This is a modern-English version of Twice-told tales, originally written by Hawthorne, Nathaniel.
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TWICE-TOLD TALES
by NATHANIEL HAWTHORNE
PHILADELPHIA:
DAVID McKAY, PUBLISHER,
23 SOUTH NINTH STREET
1889
CONTENTS
Twice-Told Tales
THE GRAY CHAMPION
There was once a time when New England groaned under the actual pressure of heavier wrongs than those threatened ones which brought on the Revolution. James II., the bigoted successor of Charles the Voluptuous, had annulled the charters of all the colonies and sent a harsh and unprincipled soldier to take away our liberties and endanger our religion. The administration of Sir Edmund Andros lacked scarcely a single characteristic of tyranny—a governor and council holding office from the king and wholly independent of the country; laws made and taxes levied without concurrence of the people, immediate or by their representatives; the rights of private citizens violated and the titles of all landed property declared void; the voice of complaint stifled by restrictions on the press; and finally, disaffection overawed by the first band of mercenary troops that ever marched on our free soil. For two years our ancestors were kept in sullen submission by that filial love which had invariably secured their allegiance to the mother-country, whether its head chanced to be a Parliament, Protector or popish monarch. Till these evil times, however, such allegiance had been merely nominal, and the colonists had ruled themselves, enjoying far more freedom than is even yet the privilege of the native subjects of Great Britain.
There was a time when New England was burdened by real wrongs that were worse than the threats that led to the Revolution. James II, the narrow-minded successor of Charles the Indulgent, had canceled the charters of all the colonies and sent a ruthless soldier to take away our freedoms and jeopardize our faith. The rule of Sir Edmund Andros had almost every trait of tyranny—a governor and council appointed by the king and completely disconnected from the people; laws made and taxes imposed without the consent of the people, either directly or through their representatives; the rights of private citizens trampled and land ownership labels declared invalid; complaints silenced by restrictions on the press; and finally, dissent intimidated by the first group of mercenary troops that ever marched on our free land. For two years, our ancestors were kept in sullen submission by a loyalty that had always ensured their allegiance to the mother country, whether its leader was a Parliament, a Protector, or a Catholic monarch. Until these dark times, however, such allegiance had been mostly symbolic, and the colonists had governed themselves, enjoying far more freedom than even the native subjects of Great Britain do today.
At length a rumor reached our shores that the prince of Orange had ventured on an enterprise the success of which would be the triumph of civil and religious rights and the salvation of New England. It was but a doubtful whisper; it might be false or the attempt might fail, and in either case the man that stirred against King James would lose his head. Still, the intelligence produced a marked effect. The people smiled mysteriously in the streets and threw bold glances at their oppressors, while far and wide there was a subdued and silent agitation, as if the slightest signal would rouse the whole land from its sluggish despondency. Aware of their danger, the rulers resolved to avert it by an imposing display of strength, and perhaps to confirm their despotism by yet harsher measures.
Eventually, a rumor reached us that the Prince of Orange had taken on a venture that could lead to the victory of civil and religious rights and the salvation of New England. It was just a vague whisper; it could be untrue, or the attempt might fail, and in either case, the person who opposed King James would lose their head. Still, the news had a significant impact. People smiled mysteriously in the streets and shot bold looks at their oppressors, while across the land, there was a quiet and restrained excitement, as if even the smallest signal could awaken the entire country from its sluggish despair. Understanding their peril, the leaders decided to counter it with a powerful show of force, and possibly to reinforce their tyranny with even harsher measures.
One afternoon in April, 1689, Sir Edmund Andros and his favorite councillors, being warm with wine, assembled the red-coats of the governor’s guard and made their appearance in the streets of Boston. The sun was near setting when the march commenced. The roll of the drum at that unquiet crisis seemed to go through the streets less as the martial music of the soldiers than as a muster-call to the inhabitants themselves. A multitude by various avenues assembled in King street, which was destined to be the scene, nearly a century afterward, of another encounter between the troops of Britain and a people struggling against her tyranny.
One afternoon in April 1689, Sir Edmund Andros and his favorite advisors, warmed by wine, gathered the governor's guard and took to the streets of Boston. The sun was nearly setting when the march began. The sound of the drum during that tense moment felt less like military music and more like a call to the citizens themselves. A crowd formed through various paths in King Street, which would become the site, almost a century later, of another clash between British troops and a people fighting against their oppression.
Though more than sixty years had elapsed since the Pilgrims came, this crowd of their descendants still showed the strong and sombre features of their character perhaps more strikingly in such a stern emergency than on happier occasions. There was the sober garb, the general severity of mien, the gloomy but undismayed expression, the scriptural forms of speech and the confidence in Heaven’s blessing on a righteous cause which would have marked a band of the original Puritans when threatened by some peril of the wilderness. Indeed, it was not yet time for the old spirit to be extinct, since there were men in the street that day who had worshipped there beneath the trees before a house was reared to the God for whom they had become exiles. Old soldiers of the Parliament were here, too, smiling grimly at the thought that their aged arms might strike another blow against the house of Stuart. Here, also, were the veterans of King Philip’s war, who had burned villages and slaughtered young and old with pious fierceness while the godly souls throughout the land were helping them with prayer. Several ministers were scattered among the crowd, which, unlike all other mobs, regarded them with such reverence as if there were sanctity in their very garments. These holy men exerted their influence to quiet the people, but not to disperse them.
Though more than sixty years had passed since the Pilgrims arrived, this crowd of their descendants still displayed the strong and serious traits of their character, perhaps even more noticeably in such a serious situation than during happier times. There were the simple clothes, the overall stern expressions, the serious but unafraid looks, the biblical language, and the belief in divine support for a just cause that would have marked a group of the original Puritans when facing some danger in the wilderness. In fact, the old spirit was far from gone, as there were men in the street that day who had worshipped beneath the trees before any building was erected for the God they had come to serve. Old soldiers from the Parliament were present, grimly smiling at the thought that their weary arms might strike another blow against the House of Stuart. The veterans of King Philip’s War, who had burned villages and killed the young and old with zealous fervor while the righteous across the land prayed for them, were also there. Several ministers were scattered among the crowd, which, unlike other mobs, treated them with such respect as if there were holiness in their very clothing. These holy men worked to calm the crowd, but not to break them up.
Meantime, the purpose of the governor in disturbing the peace of the town at a period when the slightest commotion might throw the country into a ferment was almost the Universal subject of inquiry, and variously explained.
Meantime, the governor's reason for disrupting the peace of the town at a time when even the slightest disturbance could throw the country into chaos was a topic of widespread speculation and had many different interpretations.
“Satan will strike his master-stroke presently,” cried some, “because he knoweth that his time is short. All our godly pastors are to be dragged to prison. We shall see them at a Smithfield fire in King street.”
“Satan is about to make his move,” some shouted, “because he knows his time is running out. All our faithful leaders are going to be thrown in prison. We’ll see them burning at a stake in King Street.”
Hereupon the people of each parish gathered closer round their minister, who looked calmly upward and assumed a more apostolic dignity, as well befitted a candidate for the highest honor of his profession—a crown of martyrdom. It was actually fancied at that period that New England might have a John Rogers of her own to take the place of that worthy in the Primer.
Here, the people of each parish gathered closer around their minister, who looked calmly upward and took on a more apostolic dignity, fitting for a candidate for the highest honor of his profession—a crown of martyrdom. At that time, it was believed that New England might have its own John Rogers to take the place of that worthy in the Primer.
“The pope of Rome has given orders for a new St. Bartholomew,” cried others. “We are to be massacred, man and male-child.”
“The pope of Rome has ordered a new St. Bartholomew,” shouted others. “We are going to be slaughtered, every man and boy.”
Neither was this rumor wholly discredited; although the wiser class believed the governor’s object somewhat less atrocious. His predecessor under the old charter, Bradstreet, a venerable companion of the first settlers, was known to be in town. There were grounds for conjecturing that Sir Edmund Andros intended at once to strike terror by a parade of military force and to confound the opposite faction by possessing himself of their chief.
Neither was this rumor completely discredited; although the more sensible people thought the governor's intentions were somewhat less horrible. His predecessor under the old charter, Bradstreet, a respected figure among the first settlers, was known to be in town. There were reasons to speculate that Sir Edmund Andros planned to instill fear with a show of military power and to confuse the opposing faction by capturing their leader.
“Stand firm for the old charter-governor!” shouted the crowd, seizing upon the idea—“the good old Governor Bradstreet!”
“Stand firm for the old charter governor!” shouted the crowd, embracing the idea—“the good old Governor Bradstreet!”
While this cry was at the loudest the people were surprised by the well-known figure of Governor Bradstreet himself, a patriarch of nearly ninety, who appeared on the elevated steps of a door and with characteristic mildness besought them to submit to the constituted authorities.
While this shout reached its peak, the crowd was taken aback by the familiar figure of Governor Bradstreet himself, a nearly ninety-year-old patriarch, who emerged on the elevated steps of a doorway and, with his usual gentleness, urged them to submit to the established authorities.
“My children,” concluded this venerable person, “do nothing rashly. Cry not aloud, but pray for the welfare of New England and expect patiently what the Lord will do in this matter.”
“My children,” concluded this wise person, “don’t act impulsively. Don’t shout, but pray for the well-being of New England and wait patiently for what the Lord will do in this situation.”
The event was soon to be decided. All this time the roll of the drum had been approaching through Cornhill, louder and deeper, till with reverberations from house to house and the regular tramp of martial footsteps it burst into the street. A double rank of soldiers made their appearance, occupying the whole breadth of the passage, with shouldered matchlocks and matches burning, so as to present a row of fires in the dusk. Their steady march was like the progress of a machine that would roll irresistibly over everything in its way. Next, moving slowly, with a confused clatter of hoofs on the pavement, rode a party of mounted gentlemen, the central figure being Sir Edmund Andros, elderly, but erect and soldier-like. Those around him were his favorite councillors and the bitterest foes of New England. At his right hand rode Edward Randolph, our arch-enemy, that “blasted wretch,” as Cotton Mather calls him, who achieved the downfall of our ancient government and was followed with a sensible curse-through life and to his grave. On the other side was Bullivant, scattering jests and mockery as he rode along. Dudley came behind with a downcast look, dreading, as well he might, to meet the indignant gaze of the people, who beheld him, their only countryman by birth, among the oppressors of his native land. The captain of a frigate in the harbor and two or three civil officers under the Crown were also there. But the figure which most attracted the public eye and stirred up the deepest feeling was the Episcopal clergyman of King’s Chapel riding haughtily among the magistrates in his priestly vestments, the fitting representative of prelacy and persecution, the union of Church and State, and all those abominations which had driven the Puritans to the wilderness. Another guard of soldiers, in double rank, brought up the rear.
The event was about to be decided. The sound of the drum had been echoing through Cornhill, getting louder and deeper, until the reverberations bounced from house to house and the rhythmic march of soldiers filled the street. A double line of soldiers appeared, taking up the entire width of the passage, with matchlocks on their shoulders and burning matches that looked like a row of fires in the dim light. Their steady march resembled the advance of a machine that would roll over everything in its path. Next, moving slowly with the clatter of hooves on the pavement, a group of mounted gentlemen rode by, with Sir Edmund Andros as the central figure—older, but standing tall and looking like a soldier. Surrounding him were his favored councillors and the fiercest enemies of New England. On his right rode Edward Randolph, our arch-enemy, that “blasted wretch,” as Cotton Mather called him, responsible for the fall of our ancient government and was cursed all the way to his grave. On the other side was Bullivant, cracking jokes and mocking as he rode along. Dudley followed behind with a downcast look, fearing, as he should, to meet the angry stares of the people, who saw him, their only countryman by birth, among the oppressors of his homeland. The captain of a frigate in the harbor and a couple of civil officers under the Crown were also present. However, the figure that drew the most attention and stirred up the deepest emotions was the Episcopal clergyman of King’s Chapel, riding arrogantly among the magistrates in his priestly robes, symbolizing the alliance of Church and State, along with all the horrors that drove the Puritans to the wilderness. Another line of soldiers, standing in double rank, brought up the rear.
The whole scene was a picture of the condition of New England, and its moral, the deformity of any government that does not grow out of the nature of things and the character of the people—on one side the religious multitude with their sad visages and dark attire, and on the other the group of despotic rulers with the high churchman in the midst and here and there a crucifix at their bosoms, all magnificently clad, flushed with wine, proud of unjust authority and scoffing at the universal groan. And the mercenary soldiers, waiting but the word to deluge the street with blood, showed the only means by which obedience could be secured.
The whole scene illustrated the state of New England, highlighting the flaws of any government that doesn't come from the true nature of things and the character of the people. On one side stood the religious crowd with their somber faces and dark clothing, and on the other, a group of oppressive rulers, with the high churchman among them, occasionally displaying a crucifix at their chests. They were all dressed magnificently, flushed with wine, proud of their unjust power, and mocking the collective suffering. The mercenary soldiers, waiting for the signal to flood the streets with blood, represented the only way to enforce obedience.
“O Lord of hosts,” cried a voice among the crowd, “provide a champion for thy people!”
“O Lord of hosts,” shouted a voice from the crowd, “send a champion for your people!”
This ejaculation was loudly uttered, and served as a herald’s cry to introduce a remarkable personage. The crowd had rolled back, and were now huddled together nearly at the extremity of the street, while the soldiers had advanced no more than a third of its length. The intervening space was empty—a paved solitude between lofty edifices which threw almost a twilight shadow over it. Suddenly there was seen the figure of an ancient man who seemed to have emerged from among the people and was walking by himself along the centre of the street to confront the armed band. He wore the old Puritan dress—a dark cloak and a steeple-crowned hat in the fashion of at least fifty years before, with a heavy sword upon his thigh, but a staff in his hand to assist the tremulous gait of age.
This shout was loud and served as an announcement for a remarkable figure. The crowd had pushed back and was now clustered together near the end of the street, while the soldiers had moved forward only about a third of the way. The space in between was empty—a paved stretch between tall buildings that cast a twilight shadow over it. Suddenly, an elderly man appeared, seemingly emerging from the crowd, walking alone down the middle of the street to face the armed group. He wore old Puritan clothing—a dark cloak and a tall, pointed hat from at least fifty years ago, with a heavy sword at his side, but he held a staff to help steady his unsteady walk due to age.
When at some distance from the multitude, the old man turned slowly round, displaying a face of antique majesty rendered doubly venerable by the hoary beard that descended on his breast. He made a gesture at once of encouragement and warning, then turned again and resumed his way.
When he was a short distance away from the crowd, the old man slowly turned around, showing a face of ancient dignity made even more impressive by the gray beard that fell onto his chest. He made a gesture that was both encouraging and cautionary, then turned back and continued on his path.
“Who is this gray patriarch?” asked the young men of their sires.
“Who is this old man?” asked the young men of their fathers.
“Who is this venerable brother?” asked the old men among themselves.
“Who is this respected brother?” the old men asked each other.
But none could make reply. The fathers of the people, those of fourscore years and upward, were disturbed, deeming it strange that they should forget one of such evident authority whom they must have known in their early days, the associate of Winthrop and all the old councillors, giving laws and making prayers and leading them against the savage. The elderly men ought to have remembered him, too, with locks as gray in their youth as their own were now. And the young! How could he have passed so utterly from their memories—that hoary sire, the relic of long-departed times, whose awful benediction had surely been bestowed on their uncovered heads in childhood?
But no one could respond. The older men in the community, those eighty years and older, were troubled, finding it odd that they would forget someone with such clear authority, someone they must have known in their younger days, a companion of Winthrop and all the founding council members, who made laws, offered prayers, and led them against the natives. The elderly should have remembered him, too, with hair as gray in their youth as theirs was now. And what about the young people! How could he have completely faded from their memories—this grey-haired elder, a remnant of long-gone times, whose solemn blessing must have been given to their bare heads in childhood?
“Whence did he come? What is his purpose? Who can this old man be?” whispered the wondering crowd.
“Where did he come from? What is his purpose? Who could this old man be?” whispered the curious crowd.
Meanwhile, the venerable stranger, staff in hand, was pursuing his solitary walk along the centre of the street. As he drew near the advancing soldiers, and as the roll of their drum came full upon his ear, the old man raised himself to a loftier mien, while the decrepitude of age seemed to fall from his shoulders, leaving him in gray but unbroken dignity. Now he marched onward with a warrior’s step, keeping time to the military music. Thus the aged form advanced on one side and the whole parade of soldiers and magistrates on the other, till, when scarcely twenty yards remained between, the old man grasped his staff by the middle and held it before him like a leader’s truncheon.
Meanwhile, the respected stranger, staff in hand, was taking a solitary walk down the center of the street. As he approached the marching soldiers and the sound of their drum reached him, the old man straightened up, and the frailty of age seemed to lift from his shoulders, leaving him with a gray but intact dignity. Now he marched forward with a warrior’s stride, moving in sync with the military music. Thus, the aged figure advanced on one side while the parade of soldiers and officials moved on the other, until, with barely twenty yards to go, the old man grabbed his staff in the middle and held it in front of him like a leader’s baton.
“Stand!” cried he.
"Stand!" he shouted.
The eye, the face and attitude of command, the solemn yet warlike peal of that voice—fit either to rule a host in the battle-field or be raised to God in prayer—were irresistible. At the old man’s word and outstretched arm the roll of the drum was hushed at once and the advancing line stood still. A tremulous enthusiasm seized upon the multitude. That stately form, combining the leader and the saint, so gray, so dimly seen, in such an ancient garb, could only belong to some old champion of the righteous cause whom the oppressor’s drum had summoned from his grave. They raised a shout of awe and exultation, and looked for the deliverance of New England.
The eyes, the face, and the commanding presence, along with the serious yet fierce tone of that voice—suitable for leading troops in battle or being lifted in prayer to God—were captivating. When the old man spoke and stretched out his arm, the drum fell silent instantly and the advancing line froze. A shaky excitement swept through the crowd. That dignified figure, blending the characteristics of a leader and a saint, so gray and faintly visible in his ancient attire, could only belong to some old hero of the righteous cause called back from his grave by the drum of the oppressor. They burst into shouts of awe and joy, hoping for the liberation of New England.
The governor and the gentlemen of his party, perceiving themselves brought to an unexpected stand, rode hastily forward, as if they would have pressed their snorting and affrighted horses right against the hoary apparition. He, however, blenched not a step, but, glancing his severe eye round the group, which half encompassed him, at last bent it sternly on Sir Edmund Andros. One would have thought that the dark old man was chief ruler there, and that the governor and council with soldiers at their back, representing the whole power and authority of the Crown, had no alternative but obedience.
The governor and his party, realizing they had come to an unexpected halt, quickly rode forward as if they were about to urge their snorting, frightened horses right up against the eerie figure. However, he didn’t move an inch; instead, he cast a stern gaze around the group that surrounded him and finally fixed it on Sir Edmund Andros. One could easily assume that the dark old man was in charge there and that the governor, the council, and the soldiers backing them, representing the full power and authority of the Crown, were left with no choice but to obey.
“What does this old fellow here?” cried Edward Randolph, fiercely.—“On, Sir Edmund! Bid the soldiers forward, and give the dotard the same choice that you give all his countrymen—to stand aside or be trampled on.”
“What is this old guy doing here?” shouted Edward Randolph, angrily. “Come on, Sir Edmund! Tell the soldiers to move forward and give this old man the same choice you give all his countrymen—to step aside or get trampled.”
“Nay, nay! Let us show respect to the good grandsire,” said Bullivant, laughing. “See you not he is some old round-headed dignitary who hath lain asleep these thirty years and knows nothing of the change of times? Doubtless he thinks to put us down with a proclamation in Old Noll’s name.”
“Nah, nah! Let's show some respect to the old man,” said Bullivant, laughing. “Can’t you see he's just an old round-headed dignitary who’s been asleep for thirty years and doesn’t know about the changes in the times? He probably thinks he can shut us down with a proclamation in Old Noll’s name.”
“Are you mad, old man?” demanded Sir Edmund Andros, in loud and harsh tones. “How dare you stay the march of King James’s governor?”
“Are you crazy, old man?” shouted Sir Edmund Andros, in a loud and harsh voice. “How dare you stop the progress of King James’s governor?”
“I have stayed the march of a king himself ere now,” replied the gray figure, with stern composure. “I am here, Sir Governor, because the cry of an oppressed people hath disturbed me in my secret place, and, beseeching this favor earnestly of the Lord, it was vouchsafed me to appear once again on earth in the good old cause of his saints. And what speak ye of James? There is no longer a popish tyrant on the throne of England, and by to-morrow noon his name shall be a by-word in this very street, where ye would make it a word of terror. Back, thou that wast a governor, back! With this night thy power is ended. To-morrow, the prison! Back, lest I foretell the scaffold!”
“I’ve held back the march of a king before,” replied the gray figure, maintaining a serious demeanor. “I’m here, Sir Governor, because the cries of oppressed people have disturbed me in my secret place, and, earnestly seeking this favor from the Lord, I was granted the chance to appear once again on earth for the good old cause of his saints. And what do you say about James? There’s no longer a popish tyrant on the throne of England, and by tomorrow noon, his name will be a joke in this very street, where you want to make it a word of fear. Step back, you who were a governor, step back! With tonight, your power is finished. Tomorrow, it’s the prison! Step back, or I’ll predict the scaffold!”
The people had been drawing nearer and nearer and drinking in the words of their champion, who spoke in accents long disused, like one unaccustomed to converse except with the dead of many years ago. But his voice stirred their souls. They confronted the soldiers, not wholly without arms and ready to convert the very stones of the street into deadly weapons. Sir Edmund Andros looked at the old man; then he cast his hard and cruel eye over the multitude and beheld them burning with that lurid wrath so difficult to kindle or to quench, and again he fixed his gaze on the aged form which stood obscurely in an open space where neither friend nor foe had thrust himself. What were his thoughts he uttered no word which might discover, but, whether the oppressor were overawed by the Gray Champion’s look or perceived his peril in the threatening attitude of the people, it is certain that he gave back and ordered his soldiers to commence a slow and guarded retreat. Before another sunset the governor and all that rode so proudly with him were prisoners, and long ere it was known that James had abdicated King William was proclaimed throughout New England.
The crowd had been gathering closer and closer, hanging on the words of their leader, who spoke in a way that felt outdated, like someone who hadn’t talked to anyone except the long-dead for many years. But his voice stirred something deep within them. They faced the soldiers, not completely unarmed and ready to turn even the cobblestones into deadly weapons. Sir Edmund Andros looked at the old man; then he scanned the crowd with a hard, cruel gaze and saw them burning with an intense anger that’s hard to ignite or extinguish. Again, he focused on the grey figure standing alone in an open area where neither allies nor enemies had approached. He kept his thoughts to himself, not saying anything that might reveal them, but whether the oppressor was intimidated by the Gray Champion’s gaze or sensed the danger in the people’s threatening stance, it was clear that he backed down and ordered his soldiers to begin a slow, cautious retreat. Before another sunset, the governor and all his proud company were taken captive, and long before it was known that James had stepped down, King William was proclaimed throughout New England.
But where was the Gray Champion? Some reported that when the troops had gone from King street and the people were thronging tumultuously in their rear, Bradstreet, the aged governor, was seen to embrace a form more aged than his own. Others soberly affirmed that while they marvelled at the venerable grandeur of his aspect the old man had faded from their eyes, melting slowly into the hues of twilight, till where he stood there was an empty space. But all agreed that the hoary shape was gone. The men of that generation watched for his reappearance in sunshine and in twilight, but never saw him more, nor knew when his funeral passed nor where his gravestone was.
But where was the Gray Champion? Some said that when the troops had left King Street and the crowd was wildly surging behind them, Bradstreet, the elderly governor, was seen hugging a figure even older than himself. Others confidently stated that while they admired the old man's impressive presence, he had vanished from their sight, slowly blending into the colors of the evening until there was only an empty space where he had stood. But everyone agreed that the old figure was gone. The men of that time looked for him to reappear in both daylight and twilight but never saw him again, nor did they know when his funeral took place or where his gravestone was.
And who was the Gray Champion? Perhaps his name might be found in the records of that stern court of justice which passed a sentence too mighty for the age, but glorious in all after-times for its humbling lesson to the monarch and its high example to the subject. I have heard that whenever the descendants of the Puritans are to show the spirit of their sires the old man appears again. When eighty years had passed, he walked once more in King street. Five years later, in the twilight of an April morning, he stood on the green beside the meeting-house at Lexington where now the obelisk of granite with a slab of slate inlaid commemorates the first-fallen of the Revolution. And when our fathers were toiling at the breastwork on Bunker’s Hill, all through that night the old warrior walked his rounds. Long, long may it be ere he comes again! His hour is one of darkness and adversity and peril. But should domestic tyranny oppress us or the invader’s step pollute our soil, still may the Gray Champion come! for he is the type of New England’s hereditary spirit, and his shadowy march on the eve of danger must ever be the pledge that New England’s sons will vindicate their ancestry.
And who was the Gray Champion? Maybe his name can be found in the records of that strict court of justice that delivered a sentence too powerful for its time, but which is celebrated in later years for its humbling lesson to the king and its high example for the people. I've heard that whenever the descendants of the Puritans want to show the spirit of their ancestors, the old man shows up again. Eighty years later, he walked once more on King Street. Five years after that, on the early morning of an April day, he stood on the green next to the meeting house in Lexington, where now a granite obelisk with a slate tablet honors the first fallen of the Revolution. And when our forefathers were working on the fortifications at Bunker’s Hill, the old warrior walked his rounds all night. May it be a long, long time before he comes again! His time is one of darkness, hardship, and danger. But if domestic tyranny oppresses us or an invader’s step tarnishes our land, may the Gray Champion still come! For he represents New England’s hereditary spirit, and his shadowy march on the brink of danger must always be the assurance that New England’s sons will defend their legacy.
SUNDAY AT HOME
Every Sabbath morning in the summer-time I thrust back the curtain to watch the sunrise stealing down a steeple which stands opposite my chamber window. First the weathercock begins to flash; then a fainter lustre gives the spire an airy aspect; next it encroaches on the tower and causes the index of the dial to glisten like gold as it points to the gilded figure of the hour. Now the loftiest window gleams, and now the lower. The carved framework of the portal is marked strongly out. At length the morning glory in its descent from heaven comes down the stone steps one by one, and there stands the steeple glowing with fresh radiance, while the shades of twilight still hide themselves among the nooks of the adjacent buildings. Methinks though the same sun brightens it every fair morning, yet the steeple has a peculiar robe of brightness for the Sabbath.
Every Sunday morning in the summer, I pull back the curtain to watch the sunrise creeping down the steeple right across from my window. First, the weather vane starts to shine; then a softer light gives the spire a light and airy look; next, it spreads over the tower and makes the clock's hand glint like gold as it points to the shiny hour figure. Now the tallest window sparkles, and then the lower one does too. The intricate design of the entrance is distinctly outlined. Finally, the morning light comes down the stone steps one by one, and there stands the steeple glowing with fresh brightness, while the shadows of dawn still hide in the corners of the nearby buildings. I feel like, although the same sun brightens it every beautiful morning, the steeple has a unique glow for Sunday.
By dwelling near a church a person soon contracts an attachment for the edifice. We naturally personify it, and conceive its massy walls and its dim emptiness to be instinct with a calm and meditative and somewhat melancholy spirit. But the steeple stands foremost in our thoughts, as well as locally. It impresses us as a giant with a mind comprehensive and discriminating enough to care for the great and small concerns of all the town. Hourly, while it speaks a moral to the few that think, it reminds thousands of busy individuals of their separate and most secret affairs. It is the steeple, too, that flings abroad the hurried and irregular accents of general alarm; neither have gladness and festivity found a better utterance than by its tongue; and when the dead are slowly passing to their home, the steeple has a melancholy voice to bid them welcome. Yet, in spite of this connection with human interests, what a moral loneliness on week-days broods round about its stately height! It has no kindred with the houses above which it towers; it looks down into the narrow thoroughfare—the lonelier because the crowd are elbowing their passage at its base. A glance at the body of the church deepens this impression. Within, by the light of distant windows, amid refracted shadows we discern the vacant pews and empty galleries, the silent organ, the voiceless pulpit and the clock which tells to solitude how time is passing. Time—where man lives not—what is it but eternity? And in the church, we might suppose, are garnered up throughout the week all thoughts and feelings that have reference to eternity, until the holy day comes round again to let them forth. Might not, then, its more appropriate site be in the outskirts of the town, with space for old trees to wave around it and throw their solemn shadows over a quiet green? We will say more of this hereafter.
Living close to a church, people quickly develop a bond with the building. We tend to personify it, imagining its heavy walls and its dim emptiness filled with a calm, reflective, and slightly melancholic spirit. But the steeple stands out in our minds, as well as physically. It feels like a giant, capable of understanding and caring for both the big and small matters of everyone in town. Every hour, while it conveys a lesson to those who think, it reminds countless busy individuals of their own private affairs. The steeple also broadcasts the chaotic and uneven sounds of general alarm; it has expressed happiness and celebration better than anything else. And when the dead are carried slowly to their resting place, the steeple offers a somber welcome. Yet, despite this connection to human experiences, there’s a profound moral loneliness that surrounds its impressive height during the weekdays. It has no connection to the houses beneath it; it overlooks the narrow streets—the loneliness intensified by the crowd bustling underneath. A look inside the church strengthens this feeling. Inside, illuminated by distant windows and a play of shadows, we see the empty pews and vacant galleries, the silent organ, the mute pulpit, and the clock that marks time in solitude. Time—where humans are absent—what is it but eternity? In the church, we might believe that all thoughts and feelings related to eternity are gathered throughout the week, waiting for the holy day to release them. Shouldn’t its ideal location be on the outskirts of the town, surrounded by space for old trees that can sway nearby and cast their solemn shadows over a peaceful green? We will discuss this further later.
But on the Sabbath I watch the earliest sunshine and fancy that a holier brightness marks the day when there shall be no buzz of voices on the Exchange nor traffic in the shops, nor crowd nor business anywhere but at church. Many have fancied so. For my own part, whether I see it scattered down among tangled woods, or beaming broad across the fields, or hemmed in between brick buildings, or tracing out the figure of the casement on my chamber floor, still I recognize the Sabbath sunshine. And ever let me recognize it! Some illusions—and this among them—are the shadows of great truths. Doubts may flit around me or seem to close their evil wings and settle down, but so long as I imagine that the earth is hallowed and the light of heaven retains its sanctity on the Sabbath—while that blessed sunshine lives within me—never can my soul have lost the instinct of its faith. If it have gone astray, it will return again.
But on the Sabbath, I watch the first light of day and imagine that a holier brightness marks the day when there are no voices buzzing in the market, no shopping chaos, and no crowd or business anywhere except at church. Many people have thought the same. As for me, whether I see it filtering through tangled woods, shining brightly across the fields, trapped between brick buildings, or casting patterns on my bedroom floor, I still recognize the Sabbath sunshine. And I always want to recognize it! Some illusions—this being one of them—are shadows of great truths. Doubts may flutter around me or seem to settle with their dark wings, but as long as I believe that the earth is blessed and the light of heaven keeps its purity on the Sabbath—while that precious sunshine lives within me—my soul can never lose the instinct of its faith. If it has strayed, it will find its way back again.
I love to spend such pleasant Sabbaths from morning till night behind the curtain of my open window. Are they spent amiss? Every spot so near the church as to be visited by the circling shadow of the steeple should be deemed consecrated ground to-day. With stronger truth be it said that a devout heart may consecrate a den of thieves, as an evil one may convert a temple to the same. My heart, perhaps, has no such holy, nor, I would fain trust, such impious, potency. It must suffice that, though my form be absent, my inner man goes constantly to church, while many whose bodily presence fills the accustomed seats have left their souls at home. But I am there even before my friend the sexton. At length he comes—a man of kindly but sombre aspect, in dark gray clothes, and hair of the same mixture. He comes and applies his key to the wide portal. Now my thoughts may go in among the dusty pews or ascend the pulpit without sacrilege, but soon come forth again to enjoy the music of the bell. How glad, yet solemn too! All the steeples in town are talking together aloft in the sunny air and rejoicing among themselves while their spires point heavenward. Meantime, here are the children assembling to the Sabbath-school, which is kept somewhere within the church. Often, while looking at the arched portal, I have been gladdened by the sight of a score of these little girls and boys in pink, blue, yellow and crimson frocks bursting suddenly forth into the sunshine like a swarm of gay butterflies that had been shut up in the solemn gloom. Or I might compare them to cherubs haunting that holy place.
I love spending such lovely Sundays from morning till night behind the curtain of my open window. Are they spent the wrong way? Every spot close to the church that gets shaded by the steeple's shadow should be considered sacred ground today. It's true that a devout heart can turn a den of thieves into something holy, just as a wicked heart can desecrate a temple. My heart, perhaps, doesn’t have that kind of power—neither holy nor wicked, I hope. It’s enough that, even though my body is absent, my spirit goes to church all the time, while many who are physically present have left their souls at home. But I’m there even before my friend the sexton arrives. Finally, he comes—a man with a kind but serious demeanor, dressed in dark gray clothes, and with hair to match. He approaches and uses his key on the big door. Now my thoughts can wander among the dusty pews or ascend the pulpit without being disrespectful, but they soon return to enjoy the sound of the bell. How happy, yet solemn too! All the steeples in town are communicating up high in the sunny air, rejoicing while their spires stretch toward heaven. Meanwhile, the children are gathering for Sunday school, which is held somewhere inside the church. Many times, while gazing at the arched doorway, I’ve been delighted by the sight of a dozen little girls and boys in pink, blue, yellow, and crimson dresses suddenly bursting into the sunlight like a swarm of colorful butterflies that had been trapped in the gloomy darkness. Or I could compare them to cherubs inhabiting that sacred place.
About a quarter of an hour before the second ringing of the bell individuals of the congregation begin to appear. The earliest is invariably an old woman in black whose bent frame and rounded shoulders are evidently laden with some heavy affliction which she is eager to rest upon the altar. Would that the Sabbath came twice as often, for the sake of that sorrowful old soul! There is an elderly man, also, who arrives in good season and leans against the corner of the tower, just within the line of its shadow, looking downward with a darksome brow. I sometimes fancy that the old woman is the happier of the two. After these, others drop in singly and by twos and threes, either disappearing through the doorway or taking their stand in its vicinity. At last, and always with an unexpected sensation, the bell turns in the steeple overhead and throws out an irregular clangor, jarring the tower to its foundation. As if there were magic in the sound, the sidewalks of the street, both up and down along, are immediately thronged with two long lines of people, all converging hitherward and streaming into the church. Perhaps the far-off roar of a coach draws nearer—a deeper thunder by its contrast with the surrounding stillness—until it sets down the wealthy worshippers at the portal among their humblest brethren. Beyond that entrance—in theory, at least—there are no distinctions of earthly rank; nor, indeed, by the goodly apparel which is flaunting in the sun would there seem to be such on the hither side. Those pretty girls! Why will they disturb my pious meditations? Of all days in the week, they should strive to look least fascinating on the Sabbath, instead of heightening their mortal loveliness, as if to rival the blessed angels and keep our thoughts from heaven. Were I the minister himself, I must needs look. One girl is white muslin from the waist upward and black silk downward to her slippers; a second blushes from top-knot to shoe-tie, one universal scarlet; another shines of a pervading yellow, as if she had made a garment of the sunshine. The greater part, however, have adopted a milder cheerfulness of hue. Their veils, especially when the wind raises them, give a lightness to the general effect and make them appear like airy phantoms as they flit up the steps and vanish into the sombre doorway. Nearly all—though it is very strange that I should know it—wear white stockings, white as snow, and neat slippers laced crosswise with black ribbon pretty high above the ankles. A white stocking is infinitely more effective than a black one.
About fifteen minutes before the second bell rings, people from the congregation start to arrive. The first is always an old woman in black, her hunched frame and rounded shoulders clearly weighed down by some heavy sorrow she is eager to bring to the altar. How I wish the Sabbath came twice as often for the sake of that mournful old soul! There’s also an elderly man who shows up in good time and leans against the tower's corner, just in the shadow, gazing down with a troubled expression. I sometimes think that the old woman seems to carry more happiness than he does. After them, others trickle in, either going through the doorway or standing nearby in small groups. Finally, and always with an unexpected jolt, the bell in the steeple rings out a loud clang, shaking the tower to its core. As if by some magic, the sidewalks become crowded with two long lines of people moving towards the church. Perhaps the distant rumble of a coach draws closer—a deeper sound contrasting with the quiet around—until it drops off wealthy worshippers at the entrance, mingling with their humbler neighbors. Beyond that entrance—at least in theory—there are no social distinctions; and indeed, judging by the fine clothes sparkling in the sun, it would not seem so from this side either. Those pretty girls! Why do they disrupt my quiet reflections? Of all days of the week, they should aim to look less striking on the Sabbath, instead of accentuating their beauty, as if to compete with the angels and distract our minds from heaven. If I were the minister himself, I couldn't help but look. One girl’s dressed in white muslin from the waist up and black silk down to her slippers; another blushes in a scarlet outfit from head to toe; and yet another shines in a bright yellow dress, as if she crafted a garment from sunshine. Most, however, have chosen softer, cheerier colors. Their veils, especially when the wind lifts them, lend an ethereal quality to the scene, making them look like fleeting phantoms as they glide up the steps and disappear into the dark doorway. Almost all—though it’s odd that I should know this—wear white stockings, as white as snow, and tidy slippers laced with black ribbon a little above the ankle. A white stocking is far more striking than a black one.
Here comes the clergyman, slow and solemn, in severe simplicity, needing no black silk gown to denote his office. His aspect claims my reverence, but cannot win my love. Were I to picture Saint Peter keeping fast the gate of Heaven and frowning, more stern than pitiful, on the wretched applicants, that face should be my study. By middle age, or sooner, the creed has generally wrought upon the heart or been attempered by it. As the minister passes into the church the bell holds its iron tongue and all the low murmur of the congregation dies away. The gray sexton looks up and down the street and then at my window-curtain, where through the small peephole I half fancy that he has caught my eye. Now every loiterer has gone in and the street lies asleep in the quiet sun, while a feeling of loneliness comes over me, and brings also an uneasy sense of neglected privileges and duties. Oh, I ought to have gone to church! The bustle of the rising congregation reaches my ears. They are standing up to pray. Could I bring my heart into unison with those who are praying in yonder church and lift it heavenward with a fervor of supplication, but no distinct request, would not that be the safest kind of prayer?—“Lord, look down upon me in mercy!” With that sentiment gushing from my soul, might I not leave all the rest to him?
Here comes the clergyman, moving slowly and seriously, dressed simply, needing no black silk gown to signal his role. His presence demands my respect, but can't earn my affection. If I had to imagine Saint Peter guarding the gate of Heaven, looking more stern than compassionate at the pitiful souls seeking entry, that face would be my reference. By middle age, or even sooner, beliefs usually shape the heart or are modified by it. As the minister walks into the church, the bell stops ringing, and the soft chatter of the congregation fades away. The gray sexton glances up and down the street and then at my window curtain, where I half think he might have caught my eye through a small peephole. Now every person lingering outside has gone in, and the street lies quiet under the sun, leaving me with a sense of loneliness and a troubling awareness of missed opportunities and responsibilities. Oh, I should have gone to church! I can hear the hustle of the gathering congregation. They are standing to pray. If I could align my heart with those praying in that church and lift it up toward the heavens with passionate supplication, even without a clear request, wouldn't that be the best kind of prayer?—“Lord, look down on me with mercy!” With that feeling pouring out from my soul, couldn't I leave everything else to Him?
Hark! the hymn! This, at least, is a portion of the service which I can enjoy better than if I sat within the walls, where the full choir and the massive melody of the organ would fall with a weight upon me. At this distance it thrills through my frame and plays upon my heart-strings with a pleasure both of the sense and spirit. Heaven be praised! I know nothing of music as a science, and the most elaborate harmonies, if they please me, please as simply as a nurse’s lullaby. The strain has ceased, but prolongs itself in my mind with fanciful echoes till I start from my reverie and find that the sermon has commenced. It is my misfortune seldom to fructify in a regular way by any but printed sermons. The first strong idea which the preacher utters gives birth to a train of thought and leads me onward step by step quite out of hearing of the good man’s voice unless he be indeed a son of thunder. At my open window, catching now and then a sentence of the “parson’s saw,” I am as well situated as at the foot of the pulpit stairs. The broken and scattered fragments of this one discourse will be the texts of many sermons preached by those colleague pastors—colleagues, but often disputants—my Mind and Heart. The former pretends to be a scholar and perplexes me with doctrinal points; the latter takes me on the score of feeling; and both, like several other preachers, spend their strength to very little purpose. I, their sole auditor, cannot always understand them.
Listen to the hymn! This is at least one part of the service I can enjoy more than if I were inside, where the full choir and the powerful organ would weigh down on me. From here, it vibrates through my body and touches my heart with a pleasure that’s both physical and spiritual. Thank goodness! I know nothing about music theory, and the most complex harmonies, if they please me, do so as simply as a nurse’s lullaby. The music has stopped, but it lingers in my mind with echoing thoughts until I snap out of my daydream and realize the sermon has started. Unfortunately, I rarely engage meaningfully with anything except printed sermons. The first strong idea the preacher shares sparks a train of thought that carries me away from hearing the good man's voice unless he is truly thunderous. From my open window, occasionally catching a phrase from the “pastor’s saying,” I am just as well situated as if I were at the foot of the pulpit. The fragmented bits of this one sermon will inspire many messages delivered by my colleague pastors—colleagues, but often opponents—my Mind and Heart. The former acts like a scholar and confuses me with doctrinal issues; the latter appeals to my emotions; and both, like many other preachers, expend their energy with little effect. I, their only listener, cannot always grasp what they’re saying.
Suppose that a few hours have passed, and behold me still behind my curtain just before the close of the afternoon service. The hour-hand on the dial has passed beyond four o’clock. The declining sun is hidden behind the steeple and throws its shadow straight across the street; so that my chamber is darkened as with a cloud. Around the church door all is solitude, and an impenetrable obscurity beyond the threshold. A commotion is heard. The seats are slammed down and the pew doors thrown back; a multitude of feet are trampling along the unseen aisles, and the congregation bursts suddenly through the portal. Foremost scampers a rabble of boys, behind whom moves a dense and dark phalanx of grown men, and lastly a crowd of females with young children and a few scattered husbands. This instantaneous outbreak of life into loneliness is one of the pleasantest scenes of the day. Some of the good people are rubbing their eyes, thereby intimating that they have been wrapped, as it were, in a sort of holy trance by the fervor of their devotion. There is a young man, a third-rate coxcomb, whose first care is always to flourish a white handkerchief and brush the seat of a tight pair of black silk pantaloons which shine as if varnished. They must have been made of the stuff called “everlasting,” or perhaps of the same piece as Christian’s garments in the Pilgrim’s Progress, for he put them on two summers ago and has not yet worn the gloss off. I have taken a great liking to those black silk pantaloons. But now, with nods and greetings among friends, each matron takes her husband’s arm and paces gravely homeward, while the girls also flutter away after arranging sunset walks with their favored bachelors. The Sabbath eve is the eve of love. At length the whole congregation is dispersed. No; here, with faces as glossy as black satin, come two sable ladies and a sable gentleman, and close in their rear the minister, who softens his severe visage and bestows a kind word on each. Poor souls! To them the most captivating picture of bliss in heaven is “There we shall be white!”
