This is a modern-English version of The Collected Works of Ambrose Bierce, Volume 02: In the Midst of Life: Tales of Soldiers and Civilians, originally written by Bierce, Ambrose. It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

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Collected works of Ambrose Bierce, vol 2, Soldiers and Civilians

Originally Published 1909

PREFACE TO THE FIRST EDITION

Denied existence by the chief publishing houses of the country, this book owes itself to Mr. E. L. G. Steele, merchant, of this city. In attesting Mr. Steele's faith in his judgment and his friend, it will serve its author's main and best ambition.

Denied recognition by the major publishing houses in the country, this book is the work of Mr. E. L. G. Steele, a merchant from this city. By affirming Mr. Steele's belief in his own judgment and his friend, it will fulfill the author's primary and greatest ambition.

A. B.

A. B.

SAN FRANCISCO, Sept. 4, 1891.

SAN FRANCISCO, Sept. 4, 1891.

CONTENTS

A HORSEMAN IN THE SKY 15
AN OCCURRENCE AT OWL CREEK BRIDGE 27
CHICKAMAUGA 46
A SON OF THE GODS 58
ONE OF THE MISSING 71
KILLED AT RESACA 93
THE AFFAIR AT COULTER'S NOTCH 105
THE COUP DE GRÂCE 122
PARKER ADDERSON, PHILOSOPHER 133
AN AFFAIR OF OUTPOSTS 146
THE STORY OF A CONSCIENCE 165
ONE KIND OF OFFICER 178
ONE OFFICER, ONE MAN 197
GEORGE THURSTON 209
THE MOCKING-BIRD 218

 

CIVILIANS

THE MAN OUT OF THE NOSE 233
AN ADVENTURE AT BROWNVILLE 247
THE FAMOUS GILSON BEQUEST 266
THE APPLICANT 281
A WATCHER BY THE DEAD 290
THE MAN AND THE SNAKE 311
A HOLY TERROR 324
THE SUITABLE SURROUNDINGS 350
THE BOARDED WINDOW 364
A LADY FROM RED HORSE 373
THE EYES OF THE PANTHER 385

 

 

SOLDIERS

A HORSEMAN IN THE SKY

I

I

One sunny afternoon in the autumn of the year 1861 a soldier lay in a clump of laurel by the side of a road in western Virginia. He lay at full length upon his stomach, his feet resting upon the toes, his head upon the left forearm. His extended right hand loosely grasped his rifle. But for the somewhat methodical disposition of his limbs and a slight rhythmic movement of the cartridge-box at the back of his belt he might have been thought to be dead. He was asleep at his post of duty. But if detected he would be dead shortly afterward, death being the just and legal penalty of his crime.

One sunny afternoon in the fall of 1861, a soldier lay in a patch of laurel by the side of a road in western Virginia. He was stretched out on his stomach, his feet on his toes, and his head resting on his left forearm. His right hand loosely held his rifle. If it weren't for the somewhat organized position of his limbs and a slight rhythmic movement of the cartridge box on the back of his belt, he might have been thought to be dead. He was asleep on duty. But if he was caught, he would soon be dead, as death was the rightful and legal punishment for his offense.

The clump of laurel in which the criminal lay was in the angle of a road which after ascending southward a steep acclivity to that point turned sharply to the west, running along the summit for perhaps one hundred yards. There it turned southward again and went zigzagging downward through the forest. At the salient of that second angle was a large flat rock, jutting out northward, overlooking the deep valley from which the road ascended. The rock capped a high cliff; a stone dropped from its outer edge would have fallen sheer downward one thousand feet to the tops of the pines. The angle where the soldier lay was on another spur of the same cliff. Had he been awake he would have commanded a view, not only of the short arm of the road and the jutting rock, but of the entire profile of the cliff below it. It might well have made him giddy to look.

The group of laurel where the criminal lay was at the corner of a road that, after climbing a steep hill to that point, turned sharply west, running level for maybe a hundred yards. There, it turned south again and zigzagged down through the forest. At the point of that second angle was a large flat rock, sticking out northward, overlooking the deep valley from which the road ascended. The rock sat atop a high cliff; a stone dropped from its edge would have fallen straight down a thousand feet to the tops of the pine trees. The spot where the soldier lay was on another ledge of the same cliff. If he had been awake, he would have had a view not just of the short stretch of the road and the extending rock, but of the entire outline of the cliff below. It might have made him dizzy to look down.

The country was wooded everywhere except at the bottom of the valley to the northward, where there was a small natural meadow, through which flowed a stream scarcely visible from the valley's rim. This open ground looked hardly larger than an ordinary door-yard, but was really several acres in extent. Its green was more vivid than that of the inclosing forest. Away beyond it rose a line of giant cliffs similar to those upon which we are supposed to stand in our survey of the savage scene, and through which the road had somehow made its climb to the summit. The configuration of the valley, indeed, was such that from this point of observation it seemed entirely shut in, and one could but have wondered how the road which found a way out of it had found a way into it, and whence came and whither went the waters of the stream that parted the meadow more than a thousand feet below.

The country was covered in trees everywhere except at the bottom of the valley to the north, where there was a small natural meadow with a stream flowing through it, barely visible from the valley's edge. This open area looked no larger than an average front yard, but it actually spanned several acres. The greenery there was more vibrant than that of the surrounding forest. Beyond it rose a line of massive cliffs, similar to those we are supposed to be observing in this wild scene, through which the road had somehow made its way to the top. The shape of the valley was such that from this viewpoint, it appeared completely enclosed, and one could only wonder how the road that managed to exit had also managed to enter, and where the stream's waters, which split the meadow more than a thousand feet below, came from and where they were headed.

No country is so wild and difficult but men will make it a theatre of war; concealed in the forest at the bottom of that military rat-trap, in which half a hundred men in possession of the exits might have starved an army to submission, lay five regiments of Federal infantry. They had marched all the previous day and night and were resting. At nightfall they would take to the road again, climb to the place where their unfaithful sentinel now slept, and descending the other slope of the ridge fall upon a camp of the enemy at about midnight. Their hope was to surprise it, for the road led to the rear of it. In case of failure, their position would be perilous in the extreme; and fail they surely would should accident or vigilance apprise the enemy of the movement.

No country is so wild and challenging that people won’t turn it into a battlefield; hidden in the forest at the bottom of that military trap, where a small group of men could have starved an army into submission, lay five regiments of Union infantry. They had marched all day and night before and were now resting. At nightfall, they would hit the road again, climb up to where their untrustworthy sentinel was now sleeping, and then descend the other side of the ridge to attack an enemy camp around midnight. They hoped to catch them off guard since the road led to the back of it. If they failed, their situation would be extremely dangerous; and they definitely would fail if any accident or watchfulness tipped off the enemy about their movement.

II

II

The sleeping sentinel in the clump of laurel was a young Virginian named Carter Druse. He was the son of wealthy parents, an only child, and had known such ease and cultivation and high living as wealth and taste were able to command in the mountain country of western Virginia. His home was but a few miles from where he now lay. One morning he had risen from the breakfast-table and said, quietly but gravely: "Father, a Union regiment has arrived at Grafton. I am going to join it."

The sleeping guard in the bunch of laurel was a young Virginian named Carter Druse. He was the only child of wealthy parents and had experienced the comfort and refinement that wealth and good taste could provide in the mountainous region of western Virginia. His home was only a few miles from where he was lying now. One morning, he got up from the breakfast table and said, quietly but seriously: "Dad, a Union regiment has arrived in Grafton. I'm going to join it."

The father lifted his leonine head, looked at the son a moment in silence, and replied: "Well, go, sir, and whatever may occur do what you conceive to be your duty. Virginia, to which you are a traitor, must get on without you. Should we both live to the end of the war, we will speak further of the matter. Your mother, as the physician has informed you, is in a most critical condition; at the best she cannot be with us longer than a few weeks, but that time is precious. It would be better not to disturb her."

The father raised his majestic head, looked at his son in silence for a moment, and said, "Well, go on, sir, and whatever happens, do what you think is right. Virginia, to which you are betraying, will have to manage without you. If we both make it through the war, we can discuss this more later. Your mother, as the doctor has told you, is in a very serious condition; at most, she has only a few weeks left with us, but that time is valuable. It would be best not to upset her."

So Carter Druse, bowing reverently to his father, who returned the salute with a stately courtesy that masked a breaking heart, left the home of his childhood to go soldiering. By conscience and courage, by deeds of devotion and daring, he soon commended himself to his fellows and his officers; and it was to these qualities and to some knowledge of the country that he owed his selection for his present perilous duty at the extreme outpost. Nevertheless, fatigue had been stronger than resolution and he had fallen asleep. What good or bad angel came in a dream to rouse him from his state of crime, who shall say? Without a movement, without a sound, in the profound silence and the languor of the late afternoon, some invisible messenger of fate touched with unsealing finger the eyes of his consciousness—whispered into the ear of his spirit the mysterious awakening word which no human lips ever have spoken, no human memory ever has recalled. He quietly raised his forehead from his arm and looked between the masking stems of the laurels, instinctively closing his right hand about the stock of his rifle.

So Carter Druse, respectfully bowing to his father, who returned the gesture with a dignified courtesy that hid a breaking heart, left the home of his childhood to become a soldier. Through his conscience and bravery, and by acts of devotion and courage, he quickly earned the respect of his peers and officers; it was due to these qualities and some familiarity with the area that he was chosen for his current dangerous assignment at the farthest outpost. Yet, fatigue had proved stronger than his determination, and he had fallen asleep. What good or bad angel came in a dream to awaken him from his slumber, who can say? Without a movement, without a sound, in the deep silence and stillness of the late afternoon, some unseen messenger of fate gently touched the eyes of his awareness—whispering into his soul the mysterious awakening word that has never been spoken by human lips, nor recalled by human memory. He quietly lifted his forehead from his arm and looked through the overlapping branches of the laurels, instinctively wrapping his right hand around the stock of his rifle.

His first feeling was a keen artistic delight. On a colossal pedestal, the cliff,—motionless at the extreme edge of the capping rock and sharply outlined against the sky,—was an equestrian statue of impressive dignity. The figure of the man sat the figure of the horse, straight and soldierly, but with the repose of a Grecian god carved in the marble which limits the suggestion of activity. The gray costume harmonized with its aërial background; the metal of accoutrement and caparison was softened and subdued by the shadow; the animal's skin had no points of high light. A carbine strikingly foreshortened lay across the pommel of the saddle, kept in place by the right hand grasping it at the "grip"; the left hand, holding the bridle rein, was invisible. In silhouette against the sky the profile of the horse was cut with the sharpness of a cameo; it looked across the heights of air to the confronting cliffs beyond. The face of the rider, turned slightly away, showed only an outline of temple and beard; he was looking downward to the bottom of the valley. Magnified by its lift against the sky and by the soldier's testifying sense of the formidableness of a near enemy the group appeared of heroic, almost colossal, size.

His first feeling was a strong artistic pleasure. On a huge pedestal, the cliff—motionless at the edge of the rock and sharply outlined against the sky—was an impressive equestrian statue. The figure of the man sat on the horse, tall and soldierly, but with the calmness of a Greek god sculpted in marble, limiting any suggestion of movement. The gray outfit blended with the airy background; the metal of the gear and saddle was softened and muted by the shadows; the animal's skin had no bright highlights. A carbine, notably foreshortened, rested on the saddle, held in place by the rider's right hand gripping the "grip"; the left hand, which held the bridle rein, was hidden. In silhouette against the sky, the horse's profile was sharply defined, looking across the vast expanse to the cliffs beyond. The rider's face, slightly turned away, revealed only a profile of his temple and beard as he looked down to the valley below. Highlighted by its elevation against the sky and the rider's sense of the looming danger of a nearby enemy, the group appeared heroic, almost colossal in size.

For an instant Druse had a strange, half-defined feeling that he had slept to the end of the war and was looking upon a noble work of art reared upon that eminence to commemorate the deeds of an heroic past of which he had been an inglorious part. The feeling was dispelled by a slight movement of the group: the horse, without moving its feet, had drawn its body slightly backward from the verge; the man remained immobile as before. Broad awake and keenly alive to the significance of the situation, Druse now brought the butt of his rifle against his cheek by cautiously pushing the barrel forward through the bushes, cocked the piece, and glancing through the sights covered a vital spot of the horseman's breast. A touch upon the trigger and all would have been well with Carter Druse. At that instant the horseman turned his head and looked in the direction of his concealed foeman—seemed to look into his very face, into his eyes, into his brave, compassionate heart.

For a moment, Druse had a strange, vague feeling that he had slept through the end of the war and was now gazing at a beautiful piece of art created on that hill to honor the heroic deeds of a glorious past in which he had played a minor role. This feeling vanished when the group shifted slightly: the horse had pulled its body back a bit from the edge without moving its feet; the man remained as still as ever. Now fully awake and sharply aware of the situation's importance, Druse brought the butt of his rifle to his cheek by carefully pushing the barrel forward through the bushes, cocked the weapon, and aimed through the sights at a crucial spot on the horseman's chest. With a pull of the trigger, everything would have gone well for Carter Druse. At that moment, the horseman turned his head and looked toward his hidden enemy—seemed to look straight into his face, into his eyes, into his brave, compassionate heart.

Is it then so terrible to kill an enemy in war—an enemy who has surprised a secret vital to the safety of one's self and comrades—an enemy more formidable for his knowledge than all his army for its numbers? Carter Druse grew pale; he shook in every limb, turned faint, and saw the statuesque group before him as black figures, rising, falling, moving unsteadily in arcs of circles in a fiery sky. His hand fell away from his weapon, his head slowly dropped until his face rested on the leaves in which he lay. This courageous gentleman and hardy soldier was near swooning from intensity of emotion.

Is it really so awful to kill an enemy in war—especially an enemy who has uncovered a secret crucial to the safety of yourself and your comrades—an enemy who is more dangerous because of his knowledge than all his troops combined? Carter Druse went pale; he trembled all over, felt weak, and saw the statuary group in front of him as dark figures, rising, falling, moving erratically in arcs in a fiery sky. His hand slipped from his weapon, and his head gradually lowered until his face rested on the leaves beneath him. This brave man and resilient soldier was on the verge of fainting from the overwhelming emotion.

It was not for long; in another moment his face was raised from earth, his hands resumed their places on the rifle, his forefinger sought the trigger; mind, heart, and eyes were clear, conscience and reason sound. He could not hope to capture that enemy; to alarm him would but send him dashing to his camp with his fatal news. The duty of the soldier was plain: the man must be shot dead from ambush—without warning, without a moment's spiritual preparation, with never so much as an unspoken prayer, he must be sent to his account. But no—there is a hope; he may have discovered nothing—perhaps he is but admiring the sublimity of the landscape. If permitted, he may turn and ride carelessly away in the direction whence he came. Surely it will be possible to judge at the instant of his withdrawing whether he knows. It may well be that his fixity of attention—Druse turned his head and looked through the deeps of air downward, as from the surface to the bottom of a translucent sea. He saw creeping across the green meadow a sinuous line of figures of men and horses—some foolish commander was permitting the soldiers of his escort to water their beasts in the open, in plain view from a dozen summits!

It didn't last long; in no time, he lifted his gaze from the ground, placed his hands back on the rifle, and his forefinger found the trigger. His mind, heart, and eyes were clear, and his conscience and reason were sound. He realized he couldn't hope to capture that enemy; alarming him would only send him racing back to his camp with the bad news. The soldier's duty was clear: the man had to be shot dead from hiding—without warning, without a moment of mental preparation, without even a silent prayer, he had to be sent to face his fate. But wait—there's a chance; he might not have figured anything out—maybe he's just admiring the beauty of the landscape. If given the chance, he might turn and ride away casually in the direction he came from. Surely, it would be possible to tell in that moment of his departure whether he knows. It could be that his intense focus—Druse turned his head and looked through the clear air downward, as if viewing the depths of a transparent sea. He noticed a winding line of men and horses creeping across the green meadow—some fool of a commander was letting his soldiers water their mounts in the open, clearly visible from several hills!

Druse withdrew his eyes from the valley and fixed them again upon the group of man and horse in the sky, and again it was through the sights of his rifle. But this time his aim was at the horse. In his memory, as if they were a divine mandate, rang the words of his father at their parting: "Whatever may occur, do what you conceive to be your duty." He was calm now. His teeth were firmly but not rigidly closed; his nerves were as tranquil as a sleeping babe's—not a tremor affected any muscle of his body; his breathing, until suspended in the act of taking aim, was regular and slow. Duty had conquered; the spirit had said to the body: "Peace, be still." He fired.

Druse pulled his gaze away from the valley and focused again on the group of man and horse in the sky, this time through the sights of his rifle. But his target was the horse. The words of his father echoed in his mind, as if they were a sacred command: "Whatever happens, do what you believe is your duty." He felt calm now. His jaw was set firmly but not tensely; his nerves were as relaxed as a sleeping baby's—no part of his body trembled; his breathing, until he paused to aim, was steady and slow. Duty had triumphed; the spirit had told the body: "Peace, be still." He fired.

III

III

An officer of the Federal force, who in a spirit of adventure or in quest of knowledge had left the hidden bivouac in the valley, and with aimless feet had made his way to the lower edge of a small open space near the foot of the cliff, was considering what he had to gain by pushing his exploration further. At a distance of a quarter-mile before him, but apparently at a stone's throw, rose from its fringe of pines the gigantic face of rock, towering to so great a height above him that it made him giddy to look up to where its edge cut a sharp, rugged line against the sky. It presented a clean, vertical profile against a background of blue sky to a point half the way down, and of distant hills, hardly less blue, thence to the tops of the trees at its base. Lifting his eyes to the dizzy altitude of its summit the officer saw an astonishing sight—a man on horseback riding down into the valley through the air!

An officer of the Federal force, driven by curiosity or a sense of adventure, had left the hidden bivouac in the valley and wandered aimlessly to the edge of a small clearing near the base of the cliff. He was pondering what he could gain by continuing his exploration. About a quarter-mile ahead, but seemingly just a stone's throw away, the massive rock face rose from the fringe of pines, towering high above him to a dizzying extent that made him feel lightheaded just looking up at its jagged edge cutting sharply against the sky. It formed a clean, vertical silhouette against a backdrop of blue sky down to a point halfway, beyond which distant hills appeared, nearly as blue, leading to the treetops at its base. As he lifted his gaze to the dizzy height of its summit, the officer witnessed an unbelievable sight—a man on horseback descending into the valley through the air!

Straight upright sat the rider, in military fashion, with a firm seat in the saddle, a strong clutch upon the rein to hold his charger from too impetuous a plunge. From his bare head his long hair streamed upward, waving like a plume. His hands were concealed in the cloud of the horse's lifted mane. The animal's body was as level as if every hoof-stroke encountered the resistant earth. Its motions were those of a wild gallop, but even as the officer looked they ceased, with all the legs thrown sharply forward as in the act of alighting from a leap. But this was a flight!

The rider sat straight and tall, like a soldier, firmly seated in the saddle and gripping the reins tightly to keep his horse from rushing ahead too quickly. His long hair streamed upward from his bare head, waving like a plume. His hands were hidden in the thick mane of the horse. The horse's body was level, as if every hoof hit the ground with resistance. It moved in a wild gallop, but just as the officer looked, it stopped, all four legs thrown forward as if landing from a jump. But this was a flight!

Filled with amazement and terror by this apparition of a horseman in the sky—half believing himself the chosen scribe of some new Apocalypse, the officer was overcome by the intensity of his emotions; his legs failed him and he fell. Almost at the same instant he heard a crashing sound in the trees—a sound that died without an echo—and all was still.

Filled with awe and fear by this vision of a horseman in the sky—half convinced he was the chosen scribe of some new Apocalypse, the officer was overwhelmed by his emotions; his legs gave out, and he collapsed. Almost at the same moment, he heard a crashing sound in the trees—a sound that faded without an echo—and everything was quiet.

The officer rose to his feet, trembling. The familiar sensation of an abraded shin recalled his dazed faculties. Pulling himself together he ran rapidly obliquely away from the cliff to a point distant from its foot; thereabout he expected to find his man; and thereabout he naturally failed. In the fleeting instant of his vision his imagination had been so wrought upon by the apparent grace and ease and intention of the marvelous performance that it did not occur to him that the line of march of aërial cavalry is directly downward, and that he could find the objects of his search at the very foot of the cliff. A half-hour later he returned to camp.

The officer got to his feet, shaking. The familiar sting of a scraped shin brought him back to reality. Gathering himself, he quickly ran away from the cliff at an angle, hoping to find his target further away; however, he naturally came up empty. In that brief moment, his imagination had been so influenced by the apparent grace and purpose of the amazing spectacle that he didn't realize that flying soldiers would come straight down, and he could have found what he was looking for right at the base of the cliff. Half an hour later, he returned to camp.

This officer was a wise man; he knew better than to tell an incredible truth. He said nothing of what he had seen. But when the commander asked him if in his scout he had learned anything of advantage to the expedition he answered:

This officer was a wise man; he knew better than to share an unbelievable truth. He didn't mention what he had seen. But when the commander asked him if he had learned anything beneficial for the mission, he replied:

"Yes, sir; there is no road leading down into this valley from the southward."

"Yes, sir; there’s no road going down into this valley from the south."

The commander, knowing better, smiled.

The commander, knowing better, smiled.

IV

IV

After firing his shot, Private Carter Druse reloaded his rifle and resumed his watch. Ten minutes had hardly passed when a Federal sergeant crept cautiously to him on hands and knees. Druse neither turned his head nor looked at him, but lay without motion or sign of recognition.

After firing his shot, Private Carter Druse reloaded his rifle and went back to watching. Barely ten minutes had gone by when a Federal sergeant crawled over to him on his hands and knees. Druse didn't turn his head or look at him but lay still, showing no motion or sign that he noticed.

"Did you fire?" the sergeant whispered.

"Did you shoot?" the sergeant whispered.

"Yes."

"Yeah."

"At what?"

"At what time?"

"A horse. It was standing on yonder rock—pretty far out. You see it is no longer there. It went over the cliff."

"A horse. It was standing on that rock—pretty far out. You see it's no longer there. It went over the cliff."

The man's face was white, but he showed no other sign of emotion. Having answered, he turned away his eyes and said no more. The sergeant did not understand.

The man's face was pale, but he showed no other signs of emotion. After responding, he looked away and said nothing more. The sergeant was confused.

"See here, Druse," he said, after a moment's silence, "it's no use making a mystery. I order you to report. Was there anybody on the horse?"

"Listen, Druse," he said after a moment of silence, "there's no point in keeping it a secret. I'm telling you to report. Was there anyone on the horse?"

"Yes."

Yes.

"Well?"

"What's up?"

"My father."

"My dad."

The sergeant rose to his feet and walked away. "Good God!" he said.

The sergeant got up and walked away. "Oh my God!" he exclaimed.

.

AN OCCURRENCE AT OWL CREEK BRIDGE

I

I

A man stood upon a railroad bridge in northern Alabama, looking down into the swift water twenty feet below. The man's hands were behind his back, the wrists bound with a cord. A rope closely encircled his neck. It was attached to a stout cross-timber above his head and the slack fell to the level of his knees. Some loose boards laid upon the sleepers supporting the metals of the railway supplied a footing for him and his executioners—two private soldiers of the Federal army, directed by a sergeant who in civil life may have been a deputy sheriff. At a short remove upon the same temporary platform was an officer in the uniform of his rank, armed. He was a captain. A sentinel at each end of the bridge stood with his rifle in the position known as "support," that is to say, vertical in front of the left shoulder, the hammer resting on the forearm thrown straight across the chest—a formal and unnatural position, enforcing an erect carriage of the body. It did not appear to be the duty of these two men to know what was occurring at the centre of the bridge; they merely blockaded the two ends of the foot planking that traversed it.

A man stood on a railroad bridge in northern Alabama, looking down at the swift water twenty feet below. His hands were behind his back, wrists tied with a cord. A rope was tightly wrapped around his neck, attached to a strong beam above him, with the slack hanging down to his knees. Some loose boards laid on the supports of the railway provided footing for him and his executioners—two private soldiers from the Federal army, led by a sergeant who might have been a deputy sheriff in civilian life. A short distance away on the same temporary platform stood an armed officer in uniform. He was a captain. A guard at each end of the bridge held his rifle in a position known as "support," which means vertical in front of the left shoulder, the hammer resting on the forearm stretched across the chest—a formal and awkward stance that forced an upright posture. It didn’t seem to be the responsibility of these two men to know what was happening in the middle of the bridge; their job was simply to block the two ends of the foot planking crossing it.

Beyond one of the sentinels nobody was in sight; the railroad ran straight away into a forest for a hundred yards, then, curving, was lost to view. Doubtless there was an outpost farther along. The other bank of the stream was open ground—a gentle acclivity topped with a stockade of vertical tree trunks, loop-holed for rifles, with a single embrasure through which protruded the muzzle of a brass cannon commanding the bridge. Mid-way of the slope between bridge and fort were the spectators—a single company of infantry in line, at "parade rest," the butts of the rifles on the ground, the barrels inclining slightly backward against the right shoulder, the hands crossed upon the stock. A lieutenant stood at the right of the line, the point of his sword upon the ground, his left hand resting upon his right. Excepting the group of four at the centre of the bridge, not a man moved. The company faced the bridge, staring stonily, motionless. The sentinels, facing the banks of the stream, might have been statues to adorn the bridge. The captain stood with folded arms, silent, observing the work of his subordinates, but making no sign. Death is a dignitary who when he comes announced is to be received with formal manifestations of respect, even by those most familiar with him. In the code of military etiquette silence and fixity are forms of deference.

Beyond one of the sentinels, no one was in sight; the railroad stretched straight into a forest for a hundred yards, then curved out of view. There was likely an outpost further along. The other side of the stream was open ground—a gentle slope topped with a stockade made of vertical tree trunks, with holes for rifles, and a single opening through which the muzzle of a brass cannon protruded, pointing toward the bridge. Halfway up the slope between the bridge and the fort were the spectators—a single company of infantry in line, at "parade rest," the butts of their rifles on the ground, the barrels slightly leaning back against their right shoulders, their hands crossed on the stocks. A lieutenant stood at the right of the line, the tip of his sword on the ground, his left hand resting on his right. Apart from the group of four in the center of the bridge, not a single man moved. The company faced the bridge, staring with a blank expression, completely still. The sentinels, facing the banks of the stream, could have been statues adorning the bridge. The captain stood with his arms crossed, silently observing the work of his subordinates without making any sign. Death is a dignitary who, when he arrives announced, is to be received with formal respect, even by those most familiar with him. In military etiquette, silence and stillness are ways of showing respect.

The man who was engaged in being hanged was apparently about thirty-five years of age. He was a civilian, if one might judge from his habit, which was that of a planter. His features were good—a straight nose, firm mouth, broad forehead, from which his long, dark hair was combed straight back, falling behind his ears to the collar of his well-fitting frock-coat. He wore a mustache and pointed beard, but no whiskers; his eyes were large and dark gray, and had a kindly expression which one would hardly have expected in one whose neck was in the hemp. Evidently this was no vulgar assassin. The liberal military code makes provision for hanging many kinds of persons, and gentlemen are not excluded.

The man who was about to be hanged looked like he was around thirty-five years old. He seemed like a civilian, judging by his clothing, which suggested he was a planter. His features were attractive—a straight nose, a firm mouth, and a broad forehead. His long, dark hair was slicked back, falling behind his ears to the collar of his well-tailored coat. He had a mustache and a pointed beard, but no sideburns; his large, dark gray eyes had a kind expression that you wouldn’t expect from someone in his situation. Clearly, he wasn’t just some common criminal. The generous military code allows for hanging various types of individuals, and gentlemen are not excluded.

The preparations being complete, the two private soldiers stepped aside and each drew away the plank upon which he had been standing. The sergeant turned to the captain, saluted and placed himself immediately behind that officer, who in turn moved apart one pace. These movements left the condemned man and the sergeant standing on the two ends of the same plank, which spanned three of the cross-ties of the bridge. The end upon which the civilian stood almost, but not quite, reached a fourth. This plank had been held in place by the weight of the captain; it was now held by that of the sergeant. At a signal from the former the latter would step aside, the plank would tilt and the condemned man go down between two ties. The arrangement commended itself to his judgment as simple and effective. His face had not been covered nor his eyes bandaged. He looked a moment at his "unsteadfast footing," then let his gaze wander to the swirling water of the stream racing madly beneath his feet. A piece of dancing driftwood caught his attention and his eyes followed it down the current. How slowly it appeared to move! What a sluggish stream!

With the preparations done, the two private soldiers stepped aside and each pulled away the plank they had been standing on. The sergeant turned to the captain, saluted, and positioned himself right behind the officer, who then moved aside a step. These movements left the condemned man and the sergeant at opposite ends of the same plank, which stretched over three of the bridge's cross-ties. The end where the civilian stood almost, but not quite, reached a fourth. This plank had been kept in place by the weight of the captain; it was now supported by the sergeant's weight. At a signal from the captain, the sergeant would step aside, causing the plank to tilt and the condemned man to fall between two ties. The arrangement seemed simple and effective to him. His face wasn't covered, and his eyes weren't bandaged. He took a moment to look at his "unsteady footing," then let his gaze drift to the churning water below, racing wildly beneath him. A piece of floating debris caught his eye, and he followed it as it moved along the current. How slowly it seemed to drift! What a sluggish stream!

He closed his eyes in order to fix his last thoughts upon his wife and children. The water, touched to gold by the early sun, the brooding mists under the banks at some distance down the stream, the fort, the soldiers, the piece of drift—all had distracted him. And now he became conscious of a new disturbance. Striking through the thought of his dear ones was a sound which he could neither ignore nor understand, a sharp, distinct, metallic percussion like the stroke of a blacksmith's hammer upon the anvil; it had the same ringing quality. He wondered what it was, and whether immeasurably distant or near by—it seemed both. Its recurrence was regular, but as slow as the tolling of a death knell. He awaited each stroke with impatience and—he knew not why—apprehension. The intervals of silence grew progressively longer; the delays became maddening. With their greater infrequency the sounds increased in strength and sharpness. They hurt his ear like the thrust of a knife; he feared he would shriek. What he heard was the ticking of his watch.

He closed his eyes to focus his final thoughts on his wife and children. The water, glowing gold in the early sun, the heavy mists along the banks farther down the stream, the fort, the soldiers, the piece of driftwood—all of these had pulled his attention away. Now, he became aware of a new disturbance. Cutting through thoughts of his loved ones was a sound he couldn't ignore or understand, a sharp, distinct, metallic clinking like a blacksmith's hammer hitting an anvil; it had the same ringing tone. He wondered what it was, whether it was incredibly far away or close by—it felt like both. The sound came back regularly, but just as slowly as the tolling of a death bell. He anticipated each strike with impatience and—he couldn't say why—unease. The silences in between stretched longer and longer; the delays became infuriating. As the sounds happened less often, they grew louder and sharper. They pierced his ear like a knife; he was afraid he might scream. What he heard was the ticking of his watch.

He unclosed his eyes and saw again the water below him. "If I could free my hands," he thought, "I might throw off the noose and spring into the stream. By diving I could evade the bullets and, swimming vigorously, reach the bank, take to the woods and get away home. My home, thank God, is as yet outside their lines; my wife and little ones are still beyond the invader's farthest advance."

He opened his eyes and saw the water below him again. "If I could free my hands," he thought, "I might be able to throw off the noose and jump into the stream. By diving, I could dodge the bullets and, swimming hard, reach the shore, head into the woods, and find my way home. Thank God, my home is still outside their lines; my wife and kids are still beyond the invader's farthest reach."

As these thoughts, which have here to be set down in words, were flashed into the doomed man's brain rather than evolved from it the captain nodded to the sergeant. The sergeant stepped aside.

As these thoughts, which need to be put into words, suddenly appeared in the doomed man's mind instead of being formed by it, the captain nodded to the sergeant. The sergeant stepped aside.

II

II

Peyton Farquhar was a well-to-do planter, of an old and highly respected Alabama family. Being a slave owner and like other slave owners a politician he was naturally an original secessionist and ardently devoted to the Southern cause. Circumstances of an imperious nature, which it is unnecessary to relate here, had prevented him from taking service with the gallant army that had fought the disastrous campaigns ending with the fall of Corinth, and he chafed under the inglorious restraint, longing for the release of his energies, the larger life of the soldier, the opportunity for distinction. That opportunity, he felt, would come, as it comes to all in war time. Meanwhile he did what he could. No service was too humble for him to perform in aid of the South, no adventure too perilous for him to undertake if consistent with the character of a civilian who was at heart a soldier, and who in good faith and without too much qualification assented to at least a part of the frankly villainous dictum that all is fair in love and war.

Peyton Farquhar was a wealthy plantation owner from an old and highly respected family in Alabama. As a slave owner and a politician, he was naturally an original secessionist, dedicated to the Southern cause. Certain unavoidable circumstances, which don’t need to be explained here, had kept him from serving with the brave army that had fought the disastrous campaigns ending with the fall of Corinth, and he felt frustrated by this dishonorable limitation, yearning for the chance to unleash his energies, the more fulfilling life of a soldier, and the opportunity for recognition. He believed that opportunity would come, as it does for everyone during wartime. In the meantime, he did what he could. No task was too menial for him to take on to support the South, and no adventure was too dangerous for him to attempt, as long as it aligned with the character of a civilian who was, at heart, a soldier, and who sincerely agreed to at least a part of the openly immoral saying that everything is fair in love and war.

One evening while Farquhar and his wife were sitting on a rustic bench near the entrance to his grounds, a gray-clad soldier rode up to the gate and asked for a drink of water. Mrs. Farquhar was only too happy to serve him with her own white hands. While she was fetching the water her husband approached the dusty horseman and inquired eagerly for news from the front.

One evening, while Farquhar and his wife were sitting on a simple bench at the entrance to his property, a soldier in gray rode up to the gate and asked for a drink of water. Mrs. Farquhar was more than happy to serve him with her own hands. While she was getting the water, her husband went up to the dusty horseman and eagerly asked for news from the front.

"The Yanks are repairing the railroads," said the man, "and are getting ready for another advance. They have reached the Owl Creek bridge, put it in order and built a stockade on the north bank. The commandant has issued an order, which is posted everywhere, declaring that any civilian caught interfering with the railroad, its bridges, tunnels or trains will be summarily hanged. I saw the order."

"The Yanks are fixing the railroads," the man said, "and are preparing for another push. They've reached the Owl Creek bridge, made it usable, and built a barricade on the north side. The commander has put out an order, which is posted everywhere, stating that any civilian caught messing with the railroad, its bridges, tunnels, or trains will be immediately hanged. I saw the order."

"How far is it to the Owl Creek bridge?" Farquhar asked.

"How far is it to the Owl Creek bridge?" Farquhar asked.

"About thirty miles."

"About 30 miles."

"Is there no force on this side the creek?"

"Is there no one on this side of the creek?"

"Only a picket post half a mile out, on the railroad, and a single sentinel at this end of the bridge."

"Just a guard station half a mile out on the railroad, and one lone guard at this end of the bridge."

"Suppose a man—a civilian and student of hanging—should elude the picket post and perhaps get the better of the sentinel," said Farquhar, smiling, "what could he accomplish?"

"Imagine a man—a civilian and a student of hanging—managing to sneak past the guard and maybe outsmart the sentry," Farquhar said with a smile, "what could he achieve?"

The soldier reflected. "I was there a month ago," he replied. "I observed that the flood of last winter had lodged a great quantity of driftwood against the wooden pier at this end of the bridge. It is now dry and would burn like tow."

The soldier thought for a moment. "I was there a month ago," he said. "I noticed that the flood from last winter had piled up a lot of driftwood against the wooden pier at this end of the bridge. It’s dry now and would catch fire easily."

The lady had now brought the water, which the soldier drank. He thanked her ceremoniously, bowed to her husband and rode away. An hour later, after nightfall, he repassed the plantation, going northward in the direction from which he had come. He was a Federal scout.

The woman had now brought the water, which the soldier drank. He thanked her politely, bowed to her husband, and rode off. An hour later, after dark, he passed by the plantation again, heading north in the direction he had come from. He was a Federal scout.

III

III

As Peyton Farquhar fell straight downward through the bridge he lost consciousness and was as one already dead. From this state he was awakened—ages later, it seemed to him—by the pain of a sharp pressure upon his throat, followed by a sense of suffocation. Keen, poignant agonies seemed to shoot from his neck downward through every fibre of his body and limbs. These pains appeared to flash along well-defined lines of ramification and to beat with an inconceivably rapid periodicity. They seemed like streams of pulsating fire heating him to an intolerable temperature. As to his head, he was conscious of nothing but a feeling of fulness—of congestion. These sensations were unaccompanied by thought. The intellectual part of his nature was already effaced; he had power only to feel, and feeling was torment. He was conscious of motion. Encompassed in a luminous cloud, of which he was now merely the fiery heart, without material substance, he swung through unthinkable arcs of oscillation, like a vast pendulum. Then all at once, with terrible suddenness, the light about him shot upward with the noise of a loud plash; a frightful roaring was in his ears, and all was cold and dark. The power of thought was restored; he knew that the rope had broken and he had fallen into the stream. There was no additional strangulation; the noose about his neck was already suffocating him and kept the water from his lungs. To die of hanging at the bottom of a river!—the idea seemed to him ludicrous. He opened his eyes in the darkness and saw above him a gleam of light, but how distant, how inaccessible! He was still sinking, for the light became fainter and fainter until it was a mere glimmer. Then it began to grow and brighten, and he knew that he was rising toward the surface—knew it with reluctance, for he was now very comfortable. "To be hanged and drowned," he thought, "that is not so bad; but I do not wish to be shot. No; I will not be shot; that is not fair."

As Peyton Farquhar fell straight down through the bridge, he lost consciousness and felt like he was already dead. He was suddenly awakened—what felt like ages later—by a sharp pain on his throat, followed by a sense of suffocation. Intense, piercing agony shot from his neck down through every fiber of his body and limbs. These pains seemed to flash along well-defined pathways and throbbed at an incredibly fast rate. They felt like streams of pulsating fire heating him to an unbearable temperature. As for his head, all he felt was fullness—like congestion. These sensations came without any thoughts. The intellectual part of him was already gone; he could only feel, and that feeling was torment. He was aware of motion. Surrounded by a glowing cloud, of which he was merely the fiery core, devoid of any physical form, he swung through unimaginable arcs, like a huge pendulum. Then suddenly, with terrifying speed, the light around him shot upward with a loud splash; a deafening roar filled his ears, and everything went cold and dark. The ability to think returned; he realized that the rope had broken and he had fallen into the stream. There was no more choking; the noose around his neck was already suffocating him and keeping the water out of his lungs. To die from hanging at the bottom of a river!—the thought struck him as ridiculous. He opened his eyes in the darkness and saw a glimmer of light above him, but how far away, how unreachable! He was still sinking, as the light grew dimmer until it was just a tiny flicker. Then it started to grow and brighten, and he realized he was rising toward the surface—though he did so with reluctance, since he felt very comfortable now. "To be hanged and drowned," he thought, "that's not so bad; but I don’t want to be shot. No; I won't be shot; that’s not fair."

He was not conscious of an effort, but a sharp pain in his wrist apprised him that he was trying to free his hands. He gave the struggle his attention, as an idler might observe the feat of a juggler, without interest in the outcome. What splendid effort!—what magnificent, what superhuman strength! Ah, that was a fine endeavor! Bravo! The cord fell away; his arms parted and floated upward, the hands dimly seen on each side in the growing light. He watched them with a new interest as first one and then the other pounced upon the noose at his neck. They tore it away and thrust it fiercely aside, its undulations resembling those of a water-snake. "Put it back, put it back!" He thought he shouted these words to his hands, for the undoing of the noose had been succeeded by the direst pang that he had yet experienced. His neck ached horribly; his brain was on fire; his heart, which had been fluttering faintly, gave a great leap, trying to force itself out at his mouth. His whole body was racked and wrenched with an insupportable anguish! But his disobedient hands gave no heed to the command. They beat the water vigorously with quick, downward strokes, forcing him to the surface. He felt his head emerge; his eyes were blinded by the sunlight; his chest expanded convulsively, and with a supreme and crowning agony his lungs engulfed a great draught of air, which instantly he expelled in a shriek!

He wasn’t aware of struggling, but a sharp pain in his wrist reminded him that he was trying to free his hands. He focused on the struggle as a bystander might watch a juggler, not really caring about the outcome. What an impressive effort!—what amazing, superhuman strength! That was a great endeavor! Bravo! The cord fell away; his arms separated and floated upward, his hands faintly visible on either side in the growing light. He watched them with newfound interest as one hand and then the other grabbed at the noose around his neck. They ripped it off and flung it aside, its movement resembling that of a water snake. “Put it back, put it back!” He thought he shouted these words to his hands because removing the noose had brought on the worst pain he had ever felt. His neck ached terribly; his head was on fire; his heart, which had been beating weakly, leaped violently, as if trying to escape through his mouth. His entire body was racked with unbearable pain! But his disobedient hands paid no attention to the command. They thrashed the water energetically with quick, downward strokes, pushing him to the surface. He felt his head break through; the sunlight blinded him; his chest expanded painfully, and with an intense and overwhelming agony, his lungs took in a huge gulp of air, which he immediately let out in a scream!

He was now in full possession of his physical senses. They were, indeed, preternaturally keen and alert. Something in the awful disturbance of his organic system had so exalted and refined them that they made record of things never before perceived. He felt the ripples upon his face and heard their separate sounds as they struck. He looked at the forest on the bank of the stream, saw the individual trees, the leaves and the veining of each leaf—saw the very insects upon them: the locusts, the brilliant-bodied flies, the gray spiders stretching their webs from twig to twig. He noted the prismatic colors in all the dewdrops upon a million blades of grass. The humming of the gnats that danced above the eddies of the stream, the beating of the dragon-flies' wings, the strokes of the water-spiders' legs, like oars which had lifted their boat—all these made audible music. A fish slid along beneath his eyes and he heard the rush of its body parting the water.

He was fully aware of all his physical senses now. They were, in fact, incredibly sharp and alert. Something about the intense disturbance in his body had heightened and refined them so much that he noticed things he had never perceived before. He felt the ripples on his face and heard the distinct sounds as they hit him. He looked at the forest along the riverbank, saw the individual trees, the leaves, and the veins in each leaf—he even noticed the insects on them: the locusts, the brightly colored flies, the gray spiders spinning their webs from branch to branch. He observed the shimmering colors in all the dewdrops on countless blades of grass. He heard the buzzing of the gnats dancing above the current of the stream, the flapping of dragonflies' wings, and the strokes of water spiders' legs, moving like oars propelling their tiny boat—all of these created a symphony of sounds. A fish glided beneath his gaze, and he heard the rush of its body slicing through the water.

He had come to the surface facing down the stream; in a moment the visible world seemed to wheel slowly round, himself the pivotal point, and he saw the bridge, the fort, the soldiers upon the bridge, the captain, the sergeant, the two privates, his executioners. They were in silhouette against the blue sky. They shouted and gesticulated, pointing at him. The captain had drawn his pistol, but did not fire; the others were unarmed. Their movements were grotesque and horrible, their forms gigantic.

He had surfaced, facing downstream; in an instant, the visible world seemed to spin slowly around him, making him the center of it all. He saw the bridge, the fort, the soldiers on the bridge, the captain, the sergeant, and the two privates—his executioners. They were silhouetted against the blue sky. They shouted and waved their arms, pointing at him. The captain had pulled out his pistol but didn’t fire; the others were unarmed. Their actions were bizarre and terrifying, their shapes enormous.

Suddenly he heard a sharp report and something struck the water smartly within a few inches of his head, spattering his face with spray. He heard a second report, and saw one of the sentinels with his rifle at his shoulder, a light cloud of blue smoke rising from the muzzle. The man in the water saw the eye of the man on the bridge gazing into his own through the sights of the rifle. He observed that it was a gray eye and remembered having read that gray eyes were keenest, and that all famous markmen had them. Nevertheless, this one had missed.

Suddenly, he heard a loud bang, and something hit the water just a few inches from his head, splashing his face with spray. He heard another bang and saw one of the guards with his rifle raised, a thin cloud of blue smoke drifting from the barrel. The man in the water caught the gaze of the man on the bridge looking at him through the rifle's sights. He noticed it was a gray eye and recalled reading that gray eyes were the sharpest, and that all the best marksmen had them. Still, this one had missed.

A counter-swirl had caught Farquhar and turned him half round; he was again looking into the forest on the bank opposite the fort. The sound of a clear, high voice in a monotonous singsong now rang out behind him and came across the water with a distinctness that pierced and subdued all other sounds, even the beating of the ripples in his ears. Although no soldier, he had frequented camps enough to know the dread significance of that deliberate, drawling, aspirated chant; the lieutenant on shore was taking a part in the morning's work. How coldly and pitilessly—with what an even, calm intonation, presaging, and enforcing tranquillity in the men—with what accurately measured intervals fell those cruel words:

A counter-swirl had caught Farquhar and spun him halfway around; he was once again looking into the forest across from the fort. The sound of a clear, high voice in a monotonous singsong now echoed behind him, cutting through the water with a clarity that drowned out all other sounds, even the gentle ripples in his ears. Although he wasn’t a soldier, he had been around enough camps to understand the chilling significance of that deliberate, drawling chant; the lieutenant on the shore was participating in the morning's activities. How coldly and mercilessly—with such a steady, calm tone, suggesting and enforcing peace among the men—with what precisely timed pauses fell those cruel words:

"Attention, company!... Shoulder arms!... Ready!... Aim!... Fire!"

"Attention, company!... Shoulders arms!... Ready!... Aim!... Fire!"

Farquhar dived—dived as deeply as he could. The water roared in his ears like the voice of Niagara, yet he heard the dulled thunder of the volley and, rising again toward the surface, met shining bits of metal, singularly flattened, oscillating slowly downward. Some of them touched him on the face and hands, then fell away, continuing their descent. One lodged between his collar and neck; it was uncomfortably warm and he snatched it out.

Farquhar plunged—plunged as deep as he could. The water roared in his ears like Niagara Falls, yet he heard the muffled thunder of the gunfire and, rising again toward the surface, encountered shiny bits of metal, oddly flattened, swaying slowly downward. Some of them brushed against his face and hands before falling away, continuing their descent. One got stuck between his collar and neck; it was uncomfortably warm, and he quickly pulled it out.

As he rose to the surface, gasping for breath, he saw that he had been a long time under water; he was perceptibly farther down stream—nearer to safety. The soldiers had almost finished reloading; the metal ramrods flashed all at once in the sunshine as they were drawn from the barrels, turned in the air, and thrust into their sockets. The two sentinels fired again, independently and ineffectually.

As he surfaced, struggling for air, he realized he had been underwater for quite a while; he was noticeably farther downstream—closer to safety. The soldiers were just about done reloading; the metal ramrods glinted in the sunlight as they were pulled from the barrels, flipped in the air, and shoved back into place. The two sentinels fired once more, separately and without any real effect.

The hunted man saw all this over his shoulder; he was now swimming vigorously with the current. His brain was as energetic as his arms and legs; he thought with the rapidity of lightning.

The hunted man saw all this behind him; he was now swimming energetically with the current. His mind was as active as his arms and legs; he thought with lightning speed.

"The officer," he reasoned, "will not make that martinet's error a second time. It is as easy to dodge a volley as a single shot. He has probably already given the command to fire at will. God help me, I cannot dodge them all!"

"The officer," he thought, "won't make that strict mistake again. It's just as easy to avoid a barrage as it is a single bullet. He has probably already ordered them to fire freely. God help me, I can't dodge them all!"

An appalling plash within two yards of him was followed by a loud, rushing sound, diminuendo, which seemed to travel back through the air to the fort and died in an explosion which stirred the very river to its deeps! A rising sheet of water curved over him, fell down upon him, blinded him, strangled him! The cannon had taken a hand in the game. As he shook his head free from the commotion of the smitten water he heard the deflected shot humming through the air ahead, and in an instant it was cracking and smashing the branches in the forest beyond.

A shocking splash just two yards away was followed by a loud rushing sound that faded back through the air to the fort and ended in an explosion that stirred the river to its depths! A rising sheet of water arched over him, fell down on him, blinded him, and choked him! The cannon was now involved. As he shook his head free from the chaos of the water, he heard the ricochet of the shot buzzing through the air ahead, and in an instant, it was snapping and breaking branches in the forest beyond.

"They will not do that again," he thought; "the next time they will use a charge of grape. I must keep my eye upon the gun; the smoke will apprise me—the report arrives too late; it lags behind the missile. That is a good gun."

"They won’t do that again," he thought; "next time they’ll use grape shot. I need to keep my eye on the gun; the smoke will give me a signal—the sound comes too late; it lags behind the projectile. That’s a good gun."

Suddenly he felt himself whirled round and round—spinning like a top. The water, the banks, the forests, the now distant bridge, fort and men—all were commingled and blurred. Objects were represented by their colors only; circular horizontal streaks of color—that was all he saw. He had been caught in a vortex and was being whirled on with a velocity of advance and gyration that made him giddy and sick. In a few moments he was flung upon the gravel at the foot of the left bank of the stream—the southern bank—and behind a projecting point which concealed him from his enemies. The sudden arrest of his motion, the abrasion of one of his hands on the gravel, restored him, and he wept with delight. He dug his fingers into the sand, threw it over himself in handfuls and audibly blessed it. It looked like diamonds, rubies, emeralds; he could think of nothing beautiful which it did not resemble. The trees upon the bank were giant garden plants; he noted a definite order in their arrangement, inhaled the fragrance of their blooms. A strange, roseate light shone through the spaces among their trunks and the wind made in their branches the music of æolian harps. He had no wish to perfect his escape—was content to remain in that enchanting spot until retaken.

Suddenly, he felt himself spinning around and around—whirling like a top. The water, the riverbanks, the trees, the now distant bridge, fort, and soldiers—all blended together and became a blur. He could only see colors; circular horizontal streaks of color—that was all. He had been caught in a vortex, spinning with such speed and motion that it made him dizzy and sick. After a few moments, he was thrown onto the gravel at the foot of the southern bank of the stream—behind a jutting point that hid him from his enemies. The sudden stop, along with scraping one of his hands on the gravel, brought him back to himself, and he cried tears of joy. He dug his fingers into the sand, tossed it over himself in handfuls, and joyfully blessed it. It looked like diamonds, rubies, emeralds; he couldn't think of anything beautiful that it didn’t resemble. The trees along the bank appeared as giant garden plants; he noticed a clear order in their arrangement and breathed in the sweet scent of their flowers. A strange, pink light filtered through the gaps between their trunks, and the wind created music like an aeolian harp in their branches. He had no desire to finalize his escape—he was happy to stay in that enchanting spot until he was caught again.

A whiz and rattle of grapeshot among the branches high above his head roused him from his dream. The baffled cannoneer had fired him a random farewell. He sprang to his feet, rushed up the sloping bank, and plunged into the forest.

A loud crack and rattle of grapeshot through the branches above broke him out of his dream. The confused cannoneer had fired a random farewell shot at him. He jumped to his feet, hurried up the sloping bank, and dove into the forest.

All that day he traveled, laying his course by the rounding sun. The forest seemed interminable; nowhere did he discover a break in it, not even a woodman's road. He had not known that he lived in so wild a region. There was something uncanny in the revelation.

All day he traveled, navigating by the setting sun. The forest seemed endless; he found no gaps in it, not even a lumberjack's path. He hadn’t realized he lived in such a wild area. There was something eerie about this discovery.

By nightfall he was fatigued, footsore, famishing. The thought of his wife and children urged him on. At last he found a road which led him in what he knew to be the right direction. It was as wide and straight as a city street, yet it seemed untraveled. No fields bordered it, no dwelling anywhere. Not so much as the barking of a dog suggested human habitation. The black bodies of the trees formed a straight wall on both sides, terminating on the horizon in a point, like a diagram in a lesson in perspective. Over-head, as he looked up through this rift in the wood, shone great golden stars looking unfamiliar and grouped in strange constellations. He was sure they were arranged in some order which had a secret and malign significance. The wood on either side was full of singular noises, among which—once, twice, and again—he distinctly heard whispers in an unknown tongue.

By nightfall, he was exhausted, sore from walking, and starving. The thought of his wife and kids kept him moving forward. Finally, he found a road that he knew was heading in the right direction. It was as wide and straight as a city street, yet it looked untouched. There were no fields alongside it and no houses in sight. Not even the sound of a barking dog hinted at human presence. The dark silhouettes of the trees formed a solid wall on both sides, narrowing to a point on the horizon like a drawing in a perspective lesson. Above, as he glanced up through the opening in the trees, bright golden stars shone down, looking strange and grouped in unfamiliar constellations. He was convinced they were arranged in some order that had a hidden and sinister meaning. The woods on either side were filled with unusual sounds, and at times—once, twice, and again—he clearly heard whispers in a language he didn't understand.

His neck was in pain and lifting his hand to it he found it horribly swollen. He knew that it had a circle of black where the rope had bruised it. His eyes felt congested; he could no longer close them. His tongue was swollen with thirst; he relieved its fever by thrusting it forward from between his teeth into the cold air. How softly the turf had carpeted the untraveled avenue—he could no longer feel the roadway beneath his feet!

His neck hurt, and when he lifted his hand to it, he discovered it was badly swollen. He could see a dark bruise in a circle where the rope had pressed against it. His eyes felt stuffy; he couldn’t close them anymore. His tongue was dry and swollen from thirst; he cooled it by sticking it out between his teeth into the cold air. The grass had cushioned the untrodden path so softly—he could no longer feel the road under his feet!

Doubtless, despite his suffering, he had fallen asleep while walking, for now he sees another scene—perhaps he has merely recovered from a delirium. He stands at the gate of his own home. All is as he left it, and all bright and beautiful in the morning sunshine. He must have traveled the entire night. As he pushes open the gate and passes up the wide white walk, he sees a flutter of female garments; his wife, looking fresh and cool and sweet, steps down from the veranda to meet him. At the bottom of the steps she stands waiting, with a smile of ineffable joy, an attitude of matchless grace and dignity. Ah, how beautiful she is! He springs forward with extended arms. As he is about to clasp her he feels a stunning blow upon the back of the neck; a blinding white light blazes all about him with a sound like the shock of a cannon—then all is darkness and silence!

Without a doubt, despite his suffering, he must have dozed off while walking, because now he finds himself in a different scene—maybe he has simply come out of a delirium. He stands at the entrance of his own home. Everything is just as he left it, bright and beautiful in the morning sunshine. He must have traveled all night. As he pushes open the gate and walks up the wide white path, he notices a flutter of women's clothing; his wife, looking fresh, cool, and sweet, steps down from the porch to greet him. At the bottom of the steps, she stands waiting, with an indescribable smile of joy, radiating unmatched grace and dignity. Oh, how beautiful she is! He rushes forward with open arms. Just as he’s about to embrace her, he feels a crushing impact on the back of his neck; a dazzling white light surrounds him with a sound like a cannon’s blast—then everything goes dark and silent!

Peyton Farquhar was dead; his body, with a broken neck, swung gently from side to side beneath the timbers of the Owl Creek bridge.

Peyton Farquhar was dead; his body, with a broken neck, swayed gently from side to side beneath the beams of the Owl Creek bridge.

CHICKAMAUGA

One sunny autumn afternoon a child strayed away from its rude home in a small field and entered a forest unobserved. It was happy in a new sense of freedom from control, happy in the opportunity of exploration and adventure; for this child's spirit, in bodies of its ancestors, had for thousands of years been trained to memorable feats of discovery and conquest—victories in battles whose critical moments were centuries, whose victors' camps were cities of hewn stone. From the cradle of its race it had conquered its way through two continents and passing a great sea had penetrated a third, there to be born to war and dominion as a heritage.

One sunny autumn afternoon, a child wandered away from its humble home in a small field and entered a forest unnoticed. It felt joyful in a newfound sense of freedom from rules, excited about the possibility of exploration and adventure; for this child's spirit, inherited from its ancestors, had been shaped for thousands of years to accomplish remarkable feats of discovery and conquest—victories in battles that spanned centuries, with the winning camps becoming cities of carved stone. From the origins of its people, it had fought its way across two continents and, after crossing a vast sea, had arrived in a third, destined to inherit a legacy of war and power.

The child was a boy aged about six years, the son of a poor planter. In his younger manhood the father had been a soldier, had fought against naked savages and followed the flag of his country into the capital of a civilized race to the far South. In the peaceful life of a planter the warrior-fire survived; once kindled, it is never extinguished. The man loved military books and pictures and the boy had understood enough to make himself a wooden sword, though even the eye of his father would hardly have known it for what it was. This weapon he now bore bravely, as became the son of an heroic race, and pausing now and again in the sunny space of the forest assumed, with some exaggeration, the postures of aggression and defense that he had been taught by the engraver's art. Made reckless by the ease with which he overcame invisible foes attempting to stay his advance, he committed the common enough military error of pushing the pursuit to a dangerous extreme, until he found himself upon the margin of a wide but shallow brook, whose rapid waters barred his direct advance against the flying foe that had crossed with illogical ease. But the intrepid victor was not to be baffled; the spirit of the race which had passed the great sea burned unconquerable in that small breast and would not be denied. Finding a place where some bowlders in the bed of the stream lay but a step or a leap apart, he made his way across and fell again upon the rear-guard of his imaginary foe, putting all to the sword.

The child was a six-year-old boy, the son of a poor farmer. In his younger days, the father had been a soldier, fighting against fierce savages and marching under his country’s flag into the capital of a civilized nation in the far South. In the peaceful life of a farmer, the warrior spirit lived on; once ignited, it never goes out. The man loved military books and images, and the boy had learned enough to make himself a wooden sword, even if his father might not have recognized it as such. He carried this weapon proudly, fitting for the son of a heroic lineage, pausing occasionally in the sunny spots of the forest to strike poses of attack and defense, exaggerated as taught by engravings. Fueled by how easily he defeated invisible enemies trying to stop his march, he made the common mistake soldiers often do by pursuing too far into danger, until he found himself at the edge of a wide but shallow brook, its swift current blocking his direct path against the fleeing enemy that had crossed with unreasonable ease. But the fearless victor wouldn’t be stopped; the spirit of his ancestors, who had crossed the great sea, burned unyielding in his small chest and wouldn’t be denied. Spotting a spot where some boulders in the stream were just a step or leap apart, he crossed over and attacked the rear guard of his imagined foe, vanquishing them all.

Now that the battle had been won, prudence required that he withdraw to his base of operations. Alas; like many a mightier conqueror, and like one, the mightiest, he could not

Now that the battle was over, it was wise for him to retreat to his base of operations. Unfortunately, like many greater conquerors before him, including the greatest of them all, he couldn't.

curb the lust for war, Nor learn that tempted Fate will leave the loftiest star.

curb the desire for war, or realize that tempting Fate will abandon the highest star.

Advancing from the bank of the creek he suddenly found himself confronted with a new and more formidable enemy: in the path that he was following, sat, bolt upright, with ears erect and paws suspended before it, a rabbit! With a startled cry the child turned and fled, he knew not in what direction, calling with inarticulate cries for his mother, weeping, stumbling, his tender skin cruelly torn by brambles, his little heart beating hard with terror—breathless, blind with tears—lost in the forest! Then, for more than an hour, he wandered with erring feet through the tangled undergrowth, till at last, overcome by fatigue, he lay down in a narrow space between two rocks, within a few yards of the stream and still grasping his toy sword, no longer a weapon but a companion, sobbed himself to sleep. The wood birds sang merrily above his head; the squirrels, whisking their bravery of tail, ran barking from tree to tree, unconscious of the pity of it, and somewhere far away was a strange, muffled thunder, as if the partridges were drumming in celebration of nature's victory over the son of her immemorial enslavers. And back at the little plantation, where white men and black were hastily searching the fields and hedges in alarm, a mother's heart was breaking for her missing child.

As he moved away from the creek bank, he suddenly encountered a new and more daunting enemy: in the path ahead, sat upright with its ears perked up and its paws lifted, was a rabbit! With a startled cry, the child turned and ran off, not knowing where he was headed, calling out for his mother with incoherent cries, weeping and stumbling, his delicate skin scratched by thorns, his small heart racing with fear—breathless, blinded by tears—lost in the woods! For over an hour, he wandered with unsteady steps through the tangled underbrush until finally, exhausted, he found a narrow space between two rocks, just a few yards from the stream, and still holding onto his toy sword, which was no longer a weapon but a friend, he sobbed himself to sleep. Above him, the birds sang cheerfully; the squirrels, flicking their bushy tails, dashed energetically from tree to tree, unaware of his plight, and somewhere far away, there was a strange, muffled thunder, as if the partridges were drumming in celebration of nature's triumph over the descendants of her ancient captors. Meanwhile, back at the small plantation, where both white and black individuals were frantically searching the fields and hedges in distress, a mother’s heart was breaking for her missing child.

Hours passed, and then the little sleeper rose to his feet. The chill of the evening was in his limbs, the fear of the gloom in his heart. But he had rested, and he no longer wept. With some blind instinct which impelled to action he struggled through the undergrowth about him and came to a more open ground— on his right the brook, to the left a gentle acclivity studded with infrequent trees; over all, the gathering gloom of twilight. A thin, ghostly mist rose along the water. It frightened and repelled him; instead of recrossing, in the direction whence he had come, he turned his back upon it, and went forward toward the dark inclosing wood. Suddenly he saw before him a strange moving object which he took to be some large animal—a dog, a pig—he could not name it; perhaps it was a bear. He had seen pictures of bears, but knew of nothing to their discredit and had vaguely wished to meet one. But something in form or movement of this object—something in the awkwardness of its approach—told him that it was not a bear, and curiosity was stayed by fear. He stood still and as it came slowly on gained courage every moment, for he saw that at least it had not the long, menacing ears of the rabbit. Possibly his impressionable mind was half conscious of something familiar in its shambling, awkward gait. Before it had approached near enough to resolve his doubts he saw that it was followed by another and another. To right and to left were many more; the whole open space about him was alive with them—all moving toward the brook.

Hours passed, and then the little sleeper stood up. The evening chill seeped through his limbs, and fear of the darkness filled his heart. But he had rested, and he no longer cried. With some instinct pushing him to act, he struggled through the undergrowth around him and reached a more open area—on his right was the brook, and to the left a gentle slope dotted with scattered trees; above all was the encroaching twilight. A thin, ghostly mist rose along the water. It scared and repelled him; instead of crossing back in the direction he came from, he turned away from it and moved toward the dark, enclosing woods. Suddenly, he spotted a strange moving figure ahead, which he thought might be a large animal—a dog, a pig—he couldn’t identify it; perhaps it was a bear. He had seen pictures of bears but knew nothing negative about them and had vaguely wanted to encounter one. However, something about the shape or movement of this figure—something awkward in how it approached—told him it wasn’t a bear, and his curiosity was halted by fear. He stood still, and as it slowly came closer, he felt braver with each passing moment, for he noticed it didn’t have the long, threatening ears of a rabbit. Perhaps his impressionable mind was subconsciously aware of something familiar in its clumsy, awkward gait. Before it got close enough for him to confirm his doubts, he saw that it was being followed by another, and then another. To the right and left, there were many more; the entire open space around him was filled with them—all moving toward the brook.

They were men. They crept upon their hands and knees. They used their hands only, dragging their legs. They used their knees only, their arms hanging idle at their sides. They strove to rise to their feet, but fell prone in the attempt. They did nothing naturally, and nothing alike, save only to advance foot by foot in the same direction. Singly, in pairs and in little groups, they came on through the gloom, some halting now and again while others crept slowly past them, then resuming their movement. They came by dozens and by hundreds; as far on either hand as one could see in the deepening gloom they extended and the black wood behind them appeared to be inexhaustible. The very ground seemed in motion toward the creek. Occasionally one who had paused did not again go on, but lay motionless. He was dead. Some, pausing, made strange gestures with their hands, erected their arms and lowered them again, clasped their heads; spread their palms upward, as men are sometimes seen to do in public prayer.

They were men. They crawled on their hands and knees. They only used their hands, dragging their legs behind them. They relied only on their knees, their arms hanging useless at their sides. They tried to stand but fell flat in the effort. They moved unnaturally, each in their own way, except for the fact that they all advanced foot by foot in the same direction. Individually, in pairs, and in small groups, they came through the darkness, some stopping now and then while others crawled slowly past them, then continued their movement. They came in dozens and in hundreds; as far as one could see in the deepening darkness, they stretched out, and the dense forest behind them seemed endless. The very ground appeared to be shifting toward the creek. Occasionally, one who had stopped didn’t move again but lay still. He was dead. Some, pausing, made strange gestures with their hands, raised their arms and lowered them again, clasped their heads; spread their palms upward, like people seen in public prayer.

Not all of this did the child note; it is what would have been noted by an elder observer; he saw little but that these were men, yet crept like babes. Being men, they were not terrible, though unfamiliarly clad. He moved among them freely, going from one to another and peering into their faces with childish curiosity. All their faces were singularly white and many were streaked and gouted with red. Something in this—something too, perhaps, in their grotesque attitudes and movements—reminded him of the painted clown whom he had seen last summer in the circus, and he laughed as he watched them. But on and ever on they crept, these maimed and bleeding men, as heedless as he of the dramatic contrast between his laughter and their own ghastly gravity. To him it was a merry spectacle. He had seen his father's negroes creep upon their hands and knees for his amusement—had ridden them so, "making believe" they were his horses. He now approached one of these crawling figures from behind and with an agile movement mounted it astride. The man sank upon his breast, recovered, flung the small boy fiercely to the ground as an unbroken colt might have done, then turned upon him a face that lacked a lower jaw—from the upper teeth to the throat was a great red gap fringed with hanging shreds of flesh and splinters of bone. The unnatural prominence of nose, the absence of chin, the fierce eyes, gave this man the appearance of a great bird of prey crimsoned in throat and breast by the blood of its quarry. The man rose to his knees, the child to his feet. The man shook his fist at the child; the child, terrified at last, ran to a tree near by, got upon the farther side of it and took a more serious view of the situation. And so the clumsy multitude dragged itself slowly and painfully along in hideous pantomime—moved forward down the slope like a swarm of great black beetles, with never a sound of going—in silence profound, absolute.

Not all of this registered with the child; it was more what an older observer would have noticed. He saw little beyond the fact that these were men, yet they moved like babies. Since they were men, they didn't seem frightening, even if they were strangely dressed. He wandered among them, going from one person to another and curiously peering into their faces. All their faces were remarkably pale, and many were streaked and splattered with red. Something about this—maybe also in their odd postures and movements—reminded him of the painted clown he had seen last summer at the circus, and he laughed as he watched them. But these injured and bleeding men kept crawling along, unaware of the stark contrast between his laughter and their grim seriousness. To him, it was an amusing show. He had watched his father’s workers crawl on their hands and knees for his entertainment—he had even ridden them while pretending they were his horses. He now approached one of these crawling figures from behind and, with a nimble move, climbed onto its back. The man collapsed onto his chest, then recovered and threw the little boy to the ground like an untrained colt might. The man turned to face him, revealing a jawless mouth—there was a large red gap from his upper teeth to his throat, fringed with ragged flesh and splinters of bone. The unnatural prominence of his nose, the lack of a chin, and his fierce eyes gave this man the appearance of a massive bird of prey stained red in the throat and chest by the blood of its catch. The man got to his knees, and the child scrambled to his feet. The man shook his fist at the child; finally frightened, the child ran to a nearby tree, hid behind it, and took a more serious look at the situation. And so the awkward crowd dragged itself slowly and painfully along in a grotesque pantomime—moving down the slope like a swarm of huge black beetles, making no sound at all—in profound, complete silence.

Instead of darkening, the haunted landscape began to brighten. Through the belt of trees beyond the brook shone a strange red light, the trunks and branches of the trees making a black lacework against it. It struck the creeping figures and gave them monstrous shadows, which caricatured their movements on the lit grass. It fell upon their faces, touching their whiteness with a ruddy tinge, accentuating the stains with which so many of them were freaked and maculated. It sparkled on buttons and bits of metal in their clothing. Instinctively the child turned toward the growing splendor and moved down the slope with his horrible companions; in a few moments had passed the foremost of the throng—not much of a feat, considering his advantages. He placed himself in the lead, his wooden sword still in hand, and solemnly directed the march, conforming his pace to theirs and occasionally turning as if to see that his forces did not straggle. Surely such a leader never before had such a following.

Instead of getting darker, the haunted landscape started to brighten. Beyond the brook, a strange red light shone through the line of trees, their trunks and branches creating a black lacework against it. It illuminated the creeping figures, casting monstrous shadows that exaggerated their movements on the lit grass. The light fell on their faces, giving their pale skin a reddish tint and highlighting the stains that marked many of them. It sparkled on the buttons and bits of metal in their clothing. Instinctively, the child turned toward the growing brilliance and moved down the slope with his eerie companions; in just a few moments, he had passed the front of the crowd—not that it was a big achievement, given his advantages. He positioned himself at the front, his wooden sword still in hand, and solemnly led the march, matching his pace to theirs and occasionally turning to ensure that his group didn’t fall behind. Surely, such a leader had never before commanded such a following.

Scattered about upon the ground now slowly narrowing by the encroachment of this awful march to water, were certain articles to which, in the leader's mind, were coupled no significant associations: an occasional blanket, tightly rolled lengthwise, doubled and the ends bound together with a string; a heavy knapsack here, and there a broken rifle—such things, in short, as are found in the rear of retreating troops, the "spoor" of men flying from their hunters. Everywhere near the creek, which here had a margin of lowland, the earth was trodden into mud by the feet of men and horses. An observer of better experience in the use of his eyes would have noticed that these footprints pointed in both directions; the ground had been twice passed over—in advance and in retreat. A few hours before, these desperate, stricken men, with their more fortunate and now distant comrades, had penetrated the forest in thousands. Their successive battalions, breaking into swarms and re-forming in lines, had passed the child on every side—had almost trodden on him as he slept. The rustle and murmur of their march had not awakened him. Almost within a stone's throw of where he lay they had fought a battle; but all unheard by him were the roar of the musketry, the shock of the cannon, "the thunder of the captains and the shouting." He had slept through it all, grasping his little wooden sword with perhaps a tighter clutch in unconscious sympathy with his martial environment, but as heedless of the grandeur of the struggle as the dead who had died to make the glory.

Scattered on the ground, which was slowly being taken over by this terrible march to water, were some items that the leader didn’t associate with any significant memories: an occasional blanket, tightly rolled lengthwise and tied at the ends with a string; a heavy backpack here, and a broken rifle there—things, in short, that you’d find in the rear of retreating troops, the “marks” of men fleeing from their pursuers. Everywhere near the creek, where there was a stretch of lowland, the earth was muddy from the footsteps of men and horses. A more experienced observer would have noticed that these footprints went in both directions; the ground had been crossed over twice—in advance and in retreat. A few hours earlier, these desperate, wounded men, along with their more fortunate and now distant comrades, had surged into the forest in thousands. Their wave after wave of soldiers, breaking into swarms and then regrouping in lines, had passed by the child on all sides—almost stepping on him while he slept. The rustling and murmuring of their march hadn’t woken him. Just a stone’s throw away from where he lay, they had fought a battle; yet all he remained oblivious to were the sounds of gunfire, the booming of the cannons, “the thunder of the captains and the shouting.” He had slept through it all, clutching his little wooden sword, perhaps holding it tighter in unconscious sympathy with his martial surroundings, but as unmindful of the grandeur of the struggle as the dead who had fallen to create that glory.

The fire beyond the belt of woods on the farther side of the creek, reflected to earth from the canopy of its own smoke, was now suffusing the whole landscape. It transformed the sinuous line of mist to the vapor of gold. The water gleamed with dashes of red, and red, too, were many of the stones protruding above the surface. But that was blood; the less desperately wounded had stained them in crossing. On them, too, the child now crossed with eager steps; he was going to the fire. As he stood upon the farther bank he turned about to look at the companions of his march. The advance was arriving at the creek. The stronger had already drawn themselves to the brink and plunged their faces into the flood. Three or four who lay without motion appeared to have no heads. At this the child's eyes expanded with wonder; even his hospitable understanding could not accept a phenomenon implying such vitality as that. After slaking their thirst these men had not had the strength to back away from the water, nor to keep their heads above it. They were drowned. In rear of these, the open spaces of the forest showed the leader as many formless figures of his grim command as at first; but not nearly so many were in motion. He waved his cap for their encouragement and smilingly pointed with his weapon in the direction of the guiding light—a pillar of fire to this strange exodus.

The fire beyond the woods on the other side of the creek, shining down from its own smoke, was now spreading across the entire landscape. It turned the winding line of mist into golden vapor. The water sparkled with splashes of red, and many of the stones sticking out above the surface were red too. But that was blood; the less seriously wounded had stained them while crossing. The child now crossed them eagerly; he was heading toward the fire. As he stood on the other bank, he turned to look back at his companions. The group was reaching the creek. The stronger ones had already made it to the edge and plunged their faces into the water. Three or four who lay still seemed to have no heads. At this, the child's eyes widened with wonder; even his open-mindedness couldn't comprehend something that suggested such vitality. After quenching their thirst, these men hadn't had the strength to pull back from the water or keep their heads above it. They were drowned. Behind them, the open areas of the forest showed the leader leading as many shadowy figures of his grim command as before, but far fewer were moving. He waved his cap for encouragement and smiled as he pointed with his weapon toward the guiding light—a pillar of fire for this strange exodus.

Confident of the fidelity of his forces, he now entered the belt of woods, passed through it easily in the red illumination, climbed a fence, ran across a field, turning now and again to coquet with his responsive shadow, and so approached the blazing ruin of a dwelling. Desolation everywhere! In all the wide glare not a living thing was visible. He cared nothing for that; the spectacle pleased, and he danced with glee in imitation of the wavering flames. He ran about, collecting fuel, but every object that he found was too heavy for him to cast in from the distance to which the heat limited his approach. In despair he flung in his sword—a surrender to the superior forces of nature. His military career was at an end.

Confident in the loyalty of his troops, he entered the wooded area, easily made his way through the red glow, climbed over a fence, and ran across a field, occasionally looking back to playfully engage with his own shadow. He approached the burning remains of a house. Desolation surrounded him! In the bright light, not a single living thing was in sight. He didn't mind; the scene fascinated him, and he jumped around happily, mimicking the flickering flames. He ran around, gathering firewood, but everything he found was too heavy for him to throw in from the distance the heat forced him to stay back. In frustration, he tossed in his sword—a surrender to the overwhelming forces of nature. His military career was over.

Shifting his position, his eyes fell upon some outbuildings which had an oddly familiar appearance, as if he had dreamed of them. He stood considering them with wonder, when suddenly the entire plantation, with its inclosing forest, seemed to turn as if upon a pivot. His little world swung half around; the points of the compass were reversed. He recognized the blazing building as his own home!

Shifting his position, his eyes landed on some outbuildings that looked strangely familiar, like something from a dream. He stood there, amazed, when suddenly the entire plantation, along with the surrounding forest, seemed to rotate like it was on a pivot. His small world swung halfway around; the directions were flipped. He recognized the burning building as his own home!

For a moment he stood stupefied by the power of the revelation, then ran with stumbling feet, making a half-circuit of the ruin. There, conspicuous in the light of the conflagration, lay the dead body of a woman—the white face turned upward, the hands thrown out and clutched full of grass, the clothing deranged, the long dark hair in tangles and full of clotted blood. The greater part of the forehead was torn away, and from the jagged hole the brain protruded, overflowing the temple, a frothy mass of gray, crowned with clusters of crimson bubbles—the work of a shell.

For a moment, he stood in shock from the power of the revelation, then he ran awkwardly, making a half-circle around the ruins. There, illuminated by the fire, lay the lifeless body of a woman—the pale face turned upward, the hands outstretched and clutched full of grass, her clothes in disarray, and her long dark hair tangled and soaked in blood. Most of her forehead was missing, and from the jagged gap, her brain was spilling out, a frothy mass of gray, topped with clusters of crimson bubbles—the result of an explosion.

The child moved his little hands, making wild, uncertain gestures. He uttered a series of inarticulate and indescribable cries—something between the chattering of an ape and the gobbling of a turkey—a startling, soulless, unholy sound, the language of a devil. The child was a deaf mute.

The child moved his small hands, making erratic, uncertain gestures. He let out a series of inarticulate and indescribable cries—something between the chattering of a monkey and the gobbling of a turkey—a jarring, soulless, unholy sound, the language of a devil. The child was a deaf mute.

Then he stood motionless, with quivering lips, looking down upon the wreck.

Then he stood still, his lips trembling, staring down at the wreck.

A SON OF THE GODS

A STUDY IN THE PRESENT TENSE

A STUDY IN THE PRESENT TENSE

A breezy day and a sunny landscape. An open country to right and left and forward; behind, a wood. In the edge of this wood, facing the open but not venturing into it, long lines of troops, halted. The wood is alive with them, and full of confused noises—the occasional rattle of wheels as a battery of artillery goes into position to cover the advance; the hum and murmur of the soldiers talking; a sound of innumerable feet in the dry leaves that strew the interspaces among the trees; hoarse commands of officers. Detached groups of horsemen are well in front—not altogether exposed—many of them intently regarding the crest of a hill a mile away in the direction of the interrupted advance. For this powerful army, moving in battle order through a forest, has met with a formidable obstacle—the open country. The crest of that gentle hill a mile away has a sinister look; it says, Beware! Along it runs a stone wall extending to left and right a great distance. Behind the wall is a hedge; behind the hedge are seen the tops of trees in rather straggling order. Among the trees—what? It is necessary to know.

A breezy day and a sunny landscape. Open fields to the right and left and ahead; behind, a forest. At the edge of this forest, facing the open area but not stepping into it, long lines of troops are standing still. The forest is bustling with them, filled with mixed sounds—the occasional rattle of wheels as a battery of artillery positions itself to support the advance; the hum and chatter of the soldiers talking; the sound of countless feet on the dry leaves covering the ground between the trees; hoarse commands from the officers. Detached groups of horsemen are positioned well in front—not fully exposed—many of them focused on the crest of a hill a mile away in the direction of the halted advance. For this strong army, moving in battle formation through the woods, has encountered a serious obstacle—the open fields. The top of that gentle hill a mile away looks ominous; it warns, Beware! Along it stretches a stone wall extending far to both sides. Behind the wall is a hedge; behind the hedge, the tops of trees are visible in a somewhat scattered pattern. Among the trees—what? It’s essential to find out.

Yesterday, and for many days and nights previously, we were fighting somewhere; always there was cannonading, with occasional keen rattlings of musketry, mingled with cheers, our own or the enemy's, we seldom knew, attesting some temporary advantage. This morning at daybreak the enemy was gone. We have moved forward across his earthworks, across which we have so often vainly attempted to move before, through the debris of his abandoned camps, among the graves of his fallen, into the woods beyond.

Yesterday, and for many days and nights before that, we were engaged in battle somewhere; there was always cannon fire, along with the sharp sounds of gunfire, mixed with cheers, whether from us or the enemy, we rarely knew, marking some temporary win. This morning at dawn, the enemy was gone. We moved forward past their trenches, which we had often tried to cross in vain before, through the wreckage of their deserted camps, among the graves of the fallen, into the woods ahead.

How curiously we had regarded everything! how odd it all had seemed! Nothing had appeared quite familiar; the most commonplace objects—an old saddle, a splintered wheel, a forgotten canteen—everything had related something of the mysterious personality of those strange men who had been killing us. The soldier never becomes wholly familiar with the conception of his foes as men like himself; he cannot divest himself of the feeling that they are another order of beings, differently conditioned, in an environment not altogether of the earth. The smallest vestiges of them rivet his attention and engage his interest. He thinks of them as inaccessible; and, catching an unexpected glimpse of them, they appear farther away, and therefore larger, than they really are—like objects in a fog. He is somewhat in awe of them.

How strangely we looked at everything! It all felt so unusual! Nothing seemed really familiar; even the most ordinary things—a worn saddle, a broken wheel, an abandoned canteen—everything connected to the mysterious nature of those strange men who had been attacking us. A soldier never fully sees his enemies as just people like him; he can’t shake the feeling that they belong to a different kind of existence, in a reality that feels otherworldly. Even the smallest traces of them grab his attention and pique his curiosity. He views them as unreachable, and when he catches an unexpected glimpse of them, they seem farther away and, therefore, bigger than they actually are—like shapes in a fog. There's a sense of respect and fear towards them.

From the edge of the wood leading up the acclivity are the tracks of horses and wheels—the wheels of cannon. The yellow grass is beaten down by the feet of infantry. Clearly they have passed this way in thousands; they have not withdrawn by the country roads. This is significant—it is the difference between retiring and retreating.

From the edge of the woods leading up the hill, there are tracks from horses and wheels—the wheels of cannons. The yellow grass is trampled down by the footsteps of soldiers. It's obvious they've come this way in the thousands; they didn't leave through the country roads. This matters—it’s the difference between pulling back and fleeing.

That group of horsemen is our commander, his staff and escort. He is facing the distant crest, holding his field-glass against his eyes with both hands, his elbows needlessly elevated. It is a fashion; it seems to dignify the act; we are all addicted to it. Suddenly he lowers the glass and says a few words to those about him. Two or three aides detach themselves from the group and canter away into the woods, along the lines in each direction. We did not hear his words, but we know them: "Tell General X. to send forward the skirmish line." Those of us who have been out of place resume our positions; the men resting at ease straighten themselves and the ranks are re-formed without a command. Some of us staff officers dismount and look at our saddle girths; those already on the ground remount.

That group of horsemen is our commander, his staff, and escort. He’s looking at the distant ridge, holding his field glasses up to his eyes with both hands, his elbows raised unnecessarily. It’s a style; it seems to give weight to the action; we’re all used to it. Suddenly, he lowers the glasses and says a few words to those around him. Two or three aides break away from the group and ride off into the woods, heading in different directions. We didn’t catch his words, but we know them: “Tell General X to send the skirmish line forward.” Those of us who were out of position take our places again; the men who were resting straighten up, and the ranks reform without a command. Some of us staff officers get off our horses and check our saddle girths; those already on the ground get back on.

Galloping rapidly along in the edge of the open ground comes a young officer on a snow-white horse. His saddle blanket is scarlet. What a fool! No one who has ever been in action but remembers how naturally every rifle turns toward the man on a white horse; no one but has observed how a bit of red enrages the bull of battle. That such colors are fashionable in military life must be accepted as the most astonishing of all the phenomena of human vanity. They would seem to have been devised to increase the death-rate.

