.--Sport with Dogs.--"How Wild Boar are hunted using Dogs."--Replica of a Miniature in the Manuscript of the "Livre du Roy Modus" (Fourteenth Century).

We shall conclude this chapter with a few words on bird-fowling, a kind of sport which was almost disdained in the Middle Ages. The anonymous author of the "Livre du Roy Modus" called it, in the fourteenth century, the pastime of the poor, "because the poor, who can neither keep hounds nor falcons to hunt or to fly, take much pleasure in it, particularly as it serves at the same time as a means of subsistence to many of them."

We will wrap up this chapter with a few thoughts on bird hunting, a type of sport that was largely looked down upon in the Middle Ages. The unknown author of the "Livre du Roy Modus" referred to it in the fourteenth century as the pastime of the less fortunate, "because the poor, who cannot afford to keep hounds or falcons for hunting or flying, find a lot of enjoyment in it, especially since it also serves as a source of food for many of them."

In this book, which was for a long time the authority in matters of sport generally, we find that nearly all the methods and contrivances now employed for bird-fowling were known and in use in the Middle Ages, in addition to some which have since fallen into disuse. We accordingly read in the "Roy Modus" a description of the drag-net, the mirror, the screech-owl, the bird-pipe (Fig. 161), the traps, the springs, &c., the use of all of which is now well understood. At that time, when falcons were so much required, it was necessary that people should be employed to catch them when young; and the author of this book speaks of nets of various sorts, and the pronged piece of wood in the middle of which a screech-owl or some other bird was placed in order to attract the falcons (Fig. 162).

In this book, which was for a long time the go-to source on sports in general, we discover that almost all the techniques and tools currently used for bird hunting were known and utilized in the Middle Ages, alongside some that have since become obsolete. We therefore find in the "Roy Modus" a description of the drag-net, the mirror, the screech-owl, the bird whistle (Fig. 161), the traps, the springs, etc., all of which are now well understood. Back then, when falcons were in high demand, it was essential to have people employed to catch them while they were young; and the author of this book mentions various types of nets and a pronged piece of wood in which a screech-owl or another bird was placed to attract the falcons (Fig. 162).

Fig. 161.--Bird-piping.--"The Manner of Catching Birds by piping."--Fac-simile of Miniature in the Manuscript of the "Livre du Roy Modus" (Fourteenth Century).

Fig. 161.--Bird-calling.--"The Way to Catch Birds by calling."--Copy of Miniature in the Manuscript of the "Book of King Modus" (14th Century).

Two methods were in use in those days for catching the woodcook and pheasant, which deserve to be mentioned. "The pheasants," says "King Modus," "are of such a nature that the male bird cannot bear the company of another." Taking advantage of this weakness, the plan of placing a mirror, which balanced a sort of wicker cage or coop, was adopted. The pheasant, thinking he saw his fellow, attacked him, struck against the glass and brought down the coop, in which he had leisure to reflect on his jealousy (Fig. 163).

Two methods were used back then to catch the woodcock and pheasant, which are worth mentioning. "The pheasants," says "King Modus," "are such that the male bird can't stand the company of another." Taking advantage of this weakness, they decided to use a mirror set up with a type of wicker cage. The pheasant, thinking he saw another male, attacked the reflection, crashed into the glass, and knocked down the cage, where he had time to think about his jealousy (Fig. 163).

Woodcocks, which are, says the author, "the most silly birds," were caught in this way. The bird-fowler was covered from head to foot with clothes of the colour of dead leaves, only having two little holes for his eyes. When he saw one he knelt down noiselessly, and supported his arms on two sticks, so as to keep perfectly still. When the bird was not looking towards him he cautiously approached it on his knees, holding in his hands two little dry sticks covered with red cloth, which he gently waved so as to divert the bird's attention from himself. In this way he gradually got near enough to pass a noose, which he kept ready at the end of a stick, round the bird's neck (Fig. 164).

Woodcocks, which the author calls "the most foolish birds," were caught this way. The bird-catcher was dressed from head to toe in clothes the color of dead leaves, with only two small holes for his eyes. When he spotted one, he quietly knelt down and rested his arms on two sticks to remain completely still. When the bird wasn't looking his way, he carefully crawled closer on his knees, holding two small dry sticks wrapped in red cloth, which he gently waved to distract the bird from him. This way, he gradually got close enough to slip a noose, which he had ready at the end of a stick, around the bird's neck (Fig. 164).

However ingenious these tricks may appear, they are eclipsed by one we find recorded in the "Ixeuticon," a very elegant Latin poem, by Angelis de Barga, written two centuries later. In order to catch a large number of starlings, this author assures us, it is only necessary to have two or three in a cage, and, when a flight of these birds is seen passing, to liberate them with a very long twine attached to their claws. The twine must be covered with bird-lime, and, as the released birds instantly join their friends, all those they come near get glued to the twine and fall together to the ground.

However clever these tricks might seem, they're overshadowed by one recorded in the "Ixeuticon," a beautiful Latin poem by Angelis de Barga, written two centuries later. To catch a large number of starlings, this author says that all you need is two or three in a cage. When you see a flock of these birds passing by, just release them with a long string attached to their claws. The string must be coated with bird-lime, and as the freed birds quickly join their flock, any that get close stick to the string and fall to the ground together.

Fig. 162.--Bird-catching with a Machine like a Long Arm.--Fac-simile of Miniature in the Manuscript of the "Livre du Roy Modus" (Fourteenth Century).

Fig. 162.--Bird-catching with a Machine like a Long Arm.--Replica of the Miniature in the Manuscript of the "Book of King Modus" (14th Century).

As at the present time, the object of bird-fowling was twofold, namely, to procure game for food and to capture birds to be kept either for their voice or for fancy as pets. The trade in the latter was so important, at least in Paris, that the bird-catchers formed a numerous corporation having its statutes and privileges.

As of now, the goal of bird hunting was twofold: to get birds for food and to catch birds to keep for their songs or as pets. The trade in the latter was so significant, at least in Paris, that the bird-catchers formed a large organization with its own rules and rights.

The Pont au Change (then covered on each side with houses and shops occupied by goldsmiths and money-changers) was the place where these people carried on their trade; and they had the privilege of hanging their cages against the houses, even without the sanction of the proprietors. This curious right was granted to them by Charles VI. in 1402, in return for which they were bound to "provide four hundred birds" whenever a king was crowned, "and an equal number when the queen made her first entry into her good town of Paris." The goldsmiths and money-changers, however, finding that this became a nuisance, and that it injured their trade, tried to get it abolished. They applied to the authorities to protect their rights, urging that the approaches to their shops, the rents of which they paid regularly, were continually obstructed by a crowd of purchasers and dealers in birds. The case was brought several times before parliament, which only confirmed the orders of the kings of France and the ancient privileges of the bird-catchers. At the end of the sixteenth century the quarrel became so bitter that the goldsmiths and changers took to "throwing down the cages and birds and trampling them under foot," and even assaulted and openly ill-treated the poor bird-dealers. But a degree of parliament again justified the sale of birds on the Pont an Change, by condemning the ring-leader,

The Pont au Change (then lined on both sides with houses and shops run by goldsmiths and money-changers) was where these people conducted their business; they had the right to hang their birdcages on the houses, even without permission from the owners. This unusual privilege was granted to them by Charles VI in 1402, in exchange for which they were required to "provide four hundred birds" whenever a king was crowned, "and an equal number when the queen made her first entry into her good town of Paris." However, the goldsmiths and money-changers found that this became a nuisance and harmed their business, so they tried to have it revoked. They appealed to the authorities to defend their rights, arguing that the entrances to their shops, for which they paid rent regularly, were constantly blocked by a crowd of bird buyers and sellers. The issue was presented several times to parliament, which only reaffirmed the orders from the kings of France and the old privileges of the bird-catchers. By the end of the sixteenth century, the conflict became so intense that the goldsmiths and changers resorted to "throwing down the cages and birds and trampling them underfoot," and even physically attacked and mistreated the poor bird-sellers. But a decree from parliament once again upheld the sale of birds on the Pont au Change, punishing the ringleader,

Fig. 163.--Pheasant Fowling.--"Showing how to catch Pheasants."--Fac-simile of a Miniature in the Manuscript of the "Livre du Roy Modus" (Fourteenth Century).

Fig. 163.--Pheasant Hunting.--"How to Catch Pheasants."--Reproduction of a Miniature in the Manuscript of the "Book of King Modus" (14th Century).

Pierre Filacier, the master goldsmith who had commenced the proceedings against the bird-catchers, to pay a double fine, namely, twenty crowns to the plaintiffs and ten to the King.

Pierre Filacier, the master goldsmith who had started the legal action against the bird-catchers, was required to pay a double fine: twenty crowns to the plaintiffs and ten to the King.

Fig. 164.--The Mode of catching a Woodcock.--Fac-simile of a Miniature in the Manuscript of the "Livre du Roy Modus" (Fourteenth Century).

Fig. 164.--How to Catch a Woodcock.--Exact Copy of a Miniature in the Manuscript of the "Book of King Modus" (14th Century).

It is satisfactory to observe that at that period measures were taken to preserve nests and to prevent bird-fowling from the 15th of March to the 15th of August. Besides this, it was necessary to have an express permission from the King himself to give persons the right of catching birds on the King's domains. Before any one could sell birds it was required for him to have been received as a master bird-catcher. The recognised bird-catchers, therefore, had no opponents except dealers from other countries, who brought canary-birds, parrots, and other foreign specimens into Paris. These dealers were, however, obliged to conform to strict rules. They were required on their arrival to exhibit their birds from ten to twelve o'clock on the marble stone in the palace yard on the days when parliament sat, in order that the masters and governors of the King's aviary, and, after them, the presidents and councillors, might have the first choice before other people of anything they wished to buy. They were, besides, bound to part the male and female birds in separate cages with tickets on them, so that purchasers might not be deceived; and, in case of dispute on this point, some sworn inspectors were appointed as arbitrators.

It’s good to see that during that time, steps were taken to protect nests and prevent bird catching from March 15th to August 15th. Additionally, one needed explicit permission from the King himself to allow anyone the right to catch birds on the King’s lands. Before anyone could sell birds, they had to be recognized as a master bird-catcher. Thus, the certified bird-catchers had no competition except for dealers from other countries who brought canary birds, parrots, and other foreign species to Paris. However, these dealers had to follow strict regulations. Upon their arrival, they were required to display their birds from 10 AM to 12 PM on the marble stone in the palace yard on days when parliament was in session, so that the masters and keepers of the King’s aviary, followed by the presidents and councilors, could have the first pick of anything they wanted to buy. They also had to keep male and female birds in separate cages with clear labels to ensure buyers wouldn’t be misled; in case there was a dispute over this, sworn inspectors were appointed to act as arbitrators.

No doubt, emboldened by the victory which they had achieved over the goldsmiths of the Pont an Change, the bird-dealers of Paris attempted to forbid any bourgeois of the town from breeding canaries or any sort of cage birds. The bourgeois resented this, and brought their case before the Marshals of France. They urged that it was easy for them to breed canaries, and it was also a pleasure for their wives and daughters to teach them, whereas those bought on the Pont an Change were old and difficult to educate. This appeal was favourably received, and an order from the tribunal of the Marshals of France permitted the bourgeois to breed canaries, but it forbade the sale of them, which it was considered would interfere with the trade of the master-fowlers of the town, faubourgs, and suburbs of Paris.

No doubt, feeling confident from their victory over the goldsmiths of the Pont an Change, the bird dealers of Paris tried to stop any townspeople from breeding canaries or any kind of cage birds. The townspeople were upset by this and took their case to the Marshals of France. They argued that breeding canaries was easy for them, and it brought joy to their wives and daughters to train them, while the ones bought on the Pont an Change were old and hard to train. This argument was well-received, and an order from the tribunal of the Marshals of France allowed the townspeople to breed canaries, but it prohibited the sale of them, which was thought to interfere with the business of the master-fowlers in the town, its neighborhoods, and the outskirts of Paris.

Fig. 165.--Powder-horn.--Work of the Sixteenth Century (Artillery Museum of Brussels).

Fig. 165.--Powder-horn.--Work from the Sixteenth Century (Artillery Museum of Brussels).

Games and Pastimes.

Games of the Ancient Greeks and Romans.--Games of the Circus.--Animal Combats.--Daring of King Pepin.--The King's Lions.--Blind Men's Fights.--Cockneys of Paris.--Champ de Mars.--Cours Plénières and Cours Couronnées.--Jugglers, Tumblers, and Minstrels.--Rope-dancers.--Fireworks.--Gymnastics.--Cards and Dice.--Chess, Marbles, and Billiards.--La Soule, La Pirouette, &c.--Small Games for Private Society.--History of Dancing.--Ballet des Ardents.--The "Orchésographie" (Art of Dancing) of Thoinot Arbeau.--List of Dances.

Games of the Ancient Greeks and Romans. - Circus Games. - Animal Fights. - The Bravery of King Pepin. - The King's Lions. - Blind Fights. - Cockneys of Paris. - Champ de Mars. - Cours Plénières and Cours Couronnées. - Jugglers, Tumblers, and Minstrels. - Rope-dancers. - Fireworks. - Gymnastics. - Cards and Dice. - Chess, Marbles, and Billiards. - La Soule, La Pirouette, etc. - Small Games for Private Gatherings. - History of Dance. - Ballet of the Ardent Ones. - The "Orchésographie" (Art of Dance) by Thoinot Arbeau. - List of Dances.

People of all countries and at all periods have been fond of public amusements, and have indulged in games and pastimes with a view to make time pass agreeably. These amusements have continually varied, according to the character of each nation, and according to the capricious changes of fashion. Since the learned antiquarian, J. Meursius, has devoted a large volume to describing the games of the ancient Greeks ("De Ludis Graecorum"), and Rabelais has collected a list of two hundred and twenty games which were in fashion at different times at the court of his gay master, it will be easily understood that a description of all the games and pastimes which have ever been in use by different nations, and particularly by the French, would form an encyclopaedia of some size.

PPeople from all countries and throughout history have enjoyed public entertainment and have engaged in games and activities to pass the time in a pleasant way. These amusements have changed constantly, reflecting the culture of each nation and the unpredictable trends of fashion. Since the scholar J. Meursius wrote extensively about the games of ancient Greece ("De Ludis Graecorum"), and Rabelais compiled a list of 220 games that were popular at various times in his lively master's court, it's easy to see that a comprehensive description of all the games and pastimes used by different nations, especially by the French, would amount to quite an encyclopedia.

We shall give a rapid sketch of the different kinds of games and pastimes which were most in fashion during the Middle Ages and to the end of the sixteenth century--omitting, however, the religious festivals, which belong to a different category; the public festivals, which will come under the chapter on Ceremonials; the tournaments and tilting matches and other sports of warriors, which belong to Chivalry; and, lastly, the scenic and literary representations, which specially belong to the history of the stage.

We’ll quickly outline the different types of games and activities that were popular during the Middle Ages and up until the end of the sixteenth century—excluding religious festivals, which fall into a different category; public festivals, which will be covered in the chapter on Ceremonials; tournaments and jousting matches and other warrior sports, which are related to Chivalry; and finally, the theatrical and literary performances, which are specifically tied to the history of the stage.

We shall, therefore, limit ourselves here to giving in a condensed form a few historical details of certain court amusements, and a short description of the games of skill and of chance, and also of dancing.

We will, therefore, focus on providing a brief overview of some historical details about certain court entertainments, along with a short description of skill and chance games, as well as dancing.

The Romans, especially during the times of the emperors, had a passionate love for performances in the circus and amphitheatre, as well as for chariot races, horse races, foot races, combats of animals, and feats of strength and agility. The daily life of the Roman people may be summed up as consisting of taking their food and enjoying games in the circus (panem et circenses). A taste for similar amusements was common to the Gauls as well as to the whole Roman Empire; and, were historians silent on the subject, we need no further information than that which is to be gathered from the ruins of the numerous amphitheatres, which are to be found at every centre of Roman occupation. The circus disappeared on the establishment of the Christian religion, for the bishops condemned it as a profane and sanguinary vestige of Paganism, and, no doubt, this led to the cessation of combats between man and beast. They continued, however, to pit wild or savage animals against one another, and to train dogs to fight with lions, tigers, bears, and bulls; otherwise it would be difficult to explain the restoration by King Chilpéric (A.D. 577) of the circuses and arenas at Paris and Soissons. The remains of one of these circuses was not long ago discovered in Paris whilst they were engaged in laying the foundations for a new street, on the west side of the hill of St. Geneviève, a short distance from the old palace of the Caesars, known by the name of the Thermes of Julian.

The Romans, especially during the time of the emperors, had a strong passion for performances in the circus and amphitheater, as well as for chariot races, horse races, foot races, animal fights, and displays of strength and agility. The daily life of the Roman people can be summed up as taking their meals and enjoying games in the circus (panem et circenses). A similar taste for entertainment was shared by the Gauls and the entire Roman Empire; and if historians were silent on the topic, we only need to look at the ruins of the many amphitheaters found at every Roman settlement for proof. The circus faded away with the rise of Christianity because bishops condemned it as a profane and bloody remnant of paganism, which likely led to the end of man vs. animal combats. However, they still continued to pit wild animals against each other and trained dogs to fight lions, tigers, bears, and bulls; otherwise, it would be hard to explain why King Chilpéric restored the circuses and arenas in Paris and Soissons in A.D. 577. Not long ago, the remains of one of these circuses were discovered in Paris while laying the foundation for a new street on the west side of the hill of St. Geneviève, not far from the old palace of the Caesars, known as the Thermes of Julian.

Gregory of Tours states that Chilpéric revived the ancient games of the circus, but that Gaul had ceased to be famous for good athletes and race-horses, although animal combats continued to take place for the amusement of the kings. One day King Pepin halted, with the principal officers of his army, at the Abbey of Ferrières, and witnessed a fight between a lion and a bull. The bull was of enormous size and extraordinary strength, but nevertheless the lion overcame him; whereupon Pepin, who was surnamed the Short, turned to his officers, who used to joke him about his short stature, and said to them, "Make the lion loose his hold of the bull, or kill him." No one dared to undertake so perilous a task, and some said aloud that the man who would measure his strength with a lion must be mad. Upon this, Pepin sprang into the arena sword in hand, and with two blows cut off the heads of the lion and the bull. "What do you think of that?" he said to his astonished officers. "Am I not fit to be your master? Size cannot compare with courage. Remember what little David did to the Giant Goliath."

Gregory of Tours says that Chilpéric brought back the old circus games, but Gaul had lost its reputation for top athletes and racehorses, even though animal fights still happened for the kings’ entertainment. One day, King Pepin stopped with his top army officers at the Abbey of Ferrières and watched a showdown between a lion and a bull. The bull was huge and incredibly strong, but the lion still defeated him; then Pepin, nicknamed "the Short," turned to his officers, who often teased him about his height, and said, "Get the lion to let go of the bull, or kill it." No one dared to take on such a dangerous task, and some even said out loud that anyone who tried to match strength with a lion must be crazy. Hearing this, Pepin jumped into the arena with his sword and, with two strikes, decapitated both the lion and the bull. "What do you think of that?" he asked his shocked officers. "Aren't I worthy to be your leader? Size doesn’t compare to bravery. Remember what little David did to the Giant Goliath."

Eight hundred years later there were occasional animal combats at the court of Francis I. "A fine lady," says Brantôme, "went to see the King's lions, in company with a gentleman who much admired her. She suddenly let her glove drop, and it fell into the lions' den. 'I beg of you,' she said, in the calmest way, to her admirer, 'to go amongst the lions and bring me back my glove.' The gentleman made no remark, but, without even drawing his sword, went into the den and gave himself up silently to death to please the lady. The lions did not move, and he was able to leave their den without a scratch and return the lady her missing glove. 'Here is your glove, madam,' he coldly said to her who evidently valued his life at so small a price; 'see if you can find any one else who would do the same as I have done for you.' So saying he left her, and never afterwards looked at or even spoke to her."

Eight hundred years later, there were still occasional animal fights at the court of Francis I. "A beautiful lady," says Brantôme, "went to see the King's lions with a gentleman who admired her greatly. She suddenly dropped her glove, and it fell into the lions' den. 'Please,' she said calmly to her admirer, 'go into the lions' den and bring me back my glove.' The gentleman said nothing but, without even drawing his sword, entered the den and accepted his fate to please the lady. The lions didn’t move, and he was able to leave their den unscathed and return the lady her glove. 'Here’s your glove, madam,' he said coldly to her, who clearly valued his life so little; 'see if you can find anyone else who would do what I just did for you.' With that, he left her and never looked at or spoke to her again."

It has been imagined that the kings of France only kept lions as living symbols of royalty. In 1333 Philippe de Valois bought a barn in the Rue Froidmantel, near the Château du Louvre, where he established a menagerie for his lions, bears, leopards, and other wild beasts. This royal menagerie still existed in the reigns of Charles VIII. and Francis I. Charles V. and his successors had an establishment of lions in the quadrangle of the Grand Hôtel de St. Paul, on the very spot which was subsequently the site of the Rue des Lions St. Paul.

It has been thought that the kings of France only kept lions as living representations of royalty. In 1333, Philippe de Valois purchased a barn on Rue Froidmantel, near the Château du Louvre, where he set up a menagerie for his lions, bears, leopards, and other wild animals. This royal menagerie continued to exist during the reigns of Charles VIII and Francis I. Charles V and his successors had a collection of lions in the courtyard of the Grand Hôtel de St. Paul, on the exact location that later became Rue des Lions St. Paul.

These wild beasts were sometimes employed in the combats, and were pitted against bulls and dogs in the presence of the King and his court. It was after one of these combats that Charles IX., excited by the sanguinary spectacle, wished to enter the arena alone in order to attack a lion which had torn some of his best dogs to pieces, and it was only with great difficulty that the audacious sovereign was dissuaded from his foolish purpose. Henry III. had no disposition to imitate his brother's example; for dreaming one night that his lions were devouring him, he had them all killed the next day.

These wild animals were sometimes used in fights, going up against bulls and dogs in front of the King and his court. After one of these fights, Charles IX, exhilarated by the bloody scene, wanted to enter the arena alone to confront a lion that had shredded some of his best dogs, and it took a lot of effort to convince the reckless king to abandon this foolish plan. Henry III didn’t have any desire to follow in his brother's footsteps; after dreaming one night that his lions were eating him, he ordered all of them to be killed the next day.

The love for hunting wild animals, such as the wolf, bear, and boar (see chapter on Hunting), from an early date took the place of the animal combats as far as the court and the nobles were concerned. The people were therefore deprived of the spectacle of the combats which had had so much charm for them; and as they could not resort to the alternative of the chase, they treated themselves to a feeble imitation of the games of the circus in such amusements as setting dogs to worry old horses or donkeys, &c. (Fig. 166). Bull-fights, nevertheless, continued in the southern provinces of France, as also in Spain.

The love for hunting wild animals like wolves, bears, and boars (see chapter on Hunting) quickly replaced animal fights among the court and the nobles. As a result, the common people were deprived of the thrilling combats they once enjoyed, and since they couldn't engage in real hunting, they settled for weak imitations of circus games, such as setting dogs on old horses or donkeys, etc. (Fig. 166). However, bullfights persisted in the southern provinces of France and in Spain.

At village feasts not only did wrestling matches take place, but also queer kinds of combats with sticks or birch boughs. Two men, blindfolded, each armed with a stick, and holding in his hand a rope fastened to a stake, entered the arena, and went round and round trying to strike at a fat goose or a pig which was also let loose with them. It can easily be imagined that the greater number of the blows fell like hail on one or other of the principal actors in this blind combat, amidst shouts of laughter from the spectators.

At village feasts, not only were there wrestling matches, but also strange types of fights with sticks or birch branches. Two blindfolded men, each holding a stick and a rope attached to a stake, stepped into the arena and went around trying to hit a fat goose or a pig that was let loose with them. It's easy to picture that most of the hits landed like hail on one or the other of the main participants in this blind showdown, while the spectators roared with laughter.

Fig. 166.--Fight between a Horse and Dogs.--Fac-simile of a Manuscript in the British Museum (Thirteenth Century).

Fig. 166.--Fight between a Horse and Dogs.--Exact replica of a Manuscript in the British Museum (Thirteenth Century).

Nothing amused our ancestors more than these blind encounters; even kings took part at these burlesque representations. At Mid-Lent annually they attended with their court at the Quinze-Vingts, in Paris, in order to see blindfold persons, armed from head to foot, fighting with a lance or stick. This amusement was quite sufficient to attract all Paris. In 1425, on the last day of August, the inhabitants of the capital crowded their windows to witness the procession of four blind men, clothed in full armour, like knights going to a tournament, and preceded by two men, one playing the hautbois and the other bearing a banner on which a pig was painted. These four champions on the next day attacked a pig, which was to become the property of the one who killed it. The lists were situated in the court of the Hôtel d'Armagnac, the present site of the Palais Royal. A great crowd attended the encounter. The blind men, armed with all sorts of weapons, belaboured each other so furiously that the game would have ended fatally to one or more of them had they not been separated and made to divide the pig which they had all so well earned.

Nothing entertained our ancestors more than these blindfold encounters; even kings participated in these comedic events. Every year during Mid-Lent, they attended with their courts at the Quinze-Vingts in Paris to watch blindfolded people, fully armored, fighting with lances or sticks. This spectacle was enough to draw in all of Paris. On August 31, 1425, the people of the capital crowded their windows to see a procession of four blind men, dressed in full armor like knights heading to a tournament, preceded by two men—one playing the oboe and the other carrying a banner with a painted pig on it. The following day, these four champions would fight a pig that would belong to whoever managed to kill it. The arena was set up in the courtyard of the Hôtel d'Armagnac, now the site of the Palais Royal. A large crowd gathered for the event. The blind men, armed with various weapons, hit each other so fiercely that the match could have ended tragically for one or more of them if they hadn't been stopped and made to share the pig they had all fought so hard for.

Fig. 167.--Merchants and Lion-keepers at Constantinople.--Fac-simile of an Engraving on Wood from the "Cosmographie Universelle" of Thevet: folio, 1575.

Fig. 167.--Merchants and Lion-keepers in Constantinople.--Copy of a Wood Engraving from Thevet's "Cosmographie Universelle": folio, 1575.

The people of the Middle Ages had an insatiable love of sight-seeing; they came great distances, from all parts, to witness any amusing exhibition. They would suffer any amount of privation or fatigue to indulge this feeling, and they gave themselves up to it so heartily that it became a solace to them in their greatest sorrows, and they laughed with that hearty laugh which may be said to be one of their natural characteristics. In all public processions in the open air the crowd (or rather, as we might say, the Cockneys of Paris), in their anxiety to see everything that was to be seen, would frequently obstruct all the public avenues, and so prevent the procession from passing along. In consequence of this the Provosts of Paris on these occasions distributed hundreds of stout sticks amongst the sergeants, who used them freely on the shoulders of the most obstinate sight-seers (see chapter on Ceremonials). There was no religious procession, no parish fair, no municipal feast, and no parade or review of troops, which did not bring together crowds of people, whose ears and eyes were wide open, if only to hear the sound of the trumpet, or to see a "dog rush past with a frying-pan tied to his tail."

The people of the Middle Ages had an endless love for sightseeing; they traveled long distances from all over to see any entertaining event. They were willing to endure any hardship or fatigue to satisfy this urge, and they threw themselves into it so completely that it became a comfort in their deepest sorrows, laughing with a hearty laugh that can be considered one of their natural traits. In all public outdoor processions, the crowd (or, as we might say, the Parisians) would often get so eager to see everything that they blocked all public pathways, preventing the procession from moving forward. Because of this, the Provosts of Paris occasionally handed out hundreds of sturdy sticks to the sergeants, who used them freely on the shoulders of the most stubborn onlookers (see chapter on Ceremonials). There was no religious procession, parish fair, municipal festival, or military parade that didn’t attract crowds of people, their ears and eyes wide open, just to hear the trumpet sound or to see a "dog rush by with a frying pan tied to its tail."

Fig. 168.--Free Distribution of Bread, Meat, and Wine to the People.--Reduced Copy of a Woodcut of the Solemn Entry of Charles V and Pope Clement VII into Bologna, in 1530.

Fig. 168.--Free Distribution of Bread, Meat, and Wine to the People.--Reduced Copy of a Woodcut of the Solemn Entry of Charles V and Pope Clement VII into Bologna, in 1530.

This curiosity of the French was particularly exhibited when the kings of the first royal dynasty held their Champs de Mars, the kings of the second dynasty their Cours Plenières, and the kings of the third dynasty their Cours Couronnées. In these assemblies, where the King gathered together all his principal vassals once or twice a year, to hold personal communication with them, and to strengthen his power by ensuring their feudal services, large quantities of food and fermented liquors were publicly distributed among the people (Fig. 168). The populace were always most enthusiastic spectators of military displays, of court ceremonies, and, above all, of the various amusements which royalty provided for them at great cost in those days: and it was on these state occasions that jugglers, tumblers, and minstrels displayed their talents. The Champ de Mars was one of the principal fêtes of the year, and was held sometimes in the centre of some large town, sometimes in a royal domain, and sometimes in the open country. Bishop Gregory of Tours describes one which was given in his diocese during the reign of Chilpéric, at the Easter festivals, at which we may be sure that the games of the circus, re-established by Chilpéric, excited the greatest interest. Charlemagne also held Champs de Mars, but called them Cours Royales, at which he appeared dressed in cloth of gold studded all over with pearls and precious stones. Under the third dynasty King Robert celebrated court days with the same magnificence, and the people were admitted to the palace during the royal banquet to witness the King sitting amongst his great officers of state. The Cours Plénières, which were always held at Christmas, Twelfth-day, Easter, and on the day of Pentecost, were not less brilliant during the reigns of Robert's successors. Louis IX. himself, notwithstanding his natural shyness and his taste for simplicity, was noted for the display he made on state occasions. In 1350, Philippe de Valois wore his crown at the Cours Plénières, and from that time they were called Cours Couronnées. The kings of jugglers were the privileged performers, and their feats and the other amusements, which continued on each occasion for several days, were provided for at the sovereign's sole expense.

This curiosity of the French was especially evident when the kings of the first royal dynasty held their Champs de Mars, the kings of the second dynasty their Cours Plenières, and the kings of the third dynasty their Cours Couronnées. In these gatherings, the King would bring together all his main vassals once or twice a year to communicate with them directly and boost his power by securing their feudal services. Large amounts of food and drinks were shared with the people (Fig. 168). The crowds were always enthusiastic about military displays, court ceremonies, and especially the various entertainment that royalty provided for them at great expense back then: it was during these state occasions that jugglers, acrobats, and musicians showcased their skills. The Champ de Mars was one of the highlights of the year, sometimes held in the center of a large town, at a royal estate, or in the countryside. Bishop Gregory of Tours describes one that took place in his diocese during Chilpéric's reign at the Easter festivals, where we can be sure that the circus games, revived by Chilpéric, drew a lot of interest. Charlemagne also hosted Champs de Mars, but called them Cours Royales, where he appeared dressed in gold cloth covered with pearls and precious stones. Under the third dynasty, King Robert celebrated court days with equal splendor, allowing the public into the palace during royal banquets to see the King among his high-ranking officials. The Cours Plénières, held at Christmas, Twelfth Night, Easter, and Pentecost, were equally grand during the reigns of Robert's successors. Louis IX., despite his natural shyness and preference for simplicity, was known for his extravagant displays on official occasions. In 1350, Philippe de Valois wore his crown at the Cours Plénières, and from then on, they were referred to as Cours Couronnées. The kings of jugglers were the special performers, and their acts, along with other entertainment that lasted several days, were funded entirely by the sovereign.

Fig. 169.--Feats in Balancing.--Fac-simile of a Miniature in a Manuscript in the Bodleian Library at Oxford (Thirteenth Century).

Fig. 169.--Balancing Skills.--Copy of a Miniature in a Manuscript in the Bodleian Library at Oxford (13th Century).

These kings of jugglers exercised a supreme authority over the art of jugglery and over all the members of this jovial fraternity. It must not be imagined that these jugglers merely recited snatches from tales and fables in rhyme; this was the least of their talents. The cleverest of them played all sorts of musical instruments, sung songs, and repeated by heart a multitude of stories, after the example of their reputed forefather, King Borgabed, or Bédabie, who, according to these troubadours, was King of Great Britain at the time that Alexander the Great was King of Macedonia. The jugglers of a lower order especially excelled in tumbling and in tricks of legerdemain (Figs. 169 and 170). They threw wonderful somersaults, they leaped through hoops placed at certain distances from one another, they played with knives, slings, baskets, brass balls, and earthenware plates, and they walked on their hands with their feet in the air or with their heads turned downwards so as to look through their legs backwards. These acrobatic feats were even practised by women. According to a legend, the daughter of Herodias was a renowned acrobat, and on a bas-relief in the Cathedral of Rouen we find this Jewish dancer turning somersaults before Herod, so as to fascinate him, and thus obtain the decapitation of John the Baptist.

These master jugglers held ultimate authority over the art of juggling and all the members of this lively community. It's important to note that these jugglers didn’t just recite bits from stories and fables in rhyme; that was the least of their skills. The most talented among them played various musical instruments, sang songs, and memorized countless stories, following the example of their legendary ancestor, King Borgabed, or Bédabie, who, according to these performers, was King of Great Britain when Alexander the Great was King of Macedonia. The less skilled jugglers particularly excelled in acrobatics and sleight of hand (Figs. 169 and 170). They performed amazing somersaults, jumped through hoops spaced apart, juggled knives, slings, baskets, brass balls, and ceramic plates, and walked on their hands with their feet in the air or their heads upside down to look through their legs backwards. Women also practiced these acrobatic feats. According to a legend, Herodias's daughter was a famous acrobat, and on a bas-relief in the Cathedral of Rouen, we see this Jewish dancer doing somersaults in front of Herod to mesmerize him and obtain the beheading of John the Baptist.

Fig. 170.--Sword-dance to the sound of the Bagpipe.--Fac-simile of a Manuscript in the British Museum (Fourteenth Century).

Fig. 170.--Sword dance to the sound of the bagpipe.--Facsimile of a manuscript in the British Museum (14th Century).

"The jugglers," adds M. de Labédollière, in his clever work on "The Private Life of the French," "often led about bears, monkeys, and other animals, which they taught to dance or to fight (Figs. 171 and 172). A manuscript in the National Library represents a banquet, and around the table, so as to amuse the guests, performances of animals are going on, such as monkeys riding on horseback, a bear feigning to be dead, a goat playing the harp, and dogs walking on their hind legs." We find the same grotesque figures on sculptures, on the capitals of churches, on the illuminated margins of manuscripts of theology, and on prayer-books, which seems to indicate that jugglers were the associates of painters and illuminators, even if they themselves were not the writers and illuminators of the manuscripts. "Jugglery," M. de Labédollière goes on to say, "at that time embraced poetry, music, dancing, sleight of hand, conjuring, wrestling, boxing, and the training of animals. Its humblest practitioners were the mimics or grimacers, in many-coloured garments, and brazen-faced mountebanks, who provoked laughter at the expense of decency."

"The jugglers," adds M. de Labédollière in his insightful book on "The Private Life of the French," "often traveled with bears, monkeys, and other animals, which they trained to dance or fight (Figs. 171 and 172). A manuscript in the National Library shows a banquet, where performances by animals entertain the guests, featuring monkeys riding horses, a bear pretending to be dead, a goat playing the harp, and dogs walking on their hind legs." We see the same quirky figures in sculptures, on the capitals of churches, in the decorated margins of theology manuscripts, and in prayer books, suggesting that jugglers worked alongside painters and illuminators, even if they weren't the writers or artists of the manuscripts. "Jugglery," M. de Labédollière continues, "at that time included poetry, music, dancing, sleight of hand, magic tricks, wrestling, boxing, and animal training. Its most basic performers were the mimics or clowns, dressed in colorful outfits, and shameless tricksters, who entertained by making fun of decency."

Fig. 171.--Jugglers exhibiting Monkeys and Bears.--Fac-simile of a Manuscript in the British Museum (Thirteenth Century).

Fig. 171.--Jugglers showcasing Monkeys and Bears.--Replica of a Manuscript in the British Museum (13th Century).

At first, and down to the thirteenth century, the profession of a juggler was a most lucrative one. There was no public or private feast of any importance without the profession being represented. Their mimicry and acrobatic feats were less thought of than their long poems or lays of wars and adventures, which they recited in doggerel rhyme to the accompaniment of a stringed instrument. The doors of the châteaux were always open to them, and they had a place assigned to them at all feasts. They were the principal attraction at the Cours Plénières, and, according to the testimony of one of their poets, they frequently retired from business loaded with presents, such as riding-horses, carriage-horses, jewels, cloaks, fur robes, clothing of violet or scarlet cloth, and, above all, with large sums of money. They loved to recall with pride the heroic memory of one of their own calling, the brave Norman, Taillefer, who, before the battle of Hastings, advanced alone on horseback between the two armies about to commence the engagement, and drew off the attention of the English by singing them the song of Roland. He then began juggling, and taking his lance by the hilt, he threw it into the air and caught it by the point as it fell; then, drawing his sword, he spun it several times over his head, and caught it in a similar way as it fell. After these skilful exercises, during which the enemy were gaping in mute astonishment, he forced his charger through the English ranks, and caused great havoc before he fell, positively riddled with wounds.

At first, and up until the thirteenth century, being a juggler was a very profitable career. No significant public or private celebration was complete without them. Their juggling and acrobatics were less impressive than their long poems or tales of wars and adventures, which they recited in awkward rhyme while playing a stringed instrument. The doors of the châteaux were always open to them, and they had a designated spot at every feast. They were the main attraction at the Cours Plénières, and according to one of their poets, they often left their gigs with loads of gifts like riding horses, carriage horses, jewels, cloaks, fur coats, garments made of violet or scarlet fabric, and, most importantly, lots of money. They took pride in recalling the legendary story of Taillefer, a brave Norman juggler, who rode out alone on horseback between the two armies before the Battle of Hastings. He drew the English's attention by singing the song of Roland, then began juggling. He took his lance by the hilt, threw it into the air, and caught it by the tip as it came down. Then, drawing his sword, he spun it several times over his head and caught it the same way as it fell. After these impressive displays, while the enemy stood there in stunned silence, he charged through the English ranks and caused massive destruction before he was ultimately overwhelmed and wounded.

Notwithstanding this noble instance, not to belie the old proverb, jugglers were never received into the order of knighthood. They were, after a time, as much abused as they had before been extolled. Their licentious lives reflected itself in their obscene language. Their pantomimes, like their songs, showed that they were the votaries of the lowest vices. The lower orders laughed at their coarseness, and were amused at their juggleries; but the nobility were disgusted with them, and they were absolutely excluded from the presence of ladies and girls in the châteaux and houses of the bourgeoisie. We see in the tale of "Le Jugleor" that they acquired ill fame everywhere, inasmuch as they were addicted to every sort of vice. The clergy, and St. Bernard especially, denounced them and held them up to public contempt. St. Bernard spoke thus of them in one of his sermons written in the middle of the twelfth century: "A man fond of jugglers will soon enough possess a wife whose name is Poverty. If it happens that the tricks of jugglers are forced upon your notice, endeavour to avoid them, and think of other things. The tricks of jugglers never please God."

Despite this noble example, and not to contradict the old saying, jugglers were never accepted into the ranks of knighthood. Over time, they faced as much criticism as they had previously received praise. Their immoral lifestyles were mirrored in their crude language. Their performances, like their songs, revealed they were devoted to the lowest of vices. Common folks found their roughness amusing and entertained by their tricks, but the nobility were repulsed by them, and they were completely barred from the company of women and girls in the mansions and homes of the middle class. In the story of "Le Jugleor," we see that they gained a bad reputation everywhere due to their indulgence in every kind of vice. The clergy, particularly St. Bernard, condemned them and placed them in public disgrace. St. Bernard remarked in one of his sermons from the mid-twelfth century: "A man who enjoys the company of jugglers will soon find himself married to Poverty. If you find yourself subjected to the tricks of jugglers, try to ignore them and focus on other matters. The tricks of jugglers never please God."

Fig. 172.--Equestrian Performances.--Fac-simile of a Miniature in an English Manuscript of the Thirteenth Century.

Fig. 172.--Equestrian Performances.--Copy of a Miniature from an English Manuscript from the 13th Century.

From this remark we may understand their fall as well as the disrepute in which they were held at that time, and we are not surprised to find in an old edition of the "Mémoires du Sire de Joinville" this passage, which is, perhaps, an interpolation from a contemporary document: "St. Louis drove from his kingdom all tumblers and players of sleight of hand, through whom many evil habits and tastes had become engendered in the people." A troubadour's story of this period shows that the jugglers wandered about the country with their trained animals nearly starved; they were half naked, and were often without anything on their heads, without coats, without shoes, and always without money. The lower orders welcomed them, and continued to admire and idolize them for their clever tricks (Fig. 173), but the bourgeois class, following the example of the nobility, turned their backs upon them. In 1345 Guillaume de Gourmont, Provost of Paris, forbad their singing or relating obscene stories, under penalty of fine and imprisonment.

From this remark, we can understand their downfall and the bad reputation they had at that time. It’s not surprising to find in an old edition of the "Mémoires du Sire de Joinville" this passage, which might be from a contemporary document: "St. Louis drove all jugglers and tricksters out of his kingdom, as they had fostered many bad habits and tastes among the people." A troubadour's tale from this period shows that the jugglers roamed the country with their trained animals, often starving; they were half-naked, sometimes without anything on their heads, without coats, without shoes, and always out of money. The lower class welcomed them and continued to admire and idolize them for their clever tricks (Fig. 173), but the bourgeois class, following the nobility's example, turned their backs on them. In 1345, Guillaume de Gourmont, the Provost of Paris, prohibited their singing or telling of obscene stories, with penalties of fines and imprisonment.

Fig. 173.--Jugglers performing in public.--From a Miniature of the Manuscript of "Guarin de Loherane" (Thirteenth Century).--Library of the Arsenal, Paris.

Fig. 173.--Jugglers performing in public.--From a Miniature of the Manuscript of "Guarin de Loherane" (Thirteenth Century).--Library of the Arsenal, Paris.

Having been associated together as a confraternity since 1331, they lived huddled together in one street of Paris, which took the name of Rue des Jougleurs. It was at this period that the Church and Hospital of St. Julian were founded through the exertions of Jacques Goure, a native of Pistoia, and of Huet le Lorrain, who were both jugglers. The newly formed brotherhood at once undertook to subscribe to this good work, and each member did so according to his means. Their aid to the cost of the two buildings was sixty livres, and they were both erected in the Rue St. Martin, and placed under the protection of St. Julian the Martyr. The chapel was consecrated on the last Sunday in September, 1335, and on the front of it there were three figures, one representing a troubadour, one a minstrel, and one a juggler, each with his various instruments.

Having been part of a brotherhood since 1331, they lived closely together on a street in Paris, which became known as Rue des Jougleurs. During this time, the Church and Hospital of St. Julian were established thanks to the efforts of Jacques Goure, who was from Pistoia, and Huet le Lorrain, both of whom were jugglers. The newly formed brotherhood immediately committed to support this worthwhile project, with each member contributing according to their means. Their total contribution to the cost of the two buildings was sixty livres, and both were built on Rue St. Martin, under the protection of St. Julian the Martyr. The chapel was consecrated on the last Sunday in September, 1335, and its façade featured three figures: a troubadour, a minstrel, and a juggler, each with their respective instruments.

The bad repute into which jugglers had fallen did not prevent the kings of France from attaching buffoons, or fools, as they were generally called, to their households, who were often more or less deformed dwarfs, and who, to all intents and purposes, were jugglers. They were allowed to indulge in every sort of impertinence and waggery in order to excite the risibility of their masters (Figs. 174 and 175). These buffoons or fools were an institution at court until the time of Louis XIV., and several, such as Caillette, Triboulet, and Brusquet, are better known in history than many of the statesmen and soldiers who were their contemporaries.

The negative reputation of jugglers didn’t stop the kings of France from having buffoons, or fools as they were usually called, in their households. These buffoons were often deformed dwarfs and were essentially jugglers. They were allowed to be rude and funny to make their masters laugh (Figs. 174 and 175). Buffoons or fools were a regular part of court life until the time of Louis XIV, and several of them, like Caillette, Triboulet, and Brusquet, are more famous in history than many of the politicians and soldiers who lived at the same time.

Fig. 174.--Dance of Fools.--Fac-simile of a Miniature in Manuscript of the Thirteenth Century in the Bodleian Library of Oxford.

Fig. 174.--Dance of Fools.--A replica of a miniature in a 13th-century manuscript housed in the Bodleian Library at Oxford.

At the end of the fourteenth century the brotherhood of jugglers divided itself into two distinct classes, the jugglers proper and the tumblers. The former continued to recite serious or amusing poetry, to sing love-songs, to play comic interludes, either singly or in concert, in the streets or in the houses, accompanying themselves or being accompanied by all sorts of musical instruments. The tumblers, on the other hand, devoted themselves exclusively to feats of agility or of skill, the exhibition of trained animals, the making of comic grimaces, and tight-rope dancing.

At the end of the 14th century, the brotherhood of jugglers split into two distinct groups: the jugglers and the tumblers. The jugglers continued to perform serious or funny poetry, sing love songs, and play comedic skits, either solo or in groups, in the streets or at homes, either accompanying themselves or being accompanied by various musical instruments. The tumblers, on the other hand, focused solely on feats of agility and skill, showcasing trained animals, making funny faces, and performing tightrope acts.

Fac-simile of a miniature from a ms. in the Bibl. de l'Arsenal, Th. lat., no 125.

Fac-simile of a miniature from a manuscript in the Bibl. de l'Arsenal, Th. lat., no 125.

The art of rope dancing is very ancient; it was patronised by the Franks, who looked upon it as a marvellous effort of human genius. The most remarkable rope-dancers of that time were of Indian origin. All performers in this art came originally from the East, although they afterwards trained pupils in the countries through which they passed, recruiting themselves chiefly from the mixed tribe of jugglers. According to a document quoted by the learned Foncemagne, rope-dancers appeared as early as 1327 at the entertainments given at state banquets by the kings of France. But long before that time they are mentioned in the poems of troubadours as the necessary auxiliaries of any feast given by the nobility, or even by the monasteries. From the fourteenth to the end of the sixteenth century they were never absent from any public ceremonial, and it was at the state entries of kings and queens, princes and princesses, that they were especially called upon to display their talents.

The art of rope dancing is very ancient; it was supported by the Franks, who saw it as an amazing display of human creativity. The most notable rope dancers of that time were from India. All performers in this art originally came from the East, although they later trained students in the countries they traveled through, mostly recruiting from a mixed group of jugglers. According to a document referenced by the scholar Foncemagne, rope dancers appeared as early as 1327 at entertainment events hosted at state banquets by the kings of France. However, they are mentioned in the poems of troubadours long before that as essential participants in any feast held by the nobility or even by monasteries. From the fourteenth century until the end of the sixteenth century, they were always present at public ceremonies, and it was during the state entries of kings and queens, princes and princesses, that they were especially called upon to showcase their talents.

Fig. 175.--Court Fool.--Fac-simile of a Woodcut in the "Cosmographie Universelle" of Munster: folio (Basle, 1552).

Fig. 175.--Court Jester.--A replica of a woodcut in the "Cosmographie Universelle" by Munster: folio (Basel, 1552).

One of the most extraordinary examples of the daring of these tumblers is to be found in the records of the entry of Queen Isabel of Bavaria into Paris, in 1385 (see chapter on Ceremonials); and, indeed, all the chronicles of the fifteenth century are full of anecdotes of their doings. Mathieu de Coucy, who wrote a history of the time of Charles VII., relates some very curious details respecting a show which took place at Milan, and which astonished the whole of Europe:--"The Duke of Milan ordered a rope to be stretched across his palace, about one hundred and fifty feet from the ground, and of equal length. On to this a Portuguese mounted, walked straight along, going backwards and forwards, and dancing to the sound of the tambourine. He also hung from the rope with his head downwards, and went through all sorts of tricks. The ladies who were looking on could not help hiding their eyes in their handkerchiefs, from fear lest they should see him overbalance and fall and kill himself." The chronicler of Charles XII., Jean d'Arton, tells us of a not less remarkable feat, performed on the occasion of the obsequies of Duke Pierre de Bourbon, which were celebrated at Moulins, in the month of October, 1503, in the presence of the king and the court. "Amongst other performances was that of a German tight-rope dancer, named Georges Menustre, a very young man, who had a thick rope stretched across from the highest part of the tower of the Castle of Mâcon to the windows of the steeple of the Church of the Jacobites. The height of this from the ground was twenty-five fathoms, and the distance from the castle to the steeple some two hundred and fifty paces. On two evenings in succession he walked along this rope, and on the second occasion when he started from the tower of the castle his feat was witnessed by the king and upwards of thirty thousand persons. He performed all sorts of graceful tricks, such as dancing grotesque dances to music and hanging to the rope by his feet and by his teeth. Although so strange and marvellous, these feats were nevertheless actually performed, unless human sight had been deceived by magic. A female dancer also performed in a novel way, cutting capers, throwing somersaults, and performing graceful Moorish and other remarkable and peculiar dances." Such was their manner of celebrating a funeral.

One of the most incredible examples of the bravery of these acrobats can be found in the records of Queen Isabel of Bavaria’s entry into Paris in 1385 (see chapter on Ceremonials); indeed, all the chronicles from the fifteenth century are filled with stories of their antics. Mathieu de Coucy, who wrote a history during the time of Charles VII, shares some fascinating details about a show that took place in Milan, which amazed all of Europe: "The Duke of Milan ordered a rope to be stretched across his palace, about one hundred and fifty feet off the ground and of the same length. A Portuguese performer walked back and forth on it, dancing to the sound of a tambourine. He even hung from the rope upside down and did all sorts of tricks. The women watching couldn’t help but cover their eyes with their handkerchiefs, fearing he might lose his balance and fall to his death." The chronicler of Charles XII, Jean d'Arton, recounts another impressive feat that occurred during the funeral of Duke Pierre de Bourbon, which took place in Moulins in October 1503, in front of the king and court. "Among other performances was that of a German tightrope walker named Georges Menustre, a very young man, who had a thick rope stretched from the highest point of the Castle of Mâcon to the windows of the steeple of the Jacobite Church. This was twenty-five fathoms high off the ground, and the distance from the castle to the steeple was about two hundred and fifty paces. He walked on this rope for two consecutive evenings, and on the second night, when he started from the castle tower, his performance was witnessed by the king and over thirty thousand people. He executed all sorts of graceful stunts, dancing quirky dances to music and hanging from the rope by his feet and teeth. Though strange and marvelous, these feats were genuinely performed, unless human sight was deceived by magic. A female dancer also performed in a unique way, leaping, doing somersaults, and showcasing elegant Moorish and other remarkable dances." Such was their way of celebrating a funeral.

In the sixteenth century these dancers and tumblers became so numerous that they were to be met with everywhere, in the provinces as well as in the towns. Many of them were Bohemians or Zingari. They travelled in companies, sometimes on foot, sometimes on horseback, and sometimes with some sort of a conveyance containing the accessories of their craft and a travelling theatre. But people began to tire of these sorts of entertainments, the more so as they were required to pay for them, and they naturally preferred the public rejoicings, which cost them nothing. They were particularly fond of illuminations and fireworks, which are of much later origin than the invention of gunpowder; although the Saracens, at the time of the Crusades, used a Greek fire for illuminations, which considerably alarmed the Crusaders when they first witnessed its effects. Regular fireworks appear to have been invented in Italy, where the pyrotechnic art has retained its superiority to this day, and where the inhabitants are as enthusiastic as ever for this sort of amusement, and consider it, in fact, inseparable from every religious, private, or public festival. This Italian invention was first introduced into the Low Countries by the Spaniards, where it found many admirers, and it made its appearance in France with the Italian artists who established themselves in that country in the reigns of Charles VIII., Louis XII., and Francis I. Fireworks could not fail to be attractive at the Court of the Valois, to which Catherine de Médicis had introduced the manners and customs of Italy. The French, who up to that time had only been accustomed to the illuminations of St. John's Day and of the first Sunday in Lent, received those fireworks with great enthusiasm, and they soon became a regular part of the programme for public festivals (Fig. 176).

In the sixteenth century, dancers and tumblers became so common that you could find them everywhere, in both the countryside and the towns. Many of them were Bohemians or Zingari. They traveled in groups, sometimes on foot, sometimes on horseback, and sometimes with some kind of vehicle carrying their performance gear and a traveling theater. However, people began to grow tired of these kinds of entertainments, especially since they had to pay for them, and they naturally preferred public celebrations that were free of charge. They were particularly fond of light shows and fireworks, which came about much later than the invention of gunpowder; although the Saracens, during the Crusades, used Greek fire for illuminations, which greatly frightened the Crusaders when they first saw it in action. Regular fireworks seem to have been invented in Italy, where the art of pyrotechnics still excels today, and where the people are as passionate as ever about this type of entertainment, viewing it as essential for all religious, private, or public celebrations. This Italian invention was first brought to the Low Countries by the Spaniards, where it gained many fans, and it later appeared in France with the Italian artists who settled there during the reigns of Charles VIII, Louis XII, and Francis I. Fireworks had to be popular at the Court of the Valois, where Catherine de Médicis introduced the customs of Italy. The French, who until then had only been familiar with the light displays for St. John’s Day and the first Sunday of Lent, welcomed these fireworks with enthusiasm, and they soon became a regular feature at public festivals (Fig. 176).

Fig. 176.--Fireworks on the Water, with an Imitation of a Naval Combat.--Fac-simile of an Engraving on Copper of the "Pyrotechnie" of Hanzelet le Lorrain: 4to (Pont-à-Mousson, 1630).

Fig. 176.--Fireworks on the Water, featuring a Recreation of a Naval Battle.--Replica of a Copper Engraving of the "Pyrotechnie" by Hanzelet le Lorrain: 4to (Pont-à-Mousson, 1630).

We have hitherto only described the sports engaged in for the amusement of the spectators; we have still to describe those in which the actors took greater pleasure than even the spectators themselves. These were specially the games of strength and skill as well as dancing, with a notice of which we shall conclude this chapter. There were, besides, the various games of chance and the games of fun and humour. Most of the bourgeois and the villagers played a variety of games of agility, many of which have descended to our times, and are still to be found at our schools and colleges. Wrestling, running races, the game of bars, high and wide jumping, leap-frog, blind-man's buff, games of ball of all sorts, gymnastics, and all exercises which strengthened the body or added to the suppleness of the limbs, were long in use among the youth of the nobility (Figs. 177 and 178). The Lord of Fleuranges, in his memoirs written at the court of Francis I., recounts numerous exercises to which he devoted himself during his childhood and youth, and which were then looked upon as a necessary part of the education of chivalry. The nobles in this way acquired a taste for physical exercises, and took naturally to combats, tournaments, and hunting, and subsequently their services in the battle-field gave them plenty of opportunities to gratify the taste thus developed in them. These were not, however, sufficient for their insatiable activity; when they could not do anything else, they played at tennis and such games at all hours of the day; and these pastimes had so much attraction for nobles of all ages that they not unfrequently sacrificed their health in consequence of overtaxing their strength. In 1506 the King of Castile, Philippe le Beau, died of pleurisy, from a severe cold which he caught while playing tennis.

We have so far only talked about the sports meant for the entertainment of the audience; now we need to discuss the activities in which the participants enjoyed themselves even more than the spectators. Specifically, these were strength and skill sports, along with dancing, which we will touch on to wrap up this chapter. Additionally, there were various games of chance and games for fun and laughter. Most of the townspeople and villagers played different agility games, many of which have survived into our time and can still be found in our schools and colleges. Wrestling, running races, the game of bars, high jumping, long jumping, leapfrog, blind man's buff, all sorts of ball games, gymnastics, and any activities that strengthened the body or improved flexibility were popular among the youth of the nobility (Figs. 177 and 178). The Lord of Fleuranges, in his memoirs written at the court of Francis I, recounts many activities he engaged in during his childhood and youth, which were then considered essential for chivalric education. Through these activities, nobles developed a taste for physical exercise, which naturally led them to combat, tournaments, and hunting; later, their battlefield experiences provided plenty of chances to indulge this developed interest. However, this wasn't enough for their endless energy; when they couldn't do anything else, they played tennis and similar games at all hours of the day. These pastimes were so appealing to nobles of all ages that they often sacrificed their health by overexerting themselves. In 1506, the King of Castile, Philippe le Beau, died from pleurisy after catching a severe cold while playing tennis.

Fig. 177.--Somersaults.--Fac-simile of a Woodcut in "Exercises in Leaping and Vaulting," by A. Tuccaro: 4to (Paris, 1599).

Fig. 177.--Somersaults.--Copy of a Woodcut in "Exercises in Leaping and Vaulting," by A. Tuccaro: 4to (Paris, 1599).

Tennis also became the favourite game amongst the bourgeois in the towns, and tennis-courts were built in all parts, of such spacious proportions and so well adapted for spectators, that they were often converted into theatres. Their game of billiards resembled the modern one only in name, for it was played on a level piece of ground with wooden balls which were struck with hooked sticks and mallets. It was in great repute in the fourteenth century, for in 1396 Marshal de Boucicault, who was considered one of the best players of his time, won at it six hundred francs (or more than twenty-eight thousand francs of present currency). At the beginning of the following century the Duke Louis d'Orleans ordered billes et billars to be bought for the sum of eleven sols six deniers tournois (about fifteen francs of our money), that he might amuse himself with them. There were several games of the same sort, which were not less popular. Skittles; la Soule or Soulette, which consisted of a large ball of hay covered over with leather, the possession of which was contested for by two opposing sides of players; Football; open Tennis; Shuttlecock, &c. It was Charles V. who first thought of giving a more serious and useful character to the games of the people, and who, in a celebrated edict forbidding games of chance, encouraged the establishment of companies of archers and bowmen. These companies, to which was subsequently added that of the arquebusiers, outlived political revolutions, and are still extant, especially in the northern provinces of France.

Tennis became the favorite game among the middle class in towns, and tennis courts were built everywhere, so spacious and well-designed for spectators that they were often turned into theaters. Their version of billiards was similar to the modern game only in name, as it was played on a flat piece of ground with wooden balls that were struck with hooked sticks and mallets. It was very popular in the fourteenth century; in 1396, Marshal de Boucicault, regarded as one of the best players of his time, won six hundred francs (which is over twenty-eight thousand francs in today's currency). At the start of the next century, Duke Louis d'Orleans ordered billes et billars to be purchased for eleven sols six deniers tournois (about fifteen francs today) so he could enjoy playing with them. There were several other games that were equally popular, including skittles; la Soule or Soulette, which involved a large leather-covered hay ball contested by two opposing teams; football; open tennis; shuttlecock, etc. It was Charles V who first thought to give a more serious and useful purpose to the people's games and, in a famous edict banning games of chance, encouraged the formation of archery and bowmen companies. These groups, which later included arquebusiers, survived political upheavals and still exist today, especially in the northern regions of France.

Fig. 178.--The Spring-board.--Fac-simile of a Woodcut in "Exercises in Leaping and Vaulting," by A. Tuccaro: 4to (Paris, 1599).

Fig. 178.--The Spring-board.--Reprint of a woodcut from "Exercises in Leaping and Vaulting," by A. Tuccaro: 4to (Paris, 1599).

At all times and in all countries the games of chance were the most popular, although they were forbidden both by ecclesiastical and royal authority. New laws were continually being enacted against them, and especially against those in which dice were used, though with little avail. "Dice shall not be made in the kingdom," says the law of 1256; and "those who are discovered using them, and frequenting taverns and bad places, will be looked upon as suspicions characters." A law of 1291 repeats, "That games with dice be forbidden." Nevertheless, though these prohibitions were frequently renewed, people continued to disregard them and to lose much money at such games. The law of 1396 is aimed particularly against loaded dice, which must have been contemporary with the origin of dice themselves, for no games ever gave rise to a greater amount of roguery than those of this description. They were, however, publicly sold in spite of all the laws to the contrary; for, in the "Dit du Mercier," the dealer offers his merchandise thus:--

At all times and in all countries, games of chance were the most popular, even though they were banned by both church and government authorities. New laws were constantly being created against them, especially against those involving dice, but to little effect. "Dice shall not be made in the kingdom," states the law of 1256; and "those who are found using them and hanging out in taverns and shady places will be seen as suspicious characters." A law from 1291 repeats, "Games with dice are forbidden." Still, despite these repeated bans, people kept ignoring them and losing a lot of money on such games. The law from 1396 specifically targets loaded dice, which must have been around since dice themselves were invented, as no games led to more deceit than these. However, they were still openly sold despite all laws against them; for, in the "Dit du Mercier," the dealer promotes his goods like this:--

"J'ay dez de plus, j'ay dez de moins,
De Paris, de Chartres, de Rains."

"I have my ups and downs,
From Paris, from Chartres, from Reims."

("I have heavy dice, I have light dice,
From Paris, from Chartres, and from Rains.")

"I have heavy dice, I have light dice,
From Paris, from Chartres, and from Reims."

It has been said that the game of dice was at first called the game of God, because the regulation of lottery was one of God's prerogatives; but this derivation is purely imaginary. What appears more likely is, that dice were first forbidden by the Church, and then by the civil authorities, on account of the fearful oaths which were so apt to be uttered by those players who had a run of ill luck. Nothing was commoner than for people to ruin themselves at this game. The poems of troubadours are full of imprecations against the fatal chance of dice; many troubadours, such as Guillaume Magret and Gaucelm Faydit, lost their fortunes at it, and their lives in consequence. Rutebeuf exclaims, in one of his satires, "Dice rob me of all my clothes, dice kill me, dice watch me, dice track me, dice attack me, and dice defy me." The blasphemies of the gamblers did not always remain unpunished. "Philip Augustus," says Bigord, in his Latin history of this king, "carried his aversion for oaths to such an extent, that if any one, whether knight or of any other rank, let one slip from his lips in the presence of the sovereign, even by mistake, he was ordered to be immediately thrown into the river." Louis XII., who was somewhat less severe, contented himself with having a hole bored with a hot iron through the blasphemer's tongue.

It has been said that the game of dice was originally called the game of God, because regulating gambling was one of God's responsibilities; but this idea is purely fictional. What seems more likely is that dice were first banned by the Church and later by civil authorities due to the terrible oaths that players, especially those on a losing streak, tended to utter. It was common for people to ruin themselves playing this game. The poems of troubadours are filled with curses against the deadly chance of dice; many troubadours, like Guillaume Magret and Gaucelm Faydit, ended up losing their fortunes to it, and their lives as a result. Rutebeuf exclaims in one of his satires, "Dice take all my clothes, dice kill me, dice watch me, dice track me, dice attack me, and dice defy me." The blasphemies of gamblers didn't always go unpunished. "Philip Augustus," says Bigord in his Latin history of this king, "had such a strong dislike for oaths that if anyone, whether knight or of any rank, let one slip in front of the sovereign, even accidentally, he was immediately thrown into the river." Louis XII., who was somewhat less harsh, chose to have a hot iron used to bore a hole through the blasphemer's tongue.

Figs. 179 and 180.--French Cards for a Game of Piquet, early Sixteenth Century.--Collection of the National Library of Paris.

Figs. 179 and 180.--French cards for a game of Piquet, early 16th century.--Collection of the National Library of Paris.

Figs. 179 and 180.--French Cards for a Game of Piquet, early Sixteenth Century.--Collection of the National Library of Paris.

Figs. 179 and 180.--French Playing Cards for a Game of Piquet, early 1500s.--Collection of the National Library of Paris.

The work "On the Manner of playing with Dice," has handed down to us the technical terms used in these games, which varied as much in practice as in name. They sometimes played with three dice, sometimes with six; different games were also in fashion, and in some the cast of the dice alone decided. The games of cards were also most numerous, but it is not our intention to give the origin of them here. It is sufficient to name a few of the most popular ones in France, which were, Flux, Prime, Sequence, Triomphe, Piquet, Trente-et-un, Passe-dix, Condemnade, Lansquenet, Marriage, Gay, or J'ai, Malcontent, Hère, &c. (Figs. 179 and 180). All these games, which were as much forbidden as dice, were played in taverns as well as at court; and, just as there were loaded dice, so were there also false cards, prepared by rogues for cheating. The greater number of the games of cards formerly did not require the least skill on the part of the players, chance alone deciding. The game of Tables, however, required skill and calculation, for under this head were comprised all the games which were played on a board, and particularly chess, draughts, and backgammon. The invention of the game of chess has been attributed to the Assyrians, and there can be no doubt but that it came from the East, and reached Gaul about the beginning of the ninth century, although it was not extensively known till about the twelfth. The annals of chivalry continually speak of the barons playing at these games, and especially at chess. Historians also mention chess, and show that it was played with the same zest in the camp of the Saracens as in that of the Crusaders. We must not be surprised if chess shared the prohibition laid upon dice, for those who were ignorant of its ingenious combinations ranked it amongst games of chance. The Council of Paris, in 1212, therefore condemned chess for the same reasons as dice, and it was specially forbidden to church people, who had begun to make it their habitual pastime. The royal edict of 1254 was equally unjust with regard to this game. "We strictly forbid," says Louis IX., "any person to play at dice, tables, or chess." This pious king set himself against these games, which he looked upon as inventions of the devil. After the fatal day of Mansorah, in 1249, the King, who was still in Egypt with the remnants of his army, asked what his brother, the Comte d'Anjou, was doing. "He was told," says Joinville, "that he was playing at tables with his Royal Highness Gaultier de Nemours. The King was highly incensed against his brother, and, though most feeble from the effects of his illness, went to him, and taking the dice and the tables, had them thrown into the sea." Nevertheless Louis IX. received as a present from the Vieux de la Montagne, chief of the Ismalians, a chessboard made of gold and rock crystal, the pieces being of precious metals beautifully worked. It has been asserted, but incorrectly, that this chessboard was the one preserved in the Musée de Cluny, after having long formed part of the treasures of the Kings of France.

The work "On the Manner of Playing with Dice" has preserved for us the technical terms used in these games, which varied greatly in practice as well as name. Sometimes they played with three dice, sometimes with six; different games were also popular, and in some, the outcome was determined solely by the dice. There were also many card games, but we aren't going to discuss their origins here. It's enough to mention a few of the most popular ones in France, which included Flux, Prime, Sequence, Triomphe, Piquet, Trente-et-un, Passe-dix, Condemnade, Lansquenet, Marriage, Gay, or J'ai, Malcontent, Hère, etc. (Figs. 179 and 180). All these games, which were just as prohibited as dice, were played in taverns as well as at court; and, just like there were loaded dice, there were also marked cards, rigged by cheats. Most card games back then didn’t require any skill from the players; luck was the only factor. However, the game of Tables needed skill and strategy since it included all the board games, especially chess, checkers, and backgammon. The invention of chess has been credited to the Assyrians, and it undoubtedly came from the East, reaching Gaul around the beginning of the ninth century, although it didn’t become widely known until about the twelfth. The records of chivalry regularly mention barons playing these games, especially chess. Historians also note chess was played with enthusiasm in both the camp of the Saracens and the Crusaders. It’s no surprise that chess faced the same ban as dice, for those who didn’t understand its intricate strategies classified it as a game of chance. The Council of Paris, in 1212, condemned chess for the same reasons as dice, and it was particularly forbidden for church members, who had started to play it regularly. The royal decree of 1254 was equally unfair regarding this game. "We strictly forbid," said Louis IX, "anyone to play at dice, tables, or chess." This devout king opposed these games, viewing them as inventions of the devil. After the disastrous Battle of Mansorah in 1249, the King, still in Egypt with the remnants of his army, asked what his brother, the Comte d'Anjou, was doing. "He was told," says Joinville, "that he was playing tables with his Royal Highness Gaultier de Nemours." The King was very angry with his brother and, despite being weak from illness, went to him and threw the dice and tables into the sea. Nonetheless, Louis IX received a gift from the Vieux de la Montagne, leader of the Ismailis, a chessboard made of gold and rock crystal, with pieces crafted from precious metals. It has been wrongly claimed that this chessboard is the one displayed in the Musée de Cluny, after having been part of the treasures of the Kings of France for a long time.

Amongst the games comprised under the name of tables, it is sufficient to mention that of draughts, which was formerly played with dice and with the same men as were used for chess; also the game of honchet, or jonchées, that is, bones or spillikins, games which required pieces or men in the same way as chess, but which required more quickness of hand than of intelligence; and épingles, or push-pin, which was played in a similar manner to the honchets, and was the great amusement of the small pages in the houses of the nobility. When they had not épingles, honchets, or draughtsmen to play with, they used their fingers instead, and played a game which is still most popular amongst the Italian people, called the morra, and which was as much in vogue with the ancient Romans as it is among the modern Italians. It consisted of suddenly raising as many fingers as had been shown by one's adversary, and gave rise to a great amount of amusement among the players and lookers-on. The games played by girls were, of course, different from those in use among boys. The latter played at marbles, luettes, peg or humming tops, quoits, fouquet, merelles, and a number of other games, many of which are now unknown. The girls, it is almost needless to say, from the earliest times played with dolls. Briche, a game in which a brick and a small stick was used, were also a favourite. Martiaus, or small quoits, wolf or fox, blind man's buff, hide and seek, quoits, &c., were all girls' games. The greater part of these amusements were enlivened by a chorus, which all the girls sang together, or by dialogues sung or chanted in unison.

Among the games known as tables, it's enough to mention draughts, which used to be played with dice and the same pieces as chess; there's also the game of honchet, or jonchées, meaning bones or spillikins, which required pieces like chess but relied more on quick reflexes than on strategy. Additionally, épingles, or push-pin, was played similarly to honchets and was a favorite pastime for the young pages in noble households. When they didn’t have épingles, honchets, or draughts to play with, they used their fingers and played a game still popular among Italians today called morra, which was just as popular with ancient Romans as it is now. The game involved quickly showing as many fingers as your opponent did, generating a lot of fun among players and spectators. The games played by girls were, of course, different from those played by boys. Boys played marbles, luettes, peg or humming tops, quoits, fouquet, merelles, and many other games that are largely forgotten today. Girls, needless to say, have played with dolls since ancient times. Briche, a game using a brick and a small stick, was also a favorite. Games like Martiaus, or small quoits, wolf or fox, blind man's buff, and hide and seek were all for girls. Most of these activities were accompanied by a chorus that all the girls sang together or by dialogues sung or chanted in unison.

Fig. 181.--Allegorical Scene of one of the Courts of Love in Provence--In the First Compartment, the God of Love, Cupid, is sitting on the Stump of a Laurel-tree, wounding with his Darts those who do him homage, the Second Compartment represents the Love Vows of Men and Women.--From the Cover of a Looking-glass, carved in Ivory, of the end of the Thirteenth Century.

Fig. 181.--Allegorical Scene of one of the Courts of Love in Provence--In the First Section, the God of Love, Cupid, is sitting on the stump of a laurel tree, shooting his arrows at those who pay him tribute. The Second Section depicts the love vows exchanged by men and women.--From the cover of a mirror, carved in ivory, from the late Thirteenth Century.

After a miniature of "The Three Ages of Man", a ms. of the fifteenth century attributed to Estienne Porchier. (Bibl. of M. Ambroise Firmin-Didot.)

After a small illustration of "The Three Ages of Man", a manuscript from the fifteenth century credited to Estienne Porchier. (Bibl. of M. Ambroise Firmin-Didot.)

The scene is laid in one of the saloons of the castle of Plessis-les-Tours, the residence of Louis XI; in the player to the right, the features of the king are recognisable.

The scene is set in one of the bars of the castle of Plessis-les-Tours, the home of Louis XI; in the player to the right, you can make out the king's features.

If children had their games, which for many generations continued comparatively unchanged, so the dames and the young ladies had theirs, consisting of gallantry and politeness, which only disappeared with those harmless assemblies in which the two sexes vied with each other in urbanity, friendly roguishness, and wit. It would require long antiquarian researches to discover the origin and mode of playing many of these pastimes, such as des oes, des trois ânes, des accords bigarrés, du jardin madame, de la fricade, du feiseau, de la mick, and a number of others which are named but not described in the records of the times. The game à l'oreille, the invention of which is attributed to the troubadour Guillaume Adhémar, the jeu des Valentines, or the game of lovers, and the numerous games of forfeits, which have come down to us from the Courts of Love of the Middle Ages, we find to be somewhat deprived of their original simplicity in the way they are now played in country-houses in the winter and at village festivals in the summer. But the Courts of Love are no longer in existence gravely to superintend all these diversions (Fig. 181).

If kids had their games, which remained pretty much the same for many generations, the women and young ladies had theirs too, focused on charm and politeness, which faded away with those innocent gatherings where both genders competed in courtesy, playful mischief, and cleverness. It would take extensive historical research to uncover the origins and how to play many of these pastimes, like des oes, des trois ânes, des accords bigarrés, du jardin madame, de la fricade, du feiseau, de la mick, and several others that are mentioned but not explained in the records of the time. The game à l'oreille, credited to the troubadour Guillaume Adhémar, the jeu des Valentines, or the lovers' game, and the many forfeits games that have been passed down from the Courts of Love in the Middle Ages, seem to have lost some of their original simplicity in how they are played now at country houses in the winter and village festivals in the summer. But the Courts of Love no longer exist to oversee all these activities (Fig. 181).

Amongst the amusements which time has not obliterated, but which, on the contrary, seem destined to be of longer duration than monuments of stone and brass, we must name dancing, which was certainly one of the principal amusements of society, and which has come down to us through all religions, all customs, all people, and all ages, preserving at the same time much of its original character. Dancing appears, at each period of the world's history, to have been alternately religions and profane, lively and solemn, frivolous and severe. Though dancing was as common an amusement formerly as it is now, there was this essential difference between the two periods, namely, that certain people, such as the Romans, were very fond of seeing dancing, but did not join in it themselves. Tiberius drove the dancers out of Rome, and Domitian dismissed certain senators from their seats in the senate who had degraded themselves by dancing; and there seems to be no doubt that the Romans, from the conquest of Julius Caesar, did not themselves patronise the art. There were a number of professional dancers in Gaul, as well as in the other provinces of the Roman Empire, who were hired to dance at feasts, and who endeavoured to do their best to make their art as popular as possible. The lightheartedness of the Gauls, their natural gaiety, their love for violent exercise and for pleasures of all sorts, made them delight in dancing, and indulge in it with great energy; and thus, notwithstanding the repugnance of the Roman aristocracy and the prohibitions and anathemas of councils and synods, dancing has always been one of the favourite pastimes of the Gauls and the French.

Among the entertainments that time hasn't erased, but rather seem destined to last longer than stone and bronze monuments, we have to mention dancing, which has certainly been one of the main pastimes of society. It has come down to us through all religions, cultures, people, and eras, while still maintaining much of its original character. Dancing appears, throughout history, to have alternated between being religious and secular, lively and solemn, frivolous and serious. While dancing was just as common in the past as it is now, there was a key difference between the two periods: certain people, like the Romans, loved to watch dancing but did not participate themselves. Tiberius expelled dancers from Rome, and Domitian removed certain senators from their seats in the senate for degrading themselves by dancing; clearly, the Romans, since Julius Caesar's conquest, did not embrace the art themselves. There were many professional dancers in Gaul, as well as in other parts of the Roman Empire, who were hired to perform at feasts and who worked hard to make their art as popular as possible. The lightheartedness of the Gauls, their natural joy, their love for vigorous activities and various pleasures made them truly enjoy dancing and engage in it with great energy. Thus, despite the Roman aristocracy's disdain and the prohibitions and condemnations from councils and synods, dancing has always been one of the favorite pastimes of the Gauls and the French.

Fig. 182.--Dancers on Christmas Night punished for their Impiety, and condemned to dance for a whole Year (Legend of the Fifteenth Century).--Fac-simile of a Woodcut by P. Wohlgemuth, in the "Liber Chronicorum Mundi:" folio (Nuremberg, 1493).

Fig. 182.--Dancers on Christmas Night punished for their disrespect and sentenced to dance for an entire year (Legend of the Fifteenth Century).--Facsimile of a woodcut by P. Wohlgemuth, in the "Liber Chronicorum Mundi:" folio (Nuremberg, 1493).

Leuce Carin, a writer of doubtful authority, states that in the early history of Christianity the faithful danced, or rather stamped, in measured time during religions ceremonials, gesticulating and distorting themselves. This is, however, a mistake. The only thing approaching to it was the slight trace of the ancient Pagan dances which remained in the feast of the first Sunday in Lent, and which probably belonged to the religious ceremonies of the Druids. At nightfall fires were lighted in public places, and numbers of people danced madly round them. Rioting and disorderly conduct often resulted from this popular feast, and the magistrates were obliged to interfere in order to suppress it. The church, too, did not close her eyes to the abuses which this feast engendered, although episcopal admonitions were not always listened to (Fig. 182). We see, in the records of one of the most recent Councils of Narbonne, that the custom of dancing in the churches and in the cemeteries on certain feasts had not been abolished in some parts of the Languedoc at the end of the sixteenth century.

Leuce Carin, a writer of questionable authority, claims that in the early history of Christianity, the faithful danced—more like stamped—rhythmically during religious ceremonies, gesturing and contorting themselves. This, however, is incorrect. The closest thing to that was the slight remnants of ancient Pagan dances that lingered during the feast of the first Sunday in Lent, probably rooted in the religious practices of the Druids. At dusk, fires were lit in public spaces, and many people danced frantically around them. This popular celebration often led to rioting and unruly behavior, forcing the magistrates to step in to restore order. The church also acknowledged the issues that arose from this feast, even though episcopal warnings weren’t always heeded (Fig. 182). We see in the records of one of the most recent Councils of Narbonne that the custom of dancing in churches and cemeteries during certain festivals had not been eliminated in some areas of Languedoc by the end of the sixteenth century.

Dancing was at all times forbidden by the Catholic Church on account of its tendency to corrupt the morals, and for centuries ecclesiastical authority was strenuously opposed to it; but, on the other hand, it could not complain of want of encouragement from the civil power. When King Childebert, in 554, forbade all dances in his domains, he was only induced to do so by the influence of the bishops. We have but little information respecting the dances of this period, and it would be impossible accurately to determine as to the justice of their being forbidden. They were certainly no longer those war-dances which the Franks had brought with them, and which antiquarians have mentioned under the name of Pyrrhichienne dances. In any case, war-dances reappeared at the commencement of chivalry; for, when a new knight was elected, all the knights in full armour performed evolutions, either on foot or on horseback, to the sound of military music, and the populace danced round them. It has been said that this was the origin of court ballets, and La Colombière, in his "Théâtre d'Honneur et de Chevalerie," relates that this ancient dance of the knights was kept up by the Spaniards, who called it the Moresque.

Dancing was always banned by the Catholic Church because it was seen as a corrupting influence, and for centuries, church leaders strongly opposed it. However, they couldn't say that the civil authorities didn't support them. When King Childebert prohibited all dances in his territories in 554, it was largely due to the bishops' influence. We don't have much information about the dances from this time, making it hard to say whether the ban was justified. They were definitely not the war dances that the Franks initially brought with them, which historians refer to as Pyrrhichienne dances. Regardless, war dances made a comeback at the start of chivalry; when a new knight was appointed, all knights in full armor would perform movements, either on foot or horseback, to the beat of military music, while the public danced around them. It’s said that this was the beginning of court ballets, and La Colombière, in his "Théâtre d'Honneur et de Chevalerie," notes that this ancient dance of the knights continued among the Spaniards, who called it the Moresque.

Fig. 183.--Peasant Dances at the May Feasts.--Fac-simile of a Miniature in a Prayer-book of the Fifteenth Century, in the National Library of Paris.

Fig. 183.--Peasant Dances at the May Feasts.--Facsimile of a Miniature in a Prayer Book from the Fifteenth Century, in the National Library of Paris.

steps (Fig. 183). The author of the poem of Provence, called "Flamença," thus allegorically describes these amusements: "Youth and Gaiety opened the ball, accompanied by their sister Bravery; Cowardice, confused, went of her own accord and hid herself." The troubadours mention a great number of dances, without describing them; no doubt they were so familiar that

Fig. 184.--Dance by Torchlight, a Scene at the Court of Burgundy.--From a Painting on Wood of 1463, belonging to M. H. Casterman, of Tournai (Belgium).

Fig. 184.--Dance by Torchlight, a Scene at the Court of Burgundy.--From a Painting on Wood of 1463, belonging to M. H. Casterman, of Tournai (Belgium).

The Middle Ages was the great epoch for dancing, especially in France. There were an endless number of dancing festivals, and, from reading the old poets and romancers, one might imagine that the French had never anything better to do than to dance, and that at all hours of the day and night. A curious argument in favour of the practical utility of dancing is suggested by Jean Tabourot in his "Orchésographie," published at Langres in 1588, under the name of Thoinot Arbeau. He says, "Dancing is practised in order to see whether lovers are healthy and suitable for one another: at the end of a dance the gentlemen are permitted to kiss their mistresses, in order that they may ascertain if they have an agreeable breath. In this matter, besides many other good results which follow from dancing, it becomes necessary for the good governing of society." Such was the doctrine of the Courts of Love, which stoutly took up the defence of dancing against the clergy. In those days, as soon as the two sexes were assembled in sufficient numbers, before or after the feasts, the balls began, and men and women took each other by the hand and commenced the performance in regular they thought a description of them needless. They often speak of the danse au virlet, a kind of round dance, during the performance of which each person in turn sang a verse, the chorus being repeated by all. In the code of the Courts of Love, entitled "Arresta Amorum," that is, the decrees of love, the pas de Brabant is mentioned, in which each gentleman bent his knee before his lady; and also the danse au chapelet, at the end of which each dancer kissed his lady. Romances of chivalry frequently mention that knights used to dance with the dames and young ladies without taking off their helmets and coats of mail. Although this costume was hardly fitted for the purpose, we find, in the romance of "Perceforet," that, after a repast, whilst the tables were being removed, everything was prepared for a ball, and that although the knights made no change in their accoutrements, yet the ladies went and made fresh toilettes. "Then," says the old novelist, "the young knights and the young ladies began to play their instruments and to have the dance." From this custom may be traced the origin of the ancient Gallic proverb, "Après la panse vient la danse" ("After the feast comes the dance"). Sometimes a minstrel sang songs to the accompaniment of the harp, and the young ladies danced in couples and repeated at intervals the minstrel's songs. Sometimes the torch-dance was performed; in this each performer bore in his hand a long lighted taper, and endeavoured to prevent his neighbours from blowing it out, which each one tried to do if possible (Fig. 184). This dance, which was in use up to the end of the sixteenth century at court, was generally reserved for weddings.

The Middle Ages was a major period for dancing, especially in France. There were countless dancing festivals, and from reading the old poets and storytellers, one might think that the French had nothing better to do than dance all day and night. A fascinating argument for the practical value of dancing is presented by Jean Tabourot in his "Orchésographie," published in Langres in 1588 under the name Thoinot Arbeau. He states, "Dancing is practiced to see whether lovers are healthy and compatible: at the end of a dance, gentlemen are allowed to kiss their ladies to find out if they have a pleasant breath. Beyond many other benefits that come from dancing, it is essential for the proper governance of society." This was the belief of the Courts of Love, which strongly defended dancing against the clergy. Back then, as soon as enough men and women gathered, either before or after feasts, the balls would start, and everyone would take each other by the hand and begin the performance. They thought it unnecessary to describe them. They often referred to the danse au virlet, a kind of round dance where each person, in turn, sang a verse, with everyone joining in the chorus. In the code of the Courts of Love, called "Arresta Amorum," the pas de Brabant is mentioned, where each gentleman would bend his knee before his lady, and also the danse au chapelet, where each dancer would kiss his lady at the end. Chivalric romances frequently mention knights dancing with ladies and young women while still wearing their helmets and suits of armor. While this attire was not ideal for dancing, we find in the romance of "Perceforet" that after a meal, as the tables were cleared, everything was set for a ball, and although the knights did not change their gear, the ladies went to freshen up. "Then," says the old novelist, "the young knights and young ladies began to play their instruments and dance." This custom may have given rise to the old Gallic proverb, "Après la panse vient la danse" ("After the feast comes the dance"). Sometimes a minstrel would sing while playing the harp, and the young ladies would dance in pairs, repeating the minstrel's songs at intervals. There were also sometimes torch dances, where each performer held a long lit taper and tried to prevent neighbors from blowing it out, which everyone attempted to do if possible (Fig. 184). This dance, which continued to be popular at court until the end of the sixteenth century, was generally reserved for weddings.

Dancing lost much of its simplicity and harmlessness when masquerades were introduced, these being the first examples of the ballet. These masquerades, which soon after their introduction became passionately indulged in at court under Charles VI., were, at first, only allowed during Carnival, and on particular occasions called Charivaris, and they were usually made the pretext for the practice of the most licentious follies. These masquerades had a most unfortunate inauguration by the catastrophe which rendered the madness of Charles VI. incurable, and which is described in history under the name of the Burning Ballet. It was on the 29th of January, 1393, that this ballet made famous the festival held in the Royal Palace of St. Paul in Paris, on the occasion of the marriage of one of the maids of honour of Queen Isabel of Bavaria with a gentleman of Vermandois. The bride was a widow, and the second nuptials were deemed a fitting occasion for the Charivaris.

Dancing lost a lot of its simplicity and innocence when masquerades were introduced, which were the first examples of ballet. These masquerades, which quickly became popular at court under Charles VI, were initially only allowed during Carnival and on special occasions called Charivaris, and they usually served as an excuse for the most excessive and reckless behavior. These masquerades had a terrible start, marked by the event that made Charles VI's madness incurable, known in history as the Burning Ballet. On January 29, 1393, this ballet became famous during a festival held at the Royal Palace of St. Paul in Paris, celebrating the marriage of one of Queen Isabel of Bavaria's maids of honour to a gentleman from Vermandois. The bride was a widow, and her second wedding was seen as a suitable occasion for the Charivaris.

Fig. 185.--The Burning Ballet.--Fac-simile of a Miniature in the Manuscript of the "Chroniques" of Froissart (Fifteenth Century), in the National Library of Paris.

Fig. 185.--The Burning Ballet.--Replica of a Miniature in the Manuscript of the "Chroniques" of Froissart (Fifteenth Century), in the National Library of Paris.

A gentleman from Normandy, named Hugonin de Grensay, thought he could create a sensation by having a dance of wild men to please the ladies. "He admitted to his plot," says Froissart, "the king and four of the principal nobles of the court. These all had themselves sewn up in close-fitting linen garments covered with resin on which a quantity of tow was glued, and in this guise they appeared in the middle of the ball. The king was alone, but the other four were chained together. They jumped about like madmen, uttered wild cries, and made all sorts of eccentric gestures. No one knew who these hideous objects were, but the Duke of Orleans determined to find out, so he took a candle and imprudently approached too near one of the men. The tow caught fire, and the flames enveloped him and the other three who were chained to him in a moment." "They were burning for nearly an hour like torches," says a chronicler. "The king had the good fortune to escape the peril, because the Duchesse de Berry, his aunt, recognised him, and had the presence of mind to envelop him in her train" (Fig. 185). Such a calamity, one would have thought, might have been sufficient to disgust people with masquerades, but they were none the less in favour at court for many years afterwards; and, two centuries later, the author of the "Orchésographie" thus writes on the subject: "Kings and princes give dances and masquerades for amusement and in order to afford a joyful welcome to foreign nobles; we also practise the same amusements on the celebration of marriages." In no country in the world was dancing practised with more grace and elegance than in France. Foreign dances of every kind were introduced, and, after being remodelled and brought to as great perfection as possible, they were often returned to the countries from which they had been imported under almost a new character.

A gentleman from Normandy named Hugonin de Grensay thought he could create a stir by organizing a dance of wild men to entertain the ladies. "He revealed his plan," says Froissart, "to the king and four of the main nobles of the court. They all had themselves sewn into tight-fitting linen outfits covered with resin, with a bunch of tow glued onto them, and they showed up right in the middle of the ball. The king was alone, but the other four were chained together. They jumped around like crazy, shouted wild noises, and made all sorts of strange gestures. No one knew who these grotesque figures were, but the Duke of Orleans decided to find out. He grabbed a candle and foolishly got too close to one of the men. The tow caught fire, and in an instant, the flames engulfed him and the other three who were chained to him." "They burned for nearly an hour like torches," says a chronicler. "The king was lucky to escape danger because the Duchesse de Berry, his aunt, recognized him and managed to wrap him up in her train" (Fig. 185). One would think such a disaster would turn people off from masquerades, but they remained popular at court for many years afterward; and two centuries later, the author of "Orchésographie" wrote about it: "Kings and princes hold dances and masquerades for fun and to give a warm welcome to foreign nobles; we also enjoy these entertainments during wedding celebrations." In no other country in the world was dancing done with more grace and elegance than in France. Dances from various foreign cultures were introduced, and after being adapted and perfected as much as possible, they were often sent back to the countries they came from, but with almost a new character.

Fig. 186.--Musicians accompanying the Dancing.--Fac-simile of a Wood Engraving in the "Orchésographie" of Thoinot Arbeau (Jehan Tabourot): 4to (Langres, 1588).

Fig. 186.--Musicians playing along with the dancers.--Replica of a wood engraving from "Orchésographie" by Thoinot Arbeau (Jehan Tabourot): 4to (Langres, 1588).

In 1548, the dances of the Béarnais, which were much admired at the court of the Comtes de Foix, especially those called the danse mauresque and the danse des sauvages, were introduced at the court of France, and excited great merriment. So popular did they become, that with a little modification they soon were considered essentially French. The German dances, which were distinguished by the rapidity of their movements, were also thoroughly established at the court of France. Italian, Milanese, Spanish, and Piedmontese dances were in fashion in France before the expedition of Charles VIII. into Italy: and when this king, followed by his youthful nobility, passed over the mountains to march to the conquest of Naples, he found everywhere in the towns that welcomed him, and in which balls and masquerades were given in honour of his visit, the dance à la mode de France, which consisted of a sort of medley of the dances of all countries. Some hundreds of these dances have been enumerated in the fifth book of the "Pantagruel" of Rabelais, and in various humorous works of those who succeeded him. They owed their success to the singing with which they were generally accompanied, or to the postures, pantomimes, or drolleries with which they were supplemented for the amusement of the spectators. A few, and amongst others that of the five steps and that of the three faces, are mentioned in the "History of the Queen of Navarre."

In 1548, the dances from Béarn, which were highly regarded at the court of the Comtes de Foix, particularly the ones known as the danse mauresque and the danse des sauvages, were introduced at the French court and created a lot of joy. They became so popular that with a few adjustments, they were soon considered distinctly French. The German dances, known for their fast movements, were also firmly established at the French court. Italian, Milanese, Spanish, and Piedmontese dances had already been fashionable in France before Charles VIII's expedition to Italy. When this king, accompanied by his youthful nobility, crossed the mountains to conquer Naples, he found the towns that welcomed him hosting balls and masquerades in his honor featuring the dance à la mode de France, which was a mix of dances from various countries. Several hundred of these dances are listed in the fifth book of Rabelais's "Pantagruel" and in various humorous works by his successors. Their popularity stemmed from the singing that often accompanied them, or from the postures, pantomimes, and antics that were added for the entertainment of the spectators. A few, including the five steps and the three faces, are mentioned in the "History of the Queen of Navarre."

Fig. 187.--The Dance called "La Gaillarde."--Fac-simile of Wood Engravings from the "Orchésographie" of Thoinot Arbeau (Jehan Tabourot): 4to (Langres, 1588).

Fig. 187.--The Dance called "La Gaillarde."--Facsimile of Wood Engravings from the "Orchésographie" of Thoinot Arbeau (Jehan Tabourot): 4to (Langres, 1588).

Dances were divided into two distinct classes--danses basses, or common and regular dances, which did not admit of jumping, violent movements, or extraordinary contortions--and the danses par haut, which were irregular, and comprised all sorts of antics and buffoonery. The regular French dance was a basse dance, called the gaillarde; it was accompanied by the sound of the hautbois and tambourine, and originally it was danced with great form and state. This is the dance which Jean Tabouret has described; it began with the two performers standing opposite to each other, advancing, bowing, and retiring. "These advancings and retirings were done in steps to the time of the music, and continued until the instrumental accompaniment stopped; then the gentleman made his bow to the lady, took her by the hand, thanked her, and led her to her seat." The tourdion was similar to the gaillarde, only faster, and was accompanied with more action. Each province of France had its national dance, such as the bourrée of Auvergne, the trioris of Brittany, the branles of Poitou, and the valses of Lorraine, which constituted a very agreeable pastime, and one in which the French excelled all other nations. This art, "so ancient, so honourable, and so profitable," to use the words of Jean Tabourot, was long in esteem in the highest social circles, and the old men liked to display their agility, and the dames and young ladies to find a temperate exercise calculated to contribute to their health as well as to their amusement.

Dances were divided into two distinct categories—danses basses, or common and regular dances, which didn't include jumping, intense movements, or extraordinary contortions—and danses par haut, which were irregular and included all kinds of antics and humor. The typical French dance was a basse dance called the gaillarde; it was accompanied by the sound of the oboe and tambourine and was originally performed with great formality and grace. This is the dance described by Jean Tabouret; it began with the two dancers standing opposite each other, moving forward, bowing, and stepping back. "These movements were performed in sync with the music and continued until the instrumental accompaniment ended; then the gentleman bowed to the lady, took her hand, thanked her, and led her to her seat." The tourdion was similar to the gaillarde, but faster and involving more action. Each region of France had its own national dance, such as the bourrée from Auvergne, the trioris from Brittany, the branles from Poitou, and the valses from Lorraine, which made for a very enjoyable pastime where the French excelled over other nations. This art, "so ancient, so honorable, and so valuable," as Jean Tabourot put it, was cherished in the highest social circles, and older men liked to show off their agility, while women and young ladies enjoyed a moderate exercise that benefited both their health and their enjoyment.

The sixteenth century was the great era of dancing in all the courts of Europe; but under the Valois, the art had more charm and prestige at the court of France than anywhere else. The Queen-mother, Catherine, surrounded by a crowd of pretty young ladies, who composed what she called her flying squadron, presided at these exciting dances. A certain Balthazar de Beaujoyeux was master of her ballets, and they danced at the Castle of Blois the night before the Duc de Guise was assassinated under the eyes of Henry III., just as they had danced at the Château of the Tuileries the day after St. Bartholomew's Day.

The sixteenth century was the great era of dancing in all the courts of Europe; but under the Valois, the art had more charm and prestige at the court of France than anywhere else. The Queen-mother, Catherine, surrounded by a crowd of beautiful young ladies, whom she called her flying squadron, led these lively dances. A certain Balthazar de Beaujoyeux was in charge of her ballets, and they danced at the Castle of Blois the night before the Duc de Guise was murdered in front of Henry III., just as they had danced at the Château of the Tuileries the day after St. Bartholomew's Day.

Fig. 188.--The Game of Bob Apple, or Swinging Apple.--Manuscript of the Fourteenth Century, in the British Museum.

Fig. 188.--The Game of Bob Apple, or Swinging Apple.--Manuscript from the Fourteenth Century, in the British Museum.

Commerce.

State of Commerce after the Fall of the Roman. Empire.--Its Revival under the Frankish Kings.--Its Prosperity under Charlemagne.--Its Decline down to the Time of the Crusaders.--The Levant Trade of the East.--Flourishing State of the Towns of Provence and Languedoc.--Establishment of Fairs.--Fairs of Landit, Champagne, Beaucaire, and Lyons.--Weights and Measures.--Commercial Flanders. Laws of Maritime Commerce.--Consular Laws.--Banks and Bills of Exchange.--French. Settlements on the Coast of Africa.--Consequences of the Discovery of America.

State of Commerce after the Fall of the Roman Empire.--Its Revival under the Frankish Kings.--Its Prosperity under Charlemagne.--Its Decline leading up to the Time of the Crusaders.--The Levant Trade of the East.--Thriving Towns of Provence and Languedoc.--Establishment of Fairs.--Fairs of Landit, Champagne, Beaucaire, and Lyons.--Weights and Measures.--Commercial Flanders. Laws of Maritime Commerce.--Consular Laws.--Banks and Bills of Exchange.--French Settlements on the Coast of Africa.--Impact of the Discovery of America.

"Commerce in the Middle Ages," says M. Charles Grandmaison, "differed but little from that of a more remote period. It was essentially a local and limited traffic, rather inland than maritime, for long and perilous sea voyages only commenced towards the end of the fifteenth century, or about the time when Columbus discovered America."

"Commerce in the Middle Ages," says M. Charles Grandmaison, "was not very different from earlier times. It was primarily local and limited, focusing more on inland trade than on maritime activities, as long and risky sea journeys didn't really start until the late fifteenth century, around the time Columbus discovered America."

On the fall of the Roman Empire, commerce was rendered insecure, and, indeed, it was almost completely put a stop to by the barbarian invasions, and all facility of communication between different nations, and even between towns of the same country, was interrupted. In those times of social confusion, there were periods of such poverty and distress, that for want of money commerce was reduced to the simple exchange of the positive necessaries of life. When order was a little restored, and society and the minds of people became more composed, we see commerce recovering its position; and France was, perhaps, the first country in Europe in which this happy change took place. Those famous cities of Gaul, which ancient authors describe to us as so rich and so industrious, quickly recovered their former prosperity, and the friendly relations which were established between the kings of the Franks and the Eastern Empire encouraged the Gallic cities in cultivating a commerce, which was at that time the most important and most extensive in the world.

When the Roman Empire fell, trade became unstable, and it nearly came to a halt because of the barbarian invasions. Communication between different nations, and even between towns within the same country, was severely disrupted. During these chaotic times, there were periods of extreme poverty and hardship, where the lack of money forced commerce to revert to simple exchanges of basic necessities. Once some order was restored and society, along with people’s mindset, calmed down a bit, we saw trade beginning to recover. France was likely the first country in Europe where this positive change occurred. The well-known cities of Gaul, which ancient writers tell us about as being prosperous and industrious, quickly regained their former wealth. The friendly ties established between the Frankish kings and the Eastern Empire encouraged the Gallic cities to foster a trade that was, at that time, the most significant and far-reaching in the world.

Marseilles, the ancient Phoenician colony, once the rival and then the successor to Carthage, was undoubtedly at the head of the commercial cities of France. Next to her came Arles, which supplied ship-builders and seamen to the fleet of Provence; and Narbonne, which admitted into its harbour ships from Spain, Sicily, and Africa, until, in consequence of the Aude having changed its course, it was obliged to relinquish the greater part of its maritime commerce in favour of Montpellier.

Marseilles, the ancient Phoenician settlement, was once the rival and later the successor to Carthage, and it was definitely the leading commercial city in France. Following Marseilles was Arles, which provided shipbuilders and sailors for the Provence fleet; and Narbonne, which welcomed ships from Spain, Sicily, and Africa, until the Aude River changed its course, forcing it to give up most of its maritime trade to Montpellier.

Fig. 189.--View of Alexandria in Egypt, in the Sixteenth Century.--Fac-simile of a Woodcut in the Travels of P. Belon, "Observations de Plusieurs Singularitez," &c.: 4to (Paris, 1588).

Fig. 189.--View of Alexandria in Egypt, in the Sixteenth Century.--Reproduction of a Woodcut from the Travels of P. Belon, "Observations of Several Uncommon Things," etc.: 4to (Paris, 1588).

Commerce maintained frequent communications with the East; it sought its supplies on the coast of Syria, and especially at Alexandria, in Egypt, which was a kind of depôt for goods obtained from the rich countries lying beyond the Red Sea (Figs. 189 and 190). The Frank navigators imported from these countries, groceries, linen, Egyptian paper, pearls, perfumes, and a thousand other rare and choice articles. In exchange they offered chiefly the precious metals in bars rather than coined, and it is probable that at this period they also exported iron, wines, oil, and wax. The agricultural produce and manufactures of Gaul had not sufficiently developed to provide anything more than what was required for the producers themselves. Industry was as yet, if not purely domestic, confined to monasteries and to the houses of the nobility; and even the kings employed women or serf workmen to manufacture the coarse stuffs with which they clothed themselves and their households. We may add, that the bad state of the roads, the little security they offered to travellers, the extortions of all kinds to which foreign merchants were subjected, and above all the iniquitous System of fines and tolls which each landowner thought right to exact, before letting merchandise pass through his domains, all created insuperable obstacles to the development of commerce.

Commerce maintained regular contact with the East; it sought supplies along the coast of Syria, especially in Alexandria, Egypt, which served as a hub for goods sourced from the wealthy regions beyond the Red Sea (Figs. 189 and 190). The Frank navigators imported groceries, linen, Egyptian paper, pearls, perfumes, and countless other rare and valuable items from these countries. In return, they mainly offered precious metals in bars rather than coins, and it’s likely that during this time they also exported iron, wines, oil, and wax. The agricultural output and manufacturing in Gaul had not advanced enough to provide anything beyond what was necessary for local producers. Industry was still largely domestic, limited to monasteries and noble households; even the kings relied on women or serf labor to produce the rough fabrics they used for clothing themselves and their families. Additionally, the poor condition of the roads, the minimal safety for travelers, the various extortions that foreign traders faced, and especially the unjust system of fines and tolls imposed by each landowner before permitting goods to pass through their lands, created major barriers to the growth of commerce.

Fig. 190.--Transport of Merchandise on the Backs of Camels.--Fac-simile of a Woodcut in the "Cosmographie Universelle," of Thevet: folio, 1575.

Fig. 190.--Transporting Goods on Camels.--Reproduction of a Woodcut from the "Cosmographie Universelle," by Thevet: folio, 1575.

The Frank kings on several occasions evinced a desire that communications favourable to trade should be re-established in their dominions. We find, for instance, Chilpéric making treaties with Eastern emperors in favour of the merchants of Agde and Marseilles, Queen Brunehaut making viaducts worthy of the Romans, and which still bear her name, and Dagobert opening at St. Denis free fairs--that is to say, free, or nearly so, from all tolls and taxes--to which goods, both agricultural and manufactured, were sent from every corner of Europe and the known world, to be afterwards distributed through the towns and provinces by the enterprise of internal commerce.

The Frank kings often expressed a desire to re-establish favorable trade communication in their realms. For example, Chilpéric made treaties with Eastern emperors to support the merchants of Agde and Marseilles, Queen Brunehaut constructed impressive aqueducts that are still named after her, and Dagobert set up free fairs at St. Denis—meaning they were free or mostly free from all tolls and taxes—where goods from all over Europe and the known world, both agricultural and manufactured, were sent to be distributed through towns and provinces by the efforts of local commerce.

After the reign of Dagobert, commerce again declined without positively ceasing, for the revolution, which transferred the power of the kings to the mayors of the palace was not of a nature to exhaust the resources of public prosperity; and a charter of 710 proves that the merchants of Saxony, England, Normandy, and even Hungary, still flocked to the fairs of St. Denis.

After Dagobert's rule, trade once again declined without completely stopping, as the shift of power from kings to the mayors of the palace didn't deplete the resources for public prosperity; a charter from 710 shows that merchants from Saxony, England, Normandy, and even Hungary continued to gather at the fairs of St. Denis.

Under the powerful and administrative hand of Charlemagne, the roads being better kept up, and the rivers being made more navigable, commerce became safe and more general; the coasts were protected from piratical incursions; lighthouses were erected at dangerous points, to prevent shipwrecks; and treaties of commerce with foreign nations, including even the most distant, guaranteed the liberty and security of French traders abroad.

Under Charlemagne's strong leadership, the roads were better maintained and the rivers were made more navigable, making commerce safer and more widespread; the coasts were protected from pirate attacks; lighthouses were built at treacherous locations to prevent shipwrecks; and trade agreements with foreign countries, including the farthest ones, ensured the freedom and safety of French traders overseas.

Under the weak successors of this monarch, notwithstanding their many efforts, commerce was again subjected to all sorts of injustice and extortions, and all its safeguards were rapidly destroyed. The Moors in the south, and the Normans in the north, appeared to desire to destroy everything which came in their way, and already Marseilles, in 838, was taken and pillaged by the Greeks. The constant altercations between the sons of Louis le Débonnaire and their unfortunate father, their jealousies amongst themselves, and their fratricidal wars, increased the measure of public calamity, so that soon, overrun by foreign enemies and destroyed by her own sons, France became a vast field of disorder and desolation.

Under the weak successors of this monarch, despite their many efforts, trade was once again subjected to all kinds of injustices and extortion, and all its protections quickly fell apart. The Moors in the south and the Normans in the north seemed intent on destroying everything in their path, and by 838, Marseilles had already been captured and looted by the Greeks. The constant disputes between the sons of Louis the Pious and their unfortunate father, their jealousies among themselves, and their brotherly wars only worsened the public disaster, so that soon, overwhelmed by foreign enemies and wrecked by her own sons, France became a vast landscape of chaos and ruin.