A few hours have passed, and here I am still behind my curtain just before the end of the afternoon service. The hour-hand on the clock has gone past four o’clock. The setting sun is hidden behind the steeple, casting its shadow straight across the street, making my room dark as if covered by a cloud. Around the church door, it’s completely quiet, and an impenetrable gloom lingers just outside. Suddenly, there's a stir. The seats slam down, pew doors fling open, and a swarm of feet tramples through the unseen aisles, with the congregation bursting through the entrance. At the front, a group of boys rushes out, followed by a thick, dark pack of grown men, and finally, a crowd of women with young kids and a few scattered husbands. This sudden explosion of life in the midst of solitude is one of the loveliest sights of the day. Some of the good folks are rubbing their eyes, suggesting they've been lost in a sort of holy trance from the power of their devotion. There’s a young man, a rather pretentious type, whose first concern is always to wave a white handkerchief and smooth out the seat of his tight black silk pants that shine as if they’ve been polished. They must have been made from a fabric called "everlasting," or perhaps from the same material as Christian’s clothes in the Pilgrim’s Progress, because he put them on two summers ago and hasn't worn off the shine. I’ve grown quite fond of those black silk pants. But now, with nods and greetings among friends, each matron takes her husband’s arm and walks solemnly home, while the young women flutter away, having arranged sunset strolls with their favorite guys. Sunday evening is a time for love. Eventually, the whole congregation has scattered. Wait, here come two elegantly dressed women and a well-dressed gentleman, and right behind them is the minister, softening his stern expression to offer a kind word to each one. Poor souls! To them, the most enchanting vision of happiness in heaven is “There we shall be white!”
All is solitude again. But hark! A broken warbling of voices, and now, attuning its grandeur to their sweetness, a stately peal of the organ. Who are the choristers? Let me dream that the angels who came down from heaven this blessed morn to blend themselves with the worship of the truly good are playing and singing their farewell to the earth. On the wings of that rich melody they were borne upward.
All is solitude again. But wait! A broken sound of voices, and now, matching its beauty to their sweetness, a grand peal of the organ. Who are the singers? Let me imagine that the angels who came down from heaven this blessed morning to join in the worship of the truly good are playing and singing their farewell to the earth. On the wings of that rich melody, they were carried upward.
This, gentle reader, is merely a flight of poetry. A few of the singing-men and singing-women had lingered behind their fellows and raised their voices fitfully and blew a careless note upon the organ. Yet it lifted my soul higher than all their former strains. They are gone—the sons and daughters of Music—and the gray sexton is just closing the portal. For six days more there will be no face of man in the pews and aisles and galleries, nor a voice in the pulpit, nor music in the choir. Was it worth while to rear this massive edifice to be a desert in the heart of the town and populous only for a few hours of each seventh day? Oh, but the church is a symbol of religion. May its site, which was consecrated on the day when the first tree was felled, be kept holy for ever, a spot of solitude and peace amid the trouble and vanity of our week-day world! There is a moral, and a religion too, even in the silent walls. And may the steeple still point heavenward and be decked with the hallowed sunshine of the Sabbath morn!
This, dear reader, is just a moment of poetry. A few of the singers had stayed back from the others and raised their voices unpredictably, hitting a random note on the organ. Yet it lifted my spirit higher than all their previous melodies. They are gone—the sons and daughters of Music—and the gray sexton is just closing the door. For six more days, there will be no human presence in the pews, aisles, and galleries, no voice in the pulpit, and no music in the choir. Was it really worth it to build this huge structure just to sit empty in the heart of the town, only alive for a few hours each week? But the church represents religion. May its site, which was blessed on the day the first tree was cut down, remain sacred forever, a place of solitude and peace amid the chaos and vanity of our everyday lives! There is a lesson, and a faith too, even in the quiet walls. And may the steeple continue to reach for the heavens and be brightened by the blessed sunlight of Sunday morning!
THE WEDDING-KNELL
There is a certain church, in the city of New York which I have always regarded with peculiar interest on account of a marriage there solemnized under very singular circumstances in my grandmother’s girlhood. That venerable lady chanced to be a spectator of the scene, and ever after made it her favorite narrative. Whether the edifice now standing on the same site be the identical one to which she referred I am not antiquarian enough to know, nor would it be worth while to correct myself, perhaps, of an agreeable error by reading the date of its erection on the tablet over the door. It is a stately church surrounded by an enclosure of the loveliest green, within which appear urns, pillars, obelisks, and other forms of monumental marble, the tributes of private affection or more splendid memorials of historic dust. With such a place, though the tumult of the city rolls beneath its tower, one would be willing to connect some legendary interest.
There’s a certain church in New York City that I’ve always found particularly interesting because of a wedding that took place there under very unusual circumstances during my grandmother’s youth. That esteemed lady happened to witness the event and always made it her favorite story. I’m not knowledgeable enough to confirm if the building currently on that site is the same one she mentioned, nor would it be worth correcting myself—perhaps happily—by checking the year it was built on the plaque over the door. It’s an impressive church surrounded by a lovely green space, featuring urns, pillars, obelisks, and other forms of monumental marble, the tributes of private affection or more grand memorials of historic figures. Given such a place, even with the hustle and bustle of the city below its tower, one would want to associate it with some legendary significance.
The marriage might be considered as the result of an early engagement, though there had been two intermediate weddings on the lady’s part and forty years of celibacy on that of the gentleman. At sixty-five Mr. Ellenwood was a shy but not quite a secluded man; selfish, like all men who brood over their own hearts, yet manifesting on rare occasions a vein of generous sentiment; a scholar throughout life, though always an indolent one, because his studies had no definite object either of public advantage or personal ambition; a gentleman, high-bred and fastidiously delicate, yet sometimes requiring a considerable relaxation in his behalf of the common rules of society. In truth, there were so many anomalies in his character, and, though shrinking with diseased sensibility from public notice, it had been his fatality so often to become the topic of the day by some wild eccentricity of conduct, that people searched his lineage for a hereditary taint of insanity. But there was no need of this. His caprices had their origin in a mind that lacked the support of an engrossing purpose, and in feelings that preyed upon themselves for want of other food. If he were mad, it was the consequence, and not the cause, of an aimless and abortive life.
The marriage could be seen as the outcome of an early engagement, even though the lady had been married twice before and the gentleman had spent forty years single. At sixty-five, Mr. Ellenwood was a shy but not completely reclusive man; selfish, like many who are absorbed in their own feelings, yet occasionally showing a hint of generosity. He was a scholar all his life, though always a lazy one, since his studies lacked a clear goal for public benefit or personal ambition. He was a gentleman—refined and meticulously delicate—yet at times required a significant loosening of society's usual rules for his sake. In reality, his character was full of contradictions, and despite his reluctance to seek out public attention, he frequently became the center of gossip due to some strange behavior, leading people to investigate his family background for a possible hereditary insanity. But that wasn't necessary. His quirks came from a mind that lacked a strong purpose and from feelings that fed on themselves because there was nothing else to sustain them. If he was mad, it was the result, not the cause, of a life without direction or success.
The widow was as complete a contrast to her third bridegroom in everything but age as can well be conceived. Compelled to relinquish her first engagement, she had been united to a man of twice her own years, to whom she became an exemplary wife, and by whose death she was left in possession of a splendid fortune. A Southern gentleman considerably younger than herself succeeded to her hand and carried her to Charleston, where after many uncomfortable years she found herself again a widow. It would have been singular if any uncommon delicacy of feeling had survived through such a life as Mrs. Dabney’s; it could not but be crushed and killed by her early disappointment, the cold duty of her first marriage, the dislocation of the heart’s principles consequent on a second union, and the unkindness of her Southern husband, which had inevitably driven her to connect the idea of his death with that of her comfort. To be brief, she was that wisest but unloveliest variety of woman, a philosopher, bearing troubles of the heart with equanimity, dispensing with all that should have been her happiness and making the best of what remained. Sage in most matters, the widow was perhaps the more amiable for the one frailty that made her ridiculous. Being childless, she could not remain beautiful by proxy in the person of a daughter; she therefore refused to grow old and ugly on any consideration; she struggled with Time, and held fast her roses in spite of him, till the venerable thief appeared to have relinquished the spoil as not worth the trouble of acquiring it.
The widow was a total contrast to her third husband in every way except age. After having to give up her first engagement, she married a man who was twice her age, becoming a devoted wife until his death left her a rich woman. A Southern gentleman, significantly younger than her, then won her hand and took her to Charleston, where, after many uncomfortable years, she found herself a widow again. It would have been surprising if any extraordinary sensitivity had lasted through Mrs. Dabney’s life; it must have been crushed by her early disappointment, the cold responsibilities of her first marriage, the emotional upheaval from her second marriage, and the unkindness of her Southern husband, which inevitably made her associate his death with her comfort. In short, she was the wisest yet least attractive type of woman, a philosopher, dealing with heartache with calmness, giving up all that should have brought her joy and making the most of what she had left. Wise in many areas, the widow was maybe more likable because of the one flaw that made her seem foolish. Being childless, she couldn’t remain beautiful through a daughter, so she refused to grow old and unattractive for any reason; she fought against Time and kept her beauty despite him, until the venerable thief seemed to give up on taking what he saw as not worth the effort.
The approaching marriage of this woman of the world with such an unworldly man as Mr. Ellenwood was announced soon after Mrs. Dabney’s return to her native city. Superficial observers, and deeper ones, seemed to concur in supposing that the lady must have borne no inactive part in arranging the affair; there were considerations of expediency which she would be far more likely to appreciate than Mr. Ellenwood, and there was just the specious phantom of sentiment and romance in this late union of two early lovers which sometimes makes a fool of a woman who has lost her true feelings among the accidents of life. All the wonder was how the gentleman, with his lack of worldly wisdom and agonizing consciousness of ridicule, could have been induced to take a measure at once so prudent and so laughable. But while people talked the wedding-day arrived. The ceremony was to be solemnized according to the Episcopalian forms and in open church, with a degree of publicity that attracted many spectators, who occupied the front seats of the galleries and the pews near the altar and along the broad aisle. It had been arranged, or possibly it was the custom of the day, that the parties should proceed separately to church. By some accident the bridegroom was a little less punctual than the widow and her bridal attendants, with whose arrival, after this tedious but necessary preface, the action of our tale may be said to commence.
The upcoming marriage of a worldly woman like her and a rather naïve man like Mr. Ellenwood was announced shortly after Mrs. Dabney returned to her hometown. Both casual observers and those who looked deeper seemed to agree that the lady must have played a significant role in arranging the event; she understood the practical considerations much better than Mr. Ellenwood did, and there was just enough illusion of sentiment and romance in this late union of two former lovers to sometimes mislead a woman who had lost her true feelings amidst life's ups and downs. The real mystery was how the gentleman, with his lack of worldly savvy and acute awareness of how ridiculous he might seem, could be persuaded to take such a simultaneously sensible and laughable step. But while people were gossiping, the wedding day came. The ceremony was set to take place according to Episcopal traditions in an open church, with a level of publicity that drew many spectators. They filled the front seats of the galleries, the pews near the altar, and lined the broad aisle. It had been decided, or maybe it was just the norm at the time, that the couple would arrive at the church separately. By some chance, the groom was slightly less punctual than the widow and her bridal party, whose arrival marked the beginning of our story after this lengthy but necessary introduction.
The clumsy wheels of several old-fashioned coaches were heard, and the gentlemen and ladies composing the bridal-party came through the church door with the sudden and gladsome effect of a burst of sunshine. The whole group, except the principal figure, was made up of youth and gayety. As they streamed up the broad aisle, while the pews and pillars seemed to brighten on either side, their steps were as buoyant as if they mistook the church for a ball-room and were ready to dance hand in hand to the altar. So brilliant was the spectacle that few took notice of a singular phenomenon that had marked its entrance. At the moment when the bride’s foot touched the threshold the bell swung heavily in the tower above her and sent forth its deepest knell. The vibrations died away, and returned with prolonged solemnity as she entered the body of the church.
The clunky wheels of several old-fashioned carriages could be heard, and the gentlemen and ladies making up the bridal party came through the church door with the sudden and cheerful effect of a burst of sunshine. The entire group, except for the bride, was filled with youth and joy. As they flowed up the wide aisle, the pews and pillars seemed to brighten on either side, their steps so light it was as if they thought the church was a ballroom and were ready to dance hand in hand to the altar. The display was so dazzling that few noticed a unique occurrence that accompanied their entrance. The moment the bride's foot touched the threshold, the bell in the tower above her swung heavily and rang out its deepest chime. The vibrations faded away, then returned with a prolonged solemnity as she entered the main part of the church.
“Good heavens! What an omen!” whispered a young lady to her lover.
“Wow! What a sign!” whispered a young woman to her boyfriend.
“On my honor,” replied the gentleman, “I believe the bell has the good taste to toll of its own accord. What has she to do with weddings? If you, dearest Julia, were approaching the altar, the bell would ring out its merriest peal. It has only a funeral-knell for her.”
“On my honor,” replied the gentleman, “I think the bell has the good sense to ring on its own. What does she have to do with weddings? If you, dearest Julia, were walking down the aisle, the bell would sound its happiest chime. For her, it only has a funeral toll.”
The bride and most of her company had been too much occupied with the bustle of entrance to hear the first boding stroke of the bell—or, at least, to reflect on the singularity of such a welcome to the altar. They therefore continued to advance with undiminished gayety. The gorgeous dresses of the time—the crimson velvet coats, the gold-laced hats, the hoop-petticoats, the silk, satin, brocade and embroidery, the buckles, canes and swords, all displayed to the best advantage on persons suited to such finery—made the group appear more like a bright-colored picture than anything real. But by what perversity of taste had the artist represented his principal figure as so wrinkled and decayed, while yet he had decked her out in the brightest splendor of attire, as if the loveliest maiden had suddenly withered into age and become a moral to the beautiful around her? On they went, however, and had glittered along about a third of the aisle, when another stroke of the bell seemed to fill the church with a visible gloom, dimming and obscuring the bright-pageant till it shone forth again as from a mist.
The bride and most of her party were too caught up in the excitement of entering to notice the first ominous toll of the bell—or at least, to think about how strange it was to get such a welcome at the altar. So they kept moving forward with unbroken cheerfulness. The extravagant outfits of the time—the crimson velvet coats, gold-laced hats, hoop skirts, silk and satin, brocade and embroidery, the buckles, canes, and swords—were all showcased perfectly on people well-suited to such finery, making the group look more like a vibrant painting than anything real. But what kind of strange taste led the artist to depict the main figure as so wrinkled and worn, while adorning her in the most stunning clothes, as if the loveliest maiden had suddenly aged and become a reminder of the beauty surrounding her? They continued on, and after glittering about a third of the way down the aisle, another toll of the bell seemed to cast a visible shadow over the church, dulling and obscuring the bright spectacle until it reemerged as if from a fog.
This time the party wavered, stopped and huddled closer together, while a slight scream was heard from some of the ladies and a confused whispering among the gentlemen. Thus tossing to and fro, they might have been fancifully compared to a splendid bunch of flowers suddenly shaken by a puff of wind which threatened to scatter the leaves of an old brown, withered rose on the same stalk with two dewy buds, such being the emblem of the widow between her fair young bridemaids. But her heroism was admirable. She had started with an irrepressible shudder, as if the stroke of the bell had fallen directly on her heart; then, recovering herself, while her attendants were yet in dismay, she took the lead and paced calmly up the aisle. The bell continued to swing, strike and vibrate with the same doleful regularity as when a corpse is on its way to the tomb.
This time the group hesitated, stopped, and huddled closer together, while a faint scream was heard from some of the women and confused murmurs among the men. Tossing back and forth, they could be whimsically compared to a beautiful bouquet of flowers suddenly shaken by a gust of wind that threatened to scatter the petals of an old, brown, withered rose on the same stem with two dewy buds, symbolizing the widow amidst her lovely young bridesmaids. But her bravery was impressive. She started with an undeniable shudder, as if the sound of the bell had struck her heart directly; then, regaining her composure while her attendants were still in shock, she took the initiative and walked calmly up the aisle. The bell kept swinging, ringing, and vibrating with the same mournful regularity as when a body is being taken to the grave.
“My young friends here have their nerves a little shaken,” said the widow, with a smile, to the clergyman at the altar. “But so many weddings have been ushered in with the merriest peal of the bells, and yet turned out unhappily, that I shall hope for better fortune under such different auspices.”
“My young friends here are a bit nervous,” said the widow with a smile to the clergyman at the altar. “But so many weddings have started with the joyful ringing of bells and still ended poorly, so I’m hoping for a better outcome under these different circumstances.”
“Madam,” answered the rector, in great perplexity, “this strange occurrence brings to my mind a marriage-sermon of the famous Bishop Taylor wherein he mingles so many thoughts of mortality and future woe that, to speak somewhat after his own rich style, he seems to hang the bridal-chamber in black and cut the wedding-garment out of a coffin-pall. And it has been the custom of divers nations to infuse something of sadness into their marriage ceremonies, so to keep death in mind while contracting that engagement which is life’s chiefest business. Thus we may draw a sad but profitable moral from this funeral-knell.”
“Madam,” replied the rector, clearly confused, “this strange event reminds me of a wedding sermon by the famous Bishop Taylor, where he blends so many thoughts about mortality and future suffering that, to use his own elaborate style, he seems to dress the bridal chamber in black and make the wedding garment out of a funeral shroud. It has been a tradition in various cultures to include a touch of sadness in their wedding ceremonies, as a way to keep death in mind while entering into the commitment that is life's most important task. So, we can draw a somber yet valuable lesson from this funeral bell.”
But, though the clergyman might have given his moral even a keener point, he did not fail to despatch an attendant to inquire into the mystery and stop those sounds so dismally appropriate to such a marriage. A brief space elapsed, during which the silence was broken only by whispers and a few suppressed titterings among the wedding-party and the spectators, who after the first shock were disposed to draw an ill-natured merriment from the affair. The young have less charity for aged follies than the old for those of youth. The widow’s glance was observed to wander for an instant toward a window of the church, as if searching for the time-worn marble that she had dedicated to her first husband; then her eyelids dropped over their faded orbs and her thoughts were drawn irresistibly to another grave. Two buried men with a voice at her ear and a cry afar off were calling her to lie down beside them. Perhaps, with momentary truth of feeling, she thought how much happier had been her fate if, after years of bliss, the bell were now tolling for her funeral and she were followed to the grave by the old affection of her earliest lover, long her husband. But why had she returned to him when their cold hearts shrank from each other’s embrace?
But even though the clergyman could have emphasized his moral even more, he made sure to send someone to investigate the mystery and put a stop to those sounds that were so hauntingly fitting for such a marriage. A short time passed, during which the silence was only interrupted by whispers and a few suppressed giggles among the wedding party and the spectators, who, after the initial shock, were inclined to find some mean-spirited amusement in the situation. Young people have less sympathy for the foolishness of the old than the elderly do for the blunders of youth. The widow's gaze was briefly drawn to a church window, as if searching for the timeworn marble she had dedicated to her first husband; then her eyelids closed over her faded eyes, and her thoughts were irresistibly pulled to another grave. Two deceased men, with a voice in her ear and a distant cry, were calling her to lie down beside them. Maybe, in a moment of genuine feeling, she thought about how much happier her fate would have been if, after years of happiness, the bell were now ringing for her funeral, and she were being followed to the grave by the enduring love of her first partner, long her husband. But why had she returned to him when their cold hearts recoiled from each other’s embrace?
Still the death-bell tolled so mournfully that the sunshine seemed to fade in the air. A whisper, communicated from those who stood nearest the windows, now spread through the church: a hearse with a train of several coaches was creeping along the street, conveying some dead man to the churchyard, while the bride awaited a living one at the altar. Immediately after, the footsteps of the bridegroom and his friends were heard at the door. The widow looked down the aisle and clenched the arm of one of her bridemaids in her bony hand with such unconscious violence that the fair girl trembled.
Still, the death bell rang so sadly that the sunshine seemed to disappear from the air. A whisper, shared by those closest to the windows, spread through the church: a hearse with a line of several cars was slowly making its way down the street, carrying some dead man to the cemetery, while the bride waited for a living one at the altar. Just then, the footsteps of the groom and his friends were heard at the door. The widow looked down the aisle and gripped the arm of one of her bridesmaids in her bony hand with such unconscious force that the young woman trembled.
“You frighten me, my dear madam,” cried she. “For heaven’s sake, what is the matter?”
“You're scaring me, my dear,” she exclaimed. “For heaven’s sake, what's wrong?”
“Nothing, my dear—nothing,” said the widow; then, whispering close to her ear, “There is a foolish fancy that I cannot get rid of. I am expecting my bridegroom to come into the church with my two first husbands for groomsmen.”
“Nothing, my dear—nothing,” said the widow; then, whispering close to her ear, “I have this silly idea that I just can’t shake off. I’m waiting for my groom to walk into the church with my two first husbands as groomsmen.”
“Look! look!” screamed the bridemaid. “What is here? The funeral!”
“Look! Look!” screamed the bridesmaid. “What’s this? The funeral!”
As she spoke a dark procession paced into the church. First came an old man and woman, like chief mourners at a funeral, attired from head to foot in the deepest black, all but their pale features and hoary hair, he leaning on a staff and supporting her decrepit form with his nerveless arm. Behind appeared another and another pair, as aged, as black and mournful as the first. As they drew near the widow recognized in every face some trait of former friends long forgotten, but now returning as if from their old graves to warn her to prepare a shroud, or, with purpose almost as unwelcome, to exhibit their wrinkles and infirmity and claim her as their companion by the tokens of her own decay. Many a merry night had she danced with them in youth, and now in joyless age she felt that some withered partner should request her hand and all unite in a dance of death to the music of the funeral-bell.
As she spoke, a dark group made its way into the church. First came an old man and woman, like chief mourners at a funeral, dressed in the deepest black from head to toe, except for their pale faces and gray hair—he leaned on a cane and supported her feeble form with his weak arm. Behind them came another pair, and then another, all just as old, dressed in black, and looking mournful as the first. As they got closer, the widow recognized features of long-forgotten friends in every face, now appearing as if risen from their graves to warn her to get a shroud ready or, almost as unwelcome, to show her their wrinkles and frailty and claim her as one of them with reminders of her own decline. She had danced with many of them on joyful nights in her youth, and now, in her joyless old age, she felt that one of these withered partners would ask for her hand, and they would all join in a dance of death to the sound of the funeral bell.
While these aged mourners were passing up the aisle it was observed that from pew to pew the spectators shuddered with irrepressible awe as some object hitherto concealed by the intervening figures came full in sight. Many turned away their faces; others kept a fixed and rigid stare, and a young girl giggled hysterically and fainted with the laughter on her lips. When the spectral procession approached the altar, each couple separated and slowly diverged, till in the centre appeared a form that had been worthily ushered in with all this gloomy pomp, the death-knell and the funeral. It was the bridegroom in his shroud.
As these elderly mourners made their way up the aisle, spectators were seen shuddering in uncontrollable awe as something that had been hidden by the people in front came into view. Many turned their faces away; others maintained a fixed, rigid stare, and a young girl laughed hysterically and fainted with laughter still on her lips. When the ghostly procession reached the altar, each couple split apart and slowly moved aside, revealing in the center a figure that had been fittingly brought in with all this somber ceremony, the tolling bell and the funeral. It was the bridegroom in his shroud.
No garb but that of the grave could have befitted such a death-like aspect. The eyes, indeed, had the wild gleam of a sepulchral lamp; all else was fixed in the stern calmness which old men wear in the coffin. The corpse stood motionless, but addressed the widow in accents that seemed to melt into the clang of the bell, which fell heavily on the air while he spoke.
No clothing but that of the grave could have suited such a death-like appearance. The eyes, indeed, had the wild glint of a funeral lamp; everything else was set in the stern calmness that old men have in their coffins. The corpse stood still, but spoke to the widow in voices that seemed to blend with the tolling of the bell, which hung heavily in the air as he spoke.
“Come, my bride!” said those pale lips. “The hearse is ready; the sexton stands waiting for us at the door of the tomb. Let us be married, and then to our coffins!”
“Come, my bride!” said those pale lips. “The hearse is ready; the sexton is waiting for us at the door of the tomb. Let’s get married, and then to our coffins!”
How shall the widow’s horror be represented? It gave her the ghastliness of a dead man’s bride. Her youthful friends stood apart, shuddering at the mourners, the shrouded bridegroom and herself; the whole scene expressed by the strongest imagery the vain struggle of the gilded vanities of this world when opposed to age, infirmity, sorrow and death.
How should we depict the widow’s horror? It made her feel like a dead man’s bride. Her young friends stood off to the side, shuddering at the mourners—the covered groom and her; the whole scene vividly illustrated the futile fight of the shiny superficialities of this world against age, weakness, grief, and death.
The awestruck silence was first broken by the clergyman.
The amazed silence was first interrupted by the clergyman.
“Mr. Ellenwood,” said he, soothingly, yet with somewhat of authority, “you are not well. Your mind has been agitated by the unusual circumstances in which you are placed. The ceremony must be deferred. As an old friend, let me entreat you to return home.”
“Mr. Ellenwood,” he said calmly but with a hint of authority, “you’re not feeling well. Your mind has been troubled by the unusual situation you’re in. The ceremony needs to be postponed. As an old friend, I urge you to go back home.”
“Home—yes; but not without my bride,” answered he, in the same hollow accents. “You deem this mockery—perhaps madness. Had I bedizened my aged and broken frame with scarlet and embroidery, had I forced my withered lips to smile at my dead heart, that might have been mockery or madness; but now let young and old declare which of us has come hither without a wedding-garment—the bridegroom or the bride.”
“Home—yes; but not without my bride,” he replied, in the same hollow tone. “You think this is a joke—maybe even madness. If I had dressed my old and broken body in bright colors and fancy clothes, if I had made my withered lips smile at my dead heart, that might have been a joke or madness; but now let everyone say who has come here without wedding attire—the groom or the bride.”
He stepped forward at a ghostly pace and stood beside the widow, contrasting the awful simplicity of his shroud with the glare and glitter in which she had arrayed herself for this unhappy scene. None that beheld them could deny the terrible strength of the moral which his disordered intellect had contrived to draw.
He stepped forward slowly and stood next to the widow, highlighting the stark simplicity of his shroud against the flashy and glamorous way she had dressed for this sad occasion. Anyone who saw them couldn’t ignore the powerful lesson that his troubled mind had managed to grasp.
“Cruel! cruel!” groaned the heartstricken bride.
“Cruel! cruel!” groaned the heartbroken bride.
“Cruel?” repeated he; then, losing his deathlike composure in a wild bitterness, “Heaven judge which of us has been cruel to the other! In youth you deprived me of my happiness, my hopes, my aims; you took away all the substance of my life and made it a dream without reality enough even to grieve at—with only a pervading gloom, through which I walked wearily and cared not whither. But after forty years, when I have built my tomb and would not give up the thought of resting there—no, not for such a life as we once pictured—you call me to the altar. At your summons I am here. But other husbands have enjoyed your youth, your beauty, your warmth of heart and all that could be termed your life. What is there for me but your decay and death? And therefore I have bidden these funeral-friends, and bespoken the sexton’s deepest knell, and am come in my shroud to wed you as with a burial-service, that we may join our hands at the door of the sepulchre and enter it together.”
“Cruel?” he repeated, then losing his deathly calm in a surge of bitterness, “Heaven judge which one of us has been cruel to the other! When we were young, you took away my happiness, my hopes, my dreams; you stripped my life of its essence and turned it into a fantasy so empty that I couldn't even mourn it—just a constant gloom, through which I walked tired and indifferent about where I was headed. But now, after forty years, when I've built my own tomb and wouldn't dream of abandoning the thought of resting there—not for a life like the one we once imagined—you call me to the altar. At your request, I am here. But other husbands have experienced your youth, your beauty, your warmth, and everything that could be called your life. What is there left for me but your decline and death? That’s why I’ve invited these friends for the funeral, and arranged for the deepest toll of the bell, and have come in my shroud to marry you like it’s a burial service, so we can join our hands at the entrance of the grave and enter it together.”
It was not frenzy, it was not merely the drunkenness of strong emotion in a heart unused to it, that now wrought upon the bride. The stern lesson of the day had done its work; her worldliness was gone. She seized the bridegroom’s hand.
It wasn't just excitement, nor was it simply the intense feelings overwhelming a heart that wasn’t used to them, that affected the bride now. The harsh lesson of the day had taken effect; her worldly concerns had vanished. She grabbed the bridegroom's hand.
“Yes!” cried she; “let us wed even at the door of the sepulchre. My life is gone in vanity and emptiness, but at its close there is one true feeling. It has made me what I was in youth: it makes me worthy of you. Time is no more for both of us. Let us wed for eternity.”
“Absolutely!” she exclaimed. “Let’s get married right at the entrance of the tomb. My life has been filled with nothing but emptiness, but at the end, there’s one genuine feeling. It has brought me back to who I was in my youth: it makes me deserving of you. Time means nothing for either of us now. Let’s marry for eternity.”
With a long and deep regard the bridegroom looked into her eyes, while a tear was gathering in his own. How strange that gush of human feeling from the frozen bosom of a corpse! He wiped away the tear, even with his shroud.
With a long, intense gaze, the groom looked into her eyes, as a tear formed in his own. How odd that outpouring of human emotion from the lifeless body of a corpse! He wiped away the tear, even using his shroud.
“Beloved of my youth,” said he, “I have been wild. The despair of my whole lifetime had returned at once and maddened me. Forgive and be forgiven. Yes; it is evening with us now, and we have realized none of our morning dreams of happiness. But let us join our hands before the altar as lovers whom adverse circumstances have separated through life, yet who meet again as they are leaving it and find their earthly affection changed into something holy as religion. And what is time to the married of eternity?”
“Beloved of my youth,” he said, “I’ve been reckless. The despair of my entire life hit me all at once and drove me mad. Let’s forgive each other and seek forgiveness. Yes, it’s evening for us now, and we haven’t achieved any of our dreams of happiness from the morning. But let’s take each other’s hands before the altar as lovers who have been separated by life's challenges, yet who reunite as they approach the end and discover that their earthly love has transformed into something sacred like faith. And what is time to those who are united for eternity?”
Amid the tears of many and a swell of exalted sentiment in those who felt aright was solemnized the union of two immortal souls. The train of withered mourners, the hoary bridegroom in his shroud, the pale features of the aged bride and the death-bell tolling through the whole till its deep voice overpowered the marriage-words,—all marked the funeral of earthly hopes. But as the ceremony proceeded, the organ, as if stirred by the sympathies of this impressive scene, poured forth an anthem, first mingling with the dismal knell, then rising to a loftier strain, till the soul looked down upon its woe. And when the awful rite was finished and with cold hand in cold hand the married of eternity withdrew, the organ’s peal of solemn triumph drowned the wedding-knell.
Amid the tears of many and a surge of deep emotion from those who felt it was right, the union of two immortal souls was solemnized. The procession of grieving mourners, the old groom in his shroud, the pale face of the elderly bride, and the funeral bell ringing out until its deep sound drowned out the wedding vows—all marked the end of earthly hopes. But as the ceremony went on, the organ, as if moved by the weight of the moment, played an anthem, initially blending with the mournful toll of the bell, then rising to a more uplifting melody, lifting the spirit above its sorrow. And when the solemn ceremony was complete and the eternal couple with cold hands held one another, the triumphant peal of the organ overshadowed the wedding bell.
THE MINISTER’S BLACK VEIL
A PARABLE[1]
The sexton stood in the porch of Milford meeting-house pulling lustily at the bell-rope. The old people of the village came stooping along the street. Children with bright faces tripped merrily beside their parents or mimicked a graver gait in the conscious dignity of their Sunday clothes. Spruce bachelors looked sidelong at the pretty maidens, and fancied that the Sabbath sunshine made them prettier than on week-days. When the throng had mostly streamed into the porch, the sexton began to toll the bell, keeping his eye on the Reverend Mr. Hooper’s door. The first glimpse of the clergyman’s figure was the signal for the bell to cease its summons.
The sexton stood in the entrance of the Milford meeting house, pulling hard on the bell rope. The elderly villagers walked slowly down the street. Kids with bright faces skipped happily beside their parents or pretended to walk with a serious demeanor in the proud dignity of their Sunday clothes. Well-groomed bachelors glanced at the pretty young women, believing that the Sunday sunshine made them look even more attractive than on weekdays. As the crowd mostly gathered at the entrance, the sexton started to ring the bell, keeping an eye on Reverend Mr. Hooper’s door. The first sight of the clergyman’s figure was the signal for the bell to stop ringing.
“But what has good Parson Hooper got upon his face?” cried the sexton, in astonishment.
“But what does good Parson Hooper have on his face?” cried the sexton, in astonishment.
All within hearing immediately turned about and beheld the semblance of Mr. Hooper pacing slowly his meditative way toward the meeting-house. With one accord they started, expressing more wonder than if some strange minister were coming to dust the cushions of Mr. Hooper’s pulpit.
Everyone within earshot quickly turned around and saw Mr. Hooper slowly walking toward the meeting house in deep thought. They all reacted at once, feeling more astonished than if some unusual minister had come to clean the cushions of Mr. Hooper’s pulpit.
“Are you sure it is our parson?” inquired Goodman Gray of the sexton.
“Are you sure it’s our pastor?” Goodman Gray asked the sexton.
“Of a certainty it is good Mr. Hooper,” replied the sexton. “He was to have exchanged pulpits with Parson Shute of Westbury, but Parson Shute sent to excuse himself yesterday, being to preach a funeral sermon.”
“Definitely, it’s good Mr. Hooper,” replied the sexton. “He was supposed to swap pulpits with Parson Shute from Westbury, but Parson Shute sent a message to excuse himself yesterday since he was going to preach a funeral sermon.”
The cause of so much amazement may appear sufficiently slight. Mr. Hooper, a gentlemanly person of about thirty, though still a bachelor, was dressed with due clerical neatness, as if a careful wife had starched his band and brushed the weekly dust from his Sunday’s garb. There was but one thing remarkable in his appearance. Swathed about his forehead and hanging down over his face, so low as to be shaken by his breath, Mr. Hooper had on a black veil. On a nearer view it seemed to consist of two folds of crape, which entirely concealed his features except the mouth and chin, but probably did not intercept his sight further than to give a darkened aspect to all living and inanimate things. With this gloomy shade before him good Mr. Hooper walked onward at a slow and quiet pace, stooping somewhat and looking on the ground, as is customary with abstracted men, yet nodding kindly to those of his parishioners who still waited on the meeting-house steps. But so wonder-struck were they that his greeting hardly met with a return.
The reason for the amazement might seem pretty minor. Mr. Hooper, a refined man in his thirties who was still single, was dressed with typical clerical neatness, as if a careful wife had starched his collar and brushed off the dust from his Sunday clothes. However, there was one striking aspect of his appearance. Wrapped around his forehead and hanging down over his face, so low that it swayed with his breath, Mr. Hooper was wearing a black veil. Upon closer inspection, it appeared to consist of two layers of crape, completely hiding his features except for his mouth and chin, but likely didn’t obstruct his vision more than to cast a dark shadow over everything around him. With this gloomy shroud in front of him, good Mr. Hooper walked forward at a slow and quiet pace, slightly hunched and looking down at the ground, as is typical for contemplative men, yet nodding kindly to those parishioners who were still waiting on the meeting-house steps. But they were so astonished that his greeting hardly received a response.
“I can’t really feel as if good Mr. Hooper’s face was behind that piece of crape,” said the sexton.
“I can’t really feel like good Mr. Hooper’s face is behind that piece of cloth,” said the sexton.
“I don’t like it,” muttered an old woman as she hobbled into the meeting-house. “He has changed himself into something awful only by hiding his face.”
“I don’t like it,” muttered an old woman as she hobbled into the meeting-house. “He has turned into something terrible just by hiding his face.”
“Our parson has gone mad!” cried Goodman Gray, following him across the threshold.
“Our pastor has lost his mind!” shouted Goodman Gray, chasing after him across the doorway.
A rumor of some unaccountable phenomenon had preceded Mr. Hooper into the meeting-house and set all the congregation astir. Few could refrain from twisting their heads toward the door; many stood upright and turned directly about; while several little boys clambered upon the seats, and came down again with a terrible racket. There was a general bustle, a rustling of the women’s gowns and shuffling of the men’s feet, greatly at variance with that hushed repose which should attend the entrance of the minister. But Mr. Hooper appeared not to notice the perturbation of his people. He entered with an almost noiseless step, bent his head mildly to the pews on each side and bowed as he passed his oldest parishioner, a white-haired great-grandsire, who occupied an arm-chair in the centre of the aisle. It was strange to observe how slowly this venerable man became conscious of something singular in the appearance of his pastor. He seemed not fully to partake of the prevailing wonder till Mr. Hooper had ascended the stairs and showed himself in the pulpit, face to face with his congregation except for the black veil. That mysterious emblem was never once withdrawn. It shook with his measured breath as he gave out the psalm, it threw its obscurity between him and the holy page as he read the Scriptures, and while he prayed the veil lay heavily on his uplifted countenance. Did he seek to hide it from the dread Being whom he was addressing?
A rumor about some unexplained event had spread before Mr. Hooper arrived at the meeting house, getting everyone in the congregation all worked up. Few could resist turning their heads toward the door; many stood up and turned around completely; and several little boys clambered onto the seats, making a terrible racket as they climbed down again. There was a general commotion, the rustling of women's dresses, and the shuffling of men's feet, all quite the opposite of the quiet calm that should accompany the minister's entrance. But Mr. Hooper seemed to ignore the disturbance among his congregation. He entered with a nearly silent step, nodded gently to the pews on either side, and bowed as he passed his oldest parishioner, a white-haired great-grandfather who sat in an armchair in the middle of the aisle. It was odd to see how slowly this elderly man registered something unusual about his pastor. He didn’t seem to fully grasp the collective curiosity until Mr. Hooper climbed the stairs and stood in the pulpit, facing his congregation—except for the black veil. That mysterious symbol was never once lifted. It swayed with his steady breath as he started the psalm, it cast a shadow between him and the holy book as he read the Scriptures, and while he prayed, the veil lay heavily over his lifted face. Was he trying to hide it from the terrifying Being he was addressing?
Such was the effect of this simple piece of crape that more than one woman of delicate nerves was forced to leave the meeting-house. Yet perhaps the pale-faced congregation was almost as fearful a sight to the minister as his black veil to them.
Such was the impact of this simple piece of cloth that more than one woman with delicate nerves had to leave the meeting house. Yet perhaps the pale-faced congregation was just as frightening a sight to the minister as his black veil was to them.
Mr. Hooper had the reputation of a good preacher, but not an energetic one: he strove to win his people heavenward by mild, persuasive influences rather than to drive them thither by the thunders of the word. The sermon which he now delivered was marked by the same characteristics of style and manner as the general series of his pulpit oratory, but there was something either in the sentiment of the discourse itself or in the imagination of the auditors which made it greatly the most powerful effort that they had ever heard from their pastor’s lips. It was tinged rather more darkly than usual with the gentle gloom of Mr. Hooper’s temperament. The subject had reference to secret sin and those sad mysteries which we hide from our nearest and dearest, and would fain conceal from our own consciousness, even forgetting that the Omniscient can detect them. A subtle power was breathed into his words. Each member of the congregation, the most innocent girl and the man of hardened breast, felt as if the preacher had crept upon them behind his awful veil and discovered their hoarded iniquity of deed or thought. Many spread their clasped hands on their bosoms. There was nothing terrible in what Mr. Hooper said—at least, no violence; and yet with every tremor of his melancholy voice the hearers quaked. An unsought pathos came hand in hand with awe. So sensible were the audience of some unwonted attribute in their minister that they longed for a breath of wind to blow aside the veil, almost believing that a stranger’s visage would be discovered, though the form, gesture and voice were those of Mr. Hooper.
Mr. Hooper was known as a good preacher, but not an energetic one; he tried to guide his people toward heaven through gentle, persuasive influence rather than by forcefully preaching at them. The sermon he delivered now had the same style and tone as his usual sermons, but there was something about either the content of the speech or the imagination of the listeners that made it the most powerful message they had ever heard from their pastor. It was slightly darker than usual, reflecting Mr. Hooper’s temperament. The topic was about secret sin and the sorrowful mysteries we hide from even our closest loved ones, trying to conceal them from our own awareness, even though the Omniscient can see right through them. There was a subtle power in his words. Every member of the congregation, from the most innocent girl to the hardened man, felt as if the preacher had crept up behind his awful veil and unveiled their hidden sins of action or thought. Many placed their clasped hands over their hearts. There was nothing terrifying in what Mr. Hooper said—at least, not in a violent way; yet with every tremor of his sorrowful voice, the listeners trembled. An unexpected pathos accompanied their awe. The audience was so aware of some unusual quality in their minister that they wished for a gust of wind to lift the veil, almost believing that a stranger would be revealed, even though the form, gestures, and voice were unmistakably Mr. Hooper's.
At the close of the services the people hurried out with indecorous confusion, eager to communicate their pent-up amazement, and conscious of lighter spirits the moment they lost sight of the black veil. Some gathered in little circles, huddled closely together, with their mouths all whispering in the centre; some went homeward alone, wrapped in silent meditation; some talked loudly and profaned the Sabbath-day with ostentatious laughter. A few shook their sagacious heads, intimating that they could penetrate the mystery, while one or two affirmed that there was no mystery at all, but only that Mr. Hooper’s eyes were so weakened by the midnight lamp as to require a shade.
At the end of the service, people rushed out in a haphazard way, eager to share their bottled-up surprise, their spirits lifting the moment they could no longer see the black veil. Some formed little clusters, huddled together, whispering with their heads close; others walked home alone, lost in quiet thought; while some spoke loudly, ruining the Sabbath with flashy laughter. A few shook their wise heads, suggesting they could figure out the mystery, while one or two claimed there was no mystery at all, just that Mr. Hooper’s eyes had become so strained from the midnight lamp that he needed a shade.