Riding quickly at the edge of the open ground is a young officer on a pure white horse. His saddle blanket is bright red. What an idiot! Anyone who has ever been in combat knows how every rifle instinctively points at the guy on a white horse; everyone has seen how a splash of red can stir up the chaos of battle. It's hard to believe that these colors are trendy in military life, and it’s one of the most shocking examples of human vanity. They seem designed to raise the chances of getting killed.

This young officer is in full uniform, as if on parade. He is all agleam with bullion—a blue-and-gold edition of the Poetry of War. A wave of derisive laughter runs abreast of him all along the line. But how handsome he is!—with what careless grace he sits his horse!

This young officer is in complete uniform, almost like he's on parade. He's shining with decorations—a blue-and-gold version of the Poetry of War. A wave of mocking laughter follows him along the line. But just look at how handsome he is!—with what effortless grace he rides his horse!

He reins up within a respectful distance of the corps commander and salutes. The old soldier nods familiarly; he evidently knows him. A brief colloquy between them is going on; the young man seems to be preferring some request which the elder one is indisposed to grant. Let us ride a little nearer. Ah! too late—it is ended. The young officer salutes again, wheels his horse, and rides straight toward the crest of the hill!

He pulls his horse to a stop at a respectful distance from the corps commander and salutes. The older soldier nods casually; he clearly knows him. They have a brief conversation; the young man seems to be making a request that the older one is reluctant to fulfill. Let’s ride a bit closer. Ah! Too late—it’s over. The young officer salutes again, turns his horse, and rides straight toward the top of the hill!

A thin line of skirmishers, the men deployed at six paces or so apart, now pushes from the wood into the open. The commander speaks to his bugler, who claps his instrument to his lips. Tra-la-la! Tra-la-la! The skirmishers halt in their tracks.

A thin line of skirmishers, the men spaced about six paces apart, now pushes from the woods into the open. The commander talks to his bugler, who brings his instrument to his lips. Tra-la-la! Tra-la-la! The skirmishers stop in their tracks.

Meantime the young horseman has advanced a hundred yards. He is riding at a walk, straight up the long slope, with never a turn of the head. How glorious! Gods! what would we not give to be in his place—with his soul! He does not draw his sabre; his right hand hangs easily at his side. The breeze catches the plume in his hat and flutters it smartly. The sunshine rests upon his shoulder-straps, lovingly, like a visible benediction. Straight on he rides. Ten thousand pairs of eyes are fixed upon him with an intensity that he can hardly fail to feel; ten thousand hearts keep quick time to the inaudible hoof-beats of his snowy steed. He is not alone—he draws all souls after him. But we remember that we laughed! On and on, straight for the hedge-lined wall, he rides. Not a look backward. O, if he would but turn—if he could but see the love, the adoration, the atonement!

Meanwhile, the young horseman has moved ahead a hundred yards. He is riding at a walk, straight up the long slope, never turning his head. How glorious! Gods! What wouldn’t we give to be in his place—with his spirit! He doesn’t draw his sword; his right hand hangs relaxed at his side. The breeze catches the plume in his hat and makes it flutter smartly. The sunshine rests on his shoulder straps, like a visible blessing. He rides straight on. Ten thousand pairs of eyes are locked on him with an intensity he can hardly miss; ten thousand hearts beat in sync with the silent hoofbeats of his snowy horse. He is not alone—he draws everyone along with him. But we remember that we laughed! On and on, straight toward the hedge-lined wall, he rides. Not a glance back. Oh, if he would just turn—if he could only see the love, the adoration, the atonement!

Not a word is spoken; the populous depths of the forest still murmur with their unseen and unseeing swarm, but all along the fringe is silence. The burly commander is an equestrian statue of himself. The mounted staff officers, their field glasses up, are motionless all. The line of battle in the edge of the wood stands at a new kind of "attention," each man in the attitude in which he was caught by the consciousness of what is going on. All these hardened and impenitent man-killers, to whom death in its awfulest forms is a fact familiar to their every-day observation; who sleep on hills trembling with the thunder of great guns, dine in the midst of streaming missiles, and play at cards among the dead faces of their dearest friends—all are watching with suspended breath and beating hearts the outcome of an act involving the life of one man. Such is the magnetism of courage and devotion.

Not a word is spoken; the bustling depths of the forest still hum with their unseen and unaware swarm, but the outer edges are silent. The tough commander is like a statue on horseback. The mounted staff officers, with their binoculars raised, are completely still. The line of soldiers at the edge of the woods stands at a new kind of "attention," each man caught in the moment of realization of what is happening. All these hardened and unrepentant killers, to whom death in its most horrific forms is a familiar sight; who sleep on hills shaking with the roar of heavy artillery, eat in the middle of flying projectiles, and play cards among the lifeless faces of their closest friends—all are holding their breath and feeling their hearts race as they watch the outcome of an act that could determine the fate of one man. Such is the power of courage and loyalty.

If now you should turn your head you would see a simultaneous movement among the spectators—a start, as if they had received an electric shock—and looking forward again to the now distant horseman you would see that he has in that instant altered his direction and is riding at an angle to his former course. The spectators suppose the sudden deflection to be caused by a shot, perhaps a wound; but take this field-glass and you will observe that he is riding toward a break in the wall and hedge. He means, if not killed, to ride through and overlook the country beyond.

If you were to turn your head now, you'd notice a sudden reaction among the spectators—a startled flinch, as if they had just been jolted by an electric shock—and if you looked back at the now distant horseman, you'd see that he has changed direction and is now riding at an angle to where he was heading before. The spectators think the sudden change is due to a gunshot, maybe he got hit; but take a look through this field glass, and you'll see he's actually heading toward a gap in the wall and hedge. If he isn't dead, he plans to ride through and take a look at the land beyond.

You are not to forget the nature of this man's act; it is not permitted to you to think of it as an instance of bravado, nor, on the other hand, a needless sacrifice of self. If the enemy has not retreated he is in force on that ridge. The investigator will encounter nothing less than a line-of-battle; there is no need of pickets, videttes, skirmishers, to give warning of our approach; our attacking lines will be visible, conspicuous, exposed to an artillery fire that will shave the ground the moment they break from cover, and for half the distance to a sheet of rifle bullets in which nothing can live. In short, if the enemy is there, it would be madness to attack him in front; he must be manoeuvred out by the immemorial plan of threatening his line of communication, as necessary to his existence as to the diver at the bottom of the sea his air tube. But how ascertain if the enemy is there? There is but one way,—somebody must go and see. The natural and customary thing to do is to send forward a line of skirmishers. But in this case they will answer in the affirmative with all their lives; the enemy, crouching in double ranks behind the stone wall and in cover of the hedge, will wait until it is possible to count each assailant's teeth. At the first volley a half of the questioning line will fall, the other half before it can accomplish the predestined retreat. What a price to pay for gratified curiosity! At what a dear rate an army must sometimes purchase knowledge! "Let me pay all," says this gallant man—this military Christ!

You must remember the nature of this man’s actions; it’s not just an act of bravado, nor is it a pointless sacrifice. If the enemy hasn’t retreated, they are solidly positioned on that ridge. The investigator will come face-to-face with a battle line; there’s no need for pickets, sentries, or skirmishers to warn us of our approach; our attacking forces will be visible, obvious, exposed to artillery fire that will devastate the ground the moment they break cover and for half the distance to a torrent of rifle bullets that nothing can survive. In short, if the enemy is there, it would be foolish to attack head-on; we need to draw them out by threatening their supply lines, which are as crucial to their survival as an air tube is to a diver at the bottom of the sea. But how can we find out if the enemy is there? There’s only one way—someone has to go check. The obvious and expected move is to send out a line of skirmishers. But in this case, they will confirm the enemy's presence with their lives; the enemy will lie in ambush behind the stone wall and hedges, waiting until they can count every soldier’s teeth. At the first volley, half of the skirmishers will fall, and the other half won’t make it back in time to retreat. What a high cost for mere curiosity! What a steep price an army sometimes has to pay for information! "Let me take it all," says this brave man—this military Christ!

There is no hope except the hope against hope that the crest is clear. True, he might prefer capture to death. So long as he advances, the line will not fire—why should it? He can safely ride into the hostile ranks and become a prisoner of war. But this would defeat his object. It would not answer our question; it is necessary either that he return unharmed or be shot to death before our eyes. Only so shall we know how to act. If captured—why, that might have been done by a half-dozen stragglers.

There’s no hope except the slim chance that the path is clear. Sure, he might prefer being captured over dying. As long as he keeps moving forward, the line won’t fire—why would it? He can confidently ride into enemy territory and become a prisoner of war. But that would defeat his purpose. It wouldn’t answer our question; he must either come back safe or be shot to death right in front of us. Only then will we know how to proceed. If he gets captured—well, that could have been done by a few stragglers.

Now begins an extraordinary contest of intellect between a man and an army. Our horseman, now within a quarter of a mile of the crest, suddenly wheels to the left and gallops in a direction parallel to it. He has caught sight of his antagonist; he knows all. Some slight advantage of ground has enabled him to overlook a part of the line. If he were here he could tell us in words. But that is now hopeless; he must make the best use of the few minutes of life remaining to him, by compelling the enemy himself to tell us as much and as plainly as possible—which, naturally, that discreet power is reluctant to do. Not a rifleman in those crouching ranks, not a cannoneer at those masked and shotted guns, but knows the needs of the situation, the imperative duty of forbearance. Besides, there has been time enough to forbid them all to fire. True, a single rifle-shot might drop him and be no great disclosure. But firing is infectious—and see how rapidly he moves, with never a pause except as he whirls his horse about to take a new direction, never directly backward toward us, never directly forward toward his executioners. All this is visible through the glass; it seems occurring within pistol-shot; we see all but the enemy, whose presence, whose thoughts, whose motives we infer. To the unaided eye there is nothing but a black figure on a white horse, tracing slow zigzags against the slope of a distant hill—so slowly they seem almost to creep.

Now starts an incredible battle of wits between a man and an army. Our horseman, now a quarter mile from the peak, suddenly turns left and gallops parallel to it. He has spotted his opponent; he knows everything. Some slight advantage in the terrain has allowed him to see part of the line. If he were here, he could explain it to us. But that’s hopeless now; he must make the best use of the few remaining minutes of his life by forcing the enemy to reveal as much as possible, which, of course, that cautious force is hesitant to do. Not a single rifleman in those crouching ranks, not a cannoneer at those hidden and loaded guns, is unaware of the situation's needs, the urgent duty of restraint. Besides, they’ve had enough time to be ordered not to fire. True, a single gunshot might take him down without much risk of exposure. But firing is contagious—just look how fast he moves, never pausing except when he spins his horse to change direction, never retreating directly toward us, never advancing directly toward his executioners. All of this is visible through the scope; it seems to be happening within pistol range; we see everything but the enemy, whose presence, thoughts, and motives we can only guess. To the naked eye, there’s just a black figure on a white horse, tracing slow zigzags against the slope of a distant hill—so slowly they seem to almost crawl.

Now—the glass again—he has tired of his failure, or sees his error, or has gone mad; he is dashing directly forward at the wall, as if to take it at a leap, hedge and all! One moment only and he wheels right about and is speeding like the wind straight down the slope—toward his friends, toward his death! Instantly the wall is topped with a fierce roll of smoke for a distance of hundreds of yards to right and left. This is as instantly dissipated by the wind, and before the rattle of the rifles reaches us he is down. No, he recovers his seat; he has but pulled his horse upon its haunches. They are up and away! A tremendous cheer bursts from our ranks, relieving the insupportable tension of our feelings. And the horse and its rider? Yes, they are up and away. Away, indeed—they are making directly to our left, parallel to the now steadily blazing and smoking wall. The rattle of the musketry is continuous, and every bullet's target is that courageous heart.

Now—the glass again—he's tired of failing, realizes his mistake, or has gone a bit crazy; he's charging straight at the wall like he’s going to leap over it, hedge and all! Just for a moment, he turns around and is racing down the slope—toward his friends, toward his death! Instantly, the wall is covered with a fierce cloud of smoke stretching hundreds of yards to the right and left. The wind quickly blows it away, and before the sound of the gunfire reaches us, he’s down. No, he regains his balance; he’s just pulled his horse back on its haunches. They’re up and off! A huge cheer erupts from our ranks, releasing the unbearable tension we’ve felt. And the horse and rider? Yes, they’re up and away. Away, for sure—they’re heading directly to our left, parallel to the now blazing and smoking wall. The sound of gunfire is constant, and every bullet is aimed at that brave heart.

Suddenly a great bank of white smoke pushes upward from behind the wall. Another and another—a dozen roll up before the thunder of the explosions and the humming of the missiles reach our ears and the missiles themselves come bounding through clouds of dust into our covert, knocking over here and there a man and causing a temporary distraction, a passing thought of self.

Suddenly, a huge cloud of white smoke rises from behind the wall. Another one, and then another—dozens of them roll up before the sound of explosions and the whir of missiles reach us. The missiles themselves come crashing through clouds of dust into our hiding spot, knocking over a few people here and there and causing a brief distraction, a fleeting thought of self.

The dust drifts away. Incredible!—that enchanted horse and rider have passed a ravine and are climbing another slope to unveil another conspiracy of silence, to thwart the will of another armed host. Another moment and that crest too is in eruption. The horse rears and strikes the air with its forefeet. They are down at last. But look again —the man has detached himself from the dead animal. He stands erect, motionless, holding his sabre in his right hand straight above his head. His face is toward us. Now he lowers his hand to a level with his face and moves it outward, the blade of the sabre describing a downward curve. It is a sign to us, to the world, to posterity. It is a hero's salute to death and history.

The dust settles. Amazing!—that magical horse and rider have crossed a ravine and are ascending another slope to reveal another silence, to oppose the will of yet another armed force. In just a moment, that crest erupts too. The horse rears up and hits the air with its front legs. They are down at last. But wait— the man has separated himself from the fallen animal. He stands tall, motionless, holding his sword straight above his head in his right hand. He faces us. Now he lowers his hand to eye level and moves it outward, the blade of the sword curving downwards. It’s a signal to us, to the world, to future generations. It’s a hero's farewell to death and history.

Again the spell is broken; our men attempt to cheer; they are choking with emotion; they utter hoarse, discordant cries; they clutch their weapons and press tumultuously forward into the open. The skirmishers, without orders, against orders, are going forward at a keen run, like hounds unleashed. Our cannon speak and the enemy's now open in full chorus; to right and left as far as we can see, the distant crest, seeming now so near, erects its towers of cloud and the great shot pitch roaring down among our moving masses. Flag after flag of ours emerges from the wood, line after line sweeps forth, catching the sunlight on its burnished arms. The rear battalions alone are in obedience; they preserve their proper distance from the insurgent front.

Again the spell is broken; our guys try to cheer; they're choking with emotion; they let out rough, jumbled shouts; they grip their weapons and push forward into the open. The skirmishers, without orders, and even against orders, are charging ahead at a fast run, like unleashed hounds. Our cannons roar, and the enemy's join in, now both sides blasting away; to the right and left as far as we can see, the distant ridge, looking much closer now, rises with towers of cloud, and the heavy shots crash down among our moving troops. Flag after flag springs out from the woods, lines of soldiers sweep out, catching the sunlight on their shiny arms. Only the rear battalions are following orders; they keep their proper distance from the unruly front.

The commander has not moved. He now removes his field-glass from his eyes and glances to the right and left. He sees the human current flowing on either side of him and his huddled escort, like tide waves parted by a rock. Not a sign of feeling in his face; he is thinking. Again he directs his eyes forward; they slowly traverse that malign and awful crest. He addresses a calm word to his bugler. Tra-la-la! Tra-la-la! The injunction has an imperiousness which enforces it. It is repeated by all the bugles of all the sub-ordinate commanders; the sharp metallic notes assert themselves above the hum of the advance and penetrate the sound of the cannon. To halt is to withdraw. The colors move slowly back; the lines face about and sullenly follow, bearing their wounded; the skirmishers return, gathering up the dead.

The commander hasn’t moved. He takes the binoculars away from his eyes and looks to the right and left. He sees the crowd of people moving on either side of him and his grouped escort, like waves of water divided by a rock. There’s no expression on his face; he is deep in thought. He looks forward again; his gaze slowly sweeps over that threatening and dreadful ridge. He speaks a calm word to his bugler. Tra-la-la! Tra-la-la! The command has a commanding tone that makes it stick. It’s echoed by all the bugles of the subordinate commanders; the sharp metallic notes rise above the buzz of the advancing troops and cut through the sound of the cannon. To stop is to retreat. The flags move slowly back; the lines turn around and grimly follow, carrying their wounded; the skirmishers return, collecting the dead.

Ah, those many, many needless dead! That great soul whose beautiful body is lying over yonder, so conspicuous against the sere hillside—could it not have been spared the bitter consciousness of a vain devotion? Would one exception have marred too much the pitiless perfection of the divine, eternal plan?

Ah, those countless unnecessary deaths! That remarkable person whose wonderful body is lying over there, so visible against the dry hillside—couldn’t they have been spared the painful awareness of a pointless devotion? Would one exception have disrupted the harsh perfection of the divine, eternal plan?

ONE OF THE MISSING

Jerome Searing, a private soldier of General Sherman's army, then confronting the enemy at and about Kennesaw Mountain, Georgia, turned his back upon a small group of officers with whom he had been talking in low tones, stepped across a light line of earthworks, and disappeared in a forest. None of the men in line behind the works had said a word to him, nor had he so much as nodded to them in passing, but all who saw understood that this brave man had been intrusted with some perilous duty. Jerome Searing, though a private, did not serve in the ranks; he was detailed for service at division headquarters, being borne upon the rolls as an orderly. "Orderly" is a word covering a multitude of duties. An orderly may be a messenger, a clerk, an officer's servant—anything. He may perform services for which no provision is made in orders and army regulations. Their nature may depend upon his aptitude, upon favor, upon accident. Private Searing, an incomparable marksman, young, hardy, intelligent and insensible to fear, was a scout. The general commanding his division was not content to obey orders blindly without knowing what was in his front, even when his command was not on detached service, but formed a fraction of the line of the army; nor was he satisfied to receive his knowledge of his vis-à-vis through the customary channels; he wanted to know more than he was apprised of by the corps commander and the collisions of pickets and skirmishers. Hence Jerome Searing, with his extraordinary daring, his woodcraft, his sharp eyes, and truthful tongue. On this occasion his instructions were simple: to get as near the enemy's lines as possible and learn all that he could.

Jerome Searing, a private in General Sherman’s army, was facing the enemy around Kennesaw Mountain, Georgia. He turned away from a small group of officers he had been speaking with quietly, stepped over a slight line of earthworks, and vanished into the forest. None of the men behind the works spoke to him, nor did he acknowledge them as he passed, but everyone who saw understood that this brave man had been given a dangerous task. Although Jerome Searing was a private, he didn’t fight in the ranks; he was assigned to work at division headquarters and was listed as an orderly. "Orderly" is a term that covers many roles. An orderly can be a messenger, a clerk, an officer’s servant—essentially anything. He might take on duties not specifically outlined in orders and army regulations. The nature of these tasks can depend on his skills, relationships, or chance. Private Searing, an incredible marksman, young, tough, smart, and fearless, was a scout. The general leading his division didn't want to just follow orders without knowing what lay ahead, even when his unit was part of the regular army line; he wanted more information than what was provided by the corps commander or gained through the usual skirmishes. Therefore, he relied on Jerome Searing, with his exceptional bravery, woodcraft, keen eyesight, and honest communication. On this mission, his instructions were straightforward: get as close to the enemy's lines as possible and gather as much information as he could.

In a few moments he had arrived at the picket-line, the men on duty there lying in groups of two and four behind little banks of earth scooped out of the slight depression in which they lay, their rifles protruding from the green boughs with which they had masked their small defenses. The forest extended without a break toward the front, so solemn and silent that only by an effort of the imagination could it be conceived as populous with armed men, alert and vigilant—a forest formidable with possibilities of battle. Pausing a moment in one of these rifle-pits to apprise the men of his intention Searing crept stealthily forward on his hands and knees and was soon lost to view in a dense thicket of underbrush.

In just a few moments, he reached the picket line, where the men on duty were lying in small groups of two and four behind little mounds of earth they had dug out of the slight depression where they were positioned, their rifles sticking out from the green branches they used to camouflage their small defenses. The forest stretched on without interruption toward the front, so solemn and quiet that it took an effort of imagination to picture it filled with armed men, alert and watchful—a forest filled with the potential for battle. After pausing for a moment in one of the rifle pits to inform the men of his intentions, Searing crawled forward on his hands and knees, soon disappearing into a thick patch of underbrush.

"That is the last of him," said one of the men; "I wish I had his rifle; those fellows will hurt some of us with it."

"That's the last of him," said one of the men; "I wish I had his rifle; those guys are going to hurt some of us with it."

Searing crept on, taking advantage of every accident of ground and growth to give himself better cover. His eyes penetrated everywhere, his ears took note of every sound. He stilled his breathing, and at the cracking of a twig beneath his knee stopped his progress and hugged the earth. It was slow work, but not tedious; the danger made it exciting, but by no physical signs was the excitement manifest. His pulse was as regular, his nerves were as steady as if he were trying to trap a sparrow.

Searing moved stealthily, using every bump in the terrain and patch of vegetation for better cover. His eyes scanned the area, and his ears picked up on every sound. He controlled his breathing, and when a twig snapped under his knee, he halted and pressed himself against the ground. It was slow going, but not boring; the risk made it thrilling, though he showed no signs of that thrill physically. His heartbeat was steady, and his nerves were calm as if he were trying to catch a sparrow.

"It seems a long time," he thought, "but I cannot have come very far; I am still alive."

"It feels like a long time," he thought, "but I can't have come very far; I'm still alive."

He smiled at his own method of estimating distance, and crept forward. A moment later he suddenly flattened himself upon the earth and lay motionless, minute after minute. Through a narrow opening in the bushes he had caught sight of a small mound of yellow clay—one of the enemy's rifle-pits. After some little time he cautiously raised his head, inch by inch, then his body upon his hands, spread out on each side of him, all the while intently regarding the hillock of clay. In another moment he was upon his feet, rifle in hand, striding rapidly forward with little attempt at concealment. He had rightly interpreted the signs, whatever they were; the enemy was gone.

He smiled at his own way of estimating distance and moved forward. A moment later, he suddenly lay flat on the ground and stayed still, minute after minute. Through a narrow gap in the bushes, he spotted a small mound of yellow clay—one of the enemy's rifle pits. After a little while, he cautiously raised his head, bit by bit, then lifted his body on his hands, spreading them out on each side of him, all the while closely watching the clay mound. In another moment, he was on his feet, rifle in hand, quickly moving forward with little effort to hide himself. He had correctly interpreted the signs, whatever they were; the enemy was gone.

To assure himself beyond a doubt before going back to report upon so important a matter, Searing pushed forward across the line of abandoned pits, running from cover to cover in the more open forest, his eyes vigilant to discover possible stragglers. He came to the edge of a plantation—one of those forlorn, deserted homesteads of the last years of the war, upgrown with brambles, ugly with broken fences and desolate with vacant buildings having blank apertures in place of doors and windows. After a keen reconnoissance from the safe seclusion of a clump of young pines Searing ran lightly across a field and through an orchard to a small structure which stood apart from the other farm buildings, on a slight elevation. This he thought would enable him to overlook a large scope of country in the direction that he supposed the enemy to have taken in withdrawing. This building, which had originally consisted of a single room elevated upon four posts about ten feet high, was now little more than a roof; the floor had fallen away, the joists and planks loosely piled on the ground below or resting on end at various angles, not wholly torn from their fastenings above. The supporting posts were themselves no longer vertical. It looked as if the whole edifice would go down at the touch of a finger.

To reassure himself without a doubt before heading back to report on such an important matter, Searing moved quickly across the line of abandoned pits, darting from cover to cover in the more open forest, his eyes alert for possible stragglers. He reached the edge of a plantation—one of those sad, deserted homesteads from the last years of the war, overgrown with brambles, marked by broken fences, and desolate with empty buildings that had blank openings instead of doors and windows. After a thorough look from the safe hiding of a cluster of young pines, Searing ran lightly across a field and through an orchard to a small building that stood apart from the other farm structures, on a slight rise. He thought this would give him a good view of a large area in the direction he believed the enemy had retreated. This building, which had originally been a single room raised on four posts about ten feet high, was now little more than a roof; the floor had collapsed, and the joists and planks were haphazardly piled on the ground below or leaning at odd angles, not completely torn from their original fastenings. The supporting posts were also no longer straight. It seemed like the whole structure would collapse at the slightest touch.

Concealing himself in the debris of joists and flooring Searing looked across the open ground between his point of view and a spur of Kennesaw Mountain, a half-mile away. A road leading up and across this spur was crowded with troops—the rear-guard of the retiring enemy, their gun-barrels gleaming in the morning sunlight.

Concealing himself among the debris of beams and flooring, Searing looked across the open land between him and a ridge of Kennesaw Mountain, half a mile away. A road that led up and over this ridge was packed with troops—the rear guard of the retreating enemy, their gun barrels shining in the morning sun.

Searing had now learned all that he could hope to know. It was his duty to return to his own command with all possible speed and report his discovery. But the gray column of Confederates toiling up the mountain road was singularly tempting. His rifle—an ordinary "Springfield," but fitted with a globe sight and hair-trigger—would easily send its ounce and a quarter of lead hissing into their midst. That would probably not affect the duration and result of the war, but it is the business of a soldier to kill. It is also his habit if he is a good soldier. Searing cocked his rifle and "set" the trigger.

Searing had learned everything he could possibly know. It was his responsibility to return to his unit as quickly as he could and report what he had found. But the gray line of Confederates making their way up the mountain road was incredibly tempting. His rifle—an average "Springfield," but equipped with a globe sight and a sensitive trigger—could easily send its ounce and a quarter of lead zipping into their ranks. That probably wouldn’t impact the length or outcome of the war, but it’s a soldier's job to kill. It's also something he does regularly if he's a good soldier. Searing cocked his rifle and set the trigger.

But it was decreed from the beginning of time that Private Searing was not to murder anybody that bright summer morning, nor was the Confederate retreat to be announced by him. For countless ages events had been so matching themselves together in that wondrous mosaic to some parts of which, dimly discernible, we give the name of history, that the acts which he had in will would have marred the harmony of the pattern. Some twenty-five years previously the Power charged with the execution of the work according to the design had provided against that mischance by causing the birth of a certain male child in a little village at the foot of the Carpathian Mountains, had carefully reared it, supervised its education, directed its desires into a military channel, and in due time made it an officer of artillery. By the concurrence of an infinite number of favoring influences and their preponderance over an infinite number of opposing ones, this officer of artillery had been made to commit a breach of discipline and flee from his native country to avoid punishment. He had been directed to New Orleans (instead of New York), where a recruiting officer awaited him on the wharf. He was enlisted and promoted, and things were so ordered that he now commanded a Confederate battery some two miles along the line from where Jerome Searing, the Federal scout, stood cocking his rifle. Nothing had been neglected—at every step in the progress of both these men's lives, and in the lives of their contemporaries and ancestors, and in the lives of the contemporaries of their ancestors, the right thing had been done to bring about the desired result. Had anything in all this vast concatenation been overlooked Private Searing might have fired on the retreating Confederates that morning, and would perhaps have missed. As it fell out, a Confederate captain of artillery, having nothing better to do while awaiting his turn to pull out and be off, amused himself by sighting a field-piece obliquely to his right at what he mistook for some Federal officers on the crest of a hill, and discharged it. The shot flew high of its mark.

But it was decided from the very beginning that Private Searing would not kill anyone that bright summer morning, nor would he announce the Confederate retreat. For countless ages, events had been coming together in a remarkable mosaic, parts of which we refer to as history, that the actions he intended would have disrupted the harmony of the pattern. About twenty-five years earlier, the force responsible for executing this design had prevented this mishap by arranging for the birth of a certain baby boy in a small village at the foot of the Carpathian Mountains, nurturing him, overseeing his education, steering his ambitions toward a military path, and eventually making him an artillery officer. Through a combination of countless favorable influences outweighing numerous opposing ones, this artillery officer had committed a breach of discipline and fled his home country to escape punishment. He was directed to New Orleans (instead of New York), where a recruiting officer was waiting for him at the wharf. He was enlisted and promoted, and circumstances aligned so that he now commanded a Confederate battery about two miles down the line from where Jerome Searing, the Federal scout, was crouched with his rifle ready. No detail was overlooked—at every point in the journey of both these men, their contemporaries, ancestors, and the contemporaries of their ancestors, the right choices were made to achieve the desired outcome. If anything in this vast chain of events had been missed, Private Searing might have shot at the retreating Confederates that morning, and perhaps would have missed. As it happened, a Confederate captain of artillery, having nothing better to do while waiting his turn to leave, entertained himself by aiming a field piece at what he thought were some Federal officers on a hill and fired. The shot flew over its target.

As Jerome Searing drew back the hammer of his rifle and with his eyes upon the distant Confederates considered where he could plant his shot with the best hope of making a widow or an orphan or a childless mother,—perhaps all three, for Private Searing, although he had repeatedly refused promotion, was not without a certain kind of ambition,—he heard a rushing sound in the air, like that made by the wings of a great bird swooping down upon its prey. More quickly than he could apprehend the gradation, it increased to a hoarse and horrible roar, as the missile that made it sprang at him out of the sky, striking with a deafening impact one of the posts supporting the confusion of timbers above him, smashing it into matchwood, and bringing down the crazy edifice with a loud clatter, in clouds of blinding dust!

As Jerome Searing pulled back the hammer of his rifle and focused on the distant Confederates, he thought about where he could aim his shot to best ensure a widow, an orphan, or a childless mother—perhaps all three, since Private Searing, despite turning down promotions, had a certain kind of ambition. Suddenly, he heard a rushing sound in the air, like the wings of a giant bird diving for its prey. Before he could fully comprehend it, the noise escalated to a terrifying roar as the object creating it came hurtling toward him from the sky, crashing with a deafening bang into one of the posts holding up the jumble of timbers above him, shattering it into splinters and collapsing the unstable structure in a loud crash, sending up clouds of blinding dust!

When Jerome Searing recovered consciousness he did not at once understand what had occurred. It was, indeed, some time before he opened his eyes. For a while he believed that he had died and been buried, and he tried to recall some portions of the burial service. He thought that his wife was kneeling upon his grave, adding her weight to that of the earth upon his breast. The two of them, widow and earth, had crushed his coffin. Unless the children should persuade her to go home he would not much longer be able to breathe. He felt a sense of wrong. "I cannot speak to her," he thought; "the dead have no voice; and if I open my eyes I shall get them full of earth."

When Jerome Searing regained consciousness, he didn't immediately understand what had happened. In fact, it took him a while to open his eyes. For a moment, he thought he had died and been buried, and he tried to remember parts of the burial service. He imagined that his wife was kneeling by his grave, adding her weight to the earth pressing down on him. The two of them, his widow and the ground, had crushed his coffin. Unless the kids convinced her to go home, he wouldn't be able to breathe much longer. He felt a sense of injustice. "I can't speak to her," he thought; "the dead can't talk, and if I open my eyes, they'll just fill with dirt."

He opened his eyes. A great expanse of blue sky, rising from a fringe of the tops of trees. In the foreground, shutting out some of the trees, a high, dun mound, angular in outline and crossed by an intricate, patternless system of straight lines; the whole an immeasurable distance away—a distance so inconceivably great that it fatigued him, and he closed his eyes. The moment that he did so he was conscious of an insufferable light. A sound was in his ears like the low, rhythmic thunder of a distant sea breaking in successive waves upon the beach, and out of this noise, seeming a part of it, or possibly coming from beyond it, and intermingled with its ceaseless undertone, came the articulate words: "Jerome Searing, you are caught like a rat in a trap—in a trap, trap, trap."

He opened his eyes. A vast stretch of blue sky rose above the treetops. In the foreground, blocking some of the trees, was a tall, brown mound, shaped like an angle and marked with a complex, random pattern of straight lines; it was all an immeasurable distance away—a distance so incredibly vast that it exhausted him, and he closed his eyes. The moment he did, he became aware of an unbearable light. A sound filled his ears like the low, rhythmic thunder of a distant sea crashing in waves on the shore, and from this noise, seeming to blend with it, or maybe coming from beyond it, mixed with its endless undertone, came the clear words: "Jerome Searing, you are caught like a rat in a trap—in a trap, trap, trap."

Suddenly there fell a great silence, a black darkness, an infinite tranquillity, and Jerome Searing, perfectly conscious of his rathood, and well assured of the trap that he was in, remembering all and nowise alarmed, again opened his eyes to reconnoitre, to note the strength of his enemy, to plan his defense.

Suddenly, there was a deep silence, a pitch-black darkness, an endless calm, and Jerome Searing, fully aware of his situation and well aware of the trap he was in, recalling everything and feeling no fear, opened his eyes again to assess the situation, gauge the strength of his opponent, and strategize his defense.

He was caught in a reclining posture, his back firmly supported by a solid beam. Another lay across his breast, but he had been able to shrink a little away from it so that it no longer oppressed him, though it was immovable. A brace joining it at an angle had wedged him against a pile of boards on his left, fastening the arm on that side. His legs, slightly parted and straight along the ground, were covered upward to the knees with a mass of debris which towered above his narrow horizon. His head was as rigidly fixed as in a vise; he could move his eyes, his chin—no more. Only his right arm was partly free. "You must help us out of this," he said to it. But he could not get it from under the heavy timber athwart his chest, nor move it outward more than six inches at the elbow.

He was lying back, supported by a strong beam. Another beam lay across his chest, but he had managed to move away from it just enough so it didn’t weigh him down, even though it wouldn’t budge. A brace connecting it at an angle pinned him against a pile of boards on his left, trapping his arm there. His legs were slightly apart and straight on the ground, buried up to his knees under a heap of debris that loomed over his limited view. His head was stuck in place like it was in a vise; he could only move his eyes and chin—nothing more. His right arm was partially free. "You need to help us out of this," he said to it. But he couldn’t pull it from under the heavy wood across his chest, nor could he move it more than six inches at the elbow.

Searing was not seriously injured, nor did he suffer pain. A smart rap on the head from a flying fragment of the splintered post, incurred simultaneously with the frightfully sudden shock to the nervous system, had momentarily dazed him. His term of unconsciousness, including the period of recovery, during which he had had the strange fancies, had probably not exceeded a few seconds, for the dust of the wreck had not wholly cleared away as he began an intelligent survey of the situation.

Searing wasn't seriously hurt, and he didn't feel any pain. A smart hit on the head from a flying piece of the broken post, happening at the same time as the terrifying shock to his nervous system, had briefly stunned him. His unconsciousness, including the time it took him to recover and during which he had those strange thoughts, probably lasted only a few seconds, since the dust from the wreck hadn't completely settled when he started assessing the situation.

With his partly free right hand he now tried to get hold of the beam that lay across, but not quite against, his breast. In no way could he do so. He was unable to depress the shoulder so as to push the elbow beyond that edge of the timber which was nearest his knees; failing in that, he could not raise the forearm and hand to grasp the beam. The brace that made an angle with it downward and backward prevented him from doing anything in that direction, and between it and his body the space was not half so wide as the length of his forearm. Obviously he could not get his hand under the beam nor over it; the hand could not, in fact, touch it at all. Having demonstrated his inability, he desisted, and began to think whether he could reach any of the débris piled upon his legs.

With his partially free right hand, he tried to grab the beam that was lying across his chest but not quite touching it. He couldn’t manage to do it at all. He couldn't lower his shoulder enough to push his elbow past the edge of the timber that was closest to his knees; without that, he couldn’t lift his forearm and hand to grab the beam. The brace that slanted down and back prevented him from moving in that direction, and the space between it and his body was less than the length of his forearm. Clearly, he couldn’t get his hand under or over the beam; in fact, his hand couldn’t touch it at all. After realizing he couldn't do it, he stopped trying and began to consider if he could reach any of the debris piled on his legs.

In surveying the mass with a view to determining that point, his attention was arrested by what seemed to be a ring of shining metal immediately in front of his eyes. It appeared to him at first to surround some perfectly black substance, and it was somewhat more than a half-inch in diameter. It suddenly occurred to his mind that the blackness was simply shadow and that the ring was in fact the muzzle of his rifle protruding from the pile of débris. He was not long in satisfying himself that this was so—if it was a satisfaction. By closing either eye he could look a little way along the barrel—to the point where it was hidden by the rubbish that held it. He could see the one side, with the corresponding eye, at apparently the same angle as the other side with the other eye. Looking with the right eye, the weapon seemed to be directed at a point to the left of his head, and vice-versa. He was unable to see the upper surface of the barrel, but could see the under surface of the stock at a slight angle. The piece was, in fact, aimed at the exact centre of his forehead.

As he surveyed the crowd to pinpoint his location, something caught his eye—a shiny metal ring right in front of him. At first, he thought it surrounded a completely black object, and it was a bit more than half an inch wide. Then it hit him that the blackness was just a shadow, and the ring was actually the muzzle of his rifle sticking out from the pile of debris. It didn't take him long to confirm this—if you could call it confirmation. By closing one eye, he could see part of the barrel where it was covered by the junk around it. He could see one side with the corresponding eye, at what looked like the same angle as the other side with the other eye. Looking through his right eye, the rifle seemed aimed at a spot to the left of his head, and vice versa. He couldn't see the top of the barrel, but he could see the underside of the stock at a slight angle. The rifle was actually aimed directly at the center of his forehead.

In the perception of this circumstance, in the recollection that just previously to the mischance of which this uncomfortable situation was the result he had cocked the rifle and set the trigger so that a touch would discharge it, Private Searing was affected with a feeling of uneasiness. But that was as far as possible from fear; he was a brave man, somewhat familiar with the aspect of rifles from that point of view, and of cannon too. And now he recalled, with something like amusement, an incident of his experience at the storming of Missionary Ridge, where, walking up to one of the enemy's embrasures from which he had seen a heavy gun throw charge after charge of grape among the assailants he had thought for a moment that the piece had been withdrawn; he could see nothing in the opening but a brazen circle. What that was he had understood just in time to step aside as it pitched another peck of iron down that swarming slope. To face firearms is one of the commonest incidents in a soldier's life—firearms, too, with malevolent eyes blazing behind them. That is what a soldier is for. Still, Private Searing did not altogether relish the situation, and turned away his eyes.

Feeling uneasy about the situation, especially recalling that just before the accident that led to this uncomfortable moment, he had cocked the rifle and set the trigger to go off with a light touch, Private Searing was on edge. But he wasn’t afraid; he was a brave man, somewhat used to the sight of rifles and cannons. Now, with a hint of amusement, he remembered an incident from the battle at Missionary Ridge. He had walked up to one of the enemy's openings after watching a heavy gun fire grape shot at the attackers, and for a moment, he thought the gun had been moved. All he could see was a shiny circle in the opening. Just in time, he realized it was still there and stepped aside as it shot another blast down the crowded slope. Facing firearms is one of the most common experiences for a soldier—especially those with hostile intent behind them. That’s what being a soldier is all about. Still, Private Searing wasn’t enjoying the situation and looked away.

After groping, aimless, with his right hand for a time he made an ineffectual attempt to release his left. Then he tried to disengage his head, the fixity of which was the more annoying from his ignorance of what held it. Next he tried to free his feet, but while exerting the powerful muscles of his legs for that purpose it occurred to him that a disturbance of the rubbish which held them might discharge the rifle; how it could have endured what had already befallen it he could not understand, although memory assisted him with several instances in point. One in particular he recalled, in which in a moment of mental abstraction he had clubbed his rifle and beaten out another gentleman's brains, observing afterward that the weapon which he had been diligently swinging by the muzzle was loaded, capped, and at full cock—knowledge of which circumstance would doubtless have cheered his antagonist to longer endurance. He had always smiled in recalling that blunder of his "green and salad days" as a soldier, but now he did not smile. He turned his eyes again to the muzzle of the rifle and for a moment fancied that it had moved; it seemed somewhat nearer.

After fumbling around with his right hand for a while, he made a useless attempt to free his left arm. Then he tried to get his head loose, which was especially frustrating since he didn’t know what was holding it down. Next, he attempted to free his feet, but while working his strong leg muscles for that, he realized that disturbing the debris holding them could trigger the rifle. He couldn't grasp how the rifle had survived what had happened to it so far, although his memory reminded him of a few similar situations. One in particular stood out, where, lost in thought, he had clubbed his rifle and knocked out another guy's brains, only to realize later that the weapon he had been swinging by the muzzle was loaded, primed, and cocked—knowing that would have surely encouraged his opponent to endure longer. He had always laughed about that mistake from his inexperienced days as a soldier, but now he didn’t find it funny. He looked again at the rifle's muzzle and for a moment thought he saw it move; it seemed to be a little closer.

Again he looked away. The tops of the distant trees beyond the bounds of the plantation interested him: he had not before observed how light and feathery they were, nor how darkly blue the sky was, even among their branches, where they somewhat paled it with their green; above him it appeared almost black. "It will be uncomfortably hot here," he thought, "as the day advances. I wonder which way I am looking."

Again he looked away. The tops of the distant trees outside the plantation caught his eye: he had never noticed how light and feathery they were, or how darkly blue the sky looked, even among their branches, where they somewhat dulled it with their green; above him, it seemed almost black. "It's going to be really hot here," he thought, "as the day goes on. I wonder which direction I'm facing."

Judging by such shadows as he could see, he decided that his face was due north; he would at least not have the sun in his eyes, and north—well, that was toward his wife and children.

Based on the shadows he could see, he figured his face was pointing north; at least he wouldn't have the sun in his eyes, and north—well, that was in the direction of his wife and kids.

"Bah!" he exclaimed aloud, "what have they to do with it?"

"Bah!" he shouted, "what do they have to do with it?"

He closed his eyes. "As I can't get out I may as well go to sleep. The rebels are gone and some of our fellows are sure to stray out here foraging. They'll find me."

He closed his eyes. "Since I can't leave, I might as well take a nap. The rebels are gone, and some of our guys are likely to wander out here looking for supplies. They'll find me."

But he did not sleep. Gradually he became sensible of a pain in his forehead—a dull ache, hardly perceptible at first, but growing more and more uncomfortable. He opened his eyes and it was gone—closed them and it returned. "The devil!" he said, irrelevantly, and stared again at the sky. He heard the singing of birds, the strange metallic note of the meadow lark, suggesting the clash of vibrant blades. He fell into pleasant memories of his childhood, played again with his brother and sister, raced across the fields, shouting to alarm the sedentary larks, entered the sombre forest beyond and with timid steps followed the faint path to Ghost Rock, standing at last with audible heart-throbs before the Dead Man's Cave and seeking to penetrate its awful mystery. For the first time he observed that the opening of the haunted cavern was encircled by a ring of metal. Then all else vanished and left him gazing into the barrel of his rifle as before. But whereas before it had seemed nearer, it now seemed an inconceivable distance away, and all the more sinister for that. He cried out and, startled by something in his own voice—the note of fear—lied to himself in denial: "If I don't sing out I may stay here till I die."

But he didn’t sleep. Gradually, he became aware of a pain in his forehead—a dull ache, barely noticeable at first, but becoming more uncomfortable. He opened his eyes, and it went away—then closed them, and it came back. "What the hell!" he said, unmeaningfully, and stared at the sky again. He heard the singing of birds, the strange metallic sound of the meadowlark, suggesting the clash of vibrant blades. He drifted into pleasant memories of his childhood, playing again with his brother and sister, racing across the fields, shouting to scare the stationary larks, entering the dark forest beyond, and timidly following the faint path to Ghost Rock, finally standing with a racing heart in front of Dead Man’s Cave, trying to unravel its terrifying mystery. For the first time, he noticed that the entrance to the haunted cave was surrounded by a ring of metal. Then everything else faded away, leaving him looking into the barrel of his rifle as before. But while it had seemed close before, now it felt impossibly far away, even more sinister for that. He shouted out and, startled by something in his own voice—the note of fear—lied to himself in denial: "If I don’t yell, I might be stuck here until I die."

He now made no further attempt to evade the menacing stare of the gun barrel. If he turned away his eyes an instant it was to look for assistance (although he could not see the ground on either side the ruin), and he permitted them to return, obedient to the imperative fascination. If he closed them it was from weariness, and instantly the poignant pain in his forehead—the prophecy and menace of the bullet—forced him to reopen them.

He didn't try to avoid the threatening gaze of the gun barrel anymore. If he looked away for even a moment, it was to search for help (even though he couldn't see anything on either side of the wreckage), and he let his gaze come back, compelled by a strong fascination. If he shut his eyes, it was out of exhaustion, but the sharp pain in his forehead—the threat of the bullet—made him open them again right away.

The tension of nerve and brain was too severe; nature came to his relief with intervals of unconsciousness. Reviving from one of these he became sensible of a sharp, smarting pain in his right hand, and when he worked his fingers together, or rubbed his palm with them, he could feel that they were wet and slippery. He could not see the hand, but he knew the sensation; it was running blood. In his delirium he had beaten it against the jagged fragments of the wreck, had clutched it full of splinters. He resolved that he would meet his fate more manly. He was a plain, common soldier, had no religion and not much philosophy; he could not die like a hero, with great and wise last words, even if there had been some one to hear them, but he could die "game," and he would. But if he could only know when to expect the shot!

The tension in his nerves and brain was too intense; nature helped him out with moments of unconsciousness. When he came to from one of these, he felt a sharp, stinging pain in his right hand. As he moved his fingers or rubbed his palm with them, he realized they were wet and slippery. He couldn't see his hand, but he recognized the feeling; it was blood running. In his delirium, he must have hit it against the jagged pieces of the wreck and filled it with splinters. He resolved to face his fate more bravely. He was just a regular soldier, had no religion, and didn’t think too deeply; he couldn't die like a hero with great last words, even if someone was there to hear them, but he could die "game," and he was determined to. If only he could know when the shot would come!

Some rats which had probably inhabited the shed came sneaking and scampering about. One of them mounted the pile of débris that held the rifle; another followed and another. Searing regarded them at first with indifference, then with friendly interest; then, as the thought flashed into his bewildered mind that they might touch the trigger of his rifle, he cursed them and ordered them to go away. "It is no business of yours," he cried.

Some rats that probably lived in the shed started sneaking and scurrying around. One of them climbed the pile of debris where the rifle was; then another followed, and another. Searing looked at them first with indifference, then with friendly curiosity; but when it suddenly hit him that they might accidentally pull the trigger of his rifle, he cursed at them and told them to leave. "This isn't your business," he shouted.

The creatures went away; they would return later, attack his face, gnaw away his nose, cut his throat—he knew that, but he hoped by that time to be dead.

The creatures left; they would come back later, go for his face, chew on his nose, slit his throat—he knew that, but he hoped he would be dead by then.

Nothing could now unfix his gaze from the little ring of metal with its black interior. The pain in his forehead was fierce and incessant. He felt it gradually penetrating the brain more and more deeply, until at last its progress was arrested by the wood at the back of his head. It grew momentarily more insufferable: he began wantonly beating his lacerated hand against the splinters again to counteract that horrible ache. It seemed to throb with a slow, regular recurrence, each pulsation sharper than the preceding, and sometimes he cried out, thinking he felt the fatal bullet. No thoughts of home, of wife and children, of country, of glory. The whole record of memory was effaced. The world had passed away—not a vestige remained. Here in this confusion of timbers and boards is the sole universe. Here is immortality in time—each pain an everlasting life. The throbs tick off eternities.

Nothing could pull his gaze away from the small metal ring with its black interior. The pain in his forehead was intense and unending. He felt it digging deeper into his brain until it finally stopped at the wood at the back of his head. It became increasingly unbearable: he started banging his injured hand against the splinters again to distract himself from that awful ache. It seemed to throb with a slow, steady rhythm, each pulse sharper than the last, and sometimes he cried out, believing he could feel the deadly bullet. No thoughts of home, wife and kids, country, or glory. Every memory was wiped clean. The world had disappeared—nothing was left. Here among this chaos of wood and boards is the only reality. Here is immortality in time—each pain an endless existence. The throbs measure out eternities.

Jerome Searing, the man of courage, the formidable enemy, the strong, resolute warrior, was as pale as a ghost. His jaw was fallen; his eyes protruded; he trembled in every fibre; a cold sweat bathed his entire body; he screamed with fear. He was not insane—he was terrified.

Jerome Searing, the brave man, the tough opponent, the strong, determined warrior, was as pale as a ghost. His jaw had dropped; his eyes bulged; he shook in every part of his body; a cold sweat soaked him completely; he screamed in fear. He wasn’t crazy—he was scared.

In groping about with his torn and bleeding hand he seized at last a strip of board, and, pulling, felt it give way. It lay parallel with his body, and by bending his elbow as much as the contracted space would permit, he could draw it a few inches at a time. Finally it was altogether loosened from the wreckage covering his legs; he could lift it clear of the ground its whole length. A great hope came into his mind: perhaps he could work it upward, that is to say backward, far enough to lift the end and push aside the rifle; or, if that were too tightly wedged, so place the strip of board as to deflect the bullet. With this object he passed it backward inch by inch, hardly daring to breathe lest that act somehow defeat his intent, and more than ever unable to remove his eyes from the rifle, which might perhaps now hasten to improve its waning opportunity. Something at least had been gained: in the occupation of his mind in this attempt at self-defense he was less sensible of the pain in his head and had ceased to wince. But he was still dreadfully frightened and his teeth rattled like castanets.

In searching around with his injured and bleeding hand, he finally grabbed a piece of board and, pulling, felt it give way. It lay flat alongside his body, and by bending his elbow as much as the tight space allowed, he could move it a few inches at a time. Eventually, it was completely freed from the wreckage covering his legs; he could lift it straight up off the ground. A surge of hope filled his mind: maybe he could maneuver it upward, meaning backward, far enough to lift the end and push the rifle aside; or, if that was too tightly jammed, to place the board in a way that would deflect the bullet. With this in mind, he moved it backward inch by inch, barely daring to breathe in case that somehow spoiled his plan. He was more than ever unable to take his eyes off the rifle, which might quickly take advantage of its dwindling chance. At least something had improved: in focusing his mind on this attempt at self-defense, he felt less aware of the pain in his head and had stopped wincing. But he was still terribly scared, and his teeth chattered like castanets.

The strip of board ceased to move to the suasion of his hand. He tugged at it with all his strength, changed the direction of its length all he could, but it had met some extended obstruction behind him and the end in front was still too far away to clear the pile of débris and reach the muzzle of the gun. It extended, indeed, nearly as far as the trigger guard, which, uncovered by the rubbish, he could imperfectly see with his right eye. He tried to break the strip with his hand, but had no leverage. In his defeat, all his terror returned, augmented tenfold. The black aperture of the rifle appeared to threaten a sharper and more imminent death in punishment of his rebellion. The track of the bullet through his head ached with an intenser anguish. He began to tremble again.

The board stopped moving under his hand. He pulled it with all his strength, twisted it any way he could, but it had hit a blockage behind him, and the end in front was still too far away to clear the debris and reach the gun's muzzle. In fact, it stretched almost to the trigger guard, which he could barely make out with his right eye as it was partially exposed from beneath the rubbish. He tried to break the strip with his hand, but he had no leverage. In his defeat, all his fear came rushing back, intensified tenfold. The dark opening of the rifle seemed to threaten a quicker and more painful death for his defiance. The sensation of the bullet's path through his head ached with greater intensity. He started to tremble again.

Suddenly he became composed. His tremor subsided. He clenched his teeth and drew down his eyebrows. He had not exhausted his means of defense; a new design had shaped itself in his mind—another plan of battle. Raising the front end of the strip of board, he carefully pushed it forward through the wreckage at the side of the rifle until it pressed against the trigger guard. Then he moved the end slowly outward until he could feel that it had cleared it, then, closing his eyes, thrust it against the trigger with all his strength! There was no explosion; the rifle had been discharged as it dropped from his hand when the building fell. But it did its work.

Suddenly, he became calm. The shaking stopped. He clenched his teeth and furrowed his brow. He still had options left to defend himself; a new idea formed in his mind—another strategy for the fight. Lifting the front end of the piece of wood, he carefully pushed it forward through the debris next to the rifle until it pressed against the trigger guard. Then he slowly moved the end outward until he felt it clear the guard, then, closing his eyes, he pushed it against the trigger with all his strength! There was no explosion; the rifle had already gone off when it fell from his hand as the building collapsed. But it had done its job.

Lieutenant Adrian Searing, in command of the picket-guard on that part of the line through which his brother Jerome had passed on his mission, sat with attentive ears in his breastwork behind the line. Not the faintest sound escaped him; the cry of a bird, the barking of a squirrel, the noise of the wind among the pines—all were anxiously noted by his overstrained sense. Suddenly, directly in front of his line, he heard a faint, confused rumble, like the clatter of a falling building translated by distance. The lieutenant mechanically looked at his watch. Six o'clock and eighteen minutes. At the same moment an officer approached him on foot from the rear and saluted.

Lieutenant Adrian Searing, in charge of the picket guard on the section of the line where his brother Jerome had passed on his mission, sat with alert ears in his makeshift shelter behind the line. Not a single sound escaped his notice; the call of a bird, the barking of a squirrel, the rustle of the wind through the pines—all were keenly observed by his heightened senses. Suddenly, right in front of his position, he heard a faint, muffled rumble, like the sound of a building collapsing from a distance. The lieutenant automatically glanced at his watch. It was six eighteen. At that moment, an officer approached him from the rear and saluted.

"Lieutenant," said the officer, "the colonel directs you to move forward your line and feel the enemy if you find him. If not, continue the advance until directed to halt. There is reason to think that the enemy has retreated."

"Lieutenant," the officer said, "the colonel wants you to move your line forward and check for the enemy if you encounter them. If not, keep advancing until you’re told to stop. We have reason to believe that the enemy has fallen back."

The lieutenant nodded and said nothing; the other officer retired. In a moment the men, apprised of their duty by the non-commissioned officers in low tones, had deployed from their rifle-pits and were moving forward in skirmishing order, with set teeth and beating hearts.

The lieutenant nodded and said nothing; the other officer walked away. In a moment, the men, informed of their duty by the non-commissioned officers in quiet voices, had moved out of their rifle pits and were advancing in skirmishing formation, with clenched jaws and racing hearts.

This line of skirmishers sweeps across the plantation toward the mountain. They pass on both sides of the wrecked building, observing nothing. At a short distance in their rear their commander comes. He casts his eyes curiously upon the ruin and sees a dead body half buried in boards and timbers. It is so covered with dust that its clothing is Confederate gray. Its face is yellowish white; the cheeks are fallen in, the temples sunken, too, with sharp ridges about them, making the forehead forbiddingly narrow; the upper lip, slightly lifted, shows the white teeth, rigidly clenched. The hair is heavy with moisture, the face as wet as the dewy grass all about. From his point of view the officer does not observe the rifle; the man was apparently killed by the fall of the building.

This line of soldiers moves across the plantation toward the mountain. They pass on either side of the ruined building, noticing nothing. A short distance behind them, their commander approaches. He looks curiously at the wreckage and sees a dead body half-buried in debris. It's so covered in dust that its clothes are Confederate gray. The face is a pale yellow-white; the cheeks are sunken, and the temples are also depressed, forming sharp ridges that make the forehead look ominously narrow. The upper lip is slightly raised, revealing white teeth that are tightly clenched. The hair is heavy with moisture, and the face is as wet as the dewy grass all around. From where he stands, the officer doesn’t see the rifle; it seems the man was killed by the collapse of the building.

"Dead a week," said the officer curtly, moving on and absently pulling out his watch as if to verify his estimate of time. Six o'clock and forty minutes.

"Dead a week," the officer said shortly, moving on and casually pulling out his watch as if to confirm his sense of time. Six o'clock and forty minutes.

KILLED AT RESACA

The best soldier of our staff was Lieutenant Herman Brayle, one of the two aides-de-camp. I don't remember where the general picked him up; from some Ohio regiment, I think; none of us had previously known him, and it would have been strange if we had, for no two of us came from the same State, nor even from adjoining States. The general seemed to think that a position on his staff was a distinction that should be so judiciously conferred as not to beget any sectional jealousies and imperil the integrity of that part of the country which was still an integer. He would not even choose officers from his own command, but by some jugglery at department headquarters obtained them from other brigades. Under such circumstances, a man's services had to be very distinguished indeed to be heard of by his family and the friends of his youth; and "the speaking trump of fame" was a trifle hoarse from loquacity, anyhow.

The best soldier on our team was Lieutenant Herman Brayle, one of the two aides-de-camp. I can’t recall where the general found him; I think he was from some Ohio regiment. None of us had known him before, and it would have been odd if we had, since none of us came from the same state, or even neighboring states. The general seemed to believe that being on his staff was a privilege that should be carefully granted to avoid any regional rivalries and protect the unity of the part of the country that was still whole. He wouldn’t even select officers from his own command but instead used some maneuvering at department headquarters to get them from other brigades. Given these circumstances, a person's accomplishments had to be really exceptional to be recognized by their family and friends from their hometown; and “the speaking trump of fame” was a bit tired from too much talk anyway.

Lieutenant Brayle was more than six feet in height and of splendid proportions, with the light hair and gray-blue eyes which men so gifted usually find associated with a high order of courage. As he was commonly in full uniform, especially in action, when most officers are content to be less flamboyantly attired, he was a very striking and conspicuous figure. As to the rest, he had a gentleman's manners, a scholar's head, and a lion's heart. His age was about thirty.

Lieutenant Brayle was over six feet tall and had an impressive build, with light hair and gray-blue eyes—traits that are often linked to a strong sense of bravery. He typically wore his full uniform, especially in battle, while most other officers preferred more subdued attire, which made him a very noticeable and striking presence. In addition to that, he had the manners of a gentleman, the intellect of a scholar, and the courage of a lion. He was about thirty years old.

We all soon came to like Brayle as much as we admired him, and it was with sincere concern that in the engagement at Stone's River—our first action after he joined us—we observed that he had one most objectionable and unsoldierly quality: he was vain of his courage. During all the vicissitudes and mutations of that hideous encounter, whether our troops were fighting in the open cotton fields, in the cedar thickets, or behind the railway embankment, he did not once take cover, except when sternly commanded to do so by the general, who usually had other things to think of than the lives of his staff officers—or those of his men, for that matter.

We all quickly grew to like Brayle just as much as we respected him, and it was with genuine concern that during the battle at Stone's River—our first fight after he joined us—we noticed he had one very annoying and unmilitary trait: he was proud of his bravery. Throughout all the ups and downs of that brutal battle, whether our troops were fighting in the open cotton fields, in thick cedar groves, or behind the railway embankment, he never ducked for cover unless the general ordered him to, and the general usually had other things on his mind besides the wellbeing of his staff officers—or their men, for that matter.

In every later engagement while Brayle was with us it was the same way. He would sit his horse like an equestrian statue, in a storm of bullets and grape, in the most exposed places—wherever, in fact, duty, requiring him to go, permitted him to remain—when, without trouble and with distinct advantage to his reputation for common sense, he might have been in such security as is possible on a battlefield in the brief intervals of personal inaction.

In every later engagement while Brayle was with us, it was the same. He would sit on his horse like a statue, surrounded by bullets and cannonfire, in the most exposed spots—wherever his duty required him to be—when, without any trouble and with a clear boost to his reputation for common sense, he could have found a safer spot possible on a battlefield during the short breaks of inactivity.

On foot, from necessity or in deference to his dismounted commander or associates, his conduct was the same. He would stand like a rock in the open when officers and men alike had taken to cover; while men older in service and years, higher in rank and of unquestionable intrepidity, were loyally preserving behind the crest of a hill lives infinitely precious to their country, this fellow would stand, equally idle, on the ridge, facing in the direction of the sharpest fire.

On foot, either out of necessity or respect for his dismounted commander or teammates, he acted the same way. He would stand like a rock in the open when both officers and enlisted personnel had sought cover; while those with more experience, older in age, higher in rank, and undeniably brave were wisely taking shelter behind the crest of a hill to protect their lives—infinitely valuable to their country—this guy would remain just as idle on the ridge, facing the fiercest gunfire.

When battles are going on in open ground it frequently occurs that the opposing lines, confronting each other within a stone's throw for hours, hug the earth as closely as if they loved it. The line officers in their proper places flatten themselves no less, and the field officers, their horses all killed or sent to the rear, crouch beneath the infernal canopy of hissing lead and screaming iron without a thought of personal dignity.

When battles take place in open fields, it's common for the opposing forces to face each other at close range for hours, almost as if they're clinging to the ground. The line officers do the same, and with their horses either killed or sent away, the field officers hunker down beneath the deadly rain of bullets and shells without a care for their personal dignity.

In such circumstances the life of a staff officer of a brigade is distinctly "not a happy one," mainly because of its precarious tenure and the unnerving alternations of emotion to which he is exposed. From a position of that comparative security from which a civilian would ascribe his escape to a "miracle," he may be despatched with an order to some commander of a prone regiment in the front line —a person for the moment inconspicuous and not always easy to find without a deal of search among men somewhat preoccupied, and in a din in which question and answer alike must be imparted in the sign language. It is customary in such cases to duck the head and scuttle away on a keen run, an object of lively interest to some thousands of admiring marksmen. In returning—well, it is not customary to return.

In such situations, the life of a brigade staff officer is definitely "not a happy one," mainly because of its uncertain duration and the intense emotional ups and downs he experiences. From a place of relative safety, where a civilian would consider his escape a "miracle," he may be sent with an order to some commander of a bent regiment on the front lines — a person who, for the moment, is hard to spot and not always easy to find without a significant search among men who are somewhat distracted, all while trying to communicate over a noisy backdrop where questions and answers must be conveyed through gestures. In these cases, it’s typical to duck your head and hurry away at a brisk pace, becoming the focus of attention for thousands of eager marksmen. On the way back — well, it’s not usual to come back.

Brayle's practice was different. He would consign his horse to the care of an orderly,—he loved his horse,—and walk quietly away on his perilous errand with never a stoop of the back, his splendid figure, accentuated by his uniform, holding the eye with a strange fascination. We watched him with suspended breath, our hearts in our mouths. On one occasion of this kind, indeed, one of our number, an impetuous stammerer, was so possessed by his emotion that he shouted at me:

Brayle did things differently. He would hand over his horse to an orderly—he really cared for his horse—and then walk away calmly on his dangerous mission, never slouching, his impressive stance, highlighted by his uniform, capturing everyone's attention in a captivating way. We watched him, breathless, our hearts racing. On one such occasion, one of us, an eager stammerer, was so overwhelmed with emotion that he shouted at me:

"I'll b-b-bet you t-two d-d-dollars they d-drop him b-b-before he g-gets to that d-d-ditch!"

"I'll bet you two dollars they drop him before he gets to that ditch!"

I did not accept the brutal wager; I thought they would.

I didn't take the harsh bet; I figured they would.

Let me do justice to a brave man's memory; in all these needless exposures of life there was no visible bravado nor subsequent narration. In the few instances when some of us had ventured to remonstrate, Brayle had smiled pleasantly and made some light reply, which, however, had not encouraged a further pursuit of the subject. Once he said:

Let me honor the memory of a brave man; throughout all these pointless risks to life, there was no obvious show of bravado or any storytelling afterward. In the few times when some of us had dared to speak up, Brayle smiled kindly and offered a casual response, which didn’t inspire us to continue the conversation. Once he said:

"Captain, if ever I come to grief by forgetting your advice, I hope my last moments will be cheered by the sound of your beloved voice breathing into my ear the blessed words, 'I told you so.'"

"Captain, if I ever get into trouble for not following your advice, I hope my final moments will be eased by the sound of your cherished voice whispering in my ear the comforting words, 'I told you so.'"

We laughed at the captain—just why we could probably not have explained—and that afternoon when he was shot to rags from an ambuscade Brayle remained by the body for some time, adjusting the limbs with needless care—there in the middle of a road swept by gusts of grape and canister! It is easy to condemn this kind of thing, and not very difficult to refrain from imitation, but it is impossible not to respect, and Brayle was liked none the less for the weakness which had so heroic an expression. We wished he were not a fool, but he went on that way to the end, sometimes hard hit, but always returning to duty about as good as new.

We laughed at the captain—though we probably couldn't explain why—and that afternoon when he was shot to pieces from an ambush, Brayle stayed by the body for quite a while, adjusting the limbs with unnecessary care—right there in the middle of a road blasted by cannon fire! It’s easy to judge this kind of behavior, and not too hard to avoid doing the same, but it’s impossible not to respect it, and Brayle was still liked for the vulnerability that had such a heroic expression. We wished he wasn’t a fool, but he kept on that way until the end, sometimes seriously hurt, but always coming back to duty as good as new.

Of course, it came at last; he who ignores the law of probabilities challenges an adversary that is seldom beaten. It was at Resaca, in Georgia, during the movement that resulted in the taking of Atlanta. In front of our brigade the enemy's line of earthworks ran through open fields along a slight crest. At each end of this open ground we were close up to him in the woods, but the clear ground we could not hope to occupy until night, when darkness would enable us to burrow like moles and throw up earth. At this point our line was a quarter-mile away in the edge of a wood. Roughly, we formed a semicircle, the enemy's fortified line being the chord of the arc.

Of course, it finally arrived; anyone who disregards the laws of probability is facing an opponent that is rarely defeated. It was at Resaca, in Georgia, during the campaign that led to the capture of Atlanta. In front of our brigade, the enemy's line of earthworks stretched across open fields along a slight rise. At both ends of this open area, we were close to them in the woods, but we couldn't hope to take the clear ground until nightfall, when darkness would allow us to dig in like moles and build up earth. At this point, our line was a quarter-mile away at the edge of a forest. Roughly, we formed a semicircle, with the enemy's fortified line serving as the straight edge of the arc.

"Lieutenant, go tell Colonel Ward to work up as close as he can get cover, and not to waste much ammunition in unnecessary firing. You may leave your horse."

"Lieutenant, go tell Colonel Ward to move up as close as he can while staying covered, and not to waste too much ammunition on unnecessary firing. You can leave your horse."

When the general gave this direction we were in the fringe of the forest, near the right extremity of the arc. Colonel Ward was at the left. The suggestion to leave the horse obviously enough meant that Brayle was to take the longer line, through the woods and among the men. Indeed, the suggestion was needless; to go by the short route meant absolutely certain failure to deliver the message. Before anybody could interpose, Brayle had cantered lightly into the field and the enemy's works were in crackling conflagration.

When the general gave this order, we were on the edge of the forest, near the right end of the arc. Colonel Ward was on the left. The idea to leave the horse clearly indicated that Brayle was meant to take the longer path, navigating through the woods and among the soldiers. In fact, the suggestion was unnecessary; taking the shortcut would definitely result in failure to deliver the message. Before anyone could say anything, Brayle had trotted into the field, and the enemy's fortifications were engulfed in flames.

"Stop that damned fool!" shouted the general.

"Stop that damn idiot!" shouted the general.

A private of the escort, with more ambition than brains, spurred forward to obey, and within ten yards left himself and his horse dead on the field of honor.

A private in the escort, eager for glory but lacking common sense, rushed forward to comply, and within ten yards, he and his horse lay lifeless on the battlefield.

Brayle was beyond recall, galloping easily along, parallel to the enemy and less than two hundred yards distant. He was a picture to see! His hat had been blown or shot from his head, and his long, blond hair rose and fell with the motion of his horse. He sat erect in the saddle, holding the reins lightly in his left hand, his right hanging carelessly at his side. An occasional glimpse of his handsome profile as he turned his head one way or the other proved that the interest which he took in what was going on was natural and without affectation.

Brayle was out of reach, riding easily alongside the enemy and less than two hundred yards away. He was quite the sight! His hat had been blown or shot off, and his long blond hair flowed with the movement of his horse. He sat up straight in the saddle, holding the reins lightly in his left hand, while his right hand hung casually at his side. Every now and then, a glimpse of his handsome profile as he turned his head showed that his interest in what was happening was genuine and unpretentious.

The picture was intensely dramatic, but in no degree theatrical. Successive scores of rifles spat at him viciously as he came within range, and our own line in the edge of the timber broke out in visible and audible defense. No longer regardful of themselves or their orders, our fellows sprang to their feet, and swarming into the open sent broad sheets of bullets against the blazing crest of the offending works, which poured an answering fire into their unprotected groups with deadly effect. The artillery on both sides joined the battle, punctuating the rattle and roar with deep, earth-shaking explosions and tearing the air with storms of screaming grape, which from the enemy's side splintered the trees and spattered them with blood, and from ours defiled the smoke of his arms with banks and clouds of dust from his parapet.

The scene was incredibly intense, but not at all dramatic or staged. Waves of gunfire erupted at him viciously as he got within range, and our line at the edge of the woods retaliated visibly and audibly. Ignoring their own safety and orders, our guys jumped to their feet and rushed into the open, sending a barrage of bullets toward the blazing top of the enemy’s fortifications, which responded with deadly fire into their exposed groups. Artillery from both sides joined the fight, breaking the noise with deep, earth-shaking explosions and filling the air with storms of screaming shrapnel. From the enemy’s side, it shattered trees and splattered them with blood, while from ours, it clouded their smoke with plumes and dust from their defenses.

My attention had been for a moment drawn to the general combat, but now, glancing down the unobscured avenue between these two thunderclouds, I saw Brayle, the cause of the carnage. Invisible now from either side, and equally doomed by friend and foe, he stood in the shot-swept space, motionless, his face toward the enemy. At some little distance lay his horse. I instantly saw what had stopped him.

My attention was momentarily drawn to the overall fight, but now, looking down the clear path between these two storm clouds, I saw Brayle, the reason for the chaos. Invisible from either side and equally at risk from both allies and enemies, he stood in the gunfire, motionless, facing the enemy. A short distance away was his horse. I immediately realized what had halted him.

As topographical engineer I had, early in the day, made a hasty examination of the ground, and now remembered that at that point was a deep and sinuous gully, crossing half the field from the enemy's line, its general course at right angles to it. From where we now were it was invisible, and Brayle had evidently not known about it. Clearly, it was impassable. Its salient angles would have afforded him absolute security if he had chosen to be satisfied with the miracle already wrought in his favor and leapt into it. He could not go forward, he would not turn back; he stood awaiting death. It did not keep him long waiting.

As a topographical engineer, I had done a quick survey of the area earlier in the day, and now I recalled that there was a deep, winding gully at that spot, cutting across half the field from the enemy's line, running at a right angle to it. From our current position, it was hidden from view, and Brayle clearly wasn't aware of it. It was obviously impossible to cross. The sharp angles would have provided him with complete safety if he had been satisfied with the miracle already in his favor and jumped into it. He couldn't move forward, and he wouldn't turn back; he just stood there waiting for death. It didn't keep him waiting long.

By some mysterious coincidence, almost instantaneously as he fell, the firing ceased, a few desultory shots at long intervals serving rather to accentuate than break the silence. It was as if both sides had suddenly repented of their profitless crime. Four stretcher-bearers of ours, following a sergeant with a white flag, soon afterward moved unmolested into the field, and made straight for Brayle's body. Several Confederate officers and men came out to meet them, and with uncovered heads assisted them to take up their sacred burden. As it was borne toward us we heard beyond the hostile works fifes and a muffled drum—a dirge. A generous enemy honored the fallen brave.

By some strange coincidence, almost as soon as he collapsed, the shooting stopped, with only a few sporadic shots at long intervals that barely broke the silence. It was as if both sides had suddenly realized the futility of their violent actions. Four of our stretcher-bearers, led by a sergeant holding a white flag, moved into the field without facing any opposition and headed straight for Brayle's body. Several Confederate officers and soldiers came out to meet them, and with their heads uncovered, they helped them lift the fallen soldier. As his body was carried toward us, we could hear the sound of fifes and a muffled drum—a dirge—coming from beyond the enemy lines. A noble foe paid tribute to the fallen hero.

Amongst the dead man's effects was a soiled Russia-leather pocketbook. In the distribution of mementoes of our friend, which the general, as administrator, decreed, this fell to me.

Among the dead man's belongings was a dirty Russia-leather wallet. In the sharing of keepsakes from our friend, which the general, as the administrator, decided, this ended up with me.

A year after the close of the war, on my way to California, I opened and idly inspected it. Out of an overlooked compartment fell a letter without envelope or address. It was in a woman's handwriting, and began with words of endearment, but no name.

A year after the war ended, while I was traveling to California, I opened and casually looked through it. From a hidden compartment, a letter fell out that had no envelope or address. It was written in a woman's handwriting and started with affectionate words, but there was no name.

It had the following date line: "San Francisco, Cal., July 9, 1862." The signature was "Darling," in marks of quotation. Incidentally, in the body of the text, the writer's full name was given—Marian Mendenhall.

It had the following date line: "San Francisco, CA, July 9, 1862." The signature was "Darling," in quotation marks. By the way, in the body of the text, the writer's full name was given—Marian Mendenhall.

The letter showed evidence of cultivation and good breeding, but it was an ordinary love letter, if a love letter can be ordinary. There was not much in it, but there was something. It was this:

The letter displayed signs of refinement and good manners, but it was just an average love letter, if a love letter can be considered average. It didn’t contain much, yet there was something there. It was this:

"Mr. Winters, whom I shall always hate for it, has been telling that at some battle in Virginia, where he got his hurt, you were seen crouching behind a tree. I think he wants to injure you in my regard, which he knows the story would do if I believed it. I could bear to hear of my soldier lover's death, but not of his cowardice."

"Mr. Winters, whom I will always despise for this, has been saying that at some battle in Virginia, where he got injured, you were spotted hiding behind a tree. I think he wants to damage your reputation in my eyes, knowing how much that story would affect me if I believed it. I could handle the news of my soldier's death, but not the idea of his cowardice."

These were the words which on that sunny afternoon, in a distant region, had slain a hundred men. Is woman weak?

These were the words that on that sunny afternoon, in a faraway place, had killed a hundred men. Is woman weak?

One evening I called on Miss Mendenhall to return the letter to her. I intended, also, to tell her what she had done—but not that she did it. I found her in a handsome dwelling on Rincon Hill. She was beautiful, well bred—in a word, charming.

One evening, I visited Miss Mendenhall to return her letter. I also planned to explain what she had done—but not that she was the one who did it. I found her in a beautiful home on Rincon Hill. She was stunning, well-mannered—in short, delightful.

"You knew Lieutenant Herman Brayle," I said, rather abruptly. "You know, doubtless, that he fell in battle. Among his effects was found this letter from you. My errand here is to place it in your hands."

"You knew Lieutenant Herman Brayle," I said, a bit suddenly. "You probably know that he died in combat. Among his belongings, this letter from you was found. I'm here to give it to you."

She mechanically took the letter, glanced through it with deepening color, and then, looking at me with a smile, said:

She picked up the letter without thinking, skimmed through it with a flush on her cheeks, and then, smiling at me, said:

"It is very good of you, though I am sure it was hardly worth while." She started suddenly and changed color. "This stain," she said, "is it—surely it is not—"

"It’s really nice of you, though I’m sure it wasn’t worth it." She suddenly gasped and went pale. "This stain," she said, "is it—surely it’s not—"

"Madam," I said, "pardon me, but that is the blood of the truest and bravest heart that ever beat."

"Ma'am," I said, "excuse me, but that's the blood of the truest and bravest heart that ever existed."

She hastily flung the letter on the blazing coals. "Uh! I cannot bear the sight of blood!" she said. "How did he die?"

She quickly tossed the letter onto the burning coals. "Ugh! I can't stand the sight of blood!" she said. "How did he die?"

I had involuntarily risen to rescue that scrap of paper, sacred even to me, and now stood partly behind her. As she asked the question she turned her face about and slightly upward. The light of the burning letter was reflected in her eyes and touched her cheek with a tinge of crimson like the stain upon its page. I had never seen anything so beautiful as this detestable creature.

I had unknowingly gotten up to save that piece of paper, which was important to me, and now I was partly behind her. As she asked the question, she turned her face around and looked slightly up. The light from the burning letter reflected in her eyes and cast a hint of red on her cheek, like the stain on its page. I had never seen anything as beautiful as this awful person.

"He was bitten by a snake," I replied.

"He got bitten by a snake," I replied.

THE AFFAIR AT COULTER'S NOTCH

"Do you think, Colonel, that your brave Coulter would like to put one of his guns in here?" the general asked.

"Do you think, Colonel, that your brave Coulter would want to put one of his guns in here?" the general asked.

He was apparently not altogether serious; it certainly did not seem a place where any artillerist, however brave, would like to put a gun. The colonel thought that possibly his division commander meant good-humoredly to intimate that in a recent conversation between them Captain Coulter's courage had been too highly extolled.

He didn't seem completely serious; it definitely didn't look like a place where any artilleryman, no matter how brave, would want to set up a gun. The colonel figured that maybe his division commander was trying to jokingly suggest that in a recent conversation between them, Captain Coulter's bravery had been praised a bit too much.

"General," he replied warmly, "Coulter would like to put a gun anywhere within reach of those people," with a motion of his hand in the direction of the enemy.

"General," he replied warmly, "Coulter would want to put a gun within reach of those people," gesturing toward the enemy.

"It is the only place," said the general. He was serious, then.

"It’s the only place," the general said. He was serious then.

The place was a depression, a "notch," in the sharp crest of a hill. It was a pass, and through it ran a turnpike, which reaching this highest point in its course by a sinuous ascent through a thin forest made a similar, though less steep, descent toward the enemy. For a mile to the left and a mile to the right, the ridge, though occupied by Federal infantry lying close behind the sharp crest and appearing as if held in place by atmospheric pressure, was inaccessible to artillery. There was no place but the bottom of the notch, and that was barely wide enough for the roadbed. From the Confederate side this point was commanded by two batteries posted on a slightly lower elevation beyond a creek, and a half-mile away. All the guns but one were masked by the trees of an orchard; that one—it seemed a bit of impudence—was on an open lawn directly in front of a rather grandiose building, the planter's dwelling. The gun was safe enough in its exposure—but only because the Federal infantry had been forbidden to fire. Coulter's Notch—it came to be called so—was not, that pleasant summer afternoon, a place where one would "like to put a gun."

The location was a dip, a "notch," in the sharp peak of a hill. It was a pass, and a turnpike ran through it, reaching this highest point in its course with a winding climb through a sparse forest and making a similar, though less steep, descent toward the enemy. For a mile to the left and a mile to the right, the ridge, though occupied by Federal infantry lying close behind the sharp crest and looking as if they were held in place by atmospheric pressure, was inaccessible to artillery. There was no place but the bottom of the notch, which was barely wide enough for the roadbed. From the Confederate side, this point was controlled by two batteries positioned on a slightly lower elevation beyond a creek, half a mile away. All the cannons except one were hidden by the trees of an orchard; that one—it seemed a bit cheeky—was on an open lawn right in front of a fairly grand building, the planter's house. The gun was safe enough in its exposed position—but only because the Federal infantry had been ordered not to fire. Coulter's Notch—it came to be known as that—was not, on that pleasant summer afternoon, a place where anyone would "like to put a gun."

Three or four dead horses lay there sprawling in the road, three or four dead men in a trim row at one side of it, and a little back, down the hill. All but one were cavalrymen belonging to the Federal advance. One was a quartermaster. The general commanding the division and the colonel commanding the brigade, with their staffs and escorts, had ridden into the notch to have a look at the enemy's guns—which had straightway obscured themselves in towering clouds of smoke. It was hardly profitable to be curious about guns which had the trick of the cuttle-fish, and the season of observation had been brief. At its conclusion—a short remove backward from where it began—occurred the conversation already partly reported. "It is the only place," the general repeated thoughtfully, "to get at them."

Three or four dead horses lay sprawled in the road, alongside three or four dead men lined up neatly on one side, and a little farther back, down the hill. All but one were cavalrymen from the Federal advance. One was a quartermaster. The general in charge of the division and the colonel in charge of the brigade, along with their staff and escorts, had rode into the area to check out the enemy's guns—which quickly hid themselves in thick clouds of smoke. It was hardly worth being curious about guns that had the same disappearing act as a cuttlefish, and the time for observation was short. When it ended—a brief distance back from where it started—there was the conversation that was already partially shared. "It’s the only place," the general said thoughtfully, "to get at them."

The colonel looked at him gravely. "There is room for only one gun, General—one against twelve."

The colonel looked at him seriously. "There's only space for one gun, General—one against twelve."

"That is true—for only one at a time," said the commander with something like, yet not altogether like, a smile. "But then, your brave Coulter—a whole battery in himself."

"That's true—only one at a time," said the commander with something like, but not quite, a smile. "But then, your brave Coulter—a whole battery all by himself."

The tone of irony was now unmistakable. It angered the colonel, but he did not know what to say. The spirit of military subordination is not favorable to retort, nor even to deprecation.

The tone of irony was now obvious. It made the colonel angry, but he didn’t know how to respond. The mindset of military hierarchy doesn’t encourage replies, or even dismissals.

At this moment a young officer of artillery came riding slowly up the road attended by his bugler. It was Captain Coulter. He could not have been more than twenty-three years of age. He was of medium height, but very slender and lithe, and sat his horse with something of the air of a civilian. In face he was of a type singularly unlike the men about him; thin, high-nosed, gray-eyed, with a slight blond mustache, and long, rather straggling hair of the same color. There was an apparent negligence in his attire. His cap was worn with the visor a trifle askew; his coat was buttoned only at the sword-belt, showing a considerable expanse of white shirt, tolerably clean for that stage of the campaign. But the negligence was all in his dress and bearing; in his face was a look of intense interest in his surroundings. His gray eyes, which seemed occasionally to strike right and left across the landscape, like search-lights, were for the most part fixed upon the sky beyond the Notch; until he should arrive at the summit of the road there was nothing else in that direction to see. As he came opposite his division and brigade commanders at the road-side he saluted mechanically and was about to pass on. The colonel signed to him to halt.

At that moment, a young artillery officer rode slowly up the road, accompanied by his bugler. It was Captain Coulter. He couldn’t have been more than twenty-three years old. He was of average height but very slender and agile, sitting on his horse with something of a civilian’s demeanor. His appearance was strikingly different from the other men around him; he was thin, with a prominent nose, gray eyes, a slight blond mustache, and long, rather unruly hair of the same color. His attire showed a clear lack of concern. His cap was worn slightly askew, and his coat was only buttoned at the sword-belt, revealing a good amount of clean white shirt, which was impressive for that point in the campaign. However, the carelessness was only in how he dressed and carried himself; his face displayed a keen interest in his surroundings. His gray eyes seemed to scan the landscape like searchlights, although mostly they were focused on the sky beyond the Notch; there was nothing else to see in that direction until he reached the top of the road. As he rode past his division and brigade commanders at the roadside, he saluted automatically and was about to continue on when the colonel gestured for him to stop.