The Church, which alone possessed some social influence, never ceased to use its authority in endeavouring to remedy this miserable state of things; but episcopal edicts, papal anathemas, and decrees of councils, had only a partial effect at this unhappy period. At any moment agricultural and commercial operations were liable to be interrupted, if not completely ruined, by the violence of a wild and rapacious soldiery; at every step the roads, often impassable, were intercepted by toll-bars for some due of a vexatious nature, besides being continually infested by bands of brigands, who carried off the merchandise and murdered those few merchants who were so bold as to attempt to continue their business. It was the Church, occupied as she was with the interests of civilisation, who again assisted commerce to emerge from the state of annihilation into which it had fallen; and the "Peace or Truce of God," established in 1041, endeavoured to stop at least the internal wars of feudalism, and it succeeded, at any rate for a time, in arresting these disorders. This was all that could be done at that period, and the Church accomplished it, by taking the high hand; and with as much unselfishness as energy and courage, she regulated society, which had been abandoned by the civil power from sheer impotence and want of administrative capability.

The Church, which had some social influence, constantly tried to use its authority to improve this unfortunate situation; however, episcopal edicts, papal anathemas, and council decrees only had a limited effect during this troubled time. Agricultural and commercial activities could be interrupted, if not completely destroyed, by the actions of a wild and greedy military. The roads, often impassable, were blocked by toll gates for burdensome fees, and were continually plagued by groups of bandits who stole goods and killed the few merchants brave enough to continue their trade. It was the Church, focused on the interests of civilization, that helped commerce rise from the destruction it had experienced; the "Peace or Truce of God" established in 1041 sought to at least reduce the internal conflicts of feudalism, and for a while, it succeeded in curbing these disruptions. That was all that could be done at the time, and the Church achieved this through decisive action and with a spirit of selflessness, energy, and courage, regulating a society that had been neglected by the civil authorities due to their impotence and lack of administrative ability.

Fig. 191.--Trade on the Seaports of the Levant.--After a Miniature in a Manuscript of the Travels of Marco Polo (Fifteenth Century), Library of the Arsenal of Paris.

Fig. 191.--Trade at the Seaports of the Levant.--After a Miniature in a Manuscript of the Travels of Marco Polo (Fifteenth Century), Library of the Arsenal of Paris.

At all events, thanks to ecclesiastical foresight, which increased the number of fairs and markets at the gates of abbeys and convents, the first step was made towards the general resuscitation of commerce. Indeed, the Church may be said to have largely contributed to develop the spirit of progress and liberty, whence were to spring societies and nationalities, and, in a word, modern organization.

In any case, thanks to the foresight of the Church, which increased the number of fairs and markets near abbeys and convents, the first step was taken toward the revival of trade. In fact, it's fair to say that the Church played a significant role in fostering a spirit of progress and freedom, which would eventually lead to the formation of societies and national identities, and ultimately, to modern organization.

The Eastern commerce furnished the first elements of that trading activity which showed itself on the borders of the Mediterranean, and we find the ancient towns of Provence and Languedoc springing up again by the aide of the republics of Amalfi, Venice, Genoa, and Pisa, which had become the rich depôts of all maritime trade.

The Eastern trade provided the initial foundations for the trading activity that emerged along the Mediterranean coast, leading to the resurgence of the ancient towns in Provence and Languedoc, thanks to the support of the republics of Amalfi, Venice, Genoa, and Pisa, which had become the wealthy hubs of all maritime commerce.

At first, as we have already stated, the wares of India came to Europe through the Greek port of Alexandria, or through Constantinople. The Crusades, which had facilitated the relations with Eastern countries, developed a taste in the West for their indigenous productions, gave a fresh vigour to this foreign commerce, and rendered it more productive by removing the stumbling blocks which had arrested its progress (Fig. 191).

At first, as we’ve already mentioned, goods from India came to Europe through the Greek port of Alexandria or through Constantinople. The Crusades, which improved relationships with Eastern countries, sparked an interest in their local products in the West, boosted this foreign trade, and made it more efficient by eliminating the obstacles that had hindered its growth (Fig. 191).

The conquest of Palestine by the Crusaders had first opened all the towns and harbours of this wealthy region to Western traders, and many of them were able permanently to establish themselves there, with all sorts of privileges and exemptions from taxes, which were gladly offered to them by the nobles who had transferred feudal power to Mussulman territories.

The Crusaders' takeover of Palestine initially opened up all the towns and ports of this rich area to Western traders, and many of them managed to settle there for good, enjoying various privileges and tax exemptions that the nobles—who had shifted feudal control to Muslim territories—gratefully granted to them.

Ocean commerce assumed from this moment proportions hitherto unknown. Notwithstanding the papal bulls and decrees, which forbade Christians from having any connection with infidels, the voice of interest was more listened to than that of the Church (Fig. 192), and traders did not fear to disobey the political and religions orders which forbade them to carry arms and slaves to the enemies of the faith.

Ocean commerce took on unprecedented scale from this point forward. Despite the papal bulls and decrees that prohibited Christians from interacting with non-believers, people prioritized their financial interests over the Church's voice (Fig. 192), and traders weren't afraid to ignore the political and religious orders that banned them from supplying weapons and slaves to those who opposed their faith.

It was easy to foretell, from the very first, that the military occupation of the Holy Land would not be permanent. In consequence of this, therefore, the nearer the loss of this fine conquest seemed to be, the greater were the efforts made by the maritime towns of the West to re-establish, on a more solid and lasting basis, a commercial alliance with Egypt, the country which they selected to replace Palestine, in a mercantile point of view. Marseilles was the greatest supporter of this intercourse with Egypt; and in the twelfth and thirteenth centuries she reached a very high position, which she owed to her shipowners and traders. In the fourteenth century, however, the princes of the house of Anjou ruined her like the rest of Provence, in the great and fruitless efforts which they made to recover the kingdom of Naples; and it was not until the reign of Louis XI. that the old Phoenician city recovered its maritime and commercial prosperity (Fig. 193).

It was clear from the start that the military occupation of the Holy Land wouldn't last. As a result, the closer the loss of this valuable conquest seemed, the more the coastal towns of the West worked to establish a stronger and more enduring trade alliance with Egypt, which they chose to replace Palestine from a business perspective. Marseilles was the biggest advocate for this trade with Egypt, and during the twelfth and thirteenth centuries, it reached a very high status, thanks to its shipowners and traders. However, in the fourteenth century, the princes from the house of Anjou devastated it, just like the rest of Provence, due to their ambitious but unsuccessful attempts to reclaim the kingdom of Naples. It wasn't until the reign of Louis XI that the ancient Phoenician city regained its maritime and commercial success (Fig. 193).

Fig. 192.--Merchant Vessel in a Storm.--Fac-simile of a Woodcut in the "Grand Kalendrier et Compost des Bergers," in folio: printed at Troyes, about 1490, by Nicolas de Rouge. C

Fig. 192.--Merchant Ship in a Storm.--Reproduction of a Woodcut from the "Grand Kalendrier et Compost des Bergers," in folio: printed in Troyes, around 1490, by Nicolas de Rouge. C

"Mortal man, living in the world, is compared to a vessel on perilous seas, bearing rich merchandise, by which, if it can come to harbour, the merchant will be rendered rich and happy. The ship from the commencement to the end of its voyage is in great peril of being lost or taken by an enemy, for the seas are always beset with perils. So is the body of man during its sojourn in the world. The merchandise he bears is his soul, his virtues, and his good deeds. The harbour is paradise, and he who reaches that haven is made supremely rich. The sea is the world, full of vices and sins, and in which all, during their passage through life, are in peril and danger of losing body and soul and of being drowned in the infernal sea, from which God in His grace keep us! Amen."

"Mortal man, living in the world, is like a ship navigating dangerous seas, carrying valuable cargo that, if it reaches port, will make the merchant rich and happy. From the beginning to the end of its journey, the ship is always at risk of being lost or captured by an enemy, as the seas are fraught with dangers. Similarly, the human body is vulnerable during its time in the world. The cargo it carries includes the soul, virtues, and good deeds. The port represents paradise, and reaching that safe haven brings supreme wealth. The sea symbolizes the world, filled with vices and sins, where everyone is at risk of losing both body and soul and of being drowned in the infernal sea, from which may God in His grace protect us! Amen."

Fig. 193.--View and Plan of Marseilles and its Harbour, in the Sixteenth Century.--From a Copper-plate in the Collection of G. Bruin, in folio: "Théâtre des Citez du Monde."

Fig. 193.--View and Plan of Marseilles and its Harbour, in the Sixteenth Century.--From a Copper-plate in the Collection of G. Bruin, in folio: "Théâtre des Citez du Monde."

Languedoc, depressed, and for a time nearly ruined in the thirteenth century by the effect of the wars of the Albigenses, was enabled, subsequently, to recover itself. Béziers, Agde, Narbonne, and especially Montpellier, so quickly established important trading connections with all the ports of the Mediterranean, that at the end of the fourteenth century consuls were appointed at each of these towns, in order to protect and direct their transmarine commerce. A traveller of the twelfth century, Benjamin de Tudèle, relates that in these ports, which were afterwards called the stepping stones to the Levant, every language in the world might be heard.

Languedoc, once depressed and nearly ruined in the thirteenth century due to the Albigensian wars, was able to bounce back. Béziers, Agde, Narbonne, and especially Montpellier quickly established important trade connections with all the ports of the Mediterranean. By the end of the fourteenth century, consuls were appointed in each of these towns to protect and oversee their overseas commerce. A twelfth-century traveler, Benjamin de Tudèle, noted that in these ports, which later became known as gateways to the Levant, one could hear every language in the world.

Toulouse was soon on a par with the towns of Lower Languedoc, and the Garonne poured into the markets, not only the produce of Guienne, and of the western parts of France, but also those of Flanders, Normandy, and England. We may observe, however, that Bordeaux, although placed in a most advantageous position, at the mouth of the river, only possessed, when under the English dominion, a very limited commerce, principally confined to the export of wines to Great Britain in exchange for corn, oil, &c.

Toulouse quickly became comparable to the towns of Lower Languedoc, and the Garonne flowed into the markets, bringing not just the produce from Guienne and the western parts of France, but also from Flanders, Normandy, and England. However, it's worth noting that Bordeaux, despite its very advantageous location at the river's mouth, only had a limited trade while it was under English control, mainly focused on exporting wines to Great Britain in exchange for grain, oil, and more.

La Rochelle, on the same coast, was much more flourishing at this period, owing to the numerous coasters which carried the wines of Aunis and Saintonge, and the salt of Brouage to Flanders, the Netherlands, and the north of Germany. Vitré already had its silk manufactories in the fifteenth century, and Nantes gave promise of her future greatness as a depôt of maritime commerce. It was about this time also that the fisheries became a new industry, in which Bayonne and a few villages on the sea-coast took the lead, some being especially engaged in whaling, and others in the cod and herring fisheries (Fig. 194).

La Rochelle, located on the same coast, was thriving during this time, thanks to the many coasters that transported wines from Aunis and Saintonge, as well as salt from Brouage to Flanders, the Netherlands, and northern Germany. Vitré already had silk factories in the fifteenth century, and Nantes was showing promise as a future hub of maritime trade. Around this time, fisheries emerged as a new industry, with Bayonne and a few seaside villages taking the lead—some focused on whaling, while others specialized in cod and herring fishing (Fig. 194).

Long before this, Normandy had depended on other branches of trade for its commercial prosperity. Its fabrics of woollen stuffs, its arms and cutlery, besides the agricultural productions of its fertile and well-cultivated soil, each furnished material for export on a large scale.

Long before this, Normandy relied on other trade routes for its economic success. Its woolen fabrics, weapons, and cutlery, along with the agricultural products from its rich and well-tended land, each provided significant export materials.

The towns of Rouen and Caen were especially manufacturing cities, and were very rich. This was the case with Rouen particularly, which was situated on the Seine, and was at that time an extensive depôt for provisions and other merchandise which was sent down the river for export, or was imported for future internal consumption. Already Paris, the abode of kings, and the metropolis of government, began to foreshadow the immense development which it was destined to undergo, by becoming the centre of commercial affairs, and by daily adding to its labouring and mercantile population (Figs. 195 and 196).

The towns of Rouen and Caen were major manufacturing hubs and were quite wealthy. Rouen, in particular, was located on the Seine and at that time served as a significant depot for food and other goods that were shipped down the river for export or brought in for local use. Paris, the home of kings and the center of government, was starting to show signs of the incredible growth it was destined to experience, becoming the focal point for commercial activities and continuously increasing its workforce and merchant population (Figs. 195 and 196).

It was, however, outside the walls of Paris that commerce, which needed liberty as well as protection, at first progressed most rapidly. The northern provinces had early united manufacturing industry with traffic, and this double source of local prosperity was the origin of their enormous wealth. Ghent and Bruges in the Low Countries, and Beauvais and Arras, were celebrated for their manufacture of cloths, carpets, and serge, and Cambrai for its fine cloths. The artizans and merchants of these industrious cities then established their powerful corporations, whose unwearied energy gave rise to that commercial freedom so favourable to trade.

However, it was outside the walls of Paris that commerce, which needed both freedom and protection, initially thrived the most. The northern provinces had early on combined manufacturing with trade, and this dual source of local prosperity led to their tremendous wealth. Ghent and Bruges in the Low Countries, as well as Beauvais and Arras, were known for their production of cloths, carpets, and serge, while Cambrai was famous for its high-quality fabrics. The artisans and merchants from these industrious cities then formed powerful guilds, whose relentless efforts created a commercial freedom that was beneficial for trade.

Fig. 194. Whale-Fishing. Fac-simile of a Woodcut in the "Cosmographie Universelle" of Thevet, in folio: Paris, 1574.

Fig. 194. Whale-Fishing. Replica of a Woodcut in the "Cosmographie Universelle" by Thevet, in folio: Paris, 1574.

More important than the woollen manufactures--for the greater part of the wool used was brought from England--was the manufacture of flax, inasmuch as it encouraged agriculture, the raw material being produced in France. This first flourished in the north-east of France, and spread slowly to Picardy, to Beauvois, and Brittany. The central countries, with the exception of Bruges, whose cloth manufactories were already celebrated in the fifteenth century, remained essentially agricultural; and their principal towns were merely depôts for imported goods. The institution of fairs, however, rendered, it is true, this commerce of some of the towns as wide-spread as it was productive. In the Middle Ages religious feasts and ceremonials almost always gave rise to fairs, which commerce was not slow in multiplying as much as possible. The merchants naturally came to exhibit their goods where the largest concourse of people afforded the greatest promise of their readily disposing of them. As early as the first dynasty of Merovingian kings, temporary and periodical markets of this kind existed; but, except at St. Denis, articles of local consumption only were brought to them. The reasons for this were, the heavy taxes which were levied by the feudal lords on all merchandise exhibited for sale, and the danger which foreign merchants ran of being plundered on their way, or even at the fair itself. These causes for a long time delayed the progress of an institution which was afterwards destined to become so useful and beneficial to all classes of the community.

More important than wool production—which mainly sourced its wool from England—was the production of flax since it supported agriculture, with the raw material grown in France. This industry first thrived in the northeast of France and gradually spread to Picardy, Beauvois, and Brittany. The central regions, except for Bruges, which had already gained fame for its cloth factories in the fifteenth century, remained mainly agricultural, and their main towns served as depots for imported goods. However, the establishment of fairs did make the commerce of some towns as widespread as it was productive. During the Middle Ages, religious festivals and ceremonies often led to the creation of fairs, which merchants eagerly multiplied. Merchants were naturally drawn to showcase their goods where the largest crowds promised the best chance of selling them. As early as the first dynasty of the Merovingian kings, temporary and periodic markets like these existed, but at those locations, only local goods were typically available. This was due to heavy taxes imposed by feudal lords on all merchandise for sale and the risks foreign merchants faced of being robbed either en route or even at the fair itself. These factors significantly slowed the development of an institution that would eventually prove to be incredibly useful and beneficial for all sectors of society.

We have several times mentioned the famous fair of Landit, which is supposed to have been established by Charlemagne, but which no doubt was a sort of revival of the fairs of St. Denis, founded by Dagobert, and which for a time had fallen into disuse in the midst of the general ruin which preceded that emperor's reign. This fair of Landit was renowned over the whole of Europe, and attracted merchants from all countries. It was held in the month of June, and only lasted fifteen days. Goods of all sorts, both of home and foreign manufacture, were sold, but the sale of parchment was the principal object of the fair, to purchase a supply of which the University of Paris regularly went in procession. On account of its special character, this fair was of less general importance than the six others, which from the twelfth century were held at Troyes, Provins, Lagny-sur-Marne, Rheims, and Bar-sur-Aube. These infused so much commercial vitality into the province of Champagne, that the nobles for the most part shook off the prejudice which forbad their entering into any sort of trading association.

We've mentioned the famous Landit fair a few times, which is believed to have been founded by Charlemagne. However, it was likely a revival of the fairs of St. Denis, originally set up by Dagobert, that had fallen out of use amid the widespread decline before Charlemagne's reign. The Landit fair was famous all over Europe and drew merchants from various countries. It took place in June and lasted for only fifteen days. All kinds of goods, both local and imported, were sold, but the main focus of the fair was the sale of parchment, which the University of Paris would regularly purchase in a procession. Because of its specific nature, this fair was less significant than the six others that began in the twelfth century in Troyes, Provins, Lagny-sur-Marne, Rheims, and Bar-sur-Aube. These fairs brought so much commercial energy to the Champagne region that most nobles began to overcome their prejudices against joining trade associations.

Fairs multiplied in the centre and in the south of France simultaneously. Those of Puy-en-Velay, now the capital of the Haute-Loire, are looked upon as the most ancient, and they preserved their old reputation and attracted a considerable concourse of people, which was also increased by the pilgrimages then made to Notre-Dame du Puy. These fairs, which were more of a religious than of a commercial character, were then of less importance as regards trade than those held at Beaucaire. This town rose to great repute in the thirteenth century, and, with the Lyons market, became at that time the largest centre of commerce in the southern provinces. Placed at the junction of the Saóne and the Rhône, Lyons owed its commercial development to the proximity of Marseilles and the towns of Italy. Its four annual fairs were always much frequented, and when the kings of France transferred to it the privileges of the fairs of Champagne, and transplanted to within its walls the silk manufactories formerly established at Tours, Lyons really became the second city of France.

Fairs increased in the center and southern France at the same time. The fairs in Puy-en-Velay, now the capital of Haute-Loire, are considered the oldest, and they maintained their longstanding reputation while attracting a large number of visitors, which was boosted by the pilgrimages to Notre-Dame du Puy. These fairs, which were more religious than commercial, were less significant for trade compared to those held in Beaucaire. This town gained great fame in the thirteenth century and, along with the Lyons market, became one of the largest commercial centers in the southern provinces. Located at the confluence of the Saône and Rhône rivers, Lyons benefitted from its proximity to Marseilles and the towns of Italy. Its four annual fairs were always well-attended, and when the kings of France granted it the privileges of the fairs of Champagne and moved the silk factories from Tours into the city, Lyons truly became the second city of France.

Fig. 195.--Measurers of Corn in Paris.

__A_TAG_PLACEHOLDER_0__--Corn Assessors in Paris.

Fig. 196.--Hay Carriers.

__A_TAG_PLACEHOLDER_0__--Hay Deliveries.

Fac-simile of Woodcuts from the "Royal Orders concerning the Jurisdiction of the Company of Merchants and Shrievalty in the City of Paris," in small folio goth.: Jacques Nyverd, 1528.

Fac-simile of Woodcuts from the "Royal Orders concerning the Jurisdiction of the Company of Merchants and Shrievalty in the City of Paris," in small folio goth.: Jacques Nyverd, 1528.

It may be asserted as an established fact that the gradual extension of the power of the king, produced by the fall of feudalism, was favourable to the extension of commerce. As early as the reign of Louis IX. many laws and regulations prove that the kings were alive to the importance of trade. Among the chief enactments was one which led to the formation of the harbour of Aigues-Mortes on the Mediterranean; another to the publication of the book of "Weights and Measures," by Etienne Boileau, a work in which the ancient statutes of the various trades were arranged and codified; and a third to the enactment made in the very year of this king's death, to guarantee the security of vendors, and, at the same time, to ensure purchasers against fraud. All these bear undoubted witness that an enlightened policy in favour of commerce had already sprung up.

It's a well-established fact that the gradual increase in the king's power, brought on by the decline of feudalism, benefited the growth of commerce. Even during the reign of Louis IX, numerous laws and regulations show that the kings recognized the importance of trade. Among the key laws was one that led to the creation of the harbor of Aigues-Mortes on the Mediterranean; another resulted in the publication of the book "Weights and Measures" by Etienne Boileau, which organized and codified the ancient rules of various trades; and a third was enacted in the very year of this king's death, aimed at ensuring the safety of vendors while also protecting buyers from fraud. All of these clearly demonstrate that a forward-thinking policy favoring commerce had already taken root.

Philippe le Bel issued several prohibitory enactments also in the interest of home commerce and local industry, which Louis X. confirmed. Philippe le Long attempted even to outdo the judicious efforts of Louis XI., and tried, though unsuccessfully, to establish a uniformity in the weights and measures throughout the kingdom; a reform, however, which was never accomplished until the revolution of 1789. It is difficult to credit how many different weights and measures were in use at that time, each one varying according to local custom or the choice of the lord of the soil, who probably in some way profited by the confusion which this uncertain state of things must have produced. The fraud and errors to which this led may easily be imagined, particularly in the intercourse between one part of the country and another. The feudal stamp is here thoroughly exhibited; as M. Charles de Grandmaison remarks, "Nothing is fixed, nothing is uniform, everything is special and arbitrary, settled by the lord of the soil by virtue of his right of justesse, by which he undertook the regulation and superintendence of the weights and measures in use in his lordship."

Philippe le Bel enacted several prohibitory laws to support domestic trade and local industry, which Louis X. endorsed. Philippe le Long tried to surpass the wise efforts of Louis XI., attempting, though unsuccessfully, to standardize weights and measures across the kingdom; this reform was not achieved until the revolution of 1789. It’s hard to believe how many different weights and measures existed back then, each one varying based on local customs or the preferences of the landowner, who likely benefited in some way from the confusion that this uncertain situation created. The fraud and mistakes resulting from this can easily be imagined, especially in interactions between different regions. The feudal nature of this system is clear; as M. Charles de Grandmaison points out, "Nothing is fixed, nothing is uniform, everything is special and arbitrary, determined by the landowner by virtue of his right of justesse, which gave him the authority to regulate and oversee the weights and measures used in his territory."

Measures of length and contents often differed much from one another, although they might be similarly named, and it would require very complicated comparative tables approximately to fix their value. The pied de roi was from ten to twelve inches, and was the least varying measure. The fathom differed much in different parts, and in the attempt to determine the relations between the innumerable measures of contents which we find recorded--a knowledge of which must have been necessary for the commerce of the period--we are stopped by a labyrinth of incomprehensible calculations, which it is impossible to determine with any degree of certainty.

Measurements of length and volume often varied significantly from each other, even though they might have similar names, and it would require very complicated comparison tables to roughly determine their values. The pied de roi was about ten to twelve inches long and was the most consistent measure. The fathom varied a lot in different regions, and in trying to figure out the relationships between the countless volume measurements recorded—knowledge that must have been essential for commerce at the time—we are faced with a confusing maze of calculations that are impossible to resolve with any certainty.

The weights were more uniform and less uncertain. The pound was everywhere in use, but it was not everywhere of the same standard (Fig. 201). For instance, at Paris it weighed sixteen ounces, whereas at Lyons it only weighed fourteen; and in weighing silk fifteen ounces to the pound was the rule. At Toulouse and in Upper Languedoc the pound was only thirteen and a half ounces; at Marseilles, thirteen ounces; and at other places it even fell to twelve ounces. There was in Paris a public scale called poids du roi; but this scale, though a most important means of revenue, was a great hindrance to retail trade.

The weights were more consistent and less confusing. The pound was used everywhere, but it wasn't always the same standard (Fig. 201). For example, in Paris it weighed sixteen ounces, while in Lyons it was only fourteen; when weighing silk, the standard was fifteen ounces to the pound. In Toulouse and Upper Languedoc, the pound was only thirteen and a half ounces; in Marseilles, it was thirteen ounces; and in other locations, it even dropped to twelve ounces. In Paris, there was a public scale known as poids du roi; however, this scale, despite being a significant source of revenue, was a major obstacle for retail trade.

In spite of these petty and irritating impediments, the commerce of France extended throughout the whole world.

Despite these small and annoying obstacles, France's trade spread all over the world.

Fig. 197.--View of Lubeck and its Harbour (Sixteenth Century).--From a Copper-plate in the Work of P. Bertius, "Commentaria Rerum Germanicarum," in 4to: Amsterdam, 1616.

Fig. 197.--View of Lubeck and its Harbour (Sixteenth Century).--From a copperplate in the work of P. Bertius, "Commentaria Rerum Germanicarum," in 4to: Amsterdam, 1616.

The compass--known in Italy as early as the twelfth century, but little used until the fourteenth--enabled the mercantile navy to discover new routes, and it was thus that true maritime commerce may be said regularly to have begun. The sailors of the Mediterranean, with the help of this little instrument, dared to pass the Straits of Gibraltar, and to venture on the ocean. From that moment commercial intercourse, which had previously only existed by land, and that with great difficulty, was permanently established between the northern and southern harbours of Europe.

The compass—known in Italy as early as the 12th century, but not widely used until the 14th—allowed the merchant navy to find new routes, marking the real start of maritime trade. With the help of this small tool, Mediterranean sailors were brave enough to cross the Straits of Gibraltar and explore the ocean. From that point on, trade, which had previously only been possible by land and with great difficulty, was permanently established between the northern and southern ports of Europe.

Flanders was the central port for merchant vessels, which arrived in great numbers from the Mediterranean, and Bruges became the principal depôt. The Teutonic league, the origin of which dates from the thirteenth century, and which formed the most powerful confederacy recorded in history, also sent innumerable vessels from its harbours of Lubeck (Fig. 197) and Hamburg. These carried the merchandise of the northern countries into Flanders, and this rich province, which excelled in every branch of industry, and especially in those relating to metals and weaving, became the great market of Europe (Fig. 198).

Flanders was the main port for merchant ships that arrived in large numbers from the Mediterranean, with Bruges becoming the key storage point. The Teutonic League, which originated in the thirteenth century and formed the most powerful alliance in history, also sent countless vessels from its ports in Lubeck (Fig. 197) and Hamburg. These ships transported goods from the northern countries to Flanders, and this wealthy province, which excelled in all types of industry, particularly in metals and textiles, became the major market of Europe (Fig. 198).

The commercial movement, formerly limited to the shores of the Mediterranean, extended to all parts, and gradually became universal. The northern states shared in it, and England, which for a long time kept aloof from a stage on which it was destined to play the first part, began to give indications of its future commercial greatness. The number of transactions increased as the facility for carrying them on became greater. Consumption being extended, production progressively followed, and so commerce went on gaining strength as it widened its sphere. Everything, in fact, seemed to contribute to its expansion. The downfall of the feudal system and the establishment in each country of a central power, more or less strong and respected, enabled it to extend its operations by land with a degree of security hitherto unknown; and, at the same time, international legislation came in to protect maritime trade, which was still exposed to great dangers. The sea, which was open freely to the whole human race, gave robbers comparatively easy means of following their nefarious practices, and with less fear of punishment than they could obtain on the shore of civilised countries. For this reason piracy continued its depredations long after the enactment of severe laws for its suppression.

The commercial movement, which was once confined to the shores of the Mediterranean, spread to every corner of the world and gradually became universal. The northern states joined in, and England, which had long distanced itself from a stage where it was meant to take the lead, began to show signs of its future commercial power. The number of transactions grew as it became easier to conduct them. As consumption increased, production followed suit, and commerce continued to gain strength as it expanded its reach. Everything seemed to support its growth. The decline of the feudal system and the establishment of a central authority in each country, varying in strength and respect, allowed for land operations to expand with an unprecedented level of security. At the same time, international laws were introduced to protect maritime trade, which was still subject to significant risks. The sea, open to all humanity, provided pirates with relatively easy opportunities to carry out their criminal activities, with less fear of punishment than they faced on the shores of civilized nations. For this reason, piracy persisted long after strict laws were enacted to eliminate it.

This maritime legislation did not wait for the sixteenth century to come into existence. Maritime law was promulgated more or less in the twelfth century, but the troubles and agitations which weakened and disorganized empires during that period of the Middle Ages, deprived it of its power and efficiency. The Code des Rhodiens dates as far back as 1167; the Code de la Mer, which became a sort of recognised text-book, dates from the same period; the Lois d'Oléron is anterior to the twelfth century, and ruled the western coasts of France, being also adopted in Flanders and in England; Venice dated her most ancient law on maritime rights from 1255, and the Statutes of Marseilles date from 1254.

This maritime legislation didn’t wait for the sixteenth century to appear. Maritime law was established more or less in the twelfth century, but the issues and unrest that weakened and disorganized empires during that time in the Middle Ages diminished its power and effectiveness. The Code des Rhodiens dates back to 1167; the Code de la Mer, which became a sort of recognized textbook, also comes from that era; the Lois d'Oléron is earlier than the twelfth century and governed the western coasts of France, and was also adopted in Flanders and England; Venice claims its oldest law on maritime rights from 1255, while the Statutes of Marseilles are from 1254.

Fig. 198.--Execution of the celebrated pirate Stoertebeck and his seventy accomplices, in 1402, at Hamburg.--From a popular Picture of the end of the Sixteenth Century (Hamburg Library).

Fig. 198.--Execution of the famous pirate Stoertebeck and his seventy accomplices in 1402 at Hamburg.--From a well-known picture from the end of the Sixteenth Century (Hamburg Library).

The period of the establishment of commercial law and justice corresponds with that of the introduction of national and universal codes of law and consular jurisdiction. These may be said to have originated in the sixth century in the laws of the Visigoths, which empowered foreign traders to be judged by delegates from their own countries. The Venetians had consuls in the Greek empire as early as the tenth century, and we may fairly presume that the French had consuls in Palestine during the reign of Charlemagne. In the thirteenth century the towns of Italy had consular agents in France; and Marseilles had them in Savoy, in Arles, and in Genoa. Thus traders of each country were always sure of finding justice, assistance, and protection in all the centres of European commerce.

The time when commercial law and justice were established coincides with the introduction of national and universal legal codes and consular jurisdictions. These can be traced back to the sixth century with the laws of the Visigoths, which allowed foreign traders to be judged by representatives from their own countries. The Venetians had consuls in the Greek Empire as early as the tenth century, and it’s reasonable to assume that the French had consuls in Palestine during Charlemagne's reign. By the thirteenth century, the towns of Italy had consular agents in France, and Marseilles had them in Savoy, Arles, and Genoa. This ensured that traders from each country could always count on finding justice, support, and protection in all the major centers of European commerce.

Numerous facilities for barter were added to these advantages. Merchants, who at first travelled with their merchandise, and who afterwards merely sent a factor as their representative, finally consigned it to foreign agents. Communication by correspondence in this way became more general, and paper replaced parchment as being less rare and less expensive. The introduction of Arabic figures, which were more convenient than the Roman numerals for making calculations, the establishment of banks, of which the most ancient was in operation in Venice as early as the twelfth century, the invention of bills of exchange, attributed to the Jews, and generally in use in the thirteenth century, the establishment of insurance against the risks and perils of sea and land, and lastly, the formation of trading companies, or what are now called partnerships, all tended to give expansion and activity to commerce, whereby public and private wealth was increased in spite of obstacles which routine, envy, and ill-will persistently raised against great commercial enterprises.

Many trading facilities were added to these benefits. Merchants, who initially traveled with their goods and later sent a representative, eventually handed over their shipments to foreign agents. Correspondence for communication became more common, and paper took over from parchment as it was less rare and cheaper. The introduction of Arabic numbers, which were easier to use than Roman numerals for calculations, the establishment of banks—like the oldest one in Venice, which started operating as early as the twelfth century—the creation of bills of exchange, credited to the Jews and widely used in the thirteenth century, the initiation of insurance against the risks of land and sea, and finally, the formation of trading companies, or what we now call partnerships, all contributed to the growth and dynamism of commerce, leading to an increase in both public and private wealth despite the challenges posed by routine, envy, and hostility toward major commercial ventures.

For a long time the French, through indolence or antipathy--for it was more to their liking to be occupied with arms and chivalry than with matters of interest and profit--took but a feeble part in the trade which was carried on so successfully on their own territory. The nobles were ashamed to mix in commerce, considering it unworthy of them, and the bourgeois, for want of liberal feeling and expansiveness in their ideas, were satisfied with appropriating merely local trade. Foreign commerce, even of the most lucrative description, was handed over to foreigners, and especially to Jews, who were often banished from the kingdom and as frequently ransomed, though universally despised and hated. Notwithstanding this, they succeeded in rising to wealth under the stigma of shame and infamy, and the immense gains which they realised by means of usury reconciled them to, and consoled them for, the ill-treatment to which they were subjected.

For a long time, the French, either out of laziness or dislike—since they preferred to focus on warfare and chivalry rather than on business and profit—played a weak role in the trade that thrived within their own borders. The nobles felt embarrassed to engage in commerce, viewing it as beneath them, while the bourgeois, lacking a sense of open-mindedness and broader thinking, were content to stick to local trade. Foreign trade, even the most profitable kinds, was handed over to outsiders, especially Jews, who were often expelled from the kingdom and just as often ransomed, despite being universally despised and hated. Nevertheless, they managed to accumulate wealth despite being stigmatized and shamed, and the huge profits they gained through usury helped them cope with and find solace in the mistreatment they faced.

Fig. 199.--Discovery of America, 12th of May, 1492.--Columbus erects the Cross and baptizes the Isle of Guanahani (now Cat Island, one of the Bahamas) by the Christian Name of St. Salvador.--From a Stamp engraved on Copper by Th. de Bry, in the Collection of "Grands Voyages," in folio, 1590.

Fig. 199.--Discovery of America, May 12, 1492.--Columbus sets up a Cross and baptizes the island of Guanahani (now Cat Island, one of the Bahamas) with the Christian name of St. Salvador.--From a stamp engraved on copper by Th. de Bry, in the collection of "Grands Voyages," folio, 1590.

At a very early period, and especially when the Jews had been absolutely expelled, the advantage of exclusively trading with and securing the rich profits from France had attracted the Italians, who were frequently only Jews in disguise, concealing themselves as to their character under the generic name of Lombards. It was under this name that the French kings gave them on different occasions various privileges, when they frequented the fairs of Champagne and came to establish themselves in the inland and seaport towns. These Italians constituted the great corporation of money-changers in Paris, and hoarded in their coffers all the coin of the kingdom, and in this way caused a perpetual variation in the value of money, by which they themselves benefited.

At a very early time, especially after the Jews had been completely expelled, the Italians were drawn to the opportunity of trading exclusively with France and reaping its rich profits. Many of these Italians were actually Jews in disguise, hiding their identity under the common name of Lombards. It was under this name that the French kings granted them various privileges at different times, as they attended the fairs in Champagne and settled in both inland and coastal towns. These Italians formed a large group of money-changers in Paris, and they hoarded all the currency of the kingdom in their vaults, which led to constant fluctuations in the value of money that benefited them.

In the sixteenth century the wars of Italy rather changed matters, and we find royal and important concessions increasing in favour of Castilians and other Spaniards, whom the people maliciously called negroes, and who had emigrated in order to engage in commerce and manufactures in Saintonge, Normandy, Burgundy, Agenois, and Languedoc.

In the sixteenth century, the wars in Italy shifted things around, and we see more royal and significant concessions granted to Castilians and other Spaniards, whom the locals spitefully referred to as negroes, and who had moved there to participate in trade and manufacturing in Saintonge, Normandy, Burgundy, Agenois, and Languedoc.

About the time of Louis XI., the French, becoming more alive to their true interests, began to manage their own affairs, following the suggestions and advice of the King, whose democratic instincts prompted him to encourage and favour the bourgeois. This result was also attributable to the state of peace and security which then began to exist in the kingdom, impoverished and distracted as it had been by a hundred years of domestic and foreign warfare.

Around the time of Louis XI, the French began to recognize their true interests and started to take charge of their own affairs, guided by the King, whose democratic instincts motivated him to support the middle class. This change was also due to the peace and security that began to develop in the kingdom, which had been drained and disrupted by a century of civil and foreign wars.

From 1365 to 1382 factories and warehouses were founded by Norman navigators on the western coast of Africa, in Senegal and Guinea. Numerous fleets of merchantmen, of great size for those days, were employed in transporting cloth, grain of all kinds, knives, brandy, salt, and other merchandise, which were bartered for leather, ivory, gum, amber, and gold dust. Considerable profits were realised by the shipowners and merchants, who, like Jacques Coeur, employed ships for the purpose of carrying on these large and lucrative commercial operations. These facts sufficiently testify the condition of France at this period, and prove that this, like other branches of human industry, was arrested in its expansion by the political troubles which followed in the fourteenth and fifteenth centuries.

From 1365 to 1382, factories and warehouses were set up by Norman navigators along the western coast of Africa, in Senegal and Guinea. Many large merchant fleets for that time were used to transport cloth, various grains, knives, brandy, salt, and other goods, which were exchanged for leather, ivory, gum, amber, and gold dust. Shipowners and merchants, including Jacques Coeur, made significant profits by using ships for these large and profitable trade operations. These details clearly illustrate France's situation during this period and demonstrate that, like other areas of industry, this one was hindered in its growth due to the political issues that emerged in the fourteenth and fifteenth centuries.

Fortunately these social troubles were not universal, and it was just at the period when France was struggling and had become exhausted and impoverished that the Portuguese extended their discoveries on the same coast of Africa, and soon after succeeded in rounding the Cape of Good Hope, and opening a new maritime road to India, a country which was always attractive from the commercial advantages which it offered.

Fortunately, these social issues weren’t widespread, and it was right when France was struggling and had become worn out and poor that the Portuguese expanded their discoveries along the same coast of Africa. Shortly after, they managed to round the Cape of Good Hope and opened a new sea route to India, a country that was always appealing because of the commercial benefits it provided.

Some years after, Christopher Columbus, the Genoese, more daring and more fortunate still, guided by the compass and impelled by his own genius, discovered a new continent, the fourth continent of the world (Fig. 199). This unexpected event, the greatest and most remarkable of the age, necessarily enlarged the field for produce as well as for consumption to an enormous extent, and naturally added, not only to the variety and quantity of exchangeable wares, but also to the production of the precious metals, and brought about a complete revolution in the laws of the whole civilised world.

Some years later, Christopher Columbus, the Genoese, more daring and even luckier, guided by the compass and driven by his own brilliance, discovered a new continent, the fourth continent of the world (Fig. 199). This unexpected event, the greatest and most remarkable of its time, significantly expanded the opportunities for both production and consumption, and naturally increased not only the variety and quantity of tradeable goods but also the production of precious metals, leading to a complete revolution in the laws governing the entire civilized world.

Maritime commerce immediately acquired an extraordinary development, and merchants, forsaking the harbours of the Mediterranean, and even those of the Levant, which then seemed to them scarcely worthy of notice, sent their vessels by thousands upon the ocean in pursuit of the wonderful riches of the New World. The day of caravans and coasting had passed; Venice had lost its splendour; the sway of the Mediterranean was over; the commerce of the world was suddenly transferred from the active and industrious towns of that sea, which had so long monopolized it, to the Western nations, to the Portuguese and Spaniards first, and then to the Dutch and English.

Maritime trade quickly experienced incredible growth, and merchants, leaving behind the ports of the Mediterranean and even those of the Levant—which they now saw as hardly worth their attention—sent thousands of their ships out to sea in search of the amazing riches of the New World. The era of caravans and coastal trading had ended; Venice had lost its glory; the dominance of the Mediterranean was finished; and suddenly, global trade shifted from the bustling and hardworking towns around that sea, which had held a monopoly for so long, to the Western nations—first to the Portuguese and Spaniards, and then to the Dutch and English.

France, absorbed in, and almost ruined by civil war, and above all by religious dissensions, only played a subordinate part in this commercial and pacific revolution, although it has been said that the sailors of Dieppe and Honfleur really discovered America before Columbus. Nevertheless the kings of France, Louis XII., Francis I., and Henry II., tried to establish and encourage transatlantic voyages, and to create, in the interest of French commerce, colonies on the coasts of the New World, from Florida and Virginia to Canada.

France, caught up in and nearly destroyed by civil war, especially due to religious conflicts, played a minor role in this commercial and peaceful revolution, although it has been claimed that the sailors from Dieppe and Honfleur actually discovered America before Columbus. Nevertheless, the kings of France—Louis XII, Francis I, and Henry II—attempted to promote and support transatlantic voyages and to establish colonies along the coasts of the New World, from Florida and Virginia to Canada, for the benefit of French commerce.

But these colonies had but a precarious and transitory existence; fisheries alone succeeded, and French commerce continued insignificant, circumscribed, and domestic, notwithstanding the increasing requirements of luxury at court. This luxury contented itself with the use of the merchandise which arrived from the Low Countries, Spain, and Italy. National industry did all in its power to surmount this ignominious condition; she specially turned her attention to the manufacture of silks and of stuffs tissued with gold and silver. The only practical attempt of the government in the sixteenth century to protect commerce and manufactures was to forbid the import of foreign merchandise, and to endeavour to oppose the progress of luxury by rigid enactments.

But these colonies had a shaky and temporary existence; only the fisheries thrived, while French commerce remained insignificant, limited, and local, despite the growing demands for luxury at court. This luxury was satisfied with goods arriving from the Low Countries, Spain, and Italy. National industry did everything it could to overcome this shameful situation; it focused particularly on producing silks and textiles woven with gold and silver. The government’s only real effort in the sixteenth century to protect commerce and manufacturing was to ban the import of foreign goods and try to curb the rise of luxury through strict laws.

Certainly the government of that time little understood the advantages which a country derived from commerce when it forbade the higher classes from engaging in mercantile pursuits under penalty of having their privileges of nobility withdrawn from them. In the face of the examples of Italy, Genoa, Venice, and especially of Florence, where the nobles were all traders or sons of traders, the kings of the line of Valois thought proper to make this enactment. The desire seemed to be to make the merchant class a separate class, stationary, and consisting exclusively of bourgeois, shut up in their counting-houses, and prevented in every way from participating in public life. The merchants became indignant at this banishment, and, in order to employ their leisure, they plunged with all their energy into the sanguinary struggles of Reform and of the League.

Certainly, the government of that time didn't really understand the benefits a country gained from trade when it prohibited the upper classes from engaging in commercial activities, threatening to strip them of their noble privileges. Despite examples from Italy, like Genoa, Venice, and especially Florence, where nobles were traders or the children of traders, the Valois kings decided to implement this rule. The intention seemed to be to create a separate, stagnant class of merchants made up solely of the bourgeoisie, confined to their offices and barred from participating in public life. The merchants were outraged by this exclusion, and to fill their time, they aggressively involved themselves in the bloody conflicts of the Reformation and the League.

Fig. 200.--Medal to commemorate the Association of the Merchants of the City of Rouen.

Fig. 200.--Medal to honor the Merchants' Association of the City of Rouen.

It was not until the reign of Henry IV. that they again confined themselves to their occupations as merchants, when Sully published the political suggestions of his master for renewing commercial prosperity. From this time a new era commenced in the commercial destiny of France. Commerce, fostered and protected by statesmen, sought to extend its operations with greater freedom and power. Companies were formed at Paris, Marseilles, Lyons, and Rouen to carry French merchandise all over the world, and the rules of the mercantile associations, in spite of the routine and jealousies which guided the trade corporations, became the code which afterwards regulated commerce (Fig. 200).

It wasn't until Henry IV's reign that they returned to focusing on their roles as merchants, when Sully released his master's political ideas for renewing trade prosperity. From that point on, a new era began in France's commercial journey. Commerce, supported and protected by politicians, aimed to expand its reach with more freedom and strength. Companies were established in Paris, Marseilles, Lyons, and Rouen to distribute French goods worldwide, and the guidelines of the trade associations, despite the routine and rivalries influencing the trade corporations, became the foundation that later governed commerce (Fig. 200).

Fig. 201.--Standard Weight in Brass of the Fish-market at Mans: Sign of the Syren (End of the Sixteenth Century).

Fig. 201.--Standard Weight in Brass of the Fish Market at Mans: Sign of the Siren (End of the 16th Century).

Guilds and Trade Corporations.

Uncertain Origin of Corporations.--Ancient Industrial Associations.--The Germanic Guild.--Colleges.--Teutonic Associations.--The Paris Company for the Transit of Merchandise by Water.--Corporations properly so called.--Etienne Boileau's "Book of Trades," or the First Code of Regulations.--The Laws governing Trades.--Public and Private Organization of Trade Corporations and other Communities.--Energy of the Corporations.--Masters, Journeymen, Supernumeraries, and Apprentices.--Religious Festivals and Trade Societies.--Trade Unions.

Uncertain Origin of Corporations.--Ancient Industrial Associations.--The Germanic Guild.--Colleges.--Teutonic Associations.--The Paris Company for the Transit of Merchandise by Water.--Corporations as we know them.--Etienne Boileau's "Book of Trades," or the First Code of Regulations.--The Laws governing Trades.--Public and Private Organization of Trade Corporations and other Communities.--Energy of the Corporations.--Masters, Journeymen, Extra Workers, and Apprentices.--Religious Festivals and Trade Societies.--Trade Unions.

Learned authorities have frequently discussed, without agreeing, on the question of the origin of the Corporations of the Middle Ages. It may be admitted, we think à priori, that associations of artisans were as ancient as the trades themselves. It may readily be imagined that the numerous members of the industrial classes, having to maintain and defend their common rights and common interests, would have sought to establish mutual fraternal associations among themselves. The deeper we dive into ancient history the clearer we perceive traces, more or less distinct, of these kinds of associations. To cite only two examples, which may serve to some extent as an historical parallel to the analogous institutions of the present day, we may mention the Roman Colleges, which were really leagues of artisans following the same calling; and the Scandinavian guilds, whose object was to assimilate the different branches of industry and trade, either of a city or of some particular district.

LScholars have often debated, without reaching a consensus, the origins of the Corporations of the Middle Ages. We can reasonably assume that craft associations were as old as the trades themselves. It's easy to imagine that the many members of the industrial classes, needing to protect and advocate for their shared rights and interests, would have sought to form supportive groups among themselves. The more we explore ancient history, the more we notice evidence, varying in clarity, of these types of associations. To give just two examples that can partly serve as a historical comparison to today’s similar institutions, we can mention the Roman Colleges, which were essentially leagues of craftsmen practicing the same trade, and the Scandinavian guilds, which aimed to unify the various branches of industry and commerce, either in a city or within a specific region.

Indeed, brotherhoods amongst the labouring classes always existed under the German conquerors from the moment when Europe, so long divided into Roman provinces, shook off the yoke of subjection to Rome, although she still adhered to the laws and customs of the nation which had held her in subjection for so many generations. We can, however, only regard the few traces which remain of these brotherhoods as evidence of their having once existed, and not as indicative of their having been in a flourishing state. In the fifth century, the Hermit Ampelius, in his "Legends of the Saints," mentions Consuls or Chiefs of Locksmiths. The Corporation of Goldsmiths is spoken of as existing in the first dynasty of the French kings. Bakers are named collectively in 630 in the laws of Dagobert, which seems to show that they formed a sort of trade union at that remote period. We also see Charlemagne, in several of his statutes, taking steps in order that the number of persons engaged in providing food of different kinds should everywhere be adequate to provide for the necessities of consumption, which would tend to show a general organization of that most important branch of industry. In Lombardy colleges of artisans were established at an early period, and were, no doubt, on the model of the Roman ones. Ravenna, in 943, possessed a College of Fishermen; and ten years later the records of that town mention a Chief of the Corporation of Traders, and, in 1001, a Chief of the Corporation of Butchers. France at the same time kept up a remembrance of the institutions of Roman Gaul, and the ancient colleges of trades still formed associations and companies in Paris and in the larger towns. In 1061 King Philip I. granted certain privileges to Master Chandlers and Oilmen. The ancient customs of the butchers are mentioned as early as the time of Louis VII., 1162. The same king granted to the wife of Ives Laccobre and her heirs the collectorship of the dues which were payable by tanners, purse-makers, curriers, and shoemakers. Under Philip Augustus similar concessions became more frequent, and it is evident that at that time trade was beginning to take root and to require special and particular administration. This led to regulations being drawn up for each trade, to which Philip Augustus gave his sanction. In 1182 he confirmed the statutes of the butchers, and the furriers and drapers also obtained favourable concessions from him.

Brotherhoods among the working classes always existed under the German conquerors from the moment Europe, for so long divided into Roman provinces, shook off the control of Rome, even though it still followed the laws and customs of the nation that had dominated it for many generations. However, we can only view the few remaining traces of these brotherhoods as proof that they once existed, not as signs that they were thriving. In the fifth century, the Hermit Ampelius mentions Consuls or Chiefs of Locksmiths in his "Legends of the Saints." The Corporation of Goldsmiths is noted to have existed during the first dynasty of the French kings. Bakers are mentioned collectively in 630 in the laws of Dagobert, indicating they formed a kind of trade union at that early time. We also see Charlemagne, in several of his laws, ensuring that the number of people providing various kinds of food was sufficient to meet consumption needs, showing a general organization in that vital industry. In Lombardy, artisan colleges were established early on, likely modeled after Roman ones. Ravenna had a College of Fishermen in 943, and ten years later, the records of the town mention a Chief of the Corporation of Traders, and in 1001, a Chief of the Corporation of Butchers. At the same time, France maintained a memory of the institutions of Roman Gaul, and the ancient trade colleges continued to form associations and companies in Paris and other larger towns. In 1061, King Philip I granted certain privileges to Master Chandlers and Oilmen. The ancient customs of butchers are mentioned as early as the time of Louis VII in 1162. The same king granted to the wife of Ives Laccobre and her heirs the right to collect dues from tanners, purse-makers, curriers, and shoemakers. Under Philip Augustus, similar grants became more common, and it was clear that trade was starting to take root and needed special administration. This led to regulations being established for each trade, which Philip Augustus approved. In 1182, he confirmed the statutes of the butchers, and the furriers and drapers also received favorable concessions from him.

According to the learned Augustin Thierry, corporations, like civic communities, were engrafted on previously existing guilds, such as on the colleges or corporations of workmen, which were of Roman origin. In the guild, which signifies a banquet at common expense, there was a mutual assurance against misfortunes and injuries of all sorts, such as fire and shipwreck, and also against all lawsuits incurred for offences and crimes, even though they were proved against the accused. Each of these associations was placed under the patronage of a god or of a hero, and had its compulsory statutes; each had its chief or president chosen from among the members, and a common treasury supplied by annual contributions. Roman colleges, as we have already stated, were established with a more special purpose, and were more exclusively confined to the peculiar trade to which they belonged; but these, equally with the guilds, possessed a common exchequer, enjoyed equal rights and privileges, elected their own presidents, and celebrated in common their sacrifices, festivals, and banquets. We have, therefore, good reason for agreeing in the opinion of the celebrated historian, who considers that in the establishment of a corporation "the guild should be to a certain degree the motive power, and the Roman college, with its organization, the material which should be used to bring it into existence."

According to the knowledgeable Augustin Thierry, corporations, like civic communities, were built on earlier existing guilds, such as the colleges or corporations of workers, which had Roman roots. In the guild, meaning a banquet at shared expense, there was mutual support against misfortunes and various injuries, like fire and shipwreck, as well as against all lawsuits for offenses and crimes, even if proven against the accused. Each of these associations was under the patronage of a god or hero, had mandatory rules, elected a chief or president from among the members, and maintained a common treasury funded by annual contributions. Roman colleges, as we have noted, were formed for a more specific purpose and were mainly focused on the particular trade they represented; however, like the guilds, they had a shared treasury, enjoyed equal rights and privileges, elected their own presidents, and collectively celebrated sacrifices, festivals, and banquets. Therefore, we have strong reason to agree with the famous historian who believes that in forming a corporation, "the guild should be to some extent the driving force, and the Roman college, with its structure, the foundation that should be used to bring it into existence."

Fig. 202.--Craftsmen in the Fourteenth Century--Fac-simile of a Miniature of a Manuscript in the Library of Brussels.

Fig. 202.--Craftsmen in the 14th Century--Copy of a Miniature from a Manuscript in the Brussels Library.

It is certain, however, that during several centuries corporations were either dissolved or hidden from public notice, for they almost entirely disappeared from the historic records during the partial return to barbarism, when the production of objects of daily necessity and the preparation of food were entrusted to slaves under the eye of their master. Not till the twelfth century did they again begin to flourish, and, as might be supposed, it was Italy which gave the signal for the resuscitation of the institutions whose birthplace had been Rome, and which barbarism had allowed to fall into decay. Brotherhoods of artisans were also founded at an early period in the north of Gaul, whence they rapidly spread beyond the Rhine. Under the Emperor Henry I., that is, during the tenth century, the ordinary condition of artisans in Germany was still serfdom; but two centuries later the greater number of trades in most of the large towns of the empire had congregated together in colleges or bodies under the name of unions (Einnungen or Innungen) (Fig. 202), as, for example, at Gozlar, at Würzburg, at Brunswick, &c. These colleges, however, were not established without much difficulty and without the energetic resistance of the ruling powers, inasmuch as they often raised their pretensions so high as to wish to substitute their authority for the senatorial law, and thus to grasp the government of the cities. The thirteenth century witnessed obstinate and sanguinary feuds between these two parties, each of which was alternately victorious. Whichever had the upper hand took advantage of the opportunity to carry out the most cruel reprisals against its defeated opponents. The Emperors Frederick II. and Henry VII. tried to put an end to these strifes by abolishing the corporations of workmen, but these powerful associations fearlessly opposed the imperial authority. In France the organization of communities of artisans, an organization which in many ways was connected with the commercial movement, but which must not be confounded with it, did not give rise to any political difficulty. It seems not even to have met with any opposition from the feudal powers, who no doubt found it an easy pretext for levying additional rates and taxes.

It’s clear, however, that for several centuries, corporations were either dissolved or kept out of the public eye, as they almost completely vanished from historical records during the partial return to barbarism, when the production of everyday goods and food preparation was handled by slaves under their masters’ supervision. It wasn’t until the twelfth century that they began to thrive again, and as expected, Italy was the first to signal the revival of institutions that originated in Rome, which barbarism had allowed to decay. Artisan brotherhoods were also established early on in northern Gaul, quickly spreading across the Rhine. During the reign of Emperor Henry I in the tenth century, most artisans in Germany were still serfs; however, by two centuries later, most trades in large towns across the empire had united in colleges or groups known as unions (Einnungen or Innungen) (Fig. 202), such as in Gozlar, Würzburg, Brunswick, etc. These colleges were established with significant difficulty and faced strong resistance from those in power, as they often aimed to replace the authority of senatorial law and take control of city governance. The thirteenth century saw fierce and bloody conflicts between these two factions, with each side alternating in victory. Whoever was in power took the opportunity to enact brutal reprisals against their defeated rivals. Emperors Frederick II and Henry VII attempted to end these conflicts by dissolving the craftsmen’s corporations, but these strong associations boldly resisted imperial authority. In France, the formation of artisan communities, which was closely linked to the commercial movement but shouldn't be confused with it, didn’t lead to any political issues. It seems there was little opposition from the feudal powers, who likely saw it as an easy excuse to impose additional rates and taxes.

The most ancient of these corporations was the Parisian Hanse, or corporation of the bourgeois for canal navigation, which probably dates its origin back to the college of Parisian Nautes, existing before the Roman conquest. This mercantile association held its meetings in the island of Lutetia, on the very spot where the church of Notre-Dame was afterwards built. From the earliest days of monarchy tradesmen constituted entirely the bourgeois of the towns (Fig. 203). Above them were the nobility or clergy, beneath them the artisans. Hence we can understand how the bourgeois, who during the twelfth and thirteenth centuries were a distinct section of the community, became at last the important commercial body itself. The kings invariably treated them with favour. Louis VI. granted them new rights, Louis VII. confirmed their ancient privileges, and Philip Augustus increased them. The Parisian Hanse succeeded in monopolising all the commerce which was carried on by water on the Seine and the Yonne between Mantes and Auxerre. No merchandise coming up or down the stream in boats could be disembarked in the interior of Paris without becoming, as it were, the property of the corporation, which, through its agents, superintended its measurement and its sale in bulk, and, up to a certain point, its sale by retail. No foreign merchant was permitted to send his goods to Paris without first obtaining lettres de Hanse, whereby he had associated with him a bourgeois of the town, who acted as his guarantee, and who shared in his profits.

The oldest of these organizations was the Parisian Hanse, or the merchant association for canal navigation, which likely traces its roots back to the college of Parisian Nautes, existing before the Roman conquest. This trade group held its meetings on the island of Lutetia, exactly where the Notre-Dame church would later be constructed. From the very beginning of the monarchy, merchants made up the entire bourgeoisie of the towns (Fig. 203). Above them were the nobility or clergy, and below them were the artisans. This helps us understand how the bourgeoisie, who during the twelfth and thirteenth centuries were a distinct part of the community, eventually became the key commercial entity itself. The kings consistently favored them. Louis VI granted them new rights, Louis VII confirmed their old privileges, and Philip Augustus expanded them. The Parisian Hanse managed to monopolize all trade conducted by water on the Seine and the Yonne between Mantes and Auxerre. No goods transported by boat up or down the river could be unloaded in central Paris without becoming, in a way, the property of the association, which, through its agents, oversaw its measurement and bulk sale, and to some extent, its retail sale. No foreign merchant was allowed to send his goods to Paris without first obtaining lettres de Hanse, which required them to partner with a local bourgeois who acted as their guarantor and shared in their profits.

Fig. 203.--Merchants or Tradesmen of the Fourteenth Century.--Fac-simile of a Miniature in a Manuscript of the Library at Brussels.

Fig. 203.--Merchants or Tradespeople of the Fourteenth Century.--Reproduction of a Miniature in a Manuscript from the Library in Brussels.

There were associations of the same kind in most of the commercial towns situated on the banks of rivers and on the sea-coast, as, for example, at Rouen, Arles, Marseilles, Narbonne, Toulouse, Ratisbon, Augsburg, and Utrecht. Sometimes neighbouring towns, such as the great manufacturing cities of Flanders, agreed together and entered into a leagued bond, which gave them greater power, and constituted an offensive and defensive compact (Fig. 204). A typical example of this last institution is that of the commercial association of the Hanseatic Towns of Germany, which were grouped together to the number of eighty around their four capitals, viz., Lubeck, Cologne, Dantzic, and Brunswick.

There were similar associations in most of the trading towns located by rivers and along the coast, like Rouen, Arles, Marseilles, Narbonne, Toulouse, Ratisbon, Augsburg, and Utrecht. Sometimes nearby cities, such as the major manufacturing centers in Flanders, would join together and form a league, which gave them more influence and created a mutual defense agreement (Fig. 204). A prime example of this kind of institution is the commercial alliance of the Hanseatic Towns in Germany, which consisted of around eighty towns united under their four main cities: Lübeck, Cologne, Danzig, and Brunswick.

Fig. 204.--Seal of the United Trades of Ghent (End of the Fifteenth Century).

Fig. 204.--Seal of the United Trades of Ghent (End of the 1500s).

Although, as we have already seen, previous to the thirteenth century many of the corporations of artisans had been authorised by several of the kings of France to make special laws whereby they might govern themselves, it was really only from the reign of St. Louis that the first general measures of administration and police relating to these communities can be dated. The King appointed Etienne Boileau, a rich bourgeois, provost of the capital in 1261, to set to work to establish order, wise administration, and "good faith" in the commerce of Paris. To this end he ascertained from the verbal testimony of the senior members of each corporation the customs and usages of the various crafts, which for the most part up to that time had not been committed to writing. He arranged and probably amended them in many ways, and thus composed the famous "Book of Trades," which, as M. Depping, the able editor of this valuable compilation, first published in 1837, says, "has the advantage of being to a great extent the genuine production of the corporations themselves, and not a list of rules established and framed by the municipal or judicial authorities." From that time corporations gradually introduced themselves into the order of society. The royal decrees in their favour were multiplied, and the regulations with regard to mechanical trades daily improved, not only in Paris and in the provinces, and also abroad, both in the south and in the north of Europe, especially in Italy, Germany, England, and the Low Countries (Figs. 205 to 213).

Although, as we’ve seen, before the thirteenth century many artisan groups had been authorized by several kings of France to create their own laws for self-governance, it was really only starting with the reign of St. Louis that the first general rules for administration and oversight of these communities began. In 1261, the King appointed Etienne Boileau, a wealthy commoner, as the chief magistrate of the capital, to establish order, effective administration, and "good faith" in Paris's commerce. To achieve this, he gathered information from the older members of each group about the customs and practices of the various crafts, which had mostly not been documented until then. He organized and likely revised these customs in several ways, thus creating the famous "Book of Trades," which, as M. Depping, the skilled editor of this important compilation, first published in 1837, states, "has the advantage of being largely the authentic work of the corporations themselves, rather than a set of rules created by municipal or judicial authorities." From that point onward, corporations gradually integrated into the social order. Royal decrees supporting them increased, and the regulations concerning crafts steadily improved, not just in Paris and the provinces, but also abroad, especially in Italy, Germany, England, and the Low Countries (Figs. 205 to 213).

Etienne Boileau's "Book of Trades" contained the rules of one hundred different trade associations. It must be observed, however, that several of the most important trades, such as the butchers, tanners, glaziers, &c., were omitted, either because they neglected to be registered at the Châtelet, where the inquiry superintended by Boileau was made, or because some private interest induced them to keep aloof from this registration, which probably imposed some sort of fine and a tax upon them. In the following century the number of trade associations considerably increased, and wonderfully so during the reigns of the last of the Valois and the first of the Bourbons.

Etienne Boileau's "Book of Trades" included the rules for one hundred different trade associations. However, it's important to note that several of the most significant trades, like butchers, tanners, glaziers, etc., were left out, either because they didn't register at the Châtelet, where Boileau oversaw the inquiry, or because some personal interests led them to avoid this registration, which likely involved some kind of fine or tax. In the next century, the number of trade associations significantly grew, especially during the reigns of the last Valois kings and the first Bourbons.

The historian of the antiquities of Paris, Henry Sauval, enumerated no fewer than fifteen hundred and fifty-one trade associations in the capital alone in the middle of the seventeenth century. It must be remarked, however, that the societies of artisans were much subdivided owing to the simple fact that each craft could only practise its own special work. Thus, in Boileau's book, we find four different corporations of patenôtriers, or makers of chaplets, six of hatters, six of weavers, &c.

The historian of Paris's ancient history, Henry Sauval, listed a total of 1,551 trade associations in the capital during the mid-seventeenth century. It's important to note, though, that the artisan societies were highly specialized because each craft could only focus on its specific work. For instance, in Boileau's book, there are four different groups of patenôtriers, or chaplet makers, six groups of hat makers, six groups of weavers, and so on.

Besides these societies of artisans, there were in Paris a few privileged corporations, which occupied a more important position, and were known under the name of Corps des Marchands. Their number at first frequently varied, but finally it was settled at six, and they were termed les Six Corps. They comprised the drapers, which always took precedence of the five others, the grocers, the mercers, the furriers, the hatters, and the goldsmiths. These five for a long time disputed the question of precedence, and finally they decided the matter by lot, as they were not able to agree in any other way.

Besides these artisan societies, there were a few privileged corporations in Paris that held a more significant position, known as the Corps des Marchands. Initially, their number varied frequently, but it was eventually fixed at six, and they were referred to as les Six Corps. These included the drapers, who always took priority over the other five, along with the grocers, mercers, furriers, hatters, and goldsmiths. For a long time, these five argued over who should take precedence, and in the end, they resolved the issue by drawing lots, as they couldn't reach an agreement any other way.

Fig. 205.--Seal of the Corporation of Carpenters of St. Trond (Belgium)--From an Impression preserved in the Archives of that Town (1481).

Fig. 205.--Seal of the Corporation of Carpenters of St. Trond (Belgium)--From an Impression kept in the Archives of that Town (1481).

Fig. 206.--Seal of the Corporation of Shoemakers of St. Trond, from a Map of 1481, preserved in the Archives of that Town.

Fig. 206.--Seal of the Corporation of Shoemakers of St. Trond, from a Map of 1481, preserved in the Archives of that Town.

Fig. 207.--Seal of the Corporation of Wool-weavers of Hasselt (Belgium), from a Parchment Title-deed of June 25, 1574.

Fig. 207.--Seal of the Wool-weavers' Corporation of Hasselt (Belgium), from a Parchment Title-deed dated June 25, 1574.

Fig. 208.--Seal of the Corporation of Clothworkers of Bruges (1356).--From an Impression preserved in the Archives of that Town.

Fig. 208.--Seal of the Corporation of Clothworkers of Bruges (1356).--From an impression kept in the archives of that town.

Fig. 209.--Seal of the Corporation of Fullers of St. Trond (about 1350).--From an Impression preserved in the Archives of that Town.

Fig. 209.--Seal of the Corporation of Fullers of St. Trond (around 1350).--From an impression kept in the archives of that town.

Fig. 210.--Seal of the Corporation of Joiners of Bruges (1356).--From an Impression preserved in the Archives of that Town.

Fig. 210.--Seal of the Joiners' Corporation of Bruges (1356).--From a copy kept in the town's archives.

Fig. 211.--Token of the Corporation of Carpenters of Maestricht.

Fig. 211.--Token of the Maestricht Carpenters' Corporation.

Fig. 212.--Token of the Corporation of Carpenters of Antwerp.

Fig. 212.--Token of the Corporation of Carpenters of Antwerp.

Fig. 213.--Funeral Token of the Corporation of Carpenters of Maestricht.

Fig. 213.--Funeral Token of the Corporation of Carpenters of Maastricht.

Trades.

Jobs.

Fac-simile of Engravings on Wood, designed and engraved by J. Amman, in the Sixteenth Century.

Fac-simile of Engravings on Wood, designed and engraved by J. Amman, in the Sixteenth Century.

Fig. 214.--Cloth-worker.

__A_TAG_PLACEHOLDER_0__--Textile worker.

Fig. 215.--Tailor.

__A_TAG_PLACEHOLDER_0__--Fashion Designer.

Fig. 216.--Hatter.

__A_TAG_PLACEHOLDER_0__--Hatter.

Fig. 217.--Dyer.

__A_TAG_PLACEHOLDER_0__--Dyer.

Fig. 218.--Druggist

__A_TAG_PLACEHOLDER_0__--Pharmacist

Fig. 219.--Barber

__A_TAG_PLACEHOLDER_0__--Hair Stylist

Fig. 220.--Goldsmith

__A_TAG_PLACEHOLDER_0__--Goldsmith

Fig. 221.--Goldbeater

__A_TAG_PLACEHOLDER_0__--Goldbeater

Fig. 222.--Pin and Needle Maker.

__A_TAG_PLACEHOLDER_0__--Pin and Needle Creator.

Fig. 223.--Clasp-maker.

__A_TAG_PLACEHOLDER_0__--Bracelet maker.

Fig. 224.--Wire-worker.

__A_TAG_PLACEHOLDER_0__--Wire worker.

Fig. 225.--Dice-maker.

__A_TAG_PLACEHOLDER_0__--Dice creator.

Fig. 226.--Sword-maker.

__A_TAG_PLACEHOLDER_0__--Blade Smith.

Fig. 227.--Armourer.

__A_TAG_PLACEHOLDER_0__--Gunsmith.

Fig. 228.--Spur-maker.

__A_TAG_PLACEHOLDER_0__--Spur maker.

Fig. 229.--Shoemaker.

__A_TAG_PLACEHOLDER_0__--Cobbler.

Fig. 230.--Basin-maker.

__A_TAG_PLACEHOLDER_0__--Basin creator.

Fig. 231.--Tinman.

__A_TAG_PLACEHOLDER_0__--Tin Man.

Fig. 232.--Coppersmith.

__A_TAG_PLACEHOLDER_0__--Metalworker.

Fig. 233.--Bell and Cannon Caster.

__A_TAG_PLACEHOLDER_0__--Bell and Cannon Caster.

Apart from the privilege which these six bodies of merchants exclusively enjoyed of being called upon to appear, though at their own expense, in the civic processions and at the public ceremonials, and to carry the canopy over the heads of kings, queens, or princes on their state entry into the capital (Fig. 234), it would be difficult to specify the nature of the privileges which were granted to them, and of which they were so jealous. It is clear, however, that these six bodies were imbued with a kind of aristocratic spirit which made them place trading much above handicraft in their own class, and set a high value on their calling as merchants. Thus contemporary historians tell us that any merchant who compromised the dignity of the company "fell into the class of the lower orders;" that mercers boasted of excluding from their body the upholsterers, "who were but artisans;" that hatters, who were admitted into the Six Corps to replace one of the other trades, became in consequence "merchants instead of artisans, which they had been up to that time."

Aside from the exclusive privilege that these six merchant groups had to be called upon to participate, at their own expense, in civic parades and public ceremonies, and to carry the canopy over the heads of kings, queens, or princes during their formal entry into the capital (Fig. 234), it’s hard to pinpoint the exact nature of the privileges granted to them, which they were fiercely protective of. However, it’s obvious that these six groups had an aristocratic mindset that led them to value trading far above handicrafts within their social class, considering their profession as merchants to be of great importance. Thus, contemporary historians note that any merchant who tarnished the company’s reputation "fell into the lower class;" that mercers took pride in excluding upholsterers, "who were simply artisans;" and that hatters, who were brought into the Six Corps to replace another trade, became "merchants instead of artisans, which they had been until that point."

Notwithstanding the statutes so carefully compiled and revised by Etienne Boileau and his successors, and in spite of the numerous arbitrary rules which the sovereigns, the magistrates, and the corporations themselves strenuously endeavoured to frame, order and unity were far from governing the commerce and industry of Paris during the Middle Ages, and what took place in Paris generally repeated itself elsewhere. Serious disputes continually arose between the authorities and those amenable to their jurisdiction, and between the various crafts themselves, notwithstanding the relation which they bore to each other from the similarity of their employments.

Despite the laws carefully compiled and revised by Etienne Boileau and his successors, and in spite of the many arbitrary rules that the rulers, magistrates, and the corporations tried hard to establish, order and unity were far from governing trade and industry in Paris during the Middle Ages, and what happened in Paris often happened elsewhere. Serious conflicts constantly arose between the authorities and those subject to their control, as well as between the different trades themselves, despite their relationships stemming from the similarity of their work.

In fact in this, as in many other matters, social disorder often emanated from the powers whose duty it was in the first instance to have repressed it. Thus, at the time when Philip Augustus extended the boundaries of his capital so as to include the boroughs in it, which until then had been separated from the city, the lay and clerical lords, under whose feudal dominion those districts had hitherto been placed, naturally insisted upon preserving all their rights. So forcibly did they do this that the King was obliged to recognise their claims; and in several boroughs, including the Bourg l'Abbé, the Beau Bourg, the Bourg St. Germain, and the Bourg Auxerrois, &c., there were trade associations completely distinct from and independent of those of ancient Paris. If we simply limit our examination to that of the condition of the trade associations which held their authority immediately from royalty, we still see that the causes of confusion were by no means trifling; for the majority of the high officers of the crown, acting as delegates of the royal authority, were always disputing amongst themselves the right of superintending, protecting, judging, punishing, and, above all, of exacting tribute from the members of the various trades. The King granted to various officers the privilege of arbitrarily disposing of the freedom of each trade for their own profit, and thereby gave them power over all the merchants and craftsmen who were officially connected with them, not only in Paris, but also throughout the whole kingdom. Thus the lord chamberlain had jurisdiction over the drapers, mercers, furriers, shoemakers, tailors, and other dealers in articles of wearing apparel; the barbers were governed by the king's varlet and barber; the head baker was governor over the bakers; and the head butler over the wine merchants.

In fact, in this area, as in many others, social disorder often arose from those in power whose job it was to suppress it. For instance, when Philip Augustus expanded the boundaries of his capital to include the boroughs that had previously been separate from the city, the lay and clerical lords, who had held feudal control over those areas, insisted on maintaining all their rights. They were so insistent that the King had to acknowledge their claims; in several boroughs, including Bourg l'Abbé, Beau Bourg, Bourg St. Germain, and Bourg Auxerrois, there were trade associations completely separate from and independent of those in ancient Paris. If we focus solely on the trade associations that derived their authority directly from the monarchy, it's clear that the sources of confusion were quite significant. Most of the high officials of the crown, acting as representatives of the royal authority, were constantly arguing over their right to oversee, protect, judge, punish, and, most importantly, collect taxes from the members of various trades. The King granted various officials the power to control the freedom of each trade for their own benefit, giving them authority over all the merchants and craftsmen officially associated with them, not just in Paris, but throughout the entire kingdom. So, the lord chamberlain had jurisdiction over drapers, mercers, furriers, shoemakers, tailors, and other sellers of clothing; the barbers were overseen by the king's servant and barber; the chief baker had authority over the bakers; and the head butler over the wine merchants.

Fig. 234.--Group of Goldsmiths preceding the Chasse de St. Marcel in the Reign of Louis XIII.--From a Copper-plate of the Period (Cabinet of Stamps in the National Library of Paris).

Fig. 234.--Group of Goldsmiths before the Chasse de St. Marcel during the Reign of Louis XIII.--From a Copper-plate of the Period (Cabinet of Stamps in the National Library of Paris).

These state officers granted freedoms to artisans, or, in other words, they gave them the right to exercise such and such a craft with assistants or companions, exacting for the performance of this trifling act a very considerable tax. And, as they preferred receiving their revenues without the annoyance of having direct communication with their humble subjects, they appointed deputies, who were authorised to collect them in their names.

These state officials granted freedoms to artisans, meaning they allowed them to practice certain crafts with helpers or partners, while charging a significant tax for this small privilege. Since they preferred to receive their income without having to deal directly with their ordinary subjects, they appointed deputies who were authorized to collect taxes on their behalf.

The most celebrated of these deputies were the rois des merciers, who lived on the fat of the land in complete idleness, and who were surrounded by a mercantile court, which appeared in all its splendour at the trade festivals.

The most famous of these deputies were the rois des merciers, who lived comfortably and did nothing, and who were surrounded by a mercantile court that showcased its grandeur at trade festivals.

Fig. 235.--Banner of the Corporation of the United Boot and Shoe Makers of Issoudun.

Fig. 235.--Banner of the United Boot and Shoe Makers Corporation of Issoudun.

The great officers of the crown exercised in their own interests, and without a thought for the public advantage, a complete magisterial jurisdiction over all crafts; they adjudicated in disputes arising between masters and men, decided quarrels, visited, either personally or through their deputies, the houses of the merchants, in order to discover frauds or infractions in the rules of the trade, and levied fines accordingly. We must remember that the collectors of court dues had always to contend for the free exercise of their jurisdiction against the provost of Paris, who considered their acquisitions of authority as interfering with his personal prerogatives, and who therefore persistently opposed them on all occasions. For instance, if the head baker ordered an artisan of the same trade to be imprisoned in the Châtelet, the high provost, who was governor of the prison, released him immediately; and, in retaliation, if the high provost punished a baker, the chief baker warmly espoused his subordinate's cause. At other times the artisans, if they were dissatisfied with the deputy appointed by the great officer of the crown, whose dependents they were, would refuse to recognise his authority. In this way constant quarrels and interminable lawsuits occurred, and it is easy to understand the disorder which must have arisen from such a state of things. By degrees, however, and in consequence of the new tendencies of royalty, which were simply directed to the diminution of feudal power, the numerous jurisdictions relating to the various trades gradually returned to the hand of the municipal provostship; and this concentration of power had the best results, as well for the public good as for that of the corporations themselves.

The high-ranking officials of the crown acted in their own interests, with no concern for the public good, holding complete authority over all trades. They handled disputes between bosses and workers, settled arguments, personally or through their deputies inspected merchants' homes to uncover fraud or rule violations, and imposed fines as needed. It’s important to note that the collectors of court fees always had to fight for their right to exercise this authority against the provost of Paris, who saw their growing power as a challenge to his own authority, and therefore continuously opposed them. For example, if the chief baker ordered that a fellow baker be jailed at the Châtelet, the high provost, who ran the jail, would release him right away; in retaliation, if the high provost punished a baker, the chief baker would strongly defend his subordinate. Occasionally, if the artisans were unhappy with the deputy chosen by the crown's official, they would refuse to recognize his authority. This led to frequent conflicts and endless lawsuits, and it’s easy to see the chaos that resulted from such a situation. Over time, however, due to the shifting priorities of the monarchy aimed at reducing feudal power, the various authorities related to trades gradually returned to the municipal provost's control. This consolidation of power had positive effects for both the public and the corporations themselves.

Having examined into corporations collectively and also into their general administration, we will now turn to consider their internal organization. It was only after long and difficult struggles that these trade associations succeeded in taking a definite and established position; without, however, succeeding at any time in organizing themselves as one body on the same basis and with the same privileges. Therefore, in pointing out the influential character of these institutions generally, we must omit various matters specially connected with individual associations, which it would be impossible to mention in this brief sketch.

Having looked into corporations as a whole and their overall management, we will now focus on their internal organization. It took a lot of hard work and struggle for these trade associations to achieve a clear and recognized status; however, they never managed to organize themselves as a single entity with the same rights and privileges. So, while highlighting the significant role of these institutions in general, we’ll skip over various details related to specific associations, as it would be impossible to cover them all in this brief overview.

In the fourteenth century, the period when the communities of crafts were at the height of their development and power, no association of artisans could legally exist without a license either from the king, the lord, the prince, the abbot, the bailiff, or the mayor of the district in which it proposed to establish itself.

In the fourteenth century, when craft communities were at the peak of their growth and influence, no group of artisans could legally form without a license from the king, lord, prince, abbot, bailiff, or mayor of the area where they intended to set up shop.

Fig. 236.--Banner of the Tilers of Paris, with the Armorial Bearings of the Corporation.

Fig. 236.--Banner of the Tilers of Paris, featuring the Coat of Arms of the Corporation.

Fig. 237.--Banner of the Nail-makers of Paris, with Armorial Bearings of the Corporation.

Fig. 237.--Banner of the Nail-makers of Paris, with Coat of Arms of the Corporation.

Fig. 238.--Banner of the Harness-makers of Paris, with the Armorial Bearings of the Corporation.

Fig. 238.--Banner of the Harness-makers of Paris, featuring the official coat of arms of the corporation.

Fig. 239.--Banner of the Wheelwrights of Paris, with the Armoral Bearings of the Corporation.

Fig. 239.--Banner of the Wheelwrights of Paris, with the Coat of Arms of the Corporation.

Fig. 240.--Banner of the Tanners of Vie, with the Patron Saint of the Corporation.

Fig. 240.--Banner of the Tanners of Vie, featuring the Patron Saint of the Corporation.

Fig. 241.--Banner of the Weavers of Poulon, with the Patron Saint of the Corporation.

Fig. 241.--Banner of the Weavers of Poulon, featuring the Patron Saint of the Corporation.

These communities had their statutes and privileges; they were distinguished at public ceremonials by their liveries or special dress, as well as by their arms and banners (Figs. 235 to 241). They possessed the right freely to discuss their general interests, and at meetings composed of all their members they might modify their statutes, provided that such changes were confirmed by the King or by the authorities. It was also necessary that these meetings, at which the royal delegates were present, should be duly authorised; and, lastly, so as to render the communication between members more easy, and to facilitate everything which concerned the interests of the craft, artisans of the same trade usually resided in the same quarter of the town, and even in the same street. The names of many streets in Paris and other towns of France testify to this custom, which still partially exists in the towns of Germany and Italy.

These communities had their own rules and privileges; they were recognized at public ceremonies by their uniforms or special clothing, as well as by their coats of arms and banners (Figs. 235 to 241). They had the right to openly discuss their common interests, and during meetings that included all their members, they could change their rules, as long as those changes were approved by the King or the authorities. It was also necessary for these meetings, which included royal representatives, to be properly authorized; and finally, to make communication between members easier and to support everything related to their craft, artisans of the same trade typically lived in the same neighborhood and often on the same street. The names of many streets in Paris and other French towns reflect this tradition, which still somewhat exists in towns in Germany and Italy.

Fig. 242.--Ceremonial Dress of an Elder and a Juror of the Corporation of Old Shoemakers of Ghent.

Fig. 242.--Ceremonial Dress of an Elder and a Juror of the Corporation of Old Shoemakers of Ghent.

The communities of artisans had, to a certain extent, the character and position of private individuals. They had the power in their corporate capacity of holding and administrating property, of defending or bringing actions at law, of accepting inheritances, &c.; they disbursed from a common treasury, which was supplied by legacies, donations, fines, and periodical subscriptions.

The groups of artisans had, to some degree, the nature and status of private individuals. They had the authority as a collective to own and manage property, to defend or file lawsuits, to accept inheritances, etc.; they distributed funds from a common treasury, which was filled by legacies, donations, fines, and regular contributions.

These communities exercised in addition, through their jurors, a magisterial authority, and even, under some circumstances, a criminal jurisdiction over their members. For a long time they strove to extend this last power or to keep it independent of municipal control and the supreme courts, by which it was curtailed to that of exercising a simple police authority strictly confined to persons or things relating to the craft. They carefully watched for any infractions of the rules of the trade. They acted as arbitrators between master and man, particularly in quarrels when the parties had had recourse to violence. The functions of this kind of domestic magistracy were exercised by officers known under various names, such as kings, masters, elders, guards, syndics, and jurors, who were besides charged to visit the workshops at any hour they pleased in order to see that the laws concerning the articles of workmanship were observed. They also received the taxes for the benefit of the association; and, lastly, they examined the apprentices and installed masters into their office (Fig. 242).

These communities also exercised, through their jurors, an authoritative power, and sometimes even criminal jurisdiction over their members. For a long time, they attempted to expand this last power or keep it independent from municipal control and the supreme courts, which limited it to merely enforcing a police authority strictly related to the craft. They kept a close eye on any violations of trade rules. They acted as mediators between masters and workers, especially in disputes that escalated to violence. The roles of this type of local authority were held by officials known by various titles, such as kings, masters, elders, guards, syndics, and jurors, who were also responsible for inspecting the workshops at any time to ensure that the rules regarding workmanship were followed. They collected taxes for the benefit of the association, and lastly, they assessed apprentices and appointed masters to their positions (Fig. 242).

The jurors, or syndics, as they were more usually called, and whose number varied according to the importance of numerical force of the corporation, were generally elected by the majority of votes of their fellow-workmen, though sometimes the choice of these was entirely in the hands of the great officers of state. It was not unfrequent to find women amongst the dignitaries of the arts and crafts; and the professional tribunals, which decided every question relative to the community and its members, were often held by an equal number of masters and associate craftsmen. The jealous, exclusive, and inflexible spirit of caste, which in the Middle Ages is to be seen almost everywhere, formed one of the principal features of industrial associations. The admission of new members was surrounded with conditions calculated to restrict the number of associates and to discourage candidates. The sons of masters alone enjoyed hereditary privileges, in consequence of which they were always allowed to be admitted without being subjected to the tyrannical yoke of the association.

The jurors, or syndics, as they were usually called, and whose number varied based on the importance of the corporation, were generally elected by the majority of votes from their fellow workers, though sometimes the choice was entirely in the hands of the high-ranking officials. It wasn't uncommon to find women among the leaders of the arts and crafts; and the professional tribunals, which handled every issue related to the community and its members, often included an equal number of masters and associate craftsmen. The jealous, exclusive, and rigid spirit of class, which was prominent in the Middle Ages, was a key characteristic of industrial associations. The process for admitting new members was filled with conditions designed to limit the number of associates and discourage applicants. Only the sons of masters had hereditary privileges, meaning they were always allowed to join without facing the oppressive rules of the association.

From a window in the Hôpital des Quinze-Vingts (Fifteenth Century).

From a window in the Hôpital des Quinze-Vingts (Fifteenth Century).

Generally the members of a corporation were divided into three distinct classes--the masters, the paid assistants or companions, and the apprentices. Apprenticeship, from which the sons of masters were often exempted, began between the ages of twelve and seventeen years, and lasted from two to five years. In most of the trades the master could only receive one apprentice in his house besides his own son. Tanners, dyers, and goldsmiths were allowed one of their relatives in addition, or a second apprentice if they had no relation willing to learn their trade; and although some commoner trades, such as butchers and bakers, were allowed an unlimited number of apprentices, the custom of restriction had become a sort of general law, with the object of limiting the number of masters and workmen to the requirements of the public. The position of paid assistant or companion was required to be held in many trades for a certain length of time before promotion to mastership could be obtained.

Generally, members of a corporation were divided into three distinct groups: the masters, the paid assistants or companions, and the apprentices. Apprenticeship, from which the sons of masters were often exempt, started between the ages of twelve and seventeen and lasted anywhere from two to five years. In most trades, the master could only take in one apprentice aside from his own son. Tanners, dyers, and goldsmiths were allowed to have one relative as an apprentice in addition, or a second apprentice if they had no relative willing to learn their trade. Although some common trades, like butchers and bakers, could have an unlimited number of apprentices, the practice of limitation had become a sort of general rule aimed at keeping the number of masters and workers proportional to public demand. The position of paid assistant or companion was required to be held in many trades for a certain period before one could be promoted to master.

Fig. 243.--Bootmaker's Apprentice working at a Trial-piece.--From a Window of the Thirteenth Century, published by Messrs. Cahier and Martin

Fig. 243.--Bootmaker's Apprentice working on a Sample Piece.--From a Window of the Thirteenth Century, published by Messrs. Cahier and Martin

When apprentices or companions wished to become masters, they were called aspirants, and were subjected to successive examinations. They were particularly required to prove their ability by executing what was termed a chef-d'oeuvre, which consisted in fabricating a perfect specimen of whatever craft they practised. The execution of the chef-d'oeuvre gave rise to many technical formalities, which were at times most frivolous. The aspirant in certain cases had to pass a technical examination, as, for instance, the barber in forging and polishing lancets; the wool-weaver in making and adjusting the different parts of his loom; and during the period of executing the chef-d'oeuvre, which often extended over several months, the aspirant was deprived of all communication with his fellows. He had to work at the office of the association, which was called the bureau, under the eyes of the jurors or syndics, who, often after an angry debate, issued their judgment upon the merits of the work and the capability of the workman (Figs. 243 and 244).

When apprentices or companions wanted to become masters, they were called aspirants and had to go through a series of exams. They especially needed to demonstrate their skills by creating what was known as a chef-d'oeuvre, which was a perfect example of their specific craft. Completing the chef-d'oeuvre involved many technical formalities that could sometimes feel quite trivial. In some cases, the aspirant had to pass a technical exam, like the barber needing to forge and polish lancets, or the wool-weaver having to make and adjust different parts of his loom. During the time spent on the chef-d'oeuvre, which often took several months, the aspirant was cut off from communicating with others. They had to work at the association's office, known as the bureau, under the watchful eyes of the jurors or syndics, who would often engage in heated debates before making their decision on the quality of the work and the aspirant’s skill (Figs. 243 and 244).

Fig. 244.--Carpenter's Apprentice working at a Trial-piece.--From one of the Stalls called Miséricordes, in Rouen Cathedral (Fifteenth Century).

Fig. 244.--Carpenter's Apprentice working on a Trial-piece.--From one of the Stalls called Miséricordes, in Rouen Cathedral (Fifteenth Century).

On his admission the aspirant had first to take again the oath of allegiance to the King before the provost or civil deputy, although he had already done so on commencing his apprenticeship. He then had to pay a duty or fee, which was divided between the sovereign or lord and the brotherhood, from which fee the sons of masters always obtained a considerable abatement. Often, too, the husbands of the daughters of masters were exempted from paying the duties. A few masters, such as the goldsmiths and the cloth-workers, had besides to pay a sum of money by way of guarantee, which remained in the funds of the craft as long as they carried on the trade. After these forms had been complied with, the masters acquired the exclusive privilege of freely exercising their profession. There were, however, certain exceptions to this rule, for a king on his coronation, a prince or princess of the royal blood at the time of his or her marriage, and, in certain towns, the bishop on his installation, had the right of creating one or more masters in each trade, and these received their licence without going through any of the usual formalities.

When someone was admitted, they first had to take the oath of loyalty to the King again, in front of the provost or civil deputy, even though they had already done so when they started their apprenticeship. Then, they had to pay a fee, which was split between the king or lord and the brotherhood, with the sons of masters receiving a significant discount on that fee. Often, the husbands of the daughters of masters were also exempt from paying these fees. A few masters, like goldsmiths and cloth workers, also had to pay a sum of money as a guarantee, which stayed in the craft's funds as long as they continued in the trade. After these steps were completed, the masters gained the exclusive right to practice their profession freely. However, there were exceptions to this rule; a king at his coronation, a prince or princess of royal blood at their marriage, and in some towns, the bishop at their installation had the authority to create one or more masters in each trade, and they were granted their license without going through the usual formalities.

Fig. 245.--Staircase of the Office of the Goldsmiths of Rouen (Fifteenth Century). The Shield which the Lion holds with his Paw shows the Arms of the Goldsmiths of Rouen. (Present Condition).

Fig. 245.--Staircase of the Goldsmiths' Office in Rouen (15th Century). The shield that the lion holds with its paw displays the emblem of the Goldsmiths of Rouen. (Current Condition).

A widower or widow might generally continue the craft of the deceased wife or husband who had acquired the freedom, and which thus became the inheritance of the survivor. The condition, however, was that he or she did not contract a second marriage with any one who did not belong to the craft. Masters lost their rights directly they worked for any other master and received wages. Certain freedoms, too, were only available in the towns in which they had been obtained. In more than one craft, when a family holding the freedom became extinct, their premises and tools became the property of the corporation, subject to an indemnity payable to the next of kin.

A widower or widow could often continue the work of their deceased spouse who had secured their freedom, which then became the inheritance of the survivor. The only condition was that they didn’t marry someone who wasn’t part of the craft. Masters lost their rights as soon as they worked for another master and received payment. Additionally, certain freedoms were only available in the towns where they had been granted. In several crafts, when a family holding the freedom died out, their property and tools became the corporation's, with compensation payable to the next of kin.

Fig. 246.--Shops under Covered Market (Goldsmith, Dealer in Stuffs, and Shoemaker).--From a Miniature in Aristotle's "Ethics and Politics," translated by Nicholas Oresme (Manuscript of the Fifteenth Century, Library of Rouen).

Fig. 246.--Shops in the Covered Market (Goldsmith, Merchandise Dealer, and Shoemaker).--From a Miniature in Aristotle's "Ethics and Politics," translated by Nicholas Oresme (Fifteenth Century Manuscript, Library of Rouen).

At times, and particularly in those trades where the aspirants were not required to produce a chef-d'oeuvre, the installation of masters was accompanied with extraordinary ceremonies, which no doubt originally possessed some symbolical meaning, but which, having lost their true signification, became singular, and appeared even ludicrous. Thus with the bakers, after four years' apprenticeship, the candidate on purchasing the freedom from the King, issued from his door, escorted by all the other bakers of the town, bearing a new pot filled with walnuts and wafers. On arriving before the chief of the corporation, he said to him, "Master, I have accomplished my four years; here is my pot filled with walnuts and wafers." The assistants in the ceremony having vouched for the truth of this statement, the candidate broke the pot against the wall, and the chief solemnly pronounced his admission, which was inaugurated by the older masters emptying a number of tankards of wine or beer at the expense of their new brother. The ceremony was also of a jovial character in the case of the millwrights, who only admitted the candidate after he had received a caning on the shoulders from the last-elected brother.

Sometimes, especially in trades where newcomers didn't have to create a chef-d'oeuvre, becoming a master was marked by elaborate ceremonies. These rituals likely had some symbolic significance at first, but over time they lost their true meaning and became peculiar, even ridiculous. For example, bakers who finished four years of apprenticeship would buy their freedom from the King, then walk out of their home with all the bakers in town, carrying a new pot filled with walnuts and wafers. When they reached the head of the corporation, they would say, "Master, I’ve completed my four years; here’s my pot filled with walnuts and wafers." After the assistants in the ceremony confirmed this, the candidate would break the pot against the wall, and the chief would officially admit him. This was celebrated by the older masters drinking several tankards of wine or beer on behalf of their new brother. The ceremony was also festive for millwrights, who would only accept a candidate after he received a playful caning on the shoulders from the last brother elected.

Fig. 247.--Fac-simile of the first six Lines on the Copper Tablet on which was engraved, from the year 1470, the Names and Titles of those who were elected Members of the Corporation of Goldsmiths of Ghent.

Fig. 247.--Facsimile of the first six lines on the copper tablet that was engraved in 1470, listing the names and titles of those elected as members of the Corporation of Goldsmiths of Ghent.

The statutes of the corporations, which had the force of law on account of being approved and accepted by royal authority, almost always detailed with the greatest precision the conditions of labour. They fixed the hours and days for working, the size of the articles to be made, the quality of the stuffs used in their manufacture, and even the price at which they were to be sold (Fig. 246). Night labour was pretty generally forbidden, as likely to produce only imperfect work. We nevertheless find that carpenters were permitted to make coffins and other funeral articles by night. On the eve of religious feasts the shops were shut earlier than usual, that is to say, at three o'clock, and were not opened on the next day, with the exception of those of pastrycooks, whose assistance was especially required on feast days, and who sold curious varieties of cakes and sweetmeats. Notwithstanding the strictness of the rules and the administrative laws of each trade, which were intended to secure good faith and loyalty between the various members, it is unnecessary to state that they were frequently violated. The fines which were then imposed on delinquents constituted an important source of revenue, not only to the corporations themselves, but also to the town treasury. The penally, however, was not always a pecuniary one, for as late as the fifteenth century we have instances of artisans being condemned to death simply for having adulterated their articles of trade.

The rules of the corporations, which were legally binding due to royal approval, almost always specified the labor conditions in great detail. They set the working hours and days, the size of the products, the quality of materials used in their production, and even the prices they were to be sold at (Fig. 246). Night work was generally prohibited, as it was believed to lead to poor quality output. However, carpenters were allowed to work at night to make coffins and other funeral items. The shops closed earlier than usual on the eve of religious holidays, specifically at three o'clock, and remained closed the following day, except for pastry shops, which were especially busy on these days selling unique cakes and sweets. Despite the strict rules and regulations intended to ensure honesty and loyalty among workers, it's important to note that they were often broken. The fines imposed on offenders became a significant source of income, not only for the corporations but also for the town's treasury. However, penalties weren't always monetary; as late as the fifteenth century, there are records of artisans being sentenced to death simply for tampering with their goods.

Fig. 248.--Elder and Jurors of the Tanners of the Town of Ghent in Ceremonial Dress.--Fac-simile of a Miniature in a Manuscript of the Fifteenth Century.

Fig. 248.--Elders and Jurors of the Tanners of the City of Ghent in Formal Attire.--Fac-simile of a Miniature in a Manuscript from the Fifteenth Century.

This deception was looked upon as of the nature of robbery, which we know to have been for a long time punishable by death. Robbery on the part of merchants found no indulgence nor pardon in those days, and the whole corporation demanded immediate and exemplary justice.

This deception was viewed as a form of robbery, which we know has been punishable by death for a long time. There was no leniency or forgiveness for merchants committing robbery back then, and the entire organization demanded swift and severe justice.

According to the statutes, which generally tended to prevent frauds and falsifications, in most crafts the masters were bound to put their trade-mark on their goods, or some particular sign which was to be a guarantee for the purchaser and one means of identifying the culprit in the event of complaints arising on account of the bad quality or bad workmanship of the articles sold.

According to the rules, which were mainly designed to prevent fraud and forgery, most craftsmen were required to mark their products with a trademark or some specific sign. This served as a guarantee for buyers and a way to identify the source in case there were complaints about poor quality or workmanship of the items sold.

Fig. 249.--Companion Carpenter.--Fragment of a Woodcut of the Fifteenth Century, after a Drawing by Wohlgemüth for the "Chronique de Nuremberg."

Fig. 249.--Companion Carpenter.--Fragment of a Woodcut from the Fifteenth Century, based on a Drawing by Wohlgemüth for the "Chronique de Nuremberg."

Besides taking various steps to maintain professional integrity, the framers of the various statutes, as a safeguard to the public interests, undertook also to inculcate morality and good feeling amongst their members. A youth could not be admitted unless he could prove his legitimacy of birth by his baptismal register; and, to obtain the freedom, he was bound to bear an irreproachable character. Artisans exposed themselves to a reprimand, and even to bodily chastisement, from the corporation, for even associating with, and certainly for working or drinking with those who had been expelled. Licentiousness and misconduct of any kind rendered them liable to be deprived of their mastership. In some trade associations all the members were bound to solemnize the day of the decease of a brother, to assist at his funeral, and to follow him to the grave. In another community the slightest indecent or discourteous word was punishable by a fine. A new master could not establish himself in the same street as his former master, except at a distance, which was determined by the statutes; and, further, no member was allowed to ask for or attract customers when the latter were nearer the shop of his neighbour than of his own.

In addition to taking various steps to maintain professional integrity, the creators of the different laws, as a way to protect public interest, also aimed to instill morality and good values among their members. A young man couldn't be admitted unless he could prove his legitimacy of birth with his baptismal record; and to gain membership, he had to have a spotless reputation. Artisans risked reprimands, and even physical punishment, from the corporation for associating with, or especially for working or socializing with those who had been expelled. Any kind of misconduct or immoral behavior could lead to them losing their position as a master. In some trade groups, all members were required to honor the death of a fellow member by attending the funeral and following him to the grave. In another association, even the slightest rude or disrespectful comment could result in a fine. A new master couldn't set up shop on the same street as his former master unless it was a specified distance away, and additionally, no member was allowed to seek out or lure customers when they were closer to a neighbor's shop than their own.

In the Middle Ages religion placed its stamp on every occupation and calling, and corporations were careful to maintain this characteristic feature. Each was under the patronage of some saint, who was considered the special protector of the craft; each possessed a shrine or chapel in some church of the quarter where the trade was located, and some even kept chaplains at their own expense for the celebration of masses which were daily said for the souls of the good deceased members of the craft. These associations, animated by Christian charity, took upon them to invoke the blessings of heaven on all members of the fraternity, and to assist those who were either laid by through sickness or want of work, and to take care of the widows and to help the orphans of the less prosperous craftsmen. They also gave alms to the poor, and presented the broken meat left at their banquets to the hospitals.

In the Middle Ages, religion influenced every job and profession, and guilds were careful to uphold this important aspect. Each guild was under the protection of a specific saint, seen as the guardian of the trade; they all had a shrine or chapel in a local church, and some even hired chaplains at their own expense to hold daily masses for the souls of their deceased members. These groups, driven by Christian kindness, took it upon themselves to ask for blessings from heaven for all members of the brotherhood, to help those who were ill or unemployed, to care for widows, and to support orphans of less fortunate craftsmen. They also provided charity to the poor and donated leftover food from their banquets to local hospitals.

Under the name of garçons, or compagnons de devoir (this surname was at first specially applied to carpenters and masons, who from a very ancient date formed an important association, which was partly secret, and from which Freemasonry traces its origin) (Fig. 250), the companions, notwithstanding that they belonged to the community of their own special craft, also formed distinct corporations among themselves with a view to mutual assistance. They made a point of visiting any foreign workman on his arrival in their town, supplied his first requirements, found him work, and, when work was wanting, the oldest companion gave up his place to him. These associations of companionship, however, soon failed to carry out the noble object for which they were instituted. After a time the meeting together of the fraternity was but a pretext for intemperance and debauchery, and at times their tumultuous processions and indecent masquerades occasioned much disorder in the cities. The facilities which these numerous associations possessed of extending and mutually co-operating with one another also led to coalitions among them for the purpose of securing any advantage which they desired to possess. Sometimes open violence was resorted to to obtain their exorbitant and unjust demands, which greatly excited the industrious classes, and eventually induced the authorities to interfere. Lastly, these brotherhoods gave rise to many violent quarrels, which ended in blows and too often in bloodshed, between workmen of the same craft, who took different views on debateable points. The decrees of parliament, the edicts of sovereigns, and the decisions of councils, as early as at the end of the fifteenth century and throughout the whole of the sixteenth, severely proscribed the doings of these brotherhoods, but these interdictions were never duly and rigidly enforced, and the authorities themselves often tolerated infractions of the law, and thus license was given to every kind of abuse.

Under the name of garçons or compagnons de devoir (this term was originally used specifically for carpenters and masons, who have long formed an important, partly secret association, which is considered the origin of Freemasonry) (Fig. 250), the companions, although they belonged to their own specific craft, also formed separate groups among themselves to offer mutual support. They made it a point to greet any new worker arriving in their town, provided for his initial needs, found him work, and, when there wasn't enough work, the most experienced companion would give up his job for him. However, these companionships soon strayed from the noble purpose for which they were created. Over time, their meetings became just an excuse for drinking and debauchery, and their rowdy parades and inappropriate festivities often caused disorder in the cities. The many associations also had the ability to connect and work together, which led to alliances aimed at securing their desired advantages. Sometimes they resorted to outright violence to enforce their unreasonable demands, which greatly angered the hardworking classes and eventually prompted authorities to step in. Ultimately, these brotherhoods sparked many violent disputes, leading to fights that all too often resulted in bloodshed between workers of the same trade who disagreed on various issues. Decrees from parliament, royal edicts, and council decisions, as early as the late 15th century and throughout the 16th, harshly condemned the actions of these brotherhoods, but these bans were never properly enforced, and authorities often turned a blind eye to violations, allowing all kinds of abuse to thrive.

Fig. 250.--Carpenters.--Fac-simile of a Miniature in the "Chroniques de Hainaut," Manuscript of the Fifteenth Century, in the Burgundy Library, Brussels.

Fig. 250.--Carpenters.--Replica of a Miniature in the "Chroniques de Hainaut," 15th Century Manuscript, in the Burgundy Library, Brussels.

We have frequently mentioned in the course of this volume the political part played by the corporations during the Middle Ages. We know the active and important part taken by trades of all descriptions, in France in the great movement of the formation of communities. The spirit of fraternal association which constituted the strength of the corporations (Fig. 251), and which exhibited itself so conspicuously in every act of their public and private life, resisted during several centuries the individual and collective attacks made on it by craftsmen themselves. These rich and powerful corporations began to decline from the moment they ceased to be united, and they were dissolved by law at the beginning of the revolution of 1789, an act which necessarily dealt a heavy blow to industry and commerce.

We have often talked in this book about the role that corporations played during the Middle Ages. It's clear that various trades in France played an active and significant role in the major movement to form communities. The spirit of brotherhood that strengthened the corporations (Fig. 251), which was evident in every aspect of their public and private lives, resisted the ongoing individual and collective challenges from craftsmen themselves for several centuries. These wealthy and influential corporations began to decline once they lost their unity, and they were officially dissolved at the start of the revolution in 1789, which profoundly impacted industry and commerce.

Fig. 251.--Painting commemorative of the Union of the Merchants of Rouen at the End of the Seventeenth Century.

Fig. 251.--Painting honoring the Union of the Merchants of Rouen at the end of the 17th century.

Fig. 252.--Banner of the Drapers of Caen.

Fig. 252.--Banner of the Cloth Merchants of Caen.

Taxes, Money, and Finance.

Taxes under the Roman Rule.--Money Exactions of the Merovingian Kings.--Varieties of Money.--Financial Laws under Charlemagne.--Missi Dominici.--Increase of Taxes owing to the Crusades.--Organization of Finances by Louis IX.--Extortions of Philip le Bel.--Pecuniary Embarrassaient of his Successors.--Charles V. re-establishes Order in Finances.--Disasters of France under Charles VI., Charles VII., and Jacques Coeur.--Changes in Taxation from Louis XI. to Francis I.--The great Financiers.--Florimond Robertet.

Taxes during Roman Rule.--Monetary Demands of the Merovingian Kings.--Types of Currency.--Financial Regulations under Charlemagne.--Missi Dominici.--Tax Increases due to the Crusades.--Financial Organization by Louis IX.--Exploitation by Philip IV.--Financial Struggles of his Successors.--Charles V. restores Order in Finances.--France's Challenges under Charles VI., Charles VII., and Jacques Coeur.--Changes in Taxation from Louis XI. to Francis I.--The Prominent Financiers.--Florimond Robertet.

If we believe Caesar's Commentaries on the Gallic War, the Gauls were groaning in his time under the pressure of taxation, and struggled hard to remove it. Rome lightened their burden; but the fiscal system of the metropolis imperceptibly took root in all the Roman provinces. There was an arbitrary personal tax, called the poll tax, and a land tax which was named cens, calculated according to the area of the holding. Besides these, there were taxes on articles of consumption, on salt, on the import and export of all articles of merchandise, on sales by auction; also on marriages, on burials, and on houses. There were also legacy and succession duties, and taxes on slaves, according to their number. Tolls on highways were also created; and the treasury went so far as to tax the hearth. Hence the origin of the name, feu, which was afterwards applied to each household or family group assembled in the same house or sitting before the same fire. A number of other taxes sprung up, called sordides, from which the nobility and the government functionaries were exempt.