After a brief interval forth came good Mr. Hooper also, in the rear of his flock. Turning his veiled face from one group to another, he paid due reverence to the hoary heads, saluted the middle-aged with kind dignity as their friend and spiritual guide, greeted the young with mingled authority and love, and laid his hands on the little children’s heads to bless them. Such was always his custom on the Sabbath-day. Strange and bewildered looks repaid him for his courtesy. None, as on former occasions, aspired to the honor of walking by their pastor’s side. Old Squire Saunders—doubtless by an accidental lapse of memory—neglected to invite Mr. Hooper to his table, where the good clergyman had been wont to bless the food almost every Sunday since his settlement. He returned, therefore, to the parsonage, and at the moment of closing the door was observed to look back upon the people, all of whom had their eyes fixed upon the minister. A sad smile gleamed faintly from beneath the black veil and flickered about his mouth, glimmering as he disappeared.
After a short break, Mr. Hooper came out, trailing behind his congregation. He turned his veiled face from one group to another, showing respect to the elderly, greeting the middle-aged with friendly dignity as their companion and spiritual leader, addressing the young with a blend of authority and affection, and placing his hands on the heads of the little children to bless them. This was always his tradition on Sundays. Strange and confused expressions greeted his kindness. No one, as in the past, sought the honor of walking alongside their pastor. Old Squire Saunders—probably forgetting—failed to invite Mr. Hooper to his table, where the good clergyman had usually blessed the food almost every Sunday since he started. So, he returned to the parsonage, and just as he was about to close the door, he looked back at the people, all of whom had their eyes on the minister. A sad smile faintly shone from beneath the black veil and flickered around his mouth as he faded from view.
“How strange,” said a lady, “that a simple black veil, such as any woman might wear on her bonnet, should become such a terrible thing on Mr. Hooper’s face!”
“How strange,” said a lady, “that a simple black veil, like any woman might wear on her hat, could become such a terrible thing on Mr. Hooper’s face!”
“Something must surely be amiss with Mr. Hooper’s intellects,” observed her husband, the physician of the village. “But the strangest part of the affair is the effect of this vagary even on a sober-minded man like myself. The black veil, though it covers only our pastor’s face, throws its influence over his whole person and makes him ghost-like from head to foot. Do you not feel it so?”
“Something must be off with Mr. Hooper’s mind,” her husband, the village doctor, noted. “But the weirdest thing about this situation is how it affects even a clear-headed person like me. The black veil, while only covering our pastor’s face, casts its shadow over his entire being and makes him seem ghostly from head to toe. Don’t you feel it too?”
“Truly do I,” replied the lady; “and I would not be alone with him for the world. I wonder he is not afraid to be alone with himself.”
“Honestly, I do,” replied the lady; “and I wouldn’t want to be alone with him for anything. I’m surprised he’s not afraid to be alone with himself.”
“Men sometimes are so,” said her husband.
“Men can be that way sometimes,” said her husband.
The afternoon service was attended with similar circumstances. At its conclusion the bell tolled for the funeral of a young lady. The relatives and friends were assembled in the house and the more distant acquaintances stood about the door, speaking of the good qualities of the deceased, when their talk was interrupted by the appearance of Mr. Hooper, still covered with his black veil. It was now an appropriate emblem. The clergyman stepped into the room where the corpse was laid, and bent over the coffin to take a last farewell of his deceased parishioner. As he stooped the veil hung straight down from his forehead, so that, if her eye-lids had not been closed for ever, the dead maiden might have seen his face. Could Mr. Hooper be fearful of her glance, that he so hastily caught back the black veil? A person who watched the interview between the dead and living scrupled not to affirm that at the instant when the clergyman’s features were disclosed the corpse had slightly shuddered, rustling the shroud and muslin cap, though the countenance retained the composure of death. A superstitious old woman was the only witness of this prodigy.
The afternoon service was similar in nature. At the end, the bell tolled for the funeral of a young woman. Her family and friends were gathered in the house, while more distant acquaintances stood at the door talking about the good qualities of the deceased when they were interrupted by the appearance of Mr. Hooper, still wearing his black veil. It was now a fitting symbol. The clergyman stepped into the room where the body lay and leaned over the coffin to say a final goodbye to his deceased parishioner. As he leaned down, the veil fell straight down from his forehead, so that, if her eyelids hadn’t been closed forever, the dead woman might have seen his face. Could Mr. Hooper be afraid of her gaze that he so quickly pulled back the black veil? A person watching the interaction between the dead and the living didn’t hesitate to say that at the moment when the clergyman’s features were revealed, the corpse had slightly shuddered, rustling the shroud and muslin cap, even though the face remained composed in death. An elderly superstitious woman was the only witness to this event.
From the coffin Mr. Hooper passed into the chamber of the mourners, and thence to the head of the staircase, to make the funeral prayer. It was a tender and heart-dissolving prayer, full of sorrow, yet so imbued with celestial hopes that the music of a heavenly harp swept by the fingers of the dead seemed faintly to be heard among the saddest accents of the minister. The people trembled, though they but darkly understood him, when he prayed that they and himself, and all of mortal race, might be ready, as he trusted this young maiden had been, for the dreadful hour that should snatch the veil from their faces. The bearers went heavily forth and the mourners followed, saddening all the street, with the dead before them and Mr. Hooper in his black veil behind.
From the coffin, Mr. Hooper moved into the room with the mourners, and then to the top of the staircase to offer the funeral prayer. It was a heartfelt and moving prayer, filled with sorrow, yet so filled with heavenly hope that the music of a celestial harp played by the dead seemed softly audible among the saddest words of the minister. The crowd shuddered, even though they only vaguely understood him, as he prayed that they, along with himself and all of humanity, might be prepared, as he hoped this young woman had been, for the terrible moment that would lift the veil from their faces. The pallbearers moved slowly out, and the mourners followed, casting a somber mood over the entire street, with the deceased before them and Mr. Hooper in his black veil behind.
“Why do you look back?” said one in the procession to his partner.
“Why are you looking back?” said one in the procession to his partner.
“I had a fancy,” replied she, “that the minister and the maiden’s spirit were walking hand in hand.”
“I had a feeling,” she replied, “that the minister and the young woman’s spirit were walking hand in hand.”
“And so had I at the same moment,” said the other.
“And I did too at the same moment,” said the other.
That night the handsomest couple in Milford village were to be joined in wedlock. Though reckoned a melancholy man, Mr. Hooper had a placid cheerfulness for such occasions which often excited a sympathetic smile where livelier merriment would have been thrown away. There was no quality of his disposition which made him more beloved than this. The company at the wedding awaited his arrival with impatience, trusting that the strange awe which had gathered over him throughout the day would now be dispelled. But such was not the result. When Mr. Hooper came, the first thing that their eyes rested on was the same horrible black veil which had added deeper gloom to the funeral and could portend nothing but evil to the wedding. Such was its immediate effect on the guests that a cloud seemed to have rolled duskily from beneath the black crape and dimmed the light of the candles. The bridal pair stood up before the minister, but the bride’s cold fingers quivered in the tremulous hand of the bridegroom, and her death-like paleness caused a whisper that the maiden who had been buried a few hours before was come from her grave to be married. If ever another wedding were so dismal, it was that famous one where they tolled the wedding-knell.
That night, the most attractive couple in Milford village was about to get married. Although he was seen as a gloomy man, Mr. Hooper had a calm cheerfulness for these occasions that often drew forth a sympathetic smile when more lively joy would have felt out of place. This was the quality of his character that made him most loved. The guests at the wedding awaited his arrival with anticipation, hoping that the strange sense of awe surrounding him throughout the day would fade away. But that wasn't what happened. When Mr. Hooper arrived, the first thing everyone noticed was the same frightening black veil that had cast a shadow over the funeral and could only bring bad vibes to the wedding. Its immediate effect on the guests was so strong that it seemed as if a dark cloud descended from beneath the black fabric, dimming the light of the candles. The bridal couple stood in front of the minister, but the bride’s cold fingers trembled in the shaky hand of the groom, and her deathly pale face sparked whispers that the young woman who had been buried just a few hours earlier had come back from her grave to get married. If there had ever been a more depressing wedding, it was that infamous one where they rang the wedding knell.
After performing the ceremony Mr. Hooper raised a glass of wine to his lips, wishing happiness to the new-married couple in a strain of mild pleasantry that ought to have brightened the features of the guests like a cheerful gleam from the hearth. At that instant, catching a glimpse of his figure in the looking-glass, the black veil involved his own spirit in the horror with which it overwhelmed all others. His frame shuddered, his lips grew white, he spilt the untasted wine upon the carpet and rushed forth into the darkness, for the Earth too had on her black veil.
After the ceremony, Mr. Hooper raised a glass of wine to his lips, wishing happiness to the newly married couple in a lighthearted tone that should have brightened the faces of the guests like a warm glow from the fireplace. At that moment, catching a glimpse of his reflection in the mirror, the black veil made him feel the same horror that overwhelmed everyone else. His body trembled, his lips turned pale, he spilled the untouched wine on the carpet, and rushed out into the darkness, for the Earth also wore its black veil.
The next day the whole village of Milford talked of little else than Parson Hooper’s black veil. That, and the mystery concealed behind it, supplied a topic for discussion between acquaintances meeting in the street and good women gossipping at their open windows. It was the first item of news that the tavernkeeper told to his guests. The children babbled of it on their way to school. One imitative little imp covered his face with an old black handkerchief, thereby so affrighting his playmates that the panic seized himself and he wellnigh lost his wits by his own waggery.
The next day, the entire village of Milford couldn't talk about anything else but Parson Hooper’s black veil. That and the mystery behind it became the talk of the town, as friends chatted on the street and women gossiped at their open windows. It was the first bit of news that the tavernkeeper shared with his guests. The kids chattered about it on their way to school. One mischievous little kid even covered his face with an old black handkerchief, scaring his friends so much that he panicked himself and nearly lost his mind from his own prank.
It was remarkable that, of all the busybodies and impertinent people in the parish, not one ventured to put the plain question to Mr. Hooper wherefore he did this thing. Hitherto, whenever there appeared the slightest call for such interference, he had never lacked advisers nor shown himself averse to be guided by their judgment. If he erred at all, it was by so painful a degree of self-distrust that even the mildest censure would lead him to consider an indifferent action as a crime. Yet, though so well acquainted with this amiable weakness, no individual among his parishioners chose to make the black veil a subject of friendly remonstrance. There was a feeling of dread, neither plainly confessed nor carefully concealed, which caused each to shift the responsibility upon another, till at length it was found expedient to send a deputation of the church, in order to deal with Mr. Hooper about the mystery before it should grow into a scandal. Never did an embassy so ill discharge its duties. The minister received them with friendly courtesy, but became silent after they were seated, leaving to his visitors the whole burden of introducing their important business. The topic, it might be supposed, was obvious enough. There was the black veil swathed round Mr. Hooper’s forehead and concealing every feature above his placid mouth, on which, at times, they could perceive the glimmering of a melancholy smile. But that piece of crape, to their imagination, seemed to hang down before his heart, the symbol of a fearful secret between him and them. Were the veil but cast aside, they might speak freely of it, but not till then. Thus they sat a considerable time, speechless, confused and shrinking uneasily from Mr. Hooper’s eye, which they felt to be fixed upon them with an invisible glance. Finally, the deputies returned abashed to their constituents, pronouncing the matter too weighty to be handled except by a council of the churches, if, indeed, it might not require a General Synod.
It was surprising that, among all the nosy and rude people in the parish, not one dared to directly ask Mr. Hooper why he did this. Until now, whenever there was the slightest reason for someone to intervene, he had never been without advice nor shown any unwillingness to follow their judgment. If he made a mistake, it was due to such a painful lack of self-confidence that even the mildest criticism would make him see a harmless action as a wrongdoing. Yet, despite knowing this endearing flaw so well, none of his parishioners chose to address the black veil with him in a friendly manner. There was a sense of dread, neither openly acknowledged nor carefully hidden, which led each person to shift the responsibility to someone else, until eventually, it was deemed necessary to send a church delegation to talk to Mr. Hooper about the mystery before it turned into a scandal. Never did a group so poorly manage its mission. The minister greeted them with friendly courtesy but fell silent after they sat down, leaving his guests with the entire burden of starting their important discussion. The topic, one would think, was obvious enough. There was the black veil wrapped around Mr. Hooper’s forehead, hiding every feature above his calm mouth, on which, at times, they could see the hint of a sad smile. But that piece of fabric, in their imaginations, seemed to hang over his heart, symbolizing a terrifying secret between him and them. If only the veil could be set aside, they might speak freely about it, but not until then. So they sat for a long time, speechless, confused, and nervously avoiding Mr. Hooper’s gaze, which they felt was directed at them with an invisible stare. Eventually, the delegates returned embarrassed to their group, saying the issue was too serious to handle except by a council of the churches, and might even need a General Synod.
But there was one person in the village unappalled by the awe with which the black veil had impressed all besides herself. When the deputies returned without an explanation, or even venturing to demand one, she with the calm energy of her character determined to chase away the strange cloud that appeared to be settling round Mr. Hooper every moment more darkly than before. As his plighted wife it should be her privilege to know what the black veil concealed. At the minister’s first visit, therefore, she entered upon the subject with a direct simplicity which made the task easier both for him and her. After he had seated himself she fixed her eyes steadfastly upon the veil, but could discern nothing of the dreadful gloom that had so overawed the multitude; it was but a double fold of crape hanging down from his forehead to his mouth and slightly stirring with his breath.
But there was one person in the village who wasn’t intimidated by the awe that the black veil had instilled in everyone else. When the deputies returned without any explanation, or even dared to ask for one, she, with the calm determination of her character, decided to lift the strange cloud that seemed to be settling around Mr. Hooper more darkly by the minute. As his promised wife, she felt it was her right to know what the black veil was hiding. So, during the minister’s first visit, she approached the topic with a straightforward simplicity that made it easier for both of them. After he sat down, she fixed her eyes firmly on the veil but couldn’t see any of the dreadful gloom that had so overwhelmed the crowd; it was just a double layer of crape hanging down from his forehead to his mouth, gently swaying with his breath.
“No,” said she, aloud, and smiling, “there is nothing terrible in this piece of crape, except that it hides a face which I am always glad to look upon. Come, good sir; let the sun shine from behind the cloud. First lay aside your black veil, then tell me why you put it on.”
“No,” she said, smiling, “there’s nothing terrible about this piece of fabric, except that it covers a face I’m always happy to see. Come on, good sir; let the sun shine from behind the cloud. First take off your black veil, then tell me why you put it on.”
Mr. Hooper’s smile glimmered faintly.
Mr. Hooper's smile faintly gleamed.
“There is an hour to come,” said he, “when all of us shall cast aside our veils. Take it not amiss, beloved friend, if I wear this piece of crape till then.”
“There is a time coming,” he said, “when all of us will take off our veils. Please don’t mind, dear friend, if I wear this piece of black cloth until then.”
“Your words are a mystery too,” returned the young lady. “Take away the veil from them, at least.”
“Your words are a mystery too,” the young lady replied. “Just remove the veil from them, at least.”
“Elizabeth, I will,” said he, “so far as my vow may suffer me. Know, then, this veil is a type and a symbol, and I am bound to wear it ever, both in light and darkness, in solitude and before the gaze of multitudes, and as with strangers, so with my familiar friends. No mortal eye will see it withdrawn. This dismal shade must separate me from the world; even you, Elizabeth, can never come behind it.”
“Elizabeth, I will,” he said, “as much as my vow allows. Know that this veil is a representation and a symbol, and I am obligated to wear it always, in both light and darkness, in solitude and in front of others, and with strangers as well as with my close friends. No one will ever see it taken off. This gloomy veil has to keep me apart from the world; even you, Elizabeth, can never come behind it.”
“What grievous affliction hath befallen you,” she earnestly inquired, “that you should thus darken your eyes for ever?”
“What terrible trouble has come upon you,” she asked earnestly, “that you should forever darken your eyes like this?”
“If it be a sign of mourning,” replied Mr. Hooper, “I, perhaps, like most other mortals, have sorrows dark enough to be typified by a black veil.”
“If it's a sign of mourning,” Mr. Hooper replied, “I, like most other people, probably have enough sorrows to be represented by a black veil.”
“But what if the world will not believe that it is the type of an innocent sorrow?” urged Elizabeth. “Beloved and respected as you are, there may be whispers that you hide your face under the consciousness of secret sin. For the sake of your holy office do away this scandal.”
“But what if the world won’t believe that it’s a genuine kind of sadness?” Elizabeth urged. “Even though you are beloved and respected, there could still be whispers that you’re hiding your true self under the weight of hidden sin. For the sake of your sacred position, eliminate this scandal.”
The color rose into her cheeks as she intimated the nature of the rumors that were already abroad in the village. But Mr. Hooper’s mildness did not forsake him. He even smiled again—that same sad smile which always appeared like a faint glimmering of light proceeding from the obscurity beneath the veil.
The color rose in her cheeks as she hinted at the nature of the rumors that were already circulating in the village. But Mr. Hooper’s gentleness didn’t leave him. He even smiled again—that same sad smile that always seemed like a faint glimmer of light coming from the darkness beneath the veil.
“If I hide my face for sorrow, there is cause enough,” he merely replied; “and if I cover it for secret sin, what mortal might not do the same?” And with this gentle but unconquerable obstinacy did he resist all her entreaties.
“If I hide my face out of sadness, I have enough reason to do so,” he simply replied; “and if I cover it because of a hidden sin, what person wouldn’t do the same?” And with this gentle but unyielding stubbornness, he resisted all her pleas.
At length Elizabeth sat silent. For a few moments she appeared lost in thought, considering, probably, what new methods might be tried to withdraw her lover from so dark a fantasy, which, if it had no other meaning, was perhaps a symptom of mental disease. Though of a firmer character than his own, the tears rolled down her cheeks. But in an instant, as it were, a new feeling took the place of sorrow: her eyes were fixed insensibly on the black veil, when like a sudden twilight in the air its terrors fell around her. She arose and stood trembling before him.
At last, Elizabeth fell silent. For a few moments, she seemed lost in thought, probably considering what new ways she could use to pull her lover away from such a dark fantasy, which, if it meant anything at all, might be a sign of mental illness. Although she had a stronger character than he did, tears streamed down her face. But in an instant, a different feeling replaced her sorrow: her eyes were unconsciously drawn to the black veil, and like a sudden twilight, its horrors surrounded her. She got up and stood trembling before him.
“And do you feel it, then, at last?” said he, mournfully.
“And do you finally feel it, then?” he said, sadly.
She made no reply, but covered her eyes with her hand and turned to leave the room. He rushed forward and caught her arm.
She didn't respond but covered her eyes with her hand and started to leave the room. He quickly stepped forward and grabbed her arm.
“Have patience with me, Elizabeth!” cried he, passionately. “Do not desert me though this veil must be between us here on earth. Be mine, and hereafter there shall be no veil over my face, no darkness between our souls. It is but a mortal veil; it is not for eternity. Oh, you know not how lonely I am, and how frightened to be alone behind my black veil! Do not leave me in this miserable obscurity for ever.”
“Have patience with me, Elizabeth!” he cried, passionately. “Don’t abandon me even though this veil has to be between us here on earth. Be mine, and in the future, there will be no veil over my face, no darkness separating our souls. It’s just a temporary veil; it’s not for eternity. Oh, you don’t know how lonely I am, and how scared I am to be alone behind my black veil! Don’t leave me in this miserable obscurity forever.”
“Lift the veil but once and look me in the face,” said she.
“Lift the veil just once and look me in the face,” she said.
“Never! It cannot be!” replied Mr. Hooper.
“Never! That can’t be!” replied Mr. Hooper.
“Then farewell!” said Elizabeth.
“See you later!” said Elizabeth.
She withdrew her arm from his grasp and slowly departed, pausing at the door to give one long, shuddering gaze that seemed almost to penetrate the mystery of the black veil. But even amid his grief Mr. Hooper smiled to think that only a material emblem had separated him from happiness, though the horrors which it shadowed forth must be drawn darkly between the fondest of lovers.
She pulled her arm out of his hold and slowly walked away, stopping at the door to take one long, shuddering look that seemed to almost unveil the mystery of the black veil. But even in his sadness, Mr. Hooper smiled, realizing that only a physical symbol kept him from happiness, even though the dark horrors it represented had to lie heavily between the dearest of lovers.
From that time no attempts were made to remove Mr. Hooper’s black veil or by a direct appeal to discover the secret which it was supposed to hide. By persons who claimed a superiority to popular prejudice it was reckoned merely an eccentric whim, such as often mingles with the sober actions of men otherwise rational and tinges them all with its own semblance of insanity. But with the multitude good Mr. Hooper was irreparably a bugbear. He could not walk the street with any peace of mind, so conscious was he that the gentle and timid would turn aside to avoid him, and that others would make it a point of hardihood to throw themselves in his way. The impertinence of the latter class compelled him to give up his customary walk at sunset to the burial-ground; for when he leaned pensively over the gate, there would always be faces behind the gravestones peeping at his black veil. A fable went the rounds that the stare of the dead people drove him thence. It grieved him to the very depth of his kind heart to observe how the children fled from his approach, breaking up their merriest sports while his melancholy figure was yet afar off. Their instinctive dread caused him to feel more strongly than aught else that a preternatural horror was interwoven with the threads of the black crape. In truth, his own antipathy to the veil was known to be so great that he never willingly passed before a mirror nor stooped to drink at a still fountain lest in its peaceful bosom he should be affrighted by himself. This was what gave plausibility to the whispers that Mr. Hooper’s conscience tortured him for some great crime too horrible to be entirely concealed or otherwise than so obscurely intimated. Thus from beneath the black veil there rolled a cloud into the sunshine, an ambiguity of sin or sorrow, which enveloped the poor minister, so that love or sympathy could never reach him. It was said that ghost and fiend consorted with him there. With self-shudderings and outward terrors he walked continually in its shadow, groping darkly within his own soul or gazing through a medium that saddened the whole world. Even the lawless wind, it was believed, respected his dreadful secret and never blew aside the veil. But still good Mr. Hooper sadly smiled at the pale visages of the worldly throng as he passed by.
From that time on, no one tried to take off Mr. Hooper’s black veil or directly find out the secret it was thought to hide. People who believed they were above popular opinion considered it just an eccentric quirk, like those odd behaviors that sometimes mix with the otherwise rational actions of people and give them a hint of madness. But to most people, good Mr. Hooper was irreparably a source of fear. He couldn't walk down the street without feeling anxious, fully aware that the shy and timid would turn away to avoid him, while others would deliberately confront him. The rudeness of those in the latter group forced him to give up his usual evening walk to the graveyard; every time he leaned thoughtfully over the gate, there would be faces peeking at his black veil from behind the headstones. A rumor circulated that the gaze of the dead drove him away. It saddened him deeply to see how children would run from him, breaking up their happiest games as soon as they spotted his gloomy figure from far off. Their instinctive fear made him realize more than anything else that a strange horror was woven into the threads of his black fabric. In fact, it was common knowledge that he hated the veil so much that he never willingly looked in a mirror or leaned down to drink from a calm fountain, afraid that the still water would show him his own reflection and frighten him. This added credibility to the rumors that Mr. Hooper's conscience tormented him for some terrible sin that he could not fully hide or clearly indicate. Thus, from beneath the black veil rolled a cloud into the sunshine, creating an ambiguity of sin or sorrow that surrounded the poor minister, making it impossible for love or sympathy to reach him. It was said that ghosts and demons associated with him. With shudders of self-revulsion and outward fears, he continually walked in its shadow, searching darkly within his own soul or looking through a lens that darkened the entire world. Even the wild wind was believed to respect his dreadful secret and never blew the veil aside. Yet, good Mr. Hooper still sadly smiled at the pale faces of the people around him as he passed by.
Among all its bad influences, the black veil had the one desirable effect of making its wearer a very efficient clergyman. By the aid of his mysterious emblem—for there was no other apparent cause—he became a man of awful power over souls that were in agony for sin. His converts always regarded him with a dread peculiar to themselves, affirming, though but figuratively, that before he brought them to celestial light they had been with him behind the black veil. Its gloom, indeed, enabled him to sympathize with all dark affections. Dying sinners cried aloud for Mr. Hooper and would not yield their breath till he appeared, though ever, as he stooped to whisper consolation, they shuddered at the veiled face so near their own. Such were the terrors of the black veil even when Death had bared his visage. Strangers came long distances to attend service at his church with the mere idle purpose of gazing at his figure because it was forbidden them to behold his face. But many were made to quake ere they departed. Once, during Governor Belcher’s administration, Mr. Hooper was appointed to preach the election sermon. Covered with his black veil, he stood before the chief magistrate, the council and the representatives, and wrought so deep an impression that the legislative measures of that year were characterized by all the gloom and piety of our earliest ancestral sway.
Among all its negative effects, the black veil had one positive outcome: it made its wearer a very effective clergyman. Thanks to his mysterious symbol—since there was no other obvious reason—he gained a powerful influence over souls tormented by sin. His followers always viewed him with a specific kind of fear, suggesting, though only figuratively, that before he led them to divine light, they had been with him behind the black veil. Its darkness allowed him to connect with all their deep-seated struggles. Dying sinners called out for Mr. Hooper and refused to let go of life until he appeared, yet each time he leaned in to offer comfort, they recoiled at the sight of his veiled face so close to theirs. Such was the dread of the black veil, even in the presence of Death. People traveled long distances just to attend his church service with the sole aim of seeing him because they were forbidden from looking at his face. But many left trembling. Once, during Governor Belcher’s administration, Mr. Hooper was chosen to preach the election sermon. Veiled in black, he stood before the governor, the council, and the representatives, leaving such a strong impression that the legislative decisions of that year reflected all the gloom and solemnity of our earliest ancestors' rule.
In this manner Mr. Hooper spent a long life, irreproachable in outward act, yet shrouded in dismal suspicions; kind and loving, though unloved and dimly feared; a man apart from men, shunned in their health and joy, but ever summoned to their aid in mortal anguish. As years wore on, shedding their snows above his sable veil, he acquired a name throughout the New England churches, and they called him Father Hooper. Nearly all his parishioners who were of mature age when he was settled had been borne away by many a funeral: he had one congregation in the church and a more crowded one in the churchyard; and, having wrought so late into the evening and done his work so well, it was now good Father Hooper’s turn to rest.
In this way, Mr. Hooper lived a long life, blameless in his actions but surrounded by dark suspicions; kind and loving, yet unloved and vaguely feared; a man apart from others, avoided during their happiness and health, but always called upon for help in their greatest suffering. As the years went by, adding their grayness to his dark veil, he gained a reputation throughout the New England churches, and they referred to him as Father Hooper. Most of his parishioners who were adults when he started had passed away through many funerals: he had one congregation in the church and a more crowded one in the graveyard; and, having worked late into the night and done his job so well, it was now good Father Hooper’s turn to rest.
Several persons were visible by the shaded candlelight in the death-chamber of the old clergyman. Natural connections he had none. But there was the decorously grave though unmoved physician, seeking only to mitigate the last pangs of the patient whom he could not save. There were the deacons and other eminently pious members of his church. There, also, was the Reverend Mr. Clark of Westbury, a young and zealous divine who had ridden in haste to pray by the bedside of the expiring minister. There was the nurse—no hired handmaiden of Death, but one whose calm affection had endured thus long in secrecy, in solitude, amid the chill of age, and would not perish even at the dying-hour. Who but Elizabeth! And there lay the hoary head of good Father Hooper upon the death-pillow with the black veil still swathed about his brow and reaching down over his face, so that each more difficult gasp of his faint breath caused it to stir. All through life that piece of crape had hung between him and the world; it had separated him from cheerful brotherhood and woman’s love and kept him in that saddest of all prisons his own heart; and still it lay upon his face, as if to deepen the gloom of his darksome chamber and shade him from the sunshine of eternity.
Several people were visible in the dim candlelight of the old clergyman's death room. He had no close family. But there was the solemn yet composed doctor, who was only there to ease the last moments of the patient he couldn't save. The deacons and other devoted members of his church were also present. Additionally, there was the Reverend Mr. Clark from Westbury, a young and passionate minister who had rushed over to pray at the dying man's bedside. Then there was the nurse—not just a hired caretaker for Death, but one whose calm love had persisted in secrecy and solitude through the coldness of age, and would not fade even in his final moments. Who other than Elizabeth? And there lay the silver-haired head of good Father Hooper on the death pillow, still wearing the black veil that wrapped around his brow and fell over his face, so that every labored breath stirred it slightly. Throughout his life, that piece of cloth had separated him from the world; it had kept him apart from joyful companionship and love, trapping him in the saddest prison of all—his own heart; and still, it rested on his face, as if to deepen the shadows of his dark room and shield him from the light of eternity.
For some time previous his mind had been confused, wavering doubtfully between the past and the present, and hovering forward, as it were, at intervals, into the indistinctness of the world to come. There had been feverish turns which tossed him from side to side and wore away what little strength he had. But in his most convulsive struggles and in the wildest vagaries of his intellect, when no other thought retained its sober influence, he still showed an awful solicitude lest the black veil should slip aside. Even if his bewildered soul could have forgotten, there was a faithful woman at his pillow who with averted eyes would have covered that aged face which she had last beheld in the comeliness of manhood.
For some time, his mind had been confused, swinging uncertainly between the past and the present, occasionally drifting into the unclear future. He experienced restless shifts that tossed him around, draining whatever strength he had left. Yet, even in his most intense struggles and the craziest twists of his thoughts, when nothing else seemed stable, he still worried anxiously that the black veil would slip away. Even if his confused soul could have forgotten, there was a devoted woman at his side, who, with her eyes turned away, would have covered that aged face she had last seen in its youthful beauty.
At length the death-stricken old man lay quietly in the torpor of mental and bodily exhaustion, with an imperceptible pulse and breath that grew fainter and fainter except when a long, deep and irregular inspiration seemed to prelude the flight of his spirit.
At last, the dying old man lay still in the haze of mental and physical exhaustion, with a barely noticeable pulse and breath that grew weaker and weaker, except when a long, deep, and irregular inhale seemed to signal the departure of his spirit.
The minister of Westbury approached the bedside.
The minister of Westbury walked up to the bedside.
“Venerable Father Hooper,” said he, “the moment of your release is at hand. Are you ready for the lifting of the veil that shuts in time from eternity?”
“Venerable Father Hooper,” he said, “the moment of your release is coming soon. Are you ready for the lifting of the veil that separates time from eternity?”
Father Hooper at first replied merely by a feeble motion of his head; then—apprehensive, perhaps, that his meaning might be doubtful—he exerted himself to speak.
Father Hooper initially responded with just a weak nod of his head; then—perhaps worried that his message might be unclear—he made an effort to speak.
“Yea,” said he, in faint accents; “my soul hath a patient weariness until that veil be lifted.”
“Yeah,” he said, in a weak voice; “my soul is tired and uneasy until that veil is lifted.”
“And is it fitting,” resumed the Reverend Mr. Clark, “that a man so given to prayer, of such a blameless example, holy in deed and thought, so far as mortal judgment may pronounce,—is it fitting that a father in the Church should leave a shadow on his memory that may seem to blacken a life so pure? I pray you, my venerable brother, let not this thing be! Suffer us to be gladdened by your triumphant aspect as you go to your reward. Before the veil of eternity be lifted let me cast aside this black veil from your face;” and, thus speaking, the Reverend Mr. Clark bent forward to reveal the mystery of so many years.
“And is it appropriate,” continued Reverend Mr. Clark, “that a man so devoted to prayer, of such a spotless character, holy in action and thought, as far as human judgment can determine—should a leader in the Church leave behind a shadow on his memory that might tarnish a life so innocent? I urge you, my esteemed brother, let this not happen! Allow us to rejoice in your triumphant presence as you receive your reward. Before the veil of eternity is lifted, let me remove this dark veil from your face;” and, saying this, Reverend Mr. Clark leaned forward to reveal the mystery of so many years.
But, exerting a sudden energy that made all the beholders stand aghast, Father Hooper snatched both his hands from beneath the bedclothes and pressed them strongly on the black veil, resolute to struggle if the minister of Westbury would contend with a dying man.
But, with a sudden burst of energy that left everyone in shock, Father Hooper pulled both his hands out from under the covers and pressed them firmly against the black veil, determined to fight if the minister of Westbury was going to challenge a dying man.
“Never!” cried the veiled clergyman. “On earth, never!”
“Never!” shouted the cloaked clergyman. “On this earth, never!”
“Dark old man,” exclaimed the affrighted minister, “with what horrible crime upon your soul are you now passing to the judgment?”
“Dark old man,” exclaimed the frightened minister, “what terrible crime weighs on your soul as you head to judgment now?”
Father Hooper’s breath heaved: it rattled in his throat; but, with a mighty effort grasping forward with his hands, he caught hold of life and held it back till he should speak. He even raised himself in bed, and there he sat shivering with the arms of Death around him, while the black veil hung down, awful at that last moment in the gathered terrors of a lifetime. And yet the faint, sad smile so often there now seemed to glimmer from its obscurity and linger on Father Hooper’s lips.
Father Hooper's breath was heavy; it rattled in his throat. But with a huge effort, he reached forward with his hands, grasping onto life and holding it back until he could speak. He even sat up in bed, shivering with the arms of Death around him, while the black veil hung down, terrifying in that final moment filled with the fears of a lifetime. Yet, the faint, sad smile that was so often there now seemed to shine through the darkness and linger on Father Hooper's lips.
“Why do you tremble at me alone?” cried he, turning his veiled face round the circle of pale spectators. “Tremble also at each other. Have men avoided me and women shown no pity and children screamed and fled only for my black veil? What but the mystery which it obscurely typifies has made this piece of crape so awful? When the friend shows his inmost heart to his friend, the lover to his best-beloved; when man does not vainly shrink from the eye of his Creator, loathsomely treasuring up the secret of his sin,—then deem me a monster for the symbol beneath which I have lived and die. I look around me, and, lo! on every visage a black veil!”
“Why do you all tremble just at me?” he shouted, turning his covered face toward the circle of pale onlookers. “Why not tremble at each other? Have men shunned me, and women shown no compassion, while children screamed and ran away just because of my black veil? What is it about the mystery that it represents that makes this piece of fabric so terrifying? When a friend opens their heart to another friend, when a lover shares their soul with their beloved; when a person is not afraid to face their Creator, hoarding the secret of their sins—then you can call me a monster for the symbol under which I’ve lived and will die. I look around, and behold! On every face, I see a black veil!”
While his auditors shrank from one another in mutual affright, Father Hooper fell back upon his pillow, a veiled corpse with a faint smile lingering on the lips. Still veiled, they laid him in his coffin, and a veiled corpse they bore him to the grave. The grass of many years has sprung up and withered on that grave, the burial-stone is moss-grown, and good Mr. Hooper’s face is dust; but awful is still the thought that it mouldered beneath the black veil.
While his listeners recoiled from each other in shared fear, Father Hooper sank back onto his pillow, a covered body with a faint smile lingering on his lips. Still covered, they placed him in his coffin, and a covered body they carried to the grave. Years of grass have grown and withered over that grave, the gravestone is covered in moss, and good Mr. Hooper’s face is dust; but it is still unsettling to think that it decayed beneath the black veil.
THE MAYPOLE OF MERRY MOUNT
There is an admirable foundation for a philosophic romance in the curious history of the early settlement of Mount Wollaston, or Merry Mount. In the slight sketch here attempted the facts recorded on the grave pages of our New England annalists have wrought themselves almost spontaneously into a sort of allegory. The masques, mummeries and festive customs described in the text are in accordance with the manners of the age. Authority on these points may be found in Strutt’s Book of English Sports and Pastimes.
There’s a fascinating basis for a philosophical romance in the unusual history of the early settlement of Mount Wollaston, or Merry Mount. In this brief overview, the facts detailed in the serious writings of our New England historians have almost naturally transformed into a kind of allegory. The masks, performances, and celebration traditions mentioned in the text reflect the customs of that time. You can find authoritative information on these topics in Strutt’s Book of English Sports and Pastimes.
Bright were the days at Merry Mount when the Maypole was the banner-staff of that gay colony. They who reared it, should their banner be triumphant, were to pour sunshine over New England’s rugged hills and scatter flower-seeds throughout the soil. Jollity and gloom were contending for an empire. Midsummer eve had come, bringing deep verdure to the forest, and roses in her lap of a more vivid hue than the tender buds of spring. But May, or her mirthful spirit, dwelt all the year round at Merry Mount, sporting with the summer months and revelling with autumn and basking in the glow of winter’s fireside. Through a world of toil and care she flitted with a dream-like smile, and came hither to find a home among the lightsome hearts of Merry Mount.
Bright were the days at Merry Mount when the Maypole was the symbol of that lively colony. Those who raised it, if their banner was victorious, would spread sunshine over New England’s rugged hills and scatter flower seeds throughout the soil. Joy and sadness were battling for dominance. Midsummer’s eve arrived, bringing lush greenery to the forest and roses more vibrant than the delicate spring buds. But May, or her cheerful spirit, lingered all year at Merry Mount, playing with the summer months, celebrating with autumn, and enjoying the warmth of winter’s fireside. She floated through a world of hard work and worry with a dreamy smile, seeking a home among the cheerful hearts of Merry Mount.
Never had the Maypole been so gayly decked as at sunset on Midsummer eve. This venerated emblem was a pine tree which had preserved the slender grace of youth, while it equalled the loftiest height of the old wood-monarchs. From its top streamed a silken banner colored like the rainbow. Down nearly to the ground the pole was dressed with birchen boughs, and others of the liveliest green, and some with silvery leaves fastened by ribbons that fluttered in fantastic knots of twenty different colors, but no sad ones. Garden-flowers and blossoms of the wilderness laughed gladly forth amid the verdure, so fresh and dewy that they must have grown by magic on that happy pine tree. Where this green and flowery splendor terminated the shaft of the Maypole was stained with the seven brilliant hues of the banner at its top. On the lowest green bough hung an abundant wreath of roses—some that had been gathered in the sunniest spots of the forest, and others, of still richer blush, which the colonists had reared from English seed. O people of the Golden Age, the chief of your husbandry was to raise flowers!
The Maypole had never looked so cheerful as it did at sunset on Midsummer Eve. This cherished symbol was a pine tree that retained the slender grace of youth while reaching the impressive height of the ancient forest kings. From its top flowed a silk banner in rainbow colors. The pole was adorned nearly to the ground with birch branches and other vibrant green foliage, along with some silvery leaves tied with ribbons fluttering in twenty different bright colors, none of which were sad. Garden flowers and wild blossoms joyfully bloomed among the greenery, so fresh and dewy it seemed like they must have magically sprouted from that joyful pine tree. Where this green and floral splendor ended, the trunk of the Maypole was painted with the seven brilliant colors of the banner at its peak. On the lowest green branch hung a plentiful wreath of roses—some picked from the sunniest spots in the forest, and others of an even richer hue that the colonists had cultivated from English seeds. O people of the Golden Age, your greatest achievement was growing flowers!
But what was the wild throng that stood hand in hand about the Maypole? It could not be that the fauns and nymphs, when driven from their classic groves and homes of ancient fable, had sought refuge, as all the persecuted did, in the fresh woods of the West. These were Gothic monsters, though perhaps of Grecian ancestry. On the shoulders of a comely youth uprose the head and branching antlers of a stag; a second, human in all other points, had the grim visage of a wolf; a third, still with the trunk and limbs of a mortal man, showed the beard and horns of a venerable he-goat. There was the likeness of a bear erect, brute in all but his hind legs, which were adorned with pink silk stockings. And here, again, almost as wondrous, stood a real bear of the dark forest, lending each of his forepaws to the grasp of a human hand and as ready for the dance as any in that circle. His inferior nature rose halfway to meet his companions as they stooped. Other faces wore the similitude of man or woman, but distorted or extravagant, with red noses pendulous before their mouths, which seemed of awful depth and stretched from ear to ear in an eternal fit of laughter. Here might be seen the salvage man—well known in heraldry—hairy as a baboon and girdled with green leaves. By his side—a nobler figure, but still a counterfeit—appeared an Indian hunter with feathery crest and wampum-belt. Many of this strange company wore foolscaps and had little bells appended to their garments, tinkling with a silvery sound responsive to the inaudible music of their gleesome spirits. Some youths and maidens were of soberer garb, yet well maintained their places in the irregular throng by the expression of wild revelry upon their features.
But what was this wild crowd holding hands around the Maypole? It couldn’t be that the fauns and nymphs, when driven from their classic groves and the homes of ancient tales, sought refuge, like all the persecuted, in the fresh woods of the West. These were Gothic creatures, though maybe with some Grecian roots. A handsome young man had the head and branching antlers of a stag; another, human in every other way, had the grim face of a wolf; a third, still with the body and limbs of a mortal man, sported the beard and horns of an old goat. There was a bear standing upright, animal in every way except for his hind legs, which were dressed in pink silk stockings. And there, almost as amazing, was a real bear from the dark forest, lending each of his forepaws to a human hand and ready to dance just like anyone in the circle. His lower nature reached up halfway to join his companions as they bent down. Other faces resembled those of a man or woman, but were distorted or exaggerated, with red noses hanging in front of their mouths, which seemed impossibly deep and stretched from ear to ear in a perpetual fit of laughter. There was the wild man—famous in heraldry—hairy like a baboon and wrapped in green leaves. Next to him, a nobler but still fake figure appeared: an Indian hunter with a feathered headdress and a wampum belt. Many in this strange group wore foolscaps and had little bells attached to their clothes, chiming merrily in response to the invisible music of their cheerful spirits. Some young men and women wore more sober outfits, yet maintained their spots in the chaotic throng with expressions of wild revelry on their faces.
Such were the colonists of Merry Mount as they stood in the broad smile of sunset round their venerated Maypole. Had a wanderer bewildered in the melancholy forest heard their mirth and stolen a half-affrighted glance, he might have fancied them the crew of Comus, some already transformed to brutes, some midway between man and beast, and the others rioting in the flow of tipsy jollity that foreran the change; but a band of Puritans who watched the scene, invisible themselves, compared the masques to those devils and ruined souls with whom their superstition peopled the black wilderness.
These were the colonists of Merry Mount as they stood in the warm glow of sunset around their beloved Maypole. If a traveler lost in the gloomy forest had heard their laughter and caught a glimpse of them, he might have thought they were a group of Comus, some already turned into animals, some halfway between human and beast, and the others indulging in the drunken cheer that preceded the transformation; but a group of Puritans watching from the shadows, unseen themselves, likened the revelers to those demons and damned souls that their superstitions filled the dark wilderness with.
Within the ring of monsters appeared the two airiest forms that had ever trodden on any more solid footing than a purple-and-golden cloud. One was a youth in glistening apparel with a scarf of the rainbow pattern crosswise on his breast. His right hand held a gilded staff—the ensign of high dignity among the revellers—and his left grasped the slender fingers of a fair maiden not less gayly decorated than himself. Bright roses glowed in contrast with the dark and glossy curls of each, and were scattered round their feet or had sprung up spontaneously there. Behind this lightsome couple, so close to the Maypole that its boughs shaded his jovial face, stood the figure of an English priest, canonically dressed, yet decked with flowers, in heathen fashion, and wearing a chaplet of the native vine leaves. By the riot of his rolling eye and the pagan decorations of his holy garb, he seemed the wildest monster there, and the very Comus of the crew.