"Captain Coulter," he said, "the enemy has twelve pieces over there on the next ridge. If I rightly understand the general, he directs that you bring up a gun and engage them."

"Captain Coulter," he said, "the enemy has twelve cannons over there on the next ridge. If I understand the general correctly, he wants you to bring up a gun and engage them."

There was a blank silence; the general looked stolidly at a distant regiment swarming slowly up the hill through rough undergrowth, like a torn and draggled cloud of blue smoke; the captain appeared not to have observed him. Presently the captain spoke, slowly and with apparent effort:

There was a quiet silence; the general stared expressionlessly at a distant regiment moving slowly up the hill through the rough brush, like a tattered cloud of blue smoke; the captain seemed not to have noticed him. After a moment, the captain spoke, slowly and with obvious difficulty:

"On the next ridge, did you say, sir? Are the guns near the house?"

"On the next ridge, you said, sir? Are the guns close to the house?"

"Ah, you have been over this road before. Directly at the house."

"Ah, you've been this way before. Right at the house."

"And it is—necessary—to engage them? The order is imperative?"

"And it is—necessary—to get involved with them? The order is mandatory?"

His voice was husky and broken. He was visibly paler. The colonel was astonished and mortified. He stole a glance at the commander. In that set, immobile face was no sign; it was as hard as bronze. A moment later the general rode away, followed by his staff and escort. The colonel, humiliated and indignant, was about to order Captain Coulter in arrest, when the latter spoke a few words in a low tone to his bugler, saluted, and rode straight forward into the Notch, where, presently, at the summit of the road, his field-glass at his eyes, he showed against the sky, he and his horse, sharply defined and statuesque. The bugler had dashed down the speed and disappeared behind a wood. Presently his bugle was heard singing in the cedars, and in an incredibly short time a single gun with its caisson, each drawn by six horses and manned by its full complement of gunners, came bounding and banging up the grade in a storm of dust, unlimbered under cover, and was run forward by hand to the fatal crest among the dead horses. A gesture of the captain's arm, some strangely agile movements of the men in loading, and almost before the troops along the way had ceased to hear the rattle of the wheels, a great white cloud sprang forward down the slope, and with a deafening report the affair at Coulter's Notch had begun.

His voice was hoarse and shaky. He looked noticeably paler. The colonel was shocked and embarrassed. He stole a glance at the commander. On that stiff, unmoving face, there was no expression; it was as hard as stone. A moment later, the general rode off, followed by his staff and escort. The colonel, feeling humiliated and angry, was about to order Captain Coulter to be arrested when Coulter spoke a few words in a low voice to his bugler, saluted, and rode straight into the Notch, where, soon after, at the top of the road, he appeared against the sky, along with his horse, sharply outlined and statue-like, binoculars to his eyes. The bugler had raced down the slope and vanished behind some trees. Soon, his bugle was heard echoing among the cedars, and in no time, a single gun with its caisson, each pulled by six horses and crewed by full complement of gunners, came charging up the incline in a cloud of dust, was unlimbered under cover, and was pushed forward by hand to the deadly crest among the fallen horses. With a gesture from the captain's arm and some surprisingly quick movements from the men loading it, almost before the troops along the way had stopped hearing the rumble of the wheels, a massive white cloud surged down the slope, and with a deafening bang, the action at Coulter's Notch had begun.

It is not intended to relate in detail the progress and incidents of that ghastly contest—a contest without vicissitudes, its alternations only different degrees of despair. Almost at the instant when Captain Coulter's gun blew its challenging cloud twelve answering clouds rolled upward from among the trees about the plantation house, a deep multiple report roared back like a broken echo, and thenceforth to the end the Federal cannoneers fought their hopeless battle in an atmosphere of living iron whose thoughts were lightnings and whose deeds were death.

It’s not meant to go into detail about the events and developments of that horrific battle—a battle that had no changes, just varying levels of despair. Almost the moment Captain Coulter's gun fired its challenge, twelve responding shots rose up from the trees around the plantation house. A deep, resonant sound echoed back like a shattered reflection, and from then on, the Federal cannons fought their futile battle in an atmosphere of living steel, where thoughts were like lightning and actions meant death.

Unwilling to see the efforts which he could not aid and the slaughter which he could not stay, the colonel ascended the ridge at a point a quarter of a mile to the left, whence the Notch, itself invisible, but pushing up successive masses of smoke, seemed the crater of a volcano in thundering eruption. With his glass he watched the enemy's guns, noting as he could the effects of Coulter's fire—if Coulter still lived to direct it. He saw that the Federal gunners, ignoring those of the enemy's pieces whose positions could be determined by their smoke only, gave their whole attention to the one that maintained its place in the open—the lawn in front of the house. Over and about that hardy piece the shells exploded at intervals of a few seconds. Some exploded in the house, as could be seen by thin ascensions of smoke from the breached roof. Figures of prostrate men and horses were plainly visible.

Not wanting to face the efforts he couldn't help and the destruction he couldn't prevent, the colonel climbed the ridge about a quarter of a mile to the left. From there, the Notch, though unseen, seemed like a volcano erupting, sending up massive clouds of smoke. Using his telescope, he observed the enemy’s artillery, trying to gauge the impact of Coulter’s fire—if Coulter was still around to give orders. He noticed that the Federal gunners, ignoring the enemy's positions that could only be identified by their smoke, focused entirely on the one cannon that remained in the open—the lawn in front of the house. Over that resilient piece, shells exploded every few seconds. Some detonated in the house, evident from wisps of smoke rising from the damaged roof. The figures of fallen men and horses were clearly visible.

"If our fellows are doing so good work with a single gun," said the colonel to an aide who happened to be nearest, "they must be suffering like the devil from twelve. Go down and present the commander of that piece with my congratulations on the accuracy of his fire."

"If our guys are doing such a great job with a single gun," the colonel said to the aide closest to him, "they must be really struggling with twelve. Go down and give the commander of that piece my congratulations on how accurate his fire is."

Turning to his adjutant-general he said, "Did you observe Coulter's damned reluctance to obey orders?"

Turning to his assistant, he said, "Did you notice Coulter's annoying hesitance to follow orders?"

"Yes, sir, I did."

"Yes, I did."

"Well, say nothing about it, please. I don't think the general will care to make any accusations. He will probably have enough to do in explaining his own connection with this uncommon way of amusing the rear-guard of a retreating enemy."

"Well, please don’t say anything about it. I don’t think the general will want to make any accusations. He’ll probably have enough on his plate explaining his own involvement in this unusual method of entertaining the rear guard of a retreating enemy."

A young officer approached from below, climbing breathless up the acclivity. Almost before he had saluted, he gasped out:

A young officer came up from below, breathless as he climbed the slope. As soon as he saluted, he gasped:

"Colonel, I am directed by Colonel Harmon to say that the enemy's guns are within easy reach of our rifles, and most of them visible from several points along the ridge."

"Colonel, Colonel Harmon has asked me to inform you that the enemy's guns are within easy range of our rifles, and most of them can be seen from several spots along the ridge."

The brigade commander looked at him without a trace of interest in his expression. "I know it," he said quietly.

The brigade commander stared at him without any hint of interest in his face. "I know," he said softly.

The young adjutant was visibly embarrassed. "Colonel Harmon would like to have permission to silence those guns," he stammered.

The young adjutant clearly felt embarrassed. "Colonel Harmon would like to request permission to silence those guns," he stammered.

"So should I," the colonel said in the same tone. "Present my compliments to Colonel Harmon and say to him that the general's orders for the infantry not to fire are still in force."

"So should I," the colonel said in the same tone. "Please send my regards to Colonel Harmon and let him know that the general's orders for the infantry not to fire are still in effect."

The adjutant saluted and retired. The colonel ground his heel into the earth and turned to look again at the enemy's guns.

The adjutant saluted and walked away. The colonel stepped hard on the ground and turned to take another look at the enemy's artillery.

"Colonel," said the adjutant-general, "I don't know that I ought to say anything, but there is something wrong in all this. Do you happen to know that Captain Coulter is from the South?"

"Colonel," said the adjutant-general, "I’m not sure I should say anything, but something feels off about all this. Do you realize that Captain Coulter is from the South?"

"No; was he, indeed?"

"No; was he, really?"

"I heard that last summer the division which the general then commanded was in the vicinity of Coulter's home—camped there for weeks, and—"

"I heard that last summer the division that the general was in charge of was near Coulter's home—camped there for weeks, and—"

"Listen!" said the colonel, interrupting with an upward gesture. "Do you hear that?"

"Listen!" the colonel said, interrupting with a raised hand. "Do you hear that?"

"That" was the silence of the Federal gun. The staff, the orderlies, the lines of infantry behind the crest—all had "heard," and were looking curiously in the direction of the crater, whence no smoke now ascended except desultory cloudlets from the enemy's shells. Then came the blare of a bugle, a faint rattle of wheels; a minute later the sharp reports recommenced with double activity. The demolished gun had been replaced with a sound one.

"That" was the silence of the Federal gun. The staff, the medics, the lines of infantry behind the ridge—all had "heard," and were looking curiously toward the crater, from which no smoke now rose except for scattered puffs from the enemy's shells. Then came the sound of a bugle, a faint rumble of wheels; a minute later, the sharp gunfire started up again with doubled intensity. The damaged gun had been replaced with a functioning one.

"Yes," said the adjutant-general, resuming his narrative, "the general made the acquaintance of Coulter's family. There was trouble—I don't know the exact nature of it—something about Coulter's wife. She is a red-hot Secessionist, as they all are, except Coulter himself, but she is a good wife and high-bred lady. There was a complaint to army headquarters. The general was transferred to this division. It is odd that Coulter's battery should afterward have been assigned to it."

"Yes," the adjutant-general continued his story, "the general got to know Coulter's family. There was some trouble—I’m not sure what exactly went wrong—something about Coulter’s wife. She’s a staunch Secessionist, like all of them, except Coulter himself, but she’s a great wife and comes from a good family. There was a complaint sent to army headquarters. The general was reassigned to this division. It's strange that Coulter's battery ended up being assigned to it afterward."

The colonel had risen from the rock upon which they had been sitting. His eyes were blazing with a generous indignation.

The colonel had gotten up from the rock they had been sitting on. His eyes were full of fiery outrage.

"See here, Morrison," said he, looking his gossiping staff officer straight in the face, "did you get that story from a gentleman or a liar?"

"Listen, Morrison," he said, looking his chatty staff officer straight in the eye, "did you hear that story from a gentleman or from a liar?"

"I don't want to say how I got it, Colonel, unless it is necessary"—he was blushing a trifle—"but I'll stake my life upon its truth in the main."

"I don't want to say how I got it, Colonel, unless it's necessary"—he was blushing a bit—"but I'll bet my life on its basic truth."

The colonel turned toward a small knot of officers some distance away. "Lieutenant Williams!" he shouted.

The colonel turned towards a small group of officers a short distance away. "Lieutenant Williams!" he called out.

One of the officers detached himself from the group and coming forward saluted, saying: "Pardon me, Colonel, I thought you had been informed. Williams is dead down there by the gun. What can I do, sir?"

One of the officers stepped away from the group and approached, saluting as he said, "Excuse me, Colonel, I thought you had been informed. Williams is dead by the gun down there. What can I do, sir?"

Lieutenant Williams was the aide who had had the pleasure of conveying to the officer in charge of the gun his brigade commander's congratulations.

Lieutenant Williams was the aide who had the pleasure of passing on his brigade commander's congratulations to the officer in charge of the gun.

"Go," said the colonel, "and direct the withdrawal of that gun instantly. No—I'll go myself."

"Go," said the colonel, "and direct the immediate withdrawal of that gun. No—I'll go myself."

He strode down the declivity toward the rear of the Notch at a break-neck pace, over rocks and through brambles, followed by his little retinue in tumultuous disorder. At the foot of the declivity they mounted their waiting animals and took to the road at a lively trot, round a bend and into the Notch. The spectacle which they encountered there was appalling!

He walked down the slope toward the back of the Notch at a breakneck speed, over rocks and through bushes, followed by his small group in chaotic disarray. At the bottom of the slope, they got on their waiting animals and hit the road at a brisk trot, around a bend and into the Notch. The scene they faced there was shocking!

Within that defile, barely broad enough for a single gun, were piled the wrecks of no fewer than four. They had noted the silencing of only the last one disabled—there had been a lack of men to replace it quickly with another. The débris lay on both sides of the road; the men had managed to keep an open way between, through which the fifth piece was now firing. The men?—they looked like demons of the pit! All were hatless, all stripped to the waist, their reeking skins black with blotches of powder and spattered with gouts of blood. They worked like madmen, with rammer and cartridge, lever and lanyard. They set their swollen shoulders and bleeding hands against the wheels at each recoil and heaved the heavy gun back to its place. There were no commands; in that awful environment of whooping shot, exploding shells, shrieking fragments of iron, and flying splinters of wood, none could have been heard. Officers, if officers there were, were indistinguishable; all worked together—each while he lasted—governed by the eye. When the gun was sponged, it was loaded; when loaded, aimed and fired. The colonel observed something new to his military experience—something horrible and unnatural: the gun was bleeding at the mouth! In temporary default of water, the man sponging had dipped his sponge into a pool of comrade's blood. In all this work there was no clashing; the duty of the instant was obvious. When one fell, another, looking a trifle cleaner, seemed to rise from the earth in the dead man's tracks, to fall in his turn.

Within that narrow passage, barely wide enough for a single gun, were the remains of at least four. They had noticed the silence of only the last one disabled—there weren't enough men to quickly replace it. The debris lay on both sides of the road; the men had managed to keep a clear path through which the fifth piece was now firing. The men?—they looked like demons from hell! All were hatless, all stripped to the waist, their stinking skin black with powder stains and splattered with blood. They worked like madmen, with rammer and cartridge, lever and lanyard. They pushed their swollen shoulders and bleeding hands against the wheels with each recoil, heaving the heavy gun back into position. There were no commands; in that terrifying environment of whistling shots, exploding shells, screaming fragments of iron, and flying wood splinters, no commands could have been heard. Officers, if there were any, were indistinguishable; everyone worked together—each while he could—governed by instinct. When the gun was cleaned, it was loaded; when loaded, aimed, and fired. The colonel noticed something new in his military experience—something horrible and unnatural: the gun was bleeding at the mouth! In the absence of water, the man cleaning it had dipped his sponge into a pool of a comrade's blood. Through all this work, there was no chaos; the duty of the moment was clear. When one man fell, another, looking a bit cleaner, seemed to rise from the earth in the dead man's place, only to fall in turn.

With the ruined guns lay the ruined men—alongside the wreckage, under it and atop of it; and back down the road—a ghastly procession!—crept on hands and knees such of the wounded as were able to move. The colonel—he had compassionately sent his cavalcade to the right about—had to ride over those who were entirely dead in order not to crush those who were partly alive. Into that hell he tranquilly held his way, rode up alongside the gun, and, in the obscurity of the last discharge, tapped upon the cheek the man holding the rammer—who straightway fell, thinking himself killed. A fiend seven times damned sprang out of the smoke to take his place, but paused and gazed up at the mounted officer with an unearthly regard, his teeth flashing between his black lips, his eyes, fierce and expanded, burning like coals beneath his bloody brow. The colonel made an authoritative gesture and pointed to the rear. The fiend bowed in token of obedience. It was Captain Coulter.

With the ruined guns were the ruined men—next to the wreckage, underneath it, and on top of it; and back down the road—a horrifying procession!—crawled on hands and knees the wounded who were able to move. The colonel—who had compassionately ordered his cavalry to turn around—had to ride over those who were completely dead to avoid crushing those who were still alive. Into that hell, he calmly made his way, rode up next to the gun, and, in the darkness of the final shot, tapped the cheek of the man holding the rammer—who immediately fell, believing he was killed. A monster, seven times cursed, jumped out of the smoke to take his place, but paused and looked up at the mounted officer with an eerie stare, his teeth glinting between his black lips, his fierce, wide eyes burning like coals beneath his bloody brow. The colonel made an authoritative gesture and pointed to the rear. The monster bowed as a sign of obedience. It was Captain Coulter.

Simultaneously with the colonel's arresting sign, silence fell upon the whole field of action. The procession of missiles no longer streamed into that defile of death, for the enemy also had ceased firing. His army had been gone for hours, and the commander of his rear-guard, who had held his position perilously long in hope to silence the Federal fire, at that strange moment had silenced his own. "I was not aware of the breadth of my authority," said the colonel to anybody, riding forward to the crest to see what had really happened.

At the same time as the colonel's dramatic gesture, silence enveloped the entire battlefield. The barrage of projectiles stopped pouring into that deadly pass, as the enemy had also stopped firing. Their forces had disappeared hours ago, and the commander of the rear guard, who had stubbornly held his ground hoping to suppress the Federal gunfire, had bizarrely silenced his own fire at that moment. "I didn't realize the extent of my authority," the colonel said to anyone, riding forward to the ridge to find out what had actually occurred.

An hour later his brigade was in bivouac on the enemy's ground, and its idlers were examining, with something of awe, as the faithful inspect a saint's relics, a score of straddling dead horses and three disabled guns, all spiked. The fallen men had been carried away; their torn and broken bodies would have given too great satisfaction.

An hour later, his brigade had set up camp on enemy territory, and those who weren't busy were looking at a bunch of dead horses and three disabled guns, all spiked, with a kind of awe, like devoted fans checking out a saint's relics. The fallen soldiers had been removed; their mangled bodies would have been too much of a spectacle.

Naturally, the colonel established himself and his military family in the plantation house. It was somewhat shattered, but it was better than the open air. The furniture was greatly deranged and broken. Walls and ceilings were knocked away here and there, and a lingering odor of powder smoke was everywhere. The beds, the closets of women's clothing, the cupboards were not greatly damaged. The new tenants for a night made themselves comfortable, and the virtual effacement of Coulter's battery supplied them with an interesting topic.

Naturally, the colonel set himself and his military family up in the plantation house. It was a bit damaged, but it was better than being outside. The furniture was in disarray and broken. There were holes in the walls and ceilings, and a lingering smell of gunpowder was everywhere. The beds, women's clothing in the closets, and cupboards weren’t badly damaged. The new occupants for the night made themselves comfortable, and the near destruction of Coulter's battery gave them something interesting to talk about.

During supper an orderly of the escort showed himself into the dining-room and asked permission to speak to the colonel.

During dinner, an orderly from the escort came into the dining room and asked to speak to the colonel.

"What is it, Barbour?" said that officer pleasantly, having overheard the request.

"What is it, Barbour?" the officer said cheerfully, having overheard the request.

"Colonel, there is something wrong in the cellar; I don't know what—somebody there. I was down there rummaging about."

"Colonel, there's something off in the cellar; I don't know what it is—someone is down there. I was down there looking around."

"I will go down and see," said a staff officer, rising.

"I'll go check it out," said a staff officer, getting up.

"So will I," the colonel said; "let the others remain. Lead on, orderly."

"So will I," the colonel said. "Let the others stay. Lead the way, orderly."

They took a candle from the table and descended the cellar stairs, the orderly in visible trepidation. The candle made but a feeble light, but presently, as they advanced, its narrow circle of illumination revealed a human figure seated on the ground against the black stone wall which they were skirting, its knees elevated, its head bowed sharply forward. The face, which should have been seen in profile, was invisible, for the man was bent so far forward that his long hair concealed it; and, strange to relate, the beard, of a much darker hue, fell in a great tangled mass and lay along the ground at his side. They involuntarily paused; then the colonel, taking the candle from the orderly's shaking hand, approached the man and attentively considered him. The long dark beard was the hair of a woman—dead. The dead woman clasped in her arms a dead babe. Both were clasped in the arms of the man, pressed against his breast, against his lips. There was blood in the hair of the woman; there was blood in the hair of the man. A yard away, near an irregular depression in the beaten earth which formed the cellar's floor—fresh excavation with a convex bit of iron, having jagged edges, visible in one of the sides—lay an infant's foot. The colonel held the light as high as he could. The floor of the room above was broken through, the splinters pointing at all angles downward. "This casemate is not bomb-proof," said the colonel gravely. It did not occur to him that his summing up of the matter had any levity in it.

They took a candle from the table and went down the cellar stairs, the orderly clearly nervous. The candle gave off a dim light, but as they moved forward, its narrow beam illuminated a figure sitting on the ground against the black stone wall they were passing, with its knees raised and head bent sharply forward. The face, which should have been visible in profile, was hidden; the man was leaning so far forward that his long hair covered it. Strangely, the beard was a much darker color and fell in a large tangled mass, lying on the ground beside him. They paused involuntarily; then the colonel took the candle from the trembling hand of the orderly and stepped closer to the man to examine him carefully. The long dark beard was actually the hair of a woman—dead. The dead woman was holding a dead baby in her arms. Both were wrapped in the man's embrace, pressed against his chest and lips. There was blood in the woman’s hair; there was blood in the man’s hair. Just a yard away, near a shallow pit in the packed earth that made up the cellar's floor—freshly dug with a curved piece of iron, jagged around the edges—lay an infant’s foot. The colonel held the light up as high as he could. The floor above was broken through, with splinters sticking out at all angles. "This casemate is not bomb-proof," the colonel said seriously. It didn’t cross his mind that this assessment could be taken lightly.

They stood about the group awhile in silence; the staff officer was thinking of his unfinished supper, the orderly of what might possibly be in one of the casks on the other side of the cellar. Suddenly the man whom they had thought dead raised his head and gazed tranquilly into their faces. His complexion was coal black; the cheeks were apparently tattooed in irregular sinuous lines from the eyes downward. The lips, too, were white, like those of a stage negro. There was blood upon his forehead.

They stood around the group for a while in silence; the staff officer was thinking about his unfinished dinner, while the orderly wondered what might be in one of the barrels on the other side of the cellar. Suddenly, the man they had thought was dead lifted his head and looked calmly into their faces. His skin was coal black; his cheeks seemed to be tattooed with irregular, wavy lines from his eyes downward. His lips were also white, resembling those of a stage actor portraying a Black man. There was blood on his forehead.

The staff officer drew back a pace, the orderly two paces.

The staff officer stepped back a pace, and the orderly stepped back two paces.

"What are you doing here, my man?" said the colonel, unmoved.

"What are you doing here, man?" said the colonel, unfazed.

"This house belongs to me, sir," was the reply, civilly delivered.

"This house is mine, sir," was the polite response.

"To you? Ah, I see! And these?"

"To you? Oh, I get it! And these?"

"My wife and child. I am Captain Coulter."

"My wife and child. I'm Captain Coulter."

THE COUP DE GRÂCE

The fighting had been hard and continuous; that was attested by all the senses. The very taste of battle was in the air. All was now over; it remained only to succor the wounded and bury the dead—to "tidy up a bit," as the humorist of a burial squad put it. A good deal of "tidying up" was required. As far as one could see through the forests, among the splintered trees, lay wrecks of men and horses. Among them moved the stretcher-bearers, gathering and carrying away the few who showed signs of life. Most of the wounded had died of neglect while the right to minister to their wants was in dispute. It is an army regulation that the wounded must wait; the best way to care for them is to win the battle. It must be confessed that victory is a distinct advantage to a man requiring attention, but many do not live to avail themselves of it.

The fighting had been intense and relentless; that was clear to everyone. The very taste of battle was in the air. It was all over now; all that was left was to help the injured and bury the dead—to "clean up a bit," as one of the burial squad joked. A lot of "cleaning up" was necessary. As far as the eye could see through the trees, among the shattered trunks, lay the bodies of men and horses. Stretcher-bearers moved among them, gathering and carrying away the few who showed signs of life. Most of the injured had died from neglect while the right to provide for their needs was being debated. There's a military rule that the wounded must wait; the best way to take care of them is to win the battle. It must be acknowledged that victory is a clear advantage for a person needing help, but many do not survive long enough to benefit from it.

The dead were collected in groups of a dozen or a score and laid side by side in rows while the trenches were dug to receive them.

The dead were gathered in groups of twelve or twenty and laid side by side in rows while trenches were dug to hold them.

Some, found at too great a distance from these rallying points, were buried where they lay. There was little attempt at identification, though in most cases, the burial parties being detailed to glean the same ground which they had assisted to reap, the names of the victorious dead were known and listed. The enemy's fallen had to be content with counting. But of that they got enough: many of them were counted several times, and the total, as given afterward in the official report of the victorious commander, denoted rather a hope than a result.

Some who were too far from these gathering spots were buried where they fell. There was little effort to identify them, although in most cases, the burial teams tasked with collecting bodies also noted the names of the victorious dead. The enemy's fallen had to settle for counting. But they were counted enough times; many of them were counted multiple times, and the total given later in the official report by the victorious commander indicated more of a hope than a reality.

At some little distance from the spot where one of the burial parties had established its "bivouac of the dead," a man in the uniform of a Federal officer stood leaning against a tree. From his feet upward to his neck his attitude was that of weariness reposing; but he turned his head uneasily from side to side; his mind was apparently not at rest. He was perhaps uncertain in which direction to go; he was not likely to remain long where he was, for already the level rays of the setting sun straggled redly through the open spaces of the wood and the weary soldiers were quitting their task for the day. He would hardly make a night of it alone there among the dead.

At a short distance from the place where one of the burial teams had set up its "bivouac of the dead," a man in the uniform of a Federal officer leaned against a tree. From his feet to his neck, he appeared to be at rest, but he turned his head nervously from side to side; he seemed restless. He was probably unsure which way to go; he wouldn’t stay there for long, as the low rays of the setting sun broke through the gaps in the woods, and the tired soldiers were finishing their work for the day. He likely wouldn’t spend the night there alone among the dead.

Nine men in ten whom you meet after a battle inquire the way to some fraction of the army—as if any one could know. Doubtless this officer was lost. After resting himself a moment he would presumably follow one of the retiring burial squads.

Nine out of ten men you meet after a battle ask for directions to some part of the army—as if anyone could know. This officer was definitely lost. After taking a moment to rest, he would probably follow one of the returning burial squads.

When all were gone he walked straight away into the forest toward the red west, its light staining his face like blood. The air of confidence with which he now strode along showed that he was on familiar ground; he had recovered his bearings. The dead on his right and on his left were unregarded as he passed. An occasional low moan from some sorely-stricken wretch whom the relief-parties had not reached, and who would have to pass a comfortless night beneath the stars with his thirst to keep him company, was equally unheeded. What, indeed, could the officer have done, being no surgeon and having no water?

When everyone had left, he walked straight into the forest towards the red west, its light hitting his face like blood. The confidence he carried as he walked showed he knew this area well; he had regained his sense of direction. The dead lying on his right and left were ignored as he made his way past. Occasionally, he heard a low moan from someone badly injured who hadn’t been reached by the rescue teams and would have to spend a miserable night under the stars with only his thirst for company, but he didn’t pay attention to that either. What could he really do, being neither a doctor nor having any water?

At the head of a shallow ravine, a mere depression of the ground, lay a small group of bodies. He saw, and swerving suddenly from his course walked rapidly toward them. Scanning each one sharply as he passed, he stopped at last above one which lay at a slight remove from the others, near a clump of small trees. He looked at it narrowly. It seemed to stir. He stooped and laid his hand upon its face. It screamed.

At the top of a shallow ravine, just a dip in the ground, was a small group of bodies. He noticed them and suddenly changed direction, walking quickly toward them. As he looked closely at each one as he passed, he finally stopped above one that was slightly away from the others, near a cluster of small trees. He examined it closely. It seemed to move. He bent down and touched its face. It screamed.


The officer was Captain Downing Madwell, of a Massachusetts regiment of infantry, a daring and intelligent soldier, an honorable man.

The officer was Captain Downing Madwell, of a Massachusetts infantry regiment, a brave and smart soldier, and an honorable man.

In the regiment were two brothers named Halcrow—Caffal and Creede Halcrow. Caffal Halcrow was a sergeant in Captain Madwell's company, and these two men, the sergeant and the captain, were devoted friends. In so far as disparity of rank, difference in duties and considerations of military discipline would permit they were commonly together. They had, indeed, grown up together from childhood. A habit of the heart is not easily broken off. Caffal Halcrow had nothing military in his taste nor disposition, but the thought of separation from his friend was disagreeable; he enlisted in the company in which Madwell was second-lieutenant. Each had taken two steps upward in rank, but between the highest non-commissioned and the lowest commissioned officer the gulf is deep and wide and the old relation was maintained with difficulty and a difference.

In the regiment, there were two brothers named Halcrow—Caffal and Creede Halcrow. Caffal Halcrow was a sergeant in Captain Madwell's company, and these two— the sergeant and the captain—were close friends. As much as military rank, different duties, and the need for discipline allowed, they spent time together. They had grown up as friends since childhood. A bond like that is hard to break. Caffal Halcrow didn’t have a military mindset or inclination, but the idea of being apart from his friend was unpleasant; he joined the company where Madwell was the second lieutenant. Each had moved up a couple of ranks, but there's a big divide between the highest non-commissioned officer and the lowest commissioned officer, making it tough to keep their old relationship intact, albeit with some changes.

Creede Halcrow, the brother of Caffal, was the major of the regiment—a cynical, saturnine man, between whom and Captain Madwell there was a natural antipathy which circumstances had nourished and strengthened to an active animosity. But for the restraining influence of their mutual relation to Caffal these two patriots would doubtless have endeavored to deprive their country of each other's services.

Creede Halcrow, Caffal's brother, was the major of the regiment—a cynical, gloomy man, who had a natural dislike for Captain Madwell that had been fueled by circumstances into a strong resentment. If it weren't for their shared connection to Caffal, these two patriots would probably have tried to remove each other from their country's service.

At the opening of the battle that morning the regiment was performing outpost duty a mile away from the main army. It was attacked and nearly surrounded in the forest, but stubbornly held its ground. During a lull in the fighting, Major Halcrow came to Captain Madwell. The two exchanged formal salutes, and the major said: "Captain, the colonel directs that you push your company to the head of this ravine and hold your place there until recalled. I need hardly apprise you of the dangerous character of the movement, but if you wish, you can, I suppose, turn over the command to your first-lieutenant. I was not, however, directed to authorize the substitution; it is merely a suggestion of my own, unofficially made."

At the start of the battle that morning, the regiment was on outpost duty a mile from the main army. It was attacked and nearly surrounded in the forest, but stubbornly held its position. During a pause in the fighting, Major Halcrow approached Captain Madwell. The two exchanged formal salutes, and the major said: "Captain, the colonel wants you to move your company to the head of this ravine and hold your position there until you're called back. I don’t need to remind you how dangerous this move is, but if you’d like, you can hand over command to your first lieutenant. I wasn’t instructed to approve that, though; it’s just my own unofficial suggestion."

To this deadly insult Captain Madwell coolly replied:

To this intense insult, Captain Madwell coolly responded:

"Sir, I invite you to accompany the movement. A mounted officer would be a conspicuous mark, and I have long held the opinion that it would be better if you were dead."

"Sir, I invite you to join the movement. A mounted officer would stand out, and I've always believed it would be better if you were dead."

The art of repartee was cultivated in military circles as early as 1862.

The skill of quick, witty conversation was developed in military circles as early as 1862.

A half-hour later Captain Madwell's company was driven from its position at the head of the ravine, with a loss of one-third its number. Among the fallen was Sergeant Halcrow. The regiment was soon afterward forced back to the main line, and at the close of the battle was miles away. The captain was now standing at the side of his subordinate and friend.

A half-hour later, Captain Madwell's unit was pushed out of its position at the top of the ravine, losing one-third of its members. Among those who fell was Sergeant Halcrow. The regiment was soon forced to retreat to the main line, and by the end of the battle, they were miles away. The captain was now standing next to his subordinate and friend.

Sergeant Halcrow was mortally hurt. His clothing was deranged; it seemed to have been violently torn apart, exposing the abdomen. Some of the buttons of his jacket had been pulled off and lay on the ground beside him and fragments of his other garments were strewn about. His leather belt was parted and had apparently been dragged from beneath him as he lay. There had been no great effusion of blood. The only visible wound was a wide, ragged opening in the abdomen.

Sergeant Halcrow was gravely injured. His clothes were a mess; they looked like they had been violently ripped apart, exposing his stomach. Some buttons from his jacket had been pulled off and lay on the ground beside him, and pieces of his other clothes were scattered around. His leather belt was broken and seemed to have been pulled out from under him as he lay there. There wasn't a lot of blood. The only noticeable wound was a large, jagged opening in his abdomen.

It was defiled with earth and dead leaves. Protruding from it was a loop of small intestine. In all his experience Captain Madwell had not seen a wound like this. He could neither conjecture how it was made nor explain the attendant circumstances—the strangely torn clothing, the parted belt, the besmirching of the white skin. He knelt and made a closer examination. When he rose to his feet, he turned his eyes in different directions as if looking for an enemy. Fifty yards away, on the crest of a low, thinly wooded hill, he saw several dark objects moving about among the fallen men—a herd of swine. One stood with its back to him, its shoulders sharply elevated. Its forefeet were upon a human body, its head was depressed and invisible. The bristly ridge of its chine showed black against the red west. Captain Madwell drew away his eyes and fixed them again upon the thing which had been his friend.

It was covered in dirt and dead leaves. Sticking out of it was a loop of small intestine. In all his experience, Captain Madwell had never seen a wound like this. He couldn't guess how it happened or explain the strange circumstances—the torn clothing, the broken belt, the staining of the pale skin. He knelt down for a closer look. When he stood up, he scanned the area, as if searching for an enemy. Fifty yards away, on the top of a low, sparsely wooded hill, he noticed several dark shapes moving among the fallen men— a herd of pigs. One of them had its back to him, its shoulders raised. Its front legs were on a human body, and its head was down and out of sight. The bristly ridgeline of its back contrasted sharply with the red sky in the west. Captain Madwell turned his gaze away and then back to the thing that had once been his friend.

The man who had suffered these monstrous mutilations was alive. At intervals he moved his limbs; he moaned at every breath. He stared blankly into the face of his friend and if touched screamed. In his giant agony he had torn up the ground on which he lay; his clenched hands were full of leaves and twigs and earth. Articulate speech was beyond his power; it was impossible to know if he were sensible to anything but pain. The expression of his face was an appeal; his eyes were full of prayer. For what?

The man who had endured these horrific injuries was still alive. Occasionally, he moved his limbs; he groaned with every breath. He gazed blankly at his friend, and if touched, he screamed. In his immense suffering, he had clawed at the ground beneath him; his clenched hands were filled with leaves, twigs, and dirt. He couldn't speak at all; it was unclear if he was aware of anything other than pain. The look on his face was a silent plea; his eyes were full of yearning. For what?

There was no misreading that look; the captain had too frequently seen it in eyes of those whose lips had still the power to formulate it by an entreaty for death. Consciously or unconsciously, this writhing fragment of humanity, this type and example of acute sensation, this handiwork of man and beast, this humble, unheroic Prometheus, was imploring everything, all, the whole non-ego, for the boon of oblivion. To the earth and the sky alike, to the trees, to the man, to whatever took form in sense or consciousness, this incarnate suffering addressed that silent plea.

There was no misunderstanding that look; the captain had seen it too many times in the eyes of those whose lips still had the ability to beg for death. Consciously or unconsciously, this writhing piece of humanity, this example of intense feeling, this creation of man and beast, this humble, unheroic Prometheus, was pleading for everything, all, the entire non-self, for the gift of forgetfulness. To the earth and the sky, to the trees, to the man, to anything that took shape in perception or awareness, this living suffering sent out that silent plea.

For what, indeed? For that which we accord to even the meanest creature without sense to demand it, denying it only to the wretched of our own race: for the blessed release, the rite of uttermost compassion, the coup de grâce.

For what, really? For something we grant to even the simplest creature that can’t ask for it, but we deny it to the unfortunate of our own kind: for the blessed release, the act of pure compassion, the coup de grâce.

Captain Madwell spoke the name of his friend. He repeated it over and over without effect until emotion choked his utterance.

Captain Madwell said his friend's name. He kept saying it over and over without any response until his feelings overwhelmed him, making it hard to speak.

His tears plashed upon the livid face beneath his own and blinded himself. He saw nothing but a blurred and moving object, but the moans were more distinct than ever, interrupted at briefer intervals by sharper shrieks. He turned away, struck his hand upon his forehead, and strode from the spot. The swine, catching sight of him, threw up their crimson muzzles, regarding him suspiciously a second, and then with a gruff, concerted grunt, raced away out of sight. A horse, its foreleg splintered by a cannon-shot, lifted its head sidewise from the ground and neighed piteously. Madwell stepped forward, drew his revolver and shot the poor beast between the eyes, narrowly observing its death-struggle, which, contrary to his expectation, was violent and long; but at last it lay still. The tense muscles of its lips, which had uncovered the teeth in a horrible grin, relaxed; the sharp, clean-cut profile took on a look of profound peace and rest.

His tears splashed onto the pale face below his own and blinded him. He saw nothing but a blurry, moving shape, but the moans were clearer than ever, interrupted at shorter intervals by sharper screams. He turned away, hit his hand against his forehead, and strode away from the spot. The pigs, spotting him, raised their red snouts, eyeing him suspiciously for a moment, and then with a rough, collective grunt, ran out of sight. A horse, its foreleg shattered by a cannon shot, lifted its head from the ground and neighed mournfully. Madwell stepped forward, pulled out his revolver, and shot the poor animal between the eyes, closely watching its death struggle, which, contrary to his expectations, was violent and prolonged; but eventually, it lay still. The tense muscles of its lips, which had revealed its teeth in a horrible grin, relaxed; the sharp, defined profile took on an expression of deep peace and rest.

Along the distant, thinly wooded crest to westward the fringe of sunset fire had now nearly burned itself out. The light upon the trunks of the trees had faded to a tender gray; shadows were in their tops, like great dark birds aperch. Night was coming and there were miles of haunted forest between Captain Madwell and camp. Yet he stood there at the side of the dead animal, apparently lost to all sense of his surroundings. His eyes were bent upon the earth at his feet; his left hand hung loosely at his side, his right still held the pistol. Presently he lifted his face, turned it toward his dying friend and walked rapidly back to his side. He knelt upon one knee, cocked the weapon, placed the muzzle against the man's forehead, and turning away his eyes pulled the trigger. There was no report. He had used his last cartridge for the horse.

Along the distant, sparsely wooded ridge to the west, the sunset glow had almost completely faded. The light on the tree trunks had shifted to a soft gray; shadows rested in their tops like large dark birds perched. Night was closing in, and there were miles of eerie forest separating Captain Madwell from camp. Still, he stood there beside the dead animal, seemingly unaware of his surroundings. His eyes were fixed on the ground at his feet; his left hand hung loosely at his side, while his right still gripped the pistol. After a moment, he lifted his face, turned toward his dying friend, and quickly walked back to his side. He knelt on one knee, cocked the weapon, placed the muzzle against the man's forehead, and, looking away, pulled the trigger. There was no sound. He had used his last bullet on the horse.

The sufferer moaned and his lips moved convulsively. The froth that ran from them had a tinge of blood.

The person in pain groaned, and his lips moved spasmodically. The foam coming from them had a hint of blood.

Captain Madwell rose to his feet and drew his sword from the scabbard. He passed the fingers of his left hand along the edge from hilt to point. He held it out straight before him, as if to test his nerves. There was no visible tremor of the blade; the ray of bleak skylight that it reflected was steady and true. He stooped and with his left hand tore away the dying man's shirt, rose and placed the point of the sword just over the heart. This time he did not withdraw his eyes. Grasping the hilt with both hands, he thrust downward with all his strength and weight. The blade sank into the man's body—through his body into the earth; Captain Madwell came near falling forward upon his work. The dying man drew up his knees and at the same time threw his right arm across his breast and grasped the steel so tightly that the knuckles of the hand visibly whitened. By a violent but vain effort to withdraw the blade the wound was enlarged; a rill of blood escaped, running sinuously down into the deranged clothing. At that moment three men stepped silently forward from behind the clump of young trees which had concealed their approach. Two were hospital attendants and carried a stretcher.

Captain Madwell stood up and drew his sword from its sheath. He ran his fingers along the edge from the hilt to the tip. He held it straight out in front of him to steady his nerves. The blade didn't shake; the dull light from above reflected off it steadily. He leaned down, ripped away the dying man’s shirt with his left hand, stood up, and positioned the tip of the sword just above the heart. This time, he didn’t take his eyes off it. Gripping the hilt with both hands, he pushed down with all his strength and weight. The blade sunk into the man’s body—through him and into the ground; Captain Madwell almost fell forward onto his work. The dying man pulled his knees up and threw his right arm across his chest, gripping the steel so tightly that his knuckles turned white. In a desperate but useless attempt to pull the blade out, the wound opened wider, and a stream of blood flowed down into his tattered clothing. At that moment, three men stepped quietly forward from behind a group of young trees that had hidden their approach. Two were hospital attendants carrying a stretcher.

The third was Major Creede Halcrow.

The third was Major Creede Halcrow.

PARKER ADDERSON, PHILOSOPHER

"Prisoner, what is your name?"

"Prisoner, what's your name?"

"As I am to lose it at daylight to-morrow morning it is hardly worth while concealing it. Parker Adderson."

"As I'm going to lose it at dawn tomorrow morning, it's hardly worth hiding it. Parker Adderson."

"Your rank?"

"What's your rank?"

"A somewhat humble one; commissioned officers are too precious to be risked in the perilous business of a spy. I am a sergeant."

"A bit humble; commissioned officers are too valuable to risk in the dangerous job of a spy. I'm a sergeant."

"Of what regiment?"

"Which regiment?"

"You must excuse me; my answer might, for anything I know, give you an idea of whose forces are in your front. Such knowledge as that is what I came into your lines to obtain, not to impart."

"You need to forgive me; my response might, for all I know, give you insight into the forces you’re facing. That’s the kind of information I came into your territory to gather, not to share."

"You are not without wit."

"You have wit."

"If you have the patience to wait you will find me dull enough to-morrow."

"If you have the patience to wait, you'll find me boring enough tomorrow."

"How do you know that you are to die to-morrow morning?"

"How do you know you’re going to die tomorrow morning?"

"Among spies captured by night that is the custom. It is one of the nice observances of the profession."

"Among spies caught at night, that's the usual practice. It's one of the nice traditions of the job."

The general so far laid aside the dignity appropriate to a Confederate officer of high rank and wide renown as to smile. But no one in his power and out of his favor would have drawn any happy augury from that outward and visible sign of approval. It was neither genial nor infectious; it did not communicate itself to the other persons exposed to it—the caught spy who had provoked it and the armed guard who had brought him into the tent and now stood a little apart, watching his prisoner in the yellow candle-light. It was no part of that warrior's duty to smile; he had been detailed for another purpose. The conversation was resumed; it was in character a trial for a capital offense.

The general, typically dignified for a high-ranking Confederate officer with a great reputation, allowed himself to smile. However, anyone who wasn't in his favor wouldn't have taken that smile as a good sign. It wasn't warm or contagious; it didn’t spread to the others around him—the captured spy who had sparked the smile and the armed guard who had brought him into the tent and now stood nearby, watching the prisoner in the dim candlelight. Smiling wasn’t part of the guard’s job; he was there for a different reason. The conversation continued; it was essentially a trial for a serious crime.

"You admit, then, that you are a spy—that you came into my camp, disguised as you are in the uniform of a Confederate soldier, to obtain information secretly regarding the numbers and disposition of my troops."

"You admit, then, that you’re a spy—that you came into my camp, disguised in the uniform of a Confederate soldier, to secretly gather information about the size and position of my troops."

"Regarding, particularly, their numbers. Their disposition I already knew. It is morose."

"About their numbers specifically. I already knew their arrangement. It's gloomy."

The general brightened again; the guard, with a severer sense of his responsibility, accentuated the austerity of his expression and stood a trifle more erect than before. Twirling his gray slouch hat round and round upon his forefinger, the spy took a leisurely survey of his surroundings. They were simple enough. The tent was a common "wall tent," about eight feet by ten in dimensions, lighted by a single tallow candle stuck into the haft of a bayonet, which was itself stuck into a pine table at which the general sat, now busily writing and apparently forgetful of his unwilling guest. An old rag carpet covered the earthen floor; an older leather trunk, a second chair and a roll of blankets were about all else that the tent contained; in General Clavering's command Confederate simplicity and penury of "pomp and circumstance" had attained their highest development. On a large nail driven into the tent pole at the entrance was suspended a sword-belt supporting a long sabre, a pistol in its holster and, absurdly enough, a bowie-knife. Of that most unmilitary weapon it was the general's habit to explain that it was a souvenir of the peaceful days when he was a civilian.

The general's mood lifted again; the guard, with a stronger sense of responsibility, made his expression even more serious and stood a bit taller than before. Twirling his gray slouch hat on his finger, the spy casually looked around. The setup was pretty basic. The tent was a typical "wall tent," measuring about eight feet by ten, lit by a single tallow candle stuck into the handle of a bayonet that was itself stuck into a pine table where the general sat, now busy writing and seemingly unaware of his unwilling guest. An old rag carpet covered the dirt floor; an even older leather trunk, a second chair, and a roll of blankets were pretty much all that was in the tent. In General Clavering's command, Confederate simplicity and lack of "pomp and circumstance" had reached its peak. A large nail driven into the tent pole at the entrance held a sword belt with a long sabre, a pistol in its holster, and, oddly enough, a bowie knife. The general often explained that this most unmilitary weapon was a keepsake from his peaceful days as a civilian.

It was a stormy night. The rain cascaded upon the canvas in torrents, with the dull, drum-like sound familiar to dwellers in tents. As the whooping blasts charged upon it the frail structure shook and swayed and strained at its confining stakes and ropes.

It was a stormy night. The rain poured down on the canvas in torrents, producing the dull, drum-like sound known to people living in tents. As the strong gusts hit it, the fragile structure shook and swayed, straining against its stakes and ropes.

The general finished writing, folded the half-sheet of paper and spoke to the soldier guarding Adderson: "Here, Tassman, take that to the adjutant-general; then return."

The general finished writing, folded the half-sheet of paper, and said to the soldier guarding Adderson: "Here, Tassman, take this to the adjutant-general; then come back."

"And the prisoner, General?" said the soldier, saluting, with an inquiring glance in the direction of that unfortunate.

"And what about the prisoner, General?" asked the soldier, saluting with a questioning look aimed at that unfortunate individual.

"Do as I said," replied the officer, curtly.

"Do what I said," the officer replied sharply.

The soldier took the note and ducked himself out of the tent. General Clavering turned his handsome face toward the Federal spy, looked him in the eyes, not unkindly, and said: "It is a bad night, my man."

The soldier grabbed the note and slipped out of the tent. General Clavering turned his attractive face toward the Federal spy, met his gaze, not unkindly, and said, "It's a rough night, my friend."

"For me, yes."

"Yes, for me."

"Do you guess what I have written?"

"Can you guess what I’ve written?"

"Something worth reading, I dare say. And—perhaps it is my vanity—I venture to suppose that I am mentioned in it."

"Something worth reading, I believe. And—maybe it's just my ego—I think I might be mentioned in it."

"Yes; it is a memorandum for an order to be read to the troops at reveille concerning your execution. Also some notes for the guidance of the provost-marshal in arranging the details of that event."

"Yes, it’s a memo for an announcement to be given to the troops at reveille about your execution. It also includes some notes to help the provost-marshal organize the details of that event."

"I hope, General, the spectacle will be intelligently arranged, for I shall attend it myself."

"I hope, General, that the event will be thoughtfully organized, because I will be attending it myself."

"Have you any arrangements of your own that you wish to make? Do you wish to see a chaplain, for example?"

"Do you have any plans that you want to make? Would you like to see a chaplain, for instance?"

"I could hardly secure a longer rest for myself by depriving him of some of his."

"I could barely get a longer break for myself by taking away some of his."

"Good God, man! do you mean to go to your death with nothing but jokes upon your lips? Do you know that this is a serious matter?"

"Good grief, dude! Are you really going to face your death while just cracking jokes? Do you realize that this is a serious situation?"

"How can I know that? I have never been dead in all my life. I have heard that death is a serious matter, but never from any of those who have experienced it."

"How can I know that? I've never been dead in my whole life. I’ve heard that death is a serious thing, but never from anyone who’s actually experienced it."

The general was silent for a moment; the man interested, perhaps amused him—a type not previously encountered.

The general was quiet for a moment; the man intrigued him, maybe even made him laugh—he was a type he hadn't come across before.

"Death," he said, "is at least a loss—a loss of such happiness as we have, and of opportunities for more."

"Death," he said, "is at least a loss—a loss of the happiness we have and the chances for more."

"A loss of which we shall never be conscious can be borne with composure and therefore expected without apprehension. You must have observed, General, that of all the dead men with whom it is your soldierly pleasure to strew your path none shows signs of regret."

"A loss that we will never fully realize can be handled with calmness and, therefore, anticipated without fear. You must have noticed, General, that among all the dead men you encounter on your journey, none show any signs of regret."

"If the being dead is not a regrettable condition, yet the becoming so—the act of dying—appears to be distinctly disagreeable to one who has not lost the power to feel."

"If being dead isn’t a bad thing, the process of dying definitely seems unpleasant for someone who can still feel."

"Pain is disagreeable, no doubt. I never suffer it without more or less discomfort. But he who lives longest is most exposed to it. What you call dying is simply the last pain—there is really no such thing as dying. Suppose, for illustration, that I attempt to escape. You lift the revolver that you are courteously concealing in your lap, and—"

"Pain is definitely unpleasant. I never experience it without some level of discomfort. But the person who lives the longest faces it the most. What you refer to as dying is just the final pain—there's really no such thing as dying. Imagine, for example, that I try to escape. You raise the gun that you're politely hiding in your lap, and—"

The general blushed like a girl, then laughed softly, disclosing his brilliant teeth, made a slight inclination of his handsome head and said nothing. The spy continued: "You fire, and I have in my stomach what I did not swallow. I fall, but am not dead. After a half-hour of agony I am dead. But at any given instant of that half-hour I was either alive or dead. There is no transition period.

The general blushed like a girl, then laughed softly, revealing his brilliant teeth, gave a slight nod of his handsome head, and said nothing. The spy continued: "You shoot, and what I didn't swallow is in my stomach. I fall, but I’m not dead. After thirty minutes of agony, I’m dead. But at any moment during that thirty minutes, I was either alive or dead. There’s no in-between."

"When I am hanged to-morrow morning it will be quite the same; while conscious I shall be living; when dead, unconscious. Nature appears to have ordered the matter quite in my interest—the way that I should have ordered it myself. It is so simple," he added with a smile, "that it seems hardly worth while to be hanged at all."

"When I'm hanged tomorrow morning, it will be exactly the same; while I'm conscious, I'll be living, and when I'm dead, I'll be unconscious. Nature seems to have arranged things in my favor—the way I would have planned it myself. It's so simple," he added with a smile, "that it hardly feels worth it to be hanged at all."

At the finish of his remarks there was a long silence. The general sat impassive, looking into the man's face, but apparently not attentive to what had been said. It was as if his eyes had mounted guard over the prisoner while his mind concerned itself with other matters. Presently he drew a long, deep breath, shuddered, as one awakened from a dreadful dream, and exclaimed almost inaudibly: "Death is horrible!"—this man of death.

At the end of his speech, there was a long silence. The general sat still, gazing into the man's face, but seemingly not focused on what had just been said. It was like his eyes were keeping watch over the prisoner while his mind wandered to other things. Eventually, he took a deep breath, shuddered as if waking from a terrible nightmare, and said almost in a whisper, "Death is awful!"—this man of death.

"It was horrible to our savage ancestors," said the spy, gravely, "because they had not enough intelligence to dissociate the idea of consciousness from the idea of the physical forms in which it is manifested—as an even lower order of intelligence, that of the monkey, for example, may be unable to imagine a house without inhabitants, and seeing a ruined hut fancies a suffering occupant. To us it is horrible because we have inherited the tendency to think it so, accounting for the notion by wild and fanciful theories of another world—as names of places give rise to legends explaining them and reasonless conduct to philosophies in justification. You can hang me, General, but there your power of evil ends; you cannot condemn me to heaven."

"It was terrifying for our primitive ancestors," said the spy seriously, "because they didn't have the ability to separate the idea of consciousness from the physical forms it takes—just like a lower intelligence, like that of a monkey, might struggle to imagine a house without people in it and would think a ruined hut has a suffering occupant. For us, it's horrifying because we've inherited this way of thinking, justifying it with wild and imaginative theories about another world—much like how place names create legends around them and irrational behavior leads to philosophies that try to explain it. You can hang me, General, but that's where your power to inflict harm ends; you can't send me to heaven."

The general appeared not to have heard; the spy's talk had merely turned his thoughts into an unfamiliar channel, but there they pursued their will independently to conclusions of their own. The storm had ceased, and something of the solemn spirit of the night had imparted itself to his reflections, giving them the sombre tinge of a supernatural dread. Perhaps there was an element of prescience in it. "I should not like to die," he said—"not to-night."

The general seemed not to notice; the spy's words had just shifted his thoughts down an unfamiliar path, but those thoughts followed their own course to conclusions he hadn’t anticipated. The storm had stopped, and the serious mood of the night had influenced his reflections, giving them a dark feeling of an eerie fear. Maybe there was a hint of foreknowledge in it. "I wouldn't want to die," he said—"not tonight."

He was interrupted—if, indeed, he had intended to speak further—by the entrance of an officer of his staff, Captain Hasterlick, the provost-marshal. This recalled him to himself; the absent look passed away from his face.

He was interrupted—if he actually intended to say more—by the arrival of an officer from his team, Captain Hasterlick, the provost-marshal. This brought him back to reality; the distant look faded from his face.

"Captain," he said, acknowledging the officer's salute, "this man is a Yankee spy captured inside our lines with incriminating papers on him. He has confessed. How is the weather?"

"Captain," he said, returning the officer's salute, "this man is a Union spy caught in our territory with compromising documents on him. He has admitted it. What's the weather like?"

"The storm is over, sir, and the moon shining."

"The storm is over, sir, and the moon is shining."

"Good; take a file of men, conduct him at once to the parade ground, and shoot him."

"Alright; take a group of men, bring him immediately to the parade ground, and execute him."

A sharp cry broke from the spy's lips. He threw himself forward, thrust out his neck, expanded his eyes, clenched his hands.

A sudden scream escaped the spy's lips. He lunged forward, stretched out his neck, widened his eyes, and clenched his fists.

"Good God!" he cried hoarsely, almost inarticulately; "you do not mean that! You forget—I am not to die until morning."

"Good God!" he exclaimed hoarsely, almost unable to speak; "you can't be serious! Don't forget—I’m not supposed to die until morning."

"I have said nothing of morning," replied the general, coldly; "that was an assumption of your own. You die now."

"I haven't mentioned anything about morning," the general replied coldly. "That was just your assumption. You're going to die now."

"But, General, I beg—I implore you to remember; I am to hang! It will take some time to erect the gallows—two hours—an hour. Spies are hanged; I have rights under military law. For Heaven's sake, General, consider how short—"

"But, General, please—I urge you to remember; I'm about to be hanged! It will take some time to set up the gallows—two hours—maybe an hour. Spies are executed; I have rights under military law. For Heaven's sake, General, think about how little time—"

"Captain, observe my directions."

"Captain, follow my instructions."

The officer drew his sword and fixing his eyes upon the prisoner pointed silently to the opening of the tent. The prisoner hesitated; the officer grasped him by the collar and pushed him gently forward. As he approached the tent pole the frantic man sprang to it and with cat-like agility seized the handle of the bowie-knife, plucked the weapon from the scabbard and thrusting the captain aside leaped upon the general with the fury of a madman, hurling him to the ground and falling headlong upon him as he lay. The table was overturned, the candle extinguished and they fought blindly in the darkness. The provost-marshal sprang to the assistance of his Superior officer and was himself prostrated upon the struggling forms. Curses and inarticulate cries of rage and pain came from the welter of limbs and bodies; the tent came down upon them and beneath its hampering and enveloping folds the struggle went on. Private Tassman, returning from his errand and dimly conjecturing the situation, threw down his rifle and laying hold of the flouncing canvas at random vainly tried to drag it off the men under it; and the sentinel who paced up and down in front, not daring to leave his beat though the skies should fall, discharged his rifle. The report alarmed the camp; drums beat the long roll and bugles sounded the assembly, bringing swarms of half-clad men into the moonlight, dressing as they ran, and falling into line at the sharp commands of their officers. This was well; being in line the men were under control; they stood at arms while the general's staff and the men of his escort brought order out of confusion by lifting off the fallen tent and pulling apart the breathless and bleeding actors in that strange contention.

The officer drew his sword and, locking his gaze on the prisoner, silently pointed to the opening of the tent. The prisoner hesitated; the officer grabbed him by the collar and gently pushed him forward. As he neared the tent pole, the frantic man leaped toward it and, with cat-like speed, grabbed the bowie knife, yanked it from the scabbard, and pushed the captain aside. He then lunged at the general with the fury of a madman, throwing him to the ground and crashing down on him as he lay. The table tipped over, the candle went out, and they fought blindly in the dark. The provost-marshal rushed to help his superior officer but got knocked down on top of the writhing bodies. Curses and incoherent cries of rage and pain echoed from the tangled limbs and bodies; the tent collapsed around them, and beneath its encumbering folds, the struggle continued. Private Tassman, returning from his errand and sensing the chaos, dropped his rifle and randomly grabbed at the flapping canvas, trying in vain to pull it off the men underneath. The sentinel, who paced back and forth out front, unwilling to abandon his post even as chaos unfolded, fired his rifle. The shot startled the camp; drums beat the long roll, and bugles signaled assembly, bringing groups of half-dressed men into the moonlight, getting dressed as they ran, and lining up to the sharp commands of their officers. This was effective; in formation, the men were under control; they stood ready while the general's staff and his escort sorted through the confusion, lifting the fallen tent and pulling apart the breathless and bleeding participants in that bizarre clash.

Breathless, indeed, was one: the captain was dead; the handle of the bowie-knife, protruding from his throat, was pressed back beneath his chin until the end had caught in the angle of the jaw and the hand that delivered the blow had been unable to remove the weapon. In the dead man's hand was his sword, clenched with a grip that defied the strength of the living. Its blade was streaked with red to the hilt.

Breathless, indeed, was one: the captain was dead; the handle of the bowie knife, sticking out from his throat, was pushed back beneath his chin until the end had gotten lodged in the angle of his jaw, and the hand that dealt the blow couldn't pull the weapon out. In the dead man's hand was his sword, gripped tightly with a strength that challenged the living. Its blade was stained with red up to the hilt.

Lifted to his feet, the general sank back to the earth with a moan and fainted. Besides his bruises he had two sword-thrusts—one through the thigh, the other through the shoulder.

Lifted to his feet, the general collapsed back to the ground with a groan and passed out. Besides his bruises, he had two sword wounds—one in his thigh and the other in his shoulder.

The spy had suffered the least damage. Apart from a broken right arm, his wounds were such only as might have been incurred in an ordinary combat with nature's weapons. But he was dazed and seemed hardly to know what had occurred. He shrank away from those attending him, cowered upon the ground and uttered unintelligible remonstrances. His face, swollen by blows and stained with gouts of blood, nevertheless showed white beneath his disheveled hair—as white as that of a corpse.

The spy had taken the least damage. Besides a broken right arm, his injuries were similar to what one might get in a typical battle with nature's forces. But he was bewildered and seemed barely aware of what had happened. He recoiled from the people around him, huddled on the ground, and mumbled incoherently. His face, swollen from hits and smeared with clots of blood, still appeared pale beneath his messy hair— as pale as that of a corpse.

"The man is not insane," said the surgeon, preparing bandages and replying to a question; "he is suffering from fright. Who and what is he?"

"The man isn't crazy," said the surgeon, getting the bandages ready while answering a question; "he's just scared. Who is he and what’s his deal?"

Private Tassman began to explain. It was the opportunity of his life; he omitted nothing that could in any way accentuate the importance of his own relation to the night's events. When he had finished his story and was ready to begin it again nobody gave him any attention.

Private Tassman started to explain. It was the chance of a lifetime for him; he left out nothing that could highlight the importance of his role in the night's events. When he finished his story and was ready to tell it again, nobody paid him any attention.

The general had now recovered consciousness. He raised himself upon his elbow, looked about him, and, seeing the spy crouching by a camp-fire, guarded, said simply:

The general had now regained consciousness. He propped himself up on his elbow, looked around, and, noticing the spy huddled near a campfire, guarded, said simply:

"Take that man to the parade ground and shoot him."

"Take that guy to the parade ground and shoot him."

"The general's mind wanders," said an officer standing near.

"The general's mind is wandering," said an officer standing nearby.

"His mind does not wander," the adjutant-general said. "I have a memorandum from him about this business; he had given that same order to Hasterlick"—with a motion of the hand toward the dead provost-marshal— "and, by God! it shall be executed."

"His mind doesn’t wander," the adjutant-general said. "I have a memo from him about this matter; he had given that same order to Hasterlick"—gesturing toward the dead provost-marshal—"and, damn it! it will be carried out."

Ten minutes later Sergeant Parker Adderson, of the Federal army, philosopher and wit, kneeling in the moonlight and begging incoherently for his life, was shot to death by twenty men. As the volley rang out upon the keen air of the midnight, General Clavering, lying white and still in the red glow of the camp-fire, opened his big blue eyes, looked pleasantly upon those about him and said: "How silent it all is!"

Ten minutes later, Sergeant Parker Adderson of the Federal army, a philosopher and a witty guy, was kneeling in the moonlight, incoherently pleading for his life, when he was shot to death by twenty men. As the gunfire echoed in the crisp midnight air, General Clavering, lying pale and motionless in the red glow of the campfire, opened his large blue eyes, looked at those around him with a friendly demeanor, and said, "How quiet it all is!"

The surgeon looked at the adjutant-general, gravely and significantly. The patient's eyes slowly closed, and thus he lay for a few moments; then, his face suffused with a smile of ineffable sweetness, he said, faintly: "I suppose this must be death," and so passed away.

The surgeon looked at the adjutant-general with a serious expression. The patient's eyes slowly shut, and he lay there for a few moments; then, his face lit up with a smile of pure sweetness, he said softly, "I guess this must be death," and then he passed away.

AN AFFAIR OF OUTPOSTS

I

I

CONCERNING THE WISH TO BE DEAD

CONCERNING THE WISH TO BE DEAD

Two men sat in conversation. One was the Governor of the State. The year was 1861; the war was on and the Governor already famous for the intelligence and zeal with which he directed all the powers and resources of his State to the service of the Union.

Two men were sitting and talking. One was the Governor of the State. The year was 1861; the war was happening, and the Governor was already well-known for the intelligence and energy he used to direct all the powers and resources of his State to support the Union.

"What! you?" the Governor was saying in evident surprise—"you too want a military commission? Really, the fifing and drumming must have effected a profound alteration in your convictions. In my character of recruiting sergeant I suppose I ought not to be fastidious, but"—there was a touch of irony in his manner—"well, have you forgotten that an oath of allegiance is required?"

"What! you?" the Governor exclaimed in obvious surprise—"you want a military commission too? Wow, the music must have seriously changed your mind. As the recruiting sergeant, I guess I shouldn't be too picky, but"—there was a hint of irony in his tone—"have you forgotten that you need to take an oath of allegiance?"

"I have altered neither my convictions nor my sympathies," said the other, tranquilly. "While my sympathies are with the South, as you do me the honor to recollect, I have never doubted that the North was in the right. I am a Southerner in fact and in feeling, but it is my habit in matters of importance to act as I think, not as I feel."

"I haven't changed my beliefs or my feelings," said the other calmly. "Even though my sympathies are with the South, as you kindly remember, I’ve never doubted that the North was right. I’m a Southerner both in reality and in sentiment, but in important matters, I tend to act based on what I think, not how I feel."

The Governor was absently tapping his desk with a pencil; he did not immediately reply. After a while he said: "I have heard that there are all kinds of men in the world, so I suppose there are some like that, and doubtless you think yourself one. I've known you a long time and—pardon me—I don't think so."

The Governor was distractedly tapping his desk with a pencil; he didn’t respond right away. After a moment, he said, “I’ve heard there are all kinds of people in the world, so I guess there are some like that, and I’m sure you see yourself as one. I’ve known you for a long time and—sorry— I don’t think so.”

"Then I am to understand that my application is denied?"

"Am I correct in understanding that my application has been denied?"

"Unless you can remove my belief that your Southern sympathies are in some degree a disqualification, yes. I do not doubt your good faith, and I know you to be abundantly fitted by intelligence and special training for the duties of an officer. Your convictions, you say, favor the Union cause, but I prefer a man with his heart in it. The heart is what men fight with."

"Unless you can convince me that your Southern sympathies don’t disqualify you at all, then yes. I believe in your good intentions, and I recognize that you have the intelligence and training needed for an officer’s responsibilities. You claim your beliefs support the Union, but I would rather have someone who is genuinely passionate about it. It's the heart that drives men to fight."

"Look here, Governor," said the younger man, with a smile that had more light than warmth: "I have something up my sleeve—a qualification which I had hoped it would not be necessary to mention. A great military authority has given a simple recipe for being a good soldier: 'Try always to get yourself killed.' It is with that purpose that I wish to enter the service. I am not, perhaps, much of a patriot, but I wish to be dead."

"Listen, Governor," said the younger man, with a smile that was more bright than genuine: "I have a secret—I have a qualification that I had hoped I wouldn't need to mention. A well-known military expert once gave a straightforward piece of advice for being a good soldier: 'Always try to get yourself killed.' That's why I want to join the service. I may not be much of a patriot, but I want to be dead."

The Governor looked at him rather sharply, then a little coldly. "There is a simpler and franker way," he said.

The Governor glanced at him sharply, then somewhat coldly. "There's a more straightforward and honest way," he said.

"In my family, sir," was the reply, "we do not do that—no Armisted has ever done that."

"In my family, sir," was the response, "we don’t do that—no Armisted has ever done that."

A long silence ensued and neither man looked at the other. Presently the Governor lifted his eyes from the pencil, which had resumed its tapping, and said:

A long silence followed, and neither man looked at the other. Eventually, the Governor lifted his eyes from the pencil, which had started tapping again, and said:

"Who is she?"

"Who is she?"

"My wife."

"My partner."

The Governor tossed the pencil into the desk, rose and walked two or three times across the room. Then he turned to Armisted, who also had risen, looked at him more coldly than before and said: "But the man—would it not be better that he—could not the country spare him better than it can spare you? Or are the Armisteds opposed to 'the unwritten law'?"

The Governor threw the pencil onto the desk, stood up, and paced back and forth across the room a few times. Then he faced Armisted, who had also gotten to his feet, looked at him with even more coldness than before, and said: "But the man—wouldn’t it be better if he—couldn’t the country manage without him better than it can without you? Or are the Armisteds against 'the unwritten law'?"

The Armisteds, apparently, could feel an insult: the face of the younger man flushed, then paled, but he subdued himself to the service of his purpose.

The Armisteds obviously sensed an insult; the younger man's face turned red and then white, but he controlled himself to focus on his goal.

"The man's identity is unknown to me," he said, calmly enough.

"The man's identity is unknown to me," he said, sounding calm.

"Pardon me," said the Governor, with even less of visible contrition than commonly underlies those words. After a moment's reflection he added: "I shall send you to-morrow a captain's commission in the Tenth Infantry, now at Nashville, Tennessee. Good night."

"Excuse me," said the Governor, showing even less visible regret than is typical for those words. After a moment's thought, he added: "I’ll send you a captain's commission for the Tenth Infantry, currently in Nashville, Tennessee, tomorrow. Good night."

"Good night, sir. I thank you."

"Good night, sir. Thanks!"

Left alone, the Governor remained for a time motionless, leaning against his desk. Presently he shrugged his shoulders as if throwing off a burden. "This is a bad business," he said.

Left alone, the Governor stood still for a while, leaning against his desk. Eventually, he shrugged his shoulders as if to cast off a heavy weight. "This is a tough situation," he said.

Seating himself at a reading-table before the fire, he took up the book nearest his hand, absently opening it. His eyes fell upon this sentence:

Seating himself at a reading table in front of the fire, he picked up the book closest to him, opening it absentmindedly. His eyes landed on this sentence:

"When God made it necessary for an unfaithful wife to lie about her husband in justification of her own sins He had the tenderness to endow men with the folly to believe her."

"When God made it essential for an unfaithful wife to lie about her husband to justify her own sins, He was kind enough to give men the foolishness to believe her."

He looked at the title of the book; it was, His Excellency the Fool.

He glanced at the title of the book; it was, His Excellency the Fool.

He flung the volume into the fire.

He threw the book into the fire.

II

II

HOW TO SAY WHAT IS WORTH HEARING

HOW TO SAY WHAT IS WORTH HEARING

The enemy, defeated in two days of battle at Pittsburg Landing, had sullenly retired to Corinth, whence he had come. For manifest incompetence Grant, whose beaten army had been saved from destruction and capture by Buell's soldierly activity and skill, had been relieved of his command, which nevertheless had not been given to Buell, but to Halleck, a man of unproved powers, a theorist, sluggish, irresolute. Foot by foot his troops, always deployed in line-of-battle to resist the enemy's bickering skirmishers, always entrenching against the columns that never came, advanced across the thirty miles of forest and swamp toward an antagonist prepared to vanish at contact, like a ghost at cock-crow. It was a campaign of "excursions and alarums," of reconnoissances and counter-marches, of cross-purposes and countermanded orders. For weeks the solemn farce held attention, luring distinguished civilians from fields of political ambition to see what they safely could of the horrors of war. Among these was our friend the Governor. At the headquarters of the army and in the camps of the troops from his State he was a familiar figure, attended by the several members of his personal staff, showily horsed, faultlessly betailored and bravely silk-hatted. Things of charm they were, rich in suggestions of peaceful lands beyond a sea of strife. The bedraggled soldier looked up from his trench as they passed, leaned upon his spade and audibly damned them to signify his sense of their ornamental irrelevance to the austerities of his trade.

The enemy, defeated after two days of fighting at Pittsburg Landing, had grudgingly retreated to Corinth, where they had come from. Due to clear incompetence, Grant—whose beaten army had been saved from destruction and capture by Buell's capable leadership—was relieved of his command. However, it wasn’t given to Buell, but to Halleck, a man with untested abilities, a theorist who was slow and indecisive. Step by step, his troops, always lined up to fend off the enemy’s pesky skirmishers and always digging in against columns that never arrived, moved through the thirty miles of forest and swamp towards an opponent ready to disappear at the slightest contact, like a ghost at dawn. It was a campaign of "excursions and alarms," filled with scouting missions and counter-marches, of mixed agendas and canceled orders. For weeks, this serious farce captured the attention of notable civilians, drawing them away from their political ambitions to catch a glimpse of the horrors of war. Among them was our friend the Governor. At the army headquarters and in the camps of the troops from his State, he was a well-known figure, accompanied by members of his personal staff, elegantly mounted, impeccably dressed, and proudly wearing a silk top hat. They were charming sights, evoking thoughts of peaceful lands beyond a sea of conflict. The weary soldier looked up from his trench as they passed, rested on his shovel, and loudly cursed them to express his disdain for their decorative irrelevance to the harsh realities of his work.

"I think, Governor," said General Masterson one day, going into informal session atop of his horse and throwing one leg across the pommel of his saddle, his favorite posture— "I think I would not ride any farther in that direction if I were you. We've nothing out there but a line of skirmishers. That, I presume, is why I was directed to put these siege guns here: if the skirmishers are driven in the enemy will die of dejection at being unable to haul them away—they're a trifle heavy."

"I think, Governor," General Masterson said one day, casually sitting on his horse with one leg thrown over the front of his saddle, his favorite position— "I think I wouldn’t ride any farther that way if I were you. We only have a line of skirmishers out there. That’s probably why I was told to set up these siege guns here: if the skirmishers are pushed back, the enemy will be really discouraged since they won’t be able to take them away—they're a bit heavy."

There is reason to fear that the unstrained quality of this military humor dropped not as the gentle rain from heaven upon the place beneath the civilian's silk hat. Anyhow he abated none of his dignity in recognition.

There’s a reason to worry that the unfiltered nature of this military humor didn’t just fall softly like gentle rain from the sky onto the civilian's fancy hat. Regardless, he didn’t lose any of his dignity in acknowledgment.

"I understand," he said, gravely, "that some of my men are out there—a company of the Tenth, commanded by Captain Armisted. I should like to meet him if you do not mind."

"I get it," he said seriously, "that some of my guys are out there—a company of the Tenth, led by Captain Armisted. I'd like to meet him if that's okay with you."

"He is worth meeting. But there's a bad bit of jungle out there, and I should advise that you leave your horse and"—with a look at the Governor's retinue—"your other impedimenta."

"He's worth meeting. But there's a dangerous area out there, and I suggest you leave your horse and"—glancing at the Governor's entourage—"your other belongings."

The Governor went forward alone and on foot. In a half-hour he had pushed through a tangled undergrowth covering a boggy soil and entered upon firm and more open ground. Here he found a half-company of infantry lounging behind a line of stacked rifles. The men wore their accoutrements—their belts, cartridge-boxes, haversacks and canteens. Some lying at full length on the dry leaves were fast asleep: others in small groups gossiped idly of this and that; a few played at cards; none was far from the line of stacked arms. To the civilian's eye the scene was one of carelessness, confusion, indifference; a soldier would have observed expectancy and readiness.

The Governor went on ahead by himself, on foot. After about half an hour, he made his way through thick underbrush over some soggy ground and stepped onto firmer, more open terrain. Here, he came across a small group of infantry lounging behind a line of stacked rifles. The soldiers were wearing their gear—belts, cartridge boxes, haversacks, and canteens. Some were sprawled out on the dry leaves, fast asleep; others were chatting idly in small groups about various topics; a few were playing cards; none were far from the stacked weapons. To a civilian, the scene looked careless and chaotic, but a soldier would have seen expectation and readiness.

At a little distance apart an officer in fatigue uniform, armed, sat on a fallen tree noting the approach of the visitor, to whom a sergeant, rising from one of the groups, now came forward.

At a short distance away, an officer in fatigues, armed, sat on a fallen tree watching the visitor approach, to whom a sergeant, rising from one of the groups, now stepped forward.

"I wish to see Captain Armisted," said the Governor.

"I want to see Captain Armisted," said the Governor.

The sergeant eyed him narrowly, saying nothing, pointed to the officer, and taking a rifle from one of the stacks, accompanied him.

The sergeant looked at him closely, said nothing, pointed to the officer, and grabbed a rifle from one of the stacks, following him.

"This man wants to see you, sir," said the sergeant, saluting. The officer rose.

"This guy wants to see you, sir," said the sergeant, saluting. The officer stood up.

It would have been a sharp eye that would have recognized him. His hair, which but a few months before had been brown, was streaked with gray. His face, tanned by exposure, was seamed as with age. A long livid scar across the forehead marked the stroke of a sabre; one cheek was drawn and puckered by the work of a bullet. Only a woman of the loyal North would have thought the man handsome.

It would have taken a keen eye to recognize him. His hair, which just a few months ago had been brown, was now streaked with gray. His face, tanned from the sun, showed signs of age. A long, pale scar ran across his forehead from a sabre strike; one cheek was drawn and puckered from a bullet wound. Only a woman from the loyal North would have considered him handsome.

"Armisted—Captain," said the Governor, extending his hand, "do you not know me?"

"Armisted—Captain," said the Governor, reaching out his hand, "don’t you recognize me?"

"I know you, sir, and I salute you—as the Governor of my State."

"I know you, sir, and I respect you—as the Governor of my State."

Lifting his right hand to the level of his eyes he threw it outward and downward. In the code of military etiquette there is no provision for shaking hands. That of the civilian was withdrawn. If he felt either surprise or chagrin his face did not betray it.

Lifting his right hand to eye level, he extended it outward and downward. In military etiquette, shaking hands isn’t part of the protocol. The civilian's hand was pulled back. If he felt surprised or upset, his face didn’t show it.

"It is the hand that signed your commission," he said.

"It’s the hand that signed your commission," he said.

"And it is the hand—"

"And it's the hand—"

The sentence remains unfinished. The sharp report of a rifle came from the front, followed by another and another. A bullet hissed through the forest and struck a tree near by. The men sprang from the ground and even before the captain's high, clear voice was done intoning the command "At-ten-tion!" had fallen into line in rear of the stacked arms. Again—and now through the din of a crackling fusillade—sounded the strong, deliberate sing-song of authority: "Take ... arms!" followed by the rattle of unlocking bayonets.

The sentence is still incomplete. A sharp gunshot rang out from the front, followed by more shots. A bullet whizzed through the forest and hit a nearby tree. The men jumped up and, even before the captain's clear voice finished giving the command "At-ten-tion!" they fell into line behind the stacked weapons. Again—and now amid the noise of a rapid gunfire—came the strong, steady cadence of authority: "Take ... arms!" followed by the sound of bayonets being unlocked.

Bullets from the unseen enemy were now flying thick and fast, though mostly well spent and emitting the humming sound which signified interference by twigs and rotation in the plane of flight. Two or three of the men in the line were already struck and down. A few wounded men came limping awkwardly out of the undergrowth from the skirmish line in front; most of them did not pause, but held their way with white faces and set teeth to the rear.

Bullets from the hidden enemy were now flying thick and fast, mostly spent and making a humming sound that signaled interference from twigs and the rotation in their flight path. Two or three men in the line had already been hit and were down. A few injured soldiers limped awkwardly out of the underbrush from the skirmish line in front; most didn’t stop but continued moving back with pale faces and clenched teeth.

Suddenly there was a deep, jarring report in front, followed by the startling rush of a shell, which passing overhead exploded in the edge of a thicket, setting afire the fallen leaves. Penetrating the din—seeming to float above it like the melody of a soaring bird—rang the slow, aspirated monotones of the captain's several commands, without emphasis, without accent, musical and restful as an evensong under the harvest moon. Familiar with this tranquilizing chant in moments of imminent peril, these raw soldiers of less than a year's training yielded themselves to the spell, executing its mandates with the composure and precision of veterans. Even the distinguished civilian behind his tree, hesitating between pride and terror, was accessible to its charm and suasion. He was conscious of a fortified resolution and ran away only when the skirmishers, under orders to rally on the reserve, came out of the woods like hunted hares and formed on the left of the stiff little line, breathing hard and thankful for the boon of breath.

Suddenly, there was a loud, jarring noise up ahead, followed by the shocking sound of a shell speeding overhead and exploding at the edge of a thicket, igniting the fallen leaves. Cutting through the chaos—seeming to rise above it like the song of a soaring bird—were the calm, drawn-out tones of the captain's commands, without emphasis or accent, serene and soothing like a nighttime hymn under the harvest moon. Familiar with this calming chant during moments of great danger, these inexperienced soldiers, with less than a year's training, surrendered to its influence, following its orders with the calmness and precision of seasoned troops. Even the distinguished civilian behind his tree, torn between pride and fear, was caught up in its charm and persuasion. He felt a strengthened resolve and only ran away when the skirmishers, under orders to regroup with the reserve, emerged from the woods like scared rabbits and formed up on the left of the rigid line, breathing heavily and grateful for the chance to catch their breath.

III

III

THE FIGHTING OF ONE WHOSE HEART WAS NOT IN THE QUARREL

THE FIGHTING OF SOMEONE WHOSE HEART WAS NOT IN THE FIGHT

Guided in his retreat by that of the fugitive wounded, the Governor struggled bravely to the rear through the "bad bit of jungle." He was well winded and a trifle confused. Excepting a single rifle-shot now and again, there was no sound of strife behind him; the enemy was pulling himself together for a new onset against an antagonist of whose numbers and tactical disposition he was in doubt. The fugitive felt that he would probably be spared to his country, and only commended the arrangements of Providence to that end, but in leaping a small brook in more open ground one of the arrangements incurred the mischance of a disabling sprain at the ankle. He was unable to continue his flight, for he was too fat to hop, and after several vain attempts, causing intolerable pain, seated himself on the earth to nurse his ignoble disability and deprecate the military situation.

Guided in his retreat by the injured who were escaping as well, the Governor fought hard to make his way to safety through the tough jungle. He was out of breath and a bit disoriented. Aside from an occasional rifle shot in the distance, there was no sound of battle behind him; the enemy was regrouping for another attack against an opponent whose numbers and battle strategy he wasn’t sure about. The fugitive felt he would likely make it back to his country and could only trust that fate would see it through, but as he jumped over a small stream in a clearer area, he ended up spraining his ankle badly. He couldn’t keep running because he was too heavy to hop, and after several painful attempts that didn’t work, he sat down on the ground to deal with his embarrassing injury and lament the military situation.

A brisk renewal of the firing broke out and stray bullets came flitting and droning by. Then came the crash of two clean, definite volleys, followed by a continuous rattle, through which he heard the yells and cheers of the combatants, punctuated by thunderclaps of cannon. All this told him that Armisted's little command was bitterly beset and fighting at close quarters. The wounded men whom he had distanced began to straggle by on either hand, their numbers visibly augmented by new levies from the line. Singly and by twos and threes, some supporting comrades more desperately hurt than themselves, but all deaf to his appeals for assistance, they sifted through the underbrush and disappeared. The firing was increasingly louder and more distinct, and presently the ailing fugitives were succeeded by men who strode with a firmer tread, occasionally facing about and discharging their pieces, then doggedly resuming their retreat, reloading as they walked. Two or three fell as he looked, and lay motionless. One had enough of life left in him to make a pitiful attempt to drag himself to cover. A passing comrade paused beside him long enough to fire, appraised the poor devil's disability with a look and moved sullenly on, inserting a cartridge in his weapon.