IIf we trust Caesar's Commentaries on the Gallic War, the Gauls were suffering under heavy taxes during his time and were making significant efforts to get rid of them. Rome eased their burden, but the tax system of the capital gradually established itself in all Roman provinces. There was a random personal tax known as the poll tax, and a land tax called cens, which was based on the size of the property. In addition to these, there were taxes on goods and services, on salt, on the import and export of all merchandise, on auction sales; there were also taxes on marriages, funerals, and housing. Additionally, there were taxes on inheritance and succession, as well as taxes on slaves, depending on how many there were. Toll fees were established on roads, and the treasury even taxed the hearth. This led to the term feu, which was later used to refer to each household or family unit gathered in the same home or sitting around the same fire. Numerous other taxes emerged, called sordides, from which the nobility and government officials were exempt.

Fig. 253.--The Extraction of Metals.--Fac-simile of a Woodcut in the "Cosmographie Universelle" of Munster, folio: Basle, 1552.

Fig. 253.--The Extraction of Metals.--Fac-simile of a Woodcut in the "Cosmographie Universelle" of Munster, folio: Basle, 1552.

This ruinous system of taxation, rendered still more insupportable by the exactions of the proconsuls, and the violence of their subordinates, went on increasing down to the time of the fall of the Roman Empire. The Middle Ages gave birth to a new order of things. The municipal administration, composed in great part of Gallo-Roman citizens, did not perceptibly deviate from the customs established for five centuries, but each invading nation by degrees introduced new habits and ideas into the countries they subdued. The Germans and Franks, having become masters of part of Gaul, established themselves on the lands which they had divided between them. The great domains, with their revenues which had belonged to the emperors, naturally became the property of the barbarian chiefs, and served to defray the expenses of their houses or their courts. These chiefs, at each general assembly of the Leudes, or great vassals, received presents of money, of arms, of horses, and of various objects of home or of foreign manufacture. For a long time these gifts were voluntary. The territorial fief, which was given to those soldlers who had deserved it by their military services, involved from the holders a personal service to the King. They had to attend him on his journeys, to follow him to war, and to defend him under all circumstances. The fief was entirely exempt from taxes. Many misdeeds--even robberies and other crimes, which were ordinarily punishable by death--were pardonable on payment of a proportionate fine, and oaths, in many cases, might be absolved in the same way. Thus a large revenue was received, which was generally divided equally between the State, the procurator fiscal, and the King.

This broken system of taxation, made even worse by the demands of the governors and the brutality of their subordinates, continued to grow until the fall of the Roman Empire. The Middle Ages brought about a new order. The local government, mostly made up of Gallo-Roman citizens, didn’t substantially change from the customs established over the previous five centuries, but each invading nation slowly brought new habits and ideas to the conquered territories. The Germans and Franks, having taken control of parts of Gaul, settled on the lands they divided among themselves. The large estates and their revenues that once belonged to the emperors naturally became the property of the barbarian leaders, helping to cover their household or court expenses. These leaders, during each general assembly of the Leudes, or major vassals, received gifts of money, weapons, horses, and various items made both locally and abroad. For a long time, these gifts were voluntary. The land grants given to soldiers who earned them through military service required personal service to the King in return. They had to accompany him on his travels, follow him into battle, and defend him in all situations. The grant was completely exempt from taxes. Many offenses—even robberies and other crimes normally punishable by death—could be pardoned with a proportional fine, and in many cases, oaths could be rescinded in the same way. This way, a large revenue was collected, which was generally split equally between the State, the financial officer, and the King.

War, which was almost constant in those turbulent times, furnished the barbarian kings with occasional resources, which were usually much more important than the ordinary supplies from taxation. The first chiefs of the Visigoths, the Ostrogoths, and the Franks, sought means of replenishing their treasuries by their victorious arms. Alaric, Totila, and Clovis thus amassed enormous wealth, without troubling themselves to place the government finances on a satisfactory basis. We see, however, a semblance of financial organization in the institutions of Alaric and his successors. Subsequently, the great Théodoric, who had studied the administrative theories of the Byzantine Court, exercised his genius in endeavouring to work out an accurate system of finance, which was adopted in Italy.

War, which was almost constant during those chaotic times, provided the barbarian kings with occasional resources that were usually much more significant than the regular supplies from taxes. The early leaders of the Visigoths, Ostrogoths, and Franks looked for ways to fill their treasuries through their military victories. Alaric, Totila, and Clovis gathered immense wealth without worrying about putting the government’s finances on a solid foundation. However, we can see a sort of financial organization in the systems established by Alaric and his successors. Later, the great Théodoric, who had studied the administrative practices of the Byzantine Court, applied his talents to create a precise financial system that was implemented in Italy.

Gregory of Tours, a writer of the sixteenth century, relates in several passages of his "History of the Franks," that they exhibited the same repugnance to compulsory taxation as the Germans of the time of Tacitus. The Leudes considered that they owed nothing to the treasury, and to force them to submit to taxation was not an easy matter. About the year 465, Childéric I., father of Clovis, lost his crown for wishing all classes to submit to taxation equally. In 673, Childéric II., King of Austrasia, had one of these Leudes, named Bodillon, flogged with rods for daring to reproach him with the injustice of certain taxes. He, however, was afterwards assassinated by this same Bodillon, and the Leudes maintained their right of immunity. A century before the Leudes were already quarrelling with royalty on account of the taxes, which they refused to pay, and they sacrificed Queen Brunehaut because she attempted to enrich the treasury with the confiscated property of a few nobles who had rebelled against her authority. The wealth of the Frank kings, which was always very great, was a continual object of envy, and on one occasion Chilpéric I., King of Soissons, having the Leudes in league with him, laid his hands on the wealth amassed by his father, Clotaire I., which was kept in the Palace of Braine. He was, nevertheless, obliged to share his spoil with his brothers and their followers, who came in arms to force him to refund what he had taken. Chilpéric (Fig. 254) was so much in awe of these Leudes that he did not ask them for money. His wife, the much-feared Frédégonde, did not, however, exempt them more than Brunehaut had done; and her judges or ministers, Audon and Mummius, having met with an insurmountable resistance in endeavouring to force taxation on the nobles, nearly lost their lives in consequence.

Gregory of Tours, a 16th-century writer, describes in several parts of his "History of the Franks" that the Franks had the same aversion to mandatory taxes as the Germans did during Tacitus’s time. The Leudes believed they owed nothing to the treasury, and getting them to agree to taxes was a challenging task. Around the year 465, Childéric I, the father of Clovis, lost his crown for wanting all classes to be taxed equally. In 673, Childéric II, King of Austrasia, had one of these Leudes, named Bodillon, beaten with rods for daring to accuse him of unfair taxation. However, he was later assassinated by the same Bodillon, and the Leudes continued to assert their right to be exempt from taxes. A century earlier, the Leudes had already been clashing with the royalty over taxes they refused to pay, and they sacrificed Queen Brunehaut because she tried to enrich the treasury by seizing the property of a few nobles who had rebelled against her rule. The wealth of the Frank kings was always very substantial and a source of envy. At one point, Chilpéric I, King of Soissons, allied with the Leudes and took possession of the wealth accumulated by his father, Clotaire I, stored in the Palace of Braine. He was still required to share the loot with his brothers and their followers, who came armed to demand back what he had taken. Chilpéric (Fig. 254) was so intimidated by the Leudes that he didn’t ask them for money. His wife, the feared Frédégonde, didn’t treat them any better than Brunehaut had; and her judges or ministers, Audon and Mummius, faced such fierce resistance while trying to impose taxes on the nobles that they nearly lost their lives as a result.

Fig. 254.--Tomb of Chilpéric.--Sculpture of the Eleventh Century, in the Abbey of St. Denis.

Fig. 254.--Tomb of Chilpéric.--11th Century Sculpture, in the Abbey of St. Denis.

The custom of numbering the population, such as was carried on in Rome through the censors, appears to have been observed under the Merovingian kings. At the request of the Bishop of Poitiers, Childebert gave orders to amend the census taken under Sigebert, King of Austrasia. It is a most curious document mentioned by Gregory of Tours. "The ancient division," he says, "had been one so unequal, owing to the subdivision of properties and other changes which time had made in the condition of the taxpayers, that the poor, the orphans, and the helpless classes generally alone bore the real burden of taxation." Florentius, comptroller of the King's household, and Romulfus, count of the palace, remedied this abuse. After a closer examination of the changes which had taken place, they relieved the taxpayers who were too heavily rated and placed the burden on those who could better afford it.

The practice of counting the population, like what was done in Rome by the censors, seems to have been followed during the Merovingian kings. At the request of the Bishop of Poitiers, Childebert ordered an update to the census taken under Sigebert, King of Austrasia. This is a very interesting document that Gregory of Tours mentions. "The old division," he says, "had become so unequal due to the subdivision of properties and other changes that time had caused in the status of taxpayers, that only the poor, the orphans, and the most vulnerable groups were truly carrying the tax burden." Florentius, the King’s household comptroller, and Romulfus, the palace count, addressed this issue. After a deeper look into the changes that had occurred, they relieved those taxpayers who were overtaxed and shifted the burden onto those who could afford it better.

This direct taxation continued on this plan until the time of the kings of the second dynasty. The Franks, who had not the privilege of exemption, paid a poll tax and a house tax; about a tenth was charged on the produce of highly cultivated lands, a little more on that of lands of an inferior description, and a certain measure, a cruche, of wine on the produce of every half acre of vineyard. There were assessors and royal agents charged with levying such taxes and regulating the farming of them. In spite of this precaution, however, an edict of Clovis II., in the year 615, censures the mode of imposing rates and taxes; it orders that they shall only be levied in the places where they have been authorised, and forbade their being used under any pretext whatever for any other object than that for which they were imposed.

This direct taxation continued in this way until the reign of the kings of the second dynasty. The Franks, who didn’t have the privilege of exemption, paid a poll tax and a house tax; about a tenth was charged on the produce of well-cultivated lands, slightly more on the produce of lesser-quality lands, and a specific measurement, a cruche, of wine for every half acre of vineyard. There were assessors and royal agents responsible for collecting these taxes and overseeing their regulation. Despite this oversight, however, an edict from Clovis II. in the year 615 criticized the method of imposing rates and taxes; it ordered that they could only be collected in the places where they were authorized and prohibited their use for any purpose other than that for which they were imposed.

Fig. 255.--Signature of St. Eloy (Eligius), Financier and Minister to Dagobert I.; from the Charter of Foundation of the Abbey of Solignac (Mabillon, "Da Re Diplomatica").

Fig. 255.--Signature of St. Eloy (Eligius), financier and minister to Dagobert I.; from the charter of foundation of the Abbey of Solignac (Mabillon, "Da Re Diplomatica").

Under the Merovingians specie was not in common use, although the precious metals were abundant among the Gauls, as their mines of gold and silver were not yet exhausted. Money was rarely coined, except on great occasions, such as a coronation, the birth of an heir to the throne, the marriage of a prince, or the commemoration of a decisive victory. It is even probable that each time that money was used in large sums the pound or the sou of gold was represented more by ingots of metal than by stamped coin. The third of the sou of gold, which was coined on state occasions, seems to have been used only as a commemorative medal, to be distributed amongst the great officers of state, and this circumstance explains their extreme rarity. The general character of the coinage, whether of gold, silver, or of the baser metals, of the Burgundian, Austrasian, and Frank kings, differs little from what it had been at the time of the last of the Roman emperors, though the Angel bearing the cross gradually replaced the Renommée victorieuse formerly stamped on the coins. Christian monograms and symbols of the Trinity were often intermingled with the initials of the sovereign. It also became common to combine in a monogram letters thought to be sacred or lucky, such as C, M, S, T, &c.; also to introduce the names of places, which, perhaps, have since disappeared, as well as some particular mark or sign special to each mint. Some of these are very difficult to understand, and present a number of problems which have yet to be solved (Figs. 256 to 259). Unfortunately, the names of places on Merovingian coins to the number of about nine hundred, have rarely been studied by coin collectors, expert both as geographers and linguists. We find, for example, one hundred distinct mints, and, up to the present time, have not been able to determine where the greater number of them were situated.

Under the Merovingians, coins weren't commonly used, even though precious metals were plentiful among the Gauls, as their gold and silver mines hadn't run dry. Money was rarely minted except for major events like a coronation, the birth of a royal heir, a prince's wedding, or a significant victory celebration. It's likely that whenever large amounts of money were needed, the pound or the sou of gold was more often represented by metal ingots than by minted coins. The third of the sou of gold, which was minted for state occasions, seems to have only been given out as a commemorative medal to high-ranking officials, which explains why they are so rare. The style of coinage, whether in gold, silver, or base metals, used by the Burgundian, Austrasian, and Frank kings was not very different from what existed during the last Roman emperors, although the Angel bearing the cross gradually replaced the Renommée victorieuse that was previously stamped on the coins. Christian monograms and symbols of the Trinity often appeared alongside the initials of the sovereign. It also became common to combine letters believed to be sacred or lucky in a monogram, such as C, M, S, T, etc.; as well as to include place names, which may have since vanished, and some unique marks or signs specific to each mint. Some of these are quite hard to decipher, posing several unresolved challenges (Figs. 256 to 259). Unfortunately, the names of locations on Merovingian coins—about nine hundred in total—have seldom been explored by numismatists who are knowledgeable in both geography and linguistics. For instance, we find one hundred distinct mints, and to this day, we have not been able to determine where most of them were located.

Merovingian Gold Coins, Struck by St. Eloy, Moneyer to Dagobert I. (628-638).

Merovingian gold coins, minted by St. Eloy, who was the moneyer for Dagobert I (628-638).

Fig. 256.--Parisinna Ceve Fit.. Head of Dagobert with double diadem of pearls, hair hanging down the back of the neck. Rev., Dagobertvs Rex. Cross; above, omega; under the arms of the cross, Eligi.

Fig. 256.--Parisinna Ceve Fit.. Head of Dagobert with a double crown of pearls, hair flowing down the back of the neck. Rev., Dagobertvs Rex. Cross; above, omega; beneath the arms of the cross, Eligi.

Fig. 257.--Parissin. Civ. Head of Clovis II., with diadem of pearls, hair braided and hanging down the back of the neck. Rev., Chlodovevs Rex. Cross with anchor; under the arms of the cross, Eligi.

Fig. 257.--Parissin. Civ. Head of Clovis II., wearing a crown of pearls, hair braided and hanging down the back of the neck. Rev., Chlodovevs Rex. Cross with anchor; beneath the arms of the cross, Eligi.

Fig. 258.--Parisivs Fit. Head of King. Rev., Eligivs Mone. Cross; above, omega; under, a ball.

Fig. 258.--Paris is fit. Head of the King. Rev., Eligible Money. Cross; above, omega; below, a ball.

Fig. 259.--Mon. Palati. Head of King. Rev., Scolare. I. A. Cross with anchor; under the arms of the cross, Eligi.

Fig. 259.--Mon. Palati. Head of King. Rev., Scolare. I. A. Cross with anchor; under the arms of the cross, Eligi.

From the time that Clovis became a Christian, he loaded the Church with favours, and it soon possessed considerable revenues, and enjoyed many valuable immunities. The sons of Clovis contested these privileges; but the Church resisted for a time, though she was eventually obliged to give way to the iron hand of Charles Martel. In 732 this great military chieftain, after his struggle with Rainfroy, and after his brilliant victories over the Saxons, the Bavarians, the Swiss, and the Saracens, stripped the clergy of their landed possessions, in order to distribute them amongst his Leudes, who by this means he secured as his creatures, and who were, therefore, ever willing and eager to serve him in arms.

From the time Clovis became a Christian, he showered the Church with favors, and it quickly gained significant wealth and many valuable privileges. Clovis's sons challenged these privileges, but the Church fought back for a while, though it eventually had to yield to the iron grip of Charles Martel. In 732, this great military leader, after his conflict with Rainfroy and his brilliant victories over the Saxons, Bavarians, Swiss, and Saracens, stripped the clergy of their land so he could distribute it among his Leudes. This way, he secured their loyalty, and they were always willing and eager to fight for him.

On ascending the throne, King Pepin, who wanted to pacify the Church, endeavoured as far as possible to obliterate the recollection of the wrongs of which his father had been guilty towards her; he ordered the dîmes and the nones (tenth and ninth denier levied on the value of lands) to be placed to the account of the possessors of each ecclesiastical domain, on their under-taking to repair the buildings (churches, châteaux, abbeys, and presbyteries), and to restore to the owners the properties on which they held mortgages. The nobles long resented this, and it required the authority and the example of Charlemagne to soothe the contending parties, and to make Church and State act in harmony.

When King Pepin took the throne, he aimed to make peace with the Church and tried to erase the memory of the wrongs his father had done to it. He ordered that the tithes and ninths (the tenth and ninth of income from land) be credited to those who owned ecclesiastical land, provided they promised to repair buildings (churches, castles, abbeys, and parishes) and return properties on which they had mortgages. The nobles held a grudge about this for a long time, and it took Charlemagne's authority and actions to calm the disagreements and ensure that the Church and State worked together.

Charlemagne renounced the arbitrary rights established by the Mayors of the Palace, and retained only those which long usage had legitimatised. He registered them clearly in a code called the Capitulaires, into which he introduced the ancient laws of the Ripuaires, the Burgundians, and the Franks, arranging them so as to suit the organization and requirements of his vast empire. From that time each freeman subscribed to the military service according to the amount of his possessions. The great vassal, or fiscal judge, was no longer allowed to practise extortion on those citizens appointed to defend the State. Freemen could legally refuse all servile or obligatory work imposed on them by the nobles, and the amount of labour to be performed by the serfs was lessened. Without absolutely abolishing the authority of local customs in matters of finance, or penalties which had been illegally exacted, they were suspended by laws decided at the Champs de Mai, by the Counts and by the Leudes, in presence of the Emperor. Arbitrary taxes were abolished, as they were no longer required. Food, and any articles of consumption, and military munitions, were exempted from taxation; and the revenues derived from tolls on road gates, on bridges, and on city gates, &c., were applied to the purposes for which they were imposed, namely, to the repair of the roads, the bridges, and the fortified enclosures. The heriban, a fine of sixty sols--which in those days would amount to more than 6,000 francs--was imposed on any holder of a fief who refused military service, and each noble was obliged to pay this for every one of his vassals who was absent when summoned to the King's banner. These fines must have produced considerable sums. A special law exempted ecclesiastics from bearing arms, and Charlemagne decreed that their possessions should be sacred and untouched, and everything was done to ensure the payment of the indemnity--dîme and none--which was due to them.

Charlemagne rejected the arbitrary rights set by the Mayors of the Palace and kept only those that long-standing practice had legitimized. He clearly documented them in a code called the Capitulaires, where he included the ancient laws of the Ripuarians, the Burgundians, and the Franks, restructuring them to fit the organization and needs of his vast empire. From then on, each freeman was required to enroll in military service based on the value of their property. The high vassal or fiscal judge was no longer allowed to exploit the citizens assigned to defend the State. Freemen could legally refuse any imposed servile or mandatory work from the nobles, and the labor required from the serfs was reduced. While the authority of local customs regarding finances and penalties that had been illegally charged was not completely eliminated, they were suspended by laws established at the Champs de Mai by the Counts and the Leudes, in the presence of the Emperor. Unjust taxes were abolished since they were no longer necessary. Food, consumables, and military supplies were exempt from taxation; the revenue from tolls on road gates, bridges, and city gates, etc., was directed to their intended purposes, namely, the maintenance of roads, bridges, and fortifications. The heriban, a penalty of sixty sols—which back then would be worth more than 6,000 francs—was levied on any fief holder who refused military service, and each noble had to pay this for every one of their vassals who did not appear when called to the King's banner. These fines likely resulted in significant sums. A specific law exempted clergy from military service, and Charlemagne declared that their properties should remain sacred and untouched, ensuring that the payments of the indemnity—dîme and none—they were owed were made.

Fig. 260.--Toll on Markets levied by a Cleric.--From one of the Painted Windows of the Cathedral of Tournay (Fifteenth Century).

Fig. 260.--Tax on Markets imposed by a Cleric.--From one of the Painted Windows of the Cathedral of Tournay (Fifteenth Century).

Charlemagne also superintended the coining and circulation of money. He directed that the silver sou should exactly contain the twenty-second part by weight of the pound. He also directed that money should only be coined in the Imperial palaces. He forbade the circulation of spurious coin; he ordered base coiners to be severely punished, and imposed heavy fines upon those who refused to accept the coin in legal circulation. The tithe due to the Church (Fig. 260), which was imposed at the National Assembly in 779, and disbursed by the diocesan bishops, gave rise to many complaints and much opposition. This tithe was in addition to that paid to the King, which was of itself sufficiently heavy. The right of claiming the two tithes, however, had a common origin, so that the sovereign defended his own rights in protecting those of the Church. This is set forth in the text of the Capitulaires, from the year 794 to 829. "What had originally been only a voluntary and pious offering of a few of the faithful," says the author of the "Histoire Financière de la France," "became thus a perpetual tax upon agriculture, custom rather than law enforcing its payment; and a tithe which was at first limited to the produce of the soil, soon extended itself to cattle and other live stock."

Charlemagne also oversaw the creation and distribution of currency. He determined that the silver sou should weigh exactly one twenty-second of a pound. He specified that money could only be minted in the Imperial palaces. He prohibited the use of counterfeit coins, ordered harsh penalties for those who produced false money, and imposed heavy fines on anyone who refused to accept legally circulating currency. The tithe owed to the Church (Fig. 260), established at the National Assembly in 779 and distributed by the diocesan bishops, led to numerous complaints and considerable opposition. This tithe was in addition to the one paid to the King, which was already quite substantial. However, since both tithes had a common origin, the sovereign upheld his own rights by defending those of the Church. This is detailed in the text of the Capitulaires, covering the years 794 to 829. "What had originally been only a voluntary and pious offering from some of the faithful," states the author of the "Histoire Financière de la France," "became a perpetual tax on agriculture, enforced more by custom than by law; and a tithe that initially applied only to the agricultural produce soon expanded to include livestock and other animals."

Royal delegates (missi dominici), who were invested with complex functions, and with very extensive power, travelled through the empire exercising legal jurisdiction over all matters of importance. They assembled all the placites, or provincial authorities, and inquired particularly into the collection of the public revenue. During their tours, which took place four times a year, they either personally annulled unjust sentences, or submitted them to the Emperor. They denounced any irregularities on the part of the Counts, punished the negligences of their assessors, and often, in order to replace unworthy judges, they had to resort to a system of election of assessors, chosen from among the people. They verified the returns for the census; superintended the keeping up of the royal domains; corrected frauds in matters of taxation; and punished usurers as much as base coiners, for at that time money was not considered a commercial article, nor was it thought right that a money-lender should be allowed to carry on a trade which required a remuneration proportionate to the risk which he incurred.

Royal delegates (missi dominici) had complex roles and a lot of power as they traveled throughout the empire, handling important legal matters. They gathered all the placites, or local authorities, and specifically looked into how public revenue was collected. During their trips, which happened four times a year, they either personally canceled unfair judgments or brought them to the Emperor's attention. They reported any misconduct by theCounts, punished the negligence of their assistants, and often had to elect new assistants from the community to replace incompetent judges. They checked census returns, oversaw the management of royal lands, fixed tax fraud, and punished loan sharks just as severely as counterfeiters, since at that time, money was not seen as a commercial commodity, and it was considered wrong for a moneylender to conduct a business that demanded a profit proportional to the risk they took.

Fig. 261.--Sale by Town-Crier. Preco, the Crier, blowing a trumpet; Subhastator, public officer charged with the sale. In the background is seen another sale, by the Bellman.--Fac-simile of a Woodcut in the Work of Josse Damhoudere, "Praxis Rerum Civilium," 4to: Antwerp, 1557.

Fig. 261.--Sale by Town-Crier. Preco, the Crier, blowing a trumpet; Subhastator, a public officer responsible for the sale. In the background, another sale is being conducted by the Bellman.--Fac-simile of a Woodcut in the Work of Josse Damhoudere, "Praxis Rerum Civilium," 4to: Antwerp, 1557.

These missi dominici were too much hated by the great vassals to outlive the introduction of the feudal system. Their royal masters, as they themselves gradually lost a part of their own privileges and power, could not sustain the authority of these officers. Dukes, counts, and barons, having become magistrates, arbitrarily levied new taxes, imposed new fines, and appropriated the King's tributes to such an extent that, towards the end of the tenth century, the laws of Charlemagne had no longer any weight. We then find a number of new taxes levied for the benefit of the nobles, the very names of which have fallen into disuse with the feudal claims which they represented. Among these new taxes were those of escorte and entrée, of mortmain, of lods et ventes, of relief, the champarts, the taille, the fouage, and the various fees for wine-pressing, grinding, baking, &c., all of which were payable without prejudice to the tithes due to the King and the Church. However, as the royal tithe was hardly ever paid, the kings were obliged to look to other means for replenishing their treasuries; and coining false money was a common practice. Unfortunately each great vassal vied with the kings in this, and to such an extent, that the enormous quantity of bad money coined during the ninth century completed the public ruin, and made this a sad period of social chaos. The freeman was no longer distinguishable from the villain, nor the villain from the serf. Serfdom was general; men found themselves, as it were, slaves, in possession of land which they laboured at with the sweat of their brow, only to cultivate for the benefit of others. The towns even--with the exception of a few privileged cities, as Florence, Paris, Lyons, Rheims, Metz, Strasburg, Marseilles, Hamburg, Frankfort, and Milan--were under the dominion of some ecclesiastical or lay lord, and only enjoyed liberty of a more or less limited character.

These missi dominici were so disliked by the powerful vassals that they didn’t last long after the feudal system was introduced. As their royal masters gradually lost some of their own rights and power, they couldn’t maintain the authority of these officers. Dukes, counts, and barons became like magistrates, unfairly imposed new taxes, set new fines, and took the King’s tribute to such an extent that by the end of the tenth century, Charlemagne’s laws had lost their significance. We then see a bunch of new taxes created for the nobles’ benefit, many of which have become obsolete along with the feudal claims they represented. Some of these new taxes included escorte, entrée, mortmain, lods et ventes, relief, champarts, taille, fouage, and various fees for wine-pressing, grinding, baking, etc., all of which had to be paid in addition to the tithes owed to the King and the Church. However, since the royal tithe was rarely paid, the kings had to find other ways to fill their coffers, and creating counterfeit money became common. Unfortunately, each major vassal joined the kings in this practice, to the point that the massive amount of bad currency produced in the ninth century led to public ruin and created a period of social chaos. The freeman was no longer distinguishable from the villain, nor the villain from the serf. Serfdom became widespread; people found themselves, in essence, enslaved, working the land that they physically toiled on, only to benefit others. Even the towns—except for a few privileged cities like Florence, Paris, Lyons, Rheims, Metz, Strasburg, Marseilles, Hamburg, Frankfort, and Milan—were under the control of some ecclesiastical or lay lord, enjoying only limited freedoms.

Towards the end of the eleventh century, under Philip I., the enthusiasm for Crusades became general, and, as all the nobles joined in the holy mission of freeing the tomb of Jesus Christ from the hands of the infidels, large sums of money were required to defray the costs. New taxes were accordingly imposed; but, as these did not produce enough at once, large sums were raised by the sale of some of the feudal rights. Certain franchises were in this way sold by the nobles to the boroughs, towns, and abbeys, though, in not a few instances, these very privileges had been formerly plundered from the places to which they were now sold. Fines were exacted from any person declining to go to Palestine; and foreign merchants--especially the Jews--were required to subscribe large sums. A number of the nobles holding fiefs were reduced to the lowest expedients with a view to raising money, and even sold their estates at a low price, or mortgaged them to the very Jews whom they taxed so heavily. Every town in which the spirit of Gallo-Roman municipality was preserved took advantage of these circumstances to extend its liberties. Each monarch, too, found this a favourable opportunity to add new fiefs to the crown, and to recall as many great vassals as possible under his dominion. It was at this period that communities arose, and that the first charters of freedom which were obligatory and binding contracts between the King and the people, date their origin. Besides the annual fines due to the King and the feudal lords, and in addition to the general subsidies, such as the quit-rent and the tithes, these communities had to provide for the repair of the walls or ramparts, for the paving of the streets, the cleaning of the pits, the watch on the city gates, and the various expenses of local administration.

Towards the end of the 11th century, during Philip I's reign, excitement for the Crusades spread widely, and as all the nobles participated in the holy effort to free the tomb of Jesus Christ from non-believers, significant amounts of money were needed to cover the costs. New taxes were imposed, but since these didn't generate enough immediately, large sums were raised by selling some feudal rights. Nobles sold certain privileges to boroughs, towns, and abbeys, even though in many cases, these rights had previously been taken from the very places they were now being sold back to. Fines were imposed on anyone refusing to go to Palestine, and foreign merchants—especially Jews—were required to contribute significant amounts. Many nobles holding fiefs resorted to desperate measures to raise funds, even selling their estates at low prices or mortgaging them to the very Jews they heavily taxed. Every town that maintained the spirit of Gallo-Roman municipal tradition seized this opportunity to expand its freedoms. Each monarch also saw this as a chance to add new fiefs to the crown and draw as many powerful vassals as possible under his control. It was during this time that communities emerged, and the first charters of freedom—binding contracts between the King and the people—originated. In addition to the annual fines owed to the King and feudal lords, and besides general subsidies like quit-rent and tithes, these communities had to take care of repairing the walls or ramparts, paving the streets, cleaning the pits, watching the city gates, and managing various local administrative expenses.

Louis le Gros endeavoured to make a re-arrangement of the taxes, and to establish them on a definite basis. By his orders a new register of the lands throughout the kingdom was commenced, but various calamities caused this useful measure to be suspended. In 1149, Louis le Jeune, in consequence of a disaster which had befallen the Crusaders, did what none of his predecessors had dared to attempt: he exacted from all his subjects a sol per pound on their income. This tax, which amounted to a twentieth part of income, was paid even by the Church, which, for example's sake, did not take advantage of its immunities. Forty years later, at a council, or great parliament, called by Philip Augustus, a new crusade was decided upon; and, under the name of Saladin's tithe, an annual tax was imposed on all property, whether landed or personal, of all who did not take up the cross to go to the Holy Land. The nobility, however, so violently resisted this, that the King was obliged to substitute for it a general tax, which, although it was still more productive, was less offensive in its mode of collection.

Louis the Great tried to reorganize the taxes and put them on a solid foundation. He ordered a new record of the lands across the kingdom to be started, but various disasters caused this helpful initiative to be put on hold. In 1149, due to a setback faced by the Crusaders, Louis the Young did what none of his predecessors had dared to do: he imposed a tax of a sol per pound on his subjects' income. This tax, which amounted to five percent of income, was even paid by the Church, which, for the sake of example, did not use its exemptions. Forty years later, at a council, or great parliament, called by Philip Augustus, a new crusade was planned; and, under the name of Saladin's tithe, an annual tax was placed on all property, whether real estate or personal, for all who did not take up the cross to go to the Holy Land. However, the nobility resisted this so strongly that the King had to replace it with a general tax, which, although even more productive, was less intrusive in its collection method.

On returning to France in 1191, Philip Augustus rated and taxed every one--nobility, bourgeois, and clergy--in order to prosecute the great wars in which he was engaged, and to provide for the first paid troops ever known in France. He began by confirming the enormous confiscations of the properties of the Jews, who had been banished from the kingdom, and afterwards sold a temporary permission to some of the richest of them to return.

On returning to France in 1191, Philip Augustus assessed and taxed everyone—nobles, the middle class, and clergy—to fund the significant wars he was involved in and to support the first professional soldiers ever seen in France. He started by approving the massive confiscation of the properties of the Jews, who had been expelled from the kingdom, and later sold a limited permit to some of the wealthiest among them to return.

The Jews at that time were the only possessors of available funds, as they were the only people who trafficked, and who lent money on interest. On this account the Government were glad to recall them, so as to have at hand a valuable resource which it could always make use of. As the King could not on his own authority levy taxes upon the vassals of feudal lords, on emergencies he convoked the barons, who discussed financial matters with the King, and, when the sum required was settled, an order of assessment was issued, and the barons undertook the collection of the taxes. The assessment was always fixed higher than was required for the King's wants, and the barons, having paid the King what was due to him, retained the surplus, which they divided amongst themselves.

The Jews at that time were the only ones with available funds because they were the only group involved in trade and money lending with interest. For this reason, the Government was happy to bring them back, as they provided a valuable resource that could always be utilized. Since the King couldn't levy taxes on the vassals of feudal lords by himself, he would call the barons together in emergencies to discuss financial issues. Once they agreed on the amount needed, an assessment order was issued, and the barons took on the responsibility of collecting the taxes. The assessment was always set higher than what the King actually needed, and after paying the King the amount owed, the barons kept the excess, which they shared among themselves.

The creation of a public revenue, raised by the contributions of all classes of society, with a definite sum to be kept in reserve, thus dates from the reign of Philip Augustus. The annual income of the State at that time amounted to 36,000 marks, or 72,000 pounds' weight of silver--about sixteen or seventeen million francs of present currency. The treasury, which was kept in the great tower of the temple (Fig. 262), was under the custody of seven bourgeois of Paris, and a king's clerk kept a register of receipts and disbursements. This treasury must have been well filled at the death of Philip Augustus, for that monarch's legacies were very considerable. One of his last wishes deserves to be mentioned: and this was a formal order, which he gave to Louis VIII., to employ a certain sum, left him for that purpose, solely and entirely for the defence of the kingdom.

The establishment of public revenue, collected from all social classes, with a specific amount set aside, began during the reign of Philip Augustus. At that time, the state's annual income was 36,000 marks, or 72,000 pounds of silver—about sixteen or seventeen million francs in today’s currency. The treasury, housed in the great tower of the temple (Fig. 262), was managed by seven bourgeois from Paris, while a royal clerk maintained a record of all income and expenses. This treasury must have been quite substantial at the time of Philip Augustus's death, as his legacies were significant. One of his last requests is worth noting: he formally instructed Louis VIII. to use a specific amount he left for that purpose exclusively for the defense of the kingdom.

Fig. 262.--The Tower of the Temple, in Paris.--From an Engraving of the Topography of Paris, in the Cabinet des Estampes, of the National Library.

Fig. 262.--The Tower of the Temple, in Paris.--From an Engraving of the Topography of Paris, in the Cabinet of Prints, of the National Library.

Gold Coins of the Sixth and Seventh Centuries.

Gold Coins of the 600s and 700s.

Fig. 263.--Mérovée, Son of Chilperic I.

__A_TAG_PLACEHOLDER_0__--Merovech, Son of Chilperic I.

Fig. 264.--Dagobert I.

__A_TAG_PLACEHOLDER_0__--Dagobert I.

Fig. 265.--Clotaire III.

__A_TAG_PLACEHOLDER_0__--Clotaire III.

Silver Coins from the Eighth to the Eleventh Centures.

Silver Coins from the 8th to the 11th Centuries.

Fig 266.--Pepin the Short.

__A_TAG_PLACEHOLDER_0__--Pepin the Short.

Fig. 267.--Charlemagne.

__A_TAG_PLACEHOLDER_0__--Charlemagne.

Fig. 268.--Henri I.

__A_TAG_PLACEHOLDER_0__--Henry I.

Gold and Silver Coins of the Thirteenth Century.

Gold and Silver Coins of the 13th Century.

Fig. 269.--Gold Florin of Louis IX.

__A_TAG_PLACEHOLDER_0__--Louis IX Gold Florin.

Fig. 270.--Silver Gros of Tours.--Philip III.

__A_TAG_PLACEHOLDER_0__--Silver Gros of Tours.--Philip III.

When Louis IX., in 1242, at Taillebourg and at Saintes, had defeated the great vassals who had rebelled against him, he hastened to regulate the taxes by means of a special code which bore the name of the Établissements. The taxes thus imposed fell upon the whole population, and even lands belonging to the Church, houses which the nobles did not themselves occupy, rural properties and leased holdings, were all subjected to them. There were, however, two different kinds of rates, one called the occupation rate, and the other the rate of exploitation; and they were both collected according to a register, kept in the most regular and systematic manner possible. Ancient custom had maintained a tax exceptionally in the following cases: when a noble dubbed his son a knight, or gave his daughter in marriage, when he had to pay a ransom, and when he set out on a campaign against the enemies of the Church, or for the defence of the country. These taxes were called l'aide aux quatre cas. At this period despotism too often overruled custom, and the good King Louis IX., by granting legal power to custom, tried to bring it back to the true principles of justice and humanity. He was, however, none the less jealous of his own personal privileges, especially as regarded coining (Figs. 263 to 270). He insisted that coining should be exclusively carried on in his palace, as in the times of the Carlovingian kings, and he required every coin to be made of a definite standard of weight, which he himself fixed. In this way he secured the exclusive control over the mint. For the various localities, towns, or counties directly under the crown, Louis IX. settled the mode of levying taxes. Men of integrity were elected by the vote of the General Assembly, consisting of the three orders--namely, of the nobility, the clergy, and the tiers état--to assess the taxation of each individual; and these assessors themselves were taxed by four of their own number. The custom of levying proprietary subsidies in each small feudal jurisdiction could not be abolished, notwithstanding the King's desire to do so, owing to the power still held by the nobles. Nobles were forbidden to levy a rate under any consideration, without previously holding a meeting of the vassals and their tenants. The tolls on roads, bridges (Fig. 271), fairs, and markets, and the harbour dues were kept up, notwithstanding their obstruction to commerce, with the exception that free passage was given to corn passing from one province to another. The exemptions from taxes which had been dearly bought were removed; and the nobles were bound not to divert the revenue received from tolls for any purposes other than those for which they were legitimately intended. The nobles were also required to guard the roads "from sunrise to sunset," and they were made responsible for robberies committed upon travellers within their domains.

When Louis IX, in 1242, defeated the rebellious vassals at Taillebourg and Saintes, he quickly moved to reform the taxes with a special code called the Établissements. The taxes imposed affected the entire population, including Church lands, houses not occupied by nobles, rural properties, and leased holdings. There were two types of rates: one known as the occupation rate and the other as the exploitation rate, both collected according to a meticulously kept register. Tradition allowed for a tax exemption in certain cases: when a noble knighted his son, married off his daughter, had to pay a ransom, or went on a campaign against the Church's enemies or for the country's defense. These were called l'aide aux quatre cas. During this time, despotism often overshadowed tradition, and the good King Louis IX aimed to restore the true principles of justice and humanity by empowering customs. However, he was still protective of his own privileges, particularly regarding minting (Figs. 263 to 270). He insisted that minting be done exclusively in his palace, as in the times of the Carlovingian kings, setting a precise weight standard for every coin. This gave him complete control over the minting process. For the direct royal domains, Louis IX established the tax collection process. Men of integrity were elected by the General Assembly, made up of the three estates—the nobility, clergy, and the tiers état—to assess individual taxation, and these assessors were themselves taxed by four of their own. The practice of collecting proprietary subsidies in small feudal jurisdictions couldn't be abolished despite the King’s wishes, primarily due to the nobles' retained power. Nobles were prohibited from imposing rates without first convening a meeting with their vassals and tenants. Tolls on roads, bridges (Fig. 271), fairs, markets, and harbor dues remained intact, even though they hindered trade, except that free passage was allowed for grain moving between provinces. Previously purchased tax exemptions were revoked, and nobles were required to use toll revenue only for its intended purposes. They were also obligated to protect the roads "from sunrise to sunset" and held responsible for robberies occurring to travelers within their territories.

Louis IX., by refunding the value of goods which had been stolen through the carelessness of his officers, himself showed an example of the respect due to the law. Those charged with collecting the King's dues, as well as the mayors whose duty it was to take custody of the money contributed, and to receive the taxes on various articles of consumption, worked under the eye of officials appointed by the King, who exercised a financial jurisdiction which developed later into the department or office called the Chamber of Accounts. A tax, somewhat similar to the tithe on funds, was imposed for the benefit of the nobles on property held by corporations or under charter, in order to compensate the treasury for the loss of the succession duties. This tax represented about the fifth part of the value of the estate. To cover the enormous expenses of the two crusades, Louis IX., however, was obliged to levy two new taxes, called decimes, from his already overburdened people. It does not, however, appear that this excessive taxation alienated the affection of his subjects. Their minds were entirely taken up with the pilgrimages to the East, and the pious monarch, notwithstanding his fruitless sacrifices and his disastrous expeditions, earned for himself the title of Prince of Peace and of Justice.

Louis IX, by refunding the value of goods that had been stolen due to his officers' carelessness, set an example of respect for the law. Those responsible for collecting the King's dues, along with the mayors who were supposed to safeguard the contributed money and collect taxes on various consumer goods, worked under the oversight of officials appointed by the King. These officials had financial authority that later evolved into what became known as the Chamber of Accounts. A tax, similar to a tithe on funds, was imposed for the benefit of the nobles on properties held by corporations or under charters, in order to compensate the treasury for lost succession duties. This tax represented about one-fifth of the estate's value. To cover the enormous costs of the two crusades, Louis IX had to impose two new taxes, called decimes, on his already burdened people. However, it seems that this heavy taxation did not alienate the affection of his subjects. Their attention was entirely focused on the pilgrimages to the East, and the pious monarch, despite his unsuccessful sacrifices and disastrous campaigns, earned the title of Prince of Peace and of Justice.

Fig. 271.--Paying Toll on passing a Bridge.--From a Painted Window in the Cathedral of Tournay (Fifteenth Century).

Fig. 271.--Paying Toll when Crossing a Bridge.--From a Painted Window in the Cathedral of Tournay (15th Century).

From the time of Louis IX. down to that of Philippe le Bel, who was the most extravagant of kings, and at the same time the most ingenious in raising funds for the State treasury, the financial movement of Europe took root, and eventually became centralised in Italy. In Florence was presented an example of the concentration of the most complete municipal privileges which a great flourishing city could desire. Pisa, Genoa, and Venice attracted a part of the European commerce towards the Adriatic and the Mediterranean. Everywhere the Jews and Lombards--already well initiated into the mysterious System of credit, and accustomed to lend money--started banks and pawn establishments, where jewels, diamonds, glittering arms, and paraphernalia of all kinds were deposited by princes and nobles as security for loans (Fig. 272).

From the time of Louis IX to that of Philippe le Bel, who was the flashiest of kings and also the most creative in raising money for the state treasury, the financial movement in Europe took hold and eventually centered in Italy. Florence showcased the peak of municipal privileges that a thriving city could hope for. Pisa, Genoa, and Venice drew a portion of European trade towards the Adriatic and the Mediterranean. Everywhere, Jews and Lombards—already well-versed in the complex world of credit and used to lending money—started banks and pawn shops, where jewels, diamonds, flashy weapons, and all sorts of items were deposited by princes and nobles as collateral for loans (Fig. 272).

The tax collectors (maltôtiers, a name derived from the Italian mala tolta, unjust tax), receivers, or farmers of taxes, paid dearly for exercising their calling, which was always a dishonourable one, and was at times exercised with a great amount of harshness and even of cruelty. The treasury required a certain number of deniers, oboles, or pittes (a small coin varying in value in each province) to be paid by these men for each bank operation they effected, and for every pound in value of merchandise they sold, for they and the Jews were permitted to carry on trades of all kinds without being subject to any kind of rates, taxes, work, military service, or municipal dues.

The tax collectors (maltôtiers, a term derived from the Italian mala tolta, meaning unjust tax), receivers, or farmers of taxes, paid a high price for their profession, which was always seen as dishonorable and sometimes carried out with a lot of harshness and even cruelty. The treasury required these individuals to pay a certain number of deniers, oboles, or pittes (a small coin whose value varied by province) for each transaction they completed and for every pound of merchandise they sold. They, along with the Jews, were allowed to engage in all kinds of trade without being subject to any rates, taxes, labor, military service, or municipal dues.

Fig. 272.--View of the ancient Pont aux Changeurs.--From an Engraving of the Topography of Paris, in the Cabinet des Estampes, of the National Library.

Fig. 272.--View of the ancient Pont aux Changeurs.--From an Engraving of the Topography of Paris, in the Cabinet des Estampes, of the National Library.

Philippe le Bel, owing to his interminable wars against the King of Castille, and against England, Germany, and Flanders, was frequently so embarrassed as to be obliged to resort to extraordinary subsidies in order to carry them on. In 1295, he called upon his subjects for a forced loan, and soon after he shamelessly required them to pay the one-hundredth part of their incomes, and after but a short interval he demanded another fiftieth part. The king assumed the exclusive right to debase the value of the coinage, which caused him to be commonly called the base coiner, and no sovereign ever coined a greater quantity of base money. He changed the standard or name of current coin with a view to counterbalance the mischief arising from the illicit coinage of the nobles, and especially to baffle the base traffic of the Jews and Lombards, who occasionally would obtain possession of a great part of the coin, and mutilate each piece before restoring it to circulation; in this way they upset the whole monetary economy of the realm, and secured immense profits to themselves (Figs. 273 to 278).

Philippe le Bel, due to his endless wars against the King of Castille, as well as against England, Germany, and Flanders, often found himself in such a tight spot that he had to resort to unusual taxes to keep them going. In 1295, he asked his subjects for a forced loan, and soon after, he shamelessly demanded that they pay one percent of their incomes, and shortly after that, he asked for another two percent. The king claimed the sole right to lower the value of the coinage, which led to him being commonly referred to as the base coiner, and no ruler ever issued more worthless money. He changed the standard or name of the current coins to counterbalance the damage caused by the illegal coinage of the nobles and particularly to thwart the shady dealings of the Jews and Lombards, who would sometimes acquire a large portion of the coins and deface each piece before putting it back into circulation; in this way, they disrupted the entire monetary system of the kingdom and made huge profits for themselves (Figs. 273 to 278).

In 1303, the aide au leur, which was afterwards called the aide de l'ost, or the army tax, was invented by Philippe le Bel for raising an army without opening his purse. It was levied without distinction upon dukes, counts, barons, ladies, damsels, archbishops, bishops, abbots, chapters, colleges, and, in fact, upon all classes, whether noble or not. Nobles were bound to furnish one knight mounted, equipped, and in full armour, for every five hundred marks of land which they possessed; those who were not nobles had to furnish six foot-soldiers for every hundred households. By another enactment of this king the privilege was granted of paying money instead of complying with these demands for men, and a sum of 100 livres--about 10,000 francs of present currency--was exacted for each armed knight; and two sols--about ten francs per diem--for each soldier which any one failed to furnish. An outcry was raised throughout France at this proceeding, and rebellions broke out in several provinces: in Paris the mob destroyed the house of Stephen Barbette, master of the mint, and insulted the King in his palace. It was necessary to enforce the royal authority with vigour, and, after considerable difficulty, peace was at last restored, and Philip learned, though too late, that in matters of taxation the people should first be consulted. In 1313, for the first time, the bourgeoisie, syndics, or deputies of communities, under the name of tiers état--third order of the state--were called to exercise the right of freely voting the assistance or subsidy which it pleased the King to ask of them. After this memorable occasion an edict was issued ordering a levy of six deniers in the pound on every sort of merchandise sold in the kingdom. Paris paid this without hesitation, whereas in the provinces there was much discontented murmuring. But the following year, the King having tried to raise the six deniers voted by the assembly of 1313 to twelve, the clergy, nobility, and tiers état combined to resist the extortions of the government. Philippe le Bel died, after having yielded to the opposition of his indignant subjects, and in his last moments he recommended his son to exercise moderation in taxing and honesty in coining.

In 1303, the aide au leur, later known as the aide de l'ost, or the army tax, was created by Philippe le Bel to raise an army without spending his own money. It was imposed indiscriminately on dukes, counts, barons, ladies, damsels, archbishops, bishops, abbots, chapters, colleges, and, basically, everyone, noble or not. Nobles were required to provide one mounted, fully equipped knight for every five hundred marks of land they owned; those who weren’t nobles had to provide six foot-soldiers for every hundred households. Another decree from this king allowed for payment instead of supplying men, requiring a sum of 100 livres—around 10,000 francs in today’s currency—for each knight, and two sols—about ten francs a day—for each soldier not provided. This decision sparked an uproar throughout France and led to rebellions in several regions: in Paris, the crowd destroyed the home of Stephen Barbette, the master of the mint, and insulted the King in his palace. The royal authority had to be enforced strongly, and after significant challenges, peace was eventually restored. Philip realized, albeit too late, that the people should be consulted in matters of taxation. In 1313, for the first time, the bourgeoisie, syndics, or community deputies, known as tiers état—the third estate—were called to freely vote on the assistance or subsidy the King requested. Following this significant event, an edict was issued to levy six deniers on every type of merchandise sold in the kingdom. Paris complied without hesitation, but there was much discontent in the provinces. The next year, the King attempted to raise the six deniers approved by the assembly of 1313 to twelve, prompting the clergy, nobility, and tiers état to unite against the government’s abuses. Philippe le Bel died after yielding to the fury of his outraged subjects, and in his final moments, he advised his son to be moderate in taxation and honest in coining.

Gold Coins of the Fourteenth and Fifteenth Centuries.

Gold Coins of the 14th and 15th Centuries.

Fig. 273.--Masse d'Or. Philip IV.

__A_TAG_PLACEHOLDER_0__--Masse d'Or. Philip IV.

Fig. 274.--Small Aignel d'Or. Charles IV.

__A_TAG_PLACEHOLDER_0__--Little Golden Aignel. Charles IV.

Fig. 275.--Large Aignel d'Or. John the Good.

Fig. 275.--Large Aignel d'Or. John the Good.

Fig. 276.--Franc à Cheval d'Or. Charles V.

Fig. 276.--Franc at the Golden Horse. Charles V.

Fig. 277.--Ecu d'Or. Philip VI.

__A_TAG_PLACEHOLDER_0__--Gold Shield. Philip VI.

Fig. 278.--Salut d'Or. Charles VI.

__A_TAG_PLACEHOLDER_0__--Hello from Or. Charles VI.

On the accession of Louis X., in 1315, war against the Flemish was imminent, although the royal treasury was absolutely empty. The King unfortunately, in spite of his father's advice, attempted systematically to tamper with the coinage, and he also commenced the exaction of fresh taxes, to the great exasperation of his subjects. He was obliged, through fear of a general rebellion, to do away with the tithe established for the support of the army, and to sacrifice the superintendent of finances, Enguerrand de Marigny, to the public indignation which was felt against him. This man, without being allowed to defend himself, was tried by an extraordinary commission of parliament for embezzling the public money, was condemned to death, and was hung on the gibbet of Montfauçon. Not daring to risk a convocation of the States-General of the kingdom, Louis X. ordered the seneschals to convoke the provincial assemblies, and thus obtained a few subsidies, which he promised to refund out of the revenues of his domains. The clergy even allowed themselves to be taxed, and closed their eyes to the misappropriation of the funds, which were supposed to be held in reserve for a new crusade. Taxes giving commercial franchise and of exchange were levied, which were paid by the Jews, Lombards, Tuscans, and other Italians; judiciary offices were sold by auction; the trading class purchased letters of nobility, as they had already done under Philippe le Bel; and, more than this, the enfranchisement of serfs, which had commenced in 1298, was continued on the payment of a tax, which varied according to the means of each individual. In consequence of this system, personal servitude was almost entirely abolished under Philippe de Long, brother of Louis X.

When Louis X became king in 1315, war with the Flemish was just around the corner, even though the royal treasury was completely empty. Unfortunately, the King, ignoring his father's advice, tried to manipulate the currency and started imposing new taxes, which really frustrated his subjects. Fearing a widespread rebellion, he had to eliminate the tax meant to support the army and sacrificed his finance minister, Enguerrand de Marigny, to appease public anger against him. Without a chance to defend himself, Marigny was put on trial by a special parliamentary commission for embezzling public funds, found guilty, and executed at Montfauçon. Not wanting to risk calling the States-General of the kingdom, Louis X instructed the seneschals to gather the provincial assemblies, which helped him gain some financial support that he promised to pay back from his own revenues. The clergy even allowed themselves to be taxed and turned a blind eye to the mismanagement of funds that were supposed to be set aside for a new crusade. Taxes that granted trade privileges and exchanges were imposed on Jews, Lombards, Tuscans, and other Italians; judicial positions were sold at auction; the merchant class bought noble titles, as they had during Philippe le Bel’s reign; and, to top it all off, the process of freeing serfs, which started in 1298, continued with a tax based on each person's means. As a result of this system, personal servitude was nearly wiped out during the reign of Philippe de Long, Louis X’s brother.

Each province, under the reign of this rapacious and necessitous monarch, demanded some concession from the crown, and almost always obtained it at a money value. Normandy and Burgundy, which were dreaded more than any other province on account of their turbulence, received remarkable concessions. The base coin was withdrawn from circulation, and Louis X. attempted to forbid the right of coinage to those who broke the wise laws of St. Louis. The idea of bills of exchange arose at this period.

Each province, under the rule of this greedy and needy king, demanded some concession from the crown and usually got it for a price. Normandy and Burgundy, feared more than any other province due to their unrest, received notable concessions. The inferior coin was taken out of circulation, and Louis X. tried to revoke the right to mint coins for those who violated the wise laws of St. Louis. The concept of bills of exchange emerged during this time.

Thanks to the peace concluded with Flanders, on which occasion that country paid into the hands of the sovereign thirty thousand florins in gold for arrears of taxes, and, above all, owing to the rules of economy and order, from which Philip V., surnamed the Long, never deviated, the attitude of France became completely altered. We find the King initiating reform by reducing the expenses of his household. He convened round his person a great council, which met monthly to examine and discuss matters of public interest; he allowed only one national treasury for the reception of the State revenues; he required the treasurers to make a half-yearly statement of their accounts, and a daily journal of receipts and disbursements; he forbad clerks of the treasury to make entries either of receipts or expenditure, however trifling, without the authority and supervision of accountants, whom he also compelled to assist at the checking of sums received or paid by the money-changers (Fig. 279). The farming of the crown lands, the King's taxes, the stamp registration, and the gaol duties were sold by auction, subject to certain regulations with regard to guarantee. The bailiffs and seneschals sent in their accounts to Paris annually, they were not allowed to absent themselves without the King's permission, and they were formally forbidden, under pain of confiscation, or even a severer penalty, to speculate with the public money. The operations of the treasury were at this period always involved in the greatest mystery.

Thanks to the peace reached with Flanders, during which that country paid the sovereign thirty thousand florins in gold for back taxes, and especially due to the principles of economy and order that Philip V., known as the Long, always followed, France's situation completely changed. We see the King starting reforms by cutting his household expenses. He assembled a large council that met monthly to review and discuss public issues; he established a single national treasury for collecting State revenues; he required treasurers to provide semi-annual statements of their accounts and a daily record of receipts and spending; he prohibited treasury clerks from making any entries of income or expenses, no matter how small, without the approval and oversight of accountants, who he also required to be involved in checking the amounts received or paid by money-changers (Fig. 279). The leasing of crown lands, the King's taxes, stamp registration, and jail duties were auctioned off, subject to certain rules regarding guarantees. The bailiffs and seneschals submitted their accounts to Paris annually, were not allowed to be absent without the King’s permission, and were formally forbidden, under threat of confiscation or even harsher penalties, from speculating with public funds. During this time, the workings of the treasury were always shrouded in great secrecy.

Fig. 279.--Hotel of the Chamber of Accounts in the Courtyard of the Palace in Paris. From a Woodcut of the "Cosmographie Universelle" of Munster, in folio: Basle, 1552.

Fig. 279.--Hotel of the Chamber of Accounts in the Courtyard of the Palace in Paris. From a Woodcut of the "Cosmographie Universelle" of Munster, in folio: Basle, 1552.

Fig. 280.--Measuring Salt.--Fac-simile of a Woodcut of the "Ordonnances de la Prevosté des Marchands de Paris," in folio: 1500.

Fig. 280.--Measuring Salt.--Replica of a Woodcut from the "Ordinances of the Paris Merchants' Association," in folio: 1500.

Fig. 281.--Toll under the Bridges of Paris.--Fac-simile of a Woodcut of the "Ordonnances de la Prevosté des Marchands de Paris," in folio: 1500.

Fig. 281.--Toll under the Bridges of Paris.--Exact replica of a woodcut from the "Ordonnances de la Prevosté des Marchands de Paris," in folio: 1500.

The establishment of a central mint for the whole kingdom, the expulsion of the money-dealers, who were mostly of Italian origin, and the confiscation of their goods if it was discovered that they had acted falsely, signalised the accession of Charles le Bel in 1332. This beginning was welcomed as most auspicious, but before long the export duties, especially on grain, wine, hay, cattle, leather, and salt, became a source of legitimate complaint (Figs. 280 and 281).

The creation of a central mint for the entire kingdom, the ousting of moneylenders, who were mostly Italian, and the seizure of their assets if they were found to be dishonest, marked the beginning of Charles le Bel’s reign in 1332. This kickoff was seen as very promising, but soon after, the export taxes, particularly on grain, wine, hay, cattle, leather, and salt, became a valid source of complaint (Figs. 280 and 281).

Philip VI., surnamed de Valois, a more astute politician than his predecessor, felt the necessity of gaining the affections of the people by sparing their private fortunes. In order to establish the public revenue on a firm basis, he assembled, in 1330, the States-General, composed of barons, prelates, and deputies from the principal towns, and then, hoping to awe the financial agents, he authorised the arrest of the overseer, Pierre de Montigny, whose property was confiscated and sold, producing to the treasury the enormous sum of 1,200,000 livres, or upwards of 100,000,000 francs of present currency. The long and terrible war which the King was forced to carry on against the English, and which ended in the treaty of Bretigny in 1361, gave rise to the introduction of taxation of extreme severity. The dues on ecclesiastical properties were renewed and maintained for several years; all beverages sold in towns were taxed, and from four to six deniers in the pound were levied upon the value of all merchandise sold in any part of the kingdom. The salt tax, which Philippe le Bel had established, and which his successor, Louis X., immediately abolished at the unanimous wish of the people, was again levied by Philip VI., and this king, having caused the salt produced in his domains to be sold, "gave great offence to all classes of the community." It was on account of this that Edward III., King of England, facetiously called him the author of the Salic law. Philippe de Valois, when he first ascended the throne, coined his money according to the standard weight of St. Louis, but in a short time he more or less alloyed it. This he did secretly, in order to be able to withdraw the pieces of full weight from circulation and to replace them with others having less pure metal in them, and whose weight was made up by an extra amount of alloy. In this dishonest way a considerable sum was added to the coffers of the state.

Philip VI, known as de Valois, was a shrewder politician than his predecessor and recognized the need to win the public's favor by protecting their wealth. To secure the public revenue on a solid foundation, he gathered the States-General in 1330, which comprised barons, clergy, and representatives from major towns. To intimidate the financial agents, he ordered the arrest of the overseer, Pierre de Montigny, whose assets were seized and sold, bringing in an impressive 1,200,000 livres, equivalent to over 100,000,000 francs today. The lengthy and brutal war against the English, which concluded with the treaty of Bretigny in 1361, led to the implementation of severe taxes. Taxes on church properties were reinstated and lasted for several years; all drinks sold in towns were taxed, and a levy of four to six deniers per pound was placed on the value of all goods sold across the kingdom. The salt tax, originally imposed by Philippe le Bel and quickly repealed by his successor, Louis X, at the people's unanimous request, was reintroduced by Philip VI. This king sold the salt produced in his territories, which "deeply angered all segments of society." Because of this, Edward III, King of England, humorously dubbed him the creator of the Salic law. When Philippe de Valois first became king, he minted his coins based on St. Louis's standard weight, but soon after, he mixed in some base metal. He did this covertly to pull the full-weight coins from circulation and replace them with inferior ones, adding a considerable amount of alloy. This dishonest tactic significantly boosted the state’s funds.

King John, on succeeding his father in 1350, found the treasury empty and the resources of the kingdom exhausted. He was nevertheless obliged to provide means to continue the war against the English, who continually harassed the French on their own territory. The tax on merchandise not being sufficient for this war, the payment of public debts contracted by the government was suspended, and the State was thus obliged to admit its insolvency. The mint taxes, called seigneuriage, were pushed to the utmost limits, and the King levied them on the new coin, which he increased at will by largely alloying the gold with base metals. The duties on exported and imported goods were increased, notwithstanding the complaints that commerce was declining. These financial expedients would not have been tolerated by the people had not the King taken the précaution to have them approved by the States-General of the provincial states, which he annually assembled. In 1355 the States-General were convoked, and the King, who had to maintain thirty thousand soldiers, asked them to provide for this annual expenditure, estimated at 5,000,000 livres parisis, about 300,000,000 francs of present currency. The States-General, animated by a generous feeling of patriotism, "ordered a tax of eight deniers in the pound on the sale and transfer of all goods and articles of merchandise, with the exception of inheritances, which was to be payable by the vendors, of whatever rank they might be, whether ecclesiastics, nobles, or others, and also a salt tax to be levied throughout the whole kingdom of France." The King promised as long as this assistance lasted to levy no other subsidy and to coin good and sterling money--i.e., deniers of fine gold, white, or silver coin, coin of billon, or mixed metal, and deniers and mailles of copper. The assembly appointed travelling agents and three inspectors or superintendents, who had under them two receivers and a considerable number of sub-collectors, whose duties were defined with scrupulous minuteness. The King at this time renounced the right of seizin, his dues over property, inherited or conveyed by sale, exchange, gift, or will, his right of demanding war levies by proclamation, and of issuing forced loans, the despotic character of which offended everybody. The following year, the tax of eight deniers having been found insufficient and expensive in its collection, the assembly substituted for it a property and income tax, varying according to the property and income of each individual.

King John, who took over from his father in 1350, discovered the treasury was empty and the kingdom's resources were drained. Still, he had to find a way to continue the war against the English, who were persistently troubling the French on their own land. The tax on goods wasn't enough for the war, so the government suspended payments on public debts, effectively admitting its financial failure. The mint taxes, known as seigneuriage, were pushed to their limits, and the King imposed them on new coins, which he increased by adding a lot of base metals to the gold. Duties on exports and imports were raised, despite complaints that trade was suffering. The public wouldn't have tolerated these financial measures if the King hadn’t made sure to get them approved by the States-General of the provincial states, which he gathered every year. In 1355, the States-General were called together, and the King, who needed to support thirty thousand soldiers, asked them to cover this yearly cost, estimated at 5,000,000 livres parisis, about 300,000,000 francs in today’s money. The States-General, inspired by a strong sense of patriotism, "ordered a tax of eight deniers per pound on the sale and transfer of all goods and merchandise, except for inheritances, which was to be paid by the sellers, regardless of their rank, whether they were clergy, nobility, or others, along with a salt tax to be levied throughout all of France." The King promised that as long as this assistance lasted, he wouldn't impose any other taxes and would mint good and reliable money—meaning deniers of pure gold, white, or silver coin, coin of billon, or mixed metal, along with deniers and mailles of copper. The assembly appointed traveling agents and three inspectors or superintendents, who oversaw two receivers and a significant number of sub-collectors, with carefully defined duties. At this time, the King gave up his rights to seize property inherited or sold, exchanged, gifted, or bequeathed, along with his right to call for war taxes by proclamation and to demand forced loans, which were deeply unpopular. The following year, since the eight-denier tax was deemed insufficient and costly to collect, the assembly replaced it with a property and income tax that varied based on each person's property and income.

Fig. 282.--The Courtiers amassing Riches at the Expense of the Poor.--From a Miniature in the 'Tresor of Brunetto Latini, Manuscript of the Fourteenth Century, in the Library of the Arsenal, Paris.

Fig. 282.--The Courtiers Gathering Wealth at the Expense of the Poor.--From a Miniature in the 'Treasury of Brunetto Latini, Manuscript of the Fourteenth Century, in the Library of the Arsenal, Paris.

The finances were, notwithstanding these additions, in a low and unsatisfactory condition, which became worse and worse from the fatal day of Poitiers, when King John fell into the hands of the English. The States-General were summoned by the Dauphin, and, seeing the desperate condition in which the country was placed, all classes freely opened their purses. The nobility, who had already given their blood, gave the produce of all their feudal dues besides. The church paid a tenth and a half, and the bourgeois showed the most noble unselfishness, and rose as one man to find means to resist the common enemy. The ransom of the King had been fixed at three millions of écus d'or, nearly a thousand million francs, payable in six years, and the peace of Bretigny was concluded by the cession of a third of the territory of France. There was, however, cause for congratulation in this result, for "France was reduced to its utmost extremity," says a chronicler, "and had not something led to a reaction, she must have perished irretrievably."

The finances were, despite these additions, in a poor and disappointing state, which worsened after the disastrous day at Poitiers, when King John was captured by the English. The Dauphin called for the States-General, and seeing the desperate situation of the country, all classes willingly contributed. The nobility, who had already sacrificed their lives, provided additional resources from their feudal dues. The church contributed a tenth and a half, and the bourgeois demonstrated remarkable selflessness, uniting to find ways to fight the common enemy. The King's ransom was set at three million écus d'or, nearly a billion francs, payable over six years, and the peace of Bretigny was agreed upon with the loss of a third of France's territory. However, there was reason for celebration in this outcome, as a chronicler noted, "France was brought to its lowest point, and had not something triggered a turnaround, it would have faced total destruction."

King John, grateful for the love and devotion shown to him by his subjects under these trying circumstances, returned from captivity with the solemn intention of lightening the burdens which pressed upon them, and in consequence be began by spontaneously reducing the enormous wages which the tax-gatherers had hitherto received, and by abolishing the tolls on highways. He also sold to the Jews, at a very high price, the right of remaining in the kingdom and of exercising any trade in it, and by this means he obtained a large sum of money. He solemnly promised never again to debase the coin, and he endeavoured to make an equitable division of the taxes. Unfortunately it was impossible to do without a public revenue, and it was necessary that the royal ransom should be paid off within six years. The people, from whom taxes might be always extorted at pleasure, paid a good share of this, for the fifth of the three millions of écus d'or was realised from the tax on salt, the thirteenth part from the duty on the sale of fermented liquors, and twelve deniers per pound from the tax on the value of all provisions sold and resold within the kingdom. Commerce was subjected to a new tax called imposition foraine, a measure most detrimental to the trade and manufactures of the country, which were continually struggling under the pitiless oppression of the treasury. Royal despotism was not always able to shelter itself under the sanction of the general and provincial councils, and a few provinces, which forcibly protested against this excise duty, were treated on the same footing as foreign states with relation to the transit of merchandise from them. Other provinces compounded for this tax, and in this way, owing to the different arrangements in different places, a complicated system of exemptions and prohibitions existed which although most prejudicial to all industry, remained in force to a great extent until 1789.

King John, thankful for the love and loyalty shown to him by his subjects during these tough times, returned from captivity with a serious commitment to ease their burdens. He started by voluntarily cutting the high wages that tax collectors had previously received and by eliminating tolls on highways. He also sold the right to stay in the kingdom and conduct any trade to the Jews at a steep price, which helped him raise a significant amount of money. He made a solemn promise never to lower the value of the coin again and tried to create a fair distribution of taxes. Unfortunately, it was impossible to operate without public revenue, and he needed to pay off the royal ransom within six years. The people, who could be easily taxed at will, contributed a good portion of this; a fifth of the three million écus d'or came from a salt tax, a thirteenth from the duty on the sale of alcoholic beverages, and twelve deniers per pound from the tax on all goods sold and resold within the kingdom. Trade faced a new tax called imposition foraine, which was particularly harmful to the country’s trade and manufacturing, which were already struggling under relentless financial pressure from the treasury. Royal authority was not always able to shield itself behind the approval of general and provincial councils, and a few provinces that strongly protested this excise tax were treated like foreign states regarding the movement of goods. Other provinces negotiated to settle this tax, leading to a complex system of exemptions and prohibitions that, while highly detrimental to all industries, largely remained in place until 1789.

When Charles V.--surnamed the Wise--ascended the throne in 1364, France, ruined by the disasters of the war, by the weight of taxation, by the reduction in her commerce, and by the want of internal security, exhibited everywhere a picture of misery and desolation; in addition to which, famine and various epidemics were constantly breaking out in various parts of the kingdom. Besides this, the country was incessantly overrun by gangs of plunderers, who called themselves écorcheurs, routiers, tardvenus, &c., and who were more dreaded by the country people even than the English had been. Charles V., who was celebrated for his justice and for his economical and provident habits, was alone capable of establishing order in the midst of such general confusion. Supported by the vote of the Assembly held at Compiègne in 1367, he remitted a moiety of the salt tax and diminished the number of the treasury agents, reduced their wages, and curtailed their privileges. He inquired into all cases of embezzlement, so as to put a stop to fraud; and he insisted that the accounts of the public expenditure in its several departments should be annually audited. He protected commerce, facilitated exchanges, and reduced, as far as possible, the rates and taxes on woven articles and manufactured goods. He permitted Jews to hold funded property, and invited foreign merchants to trade with the country. For the first time he required all gold and silver articles to be stamped, and called in all the old gold and silver coins, in order that by a new and uniform issue the value of money might no longer be fictitious or variable. For more than a century coins had so often changed in name, value, and standard weight, that in an edict of King John we read, "It was difficult for a man when paying money in the ordinary course to know what he was about from one day to another."

When Charles V—nicknamed the Wise—came to the throne in 1364, France was devastated by the aftermath of war, heavy taxes, declining trade, and a lack of internal security, presenting a scene of misery and desolation everywhere. On top of that, famine and various epidemics were frequently breaking out in different parts of the kingdom. The countryside was constantly plagued by bands of looters who called themselves écorcheurs, routiers, tardvenus, etc., and they were feared by the rural population even more than the English had been. Charles V, known for his sense of justice and his careful, frugal nature, was uniquely suited to bring order amid such widespread chaos. Backed by the decision of the Assembly at Compiègne in 1367, he cut the salt tax in half, reduced the number of treasury officials, lowered their salaries, and scaled back their privileges. He investigated all cases of embezzlement to stop fraud and made sure the accounts for public spending across various departments were audited every year. He supported commerce, facilitated trade, and reduced, wherever possible, the rates and taxes on textiles and manufactured goods. He allowed Jews to own property and encouraged foreign merchants to do business in the country. For the first time, he required all gold and silver items to be stamped and withdrew all old gold and silver coins so that a new, uniform issue would prevent money from being fictitious or inconsistent in value. For over a century, coins had frequently changed in name, value, and standard weight, leading to a statement in an edict by King John noting how "it was difficult for a person to know what they were doing when paying money in everyday transactions from one day to the next."

The recommencement of hostilities between England and France in 1370 unfortunately interrupted the progressive and regular course of these financial improvements. The States-General, to whom the King was obliged to appeal for assistance in order to carry on the war, decided that salt should be taxed one sol per pound, wine by wholesale a thirteenth of its value, and by retail a fourth; that a fouage, or hearth tax, of six francs should be established in towns, and of two francs in the country,B and that a duty should be levied in walled towns on the entrance of all wine. The produce of the salt tax was devoted to the special use of the King. Each district farmed its excise and its salt tax, under the superintendence of clerks appointed by the King, who regulated the assessment and the fines, and who adjudicated in the first instance in all cases of dispute. Tax-gatherers were chosen by the inhabitants of each locality, but the chief officers of finance, four in number, were appointed by the King. This administrative organization, created on a sound basis, marked the establishment of a complete financial system. The Assembly, which thus transferred the administration of all matters of taxation from the people at large to the King, did not consist of a combination of the three estates, but simply of persons of position--namely, prelates, nobles, and bourgeois of Paris, in addition to the leading magistrates of the kingdom.

The renewed fighting between England and France in 1370 sadly disrupted the steady progress of these financial improvements. The States-General, to whom the King had to turn for help to continue the war, decided to tax salt at one sol per pound, wine at a thirteenth of its wholesale value and a fourth at retail, implement a hearth tax of six francs in towns and two francs in the countryside,B and impose a duty on the entry of all wine in walled towns. The revenue from the salt tax was specifically for the King's use. Each district managed its own excise and salt tax, overseen by clerks appointed by the King, who handled assessments, fines, and initial rulings on disputes. Tax collectors were chosen by local residents, but the top financial officers, four in total, were appointed by the King. This well-structured administrative organization established a complete financial system. The Assembly, which shifted the administration of all tax matters from the public to the King, was not a mix of the three estates but rather made up of influential individuals—specifically, high-ranking clergy, nobles, and Parisian bourgeois, along with the prominent judges of the kingdom.

This is the origin of the saying "smoke farthing."

This is the origin of the saying "smoke farthing."

The following extract from the accounts of the 15th November, 1372, is interesting, inasmuch as it represents the actual budget of France under Charles V.:--

The following extract from the accounts of November 15, 1372, is interesting because it shows the actual budget of France under Charles V.:--

Article 18.Assigned for the payment of men at arms50,000 francs.
    "     19.For payment of men at arms and crossbowmen newly formed42,000  "
    "      "For sea purposes8,000  "
    "     20.For the King's palace6,000  "
    "      "To place in the King's coffers5,000  "
    "     21.It pleases the King that the receiver-general should have monthly for matters that daily arise in the chamber10,000  "
    "      "For the payment of debts10,000  "
Total131,000  "

A miniature from the "Livre des Comptes" of the Society (Fifteenth Century).

A small illustration from the "Livre des Comptes" of the Society (Fifteenth Century).

Thus, for the year, 131,000 francs in écus d'or representing in present money about 12,000,000 francs, were appropriated to the expenses of the State, out of which the sum of 5,000 francs, equal to 275,000 francs of present money, was devoted to what we may call the Civil List.

Thus, for the year, 131,000 francs in écus d'or representing about 12,000,000 francs in today's money were allocated for state expenses, out of which 5,000 francs, equivalent to 275,000 francs in current currency, was set aside for what we can call the Civil List.

On the death of Charles V., in 1380, his eldest son Charles, who was a minor, was put under the guardianship of his uncles, and one of these, the Duke d'Anjou, assumed the regency by force. He seized upon the royal treasury, which was concealed in the Castle of Melun, and also upon all the savings of the deceased king; and, instead of applying them to alleviate the general burden of taxation, he levied a duty for the first time on the common food of the people. Immediately there arose a general outcry of indignation, and a formidable expression of resistance was made in Paris and in the large towns. Mob orators loudly proclaimed the public rights thus trampled upon by the regent and the King's uncles; the expression of the feelings of the masses began to take the shape of open revolt, when the council of the regency made an appearance of giving way, and the new taxes were suppressed, or, at all events, partially abandoned. The success of the insurrectionary movement, however, caused increased concessions to be demanded by the people. The Jews and tax-collectors were attacked. Some of the latter were hung or assassinated, and their registers torn up; and many of the former were ill-treated and banished, notwithstanding the price they had paid for living in the kingdom.

When Charles V. died in 1380, his eldest son Charles, who was a minor, was placed under the care of his uncles. One of them, the Duke d'Anjou, took control of the regency by force. He seized the royal treasury, which was hidden in the Castle of Melun, along with all the savings of the deceased king. Instead of using this money to reduce the burden of taxes, he imposed a tax for the first time on the common foods of the people. This sparked a wave of outrage, and there was significant resistance in Paris and other major cities. Public speakers passionately denounced the rights of the citizens being violated by the regent and the king’s uncles. The anger of the masses began to turn into open rebellion, prompting the regency council to give in somewhat, leading to the new taxes being canceled or at least partially rolled back. However, the success of the uprising led the people to demand even more concessions. The Jews and tax collectors became targets, with some of the latter being hanged or murdered, and their records destroyed. Many Jews were mistreated and expelled, despite having paid for the right to reside in the kingdom.

The assembly of the States, which was summoned by the King's uncles to meet in Paris, sided with the people, and, in consequence, the regent and his brother pretended to acknowledge the justice of the claims which were made upon them in the name of the people, and, on their withdrawing the taxes, order was for a time restored. No sooner, however, was this the case than, in spite of the solemn promises made by the council of regency, the taxes were suddenly reimposed, and the right of farming them was sold to persons who exacted them in the most brutal manner. A sanguinary revolt, called that of the Maillotins, burst forth in Paris; and the capital remained for some time in the power of the people, or rather of the bourgeois, who led the mob on to act for them (1381-1382). The towns of Rouen, Rheims, Troyes, Orleans, and Blois, many places in Beauvoise, in Champagne, and in Normandy, followed the example of the Parisians, and it is impossible to say to what a length the revolt would have reached had it not been for the victory over the Flemish at Rosebecque. This victory enabled the King's uncles to re-enter Paris in 1383, and to re-establish the royal authority, at the same time making the Maillotins and their accomplices pay dearly for their conduct. The excise duties, the hearth tax, the salt tax, and various other imposts which had been abolished or suspended, were re-established; the taxes on wine, beer, and other fermented liquors was lowered; bread was taxed twelve deniers per pound, and the duty on salt was fixed at the excessive rate of twenty francs in gold--about 1,200 francs of present money--per hogshead of sixty hundredweight. Certain concessions and compromises were made exceptionally in favour of Artois, Dauphiné, Poitou, and Saintonge, in consideration of the voluntary contributions which those provinces had made.

The assembly of the States, called by the King's uncles to meet in Paris, supported the people. As a result, the regent and his brother pretended to recognize the fairness of the demands made in the people's name, and when they withdrew the taxes, order was temporarily restored. However, as soon as this happened, despite the regency council's solemn promises, the taxes were suddenly reimposed, and the right to collect them was sold to individuals who enforced them brutally. A bloody revolt, known as the Maillotins, erupted in Paris, leaving the capital under the control of the people—or more accurately, the bourgeois—who incited the mob to act for them (1381-1382). The towns of Rouen, Rheims, Troyes, Orleans, and Blois, along with many places in Beauvoisis, Champagne, and Normandy, followed the Parisians' lead, and it’s impossible to know how far the revolt might have gone if not for the victory over the Flemish at Rosebecque. This victory allowed the King's uncles to re-enter Paris in 1383 and restore royal authority while ensuring that the Maillotins and their allies paid a heavy price for their actions. The excise duties, hearth tax, salt tax, and several other taxes that had been abolished or put on hold were reintroduced; the taxes on wine, beer, and other fermented beverages were lowered; bread was taxed at twelve deniers per pound, and the salt tax was set at an excessive rate of twenty francs in gold—about 1,200 francs in today’s money—per hogshead of sixty hundredweight. Some concessions and compromises were made in favor of Artois, Dauphiné, Poitou, and Saintonge due to the voluntary contributions these provinces had provided.

Fig. 283.--Assassination of the Duke of Burgundy, John the Fearless, on the Bridge of Montereau, in 1419.--Fac-simile of a Miniature in the "Chronicles" of Monstrelet, Manuscript of the Fifteenth Century, in the Library of the Arsenal of Paris.

Fig. 283.--Assassination of the Duke of Burgundy, John the Fearless, on the Bridge of Montereau, in 1419.--Copy of a Miniature in the "Chronicles" of Monstrelet, 15th Century Manuscript, in the Arsenal Library of Paris.

Emboldened by the success of their exacting and arbitrary rule, the Dukes of Anjou, Burgundy, and Berry, under pretext of requiring money for war expenses, again increased the taxes from the year 1385 to 1388; and the salt tax was raised to forty golden francs, about 24,000 francs of present money, per hogshead. The ecclesiastics paid a half décime to the King, and several décimes to the Pope, but these did not prevent a forced loan being ordered. Happily, Charles VI. about this period attained his majority, and assumed his position as king; and his uncle, the Duke of Bourbon, who was called to the direction of affairs, re-established comparative order in financial matters; but soon after the King's brother, the Duke of Orleans, seized the reins of government, and, jointly with his sister-in-law, Isabel of Bavaria, increased the taxation far beyond that imposed by the Duke d'Anjou. The Duke of Burgundy, called John the Fearless, in order to gratify his personal hatred to his cousin, Louis of Orleans, made himself the instrument of the strong popular feeling by assassinating that prince as he was returning from an entertainment. The tragical death of the Duke of Orleans no more alleviated the ills of France than did that of the Duke of Burgundy sixteen years later--for he in his turn was the victim of a conspiracy, and was assassinated on the bridge of Montereau in the presence of the Dauphin (Fig. 283). The marriage of Isabel of France with the young king Richard of England, the ransom of the Christian prisoners in the East, the money required by the Emperor of Constantinople to stop the invasions of the Turks into Europe, the pay of the French army, which was now permanent, each necessarily required fresh subsidies, and money had to be raised in some way or other from the French people. Distress was at its height, and though the people were groaning under oppression, they continued to pay not only the increased taxes on provisions and merchandise, and an additional general tax, but to submit to the most outrageous confiscations and robbery of the public money from the public treasuries. The State Assemblies held at Auxerre and Paris in 1412 and 1413, denounced the extravagance and maladministration of the treasurers, the generals, the excisemen, the receivers of royal dues, and of all those who took part in the direction of the finances; though they nevertheless voted the taxes, and promulgated most severe regulations with respect to their collection. To meet emergencies, which were now becoming chronic, extraordinary taxes were established, the non-payment of which involved the immediate imprisonment of the defaulter; and the debasement of the coinage, and the alienation of certain parts of the kingdom, were authorised in the name of the King, who had been insane for more than fifteen years. The incessant revolts of the bourgeois, the reappearance of the English on the soil of France, the ambitious rivalry of Queen Isabel of Bavaria leagued with the Duke of Burgundy against the Dauphin, who had been made regent, at last, in 1420, brought about the humiliating treaty of Troyes, by which Henry V., king of England, was to become king of France on the death of Charles VI.

Emboldened by the success of their strict and arbitrary rule, the Dukes of Anjou, Burgundy, and Berry, under the guise of needing money for war expenses, once again increased taxes from 1385 to 1388; the salt tax was raised to forty golden francs, which is about 24,000 francs in today’s money, per hogshead. The clergy paid half a décime to the King and several décimes to the Pope, but this didn’t stop a forced loan from being mandated. Fortunately, Charles VI came of age around this time and took on his role as king; his uncle, the Duke of Bourbon, who was called to oversee affairs, restored some order to financial matters. However, shortly after, the King’s brother, the Duke of Orleans, took control of the government and, together with his sister-in-law, Isabel of Bavaria, raised taxes well beyond what the Duke d'Anjou had imposed. The Duke of Burgundy, known as John the Fearless, sought to satisfy his personal hatred for his cousin, Louis of Orleans, by acting on strong public sentiment and assassinating that prince as he was returning from a gathering. The tragic death of the Duke of Orleans offered no relief for France's suffering, just as the death of the Duke of Burgundy sixteen years later did not—he too fell victim to a conspiracy and was murdered on the bridge of Montereau in front of the Dauphin (Fig. 283). The marriage of Isabel of France to the young King Richard of England, the ransom for Christian prisoners in the East, the funds needed by the Emperor of Constantinople to fend off Turkish invasions into Europe, and the pay for the now-permanent French army each demanded new subsidies, necessitating funds from the French people. The distress was at its peak, and even though the populace was groaning under oppression, they continued to pay not only the increased taxes on goods and services and an extra general tax, but also endured outrageous confiscations and theft of public funds from the state treasury. The State Assemblies held in Auxerre and Paris in 1412 and 1413 condemned the extravagance and mismanagement of the treasurers, generals, excise officials, royal tax collectors, and all involved in financial administration; nonetheless, they voted for the taxes and enacted strict regulations regarding their collection. To address emergencies that were now becoming chronic, extraordinary taxes were introduced, and failure to pay these resulted in immediate imprisonment of the delinquent; debasement of the currency and the transfer of certain regions of the kingdom were authorized in the name of the King, who had been insane for over fifteen years. The constant uprisings from the bourgeois, the reappearance of the English on French soil, and the power struggle of Queen Isabel of Bavaria allied with the Duke of Burgundy against the Dauphin, who had been appointed regent, ultimately led to the humiliating Treaty of Troyes in 1420, whereby Henry V, King of England, was to become King of France upon the death of Charles VI.

This treaty of Troyes became the cause of, and the pretext for, a vast amount of extortion being practised upon the unfortunate inhabitants of the conquered country. Henry V., who had already made several exactions from Normandy before he had obtained by force the throne of France, did not spare the other provinces, and, whilst proclaiming his good intentions towards his future subjects, he added a new general impost, in the shape of a forced loan, to the taxes which already weighed so heavily on the people. He also issued a new coinage, maintained many of the taxes, especially those on salt and on liquors, even after he had announced his intention of abolishing them.

This treaty of Troyes became the reason and the excuse for a lot of extortion against the unfortunate people of the conquered land. Henry V, who had already taken several payments from Normandy before he forcefully claimed the throne of France, didn’t hold back in taxing the other regions either. While he claimed to have good intentions toward his future subjects, he introduced a new general tax in the form of a forced loan, adding to the already heavy tax burden on the people. He also issued new coins, kept many of the taxes in place, especially those on salt and alcohol, even after he said he would get rid of them.

At the same time the Dauphin Charles, surnamed Roi de Bourges, because he had retired with his court and retinue into the centre of the kingdom (1422), was sadly in want of money. He alienated the State revenues, he levied excise duties and subsidies in the provinces which remained faithful to his cause, and he borrowed largely from those members of the Church and the nobility who manifested a generous pity for the sad destiny of the King and the monarchy. Many persons, however, instead of sacrificing themselves for their king and country, made conditions with him, taking advantage of his position. The heir to the throne was obliged in many points to give way, either to a noble whose services he bargained for, or to a town or an abbey whose aid he sought. At times he bought over influential bodies, such as universities and other corporation, by granting exemptions from, or privileges in, matters of taxation, &c. So much was this the case that it may be said that Charles VII. treated by private contract for the recovery of the inheritances of his fathers. The towns of Paris and Rouen, as well as the provinces of Brittany, Languedoc, Normandy, and Guyenne, only returned to their allegiance to the King on conditions more or less advantageous to themselves. Burgundy, Picardy, and Flanders--which were removed from the kingdom of Charles VII. at the treaty of peace of Arras in 1435--cordially adopted the financial system inaugurated by the Duke of Burgundy, Philip the Good.

At the same time, Dauphin Charles, known as Roi de Bourges, because he had retreated with his court into the center of the kingdom (1422), was desperately short on funds. He sold off state revenues, imposed taxes and fees in the provinces that remained loyal to him, and borrowed heavily from members of the Church and the nobility who felt a sympathetic pity for the unfortunate fate of the king and the monarchy. Many people, however, instead of sacrificing for their king and country, made demands of him, taking advantage of his situation. The heir to the throne often had to compromise, either with a noble whose support he needed or with a town or abbey whose assistance he sought. Sometimes, he would win over influential groups like universities and other organizations by granting them tax exemptions or other privileges. It became so commonplace that it could be said that Charles VII negotiated privately for the restoration of his ancestors' inheritances. The cities of Paris and Rouen, along with the regions of Brittany, Languedoc, Normandy, and Guyenne, only returned to their loyalty to the king under terms that were more or less beneficial to them. Burgundy, Picardy, and Flanders—areas that were removed from Charles VII's kingdom in the peace treaty of Arras in 1435—readily adopted the financial system established by Duke Philip the Good of Burgundy.

Fig. 284.--The House of Jacques Coeur at Bourges, now converted into the Hôtel de Ville.

Fig. 284.--The House of Jacques Coeur in Bourges, now turned into the Town Hall.

Charles VII. reconquered his kingdom by a good and wise policy as much as by arms. He, doubtless, had cause to be thankful for the valeur and devotion of his officers, but he principally owed the success of his cause to one man, namely, his treasurer, the famous Jacques Coeur, who possessed the faculty of always supplying money to his master, and at the same time of enriching himself (Fig. 284). Thus it was that Charles VII., whose finances had been restored by the genius of Jacques Coeur, was at last able to re-enter his capital triumphantly, to emancipate Guyenne, Normandy, and the banks of the Loire from the English yoke, to reattach to the crown a portion of its former possessions, or to open the way for their early return, to remove bold usurpers from high places in the State, and to bring about a real alleviation of those evils which his subjects had so courageously borne. He suppressed the fraud and extortion carried on under the name of justice, put a stop to the sale of offices, abolished a number of rates illegally levied, required that the receivers' accounts should be sent in biennially, and whilst regulating the taxation, he devoted its proceeds entirely to the maintenance and pay of the army. From that time taxation, once feudal and arbitrary, became a fixed royal due, which was the surest means of preventing the pillage and the excesses of the soldiery to which the country people had been subjected for many years. Important triumphs of freedom were thus obtained over the tyrannical supremacy of the great vassals; but in the midst of all this improvement we cannot but regret that the assessors, who, from the time of their creation by St. Louis, had been elected by the towns or the corporations, now became the nominees of the crown.

Charles VII reclaimed his kingdom through effective and wise policies as much as through military strength. He certainly had reasons to be grateful for the courage and loyalty of his officers, but he largely owed his success to one man: his treasurer, the renowned Jacques Coeur, who had the knack for always providing money for his king while also enriching himself (Fig. 284). This allowed Charles VII, whose finances were revitalized by Jacques Coeur's brilliance, to finally return to his capital in triumph, liberate Guyenne, Normandy, and the Loire Valley from English control, reclaim some of the crown's former territories, or pave the way for their quick return, remove bold usurpers from high government positions, and genuinely ease the suffering that his subjects had so bravely endured. He put a stop to the fraud and extortion disguised as justice, ended the sale of government positions, abolished several unjust taxes, mandated that financial accounts be submitted every two years, and while organizing the taxation system, allocated all proceeds strictly for supporting and paying the army. From that point on, taxation, which had previously been feudal and arbitrary, became a fixed royal levy, the best way to prevent the looting and abuses that rural communities had endured for many years. Significant victories for freedom were secured against the oppressive dominance of the powerful vassals; however, amidst all this progress, it is lamentable that the assessors, who had been elected by towns or corporations since their establishment by St. Louis, were now appointed by the crown.

Philip the Good, Duke of Burgundy, taxed his subjects but little: "Therefore," says Philippe de Commines, "they became very wealthy, and lived in much comfort." But Louis XI did not imitate him. His first care was to reinstate that great merchant, that clever financier, Jacques Coeur, to whom, as much as to Joan of Arc, the kingdom owed its freedom, and whom Charles VII., for the most contemptible reasons, had had the weakness to allow to be judicially condemned Louis XI. would have been very glad to entrust the care of his finances to another Jacques Coeur; for being sadly in want of money, he ran through his father's earnings, and, to refill his coffers, he increased taxation, imposed a duty on the importation of wines, and levied a tax on those holding offices, &c. A revolution broke out in consequence, which was only quenched in the blood of the insurgents. In this manner he continued, by force of arms, to increase and strengthen his own regal power at the expense of feudalism.

Philip the Good, Duke of Burgundy, taxed his subjects very little: "As a result," says Philippe de Commines, "they became quite wealthy and lived comfortably." But Louis XI didn’t follow his example. His first priority was to bring back that great merchant and skilled financier, Jacques Coeur, to whom, as much as to Joan of Arc, the kingdom owed its freedom, and whom Charles VII, for the most trivial reasons, had foolishly allowed to be judicially condemned. Louis XI would have been more than happy to trust his finances to another Jacques Coeur; however, being desperately short on money, he squandered his father's wealth and, to refill his coffers, raised taxes, imposed a duty on imported wines, and levied taxes on those in office, etc. A revolution erupted as a result, which was only suppressed in the blood of the insurgents. In this way, he continued, through force, to expand and strengthen his royal power at the expense of feudalism.

Fig. 285.--Amende honorable of Jacques Coeur before Charles VII.--Fac-simile of a Miniature of the "Chroniques" of Monstrelet, Manuscript of the Fifteenth Century, in the National Library of Paris.

Fig. 285.--Public apology of Jacques Coeur before Charles VII.--Fac-simile of a Miniature of the "Chroniques" of Monstrelet, Fifteenth Century Manuscript, in the National Library of Paris.

He soon found himself opposed by the Ligue du Bien Public, formed by the great vassals ostensibly to get rid of the pecuniary burden which oppressed the people, but really with the secret intention of restoring feudalism and lessening the King's power. He was not powerful enough openly to resist this, and appeared to give way by allowing the leagued nobles immense privileges, and himself consenting to the control of a sort of council of "thirty-six notables appointed to superintend matters of finance." Far from acknowledging himself vanquished, however, he immediately set to work to cause division among his enemies, so as to be able to overcome them. He accordingly showed favour towards the bourgeois, whom he had already flattered, by granting new privileges, and abolishing or reducing certain vexatious taxes of which they complained. The thirty-six notables appointed to control his financial management reformed nothing. They were timid and docile under the cunning eye of the King, and practically assisted him in his designs; for in a very few years the taxes were increased from 1,800,000 écus--about 45,000,000 francs of present money--to 3,600,000 écus--about 95,000,000 francs. Towards the end of the reign they exceeded 4,700,000 écus--130,000,000 francs of present money. Louis XI. wasted nothing on luxury and pleasure; he lived parsimoniously, but he maintained 110,000 men under arms, and was ready to make the greatest sacrifices whenever there was a necessity for augmenting the territory of the kingdom, or for establishing national unity. At his death, on the 25th of August, 1483, he left a kingdom considerably increased in area, but financialty almost ruined. When Anne de Beaujeu, eldest sister of the King, who was a minor, assumed the reins of government as regent, an immediate demand was made for reparation of the evils to which the finance ministers had subjected the unfortunate people. The treasurer-general Olivier le Dain, and the attorney-general Jean Doyat, were almost immediately sacrificed to popular resentment, six thousand Swiss were subsidised, the pensions granted during the previous reign were cancelled, and a fourth part of the taxes was removed. Public opinion being thus satisfied, the States-General assembled. The bourgeois here showed great practical good sense, especially in matters of finance; they proved clearly that the assessment was illegal, and that the accounts were fictitious, inasmuch as the latter only showed 1,650,000 livres of subsidies, whereas they amounted to three times as much. It was satisfactorily established that the excise, the salt tax, and the revenues of the public lands amply sufficed for the wants of the country and the crown. The young King Charles was only allowed 1,200,000 livres for his private purse for two years, and 300,000 livres for the expenses of the festivities of his coronation. On the Assembly being dissolved, the Queen Regent found ample means of pleasing the bourgeois and the people generally by breaking through the engagements she had entered into in the King's name, by remitting taxation, and finally by force of arms destroying the power of the last remaining vassals of the crown.

He soon found himself up against the Ligue du Bien Public, which was formed by the major vassals, supposedly to eliminate the financial burdens weighing on the people, but actually with the hidden aim of restoring feudalism and reducing the King’s power. He didn't have enough strength to openly resist this, so he seemed to concede by granting the allied nobles huge privileges, while he himself agreed to the oversight of a kind of council made up of "thirty-six important figures appointed to oversee finance." However, instead of admitting defeat, he quickly started working to create divisions among his enemies in order to overcome them. He showed favor towards the bourgeois, whom he had already flattered, by giving them new privileges and abolishing or reducing certain annoying taxes they complained about. The thirty-six appointed to manage his finances didn't make any reforms. They were timid and compliant under the King’s sharp gaze, practically assisting him in his plans; within just a few years, the taxes were raised from 1,800,000 écus—about 45,000,000 francs today—to 3,600,000 écus—about 95,000,000 francs. By the end of his reign, they exceeded 4,700,000 écus—130,000,000 francs today. Louis XI didn’t waste money on luxury and pleasure; he lived frugally, yet maintained an army of 110,000 men and was prepared to make significant sacrifices whenever there was a need to expand the kingdom's territory or to establish national unity. At his death on August 25, 1483, he left a kingdom that had significantly increased in size but was almost financially ruined. When Anne de Beaujeu, the eldest sister of the King, who was a minor, took control as regent, there was an immediate call for addressing the harm caused by the finance ministers to the unfortunate people. The treasurer-general Olivier le Dain and the attorney-general Jean Doyat were quickly sacrificed to public anger, six thousand Swiss were paid off, pensions granted during the previous reign were canceled, and a quarter of the taxes were eliminated. With public opinion thus appeased, the States-General convened. The bourgeois displayed a great deal of practical sense, especially regarding financial matters; they clearly demonstrated that the tax assessment was illegal and that the accounts were fabricated, as they only showed 1,650,000 livres in subsidies while the actual amount was three times that. It was convincingly established that the excise, salt tax, and revenues from public lands were enough to meet the needs of the country and the crown. The young King Charles was only permitted 1,200,000 livres for his personal expenses over two years and 300,000 livres for the costs of his coronation festivities. When the Assembly was dissolved, the Queen Regent found plenty of ways to win over the bourgeois and the general public by breaking the commitments made in the King's name, cancelling taxes, and ultimately using military force to dismantle the power of the last remaining vassals of the crown.

Fig. 286.--The Mint.--Fac-simile of a Woodcut in the Translation of the Latin Work of Francis Patricius, "De l'Institution et Administration de la Chose Politique:" folio, 1520.

Fig. 286.--The Mint.--Copy of a Woodcut in the Translation of the Latin Work of Francis Patricius, "On the Establishment and Management of Political Matters:" folio, 1520.

Fig. 287.--The receiver of Taxes.--Fac-simile of a Woodcut in Damhoudere's "Praxis Rerum Civilium."

Fig. 287.--The Tax Collector.--A reproduction of a woodcut in Damhoudere's "Praxis Rerum Civilium."

Charles VIII., during a reign of fourteen years, continued to waste the public money. His disastrous expedition for the conquest of the kingdom of Naples forced him to borrow at the rate of forty-two per cent. A short time previous to his death he acknowledged his errors, but continued to spend money, without consideration or restraint, in all kinds of extravagances, but especially in buildings. During his reign the annual expenditure almost invariably doubled the revenue. In 1492 it reached 7,300,000 francs, about 244,000,000 francs of present money. The deficit was made up each year by a general tax, "which was paid neither by the nobles nor the Church, but was obtained entirely from the people" (letters from the ambassadors of Venice).

Charles VIII, during his fourteen-year reign, continued to squander public funds. His disastrous attempt to conquer the kingdom of Naples forced him to borrow money at an interest rate of forty-two percent. Shortly before his death, he admitted his mistakes but kept spending recklessly on all kinds of extravagances, particularly on construction. Throughout his reign, the annual spending almost always doubled the revenue. In 1492, it reached 7,300,000 francs, which is about 244,000,000 francs in today's money. The annual deficit was covered by a general tax that was paid solely by the common people, as neither the nobles nor the Church contributed (according to letters from the Venetian ambassadors).

When the Duke of Orleans ascended the throne as Louis XII., the people were again treated with some consideration. Having chosen George d'Amboise as premier and Florimond Robertet as first secretary of the treasury, he resolutely pursued a course of strict economy; he refused to demand of his subjects the usual tax for celebrating the joyous accession, the taxes fell by successive reductions to the sum of 2,600,000 livres, about 76,000,000 francs of present money, the salt tax was entirely abolished, and the question as to what should be the standard measure of this important article was legislated upon. The tax-gatherers were forced to reside in their respective districts, and to submit their registers to the royal commissioners before beginning to collect the tax. By strict discipline pillage by soldiers was put a stop to (Fig. 288).

When the Duke of Orleans became king as Louis XII, the people were treated with more respect. He appointed George d'Amboise as prime minister and Florimond Robertet as the first secretary of the treasury and focused on strict budgeting. He chose not to require his subjects to pay the usual tax for his joyous accession, and through a series of cuts, the overall taxes were reduced to 2,600,000 livres, which is around 76,000,000 francs today. The salt tax was completely removed, and laws were established regarding the standard measure for this important item. Tax collectors were required to stay in their specific areas and needed to present their records to royal officials before starting to collect taxes. With strict discipline, soldier looting was stopped (Fig. 288).

Notwithstanding the resources obtained by the King through mortgaging a part of the royal domains, and in spite of the excellent administration of Robertet, who almost always managed to pay the public deficit without any additional tax, it was necessary in 1513, after several disastrous expeditions to Italy, to borrow, on the security of the royal domains, 400,000 livres, 10,000,000 francs of present money, and to raise from the excise and from other dues and taxes the sum of 3,300,000 livres, about 80,000,000 francs of present money. This caused the nation some distress, but it was only temporary, and was not much felt, for commerce, both domestic and foreign, much extended at the same time, and the sale of collectorships, of titles of nobility, of places in parliament, and of nominations to numerous judicial offices, brought in considerable sums to the treasury. The higher classes surnamed the king Le Roitelet, because he was sickly and of small stature, parsimonious and economical. The people called him their "father and master," and he has always been styled the father of the people ever since.

Despite the resources the King acquired by mortgaging part of the royal lands, and even with the excellent management of Robertet, who nearly always managed to cover the public deficit without raising extra taxes, it became necessary in 1513, after several disastrous campaigns in Italy, to borrow, secured by the royal domains, 400,000 livres, equivalent to 10,000,000 francs in today’s money, and to raise 3,300,000 livres, about 80,000,000 francs in current currency, from excise and other dues and taxes. This caused some temporary distress for the nation, but it wasn’t too severe, as both domestic and foreign trade expanded significantly at the same time, and the sales of collectorships, noble titles, positions in parliament, and appointments to various judicial offices brought in substantial amounts to the treasury. The upper classes nicknamed the king Le Roitelet because he was frail and short, stingy, and thrifty. The people referred to him as their "father and master," and he has been known as the father of the people ever since.

Fig. 288.--A Village pillaged by Soldiers.--Fac-simile of a Woodcut in Hamelmann's "Oldenburgisches Chronicon." in folio, 1599.

Fig. 288.--A village looted by soldiers.--Replica of a woodcut in Hamelmann's "Oldenburg Chronicle," folio, 1599.

Gold and Silver Coins of the Fifteenth and Sixteenth Centuries.

Gold and Silver Coins of the 15th and 16th Centuries.

Fig. 289.--Royal d'Or. Charles VII

__A_TAG_PLACEHOLDER_0__--Royal d'Or. Charles VII

Fig. 290.--Écu d'Argent à la Couronne. Louis XI.

__A_TAG_PLACEHOLDER_0__--Silver Crown Coin. Louis XI.

Fig. 291.--Écu d'Or à la Couronne. Charles VIII.

Fig. 291.--Gold Écu at the Crown. Charles VIII.

Fig. 292.--Écu d'Or au Porc-épic. Louis XII.

Fig. 292.--Gold Écu at the Hedgehog. Louis XII.

Fig. 293.--Teston d'Argent. Francis I.

__A_TAG_PLACEHOLDER_0__--Silver Teston. Francis I.

Fig. 294.--Teston d'Argent au Croissant. Henry II.

Fig. 294.--Silver Teston at the Crescent. Henry II.

In an administrative and financial point of view, the reign of Francis I. was not at all a period of revival or of progress. The commencement of a sounder System of finance is rather to be dated from that of Charles V.; and good financial organization is associated with the names of Jacques Coeur, Philip the Good, Charles XI., and Florimond Robertet. As an example of this, it may be stated that financiers of that time established taxes on registration of all kinds, also on stamps, and on sales, which did not before exist in France, and which were borrowed from the Roman emperors. We must also give them the credit of having first commenced a public debt, under the name of rentes perpetuelles, which at that time realised eight per cent. During this brilliant and yet disastrous reign the additional taxes were enormous, and the sale of offices produced such a large revenue that the post of parliamentary counsel realised the sum of 2,000 golden écus, or nearly a million francs of present currency. It was necessary to obtain money at any price, and from any one who would lend it. The ecclesiastics, the nobility, the bourgeois, all gave up their plate and their jewels to furnish the mint, which continued to coin money of every description, and, in consequence of the discovery of America, and the working of the gold and silver mines in that country, the precious metals poured into the hands of the money-changers. The country, however, was none the more prosperous, and the people often were in want of even the commonest necessaries of life. The King and the court swallowed up everything, and consumed all the resources of the country on their luxury and their wars. The towns, the monasteries, and the corporations, were bound to furnish a certain number of troops, either infantry or cavalry. By the establishment of a lottery and a bank of deposit, by the monopoly of the mines and by the taxes on imports, exports, and manufactured articles, enormous sums were realised to the treasury, which, as it was being continually drained, required to be as continually replenished. Francis I. exhausted every source of credit by his luxury, his caprices, and his wars. Jean de Beaune, Baron de Semblançay, the old minister of finance, died a victim to false accusations of having misappropriated the public funds. Robertet, who was in office with him, and William Bochetel, who succeeded him, were more fortunate: they so managed the treasury business that, without meeting with any legal difficulty, they were enabled to centralise the responsibility in themselves instead of having it distributed over sixteen branches in all parts of the kingdom, a system which has continued to our day. In those days the office of superintendent of finance was usually only a short and rapid road to the gibbet of Montfaucon.