Within the circle of monsters appeared the two lightest figures that had ever walked on anything more solid than a purple-and-gold cloud. One was a young man in sparkling clothing with a rainbow-patterned scarf across his chest. He held a gilded staff in his right hand—the symbol of high status among the revelers—and with his left, he held the slender fingers of a fair maiden, who was just as brightly adorned as he was. Bright roses stood out against the dark, shiny curls of both of them and were scattered around their feet or had sprung up spontaneously there. Behind this cheerful couple, so close to the Maypole that its branches shaded his joyful face, stood an English priest, dressed in formal attire but decorated with flowers in a pagan style, wearing a crown of native vine leaves. With the wild gleam in his eye and the pagan embellishments on his holy outfit, he looked like the wildest creature there, the very Comus of the group.
“Votaries of the Maypole,” cried the flower-decked priest, “merrily all day long have the woods echoed to your mirth. But be this your merriest hour, my hearts! Lo! here stand the Lord and Lady of the May, whom I, a clerk of Oxford and high priest of Merry Mount, am presently to join in holy matrimony.—Up with your nimble spirits, ye morrice-dancers, green men and glee-maidens, bears and wolves and horned gentlemen! Come! a chorus now rich with the old mirth of Merry England and the wilder glee of this fresh forest, and then a dance, to show the youthful pair what life is made of and how airily they should go through it!—All ye that love the Maypole, lend your voices to the nuptial song of the Lord and Lady of the May!”
“Devotees of the Maypole,” exclaimed the flower-adorned priest, “all day long the woods have echoed with your joy. But let this be your happiest moment, my friends! Look! Here stand the Lord and Lady of the May, whom I, a scholar from Oxford and high priest of Merry Mount, am about to unite in holy matrimony. —Lift up your lively spirits, you morris dancers, green men and maidens of merriment, bears and wolves and horned gentlemen! Come! Let’s have a chorus now filled with the old joy of Merry England and the wild happiness of this fresh forest, followed by a dance, to show the young couple what life is all about and how lightly they should navigate through it! —All of you who love the Maypole, raise your voices for the wedding song of the Lord and Lady of the May!”
This wedlock was more serious than most affairs of Merry Mount, where jest and delusion, trick and fantasy, kept up a continual carnival. The Lord and Lady of the May, though their titles must be laid down at sunset, were really and truly to be partners for the dance of life, beginning the measure that same bright eve. The wreath of roses that hung from the lowest green bough of the Maypole had been twined for them, and would be thrown over both their heads in symbol of their flowery union. When the priest had spoken, therefore, a riotous uproar burst from the rout of monstrous figures.
This marriage was more meaningful than most events at Merry Mount, where jokes, illusions, tricks, and fantasies created a constant celebration. The Lord and Lady of the May, even though they had to give up their titles at sunset, were genuinely set to be partners for the journey of life, starting that very bright evening. The wreath of roses hanging from the lowest green branch of the Maypole had been made for them and would be tossed over both their heads as a symbol of their blooming union. So when the priest finished speaking, a wild uproar erupted from the crowd of bizarre figures.
“Begin you the stave, reverend sir,” cried they all, “and never did the woods ring to such a merry peal as we of the Maypole shall send up.”
“Start the tune, kind sir,” they all exclaimed, “and never have the woods echoed with such a joyful sound as we of the Maypole will create.”
Immediately a prelude of pipe, cittern and viol, touched with practised minstrelsy, began to play from a neighboring thicket in such a mirthful cadence that the boughs of the Maypole quivered to the sound. But the May-lord—he of the gilded staff—chancing to look into his lady’s eyes, was wonder-struck at the almost pensive glance that met his own.
Immediately, a prelude of pipes, lutes, and viols, played by skilled musicians, began to sound from a nearby thicket in such a cheerful rhythm that the branches of the Maypole trembled to the music. But the May-lord—holding the gilded staff—happened to gaze into his lady’s eyes and was amazed by the almost thoughtful look that met his own.
“Edith, sweet Lady of the May,” whispered he, reproachfully, “is yon wreath of roses a garland to hang above our graves that you look so sad? Oh, Edith, this is our golden time. Tarnish it not by any pensive shadow of the mind, for it may be that nothing of futurity will be brighter than the mere remembrance of what is now passing.”
“Edith, sweet Lady of the May,” he whispered, reproachfully, “is that wreath of roses a garland to hang above our graves that makes you look so sad? Oh, Edith, this is our golden time. Don’t tarnish it with any gloomy thoughts, because it might be that nothing in the future will be brighter than the simple memory of what is happening right now.”
“That was the very thought that saddened me. How came it in your mind too?” said Edith, in a still lower tone than he; for it was high treason to be sad at Merry Mount. “Therefore do I sigh amid this festive music. And besides, dear Edgar, I struggle as with a dream, and fancy that these shapes of our jovial friends are visionary and their mirth unreal, and that we are no true lord and lady of the May. What is the mystery in my heart?”
“That was exactly what made me feel sad. How did that thought come into your mind too?” Edith said, speaking even more quietly than he was, because it was a big deal to feel sad at Merry Mount. “That’s why I sigh while surrounded by this cheerful music. And on top of that, dear Edgar, I feel like I’m battling a dream, imagining that these lively figures of our joyful friends are just illusions and their happiness isn’t real, and that we aren’t really the lord and lady of the May. What’s the mystery in my heart?”
Just then, as if a spell had loosened them, down came a little shower of withering rose-leaves from the Maypole. Alas for the young lovers! No sooner had their hearts glowed with real passion than they were sensible of something vague and unsubstantial in their former pleasures, and felt a dreary presentiment of inevitable change. From the moment that they truly loved they had subjected themselves to earth’s doom of care and sorrow and troubled joy, and had no more a home at Merry Mount. That was Edith’s mystery. Now leave we the priest to marry them, and the masquers to sport round the Maypole till the last sunbeam be withdrawn from its summit and the shadows of the forest mingle gloomily in the dance. Meanwhile, we may discover who these gay people were.
Just then, as if a spell had been lifted, a little shower of withering rose petals fell from the Maypole. Poor young lovers! As soon as their hearts were filled with genuine passion, they became aware of something vague and insubstantial about their previous joys, and felt a gloomy sense of inevitable change. From the moment they truly loved, they had subjected themselves to the world’s burdens of worry and sorrow and complicated happiness, and they no longer had a place at Merry Mount. That was Edith’s secret. Now let’s leave the priest to marry them, and the dancers to celebrate around the Maypole until the last ray of sunlight disappears from its top and the shadows of the forest darken the dance. In the meantime, we can find out who these cheerful people were.
Two hundred years ago, and more, the Old World and its inhabitants became mutually weary of each other. Men voyaged by thousands to the West—some to barter glass and such like jewels for the furs of the Indian hunter, some to conquer virgin empires, and one stern band to pray. But none of these motives had much weight with thecolonists of Merry Mount. Their leaders were men who had sported so long with life, that when Thought and Wisdom came, even these unwelcome guests were led astray by the crowd of vanities which they should have put to flight. Erring Thought and perverted Wisdom were made to put on masques, and play the fool. The men of whom we speak, after losing the heart’s fresh gayety, imagined a wild philosophy of pleasure, and came hither to act out their latest day-dream. They gathered followers from all that giddy tribe whose whole life is like the festal days of soberer men. In their train were minstrels, not unknown in London streets; wandering players, whose theatres had been the halls of noblemen; mummers, rope-dancers, and mountebanks, who would long be missed at wakes, church ales, and fairs; in a word, mirth makers of every sort, such as abounded in that age, but now began to be discountenanced by the rapid growth of Puritanism. Light had their footsteps been on land, and as lightly they came across the sea. Many had been maddened by their previous troubles into a gay despair; others were as madly gay in the flush of youth, like the May Lord and his Lady; but whatever might be the quality of their mirth, old and young were gay at Merry Mount. The young deemed themselves happy. The elder spirits, if they knew that mirth was but the counterfeit of happiness, yet followed the false shadow wilfully, because at least her garments glittered brightest. Sworn triflers of a lifetime, they would not venture among the sober truths of life not even to be truly blest.
Two hundred years ago, and more, the Old World and its people grew tired of each other. Thousands of men traveled to the West—some to trade glass and other trinkets for the furs of Native American hunters, some to conquer new lands, and a strict group to pray. But none of these reasons mattered much to the colonists of Merry Mount. Their leaders were men who had played with life for so long that when Thought and Wisdom finally arrived, even these unwanted visitors were led astray by a crowd of distractions they should have dismissed. Misguided Thought and twisted Wisdom donned disguises and played the fool. The men we’re talking about, after losing the fresh joy of their hearts, dreamed up a wild philosophy of pleasure and came here to live out their latest daydream. They attracted followers from that dizzy group whose lives resembled the festive days of more serious people. With them were musicians not unknown on the streets of London; wandering performers whose stages had been the halls of nobles; jesters, acrobats, and charlatans who would be greatly missed at feasts, church gatherings, and fairs; in short, joy-bringers of all kinds, who thrived in that era but were now starting to be scorned by the rapid rise of Puritanism. Their approach to land was light, and they arrived across the sea just as lightly. Many had been driven to a wild kind of despair by their previous troubles; others were joyfully reckless in their youth, like the May Lord and his Lady; but whatever the nature of their joy, both young and old were merry at Merry Mount. The young people thought they were happy. The older folks, even if they recognized that joy was just a facade of happiness, still chose to chase that false illusion because at least her garments sparkled the most. Lifelong tricksters, they wouldn’t dare to confront the serious truths of life, not even for the chance to be genuinely blessed.
All the hereditary pastimes of Old England were transplanted hither. The King of Christmas was duly crowned, and the Lord of Misrule bore potent sway. On the Eve of St. John, they felled whole acres of the forest to make bonfires, and danced by the blaze all night, crowned with garlands, and throwing flowers into the flame. At harvest time, though their crop was of the smallest, they made an image with the sheaves of Indian corn, and wreathed it with autumnal garlands, and bore it home triumphantly. But what chiefly characterized the colonists of Merry Mount was their veneration for the Maypole. It has made their true history a poet’s tale. Spring decked the hallowed emblem with young blossoms and fresh green boughs; Summer brought roses of the deepest blush, and the perfected foliage of the forest; Autumn enriched it with that red and yellow gorgeousness which converts each wildwood leaf into a painted flower; and Winter silvered it with sleet, and hung it round with icicles, till it flashed in the cold sunshine, itself a frozen sunbeam. Thus each alternate season did homage to the Maypole, and paid it a tribute of its own richest splendor. Its votaries danced round it, once, at least, in every month; sometimes they called it their religion, or their altar; but always, it was the banner staff of Merry Mount.
All the traditional pastimes of Old England were brought here. The King of Christmas was officially crowned, and the Lord of Misrule held significant power. On the Eve of St. John, they cut down entire sections of the forest to create bonfires and danced around the flames all night, wearing garlands and tossing flowers into the fire. During harvest time, even though their crop was minimal, they fashioned an image from sheaves of corn and decorated it with autumn garlands, bringing it home triumphantly. But what really stood out about the colonists of Merry Mount was their deep respect for the Maypole. It has turned their true story into a poetic tale. Spring adorned the sacred symbol with young blossoms and fresh green branches; Summer brought the deepest blush of roses and the full foliage of the forest; Autumn transformed it with vibrant reds and yellows, turning each wild leaf into a painted flower; and Winter covered it in sleet and draped it with icicles, making it glitter in the cold sunlight, like a frozen sunbeam. Thus, each changing season honored the Maypole, gifting it with its own unique beauty. Its followers danced around it at least once every month; sometimes they referred to it as their religion or altar; but it was always the flagpole of Merry Mount.
Unfortunately, there were men in the new world of a sterner faith than those Maypole worshippers. Not far from Merry Mount was a settlement of Puritans, most dismal wretches, who said their prayers before daylight, and then wrought in the forest or the cornfield till evening made it prayer time again. Their weapons were always at hand to shoot down the straggling savage. When they met in conclave, it was never to keep up the old English mirth, but to hear sermons three hours long, or to proclaim bounties on the heads of wolves and the scalps of Indians. Their festivals were fast days, and their chief pastime the singing of psalms. Woe to the youth or maiden who did but dream of a dance! The selectman nodded to the constable; and there sat the light-heeled reprobate in the stocks; or if he danced, it was round the whipping-post, which might be termed the Puritan Maypole.
Unfortunately, there were men in the new world who had a stricter faith than those Maypole worshippers. Not far from Merry Mount was a settlement of Puritans, a group of very unhappy people, who said their prayers before sunrise and then worked in the forest or the cornfield until evening came around for prayers again. Their weapons were always ready to shoot down any wandering savage. When they gathered together, it was never for fun, but to listen to sermons that lasted three hours, or to offer rewards for the heads of wolves and the scalps of Indians. Their celebrations consisted of fasting days, and their main pastime was singing psalms. Woe to any young man or woman who even thought of dancing! The selectman would give a nod to the constable, and there would sit the light-footed sinner in the stocks; or if he did dance, it would be around the whipping post, which could be called the Puritan Maypole.
A party of these grim Puritans, toiling through the difficult woods, each with a horseload of iron armor to burden his footsteps, would sometimes draw near the sunny precincts of Merry Mount. There were the silken colonists, sporting round their Maypole; perhaps teaching a bear to dance, or striving to communicate their mirth to the grave Indian, or masquerading in the skins of deer and wolves which they had hunted for that especial purpose. Often the whole colony were playing at Blindman’s Buff, magistrates and all with their eyes bandaged, except a single scapegoat, whom the blinded sinners pursued by the tinkling of the bells at his garments. Once, it is said, they were seen following a flower-decked corpse with merriment and festive music to his grave. But did the dead man laugh? In their quietest times they sang ballads and told tales for the edification of their pious visitors, or perplexed them with juggling tricks, or grinned at them through horse-collars; and when sport itself grew wearisome, they made game of their own stupidity and began a yawning-match. At the very least of these enormities the men of iron shook their heads and frowned so darkly that the revellers looked up, imagining that a momentary cloud had overcast the sunshine which was to be perpetual there. On the other hand, the Puritans affirmed that when a psalm was pealing from their place of worship the echo which the forest sent them back seemed often like the chorus of a jolly catch, closing with a roar of laughter. Who but the fiend and his bond-slaves the crew of Merry Mount had thus disturbed them? In due time a feud arose, stern and bitter on one side, and as serious on the other as anything could be among such light spirits as had sworn allegiance to the Maypole. The future complexion of New England was involved in this important quarrel. Should the grisly saints establish their jurisdiction over the gay sinners, then would their spirits darken all the clime and make it a land of clouded visages, of hard toil, of sermon and psalm for ever; but should the banner-staff of Merry Mount be fortunate, sunshine would break upon the hills, and flowers would beautify the forest and late posterity do homage to the Maypole.
A group of stern Puritans, struggling through the tough woods, each weighed down by a load of iron armor, would sometimes approach the sunny grounds of Merry Mount. There, the cheerful colonists enjoyed themselves around their Maypole, perhaps teaching a bear to dance, trying to share their joy with the serious Indian, or dressing up in the skins of deer and wolves they had hunted for that purpose. Often, the entire colony played Blindman's Buff, including the magistrates, all with their eyes covered except for a single scapegoat, whom the blind players chased by the sound of the bells on his clothing. Once, it's said, they were seen following a flower-covered corpse with laughter and festive music to his grave. But did the dead man laugh? In their quiet moments, they sang ballads and told stories to entertain their pious visitors, or confused them with tricks, or grinned at them through horse-collars. When even their games became boring, they made fun of their own silliness and started a yawning contest. At the very least of these offenses, the iron-clad men shook their heads and frowned so severely that the revelers looked up, thinking a momentary cloud had dimmed the eternal sunshine. On the other hand, the Puritans claimed that when a psalm rang out from their place of worship, the echo from the forest often sounded like the chorus of a cheerful song, ending with a burst of laughter. Who but the devil and his followers at Merry Mount could have disturbed them like this? Eventually, a fierce and bitter feud developed—a serious conflict for the lively spirits devoted to the Maypole. The future of New England hinged on this significant dispute. If the grim saints established control over the merry sinners, their gloomy spirits would darken the land, turning it into a place of serious faces, hard labor, and endless sermons and psalms; but if the banner of Merry Mount triumphed, sunshine would illuminate the hills, flowers would adorn the forest, and future generations would honor the Maypole.
After these authentic passages from history we return to the nuptials of the Lord and Lady of the May. Alas! we have delayed too long, and must darken our tale too suddenly. As we glance again at the Maypole a solitary sunbeam is fading from the summit, and leaves only a faint golden tinge blended with the hues of the rainbow banner. Even that dim light is now withdrawn, relinquishing the whole domain of Merry Mount to the evening gloom which has rushed so instantaneously from the black surrounding woods. But some of these black shadows have rushed forth in human shape.
After these genuine moments from history, we return to the wedding of the Lord and Lady of the May. Unfortunately, we've taken too long, and we have to turn our story a bit abruptly. As we look back at the Maypole, a single sunbeam is fading from the top, leaving only a faint golden glow mixed with the colors of the rainbow banner. Even that dim light has now disappeared, giving the entire area of Merry Mount over to the evening darkness that has rushed in so suddenly from the surrounding black woods. But some of these dark shadows have emerged in human form.
Yes, with the setting sun the last day of mirth had passed from Merry Mount. The ring of gay masquers was disordered and broken; the stag lowered his antlers in dismay; the wolf grew weaker than a lamb; the bells of the morrice-dancers tinkled with tremulous affright. The Puritans had played a characteristic part in the Maypole mummeries. Their darksome figures were intermixed with the wild shapes of their foes, and made the scene a picture of the moment when waking thoughts start up amid the scattered fantasies of a dream. The leader of the hostile party stood in the centre of the circle, while the rout of monsters cowered around him like evil spirits in the presence of a dread magician. No fantastic foolery could look him in the face. So stern was the energy of his aspect that the whole man, visage, frame and soul, seemed wrought of iron gifted with life and thought, yet all of one substance with his headpiece and breastplate. It was the Puritan of Puritans: it was Endicott himself.
Yes, with the setting sun, the final day of celebration at Merry Mount had come to an end. The group of cheerful revelers was disorganized and scattered; the stag lowered his antlers in distress; the wolf appeared weaker than a lamb; the bells of the morris dancers jingled with trembling fear. The Puritans played a typical role in the Maypole festivities. Their grim figures mingled with the wild forms of their opponents, creating a scene that resembled the moment when waking thoughts emerge from the scattered fantasies of a dream. The leader of the opposing group stood in the center of the circle, while the crowd of monsters huddled around him like evil spirits in front of a terrifying magician. No absurd antics could meet his gaze. So intense was the energy in his expression that he seemed like a man made of iron, alive and thinking, yet entirely of the same substance as his helmet and breastplate. It was the Puritan of Puritans: it was Endicott himself.
“Stand off, priest of Baal!” said he, with a grim frown and laying no reverent hand upon the surplice. “I know thee, Blackstone![2] Thou art the man who couldst not abide the rule even of thine own corrupted Church, and hast come hither to preach iniquity and to give example of it in thy life. But now shall it be seen that the Lord hath sanctified this wilderness for his peculiar people. Woe unto them that would defile it! And first for this flower-decked abomination, the altar of thy worship!”
“Step back, priest of Baal!” he said, with a grim frown and without laying a respectful hand on the surplice. “I know you, Blackstone![2] You’re the one who couldn’t even tolerate the rules of your own corrupt Church, and you’ve come here to preach wrongdoing and live it out yourself. But now it will be shown that the Lord has set apart this wilderness for His special people. Woe to those who would defile it! And first for this flower-adorned abomination, the altar of your worship!”
And with his keen sword Endicott assaulted the hallowed Maypole. Nor long did it resist his arm. It groaned with a dismal sound, it showered leaves and rosebuds upon the remorseless enthusiast, and finally, with all its green boughs and ribbons and flowers, symbolic of departed pleasures, down fell the banner-staff of Merry Mount. As it sank, tradition says, the evening sky grew darker and the woods threw forth a more sombre shadow.
And with his sharp sword, Endicott attacked the sacred Maypole. It didn’t take long for it to give way to his strength. It let out a mournful groan, showering leaves and rosebuds on the unyielding enthusiast, and finally, with all its green branches, ribbons, and flowers, representing lost joys, the banner-pole of Merry Mount came crashing down. As it fell, legend has it, the evening sky grew darker and the woods cast a gloomier shadow.
“There!” cried Endicott, looking triumphantly on his work; “there lies the only Maypole in New England. The thought is strong within me that by its fall is shadowed forth the fate of light and idle mirthmakers amongst us and our posterity. Amen, saith John Endicott!”
“There!” shouted Endicott, proudly surveying his work; “there's the only Maypole in New England. I strongly believe that its fall symbolizes the fate of the carefree and lighthearted folks among us and our descendants. Amen, says John Endicott!”
“Amen!” echoed his followers.
“Amen!” echoed his followers.
But the votaries of the Maypole gave one groan for their idol. At the sound the Puritan leader glanced at the crew of Comus, each a figure of broad mirth, yet at this moment strangely expressive of sorrow and dismay.
But the fans of the Maypole let out a collective groan for their idol. At the sound, the Puritan leader looked at the group of Comus, each a figure of broad happiness, yet in this moment oddly showing sorrow and disappointment.
“Valiant captain,” quoth Peter Palfrey, the ancient of the band, “what order shall be taken with the prisoners?”
“Brave captain,” said Peter Palfrey, the elder of the group, “what should we do with the prisoners?”
“I thought not to repent me of cutting down a Maypole,” replied Endicott, “yet now I could find in my heart to plant it again and give each of these bestial pagans one other dance round their idol. It would have served rarely for a whipping-post.”
“I didn’t think I’d regret cutting down a Maypole,” replied Endicott, “but now I could actually bring myself to plant it again and let these savage pagans have another dance around their idol. It would have made a great whipping post.”
“But there are pine trees enow,” suggested the lieutenant.
“But there are plenty of pine trees,” suggested the lieutenant.
“True, good ancient,” said the leader. “Wherefore bind the heathen crew and bestow on them a small matter of stripes apiece as earnest of our future justice. Set some of the rogues in the stocks to rest themselves so soon as Providence shall bring us to one of our own well-ordered settlements where such accommodations may be found. Further penalties, such as branding and cropping of ears, shall be thought of hereafter.”
“Sure, good friend,” said the leader. “So let’s tie up the heathen crew and give them a little bit of punishment as a sign of our future justice. Put some of the criminals in the stocks to take a break as soon as luck brings us to one of our own well-run settlements where we can find such arrangements. We’ll consider stricter punishments, like branding and cutting off ears, later on.”
“How many stripes for the priest?” inquired Ancient Palfrey.
“How many stripes does the priest need?” asked Ancient Palfrey.
“None as yet,” answered Endicott, bending his iron frown upon the culprit. “It must be for the Great and General Court to determine whether stripes and long imprisonment, and other grievous penalty, may atone for his transgressions. Let him look to himself. For such as violate our civil order it may be permitted us to show mercy, but woe to the wretch that troubleth our religion!”
“None so far,” replied Endicott, fixing his stern gaze on the offender. “It’s up to the Great and General Court to decide whether punishment like whipping, long prison time, or other harsh penalties can atone for his wrongdoings. He needs to consider his actions. We might show mercy to those who disrupt our social order, but woe to the unfortunate soul who disturbs our faith!”
“And this dancing bear?” resumed the officer. “Must he share the stripes of his fellows?”
“And this dancing bear?” the officer continued. “Does he have to share the stripes of his companions?”
“Shoot him through the head!” said the energetic Puritan. “I suspect witchcraft in the beast.”
“Shoot him in the head!” said the enthusiastic Puritan. “I suspect witchcraft in the creature.”
“Here be a couple of shining ones,” continued Peter Palfrey, pointing his weapon at the Lord and Lady of the May. “They seem to be of high station among these misdoers. Methinks their dignity will not be fitted with less than a double share of stripes.”
“Here are a couple of shiny ones,” continued Peter Palfrey, aiming his weapon at the Lord and Lady of the May. “They look like they hold a high position among these wrongdoers. I think their status deserves nothing less than a double dose of punishment.”
Endicott rested on his sword and closely surveyed the dress and aspect of the hapless pair. There they stood, pale, downcast and apprehensive, yet there was an air of mutual support and of pure affection seeking aid and giving it that showed them to be man and wife with the sanction of a priest upon their love. The youth in the peril of the moment, had dropped his gilded staff and thrown his arm about the Lady of the May, who leaned against his breast too lightly to burden him, but with weight enough to express that their destinies were linked together for good or evil. They looked first at each other and then into the grim captain’s face. There they stood in the first hour of wedlock, while the idle pleasures of which their companions were the emblems had given place to the sternest cares of life, personified by the dark Puritans. But never had their youthful beauty seemed so pure and high as when its glow was chastened by adversity.
Endicott rested on his sword and closely surveyed the outfit and demeanor of the unfortunate couple. They stood there, pale, downcast, and anxious, yet there was a sense of mutual support and genuine affection between them that showed they were husband and wife, blessed by a priest. In that moment of danger, the young man had dropped his gilded staff and wrapped his arm around the Lady of the May, who leaned against him lightly, just enough to show that their fates were intertwined for better or worse. They looked at each other first and then at the grim captain's face. They stood there in the first hour of their marriage, as the idle pleasures represented by their companions were replaced by the harsh realities of life, embodied by the dark Puritans. But their youthful beauty had never seemed so pure and noble as it did now, its glow softened by adversity.
“Youth,” said Endicott, “ye stand in an evil case—thou and thy maiden-wife. Make ready presently, for I am minded that ye shall both have a token to remember your wedding-day.”
“Young ones,” Endicott said, “you’re in a tough spot—both you and your bride. Get ready right away, because I intend for you both to have a keepsake to remember your wedding day.”
“Stern man,” cried the May-lord, “how can I move thee? Were the means at hand, I would resist to the death; being powerless, I entreat. Do with me as thou wilt, but let Edith go untouched.”
“Stern man,” cried the May-lord, “how can I convince you? If I had the power, I would fight to the death; being helpless, I plead. Do with me as you wish, but please let Edith be left unharmed.”
“Not so,” replied the immitigable zealot. “We are not wont to show an idle courtesy to that sex which requireth the stricter discipline.—What sayest thou, maid? Shall thy silken bridegroom suffer thy share of the penalty besides his own?”
“Not at all,” replied the unyielding zealot. “We don’t usually show empty politeness to a group that needs stricter discipline. — What do you say, girl? Should your silky bridegroom face your share of the punishment along with his own?”
“Be it death,” said Edith, “and lay it all on me.”
“Let it be death,” said Edith, “and put it all on me.”
Truly, as Endicott had said, the poor lovers stood in a woeful case. Their foes were triumphant, their friends captive and abased, their home desolate, the benighted wilderness around them, and a rigorous destiny in the shape of the Puritan leader their only guide. Yet the deepening twilight could not altogether conceal that the iron man was softened. He smiled at the fair spectacle of early love; he almost sighed for the inevitable blight of early hopes.
Truly, as Endicott had said, the poor lovers were in a terrible situation. Their enemies were winning, their friends were captured and humiliated, their home was empty, the dark wilderness surrounded them, and a harsh fate in the form of the Puritan leader was their only guide. Yet the deepening twilight could not completely hide the fact that the tough man had softened. He smiled at the beautiful sight of young love; he almost sighed for the unavoidable loss of early dreams.
“The troubles of life have come hastily on this young couple,” observed Endicott. “We will see how they comport themselves under their present trials ere we burden them with greater. If among the spoil there be any garments of a more decent fashion, let them be put upon this May-lord and his Lady instead of their glistening vanities. Look to it, some of you.”
“The troubles of life have come quickly to this young couple,” observed Endicott. “Let’s see how they handle their current challenges before we add more to their load. If there are any clothes of a better style among the things we found, let’s put them on this May-lord and his Lady instead of their flashy fancies. Make sure of it, some of you.”
“And shall not the youth’s hair be cut?” asked Peter Palfrey, looking with abhorrence at the lovelock and long glossy curls of the young man.
“And shouldn’t the young man get a haircut?” asked Peter Palfrey, looking in disgust at the lock of hair and the long, shiny curls of the young man.
“Crop it forthwith, and that in the true pumpkin-shell fashion,” answered the captain. “Then bring them along with us, but more gently than their fellows. There be qualities in the youth which may make him valiant to fight and sober to toil and pious to pray, and in the maiden that may fit her to become a mother in our Israel, bringing up babes in better nurture than her own hath been.—Nor think ye, young ones, that they are the happiest, even in our lifetime of a moment, who misspend it in dancing round a Maypole.”
“Cut it right away, and do it in the proper pumpkin-shell style,” the captain replied. “Then bring them along with us, but be gentler than with the others. There are qualities in the young man that could make him brave in battle, hardworking in labor, and devout in prayer, and in the young woman that may prepare her to become a mother in our community, raising children with better care than she herself received. —And don’t think, young ones, that those who waste their time dancing around a Maypole are the happiest, even in our brief moment of life.”
And Endicott, the severest Puritan of all who laid the rock-foundation of New England, lifted the wreath of roses from the ruin of the Maypole and threw it with his own gauntleted hand over the heads of the Lord and Lady of the May. It was a deed of prophecy. As the moral gloom of the world overpowers all systematic gayety, even so was their home of wild mirth made desolate amid the sad forest. They returned to it no more. But as their flowery garland was wreathed of the brightest roses that had grown there, so in the tie that united them were intertwined all the purest and best of their early joys. They went heavenward supporting each other along the difficult path which it was their lot to tread, and never wasted one regretful thought on the vanities of Merry Mount.
And Endicott, the strictest Puritan of all who founded New England, took the wreath of roses from the ruined Maypole and threw it with his own armored hand over the heads of the Lord and Lady of the May. It was an act of prophecy. Just as the moral darkness of the world overwhelms all organized joy, their home of wild celebration became empty in the sorrowful forest. They never returned to it. But just as their floral garland was made of the brightest roses that had grown there, so too were all their purest and best early joys woven into the bond that united them. They ascended together, supporting each other on the hard path they had to walk, and never wasted a regretful thought on the distractions of Merry Mount.
THE GENTLE BOY
In the course of the year 1656 several of the people called Quakers—led, as they professed, by the inward movement of the spirit—made their appearance in New England. Their reputation as holders of mystic and pernicious principles having spread before them, the Puritans early endeavored to banish and to prevent the further intrusion of the rising sect. But the measures by which it was intended to purge the land of heresy, though more than sufficiently vigorous, were entirely unsuccessful. The Quakers, esteeming persecution as a divine call to the post of danger, laid claim to a holy courage unknown to the Puritans themselves, who had shunned the cross by providing for the peaceable exercise of their religion in a distant wilderness. Though it was the singular fact that every nation of the earth rejected the wandering enthusiasts who practised peace toward all men, the place of greatest uneasiness and peril, and therefore in their eyes the most eligible, was the province of Massachusetts Bay.
In the year 1656, several people known as Quakers—who claimed to be guided by an inner spiritual movement—showed up in New England. Their reputation for holding mystical and harmful beliefs had spread ahead of them, prompting the Puritans to quickly try to banish them and stop any further presence of this emerging group. However, the efforts to rid the land of heresy, though quite strong, were completely ineffective. The Quakers viewed persecution as a divine calling to confront danger, demonstrating a boldness that the Puritans themselves lacked, as the Puritans had avoided hardship by establishing a peaceful practice of their faith in a remote wilderness. Interestingly, while every nation in the world turned away the wandering activists who embraced peace for all, the area that was the most uncomfortable and dangerous—and therefore, in their eyes, the most appealing—was the province of Massachusetts Bay.
The fines, imprisonments and stripes liberally distributed by our pious forefathers, the popular antipathy, so strong that it endured nearly a hundred years after actual persecution had ceased, were attractions as powerful for the Quakers as peace, honor and reward would have been for the worldly-minded. Every European vessel brought new cargoes of the sect, eager to testify against the oppression which they hoped to share; and when shipmasters were restrained by heavy fines from affording them passage, they made long and circuitous journeys through the Indian country, and appeared in the province as if conveyed by a supernatural power. Their enthusiasm, heightened almost to madness by the treatment which they received, produced actions contrary to the rules of decency as well as of rational religion, and presented a singular contrast to the calm and staid deportment of their sectarian successors of the present day. The command of the Spirit, inaudible except to the soul and not to be controverted on grounds of human wisdom, was made a plea for most indecorous exhibitions which, abstractedly considered, well deserved the moderate chastisement of the rod. These extravagances, and the persecution which was at once their cause and consequence, continued to increase, till in the year 1659 the government of Massachusetts Bay indulged two members of the Quaker sect with the crown of martyrdom.
The fines, imprisonments, and punishments generously handed out by our religious ancestors, along with the widespread dislike that lingered for almost a hundred years after actual persecution had stopped, were just as appealing to the Quakers as peace, honor, and rewards would have been to those focused on worldly matters. Every European ship brought new members of the sect, eager to speak out against the oppression they hoped to experience; and when ship captains faced hefty fines for giving them passage, they took long, roundabout trips through the Indian territories, arriving in the province as if carried by some supernatural force. Their enthusiasm, pushed to the edge of madness by the treatment they faced, led to actions that went against both decency and rational religion, standing in stark contrast to the calm and composed behavior of their sect’s followers today. The command of the Spirit, which could only be perceived by the soul and couldn't be challenged based on human reasoning, was used to justify many inappropriate displays that, considered independently, truly deserved modest punishment. These extremes, along with the persecution that was both their cause and result, kept growing until in 1659, the Massachusetts Bay government allowed two members of the Quaker sect to achieve martyrdom.
An indelible stain of blood is upon the hands of all who consented to this act, but a large share of the awful responsibility must rest upon the person then at the head of the government. He was a man of narrow mind and imperfect education, and his uncompromising bigotry was made hot and mischievous by violent and hasty passions; he exerted his influence indecorously and unjustifiably to compass the death of the enthusiasts, and his whole conduct in respect to them was marked by brutal cruelty. The Quakers, whose revengeful feelings were not less deep because they were inactive, remembered this man and his associates in after-times. The historian of the sect affirms that by the wrath of Heaven a blight fell upon the land in the vicinity of the “bloody town” of Boston, so that no wheat would grow there; and he takes his stand, as it were, among the graves of the ancient persecutors, and triumphantly recounts the judgments that overtook them in old age or at the parting-hour. He tells us that they died suddenly and violently and in madness, but nothing can exceed the bitter mockery with which he records the loathsome disease and “death by rottenness” of the fierce and cruel governor.
An indelible stain of blood marks the hands of everyone who approved this act, but a significant portion of the terrible responsibility falls on the person who was leading the government at that time. He was a narrow-minded man with a poor education, and his extreme bigotry was fueled by intense and reckless emotions; he used his influence inappropriately and unjustly to orchestrate the deaths of the enthusiasts, and his behavior towards them was characterized by brutal cruelty. The Quakers, whose desire for revenge ran deep even though they were passive, remembered this man and his associates later on. The historian of the sect claims that due to divine wrath, a curse fell upon the land near the “bloody town” of Boston, making it impossible for wheat to grow there; he positions himself, so to speak, among the graves of the ancient persecutors and proudly recounts the judgments that befell them in their old age or at their final moments. He tells us that they died suddenly, violently, and in madness, but nothing can surpass the bitter irony with which he describes the repulsive disease and “death by rottenness” of the fierce and cruel governor.
On the evening of the autumn day that had witnessed the martyrdom of two men of the Quaker persuasion, a Puritan settler was returning from the metropolis to the neighboring country-town in which he resided. The air was cool, the sky clear, and the lingering twilight was made brighter by the rays of a young moon which had now nearly reached the verge of the horizon. The traveller, a man of middle age, wrapped in a gray frieze cloak, quickened his pace when he had reached the outskirts of the town, for a gloomy extent of nearly four miles lay between him and his home. The low straw-thatched houses were scattered at considerable intervals along the road, and, the country having been settled but about thirty years, the tracts of original forest still bore no small proportion to the cultivated ground. The autumn wind wandered among the branches, whirling away the leaves from all except the pine trees and moaning as if it lamented the desolation of which it was the instrument. The road had penetrated the mass of woods that lay nearest to the town, and was just emerging into an open space, when the traveller’s ears were saluted by a sound more mournful than even that of the wind. It was like the wailing of some one in distress, and it seemed to proceed from beneath a tall and lonely fir tree in the centre of a cleared but unenclosed and uncultivated field. The Puritan could not but remember that this was the very spot which had been made accursed a few hours before by the execution of the Quakers, whose bodies had been thrown together into one hasty grave beneath the tree on which they suffered. He struggled, however, against the superstitious fears which belonged to the age, and compelled himself to pause and listen.
On the evening of the autumn day that had seen the execution of two Quakers, a Puritan settler was coming back from the city to the nearby town where he lived. The air was cool, the sky was clear, and the fading twilight was brightened by the rays of a young moon that had nearly reached the horizon. The traveler, a middle-aged man wrapped in a gray cloak, quickened his pace when he reached the town’s outskirts, as a gloomy stretch of nearly four miles lay between him and home. The low straw-roofed houses were spaced out significantly along the road, and since the area had been settled for only about thirty years, the original forests still made up a good portion of the land. The autumn wind moved through the branches, stirring the leaves from all the trees except the pines, and it moaned as if mourning the desolation it caused. The road had cut through the woods closest to the town and was just breaking into an open area when the traveler heard a sound that was more mournful than the wind. It was like someone wailing in distress, and it seemed to come from under a tall, solitary fir tree in the middle of an uncultivated field. The Puritan couldn’t help but remember that this was the same spot that had been cursed just a few hours earlier by the execution of the Quakers, whose bodies had been hastily buried beneath the tree where they suffered. He struggled against the superstitious fears typical of the time and forced himself to pause and listen.
“The voice is most likely mortal, nor have I cause to tremble if it be otherwise,” thought he, straining his eyes through the dim moonlight. “Methinks it is like the wailing of a child—some infant, it may be, which has strayed from its mother and chanced upon this place of death. For the ease of mine own conscience I must search this matter out.” He therefore left the path and walked somewhat fearfully across the field. Though now so desolate, its soil was pressed down and trampled by the thousand footsteps of those who had witnessed the spectacle of that day, all of whom had now retired, leaving the dead to their loneliness.
"The voice is probably human, and I don’t have a reason to be scared if it’s not," he thought, squinting his eyes through the faint moonlight. "It sounds like the crying of a child—maybe a little one who has wandered away from its mother and stumbled into this place of death. To ease my own conscience, I need to find out what this is." So, he stepped off the path and walked a bit nervously across the field. Even though it was now so desolate, the ground was pressed down and trampled by the thousands of footsteps from those who had witnessed the events of that day, all of whom had now left, leaving the dead to their solitude.
The traveller at length reached the fir tree, which from the middle upward was covered with living branches, although a scaffold had been erected beneath, and other preparations made for the work of death. Under this unhappy tree—which in after-times was believed to drop poison with its dew—sat the one solitary mourner for innocent blood. It was a slender and light-clad little boy who leaned his face upon a hillock of fresh-turned and half-frozen earth and wailed bitterly, yet in a suppressed tone, as if his grief might receive the punishment of crime. The Puritan, whose approach had been unperceived, laid his hand upon the child’s shoulder and addressed him compassionately.
The traveler finally arrived at the fir tree, which had living branches from the middle up, even though a scaffold had been put up beneath it, along with other preparations for the execution. Under this unfortunate tree—believed in later times to drip poison with its dew—sat the only mourner for innocent blood. It was a slender, lightly dressed little boy who rested his face on a small mound of freshly turned, half-frozen earth and cried out in despair, though in a quiet tone, as if his sorrow might be seen as a crime. The Puritan, whose presence had gone unnoticed, gently placed his hand on the child's shoulder and spoke to him with compassion.
“You have chosen a dreary lodging, my poor boy, and no wonder that you weep,” said he. “But dry your eyes and tell me where your mother dwells; I promise you, if the journey be not too far, I will leave you in her arms tonight.”
“You've picked a really sad place to stay, my poor boy, so it’s no surprise that you’re crying,” he said. “But wipe your tears and tell me where your mom lives; I promise you, if it’s not too far away, I’ll make sure to get you into her arms tonight.”
The boy had hushed his wailing at once, and turned his face upward to the stranger. It was a pale, bright-eyed countenance, certainly not more than six years old, but sorrow, fear and want had destroyed much of its infantile expression. The Puritan, seeing the boy’s frightened gaze and feeling that he trembled under his hand, endeavored to reassure him:
The boy stopped crying immediately and looked up at the stranger. His face was pale and bright-eyed, clearly no more than six years old, but sadness, fear, and hardship had taken away much of his childlike expression. The Puritan, noticing the boy’s scared look and feeling him shake under his hand, tried to comfort him:
“Nay, if I intended to do you harm, little lad, the readiest way were to leave you here. What! you do not fear to sit beneath the gallows on a new-made grave, and yet you tremble at a friend’s touch? Take heart, child, and tell me what is your name and where is your home.”
“Nah, if I wanted to hurt you, kid, the easiest way would be to leave you here. What? You're not afraid to sit under the gallows on a fresh grave, yet you shake at a friend's touch? Be brave, kid, and tell me your name and where you live.”
“Friend,” replied the little boy, in a sweet though faltering voice, “they call me Ilbrahim, and my home is here.”
“Friend,” replied the little boy, in a soft but hesitant voice, “they call me Ilbrahim, and my home is here.”
The pale, spiritual face, the eyes that seemed to mingle with the moonlight, the sweet, airy voice and the outlandish name almost made the Puritan believe that the boy was in truth a being which had sprung up out of the grave on which he sat; but perceiving that the apparition stood the test of a short mental prayer, and remembering that the arm which he had touched was lifelike, he adopted a more rational supposition. “The poor child is stricken in his intellect,” thought he, “but verily his words are fearful in a place like this.” He then spoke soothingly, intending to humor the boy’s fantasy:
The pale, ethereal face, the eyes that seemed to blend with the moonlight, the sweet, light voice, and the unusual name almost made the Puritan think the boy was actually a being that had emerged from the grave where he was sitting. However, after realizing that the figure withstood a quick mental prayer and remembering that the arm he had touched felt real, he came to a more logical conclusion. "The poor child is mentally affected," he thought, "but his words are truly alarming in a place like this." He then spoke gently, trying to go along with the boy’s imagination:
“Your home will scarce be comfortable, Ilbrahim, this cold autumn night, and I fear you are ill-provided with food. I am hastening to a warm supper and bed; and if you will go with me, you shall share them.”
“Your home will hardly be comfortable, Ilbrahim, on this chilly autumn night, and I worry you don’t have enough food. I’m heading to a warm dinner and bed; if you come with me, you can share them.”