A sudden burst of gunfire erupted, and stray bullets whizzed and buzzed by. Then came the loud, clear sound of two well-aimed volleys, followed by a constant rattle, through which he could hear the shouts and cheers of the fighters, interrupted by the booming of cannons. All of this indicated that Armisted's small group was heavily pressed and fighting up close. The injured men he had outpaced began to trickle by on both sides, their numbers visibly increasing with new recruits from the front lines. One by one and in small groups, some were helping comrades who were more seriously wounded than themselves, but all were ignoring his calls for help as they moved through the underbrush and vanished. The gunfire grew louder and more pronounced, and soon, the wounded were replaced by men who walked with more determination, occasionally turning to fire their weapons before stubbornly continuing their retreat, reloading as they moved. Two or three fell as he watched, lying still. One still had enough strength to make a desperate attempt to crawl to safety. A passing comrade stopped next to him just long enough to shoot, glanced at the poor guy's injuries, and trudged away, loading a cartridge into his gun.

In all this was none of the pomp of war —no hint of glory. Even in his distress and peril the helpless civilian could not forbear to contrast it with the gorgeous parades and reviews held in honor of himself—with the brilliant uniforms, the music, the banners, and the marching. It was an ugly and sickening business: to all that was artistic in his nature, revolting, brutal, in bad taste.

In all of this, there was none of the spectacle of war—no hint of glory. Even in his distress and danger, the helpless civilian couldn't help but compare it to the lavish parades and reviews held in his honor—with the flashy uniforms, the music, the banners, and the marching. It was a gruesome and nauseating affair: to everything artistic in his nature, it was repulsive, brutal, and in poor taste.

"Ugh!" he grunted, shuddering—"this is beastly! Where is the charm of it all? Where are the elevated sentiments, the devotion, the heroism, the—"

"Ugh!" he grunted, shuddering—"this is awful! Where's the appeal in all of this? Where are the deep feelings, the dedication, the heroism, the—"

From a point somewhere near, in the direction of the pursuing enemy, rose the clear, deliberate sing-song of Captain Armisted.

From a spot nearby, coming from the direction of the chasing enemy, the clear, methodical sing-song of Captain Armisted rose.

"Stead-y, men—stead-y. Halt! Com-mence fir-ing."

"Steady, men—steady. Halt! Begin firing."

The rattle of fewer than a score of rifles could be distinguished through the general uproar, and again that penetrating falsetto:

The sound of less than twenty rifles could be heard over the chaos, along with that sharp, high-pitched voice again:

"Cease fir-ing. In re-treat.... maaarch!"

"Cease fire. Retreat.... march!"

In a few moments this remnant had drifted slowly past the Governor, all to the right of him as they faced in retiring, the men deployed at intervals of a half-dozen paces. At the extreme left and a few yards behind came the captain. The civilian called out his name, but he did not hear. A swarm of men in gray now broke out of cover in pursuit, making directly for the spot where the Governor lay—some accident of the ground had caused them to converge upon that point: their line had become a crowd. In a last struggle for life and liberty the Governor attempted to rise, and looking back the captain saw him. Promptly, but with the same slow precision as before, he sang his commands:

In a few moments, this group had slowly drifted past the Governor, all to his right as they turned to retreat, the men spaced out about six paces apart. At the far left and a few yards behind was the captain. A civilian called out his name, but he didn’t hear. A swarm of men in gray suddenly burst out from cover, heading straight for the spot where the Governor lay—some uneven ground had caused them to converge there: their line had turned into a crowd. In a final desperate attempt for life and freedom, the Governor tried to get up, and when the captain looked back, he saw him. Without hesitation, but with the same deliberate precision as before, he shouted his commands:

"Skirm-ish-ers, halt!" The men stopped and according to rule turned to face the enemy.

"Skirmishers, stop!" The men halted and, as per protocol, turned to face the enemy.

"Ral-ly on the right!"—and they came in at a run, fixing bayonets and forming loosely on the man at that end of the line.

"Rally on the right!"—and they rushed in, fixing bayonets and loosely forming up around the man at that end of the line.

"Forward ... to save the Gov-ern-or of your State ... doub-le quick ... maaarch!"

"Forward ... to save the Governor of your State ... double quick ... march!"

Only one man disobeyed this astonishing command! He was dead. With a cheer they sprang forward over the twenty or thirty paces between them and their task. The captain having a shorter distance to go arrived first—simultaneously with the enemy. A half-dozen hasty shots were fired at him, and the foremost man—a fellow of heroic stature, hatless and bare-breasted—made a vicious sweep at his head with a clubbed rifle. The officer parried the blow at the cost of a broken arm and drove his sword to the hilt into the giant's breast. As the body fell the weapon was wrenched from his hand and before he could pluck his revolver from the scabbard at his belt another man leaped upon him like a tiger, fastening both hands upon his throat and bearing him backward upon the prostrate Governor, still struggling to rise. This man was promptly spitted upon the bayonet of a Federal sergeant and his death-gripe on the captain's throat loosened by a kick upon each wrist. When the captain had risen he was at the rear of his men, who had all passed over and around him and were thrusting fiercely at their more numerous but less coherent antagonists. Nearly all the rifles on both sides were empty and in the crush there was neither time nor room to reload. The Confederates were at a disadvantage in that most of them lacked bayonets; they fought by bludgeoning—and a clubbed rifle is a formidable arm. The sound of the conflict was a clatter like that of the interlocking horns of battling bulls—now and then the pash of a crushed skull, an oath, or a grunt caused by the impact of a rifle's muzzle against the abdomen transfixed by its bayonet. Through an opening made by the fall of one of his men Captain Armisted sprang, with his dangling left arm; in his right hand a full-charged revolver, which he fired with rapidity and terrible effect into the thick of the gray crowd: but across the bodies of the slain the survivors in the front were pushed forward by their comrades in the rear till again they breasted the tireless bayonets. There were fewer bayonets now to breast—a beggarly half-dozen, all told. A few minutes more of this rough work—a little fighting back to back—and all would be over.

Only one man disobeyed this incredible command! He was dead. With a cheer, they rushed forward over the twenty or thirty paces to their task. The captain, having a shorter distance to cover, arrived first—at the same time as the enemy. A few hasty shots were fired at him, and the lead man—a big, hatless, bare-chested guy—swung at his head with a rifle. The officer blocked the blow at the cost of a broken arm and drove his sword deep into the giant's chest. As the body fell, the weapon was wrenched from his hand, and before he could grab his revolver from the scabbard at his belt, another man jumped on him like a tiger, grabbing his throat and forcing him backward onto the fallen Governor, who was still trying to get up. This man was quickly impaled on the bayonet of a Federal sergeant, and his grip on the captain's throat was loosened by a kick to each wrist. When the captain got back on his feet, he found himself at the rear of his men, who had all passed over and around him, fiercely attacking their more numerous but less organized opponents. Almost all the rifles on both sides were empty, and there was neither time nor space to reload in the chaos. The Confederates were at a disadvantage because most of them lacked bayonets; they fought by bludgeoning—and a clubbed rifle is a formidable weapon. The sound of the fight was like the clash of battling bulls—now and then a sickening crunch of a crushed skull, a curse, or a grunt caused by the impact of a rifle’s muzzle against a body pierced by its bayonet. Through an opening created by the fall of one of his men, Captain Armisted leaped forward, with his left arm hanging awkwardly; in his right hand, he had a loaded revolver, which he fired quickly and with deadly accuracy into the thick of the gray crowd. But across the bodies of the fallen, the survivors at the front were pushed forward by their comrades behind them until they met the relentless bayonets once again. There were fewer bayonets now to confront—a pathetic half-dozen, at most. A few more minutes of this rough fighting—just a little back-to-back combat—and it would all be over.

Suddenly a lively firing was heard on the right and the left: a fresh line of Federal skirmishers came forward at a run, driving before them those parts of the Confederate line that had been separated by staying the advance of the centre. And behind these new and noisy combatants, at a distance of two or three hundred yards, could be seen, indistinct among the trees a line-of-battle!

Suddenly, lively gunfire was heard on both the right and left sides: a fresh line of Federal soldiers rushed forward, pushing back parts of the Confederate line that had been held up by the stalled advance in the center. And behind these new and noisy fighters, about two or three hundred yards away, a battle line could be seen, blurred among the trees!

Instinctively before retiring, the crowd in gray made a tremendous rush upon its handful of antagonists, overwhelming them by mere momentum and, unable to use weapons in the crush, trampled them, stamped savagely on their limbs, their bodies, their necks, their faces; then retiring with bloody feet across its own dead it joined the general rout and the incident was at an end.

Instinctively, before falling back, the gray crowd charged at its few opponents, overpowering them with sheer force. Unable to use their weapons in the chaos, they trampled and brutally stomped on their limbs, bodies, necks, and faces. Then, withdrawing with bloodied feet over their own dead, they became part of the general retreat, and the incident came to a close.

IV

IV

THE GREAT HONOR THE GREAT

THE GREAT HONOR THE GREAT

The Governor, who had been unconscious, opened his eyes and stared about him, slowly recalling the day's events. A man in the uniform of a major was kneeling beside him; he was a surgeon. Grouped about were the civilian members of the Governor's staff, their faces expressing a natural solicitude regarding their offices. A little apart stood General Masterson addressing another officer and gesticulating with a cigar. He was saying: "It was the beautifulest fight ever made—by God, sir, it was great!"

The Governor, who had been unconscious, opened his eyes and looked around, slowly remembering what had happened that day. A man in a major's uniform was kneeling next to him; he was a surgeon. Standing around were the civilian members of the Governor's staff, their faces showing genuine concern about their positions. A little further away, General Masterson was talking to another officer, waving his cigar around. He said, "That was the most amazing fight ever—seriously, it was incredible!"

The beauty and greatness were attested by a row of dead, trimly disposed, and another of wounded, less formally placed, restless, half-naked, but bravely bebandaged.

The beauty and greatness were shown by a line of dead bodies, arranged neatly, and another line of wounded, less formally placed, restless, half-naked, but bravely bandaged.

"How do you feel, sir?" said the surgeon. "I find no wound."

"How are you feeling, sir?" asked the surgeon. "I don't see any injuries."

"I think I am all right," the patient replied, sitting up. "It is that ankle."

"I think I'm okay," the patient said, sitting up. "It's just that ankle."

The surgeon transferred his attention to the ankle, cutting away the boot. All eyes followed the knife.

The surgeon shifted his focus to the ankle, slicing off the boot. Everyone's gaze followed the knife.

In moving the leg a folded paper was uncovered. The patient picked it up and carelessly opened it. It was a letter three months old, signed "Julia." Catching sight of his name in it he read it. It was nothing very remarkable—merely a weak woman's confession of unprofitable sin—the penitence of a faithless wife deserted by her betrayer. The letter had fallen from the pocket of Captain Armisted; the reader quietly transferred it to his own.

In moving his leg, a folded piece of paper was revealed. The patient picked it up and casually opened it. It was a letter three months old, signed "Julia." Noticing his name in it, he read it. It wasn’t anything too significant—just a weak woman's confession of futile sin—the remorse of an unfaithful wife abandoned by her lover. The letter had slipped from Captain Armisted's pocket; the reader quietly tucked it away for himself.

An aide-de-camp rode up and dismounted. Advancing to the Governor he saluted.

An aide-de-camp rode up and got off his horse. He walked up to the Governor and saluted.

"Sir," he said, "I am sorry to find you wounded—the Commanding General has not been informed. He presents his compliments and I am directed to say that he has ordered for to-morrow a grand review of the reserve corps in your honor. I venture to add that the General's carriage is at your service if you are able to attend."

"Sir," he said, "I'm sorry to see that you're hurt—the Commanding General hasn't been informed. He sends his regards and I’ve been told to let you know that he has arranged a grand review of the reserve corps in your honor for tomorrow. I also want to mention that the General's carriage is available for you if you can make it."

"Be pleased to say to the Commanding General that I am deeply touched by his kindness. If you have the patience to wait a few moments you shall convey a more definite reply."

"Please let the Commanding General know that I am truly grateful for his kindness. If you can wait a moment, I will give you a more definite response."

He smiled brightly and glancing at the surgeon and his assistants added: "At present—if you will permit an allusion to the horrors of peace—I am 'in the hands of my friends.'"

He smiled brightly and, glancing at the surgeon and his assistants, added: "Right now—if you’ll allow me to reference the horrors of peace—I am 'in the hands of my friends.'"

The humor of the great is infectious; all laughed who heard.

The humor of the great is contagious; everyone laughed who heard it.

"Where is Captain Armisted?" the Governor asked, not altogether carelessly.

"Where is Captain Armisted?" the Governor asked, not entirely casually.

The surgeon looked up from his work, pointing silently to the nearest body in the row of dead, the features discreetly covered with a handkerchief. It was so near that the great man could have laid his hand upon it, but he did not. He may have feared that it would bleed.

The surgeon looked up from his work, silently pointing to the closest body in the line of the dead, the face carefully covered with a handkerchief. It was so close that the respected man could have reached out and touched it, but he didn't. He might have been afraid it would still bleed.

THE STORY OF A CONSCIENCE

I

I

Captain Parrol Hartroy stood at the advanced post of his picket-guard, talking in low tones with the sentinel. This post was on a turnpike which bisected the captain's camp, a half-mile in rear, though the camp was not in sight from that point. The officer was apparently giving the soldier certain instructions—was perhaps merely inquiring if all were quiet in front. As the two stood talking a man approached them from the direction of the camp, carelessly whistling, and was promptly halted by the soldier. He was evidently a civilian—a tall person, coarsely clad in the home-made stuff of yellow gray, called "butternut," which was men's only wear in the latter days of the Confederacy. On his head was a slouch felt hat, once white, from beneath which hung masses of uneven hair, seemingly unacquainted with either scissors or comb. The man's face was rather striking; a broad forehead, high nose, and thin cheeks, the mouth invisible in the full dark beard, which seemed as neglected as the hair. The eyes were large and had that steadiness and fixity of attention which so frequently mark a considering intelligence and a will not easily turned from its purpose—so say those physiognomists who have that kind of eyes. On the whole, this was a man whom one would be likely to observe and be observed by. He carried a walking-stick freshly cut from the forest and his ailing cowskin boots were white with dust.

Captain Parrol Hartroy stood at the front post of his picket guard, speaking quietly with the sentinel. This post was on a road that cut through the captain's camp, which was half a mile behind them, although the camp wasn’t visible from that point. The officer was apparently giving the soldier some instructions—maybe just checking if everything was quiet up ahead. As they were talking, a man approached them from the direction of the camp, whistling casually, and was quickly stopped by the soldier. He was clearly a civilian—a tall person dressed in rough, homemade fabric in a yellow-gray color known as "butternut," which was the only clothing for men in the later days of the Confederacy. He wore a slouch felt hat, once white, from which unruly locks of hair hung down, seemingly untouched by scissors or a comb. The man’s face was quite noticeable; he had a broad forehead, a high nose, and thin cheeks, with his mouth hidden beneath a full dark beard that looked just as neglected as his hair. His eyes were large and had that steady, intense focus that often signals thoughtful intelligence and a determination that isn’t easily swayed—according to those who study faces. Overall, this was a man likely to catch people’s attention and be noticed himself. He carried a walking stick freshly cut from the woods, and his worn cowskin boots were covered in white dust.

"Show your pass," said the Federal soldier, a trifle more imperiously perhaps than he would have thought necessary if he had not been under the eye of his commander, who with folded arms looked on from the roadside.

"Show your pass," said the federal soldier, maybe a bit more forcefully than he would have thought necessary if he hadn't been under the watchful eye of his commander, who stood by the roadside with his arms crossed.

"'Lowed you'd rec'lect me, Gineral," said the wayfarer tranquilly, while producing the paper from the pocket of his coat. There was something in his tone—perhaps a faint suggestion of irony—which made his elevation of his obstructor to exalted rank less agreeable to that worthy warrior than promotion is commonly found to be. "You-all have to be purty pertickler, I reckon," he added, in a more conciliatory tone, as if in half-apology for being halted.

"'I knew you'd remember me, General,' said the traveler calmly, while pulling out the paper from his coat pocket. There was something in his tone—perhaps a slight hint of irony—that made his elevation of his blocker to high status less pleasing to that noble warrior than promotions usually are. 'You all have to be pretty particular, I guess,' he added, in a more conciliatory tone, as if half-apologizing for being stopped."

Having read the pass, with his rifle resting on the ground, the soldier handed the document back without a word, shouldered his weapon, and returned to his commander. The civilian passed on in the middle of the road, and when he had penetrated the circumjacent Confederacy a few yards resumed his whistling and was soon out of sight beyond an angle in the road, which at that point entered a thin forest. Suddenly the officer undid his arms from his breast, drew a revolver from his belt and sprang forward at a run in the same direction, leaving his sentinel in gaping astonishment at his post. After making to the various visible forms of nature a solemn promise to be damned, that gentleman resumed the air of stolidity which is supposed to be appropriate to a state of alert military attention.

Having read the pass, with his rifle resting on the ground, the soldier silently handed the document back, shouldered his weapon, and went back to his commander. The civilian walked on down the middle of the road, and after he made his way a few yards into the surrounding Confederacy, he started whistling again and soon disappeared around a bend in the road that led into a sparse forest. Suddenly, the officer uncrossed his arms, pulled a revolver from his belt, and sprinted off in the same direction, leaving his sentry staring in shock at his post. After making a serious promise to nature to be damned, he returned to the serious expression that is expected during military alertness.

II

II

Captain Hartroy held an independent command. His force consisted of a company of infantry, a squadron of cavalry, and a section of artillery, detached from the army to which they belonged, to defend an important defile in the Cumberland Mountains in Tennessee. It was a field officer's command held by a line officer promoted from the ranks, where he had quietly served until "discovered." His post was one of exceptional peril; its defense entailed a heavy responsibility and he had wisely been given corresponding discretionary powers, all the more necessary because of his distance from the main army, the precarious nature of his communications and the lawless character of the enemy's irregular troops infesting that region. He had strongly fortified his little camp, which embraced a village of a half-dozen dwellings and a country store, and had collected a considerable quantity of supplies. To a few resident civilians of known loyalty, with whom it was desirable to trade, and of whose services in various ways he sometimes availed himself, he had given written passes admitting them within his lines. It is easy to understand that an abuse of this privilege in the interest of the enemy might entail serious consequences. Captain Hartroy had made an order to the effect that any one so abusing it would be summarily shot.

Captain Hartroy was in charge of an independent command. His force included a company of infantry, a squadron of cavalry, and a section of artillery, all separated from the main army to protect an important pass in the Cumberland Mountains in Tennessee. He was a field officer who had been promoted from the ranks, where he had quietly served until he was "discovered." His position was exceptionally dangerous; defending it came with significant responsibility, and he was wisely granted corresponding discretionary powers, especially important given his distance from the main army, the unreliable communication lines, and the lawless nature of the enemy's irregular troops in the area. He had fortified his small camp, which included a village with a few houses and a country store, and gathered a good amount of supplies. He issued written passes to a few local civilians known for their loyalty, allowing them to enter his lines for trade, and he occasionally used their services. It’s clear that misusing this privilege for the enemy's benefit could lead to serious consequences. Captain Hartroy had declared that anyone abusing this privilege would be shot on sight.

While the sentinel had been examining the civilian's pass the captain had eyed the latter narrowly. He thought his appearance familiar and had at first no doubt of having given him the pass which had satisfied the sentinel. It was not until the man had got out of sight and hearing that his identity was disclosed by a revealing light from memory. With soldierly promptness of decision the officer had acted on the revelation.

While the guard was checking the civilian's pass, the captain was closely watching him. He felt the man's appearance was familiar and initially believed he had given him the pass that satisfied the guard. It wasn't until the man was out of sight and earshot that his identity was revealed by a flash of memory. With the quick decisiveness of a soldier, the officer acted on this realization.

III

III

To any but a singularly self-possessed man the apparition of an officer of the military forces, formidably clad, bearing in one hand a sheathed sword and in the other a cocked revolver, and rushing in furious pursuit, is no doubt disquieting to a high degree; upon the man to whom the pursuit was in this instance directed it appeared to have no other effect than somewhat to intensify his tranquillity. He might easily enough have escaped into the forest to the right or the left, but chose another course of action—turned and quietly faced the captain, saying as he came up: "I reckon ye must have something to say to me, which ye disremembered. What mout it be, neighbor?"

For anyone who isn't exceptionally calm, seeing a military officer, dressed intimidatingly, holding a sheathed sword in one hand and a cocked revolver in the other while charging in a furious chase is definitely unsettling. However, for the man being pursued in this case, it seemed to only make him calmer. He could have easily escaped into the forest to his right or left, but he chose to take a different approach—he turned and calmly faced the captain, saying as he arrived, “I guess you must have something to tell me that you forgot. What could it be, my friend?”

But the "neighbor" did not answer, being engaged in the unneighborly act of covering him with a cocked pistol.

But the "neighbor" didn't respond, busy with the unfriendly task of pointing a cocked pistol at him.

"Surrender," said the captain as calmly as a slight breathlessness from exertion would permit, "or you die."

"Surrender," the captain said as calmly as his slight breathlessness from exertion allowed, "or you die."

There was no menace in the manner of this demand; that was all in the matter and in the means of enforcing it. There was, too, something not altogether reassuring in the cold gray eyes that glanced along the barrel of the weapon. For a moment the two men stood looking at each other in silence; then the civilian, with no appearance of fear—with as great apparent unconcern as when complying with the less austere demand of the sentinel—slowly pulled from his pocket the paper which had satisfied that humble functionary and held it out, saying:

There was no threat in how this request was made; that was all in the situation and how it was enforced. There was also something unsettling about the cold gray eyes that stared down the barrel of the gun. For a moment, the two men just looked at each other in silence; then the civilian, showing no signs of fear—looking just as unconcerned as he did when he met the less serious request from the guard—slowly took a piece of paper from his pocket, which had satisfied that unassuming guard, and held it out, saying:

"I reckon this 'ere parss from Mister Hartroy is—"

"I think this here parcel from Mister Hartroy is—"

"The pass is a forgery," the officer said, interrupting. "I am Captain Hartroy—and you are Dramer Brune."

"The pass is fake," the officer interrupted. "I’m Captain Hartroy—and you’re Dramer Brune."

It would have required a sharp eye to observe the slight pallor of the civilian's face at these words, and the only other manifestation attesting their significance was a voluntary relaxation of the thumb and fingers holding the dishonored paper, which, falling to the road, unheeded, was rolled by a gentle wind and then lay still, with a coating of dust, as in humiliation for the lie that it bore. A moment later the civilian, still looking unmoved into the barrel of the pistol, said:

It would have taken a keen observer to notice the slight paleness of the civilian's face at those words, and the only other sign showing their importance was a voluntary loosening of the thumb and fingers gripping the dishonored paper. It fell to the ground, ignored, rolled by a gentle breeze, and then lay still, covered in dust, almost as if ashamed of the lie it carried. A moment later, the civilian, still looking calmly down the barrel of the pistol, said:

"Yes, I am Dramer Brune, a Confederate spy, and your prisoner. I have on my person, as you will soon discover, a plan of your fort and its armament, a statement of the distribution of your men and their number, a map of the approaches, showing the positions of all your outposts. My life is fairly yours, but if you wish it taken in a more formal way than by your own hand, and if you are willing to spare me the indignity of marching into camp at the muzzle of your pistol, I promise you that I will neither resist, escape, nor remonstrate, but will submit to whatever penalty may be imposed."

"Yes, I am Dramer Brune, a Confederate spy, and your prisoner. I have with me, as you will soon find out, a plan of your fort and its weapons, a report on the distribution of your troops and their numbers, and a map of the routes that show the locations of all your outposts. My life is pretty much in your hands, but if you want to take it in a more formal manner than by your own hand, and if you're willing to avoid the embarrassment of making me march into camp at the point of your gun, I promise I won't resist, escape, or argue, but will accept whatever punishment you decide."

The officer lowered his pistol, uncocked it, and thrust it into its place in his belt. Brune advanced a step, extending his right hand.

The officer lowered his gun, uncocked it, and put it back in his belt. Brune stepped forward, reaching out his right hand.

"It is the hand of a traitor and a spy," said the officer coldly, and did not take it. The other bowed.

"It’s the hand of a traitor and a spy," said the officer coldly, and he didn’t take it. The other bowed.

"Come," said the captain, "let us go to camp; you shall not die until to-morrow morning."

"Come," said the captain, "let's head to camp; you won't die until tomorrow morning."

He turned his back upon his prisoner, and these two enigmatical men retraced their steps and soon passed the sentinel, who expressed his general sense of things by a needless and exaggerated salute to his commander.

He turned his back on his prisoner, and these two mysterious men walked back and quickly passed the guard, who showed his overall feelings by giving an unnecessary and over-the-top salute to his commander.

IV

IV

Early on the morning after these events the two men, captor and captive, sat in the tent of the former. A table was between them on which lay, among a number of letters, official and private, which the captain had written during the night, the incriminating papers found upon the spy. That gentleman had slept through the night in an adjoining tent, unguarded. Both, having breakfasted, were now smoking.

Early the next morning after these events, the two men—captor and captive—sat in the former's tent. A table stood between them with various letters, both official and personal, that the captain had written during the night, along with the incriminating papers found on the spy. The spy had slept through the night in a nearby tent, without any guards. Both men had breakfasted and were now smoking.

"Mr. Brune," said Captain Hartroy, "you probably do not understand why I recognized you in your disguise, nor how I was aware of your name."

"Mr. Brune," Captain Hartroy said, "you might not realize why I recognized you in your disguise or how I knew your name."

"I have not sought to learn, Captain," the prisoner said with quiet dignity.

"I haven't tried to learn, Captain," the prisoner said with quiet dignity.

"Nevertheless I should like you to know—if the story will not offend. You will perceive that my knowledge of you goes back to the autumn of 1861. At that time you were a private in an Ohio regiment—a brave and trusted soldier. To the surprise and grief of your officers and comrades you deserted and went over to the enemy. Soon afterward you were captured in a skirmish, recognized, tried by court-martial and sentenced to be shot. Awaiting the execution of the sentence you were confined, unfettered, in a freight car standing on a side track of a railway."

"However, I want you to know—if this story doesn’t bother you. You’ll notice that my knowledge of you goes back to the autumn of 1861. Back then, you were a private in an Ohio regiment— a brave and trusted soldier. To the surprise and sadness of your officers and fellow soldiers, you deserted and joined the enemy. Soon after, you were captured in a skirmish, recognized, tried by court-martial, and sentenced to be shot. While waiting for the execution of the sentence, you were confined, without restraints, in a freight car on a side track of a railway."

"At Grafton, Virginia," said Brune, pushing the ashes from his cigar with the little finger of the hand holding it, and without looking up.

"At Grafton, Virginia," Brune said, flicking the ashes from his cigar with his pinky while not looking up.

"At Grafton, Virginia," the captain repeated. "One dark and stormy night a soldier who had just returned from a long, fatiguing march was put on guard over you. He sat on a cracker box inside the car, near the door, his rifle loaded and the bayonet fixed. You sat in a corner and his orders were to kill you if you attempted to rise."

"At Grafton, Virginia," the captain repeated. "One dark and stormy night, a soldier who had just come back from a long, exhausting march was assigned to guard you. He sat on a cracker box inside the car, near the door, his rifle loaded and the bayonet attached. You sat in a corner, and his orders were to kill you if you tried to get up."

"But if I asked to rise he might call the corporal of the guard."

"But if I asked to get up, he might call the guard's corporal."

"Yes. As the long silent hours wore away the soldier yielded to the demands of nature: he himself incurred the death penalty by sleeping at his post of duty."

"Yes. As the long, silent hours dragged on, the soldier gave in to the demands of nature: he faced the death penalty for falling asleep on duty."

"You did."

"You did."

"What! you recognize me? you have known me all along?"

"What! You recognize me? You've known me this whole time?"

The captain had risen and was walking the floor of his tent, visibly excited. His face was flushed, the gray eyes had lost the cold, pitiless look which they had shown when Brune had seen them over the pistol barrel; they had softened wonderfully.

The captain had gotten up and was pacing in his tent, clearly excited. His face was flushed, and his gray eyes had lost the cold, harsh look they had when Brune had seen them over the pistol barrel; they had softened remarkably.

"I knew you," said the spy, with his customary tranquillity, "the moment you faced me, demanding my surrender. In the circumstances it would have been hardly becoming in me to recall these matters. I am perhaps a traitor, certainly a spy; but I should not wish to seem a suppliant."

"I recognized you," said the spy, in his usual calm manner, "the moment you confronted me, demanding my surrender. Under the circumstances, it wouldn’t have been fitting for me to bring up these issues. I might be a traitor, definitely a spy; but I don't want to appear as a beggar."

The captain had paused in his walk and was facing his prisoner. There was a singular huskiness in his voice as he spoke again.

The captain had stopped in his tracks and was looking at his prisoner. There was a unique roughness in his voice as he spoke again.

"Mr. Brune, whatever your conscience may permit you to be, you saved my life at what you must have believed the cost of your own. Until I saw you yesterday when halted by my sentinel I believed you dead—thought that you had suffered the fate which through my own crime you might easily have escaped. You had only to step from the car and leave me to take your place before the firing-squad. You had a divine compassion. You pitied my fatigue. You let me sleep, watched over me, and as the time drew near for the relief-guard to come and detect me in my crime, you gently waked me. Ah, Brune, Brune, that was well done—that was great—that—"

"Mr. Brune, no matter what your conscience allows you to be, you saved my life when you must have thought it would cost you yours. Until I saw you yesterday when my guard stopped you, I believed you were dead—I thought you had met the fate that, through my own wrongdoing, you could have easily avoided. You only needed to get out of the car and let me take your place in front of the firing squad. You showed incredible compassion. You understood my exhaustion. You let me sleep, kept an eye on me, and as the time approached for the relief guard to come and catch me in my wrongdoing, you gently woke me. Ah, Brune, Brune, that was truly commendable—that was remarkable—that—"

The captain's voice failed him; the tears were running down his face and sparkled upon his beard and his breast. Resuming his seat at the table, he buried his face in his arms and sobbed. All else was silence.

The captain's voice broke; tears streamed down his face and glistened in his beard and on his chest. Sitting back down at the table, he covered his face with his arms and cried. Everything else was silent.

Suddenly the clear warble of a bugle was heard sounding the "assembly." The captain started and raised his wet face from his arms; it had turned ghastly pale. Outside, in the sunlight, were heard the stir of the men falling into line; the voices of the sergeants calling the roll; the tapping of the drummers as they braced their drums. The captain spoke again:

Suddenly, the sharp sound of a bugle blared, signaling the "assembly." The captain jumped and lifted his drenched face from his arms; it had gone deathly pale. Outside, in the sunlight, the sounds of the men forming into lines could be heard; the sergeants were calling the roll, and the drummers were tapping their drums as they got ready. The captain spoke again:

"I ought to have confessed my fault in order to relate the story of your magnanimity; it might have procured you a pardon. A hundred times I resolved to do so, but shame prevented. Besides, your sentence was just and righteous. Well, Heaven forgive me! I said nothing, and my regiment was soon afterward ordered to Tennessee and I never heard about you."

"I should have admitted my mistake to tell the story of your generosity; it might have earned you a pardon. I promised myself a hundred times that I would, but I was too ashamed. Plus, your sentence was fair and right. Well, God forgive me! I stayed silent, and my regiment was soon sent to Tennessee, and I never heard from you again."

"It was all right, sir," said Brune, without visible emotion; "I escaped and returned to my colors—the Confederate colors. I should like to add that before deserting from the Federal service I had earnestly asked a discharge, on the ground of altered convictions. I was answered by punishment."

"It was fine, sir," Brune said, showing no emotion; "I got away and returned to my colors—the Confederate colors. I want to add that before leaving the Federal service, I had sincerely requested a discharge because my beliefs changed. I was met with punishment."

"Ah, but if I had suffered the penalty of my crime—if you had not generously given me the life that I accepted without gratitude you would not be again in the shadow and imminence of death."

"Ah, but if I had faced the consequences of my actions—if you hadn’t kindly spared my life that I took for granted—you wouldn’t be hovering in the shadow and threat of death again."

The prisoner started slightly and a look of anxiety came into his face. One would have said, too, that he was surprised. At that moment a lieutenant, the adjutant, appeared at the opening of the tent and saluted. "Captain," he said, "the battalion is formed."

The prisoner flinched a bit, and a look of worry crossed his face. It also seemed like he was caught off guard. Just then, a lieutenant, the adjutant, showed up at the entrance of the tent and saluted. "Captain," he said, "the battalion is ready."

Captain Hartroy had recovered his composure. He turned to the officer and said: "Lieutenant, go to Captain Graham and say that I direct him to assume command of the battalion and parade it outside the parapet. This gentleman is a deserter and a spy; he is to be shot to death in the presence of the troops. He will accompany you, unbound and unguarded."

Captain Hartroy had regained his composure. He turned to the officer and said: "Lieutenant, go to Captain Graham and tell him that I order him to take command of the battalion and assemble it outside the parapet. This man is a deserter and a spy; he is to be executed in front of the troops. He will come with you, unbound and unguarded."

While the adjutant waited at the door the two men inside the tent rose and exchanged ceremonious bows, Brune immediately retiring.

While the assistant waited at the door, the two men inside the tent stood up and exchanged formal bows, with Brune leaving immediately.

Half an hour later an old negro cook, the only person left in camp except the commander, was so startled by the sound of a volley of musketry that he dropped the kettle that he was lifting from a fire. But for his consternation and the hissing which the contents of the kettle made among the embers, he might also have heard, nearer at hand, the single pistol shot with which Captain Hartroy renounced the life which in conscience he could no longer keep.

Half an hour later, an old Black cook, the only person left in camp aside from the commander, was so startled by the sound of gunfire that he dropped the kettle he was lifting from the fire. If it weren't for his shock and the hissing sound the contents of the kettle made among the embers, he might have also heard, much closer, the single gunshot with which Captain Hartroy ended the life he felt he could no longer justify.

In compliance with the terms of a note that he left for the officer who succeeded him in command, he was buried, like the deserter and spy, without military honors; and in the solemn shadow of the mountain which knows no more of war the two sleep well in long-forgotten graves.

In line with the note he left for the officer who took over his command, he was buried, just like the deserter and spy, without any military honors; and in the solemn shadow of the mountain that knows no more of war, the two rest peacefully in long-forgotten graves.

ONE KIND OF OFFICER

I

I

OF THE USES OF CIVILITY

USES OF CIVILITY

"Captain Ransome, it is not permitted to you to know anything. It is sufficient that you obey my order—which permit me to repeat. If you perceive any movement of troops in your front you are to open fire, and if attacked hold this position as long as you can. Do I make myself understood, sir?"

"Captain Ransome, you are not allowed to know anything. All you need to do is follow my orders—which I’ll repeat. If you see any movement of troops in front of you, you are to open fire, and if you’re attacked, hold this position for as long as you can. Do you understand me, sir?"

"Nothing could be plainer. Lieutenant Price,"—this to an officer of his own battery, who had ridden up in time to hear the order—"the general's meaning is clear, is it not?"

"Nothing could be clearer. Lieutenant Price,"—this to an officer from his own battery, who had arrived just in time to catch the command—"the general's intention is obvious, right?"

"Perfectly."

"Perfect."

The lieutenant passed on to his post. For a moment General Cameron and the commander of the battery sat in their saddles, looking at each other in silence. There was no more to say; apparently too much had already been said. Then the superior officer nodded coldly and turned his horse to ride away. The artillerist saluted slowly, gravely, and with extreme formality. One acquainted with the niceties of military etiquette would have said that by his manner he attested a sense of the rebuke that he had incurred. It is one of the important uses of civility to signify resentment.

The lieutenant moved on to his post. For a moment, General Cameron and the battery commander sat in their saddles, looking at each other in silence. There was nothing more to say; it seemed too much had already been said. Then the superior officer nodded coldly and turned his horse to leave. The artillerist saluted slowly, seriously, and with great formality. Someone familiar with military etiquette would have said that his behavior showed he recognized the rebuke he had received. One key purpose of civility is to express resentment.

When the general had joined his staff and escort, awaiting him at a little distance, the whole cavalcade moved off toward the right of the guns and vanished in the fog. Captain Ransome was alone, silent, motionless as an equestrian statue. The gray fog, thickening every moment, closed in about him like a visible doom.

When the general joined his staff and escort, waiting for him a little way off, the whole procession headed off to the right of the cannons and disappeared into the fog. Captain Ransome stood alone, quiet, unmoving like a statue on horseback. The gray fog, growing thicker by the second, surrounded him like a tangible doom.

II

II

UNDER WHAT CIRCUMSTANCES MEN DO NOT WISH TO BE SHOT

UNDER WHAT CIRCUMSTANCES MEN DO NOT WISH TO BE SHOT

The fighting of the day before had been desultory and indecisive. At the points of collision the smoke of battle had hung in blue sheets among the branches of the trees till beaten into nothing by the falling rain. In the softened earth the wheels of cannon and ammunition wagons cut deep, ragged furrows, and movements of infantry seemed impeded by the mud that clung to the soldiers' feet as, with soaken garments and rifles imperfectly protected by capes of overcoats they went dragging in sinuous lines hither and thither through dripping forest and flooded field. Mounted officers, their heads protruding from rubber ponchos that glittered like black armor, picked their way, singly and in loose groups, among the men, coming and going with apparent aimlessness and commanding attention from nobody but one another. Here and there a dead man, his clothing defiled with earth, his face covered with a blanket or showing yellow and claylike in the rain, added his dispiriting influence to that of the other dismal features of the scene and augmented the general discomfort with a particular dejection. Very repulsive these wrecks looked—not at all heroic, and nobody was accessible to the infection of their patriotic example. Dead upon the field of honor, yes; but the field of honor was so very wet! It makes a difference.

The fighting from the day before had been scattered and inconclusive. Where the battles clashed, the smoke lingered in blue sheets among the tree branches until it was washed away by the falling rain. The soft earth bore deep, jagged trenches from the wheels of cannons and ammunition wagons, and infantry movements were slowed by the mud that stuck to the soldiers' feet as they trudged in winding lines back and forth through the dripping forest and flooded fields, wearing soaked clothing and rifles that were only partially shielded by capes and overcoats. Mounted officers, their heads poking out from rubber ponchos that shone like black armor, navigated among the men, moving in singles and loose groups with a sense of aimlessness, drawing the attention of no one but each other. Here and there lay a dead man, his clothes soiled with mud, his face either covered with a blanket or showing yellow and clay-like in the rain, adding to the already gloomy atmosphere and intensifying the overall discomfort with his particular despair. These corpses looked very unappealing—not heroic at all, and no one felt inspired by their patriotic example. Dead on the field of honor, sure; but that field of honor was incredibly wet! It makes a difference.

The general engagement that all expected did not occur, none of the small advantages accruing, now to this side and now to that, in isolated and accidental collisions being followed up. Half-hearted attacks provoked a sullen resistance which was satisfied with mere repulse. Orders were obeyed with mechanical fidelity; no one did any more than his duty.

The overall engagement that everyone anticipated didn't happen. The small advantages that came and went during random skirmishes were not pursued. Half-hearted attacks led to a moody defense that was content with simply pushing back. Orders were followed with mechanical precision; no one did more than what was expected of them.

"The army is cowardly to-day," said General Cameron, the commander of a Federal brigade, to his adjutant-general.

"The army is cowardly today," said General Cameron, the commander of a Federal brigade, to his adjutant-general.

"The army is cold," replied the officer addressed, "and—yes, it doesn't wish to be like that."

"The army is cold," replied the officer who was addressed, "and—yes, it doesn't want to be like this."

He pointed to one of the dead bodies, lying in a thin pool of yellow water, its face and clothing bespattered with mud from hoof and wheel.

He pointed to one of the corpses, lying in a shallow puddle of yellow water, its face and clothes splattered with mud from hooves and wheels.

The army's weapons seemed to share its military delinquency. The rattle of rifles sounded flat and contemptible. It had no meaning and scarcely roused to attention and expectancy the unengaged parts of the line-of-battle and the waiting reserves. Heard at a little distance, the reports of cannon were feeble in volume and timbre: they lacked sting and resonance. The guns seemed to be fired with light charges, unshotted. And so the futile day wore on to its dreary close, and then to a night of discomfort succeeded a day of apprehension.

The army's weapons reflected its lack of discipline. The sound of rifles was dull and unimpressive. It had no purpose and barely captured the attention of the inactive parts of the battlefield and the waiting reserves. From a distance, the cannon fire was weak in volume and tone: it lacked impact and depth. The guns seemed to be fired with light charges, without proper ammo. And so the pointless day dragged on to a miserable end, followed by a night of discomfort and then a day filled with anxiety.

An army has a personality. Beneath the individual thoughts and emotions of its component parts it thinks and feels as a unit. And in this large, inclusive sense of things lies a wiser wisdom than the mere sum of all that it knows. On that dismal morning this great brute force, groping at the bottom of a white ocean of fog among trees that seemed as sea weeds, had a dumb consciousness that all was not well; that a day's manoeuvring had resulted in a faulty disposition of its parts, a blind diffusion of its strength. The men felt insecure and talked among themselves of such tactical errors as with their meager military vocabulary they were able to name. Field and line officers gathered in groups and spoke more learnedly of what they apprehended with no greater clearness. Commanders of brigades and divisions looked anxiously to their connections on the right and on the left, sent staff officers on errands of inquiry and pushed skirmish lines silently and cautiously forward into the dubious region between the known and the unknown. At some points on the line the troops, apparently of their own volition, constructed such defenses as they could without the silent spade and the noisy ax.

An army has its own personality. Beneath the individual thoughts and feelings of its members, it thinks and feels as a whole. In this broader perspective lies a deeper understanding than just the sum of its knowledge. On that bleak morning, this massive force, struggling at the bottom of a white ocean of fog among trees that looked like seaweed, had a vague awareness that something was off; that a day's maneuvers had led to a poor arrangement of its parts, a blind scattering of its strength. The soldiers felt uneasy and discussed among themselves the tactical mistakes they could name with their limited military vocabulary. Field and line officers gathered in groups and talked more knowledgeably about what they sensed, though with no clearer insight. Commanders of brigades and divisions anxiously looked to their flanks, sent staff officers on missions to gather information, and cautiously advanced skirmish lines into the uncertain area between what was known and unknown. At some points along the line, the troops, seemingly of their own accord, built whatever defenses they could without the silent shovel and the noisy axe.

One of these points was held by Captain Ransome's battery of six guns. Provided always with intrenching tools, his men had labored with diligence during the night, and now his guns thrust their black muzzles through the embrasures of a really formidable earthwork. It crowned a slight acclivity devoid of undergrowth and providing an unobstructed fire that would sweep the ground for an unknown distance in front. The position could hardly have been better chosen. It had this peculiarity, which Captain Ransome, who was greatly addicted to the use of the compass, had not failed to observe: it faced northward, whereas he knew that the general line of the army must face eastward. In fact, that part of the line was "refused"—that is to say, bent backward, away from the enemy. This implied that Captain Ransome's battery was somewhere near the left flank of the army; for an army in line of battle retires its flanks if the nature of the ground will permit, they being its vulnerable points. Actually, Captain Ransome appeared to hold the extreme left of the line, no troops being visible in that direction beyond his own. Immediately in rear of his guns occurred that conversation between him and his brigade commander, the concluding and more picturesque part of which is reported above.

One of these positions was held by Captain Ransome's battery of six guns. Always equipped with entrenching tools, his men had worked hard throughout the night, and now his guns poked their black muzzles through the openings of a truly formidable earthen fortification. It perched on a slight rise, clear of underbrush and offering an unobstructed line of fire that could cover an unknown distance ahead. The position couldn’t have been better chosen. It had a unique feature that Captain Ransome, who was quite fond of using a compass, had noticed: it faced northward, while he knew that the general alignment of the army had to face eastward. In fact, that section of the line was “refused”—meaning it bent back, away from the enemy. This indicated that Captain Ransome’s battery was located near the left flank of the army; since, in battle formation, an army pulls back its flanks if the terrain allows it, as they are its weak points. In reality, Captain Ransome seemed to hold the far left of the line, with no troops visible in that direction beyond his own. Directly behind his guns was the conversation between him and his brigade commander, the last and more dramatic part of which is mentioned above.

III

III

HOW TO PLAY THE CANNON WITHOUT NOTES

HOW TO PLAY THE CANNON WITHOUT NOTES

Captain Ransome sat motionless and silent on horseback. A few yards away his men were standing at their guns. Somewhere—everywhere within a few miles—were a hundred thousand men, friends and enemies. Yet he was alone. The mist had isolated him as completely as if he had been in the heart of a desert. His world was a few square yards of wet and trampled earth about the feet of his horse. His comrades in that ghostly domain were invisible and inaudible. These were conditions favorable to thought, and he was thinking. Of the nature of his thoughts his clear-cut handsome features yielded no attesting sign. His face was as inscrutable as that of the sphinx. Why should it have made a record which there was none to observe? At the sound of a footstep he merely turned his eyes in the direction whence it came; one of his sergeants, looking a giant in stature in the false perspective of the fog, approached, and when clearly defined and reduced to his true dimensions by propinquity, saluted and stood at attention.

Captain Ransome sat still and quiet on his horse. A few yards away, his men were at their guns. Somewhere—everywhere within a few miles—were a hundred thousand men, both friends and foes. Yet he felt completely alone. The mist surrounded him as if he were in the middle of a desert. His world consisted of a few square yards of wet, trampled ground beneath his horse's hooves. His comrades in that eerie space were invisible and silent. These conditions were perfect for reflection, and he was deep in thought. His clear, handsome features showed no sign of what was on his mind. His face was as unreadable as the Sphinx. Why record anything when no one was there to see it? At the sound of a footstep, he simply turned his gaze toward it; one of his sergeants, appearing like a giant in the distorted perspective of the fog, approached, and when he was close enough to be seen clearly, he saluted and stood at attention.

"Well, Morris," said the officer, returning his subordinate's salute.

"Well, Morris," the officer said, returning his subordinate's salute.

"Lieutenant Price directed me to tell you, sir, that most of the infantry has been withdrawn. We have not sufficient support."

"Lieutenant Price told me to inform you, sir, that most of the infantry has been pulled back. We don't have enough support."

"Yes, I know."

"Yeah, I know."

"I am to say that some of our men have been out over the works a hundred yards and report that our front is not picketed."

"I have to say that some of our men went a hundred yards beyond the works and report that our front isn't guarded."

"Yes."

Yes.

"They were so far forward that they heard the enemy."

"They were so far ahead that they could hear the enemy."

"Yes."

Yes.

"They heard the rattle of the wheels of artillery and the commands of officers."

"They heard the clatter of the cannon wheels and the shouts of the officers."

"Yes."

Yes.

"The enemy is moving toward our works."

"The enemy is advancing toward our defenses."

Captain Ransome, who had been facing to the rear of his line—toward the point where the brigade commander and his cavalcade had been swallowed up by the fog—reined his horse about and faced the other way. Then he sat motionless as before.

Captain Ransome, who had been looking back at his line—toward the spot where the brigade commander and his group had disappeared into the fog—turned his horse around and faced the opposite direction. Then he sat still as he did before.

"Who are the men who made that statement?" he inquired, without looking at the sergeant; his eyes were directed straight into the fog over the head of his horse.

"Who are the guys who made that statement?" he asked, not looking at the sergeant; his gaze was fixed straight into the fog above his horse's head.

"Corporal Hassman and Gunner Manning."

"Corporal Hassman and Gunner Manning."

Captain Ransome was a moment silent. A slight pallor came into his face, a slight compression affected the lines of his lips, but it would have required a closer observer than Sergeant Morris to note the change. There was none in the voice.

Captain Ransome was silent for a moment. A slight paleness appeared on his face, and the lines of his lips tightened a bit, but it would have taken a more attentive observer than Sergeant Morris to notice the change. His voice remained unchanged.

"Sergeant, present my compliments to Lieutenant Price and direct him to open fire with all the guns. Grape."

"Sergeant, please send my regards to Lieutenant Price and tell him to open fire with all the guns. Grape."

The sergeant saluted and vanished in the fog.

The sergeant saluted and disappeared into the fog.

IV.

IV.

TO INTRODUCE GENERAL MASTERSON

TO INTRODUCE GENERAL MASTERSON

Searching for his division commander, General Cameron and his escort had followed the line of battle for nearly a mile to the right of Ransome's battery, and there learned that the division commander had gone in search of the corps commander. It seemed that everybody was looking for his immediate superior—an ominous circumstance. It meant that nobody was quite at ease. So General Cameron rode on for another half-mile, where by good luck he met General Masterson, the division commander, returning.

Searching for his division commander, General Cameron and his escort had followed the battle line for almost a mile to the right of Ransome's battery and discovered that the division commander had gone to find the corps commander. It seemed like everyone was searching for their direct superior—an unsettling sign. It indicated that no one was feeling completely secure. So, General Cameron continued for another half-mile, where, by chance, he encountered General Masterson, the division commander, on his way back.

"Ah, Cameron," said the higher officer, reining up, and throwing his right leg across the pommel of his saddle in a most unmilitary way—"anything up? Found a good position for your battery, I hope—if one place is better than another in a fog."

"Hey, Cameron," said the senior officer, stopping his horse and swinging his right leg over the front of the saddle in a very casual way—"is there something going on? I hope you’ve found a good spot for your battery—if one place is actually better than another in a fog."

"Yes, general," said the other, with the greater dignity appropriate to his less exalted rank, "my battery is very well placed. I wish I could say that it is as well commanded."

"Yes, general," the other replied, maintaining a level of dignity suited to his lower rank, "my battery is positioned very well. I only wish I could say it is being commanded just as effectively."

"Eh, what's that? Ransome? I think him a fine fellow. In the army we should be proud of him."

"Eh, what's that? Ransome? I think he's a great guy. In the army, we should be proud of him."

It was customary for officers of the regular army to speak of it as "the army." As the greatest cities are most provincial, so the self-complacency of aristocracies is most frankly plebeian.

It was common for regular army officers to refer to it as "the army." Just as the largest cities can be the most provincial, the self-satisfaction of aristocracies is often the most openly common.

"He is too fond of his opinion. By the way, in order to occupy the hill that he holds I had to extend my line dangerously. The hill is on my left—that is to say the left flank of the army."

"He is too attached to his own opinion. By the way, to take the hill he occupies, I had to stretch my line dangerously. The hill is on my left—that is, the left flank of the army."

"Oh, no, Hart's brigade is beyond. It was ordered up from Drytown during the night and directed to hook on to you. Better go and—"

"Oh, no, Hart's brigade has moved past. They were sent up from Drytown during the night and told to join you. You should go and—"

The sentence was unfinished: a lively cannonade had broken out on the left, and both officers, followed by their retinues of aides and orderlies making a great jingle and clank, rode rapidly toward the spot. But they were soon impeded, for they were compelled by the fog to keep within sight of the line-of-battle, behind which were swarms of men, all in motion across their way. Everywhere the line was assuming a sharper and harder definition, as the men sprang to arms and the officers, with drawn swords, "dressed" the ranks. Color-bearers unfurled the flags, buglers blew the "assembly," hospital attendants appeared with stretchers. Field officers mounted and sent their impedimenta to the rear in care of negro servants. Back in the ghostly spaces of the forest could be heard the rustle and murmur of the reserves, pulling themselves together.

The sentence was unfinished: a lively cannonade had erupted on the left, and both officers, followed by their groups of aides and orderlies making a loud jingle and clank, rode quickly toward the location. But they were soon held back because the fog forced them to stay within sight of the battle line, behind which swarms of men were moving across their path. Everywhere the line was taking on a clearer, sharper shape as the men got ready for battle and the officers, with drawn swords, organized the ranks. Color-bearers unfurled the flags, buglers sounded the "assembly," and hospital attendants showed up with stretchers. Field officers mounted their horses and sent their gear to the rear under the care of Black servants. In the ghostly spaces of the forest, the rustle and murmur of the reserves could be heard as they gathered themselves together.

Nor was all this preparation vain, for scarcely five minutes had passed since Captain Ransome's guns had broken the truce of doubt before the whole region was aroar: the enemy had attacked nearly everywhere.

Nor was all this preparation in vain, for hardly five minutes had gone by since Captain Ransome's guns had shattered the uncertainty before the entire area was in an uproar: the enemy had launched assaults almost everywhere.

V

V

HOW SOUNDS CAN FIGHT SHADOWS

How sounds can fight shadows

Captain Ransome walked up and down behind his guns, which were firing rapidly but with steadiness. The gunners worked alertly, but without haste or apparent excitement. There was really no reason for excitement; it is not much to point a cannon into a fog and fire it. Anybody can do as much as that.

Captain Ransome paced back and forth behind his guns, which were firing quickly but steadily. The gunners worked attentively, but without rushing or showing any visible excitement. There was really no reason to be excited; it's not a big deal to aim a cannon into a fog and shoot it. Anyone can do that.

The men smiled at their noisy work, performing it with a lessening alacrity. They cast curious regards upon their captain, who had now mounted the banquette of the fortification and was looking across the parapet as if observing the effect of his fire. But the only visible effect was the substitution of wide, low-lying sheets of smoke for their bulk of fog. Suddenly out of the obscurity burst a great sound of cheering, which filled the intervals between the reports of the guns with startling distinctness! To the few with leisure and opportunity to observe, the sound was inexpressibly strange—so loud, so near, so menacing, yet nothing seen! The men who had smiled at their work smiled no more, but performed it with a serious and feverish activity.

The men smiled at their loud task, doing it with decreasing enthusiasm. They glanced curiously at their captain, who had now climbed up on the fort's banquette and was staring over the parapet as if checking the impact of his firing. But the only visible change was the thick, low sheets of smoke replacing the heavy fog. Suddenly, a loud cheer erupted from the murk, filling the gaps between the gunfire with startling clarity! For those few who had the chance to notice, the sound was incredibly strange—so loud, so close, so threatening, yet there was nothing to see! The men who had smiled while working no longer smiled, and instead worked with a serious, fevered urgency.

From his station at the parapet Captain Ransome now saw a great multitude of dim gray figures taking shape in the mist below him and swarming up the slope. But the work of the guns was now fast and furious. They swept the populous declivity with gusts of grape and canister, the whirring of which could be heard through the thunder of the explosions. In this awful tempest of iron the assailants struggled forward foot by foot across their dead, firing into the embrasures, reloading, firing again, and at last falling in their turn, a little in advance of those who had fallen before. Soon the smoke was dense enough to cover all. It settled down upon the attack and, drifting back, involved the defense. The gunners could hardly see to serve their pieces, and when occasional figures of the enemy appeared upon the parapet—having had the good luck to get near enough to it, between two embrasures, to be protected from the guns—they looked so unsubstantial that it seemed hardly worth while for the few infantrymen to go to work upon them with the bayonet and tumble them back into the ditch.

From his spot at the parapet, Captain Ransome now saw a large crowd of gray figures taking shape in the mist below him and climbing up the slope. But the gunfire was now rapid and intense. They rained down grape and canister shots on the crowded hillside, the noise cutting through the sound of the explosions. In this terrifying storm of iron, the attackers pushed forward inch by inch over their fallen comrades, firing into the openings, reloading, firing again, and eventually falling themselves, slightly ahead of those who had died before. Soon the smoke became thick enough to obscure everything. It settled over the attack and, drifting back, engulfed the defenders. The gunners could barely see to operate their weapons, and when occasional enemy figures appeared on the parapet—having managed to get close enough between two openings for some protection from the guns—they looked so insubstantial that it hardly seemed worth it for the few infantrymen to engage them with bayonets and push them back into the ditch.

As the commander of a battery in action can find something better to do than cracking individual skulls, Captain Ransome had retired from the parapet to his proper post in rear of his guns, where he stood with folded arms, his bugler beside him. Here, during the hottest of the fight, he was approached by Lieutenant Price, who had just sabred a daring assailant inside the work. A spirited colloquy ensued between the two officers—spirited, at least, on the part of the lieutenant, who gesticulated with energy and shouted again and again into his commander's ear in the attempt to make himself heard above the infernal din of the guns. His gestures, if coolly noted by an actor, would have been pronounced to be those of protestation: one would have said that he was opposed to the proceedings. Did he wish to surrender?

As the commander of a battery in action can find better things to do than cracking individual skulls, Captain Ransome had stepped back from the parapet to his designated spot behind his guns, where he stood with his arms crossed, his bugler next to him. During the fiercest part of the fight, Lieutenant Price approached him after he had just taken down a bold attacker inside the fort. A lively exchange followed between the two officers—lively, at least, on the lieutenant's part, who waved his arms energetically and shouted repeatedly in his commander's ear, trying to be heard over the deafening noise of the guns. If someone had coolly observed his gestures, they might have thought he was protesting: it looked like he was against the current actions. Did he want to surrender?

Captain Ransome listened without a change of countenance or attitude, and when the other man had finished his harangue, looked him coldly in the eyes and during a seasonable abatement of the uproar said:

Captain Ransome listened without showing any emotion or changing his posture, and when the other man finished his speech, he looked coldly into his eyes and, during a brief pause in the chaos, said:

"Lieutenant Price, it is not permitted to you to know anything. It is sufficient that you obey my orders."

"Lieutenant Price, you are not allowed to know anything. Just follow my orders."

The lieutenant went to his post, and the parapet being now apparently clear Captain Ransome returned to it to have a look over. As he mounted the banquette a man sprang upon the crest, waving a great brilliant flag. The captain drew a pistol from his belt and shot him dead. The body, pitching forward, hung over the inner edge of the embankment, the arms straight downward, both hands still grasping the flag. The man's few followers turned and fled down the slope. Looking over the parapet, the captain saw no living thing. He observed also that no bullets were coming into the work.

The lieutenant went to his post, and seeing the parapet was now clear, Captain Ransome returned to take a look. As he climbed up the banquette, a man appeared at the top, waving a bright, colorful flag. The captain pulled a pistol from his belt and shot him dead. The body fell forward, hanging over the inner edge of the embankment, arms straight down, both hands still holding the flag. The man's few followers turned and ran down the slope. When the captain looked over the parapet, he saw nothing alive. He also noticed that no bullets were coming into the position.

He made a sign to the bugler, who sounded the command to cease firing. At all other points the action had already ended with a repulse of the Confederate attack; with the cessation of this cannonade the silence was absolute.

He signaled to the bugler, who sounded the command to stop firing. At all other locations, the action had already concluded with the Confederate attack being pushed back; with the end of this cannon fire, there was complete silence.

VI

VI

WHY, BEING AFFRONTED BY A, IT IS NOT BEST TO AFFRONT B

WHY, WHEN CONFRONTED BY A, IT IS NOT BEST TO CONFRONT B

General Masterson rode into the redoubt. The men, gathered in groups, were talking loudly and gesticulating. They pointed at the dead, running from one body to another. They neglected their foul and heated guns and forgot to resume their outer clothing. They ran to the parapet and looked over, some of them leaping down into the ditch. A score were gathered about a flag rigidly held by a dead man.

General Masterson rode into the redoubt. The men, clustered in groups, were talking loudly and waving their arms. They pointed at the dead, moving from one body to another. They ignored their dirty, hot guns and forgot to put their outer clothing back on. They rushed to the parapet and looked over, with some jumping down into the ditch. A bunch of them gathered around a flag that was being firmly held by a dead man.

"Well, my men," said the general cheerily, "you have had a pretty fight of it."

"Well, guys," the general said cheerfully, "you've had quite a battle."

They stared; nobody replied; the presence of the great man seemed to embarrass and alarm.

They stared; no one said a word; the presence of the great man seemed to make everyone uncomfortable and anxious.

Getting no response to his pleasant condescension, the easy-mannered officer whistled a bar or two of a popular air, and riding forward to the parapet, looked over at the dead. In an instant he had whirled his horse about and was spurring along in rear of the guns, his eyes everywhere at once. An officer sat on the trail of one of the guns, smoking a cigar. As the general dashed up he rose and tranquilly saluted.

Getting no response to his pleasant condescension, the relaxed officer whistled a few notes of a popular tune, rode forward to the parapet, and looked over at the dead. In an instant, he spun his horse around and was galloping behind the guns, his eyes darting everywhere at once. An officer sat on the trail of one of the guns, smoking a cigar. As the general rushed up, he stood up and calmly saluted.

"Captain Ransome!"—the words fell sharp and harsh, like the clash of steel blades—"you have been fighting our own men—our own men, sir; do you hear? Hart's brigade!"

"Captain Ransome!"—the words struck sharply and harshly, like the clash of steel blades—"you’ve been fighting our own men—our own men, sir; do you understand? Hart's brigade!"

"General, I know that."

"Got it, General."

"You know it—you know that, and you sit here smoking? Oh, damn it, Hamilton, I'm losing my temper,"—this to his provost-marshal. "Sir—Captain Ransome, be good enough to say—to say why you fought our own men."

"You know it—you know that, and you’re just sitting here smoking? Oh, come on, Hamilton, I'm losing my cool,"—this was directed at his provost-marshal. "Sir—Captain Ransome, please tell me—tell me why you fought against our own men."

"That I am unable to say. In my orders that information was withheld."

"That's something I can't say. That information was kept from me in my orders."

Apparently the general did not comprehend.

Apparently, the general didn't get it.

"Who was the aggressor in this affair, you or General Hart?" he asked.

"Who was the aggressor in this situation, you or General Hart?" he asked.

"I was."

"I am."

"And could you not have known—could you not see, sir, that you were attacking our own men?"

"And couldn't you have known—couldn't you see, sir, that you were attacking our own people?"

The reply was astounding!

The response was amazing!

"I knew that, general. It appeared to be none of my business."

"I understood that, general. It seemed like it wasn't my concern."

Then, breaking the dead silence that followed his answer, he said:

Then, breaking the dead silence after his answer, he said:

"I must refer you to General Cameron."

"I need to refer you to General Cameron."

"General Cameron is dead, sir—as dead as he can be—as dead as any man in this army. He lies back yonder under a tree. Do you mean to say that he had anything to do with this horrible business?"

"General Cameron is dead, sir—as dead as he can be—as dead as anyone in this army. He’s lying back there under a tree. Are you really saying he had anything to do with this terrible situation?"

Captain Ransome did not reply. Observing the altercation his men had gathered about to watch the outcome. They were greatly excited. The fog, which had been partly dissipated by the firing, had again closed in so darkly about them that they drew more closely together till the judge on horseback and the accused standing calmly before him had but a narrow space free from intrusion. It was the most informal of courts-martial, but all felt that the formal one to follow would but affirm its judgment. It had no jurisdiction, but it had the significance of prophecy.

Captain Ransome didn’t respond. Watching the argument unfold, his men gathered around to see what would happen next. They were really worked up. The fog, partially lifted by the gunfire, had rolled back in so thick that they huddled closer together, leaving just a small space around the judge on horseback and the accused, who stood calmly before him. It was the most casual court-martial imaginable, but everyone understood that the official one to come would simply confirm its decision. It didn’t have any legal authority, but it carried the weight of a prophecy.

"Captain Ransome," the general cried impetuously, but with something in his voice that was almost entreaty, "if you can say anything to put a better light upon your incomprehensible conduct I beg you will do so."

"Captain Ransome," the general called out impulsively, but with a tone that was almost pleading, "if you can explain your puzzling actions in a better way, I urge you to do it."

Having recovered his temper this generous soldier sought for something to justify his naturally sympathetic attitude toward a brave man in the imminence of a dishonorable death.

Having regained his composure, this generous soldier looked for a reason to support his naturally sympathetic feelings toward a brave man facing an honorable death.

"Where is Lieutenant Price?" the captain said.

"Where's Lieutenant Price?" the captain asked.

That officer stood forward, his dark saturnine face looking somewhat forbidding under a bloody handkerchief bound about his brow. He understood the summons and needed no invitation to speak. He did not look at the captain, but addressed the general:

That officer stepped forward, his dark, serious face looking a bit intimidating under a bloodied handkerchief wrapped around his forehead. He understood the call and didn’t need to be invited to speak. He didn’t look at the captain but addressed the general:

"During the engagement I discovered the state of affairs, and apprised the commander of the battery. I ventured to urge that the firing cease. I was insulted and ordered to my post."

"During the engagement, I found out what was happening and informed the commander of the battery. I took the chance to suggest that the firing stop. I was insulted and told to return to my post."

"Do you know anything of the orders under which I was acting?" asked the captain.

"Do you know anything about the orders I was following?" asked the captain.

"Of any orders under which the commander of the battery was acting," the lieutenant continued, still addressing the general, "I know nothing."

"About any orders the battery commander was following," the lieutenant continued, still speaking to the general, "I don't know anything."

Captain Ransome felt his world sink away from his feet. In those cruel words he heard the murmur of the centuries breaking upon the shore of eternity. He heard the voice of doom; it said, in cold, mechanical, and measured tones: "Ready, aim, fire!" and he felt the bullets tear his heart to shreds. He heard the sound of the earth upon his coffin and (if the good God was so merciful) the song of a bird above his forgotten grave. Quietly detaching his sabre from its supports, he handed it up to the provost-marshal.

Captain Ransome felt his world collapse beneath him. In those harsh words, he sensed the echoes of centuries crashing against the shores of eternity. He heard the voice of fate; it said, in cold, mechanical, and measured tones: "Ready, aim, fire!" and he felt the bullets rip his heart apart. He heard the sound of dirt being thrown onto his coffin and, if God was merciful, the song of a bird above his forgotten grave. Casually removing his sabre from its sheath, he handed it up to the provost-marshal.

ONE OFFICER, ONE MAN

Captain Graffenreid stood at the head of his company. The regiment was not engaged. It formed a part of the front line-of-battle, which stretched away to the right with a visible length of nearly two miles through the open ground. The left flank was veiled by woods; to the right also the line was lost to sight, but it extended many miles. A hundred yards in rear was a second line; behind this, the reserve brigades and divisions in column. Batteries of artillery occupied the spaces between and crowned the low hills. Groups of horsemen—generals with their staffs and escorts, and field officers of regiments behind the colors—broke the regularity of the lines and columns. Numbers of these figures of interest had field-glasses at their eyes and sat motionless, stolidly scanning the country in front; others came and went at a slow canter, bearing orders. There were squads of stretcher-bearers, ambulances, wagon-trains with ammunition, and officers' servants in rear of all—of all that was visible—for still in rear of these, along the roads, extended for many miles all that vast multitude of non-combatants who with their various impedimenta are assigned to the inglorious but important duty of supplying the fighters' many needs.

Captain Graffenreid stood at the front of his company. The regiment wasn't involved in combat. It was part of the front line of battle, which stretched out to the right for nearly two miles across the open ground. The left side was hidden by woods; to the right, the line was out of sight, but it continued for many miles. A hundred yards behind was a second line; beyond that were the reserve brigades and divisions arranged in columns. Artillery batteries occupied the spaces in between and crowned the low hills. Groups of horsemen—generals with their staff and escorts, as well as field officers of regiments behind the colors—disrupted the regularity of the lines and columns. Many of these figures were using binoculars, sitting still and intently scanning the area ahead; others moved about slowly, delivering orders. There were squads of stretcher-bearers, ambulances, ammunition wagons, and officers' servants in the back—of everything visible—while further back along the roads extended for many miles all the vast crowd of non-combatants who, with their various supplies, were assigned to the unglamorous but essential task of meeting the fighters' numerous needs.

An army in line-of-battle awaiting attack, or prepared to deliver it, presents strange contrasts. At the front are precision, formality, fixity, and silence. Toward the rear these characteristics are less and less conspicuous, and finally, in point of space, are lost altogether in confusion, motion and noise. The homogeneous becomes heterogeneous. Definition is lacking; repose is replaced by an apparently purposeless activity; harmony vanishes in hubbub, form in disorder. Commotion everywhere and ceaseless unrest. The men who do not fight are never ready.

An army lined up for battle, either waiting to be attacked or preparing to strike, shows some striking contrasts. At the front, there's precision, formality, stillness, and silence. But as you go toward the back, these traits gradually fade away, eventually giving way to confusion, movement, and noise. What was once uniform becomes diverse. There's a lack of definition; calm is replaced by seemingly pointless activity; harmony disappears into chaos, and order turns into disarray. There's commotion everywhere and constant unrest. The soldiers who aren’t in the fight are never truly ready.

From his position at the right of his company in the front rank, Captain Graffenreid had an unobstructed outlook toward the enemy. A half-mile of open and nearly level ground lay before him, and beyond it an irregular wood, covering a slight acclivity; not a human being anywhere visible. He could imagine nothing more peaceful than the appearance of that pleasant landscape with its long stretches of brown fields over which the atmosphere was beginning to quiver in the heat of the morning sun. Not a sound came from forest or field—not even the barking of a dog or the crowing of a cock at the half-seen plantation house on the crest among the trees. Yet every man in those miles of men knew that he and death were face to face.

From his spot at the right of his company in the front line, Captain Graffenreid had a clear view of the enemy. A half-mile of open and almost flat ground stretched out before him, and beyond it, an uneven forest covered a slight rise; there wasn't a single person in sight. He couldn’t imagine anything more peaceful than the view of that beautiful landscape with its long stretches of brown fields, where the air was starting to shimmer in the morning sun’s heat. Not a sound came from the forest or the fields—not even the barking of a dog or the crowing of a rooster from the barely visible plantation house on the hill among the trees. Yet every soldier in those miles of men knew that he was staring death in the face.

Captain Graffenreid had never in his life seen an armed enemy, and the war in which his regiment was one of the first to take the field was two years old. He had had the rare advantage of a military education, and when his comrades had marched to the front he had been detached for administrative service at the capital of his State, where it was thought that he could be most useful. Like a bad soldier he protested, and like a good one obeyed. In close official and personal relations with the governor of his State, and enjoying his confidence and favor, he had firmly refused promotion and seen his juniors elevated above him. Death had been busy in his distant regiment; vacancies among the field officers had occurred again and again; but from a chivalrous feeling that war's rewards belonged of right to those who bore the storm and stress of battle he had held his humble rank and generously advanced the fortunes of others. His silent devotion to principle had conquered at last: he had been relieved of his hateful duties and ordered to the front, and now, untried by fire, stood in the van of battle in command of a company of hardy veterans, to whom he had been only a name, and that name a by-word. By none —not even by those of his brother officers in whose favor he had waived his rights—was his devotion to duty understood. They were too busy to be just; he was looked upon as one who had shirked his duty, until forced unwillingly into the field. Too proud to explain, yet not too insensible to feel, he could only endure and hope.

Captain Graffenreid had never seen an armed enemy in his life, and the war in which his regiment was one of the first to join was already two years old. He had the rare advantage of a military education, and when his comrades marched to the front, he was assigned to administrative duties at the capital of his State, where it was thought he would be most useful. Like a bad soldier, he protested, but like a good one, he obeyed. Having close official and personal ties with the governor of his State, and earning his confidence and favor, he firmly turned down promotions and watched his juniors move ahead of him. Death had taken its toll in his distant regiment; field officer vacancies occurred repeatedly, but out of a sense of honor that the rewards of war rightfully belonged to those who faced the chaos of battle, he maintained his humble rank and selflessly helped others rise. His quiet commitment to principle ultimately paid off: he was relieved of his unwanted duties and ordered to the front, now untested in battle, leading a company of seasoned veterans, to whom he had been just a name, and a name often spoken in disdain. By none—not even by those fellow officers whose rights he had overlooked—was his dedication to duty understood. They were too busy to be fair; he was seen as someone who had avoided his responsibilities until reluctantly drawn into the fight. Too proud to explain himself, yet not insensitive to the criticism, he could only endure and hope.

Of all the Federal Army on that summer morning none had accepted battle more joyously than Anderton Graffenreid. His spirit was buoyant, his faculties were riotous. He was in a state of mental exaltation and scarcely could endure the enemy's tardiness in advancing to the attack. To him this was opportunity—for the result he cared nothing. Victory or defeat, as God might will; in one or in the other he should prove himself a soldier and a hero; he should vindicate his right to the respect of his men and the companionship of his brother officers—to the consideration of his superiors. How his heart leaped in his breast as the bugle sounded the stirring notes of the "assembly"! With what a light tread, scarcely conscious of the earth beneath his feet, he strode forward at the head of his company, and how exultingly he noted the tactical dispositions which placed his regiment in the front line! And if perchance some memory came to him of a pair of dark eyes that might take on a tenderer light in reading the account of that day's doings, who shall blame him for the unmartial thought or count it a debasement of soldierly ardor?

Of all the Federal Army on that summer morning, none was more eager for battle than Anderton Graffenreid. He was filled with energy, and his mind was racing. He was in a state of excitement and could hardly stand the enemy's delay in launching the attack. To him, this was a chance—he didn't care about the outcome. Victory or defeat, as God dictated; in either case, he would prove himself a soldier and a hero. He aimed to earn the respect of his men and the camaraderie of his fellow officers—along with the acknowledgment of his superiors. How his heart raced as the bugle played the energizing notes of the “assembly”! With a light step, almost oblivious to the ground beneath him, he marched forward at the head of his company, and he took great pride in noticing the strategic arrangements that put his regiment in the front line! And if a memory of a pair of dark eyes came to him, possibly shining with a softer light while reading about the events of the day, who could blame him for that unmilitary thought or see it as a lowering of his soldierly spirit?

Suddenly, from the forest a half-mile in front—apparently from among the upper branches of the trees, but really from the ridge beyond—rose a tall column of white smoke. A moment later came a deep, jarring explosion, followed—almost attended—by a hideous rushing sound that seemed to leap forward across the intervening space with inconceivable rapidity, rising from whisper to roar with too quick a gradation for attention to note the successive stages of its horrible progression! A visible tremor ran along the lines of men; all were startled into motion. Captain Graffenreid dodged and threw up his hands to one side of his head, palms outward.

Suddenly, from the forest half a mile ahead—apparently from the upper branches of the trees, but really from the ridge beyond—rose a tall column of white smoke. A moment later, there was a loud, jarring explosion, followed—almost immediately—by a horrifying rushing sound that seemed to rush forward across the space between with incredible speed, rising from a whisper to a roar so rapidly that no one could keep track of its terrifying progression! A visible shudder went through the lines of men; everyone was jolted into action. Captain Graffenreid ducked and raised his hands to one side of his head, palms outward.

As he did so he heard a keen, ringing report, and saw on a hillside behind the line a fierce roll of smoke and dust—the shell's explosion. It had passed a hundred feet to his left! He heard, or fancied he heard, a low, mocking laugh and turning in the direction whence it came saw the eyes of his first lieutenant fixed upon him with an unmistakable look of amusement. He looked along the line of faces in the front ranks. The men were laughing. At him? The thought restored the color to his bloodless face—restored too much of it. His cheeks burned with a fever of shame.

As he did this, he heard a sharp, ringing sound and noticed a thick cloud of smoke and dust on a hillside behind the line—the shell had exploded. It had gone off a hundred feet to his left! He thought he heard a low, mocking laugh and, turning toward the source, saw his first lieutenant watching him with an unmistakable look of amusement. He glanced at the line of faces in the front ranks. The men were laughing. At him? The thought brought color back to his pale face—maybe too much. His cheeks burned with a wave of shame.

The enemy's shot was not answered: the officer in command at that exposed part of the line had evidently no desire to provoke a cannonade. For the forbearance Captain Graffenreid was conscious of a sense of gratitude. He had not known that the flight of a projectile was a phenomenon of so appalling character. His conception of war had already undergone a profound change, and he was conscious that his new feeling was manifesting itself in visible perturbation. His blood was boiling in his veins; he had a choking sensation and felt that if he had a command to give it would be inaudible, or at least unintelligible. The hand in which he held his sword trembled; the other moved automatically, clutching at various parts of his clothing. He found a difficulty in standing still and fancied that his men observed it. Was it fear? He feared it was.

The enemy’s shot went unanswered: the officer in charge of that vulnerable part of the line clearly had no intention of provoking a bombardment. Captain Graffenreid felt a sense of gratitude for this restraint. He hadn’t realized that the path of a projectile could be such a terrifying sight. His understanding of war had already changed dramatically, and he was aware that this new feeling was causing him visible anxiety. His blood was boiling in his veins; he felt a choking sensation and thought that if he tried to give an order, it would come out as a whisper or be completely unintelligible. The hand gripping his sword was shaking; the other moved on its own, clutching at different parts of his clothing. He struggled to keep still and had the impression that his men noticed it. Was it fear? He feared that it was.

From somewhere away to the right came, as the wind served, a low, intermittent murmur like that of ocean in a storm—like that of a distant railway train—like that of wind among the pines—three sounds so nearly alike that the ear, unaided by the judgment, cannot distinguish them one from another. The eyes of the troops were drawn in that direction; the mounted officers turned their field-glasses that way. Mingled with the sound was an irregular throbbing. He thought it, at first, the beating of his fevered blood in his ears; next, the distant tapping of a bass drum.

From somewhere off to the right, as the wind shifted, came a low, intermittent murmur that resembled the ocean during a storm—like a distant train—like the wind rustling through the pines—three sounds so similar that the ear, without the help of judgment, can't tell them apart. The troops' eyes were drawn that way; the mounted officers aimed their binoculars in that direction. Along with the sound was an irregular throbbing. At first, he thought it was the beating of his fevered blood in his ears; then, it sounded like the distant tapping of a bass drum.

"The ball is opened on the right flank," said an officer.

"The ball is played on the right side," said an officer.

Captain Graffenreid understood: the sounds were musketry and artillery. He nodded and tried to smile. There was apparently nothing infectious in the smile.

Captain Graffenreid understood: the sounds were gunfire and cannon blasts. He nodded and tried to smile. There was clearly nothing contagious about the smile.

Presently a light line of blue smoke-puffs broke out along the edge of the wood in front, succeeded by a crackle of rifles. There were keen, sharp hissings in the air, terminating abruptly with a thump near by. The man at Captain Graffenreid's side dropped his rifle; his knees gave way and he pitched awkwardly forward, falling upon his face. Somebody shouted "Lie down!" and the dead man was hardly distinguishable from the living. It looked as if those few rifle-shots had slain ten thousand men. Only the field officers remained erect; their concession to the emergency consisted in dismounting and sending their horses to the shelter of the low hills immediately in rear.

A thin line of blue smoke puffed out along the edge of the woods ahead, followed by the crackling of rifles. There were sharp hissing sounds in the air, abruptly ending with a thud nearby. The man next to Captain Graffenreid dropped his rifle; his knees buckled, and he fell awkwardly forward onto his face. Someone yelled, "Lie down!" and the dead man was barely distinguishable from the living. It seemed like those few rifle shots had taken the lives of ten thousand men. Only the field officers stayed standing; their response to the crisis was to dismount and send their horses to take cover behind the low hills just behind them.

Captain Graffenreid lay alongside the dead man, from beneath whose breast flowed a little rill of blood. It had a faint, sweetish odor that sickened him. The face was crushed into the earth and flattened. It looked yellow already, and was repulsive. Nothing suggested the glory of a soldier's death nor mitigated the loathsomeness of the incident. He could not turn his back upon the body without facing away from his company.

Captain Graffenreid lay next to the dead man, from whose chest a small stream of blood flowed. It had a faint, sweet smell that turned his stomach. The face was pressed into the ground and flattened. It already looked yellow and was disgusting. There was nothing to hint at the glory of a soldier's death or lessen the horror of the scene. He couldn't turn his back on the body without also turning away from his company.

He fixed his eyes upon the forest, where all again was silent. He tried to imagine what was going on there—the lines of troops forming to attack, the guns being pushed forward by hand to the edge of the open. He fancied he could see their black muzzles protruding from the undergrowth, ready to deliver their storm of missiles—such missiles as the one whose shriek had so unsettled his nerves. The distension of his eyes became painful; a mist seemed to gather before them; he could no longer see across the field, yet would not withdraw his gaze lest he see the dead man at his side.

He focused on the forest, where everything was quiet again. He tried to picture what was happening there—the lines of troops getting ready to attack, the guns being manually pushed to the edge of the clearing. He imagined he could see their black barrels sticking out from the bushes, poised to unleash their barrage of projectiles—like the one whose scream had so rattled him. His eyes started to hurt; a haze seemed to form in front of them; he could no longer see across the field, but he wouldn’t look away for fear of seeing the dead man beside him.

The fire of battle was not now burning very brightly in this warrior's soul. From inaction had come introspection. He sought rather to analyze his feelings than distinguish himself by courage and devotion. The result was profoundly disappointing. He covered his face with his hands and groaned aloud.

The fire of battle was not burning very brightly in this warrior's soul. From inaction came deep reflection. He preferred to analyze his feelings rather than prove himself through courage and dedication. The outcome was deeply disappointing. He covered his face with his hands and groaned aloud.

The hoarse murmur of battle grew more and more distinct upon the right; the murmur had, indeed, become a roar, the throbbing, a thunder. The sounds had worked round obliquely to the front; evidently the enemy's left was being driven back, and the propitious moment to move against the salient angle of his line would soon arrive. The silence and mystery in front were ominous; all felt that they boded evil to the assailants.

The rough sounds of battle grew clearer on the right; the murmur had turned into a roar, the throbbing had become thunder. The sounds had shifted towards the front; it was clear that the enemy's left was being pushed back, and the right moment to strike at the angle of their line would soon come. The silence and mystery ahead felt threatening; everyone sensed that they hinted at trouble for the attackers.

Behind the prostrate lines sounded the hoofbeats of galloping horses; the men turned to look. A dozen staff officers were riding to the various brigade and regimental commanders, who had remounted. A moment more and there was a chorus of voices, all uttering out of time the same words—"Attention, battalion!" The men sprang to their feet and were aligned by the company commanders. They awaited the word "forward"—awaited, too, with beating hearts and set teeth the gusts of lead and iron that were to smite them at their first movement in obedience to that word. The word was not given; the tempest did not break out. The delay was hideous, maddening! It unnerved like a respite at the guillotine.

Behind the fallen lines, the sound of galloping horses echoed; the men turned to look. A dozen staff officers were riding to the various brigade and regimental commanders, who had remounted. In a moment, a chorus of voices, all out of sync, shouted the same words—"Attention, battalion!" The men jumped to their feet and were arranged by their company commanders. They waited for the command "forward"—also waiting with racing hearts and clenched teeth for the onslaught of lead and iron that would hit them at their first move in response to that command. The command was not given; the storm did not break. The delay was horrifying, maddening! It felt disorienting, like a reprieve at the guillotine.

Captain Graffenreid stood at the head of his company, the dead man at his feet. He heard the battle on the right—rattle and crash of musketry, ceaseless thunder of cannon, desultory cheers of invisible combatants. He marked ascending clouds of smoke from distant forests. He noted the sinister silence of the forest in front. These contrasting extremes affected the whole range of his sensibilities. The strain upon his nervous organization was insupportable. He grew hot and cold by turns. He panted like a dog, and then forgot to breathe until reminded by vertigo.