From an administrative and financial perspective, the reign of Francis I was not a time of revival or progress. The start of a better financial system can be traced back to Charles V. A good financial organization is linked to figures like Jacques Coeur, Philip the Good, Charles XI, and Florimond Robertet. For instance, financiers of that era introduced taxes on various registrations, stamps, and sales, which had not existed in France before and were inspired by Roman emperors. They also deserve credit for initiating a public debt known as rentes perpetuelles, which yielded eight percent at that time. During this flashy yet disastrous reign, additional taxes were massive, and the sale of offices generated such high revenue that the position of parliamentary counsel fetched 2,000 golden écus, or nearly a million francs in today’s currency. There was a desperate need for money, and they borrowed from anyone willing to lend it. The clergy, nobility, and bourgeois all surrendered their silverware and jewelry to supply the mint, which continued to produce money of every kind. Thanks to the discovery of America and the mining of gold and silver there, precious metals flooded the money-changers. However, the country wasn’t any better off, and people often struggled to afford even basic necessities. The King and his court consumed everything, draining the country’s resources for their luxury and wars. Towns, monasteries, and corporations were required to provide a certain number of troops, either infantry or cavalry. Through the creation of a lottery and a bank for deposits, the mining monopoly, and taxes on imports, exports, and manufactured goods, huge amounts were raised for the treasury, which was constantly being depleted and needed continuous replenishing. Francis I exhausted every source of credit with his lavish spending, whims, and wars. Jean de Beaune, Baron de Semblançay, the former finance minister, died as a victim of false accusations regarding public fund misappropriation. Robertet, who worked with him, and William Bochetel, who took over, were luckier: they managed the treasury in a way that allowed them to centralize responsibility instead of spreading it across sixteen branches throughout the kingdom, a system that persists to this day. Back then, the position of superintendent of finance was often just a swift path to the gallows at Montfaucon.

Fig. 295.--Silver Franc. Henry IV.

__A_TAG_PLACEHOLDER_0__--Silver Franc. Henry IV.

Law and the Administration of Justice.

The Family the Origin of Government.--Origin of Supreme Power amongst the Franks.--The Legislation of Barbarism humanised by Christianity.--Right of Justice inherent to the Bight of Property.--The Laws under Charlemagne.--Judicial Forms.--Witnesses.--Duels, &c.-- Organization of Royal Justice under St. Louis.--The Châtelet and the Provost of Paris.--Jurisdiction of Parliament, its Duties and its Responsibilities.--The Bailiwicks. Struggles between Parliament and the Châtelet.--Codification of the Customs and Usages.--Official Cupidity.--Comparison between the Parliament and the Châtelet.

The Family and the Origin of Government.--The Origin of Supreme Power among the Franks.--How the Legislation of Barbarism was Humanized by Christianity.--The Right to Justice is Inherent to the Right of Property.--The Laws under Charlemagne.--Judicial Procedures.--Witnesses.--Duels, etc.--The Organization of Royal Justice under St. Louis.--The Châtelet and the Provost of Paris.--The Jurisdiction of Parliament, its Duties, and its Responsibilities.--The Bailiwicks. Conflicts between Parliament and the Châtelet.--Codification of Customs and Practices.--Official Greed.--A Comparison between Parliament and the Châtelet.

Amongst the ancient Celtic and German population, before any Greek or Roman innovations had become engrafted on to their customs, everything, even political power as well as the rightful possession of lands, appears to have been dependent on families. Julius Cæsar, in his "Commentaries," tells us that "each year the magistrates and princes assigned portions of land to families as well as to associations of individuals having a common object whenever they thought proper, and to any extent they chose, though in the following year the same authorities compelled them to go and establish themselves elsewhere." We again find families (familiæ) and associations of men (cognationes hominum) spoken of by Cæsar, in the barbaric laws, and referred to in the histories of the Middle Ages under the names of genealogiæ, faramanni, faræ, &c.; but the extent of the relationship (parentela) included under the general appellation of families varied amongst the Franks, Lombards, Visigoths, and Bavarians. Generally, amongst all the people of German origin, the relationship only extended to the seventh degree; amongst the Celts it was determined merely by a common ancestry, with endless subdivisions of the tribe into distinct families. Amongst the Germans, from whom modern Europe has its origin, we find only three primary groups; namely, first, the family proper, comprising the father, mother, and children, and the collateral relatives of all degrees; secondly, the vassals (ministeriales) or servants of the free class; and, thirdly, the servants (mansionarii, coloni, liti, servi) of the servile class attached to the family proper (Fig. 296).

AAmong the ancient Celtic and German peoples, before any Greek or Roman influences had merged with their customs, everything, including political power and land ownership, seemed to be tied to families. Julius Caesar, in his "Commentaries," tells us that "each year the magistrates and leaders allocated land to families as well as to groups of individuals with a common goal whenever they saw fit, and as much as they wanted, although the following year the same authorities forced them to relocate." We also see families (familiæ) and groups of people (cognationes hominum) mentioned by Caesar in the barbarian laws and referred to in Medieval history with terms like genealogiæ, faramanni, faræ, etc.; however, the scope of relationships (parentela) included under the broad term of families varied among the Franks, Lombards, Visigoths, and Bavarians. Generally, among all people of German descent, relationships only extended to the seventh degree; among the Celts, it was simply defined by a shared ancestry, with countless subdivisions of the tribe into distinct families. Among the Germans, from whom modern Europe derives, we identify just three main groups: first, the nuclear family, consisting of the father, mother, children, and all collateral relatives; second, the vassals (ministeriales) or free-class servants; and third, the servants (mansionarii, coloni, liti, servi) of the servile class connected to the nuclear family (Fig. 296).

Domestic authority was represented by the mund, or head of the family, also called rex (the king), who exercised a special power over the persons and goods of his dependents, a guardianship, in fact, with certain rights and prerogatives, and a sort of civil and political responsibility attached to it. Thus the head of the family, who was responsible for his wife and for those of his children who lived with him, was also responsible for his slaves and domestic animals. To such a pitch did these primitive people carry their desire that justice should be done in all cases of infringement of the law, that the head was held legally responsible for any injury which might be done by the bow or the sword of any of his dependents, without it being necessary that he should himself have handled either of these weapons.

Domestic authority was represented by the mund, or head of the family, also known as rex (the king), who had special power over the people and possessions of his dependents, essentially acting as a guardian with specific rights and responsibilities. The head of the family was responsible not only for his wife and children living with him but also for his slaves and domestic animals. These early people were so committed to ensuring justice in every case of law violation that the head was held legally accountable for any harm caused by the bow or sword of any of his dependents, even if he hadn’t handled those weapons himself.

Long before the commencement of the Merovingian era, the family, whose sphere of action had at first been an isolated and individual one, became incorporated into one great national association, which held official meetings at stated periods on the Malberg (Parliament hill). These assemblies alone possessed supreme power in its full signification. The titles given to certain chiefs of rex (king), dux (duke), graff (count), brenn (general of the army), only defined the subdivisions of that power, and were applied, the last exclusively, to those engaged in war, and the others to those possessing judicial and administrative functions. The duty of dispensing justice was specially assigned to the counts, who had to ascertain the cause of quarrels between parties and to inflict penalties. There was a count in each district and in each important town; there were, besides, several counts attached to the sovereign, under the title of counts of the palace (comites palatii), an honourable position, which was much sought after and much coveted on account of its pecuniary and other contingent advantages. The counts of the palace deliberated with the sovereign on all matters and all questions of State, and at the same time they were his companions in hunting, feasting, and religious exercises; they acted as arbitrators in questions of inheritance of the crown; during the minority of princes they exercised the same authority as that which the constitution gave to sovereigns who were of full age; they confirmed the nominations of the principal functionaries and even those of the bishops; they gave their advice on the occasion of a proposed alliance between one nation and another, on matters connected with treaties of peace or of commerce, on military expeditions, or on exchanges of territory, as well as in reference to the marriage of a prince, and they incurred no responsibility beyond that naturally attached to persons in so distinguished a position among a semi-barbarous community. At first the legates (legati), and afterwards the King's ambassadors (missi dominici), the bishops and the dukes or commanders of the army were usually selected from the higher court officials, such as the counts of the palace, whereas the ministeriales, forming the second class of the royal officials, filled inferior though very honourable and lucrative posts of an administrative and magisterial character.

Long before the start of the Merovingian era, the family, which had initially operated in isolation, became part of a larger national group that held official meetings at regular intervals on the Malberg (Parliament Hill). These gatherings had ultimate authority in its fullest sense. The titles assigned to certain leaders, like rex (king), dux (duke), graff (count), and brenn (general of the army), only outlined the divisions of that power; the last title was used exclusively for those involved in warfare, while the others were for those in judicial and administrative roles. The responsibility for delivering justice fell primarily to the counts, who were tasked with determining the causes of disputes and imposing penalties. Each district and significant town had a count; there were also several counts connected to the ruler, known as counts of the palace (comites palatii), a prestigious position sought after for its financial and other benefits. The palace counts discussed all matters with the sovereign and were involved in state affairs. They also shared in hunting, feasting, and religious activities; they acted as mediators in crown inheritance disputes; during the minority of princes, they held the same authority as fully-aged sovereigns; they confirmed appointments of key officials, including bishops; they provided counsel on proposed alliances between nations, treaty matters, military campaigns, territory exchanges, and royal marriages, and they were not held responsible beyond what naturally came with such a distinguished role in a semi-barbaric society. Initially, the legates (legati), and later the King's ambassadors (missi dominici), bishops, and dukes or military commanders were typically drawn from the higher court officials, like the counts of the palace, while the ministeriales, forming the second tier of royal officials, filled lower yet still honorable and profitable administrative and magistrate positions.

Fig. 296.--The Familles and the Barbarians.--Fac-simile of a Woodcut in the "Cosmographie Universelle" of Munster: in folio, Basle, 1552.

Fig. 296.--The Families and the Barbarians.--Facsimile of a Woodcut in the "Universal Cosmography" by Munster: in folio, Basel, 1552.

Under the Merovingians the legal principle of power was closely bound up with the possession of landed property. The subdivision of that power, however, closely followed this union, and the constant ruin of some of the nobles rapidly increased the power of others, who absorbed to themselves the lost authority of their more unfortunate brethren, so much so that the Frank kings perceived that society would soon escape their rule unless they speedily found a remedy for this state of things. It was then that the lois Salique and Ripuaire appeared, which were subjected to successive revisions and gradual or sudden modifications, necessitated by political changes or by the increasing exigencies of the prelates and nobles. But, far from lessening the supremacy of the King, the national customs which were collected in a code extended the limits of the royal authority and facilitated its exercise.

Under the Merovingians, the legal concept of power was closely tied to land ownership. However, the division of that power closely followed this connection, and the constant decline of some nobles rapidly boosted the power of others, who took on the lost influence of their less fortunate peers. This situation made the Frank kings realize that society would soon slip from their control unless they quickly found a solution. It was during this time that the lois Salique and Ripuaire emerged, which went through various revisions and changes—some gradual, some sudden—driven by political shifts or the growing demands of the church leaders and nobles. But rather than diminishing the king's authority, the national customs compiled into a code expanded the boundaries of royal power and made it easier to enforce.

In 596, Childebert, in concert with his leudes, decided that in future the crime of rape should be punished with death, and that the judge of the district (pagus) in which it had been committed should kill the ravisher, and leave his body on the public road. He also enacted that the homicide should have the same fate. "It is just," to quote the words of the law, "that he who knows how to kill should learn how to die." Robbery, attested by seven witnesses, also involved capital punishment, and a judge convicted of having let a noble escape, underwent the same punishment that would have been inflicted on the criminal. The punishment, however, differed according to the station of the delinquent. Thus, for the non-observance of Sunday, a Salian paid a fine of fifteen sols, a Roman seven and a half sols, a slave three sols, or "his back paid the penalty for him." At this early period some important changes in the barbaric code had been made: the sentence of death when once given had to be carried out, and no arrangements between the interested parties could avert it. A crime could no longer be condoned by the payment of money; robbery even, which was still leniently regarded at that time, and beyond the Rhine even honoured, was pitilessly punished by death. We therefore cannot have more striking testimony than this of the abridgment of the privileges of the Frankish aristocracy, and of the progress which the sovereign power was making towards absolute and uncontrolled authority over cases of life and death. By almost imperceptible steps Roman legislation became more humane and perfect, Christianity engrafted itself into barbarism, licentiousness was considered a crime, crime became an offence against the King and society, and it was in one sense by the King's hand that the criminals received punishment.

In 596, Childebert, together with his nobles, decided that in the future, the crime of rape would be punished by death. The judge of the district where the crime occurred was to execute the rapist and leave his body on the public road. He also established that murderers would face the same fate. "It is only fair," as the law stated, "that he who knows how to kill should learn how to die." Robbery, proven by seven witnesses, also carried the death penalty, and a judge found guilty of letting a noble escape would face the same punishment as the criminal. However, the punishment varied depending on the status of the offender. For instance, for not observing Sunday, a Salian would pay a fine of fifteen sols, a Roman seven and a half sols, and a slave three sols, or "his back would take the punishment for him." At this early time, some significant changes had been made to the barbaric code: once a death sentence was given, it had to be carried out, and no agreements between the involved parties could prevent it. A crime could no longer be settled with a monetary payment; robbery, which was still viewed leniently at the time and even honored across the Rhine, was punished by death without mercy. This clearly demonstrates the reduction of privileges for the Frankish aristocracy and the growing power of the sovereign authority over matters of life and death. Gradually, Roman law became more humane and refined, Christianity merged with barbarism, immorality was treated as a crime, and criminal acts were considered offenses against the King and society. In one sense, it was through the King’s authority that criminals were punished.

From the time of the baptism of Clovis, the Church had much to do with the re-arrangement of the penal code; for instance, marriage with a sister-in-law, a mother-in-law, an aunt, or a niece, was forbidden; the travelling shows, nocturnal dances, public orgies, formerly permitted at feasts, were forbidden as being profane. In the time of Clotaire, the prelates sat as members of the supreme council, which was strictly speaking the highest court of the land, having the power of reversing the decisions of the judges of the lower courts. It pronounced sentence in conjunction with the King, and from these decisions there was no appeal. The nation had no longer a voice in the election of the magistrates, for the assemblies of Malberg did not meet except on extraordinary occasions, and all government and judicial business was removed to the supreme and often capricious arbitration of the King and his council.

From the time of Clovis's baptism, the Church played a significant role in reshaping the penal code. For example, marriages to a sister-in-law, mother-in-law, aunt, or niece were banned, and activities like traveling shows, late-night dances, and public orgies that were previously allowed at feasts were prohibited for being disrespectful. During Clotaire's reign, the religious leaders were part of the supreme council, which essentially served as the highest court in the land, able to overturn the decisions made by lower court judges. They issued verdicts alongside the King, and there was no way to appeal these decisions. The people no longer had a say in choosing the magistrates because the assemblies of Malberg only convened on rare occasions, and all government and judicial matters were handled by the unpredictable decisions of the King and his council.

As long as the mayors of the palace of Austrasia, and of that of Burgundy, were only temporarily appointed, royal authority never wavered, and the sovereign remained supreme judge over his subjects. Suddenly, however, after the execution of Brunehaut, who was sacrificed to the hatred of the feudal lords, the mayoralty of the palace became a life appointment, and, in consequence, the person holding the office became possessed almost of supreme power, and the rightful sovereigns from that time practically became subject to the authority of the future usurpers of the crown. The edict of 615, to which the ecclesiastical and State nobility were parties, was in its laws and customs completely at variance with former edicts. In resuming their places in the French constitution, the Merovingian kings, who had been deprived both of influence and authority, were compelled by the Germanic institutions to return to the passive position which their predecessors had held in the forests of Germany, but they no longer had, like the latter, the prestige of military authority to enable them to keep the position of judges or arbitrators. The canons of the Council of Paris, which were confirmed by an edict of the King bearing date the 15th of the calends of November, 615, upset the political and legal system so firmly established in Europe since the fifth century. The royal power was shorn of some of its most valuable prerogatives, one of which was that of selecting the bishops; lay judges were forbidden to bring an ecclesiastic before the tribunals; and the treasury was prohibited from seizing intestate estates, with a view to increasing the rates and taxes; and it was decreed that Jews should not be employed in collecting the public taxes. By these canons the judges and other officers of State were made responsible, the benefices which had been withdrawn from the leudes were restored, the King was forbidden from granting written orders (præcepta) for carrying off rich widows, young virgins, and nuns; and the penalty of death was ordered to be enforced against those who disobeyed the canons of the council. Thence sprung two new species of legislation, one ecclesiastical, the other civil, between which royalty, more and more curtailed of its authority, was compelled for many centuries to struggle.

As long as the mayors of the palace of Austrasia and Burgundy were appointed temporarily, royal authority remained stable, and the sovereign was the ultimate judge over his subjects. Suddenly, after the execution of Brunehaut, who was a victim of the feudal lords' hatred, the mayoralty of the palace became a lifetime position. Consequently, the person in this role gained almost supreme power, and from that point on, the rightful sovereigns became practically subject to the authority of the future usurpers of the crown. The edict of 615, which included the ecclesiastical and State nobility, was completely at odds with previous edicts in its laws and customs. The Merovingian kings, who had lost both influence and authority, were forced by Germanic institutions to return to the passive role that their predecessors had held in the forests of Germany, but unlike those predecessors, they no longer had the military prestige necessary to maintain their positions as judges or arbitrators. The provisions of the Council of Paris, confirmed by a royal edict dated the 15th of the calends of November, 615, disrupted the political and legal system that had been firmly established in Europe since the fifth century. Royal power was stripped of several important prerogatives, including the ability to select bishops; lay judges were prohibited from bringing clergymen to court; the treasury was barred from seizing intestate estates to increase rates and taxes; and it was decreed that Jews could not be employed to collect public taxes. These provisions made judges and other state officials responsible, restored benefices that had been taken from the leudes, forbade the King from issuing written orders (præcepta) to take rich widows, young virgins, and nuns, and mandated the death penalty for those who disobeyed the council's canons. This led to the emergence of two new types of legislation, one ecclesiastical and the other civil, with royalty, increasingly stripped of its power, forced to struggle for many centuries.

Amongst the Germanic nations the right of justice was inherent to landed property from the earliest times, and this right had reference to things as well as to persons. It was the patronage (patrocinium) of the proprietor, and this patronage eventually gave origin to feudal jurisdictions and to lordly and customary rights in each domain. We may infer from this that under the two first dynasties laws were made by individuals, and that each lord, so to speak, made his own.

Among the Germanic nations, the right to administer justice was tied to land ownership from ancient times, and this right applied to both property and people. It represented the patronage of the landowner, and this patronage eventually led to the development of feudal jurisdictions and various lordly and customary rights within each territory. We can conclude from this that during the first two dynasties, laws were created by individuals, meaning that each lord essentially established his own laws.

The right of jurisdiction seems to have been so inherent to the right of property, that a landed proprietor could always put an end to feuds and personal quarrels, could temporarily bring any lawsuit to a close, and, by issuing his ban, stop the course of the law in his own immediate neighbourhood--at least, within a given circumference of his residence. This was often done during any family festival, or any civil or religious public ceremony. On these occasions, whoever infringed the ban of the master, was liable to be brought before his court, and to have to pay a fine. The lord who was too poor to create a court of sufficient power and importance obtained assistance from his lord paramount or relinquished the right of justice to him; whence originated the saying, "The fief is one thing, and justice another."

The right to enforce laws seemed to be so closely tied to property rights that a landowner could always end feuds and personal disputes, temporarily close any legal cases, and, by issuing his *ban*, halt legal proceedings in his immediate area—at least within a certain radius of his home. This often happened during family celebrations or any civic or religious public events. During these times, anyone who violated the *ban* of the lord could be summoned to his *court* and face a fine. A lord who lacked the resources to establish a powerful and significant court would seek help from his superior lord or give up his right to dispense justice to him, which led to the saying, "The fief is one thing, and justice another."

The law of the Visigoths speaks of nobles holding local courts, similar to those of the official judge, count, or bishop. King Dagobert required the public and the private judges to act together. In the law of Lombardy landlords are mentioned who, in virtue of the double title of nobles and judges, assumed the right of protecting fugitive slaves taking shelter in their domains. By an article of the Salie law, the noble is made to answer for his vassal before the court of the count. We must hence conclude that the landlord's judgment was exercised indiscriminately on the serfs, the colons, and the vassals, and a statute of 855 places under his authority even the freemen who resided with other persons.

The law of the Visigoths states that nobles had their own local courts, similar to those run by official judges, counts, or bishops. King Dagobert required public and private judges to work together. In the law of Lombardy, landlords are mentioned who, because of their dual role as nobles and judges, had the right to protect runaway slaves who sought refuge on their property. According to a provision in the Salic law, a noble is held responsible for their vassal in the count's court. Therefore, we can conclude that the landlord's authority was applied indiscriminately to serfs, colons, and vassals, and a statute from 855 gave them power over even the freemen living with others.

From these various sources we discover a curious fact, which has hitherto remained unnoticed by historians--namely, that there existed an intermediate legislation between the official court of the count and his subordinates and the private courts, which was a kind of court of arbitration exercised by the neighbours (vicini) without the assistance of the judges of the county, and this was invested with a sort of authority which rendered its decisions binding.

From these different sources, we find an interesting fact that historians have overlooked until now—that there was a form of intermediary legislation between the official court of the count and his subordinates, as well as the private courts. This was a kind of arbitration court run by the neighbors (vicini) without involving the county judges, and it had a level of authority that made its decisions binding.

Fig. 297.--The Emperor Charlemagne holding in one hand the Globe and in the other the Sword.--After a Miniature in the Registers of the University of Paris (Archives of the Minister of Public Instruction of the University). The Motto, In scelus exurgo, sceleris discrimina purgo, is written on a Scroll round the Sword.

Fig. 297.--Emperor Charlemagne is holding a globe in one hand and a sword in the other.--Based on a miniature from the University of Paris records (Archives of the Minister of Public Instruction of the University). The motto, In scelus exurgo, sceleris discrimina purgo, is inscribed on a scroll around the sword.

Private courts, however, were limited in their power. They were neither absolutely independent, nor supreme and without appeal. All conducted their business much in the same way as the high, middle, and lower courts of the Middle Ages; and above all these authorities towered the King's jurisdiction. The usurpation of ecclesiastical bishops and abbots--who, having become temporal lords, assumed a domestic jurisdiction--was curtailed by the authority of the counts, and they were even more obliged to give way before that of the missi dominici, or the official delegates of the monarch. Charles the Bald, notwithstanding his enormous concessions to feudalism and to the Church, never gave up his right of final appeal.

Private courts, however, had limits on their power. They weren't completely independent, nor were they the highest authority without the option for appeal. They operated similarly to the high, middle, and lower courts of the Middle Ages, and above all these powers loomed the King's authority. The overreach of church bishops and abbots—who, having become local lords, took on a domestic jurisdiction—was restricted by the authority of the counts, and they had to yield even more to the missi dominici, or the official representatives of the monarch. Charles the Bald, despite his significant concessions to feudalism and the Church, never relinquished his right to final appeal.

During the whole of the Merovingian epoch, the mahl (mallus), the general and regular assembly of the nation, was held in the month of March. Persons of every class met there clad in armour; political, commercial, and judicial interests were discussed under the presidency of the monarch; but this did not prevent other special assemblies of the King's court (curia regalis) being held on urgent occasions. This court formed a parliament (parlamentum), which at first was exclusively military, but from the time of Clovis was composed of Franks, Burgundians, Gallo-Romans, as well as of feudal lords and ecclesiastics. As, by degrees, the feudal System became organized, the convocation of national assemblies became more necessary, and the administration of justice more complicated. Charlemagne decided that two mahls should be held annually, one in the month of May, the other in the autumn, and, in addition, that in each county two annual plaids should meet independently of any special mahls and plaids which it should please him to convoke. In 788, the emperor found it necessary to call three general plaids, and, besides these, he was pleased to summon his great vassals, both clerical and lay, to the four principal feasts of the year. It may be asserted that the idea of royalty being the central authority in matters of common law dates from the reign of Charlemagne (Fig. 297).

Throughout the entire Merovingian period, the mahl (mallus), the nationwide assembly, took place in March. People from all social classes gathered there in armor; political, commercial, and legal matters were discussed under the leadership of the king, but this didn’t stop other special meetings of the king’s court (curia regalis) from occurring as needed. This court acted as a parliament (parlamentum), which initially was solely military but, starting with Clovis, included Franks, Burgundians, Gallo-Romans, as well as feudal lords and clergy. As the feudal system gradually took shape, the need for national assemblies grew, and the administration of justice became increasingly complex. Charlemagne decided to hold two mahls each year, one in May and the other in autumn, and in addition, each county was to host two annual plaids, independent of any special mahls and plaids he might decide to convene. In 788, the emperor found it necessary to call three general plaids, and, along with these, he invited his major vassals, both clerical and lay, to the four key feasts of the year. It can be said that the concept of royalty as the central authority in legal matters originated during Charlemagne’s reign (Fig. 297).

The authority of royalty based on law took such deep root from that time forth, that it maintained itself erect, notwithstanding the weakness of the successors of the great Charles, and the repeated infractions of it by the Church and the great vassals of the crown (Fig. 298).

The authority of royalty based on law became so firmly established from that point on that it stood strong, despite the weaknesses of the successors of the great Charles and the repeated violations by the Church and the powerful vassals of the crown (Fig. 298).

The authoritative and responsible action of a tribunal which represented society (Fig. 299) thus took the place of the unchecked animosity of private feuds and family quarrels, which were often avenged by the use of the gibbet, a monument to be found erected at almost every corner. Not unfrequently, in those early times, the unchecked passions of a chief of a party would be the only reason for inflicting a penalty; often such a person would constitute himself sole judge, and, without the advice of any one, he would pass sentence, and even, with his own sword or any other available instrument, he would act as his own executioner. The tribunal thus formed denounced duelling, the pitiless warfare between man and man, and between family and family, and its first care was to protect, not each individual man's life, which was impossible in those days of blind barbarism, but at least his dwelling. Imperceptibly, the sanctuary of a man's house extended, first to towns of refuge, and then to certain public places, such as the church, the mahlum, or place of national assemblies, the market, the tavern, &c. It was next required that the accused, whether guilty or not, should remain unharmed from the time of the crime being committed until the day on which judgment was passed.

The authoritative and responsible action of a tribunal representing society (Fig. 299) replaced the unchecked grudges of private feuds and family conflicts, which were often avenged through public executions, a grim sight at nearly every corner. In those early times, the unchecked emotions of a party leader could be the sole reason for punishment; such a person would often decide to be the only judge, passing judgment without anyone’s advice and taking on the role of executioner with their own sword or any available tool. The tribunal condemned dueling, the ruthless battles between individuals and families, and its main focus was to protect not each man’s life—impossible in those barbaric days—but at least his home. Gradually, the protection of a person's house expanded to towns of refuge and then to certain public spaces, like the church, the mahlum (place of national assemblies), the marketplace, taverns, etc. It also became necessary that the accused, whether guilty or innocent, remained unscathed from the moment the crime was committed up until the day the judgment was delivered.

Fig. 298.--Carlovingian King in his Palace personifying Wisdom appealing to the whole Human Race.--After a Miniature in a Manuscript of the Ninth Century in the Burgundian Library of Brussels, from a Drawing by Count Horace de Vielcastel.

Fig. 298.--Carolingian King in his Palace representing Wisdom reaching out to all of Humanity.--After a Miniature in a Manuscript of the Ninth Century in the Burgundian Library of Brussels, based on a Drawing by Count Horace de Vielcastel.

Fig. 299.--The Court of the Nobles.--Fac-simile of a Miniature in an old Poetical Romance of Chivalry, Manuscript of the Thirteenth Century, in the Library of the Arsenal of Paris.

Fig. 299.--The Court of the Nobles.--Copy of a Miniature in an ancient Poetic Romance of Chivalry, Thirteenth Century Manuscript, in the Library of the Arsenal of Paris.

This right of revenge, besides being thus circumscribed as to locality, was also subject to certain rules as to time. Sunday and the principal feasts of the year, such as Advent, Christmas week, and from that time to the Epiphany, from the Ascension to the Day of Pentecost, certain vigils, &c., were all occasions upon which the right of revenge could not be exercised. "The power of the King," says a clever and learned writer, "partook to a certain degree of that of God and of the Saints; it was his province to calm human passions; by the moral power of his seal and his hand he extended peace over all the great lines of communication, through the forests, along the principal rivers, the highways and the byways, &c. The Trêve du Dieu in 1035, was the logical application of these humane principles."

This right to seek revenge, besides being limited by location, was also governed by specific rules regarding timing. Sundays and major holidays of the year, like Advent, Christmas week, and from that time until Epiphany, and from Ascension through Pentecost, along with certain vigils, were all times when the right to revenge couldn’t be applied. "The power of the King," says a smart and knowledgeable writer, "shared some aspects with that of God and the Saints; it was his role to ease human emotions; through the moral authority of his seal and his hand, he spread peace along all major routes, through the forests, along the main rivers, the highways, and the backroads, etc. The Trêve du Dieu in 1035 was a logical application of these humane principles."

We must not suppose that justice in those days was dispensed without formalities, and that there were no regular intervals between the various steps to be gone through before final judgment was given, and in consequence of which some guarantee was afforded that the decisions arrived at were carefully considered. No one was tried without having been previously summoned to appear before the tribunal. Under the Carlovingians, as in previous times, the periods when judicial courts were held were regulated by the moon. Preference was given to the day on which it entered the first quarter, or during the full moon; the summonses were returnable by moons or quarter moons--that is, every seventh day. The summons was issued four times, after which, if the accused did not appear, he lost the right of counterplea, or was nonsuited. The Salic law allowed but two summonses before a count, which had to be issued at an interval of forty nights the one from the other. The third, which summoned the accused before the King, was issued fourteen nights later, and if he had not put in an appearance before sunset on the fourteenth day, he was placed hors de sa parole, his goods were confiscated, and he forfeited the privilege of any kind of refuge.

We shouldn’t think that justice back then was delivered without any formalities, or that there weren't set times between the different steps that had to be followed before a final judgment was made. This was meant to ensure that the decisions reached were thoroughly considered. No one was put on trial without being officially called to appear before the court first. During the Carolingian period, like in earlier times, the schedule for court sessions was determined by the phases of the moon. Preference was given to the day when the moon was in its first quarter or when it was full; summonses were scheduled based on the moon phases or quarter moons—essentially, every seventh day. The summons was issued four times, and if the accused did not show up, they lost the right to plead their case or were deemed nonsuited. The Salic law allowed only two summonses before a count, which had to occur forty nights apart. The third summons, which required the accused to appear before the King, was issued fourteen nights later, and if they hadn’t shown up by sunset on the fourteenth day, they were deemed hors de sa parole, their property was confiscated, and they lost any chance of seeking refuge.

Among the Visigoths justice was equally absolute from the count to the tithe-gatherer. Each magistrate had his tribunal and his special jurisdiction. These judges called to their assistance assessors or colleagues, either rachimbourgs, who were selected from freemen; or provosts, or échevins (scabini), whose appointment was of an official and permanent character. The scabins created by Charlemagne were the first elected magistrates. They numbered seven for each bench. They alone prepared the cases and arranged as to the sentence. The count or his delegate alone presided at the tribunal, and pronounced the judgment. Every vassal enjoyed the right of appeal to the sovereign, who, with his court, alone decided the quarrels between ecclesiastics and nobles, and between private individuals who were specially under the royal protection. Criminal business was specially referred to the sovereign, the missi, or the Count Palatine. Final appeal lay with the Count Palatine in all cases in which the public peace was endangered, such as in revolts or in armed encounters.

Among the Visigoths, justice was absolute for everyone, from the count to the tax collector. Each judge had their own court and specific authority. These judges would call on assistants or colleagues, either rachimbourgs, who were chosen from free men; or provosts or échevins (scabini), who were appointed officially and permanently. The scabins created by Charlemagne were the first elected officials. There were seven for each court, and they were responsible for preparing cases and determining sentences. The count or their delegate presided over the court and delivered the verdict. Every vassal had the right to appeal to the sovereign, who, along with their court, decided disputes between clergy and nobility, as well as between private individuals under royal protection. Criminal cases were specifically referred to the sovereign, the missi, or the Count Palatine. The final appeal in all cases that could disrupt public peace, such as revolts or armed conflicts, rested with the Count Palatine.

As early as the time of the invasion, the Franks, Bavarians, and Visigoths, when investigating cases, began by an inquiry, and, previously to having recourse to trials before a judge, they examined witnesses on oath. Then, he who swore to the matter was believed, and acquitted accordingly. This system was no doubt flattering to human veracity, but, unfortunately, it gave rise to abuses; which it was thought would be avoided by calling the family and friends of the accused to take an oath, and it was then administered by requiring them to place their hands on the crucifix, on some relics, or on the consecrated Host. These witnesses, who were called conjuratores, came to attest before the judges not the fact itself, but the veracity of the person who invoked their testimony.

As early as the time of the invasion, the Franks, Bavarians, and Visigoths, when looking into cases, started with an inquiry. Before going to trial before a judge, they questioned witnesses under oath. Then, the person who swore to the matter was believed and acquitted accordingly. This system was certainly flattering to human honesty, but, unfortunately, it led to abuses. It was thought that these could be avoided by asking the family and friends of the accused to take an oath, which was then carried out by having them place their hands on the crucifix, on relics, or on the consecrated Host. These witnesses, known as conjuratores, came to testify before the judges not about the actual event but about the honesty of the person who called upon their testimony.

Fig. 300.--The Judicial Duel. The Plaintiff opening his Case before the Judge.--Fac-simile of a Miniature in the "Cérémonies des Gages des Batailles," Manuscript of the Fifteenth Century in the National Library of Paris.

Fig. 300.--The Judicial Duel. The Plaintiff presenting his case to the Judge.--Fac-simile of a miniature in the "Cérémonies des Gages des Batailles," a 15th-century manuscript in the National Library of Paris.

The number and respectability of the conjuratores varied according to the importance of the case in dispute. Gregory of Tours relates, that King Gontran being suspicious as to the legitimacy of the child who afterwards became Clotaire II., his mother, Frédégonde, called in the impartial testimony of certain nobles. These, to the number of three hundred, with three bishops at their head (tribus episcopis et trecentis viris optimis), swore, or, as we say, made an affidavit, and the queen was declared innocent.

The number and respectability of the conjuratores depended on the importance of the case in question. Gregory of Tours tells us that King Gontran was suspicious about the legitimacy of the child who later became Clotaire II. His mother, Frédégonde, called on the unbiased testimony of several nobles. There were three hundred of them, led by three bishops (tribus episcopis et trecentis viris optimis), who swore an oath, or as we would say today, made an affidavit, and the queen was declared innocent.

The laws of the Burgundians and of the Anglians were more severe than those of the Germanic race, for they granted to the disputants trial by combat. After having employed the ordeal of red-hot iron, and of scalding water, the Franks adopted the judicial duel (Fig. 300). This was imposed first upon the disputing parties, then on the witnesses, and sometimes even on the judges themselves. Dating from the reign of the Emperor Otho the Great in 967, the judicial duel, which had been at first restricted to the most serious cases, was had recourse to in almost all suits that were brought before the courts. Neither women, old men, children, nor infirm persons were exempted. When a person could not himself fight he had to provide a champion, whose sole business was to take in hand the quarrels of others.

The laws of the Burgundians and Anglians were stricter than those of the Germanic tribes because they allowed the parties involved to settle disputes through trial by combat. After using the ordeal of red-hot iron and boiling water, the Franks adopted the practice of judicial duels (Fig. 300). This was initially imposed on the disputing parties, then on the witnesses, and sometimes even on the judges themselves. Starting from the reign of Emperor Otho the Great in 967, the judicial duel, which was originally limited to the most serious cases, began to be used in nearly all legal disputes presented in court. No one was exempt, including women, the elderly, children, or the infirm. If someone was unable to fight, they had to hire a champion whose job was to handle the disputes of others.

Fig. 301.--Judicial Duel.--Combat of a Knight with a Dog.--Fac-simile of a Miniature in the Romance of "Macaire," of the Thirteenth Century (Library of the Arsenal of Paris).

Fig. 301.--Judicial Duel.--Fight between a Knight and a Dog.--Copy of a Miniature from the Romance of "Macaire," from the Thirteenth Century (Library of the Arsenal of Paris).

Ecclesiastics were obliged, in the same maimer, to fight by deputy. The champion or substitute required, of course, to be paid beforehand. If the legend of the Dog of Montargis is to be believed, the judicial duel seems to have been resorted to even against an animal (Fig. 301).

Ecclesiastics had to fight by proxy in the same way. The champion or substitute needed to be paid in advance. If the story of the Dog of Montargis is to be believed, it seems that judicial duels were even used against an animal (Fig. 301).

In the twelfth century Europe was divided, so to speak, into two vast judicial zones: the one, Southern, Gallo-Roman, and Visigoth; the other, Northern and Western, half Germanic and half Scandinavian, Anglian, or Saxon. Christianity established common ties between these different legislations, and imperceptibly softened their native coarseness, although they retained the elements of their pagan and barbaric origin. Sentences were not as yet given in writing: they were entrusted to the memory of the judges who had issued them; and when a question or dispute arose between the interested parties as to the terms of the decision which had been pronounced, an inquiry was held, and the court issued a second decision, called a recordatum.

In the twelfth century, Europe was divided, so to speak, into two large judicial zones: one was Southern, Gallo-Roman, and Visigoth; the other was Northern and Western, half Germanic and half Scandinavian, Anglian, or Saxon. Christianity created common connections between these different legal systems and gradually softened their roughness, although they kept elements of their pagan and barbaric origins. Sentences weren’t written down yet; they relied on the memories of the judges who gave them. If a question or dispute came up between the involved parties regarding the terms of the decision that had been made, an inquiry would take place, and the court would issue a second decision, called a recordatum.

As long as the King's court was a movable one, the King carried about with him the original text of the law in rolls (rotuli). It was in consequence of the seizure of a number of these by the English, during the reign of Philip Augustus in 1194, that the idea was suggested of preserving the text of all the laws as state archives, and of opening authentic registers of decisions in civil and criminal cases. As early as the time of Charles the Bald, the inconvenience was felt of the high court of the count being movable from place to place, and having no special locality where instructions might be given as to modes of procedure, for the hearing of witnesses, and for keeping the accused in custody, &c. A former statute provided for this probable difficulty, but there seems to be no proof that previous to the twelfth century any fixed courts of justice had been established. The Kings, and likewise the counts, held courts in the open air at the entrance to the palace (Fig. 302), or in some other public place--under a large tree, for instance, as St. Louis did in the wood of Vincennes.

As long as the King's court was mobile, the King carried the original text of the law in scrolls (rotuli). It was due to the English seizing several of these during Philip Augustus's reign in 1194 that the concept of preserving the text of all laws as state archives was proposed, along with the idea of creating official records of decisions in civil and criminal cases. As early as Charles the Bald's time, people recognized the issues caused by the high court of the count being itinerant and lacking a dedicated location for giving procedural instructions, hearing witnesses, and holding the accused in custody, etc. A previous law addressed this likely issue, but there seems to be no evidence that any fixed courts of justice were established before the twelfth century. The Kings, as well as the counts, held courts outdoors at the palace entrance (Fig. 302) or in other public spaces—under a large tree, for example, as St. Louis did in the Vincennes forest.

M. Desmaze, in his valuable researches on the history of the Parliament of Paris, says--"In 1191, Philip Augustus, before starting for Palestine, established bailiwicks, which held their assizes once a month; during their sitting they heard all those who had complaints to make, and gave summary judgment. The bailiff's assize was held at stated periods from time to time, and at a fixed place; it was composed of five judges, the King deciding the number and quality of the persons who were to take part in the deliberations of the court for each session. The royal court only sat when it pleased the King to order it; it accompanied the King wherever he went, so that it had no settled place of residence."

M. Desmaze, in his important research on the history of the Parliament of Paris, mentions, "In 1191, Philip Augustus, before leaving for Palestine, set up bailiwicks that held their sessions once a month; during these sessions, they listened to anyone with complaints and delivered quick judgments. The bailiff's sessions were held regularly at a specific place and time, and included five judges, with the King determining the number and type of people who would participate in the court's deliberations each time. The royal court met only when the King decided to call it; it followed the King wherever he went, so it didn't have a permanent location."

Louis IX. ordered that the courts of the nobles should be consolidated with the King's court, and succeeded in carrying out this reform. The bailiffs who were the direct delegates of the sovereign power, assumed an authority before which even the feudal lord was obliged to bend, because this authority was supported by the people, who were at that time organized in corporations, and these corporations were again bound together in communes. Under the bailiffs a system was developed, the principles of which more nearly resembled the Roman legislation than the right of custom, which it nevertheless respected, and the judicial trial by duel completely disappeared. Inquiries and appeals were much resorted to in all kinds of proceedings, and Louis IX. succeeded in controlling the power of ecclesiastical courts, which had been much abused in reference to excommunication. He also suppressed the arbitrary and ruinous confiscations which the nobles had unjustly made on their vassals.

Louis IX ordered that the noble courts be combined with the King's court, and he successfully implemented this reform. The bailiffs, who were direct representatives of the sovereign authority, held a power that even feudal lords had to respect, as this power was backed by the people, who were organized into corporations that were further united in communes. Under the bailiffs, a system emerged that resembled Roman law more closely than customary law, which it still acknowledged, and the practice of trial by combat was completely eliminated. Inquiries and appeals became common in all types of proceedings, and Louis IX managed to rein in the power of ecclesiastical courts, which had been misused in terms of excommunication. He also put an end to the arbitrary and destructive confiscations that nobles had unjustly imposed on their vassals.

Fig. 302.--The Palace as it was in the Sixteenth Century.--After an Engraving of that Period, National Library of Paris (Cabinet des Estampes).

Fig. 302.--The Palace as it was in the 16th Century.--After an engraving from that time, National Library of Paris (Cabinet des Estampes).

The edict of 1276 very clearly established the jurisdiction of parliaments and bailiwicks; it defined the important duties of the bailiffs, and at the same time specified the mode in which proceedings should be taken; it also regulated the duties of counsel, maîtres des requêtes, auditors, and advocates.

The edict of 1276 clearly set out the roles of parliaments and bailiwicks; it outlined the key responsibilities of the bailiffs and described how proceedings should be conducted; it also defined the responsibilities of counsel, maîtres des requêtes, auditors, and advocates.

To the bailiwicks already in existence Louis IX. added the four great assizes of Vermandois, of Sens, of Saint-Pierre-le-Moustier, and of Mâcon, "to act as courts of final appeal from the judgment of the nobles." Philippe le Bel went still further, for, in 1287, he invited "all those who possess temporal authority in the kingdom of France to appoint, for the purpose of exercising civil jurisdiction, a bailiff, a provost, and some serjeants, who were to be laymen, and not ecclesiastics, and if there should be ecclesiastics in the said offices, to remove them." He ordered, besides, that all those who had cases pending before the court of the King and the secular judges of the kingdom should be furnished with lay attorneys; though the chapters, as well as the abbeys and convents, were allowed to be represented by canons. M. Desmaze adds, "This really amounted to excluding ecclesiastics from judicial offices, not only from the courts of the King, but also from those of the nobles, and from every place in which any temporal jurisdiction existed."

To the existing regions, Louis IX added the four major courts of Vermandois, Sens, Saint-Pierre-le-Moustier, and Mâcon, "to serve as final appeal courts for noble judgments." Philippe le Bel took it a step further. In 1287, he invited "all those with temporal authority in the kingdom of France to appoint a bailiff, a provost, and some lay serjeants for exercising civil jurisdiction, explicitly stating that these should be laypeople and not ecclesiastics, and if there were ecclesiastics in these roles, they should be removed." He also mandated that anyone with cases before the King's court and the secular judges should be provided with lay attorneys, though chapters, abbeys, and convents could still be represented by canons. M. Desmaze adds, "This effectively excluded ecclesiastics from judicial offices, not only in the King's courts but also in the noble courts and any other places with temporal jurisdiction."

At the time of his accession, Hugh Capet was Count of Paris, and as such was invested with judicial powers, which he resigned in 987, on the understanding that his county of Paris, after the decease of the male heirs of his brother Eudes, should return to the crown. In 1032, a new magistrate was created, called the Provost of Paris, whose duty it was to give assistance to the bourgeois in arresting persons for debt. This functionary combined in his own person the financial and political chief of the capital, he was also the head of the nobility of the county, he was independent of the governor, and was placed above the bailiffs and seneschals. He was the senior of the urban magistracy and police, leader of the municipal troops, and, in a word, the prefect (præfectus urbis), as he was called under the Emperor Aurelian, or the first magistrate of Lutetia, as he was still called under Clotaire in 663. Assessors were associated with the provost, and together they formed a tribunal, which was afterwards known as the Châtelet (Fig. 303), because they assembled in that fortress, the building of which is attributed to Julius Caesar. The functions of this tribunal did not differ much from those of the royal châtellenies: its jurisdiction embraced quarrels between individuals, assaults, revolts, disputes between the universities and the students, and improper conduct generally (ribaudailles), in consequence of which the provost acquired the popular surname of Roi des Ribauds. At first his judgment was final, but very soon those under his jurisdiction were allowed to appeal to Parliament, and that court was obliged to have certain cases sent back for judgment from the Châtelet. This was, however, done only in a few very important instances, notwithstanding frequent appeals being made to its supreme arbitration.

At the time he took power, Hugh Capet was the Count of Paris, and with that, he had judicial powers, which he gave up in 987, on the condition that his county of Paris would go back to the crown after the death of his brother Eudes' male heirs. In 1032, a new official called the Provost of Paris was established to assist the townspeople in arresting those who owed money. This official combined the roles of the financial and political leader of the capital, was also the head of the county's nobility, operated independently of the governor, and was above the bailiffs and seneschals. He was the top official of the urban magistracy and police, led the municipal troops, and was essentially the prefect (præfectus urbis), as he was referred to under Emperor Aurelian, or the first magistrate of Lutetia, as he was still called under Clotaire in 663. The provost was supported by assessors, and together they formed a tribunal known as the Châtelet (Fig. 303), because they met in that fortress, which is attributed to Julius Caesar. The tribunal's functions were similar to those of the royal châtellenies: its jurisdiction covered disputes between individuals, assaults, uprisings, disagreements between universities and students, and general misconduct (ribaudailles), which earned the provost the popular nickname Roi des Ribauds. Initially, his judgment was final, but soon those under his authority could appeal to Parliament, which was required to have certain cases sent back for judgment from the Châtelet. However, this appeal process only happened in a few very significant cases, despite frequent requests for the court's final decision.

Fig. 303.--The Great Châtelet of Paris.--Principal Front opposite the Pont-au-Change.--Fac-simile of an Engraving on Copper by Mérian, in the "Topographia Galliae" of Zeller.

Fig. 303.--The Great Châtelet of Paris.--Main Front facing the Pont-au-Change.--Copy of an Engraving on Copper by Mérian, in the "Topographia Galliae" of Zeller.

In addition to the courts of the counts and bailiffs established in certain of the large towns, aldermanic or magisterial courts existed, which rather resembled the Châtelet of Paris. Thus the capiloulat of Toulouse, the senior alderman of Metz, and the burgomaster of Strasburg and Brussels, possessed in each of these towns a tribunal, which judged without appeal, and united the several functions of a civil, criminal, and simple police court. Several places in the north of France had provosts who held courts whose duties were various, but who were principally charged with the maintenance of public order, and with suppressing disputes and conflicts arising from the privileges granted to the trade corporations, whose importance, especially in Flanders, had much increased since the twelfth century.

Besides the courts run by counts and bailiffs in some of the larger towns, there were also aldermanic or magisterial courts that were similar to the Châtelet in Paris. For example, the capiloulat of Toulouse, the senior alderman of Metz, and the burgomaster of Strasbourg and Brussels each had a tribunal in their towns that made final decisions, functioning as civil, criminal, and basic police courts. In several northern French locations, provosts operated courts with various responsibilities, primarily focused on maintaining public order and resolving disputes arising from the privileges given to trade corporations, which had grown significantly in importance, especially in Flanders, since the twelfth century.

"On his return from abroad, Louis IX. took his seat upon the bench, and administered justice, by the side of the good provost of Paris." This provost was no other than the learned Estienne Boileau, out of respect to whom the provostship was declared a charge de magistrature. The increase of business which fell to the provost's office, especially after the boundaries of Paris were extended by Philip Augustus, caused him to be released from the duty of collecting the public taxes. He was authorised to furnish himself with competent assistants, who were employed with matters of minor detail, and he was allowed the assistance of juges auditeurs. "We order that they shall be eight in number," says an edict of Philippe le Bel, of February, 1324, "four of them being ecclesiastics and four laymen, and that they shall assemble at the Châtelet two days in the week, to take into consideration the suits and causes in concert with our provost...." In 1343, the provost's court was composed of one King's attorney, one civil commissioner, two King's counsel, eight councillors, and one criminal commissioner, whose sittings took place daily at the Châtelet.

"Upon his return from abroad, Louis IX took his seat on the bench and administered justice alongside the good provost of Paris." This provost was none other than the learned Estienne Boileau, and out of respect for him, the provostship was declared a charge de magistrature. The growing amount of work in the provost's office, especially after Philip Augustus expanded the boundaries of Paris, led to him being relieved of the duty of collecting public taxes. He was authorized to hire capable assistants, who would handle minor details, and he was allowed the support of juges auditeurs. "We order that they shall be eight in number," states an edict of Philippe le Bel from February 1324, "four being clergymen and four laypeople, and that they shall meet at the Châtelet two days a week to discuss cases and issues alongside our provost...." By 1343, the provost's court included one King's attorney, one civil commissioner, two King's counsel, eight councillors, and one criminal commissioner, with sessions held daily at the Châtelet.

From the year 1340 this tribunal had to adjudicate in reference to all the affairs of the university, and from the 6th of October, 1380, to all those of the salt-fish market, which were no less numerous, so that its importance increased considerably. Unfortunately, numerous abuses were introduced into this municipal jurisdiction. In 1313 and 1320, the officers of the Châtelet were suspended, on account of the extortions which they were guilty of, and the King ordered an inquiry to be made into the matter. The provost and two councillors of the Parliament sat upon it, and Philip de Valois, adopting its decisions, prescribed fresh statutes, which were naturally framed in such a way as to show the distrust in which the Châtelet was then held. To these the officers of the Châtelet promised on oath to submit. The ignorance and immorality of the lay officers, who had been substituted for the clerical, caused much disturbance. Parliament authorised two of its principal members to examine the officers of the Châtelet. Twenty years later, on the receipt of fresh complaints, Parliament decided that three qualified councillors, chosen from its own body, should proceed with the King's attorney to the Châtelet, so as to reform the abuses and informalities of that court.

From the year 1340, this court was responsible for handling all matters related to the university, and starting October 6, 1380, it also dealt with all issues concerning the salt-fish market, which were just as numerous, leading to a significant increase in its importance. Unfortunately, many abuses began to emerge within this local jurisdiction. In 1313 and 1320, the officials of the Châtelet were suspended due to their extortionate practices, prompting the King to order an investigation. The provost and two councillors of the Parliament conducted this inquiry, and Philip de Valois, accepting its findings, established new statutes, which clearly indicated the distrust towards the Châtelet at that time. The officials of the Châtelet swore to comply with these new regulations. The lack of knowledge and moral integrity among the lay officials, who had replaced the clerical ones, caused significant issues. The Parliament authorized two of its main members to assess the officers of the Châtelet. Twenty years later, after receiving more complaints, Parliament decided that three qualified councillors, selected from its ranks, would work with the King's attorney to address the abuses and irregularities in that court.

Fig. 304.--The King's Court, or Grand Council.--Fac-simile of a Miniature in the "Chroniques" of Froissart, Manuscript of the Fifteenth Century (formerly in the possession of Charles V), in the Library of the Arsenal, Paris.

Fig. 304.--The King's Court, or Grand Council.--Fac-simile of a Miniature in the "Chroniques" of Froissart, Manuscript of the Fifteenth Century (previously owned by Charles V), in the Library of the Arsenal, Paris.

In the time of Philippe le Bel there existed in reality but one Parliament, and that was the King's Court. Its action was at once political, administrative, financial, and judicial, and was necessarily, therefore, of a most complicated character. Philippe le Bel made it exclusively a judicial court, defined the territorial limit of its power, and gave it as a judicial body privileges tending to strengthen its independence and to raise its dignity. He assigned political functions to the Great Council (Conseil d'Etat); financial matters to the chamber of accounts; and the hearing of cases of heresy, wills, legacies, and dowries to the prelates. But in opposition to the wise edict of 1295, he determined that Jews should be excluded from Parliament, and prelates from the palace of justice; by which latter proceeding he was depriving justice of the abilities of the most worthy representatives of the Gallican Church. But Philippe le Bel and his successors, while incessantly quarrelling either with the aristocracy or with the clergy, wanted the great judicial bodies which issued the edicts, and the urban or municipal magistrates--which, being subject to re-election, were principally recruited from among the bourgeois--to be a common centre of opposition to any attempt at usurpation of power, whether on the part of the Church, the nobility, or the crown.

During the time of Philippe le Bel, there was really only one Parliament, which was the King's Court. Its functions were political, administrative, financial, and judicial, making it quite complex. Philippe le Bel transformed it into a purely judicial court, defined its territorial authority, and granted it judicial privileges that aimed to strengthen its independence and enhance its dignity. He allocated political duties to the Great Council (Conseil d'Etat), financial issues to the chamber of accounts, and the handling of cases involving heresy, wills, legacies, and dowries to the prelates. However, contrary to the wise decree of 1295, he decided that Jews should be excluded from Parliament and prelates from the palace of justice, thereby depriving the judicial system of some of the most capable representatives of the Gallican Church. Nonetheless, Philippe le Bel and his successors, while constantly clashing with either the aristocracy or the clergy, wanted the major judicial bodies that issued the edicts, along with the urban or municipal magistrates—which were subject to re-election and mostly drawn from the bourgeoisie—to serve as a common center of resistance to any attempt at power usurpation by the Church, the nobility, or the crown.

The Great Days of Troyes (dies magni Trecenses), the assizes of the ancient counts of Champagne, and the exchequer of Normandy, were also organized by Philipe le Bel; and, further, he authorised the maintenance of a Parliament at Toulouse, a court which he solemnly opened in person on the 10th of January, 1302. In times of war the Parliament of Paris sat once a year, in times of peace twice. There were, according to circumstances, during the year two, three, or four sittings of the exchequer of Normandy, and two of the Great Days of Troyes, tribunals which were annexed to the Parliament of Paris, and generally presided over by one of its delegates, and sometimes even by the supreme head of that high court. At the King's council (Fig. 304) it was decided whether a case should be reserved for the Parliament of Paris, or passed on either to the exchequer or to the Great Days of Troyes.

The Great Days of Troyes (dies magni Trecenses), the courts of the ancient counts of Champagne, and the exchequer of Normandy were also set up by Philip the Fair; furthermore, he allowed for a Parliament to operate in Toulouse, a court that he officially opened in person on January 10, 1302. During wartime, the Parliament of Paris met once a year, while in peacetime, it met twice a year. Depending on the situation, there were two, three, or four meetings of the exchequer of Normandy in a year, along with two meetings of the Great Days of Troyes, courts that were attached to the Parliament of Paris and usually overseen by one of its representatives, and occasionally even by the head of that high court. At the King's council (Fig. 304), it was determined whether a case should be brought before the Parliament of Paris or sent to either the exchequer or the Great Days of Troyes.

As that advanced reformer, Philippe le Bel, died before the institutions he had established had taken root, for many years, even down to the time of Louis XI., a continual conflict for supremacy was waged between the Parliament of Paris and the various courts of the kingdom--between the counts and the Parliament, and between the latter and the King, which, without lessening the dignity of the crown, gradually tended to increase the influence which the judges possessed. Immediately on the accession of Louis le Hutin, in 1314, a reaction commenced--the higher clergy re-entered Parliament; but Philippe le Long took care that the laity should be in a majority, and did not allow that in his council of State the titled councillors should be more numerous than the lawyers. The latter succeeded in completely carrying the day on account of the services they rendered, and the influence which their knowledge of the laws of the country gave them. As for centuries the sword had ruled the gown, so, since the emancipation of the bourgeois, the lawyers had become masters of the administrative and judicial world; and, notwithstanding the fact that they were still kept in a somewhat inferior position to the peers and barons, their opinion alone predominated, and their decision frequently at once settled the most important questions.

As the progressive reformer, Philippe le Bel, passed away before the institutions he created were firmly established, a constant struggle for power continued for many years, even up to the time of Louis XI. This struggle was between the Parliament of Paris and the various courts of the kingdom—between the counts and the Parliament, and between the Parliament and the King. While this did not diminish the respect due to the crown, it gradually increased the influence that judges held. Right after Louis le Hutin became king in 1314, a shift began—the higher clergy returned to Parliament; however, Philippe le Long ensured that the laity held a majority and prevented titled councillors from outnumbering the lawyers in his council of State. The lawyers ultimately gained the upper hand due to the services they provided and the influence granted by their knowledge of the country’s laws. Just as the military had long controlled the legal system, once the bourgeoisie were emancipated, lawyers emerged as key figures in the administrative and judicial landscape. Even though they were still seen as somewhat inferior to the peers and barons, their opinions dominated, and their decisions often resolved the most significant issues right away.

An edict issued at Val Notre-Dame on the 11th of March, 1344, increased the number of members of Parliament, which from that time consisted of three presidents, fifteen clerical councillors, fifteen lay councillors, twenty-four clergymen and sixteen laymen of the Court of Inquiry, and five clergymen and sixteen laymen of the Court of Petitions. The King filled up the vacant seats on the recommendation of the Chancellor and of the Parliament. The reporters were enjoined to write the decisions and sentences which were given by the court "in large letters, and far apart, so that they might be more easily read." The duties of police in the courts, the keeping of the doors, and the internal arrangements generally for those attending the courts and the Parliament, were entrusted to the ushers, "who divided among themselves the gratuities which were given them by virtue of their office." Before an advocate was admitted to plead he was required to take oath and to be inscribed on the register.

An order issued at Val Notre-Dame on March 11, 1344, increased the number of members in Parliament, which then included three presidents, fifteen clerical councillors, fifteen lay councillors, twenty-four clergymen, and sixteen laymen from the Court of Inquiry, as well as five clergymen and sixteen laymen from the Court of Petitions. The King appointed new members based on recommendations from the Chancellor and Parliament. Reporters were instructed to write down the decisions and sentences given by the court "in large letters, and spaced out, so that they could be more easily read." The responsibilities for maintaining order in the courts, managing the doors, and organizing everything for those attending the courts and Parliament were given to the ushers, "who shared the tips they received because of their position." Before an advocate could plead, they had to take an oath and be registered.

The Parliament as then established was somewhat similar in its character to that of the old national representative government under the Germans and Franks. For centuries it protected the King against the undue interference of the spiritual power, it defended the people against despotism, but it often lacked independence and political wisdom, and it was not always remarkable for its correct appreciation of men and things. This tribunal, although supreme over all public affairs, sometimes wavered before the threats of a minister or of a court favourite, succumbed to the influence of intrigues, and adapted itself to the prejudices of the times. We see it, in moments of error and of blindness, both condemning eminent statesmen and leading citizens, such as Jacques Coeur and Robertet, and handing over to the executioner distinguished men of learning and science in advance of the times in which they lived, because they were falsely accused of witchcraft, and also doing the same towards unfortunate maniacs who fancied they had dealings with the devil.

The Parliament that was established at that time was somewhat similar to the old national representative government under the Germans and Franks. For centuries, it safeguarded the King from excessive interference by religious authorities, and it protected the people from tyranny, but it often lacked independence and political insight, and it didn't always have a good understanding of people and situations. This body, although it was the ultimate authority on public matters, sometimes hesitated in the face of threats from a minister or a court favorite, fell victim to political intrigues, and conformed to the biases of the era. We can see it, in moments of misjudgment and ignorance, condemning prominent statesmen and leading citizens, such as Jacques Coeur and Robertet, and sending distinguished scholars and scientists to the executioner ahead of their time because they were falsely accused of witchcraft; it also acted against unfortunate individuals who believed they had made pacts with the devil.

Fig. 305.--Trial of the Constable de Bourbon before the Peers of France (1523).--From an Engraving in "La Monarchie Françoise" of Montfauçon.

Fig. 305.--Trial of the Constable de Bourbon before the Peers of France (1523).--From an Engraving in "La Monarchie Françoise" of Montfauçon.

In the fourteenth and fifteenth centuries all the members of Parliament formed part of the council of State, which was divided into the Smaller Council and the Greater Council. The Greater Council only assembled in cases of urgency and for extraordinary and very important purposes, the Smaller Council assembled every month, and its decisions were registered. From this arose the custom of making a similar registration in Parliament, confirming the decisions after they had been formally arrived at. The most ancient edict placed on the register of the Parliament of Paris dates from the year 1334, and is of a very important character. It concerns a question of royal authority, and decides that in spiritual matters the right of supremacy does not belong more to the Pope than to the King. Consequently Philippe de Valois ordered "his friends and vassals who shall attend the next Parliament and the keepers of the accounts, that for the perpetual record of so memorable a decision, it shall be registered in the Chambers of Parliament and kept for reference in the Treasury of the Charters." From that time "cases of complaint and other matters relating to benefices have no longer been discussed before the ecclesiastical judges, but before Parliament or some other secular court."

In the fourteenth and fifteenth centuries, all members of Parliament were part of the council of State, which was divided into the Smaller Council and the Greater Council. The Greater Council only met in urgent situations and for extraordinary, important issues, while the Smaller Council met every month, and its decisions were recorded. This led to the practice of making similar registrations in Parliament to confirm the decisions after they had been formally made. The oldest edict recorded in the Parliament of Paris dates back to 1334 and is very significant. It addresses the question of royal authority and states that in spiritual matters, the right of supremacy doesn't belong more to the Pope than to the King. As a result, Philippe de Valois ordered "his friends and vassals who shall attend the next Parliament and the keepers of the accounts, that for the permanent record of such a memorable decision, it shall be registered in the Chambers of Parliament and kept for reference in the Treasury of the Charters." From that point on, "cases of complaint and other matters relating to benefices have no longer been discussed before ecclesiastical judges, but before Parliament or some other secular court."

During the captivity of King John in England, royal authority having considerably declined, the powers of Parliament and other bodies of the magistracy so increased, that under Charles VI. the Parliament of Paris was bold enough to assert that a royal edict should not become law until it had been registered in Parliament. This bold and certainly novel proceeding the kings nevertheless did not altogether oppose, as they foresaw that the time would come when it might afford them the means of repudiating a treaty extorted from them under difficult circumstances (Fig. 306).

During King John's captivity in England, royal authority had significantly weakened, and the powers of Parliament and other governing bodies grew so much that under Charles VI, the Parliament of Paris confidently claimed that a royal edict wouldn't become law until it was registered in Parliament. The kings didn't completely oppose this bold and certainly new move, as they anticipated a time when it could give them a way to reject a treaty forced upon them under tough circumstances (Fig. 306).

The close connection which existed between the various Parliaments and their political functions--for they had occasion incessantly to interfere between the acts of the government and the respective pretensions of the provinces or of the three orders--naturally increased the importance of this supreme magistracy. More than once the kings had cause to repent having rendered it so powerful, and this was the case especially with the Parliament of Paris. In this difficulty it is interesting to note how the kings acted. They imperceptibly curtailed the various powers of the other courts of justice, they circumscribed the power of the Parliament of Paris, and proportionately enlarged the jurisdiction of the great bailiwicks, as also that of the Châtelet. The provost of Paris was an auxiliary as well as a support to the royal power, which nevertheless held him in its grasp. The Châtelet was also a centre of action and of strength, which counteracted in certain cases parliamentary opposition. Thence arose the most implacable rivalries and dissensions between these various parties.

The close connection that existed between the different Parliaments and their political roles—since they frequently intervened between the actions of the government and the claims of the provinces or the three estates—naturally increased the significance of this highest office. More than once, the kings regretted giving it so much power, especially regarding the Parliament of Paris. In these tough situations, it's interesting to see how the kings responded. They subtly reduced the powers of the other courts of justice, limited the authority of the Parliament of Paris, and correspondingly expanded the jurisdiction of the major bailiwicks, as well as that of the Châtelet. The provost of Paris was both a helper and a supporter of the royal power, which still controlled him. The Châtelet also served as a center of action and strength that sometimes countered parliamentary opposition. This led to intense rivalries and conflicts between these various factions.

Fig. 306.--Promulgation of an Edict.--Fac-simile of a Miniature in "Anciennetés des Juifs," (French Translation from Josephus), Manuscript of the Fifteenth Century, executed for the Duke of Burgundy (Library of the Arsenal of Paris.)

Fig. 306.--Announcement of a Decree.--Reproduction of a Miniature in "Anciennetés des Juifs," (French Translation from Josephus), 15th Century Manuscript created for the Duke of Burgundy (Library of the Arsenal of Paris.)

It is curious to notice with what ingenuity and how readily Parliament took advantage of the most trifling circumstances or of charges based upon the very slightest grounds to summon the officers of the Châtelet before its bar on suspicion of prevarication or of outrages against religion, morals, or the laws. Often were these officers and the provost himself summoned to appear and make amende honourable before the assembly, notwithstanding which they retained their offices. More than once an officer of the Châtelet was condemned to death and executed, but the King always annulled that part of the sentence which had reference to the confiscation of the goods of the condemned, thus proving that in reality the condemnation had been unjust, although for grave reasons the royal authority had been unable to save the victim from the avenging power of Parliament. Hugues Aubriot, the provost, was thus condemned to imprisonment for life on the most trivial grounds, and he would have undergone capital punishment if Charles V. had abandoned him at the time of his trial. During the English occupation, in the disastrous reign of Charles VI., the Châtelet of Paris, which took part with the people, gave proof of extraordinary energy and of great force of character. The blood of many of its members was shed on the scaffold, and this circumstance must ever remain a reproach to the judges and to those who executed their cruel sentences, and a lasting crown of glory to the martyrs themselves.

It's interesting to see how cleverly and quickly Parliament used the most minor circumstances or charges based on the slightest evidence to call the officers of the Châtelet to account for suspected dishonesty or offenses against religion, morals, or the law. These officers, including the provost, were often called to appear and make amende honourable before the assembly, yet they kept their positions. More than once, a Châtelet officer was sentenced to death and executed, but the King consistently canceled the part of the sentence that ordered the confiscation of the condemned's property, showing that the sentence was actually unjust, even though the royal authority couldn't save the victim from Parliament's punishment. Hugues Aubriot, the provost, was condemned to life imprisonment on the flimsiest grounds, and he would have faced execution if Charles V. hadn't intervened during his trial. During the English occupation and the troubled reign of Charles VI., the Châtelet of Paris, which sided with the people, showed remarkable energy and strength of character. Many of its members lost their lives on the scaffold, which will always be a blot on the judges and those who carried out their brutal sentences, and a lasting symbol of honor for the martyrs themselves.

An edict of King John, issued after his return from London in 1363, a short time before his death, clearly defined the duties of Parliament. They were to try cases which concerned peers of France, and such prelates, chapters, barons, corporations, and councils as had the privilege of appealing to the supreme court; and to hear cases relating to estates, and appeals from the provost of Paris, the bailiffs, seneschals, and other judges (Fig. 307). It disregarded minor matters, but took cognizance of all judicial debates which concerned religion, the King, or the State. We must remark here that advocates were only allowed to speak twice in the same cause, and that they were subjected to fine, or at least to remonstrance, if they were tedious or indulged in needless repetition in their replies, and especially if they did not keep carefully to the facts of the case. After pleading they were permitted to give a summary in writing of "the principal points of importance as well as their clients' grounds of defence." Charles V. confirmed these orders and regulations with respect to advocates, and added others which were no less important, among which we find a provision for giving "legal assistance to poor and destitute persons who go to law." These regulations of Charles also limited the time in which officers of justice were to get through their business under a certain penalty; they also proclaimed that the King should no longer hear minor causes, and that, whatever might be the rules of the court, they forbad the presidents from deferring their judgment or from retarding the regular course of justice. Charles VI., before he became insane, contributed no less than his father to the establishment on a better footing of the supreme court of the kingdom, as well as that of the Châtelet and the bailiwicks.

An order from King John, issued after he returned from London in 1363, shortly before his death, clearly outlined the responsibilities of Parliament. They were to handle cases involving peers of France, and any prelates, chapters, barons, corporations, and councils that had the right to appeal to the highest court; along with cases related to estates, and appeals from the provost of Paris, the bailiffs, seneschals, and other judges (Fig. 307). It ignored minor issues but addressed all legal disputes related to religion, the King, or the State. It’s important to note that advocates were only allowed to speak twice on the same case and faced fines, or at least warnings, if they were repetitive or lengthy in their arguments, especially if they strayed from the facts of the case. After making their arguments, they could provide a written summary of "the key points and their clients' defense arguments." Charles V. confirmed these rules for advocates and added other significant regulations, including a provision for offering "legal help to poor and needy individuals seeking justice." These regulations from Charles also set a time limit for justice officials to complete their work, with penalties for delays; they also stated that the King would no longer handle minor cases, and that regardless of court rules, judges were prohibited from postponing their decisions or delaying justice. Before he became mentally ill, Charles VI. contributed just as much as his father to better establishing the supreme court of the kingdom, as well as that of the Châtelet and the bailiwicks.

Fig. 307.--Bailiwick.--Fac-simile of a Woodcut in the "Cosmographie Universelle" of Munster: in folio, Basle, 1552.

Fig. 307.--Bailiwick.--Image of a woodcut from the "Cosmographie Universelle" by Munster: in folio, Basel, 1552.

In the fifteenth century, the Parliament of Paris was so organized as not to require material change till 1789. There were noble, clerical, and lay councillors, honorary members, and maîtres de requête, only four of whom sat; a first president, who was supreme head of the Parliament, a master of the great chamber of pleas, and three presidents of the chamber, all of whom were nominated for life. There were fifteen masters (maistres) or clerical councillors, and fifteen who were laymen, and these were annually approved by the King on the opening of the session. An attorney-general, several advocates-general, and deputies, who formed a committee or college, constituted the active part of this court, round which were grouped consulting advocates (consiliarii), pleading advocates (proponentes), advocates who were mere listeners (audientes), ushers and serjeants, whose chief, on his appointment, became a member of the nobility.

In the fifteenth century, the Parliament of Paris was structured in a way that didn't require significant changes until 1789. It included noble, clerical, and lay councilors, honorary members, and maîtres de requête, with only four of them sitting at a time: a first president, who was the supreme leader of the Parliament, a master of the great chamber of pleas, and three chamber presidents, all chosen for life. There were fifteen clerical councilors (maistres) and fifteen lay councilors, who were approved by the King each year at the start of the session. The active members of this court included an attorney-general, several advocates-general, and deputies who formed a committee or college. Around them were consulting advocates (consiliarii), pleading advocates (proponentes), advocates who were just listeners (audientes), ushers, and sergeants, whose leader became a member of the nobility upon appointment.

The official costume of the first president resembled that of the ancient barons and knights. He wore a scarlet gown lined with ermine, and a black silk cap ornamented with tassels. In winter he wore a scarlet mantle lined with ermine over his gown, on which his crest was worked on a shield. This mantle was fastened to the left shoulder by three gold cords, in order to leave the sword-side free, because the ancient knights and barons always sat in court wearing their swords. Amongst the archives of the mayoralty of London, we find in the "account of the entry of Henry V., King of England, into Paris" (on the 1st of December, 1420), that "the first president was in royal dress (estoit en habit roial), the first usher preceding him, and wearing a fur cap; the church dignitaries wore blue robes and hoods, and all the others in the procession scarlet robes and hoods." This imposing dress, in perfect harmony with the dignity of the office of those who wore them, degenerated towards the fifteenth century. So much was this the case, that an order of Francis I. forbad the judges from wearing pink "slashed hose" or other "rakish garments."

The official outfit of the first president looked a lot like what ancient barons and knights wore. He donned a scarlet robe lined with ermine and a black silk hat decorated with tassels. In winter, he wore a scarlet cloak lined with ermine over his robe, featuring his crest on a shield. The cloak was secured at the left shoulder with three gold cords, leaving the sword-side clear because ancient knights and barons always sat in court with their swords. Among the records of the London mayoralty, we find in the "account of the entry of Henry V., King of England, into Paris" (on December 1, 1420), that "the first president was in royal dress (estoit en habit roial), with the first usher ahead of him wearing a fur cap; the church leaders were in blue robes and hoods, and everyone else in the procession wore scarlet robes and hoods." This grand attire, perfectly matching the dignity of those who wore it, declined by the fifteenth century. So much so that an order from Francis I prohibited judges from wearing pink "slashed hose" or any other "flashy garments."

In the early times of monarchy, the judicial functions were performed gratuitously; but it was the custom to give presents to the judges, consisting of sweetmeats, spices, sugar-plums, and preserves, until at a subsequent period, 1498, when, as the judges "preferred money to sweetmeats," says the Chancellor Etienne Pasquier, the money value of the spices, &c., was fixed by law and made compulsory. In the bills of expenses preserved among the national archives, we find that the first president of the Parliament of Paris received a thousand livres parisis annually, representing upwards of one hundred thousand francs at the present rate of money; the three presidents of the chamber five hundred livres, equal to fifty thousand francs; and the other nobles of the said Parliament five sols parisis, or six sols three deniers--about twenty-five francs--per day for the days only on which they sat. They received, besides, two mantles annually. The prelates, princes, and barons who were chosen by the King received no salaries--ils ne prennent nuls guaiges (law of 27th January, 1367). The seneschals and high bailiffs, like the presidents of the chambers, received five hundred livres--fifty thousand francs. They and the bailiffs of inferior rank were expressly forbidden from receiving money or fees from the parties in any suit, but they were allowed to accept on one day refreshment and bottles of wine. The salaries were paid monthly; but this was not always done regularly; sometimes the King was to blame for this, and sometimes it was owing to the ill-nature of the chiefs of finance, or of the receivers and payers. When the blame rested with the King, the Parliament humbly remonstrated or closed the court. When, on the contrary, an officer of finance did not pay the salaries, Parliament sent him the bailiff's usher, and put him under certain penalties until he had done so. The question of salaries was frequently arising. On the 9th of February, 1369, "the court having been requested to serve without any remuneration for one Parliament, on the understanding that the King would make up for it another time, the nobles of the court replied, after private deliberation, that they were ready to do the King's pleasure, but could not do so properly without receiving their salaries" (Register of the Parliament of Paris).

In the early days of monarchy, judges performed their duties for free, but it was usual to give them gifts like sweets, spices, candies, and preserves. However, in 1498, when judges "preferred cash to sweets," as noted by Chancellor Etienne Pasquier, the monetary value of these items was established by law and made mandatory. Records from the national archives show that the first president of the Parliament of Paris earned a thousand livres parisis per year, which is over one hundred thousand francs today. The three chamber presidents got five hundred livres, equivalent to fifty thousand francs, and other nobles of the Parliament received five sols parisis or six sols three deniers—about twenty-five francs—per day only for the days they attended. They also received two mantles each year. The prelates, princes, and barons appointed by the King did not receive any salaries—ils ne prennent nuls guaiges (law of January 27, 1367). The seneschals and high bailiffs, like the chamber presidents, were paid five hundred livres—fifty thousand francs. They, along with lower-ranking bailiffs, were specifically prohibited from taking money or fees from the parties in any case, though they could accept refreshments and bottles of wine on one occasion. Salaries were paid monthly, but this wasn't always done regularly; sometimes the King was at fault, and other times it was the stubbornness of the finance chiefs or the receivers and payers. When the King was to blame, the Parliament would quietly protest or close the court. Conversely, if a finance officer failed to pay salaries, Parliament would send the bailiff's usher after them and impose penalties until payment was made. The issue of salaries often came up. On February 9, 1369, "after the court was asked to work without compensation for one Parliament, with the promise that the King would make it up later, the court nobles replied, after some private discussion, that they were willing to do the King's bidding but could not do so properly without receiving their salaries" (Register of the Parliament of Paris).

At the commencement of the fifteenth century, the scale of remuneration was not increased. In 1411 it was raised for the whole Parliament to twenty-five thousand livres, which, calculated according to the present rate, amounted to nearly a million francs. In consequence of financial difficulties and the general distress, the unpleasant question in reference to claims for payment of salaries was renewed, with threats that the course of justice would be interrupted if they were not paid or not promised. On the 2nd of October, 1419, two councillors and one usher were sent to the house of one of the chiefs of finance, with orders to demand payment of the salaries of the court. In October, 1430, the government owed the magistrates two years of arrears. After useless appeals to the Regent, and to the Bishop of Thérouanne, the then Chancellor of France, the Parliament sent two of its members to the King at Rouen, who obtained, after much difficulty, "one month's pay, on the understanding that the Parliament should hold its sittings in the month of April." In the month of July, 1431, there was another deputation to the King, "in order to lay before him the necessities of the court, and that it had for some time been prorogued, and was still prorogued, on account of the non-payment of salaries." After two months of repeated remonstrance, the deputies only bringing back promises, the court assumed a menacing aspect; and on the 11th of January, 1437, it pointed out to the chancellor the evil which would arise if Parliament ceased to hold its sittings; and this time the chancellor announced that the salaries would be paid, though six months passed without any resuit or any practical step being taken in the matter. This state of affairs grew worse until the year 1443, when the King was obliged to plead with the Parliament in the character of an insolvent debtor, and, in order to obtain remission of part of his debt to the members, to guarantee to them a part of the salt duties.

At the beginning of the fifteenth century, pay rates didn’t go up. In 1411, it was increased for the entire Parliament to twenty-five thousand livres, which today would be nearly a million francs. Due to financial struggles and widespread hardship, the uncomfortable issue of salary payments was raised again, with threats that justice would be disrupted if salaries weren’t paid or promised. On October 2, 1419, two council members and one usher were sent to the residence of a financial leader, instructed to demand the court's salaries. By October 1430, the government owed the judges two years' worth of back pay. After fruitless appeals to the Regent and the Bishop of Thérouanne, who was the Chancellor of France at the time, Parliament sent two of its members to the King in Rouen, who managed to get, after much hassle, "one month's pay, on the condition that Parliament would hold its sessions in April." In July 1431, another delegation went to the King "to present the court's needs, explaining that it had been postponed for a while and was still postponed due to unpaid salaries." After two months of repeated complaints, with deputies returning only with promises, the court grew increasingly hostile; on January 11, 1437, it warned the chancellor about the problems that would arise if Parliament stopped holding sessions. This time, the chancellor announced that salaries would be paid, yet six months passed without any results or concrete actions on the issue. The situation worsened until 1443, when the King had to appeal to Parliament as a bankrupt debtor and, to get some of his debt reduced, promised them a share of the salt taxes.

Charles VII, after having reconquered his states, hastened to restore order. He first occupied himself with the System of justice, the Parliament, the Châtelet, and the bailiwicks; and in April, 1453, in concert with the princes, the prelates, the council of State, the judges, and others in authority, he framed a general law, in one hundred and twenty-five articles, which was considered as the great charter of Parliament (Fig. 308). According to the terms of these articles, "the councillors are to sit after dinner, to get through the minor causes. Prisoners are to be examined without delay, and to hold no communication with any one, unless by special permission. The cases are to be carefully gone through in their proper order; for courts are instructed to do justice as promptly for the poor as for the rich, as it is a greater hardship for the poor to be kept waiting than the rich." The fees of attorneys were taxed and reduced in amount. Those of advocates were reduced "to such moderation and fairness, that there should be no cause for complaint." The judgments by commissary were forbidden. The bailiffs and seneschals were directed to reside within their districts. The councillors were ordered to abstain from all communication with the parties in private, and consultations between themselves were to be held in secret. The judgments given in lawsuits were inscribed in a register, and submitted every two months to the presidents, who, if necessary, called the reporters to account for any neglect of duty. The reporter was ordered to draw attention to any point of difficulty arising in a suit, and the execution of sentences or judgments was entrusted to the ushers of the court.

Charles VII, after reclaiming his territories, quickly moved to restore order. He focused on the justice system, including the Parliament, the Châtelet, and the local courts. In April 1453, in collaboration with princes, bishops, the council of State, judges, and other officials, he created a comprehensive law consisting of one hundred and twenty-five articles, considered the great charter of Parliament (Fig. 308). According to these articles, "councillors are required to meet after lunch to handle minor cases. Prisoners must be questioned immediately and cannot communicate with anyone without special permission. Cases should be addressed carefully in the correct order, as courts are instructed to deliver justice as swiftly for the poor as for the rich, given that it is a greater hardship for the poor to be left waiting than for the rich." Attorney fees were capped and lowered. Advocate fees were adjusted "to ensure fairness, leaving no room for complaints." Judgments made by commissioners were banned. Bailiffs and seneschals were ordered to live within their jurisdictions. Councillors were instructed to avoid any private communications with parties involved in cases, and discussions among themselves had to be kept confidential. Judgments from lawsuits were recorded in a register and reviewed every two months by the presidents, who could call reporters to account for any neglect. The reporter was tasked with highlighting any issues in a case, and the enforcement of sentences or judgments was assigned to the court ushers.

In 1454 the King, in consequence of a difficulty in paying the regular instalments of the usual salaries of the Parliament, created "after-dinner fees" (des gages d'après dînées) of five sols parisis--more than ten francs of our money--per day, payable to those councillors who should hold a second hearing. Matters did not improve much, however; nothing seemed to proceed satisfactorily, and members of Parliament, deprived of their salaries, were compelled to contract a loan, in order to commence proceedings against the treasury for the non-payment of the amount due to them. In 1493, the annual salaries of Parliament were raised to the sum of 40,630 livres, equal to about 1,100,000 francs.

In 1454, the King, due to issues in paying the regular installments of Parliament's usual salaries, created "after-dinner fees" (des gages d'après dînées) of five sols parisis—more than ten francs today—per day, payable to those councillors who held a second hearing. However, things didn’t improve much; nothing seemed to move forward satisfactorily, and Parliament members, lacking their salaries, had to take out a loan to start proceedings against the treasury for the unpaid amounts owed to them. In 1493, the annual salaries of Parliament were increased to a total of 40,630 livres, which is about 1,100,000 francs.

Fig. 308.--Supreme Court, presided over by the King, who is in the act of issuing a Decree which is being registered by the Usher.--Fac-simile of a Miniature in Camareu of the "Information des Rois," Manuscript of the Fifteenth Century, in the Library of the Arsenal of Paris.

Fig. 308.--Supreme Court, headed by the King, who is currently issuing a Decree that the Usher is registering.--Fac-simile of a Miniature in Camareu of the "Information des Rois," Manuscript of the Fifteenth Century, in the Library of the Arsenal of Paris.

The first president received 4 livres, 22 solis parisis--about 140 francs--per day; a clerical councillor 25 sols parisis--about 40 francs--and a lay councillor 20 sols--about 32 francs. This was an increase of a fifth on the preceding year. Charles VIII., in thus improving the remuneration of the members of the first court of the kingdom, reminded them of their duties, which had been too long neglected; he told them "that of all the cardinal virtues justice was the most noble and most important;" and he pointed out to them the line of conduct they were to pursue. The councillors were to be present daily in their respective chambers, from St. Martin's day to Easter, before seven o'clock in the morning; and from Easter to the closing of Parliament, immediately after six o'clock, without intermission, under penalty of punishment. Strict silence was enforced upon them during the debates; and they were forbidden to occupy themselves with anything which did not concern the case under discussion. Amidst a mass of other points upon which directions are given, we notice the following: the necessity of keeping secret the matters in course of deliberation; the prohibition to councillors from receiving, either directly or indirectly, anything in the shape of a douceur from the parties in any suit; and the forbidding all attorneys from receiving any bribe or claiming more than the actual expenses of a journey and other just charges.

The first president got 4 livres, 22 solis parisis—about 140 francs—per day; a clerical councillor received 25 sols parisis—about 40 francs—and a lay councillor 20 sols—about 32 francs. This was a 20% increase from the previous year. Charles VIII. improved the pay for members of the kingdom's highest court to remind them of their duties, which had been neglected for too long; he told them "that of all the cardinal virtues, justice is the most noble and important;" and he outlined the conduct they were expected to follow. The councillors were required to be present daily in their respective chambers, from St. Martin's Day to Easter, by seven o'clock in the morning; and from Easter until Parliament closed, immediately after six o'clock, without breaks, under threat of punishment. Strict silence was enforced during debates; they were not allowed to engage in anything unrelated to the case being discussed. Among a number of other instructions, we note the following: the requirement to keep deliberations confidential; the ban on councillors from accepting, directly or indirectly, any kind of bribe from the parties involved in a case; and the prohibition for all attorneys from accepting any bribe or claiming more than the actual travel expenses and other legitimate costs.

The great charter of the Parliament, promulgated in April, 1453, was thus amended, confirmed, and completed, by this code of Charles VIII., with a wisdom which cannot be too highly extolled.

The great charter of Parliament, issued in April 1453, was therefore amended, confirmed, and completed by this code of Charles VIII, with a wisdom that can't be praised enough.

The magistrature of the supreme courts had been less favoured during the preceding reign. Louis XI., that cautious and crafty reformer, after having forbidden ecclesiastical judges to examine cases referring to the revenues of vacant benefices, remodelled the secular courts, but he ruthlessly destroyed anything which offended him personally. For this reason, as he himself said, he limited the power of the Parliaments of Paris and Toulouse, by establishing, to their prejudice, several other courts of justice, and by favouring the Châtelet, where he was sure always to find those who would act with him against the aristocracy. The Parliament would not give way willingly, nor without the most determined opposition. It was obliged, however, at last to succumb, and to pass certain edicts which were most repugnant to it. On the death of Louis XI., however, it took its revenge, and called those who had been his favourites and principal agents to answer a criminal charge, for no other reason than that they had exposed themselves to the resentment of the supreme court.

The magistrates of the supreme courts had been less supported during the previous reign. Louis XI, that cautious and clever reformer, after forbidding ecclesiastical judges from handling cases related to the revenues of vacant benefices, reshaped the secular courts but ruthlessly eliminated anything that personally offended him. Because of this, as he himself noted, he limited the power of the Parliaments of Paris and Toulouse by creating several other courts of justice that worked against them and by favoring the Châtelet, where he knew he could always find allies against the aristocracy. The Parliament was not willing to give in easily and resisted strongly. However, it ultimately had to yield and pass certain edicts that it found extremely distasteful. After the death of Louis XI, though, it took its revenge by summoning those who had been his favorites and main agents to face criminal charges, simply because they had attracted the anger of the supreme court.

The Châtelet, in its judicial functions, was inferior to the Parliament, nevertheless it acquired, through its provost, who represented the bourgeois of Paris, considerable importance in the eyes of the supreme court. In fact, for two centuries the provost held the privilege of ruling the capital, both politically and financially, of commanding the citizen militia, and of being chief magistrate of the city. In the court of audiences, a canopy was erected, under which he sat, a distinction which no other magistrate enjoyed, and which appears to have been exclusively granted to him because he sat in the place of Monsieur Saint Loys (Saint Louis), dispensing justice to the good people of the City of Paris. When the provost was installed, he was solemnly escorted, wearing his cap, to the great chamber of Parliament, accompanied by four councillors.

The Châtelet, in its judicial roles, was lower in status than the Parliament, but it still gained significant importance through its provost, who represented the middle class of Paris, in the eyes of the top court. For two centuries, the provost had the privilege of governing the capital, both politically and financially, of leading the citizen militia, and being the city's chief magistrate. In the court of audiences, a special canopy was set up for him to sit under, a distinction that no other magistrate had, and it seemed to have been given exclusively to him because he stood in for Monsieur Saint Loys (Saint Louis), administering justice to the good people of the City of Paris. When the provost took office, he was formally escorted, wearing his cap, to the great chamber of Parliament, accompanied by four councillors.

Fig. 309.--The Court of a Baron.--Fac-simile of a Woodcut in the "Cosmographie Universelle" of Munster: in folio, Basle, 1552.

Fig. 309.--The Court of a Baron.--Exact replica of a woodcut in the "Cosmographie Universelle" by Munster: in folio, Basel, 1552.

After the ceremony of installation he gave his horse to the president, who had come to receive him. His dress consisted of a short robe, with mantle, collar turned down, sword, and hat with feathers; he also carried a staff of office, profusely ornamented with silver. Thus attired he attended Parliament, and assisted at the levees of the sovereign, where he took up his position on the lowest step of the throne, below the great Chamberlain. Every day, excepting at the vintage time, he was required to be present at the Châtelet, either personally or by deputy, punctually at nine in the morning. There he received the list of the prisoners who had been arrested the day before; after that he visited the prisons, settled business of various kinds, and then inspected the town. His jurisdiction extended to several courts, which were presided over by eight deputies or judges appointed by him, and who were created officers of the Châtelet by Louis XII. in 1498. Subsequently, these received their appointments direct from the King. Two auditing judges, one king's attorney, one registrar, and some bailiffs, completed the provost's staff.

After the installation ceremony, he gave his horse to the president, who had come to meet him. He was dressed in a short robe, with a mantle, a turned-down collar, a sword, and a feathered hat; he also carried a staff of office, richly decorated with silver. Dressed like this, he attended Parliament and participated in the sovereign's gatherings, where he positioned himself on the lowest step of the throne, below the great Chamberlain. Every day, except during harvest time, he was expected to be at the Châtelet, either in person or by representative, promptly at nine in the morning. There, he received a list of the prisoners who had been arrested the day before; after that, he visited the prisons, handled various business matters, and then inspected the town. His jurisdiction covered several courts, which were overseen by eight deputies or judges he appointed, who were made officers of the Châtelet by Louis XII in 1498. Later on, these appointments came directly from the King. His team included two auditing judges, one king's attorney, one registrar, and several bailiffs, completing the provost's staff.

Fig. 310.--Sergeants-at-Arms of the Fourteenth Century, carved in Stone.--From the Church of St. Catherine du Val des Ecoliers, in Paris.

Fig. 310.--Sergeants-at-Arms of the 14th Century, carved in Stone.--From the Church of St. Catherine du Val des Ecoliers, in Paris.

The bailiffs at the Châtelet were divided into five classes: the king's sergeant-at-arms, the sergeants de la douzaine, the sergeants of the mace, or foot sergeants, the sergeants fieffés, and the mounted sergeants. The establishment of these officers dated from the beginning of the fourteenth century, and they were originally appointed by the provost, but afterwards by the King himself. The King's sergeants-at-arms (Fig. 310) formed his body-guard; they were not under the jurisdiction of the high constable, but of the ordinary judges, which proves that they were in civil employ. The sergeants de la douzaine were twelve in number, as their name implies, all of whom were in the service of the provost; the foot sergeants, who were civilians, were gradually increased to the number of two hundred and twenty as early as the middle of the fifteenth century. They acted only in the interior of the capital, and guarded the city, the suburbs, and the surrounding districts, whereas the mounted sergeants had "to watch over the safety of the rural parishes, and to act throughout the whole extent of the provost's jurisdiction, and of that of the viscount of Paris."

The bailiffs at the Châtelet were divided into five categories: the king's sergeant-at-arms, the sergeants de la douzaine, the sergeants of the mace or foot sergeants, the sergeants fieffés, and the mounted sergeants. These officers were established at the beginning of the fourteenth century and were originally appointed by the provost, later by the King himself. The King's sergeants-at-arms (Fig. 310) served as his bodyguard; they were not under the high constable's authority but rather that of the regular judges, showing they were employed in a civil capacity. The sergeants de la douzaine numbered twelve, as their name suggests, and were all in service to the provost. The foot sergeants, who were civilians, grew to two hundred and twenty by the mid-fifteenth century. They operated only within the city, protecting the city itself, its suburbs, and the surrounding areas, while the mounted sergeants were responsible for ensuring the safety of the rural parishes and acting across the full extent of the provost's jurisdiction and that of the viscount of Paris.

In the midst of the changes of the Middle Ages, especially after the communes became free, all those kings who felt the importance of a strict system of justice, particularly St. Louis, Philippe le Bel, and Charles VIII., had seen the necessity of compiling a record of local customs. An edict of 1453 orders that "the custom shall be registered in writing, so as to be examined by the members of the great council of the Parliament." Nevertheless, this important work was never properly carried out, and to Louis XII. is due the honour of introducing a customary or usage law, and at the same time of correcting the various modes of procedure, upon which customs and usages had been based, and which had become singularly antiquated since the edict of 1302.

In the midst of the changes during the Middle Ages, particularly after the communes gained their freedom, all the kings who recognized the need for a strict justice system, especially St. Louis, Philippe le Bel, and Charles VIII, understood the importance of compiling a record of local customs. An edict from 1453 stated that "the custom shall be registered in writing, so as to be examined by the members of the great council of the Parliament." However, this crucial task was never properly completed, and it was Louis XII who deserves credit for introducing customary law while also updating the various legal procedures that customs and usages were based on, which had become quite outdated since the edict of 1302.

No monarch showed more favour to Parliament than Louis XII. During his reign of seventeen years we never find complaints from the magistracy for not having been paid punctually. But in contrast with this, on the accession of Francis I., the court complained of not having been paid its first quarter's salary. From that moment claims were perpetually being made; there were continually delays, or absolute refusals; the members were expecting "remuneration for their services, in order absolutely to enable them to support their families and households." We can thus judge of the state of the various minor courts, which, being less powerful than the supreme tribunals, and especially than that of Paris, were quite unable to get their murmurings even listened to by the proper authorities. This sad state of things continued, and, in fact, grew worse, until the assembly of the League, when Mayenne, the chief of the leaguers, in order to gratify the Parliament, promised to double the salaries, although he was unable to fulfil his promise.

No monarch showed more support for Parliament than Louis XII. During his seventeen-year reign, there were never complaints from the magistracy about not being paid on time. However, when Francis I. took the throne, the court complained about not receiving their first quarter's salary. From that point on, claims were constantly being made; there were frequent delays and outright refusals; the members were expecting "compensation for their services so they could support their families and households." This gives us an idea of the state of the various smaller courts, which, being less powerful than the supreme tribunals, especially the one in Paris, couldn't even get their concerns heard by the appropriate authorities. This unfortunate situation persisted and actually worsened until the assembly of the League, when Mayenne, the leader of the leaguers, promised to double the salaries to appease Parliament, although he was unable to keep that promise.

Fig. 311.--Inferior Court in the Great Bailiwick. Adoption of Orphan Children.--Fac-simile of a Woodcut in J. Damhoudère's "Refuge et Garand des Pupilles, Orphelins:" Antwerp, J. Bellère, 1557.

Fig. 311.--Inferior Court in the Great Bailiwick. Adoption of Orphan Children.--Facsimile of a Woodcut in J. Damhoudère's "Refuge et Garand des Pupilles, Orphelins:" Antwerp, J. Bellère, 1557.

Towards the end of the sixteenth century the highest French tribunal was represented by nine superior courts--namely, the Parliament of Bordeaux, created on the 9th of June, 1642; the Parliament of Brittany, which replaced the ancient Grands-Jours, in March, 1553, and sat alternately at Nantes and at Rennes; the Parliament of the Dauphiné, established at Grenoble in 1451 to replace the Delphinal Council; the Parliament of Burgundy, established at Dijon in 1477, which took the place of the Grands-Jours at Beaune; the movable Parliament of Dombes, created in 1528, and consisting at the same time of a court of excise and a chamber of accounts; the Parliament of Normandy, established by Louis XII. in April, 1504, intended to replace the Exchequer of Rouen, and the ancient ducal council of the province; the Parliament of Provence, founded at Aix in July, 1501; the Parliament of Toulouse, created in 1301; and the Parliament of Paris, which took precedence of all the others, both on account of its origin, its antiquity, the extent of its jurisdiction, the number of its prerogatives, and the importance of its decrees. In 1551, Henry II. created, besides these, an inferior court in each bailiwick, the duties of which were to hear, on appeal, all matters in which sums of less than two hundred livres were involved (Fig. 311). There existed, besides, a branch of the Grands-Jours, occasionally sitting at Poitiers, Bayeux, and at some other central towns, in order to suppress the excesses which at times arose from religious dissensions and political controversy.

Towards the end of the sixteenth century, the highest French court was made up of nine superior courts: the Parliament of Bordeaux, created on June 9, 1642; the Parliament of Brittany, which replaced the old Grands-Jours in March 1553, and met alternately in Nantes and Rennes; the Parliament of the Dauphiné, established in Grenoble in 1451 to take the place of the Delphinal Council; the Parliament of Burgundy, created in Dijon in 1477, which replaced the Grands-Jours in Beaune; the movable Parliament of Dombes, established in 1528, which included a court of excise and a chamber of accounts; the Parliament of Normandy, founded by Louis XII in April 1504, intended to succeed the Exchequer of Rouen and the ancient ducal council of the province; the Parliament of Provence, established in Aix in July 1501; the Parliament of Toulouse, founded in 1301; and the Parliament of Paris, which took priority over all the others due to its origin, its age, the scope of its jurisdiction, the number of its privileges, and the importance of its rulings. In 1551, Henry II also set up a lower court in each bailiwick to handle appeals in cases involving sums of less than two hundred livres (Fig. 311). Additionally, there was a branch of the Grands-Jours that occasionally met in Poitiers, Bayeux, and other central towns to address the problems that sometimes arose from religious disputes and political conflicts.

The Parliament of Paris--or Great French Parliament, as it was called by Philip V. and Charles V., in edicts of the 17th of November, 1318, and of the 8th of October, 1371--was divided into four principal chambers: the Grand Chamber, the Chamber of Inquiry, the Criminal Chamber, and the Chamber of Appeal. It was composed of ordinary councillors, both clerical and lay; of honorary councillors, some of whom were ecclesiastics, and others members of the nobility; of masters of inquiry; and of a considerable number of officers of all ranks (Figs. 312 to 314). It had at times as many as twenty-four presidents, one hundred and eighty-two councillors, four knights of honour, four masters of records; a public prosecutor's office was also attached, consisting of the king's counsel, an attorney-general and deputies, thus forming an assembly of from fifteen to twenty persons, called a college. Amongst the inferior officers we may mention twenty-six ushers, four receivers-general of trust money, three commissioners for the receipt of goods which had been seized under distress, one treasurer and paymaster, three controllers, one physician, two surgeons, two apothecaries, one matron, one receiver of fines, one inspector of estates, several keepers of refreshment establishments, who resided within the precincts of the palace, sixty or eighty notaries, four or five hundred advocates, two hundred attorneys, besides registers and deputy registers. Down to the reign of Charles VI. (1380--1422) members of Parliament held their appointment by commissions granted by the King, and renewed eaeh session. From Charles VI. to Francis I. these appointments became royal charges; but from that time, owing to the office being so often prostituted for reward, it got more and more into disrepute.

The Parliament of Paris—or the Great French Parliament, as it was called by Philip V and Charles V in the edicts of November 17, 1318, and October 8, 1371—was divided into four main chambers: the Grand Chamber, the Chamber of Inquiry, the Criminal Chamber, and the Chamber of Appeal. It was made up of regular councillors, both religious and secular; honorary councillors, some of whom were clergy and others from the nobility; masters of inquiry; and a significant number of officers of all ranks (Figs. 312 to 314). At times, it had as many as twenty-four presidents, one hundred and eighty-two councillors, four knights of honour, and four masters of records; a public prosecutor's office was also attached, which included the king's counsel, an attorney-general, and deputies, forming an assembly of fifteen to twenty people, called a college. Among the lower-ranking officers, there were twenty-six ushers, four receivers-general of trust money, three commissioners for receiving goods that had been seized under distress, one treasurer and paymaster, three controllers, one physician, two surgeons, two apothecaries, one matron, one receiver of fines, one inspector of estates, several keepers of refreshment establishments within the palace grounds, sixty or eighty notaries, four to five hundred advocates, two hundred attorneys, along with registrars and deputy registrars. Up until the reign of Charles VI (1380–1422), Parliament members were appointed through commissions granted by the King, which were renewed each session. From Charles VI to Francis I, these appointments became royal positions; however, from that point on, due to the office being frequently corrupted for personal gain, it fell more and more into disrepute.

Fig. 312.--Judge.--From a Drawing in "Proverbes, Adages, &c.," Manuscript of the Fifteenth Century, in the Imperial Library of Paris.

Fig. 312.--Judge.--From a drawing in "Proverbs, Sayings, &c.," manuscript from the 15th century, in the Imperial Library of Paris.

Louis XI. made the office of member of the Parliament of Paris a permanent one, and Francis I. continued this privilege. In 1580 the supreme magistracy poured 140,000,000 francs, which now would be worth fifteen or twenty times as much, into the State treasury, so as to enable members to sit permanently sur les fleurs de lis, and to obtain hereditary privileges. The hereditary transmission of office from father to son dealt a heavy blow at the popularity of the parliamentary body, which had already deeply suffered through shameful abuses, the enormity of the fees, the ignorance of some of the members, and the dissolute habits of many others.

Louis XI made the position of member of the Parliament of Paris permanent, and Francis I continued this privilege. In 1580, the supreme magistracy contributed 140,000,000 francs, which would now be worth fifteen or twenty times that amount, to the state treasury so that members could sit permanently sur les fleurs de lis and gain hereditary privileges. The hereditary passing of office from father to son dealt a significant blow to the popularity of the parliamentary body, which had already been severely damaged by disgraceful abuses, exorbitant fees, the ignorance of some members, and the reckless behavior of many others.

Fig. 313.--Lawyer.--From the "Danse des Morts" of Basle, engraved by Mérian: in 4to, Frankfort, 1596.

Fig. 313.--Lawyer.--From the "Danse des Morts" of Basle, engraved by Mérian: in 4to, Frankfurt, 1596.

Fig. 314.--Barrister.--From a Woodout in the "Danse Macabre:" Guyot's edition, 1490.

Fig. 314.--Lawyer.--From a Woodcut in the "Dance of Death:" Guyot's edition, 1490.

Fig. 315.--Assembly of the Provostship of the Merchants of Paris.--Fac-simile of a Woodcut in "Ordonnances Royaux de la Jurisdiction de la Prevoté des Marchands et Eschevinage de la Ville de Paris:" in small folio, goth. edition of Paris, Jacques Nyverd, 1528.

Fig. 315.--Assembly of the Provostship of the Merchants of Paris.--Facsimile of a Woodcut in "Royal Ordinances of the Jurisdiction of the Provostship of the Merchants and Town Council of the City of Paris:" in small folio, Gothic edition of Paris, Jacques Nyverd, 1528.

The Châtelet, on the contrary, was less involved in intrigue, less occupied with politics, and was daily engaged in adjudicating in cases of litigation, and thus it rendered innumerable services in promoting the public welfare, and maintained, and even increased, the respect which it had enjoyed from the commencement of its existence. In 1498, Louis XII. required that the provost should possess the title of doctor in utroque jure, and that his officers, whom he made to hold their appointments for life, should be chosen from amongst the most distinguished counsellors at law. This excellent arrangement bore its fruits. As early as 1510, the "Usages of the City, Provosty, and Viscounty of Paris," were published in extenso, and were then received with much ceremony at a solemn audience held on the 8th of March in the episcopal palace, and were deposited among the archives of the Châtelet (Fig. 315).

The Châtelet, on the other hand, was less caught up in intrigue, less focused on politics, and was constantly busy resolving legal disputes, which greatly contributed to public welfare and maintained, even boosted, the respect it had enjoyed since its inception. In 1498, Louis XII required that the provost hold the title of doctor in utroque jure, and that his officers, who would hold their positions for life, be selected from the most distinguished legal counselors. This excellent arrangement yielded positive results. By 1510, the "Usages of the City, Provosty, and Viscounty of Paris" were published in extenso, and they were formally presented at a solemn gathering held on March 8 in the bishop's palace, then stored in the archives of the Châtelet (Fig. 315).

The Parliament held a very different line of policy from that adopted by the Châtelet, which only took a political part in the religious troubles of Protestantism and the League with a view to serve and defend the cause of the people. In spite of its fits of personal animosity, and its rebellious freaks, Parliament remained almost invariably attached to the side of the King and the court. It always leaned to the absolute maintenance of things as they were, instead of following progress and changes which time necessitated. It was for severe measures, for intimidation more than for gentleness and toleration, and it yielded sooner or later to the injunctions and admonitions of the King, although, at the same time, it often disapproved the acts which it was asked to sanction.

The Parliament had a completely different approach compared to the Châtelet, which only got involved in the political aspects of the religious conflicts concerning Protestantism and the League to support and protect the people's cause. Despite its moments of personal grudges and rebellious actions, Parliament consistently aligned itself with the King and the court. It favored the strict preservation of the status quo rather than embracing the progress and changes necessary over time. It advocated for harsh measures, relying more on intimidation than on kindness and tolerance, and eventually succumbed to the King's commands and warnings, even though it often disagreed with the actions it was asked to approve.