“I thank thee, friend, but, though I be hungry and shivering with cold, thou wilt not give me food nor lodging,” replied the boy, in the quiet tone which despair had taught him even so young. “My father was of the people whom all men hate; they have laid him under this heap of earth, and here is my home.”
“I thank you, friend, but even though I'm hungry and freezing, you won't give me food or a place to stay,” replied the boy, in the calm voice that despair had taught him at such a young age. “My father belonged to a group that everyone hates; they've buried him under this pile of dirt, and this is my home.”
The Puritan, who had laid hold of little Ilbrahim’s hand, relinquished it as if he were touching a loathsome reptile. But he possessed a compassionate heart which not even religious prejudice could harden into stone. “God forbid that I should leave this child to perish, though he comes of the accursed sect,” said he to himself. “Do we not all spring from an evil root? Are we not all in darkness till the light doth shine upon us? He shall not perish, neither in body nor, if prayer and instruction may avail for him, in soul.” He then spoke aloud and kindly to Ilbrahim, who had again hid his face in the cold earth of the grave:
The Puritan, who had grabbed little Ilbrahim’s hand, let go as if he were touching a disgusting snake. But he had a kind heart that even religious bias couldn't harden. “God forbid that I leave this child to suffer, even though he comes from that cursed group,” he thought. “Don’t we all come from a bad background? Aren’t we all in the dark until the light shines on us? He won’t suffer, neither in body nor, if prayer and teaching can help, in soul.” He then spoke gently and kindly to Ilbrahim, who had buried his face again in the cold earth of the grave:
“Was every door in the land shut against you, my child, that you have wandered to this unhallowed spot?”
“Was every door in the country closed to you, my child, that you ended up in this forbidden place?”
“They drove me forth from the prison when they took my father thence,” said the boy, “and I stood afar off watching the crowd of people; and when they were gone, I came hither, and found only this grave. I knew that my father was sleeping here, and I said, ‘This shall be my home.’”
“They took me out of the prison when they took my dad away,” said the boy, “and I stayed back, watching the crowd of people. When they left, I came here and found only this grave. I knew my dad was buried here, and I said, ‘This will be my home.’”
“No, child, no, not while I have a roof over my head or a morsel to share with you,” exclaimed the Puritan, whose sympathies were now fully excited. “Rise up and come with me, and fear not any harm.”
“No, kid, no, not while I have a roof over my head or a bite to share with you,” exclaimed the Puritan, whose emotions were now fully stirred. “Get up and come with me, and don’t worry about any danger.”
The boy wept afresh, and clung to the heap of earth as if the cold heart beneath it were warmer to him than any in a living breast. The traveller, however, continued to entreat him tenderly, and, seeming to acquire some degree of confidence, he at length arose; but his slender limbs tottered with weakness, his little head grew dizzy, and he leaned against the tree of death for support.
The boy cried again and held onto the pile of dirt as if the cold heart beneath it felt warmer to him than any living heart. The traveler, however, kept pleading with him gently, and as the boy seemed to gain some confidence, he finally got up; but his thin legs wobbled with weakness, his little head spun, and he leaned against the tree of death for support.
“My poor boy, are you so feeble?” said the Puritan. “When did you taste food last?”
“My poor boy, are you really that weak?” said the Puritan. “When did you last eat?”
“I ate of bread and water with my father in the prison,” replied Ilbrahim, “but they brought him none neither yesterday nor to-day, saying that he had eaten enough to bear him to his journey’s end. Trouble not thyself for my hunger, kind friend, for I have lacked food many times ere now.”
“I shared bread and water with my father in prison,” Ilbrahim replied, “but they haven't given him any either yesterday or today, claiming that he has had enough to last him for his journey. Don't worry about my hunger, dear friend, because I have gone without food many times before.”
The traveller took the child in his arms and wrapped his cloak about him, while his heart stirred with shame and anger against the gratuitous cruelty of the instruments in this persecution. In the awakened warmth of his feelings he resolved that at whatever risk he would not forsake the poor little defenceless being whom Heaven had confided to his care. With this determination he left the accursed field and resumed the homeward path from which the wailing of the boy had called him. The light and motionless burden scarcely impeded his progress, and he soon beheld the fire-rays from the windows of the cottage which he, a native of a distant clime, had built in the Western wilderness. It was surrounded by a considerable extent of cultivated ground, and the dwelling was situated in the nook of a wood-covered hill, whither it seemed to have crept for protection.
The traveler picked up the child and wrapped him in his cloak, feeling a mix of shame and anger towards the senseless cruelty of those persecuting them. In that moment of warmth, he decided that no matter the risk, he wouldn’t abandon the poor defenseless child that Heaven had entrusted to him. With this resolve, he left the cursed place and returned to the path he had taken when he heard the boy’s cries. The light, motionless weight barely slowed him down, and soon he saw the glowing windows of the cottage he had built in the Western wilderness, far from his homeland. It was surrounded by a large area of cultivated land, nestled at the base of a wooded hill, as if it had sought refuge there.
“Look up, child,” said the Puritan to Ilbrahim, whose faint head had sunk upon his shoulder; “there is our home.”
“Look up, kid,” said the Puritan to Ilbrahim, whose weary head had fallen on his shoulder; “that’s our home.”
At the word “home” a thrill passed through the child’s frame, but he continued silent. A few moments brought them to the cottage door, at which the owner knocked; for at that early period, when savages were wandering everywhere among the settlers, bolt and bar were indispensable to the security of a dwelling. The summons was answered by a bond-servant, a coarse-clad and dull-featured piece of humanity, who, after ascertaining that his master was the applicant, undid the door and held a flaring pine-knot torch to light him in. Farther back in the passageway the red blaze discovered a matronly woman, but no little crowd of children came bounding forth to greet their father’s return.
At the word “home,” a thrill ran through the child's body, but he stayed silent. A few moments later, they arrived at the cottage door, where the owner knocked; back then, when wild people were roaming everywhere among the settlers, locks and bars were essential for a secure home. A bond-servant answered the door, a rough-looking and dull-featured person, who, after confirming that his master was the one knocking, opened the door and held up a bright pine-knot torch to light the way. Further down the hallway, the flickering light revealed a matronly woman, but no excited group of children rushed out to welcome their father's return.
As the Puritan entered he thrust aside his cloak and displayed Ilbrahim’s face to the female.
As the Puritan walked in, he shrugged off his cloak and showed Ilbrahim’s face to the woman.
“Dorothy, here is a little outcast whom Providence hath put into our hands,” observed he. “Be kind to him, even as if he were of those dear ones who have departed from us.”
“Dorothy, here is a little outcast that fate has brought to us,” he said. “Be nice to him, just as if he were one of those beloved people who are no longer with us.”
“What pale and bright-eyed little boy is this, Tobias?” she inquired. “Is he one whom the wilderness-folk have ravished from some Christian mother?”
“What pale and bright-eyed little boy is this, Tobias?” she asked. “Is he one that the wilderness folks have taken from some Christian mother?”
“No, Dorothy; this poor child is no captive from the wilderness,” he replied. “The heathen savage would have given him to eat of his scanty morsel and to drink of his birchen cup, but Christian men, alas! had cast him out to die.” Then he told her how he had found him beneath the gallows, upon his father’s grave, and how his heart had prompted him like the speaking of an inward voice to take the little outcast home and be kind unto him. He acknowledged his resolution to feed and clothe him as if he were his own child, and to afford him the instruction which should counteract the pernicious errors hitherto instilled into his infant mind.
“No, Dorothy; this poor child isn’t a prisoner from the wild,” he said. “The savage would have fed him some of his meager food and given him a drink from his birch cup, but sadly, Christian men had left him to die.” Then he explained how he found him beneath the gallows, on his father's grave, and how he felt a strong urge, like an inner voice, to take the little outcast home and care for him. He confirmed his decision to feed and clothe him as if he were his own child and to provide him with the guidance needed to counter the harmful beliefs he had been taught.
Dorothy was gifted with even a quicker tenderness than her husband, and she approved of all his doings and intentions.
Dorothy had a natural warmth that was even quicker than her husband's, and she supported all his actions and intentions.
“Have you a mother, dear child?” she inquired.
“Do you have a mother, dear child?” she asked.
The tears burst forth from his full heart as he attempted to reply, but Dorothy at length understood that he had a mother, who like the rest of her sect was a persecuted wanderer. She had been taken from the prison a short time before, carried into the uninhabited wilderness and left to perish there by hunger or wild beasts. This was no uncommon method of disposing of the Quakers, and they were accustomed to boast that the inhabitants of the desert were more hospitable to them than civilized man.
The tears streamed from his heart as he tried to respond, but Dorothy eventually realized that he had a mother who, like others in her group, was a persecuted wanderer. She had been taken from prison not long ago, brought into the uninhabited wilderness, and left to die from hunger or wild animals. This way of getting rid of the Quakers wasn't unusual, and they often claimed that the people of the desert were more welcoming to them than civilized society.
“Fear not, little boy; you shall not need a mother, and a kind one,” said Dorothy, when she had gathered this information. “Dry your tears, Ilbrahim, and be my child, as I will be your mother.”
“Don’t worry, little boy; you won’t need a mother, and a loving one at that,” said Dorothy after she learned this. “Wipe your tears, Ilbrahim, and be my child, and I’ll be your mother.”
The good woman prepared the little bed from which her own children had successively been borne to another resting-place. Before Ilbrahim would consent to occupy it he knelt down, and as Dorothy listed to his simple and affecting prayer she marvelled how the parents that had taught it to him could have been judged worthy of death. When the boy had fallen asleep, she bent over his pale and spiritual countenance, pressed a kiss upon his white brow, drew the bedclothes up about his neck, and went away with a pensive gladness in her heart.
The kind woman set up the little bed from which her own kids had been moved to another resting place. Before Ilbrahim would agree to lie in it, he knelt down, and as Dorothy listened to his simple and touching prayer, she wondered how the parents who taught it to him could have been seen as deserving of death. Once the boy had fallen asleep, she leaned over his pale and gentle face, kissed his forehead, pulled the blankets up around his neck, and left with a thoughtful happiness in her heart.
Tobias Pearson was not among the earliest emigrants from the old country. He had remained in England during the first years of the Civil War, in which he had borne some share as a cornet of dragoons under Cromwell. But when the ambitious designs of his leader began to develop themselves, he quitted the army of the Parliament and sought a refuge from the strife which was no longer holy among the people of his persuasion in the colony of Massachusetts. A more worldly consideration had perhaps an influence in drawing him thither, for New England offered advantages to men of unprosperous fortunes as well as to dissatisfied religionists, and Pearson had hitherto found it difficult to provide for a wife and increasing family. To this supposed impurity of motive the more bigoted Puritans were inclined to impute the removal by death of all the children for whose earthly good the father had been over-thoughtful. They had left their native country blooming like roses, and like roses they had perished in a foreign soil. Those expounders of the ways of Providence, who had thus judged their brother and attributed his domestic sorrows to his sin, were not more charitable when they saw him and Dorothy endeavoring to fill up the void in their hearts by the adoption of an infant of the accursed sect. Nor did they fail to communicate their disapprobation to Tobias, but the latter in reply merely pointed at the little quiet, lovely boy, whose appearance and deportment were indeed as powerful arguments as could possibly have been adduced in his own favor. Even his beauty, however, and his winning manners sometimes produced an effect ultimately unfavorable; for the bigots, when the outer surfaces of their iron hearts had been softened and again grew hard, affirmed that no merely natural cause could have so worked upon them. Their antipathy to the poor infant was also increased by the ill-success of divers theological discussions in which it was attempted to convince him of the errors of his sect. Ilbrahim, it is true, was not a skilful controversialist, but the feeling of his religion was strong as instinct in him, and he could neither be enticed nor driven from the faith which his father had died for.
Tobias Pearson wasn’t one of the earliest emigrants from the old country. He had stayed in England during the first years of the Civil War, in which he had served as a cornet of dragoons under Cromwell. However, when his leader’s ambitious plans started to take shape, he left the Parliament’s army and sought refuge from the conflict that had lost its moral ground among his fellow believers in the Massachusetts colony. Possibly, a more practical consideration influenced his move, as New England offered opportunities for those struggling financially as well as for dissatisfied religious individuals, and Pearson had found it hard to support a wife and growing family. The more rigid Puritans were likely to attribute the death of all the children he had been overly concerned for to his mixed motivations. They had left their homeland thriving like roses, and like roses, they had withered in foreign soil. Those who interpreted Providence in this way judged their fellow man and blamed his family’s misfortunes on his failings. They weren’t any kinder when they saw him and Dorothy trying to fill the void in their hearts by adopting a child from a despised group. They certainly made their disapproval known to Tobias, but he simply gestured toward the quiet, beautiful boy, whose appearance and behavior were indeed compelling arguments for his case. Yet, even his charm and good looks sometimes worked against him; the bigots, when the initial softness of their hardened hearts faded, insisted that no purely natural reason could have so affected them. Their dislike for the poor child was also intensified by the failure of various theological debates aimed at convincing him of the mistakes of his beliefs. It’s true that Ilbrahim wasn’t a skilled debater, but his faith was as strong as instinct, and he couldn’t be swayed from the beliefs for which his father had sacrificed his life.
The odium of this stubbornness was shared in a great measure by the child’s protectors, insomuch that Tobias and Dorothy very shortly began to experience a most bitter species of persecution in the cold regards of many a friend whom they had valued. The common people manifested their opinions more openly. Pearson was a man of some consideration, being a representative to the General Court and an approved lieutenant in the train-bands, yet within a week after his adoption of Ilbrahim he had been both hissed and hooted. Once, also, when walking through a solitary piece of woods, he heard a loud voice from some invisible speaker, and it cried, “What shall be done to the backslider? Lo! the scourge is knotted for him, even the whip of nine cords, and every cord three knots.” These insults irritated Pearson’s temper for the moment; they entered also into his heart, and became imperceptible but powerful workers toward an end which his most secret thought had not yet whispered.
The bitterness of this stubbornness was heavily felt by the child's guardians, so much so that Tobias and Dorothy soon found themselves facing a harsh kind of persecution from many friends they once valued. The general public expressed their opinions more openly. Pearson was a man of some standing, a representative to the General Court and a respected lieutenant in the militia, yet within a week of taking in Ilbrahim, he had been both hissed and booed. One time, while walking through a secluded part of the woods, he heard a loud voice from an unseen source, declaring, "What will happen to the backslider? Look! The scourge is ready for him, even the whip of nine cords, each cord with three knots." These insults momentarily angered Pearson; they also struck a chord in his heart, becoming subtle yet powerful forces leading to a conclusion his innermost thoughts hadn't dared to consider yet.
On the second Sabbath after Ilbrahim became a member of their family, Pearson and his wife deemed it proper that he should appear with them at public worship. They had anticipated some opposition to this measure from the boy, but he prepared himself in silence, and at the appointed hour was clad in the new mourning-suit which Dorothy had wrought for him. As the parish was then, and during many subsequent years, unprovided with a bell, the signal for the commencement of religious exercises was the beat of a drum. At the first sound of that martial call to the place of holy and quiet thoughts Tobias and Dorothy set forth, each holding a hand of little Ilbrahim, like two parents linked together by the infant of their love. On their path through the leafless woods they were overtaken by many persons of their acquaintance, all of whom avoided them and passed by on the other side; but a severer trial awaited their constancy when they had descended the hill and drew near the pine-built and undecorated house of prayer. Around the door, from which the drummer still sent forth his thundering summons, was drawn up a formidable phalanx, including several of the oldest members of the congregation, many of the middle-aged and nearly all the younger males. Pearson found it difficult to sustain their united and disapproving gaze, but Dorothy, whose mind was differently circumstanced, merely drew the boy closer to her and faltered not in her approach. As they entered the door they overheard the muttered sentiments of the assemblage; and when the reviling voices of the little children smote Ilbrahim’s ear, he wept.
On the second Sabbath after Ilbrahim joined their family, Pearson and his wife felt it was important for him to attend public worship with them. They expected some resistance from the boy, but he quietly prepared himself, and at the right time, he wore the new mourning suit that Dorothy had made for him. Since the parish didn't have a bell at that time, the drumbeat marked the start of the religious service. At the first sound of that military call to the place of reflection, Tobias and Dorothy set out, each holding Ilbrahim’s hand, like two parents united by their beloved child. As they walked through the bare woods, many acquaintances passed them by, avoiding any interaction. However, a tougher test of their resolve awaited them as they neared the plain, pine-built church. A large group, including some of the oldest congregation members, many middle-aged men, and almost all the younger males, had gathered around the door where the drummer continued to sound his loud call. Pearson struggled to meet their collective and disapproving stares, but Dorothy, whose mindset was different, simply pulled the boy closer and kept moving forward. As they entered, they caught snippets of the crowd’s murmurs, and when the mocking voices of the little children reached Ilbrahim’s ears, he began to cry.
The interior aspect of the meeting-house was rude. The low ceiling, the unplastered walls, the naked woodwork and the undraperied pulpit offered nothing to excite the devotion which without such external aids often remains latent in the heart. The floor of the building was occupied by rows of long cushionless benches, supplying the place of pews, and the broad aisle formed a sexual division impassable except by children beneath a certain age.
The inside of the meeting house was pretty bare. The low ceiling, the unfinished walls, the bare woodwork, and the undraped pulpit didn’t do much to inspire the kind of devotion that often stays hidden in the heart without extra support. The floor was filled with rows of long benches without cushions, serving as a substitute for pews, and the wide aisle created a strict separation that only kids under a certain age could cross.
Pearson and Dorothy separated at the door of the meeting-house, and Ilbrahim, being within the years of infancy, was retained under the care of the latter. The wrinkled beldams involved themselves in their rusty cloaks as he passed by; even the mild-featured maidens seemed to dread contamination; and many a stern old man arose and turned his repulsive and unheavenly countenance upon the gentle boy, as if the sanctuary were polluted by his presence. He was a sweet infant of the skies that had strayed away from his home, and all the inhabitants of this miserable world closed up their impure hearts against him, drew back their earth-soiled garments from his touch and said, “We are holier than thou.”
Pearson and Dorothy parted ways at the door of the meeting house, and since Ilbrahim was still an infant, he stayed with Dorothy. The old women wrapped themselves in their worn cloaks as he walked by; even the gentle young women seemed afraid of his presence; and many stern old men stood up and turned their harsh, unwelcoming faces toward the sweet boy, as if his presence had tainted the sanctuary. He was a precious child from the heavens who had wandered away from his home, and everyone in this grim world shut their unclean hearts against him, pulled their soiled clothes away from his reach, and said, “We are better than you.”
Ilbrahim, seated by the side of his adopted mother and retaining fast hold of her hand, assumed a grave and decorous demeanor such as might befit a person of matured taste and understanding who should find himself in a temple dedicated to some worship which he did not recognize, but felt himself bound to respect. The exercises had not yet commenced, however, when the boy’s attention was arrested by an event apparently of trifling interest. A woman having her face muffled in a hood and a cloak drawn completely about her form advanced slowly up the broad aisle and took place upon the foremost bench. Ilbrahim’s faint color varied, his nerves fluttered; he was unable to turn his eyes from the muffled female.
Ilbrahim, sitting next to his adopted mother and holding her hand tightly, took on a solemn and respectful demeanor, like someone with mature taste and understanding who found themselves in a temple dedicated to a worship he didn't recognize but felt compelled to honor. The activities hadn't started yet when the boy's attention was caught by something that seemed trivial. A woman, her face hidden by a hood and a cloak wrapped tightly around her, slowly walked up the wide aisle and sat on the front bench. Ilbrahim's pale complexion shifted, his nerves twitched; he couldn't take his eyes off the cloaked woman.
When the preliminary prayer and hymn were over, the minister arose, and, having turned the hour-glass which stood by the great Bible, commenced his discourse. He was now well stricken in years, a man of pale, thin countenance, and his gray hairs were closely covered by a black velvet skull-cap. In his younger days he had practically learned the meaning of persecution from Archbishop Laud, and he was not now disposed to forget the lesson against which he had murmured then. Introducing the often-discussed subject of the Quakers, he gave a history of that sect and a description of their tenets in which error predominated and prejudice distorted the aspect of what was true. He adverted to the recent measures in the province, and cautioned his hearers of weaker parts against calling in question the just severity which God-fearing magistrates had at length been compelled to exercise. He spoke of the danger of pity—in some cases a commendable and Christian virtue, but inapplicable to this pernicious sect. He observed that such was their devilish obstinacy in error that even the little children, the sucking babes, were hardened and desperate heretics. He affirmed that no man without Heaven’s especial warrant should attempt their conversion lest while he lent his hand to draw them from the slough he should himself be precipitated into its lowest depths.
Once the initial prayer and hymn were finished, the minister stood up, turned the hourglass next to the large Bible, and began his sermon. He was now quite old, with a pale, thin face, and his gray hair was covered by a black velvet skullcap. In his younger days, he had learned the harsh realities of persecution from Archbishop Laud, and he wasn't about to forget that lesson he had quietly complained about back then. Introducing the often-discussed topic of the Quakers, he provided a history of the group and an account of their beliefs, where error prevailed and prejudice twisted the truth. He mentioned the recent actions taken in the province and warned his listeners, especially those less resolute, not to question the rightful severity that the God-fearing magistrates had ultimately had to enforce. He talked about the danger of compassion — sometimes a valuable and Christian quality, but not applicable to this harmful sect. He noted that their stubbornness in error was so profound that even young children, mere infants, were hardened and desperate heretics. He stated that no one should attempt to convert them without special permission from Heaven, for while trying to pull them from the mire, he might find himself plunged into its deepest depths.
The sands of the second hour were principally in the lower half of the glass when the sermon concluded. An approving murmur followed, and the clergyman, having given out a hymn, took his seat with much self-congratulation, and endeavored to read the effect of his eloquence in the visages of the people. But while voices from all parts of the house were tuning themselves to sing a scene occurred which, though not very unusual at that period in the province, happened to be without precedent in this parish.
The sand in the lower half of the hourglass was mostly gone when the sermon ended. There was a pleased murmur from the crowd, and the clergyman, feeling quite proud of himself, announced a hymn and took his seat. He tried to gauge the impact of his speech by looking at the faces in the congregation. But just as voices from all around began to harmonize for the song, an incident occurred that, while not uncommon in the province at that time, had never happened before in this parish.
The muffled female, who had hitherto sat motionless in the front rank of the audience, now arose and with slow, stately and unwavering step ascended the pulpit stairs. The quaverings of incipient harmony were hushed and the divine sat in speechless and almost terrified astonishment while she undid the door and stood up in the sacred desk from which his maledictions had just been thundered. She then divested herself of the cloak and hood, and appeared in a most singular array. A shapeless robe of sackcloth was girded about her waist with a knotted cord; her raven hair fell down upon her shoulders, and its blackness was defiled by pale streaks of ashes, which she had strewn upon her head. Her eyebrows, dark and strongly defined, added to the deathly whiteness of a countenance which, emaciated with want and wild with enthusiasm and strange sorrows, retained no trace of earlier beauty. This figure stood gazing earnestly on the audience, and there was no sound nor any movement except a faint shuddering which every man observed in his neighbor, but was scarcely conscious of in himself. At length, when her fit of inspiration came, she spoke for the first few moments in a low voice and not invariably distinct utterance. Her discourse gave evidence of an imagination hopelessly entangled with her reason; it was a vague and incomprehensible rhapsody, which, however, seemed to spread its own atmosphere round the hearer’s soul, and to move his feelings by some influence unconnected with the words. As she proceeded beautiful but shadowy images would sometimes be seen like bright things moving in a turbid river, or a strong and singularly shaped idea leapt forth and seized at once on the understanding or the heart. But the course of her unearthly eloquence soon led her to the persecutions of her sect, and from thence the step was short to her own peculiar sorrows. She was naturally a woman of mighty passions, and hatred and revenge now wrapped themselves in the garb of piety. The character of her speech was changed; her images became distinct though wild, and her denunciations had an almost hellish bitterness.
The muffled woman, who had been sitting still in the front row of the audience, stood up and, with a slow, dignified, and steady pace, climbed the pulpit stairs. The tentative notes of harmony faded away, and the divine sat in silent, almost terrified awe as she opened the door and stood at the sacred desk from which he had just cried out his curses. She then removed her cloak and hood, revealing a very unusual outfit. A shapeless sackcloth robe was tied around her waist with a knotted cord; her dark hair cascaded down her shoulders, its blackness marred by pale streaks of ash that she had sprinkled on her head. Her dark, well-defined eyebrows emphasized the deathly paleness of her face, which, worn thin from hardship and wild with fervor and strange sorrows, showed no trace of her earlier beauty. This figure stared intently at the audience, and there was complete silence except for a faint shudder that every man noticed in those around him, though he was barely aware of it in himself. Finally, when her inspiration hit, she spoke at first in a low voice with words that weren’t always clear. Her speech revealed an imagination hopelessly tangled with her reasoning; it was a vague and incomprehensible outpouring that seemed to create a unique atmosphere around the listener's soul, stirring emotions through an influence unrelated to her words. As she continued, beautiful but shadowy images sometimes appeared like bright objects moving in a murky river, or a strong, uniquely shaped idea burst forth, instantly capturing the understanding or heart. But her otherworldly eloquence quickly turned to the persecution faced by her group, and from there it was a short leap to her own particular sorrows. Deep down, she was a woman of intense emotions, and now hatred and revenge wrapped themselves in the guise of piety. The tone of her speech changed; her images became vivid yet wild, and her denunciations carried an almost hellish bitterness.
“The governor and his mighty men,” she said, “have gathered together, taking counsel among themselves and saying, ‘What shall we do unto this people—even unto the people that have come into this land to put our iniquity to the blush?’ And, lo! the devil entereth into the council-chamber like a lame man of low stature and gravely apparelled, with a dark and twisted countenance and a bright, downcast eye. And he standeth up among the rulers; yea, he goeth to and fro, whispering to each; and every man lends his ear, for his word is ‘Slay! Slay!rsquo; But I say unto ye, Woe to them that slay! Woe to them that shed the blood of saints! Woe to them that have slain the husband and cast forth the child, the tender infant, to wander homeless and hungry and cold till he die, and have saved the mother alive in the cruelty of their tender mercies! Woe to them in their lifetime! Cursed are they in the delight and pleasure of their hearts! Woe to them in their death-hour, whether it come swiftly with blood and violence or after long and lingering pain! Woe in the dark house, in the rottenness of the grave, when the children’s children shall revile the ashes of the fathers! Woe, woe, woe, at the judgment, when all the persecuted and all the slain in this bloody land, and the father, the mother and the child, shall await them in a day that they cannot escape! Seed of the faith, seed of the faith, ye whose hearts are moving with a power that ye know not, arise, wash your hands of this innocent blood! Lift your voices, chosen ones, cry aloud, and call down a woe and a judgment with me!”
“The governor and his powerful allies,” she said, “have come together to discuss what to do about these people—the ones who have come to this land to expose our wrongdoings. And behold! The devil enters the council room, looking like a short, lame man dressed in serious clothes, with a twisted face and a bright, downcast gaze. He stands among the leaders; indeed, he moves around, whispering to each one, and every man listens because he says, ‘Kill! Kill!’ But I say to you, Woe to those who kill! Woe to those who shed the blood of the righteous! Woe to those who have killed the husband and thrown the child, the helpless infant, out to wander lost, hungry, and cold until death, while keeping the mother alive in the cruelty of their so-called mercy! Woe to them in their lifetime! Cursed are they in the enjoyment and pleasure of their hearts! Woe to them at the hour of their death, whether it comes suddenly with violence or after long, lingering suffering! Woe in the dark house, in the decay of the grave, when the children’s children will curse the ashes of their ancestors! Woe, woe, woe, at the judgment, when all the persecuted and all the slain in this bloody land—the father, the mother, and the child—will await them on a day they cannot escape! Seed of the faith, seed of the faith, you whose hearts are stirred by a power you don’t understand, rise up, cleanse your hands of this innocent blood! Lift your voices, chosen ones, cry out, and call down woe and judgment with me!”
Having thus given vent to the flood of malignity which she mistook for inspiration, the speaker was silent. Her voice was succeeded by the hysteric shrieks of several women, but the feelings of the audience generally had not been drawn onward in the current with her own. They remained stupefied, stranded, as it were, in the midst of a torrent which deafened them by its roaring, but might not move them by its violence. The clergyman, who could not hitherto have ejected the usurper of his pulpit otherwise than by bodily force, now addressed her in the tone of just indignation and legitimate authority.
Having released a wave of bitterness that she confused for inspiration, the speaker fell silent. Her voice was replaced by the frantic screams of several women, but the audience as a whole hadn’t been swept away by her emotions. They remained stunned, as if stranded in the middle of a torrent that roared around them but didn’t affect them with its force. The clergyman, who until now could only have removed the usurper from his pulpit with physical strength, now spoke to her with a tone of rightful indignation and authority.
“Get you down, woman, from the holy place which you profane,” he said, “Is it to the Lord’s house that you come to pour forth the foulness of your heart and the inspiration of the devil? Get you down, and remember that the sentence of death is on you—yea, and shall be executed, were it but for this day’s work.”
“Come down from that holy place you’re disrespecting,” he said, “Are you coming to the Lord’s house to spill out your wickedness and the devil's influence? Come down, and remember that death is upon you—and it will be carried out, even just for what you’ve done today.”
“I go, friend, I go, for the voice hath had its utterance,” replied she, in a depressed, and even mild, tone. “I have done my mission unto thee and to thy people; reward me with stripes, imprisonment or death, as ye shall be permitted.” The weakness of exhausted passion caused her steps to totter as she descended the pulpit stairs.
“I’m leaving, my friend, I’m leaving, because I’ve said what I needed to say,” she replied in a low and somewhat gentle tone. “I have completed my mission for you and your people; punish me with lashes, prison, or death, as you see fit.” The exhaustion from her intense emotions made her steps unsteady as she walked down the pulpit stairs.
The people, in the mean while, were stirring to and fro on the floor of the house, whispering among themselves and glancing toward the intruder. Many of them now recognized her as the woman who had assaulted the governor with frightful language as he passed by the window of her prison; they knew, also, that she was adjudged to suffer death, and had been preserved only by an involuntary banishment into the wilderness. The new outrage by which she had provoked her fate seemed to render further lenity impossible, and a gentleman in military dress, with a stout man of inferior rank, drew toward the door of the meetinghouse and awaited her approach. Scarcely did her feet press the floor, however, when an unexpected scene occurred. In that moment of her peril, when every eye frowned with death, a little timid boy threw his arms round his mother.
The people were moving around the room, whispering to each other and glancing at the intruder. Many recognized her as the woman who had verbally attacked the governor as he passed by her prison window; they also knew she had been sentenced to death but had only been saved by being forcibly exiled to the wilderness. Her latest act, which had angered her fate even more, made any further mercy seem impossible. A man in military uniform, accompanied by a stout man of lower rank, stepped toward the door of the meetinghouse, waiting for her to approach. As soon as her feet touched the floor, however, an unexpected scene unfolded. In that moment of danger, when every gaze was filled with hostility, a little timid boy wrapped his arms around his mother.
“I am here, mother; it is I, and I will go with thee to prison,” he exclaimed.
“I’m here, Mom; it’s me, and I’ll go with you to prison,” he exclaimed.
She gazed at him with a doubtful and almost frightened expression, for she knew that the boy had been cast out to perish, and she had not hoped to see his face again. She feared, perhaps, that it was but one of the happy visions with which her excited fancy had often deceived her in the solitude of the desert or in prison; but when she felt his hand warm within her own and heard his little eloquence of childish love, she began to know that she was yet a mother.
She looked at him with a doubtful and almost scared expression because she knew that the boy had been abandoned to die, and she hadn't expected to see his face again. She was afraid, maybe, that it was just another one of the joyful dreams that her excited imagination had often tricked her with in the loneliness of the desert or in prison; but when she felt his hand warm in hers and heard his little words of innocent love, she began to realize that she was still a mother.
“Blessed art thou, my son!” she sobbed. “My heart was withered—yea, dead with thee and with thy father—and now it leaps as in the first moment when I pressed thee to my bosom.”
“Blessed are you, my son!” she cried. “My heart was withered—yes, dead with you and your father—and now it beats again just like the first moment when I held you to my chest.”
She knelt down and embraced him again and again, while the joy that could find no words expressed itself in broken accents, like the bubbles gushing up to vanish at the surface of a deep fountain. The sorrows of past years and the darker peril that was nigh cast not a shadow on the brightness of that fleeting moment. Soon, however, the spectators saw a change upon her face as the consciousness of her sad estate returned, and grief supplied the fount of tears which joy had opened. By the words she uttered it would seem that the indulgence of natural love had given her mind a momentary sense of its errors, and made her know how far she had strayed from duty in following the dictates of a wild fanaticism.
She knelt down and hugged him over and over, while the joy that couldn’t be put into words came out in broken sounds, like bubbles rising to burst on the surface of a deep fountain. The sorrows of past years and the looming danger did not cast a shadow on the brightness of that fleeting moment. Soon, though, onlookers noticed a change in her expression as the awareness of her sad situation returned, and grief provided the source of tears that joy had opened. From what she said, it seemed that the feelings of natural love had given her a brief understanding of her mistakes and made her realize how far she had strayed from her responsibilities by following the commands of a wild fanaticism.
“In a doleful hour art thou returned to me, poor boy,” she said, “for thy mother’s path has gone darkening onward, till now the end is death. Son, son, I have borne thee in my arms when my limbs were tottering, and I have fed thee with the food that I was fainting for; yet I have ill-performed a mother’s part by thee in life, and now I leave thee no inheritance but woe and shame. Thou wilt go seeking through the world, and find all hearts closed against thee and their sweet affections turned to bitterness for my sake. My child, my child, how many a pang awaits thy gentle spirit, and I the cause of all!”
"In a sad moment, you’ve come back to me, poor boy," she said, "because your mother’s journey has grown darker, and now it leads to death. Son, son, I held you in my arms when I was weak, and I fed you with the very food I was craving; yet I’ve failed to be the mother you needed in life, and now I leave you with no inheritance but sorrow and shame. You’ll wander through the world, only to find all hearts shut against you, their love turned to bitterness because of me. My child, my child, how many pains await your gentle spirit, and I am the one responsible for it all!"
She hid her face on Ilbrahim’s head, and her long raven hair, discolored with the ashes of her mourning, fell down about him like a veil. A low and interrupted moan was the voice of her heart’s anguish, and it did not fail to move the sympathies of many who mistook their involuntary virtue for a sin. Sobs were audible in the female section of the house, and every man who was a father drew his hand across his eyes.
She buried her face in Ilbrahim's hair, and her long black hair, stained with the ashes of her grief, fell around him like a veil. A low, broken moan expressed her heartache, and it touched the hearts of many who confused their instinctive compassion for wrongdoing. Sobs could be heard from the women in the house, and every father present wiped his eyes.
Tobias Pearson was agitated and uneasy, but a certain feeling like the consciousness of guilt oppressed him; so that he could not go forth and offer himself as the protector of the child. Dorothy, however, had watched her husband’s eye. Her mind was free from the influence that had begun to work on his, and she drew near the Quaker woman and addressed her in the hearing of all the congregation.
Tobias Pearson was restless and uncomfortable, but a nagging sense of guilt weighed him down, preventing him from stepping up to protect the child. Dorothy, however, noticed her husband’s expression. Her mind was clear of the influences affecting him, so she approached the Quaker woman and spoke to her within earshot of the entire congregation.
“Stranger, trust this boy to me, and I will be his mother,” she said, taking Ilbrahim’s hand. “Providence has signally marked out my husband to protect him, and he has fed at our table and lodged under our roof now many days, till our hearts have grown very strongly unto him. Leave the tender child with us, and be at ease concerning his welfare.”
“Stranger, trust this boy to me, and I will be his mother,” she said, taking Ilbrahim’s hand. “Fate has clearly chosen my husband to protect him, and he has eaten at our table and stayed under our roof for many days now, so our hearts have grown very fond of him. Leave the dear child with us, and rest easy about his welfare.”
The Quaker rose from the ground, but drew the boy closer to her, while she gazed earnestly in Dorothy’s face. Her mild but saddened features and neat matronly attire harmonized together and were like a verse of fireside poetry. Her very aspect proved that she was blameless, so far as mortal could be so, in respect to God and man, while the enthusiast, in her robe of sackcloth and girdle of knotted cord, had as evidently violated the duties of the present life and the future by fixing her attention wholly on the latter. The two females, as they held each a hand of Ilbrahim, formed a practical allegory: it was rational piety and unbridled fanaticism contending for the empire of a young heart.
The Quaker stood up from the ground but pulled the boy closer to her as she looked intently at Dorothy’s face. Her gentle but sorrowful features and tidy, motherly outfit worked well together, resembling a line of comforting poetry. Her appearance alone showed she was innocent, as far as any person could be, in relation to God and humanity, while the enthusiast, dressed in a robe of coarse fabric and a belt of twisted cord, clearly neglected the responsibilities of both this life and the next by focusing entirely on the latter. The two women, each holding one of Ilbrahim's hands, created a practical metaphor: it was rational faith versus unchecked fanaticism fighting for control of a young heart.
“Thou art not of our people,” said the Quaker, mournfully.
"You’re not one of us," said the Quaker, sadly.
“No, we are not of your people,” replied Dorothy, with mildness, “but we are Christians looking upward to the same heaven with you. Doubt not that your boy shall meet you there, if there be a blessing on our tender and prayerful guidance of him. Thither, I trust, my own children have gone before me, for I also have been a mother. I am no longer so,” she added, in a faltering tone, “and your son will have all my care.”
“No, we’re not from your community,” Dorothy replied gently, “but we’re Christians who look up to the same heaven as you. Don’t doubt that your boy will meet you there, if our love and prayers guide him well. I hope my own children have gone ahead of me, since I’ve also been a mother. I am no longer that,” she added, her voice wavering, “and your son will receive all my care.”
“But will ye lead him in the path which his parents have trodden?” demanded the Quaker. “Can ye teach him the enlightened faith which his father has died for, and for which I—even I—am soon to become an unworthy martyr? The boy has been baptized in blood; will ye keep the mark fresh and ruddy upon his forehead?”
“But will you guide him along the path his parents have walked?” the Quaker asked. “Can you teach him the enlightened faith for which his father has died, and for which I—even I—am soon to become an unworthy martyr? The boy has been baptized in blood; will you keep the mark fresh and bright on his forehead?”
“I will not deceive you,” answered Dorothy. “If your child become our child, we must breed him up in the instruction which Heaven has imparted to us; we must pray for him the prayers of our own faith; we must do toward him according to the dictates of our own consciences, and not of yours. Were we to act otherwise, we should abuse your trust, even in complying with your wishes.”
“I won’t lie to you,” Dorothy replied. “If your child becomes our child, we need to raise him with the teachings that Heaven has given us; we must pray for him with the prayers of our faith; we must act toward him based on our own consciences, not yours. If we didn’t, we would betray your trust, even if we were just trying to follow your wishes.”
The mother looked down upon her boy with a troubled countenance, and then turned her eyes upward to heaven. She seemed to pray internally, and the contention of her soul was evident.
The mother looked down at her son with a worried expression, then lifted her eyes to the sky. It seemed like she was praying silently, and the struggle within her was clear.
“Friend,” she said, at length, to Dorothy, “I doubt not that my son shall receive all earthly tenderness at thy hands. Nay, I will believe that even thy imperfect lights may guide him to a better world, for surely thou art on the path thither. But thou hast spoken of a husband. Doth he stand here among this multitude of people? Let him come forth, for I must know to whom I commit this most precious trust.”
“Friend,” she said finally to Dorothy, “I have no doubt that my son will receive all the love in the world from you. In fact, I’m confident that even your flawed guidance may lead him to a better place, because you are clearly on that journey yourself. But you’ve mentioned a husband. Is he here among all these people? He should step forward, because I need to know to whom I’m entrusting this most precious responsibility.”
She turned her face upon the male auditors, and after a momentary delay Tobias Pearson came forth from among them. The Quaker saw the dress which marked his military rank, and shook her head; but then she noted the hesitating air, the eyes that struggled with her own and were vanquished, the color that went and came and could find no resting-place. As she gazed an unmirthful smile spread over her features, like sunshine that grows melancholy in some desolate spot. Her lips moved inaudibly, but at length she spake:
She turned her face toward the male audience, and after a brief pause, Tobias Pearson stepped forward from the group. The Quaker noticed the uniform that indicated his military rank and shook her head; but then she saw his hesitant demeanor, the eyes that struggled to meet hers and ultimately failed, the color that rose and fell, unable to settle. As she watched, a serious smile grew on her face, like sunshine that becomes sad in a lonely place. Her lips moved silently, but finally, she spoke:
“I hear it, I hear it! The voice speaketh within me and saith, ‘Leave thy child, Catharine, for his place is here, and go hence, for I have other work for thee. Break the bonds of natural affection, martyr thy love, and know that in all these things eternal wisdom hath its ends.’ I go, friends, I go. Take ye my boy, my precious jewel. I go hence trusting that all shall be well, and that even for his infant hands there is a labor in the vineyard.”
“I hear it, I hear it! The voice speaks within me and says, ‘Leave your child, Catharine, for his place is here, and go, for I have other work for you. Break the bonds of natural affection, sacrifice your love, and know that in all these things eternal wisdom has its purposes.’ I go, friends, I go. Take my boy, my precious jewel. I leave trusting that all will be well, and that even for his little hands there is work to be done in the vineyard.”
She knelt down and whispered to Ilbrahim, who at first struggled and clung to his mother with sobs and tears, but remained passive when she had kissed his cheek and arisen from the ground. Having held her hands over his head in mental prayer, she was ready to depart.
She knelt down and whispered to Ilbrahim, who initially struggled and clung to his mother, sobbing and crying, but became still when she kissed his cheek and got up from the ground. After holding her hands over his head in silent prayer, she was ready to leave.
“Farewell, friends in mine extremity,” she said to Pearson and his wife; “the good deed ye have done me is a treasure laid up in heaven, to be returned a thousandfold hereafter.—And farewell, ye mine enemies, to whom it is not permitted to harm so much as a hair of my head, nor to stay my footsteps even for a moment. The day is coming when ye shall call upon me to witness for ye to this one sin uncommitted, and I will rise up and answer.”
“Goodbye, my friends in my time of need,” she said to Pearson and his wife; “the kindness you’ve shown me is a treasure saved in heaven, to be returned a thousand times in the future.—And goodbye to you, my enemies, who are not allowed to harm even a hair on my head, nor to stop my steps for even a moment. The day will come when you will ask me to testify for you about this one sin you didn’t commit, and I will stand up and respond.”