Captain Graffenreid stood at the front of his company, the dead man at his feet. He heard the battle on his right—the rattle and crash of muskets, the continuous roar of cannons, and the sporadic cheers of unseen fighters. He noticed the rising clouds of smoke coming from distant forests. He observed the eerie silence in the forest ahead. These stark contrasts affected him deeply. The pressure on his nerves was unbearable. He felt hot and cold alternately. He gasped for air like a dog, and then forgot to breathe until dizziness reminded him.

Suddenly he grew calm. Glancing downward, his eyes had fallen upon his naked sword, as he held it, point to earth. Foreshortened to his view, it resembled somewhat, he thought, the short heavy blade of the ancient Roman. The fancy was full of suggestion, malign, fateful, heroic!

Suddenly, he became calm. Looking down, he noticed his naked sword, held with the point facing the ground. From his perspective, it looked a bit like the short, heavy blade of an ancient Roman sword. The thought was filled with ominous, fateful, and heroic implications!

The sergeant in the rear rank, immediately behind Captain Graffenreid, now observed a strange sight. His attention drawn by an uncommon movement made by the captain—a sudden reaching forward of the hands and their energetic withdrawal, throwing the elbows out, as in pulling an oar—he saw spring from between the officer's shoulders a bright point of metal which prolonged itself outward, nearly a half-arm's length—a blade! It was faintly streaked with crimson, and its point approached so near to the sergeant's breast, and with so quick a movement, that he shrank backward in alarm. That moment Captain Graffenreid pitched heavily forward upon the dead man and died.

The sergeant in the back rank, right behind Captain Graffenreid, noticed an unusual sight. His attention was caught by an odd movement from the captain—a sudden reach forward with his hands followed by a quick withdrawal, pushing his elbows out like he was rowing. He saw a bright point of metal spring out from between the officer's shoulders, extending nearly half an arm's length—a blade! It had faint streaks of red on it, and its tip came so close to the sergeant's chest, moving so fast, that he recoiled in alarm. At that moment, Captain Graffenreid collapsed heavily onto the dead man and died.

A week later the major-general commanding the left corps of the Federal Army submitted the following official report:

A week later, the major general in charge of the left corps of the Federal Army submitted the following official report:

"SIR: I have the honor to report, with regard to the action of the 19th inst, that owing to the enemy's withdrawal from my front to reinforce his beaten left, my command was not seriously engaged. My loss was as follows: Killed, one officer, one man."

"SIR: I am pleased to report, regarding the action of the 19th, that due to the enemy pulling back from my position to strengthen their defeated left, my unit was not heavily involved. My losses were as follows: one officer and one soldier killed."

GEORGE THURSTON

THREE INCIDENTS IN THE LIFE OF A MAN

THREE INCIDENTS IN THE LIFE OF A MAN

George Thurston was a first lieutenant and aide-de-camp on the staff of Colonel Brough, commanding a Federal brigade. Colonel Brough was only temporarily in command, as senior colonel, the brigadier-general having been severely wounded and granted a leave of absence to recover. Lieutenant Thurston was, I believe, of Colonel Brough's regiment, to which, with his chief, he would naturally have been relegated had he lived till our brigade commander's recovery. The aide whose place Thurston took had been killed in battle; Thurston's advent among us was the only change in the personnel of our staff consequent upon the change in commanders. We did not like him; he was unsocial. This, however, was more observed by others than by me. Whether in camp or on the march, in barracks, in tents, or en bivouac, my duties as topographical engineer kept me working like a beaver—all day in the saddle and half the night at my drawing-table, platting my surveys. It was hazardous work; the nearer to the enemy's lines I could penetrate, the more valuable were my field notes and the resulting maps. It was a business in which the lives of men counted as nothing against the chance of defining a road or sketching a bridge. Whole squadrons of cavalry escort had sometimes to be sent thundering against a powerful infantry outpost in order that the brief time between the charge and the inevitable retreat might be utilized in sounding a ford or determining the point of intersection of two roads.

George Thurston was a first lieutenant and aide-de-camp on Colonel Brough's staff, who was in charge of a Federal brigade. Colonel Brough was only temporarily in command as the senior colonel since the brigadier-general had been seriously injured and given time off to recover. I believe Lieutenant Thurston was from Colonel Brough's regiment, which he would have naturally returned to if the brigade commander had recovered. The aide he replaced had been killed in battle; Thurston joining us was the only change in our staff due to the change in commanders. We didn't like him; he was unfriendly. However, this was more noted by others than by me. Whether in camp, on the march, in barracks, in tents, or en bivouac, my role as a topographical engineer kept me busy—riding all day and spending half the night at my drawing table, mapping my surveys. It was dangerous work; the closer I could get to the enemy's lines, the more valuable my field notes and resulting maps became. It was a job where men's lives were considered insignificant compared to the opportunity to define a road or sketch a bridge. Entire squadrons of cavalry sometimes had to be sent charging against a strong infantry outpost so that the brief time between the charge and the inevitable retreat could be used to sound a ford or figure out the intersection of two roads.

In some of the dark corners of England and Wales they have an immemorial custom of "beating the bounds" of the parish. On a certain day of the year the whole population turns out and travels in procession from one landmark to another on the boundary line. At the most important points lads are soundly beaten with rods to make them remember the place in after life. They become authorities. Our frequent engagements with the Confederate outposts, patrols, and scouting parties had, incidentally, the same educating value; they fixed in my memory a vivid and apparently imperishable picture of the locality—a picture serving instead of accurate field notes, which, indeed, it was not always convenient to take, with carbines cracking, sabers clashing, and horses plunging all about. These spirited encounters were observations entered in red.

In some of the forgotten spots of England and Wales, there's an old tradition of "beating the bounds" of the parish. On a specific day each year, the entire community comes together and walks in a procession from one landmark to another along the boundary line. At key points, young men receive solid whacks with rods to help them remember the location later in life. They become local experts. Our regular skirmishes with the Confederate outposts, patrols, and scouting parties also had a similar educational benefit; they created a vivid and seemingly unforgettable image of the area in my mind—an image that acted as a substitute for precise field notes, which weren't always easy to take with gunfire cracking, sabers clashing, and horses rearing all around. These energetic encounters were marked as significant observations.

One morning as I set out at the head of my escort on an expedition of more than the usual hazard Lieutenant Thurston rode up alongside and asked if I had any objection to his accompanying me, the colonel commanding having given him permission.

One morning, as I set out with my escort on a mission that was riskier than usual, Lieutenant Thurston rode up next to me and asked if I minded him joining me, since the commanding colonel had given him the go-ahead.

"None whatever," I replied rather gruffly; "but in what capacity will you go? You are not a topographical engineer, and Captain Burling commands my escort."

"Not at all," I responded somewhat harshly; "but what role will you take on? You’re not a surveyor, and Captain Burling is in charge of my escort."

"I will go as a spectator," he said. Removing his sword-belt and taking the pistols from his holsters he handed them to his servant, who took them back to headquarters. I realized the brutality of my remark, but not clearly seeing my way to an apology, said nothing.

"I'll go as a spectator," he said. He took off his sword belt and removed the pistols from his holsters, giving them to his servant, who took them back to headquarters. I recognized how harsh my comment was, but not knowing how to apologize, I said nothing.

That afternoon we encountered a whole regiment of the enemy's cavalry in line and a field-piece that dominated a straight mile of the turnpike by which we had approached. My escort fought deployed in the woods on both sides, but Thurston remained in the center of the road, which at intervals of a few seconds was swept by gusts of grape and canister that tore the air wide open as they passed. He had dropped the rein on the neck of his horse and sat bolt upright in the saddle, with folded arms. Soon he was down, his horse torn to pieces. From the side of the road, my pencil and field book idle, my duty forgotten, I watched him slowly disengaging himself from the wreck and rising. At that instant, the cannon having ceased firing, a burly Confederate trooper on a spirited horse dashed like a thunderbolt down the road with drawn saber. Thurston saw him coming, drew himself up to his full height, and again folded his arms. He was too brave to retreat before the word, and my uncivil words had disarmed him. He was a spectator. Another moment and he would have been split like a mackerel, but a blessed bullet tumbled his assailant into the dusty road so near that the impetus sent the body rolling to Thurston's feet. That evening, while platting my hasty survey, I found time to frame an apology, which I think took the rude, primitive form of a confession that I had spoken like a malicious idiot.

That afternoon, we came across a whole regiment of enemy cavalry lined up and a field cannon that controlled a straight mile of the road we had taken. My escort fought spread out in the woods on both sides, but Thurston stayed in the middle of the road, which was periodically hit by blasts of grape and canister fire that ripped through the air as they went by. He let the reins drop on his horse's neck and sat up straight in the saddle, arms crossed. Soon, he was down, his horse shattered. From the side of the road, my pencil and notebook forgotten, I watched him slowly pull himself free from the wreckage and stand up. Just then, as the cannon stopped firing, a hefty Confederate soldier on an energetic horse charged down the road like a bolt of lightning with his saber drawn. Thurston saw him coming, straightened up, and crossed his arms again. He was too brave to back down at that moment, and my rude words had disarmed him. He was just a spectator. In another moment, he would have been cut down like a fish, but a lucky bullet knocked the attacker into the dusty road, landing so close that the force sent the body rolling to Thurston's feet. That evening, while I hurriedly sketched my survey, I found time to craft an apology, which I think took the simple, blunt form of an admission that I had spoken like a cruel fool.

A few weeks later a part of our army made an assault upon the enemy's left. The attack, which was made upon an unknown position and across unfamiliar ground, was led by our brigade. The ground was so broken and the underbrush so thick that all mounted officers and men were compelled to fight on foot—the brigade commander and his staff included. In the mêlée Thurston was parted from the rest of us, and we found him, horribly wounded, only when we had taken the enemy's last defense. He was some months in hospital at Nashville, Tennessee, but finally rejoined us. He said little about his misadventure, except that he had been bewildered and had strayed into the enemy's lines and been shot down; but from one of his captors, whom we in turn had captured, we learned the particulars. "He came walking right upon us as we lay in line," said this man. "A whole company of us instantly sprang up and leveled our rifles at his breast, some of them almost touching him. 'Throw down that sword and surrender, you damned Yank!' shouted some one in authority. The fellow ran his eyes along the line of rifle barrels, folded his arms across his breast, his right hand still clutching his sword, and deliberately replied, 'I will not.' If we had all fired he would have been torn to shreds. Some of us didn't. I didn't, for one; nothing could have induced me."

A few weeks later, part of our army launched an attack on the enemy's left. The offensive, which targeted an unknown position and crossed unfamiliar terrain, was led by our brigade. The ground was so rough and the underbrush so dense that all mounted officers and soldiers had to fight on foot, including the brigade commander and his staff. In the mêlée, Thurston got separated from the rest of us, and we only found him, badly wounded, after we had taken the enemy's last defense. He spent several months in a hospital in Nashville, Tennessee, but eventually rejoined us. He didn’t share much about what happened, only that he had become confused, wandered into the enemy lines, and got shot. However, from one of his captors, who we later captured, we learned the details. "He came walking right towards us as we lay in line," the man said. "A whole company of us immediately jumped up and aimed our rifles at him, some almost touching him. 'Drop that sword and surrender, you damned Yank!' yelled someone in charge. The guy scanned the line of rifle barrels, crossed his arms over his chest with his right hand still gripping his sword, and calmly replied, 'I will not.' If we had all fired, he would have been blown apart. Some of us didn’t. I didn’t, for one; nothing could have made me."

When one is tranquilly looking death in the eye and refusing him any concession one naturally has a good opinion of one's self. I don't know if it was this feeling that in Thurston found expression in a stiffish attitude and folded arms; at the mess table one day, in his absence, another explanation was suggested by our quartermaster, an irreclaimable stammerer when the wine was in: "It's h—is w—ay of m-m-mastering a c-c-consti-t-tu-tional t-tendency to r—un aw—ay."

When someone is calmly facing death and not giving in, they naturally start to feel good about themselves. I'm not sure if that feeling showed in Thurston’s stiff posture and crossed arms; one day at the mess table, during his absence, our quartermaster—who had a habit of stammering when he drank—offered another explanation: "It’s h—is w—ay of m-m-mastering a c-c-consti-t-tu-tional t-tendency to r—un aw—ay."

"What!" I flamed out, indignantly rising; "you intimate that Thurston is a coward—and in his absence?"

"What!" I exclaimed, standing up in anger. "Are you suggesting that Thurston is a coward—and doing it while he's not here?"

"If he w—ere a cow—wow-ard h—e w—wouldn't t-try to m-m-master it; and if he w—ere p-present I w—wouldn't d-d-dare to d-d-discuss it," was the mollifying reply.

"If he were a coward, he wouldn't try to master it; and if he were present, I wouldn't dare to discuss it," was the calming reply.

This intrepid man, George Thurston, died an ignoble death. The brigade was in camp, with headquarters in a grove of immense trees. To an upper branch of one of these a venturesome climber had attached the two ends of a long rope and made a swing with a length of not less than one hundred feet. Plunging downward from a height of fifty feet, along the arc of a circle with such a radius, soaring to an equal altitude, pausing for one breathless instant, then sweeping dizzily backward—no one who has not tried it can conceive the terrors of such sport to the novice. Thurston came out of his tent one day and asked for instruction in the mystery of propelling the swing—the art of rising and sitting, which every boy has mastered. In a few moments he had acquired the trick and was swinging higher than the most experienced of us had dared. We shuddered to look at his fearful flights.

This brave man, George Thurston, died a shameful death. The brigade was camping, with headquarters in a grove of huge trees. A daring climber had tied the ends of a long rope to an upper branch of one of these trees and made a swing that was at least one hundred feet long. Plunging down from a height of fifty feet, moving in an arc that long, soaring up to the same height, pausing for a breathless moment, then swooping back—anyone who hasn’t experienced this can’t imagine the fears of such an activity for a beginner. One day, Thurston came out of his tent and asked for help with the technique of using the swing—the skill of rising and sitting, which every boy has learned. In just a few moments, he mastered the technique and was swinging higher than any of us had ever dared. We shuddered to watch his terrifying flights.

"St-t-top him," said the quartermaster, snailing lazily along from the mess-tent, where he had been lunching; "h—e d-doesn't know that if h—e g-g-goes c-clear over h—e'll w—ind up the sw—ing."

"Stop him," said the quartermaster, moving slowly from the mess tent, where he had been having lunch; "he doesn't realize that if he goes too far he’ll end up swinging."

With such energy was that strong man cannonading himself through the air that at each extremity of his increasing arc his body, standing in the swing, was almost horizontal. Should he once pass above the level of the rope's attachment he would be lost; the rope would slacken and he would fall vertically to a point as far below as he had gone above, and then the sudden tension of the rope would wrest it from his hands. All saw the peril—all cried out to him to desist, and gesticulated at him as, indistinct and with a noise like the rush of a cannon shot in flight, he swept past us through the lower reaches of his hideous oscillation. A woman standing at a little distance away fainted and fell unobserved. Men from the camp of a regiment near by ran in crowds to see, all shouting. Suddenly, as Thurston was on his upward curve, the shouts all ceased.

With such energy, that strong man was propelling himself through the air that at each end of his increasing arc, his body, suspended in the swing, was almost horizontal. If he ever passed above the level where the rope was attached, he would be in trouble; the rope would loosen, and he would fall straight down to a point as far below as he had gone above, and then the sudden pull of the rope would tear it from his hands. Everyone saw the danger—everyone shouted for him to stop and gestured at him as, blurred and with a sound like a cannon shot in flight, he zoomed past us through the lower part of his disturbing swing. A woman standing a little way off fainted and fell unnoticed. Men from a nearby regiment rushed in crowds to see, all yelling. Suddenly, as Thurston was on his upward swing, all the shouts stopped.

Thurston and the swing had parted—that is all that can be known; both hands at once had released the rope. The impetus of the light swing exhausted, it was falling back; the man's momentum was carrying him, almost erect, upward and forward, no longer in his arc, but with an outward curve. It could have been but an instant, yet it seemed an age. I cried out, or thought I cried out: "My God! will he never stop going up?" He passed close to the branch of a tree. I remember a feeling of delight as I thought he would clutch it and save himself. I speculated on the possibility of it sustaining his weight. He passed above it, and from my point of view was sharply outlined against the blue. At this distance of many years I can distinctly recall that image of a man in the sky, its head erect, its feet close together, its hands—I do not see its hands. All at once, with astonishing suddenness and rapidity, it turns clear over and pitches downward. There is another cry from the crowd, which has rushed instinctively forward. The man has become merely a whirling object, mostly legs. Then there is an indescribable sound—the sound of an impact that shakes the earth, and these men, familiar with death in its most awful aspects, turn sick. Many walk unsteadily away from the spot; others support themselves against the trunks of trees or sit at the roots. Death has taken an unfair advantage; he has struck with an unfamiliar weapon; he has executed a new and disquieting stratagem. We did not know that he had so ghastly resources, possibilities of terror so dismal.

Thurston and the swing had disconnected—that’s all that could be known; both hands had released the rope at the same time. The momentum of the swing was fading, and it was falling back; the man’s speed was carrying him, almost straight up, and forward, no longer in his arc, but with an outward curve. It could have been just a moment, yet it felt like a lifetime. I shouted, or thought I shouted, "My God! Will he ever stop going up?" He passed close to a tree branch. I felt a surge of hope, thinking he would grab it and save himself. I wondered if it could support his weight. He went above it, and from my viewpoint, he was sharply outlined against the blue sky. Even after all these years, I can clearly remember that image of a man in the sky, his head up, feet close together, but his hands—I can't see his hands. Suddenly, with shocking speed, he flipped over and plunged downwards. There’s another scream from the crowd, which has instinctively rushed forward. The man has turned into just a spinning figure, mostly legs. Then there’s an indescribable noise—the sound of impact that reverberates through the ground, and these men, who are no strangers to death in its most terrible forms, feel queasy. Many stagger away from the scene; others brace themselves against tree trunks or sit at the roots. Death has taken an unfair advantage; he has struck with a strange weapon; he has employed a new and unsettling tactic. We didn’t know he had such horrifying resources, such dismal possibilities of terror.

Thurston's body lay on its back. One leg, bent beneath, was broken above the knee and the bone driven into the earth. The abdomen had burst; the bowels protruded. The neck was broken.

Thurston's body was lying on its back. One leg, bent underneath, was broken above the knee, and the bone was driven into the ground. The abdomen had ruptured, and the intestines were exposed. The neck was fractured.

The arms were folded tightly across the breast.

The arms were crossed tightly over the chest.

THE MOCKING-BIRD

The time, a pleasant Sunday afternoon in the early autumn of 1861. The place, a forest's heart in the mountain region of southwestern Virginia. Private Grayrock of the Federal Army is discovered seated comfortably at the root of a great pine tree, against which he leans, his legs extended straight along the ground, his rifle lying across his thighs, his hands (clasped in order that they may not fall away to his sides) resting upon the barrel of the weapon. The contact of the back of his head with the tree has pushed his cap downward over his eyes, almost concealing them; one seeing him would say that he slept.

The time is a nice Sunday afternoon in early autumn 1861. The place is deep in the mountains of southwestern Virginia. Private Grayrock of the Federal Army is comfortably seated at the base of a large pine tree, leaning back against it. His legs are stretched out on the ground, his rifle laid across his thighs, and his hands are clasped on the barrel of the gun to keep them from falling to his sides. The back of his head resting against the tree has pushed his cap down over his eyes, almost hiding them; anyone seeing him would think he was asleep.

Private Grayrock did not sleep; to have done so would have imperiled the interests of the United States, for he was a long way outside the lines and subject to capture or death at the hands of the enemy. Moreover, he was in a frame of mind unfavorable to repose. The cause of his perturbation of spirit was this: during the previous night he had served on the picket-guard, and had been posted as a sentinel in this very forest. The night was clear, though moonless, but in the gloom of the wood the darkness was deep. Grayrock's post was at a considerable distance from those to right and left, for the pickets had been thrown out a needless distance from the camp, making the line too long for the force detailed to occupy it. The war was young, and military camps entertained the error that while sleeping they were better protected by thin lines a long way out toward the enemy than by thicker ones close in. And surely they needed as long notice as possible of an enemy's approach, for they were at that time addicted to the practice of undressing—than which nothing could be more unsoldierly. On the morning of the memorable 6th of April, at Shiloh, many of Grant's men when spitted on Confederate bayonets were as naked as civilians; but it should be allowed that this was not because of any defect in their picket line. Their error was of another sort: they had no pickets. This is perhaps a vain digression. I should not care to undertake to interest the reader in the fate of an army; what we have here to consider is that of Private Grayrock.

Private Grayrock couldn’t sleep; doing so would have put the interests of the United States at risk since he was far outside the lines and could be captured or killed by the enemy. Plus, he was in a state of mind that wasn’t conducive to rest. The reason for his restless thoughts was this: the night before, he had been part of the picket guard and was assigned as a sentinel in this very forest. The night was clear, though there was no moon, and in the shadows of the woods, it was extremely dark. Grayrock’s post was quite a distance from those on his right and left, as the pickets had been placed unnecessarily far from the camp, stretching the line too thin for the troops assigned to hold it. The war was still in its early days, and military camps made the mistake of believing they were safer with thin lines far out toward the enemy rather than having thicker ones closer in. They definitely needed as much warning as possible about an enemy’s approach since they had taken to the unsoldierly habit of undressing. On the morning of the infamous 6th of April at Shiloh, many of Grant’s men, when speared on Confederate bayonets, were as naked as civilians; but it should be noted that this wasn’t due to any flaws in their picket line. Their mistake was something else entirely: they had no pickets at all. This might be a pointless side note. I don't care to engage the reader with the fate of an army; what we need to focus on is the story of Private Grayrock.

For two hours after he had been left at his lonely post that Saturday night he stood stock-still, leaning against the trunk of a large tree, staring into the darkness in his front and trying to recognize known objects; for he had been posted at the same spot during the day. But all was now different; he saw nothing in detail, but only groups of things, whose shapes, not observed when there was something more of them to observe, were now unfamiliar. They seemed not to have been there before. A landscape that is all trees and undergrowth, moreover, lacks definition, is confused and without accentuated points upon which attention can gain a foothold. Add the gloom of a moonless night, and something more than great natural intelligence and a city education is required to preserve one's knowledge of direction. And that is how it occurred that Private Grayrock, after vigilantly watching the spaces in his front and then imprudently executing a circumspection of his whole dimly visible environment (silently walking around his tree to accomplish it) lost his bearings and seriously impaired his usefulness as a sentinel. Lost at his post—unable to say in which direction to look for an enemy's approach, and in which lay the sleeping camp for whose security he was accountable with his life—conscious, too, of many another awkward feature of the situation and of considerations affecting his own safety, Private Grayrock was profoundly disquieted. Nor was he given time to recover his tranquillity, for almost at the moment that he realized his awkward predicament he heard a stir of leaves and a snap of fallen twigs, and turning with a stilled heart in the direction whence it came, saw in the gloom the indistinct outlines of a human figure.

For two hours after he was left at his lonely post that Saturday night, he stood still, leaning against the trunk of a large tree, staring into the darkness in front of him and trying to recognize familiar objects; he had been stationed at the same spot during the day. But everything was different now; he saw nothing clearly, just groups of shapes that, when there was more to observe, had gone unnoticed. They seemed like they hadn’t been there before. A landscape filled with trees and underbrush lacks definition, feels chaotic, and doesn’t have clear focal points for the eye to rest on. Add the darkness of a moonless night, and it takes more than keen natural instincts and an urban education to keep track of direction. That’s how Private Grayrock, after carefully observing the areas in front of him and then recklessly checking his entire dimly lit surroundings (silently walking around his tree to do so), lost his sense of direction and seriously compromised his role as a sentinel. Lost at his post—unable to tell which way to look for an enemy approaching and where the sleeping camp was that he was responsible for protecting with his life—aware, too, of many other awkward aspects of the situation and concerns for his own safety, Private Grayrock felt deeply unsettled. And he didn’t have time to regain his composure, for just as he recognized his difficult situation, he heard the rustle of leaves and the snap of a twig. Turning with a racing heart toward the sound, he saw the vague outline of a human figure in the gloom.

"Halt!" shouted Private Grayrock, peremptorily as in duty bound, backing up the command with the sharp metallic snap of his cocking rifle—"who goes there?"

"Halt!" shouted Private Grayrock, firmly as it was his duty, backing up the command with the sharp metallic snap of his cocked rifle—"who's there?"

There was no answer; at least there was an instant's hesitation, and the answer, if it came, was lost in the report of the sentinel's rifle. In the silence of the night and the forest the sound was deafening, and hardly had it died away when it was repeated by the pieces of the pickets to right and left, a sympathetic fusillade. For two hours every unconverted civilian of them had been evolving enemies from his imagination, and peopling the woods in his front with them, and Grayrock's shot had started the whole encroaching host into visible existence. Having fired, all retreated, breathless, to the reserves—all but Grayrock, who did not know in what direction to retreat. When, no enemy appearing, the roused camp two miles away had undressed and got itself into bed again, and the picket line was cautiously re-established, he was discovered bravely holding his ground, and was complimented by the officer of the guard as the one soldier of that devoted band who could rightly be considered the moral equivalent of that uncommon unit of value, "a whoop in hell."

There was no response; at least there was a brief pause, and the answer, if it came, was drowned out by the sentinel's rifle report. In the quiet of the night and the forest, the sound was overwhelming, and just as it faded, it was echoed by the shots of the sentries to the right and left, creating a sympathetic burst of gunfire. For two hours, every unarmed civilian had been conjuring enemies in their minds, filling the woods in front of them with imagined foes, and Grayrock's shot had brought this entire imagined host into visible reality. After firing, everyone else retreated, out of breath, back to the reserves—all except Grayrock, who didn’t know where to go. When no enemy appeared, and the awakened camp two miles away had gotten undressed and settled into bed again, and the picket line was carefully reestablished, he was found bravely holding his ground and was praised by the officer of the guard as the only soldier of that devoted group who could genuinely be considered the moral equivalent of that unique unit of worth, "a whoop in hell."

In the mean time, however, Grayrock had made a close but unavailing search for the mortal part of the intruder at whom he had fired, and whom he had a marksman's intuitive sense of having hit; for he was one of those born experts who shoot without aim by an instinctive sense of direction, and are nearly as dangerous by night as by day. During a full half of his twenty-four years he had been a terror to the targets of all the shooting-galleries in three cities. Unable now to produce his dead game he had the discretion to hold his tongue, and was glad to observe in his officer and comrades the natural assumption that not having run away he had seen nothing hostile. His "honorable mention" had been earned by not running away anyhow.

In the meantime, Grayrock had conducted a thorough but fruitless search for the body of the intruder he had shot at, convinced by a marksman’s instinct that he had hit his target. He was one of those natural marksmen who shoot accurately without aiming, making him just as dangerous at night as during the day. For half of his twenty-four years, he had struck fear into the hearts of targets in shooting galleries across three cities. Unable to show any dead game now, he wisely decided to stay silent and was pleased to see that his officer and comrades assumed that since he hadn’t run away, he hadn’t encountered anything threatening. He had earned his "honorable mention" simply by not fleeing.

Nevertheless, Private Grayrock was far from satisfied with the night's adventure, and when the next day he made some fair enough pretext to apply for a pass to go outside the lines, and the general commanding promptly granted it in recognition of his bravery the night before, he passed out at the point where that had been displayed. Telling the sentinel then on duty there that he had lost something,—which was true enough—he renewed the search for the person whom he supposed himself to have shot, and whom if only wounded he hoped to trail by the blood. He was no more successful by daylight than he had been in the darkness, and after covering a wide area and boldly penetrating a long distance into "the Confederacy" he gave up the search, somewhat fatigued, seated himself at the root of the great pine tree, where we have seen him, and indulged his disappointment.

However, Private Grayrock was far from happy with the night’s experience, and when he made up a reasonable excuse the next day to request a pass to go outside the lines, the commanding general quickly granted it in recognition of his bravery the night before. He left at the spot where that bravery had been shown. He told the sentinel on duty there that he had lost something—which was true—and resumed the search for the person he thought he had shot, hoping that if they were only wounded, he could follow the trail of blood. He didn’t have any more luck during the day than he had in the dark, and after covering a large area and boldly venturing a long way into “the Confederacy,” he gave up the search, somewhat exhausted. He sat down at the base of the large pine tree, where we have seen him before, and let his disappointment wash over him.

It is not to be inferred that Grayrock's was the chagrin of a cruel nature balked of its bloody deed. In the clear large eyes, finely wrought lips, and broad forehead of that young man one could read quite another story, and in point of fact his character was a singularly felicitous compound of boldness and sensibility, courage and conscience.

It shouldn't be assumed that Grayrock was upset because he didn't get to commit his violent act. If you looked into the clear eyes, well-shaped lips, and broad forehead of that young man, you'd see a different story. In reality, his character was a unique mix of bravery and sensitivity, courage and morality.

"I find myself disappointed," he said to himself, sitting there at the bottom of the golden haze submerging the forest like a subtler sea—"disappointed in failing to discover a fellow-man dead by my hand! Do I then really wish that I had taken life in the performance of a duty as well performed without? What more could I wish? If any danger threatened, my shot averted it; that is what I was there to do. No, I am glad indeed if no human life was needlessly extinguished by me. But I am in a false position. I have suffered myself to be complimented by my officers and envied by my comrades. The camp is ringing with praise of my courage. That is not just; I know myself courageous, but this praise is for specific acts which I did not perform, or performed—otherwise. It is believed that I remained at my post bravely, without firing, whereas it was I who began the fusillade, and I did not retreat in the general alarm because bewildered. What, then, shall I do? Explain that I saw an enemy and fired? They have all said that of themselves, yet none believes it. Shall I tell a truth which, discrediting my courage, will have the effect of a lie? Ugh! it is an ugly business altogether. I wish to God I could find my man!"

"I'm really disappointed," he muttered to himself, sitting at the edge of the golden haze that enveloped the forest like a softer sea—"disappointed that I didn't find a fellow human dead by my hand! Do I really want to say I took a life while doing a job that I did just fine without it? What more could I ask for? If any danger was lurking, my shot prevented it; that’s exactly what I was there for. No, I'm actually relieved that no human life was unnecessarily taken by me. But I feel out of place. I've let my officers flatter me and my comrades envy me. The camp is buzzing with talk of my bravery. That's not fair; I know I’m brave, but this praise is for specific actions I didn’t take, or took differently. They think I held my ground courageously without firing when it was I who started the shooting, and I didn’t step back in the chaos because I was confused. So, what should I do now? Should I explain that I saw an enemy and fired? They’ve all said that about themselves, yet no one believes it. Should I tell a truth that would undermine my bravery, making it feel like a lie? Ugh! It’s all just a messy situation. I wish to God I could find my man!"

And so wishing, Private Grayrock, overcome at last by the languor of the afternoon and lulled by the stilly sounds of insects droning and prosing in certain fragrant shrubs, so far forgot the interests of the United States as to fall asleep and expose himself to capture. And sleeping he dreamed.

And so, feeling this way, Private Grayrock, finally weighed down by the afternoon’s drowsiness and soothed by the quiet sounds of insects buzzing in some fragrant bushes, completely forgot about the interests of the United States and fell asleep, making himself vulnerable to capture. While he slept, he dreamed.

He thought himself a boy, living in a far, fair land by the border of a great river upon which the tall steamboats moved grandly up and down beneath their towering evolutions of black smoke, which announced them long before they had rounded the bends and marked their movements when miles out of sight. With him always, at his side as he watched them, was one to whom he gave his heart and soul in love—a twin brother. Together they strolled along the banks of the stream; together explored the fields lying farther away from it, and gathered pungent mints and sticks of fragrant sassafras in the hills overlooking all—beyond which lay the Realm of Conjecture, and from which, looking southward across the great river, they caught glimpses of the Enchanted Land. Hand in hand and heart in heart they two, the only children of a widowed mother, walked in paths of light through valleys of peace, seeing new things under a new sun. And through all the golden days floated one unceasing sound—the rich, thrilling melody of a mocking-bird in a cage by the cottage door. It pervaded and possessed all the spiritual intervals of the dream, like a musical benediction. The joyous bird was always in song; its infinitely various notes seemed to flow from its throat, effortless, in bubbles and rills at each heart-beat, like the waters of a pulsing spring. That fresh, clear melody seemed, indeed, the spirit of the scene, the meaning and interpretation to sense of the mysteries of life and love.

He saw himself as a boy living in a beautiful land by the edge of a big river, where tall steamboats moved majestically up and down, puffing out clouds of black smoke that announced their approach long before they rounded the bends and were visible from miles away. Always by his side, as he watched them, was someone to whom he gave his heart and soul in love—his twin brother. Together, they strolled along the riverbanks, explored the fields beyond it, and gathered fragrant mint and sassafras sticks on the hills that overlooked everything—beyond which lay the Realm of Conjecture, and from where, looking south across the great river, they glimpsed the Enchanted Land. Hand in hand and heart to heart, they, the only children of a widowed mother, walked in paths of light through peaceful valleys, discovering new things under a new sun. And throughout those golden days floated one constant sound—the rich, exciting melody of a mockingbird in a cage by the cottage door. It filled and surrounded all the spiritual moments of their dream, like a musical blessing. The happy bird was always singing; its endless notes seemed to flow effortlessly from its throat, bubbling and trickling with each heartbeat, like the waters of a lively spring. That fresh, clear melody truly seemed to embody the scene, providing meaning and interpretation to the mysteries of life and love.

But there came a time when the days of the dream grew dark with sorrow in a rain of tears. The good mother was dead, the meadowside home by the great river was broken up, and the brothers were parted between two of their kinsmen. William (the dreamer) went to live in a populous city in the Realm of Conjecture, and John, crossing the river into the Enchanted Land, was taken to a distant region whose people in their lives and ways were said to be strange and wicked. To him, in the distribution of the dead mother's estate, had fallen all that they deemed of value—the mocking-bird. They could be divided, but it could not, so it was carried away into the strange country, and the world of William knew it no more forever. Yet still through the aftertime of his loneliness its song filled all the dream, and seemed always sounding in his ear and in his heart.

But there came a time when the days of the dream turned dark with sadness in a downpour of tears. The good mother had died, the home by the river was broken apart, and the brothers were separated between two of their relatives. William (the dreamer) moved to a busy city in the Realm of Conjecture, while John, crossing the river into the Enchanted Land, was taken to a remote area where the people were said to live in strange and wicked ways. In the division of their deceased mother’s estate, he received everything they considered valuable—the mockingbird. While the other possessions could be split, it could not be. So it was taken away to the strange land, and William's world would never know it again. Yet still, throughout his lonely days afterward, its song filled all his dreams, always echoing in his ear and in his heart.

The kinsmen who had adopted the boys were enemies, holding no communication. For a time letters full of boyish bravado and boastful narratives of the new and larger experience—grotesque descriptions of their widening lives and the new worlds they had conquered—passed between them; but these gradually became less frequent, and with William's removal to another and greater city ceased altogether. But ever through it all ran the song of the mocking-bird, and when the dreamer opened his eyes and stared through the vistas of the pine forest the cessation of its music first apprised him that he was awake.

The relatives who took in the boys were rivals and didn’t communicate at all. For a while, they exchanged letters filled with youthful confidence and exaggerated tales of their bigger experiences—over-the-top accounts of their expanding lives and the new adventures they claimed to have conquered—but those letters slowly became less frequent, and when William moved to a bigger city, they stopped entirely. Yet throughout it all, the song of the mockingbird persisted, and when the dreamer opened his eyes and looked through the pine forest, the silence of its music was the first sign that he was awake.

The sun was low and red in the west; the level rays projected from the trunk of each giant pine a wall of shadow traversing the golden haze to eastward until light and shade were blended in undistinguishable blue.

The sun was low and red in the west; the flat rays cast from the trunk of each giant pine created a wall of shadow stretching across the golden haze to the east until light and shade merged into an indistinguishable blue.

Private Grayrock rose to his feet, looked cautiously about him, shouldered his rifle and set off toward camp. He had gone perhaps a half-mile, and was passing a thicket of laurel, when a bird rose from the midst of it and perching on the branch of a tree above, poured from its joyous breast so inexhaustible floods of song as but one of all God's creatures can utter in His praise. There was little in that—it was only to open the bill and breathe; yet the man stopped as if struck—stopped and let fall his rifle, looked upward at the bird, covered his eyes with his hands and wept like a child! For the moment he was, indeed, a child, in spirit and in memory, dwelling again by the great river, over-against the Enchanted Land! Then with an effort of the will he pulled himself together, picked up his weapon and audibly damning himself for an idiot strode on. Passing an opening that reached into the heart of the little thicket he looked in, and there, supine upon the earth, its arms all abroad, its gray uniform stained with a single spot of blood upon the breast, its white face turned sharply upward and backward, lay the image of himself!—the body of John Grayrock, dead of a gunshot wound, and still warm! He had found his man.

Private Grayrock got to his feet, glanced cautiously around, shouldered his rifle, and headed towards camp. He had walked maybe half a mile and was passing a patch of laurel when a bird flew up from it and landed on a tree branch above, filling the air with a stream of joyful song only one of God's creatures can sing in His praise. It was simple—it just opened its beak and sang; yet the man froze as if struck—he stopped, dropped his rifle, looked up at the bird, covered his eyes with his hands, and wept like a child! For that moment, he truly felt like a child, spiritually and in memory, revisiting the great river, across from the Enchanted Land! Then, with a strong effort, he composed himself, picked up his rifle, and cursed himself for being foolish as he walked on. Passing an opening that led into the center of the small thicket, he looked inside, and there, lying on the ground with arms stretched out, his gray uniform marked by a single spot of blood on the chest, and his white face turned sharply upward and backward, was the image of himself!—the body of John Grayrock, dead from a gunshot wound, and still warm! He had found his man.

As the unfortunate soldier knelt beside that masterwork of civil war the shrilling bird upon the bough overhead stilled her song and, flushed with sunset's crimson glory, glided silently away through the solemn spaces of the wood. At roll-call that evening in the Federal camp the name William Grayrock brought no response, nor ever again there-after.

As the unfortunate soldier knelt beside that masterpiece of the Civil War, the shrill bird perched above stopped singing and, glowing in the sunset's crimson light, glided silently away through the quiet woods. At roll call that evening in the Union camp, the name William Grayrock received no response, nor would it ever again.

CIVILIANS

THE MAN OUT OF THE NOSE

At the intersection of two certain streets in that part of San Francisco known by the rather loosely applied name of North Beach, is a vacant lot, which is rather more nearly level than is usually the case with lots, vacant or otherwise, in that region. Immediately at the back of it, to the south, however, the ground slopes steeply upward, the acclivity broken by three terraces cut into the soft rock. It is a place for goats and poor persons, several families of each class having occupied it jointly and amicably "from the foundation of the city." One of the humble habitations of the lowest terrace is noticeable for its rude resemblance to the human face, or rather to such a simulacrum of it as a boy might cut out of a hollowed pumpkin, meaning no offense to his race. The eyes are two circular windows, the nose is a door, the mouth an aperture caused by removal of a board below. There are no doorsteps. As a face, this house is too large; as a dwelling, too small. The blank, unmeaning stare of its lidless and browless eyes is uncanny.

At the intersection of two specific streets in the area of San Francisco known informally as North Beach, there's a vacant lot that is relatively level compared to most lots, whether empty or occupied, in that area. However, just behind it, to the south, the ground rises sharply, interrupted by three terraces carved into the soft rock. This spot is home to goats and low-income residents, with several families from both groups having lived there together and peacefully "since the city was founded." One of the simple houses on the lowest terrace stands out for its crude resemblance to a human face, or more like a version a child might carve out of a hollowed pumpkin, not meaning to offend anyone. The eyes are two round windows, the nose is a door, and the mouth is an opening created by the removal of a board below. There are no steps leading up to it. As a face, this house is too big; as a living space, too small. The blank, expressionless gaze of its lidless and browless eyes is eerie.

Sometimes a man steps out of the nose, turns, passes the place where the right ear should be and making his way through the throng of children and goats obstructing the narrow walk between his neighbors' doors and the edge of the terrace gains the street by descending a flight of rickety stairs. Here he pauses to consult his watch and the stranger who happens to pass wonders why such a man as that can care what is the hour. Longer observations would show that the time of day is an important element in the man's movements, for it is at precisely two o'clock in the afternoon that he comes forth 365 times in every year.

Sometimes a man steps out of his house, turns, and passes where his right ear should be. He navigates through a crowd of children and goats blocking the narrow path between his neighbors' doors and the edge of the terrace, finally reaching the street by going down a set of shaky stairs. Here he stops to check his watch, and a passerby wonders why a man like that cares what time it is. A longer look would reveal that the time of day plays a crucial role in the man's routines, as he comes out at exactly two o'clock in the afternoon, 365 days a year.

Having satisfied himself that he has made no mistake in the hour he replaces the watch and walks rapidly southward up the street two squares, turns to the right and as he approaches the next corner fixes his eyes on an upper window in a three-story building across the way. This is a somewhat dingy structure, originally of red brick and now gray. It shows the touch of age and dust. Built for a dwelling, it is now a factory. I do not know what is made there; the things that are commonly made in a factory, I suppose. I only know that at two o'clock in the afternoon of every day but Sunday it is full of activity and clatter; pulsations of some great engine shake it and there are recurrent screams of wood tormented by the saw. At the window on which the man fixes an intensely expectant gaze nothing ever appears; the glass, in truth, has such a coating of dust that it has long ceased to be transparent. The man looks at it without stopping; he merely keeps turning his head more and more backward as he leaves the building behind. Passing along to the next corner, he turns to the left, goes round the block, and comes back till he reaches the point diagonally across the street from the factory—point on his former course, which he then retraces, looking frequently backward over his right shoulder at the window while it is in sight. For many years he has not been known to vary his route nor to introduce a single innovation into his action. In a quarter of an hour he is again at the mouth of his dwelling, and a woman, who has for some time been standing in the nose, assists him to enter. He is seen no more until two o'clock the next day. The woman is his wife. She supports herself and him by washing for the poor people among whom they live, at rates which destroy Chinese and domestic competition.

After confirming that he hasn't made a mistake with the time, he puts his watch back on and walks quickly south down the street for two blocks, then turns right. As he gets closer to the next corner, he fixes his gaze on an upper window of a three-story building across the street. It's a bit shabby, originally made of red brick but now looking gray. It shows signs of age and dust. What used to be a home is now a factory. I'm not sure what they make there; probably the usual factory stuff. All I know is that every day except Sunday at 2 PM, it's buzzing with activity and noise; the vibrations of a large machine make it shake, and there are constant screeches of wood being sliced by a saw. At the window he’s staring at so eagerly, nothing ever shows up; the glass is so covered in dust that it hasn’t been clear for a long time. He continues to watch without stopping, just turning his head further back as he walks away from the building. After reaching the next corner, he turns left, goes around the block, and comes back to stand diagonally across from the factory—then he retraces his earlier path, often glancing back over his right shoulder at the window while it’s still in view. For many years, he hasn't changed his route or done anything differently. In about fifteen minutes, he’s back at the entrance of his home, where a woman who has been waiting helps him inside. He won’t be seen again until 2 PM the following day. The woman is his wife. She supports both of them by doing laundry for the poor people in their neighborhood, at rates that undercut both Chinese and domestic competition.

This man is about fifty-seven years of age, though he looks greatly older. His hair is dead white. He wears no beard, and is always newly shaven. His hands are clean, his nails well kept. In the matter of dress he is distinctly superior to his position, as indicated by his surroundings and the business of his wife. He is, indeed, very neatly, if not quite fashionably, clad. His silk hat has a date no earlier than the year before the last, and his boots, scrupulously polished, are innocent of patches. I am told that the suit which he wears during his daily excursions of fifteen minutes is not the one that he wears at home. Like everything else that he has, this is provided and kept in repair by the wife, and is renewed as frequently as her scanty means permit.

This man is about fifty-seven years old, but he looks much older. His hair is completely white. He doesn’t have a beard and is always freshly shaven. His hands are clean, and his nails are well-groomed. In terms of clothing, he is clearly better dressed than what his background and his wife's job would suggest. He is very neatly dressed, even if it's not quite trendy. His silk hat is from no later than the year before last, and his boots are polished to perfection and have no patches. I've been told that the suit he wears for his daily fifteen-minute outings isn’t the same one he wears at home. Like everything else he owns, this suit is provided and maintained by his wife and is replaced as often as her limited budget allows.

Thirty years ago John Hardshaw and his wife lived on Rincon Hill in one of the finest residences of that once aristocratic quarter. He had once been a physician, but having inherited a considerable estate from his father concerned himself no more about the ailments of his fellow-creatures and found as much work as he cared for in managing his own affairs. Both he and his wife were highly cultivated persons, and their house was frequented by a small set of such men and women as persons of their tastes would think worth knowing. So far as these knew, Mr. and Mrs. Hardshaw lived happily together; certainly the wife was devoted to her handsome and accomplished husband and exceedingly proud of him.

Thirty years ago, John Hardshaw and his wife lived on Rincon Hill in one of the best homes in that once prominent neighborhood. He had previously been a doctor, but after inheriting a large estate from his father, he stopped worrying about the health issues of others and found as much work as he wanted managing his own affairs. Both he and his wife were highly educated individuals, and their home was often visited by a small group of people they considered worth knowing. As far as their friends knew, Mr. and Mrs. Hardshaw were happily married; indeed, the wife was devoted to her handsome and talented husband and very proud of him.

Among their acquaintances were the Barwells—man, wife and two young children—of Sacramento. Mr. Barwell was a civil and mining engineer, whose duties took him much from home and frequently to San Francisco. On these occasions his wife commonly accompanied him and passed much of her time at the house of her friend, Mrs. Hardshaw, always with her two children, of whom Mrs. Hardshaw, childless herself, grew fond. Unluckily, her husband grew equally fond of their mother—a good deal fonder. Still more unluckily, that attractive lady was less wise than weak.

Among their acquaintances were the Barwells—a husband, wife, and their two young children—from Sacramento. Mr. Barwell was a civil and mining engineer whose job often took him away from home, frequently to San Francisco. During these times, his wife usually went with him and spent a lot of her time at her friend Mrs. Hardshaw's house, always with her two kids, whom Mrs. Hardshaw, who had no children of her own, grew fond of. Unfortunately, her husband became just as fond of their mother—actually, a lot more fond. Even worse, that charming lady was less wise than weak.

At about three o'clock one autumn morning Officer No. 13 of the Sacramento police saw a man stealthily leaving the rear entrance of a gentleman's residence and promptly arrested him. The man—who wore a slouch hat and shaggy overcoat—offered the policeman one hundred, then five hundred, then one thousand dollars to be released. As he had less than the first mentioned sum on his person the officer treated his proposal with virtuous contempt. Before reaching the station the prisoner agreed to give him a check for ten thousand dollars and remain ironed in the willows along the river bank until it should be paid. As this only provoked new derision he would say no more, merely giving an obviously fictitious name. When he was searched at the station nothing of value was found on him but a miniature portrait of Mrs. Barwell—the lady of the house at which he was caught. The case was set with costly diamonds; and something in the quality of the man's linen sent a pang of unavailing regret through the severely incorruptible bosom of Officer No. 13. There was nothing about the prisoner's clothing nor person to identify him and he was booked for burglary under the name that he had given, the honorable name of John K. Smith. The K. was an inspiration upon which, doubtless, he greatly prided himself.

At around three o'clock one autumn morning, Officer No. 13 of the Sacramento police spotted a man quietly leaving the back entrance of a house and quickly arrested him. The man, who was wearing a slouch hat and a shaggy overcoat, offered the officer one hundred, then five hundred, then one thousand dollars to let him go. Since the man had less than the first amount mentioned on him, the officer dismissed the offer with moral disdain. Before they reached the station, the prisoner offered to write him a check for ten thousand dollars and to stay hidden in the willows along the riverbank until it was paid. This only earned him more mockery, and he refused to say anything else, providing a clearly fake name. When he was searched at the station, nothing valuable was found except a miniature portrait of Mrs. Barwell—the lady of the house where he was caught. The case was adorned with expensive diamonds, and something about the quality of the man's linen sparked a fleeting sense of regret in the staunchly honest Officer No. 13. There was nothing about the prisoner's clothing or appearance that could identify him, so he was booked for burglary under the name he had given: the respectable name of John K. Smith. The K. must have been something he took great pride in.

In the mean time the mysterious disappearance of John Hardshaw was agitating the gossips of Rincon Hill in San Francisco, and was even mentioned in one of the newspapers. It did not occur to the lady whom that journal considerately described as his "widow," to look for him in the city prison at Sacramento—a town which he was not known ever to have visited. As John K. Smith he was arraigned and, waiving examination, committed for trial.

In the meantime, the mysterious disappearance of John Hardshaw was stirring up gossip among the residents of Rincon Hill in San Francisco and was even mentioned in one of the newspapers. The woman that the newspaper politely referred to as his "widow" didn’t think to look for him in the city jail in Sacramento—a city he was never known to have visited. As John K. Smith, he was officially charged and, without wanting an examination, was committed for trial.

About two weeks before the trial, Mrs. Hardshaw, accidentally learning that her husband was held in Sacramento under an assumed name on a charge of burglary, hastened to that city without daring to mention the matter to any one and presented herself at the prison, asking for an interview with her husband, John K. Smith. Haggard and ill with anxiety, wearing a plain traveling wrap which covered her from neck to foot, and in which she had passed the night on the steamboat, too anxious to sleep, she hardly showed for what she was, but her manner pleaded for her more strongly than anything that she chose to say in evidence of her right to admittance. She was permitted to see him alone.

About two weeks before the trial, Mrs. Hardshaw accidentally found out that her husband was being held in Sacramento under a fake name on a burglary charge. She rushed to the city without telling anyone and went to the prison, asking to see her husband, John K. Smith. Looking exhausted and sick with worry, dressed in a simple travel wrap that covered her from head to toe, and having spent the night on the steamboat too anxious to sleep, she barely appeared like herself. However, her demeanor spoke volumes, more powerful than anything she could say to prove her right to see him. She was allowed to meet with him alone.

What occurred during that distressing interview has never transpired; but later events prove that Hardshaw had found means to subdue her will to his own. She left the prison, a broken-hearted woman, refusing to answer a single question, and returning to her desolate home renewed, in a half-hearted way, her inquiries for her missing husband. A week later she was herself missing: she had "gone back to the States"—nobody knew any more than that.

What happened during that difficult interview has never been revealed; however, later events show that Hardshaw managed to bend her will to his. She left the prison, a heartbroken woman, refusing to answer any questions and returning to her lonely home, only half-heartedly continuing her search for her missing husband. A week later, she was missing too: she had "gone back to the States"—nobody knew any more than that.

On his trial the prisoner pleaded guilty—"by advice of his counsel," so his counsel said. Nevertheless, the judge, in whose mind several unusual circumstances had created a doubt, insisted on the district attorney placing Officer No. 13 on the stand, and the deposition of Mrs. Barwell, who was too ill to attend, was read to the jury. It was very brief: she knew nothing of the matter except that the likeness of herself was her property, and had, she thought, been left on the parlor table when she had retired on the night of the arrest. She had intended it as a present to her husband, then and still absent in Europe on business for a mining company.

During his trial, the defendant pleaded guilty—"on the advice of his lawyer," as his lawyer stated. However, the judge, who had some unusual doubts, insisted that the district attorney call Officer No. 13 to testify, and the statement from Mrs. Barwell, who was too unwell to be present, was read to the jury. It was very brief: she didn’t know anything about the case except that a portrait of her was her property and had, she believed, been left on the parlor table when she went to bed on the night of the arrest. She intended it as a gift for her husband, who was then and still is, away in Europe on business for a mining company.

This witness's manner when making the deposition at her residence was afterward described by the district attorney as most extraordinary. Twice she had refused to testify, and once, when the deposition lacked nothing but her signature, she had caught it from the clerk's hands and torn it in pieces. She had called her children to the bedside and embraced them with streaming eyes, then suddenly sending them from the room, she verified her statement by oath and signature, and fainted—"slick away," said the district attorney. It was at that time that her physician, arriving upon the scene, took in the situation at a glance and grasping the representative of the law by the collar chucked him into the street and kicked his assistant after him. The insulted majesty of the law was not vindicated; the victim of the indignity did not even mention anything of all this in court. He was ambitious to win his case, and the circumstances of the taking of that deposition were not such as would give it weight if related; and after all, the man on trial had committed an offense against the law's majesty only less heinous than that of the irascible physician.

The way this witness acted while giving her deposition at home was later described by the district attorney as quite extraordinary. She refused to testify twice, and once, when the deposition just needed her signature, she grabbed it from the clerk and ripped it into pieces. She called her children to her side and hugged them with tears streaming down her face, then suddenly sent them out of the room, verified her statement by oath and signature, and fainted—"just like that," said the district attorney. At that moment, her doctor arrived, took in the situation instantly, grabbed the law representative by the collar, shoved him into the street, and kicked his assistant after him. The insulted authority of the law wasn’t restored; the victim of the humiliation didn’t even mention any of this in court. He was eager to win his case, and the circumstances surrounding how that deposition was taken wouldn’t have carried much weight if brought up; after all, the man on trial had committed an offense against the authority of the law that was only slightly less serious than the irritable doctor’s actions.

By suggestion of the judge the jury rendered a verdict of guilty; there was nothing else to do, and the prisoner was sentenced to the penitentiary for three years. His counsel, who had objected to nothing and had made no plea for lenity—had, in fact, hardly said a word—wrung his client's hand and left the room. It was obvious to the whole bar that he had been engaged only to prevent the court from appointing counsel who might possibly insist on making a defense.

By the judge's suggestion, the jury reached a guilty verdict; there was no other option, and the prisoner was sentenced to three years in prison. His lawyer, who had objected to nothing and hadn’t asked for any leniency—had barely said a word—squeezed his client's hand and left the room. It was clear to everyone in the courtroom that he had been hired solely to stop the court from appointing a lawyer who might actually try to defend the case.

John Hardshaw served out his term at San Quentin, and when discharged was met at the prison gates by his wife, who had returned from "the States" to receive him. It is thought they went straight to Europe; anyhow, a general power-of-attorney to a lawyer still living among us—from whom I have many of the facts of this simple history—was executed in Paris. This lawyer in a short time sold everything that Hardshaw owned in California, and for years nothing was heard of the unfortunate couple; though many to whose ears had come vague and inaccurate intimations of their strange story, and who had known them, recalled their personality with tenderness and their misfortunes with compassion.

John Hardshaw completed his sentence at San Quentin, and when he was released, he was greeted at the prison gates by his wife, who had come back from "the States" to welcome him. It's believed they went directly to Europe; in any case, a general power-of-attorney was given to a lawyer still living among us—from whom I have gathered many of the details of this straightforward story—in Paris. This lawyer shortly after sold everything Hardshaw owned in California, and for years, nothing was heard from the unfortunate couple. However, many people who had heard vague and inaccurate snippets of their unusual story, and who knew them, remembered them fondly and felt compassion for their misfortunes.

Some years later they returned, both broken in fortune and spirits and he in health. The purpose of their return I have not been able to ascertain. For some time they lived, under the name of Johnson, in a respectable enough quarter south of Market Street, pretty well put, and were never seen away from the vicinity of their dwelling. They must have had a little money left, for it is not known that the man had any occupation, the state of his health probably not permitting. The woman's devotion to her invalid husband was matter of remark among their neighbors; she seemed never absent from his side and always supporting and cheering him. They would sit for hours on one of the benches in a little public park, she reading to him, his hand in hers, her light touch occasionally visiting his pale brow, her still beautiful eyes frequently lifted from the book to look into his as she made some comment on the text, or closed the volume to beguile his mood with talk of—what? Nobody ever overheard a conversation between these two. The reader who has had the patience to follow their history to this point may possibly find a pleasure in conjecture: there was probably something to be avoided. The bearing of the man was one of profound dejection; indeed, the unsympathetic youth of the neighborhood, with that keen sense for visible characteristics which ever distinguishes the young male of our species, sometimes mentioned him among themselves by the name of Spoony Glum.

Some years later, they returned, both in poor financial condition and low spirits, and he was not in great health. The reason for their return is something I haven’t been able to figure out. For a while, they lived under the name Johnson in a decent area south of Market Street, fairly well put together, and they were hardly ever seen outside of their home. They must have had a little money left, as it’s not known that the man had a job, likely due to his health issues. The woman’s dedication to her sick husband was noted by their neighbors; she seemed never to leave his side and was always there to support and uplift him. They would sit for hours on a bench in a small public park, her reading to him, his hand in hers, her gentle touch occasionally brushing his pale forehead, her still beautiful eyes often glancing up from the book to meet his as she made some comment about the text, or closed the book to engage him in conversation about—what? No one ever overheard their talks. The reader who has had the patience to follow their story this far might enjoy speculating: there was probably something they were avoiding. The man’s demeanor was one of deep sadness; indeed, the unsympathetic youth in the neighborhood, with their sharp ability to notice visible traits that often define young men, sometimes referred to him among themselves as Spoony Glum.

It occurred one day that John Hardshaw was possessed by the spirit of unrest. God knows what led him whither he went, but he crossed Market Street and held his way northward over the hills, and downward into the region known as North Beach. Turning aimlessly to the left he followed his toes along an unfamiliar street until he was opposite what for that period was a rather grand dwelling, and for this is a rather shabby factory. Casting his eyes casually upward he saw at an open window what it had been better that he had not seen—the face and figure of Elvira Barwell. Their eyes met. With a sharp exclamation, like the cry of a startled bird, the lady sprang to her feet and thrust her body half out of the window, clutching the casing on each side. Arrested by the cry, the people in the street below looked up. Hardshaw stood motionless, speechless, his eyes two flames. "Take care!" shouted some one in the crowd, as the woman strained further and further forward, defying the silent, implacable law of gravitation, as once she had defied that other law which God thundered from Sinai. The suddenness of her movements had tumbled a torrent of dark hair down her shoulders, and now it was blown about her cheeks, almost concealing her face. A moment so, and then—! A fearful cry rang through the street, as, losing her balance, she pitched headlong from the window, a confused and whirling mass of skirts, limbs, hair, and white face, and struck the pavement with a horrible sound and a force of impact that was felt a hundred feet away. For a moment all eyes refused their office and turned from the sickening spectacle on the sidewalk. Drawn again to that horror, they saw it strangely augmented. A man, hatless, seated flat upon the paving stones, held the broken, bleeding body against his breast, kissing the mangled cheeks and streaming mouth through tangles of wet hair, his own features indistinguishably crimson with the blood that half-strangled him and ran in rills from his soaken beard.

One day, John Hardshaw was filled with a restless spirit. God knows what led him where he ended up, but he crossed Market Street and headed north over the hills, then down into the area known as North Beach. He aimlessly turned left and walked down an unfamiliar street until he found himself in front of what was, at that time, a rather impressive house, now a rather rundown factory. Glancing up casually, he saw at an open window something he would have been better off not seeing—the face and figure of Elvira Barwell. Their eyes locked. With a sharp gasp that sounded like a startled bird, she jumped to her feet and leaned halfway out of the window, gripping the frame on either side. The people in the street below paused and looked up, frozen by her sudden cry. Hardshaw stood still, speechless, his eyes blazing. "Watch out!" someone shouted from the crowd as the woman leaned further out, defying the silent and unyielding force of gravity, just as she had once defied that other law thundered from Sinai. Her sudden movement had sent a cascade of dark hair down her shoulders, now blown across her cheeks, nearly covering her face. Then, suddenly—! A terrified scream echoed through the street as she lost her balance and fell headfirst from the window, a chaotic mix of skirts, limbs, hair, and her pale face, crashing onto the pavement with a horrific sound and an impact that could be felt a hundred feet away. For a moment, everyone turned away from the gruesome scene on the sidewalk. But drawn back to the horror, they saw it chillingly intensified. A man, hatless, sat flat on the stones, cradling the broken, bleeding body against his chest, kissing her mangled cheeks and bloodied mouth through tangled wet hair, his own face indistinguishably covered in crimson from the blood that choked him and trickled down his soaked beard.

The reporter's task is nearly finished. The Barwells had that very morning returned from a two years' absence in Peru. A week later the widower, now doubly desolate, since there could be no missing the significance of Hardshaw's horrible demonstration, had sailed for I know not what distant port; he has never come back to stay. Hardshaw—as Johnson no longer—passed a year in the Stockton asylum for the insane, where also, through the influence of pitying friends, his wife was admitted to care for him. When he was discharged, not cured but harmless, they returned to the city; it would seem ever to have had some dreadful fascination for them. For a time they lived near the Mission Dolores, in poverty only less abject than that which is their present lot; but it was too far away from the objective point of the man's daily pilgrimage. They could not afford car fare. So that poor devil of an angel from Heaven—wife to this convict and lunatic—obtained, at a fair enough rental, the blank-faced shanty on the lower terrace of Goat Hill. Thence to the structure that was a dwelling and is a factory the distance is not so great; it is, in fact, an agreeable walk, judging from the man's eager and cheerful look as he takes it. The return journey appears to be a trifle wearisome.

The reporter's job is almost done. The Barwells had just returned that morning from a two-year trip in Peru. A week later, the widower, now even more heartbroken since he couldn’t miss the meaning of Hardshaw's terrible display, set sail for who knows what faraway place; he has never returned for good. Hardshaw—now no longer Johnson—spent a year in the Stockton asylum for the insane, where his wife was also admitted, thanks to the kindness of concerned friends, to take care of him. When he was released, not cured but harmless, they went back to the city, which seemed to hold some awful attraction for them. For a while, they lived near the Mission Dolores, in a level of poverty only slightly better than their current situation; but it was too far from the man's daily pilgrimage destination. They couldn’t afford the fare for public transport. So that poor angel from Heaven—wife to this convict and lunatic—managed to rent a run-down shack on the lower terrace of Goat Hill at a reasonable price. The distance to the place that was once a home and is now a factory isn’t too far; in fact, it’s a pleasant walk, judging by the man’s eager and cheerful expression as he makes his way there. The return journey seems a bit tiring.

AN ADVENTURE AT BROWNVILLE1

1 This story was written in collaboration with Miss Ina Lillian Peterson, to whom is rightly due the credit for whatever merit it may have.

1 This story was written in collaboration with Miss Ina Lillian Peterson, who deserves full credit for any merit it has.

I taught a little country school near Brownville, which, as every one knows who has had the good luck to live there, is the capital of a considerable expanse of the finest scenery in California. The town is somewhat frequented in summer by a class of persons whom it is the habit of the local journal to call "pleasure seekers," but who by a juster classification would be known as "the sick and those in adversity." Brownville itself might rightly enough be described, indeed, as a summer place of last resort. It is fairly well endowed with boarding-houses, at the least pernicious of which I performed twice a day (lunching at the schoolhouse) the humble rite of cementing the alliance between soul and body. From this "hostelry" (as the local journal preferred to call it when it did not call it a "caravanserai") to the schoolhouse the distance by the wagon road was about a mile and a half; but there was a trail, very little used, which led over an intervening range of low, heavily wooded hills, considerably shortening the distance. By this trail I was returning one evening later than usual. It was the last day of the term and I had been detained at the schoolhouse until almost dark, preparing an account of my stewardship for the trustees—two of whom, I proudly reflected, would be able to read it, and the third (an instance of the dominion of mind over matter) would be overruled in his customary antagonism to the schoolmaster of his own creation.

I taught at a small country school near Brownville, which, as anyone lucky enough to live there knows, is the capital of a vast area containing some of the best scenery in California. The town gets a bit of traffic in the summer from a group of people that the local paper likes to call "pleasure seekers," but who would more accurately be classified as "the sick and those in hardship." Brownville could rightly be described as a last-resort summer destination. It has a decent number of boarding houses, and at the least offensive of these, I would have lunch at the schoolhouse while performing the simple act of nourishing myself twice a day. The distance from this "hostelry" (as the local paper preferred to call it when it didn't refer to it as a "caravanserai") to the schoolhouse was about a mile and a half by the main road, but there was a rarely used trail that cut across a nearby range of low, dense hills, significantly shortening the trip. I was taking this trail one evening, later than usual. It was the last day of the term, and I had been held up at the schoolhouse until nearly dark, getting together a report for the trustees—two of whom I was proud to think would be able to read it, while the third (a clear example of the mind triumphing over matter) would likely continue his usual opposition to the schoolmaster he had helped create.

I had gone not more than a quarter of the way when, finding an interest in the antics of a family of lizards which dwelt thereabout and seemed full of reptilian joy for their immunity from the ills incident to life at the Brownville House, I sat upon a fallen tree to observe them. As I leaned wearily against a branch of the gnarled old trunk the twilight deepened in the somber woods and the faint new moon began casting visible shadows and gilding the leaves of the trees with a tender but ghostly light.

I had gone no more than a quarter of the way when I became interested in the playful behavior of a family of lizards nearby, who seemed to be enjoying their carefree lives away from the troubles of living at the Brownville House. I sat on a fallen tree to watch them. Leaning wearily against a branch of the twisted old trunk, the twilight grew darker in the gloomy woods, and the faint new moon began to cast visible shadows and bathe the leaves of the trees in a soft, eerie light.

I heard the sound of voices—a woman's, angry, impetuous, rising against deep masculine tones, rich and musical. I strained my eyes, peering through the dusky shadows of the wood, hoping to get a view of the intruders on my solitude, but could see no one. For some yards in each direction I had an uninterrupted view of the trail, and knowing of no other within a half mile thought the persons heard must be approaching from the wood at one side. There was no sound but that of the voices, which were now so distinct that I could catch the words. That of the man gave me an impression of anger, abundantly confirmed by the matter spoken.

I heard voices—a woman’s, angry and impulsive, rising against deep, rich, and melodic masculine tones. I strained to see, peering through the dim shadows of the woods, hoping to catch a glimpse of the intruders disrupting my solitude, but I couldn’t see anyone. For several yards in each direction, I had a clear view of the path, and knowing there wasn’t another nearby within half a mile, I thought the voices must be coming from the woods on one side. The only sound was the voices, which became clear enough for me to hear the words. The man’s voice gave off an impression of anger, which was clearly backed up by what he was saying.

"I will have no threats; you are powerless, as you very well know. Let things remain as they are or, by God! you shall both suffer for it."

"I won't tolerate any threats; you know you have no power. Keep things as they are, or I swear you will both pay for it."

"What do you mean?"—this was the voice of the woman, a cultivated voice, the voice of a lady. "You would not—murder us."

"What do you mean?"—this was the woman's voice, an educated voice, the voice of a lady. "You wouldn't—kill us."

There was no reply, at least none that was audible to me. During the silence I peered into the wood in hope to get a glimpse of the speakers, for I felt sure that this was an affair of gravity in which ordinary scruples ought not to count. It seemed to me that the woman was in peril; at any rate the man had not disavowed a willingness to murder. When a man is enacting the rôle of potential assassin he has not the right to choose his audience.

There was no answer, at least none that I could hear. During the silence, I looked into the woods, hoping to catch a glimpse of the speakers, because I was sure this was a serious situation where ordinary morals shouldn’t matter. It seemed to me that the woman was in danger; at the very least, the man had not denied being willing to kill. When a man is acting like a potential assassin, he doesn’t get to choose his audience.

After some little time I saw them, indistinct in the moonlight among the trees. The man, tall and slender, seemed clothed in black; the woman wore, as nearly as I could make out, a gown of gray stuff. Evidently they were still unaware of my presence in the shadow, though for some reason when they renewed their conversation they spoke in lower tones and I could no longer understand. As I looked the woman seemed to sink to the ground and raise her hands in supplication, as is frequently done on the stage and never, so far as I knew, anywhere else, and I am now not altogether sure that it was done in this instance. The man fixed his eyes upon her; they seemed to glitter bleakly in the moonlight with an expression that made me apprehensive that he would turn them upon me. I do not know by what impulse I was moved, but I sprang to my feet out of the shadow. At that instant the figures vanished. I peered in vain through the spaces among the trees and clumps of undergrowth. The night wind rustled the leaves; the lizards had retired early, reptiles of exemplary habits. The little moon was already slipping behind a black hill in the west.

After a little while, I saw them, blurred in the moonlight among the trees. The man, tall and thin, appeared to be dressed in black; the woman wore, as far as I could tell, a gray dress. Clearly, they were still unaware of my presence in the shadows, but for some reason, when they started talking again, they spoke in lower voices, and I couldn’t understand them anymore. As I watched, the woman seemed to sink to the ground and raise her hands in a plea, like you often see on stage but never, as far as I knew, anywhere else, and now I'm not entirely sure it actually happened this way. The man fixed his gaze on her; his eyes appeared to glimmer coldly in the moonlight, with an expression that made me uneasy, fearing he might turn his gaze on me. I don’t know what drove me to do it, but I jumped to my feet out of the shadows. At that moment, the figures disappeared. I looked in vain through the gaps among the trees and bushes. The night wind rustled the leaves; the lizards had turned in early, as is their typical behavior. The small moon was already disappearing behind a dark hill to the west.

I went home, somewhat disturbed in mind, half doubting that I had heard or seen any living thing excepting the lizards. It all seemed a trifle odd and uncanny. It was as if among the several phenomena, objective and subjective, that made the sum total of the incident there had been an uncertain element which had diffused its dubious character over all—had leavened the whole mass with unreality. I did not like it.

I went home, feeling a bit unsettled, partly unsure if I had actually heard or seen anything alive except for the lizards. Everything felt a little strange and eerie. It was as if there was an uncertain aspect among the various objective and subjective phenomena that made up the entire incident, which had spread its unsettling vibe over everything—making it all feel unreal. I didn’t like it.

At the breakfast table the next morning there was a new face; opposite me sat a young woman at whom I merely glanced as I took my seat. In speaking to the high and mighty female personage who condescended to seem to wait upon us, this girl soon invited my attention by the sound of her voice, which was like, yet not altogether like, the one still murmuring in my memory of the previous evening's adventure. A moment later another girl, a few years older, entered the room and sat at the left of the other, speaking to her a gentle "good morning." By her voice I was startled: it was without doubt the one of which the first girl's had reminded me. Here was the lady of the sylvan incident sitting bodily before me, "in her habit as she lived."

At the breakfast table the next morning, there was a new face; a young woman sat across from me, and I only glanced at her as I took my seat. As she talked to the important lady who seemed to be serving us, this girl quickly caught my attention with her voice, which was similar but not entirely like the one still echoing in my memory from the previous evening's adventure. A moment later, another girl, a few years older, walked into the room and sat to the left of the first, greeting her with a gentle "good morning." I was taken aback by her voice: it was definitely the one that reminded me of the first girl's. Here was the lady from the forest incident sitting right in front of me, "as she lived."

Evidently enough the two were sisters.

Clearly, they were sisters.

With a nebulous kind of apprehension that I might be recognized as the mute inglorious hero of an adventure which had in my consciousness and conscience something of the character of eavesdropping, I allowed myself only a hasty cup of the lukewarm coffee thoughtfully provided by the prescient waitress for the emergency, and left the table. As I passed out of the house into the grounds I heard a rich, strong male voice singing an aria from "Rigoletto." I am bound to say that it was exquisitely sung, too, but there was something in the performance that displeased me, I could say neither what nor why, and I walked rapidly away.

With a vague sense of unease that I might be recognized as the uncelebrated hero of an adventure that felt a bit like eavesdropping in my mind, I allowed myself only a quick cup of the lukewarm coffee that the insightful waitress had thoughtfully prepared for me in case of an emergency, and then I left the table. As I stepped out of the house and into the yard, I heard a powerful male voice singing an aria from "Rigoletto." I have to admit it was sung beautifully, but there was something about the performance that unsettled me; I couldn't quite pinpoint what it was or why, so I walked away quickly.

Returning later in the day I saw the elder of the two young women standing on the porch and near her a tall man in black clothing—the man whom I had expected to see. All day the desire to know something of these persons had been uppermost in my mind and I now resolved to learn what I could of them in any way that was neither dishonorable nor low.

Returning later in the day, I saw the older of the two young women standing on the porch, and near her was a tall man in black clothing—the man I had expected to see. All day, the urge to learn more about these people had been at the forefront of my thoughts, and I now decided to find out what I could about them in a way that was honorable and respectable.

The man was talking easily and affably to his companion, but at the sound of my footsteps on the gravel walk he ceased, and turning about looked me full in the face. He was apparently of middle age, dark and uncommonly handsome. His attire was faultless, his bearing easy and graceful, the look which he turned upon me open, free, and devoid of any suggestion of rudeness. Nevertheless it affected me with a distinct emotion which on subsequent analysis in memory appeared to be compounded of hatred and dread—I am unwilling to call it fear. A second later the man and woman had disappeared. They seemed to have a trick of disappearing. On entering the house, however, I saw them through the open doorway of the parlor as I passed; they had merely stepped through a window which opened down to the floor.

The man was chatting casually and friendly with his companion, but when he heard my footsteps on the gravel path, he stopped and turned to look me straight in the face. He looked to be around middle age, dark, and incredibly handsome. His outfit was perfect, his posture relaxed and elegant, and the look he gave me was open, friendly, and showed no hint of rudeness. Still, it stirred a strong feeling in me that, upon later reflection, seemed to be a mix of hatred and dread—I wouldn’t call it fear. A moment later, the man and woman had vanished. They had a knack for disappearing. However, as I walked into the house, I caught a glimpse of them through the open doorway of the parlor; they had just stepped through a window that went all the way down to the floor.

Cautiously "approached" on the subject of her new guests my landlady proved not ungracious. Restated with, I hope, some small reverence for English grammar the facts were these: the two girls were Pauline and Eva Maynard of San Francisco; the elder was Pauline. The man was Richard Benning, their guardian, who had been the most intimate friend of their father, now deceased. Mr. Benning had brought them to Brownville in the hope that the mountain climate might benefit Eva, who was thought to be in danger of consumption.

Cautiously addressing the topic of her new guests, my landlady was not unkind. Rephrased with, I hope, a little respect for English grammar, here are the facts: the two girls were Pauline and Eva Maynard from San Francisco, with Pauline being the older sister. The man accompanying them was Richard Benning, their guardian and a close friend of their deceased father. Mr. Benning had brought them to Brownville hoping that the mountain air would help Eva, who was believed to be at risk of tuberculosis.

Upon these short and simple annals the landlady wrought an embroidery of eulogium which abundantly attested her faith in Mr. Benning's will and ability to pay for the best that her house afforded. That he had a good heart was evident to her from his devotion to his two beautiful wards and his really touching solicitude for their comfort. The evidence impressed me as insufficient and I silently found the Scotch verdict, "Not proven."

On these brief and straightforward records, the landlady added her embellishments that clearly showed her belief in Mr. Benning's intention and capability to pay for the finest offerings of her establishment. His good nature was obvious to her because of his dedication to his two lovely wards and his genuinely caring concern for their well-being. I thought the evidence was lacking, and I quietly concluded it was "Not proven."

Certainly Mr. Benning was most attentive to his wards. In my strolls about the country I frequently encountered them—sometimes in company with other guests of the hotel—exploring the gulches, fishing, rifle shooting, and otherwise wiling away the monotony of country life; and although I watched them as closely as good manners would permit I saw nothing that would in any way explain the strange words that I had overheard in the wood. I had grown tolerably well acquainted with the young ladies and could exchange looks and even greetings with their guardian without actual repugnance.

Certainly, Mr. Benning was very attentive to his wards. During my walks around the countryside, I often ran into them—sometimes with other guests from the hotel—exploring the valleys, fishing, shooting with rifles, and generally passing the time away from the boredom of rural life; and while I kept an eye on them as much as good manners allowed, I didn’t see anything that would explain the strange words I had overheard in the woods. I had gotten pretty well acquainted with the young ladies and could share glances and even greetings with their guardian without feeling any actual repulsion.

A month went by and I had almost ceased to interest myself in their affairs when one night our entire little community was thrown into excitement by an event which vividly recalled my experience in the forest.

A month passed, and I had pretty much stopped caring about their business when one night our whole small community was stirred up by an event that strongly reminded me of my time in the forest.

This was the death of the elder girl, Pauline.

This was the death of the older girl, Pauline.

The sisters had occupied the same bedroom on the third floor of the house. Waking in the gray of the morning Eva had found Pauline dead beside her. Later, when the poor girl was weeping beside the body amid a throng of sympathetic if not very considerate persons, Mr. Benning entered the room and appeared to be about to take her hand. She drew away from the side of the dead and moved slowly toward the door.

The sisters had shared the same bedroom on the third floor of the house. Waking up in the gray light of morning, Eva found Pauline dead next to her. Later, as the poor girl was crying beside the body in a crowd of sympathetic but not very thoughtful people, Mr. Benning entered the room and seemed ready to take her hand. She pulled away from the side of the dead and slowly walked toward the door.

"It is you," she said—"you who have done this. You—you—you!"

"It’s you," she said—"you who did this. You—you—you!"

"She is raving," he said in a low voice. He followed her, step by step, as she retreated, his eyes fixed upon hers with a steady gaze in which there was nothing of tenderness nor of compassion. She stopped; the hand that she had raised in accusation fell to her side, her dilated eyes contracted visibly, the lids slowly dropped over them, veiling their strange wild beauty, and she stood motionless and almost as white as the dead girl lying near. The man took her hand and put his arm gently about her shoulders, as if to support her. Suddenly she burst into a passion of tears and clung to him as a child to its mother. He smiled with a smile that affected me most disagreeably—perhaps any kind of smile would have done so—and led her silently out of the room.

"She's losing it," he said quietly. He followed her step by step as she backed away, his eyes locked onto hers with an unwavering gaze that held no tenderness or compassion. She stopped; the hand she had raised in accusation fell to her side, her wide eyes visibly narrowed, and her eyelids slowly dropped, covering their strange wild beauty. She stood still, nearly as pale as the dead girl lying nearby. The man took her hand and wrapped his arm gently around her shoulders, as if to support her. Suddenly, she burst into tears and clung to him like a child to its mother. He smiled with a grin that made me feel quite uncomfortable—any kind of smile likely would have—and silently led her out of the room.

There was an inquest—and the customary verdict: the deceased, it appeared, came to her death through "heart disease." It was before the invention of heart failure, though the heart of poor Pauline had indubitably failed. The body was embalmed and taken to San Francisco by some one summoned thence for the purpose, neither Eva nor Benning accompanying it. Some of the hotel gossips ventured to think that very strange, and a few hardy spirits went so far as to think it very strange indeed; but the good landlady generously threw herself into the breach, saying it was owing to the precarious nature of the girl's health. It is not of record that either of the two persons most affected and apparently least concerned made any explanation.

There was an inquest—and the usual verdict: the deceased, it turned out, died from "heart disease." This was before the term heart failure was invented, but poor Pauline’s heart had definitely failed. Her body was embalmed and sent to San Francisco by someone called in for that purpose, with neither Eva nor Benning accompanying it. Some of the hotel gossipers thought this was very strange, and a few bold ones went so far as to find it quite odd indeed; however, the kind landlady jumped in to say it was because of the girl’s fragile health. There's no record of either of the two people most impacted and seemingly least concerned providing any explanation.

One evening about a week after the death I went out upon the veranda of the hotel to get a book that I had left there. Under some vines shutting out the moonlight from a part of the space I saw Richard Benning, for whose apparition I was prepared by having previously heard the low, sweet voice of Eva Maynard, whom also I now discerned, standing before him with one hand raised to his shoulder and her eyes, as nearly as I could judge, gazing upward into his. He held her disengaged hand and his head was bent with a singular dignity and grace. Their attitude was that of lovers, and as I stood in deep shadow to observe I felt even guiltier than on that memorable night in the wood. I was about to retire, when the girl spoke, and the contrast between her words and her attitude was so surprising that I remained, because I had merely forgotten to go away.

One evening about a week after the death, I stepped out onto the hotel veranda to grab a book I had left there. Under some vines blocking the moonlight from part of the space, I saw Richard Benning. I was prepared for his appearance because I had heard the soft, sweet voice of Eva Maynard, who I also recognized standing in front of him with one hand on his shoulder and her eyes, as far as I could tell, looking up at his. He held her other hand, and his head was bent with a unique dignity and grace. Their posture was that of lovers, and as I stood in the deep shadow watching, I felt even guiltier than I did that memorable night in the woods. I was about to leave when the girl spoke, and the difference between her words and her posture was so surprising that I stayed, having just forgotten to leave.

"You will take my life," she said, "as you did Pauline's. I know your intention as well as I know your power, and I ask nothing, only that you finish your work without needless delay and let me be at peace."

"You’re going to take my life," she said, "just like you did with Pauline's. I understand your intentions just as well as I understand your power, and I’m not asking for anything, just that you complete your task without unnecessary delay and let me rest in peace."

He made no reply—merely let go the hand that he was holding, removed the other from his shoulder, and turning away descended the steps leading to the garden and disappeared in the shrubbery. But a moment later I heard, seemingly from a great distance, his fine clear voice in a barbaric chant, which as I listened brought before some inner spiritual sense a consciousness of some far, strange land peopled with beings having forbidden powers. The song held me in a kind of spell, but when it had died away I recovered and instantly perceived what I thought an opportunity. I walked out of my shadow to where the girl stood. She turned and stared at me with something of the look, it seemed to me, of a hunted hare. Possibly my intrusion had frightened her.

He didn’t say anything—just let go of the hand he was holding, took the other one off his shoulder, and turned away, going down the steps to the garden and disappearing into the bushes. But a moment later, I heard his clear voice in a strange chant, which, as I listened, stirred up a sense of some distant, unfamiliar place filled with beings that had forbidden powers. The song had me under a sort of spell, but when it faded, I realized I had what felt like an opportunity. I stepped out of my shadow to where the girl was standing. She turned and looked at me with an expression that reminded me of a hunted hare. Maybe my presence had scared her.

"Miss Maynard," I said, "I beg you to tell me who that man is and the nature of his power over you. Perhaps this is rude in me, but it is not a matter for idle civilities. When a woman is in danger any man has a right to act."

"Miss Maynard," I said, "please tell me who that man is and what hold he has over you. I know this might seem rude, but it's not the time for polite conversation. When a woman is in danger, any man has the right to step in."

She listened without visible emotion—almost I thought without interest, and when I had finished she closed her big blue eyes as if unspeakably weary.

She listened without showing any emotion—almost, I thought, without interest, and when I finished, she closed her big blue eyes as if she were incredibly tired.

"You can do nothing," she said.