Fig. 316.--Seal of King Chilpéric, found in his Tomb at Tournay in 1654.

Fig. 316.--Seal of King Chilpéric, discovered in his tomb at Tournay in 1654.

Secret Tribunals.

The Old Man of the Mountain and his Followers in Syria.--The Castle of Alamond, Paradise of Assassins.--Charlemagne the Founder of Secret Tribunals amongst the Saxons.--The Holy Vehme.--Organization of the Tribunal of the Terre Rouge, and Modes adopted in its Procedures.--Condemnations and Execution of Sentences.--The Truth respecting the Free Judges of Westphalia.--Duration and Fall of the Vehmic Tribunal.--Council of Ten in Venice; its Code and Secret Decisions.--End of the Council of Ten.

The Old Man of the Mountain and his Followers in Syria. -- The Castle of Alamond, Paradise of Assassins. -- Charlemagne the Founder of Secret Tribunals among the Saxons. -- The Holy Vehme. -- Organization of the Tribunal of the Terre Rouge, and Methods Used in its Procedures. -- Condemnations and Execution of Sentences. -- The Truth about the Free Judges of Westphalia. -- Duration and Fall of the Vehmic Tribunal. -- Council of Ten in Venice; its Code and Secret Decisions. -- End of the Council of Ten.

During the Middle Ages, human life was generally held in small respect; various judicial institutions--if not altogether secret, at least more or less enveloped in mystery--were remarkable for being founded on the monstrous right of issuing the most severe sentences with closed doors, and of executing these sentences with inflexible rigour on individuals who had not been allowed the slightest chance of defending themselves.

During the Middle Ages, human life was generally held in low regard; different legal systems—if not completely secret, then at least shrouded in mystery—were known for their ability to impose harsh sentences behind closed doors and to carry out these sentences with strict severity on people who were given no opportunity to defend themselves.

While passing judgment in secret, they often openly dealt blows as unexpected and terrible as they were fatal. Therefore, the most innocent and the most daring trembled at the very name of the Free Judges of the Terre-Rouge, an institution which adopted Westphalia as the special, or rather as the central, region of its authority; the Council of Ten exercised their power in Venice and the states of the republic; and the Assassins of Syria, in the time of St. Louis, made more than one invasion into Christian Europe. We must nevertheless acknowledge that, terrible as these mysterious institutions were, the general credulity, the gross ignorance of the masses, and the love of the marvellous, helped not a little to render them even more outrageous and alarming than they really were.

While secretly passing judgment, they often dealt blows that were as unexpected and terrible as they were deadly. Because of this, the most innocent and the most daring feared the very name of the Free Judges of the Terre-Rouge, an organization that claimed Westphalia as its primary region of authority; the Council of Ten exerted their power in Venice and the states of the republic; and the Assassins of Syria, during the time of St. Louis, made several incursions into Christian Europe. We must still recognize that, despite the terror these mysterious institutions inspired, the general gullibility, the widespread ignorance of the masses, and the fascination with the extraordinary contributed significantly to making them seem even more fearsome and alarming than they actually were.

Marco Polo, the celebrated Venetian traveller of the thirteenth century, says, "We will speak of the Old Man of the Mountain. This prince was named Alaodin. He had a lovely garden full of all manner of trees and fruits, in a beautiful valley, surrounded by high hills; and all round these plantations were various palaces and pavilions, decorated with works of art in gold, with paintings, and with furniture of silk. Therein were to be seen rivulets of wine, as well as milk, honey, and gentle streams of limpid water. He had placed therein damsels of transcendent beauty and endowed with great charms, who were taught to sing and to play all manner of instruments; they were dressed in silk and gold, and continually walked in these gardens and palaces. The reasons for which the Old Man had these palaces built were the following. Mahomet having said that those who should obey his will should go to paradise, and there find all kinds of luxuries, this prince wished it to be believed that he was the prophet and companion of Mahomet, and that he had the power of sending whom he chose to paradise. No one could succeed in entering the garden, because an impregnable castle had been built at the entrance of the valley, and it could only be approached by a covered and secret way. The Old Man had in his court some young men from ten to twenty years of age, chosen from those inhabitants of the hills who seemed to him capable of bearing arms, and who were bold and courageous. From time to time he administered a certain drink to ten or twelve of these young men, which sent them to sleep, and when they were in deep stupor, he had them carried into the garden. When they awoke, they saw all we have described: they were surrounded by the young damsels, who sang, played instruments together, caressed them, played all sorts of games, and presented them with the most exquisite wines and meats (Fig. 317). So that these young men, satiated with such pleasures, did not doubt that they were in paradise, and would willingly have never gone out of it again.

Marco Polo, the famous Venetian traveler of the thirteenth century, says, "Let’s talk about the Old Man of the Mountain. This prince was named Alaodin. He had a gorgeous garden filled with all kinds of trees and fruits, located in a beautiful valley surrounded by tall hills; and all around these plantations were various palaces and pavilions, adorned with artistic works made of gold, paintings, and silk furnishings. There were streams of wine, milk, honey, and gentle flows of clear water. He had placed in this garden young women of incredible beauty and charm, who were taught to sing and play all sorts of instruments; they wore silk and gold, and wandered through these gardens and palaces. The reason the Old Man built these palaces was this: Mahomet had said that those who followed his will would go to paradise, where they would find all kinds of luxuries. This prince wanted people to believe he was the prophet and companion of Mahomet, and that he had the power to send anyone he chose to paradise. No one could get into the garden because an impenetrable castle was built at the entrance of the valley, and it could only be approached by a hidden and secret path. The Old Man had in his court some young men aged ten to twenty, chosen from the local inhabitants of the hills who he thought were capable of bearing arms and who were bold and brave. Occasionally, he would give a special drink to ten or twelve of these young men that put them to sleep, and when they were deeply unconscious, he had them brought into the garden. When they woke up, they saw everything we’ve described: they were surrounded by the young women who sang, played instruments together, spoiled them, played all sorts of games, and offered them the finest wines and food (Fig. 317). So these young men, indulged in such pleasures, believed they were in paradise and would have gladly never left again."

"At the end of four or five days, the Old Man sent them to sleep again, and had them removed from the garden in the same way in which they had been brought in. He then called them before him, and asked them where they had been. 'By your grace, lord,' they answered, 'we have been in paradise.' And then they related, in the presence of everybody, what they had seen there. This tale excited the astonishment of all those who heard it, and the desire that they might be equally fortunate. The Old Man would then formally announce to those who were present, as follows: 'Thus saith the law of our prophet, He causes all who fight for their Lord to enter into paradise; if you obey me you shall enjoy that happiness.' By such words and plans this prince had so accustomed them to believe in him, that he whom he ordered to die for his service considered himself lucky. All the nobles or other enemies of the Old Man of the Mountain were put to death by the assassins in his service; for none of them feared death, provided he complied with the orders and wishes of his lord. However powerful a man might be, therefore, if he was an enemy of the Old Man's, he was sure to meet with an untimely end."

"After four or five days, the Old Man sent them to sleep again and had them taken out of the garden just like they were brought in. He then called them in front of him and asked where they had been. 'With your grace, lord,' they replied, 'we have been in paradise.' They then shared, in front of everyone, what they had seen there. This story amazed all who heard it and ignited their desire to experience the same fortune. The Old Man would then formally declare to everyone present: 'This is what our prophet's law says: He grants paradise to all who fight for their Lord; if you obey me, you will enjoy that happiness.' With such words and plans, this prince had convinced them to trust him so much that those he commanded to sacrifice their lives for his service considered themselves fortunate. All the nobles or other enemies of the Old Man of the Mountain were killed by the assassins at his command; none of them feared death as long as they followed the orders and wishes of their lord. Therefore, no matter how powerful a man was, if he was an enemy of the Old Man, he was guaranteed an early death."

Fig. 317.--The Castle of Alamond and its Enchantments.--Fac-simile of a Miniature in "Marco Polo's Travels," Manuscript of the Fifteenth. Century, in the Library of the Arsenal of Paris.

Fig. 317.--The Castle of Alamond and its Enchantments.--Replica of a Miniature in "Marco Polo's Travels," Manuscript from the 15th Century, in the Library of the Arsenal in Paris.

In his story, which we translate literally from the original, written in ancient French, the venerable traveller attributes the origin of this singular system of exercising power over the minds of persons to a prince who in reality did but keep up a tradition of his family; for the Alaodin herein mentioned is no other than a successor of the famous Hassan, son of Ali, who, in the middle of the eleventh century, took advantage of the wars which devastated Asia to create himself a kingdom, comprising the three provinces of Turkistan, Djebel, and Syria. Hassan had embraced the doctrine of the Ishmaelian sect, who pretended to explain allegorically all the precepts of the Mahometan religion, and who did away with public worship, and originated a creed which was altogether philosophical. He made himself the chief exponent of this doctrine, which, by its very simplicity, was sure to attract to him many people of simple and sincere minds. Attacked by the troops of the Sultan Sindgar, he defended himself vigorously and not unsuccessfully; but, fearing lest he should fall in an unequal and protracted struggle against an adversary more powerful than himself, he had recourse to cunning so as to obtain peace. He entranced, or fascinated probably, by means analogous to those related by Marco Polo, a slave, who had the daring, during Sindgar's sleep, to stick a sharp dagger in the ground by the side of the Sultan's head. On waking, Sindgar was much alarmed. A few days after, Hassan wrote to him, "If one had not good intentions towards the Sultan, one might have driven the dagger, which was stuck in the earth by his head, into his bosom." The Sultan Sindgar then made peace with the chief of the Ishmaelians, whose dynasty lasted for one hundred and seventy years.

In his story, which we translate directly from the original written in ancient French, the respected traveler attributes the origin of this unique system of exerting influence over people’s minds to a prince who merely maintained his family's legacy; the Alaodin mentioned here is actually a successor of the famous Hassan, son of Ali, who, in the mid-eleventh century, took advantage of the wars ravaging Asia to establish his own kingdom, composed of the three provinces of Turkistan, Djebel, and Syria. Hassan had adopted the beliefs of the Ishmaelian sect, which claimed to interpret all the teachings of the Islamic religion in an allegorical way, eliminated public worship, and created a belief system that was entirely philosophical. He became the main champion of this doctrine, which, due to its simplicity, was destined to attract many people who were straightforward and sincere. When attacked by the forces of Sultan Sindgar, he defended himself fiercely and successfully; however, fearing that he might lose in an uneven and prolonged battle against a more powerful opponent, he resorted to clever tactics to secure peace. He enchanted, or likely mesmerized, a slave who had the audacity to plunge a sharp dagger into the ground next to the Sultan’s head while Sindgar was asleep. Upon waking, Sindgar was very alarmed. A few days later, Hassan wrote to him, "If one did not have good intentions towards the Sultan, one could have driven the dagger, which was stuck in the ground by his head, into his heart." Sultan Sindgar then made peace with the leader of the Ishmaelians, whose dynasty lasted for one hundred and seventy years.

The Castle of Alamond, built on the confines of Persia, on the top of a high mountain surrounded with trees, after having been the usual residence of Hassan, became that of his successors. As in the native language the same word means both prince and old man, the Crusaders who had heard the word pronounced confounded the two, and gave the name of Old Man of the Mountain to the Ishmaelian prince at that time inhabiting the Castle of Alamond, a name which has remained famous in history since the period when the Sire de Joinville published his "Mémoires."

The Castle of Alamond, located on the edge of Persia atop a tall mountain and surrounded by trees, had been the usual home of Hassan and became that of his successors. In the native language, the same word means both prince and old man, so the Crusaders, who heard the word, confused the two meanings and called the Ishmaelian prince living in the Castle of Alamond at that time the Old Man of the Mountain. This name has remained famous in history since the time when Sire de Joinville published his "Mémoires."

Ancient authors call the subjects of Hassan, Haschichini, Heississini, Assissini, Assassini, various forms of the same expression, which, in fact, has passed into French with a signification which recalls the sanguinary exploits of the Ishmaelians. In seeking for the etymology of this name, one must suppose that Haschichini is the Latin transformation of the Arabic word Hachychy, the name of the sect of which we are speaking, because the ecstacies during which they believed themselves removed to paradise were produced by means of haschisch or haschischa. We know that this inebriating preparation, extracted from hemp, really produces the most strange and delicious hallucinations on those who use it. All travellers who have visited the East agree in saying that its effects are very superior to those of opium. We evidently must attribute to some ecstatic vision the supposed existence of the enchanted gardens, which Marco Polo described from popular tales, and which, of course, never existed but in the imagination of the young men, who were either mentally excited after fasting and prayer, or intoxicated by the haschischa, and consequently for a time lulled in dreams of celestial bliss which they imagined awaited them under the guidance of Hassan and his descendants.

Ancient writers referred to the followers of Hassan as Haschichini, Heississini, Assissini, Assassini, different variations of the same term, which has actually made its way into French with a meaning that evokes the bloody actions of the Ishmaelites. To explore the origin of this name, it’s reasonable to think that Haschichini is a Latin version of the Arabic word Hachychy, referring to the sect we’re discussing, as the ecstatic states they believed took them to paradise were induced by haschisch or haschischa. We know this intoxicating substance, derived from hemp, indeed creates the most unusual and delightful hallucinations for its users. All travelers who have gone to the East agree that its effects are far superior to those of opium. Clearly, we must attribute the imagined existence of the enchanted gardens that Marco Polo described from popular stories to some ecstatic vision, which only ever existed in the minds of young men, who were either mentally stimulated after fasting and praying, or high from haschischa, thus momentarily lost in dreams of heavenly joy they believed awaited them under the leadership of Hassan and his descendants.

Fig. 318.--The Old Man of the Mountain giving Orders to his Followers.--Fac-simile of a Miniature in the "Travels of Marco Polo," Manuscript of the Fifteenth Century (Library of the Arsenal of Paris).

Fig. 318.--The Old Man of the Mountain directing his Followers.--Reproduction of a Miniature in the "Travels of Marco Polo," Manuscript of the Fifteenth Century (Library of the Arsenal of Paris).

The Haschischini, whom certain contemporary historians describe to us as infatuated by the hope of some future boundless felicity, owe their melancholy celebrity solely to the blind obedience with which they executed the orders of their chiefs, and to the coolness with which they sought the favourable moment for fulfilling their sanguinary missions (Fig. 318). The Old Man of the Mountain (the master of daggers, magister cultellorum, as he is also called by the chronicler Jacques de Vintry), was almost continually at war with the Mussulman princes who reigned from the banks of the Nile to the borders of the Caspian Sea. He continually opposed them with the steel of his fanatical emissaries; at times, also, making a traffic and merchandise of murder, he treated for a money payment with the sultans or emirs, who were desirous of ridding themselves of an enemy. The Ishmaelians thus put to death a number of princes and Mahometan nobles; but, at the time of the Crusades, religious zeal having incited them against the Christians, they found more than one notable victim in the ranks of the Crusaders. Conrad, Marquis of Montferrat, was assassinated by them; the great Salah-Eddin (Saladin) himself narrowly escaped them; Richard Coeur de Lion and Philip Augustus were pointed out to the assassins by the Old Man, who subsequently, on hearing of the immense preparations which Louis IX. was making for the Holy War, had the daring to send two of his followers to France, and even into Paris, with orders to kill that monarch in the midst of his court. This king, after having again escaped, during his sojourn in Palestine, from the murderous attempts of the savage messengers of the Prince of Alamond, succeeded, by his courage, his firmness, and his virtues, in inspiring these fanatics with so much respect, that their chief, looking upon him as protected by heaven, asked for his friendship, and offered him presents, amongst which was a magnificent set of chessmen, in crystal, ornamented with gold and amber.

The Haschischini, whom some modern historians describe as being consumed by the hope of endless happiness in the future, gained their infamous reputation solely due to their blind obedience in carrying out their leaders' orders and their cool demeanor when waiting for the right moment to complete their deadly missions (Fig. 318). The Old Man of the Mountain, also known as the master of daggers, magister cultellorum, according to the chronicler Jacques de Vintry, was almost constantly at war with the Muslim princes who ruled from the banks of the Nile to the edges of the Caspian Sea. He frequently confronted them with the steel of his fanatical followers; at times, he even turned murder into a business, negotiating payments with sultans or emirs who wanted to eliminate an enemy. The Ishmaelians then killed several princes and Muslim nobles; however, during the Crusades, driven by religious fervor against the Christians, they found notable targets among the Crusaders. Conrad, Marquis of Montferrat, was assassinated by them, and the great Salah-Eddin (Saladin) himself narrowly escaped. Richard Coeur de Lion and Philip Augustus were pointed out to the assassins by the Old Man, who later, upon hearing of the massive preparations Louis IX was making for the Holy War, audaciously sent two of his followers to France, even to Paris, with orders to kill that king in his court. This king, after again evading the murderous attempts of the savage messengers from the Prince of Alamond during his time in Palestine, managed, through his bravery, determination, and virtues, to earn such respect from these fanatics that their leader, believing he was protected by heaven, sought his friendship and offered him gifts, including a stunning set of chess pieces made of crystal, adorned with gold and amber.

The successors of Hassan, simultaneously attacked by the Moguls under Houlayon, and by the Egyptians commanded by the Sultan Bibars, were conquered and dispossessed of their States towards the middle of the thirteenth century; but, long after, the Ishmaelians, either because their chiefs sought to recover their power, or because they had placed their daggers at the disposal of some foreign foe, continued notorious in history. At last the sect became extinct, or, at least, retired into obscurity, and renounced its murderous profession, which had for so long made its members such objects of terror.

The heirs of Hassan, who were simultaneously attacked by the Mongols under Houlayon and by the Egyptians led by Sultan Bibars, were defeated and stripped of their territories around the middle of the 13th century. However, for a long time after, the Ishmaelians remained infamous in history, either because their leaders tried to regain their power or because they offered their daggers to foreign enemies. Eventually, the sect became extinct, or at least faded into obscurity, and abandoned their violent practices that had made their members such a source of fear for so long.

We have thus seen how a legion of fanatics in the East made themselves the blind and formidable tools of a religious and political chieftain, who was no less ambitious than revengeful. If we now turn our attention to Germany, we shall here find, almost at the same period, a local institution which, although very different from the sanguinary court of the Old Man of the Mountain, was of an equally terrible and mysterious character. We must not, however, look at it from the same point of view, for, having been founded with the object of furthering and defending the establishment of a regular social state, which had been approved and sanctioned by the sovereigns, and recognised by the Church, it at times rendered great service to the cause of justice and humanity at a period when might usurped right, and when the excesses and the crimes of shameless evil-doers, and of petty tyrants, entrenched in their impregnable strongholds, were but too often made lawful from the simple fact that there was no power to oppose them.

We’ve seen how a group of fanatics in the East became the blind and powerful tools of a religious and political leader who was just as ambitious as he was vengeful. If we now look at Germany, we’ll find, around the same time, a local institution that, while very different from the brutal court of the Old Man of the Mountain, was equally terrible and mysterious. However, we shouldn’t view it in the same way. This institution was created to promote and protect the establishment of a regular social system, which had the approval of the rulers and recognition from the Church. At times, it played a significant role in supporting justice and humanity during a time when physical force took the place of rightful power, and when the abuses and crimes of brazen wrongdoers and petty tyrants, hidden in their secure strongholds, were often deemed lawful simply because there was no authority to challenge them.

The secret tribunal of Westphalia, which held its sittings and passed sentence in private, and which carried out its decrees on the spot, and whose rules, laws, and actions were enveloped in deep mystery, must unquestionably be looked upon as one of the most remarkable institutions of the Middle Ages.

The secret tribunal of Westphalia, which met and made judgments in private, enforced its decisions immediately, and whose rules, laws, and actions were shrouded in deep mystery, should definitely be considered one of the most notable institutions of the Middle Ages.

Figs. 319 and 320.--Hermensul or Irmensul and Crodon, Idols of the Ancient Saxons.--Fac-simile of a Woodcut in the "Annales Circuli Westphaliæ," by Herman Stangefol: in 4to, 1656.--The Idol Hermensul appears to have presided over Executive Justice, the attributes of which it holds in its hands.

Figs. 319 and 320.--Hermensul or Irmensul and Crodon, Idols of the Ancient Saxons.--Reproduction of a woodcut in the "Annales Circuli Westphaliæ," by Herman Stangefol: in 4to, 1656.--The Idol Hermensul seems to have overseen Executive Justice, holding its attributes in its hands.

It would be difficult to state exactly at what period this formidable institution was established. A few writers, and amongst these Sebastian Munster, wish us to believe that it was founded by Charlemagne himself. They affirm that this monarch, having subjugated the Saxons to his sway, and having forced them to be baptized, created a secret tribunal, the duties of which were to watch over them, in order that they might not return to the errors of Paganism. However, the Saxons were incorrigible, and, although Christians, they still carried on the worship of their idols (Figs. 319 and 320); and, for this reason, it is said by these authorities that the laws of the tribunal of Westphalia were founded by Charlemagne. It is well known that from the ninth to the thirteenth century, all that part of Germany between the Rhine and the Weser suffered under the most complete anarchy. In consequence of this, and of the increase of crime which remained unpunished, energetic men established a rigorous jurisdiction, which, to a certain extent, suppressed these barbarous disorders, and gave some assurance to social intercourse; but the very mystery which gave weight to the institution was the cause of its origin being unknown. It is only mentioned, and then cursorily, in historical documents towards the early part of the fifteenth century. This court of judicature received the name of Femgericht, or Vehmgericht, which means Vehmic tribunal. The origin of the word Fem, Vehm, or Fam, which has given rise to many scientific discussions, still remains in doubt. The most generally accepted opinion is, that it is derived from a Latin expression--vemi (vae mihi), "woe is me!"

It’s hard to pinpoint exactly when this powerful institution was established. Some writers, including Sebastian Munster, want us to believe that it was founded by Charlemagne himself. They claim that after Charlemagne conquered the Saxons and forced them to be baptized, he created a secret tribunal to keep an eye on them to ensure they wouldn’t revert to their pagan ways. However, the Saxons proved to be unyielding, and even as Christians, they continued to worship their idols (Figs. 319 and 320). For this reason, these sources say that Charlemagne established the laws of the Westphalia tribunal. It's well-known that from the ninth to the thirteenth century, the area of Germany between the Rhine and the Weser was plagued by complete chaos. Because of this, and due to the rise in unpunished crimes, determined individuals set up a strict legal system that somewhat curbed these savage disorders and offered some security for social interactions. However, the very secrecy that gave the institution its power also obscured its origins. It's only briefly mentioned in historical records from the early fifteenth century. This court of justice was called Femgericht or Vehmgericht, meaning Vehmic tribunal. The origin of the term Fem, Vehm, or Fam, which has sparked various scholarly debates, is still unclear. The most widely accepted theory is that it comes from a Latin phrase—vemi (vae mihi), which translates to "woe is me!"

The special dominion over which the Vehmic tribunal reigned supreme was Westphalia, and the country which was subjected to its laws was designated as the Terre Rouge. There was no assembly of this tribunal beyond the limits of this Terre Rouge, but it would be quite impossible to define these limits with any accuracy. However, the free judges, assuming the right of suppressing certain crimes committed beyond their territory, on more than one occasion summoned persons living in various parts of Germany, and even in provinces far from Westphalia, to appear before them. We do not know all the localities wherein the Vehmic tribunal sat; but the most celebrated of them, and the one which served as a model for all the rest, held its sittings under a lime-tree, in front of the castle-gate of Dortmund (Fig. 321). There the chapters-general of the association usually assembled; and, on certain occasions, several thousands of the free judges were to be seen there.

The special jurisdiction of the Vehmic tribunal was Westphalia, and the area governed by its laws was called the Terre Rouge. No assemblies of this tribunal took place outside the boundaries of the Terre Rouge, but it was nearly impossible to clearly define those boundaries. Still, the free judges claimed the authority to address certain crimes committed beyond their territory, and on multiple occasions, they summoned individuals from various parts of Germany, and even provinces far from Westphalia, to appear before them. We don't know all the locations where the Vehmic tribunal convened; however, the most well-known one, which set the standard for all the others, met under a lime tree, in front of the castle gate of Dortmund (Fig. 321). There, the general assemblies of the association typically gathered, and on certain occasions, several thousand free judges could be seen there.

Each tribunal was composed of an unlimited number of free judges, under the presidency of a free count, who was charged with the higher administration of Vehmic justice. A free county generally comprised several free tribunals, or friestuhle. The free count, who was chosen by the prince of the territory in which the tribunal sat, had two courts, one secret, the other public. The public assizes, which took place at least three times a year, were announced fourteen days beforehand, and any person living within the county, and who was summoned before the free count, was bound to appear, and to answer all questions which might be put to him. It was required that the free judges (who are generally mentioned as femnoten--that is to say, sages--and who are, besides, denoted by writers of the time by the most honourable epithets: such as, "serious men," "very pious," "of very pure morals," "lovers of justice," &c.) should be persons who had been born in lawful wedlock, and on German soil; they were not allowed to belong to any religions order, or to have ever themselves been summoned before the Vehmic tribunal. They were nominated by the free counts, but subject to the approval of their sovereigns. They were not allowed to sit as judges before having been initiated into the mysteries of the tribunals.

Each tribunal was made up of an unlimited number of free judges, led by a free count, who was responsible for overseeing Vehmic justice. A free county usually included several free tribunals, or friestuhle. The free count, selected by the prince of the area where the tribunal operated, had two courts: one secret and the other public. The public hearings, which happened at least three times a year, were announced two weeks in advance, and anyone living within the county who was summoned before the free count had to appear and respond to any questions asked. It was required that the free judges (commonly referred to as femnoten—meaning sages—and described by contemporary writers with very honorable titles such as "serious men," "very pious," "of very pure morals," "lovers of justice," etc.) were individuals born in lawful marriage and on German soil; they were prohibited from belonging to any religious order or having ever been summoned before the Vehmic tribunal themselves. They were appointed by the free counts but needed approval from their sovereigns. They could not serve as judges until they had been initiated into the secrets of the tribunals.

Fig. 321.--View of the Town of Dortmund in the Sixteenth Century.--From an Engraving on Copper in P. Bertius's "Theatrum Geographicum."

Fig. 321.--View of the Town of Dortmund in the Sixteenth Century.--From an Engraving on Copper in P. Bertius's "Theatrum Geographicum."

The initiation of a free judge was accompanied by extraordinary formalities. The candidate appeared bareheaded; he knelt down, and, placing two fingers of his right hand on his naked sword and on a rope, he took oath to adhere to the laws and customs of the holy tribunal, to devote his five senses to it, and not to allow himself to be allured therefrom either by silver, gold, or even precious stones; to forward the interests of the tribunal "above everything illumined by the sun, and all that the rain reaches;" and to defend them "against everything which is between heaven and earth." The candidate was then given the sign by which members of the association recognised each other. This sign has remained unknown; and nothing, even in the deeds of the Vehmic archives, leads one even to guess what it was, and every hypothesis on this subject must be looked upon as uncertain or erroneous. By one of the fundamental statutes of the Terre Rouge, a member convicted of betraying the secrets of the order was condemned to the most cruel punishment; but we have every reason for asserting that this sentence was never carried out, or even issued against a free judge.

The initiation of a free judge involved a lot of formalities. The candidate appeared without a hat; he knelt down, and, placing two fingers of his right hand on his bare sword and on a rope, he swore to follow the laws and customs of the holy tribunal, to dedicate his five senses to it, and not to be tempted by silver, gold, or even precious stones. He committed to advancing the tribunal's interests "above everything illuminated by the sun, and all that the rain touches," and to defending them "against everything that exists between heaven and earth." The candidate was then given the sign that members of the group used to recognize each other. This sign remains a mystery; nothing in the Vehmic archives gives any clue about it, and any guesses about it must be considered uncertain or wrong. According to one of the basic rules of the Terre Rouge, a member found guilty of revealing the secrets of the order faced the harshest punishment; however, we have every reason to believe that this punishment was never enforced, or even issued, against a free judge.

Fig. 322.--The Landgrave of Thuringia and his Wife.--Fac-simile of a Miniature in the Collection of the Minnesinger, Manuscript of the Fourteenth Century.

Fig. 322.--The Landgrave of Thuringia and his Wife.--Replica of a Miniature in the Collection of the Minnesinger, Manuscript from the Fourteenth Century.

In one case alone during the fourteenth century, was an accusation of this sort made, and that proved to be groundless.

In one instance during the fourteenth century, an accusation like this was made, and it turned out to be unfounded.

It would have been considered the height of treason to have given a relation, or a friend, the slightest hint that he was being pursued, or that he had been condemned by the Holy Vehme, in order that he might seek refuge by flight. And in consequence of this, there was a general mistrust of any one belonging to the tribunal, so much so that "a brother," says a German writer, "often feared his brother, and hospitality was no longer possible."

It would have been seen as the ultimate betrayal to give a family member or friend even the slightest hint that they were being hunted or that they had been condemned by the Holy Vehme, so they could escape. Because of this, there was widespread distrust of anyone associated with the tribunal, to the point that "a brother," as a German writer puts it, "often feared his brother, and hospitality was no longer possible."

The functions of free judges consisted in going about the country seeking out crimes, denouncing them, and inflicting immediate punishment on any evil-doer caught in the act (Figs. 323 and 324). The free judges might assemble provided there were at least seven in number to constitute a tribunal; but we hear of as many as three hundred assisting at a meeting.

The role of free judges was to travel around the country looking for crimes, reporting them, and delivering immediate punishment to anyone caught doing wrong (Figs. 323 and 324). The free judges could gather as long as there were at least seven present to form a tribunal; however, there are reports of up to three hundred attending a meeting.

Figs. 323 and 324.--Free Judges.--Fac-simile of two Woodcuts in the "Cosmographie Universelle" of Munster: in folio, 1552.

Figs. 323 and 324.--Free Judges.--Replica of two woodcuts in the "Cosmographie Universelle" by Munster: in folio, 1552.

It has been erroneously stated that the sittings of the Vehmic tribunals were held at night in the depths of forests, or in subterranean places; but it appears that all criminal business was first heard in public, and could only be subjected to a secret judgment when the accused had failed either publicly to justify himself or to appear in person.

It has been incorrectly said that the Vehmic tribunals met at night in deep forests or underground; however, it seems that all criminal cases were initially heard in public, and a secret judgment could only occur if the accused failed to either publicly defend himself or show up in person.

When three free judges caught a malefactor in the very act, they could seize him, judge him, and inflict the penalty on the spot. In other cases, when a tribunal considered that it should pursue an individual, it summoned him to appear before it. The summons had to be written, without erasures, on a large sheet of vellum, and to bear at least seven seals--that of the free count, and those of six free judges; and these seals generally represented either a man in full armour holding a sword, or a simple sword blade, or other analagous emblems (Figs. 325 to 327). Two free judges delivered the summons personally where a member of the association was concerned; but if the summons affected an individual who was not of the Vehmic order, a sworn messenger bore it, and placed it in the very hands of the person, or slipped it into his house. The time given for putting in an appearance was originally six weeks and three days at least, but at a later period this time was shortened. The writ of summons was repeated three times, and each time bore a greater number of seals of free judges, so as to verify the legality of the instrument. The accused, whether guilty or not, was liable to a fine for not answering the first summons, unless he could prove that it was impossible for him to have done so. If he failed to appear on the third summons, he was finally condemned en corps et en honneur.

When three free judges caught a wrongdoer in the act, they could arrest him, judge him, and impose the penalty right there. In other situations, when a court decided it needed to pursue someone, it summoned that person to appear. The summons had to be in writing, without any corrections, on a large sheet of parchment, and needed to have at least seven seals—those of the free count and six free judges. These seals typically depicted either a fully armored man holding a sword, a simple sword blade, or other similar symbols (Figs. 325 to 327). Two free judges personally delivered the summons when the individual was part of the association; however, if the summons was for someone outside of the Vehmic order, a sworn messenger carried it and handed it directly to the person or slipped it into their home. The original time allowed for appearing was at least six weeks and three days, but later this timeframe was reduced. The summons was issued three times, with each subsequent issuance containing a greater number of seals from free judges to confirm its legitimacy. The accused, whether guilty or innocent, was subject to a fine for not responding to the first summons unless they could prove that it was impossible for them to do so. If they failed to appear for the third summons, they were ultimately condemned en corps et en honneur.

Fig. 325.--Seal of Herman Loseckin, Free Count of Medebach, in 1410.

Fig. 325.--Seal of Herman Loseckin, Free Count of Medebach, in 1410.

Fig. 326.--Seal of the Free Count, Hans Vollmar von Twern, at Freyenhagen, in 1476-1499.

Fig. 326.--Seal of the Free Count, Hans Vollmar von Twern, at Freyenhagen, in 1476-1499.

Fig. 327.--Seal of Johann Croppe, Free Count of Kogelnberg, in 1413.

Fig. 327.--Seal of Johann Croppe, Free Count of Kogelnberg, in 1413.

We have but imperfect information as to the formalities in use in the Vehmic tribunals. But we know that the sittings were invested with a certain solemnity and pomp. A naked sword--emblematical of justice, and recalling our Saviour's cross in the shape of its handle--and a rope--emblematical of the punishment deserved by the guilty--were placed on the table before the president. The judges were bareheaded, with bare hands, and each wore a cloak over his shoulder, and carried no arms of any sort.

We have only limited information about the formalities used in the Vehmic tribunals. However, we do know that their sessions were marked by a certain solemnity and grandeur. A naked sword—symbolizing justice and resembling our Savior's cross in its handle—and a rope—representing the punishment that the guilty deserved—were placed on the table in front of the president. The judges sat without hats, their hands bare, each draped in a cloak over their shoulders and carrying no weapons of any kind.

Fig. 328.--The Duke of Saxony and the Marquis of Brandenburg.--From the "Theatrum Orbis Terrarum sive Tabula veteris Geographiae," in folio. Engraved by Wieriex, after Gérard de Jode.

Fig. 328.--The Duke of Saxony and the Marquis of Brandenburg.--From the "Theatrum Orbis Terrarum sive Tabula veteris Geographiae," in folio. Engraved by Wieriex, after Gérard de Jode.

The plaintiff and the defendant were each allowed to produce thirty witnesses. The defendant could either defend himself, or entrust his case to an advocate whom he brought with him. At first, any free judge being defendant in a suit, enjoyed the privilege of justifying himself on oath; but it having been discovered that this privilege was abused, all persons, of whatever station, were compelled to be confronted with the other side. The witnesses, who were subpoened by either accuser or accused, had to give their evidence according to the truth, dispassionately and voluntarily. In the event of the accused not succeeding in bringing sufficient testimony to clear himself, the prosecutor claimed a verdict in his favour from the free count presiding at the tribunal, who appointed one of the free judges to declare it. In case the free judge did not feel satisfied as to the guilt, he could, by making oath, temporarily divest himself of his office, which devolved upon a second, a third, or even a fourth free judge. If four free judges were unable to decide, the matter was referred to another sitting; for judgment had to be pronounced by the appointed free judge at the sitting.

The plaintiff and the defendant were each allowed to present thirty witnesses. The defendant could either defend himself or hire an advocate to represent him. Initially, any free judge who was a defendant in a case had the right to justify himself under oath, but once it was found that this privilege was being misused, everyone, no matter their status, had to face the opposing side. The witnesses summoned by either the accuser or the accused were required to give their testimony truthfully, without bias, and willingly. If the accused failed to present enough evidence to clear himself, the prosecutor sought a verdict in his favor from the free judge overseeing the tribunal, who would appoint another free judge to announce it. If the free judge was unsure about the guilt, he could temporarily step down from his position by taking an oath, passing the responsibility to a second, third, or even fourth free judge. If four free judges couldn’t reach a decision, the case would be referred to another session, as judgment had to be delivered by the appointed free judge at that session.

The various penalties for different crimes were left to the decision of the tribunal. The rules are silent on the subject, and simply state that the culprits will be punished "according to the authority of the secret bench." The royale, i.e. capital punishment, was strictly applied in all serious cases, and the manner of execution most in use was hanging (Figs. 329, 330).

The different penalties for various crimes were up to the tribunal's decision. The rules don’t address this matter and just say that the offenders will be punished "according to the authority of the secret bench." The royale, i.e. capital punishment, was enforced rigorously in all serious cases, and the most common method of execution was hanging (Figs. 329, 330).

A person accused who did not appear after the third summons, was out-lawed by a terrible sentence, which deprived him of all rights, of common peace, and forbad him the company of all Christians; by the wording of this sentence, his wife was looked upon as a widow, his children as orphans; his neck was abandoned to the birds of the air, and his body to the beasts of the field, "but his soul was recommended to God." At the expiration of one year and a day, if the culprit had not appeared, or had not established his common rights, all his goods were confiscated, and appropriated by the King or Emperor. When the condemnation referred to a prince, a town, or a corporation (for the accusations of the tribunal frequently were issued against groups of individuals), it caused the loss of all honour, authority, and privileges. The free count, in pronouncing the sentence, threw the rope, which was before him, on to the ground; the free judges spat upon it, and the name of the culprit was inscribed on the book of blood. The sentence was kept secret; the prosecutor alone was informed of it by a written notice, which was sealed with seven seals. When the condemned was present, the execution took place immediately, and, according to the custom of the Middle Ages, its carrying out was deputed to the youngest of the free judges. The members of the Vehmic association enjoyed the privilege of being hung seven feet higher than those who were not associates.

A person accused who didn’t show up after the third summons was declared an outlaw through a harsh sentence that stripped him of all rights, peace, and banned him from the company of all Christians; according to this sentence, his wife was considered a widow, and his children were seen as orphans. His body was left to the birds of the air and the beasts of the field, "but his soul was entrusted to God." After one year and one day, if the accused hadn’t appeared or established his rights, all his possessions were seized and given to the King or Emperor. When the condemnation involved a prince, a town, or a corporation (because the tribunal often charged groups of people), it resulted in the loss of all honor, authority, and privileges. The free count, while delivering the sentence, threw the rope that was in front of him onto the ground; the free judges spat on it, and the name of the accused was written in the book of blood. The sentence was kept confidential; only the prosecutor received a written notice about it, sealed with seven seals. When the condemned was present, the execution happened immediately, and, as per the custom of the Middle Ages, it was carried out by the youngest of the free judges. Members of the Vehmic association had the privilege of being hanged seven feet higher than those who were not members.

The Vehmic judgments were, however, liable to be appealed against: the accused might, at the sitting, appeal either to what was termed the imperial chamber, a general chapter of the association, which assembled at Dortmund, or (and this was the more frequent custom) to the emperor, or ruler of the country, whether he were king, prince, duke, or bishop, provided that these authorities belonged to the association. The revision of the judgment could only be entrusted to members of the tribunal, who, in their turn, could only act in Westphalia. The condemned might also appeal to the lieutenant-general of the emperor, or to the grand master of the Holy Vehme, a title which, from the remotest times, was given to the Archbishop of Cologne. There are even instances of appeals having been made to the councils and to the Popes, although the Vehmic association never had any communication or intercourse with the court of Rome. We must not forget a very curious privilege which, in certain cases, was left to the culprit as a last resource; he might appeal to the emperor, and solicit an order which required the execution of the sentence to be applied after a delay of one hundred years, six weeks, and one day.

The Vehmic judgments could be appealed against: the accused could appeal during the hearing either to what was called the imperial chamber, a general chapter of the association that met in Dortmund, or (and this was more common) to the emperor, or ruler of the area, whether they were a king, prince, duke, or bishop, as long as these authorities were part of the association. The review of the judgment could only be handled by members of the tribunal, who could only act in Westphalia. The condemned could also appeal to the emperor's lieutenant-general, or to the grand master of the Holy Vehme, a title historically given to the Archbishop of Cologne. There are even cases where appeals were made to the councils and to the Popes, although the Vehmic association never communicated or interacted with the court of Rome. We must not forget a very interesting privilege that was sometimes available to the offender as a last resort; they could appeal to the emperor and request an order that postponed the execution of the sentence by one hundred years, six weeks, and one day.

Figs. 329 and 330.--Execution of the Sentences of the Secret Tribunal.--Fac-simile of Woodcuts in the "Cosmographie Universelle" of Munster: in folio, Basle, 1552.

Figs. 329 and 330.--Carrying Out the Judgments of the Secret Tribunal.--Exact reproduction of woodcuts in the "Cosmographie Universelle" by Munster: in folio, Basel, 1552.

The chapter-general of the association was generally summoned once a year by the emperor or his lieutenant, and assembled either at Dortmund or Arensberg, in order to receive the returns of causes judged by the various Vehmic tribunals; to hear the changes which had taken place among the members of the order; to receive the free judges; to hear appeals; and, lastly, to decide upon reforms to be introduced into the rules. These reforms usually had reference to the connection of imperial authority with the members of the secret jurisdiction, and were generally suggested by the emperors, who were jealous of the increasing power of the association.

The chapter-general of the association was usually called together once a year by the emperor or his deputy, gathering either in Dortmund or Arensberg. The purpose of the meeting was to review the outcomes of cases handled by the various Vehmic courts, to hear about any changes among the members of the order, to accommodate the free judges, to consider appeals, and finally, to discuss reforms to the rules. These reforms typically concerned the relationship between imperial authority and the members of the secret jurisdiction and were mainly proposed by the emperors, who were concerned about the growing power of the association.

From what we have shown, on the authority of authentic documents, we understand how untrue is the tradition, or rather the popular idea, that the Secret Tribunal was an assembly of bloodthirsty judges, secretly perpetrating acts of mere cruelty, without any but arbitrary laws. It is clear, on the contrary, that it was a regular institution, having, it is true, a most mysterious and complex organization, but simply acting in virtue of legal prescriptions, which were rigorously laid down, and arranged in a sort of code which did honour to the wisdom of those who had created it.

Based on what we have presented, supported by authentic documents, we see how false the common belief is that the Secret Tribunal was a group of ruthless judges secretly committing acts of cruelty with no laws other than their own whims. In reality, it was a formal institution, indeed with a very mysterious and complex structure, but it operated strictly under legal guidelines that were carefully established, forming a sort of code that honored the intelligence of its creators.

It was towards the end of the fourteenth and the beginning of the fifteenth centuries that the Vehmic jurisdiction reached its highest degree of power; its name was only pronounced in a whisper and with trembling; its orders were received with immediate submission, and its chastisements always fell upon the guilty and those who resisted its authority. There cannot be a doubt but that the Westphalian tribunal prevented many great crimes and public misfortunes by putting a wholesome check on the nobles, who were ever ready to place themselves above all human authority; and by punishing, with pitiless severity, the audacity of bandits, who would otherwise have been encouraged to commit the most daring acts with almost the certainty of escaping with impunity. But the Holy Vehme, blinded by the terror it inspired, was not long without displaying the most extravagant assumption of power, and digressing from the strict path to which its action should have been confined. It summoned before its tribunals princes, who openly denied its authority, and cities, which did not condescend to answer to its behests. In the fifteenth century, the free judges were composed of men who could not be called of unimpeachable integrity; many persons of doubtful morals having been raised to the dignity by party influence and by money. The partiality and the spirit of revenge which at times prompted their judgments, were complained of; they were accused of being open to corruption; and this accusation appears to have been but too well founded. It is known that, according to a feudal practice established in the Vehmic system, every new free judge was obliged to make a present to the free count who had admitted him into the order; and the free counts did not hesitate to make this an important source of revenue to themselves by admitting, according to an historian, "many people as judges who, in reality, deserved to be judged."

It was towards the end of the fourteenth century and the beginning of the fifteenth century that the Vehmic court reached its peak power; its name was spoken only in whispers and with fear; its orders were obeyed without question, and its punishments always targeted the guilty and those who defied its authority. There's no doubt that the Westphalian court prevented many serious crimes and public disasters by keeping the nobles in check, who were always eager to place themselves above any human authority, and by punishing, with ruthless severity, the boldness of bandits, who otherwise would have felt encouraged to commit daring acts with almost guaranteed escape. However, the Holy Vehme, blinded by the fear it created, soon began to demonstrate an outrageous assumption of power, straying from the strict path it was meant to follow. It summoned princes who openly rejected its authority and cities that refused to respond to its demands. In the fifteenth century, the free judges consisted of individuals who couldn't be considered above reproach; many people of questionable morals had been elevated to this position through party influence and money. Complaints arose about their bias and vengefulness that occasionally influenced their decisions; they were accused of being susceptible to corruption, and this accusation seems to have been well-founded. It is known that, following a feudal practice established in the Vehmic system, every new free judge had to give a gift to the free count who had admitted him into the order; and the free counts did not hesitate to turn this into a significant source of income for themselves by admitting, according to a historian, "many people as judges who, in reality, deserved to be judged."

Fig. 331.--View of Cologne in the Sixteenth Century.--From a Copper-plate in the "Theatrum Geographicum" of P. Bertius. The three large stars represent, it is supposed, the Three Persons of the Trinity, and the seven small ones the Electors of the Empire.

Fig. 331.--View of Cologne in the Sixteenth Century.--From a copperplate in "Theatrum Geographicum" by P. Bertius. The three large stars are thought to represent the Three Persons of the Trinity, while the seven small ones symbolize the Electors of the Empire.

Fig. 332.--German Knights (Fifteenth Century).--From a Plate in the "Life of the Emperor Maximilian," engraved by Burgmayer, from Drawings by Albert Durer.

Fig. 332.--German Knights (Fifteenth Century).--From a plate in the "Life of the Emperor Maximilian," engraved by Burgmayer, based on drawings by Albert Durer.

Owing to the most flagrant and most insolent abuses of power, the ancient authority of the institution became gradually more and more shaken. On one occasion, for instance, in answer to a summons issued by the Imperial Tribunal against some free judges, the tribunal of the Terre-Rouge had the daring to summon the Emperor Frederick III. before it to answer for this want of respect. On another occasion, a certain free count, jealous of one of his associates, hung him with his own hands while out on a hunting excursion, alleging that his rank of free judge authorised him to execute summary justice. From that time there was a perpetual cry of horror and indignation against a judicial institution which thus interpreted its duties, and before long the State undertook the suppression of these secret tribunals. The first idea of this was formed by the electors of the empire at the diet of Trèves in 1512. The Archbishop of Cologne succeeded, however, in parrying the blow, by convoking the chapter-general of the order, on the plea of the necessity of reform. But, besides being essentially corrupt, the Holy Vehme had really run its course, and it gradually became effete as, by degrees, a better organized and more defined social and political state succeeded to the confused anarchy of the Middle Ages, and as the princes and free towns adopted the custom of dispensing justice either in person or through regular tribunals. Its proceedings, becoming more and more summary and rigorous, daily gave rise to feelings of greater and greater abhorrence. The common saying over all Germany was, "They first hang you, and afterwards inquire into your innocence." On all sides opposition arose against the jurisdiction of the free judges. Princes, bishops, cities, and citizens, agreed instinctively to counteract this worn-out and degenerate institution. The struggle was long and tedious. During the last convulsions of the expiring Holy Vehme, there was more than one sanguinary episode, both on the side of the free judges themselves, as well as on that of their adversaries. Occasionally the secret tribunal broke out into fresh signs of life, and proclaimed its existence by some terrible execution; and at times, also, its members paid dearly for their acts. On one occasion, in 1570, fourteen free judges, whom Kaspar Schwitz, Count of Oettingen, caused to be seized, were already tied up in bags, and about to be drowned, when the mob, pitying their fate, asked for and obtained their reprieve.

Due to the most blatant and outrageous abuses of power, the old authority of the institution became increasingly shaky. For example, in response to a summons issued by the Imperial Tribunal against some free judges, the tribunal of Terre-Rouge boldly summoned Emperor Frederick III to answer for this disrespect. On another occasion, a jealous free count personally hanged one of his associates while out hunting, claiming that his rank as a free judge gave him the right to carry out summary justice. From that point on, there was a constant outcry of horror and outrage against a judicial institution that twisted its responsibilities in such a way, and soon the State moved to eliminate these secret tribunals. The first idea to do this came from the electors of the empire at the diet of Trèves in 1512. However, the Archbishop of Cologne managed to deflect the blow by convening the chapter-general of the order, arguing that reform was necessary. But besides being fundamentally corrupt, the Holy Vehme had truly run its course, gradually becoming obsolete as a more organized and defined social and political structure took over the chaotic anarchy of the Middle Ages, and as the princes and free towns began to administer justice either personally or through regular courts. Its proceedings became increasingly swift and harsh, leading to greater levels of disgust. The common saying throughout Germany was, "They first hang you, and afterwards inquire into your innocence." Opposition to the jurisdiction of the free judges arose from all sides. Princes, bishops, cities, and citizens instinctively united to oppose this outdated and degenerate institution. The struggle was long and arduous. During the final struggles of the dying Holy Vehme, there were several bloody incidents, both from the free judges and their opponents. Occasionally, the secret tribunal would show new signs of life, announcing its presence through some horrific execution; at other times, its members paid dearly for their actions. On one occasion, in 1570, fourteen free judges, seized by Kaspar Schwitz, Count of Oettingen, were already tied up in bags and about to be drowned when the crowd, feeling pity for them, requested and secured their reprieve.

The death-blow to the Vehmic tribunal was struck by its own hand. It condenmed summarily, and executed without regular procedure, an inhabitant of Munster, who used to scandalize the town by his profligacy. He was arrested at night, led to a small wood, where the free judges awaited him, and condemned to death without being allowed an advocate; and, after being refused a respite even of a few hours, that he might make his peace with heaven, he was confessed by a monk, and his head was severed from his body by the executioner on the spot.

The final blow to the Vehmic tribunal came from within. They quickly condemned and executed a resident of Munster who had been a source of scandal for the town due to his reckless behavior. He was arrested at night and taken to a small forest, where the judges were waiting for him. He was sentenced to death without the chance to have a lawyer, and when he asked for even a few hours to make peace with God, his request was denied. A monk heard his confession, and right there, the executioner beheaded him.

Fig. 333.--Interior Court of the Palace of the Doges of Venice: Buildings in which are the Cells and the Leads.--From Cesare Vecellio.

Fig. 333.--Interior Court of the Palace of the Doges of Venice: Buildings that contain the Cells and the Leads.--From Cesare Vecellio.

Dating from this tragical event, which excited universal indignation, the authority of the free judges gradually declined, and, at last, the institution became almost defunct, and merely confined itself to occasionally adjudicating in simple civil matters.

Since this tragic event, which stirred widespread outrage, the authority of the independent judges gradually weakened, and eventually, the institution became nearly nonexistent, only occasionally handling simple civil cases.

We must not omit to mention the Council of Ten of Venice when speaking on the subject of arbitrary executions and of tyrannical and implacable justice. In some respects it was more notorious than the Vehmic tribunal, exercising as it did a no less mysterious power, and inspiring equal terror, though in other countries.

We can't overlook the Council of Ten of Venice when discussing arbitrary executions and ruthless, unyielding justice. In some ways, it was more infamous than the Vehmic tribunal, wielding just as mysterious a power and instilling similar fear, though in different countries.

This secret tribunal was created after a revolt which burst on the republic of Venice on the 15th of June, 1310. At first it was only instituted for two months, but, after various successive prorogations, it was confirmed for five years, on the 31st of January, 1311. In 1316 it was again appointed for five years; on the 2nd of May, 1327, for ten years more; and at last was established permanently. In the fifteenth century the authority of the Council of Ten was consolidated and rendered more energetic by the creation of the Inquisitors of State. These were three in number, elected by the Council of Ten; and the citizens on whom the votes fell could not refuse the functions which were thus spontaneously, and often unexpectedly, assigned to them. The authority of Inquisitors of State was declared to be "unlimited."

This secret tribunal was set up after a revolt that broke out in the republic of Venice on June 15, 1310. Initially, it was intended to last only two months, but after several extensions, it was confirmed for five years on January 31, 1311. In 1316, it was reappointed for another five years; on May 2, 1327, it was extended for ten more years; and ultimately, it became a permanent institution. In the fifteenth century, the power of the Council of Ten was strengthened and made more effective with the establishment of the Inquisitors of State. There were three of them, elected by the Council of Ten, and the citizens chosen for these roles could not refuse the duties that were unexpectedly assigned to them. The authority of the Inquisitors of State was said to be "unlimited."

In order to show the power and mode of action of this terrible tribunal, it is perhaps better to make a few extracts from the code of rules which it established for itself in June, 1454.

To demonstrate the power and way of operating of this dreadful tribunal, it might be more effective to share a few excerpts from the set of rules it created for itself in June, 1454.

This document--several manuscript copies of which are to be found in the public libraries of Paris--says, "The inquisitors may proceed against any person whomsoever, no rank giving the right of exemption from their jurisdiction. They may pronounce any sentence, even that of death; only their final sentences must be passed unanimously. They shall have complete charge of the prisons and the leads (Fig. 333). They may draw at sight from the treasury of the Council of Ten, without having to give any account of the use made of the funds placed in their hands.

This document—of which several manuscript copies can be found in the public libraries of Paris—states, "The inquisitors can take action against anyone, regardless of their rank, and no one is exempt from their authority. They may issue any sentence, including death; however, all final sentences must be delivered unanimously. They will have full control over the prisons and the leads (Fig. 333). They can directly withdraw from the treasury of the Council of Ten without needing to justify how the funds they receive are used."

"The proceedings of the tribunal shall always be secret; its members shall wear no distinctive badge. No open arrests shall be made. The chief of the bailiffs (sbirri) shall avoid making domiciliary arrests, but he shall try to seize the culprit unawares, away from his home, and so securely get him under the leads of the Palace of the Doges. When the tribunal shall deem the death of any person necessary, the execution shall never be public; the condemned shall be drowned at night in the Orfano Canal.

"The tribunal's proceedings will always be confidential; its members won’t wear any identifying badges. There won’t be any public arrests. The chief bailiff (sbirri) will try to avoid making arrests at people’s homes, instead aiming to catch the suspect off guard, away from their residence, and securely bring them to the leads of the Palace of the Doges. If the tribunal decides that someone's death is necessary, the execution will never be public; the condemned will be drowned at night in the Orfano Canal."

"The tribunal shall authorise the generals commanding in Cyprus or in Candia, in the event of its being for the welfare of the Republic, to cause any patrician or other influential person in either of those Venetian provinces to disappear, or to be assassinated secretly, if such a measure should conscientiously appear to them indispensable; but they shall be answerable before God for it.

"The tribunal will authorize the generals in charge in Cyprus or Candia, if it is for the good of the Republic, to make any patrician or other influential person in those Venetian provinces disappear or to have them secretly assassinated if they believe it's absolutely necessary. However, they will be accountable before God for their actions."

Fig. 334.--Member of the Brotherhood of Death, whose duty it was to accompany those sentenced to death.--From Cesare Vecellio.

Fig. 334.--Member of the Brotherhood of Death, whose responsibility was to accompany those facing execution.--From Cesare Vecellio.

"If any workman shall practise in a foreign land any art or craft to the detriment of the Republic, he shall be ordered to return to his country; and should he not obey, all his nearest relatives shall be imprisoned, in order that his affection for them may bring him to obedience. Should he still persist in his disobedience, secret measures shall be taken to put him to death, wherever he may be.

"If any worker practices a trade or skill in a foreign land that harms the Republic, he will be ordered to return to his home country. If he refuses to comply, all of his close relatives will be imprisoned to encourage him to obey. If he continues to disobey, secret measures will be taken to have him killed, no matter where he is."

"If a Venetian noble reveal to the tribunal propositions which have been made to him by some foreign ambassador, the agent, excepting it should be the ambassador himself, shall be immediately carried off and drowned.

"If a Venetian noble discloses to the court any proposals made to him by a foreign ambassador, the messenger, unless it's the ambassador himself, will be immediately taken away and drowned."

"If a patrician having committed any misdeed shall take refuge under the protection of a foreign ambassador, he shall be put to death forthwith.

"If a noble commits a crime and seeks refuge under the protection of a foreign ambassador, he shall be executed immediately."

"If any noble in full senate take upon himself to question the authority of the Council of Ten, and persist in attacking it, he shall be allowed to speak without interruption; immediately afterwards he shall be arrested, and instructions as to his trial shall be given, so that he may be judged by the ordinary tribunals; and, if this does not succeed in preventing his proceedings, he shall be put to death secretly.

"If any noble in a full senate questions the authority of the Council of Ten and continues to attack it, they will be allowed to speak without interruption; immediately afterward, they will be arrested, and instructions for their trial will be given, so that they can be judged by the regular courts; and if this doesn't stop their actions, they will be secretly executed."

"In case of a complaint against one of the heads of the Council of Ten, the instructions shall be made secretly, and, in case of sentence of death, poison shall be the agent selected.

"In the event of a complaint against one of the leaders of the Council of Ten, the proceedings will be conducted in secret, and if a death sentence is given, poison will be the chosen method."

"Should any dissatisfied noble speak ill of the Government, he shall first be forbidden to appear in the councils and public places for two years. Should he not obey, or should he repeat the offence after the two years, he shall be drowned as incorrigible...." &c.

"Any noble who expresses dissatisfaction with the Government will be banned from appearing in councils and public places for two years. If he does not comply or repeats the offense after the two years, he will be drowned for being unchangeable...." &c.

One can easily understand that in order to carry out these laws the most careful measures were taken to organize a system of espionage. The nobles were subjected to a rigorous supervision; the privacy of letters was not respected; an ambassador was never lost sight of, and his smallest acts were narrowly watched. Any one who dared to throw obstacles in the way of the spies employed by the Council of Ten, was put on the rack, and "made afterwards to receive the punishment which the State inquisitors might consider befitting." Whole pages of the secret statutes bear witness that lying and fraud formed the basis of all the diplomatic relations of the Venetian Government. Nevertheless the Council of Ten, which was solely instituted with the view of watching over the safety of the Republic, could not inter-meddle in civil cases, and its members were forbidden to hold any sort of communication with foreigners.

It's easy to see that to enforce these laws, careful steps were taken to set up a spy system. The nobles were closely monitored; the privacy of letters was ignored; an ambassador was always watched, with even his smallest actions under scrutiny. Anyone who tried to obstruct the spies working for the Council of Ten was tortured and then punished as the State inquisitors deemed appropriate. Entire pages of the secret laws show that dishonesty and deception were central to the diplomatic dealings of the Venetian Government. Despite this, the Council of Ten, which was specifically created to protect the Republic's safety, could not interfere in civil matters, and its members were not allowed to communicate with foreigners.

Figs. 335 and 336.--Chiefs of Sbirri, in the Secret Service of the Council of Ten.--From Cesare Vecellio.

Figs. 335 and 336.--Leaders of the Sbirri, in the Secret Service of the Council of Ten.--From Cesare Vecellio.

The list of names of Venetian nobles and distinguished persons who became victims to the suspicions tyranny of the Council of Ten, and of the State inquisitors, would be very long and of little interest. We may mention a few, however. We find that in 1385, Peter Justiniani, and, in 1388, Stephen Monalesco, were punished for holding secret transactions with the Lord of Padua; in 1413, John Nogarola, for having tried to set fire to Verona; in 1471, Borromeo Memo, for having uttered defamatory speeches against the Podestat of Padua. Not only was this Borromeo Memo punished, but three witnesses of the crime which was imputed to him were condemned to a year's imprisonment and three years' banishment, for not having denounced the deed "between evening and morning." In 1457 we find the Council of Ten attacking the Doge himself, by requiring the abdication of Francis Foscari. A century earlier it had caused the Doge, Marino Faliero, who was convicted of having taken part in a plot to destroy the influence of the nobility, to be executed on the very staircase of the ducal palace, where allegiance to the Republic was usually sworn.

The list of names of Venetian nobles and prominent individuals who fell victim to the oppressive suspicions of the Council of Ten and the State inquisitors would be very long and not particularly interesting. However, we can mention a few. In 1385, Peter Justiniani was punished, and in 1388, Stephen Monalesco faced consequences for holding secret dealings with the Lord of Padua; in 1413, John Nogarola was punished for attempting to set fire to Verona; in 1471, Borromeo Memo was penalized for making defamatory remarks against the Podestat of Padua. Not only was Borromeo Memo punished, but three witnesses to the alleged crime were sentenced to a year in prison and three years of exile for not reporting the act "between evening and morning." In 1457, the Council of Ten even turned against the Doge himself, demanding the resignation of Francis Foscari. A century earlier, they had executed the Doge, Marino Faliero, who was found guilty of participating in a plot to undermine the nobility's power, on the very staircase of the ducal palace, where loyalty to the Republic was typically sworn.

From Cesare Vecellio.

By Cesare Vecellio.

Fig. 337.--Doge of Venice. Costume before the Sixteenth Century.

Fig. 337.--Doge of Venice. Costume before the 16th Century.

Fig. 338.--Doge of Venice in Ceremonial Costume of the Sixteenth Century.

Fig. 338.--Doge of Venice in Sixteenth Century Ceremonial Outfit.

Like the Holy Vehme, the Council of Ten compromised its authority by the abuse of power. In 1540, unknown to the Senate, and in spite of the well-prescribed limit of its authority, it concluded a treaty with the Turkish Sultan, Soliman II. The Senate at first concealed its indignation at this abuse of power, but, in 1582, it took measures so as considerably to restrain the powers of the Council of Ten, which, from that date, only existed in name.

Like the Holy Vehme, the Council of Ten damaged its authority through the misuse of power. In 1540, without the Senate's knowledge and despite clear limits on its authority, it signed a treaty with the Turkish Sultan, Soliman II. Initially, the Senate kept its anger over this abuse of power hidden, but in 1582, it took steps to significantly limit the Council of Ten's powers, which thereafter existed only in name.

Fig. 339.--Seal of the Free Count Heinrich Beckmann, of Medebach. (1520--1533).

Fig. 339.--Seal of the Free Count Heinrich Beckmann, of Medebach. (1520--1533).

Punishments.

Refinements of Penal Cruelty.--Tortures for different Purposes.--Water, Screw-boards, and the Rack.--The Executioner.--Female Executioners.--Tortures.--Amende Honorable.--Torture of Fire, Real and Feigned.--Auto-da-fé.--Red-hot Brazier or Basin.--Beheading.--Quartering.--Wheel.--Garotte.--Hanging.--The Whip.--The Pillory.--The Arquebuse.--Tickling.--Flaying.--Drowning.--Imprisonment.--Regulations of Prisons.--The Iron Cage.--The Leads of Venice.

Refinements of Penal Cruelty.--Tortures for different Purposes.--Water, Screw-boards, and the Rack.--The Executioner.--Female Executioners.--Tortures.--Amende Honorable.--Torture of Fire, Real and Feigned.--Auto-da-fé.--Red-hot Brazier or Basin.--Beheading.--Quartering.--Wheel.--Garotte.--Hanging.--The Whip.--The Pillory.--The Arquebuse.--Tickling.--Flaying.--Drowning.--Imprisonment.--Regulations of Prisons.--The Iron Cage.--The Leads of Venice.

"It is very sad," says the learned M. de Villegille, "to observe the infinite variety of tortures which have existed since the beginning of the world. It is, in fact, difficult to realise the amount of ingenuity exercised by men in inventing new tortures, in order to give themselves the satisfaction of seeing their fellow-creatures agonizing in the most awful sufferings."

"It is very sad," says the knowledgeable M. de Villegille, "to see the endless variety of tortures that have existed since the beginning of time. It is, in fact, hard to grasp the level of creativity people have shown in coming up with new ways to inflict pain, just to enjoy watching their fellow humans suffer in the most terrible ways."

In entering upon the subject of ancient modes of punishment, we must first speak of the torture, which, according to the received phrase, might be either previous or preparatory: previous, when it consisted of a torture which the condemned had to endure previous to capital punishment; and preparatory, when it was applied in order to elicit from the culprit an avowal of his crime, or of that of his accomplices. It was also called ordinary, or extraordinary, according to the duration or violence with which it was inflicted. In some cases the torture lasted five or six consecutive hours; in others, it rarely exceeded an hour. Hippolyte de Marsillis, the learned and venerable jurisconsult of Bologna, who lived at the beginning of the fifteenth century, mentions fourteen ways of inflicting torture. The compression of the limbs by special instruments, or by ropes only; injection of water, vinegar, or oil, into the body of the accused; application of hot pitch, and starvation, were the processes most in use. Other means, which were more or less applied according to the fancy of the magistrate and the tormentor or executioner, were remarkable for their singular atrocities. For instance, placing hot eggs under the arm-pits; introducing dice between the skin and flesh; tying lighted candles to the fingers, so that they might be consumed simultaneously with the wax; letting water trickle drop by drop from a great height on the stomach; and also the custom, which was, according to writers on criminal matters, an indescribable torture, of watering the feet with salt water and allowing goats to lick them. However, every country had special customs as to the manner of applying torture.

When discussing ancient methods of punishment, we have to first address torture, which, according to common terminology, could be either previous or preparatory. Previous torture was inflicted on the condemned before they faced capital punishment, while preparatory torture was used to get the perpetrator to confess their crime or implicate their accomplices. This type of torture was also classified as ordinary or extraordinary, based on how long or how violently it was administered. In some instances, torture could last for five or six consecutive hours, while in others, it rarely exceeded an hour. Hippolyte de Marsillis, an esteemed and respected legal expert from Bologna who lived in the early fifteenth century, described fourteen methods of inflicting torture. Common practices included compressing limbs using special instruments or simply ropes; injecting water, vinegar, or oil into the accused's body; applying hot pitch; and starving the individual. Other methods, which varied based on the whims of the magistrate and the torturer or executioner, were notorious for their cruelty. For example, placing hot eggs under the armpits, inserting dice between the skin and flesh, tying lit candles to fingers so the wax would burn alongside them, letting water drip slowly from a height onto the stomach, and the infamous practice of soaking the feet in salt water while allowing goats to lick them. However, every country had its unique customs regarding how torture was applied.

In France, too, the torture varied according to the provinces, or rather according to the parliaments. For instance, in Brittany the culprit, tied in an iron chair, was gradually brought near a blazing furnace. In Normandy, one thumb was squeezed in a screw in the ordinary, and both thumbs in the extraordinary torture. At Autun, after high boots made of spongy leather had been placed on the culprit's feet, he was tied on to a table near a large fire, and a quantity of boiling water was poured on the boots, which penetrated the leather, ate away the flesh, and even dissolved the bones of the victim.

In France, the methods of torture also varied by region, or more specifically, by the different parliaments. For example, in Brittany, the accused was tied to an iron chair and gradually brought closer to a roaring furnace. In Normandy, one thumb was crushed in a standard screw and both thumbs in an extreme form of torture. In Autun, after being fitted with high boots made of soft leather, the accused was strapped to a table next to a large fire, and boiling water was poured over the boots, which soaked into the leather, burned the flesh, and even dissolved the victim's bones.

At Orleans, for the ordinary torture the accused was stripped half naked, and his hands were tightly tied behind his back, with a ring fixed between them. Then by means of a rope fastened to this ring, they raised the poor man, who had a weight of one hundred and eighty pounds attached to his feet, a certain height from the ground. For the extraordinary torture, which then took the name of estrapade, they raised the victim, with two hundred and fifty pounds attached to his feet, to the ceiling by means of a capstan; he was then allowed to fall several times successively by jerks to the level of the ground, by which means his arms and legs were completely dislocated (Fig. 340).

At Orleans, for the usual torture, the accused was stripped down to the waist, and his hands were tightly tied behind his back with a ring connecting them. Then, using a rope attached to this ring, they hoisted the poor man, who weighed one hundred eighty pounds, off the ground with a weight tied to his feet. For the extreme torture, known as estrapade, they lifted the victim, with two hundred fifty pounds attached to his feet, to the ceiling using a capstan; he was then dropped several times in quick succession to the ground level, which completely dislocated his arms and legs (Fig. 340).

At Avignon, the ordinary torture consisted in hanging the accused by the wrists, with a heavy iron ball at each foot; for the extraordinary torture, which was then much in use in Italy under the name of veglia, the body was stretched horizontally by means of ropes passing through rings riveted into the wall, and attached to the four limbs, the only support given to the culprit being the point of a stake cut in a diamond shape, which just touched the end of the back-bone. A doctor and a surgeon were always present, feeling the pulse at the temples of the patient, so as to be able to judge of the moment when he could not any longer bear the pain.

At Avignon, the usual torture involved hanging the accused by their wrists, with a heavy iron ball attached to each ankle. For the more extreme torture, commonly used in Italy at the time and known as veglia, the victim's body was pulled horizontally using ropes that passed through rings fixed into the wall and were connected to their four limbs. The only support given to the person being tortured was the tip of a stake shaped like a diamond, which barely touched the end of their spine. A doctor and a surgeon were always present, checking the pulse at the patient's temples to determine when they could no longer withstand the pain.

Fig. 340.--The Estrapade, or Question Extraordinary.--Fac-simile of a Woodcut in the Work of J. Millaeus, "Praxis Criminis Persequendi." folio, Paris, 1541.

Fig. 340.--The Estrapade, or Question Extraordinary.--Facsimile of a woodcut in the work of J. Millaeus, "Praxis Criminis Persequendi," folio, Paris, 1541.

Fig. 341.--The Water Torture.--Fac-simile of a Woodcut in J. Damhoudère's "Praxis Rerum Criminalium:" in 4to, Antwerp, 1556.

Fig. 341.--The Water Torture.--Replica of a Woodcut in J. Damhoudère's "Praxis Rerum Criminalium:" in 4to, Antwerp, 1556.

At that moment he was untied, hot fomentations were used to revive him, restoratives were administered, and, as soon as he had recovered a little strength, he was again put to the torture, which went on thus for six consecutive hours.

At that moment, he was untied, hot compresses were used to bring him back to consciousness, restoratives were given, and as soon as he regained some strength, he was tortured again, which continued for six straight hours.

In Paris, for a long time, the water torture was in use; this was the most easily borne, and the least dangerous. A person undergoing it was tied to a board which was supported horizontally on two trestles. By means of a horn, acting as a funnel, and whilst his nose was being pinched, so as to force him to swallow, they slowly poured four coquemars (about nine pints) of water into his mouth; this was for the ordinary torture. For the extraordinary, double that quantity was poured in (Fig. 341). When the torture was ended, the victim was untied, "and taken to be warmed in the kitchen," says the old text.

In Paris, for a long time, the water torture was used; this was the most tolerable and the least harmful. A person undergoing it was strapped to a board that was propped up horizontally on two supports. Using a horn as a funnel, and while pinching their nose to force them to swallow, they slowly poured in four coquemars (about nine pints) of water into their mouth; this was the standard torture. For the extreme version, double that amount was poured in (Fig. 341). When the torture was over, the victim was untied, "and taken to be warmed in the kitchen," says the old text.

At a later period, the brodequins were preferred. For this torture, the victim was placed in a sitting posture on a massive bench, with strong narrow boards fixed inside and outside of each leg, which were tightly bound together with strong rope; wedges were then driven in between the centre boards with a mallet; four wedges in the ordinary and eight in the extraordinary torture. Not unfrequently during the latter operation the bones of the legs were literally burst.

At a later time, the brodequins became the preferred method of torture. In this procedure, the victim was seated on a heavy bench, with sturdy narrow boards secured inside and outside of each leg, tightly bound together with strong rope. Wedges were then hammered in between the center boards using a mallet; typically four wedges were used in regular cases and eight in more extreme torture. It was not uncommon for the bones in the legs to actually shatter during this process.

The brodequins which were often used for ordinary torture were stockings of parchment, into which it was easy enough to get the feet when it was wet, but which, on being held near the fire, shrunk so considerably that it caused insufferable agony to the wearer.

The brodequins, often used for regular torture, were parchment stockings that were easy to slip on when wet, but when held close to the fire, they shrank so much that they caused unbearable pain to the person wearing them.

Whatever manner of torture was applied, the accused, before undergoing it, was forced to remain eight or ten hours without eating. Damhoudère, in his famous technical work, called "Practique et Enchiridion des Causes Criminelles" (1544), also recommends that the hair should be carefully shaved from the bodies of persons about to undergo examination by torture, for fear of their concealing some countercharm which would render them insensible to bodily pain. The same author also recommends, as a rule, when there are several persons "to be placed on the rack" for the same deed, to begin with those from whom it would be most probable that confession would be first extorted. Thus, for instance, when a man and a woman were to suffer one after the other, he recommended that the woman be first tortured, as being the weaker of the two; when a father and son were concerned, the son should be tortured in presence of the father, "who naturally fears more for his son than for himself." We thereby see that the judges were adepts in the art of adding moral to physical tortures. The barbarous custom of punishment by torture was on several occasions condemned by the Church. As early as 866, we find, from Pope Nicholas V.'s letter to the Bulgarians, that their custom of torturing the accused was considered contrary to divine as well as to human law: "For," says he, "a confession should be voluntary, and not forced. By means of the torture, an innocent man may suffer to the utmost without making any avowal; and, in such a case, what a crime for the judge! Or the person may be subdued by pain, and may acknowledge himself guilty, although he be not so, which throws an equally great sin upon the judge."

No matter what kind of torture was used, the accused had to go eight or ten hours without eating before it began. Damhoudère, in his well-known technical book "Practique et Enchiridion des Causes Criminelles" (1544), also suggests that the hair should be carefully shaved from the bodies of people about to be tortured, in case they were hiding some countercharm that would make them immune to pain. He also advises that, when there are multiple people to be "put on the rack" for the same crime, it’s best to start with those who are most likely to confess first. For example, if a man and a woman were both going to be tortured, he suggested torturing the woman first because she is the weaker one; if a father and son were involved, the son should be tortured in front of the father, "who naturally fears more for his son than for himself." This shows that the judges were skilled at combining moral and physical pain in their punishments. The cruel practice of torture was condemned by the Church on several occasions. As early as 866, Pope Nicholas V’s letter to the Bulgarians stated that their practice of torturing the accused was against both divine and human law: "For," he said, "a confession should be voluntary and not forced. Through torture, an innocent person can suffer greatly without confessing anything; in such a case, what a crime for the judge! Or the person might break down from the pain and admit guilt, even if they aren’t guilty, which puts a serious sin on the judge as well."

Fig. 342.--Type of Executioner in the Decapitation of John the Baptist (Thirteenth Century).--Fac-simile of a Miniature in the Psalm-book of St. Louis. Manuscript preserved in the Musée des Souverains.

Fig. 342.--Type of Executioner in the Decapitation of John the Baptist (13th Century).--Facsimile of a miniature in the Psalm book of St. Louis. Manuscript preserved in the Musée des Souverains.

After having endured the previous torture, the different phases of which were carried out by special tormentors or executioners, the condemned was at last handed over to the maistre des haultes oeuvres--that is to say, the executioner--whose special mission was that of sending culprits to another world (Fig. 342).

After going through the previous torture, which was performed by specific tormentors or executioners, the condemned person was finally handed over to the maistre des haultes oeuvres--in other words, the executioner--whose main job was to send offenders to another world (Fig. 342).

Fig. 343.--Swiss Grand Provost (Fifteenth Century).--From a Painting in the "Danse des Morts" of Basle, engraved by Mérian.

Fig. 343.--Swiss Grand Provost (Fifteenth Century).--From a painting in the "Danse des Morts" of Basel, engraved by Mérian.

The executioner did not hold the same position in all countries. For whereas in France, Italy, and Spain, a certain amount of odium was attached to this terrible craft, in Germany, on the contrary, successfully carrying out a certain number of capital sentences was rewarded by titles and the privileges of nobility (Fig. 343). At Reutlingen, in Suabia, the last of the councillors admitted into the tribunal had to carry out the sentence with his own hand. In Franconia, this painful duty fell upon the councillor who had last taken a wife.

The role of the executioner differed from country to country. In France, Italy, and Spain, there was a certain stigma associated with this grim job, whereas in Germany, successfully carrying out capital sentences earned titles and noble privileges (Fig. 343). In Reutlingen, Suabia, the last council member admitted to the tribunal had to carry out the sentence themselves. In Franconia, this difficult duty fell to the council member who had married most recently.

In France, the executioner, otherwise called the King's Sworn Tormentor, was the lowest of the officers of justice. His letters of appointment, which he received from the King, had, nevertheless, to be registered in Parliament; but, after having put the seal on them, it is said that the chancellor threw them under the table, in token of contempt. The executioner was generally forbidden to live within the precincts of the city, unless it was on the grounds where the pillory was situated; and, in some cases, so that he might not be mistaken amongst the people, he was forced to wear a particular coat, either of red or yellow. On the other hand, his duties ensured him certain privileges. In Paris, he possessed the right of havage, which consisted in taking all that he could hold in his hand from every load of grain which was brought into market; however, in order that the grain might be preserved from ignominious contact, he levied his tax with a wooden spoon. He enjoyed many similar rights over most articles of consumption, independently of benefiting by several taxes or fines, such as the toll on the Petit-Pont, the tax on foreign traders, on boats arriving with fish, on dealers in herrings, watercress, &c.; and the fine of five sous which was levied on stray pigs (see previous chapter), &c. And, lastly, besides the personal property of the condemned, he received the rents from the shops and stalls surrounding the pillory, in which the retail fish trade was carried on.

In France, the executioner, also known as the King's Sworn Tormentor, was the lowest-ranking officer of justice. Although he received his letters of appointment from the King, they still had to be registered in Parliament; however, after sealing them, it's said that the chancellor tossed them under the table as a sign of disdain. The executioner was typically not allowed to live within the city limits unless it was on the grounds of the pillory; in some cases, to avoid being mistaken for a regular person, he had to wear a specific coat, either red or yellow. On the flip side, his job provided him with certain privileges. In Paris, he had the right of havage, meaning he could take whatever he could hold in his hand from any load of grain brought to market; however, to keep the grain from being dishonorably touched, he collected his tax with a wooden spoon. He had many similar rights over various goods, in addition to earning from several taxes or fines, such as the toll on the Petit-Pont, taxes on foreign merchants, on boats bringing in fish, on sellers of herrings, watercress, etc.; and the five-sous fine imposed on stray pigs (see previous chapter), etc. Finally, besides the personal belongings of the condemned, he collected rents from the shops and stalls around the pillory, where the retail fish trade was conducted.

It appears that, in consequence of the receipts from these various duties forming a considerable source of revenue, the prestige of wealth by degrees dissipated the unfavourable impressions traditionally attached to the duties of executioner. At least, we have authority for supposing this, when, for instance, in 1418, we see the Paris executioner, who was then captain of the bourgeois militia, coming in that capacity to touch the hand of the Duke of Burgundy, on the occasion of his solemn entry into Paris with Queen Isabel of Bavaria. We may add that popular belief generally ascribed to the executioner a certain practical knowledge of medicine, which was supposed inherent in the profession itself; and the acquaintance with certain methods of cure unknown to doctors, was attributed to him; people went to buy from him the fat of culprits who had been hung, which was supposed to be a marvellous panacea. We may also remark that, in our day, the proficiency of the executioner in setting dislocated limbs is still proverbial in many countries.

It seems that, because the income from these various duties became a significant source of revenue, the status of wealth gradually erased the negative views that were traditionally held about the role of the executioner. We have evidence to support this when, for example, in 1418, we see the Paris executioner, who was then the captain of the bourgeois militia, coming in that role to shake hands with the Duke of Burgundy during his grand entrance into Paris with Queen Isabel of Bavaria. Additionally, popular belief generally credited the executioner with a certain practical knowledge of medicine, which was thought to be part of the job itself; people believed he had access to specific healing methods unknown to doctors, and they would buy the fat of executed criminals from him, which was thought to be a miraculous cure. It's also worth noting that even today, the executioner's skill in reducing dislocated limbs is still well-known in many countries.

Fig. 344.--Amende Honorable before the Tribunal.--Fac-simile of a Woodcut in J. Damhoudère's "Praxis Rerum Criminalium:" in 4to, Antwerp, 1556.

Fig. 344.--Amende Honorable before the Tribunal.--Facsimile of a Woodcut in J. Damhoudère's "Praxis Rerum Criminalium:" in 4to, Antwerp, 1556.

More than once during the thirteenth century the duties of the executioner were performed by women, but only in those cases in which their own sex was concerned; for it is expressly stated in an order of St. Louis, that persons convicted of blasphemy shall be beaten with birch rods, "the men by men, and the women by women only, without the presence of men." This, however, was not long tolerated, for we know that a period soon arrived when women were exempted from a duty so little adapted to their physical weakness and moral sensitiveness.

More than once during the 13th century, women took on the role of executioner, but only when the cases involved other women. It's specifically mentioned in an order from St. Louis that people convicted of blasphemy should be punished with birch rods, "men by men, and women by women only, without any men present." However, this practice didn't last long, as we know that a time soon came when women were relieved from a role that was ill-suited to their physical vulnerability and moral sensitivity.

The learned writer on criminal cases, Josse Damhoudère, whom we have already mentioned, and whom we shall take as our special guide in the enumeration of the various tortures, specifies thirteen ways in which the executioner "carries out his executions," and places them in the following order:--"Fire"--"the sword"--"mechanical force"--"quartering"--"the wheel"--"the fork"--"the gibbet"--"drawing"--"spiking"--"cutting off the ears"--"dismembering"--"flogging or beating"--and the "pillory."

The knowledgeable author on criminal cases, Josse Damhoudère, whom we've already mentioned and will refer to as our main guide in listing the different types of torture, identifies thirteen methods by which the executioner "carries out his executions," and lists them in this order: "Fire"—"the sword"—"mechanical force"—"quartering"—"the wheel"—"the fork"—"the gibbet"—"drawing"—"spiking"—"cutting off the ears"—"dismembering"—"flogging or beating"—and the "pillory."

Fig. 345.--The Punishment by Fire.--Fac-simile of a Woodcut of the "Cosmographie Universelle" of Munster: in folio, Basle, 1552.

Fig. 345.--The Punishment by Fire.--Sample of a Woodcut from the "Cosmographie Universelle" by Munster: in folio, Basle, 1552.

But before entering upon the details of this revolting subject, we must state that, whatever punishment was inflicted upon a culprit, it was very rare that its execution had not been preceded by the amende honorable, which, in certain cases, constituted a distinct punishment, but which generally was but the prelude to the torture itself. The amende honorable which was called simple or short, took place without the assistance of the executioner in the council chamber, where the condemned, bareheaded and kneeling, had to state that "he had falsely said or done something against the authority of the King or the honour of some person" (Fig. 344). For the amende honorable in figuris--that is to say, in public--the condemned, in his shirt, barefooted, the rope round his neck, followed by the executioner, and holding in his hand a wax taper, with a weight, which was definitely specified in the sentence which had been passed upon him, but which was generally of two or four pounds, prostrated himself at the door of a church, where in a loud voice he had to confess his sin, and to beg the pardon of God and man.

But before discussing the disturbing details of this topic, we should mention that, regardless of the punishment imposed on a criminal, it was quite rare for the execution to happen without first going through the amende honorable, which, in some instances, served as a separate punishment, but generally just led up to the actual torture. The amende honorable known as simple or short, occurred without the executioner's presence in the council chamber, where the condemned, bareheaded and kneeling, had to admit that "he had falsely said or done something against the authority of the King or the honor of some individual" (Fig. 344). For the amende honorable in figuris—that is, in public—the condemned, dressed in a shirt and barefoot, with a rope around his neck, followed by the executioner, and holding a wax candle along with a weight specified in his sentence, typically between two or four pounds, had to prostrate himself at the church door, where he would loudly confess his wrongdoing and ask for forgiveness from God and man.

When a criminal had been condemned to be burnt, a stake was erected on the spot specially designed for the execution, and round it a pile was prepared, composed of alternate layers of straw and wood, and rising to about the height of a man. Care was taken to leave a free space round the stake for the victim, and also a passage by which to lead him to it. Having been stripped of his clothes, and dressed in a shirt smeared with sulphur, he had to walk to the centre of the pile through a narrow opening, and was then tightly bound to the stake with ropes and chains. After this, faggots and straw were thrown into the empty space through which he had passed to the stake, until he was entirely covered by them; the pile was then fired on all sides at once (Fig. 345).

When a criminal was sentenced to be burned, a stake was set up at the designated execution site, and a pile was built around it, made of alternating layers of straw and wood, reaching about the height of a person. Care was taken to leave space around the stake for the victim, as well as a path to lead him there. After being stripped of his clothes and dressed in a shirt soaked in sulfur, he had to walk to the center of the pile through a narrow opening, where he was then securely tied to the stake with ropes and chains. Next, more wood and straw were thrown into the empty space he had passed through until he was completely covered. The pile was then ignited on all sides at once (Fig. 345).

Sometimes, the sentence was that the culprit should only be delivered to the flames after having been previously strangled. In this case, the dead corpse was then immediately placed where the victim would otherwise have been placed alive, and the punishment lost much of its horror. It often happened that the executioner, in order to shorten the sufferings of the condemned, whilst he prepared the pile, placed a large and pointed iron bar amongst the faggots and opposite the stake breast high, so that, directly the fire was lighted, the bar was quickly pushed against the victim, giving a mortal blow to the unfortunate wretch, who would otherwise have been slowly devoured by the flames. If, according to the wording of the sentence, the ashes of the criminal were to be scattered to the winds, as soon as it was possible to approach the centre of the burning pile, a few ashes were taken in a shovel and sprinkled in the air.

Sometimes, the sentence was that the culprit should only be handed over to the flames after being strangled first. In this case, the dead body was immediately placed where the victim would have been put alive, and the punishment lost much of its terror. It often happened that the executioner, to lessen the suffering of the condemned, while preparing the pyre, placed a large, pointed iron bar among the kindling and across from the stake at chest height, so that as soon as the fire was lit, the bar was quickly pushed against the victim, delivering a fatal blow to the unfortunate person, who would otherwise have been slowly consumed by the flames. If, according to the sentence, the ashes of the criminal were to be scattered to the winds, as soon as it was possible to approach the center of the burning pile, a few ashes were taken in a shovel and sprinkled into the air.

They were not satisfied with burning the living, they also delivered to the flames the bodies of those who had died a natural death before their execution could be carried out, as if an anticipated death should not be allowed to save them from the punishment which they had deserved. It also happened in certain cases, where a person's guilt was only proved after his decease, that his body was disinterred, and carried to the stake to be burnt.

They weren't satisfied with just burning the living; they also threw the bodies of those who had died of natural causes before their execution into the flames, as if an impending death shouldn't prevent them from the punishment they deserved. In some cases, when someone's guilt was only established after their death, their body was dug up and taken to be burned at the stake.

The punishment by fire was always inflicted in cases of heresy, or blasphemy. The Spanish Inquisition made such a constant and cruel use of it, that the expression auto-da-fé (act of faith), strangely perverted from its original meaning, was the only one employed to denote the punishment itself. In France, in the beginning of the fourteenth century, fifty-nine Templars were burned at the same time for the crimes of heresy and witchcraft. And three years later, on the 18th March, 1314, Jacques Molay, and a few other dignitaries of the Order of the Templars, also perished in the flames at the extremity of the island of Notre Dame, on the very spot where the equestrian statue of Henry IV. now stands.

The punishment by fire was always used in cases of heresy or blasphemy. The Spanish Inquisition employed it so frequently and cruelly that the term auto-da-fé (act of faith), which had a different original meaning, became the only one used to refer to the punishment itself. In France, at the beginning of the fourteenth century, fifty-nine Templars were burned at the same time for heresy and witchcraft. Three years later, on March 18, 1314, Jacques Molay and a few other leaders of the Order of the Templars also met their end in the flames at the edge of the island of Notre Dame, right where the equestrian statue of Henry IV. now stands.

Every one is acquainted with the fact that judges were found iniquitous enough to condemn Joan of Arc to death by fire as a witch and a heretic. Her execution, which took place in the market-place of Rouen, is remarkable from a circumstance which is little known, and which had never taken place on any other occasion. When it was supposed that the fire which surrounded the young heroine on all sides had reached her and no doubt suffocated her, although sufficient time had not elapsed for it to consume her body, a part of the blazing wood was withdrawn, "in order to remove any doubts from the people," and when the crowd had satisfied themselves by seeing her in the middle of the pile, "chained to the post and quite dead, the executioner replaced the fire...." It should be stated in reference to this point, that Joan having been accused of witchcraft, there was a general belief among the people that the flames would be harmless to her, and that she would be seen emerging from her pile unscathed.

Everyone knows that judges were cruel enough to condemn Joan of Arc to death by fire as a witch and a heretic. Her execution, which happened in the marketplace of Rouen, is notable for a little-known fact that has never occurred before. When it was thought that the fire surrounding the young heroine had reached her and likely suffocated her, even though there hadn't been enough time for it to consume her body, a part of the burning wood was removed "to dispel any doubts from the crowd." Once the spectators were satisfied after seeing her in the middle of the pile, "chained to the post and completely dead, the executioner added the fire back...." It’s important to mention that since Joan was accused of witchcraft, there was a widespread belief among the people that the flames would be harmless to her, and that she would be seen emerging from her pyre unharmed.

The sentence of punishment by fire did not absolutely imply death at the stake, for there was a punishment of this description which was specially reserved for base coiners, and which consisted in hurling the criminals into a cauldron of scalding water or oil.

The punishment by fire didn’t necessarily mean death by burning at the stake, as there was a specific punishment for counterfeiters that involved throwing the criminals into a pot of boiling water or oil.

We must include in the category of punishment by fire certain penalties, which were, so to speak, but the preliminaries of a more severe punishment, such as the sulphur-fire, in which the hands of parricides, or of criminals accused of high treason, were burned. We must also add various punishments which, if they did not involve death, were none the less cruel, such as the red-hot brazier, bassin ardent, which was passed backwards and forwards before the eyes of the culprit, until they were destroyed by the scorching heat; and the process of branding various marks on the flesh, as an ineffaceable stigma, the use of which has been continued to the present day.

We need to include in the category of punishment by fire certain penalties that were essentially just the prelude to harsher punishments, like the sulfur fire, where the hands of parricides or those accused of treason were burned. We should also mention various punishments that, while not resulting in death, were still extremely cruel, such as the red-hot brazier, bassin ardent, which was held up in front of the culprit's eyes, causing them to be destroyed by the intense heat; and the practice of branding various marks on the skin as a permanent stigma, a practice that continues to this day.

In certain countries decapitation was performed with an axe; but in France, it was carried out usually by means of a two-handed sword or glave of justice, which was furnished to the executioner for that purpose (Fig. 346). We find it recorded that in 1476, sixty sous parisis were paid to the executioner of Paris "for having bought a large espée à feuille," used for beheading the condemned, and "for having the old sword done up, which was damaged, and had become notched whilst carrying out the sentence of justice upon Messire Louis de Luxembourg."

In some countries, decapitation was done with an axe; but in France, it typically used a two-handed sword or glave of justice, which was provided to the executioner for that purpose (Fig. 346). It's recorded that in 1476, sixty sous parisis were paid to the executioner of Paris "for buying a large espée à feuille," used for beheading the condemned, and "for having the old sword repaired, which was damaged and had become nicked while carrying out the sentence of justice on Messire Louis de Luxembourg."

Fig. 346.--Beheading.--Fac-simile of a Miniature on Wood in the "Cosmographie Universelle" of Munster: in folio, Basle, 1552.

Fig. 346.--Beheading.--Reproduction of a Miniature on Wood in the "Cosmographie Universelle" by Munster: in folio, Basel, 1552.

Originally, decapitation was indiscriminately inflicted on all criminals condemned to death; at a later period, however, it became the particular privilege of the nobility, who submitted to it without any feeling of degradation. The victim--unless the sentence prescribed that he should be blindfolded as an ignominious aggravation of the penalty--was allowed to choose whether he would have his eyes covered or not. He knelt down on the scaffold, placed his head on the block, and gave himself up to the executioner (Fig. 347). The skill of the executioner was generally such that the head was almost invariably severed from the body at the first blow. Nevertheless, skill and practice at times failed, for cases are on record where as many as eleven blows were dealt, and at times it happened that the sword broke. It was no doubt the desire to avoid this mischance that led to the invention of the mechanical instrument, now known under the name of the guillotine, which is merely an improvement on a complicated machine which was much more ancient than is generally supposed. As early as the sixteenth century the modern guillotine already existed in Scotland under the name of the Maiden, and English historians relate that Lord Morton, regent of Scotland during the minority of James VI., had it constructed after a model of a similar machine, which had long been in use at Halifax, in Yorkshire. They add, and popular tradition also has invented an analogous tale in France, that this Lord Morton, who was the inventor or the first to introduce this kind of punishment, was himself the first to experience it. The guillotine is, besides, very accurately described in the "Chronicles of Jean d'Auton," in an account of an execution which took place at Genoa at the beginning of the sixteenth century. Two German engravings, executed about 1550 by Pencz and Aldegrever, also represent an instrument of death almost identical with the guillotine; and the same instrument is to be found on a bas-relief of that period, which is still existing in one of the halls of the Tribunal of Luneburg, in Hanover.

Originally, decapitation was applied equally to all criminals sentenced to death; later, it became a privilege reserved for the nobility, who faced it without any sense of shame. The victim—unless the sentence required him to be blindfolded as an additional humiliation—could choose whether or not to cover his eyes. He knelt on the scaffold, placed his head on the block, and surrendered to the executioner (Fig. 347). The executioner's skill was usually such that the head was almost always severed from the body with the first blow. However, skill and experience sometimes failed; there are accounts of as many as eleven blows being needed, and occasionally the sword would break. The desire to prevent such mishaps likely inspired the invention of the mechanical device now known as the guillotine, which is essentially an improvement on a more complex machine that is older than commonly believed. As early as the sixteenth century, a version of the modern guillotine existed in Scotland called the Maiden, and English historians report that Lord Morton, who was the regent of Scotland during James VI's minority, had it built based on a similar device that had been in use at Halifax in Yorkshire for a long time. They also add, and popular tradition has created a similar story in France, that this Lord Morton, who either invented or first introduced this method of execution, became its first victim. The guillotine is also accurately described in the "Chronicles of Jean d'Auton" regarding an execution that took place in Genoa at the beginning of the sixteenth century. Two German engravings from around 1550 by Pencz and Aldegrever also depict a death instrument almost identical to the guillotine; the same device is found on a bas-relief from that period, still displayed in one of the halls of the Tribunal of Luneburg, in Hanover.

And his Confessor, at Bordeaux in 1377, by order of the King of England's Lieutenant. Froissart's Chronicles. No. 2644, Bibl. nat'le de Paris.

And his confessor, in Bordeaux in 1377, by order of the King of England's lieutenant. Froissart's Chronicles. No. 2644, Bibl. nat'le de Paris.

Fig. 347.--Public Executions.--Fac-simile of a Woodcut in the Latin Work of J. Millaeus, "Praxis Criminis Persequendi:" small folio, Parisis, Simon de Colines, 1541.

Fig. 347.--Public Executions.--Reproduction of a Woodcut in the Latin Work of J. Millaeus, "Praxis Criminis Persequendi:" small folio, Paris, Simon de Colines, 1541.

Possibly the invention of such a machine was prompted by the desire to curtail the physical sufferings of the victim, instead of prolonging them, as under the ancient system. It is, however, difficult to believe that the mediæval judges were actuated by any humane feelings, when we find that, in order to reconcile a respect for propriety with a due compliance with the ends of justice, the punishment of burying alive was resorted to for women, who could not with decency be hung up to the gibbets. In 1460, a woman named Perette, accused of theft and of receiving stolen goods, was condemned by the Provost of Paris to be "buried alive before the gallows," and the sentence was literally carried out.

The invention of such a machine may have been driven by a desire to reduce the physical suffering of the victim, instead of extending it, like the old system did. However, it's hard to believe that medieval judges acted out of any compassion when we see that, to balance a sense of propriety with the demands of justice, they resorted to the punishment of burying women alive, who couldn’t decently be hanged. In 1460, a woman named Perette, accused of theft and receiving stolen goods, was sentenced by the Provost of Paris to be “buried alive before the gallows,” and the sentence was carried out as stated.

Quartering may in truth be considered the most horrible penalty invented by judicial cruelty. This punishment really dates from the remotest ages, but it was scarcely ever inflicted in more modern times, except on regicides, who were looked upon as having committed the worst of crimes. In almost all cases, the victim had previously to undergo various accessory tortures: sometimes his right hand was cut off, and the mutilated stump was burnt in a cauldron of sulphur; sometimes his arms, thighs, or breasts were lacerated with red-hot pincers, and hot oil, pitch, or molten lead was poured into the wounds.

Quartering can truly be considered the most brutal penalty created by judicial cruelty. This punishment actually dates back to ancient times, but it was rarely used in more recent history, except for regicides, who were seen as having committed the worst crimes. In almost all cases, the victim had to endure various additional tortures first: sometimes his right hand was cut off, and the severed stump was burned in a cauldron of sulfur; other times, his arms, thighs, or chest were torn apart with red-hot pincers, and hot oil, pitch, or melted lead was poured into the wounds.

Fig. 348.--Demons applying the Torture of the Wheel.--Fac-simile of a Woodcut in the "Grand Kalendrier ou Compost des Bergers:" small folio, Troyes, Nicholas le Rouge, 1529.

Fig. 348.--Demons using the Wheel of Torture.--Copy of a Woodcut in the "Great Calendar or Compost of the Shepherds:" small folio, Troyes, Nicholas le Rouge, 1529.

After these horrible preliminaries, a rope was attached to each of the limbs of the criminal, one being bound round each leg from the foot to the knee, and round each arm from the wrist to the elbow. These ropes were then fastened to four bars, to each of which a strong horse was harnessed, as if for towing a barge. These horses were first made to give short jerks; and when the agony had elicited heart-rending cries from the unfortunate man, who felt his limbs being dislocated without being broken, the four horses were all suddenly urged on with the whip in different directions, and thus all the limbs were strained at one moment. If the tendons and ligaments still resisted the combined efforts of the four horses, the executioner assisted, and made several cuts with a hatchet on each joint. When at last--for this horrible torture often lasted several hours--each horse had drawn out a limb, they were collected and placed near the hideous trunk, which often still showed signs of life, and the whole were burned together. Sometimes the sentence was, that the body should be hung to the gibbet, and that the limbs should be displayed on the gates of the town, or sent to four principal towns in the extremities of the kingdom. When this was done, "an inscription was placed on each of the limbs, which stated the reason of its being thus exposed."

After these terrible preliminaries, a rope was tied to each limb of the criminal, one wrapped around each leg from the foot to the knee, and around each arm from the wrist to the elbow. These ropes were then secured to four bars, with a strong horse harnessed to each one, as if to tow a barge. The horses were first made to give short pulls, and when the pain caused heart-wrenching cries from the unfortunate man, who felt his limbs being dislocated but not broken, all four horses were suddenly whipped into action in different directions, stretching all the limbs at once. If the tendons and ligaments still resisted the combined force of the four horses, the executioner would step in and make several cuts with a hatchet on each joint. When at last—because this horrific torture often lasted several hours—each horse had pulled out a limb, they were gathered and placed next to the gruesome trunk, which often still showed signs of life, and everything was burned together. Sometimes the sentence included hanging the body from the gallows and displaying the limbs on the town gates or sending them to four major towns at the edges of the kingdom. When this was done, "an inscription was placed on each of the limbs, which stated the reason for its exposure."

The wheel is the name applied to a torture of very ancient origin, but which was applied during the Middle Ages to quite a different torture from that used in olden times. The modern instrument might indeed have been called the cross, for it only served for the public exhibition of the body of the criminal whose limbs had been previously broken alive. This torture, which does not date earlier than the days of Francis I., is thus described:--The victim was first tied on his back to two joists forming a St. Andrew's cross, each of his limbs being stretched out on its arms. Two places were hollowed out under each limb, about a foot apart, in order that the joints alone might touch the wood. The executioner then dealt a heavy blow over each hollow with a square iron bar, about two inches broad and rounded at the handle, thus breaking each limb in two places. To the eight blows required for this, the executioner generally added two or three on the chest, which were called coups de grâce, and which ended this horrible execution. It was only after death that the broken body was placed on a wheel, which was turned round on a pivot. Sometimes, however, the sentence ordered that the condemned should be strangled before being broken, which was done in such cases by the instantaneous twist of a rope round the neck.

The wheel is the term used for a very old form of torture, but during the Middle Ages, it was used in a way that was quite different from its original version. The modern tool could have been called the cross, as it was primarily for publicly displaying the bodies of criminals whose limbs had been broken while they were still alive. This type of torture, which didn't begin until the time of Francis I., is described as follows: The victim was first tied on their back to two beams that formed a St. Andrew's cross, with each limb stretched out along the beams. Two hollows were carved out under each limb, about a foot apart, so that only the joints would touch the wood. The executioner then delivered a heavy blow to each hollow with a square iron bar, about two inches wide and rounded at the handle, thus breaking each limb at two points. In addition to the eight necessary blows, the executioner typically added two or three strikes to the chest, referred to as coups de grâce, which ended this horrific execution. It was only after death that the broken body was placed on a wheel, which was then spun on a pivot. In some cases, however, the sentence specified that the condemned should be strangled before being broken, which was done by quickly twisting a rope around the neck.

Strangling, thus carried out, was called garotting. This method is still in use in Spain, and is specially reserved for the nobility. The victim is seated on a scaffold, his head leaning against a beam and his neck grasped by an iron collar, which the executioner suddenly tightens from behind by means of a screw.

Strangling, as described, was known as garotting. This method is still used in Spain and is specifically reserved for the nobility. The victim is seated on a scaffold, his head resting against a beam, and his neck held by an iron collar, which the executioner suddenly tightens from behind using a screw.

For several centuries, and down to the Revolution, hanging was the most common mode of execution in France; consequently, in every town, and almost in every village, there was a permanent gibbet, which, owing to the custom of leaving the bodies to hang till they crumbled into dust, was very rarely without having some corpses or skeletons attached to it. These gibbets, which were called fourches patibulaires or justices, because they represented the authority of the law, were generally composed of pillars of stone, joined at their summit by wooden traverses, to which the bodies of criminals were tied by ropes or chains. The gallows, the pillars of which varied in number according to the will of the authorities, were always placed by the side of frequented roads, and on an eminence.

For several centuries, up until the Revolution, hanging was the most common method of execution in France. As a result, in every town and almost every village, there was a permanent gallows, which, because of the practice of leaving the bodies to hang until they decayed, rarely lacked corpses or skeletons. These gallows, known as fourches patibulaires or justices, symbolized the authority of the law and were typically made of stone pillars connected at the top by wooden beams, to which the bodies of criminals were tied with ropes or chains. The gallows, with a varying number of pillars depending on the decisions of the authorities, were always positioned beside busy roads and on elevated ground.

Fig. 349.--The Gibbet of Montfaucon.--From an Engraving of the Topography of Paris, in the Collection of Engravings of the National Library.

Fig. 349.--The Gibbet of Montfaucon.--From an Engraving of the Topography of Paris, in the Collection of Engravings of the National Library.

According to prescribed rule, the gallows of Paris, which played such an important part in the political as well as the criminal history of that city, were erected on a height north of the town, near the high road leading into Germany. Montfaucon, originally the name of the hill, soon became that of the gallows itself. This celebrated place of execution consisted of a heavy mass of masonry, composed of ten or twelve layers of rough stones, and formed an enclosure of forty feet by twenty-five or thirty. At the upper part there was a platform, which was reached by a stone staircase, the entrance to which was closed by a massive door (Fig. 349). On three sides of this platform rested sixteen square pillars, about thirty feet high, made of blocks of stone a foot thick. These pillars were joined to one another by double bars of wood, which were fastened into them, and bore iron chains three feet and a half long, to which the criminals were suspended. Underneath, half-way between these and the platform, other bars were placed for the same purpose. Long and solid ladders riveted to the pillars enabled the executioner and his assistants to lead up criminals, or to carry up corpses destined to be hung there. Lastly, the centre of the structure was occupied by a deep pit, the hideous receptacle of the decaying remains of the criminals.

According to the rules, the gallows of Paris, which played a significant role in both the political and criminal history of the city, were built on a height north of the town, near the main road leading into Germany. Montfaucon, originally the name of the hill, soon became synonymous with the gallows itself. This infamous place of execution was a massive structure made of ten or twelve layers of rough stones, measuring forty feet by twenty-five or thirty. At the top, there was a platform accessed by a stone staircase, which had a large door at the entrance (Fig. 349). Around three sides of this platform stood sixteen square pillars, about thirty feet tall, made of foot-thick stone blocks. These pillars were connected by double wooden bars, which were secured to them, and held iron chains that were three and a half feet long, to which the criminals were hanged. Below these, halfway to the platform, additional bars were installed for the same purpose. Long, sturdy ladders attached to the pillars allowed the executioner and his assistants to bring up criminals or carry corpses meant to be hung there. Finally, the center of the structure contained a deep pit, a gruesome place for the decomposing remains of the executed.