She turned her steps toward the door, and the men who had stationed themselves to guard it withdrew and suffered her to pass. A general sentiment of pity overcame the virulence of religious hatred. Sanctified by her love and her affliction, she went forth, and all the people gazed after her till she had journeyed up the hill and was lost behind its brow. She went, the apostle of her own unquiet heart, to renew the wanderings of past years. For her voice had been already heard in many lands of Christendom, and she had pined in the cells of a Catholic Inquisition before she felt the lash and lay in the dungeons of the Puritans. Her mission had extended also to the followers of the Prophet, and from them she had received the courtesy and kindness which all the contending sects of our purer religion united to deny her. Her husband and herself had resided many months in Turkey, where even the sultan’s countenance was gracious to them; in that pagan land, too, was Ilbrahim’s birthplace, and his Oriental name was a mark of gratitude for the good deeds of an unbeliever.
She made her way to the door, and the men who had positioned themselves to guard it stepped aside and allowed her to pass. A wave of pity overcame the harshness of religious hatred. Blessed by her love and her pain, she walked out, and everyone watched her until she had made her way up the hill and disappeared from view. She was the messenger of her restless heart, ready to revisit the journeys of her past. Her voice had already reached many places in Christendom, and she had suffered in the cells of a Catholic Inquisition before enduring the whip and ending up in the dungeons of the Puritans. Her mission also extended to the followers of the Prophet, and from them, she received the courtesy and kindness that all the warring factions of our more pure faith denied her. She and her husband had lived for many months in Turkey, where even the sultan was kind to them; in that pagan land, Ilbrahim was born, and his Eastern name was a sign of gratitude for the good deeds of an unbeliever.
When Pearson and his wife had thus acquired all the rights over Ilbrahim that could be delegated, their affection for him became, like the memory of their native land or their mild sorrow for the dead, a piece of the immovable furniture of their hearts. The boy, also, after a week or two of mental disquiet, began to gratify his protectors by many inadvertent proofs that he considered them as parents and their house as home. Before the winter snows were melted the persecuted infant, the little wanderer from a remote and heathen country, seemed native in the New England cottage and inseparable from the warmth and security of its hearth. Under the influence of kind treatment, and in the consciousness that he was loved, Ilbrahim’s demeanor lost a premature manliness which had resulted from his earlier situation; he became more childlike and his natural character displayed itself with freedom. It was in many respects a beautiful one, yet the disordered imaginations of both his father and mother had perhaps propagated a certain unhealthiness in the mind of the boy. In his general state Ilbrahim would derive enjoyment from the most trifling events and from every object about him; he seemed to discover rich treasures of happiness by a faculty analogous to that of the witch-hazel, which points to hidden gold where all is barren to the eye. His airy gayety, coming to him from a thousand sources, communicated itself to the family, and Ilbrahim was like a domesticated sunbeam, brightening moody countenances and chasing away the gloom from the dark corners of the cottage.
When Pearson and his wife had acquired all the rights over Ilbrahim that could be transferred, their affection for him became, like the memory of their homeland or their gentle sorrow for the deceased, a permanent part of their hearts. After a week or two of mental unease, the boy began to show his protectors, in many unintentional ways, that he saw them as parents and their home as his own. Before the winter snows melted, the persecuted child, the little wanderer from a distant and unfamiliar country, seemed at home in the New England cottage, inseparable from the warmth and security of its hearth. With kind treatment and the awareness that he was loved, Ilbrahim’s behavior shed the premature seriousness that had come from his earlier life; he became more childlike, and his natural character blossomed freely. It was, in many respects, a beautiful one, yet the troubled imaginations of both his father and mother may have instilled a certain unwholesomeness in the boy's mind. Generally, Ilbrahim found joy in even the smallest things and in everything around him; he seemed to uncover hidden treasures of happiness, like the witch-hazel that points to buried gold where the eye sees only barrenness. His lightheartedness, stemming from countless sources, spread to the family, and Ilbrahim was like a cheerful sunbeam, brightening gloomy faces and dispelling the darkness from the corners of the cottage.
On the other hand, as the susceptibility of pleasure is also that of pain, the exuberant cheerfulness of the boy’s prevailing temper sometimes yielded to moments of deep depression. His sorrows could not always be followed up to their original source, but most frequently they appeared to flow—though Ilbrahim was young to be sad for such a cause—from wounded love. The flightiness of his mirth rendered him often guilty of offences against the decorum of a Puritan household, and on these occasions he did not invariably escape rebuke. But the slightest word of real bitterness, which he was infallible in distinguishing from pretended anger, seemed to sink into his heart and poison all his enjoyments till he became sensible that he was entirely forgiven. Of the malice which generally accompanies a superfluity of sensitiveness Ilbrahim was altogether destitute. When trodden upon, he would not turn; when wounded, he could but die. His mind was wanting in the stamina of self-support. It was a plant that would twine beautifully round something stronger than itself; but if repulsed or torn away, it had no choice but to wither on the ground. Dorothy’s acuteness taught her that severity would crush the spirit of the child, and she nurtured him with the gentle care of one who handles a butterfly. Her husband manifested an equal affection, although it grew daily less productive of familiar caresses.
On the other hand, since the sensitivity to pleasure is also tied to pain, the boy's usual cheerful demeanor sometimes gave way to moments of deep sadness. His sorrows couldn’t always be traced back to their original cause, but most often they seemed to stem—though Ilbrahim was too young to be sad for such reasons—from unrequited love. The lightness of his joy often led him to act in ways that clashed with the decorum of a Puritan household, and during these times, he didn’t always escape criticism. However, the slightest hint of genuine bitterness, which he could always tell apart from fake anger, seemed to sink into his heart and spoil all his happiness until he felt completely forgiven. Ilbrahim had none of the spite that usually comes with a heightened sensitivity. When hurt, he wouldn’t retaliate; when wounded, he could only succumb. His mind lacked the resilience to support itself. It was like a plant that would beautifully cling to something stronger than itself but, if pushed away or torn off, would simply wither on the ground. Dorothy's insight led her to realize that harshness would crush the child's spirit, and she cared for him with the gentle touch of someone who cradles a butterfly. Her husband showed equal affection, though it increasingly resulted in fewer affectionate gestures.
The feelings of the neighboring people in regard to the Quaker infant and his protectors had not undergone a favorable change, in spite of the momentary triumph which the desolate mother had obtained over their sympathies. The scorn and bitterness of which he was the object were very grievous to Ilbrahim, especially when any circumstance made him sensible that the children his equals in age partook of the enmity of their parents. His tender and social nature had already overflowed in attachments to everything about him, and still there was a residue of unappropriated love which he yearned to bestow upon the little ones who were taught to hate him. As the warm days of spring came on Ilbrahim was accustomed to remain for hours silent and inactive within hearing of the children’s voices at their play, yet with his usual delicacy of feeling he avoided their notice, and would flee and hide himself from the smallest individual among them. Chance, however, at length seemed to open a medium of communication between his heart and theirs; it was by means of a boy about two years older than Ilbrahim, who was injured by a fall from a tree in the vicinity of Pearson’s habitation. As the sufferer’s own home was at some distance, Dorothy willingly received him under her roof and became his tender and careful nurse.
The feelings of the nearby people towards the Quaker infant and his protectors had not improved, despite the brief moment of sympathy the grieving mother had experienced. The scorn and bitterness directed at him were deeply painful for Ilbrahim, especially when he noticed that the children his age shared their parents' hostility. His gentle and social nature had already formed attachments to everything around him, yet he still had some love left that he wanted to give to the little ones who were taught to hate him. As the warm spring days arrived, Ilbrahim would often sit silently and inactive for hours, listening to the children's voices as they played, but he would carefully avoid their notice and would run away and hide from even the smallest of them. However, fate eventually created a way for his heart to connect with theirs through a boy who was about two years older than Ilbrahim, who had been injured in a fall from a tree near Pearson’s home. Since the injured boy lived far away, Dorothy kindly took him in and became his loving and attentive nurse.
Ilbrahim was the unconscious possessor of much skill in physiognomy, and it would have deterred him in other circumstances from attempting to make a friend of this boy. The countenance of the latter immediately impressed a beholder disagreeably, but it required some examination to discover that the cause was a very slight distortion of the mouth and the irregular, broken line and near approach of the eyebrows. Analogous, perhaps, to these trifling deformities was an almost imperceptible twist of every joint and the uneven prominence of the breast, forming a body regular in its general outline, but faulty in almost all its details. The disposition of the boy was sullen and reserved, and the village schoolmaster stigmatized him as obtuse in intellect, although at a later period of life he evinced ambition and very peculiar talents. But, whatever might be his personal or moral irregularities, Ilbrahim’s heart seized upon and clung to him from the moment that he was brought wounded into the cottage; the child of persecution seemed to compare his own fate with that of the sufferer, and to feel that even different modes of misfortune had created a sort of relationship between them. Food, rest and the fresh air for which he languished were neglected; he nestled continually by the bedside of the little stranger and with a fond jealousy endeavored to be the medium of all the cares that were bestowed upon him. As the boy became convalescent Ilbrahim contrived games suitable to his situation or amused him by a faculty which he had perhaps breathed in with the air of his barbaric birthplace. It was that of reciting imaginary adventures on the spur of the moment, and apparently in inexhaustible succession. His tales were, of course, monstrous, disjointed and without aim, but they were curious on account of a vein of human tenderness which ran through them all and was like a sweet familiar face encountered in the midst of wild and unearthly scenery. The auditor paid much attention to these romances and sometimes interrupted them by brief remarks upon the incidents, displaying shrewdness above his years, mingled with a moral obliquity which grated very harshly against Ilbrahim’s instinctive rectitude. Nothing, however, could arrest the progress of the latter’s affection, and there were many proofs that it met with a response from the dark and stubborn nature on which it was lavished. The boy’s parents at length removed him to complete his cure under their own roof.
Ilbrahim had an unconscious talent for reading people’s faces, and in other situations, he might have hesitated to befriend this boy. The boy’s face immediately struck an observer as unpleasant, but it took some closer inspection to realize that it was due to a slight distortion of his mouth and the uneven, broken shape of his eyebrows. Perhaps similar to these minor imperfections was a barely noticeable twist in every joint and an uneven chest, creating a body that was generally well-proportioned but flawed in almost all its details. The boy’s temperament was gloomy and reserved, with the village schoolmaster labeling him slow-witted; however, later in life, he showed ambition and unique talents. Regardless of any personal or moral irregularities, Ilbrahim’s heart connected with him the moment he was brought in injured to the cottage; the child of persecution seemed to relate his own suffering to that of the injured boy, sensing that their different struggles had forged a bond between them. The basic needs of food, rest, and fresh air that he craved were overlooked; he constantly nestled by the bedside of the little stranger, with a possessive affection trying to be the one to care for him. As the boy began to recover, Ilbrahim created games suitable for his condition or entertained him with a skill he perhaps absorbed from his barbaric homeland. He would spontaneously tell endless imaginary adventures, seemingly without running out of stories. His tales were, of course, bizarre, chaotic, and aimless, but they had a unique thread of human warmth that made them relatable, like a comforting familiar face in the middle of wild and otherworldly landscapes. The listener was very engaged with these stories and occasionally interrupted with short comments about the events, showcasing a cleverness beyond his years mixed with a moral twist that clashed awkwardly with Ilbrahim’s instinctive sense of right. Nonetheless, nothing could stop the growth of Ilbrahim’s affection, and there were many signs that it was reciprocated by the boy’s dark and stubborn nature. Eventually, the boy’s parents took him home to finish his recovery.
Ilbrahim did not visit his new friend after his departure, but he made anxious and continual inquiries respecting him and informed himself of the day when he was to reappear among his playmates. On a pleasant summer afternoon the children of the neighborhood had assembled in the little forest-crowned amphitheatre behind the meeting-house, and the recovering invalid was there, leaning on a staff. The glee of a score of untainted bosoms was heard in light and airy voices, which danced among the trees like sunshine become audible; the grown men of this weary world as they journeyed by the spot marvelled why life, beginning in such brightness, should proceed in gloom, and their hearts or their imaginations answered them and said that the bliss of childhood gushes from its innocence. But it happened that an unexpected addition was made to the heavenly little band. It was Ilbrahim, who came toward the children with a look of sweet confidence on his fair and spiritual face, as if, having manifested his love to one of them, he had no longer to fear a repulse from their society. A hush came over their mirth the moment they beheld him, and they stood whispering to each other while he drew nigh; but all at once the devil of their fathers entered into the unbreeched fanatics, and, sending up a fierce, shrill cry, they rushed upon the poor Quaker child. In an instant he was the centre of a brood of baby-fiends, who lifted sticks against him, pelted him with stones and displayed an instinct of destruction far more loathsome than the bloodthirstiness of manhood.
Ilbrahim didn't visit his new friend after he left, but he anxiously kept asking about him and found out when he would rejoin his playmates. On a pleasant summer afternoon, the neighborhood kids gathered in the little forested amphitheater behind the meeting house, and the recovering invalid was there, leaning on a cane. The joy of a dozen innocent hearts rang out in light, airy voices, dancing among the trees like sunlight made sound. The weary adults passing by wondered why life, which starts so bright, turns dark, and their hearts or imaginations told them that the happiness of childhood comes from its innocence. Then, unexpectedly, a new face joined the joyful group. It was Ilbrahim, approaching the children with a look of sweet confidence on his fair, gentle face, as if, having shown his love to one of them, he no longer had to fear being rejected by them. A silence fell over their laughter the moment they saw him, and they began whispering to each other as he drew closer. But suddenly, the mischief of their fathers took hold of the unruly kids, and with a loud, shrill cry, they charged at the poor Quaker boy. In an instant, he became the target of a pack of little devils, who raised sticks against him, hurled stones, and showed a destructive instinct far more disgusting than the bloodlust of adulthood.
The invalid, in the mean while, stood apart from the tumult, crying out with a loud voice, “Fear not, Ilbrahim; come hither and take my hand,” and his unhappy friend endeavored to obey him. After watching the victim’s struggling approach with a calm smile and unabashed eye, the foul-hearted little villain lifted his staff and struck Ilbrahim on the mouth so forcibly that the blood issued in a stream. The poor child’s arms had been raised to guard his head from the storm of blows, but now he dropped them at once. His persecutors beat him down, trampled upon him, dragged him by his long fair locks, and Ilbrahim was on the point of becoming as veritable a martyr as ever entered bleeding into heaven. The uproar, however, attracted the notice of a few neighbors, who put themselves to the trouble of rescuing the little heretic, and of conveying him to Pearson’s door.
The invalid, meanwhile, stood away from the chaos, shouting loudly, “Don't be afraid, Ilbrahim; come here and take my hand,” and his desperate friend tried to follow him. After watching the victim struggle closer with a calm smile and unflinching gaze, the wicked little villain raised his staff and hit Ilbrahim so hard on the mouth that blood poured out. The poor child had raised his arms to protect his head from the barrage of blows, but now he dropped them immediately. His attackers knocked him down, trampled him, and dragged him by his long, fair hair, and Ilbrahim was about to become a true martyr, entering heaven covered in blood. However, the ruckus caught the attention of a few neighbors, who took the initiative to rescue the little heretic and bring him to Pearson’s door.
Ilbrahim’s bodily harm was severe, but long and careful nursing accomplished his recovery; the injury done to his sensitive spirit was more serious, though not so visible. Its signs were principally of a negative character, and to be discovered only by those who had previously known him. His gait was thenceforth slow, even and unvaried by the sudden bursts of sprightlier motion which had once corresponded to his overflowing gladness; his countenance was heavier, and its former play of expression—the dance of sunshine reflected from moving water—was destroyed by the cloud over his existence; his notice was attracted in a far less degree by passing events, and he appeared to find greater difficulty in comprehending what was new to him than at a happier period. A stranger founding his judgment upon these circumstances would have said that the dulness of the child’s intellect widely contradicted the promise of his features, but the secret was in the direction of Ilbrahim’s thoughts, which were brooding within him when they should naturally have been wandering abroad. An attempt of Dorothy to revive his former sportiveness was the single occasion on which his quiet demeanor yielded to a violent display of grief; he burst into passionate weeping and ran and hid himself, for his heart had become so miserably sore that even the hand of kindness tortured it like fire. Sometimes at night, and probably in his dreams, he was heard to cry, “Mother! Mother!” as if her place, which a stranger had supplied while Ilbrahim was happy, admitted of no substitute in his extreme affliction. Perhaps among the many life-weary wretches then upon the earth there was not one who combined innocence and misery like this poor broken-hearted infant so soon the victim of his own heavenly nature.
Ilbrahim’s injuries were serious, but after extensive and careful nursing, he recovered; however, the damage to his sensitive spirit was more severe, though less visible. The signs were mainly negative and could only be recognized by those who had known him before. His walk became slow, steady, and lacked the sudden bursts of energy that had once matched his vibrant happiness; his face grew heavier, and the lively expressions that once danced like sunlight on water were overshadowed by the gloom in his life. He seemed less aware of the world around him and found it harder to grasp new ideas than he had during happier times. A stranger observing these changes might have thought that the dullness of the child's mind contradicted the promise evident in his features, but the truth lay in the direction of Ilbrahim’s thoughts, which were consumed by sorrow when they should have been exploring joy. When Dorothy tried to bring back his former playfulness, it was one of the few times his calm demeanor broke into an overwhelming display of grief; he erupted into deep sobs and ran to hide, for his heart was so painfully tender that even kindness felt like a burn. Sometimes at night, likely in his dreams, he could be heard crying out, “Mother! Mother!” as if the presence of a stranger could never fill the void left by her during his time of happiness. Perhaps among the many downtrodden souls on earth, there was no one who combined innocence and suffering quite like this poor, heartbroken child, who was tragically a victim of his own gentle nature.
While this melancholy change had taken place in Ilbrahim, one of an earlier origin and of different character had come to its perfection in his adopted father. The incident with which this tale commences found Pearson in a state of religious dulness, yet mentally disquieted and longing for a more fervid faith than he possessed. The first effect of his kindness to Ilbrahim was to produce a softened feeling, an incipient love for the child’s whole sect, but joined to this, and resulting, perhaps, from self-suspicion, was a proud and ostentatious contempt of their tenets and practical extravagances. In the course of much thought, however—for the subject struggled irresistibly into his mind—the foolishness of the doctrine began to be less evident, and the points which had particularly offended his reason assumed another aspect or vanished entirely away. The work within him appeared to go on even while he slept, and that which had been a doubt when he laid down to rest would often hold the place of a truth confirmed by some forgotten demonstration when he recalled his thoughts in the morning. But, while he was thus becoming assimilated to the enthusiasts, his contempt, in nowise decreasing toward them, grew very fierce against himself; he imagined, also, that every face of his acquaintance wore a sneer, and that every word addressed to him was a gibe. Such was his state of mind at the period of Ilbrahim’s misfortune, and the emotions consequent upon that event completed the change of which the child had been the original instrument.
While this sad change was happening to Ilbrahim, a different transformation was coming to a head in his adoptive father. The story begins with Pearson in a state of spiritual dullness, feeling mentally restless and yearning for a deeper faith than he had. His initial kindness towards Ilbrahim sparked a gentle feeling and a budding love for the child's entire belief system, but along with that, perhaps due to self-doubt, he also developed a proud and showy disdain for their beliefs and practices. However, after much reflection—since the topic kept pushing its way into his thoughts—the foolishness of the doctrine began to seem less obvious, and the points that had particularly annoyed him shifted in perspective or completely faded away. It seemed his inner struggle continued even while he slept, as what had been a doubt when he went to bed often emerged in the morning as a confirmed truth, backed by some forgotten proof. But while he was becoming more aligned with the enthusiasts, his contempt for them did not lessen; instead, it grew immensely against himself. He also imagined that everyone he knew looked at him with disdain, and that every word spoken to him was a mockery. Such was his state of mind during Ilbrahim’s misfortune, and the feelings that arose from that incident completed the transformation that originally began with the child.
In the mean time, neither the fierceness of the persecutors nor the infatuation of their victims had decreased. The dungeons were never empty; the streets of almost every village echoed daily with the lash; the life of a woman whose mild and Christian spirit no cruelty could embitter had been sacrificed, and more innocent blood was yet to pollute the hands that were so often raised in prayer. Early after the Restoration the English Quakers represented to Charles II. that a “vein of blood was open in his dominions,” but, though the displeasure of the voluptuous king was roused, his interference was not prompt. And now the tale must stride forward over many months, leaving Pearson to encounter ignominy and misfortune; his wife, to a firm endurance of a thousand sorrows; poor Ilbrahim, to pine and droop like a cankered rose-bud; his mother, to wander on a mistaken errand, neglectful of the holiest trust which can be committed to a woman.
In the meantime, neither the severity of the persecutors nor the delusion of their victims had lessened. The dungeons were never empty; the streets of almost every village echoed daily with the whip; the life of a woman whose gentle and Christian spirit no cruelty could harden had been lost, and more innocent blood was yet to stain the hands that were so often raised in prayer. Early after the Restoration, the English Quakers told Charles II. that a “vein of blood was open in his dominions,” but, although the indulgent king was angered, he didn’t act promptly. And now the story must move forward over many months, leaving Pearson to face disgrace and hardship; his wife to endure a thousand sorrows with steadfastness; poor Ilbrahim to wilt and fade like a withered rosebud; his mother to wander on a misguided mission, neglecting the most sacred trust that can be given to a woman.
A winter evening, a night of storm, had darkened over Pearson’s habitation, and there were no cheerful faces to drive the gloom from his broad hearth. The fire, it is true, sent forth a glowing heat and a ruddy light, and large logs dripping with half-melted snow lay ready to cast upon the embers. But the apartment was saddened in its aspect by the absence of much of the homely wealth which had once adorned it, for the exaction of repeated fines and his own neglect of temporal affairs had greatly impoverished the owner. And with the furniture of peace the implements of war had likewise disappeared; the sword was broken, the helm and cuirass were cast away for ever: the soldier had done with battles, and might not lift so much as his naked hand to guard his head. But the Holy Book remained, and the table on which it rested was drawn before the fire, while two of the persecuted sect sought comfort from its pages.
A winter evening, a stormy night, had settled over Pearson’s home, and there were no friendly faces to chase away the gloom from his wide hearth. The fire, for sure, provided warm heat and a bright light, and large logs dripping with half-melted snow were ready to be tossed onto the flames. But the room felt sad because of the absence of much of the cozy belongings that once filled it, as the burden of repeated fines and his neglect of practical matters had left the owner quite poor. Along with the peaceful furniture, the tools of war had also vanished; the sword was broken, the helmet and breastplate were discarded for good: the soldier had finished with battles and couldn’t even lift his bare hand to protect his head. But the Holy Book remained, and the table it rested on was positioned in front of the fire, while two members of the persecuted group sought solace in its pages.
He who listened while the other read was the master of the house, now emaciated in form and altered as to the expression and healthiness of his countenance, for his mind had dwelt too long among visionary thoughts and his body had been worn by imprisonment and stripes. The hale and weatherbeaten old man who sat beside him had sustained less injury from a far longer course of the same mode of life. In person he was tall and dignified, and, which alone would have made him hateful to the Puritans, his gray locks fell from beneath the broad-brimmed hat and rested on his shoulders. As the old man read the sacred page the snow drifted against the windows or eddied in at the crevices of the door, while a blast kept laughing in the chimney and the blaze leaped fiercely up to seek it. And sometimes, when the wind struck the hill at a certain angle and swept down by the cottage across the wintry plain, its voice was the most doleful that can be conceived; it came as if the past were speaking, as if the dead had contributed each a whisper, as if the desolation of ages were breathed in that one lamenting sound.
He who listened while the other read was the master of the house, now thin and changed in expression and health, as his mind had lingered too long on fanciful thoughts and his body had suffered from imprisonment and beatings. The strong and weathered old man sitting next to him had endured less harm from a much longer experience of the same harsh life. He was tall and dignified, and just his appearance alone would have made him detested by the Puritans, as his gray hair fell from under his broad-brimmed hat and rested on his shoulders. As the old man read from the sacred page, the snow drifted against the windows or whirled in through the cracks of the door, while a gust of wind laughed in the chimney and the flames leaped up fiercely to reach it. Sometimes, when the wind hit the hill at the right angle and swept down across the winter landscape, its voice was the saddest imaginable; it sounded as if the past were speaking, as if the dead each contributed a whisper, as if the desolation of ages was captured in that one mournful sound.
The Quaker at length closed the book, retaining, however, his hand between the pages which he had been reading, while he looked steadfastly at Pearson. The attitude and features of the latter might have indicated the endurance of bodily pain; he leaned his forehead on his hands, his teeth were firmly closed and his frame was tremulous at intervals with a nervous agitation.
The Quaker finally closed the book, keeping his hand between the pages he had been reading, while he fixed his gaze on Pearson. The way Pearson looked might have suggested he was enduring physical pain; he rested his forehead on his hands, his teeth were clenched tightly, and his body shook occasionally with nervous tension.
“Friend Tobias,” inquired the old man, compassionately, “hast thou found no comfort in these many blessed passages of Scripture?”
“Friend Tobias,” the old man asked kindly, “have you not found any comfort in these many blessed passages of Scripture?”
“Thy voice has fallen on my ear like a sound afar off and indistinct,” replied Pearson, without lifting his eyes. “Yea; and when I have hearkened carefully, the words seemed cold and lifeless and intended for another and a lesser grief than mine. Remove the book,” he added, in a tone of sullen bitterness; “I have no part in its consolations, and they do but fret my sorrow the more.”
“Your voice has reached my ears like a distant and unclear sound,” replied Pearson, without looking up. “Yes; and when I listened closely, the words felt cold and lifeless and seemed meant for someone else’s lesser grief than mine. Take the book away,” he added, with a tone of dark bitterness; “I don’t share in its comforts, and they only increase my sorrow.”
“Nay, feeble brother; be not as one who hath never known the light,” said the elder Quaker, earnestly, but with mildness. “Art thou he that wouldst be content to give all and endure all for conscience’ sake, desiring even peculiar trials that thy faith might be purified and thy heart weaned from worldly desires? And wilt thou sink beneath an affliction which happens alike to them that have their portion here below and to them that lay up treasure in heaven? Faint not, for thy burden is yet light.”
"Nah, weak brother; don’t be like someone who has never seen the light," said the older Quaker, seriously but gently. "Are you the one who would be willing to give everything and bear everything for the sake of your conscience, even seeking out unique challenges so your faith can be strengthened and your heart detached from worldly desires? And will you give in to a hardship that affects both those who have their share here on earth and those who store up treasure in heaven? Don't lose hope, for your burden is still light."
“It is heavy! It is heavier than I can bear!” exclaimed Pearson, with the impatience of a variable spirit. “From my youth upward I have been a man marked out for wrath, and year by year—yea, day after day—I have endured sorrows such as others know not in their lifetime. And now I speak not of the love that has been turned to hatred, the honor to ignominy, the ease and plentifulness of all things to danger, want and nakedness. All this I could have borne and counted myself blessed. But when my heart was desolate with many losses, I fixed it upon the child of a stranger, and he became dearer to me than all my buried ones; and now he too must die as if my love were poison. Verily, I am an accursed man, and I will lay me down in the dust and lift up my head no more.”
“It’s so heavy! It’s heavier than I can handle!” Pearson exclaimed, showing his restless nature. “Since I was young, I’ve been a person marked for suffering, and year after year—yes, day after day—I’ve faced sorrows that others don’t experience in their entire lives. And I’m not even talking about the love that has turned into hatred, the honor into shame, or the comfort and abundance into danger, poverty, and loss. I could have endured all that and still felt blessed. But when my heart was broken by so many losses, I focused on the child of a stranger, and he became dearer to me than all those I've lost; and now he must die too, as if my love were a poison. Truly, I am a cursed man, and I will lie down in the dust and never lift my head again.”
“Thou sinnest, brother, but it is not for me to rebuke thee, for I also have had my hours of darkness wherein I have murmured against the cross,” said the old Quaker. He continued, perhaps in the hope of distracting his companion’s thoughts from his own sorrows: “Even of late was the light obscured within me, when the men of blood had banished me on pain of death and the constables led me onward from village to village toward the wilderness. A strong and cruel hand was wielding the knotted cords; they sunk deep into the flesh, and thou mightst have tracked every reel and totter of my footsteps by the blood that followed. As we went on—”
“Brother, you’ve sinned, but I’m not here to judge you, because I’ve had my own dark times when I’ve also complained about my burdens,” said the old Quaker. He went on, possibly hoping to take his companion’s mind off his own troubles: “Not long ago, I felt lost inside when the men of violence drove me away under threat of death and the officers marched me from village to village toward the wilderness. A strong and brutal hand was using the rough ropes; they dug deep into my skin, and you could have tracked every stumble and falter of my steps by the blood that trailed behind. As we continued—”
“Have I not borne all this, and have I murmured?” interrupted Pearson, impatiently.
“Have I not put up with all of this, and have I complained?” interrupted Pearson, impatiently.
“Nay, friend, but hear me,” continued the other. “As we journeyed on night darkened on our path, so that no man could see the rage of the persecutors or the constancy of my endurance, though Heaven forbid that I should glory therein. The lights began to glimmer in the cottage windows, and I could discern the inmates as they gathered in comfort and security, every man with his wife and children by their own evening hearth. At length we came to a tract of fertile land. In the dim light the forest was not visible around it, and, behold, there was a straw-thatched dwelling which bore the very aspect of my home far over the wild ocean—far in our own England. Then came bitter thoughts upon me—yea, remembrances that were like death to my soul. The happiness of my early days was painted to me, the disquiet of my manhood, the altered faith of my declining years. I remembered how I had been moved to go forth a wanderer when my daughter, the youngest, the dearest of my flock, lay on her dying-bed, and—”
“Listen, friend, but hear me,” the other continued. “As we traveled, night fell around us, making it impossible to see the anger of our pursuers or the strength of my endurance, though God knows I don't take pride in that. The lights started to twinkle in the cottage windows, and I could make out the people inside as they gathered in comfort and safety, each man with his wife and children by their evening fire. Eventually, we reached a stretch of fertile land. In the dim light, the forest surrounding it wasn’t visible, and, look, there was a straw-thatched house that reminded me so much of my home far across the wild ocean—back in our own England. Then, bitter thoughts overtook me—memories that felt like a death to my soul. The happiness of my early days came to mind, the worries of my middle years, and the changed beliefs of my later years. I remembered how I felt compelled to go out as a wanderer when my youngest daughter, the most precious of my children, lay on her deathbed, and—”
“Couldst thou obey the command at such a moment?” exclaimed Pearson, shuddering.
“Could you follow the command at such a moment?” exclaimed Pearson, shuddering.
“Yea! yea!” replied the old man, hurriedly. “I was kneeling by her bedside when the voice spoke loud within me, but immediately I rose and took my staff and gat me gone. Oh that it were permitted me to forget her woeful look when I thus withdrew my arm and left her journeying through the dark valley alone! for her soul was faint and she had leaned upon my prayers. Now in that night of horror I was assailed by the thought that I had been an erring Christian and a cruel parent; yea, even my daughter with her pale dying features seemed to stand by me and whisper, ‘Father, you are deceived; go home and shelter your gray head.’—O Thou to whom I have looked in my furthest wanderings,” continued the Quaker, raising his agitated eyes to heaven, “inflict not upon the bloodiest of our persecutors the unmitigated agony of my soul when I believed that all I had done and suffered for thee was at the instigation of a mocking fiend!—But I yielded not; I knelt down and wrestled with the tempter, while the scourge bit more fiercely into the flesh. My prayer was heard, and I went on in peace and joy toward the wilderness.”
“Yeah! Yeah!” replied the old man quickly. “I was kneeling by her bedside when a voice spoke loudly within me, but I immediately stood up, took my staff, and left. Oh, how I wish I could forget her sorrowful look when I pulled away my arm and left her to travel through the dark valley alone! Her spirit was weak, and she had relied on my prayers. That night of horror, I was haunted by the thought that I had been a misguided Christian and a cruel parent; even my daughter, with her pale, dying face, seemed to stand beside me and whisper, ‘Father, you’re mistaken; go home and protect your gray head.’—O You to whom I have turned in my deepest wanderings,” continued the Quaker, raising his troubled eyes to heaven, “do not let the most ruthless of our persecutors feel the complete agony of my soul when I thought that everything I had done and suffered for you was inspired by a mocking spirit!—But I didn’t give in; I knelt down and wrestled with the tempter, even as the scourge lashed more fiercely into my flesh. My prayer was heard, and I continued on in peace and joy toward the wilderness.”
The old man, though his fanaticism had generally all the calmness of reason, was deeply moved while reciting this tale, and his unwonted emotion seemed to rebuke and keep down that of his companion. They sat in silence, with their faces to the fire, imagining, perhaps, in its red embers new scenes of persecution yet to be encountered. The snow still drifted hard against the windows, and sometimes, as the blaze of the logs had gradually sunk, came down the spacious chimney and hissed upon the hearth. A cautious footstep might now and then be heard in a neighboring apartment, and the sound invariably drew the eyes of both Quakers to the door which led thither. When a fierce and riotous gust of wind had led his thoughts by a natural association to homeless travellers on such a night, Pearson resumed the conversation.
The old man, even though his fanaticism usually had the calmness of reason, was deeply moved while telling this story, and his unusual emotion seemed to quiet his companion's feelings. They sat in silence, facing the fire, probably imagining in its glowing embers new scenes of persecution they might face. The snow continued to blow heavily against the windows, and sometimes, as the flames of the logs gradually dimmed, they would fall down the wide chimney and hiss on the hearth. A cautious footstep could occasionally be heard in a nearby room, and the sound always made both Quakers look toward the door leading there. When a fierce and wild gust of wind made him think of homeless travelers on such a night, Pearson picked up the conversation again.
“I have wellnigh sunk under my own share of this trial,” observed he, sighing heavily; “yet I would that it might be doubled to me, if so the child’s mother could be spared. Her wounds have been deep and many, but this will be the sorest of all.”
“I have almost collapsed under my part of this trial,” he said with a heavy sigh; “but I would wish for it to be doubled for me if it meant the child’s mother could be spared. Her wounds have been deep and numerous, but this will be the worst of all.”
“Fear not for Catharine,” replied the old Quaker, “for I know that valiant woman and have seen how she can bear the cross. A mother’s heart, indeed, is strong in her, and may seem to contend mightily with her faith; but soon she will stand up and give thanks that her son has been thus early an accepted sacrifice. The boy hath done his work, and she will feel that he is taken hence in kindness both to him and her. Blessed, blessed are they that with so little suffering can enter into peace!”
“Don’t worry about Catharine,” replied the old Quaker, “because I know that brave woman and have seen how she can endure hardships. A mother’s heart is indeed strong within her, and it may seem to struggle greatly with her faith; but soon she will stand up and give thanks that her son has been accepted as a sacrifice so early on. The boy has completed his work, and she will understand that he has been taken away in kindness to both him and her. Blessed, blessed are those who can find peace with so little suffering!”
The fitful rush of the wind was now disturbed by a portentous sound: it was a quick and heavy knocking at the outer door. Pearson’s wan countenance grew paler, for many a visit of persecution had taught him what to dread; the old man, on the other hand, stood up erect, and his glance was firm as that of the tried soldier who awaits his enemy.
The sporadic gusts of wind were interrupted by an ominous sound: a quick, heavy knock at the front door. Pearson’s pale face grew even paler, as many past experiences with persecution had taught him what to fear; the old man, however, stood tall, his gaze steady like that of a seasoned soldier ready to face his enemy.
“The men of blood have come to seek me,” he observed, with calmness. “They have heard how I was moved to return from banishment, and now am I to be led to prison, and thence to death. It is an end I have long looked for. I will open unto them lest they say, ‘Lo, he feareth!rsquo;”
“The men of violence have come to find me,” he noted, calmly. “They’ve heard how I was compelled to return from exile, and now I’m to be taken to prison, and then to my death. It’s an end I’ve awaited for a long time. I will allow them in, so they don’t say, ‘Look, he’s afraid!’”
“Nay; I will present myself before them,” said Pearson, with recovered fortitude. “It may be that they seek me alone and know not that thou abidest with me.”
“Nah; I’ll go out there and face them,” said Pearson, regaining his strength. “They might be looking for just me and not realize that you’re here with me.”
“Let us go boldly, both one and the other,” rejoined his companion. “It is not fitting that thou or I should shrink.”
“Let’s go confidently, both of us,” replied his companion. “It’s not right for either of us to hold back.”
They therefore proceeded through the entry to the door, which they opened, bidding the applicant “Come in, in God’s name!” A furious blast of wind drove the storm into their faces and extinguished the lamp; they had barely time to discern a figure so white from head to foot with the drifted snow that it seemed like Winter’s self come in human shape to seek refuge from its own desolation.
They then walked through the entrance to the door, which they opened, inviting the visitor to “Come in, for God’s sake!” A fierce gust of wind blasted the storm into their faces and blew out the lamp; they barely had time to make out a figure completely covered in snow, making it look like Winter itself had taken human form to seek shelter from its own bleakness.
“Enter, friend, and do thy errand, be it what it may,” said Pearson. “It must needs be pressing, since thou comest on such a bitter night.”
“Come in, friend, and do what you need to do, whatever it may be,” said Pearson. “It must be urgent since you’ve come on such a cold night.”
“Peace be with this household!” said the stranger, when they stood on the floor of the inner apartment.
“Peace be with this household!” said the stranger as they stood on the floor of the inner apartment.
Pearson started; the elder Quaker stirred the slumbering embers of the fire till they sent up a clear and lofty blaze. It was a female voice that had spoken; it was a female form that shone out, cold and wintry, in that comfortable light.
Pearson began; the older Quaker stirred the dying embers of the fire until they flared up brightly. It was a woman’s voice that had spoken; it was a woman’s figure that appeared, cold and wintry, in that warm light.
“Catharine, blessed woman,” exclaimed the old man, “art thou come to this darkened land again? Art thou come to bear a valiant testimony as in former years? The scourge hath not prevailed against thee, and from the dungeon hast thou come forth triumphant, but strengthen, strengthen now thy heart, Catharine, for Heaven will prove thee yet this once ere thou go to thy reward.”
“Catharine, oh blessed woman,” the old man exclaimed, “have you returned to this dark place again? Have you come to give a brave testimony like you did before? The plague hasn’t defeated you, and you’ve emerged victorious from the dungeon, but now strengthen your heart, Catharine, because Heaven will test you one more time before you receive your reward.”
“Rejoice, friends!” she replied. “Thou who hast long been of our people, and thou whom a little child hath led to us, rejoice! Lo, I come, the messenger of glad tidings, for the day of persecution is over-past. The heart of the king, even Charles, hath been moved in gentleness toward us, and he hath sent forth his letters to stay the hands of the men of blood. A ship’s company of our friends hath arrived at yonder town, and I also sailed joyfully among them.”
“Rejoice, friends!” she said. “You who have long been part of our people, and you whom a little child has brought to us, rejoice! Look, I come as the messenger of good news, for the days of persecution are over. The heart of the king, even Charles, has been softened towards us, and he has sent letters to stop the hands of those who would harm us. A ship full of our friends has arrived in that town, and I traveled joyfully with them.”
As Catharine spoke her eyes were roaming about the room in search of him for whose sake security was dear to her. Pearson made a silent appeal to the old man, nor did the latter shrink from the painful task assigned him.
As Catharine spoke, her eyes scanned the room looking for the person whose safety was important to her. Pearson quietly looked to the old man for help, and the old man didn't hesitate to take on the difficult responsibility given to him.
“Sister,” he began, in a softened yet perfectly calm tone, “thou tellest us of his love manifested in temporal good, and now must we speak to thee of that selfsame love displayed in chastenings. Hitherto, Catharine, thou hast been as one journeying in a darksome and difficult path and leading an infant by the hand; fain wouldst thou have looked heavenward continually, but still the cares of that little child have drawn thine eyes and thy affections to the earth. Sister, go on rejoicing, for his tottering footsteps shall impede thine own no more.”
“Sister,” he began, in a gentle yet completely calm tone, “you tell us about his love shown through good things in this world, and now we must talk about that same love expressed through difficult times. Until now, Catharine, you have been like someone walking a dark and hard path while guiding a child by the hand; you would have loved to keep your gaze toward heaven, but the worries of that little one have pulled your eyes and feelings to the ground. Sister, keep rejoicing, for his unsteady steps will no longer hold you back.”
But the unhappy mother was not thus to be consoled. She shook like a leaf; she turned white as the very snow that hung drifted into her hair. The firm old man extended his hand and held her up, keeping his eye upon hers as if to repress any outbreak of passion.
But the grieving mother could not be comforted this way. She shook like a leaf; she turned as pale as the snow that had drifted into her hair. The strong old man reached out his hand and supported her, keeping his gaze on hers as if to hold back any outburst of emotion.
“I am a woman—I am but a woman; will He try me above my strength?” said Catharine, very quickly and almost in a whisper. “I have been wounded sore; I have suffered much—many things in the body, many in the mind; crucified in myself and in them that were dearest to me. Surely,” added she, with a long shudder, “he hath spared me in this one thing.” She broke forth with sudden and irrepressible violence: “Tell me, man of cold heart, what has God done to me? Hath he cast me down never to rise again? Hath he crushed my very heart in his hand?—And thou to whom I committed my child, how hast thou fulfilled thy trust? Give me back the boy well, sound, alive—alive—or earth and heaven shall avenge me!”
“I am a woman—I am just a woman; will He push me beyond my limits?” said Catharine, quickly and almost in a whisper. “I have been hurt deeply; I have endured a lot—so much physically, so much mentally; tortured within myself and by those I loved most. Surely,” she added with a long shudder, “he has spared me in this one thing.” She suddenly erupted with uncontrollable intensity: “Tell me, cold-hearted man, what has God done to me? Has He knocked me down never to get back up? Has He crushed my very heart in His grip?—And you, to whom I entrusted my child, how have you upheld your duty? Give me back the boy healthy, whole, alive—alive—or earth and heaven will take revenge on you!”
The agonized shriek of Catharine was answered by the faint—the very faint—voice of a child.
The anguished scream of Catharine was met with the soft—very soft—voice of a child.
On this day it had become evident to Pearson, to his aged guest and to Dorothy that Ilbrahim’s brief and troubled pilgrimage drew near its close. The two former would willingly have remained by him to make use of the prayers and pious discourses which they deemed appropriate to the time, and which, if they be impotent as to the departing traveller’s reception in the world whither he goes, may at least sustain him in bidding adieu to earth. But, though Ilbrahim uttered no complaint, he was disturbed by the faces that looked upon him; so that Dorothy’s entreaties and their own conviction that the child’s feet might tread heaven’s pavement and not soil it had induced the two Quakers to remove. Ilbrahim then closed his eyes and grew calm, and, except for now and then a kind and low word to his nurse, might have been thought to slumber. As nightfall came on, however, and the storm began to rise, something seemed to trouble the repose of the boy’s mind and to render his sense of hearing active and acute. If a passing wind lingered to shake the casement, he strove to turn his head toward it; if the door jarred to and fro upon its hinges, he looked long and anxiously thitherward; if the heavy voice of the old man as he read the Scriptures rose but a little higher, the child almost held his dying-breath to listen; if a snowdrift swept by the cottage with a sound like the trailing of a garment, Ilbrahim seemed to watch that some visitant should enter. But after a little time he relinquished whatever secret hope had agitated him and with one low complaining whisper turned his cheek upon the pillow. He then addressed Dorothy with his usual sweetness and besought her to draw near him; she did so, and Ilbrahim took her hand in both of his, grasping it with a gentle pressure, as if to assure himself that he retained it. At intervals, and without disturbing the repose of his countenance, a very faint trembling passed over him from head to foot, as if a mild but somewhat cool wind had breathed upon him and made him shiver.