"You can’t do anything," she said.

I took hold of her arm, gently shaking her as one shakes a person falling into a dangerous sleep.

I grabbed her arm and gently shook her, like you would someone who is about to fall into a dangerous sleep.

"You must rouse yourself," I said; "something must be done and you must give me leave to act. You have said that that man killed your sister, and I believe it—that he will kill you, and I believe that."

"You need to wake up," I said; "something has to be done, and you need to let me take action. You said that guy killed your sister, and I believe it—he's going to kill you, and I believe that too."

She merely raised her eyes to mine.

She just looked up at me.

"Will you not tell me all?" I added.

"Won't you tell me everything?" I said.

"There is nothing to be done, I tell you—nothing. And if I could do anything I would not. It does not matter in the least. We shall be here only two days more; we go away then, oh, so far! If you have observed anything, I beg you to be silent."

"There’s nothing to be done, I’m telling you—nothing. And if I could do anything, I wouldn’t. It doesn’t matter at all. We’ll only be here two more days; then we’re leaving, oh, so far away! If you’ve noticed anything, please keep it to yourself."

"But this is madness, girl." I was trying by rough speech to break the deadly repose of her manner. "You have accused him of murder. Unless you explain these things to me I shall lay the matter before the authorities."

"But this is crazy, girl." I was trying to shake off her serious attitude with tough talk. "You’ve accused him of murder. If you don’t explain these things to me, I’ll take it to the authorities."

This roused her, but in a way that I did not like. She lifted her head proudly and said: "Do not meddle, sir, in what does not concern you. This is my affair, Mr. Moran, not yours."

This stirred her, but not in a way I appreciated. She lifted her head confidently and said, "Don't interfere, sir, in matters that don't involve you. This is my issue, Mr. Moran, not yours."

"It concerns every person in the country—in the world," I answered, with equal coldness. "If you had no love for your sister I, at least, am concerned for you."

"It matters to everyone in the country—in the world," I replied, just as coldly. "If you didn't care for your sister, then at least I care about you."

"Listen," she interrupted, leaning toward me. "I loved her, yes, God knows! But more than that—beyond all, beyond expression, I love him. You have overheard a secret, but you shall not make use of it to harm him. I shall deny all. Your word against mine—it will be that. Do you think your 'authorities' will believe you?"

"Listen," she interrupted, leaning toward me. "I loved her, yes, God knows! But more than that—above everything, beyond words—I love him. You’ve overheard a secret, but you can't use it to hurt him. I’ll deny everything. It’ll be your word against mine. Do you think your 'authorities' will believe you?"

She was now smiling like an angel and, God help me! I was heels over head in love with her! Did she, by some of the many methods of divination known to her sex, read my feelings? Her whole manner had altered.

She was now smiling like an angel and, God help me! I was head over heels in love with her! Did she, by some of the many ways women have of reading people's feelings, sense how I felt? Her whole attitude had changed.

"Come," she said, almost coaxingly, "promise that you will not be impolite again." She took my arm in the most friendly way. "Come, I will walk with you. He will not know—he will remain away all night."

"Come on," she said, almost sweetly, "promise me you won’t be rude again." She took my arm in a really friendly way. "Come on, I’ll walk with you. He won’t find out—he’ll be gone all night."

Up and down the veranda we paced in the moonlight, she seemingly forgetting her recent bereavement, cooing and murmuring girl- wise of every kind of nothing in all Brownville; I silent, consciously awkward and with something of the feeling of being concerned in an intrigue. It was a revelation—this most charming and apparently blameless creature coolly and confessedly deceiving the man for whom a moment before she had acknowledged and shown the supreme love which finds even death an acceptable endearment.

We walked back and forth on the porch under the moonlight. She seemed to have forgotten her recent loss, chatting and whispering about all sorts of trivial things in Brownville. I stayed quiet, feeling a bit awkward and like I was part of something secretive. It was eye-opening—this beautiful and seemingly innocent person calmly and openly deceiving the man she had just moments ago professed to love deeply, a love so strong it made even death seem like a tender connection.

"Truly," I thought in my inexperience, "here is something new under the moon."

"Honestly," I thought in my naivety, "here's something new under the moon."

And the moon must have smiled.

And the moon must have smiled.

Before we parted I had exacted a promise that she would walk with me the next afternoon—before going away forever—to the Old Mill, one of Brownville's revered antiquities, erected in 1860.

Before we said goodbye, I made her promise that she would walk with me the next afternoon—before leaving for good—to the Old Mill, one of Brownville's cherished historical sites, built in 1860.

"If he is not about," she added gravely, as I let go the hand she had given me at parting, and of which, may the good saints forgive me, I strove vainly to repossess myself when she had said it—so charming, as the wise Frenchman has pointed out, do we find woman's infidelity when we are its objects, not its victims. In apportioning his benefactions that night the Angel of Sleep overlooked me.

"If he’s not around," she said seriously, as I released the hand she had given me at goodbye, and, may the good saints forgive me, I tried in vain to take it back after she said that—so charming, as the wise Frenchman pointed out, we find a woman’s disloyalty when we are the ones being pursued, not the ones being hurt. While distributing his gifts that night, the Angel of Sleep completely missed me.

The Brownville House dined early, and after dinner the next day Miss Maynard, who had not been at table, came to me on the veranda, attired in the demurest of walking costumes, saying not a word. "He" was evidently "not about." We went slowly up the road that led to the Old Mill. She was apparently not strong and at times took my arm, relinquishing it and taking it again rather capriciously, I thought. Her mood, or rather her succession of moods, was as mutable as skylight in a rippling sea. She jested as if she had never heard of such a thing as death, and laughed on the lightest incitement, and directly afterward would sing a few bars of some grave melody with such tenderness of expression that I had to turn away my eyes lest she should see the evidence of her success in art, if art it was, not artlessness, as then I was compelled to think it. And she said the oddest things in the most unconventional way, skirting sometimes unfathomable abysms of thought, where I had hardly the courage to set foot. In short, she was fascinating in a thousand and fifty different ways, and at every step I executed a new and profounder emotional folly, a hardier spiritual indiscretion, incurring fresh liability to arrest by the constabulary of conscience for infractions of my own peace.

The Brownville House had dinner early, and the next day after dinner, Miss Maynard, who hadn’t joined us at the table, approached me on the veranda, dressed in the simplest walking outfit, not saying a word. “He” was clearly “not around.” We gradually walked up the road toward the Old Mill. She seemed a bit fragile and occasionally took my arm, letting go and grabbing it again somewhat playfully, I noticed. Her mood, or rather her series of moods, changed as rapidly as the light on a moving sea. She joked as if she’d never heard of death and laughed at the slightest provocation, only to suddenly sing a few lines of a serious song with such heartfelt emotion that I had to look away to hide the signs of how deeply she was affecting me, if it was indeed art and not just innocence. She said the strangest things in the most unconventional manner, sometimes touching on profound depths of thought that I barely had the courage to explore. In short, she was captivating in countless ways, and with every step, I found myself making new and deeper emotional mistakes, taking greater spiritual risks, attracting fresh scrutiny from my own conscience for disturbing my inner peace.

Arriving at the mill, she made no pretense of stopping, but turned into a trail leading through a field of stubble toward a creek. Crossing by a rustic bridge we continued on the trail, which now led uphill to one of the most picturesque spots in the country. The Eagle's Nest, it was called—the summit of a cliff that rose sheer into the air to a height of hundreds of feet above the forest at its base. From this elevated point we had a noble view of another valley and of the opposite hills flushed with the last rays of the setting sun.

Arriving at the mill, she didn’t pretend to stop but instead turned onto a path that cut through a field of stubble toward a creek. After crossing a rustic bridge, we continued on the path, which now led uphill to one of the most beautiful spots in the area. It was called the Eagle's Nest—the top of a cliff that shot straight up into the air to a height of hundreds of feet above the forest below. From this high point, we had a stunning view of another valley and the hills across, glowing with the last rays of the setting sun.

As we watched the light escaping to higher and higher planes from the encroaching flood of shadow filling the valley we heard footsteps, and in another moment were joined by Richard Benning.

As we watched the light climbing up to higher and higher levels, escaping the growing flood of shadow filling the valley, we heard footsteps, and moments later, Richard Benning joined us.

"I saw you from the road," he said carelessly; "so I came up."

"I saw you from the road," he said casually; "so I came over."

Being a fool, I neglected to take him by the throat and pitch him into the treetops below, but muttered some polite lie instead. On the girl the effect of his coming was immediate and unmistakable. Her face was suffused with the glory of love's transfiguration: the red light of the sunset had not been more obvious in her eyes than was now the lovelight that replaced it.

Being foolish, I failed to grab him by the throat and throw him into the treetops below, but instead mumbled some polite lie. For the girl, his arrival had an immediate and clear effect. Her face was lit up by the glory of love's transformation: the red light of the sunset was not more evident in her eyes than the glow of love that now replaced it.

"I am so glad you came!" she said, giving him both her hands; and, God help me! it was manifestly true.

"I’m so glad you came!" she said, reaching out for both of his hands; and, honestly, it was clearly true.

Seating himself upon the ground he began a lively dissertation upon the wild flowers of the region, a number of which he had with him. In the middle of a facetious sentence he suddenly ceased speaking and fixed his eyes upon Eva, who leaned against the stump of a tree, absently plaiting grasses. She lifted her eyes in a startled way to his, as if she had felt his look. She then rose, cast away her grasses, and moved slowly away from him. He also rose, continuing to look at her. He had still in his hand the bunch of flowers. The girl turned, as if to speak, but said nothing. I recall clearly now something of which I was but half-conscious then—the dreadful contrast between the smile upon her lips and the terrified expression in her eyes as she met his steady and imperative gaze. I know nothing of how it happened, nor how it was that I did not sooner understand; I only know that with the smile of an angel upon her lips and that look of terror in her beautiful eyes Eva Maynard sprang from the cliff and shot crashing into the tops of the pines below!

Sitting down on the ground, he started a lively discussion about the wildflowers in the area, some of which he had with him. In the middle of a funny remark, he suddenly stopped speaking and fixed his gaze on Eva, who was leaning against a tree stump, absentmindedly weaving grass. She looked up at him, startled, as if she had sensed his stare. Then she got up, tossed aside her grass, and slowly walked away from him. He also stood up, still watching her. He still held the bouquet of flowers. The girl turned as if to say something but said nothing at all. I now clearly remember something I was only half-aware of back then—the terrible contrast between the smile on her lips and the terrified look in her eyes as she met his steady, demanding gaze. I have no idea how it happened or why I didn't realize it sooner; all I know is that with the smile of an angel on her lips and that look of fear in her beautiful eyes, Eva Maynard jumped from the cliff and crashed into the tops of the pines below!

How and how long afterward I reached the place I cannot say, but Richard Benning was already there, kneeling beside the dreadful thing that had been a woman.

How and how long afterward I got there, I can't say, but Richard Benning was already there, kneeling beside the terrible thing that used to be a woman.

"She is dead—quite dead," he said coldly. "I will go to town for assistance. Please do me the favor to remain."

"She’s dead—really dead," he said coldly. "I’ll go into town for help. Please do me the favor of staying here."

He rose to his feet and moved away, but in a moment had stopped and turned about.

He got up and walked away, but a moment later, he stopped and turned around.

"You have doubtless observed, my friend," he said, "that this was entirely her own act. I did not rise in time to prevent it, and you, not knowing her mental condition—you could not, of course, have suspected."

"You've probably noticed, my friend," he said, "that this was entirely her choice. I didn't get up in time to stop it, and you, not being aware of her state of mind—you couldn't, of course, have guessed."

His manner maddened me.

His behavior drove me crazy.

"You are as much her assassin," I said, "as if your damnable hands had cut her throat."

"You are just as much her assassin," I said, "as if your damn hands had cut her throat."

He shrugged his shoulders without reply and, turning, walked away. A moment later I heard, through the deepening shadows of the wood into which he had disappeared, a rich, strong, baritone voice singing "La donna e mobile," from "Rigoletto."

He shrugged without saying anything and, turning, walked away. A moment later, I heard, through the thickening shadows of the woods where he had vanished, a rich, strong baritone voice singing "La donna e mobile" from "Rigoletto."

THE FAMOUS GILSON BEQUEST

It was rough on Gilson. Such was the terse, cold, but not altogether unsympathetic judgment of the better public opinion at Mammon Hill—the dictum of respectability. The verdict of the opposite, or rather the opposing, element—the element that lurked red-eyed and restless about Moll Gurney's "deadfall," while respectability took it with sugar at Mr. Jo. Bentley's gorgeous "saloon"—was to pretty much the same general effect, though somewhat more ornately expressed by the use of picturesque expletives, which it is needless to quote. Virtually, Mammon Hill was a unit on the Gilson question. And it must be confessed that in a merely temporal sense all was not well with Mr. Gilson. He had that morning been led into town by Mr. Brentshaw and publicly charged with horse stealing; the sheriff meantime busying himself about The Tree with a new manila rope and Carpenter Pete being actively employed between drinks upon a pine box about the length and breadth of Mr. Gilson. Society having rendered its verdict, there remained between Gilson and eternity only the decent formality of a trial.

It was tough on Gilson. Such was the cold yet somewhat sympathetic judgment of the better public opinion at Mammon Hill—the standard of respectability. The opinion of the opposing faction—the group that hung around Moll Gurney's "deadfall," while respectability was enjoying drinks at Mr. Jo. Bentley's lavish "saloon"—was pretty much the same general idea but expressed more colorfully with dramatic language that doesn't need repeating. Essentially, Mammon Hill was united in its stance on Gilson. And it must be admitted that, in a purely worldly sense, things were not looking good for Mr. Gilson. That morning, Mr. Brentshaw had taken him into town and publicly accused him of horse theft; meanwhile, the sheriff was busying himself at The Tree with a new manila rope, and Carpenter Pete was actively working on a pine box about the same size as Mr. Gilson, taking breaks for drinks. With society having made its decision, only the formalities of a trial stood between Gilson and his fate.

These are the short and simple annals of the prisoner: He had recently been a resident of New Jerusalem, on the north fork of the Little Stony, but had come to the newly discovered placers of Mammon Hill immediately before the "rush" by which the former place was depopulated. The discovery of the new diggings had occurred opportunely for Mr. Gilson, for it had only just before been intimated to him by a New Jerusalem vigilance committee that it would better his prospects in, and for, life to go somewhere; and the list of places to which he could safely go did not include any of the older camps; so he naturally established himself at Mammon Hill. Being eventually followed thither by all his judges, he ordered his conduct with considerable circumspection, but as he had never been known to do an honest day's work at any industry sanctioned by the stern local code of morality except draw poker he was still an object of suspicion. Indeed, it was conjectured that he was the author of the many daring depredations that had recently been committed with pan and brush on the sluice boxes.

These are the brief and straightforward records of the prisoner: He had recently lived in New Jerusalem, near the north fork of the Little Stony, but had moved to the newly discovered gold spots at Mammon Hill just before the "rush" that emptied the former place. The finding of the new diggings was perfectly timed for Mr. Gilson, as a New Jerusalem vigilance committee had just hinted to him that it would be better for his future to relocate; however, the list of safe destinations didn’t include any of the older camps, so he naturally set up in Mammon Hill. Eventually, all his judges followed him there, and he managed his behavior with a lot of caution. Nevertheless, since he had never been known to put in an honest day’s work at any trade recognized by the strict local code of ethics except for draw poker, he remained a person of interest. In fact, people speculated that he was behind the numerous bold thefts that had recently occurred, involving pans and brushes taken from the sluice boxes.

Prominent among those in whom this suspicion had ripened into a steadfast conviction was Mr. Brentshaw. At all seasonable and unseasonable times Mr. Brentshaw avowed his belief in Mr. Gilson's connection with these unholy midnight enterprises, and his own willingness to prepare a way for the solar beams through the body of any one who might think it expedient to utter a different opinion—which, in his presence, no one was more careful not to do than the peace-loving person most concerned. Whatever may have been the truth of the matter, it is certain that Gilson frequently lost more "clean dust" at Jo. Bentley's faro table than it was recorded in local history that he had ever honestly earned at draw poker in all the days of the camp's existence. But at last Mr. Bentley—fearing, it may be, to lose the more profitable patronage of Mr. Brentshaw—peremptorily refused to let Gilson copper the queen, intimating at the same time, in his frank, forthright way, that the privilege of losing money at "this bank" was a blessing appertaining to, proceeding logically from, and coterminous with, a condition of notorious commercial righteousness and social good repute.

Notable among those who had developed a firm belief in this suspicion was Mr. Brentshaw. At all times, whether appropriate or not, Mr. Brentshaw expressed his belief in Mr. Gilson's involvement in these shady late-night activities, and he made it clear that he would gladly make a path for the sun's rays through anyone who dared to voice a different opinion—which, in his presence, the peace-loving person most affected was especially careful not to do. Regardless of the actual truth, it’s clear that Gilson often lost more "clean dust" at Jo. Bentley's faro table than was documented in local history as what he had ever fairly earned at draw poker throughout the camp's existence. Eventually, Mr. Bentley—perhaps fearing the loss of Mr. Brentshaw's more profitable patronage—firmly declined to allow Gilson to make a bet on the queen, while also indicating in his straightforward manner that the chance to lose money at "this bank" was a privilege tied to, logically stemming from, and synonymous with a state of well-known commercial integrity and social respectability.

The Hill thought it high time to look after a person whom its most honored citizen had felt it his duty to rebuke at a considerable personal sacrifice. The New Jerusalem contingent, particularly, began to abate something of the toleration begotten of amusement at their own blunder in exiling an objectionable neighbor from the place which they had left to the place whither they had come. Mammon Hill was at last of one mind. Not much was said, but that Gilson must hang was "in the air." But at this critical juncture in his affairs he showed signs of an altered life if not a changed heart. Perhaps it was only that "the bank" being closed against him he had no further use for gold dust. Anyhow the sluice boxes were molested no more forever. But it was impossible to repress the abounding energies of such a nature as his, and he continued, possibly from habit, the tortuous courses which he had pursued for profit of Mr. Bentley. After a few tentative and resultless undertakings in the way of highway robbery—if one may venture to designate road-agency by so harsh a name—he made one or two modest essays in horse-herding, and it was in the midst of a promising enterprise of this character, and just as he had taken the tide in his affairs at its flood, that he made shipwreck. For on a misty, moonlight night Mr. Brentshaw rode up alongside a person who was evidently leaving that part of the country, laid a hand upon the halter connecting Mr. Gilson's wrist with Mr. Harper's bay mare, tapped him familiarly on the cheek with the barrel of a navy revolver and requested the pleasure of his company in a direction opposite to that in which he was traveling.

The Hill decided it was time to take care of someone whom its most respected citizen had felt compelled to confront at a significant personal cost. The New Jerusalem group, in particular, began to ease off their earlier amusement at their own mistake of sending away an unwelcome neighbor from the place they had left. Mammon Hill finally shared a common sentiment. Not much was said, but it was clear that there was a general belief that Gilson deserved to hang. However, at this crucial moment in his life, Gilson showed signs of a changed lifestyle, if not a changed heart. Maybe it was just that with "the bank" closed to him, he had no need for gold dust anymore. In any case, the sluice boxes were never disturbed again. But it was impossible to contain the abundant energy of someone like him, and he continued, perhaps out of habit, the twisted paths he had taken for Mr. Bentley’s gain. After a few unsuccessful attempts at robbery—if one could call his road-agency by such an unkind name—he made a couple of modest attempts at herding horses. It was in the middle of a promising venture like this, just as he was seeing a turn of fortune, that he faced disaster. On a misty, moonlit night, Mr. Brentshaw rode up next to someone who was clearly leaving the area, grabbed the halter connecting Mr. Gilson's wrist to Mr. Harper's bay mare, playfully tapped him on the cheek with the barrel of a revolver, and asked him to join him in a direction that was opposite to where he was headed.

It was indeed rough on Gilson.

It was really tough on Gilson.

On the morning after his arrest he was tried, convicted, and sentenced. It only remains, so far as concerns his earthly career, to hang him, reserving for more particular mention his last will and testament, which, with great labor, he contrived in prison, and in which, probably from some confused and imperfect notion of the rights of captors, he bequeathed everything he owned to his "lawfle execketer," Mr. Brentshaw. The bequest, however, was made conditional on the legatee taking the testator's body from The Tree and "planting it white."

On the morning after his arrest, he was tried, found guilty, and sentenced. The only thing left regarding his earthly fate is to hang him, with his last will and testament to be discussed in more detail later. He managed to put it together in prison, and in it, likely due to some confused and unclear idea about the rights of captors, he left everything he owned to his "lawful executor," Mr. Brentshaw. However, this bequest was conditional on the executor taking the testator's body from The Tree and "planting it white."

So Mr. Gilson was—I was about to say "swung off," but I fear there has been already something too much of slang in this straightforward statement of facts; besides, the manner in which the law took its course is more accurately described in the terms employed by the judge in passing sentence: Mr. Gilson was "strung up."

So Mr. Gilson was—I was about to say "swung off," but I worry that might be too slangy for this straightforward account of events. Plus, the way the law took its course is better captured by the words the judge used when handing down the sentence: Mr. Gilson was "strung up."

In due season Mr. Brentshaw, somewhat touched, it may well be, by the empty compliment of the bequest, repaired to The Tree to pluck the fruit thereof. When taken down the body was found to have in its waistcoat pocket a duly attested codicil to the will already noted. The nature of its provisions accounted for the manner in which it had been withheld, for had Mr. Brentshaw previously been made aware of the conditions under which he was to succeed to the Gilson estate he would indubitably have declined the responsibility. Briefly stated, the purport of the codicil was as follows:

In due time, Mr. Brentshaw, perhaps somewhat moved by the hollow praise of the inheritance, headed to The Tree to enjoy its rewards. When brought down, the body was discovered to have a properly signed codicil in its waistcoat pocket. The details of its terms explained why it had been kept a secret, because if Mr. Brentshaw had known the conditions for inheriting the Gilson estate, he would have undoubtedly rejected the responsibility. In summary, the meaning of the codicil was as follows:

Whereas, at divers times and in sundry places, certain persons had asserted that during his life the testator had robbed their sluice boxes; therefore, if during the five years next succeeding the date of this instrument any one should make proof of such assertion before a court of law, such person was to receive as reparation the entire personal and real estate of which the testator died seized and possessed, minus the expenses of court and a stated compensation to the executor, Henry Clay Brentshaw; provided, that if more than one person made such proof the estate was to be equally divided between or among them. But in case none should succeed in so establishing the testator's guilt, then the whole property, minus court expenses, as aforesaid, should go to the said Henry Clay Brentshaw for his own use, as stated in the will.

Whereas, at various times and in different places, certain people claimed that during his lifetime, the testator had stolen from their sluice boxes; therefore, if within five years of the date of this document, anyone could prove such a claim in a court of law, that person would receive as compensation all the personal and real estate that the testator owned at the time of his death, minus court costs and a specified fee for the executor, Henry Clay Brentshaw; provided that if more than one person could prove such a claim, the estate would be divided equally among them. However, if no one succeeded in proving the testator's guilt, then the entire property, minus court expenses as mentioned, would go to Henry Clay Brentshaw for his own use, as outlined in the will.

The syntax of this remarkable document was perhaps open to critical objection, but that was clearly enough the meaning of it. The orthography conformed to no recognized system, but being mainly phonetic it was not ambiguous. As the probate judge remarked, it would take five aces to beat it. Mr. Brentshaw smiled good-humoredly, and after performing the last sad rites with amusing ostentation, had himself duly sworn as executor and conditional legatee under the provisions of a law hastily passed (at the instance of the member from the Mammon Hill district) by a facetious legislature; which law was afterward discovered to have created also three or four lucrative offices and authorized the expenditure of a considerable sum of public money for the construction of a certain railway bridge that with greater advantage might perhaps have been erected on the line of some actual railway.

The syntax of this remarkable document might have faced some criticism, but its meaning was clear. The spelling didn’t follow any recognized system, but since it was mostly phonetic, it wasn’t ambiguous. As the probate judge noted, it would take five aces to beat it. Mr. Brentshaw smiled good-naturedly, and after performing the final sad rites with a touch of humor, he formally took the oath as executor and conditional heir under a law that had been rushed through (at the request of the representative from the Mammon Hill district) by a jokingly inclined legislature; this law was later found to have also created a few profitable positions and allowed for the spending of a significant amount of public funds for building a railway bridge that might have been better constructed along the route of an existing railway.

Of course Mr. Brentshaw expected neither profit from the will nor litigation in consequence of its unusual provisions; Gilson, although frequently "flush," had been a man whom assessors and tax collectors were well satisfied to lose no money by. But a careless and merely formal search among his papers revealed title deeds to valuable estates in the East and certificates of deposit for incredible sums in banks less severely scrupulous than that of Mr. Jo. Bentley.

Of course, Mr. Brentshaw didn’t expect to gain anything from the will or to get involved in any legal battles because of its odd terms; Gilson, though often "flush," had been the kind of person that assessors and tax collectors were happy to not lose any money to. But a casual and somewhat superficial search through his papers uncovered title deeds to valuable properties in the East and deposit certificates for astonishing amounts in banks that weren’t as strict as Mr. Jo. Bentley's.

The astounding news got abroad directly, throwing the Hill into a fever of excitement. The Mammon Hill Patriot, whose editor had been a leading spirit in the proceedings that resulted in Gilson's departure from New Jerusalem, published a most complimentary obituary notice of the deceased, and was good enough to call attention to the fact that his degraded contemporary, the Squaw Gulch Clarion, was bringing virtue into contempt by beslavering with flattery the memory of one who in life had spurned the vile sheet as a nuisance from his door. Undeterred by the press, however, claimants under the will were not slow in presenting themselves with their evidence; and great as was the Gilson estate it appeared conspicuously paltry considering the vast number of sluice boxes from which it was averred to have been obtained. The country rose as one man!

The shocking news spread quickly, sending the Hill into a frenzy of excitement. The Mammon Hill Patriot, whose editor had been instrumental in the events leading to Gilson's exit from New Jerusalem, published a highly flattering obituary for the deceased and pointed out that his disreputable counterpart, the Squaw Gulch Clarion, was degrading virtue by showering excessive praise on someone who had rejected the paper as a nuisance during his life. Nevertheless, the potential beneficiaries of the will wasted no time presenting their claims and evidence; despite the substantial size of the Gilson estate, it seemed notably small given the numerous sluice boxes from which it was said to have been derived. The country united in outrage!

Mr. Brentshaw was equal to the emergency. With a shrewd application of humble auxiliary devices, he at once erected above the bones of his benefactor a costly monument, overtopping every rough headboard in the cemetery, and on this he judiciously caused to be inscribed an epitaph of his own composing, eulogizing the honesty, public spirit and cognate virtues of him who slept beneath, "a victim to the unjust aspersions of Slander's viper brood."

Mr. Brentshaw rose to the occasion. With a clever use of simple tools, he quickly built an impressive monument over the remains of his benefactor, towering over every crude headstone in the cemetery. He wisely had an epitaph of his own writing inscribed on it, praising the honesty, civic spirit, and related virtues of the man resting below, "a victim of the unjust slander from the poisonous brood of gossip."

Moreover, he employed the best legal talent in the Territory to defend the memory of his departed friend, and for five long years the Territorial courts were occupied with litigation growing out of the Gilson bequest. To fine forensic abilities Mr. Brentshaw opposed abilities more finely forensic; in bidding for purchasable favors he offered prices which utterly deranged the market; the judges found at his hospitable board entertainment for man and beast, the like of which had never been spread in the Territory; with mendacious witnesses he confronted witnesses of superior mendacity.

He hired the best legal talent in the area to defend his late friend's legacy, and for five long years, the local courts were tied up with legal battles over the Gilson inheritance. Mr. Brentshaw countered fine legal skills with even finer ones; in his attempts to win over influential figures, he offered prices that completely disrupted the market. The judges were treated to lavish meals at his home, the likes of which had never been seen in the Territory; he matched dishonest witnesses against even more dishonest ones.

Nor was the battle confined to the temple of the blind goddess—it invaded the press, the pulpit, the drawing-room. It raged in the mart, the exchange, the school; in the gulches, and on the street corners. And upon the last day of the memorable period to which legal action under the Gilson will was limited, the sun went down upon a region in which the moral sense was dead, the social conscience callous, the intellectual capacity dwarfed, enfeebled, and confused! But Mr. Brentshaw was victorious all along the line.

Nor was the battle limited to the temple of the blind goddess—it spread to the media, the church, and the living room. It erupted in the marketplace, the stock exchange, and the school; in the ravines, and on street corners. And on the final day of the significant period set for legal action under the Gilson will, the sun set over a place where the moral sense was nonexistent, the social conscience indifferent, and the intellectual capacity stunted, weakened, and muddled! Yet Mr. Brentshaw triumphed everywhere.

On that night it so happened that the cemetery in one corner of which lay the now honored ashes of the late Milton Gilson, Esq., was partly under water. Swollen by incessant rains, Cat Creek had spilled over its banks an angry flood which, after scooping out unsightly hollows wherever the soil had been disturbed, had partly subsided, as if ashamed of the sacrilege, leaving exposed much that had been piously concealed. Even the famous Gilson monument, the pride and glory of Mammon Hill, was no longer a standing rebuke to the "viper brood"; succumbing to the sapping current it had toppled prone to earth. The ghoulish flood had exhumed the poor, decayed pine coffin, which now lay half-exposed, in pitiful contrast to the pompous monolith which, like a giant note of admiration, emphasized the disclosure.

On that night, the cemetery where the honored ashes of the late Milton Gilson, Esq. lay was partly under water. Cat Creek had overflowed its banks with a furious flood, swollen by nonstop rain, which had carved out unsightly hollows wherever the soil had been disturbed. The flood had mostly receded, as if ashamed of the violation, leaving exposed much that had been respectfully hidden. Even the famous Gilson monument, the pride and glory of Mammon Hill, was no longer a strong rebuke to the "viper brood"; it had succumbed to the eroding current and lay toppled on the ground. The grim flood had uncovered the poor, decayed pine coffin, which now lay half-exposed, a pitiful contrast to the grand monolith that, like a giant note of admiration, highlighted the revelation.

To this depressing spot, drawn by some subtle influence he had sought neither to resist nor analyze, came Mr. Brentshaw. An altered man was Mr. Brentshaw. Five years of toil, anxiety, and wakefulness had dashed his black locks with streaks and patches of gray, bowed his fine figure, drawn sharp and angular his face, and debased his walk to a doddering shuffle. Nor had this lustrum of fierce contention wrought less upon his heart and intellect. The careless good humor that had prompted him to accept the trust of the dead man had given place to a fixed habit of melancholy. The firm, vigorous intellect had overripened into the mental mellowness of second childhood. His broad understanding had narrowed to the accommodation of a single idea; and in place of the quiet, cynical incredulity of former days, there was in him a haunting faith in the supernatural, that flitted and fluttered about his soul, shadowy, batlike, ominous of insanity. Unsettled in all else, his understanding clung to one conviction with the tenacity of a wrecked intellect. That was an unshaken belief in the entire blamelessness of the dead Gilson. He had so often sworn to this in court and asserted it in private conversation—had so frequently and so triumphantly established it by testimony that had come expensive to him (for that very day he had paid the last dollar of the Gilson estate to Mr. Jo. Bentley, the last witness to the Gilson good character)—that it had become to him a sort of religious faith. It seemed to him the one great central and basic truth of life—the sole serene verity in a world of lies.

Mr. Brentshaw arrived at this gloomy place, pulled by some subtle force he didn't try to resist or figure out. He was a changed man. Five years of hard work, stress, and sleepless nights had streaked his dark hair with gray, hunched his tall frame, sharpened the angles of his face, and turned his walk into a shuffling gait. This intense struggle had also taken its toll on his heart and mind. The carefree humor that had led him to take on the deceased man's trust was now replaced by a constant sense of sadness. His once strong and lively intellect had matured into a subdued state reminiscent of a second childhood. His broad understanding had shrunk to accommodate only one thought; instead of the calm, cynical disbelief he used to have, he now felt a persistent belief in the supernatural that fluttered around his spirit, dark and foreboding like a bat, hinting at madness. While he felt confused about everything else, his mind held onto one conviction with the stubbornness of a shattered intellect: an unwavering belief in the complete innocence of the deceased, Gilson. He had sworn to this in court and insisted on it in private conversations—he had frequently and triumphantly proven it through testimony that had cost him dearly (for that very day he paid the final dollar of the Gilson estate to Mr. Jo. Bentley, the last witness to testify about Gilson’s good character)—so much that it had become like a religious faith for him. It seemed to him the one great, central, and fundamental truth of life—the only clear reality in a world full of lies.

On that night, as he seated himself pensively upon the prostrate monument, trying by the uncertain moonlight to spell out the epitaph which five years before he had composed with a chuckle that memory had not recorded, tears of remorse came into his eyes as he remembered that he had been mainly instrumental in compassing by a false accusation this good man's death; for during some of the legal proceedings, Mr. Harper, for a consideration (forgotten) had come forward and sworn that in the little transaction with his bay mare the deceased had acted in strict accordance with the Harperian wishes, confidentially communicated to the deceased and by him faithfully concealed at the cost of his life. All that Mr. Brentshaw had since done for the dead man's memory seemed pitifully inadequate—most mean, paltry, and debased with selfishness!

That night, as he sat thoughtfully on the fallen monument, trying to read the epitaph he had written five years earlier with a smirk that memory had forgotten, tears of regret filled his eyes as he recalled that he had largely played a role in bringing about this good man's death through a false accusation. During some of the legal proceedings, Mr. Harper, for some undisclosed reason, had come forward and sworn that in the small matter with his bay mare, the deceased had acted exactly according to Mr. Harper's wishes, which had been confidentially shared with the deceased and were kept secret at the cost of his life. Everything Mr. Brentshaw had done since then to honor the memory of the dead man felt pitifully inadequate—truly mean, trivial, and tainted with selfishness!

As he sat there, torturing himself with futile regrets, a faint shadow fell across his eyes. Looking toward the moon, hanging low in the west, he saw what seemed a vague, watery cloud obscuring her; but as it moved so that her beams lit up one side of it he perceived the clear, sharp outline of a human figure. The apparition became momentarily more distinct, and grew, visibly; it was drawing near. Dazed as were his senses, half locked up with terror and confounded with dreadful imaginings, Mr. Brentshaw yet could but perceive, or think he perceived, in this unearthly shape a strange similitude to the mortal part of the late Milton Gilson, as that person had looked when taken from The Tree five years before. The likeness was indeed complete, even to the full, stony eyes, and a certain shadowy circle about the neck. It was without coat or hat, precisely as Gilson had been when laid in his poor, cheap casket by the not ungentle hands of Carpenter Pete—for whom some one had long since performed the same neighborly office. The spectre, if such it was, seemed to bear something in its hands which Mr. Brentshaw could not clearly make out. It drew nearer, and paused at last beside the coffin containing the ashes of the late Mr. Gilson, the lid of which was awry, half disclosing the uncertain interior. Bending over this, the phantom seemed to shake into it from a basin some dark substance of dubious consistency, then glided stealthily back to the lowest part of the cemetery. Here the retiring flood had stranded a number of open coffins, about and among which it gurgled with low sobbings and stilly whispers. Stooping over one of these, the apparition carefully brushed its contents into the basin, then returning to its own casket, emptied the vessel into that, as before. This mysterious operation was repeated at every exposed coffin, the ghost sometimes dipping its laden basin into the running water, and gently agitating it to free it of the baser clay, always hoarding the residuum in its own private box. In short, the immortal part of the late Milton Gilson was cleaning up the dust of its neighbors and providently adding the same to its own.

As he sat there, torturing himself with pointless regrets, a faint shadow fell across his eyes. Looking toward the moon, low in the west, he saw what looked like a vague, watery cloud obscuring it; but as it moved, allowing her light to illuminate one side of it, he noticed the clear, sharp outline of a human figure. The apparition became momentarily clearer and visibly grew closer. Dazed as his senses were, half paralyzed with fear and overwhelmed by terrifying thoughts, Mr. Brentshaw thought he could perceive in this otherworldly shape a strange resemblance to the mortal part of the late Milton Gilson, as he had appeared when taken from The Tree five years earlier. The likeness was indeed complete, even down to the full, expressionless eyes and a certain shadowy circle around the neck. It was without coat or hat, just as Gilson had been when placed in his cheap casket by the not ungentle hands of Carpenter Pete—for whom someone had long since done the same neighborly service. The specter, if that’s what it was, seemed to hold something in its hands that Mr. Brentshaw couldn't clearly identify. It drew closer and finally paused beside the coffin containing the ashes of the late Mr. Gilson, the lid of which was askew, half revealing the uncertain interior. Leaning over this, the phantom appeared to pour some dark, murky substance from a basin into it, then glided stealthily back to the lowest part of the cemetery. Here, the receding flood had stranded several open coffins, around which it sobbed softly and whispered quietly. Stooping over one of these, the apparition carefully brushed its contents into the basin, then returned to its own casket, emptying the vessel into it as before. This mysterious action was repeated at every exposed coffin, the ghost sometimes dipping its laden basin into the running water and gently stirring it to free it of the inferior clay, always hoarding the remnants in its own private box. In short, the immortal part of the late Milton Gilson was cleaning up the dust of its neighbors and thoughtfully adding it to its own.

Perhaps it was a phantasm of a disordered mind in a fevered body. Perhaps it was a solemn farce enacted by pranking existences that throng the shadows lying along the border of another world. God knows; to us is permitted only the knowledge that when the sun of another day touched with a grace of gold the ruined cemetery of Mammon Hill his kindliest beam fell upon the white, still face of Henry Brentshaw, dead among the dead.

Maybe it was just a trick of a troubled mind in a fevered body. Maybe it was a serious joke put on by mischievous beings that linger in the shadows at the edge of another world. Only God knows; all we can grasp is that when the sun of a new day cast its golden light on the ruined cemetery of Mammon Hill, its warmest rays fell upon the pale, still face of Henry Brentshaw, dead among the dead.

THE APPLICANT

Pushing his adventurous shins through the deep snow that had fallen overnight, and encouraged by the glee of his little sister, following in the open way that he made, a sturdy small boy, the son of Grayville's most distinguished citizen, struck his foot against something of which there was no visible sign on the surface of the snow. It is the purpose of this narrative to explain how it came to be there.

Pushing his adventurous legs through the deep snow that had fallen overnight, and spurred on by the excitement of his little sister following in the path he created, a strong little boy, the son of Grayville's most prominent citizen, kicked something hidden beneath the surface of the snow. This story aims to explain how it got there.

No one who has had the advantage of passing through Grayville by day can have failed to observe the large stone building crowning the low hill to the north of the railway station—that is to say, to the right in going toward Great Mowbray. It is a somewhat dull-looking edifice, of the Early Comatose order, and appears to have been designed by an architect who shrank from publicity, and although unable to conceal his work—even compelled, in this instance, to set it on an eminence in the sight of men—did what he honestly could to insure it against a second look. So far as concerns its outer and visible aspect, the Abersush Home for Old Men is unquestionably inhospitable to human attention. But it is a building of great magnitude, and cost its benevolent founder the profit of many a cargo of the teas and silks and spices that his ships brought up from the under-world when he was in trade in Boston; though the main expense was its endowment. Altogether, this reckless person had robbed his heirs-at-law of no less a sum than half a million dollars and flung it away in riotous giving. Possibly it was with a view to get out of sight of the silent big witness to his extravagance that he shortly afterward disposed of all his Grayville property that remained to him, turned his back upon the scene of his prodigality and went off across the sea in one of his own ships. But the gossips who got their inspiration most directly from Heaven declared that he went in search of a wife—a theory not easily reconciled with that of the village humorist, who solemnly averred that the bachelor philanthropist had departed this life (left Grayville, to wit) because the marriageable maidens had made it too hot to hold him. However this may have been, he had not returned, and although at long intervals there had come to Grayville, in a desultory way, vague rumors of his wanderings in strange lands, no one seemed certainly to know about him, and to the new generation he was no more than a name. But from above the portal of the Home for Old Men the name shouted in stone.

Anyone who has had the chance to pass through Grayville during the day can’t have missed the large stone building sitting on the low hill north of the railway station—that is to say, to the right when heading toward Great Mowbray. It’s a rather dull-looking structure, of the Early Comatose style, and seems to have been designed by an architect who avoided the spotlight. Though he couldn’t hide his work—forced, in this case, to place it in plain view—he did what he could to make sure it wouldn’t attract a second glance. As far as its outer appearance goes, the Abersush Home for Old Men is definitely uninviting to human attention. Still, it’s a sizable building, and its generous founder spent the profits from many shipments of teas, silks, and spices his ships brought up from the underworld when he was in business in Boston; though the majority of the expense was its endowment. Overall, this extravagant individual deprived his heirs of a staggering half a million dollars and threw it away in generous donations. Perhaps it was to escape the constant reminder of his extravagance that he soon sold off all his remaining Grayville property, turned his back on his reckless spending, and set sail across the ocean in one of his own ships. But the gossips who claimed divine inspiration said he left in search of a wife—a theory that doesn’t easily align with the village jokester's claim that the single philanthropist departed this life (meaning left Grayville) because the eligible young women had made it too uncomfortable for him to stay. However it might have been, he never returned, and although vague rumors of his adventures in distant lands surfaced from time to time, no one truly seemed to know about him, and to the younger generation, he was just a name. But above the entrance to the Home for Old Men, the name screamed out in stone.

Despite its unpromising exterior, the Home is a fairly commodious place of retreat from the ills that its inmates have incurred by being poor and old and men. At the time embraced in this brief chronicle they were in number about a score, but in acerbity, querulousness, and general ingratitude they could hardly be reckoned at fewer than a hundred; at least that was the estimate of the superintendent, Mr. Silas Tilbody. It was Mr. Tilbody's steadfast conviction that always, in admitting new old men to replace those who had gone to another and a better Home, the trustees had distinctly in will the infraction of his peace, and the trial of his patience. In truth, the longer the institution was connected with him, the stronger was his feeling that the founder's scheme of benevolence was sadly impaired by providing any inmates at all. He had not much imagination, but with what he had he was addicted to the reconstruction of the Home for Old Men into a kind of "castle in Spain," with himself as castellan, hospitably entertaining about a score of sleek and prosperous middle-aged gentlemen, consummately good-humored and civilly willing to pay for their board and lodging. In this revised project of philanthropy the trustees, to whom he was indebted for his office and responsible for his conduct, had not the happiness to appear. As to them, it was held by the village humorist aforementioned that in their management of the great charity Providence had thoughtfully supplied an incentive to thrift. With the inference which he expected to be drawn from that view we have nothing to do; it had neither support nor denial from the inmates, who certainly were most concerned. They lived out their little remnant of life, crept into graves neatly numbered, and were succeeded by other old men as like them as could be desired by the Adversary of Peace. If the Home was a place of punishment for the sin of unthrift the veteran offenders sought justice with a persistence that attested the sincerity of their penitence. It is to one of these that the reader's attention is now invited.

Despite its unpromising exterior, the Home is a fairly spacious retreat for those who have suffered due to being poor, old, and male. At this point in the story, there were about twenty residents, but in terms of bitterness, complaints, and general ingratitude, they could easily be counted as a hundred; at least, that was the opinion of the superintendent, Mr. Silas Tilbody. Mr. Tilbody firmly believed that whenever new old men were admitted to take the place of those who had moved to a better Home, the trustees were intentionally disrupting his peace and testing his patience. In fact, the longer he was involved with the institution, the more he felt that the founder's charitable intent was severely undermined by having any residents at all. He didn't have much imagination, but with what he did possess, he envisioned transforming the Home for Old Men into a sort of "castle in Spain," where he would play the role of host, happily catering to about twenty well-off, middle-aged gentlemen, who were cheerful and willing to pay for their food and accommodations. In this reimagined charitable project, the trustees, who had given him his position and were responsible for his actions, were conspicuously absent. The village jokester previously mentioned believed the trustees’ management of the charity provided a reason to encourage frugality. We have no need to concern ourselves with the conclusions he expected people to draw from that perspective; it received neither support nor rebuttal from the residents, who were the ones most affected. They spent their remaining days quietly, eventually being laid to rest in neatly marked graves, to be replaced by other old men who were just like them, much to the satisfaction of the Adversary of Peace. If the Home served as punishment for the crime of being imprudent, these long-time offenders pursued justice with a determination that proved their genuine remorse. It is to one of these individuals that we now turn the reader's attention.

In the matter of attire this person was not altogether engaging. But for this season, which was midwinter, a careless observer might have looked upon him as a clever device of the husbandman indisposed to share the fruits of his toil with the crows that toil not, neither spin—an error that might not have been dispelled without longer and closer observation than he seemed to court; for his progress up Abersush Street, toward the Home in the gloom of the winter evening, was not visibly faster than what might have been expected of a scarecrow blessed with youth, health, and discontent. The man was indisputably ill-clad, yet not without a certain fitness and good taste, withal; for he was obviously an applicant for admittance to the Home, where poverty was a qualification. In the army of indigence the uniform is rags; they serve to distinguish the rank and file from the recruiting officers.

In terms of clothing, this person was not particularly appealing. But since it was midwinter, a casual observer might have mistaken him for a clever scarecrow created by a farmer unwilling to share the fruits of his labor with the crows that neither work nor create—this misunderstanding might not have been cleared up without longer and closer observation than he seemed to seek; as he walked up Abersush Street toward the Home in the dark of the winter evening, his pace was not noticeably faster than what one might expect from a scarecrow endowed with youth, health, and discontent. The man was undeniably poorly dressed, yet had a certain suitability and good taste about him; he was clearly seeking admission to the Home, where poverty was a requirement. In the world of the needy, the uniform is rags; they serve to distinguish the ordinary folks from the recruiters.

As the old man, entering the gate of the grounds, shuffled up the broad walk, already white with the fast-falling snow, which from time to time he feebly shook from its various coigns of vantage on his person, he came under inspection of the large globe lamp that burned always by night over the great door of the building. As if unwilling to incur its revealing beams, he turned to the left and, passing a considerable distance along the face of the building, rang at a smaller door emitting a dimmer ray that came from within, through the fanlight, and expended itself incuriously overhead. The door was opened by no less a personage than the great Mr. Tilbody himself. Observing his visitor, who at once uncovered, and somewhat shortened the radius of the permanent curvature of his back, the great man gave visible token of neither surprise nor displeasure. Mr. Tilbody was, indeed, in an uncommonly good humor, a phenomenon ascribable doubtless to the cheerful influence of the season; for this was Christmas Eve, and the morrow would be that blessed 365th part of the year that all Christian souls set apart for mighty feats of goodness and joy. Mr. Tilbody was so full of the spirit of the season that his fat face and pale blue eyes, whose ineffectual fire served to distinguish it from an untimely summer squash, effused so genial a glow that it seemed a pity that he could not have lain down in it, basking in the consciousness of his own identity. He was hatted, booted, overcoated, and umbrellaed, as became a person who was about to expose himself to the night and the storm on an errand of charity; for Mr. Tilbody had just parted from his wife and children to go "down town" and purchase the wherewithal to confirm the annual falsehood about the hunch-bellied saint who frequents the chimneys to reward little boys and girls who are good, and especially truthful. So he did not invite the old man in, but saluted him cheerily:

As the old man shuffled through the gate into the grounds, making his way along the wide path already covered in the rapidly falling snow, he occasionally brushed the flakes off his clothes. He came under the light of the large globe lamp that shone continuously by night at the building's main entrance. Not wanting to be caught in its revealing light, he turned left and walked quite a distance along the side of the building before ringing a smaller door that allowed a dimmer light to spill out through the fanlight above. The door was opened by none other than the esteemed Mr. Tilbody himself. Noticing his visitor, who immediately took off his hat and slightly adjusted the hunch in his back, Mr. Tilbody showed no signs of surprise or displeasure. In fact, Mr. Tilbody was in unusually good spirits, likely due to the festive atmosphere of the season; this was Christmas Eve, the day before the joyful holiday that every Christian looks forward to for acts of kindness and happiness. Mr. Tilbody was so filled with the holiday spirit that his round face and pale blue eyes, which had a faint glow that resembled a summer squash, radiated such warmth that it seemed a shame he couldn't just relax and bask in that feeling. He was dressed in a hat, boots, an overcoat, and carrying an umbrella, as was fitting for someone heading out into the night and the storm on a charitable mission; for Mr. Tilbody had just left his wife and kids to head "downtown" and buy the supplies needed to continue the annual charade about the portly saint who visits chimneys to reward well-behaved and truthful children. So he didn’t invite the old man inside, but greeted him with a cheerful nod:

"Hello! just in time; a moment later and you would have missed me. Come, I have no time to waste; we'll walk a little way together."

"Hey! You made it just in time; if you were a moment later, you would have missed me. Come on, I don’t have time to waste; let’s walk a bit together."

"Thank you," said the old man, upon whose thin and white but not ignoble face the light from the open door showed an expression that was perhaps disappointment; "but if the trustees—if my application—"

"Thank you," said the old man, whose thin and white face, despite its age, had a dignified look. The light from the open door revealed an expression that seemed to show disappointment. "But if the trustees—if my application—"

"The trustees," Mr. Tilbody said, closing more doors than one, and cutting off two kinds of light, "have agreed that your application disagrees with them."

"The trustees," Mr. Tilbody said, closing more than one door and blocking out two types of light, "have decided that your application doesn't align with their views."

Certain sentiments are inappropriate to Christmastide, but Humor, like Death, has all seasons for his own.

Certain feelings aren't suitable for Christmas, but Humor, like Death, can be present in any season.

"Oh, my God!" cried the old man, in so thin and husky a tone that the invocation was anything but impressive, and to at least one of his two auditors sounded, indeed, somewhat ludicrous. To the Other—but that is a matter which laymen are devoid of the light to expound.

"Oh, my God!" shouted the old man, in such a weak and raspy voice that the exclamation was anything but impactful, and to at least one of his two listeners it actually sounded kind of funny. To the other—but that's something that regular people can't really understand.

"Yes," continued Mr. Tilbody, accommodating his gait to that of his companion, who was mechanically, and not very successfully, retracing the track that he had made through the snow; "they have decided that, under the circumstances—under the very peculiar circumstances, you understand—it would be inexpedient to admit you. As superintendent and ex officio secretary of the honorable board"—as Mr. Tilbody "read his title clear" the magnitude of the big building, seen through its veil of falling snow, appeared to suffer somewhat in comparison— "it is my duty to inform you that, in the words of Deacon Byram, the chairman, your presence in the Home would—under the circumstances—be peculiarly embarrassing. I felt it my duty to submit to the honorable board the statement that you made to me yesterday of your needs, your physical condition, and the trials which it has pleased Providence to send upon you in your very proper effort to present your claims in person; but, after careful, and I may say prayerful, consideration of your case—with something too, I trust, of the large charitableness appropriate to the season—it was decided that we would not be justified in doing anything likely to impair the usefulness of the institution intrusted (under Providence) to our care."

"Yes," Mr. Tilbody said, adjusting his pace to match that of his companion, who was clumsily retracing the path he had made through the snow. "They've decided that, given the circumstances—very unusual circumstances, you understand—it wouldn't be wise to let you in. As the superintendent and ex officio secretary of the board"—as Mr. Tilbody stated his title, the impressive size of the large building, seen through the falling snow, seemed to diminish a bit—"it's my responsibility to let you know that, according to Deacon Byram, the chairperson, having you in the Home would—under these circumstances—be particularly awkward. I felt it was my duty to present the honorable board with your statement from yesterday about your needs, your health, and the challenges that Providence has sent your way while you tried to present your case in person. However, after careful, and I might add prayerful, consideration of your situation—with a touch of the generous spirit appropriate for this season—it was decided that we couldn't justify doing anything that might undermine the effectiveness of the institution entrusted (under Providence) to our care."

They had now passed out of the grounds; the street lamp opposite the gate was dimly visible through the snow. Already the old man's former track was obliterated, and he seemed uncertain as to which way he should go. Mr. Tilbody had drawn a little away from him, but paused and turned half toward him, apparently reluctant to forego the continuing opportunity.

They had now left the property; the street lamp across from the gate was faintly visible through the snow. The old man's previous footprints were already gone, and he seemed unsure of which way to go. Mr. Tilbody had moved a bit away from him, but he stopped and turned halfway back, seemingly hesitant to give up the chance to stay involved.

"Under the circumstances," he resumed, "the decision—"

"Given the situation," he continued, "the decision—"

But the old man was inaccessible to the suasion of his verbosity; he had crossed the street into a vacant lot and was going forward, rather deviously toward nowhere in particular —which, he having nowhere in particular to go to, was not so reasonless a proceeding as it looked.

But the old man was unaffected by his long-winded talk; he had walked across the street into an empty lot and was moving forward, somewhat aimlessly toward nowhere in particular—which, since he had nowhere specific to go, wasn’t as pointless as it seemed.

And that is how it happened that the next morning, when the church bells of all Grayville were ringing with an added unction appropriate to the day, the sturdy little son of Deacon Byram, breaking a way through the snow to the place of worship, struck his foot against the body of Amasa Abersush, philanthropist.

And that’s how it went down the next morning when the church bells of all Grayville were ringing with an extra enthusiasm fitting for the day. The tough little son of Deacon Byram, making his way through the snow to the place of worship, kicked his foot against the body of Amasa Abersush, philanthropist.

A WATCHER BY THE DEAD

I

I

In an upper room of an unoccupied dwelling in the part of San Francisco known as North Beach lay the body of a man, under a sheet. The hour was near nine in the evening; the room was dimly lighted by a single candle. Although the weather was warm, the two windows, contrary to the custom which gives the dead plenty of air, were closed and the blinds drawn down. The furniture of the room consisted of but three pieces—an arm-chair, a small reading-stand supporting the candle, and a long kitchen table, supporting the body of the man. All these, as also the corpse, seemed to have been recently brought in, for an observer, had there been one, would have seen that all were free from dust, whereas everything else in the room was pretty thickly coated with it, and there were cobwebs in the angles of the walls.

In an upper room of an empty house in the North Beach area of San Francisco, the body of a man lay under a sheet. It was almost nine in the evening, and the room was dimly lit by a single candle. Despite the warm weather, the two windows were closed, and the blinds were pulled down, which was unusual for a dead body, as it usually gets plenty of fresh air. The room had just three pieces of furniture—a chair, a small reading stand holding the candle, and a long kitchen table that supported the man's body. All these items, along with the corpse, seemed to have been brought in recently, as an observer, if there had been one, would have noticed they were free of dust, while everything else in the room was covered in a thick layer of dust, with cobwebs in the corners of the walls.

Under the sheet the outlines of the body could be traced, even the features, these having that unnaturally sharp definition which seems to belong to faces of the dead, but is really characteristic of those only that have been wasted by disease. From the silence of the room one would rightly have inferred that it was not in the front of the house, facing a street. It really faced nothing but a high breast of rock, the rear of the building being set into a hill.

Under the sheet, the shape of the body could be seen, even the features, which had an unnaturally sharp definition typical of dead faces, but is actually a trait of those who have been weakened by illness. From the silence of the room, one would have rightly guessed that it wasn’t at the front of the house facing a street. It actually overlooked nothing but a steep rock face, with the back of the building embedded in a hill.

As a neighboring church clock was striking nine with an indolence which seemed to imply such an indifference to the flight of time that one could hardly help wondering why it took the trouble to strike at all, the single door of the room was opened and a man entered, advancing toward the body. As he did so the door closed, apparently of its own volition; there was a grating, as of a key turned with difficulty, and the snap of the lock bolt as it shot into its socket. A sound of retiring footsteps in the passage outside ensued, and the man was to all appearance a prisoner. Advancing to the table, he stood a moment looking down at the body; then with a slight shrug of the shoulders walked over to one of the windows and hoisted the blind. The darkness outside was absolute, the panes were covered with dust, but by wiping this away he could see that the window was fortified with strong iron bars crossing it within a few inches of the glass and imbedded in the masonry on each side. He examined the other window. It was the same. He manifested no great curiosity in the matter, did not even so much as raise the sash. If he was a prisoner he was apparently a tractable one. Having completed his examination of the room, he seated himself in the arm-chair, took a book from his pocket, drew the stand with its candle alongside and began to read.

As a nearby church clock struck nine with a casualness that suggested a total disregard for time, making one wonder why it bothered to chime at all, a man entered the room, moving toward the body. As he did, the door closed seemingly by itself; there was a grinding sound, like a key being turned with effort, followed by the snap of the lock as it slid into place. Footsteps faded away in the hallway, and the man appeared to be a prisoner. Approaching the table, he paused to look down at the body; then, with a slight shrug, he walked over to one of the windows and lifted the blind. The darkness outside was complete, and the glass was covered in dust, but by wiping it away, he could see that the window was reinforced with heavy iron bars a few inches from the glass, anchored in the masonry on either side. He checked the other window; it was the same. He showed no real interest in the situation, not even bothering to lift the sash. If he was indeed a prisoner, he seemed willing to go along with it. After finishing his inspection of the room, he sat down in the armchair, took a book from his pocket, pulled the stand with its candle closer, and began to read.

The man was young—not more than thirty—dark in complexion, smooth-shaven, with brown hair. His face was thin and high-nosed, with a broad forehead and a "firmness" of the chin and jaw which is said by those having it to denote resolution. The eyes were gray and steadfast, not moving except with definitive purpose. They were now for the greater part of the time fixed upon his book, but he occasionally withdrew them and turned them to the body on the table, not, apparently, from any dismal fascination which under such circumstances it might be supposed to exercise upon even a courageous person, nor with a conscious rebellion against the contrary influence which might dominate a timid one. He looked at it as if in his reading he had come upon something recalling him to a sense of his surroundings. Clearly this watcher by the dead was discharging his trust with intelligence and composure, as became him.

The man was young—not more than thirty—dark-skinned, clean-shaven, with brown hair. His face was thin and had a prominent nose, a broad forehead, and a firmness in his chin and jaw that those with it claim shows determination. His gray eyes were steady, only moving with clear intent. Most of the time, they were focused on his book, but he occasionally looked away to glance at the body on the table, not out of any morbid fascination that might draw even a brave person, nor from any conscious defiance against the fear that might affect a more timid individual. He looked at it as if his reading had reminded him of his surroundings. Clearly, this watcher over the dead was fulfilling his duty with intelligence and calmness, just as he should.

After reading for perhaps a half-hour he seemed to come to the end of a chapter and quietly laid away the book. He then rose and taking the reading-stand from the floor carried it into a corner of the room near one of the windows, lifted the candle from it and returned to the empty fireplace before which he had been sitting.

After reading for about half an hour, he seemed to finish a chapter and quietly set the book aside. He then stood up, picked up the reading stand from the floor, and moved it to a corner of the room by one of the windows. He lifted the candle from it and went back to the empty fireplace where he had been sitting.

A moment later he walked over to the body on the table, lifted the sheet and turned it back from the head, exposing a mass of dark hair and a thin face-cloth, beneath which the features showed with even sharper definition than before. Shading his eyes by interposing his free hand between them and the candle, he stood looking at his motionless companion with a serious and tranquil regard. Satisfied with his inspection, he pulled the sheet over the face again and returning to the chair, took some matches off the candlestick, put them in the side pocket of his sack-coat and sat down. He then lifted the candle from its socket and looked at it critically, as if calculating how long it would last. It was barely two inches long; in another hour he would be in darkness. He replaced it in the candlestick and blew it out.

A moment later, he walked over to the body on the table, pulled back the sheet from the head, revealing a mass of dark hair and a thin face-cloth, under which the features appeared even sharper than before. Shielding his eyes by placing his free hand between them and the candle, he stood looking at his still companion with a serious and calm expression. Satisfied with his examination, he covered the face again with the sheet and returned to the chair, took some matches from the candlestick, put them in the side pocket of his coat, and sat down. He then picked up the candle from its holder and examined it closely, as if figuring out how long it would burn. It was barely two inches long; in another hour, he would be in darkness. He put it back in the candlestick and blew it out.

II

II

In a physician's office in Kearny Street three men sat about a table, drinking punch and smoking. It was late in the evening, almost midnight, indeed, and there had been no lack of punch. The gravest of the three, Dr. Helberson, was the host—it was in his rooms they sat. He was about thirty years of age; the others were even younger; all were physicians.

In a doctor's office on Kearny Street, three men were sitting around a table, drinking punch and smoking. It was late in the evening, almost midnight, and they had plenty of punch. The most serious of the three, Dr. Helberson, was the host—it was in his place they were sitting. He was about thirty years old; the others were even younger; all were doctors.

"The superstitious awe with which the living regard the dead," said Dr. Helberson, "is hereditary and incurable. One needs no more be ashamed of it than of the fact that he inherits, for example, an incapacity for mathematics, or a tendency to lie."

"The superstitious fear that the living have for the dead," said Dr. Helberson, "is passed down and can't be fixed. There's no reason to feel embarrassed about it any more than you would about inheriting, say, an inability in math or a tendency to lie."

The others laughed. "Oughtn't a man to be ashamed to lie?" asked the youngest of the three, who was in fact a medical student not yet graduated.

The others laughed. "Shouldn't a guy be ashamed to lie?" asked the youngest of the three, who was actually a medical student still in school.

"My dear Harper, I said nothing about that. The tendency to lie is one thing; lying is another."

"My dear Harper, I didn't say anything about that. Having a tendency to lie is one thing; actually lying is something else."

"But do you think," said the third man, "that this superstitious feeling, this fear of the dead, reasonless as we know it to be, is universal? I am myself not conscious of it."

"But do you think," said the third man, "that this superstitious feeling, this fear of the dead, as irrational as we know it is, is something everyone experiences? I personally don’t feel it."

"Oh, but it is 'in your system' for all that," replied Helberson; "it needs only the right conditions—what Shakespeare calls the 'confederate season'—to manifest itself in some very disagreeable way that will open your eyes. Physicians and soldiers are of course more nearly free from it than others."

"Oh, but it's definitely 'in your system' regardless," replied Helberson; "it just needs the right conditions—what Shakespeare refers to as the 'confederate season'—to show up in some really unpleasant way that will make you see things clearly. Doctors and soldiers are obviously less affected by it than others."

"Physicians and soldiers!—why don't you add hangmen and headsmen? Let us have in all the assassin classes."

"Doctors and soldiers!—why not include executioners and hangmen? Let's have all the assassin types."

"No, my dear Mancher; the juries will not let the public executioners acquire sufficient familiarity with death to be altogether unmoved by it."

"No, my dear Mancher; the juries won't allow the public executioners to become so familiar with death that they remain completely indifferent to it."

Young Harper, who had been helping himself to a fresh cigar at the sideboard, resumed his seat. "What would you consider conditions under which any man of woman born would become insupportably conscious of his share of our common weakness in this regard?" he asked, rather verbosely.

Young Harper, who had just grabbed a fresh cigar from the sideboard, settled back into his chair. "What do you think would drive any man, born of a woman, to become painfully aware of his part in our shared weakness on this matter?" he asked, rather wordily.

"Well, I should say that if a man were locked up all night with a corpse—alone—in a dark room—of a vacant house—with no bed covers to pull over his head—and lived through it without going altogether mad, he might justly boast himself not of woman born, nor yet, like Macduff, a product of Cæsarean section."

"Well, I should say that if a man were locked up all night with a corpse—alone—in a dark room—in an empty house—with no blankets to pull over his head—and made it through without going completely insane, he could rightfully claim he is not of woman born, nor, like Macduff, a result of a C-section."

"I thought you never would finish piling up conditions," said Harper, "but I know a man who is neither a physician nor a soldier who will accept them all, for any stake you like to name."

"I thought you would never stop adding conditions," said Harper, "but I know a guy who is neither a doctor nor a soldier who will accept them all, for any bet you want to name."

"Who is he?"

"Who's he?"

"His name is Jarette—a stranger here; comes from my town in New York. I have no money to back him, but he will back himself with loads of it."

"His name is Jarette—he's a stranger here; he comes from my town in New York. I don't have any money to support him, but he's got plenty of his own."

"How do you know that?"

"How do you know that?"

"He would rather bet than eat. As for fear—I dare say he thinks it some cutaneous disorder, or possibly a particular kind of religious heresy."

"He would rather gamble than eat. When it comes to fear—I bet he sees it as some sort of skin condition, or maybe even a specific type of religious belief."

"What does he look like?" Helberson was evidently becoming interested.

"What does he look like?" Helberson was clearly becoming interested.

"Like Mancher, here—might be his twin brother."

"Just like Mancher, this guy here could be his twin."

"I accept the challenge," said Helberson, promptly.

"I accept the challenge," said Helberson, immediately.

"Awfully obliged to you for the compliment, I'm sure," drawled Mancher, who was growing sleepy. "Can't I get into this?"

"Really appreciate the compliment, I'm sure," Mancher said slowly, starting to feel drowsy. "Can I get in on this?"

"Not against me," Helberson said. "I don't want your money."

"Not against me," Helberson said. "I don't want your money."

"All right," said Mancher; "I'll be the corpse."

"Okay," said Mancher; "I'll be the corpse."

The others laughed.

Everyone else laughed.

The outcome of this crazy conversation we have seen.

The outcome of this wild conversation we've witnessed.

III

III

In extinguishing his meagre allowance of candle Mr. Jarette's object was to preserve it against some unforeseen need. He may have thought, too, or half thought, that the darkness would be no worse at one time than another, and if the situation became insupportable it would be better to have a means of relief, or even release. At any rate it was wise to have a little reserve of light, even if only to enable him to look at his watch.

In putting out his small supply of candles, Mr. Jarette aimed to save it for an unexpected need. He might have thought, or partially thought, that the darkness would feel the same no matter when it came, and if the situation became unbearable, it would be better to have a way to find relief, or even escape. At the very least, it was smart to keep a little light in reserve, even if it was just so he could check the time on his watch.

No sooner had he blown out the candle and set it on the floor at his side than he settled himself comfortably in the arm-chair, leaned back and closed his eyes, hoping and expecting to sleep. In this he was disappointed; he had never in his life felt less sleepy, and in a few minutes he gave up the attempt. But what could he do? He could not go groping about in absolute darkness at the risk of bruising himself—at the risk, too, of blundering against the table and rudely disturbing the dead. We all recognize their right to lie at rest, with immunity from all that is harsh and violent. Jarette almost succeeded in making himself believe that considerations of this kind restrained him from risking the collision and fixed him to the chair.

As soon as he blew out the candle and placed it on the floor beside him, he settled into the armchair, leaned back, and closed his eyes, hoping to fall asleep. He was disappointed; he had never felt less sleepy in his life, and after a few minutes, he gave up trying. But what could he do? He couldn't wander around in complete darkness and risk injuring himself—or worse, bumping into the table and disturbing the dead. We all acknowledge their right to rest peacefully, free from anything harsh or jarring. Jarette almost convinced himself that these thoughts kept him from moving and secured him to the chair.

While thinking of this matter he fancied that he heard a faint sound in the direction of the table—what kind of sound he could hardly have explained. He did not turn his head. Why should he—in the darkness? But he listened—why should he not? And listening he grew giddy and grasped the arms of the chair for support. There was a strange ringing in his ears; his head seemed bursting; his chest was oppressed by the constriction of his clothing. He wondered why it was so, and whether these were symptoms of fear. Then, with a long and strong expiration, his chest appeared to collapse, and with the great gasp with which he refilled his exhausted lungs the vertigo left him and he knew that so intently had he listened that he had held his breath almost to suffocation. The revelation was vexatious; he arose, pushed away the chair with his foot and strode to the centre of the room. But one does not stride far in darkness; he began to grope, and finding the wall followed it to an angle, turned, followed it past the two windows and there in another corner came into violent contact with the reading-stand, overturning it. It made a clatter that startled him. He was annoyed. "How the devil could I have forgotten where it was?" he muttered, and groped his way along the third wall to the fireplace. "I must put things to rights," said he, feeling the floor for the candle.

As he thought about this, he thought he heard a faint sound coming from the direction of the table—he couldn't quite explain what it was. He didn’t turn his head. Why should he—in the dark? But he listened—why not? As he listened, he felt dizzy and grasped the arms of the chair for support. There was a strange ringing in his ears; his head felt like it was about to explode; his chest felt tight from his clothing. He wondered why he felt this way and if it was a sign of fear. Then, with a long, deep exhale, he felt his chest collapse, and as he took a great gasp to refill his exhausted lungs, the dizziness left him, and he realized that he had been holding his breath almost to the point of suffocation. The realization was frustrating; he got up, kicked the chair away, and walked to the center of the room. But you can't walk far in the dark; he began to feel around, and finding the wall, he followed it to a corner, turned, and continued past the two windows until he bumped violently into the reading stand, knocking it over. It made a noise that startled him. He was annoyed. "How could I have forgotten where it was?" he muttered, as he felt his way along the third wall to the fireplace. "I need to organize things," he said, searching the floor for the candle.

Having recovered that, he lighted it and instantly turned his eyes to the table, where, naturally, nothing had undergone any change. The reading-stand lay unobserved upon the floor: he had forgotten to "put it to rights." He looked all about the room, dispersing the deeper shadows by movements of the candle in his hand, and crossing over to the door tested it by turning and pulling the knob with all his strength. It did not yield and this seemed to afford him a certain satisfaction; indeed, he secured it more firmly by a bolt which he had not before observed. Returning to his chair, he looked at his watch; it was half-past nine. With a start of surprise he held the watch at his ear. It had not stopped. The candle was now visibly shorter. He again extinguished it, placing it on the floor at his side as before.

Having recovered it, he lit it and immediately turned his gaze to the table, where, of course, nothing had changed. The reading stand lay unnoticed on the floor; he had forgotten to tidy it up. He looked around the room, pushing back the deeper shadows by moving the candle in his hand, and when he reached the door, he tested it by turning and pulling the knob with all his strength. It didn’t budge, which seemed to please him; in fact, he secured it more tightly with a bolt he hadn’t seen before. Returning to his chair, he checked his watch; it was half-past nine. Startled, he held the watch to his ear. It hadn’t stopped. The candle was now noticeably shorter. He extinguished it again, placing it on the floor beside him as before.

Mr. Jarette was not at his ease; he was distinctly dissatisfied with his surroundings, and with himself for being so. "What have I to fear?" he thought. "This is ridiculous and disgraceful; I will not be so great a fool." But courage does not come of saying, "I will be courageous," nor of recognizing its appropriateness to the occasion. The more Jarette condemned himself, the more reason he gave himself for condemnation; the greater the number of variations which he played upon the simple theme of the harmlessness of the dead, the more insupportable grew the discord of his emotions. "What!" he cried aloud in the anguish of his spirit, "what! shall I, who have not a shade of superstition in my nature—I, who have no belief in immortality—I, who know (and never more clearly than now) that the after-life is the dream of a desire—shall I lose at once my bet, my honor and my self-respect, perhaps my reason, because certain savage ancestors dwelling in caves and burrows conceived the monstrous notion that the dead walk by night?—that—" Distinctly, unmistakably, Mr. Jarette heard behind him a light, soft sound of footfalls, deliberate, regular, successively nearer!

Mr. Jarette was feeling uncomfortable; he was clearly unhappy with his surroundings and even more so with himself for feeling this way. "What do I have to be afraid of?" he thought. "This is absurd and shameful; I won’t be such a fool." But courage doesn’t just come from saying, "I will be brave," or from knowing that it’s appropriate for the situation. The more Jarette criticized himself, the more reasons he found to feel ashamed; the more he revisited the simple idea that the dead are harmless, the more unbearable his feelings became. "What!" he exclaimed in frustration, "What! Am I, who has not an ounce of superstition in me—I, who don’t believe in life after death—I, who know (and never more clearly than now) that the afterlife is just a wishful fantasy—am I really going to lose my bet, my honor, my self-respect, maybe even my sanity, just because some primitive ancestors living in caves imagined that the dead walk at night?"—that—" Clearly, unmistakably, Mr. Jarette heard behind him a light, soft sound of footsteps, deliberate, steady, getting closer!

IV

IV

Just before daybreak the next morning Dr. Helberson and his young friend Harper were driving slowly through the streets of North Beach in the doctor's coupé.

Just before dawn the next morning, Dr. Helberson and his young friend Harper were driving slowly through the streets of North Beach in the doctor's car.

"Have you still the confidence of youth in the courage or stolidity of your friend?" said the elder man. "Do you believe that I have lost this wager?"

"Do you still have the youthful confidence in the bravery or steadiness of your friend?" said the older man. "Do you really think I have lost this bet?"

"I know you have," replied the other, with enfeebling emphasis.

"I know you have," replied the other, with weak emphasis.

"Well, upon my soul, I hope so."

"Honestly, I really hope so."

It was spoken earnestly, almost solemnly. There was a silence for a few moments.

It was said sincerely, almost seriously. There was a pause for a few moments.

"Harper," the doctor resumed, looking very serious in the shifting half-lights that entered the carriage as they passed the street lamps, "I don't feel altogether comfortable about this business. If your friend had not irritated me by the contemptuous manner in which he treated my doubt of his endurance —a purely physical quality—and by the cool incivility of his suggestion that the corpse be that of a physician, I should not have gone on with it. If anything should happen we are ruined, as I fear we deserve to be."

"Harper," the doctor continued, looking very serious in the dim light that flickered as they passed the street lamps, "I don't feel entirely comfortable about this situation. If your friend hadn't annoyed me with his dismissive attitude towards my concern about his stamina—a purely physical trait—and with his rude suggestion that the body should belong to a doctor, I wouldn't have proceeded with this. If anything goes wrong, we're finished, as I fear we deserve."

"What can happen? Even if the matter should be taking a serious turn, of which I am not at all afraid, Mancher has only to 'resurrect' himself and explain matters. With a genuine 'subject' from the dissecting-room, or one of your late patients, it might be different."

"What could happen? Even if things should start getting serious, which I’m not worried about at all, Mancher just needs to 'revive' himself and explain things. With a real 'subject' from the lab, or one of your recent patients, it might be a different story."

Dr. Mancher, then, had been as good as his promise; he was the "corpse."

Dr. Mancher had kept his promise; he was the "corpse."

Dr. Helberson was silent for a long time, as the carriage, at a snail's pace, crept along the same street it had traveled two or three times already. Presently he spoke: "Well, let us hope that Mancher, if he has had to rise from the dead, has been discreet about it. A mistake in that might make matters worse instead of better."

Dr. Helberson was quiet for a long time as the carriage slowly moved along the same street it had already gone down two or three times. Finally, he said, "Well, let's hope that Mancher, if he really has come back from the dead, has been careful about it. A mistake there could make things worse instead of better."

"Yes," said Harper, "Jarette would kill him. But, Doctor"—looking at his watch as the carriage passed a gas lamp—"it is nearly four o'clock at last."

"Yeah," said Harper, "Jarette would definitely kill him. But, Doctor"—glancing at his watch as the carriage passed a streetlight—"it’s finally almost four o'clock."

A moment later the two had quitted the vehicle and were walking briskly toward the long-unoccupied house belonging to the doctor in which they had immured Mr. Jarette in accordance with the terms of the mad wager. As they neared it they met a man running. "Can you tell me," he cried, suddenly checking his speed, "where I can find a doctor?"

A moment later, the two had left the vehicle and were walking quickly toward the long-empty house that belonged to the doctor, where they had locked up Mr. Jarette as part of the crazy bet. As they got closer, they encountered a man who was running. "Can you tell me," he shouted, suddenly slowing down, "where I can find a doctor?"

"What's the matter?" Helberson asked, non-committal.

"What's going on?" Helberson asked, indifferent.

"Go and see for yourself," said the man, resuming his running.

"Go check it out for yourself," the man said, picking up his pace again.

They hastened on. Arrived at the house, they saw several persons entering in haste and excitement. In some of the dwellings near by and across the way the chamber windows were thrown up, showing a protrusion of heads. All heads were asking questions, none heeding the questions of the others. A few of the windows with closed blinds were illuminated; the inmates of those rooms were dressing to come down. Exactly opposite the door of the house that they sought a street lamp threw a yellow, insufficient light upon the scene, seeming to say that it could disclose a good deal more if it wished. Harper paused at the door and laid a hand upon his companion's arm. "It is all up with us, Doctor," he said in extreme agitation, which contrasted strangely with his free-and-easy words; "the game has gone against us all. Let's not go in there; I'm for lying low."

They hurried on. When they got to the house, they saw several people entering in a rush, excitedly. In some nearby homes and across the street, windows were thrown open, with heads poking out. Everyone was asking questions, but no one was listening to each other. A few windows with closed blinds were lit up; the people inside were getting dressed to come downstairs. Right in front of the door of the house they were looking for, a street lamp cast a weak yellow light on the scene, as if suggesting it could reveal a lot more if it wanted to. Harper stopped at the door and placed a hand on his friend’s arm. "We're done for, Doctor," he said, visibly shaken, which felt odd given his casual words; "the odds are against us now. Let’s not go in there; I’m for hiding out."

"I'm a physician," said Dr. Helberson, calmly; "there may be need of one."

"I'm a doctor," Dr. Helberson said calmly, "there might be a need for one."

They mounted the doorsteps and were about to enter. The door was open; the street lamp opposite lighted the passage into which it opened. It was full of men. Some had ascended the stairs at the farther end, and, denied admittance above, waited for better fortune. All were talking, none listening. Suddenly, on the upper landing there was a great commotion; a man had sprung out of a door and was breaking away from those endeavoring to detain him. Down through the mass of affrighted idlers he came, pushing them aside, flattening them against the wall on one side, or compelling them to cling to the rail on the other, clutching them by the throat, striking them savagely, thrusting them back down the stairs and walking over the fallen. His clothing was in disorder, he was without a hat. His eyes, wild and restless, had in them something more terrifying than his apparently superhuman strength. His face, smooth-shaven, was bloodless, his hair frost-white.

They climbed the steps and were about to go inside. The door was open; the street lamp across the way illuminated the hallway it led into. It was packed with men. Some had gone up the stairs at the far end and, after being denied entry above, were waiting for better luck. Everyone was talking, but no one was listening. Suddenly, there was a huge disturbance on the upper landing; a man burst out of a door and was breaking free from those trying to hold him back. He pushed through the crowd of frightened bystanders, shoving them aside, pressing them against the wall on one side, or forcing them to grab the rail on the other, grabbing them by the throat, hitting them brutally, pushing them back down the stairs, and stepping over those who had fallen. His clothes were disheveled, and he was without a hat. His eyes, wild and restless, held something more frightening than his seemingly superhuman strength. His smooth-shaven face was pale, and his hair was as white as frost.

As the crowd at the foot of the stairs, having more freedom, fell away to let him pass Harper sprang forward. "Jarette! Jarette!" he cried.

As the crowd at the bottom of the stairs, feeling more free, stepped aside to let him through, Harper jumped forward. "Jarette! Jarette!" he shouted.

Dr. Helberson seized Harper by the collar and dragged him back. The man looked into their faces without seeming to see them and sprang through the door, down the steps, into the street, and away. A stout policeman, who had had inferior success in conquering his way down the stairway, followed a moment later and started in pursuit, all the heads in the windows—those of women and children now—screaming in guidance.

Dr. Helberson grabbed Harper by the collar and pulled him back. The man looked at their faces without really seeing them and jumped through the door, down the steps, into the street, and took off. A heavyset police officer, who had struggled to make his way down the stairs, followed a moment later and began to chase him, while all the heads in the windows—those of women and children now—screamed directions.

The stairway being now partly cleared, most of the crowd having rushed down to the street to observe the flight and pursuit, Dr. Helberson mounted to the landing, followed by Harper. At a door in the upper passage an officer denied them admittance. "We are physicians," said the doctor, and they passed in. The room was full of men, dimly seen, crowded about a table. The newcomers edged their way forward and looked over the shoulders of those in the front rank. Upon the table, the lower limbs covered with a sheet, lay the body of a man, brilliantly illuminated by the beam of a bull's-eye lantern held by a policeman standing at the feet. The others, excepting those near the head—the officer himself—all were in darkness. The face of the body showed yellow, repulsive, horrible! The eyes were partly open and upturned and the jaw fallen; traces of froth defiled the lips, the chin, the cheeks. A tall man, evidently a doctor, bent over the body with his hand thrust under the shirt front. He withdrew it and placed two fingers in the open mouth. "This man has been about six hours dead," said he. "It is a case for the coroner."

The stairway was mostly clear now, as most of the crowd had rushed down to the street to watch the chase. Dr. Helberson made his way to the landing, followed by Harper. At a door along the upper passage, an officer stopped them from entering. "We’re doctors," said the doctor, and they were allowed in. The room was packed with men, dimly visible, gathered around a table. The newcomers pushed their way forward to look over the shoulders of those in front. On the table, the lower legs covered with a sheet, lay the body of a man, brightly lit by the beam of a flashlight held by a policeman standing at the feet. The rest, except for those near the head—the officer himself—were in shadow. The body’s face was yellow and horrific. The eyes were partially open and rolled back, and the jaw had dropped; traces of froth stained the lips, chin, and cheeks. A tall man, clearly a doctor, leaned over the body with his hand shoved under the shirt front. He pulled it out and placed two fingers in the open mouth. "This man has been dead for about six hours," he stated. "It's a case for the coroner."

He drew a card from his pocket, handed it to the officer and made his way toward the door.

He took a card from his pocket, gave it to the officer, and headed toward the door.

"Clear the room—out, all!" said the officer, sharply, and the body disappeared as if it had been snatched away, as shifting the lantern he flashed its beam of light here and there against the faces of the crowd. The effect was amazing! The men, blinded, confused, almost terrified, made a tumultuous rush for the door, pushing, crowding, and tumbling over one another as they fled, like the hosts of Night before the shafts of Apollo. Upon the struggling, trampling mass the officer poured his light without pity and without cessation. Caught in the current, Helberson and Harper were swept out of the room and cascaded down the stairs into the street.

"Clear the room—everyone out!" the officer snapped, and the body vanished as if it had been dragged away. Shifting the lantern, he flashed its light here and there over the faces of the crowd. The effect was incredible! The men, momentarily blinded and confused, almost terrified, surged toward the door, shoving, crowding, and tumbling over each other as they fled, like the armies of Night before the arrows of Apollo. The officer relentlessly poured his light onto the struggling, trampling mass. Caught in the rush, Helberson and Harper were swept out of the room and tumbled down the stairs into the street.

"Good God, Doctor! did I not tell you that Jarette would kill him?" said Harper, as soon as they were clear of the crowd.