One can easily imagine the strange and melancholy aspect of this monumental gibbet if one thinks of the number of corpses continually attached to it, and which were feasted upon by thousands of crows. On one occasion only it was necessary to replace fifty-two chains, which were useless; and the accounts of the city of Paris prove that the expense of executions was more heavy than that of the maintenance of the gibbet, a fact easy to be understood if one recalls to mind the frequency of capital sentences during the Middle Ages. Montfaucon was used not only for executions, but also for exposing corpses which were brought there from various places of execution in every part of the country. The mutilated remains of criminals who had been boiled, quartered, or beheaded, were also hung there, enclosed in sacks of leather or wickerwork. They often remained hanging for a considerable time, as in the case of Pierre des Essarts, who had been beheaded in 1413, and whose remains were handed over to his family for Christian burial after having hung on Montfaucon for three years.

One can easily picture the strange and sad sight of this massive gallows if you think about the number of bodies constantly hanging from it, which were picked apart by thousands of crows. At one point, it was necessary to replace fifty-two chains that had become useless; the city of Paris's records show that the cost of executions was higher than the upkeep of the gallows, a fact that is easy to understand when considering how often capital punishment was carried out during the Middle Ages. Montfaucon was used not just for executions but also for displaying bodies brought there from various places of execution throughout the country. The dismembered remains of criminals who had been boiled, quartered, or beheaded were also hung there, stuffed into leather or wicker bags. They often stayed on display for a long time, as in the case of Pierre des Essarts, who was beheaded in 1413, and whose remains were given to his family for a proper burial after hanging on Montfaucon for three years.

The criminal condemned to be hanged was generally taken to the place of execution sitting or standing in a waggon, with his back to the horses, his confessor by his side, and the executioner behind him. He bore three ropes round his neck; two the size of the little finger, and called tortouses, each of which had a slip-knot; the third, called the jet, was only used to pull the victim off the ladder, and so to launch him into eternity (Fig. 350). When the cart arrived at the foot of the gallows, the executioner first ascended the ladder backwards, drawing the culprit after him by means of the ropes, and forcing him to keep pace with him; on arriving at the top, he quickly fastened the two tortouses to the arm of the gibbet, and by a jerk of his knee he turned the culprit off the ladder, still holding the jet in his own hand. He then placed his feet on the tied hands of the condemned, and suspending himself by his hands to the gibbet, he finished off his victim by repeated jerks, thus ensuring complete strangulation.

The condemned criminal being executed was typically taken to the execution site sitting or standing in a wagon, facing away from the horses, with his confessor by his side and the executioner behind him. He wore three ropes around his neck; two were the thickness of a little finger and called tortouses, each with a slipknot; the third, known as the jet, was only used to pull the victim off the ladder, sending him into eternity (Fig. 350). When the cart reached the foot of the gallows, the executioner first climbed the ladder backwards, pulling the culprit behind him with the ropes and forcing him to keep up. Once at the top, he quickly secured the two tortouses to the arm of the gallows, and with a swift motion of his knee, he pushed the culprit off the ladder, still holding the jet in his hand. He then placed his feet on the condemned's tied hands and suspended himself by his hands from the gallows, finishing off his victim with repeated jerks to ensure complete strangulation.

When the words "shall be hung until death doth ensue" are to be found in a sentence, it must not be supposed that they were used merely as a form, for in certain cases the judge ordered that the sentence should be only carried out as far as would prove to the culprit the awful sensation of hanging. In such cases, the victim was simply suspended by ropes passing under the arm-pits, a kind of exhibition which was not free from danger when it was too prolonged, for the weight of the body so tightened the rope round the chest that the circulation might be stopped. Many culprits, after hanging thus an hour, when brought down, were dead, or only survived this painful process a short time.

When the phrase "shall be hung until death follows" is found in a sentence, it shouldn't be assumed that it's just a formality. In certain cases, the judge ordered that the sentence should only be enforced to give the culprit the terrifying experience of hanging. In these instances, the victim was simply suspended by ropes placed under their arms, a practice that was not without risk when it lasted too long, as the weight of the body would tighten the rope around the chest and potentially cut off circulation. Many culprits, after hanging like this for an hour, were brought down dead or only survived this painful ordeal for a short while.

Fig. 350.--Hanging to Music. (A Minstrel condemned to the Gallows obtained permission that one of his companions should accompany him to his execution, and play his favourite instrument on the ladder of the Gallows.)--Fac-simile of a Woodcut in Michault's "Doctrinal du Temps Présent:" small folio, goth., Bruges, about 1490.

Fig. 350.--Hanging to Music. (A minstrel sentenced to the gallows got permission for one of his friends to accompany him to his execution and play his favorite instrument on the ladder of the gallows.)--Fac-simile of a woodcut in Michault's "Doctrinal du Temps Présent:" small folio, goth., Bruges, about 1490.

We have seen elsewhere (chapter on Privileges and Rights, Feudal and Municipal) that, when the criminal passed before the convent of the Filles-Dieu, the nuns of that establishment were bound to bring him out a glass of wine and three pieces of bread, and this was called le dernier morceau des patients. It was hardly ever refused, and an immense crowd assisted at this sad meal. After this the procession went forward, and on arriving near the gallows, another halt was made at the foot of a stone cross, in order that the culprit might receive the religions exhortations of his confessor. The moment the execution was over, the confessor and the officers of justice returned to the Châtelet, where a repast provided by the town awaited them.

We have seen elsewhere (chapter on Privileges and Rights, Feudal and Municipal) that when the criminal passed by the convent of the Filles-Dieu, the nuns there were required to bring him a glass of wine and three pieces of bread, a tradition known as le dernier morceau des patients. It was rarely refused, and a large crowd gathered for this somber meal. After this, the procession moved on, and upon reaching the gallows, another stop was made at the foot of a stone cross so the culprit could receive the religious counsel of his confessor. Once the execution was over, the confessor and the justice officials returned to the Châtelet, where a meal prepared by the town awaited them.

Fig. 351.--View of the Pillory in the Market-place of Paris in the Sixteenth Century, after a Drawing by an unknown Artist of 1670.

Fig. 351.--View of the Pillory in the Market-place of Paris in the 16th Century, after a drawing by an unknown artist from 1670.

Sometimes the criminals, in consequence of a peculiar wording of the sentence, were taken to Montfaucon, whether dead or alive, on a ladder fastened behind a cart. This was an aggravation of the penalty, which was called traîner sur la claie.

Sometimes the criminals, due to a specific wording of the sentence, were taken to Montfaucon, either dead or alive, on a ladder attached to a cart. This was an added punishment, known as traîner sur la claie.

The penalty of the lash was inflicted in two ways: first, under the custode, that is to say within the prison, and by the hand of the gaoler himself, in which case it was simply a correction; and secondly, in public, when its administration became ignominious as well as painful. In the latter case the criminal was paraded about the town, stripped to the waist, and at each crossway he received a certain number of blows on the shoulders, given by the public executioner with a cane or a knotted rope.

The punishment of the whip was carried out in two ways: first, under the custode, meaning within the prison, and by the gaoler himself, in which case it was merely a correction; and second, in public, when it became both humiliating and painful. In the latter case, the offender was displayed throughout the town, stripped to the waist, and at each intersection, he received a certain number of strikes on the shoulders, delivered by the public executioner with a cane or a knotted rope.

When it was only required to stamp a culprit with infamy he was put into the pillory, which was generally a kind of scaffold furnished with chains and iron collars, and bearing on its front the arms of the feudal lord. In Paris, this name was given to a round isolated tower built in the centre of the market. The tower was sixty feet high, and had large openings in its thick walls, and a horizontal wheel was provided, which was capable of turning on a pivot. This wheel was pierced with several holes, made so as to hold the hands and head of the culprit, who, on passing and repassing before the eyes of the crowd, came in full view, and was subjected to their hootings (Fig. 351). The pillories were always situated in the most frequented places, such as markets, crossways, &c.

When someone just needed to be marked with shame, they were put in the pillory, which was usually a type of scaffold equipped with chains and iron collars, displaying the arms of the feudal lord on its front. In Paris, this term referred to a round, isolated tower located in the center of the market. The tower stood sixty feet tall, with large openings in its thick walls, and featured a horizontal wheel that could turn on a pivot. This wheel had several holes designed to hold the hands and head of the person being punished, who, while passing in front of the crowd, was fully exposed and subjected to their jeers (Fig. 351). Pillories were always placed in the busiest areas, like markets and crossroads, etc.

Notwithstanding the long and dreadful enumeration we have just made of mediæval punishments, we are far from having exhausted the subject; for we have not spoken of several more or less atrocious punishments, which were in use at various times and in various countries; such as the Pain of the Cross, specially employed against the Jews; the Arquebusade, which was well adapted for carrying out prompt justice on soldiers; the Chatouillement, which resulted in death after the most intense tortures; the Pal (Fig. 352), flaying alive, and, lastly, drowning, a kind of death frequently employed in France. Hence the common expression, gens de sac et de corde, which was derived from the sack into which persons were tied who were condemned to die by immersion.... But we will now turn away from these horrible scenes, and consider the several methods of penal sequestration and prison arrangements.

Notwithstanding the long and dreadful list we’ve just made of medieval punishments, we haven't covered everything; we haven't mentioned several other brutal punishments that were used at different times and in various countries. For example, the Pain of the Cross, specifically used against the Jews; the Arquebusade, which was suitable for quickly delivering justice to soldiers; the Chatouillement, which led to death after extreme torture; the Pal (Fig. 352), flaying alive, and, finally, drowning, a method of execution often used in France. This is why we have the phrase gens de sac et de corde, which comes from the sack that people condemned to die by drowning were put into.... But let’s move away from these awful scenes and look at the various methods of penal seclusion and prison arrangements.

It is unnecessary to state that in barbarous times the cruel and pitiless feeling which induced legislators to increase the horrors of tortures, also contributed to the aggravation of the fate of prisoners. Each administrator of the law had his private gaol, which was entirely under his will and control (Fig. 353). Law or custom did not prescribe any fixed rules for the internal government of prisons. There can be little doubt, however, that these prisons were as small as they were unhealthy, if we may judge from that in the Rue de la Tannerie, which was the property of the provost, the merchants, and the aldermen of Paris in 1383. Although this dungeon was only eleven feet long by seven feet wide, from ten to twenty prisoners were often immured in it at the same time.

It’s clear that in brutal times, the harsh and unforgiving mindset that led lawmakers to intensify the cruelty of tortures also made the situation for prisoners worse. Every law administrator had his own private jail, completely under his authority and control (Fig. 353). There were no established laws or customs that dictated how prisons should be run internally. However, it’s safe to say that these prisons were as cramped as they were unhealthy, as evidenced by the one on Rue de la Tannerie, which was owned by the provost, the merchants, and the aldermen of Paris in 1383. This dungeon measured just eleven feet long by seven feet wide, yet it often contained between ten to twenty prisoners at the same time.

Fig. 352.--Empalement.--Fac-simile of a Woodcut in the "Cosmographie Universelle" of Munster: in folio, Basle, 1552.

Fig. 352.--Impaling.--Reproduction of a woodcut in the "Cosmographie Universelle" by Munster: in folio, Basel, 1552.

Paris alone contained twenty-five or thirty special prisons, without counting the vade in pace of the various religious communities. The most important were the Grand Châtelet, the Petit Châtelet, the Bastille, the Conciergerie, and the For-l'Evêque, the ancient seat of the ecclesiastical jurisdiction of the Bishop of Paris. Nearly all these places of confinement contained subterranean cells, which were almost entirely deprived of air and light. As examples of these may be mentioned the Chartres basses of the Petit Châtelet, where, under the reign of Charles VI., it was proved that no man could pass an entire day without being suffocated; and the fearful cells excavated thirty feet below the surface of the earth, in the gaol of the Abbey of Saint Germain des Prés, the roof of which was so low that a man of middle height could not stand up in them, and where the straw of the prisoners' beds floated upon the stagnant water which had oozed through the walls.

Paris alone had twenty-five or thirty special prisons, not including the vade in pace of various religious communities. The most significant were the Grand Châtelet, the Petit Châtelet, the Bastille, the Conciergerie, and For-l'Evêque, which was the old center of the ecclesiastical jurisdiction of the Bishop of Paris. Almost all these confinement places had underground cells that were nearly completely cut off from air and light. Examples include the Chartres basses of the Petit Châtelet, where, during the reign of Charles VI, it was shown that no man could spend an entire day without suffocating; and the terrifying cells dug thirty feet below ground in the prison of the Abbey of Saint Germain des Prés, where the roof was so low that an average-height person couldn’t stand up, and the prisoners' straw beds floated in stagnant water that seeped through the walls.

Fig. 353.--The Provost's Prison.--Fac-simile of a Woodcut in J. Damhoudère's "Praxis Rerum Civilium."

Fig. 353.--The Provost's Prison.--Exact replica of a woodcut in J. Damhoudère's "Praxis Rerum Civilium."

The Grand Châtelet was one of the most ancient prisons of Paris, and probably the one which held the greatest number of prisoners. By a curious and arbitrary custom, prisoners were compelled to pay a gaol fee on entering and going out of this prison, which varied according to their rank, and which was established by a law of the year 1425. We learn from this enactment the names by which the various places of confinement composing this spacious municipal prison were known. A prisoner who was confined in the Beauvoir, La Mate or La Salle, had the right of "having a bed brought from his own house," and only had to pay the droit de place to the gaoler; any one who was placed in the Boucherie, in the Beaumont, or in the Griseche, "which are closed prisons," had to pay four deniers "pour place;" any one who was confined in the Beauvais, "lies on mats or on layers of rushes or straw" (gist sur nates ou sur couche de feurre ou de paille); if he preferred, he might be placed au Puis, in the Gourdaine, in the Bercueil, or in the Oubliette, where he did not pay more than in the Fosse. For this, no doubt, the smallest charge was made. Sometimes, however, the prisoner was left between two doors ("entre deux huis"), and he then paid much less than he would in the Barbarie or in the Gloriette. The exact meaning of these curious names is no longer intelligible to us, notwithstanding the terror which they formerly created, but their very strangeness gives us reason to suppose that the prison system was at that time subjected to the most odious refinement of the basest cruelty.

The Grand Châtelet was one of the oldest prisons in Paris and likely held the highest number of inmates. Due to a strange and arbitrary tradition, prisoners had to pay a fee when entering and leaving the prison, which varied depending on their social status and was established by a law from 1425. This law reveals the different names for the various sections of this large municipal prison. A prisoner confined in the Beauvoir, La Mate, or La Salle had the right to "have a bed brought from home" and only needed to pay the droit de place to the jailer; anyone placed in the Boucherie, Beaumont, or Griseche, "which are closed prisons," had to pay four deniers "pour place;" someone confined in the Beauvais "lies on mats or on layers of rushes or straw" (gist sur nates ou sur couche de feurre ou de paille); if they preferred, they could be placed au Puis, in the Gourdaine, Bercueil, or Oubliette, where they paid no more than they would in the Fosse. For this, the smallest fee was likely charged. However, sometimes the prisoner was left between two doors ("entre deux huis"), and they paid much less than in the Barbarie or in the Gloriette. The exact meaning of these strange names is no longer clear to us, despite the fear they once inspired, but their oddity suggests that the prison system at that time was subject to the most despicable and cruel practices.

From various reliable sources we learn that there was a place in the Grand Châtelet, called the Chausse d'Hypocras, in which the prisoners had their feet continually in water, and where they could neither stand up nor lie down; and a cell, called Fin d'aise, which was a horrible receptacle of filth, vermin, and reptiles; as to the Fosse, no staircase being attached to it, the prisoners were lowered down into it by means of a rope and pulley.

From various reliable sources, we learn that there was a place in the Grand Châtelet called the Chausse d'Hypocras, where prisoners had their feet constantly in water, and they couldn’t stand or lie down. There was also a cell called Fin d'aise, which was a terrible pit filled with filth, pests, and reptiles; as for the Fosse, with no staircase leading to it, prisoners were lowered down using a rope and pulley.

By the law of 1425, the gaoler was not permitted to put more than two or three persons in the same bed. He was bound to give "bread and water" to the poor prisoners who had no means of subsistence; and, lastly, he was enjoined "to keep the large stone basin, which was on the pavement, full of water, so that prisoners might get it whenever they wished." In order to defray his expenses, he levied on the prisoners various charges for attendance and for bedding, and he was authorised to detain in prison any person who failed to pay him. The power of compelling payment of these charges continued even after a judge's order for the release of a prisoner had been issued.

By the law of 1425, the jailer wasn’t allowed to put more than two or three people in the same bed. He had to provide "bread and water" for poor prisoners who couldn’t support themselves; and finally, he was instructed "to keep the large stone basin, which was on the pavement, full of water, so that prisoners could access it whenever they wanted." To cover his expenses, he charged prisoners various fees for services and bedding, and he was allowed to keep anyone in prison who didn’t pay him. This power to enforce payment continued even after a judge had ordered a prisoner’s release.

Fig. 354.--The Bastille.--From an ancient Engraving of the Topography of Paris, in the Collection of Engravings of the National Library.

Fig. 354.--The Bastille.--From an old engraving of the topography of Paris, in the collection of engravings of the National Library.

The subterranean cells of the Bastille (Fig. 354) did not differ much from those of the Châtelet. There were several, the bottoms of which were formed like a sugar-loaf upside down, thus neither allowing the prisoner to stand up, nor even to adopt a tolerable position sitting or lying down. It was in these that King Louis XI., who seemed to have a partiality for filthy dungeons, placed the two young sons of the Duke de Nemours (beheaded in 1477), ordering, besides, that they should be taken out twice a week and beaten with birch rods, and, as a supreme measure of atrocity, he had one of their teeth extracted every three months. It was Louis XI., too, who, in 1476, ordered the famous iron cage, to be erected in one of the towers of the Bastille, in which Guillaume, Bishop of Verdun, was incarcerated for fourteen years.

The underground cells of the Bastille (Fig. 354) were not much different from those of the Châtelet. There were several, shaped like an upside-down sugar loaf, which prevented the prisoner from standing up or finding a comfortable position to sit or lie down. It was here that King Louis XI., who seemed to have a thing for filthy dungeons, placed the two young sons of the Duke de Nemours (beheaded in 1477), ordering that they should be taken out twice a week and beaten with birch rods, and as an ultimate act of cruelty, he had one of their teeth pulled every three months. It was also Louis XI. who, in 1476, ordered the famous iron cage to be built in one of the towers of the Bastille, where Guillaume, Bishop of Verdun, was locked up for fourteen years.

The Château de Loches also possessed one of these cages, which received the name of Cage de Balue, because the Cardinal Jean de la Balue was imprisoned in it. Philippe de Commines, in his "Mémoires," declares that he himself had a taste of it for eight months. Before the invention of cages, Louis XI. ordered very heavy chains to be made, which were fastened to the feet of the prisoners, and attached to large iron balls, called, according to Commines, the King's little daughters (les fillettes du roy).

The Château de Loches also had one of these cages, called the Cage de Balue, because Cardinal Jean de la Balue was imprisoned there. Philippe de Commines, in his "Mémoires," states that he experienced it for eight months. Before cages were invented, Louis XI ordered the creation of very heavy chains that were attached to the feet of prisoners and linked to large iron balls, referred to by Commines as the King's little daughters (les fillettes du roy).

Fig. 355.--Movable Iron Cage.--Fac-simile of a Woodcut in the "Cosmographie Universelle" of Munster, in folio, Basle, 1552.

Fig. 355.--Movable Iron Cage.--Reproduction of a Woodcut in the "Cosmographie Universelle" by Munster, in folio, Basel, 1552.

The prison known by the name of The Leads of Venice is of so notorious a character that its mere mention is sufficient, without its being necessary for us to describe it. To the subject of voluntary seclusions, to which certain pious persons submitted themselves as acts of extreme religious devotion, it will only be necessary to allude here, and to remark that there are examples of this confinement having been ordered by legal authority. In 1485, Renée de Vermandois, the widow of a squire, had been condemned to be burnt for adultery and for murdering her husband; but, on letters of remission from the King, Parliament commuted the sentence pronounced by the Provost of Paris, and ordered that Renée de Vermandois should be "shut up within the walls of the cemetery of the Saints-Innocents, in a small house, built at her expense, that she might therein do penance and end her days." In conformity with this sentence, the culprit having been conducted with much pomp to the cell which had been prepared for her, the door was locked by means of two keys, one of which remained in the hands of the churchwarden (marguillier) of the Church of the Innocents, and the other was deposited at the office of the Parliament. The prisoner received her food from public charity, and it is said that she became an object of veneration and respect by the whole town.

The prison known as The Leads of Venice is so infamous that just mentioning it is enough; we don't even need to describe it. We should briefly mention voluntary seclusions that some devout individuals chose as extreme acts of religious devotion, noting that there have been cases where this confinement was ordered by legal authority. In 1485, Renée de Vermandois, the widow of a squire, was sentenced to be burned for adultery and for killing her husband. However, thanks to a pardon from the King, Parliament changed the sentence given by the Provost of Paris and ordered that Renée de Vermandois be "locked up within the walls of the cemetery of the Saints-Innocents, in a small house built at her own expense, so that she could do penance and spend her days there." Following this sentence, Renée was led with great ceremony to the cell prepared for her, and the door was locked with two keys—one held by the churchwarden of the Church of the Innocents and the other kept at the Parliament office. The prisoner was fed by public charity, and it is said that she became a figure of veneration and respect throughout the town.

Fig. 356.--Cat-o'-nine-tails.--Fac-simile of a Woodcut in the "Cosmographie Universelle" of Munster.

Fig. 356.--Cat-o'-nine-tails.--Copy of a Woodcut in the "Cosmographie Universelle" by Munster.

Jews.

Dispersion of the Jews.--Jewish Quarters in the Mediæval Towns.--The Ghetto of Rome.--Ancient Prague.--The Giudecca of Venice.--Condition of the Jews.--Animosity of the People against them--Severity and vexatious Treatment of the Sovereigns.--The Jews of Lincoln.--The Jews of Blois.--Mission of the Pastoureaux.--Extermination of the Jews.--The Price at which the Jews purchased Indulgences.--Marks set upon them.--Wealth, Knowledge, Industry, and Financial Aptitude of the Jews.--Regulations respecting Usury as practised by the Jews.--Attachment of the Jews to their Religion.

Dispersion of the Jews.--Jewish Quarters in Medieval Towns.--The Ghetto of Rome.--Ancient Prague.--The Giudecca of Venice.--Condition of the Jews.--Animosity of the People against them--Severity and Harassment by the Rulers.--The Jews of Lincoln.--The Jews of Blois.--Mission of the Pastoureaux.--Extermination of the Jews.--The Price the Jews Paid for Indulgences.--Marks Placed on Them.--Wealth, Knowledge, Industry, and Financial Skills of the Jews.--Regulations Regarding Usury as Practiced by the Jews.--Attachment of the Jews to Their Faith.

A painful and gloomy history commences for the Jewish race from the day when the Romans seized upon Jerusalem and expelled its unfortunate inhabitants, a race so essentially homogeneous, strong, patient, and religious, and dating its origin from the remotest period of the patriarchal ages. The Jews, proud of the title of "the People of God," were scattered, proscribed, and received universal reprobation (Fig. 357), notwithstanding that their annals, collected under divine inspiration by Moses and the sacred writers, had furnished a glorious prologue to the annals of all modern nations, and had given to the world the holy and divine history of Christ, who, by establishing the Gospel, was to become the regenerator of the whole human family.

A A painful and dark history began for the Jewish people on the day the Romans took Jerusalem and forced its unfortunate inhabitants to flee. This community, so fundamentally unified, resilient, patient, and religious, can trace its roots back to the earliest days of the patriarchs. The Jews, proud to be called "the People of God," were scattered, persecuted, and faced widespread condemnation (Fig. 357), even though their history, recorded under divine inspiration by Moses and other sacred writers, provided a magnificent introduction to the histories of all modern nations and offered the world the holy and divine story of Christ, who, by establishing the Gospel, was destined to renew the entire human race.

Their Temple is destroyed, and the crowd which had once pressed beneath its portico as the flock of the living God has become a miserable tribe, restless and unquiet in the present, but full of hope as regards the future. The Jewish nation exists nowhere, nevertheless, the Jewish people are to be found everywhere. They are wanderers upon the face of the earth, continually pursued, threatened, and persecuted. It would seem as if the existence of the offspring of Israel is perpetuated simply to present to Christian eyes a clear and awful warning of the Divine vengeance, a special, and at the same time an overwhelming example of the vicissitudes which God alone can determine in the life of a people.

Their Temple is gone, and the crowd that once gathered under its portico as the followers of the living God has turned into a broken tribe, restless and uneasy in the present, but hopeful for the future. The Jewish nation is nowhere to be found; however, the Jewish people can be seen everywhere. They are wanderers across the earth, constantly chased, threatened, and persecuted. It seems like the existence of the children of Israel continues merely to serve as a clear and chilling warning of Divine punishment—a unique and overwhelming example of the ups and downs that God alone can bring to the life of a people.

Fig. 357.--Expulsion of the Jews in the Reign of the Emperor Hadrian (A.D. 135): "How Heraclius turned the Jews out of Jerusalem."--Fac-simile of a Miniature in the "Histoire des Empereurs," Manuscript of the Fifteenth Century, in the Library of the Arsenal, Paris.

Fig. 357.--Expulsion of the Jews during Emperor Hadrian's Reign (A.D. 135): "How Heraclius expelled the Jews from Jerusalem."--Reproduction of a miniature from the "History of the Emperors," 15th Century manuscript, in the Arsenal Library, Paris.

M. Depping, an historian of this race so long accursed, after having been for centuries blessed and favoured by God, says, "A Jewish community in an European town during the Middle Ages resembled a colony on an island or on a distant coast. Isolated from the rest of the population, it generally occupied a district or street which was separated from the town or borough. The Jews, like a troop of lepers, were thrust away and huddled together into the most uncomfortable and most unhealthy quarter of the city, as miserable as it vas disgusting. There, in ill-constructed houses, this poor and numerous population was amassed; in some cases high walls enclosed the small and dark narrow streets of the quarter occupied by this branded race, which prevented its extension, though, at the same time, it often protected the inhabitants from the fury of the populace."

M. Depping, a historian of this long-cursed race, after having been blessed and favored by God for centuries, says, "A Jewish community in a European town during the Middle Ages was like a colony on an island or a distant coast. Isolated from the rest of the population, it usually occupied a district or street separate from the town or borough. The Jews, much like a group of lepers, were pushed away and crowded together in the most uncomfortable and unhealthy part of the city, as miserable as it was disgusting. There, in poorly built houses, this poor and numerous population was gathered; in some cases, high walls enclosed the small, dark, narrow streets of the area where this branded race lived, preventing its expansion, but at the same time, often protecting the inhabitants from the rage of the populace."

In order to form a just appreciation of what the Jewish quarters were like in the mediæval towns, one must visit the Ghetto of Rome or ancient Prague. The latter place especially has, in all respects, preserved its antique appearance. We must picture to ourselves a large enclosure of wretched houses, irregularly built, divided by small streets with no attempt at uniformity. The principal thoroughfare is lined with stalls, in which are sold not only old clothes, furniture, and utensils, but also new and glittering articles. The inhabitants of this enclosure can, without crossing its limits, procure everything necessary to material life. This quarter contains the old synagogue, a square building begrimed with the dirt of ages, and so covered with dirt and moss that the stone of which it is built is scarcely visible. The building, which is as mournful as a prison, has only narrow loopholes by way of windows, and a door so low that one must stoop to enter it. A dark passage leads to the interior, into which air and light can scarcely penetrate. A few lamps contend with the darkness, and lighted fires serve to modify a little the icy temperature of this cellar. Here and there pillars seem to support a roof which is too high and too darkened for the eye of the visitor to distinguish. On the sides are dark and damp recesses, where women assist at the celebration of worship, which is always carried on, according to ancient custom, with much wailing and strange gestures of the body. The book of the law which is in use is no less venerable than the edifice in which it is contained. It appears that this synagogue has never undergone the slightest repairs or changes for many centuries. The successive generations who have prayed in this ancient temple rest under thousands of sepulchral stones, in a cemetery which is of the same date as the synagogue, and is about a league in circumference.

To truly appreciate what the Jewish quarters were like in medieval towns, you need to visit the Ghetto of Rome or ancient Prague. The latter has, in many ways, kept its historical look. Imagine a large area filled with rundown houses, built haphazardly, separated by narrow streets with no sense of order. The main street is lined with stalls selling not just used clothes, furniture, and utensils, but also shiny new items. The people living here can find everything they need for everyday life without leaving the area. This quarter has the old synagogue, a square building covered in layers of dirt and so grimy and mossy that you can barely see the stone it's made of. The building, which feels as dreary as a jail, has only small openings for windows and a door so low that you have to bend down to get in. A dark corridor leads inside, where air and light hardly reach. A few lamps try to fight the darkness, and small fires help to ease the cold atmosphere of this basement-like space. Here and there, pillars appear to hold up a ceiling that is too high and too dim for visitors to see clearly. There are dark, damp corners where women participate in worship, which is still done in the old way, filled with much lamenting and strange body movements. The scroll of the law they use is just as ancient as the building that houses it. It seems this synagogue hasn’t been repaired or changed in many centuries. The generations that have prayed in this old temple rest beneath thousands of grave markers in a cemetery that dates back to the same time as the synagogue, stretching about a mile around.

Paris has never possessed, properly speaking, a regular Jewish quarter; it is true that the Israelites settled down in the neighbourhood of the markets, and in certain narrow streets, which at some period or other took the name of Juiverie or Vieille Juiverie (Old Jewry); but they were never distinct from the rest of the population; they only had a separate cemetery, at the bottom or rather on the slope of the hill of Sainte-Geneviève. On the other hand, most of the towns of France and of Europe had their Jewry. In certain countries, the colonies of Jews enjoyed a share of immunities and protections, thus rendering their life a little less precarious, and their occupations of a rather more settled character.

Paris has never truly had a regular Jewish quarter; it's true that Jewish people settled near the markets and in some narrow streets that at one point were called Juiverie or Vieille Juiverie (Old Jewry); however, they were never separate from the rest of the population. They only had a separate cemetery at the bottom, or rather on the slope, of the hill of Sainte-Geneviève. On the other hand, most towns in France and Europe had their own Jewry. In some places, Jewish communities enjoyed certain rights and protections, making their lives a bit less precarious and their occupations more stable.

In Spain and in Portugal, the Jews, in consequence of their having been on several occasions useful to the kings of those two countries, were allowed to carry on their trade, and to engage in money speculations, outside their own quarters; a few were elevated to positions of responsibility, and some were even tolerated at court.

In Spain and Portugal, the Jews, because they had been helpful to the kings of those two countries several times, were allowed to conduct their trade and participate in financial ventures beyond their own neighborhoods; a few were promoted to positions of responsibility, and some were even accepted at court.

In the southern towns of France, which they enriched by commerce and taxes, and where they formed considerable communities, the Jews enjoyed the protection of the nobles. We find them in Languedoc and Provence buying and selling property like Christians, a privilege which was not permitted to them elsewhere: this is proved by charters of contracts made during the twelfth and thirteenth centuries, which bear the signature of certain Jews in Hebrew characters. On Papal lands, at Avignon, at Carpentras, and at Cavaillon, they had bailes, or consuls of their nation. The Jews of Rousillon during the Spanish rule (fifteenth century) were governed by two syndics and a scribe, elected by the community. The latter levied the taxes due to the King of Aragon. In Burgundy they cultivated the vines, which was rather singular, for the Jews generally preferred towns where they could form groups more compact, and more capable of mutual assistance. The name of Sabath, given to a vineyard in the neighbourhood of Mâcon, still points out the position of their synagogue. The hamlet of Mouys, a dependency of the communes of Prissey, owes its name to a rich Israelite, Moses, who had received that land as an indemnity for money lent to the Count Gerfroy de Mâcon, which the latter had been unable to repay. In Vienna, where the Israelites had a special quarter, still called the Jews'

In the southern towns of France, which they enriched through trade and taxes, and where they formed significant communities, the Jews were protected by the nobles. We find them in Languedoc and Provence buying and selling property like Christians, a privilege not allowed to them elsewhere: this is evidenced by contracts from the twelfth and thirteenth centuries that have the signatures of certain Jews in Hebrew letters. On Papal lands at Avignon, Carpentras, and Cavaillon, they had bailes or consuls representing their community. The Jews of Rousillon during the Spanish rule in the fifteenth century were governed by two syndics and a scribe elected by the community. The scribe collected the taxes owed to the King of Aragon. In Burgundy, they cultivated vineyards, which was somewhat unusual, as Jews generally preferred towns where they could form tighter-knit communities capable of mutual support. The name Sabath, given to a vineyard near Mâcon, still indicates the location of their synagogue. The hamlet of Mouys, part of the communes of Prissey, is named after a wealthy Israelite, Moses, who received that land as compensation for a loan to Count Gerfroy de Mâcon, which the count was unable to repay. In Vienna, where the Jews had a distinct quarter still known as the Jews'

Fig. 358.--Jews taking the Blood from Christian Children, for their Mystic Rites.--From a Pen-and-ink Drawing, illuminated, in the Book of the Cabala of Abraham the Jew (Library of the Arsenal, Paris).

Fig. 358.--Jews taking the blood from Christian children for their mystical rituals.--From a pen-and-ink drawing, highlighted, in the Book of the Cabala of Abraham the Jew (Library of the Arsenal, Paris).

Square, a special judge named by the duke was set over them. Exempted from the city rates, they paid a special poil tax, and they contributed, but on the same footing as Christian vassals, to extraordinary rates, war taxes, and travelling expenses of the nobles, &c. This community even became so rich that it eventually held mortgages on the greater part of the houses of the town.

Square, a special judge appointed by the duke, was in charge of them. They were exempt from city taxes but paid a special poll tax, and they contributed, just like Christian vassals, to extra taxes, war expenses, and the travel costs of the nobles, etc. This community became so wealthy that it eventually held mortgages on most of the houses in town.

In Venice also, the Jews had their quarter--the Giudecca--which is still one of the darkest in the town; but they did not much care about such trifling inconveniences, as the republic allowed them to bank, that is, to lend money at interest; and although they were driven out on several occasions, they always found means to return and recommence their operations. When they were authorised to establish themselves in the towns of the Adriatic, their presence did not fail to annoy the Christian merchants, whose rivals they were; but neither in Venice nor in the Italian republics had they to fear court intrigues, nor the hatred of corporations of trades, which were so powerful in France and in Germany.

In Venice, the Jews had their own neighborhood—the Giudecca—which is still one of the darkest parts of the city. However, they didn't mind these minor inconveniences because the republic allowed them to do banking, meaning they could lend money at interest. Even though they were expelled a few times, they always managed to come back and restart their activities. When they were allowed to settle in the towns along the Adriatic, their presence annoyed the Christian merchants who viewed them as competition. But neither in Venice nor in the Italian republics did they have to worry about court politics or the animosity of trade guilds, which were quite powerful in France and Germany.

It was in the north of Europe that the animosity against the Jews was greatest. The Christian population continually threatened the Jewish quarters, which public opinion pointed to as haunts and sinks of iniquity. The Jews were believed to be much more amenable to the doctrines of the Talmud than to the laws of Moses. However secret they may have kept their learning, a portion of its tenets transpired, which was supposed to inculcate the right to pillage and murder Christians; and it is to the vague knowledge of these odious prescriptions of the Talmud that we must attribute the readiness with which the most atrocious accusations against the Jews were always welcomed.

It was in northern Europe that hostility toward Jews was the strongest. The Christian population constantly threatened Jewish neighborhoods, which public opinion labeled as places of vice and corruption. People believed that Jews were much more influenced by the teachings of the Talmud than by the laws of Moses. Despite keeping their knowledge hidden, some of its principles leaked out, leading to the belief that it encouraged the right to rob and kill Christians; this vague understanding of these hateful teachings of the Talmud helps explain why the most horrific accusations against Jews were always so readily accepted.

Besides this, the public mind in those days of bigotry was naturally filled with a deep antipathy against the Jewish deicides. When monks and priests came annually in Holy week to relate from the pulpit to their hearers the revolting details of the Passion, resentment was kindled in the hearts of the Christians against the descendants of the judges and executioners of the Saviour. And when, on going out of the churches, excited by the sermons they had just heard, the faithful saw in pictures, in the cemeteries, and elsewhere, representations of the mystery of the death of our Saviour, in which the Jews played so odious a part, there was scarcely a spectator who did not feel an increased hatred against the condemned race. Hence it was that in many towns, even when the authorities did not compel them to do so, the Israelites found it prudent to shut themselves up in their own quarter, and even in their own houses, during the whole of Passion week; for, in consequence of the public feeling roused during those days of mourning and penance, a false rumour was quite sufficient to give the people a pretext for offering violence to the Jews.

In addition to this, the public mindset during those times of intolerance was filled with a strong dislike for the Jews labeled as deicides. Each year during Holy Week, monks and priests would come to share the disturbing details of the Passion from the pulpit, igniting resentment in the hearts of Christians toward the descendants of those who judged and executed the Savior. When the faithful left the churches, stirred by the sermons they had just heard, and saw depictions of the Savior's death in paintings, cemeteries, and other places—where the Jews were portrayed in a particularly negative light—most spectators felt an increased animosity towards the condemned race. Because of this, in many towns, even when authorities didn’t force them to do so, Jews found it sensible to isolate themselves in their own neighborhoods and sometimes in their own homes throughout Passion Week. This was due to the public sentiment that arose during those days of mourning and penance, as a mere false rumor was enough to give people a reason to act violently toward the Jews.

In fact, from the earliest days of Christianity, a certain number of accusations were always being made, sometimes in one country, sometimes in another, against the Israelites, which always ended in bringing down the same misfortunes on their heads. The most common, and most easily credited report, was that which attributed to them the murder of some Christian child, said to be sacrificed in Passion week in token of their hatred of Christ; and in the event of this terrible accusation being once uttered, and maintained by popular opinion, it never failed to spread with remarkable swiftness. In such cases, popular fury, not being on all occasions satisfied with the tardiness of judicial forms, vented itself upon the first Jews who had the misfortune to fall into the hands of their enemies. As soon as the disturbance was heard the Jewish quarter was closed; fathers and mothers barricaded themselves in with their children, concealed whatever riches they possessed, and listened tremblingly to the clamour of the multitude which was about to besiege them.

In fact, from the very beginning of Christianity, there were always accusations being thrown at the Israelites, sometimes in one country and sometimes in another, which inevitably brought the same misfortunes upon them. The most common and easily believed claim was that they were responsible for the murder of a Christian child, supposedly sacrificed during Passion week as a sign of their hatred for Christ; and once this terrible accusation was made and supported by popular belief, it spread remarkably fast. In such situations, popular anger often couldn't wait for slow legal procedures and unleashed itself on the first Jews who unfortunately fell into the hands of their attackers. As soon as the unrest was heard, the Jewish quarter was shut down; parents barricaded themselves in with their children, hid any valuables they had, and listened in fear to the uproar of the crowd that was about to come for them.

Fig. 359.--Secret Meeting of the Jews at the Rabbi's House.--Fac-simile of a Miniature of the "Pèlerinage de la Vie Humaine," Manuscript of the Fourteenth Century, in the National Library of Paris.

Fig. 359.--Secret Meeting of the Jews at the Rabbi's House.--Facsimile of a Miniature from the "Pèlerinage de la Vie Humaine," Manuscript from the Fourteenth Century, in the National Library of Paris.

In 1255, in Lincoln, the report was suddenly spread that a child of the name of Hughes had been enticed into the Jewish quarter, and there scourged, crucified, and pierced with lances, in the presence of all the Israelites of the district, who were convoked and assembled to take part in this horrible barbarity. The King and Queen of England, on their return from a journey to Scotland, arrived in Lincoln at the very time when the inhabitants were so much agitated by this mysterious announcement. The people called for vengeance. An order was issued to the bailiffs and officers of the King to deliver the murderer into the hands of justice, and the quarter in which the Jews had shut themselves up, so as to avoid the public animosity, was immediately invaded by armed men. The rabbi, in whose house the child was supposed to have been tortured, was seized, and at once condemned to be tied to the tail of a horse, and dragged through the streets of the town. After this, his mangled body, which was only half dead, was hung (Fig. 359). Many of the Jews ran away and hid themselves in all parts of the kingdom, and those who had the misfortune to be caught were thrown into chains and led to London. Orders were given in the provinces to imprison all the Israelites who were accused or even suspected of having taken any part, whether actively or indirectly, in the murder of the Lincoln child; and suspicion made rapid strides in those days. In a short space of time, eighteen Israelites in London shared the fate of the rabbi of their community in Lincoln. Some Dominican monks, who were charitable and courageous enough to interfere in favour of the wretched prisoners, brought down odium on their own heads, and were accused of having allowed themselves to be corrupted by the money of the Jews. Seventy-one prisoners were retained in the dungeons of London, and seemed inevitably fated to die, when the king's brother, Richard, came to their aid, by asserting his right over all the Jews of the kingdom--a right which the King had pledged to him for a loan of 5,000 silver marks. The unfortunate prisoners were therefore saved, thanks to Richard's desire to protect his securities. History does not tell what their liberty cost them; but we must hope that a sense of justice alone guided the English prince, and that the Jews found other means besides money by which to show their gratitude.

In 1255, in Lincoln, a shocking report spread that a child named Hughes had been lured into the Jewish quarter, where he was scourged, crucified, and pierced with lances in front of all the local Israelites, who were gathered to witness this horrific act. The King and Queen of England, returning from a trip to Scotland, arrived in Lincoln just as the townspeople were in turmoil over this mysterious news. The people demanded justice. An order was given to the King's bailiffs and officers to capture the murderer, and the Jewish quarter, where the community had taken refuge to escape public rage, was quickly raided by armed men. The rabbi, in whose home the child was allegedly tortured, was seized and sentenced to be tied to a horse's tail and dragged through the city streets. After this, his mangled body, barely alive, was hanged (Fig. 359). Many Jews fled and hid throughout the kingdom, while those unfortunate enough to be caught were imprisoned and taken to London. Orders were issued in the provinces to imprison all Israelites accused or even suspected of being involved, directly or indirectly, in the murder of the Lincoln child; and suspicion ran rampant in those days. Soon after, eighteen Israelites in London met the same fate as the rabbi from Lincoln. Some Dominican monks, who were brave enough to advocate for the unfortunate prisoners, faced backlash and were accused of being bribed by the Jews. Seventy-one prisoners were kept in London's dungeons, seemingly doomed to die, when the King's brother, Richard, intervened, claiming his rights over all the Jews in the kingdom—a right the King had promised him in exchange for a loan of 5,000 silver marks. The unfortunate prisoners were ultimately saved thanks to Richard's desire to protect his investment. History does not reveal what their freedom cost them, but one can hope that a sense of justice guided the English prince, and that the Jews found ways other than money to express their gratitude.

There is scarcely a country in Europe which cannot recount similar tales. In 1171, we find the murder of a child at Orleans, or Blois, causing capital punishment to be inflicted on several Jews. Imputations of this horrible character were continually renewed during the Middle Ages, and were of very ancient origin; for we hear of them in the times of Honorius and Theodosius the younger; we find them reproduced with equal vehemence in 1475 at Trent, where a furious mob was excited against the Jews, who were accused of having destroyed a child twenty-nine months old named Simon. The tale of the martyrdom of this child was circulated widely, and woodcut representations of it were freely distributed, which necessarily increased, especially in Germany, the horror which was aroused in the minds of Christians against the accursed nation (Fig. 361).

There’s hardly a country in Europe that can’t share similar stories. In 1171, a child was murdered in Orleans or Blois, leading to the execution of several Jews. Accusations of this terrible nature were continually brought up during the Middle Ages and have very ancient roots; they date back to the times of Honorius and Theodosius the Younger. We see them emerge with equal intensity in 1475 in Trent, where an enraged mob turned against the Jews, accusing them of killing a twenty-nine-month-old child named Simon. The story of this child's martyrdom spread widely, and images depicting it were widely circulated, which understandably fueled, especially in Germany, the outrage that Christians felt against the cursed nation (Fig. 361).

Fig. 360.--The Infant Richard crucified by the Jews, at Pontoise.--Fac-simile of a Woodcut, with Figures by Wohlgemuth, in the "Liber Chronicarum Mundi:" large folio, Nuremberg, 1493.

Fig. 360.--The Infant Richard crucified by the Jews, at Pontoise.--Fac-simile of a Woodcut, with Figures by Wohlgemuth, in the "Liber Chronicarum Mundi:" large folio, Nuremberg, 1493.

The Jews gave cause for other accusations calculated to keep up this hatred; such as the desecration of the consecrated host, the mutilation of the crucifix. Tradition informs us of a miracle which took place in Paris in 1290, in the Rue des Jardins, when a Jew dared to mutilate and boil a consecrated host. This miracle was commemorated by the erection of a chapel on the spot, which was afterwards replaced by the church and convent of the Billettes. In 1370, the people of Brussels were startled in consequence of the statements of a Jewess, who accused her co-religionists of having made her carry a pyx full of stolen hosts to the Jews of Cologne, for the purpose of submitting them to the most horrible profanations. The woman added, that the Jews having pierced these hosts with sticks and knives, such a quantity of blood poured from them that the culprits were struck with terror, and concealed themselves in their quarter. The Jews were all imprisoned, tortured, and burnt alive (Fig. 362). In order to perpetuate the memory of the miracle of the bleeding hosts, an annual procession took place, which was the origin of the great kermesse, or annual fair.

The Jews sparked further accusations that fueled this hatred, such as the desecration of the consecrated host and the mutilation of the crucifix. According to tradition, a miracle occurred in Paris in 1290 on Rue des Jardins when a Jew attempted to mutilate and boil a consecrated host. This miracle was commemorated by building a chapel on the site, which was later replaced by the church and convent of the Billettes. In 1370, the people of Brussels were alarmed by the claims of a Jewish woman, who accused her fellow Jews of forcing her to carry a pyx filled with stolen hosts to the Jews of Cologne for the purpose of committing horrific acts of desecration. She claimed that after the Jews pierced these hosts with sticks and knives, so much blood flowed from them that the perpetrators were filled with terror and hid in their own neighborhood. The Jews were all imprisoned, tortured, and burned alive (Fig. 362). To remember the miracle of the bleeding hosts, an annual procession was held, which led to the establishment of the great kermesse or annual fair.

Fig. 361.--Martyrdom of Simon at Trent.--Fac-simile, reduced, of a Woodcut of Wohlgemuth, in the "Liber Chronicarum Mundi:" large folio, Nuremberg, 1493.

Fig. 361.--Martyrdom of Simon at Trent.--Facsimile, reduced, of a woodcut by Wohlgemuth in the "Liber Chronicarum Mundi:" large folio, Nuremberg, 1493.

In the event of any unforeseen misfortune, or any great catastrophe occurring amongst Christians, the odium was frequently cast on the Jews. If the Crusaders met with reverses in Asia, fanatics formed themselves into bands, who, under the name of Pastoureaux, spread over the country, killing and robbing not only the Jews, but many Christians also. In the event of any general sickness, and especially during the prevalence of epidemics, the Jews were accused of having poisoned the water of fountains and pits, and the people massacred them in consequence. Thousands perished in this way when the black plague made ravages in Europe in the fourteenth century. The sovereigns, who were tardy in suppressing these sanguinary proceedings, never thought of indemnifying the Jewish families which so unjustly suffered.

In cases of any unexpected disaster or major catastrophe affecting Christians, the blame was often directed at the Jews. When the Crusaders faced setbacks in Asia, fanatics formed groups called Pastoureaux, who roamed the country, killing and robbing not just Jews, but many Christians as well. During times of widespread illness, especially during epidemics, the Jews were accused of poisoning the water in fountains and wells, leading to their massacre. Thousands died this way when the Black Plague devastated Europe in the fourteenth century. The rulers, who were slow to stop these violent actions, never considered compensating the Jewish families who suffered so unjustly.

Fig. 362.--The Jews of Cologne burnt alive.--From a Woodcut in the "Liber Chronicarum Mundi:" large folio, Nuremberg, 1493.

Fig. 362.--The Jews of Cologne were burned alive.--From a Woodcut in the "Liber Chronicarum Mundi:" large folio, Nuremberg, 1493.

In fact, it was then most religiously believed that, by despising and holding the Jewish nation under the yoke, banished as it was from Judæa for the murder of Jesus Christ, the will of the Almighty was being carried out, so much so that the greater number of kings and princes looked upon themselves as absolute masters over the Jews who lived under their protection. All feudal lords spoke with scorn of their Jews; they allowed them to establish themselves on their lands, but on the condition that as they became the subjects and property of their lord, the latter should draw his best income from them.

In fact, at that time, it was strongly believed that by despising and keeping the Jewish people oppressed, who had been expelled from Judea for the murder of Jesus Christ, they were fulfilling the will of God. Because of this, many kings and princes saw themselves as the absolute rulers over the Jews living under their protection. All feudal lords spoke disdainfully of their Jews; they allowed them to settle on their lands, but only on the condition that as they became the subjects and property of their lord, the lord would generate the most profit from them.

We have shown by an instance borrowed from the history of England that the Jews were often mortgaged by the kings like land. This was not all, for the Jews who inhabited Great Britain during the reign of Henry III., in the middle of the thirteenth century, were not only obliged to acknowledge, by voluntarily contributing large sums of money, the service the King's brother had rendered them in clearing them from the imputation of having had any participation in the murder of the child Richard, but the loan on mortgage, for which they were the material and passive security, became the cause of odious extortions from them. The King had pledged them to the Earl of Cornwall for 5,000 marks, but they themselves had to repay the royal loan by means of enormous taxes. When they had succeeded in cancelling the King's debt to his brother, that necessitous monarch again mortgaged them, but on this occasion to his son Edward. Soon after, the son having rebelled against his father, the latter took back his Jews, and having assembled six elders from each of their communities, he told them that he required 20,000 silver marks, and ordered them to pay him that sum at two stated periods. The payments were rigorously exacted; those who were behind-hand were imprisoned, and the debtor who was in arrear for the second payment was sued for the whole sum. On the King's death his successor continued the same system of tyranny against the Jews. In 1279 they were charged with having issued counterfeit coin, and on this vague or imaginary accusation two hundred and eighty men and women were put to death in London alone. In the counties there were also numerous executions, and many innocent persons were thrown into dungeons; and, at last, in 1290 King Edward, who wished to enrich himself by taking possession of their properties, banished the Jews from his kingdom. A short time before this, the English people had offered to pay an annual fine to the King on condition of his expelling the Jews from the country; but the Jews outbid them, and thus obtained the repeal of the edict of banishment. However, on this last occasion there was no mercy shown, and the Jews, sixteen thousand in number, were expelled from England, and the King seized upon their goods.

We have shown through an example from England's history that the Jews were often treated like property by the kings. It didn't stop there, as the Jews living in Great Britain during Henry III's reign in the mid-thirteenth century not only had to pay large sums of money to acknowledge the King's brother's help in clearing them of accusations related to the murder of the child Richard, but the mortgage loan, where they acted as mere collateral, led to severe extortion against them. The King had pledged them to the Earl of Cornwall for 5,000 marks, but they themselves were responsible for paying back the royal loan through hefty taxes. After they managed to settle the King's debt to his brother, that needy monarch mortgaged them again, this time to his son Edward. Soon after, when the son rebelled against his father, the king reclaimed his Jews and gathered six elders from each community to inform them that he required 20,000 silver marks, demanding that they pay him this amount at two specific times. Payments were strictly enforced; those who fell behind were imprisoned, and anyone who missed the second payment was pursued for the full amount. Following the King's death, his successor continued the same tyrannical treatment towards the Jews. In 1279, they were accused of minting counterfeit coins, and based on this dubious accusation, 280 men and women were executed in London alone. There were also many executions in the counties, and numerous innocent people were imprisoned; ultimately, in 1290, King Edward, aiming to enrich himself by confiscating their property, expelled the Jews from his realm. Just before this, the English populace had proposed to pay an annual fine to the King in exchange for the expulsion of the Jews; however, the Jews outbid them and managed to have the ban lifted. Yet, in this final instance, no mercy was granted, and the Jews, numbering sixteen thousand, were expelled from England, with the King seizing their belongings.

At the same period Philippe le Bel of France gave the example of this system of persecuting the Jews, but, instead of confiscating all their goods, he was satisfied with taking one-fifth; his subjects, therefore, almost accused him of generosity.

At the same time, Philippe le Bel of France set an example of this system of persecuting the Jews, but instead of seizing all their belongings, he was content with taking one-fifth; his subjects, therefore, nearly accused him of being generous.

Fig. 363.--Jewish Conspiracy in France.--From a Miniature in the "Pèlerinage de la Vie Humaine" (Imperial Library, Paris).

Fig. 363.--Jewish Conspiracy in France.--From a Miniature in the "Pèlerinage de la Vie Humaine" (Imperial Library, Paris).

The Jews often took the precaution of purchasing certain rights and franchises from their sovereign or from the feudal lord under whose sway they lived; but generally these were one-sided bargains, for not being protected by common rights, and only forming a very small part of the population, they could nowhere depend upon promises or privileges which had been made to them, even though they had purchased them with their own money.

The Jews often made it a point to buy certain rights and privileges from their ruler or the feudal lord they lived under; however, these deals were typically one-sided, as they weren't protected by common rights and made up a very small portion of the population. They couldn't rely on the promises or privileges granted to them, even if they had paid for them with their own money.

To the uncertainty and annoyance of a life which was continually being threatened, was added a number of vexatious and personal insults, even in ordinary times, and when they enjoyed a kind of normal tolerance. They were almost everywhere obliged to wear a visible mark on their dress, such as a patch of gaudy colour attached to the shoulder or chest, in order to prevent their being mistaken for Christians. By this or some other means they were continually subject to insults from the people, and only succeeded in ridding themselves of it by paying the most enormous fines. Nothing was spared to humiliate and insult them. At Toulouse they were forced to send a representative to the cathedral on every Good Friday, that he might there publicly receive a box on the ears. At Béziers, during Passion week, the mob assumed the right of attacking the Jews' houses with stones. The Jews bought off this right in 1160 by paying a certain sum to the Vicomte de Béziers, and by promising an annual poll-tax to him and to his successors. A Jew, passing on the road of Etampes, beneath the tower of Montlhéry, had to pay an obole; if he had in his possession a Hebrew book, he paid four deniers; and, if he carried his lamp with him, two oboles. At Châteauneuf-sur-Loire a Jew on passing had to pay twelve deniers and a Jewess six. It has been said that there were various ancient rates levied upon Jews, in which they were treated like cattle, but this requires authentication. During the Carnival in Rome they were forced to run in the lists, amidst the jeers of the populace. This public outrage was stopped at a subsequent period by a tax of 300 écus, which a deputation from the Ghetto presented on their knees to the magistrates of the city, at the same time thanking them for their protection.

To the stress and frustration of a life that was constantly under threat, they faced numerous annoying and personal insults, even during ordinary times when there was a semblance of tolerance. They often had to wear a visible mark on their clothing, like a patch of bright color on their shoulder or chest, to avoid being mistaken for Christians. This or other methods made them targets for insults from the public, and they only managed to escape this treatment by paying huge fines. They were subjected to humiliation and mockery without restraint. In Toulouse, they were required to send a representative to the cathedral every Good Friday to publicly receive a slap in the face. In Béziers, during Passion week, the mob took it upon themselves to attack Jewish homes with stones. The Jews managed to buy their way out of this abuse in 1160 by paying a sum to the Vicomte de Béziers, along with an agreement to pay an annual poll-tax to him and his successors. A Jew traveling on the road of Etampes, under the tower of Montlhéry, had to pay an obole; if he had a Hebrew book, he owed four deniers; and if he was carrying a lamp, that cost two oboles. In Châteauneuf-sur-Loire, a Jew passing through had to pay twelve deniers and a Jewess six. It has been claimed that there were various ancient taxes imposed on Jews that treated them like livestock, though this needs verification. During the Carnival in Rome, they were forced to run in the lists amidst the taunts of the crowd. This public humiliation was later halted by a tax of 300 écus, which a delegation from the Ghetto presented on their knees to the city magistrates while expressing their gratitude for the protection.

When Pope Martin IV. arrived at the Council of Constance, in 1417, the Jewish community, which was as numerous as it was powerful in that old city, came in great state to present him with the book of the law (Fig. 364). The holy father received the Jews kindly, and prayed God to open their eyes and bring them back into the bosom of his church. We know, too, how charitable the popes were to the Jews.

When Pope Martin IV arrived at the Council of Constance in 1417, the Jewish community, which was both large and influential in that ancient city, came in great style to present him with the book of the law (Fig. 364). The holy father welcomed the Jews warmly and prayed for God to open their eyes and bring them back into the fold of his church. We also know how generous the popes were to the Jews.

In the face of the distressing position they occupied, it may be asked what powerful motive induced the Jews to live amongst nations who almost invariably treated them as enemies, and to remain at the mercy of sovereigns whose sole object was to oppress, plunder, and subject them to all kinds of vexations? To understand this it is sufficient to remember that, in their peculiar aptness for earning and hoarding money, they found, or at least hoped to find, a means of compensation whereby they might be led to forget the servitude to which they were subjected.

In light of the difficult situation they were in, one might wonder what strong reason drove the Jews to live among nations that almost always treated them as foes, and to stay at the mercy of rulers whose only goal was to oppress, exploit, and subject them to all sorts of troubles. To understand this, it’s enough to remember that their unique ability to earn and save money offered, or at least promised, a way to compensate for the oppression they faced, allowing them to somewhat forget the subjugation they endured.

There existed amongst them, and especially in the southern countries, some very learned men, who devoted themselves principally to medicine; and in order to avoid having to struggle against insuperable prejudice, they were careful to disguise their nationality and religion in the exercise of that art.

There were some very knowledgeable people among them, especially in the southern countries, who focused mainly on medicine. To avoid facing overwhelming prejudice, they made sure to hide their nationality and religion while practicing that profession.

Fig. 364.--The Jewish Procession going to meet the Pope at the Council of Constance, in 1417.--After a Miniature in the Manuscript Chronicle of Ulrie de Reichental, in the Library of the Mansion-house of Basle, in Switzerland.

Fig. 364.--The Jewish Procession heading to meet the Pope at the Council of Constance in 1417.--After a Miniature in the Manuscript Chronicle of Ulrie de Reichental, located in the Library of the Mansion-house of Basle, Switzerland.

They pretended, in order not to arouse the suspicion of their patients, to be practitioners from Lombardy or Spain, or even from Arabia; whether they were really clever, or only made a pretence of being so, in an art which was then very much a compound of quackery and imposture, it is difficult to say, but they acquired wealth as well as renown in its practice. But there was another science, to the study of which they applied themselves with the utmost ardour and perseverance, and for which they possessed in a marvellous degree the necessary qualities to insure success, and that science was the science of finance. In matters having reference to the recovering of arrears of taxes, to contracts for the sale of goods and produce of industry, to turning a royalty to account, to making hazardous commercial enterprises lucrative, or to the accumulating of large sums of money for the use of sovereigns or poor nobles, the Jews were always at hand, and might invariably be reckoned upon. They created capital, for they always had funds to dispose of, even in the midst of the most terrible public calamities, and, when all other means were exhausted, when all expedients for filling empty purses had been resorted to without success, the Jews were called in. Often, in consequence of the envy which they excited from being known to possess hoards of gold, they were exposed to many dangers, which they nevertheless faced, buoying themselves up with the insatiable love of gain.

They pretended to be doctors from Lombardy or Spain, or even from Arabia, in order to avoid raising suspicion among their patients. It's hard to say whether they were genuinely skilled or just pretending in a field that was mostly a mix of quackery and deception, but they gained both wealth and fame in their practice. However, there was another area of study they pursued with great enthusiasm and persistence, and they had an extraordinary talent for ensuring success in this field, which was finance. When it came to recovering unpaid taxes, handling contracts for goods and industrial products, making the most of royalties, turning risky business ventures into profitable ones, or accumulating large amounts of money for kings or struggling nobles, the Jews were always reliable and ready to help. They generated capital because they consistently held funds, even during dire public crises, and when all other options for replenishing empty wallets had failed, the Jews were brought in. Often, because of the envy their wealth sparked, they faced many dangers, yet they confronted them, driven by an unquenchable desire for profit.

Few Christians in the Middle Ages were given to speculation, and they were especially ignorant of financial matters, as demanding interest on loans was almost always looked upon as usury, and, consequently, such dealings were stigmatized as disgraceful. The Jews were far from sharing these high-minded scruples, and they took advantage of the ignorance of Christians by devoting themselves as much as possible to enterprises and speculations, which were at all times the distinguishing occupation of their race. For this reason we find the Jews, who were engaged in the export trade from the twelfth to the fifteenth centuries, doing a most excellent business, even in the commercial towns of the Mediterranean. We can, to a certain extent, in speaking of the intercourse of the Jews with the Christians of the Middle Ages, apply what Lady Montague remarked as late as 1717, when comparing the Jews of Turkey with the Mussulmans: "The former," she says, "have monopolized all the commerce of the empire, thanks to the close ties which exist amongst them, and to the laziness and want of industry of the Turks. No bargain is made without their connivance. They are the physicians and stewards of all the nobility. It is easy to conceive the unity which this gives to a nation which never despises the smallest profits. They have found means of rendering themselves so useful, that they are certain of protection at court, whoever the ruling minister may be. Many of them are enormously rich, but they are careful to make but little outward display, although living in the greatest possible luxury."

Few Christians in the Middle Ages were inclined to speculation, and they were particularly uninformed about financial matters. Charging interest on loans was typically viewed as usury, and as a result, such practices were seen as shameful. The Jews, however, didn’t share these noble concerns and took advantage of Christians' ignorance by engaging in ventures and speculation, which were always defining pursuits of their community. Consequently, we find Jews involved in the export trade from the twelfth to the fifteenth centuries doing remarkably well, even in the commercial towns of the Mediterranean. When discussing the interactions between Jews and Christians in the Middle Ages, we can reference what Lady Montague noted as recently as 1717 when comparing the Jews of Turkey to the Muslims: "The former," she states, "have monopolized all the commerce of the empire, thanks to their close connections and the laziness and lack of effort of the Turks. No transaction occurs without their involvement. They serve as physicians and stewards for all the nobility. It’s easy to see the unity this creates for a nation that never looks down on small profits. They have found ways to make themselves so indispensable that they can count on protection at court, regardless of who is in power. Many of them are extremely wealthy, but they are careful to avoid flaunting their wealth, even while living in the utmost luxury."

Fig. 365.--Costume of an Italian Jew of the Fourteenth Century.--From a Painting by Sano di Pietro, preserved in the Academy of the Fine Arts, at Sienna.

Fig. 365.--Costume of an Italian Jew from the 14th Century.--From a painting by Sano di Pietro, kept in the Academy of Fine Arts in Siena.

Fac-simile of a miniature from a missel of fifteenth century ornamented with paintings of the School of Van Eyck. Bibl. de l'Arsenal, Th. lat., no 199.

Fac-simile of a miniature from a missal of the fifteenth century decorated with paintings from the School of Van Eyck. Bibl. de l'Arsenal, Th. lat., no 199.

The condition of the Jews in the East was never so precarious nor so difficult as it was in the West. From the Councils of Paris, in 615, down to the end of the fifteenth century, the nobles and the civil and ecclesiastical authorities excluded the Jews from administrative positions; but it continually happened that a positive want of money, against which the Jews were ever ready to provide, caused a repeal or modification of these arbitrary measures. Moreover, Christians did not feel any scruple in parting with their most valued treasures, and giving them as pledges to the Jews for a loan of money when they were in need of it. This plan of lending on pledge, or usury, belonged specially to the Jews in Europe during the Middle Ages, and was both the cause of their prosperity and of their misfortune. Of their prosperity, because they cleverly contrived to become possessors of all the coin; and of their misfortune, because their usurious demands became so detrimental to the public welfare, and were often exacted with such unscrupulous severity, that people not unfrequently became exasperated, and acts of violence were committed, which as often fell upon the innocent as upon the guilty. The greater number of the acts of banishment were those for which no other motive was assigned, or, at all events, no other pretext was made, than the usury practised by these strangers in the provinces and in the towns in which they were permitted to reside. When the Christians heard that these rapacious guests had harshly pressed and entirely stripped certain poor debtors, when they learned that the debtors, ruined by usury, were still kept prisoners in the house of their pitiless creditors, general indignation often manifested itself by personal attacks. This feeling was frequently shared by the authorities themselves, who, instead of dispensing equal justice to the strangers and to the citizens, according to the spirit of the law, often decided with partiality, and even with resentment, and in some cases abandoned the Jews to the fury of the people.

The situation for Jews in the East was never as risky or as tough as it was in the West. From the Councils of Paris in 615 until the late 15th century, nobles and civil and church authorities kept Jews out of government positions. However, there were times when a desperate need for money led to a repeal or change of these harsh rules, as Jews were always ready to help out financially. Additionally, Christians had no qualms about giving their most prized possessions as collateral to Jews in exchange for loans when they needed cash. This practice of lending with interest, or usury, was particularly associated with Jews in Europe during the Middle Ages, and brought both prosperity and hardship. It was prosperous because they managed to acquire most of the money, but it was detrimental because their harsh interest rates harmed public welfare, leading to anger and violence that often affected the innocent as much as the guilty. Many expulsions were solely justified by their practice of usury in the towns and regions where they were allowed to live. When Christians found out that these greedy outsiders had ruthlessly pursued and completely devastated certain poor debtors, or that those ruined by usury were still held captive by their merciless creditors, widespread outrage often resulted in personal attacks. This sentiment was often echoed by the authorities themselves, who, instead of delivering fair justice to both outsiders and citizens as law intended, frequently acted with bias and even resentment, sometimes leaving the Jews vulnerable to the mob's anger.

The people's feelings of hatred against the sordid avarice of the Jews was continually kept up by ballads which were sung, and legends which were related, in the public streets of the cities and in the cottages of the villages--ballads and legends in which usurers were depicted in hideous colours (Fig. 366). The most celebrated of these popular compositions was evidently that which must have furnished the idea to Shakespeare of the Merchant of Venice, for in this old English drama mention is made of a bargain struck between a Jew and a Christian, who borrows money of him, on condition that, if he cannot refund it on a certain day, the lender shall have the right of cutting a pound of flesh from his body. All the evil which the people said and thought of the Jews during the Middle Ages seems concentrated in the Shylock of the English poet.

The people's hatred towards the greedy actions of the Jews was constantly fueled by ballads sung and stories shared in the streets of cities and in village cottages—ballads and stories that portrayed lenders in a horrifying light (Fig. 366). The most famous of these popular compositions was clearly the one that inspired Shakespeare's Merchant of Venice, as this old English play references a deal made between a Jew and a Christian, where the Christian borrows money with the condition that if he can't pay it back by a certain date, the lender is entitled to cut off a pound of flesh from his body. All the negativity that people expressed and felt about the Jews during the Middle Ages seems to be embodied in Shylock from the English poet.

The rate of interest for loans was, nevertheless, everywhere settled by law, and at all times. This rate varied according to the scarcity of gold, and was always high enough to give a very ample profit to the lenders, although they too often required a very much higher rate. In truth, the small security offered by those borrowing, and the arbitrary manner in which debts were at times cancelled, increased the risks of the lender and the normal difficulties of obtaining a loan. We find everywhere, in all ancient legislations, a mass of rules on the rate of pecuniary interest to be allowed to the Jews.

The interest rate for loans was set by law everywhere, all the time. This rate changed based on the availability of gold and was always high enough to provide a significant profit for lenders, even though they often demanded an even higher rate. In reality, the limited security provided by borrowers and the unpredictable way debts were sometimes cancelled increased the lenders' risks and made it harder to obtain loans. Throughout all ancient laws, there's a wealth of regulations about the interest rate that could be charged to Jews.

Fig. 366.--Legend of the Jew calling the Devil from a Vessel of Blood.--Fac-simile of a Woodcut in Boaistuau's "Histoires Prodigieuses:" in 4to, Paris, Annet Briere, 1560.

Fig. 366.--Legend of the Jew summoning the Devil from a Vessel of Blood.--Fac-simile of a Woodcut in Boaistuau's "Histoires Prodigieuses:" in 4to, Paris, Annet Briere, 1560.

In some countries, especially in England, precautionary measures were taken for regulating the compacts entered into between Christians and Jews. One of the departments of the Exchequer received the register of these compacts, which thus acquired a legal value. However, it was not unfrequent for the kings of England to grant, of their own free will, letters of release to persons owing money to Jews; and these letters, which were often equivalent to the cancelling of the entire debt, were even at times actually purchased from the sovereign. Mention of sums received by the royal treasury for the liberation of debtors, or for enabling them to recover their mortgaged lands without payment, may still be found in the registers of the Exchequer of London; at the same time, Jews, on the other hand, also paid the King large sums, in order that he might allow justice to take its course against powerful debtors who were in arrear, and who could not be induced to pay. We thus see that if the Jews practised usury, the Christians, and especially kings and powerful nobles, defrauded the Jews in every way, and were too often disposed to sell to them the smallest concessions at a great price. Indeed, Christians often went so far as to persecute them, in order to obtain the greatest possible amount from them; and the Jews of the Middle Ages put up with anything provided they could enrich themselves.

In some countries, especially England, measures were taken to regulate the agreements made between Christians and Jews. One department of the Exchequer kept a register of these agreements, giving them legal standing. However, it wasn't uncommon for English kings to grant, of their own accord, letters of release to people who owed money to Jews; these letters often canceled the entire debt and were sometimes even bought from the monarch. You can still find records of sums collected by the royal treasury for freeing debtors or allowing them to reclaim their mortgaged properties without payment in the Exchequer records of London. At the same time, Jews paid the King large amounts to ensure that justice was served against wealthy debtors who were behind on payments and reluctant to settle. So, while Jews may have practiced usury, Christians—especially kings and powerful nobles—often cheated the Jews in various ways and were frequently inclined to sell them the slightest concessions at a steep price. In fact, Christians sometimes went as far as to persecute them to extract the maximum amount possible, and the Jews of the Middle Ages endured everything as long as they could profit from it.

Fig. 367.--View and Plan of Jerusalem.--Fac-simile of a Woodout in the "Liber Chronicarum Mundi" large folio, Nuremberg, 1493.

Fig. 367.--View and Plan of Jerusalem.--Facsimile of a woodcut in the "Liber Chronicarum Mundi" large folio, Nuremberg, 1493.

It must not be supposed, however, that, great as were their capabilities, the Jews exclusively devoted themselves to financial matters. When they were permitted to trade they were well satisfied to become artisans or agriculturists. In Spain they proved themselves most industrious, and that kingdom suffered a great loss in consequence of their being expelled from it. In whatever country they established themselves, the Jews carried on most of the mechanical and manual industries with cleverness and success; but they could not hope to become landed proprietors in countries where they were in such bad odour, and where the possession of land, far from offering them any security, could not fail to excite the envy of their enemies.

It shouldn't be assumed, though, that despite their significant skills, the Jews only focused on financial matters. When they were allowed to trade, they were happy to work as artisans or farmers. In Spain, they showed great hard work, and the kingdom suffered a major loss when they were expelled. In any country they settled in, the Jews successfully took on most mechanical and manual jobs; however, they couldn't expect to become landowners in places where they were so disliked, and owning land, instead of providing security, would only stir up envy from their adversaries.

If, as is the case, Oriental people are of a serious turn of mind, it is easy to understand that the Jews should have been still more so, since they were always objects of hatred and abhorrence. We find a touching allegory in the Talmud. Each time that a human being is created God orders his angels to bring a soul before his throne, and orders this soul to go and inhabit the body which is about to be born on earth. The soul is grieved, and supplicates the Supreme Being to spare it that painful trial, in which it only sees sorrow and affliction. This allegory may be suitably applied to a people who have only to expect contempt, mistrust, and hatred, everywhere. The Israelites, therefore, clung enthusiastically to the hope of the advent of a Messiah who should bring back to them the happy days of the land of promise, and they looked upon their absence from Palestine as only a passing exile. "But," the Christians said to them, "this Messiah has long since come." "Alas!" they answered, "if He had appeared on earth should we still be miserable?" Fulbert, Bishop of Chartres, preached three sermons to undeceive the Jews, by endeavouring to prove to them that their Messiah was no other than Jesus Christ; but he preached to the winds, for the Jews remained obstinately attached to their illusion that the Messiah was yet to come.

If, as is the case, people from the East tend to have a serious mindset, it makes sense that the Jews would be even more serious, given that they were always targets of hatred and disdain. There’s a poignant allegory in the Talmud. Every time a human is created, God commands his angels to bring a soul before him and instructs that soul to go and inhabit the body about to be born on earth. The soul is filled with grief and pleads with the Supreme Being to spare it from this painful experience, in which it sees only sorrow and suffering. This allegory can be aptly related to a people who can expect only scorn, distrust, and hatred wherever they go. Therefore, the Israelites held tightly to the hope that a Messiah would come and restore the joyful days of the promised land, seeing their absence from Palestine as just a temporary exile. But the Christians told them, “This Messiah has already come.” “Alas!” they replied, “if He had come to earth, would we still be suffering?” Fulbert, the Bishop of Chartres, preached three sermons to persuade the Jews, attempting to prove that Jesus Christ was their Messiah; however, he was met with indifference, as the Jews remained stubbornly attached to their belief that the Messiah was still to come.

In any case, the Jews, who mixed up the mysteries and absurdities of the Talmud with the ancient laws and numerous rules of the religion of their ancestors, found in the practice of their national customs, and in the celebration of their mysterious ceremonies, the sweetest emotions, especially when they could devote themselves to them in the peaceful retirement of the Ghetto; for, in all the countries in which they lived scattered and isolated amongst Christians, they were careful to conceal their worship and to conduct their ceremonial as secretly as possible.

In any case, the Jews, who intertwined the mysteries and absurdities of the Talmud with the ancient laws and many rules of their ancestral religion, found in practicing their national customs and celebrating their mysterious ceremonies the most fulfilling emotions, especially when they could immerse themselves in them in the peaceful seclusion of the Ghetto; for, in all the countries where they lived scattered and isolated among Christians, they were careful to keep their worship hidden and to carry out their ceremonies as discreetly as possible.

The clergy, in striving to convert the Jews, repeatedly had conferences with the rabbis of a controversial character, which often led to quarrels, and aggravated the lot of the Jewish community. If Catholic proselystism succeeded in completely detaching a few individuals or a few families from the Israelitish creed, these ardent converts rekindled the horror of the people against their former co-religionists by revealing some of the precepts of the Talmud. Sometimes the conversion of whole masses of Jews was effected, but this happened much less through conviction on their part than through the fear of exile, plunder, or execution.

The clergy, in their efforts to convert the Jews, often held contentious meetings with the rabbis, which frequently resulted in arguments and worsened the situation for the Jewish community. Even if Catholic proselytism succeeded in completely separating a few individuals or families from the Jewish faith, these zealous converts reignited the community's disdain for their former co-religionists by exposing some of the Talmud's teachings. Sometimes, entire groups of Jews converted, but this happened much less due to genuine belief than out of fear of exile, theft, or execution.

These pretended conversions, however, did not always protect them from danger. In Spain the Inquisition kept a close watch on converted Jews, and, if they were not true to their new faith, severe punishment was inflicted upon them. In 1506, the inhabitants of Abrantès, a town of Portugal, massacred all the baptized Jews. Manoël, a king of Portugal, forbad the converts from selling their goods and leaving his dominions. The Church excluded them from ecclesiastical dignities, and, when they succeeded in obtaining civil employments, they were received with distrust. In France the Parliaments tried, with a show of justice, to prevent converted Jews from being reproached for their former condition; but Louis XII., during his pressing wants, did not scruple to exact a special tax from them. And, in 1611, we again find that they were unjustly denounced, and under the form of a Remonstrance to the King and the Parliament of Provence, on account of the great family alliances of the new converts, an appeal was made for the most cruel reprisals against this unfortunate race, "which deserved only to be banished and their goods confiscated."

These fake conversions, however, didn’t always keep them safe from danger. In Spain, the Inquisition closely monitored converted Jews, and if they didn’t stay true to their new faith, they faced harsh punishments. In 1506, the people of Abrantès, a town in Portugal, killed all the baptized Jews. Manoël, a king of Portugal, prohibited the converts from selling their belongings and leaving his territory. The Church barred them from church positions, and when they managed to get civil jobs, they were met with suspicion. In France, the Parliaments tried, with a façade of fairness, to stop converted Jews from being criticized for their past; but Louis XII, during his urgent needs, didn’t hesitate to impose a special tax on them. And in 1611, we again see them unjustly accused, and in a Remonstrance to the King and the Parliament of Provence, concerning the significant family ties of the new converts, an appeal was made for the most brutal reprisals against this unfortunate group, "which deserved only to be exiled and their property seized."

Fig. 368.--Jewish Ceremony before the Ark.--Fac-simile of a woodcut printed at Troyes.

Fig. 368.--Jewish Ceremony before the Ark.--Reproduction of a woodcut printed in Troyes.

Gipsies, Tramps, Beggars, and Cours des Miracles.

First Appearance of Gipsies in the West.--Gipsies in Paris.--Manners and Customs of these Wandering Tribes.--Tricks of Captain Charles.--Gipsies expelled by Royal Edict.--Language of Gipsies.--The Kingdom of Slang.--The Great Coesre, Chief of the Vagrants; his Vassals and Subjects.--Divisions of the Slang People; its Decay and the Causes thereof.--Cours des Miracles.--The Camp of Rognes.--Cunning Language, or Slang.--Foreign Rogues, Thieves, and Pickpockets.

First Appearance of Gypsies in the West.--Gypsies in Paris.--Habits and Customs of these Nomadic Groups.--Tricks of Captain Charles.--Gypsies expelled by Royal Decree.--Language of Gypsies.--The Kingdom of Slang.--The Great Coesre, Chief of the Vagrants; his Followers and Subjects.--Divisions of the Slang Community; its Decline and the Reasons for it.--Cours des Miracles.--The Camp of Rognes.--Cunning Language, or Slang.--Foreign Crooks, Thieves, and Pickpockets.

In the year 1417 the inhabitants of the countries situated near the mouth of the Elbe were disturbed by the arrival of strangers, whose manners and appearance were far from pre-possessing. These strange travellers took a course thence towards the Teutonic Hanse, starting from Luneburg: they subsequently proceeded to Hamburg, and then, going from east to west along the Baltic, they visited the free towns of Lubeck, Wismar, Rostock, Stralsund, and Greifswald.

In 1417, the people living near the mouth of the Elbe were unsettled by the arrival of strangers, whose behavior and looks were quite unappealing. These unusual travelers set out from Luneburg toward the Teutonic Hanse. They then moved on to Hamburg and traveled west along the Baltic, visiting the free towns of Lubeck, Wismar, Rostock, Stralsund, and Greifswald.

These new visitors, known in Europe under the names of Zingari, Cigani, Gipsies, Gitanos, Egyptians, or Bohemians, but who, in their own language, called themselves Romi, or gens mariés, numbered about three hundred men and women, besides the children, who were very numerous. They divided themselves into seven bands, all of which followed the same track. Very dirty, excessively ugly, and remarkable for their dark complexions, these people had for their leaders a duke and a count, as they were called, who were superbly dressed, and to whom they acknowledged allegiance. Some of them rode on horseback, whilst others went on foot. The women and children travelled on beasts of burden and in waggons (Fig. 369). If we are to believe their own story, their wandering life was caused by their return to Paganism after having been previously converted to the Christian faith, and, as a punishment for their sin, they were to continue their adventurous course for a period of seven years. They showed letters of recommendation from various princes, among others from Sigismund, King of the Romans, and these letters, whether authentic or false, procured for them a welcome wherever they went. They encamped in the fields at night, because the habit they indulged in of stealing everything for which they had a fancy, caused them to fear being disturbed in the towns. It was not long, however, before many of them were arrested and put to death for theft, when the rest speedily decamped.

These new visitors, known in Europe as Zingari, Cigani, Gipsies, Gitanos, Egyptians, or Bohemians, but who referred to themselves as Romi or gens mariés, numbered about three hundred men and women, not to mention a large number of children. They split into seven groups, all of which traveled the same route. Very unkempt, quite unattractive, and notable for their dark complexions, these people were led by a duke and a count, as they were called, who were dressed in fine clothing and to whom they pledged loyalty. Some rode horses, while others walked. The women and children traveled on pack animals and in wagons (Fig. 369). According to their own story, their wandering life began after they returned to Paganism, having previously converted to Christianity, and as a punishment for their sins, they were destined to roam for seven years. They carried letters of recommendation from various princes, including Sigismund, King of the Romans, and whether those letters were genuine or fake, they gained a warm welcome wherever they went. They camped in the fields at night because their habit of stealing anything they wanted made them afraid of being disturbed in the towns. However, it wasn't long before many were arrested and executed for theft, prompting the others to quickly flee.

Fig. 369.--Gipsies on the March.--Fifteenth Century Piece of old Tapestry in the Château d'Effiat, contributed by M.A. Jubinal.

Fig. 369.--Gypsies on the Move.--Fifteenth Century Tapestry in the Château d'Effiat, contributed by M.A. Jubinal.

In the course of the following year we find them at Meissen, in Saxony, whence they were driven out on account of the robberies and disturbances they committed; and then in Switzerland, where they passed through the countries of the Grisons, the cantons of Appenzell, and Zurich, stopping in Argovie. Chroniclers who mention them at that time speak of their chief, Michel, as Duke of Egypt, and relate that these strangers, calling themselves Egyptians, pretended that they were driven from their country by the Sultan of Turkey, and condemned to wander for seven years in want and misery. These chroniclers add that they were very honest people, who scrupulously followed all the practices of the Christian religion; that they were poorly clad, but that they had gold and silver in abundance; that they lived well, and paid for everything they had; and that, at the end of seven years, they went away to return home, as they said. However, whether because a considerable number remained on the road, or because they had been reinforced by others of the same tribe during the year, a troop of fifty men, accompanied by a number of hideous women and filthy children, made their appearance in the neighbourhood of Augsburg. These vagabonds gave out that they were exiles from Lower Egypt, and pretended to know the art of predicting coming events. It was soon found out that they were much less versed in divination and in the occult sciences than in the arts of plundering, roguery, and cheating.

In the following year, we find them in Meissen, Saxony, where they were driven out due to the robberies and disturbances they caused; then they traveled through Switzerland, passing through the Grisons, the cantons of Appenzell, and Zurich, stopping in Argovie. Chroniclers who mentioned them at that time referred to their leader, Michel, as Duke of Egypt and noted that these outsiders, calling themselves Egyptians, claimed they had been forced from their homeland by the Sultan of Turkey and condemned to wander for seven years in poverty and misery. These chroniclers added that they were very honest people who strictly followed all the practices of the Christian faith; they were poorly dressed, but they had plenty of gold and silver; they lived well, paid for everything they had, and claimed they would return home after seven years. However, whether it was because a significant number stayed behind or because they were joined by more of their kind during the year, a group of fifty men, along with some hideous women and dirty children, appeared near Augsburg. These wanderers claimed to be exiles from Lower Egypt and pretended to have the ability to predict the future. It was quickly discovered that they were far less skilled in divination and the occult than they were in theft, deception, and cheating.

In the following year a similar horde, calling themselves Saracens, appeared at Sisteron, in Provence; and on the 18th. of July, 1422, a chronicler of Bologna mentions the arrival in that town of a troop of foreigners, commanded by a certain André, Duke of Egypt, and composed of at least one hundred persons, including women and children. They encamped inside and outside the gate di Galiera, with the exception of the duke, who lodged at the inn del Re. During the fifteen days which they spent at Bologna a number of the people of the town went to see them, and especially to see "the wife of the duke," who, it was said, knew how to foretell future events, and to tell what was to happen to people, what their fortunes would be, the number of their children, if they were good or bad, and many other things (Fig. 370). Few men, however, left the house of the so-called Duke of Egypt without having their purses stolen, and but few women escaped without having the skirts of their dresses cut. The Egyptian women walked about the town in groups of six or seven, and whilst some were talking to the townspeople, telling them their fortunes, or bartering in shops, one of their number would lay her hands on anything which was within reach. So many robberies were committed in this way, that the magistrates of the town and the ecclesiastical authorities forbad the inhabitants from visiting the Egyptians' camp, or from having any intercourse with them, under penalty of excommunication and of a fine of fifty livres. Besides this, by a strange application of the laws of retaliation, those who had been robbed by these foreigners were permitted to rob them to the extent of the value of the things stolen. In consequence of this, the Bolognians entered a stable in which several of the Egyptians' horses were kept, and took out one of the finest of them. In order to recover him the Egyptians agreed to restore what they had taken, and the restitution was made. But perceiving that they could no longer do any good for themselves in this province, they struck their tents and started for Rome, to which city they said they were bound to go, not only in order to accomplish a pilgrimage imposed upon them by the Sultan, who had expelled them from their own land, but especially to obtain letters of absolution from the Holy Father.

In the following year, a similar group, calling themselves Saracens, showed up in Sisteron, Provence; and on July 18, 1422, a chronicler from Bologna noted the arrival in that town of a troop of foreigners, led by a certain André, Duke of Egypt, made up of at least one hundred people, including women and children. They set up camp inside and outside the gate di Galiera, except for the duke, who stayed at the inn del Re. During the fifteen days they spent in Bologna, many townspeople visited them, especially to see "the duke's wife," who was said to have the ability to predict the future and tell people their fortunes, the number of their children, whether they were good or bad, and many other things (Fig. 370). However, few men left the house of the so-called Duke of Egypt without having their wallets stolen, and very few women got away without having their dress hems cut. The Egyptian women wandered around the town in groups of six or seven, and while some chatted with locals, telling their fortunes or bargaining in shops, one of them would grab anything within reach. So many thefts occurred this way that the town magistrates and church authorities banned residents from visiting the Egyptians' camp or having any contact with them, under threat of excommunication and a fine of fifty livres. Additionally, in a strange twist of retaliation laws, those who had been robbed by these foreigners were allowed to steal from them up to the value of what had been taken. As a result, the Bolognians broke into a stable where several of the Egyptians’ horses were kept and took one of the finest ones. To get him back, the Egyptians agreed to return what they had taken, and the restitution was made. But realizing they could no longer benefit from staying in this area, they packed up their tents and headed for Rome, claiming they were going there not only to fulfill a pilgrimage required by the Sultan, who had expelled them from their homeland, but especially to seek letters of absolution from the Holy Father.

Fig. 370.--Gipsies Fortune-telling.--Fac-simile of a Woodcut in the "Cosmographie Universelle" of Munster: in folio, Basle, 1552.

Fig. 370.--Gypsies Fortune-telling.--Facsimile of a Woodcut in the "Cosmography Universelle" by Munster: in folio, Basel, 1552.

In 1422 the band left Italy, and we find them at Basle and in Suabia. Then, besides the imperial passports, of which they had up to that time alone boasted, they pretended to have in their possession bulls which they stated that they had obtained from the Pope. They also modified their original tale, and stated that they were descendants of the Egyptians who refused hospitality to the Holy Virgin and to St. Joseph during their flight into Egypt: they also declared that, in consequence of this crime, God had doomed their race to perpetual misery and exile.

In 1422, the group left Italy and appeared in Basel and Swabia. Along with the imperial passports they had bragged about until then, they claimed to have bulls that they said they obtained from the Pope. They also changed their original story, claiming to be descendants of the Egyptians who denied hospitality to the Holy Virgin and St. Joseph during their escape into Egypt. They asserted that, because of this sin, God had condemned their lineage to endless suffering and exile.

Five years later we find them in the neighbourhood of Paris. "The Sunday after the middle of August," says "The Journal of a Bourgeois of Paris," "there came to Paris twelve so-called pilgrims, that is to say, a duke, a count, and ten men, all on horseback; they said that they were very good Christians, and that they came from Lower Egypt; ... and on the 29th of August, the anniversary of the beheading of St. John, the rest of the band made their appearance. These, however, were not allowed to enter Paris, but, by order of the provost, were lodged in the Chapel of St. Denis. They did not number more than one hundred and twenty, including women and children. They stated that, when they left their own country, they numbered from a thousand to twelve hundred, but that the rest had died on the road..... Whilst they were at the chapel never was such a concourse of people collected, even at the blessing of the fair of Landit, as went from Paris, St. Denis, and elsewhere, to see these strangers. Almost all of them had their ears pierced, and in each one or two silver rings, which in their country, they said, was a mark of nobility. The men were very swarthy, with curly hair; the women were very ugly, and extremely dark, with long black hair, like a horse's tail; their only garment being an old rug tied round the shoulder by a strip of cloth or a bit of rope (Fig. 371). Amongst them were several fortune-tellers, who, by looking into people's hands, told them what had happened or what was to happen to them, and by this means often did a good deal to sow discord in families. What was worse, either by magic, by Satanic agency, or by sleight of hand, they managed to empty people's purses whilst talking to them.... So, at least, every one said. At last accounts respecting them reached the ears of the Bishop of Paris. He went to them with a Franciscan friar, called Le Petit Jacobin, who, by the bishop's order, delivered an earnest address to them, and excommunicated all those who had anything to do with them, or who had their fortunes told. He further advised the gipsies to go away, and, on the festival of Notre-Dame, they departed for Pontoise."

Five years later, we find them near Paris. "On the Sunday after the middle of August," says "The Journal of a Bourgeois of Paris," "twelve so-called pilgrims arrived in Paris, including a duke, a count, and ten men, all on horseback. They claimed to be good Christians and said they were from Lower Egypt; ... and on August 29th, the anniversary of the beheading of St. John, the rest of the group showed up. However, they were not allowed to enter Paris and were, by the provost's order, housed in the Chapel of St. Denis. They numbered no more than one hundred and twenty, including women and children. They said that when they left their homeland, their group was between a thousand and twelve hundred, but that the others had died on the journey... While they were at the chapel, there was never such a crowd as came from Paris, St. Denis, and elsewhere to see these strangers, not even during the fair of Landit. Almost all of them had pierced ears, with one or two silver rings, which they said were symbols of nobility in their country. The men were very dark-skinned with curly hair; the women were quite unattractive and very dark, with long black hair like horse tails; their only garment was an old rug draped over their shoulders, held in place by a strip of cloth or a bit of rope (Fig. 371). Among them were several fortune-tellers who could tell people's past or future by looking at their hands, often causing a lot of discord within families. Worse, either through magic, Satanic influence, or sleight of hand, they managed to empty people's wallets while chatting with them... So, at least, everyone said. Eventually, news of them reached the Bishop of Paris. He went to see them along with a Franciscan friar named Le Petit Jacobin, who, at the bishop's direction, gave them a serious speech and excommunicated anyone who engaged with them or had their fortunes told. He also advised the gypsies to leave, and on the festival of Notre-Dame, they left for Pontoise."

Fig. 371.--A Gipsy Family.--Fac-simile of a Woodcut in the "Cosmographie Universelle" of Munster: in folio, Basle, 1552.

Fig. 371.--A Gypsy Family.--Replica of a Woodcut in the "Universal Cosmography" of Munster: in folio, Basel, 1552.

Here, again, the gipsies somewhat varied their story. They said that they were originally Christians; but that, in consequence of an invasion by the Saracens, they had been forced to renounce their religion; that, at a subsequent period, powerful monarchs had come to free them from the yoke of the infidels, and had decreed that, as a punishment to them for having renounced the Christian faith, they should not be allowed to return to their country before they had obtained permission from the Pope. They stated that the Holy Father, to whom they had gone to confess their sins, had then ordered them to wander about the world for seven years, without sleeping in beds, at the same time giving direction to every bishop and every priest whom they met to offer them ten livres; a direction which the abbots and bishops were in no hurry to obey. These strange pilgrims stated that they had been only five years on the road when they arrived in Paris.

Once again, the gypsies slightly changed their story. They claimed that they were originally Christians but had to give up their faith due to an invasion by the Saracens. Later on, powerful kings came to free them from the control of the infidels and declared that, as punishment for renouncing Christianity, they could not return to their homeland without permission from the Pope. They said that the Holy Father, to whom they had gone to confess their sins, commanded them to wander the world for seven years without sleeping in beds, and instructed every bishop and priest they encountered to offer them ten livres; a command that the abbots and bishops were not eager to follow. These unusual pilgrims remarked that they had only been traveling for five years when they reached Paris.

Enough has been said to show that, although the object of their long pilgrimage was ostensibly a pious one, the Egyptians or gipsies were not very slow in giving to the people whom they visited a true estimate of their questionable honesty, and we do not think it would be particularly interesting to follow step by step the track of this odious band, which from this period made its appearance sometimes in one country and sometimes in another, not only in the north but in the south, and especially in the centre of Europe. Suffice it to say that their quarrels with the authorities, or the inhabitants of the countries which had the misfortune to be periodically visited by them, have left numerous traces in history.

Enough has been said to show that, while the purpose of their long journey appeared to be religious, the Egyptians or gypsies were quick to reveal their questionable honesty to the people they encountered. It wouldn’t be particularly interesting to follow the movements of this unpleasant group, which started to appear in various countries—sometimes in the north, sometimes in the south, and especially in central Europe. It’s enough to say that their conflicts with the authorities and the residents of the places they visited repeatedly have left plenty of marks in history.

On the 7th of November, 1453, from sixty to eighty gipsies, coming from Courtisolles, arrived at the entrance of the town of Cheppe, near Châlons-sur-Marne. The strangers, many of whom carried "javelins, darts, and other implements of war," having asked for hospitality, the mayor of the town informed them "that it was not long since some of the same company, or others very like them, had been lodged in the town, and had been guilty of various acts of theft." The gipsies persisted in their demands, the indignation of the people was aroused, and they were soon obliged to resume their journey. During their unwilling retreat, they were pursued by many of the inhabitants of the town, one of whom killed a gipsy named Martin de la Barre: the murderer, however, obtained the King's pardon.

On November 7, 1453, between sixty and eighty gypsies arrived at the entrance of the town of Cheppe, near Châlons-sur-Marne, coming from Courtisolles. The newcomers, many of whom carried "javelins, darts, and other weapons," asked for hospitality, but the mayor of the town informed them "that it wasn't long ago that some from the same group, or others very similar, had stayed in the town and had committed various thefts." The gypsies continued to insist on their requests, which angered the townspeople, and they soon had to continue their journey. While they were reluctantly leaving, many locals pursued them, and one of them killed a gypsy named Martin de la Barre; however, the killer was given a pardon by the King.

In 1532, at Pleinpalais, a suburb of Geneva, some rascals from among a band of gipsies, consisting of upwards of three hundred in number, fell upon several of the officers who were stationed to prevent their entering the town. The citizens hurried up to the scene of disturbance. The gipsies retired to the monastery of the Augustin friars, in which they fortified themselves: the bourgeois besieged them, and would have committed summary justice on them, but the authorities interfered, and some twenty of the vagrants were arrested, but they sued for mercy, and were discharged.

In 1532, in Pleinpalais, a suburb of Geneva, a group of troublemakers from a band of over three hundred gypsies attacked several officers who were trying to keep them out of the town. The citizens rushed to the scene. The gypsies took refuge in the Augustinian monastery, where they fortified themselves. The townspeople surrounded them and wanted to take immediate action against them, but the authorities stepped in, and about twenty of the vagrants were arrested. They pleaded for mercy and were released.

Fig. 372.--Gipsy Encampment.--Fac-simile of a Copper-plate by Callot.

Fig. 372.--Gipsy Camp.--Reproduction of a Copper-plate by Callot.

In 1632, the inhabitants of Viarme, in the Department of Lot-et-Garonne, made an onslaught upon a troop of gipsies who wanted to take up their quarters in that town. The whole of them were killed, with the exception of their chief, who was taken prisoner and brought before the Parliament of Bordeaux, and ordered to be hung. Twenty-one years before this, the mayor and magistrates of Bordeaux gave orders to the soldiers of the watch to arrest a gipsy chief, who, having shut himself up in the tower of Veyrines, at Merignac, ransacked the surrounding country. On the 21st of July, 1622, the same magistrates ordered the gipsies to leave the parish of Eysines within twenty-four hours, under penalty of the lash.

In 1632, the people of Viarme, in the Lot-et-Garonne region, attacked a group of gypsies who wanted to settle in the town. All of them were killed, except for their leader, who was captured and brought before the Parliament of Bordeaux, where he was sentenced to be hanged. Twenty-one years earlier, the mayor and officials of Bordeaux had instructed the watchmen to arrest a gypsy leader who had barricaded himself in the tower of Veyrines at Merignac and was raiding the nearby areas. On July 21, 1622, the same officials ordered the gypsies to leave the parish of Eysines within twenty-four hours, under threat of punishment with the whip.

It was not often that the gipsies used violence or openly resisted authority; they more frequently had recourse to artifice and cunning in order to attain their end. A certain Captain Charles acquired a great reputation amongst them for the clever trickeries which he continually conceived, and which his troop undertook to carry out. A chronicler of the time says, that by means of certain herbs which he gave to a half-starved horse, he made him into a fat and sleek animal; the horse was then sold at one of the neighbouring fairs or markets, but the purchaser detected the fraud within a week, for the horse soon became thin again, and usually sickened and died.

The gypsies rarely used violence or openly challenged authority; they usually relied on clever tricks and cunning to achieve their goals. A certain Captain Charles gained a reputation among them for the clever scams he constantly came up with, which his group executed. A chronicler from that time mentions that by using certain herbs he gave to a malnourished horse, he turned it into a fat and shiny animal. The horse was then sold at a nearby fair or market, but the buyer figured out the scam within a week, as the horse quickly lost weight and typically got sick and died.

Tallemant des Réaux relates that, on one occasion, Captain Charles and his attendants took up their quarters in a village, the curé of which being rich and parsimonious, was much disliked by his parishioners. The curé never left his house, and the gipsies could not, therefore, get an opportunity to rob him. In this difficulty, they pretended that one of them had committed a crime, and had been condemned to be hung a quarter of a league from the village, where they betook themselves with all their goods. The man, at the foot of the gibbet, asked for a confessor, and they went to fetch the curé. He, at first, refused to go, but his parishioners compelled him. During his absence some gipsies entered his house, took five hundred écus from his strong box, and quickly rejoined the troop. As soon as the rascal saw them returning, he said that he appealed to the king of la petite Egypte, upon which the captain exclaimed, "Ah! the traitor! I expected he would appeal." Immediately they packed up, secured the prisoner, and were far enough away from the scene before the curé re-entered his house.

Tallemant des Réaux recounts that once, Captain Charles and his crew stayed in a village where the local priest, who was wealthy and stingy, was very unpopular with his parishioners. The priest never left his house, so the gypsies couldn't find a chance to rob him. In a bind, they pretended that one of them had committed a crime and was sentenced to be hanged a quarter of a league from the village, carrying all their belongings with them. The man at the foot of the gallows asked for a confessor, prompting them to fetch the priest. He initially refused to go, but his parishioners forced him to comply. While he was away, some gypsies entered his house, took five hundred écus from his strongbox, and quickly rejoined the group. When the scoundrel saw them coming back, he declared that he was appealing to the king of la petite Egypte, to which the captain responded, "Ah! The traitor! I knew he would appeal." They quickly packed up, secured the prisoner, and were well on their way before the priest returned to his house.

Tallemant relates another good trick. Near Roye, in Picardy, a gipsy who had stolen a sheep offered it to a butcher for one hundred sous (about sixty francs of our money), but the butcher declined to give more than four livres for it. The butcher then went away; whereupon the gipsy pulled the sheep from a sack into which he had put it, and substituted for it a child belonging to his tribe. He then ran after the butcher, and said, "Give me five livres, and you shall have the sack into the bargain." The butcher paid him the money, and went away. When he got home he opened the sack, and was much astonished when he saw a little boy jump out of it, who, in an instant, caught up the sack and ran off. "Never was a poor man so thoroughly hoaxed as this butcher," says Tallemant des Réaux.

Tallemant shares another clever trick. Near Roye, in Picardy, a gypsy who had stolen a sheep tried to sell it to a butcher for one hundred sous (about sixty francs today), but the butcher only wanted to pay four livres. The butcher then left; at that moment, the gypsy pulled the sheep out of a sack and swapped it for a child from his tribe. He then chased after the butcher and said, "Give me five livres, and the sack is yours too." The butcher handed over the money and left. When he got home and opened the sack, he was shocked to see a little boy jump out, who immediately grabbed the sack and ran off. "Never was a poor man so thoroughly fooled as this butcher," says Tallemant des Réaux.

The gipsies had thousands of other tricks in stock as good as the ones we have just related, in proof of which we have but to refer to the testimony of one of their own tribe, who, under the name of Pechon de Ruby, published, towards the close of the sixteenth century, "La Vie Généreuse des Mattois, Guex, Bohémiens, et Cagoux." "When they want to leave a place where they have been stopping, they set out in an opposite direction to that in which they are going, and after travelling about half a league they take their right course. They possess the best and most accurate maps, in which are laid down not only all the towns, villages, and rivers, but also the houses of the gentry and others; and they fix upon places of rendezvous every ten days, at twenty leagues from the point from whence they set out.... The captain hands over to each of the chiefs three or four families to take charge of, and these small bands take different cross-roads towards the place of rendezvous. Those who are well armed and mounted he sends off with a good almanac, on which are marked all the fairs, and they continually change their dress and their horses. When they take up their quarters in any village they steal very little in its immediate vicinity, but in the neighbouring parishes they rob and plunder in the most daring manner. If they find a sum of money they give notice to the captain, and make a rapid flight from the place. They coin counterfeit money, and put it into circulation. They play at all sorts of games; they buy all sorts of horses; whether sound or unsound, provided they can manage to pay for them in their own base coin. When they buy food they pay for it in good money the first time, as they are held in such distrust; but, when they are about to leave a neighbourhood, they again buy something, for which they tender false coin, receiving the change in good money. In harvest time all doors are shut against them; nevertheless they contrive, by means of picklocks and other instruments, to effect an entrance into houses, when they steal linen, cloaks, silver, and any other movable article which they can lay their hands on. They give a strict account of everything to their captain, who takes his share of all they get, except of what they earn by fortune-telling. They are very clever at making a good bargain; when they know of a rich merchant being in the place, they disguise themselves, enter into communications with him, and swindle him, ... after which they change their clothes, have their horses shod the reverse way, and the shoes covered with some soft material lest they should be heard, and gallop away."

The gypsies had thousands of other clever tricks just as good as the ones we've mentioned. To prove this, we can look at the account of one of their own tribe, Pechon de Ruby, who published "La Vie Généreuse des Mattois, Guex, Bohémiens, et Cagoux" toward the end of the sixteenth century. "When they want to leave a place they've been staying, they start off in the opposite direction of where they plan to go, and after traveling about half a league, they take the right path. They have the best and most accurate maps, showing not only all the towns, villages, and rivers, but also the homes of the wealthy and others; they choose meeting spots every ten days, twenty leagues from where they start.... The captain assigns three or four families to each chief, and these small groups take various backroads to the meeting point. Those who are well-armed and well-mounted are sent off with a reliable almanac, which marks all the fairs, and they frequently change their clothing and horses. When they settle in a village, they steal very little nearby, but in the neighboring areas, they rob and plunder boldly. If they come across a stash of money, they inform the captain and make a quick escape from the location. They produce counterfeit money and circulate it. They partake in all kinds of games; they buy all sorts of horses, whether healthy or unhealthy, as long as they can pay with their own fake currency. When they buy food, they pay in real money initially since they are distrusted; however, before leaving a neighborhood, they buy something again, offering counterfeit coins and receiving real change. During harvest time, all doors are shut against them; nevertheless, they manage to get into houses using picklocks and other tools, stealing linens, cloaks, silver, and any other movable items they can find. They report everything to their captain, who takes his share of their gains, except for what they earn through fortune-telling. They are quite skilled at making good deals; when they know a wealthy merchant is in town, they disguise themselves, engage with him, and swindle him, ... after which they change their clothes, get their horses shod in the opposite direction, and cover the shoes with soft material to avoid noise, then ride away."

Fig. 373.--The Gipsy who used to wash his Hands in Molten Lead.--Fac-simile of a Woodcut in the "Histoires Merveilleuses" of Pierre Boaistuau: in 4to, 1560.

Fig. 373.--The Gypsy who washed his hands in molten lead.--Facsimile of a woodcut in the "Histoires Merveilleuses" by Pierre Boaistuau: in 4to, 1560.

In the "Histoire Générale des Larrons" we read that the vagabonds called gipsies sometimes played tricks with goblets, sometimes danced on the tight-rope, turned double-somersaults, and performed other feats (Fig. 373), which proves that these adventurers adopted all kinds of methods of gaining a livelihood, highway robbery not excepted. We must not, therefore, be surprised if in almost all countries very severe police measures were taken against this dangerous race, though we must admit that these measures sometimes partook of a barbarous character.

In the "Histoire Générale des Larrons," we read that the vagabonds known as gypsies sometimes pulled tricks with goblets, danced on tightropes, executed double somersaults, and performed other stunts (Fig. 373), which shows that these adventurers used all kinds of ways to make a living, including highway robbery. So, we shouldn't be surprised if in almost every country very strict police measures were enforced against this risky group, although we have to acknowledge that these measures sometimes had a brutal nature.