On this day, it became clear to Pearson, his elderly guest, and Dorothy that Ilbrahim’s short and troubled journey was coming to an end. The first two would have liked to stay by him, using the prayers and pious talks they felt were fitting for the moment, which, although probably useless for how the departing traveler would be received in the next world, could at least help him say goodbye to this one. However, even though Ilbrahim said nothing, he seemed uneasy with the faces looking at him; thus, Dorothy’s pleas and their belief that the child’s feet might touch heaven's ground without dirtying it led the two Quakers to step away. Ilbrahim then closed his eyes and became calm, and except for an occasional soft word to his nurse, he might have been thought to be sleeping. As night fell and the storm began to pick up, something seemed to disturb the peace in the boy’s mind, making his sense of hearing sharp and alert. If the wind rattled the window, he tried to turn his head towards it; if the door shook on its hinges, he looked over there anxiously; if the deep voice of the old man reading the Scriptures rose a little higher, the child almost held his breath to listen; if a snowdrift brushed past the cottage with a sound like dragging fabric, Ilbrahim appeared to be waiting for someone to come in. But after a while, he let go of whatever secret hope had stirred him and with a soft, complaining whisper turned his cheek on the pillow. He then called Dorothy with his usual kindness and asked her to come closer; she did, and Ilbrahim took her hand with both of his, holding it gently as if to reassure himself that it was still there. Occasionally, without disrupting the calm look on his face, a slight tremor passed over him from head to toe, as if a cool but gentle breeze had blown across him, making him shiver.
As the boy thus led her by the hand in his quiet progress over the borders of eternity, Dorothy almost imagined that she could discern the near though dim delightfulness of the home he was about to reach; she would not have enticed the little wanderer back, though she bemoaned herself that she must leave him and return. But just when Ilbrahim’s feet were pressing on the soil of Paradise he heard a voice behind him, and it recalled him a few, few paces of the weary path which he had travelled. As Dorothy looked upon his features she perceived that their placid expression was again disturbed. Her own thoughts had been so wrapped in him that all sounds of the storm and of human speech were lost to her; but when Catharine’s shriek pierced through the room, the boy strove to raise himself.
As the boy led her by the hand on his quiet journey toward eternity, Dorothy almost thought she could see the faint, beautiful home he was about to reach; she wouldn't have tried to pull the little wanderer back, even though she lamented having to leave him and go back. But just as Ilbrahim's feet touched the soil of Paradise, he heard a voice behind him, which pulled him back a few, short steps along the tiring path he had traveled. When Dorothy looked at his face, she noticed that his calm expression was once again disrupted. She had been so lost in her thoughts of him that she didn't hear the storm or any human voices; but when Catharine's scream broke through the room, the boy struggled to lift himself up.
“Friend, she is come! Open unto her!” cried he.
"Friend, she's here! Let her in!" he shouted.
In a moment his mother was kneeling by the bedside; she drew Ilbrahim to her bosom, and he nestled there with no violence of joy, but contentedly as if he were hushing himself to sleep. He looked into her face, and, reading its agony, said with feeble earnestness,
In an instant, his mother was kneeling by the bedside; she pulled Ilbrahim to her chest, and he settled there peacefully, not with an overwhelming joy, but comfortably, as if he were lulling himself to sleep. He gazed into her face, and seeing her pain, said with weak seriousness,
“Mourn not, dearest mother. I am happy now;” and with these words the gentle boy was dead.
“Mourn not, dear mother. I’m happy now;” and with these words, the gentle boy was dead.
The king’s mandate to stay the New England persecutors was effectual in preventing further martyrdoms, but the colonial authorities, trusting in the remoteness of their situation, and perhaps in the supposed instability of the royal government, shortly renewed their severities in all other respects. Catharine’s fanaticism had become wilder by the sundering of all human ties; and wherever a scourge was lifted, there was she to receive the blow; and whenever a dungeon was unbarred, thither she came to cast herself upon the floor. But in process of time a more Christian spirit—a spirit of forbearance, though not of cordiality or approbation—began to pervade the land in regard to the persecuted sect. And then, when the rigid old Pilgrims eyed her rather in pity than in wrath, when the matrons fed her with the fragments of their children’s food and offered her a lodging on a hard and lowly bed, when no little crowd of schoolboys left their sports to cast stones after the roving enthusiast,—then did Catharine return to Pearson’s dwelling, and made that her home.
The king’s order to stop the New England persecutors was effective in preventing more martyrdoms, but the colonial authorities, confident in their isolation and perhaps in the supposed instability of the royal government, soon resumed their harshness in other ways. Catharine’s fanaticism had intensified due to the severing of all human connections; wherever a punishment was inflicted, she was there to take it, and whenever a prison door was opened, she rushed in to throw herself on the floor. However, over time, a more compassionate attitude—a spirit of tolerance, though not of friendliness or approval—started to spread across the land towards the persecuted sect. Then, when the strict old Pilgrims looked at her more with pity than anger, when the women offered her leftovers from their children’s meals and a place to sleep on a rough and lowly bed, and when no groups of schoolboys interrupted their games to throw stones at the wandering enthusiast,—that’s when Catharine returned to Pearson’s house and made it her home.
As if Ilbrahim’s sweetness yet lingered round his ashes, as if his gentle spirit came down from heaven to teach his parent a true religion, her fierce and vindictive nature was softened by the same griefs which had once irritated it. When the course of years had made the features of the unobtrusive mourner familiar in the settlement, she became a subject of not deep but general interest—a being on whom the otherwise superfluous sympathies of all might be bestowed. Every one spoke of her with that degree of pity which it is pleasant to experience; every one was ready to do her the little kindnesses which are not costly, yet manifest good-will; and when at last she died, a long train of her once bitter persecutors followed her with decent sadness and tears that were not painful to her place by Ilbrahim’s green and sunken grave.
As if Ilbrahim’s sweetness still hung around his ashes, as if his gentle spirit had come down from heaven to teach his parent a true religion, her fierce and vengeful nature was softened by the same griefs that had once provoked it. As the years went by and the familiar face of the quiet mourner became known in the community, she became a subject of general interest—someone upon whom the otherwise unnecessary sympathies of everyone could be directed. People spoke about her with a kind of pity that was nice to receive; everyone was ready to offer her small acts of kindness that didn’t cost much but showed good intentions; and when she finally passed away, a long line of her former harsh critics followed her with respectful sorrow and tears that weren’t painful as they laid her to rest beside Ilbrahim’s green and sunken grave.
MR. HIGGINBOTHAM’S CATASTROPHE
A young fellow, a tobacco-pedler by trade, was on his way from Morristown, where he had dealt largely with the deacon of the Shaker settlement, to the village of Parker’s Falls, on Salmon River. He had a neat little cart painted green, with a box of cigars depicted on each side-panel, and an Indian chief holding a pipe and a golden tobacco-stalk on the rear. The pedler drove a smart little mare and was a young man of excellent character, keen at a bargain, but none the worse liked by the Yankees, who, as I have heard them say, would rather be shaved with a sharp razor than a dull one. Especially was he beloved by the pretty girls along the Connecticut, whose favor he used to court by presents of the best smoking-tobacco in his stock, knowing well that the country-lasses of New England are generally great performers on pipes. Moreover, as will be seen in the course of my story, the pedler was inquisitive and something of a tattler, always itching to hear the news and anxious to tell it again.
A young guy, a tobacco seller by trade, was making his way from Morristown, where he had done a lot of business with the deacon of the Shaker settlement, to the village of Parker’s Falls on the Salmon River. He had a neat little cart painted green, with a box of cigars illustrated on each side panel, and an Indian chief holding a pipe and a golden tobacco stalk on the back. The seller drove a smart little mare and was a young man of good character, sharp when it came to deals, but the Yankees still liked him just fine, as I’ve heard them say they’d prefer being shaved with a sharp razor rather than a dull one. He was especially popular with the pretty girls along the Connecticut, who he used to win over by giving them the best smoking tobacco he had, knowing well that the country girls of New England are usually quite skilled with pipes. Furthermore, as you’ll see as my story unfolds, the seller was curious and somewhat of a gossip, always eager to hear the latest news and keen to share it.
After an early breakfast at Morristown the tobacco-pedler—whose name was Dominicus Pike—had travelled seven miles through a solitary piece of woods without speaking a word to anybody but himself and his little gray mare. It being nearly seven o’clock, he was as eager to hold a morning gossip as a city shopkeeper to read the morning paper. An opportunity seemed at hand when, after lighting a cigar with a sun-glass, he looked up and perceived a man coming over the brow of the hill at the foot of which the pedler had stopped his green cart. Dominicus watched him as he descended, and noticed that he carried a bundle over his shoulder on the end of a stick and travelled with a weary yet determined pace. He did not look as if he had started in the freshness of the morning, but had footed it all night, and meant to do the same all day.
After an early breakfast in Morristown, the tobacco seller—named Dominicus Pike—had traveled seven miles through a quiet stretch of woods without speaking to anyone except himself and his little gray mare. With it being nearly seven o'clock, he was just as eager for some morning gossip as a city shopkeeper is to read the morning paper. An opportunity seemed to arise when, after lighting a cigar with a sun glass, he looked up and saw a man coming over the hill where Dominicus had stopped his green cart. Dominicus watched him as he walked down and noticed that he carried a bundle over his shoulder on the end of a stick and moved with a tired yet determined stride. He didn’t seem like he had set out fresh in the morning but looked like he had walked all night and intended to keep going all day.
“Good-morning, mister,” said Dominicus, when within speaking-distance. “You go a pretty good jog. What’s the latest news at Parker’s Falls?”
“Good morning, sir,” said Dominicus, as he got close enough to talk. “You run pretty well. What’s the latest news from Parker’s Falls?”
The man pulled the broad brim of a gray hat over his eyes, and answered, rather sullenly, that he did not come from Parker’s Falls, which, as being the limit of his own day’s journey, the pedler had naturally mentioned in his inquiry.
The man pulled the wide brim of a gray hat down over his eyes and replied, somewhat grumpily, that he wasn’t from Parker’s Falls, which, since it was the farthest he traveled that day, the peddler had understandably brought up in his question.
“Well, then,” rejoined Dominicus Pike, “let’s have the latest news where you did come from. I’m not particular about Parker’s Falls. Any place will answer.”
“Well, then,” replied Dominicus Pike, “let’s hear the latest news from where you came from. I’m not picky about Parker’s Falls. Any place will do.”
Being thus importuned, the traveller—who was as ill-looking a fellow as one would desire to meet in a solitary piece of woods—appeared to hesitate a little, as if he was either searching his memory for news or weighing the expediency of telling it. At last, mounting on the step of the cart, he whispered in the ear of Dominicus, though he might have shouted aloud and no other mortal would have heard him.
Being pressed like this, the traveler—who was as unattractive as anyone would want to encounter in a remote patch of woods—seemed to hesitate for a moment, as if he were either trying to recall some news or considering whether it was wise to share it. Finally, stepping onto the cart, he whispered in Dominicus’s ear, although he could have easily shouted, and no one else would have heard him.
“I do remember one little trifle of news,” said he. “Old Mr. Higginbotham of Kimballton was murdered in his orchard at eight o’clock last night by an Irishman and a nigger. They strung him up to the branch of a St. Michael’s pear tree where nobody would find him till the morning.”
“I remember one small detail of news,” he said. “Old Mr. Higginbotham of Kimballton was killed in his orchard at eight o’clock last night by an Irishman and a Black man. They hung him from the branch of a St. Michael’s pear tree where no one would find him until morning.”
As soon as this horrible intelligence was communicated the stranger betook himself to his journey again with more speed than ever, not even turning his head when Dominicus invited him to smoke a Spanish cigar and relate all the particulars. The pedler whistled to his mare and went up the hill, pondering on the doleful fate of Mr. Higginbotham, whom he had known in the way of trade, having sold him many a bunch of long nines and a great deal of pig-tail, lady’s twist and fig tobacco. He was rather astonished at the rapidity with which the news had spread. Kimballton was nearly sixty miles distant in a straight line; the murder had been perpetrated only at eight o’clock the preceding night, yet Dominicus had heard of it at seven in the morning, when, in all probability, poor Mr. Higginbotham’s own family had but just discovered his corpse hanging on the St. Michael’s pear tree. The stranger on foot must have worn seven-league boots, to travel at such a rate.
As soon as the terrible news got out, the stranger hurried on his journey faster than ever, not even looking back when Dominicus invited him to smoke a Spanish cigar and share the details. The peddler whistled to his mare and climbed the hill, reflecting on the sad fate of Mr. Higginbotham, who he had known through business, having sold him many packs of long nines and a lot of pig-tail, lady’s twist, and fig tobacco. He was quite surprised by how quickly the news had spread. Kimballton was almost sixty miles away in a straight line; the murder had taken place just at eight o’clock the night before, yet Dominicus had heard about it by seven in the morning, when, most likely, poor Mr. Higginbotham’s own family had only just found his body hanging from the St. Michael’s pear tree. The stranger on foot must have had some magical boots to travel that fast.
“Ill-news flies fast, they say,” thought Dominicus Pike, “but this beats railroads. The fellow ought to be hired to go express with the President’s message.”
“Bad news spreads quickly, they say,” thought Dominicus Pike, “but this is faster than trains. This guy should be hired to deliver the President's message.”
The difficulty was solved by supposing that the narrator had made a mistake of one day in the date of the occurrence; so that our friend did not hesitate to introduce the story at every tavern and country-store along the road, expending a whole bunch of Spanish wrappers among at least twenty horrified audiences. He found himself invariably the first bearer of the intelligence, and was so pestered with questions that he could not avoid filling up the outline till it became quite a respectable narrative. He met with one piece of corroborative evidence. Mr. Higginbotham was a trader, and a former clerk of his to whom Dominicus related the facts testified that the old gentleman was accustomed to return home through the orchard about nightfall with the money and valuable papers of the store in his pocket. The clerk manifested but little grief at Mr. Higginbotham’s catastrophe, hinting—what the pedler had discovered in his own dealings with him—that he was a crusty old fellow as close as a vise. His property would descend to a pretty niece who was now keeping school in Kimballton.
The problem was resolved by assuming that the narrator had made a one-day mistake in the date of the incident; so our friend didn’t hesitate to share the story at every tavern and country store along the way, spending a whole bunch of Spanish wrappers among at least twenty shocked audiences. He found himself consistently the first to share the news and was so bombarded with questions that he couldn’t help but elaborate until it became quite a respectable tale. He came across one piece of confirming evidence. Mr. Higginbotham was a trader, and a former clerk of his to whom Dominicus related the details testified that the old gentleman would typically return home through the orchard around dusk with the money and important papers from the store in his pocket. The clerk showed little sadness at Mr. Higginbotham’s misfortune, hinting—what the peddler had learned from his own interactions with him—that he was a grumpy old man as tight as a vise. His property would go to a nice niece who was currently teaching school in Kimballton.
What with telling the news for the public good and driving bargains for his own, Dominicus was so much delayed on the road that he chose to put up at a tavern about five miles short of Parker’s Falls. After supper, lighting one of his prime cigars, he seated himself in the bar-room and went through the story of the murder, which had grown so fast that it took him half an hour to tell. There were as many as twenty people in the room, nineteen of whom received it all for gospel. But the twentieth was an elderly farmer who had arrived on horseback a short time before and was now seated in a corner, smoking his pipe. When the story was concluded, he rose up very deliberately, brought his chair right in front of Dominicus and stared him full in the face, puffing out the vilest tobacco-smoke the pedler had ever smelt.
With his responsibility to share news for the public good and negotiate deals for himself, Dominicus got so delayed on the road that he decided to stay at a tavern about five miles before reaching Parker’s Falls. After dinner, he lit one of his favorite cigars, settled in the bar room, and recounted the murder story, which had expanded so much that it took him half an hour to share. There were about twenty people in the room, nineteen of whom believed every word as the truth. But the twentieth was an older farmer who had arrived on horseback a little while ago and was now sitting in a corner, smoking his pipe. When Dominicus finished the story, the farmer stood up slowly, moved his chair right in front of Dominicus, and stared him down while puffing out the foulest tobacco smoke the peddler had ever encountered.
“Will you make affidavit,” demanded he, in the tone of a country-justice taking an examination, “that old Squire Higginbotham of Kimballton was murdered in his orchard the night before last and found hanging on his great pear tree yesterday morning?”
“Will you give a sworn statement,” he asked, in the manner of a local judge conducting an inquiry, “that old Squire Higginbotham from Kimballton was murdered in his orchard the night before last and was found hanging from his big pear tree yesterday morning?”
“I tell the story as I heard it, mister,” answered Dominicus, dropping his half-burnt cigar. “I don’t say that I saw the thing done, so I can’t take my oath that he was murdered exactly in that way.”
“I’m sharing the story as I heard it, sir,” Dominicus replied, dropping his half-burnt cigar. “I’m not claiming I witnessed it, so I can’t swear that he was murdered exactly like that.”
“But I can take mine,” said the farmer, “that if Squire Higginbotham was murdered night before last I drank a glass of bitters with his ghost this morning. Being a neighbor of mine, he called me into his store as I was riding by, and treated me, and then asked me to do a little business for him on the road. He didn’t seem to know any more about his own murder than I did.”
“But I can tell you my story,” said the farmer, “that if Squire Higginbotham was murdered the night before last, I just had a drink with his ghost this morning. Since he was my neighbor, he invited me into his store while I was passing by, bought me a drink, and then asked me to handle a little business for him on the road. He didn’t seem to know any more about his own murder than I did.”
“Why, then it can’t be a fact!” exclaimed Dominicus Pike.
“Then it can’t be true!” exclaimed Dominicus Pike.
“I guess he’d have mentioned, if it was,” said the old farmer; and he removed his chair back to the corner, leaving Dominicus quite down in the mouth.
“I guess he would have said something if it was,” said the old farmer; and he pushed his chair back into the corner, leaving Dominicus feeling pretty down.
Here was a sad resurrection of old Mr. Higginbotham! The pedler had no heart to mingle in the conversation any more, but comforted himself with a glass of gin and water and went to bed, where all night long he dreamed of hanging on the St. Michael’s pear tree.
Here was a sad revival of old Mr. Higginbotham! The peddler had no desire to join in the conversation any longer, so he consoled himself with a glass of gin and water and went to bed, where he dreamed all night about hanging from the St. Michael’s pear tree.
To avoid the old farmer (whom he so detested that his suspension would have pleased him better than Mr. Higginbotham’s), Dominicus rose in the gray of the morning, put the little mare into the green cart and trotted swiftly away toward Parker’s Falls. The fresh breeze, the dewy road and the pleasant summer dawn revived his spirits, and might have encouraged him to repeat the old story had there been anybody awake to bear it, but he met neither ox-team, light wagon, chaise, horseman nor foot-traveller till, just as he crossed Salmon River, a man came trudging down to the bridge with a bundle over his shoulder, on the end of a stick.
To avoid the old farmer (whom he hated so much that his suspension would have pleased him more than Mr. Higginbotham’s), Dominicus got up in the early morning, put the little mare in the green cart, and quickly set off toward Parker’s Falls. The fresh breeze, the dewy road, and the nice summer dawn lifted his spirits and might have inspired him to share the old story if anyone had been awake to hear it, but he didn’t see any ox-team, light wagon, chaise, horse rider, or pedestrian until, just as he crossed Salmon River, a man came trudging down to the bridge with a bundle over his shoulder, hanging from a stick.
“Good-morning, mister,” said the pedler, reining in his mare. “If you come from Kimballton or that neighborhood, maybe you can tell me the real fact about this affair of old Mr. Higginbotham. Was the old fellow actually murdered two or three nights ago by an Irishman and a nigger?”
“Good morning, sir,” said the peddler, pulling his mare to a stop. “If you’re coming from Kimballton or that area, maybe you can share the truth about what happened with old Mr. Higginbotham. Was the old man really murdered two or three nights ago by an Irishman and a Black man?”
Dominicus had spoken in too great a hurry to observe at first that the stranger himself had a deep tinge of negro blood. On hearing this sudden question the Ethiopian appeared to change his skin, its yellow hue becoming a ghastly white, while, shaking and stammering, he thus replied:
Dominicus had talked so quickly that he didn’t initially notice that the stranger had a deep trace of black ancestry. Upon hearing the sudden question, the Ethiopian seemed to change in color, his yellow complexion turning a sickly white, while shaking and stammering, he replied:
“No, no! There was no colored man. It was an Irishman that hanged him last night at eight o’clock; I came away at seven. His folks can’t have looked for him in the orchard yet.”
“No, no! There wasn’t a black man. It was an Irishman who hanged him last night at eight o’clock; I left at seven. His family can’t have gone searching for him in the orchard yet.”
Scarcely had the yellow man spoken, when he interrupted himself and, though he seemed weary enough before, continued his journey at a pace which would have kept the pedler’s mare on a smart trot. Dominicus stared after him in great perplexity. If the murder had not been committed till Tuesday night, who was the prophet that had foretold it in all its circumstances on Tuesday morning? If Mr. Higginbotham’s corpse were not yet discovered by his own family, how came the mulatto, at above thirty miles’ distance, to know that he was hanging in the orchard, especially as he had left Kimballton before the unfortunate man was hanged at all? These ambiguous circumstances, with the stranger’s surprise and terror, made Dominicus think of raising a hue-and-cry after him as an accomplice in the murder, since a murder, it seemed, had really been perpetrated.
Barely had the yellow man finished speaking when he interrupted himself and, even though he looked pretty exhausted before, continued his journey at a pace that would have kept the peddler’s mare moving at a brisk trot. Dominicus watched him in confusion. If the murder hadn't happened until Tuesday night, who was the prophet that had predicted it with all its details on Tuesday morning? If Mr. Higginbotham’s body hadn't been found by his own family yet, how did the mulatto, over thirty miles away, know he was hanging in the orchard, especially since he had left Kimballton before the unfortunate man was hanged at all? These unclear circumstances, along with the stranger’s shock and fear, made Dominicus consider raising an alarm after him as a possible accomplice in the murder, since it seemed like a murder had actually taken place.
“But let the poor devil go,” thought the pedler. “I don’t want his black blood on my head, and hanging the nigger wouldn’t unhang Mr. Higginbotham. Unhang the old gentleman? It’s a sin, I know, but I should hate to have him come to life a second time and give me the lie.”
“But let the poor guy go,” thought the peddler. “I don’t want his bad karma on my conscience, and hanging the guy wouldn’t bring Mr. Higginbotham back to life. Bring the old man back? I know it’s wrong, but I’d really hate for him to come back and call me a liar.”
With these meditations Dominicus Pike drove into the street of Parker’s Falls, which, as everybody knows, is as thriving a village as three cotton-factories and a slitting-mill can make it. The machinery was not in motion and but a few of the shop doors unbarred when he alighted in the stable-yard of the tavern and made it his first business to order the mare four quarts of oats. His second duty, of course, was to impart Mr. Higginbotham’s catastrophe to the hostler. He deemed it advisable, however, not to be too positive as to the date of the direful fact, and also to be uncertain whether it were perpetrated by an Irishman and a mulatto or by the son of Erin alone. Neither did he profess to relate it on his own authority or that of any one person, but mentioned it as a report generally diffused.
With these thoughts in mind, Dominicus Pike drove into the street of Parker’s Falls, which, as everyone knows, is a thriving village thanks to three cotton factories and a slitting mill. The machinery wasn’t running and only a few shop doors were unlocked when he got out in the stable yard of the tavern and immediately ordered four quarts of oats for the mare. His next task, of course, was to inform the hostler about Mr. Higginbotham’s disaster. However, he thought it wise not to be too certain about the date of the unfortunate event, and he also wasn’t sure whether it was caused by an Irishman and a mulatto or just by the son of Erin alone. He didn’t claim to tell it from his own authority or that of anyone in particular, but mentioned it as a rumor that was widely circulated.
The story ran through the town like fire among girdled trees, and became so much the universal talk that nobody could tell whence it had originated. Mr. Higginbotham was as well known at Parker’s Falls as any citizen of the place, being part-owner of the slitting-mill and a considerable stockholder in the cotton-factories. The inhabitants felt their own prosperity interested in his fate. Such was the excitement that the Parker’s Falls Gazette anticipated its regular day of publication, and came out with half a form of blank paper and a column of double pica emphasized with capitals and headed “HORRID MURDER OF MR. HIGGINBOTHAM!” Among other dreadful details, the printed account described the mark of the cord round the dead man’s neck and stated the number of thousand dollars of which he had been robbed; there was much pathos, also, about the affliction of his niece, who had gone from one fainting-fit to another ever since her uncle was found hanging on the St. Michael’s pear tree with his pockets inside out. The village poet likewise commemorated the young lady’s grief in seventeen stanzas of a ballad. The selectmen held a meeting, and in consideration of Mr. Higginbotham’s claims on the town determined to issue handbills offering a reward of five hundred dollars for the apprehension of his murderers and the recovery of the stolen property.
The story spread through the town like wildfire, becoming so widely discussed that no one could pinpoint where it started. Mr. Higginbotham was as well-known in Parker’s Falls as anyone else, being a part-owner of the slitting mill and a significant shareholder in the cotton factories. The townspeople felt their own prosperity tied to his fate. The excitement was so intense that the Parker’s Falls Gazette decided to publish early, releasing a half-empty page and a column in large letters titled “HORRID MURDER OF MR. HIGGINBOTHAM!” Among other shocking details, the article described the mark of the rope around the deceased man’s neck and mentioned the significant amount of money he had been robbed of; it also included a lot of emotional content about his niece, who had been fainting repeatedly since her uncle was found hanging from the St. Michael’s pear tree with his pockets turned inside out. The village poet also honored the young lady’s sorrow in a ballad of seventeen stanzas. The selectmen held a meeting and, given Mr. Higginbotham’s ties to the town, decided to issue handbills offering a reward of five hundred dollars for the capture of his murderers and the recovery of his stolen belongings.
Meanwhile, the whole population of Parker’s Falls, consisting of shopkeepers, mistresses of boarding-houses, factory-girls, mill-men and schoolboys, rushed into the street and kept up such a terrible loquacity as more than compensated for the silence of the cotton-machines, which refrained from their usual din out of respect to the deceased. Had Mr. Higginbotham cared about posthumous renown, his untimely ghost would have exulted in this tumult.
Meanwhile, the entire population of Parker’s Falls, made up of shopkeepers, boarding house owners, factory workers, mill workers, and schoolboys, flooded into the street and created such a loud commotion that it more than made up for the silence of the cotton machines, which stopped their usual noise out of respect for the deceased. If Mr. Higginbotham had cared about being remembered after death, his untimely ghost would have reveled in this chaos.
Our friend Dominicus in his vanity of heart forgot his intended precautions, and, mounting on the town-pump, announced himself as the bearer of the authentic intelligence which had caused so wonderful a sensation. He immediately became the great man of the moment, and had just begun a new edition of the narrative with a voice like a field-preacher when the mail-stage drove into the village street. It had travelled all night, and must have shifted horses at Kimballton at three in the morning.
Our friend Dominicus, caught up in his own pride, forgot his planned precautions and, climbing on the town pump, declared himself the messenger of the important news that had created such a buzz. He quickly became the center of attention and had just started a new version of the story in a booming voice when the mail stage rolled into the village street. It had been traveling all night and must have changed horses at Kimballton around three in the morning.
“Now we shall hear all the particulars!” shouted the crowd.
“Now we want to hear all the details!” shouted the crowd.
The coach rumbled up to the piazza of the tavern followed by a thousand people; for if any man had been minding his own business till then, he now left it at sixes and sevens to hear the news. The pedler, foremost in the race, discovered two passengers, both of whom had been startled from a comfortable nap to find themselves in the centre of a mob. Every man assailing them with separate questions, all propounded at once, the couple were struck speechless, though one was a lawyer and the other a young lady.
The coach rolled up to the tavern square, trailed by a crowd of a thousand people; if anyone had been focused on their own affairs before, they were now completely distracted by the commotion. The pedler, leading the pack, spotted two passengers who had been jolted from a cozy nap to find themselves in the middle of a mob. Everyone bombarded them with different questions all at once, leaving the pair speechless, even though one was a lawyer and the other was a young woman.
“Mr. Higginbotham! Mr. Higginbotham! Tell us the particulars about old Mr. Higginbotham!” bawled the mob. “What is the coroner’s verdict? Are the murderers apprehended? Is Mr. Higginbotham’s niece come out of her fainting-fits? Mr. Higginbotham! Mr. Higginbotham!”
“Mr. Higginbotham! Mr. Higginbotham! Tell us the details about old Mr. Higginbotham!” yelled the crowd. “What’s the coroner’s verdict? Have they caught the killers? Is Mr. Higginbotham’s niece out of her fainting spells? Mr. Higginbotham! Mr. Higginbotham!”
The coachman said not a word except to swear awfully at the hostler for not bringing him a fresh team of horses. The lawyer inside had generally his wits about him even when asleep; the first thing he did after learning the cause of the excitement was to produce a large red pocketbook. Meantime, Dominicus Pike, being an extremely polite young man, and also suspecting that a female tongue would tell the story as glibly as a lawyer’s, had handed the lady out of the coach. She was a fine, smart girl, now wide awake and bright as a button, and had such a sweet, pretty mouth that Dominicus would almost as lief have heard a love-tale from it as a tale of murder.
The coachman didn’t say a word except to angrily curse the stable hand for not bringing him a fresh team of horses. The lawyer inside usually kept his wits about him, even when he was asleep; the first thing he did after finding out what caused the commotion was pull out a large red wallet. Meanwhile, Dominicus Pike, being a very polite young man, and also thinking that a woman would tell the story as smoothly as a lawyer, helped the lady out of the coach. She was a lovely, sharp young woman, now fully awake and as bright as a button, and she had such a sweet, pretty smile that Dominicus would have preferred to hear a love story from her instead of a tale of murder.
“Gentlemen and ladies,” said the lawyer to the shopkeepers, the mill-men and the factory-girls, “I can assure you that some unaccountable mistake—or, more probably, a wilful falsehood maliciously contrived to injure Mr. Higginbotham’s credit—has excited this singular uproar. We passed through Kimballton at three o’clock this morning, and most certainly should have been informed of the murder had any been perpetrated. But I have proof nearly as strong as Mr. Higginbotham’s own oral testimony in the negative. Here is a note relating to a suit of his in the Connecticut courts which was delivered me from that gentleman himself. I find it dated at ten o’clock last evening.”
“Ladies and gentlemen,” said the lawyer to the shopkeepers, the mill workers, and the factory girls, “I can assure you that either some inexplicable mistake—or more likely, a deliberate lie created to damage Mr. Higginbotham’s reputation—has caused this strange uproar. We passed through Kimballton at three o’clock this morning, and we definitely would have been informed about the murder if it had actually happened. But I have evidence nearly as strong as Mr. Higginbotham’s own spoken testimony supporting the opposite. Here’s a note regarding a lawsuit of his in the Connecticut courts that was given to me directly by him. I see it’s dated at ten o’clock last night.”
So saying, the lawyer, exhibited the date and signature of the note, which irrefragably proved either that this perverse Mr. Higginbotham was alive when he wrote it, or, as some deemed the more probable case of two doubtful ones, that he was so absorbed in worldly business as to continue to transact it even after his death. But unexpected evidence was forthcoming. The young lady, after listening to the pedler’s explanation, merely seized a moment to smooth her gown and put her curls in order, and then appeared at the tavern door, making a modest signal to be heard.
With that, the lawyer showed the date and signature on the note, which clearly proved that this troublesome Mr. Higginbotham was alive when he wrote it, or, as some thought was more likely, that he was so caught up in business that he kept dealing even after he died. But unexpected evidence came to light. The young lady, after hearing the peddler’s explanation, quickly took a moment to straighten her dress and fix her curls, then appeared at the tavern door, making a subtle signal to get attention.
“Good people,” said she, “I am Mr. Higginbotham’s niece.”
“Good people,” she said, “I’m Mr. Higginbotham’s niece.”
A wondering murmur passed through the crowd on beholding her so rosy and bright—that same unhappy niece whom they had supposed, on the authority of the Parker’s Falls Gazette, to be lying at death’s door in a fainting-fit. But some shrewd fellows had doubted all along whether a young lady would be quite so desperate at the hanging of a rich old uncle.
A surprised whisper went through the crowd as they saw her looking so cheerful and vibrant—that same unfortunate niece whom they thought, according to the Parker’s Falls Gazette, was on her deathbed in a fainting spell. But some clever people had always questioned whether a young woman would be that upset about her rich old uncle’s execution.
“You see,” continued Miss Higginbotham, with a smile, “that this strange story is quite unfounded as to myself, and I believe I may affirm it to be equally so in regard to my dear uncle Higginbotham. He has the kindness to give me a home in his house, though I contribute to my own support by teaching a school. I left Kimballton this morning to spend the vacation of commencement-week with a friend about five miles from Parker’s Falls. My generous uncle, when he heard me on the stairs, called me to his bedside and gave me two dollars and fifty cents to pay my stage-fare, and another dollar for my extra expenses. He then laid his pocketbook under his pillow, shook hands with me, and advised me to take some biscuit in my bag instead of breakfasting on the road. I feel confident, therefore, that I left my beloved relative alive, and trust that I shall find him so on my return.”
“You see,” continued Miss Higginbotham with a smile, “that this strange story is completely untrue regarding me, and I believe I can say the same about my dear Uncle Higginbotham. He’s kind enough to give me a place in his home, even though I help support myself by teaching school. I left Kimballton this morning to spend the commencement-week vacation with a friend about five miles from Parker’s Falls. When my generous uncle heard me on the stairs, he called me to his bedside and gave me two dollars and fifty cents for my stage fare, plus another dollar for my extra expenses. He then placed his wallet under his pillow, shook my hand, and advised me to pack some biscuits instead of having breakfast on the way. So, I feel confident that I left my beloved relative alive and hope to find him so when I return.”
The young lady courtesied at the close of her speech, which was so sensible and well worded, and delivered with such grace and propriety, that everybody thought her fit to be preceptress of the best academy in the State. But a stranger would have supposed that Mr. Higginbotham was an object of abhorrence at Parker’s Falls and that a thanksgiving had been proclaimed for his murder, so excessive was the wrath of the inhabitants on learning their mistake. The mill-men resolved to bestow public honors on Dominicus Pike, only hesitating whether to tar and feather him, ride him on a rail or refresh him with an ablution at the town-pump, on the top of which he had declared himself the bearer of the news. The selectmen, by advice of the lawyer, spoke of prosecuting him for a misdemeanor in circulating unfounded reports, to the great disturbance of the peace of the commonwealth. Nothing saved Dominicus either from mob-law or a court of justice but an eloquent appeal made by the young lady in his behalf. Addressing a few words of heartfelt gratitude to his benefactress, he mounted the green cart and rode out of town under a discharge of artillery from the schoolboys, who found plenty of ammunition in the neighboring clay-pits and mud-holes. As he turned his head to exchange a farewell glance with Mr. Higginbotham’s niece a ball of the consistence of hasty-pudding hit him slap in the mouth, giving him a most grim aspect. His whole person was so bespattered with the like filthy missiles that he had almost a mind to ride back and supplicate for the threatened ablution at the town-pump; for, though not meant in kindness, it would now have been a deed of charity.
The young woman curtsied at the end of her speech, which was so sensible and well expressed, and delivered with such grace and decorum, that everyone thought she was suitable to be the head of the best academy in the state. However, a stranger might have assumed that Mr. Higginbotham was hated in Parker’s Falls and that a celebration had been held for his murder, given how furious the townspeople were upon learning their mistake. The mill workers decided to honor Dominicus Pike, only debating whether to tar and feather him, ride him on a rail, or splash him with water at the town pump, where he had announced the news. Following the lawyer's advice, the selectmen talked about prosecuting him for spreading false reports that greatly disturbed the peace of the community. The only thing that saved Dominicus from either mob justice or a court trial was a heartfelt plea made by the young lady on his behalf. Addressing a few words of sincere thanks to his rescuer, he climbed onto the green cart and rode out of town under a blast of artillery from the schoolboys, who found plenty of ammo in the nearby clay pits and mud holes. As he turned to give a farewell glance to Mr. Higginbotham’s niece, a blob of something resembling porridge hit him square in the mouth, giving him a rather grim look. He was so covered in such disgusting projectiles that he almost considered riding back to ask for the promised splash at the town pump; for, although it was not intended kindly, it would now have been an act of charity.
However, the sun shone bright on poor Dominicus, and the mud—an emblem of all stains of undeserved opprobrium—was easily brushed off when dry. Being a funny rogue, his heart soon cheered up; nor could he refrain from a hearty laugh at the uproar which his story had excited. The handbills of the selectmen would cause the commitment of all the vagabonds in the State, the paragraph in the Parker’s Falls Gazette would be reprinted from Maine to Florida, and perhaps form an item in the London newspapers, and many a miser would tremble for his moneybags and life on learning the catastrophe of Mr. Higginbotham. The pedler meditated with much fervor on the charms of the young schoolmistress, and swore that Daniel Webster never spoke nor looked so like an angel as Miss Higginbotham while defending him from the wrathful populace at Parker’s Falls.
However, the sun shone brightly on poor Dominicus, and the mud—symbolizing all forms of undeserved shame—was easily brushed off once it dried. Being a witty trickster, his spirits quickly lifted; he couldn’t help but laugh heartily at the commotion his story had caused. The flyers from the selectmen would lead to the arrest of all the vagrants in the state, the article in the Parker’s Falls Gazette would be reprinted from Maine to Florida, and it might even make it into the London newspapers. Many a miser would feel anxious about his money and his life upon hearing about Mr. Higginbotham’s disaster. The peddler thought passionately about the charms of the young schoolmistress, declaring that Daniel Webster had never spoken or looked as much like an angel as Miss Higginbotham did while defending him from the furious crowd at Parker’s Falls.
Dominicus was now on the Kimballton turnpike, having all along determined to visit that place, though business had drawn, him out of the most direct road from Morristown. As he approached the scene of the supposed murder he continued to revolve the circumstances in his mind, and was astonished at the aspect which the whole case assumed. Had nothing occurred to corroborate the story of the first traveller, it might now have been considered as a hoax; but the yellow man was evidently acquainted either with the report or the fact, and there was a mystery in his dismayed and guilty look on being abruptly questioned. When to this singular combination of incidents it was added that the rumor tallied exactly with Mr. Higginbotham’s character and habits of life, and that he had an orchard and a St. Michael’s pear tree, near which he always passed at nightfall, the circumstantial evidence appeared so strong that Dominicus doubted whether the autograph produced by the lawyer, or even the niece’s direct testimony, ought to be equivalent. Making cautious inquiries along the road, the pedler further learned that Mr. Higginbotham had in his service an Irishman of doubtful character whom he had hired without a recommendation, on the score of economy.
Dominicus was now on the Kimballton turnpike, having always planned to visit that place, even though business had led him away from the most direct path from Morristown. As he neared the site of the supposed murder, he kept pondering the circumstances and was shocked by how the whole situation looked. If nothing had happened to back up the story of the first traveler, it might have been dismissed as a prank; but the yellow man clearly knew either the rumor or the facts, and there was a mystery in his frightened and guilty expression when he was suddenly questioned. When this strange mix of events was combined with the fact that the rumor matched Mr. Higginbotham’s character and lifestyle, and that he had an orchard and a St. Michael’s pear tree that he always passed by at dusk, the evidence seemed so strong that Dominicus questioned whether the signature produced by the lawyer or even the niece’s direct testimony should be taken as reliable. Making careful inquiries along the way, the peddler also found out that Mr. Higginbotham employed an Irishman of questionable character whom he had hired without a reference, aiming to save money.
“May I be hanged myself,” exclaimed Dominicus Pike, aloud, on reaching the top of a lonely hill, “if I’ll believe old Higginbotham is unhanged till I see him with my own eyes and hear it from his own mouth. And, as he’s a real shaver, I’ll have the minister, or some other responsible man, for an endorser.”
“May I be hanged myself,” shouted Dominicus Pike, as he reached the top of a lonely hill, “if I believe old Higginbotham is still alive until I see him with my own eyes and hear it from his own mouth. And since he’s a real troublemaker, I’ll need the minister, or some other reputable person, as a witness.”
It was growing dusk when he reached the toll-house on Kimballton turnpike, about a quarter of a mile from the village of this name. His little mare was fast bringing him up with a man on horseback who trotted through the gate a few rods in advance of him, nodded to the toll-gatherer and kept on towards the village. Dominicus was acquainted with the toll-man, and while making change the usual remarks on the weather passed between them.
It was getting dark when he arrived at the tollhouse on Kimballton Turnpike, about a quarter mile from the village of the same name. His small mare was quickly catching up to a man on horseback who trotted through the gate a few yards ahead of him, nodded to the toll collector, and continued toward the village. Dominicus knew the toll collector, and while making change, they exchanged the usual comments about the weather.
“I suppose,” said the pedler, throwing back his whiplash to bring it down like a feather on the mare’s flank, “you have not seen anything of old Mr. Higginbotham within a day or two?”
"I guess," said the peddler, snapping his whip to let it fall softly on the mare's side, "you haven't seen old Mr. Higginbotham in a day or two, have you?"
“Yes,” answered the toll-gatherer; “he passed the gate just before you drove up, and yonder he rides now, if you can see him through the dusk. He’s been to Woodfield this afternoon, attending a sheriff’s sale there. The old man generally shakes hands and has a little chat with me, but to-night he nodded, as if to say, ‘Charge my toll,’ and jogged on; for, wherever he goes, he must always be at home by eight o’clock.”
“Yes,” replied the toll collector; “he just went through the gate before you arrived, and over there he rides now, if you can spot him in the dusk. He was at Woodfield this afternoon, attending a sheriff’s sale. The old man usually shakes my hand and has a quick chat with me, but tonight he simply nodded, as if to say, ‘Collect my toll,’ and continued on; because, wherever he goes, he always has to be home by eight o’clock.”
“So they tell me,” said Dominicus.
“So they tell me,” Dominicus said.
“I never saw a man look so yellow and thin as the squire does,” continued the toll-gatherer. “Says I to myself tonight, ‘He’s more like a ghost or an old mummy than good flesh and blood.’”