"Good God, Doctor! Didn’t I tell you that Jarette would kill him?" said Harper, as soon as they were away from the crowd.

"I believe you did," replied the other, without apparent emotion.

"I think you did," replied the other, without showing any emotion.

They walked on in silence, block after block. Against the graying east the dwellings of the hill tribes showed in silhouette. The familiar milk wagon was already astir in the streets; the baker's man would soon come upon the scene; the newspaper carrier was abroad in the land.

They walked on in silence, block after block. Against the dull east, the homes of the hill tribes appeared in silhouette. The familiar milk truck was already making its rounds in the streets; the baker would soon show up; the newspaper delivery person was out and about.

"It strikes me, youngster," said Helberson, "that you and I have been having too much of the morning air lately. It is unwholesome; we need a change. What do you say to a tour in Europe?"

"It strikes me, kid," said Helberson, "that you and I have been spending too much time in the morning air lately. It's not healthy; we need a change. What do you think about a trip to Europe?"

"When?"

"When's it happening?"

"I'm not particular. I should suppose that four o'clock this afternoon would be early enough."

"I'm not picky. I think four o'clock this afternoon will be early enough."

"I'll meet you at the boat," said Harper.

"I'll meet you at the boat," Harper said.

Seven years afterward these two men sat upon a bench in Madison Square, New York, in familiar conversation. Another man, who had been observing them for some time, himself unobserved, approached and, courteously lifting his hat from locks as white as frost, said: "I beg your pardon, gentlemen, but when you have killed a man by coming to life, it is best to change clothes with him, and at the first opportunity make a break for liberty."

Seven years later, these two men were seated on a bench in Madison Square, New York, engaged in casual conversation. Another man, who had been watching them for a while without being noticed, came closer and politely lifted his hat from his hair, which was as white as frost. He said, "Excuse me, gentlemen, but when you've taken a man's life just by living, it's best to switch clothes with him and seize the first chance you get to escape."

Helberson and Harper exchanged significant glances. They were obviously amused. The former then looked the stranger kindly in the eye and replied:

Helberson and Harper exchanged meaningful looks. They were clearly entertained. The former then looked the stranger kindly in the eye and replied:

"That has always been my plan. I entirely agree with you as to its advant—"

"That has always been my plan. I totally agree with you about its advantages—"

He stopped suddenly, rose and went white. He stared at the man, open-mouthed; he trembled visibly.

He suddenly stopped, stood up, and went pale. He stared at the man, mouth agape; he visibly trembled.

"Ah!" said the stranger, "I see that you are indisposed, Doctor. If you cannot treat yourself Dr. Harper can do something for you, I am sure."

"Ah!" said the stranger, "I see that you're not feeling well, Doctor. If you can't help yourself, I'm sure Dr. Harper can do something for you."

"Who the devil are you?" said Harper, bluntly.

"Who the hell are you?" Harper asked, straightforwardly.

The stranger came nearer and, bending toward them, said in a whisper: "I call myself Jarette sometimes, but I don't mind telling you, for old friendship, that I am Dr. William Mancher."

The stranger approached and, leaning in toward them, whispered, "I go by Jarette sometimes, but I’ll let you in on a secret, out of old friendship: I’m Dr. William Mancher."

The revelation brought Harper to his feet. "Mancher!" he cried; and Helberson added: "It is true, by God!"

The news made Harper jump up. "Mancher!" he shouted; and Helberson chimed in: "It’s true, I swear!"

"Yes," said the stranger, smiling vaguely, "it is true enough, no doubt."

"Yes," said the stranger, smiling faintly, "that's definitely true."

He hesitated and seemed to be trying to recall something, then began humming a popular air. He had apparently forgotten their presence.

He paused and looked like he was trying to remember something, then started humming a popular tune. He seemed to have forgotten they were there.

"Look here, Mancher," said the elder of the two, "tell us just what occurred that night—to Jarette, you know."

"Hey, Mancher," said the older of the two, "can you tell us what happened that night—with Jarette, you know."

"Oh, yes, about Jarette," said the other. "It's odd I should have neglected to tell you—I tell it so often. You see I knew, by over-hearing him talking to himself, that he was pretty badly frightened. So I couldn't resist the temptation to come to life and have a bit of fun out of him—I couldn't really. That was all right, though certainly I did not think he would take it so seriously; I did not, truly. And afterward—well, it was a tough job changing places with him, and then—damn you! you didn't let me out!"

"Oh, yes, about Jarette," said the other. "It's strange that I forgot to mention it—I say this so often. You see, I overheard him talking to himself and realized he was really scared. So I couldn't help myself; I had to come to life and have a little fun with him—I just had to. That was fine, but honestly, I didn't think he would take it so seriously; I truly didn't. And afterward—well, switching places with him was a real hassle, and then—damn it! you didn’t let me out!"

Nothing could exceed the ferocity with which these last words were delivered. Both men stepped back in alarm.

Nothing could match the intensity with which these final words were spoken. Both men took a step back in shock.

"We?—why—why," Helberson stammered, losing his self-possession utterly, "we had nothing to do with it."

"We?—why—why," Helberson stammered, completely losing his composure, "we had nothing to do with it."

"Didn't I say you were Drs. Hell-born and Sharper?" inquired the man, laughing.

"Didn't I tell you that you were Drs. Hell-born and Sharper?" the man asked, laughing.

"My name is Helberson, yes; and this gentleman is Mr. Harper," replied the former, reassured by the laugh. "But we are not physicians now; we are—well, hang it, old man, we are gamblers."

"My name is Helberson, yes; and this guy is Mr. Harper," replied Helberson, feeling more at ease after the laugh. "But we’re not doctors anymore; we are—well, let’s be honest, old man, we’re gamblers."

And that was the truth.

And that was the truth.

"A very good profession—very good, indeed; and, by the way, I hope Sharper here paid over Jarette's money like an honest stakeholder. A very good and honorable profession," he repeated, thoughtfully, moving carelessly away; "but I stick to the old one. I am High Supreme Medical Officer of the Bloomingdale Asylum; it is my duty to cure the superintendent."

"A really great profession—really great, for sure; and by the way, I hope Sharper here handed over Jarette's money like an honest broker. A really good and respectable profession," he said again, thoughtfully, casually walking away; "but I’m sticking with the old one. I am the High Supreme Medical Officer of Bloomingdale Asylum; it’s my job to cure the superintendent."

THE MAN AND THE SNAKE

It is of veritabyll report, and attested of so many that there be nowe of wyse and learned none to gaynsaye it, that y'e serpente hys eye hath a magnetick propertie that whosoe falleth into its svasion is drawn forwards in despyte of his wille, and perisheth miserabyll by y'e creature hys byte.
It is a widely accepted fact, confirmed by so many that there are now no wise or learned people who can deny it, that a serpent's eye has a magnetic quality that draws anyone who gazes into it forward against their will, leading to their miserable demise by the creature's bite.

Stretched at ease upon a sofa, in gown and slippers, Harker Brayton smiled as he read the foregoing sentence in old Morryster's Marvells of Science. "The only marvel in the matter," he said to himself, "is that the wise and learned in Morryster's day should have believed such nonsense as is rejected by most of even the ignorant in ours."

Stretched out comfortably on a sofa, wearing his gown and slippers, Harker Brayton smiled as he read the previous sentence in old Morryster's Marvells of Science. "The only wonder here," he thought, "is that the educated and knowledgeable in Morryster's time believed such nonsense, which is dismissed by most of even the uneducated in our time."

A train of reflection followed—for Brayton was a man of thought—and he unconsciously lowered his book without altering the direction of his eyes. As soon as the volume had gone below the line of sight, something in an obscure corner of the room recalled his attention to his surroundings. What he saw, in the shadow under his bed, was two small points of light, apparently about an inch apart. They might have been reflections of the gas jet above him, in metal nail heads; he gave them but little thought and resumed his reading. A moment later something—some impulse which it did not occur to him to analyze—impelled him to lower the book again and seek for what he saw before. The points of light were still there. They seemed to have become brighter than before, shining with a greenish lustre that he had not at first observed. He thought, too, that they might have moved a trifle—were somewhat nearer. They were still too much in shadow, however, to reveal their nature and origin to an indolent attention, and again he resumed his reading. Suddenly something in the text suggested a thought that made him start and drop the book for the third time to the side of the sofa, whence, escaping from his hand, it fell sprawling to the floor, back upward. Brayton, half-risen, was staring intently into the obscurity beneath the bed, where the points of light shone with, it seemed to him, an added fire. His attention was now fully aroused, his gaze eager and imperative. It disclosed, almost directly under the foot-rail of the bed, the coils of a large serpent—the points of light were its eyes! Its horrible head, thrust flatly forth from the innermost coil and resting upon the outermost, was directed straight toward him, the definition of the wide, brutal jaw and the idiot-like forehead serving to show the direction of its malevolent gaze. The eyes were no longer merely luminous points; they looked into his own with a meaning, a malign significance.

A train of thought followed—Brayton was a thoughtful man—and he unconsciously lowered his book without changing the direction of his gaze. As soon as the book dropped out of sight, something in a dim corner of the room caught his attention. What he saw, in the shadow under his bed, were two small points of light, seemingly about an inch apart. They could have been reflections from the gas light above him, perhaps in the metal nail heads; he didn’t think much of it and went back to reading. Moments later, something—some impulse he didn’t think to analyze—made him lower the book again to look for what he had seen before. The points of light were still there. They seemed to have grown brighter, glowing with a greenish hue that he hadn’t noticed at first. He also thought they might have moved slightly—seemed a bit closer. However, they remained too shrouded in shadow to reveal their nature and origin to his lazy attention, so he resumed reading again. Suddenly, something in the text sparked a thought that made him start and drop the book for the third time beside the sofa, from where it fell sprawling to the floor, cover side up. Brayton, now half-risen, was staring intently into the darkness beneath the bed, where the points of light shone with what felt like an increased intensity. His attention was now fully captured, his gaze eager and demanding. It revealed, almost directly under the foot-rail of the bed, the coils of a large serpent—the points of light were its eyes! Its terrifying head, thrust flat against the innermost coil and resting on the outermost, was aimed straight at him, the details of its wide, brutal jaw and its moronic forehead accentuating the direction of its sinister gaze. The eyes were no longer just glowing points; they looked into his own with a meaning, a malevolent significance.

II

II

A snake in a bedroom of a modern city dwelling of the better sort is, happily, not so common a phenomenon as to make explanation altogether needless. Harker Brayton, a bachelor of thirty-five, a scholar, idler and something of an athlete, rich, popular and of sound health, had returned to San Francisco from all manner of remote and unfamiliar countries. His tastes, always a trifle luxurious, had taken on an added exuberance from long privation; and the resources of even the Castle Hotel being inadequate to their perfect gratification, he had gladly accepted the hospitality of his friend, Dr. Druring, the distinguished scientist. Dr. Druring's house, a large, old-fashioned one in what is now an obscure quarter of the city, had an outer and visible aspect of proud reserve. It plainly would not associate with the contiguous elements of its altered environment, and appeared to have developed some of the eccentricities which come of isolation. One of these was a "wing," conspicuously irrelevant in point of architecture, and no less rebellious in matter of purpose; for it was a combination of laboratory, menagerie and museum. It was here that the doctor indulged the scientific side of his nature in the study of such forms of animal life as engaged his interest and comforted his taste—which, it must be confessed, ran rather to the lower types. For one of the higher nimbly and sweetly to recommend itself unto his gentle senses it had at least to retain certain rudimentary characteristics allying it to such "dragons of the prime" as toads and snakes. His scientific sympathies were distinctly reptilian; he loved nature's vulgarians and described himself as the Zola of zoölogy. His wife and daughters not having the advantage to share his enlightened curiosity regarding the works and ways of our ill-starred fellow-creatures, were with needless austerity excluded from what he called the Snakery and doomed to companionship with their own kind, though to soften the rigors of their lot he had permitted them out of his great wealth to outdo the reptiles in the gorgeousness of their surroundings and to shine with a superior splendor.

A snake in the bedroom of a nice modern apartment isn’t as common as you might think, so it still needs a bit of explanation. Harker Brayton, a 35-year-old bachelor, scholar, idler, and somewhat of an athlete, who is wealthy, well-liked, and in good health, had just returned to San Francisco from various remote and unfamiliar places. His tastes, always a bit on the luxurious side, had become even more extravagant after a long period of deprivation; and since even the Castle Hotel wasn’t quite enough to meet his desires, he happily accepted his friend Dr. Druring's hospitality. Dr. Druring lived in a large, old-fashioned house in what is now a less prominent part of the city, which had an outward appearance of proud reserve. It clearly didn’t want to blend in with the changing surroundings and seemed to have developed some quirks from its isolation. One of these quirks was a “wing” that didn’t match the architectural style of the main house and had a rebellious purpose; it was a mix of a laboratory, menagerie, and museum. Here, the doctor explored the scientific side of his personality by studying animal life that caught his interest and satisfied his taste—which, it must be admitted, leaned toward the more basic forms. For a higher animal to appeal to his gentle sensibilities, it had to keep some of the primitive features that linked it to "dragons of the prime" like toads and snakes. He had a notable affinity for reptiles; he adored nature’s ordinary creatures and fancied himself the Zola of zoology. His wife and daughters, lacking his keen curiosity about the ways of our unfortunate fellow beings, were with unnecessary severity kept away from what he called the Snakery and forced to associate with their own kind. However, to ease their situation, he allowed them to outshine the reptiles with the richness of their surroundings and to live in greater splendor.

Architecturally and in point of "furnishing" the Snakery had a severe simplicity befitting the humble circumstances of its occupants, many of whom, indeed, could not safely have been intrusted with the liberty that is necessary to the full enjoyment of luxury, for they had the troublesome peculiarity of being alive. In their own apartments, however, they were under as little personal restraint as was compatible with their protection from the baneful habit of swallowing one another; and, as Brayton had thoughtfully been apprised, it was more than a tradition that some of them had at divers times been found in parts of the premises where it would have embarrassed them to explain their presence. Despite the Snakery and its uncanny associations—to which, indeed, he gave little attention—Brayton found life at the Druring mansion very much to his mind.

The Snakery had a simple architectural style and furnishings that matched the modest lives of its residents, many of whom really couldn’t handle the freedom needed to fully enjoy luxury, simply because they had the annoying habit of being alive. In their own rooms, though, they were as free as possible while still being protected from the harmful tendency to swallow each other; and, as Brayton had been thoughtfully informed, it was more than just a rumor that some had been found in parts of the building where it would’ve been awkward for them to explain their presence. Despite the Snakery and its strange connections—something he hardly paid attention to—Brayton found his time at the Druring mansion quite enjoyable.

III

III

Beyond a smart shock of surprise and a shudder of mere loathing Mr. Brayton was not greatly affected. His first thought was to ring the call bell and bring a servant; but although the bell cord dangled within easy reach he made no movement toward it; it had occurred to his mind that the act might subject him to the suspicion of fear, which he certainly did not feel. He was more keenly conscious of the incongruous nature of the situation than affected by its perils; it was revolting, but absurd.

Beyond a surprised shock and a shudder of disgust, Mr. Brayton was not deeply affected. His first thought was to ring the call bell and summon a servant; however, even though the bell cord was within easy reach, he didn’t move to pull it. He realized that doing so might make him seem fearful, which he definitely did not feel. He was more aware of how ridiculous the situation was than concerned about its dangers; it was unsettling, but also absurd.

The reptile was of a species with which Brayton was unfamiliar. Its length he could only conjecture; the body at the largest visible part seemed about as thick as his forearm. In what way was it dangerous, if in any way? Was it venomous? Was it a constrictor? His knowledge of nature's danger signals did not enable him to say; he had never deciphered the code.

The reptile was from a species that Brayton didn’t recognize. He could only guess its length; the thickest part of its body looked about as thick as his forearm. How was it dangerous, if at all? Was it venomous? Was it a constrictor? His understanding of nature’s warning signs didn’t help him answer those questions; he had never figured out the codes.

If not dangerous the creature was at least offensive. It was de trop—"matter out of place"—an impertinence. The gem was unworthy of the setting. Even the barbarous taste of our time and country, which had loaded the walls of the room with pictures, the floor with furniture and the furniture with bric-a-brac, had not quite fitted the place for this bit of the savage life of the jungle. Besides—insupportable thought!—the exhalations of its breath mingled with the atmosphere which he himself was breathing.

If it wasn’t dangerous, the creature was at least repulsive. It was de trop—"out of place"—an annoyance. The gem didn’t belong in this setting. Even the crude taste of our time and place, which had cluttered the room with pictures, the floor with furniture, and the furniture with knick-knacks, hadn’t quite made this spot suitable for a piece of the wild life of the jungle. Plus—what an unbearable thought!—the smell of its breath mixed with the air he was breathing.

These thoughts shaped themselves with greater or less definition in Brayton's mind and begot action. The process is what we call consideration and decision. It is thus that we are wise and unwise. It is thus that the withered leaf in an autumn breeze shows greater or less intelligence than its fellows, falling upon the land or upon the lake. The secret of human action is an open one: something contracts our muscles. Does it matter if we give to the preparatory molecular changes the name of will?

These thoughts took shape with varying clarity in Brayton's mind and led to action. This process is what we refer to as consideration and decision. It’s how we determine wisdom or folly. It’s like how a dried leaf in an autumn breeze displays more or less awareness than other leaves, landing on the ground or in the water. The secret to human action is quite clear: something causes our muscles to contract. Does it really matter if we label the initial molecular changes as will?

Brayton rose to his feet and prepared to back softly away from the snake, without disturbing it if possible, and through the door. Men retire so from the presence of the great, for greatness is power and power is a menace. He knew that he could walk backward without error. Should the monster follow, the taste which had plastered the walls with paintings had consistently supplied a rack of murderous Oriental weapons from which he could snatch one to suit the occasion. In the mean time the snake's eyes burned with a more pitiless malevolence than before.

Brayton stood up and got ready to slowly back away from the snake, trying not to disturb it as he moved toward the door. Men often retreat like this in the presence of someone powerful, as greatness comes with danger. He was confident he could walk backward without making a mistake. If the creature decided to follow, the taste that had covered the walls with art had always provided a collection of deadly Oriental weapons from which he could choose one for the moment. Meanwhile, the snake's eyes glowed with an even more ruthless malice than before.

Brayton lifted his right foot free of the floor to step backward. That moment he felt a strong aversion to doing so.

Brayton lifted his right foot off the floor to step back. In that moment, he felt a strong urge to resist doing it.

"I am accounted brave," he thought; "is bravery, then, no more than pride? Because there are none to witness the shame shall I retreat?"

"I’m considered brave," he thought; "is bravery just pride, then? Since no one is here to see my shame, should I step back?"

He was steadying himself with his right hand upon the back of a chair, his foot suspended.

He steadied himself with his right hand on the back of a chair, his foot hanging in the air.

"Nonsense!" he said aloud; "I am not so great a coward as to fear to seem to myself afraid."

"Nonsense!" he said out loud. "I'm not such a coward that I'm scared of looking afraid to myself."

He lifted the foot a little higher by slightly bending the knee and thrust it sharply to the floor—an inch in front of the other! He could not think how that occurred. A trial with the left foot had the same result; it was again in advance of the right. The hand upon the chair back was grasping it; the arm was straight, reaching somewhat backward. One might have said that he was reluctant to lose his hold. The snake's malignant head was still thrust forth from the inner coil as before, the neck level. It had not moved, but its eyes were now electric sparks, radiating an infinity of luminous needles.

He raised his foot a little higher by bending his knee slightly and slammed it down hard—just an inch ahead of the other! He couldn’t figure out how that happened. Trying with his left foot produced the same result; it was once again in front of the right. His hand was gripping the back of the chair, and his arm was straight, reaching slightly backward. One could say he seemed reluctant to let go. The snake's menacing head was still pushed out from the inner coil, the neck level. It hadn’t moved, but its eyes now looked like electric sparks, radiating countless bright needles.

The man had an ashy pallor. Again he took a step forward, and another, partly dragging the chair, which when finally released fell upon the floor with a crash. The man groaned; the snake made neither sound nor motion, but its eyes were two dazzling suns. The reptile itself was wholly concealed by them. They gave off enlarging rings of rich and vivid colors, which at their greatest expansion successively vanished like soap-bubbles; they seemed to approach his very face, and anon were an immeasurable distance away. He heard, somewhere, the continuous throbbing of a great drum, with desultory bursts of far music, inconceivably sweet, like the tones of an æolian harp. He knew it for the sunrise melody of Memnon's statue, and thought he stood in the Nileside reeds hearing with exalted sense that immortal anthem through the silence of the centuries.

The man had a pale, ashy complexion. He stepped forward again, dragging the chair along with him, and when he finally let it go, it crashed to the floor. The man groaned; the snake didn’t make a sound or move, but its eyes were like two dazzling suns. The reptile itself was completely hidden behind them. The eyes emitted expanding rings of rich, vivid colors that disappeared like soap bubbles at their peak; they seemed to come close to his face and then again receded into an endless distance. He heard a constant drumming sound in the background, mixed with random bursts of distant music, inconceivably sweet, like the notes from an æolian harp. He recognized it as the sunrise melody of Memnon's statue and imagined he was standing among the reeds by the Nile, experiencing that immortal song through the silence of the ages.

The music ceased; rather, it became by insensible degrees the distant roll of a retreating thunder-storm. A landscape, glittering with sun and rain, stretched before him, arched with a vivid rainbow framing in its giant curve a hundred visible cities. In the middle distance a vast serpent, wearing a crown, reared its head out of its voluminous convolutions and looked at him with his dead mother's eyes. Suddenly this enchanting landscape seemed to rise swiftly upward like the drop scene at a theatre, and vanished in a blank. Something struck him a hard blow upon the face and breast. He had fallen to the floor; the blood ran from his broken nose and his bruised lips. For a time he was dazed and stunned, and lay with closed eyes, his face against the floor. In a few moments he had recovered, and then knew that this fall, by withdrawing his eyes, had broken the spell that held him. He felt that now, by keeping his gaze averted, he would be able to retreat. But the thought of the serpent within a few feet of his head, yet unseen—perhaps in the very act of springing upon him and throwing its coils about his throat—was too horrible! He lifted his head, stared again into those baleful eyes and was again in bondage.

The music stopped; instead, it gradually faded into the distant rumble of a retreating thunderstorm. A landscape, glistening with sunlight and rain, stretched out before him, arched by a vivid rainbow that framed a hundred visible cities in its massive curve. In the middle distance, a giant snake, wearing a crown, raised its head from its massive coils and looked at him with his dead mother’s eyes. Suddenly, this beautiful scene seemed to lift quickly upward like a stage curtain and disappeared into emptiness. Something hit him hard in the face and chest. He had fallen to the floor; blood streamed from his broken nose and bruised lips. For a moment, he was dazed and stunned, lying on the floor with his eyes closed. After a few moments, he recovered and realized that this fall, by taking his eyes away, had broken the enchantment that had held him. He felt that now, by keeping his gaze averted, he could retreat. But the thought of the snake just a few feet from his head, yet unseen—perhaps ready to spring onto him and wrap its coils around his throat—was too terrifying! He lifted his head, stared once more into those menacing eyes, and was once again trapped.

The snake had not moved and appeared somewhat to have lost its power upon the imagination; the gorgeous illusions of a few moments before were not repeated. Beneath that flat and brainless brow its black, beady eyes simply glittered as at first with an expression unspeakably malignant. It was as if the creature, assured of its triumph, had determined to practise no more alluring wiles.

The snake hadn’t moved and seemed to have lost its grip on the imagination; the stunning illusions from just a moment ago weren’t there anymore. Beneath that flat, blank face, its black, beady eyes shone just as they had at first, with an expression that was incredibly sinister. It was as if the creature, confident in its victory, had decided to stop using any more enticing tricks.

Now ensued a fearful scene. The man, prone upon the floor, within a yard of his enemy, raised the upper part of his body upon his elbows, his head thrown back, his legs extended to their full length. His face was white between its stains of blood; his eyes were strained open to their uttermost expansion. There was froth upon his lips; it dropped off in flakes. Strong convulsions ran through his body, making almost serpentile undulations. He bent himself at the waist, shifting his legs from side to side. And every movement left him a little nearer to the snake. He thrust his hands forward to brace himself back, yet constantly advanced upon his elbows.

Now a terrifying scene unfolded. The man, lying on the floor just a yard away from his enemy, propped himself up on his elbows, his head thrown back, his legs stretched out. His face was pale amidst the bloodstains; his eyes were wide open to their fullest extent. There was foam on his lips that dripped off in flakes. Strong convulsions ran through his body, causing it to move in almost snake-like motions. He bent at the waist, shifting his legs from side to side. With every movement, he got a little closer to the snake. He pushed his hands forward to brace himself, yet he kept advancing on his elbows.

IV

IV

Dr. Druring and his wife sat in the library. The scientist was in rare good humor.

Dr. Druring and his wife sat in the library. The scientist was in a surprisingly good mood.

"I have just obtained by exchange with another collector," he said, "a splendid specimen of the ophiophagus."

"I just traded with another collector for a fantastic specimen of the ophiophagus," he said.

"And what may that be?" the lady inquired with a somewhat languid interest.

"And what might that be?" the lady asked with a touch of relaxed curiosity.

"Why, bless my soul, what profound ignorance! My dear, a man who ascertains after marriage that his wife does not know Greek is entitled to a divorce. The ophiophagus is a snake that eats other snakes."

"Wow, what a shocking lack of knowledge! My dear, a man who discovers after getting married that his wife doesn't know Greek has every right to get a divorce. The ophiophagus is a snake that eats other snakes."

"I hope it will eat all yours," she said, absently shifting the lamp. "But how does it get the other snakes? By charming them, I suppose."

"I hope it eats all of yours," she said, absentmindedly moving the lamp. "But how does it get the other snakes? By charming them, I guess."

"That is just like you, dear," said the doctor, with an affectation of petulance. "You know how irritating to me is any allusion to that vulgar superstition about a snake's power of fascination."

"That’s so typical of you, dear," the doctor said, pretending to be annoyed. "You know how much it irritates me when anyone brings up that ridiculous belief about a snake's ability to mesmerize."

The conversation was interrupted by a mighty cry, which rang through the silent house like the voice of a demon shouting in a tomb! Again and yet again it sounded, with terrible distinctness. They sprang to their feet, the man confused, the lady pale and speechless with fright. Almost before the echoes of the last cry had died away the doctor was out of the room, springing up the stairs two steps at a time. In the corridor in front of Brayton's chamber he met some servants who had come from the upper floor. Together they rushed at the door without knocking. It was unfastened and gave way. Brayton lay upon his stomach on the floor, dead. His head and arms were partly concealed under the foot rail of the bed. They pulled the body away, turning it upon the back. The face was daubed with blood and froth, the eyes were wide open, staring—a dreadful sight!

The conversation was interrupted by a loud scream that echoed through the silent house like the voice of a demon yelling in a grave! It sounded again and again, clear and terrifying. They jumped to their feet, the man bewildered and the woman pale and speechless with fear. Almost before the last echo faded, the doctor raced out of the room, taking the stairs two at a time. In the hallway outside Brayton's room, he encountered some servants coming down from the upper floor. Together, they rushed to the door without knocking. It was unlocked and swung open. Brayton lay facedown on the floor, dead. His head and arms were partially hidden under the foot rail of the bed. They pulled the body out and turned it onto its back. The face was smeared with blood and foam, the eyes wide open and staring—a horrifying sight!

"Died in a fit," said the scientist, bending his knee and placing his hand upon the heart. While in that position, he chanced to look under the bed. "Good God!" he added, "how did this thing get in here?"

"Died in a fit," said the scientist, kneeling and placing his hand on the heart. While in that position, he happened to look under the bed. "Good God!" he added, "how did this thing get in here?"

He reached under the bed, pulled out the snake and flung it, still coiled, to the center of the room, whence with a harsh, shuffling sound it slid across the polished floor till stopped by the wall, where it lay without motion. It was a stuffed snake; its eyes were two shoe buttons.

He reached under the bed, grabbed the snake, and threw it, still coiled, to the middle of the room, where it made a rough shuffling noise as it slid across the polished floor until it hit the wall, lying still. It was a stuffed snake; its eyes were just two shoe buttons.

A HOLY TERROR

I

I

There was an entire lack of interest in the latest arrival at Hurdy-Gurdy. He was not even christened with the picturesquely descriptive nick-name which is so frequently a mining camp's word of welcome to the newcomer. In almost any other camp thereabout this circumstance would of itself have secured him some such appellation as "The White-headed Conundrum," or "No Sarvey"—an expression naively supposed to suggest to quick intelligences the Spanish quien sabe. He came without provoking a ripple of concern upon the social surface of Hurdy-Gurdy—a place which to the general Californian contempt of men's personal history superadded a local indifference of its own. The time was long past when it was of any importance who came there, or if anybody came. No one was living at Hurdy-Gurdy.

There was a complete lack of interest in the latest arrival at Hurdy-Gurdy. He didn't even get a catchy nickname, which is often a mining camp's friendly welcome for newcomers. In almost any other camp around, this situation would have meant he would get some nickname like "The White-headed Conundrum" or "No Sarvey"—a term that people naively thought meant "who knows" in Spanish. He arrived without causing a stir in the social scene of Hurdy-Gurdy—a place that, in addition to the general Californian disregard for people's personal histories, added its own local indifference. It had long stopped mattering who showed up there, or if anyone showed up at all. No one was really living in Hurdy-Gurdy.

Two years before, the camp had boasted a stirring population of two or three thousand males and not fewer than a dozen females. A majority of the former had done a few weeks' earnest work in demonstrating, to the disgust of the latter, the singularly mendacious character of the person whose ingenious tales of rich gold deposits had lured them thither—work, by the way, in which there was as little mental satisfaction as pecuniary profit; for a bullet from the pistol of a public-spirited citizen had put that imaginative gentleman beyond the reach of aspersion on the third day of the camp's existence. Still, his fiction had a certain foundation in fact, and many had lingered a considerable time in and about Hurdy-Gurdy, though now all had been long gone.

Two years earlier, the camp had proudly hosted a lively crowd of two or three thousand men and at least a dozen women. Most of the men had spent a few weeks working hard to prove, much to the annoyance of the women, the blatantly false nature of the stories told by the clever man whose tall tales of rich gold deposits had brought them there—work that offered little mental satisfaction or financial gain; a bullet from a concerned citizen had ended that imaginative guy's life on the third day of the camp’s existence. Still, his stories had some basis in reality, and many had stayed around Hurdy-Gurdy for quite a while, even though now everyone had long since left.

But they had left ample evidence of their sojourn. From the point where Injun Creek falls into the Rio San Juan Smith, up along both banks of the former into the cañon whence it emerges, extended a double row of forlorn shanties that seemed about to fall upon one another's neck to bewail their desolation; while about an equal number appeared to have straggled up the slope on either hand and perched themselves upon commanding eminences, whence they craned forward to get a good view of the affecting scene. Most of these habitations were emaciated as by famine to the condition of mere skeletons, about which clung unlovely tatters of what might have been skin, but was really canvas. The little valley itself, torn and gashed by pick and shovel, was unhandsome with long, bending lines of decaying flume resting here and there upon the summits of sharp ridges, and stilting awkwardly across the intervals upon unhewn poles. The whole place presented that raw and forbidding aspect of arrested development which is a new country's substitute for the solemn grace of ruin wrought by time. Wherever there remained a patch of the original soil a rank overgrowth of weeds and brambles had spread upon the scene, and from its dank, unwholesome shades the visitor curious in such matters might have obtained numberless souvenirs of the camp's former glory—fellowless boots mantled with green mould and plethoric of rotting leaves; an occasional old felt hat; desultory remnants of a flannel shirt; sardine boxes inhumanly mutilated and a surprising profusion of black bottles distributed with a truly catholic impartiality, everywhere.

But they left plenty of evidence of their stay. From the spot where Injun Creek flows into the Rio San Juan Smith, and along both banks of the creek into the canyon from which it comes, there was a double row of sad shanties that seemed about to topple over each other in mourning for their emptiness; at the same time, a similar number appeared to have wandered up the slope on either side, sitting on high points to get a good view of the touching scene. Most of these homes looked as if they were starving, reduced to mere skeletons, draped with unappealing tatters of what once might have been fabric, but was more like canvas. The little valley itself, scarred and torn by picks and shovels, looked unattractive with long, sagging lines of decaying flumes resting here and there on sharp ridges, awkwardly spanning gaps on rough poles. The entire area had that raw and unwelcoming look of halted progress, which is a new country's version of the solemn elegance of time-worn ruins. Wherever there was a patch of the original earth, a thick overgrowth of weeds and brambles spread across the landscape, and from its damp, unhealthy shadows, a curious visitor might find countless souvenirs of the camp's past glory—lonely boots covered in green mold and stuffed with rotting leaves; an occasional old felt hat; scattered remnants of a flannel shirt; sardine cans cruelly mangled; and an unexpected abundance of black bottles scattered everywhere, with truly equal distribution.

II

II

The man who had now rediscovered Hurdy-Gurdy was evidently not curious as to its archæology. Nor, as he looked about him upon the dismal evidences of wasted work and broken hopes, their dispiriting significance accentuated by the ironical pomp of a cheap gilding by the rising sun, did he supplement his sigh of weariness by one of sensibility. He simply removed from the back of his tired burro a miner's outfit a trifle larger than the animal itself, picketed that creature and selecting a hatchet from his kit moved off at once across the dry bed of Injun Creek to the top of a low, gravelly hill beyond.

The man who had now rediscovered Hurdy-Gurdy clearly wasn't interested in its history. As he looked around at the depressing signs of wasted effort and shattered dreams, their disheartening meaning highlighted by the ironic shine of cheap gold in the rising sun, he didn't let out a sigh of fatigue mixed with sensitivity. Instead, he simply took a miner's outfit from the back of his tired burro, which was a bit too big for the animal itself, tied up the burro, and grabbed a hatchet from his kit before heading off across the dry bed of Injun Creek to the top of a low, gravelly hill nearby.

Stepping across a prostrate fence of brush and boards he picked up one of the latter, split it into five parts and sharpened them at one end. He then began a kind of search, occasionally stooping to examine something with close attention. At last his patient scrutiny appeared to be rewarded with success, for he suddenly erected his figure to its full height, made a gesture of satisfaction, pronounced the word "Scarry" and at once strode away with long, equal steps, which he counted. Then he stopped and drove one of his stakes into the earth. He then looked carefully about him, measured off a number of paces over a singularly uneven ground and hammered in another. Pacing off twice the distance at a right angle to his former course he drove down a third, and repeating the process sank home the fourth, and then a fifth. This he split at the top and in the cleft inserted an old letter envelope covered with an intricate system of pencil tracks. In short, he staked off a hill claim in strict accordance with the local mining laws of Hurdy-Gurdy and put up the customary notice.

Stepping over a fallen fence made of brush and boards, he picked up one of the boards, split it into five pieces, and sharpened one end of each. He then started searching, occasionally bending down to examine something closely. Finally, his careful inspection seemed to pay off as he stood up straight, made a satisfied gesture, said the word "Scarry," and then walked away with long, measured strides that he counted. He stopped and drove one of his stakes into the ground. After looking around carefully, he measured out several paces over the uneven terrain and hammered in another stake. Walking twice the distance at a right angle to his original path, he drove in a third stake, and repeating the process, he set in a fourth and then a fifth. He split the top of the last one and inserted an old letter envelope marked with a complex pattern of pencil lines. In short, he staked out a hill claim in strict accordance with the local mining laws of Hurdy-Gurdy and put up the standard notice.

It is necessary to explain that one of the adjuncts to Hurdy-Gurdy—one to which that metropolis became afterward itself an adjunct—was a cemetery. In the first week of the camp's existence this had been thoughtfully laid out by a committee of citizens. The day after had been signalized by a debate between two members of the committee, with reference to a more eligible site, and on the third day the necropolis was inaugurated by a double funeral. As the camp had waned the cemetery had waxed; and long before the ultimate inhabitant, victorious alike over the insidious malaria and the forthright revolver, had turned the tail of his pack-ass upon Injun Creek the outlying settlement had become a populous if not popular suburb. And now, when the town was fallen into the sere and yellow leaf of an unlovely senility, the graveyard—though somewhat marred by time and circumstance, and not altogether exempt from innovations in grammar and experiments in orthography, to say nothing of the devastating coyote—answered the humble needs of its denizens with reasonable completeness. It comprised a generous two acres of ground, which with commendable thrift but needless care had been selected for its mineral unworth, contained two or three skeleton trees (one of which had a stout lateral branch from which a weather-wasted rope still significantly dangled), half a hundred gravelly mounds, a score of rude headboards displaying the literary peculiarities above mentioned and a struggling colony of prickly pears. Altogether, God's Location, as with characteristic reverence it had been called, could justly boast of an indubitably superior quality of desolation. It was in the most thickly settled part of this interesting demesne that Mr. Jefferson Doman staked off his claim. If in the prosecution of his design he should deem it expedient to remove any of the dead they would have the right to be suitably reinterred.

It's important to note that one of the additions to Hurdy-Gurdy—one that the city would later also become a part of—was a cemetery. In the first week of the camp's existence, a group of citizens thoughtfully arranged it. The following day featured a debate between two committee members about a better location, and on the third day, the cemetery opened with a double funeral. As the camp dwindled, the cemetery grew; and long before the last resident, who triumphed over both the sneaky malaria and the straightforward revolver, turned his pack-mule away from Injun Creek, the surrounding area had developed into a busy, if not popular, suburb. Now, as the town had fallen into the dull, faded stage of unpleasant old age, the graveyard—though somewhat affected by time and circumstance, and not entirely free from shifts in grammar and attempts at spelling, not to mention the troublesome coyotes—met the simple needs of its residents quite adequately. It covered a generous two acres of land, which had been chosen with commendable thrift but unnecessary care due to its lack of mineral worth, featuring two or three skeletal trees (one of which had a sturdy branch that still dangled a weather-beaten rope), about fifty gravelly mounds, a score of rough headboards showcasing the previously mentioned literary quirks, and a struggling patch of prickly pears. Overall, God’s Location, as it had been reverently named, could proudly claim a uniquely superior level of desolation. It was in the most densely populated part of this intriguing area that Mr. Jefferson Doman claimed his lot. If he decided to move any of the dead during his plans, they would have the right to be properly reburied.

III

III

This Mr. Jefferson Doman was from Elizabethtown, New Jersey, where six years before he had left his heart in the keeping of a golden-haired, demure-mannered young woman named Mary Matthews, as collateral security for his return to claim her hand.

This Mr. Jefferson Doman was from Elizabethtown, New Jersey, where six years earlier he had left his heart in the care of a golden-haired, shy young woman named Mary Matthews, as collateral for his return to win her hand.

"I just know you'll never get back alive—you never do succeed in anything," was the remark which illustrated Miss Matthews's notion of what constituted success and, inferentially, her view of the nature of encouragement. She added: "If you don't I'll go to California too. I can put the coins in little bags as you dig them out."

"I just know you'll never come back alive—you never really succeed at anything," was the comment that captured Miss Matthews's idea of what success meant and, in turn, her perspective on encouragement. She continued, "If you don't, I'll go to California too. I can put the coins in small bags while you dig them out."

This characteristically feminine theory of auriferous deposits did not commend itself to the masculine intelligence: it was Mr. Doman's belief that gold was found in a liquid state. He deprecated her intent with considerable enthusiasm, suppressed her sobs with a light hand upon her mouth, laughed in her eyes as he kissed away her tears, and with a cheerful "Ta-ta" went to California to labor for her through the long, loveless years, with a strong heart, an alert hope and a steadfast fidelity that never for a moment forgot what it was about. In the mean time, Miss Matthews had granted a monopoly of her humble talent for sacking up coins to Mr. Jo. Seeman, of New York, gambler, by whom it was better appreciated than her commanding genius for unsacking and bestowing them upon his local rivals. Of this latter aptitude, indeed, he manifested his disapproval by an act which secured him the position of clerk of the laundry in the State prison, and for her the sobriquet of "Split-faced Moll." At about this time she wrote to Mr. Doman a touching letter of renunciation, inclosing her photograph to prove that she had no longer had a right to indulge the dream of becoming Mrs. Doman, and recounting so graphically her fall from a horse that the staid "plug" upon which Mr. Doman had ridden into Red Dog to get the letter made vicarious atonement under the spur all the way back to camp. The letter failed in a signal way to accomplish its object; the fidelity which had before been to Mr. Doman a matter of love and duty was thenceforth a matter of honor also; and the photograph, showing the once pretty face sadly disfigured as by the slash of a knife, was duly instated in his affections and its more comely predecessor treated with contumelious neglect. On being informed of this, Miss Matthews, it is only fair to say, appeared less surprised than from the apparently low estimate of Mr. Doman's generosity which the tone of her former letter attested one would naturally have expected her to be. Soon after, however, her letters grew infrequent, and then ceased altogether.

This typically feminine theory about gold deposits didn’t impress the male intellect: Mr. Doman believed that gold existed in a liquid state. He dismissed her intentions with notable enthusiasm, covered her mouth gently to quiet her sobs, laughed in her eyes while kissing away her tears, and with a cheerful "Ta-ta," went off to California to work for her through the long, loveless years, with a strong heart, a hopeful outlook, and unwavering loyalty that never forgot its purpose. Meanwhile, Miss Matthews had given Mr. Jo Seeman from New York, a gambler, exclusive rights to her modest talent for collecting coins, which he appreciated more than her impressive skill in distributing them to his local competitors. In fact, he showed his disapproval of her latter talent by getting himself a clerk position in the state prison laundry, leading her to earn the nickname "Split-faced Moll." Around this time, she sent Mr. Doman a heartfelt letter of renunciation, including her photo to prove she could no longer entertain the dream of becoming Mrs. Doman, describing her fall from a horse so vividly that the stolid "plug" Mr. Doman had ridden into Red Dog to fetch the letter made a vicarious penance all the way back to camp. The letter failed drastically to achieve its goal; the fidelity that had been solely about love and duty for Mr. Doman turned into a matter of honor as well. The photo, showing her once pretty face now tragically scarred as if by a knife, took a rightful place in his affections, while her prettier earlier image was treated with disrespectful neglect. Upon learning this, Miss Matthews, to be fair, seemed less surprised than one would have expected considering the low opinion of Mr. Doman’s generosity reflected in the tone of her earlier letter. However, not long after, her letters became less frequent and then stopped altogether.

But Mr. Doman had another correspondent, Mr. Barney Bree, of Hurdy-Gurdy, formerly of Red Dog. This gentleman, although a notable figure among miners, was not a miner. His knowledge of mining consisted mainly in a marvelous command of its slang, to which he made copious contributions, enriching its vocabulary with a wealth of uncommon phrases more remarkable for their aptness than their refinement, and which impressed the unlearned "tenderfoot" with a lively sense of the profundity of their inventor's acquirements. When not entertaining a circle of admiring auditors from San Francisco or the East he could commonly be found pursuing the comparatively obscure industry of sweeping out the various dance houses and purifying the cuspidors.

But Mr. Doman had another contact, Mr. Barney Bree, from Hurdy-Gurdy, previously of Red Dog. This man, although a well-known figure among miners, wasn’t actually a miner himself. His knowledge of mining was mainly based on his impressive use of its slang, to which he contributed a lot, enhancing its vocabulary with a variety of unique phrases that were more notable for their cleverness than their elegance, and which left the inexperienced "tenderfoot" with a vivid impression of the depth of his understanding. When he wasn’t entertaining a group of admiring listeners from San Francisco or the East, he could usually be found doing the relatively unglamorous job of cleaning out the various dance halls and tidying up the spittoons.

Barney had apparently but two passions in life—love of Jefferson Doman, who had once been of some service to him, and love of whisky, which certainly had not. He had been among the first in the rush to Hurdy-Gurdy, but had not prospered, and had sunk by degrees to the position of grave digger. This was not a vocation, but Barney in a desultory way turned his trembling hand to it whenever some local misunderstanding at the card table and his own partial recovery from a prolonged debauch occurred coincidently in point of time. One day Mr. Doman received, at Red Dog, a letter with the simple postmark, "Hurdy, Cal.," and being occupied with another matter, carelessly thrust it into a chink of his cabin for future perusal. Some two years later it was accidentally dislodged and he read it. It ran as follows:—

Barney seemed to have just two passions in life—his love for Jefferson Doman, who had once helped him out, and his love for whisky, which definitely hadn't. He was among the first to head to Hurdy-Gurdy, but he didn't do well there and gradually ended up as a grave digger. This wasn't a real job, but Barney would occasionally try his shaky hand at it whenever a local dispute at the card table coincided with him recovering from yet another binge. One day, Mr. Doman received a letter at Red Dog with the simple postmark, "Hurdy, Cal.," and since he was busy with other things, he carelessly shoved it into a crack in his cabin to read later. About two years later, it got knocked loose, and he opened it. It said:—

HURDY, June 6.

HURDY, June 6th.

FRIEND JEFF: I've hit her hard in the boneyard. She's blind and lousy. I'm on the divvy—that's me, and mum's my lay till you toot. Yours,

FRIEND JEFF: I've really done a number on her in the graveyard. She's blind and terrible. I'm in it for myself—that's me, and mom's my girl until you show up. Yours,

BARNEY.

BARNEY.

P.S.—I've clayed her with Scarry.

P.S.—I've put her on clay with Scarry.

With some knowledge of the general mining camp argot and of Mr. Bree's private system for the communication of ideas Mr. Doman had no difficulty in understanding by this uncommon epistle that Barney while performing his duty as grave digger had uncovered a quartz ledge with no outcroppings; that it was visibly rich in free gold; that, moved by considerations of friendship, he was willing to accept Mr. Doman as a partner and awaiting that gentleman's declaration of his will in the matter would discreetly keep the discovery a secret. From the postscript it was plainly inferable that in order to conceal the treasure he had buried above it the mortal part of a person named Scarry.

With some knowledge of the general mining camp slang and Mr. Bree's private way of communicating ideas, Mr. Doman had no trouble understanding from this unusual letter that Barney, while doing his job as a grave digger, had found a quartz ledge with no visible outcroppings; that it was clearly rich in free gold; and that, out of friendship, he was willing to take Mr. Doman on as a partner and would discreetly keep the discovery a secret while waiting for Mr. Doman's decision on the matter. From the postscript, it was clear that to hide the treasure, he had buried the body of someone named Scarry above it.

From subsequent events, as related to Mr. Doman at Red Dog, it would appear that before taking this precaution Mr. Bree must have had the thrift to remove a modest competency of the gold; at any rate, it was at about that time that he entered upon that memorable series of potations and treatings which is still one of the cherished traditions of the San Juan Smith country, and is spoken of with respect as far away as Ghost Rock and Lone Hand. At its conclusion some former citizens of Hurdy-Gurdy, for whom he had performed the last kindly office at the cemetery, made room for him among them, and he rested well.

From what happened later, as Mr. Doman recounted at Red Dog, it seems that before taking this precaution, Mr. Bree must have been smart enough to secure a decent amount of gold; anyway, it was around that time that he started that unforgettable streak of drinking and treating others, which remains one of the beloved stories of the San Juan Smith area and is talked about with admiration even as far as Ghost Rock and Lone Hand. When it was all over, some former residents of Hurdy-Gurdy, for whom he had done the last kind deed at the cemetery, made space for him among them, and he rested peacefully.

IV

IV

Having finished staking off his claim Mr. Doman walked back to the centre of it and stood again at the spot where his search among the graves had expired in the exclamation, "Scarry." He bent again over the headboard that bore that name and as if to reinforce the senses of sight and hearing ran his forefinger along the rudely carved letters. Re-erecting himself he appended orally to the simple inscription the shockingly forthright epitaph, "She was a holy terror!"

Having finished marking his claim, Mr. Doman walked back to the center of it and stood again at the spot where his search among the graves had ended with the exclamation, "Scarry." He leaned over the headboard that displayed that name and, to sharpen his sense of sight and hearing, ran his index finger along the crudely carved letters. Once he straightened up, he added aloud to the simple inscription the shockingly straightforward epitaph, "She was a holy terror!"

Had Mr. Doman been required to make these words good with proof—as, considering their somewhat censorious character, he doubtless should have been—he would have found himself embarrassed by the absence of reputable witnesses, and hearsay evidence would have been the best he could command. At the time when Scarry had been prevalent in the mining camps thereabout—when, as the editor of the Hurdy Herald would have phrased it, she was "in the plenitude of her power"—Mr. Doman's fortunes had been at a low ebb, and he had led the vagrantly laborious life of a prospector. His time had been mostly spent in the mountains, now with one companion, now with another. It was from the admiring recitals of these casual partners, fresh from the various camps, that his judgment of Scarry had been made up; he himself had never had the doubtful advantage of her acquaintance and the precarious distinction of her favor. And when, finally, on the termination of her perverse career at Hurdy-Gurdy he had read in a chance copy of the Herald her column-long obituary (written by the local humorist of that lively sheet in the highest style of his art) Doman had paid to her memory and to her historiographer's genius the tribute of a smile and chivalrously forgotten her. Standing now at the grave-side of this mountain Messalina he recalled the leading events of her turbulent career, as he had heard them celebrated at his several campfires, and perhaps with an unconscious attempt at self-justification repeated that she was a holy terror, and sank his pick into her grave up to the handle. At that moment a raven, which had silently settled upon a branch of the blasted tree above his head, solemnly snapped its beak and uttered its mind about the matter with an approving croak.

Had Mr. Doman been asked to back up these claims with proof—as he definitely should have, given their somewhat critical nature—he would have found himself awkwardly lacking reputable witnesses, and hearsay would have been the best evidence he could gather. When Scarry was at her peak in the mining camps nearby—when, as the editor of the Hurdy Herald would have put it, she was "in the height of her power"—Mr. Doman's fortunes were struggling, and he was living a somewhat nomadic life as a prospector. Most of his time was spent in the mountains, sometimes with one companion, sometimes with another. His opinion of Scarry was shaped by the enthusiastic stories from these temporary partners, who had just come from various camps; he himself had never experienced the questionable advantage of knowing her or the uncertain favor of her attention. And when, finally, after her tumultuous time at Hurdy-Gurdy, he read her lengthy obituary in a random copy of the Herald (written by the local humorist in his most impressive style), Doman acknowledged her memory and the talent of her writer with a smile, then gallantly moved on. Now, standing at the grave of this mountain Messalina, he recalled the main events of her chaotic life, as he had heard them spoken of around his campfires, and perhaps in an unconscious effort to justify himself, repeated that she was a real menace, then drove his pick into her grave all the way to the handle. At that moment, a raven, which had silently landed on a branch of the dead tree above him, snapped its beak and expressed its opinion on the matter with a solemn croak.

Pursuing his discovery of free gold with great zeal, which he probably credited to his conscience as a grave digger, Mr. Barney Bree had made an unusually deep sepulcher, and it was near sunset before Mr. Doman, laboring with the leisurely deliberation of one who has "a dead sure thing" and no fear of an adverse claimant's enforcement of a prior right, reached the coffin and uncovered it. When he had done so he was confronted by a difficulty for which he had made no provision; the coffin—a mere flat shell of not very well-preserved redwood boards, apparently—had no handles, and it filled the entire bottom of the excavation. The best he could do without violating the decent sanctities of the situation was to make the excavation sufficiently longer to enable him to stand at the head of the casket and getting his powerful hands underneath erect it upon its narrower end; and this he proceeded to do. The approach of night quickened his efforts. He had no thought of abandoning his task at this stage to resume it on the morrow under more advantageous conditions. The feverish stimulation of cupidity and the fascination of terror held him to his dismal work with an iron authority. He no longer idled, but wrought with a terrible zeal. His head uncovered, his outer garments discarded, his shirt opened at the neck and thrown back from his breast, down which ran sinuous rills of perspiration, this hardy and impenitent gold-getter and grave-robber toiled with a giant energy that almost dignified the character of his horrible purpose; and when the sun fringes had burned themselves out along the crest line of the western hills, and the full moon had climbed out of the shadows that lay along the purple plain, he had erected the coffin upon its foot, where it stood propped against the end of the open grave. Then, standing up to his neck in the earth at the opposite extreme of the excavation, as he looked at the coffin upon which the moonlight now fell with a full illumination he was thrilled with a sudden terror to observe upon it the startling apparition of a dark human head—the shadow of his own. For a moment this simple and natural circumstance unnerved him. The noise of his labored breathing frightened him, and he tried to still it, but his bursting lungs would not be denied. Then, laughing half-audibly and wholly without spirit, he began making movements of his head from side to side, in order to compel the apparition to repeat them. He found a comforting reassurance in asserting his command over his own shadow. He was temporizing, making, with unconscious prudence, a dilatory opposition to an impending catastrophe. He felt that invisible forces of evil were closing in upon him, and he parleyed for time with the Inevitable.

Driven by his eager search for free gold, which he likely justified to himself as a grave digger, Mr. Barney Bree had dug an unusually deep grave. It was near sunset when Mr. Doman, working at a slow and deliberate pace like someone who has "a sure thing" and isn’t worried about anyone else claiming it, finally reached the coffin and uncovered it. Once he did, he faced a challenge he hadn’t anticipated; the coffin—a simple, poorly preserved flat shell made of redwood—had no handles and filled the entire bottom of the hole. The best he could do without disrespecting the solemnity of the situation was to dig the grave a bit longer, so he could stand at the head of the casket and get his strong hands underneath to lift it onto its narrower end, which he proceeded to do. The nearing night hurried him along. He didn't think about stopping to finish the next day when conditions might be better. The feverish excitement of greed and the terrifying atmosphere kept him glued to his grim task with a relentless focus. No longer idle, he worked with a wild intensity. With his head bare, outer clothes tossed aside, his shirt open at the neck and pulled back from his sweating chest, this determined and unrepentant grave robber labored with such force that it almost gave dignity to his dreadful purpose. By the time the sunset had faded from the western hills and the full moon rose out of the shadows covering the purple plain, he had managed to set the coffin upright on its end, propped against the side of the open grave. As he stood neck-deep in the earth at the far end of the hole, looking at the coffin now illuminated by the moonlight, a sudden terror seized him when he noticed a dark human head on it—the shadow of his own. For a moment, this simple and natural sight rattled him. The sound of his heavy breathing startled him, and he tried to quiet it, but his struggling lungs wouldn’t cooperate. Then, half-heartedly laughing and lacking any real spirit, he began to move his head side to side in an attempt to make his shadow mimic him. He found reassurance in asserting control over his own shadow. He was stalling, using an instinctive caution as a delay against an inevitable disaster. He sensed invisible evil forces closing in on him and negotiated for time with the unavoidable.

He now observed in succession several unusual circumstances. The surface of the coffin upon which his eyes were fastened was not flat; it presented two distinct ridges, one longitudinal and the other transverse. Where these intersected at the widest part there was a corroded metallic plate that reflected the moonlight with a dismal lustre. Along the outer edges of the coffin, at long intervals, were rust-eaten heads of nails. This frail product of the carpenter's art had been put into the grave the wrong side up!

He noticed several strange things one after another. The top of the coffin he was staring at wasn’t flat; it had two noticeable ridges, one running lengthwise and the other crosswise. Where they crossed at the widest part, there was a corroded metal plate that reflected the moonlight with a gloomy shine. Along the outer edges of the coffin, spaced out, were rust-eaten nail heads. This delicate work of the carpenter had been placed in the grave upside down!

Perhaps it was one of the humors of the camp—a practical manifestation of the facetious spirit that had found literary expression in the topsy-turvy obituary notice from the pen of Hurdy-Gurdy's great humorist. Perhaps it had some occult personal signification impenetrable to understandings uninstructed in local traditions. A more charitable hypothesis is that it was owing to a misadventure on the part of Mr. Barney Bree, who, making the interment unassisted (either by choice for the conservation of his golden secret, or through public apathy), had committed a blunder which he was afterward unable or unconcerned to rectify. However it had come about, poor Scarry had indubitably been put into the earth face downward.

Maybe it was just one of the quirks of the camp—a practical joke reflecting the humorous spirit that had been captured in the amusing obituary written by Hurdy-Gurdy's famed jokester. It might have had some hidden personal meaning that was impossible for outsiders to grasp due to their lack of understanding of local customs. A more generous theory is that it resulted from a mistake made by Mr. Barney Bree, who, handling the burial alone (either out of a desire to keep his secret safe or because nobody else cared), made a blunder that he was later unable or unwilling to fix. Regardless of how it happened, poor Scarry had definitely been buried face down.

When terror and absurdity make alliance, the effect is frightful. This strong-hearted and daring man, this hardy night worker among the dead, this defiant antagonist of darkness and desolation, succumbed to a ridiculous surprise. He was smitten with a thrilling chill—shivered, and shook his massive shoulders as if to throw off an icy hand. He no longer breathed, and the blood in his veins, unable to abate its impetus, surged hotly beneath his cold skin. Unleavened with oxygen, it mounted to his head and congested his brain. His physical functions had gone over to the enemy; his very heart was arrayed against him. He did not move; he could not have cried out. He needed but a coffin to be dead—as dead as the death that confronted him with only the length of an open grave and the thickness of a rotting plank between.

When terror and absurdity join forces, the result is terrifying. This strong and fearless man, this tough night worker among the dead, this defiant opponent of darkness and despair, fell victim to a ridiculous shock. He was struck by a thrilling chill—shivering and shaking his broad shoulders as if to shake off a cold hand. He could no longer breathe, and the blood in his veins, unable to slow down, surged hotly under his cold skin. Lacking oxygen, it rushed to his head and clogged his brain. His body had betrayed him; even his heart was against him. He didn’t move; he couldn’t have cried out. All he needed was a coffin to be dead—as dead as the death that faced him with just the length of an open grave and the thickness of a rotting plank in between.

Then, one by one, his senses returned; the tide of terror that had overwhelmed his faculties began to recede. But with the return of his senses he became singularly unconscious of the object of his fear. He saw the moonlight gilding the coffin, but no longer the coffin that it gilded. Raising his eyes and turning his head, he noted, curiously and with surprise, the black branches of the dead tree, and tried to estimate the length of the weather-worn rope that dangled from its ghostly hand. The monotonous barking of distant coyotes affected him as something he had heard years ago in a dream. An owl flapped awkwardly above him on noiseless wings, and he tried to forecast the direction of its flight when it should encounter the cliff that reared its illuminated front a mile away. His hearing took account of a gopher's stealthy tread in the shadow of the cactus. He was intensely observant; his senses were all alert; but he saw not the coffin. As one can gaze at the sun until it looks black and then vanishes, so his mind, having exhausted its capacities of dread, was no longer conscious of the separate existence of anything dreadful. The Assassin was cloaking the sword.

Then, one by one, his senses returned; the overwhelming fear that had paralyzed him began to fade away. But with the return of his senses, he became oddly unaware of what he had been afraid of. He noticed the moonlight shining on the coffin, but he no longer perceived it as the coffin it lit up. Raising his eyes and turning his head, he curiously and surprisingly observed the black branches of the dead tree and tried to gauge the length of the weathered rope that hung from its ghostly hand. The distant barking of coyotes felt like a sound he had heard years ago in a dream. An owl flapped awkwardly above him on silent wings, and he attempted to predict the direction of its flight when it would meet the cliff that loomed a mile away. His hearing picked up the quiet steps of a gopher in the shadows of the cactus. He was highly observant; all his senses were alert; but he didn’t see the coffin. Just as one can stare at the sun until it appears black and then disappears, his mind, having exhausted its capacity for fear, no longer recognized the separate existence of anything terrifying. The Assassin was cloaking the sword.

It was during this lull in the battle that he became sensible of a faint, sickening odor. At first he thought it was that of a rattle-snake, and involuntarily tried to look about his feet. They were nearly invisible in the gloom of the grave. A hoarse, gurgling sound, like the death-rattle in a human throat, seemed to come out of the sky, and a moment later a great, black, angular shadow, like the same sound made visible, dropped curving from the topmost branch of the spectral tree, fluttered for an instant before his face and sailed fiercely away into the mist along the creek.

It was during this break in the battle that he noticed a faint, nauseating smell. At first, he thought it might be a rattlesnake, and he instinctively tried to look around his feet. They were almost hidden in the dim light. A harsh, gurgling noise, similar to the death rattle of a human, seemed to come from the sky, and a moment later, a large, black, angular shadow—like that same sound made visible—fell smoothly from the highest branch of the eerie tree, hovered for a moment in front of him, and then darted away into the mist along the creek.

It was the raven. The incident recalled him to a sense of the situation, and again his eyes sought the upright coffin, now illuminated by the moon for half its length. He saw the gleam of the metallic plate and tried without moving to decipher the inscription. Then he fell to speculating upon what was behind it. His creative imagination presented him a vivid picture. The planks no longer seemed an obstacle to his vision and he saw the livid corpse of the dead woman, standing in grave-clothes, and staring vacantly at him, with lidless, shrunken eyes. The lower jaw was fallen, the upper lip drawn away from the uncovered teeth. He could make out a mottled pattern on the hollow cheeks—the maculations of decay. By some mysterious process his mind reverted for the first time that day to the photograph of Mary Matthews. He contrasted its blonde beauty with the forbidding aspect of this dead face—the most beloved object that he knew with the most hideous that he could conceive.

It was the raven. The incident brought him back to reality, and again his eyes were drawn to the upright coffin, now half-lit by the moon. He noticed the shine of the metallic plate and tried to decipher the inscription without moving. Then he started to wonder about what was inside. His imagination painted a vivid picture. The planks no longer felt like a barrier, and he envisioned the pale corpse of the dead woman, dressed in grave clothes, staring blankly at him with bulging, shrunken eyes. Her lower jaw had dropped, and her upper lip had pulled back from her exposed teeth. He could see a mottled pattern on her hollow cheeks—the signs of decay. By some mysterious process, his mind returned for the first time that day to the photograph of Mary Matthews. He compared her blonde beauty with the grim look of this dead face—the most cherished thing he knew with the most horrifying image he could imagine.

The Assassin now advanced and displaying the blade laid it against the victim's throat. That is to say, the man became at first dimly, then definitely, aware of an impressive coincidence—a relation—a parallel between the face on the card and the name on the headboard. The one was disfigured, the other described a disfiguration. The thought took hold of him and shook him. It transformed the face that his imagination had created behind the coffin lid; the contrast became a resemblance; the resemblance grew to identity. Remembering the many descriptions of Scarry's personal appearance that he had heard from the gossips of his camp-fire he tried with imperfect success to recall the exact nature of the disfiguration that had given the woman her ugly name; and what was lacking in his memory fancy supplied, stamping it with the validity of conviction. In the maddening attempt to recall such scraps of the woman's history as he had heard, the muscles of his arms and hands were strained to a painful tension, as by an effort to lift a great weight. His body writhed and twisted with the exertion. The tendons of his neck stood out as tense as whip-cords, and his breath came in short, sharp gasps. The catastrophe could not be much longer delayed, or the agony of anticipation would leave nothing to be done by the coup de grâce of verification. The scarred face behind the lid would slay him through the wood.

The Assassin stepped forward, showing the blade and pressing it against the victim's throat. At that moment, the man slowly began to realize a striking coincidence—a connection—a parallel between the face on the card and the name on the headboard. One was disfigured, while the other described that disfigurement. This thought gripped him and shook him to his core. It changed the face he had pictured behind the coffin lid; the contrast became a similarity; that similarity grew into identity. He recalled the various descriptions of Scarry's appearance he had heard from the campfire gossips, struggling to remember the specific details of the disfigurement that had earned the woman her ugly name. What he couldn't remember, his imagination filled in, making it feel true. In his frustrating effort to recall bits of the woman’s story, the muscles in his arms and hands tightened painfully, as if he were trying to lift a heavy weight. His body twisted and writhed with the effort. The tendons in his neck were taut like whip cords, and his breathing was quick and shallow. The inevitable catastrophe couldn’t be postponed for much longer; otherwise, the agony of anticipation would leave nothing for the final blow of confirmation. The scarred face behind the lid would kill him through the wood.

A movement of the coffin diverted his thought. It came forward to within a foot of his face, growing visibly larger as it approached. The rusted metallic plate, with an inscription illegible in the moonlight, looked him steadily in the eye. Determined not to shrink, he tried to brace his shoulders more firmly against the end of the excavation, and nearly fell backward in the attempt. There was nothing to support him; he had unconsciously moved upon his enemy, clutching the heavy knife that he had drawn from his belt. The coffin had not advanced and he smiled to think it could not retreat. Lifting his knife he struck the heavy hilt against the metal plate with all his power. There was a sharp, ringing percussion, and with a dull clatter the whole decayed coffin lid broke in pieces and came away, falling about his feet. The quick and the dead were face to face—the frenzied, shrieking man—the woman standing tranquil in her silences. She was a holy terror!

A shift in the coffin caught his attention. It moved forward, coming within a foot of his face, looking larger as it got closer. The rusted metal plate, with an inscription he couldn't read in the moonlight, stared back at him. Determined not to flinch, he tried to push his shoulders more firmly against the edge of the excavation but nearly fell back in the process. There was nothing to hold him up; he had unconsciously advanced toward his adversary, gripping the heavy knife he had pulled from his belt. The coffin hadn’t moved, and he smiled, thinking it couldn't back away. Raising his knife, he slammed the heavy hilt against the metal plate with all his strength. There was a sharp, resonating clang, and with a dull thud, the entire decayed coffin lid shattered into pieces and fell around his feet. The living and the dead were face to face—the frantic, screaming man—and the woman standing calmly in her silence. She was a holy terror!

V

V

Some months later a party of men and women belonging to the highest social circles of San Francisco passed through Hurdy-Gurdy on their way to the Yosemite Valley by a new trail. They halted for dinner and during its preparation explored the desolate camp. One of the party had been at Hurdy-Gurdy in the days of its glory. He had, indeed, been one of its prominent citizens; and it used to be said that more money passed over his faro table in any one night than over those of all his competitors in a week; but being now a millionaire engaged in greater enterprises, he did not deem these early successes of sufficient importance to merit the distinction of remark. His invalid wife, a lady famous in San Francisco for the costly nature of her entertainments and her exacting rigor with regard to the social position and "antecedents" of those who attended them, accompanied the expedition. During a stroll among the shanties of the abandoned camp Mr. Porfer directed the attention of his wife and friends to a dead tree on a low hill beyond Injun Creek.

A few months later, a group of men and women from the elite social circles of San Francisco passed through Hurdy-Gurdy on their way to Yosemite Valley via a new trail. They stopped for dinner, and while it was being prepared, they explored the deserted camp. One member of the group had visited Hurdy-Gurdy during its heyday. He had actually been one of its notable residents; it was said that more money changed hands at his faro table in one night than all his competitors made in a week. Now a millionaire focused on bigger ventures, he didn't think much of those early achievements to warrant mentioning them. His ailing wife, known in San Francisco for her extravagant gatherings and strict standards regarding the social status and backgrounds of her guests, joined the trip. While walking among the shanties of the abandoned camp, Mr. Porfer pointed out a dead tree on a low hill just beyond Injun Creek to his wife and friends.

"As I told you," he said, "I passed through this camp in 1852, and was told that no fewer than five men had been hanged here by vigilantes at different times, and all on that tree. If I am not mistaken, a rope is dangling from it yet. Let us go over and see the place."

"As I mentioned before," he said, "I came through this camp in 1852, and I heard that at least five men were hanged here by vigilantes at different times, all on that tree. If I'm not mistaken, there's still a rope hanging from it. Let's go check it out."

Mr. Porfer did not add that the rope in question was perhaps the very one from whose fatal embrace his own neck had once had an escape so narrow that an hour's delay in taking himself out of that region would have spanned it.

Mr. Porfer didn’t mention that the rope he was talking about might have been the very one from which he had narrowly escaped its deadly grip; if he had delayed leaving that area by just an hour, it would have been his end.

Proceeding leisurely down the creek to a convenient crossing, the party came upon the cleanly picked skeleton of an animal which Mr. Porfer after due examination pronounced to be that of an ass. The distinguishing ears were gone, but much of the inedible head had been spared by the beasts and birds, and the stout bridle of horsehair was intact, as was the riata, of similar material, connecting it with a picket pin still firmly sunken in the earth. The wooden and metallic elements of a miner's kit lay near by. The customary remarks were made, cynical on the part of the men, sentimental and refined by the lady. A little later they stood by the tree in the cemetery and Mr. Porfer sufficiently unbent from his dignity to place himself beneath the rotten rope and confidently lay a coil of it about his neck, somewhat, it appeared, to his own satisfaction, but greatly to the horror of his wife, to whose sensibilities the performance gave a smart shock.

Strolling slowly down the creek to a convenient crossing, the group came across the cleanly picked skeleton of an animal that Mr. Porfer, after careful inspection, identified as that of a donkey. The distinctive ears were missing, but much of the uneatable head had been left intact by the scavengers, and the sturdy horsehair bridle was still there, along with the riata made of the same material, connected to a picket pin that was still firmly stuck in the ground. Nearby lay the wooden and metal parts of a miner's kit. The usual comments were made—cynical from the men and more sentimental and refined from the woman. A bit later, they stood by the tree in the cemetery, and Mr. Porfer relaxed his usual seriousness enough to drape a rotten rope around his neck, seemingly pleased with himself, but causing great distress to his wife, who found the act quite shocking.

An exclamation from one of the party gathered them all about an open grave, at the bottom of which they saw a confused mass of human bones and the broken remnants of a coffin. Coyotes and buzzards had performed the last sad rites for pretty much all else. Two skulls were visible and in order to investigate this somewhat unusual redundancy one of the younger men had the hardihood to spring into the grave and hand them up to another before Mrs. Porfer could indicate her marked disapproval of so shocking an act, which, nevertheless, she did with considerable feeling and in very choice words. Pursuing his search among the dismal debris at the bottom of the grave the young man next handed up a rusted coffin plate, with a rudely cut inscription, which with difficulty Mr. Porfer deciphered and read aloud with an earnest and not altogether unsuccessful attempt at the dramatic effect which he deemed befitting to the occasion and his rhetorical abilities:

An exclamation from one of the group gathered them all around an open grave, where they saw a jumble of human bones and the broken remains of a coffin at the bottom. Coyotes and buzzards had taken care of pretty much everything else. Two skulls were visible, and to satisfy his curiosity about this unusual situation, one of the younger men boldly jumped into the grave and handed them up to another before Mrs. Porfer could express her strong disapproval of such a shocking act, which she did with considerable emotion and very choice words. Continuing his search among the gloomy debris at the bottom of the grave, the young man next handed up a rusty coffin plate, with a crudely cut inscription, which Mr. Porfer struggled to decipher. He read it aloud with an earnest and somewhat successful attempt at the dramatic effect he thought was appropriate for the occasion and his rhetorical skills:

MANUELITA MURPHY. Born at the Mission San Pedro—Died in Hurdy-Gurdy, Aged 47. Hell's full of such.

MANUELITA MURPHY. Born at Mission San Pedro—Died in Hurdy-Gurdy, Aged 47. Hell's full of people like that.

In deference to the piety of the reader and the nerves of Mrs. Porfer's fastidious sisterhood of both sexes let us not touch upon the painful impression produced by this uncommon inscription, further than to say that the elocutionary powers of Mr. Porfer had never before met with so spontaneous and overwhelming recognition.

In respect for the sensitivity of the reader and the delicate nature of Mrs. Porfer's picky group of individuals, let’s not dwell on the uncomfortable impact of this unusual inscription, except to note that Mr. Porfer's speaking abilities had never before received such immediate and strong acknowledgment.

The next morsel that rewarded the ghoul in the grave was a long tangle of black hair defiled with clay: but this was such an anti-climax that it received little attention. Suddenly, with a short exclamation and a gesture of excitement, the young man unearthed a fragment of grayish rock, and after a hurried inspection handed it up to Mr. Porfer. As the sunlight fell upon it it glittered with a yellow luster—it was thickly studded with gleaming points. Mr. Porfer snatched it, bent his head over it a moment and threw it lightly away with the simple remark:

The next thing the ghoul in the grave uncovered was a long clump of black hair covered in dirt, but it was such a letdown that it got little attention. Then, with a quick shout and a gesture of excitement, the young man dug up a piece of gray rock and, after a quick look, handed it to Mr. Porfer. As the sunlight hit it, it sparkled with a yellow shine—it was covered in shining points. Mr. Porfer grabbed it, leaned over it for a moment, and tossed it aside with the casual remark:

"Iron pyrites—fool's gold."

"Iron pyrites—fool's gold."

The young man in the discovery shaft was a trifle disconcerted, apparently.

The young man in the discovery shaft seemed a bit unsettled, it seemed.

Meanwhile, Mrs. Porfer, unable longer to endure the disagreeable business, had walked back to the tree and seated herself at its root. While rearranging a tress of golden hair which had slipped from its confinement she was attracted by what appeared to be and really was the fragment of an old coat. Looking about to assure herself that so unladylike an act was not observed, she thrust her jeweled hand into the exposed breast pocket and drew out a mouldy pocket-book. Its contents were as follows:

Meanwhile, Mrs. Porfer, no longer able to tolerate the unpleasant situation, walked back to the tree and sat down at its base. While fixing a strand of golden hair that had fallen loose, she noticed what looked like a piece of an old coat, which it actually was. Making sure that no one was watching her in such an undignified manner, she slipped her jeweled hand into the open breast pocket and pulled out a moldy wallet. Its contents were as follows:

One bundle of letters, postmarked "Elizabethtown, New Jersey."

One bundle of letters, postmarked "Elizabethtown, New Jersey."

One circle of blonde hair tied with a ribbon.

One strand of blonde hair tied with a ribbon.

One photograph of a beautiful girl.

One photo of a beautiful girl.

One ditto of same, singularly disfigured.

One copy of the same, uniquely distorted.

One name on back of photograph—"Jefferson Doman."

One name on the back of the photograph—"Jefferson Doman."

A few moments later a group of anxious gentlemen surrounded Mrs. Porfer as she sat motionless at the foot of the tree, her head dropped forward, her fingers clutching a crushed photograph. Her husband raised her head, exposing a face ghastly white, except the long, deforming cicatrice, familiar to all her friends, which no art could ever hide, and which now traversed the pallor of her countenance like a visible curse.

A few moments later, a group of worried men gathered around Mrs. Porfer as she sat still at the base of the tree, her head hanging forward and her fingers gripping a crumpled photograph. Her husband lifted her head, revealing a face that was shockingly pale, except for the long, disfiguring scar that all her friends recognized, which no amount of makeup could ever conceal, and which now marked her pale features like a visible curse.

Mary Matthews Porfer had the bad luck to be dead.

Mary Matthews Porfer was unfortunate enough to be dead.

THE SUITABLE SURROUNDINGS

THE NIGHT

NIGHTTIME

One midsummer night a farmer's boy living about ten miles from the city of Cincinnati was following a bridle path through a dense and dark forest. He had lost himself while searching for some missing cows, and near midnight was a long way from home, in a part of the country with which he was unfamiliar. But he was a stout-hearted lad, and knowing his general direction from his home, he plunged into the forest without hesitation, guided by the stars. Coming into the bridle path, and observing that it ran in the right direction, he followed it.

One midsummer night, a farmer's boy living about ten miles from Cincinnati was wandering along a bridle path through a dense and dark forest. He had gotten lost while looking for some missing cows and was far from home near midnight, in an area he didn’t know well. But he was a brave kid, and knowing the general way to get home, he stepped into the forest without hesitation, following the stars. When he found the bridle path and saw it went in the right direction, he decided to follow it.

The night was clear, but in the woods it was exceedingly dark. It was more by the sense of touch than by that of sight that the lad kept the path. He could not, indeed, very easily go astray; the undergrowth on both sides was so thick as to be almost impenetrable. He had gone into the forest a mile or more when he was surprised to see a feeble gleam of light shining through the foliage skirting the path on his left. The sight of it startled him and set his heart beating audibly.

The night was clear, but it was really dark in the woods. The boy relied more on his sense of touch than sight to stay on the path. He couldn’t easily get lost; the dense undergrowth on either side was almost impossible to get through. He had walked about a mile into the forest when he was surprised by a faint light flickering through the leaves on the left side of the path. The sight startled him and made his heart race.

"The old Breede house is somewhere about here," he said to himself. "This must be the other end of the path which we reach it by from our side. Ugh! what should a light be doing there?"

"The old Breede house is around here somewhere," he thought to himself. "This must be the other end of the path we use to get to it from our side. Ugh! What’s a light doing there?"

Nevertheless, he pushed on. A moment later he had emerged from the forest into a small, open space, mostly upgrown to brambles. There were remnants of a rotting fence. A few yards from the trail, in the middle of the "clearing," was the house from which the light came, through an unglazed window. The window had once contained glass, but that and its supporting frame had long ago yielded to missiles flung by hands of venturesome boys to attest alike their courage and their hostility to the supernatural; for the Breede house bore the evil reputation of being haunted. Possibly it was not, but even the hardiest sceptic could not deny that it was deserted—which in rural regions is much the same thing.

Nevertheless, he pushed on. A moment later, he stepped out of the forest into a small, open space mostly overgrown with brambles. There were bits of a rotting fence. A few yards from the path, in the middle of the "clearing," stood the house from which the light was coming, shining through an unglazed window. The window had once had glass, but that and its frame had long ago been destroyed by missiles thrown by adventurous boys trying to prove their bravery and their disdain for the supernatural; the Breede house was known for its bad reputation of being haunted. It might not actually be haunted, but even the most hardened skeptic couldn’t deny that it was abandoned—which in rural areas is pretty much the same thing.

Looking at the mysterious dim light shining from the ruined window the boy remembered with apprehension that his own hand had assisted at the destruction. His penitence was of course poignant in proportion to its tardiness and inefficacy. He half expected to be set upon by all the unworldly and bodiless malevolences whom he had outraged by assisting to break alike their windows and their peace. Yet this stubborn lad, shaking in every limb, would not retreat. The blood in his veins was strong and rich with the iron of the frontiersman. He was but two removes from the generation that had subdued the Indian. He started to pass the house.

Looking at the mysterious dim light coming from the broken window, the boy felt a wave of anxiety as he remembered that he had played a role in the destruction. His regret was especially intense since it came too late and was ineffective. He half-expected to be confronted by all the otherworldly and angry spirits he had angered by breaking their windows and disturbing their peace. Yet this tough kid, shaking all over, wouldn’t back down. The blood in his veins was strong and filled with the spirit of a frontiersman. He was just two generations away from those who had tamed the land and its native people. He began to walk past the house.

As he was going by he looked in at the blank window space and saw a strange and terrifying sight,—the figure of a man seated in the centre of the room, at a table upon which lay some loose sheets of paper. The elbows rested on the table, the hands supporting the head, which was uncovered. On each side the fingers were pushed into the hair. The face showed dead-yellow in the light of a single candle a little to one side. The flame illuminated that side of the face, the other was in deep shadow. The man's eyes were fixed upon the blank window space with a stare in which an older and cooler observer might have discerned something of apprehension, but which seemed to the lad altogether soulless. He believed the man to be dead.

As he was passing by, he glanced into the empty window and saw a strange and frightening sight—the figure of a man sitting at a table in the middle of the room, with some loose sheets of paper on it. His elbows were on the table, and his hands supported his head, which was bare. On either side, his fingers were tangled in his hair. The light from a single candle nearby cast a dead-yellow glow on his face, while the other side remained in deep shadow. The man’s eyes were fixed on the empty window with a stare that, to a more experienced observer, might have suggested some anxiety, but to the boy seemed completely lifeless. He thought the man might be dead.

The situation was horrible, but not with out its fascination. The boy stopped to note it all. He was weak, faint and trembling; he could feel the blood forsaking his face. Nevertheless, he set his teeth and resolutely advanced to the house. He had no conscious intention—it was the mere courage of terror. He thrust his white face forward into the illuminated opening. At that instant a strange, harsh cry, a shriek, broke upon the silence of the night—the note of a screech-owl. The man sprang to his feet, overturning the table and extinguishing the candle. The boy took to his heels.

The situation was terrible, but it still had its allure. The boy paused to take it all in. He felt weak, dizzy, and trembling; he could sense the blood draining from his face. Still, he gritted his teeth and moved forward toward the house with determination. He wasn’t fully aware of what he was doing—it was just the instinctive bravery that comes from fear. He leaned his pale face into the bright opening. At that moment, a strange, harsh cry—a shriek—broke the stillness of the night, the sound of a screech owl. The man jumped to his feet, knocking over the table and putting out the candle. The boy took off running.

THE DAY BEFORE

THE DAY BEFORE

"Good-morning, Colston. I am in luck, it seems. You have often said that my commendation of your literary work was mere civility, and here you find me absorbed—actually merged—in your latest story in the Messenger. Nothing less shocking than your touch upon my shoulder would have roused me to consciousness."

"Good morning, Colston. Looks like I'm lucky today. You've often said that my praise for your writing was just being polite, and here I am, completely engrossed—actually lost—in your latest story in the Messenger. Nothing less surprising than your hand on my shoulder would have brought me back to reality."

"The proof is stronger than you seem to know," replied the man addressed: "so keen is your eagerness to read my story that you are willing to renounce selfish considerations and forego all the pleasure that you could get from it."

"The proof is more solid than you realize," replied the man being spoken to. "You're so eager to hear my story that you're willing to set aside your own interests and give up all the enjoyment you could have from it."

"I don't understand you," said the other, folding the newspaper that he held and putting it into his pocket. "You writers are a queer lot, anyhow. Come, tell me what I have done or omitted in this matter. In what way does the pleasure that I get, or might get, from your work depend on me?"

"I don't get you," said the other, folding the newspaper he had and slipping it into his pocket. "You writers are a strange bunch. Come on, tell me what I've done or didn’t do in this situation. How does the enjoyment I get, or could get, from your work rely on me?"

"In many ways. Let me ask you how you would enjoy your breakfast if you took it in this street car. Suppose the phonograph so perfected as to be able to give you an entire opera,—singing, orchestration, and all; do you think you would get much pleasure out of it if you turned it on at your office during business hours? Do you really care for a serenade by Schubert when you hear it fiddled by an untimely Italian on a morning ferryboat? Are you always cocked and primed for enjoyment? Do you keep every mood on tap, ready to any demand? Let me remind you, sir, that the story which you have done me the honor to begin as a means of becoming oblivious to the discomfort of this car is a ghost story!"