After having forbidden them, with a threat of six years at the galleys, to sojourn in Spain, Charles V. ordered them to leave Flanders under penalty of death. In 1545, a gipsy who had infringed the sentence of banishment was condemned by the Court of Utrecht to be flogged till the blood appeared, to have his nostrils slit, his hair removed, his beard shaved off, and to be banished for life. "We can form some idea," says the German historian Grellman, "of the miserable condition of the gipsies from the following facts: many of them, and especially the women, have been burned by their own request, in order to end their miserable state of existence; and we can give the case of a gipsy who, having been arrested, flogged, and conducted to the frontier, with the threat that if he reappeared in the country he would be hanged, resolutely returned after three successive and similar threats, at three different places, and implored that the capital sentence might be carried out, in order that he might be released from a life of such misery. These unfortunate people," continues the historian, "were not even looked upon as human beings, for, during a hunting party, consisting of members of a small German court, the huntsmen had no scruple whatever in killing a gipsy woman who was suckling her child, just as they would have done any wild beast which came in their way."

After banning them, with a threat of six years in prison, Charles V ordered them to leave Flanders under the penalty of death. In 1545, a gypsy who violated the ban was sentenced by the Court of Utrecht to be flogged until he bled, have his nostrils cut, his hair shaved off, his beard removed, and to be banished for life. "We can get some idea," says the German historian Grellman, "of the miserable condition of the gypsies from the following facts: many of them, especially the women, have asked to be burned alive to escape their terrible existence; and we have the case of a gypsy who, after being arrested, flogged, and taken to the border with the warning that if he returned, he would be hanged, resolutely came back after three similar threats in three different locations and begged for the death sentence to be carried out so he could be freed from such a miserable life. These unfortunate people," the historian continues, "were not even regarded as human beings, as during a hunting party attended by members of a small German court, the hunters had no hesitation in killing a gypsy woman who was nursing her child, just as they would have killed any wild animal in their path."

M. Francisque Michel says, "Amongst the questions which arise from a consideration of the existence of this remarkable people, is one which, although neglected, is nevertheless of considerable interest, namely, how, with a strange language, unlike any used in Europe, the gipsies could make themselves understood by the people amongst whom they made their appearance for the first time: newly arrived in the west, they could have none of those interpreters who are only to be found amongst a long-established people, and who have political and commercial intercourse with other nations. Where, then, did the gipsies obtain interpreters? The answer seems to us to be clear. Receiving into their ranks all those whom crime, the fear of punishment, an uneasy conscience, or the charm of a roaming life, continually threw in their path, they made use of them either to find their way into countries of which they were ignorant, or to commit robberies which would otherwise have been impracticable. Themselves adepts in all sorts of bad practices, they were not slow to form an alliance with profligate characters who sometimes worked in concert with them, and sometimes alone, and who always framed the model for their own organization from that of the gipsies."

M. Francisque Michel says, "One of the questions that comes up when considering the existence of this remarkable group is one that, despite being overlooked, is still quite interesting: how, with a unique language that differs from anything spoken in Europe, were the gypsies able to communicate with the people they encountered for the first time? Just arriving in the west, they didn't have any of those interpreters that are typically found among established societies with political and commercial ties to other nations. So, where did the gypsies find interpreters? The answer seems clear to us. By welcoming anyone who was drawn to them by crime, fear of punishment, guilt, or the allure of a wandering life, they utilized those individuals to navigate unfamiliar lands or to commit crimes that would have otherwise been impossible. Skilled in all kinds of dubious practices, they quickly formed alliances with unscrupulous individuals who sometimes worked alongside them and sometimes independently, always modeling their own organization after that of the gypsies."

Fig. 374.--Orphans, Callots, and the Family of the Grand Coesre.--From painted Hangings and Tapestry from the Town of Rheims, executed during the Fifteenth Century.

Fig. 374.--Orphans, Callots, and the Family of the Grand Coesre.--From painted hangings and tapestries from the city of Rheims, created in the 15th century.

This alliance--governed by statutes, the honour of compiling which has been given to a certain Ragot, who styled himself captain--was composed of matois, or sharpers; of mercelots, or hawkers, who were very little better than the former; of gueux, or dishonest beggars, and of a host of other swindlers, constituting the order or hierarchy of the Argot, or Slang people. Their chief was called the Grand Coesre, "a vagabond broken to all the tricks of his trade," says M. Francisque Michel, and who frequently ended his days on the rack or the gibbet. History has furnished us with the story of a "miserable cripple" who used to sit in a wooden bowl, and who, after having been Grand Coesre for three years, was broken alive on the wheel at Bordeaux for his crimes. He was called Roi de Tunes (Tunis), and was drawn about by two large dogs. One of his successors, the Grand Coesre surnamed Anacréon, who suffered from the same infirmity, namely, that of a cripple, rode about Paris on a donkey begging. He generally held his court on the Port-au-Foin, where he sat on his throne dressed in a mantle made of a thousand pieces. The Grand Coesre had a lieutenant in each province called cagou, whose business it was to initiate apprentices in the secrets of the craft, and who looked after, in different localities, those whom the chief had entrusted to his care. He gave an account of the property he received in thus exercising his stewardship, and of the money as well as of the clothing which he took from the Argotiers who refused to recognise his authority. As a remuneration for their duties, the cagoux were exempt from all tribute to their chief; they received their share of the property taken from persons whom they had ordered to be robbed, and they were free to beg in any way they pleased. After the cagoux came the archisuppôts, who, being recruited from the lowest dregs of the clergy and others who had been in a better position, were, so to speak, the teachers of the law. To them was intrusted the duty of instructing the less experienced rogues, and of determining the language of Slang; and, as a reward for their good and loyal services, they had the right of begging without paying any fees to their chiefs.

This alliance, governed by rules that a certain Ragot, who called himself captain, was tasked with compiling, consisted of matois, or con artists; mercelots, or vendors who were barely better than the former; gueux, or dishonest beggars, along with a bunch of other fraudsters, making up the order or hierarchy of the Argot, or Slang people. Their leader was known as the Grand Coesre, "a drifter well-versed in all the tricks of his trade," as M. Francisque Michel says, and he often ended up on the rack or the gallows. History tells us about a "miserable cripple" who sat in a wooden bowl and, after serving as Grand Coesre for three years, was broken alive on the wheel in Bordeaux for his crimes. He was called Roi de Tunes (Tunis) and was pulled around by two large dogs. One of his successors, the Grand Coesre nicknamed Anacréon, who suffered from the same disability, begged his way around Paris on a donkey. He usually held court at Port-au-Foin, where he sat on his throne dressed in a mantle made from a thousand pieces. The Grand Coesre had a lieutenant in each province called cagou, whose job was to train apprentices in the secrets of the trade and to keep an eye on those the chief had placed in his care across various locations. He reported on the assets he received while performing his duties, along with the money and clothing he took from the Argotiers who refused to acknowledge his authority. In exchange for their responsibilities, the cagoux were exempt from all taxes imposed by their chief; they received a share of the loot taken from individuals they ordered to be robbed, and were free to beg as they wished. Below the cagoux were the archisuppôts, who were drawn from the lowest ranks of the clergy and others who had once been better off, and they essentially served as the law instructors. Their responsibility was to teach the less experienced crooks and establish the language of Slang; as a reward for their loyal services, they were allowed to beg without paying any fees to their superiors.

Fig. 375.--The Blind and the Poor Sick of St. John.--From painted Hangings and Tapestry in the Town of Rheims, executed during the Fifteenth Century.

Fig. 375.--The Blind and the Poor Sick of St. John.--From painted hangings and tapestries in the town of Reims, created during the 15th century.

The Grand Coesre levied a tax of twenty-four sous per annum upon the young rogues, who went about the streets pretending to shed tears (Fig. 374), as "helpless orphans," in order to excite public sympathy. The marcandiers had to pay an écu; they were tramps clothed in a tolerably good doublet, who passed themselves off as merchants ruined by war, by fire, or by having been robbed on the highway. The malingreux had to pay forty sous; they were covered with sores, most of which were self-inflicted, or they pretended to have swellings of some kind, and stated that they were about to undertake a pilgrimage to St. Méen, in Brittany, in order to be cured. The piètres, or lame rogues, paid half an écu, and walked with crutches. The sabouleux, who were commonly called the poor sick of St. John, were in the habit of frequenting fairs and markets, or the vicinity of churches; there, smeared with blood and appearing as if foaming at the mouth by means of a piece of soap they had placed in it, they struggled on the ground as if in a fit, and in this way realised a considerable amount of alms. These consequently paid the largest fees to the Coesre (Fig. 375).

The Grand Coesre imposed a tax of twenty-four sous each year on the young con artists who wandered the streets pretending to cry (Fig. 374), acting as "helpless orphans" to gain public sympathy. The marcandiers had to pay an écu; these were tramps dressed in reasonably nice doublets, who claimed to be merchants ruined by war, fire, or highway robbery. The malingreux had to pay forty sous; they were covered in sores, most of which they inflicted on themselves, or they pretended to have some kind of swelling, claiming they were going on a pilgrimage to St. Méen in Brittany to get healed. The piètres, or lame beggars, paid half an écu and relied on crutches. The sabouleux, often referred to as the poor sick of St. John, tended to hang around fairs, markets, or near churches; there, they smeared themselves with blood and made it look like they were foaming at the mouth using a piece of soap, writhing on the ground as if having a seizure, which helped them collect a significant amount of alms. As a result, these individuals paid the highest fees to the Coesre (Fig. 375).

Fig. 376.--The Ruffes and the Millards.--From painted Hangings and Tapestry of Rheims, executed about the Fifteenth Century.

Fig. 376.--The Ruffes and the Millards.--From the painted hangings and tapestry of Rheims, created around the 15th century.

Besides these, there were the callots, who were either affected with a scurfy disease or pretended to be so, and who were contributors to the civil list of their chief to the amount of sevens sous; as also the coquillards, or pretended pilgrims of St. James or St. Michael; and the hubins, who, according to the forged certificate which they carried with them, were going to, or returning from, St. Hubert, after having been bitten by a mad dog. The polissons paid two écus to the Coesre, but they earned a considerable amount, especially in winter; for benevolent people, touched with their destitution and half-nakedness, gave them sometimes a doublet, sometimes a shirt, or some other article of clothing, which of course they immediately sold. The francs mitoux, who were never taxed above five sous, were sickly members of the fraternity, or at all events pretended to be such; they tied their arms above the elbow so as to stop the pulse, and fell down apparently fainting on the public footpaths. We must also mention the ruffés and the millards, who went into the country in groups begging (Fig. 376). The capons were cut-purses, who hardly ever left the towns, and who laid hands on everything within their reach. The courtauds de boutanche pretended to be workmen, and were to be met with everywhere with the tools of their craft on their back, though they never used them. The convertis pretended to have been impressed by the exhortations of some excellent preacher, and made a public profession of faith; they afterwards stationed themselves at church doors, as recently converted Catholics, and in this way received liberal contributions.

Besides these, there were the callots, who either suffered from a flaky skin condition or pretended to, and contributed seven sous to their leader's civil list; there were also the coquillards, who claimed to be pilgrims of St. James or St. Michael; and the hubins, who, according to the fake certificate they carried, were going to or coming back from St. Hubert after being bitten by a rabid dog. The polissons paid two écus to the Coesre, but they earned a fair amount, especially in winter; generous people, moved by their poverty and half-nakedness, sometimes gave them a doublet, sometimes a shirt, or some other piece of clothing, which they immediately sold. The francs mitoux, who were never taxed more than five sous, were sickly members of the group or at least pretended to be; they tied their arms above the elbow to stop their pulse and would collapse, seemingly fainting on the sidewalks. We must also mention the ruffés and the millards, who went into the countryside in groups begging (Fig. 376). The capons were pickpockets, who rarely left the towns and grabbed whatever they could reach. The courtauds de boutanche pretended to be workers and were seen everywhere with the tools of their trade on their backs, even though they never actually used them. The convertis claimed to have been moved by the words of some great preacher and made a public show of their faith; they would then position themselves at church doors as newly converted Catholics and received generous donations that way.

Lastly, we must mention the drilles, the narquois, or the people of the petite flambe, who for the most part were old pensioners, and who begged in the streets from house to house, with their swords at their sides (Fig. 377). These, who at times lived a racketing and luxurious life, at last rebelled against the Grand Coesre, and would no longer be reckoned among his subjects--a step which gave a considerable shock to the Argotic monarchy.

Lastly, we need to mention the drilles, the narquois, or the people of the petite flambe, who were mostly retired pensioners, begging in the streets from door to door, with their swords at their sides (Fig. 377). These individuals, who sometimes lived a noisy and lavish life, eventually rebelled against the Grand Coesre and no longer wanted to be considered his subjects--a decision that had a significant impact on the Argotic monarchy.

Fig. 377.--The Drille or Narquois.--From painted Hangings from the Town of Rheims (Fifteenth Century).

Fig. 377.--The Drille or Narquois.--From painted Hangings from the Town of Rheims (Fifteenth Century).

Fig. 378.--Perspective View of Paris in 1607.--Fac-simile of a Copper-plate by Léonard Gaultier. (Collection of M. Guénebault, Paris.)

Fig. 378.--Perspective View of Paris in 1607.--Fac-simile of a Copper-plate by Léonard Gaultier. (Collection of M. Guénebault, Paris.)

There was another cause which greatly contributed to diminish the power as well as the prestige of this eccentric sovereign, and this was, that the cut-purses, the night-prowlers and wood-thieves, not finding sufficient means of livelihood in their own department, and seeing that the Argotiers, on the contrary, were always in a more luxurious position, tried to amalgamate robbery with mendicity, which raised an outcry amongst these sections of their community. The archisuppôts and the cagoux at first declined such an alliance, but eventually they were obliged to admit all, with the exception of the wood-thieves, who were altogether excluded. In the seventeenth century, therefore, in order to become a thorough Argotier, it was necessary not only to solicit alms like any mere beggar, but also to possess the dexterity of the cut-purse and the thief. These arts were to be learned in the places which served as the habitual rendezvous of the very dregs of society, and which were generally known as the Cours des Miracles. These houses, or rather resorts, had been so called, if we are to believe a writer of the early part of the seventeenth century, "Because rogues ... and others, who have all day been cripples, maimed, dropsical, and beset with every sort of bodily ailment, come home at night, carrying under their arms a sirloin of beef, a joint of veal, or a leg of mutton, not forgetting to hang a bottle of wine to their belt, and, on entering the court, they throw aside their crutches, resume their healthy and lusty appearance, and, in imitation of the ancient Bacchanalian revelries, dance all kinds of dances with their trophies in their hands, whilst the host is preparing their suppers. Can there be a greater miracle than is to be seen in this court, where the maimed walk upright?"

There was another reason that significantly weakened the power and prestige of this quirky ruler. This was that pickpockets, nighttime thieves, and wood-stealers, not finding enough ways to make a living in their own trade, saw that the Argotiers, on the other hand, were always in a more comfortable situation. They tried to combine robbery with begging, which caused an uproar among these parts of their community. The archisuppôts and the cagoux initially rejected this partnership but eventually had to accept everyone, except for the wood-thieves, who were completely excluded. In the seventeenth century, to truly become an Argotier, it was necessary to not only beg like any regular beggar but also to possess the skills of a pickpocket and a thief. These skills were learned in places that were the usual meeting spots for the very bottom of society, commonly known as the Cours des Miracles. These places, or rather hangouts, got their name because, as a writer from the early seventeenth century claimed, "Because rogues ... and others, who have all day been cripples, maimed, swollen, and plagued with every kind of physical ailment, come home at night, carrying under their arms a sirloin of beef, a joint of veal, or a leg of mutton, not forgetting to hang a bottle of wine from their belts. Upon entering the court, they toss aside their crutches, regain their healthy and lively appearance, and, like in the ancient Bacchanalian festivities, dance all sorts of dances with their spoils in their hands while the host prepares their dinners. Can there be a greater miracle than what is seen in this court, where the disabled walk upright?"

In Paris there were several Cours des Miracles, but the most celebrated was that which, from the time of Sauval, the singular historian of the "Antiquities of Paris," to the middle of the seventeenth century, preserved this generic name par excellence, and which exists to this day (Fig. 379). He says, "It is a place of considerable size, and is in an unhealthy, muddy, and irregular blind alley. Formerly it was situated on the outskirts of Paris, now it is in one of the worst built, dirtiest, and most out-of-the-way quarters of the town, between the Rue Montorgueil, the convent of the Filles-Dieu, and the Rue Neuve-Saint-Sauveur. To get there one must wander through narrow, close, and by-streets; and in order to enter it, one must descend a somewhat winding and rugged declivity. In this place I found a mud house, half buried, very shaky from old age and rottenness, and only eight mètres square; but in which, nevertheless, some fifty families are living, who have the charge of a large number of children, many of whom are stolen or illegitimate.... I was assured that upwards of five hundred large families occupy that and other houses adjoining.... Large as this court is, it was formerly even bigger.... Here, without any care for the future, every one enjoys the present; and eats in the evening what he has earned during the day with so much trouble, and often with so many blows; for it is one of the fundamental rules of the Cour des Miracles never to lay by anything for the morrow. Every one who lives there indulges in the utmost licentiousness; both religion and law are utterly ignored.... It is true that outwardly they appear to acknowledge a God; for they have set up in a niche an image of God the Father, which they have stolen from some church, and before which they come daily to offer up certain prayers; but this is only because they superstitiously imagine that by this means they are released from the necessity of performing the duties of Christians to their pastor and their parish, and are even absolved from the sin of entering a church for the purpose of robbery and purse-cutting."

In Paris, there were several Cours des Miracles, but the most famous one, from the time of Sauval, the unique historian of the "Antiquities of Paris," to the middle of the seventeenth century, kept this generic name par excellence, and it still exists today (Fig. 379). He describes it as "a rather large place located in an unhealthy, muddy, and irregular dead-end alley. It used to be on the outskirts of Paris, but now it's in one of the worst-built, dirtiest, and most remote areas of the city, between Rue Montorgueil, the convent of Filles-Dieu, and Rue Neuve-Saint-Sauveur. To reach it, you have to wander through narrow, cramped back streets, and to enter, you must go down a somewhat winding and rough slope. Here, I found a mud house, half-buried, very shaky from old age and decay, and only eight square meters; yet, somehow, around fifty families live there, taking care of many children, many of whom are stolen or illegitimate.... I was told that more than five hundred large families occupy that house and others nearby.... Although this court is large, it used to be even bigger.... Here, without any thought for the future, everyone enjoys the present; they eat in the evening what they have earned during the day, often with great effort and sometimes through violence; for a fundamental rule of the Cour des Miracles is to never save anything for tomorrow. Everyone living here indulges in total debauchery; both religion and law are completely disregarded.... It's true that outwardly they seem to recognize a God; they’ve set up an image of God the Father in a niche, which they’ve stolen from some church, and they come daily to offer certain prayers before it; but this is just because they superstitiously believe that through this, they are freed from having to fulfill their Christian duties to their pastor and parish, and they think they are absolved from the sin of entering a church to commit robbery and pickpocketing."

Fig. 379.--Cour des Miracles of Paris. Talebot the Hunchback, a celebrated Scamp during the Seventeenth Century.--From an old Engraving in the Collection of Engravings in the National Library of Paris.

Fig. 379.--Cour des Miracles of Paris. Talebot the Hunchback, a famous Scamp in the Seventeenth Century.--From an old engraving in the Collection of Engravings at the National Library of Paris.

Paris, the capital of the kingdom of rogues, was not the only town which possessed a Cour des Miracles, for we find here and there, especially at Lyons and Bordeaux, some traces of these privileged resorts of rogues and thieves, which then flourished under the sceptre of the Grand Coesre. Sauval states, on the testimony of people worthy of credit, that at Sainte-Anne d'Auray, the most holy place of pilgrimage in Brittany, under the superintendence of the order of reformed Carmelite friars, there was a large field called the Rogue's Field. This was covered with mud huts; and here the Grand Coesre resorted annually on the principal solemn festivals, with his officers and subjects, in order "to hold his council of state," that is to say, in order to settle and arrange respecting robbery. At these state meetings, which were not always held at Sainte-Anne d'Auray, all the subjects of the Grand Coesre were present, and paid homage to their lord and master. Some came and paid him the tribute which was required of them by the statutes of the craft; others rendered him an account of what they had done, and what they had earned during the year. When they had executed their work badly, he ordered them to be punished, either corporally or pecuniarily, according to the gravity of their offences. When he had not himself properly governed his people, he was dethroned, and a successor was appointed by acclamation.

Paris, the capital of the kingdom of outlaws, wasn't the only city with a Cour des Miracles. We find similar spots, especially in Lyon and Bordeaux, where these exclusive hangouts for criminals thrived under the rule of the Grand Coesre. Sauval reports, based on credible sources, that at Sainte-Anne d'Auray, the most revered pilgrimage site in Brittany, there was a large area known as the Rogue's Field. This space was filled with makeshift huts, and here, the Grand Coesre gathered every year during major festivals, along with his officers and followers, to hold his "state council," which meant discussing and organizing theft. At these state meetings, not always held at Sainte-Anne d'Auray, all the followers of the Grand Coesre attended and paid their respects to their leader. Some brought the required tribute from their trade, while others reported on their activities and earnings for the year. If they didn't do their tasks well, he had them punished, either physically or financially, depending on the severity of their misdeeds. If he failed to govern his people properly, he would be overthrown, and a new leader would be chosen by popular vote.

At these assemblies, as well as in the Cours des Miracles, French was not spoken, but a strange and artificial language was used called jargon,

At these gatherings, as well as in the Cours des Miracles, French wasn't spoken; instead, a strange and artificial language known as jargon was used.

Fig. 380.--Beggar playing the Fiddle, and his Wife accompanying him with the Bones.--From an old Engraving of the Seventeenth Century.

Fig. 380.--A beggar playing the fiddle, with his wife accompanying him on the bones.--From an old engraving from the seventeenth century.

langue matoise, narquois, &c. This language, which is still in use under the name of argot, or slang, had for the most part been borrowed from the jargon or slang of the lower orders. To a considerable extent, according to the learned philologist of this mysterious language, M. Francisque Michel, it was composed of French words lengthened or abbreviated; of proverbial expressions; of words expressing the symbols of things instead of the things themselves; of terms either intentionally or unintentionally altered from their true meaning; and of words which resembled other words in sound, but which had not the same signification. Thus, for mouth, they said pantière, from pain (bread), which they put into it; the arms were lyans (binders); an ox was a cornant (horned); a purse, a fouille, or fouillouse; a cock, a horloge, or timepiece; the legs, des quilles (nine-pins); a sou, a rond, or round thing; the eyes, des luisants (sparklers), &c. In jargon several words were also taken from the ancient language of the gipsies, which testifies to the part which these vagabonds played in the formation of the Argotic community. For example, a shirt was called lime; a chambermaid, limogère; sheets, limans--words all derived from the gipsy word lima, a shirt: they called an écu, a rusquin or rougesme, from rujia, the common word for money; a rich man, rupin; a house, turne; a knife, chourin, from rup, turna, and chori, which, in the gipsy tongue, mean respectively silver, castle, and knife.

Langue matoise, narquois, etc. This language, which is still used today as argot or slang, mostly comes from the jargon or slang of the lower class. According to the expert on this mysterious language, M. Francisque Michel, it primarily consists of French words that are either extended or shortened; proverbial phrases; words that represent the symbols of things instead of the things themselves; terms that have been intentionally or unintentionally altered from their original meanings; and words that sound similar to other words but have different meanings. For instance, they used pantière for mouth, from pain (bread), which goes into it; arms were called lyans (binders); an ox was a cornant (horned); a purse was a fouille or fouillouse; a rooster was a horloge or timepiece; legs were des quilles (nine-pins); a sou was a rond or round thing; and eyes were des luisants (sparklers), etc. In the jargon, several words were also borrowed from the ancient language of the Gypsies, which highlights the role these nomads played in forming the Argotic community. For example, a shirt was referred to as lime; a chambermaid as limogère; sheets as limans—all derived from the Gypsy word lima, meaning shirt. They called an écu a rusquin or rougesme, from rujia, the common term for money; a wealthy person was a rupin; a house was a turne; and a knife was chourin, derived from rup, turna, and chori, which in the Gypsy language mean respectively silver, castle, and knife.

From what we have related about rogues and the Cours des Miracles, one might perhaps be tempted to suppose that France was specially privileged; but it was not so, for Italy was far worse in this respect. The rogues were called by the Italians bianti, or ceretani, and were subdivided into more than forty classes, the various characteristics of which have been described by a certain Rafael Frianoro. It is not necessary to state that the analogue of more than one of these classes is to be found in the short description we have given of the Argotic kingdom in France. We will therefore only mention those which were more especially Italian. It must not be forgotten that in the southern countries, where religions superstition was more marked than elsewhere, the numerous family of rogues had no difficulty in practising every description of imposture, inasmuch as they trusted to the various manifestations of religions feeling to effect their purposes. Thus the affrati, in order to obtain more alms and offerings, went about in the garb of monks and priests, even saying mass, and pretending that it was the first time they had exercised their sacred office. So the morghigeri walked behind a donkey, carrying a bell and a lamp, with their string of beads in their hands, and asking how they were to pay for the bell, which they were always "just going to buy." The felsi pretended that they were divinely inspired and endowed with the gift of second sight, and announced that there were hidden treasures in certain houses under the guardianship of evil spirits. They asserted that these treasures could not be discovered without danger, except by means of fastings and offerings, which they and their brethren could alone make, in consideration of which they entered into a bargain, and received a certain sum of money from the owners. The accatosi deserve mention on account of the cleverness with which they contrived to assume the appearance of captives recently escaped from slavery. Shaking the chains with which they said they had been bound, jabbering unintelligible words, telling heart-rending tales of their sufferings and privations, and showing the marks of blows which they had received, they went on their knees, begging for money that they might buy off their brethren or their friends, whom they said they had left in the hands of the Saracens or the Turks, We must mention, also, the allacrimanti, or weepers, who owed their name to the facility which they possessed of shedding tears at will; and the testatori, who, pretending to be seriously ill and about to die, extorted money from all those to whom they promised to leave their fortunes, though, of course, they had not a son to leave behind them. We must not forget the protobianti (master rogues), who made no scruple of exciting compassion from their own comrades (Fig. 381), nor the vergognosi, who, notwithstanding their poverty, wished to be thought rich, and considered that assistance was due to them from the mere fact of their being noble. We must here conclude, for it would occupy too much time to go through the list of these Italian vagabonds. As for the German (Figs. 382 and 383), Spanish, and English rogues, we may simply remark that no type exists among them which is not to be met with amongst the Argotiers of France or the Bianti of Italy. In giving a description, therefore, of the mendicity practised in these two countries during the Middle Ages, we are sure to be representing what it was in other parts of Europe.

From what we've described about rogues and the Cours des Miracles, one might be tempted to think that France was uniquely privileged, but that's not the case; Italy was actually worse in this regard. The Italians referred to these rogues as bianti or ceretani, and they were divided into over forty different classes, each with their own characteristics, as detailed by a certain Rafael Frianoro. It's not necessary to mention that several of these classes have parallels in our brief description of the Argotic kingdom in France. We will only highlight those that are particularly Italian. We should remember that in southern countries, where religious superstition was more pronounced, the many types of rogues had no trouble practicing all kinds of deception, relying on various expressions of religious sentiment to achieve their goals. For instance, the affrati would dress up as monks and priests to collect more alms and offerings, even saying mass and claiming it was their first time performing their sacred duties. Similarly, the morghigeri would walk behind a donkey, carrying a bell and a lamp, toting beads and asking how they could pay for the bell, which they were always "about to buy." The felsi claimed they were divinely inspired and had second sight, proclaiming that hidden treasures were in certain houses controlled by evil spirits. They insisted that these treasures could only be discovered safely through fasting and offerings, which they and their fellow rogues could uniquely provide, in exchange for a sum of money from the owners. The accatosi are noteworthy for their cleverness in pretending to be recently escaped slaves. They would clank their chains, mumble incomprehensible words, tell heartbreaking stories of their hardships, and show signs of past beatings, kneeling to beg for money to buy freedom for their fellow captives whom they claimed were still in the hands of the Saracens or Turks. We should also mention the allacrimanti, or weepers, known for their ability to shed tears on command; and the testatori, who pretended to be seriously ill and on the verge of death, extorting money from those to whom they promised to leave their fortunes, even though they had no heirs. We can’t overlook the protobianti (master rogues), who shamelessly elicited sympathy from their own peers (Fig. 381), nor the vergognosi, who, despite their poverty, wanted to be seen as wealthy and believed that assistance was owed to them simply because of their noble status. We will conclude here, as listing all these Italian vagabonds would take too long. Regarding German (Figs. 382 and 383), Spanish, and English rogues, we can simply note that no type exists among them that isn't found among the Argotiers of France or the Bianti of Italy. Therefore, when we describe the begging practices in these two countries during the Middle Ages, we are effectively portraying what it was like in other parts of Europe.

Fig. 381.--Italian Beggar.--From an Engraving by Callot.

Fig. 381.--Italian Beggar.--From an Engraving by Callot.

Figs. 382 and 383.--German Beggars.--Fac-simile of a Woodcut in the "Cosmographie Universelle" of Munster: in folio, Basle, 1552.

Figs. 382 and 383.--German Beggars.--Copy of a woodcut from the "Cosmographie Universelle" by Munster: in folio, Basel, 1552.

The history of regular robbers and highwaymen during this long period is more difficult to describe; it contains only disconnected anecdotes of a more or less interesting character. It is probable, moreover, that robbers did not always commit their depredations singly, and that they early understood the advantages of associating together. The Tafurs, or Halegrins, whom we notice as followers of Godefroy de Bouillon at the time of the Crusades, towards the end of the eleventh century, were terribly bad characters, and are actually accused by contemporary writers of violating tombs, and of living on human flesh. On this account they were looked upon with the utmost horror by the infidels, who dreaded more their savage ferocity than the valour of the Crusaders. The latter even, who had these hordes of Tafurs under their command, were not without considerable mistrust of them, and when, during their march through Hungary, under the protection of the cross, these miscreants committed depredations, Godefroy de Bouillion was obliged to ask pardon for them from the king of that country.

The history of robbers and highwaymen during this long period is hard to describe; it includes only random stories that are somewhat interesting. It's likely that robbers didn’t always act alone and that they quickly realized the benefits of teaming up. The Tafurs, or Halegrins, who were followers of Godefroy de Bouillon during the Crusades in the late eleventh century, were known to be very dangerous, and contemporary writers accuse them of raiding tombs and living on human flesh. Because of this, they were seen with deep horror by the infidels, who feared their savage brutality more than the bravery of the Crusaders. Even the Crusaders, who had these Tafurs under their command, were quite suspicious of them, and when these criminals committed acts of violence during their march through Hungary, under the protection of the cross, Godefroy de Bouillon had to apologize to the king of that country for their actions.

An ancient poet has handed down to us a story in verse setting forth the exploits of Eustace the monk, who, after having thrown aside his frock, embraced the life of a robber, and only abandoned it to become Admiral of France under Philip Augustus. He was killed before Sandwich, in 1217. We have satisfactory proof that as early as the thirteenth century sharpers were very expert masters of their trade, for the ingenious and amusing tricks of which they were guilty are quite equal to the most skilled of those now recorded in our police reports. In the two following centuries the science of the pince and of the croc (pincers and hook), as it was then called, alone made progress, and Pathelin (a character in comedy, and an incomparable type of craft and dishonesty) never lacked disciples any more than Villon did imitators. We know that this charming poet, who was at the same time a most expert thief, narrowly escaped hanging on two occasions. His contemporaries attributed to him a poem of twelve hundred verses, entitled "Les Repues Franches," in which are described the methods in use among his companions for procuring wine, bread, meat, and fish, without having to pay for them. They form a series of interesting stories, the moral of which is to be gathered from the following lines:--

An ancient poet has passed down to us a story in verse about the adventures of Eustace the monk, who, after ditching his robe, took up a life of crime and only left it behind to become Admiral of France under Philip Augustus. He was killed near Sandwich in 1217. We have clear evidence that even in the thirteenth century, con artists were highly skilled at their craft, as the clever and entertaining tricks they pulled off are comparable to the most skilled ones in our current police reports. In the next two centuries, the art of the pince and croc (pincers and hook), as it was called back then, only progressed further, and Pathelin (a character in comedy and a prime example of cunning and dishonesty) was never short of followers, just like Villon had imitators. We know that this charming poet, who was also a master thief, narrowly avoided hanging on two occasions. His contemporaries credited him with a poem of twelve hundred verses called "Les Repues Franches," which describes how he and his companions managed to get wine, bread, meat, and fish without paying for them. They form a series of interesting stories, the moral of which can be found in the following lines:--

"C'est bien, disné, quand on eschappe
Sans desbourcer pas ung denier,
Et dire adieu an tavernier,
En torchant son nez à la nappe."

"It's great, isn't it, when you escape
Without spending a dime,
And say goodbye to the tavern keeper,
While wiping your nose on the tablecloth."

The meaning of this doggrel, which is somewhat broad, may be rendered--"He dines well who escapes without paying a penny, and who bids farewell to the innkeeper by wiping his nose on the tablecloth."

The meaning of this poem, which is somewhat broad, can be stated as--"He eats well who gets away without paying a dime, and who says goodbye to the innkeeper by wiping his nose on the tablecloth."

Side by side with this poem of Yillon we ought to cite one of a later period--"La Légende de Maître Faifeu," versified by Charles Boudigné. This Faifeu was a kind of Villon of Anjou, who excelled in all kinds of rascality, and who might possibly have taught it even to the gipsies themselves. The character of Panurge, in the "Pantagruel," is no other than the type of Faifeu, immortalised by the genius of Rabelais. We must also mention one of the pamphlets of Guillaume Bouchet, written towards the end of the sixteenth century, which gives a very amusing account of thieves of every description, and also "L'Histoire Générale des Larrons," in which are related numerous wonderful tales of murders, robberies, and other atrocities, which made our admiring ancestors well acquainted with the heroes of the Grève and of Montfaucon. It must not be supposed that in those days the life of a robber who pursued his occupation with any degree of industry and skill was unattended with danger, for the most harmless cut-purses were hung without mercy whenever they were caught; the fear, however, of this fate did not prevent the Enfants de la Matte from performing wonders.

Next to this poem by Villon, we should mention one from a later time—"The Legend of Master Faifeu," written in verse by Charles Boudigné. This Faifeu was like an Anjou version of Villon, excelling in all sorts of mischief, possibly even teaching it to the gypsies themselves. The character of Panurge in "Pantagruel" is essentially the same as Faifeu, immortalized by Rabelais’s genius. We should also point out one of Guillaume Bouchet's pamphlets from the late sixteenth century, which provides a very entertaining account of all kinds of thieves, along with "The General History of Thieves," which recounts numerous amazing tales of murders, robberies, and other atrocities that made our admiring ancestors quite familiar with the heroes of the Grève and Montfaucon. It shouldn't be assumed that in those times, the life of a robber who worked with any level of skill and dedication was without danger, as even the most harmless pickpockets were hung without mercy if caught; however, this fear didn’t stop the Enfants de la Matte from performing astonishing feats.

Brantôme relates that King Charles IX. had the curiosity to wish to "know how the cut-purses performed their arts with so much skill and dexterity," and begged Captain La Chambre to introduce to him, on the occasion of a banquet and a ball, the cleverest cut-purses, giving them full liberty to exhibit their skill. The captain went to the Cours des Miracles and fetched ten of the most expert of these thieves, whom he presented to the King. Charles, "after the dinner and the ball had taken place, wished to see all the plunder, and found that they had absolutely earned three thousand écus, either in money from purses, or in precious stones, pearls, or other jewels; some of the guests even lost their cloaks, at which the King thought he should die of laughter." The King allowed them to keep what they had thus earned at the expense of his guests; but he forbad them "to continue this sort of life," under penalty of being hung, and he had them enrolled in the army, in order to recompense them for their clever feats. We may safely assert that they made but indifferent soldiers.

Brantôme mentions that King Charles IX had the curiosity to "know how pickpockets managed to perform their tricks with such skill and finesse," and asked Captain La Chambre to introduce him, during a banquet and a ball, to the smartest pickpockets, giving them full freedom to show off their skills. The captain went to the Cours des Miracles and brought back ten of the most skilled thieves, whom he presented to the King. After the dinner and the ball, Charles wanted to see all the stolen goods and found that they had made a total of three thousand écus, either from stolen purses or in precious stones, pearls, or other jewels; some guests even lost their cloaks, which made the King laugh so hard he thought he might die. The King allowed them to keep what they had earned at the expense of his guests; however, he forbade them "to continue this kind of life," threatening them with hanging, and he had them enlisted in the army as a reward for their clever tricks. We can confidently say they didn’t make great soldiers.

Fig. 384.--The Exhibitor of strange Animals (Twelfth Century Manuscript, Royal Library of Brussels).

Fig. 384.--The Exhibitor of Unusual Animals (Twelfth Century Manuscript, Royal Library of Brussels).

Ceremonials.

Origin of Modern Ceremonial.--Uncertainty of French Ceremonial up to the End of the Sixteenth Century.--Consecration of the Kings of France.--Coronation of the Emperors of Germany.--Consecration of the Doges of Venice.--Marriage of the Doge with the Sea.--State Entries of Sovereigns.--An Account of the Entry of Isabel of Bavaria into Paris.--Seats of Justice.--Visits of Ceremony between Persons of rank.--Mourning.--Social Courtesies.--Popular Demonstrations and National Commemorations.--New Year's Day.--Local Festivals.--Vins d'Honneur.--Processions of Trades.

Origin of Modern Ceremonial.--Uncertainty of French Ceremonial up to the End of the Sixteenth Century.--Consecration of the Kings of France.--Coronation of the Emperors of Germany.--Consecration of the Doges of Venice.--Marriage of the Doge with the Sea.--State Entries of Sovereigns.--An Account of the Entry of Isabel of Bavaria into Paris.--Seats of Justice.--Visits of Ceremony between Persons of rank.--Mourning.--Social Courtesies.--Popular Demonstrations and National Commemorations.--New Year's Day.--Local Festivals.--Vins d'Honneur.--Processions of Trades.

Although society during the Middle Ages was, as a whole, closely cemented together, being animated by the same sentiments and imbued with the same spirit, it was divided, as we have already stated, into three great classes, namely, the clergy, the nobility, and the liers-état. These classes, each of which formed a distinct body within the State, carried on an existence peculiar to itself, and presented in its collective capacity a separate individuality. Hence there was a distinct ceremonial for each class. We will not attempt to give in detail the innumerable laws of these three kinds of ceremonial; our attention will be directed solely to their most characteristic customs, and to their most remarkable and interesting aspects taken as a whole. We must altogether lay aside matters relating specially to ceremonies of a purely religions character, as they are connected more or less with the traditions and customs of the Church, and belong to quite a distinct order of things.

AAlthough society in the Middle Ages was generally tightly united, sharing the same feelings and spirit, it was divided, as previously mentioned, into three main classes: the clergy, the nobility, and the liers-état. Each of these classes formed a distinct group within the State, living in a way unique to itself and presenting a separate identity as a whole. Therefore, there was a specific set of ceremonies for each class. We won't try to detail the countless laws of these three types of ceremonies; instead, we will focus on their most defining customs and the most remarkable and interesting aspects taken together. We will completely set aside matters specifically related to purely religious ceremonies, as they are more or less tied to the traditions and customs of the Church and belong to a completely different realm.

"When the Germans, and especially the Franks," says the learned paleographer Vallet de Viriville, "had succeeded in establishing their own rule in place of that of the Romans, these almost savage nations, and the barbarian chiefs who were at their head under the title of kings, necessarily borrowed more or less the refined practices relating to ceremonial possessed by the people whom they had conquered. The elevation of the elected chief or king on the shield and the solemn taking of arms in the midst of the tribe seem to be the only traces of public ceremonies which we can discover among the Grermans. The marvellous display and the imposing splendour of the political hierarchy of the Roman Empire, especially in its outward arrangements, must have astonished the minds of these uncultivated people. Thus we find the Frank kings becoming immediately after a victory the simple and clumsy imitators of the civilisation which they had broken up." Clovis on returning to Tours in 507, after having defeated Alaric, received the titles of Patrician and Consul from the Emperor Anastasius, and bedecked himself with the purple, the chlamys, and the diadem. The same principle of imitation was afterwards exhibited in the internal and external court ceremonial, in proportion as it became developed in the royal person. Charlemagne, who aimed at everything which could adorn and add strength to a new monarchy, established a regular method for the general and special administration of his empire, as also for the internal arrangement and discipline of his palace. We have already referred to this twofold organization (vide chapters on Private Life and on Food), but we may here remark that, notwithstanding these ancient tendencies to the creation of a fixed ceremonial, the trifling rules which made etiquette a science and a law, were introduced by degrees, and have only very recently been established amongst us.

"When the Germans, especially the Franks," says the knowledgeable paleographer Vallet de Viriville, "managed to establish their own rule instead of the Romans, these nearly savage nations, along with the barbarian chiefs leading them under the title of kings, inevitably adopted some of the refined ceremonial practices of the people they had conquered. The elevation of the chosen chief or king on a shield and the formal taking of arms in front of the tribe appear to be the only remnants of public ceremonies we can find among the Germans. The impressive display and grandeur of the Roman Empire's political hierarchy, particularly its outward structures, must have amazed these uncultured people. Accordingly, we see the Frank kings quickly becoming clumsy imitators of the civilization they had overthrown after achieving a victory." Clovis, upon returning to Tours in 507 after defeating Alaric, received the titles of Patrician and Consul from Emperor Anastasius and adorned himself with purple robes, the chlamys, and the diadem. The same tendency to imitate was later reflected in both internal and external court ceremonies as they became more developed within the royal family. Charlemagne, who sought everything to enhance and strengthen his new monarchy, established a systematic approach for both the overall and specific administration of his empire, as well as for the internal organization and discipline of his palace. We have already mentioned this dual organization (vide chapters on Private Life and on Food), but we should note here that, despite these ancient influences toward a fixed ceremonial structure, the minor rules that made etiquette a formal science and law were introduced gradually and have only very recently been established among us.

In 1385, when King Charles VI. married the notorious Isabel of Bavaria, then scarcely fourteen years of age, he desired to arrange for her a magnificent entry into Paris, the pomp and brilliancy of which should be consistent with the rank and illustrious descent of his young bride. He therefore begged the old Queen Blanche, widow of Philippe de Valois, to preside over the ceremony, and to have it conducted according to the custom of olden times. She was consequently obliged, in the absence of any fixed rules on the subject, to consult the official records,--that is to say, the "Chronique du Monastère de Saint-Denis." The first embodiment of rules relating to these matters in use among the nobility, which had appeared in France under the title of "Honneurs de la Cour," only goes back to the end of the fifteenth century. It appears, however, that even then this was not generally admitted among the nobility as the basis of ceremonial, for in 1548 we find that nothing had been definitely settled. This is evident from the fact that when King Henri III. desired to know the rank and order of precedence of the princes of the royal blood, both dukes and counts--as also that of the other princes, the barons, the nobles of the kingdom, the constables, the marshals of France and the admirals, and what position they had held on great public occasions during the reigns of his predecessors--he commissioned Jean du Tillet, the civil registrar of the Parliament of Paris, to search among the royal archives for the various authentic documents which might throw light on this question, and serve as a precedent for the future. In fact, it was Henri III. who, in 1585, created the office of Grand Master of the Ceremonies of France, entrusting it to Guillaume Pot, a noble of Rhodes, which office for many generations remained hereditary in his family.

In 1385, when King Charles VI married the infamous Isabel of Bavaria, who was barely fourteen at the time, he wanted to organize a grand entrance for her into Paris, filled with pomp and splendor that matched his young bride's status and noble lineage. So, he asked the elderly Queen Blanche, widow of Philippe de Valois, to oversee the ceremony and ensure that it followed the traditions of the past. Because there were no established guidelines at the time, she had to refer to the official records, specifically the "Chronique du Monastère de Saint-Denis." The first set of rules concerning these events among the nobility in France, known as "Honneurs de la Cour," didn’t appear until the late fifteenth century. However, even then, it was not widely accepted by the nobility as a standard for ceremonies, because in 1548, nothing had been definitively established. This is clear from the fact that when King Henri III wanted to understand the rank and order of precedence for princes of royal blood, including dukes and counts—as well as other princes, barons, nobles, constables, marshals of France, and admirals, and their positions during major public events in the reigns of his predecessors—he tasked Jean du Tillet, the civil registrar of the Parliament of Paris, to search the royal archives for authentic documents that could clarify this issue and serve as a reference for the future. In fact, it was Henri III who, in 1585, established the office of Grand Master of the Ceremonies of France, giving it to Guillaume Pot, a noble from Rhodes, and this position remained hereditary in his family for many generations.

Fig. 385.--Herald (Fourteenth Century).--From a Miniature in the "Chroniques de Saint-Denis" (Imperial Library of Paris).

Fig. 385.--Herald (14th Century).--From a Miniature in the "Chroniques de Saint-Denis" (Imperial Library of Paris).

Nevertheless the question of ceremonial, and especially that of precedence, had already more than once occupied the attention of sovereigns, not only within their own states, but also in relation to diplomatic matters. The meetings of councils, at which the ambassadors of all the Christian Powers, with the delegates of the Catholic Church, were assembled, did not fail to bring this subject up for decision. Pope Julius II. in 1504 instructed Pierre de Crassis, his Master of the Ceremonies, to publish a decree, determining the rank to be taken by the various sovereigns of Europe or by their representatives; but we should add that this Papal decree never received the sanction of the parties interested, and that the question of precedence, even at the most unimportant public ceremonies, was during the whole of the Middle Ages a perpetual source of litigation in courts of law, and of quarrels which too often ended in bloodshed.

Nevertheless, the question of ceremonial practices, especially regarding precedence, had often been a concern for rulers, not only within their own countries but also in diplomatic contexts. The meetings of councils, where ambassadors from all the Christian Powers gathered alongside delegates from the Catholic Church, frequently brought this issue to the forefront. In 1504, Pope Julius II instructed Pierre de Crassis, his Master of Ceremonies, to publish a decree outlining the rank that various European sovereigns or their representatives should take; however, it’s worth noting that this Papal decree was never accepted by the parties involved. The issue of precedence, even at the least significant public ceremonies, remained a constant source of legal disputes and conflicts during the entire Middle Ages, often culminating in violence.

It is right that we should place at the head of political ceremonies those having reference to the coronation of sovereigns, which were not only political, but owed their supreme importance and dignity to the necessary intervention of ecclesiastical authority. We will therefore first speak of the consecration and coronation of the kings of France.

It’s appropriate that we put at the forefront of political ceremonies those related to the coronation of sovereigns, which were not only political but also gained their utmost importance and dignity from the essential involvement of church authority. We will therefore first discuss the consecration and coronation of the kings of France.

Pépin le Bref, son of Charles Martel and founder of the second dynasty, was the first of the French kings who was consecrated by the religions rite of anointing. But its mode of administration for a long period underwent numerous changes, before becoming established by a definite law. Thus Pépin, after having been first consecrated in 752 in the Cathedral of Boissons, by the Archbishop of Mayence, was again consecrated with his two sons Charlemagne and Carloman, in 753, in the Abbey of St. Denis, by Pope Stephen III. Charlemagne was twice anointed by the Sovereign Pontiff, first as King of Lombardy, and then as Emperor. Louis le Débonnaire, his immediate successor, was consecrated at Rheims by Pope Stephen IV. in 816. In 877 Louis le Bègue received unction and the sceptre, at Compiègne, at the hands of the Archbishop of Rheims. Charles le Simple in 893, and Robert I. in 922, were consecrated and crowned at Rheims; but the coronation of Raoul, in 923, was celebrated in the Abbey of St. Médard de Soissons, and that of Louis d'Outremer, in 936, at Laon. From the accession of King Lothaire to that of Louis VI. (called Le Gros), the consecration of the kings of France sometimes took place in the metropolitan church of Rheims, and sometimes in other churches, but more frequently in the former. Louis VI. having been consecrated in the Cathedral of Orleans, the clergy of Rheims appealed against this supposed infraction of custom and their own special privileges. A long discussion took place, in which were brought forward the titles which the Church of Rheims possessed subsequently to the reign of Clovis to the exclusive honour of having kings consecrated in it; and King Louis le Jeune, son of Louis le Gros, who was himself consecrated at Rheims, promulgated a special decree on this question, in anticipation of the consecration of his son, Philippe Auguste. This decree finally settled the rights of this ancient church, and at the same time defined the order which was to be observed in future at the ceremony of consecration. From that date, down to the end of the reign of the Bourbons of the elder line, kings were invariably consecrated, according to legal rite, in the metropolitan church of Rheims, with the exception of Henry IV., who was crowned at Chartres by the bishop of that town, on account of the civil wars which then divided his kingdom, and caused the gates of Rheims to be closed against him.

Pépin the Short, son of Charles Martel and founder of the second dynasty, was the first French king to be consecrated through the religious rite of anointing. However, the way this was done changed many times over the years before it was defined by a clear law. Pépin was first consecrated in 752 at the Cathedral of Boissons by the Archbishop of Mayence, and then again in 753 at the Abbey of St. Denis with his two sons, Charlemagne and Carloman, by Pope Stephen III. Charlemagne was anointed twice by the Pope, first as King of Lombardy and then as Emperor. Louis the Débonnaire, his immediate successor, was consecrated at Rheims by Pope Stephen IV in 816. In 877, Louis the Bègue was anointed and received the scepter at Compiègne from the Archbishop of Rheims. Charles the Simple in 893 and Robert I in 922 were both consecrated and crowned at Rheims; however, Raoul's coronation in 923 took place at the Abbey of St. Médard de Soissons, and Louis d'Outremer's in 936 was at Laon. From King Lothaire's accession to Louis VI (known as Le Gros), the consecration of the kings of France sometimes happened at the metropolitan church of Rheims, and sometimes in other churches, but it occurred more often at Rheims. After Louis VI was consecrated at the Cathedral of Orleans, the clergy of Rheims protested this perceived violation of tradition and their unique privileges. A lengthy debate ensued regarding the titles the Church of Rheims held since Clovis's reign, granting it the exclusive honor of consecrating kings. King Louis le Jeune, son of Louis le Gros, who was himself consecrated at Rheims, issued a specific decree on this matter in anticipation of his son, Philippe Auguste's, consecration. This decree ultimately established the rights of this ancient church and defined the proper order for future consecration ceremonies. From that point until the end of the Bourbon dynasty, kings were always consecrated according to legal rite in the metropolitan church of Rheims, except for Henry IV, who was crowned at Chartres by the bishop of that town due to the civil wars that were dividing his kingdom and causing the gates of Rheims to be closed to him.

Fig. 386.--Coronation of Charlemagne.--Fac-simile of a Miniature in the "Chroniques de Saint-Denis," Manuscript of the Fourteenth Century (Imperial Library of Paris).

Fig. 386.--Coronation of Charlemagne.--Exact copy of a miniature in the "Chroniques de Saint-Denis," 14th-century manuscript (Imperial Library of Paris).

The consecration of the kings of France always took place on a Sunday. On the previous day, at the conclusion of evening prayers, the custody of the cathedral devolved upon certain royal officers, assisted by the ordinary officials. During the evening the monarch came to the church for devotion, and "according to his religions feelings, to pass part of the night in prayer," an act which was called la veillée des armes. A large platform, surmounted by a throne, was erected between the chancel and the great nave. Upon this assembled, besides the King and his officers of State, twelve ecclesiastical peers, together with those prelates whom the King might be pleased to invite, and six lay peers, with other officers or nobles. At daybreak, the King sent a deputation of barons to the Abbey of St. Remi for the holy vial, which was a small glass vessel called ampoule, from the Latin word ampulla, containing the holy oil to be used at the royal anointing. According to tradition, this vial was brought from heaven by a dove at the time of the consecration of Clovis. Four of the nobles remained as hostages at the abbey during the time that the Abbot of St. Remi, followed by his monks and escorted by the barons, went in procession to the cathedral to place the sacred vessel upon the altar. The abbot of St. Denis in France had in a similar manner to bring from Rheims with great pomp, and deposit by the side of the holy vial, the royal insignia, which were kept in the treasury of his monastery, and had been there since the reign of Charlemagne. They consisted of the crown, the sword sheathed, the golden spurs, the gilt sceptre, the rod adorned with an ivory handle in the form of a hand, the sandals of blue silk, embroidered with fleur de lis, the chasuble or dalmatique, and the surcot, or royal mantle, in the shape of a cape without a hood. The King, immediately on rising from his bed, entered the cathedral, and forthwith took oath to maintain the Catholio faith and the privileges of the Church, and to dispense good and impartial justice to his subjects. He then walked to the foot of the altar, and divested himself of part of his dress, having his head bare, and wearing a tunic with openings on the chest, on the shoulders, at the elbows, and in the middle of the back; these openings were closed by means of silver aigulets. The Archbishop of Rheims then drew the sword from the scabbard and handed it to the King, who passed it to the principal officer in attendance. The prelate then proceeded with the religious part of the ceremony of consecration, and taking a drop of the miraculous oil out of the holy vial by means of a gold needle, he mixed it with the holy oil from his own church. This being done, and sitting in the posture of consecration, he anointed the King, who was kneeling before him, in five different parts of the body, namely, on the forehead, on the breast, on the back, on the shoulders, and on the joints of the arms. After this the King rose up, and with the assistance of his officers, put on his royal robes. The Archbishop handed to him successively the ring, the sceptre, and the rod of justice, and lastly placed the crown on his head. At this moment the twelve peers formed themselves into a group, the lay peers being in the first rank, immediately around the sovereign, and raising their hands to the crown, they held it for a moment, and then they conducted the King to the throne. The consecrating prelate, putting down his mitre, then knelt at the feet of the monarch and took the oath of allegiance, his example being followed by the other peers and their vassals who were in attendance. At the same time, the cry of "Vive le Roi!" uttered by the archbishop, was repeated three times outside the cathedral by the heralds-at-arms, who shouted it to the assembled multitude. The latter replied, "Noel! Noel! Noel!" and scrambled for the small pieces of money thrown to them by the officers, who at the same time cried out, "Largesse, largesse aux manants!" Every part of this ceremony was accompanied by benedictions and prayers, the form of which was read out of the consecration service as ordered by the bishop, and the proceedings terminated by the return of the civil and religious procession which had composed the cortège. When the sovereign was married, his wife participated with him in the honours of the consecration, the symbolical investiture, and the coronation; but she only partook of the homage rendered to the King to a limited degree, which was meant to imply that the Queen had a less extended authority and a less exalted rank.

The kings of France were always consecrated on a Sunday. The day before, after evening prayers, certain royal officers took charge of the cathedral, assisted by regular officials. During the evening, the king came to the church for devotion, spending part of the night in prayer, which was called la veillée des armes. A large platform with a throne was set up between the chancel and the main nave. On it gathered the King and his state officers, twelve ecclesiastical peers, invited prelates, six lay peers, and other nobles. At dawn, the King sent barons to the Abbey of St. Remi for the holy vial, a small glass container called ampoule, from the Latin word ampulla, which held the holy oil for the royal anointing. According to tradition, this vial was brought from heaven by a dove at Clovis's consecration. Four nobles stayed as hostages at the abbey while the Abbot of St. Remi, followed by his monks and escorted by barons, processed to the cathedral to place the sacred vessel on the altar. The abbot of St. Denis also brought the royal insignia with great ceremony from Rheims to place next to the holy vial; these had been in the treasury of his monastery since Charlemagne's reign. They included the crown, the sheathed sword, golden spurs, gilt sceptre, a rod with an ivory handle shaped like a hand, blue silk sandals embroidered with fleur de lis, the chasuble or dalmatique, and the surcot, or royal cape without a hood. Upon waking, the King entered the cathedral and took an oath to maintain the Catholic faith and the privileges of the Church, promising to administer good and impartial justice to his subjects. He then approached the altar, removed part of his clothing, bared his head, and wore a tunic with openings on the chest, shoulders, elbows, and back, which were fastened with silver aigulets. The Archbishop of Rheims drew the sword from its scabbard and handed it to the King, who passed it to the chief officer in attendance. The prelate then continued with the religious part of the consecration, taking a drop of miraculous oil from the holy vial with a golden needle and mixing it with oil from his church. After this, sitting in a position of consecration, he anointed the kneeling King in five places: on the forehead, breast, back, shoulders, and joints of the arms. The King then stood up and, with the help of his officers, put on his royal robes. The Archbishop handed him the ring, sceptre, and rod of justice, finally placing the crown on his head. At that moment, the twelve peers gathered, with the lay peers in front, surrounding the King. They held the crown for a moment before leading the King to the throne. The consecrating prelate, lowering his mitre, knelt at the King's feet and took an oath of allegiance, with the other peers and their vassals following suit. Meanwhile, the archbishop exclaimed "Vive le Roi!" three times, echoed outside the cathedral by the heralds-at-arms to the gathered crowd. They responded with "Noel! Noel! Noel!" and rushed for small coins thrown to them by the officers, who shouted, "Largesse, largesse aux manants!" Every part of the ceremony was accompanied by blessings and prayers, read from the consecration service as directed by the bishop, and concluded with the return of the civil and religious procession that made up the cortège. When the sovereign married, his wife shared in the honors of the consecration, symbolic investiture, and coronation; however, her acknowledgment was limited, indicating that the Queen held less authority and a lower rank.

Fig. 387.--Dalmatica and Sandals of Charlemagne, Insignia of the Kings of France at their Coronation, preserved in the Treasury of the Abbey of St. Denis.

Fig. 387.--Dalmatica and Sandals of Charlemagne, Symbols of the Kings of France at their Coronation, kept in the Treasury of the Abbey of St. Denis.

The ceremonies which accompanied the accessions of the emperors of Germany (Fig. 388) are equally interesting, and were settled by a decree which the Emperor Charles IX. promulgated in 1356, at the Diet of Nuremberg. According to the terms of this decree--which is still preserved among the archives of Frankfort-on-the-Main, and which is known as the bulle d'or, or golden bull, from the fact of its bearing a seal of pure gold--on the death of an emperor, the Archbishop of Mayence summoned, for an appointed day, the Prince Electors of the Empire, who, during the whole course of the Middle Ages, remained seven in number, "in honour," says the bull, "of the seven candlesticks mentioned in the Apocalypse." These Electors--who occupied the same position near the Emperor that the twelve peers did in relation to the King of France--were the Archbishops of Mayence, of Trèves, and of Cologne, the King of Bohemia, the Count Palatine of the Rhine, the Duke of Saxony, and the Margrave of Brandenburg. On the appointed day, the mass of the Holy Spirit was duly solemnized in the Church of St. Bartholomew of Frankfort, a town in which not only the election of the Emperor, but also his coronation, almost always took place, though one might have supposed that Aix-la-Chapelle would have been selected for such ceremonies. The Electors attended, and after the service was concluded, they retired to the sacristy of the church, accompanied by their officers and secretaries, They had thirty days for deliberation, but beyond that period they were not allowed "to eat bread or drink water" until they had agreed, at least by a majority, to give a temporal chief to the Christian people, that is to say, a King of the Romans, who should in due time be promoted to be Emperor, The newly-elected prince was, in fact, at first simply King of the Romans, and this title was often borne by persons who were merely nominated for the office by the voice of the Electors, or by political combinations. In order to be promoted to the full measure of power and authority, the King of the Romans had to receive both religions consecration and the crown. The ceremonies adopted at this solemnity were very analogous to those used at the consecrations of the kings of France, as well as to those of installation of all Christian princes. The service was celebrated by the Archbishop of Cologne, who placed the crown on the head of the sovereign-elect, whom he consecrated Emperor. The symbols of his authority were handed to him by the Electors, and then he was proclaimed, "Cæsar, most sacred, ever august Majesty, Emperor, of the Holy Roman Empire of the nation of Germany."

The ceremonies that accompanied the ascension of the emperors of Germany (Fig. 388) are equally fascinating and were established by a decree that Emperor Charles IX announced in 1356 at the Diet of Nuremberg. According to this decree—which is still kept in the archives of Frankfurt-on-the-Main and is known as the bulle d'or, or golden bull, due to its seal of pure gold—when an emperor dies, the Archbishop of Mainz would call the Prince Electors of the Empire together for a designated day. Throughout the Middle Ages, there were seven Electors, “in honor,” as the bull states, “of the seven candlesticks mentioned in the Apocalypse.” These Electors, who held a position close to the Emperor similar to that of the twelve peers in relation to the King of France, were the Archbishops of Mainz, Trier, and Cologne, the King of Bohemia, the Count Palatine of the Rhine, the Duke of Saxony, and the Margrave of Brandenburg. On the designated day, the mass of the Holy Spirit was properly celebrated in the Church of St. Bartholomew in Frankfurt, a city where not only the election of the Emperor but also his coronation usually took place, even though one might have expected such ceremonies to occur in Aix-la-Chapelle. The Electors were present, and after the service, they went to the sacristy of the church, accompanied by their officers and secretaries. They had thirty days for deliberation, but beyond that time, they were not allowed “to eat bread or drink water” until they reached an agreement, at least by majority, to elect a temporal chief to the Christian people, that is to say, a King of the Romans, who would eventually be promoted to Emperor. The newly-elected prince began as simply King of the Romans, a title often held by those who were merely nominated by the Electors or through political alliances. To ascend to full power and authority, the King of the Romans needed to receive both religious consecration and the crown. The ceremonies for this event closely resembled those used during the consecrations of the kings of France and the installations of all Christian princes. The service was led by the Archbishop of Cologne, who placed the crown on the head of the sovereign-elect and consecrated him as Emperor. The symbols of his authority were given to him by the Electors, and then he was proclaimed, "Cæsar, most sacred, ever august Majesty, Emperor, of the Holy Roman Empire of the nation of Germany."

Fig. 388.--Costume of Emperors at their Coronation since the Time of Charlemagne.--From an Engraving in a Work entitled "Insignia Sacre Majistatis Cæsarum Principum." Frankfort, 1579, in folio.

Fig. 388.--Costume of Emperors at their Coronation since the Time of Charlemagne.--From an Engraving in a Work entitled "Insignia Sacre Majistatis Cæsarum Principum." Frankfort, 1579, in folio.

The imperial cortége then came out from the Church of St. Bartholomew, and went through the town, halting at the town-hall (called the Roemer, in commemoration of the noble name of Rome), where a splendid banquet, prepared in the Kaysersaal (hall of the Caesars), awaited the principal performers in this august ceremony.

The imperial cortége then emerged from the Church of St. Bartholomew and made its way through the town, stopping at the town hall (called the Roemer, in honor of the noble name of Rome), where a lavish banquet prepared in the Kaysersaal (hall of the Caesars) was waiting for the main participants in this prestigious ceremony.

At the moment that the Emperor set foot on the threshold of the Roemer, the Elector of Saxony, Chief Marshal of the Empire, on horseback, galloped at full speed towards a heap of oats which was piled up in the middle of the square. Holding in one hand a silver measure, and in the other a scraper of the same metal, each of which weighed six marks, he filled the measure with oats, levelled it with the scraper, and handed it over to the hereditary marshal. The rest of the heap was noisily scrambled for by the people who had been witnesses of this allegorical performance. Then the Count Palatine, as chief seneschal, proceeded to perform his part in the ceremony, which consisted of placing before the Emperor, who was sitting at table, four silver dishes, each weighing three marks. The King of Bohemia, as chief butler, handed to the monarch wine and water in a silver cup weighing twelve marks; and then the Margrave of Magdeburg presented to him a silver basin of the same weight for washing his hands. The other three Electors, or arch-chancellors, provided at their own expense the silver baton, weighing twelve marks, suspended to which one of them carried the seals of the empire. Lastly, the Emperor, and with him the Empress if he was married, the princes, and the Electors, sat down to a banquet at separate tables, and were waited upon by their respective officers. On another table or stage were placed the Imperial insignia. The ceremony was concluded outside by public rejoicings: fountains were set to play; wine, beer, and other beverages were distributed; gigantic bonfires were made, at which whole oxen were roasted; refreshment tables were set out in the open air, at which any one might sit down and partake, and, in a word, every bounty as well as every amusement was provided. In this way for centuries public fêtes were celebrated on these occasions.

As the Emperor stepped onto the threshold of the Roemer, the Elector of Saxony, Chief Marshal of the Empire, rode in on horseback at full gallop towards a pile of oats in the middle of the square. Holding a silver measure in one hand and a silver scraper in the other—each weighing six marks—he filled the measure with oats, leveled it off with the scraper, and handed it to the hereditary marshal. The rest of the crowd, who had witnessed this symbolic act, eagerly rushed to grab from the remaining heap. Then, the Count Palatine, as chief seneschal, performed his part by placing four silver dishes, each weighing three marks, before the Emperor, who was seated at the table. The King of Bohemia, as chief butler, served the monarch wine and water in a silver cup that weighed twelve marks; next, the Margrave of Magdeburg presented him with a silver basin of the same weight for washing his hands. The other three Electors, or arch-chancellors, at their own expense provided a silver baton that weighed twelve marks, to which one of them carried the empire's seals. Finally, the Emperor, and the Empress if he was married, along with the princes and electors, sat down to a banquet at separate tables, attended by their respective officers. The Imperial insignia were displayed on another table or stage. The ceremony concluded outside with public celebrations: fountains were turned on; wine, beer, and other drinks were distributed; massive bonfires were lit where whole oxen were roasted; refreshment tables were set up in the open air for anyone to enjoy, and, in short, every kind of hospitality and entertainment was provided. This way, public festivities were celebrated for centuries on such occasions.

Fig. 389.--Imperial Procession.--From an Engraving of the "Solemn Entry of Charles V. and Clement VII. into Bologna," by L. de Cranach, from a Fresco by Brusasorci, of Verona.

Fig. 389.--Imperial Procession.--From an engraving of the "Solemn Entry of Charles V and Clement VII into Bologna," by L. de Cranach, based on a fresco by Brusasorci of Verona.

The doges of Venice, as well as the emperors of Germany, and some other heads of states, differed from other Christian sovereigns in this respect, that, instead of holding their high office by hereditary or divine right, they were installed therein by election. At Venice, a conclave, consisting of forty electors, appointed by a much more numerous body of men of high position, elected the Doge, or president of the most serene Republic.

The doges of Venice, along with the emperors of Germany and a few other leaders, were different from other Christian rulers in that they didn't get their positions through inheritance or divine right; instead, they were chosen by election. In Venice, a group of forty electors, selected by a larger assembly of prominent individuals, elected the Doge, or president of the most serene Republic.

From the day when Laurent Tiepolo, immediately after his election in 1268, was spontaneously carried in triumph by the Venetian sailors, it became the custom for a similar ovation to take place in honour of any newly-elected doge. In order to do this, the workmen of the harbour had the new Doge seated in a splendid palanquin, and carried him on their shoulders in great pomp round the Piazza San Marco. But another still more characteristic ceremony distinguished this magisterial election. On Ascension Day, the Doge, entering a magnificent galley, called the Bucentaur, which was elegantly equipped, and resplendent with gold and precious stuffs, crossed the Grand Canal, went outside the town, and proceeded in the midst of a nautical cortége, escorted by bands of music, to the distance of about a league from the town on the Adriatic Gulf. Then the Patriarch of Venice gave his blessing to the sea, and the Doge, taking the helm, threw a gold ring into the water, saying, "O sea! I espouse thee in the name, and in token, of our true and perpetual sovereignty." Immediately the waters were strewed with flowers, and the shouts of joy, and the clapping of hands of the crowd, were intermingled with the strains of instruments of music of all sorts, whilst the glorious sky of Venice smiled on the poetic scene.

From the day Laurent Tiepolo was triumphantly carried by the Venetian sailors right after his election in 1268, it became a tradition for a similar celebration to occur for any newly-elected doge. To make this happen, the dockworkers had the new Doge seated in a beautiful palanquin and paraded him on their shoulders in grand style around Piazza San Marco. However, an even more significant ceremony highlighted this official election. On Ascension Day, the Doge would board a magnificent galley called the Bucentaur, which was elegantly decorated and gleaming with gold and fine fabrics. He would then cross the Grand Canal, head outside the city, and proceed in a nautical parade, accompanied by music bands, about a league from the town in the Adriatic Gulf. The Patriarch of Venice would then bless the sea, and the Doge, taking the helm, would throw a gold ring into the water, saying, "O sea! I espouse thee in the name, and in token, of our true and perpetual sovereignty." Immediately, the waters were filled with flowers, and the cheers and clapping of the crowd mixed with the sounds of various musical instruments, while the glorious sky of Venice looked down on this poetic scene.

The greater part of the principal ceremonies of the Middle Ages acquired, from various accessory and local circumstances, a character of grandeur well fitted to impress the minds of the populace. On these memorable occasions the exhibition of some historical memorial, of certain traditional symbols, of certain relics, &c., brought to the recollection the most celebrated events in national history--events already possessing the prestige of antiquity as well as the veneration of the people. Thus, as a memorial of the consecration of the kings of Hungary, the actual crown of holy King Stephen was used; at the consecration of the kings of England, the actual chair of Edward the Confessor was used; at the consecration of the emperors of Germany, the imperial insignia actually used by Charlemagne formed part of the display; at the consecration of the kings of France at a certain period, the hand of justice of St. Louis, which has been before alluded to, was produced.

Most of the main ceremonies of the Middle Ages took on a grandeur that was shaped by various local factors, making a strong impression on the public. During these memorable events, the display of historical artifacts, traditional symbols, and relics reminded everyone of the most famous moments in national history—moments that already held the prestige of age and the respect of the people. For example, during the crowning of the kings of Hungary, the actual crown of holy King Stephen was used; during the crowning of the kings of England, Edward the Confessor's chair was utilized; during the crowning of the emperors of Germany, the imperial regalia used by Charlemagne were part of the ceremony; and during the crowning of the kings of France at one time, the hand of justice of St. Louis, which has been mentioned before, was displayed.

Fig. 390.--Standards of the Church and the Empire.--Reduced from an Engraving of the "Entry of Charles V. and Clement VII. into Bologna," by Lucas de Cranach, from a Fresco by Brusasorci, of Verona.

Fig. 390.--Standards of the Church and the Empire.--Reduced from an engraving of the "Entry of Charles V. and Clement VII. into Bologna," by Lucas de Cranach, from a fresco by Brusasorci, of Verona.

After their consecration by the Church and by the spiritual power, the sovereigns had simply to take actual possession of their dominions, and, so to speak, of their subjects. This positive act of sovereignty was often accompanied by another class of ceremonies, called joyous entry, or public entry. These entries, of which numerous accounts have been handed down to us by historians, and which for the most part were very varied in character, naturally took place in the capital city. We will limit ourselves to transcribing the account given by the ancient chronicler, Juvenal des Ursins, of the entry into Paris of Queen Isabel of Bavaria, wife of Charles VI., which was a curious specimen of the public fêtes of this kind.

After being consecrated by the Church and through spiritual authority, the rulers simply had to take actual control of their territories and, in a sense, their subjects. This significant act of sovereignty was often accompanied by another set of ceremonies called joyous entry or public entry. These processions, which many historians have documented and that were mostly quite varied in nature, typically occurred in the capital city. We will focus on transcribing the account provided by the ancient chronicler, Juvenal des Ursins, of Queen Isabel of Bavaria's entry into Paris, who was the wife of Charles VI., which serves as an interesting example of such public celebrations.

Fig. 391.--Grand Procession of the Doge, Venice (Sixteenth Century).--Reduced from one of fourteen Engravings representing this Ceremony, designed and engraved by J. Amman.

Fig. 391.--Grand Procession of the Doge, Venice (16th Century).--Reduced from one of fourteen engravings depicting this ceremony, created and engraved by J. Amman.

"In the year 1389, the King was desirous that the Queen should make a public entry into Paris, and this he made known to the inhabitants, in order that they should make preparations for it. And there were at each cross roads divers histoires (historical representations, pictures, or tableaux vivants), and fountains sending forth water, wine, and milk. The people of Paris in great numbers went out to meet the Queen, with the Provost of the Merchants, crying 'Noel!' The bridge by which she passed was covered with blue taffeta, embroidered with golden fleurs-de-lys. A man of light weight, dressed in the guise of an angel, came down, by means of some well-constructed machinery, from one of the towers of Notre-Dame, to the said bridge through an opening in the said blue taffeta, at the moment when the Queen was passing, and placed a beautiful crown on her head. After he had done this, he withdrew through the said opening by the same means, and thus appeared as if he were returning to the skies of his own accord. Before the Grand Chastelet there was a splendid court adorned with azure tapestry, which was intended to be a representation of the lit-de-justice, and it was very large and richly decorated. In the middle of it was a very large pure white artificial stag, its horns gilt, and its neck encircled with a crown of gold. It was so ingeniously constructed that its eyes, horns, mouth, and all its limbs, were put in motion by a man who was secreted within its body. Hanging to its neck were the King's arms--that is to say, three gold fleur-de-lys on an azure shield.... Near the stag there was a large sword, beautiful and bright, unsheathed; and when the Queen passed, the stag was made to take the sword in the right fore-foot, to hold it out straight, and to brandish it. It was reported to the King that the said preparations were made, and he said to Savoisy, who was one of those nearest to him, 'Savoisy, I earnestly entreat thee to mount a good horse, and I will ride behind thee, and we will so dress ourselves that no one will know us, and let us go and see the entry of my wife.' And, although Savoisy did all he could to dissuade him, the King insisted, and ordered that it should be done. So Savoisy did what the King had ordered, and disguised himself as well as he could, and mounted on a powerful horse with the King behind him. They went through the town, and managed so as to reach the Chastelet at the time the Queen was passing. There was a great crowd, and Savoisy placed himself as near as he could, and there were sergeants on all sides with thick birch wands, who, in order to prevent the crowd from pressing upon and injuring the court where the stag was, hit away with their wands as hard as they could. Savoisy struggled continually to get nearer and nearer, and the sergeants, who neither knew the King nor Savoisy, struck away at them, and the King received several very hard and well-directed blows on the shoulders. In the evening, in the presence of the ladies, the matter was talked over, and they began to joke about it, and even the King himself laughed at the blows he had received. The Queen on her entry was seated on a litter, and very magnificently dressed, as were also the ladies and maids of honour. It was indeed a splendid sight; and if any one wished to describe the dresses of the ladies, of the knights and squires, and of those who escorted the Queen, it would take a long time to do so. After supper, singing and dancing commenced, which continued until daylight. The next day there were tournaments and other sports" (Fig. 392).

"In 1389, the King wanted the Queen to make a grand entry into Paris, so he informed the people to prepare for it. At every intersection, there were various histoires (historical displays, pictures, or living scenes) and fountains pouring out water, wine, and milk. A large crowd of Parisians came out to welcome the Queen, along with the Provost of the Merchants, shouting 'Noel!' The bridge she crossed was covered in blue taffeta, embroidered with golden fleurs-de-lys. A lightweight man, dressed like an angel, descended from one of the towers of Notre-Dame using elaborate machinery, appearing through an opening in the blue taffeta just as the Queen passed by, and placed a beautiful crown on her head. After doing this, he used the same mechanism to retreat, seeming to return to the skies on his own. In front of the Grand Chastelet, there was an impressive court decorated with blue tapestries, intended to represent the lit-de-justice, which was large and richly adorned. In the center stood a huge artificial stag made of pure white material, its horns gilded, and its neck surrounded by a golden crown. It was cleverly designed so that its eyes, horns, mouth, and limbs were animated by a hidden operator inside. Hanging from its neck were the King's arms—three gold fleur-de-lys on a blue shield.... Next to the stag was a large, beautiful, and shiny unsheathed sword; when the Queen passed, the stag was made to lift the sword with its right foreleg, holding it out straight and brandishing it. The King was informed about these preparations, and he said to Savoisy, one of his close associates, 'Savoisy, I really ask you to mount a good horse, and I will ride behind you. Let’s disguise ourselves so no one will recognize us, and we’ll go see my wife’s entry.' Even though Savoisy tried hard to talk him out of it, the King insisted and ordered that it be done. So Savoisy complied, disguised himself as best he could, and rode a strong horse with the King behind him. They maneuvered through the town and arrived at the Chastelet just as the Queen was passing. There was a huge crowd, and Savoisy positioned himself as close as possible, while sergeants surrounded them with thick birch sticks, swinging them vigorously to keep the crowd from pressing against and harming the court where the stag stood. Savoisy continuously struggled to get closer, and the sergeants, not recognizing the King or Savoisy, struck at them, causing the King to receive several solid blows on the shoulders. In the evening, while in the presence of the ladies, they discussed the event, joking about it, and even the King laughed at the blows he took. The Queen, during her entrance, was seated on a litter, dressed magnificently, as were the ladies and maids of honor. It was truly a spectacular sight, and if anyone wanted to describe the outfits of the ladies, knights, squires, and those who escorted the Queen, it would take a long time. After supper, singing and dancing began and continued until dawn. The next day featured tournaments and other festivities." (Fig. 392)

A miniature from Monstrelet the Chronicles in the Bibl. nat. de Paris, no 20,861 Costumes of the Sixteenth century.

A miniature from Monstrelet the Chronicles in the Bibliothèque nationale de Paris, no 20,861 Costumes of the Sixteenth century.

Fig. 392.--Tournaments in honour of the Entry of Queen Isabel into Paris--From a Miniature in the "Chroniques" of Froissart, Manuscript of the Fifteenth Century (National Library of Paris).

Fig. 392.--Tournaments honoring Queen Isabel's arrival in Paris--From a miniature in the "Chroniques" of Froissart, manuscript from the fifteenth century (National Library of Paris).

Fig. 393.--Seat of Justice, held by King Philippe de Valois, on the 8th April, 1332, for the Trial of Robert, Comte d'Artois.--From a Pen-and-ink Sketch in an Original Manuscript (Arch. of the Empire)

Fig. 393.--Seat of Justice, held by King Philippe de Valois, on April 8, 1332, for the trial of Robert, Count of Artois.--From a pen-and-ink sketch in an original manuscript (Arch. of the Empire)

In the course of this simple and graphic description mention has been made of the lit de justice (seat of justice). All judicial or legislative assemblies at which the King considered it his duty to be present were thus designated; when the King came there simply as a looker-on, they were more commonly called plaidoyers, and, in this case, no change was made in the ordinary arrangements; but when the King presided they were called conseils, and then a special ceremonial was required. In fact, by lit de justice (Fig. 393), or cour des pairs, we understand a court consisting of the high officers of the crown, and of the great executive of the State, whose duty it was to determine whether any peer of France should be tried on a criminal charge; gravely to deliberate on any political matter of special interest; or to register, in the name of the absolute sovereignty of the King, any edict of importance. We know the prominent, and, we may say, even the fatal, part played by these solemnities, which were being continually re-enacted, and on every sort of pretext, during the latter days of monarchy. These courts were always held with impressive pomp. The sovereign usually summoned to them the princes of the blood royal and the officers of his household; the members of the Parliament took their seats in scarlet robes, the presidents being habited in their caps and their mantles, and the registrars of the court also wearing their official dress. The High Chancellor, the First Chamberlain, and the Provost of Paris, sat at the King's feet. The Chancellor of France, the presidents and councillors of the Parliament, occupied the bar, and the ushers of the court were in a kneeling posture.

In this straightforward and vivid description, we've referred to the lit de justice (seat of justice). This term was used for all judicial or legislative gatherings that the King felt obligated to attend; when the King was there just as an observer, they were more commonly called plaidoyers, and in those cases, no changes were made to the usual setup. However, when the King was in charge, they were called conseils, and a specific ceremony was necessary. Essentially, the lit de justice (Fig. 393), or cour des pairs, refers to a court made up of the high-ranking officials of the crown and the key executives of the State, whose role was to decide if any peer of France would face a criminal trial, seriously discuss any political issue of particular importance, or officially record, in the name of the King’s absolute authority, any significant edict. We recognize the crucial, and we could even say, disastrous, role these ceremonies played, which were constantly re-enacted for all sorts of reasons during the final days of the monarchy. These courts were always conducted with great ceremony. The sovereign generally summoned the royal family members and his household officials; the members of the Parliament wore their scarlet robes, with the presidents dressed in their caps and cloaks, while the court registrars were also in their official attire. The High Chancellor, the First Chamberlain, and the Provost of Paris sat at the King’s feet. The Chancellor of France, the presidents, and councillors of the Parliament took their places at the bar, while the court ushers remained in a kneeling position.

Having thus mentioned the assemblies of persons of distinction, the interviews of sovereigns (Fig. 394), and the reception of ambassadors--without describing them in detail, which would involve more space than we have at our command--we will enter upon the subject of the special ceremonial adopted by the nobility, taking as our guide the standard book called "Honneurs de la Cour," compiled at the end of the fifteenth century by the celebrated Aliénor de Poitiers. In addition to her own observations, she gives those of her mother, Isabelle de Souza, who herself had but continued the work of another noble lady, Jeanne d'Harcourt--married in 1391 to the Count William de Namur--who was considered the best authority to be found in the kingdom of France. This collection of the customs of the court forms a kind of family diary embracing three generations, and extending back over more than a century.

Having mentioned the gatherings of distinguished individuals, the meetings of rulers (Fig. 394), and the reception of ambassadors—without going into detail, as it would take more space than we have—we will now discuss the specific ceremonies followed by the nobility, guided by the standard text called "Honneurs de la Cour," compiled at the end of the fifteenth century by the renowned Aliénor de Poitiers. Along with her own insights, she includes those of her mother, Isabelle de Souza, who had continued the work of another noblewoman, Jeanne d'Harcourt—who married Count William de Namur in 1391—deemed the best authority in the kingdom of France. This collection of court customs serves as a sort of family diary, covering three generations and spanning over a century.

Notwithstanding the curious and interesting character of this book, and the authority which it possesses on this subject, we cannot, much to our regret, do more than borrow a few passages from it; but these, carefully selected, will no doubt suffice to give some idea of the manners and customs of the nobility during the fifteenth century, and to illustrate the laws of etiquette of which it was the recognised code.

Despite the intriguing and interesting nature of this book, and the expertise it offers on the topic, we unfortunately can only borrow a few selected passages from it. However, these carefully chosen excerpts should provide a good insight into the behavior and traditions of the nobility in the fifteenth century, as well as illustrate the etiquette rules that were recognized at the time.

One of the early chapters of the work sets forth this fundamental law of French ceremonial, namely, that, "according to the traditions or customs of France, women, however exalted their position, be they even king's daughters, rank with their husbands." We find on the occasion of the marriage of King Charles VII. with Mary of Anjou, in 1413, although probably there had never been assembled together so many princes and ladies of rank, that at the banquet the ladies alone dined with the Queen, "and no gentlemen sat with them." We may remark, whilst on this subject, that before the reign of Francis I. it was not customary for the two sexes to be associated together in the ordinary intercourse of court life; and we have elsewhere remarked (see chapter on Private Life) that this departure from ancient custom exerted a considerable influence, not only on manners, but also on public affairs.

One of the early chapters of the work presents this fundamental rule of French etiquette: "according to the traditions or customs of France, women, no matter how high their status, even if they are princesses, are ranked with their husbands." We see this during the marriage of King Charles VII to Mary of Anjou in 1413; although there were likely more nobles and ladies present than ever before, the ladies dined separately with the Queen, "and no gentlemen sat with them." It’s worth noting that before Francis I's reign, it was not common for men and women to mingle in regular court life. We also pointed out elsewhere (see chapter on Private Life) that this shift from ancient customs had a significant impact, not only on social norms but also on public affairs.

Fig. 394.--Interview of King Charles V. with the Emperor Charles IV. in Paris in 1378.--Fac-simile of a Miniature in the Description of this Interview, Manuscript of the Fifteenth Century, in the Library of the Arsenal of Paris.

Fig. 394.--Interview of King Charles V. with Emperor Charles IV. in Paris in 1378.--Facsimile of a miniature in the description of this interview, manuscript from the fifteenth century, in the library of the Arsenal of Paris.

The authoress of the "Honneurs de la Cour" specially mentions the respect which Queen Mary of Anjou paid to the Duchess of Burgundy when she was at Châlons in Champagne in 1445: "The Duchess came with all her retinue, on horseback and in carriages, into the courtyard of the mansion where the King and Queen were, and there alighted, her first maid of honour acting as her train-bearer. M. de Bourbon gave her his right hand, and the gentlemen went on in front. In this manner she was conducted to the hall which served as the ante-chamber to the Queen's apartment. There she stopped, and sent in M. de Crequi to ask the Queen if it was her pleasure that she should enter.... When the Duchess came to the door she took the train of her dress from the lady who bore it and let it trail on the ground, and as she entered she knelt and then adyanced to the middle of the room. There she made the same obeisance, and moved straight towards the Queen, who was standing close to the foot of her throne. When the Duchess had performed a further act of homage, the Queen advanced two or three steps, and the Duchess fell on her knees; the Queen then put her hand on her shoulder, embraced her, kissed her, and commanded her to rise."

The author of "Honneurs de la Cour" specifically highlights the respect Queen Mary of Anjou showed to the Duchess of Burgundy when she visited Châlons in Champagne in 1445: "The Duchess arrived with her entire entourage, both on horseback and in carriages, at the courtyard of the mansion where the King and Queen were. She dismounted, with her chief maid of honor acting as her train-bearer. M. de Bourbon offered her his right hand, and the gentlemen walked ahead. In this way, she was led to the hall that served as the waiting area for the Queen's apartment. There, she paused and sent M. de Crequi inside to ask the Queen if it was her wish for the Duchess to enter.... When the Duchess reached the door, she took the train of her dress from the lady holding it and let it fall to the ground. As she entered, she knelt and then walked to the center of the room. There, she made the same bow and moved directly towards the Queen, who was standing near the foot of her throne. After the Duchess performed another act of homage, the Queen took two or three steps forward, and the Duchess knelt again; the Queen then placed her hand on the Duchess's shoulder, embraced her, kissed her, and told her to rise."

The Duchess then went up to Margaret of Scotland, wife of the Dauphin, afterwards Louis XI., "who was four or five feet from the Queen," and paid her the same honours as she had done to the Queen, although the Dauphine appeared to wish to prevent her from absolutely kneeling to her. After this she turned towards the Queen of Sicily (Isabelle de Lorraine, wife of René of Anjou, brother-in-law of the King), "who was two or three feet from the Dauphine," and merely bowed to her, and the same to another Princess, Madame de Calabre, who was still more distantly connected with the blood royal. Then the Queen, and after her the Dauphine, kissed the three maids of honour of the Duchess and the wives of the gentlemen. The Duchess did the same to the ladies who accompanied the Queen and the Dauphine, "but of those of the Queen of Sicily the Duchess kissed none, inasmuch as the Queen had not kissed hers. And the Duchess would not walk behind the Queen, for she said that the Duke of Burgundy was nearer the crown of France than was the King of Sicily, and also that she was daughter of the King of Portugal, who was greater than the King of Sicily."

The Duchess then approached Margaret of Scotland, wife of the Dauphin, who later became Louis XI. Margaret was standing about four or five feet away from the Queen. The Duchess paid her the same respects she had shown to the Queen, even though the Dauphine seemed to want to stop her from fully kneeling. After that, she turned to the Queen of Sicily (Isabelle de Lorraine, wife of René of Anjou, who was the King’s brother-in-law), who was two or three feet away from the Dauphine, and simply bowed to her, as she did to another Princess, Madame de Calabre, who was even more distantly related to the royal family. Then, the Queen, followed by the Dauphine, kissed the three maids of honor of the Duchess and the wives of the gentlemen. The Duchess did the same for the ladies accompanying the Queen and the Dauphine, but she did not kiss the ladies of the Queen of Sicily since the Queen hadn’t kissed hers. The Duchess also refused to walk behind the Queen, stating that the Duke of Burgundy was closer to the French crown than the King of Sicily, and that she was the daughter of the King of Portugal, who was greater than the King of Sicily.

Further on, from the details given of a similar reception, we learn that etiquette was not at that time regulated by the laws of politeness as now understood, inasmuch as the voluntary respect paid by men to the gentle sex was influenced much by social rank. Thus, at the time of a visit of

Further on, from the details provided about a similar reception, we learn that etiquette back then wasn't governed by the rules of politeness as we understand them today, since the respect that men showed to women was heavily influenced by social status. So, during a visit of

Fig. 395.--The Entry of Louis XI. into Paris.--Fac-simile of a Miniature in the "Chroniques" of Monstrelet, Manuscript of the Fifteenth Century (Imperial Library of Paris).

Fig. 395.--The Entry of Louis XI. into Paris.--Facsimile of a Miniature in the "Chroniques" of Monstrelet, Manuscript from the Fifteenth Century (Imperial Library of Paris).

Louis XI., then Dauphin, to the court of Brussels, to which place he went to seek refuge against the anger of his father, the Duchesses of Burgundy, of Charolais, and of Clèves, his near relatives, exhibited towards him all the tokens of submission and inferiority which he might have received from a vassal. The Dauphin, it is true, wished to avoid this homage, and a disussion on the subject of "more than a quarter of an hour ensued;" at last he took the Duchess of Burgundy by the arm and led her away, in order to cut short the ceremonies "about which Madame made so much to do." This, however, did not prevent the princesses, on their withdrawing, from kneeling to the ground in order to show their respect for the son of the King of France.

Louis XI, then the Dauphin, went to the court of Brussels to escape his father's anger. The Duchesses of Burgundy, Charolais, and Clèves, who were his close relatives, showed him all the signs of submission and inferiority that a vassal would receive. The Dauphin, however, wanted to avoid this kind of homage, leading to a discussion that lasted for "more than a quarter of an hour." Eventually, he took the Duchess of Burgundy by the arm and walked her away to put an end to the ceremonies "that Madame made such a fuss over." Still, this didn’t stop the princesses from kneeling on the ground when they left to show their respect for the son of the King of France.

We have already seen that the Duchess of Burgundy, when about to appear before the Queen, took her train from her train-bearer in order that she might carry it herself. In this she was only conforming to a general principle, which was, that in the presence of a superior, a person, however high his rank, should not himself receive honours whilst at the same time paying them to another. Thus a duke and a duchess amidst their court had all the things which were used at their table covered--hence the modern expression, mettre le couvert (to lay the cloth)--even the wash-hand basin and the cadenas, a kind of case in which the cups, knives, and other table articles were kept; but when they were entertaining a king all these marks of superiority were removed, as a matter of etiquette, from the table at which they sat, and were passed on as an act of respect to the sovereign present.

We’ve already seen that the Duchess of Burgundy, before meeting the Queen, took her train from her train-bearer so she could carry it herself. In doing this, she was following a general principle: that in the presence of someone of higher status, a person, no matter how important they were, shouldn’t receive honors while giving them to someone else. So, a duke and duchess in front of their court would have everything on their table covered—hence the modern expression, mettre le couvert (to lay the cloth)—including the wash basin and the cadenas, a type of case for cups, knives, and other table items. However, when they were hosting a king, all these symbols of superiority were removed from their table as a matter of etiquette, to show respect for the sovereign present.

The book of Dame Aliénor, in a series of articles to which we shall merely allude, speaks at great length and enters into detail respecting the interior arrangements of the rooms in which princes and other noble children were born. The formalities gone through on these occasions were as curious as they were complicated; and Dame Aliénor regretted to see them falling into disuse, "owing to which," she says, "we fear that the possessions of the great houses of the nobility are getting too large, as every one admits, and chicanery or concealment of birth, so as to make away with too many children, is on the increase."

The book of Dame Aliénor, in a series of articles that we will just briefly mention, goes into great detail about the layout of the rooms where princes and other noble children were born. The formalities surrounding these events were as fascinating as they were complex; and Dame Aliénor lamented their decline, saying, "because of this, we worry that the wealth of the great noble houses is becoming too vast, as everyone agrees, and deception or hiding the truth about births, to get rid of too many children, is on the rise."

Mourning is the next subject which we shall notice. The King never wore black for mourning, not even for his father, but scarlet or violet. The Queen wore white, and did not leave her apartments for a whole year. Hence the name of château, hôtel, or tour de la Reine Blanche, which many of the buildings of the Middle Ages still bear, from the fact that widowed queens inhabited them during the first year of their widowhood. On occasions of mourning, the various reception rooms of a house were hung with black. In deep mourning, such as that for a husband or a father, a lady wore neither gloves, jewels, nor silk. The head was covered with a low black head-dress, with trailing lappets, called chaperons, barbettes, couvre-chefs, and tourets. A duchess and the wife of a knight or a banneret, on going into mourning, stayed in their apartments for six weeks; the former, during the whole of this time, when in deep mourning, remained lying down all day on a bed covered with a white sheet; whereas the latter, at the end of nine days, got up, and until the six weeks were over, remained sitting in front of the bed on a black sheet. Ladies did not attend the funerals of their husbands, though it was usual for them to be present at those of their fathers and mothers. For an elder brother, they wore the same mourning as for a father, but they did not lie down as above described.

Mourning is the next topic we’ll discuss. The King never wore black for mourning, not even for his father, but opted for scarlet or violet instead. The Queen wore white and stayed in her rooms for an entire year. This is why many buildings from the Middle Ages are called château, hôtel, or tour de la Reine Blanche, since widowed queens lived in them during their first year of mourning. During mourning periods, the various reception rooms of a house would be decorated in black. In deep mourning, like for a husband or father, a lady would not wear gloves, jewelry, or silk. Her head would be covered with a simple black headpiece with trailing ribbons, called chaperons, barbettes, couvre-chefs, and tourets. A duchess and the wife of a knight or banneret would stay in their apartments for six weeks when mourning. The duchess would remain lying down all day on a bed covered with a white sheet during this time; meanwhile, the knight's wife would get up after nine days and sit in front of the bed on a black sheet until the six weeks were over. Women did not attend their husbands' funerals, but it was common for them to be present at their fathers' and mothers' funerals. For an older brother, they would wear the same mourning attire as for a father, but without lying down as mentioned above.

Fig. 396.--"How the King-at-Arms presents the Sword to the Duke of Bourbon."--From a Miniature in "Tournois du Roi René," Manuscript of the Fifteenth Century (Imperial Library of Paris).

Fig. 396.--"How the King-at-Arms gives the Sword to the Duke of Bourbon."--From a Miniature in "Tournaments of King René," Manuscript of the Fifteenth Century (Imperial Library of Paris).

In their everyday intercourse with one another, kings, princes, dukes, and duchesses called one another monsieur and madame, adding the Christian name or that of the estate. A superior speaking or writing to an inferior, might prefix to his or her title of relationship beau or belle; for instance, mon bel oncle, ma belle cousine. People in a lower sphere of life, on being introduced to one another, did not say, "Monsieur Jean, ma belle tante"--"Mr. John, allow me to introduce you to my aunt"--but simply, "Jean, ma tante." The head of a house had his seat under a canopy or dosseret (Fig. 396), which he only relinquished to his sovereign, when he had the honour of entertaining him. "Such," says Aliénor, in conclusion, "are the points of etiquette which are observed in Germany, in France, in Naples, in Italy, and in all other civilised countries and kingdoms." We may here remark, that etiquette, after having originated in France, spread throughout all Christian nations, and when it had become naturalised, as it were, amongst the latter, it acquired a settled position, which it retained more firmly than it did in France. In this latter country, it was only from the seventeenth century, and particularly under Louis XIV., that court etiquette really became a science, and almost a species of religions observance, whose minutiae were attended to as much as if they were sacramental rites, though they were not unfrequently of the most childish character, and whose pomp and precision often caused the most insufferable annoyance. But notwithstanding the perpetual changes of times and customs, the French nation has always been distinguished for nobility and dignity, tempered with good sense and elegance.

In their daily interactions, kings, princes, dukes, and duchesses referred to each other as monsieur and madame, often adding their first name or title. A person of higher status speaking or writing to someone of lower status might use beau or belle before their relationship title; for example, mon bel oncle, ma belle cousine. Those in lower social positions, when introduced, didn't say, "Monsieur Jean, ma belle tante"—"Mr. John, allow me to introduce you to my aunt"—but simply said, "Jean, ma tante." The head of the household sat under a canopy or dosseret (Fig. 396), which they only gave up for their sovereign when hosting them. "Such," says Aliénor in conclusion, "are the points of etiquette observed in Germany, France, Naples, Italy, and all other civilized countries and kingdoms." It's worth noting that etiquette, which originated in France, spread throughout all Christian nations, and once it became established among them, it took on a firm position, more stable than in France. In France, it was only starting in the seventeenth century, especially under Louis XIV, that court etiquette truly became a science and almost a kind of religious observance, with its details attended to as if they were sacred rites, even though they often seemed trivial and could be quite annoying. However, despite the constant changes in times and customs, the French nation has always been known for its nobility and dignity, balanced with common sense and elegance.

If we now direct our attention to the tiers état, that class which, to quote a celebrated expression, "was destined to become everything, after having for a long time been looked upon as nothing," we shall notice that there, too, custom and tradition had much to do with ceremonies of all kinds. The presence of the middle classes not only gave, as it were, a stamp of grandeur to fêtes of an aristocratic and religions character, but, in addition, the people themselves had a number of ceremonies of every description, in which etiquette was not one whit less strict than in those of the court. The variety of civic and popular ceremonies is so great, that it would require a large volume, illustrated with numerous engravings, to explain fully their characteristic features. The simple enumeration of the various public fêtes, each of which was necessarily accompanied by a distinct ceremonial, would take up much time were we to attempt to give it even in the shortest manner.

If we now turn our attention to the tiers état, that class which, to quote a well-known phrase, "was meant to become everything, after having long been regarded as nothing," we’ll see that custom and tradition also played a significant role in all sorts of ceremonies. The presence of the middle classes not only added a sense of grandeur to aristocratic and religious celebrations but also the people themselves had many ceremonies of all types, where etiquette was just as strict as in those of the court. The variety of civic and popular ceremonies is so vast that it would take a large book, filled with numerous illustrations, to fully explain their unique features. Even listing the different public celebrations, each of which had its own specific ceremony, would take considerable time, even if we tried to keep it brief.

Fig. 397.--Entry of the Roi de l'Epinette at Lille, in the Sixteenth Century.--From a Miniature in a Manuscript of the Library of Rouen.

Fig. 397.--Entry of the King of the Pine Tree at Lille, in the Sixteenth Century.--From a Miniature in a Manuscript of the Library of Rouen.

Besides the numerous ceremonies which were purely religious, namely, the procession of the Fête-Dieu, in Rogation week, and the fêtes which were both of a superstitions and burlesque character, such as des Fous, de l'Ane, des Innocents, and others of the same kind, so much in vogue during the Middle Ages, and which we shall describe more in detail hereafter, we should like to mention the military or gymnastic fêtes. Amongst these were what were called the processions of the Confrères de l'Arquebuse, the Archers, the Papegaut, the roi de l'Epinette, at Lille (Fig. 397), and the Forestier at Bruges. There were also what may be termed the fêtes peculiar to certain places, such as those of Béhors, of the Champs Galat at Epinal, of the Laboureurs at Montélimar, of Guy l'an neuf at Anjou. Also of the fêtes of May, of the sheaf, of the spring, of the roses, of the fires of St. John, &c. Then there were the historical or commemorative fêtes, such as those of the Géant Reuss at Dunkerque, of the Gayant at Douai, &c.; also of Guet de Saint-Maxime at Riez in Provence, the processions of Jeanne d'Arc at Orleans, of Jeanne Hachette at Beauvais; and lastly, the numerous fêtes of public corporations, such as the Écoliers, the Nations, the Universités; also the Lendit, the Saint-Charlemagne, the Baillée des roses au Parlement; the literary fêtes of the Pays et Chambres de rhetorique of Picardy and Flanders, of the Clémence Isaure at Toulouse, and of the Capitole at Rome, &c.; the fêtes of the Serments, Métiers, and Devoirs of the working men's corporation; and lastly, the Fêtes Patronales, called also Assemblées, Ducasses, Folies, Foires, Kermesses, Pardons, &c.

Besides the many purely religious ceremonies, like the procession of the Fête-Dieu during Rogation week, and the festivals that had superstitious and comedic elements, such as des Fous, de l'Ane, des Innocents, and others popular in the Middle Ages, which we will describe in detail later, we should also mention the military or athletic festivals. These included the processions of the Confrères de l'Arquebuse, the Archers, the Papegaut, the roi de l'Epinette in Lille (Fig. 397), and the Forestier in Bruges. Additionally, there were festivals unique to certain areas, such as those of Béhors, the Champs Galat in Epinal, the Laboureurs in Montélimar, and Guy l'an neuf in Anjou. There were also the festivals of May, the sheaf, the spring, the roses, the fires of St. John, etc. Then there were the historical or commemorative festivals, like the ones for Géant Reuss in Dunkerque, Gayant in Douai, etc.; also the Guet de Saint-Maxime in Riez, Provence, the processions for Jeanne d'Arc in Orleans, and Jeanne Hachette in Beauvais; and finally, the numerous festivals of public corporations, including the Écoliers, the Nations, and the Universités; as well as the Lendit, the Saint-Charlemagne, the Baillée des roses au Parlement; the literary festivals of the Pays et Chambres de rhetorique of Picardy and Flanders, the Clémence Isaure in Toulouse, and the Capitole in Rome, etc.; the festivals of the Serments, Métiers, and Devoirs of the working men's corporation; and lastly, the Fêtes Patronales, also known as Assemblées, Ducasses, Folies, Foires, Kermesses, Pardons, etc.

From this simple enumeration, it can easily be understood what a useless task we should impose upon ourselves were we merely to enter upon so wide and difficult a subject. Apart from the infinite variety of details resulting from the local circumstances under which these ceremonies had been instituted, which were everywhere celebrated at fixed periods, a kind of general principle regulated and directed their arrangement. Nearly all these fêtes and public rejoicings, which to a certain extent constituted the common basis of popular ceremonial, bore much analogy to one another. There are, however, certain peculiarities less known and more striking than the rest, which deserve to be mentioned, and we shall then conclude this part of our subject.

From this simple list, it's clear how pointless it would be to take on such a broad and challenging topic. Besides the endless details shaped by the local conditions in which these ceremonies were established—celebrated at specific times everywhere—there was a general principle that guided their organization. Almost all of these festivals and public celebrations, which formed the common foundation of popular ceremonies, had a lot in common with each other. However, there are some unique aspects that are less known and more noteworthy than others, which we should highlight before wrapping up this part of our discussion.

Fig. 398.--Representation of a Ballet before Henri III. and his Court, in the Gallery of the Louvre.--Fac-simile of an Engraving on Copper of the "Ballet de la Royne," by Balthazar de Beaujoyeulx (folio, Paris, Mamert Patisson, 1582.)

Fig. 398.--A performance of a ballet for Henri III and his court in the Louvre Gallery.--A facsimile of an engraving on copper of the "Ballet de la Royne," by Balthazar de Beaujoyeulx (folio, Paris, Mamert Patisson, 1582.)

Those rites, ceremonies, and customs, which are the most commonly observed, and which most persistently keep their place amongst us, are far from being of modern origin. Thus, the custom of jovially celebrating the commencement of the new year, or of devoting certain particular days to festivity, is still universally followed in every country in the world. The practice of sending presents on New Year's Day is to be found among civilised nations in the East as well as in our own country. In the Middle Ages the intimate friends of princes, and especially of the kings of France, received Christmas gifts, for which they considered themselves bound to make an ample return. In England these interchanges of generosity also take place on Christmas Day. In Russia, on Easter Day, the people, on meeting in the street, salute one another by saying "Christ is risen." These practices, as well as many others, have no doubt been handed down to us from the early ages of Christianity. The same may be said of a vast number of customs of a more or less local character, which have been observed in various countries for centuries. In former times, at Ochsenbach, in Wurtemberg, during the carnival, women held a feast at which they were waited upon by men, and, after it was over, they formed themselves into a sort of court of plenary indulgence, from which the men were uniformly excluded, and sat in judgment on one another. At Ramerupt, a small town in Champagne, every year, on the 1st of May, twenty of the citizens repaired to the adjoining hamlet of St. Remy, hunting as they went along. They were called the fools of Rameru, and it was said that the greatest fool led the band. The inhabitants of St. Remy were bound to receive them gratuitously, and to supply them, as well as their horses and dogs, with what they required, to have a mass said for them, to put up with all the absurd vagaries of the captain and his troop, and to supply them with a fine and handsome horned ram, which was led back in triumph. On their return into Ramerupt they set up shouts at the door of the curé, the procurator fiscal, and the collector of taxes, and, after the invention of gunpowder, fireworks were let off. They then went to the market-place, where they danced round the ram, which was decorated with ribbons. No doubt this was a relic of the feasts of ancient heathenism.

The rituals, ceremonies, and customs that are most commonly observed and consistently maintained among us are far from being modern. For example, the tradition of joyfully celebrating the new year and dedicating certain days to festivities is universally practiced in every country around the globe. The practice of exchanging gifts on New Year's Day is seen among civilized nations both in the East and in our own country. During the Middle Ages, close friends of princes, especially the kings of France, received Christmas gifts, feeling obligated to reciprocate generously. In England, these acts of generosity also happen on Christmas Day. In Russia, on Easter, people greet each other in the streets with "Christ is risen." These practices, along with many others, have surely been passed down from the early days of Christianity. The same applies to numerous customs, varying in local character, that have been observed in different countries for centuries. In the past, in Ochsenbach, Wurtemberg, during Carnival, women hosted a feast where they were served by men. Afterward, they formed a sort of court of indulgence, excluding men and judging one another. In Ramerupt, a small town in Champagne, each year on May 1st, twenty citizens would head to the nearby village of St. Remy, hunting as they went. They were known as the fools of Rameru, with the biggest fool leading the group. The people of St. Remy were required to host them for free, providing for them and their horses and dogs, having a mass held for them, tolerating the antics of the captain and his crew, and supplying a fine and handsome horned ram to be brought back in celebration. Upon their return to Ramerupt, they would shout at the doors of the curé, the procurator fiscal, and the tax collector, and after gunpowder was invented, they set off fireworks. They then headed to the marketplace, dancing around the ram, which was adorned with ribbons. This was surely a remnant of ancient pagan feasts.

A more curious ceremony still, whose origin, we think, may be traced to the Dionysian feasts of heathenism, has continued to be observed to this day at Béziers. It bears the names of the Feast of Pepézuch, the Triumph of Béziers, or the Feast of Caritats or Charités. At the bottom of the Rue Française at Béziers, a statue is to be seen which, notwithstanding the mutilations to which it has been subjected, still distinctly bears traces of being an ancient work of the most refined period of art. This statue represents Pepézuch, a citizen of Béziers, who, according to somewhat questionable tradition, valiantly defended the town against the Goths, or, as some say, against the English; its origin, therefore, cannot be later than the thirteenth century. On Ascension Day, the day of the Feast of Pepézuch, an immense procession went about the town. Three remarkable machines were particularly noticeable; the first was an enormous wooden camel made to walk by mechanism, and to move its limbs and jaws; the second was a galley on wheels fully manned; the third consisted of a cart on which a travelling theatre was erected. The consuls and other civic authorities, the corporations of trades having the pastors walking in front of them, the farriers on horseback, all bearing their respective insignia and banners, formed the procession. A double column, composed of a division of young men and young women holding white hoops decorated with ribbons and many-coloured streamers, was preceded by a young girl crowned with flowers, half veiled, and carrying a basket. This brilliant procession marched to the sound of music, and, at certain distances, the youthful couples of the two sexes halted, in order to perform, with the assistance of their hoops, various figures, which were called the Danse des Treilles. The machines also stopped from time to time at various places. The camel was especially made to enter the Church of St. Aphrodise, because it was said that the apostle had first come on a camel to preach the Gospel in that country, and there to receive the palm of martyrdom. On arriving before the statue of Pepézuch the young people decorated it with garlands. When the square of the town was reached, the theatre was stopped like the ancient car of Thespis, and the actors treated the people to a few comical drolleries in imitation of Aristophanes. From the galley the youths flung sugar-plums and sweetmeats, which the spectators returned in equal profusion. The procession closed with a number of men, crowned with green leaves, carrying on their heads loaves of bread, which, with other provisions contained in the galley, were distributed amongst the poor of the town.

A more curious ceremony still, whose origin we believe may be traced back to the Dionysian feasts of paganism, has continued to be observed to this day in Béziers. It's known as the Feast of Pepézuch, the Triumph of Béziers, or the Feast of Caritats or Charités. At the bottom of the Rue Française in Béziers, there's a statue that, despite the damage it has suffered, still clearly shows signs of being an ancient work from a refined period of art. This statue represents Pepézuch, a citizen of Béziers, who, according to somewhat dubious tradition, bravely defended the town against the Goths, or, as some say, against the English; its origin, therefore, cannot be later than the thirteenth century. On Ascension Day, the day of the Feast of Pepézuch, a massive procession took place around the town. Three remarkable devices were particularly noticeable; the first was a gigantic wooden camel that moved by a mechanism, making its limbs and jaws move; the second was a fully manned galley on wheels; the third consisted of a cart that had a traveling theater built on it. The consuls and other city officials, along with trade corporations, had their pastors walking ahead of them, while the farriers on horseback carried their respective insignia and banners as they formed the procession. A double column, made up of young men and women holding white hoops decorated with ribbons and colorful streamers, was led by a young girl crowned with flowers, half veiled, and carrying a basket. This vibrant procession moved to the sound of music, and, at certain points, the young couples of both sexes stopped to perform various figures with their hoops, referred to as the Danse des Treilles. The devices also paused at different spots. The camel was especially made to enter the Church of St. Aphrodise, as it was said that the apostle first arrived on a camel to spread the Gospel in that region and there received the palm of martyrdom. Upon arriving in front of the statue of Pepézuch, the young people adorned it with garlands. When they reached the town square, the theater stopped like the ancient cart of Thespis, and the actors entertained the crowd with a few comedic sketches in the style of Aristophanes. From the galley, the young men threw sugar-plums and sweets, which the spectators returned in equal amounts. The procession concluded with several men, crowned with green leaves, carrying loaves of bread on their heads, which, along with other supplies from the galley, were distributed to the town's poor.

In Germany and in France it was the custom at the public entries of kings, princes, and persons of rank, to offer them the wines made in the district and commonly sold in the town. At Langres, for instance, these wines were put into four pewter vessels called cimaises, which are still to be seen. They were called the lion, monkey, sheep, and pig wines, symbolical names, which expressed the different degrees or phases of drunkenness which they were supposed to be capable of producing: the lion, courage; the monkey, cunning; the sheep, good temper; the pig, bestiality.

In Germany and France, it was customary at the public events for kings, princes, and high-ranking individuals to offer them the local wines that were typically sold in town. In Langres, for example, these wines were served in four pewter containers called cimaises, which can still be seen today. They were named lion, monkey, sheep, and pig, symbolic names that represented the different levels or stages of drunkenness they were believed to induce: the lion for courage; the monkey for cunning; the sheep for good temper; and the pig for bestiality.

We will now conclude by borrowing, from the excellent work of M. Alfred Michiels on Dutch and Flemish painting, the abridged description of a procession of corporations of trades, which took place at Antwerp in 1520, on the Sunday after Ascension Day. "All the corporations of trades were present, every member being dressed in his best suit." In front of each guild a banner floated; and immediately behind an enormous lighted wax-taper was carried. March music was played on long silver trumpets, flutes, and drums. The goldsmiths, painters, masons, silk embroiderers, sculptors, carpenters, boatmen, fishermen, butchers, curriers, drapers, bakers, tailors, and men of every other trade marched two abreast. Then came crossbowmen, arquebusiers, archers, &c., some on foot and some on horseback. After them came the various monastic orders; and then followed a crowd of bourgeois magnificently dressed. A numerous company of widows, dressed in white from head to foot, particularly attracted attention; they constituted a sort of sisterhood, observing certain rules, and gaining their livelihood by various descriptions of manual work. The cathedral canons and the other priests walked in the procession in their gorgeous silk vestments sparkling with gold. Twenty persons carried on their shoulders a huge figure of the Virgin, with the infant Saviour in her arms, splendidly decorated. At the end of the procession were chariots and ships on wheels. There were various groups in the procession representing scenes from the Old and New Testament, such as the Salutation of the Angels, the Visitation of the Magi, who appeared riding on camels, the Flight into Egypt, and other well-known historical incidents. The last machine represented a dragon being led by St. Margaret with a magnificent bridle, and was followed by St. George and several brilliantly attired knights.

We will now end by taking from the outstanding work of M. Alfred Michiels on Dutch and Flemish painting a shortened description of a procession of trade guilds that happened in Antwerp in 1520, on the Sunday after Ascension Day. "All the trade guilds were there, and every member was dressed in their best suit." In front of each guild, a banner was displayed; and right behind, a huge lit wax candle was carried. Marching music played on long silver trumpets, flutes, and drums. The goldsmiths, painters, masons, silk embroiderers, sculptors, carpenters, boatmen, fishermen, butchers, curriers, drapers, bakers, tailors, and workers of all other trades marched two by two. Then came the crossbowmen, arquebusiers, archers, etc., some on foot and some on horseback. After them followed different monastic orders, then a crowd of well-dressed townspeople. A large group of widows, dressed in white from head to toe, particularly stood out; they formed a kind of sisterhood, following certain rules and earning their living through various kinds of manual labor. The cathedral canons and other priests joined the procession in their beautiful silk robes adorned with gold. Twenty people carried a large statue of the Virgin with the infant Savior in her arms, splendidly decorated. At the end of the procession were chariots and wheeled ships. There were different groups in the procession depicting scenes from the Old and New Testament, such as the Salutation of the Angels, the Visitation of the Magi, who appeared riding camels, the Flight into Egypt, and other well-known historical events. The last float represented a dragon being led by St. Margaret with a magnificent bridle, followed by St. George and several brightly dressed knights.

Fig. 399.--Sandal and Buskin of Charlemagne.--From the Abbey of St. Denis.

Fig. 399.--Sandal and Buskin of Charlemagne.--From the Abbey of St. Denis.

Costumes.

Influence of Ancient Costume.--Costume in the Fifth Century.--Hair.--Costumes in the Time of Charlemagne.--Origin of Modern National Dress.--Head-dresses and Beards: Time of St. Louis.--Progress of Dress: Trousers, Hose, Shoes, Coats, Surcoats, Capes.--Changes in the Fashions of Shoes and Hoods.--Livrée,--Cloaks and Capes.--Edicts against Extravagant Fashions.--Female Dress: Gowns, Bonnets, Head-dresses, &c.--Disappearance of Ancient Dress.--Tight-fitting Gowns.--General Character of Dress under Francis I.--Uniformity of Dress.

Influence of Ancient Costume.--Costume in the Fifth Century.--Hair.--Costumes during the Time of Charlemagne.--Origin of Modern National Dress.--Headpieces and Beards: Time of St. Louis.--Evolution of Dress: Trousers, Socks, Shoes, Coats, Surcoats, Capes.--Changes in Shoe and Hood Styles.--Livrée,--Cloaks and Capes.--Laws against Extravagant Styles.--Women’s Fashion: Dresses, Hats, Headpieces, etc.--Disappearance of Ancient Dress.--Form-fitting Dresses.--Overall Style of Dress under Francis I.--Uniformity of Dress.

Long garments alone were worn by the ancients, and up to the period when the barbarous tribes of the North made their appearance, or rather, until the invasion of the Roman Empire by these wandering nations, male and female dress differed but little. The Greeks made scarcely any change in their mode of dress for centuries; but the Romans, on becoming masters of the world, partially adopted the dress and arms of the people they had conquered, where they considered them an improvement on their own, although the original style of dress was but little altered (Figs. 400 and 401).

LLong garments were typically worn by ancient peoples, and up until the time the barbarian tribes from the North appeared—specifically, when these wandering nations invaded the Roman Empire—men's and women's clothing was quite similar. The Greeks hardly changed their style of dress for centuries; however, when the Romans became rulers of the world, they partially adopted the clothing and weapons of the people they conquered, especially when they saw them as an improvement over their own, even though the original style of dress remained mostly unchanged (Figs. 400 and 401).

Roman attire consisted of two garments--the under garment, or tunic, and the outer garment, or cloak; the latter was known under the various names of chlamys, toga, and pallium, but, notwithstanding these several appellations, there was scarcely any appreciable distinction between them. The simple tunic with sleeves, which answered to our shirt, was like the modern blouse in shape, and was called by various names. The chiridota was a tunic with long and large sleeves, of Asiatic origin; the manuleata was a tunic with long and tight sleeves coming to the wrists; the talaris was a tunic reaching to the feet; the palmata was a state tunic, embroidered with palms, which ornamentation was often found in other parts of dress. The lacerna, loena, cucullus, chlamys, sagum, paludamentum, were upper garments, more or less coarse, either full or scant, and usually short, and were analogous to our cloaks, mantles, &c., and were made both with and without hoods. There were many varieties of the tunic and cloak invented by female ingenuity, as well as of other articles of dress, which formed elegant accessories to the toilet, but there was no essential alteration in the national costume, nor was there any change in the shape of the numerous descriptions of shoes. The barbarian invasions brought about a revolution in the dress as well as in the social state of the people, and it is from the time of these invasions that we may date, properly speaking, the history of modern dress; for the Roman costume, which was in use at the same time as that of the Franks, the Huns, the Vandals, the Goths, &c., was subjected to various changes down to the ninth century. These modifications increased afterwards to such an extent that, towards the fourteenth century, the original type had altogether disappeared.

Roman clothing consisted of two main pieces—the undergarment, or tunic, and the outer garment, or cloak. The cloak was known by several names like chlamys, toga, and pallium. Despite these different terms, there was hardly any significant difference between them. The simple tunic with sleeves, similar to our shirt, resembled the modern blouse in style and was referred to by various names. The chiridota was a tunic with long, wide sleeves that came from Asia; the manuleata had long, tight sleeves that ended at the wrists; the talaris was a full-length tunic; and the palmata was a ceremonial tunic decorated with palm motifs, which were often found in other clothing as well. The lacerna, loena, cucullus, chlamys, sagum, and paludamentum were various outer garments, made from coarse fabric, and typically short, akin to our cloaks or mantles, some of which had hoods. Many styles of tunics and cloaks were created by women, as well as other clothing items that added elegance to their attire, but there was no significant change in the national costume, nor did the designs of shoes vary much. The invasions by barbarians led to major changes in both clothing and the social structure of the people, marking the beginning of what we consider the history of modern dress; the Roman attire from that time coexisted with that of the Franks, Huns, Vandals, Goths, and others, and it underwent various transformations until the ninth century. These changes continued to evolve so much that by the fourteenth century, the original style had completely vanished.

Figs. 400 and 401.--Gallo-Roman Costumes.--From Bas-reliefs discovered in Paris in 1711 underneath the Choir of Notre-Dame.

Figs. 400 and 401.--Gallo-Roman Costumes.--From bas-reliefs found in Paris in 1711 under the Choir of Notre-Dame.

It was quite natural that men living in a temperate climate, and bearing arms only when in the service of the State, should be satisfied with garments which they could wear without wrapping themselves up too closely. The northern nations, on the contrary, had early learned to protect themselves against the severity of the climate in which they lived. Thus the garments known by them as braies, and by the Parthians as sarabara, doubtless gave origin to those which have been respectively called by us chausses, haut-de-chausses, trousses, grègues, culottes, pantalons, &c. These wandering people had other reasons for preferring the short and close-fitting garments to those which were long and full, and these were their innate pugnacity, which forced them ever to be under arms, their habit of dwelling in forests and thickets, their love of the chase, and their custom of wearing armour.

It was only natural that men living in a temperate climate, who only carried weapons when serving the State, would be fine with clothing that didn’t require them to bundle up too much. In contrast, the northern nations quickly learned to shield themselves from the harsh climate where they lived. The garments they called braies, and which the Parthians referred to as sarabara, likely inspired what we now call chausses, haut-de-chausses, trousses, grègues, culottes, pantalons, etc. These roaming people also had other reasons for favoring shorter, tighter clothing over longer, looser styles, including their natural aggressiveness, which kept them ready for battle, their lifestyle in forests and thickets, their love for hunting, and their tradition of wearing armor.

The ancient Greeks and Romans always went bareheaded in the towns; but in the country, in order to protect themselves from the direct rays of the sun, they wore hats much resembling our round hats, made of felt, plaited rushes, or straw. Other European nations of the same period also went bareheaded, or wore caps made of skins of animals, having no regularity of style, and with the shape of which we are but little acquainted.

The ancient Greeks and Romans always went without hats in the towns; but in the countryside, to shield themselves from the sun's rays, they wore hats resembling our round hats, made of felt, woven rushes, or straw. Other European countries during the same time also went without hats or wore animal skin caps, which had no specific style and whose shapes are mostly unfamiliar to us.

Shoes, and head-dresses of a definite style, belong to a much more modern period, as also do the many varieties of female dress, which have been known at all times and in all countries under the general name of robes. The girdle was only used occasionally, and its adoption depended on circumstances; the women used it in the same way as the men, for in those days it was never attached to the dress. The great difference in modern female costume consists in the fact of the girdle being part of the dress, thus giving a long or short waist, according to the requirements of fashion. In the same manner, a complete revolution took place in men's dress according as loose or tight, long or short sleeves were introduced.

Shoes and specific styles of headgear are more modern inventions, as are the various types of women's clothing that have always been referred to as robes in every culture. The girdle was used only occasionally and depended on the situation; women wore it just like men did, as it was not attached to the clothing back then. The main difference in modern women's fashion is that the girdle is now part of the outfit, allowing for a longer or shorter waist based on current trends. Similarly, men's fashion underwent a complete shift with the introduction of loose or tight, long or short sleeves.

We shall commence our historical sketch from the fifth century, at which period we can trace the blending of the Roman with the barbaric costume--namely, the combination of the long, shapeless garment with that which was worn by the Germans, and which was accompanied by tight-fitting braies. Thus, in the recumbent statue which adorned the tomb of Clovis, in the Church of the Abbey of St. Geneviève, the King is represented as wearing the tunic and the toga, but, in addition, Gallo-Roman civilization had actually given him tight-fitting braies, somewhat similar to what we now call pantaloons. Besides this, his tunic is fastened by a belt; which, however, was not a novelty in his time, for the women then wore long dresses, fastened at the waist by a girdle. There is nothing very remarkable about his shoes, since we find that the shoe, or closed sandal, was worn from the remotest periods by nearly all nations (Figs. 402 and 403).

We will start our historical overview from the fifth century, during which we can see the merging of Roman and barbarian clothing styles—specifically, the combination of the long, loose garment with what the Germans wore, along with tight-fitting shorts. In the reclining statue that decorated Clovis's tomb in the Church of the Abbey of St. Geneviève, the King is depicted wearing a tunic and a toga, but Gallo-Roman culture also had him in tight-fitting shorts, somewhat similar to what we now call pants. Additionally, his tunic is secured with a belt, which wasn't new at that time, as women wore long dresses that were also cinched at the waist with a girdle. There’s nothing particularly special about his shoes, since both shoes and closed sandals had been worn by almost all cultures since ancient times (Figs. 402 and 403).

Fig. 402.--Costume of King Clovis (Sixth Century).--From a Statue on his Tomb, formerly in the Abbey of St. Geneviève.

Fig. 402.--Costume of King Clovis (6th Century).--From a statue on his tomb, previously located in the Abbey of St. Geneviève.

Fig. 403.--Costume of King Childebert (Seventh Century).--From a Statue formerly placed in the Refectory of the Abbey of St. Germain-des-Prés.

Fig. 403.--Costume of King Childebert (Seventh Century).--From a statue that used to be in the dining hall of the Abbey of St. Germain-des-Prés.

The cloak claims an equally ancient origin. The principal thing worthy of notice is the amount of ornament with which the Franks enriched their girdles and the borders of their tunics and cloaks. This fashion they borrowed from the Imperial court, which, having been transferred from Rome to Constantinople during the third century, was not slow to adopt the luxury of precious stones and other rich decorations commonly in use amongst Eastern nations. Following the example of Horace de Vielcastel, the learned author of a history of the costumes of France, we may here state that it is very difficult, if not impossible, to define the exact costume during the time of the early Merovingian periods. The first writers who have touched upon this subject have spoken of it very vaguely, or not being contemporaries of the times of which they wrote, could only describe from tradition or hearsay. Those monuments in which early costume is supposed to be represented are almost all of later date, when artists, whether sculptors or painters, were not very exact in their delineations of costume, and even seemed to imagine that no other style could have existed before their time than the one with which they were daily familiar. In order to be as accurate as possible, although, after all, we can only speak hypothetically, we cannot do better than call to mind, on the one hand, what Tacitus says of the Germans, that they "were almost naked, excepting for a short and tight garment round their waists, and a little square cloak which they threw over the right shoulder," and, on the other, to carry ourselves back in imagination to the ancient Roman costume. We may notice, moreover, the curious description given of the Franks by Sidoine Apollinaire, who says, "They tied up their flaxen or light-brown hair above their foreheads, into a kind of tuft, and then made it fall behind the head like a horse's tail. The face was clean shaved, with the exception of two long moustaches. They wore cloth garments, fitting tight to the body and limbs, and a broad belt, to which they hung their swords." But this is a sketch made at a time when the Frankish race was only known among the Gauls through its marauding tribes, whose raids, from time to time, spread terror and dismay throughout the countries which they visited. From the moment when the uncultivated tribes of ancient Germany formally took possession of the territory which they had withdrawn from Roman rule, they showed themselves desirous of adopting the more gentle manners of the conquered nation. "In imitation of their chief," says M. Jules Quicherat, the eminent antiquarian, "more than once the Franks doffed the war coat and the leather Belt, and assumed the toga of Roman dignity. More than once their flaxen hair was shown to advantage by flowing over the imperial mantle, and the gold of the knights, the purple of the senators and patricians, the triumphal crowns, the fasces, and, in short, everything which the Roman Empire invented in order to exhibit its grandeur, assisted in adding to that of our ancestors."

The cloak has a similarly ancient origin. The main point worth mentioning is the amount of decoration the Franks added to their belts and the edges of their tunics and cloaks. They adopted this style from the Imperial court, which had moved from Rome to Constantinople in the third century and quickly embraced the luxury of precious stones and other rich embellishments commonly used by Eastern nations. Following the example of Horace de Vielcastel, the knowledgeable author of a history of French costumes, we should note that it's very challenging, if not impossible, to pinpoint the exact clothing style during the early Merovingian period. The earliest writers who touched on this subject spoke about it quite vaguely, or they were not contemporaries of the times they wrote about and could only describe from what they heard or remembered. Those remains that are believed to represent early clothing are mostly from later periods when artists, whether sculptors or painters, were not very precise in illustrating costumes and seemed to imagine that no other style could have existed before their time other than the one they were familiar with. To be as accurate as possible, even though we can only discuss hypothetically, we can recall, on one hand, what Tacitus said about the Germans—that they "were almost naked, except for a short and tight garment around their waists and a small square cloak draped over their right shoulder," and, on the other hand, we can imagine the ancient Roman attire. Additionally, we can note the interesting description of the Franks by Sidoine Apollinaire, who mentions that "they tied their flaxen or light-brown hair above their foreheads into a tuft, letting it fall behind like a horse's tail. They had clean-shaven faces except for two long mustaches. They wore tight-fitting cloth garments and a wide belt from which they hung their swords." However, this is a depiction made during a time when the Frankish people were only known among the Gauls for their raiding tribes, whose attacks caused fear across the lands they invaded. Once the uncivilized tribes of ancient Germany formally took over the territory they had reclaimed from Roman control, they showed a desire to adopt the more refined customs of the conquered people. "Imitating their leader," says M. Jules Quicherat, the renowned antiquarian, "the Franks frequently took off their battle gear and leather belts to wear the toga of Roman dignity. Their flaxen hair often flowed over the imperial mantle, and the gold of the knights, the purple of the senators and patricians, the triumphal crowns, the fasces, and everything else the Roman Empire created to showcase its grandeur helped enhance that of our ancestors."

Figs. 404 and 405.--Saints in the Costume of the Sixth to the Eighth Centuries.--From Miniatures in old Manuscripts of the Royal Library of Brussels (Designs by Count H. de Vielcastel).

Figs. 404 and 405.--Saints in the Clothing of the Sixth to the Eighth Centuries.--From Miniatures in ancient Manuscripts of the Royal Library of Brussels (Designs by Count H. de Vielcastel).

One great and characteristic difference between the Romans and the Franks should, however, be specially mentioned; namely, in the fashion of wearing the hair long, a fashion never adopted by the Romans, and which, during the whole of the first dynasty, was a distinguishing mark of kings and nobles among the Franks. Agathias, the Greek historian, says, "The hair is never cut from the heads of the Frankish kings' sons. From early youth their hair falls gracefully over their shoulders, it is parted on the forehead, and falls equally on both sides; it is with them a matter to which they give special attention." We are told, besides, that they sprinkled it with gold-dust, and plaited it in small bands, which they ornamented with pearls and precious metals.

One significant and distinctive difference between the Romans and the Franks should be highlighted: the way they wore their hair long, a style that the Romans never embraced. Throughout the entire first dynasty, this long hair became a notable symbol of kings and nobles among the Franks. Agathias, the Greek historian, states, "The hair is never cut from the heads of the Frankish kings' sons. From a young age, their hair falls gracefully over their shoulders, parted at the forehead and flowing equally on both sides; they pay special attention to it." Additionally, it's said that they sprinkled their hair with gold dust and braided it into small sections, decorating it with pearls and precious metals.

Whilst persons of rank were distinguished by their long and flowing hair, the people wore theirs more or less short, according to the degree of freedom which they possessed, and the serfs had their heads completely shaved. It was customary for the noble and free classes to swear by their hair, and it was considered the height of politeness to pull out a hair and present it to a person. Frédégaire, the chronicler, relates that Clovis thus pulled out a hair in order to do honour to St. Germer, Bishop of Toulouse, and presented it to him; upon this, the courtiers hastened to imitate their sovereign, and the venerable prelate returned home with his hand full of hair, delighted at the flattering reception he had met with at the court of the Frankish king. Durinig the Merovingian period, the greatest insult that could be offered to a freeman was to touch him with a razor or scissors. The degradation of kings and princes was carried out in a public manner by shaving their heads and sending them into a monastery; on their regaining their rights and their authority, their hair was always allowed to grow again. We may also conclude that great importance was attached to the preservation of the hair even under the kings of the second dynasty, for Charlemagne, in his Capitulaires, orders the hair to be removed as a punishment in certain crimes.

While people of high status were recognized by their long, flowing hair, the general population wore theirs shorter, depending on their level of freedom, and serfs had their heads completely shaved. It was common for the noble and free classes to swear an oath by their hair, and it was considered very polite to pluck out a hair and give it to someone. Frédégaire, the chronicler, tells that Clovis did just that to honor St. Germer, Bishop of Toulouse, and presented it to him; after this, the courtiers quickly copied their king, and the esteemed bishop went home with a handful of hair, happy about the flattering reception he received at the Frankish court. During the Merovingian period, the biggest insult to a free man was to touch him with a razor or scissors. The humiliation of kings and princes was publicly carried out by shaving their heads and sending them to a monastery; when they regained their rights and power, they were always allowed to let their hair grow back. We can also infer that great importance was placed on the maintenance of hair even under the kings of the second dynasty, as Charlemagne, in his Capitulaires, commanded that hair be removed as punishment for certain crimes.

The Franks, faithful to their ancient custom of wearing the hair long, gradually gave up shaving the face. At first, they only left a small tuft on the chin, but by degrees they allowed this to increase, and in the sixth and seventh centuries freemen adopted the usual form of beard. Amongst the clergy, the custom prevailed of shaving the crown of the head, in the same way as that adopted by certain monastic orders in the present day. Priests for a long time wore beards, but ceased to do so on their becoming fashionable amongst the laity (Figs. 406, 407). Painters and sculptors therefore commit a serious error in representing the prelates and monks of those times with large beards.

The Franks, sticking to their old tradition of wearing their hair long, gradually stopped shaving their faces. At first, they just kept a small patch on their chin, but over time they let it grow, and by the sixth and seventh centuries, free men commonly sported beards. Among the clergy, it became normal to shave the top of the head, similar to certain monastic orders today. Priests wore beards for a long time but stopped when they became popular with the general public (Figs. 406, 407). Therefore, painters and sculptors make a big mistake by depicting the church leaders and monks of that era with large beards.

As far as the monumental relics of those remote times allow us to judge, the dress as worn by Clovis underwent but trifing modifications during the first dvnasty; but during the reigns of Pepin and Charlemagne considerable changes were effected, which resulted from the intercourse, either of a friendly or hostile nature, between the Franks and the southern nations. About this time, silk stuffs were introduced into the kingdom, and the upper classes, in order to distinguish themselves from the lower, had their garments trimmed round with costly furs (see chapter on Commerce).

As far as the monumental relics from those distant times let us judge, the clothing worn by Clovis saw only minor changes during the first dynasty. However, during the reigns of Pepin and Charlemagne, significant changes occurred, resulting from both friendly and hostile interactions between the Franks and the southern nations. Around this time, silk fabrics were introduced into the kingdom, and the upper classes, wanting to set themselves apart from the lower classes, had their garments edged with expensive furs (see chapter on Commerce).

Fig. 406 and 407.--Costume of the Prelates from the Eighth to the Tenth Centuries--After Miniatures in the "Missal of St. Gregory," in the National Library of Paris.

Fig. 406 and 407.--Costume of the Church Leaders from the Eighth to the Tenth Centuries--After Illustrations in the "Missal of St. Gregory," in the National Library of Paris.

We have before stated (see chapter on Private Life) that Charlemagne, who always was very simple in his tastes, strenuously set his face against these novel introductions of luxury, which he looked upon as tending to do harm. "Of what use are these cloaks?" he said; "in bed they cannot cover us, on horseback they can neither protect us from the rain nor the wind, and when we are sitting they can neither preserve our legs from the cold nor the damp." He himself generally wore a large tunic made of otters' skins. On one occasion his courtiers went out hunting with him, clothed in splendid garments of southern fashion, which became much torn by the briars, and begrimed with the blood of the animals they had killed. "Oh, ye foolish men!" he said to them the next day as he showed them his own tunic, which a servant had just returned to him in perfect condition, after having simply dried it before the fire and rubbed it with his hands. "Whose garments are the more valuable and the more useful? mine, for which I have only paid a sou (about twenty-two francs of present money), or yours, which have cost so much?" From that time, whenever this great king entered on a campaign, the officers of his household, even the most rich and powerful, did not dare to show themselves in any clothes but those made of leather, wool, or cloth; for had they, on such occasions, made their appearance dressed in silk and ornaments, he would have sharply reproved them and have treated them as cowards, or as effeminate, and consequently unfit for the work in which he was about to engage.

We previously mentioned (see chapter on Private Life) that Charlemagne, who always had very simple tastes, strongly opposed these new trends of luxury, which he believed could cause harm. "What are these cloaks for?" he asked; "in bed they don't cover us, on horseback they don't protect us from rain or wind, and when we're sitting, they don't keep our legs warm or dry." He usually wore a large tunic made from otter skins. One time, his courtiers went hunting with him, dressed in fancy southern clothes, which got torn by the thorns and stained with the blood of the animals they killed. "Oh, you foolish men!" he said to them the next day as he showed them his own tunic, which a servant had just returned to him in perfect condition after simply drying it by the fire and rubbing it by hand. "Whose garments are more valuable and useful? Mine, for which I only paid a sou (about twenty-two francs today), or yours, which cost so much?" From that time on, whenever this great king went on a campaign, even the wealthiest and most powerful officers in his household didn’t dare to wear anything but leather, wool, or cloth; for if they showed up in silk and jewelry during such occasions, he would have scolded them sharply and labeled them as cowards or effeminate, making them unfit for the tasks ahead.

Nevertheless, this monarch, who so severely proscribed luxury in daily life, made the most magnificent display on the occasions of political or religious festivals, when the imperial dignity with which he was invested required to be set forth by pompous ceremonial and richness of attire.

Nonetheless, this king, who strictly banned luxury in everyday life, put on the most extravagant displays during political or religious festivals, when the imperial status he held needed to be showcased with grand ceremonies and lavish clothing.

During the reign of the other Carlovingian kings, in the midst of political troubles, of internal wars, and of social disturbances, they had neither time nor inclination for inventing new fashions. Monuments of the latter part of the ninth century prove, indeed, that the national dress had hardly undergone any change since the time of Charlemagne, and that the influence of Roman tradition, especially on festive occasions, was still felt in the dress of the nobles (Figs. 408 to 411).

During the rule of the other Carolingian kings, amidst political issues, internal conflicts, and social unrest, they had neither the time nor the desire to create new styles. Artifacts from the late ninth century show that the national attire had barely changed since Charlemagne's time, and the influence of Roman tradition, especially during celebrations, was still evident in the clothing of the nobles (Figs. 408 to 411).

In a miniature of the large MS. Bible given by the canons of Saint-Martin of Tours in 869 to Charles the Bald (National Library of Paris), we find the King sitting on his throne surrounded by the dignitaries of his court, and by soldiers all dressed after the Roman fashion. The monarch wears a cloak which seems to be made of cloth of gold, and is attached to the shoulder by a strap or ribbon sliding through a clasp; this cloak is embroidered in red, on a gold ground; the tunic is of reddish brown, and the shoes are light red, worked with gold thread. In the same manuscript there is another painting, representing four women listening to the discourse of a prophet. From this we discover that the female costume of the time consisted of two tunics, the under one being longer but less capacious than the other, the sleeves of the former coming down tight to the wrists, and being plaited in many folds, whilst those of the latter open out, and only reach to the elbow. The lower part, the neck, and the borders of the sleeves are trimmed with ornamented bands, the waist is encircled by a girdle just above the hips, and a long veil, finely worked, and fastened on the head, covers the shoulders and hangs down to the feet, completely hiding the hair, so that long plaits falling in front were evidently not then in fashion. The under dress of these four women--who all wear black shoes, which were probably made of morocco leather--are of various colours, whereas the gowns or outer tunics are white.

In a small version of the large MS. Bible given by the canons of Saint-Martin of Tours in 869 to Charles the Bald (National Library of Paris), we see the King sitting on his throne, surrounded by the dignitaries of his court and soldiers all dressed in Roman style. The monarch wears a cloak that appears to be made of gold cloth, attached to his shoulder by a strap or ribbon going through a clasp; this cloak is embroidered in red on a gold background. His tunic is reddish brown, and his shoes are light red, decorated with gold thread. In the same manuscript, there’s another painting showing four women listening to a prophet. This indicates that women's clothing at the time consisted of two tunics, the under one being longer but less roomy than the other, with the sleeves of the former fitting tightly to the wrists and having many folds, while the latter's sleeves are wide and only reach the elbow. The lower part, neck, and sleeve hems are trimmed with decorative bands, the waist is cinched with a belt just above the hips, and a long, finely crafted veil, pinned on the head, covers the shoulders and drapes down to the feet, completely hiding the hair, which suggests that long braids hanging down in front were clearly not in style then. The underdresses of these four women—who all wear black shoes, likely made of morocco leather—are in various colors, while their gowns or outer tunics are white.

Fig. 408.--Costume of a Scholar of the Carlovingian Period (St. Matthew writing his Gospel under the Inspiration of Christ).--From a Miniature in a Manuscript of the Ninth Century, in the Burgundian Library, Brussels (drawn by Count H. de Vielcastel).

Fig. 408.--Outfit of a Scholar from the Carolingian Era (St. Matthew writing his Gospel under the Inspiration of Christ).--From a Miniature in a Ninth Century Manuscript, in the Burgundian Library, Brussels (drawn by Count H. de Vielcastel).

Notwithstanding that under the Carlovingian dynasty it was always considered a shame and a dishonour to have the head shaved, it must not be supposed that the upper classes continued to wear the long Merovingian style of hair. After the reign of Charlemagne, it was the fashion to shave the hair from above the forehead, the parting being thus widened, and the hair was so arranged that it should not fall lower than the middle of the neck. Under Charles the Bald, whose surname proves that he was not partial to long hair, this custom fell into disuse or was abandoned, and men had the greater part of their heads shaved, and only kept a sort of cap of hair growing on the top of the head. It is at this period that we first find the cowl worn. This kind of common head-dress, made from the furs of animals or from woollen stuffs, continued to be worn for many centuries, and indeed almost to the present day. It was originally only a kind of cap, light and very small; but it gradually became extended in size, and successively covered the ears, the neck, and lastly even the shoulders.

Despite the fact that during the Carolingian dynasty it was always considered shameful and dishonorable to have a shaved head, it shouldn't be assumed that the upper classes continued to sport the long Merovingian hairstyle. After Charlemagne's reign, the trend shifted to shaving the hair above the forehead, which widened the part, and arranging the hair so it didn't fall lower than the middle of the neck. Under Charles the Bald, whose name indicates he wasn’t fond of long hair, this trend fell out of favor or was dropped altogether, and men started shaving most of their heads, leaving only a sort of hair cap on the top. It was during this time that the cowl first appeared. This common headgear, made from animal furs or woolen fabrics, was worn for many centuries, even up to today. It initially started as a lightweight, small cap, but it gradually increased in size, eventually covering the ears, neck, and finally the shoulders.

No great change was made in the dress of the two sexes during the tenth century. "Nothing was more simple than the head-dress of women," says M. Jules Quicherat; "nothing was less studied than their mode of wearing their hair; nothing was more simple, and yet finer, than their linen. The elegant appearance of their garments recalls that of the Greek and Roman, women. Their dresses were at times so tight as to display all the elegance of their form, whilst at others they were made so high as completely to cover the neck; the latter were called cottes-hardies. The cotte-hardie, which has at all times been part of the dress of French women, and which was frequently worn also by men, was a long tunic reaching to the heels, fastened in at the waist and closed at the wrists. Queens, princesses, and ladies of the nobility wore in addition a long cloak lined with ermine, or a tunic with or without sleeves; often, too, their dress consisted of two tunics, and of a veil or drapery, which was thrown over the head and fell down before and behind, thus entirely surrounding the neck."

No significant changes were made in the clothing of men and women during the tenth century. "Nothing was simpler than the headpiece of women," says M. Jules Quicherat; "nothing was less elaborate than the way they styled their hair; nothing was more straightforward, yet finer, than their linen. The elegant look of their outfits resembles that of Greek and Roman women. Their dresses were sometimes so tight that they showcased the elegance of their figures, while at other times, they were made high enough to completely cover the neck; the latter were called cottes-hardies. The cotte-hardie, which has always been part of the attire of French women and was often worn by men as well, was a long tunic that reached the heels, fitted at the waist, and closed at the wrists. Queens, princesses, and noblewomen additionally wore long cloaks lined with ermine or tunics with or without sleeves; often, their outfits consisted of two tunics and a veil or drapery that was thrown over the head, falling in front and back, thus completely encircling the neck."

Fig. 409.--Costume of a Scholar.

__A_TAG_PLACEHOLDER_0__--Scholar's Costume.

Fig. 410.--Costume of a Bishop or Abbot.

Fig. 410.--Outfit of a Bishop or Abbot.

Fac-similes of Miniatures in a Manuscript of the Ninth Century ("Biblia Sacra"), in the Royal Library of Brussels.

Facsimiles of Miniatures in a Ninth Century Manuscript ("Biblia Sacra"), in the Royal Library of Brussels.

We cannot find that any very decided change was made in dress before the end of the eleventh century. The ordinary dress made of thick cloths and of coarse woollen stuffs was very strong and durable, and not easily spoiled; and it was usual, as we still find in some provinces which adhere to old customs, for clothes, especially those worn on festive occasions and at ceremonials, to be handed down as heirlooms from father to son, to the third or fourth generation. The Normans, who came from Scandinavia towards the end of the tenth century, A.D. 970, with their short clothes and coats of mail, at first adopted the dress of the French, and continued to do so in all its various changes. In the following century, having found the Saxons and Britons in England clad in the garb of their ancestors, slightly modified by the Roman style of apparel, they began to make great changes in their manner of dressing themselves. They more and more discarded Roman fashions, and assumed similar costumes to those made in France at the same period.

We can’t find any significant changes in clothing before the end of the eleventh century. Regular clothing made from thick fabrics and coarse wool was very strong, durable, and not easily damaged. It was common, as we still see in some areas that stick to old traditions, for clothes—especially those worn during celebrations and ceremonies—to be passed down as heirlooms from father to son, even into the third or fourth generation. The Normans, who came from Scandinavia around the end of the tenth century, A.D. 970, with their short outfits and chainmail, initially adopted the clothing of the French and continued to embrace all its various changes. In the following century, after finding the Saxons and Britons in England dressed in the clothing of their ancestors—slightly modified by Roman styles—they began to make significant changes in their own fashion. They increasingly moved away from Roman styles and started wearing similar clothes to those being made in France at that time.

Fig. 411.--Costume of Charles the Simple (Tenth Century).--From a Miniature in the "Rois de France," by Du Tillet, Manuscript of the Sixteenth Century (Imperial Library of Paris).

Fig. 411.--Costume of Charles the Simple (10th Century).--From a Miniature in the "Kings of France," by Du Tillet, 16th Century Manuscript (Imperial Library of Paris).

Before proceeding further in our history of mediæval dress, we must forestall a remark which will not fail to be made by the reader, and this is, that we seem to occupy ourselves exclusively with the dress of kings, queens, and other people of note. But we must reply, that though we are able to form tolerably accurate notions relative to the dress of the upper classes during these remote periods, we do not possess any reliable information relative to that of the lower orders, and that the written documents, as well as the sculptures and paintings, are almost useless on this point. Nevertheless, we may suppose that the dress of the men in the lowest ranks of society has always been short and tight, consisting of braies, or tight drawers, mostly made of leather, of tight tunics, of sayons or doublets, and of capes or cloaks of coarse brown woollen. The tunic was confined at the waist by a belt, to which the knife, the purse, and sometimes the working tools were suspended. The head-dress of the people was generally a simple cap made of thick, coarse woollen cloth or felt, and often of sheep's skin. During the twelfth century, a person's rank or social position was determined by the head-dress. The cap was made of velvet for persons of rank, and of common cloth for the poor. The cornette, which was always an appendage to the cap, was made of cloth, with which the cap might be fastened or adjusted on the head. The mortier, or round cap, dates from the earliest centuries, and was altered both in shape and material according to the various changes of fashion; but lawyers of high position continued to wear it almost in its original shape, and it became like a professional badge for judges and advocates.

Before moving ahead in our history of medieval clothing, we need to address a comment that’s likely to come up from the reader, which is that we seem to focus only on the clothing of kings, queens, and other notable figures. However, we must respond that while we can form pretty accurate ideas about the fashion of the upper classes during these distant times, we don’t have reliable information about the clothing of lower classes, and written records, along with sculptures and paintings, are nearly useless for this purpose. That said, we can assume that the attire of men in the lowest social ranks has always been short and tight, consisting of braies or tight drawers, mostly made of leather, fitted tunics, sayons or doublets, and capes or cloaks made from coarse brown wool. The tunic was cinched at the waist with a belt, to which the knife, purse, and sometimes tools for work were attached. The common headwear was generally a simple cap made from thick, rough wool cloth or felt, often made of sheepskin. During the twelfth century, a person’s rank or social status was indicated by their headwear. The cap was made of velvet for those of high status, while the poor wore caps made of ordinary cloth. The cornette, which was always an addition to the cap, was made of cloth used to secure or adjust the cap on the head. The mortier, or round cap, dates back to the earliest centuries and changed in shape and material with shifting fashions; however, prominent lawyers continued to wear it almost in its original form, making it a sort of professional badge for judges and advocates.

In the miniatures of that time we find Charles the Good, Count of Flanders, who died in 1127, represented with a cap with a point at the top, to which a long streamer is attached, and a peak turned up in front. A cap very similar, but without the streamer, and with the point turned towards the left, is to be seen in a portrait of Geoffroy le Bel, Comte de Maine, in 1150. About the same period, Agnès de Baudement is represented with a sort of cap made of linen or stuff, with lappets hanging down over the shoulders; she is dressed in a robe fastened round the waist, and having long bands attached to the sleeves near the wrists. Queen Ingeburge, second wife of Philip Augustus, also wore the tight gown, fastened at the collar by a round buckle, and two bands of stuff forming a kind of necklace; she also used the long cloak, and the closed shoes, which had then begun to be made pointed. Robert, Comte de Dreux, who lived at the same period, is also dressed almost precisely like the Queen, notwithstanding the difference of sex and rank; his robe, however, only descends to the instep, and his belt has no hangings in front. The Queen is represented with her hair long and flowing, but the count has his cut short.

In the miniatures from that time, we see Charles the Good, Count of Flanders, who died in 1127, depicted wearing a pointed cap with a long streamer attached and a peak turned up in front. A very similar cap, but without the streamer and with the point turned to the left, appears in a portrait of Geoffroy le Bel, Comte de Maine, from 1150. Around the same time, Agnès de Baudement is shown wearing a cap made of linen or fabric, with flaps hanging down over her shoulders; she is dressed in a robe belted at the waist, with long ties attached to the sleeves near the wrists. Queen Ingeburge, the second wife of Philip Augustus, also wore a fitted gown, fastened at the collar with a round buckle, and two straps of fabric resembling a necklace; she also donned a long cloak and closed shoes, which had started to become pointed. Robert, Comte de Dreux, who lived during the same period, dresses almost exactly like the Queen, despite their differences in gender and rank; however, his robe only reaches down to the instep, and his belt does not have front hangings. The Queen is depicted with long, flowing hair, while the count has his hair cut short.

Fig. 412.--Costume of King Louis le Jeune--Miniature of the "Rois de France," by Du Tillet (Sixteenth Century), in the National Library of Paris.

Fig. 412.--Costume of King Louis the Young--Miniature of the "Kings of France," by Du Tillet (16th Century), in the National Library of Paris.

Fig. 413.--Royal Costume.--From a Miniature in a Manuscript of the Twelfth Century, in the Burgundian Library, Brussels.

Fig. 413.--Royal Costume.--From a Miniature in a Manuscript of the 12th Century, in the Burgundian Library, Brussels.

Women, in addition to their head-dress, often wore a broad band, which was tied under the chin, and gave the appearance of a kind of frame for the face. Both sexes wore coloured bands on their shoes, which were tied round the ankles like those of sandals, and showed the shape of the foot.

Women, along with their headpieces, often wore a wide band that tied under the chin, creating a sort of frame for their faces. Both men and women wore colored bands on their shoes, which were tied around the ankles like sandals and highlighted the shape of the foot.

The beard, which was worn in full at the beginning of the twelfth century, was by degrees modified both as to shape and length. At first it was cut in a point, and only covered the end of the chin, but the next fashion was to wear it so as to join the moustaches. Generally, under Louis le Jeune (Fig. 412), moustaches went out of fashion. We next find beards worn only by country people, who, according to contemporary historians, desired to preserve a "remembrance of their participation in the Crusades." At the end of this century, all chins were shaved.

The beard, which was worn fully at the start of the twelfth century, gradually changed in both shape and length. At first, it was shaped to a point and only covered the tip of the chin, but then the trend shifted to connecting it with the moustaches. Generally, under Louis le Jeune (Fig. 412), moustaches went out of style. After that, we see beards mainly worn by rural people, who, according to historians of the time, wanted to keep a "memory of their involvement in the Crusades." By the end of this century, everyone was shaving their chins.

The Crusades also gave rise to the general use of the purse, which was suspended to the belt by a cord of silk or cotton, and sometimes by a metal chain. At the time of the Holy War, it had become an emblem characteristic of pilgrims, who, before starting for Palestine, received from the hands of the priest the cross, the pilgrim's staff, and the purse.

The Crusades also led to the common use of the purse, which was hung from the belt by a silk or cotton cord, and sometimes by a metal chain. During the Holy War, it had become a symbol associated with pilgrims, who, before heading to Palestine, were given the cross, the pilgrim's staff, and the purse by the priest.

We now come to the time of Louis IX. (Figs. 414 to 418), of that good king who, according to the testimony of his historians, generally dressed with the greatest simplicity, but who, notwithstanding his usual modesty and economy, did not hesitate on great occasions to submit to the pomp required by the regal position which he held. "Sometimes," says the Sire de Joinville, "he went into his garden dressed in a camel's-hair coat, a surcoat of linsey-woolsey without sleeves, a black silk cloak without a hood, and a hat trimmed with peacocks' feathers. At other times he was dressed in a coat of blue silk, a surcoat and mantle of scarlet satin, and a cotton cap."

We now arrive at the era of Louis IX. (Figs. 414 to 418), known as that good king who, according to reports from his historians, usually dressed very simply. However, despite his typical modesty and frugality, he didn't hesitate to embrace the grandeur expected of his royal role on special occasions. "Sometimes," says Sire de Joinville, "he would go into his garden wearing a camel's-hair coat, a sleeveless linsey-woolsey surcoat, a black silk cloak without a hood, and a hat decorated with peacock feathers. At other times, he wore a blue silk coat, a scarlet satin surcoat and mantle, and a cotton cap."

The surcoat (sur-cotte) was at first a garment worn only by females, but it was soon adopted by both sexes: it was originally a large wrapper with sleeves, and was thrown over the upper part of the robe (cotte), hence its name, sur-cotte. Very soon it was made without sleeves--doubtless, as M. Quicherat remarks, that the under garment, which was made of more costly material, might be seen; and then, with the same object, and in order that the due motion of the limbs might not be interfered with, the surcoat was raised higher above the hips, and the arm-holes were made very large.

The surcoat (sur-cotte) was initially a piece of clothing exclusively for women, but soon both men and women started wearing it. It was originally a large, sleeved wrapper thrown over the upper part of the robe (cotte), which is where it gets its name, sur-cotte. Before long, it was designed without sleeves—likely, as M. Quicherat points out, to show off the more expensive undergarment. To ensure freedom of movement, the surcoat was also raised higher above the hips, and the armholes were made much larger.

Fig. 414.--Costume of a Princess dressed in a Cloak lined with Fur.--From a Miniature of the Thirteenth Century.

Fig. 414.--Outfit of a Princess wearing a Fur-lined Cloak.--From a Thirteenth Century Miniature.

Fig. 415.--Costume of William Malgeneste, the King's Huntsman, as represented on his Tomb, formerly in the Abbey of Long-Pont.

Fig. 415.--Costume of William Malgeneste, the King's Huntsman, as shown on his tomb, which was once in the Abbey of Long-Pont.

At the consecration of Louis IX., in 1226, the nobles wore the cap (mortier) trimmed with fur; the bishops wore the cope and the mitre, and carried the crosier. Louis IX., at the age of thirteen, is represented, in a picture executed in 1262 (Sainte-Chapelle, Paris), with his hair short, and wearing a red velvet cap, a tunic, and over this a cloak open at the chest, having long sleeves, which are slit up for the arms to go through; this cloak, or surcoat, is trimmed with ermine in front, and has the appearance of what we should now call a fur shawl. The young King has long hose, and shoes similar in shape to high slippers. In the same painting Queen Margaret, his wife, wears a gown with tight bodice opened out on the hips, and having long and narrow sleeves; she also has a cloak embroidered with fleurs-de-lis, the long sleeves of which are slit up and bordered with ermine; a kind of hood, much larger than her head, and over this a veil, which passes under the chin without touching the face; the shoes are long, and seem to enclose the feet very tightly.

At the coronation of Louis IX. in 1226, the nobles wore fur-trimmed caps (mortiers); the bishops wore copes and mitres while carrying crosiers. Louis IX., at age thirteen, is depicted in a painting from 1262 (Sainte-Chapelle, Paris) with short hair, wearing a red velvet cap, a tunic, and an open-front cloak with long sleeves that have slits for the arms. This cloak, or surcoat, is trimmed with ermine in the front and looks like what we'd call a fur shawl today. The young king has long stockings and shoes that resemble high slippers. In the same painting, Queen Margaret, his wife, wears a gown with a fitted bodice that flares out at the hips and has long, narrow sleeves. She also has a cloak embroidered with fleurs-de-lis, whose long sleeves are slit and bordered with ermine; she wears a hood that's much larger than her head, covered with a veil that goes under her chin without touching her face, and her shoes are long, tightly fitting around her feet.

Fig. 416.--Costumes of the Thirteenth Century: Tristan and the beautiful Yseult.--From a Miniature in the Romance of "Tristan," Manuscript of the Fourteenth Century (Imperial Library of Paris).

Fig. 416.--Thirteenth Century Costumes: Tristan and the Beautiful Yseult.--From a Miniature in the Romance of "Tristan," Fourteenth Century Manuscript (Imperial Library of Paris).

From this period gowns with tight bodices were generally adopted; the women wore over them a tight jacket, reaching to a little below the hips, often trimmed with fur when the gown was richly ornamented, and itself richly ornamented when the gown was plain. They also began to plait the hair, which fell down by the side of the face to the neck, and they profusely decorated it with pearls or gold or silver ornaments. Jeanne, Queen of Navarre, wife of Philippe le Bel, is represented with a pointed cap, on the turned-up borders of which the hair clusters in thick curls on each side of the face; on the chest is a frill turned down in two points; the gown, fastened in front by a row of buttons, has long and tight sleeves, with a small slit at the wrists closed by a button; lastly, the Queen wears, over all, a sort of second robe in the shape of a cloak, the sleeves of which are widely slit in the middle.

From this period, women typically wore gowns with tight bodices; over them, they sported a fitted jacket that extended just below the hips, often trimmed with fur if the gown was lavishly adorned, and richly decorated if the gown was simple. They also started braiding their hair, which fell alongside their face down to their neck, and decorated it extensively with pearls or gold or silver accessories. Jeanne, Queen of Navarre, wife of Philippe le Bel, is depicted wearing a pointed cap, with her hair styled in thick curls on either side of her face; she has a frill that points down in two points at her chest; the gown, buttoned down the front, features long, fitted sleeves with a small slit at the wrists that closes with a button; lastly, the Queen wears an additional robe that resembles a cloak, with widely slit sleeves.

At the end of the thirteenth century luxury was at its height at the court of France: gold and silver, pearls and precious stones were lavished on dress. At the marriage of Philip III., son of St. Louis, the gentlemen were dressed in scarlet; the ladies in cloth of gold, embroidered and trimmed with gold and silver lace. Massive belts of gold were also worn, and chaplets sparkling with the same costly metal. Moreover, this magnificence and display (see chapter on Private Life) was not confined to the court, for we find that it extended to the bourgeois class, since Philippe le Bel, by his edict of 1294, endeavoured to limit this extravagance, which in the eyes of the world had an especial tendency to obliterate, or at least to conceal, all distinctions of birth, rank, and condition. Wealth strove hard at that time to be the sole standard of dress.

By the end of the thirteenth century, luxury was at its peak in the court of France: gold and silver, pearls, and precious stones were lavishly used in fashion. During the wedding of Philip III, son of St. Louis, the men wore scarlet, and the women dazzled in cloth of gold, adorned with gold and silver lace. They also sported heavy gold belts and crowns sparkling with the same precious metal. Furthermore, this opulence and sense of show (see chapter on Private Life) wasn't just limited to the court; it spread to the bourgeois class as well. Philippe le Bel, by his decree of 1294, tried to curb this extravagance, which was seen as blurring or even hiding all distinctions of birth, rank, and social status. At that time, wealth was striving to become the sole standard for fashion.

As we approach the fourteenth century--an epoch of the Middle Ages at which, after many changes of fashion, and many struggles against the ancient Roman and German traditions, modern national costume seems at last to have assumed a settled and normal character--we think it right to recapitulate somewhat, with a view to set forth the nature of the various elements which were at work from time to time in forming the fashions in dress. In order to give more weight to our remarks, we will extract, almost word for word, a few pages from the learned and excellent work which M. Jules Quicherat has published on this subject.

As we near the fourteenth century—a period in the Middle Ages when, after many changes in style and struggles against ancient Roman and German traditions, modern national dress seems to have finally reached a settled and normal look—we find it appropriate to summarize some points, aiming to clarify the different influences that shaped fashion over time. To give our comments more substance, we will quote, nearly verbatim, a few pages from the insightful and scholarly work published by M. Jules Quicherat on this topic.

"Towards the year 1280," he says, "the dress of a man--not of a man as the word was then used, which meant serf, but of one to whom the exercise of human prerogatives was permitted, that is to say, of an ecclesiastic, a bourgeois, or a noble--was composed of six indispensable portions: the braies, or breeches, the stockings, the shoes, the coat, the surcoat, or cotte-hardie, and the chaperon, or head-dress. To these articles those who wished to dress more elegantly added, on the body, a shirt; on the shoulders, a mantle; and on the head, a hat, or fronteau.

"By around 1280," he says, "a man’s outfit—not a man as the word was used back then, which meant serf, but someone who was allowed to exercise human rights, such as an ecclesiastic, a bourgeois, or a noble—consisted of six essential parts: the braies, or breeches, the stockings, the shoes, the coat, the surcoat, or cotte-hardie, and the chaperon, or headgear. To these pieces, those who wanted to dress more stylishly added a shirt underneath, a mantle over their shoulders, and a hat, or fronteau, on their head."

Fig. 417.--Costumes of the Common People in the Fourteenth Century: Italian Gardener and Woodman.--From two Engravings in the Bonnart Collection.

Fig. 417.--Costumes of Everyday People in the Fourteenth Century: Italian Gardener and Woodsman.--From two Engravings in the Bonnart Collection.

"The braies, or brayes, were a kind of drawers, generally knitted, sometimes made of woollen stuff or silk, and sometimes even of undressed leather. .... Our ancestors derived this part of their dress from the ancient Gauls; only the Gallic braies came down to the ankle, whereas those of the thirteenth century only reached to the calf. They were fastened above the hips by means of a belt called the braier.

The braies, or brayes, were a type of undergarment, usually knitted, sometimes made from wool or silk, and occasionally even from raw leather. .... Our ancestors got this part of their clothing from the ancient Gauls; however, the Gallic braies went down to the ankle, while those from the thirteenth century only reached the calf. They were secured above the hips with a belt called the braier.

"By chausses was meant what we now call long stockings or hose. The stockings were of the same colour and material as the braies, and were kept up by the lower part of the braies being pulled over them, and tied with a string.

"By chausses was meant what we now call long stockings or hose. The stockings were the same color and material as the braies and were held up by the lower part of the braies being pulled over them and tied with a string."

"The shoes were made of various kinds of leather, the quality of which depended on the way in which they were tanned, and were either of common leather, or of leather which was similar to that we know as morocco, and was called cordouan or cordua (hence the derivation of the word cordouannier, which has now become cordonnier). Shoes were generally made pointed; this fashion of the poulaines, or Polish points, was followed throughout the whole of Europe for nearly three hundred years, and, when first introduced, the Church was so scandalized by it that it was almost placed in the catalogue of heresies. Subsequently, the taste respecting the exaggerated length of the points was somewhat modified, but it had become so inveterate that the tendency for pointed shoes returning to their former absurd extremes was constantly showing itself. The pointed shoes became gradually longer during the struggles which were carried on in the reign of Philippe le Bel between Church and State.

The shoes were made from different types of leather, with the quality depending on how they were tanned. They were either made of common leather or leather similar to what we know as morocco, referred to as cordouan or cordua (which is where the term cordouannier comes from, and has now evolved into cordonnier). Shoes were usually pointed; this style known as poulaines, or Polish points, was worn across Europe for almost three hundred years. When it first appeared, the Church was so shocked that it was nearly classified as heresy. Over time, the trend for excessively long points was slightly toned down, but it had become so ingrained that the desire for pointed shoes to revert to their former ridiculous lengths kept coming back. The pointed shoes gradually became longer during the power struggles between the Church and State in the reign of Philippe le Bel.

"Besides the shoes, there were also the estiviaux, thus named from. estiva (summer thing), because, being generally made of velvet, brocade, or other costly material, they could only be worn in dry weather.

"Besides the shoes, there were also the estiviaux, named after estiva (summer thing), because they were typically made of velvet, brocade, or other expensive materials, so they could only be worn in dry weather."

"The coat (cotte) corresponded with the tunic of the ancients, it was a blouse with tight sleeves. These sleeves were the only part of it which were exposed, the rest being completely covered by the surcoats, or cotte-hardie, a name the origin of which is obscure. In shape the surcoat somewhat resembled a sack, in which, at a later period, large slits were made in the arms, as well as over the hips and on the chest, through which appeared the rich furs and satins with which it was lined.... The ordinary material of the surcoat for the rich was cloth, either scarlet, blue, or reddish brown, or two or more of these colours mixed together; and for the poor, linsey-woolsey or fustian. The nobles, princes, or barons, when holding a court, wore surcoats of a colour to match their arms, which were embroidered upon them, but the lesser nobles who frequented the houses of the great spoke of themselves as in the robes of such and such a noble, because he whose patronage they courted was obliged to provide them with surcoats and mantles. These were of their patron's favourite colour, and were called the livery (livrée), on account of their distribution (livraison), which took place twice a year. The word has remained in use ever since, but with a different signification; it is, however, so nearly akin to the original meaning that its affinity is evident."

The coat (cotte) was similar to the tunic of ancient times; it was a blouse with tight sleeves. These sleeves were the only exposed part, while the rest was completely covered by the surcoats, or cotte-hardie, a term whose origin is unclear. The surcoat was shaped somewhat like a sack, and later on, large slits were made in the arms, hips, and chest, revealing the luxurious furs and satins that lined it. For the wealthy, the typical material of the surcoat was cloth in colors like scarlet, blue, or reddish-brown, or a combination of these colors; for the poor, it was linsey-woolsey or fustian. Nobles, princes, or barons wore surcoats in colors that matched their coats of arms while in court, which were embroidered on them. Lesser nobles who visited the houses of the powerful referred to themselves as being in the robes of a particular noble, since those whose favor they sought were expected to provide surcoats and mantles. These garments were in their patron's preferred color and were known as livery (livrée) due to their distribution (livraison), which happened twice a year. This term has continued to be used, though its meaning has changed; it remains closely related to its original meaning.

Fig. 418.--Costume of English Servants in the Fourteenth Century.--From Manuscripts in the British Museum.

Fig. 418.--Costume of English Servants in the Fourteenth Century.--From Manuscripts in the British Museum.

Fig. 419.--Costume of Philip the Good, with Hood and "Cockade."--From a Miniature in a Manuscript of the Period.

Fig. 419.--Costume of Philip the Good, with Hood and "Cockade."--From a Miniature in a Manuscript of the Time.

An interesting anecdote relative to this custom is to be found in the chronicles of Matthew Paris. When St. Louis, to the dismay of all his vassals, and of his inferior servants, had decided to take up the cross, he succeeded in associating the nobles of his court with him in his vow by a kind of pious fraud. Having had a certain number of mantles prepared for Christmas-day, he had a small white cross embroidered on each above the right shoulder, and ordered them to be distributed among the nobles on the morning of the feast when they were about to go to mass, which was celebrated some time before sunrise. Each courtier received the mantle given by the King at the door of his room, and put it on in the dark without noticing the white cross; but, when the day broke, to his great surprise, he saw the emblem worn by his neighbour, without knowing that he himself wore it also. "They were surprised and amused," says the English historian, "at finding that the King had thus piously entrapped them.... As it would have been unbecoming, shameful, and even unworthy of them to have removed these crosses, they laughed heartily, and said that the good King, on starting as a pilgrim-hunter, had found a new method of catching men."

An interesting story related to this custom comes from the chronicles of Matthew Paris. When St. Louis decided to take up the cross, much to the dismay of all his vassals and lower servants, he managed to involve the nobles of his court in his vow through a sort of clever trick. He had a number of mantles prepared for Christmas Day with a small white cross embroidered on each above the right shoulder and ordered them to be given out to the nobles on the morning of the feast, just before they headed to mass, which was held before sunrise. Each courtier received the mantle from the King at the door of his room and put it on in the dark without noticing the white cross. But as daylight came, he was surprised to see the emblem being worn by his neighbor, unaware that he was wearing it too. "They were surprised and amused," says the English historian, "to find that the King had thus cleverly tricked them.... Since it would have been inappropriate, shameful, and even unworthy for them to remove these crosses, they laughed heartily and said that the good King, starting out as a pilgrim-hunter, had found a new way to catch men."

"The chaperon," adds M. Quicherat, "was the national head-dress of the ancient French, as the cucullus, which was its model, was that of the Gauls. We can imagine its appearance by its resemblance to the domino now worn at masked balls. The shape was much varied during the reign of Philippe le Bel, either by the diminution of the cape or by the lengthening of the hood, which was always sufficiently long to fall on the shoulders. In the first of these changes, the chaperon no longer being tied round the neck, required to be held on the head by something more solid. For this reason it was set on a pad or roll, which changed it into a regular cap. The material was so stitched as to make it take certain folds, which were arranged as puffs, as ruffs, or in the shape of a cock's comb; this last fashion, called cockade, was especially in vogue (Fig. 419)--hence the origin of the French epithet coquard, which would be now expressed by the word dandy.

"The chaperon," adds M. Quicherat, "was the national headwear of the ancient French, just as the cucullus, which inspired it, was for the Gauls. We can picture its look since it resembles the domino currently worn at masked balls. Its shape changed a lot during Philippe le Bel's reign, either by shortening the cape or lengthening the hood, which was always long enough to drape over the shoulders. With the first change, since the chaperon was no longer tied around the neck, it needed to be held on the head with something sturdier. For this reason, it was placed on a pad or roll, transforming it into a proper cap. The material was sewn to create specific folds, arranged into puffs, ruffs, or resembling a rooster's comb; this last style, called cockade, was particularly trendy (Fig. 419)—thus the origin of the French term coquard, which we would now express as dandy.

"Hats were of various shapes. They were made of different kinds of felt, or of otter or goat's skin, or of wool or cotton. The expression chapeau de fleurs (hat of flowers), which continually occurs in ancient works, did not mean any form of hat, but simply a coronet of forget-me-nots or roses, which was an indispensable part of dress for balls or festivities down to the reign of Philippe de Valois (1347). Frontlets (fronteaux), a species of fillet made of silk, covered with gold and precious stones, superseded the chapeau de fleurs, inasmuch as they had the advantage of not fading. They also possessed the merit of being much more costly, and were thus the means of establishing in a still more marked manner distinctions in the social positions of the wearers.

Hats came in various shapes and were made from different materials like felt, otter or goat skin, wool, or cotton. The term chapeau de fleurs (hat of flowers), which appears frequently in old texts, didn't refer to any type of hat but specifically meant a wreath of forget-me-nots or roses, which was essential for attire at balls or celebrations until the reign of Philippe de Valois (1347). Frontlets (fronteaux), a kind of silk band decorated with gold and precious stones, replaced the chapeau de fleurs because they didn’t fade. They were also significantly more expensive, which further highlighted the social distinctions among the people who wore them.

Fig. 420.--Costumes of a rich Bourgeoise, of a Peasant-woman, and of a Lady of the Nobility, of the Fourteenth Century.--From various painted Windows in the Churches of Moulins (Bourbonnais).

Fig. 420.--Costumes of a wealthy bourgeois woman, a peasant woman, and a lady of the nobility from the Fourteenth Century.--From various stained glass windows in the churches of Moulins (Bourbonnais).

A miniature from the Breviary of the cardinal Grimani, attributed to Memling.

A small illustration from the Breviary of Cardinal Grimani, credited to Memling.

Bibl. of Saint-Marc, Venice.

Biblioteca di San Marco, Venice.

(From a copy belonging to M. Ambroise Firmin-Didot.)

(From a copy owned by M. Ambroise Firmin-Didot.)

"There were two kinds of mantles; one was open in front, and fell over the back, and a strap which crossed the chest held it fixed on the shoulders; the other, enveloping the body like a bell, was slit up on the right side, and was thrown back over the left arm; it was made with a fur collar, cut in the shape of a tippet. This last has been handed down to us, and is worn by our judges under the name of toge and épitoge.

There were two types of cloaks; one was open in the front, draping over the back, and a strap crossing the chest kept it secured on the shoulders; the other wrapped around the body like a bell, was split up the right side, and was draped over the left arm; it featured a fur collar shaped like a tippet. This latter style has been passed down to us and is worn by our judges under the names of toge and épitoge.

"It is a very common mistake to suppose that the shirt is an article of dress of modern invention; on the contrary, it is one of great antiquity, and its coming into general use is the only thing new about it.

"It’s a common misconception to think that the shirt is a modern invention; in fact, it’s quite ancient, and the only new thing about it is its widespread use."

"Lastly, we have to mention the chape, which was always regarded as a necessary article of dress. The chape was the only protection against bad weather at a period when umbrellas and covered carriages were unknown. It was sometimes called chape de pluie, on account of the use to which it was applied, and it consisted of a large cape with sleeves, and was completely waterproof. It was borne behind a master by his servant, who, on account of this service was called a porte-chape. It is needless to say that the common people carried it themselves, either slung over their backs, or folded under the arm."

"Lastly, we need to mention the chape, which was always considered a necessary part of clothing. The chape was the only protection against bad weather at a time when umbrellas and covered carriages didn't exist. It was sometimes called chape de pluie because of its intended use, and it was a large cape with sleeves that was completely waterproof. It was carried by a servant behind their master, who was known as a porte-chape. It's important to note that regular people carried it themselves, either draped over their backs or folded under their arms."

If we now turn to female attire, we shall find represented in it all the component parts of male dress, and almost all of them under the same names. It must be remarked, however, that the women's coats and surcoats often trailed on the ground; that the hat--which was generally called a couvre-chef, and consisted of a frame of wirework covered over with stuff which was embroidered or trimmed with lace--was not of a conical shape; and, lastly, that the chaperon, which was always made with a tippet, or chausse, never turned over so as to form a cap. We may add that the use of the couvre-chef did not continue beyond the middle of the fourteenth century, at which time women adopted the custom of wearing any kind of head-dress they chose, the hair being kept back by a silken net, or crépine, attached either to a frontlet, or to a metal fillet, or confined by a veil of very light material, called a mollequin (Fig. 420).

If we look at women's clothing, we'll see that it includes all the elements of men's attire, often sharing the same names. It's important to note, though, that women's coats and outer garments usually dragged on the ground; that the hat—generally called a couvre-chef, which was made of a wireframe covered with fabric that was embroidered or trimmed with lace—was not cone-shaped; and finally, that the chaperon, typically designed with a tippet or chausse, never flipped over to form a cap. Additionally, it's worth mentioning that the use of the couvre-chef did not last beyond the middle of the fourteenth century, at which point women began wearing whatever type of head covering they preferred, keeping their hair back with a silk net, or crépine, attached to either a frontlet, a metal headband, or secured by a very lightweight veil called a mollequin (Fig. 420).

Fig. 421.--Costumes of a young Nobleman and of a Bourgeois in the Fourteenth Century.--From a painted Window in the Church of Saint-Ouen at Rouen, and from a Window at Moulins (Bourbonnais).

Fig. 421.--Outfits of a young Nobleman and a Bourgeois in the Fourteenth Century.--From a stained glass window in the Church of Saint-Ouen in Rouen, and from a window in Moulins (Bourbonnais).

With the aid of our learned guide we have now reached a period (end of the thirteenth century) well adapted for this general study of the dress of our ancestors, inasmuch as soon afterwards men's dress at least, and especially that of young courtiers, became most ridiculously and even indecently exaggerated. To such an extent was this the case, that serious calamities having befallen the French nation about this time, and its fashions having exercised a considerable influence over the whole continent of Europe, contemporary historians do not hesitate to regard these public misfortunes as a providential chastisement inflicted on France for its disgraceful extravagance in dress.

With the help of our knowledgeable guide, we've now arrived at a time (the end of the thirteenth century) that's perfect for studying the clothing of our ancestors. Shortly after this period, men's fashion, particularly among young nobles, became ridiculously and even indecently extravagant. It got so extreme that when serious disasters affected France around this time, and its trends significantly influenced the entire continent of Europe, contemporary historians didn't hesitate to see these public misfortunes as a divine punishment on France for its shameful excesses in fashion.

"We must believe that God has permitted this as a just judgment on us for our sins," say the monks who edited the "Grande Chronique de St. Denis," in 1346, at the time of the unfortunate battle of Cressy, "although it does not belong to us to judge. But what we see we testify to; for pride was very great in France, and especially amongst the nobles and others, that is to say, pride of nobility, and covetousness. There was also much impropriety in dress, and this extended throughout the whole of France. Some had their clothes so short and so tight that it required the help of two persons to dress and undress them, and whilst they were being undressed they appeared as if they were being skinned. Others wore dresses plaited over their loins like women; some had chaperons cut out in points all round; some had tippets of one cloth, others of another; and some had their head-dresses and sleeves reaching to the ground, looking more like mountebanks than anything else. Considering all this, it is not surprising if God employed the King of England as a scourge to correct the excesses of the French people."

"We need to believe that God allowed this as fair judgment on us for our sins," say the monks who edited the "Grande Chronique de St. Denis," in 1346, during the unfortunate battle of Cressy, "even though it’s not for us to judge. But what we witness, we testify to; because there was a lot of pride in France, especially among the nobles and others, including pride in nobility and greed. There was also a lot of inappropriate dress, which spread throughout all of France. Some had their clothes so short and tight that it took two people to get them dressed and undressed, and while they were being undressed, it looked like they were being skinned. Others wore skirts pulled up over their hips like women; some had hooded capes with pointed designs all around; some wore tippets made of different fabrics; and some had their headdresses and sleeves dragging on the ground, looking more like street performers than anything else. Given all of this, it’s not surprising that God used the King of England as a punishment to correct the excesses of the French people."

And this is not the only testimony to the ridiculous and extravagant tastes of this unfortunate period. One writer speaks with indignation of the goats' beards (with two points), which seemed to put the last finishing touch of ridicule on the already grotesque appearance of even the most serious people of that period. Another exclaims against the extravagant luxury of jewels, of gold and silver, and against the wearing of feathers, which latter then appeared for the first time as accessories to both male and female attire. Some censure, and not without reason, the absurd fashion of converting the ancient leather girdle, meant to support the waist, into a kind of heavy padded band, studded with gilded ornaments and precious stones, and apparently invented expressly to encumber the person wearing it. Other contemporary writers, and amongst these Pope Urban V. and King Charles V. (Fig. 422), inveigh against the poulaines, which had more than ever come into favour, and which were only considered correct in fashion when they were made as a kind of appendix to the foot, measuring at least double its length, and ornamented in the most fantastical manner. The Pope anathematized this deformity as "a mockery of God and the holy Church," and the King forbad craftsmen to make them, and his subjects to wear them. All this is as nothing in comparison with the profuse extravagance displayed in furs, which was most outrageous and ruinous, and of which we could not form an idea were it not for the items in certain royal documents, from which we gather that, in order to trim two complete suits for King John, no fewer than six hundred and seventy martens' skins were used. It is also stated that the Duke of Berry, the youngest son of that monarch, purchased nearly ten thousand of these same skins from a distant country in the north, in order to trim only five mantles and as many surcoats. We read also that a robe made for the Duke of Orleans, grandson of the same king, required two thousand seven hundred and ninety ermines' skins. It is unnecessary to state, that in consequence of this large consumption, skins could only be purchased at the most extravagant prices; for example, fifty skins cost about one hundred francs (or about six thousand of present currency), showing to what an enormous expense those persons were put who desired to keep pace with the luxury of the times (Fig. 424).

And this isn't the only proof of the ridiculous and extravagant tastes of this unfortunate era. One writer expresses indignation about the goats' beards (with two points), which seemed to add the final touch of mockery to the already bizarre appearance of even the most serious people of that time. Another complains about the excessive luxury of jewels, gold, and silver, as well as the wearing of feathers, which for the first time became accessories in both male and female fashion. Some criticize, and not without reason, the absurd trend of turning the ancient leather belt, meant to support the waist, into a kind of heavy padded band, studded with gilded ornaments and precious stones, seemingly designed just to weigh down the wearer. Other contemporary writers, including Pope Urban V. and King Charles V. (Fig. 422), condemned the poulaines, which had become more popular than ever and were only considered fashionable when they extended at least twice the length of the foot and were embellished in the most outlandish ways. The Pope condemned this deformity as "a mockery of God and the holy Church," and the King prohibited craftsmen from making them and his subjects from wearing them. All of this pales in comparison to the excessive extravagance displayed in furs, which was outrageous and ruinous, and we would be hard-pressed to imagine it if not for certain royal documents, from which we learn that to trim two complete suits for King John, no fewer than six hundred and seventy marten skins were used. It is also noted that the Duke of Berry, the youngest son of that monarch, purchased nearly ten thousand of these same skins from a distant northern country to trim only five cloaks and as many surcoats. We also read that a robe made for the Duke of Orleans, the grandson of the same king, required two thousand seven hundred and ninety ermine skins. It goes without saying that due to this high demand, skins could only be bought at exorbitant prices; for instance, fifty skins cost about one hundred francs (or about six thousand in today's currency), indicating the massive expenses incurred by those who wanted to keep up with the luxury of the times (Fig. 424).

Fig. 422.--Costume of Charles V., King of France.--From a Statue formerly in the Church of the Célestins, Paris.

Fig. 422.--Costume of Charles V., King of France.--From a statue that used to be in the Church of the Célestins, Paris.

Fig. 423.--Costume of Jeanne de Bourbon, Wife of Charles V.--From a Statue formerly in the Church of the Célestins, Paris.

Fig. 423.--Costume of Jeanne de Bourbon, Wife of Charles V.--From a statue that used to be in the Church of the Célestins, Paris.

We have already seen that Charles V. used his influence, which was unfortunately very limited, in trying to restrain the extravagance of fashion. This monarch did more than decree laws against indelicate or unseemly and ridiculous dress; he himself never wore anything but the long and ample costume, which was most becoming, and which had been adopted in the preceding century. His example, it is true, was little followed, but it nevertheless had this happy resuit, that the advocates of short and tight dresses, as if suddenly seized with instinctive modesty, adopted an upper garment, the object of which seemed to be to conceal the absurd fashions which they had not the courage to rid themselves of. This heavy and ungraceful tunic, called a housse, consisted of two broad bands of a more or less costly material, which, starting from the neck, fell behind and before, thus almost entirely concealing the front and back of the person, and only allowing the under garments to be seen through the slits which naturally opened on each side of it.

We’ve already seen that Charles V tried to use his influence, which was unfortunately quite limited, to control the excess of fashion. This king did more than just pass laws against inappropriate or ridiculous clothing; he himself only wore the long and loose attire that was the norm in the previous century. It’s true that his example wasn’t widely imitated, but it did lead to the unexpected outcome that those in favor of short and tight clothing, as if suddenly hit by a sense of modesty, began to wear an upper garment aimed at hiding the ridiculous styles they lacked the courage to abandon. This heavy and awkward tunic, called a housse, was made of two wide strips of more or less luxurious fabric that, starting from the neck, draped down in front and back, effectively covering almost the entire front and back of the body while only allowing the underlying garments to show through the slits that naturally opened on each side.

A fact worthy of remark is, that whilst male attire, through a depravity of taste, had extended to the utmost limit of extravagance, women's dress, on the contrary, owing to a strenuous effort towards a dignified and elegant simplicity, became of such a character that it combined all the most approved fashions of female costume which had been in use in former periods.

A noteworthy fact is that while men's clothing, due to poor taste, had gone to the extreme of extravagance, women's fashion, on the other hand, through a strong focus on dignified and elegant simplicity, became a blend of all the most respected styles of women's clothing from past eras.

The statue of Queen Jeanne de Bourbon, wife of Charles V., formerly placed with that of her husband in the Church of the Célestins at Paris, gives the most faithful representation of this charming costume, to which our artists continually have recourse when they wish to depict any poetical scenes of the French Middle Ages (Fig. 423).

The statue of Queen Jeanne de Bourbon, wife of Charles V, once displayed alongside her husband's in the Church of the Célestins in Paris, provides the most accurate representation of this beautiful outfit, which our artists often reference when they want to portray any poetic scenes from the French Middle Ages (Fig. 423).

Fig. 424.--Costumes of Bourgeois or Merchant, of a Nobleman, and of a Lady of the Court or rich Bourgeoise, with the Head-dress (escoffion) of the Fifteenth Century.--From a Painted Window of the Period, at Moulins (Bourbonnais), and from a Painting on Wood of the same Period, in the Musee de Cluny.

Fig. 424.--Costumes of a Bourgeois or Merchant, a Nobleman, and a Lady of the Court or wealthy Bourgeoise, along with the headdress (escoffion) of the Fifteenth Century.--From a painted window of the period, at Moulins (Bourbonnais), and from a wooden painting of the same period, in the Musee de Cluny.

This costume, without positively differing in style from that of the thirteenth century, inasmuch as it was composed of similar elements, was nevertheless to be distinguished by a degree of elegance which hitherto had been unknown. The coat, or under garment, which formerly only showed itself through awkwardly-contrived openings, now displayed the harmonious outlines of the figure to advantage, thanks to the large openings in the overcoat. The surcoat, kept back on the shoulders by two narrow bands, became a sort of wide and trailing skirt, which majestically draped the lower part of the body; and, lastly, the external corset was invented, which was a kind of short mantle, falling down before and behind without concealing any of the fine outlines of the bust. This new article of apparel, which was kept in its place in the middle of the chest by a steel busk encased in some rich lace-work, was generally made of fur in winter and of silk in summer. If we consult the numerous miniatures in manuscripts of this period, in which the gracefulness of the costume was heightened by the colours employed, we shall understand what variety and what richness of effect could be displayed without departing from the most rigid simplicity.

This costume, while not significantly different in style from that of the thirteenth century since it was made up of similar elements, was nonetheless marked by a level of elegance previously unseen. The coat, or undergarment, which once only peeked out through awkwardly designed openings, now showcased the figure beautifully thanks to the large cuts in the overcoat. The surcoat, held back on the shoulders by two narrow bands, transformed into a wide, flowing skirt that elegantly draped the lower body. Lastly, the external corset was introduced, which was a kind of short mantle that hung in front and back without hiding any of the lovely curves of the bust. This new piece of apparel, secured in place at the chest with a steel busk encased in intricate lacework, was typically made of fur in winter and silk in summer. If we look at the many miniatures in manuscripts from this time, where the gracefulness of the costume was enhanced by the colors used, we can see the variety and richness of effects that could be achieved without straying from the strictest simplicity.

One word more in reference to female head-dress. The fashion of wearing false hair continued in great favour during the middle of the fourteenth century, and it gave rise to all sorts of ingenious combinations; which, however, always admitted of the hair being parted from the forehead to the back of the head in two equal masses, and of being plaited or waved over the ears. Nets were again adopted, and head-dresses which, whilst permitting a display of masses of false hair, hid the horsehair or padded puffs. And, lastly, the escoffion appeared--a heavy roll, which, being placed on a cap also padded, produced the most clumsy, outrageons, and ungraceful shapes (Fig. 424).

One more thing about women's hairstyles. The trend of wearing fake hair was really popular during the mid-14th century and led to all kinds of creative styles. However, these styles still featured hair parted from the forehead to the back of the head in two equal sections and styled in braids or waves over the ears. Hair nets came back into fashion, and headpieces allowed for a display of large amounts of fake hair while concealing the horsehair or padded puffs underneath. Finally, the escoffion emerged—a bulky roll placed on a padded cap that created the most awkward, outrageous, and ungraceful shapes (Fig. 424).

At the beginning of the fifteenth century men's dress was still very short. It consisted of a kind of tight waistcoat, fastened by tags, and of very close-fitting breeches, which displayed the outlines of the figure. In order to appear wide at the shoulders artificial pads were worn, called mahoitres. The hair was allowed to fall on the forehead in locks, which covered the eyebrows and eyes. The sleeves were slashed, the shoes armed with long metal points, and the conical hat, with turned-up rim, was ornamented with gold chains and various jewels. The ladies, during the reign of Charles VI., still wore long trains to their dresses, which they carried tucked up under their arms, unless they had pages or waiting-maids (see chapter on Ceremonials). The tendency, however, was to shorten these inconvenient trains, as well as the long hanging and embroidered or fringed sleeves. On the other hand, ladies' dresses on becoming shorter were trimmed in the most costly manner. Their head-dresses consisted of very large rolls, surmounted by a high conical bonnet called a hennin, the introduction of which into France was attributed to Queen Isabel of Bavaria, wife of Charles VI. It was at this period that they began to uncover the neck and to wear necklaces.

At the start of the fifteenth century, men’s fashion was still quite short. It featured a kind of fitted waistcoat secured with tags and very tight breeches that highlighted the shape of the body. To create the appearance of broader shoulders, they wore artificial pads known as mahoitres. Hair was styled to fall in locks on the forehead, covering the eyebrows and eyes. Sleeves were often slashed, shoes had long metal points, and the conical hat with a turned-up brim was adorned with gold chains and various jewels. During the reign of Charles VI, women still wore long trains with their dresses, which they tucked under their arms unless they had pages or maids to carry them (see chapter on Ceremonials). However, there was a trend to shorten these cumbersome trains, as well as the long, hanging, embroidered, or fringed sleeves. At the same time, as dresses became shorter, they were decorated in the most extravagant ways. Women’s headpieces included large rolls topped with a high conical bonnet called a hennin, which was introduced to France by Queen Isabel of Bavaria, the wife of Charles VI. It was during this period that they began to reveal their necks and wear necklaces.

Fig. 425.--Italian Costumes of the Fifteenth Century: Notary and Sbirro.--From two Engravings in the Bonnart Collection.

Fig. 425.--Italian Costumes of the 15th Century: Notary and Sbirro.--From two Engravings in the Bonnart Collection.

Fig. 426.--Costumes of a Mechanic's Wife and a rich Bourgeois in the latter part of the Fifteenth Century.--From Windows in the Cathedral of Moulins (Bourbonnais).

Fig. 426.--Costumes of a Mechanic's Wife and a Wealthy Bourgeois in the Late Fifteenth Century.--From the Windows in the Cathedral of Moulins (Bourbonnais).

Under Louis XI. this costume, already followed and adopted by the greatest slaves of fashion, became more general.

Under Louis XI, this outfit, already embraced by the biggest trend followers, became more widespread.

"In this year (1487)," says the chronicler Monstrelet, "ladies ceased to wear trains, substituting for them trimmings of grebe, of martens' fur, of velvet, and of other materials, of about eighteen inches in width; some wore on the top of their heads rolls nearly two feet high, shaped like a round cap, which closed in above. Others wore them lower, with veils hanging from the top, and reaching down to the feet. Others wore unusually wide silk bands, with very elegant buckles equally wide, and magnificent gold necklaces of various patterns.

"In this year (1487)," says the chronicler Monstrelet, "women stopped wearing trains and instead opted for trims made of grebe, marten fur, velvet, and other materials, about eighteen inches wide. Some had rolls on their heads that were nearly two feet high, shaped like a round cap that closed in at the top. Others wore theirs lower, with veils hanging down to their feet. Some adorned themselves with unusually wide silk bands, featuring elegant buckles of the same width, and stunning gold necklaces in various styles.

"About this time, too, men took to wearing shorter clothes than ever, having them made to fit tightly to the body, after the manner of dressing monkeys, which was very shameful and immodest; and the sleeves of their coats and doublets were slit open so as to show their fine white shirts. They wore their hair so long that it concealed their face and even their eyes, and on their heads they wore cloth caps nearly a foot or more high. They also carried, according to fancy, very splendid gold chains. Knights and squires, and even the varlets, wore silk or velvet doublets; and almost every one, especially at court, wore poulaines nine inches or more in length. They also wore under their doublets large pads (mahoitres), in order to appear as if they had broad shoulders."

"During this time, men started wearing shorter clothes than ever, tailored to fit tightly to their bodies, similar to how monkeys are dressed, which was quite shameful and immodest. The sleeves of their jackets and vests were slashed open to show off their fine white shirts. They let their hair grow so long that it hid their faces and even their eyes, and topped it off with cloth caps that were nearly a foot or more tall. They also carried lavish gold chains as accessories. Knights, squires, and even the servants wore silk or velvet jackets, and almost everyone, especially at court, sported poulaines that were nine inches or longer. They also wore large pads (mahoitres) under their jackets to create the appearance of broad shoulders."

Under Charles VIII. the mantle, trimmed with fur, was open in front, its false sleeves being slit up above in order to allow the arms of the under coat to pass through. The cap was turned up; the breeches or long hose were made tight-fitting. The shoes with poulaines were superseded by a kind of large padded shoe of black leather, round or square at the toes, and gored over the foot with coloured material, a fashion imported from Italy, and which was as much exaggerated in France as the poulaine had formerly been. The women continued to wear conical caps (hennins) of great height, covered with immense veils; their gowns were made with tight-fitting bodies, which thus displayed the outlines of the figure (Figs. 427 and 428).

Under Charles VIII, the mantle, lined with fur, was open in the front, with slits in the false sleeves allowing the arms of the undercoat to pass through. The cap was folded up; the breeches or long hose were tight-fitting. The shoes with pointed toes were replaced by a style of large padded shoes made of black leather, either round or square at the toes, and decorated over the foot with colored material—a trend imported from Italy that became even more exaggerated in France than the previous poulaine style. Women continued to wear tall conical caps (hennins) topped with huge veils; their gowns featured tight-fitting bodices, which highlighted the shape of their figures (Figs. 427 and 428).

Under Louis XII., Queen Anne invented a low head-dress--or rather it was invented for her--consisting of strips of velvet or of black or violet silk over other bands of white linen, which encircled the face and fell down over the back and shoulders; the large sleeves of the dresses had a kind of turned-over borders, with trimmings of enormous width. Men adopted short tunics, plaited and tight at the waist. The upper part of the garments of both men and women was cut in the form of a square over the chest and shoulders, as most figures are represented in the pictures of Raphael and contemporary painters.

Under Louis XII, Queen Anne introduced a low headpiece—actually, it was designed for her—made from strips of velvet or black or violet silk layered over white linen bands that framed her face and flowed down her back and shoulders. The dresses featured large sleeves with turned-over borders and very wide trim. Men wore short tunics that were pleated and fitted at the waist. The upper part of clothing for both men and women was cut in a square shape over the chest and shoulders, similar to how figures are depicted in the works of Raphael and other artists of the time.

The cypher and arms of Henry III. (16th century.)

The cipher and coat of arms of Henry III. (16th century.)

Fig. 427.--Costume of Charlotte of Savoy, second Wife of Louis XI.--From a Picture of the Period formerly in the Castle of Bourbon-l'Archambault, M. de Quedeville's Collection, in Paris. The Arms of Louis XI. and Charlotte are painted behind the picture.

Fig. 427.--Costume of Charlotte of Savoy, second wife of Louis XI.--From a painting of that era that was once in the Castle of Bourbon-l'Archambault, M. de Quedeville's collection, in Paris. The coats of arms of Louis XI and Charlotte are depicted behind the painting.

Fig. 428.--Costume of Mary of Burgundy, Daughter of Charles the Bold, Wife of Maximilian of Austria (end of the Fifteenth Century). From an old Engraving in the Collection of the Imperial Library, Paris.

Fig. 428.--Costume of Mary of Burgundy, Daughter of Charles the Bold, Wife of Maximilian of Austria (end of the 15th Century). From an old engraving in the Collection of the Imperial Library, Paris.

The introduction of Italian fashions, which in reality did not much differ from those which had been already adopted, but which exhibited better taste and a greater amount of elegance, dates from the famous expedition of Charles VIII. into Italy (Figs. 429 and 430). Full and gathered or puffed sleeves, which gave considerable gracefulness to the upper part of the body, succeeded to the mahoitres, which had been discarded since the time of Louis XI. A short and ornamental mantle, a broad-brimmed hat covered with feathers, and trunk hose, the ample dimensions of which earned for them the name of trousses, formed the male attire at the end of the fifteenth century. Women wore the bodies of their dresses closely fitting to the figure, embroidered, trimmed with lace, and covered with gilt ornaments; the sleeves were very large and open, and for the most part they still adhered to the heavy and ungraceful head-dress of Queen Anne of Brittany. The principal characteristic of female dress at the time was its fulness; men's, on the contrary, with the exception of the mantle or the upper garment, was usually tight and very scanty.

The introduction of Italian fashion, which basically wasn’t much different from what had already been adopted but showed better taste and more elegance, began with the famous expedition of Charles VIII into Italy (Figs. 429 and 430). Full and gathered or puffed sleeves, which added significant grace to the upper body, replaced the mahoitres, which had been out of style since the time of Louis XI. A short and decorative cloak, a wide-brimmed hat adorned with feathers, and trunk hose—whose ample size earned them the name trousses—made up the male outfit at the end of the fifteenth century. Women wore their dress bodices tightly fitted to their figures, embroidered, trimmed with lace, and embellished with gilt ornaments; the sleeves were very large and open, and for the most part, they still stuck to the heavy and ungraceful headdress of Queen Anne of Brittany. The main feature of female dress at the time was its fullness; in contrast, men's clothing, except for the mantle or outer garment, was usually tight-fitting and quite minimal.

We find that a distinct separation between ancient and modern dress took place as early as the sixteenth century; in fact, our present fashions may be said to have taken their origin from about that time. It was during this century that men adopted clothes closely fitting to the body; overcoats with tight sleeves, felt hats with more or less wide brims, and closed shoes and boots. The women also wore their dresses closely fitting to the figure, with tight sleeves, low-crowned hats, and richly-trimmed petticoats. These garments, which differ altogether from those of antiquity, constitute, as it were, the common type from which have since arisen the endless varieties of male and female dress; and there is no doubt that fashion will thus be continually changing backwards and forwards from time to time, sometimes returning to its original model, and sometimes departing from it.

We see that a clear distinction between ancient and modern clothing emerged as early as the sixteenth century; in fact, our current styles can be traced back to that time. During this century, men began wearing clothes that fit more closely to the body, including overcoats with tight sleeves, felt hats with varying brim sizes, and closed shoes and boots. Women also wore dresses that hugged their figures, featuring tight sleeves, low-crowned hats, and elaborately trimmed petticoats. These outfits, which are completely different from those of ancient times, represent the foundational style from which countless variations of men's and women's clothing have since developed. It’s clear that fashion will continue to evolve, sometimes circling back to its roots and other times straying farther away.

Figs. 429 and 430.--Costumes of Young Nobles of the Court of Charles VIII., before and after the Expedition into Italy.--From Miniatures in two Manuscripts of the Period in the National Library of Paris.

Figs. 429 and 430.--Outfits of Young Nobles at the Court of Charles VIII., before and after the Campaign in Italy.--From Miniatures in two Manuscripts from that Time in the National Library of Paris.

During the sixteenth century, ladies wore the skirts of their dresses, which were tight at the waist and open in front, very wide, displaying the lower part of a very rich under petticoat, which reached to the ground, completely concealing the feet. This, like the sleeves with puffs, which fell in circles to the wrists, was altogether an Italian fashion. Frequently the hair was turned over in rolls, and adorned with precious stones, and was surmounted by a small cap, coquettishly placed either on one side or on the top of the head, and ornamented with gold chains, jewels, and feathers. The body of the dress was always long, and pointed in front. Men wore their coats cut somewhat after the same shape: their trunk hose were tight, but round the waist they were puffed out. They wore a cloak, which only reached as far as the hips, and was always much ornamented; they carried a smooth or ribbed cap on one side of the head, and a small upright collar adorned the coat. This collar was replaced, after the first half of the sixteenth century, by the high, starched ruff, which was kept out by wires; ladies wore it still larger, when it had somewhat the appearance of an open fan at the back of the neck.

During the sixteenth century, women wore dresses with skirts that were tight at the waist and open in the front, very wide, showcasing a long, luxurious under petticoat that brushed the ground and completely hid their feet. This, along with puffy sleeves that flared out to the wrists, was entirely an Italian style. Often, hair was styled in rolls and decorated with precious stones, topped with a small cap that was playfully placed on one side or the top of the head, adorned with gold chains, jewels, and feathers. The bodice of the dress was always long and pointed in the front. Men wore coats that had a similar shape: their trunk hose were tight, but puffed out around the waist. They sported cloaks that only reached the hips, always heavily decorated; they wore a smooth or ribbed cap on one side of the head, and a small upright collar adorned their coats. This collar was replaced after the first half of the sixteenth century by the high, starched ruff, which was held out by wires; women wore it even larger, giving it the look of an open fan at the back of the neck.

If we take a retrospective glance at the numerous changes of costume which we have endeavoured to describe in this hurried sketch, we shall find that amongst European nations, during the Middle Ages, there was but one common standard of fashion, which varied from time to time according to the particular custom of each country, and according to the peculiarities of each race. In Italy, for instance, dress always maintained a certain character of grandeur, ever recalling the fact that the influence of antiquity was not quite lost. In Germany and Switzerland, garments had generally a heavy and massive appearance; in Holland, still more so (Figs. 436 and 437). England uniformly studied a kind of instinctive elegance and propriety. It is a curious fact that Spain invariably partook of the heaviness peculiar to Germany, either because the Gothic element still prevailed there, or that the Walloon fashions had a special attraction to her owing to associations and general usage. France was then, as it is now, fickle and capricious, fantastical and wavering, but not from indifference, but because she was always ready to borrow from every quarter anything which pleased her. She, however, never failed to put her own stamp on whatever she adopted, thus making any fashion essentially French, even though she had only just borrowed it from Spain, England, Germany, or Italy. In all these countries we have seen, and still see, entire provinces adhering to some ancient costume, causing them to differ altogether in character from the rest of the nation. This is simply owing to the fact that the fashions have become obsolete in the neighbouring places, for every local costume faithfully and rigorously preserved by any community at a distance from the centre of political action or government, must have been originally brought there by the nobles of the country. Thus the head-dress of Anne of Brittany is still that of the peasant-women of Penhoét and of Labrevack, and the hennin of Isabel of Bavaria is still the head-dress of Normandy.

If we look back at the many changes in clothing that we've tried to describe in this quick overview, we'll notice that among European nations during the Middle Ages, there was one common fashion standard that varied over time based on each country’s customs and the unique traits of different races. In Italy, for example, clothing always had a certain sense of grandeur, reflecting that the influence of ancient times wasn't completely lost. In Germany and Switzerland, garments generally looked heavy and substantial; Holland's styles were even more so (Figs. 436 and 437). England consistently aimed for a kind of natural elegance and propriety. Interestingly, Spain often reflected the heaviness typical of Germany, possibly because the Gothic style was still strong there, or due to the specific allure of Walloon fashions tied to historical associations and habits. France was then, as it is today, unpredictable and whimsical, always ready to adopt anything that caught its eye, not out of indifference but because of its openness to influence from everywhere. However, France always managed to put its own spin on whatever it borrowed, making any adopted fashion distinctly French, even if it originated just moments earlier from Spain, England, Germany, or Italy. Across all these countries, we've noticed, and still see, entire regions clinging to older styles of dress, making them stand apart from the rest of the nation. This happens simply because the fashions have faded away in nearby areas, as every local costume preserved by communities far from the center of political power must have originally been brought there by local nobility. So, the headdress of Anne of Brittany is still worn by the peasant women of Penhoét and Labrevack, and the hennin of Isabel of Bavaria is still the headdress of Normandy.

Fig. 431.--Costumes of a Nobleman or a very rich Bourgeois, of a Bourgeois or Merchant, and of a Noble Lady or rich Bourgeoise, of the Time of Louis XII.--From Miniatures in Manuscripts of the Period, in the Imperial Library of Paris.

Fig. 431.--Outfits of a Nobleman or a wealthy Bourgeois, of a Bourgeois or Merchant, and of a Noble Lady or affluent Bourgeoise, during the Time of Louis XII.--From Miniatures in Manuscripts of the Period, in the Imperial Library of Paris.

Fig. 432.--Costume of a rich Bourgeoise, and of a Noble, or Person of Distinction, of the Time of Francis I.--From a Window in the Church of St. Ouen at Rouen, by Gaignières (National Library of Paris).

Fig. 432.--Outfit of a wealthy Bourgeoise and a Noble or Distinguished Person from the Time of Francis I.--From a Window in the Church of St. Ouen in Rouen, by Gaignières (National Library of Paris).

Although the subject has reached the limits we have by the very nature of this work assigned to it, we think it well to overstep them somewhat, in order briefly to indicate the last connecting link between modern fashions and those of former periods.

Although the topic has reached the boundaries set by the nature of this work, we believe it's worthwhile to push them a bit further to briefly show the final connection between modern trends and those from earlier times.

Figs. 433 and 434.--Costumes of the Ladies and Damsels of the Court of Catherine de Medicis.--After Cesare Vecellio.

Figs. 433 and 434.--Outfits of the Women and Maidens of the Court of Catherine de Medicis.--After Cesare Vecellio.

Under Francis I., the costumes adopted from Italy remained almost stationary (Fig. 432). Under Henri II. (Figs. 433 and 434), and especially after the death of that prince, the taste for frivolities made immense progress, and the style of dress in ordinary use seemed day by day to lose the few traces of dignity which it had previously possessed.

Under Francis I, the costumes taken from Italy stayed pretty much the same (Fig. 432). Under Henri II (Figs. 433 and 434), and especially after his death, the trend for frivolous styles really took off, and the everyday clothing seemed to lose the little bit of dignity it once had more and more each day.

Catherine de Medicis had introduced into France the fashion of ruffs, and at the beginning of the fourteenth century, Marie de Medicis that of small collars. Dresses tight at the waist began to be made very full round the hips, by means of large padded rolls, and these were still more enlarged, under the name of vertugadins (corrupted from vertu-gardiens), by a monstrous arrangement of padded whalebone and steel, which subsequently became the ridiculous paniers, which were worn almost down to the commencement of the present century; and the fashion seems likely to come into vogue again.

Catherine de Medici introduced the trend of ruffs in France, and at the start of the fourteenth century, Marie de Medici brought in small collars. Dresses that were fitted at the waist became very full around the hips with the help of large padded rolls, which were made even bigger, known as vertugadins (derived from vertu-gardiens), through an elaborate setup of padded whalebone and steel. This eventually led to the impractical paniers, which were worn almost until the beginning of this century; and it seems that this style may come back into fashion again.

Fig. 435.--Costume of a Gentleman of the French Court, of the End of the Sixteenth Century.--Fac-simile of a Miniature in the "Livre de Poésies," Manuscript dedicated to Henry IV.

Fig. 435.--Outfit of a Gentleman from the French Court, at the End of the Sixteenth Century.--Replica of a Miniature in the "Livre de Poésies," Manuscript dedicated to Henry IV.

Under the last of the Valois, men's dress was short, the jacket was pointed and trimmed round with small peaks, the velvet cap was trimmed with aigrettes; the beard was pointed, a pearl hung from the left ear, and a small cloak or mantle was carried on the shoulder, which only reached to the waist. The use of gloves made of scented leather became universal. Ladies wore their dresses long, very full, and very costly, little or no change being made in these respects during the reign of Henry IV. At this period, the men's high hose were made longer and fuller, especially in Spain and the Low Countries, and the fashion of large soft boots, made of doeskin or of black morocco, became universal, on account of their being so comfortable.

Under the last of the Valois dynasty, men's fashion featured short jackets with pointed hems and small peaks. They often wore velvet caps adorned with aigrettes; their beards were pointed, a pearl hung from their left ear, and a small cloak or mantle draped over their shoulders, reaching just to the waist. The use of scented leather gloves became widespread. Women sported long, voluminous, and expensive dresses, with little to no change during Henry IV's reign. During this time, men's high hose became longer and fuller, especially in Spain and the Low Countries, while the style of large, soft boots made from doeskin or black morocco gained popularity due to their comfort.

We may remark that the costume of the bourgeois was for a long time almost unchanged, even in the towns. Never having adopted either the tight-fitting hose or the balloon trousers, they wore an easy jerkin, a large cloak, and a felt hat, which the English made conical and with a broad brim.

We can note that the bourgeois costume remained almost the same for a long time, even in the cities. They never really adopted either the tight-fitting leggings or the baggy trousers; instead, they wore a simple vest, a big cloak, and a felt hat, which the English shaped to be conical with a wide brim.

Towards the beginning of the seventeenth century, the high hose which were worn by the northern nations, profusely trimmed, was transformed into the culotte, which was full and open at the knees. A division was thus suddenly made between the lower and the upper part of the hose, as if the garment which covered the lower limbs had been cut in two, and garters were then necessarily invented. The felt hat became over almost the whole of Europe a cap, taking the exact form of the head, and having a wide, flat brim turned up on one side. High heels were added to boots and shoes, which up to that time had been flat and with single soles.... Two centuries later, a terrible social agitation took place all over Europe, after which male attire became mean, ungraceful, plain and more paltry than ever; whereas female dress, the fashions of which were perpetually changing from day to day, became graceful and elegant, though too often approaching to the extravagant and absurd.

Towards the beginning of the seventeenth century, the high hose worn by northern nations, heavily adorned, was transformed into the culotte, which was loose and open at the knees. This suddenly created a clear distinction between the lower and upper parts of the hose, as if the garment covering the lower limbs had been cut in two, leading to the invention of garters. The felt hat evolved across almost all of Europe into a cap that fit the exact shape of the head, featuring a wide, flat brim turned up on one side. High heels were added to boots and shoes, which had previously been flat and had single soles... Two centuries later, a significant social upheaval occurred throughout Europe, after which men's fashion became drab, ungraceful, plain, and more shabby than ever; meanwhile, women's clothing, with styles constantly changing from day to day, became graceful and elegant, though often veering into the extravagant and absurd.

Figs. 436 and 437.--Costumes of the German Bourgeoisie in the Middle of the Sixteenth Century.--Drawings attributed to Holbein.

Figs. 436 and 437.--Costumes of the German Middle Class in the Mid-Sixteenth Century.--Drawings credited to Holbein.


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