"In many ways, let me ask you how you would enjoy your breakfast if you had it in this streetcar. Imagine a phonograph so advanced that it could play an entire opera—singing, orchestration, and all. Do you think you’d really get much enjoyment out of it if you played it at your office during work hours? Do you genuinely appreciate a serenade by Schubert when you hear it played by an untimely Italian on a morning ferry? Are you always ready for enjoyment? Do you keep every mood on standby, prepared for any occasion? Let me remind you, sir, that the story you’ve graciously started as a way to escape the discomfort of this car is a ghost story!"

"Well?"

"What's up?"

"Well! Has the reader no duties corresponding to his privileges? You have paid five cents for that newspaper. It is yours. You have the right to read it when and where you will. Much of what is in it is neither helped nor harmed by time and place and mood; some of it actually requires to be read at once—while it is fizzing. But my story is not of that character. It is not 'the very latest advices' from Ghostland. You are not expected to keep yourself au courant with what is going on in the realm of spooks. The stuff will keep until you have leisure to put yourself into the frame of mind appropriate to the sentiment of the piece—which I respectfully submit that you cannot do in a street car, even if you are the only passenger. The solitude is not of the right sort. An author has rights which the reader is bound to respect."

"Well! Doesn’t the reader have responsibilities that come with their privileges? You paid five cents for that newspaper. It’s yours. You have the right to read it whenever and wherever you want. A lot of what's in it isn’t affected by time, place, or mood; some of it really needs to be read right away—while it’s still fresh. But my story isn’t one of those. It’s not 'the very latest news' from Ghostland. You don’t need to keep up with what's happening in the world of spirits. The content will wait until you have time to get into the right mindset for the mood of the piece—which I respectfully suggest you can't do on a streetcar, even if you're the only passenger. The solitude is not the right kind. An author has rights that readers must respect."

"For specific example?"

"For a specific example?"

"The right to the reader's undivided attention. To deny him this is immoral. To make him share your attention with the rattle of a street car, the moving panorama of the crowds on the sidewalks, and the buildings beyond—with any of the thousands of distractions which make our customary environment—is to treat him with gross injustice. By God, it is infamous!"

"The right to the reader's full attention. To deny him this is wrong. To make him share your focus with the noise of a streetcar, the moving crowd on the sidewalks, and the buildings beyond—along with any of the countless distractions in our everyday surroundings—is to treat him unfairly. Honestly, it's shameful!"

The speaker had risen to his feet and was steadying himself by one of the straps hanging from the roof of the car. The other man looked up at him in sudden astonishment, wondering how so trivial a grievance could seem to justify so strong language. He saw that his friend's face was uncommonly pale and that his eyes glowed like living coals.

The speaker had stood up and was holding onto one of the straps hanging from the car's roof. The other man looked up at him in surprise, questioning how such a minor issue could warrant such intense words. He noticed that his friend's face was unusually pale and that his eyes shone like burning coals.

"You know what I mean," continued the writer, impetuously crowding his words—"you know what I mean, Marsh. My stuff in this morning's Messenger is plainly sub-headed 'A Ghost Story.' That is ample notice to all. Every honorable reader will understand it as prescribing by implication the conditions under which the work is to be read."

"You know what I'm saying," the writer continued, rushing through his words—"you know what I'm saying, Marsh. My piece in this morning's Messenger is clearly labeled 'A Ghost Story.' That’s plenty of notice for everyone. Every respectable reader will get that it suggests the conditions under which the piece should be read."

The man addressed as Marsh winced a trifle, then asked with a smile: "What conditions? You know that I am only a plain business man who cannot be supposed to understand such things. How, when, where should I read your ghost story?"

The man called Marsh flinched slightly, then asked with a grin, "What conditions? You know I'm just an ordinary businessman who can't be expected to understand stuff like that. When, where, and how should I read your ghost story?"

"In solitude—at night—by the light of a candle. There are certain emotions which a writer can easily enough excite—such as compassion or merriment. I can move you to tears or laughter under almost any circumstances. But for my ghost story to be effective you must be made to feel fear—at least a strong sense of the supernatural—and that is a difficult matter. I have a right to expect that if you read me at all you will give me a chance; that you will make yourself accessible to the emotion that I try to inspire."

"In solitude—at night—by the light of a candle. There are certain emotions that a writer can easily stir up—like compassion or joy. I can bring you to tears or laughter in almost any situation. But for my ghost story to work, you need to feel fear—at least a strong sense of the supernatural—and that’s not easy. I expect that if you read my work at all, you’ll give me a chance; that you’ll open yourself up to the emotions I’m trying to convey."

The car had now arrived at its terminus and stopped. The trip just completed was its first for the day and the conversation of the two early passengers had not been interrupted. The streets were yet silent and desolate; the house tops were just touched by the rising sun. As they stepped from the car and walked away together Marsh narrowly eyed his companion, who was reported, like most men of uncommon literary ability, to be addicted to various destructive vices. That is the revenge which dull minds take upon bright ones in resentment of their superiority. Mr. Colston was known as a man of genius. There are honest souls who believe that genius is a mode of excess. It was known that Colston did not drink liquor, but many said that he ate opium. Something in his appearance that morning—a certain wildness of the eyes, an unusual pallor, a thickness and rapidity of speech—were taken by Mr. Marsh to confirm the report. Nevertheless, he had not the self-denial to abandon a subject which he found interesting, however it might excite his friend.

The car had just reached its destination and came to a stop. This was its first trip of the day, and the two early passengers had not stopped talking. The streets were still quiet and empty; the rooftops were just catching the light of the rising sun. As they got off the car and started walking together, Marsh closely observed his companion, who was rumored—like many people of exceptional literary talent—to be involved in various harmful habits. That's the kind of revenge dull minds take on bright ones out of resentment for their superiority. Mr. Colston was recognized as a man of genius. There are truly honest people who think that genius is a form of excess. It was known that Colston didn't drink alcohol, but many said he used opium. Something about his appearance that morning—a certain wildness in his eyes, an unusual paleness, a quick and thick way of speaking—made Mr. Marsh believe the rumors were true. Still, he didn't have the self-control to drop a topic he found interesting, no matter how much it might upset his friend.

"Do you mean to say," he began, "that if I take the trouble to observe your directions—place myself in the conditions that you demand: solitude, night and a tallow candle—you can with your ghostly work give me an uncomfortable sense of the supernatural, as you call it? Can you accelerate my pulse, make me start at sudden noises, send a nervous chill along my spine and cause my hair to rise?"

"Are you saying," he started, "that if I follow your instructions—put myself in the conditions you require: alone, at night, with a candle—I can experience the unsettling supernatural you talk about? Can you make my heart race, make me jump at unexpected sounds, send a shiver down my spine, and make my hair stand on end?"

Colston turned suddenly and looked him squarely in the eyes as they walked. "You would not dare—you have not the courage," he said. He emphasized the words with a contemptuous gesture. "You are brave enough to read me in a street car, but—in a deserted house—alone—in the forest—at night! Bah! I have a manuscript in my pocket that would kill you."

Colston suddenly turned and looked him directly in the eyes as they walked. "You wouldn't dare—you don't have the guts," he said, emphasizing his words with a scornful gesture. "You're brave enough to confront me on a streetcar, but—in an empty house—alone—in the woods—at night! Please! I have a manuscript in my pocket that could kill you."

Marsh was angry. He knew himself courageous, and the words stung him. "If you know such a place," he said, "take me there to-night and leave me your story and a candle. Call for me when I've had time enough to read it and I'll tell you the entire plot and—kick you out of the place."

Marsh was angry. He knew he was brave, and the words hurt him. "If you know of such a place," he said, "take me there tonight and leave me your story and a candle. Call for me when I've had enough time to read it, and I'll tell you the whole plot and—kick you out of the place."

That is how it occurred that the farmer's boy, looking in at an unglazed window of the Breede house, saw a man sitting in the light of a candle.

That’s how it happened that the farmer’s boy, peering into an unglazed window of the Breede house, saw a man sitting in candlelight.

THE DAY AFTER

The Next Day

Late in the afternoon of the next day three men and a boy approached the Breede house from that point of the compass toward which the boy had fled the preceding night. The men were in high spirits; they talked very loudly and laughed. They made facetious and good-humored ironical remarks to the boy about his adventure, which evidently they did not believe in. The boy accepted their raillery with seriousness, making no reply. He had a sense of the fitness of things and knew that one who professes to have seen a dead man rise from his seat and blow out a candle is not a credible witness.

In the late afternoon of the next day, three men and a boy walked toward the Breede house from the direction the boy had run to the night before. The men were in high spirits; they talked loudly and laughed. They made joking and good-natured sarcastic comments to the boy about his adventure, which they clearly didn't believe. The boy took their teasing seriously and didn't respond. He understood the situation and knew that someone claiming to have seen a dead man rise from his seat and blow out a candle isn’t a trustworthy witness.

Arriving at the house and finding the door unlocked, the party of investigators entered without ceremony. Leading out of the passage into which this door opened was another on the right and one on the left. They entered the room on the left—the one which had the blank front window. Here was the dead body of a man.

Arriving at the house and finding the door unlocked, the group of investigators walked in without hesitation. Leading out of the hallway that this door opened into was another door on the right and one on the left. They entered the room on the left—the one with the blank front window. There lay the dead body of a man.

It lay partly on one side, with the forearm beneath it, the cheek on the floor. The eyes were wide open; the stare was not an agreeable thing to encounter. The lower jaw had fallen; a little pool of saliva had collected beneath the mouth. An overthrown table, a partly burned candle, a chair and some paper with writing on it were all else that the room contained. The men looked at the body, touching the face in turn. The boy gravely stood at the head, assuming a look of ownership. It was the proudest moment of his life. One of the men said to him, "You're a good 'un"—a remark which was received by the two others with nods of acquiescence. It was Scepticism apologizing to Truth. Then one of the men took from the floor the sheet of manuscript and stepped to the window, for already the evening shadows were glooming the forest. The song of the whip-poor-will was heard in the distance and a monstrous beetle sped by the window on roaring wings and thundered away out of hearing. The man read:

It lay partially on one side, with its forearm underneath it, the cheek on the floor. The eyes were wide open; the stare was unsettling to witness. The lower jaw had dropped; a small pool of saliva had gathered beneath the mouth. An overturned table, a partially burned candle, a chair, and some papers with writing on them were all that filled the room. The men looked at the body, taking turns touching the face. The boy gravely stood at the head, wearing a look of ownership. It was the proudest moment of his life. One of the men said to him, "You're a good one"—a comment that was met with nods of agreement from the other two. It was Scepticism apologizing to Truth. Then one of the men picked up the manuscript from the floor and stepped to the window, as the evening shadows were already darkening the forest. The song of the whip-poor-will echoed in the distance, and a huge beetle zipped by the window on roaring wings and thundered away out of earshot. The man read:

THE MANUSCRIPT

THE MANUSCRIPT

"Before committing the act which, rightly or wrongly, I have resolved on and appearing before my Maker for judgment, I, James R. Colston, deem it my duty as a journalist to make a statement to the public. My name is, I believe, tolerably well known to the people as a writer of tragic tales, but the somberest imagination never conceived anything so tragic as my own life and history. Not in incident: my life has been destitute of adventure and action. But my mental career has been lurid with experiences such as kill and damn. I shall not recount them here—some of them are written and ready for publication elsewhere. The object of these lines is to explain to whomsoever may be interested that my death is voluntary—my own act. I shall die at twelve o'clock on the night of the 15th of July—a significant anniversary to me, for it was on that day, and at that hour, that my friend in time and eternity, Charles Breede, performed his vow to me by the same act which his fidelity to our pledge now entails upon me. He took his life in his little house in the Copeton woods. There was the customary verdict of 'temporary insanity.' Had I testified at that inquest—had I told all I knew, they would have called me mad!"

"Before taking the action that I’ve decided to go through with, and facing my Maker for judgment, I, James R. Colston, feel it’s my duty as a journalist to make a statement to the public. I believe my name is fairly well known as a writer of tragic stories, but no imagination, no matter how dark, could conceive anything as tragic as my own life and history. Not in terms of events: my life has been lacking in adventure and action. But my mental journey has been filled with experiences that are devastating. I won’t recount them here—some of them are written and ready to publish elsewhere. The purpose of these lines is to explain to anyone who may be interested that my death is voluntary—my own choice. I will die at twelve o'clock on the night of July 15th—a date that holds significance for me, as it was on that day and at that hour that my friend in time and eternity, Charles Breede, fulfilled his vow to me through the same act that now compels me to do the same. He took his life in his small house in the Copeton woods. The usual verdict of 'temporary insanity' was declared. If I had testified at that inquest—if I had shared everything I knew, they would have called me insane!"

Here followed an evidently long passage which the man reading read to himself only. The rest he read aloud.

Here was a clearly long section that the man read silently to himself. The rest he read out loud.

"I have still a week of life in which to arrange my worldly affairs and prepare for the great change. It is enough, for I have but few affairs and it is now four years since death became an imperative obligation.

"I still have a week to settle my affairs and get ready for the big change. That’s enough time since I don’t have many things to take care of, and it’s been four years since death became a must."

"I shall bear this writing on my body; the finder will please hand it to the coroner.

"I will carry this writing on me; the person who finds it, please give it to the coroner."

"JAMES R. COLSTON.

JAMES R. COLSTON.

"P.S.—Willard Marsh, on this the fatal fifteenth day of July I hand you this manuscript, to be opened and read under the conditions agreed upon, and at the place which I designated. I forego my intention to keep it on my body to explain the manner of my death, which is not important. It will serve to explain the manner of yours. I am to call for you during the night to receive assurance that you have read the manuscript. You know me well enough to expect me. But, my friend, it will be after twelve o'clock. May God have mercy on our souls!

"P.S.—Willard Marsh, on this fateful fifteenth day of July, I'm giving you this manuscript to be opened and read under the agreed conditions and at the place I specified. I’m putting aside my plan to keep it on me to clarify how I died, which isn’t important. It will explain how you die. I’ll come by to check on you tonight to make sure you’ve read the manuscript. You know me well enough to expect me. But, my friend, it will be after twelve o'clock. May God have mercy on our souls!"

"J.R.C."

"J.R.C."

Before the man who was reading this manuscript had finished, the candle had been picked up and lighted. When the reader had done, he quietly thrust the paper against the flame and despite the protestations of the others held it until it was burnt to ashes. The man who did this, and who afterward placidly endured a severe reprimand from the coroner, was a son-in-law of the late Charles Breede. At the inquest nothing could elicit an intelligent account of what the paper had contained.

Before the man reading this manuscript finished, he picked up and lit the candle. When the reader was done, he calmly held the paper up to the flame, and despite the others' protests, he kept it there until it burned to ashes. The man who did this, and who later calmly accepted a stern reprimand from the coroner, was a son-in-law of the late Charles Breede. During the inquest, nothing could get an intelligent explanation of what the paper had said.

FROM "THE TIMES"

FROM "THE TIMES"

"Yesterday the Commissioners of Lunacy committed to the asylum Mr. James R. Colston, a writer of some local reputation, connected with the Messenger. It will be remembered that on the evening of the 15th inst. Mr. Colston was given into custody by one of his fellow-lodgers in the Baine House, who had observed him acting very suspiciously, baring his throat and whetting a razor—occasionally trying its edge by actually cutting through the skin of his arm, etc. On being handed over to the police, the unfortunate man made a desperate resistance, and has ever since been so violent that it has been necessary to keep him in a strait-jacket. Most of our esteemed contemporary's other writers are still at large."
"Yesterday, the Lunacy Commissioners committed Mr. James R. Colston, a writer with some local fame associated with the Messenger, to the asylum. It was noted that on the evening of the 15th, Mr. Colston was taken into custody by one of his fellow lodgers at the Baine House, who had seen him behaving very suspiciously, exposing his throat and sharpening a razor—sometimes testing its sharpness by actually cutting his arm, among other things. When handed over to the police, the unfortunate man put up a fierce struggle, and since then, he has been so violent that he has had to be kept in a straitjacket. Most of the other writers from our respected contemporary are still free."

THE BOARDED WINDOW

In 1830, only a few miles away from what is now the great city of Cincinnati, lay an immense and almost unbroken forest. The whole region was sparsely settled by people of the frontier—restless souls who no sooner had hewn fairly habitable homes out of the wilderness and attained to that degree of prosperity which to-day we should call indigence than impelled by some mysterious impulse of their nature they abandoned all and pushed farther westward, to encounter new perils and privations in the effort to regain the meagre comforts which they had voluntarily renounced. Many of them had already forsaken that region for the remoter settlements, but among those remaining was one who had been of those first arriving. He lived alone in a house of logs surrounded on all sides by the great forest, of whose gloom and silence he seemed a part, for no one had ever known him to smile nor speak a needless word. His simple wants were supplied by the sale or barter of skins of wild animals in the river town, for not a thing did he grow upon the land which, if needful, he might have claimed by right of undisturbed possession. There were evidences of "improvement"—a few acres of ground immediately about the house had once been cleared of its trees, the decayed stumps of which were half concealed by the new growth that had been suffered to repair the ravage wrought by the ax. Apparently the man's zeal for agriculture had burned with a failing flame, expiring in penitential ashes.

In 1830, just a few miles from what we now know as Cincinnati, there was a vast and nearly untouched forest. The area was thinly populated by frontier settlers—restless individuals who, after carving out homes from the wilderness and reaching what we’d consider today to be a state of poverty, felt a mysterious urge to leave it all behind and move further west, facing new dangers and hardships in their pursuit of the meager comforts they had chosen to forsake. Many had already left this region for more distant settlements, but among those who remained was a man who had arrived with the first wave of settlers. He lived alone in a log cabin surrounded entirely by the great forest, of which he seemed an integral part, as no one had ever seen him smile or utter an unnecessary word. His basic needs were met through the sale or trade of animal skins in the nearby river town, because he didn’t grow anything on the land he could claim by right of long-standing possession. There were signs of "improvement"—a few acres around the cabin had once been cleared of trees, the decaying stumps now partly hidden by new growth that had taken over to heal the damage done by the axe. It seemed the man's passion for farming had burned low, fading to nothing but remorseful remnants.

The little log house, with its chimney of sticks, its roof of warping clapboards weighted with traversing poles and its "chinking" of clay, had a single door and, directly opposite, a window. The latter, however, was boarded up—nobody could remember a time when it was not. And none knew why it was so closed; certainly not because of the occupant's dislike of light and air, for on those rare occasions when a hunter had passed that lonely spot the recluse had commonly been seen sunning himself on his doorstep if heaven had provided sunshine for his need. I fancy there are few persons living to-day who ever knew the secret of that window, but I am one, as you shall see.

The small log cabin, with its stick chimney, warped clapboard roof supported by crossing poles, and clay chinking, had a single door and a window directly across from it. However, that window was boarded up—no one could remember a time when it wasn’t. Nobody knew why it remained closed; certainly not because the occupant disliked light and air, because on those rare occasions when a hunter passed by that lonely spot, the recluse was usually seen soaking up the sun on his doorstep if the sun was shining. I bet there are few people alive today who know the secret of that window, but I am one of them, as you will see.

The man's name was said to be Murlock. He was apparently seventy years old, actually about fifty. Something besides years had had a hand in his aging. His hair and long, full beard were white, his gray, lustreless eyes sunken, his face singularly seamed with wrinkles which appeared to belong to two intersecting systems. In figure he was tall and spare, with a stoop of the shoulders—a burden bearer. I never saw him; these particulars I learned from my grandfather, from whom also I got the man's story when I was a lad. He had known him when living near by in that early day.

The man's name was reportedly Murlock. He was said to be seventy years old, but he was actually about fifty. Something other than just age had contributed to his appearance. His hair and long, full beard were white, his gray, lifeless eyes were sunken, and his face was lined with deep wrinkles that seemed to follow two intersecting patterns. He was tall and thin, with slouched shoulders—a burden bearer. I never met him; I learned these details from my grandfather, who also shared the man's story with me when I was young. He had known Murlock when he lived nearby back in those early days.

One day Murlock was found in his cabin, dead. It was not a time and place for coroners and newspapers, and I suppose it was agreed that he had died from natural causes or I should have been told, and should remember. I know only that with what was probably a sense of the fitness of things the body was buried near the cabin, alongside the grave of his wife, who had preceded him by so many years that local tradition had retained hardly a hint of her existence. That closes the final chapter of this true story—excepting, indeed, the circumstance that many years afterward, in company with an equally intrepid spirit, I penetrated to the place and ventured near enough to the ruined cabin to throw a stone against it, and ran away to avoid the ghost which every well-informed boy thereabout knew haunted the spot. But there is an earlier chapter—that supplied by my grandfather.

One day, Murlock was found dead in his cabin. It wasn't a time or place for coroners and newspapers, so I guess it was accepted that he had died of natural causes, or else I would have been informed and would remember. All I know is that, probably feeling it was fitting, his body was buried near the cabin, next to the grave of his wife, who had passed away so many years earlier that local tradition barely remembered her. That wraps up the final chapter of this true story—except for the fact that many years later, with another adventurous spirit, I made my way to that place and got close enough to the dilapidated cabin to throw a stone at it, then ran away to escape the ghost that every local kid knew haunted the area. But there’s an earlier chapter—that of my grandfather.

When Murlock built his cabin and began laying sturdily about with his ax to hew out a farm—the rifle, meanwhile, his means of support—he was young, strong and full of hope. In that eastern country whence he came he had married, as was the fashion, a young woman in all ways worthy of his honest devotion, who shared the dangers and privations of his lot with a willing spirit and light heart. There is no known record of her name; of her charms of mind and person tradition is silent and the doubter is at liberty to entertain his doubt; but God forbid that I should share it! Of their affection and happiness there is abundant assurance in every added day of the man's widowed life; for what but the magnetism of a blessed memory could have chained that venturesome spirit to a lot like that?

When Murlock built his cabin and started chopping away with his ax to create a farm—using his rifle to support himself—he was young, strong, and full of hope. Back in the eastern region he came from, he married a young woman who was truly deserving of his unwavering love. She faced the dangers and hardships of their life together with a willing spirit and a cheerful heart. There's no record of her name; tradition remains silent about her beauty and intelligence, leaving room for doubt, but I hope I never share that doubt! Their love and happiness are evident in every day of the man's life as a widower; what else could keep such an adventurous spirit tied to a life like that if not the power of cherished memories?

One day Murlock returned from gunning in a distant part of the forest to find his wife prostrate with fever, and delirious. There was no physician within miles, no neighbor; nor was she in a condition to be left, to summon help. So he set about the task of nursing her back to health, but at the end of the third day she fell into unconsciousness and so passed away, apparently, with never a gleam of returning reason.

One day, Murlock came back from hunting in a remote part of the forest to find his wife lying down with a fever and hallucinating. There was no doctor nearby, no neighbors to help; she wasn't in a condition to be left alone to get assistance. So he took on the job of caring for her, but by the end of the third day, she slipped into unconsciousness and appeared to pass away without ever regaining her senses.

From what we know of a nature like his we may venture to sketch in some of the details of the outline picture drawn by my grandfather. When convinced that she was dead, Murlock had sense enough to remember that the dead must be prepared for burial. In performance of this sacred duty he blundered now and again, did certain things incorrectly, and others which he did correctly were done over and over. His occasional failures to accomplish some simple and ordinary act filled him with astonishment, like that of a drunken man who wonders at the suspension of familiar natural laws. He was surprised, too, that he did not weep—surprised and a little ashamed; surely it is unkind not to weep for the dead. "To-morrow," he said aloud, "I shall have to make the coffin and dig the grave; and then I shall miss her, when she is no longer in sight; but now—she is dead, of course, but it is all right—it must be all right, somehow. Things cannot be so bad as they seem."

From what we understand about a nature like his, we can outline some details from the picture drawn by my grandfather. Once he was convinced that she was dead, Murlock had the sense to remember that the dead need to be prepared for burial. In carrying out this sacred duty, he made mistakes now and then, doing some things wrong, and repeating others he did right over and over. His occasional failures to achieve simple and common tasks left him astonished, much like a drunk person who is baffled by the disruption of familiar natural laws. He was also surprised that he didn’t cry—surprised and a little ashamed; surely it’s unkind not to weep for the dead. “Tomorrow,” he said out loud, “I’ll have to make the coffin and dig the grave; and then I’ll miss her when she’s no longer around; but right now—she’s dead, of course, but it’s all right—it must be all right, somehow. Things can’t be as bad as they seem.”

He stood over the body in the fading light, adjusting the hair and putting the finishing touches to the simple toilet, doing all mechanically, with soulless care. And still through his consciousness ran an undersense of conviction that all was right—that he should have her again as before, and everything explained. He had had no experience in grief; his capacity had not been enlarged by use. His heart could not contain it all, nor his imagination rightly conceive it. He did not know he was so hard struck; that knowledge would come later, and never go. Grief is an artist of powers as various as the instruments upon which he plays his dirges for the dead, evoking from some the sharpest, shrillest notes, from others the low, grave chords that throb recurrent like the slow beating of a distant drum. Some natures it startles; some it stupefies. To one it comes like the stroke of an arrow, stinging all the sensibilities to a keener life; to another as the blow of a bludgeon, which in crushing benumbs. We may conceive Murlock to have been that way affected, for (and here we are upon surer ground than that of conjecture) no sooner had he finished his pious work than, sinking into a chair by the side of the table upon which the body lay, and noting how white the profile showed in the deepening gloom, he laid his arms upon the table's edge, and dropped his face into them, tearless yet and unutterably weary. At that moment came in through the open window a long, wailing sound like the cry of a lost child in the far deeps of the darkening wood! But the man did not move. Again, and nearer than before, sounded that unearthly cry upon his failing sense. Perhaps it was a wild beast; perhaps it was a dream. For Murlock was asleep.

He stood over the body in the fading light, fixing the hair and making final adjustments to the simple arrangement, doing everything automatically, with lifeless care. Deep down, he felt convinced that everything was okay—that he would have her back like before, and everything would be explained. He had no experience with grief; he had never trained himself to handle it. His heart couldn’t hold it all, nor could his imagination fully grasp it. He didn't realize how profoundly affected he was; that realization would come later and never leave him. Grief is an artist with skills as varied as the instruments it uses for its dirges for the dead, drawing out from some the sharpest, most piercing notes, while from others it brings forth low, somber chords that echo like the slow thumping of a distant drum. It startles some people; it stuns others. For one, it strikes like an arrow, sharpening all the senses; for another, it hits like a club, which crushes and numbs. We might think that Murlock was affected like this, because no sooner had he completed his solemn task than he sank into a chair beside the table where the body lay, noticing how white the profile appeared in the gathering darkness. He laid his arms on the edge of the table and dropped his face into them, tearless yet utterly exhausted. At that moment, a long, mournful sound drifted in through the open window, like the cry of a lost child deep in the darkening woods! But he didn’t move. Again, and closer than before, that eerie cry echoed in his fading awareness. It might have been a wild animal; it might have been a dream. Because Murlock was asleep.

Some hours later, as it afterward appeared, this unfaithful watcher awoke and lifting his head from his arms intently listened—he knew not why. There in the black darkness by the side of the dead, recalling all without a shock, he strained his eyes to see—he knew not what. His senses were all alert, his breath was suspended, his blood had stilled its tides as if to assist the silence. Who—what had waked him, and where was it?

Some hours later, as it turned out, this unfaithful watcher woke up and, lifting his head from his arms, listened carefully—he didn’t know why. There in the black darkness next to the dead, recalling everything without surprise, he strained his eyes to see—he didn’t know what. His senses were sharp, his breath was held, and his blood had stopped flowing as if to aid the silence. Who—or what—had woken him, and where was it?

Suddenly the table shook beneath his arms, and at the same moment he heard, or fancied that he heard, a light, soft step—another—sounds as of bare feet upon the floor!

Suddenly, the table shook under his arms, and at the same time, he heard, or thought he heard, a light, soft step—another—sounds like bare feet on the floor!

He was terrified beyond the power to cry out or move. Perforce he waited—waited there in the darkness through seeming centuries of such dread as one may know, yet live to tell. He tried vainly to speak the dead woman's name, vainly to stretch forth his hand across the table to learn if she were there. His throat was powerless, his arms and hands were like lead. Then occurred something most frightful. Some heavy body seemed hurled against the table with an impetus that pushed it against his breast so sharply as nearly to overthrow him, and at the same instant he heard and felt the fall of something upon the floor with so violent a thump that the whole house was shaken by the impact. A scuffling ensued, and a confusion of sounds impossible to describe. Murlock had risen to his feet. Fear had by excess forfeited control of his faculties. He flung his hands upon the table. Nothing was there!

He was so scared that he couldn't scream or move. He had no choice but to wait—waiting there in the darkness through what felt like centuries of fear that one might experience, yet live to tell about it. He tried desperately to say the dead woman's name and reach out across the table to see if she was there. His throat felt useless, and his arms and hands felt heavy like lead. Then something incredibly frightening happened. A heavy object seemed to crash into the table with such force that it pushed against his chest, nearly knocking him over, and at the same time, he heard and felt something hit the floor with such a loud thud that it shook the entire house. A struggle broke out, along with a jumble of sounds that were impossible to describe. Murlock had stood up. Fear had overwhelmed his ability to think clearly. He slammed his hands onto the table. There was nothing there!

There is a point at which terror may turn to madness; and madness incites to action. With no definite intent, from no motive but the wayward impulse of a madman, Murlock sprang to the wall, with a little groping seized his loaded rifle, and without aim discharged it. By the flash which lit up the room with a vivid illumination, he saw an enormous panther dragging the dead woman toward the window, its teeth fixed in her throat! Then there were darkness blacker than before, and silence; and when he returned to consciousness the sun was high and the wood vocal with songs of birds.

There comes a moment when fear can turn into insanity, and that insanity drives a person to act. With no clear purpose, motivated only by the erratic instincts of a madman, Murlock jumped to the wall, fumbled around until he grabbed his loaded rifle, and fired it without aiming. The flash that brightened the room revealed a massive panther dragging the dead woman toward the window, its teeth sunk into her throat! Then came an even deeper darkness and silence; when he regained his senses, the sun was high, and the woods were filled with the songs of birds.

The body lay near the window, where the beast had left it when frightened away by the flash and report of the rifle. The clothing was deranged, the long hair in disorder, the limbs lay anyhow. From the throat, dreadfully lacerated, had issued a pool of blood not yet entirely coagulated. The ribbon with which he had bound the wrists was broken; the hands were tightly clenched. Between the teeth was a fragment of the animal's ear.

The body was positioned near the window, left there by the creature that had fled in terror from the sound and flash of the rifle. The clothing was in disarray, the long hair a mess, and the limbs sprawled awkwardly. From the throat, gruesomely cut, a pool of blood had formed that hadn't fully congealed. The ribbon used to tie the wrists was snapped; the hands were clenched tightly. Between the teeth was a piece of the animal's ear.

A LADY FROM REDHORSE

CORONADO, JUNE 20.

CORONADO, JUNE 20.

I find myself more and more interested in him. It is not, I am sure, his—do you know any good noun corresponding to the adjective "handsome"? One does not like to say "beauty" when speaking of a man. He is beautiful enough, Heaven knows; I should not even care to trust you with him—faithfulest of all possible wives that you are—when he looks his best, as he always does. Nor do I think the fascination of his manner has much to do with it. You recollect that the charm of art inheres in that which is undefinable, and to you and me, my dear Irene, I fancy there is rather less of that in the branch of art under consideration than to girls in their first season. I fancy I know how my fine gentleman produces many of his effects and could perhaps give him a pointer on heightening them. Nevertheless, his manner is something truly delightful. I suppose what interests me chiefly is the man's brains. His conversation is the best I have ever heard and altogether unlike any one else's. He seems to know everything, as indeed he ought, for he has been everywhere, read everything, seen all there is to see—sometimes I think rather more than is good for him—and had acquaintance with the queerest people. And then his voice—Irene, when I hear it I actually feel as if I ought to have paid at the door, though of course it is my own door.

I find myself increasingly interested in him. I'm sure it's not just because he’s—do you know a good word that matches the adjective "handsome"? It feels weird to say "beauty" when talking about a man. He's attractive enough, that’s for sure; I wouldn’t even trust you with him—loyalist of all wives that you are—when he looks his best, which he always does. I don’t think his charm has much to do with it, though. You remember that the allure of art comes from what can’t be defined, and for you and me, my dear Irene, I think there’s a lot less of that in this genre of art than there is for girls in their first season. I think I understand how my fine gentleman creates many of his effects and could probably give him some tips on enhancing them. Still, his style is genuinely delightful. I guess what fascinates me the most is the man’s intellect. His conversation is the best I’ve ever heard and completely unique. He seems to know everything, which makes sense because he’s been everywhere, read everything, and seen all that’s worth seeing—sometimes I think maybe too much for his own good—and has met the strangest people. And then his voice—Irene, when I hear it, I honestly feel like I should have paid to hear it, even though it’s my own door.

JULY 3.

JULY 3rd.

I fear my remarks about Dr. Barritz must have been, being thoughtless, very silly, or you would not have written of him with such levity, not to say disrespect. Believe me, dearest, he has more dignity and seriousness (of the kind, I mean, which is not inconsistent with a manner sometimes playful and always charming) than any of the men that you and I ever met. And young Raynor—you knew Raynor at Monterey—tells me that the men all like him and that he is treated with something like deference everywhere. There is a mystery, too—something about his connection with the Blavatsky people in Northern India. Raynor either would not or could not tell me the particulars. I infer that Dr. Barritz is thought—don't you dare to laugh!—a magician. Could anything be finer than that?

I worry that my comments about Dr. Barritz must have come off as thoughtless and silly, otherwise you wouldn’t have written about him so lightly, to say the least. Believe me, my dear, he has more dignity and seriousness (the kind that can still be playful and charming) than any man you and I have ever met. And young Raynor—you remember Raynor from Monterey—tells me that everyone likes him and he’s treated with a sort of respect everywhere. There’s also a mystery surrounding him—something about his ties with the Blavatsky people in Northern India. Raynor either wouldn’t or couldn’t give me the details. I gather that Dr. Barritz is thought—don’t you dare laugh!—to be a magician. Could anything be better than that?

An ordinary mystery is not, of course, so good as a scandal, but when it relates to dark and dreadful practices—to the exercise of unearthly powers—could anything be more piquant? It explains, too, the singular influence the man has upon me. It is the undefinable in his art—black art. Seriously, dear, I quite tremble when he looks me full in the eyes with those unfathomable orbs of his, which I have already vainly attempted to describe to you. How dreadful if he has the power to make one fall in love! Do you know if the Blavatsky crowd have that power—outside of Sepoy?

An ordinary mystery isn't as exciting as a scandal, but when it involves dark and terrifying practices—like the use of otherworldly powers—can anything be more intriguing? It also explains the strange hold he has over me. It's the indescribable aspect of his art—dark art. Honestly, dear, I almost shiver when he looks me directly in the eyes with those mysterious orbs I've already tried to describe to you in vain. How terrifying if he really has the power to make someone fall in love! Do you know if the Blavatsky group has that ability—aside from Sepoy?

JULY 16.

JULY 16th.

The strangest thing! Last evening while Auntie was attending one of the hotel hops (I hate them) Dr. Barritz called. It was scandalously late—I actually believe that he had talked with Auntie in the ballroom and learned from her that I was alone. I had been all the evening contriving how to worm out of him the truth about his connection with the Thugs in Sepoy, and all of that black business, but the moment he fixed his eyes on me (for I admitted him, I'm ashamed to say) I was helpless. I trembled, I blushed, I—O Irene, Irene, I love the man beyond expression and you know how it is yourself.

The weirdest thing! Last night while Auntie was at one of those hotel parties (I can't stand them), Dr. Barritz called. It was ridiculously late—I honestly think he spoke to Auntie in the ballroom and found out from her that I was alone. I had spent the whole evening trying to figure out how to get the truth about his ties to the Thugs in Sepoy and all that shady business, but the moment he looked at me (I let him in, I'm embarrassed to admit) I was totally powerless. I shook, I blushed, I—Oh Irene, Irene, I love the guy more than I can say, and you know how it is yourself.

Fancy! I, an ugly duckling from Redhorse—daughter (they say) of old Calamity Jim—certainly his heiress, with no living relation but an absurd old aunt who spoils me a thousand and fifty ways—absolutely destitute of everything but a million dollars and a hope in Paris,—I daring to love a god like him! My dear, if I had you here I could tear your hair out with mortification.

Fancy! I, an ugly duckling from Redhorse—daughter (so they say) of old Calamity Jim—certainly his heiress, with no living relative but a ridiculous old aunt who spoils me in every possible way—totally broke except for a million dollars and a hope in Paris—here I am, daring to love a god like him! My dear, if I had you here, I could pull your hair out from embarrassment.

I am convinced that he is aware of my feeling, for he stayed but a few moments, said nothing but what another man might have said half as well, and pretending that he had an engagement went away. I learned to-day (a little bird told me—the bell-bird) that he went straight to bed. How does that strike you as evidence of exemplary habits?

I’m sure he knows how I feel because he only stayed for a few moments, didn’t say anything that another guy couldn’t have said just as well, and pretended he had somewhere to be before leaving. I found out today (a little bird told me—the bell-bird) that he went straight to bed. What do you think that says about his so-called good habits?

JULY 17.

JULY 17th.

That little wretch, Raynor, called yesterday and his babble set me almost wild. He never runs down—that is to say, when he exterminates a score of reputations, more or less, he does not pause between one reputation and the next. (By the way, he inquired about you, and his manifestations of interest in you had, I confess, a good deal of vraisemblance..) Mr. Raynor observes no game laws; like Death (which he would inflict if slander were fatal) he has all seasons for his own. But I like him, for we knew each other at Redhorse when we were young. He was known in those days as "Giggles," and I—O Irene, can you ever forgive me?—I was called "Gunny." God knows why; perhaps in allusion to the material of my pinafores; perhaps because the name is in alliteration with "Giggles," for Gig and I were inseparable playmates, and the miners may have thought it a delicate civility to recognize some kind of relationship between us.

That little brat, Raynor, called yesterday and his chatter almost drove me crazy. He never slows down—when he tears apart a bunch of reputations, he doesn’t take a break between them. (By the way, he asked about you, and his interest in you seemed pretty genuine.) Mr. Raynor doesn’t follow any rules; like Death (which he would bring if slander were deadly), he has every season for himself. But I like him because we knew each other at Redhorse when we were young. Back then, he was called "Giggles," and I—oh Irene, can you ever forgive me?—was called "Gunny." God knows why; maybe it was a reference to the fabric of my pinafores, or maybe because it matched up with "Giggles," since he and I were inseparable friends, and the miners might have thought it polite to acknowledge some kind of bond between us.

Later, we took in a third—another of Adversity's brood, who, like Garrick between Tragedy and Comedy, had a chronic inability to adjudicate the rival claims of Frost and Famine. Between him and misery there was seldom anything more than a single suspender and the hope of a meal which would at the same time support life and make it insupportable. He literally picked up a precarious living for himself and an aged mother by "chloriding the dumps," that is to say, the miners permitted him to search the heaps of waste rock for such pieces of "pay ore" as had been overlooked; and these he sacked up and sold at the Syndicate Mill. He became a member of our firm—"Gunny, Giggles, and Dumps" thenceforth—through my favor; for I could not then, nor can I now, be indifferent to his courage and prowess in defending against Giggles the immemorial right of his sex to insult a strange and unprotected female—myself. After old Jim struck it in the Calamity and I began to wear shoes and go to school, and in emulation Giggles took to washing his face and became Jack Raynor, of Wells, Fargo & Co., and old Mrs. Barts was herself chlorided to her fathers, Dumps drifted over to San Juan Smith and turned stage driver, and was killed by road agents, and so forth.

Later, we brought in a third person—another one of Adversity's crew, who, like Garrick caught between Tragedy and Comedy, constantly struggled to choose between the competing demands of Frost and Famine. There was usually not much separating him from misery, just a single suspender and the hope of a meal that would keep him alive while also making life unbearable. He barely scraped by for himself and his elderly mother by "chloriding the dumps," which meant that miners allowed him to search through the piles of waste rock for pieces of "pay ore" that had been missed; he would gather these and sell them at the Syndicate Mill. He became a part of our team—"Gunny, Giggles, and Dumps" from then on—thanks to my support; because I couldn't, and still can't, ignore his bravery and skill in defending the long-held right of his gender to insult an unfamiliar and vulnerable woman—me. After old Jim struck it rich in the Calamity and I started wearing shoes and going to school, and in a fit of imitation, Giggles began washing his face and became Jack Raynor, of Wells, Fargo & Co., while old Mrs. Barts returned to her roots, Dumps moved on to San Juan Smith and became a stage driver, only to be killed by road agents, and so on.

Why do I tell you all this, dear? Because it is heavy on my heart. Because I walk the Valley of Humility. Because I am subduing myself to permanent consciousness of my unworthiness to unloose the latchet of Dr. Barritz's shoe. Because, oh dear, oh dear, there's a cousin of Dumps at this hotel! I haven't spoken to him. I never had much acquaintance with him,—but do you suppose he has recognized me? Do, please give me in your next your candid, sure-enough opinion about it, and say you don't think so. Do you suppose He knows about me already, and that that is why He left me last evening when He saw that I blushed and trembled like a fool under His eyes? You know I can't bribe all the newspapers, and I can't go back on anybody who was civil to Gunny at Redhorse—not if I'm pitched out of society into the sea. So the skeleton sometimes rattles behind the door. I never cared much before, as you know, but now—now it is not the same. Jack Raynor I am sure of—he will not tell Him. He seems, indeed, to hold Him in such respect as hardly to dare speak to Him at all, and I'm a good deal that way myself. Dear, dear! I wish I had something besides a million dollars! If Jack were three inches taller I'd marry him alive and go back to Redhorse and wear sackcloth again to the end of my miserable days.

Why am I telling you all this, dear? Because it weighs heavily on my heart. Because I’m walking through the Valley of Humility. Because I’m constantly reminding myself of my unworthiness to even untie Dr. Barritz's shoelaces. Because, oh dear, oh dear, there's a relative of Dumps at this hotel! I haven’t spoken to him. I never knew him well—but do you think he recognizes me? Please, in your next letter, give me your honest and straightforward opinion about it and say you don’t think so. Do you think he already knows about me, and that’s why he left me last night when he saw me blush and tremble like a fool in front of him? You know I can’t bribe *all* the newspapers, and I can’t turn my back on anyone who was nice to Gunny at Redhorse—not even if I’m thrown out of society into the ocean. So sometimes, the skeleton rattles behind the door. I never cared much before, as you know, but now—*now* it’s different. I’m sure about Jack Raynor—he won’t say anything to him. He seems to respect him so much that he hardly dares to speak to him at all, and I feel pretty much the same way. Dear, dear! I wish I had something besides a million dollars! If only Jack were three inches taller, I would marry him in a heartbeat and go back to Redhorse and wear sackcloth for the rest of my miserable days.

JULY 25.

JULY 25.

We had a perfectly splendid sunset last evening and I must tell you all about it. I ran away from Auntie and everybody and was walking alone on the beach. I expect you to believe, you infidel! that I had not looked out of my window on the seaward side of the hotel and seen Him walking alone on the beach. If you are not lost to every feeling of womanly delicacy you will accept my statement without question. I soon established myself under my sunshade and had for some time been gazing out dreamily over the sea, when he approached, walking close to the edge of the water—it was ebb tide. I assure you the wet sand actually brightened about his feet! As he approached me he lifted his hat, saying, "Miss Dement, may I sit with you?—or will you walk with me?"

We had a gorgeous sunset last night, and I have to share it with you. I managed to sneak away from Auntie and everyone else and took a walk alone on the beach. You’d better believe me, you skeptic! I hadn’t peeked out of my window on the ocean side of the hotel and seen him walking by himself on the beach. If you have any sense of womanly modesty, you’ll take my word for it without doubting. I soon settled down under my sunshade and had been gazing out dreamily at the sea when he came over, walking right along the water’s edge—it was low tide. I swear the wet sand actually shimmered around his feet! As he got closer, he tipped his hat and said, "Miss Dement, may I sit with you?—or would you like to walk with me?"

The possibility that neither might be agreeable seems not to have occurred to him. Did you ever know such assurance? Assurance? My dear, it was gall, downright gall! Well, I didn't find it wormwood, and replied, with my untutored Redhorse heart in my throat, "I—I shall be pleased to do anything." Could words have been more stupid? There are depths of fatuity in me, friend o' my soul, that are simply bottomless!

The idea that neither of them might be okay with it doesn't seem to have crossed his mind. Have you ever seen such confidence? Confidence? My dear, it was pure gall! Well, it didn’t bother me too much, and I replied, with my unrefined heart racing, "I—I would be happy to do anything." Could my words have been any more foolish? There are depths of stupidity in me, my dear friend, that are just endless!

He extended his hand, smiling, and I delivered mine into it without a moment's hesitation, and when his fingers closed about it to assist me to my feet the consciousness that it trembled made me blush worse than the red west. I got up, however, and after a while, observing that he had not let go my hand I pulled on it a little, but unsuccessfully. He simply held on, saying nothing, but looking down into my face with some kind of smile—I didn't know—how could I?—whether it was affectionate, derisive, or what, for I did not look at him. How beautiful he was!—with the red fires of the sunset burning in the depths of his eyes. Do you know, dear, if the Thugs and Experts of the Blavatsky region have any special kind of eyes? Ah, you should have seen his superb attitude, the god-like inclination of his head as he stood over me after I had got upon my feet! It was a noble picture, but I soon destroyed it, for I began at once to sink again to the earth. There was only one thing for him to do, and he did it; he supported me with an arm about my waist.

He reached out his hand, smiling, and I placed mine in it without a second thought. When his fingers closed around mine to help me up, I felt them tremble, which made me blush more than the setting sun. I got up, but after a bit, noticing he hadn’t let go of my hand, I tried to pull it away, but he held on firmly, saying nothing, just looking down at my face with a smile—I didn’t know—how could I?—whether it was warm, mocking, or something else, because I didn’t look at him. He was so handsome!—with the red glow of the sunset reflected in his eyes. Do you know, dear, if the Thugs and Experts of the Blavatsky region have any specific eye features? Ah, you should have seen his stunning stance, the majestic tilt of his head as he stood over me after I managed to get up! It was a beautiful scene, but I quickly ruined it when I started to sink back down. There was only one thing for him to do, and he did it; he wrapped an arm around my waist to support me.

"Miss Dement, are you ill?" he said.

"Miss Dement, are you sick?" he asked.

It was not an exclamation; there was neither alarm nor solicitude in it. If he had added: "I suppose that is about what I am expected to say," he would hardly have expressed his sense of the situation more clearly. His manner filled me with shame and indignation, for I was suffering acutely. I wrenched my hand out of his, grasped the arm supporting me and pushing myself free, fell plump into the sand and sat helpless. My hat had fallen off in the struggle and my hair tumbled about my face and shoulders in the most mortifying way.

It wasn't a shout; there was no panic or concern in it. If he had said, "I guess that's what I'm supposed to say," he couldn't have made his understanding of the situation clearer. His attitude made me feel shame and anger, because I was in deep emotional pain. I pulled my hand away from his, grabbed the arm that was holding me, and pushed myself free, landing flat in the sand and sitting there helplessly. My hat had come off during the struggle, and my hair fell around my face and shoulders in the most embarrassing way.

"Go away from me," I cried, half choking. "O please go away, you—you Thug! How dare you think that when my leg is asleep?"

"Leave me alone," I shouted, struggling to catch my breath. "Oh please just go away, you—you Thug! How dare you even think that when my leg is numb?"

I actually said those identical words! And then I broke down and sobbed. Irene, I blubbered!

I actually said those exact words! And then I broke down and cried. Irene, I bawled!

His manner altered in an instant—I could see that much through my fingers and hair. He dropped on one knee beside me, parted the tangle of hair and said in the tenderest way: "My poor girl, God knows I have not intended to pain you. How should I?—I who love you—I who have loved you for—for years and years!"

His attitude changed in a moment—I could see that much through my fingers and hair. He knelt next to me, brushed aside the tangle of hair, and said in the softest way: "My poor girl, God knows I never meant to hurt you. Why would I?—I who love you—I who have loved you for—for years and years!"

He had pulled my wet hands away from my face and was covering them with kisses. My cheeks were like two coals, my whole face was flaming and, I think, steaming. What could I do? I hid it on his shoulder—there was no other place. And, O my dear friend, how my leg tingled and thrilled, and how I wanted to kick!

He had pulled my wet hands away from my face and was covering them with kisses. My cheeks were like two hot coals, my whole face was burning, and I think, steaming. What could I do? I hid it on his shoulder—there was no other place. And, oh my dear friend, how my leg tingled and excited me, and how I wanted to kick!

We sat so for a long time. He had released one of my hands to pass his arm about me again and I possessed myself of my handkerchief and was drying my eyes and my nose. I would not look up until that was done; he tried in vain to push me a little away and gaze into my face. Presently, when all was right, and it had grown a bit dark, I lifted my head, looked him straight in the eyes and smiled my best—my level best, dear.

We sat like that for a long time. He had let go of one of my hands to wrap his arm around me again, and I had taken out my handkerchief to dry my eyes and nose. I wouldn’t look up until I was done with that; he tried unsuccessfully to push me a little away to see my face. Eventually, when everything was okay and it had gotten a bit dark, I lifted my head, looked him straight in the eyes, and smiled my best—my very best, dear.

"What do you mean," I said, "by 'years and years'?"

"What do you mean," I said, "by 'years and years'?"

"Dearest," he replied, very gravely, very earnestly, "in the absence of the sunken cheeks, the hollow eyes, the lank hair, the slouching gait, the rags, dirt, and youth, can you not—will you not understand? Gunny, I'm Dumps!"

"Dearest," he said, very seriously, very earnestly, "without the sunken cheeks, the hollow eyes, the thin hair, the slouched posture, the torn clothes, dirt, and youth, can't you—won't you understand? Gunny, I'm Dumps!"

In a moment I was upon my feet and he upon his. I seized him by the lapels of his coat and peered into his handsome face in the deepening darkness. I was breathless with excitement.

In an instant, I was on my feet, and so was he. I grabbed him by the collar of his coat and looked into his attractive face as the darkness deepened. I was breathless with excitement.

"And you are not dead?" I asked, hardly knowing what I said.

"And you're not dead?" I asked, barely realizing what I was saying.

"Only dead in love, dear. I recovered from the road agent's bullet, but this, I fear, is fatal."

"Only dead in love, dear. I got over the bullet from the road agent, but this, I'm afraid, is deadly."

"But about Jack—Mr. Raynor? Don't you know—"

"But about Jack—Mr. Raynor? Don't you know—"

"I am ashamed to say, darling, that it was through that unworthy person's suggestion that I came here from Vienna."

"I’m embarrassed to admit, darling, that it was because of that unworthy person's suggestion that I came here from Vienna."

Irene, they have roped in your affectionate friend,

Irene, they've gotten your loving friend involved,

MARY JANE DEMENT.

Mary Jane Dement.

P.S.—The worst of it is that there is no mystery; that was the invention of Jack Raynor, to arouse my curiosity. James is not a Thug. He solemnly assures me that in all his wanderings he has never set foot in Sepoy.

P.S.—The worst part is that there’s no mystery; that was just Jack Raynor's trick to spark my curiosity. James is not a Thug. He seriously assures me that in all his travels he has never been to Sepoy.

THE EYES OF THE PANTHER

I

I

ONE DOES NOT ALWAYS MARRY WHEN INSANE

ONE DOES NOT ALWAYS MARRY WHEN OUT OF THEIR MIND

A man and a woman—nature had done the grouping—sat on a rustic seat, in the late afternoon. The man was middle-aged, slender, swarthy, with the expression of a poet and the complexion of a pirate—a man at whom one would look again. The woman was young, blonde, graceful, with something in her figure and movements suggesting the word "lithe." She was habited in a gray gown with odd brown markings in the texture. She may have been beautiful; one could not readily say, for her eyes denied attention to all else. They were gray-green, long and narrow, with an expression defying analysis. One could only know that they were disquieting. Cleopatra may have had such eyes.

A man and a woman—nature paired them—sat on a simple bench in the late afternoon. The man was middle-aged, slender, and dark-skinned, with the look of a poet and the complexion of a pirate—a guy you’d want to take a second glance at. The woman was young, blonde, and graceful, with a figure and movements that felt "lithe." She wore a gray dress with strange brown patterns in the fabric. She might have been beautiful; it was hard to tell, as her eyes drew all the attention. They were gray-green, long and narrow, with an expression that was hard to interpret. All anyone could say was that they were unsettling. Cleopatra might have had eyes like these.

The man and the woman talked.

The man and the woman talked.

"Yes," said the woman, "I love you, God knows! But marry you, no. I cannot, will not."

"Yes," said the woman, "I love you, I swear! But marrying you, no. I can't, and I won't."

"Irene, you have said that many times, yet always have denied me a reason. I've a right to know, to understand, to feel and prove my fortitude if I have it. Give me a reason."

"Irene, you've said that many times, but you've always denied me a reason. I have the right to know, to understand, to feel, and to prove my strength if I have it. Give me a reason."

"For loving you?"

"For loving you?"

The woman was smiling through her tears and her pallor. That did not stir any sense of humor in the man.

The woman was smiling through her tears and her pale face. That didn’t make the man feel any sense of humor.

"No; there is no reason for that. A reason for not marrying me. I've a right to know. I must know. I will know!"

"No, there’s no reason for that. A reason not to marry me. I have a right to know. I have to know. I will know!"

He had risen and was standing before her with clenched hands, on his face a frown—it might have been called a scowl. He looked as if he might attempt to learn by strangling her. She smiled no more—merely sat looking up into his face with a fixed, set regard that was utterly without emotion or sentiment. Yet it had something in it that tamed his resentment and made him shiver.

He had gotten up and was standing in front of her with clenched fists, a frown on his face—it could have easily been called a scowl. He looked like he might try to learn by choking her. She didn't smile anymore—just sat there staring up into his face with a blank, unyielding gaze that was completely devoid of emotion or feelings. Yet there was something in it that subdued his anger and made him shudder.

"You are determined to have my reason?" she asked in a tone that was entirely mechanical—a tone that might have been her look made audible.

"You really want to know my reasoning?" she asked in a completely mechanical tone—a tone that could have been her expression made audible.

"If you please—if I'm not asking too much."

"If you don’t mind—if I’m not asking for too much."

Apparently this lord of creation was yielding some part of his dominion over his co-creature.

Apparently, this master of creation was giving up some portion of his control over his fellow creature.

"Very well, you shall know: I am insane."

"Alright, you should know this: I’m crazy."

The man started, then looked incredulous and was conscious that he ought to be amused. But, again, the sense of humor failed him in his need and despite his disbelief he was profoundly disturbed by that which he did not believe. Between our convictions and our feelings there is no good understanding.

The man jumped, then looked shocked and realized he should find it funny. But once again, his sense of humor let him down when he needed it most, and despite his disbelief, he was deeply troubled by what he couldn't accept. There's often a disconnect between what we believe and how we feel.

"That is what the physicians would say," the woman continued—"if they knew. I might myself prefer to call it a case of 'possession.' Sit down and hear what I have to say."

"That’s what the doctors would say," the woman went on—"if they knew. Personally, I might rather call it a case of 'possession.' Sit down and listen to what I have to say."

The man silently resumed his seat beside her on the rustic bench by the wayside. Over-against them on the eastern side of the valley the hills were already sunset-flushed and the stillness all about was of that peculiar quality that foretells the twilight. Something of its mysterious and significant solemnity had imparted itself to the man's mood. In the spiritual, as in the material world, are signs and presages of night. Rarely meeting her look, and whenever he did so conscious of the indefinable dread with which, despite their feline beauty, her eyes always affected him, Jenner Brading listened in silence to the story told by Irene Marlowe. In deference to the reader's possible prejudice against the artless method of an unpractised historian the author ventures to substitute his own version for hers.

The man quietly sat down next to her on the simple bench by the roadside. Across from them on the eastern side of the valley, the hills were already glowing from the sunset, and the stillness around them had that unique quality that hints at twilight. Some of its mysterious and meaningful solemnity had influenced the man's mood. In both the spiritual and the material world, there are signs and omens of night. He rarely met her gaze, and whenever he did, he felt the indescribable unease that her strikingly beautiful eyes always gave him. Jenner Brading listened in silence to the story being told by Irene Marlowe. To account for the reader's possible bias against the straightforward style of an inexperienced historian, the author dares to offer his own version instead of hers.

II

II

A ROOM MAY BE TOO NARROW FOR THREE, THOUGH ONE IS OUTSIDE

A room might be too small for three people, even if one is outside.

In a little log house containing a single room sparely and rudely furnished, crouching on the floor against one of the walls, was a woman, clasping to her breast a child. Outside, a dense unbroken forest extended for many miles in every direction. This was at night and the room was black dark: no human eye could have discerned the woman and the child. Yet they were observed, narrowly, vigilantly, with never even a momentary slackening of attention; and that is the pivotal fact upon which this narrative turns.

In a small log cabin with just one room that was simply and roughly furnished, a woman was crouched on the floor against one wall, holding a child to her chest. Outside, a thick, unbroken forest stretched for miles in every direction. It was night, and the room was pitch black—no human eye could have seen the woman and the child. Yet they were being watched closely and intently, without even a moment's lapse in attention; and that is the crucial fact upon which this story hinges.

Charles Marlowe was of the class, now extinct in this country, of woodmen pioneers—men who found their most acceptable surroundings in sylvan solitudes that stretched along the eastern slope of the Mississippi Valley, from the Great Lakes to the Gulf of Mexico. For more than a hundred years these men pushed ever westward, generation after generation, with rifle and ax, reclaiming from Nature and her savage children here and there an isolated acreage for the plow, no sooner reclaimed than surrendered to their less venturesome but more thrifty successors. At last they burst through the edge of the forest into the open country and vanished as if they had fallen over a cliff. The woodman pioneer is no more; the pioneer of the plains—he whose easy task it was to subdue for occupancy two-thirds of the country in a single generation—is another and inferior creation. With Charles Marlowe in the wilderness, sharing the dangers, hardships and privations of that strange, unprofitable life, were his wife and child, to whom, in the manner of his class, in which the domestic virtues were a religion, he was passionately attached. The woman was still young enough to be comely, new enough to the awful isolation of her lot to be cheerful. By withholding the large capacity for happiness which the simple satisfactions of the forest life could not have filled, Heaven had dealt honorably with her. In her light household tasks, her child, her husband and her few foolish books, she found abundant provision for her needs.

Charles Marlowe belonged to a now extinct class of woodman pioneers—men who thrived in the forested solitude that stretched along the eastern slope of the Mississippi Valley, from the Great Lakes to the Gulf of Mexico. For over a hundred years, these men moved continually west, generation after generation, with rifles and axes, carving out patches of land from Nature and her wild inhabitants for farming, only to see it quickly taken over by their less adventurous but more practical successors. Eventually, they broke through the forest into open land and disappeared as if they had fallen off a cliff. The woodman pioneer is a thing of the past; the plains pioneer—who found it relatively easy to settle two-thirds of the country in just one generation—is a different and lesser breed. Alongside Charles Marlowe in the wilderness, sharing in the dangers, hardships, and challenges of that harsh, unyielding life, were his wife and child, to whom, in the tradition of his kind, where domestic virtues were sacred, he was deeply devoted. The woman was young enough to be attractive, and new enough to the terrifying isolation of her situation to remain cheerful. By withholding the full potential for happiness that the simple pleasures of forest life couldn’t satisfy, fate had treated her kindly. In her light chores, her child, her husband, and her few silly books, she found more than enough to meet her needs.

One morning in midsummer Marlowe took down his rifle from the wooden hooks on the wall and signified his intention of getting game.

One morning in midsummer, Marlowe took his rifle down from the wooden hooks on the wall and indicated that he was planning to go hunting.

"We've meat enough," said the wife; "please don't go out to-day. I dreamed last night, O, such a dreadful thing! I cannot recollect it, but I'm almost sure that it will come to pass if you go out."

"We have enough meat," said the wife; "please don't go out today. I had such a terrible dream last night! I can't remember all of it, but I'm pretty sure it will come true if you go out."

It is painful to confess that Marlowe received this solemn statement with less of gravity than was due to the mysterious nature of the calamity foreshadowed. In truth, he laughed.

It’s hard to admit that Marlowe reacted to this serious statement with less seriousness than the mysterious nature of the disaster suggested he should. In fact, he laughed.

"Try to remember," he said. "Maybe you dreamed that Baby had lost the power of speech."

"Try to remember," he said. "Maybe you dreamed that Baby couldn't talk anymore."

The conjecture was obviously suggested by the fact that Baby, clinging to the fringe of his hunting-coat with all her ten pudgy thumbs was at that moment uttering her sense of the situation in a series of exultant goo-goos inspired by sight of her father's raccoon-skin cap.

The guess was clearly inspired by the fact that Baby, gripping the edge of his hunting coat with all ten of her chubby fingers, was at that moment expressing her feelings about the situation through a series of excited goo-goos triggered by the sight of her dad's raccoon-skin cap.

The woman yielded: lacking the gift of humor she could not hold out against his kindly badinage. So, with a kiss for the mother and a kiss for the child, he left the house and closed the door upon his happiness forever.

The woman gave in: without a sense of humor, she couldn't resist his cheerful teasing. So, with a kiss for the mother and a kiss for the child, he left the house and closed the door on his happiness for good.

At nightfall he had not returned. The woman prepared supper and waited. Then she put Baby to bed and sang softly to her until she slept. By this time the fire on the hearth, at which she had cooked supper, had burned out and the room was lighted by a single candle. This she afterward placed in the open window as a sign and welcome to the hunter if he should approach from that side. She had thoughtfully closed and barred the door against such wild animals as might prefer it to an open window—of the habits of beasts of prey in entering a house uninvited she was not advised, though with true female prevision she may have considered the possibility of their entrance by way of the chimney. As the night wore on she became not less anxious, but more drowsy, and at last rested her arms upon the bed by the child and her head upon the arms. The candle in the window burned down to the socket, sputtered and flared a moment and went out unobserved; for the woman slept and dreamed.

At nightfall, he still hadn’t come back. The woman made dinner and waited. Then she put the baby to bed and sang softly to her until she fell asleep. By this time, the fire in the fireplace, where she had cooked dinner, had gone out, and the room was lit by a single candle. She then placed it in the open window as a signal and welcome for the hunter if he approached from that side. She had thoughtfully closed and locked the door to keep out any wild animals that might prefer it to an open window—she wasn’t familiar with the habits of predators entering a house uninvited, though with typical female foresight, she may have considered the possibility of them coming down the chimney. As the night went on, she grew not less anxious, but more sleepy, and eventually rested her arms on the bed beside the child and laid her head on her arms. The candle in the window burned down to the base, sputtered and flickered for a moment, and then went out unnoticed because the woman was asleep and dreaming.

In her dreams she sat beside the cradle of a second child. The first one was dead. The father was dead. The home in the forest was lost and the dwelling in which she lived was unfamiliar. There were heavy oaken doors, always closed, and outside the windows, fastened into the thick stone walls, were iron bars, obviously (so she thought) a provision against Indians. All this she noted with an infinite self-pity, but without surprise—an emotion unknown in dreams. The child in the cradle was invisible under its coverlet which something impelled her to remove. She did so, disclosing the face of a wild animal! In the shock of this dreadful revelation the dreamer awoke, trembling in the darkness of her cabin in the wood.

In her dreams, she sat next to the cradle of a second child. The first one was gone. The father was gone. The home in the forest was lost, and the place where she lived felt unfamiliar. There were heavy oak doors, always closed, and outside the windows, set into the thick stone walls, were iron bars, clearly (or so she thought) a measure against Native Americans. She noticed all this with endless self-pity, but without surprise—an emotion that never appears in dreams. The child in the cradle was hidden under its cover, but something urged her to pull it back. She did so, revealing the face of a wild animal! In the shock of this terrifying revelation, the dreamer awakened, trembling in the darkness of her cabin in the woods.

As a sense of her actual surroundings came slowly back to her she felt for the child that was not a dream, and assured herself by its breathing that all was well with it; nor could she forbear to pass a hand lightly across its face. Then, moved by some impulse for which she probably could not have accounted, she rose and took the sleeping babe in her arms, holding it close against her breast. The head of the child's cot was against the wall to which the woman now turned her back as she stood. Lifting her eyes she saw two bright objects starring the darkness with a reddish-green glow. She took them to be two coals on the hearth, but with her returning sense of direction came the disquieting consciousness that they were not in that quarter of the room, moreover were too high, being nearly at the level of the eyes—of her own eyes. For these were the eyes of a panther.

As her awareness of her surroundings gradually returned, she reached for the child who was definitely real, reassuring herself with its breathing that everything was okay. She couldn’t help but gently stroke its face. Then, driven by an impulse she probably couldn't explain, she stood up and picked up the sleeping baby, holding it tightly against her chest. The head of the child's crib was against the wall, which she now faced as she stood. Looking up, she noticed two bright objects piercing the darkness with a reddish-green glow. She thought they were just two coals in the fireplace, but as her sense of direction returned, she felt an unsettling realization that they weren't located there and were too high up, nearly at her eye level—her own eyes. Because those were the eyes of a panther.

The beast was at the open window directly opposite and not five paces away. Nothing but those terrible eyes was visible, but in the dreadful tumult of her feelings as the situation disclosed itself to her understanding she somehow knew that the animal was standing on its hinder feet, supporting itself with its paws on the window-ledge. That signified a malign interest—not the mere gratification of an indolent curiosity. The consciousness of the attitude was an added horror, accentuating the menace of those awful eyes, in whose steadfast fire her strength and courage were alike consumed. Under their silent questioning she shuddered and turned sick. Her knees failed her, and by degrees, instinctively striving to avoid a sudden movement that might bring the beast upon her, she sank to the floor, crouched against the wall and tried to shield the babe with her trembling body without withdrawing her gaze from the luminous orbs that were killing her. No thought of her husband came to her in her agony—no hope nor suggestion of rescue or escape. Her capacity for thought and feeling had narrowed to the dimensions of a single emotion—fear of the animal's spring, of the impact of its body, the buffeting of its great arms, the feel of its teeth in her throat, the mangling of her babe. Motionless now and in absolute silence, she awaited her doom, the moments growing to hours, to years, to ages; and still those devilish eyes maintained their watch.

The beast was at the open window directly across from her, just five steps away. Only those terrifying eyes were visible, but in the chaotic whirlwind of her feelings as the situation became clear, she somehow understood that the animal was standing on its back legs, supporting itself on the window ledge with its paws. That indicated a malicious interest—more than just lazy curiosity. The awareness of its stance added to the horror, amplifying the threat of those dreadful eyes, which drained her strength and courage. Under their silent interrogation, she shuddered and felt nauseous. Her knees buckled, and gradually, instinctively avoiding a sudden movement that might draw the beast toward her, she sank to the floor, crouching against the wall and trying to shield the baby with her trembling body while keeping her gaze fixed on those glowing orbs that were crushing her spirit. No thought of her husband crossed her mind in her despair—no hope or notion of rescue or escape. Her ability to think and feel had reduced to a single emotion—fear of the animal’s leap, the impact of its body, the pounding of its powerful arms, the sensation of its teeth on her throat, the mauling of her baby. Motionless now and completely silent, she braced for her fate, moments stretching into hours, years, and ages; yet still those wicked eyes held their vigil.

Returning to his cabin late at night with a deer on his shoulders Charles Marlowe tried the door. It did not yield. He knocked; there was no answer. He laid down his deer and went round to the window. As he turned the angle of the building he fancied he heard a sound as of stealthy footfalls and a rustling in the undergrowth of the forest, but they were too slight for certainty, even to his practised ear. Approaching the window, and to his surprise finding it open, he threw his leg over the sill and entered. All was darkness and silence. He groped his way to the fire-place, struck a match and lit a candle.

Returning to his cabin late at night with a deer on his shoulders, Charles Marlowe tried the door. It wouldn’t budge. He knocked, but there was no answer. He set down the deer and went around to the window. As he turned the corner of the building, he thought he heard the sound of quiet footsteps and some rustling in the underbrush of the forest, but it was too faint to be sure, even for his trained ear. When he got to the window and, to his surprise, found it open, he swung his leg over the sill and climbed inside. It was completely dark and silent. He felt his way to the fireplace, struck a match, and lit a candle.

Then he looked about. Cowering on the floor against a wall was his wife, clasping his child. As he sprang toward her she rose and broke into laughter, long, loud, and mechanical, devoid of gladness and devoid of sense—the laughter that is not out of keeping with the clanking of a chain. Hardly knowing what he did he extended his arms. She laid the babe in them. It was dead—pressed to death in its mother's embrace.

Then he looked around. Cowering on the floor against a wall was his wife, holding their child. As he rushed toward her, she stood up and burst into laughter, a long, loud, mechanical sound that was empty and senseless—the kind of laughter that fits with the clanking of a chain. Barely aware of his actions, he stretched out his arms. She placed the baby in them. It was dead—squeezed to death in its mother's embrace.

III

III

THE THEORY OF THE DEFENSE

THE DEFENSE THEORY

That is what occurred during a night in a forest, but not all of it did Irene Marlowe relate to Jenner Brading; not all of it was known to her. When she had concluded the sun was below the horizon and the long summer twilight had begun to deepen in the hollows of the land. For some moments Brading was silent, expecting the narrative to be carried forward to some definite connection with the conversation introducing it; but the narrator was as silent as he, her face averted, her hands clasping and unclasping themselves as they lay in her lap, with a singular suggestion of an activity independent of her will.

That’s what happened one night in a forest, but Irene Marlowe didn’t share everything with Jenner Brading; she didn’t know all of it. When she finished, the sun had dipped below the horizon, and the long summer twilight began to deepen in the valleys. For a moment, Brading stayed quiet, waiting for the story to connect back to their earlier conversation. But the narrator remained just as silent, her face turned away, her hands clasping and unclasping in her lap, suggesting a movement that seemed beyond her control.

"It is a sad, a terrible story," said Brading at last, "but I do not understand. You call Charles Marlowe father; that I know. That he is old before his time, broken by some great sorrow, I have seen, or thought I saw. But, pardon me, you said that you—that you—"

"It’s a sad, terrible story," Brading finally said, "but I don’t get it. You call Charles Marlowe your father; that much I know. I’ve seen that he’s old for his age, worn down by some deep sorrow, or at least I thought I saw that. But excuse me, you said that you—that you—"

"That I am insane," said the girl, without a movement of head or body.

"That I’m crazy," the girl said, without moving her head or body.

"But, Irene, you say—please, dear, do not look away from me—you say that the child was dead, not demented."

"But, Irene, you say—please, dear, don’t look away from me—you say that the child was dead, not crazy."

"Yes, that one—I am the second. I was born three months after that night, my mother being mercifully permitted to lay down her life in giving me mine."

"Yes, that one—I am the second. I was born three months after that night, my mother being kindly allowed to give her life for mine."

Brading was again silent; he was a trifle dazed and could not at once think of the right thing to say. Her face was still turned away. In his embarrassment he reached impulsively toward the hands that lay closing and unclosing in her lap, but something—he could not have said what—restrained him. He then remembered, vaguely, that he had never altogether cared to take her hand.

Brading was quiet again; he felt a little dazed and couldn't immediately think of what to say. Her face was still turned away. In his embarrassment, he reached out instinctively toward the hands that were opening and closing in her lap, but something—he couldn't quite put his finger on it—held him back. He then recalled, somewhat vaguely, that he had never really wanted to take her hand.

"Is it likely," she resumed, "that a person born under such circumstances is like others—is what you call sane?"

"Is it likely," she continued, "that someone born under those circumstances is like everyone else—is what you call sane?"

Brading did not reply; he was preoccupied with a new thought that was taking shape in his mind—what a scientist would have called an hypothesis; a detective, a theory. It might throw an added light, albeit a lurid one, upon such doubt of her sanity as her own assertion had not dispelled.

Brading didn’t respond; he was caught up in a new thought forming in his mind—what a scientist would call a hypothesis; a detective, a theory. It might shed some new light, even if it was a disturbing one, on the doubts about her sanity that her own claims hadn’t cleared up.

The country was still new and, outside the villages, sparsely populated. The professional hunter was still a familiar figure, and among his trophies were heads and pelts of the larger kinds of game. Tales variously credible of nocturnal meetings with savage animals in lonely roads were sometimes current, passed through the customary stages of growth and decay, and were forgotten. A recent addition to these popular apocrypha, originating, apparently, by spontaneous generation in several households, was of a panther which had frightened some of their members by looking in at windows by night. The yarn had caused its little ripple of excitement—had even attained to the distinction of a place in the local newspaper; but Brading had given it no attention. Its likeness to the story to which he had just listened now impressed him as perhaps more than accidental. Was it not possible that the one story had suggested the other—that finding congenial conditions in a morbid mind and a fertile fancy, it had grown to the tragic tale that he had heard?

The country was still new and, outside the villages, not very populated. The professional hunter was still a common sight, and among his trophies were the heads and skins of larger game. Stories, varying in believability, about nighttime encounters with wild animals on lonely roads were sometimes shared; they went through their usual phases of popularity and eventually faded away. A recent addition to these local legends, apparently created spontaneously in various homes, was about a panther that had startled some residents by peering in their windows at night. This tale caused a bit of excitement and even made it into the local newspaper, but Brading paid it no mind. The similarity to the story he had just heard struck him as possibly more than just a coincidence. Could it be that one story inspired the other—growing into the tragic tale he had listened to, fueled by a troubled mind and a vivid imagination?

Brading recalled certain circumstances of the girl's history and disposition, of which, with love's incuriosity, he had hitherto been heedless—such as her solitary life with her father, at whose house no one, apparently, was an acceptable visitor and her strange fear of the night, by which those who knew her best accounted for her never being seen after dark. Surely in such a mind imagination once kindled might burn with a lawless flame, penetrating and enveloping the entire structure. That she was mad, though the conviction gave him the acutest pain, he could no longer doubt; she had only mistaken an effect of her mental disorder for its cause, bringing into imaginary relation with her own personality the vagaries of the local myth-makers. With some vague intention of testing his new "theory," and no very definite notion of how to set about it he said, gravely, but with hesitation:

Brading remembered certain details about the girl's background and personality that he had previously overlooked with the indifference of love—like her isolated life with her father, who seemed to turn away any visitors, and her peculiar fear of the night, which those who knew her best explained as the reason she was never seen after dark. Surely, in such a mind, once imagination was sparked, it could burn wildly, permeating and consuming everything. That she was mad, though acknowledging this caused him intense pain, he could no longer deny; she had simply confused a symptom of her mental illness for its cause, intertwining her own identity with the bizarre tales of local storytellers. With a vague idea of testing his new "theory" and no clear plan on how to do it, he said, seriously but uncertainly:

"Irene, dear, tell me—I beg you will not take offence, but tell me—"

"Irene, dear, please tell me—I hope you won't be offended, but just tell me—"

"I have told you," she interrupted, speaking with a passionate earnestness that he had not known her to show—"I have already told you that we cannot marry; is anything else worth saying?"

"I've already told you," she interrupted, speaking with a passionate intensity that he hadn't seen from her before—"I've already told you that we can't get married; is there anything else to say?"

Before he could stop her she had sprung from her seat and without another word or look was gliding away among the trees toward her father's house. Brading had risen to detain her; he stood watching her in silence until she had vanished in the gloom. Suddenly he started as if he had been shot; his face took on an expression of amazement and alarm: in one of the black shadows into which she had disappeared he had caught a quick, brief glimpse of shining eyes! For an instant he was dazed and irresolute; then he dashed into the wood after her, shouting: "Irene, Irene, look out! The panther! The panther!"

Before he could stop her, she had jumped from her seat and without another word or glance was moving away among the trees toward her father's house. Brading had stood up to try to hold her back; he watched her in silence until she disappeared into the darkness. Suddenly, he jolted as if he had been shot; his face shifted to one of shock and fear: in one of the dark shadows where she had vanished, he had briefly seen shining eyes! For a moment he was stunned and unsure; then he raced into the woods after her, yelling: "Irene, Irene, watch out! The panther! The panther!"

In a moment he had passed through the fringe of forest into open ground and saw the girl's gray skirt vanishing into her father's door. No panther was visible.

In no time, he had moved through the edge of the forest into open land and noticed the girl’s gray skirt disappearing into her father’s house. No panther was in sight.

IV

IV

AN APPEAL TO THE CONSCIENCE OF GOD

AN APPEAL TO THE CONSCIENCE OF GOD

Jenner Brading, attorney-at-law, lived in a cottage at the edge of the town. Directly behind the dwelling was the forest. Being a bachelor, and therefore, by the Draconian moral code of the time and place denied the services of the only species of domestic servant known thereabout, the "hired girl," he boarded at the village hotel, where also was his office. The woodside cottage was merely a lodging maintained—at no great cost, to be sure—as an evidence of prosperity and respectability. It would hardly do for one to whom the local newspaper had pointed with pride as "the foremost jurist of his time" to be "homeless," albeit he may sometimes have suspected that the words "home" and "house" were not strictly synonymous. Indeed, his consciousness of the disparity and his will to harmonize it were matters of logical inference, for it was generally reported that soon after the cottage was built its owner had made a futile venture in the direction of marriage—had, in truth, gone so far as to be rejected by the beautiful but eccentric daughter of Old Man Marlowe, the recluse. This was publicly believed because he had told it himself and she had not—a reversal of the usual order of things which could hardly fail to carry conviction.

Jenner Brading, attorney-at-law, lived in a cottage on the outskirts of town. Directly behind the house was the forest. As a bachelor, he was denied the services of the only type of domestic help available, the "hired girl," due to the strict moral standards of the time, so he stayed at the village hotel, which also served as his office. The cottage was primarily a place to stay—at a low cost, of course—just to show that he was doing well and was respectable. It wouldn’t look right for someone the local newspaper called "the foremost jurist of his time" to be "homeless," even if he sometimes suspected that "home" and "house" didn't really mean the same thing. In fact, his awareness of the difference and his desire to reconcile it were pretty clear, as it was widely known that soon after the cottage was built, he had made an unsuccessful attempt at marriage—he had even been turned down by the beautiful but quirky daughter of Old Man Marlowe, the recluse. This was commonly accepted because he had shared it himself and she hadn’t—an unusual situation that people found hard to doubt.

Brading's bedroom was at the rear of the house, with a single window facing the forest.

Brading's bedroom was at the back of the house, with a single window looking out at the forest.

One night he was awakened by a noise at that window; he could hardly have said what it was like. With a little thrill of the nerves he sat up in bed and laid hold of the revolver which, with a forethought most commendable in one addicted to the habit of sleeping on the ground floor with an open window, he had put under his pillow. The room was in absolute darkness, but being unterrified he knew where to direct his eyes, and there he held them, awaiting in silence what further might occur. He could now dimly discern the aperture—a square of lighter black. Presently there appeared at its lower edge two gleaming eyes that burned with a malignant lustre inexpressibly terrible! Brading's heart gave a great jump, then seemed to stand still. A chill passed along his spine and through his hair; he felt the blood forsake his cheeks. He could not have cried out—not to save his life; but being a man of courage he would not, to save his life, have done so if he had been able. Some trepidation his coward body might feel, but his spirit was of sterner stuff. Slowly the shining eyes rose with a steady motion that seemed an approach, and slowly rose Brading's right hand, holding the pistol. He fired!

One night, he was jolted awake by a noise at the window; he could barely describe what it sounded like. With a nervous thrill, he sat up in bed and grabbed the revolver he had wisely tucked under his pillow, a smart move for someone who had the habit of sleeping on the ground floor with an open window. The room was pitch black, but he wasn't scared; he knew where to focus his gaze and kept his eyes fixed there, waiting silently for what might happen next. He could now make out the window—a square of slightly lighter darkness. Soon, two gleaming eyes appeared at the bottom edge, glowing with a malicious brightness that was indescribably terrifying! Brading's heart jumped, then seemed to freeze. A chill ran down his spine and through his hair; he felt his face go pale. He couldn’t scream—not even to save his life; but being a courageous man, he wouldn’t have shouted to save himself, even if he could. His body might feel some fear, but his spirit was made of tougher stuff. Slowly, the shining eyes moved upward in a steady approach, and Brading's right hand, holding the gun, rose slowly as well. He fired!

Blinded by the flash and stunned by the report, Brading nevertheless heard, or fancied that he heard, the wild, high scream of the panther, so human in sound, so devilish in suggestion. Leaping from the bed he hastily clothed himself and, pistol in hand, sprang from the door, meeting two or three men who came running up from the road. A brief explanation was followed by a cautious search of the house. The grass was wet with dew; beneath the window it had been trodden and partly leveled for a wide space, from which a devious trail, visible in the light of a lantern, led away into the bushes. One of the men stumbled and fell upon his hands, which as he rose and rubbed them together were slippery. On examination they were seen to be red with blood.

Blinded by the flash and shocked by the noise, Brading still thought he heard, or imagined he heard, the wild, high scream of the panther, so human in sound, so devilish in implication. Jumping out of bed, he quickly got dressed and, with his pistol in hand, rushed out the door, running into two or three guys who were coming up from the road. After a quick explanation, they carefully searched the house. The grass was wet with dew; beneath the window, it had been trampled and flattened over a wide area, leaving a winding trail that was visible in the light of a lantern, leading away into the bushes. One of the men tripped and fell onto his hands, and as he got up and rubbed them together, they felt slick. Upon closer inspection, they were covered in blood.

An encounter, unarmed, with a wounded panther was not agreeable to their taste; all but Brading turned back. He, with lantern and pistol, pushed courageously forward into the wood. Passing through a difficult undergrowth he came into a small opening, and there his courage had its reward, for there he found the body of his victim. But it was no panther. What it was is told, even to this day, upon a weather-worn headstone in the village churchyard, and for many years was attested daily at the graveside by the bent figure and sorrow-seamed face of Old Man Marlowe, to whose soul, and to the soul of his strange, unhappy child, peace. Peace and reparation.

An unarmed encounter with a wounded panther didn't sit well with them; everyone except Brading turned back. He, with a lantern and a pistol, bravely moved forward into the woods. Struggling through thick underbrush, he reached a small clearing, and his bravery was rewarded when he discovered the body of his prey. But it wasn't a panther. What it really was is still told today on a weathered headstone in the village churchyard, and for many years, Old Man Marlowe's hunched figure and weathered face confirmed the story at the graveside, wishing peace for both his soul and that of his troubled, unhappy child. Peace and reparation.


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