“I’ve never seen a guy look so pale and skinny as the squire does,” the toll-gatherer went on. “I thought to myself tonight, ‘He looks more like a ghost or an old mummy than a living person.’”
The pedler strained his eyes through the twilight, and could just discern the horseman now far ahead on the village road. He seemed to recognize the rear of Mr. Higginbotham, but through the evening shadows and amid the dust from the horse’s feet the figure appeared dim and unsubstantial, as if the shape of the mysterious old man were faintly moulded of darkness and gray light.
The peddler squinted his eyes in the dim light and could just make out the horseman far ahead on the village road. He thought he recognized the back of Mr. Higginbotham, but through the evening shadows and the dust stirred up by the horse's hooves, the figure looked vague and insubstantial, almost like the shape of an enigmatic old man faintly formed from darkness and gray light.
Dominicus shivered. “Mr. Higginbotham has come back from the other world by way of the Kimballton turnpike,” thought he. He shook the reins and rode forward, keeping about the same distance in the rear of the gray old shadow till the latter was concealed by a bend of the road. On reaching this point the pedler no longer saw the man on horseback, but found himself at the head of the village street, not far from a number of stores and two taverns clustered round the meeting-house steeple. On his left was a stone wall and a gate, the boundary of a wood-lot beyond which lay an orchard, farther still a mowing-field, and last of all a house. These were the premises of Mr. Higginbotham, whose dwelling stood beside the old highway, but had been left in the background by the Kimballton turnpike.
Dominicus shivered. “Mr. Higginbotham has returned from the afterlife via the Kimballton turnpike,” he thought. He shook the reins and rode forward, maintaining a similar distance behind the gray old shadow until it was hidden by a curve in the road. Upon reaching this point, the peddler no longer saw the man on horseback, but found himself at the beginning of the village street, not far from several stores and two taverns clustered around the meeting-house steeple. On his left was a stone wall and a gate, marking the edge of a wood-lot beyond which lay an orchard, then a mowing-field, and finally a house. These were Mr. Higginbotham's properties, whose home stood near the old highway but was overshadowed by the Kimballton turnpike.
Dominicus knew the place, and the little mare stopped short by instinct, for he was not conscious of tightening the reins. “For the soul of me, I cannot get by this gate!” said he, trembling. “I never shall be my own man again till I see whether Mr. Higginbotham is hanging on the St. Michael’s pear tree.” He leaped from the cart, gave the rein a turn round the gate-post, and ran along the green path of the wood-lot as if Old Nick were chasing behind. Just then the village clock tolled eight, and as each deep stroke fell Dominicus gave a fresh bound and flew faster than before, till, dim in the solitary centre of the orchard, he saw the fated pear tree. One great branch stretched from the old contorted trunk across the path and threw the darkest shadow on that one spot. But something seemed to struggle beneath the branch.
Dominicus knew the place, and the little mare stopped suddenly on instinct, as he wasn't aware that he had tightened the reins. “I swear, I can't get past this gate!” he said, shaking. “I'll never be my own man again until I find out if Mr. Higginbotham is hanging from the St. Michael’s pear tree.” He jumped out of the cart, wrapped the reins around the gate-post, and ran down the grassy path of the woodlot as if the devil himself was chasing him. Just then, the village clock struck eight, and with each deep chime, Dominicus took another leap and ran faster than ever, until in the lonely center of the orchard, he spotted the dreaded pear tree. A large branch stretched from the old twisted trunk across the path, casting the darkest shadow on that one spot. But something seemed to be struggling underneath the branch.
The pedler had never pretended to more courage than befits a man of peaceable occupation, nor could he account for his valor on this awful emergency. Certain it is, however, that he rushed forward, prostrated a sturdy Irishman with the butt-end of his whip, and found—not, indeed, hanging on the St. Michael’s pear tree, but trembling beneath it with a halter round his neck—the old identical Mr. Higginbotham.
The peddler had never claimed to have more courage than what suits a man with a peaceful job, nor could he explain his bravery in this terrifying situation. What’s certain, though, is that he charged forward, knocked down a tough Irishman with the end of his whip, and discovered—not, in fact, hanging from St. Michael’s pear tree, but shaking underneath it with a noose around his neck—the same old Mr. Higginbotham.
“Mr. Higginbotham,” said Dominicus, tremulously, “you’re an honest man, and I’ll take your word for it. Have you been hanged, or not?”
“Mr. Higginbotham,” said Dominicus, nervously, “you’re an honest man, so I’ll trust what you say. Have you been hanged or not?”
If the riddle be not already guessed, a few words will explain the simple machinery by which this “coming event” was made to cast its “shadow before.” Three men had plotted the robbery and murder of Mr. Higginbotham; two of them successively lost courage and fled, each delaying the crime one night by their disappearance; the third was in the act of perpetration, when a champion, blindly obeying the call of fate, like the heroes of old romance, appeared in the person of Dominicus Pike.
If the riddle hasn’t been figured out yet, a few words will clarify the straightforward scheme that allowed this “upcoming event” to cast its “shadow before.” Three men had conspired to rob and kill Mr. Higginbotham; two of them lost their nerve and ran away, each postponing the crime for a night by vanishing; the third was about to go through with it when a hero, following the call of destiny like the champions of old stories, showed up in the form of Dominicus Pike.
It only remains to say that Mr. Higginbotham took the pedler into high favor, sanctioned his addresses to the pretty schoolmistress and settled his whole property on their children, allowing themselves the interest. In due time the old gentleman capped the climax of his favors by dying a Christian death in bed; since which melancholy event, Dominicus Pike has removed from Kimballton and established a large tobacco-manufactory in my native village.
It should be noted that Mr. Higginbotham became very fond of the peddler, approved of his attention to the attractive schoolmistress, and left all his belongings to their children, letting them keep the interest. In time, the old gentleman completed his generosity by passing away peacefully in bed; since that sad event, Dominicus Pike has moved away from Kimballton and started a large tobacco factory in my hometown.
LITTLE ANNIE’S RAMBLE
Ding-dong! Ding-dong! Ding-dong!
Ding-dong! Ding-dong! Ding-dong!
The town-crier has rung his bell at a distant corner, and little Annie stands on her father’s doorsteps trying to hear what the man with the loud voice is talking about. Let me listen too. Oh, he is telling the people that an elephant and a lion and a royal tiger and a horse with horns, and other strange beasts from foreign countries, have come to town and will receive all visitors who choose to wait upon them. Perhaps little Annie would like to go? Yes, and I can see that the pretty child is weary of this wide and pleasant street with the green trees flinging their shade across the quiet sunshine and the pavements and the sidewalks all as clean as if the housemaid had just swept them with her broom. She feels that impulse to go strolling away—that longing after the mystery of the great world—which many children feel, and which I felt in my childhood. Little Annie shall take a ramble with me. See! I do but hold out my hand, and like some bright bird in the sunny air, with her blue silk frock fluttering upward from her white pantalets, she comes bounding on tiptoe across the street.
The town crier has rung his bell at a far corner, and little Annie stands on her dad's doorstep trying to hear what the loud-voiced man is announcing. Let me listen too. Oh, he’s telling people that an elephant, a lion, a royal tiger, a horned horse, and other strange animals from distant lands have come to town and will welcome all visitors who choose to see them. Maybe little Annie would like to go? Yes, and I can see that the pretty girl is tired of this wide and lovely street with the green trees casting shade over the sunny pavements and sidewalks, all as clean as if the housemaid just swept them. She feels that urge to wander away—that desire to explore the mysteries of the vast world—which many children experience and which I felt in my childhood. Little Annie will take a stroll with me. Look! I just hold out my hand, and like a bright bird in the sunny air, with her blue silk dress fluttering from her white pants, she happily bounds on tiptoe across the street.
Smooth back your brown curls, Annie, and let me tie on your bonnet, and we will set forth. What a strange couple to go on their rambles together! One walks in black attire, with a measured step and a heavy brow and his thoughtful eyes bent down, while the gay little girl trips lightly along as if she were forced to keep hold of my hand lest her feet should dance away from the earth. Yet there is sympathy between us. If I pride myself on anything, it is because I have a smile that children love; and, on the other hand, there are few grown ladies that could entice me from the side of little Annie, for I delight to let my mind go hand in hand with the mind of a sinless child. So come, Annie; but if I moralize as we go, do not listen to me: only look about you and be merry.
Smooth back your brown curls, Annie, and let me put on your bonnet, and we’ll head out. What a strange pair to go on our adventures together! One walks in black clothes, with a measured stride and a serious expression, his thoughtful eyes cast downward, while the cheerful little girl skips along as if she’s trying to hold onto my hand so her feet don’t float away from the ground. Yet there’s a connection between us. If I take pride in anything, it’s because I have a smile that children adore; and on the flip side, there are few grown women who could pull me away from little Annie, because I love to let my mind wander side by side with the innocent thoughts of a child. So come on, Annie; but if I start to preach while we walk, don’t pay attention to me: just look around and have fun.
Now we turn the corner. Here are hacks with two horses and stage-coaches with four thundering to meet each other, and trucks and carts moving at a slower pace, being heavily laden with barrels from the wharves; and here are rattling gigs which perhaps will be smashed to pieces before our eyes. Hitherward, also, comes a man trundling a wheelbarrow along the pavement. Is not little Annie afraid of such a tumult? No; she does not even shrink closer to my side, but passes on with fearless confidence, a happy child amidst a great throng of grown people who pay the same reverence to her infancy that they would to extreme old age. Nobody jostles her: all turn aside to make way for little Annie; and, what is most singular, she appears conscious of her claim to such respect. Now her eyes brighten with pleasure. A street-musician has seated himself on the steps of yonder church and pours forth his strains to the busy town—a melody that has gone astray among the tramp of footsteps, the buzz of voices and the war of passing wheels. Who heeds the poor organ-grinder? None but myself and little Annie, whose feet begin to move in unison with the lively tune, as if she were loth that music should be wasted without a dance. But where would Annie find a partner? Some have the gout in their toes or the rheumatism in their joints; some are stiff with age, some feeble with disease; some are so lean that their bones would rattle, and others of such ponderous size that their agility would crack the flagstones; but many, many have leaden feet because their hearts are far heavier than lead. It is a sad thought that I have chanced upon. What a company of dancers should we be! For I too am a gentleman of sober footsteps, and therefore, little Annie, let us walk sedately on.
Now we turn the corner. Here are carriages with two horses and stagecoaches with four thundering to meet each other, along with trucks and carts moving slowly, heavily loaded with barrels from the docks; and there are rattling gigs that might get smashed to pieces right before our eyes. Coming this way is a man pushing a wheelbarrow on the sidewalk. Isn’t little Annie afraid of such chaos? No; she doesn’t even move closer to me, but continues on with fearless confidence, a happy child amidst a large crowd of adults who show her the same respect they would to someone very old. Nobody bumps into her: everyone steps aside to make way for little Annie; and, what’s most interesting, she seems aware of her right to such respect. Now her eyes light up with joy. A street musician has settled on the steps of that church, playing melodies for the busy town—a tune that's lost among the sound of footsteps, the chatter of voices, and the noise of passing wheels. Who pays attention to the poor organ-grinder? Only me and little Annie, whose feet begin to move in sync with the lively tune, as if she can’t stand to see the music go to waste without a dance. But where could Annie find a dance partner? Some have gout in their toes or rheumatism in their joints; some are stiff with age, others weak from illness; some are so thin their bones would rattle, and others are so heavy that moving would crack the pavement; but many, many have leaden feet because their hearts are even heavier than lead. It’s a sad realization I’ve come to. What a group of dancers we would be! For I too am a gentleman with measured steps, so little Annie, let’s walk on calmly.
It is a question with me whether this giddy child or my sage self have most pleasure in looking at the shop-windows. We love the silks of sunny hue that glow within the darkened premises of the spruce dry-goods men; we are pleasantly dazzled by the burnished silver and the chased gold, the rings of wedlock and the costly love-ornaments, glistening at the window of the jeweller; but Annie, more than I, seeks for a glimpse of her passing figure in the dusty looking-glasses at the hardware-stores. All that is bright and gay attracts us both.
I'm not sure whether this playful child or my wise self finds more joy in staring at the store windows. We both love the bright silks that stand out in the dark shops of the stylish dry-goods sellers; we are happily dazzled by the shiny silver and intricate gold, the wedding rings and the expensive jewelry, sparkling in the jeweler's display. But Annie, even more than I do, tries to catch a glimpse of her reflection in the dusty mirrors at the hardware stores. We're both drawn to everything that is bright and cheerful.
Here is a shop to which the recollections of my boyhood as well as present partialities give a peculiar magic. How delightful to let the fancy revel on the dainties of a confectioner—those pies with such white and flaky paste, their contents being a mystery, whether rich mince with whole plums intermixed, or piquant apple delicately rose-flavored; those cakes, heart-shaped or round, piled in a lofty pyramid; those sweet little circlets sweetly named kisses; those dark majestic masses fit to be bridal-loaves at the wedding of an heiress, mountains in size, their summits deeply snow-covered with sugar! Then the mighty treasures of sugarplums, white and crimson and yellow, in large glass vases, and candy of all varieties, and those little cockles—or whatever they are called—much prized by children for their sweetness, and more for the mottoes which they enclose, by love-sick maids and bachelors! Oh, my mouth waters, little Annie, and so doth yours, but we will not be tempted except to an imaginary feast; so let us hasten onward devouring the vision of a plum-cake.
Here’s a shop that brings back memories from my childhood and has a special charm. It’s such a treat to imagine the sweets from a candy store—those pies with their flaky, white crust, filled with mysterious ingredients, whether it's rich minced meat with whole plums or tangy, rose-flavored apples; those cakes, heart-shaped or round, stacked high like a pyramid; those sweet little circles charmingly called kisses; those impressive dark confections fit to be bridal loaves at an heiress’s wedding, towering in size and topped with a thick layer of sugar! Then there are the amazing treasures of sugarplums, in white, red, and yellow, in big glass jars, plus all kinds of candy, and those little shells—or whatever they’re called—cherished by kids for their sweetness and even more for the little messages inside, treasured by lovestruck girls and guys! Oh, my mouth waters, little Annie, and I bet yours does too, but we won’t give in to temptation except for a pretend feast; so let’s move on while we savor the idea of a plum cake.
Here are pleasures, as some people would say, of a more exalted kind, in the window of a bookseller. Is Annie a literary lady? Yes; she is deeply read in Peter Parley’s tomes and has an increasing love for fairy-tales, though seldom met with nowadays, and she will subscribe next year to the Juvenile Miscellany. But, truth to tell, she is apt to turn away from the printed page and keep gazing at the pretty pictures, such as the gay-colored ones which make this shop-window the continual loitering-place of children. What would Annie think if, in the book which I mean to send her on New Year’s day, she should find her sweet little self bound up in silk or morocco with gilt edges, there to remain till she become a woman grown with children of her own to read about their mother’s childhood? That would be very queer.
Here are some pleasures, as some people might say, of a more elevated kind, found in a bookseller's window. Is Annie a literary girl? Yes; she's well-read in Peter Parley’s books and has a growing love for fairy tales, even though they’re rare these days, and she plans to subscribe next year to the Juvenile Miscellany. But, to be honest, she often turns away from the text and keeps staring at the pretty pictures, like the colorful ones that make this shop window a favorite hangout for kids. What would Annie think if, in the book I plan to send her on New Year’s Day, she found her sweet little self wrapped in silk or leather with gold edges, staying there until she grows up and has kids of her own to read about their mother’s childhood? That would be pretty strange.
Little Annie is weary of pictures and pulls me onward by the hand, till suddenly we pause at the most wondrous shop in all the town. Oh, my stars! Is this a toyshop, or is it fairy-land? For here are gilded chariots in which the king and queen of the fairies might ride side by side, while their courtiers on these small horses should gallop in triumphal procession before and behind the royal pair. Here, too, are dishes of chinaware fit to be the dining-set of those same princely personages when they make a regal banquet in the stateliest hall of their palace—full five feet high—and behold their nobles feasting adown the long perspective of the table. Betwixt the king and queen should sit my little Annie, the prettiest fairy of them all. Here stands a turbaned Turk threatening us with his sabre, like an ugly heathen as he is, and next a Chinese mandarin who nods his head at Annie and myself. Here we may review a whole army of horse and foot in red-and-blue uniforms, with drums, fifes, trumpets, and all kinds of noiseless music; they have halted on the shelf of this window after their weary march from Liliput. But what cares Annie for soldiers? No conquering queen is she—neither a Semiramis nor a Catharine; her whole heart is set upon that doll who gazes at us with such a fashionable stare. This is the little girl’s true plaything. Though made of wood, a doll is a visionary and ethereal personage endowed by childish fancy with a peculiar life; the mimic lady is a heroine of romance, an actor and a sufferer in a thousand shadowy scenes, the chief inhabitant of that wild world with which children ape the real one. Little Annie does not understand what I am saying, but looks wishfully at the proud lady in the window. We will invite her home with us as we return.—Meantime, good-bye, Dame Doll! A toy yourself, you look forth from your window upon many ladies that are also toys, though they walk and speak, and upon a crowd in pursuit of toys, though they wear grave visages. Oh, with your never-closing eyes, had you but an intellect to moralize on all that flits before them, what a wise doll would you be!—Come, little Annie, we shall find toys enough, go where we may.
Little Annie is tired of looking at pictures and pulls me along by the hand until we suddenly stop at the most amazing shop in town. Oh my gosh! Is this a toy store or is it fairyland? Because here are golden chariots that the king and queen of the fairies might ride side by side in, while their courtiers on tiny horses gallop in a triumphant procession before and behind them. There are also fine china dishes that would be perfect for those same royal figures when they host a grand banquet in the finest hall of their palace—five feet high—and just imagine their nobles feasting along the long table. Between the king and queen should sit my little Annie, the prettiest fairy of them all. Here stands a turbaned Turk menacing us with his sword, looking quite ugly, and next to him is a Chinese mandarin who nods at Annie and me. We can see a whole army of soldiers in red and blue uniforms with drums, flutes, trumpets, and all kinds of silent music; they've paused on the shelf of this window after their long march from Liliput. But Annie doesn't care about soldiers. She’s no conquering queen—neither a Semiramis nor a Catherine; her whole heart is set on that doll who gazes at us with such a fashionable look. This is a true plaything for a little girl. Even though it's made of wood, a doll is an imaginative and ethereal figure brought to life by a child's fantasy; the pretend lady is a heroine of stories, an actor, and a participant in countless shadowy scenes, the main inhabitant of that wild world where children mimic the real one. Little Annie doesn’t understand what I’m saying, but she looks longingly at the proud lady in the window. We’ll invite her to come home with us when we leave. — In the meantime, goodbye, Miss Doll! Being a toy yourself, you gaze out from your window at many ladies who are also toys, even though they walk and talk, and at a crowd chasing after toys while wearing serious expressions. Oh, if your eyes could think about all that passes before you, what a wise doll you would be! — Come on, little Annie, we’ll find plenty of toys wherever we go.
Now we elbow our way among the throng again. It is curious in the most crowded part of a town to meet with living creatures that had their birthplace in some far solitude, but have acquired a second nature in the wilderness of men. Look up, Annie, at that canary-bird hanging out of the window in his cage. Poor little fellow! His golden feathers are all tarnished in this smoky sunshine; he would have glistened twice as brightly among the summer islands, but still he has become a citizen in all his tastes and habits, and would not sing half so well without the uproar that drowns his music. What a pity that he does not know how miserable he is! There is a parrot, too, calling out, “Pretty Poll! Pretty Poll!” as we pass by. Foolish bird, to be talking about her prettiness to strangers, especially as she is not a pretty Poll, though gaudily dressed in green and yellow! If she had said “Pretty Annie!” there would have been some sense in it. See that gray squirrel at the door of the fruit-shop whirling round and round so merrily within his wire wheel! Being condemned to the treadmill, he makes it an amusement. Admirable philosophy!
Now we push our way through the crowd again. It’s interesting in the busiest part of town to encounter creatures that were born in some remote solitude but have developed a new nature in the chaos of humanity. Look up, Annie, at that canary hanging out of the window in its cage. Poor little guy! His golden feathers are all dull in this smoky sunlight; he would have shone much brighter among the summer islands, but still, he has become a part of society in all his tastes and habits, and wouldn’t sing nearly as well without the noise that drowns out his music. What a shame he doesn’t realize how miserable he is! There’s a parrot too, yelling, “Pretty Poll! Pretty Poll!” as we walk by. Silly bird, bragging about her looks to strangers, especially since she’s not a pretty Poll, despite being dressed in bright green and yellow! If she had said “Pretty Annie!” it would have made more sense. Look at that gray squirrel at the door of the fruit shop spinning around so happily in his wire wheel! Stuck on the treadmill, he turns it into a game. Great attitude!
Here comes a big, rough dog—a countryman’s dog—in search of his master, smelling at everybody’s heels and touching little Annie’s hand with his cold nose, but hurrying away, though she would fain have patted him.—Success to your search, Fidelity!—And there sits a great yellow cat upon a window-sill, a very corpulent and comfortable cat, gazing at this transitory world with owl’s eyes, and making pithy comments, doubtless, or what appear such, to the silly beast.—Oh, sage puss, make room for me beside you, and we will be a pair of philosophers.
Here comes a big, rough dog—a farmer’s dog—looking for his owner, sniffing at everyone’s heels and brushing little Annie’s hand with his cold nose, but hurrying away, even though she wanted to pet him.—Good luck with your search, Fidelity!—And there sits a large yellow cat on a windowsill, a very plump and cozy cat, staring at this passing world with owl-like eyes, probably making insightful comments, or at least what seem like them, to the silly creature.—Oh, wise kitty, make some space for me beside you, and we’ll be a couple of philosophers.
Here we see something to remind us of the town-crier and his ding-dong-bell. Look! look at that great cloth spread out in the air, pictured all over with wild beasts, as if they had met together to choose a king, according to their custom in the days of Æsop. But they are choosing neither a king nor a President, else we should hear a most horrible snarling! They have come from the deep woods and the wild mountains and the desert sands and the polar snows only to do homage to my little Annie. As we enter among them the great elephant makes us a bow in the best style of elephantine courtesy, bending lowly down his mountain bulk, with trunk abased and leg thrust out behind. Annie returns the salute, much to the gratification of the elephant, who is certainly the best-bred monster in the caravan. The lion and the lioness are busy with two beef-bones. The royal tiger, the beautiful, the untamable, keeps pacing his narrow cage with a haughty step, unmindful of the spectators or recalling the fierce deeds of his former life, when he was wont to leap forth upon such inferior animals from the jungles of Bengal.
Here we have a reminder of the town crier and his bell. Look! Check out that huge cloth hanging in the air, covered in images of wild animals, as if they gathered to choose a king, just like in the days of Aesop. But they aren't picking a king or a president; otherwise, we’d hear some terrible growling! They’ve come from the deep woods, wild mountains, desert sands, and polar snows just to pay tribute to my little Annie. As we walk among them, the great elephant bows to us in his best elephant manners, lowering his massive body, with his trunk down and leg stretched out behind. Annie returns the gesture, much to the elephant's delight, who is definitely the most well-mannered creature in the caravan. The lion and lioness are busy with two beef bones. The royal tiger, beautiful and untamable, paces his small cage with a proud stride, ignoring the onlookers and reminiscing about his fierce past when he would leap out at lesser animals from the jungles of Bengal.
Here we see the very same wolf—do not go near him, Annie!—the selfsame wolf that devoured little Red Riding-Hood and her grandmother. In the next cage a hyena from Egypt who has doubtless howled around the pyramids and a black bear from our own forests are fellow-prisoners and most excellent friends. Are there any two living creatures who have so few sympathies that they cannot possibly be friends? Here sits a great white bear whom common observers would call a very stupid beast, though I perceive him to be only absorbed in contemplation; he is thinking of his voyages on an iceberg, and of his comfortable home in the vicinity of the north pole, and of the little cubs whom he left rolling in the eternal snows. In fact, he is a bear of sentiment. But oh those unsentimental monkeys! The ugly, grinning, aping, chattering, ill-natured, mischievous and queer little brutes! Annie does not love the monkeys; their ugliness shocks her pure, instinctive delicacy of taste and makes her mind unquiet because it bears a wild and dark resemblance to humanity. But here is a little pony just big enough for Annie to ride, and round and round he gallops in a circle, keeping time with his trampling hoofs to a band of music. And here, with a laced coat and a cocked hat, and a riding-whip in his hand—here comes a little gentleman small enough to be king of the fairies and ugly enough to be king of the gnomes, and takes a flying leap into the saddle. Merrily, merrily plays the music, and merrily gallops the pony, and merrily rides the little old gentleman.—Come, Annie, into the street again; perchance we may see monkeys on horseback there.
Here we see the same wolf—don't go near him, Annie!—the same wolf that ate little Red Riding Hood and her grandmother. In the next cage, there's a hyena from Egypt, who’s probably howled around the pyramids, and a black bear from our own forests; they are fellow prisoners and great friends. Is there any two living creatures who have so little in common that they can't possibly be friends? Here sits a big polar bear, whom most people would think is just a dumb animal, but I see he's just deep in thought; he's reminiscing about his journeys on an iceberg, his cozy home near the North Pole, and the little cubs he left rolling in the eternal snow. In fact, he's a bear with feelings. But oh, those unsentimental monkeys! The ugly, grinning, chattering, mischievous little creatures! Annie doesn't like the monkeys; their ugliness clashes with her pure, instinctive sense of taste and makes her uneasy because it has a wild and dark resemblance to humanity. But here’s a little pony just big enough for Annie to ride, and he gallops round and round in a circle, keeping pace with the music with his pounding hooves. And here he comes, a little gentleman in a laced coat and a cocked hat, riding whip in hand—little enough to be king of the fairies and ugly enough to be king of the gnomes, and he takes a flying leap into the saddle. The music plays merrily, the pony gallops merrily, and the little old gentleman rides merrily. —Come, Annie, let's head back into the street; perhaps we’ll see monkeys on horseback there.
Mercy on us! What a noisy world we quiet people live in! Did Annie ever read the cries of London city? With what lusty lungs doth yonder man proclaim that his wheelbarrow is full of lobsters! Here comes another, mounted on a cart and blowing a hoarse and dreadful blast from a tin horn, as much as to say, “Fresh fish!” And hark! a voice on high, like that of a muezzin from the summit of a mosque, announcing that some chimney-sweeper has emerged from smoke and soot and darksome caverns into the upper air. What cares the world for that? But, well-a-day, we hear a shrill voice of affliction—the scream of a little child, rising louder with every repetition of that smart, sharp, slapping sound produced by an open hand on tender flesh. Annie sympathizes, though without experience of such direful woe.
Mercy! What a noisy world we quiet people live in! Did Annie ever read the sounds of London city? With what strong lungs that man shouts that his wheelbarrow is full of lobsters! Here comes another one, riding a cart and blowing a harsh and terrible blast from a tin horn, as if to say, “Fresh fish!” And listen! A voice from above, like that of a muezzin from the top of a mosque, announcing that some chimney-sweeper has come out from smoke and soot and dark caverns into the fresh air. But what does the world care about that? Yet, oh dear, we hear a piercing voice of distress—the scream of a little child, getting louder with each slap of an open hand on tender skin. Annie feels for them, though she hasn’t experienced such terrible sorrow.
Lo! the town-crier again, with some new secret for the public ear. Will he tell us of an auction, or of a lost pocket-book or a show of beautiful wax figures, or of some monstrous beast more horrible than any in the caravan? I guess the latter. See how he uplifts the bell in his right hand and shakes it slowly at first, then with a hurried motion, till the clapper seems to strike both sides at once, and the sounds are scattered forth in quick succession far and near.
Look! The town crier is back, ready to share some new gossip with everyone. Will he announce an auction, a lost wallet, a display of stunning wax figures, or maybe a terrifying beast more shocking than any in the caravan? I'm betting on the last one. Look how he raises the bell in his right hand and starts shaking it slowly, then faster, until the clapper hits both sides at the same time, and the sounds echo out quickly in every direction.
Ding-dong! Ding-dong! Ding-dong!
Ding-dong! Ding-dong! Ding-dong!
Now he raises his clear loud voice above all the din of the town. It drowns the buzzing talk of many tongues and draws each man’s mind from his own business; it rolls up and down the echoing street, and ascends to the hushed chamber of the sick, and penetrates downward to the cellar kitchen where the hot cook turns from the fire to listen. Who of all that address the public ear, whether in church or court-house or hall of state, has such an attentive audience as the town-crier! What saith the people’s orator?
Now he raises his clear, loud voice above all the noise of the town. It drowns out the buzzing conversations of many people and captures everyone’s attention from their own business; it rolls up and down the echoing street, rises to the quiet room of the sick, and reaches down to the basement kitchen where the busy cook turns from the stove to listen. Who among all that addresses the public, whether in a church, courthouse, or government hall, has such an attentive audience as the town-crier! What does the people's orator say?
“Strayed from her home, a LITTLE GIRL of five years old, in a blue silk frock and white pantalets, with brown curling hair and hazel eyes. Whoever will bring her back to her afflicted mother—”
“Lost from her home, a LITTLE GIRL of five years old, in a blue silk dress and white underpants, with brown curly hair and hazel eyes. Anyone who returns her to her heartbroken mother—”
Stop, stop, town-crier! The lost is found.—Oh, my pretty Annie, we forgot to tell your mother of our ramble, and she is in despair and has sent the town-crier to bellow up and down the streets, affrighting old and young, for the loss of a little girl who has not once let go my hand? Well, let us hasten homeward; and as we go forget not to thank Heaven, my Annie, that after wandering a little way into the world you may return at the first summons with an untainted and unwearied heart, and be a happy child again. But I have gone too far astray for the town-crier to call me back.
Stop, stop, town crier! The lost is found.—Oh, my sweet Annie, we forgot to tell your mom about our little adventure, and she’s worried sick and has sent the town crier to shout up and down the streets, alarming everyone, about the disappearance of a little girl who hasn’t let go of my hand once? Well, let’s hurry home; and as we go, don’t forget to thank Heaven, my Annie, that after wandering a bit into the world, you can return at the first call with a pure and energetic heart, and be a happy child again. But I’ve strayed too far for the town crier to bring me back.
Sweet has been the charm of childhood on my spirit throughout my ramble with little Annie. Say not that it has been a waste of precious moments, an idle matter, a babble of childish talk and a reverie of childish imaginations about topics unworthy of a grown man’s notice. Has it been merely this? Not so—not so. They are not truly wise who would affirm it. As the pure breath of children revives the life of aged men, so is our moral nature revived by their free and simple thoughts, their native feeling, their airy mirth for little cause or none, their grief soon roused and soon allayed. Their influence on us is at least reciprocal with ours on them. When our infancy is almost forgotten and our boyhood long departed, though it seems but as yesterday, when life settles darkly down upon us and we doubt whether to call ourselves young any more,—then it is good to steal away from the society of bearded men, and even of gentler woman, and spend an hour or two with children. After drinking from those fountains of still fresh existence we shall return into the crowd, as I do now, to struggle onward and do our part in life—perhaps as fervently as ever, but for a time with a kinder and purer heart and a spirit more lightly wise. All this by thy sweet magic, dear little Annie!
Childhood has been a sweet charm for my spirit during my time with little Annie. Don’t say it’s been a waste of precious moments, just idle chatter, or a stream of childish thoughts about things unworthy of an adult’s attention. Has it really just been that? Not at all. Those who claim it is are not genuinely wise. Just as the innocent laughter of children reinvigorates the lives of older folks, our moral nature is refreshed by their honest and simple thoughts, their natural feelings, and their carefree joy for little or no reason, as well as their grief that flares up quickly and fades just as fast. Their impact on us is at least as strong as ours on them. When we’ve nearly forgotten our own childhood and our youth feels far away, though it seems like just yesterday; when life feels heavy and we question if we can still call ourselves young—then it’s wonderful to escape from the company of grown men and even gentle women, and spend an hour or two with children. After drinking from those springs of fresh existence, we’ll return to the crowd, as I do now, to push forward and do our part in life—possibly with as much passion as ever, but for a time with a kinder and purer heart and a spirit that’s more lightly wise. All of this thanks to your sweet magic, dear little Annie!
WAKEFIELD
In some old magazine or newspaper I recollect a story, told as truth, of a man—let us call him Wakefield—who absented himself for a long time from his wife. The fact, thus abstractedly stated, is not very uncommon, nor, without a proper distinction of circumstances, to be condemned either as naughty or nonsensical. Howbeit, this, though far from the most aggravated, is perhaps the strangest instance on record of marital delinquency, and, moreover, as remarkable a freak as may be found in the whole list of human oddities. The wedded couple lived in London. The man, under pretence of going a journey, took lodgings in the next street to his own house, and there, unheard of by his wife or friends and without the shadow of a reason for such self-banishment, dwelt upward of twenty years. During that period he beheld his home every day, and frequently the forlorn Mrs. Wakefield. And after so great a gap in his matrimonial felicity—when his death was reckoned certain, his estate settled, his name dismissed from memory and his wife long, long ago resigned to her autumnal widowhood—he entered the door one evening quietly as from a day’s absence, and became a loving spouse till death.
In an old magazine or newspaper, I remember a story, presented as true, about a man—let’s call him Wakefield—who stayed away from his wife for a long time. While this situation, stated in such abstract terms, isn’t very rare, it’s not something that can be easily condemned as wrong or foolish without considering the specifics. However, this case, though not the most extreme, is perhaps the strangest example of marital abandonment ever recorded and is also one of the most remarkable quirks in human behavior. The couple lived in London. The man, pretending to go on a trip, rented a place just down the street from his own home, and there, without being heard from by his wife or friends and without any clear reason for his self-imposed exile, he lived for over twenty years. During that time, he saw his home every day and often laid eyes on the lonely Mrs. Wakefield. And after such a long absence from marital happiness—when his death was assumed to be inevitable, his estate organized, his name forgotten, and his wife long since resigned to her autumnal widowhood—he quietly walked through the door one evening as if he had just been away for the day and resumed his life as a loving husband until his death.
This outline is all that I remember. But the incident, though of the purest originality, unexampled, and probably never to be repeated, is one, I think, which appeals to the general sympathies of mankind. We know, each for himself, that none of us would perpetrate such a folly, yet feel as if some other might. To my own contemplations, at least, it has often recurred, always exciting wonder, but with a sense that the story must be true and a conception of its hero’s character. Whenever any subject so forcibly affects the mind, time is well spent in thinking of it. If the reader choose, let him do his own meditation; or if he prefer to ramble with me through the twenty years of Wakefield’s vagary, I bid him welcome, trusting that there will be a pervading spirit and a moral, even should we fail to find them, done up neatly and condensed into the final sentence. Thought has always its efficacy and every striking incident its moral.
This outline is all I remember. But the incident, while completely original, unmatched, and probably never to happen again, is one that I think resonates with the general feelings of people. We all know, each of us separately, that none of us would do something so foolish, yet we feel that someone else might. For my own thoughts, at least, it has often come back to me, always sparking curiosity, but with a belief that the story must be true and a sense of the hero's character. Whenever something strongly impacts the mind, it's worth spending time thinking about it. If the reader wants, they can reflect on their own; or if they prefer to join me as we explore twenty years of Wakefield’s adventures, they are welcome, trusting that there will be an overall theme and a lesson, even if we don't neatly wrap them up in the final sentence. Thought always has its power, and every striking event has its lesson.
What sort of a man was Wakefield? We are free to shape out our own idea and call it by his name. He was now in the meridian of life; his matrimonial affections, never violent, were sobered into a calm, habitual sentiment; of all husbands, he was likely to be the most constant, because a certain sluggishness would keep his heart at rest wherever it might be placed. He was intellectual, but not actively so; his mind occupied itself in long and lazy musings that tended to no purpose or had not vigor to attain it; his thoughts were seldom so energetic as to seize hold of words. Imagination, in the proper meaning of the term, made no part of Wakefield’s gifts. With a cold but not depraved nor wandering heart, and a mind never feverish with riotous thoughts nor perplexed with originality, who could have anticipated that our friend would entitle himself to a foremost place among the doers of eccentric deeds? Had his acquaintances been asked who was the man in London the surest to perform nothing to-day which should be remembered on the morrow, they would have thought of Wakefield. Only the wife of his bosom might have hesitated. She, without having analyzed his character, was partly aware of a quiet selfishness that had rusted into his inactive mind; of a peculiar sort of vanity, the most uneasy attribute about him; of a disposition to craft which had seldom produced more positive effects than the keeping of petty secrets hardly worth revealing; and, lastly, of what she called a little strangeness sometimes in the good man. This latter quality is indefinable, and perhaps non-existent.
What kind of man was Wakefield? We're free to form our own opinion and label it with his name. He was now in the prime of his life; his feelings about marriage, never intense, had settled into a calm, habitual sentiment. Among all husbands, he was likely to be the most faithful, because a certain lethargy kept his heart at rest wherever it might be. He was intellectual, but not in an active way; his mind wandered in long and lazy thoughts that served no purpose and lacked the energy to achieve one; his thoughts were rarely vigorous enough to grab hold of words. Imagination, in the true sense of the word, was not part of Wakefield's abilities. With a cold but not depraved or wandering heart, and a mind never feverish with chaotic thoughts or burdened with originality, who would have guessed that our friend would stake his claim as one of the leading performers of eccentric actions? If his acquaintances were asked who the man in London was most likely to do nothing memorable today for tomorrow, they would have thought of Wakefield. Only his devoted wife might have hesitated. She, without having analyzed his character, was partially aware of a quiet selfishness that had corroded his inactive mind; of a peculiar kind of vanity, the most unsettling trait about him; of a tendency to be crafty that had seldom resulted in anything more significant than keeping petty secrets hardly worth revealing; and finally, of what she referred to as a bit of strangeness sometimes in the good man. This last quality is indefinable, and perhaps even nonexistent.
Let us now imagine Wakefield bidding adieu to his wife. It is the dusk of an October evening. His equipment is a drab greatcoat, a hat covered with an oil-cloth, top-boots, an umbrella in one hand and a small portmanteau in the other. He has informed Mrs. Wakefield that he is to take the night-coach into the country. She would fain inquire the length of his journey, its object and the probable time of his return, but, indulgent to his harmless love of mystery, interrogates him only by a look. He tells her not to expect him positively by the return-coach nor to be alarmed should he tarry three or four days, but, at all events, to look for him at supper on Friday evening. Wakefield, himself, be it considered, has no suspicion of what is before him. He holds out his hand; she gives her own and meets his parting kiss in the matter-of-course way of a ten years’ matrimony, and forth goes the middle-aged Mr. Wakefield, almost resolved to perplex his good lady by a whole week’s absence. After the door has closed behind him, she perceives it thrust partly open and a vision of her husband’s face through the aperture, smiling on her and gone in a moment. For the time this little incident is dismissed without a thought, but long afterward, when she has been more years a widow than a wife, that smile recurs and flickers across all her reminiscences of Wakefield’s visage. In her many musings she surrounds the original smile with a multitude of fantasies which make it strange and awful; as, for instance, if she imagines him in a coffin, that parting look is frozen on his pale features; or if she dreams of him in heaven, still his blessed spirit wears a quiet and crafty smile. Yet for its sake, when all others have given him up for dead, she sometimes doubts whether she is a widow.
Let’s now picture Wakefield saying goodbye to his wife. It’s dusk on an October evening. He’s wearing a dull greatcoat, a rain-covered hat, tall boots, holding an umbrella in one hand and a small suitcase in the other. He’s told Mrs. Wakefield that he’s taking the night coach to the countryside. She wants to ask how long he’ll be gone, why he’s going, and when he’ll return, but out of consideration for his harmless need for mystery, she only questions him with a glance. He advises her not to expect him back on the return coach and not to worry if he stays away for three or four days, but to at least look for him at dinner on Friday night. Wakefield himself, it should be noted, has no idea of what lies ahead. He extends his hand; she takes it and gives him a parting kiss, the usual way it happens after ten years of marriage, and off he goes, a middle-aged Mr. Wakefield, almost determined to confuse his good wife with a week's absence. After he leaves, she notices the door slightly ajar and catches a glimpse of her husband’s face smiling at her, only to vanish in an instant. At first, she brushes off this small moment, but long after, when she has spent more of her life as a widow than as a wife, that smile returns and flickers across all her memories of Wakefield’s face. In her many reflections, she surrounds the original smile with various fantasies that turn it strange and terrifying; for example, when she pictures him in a coffin, that farewell look is frozen on his pale face, or when she dreams of him in heaven, his blessed spirit still wears a calm and mysterious smile. Yet for that smile, even when everyone else believes him dead, she sometimes wonders if she is truly a widow.
But our business is with the husband. We must hurry after him along the street ere he lose his individuality and melt into the great mass of London life. It would be vain searching for him there. Let us follow close at his heels, therefore, until, after several superfluous turns and doublings, we find him comfortably established by the fireside of a small apartment previously bespoken. He is in the next street to his own and at his journey’s end. He can scarcely trust his good-fortune in having got thither unperceived, recollecting that at one time he was delayed by the throng in the very focus of a lighted lantern, and again there were footsteps that seemed to tread behind his own, distinct from the multitudinous tramp around him, and anon he heard a voice shouting afar and fancied that it called his name. Doubtless a dozen busybodies had been watching him and told his wife the whole affair.
But we're focused on the husband. We need to hurry after him down the street before he loses his individuality and merges into the vast crowd of London life. It would be pointless to search for him there. So, let’s stick close behind him until, after several unnecessary turns and loops, we find him comfortably settled by the fireplace in a small apartment he'd reserved. He’s in the next street over from his own and just about at his destination. He can hardly believe his luck in getting there unnoticed, recalling how he was once held up by the crowd right in front of a lit lantern, and then there were footsteps that seemed to follow his own, different from the countless other footsteps around him. Soon after, he heard a voice shouting in the distance and thought it might be calling his name. Surely a dozen nosy people had been watching him and reported the whole situation to his wife.
Poor Wakefield! little knowest thou thine own insignificance in this great world. No mortal eye but mine has traced thee. Go quietly to thy bed, foolish man, and on the morrow, if thou wilt be wise, get thee home to good Mrs. Wakefield and tell her the truth. Remove not thyself even for a little week from thy place in her chaste bosom. Were she for a single moment to deem thee dead or lost or lastingly divided from her, thou wouldst be woefully conscious of a change in thy true wife for ever after. It is perilous to make a chasm in human affections—not that they gape so long and wide, but so quickly close again.
Poor Wakefield! You little know your own insignificance in this great world. No one but me has noticed you. Go quietly to bed, foolish man, and tomorrow, if you want to be smart, get back home to good Mrs. Wakefield and tell her the truth. Don’t stay away from her, even for a little week. If she were to think for even a moment that you were dead or lost or permanently separated from her, you would sadly feel a change in your true wife forever after. It's dangerous to create a gap in human emotions—not because they stay open for long, but because they can close again so quickly.
Almost repenting of his frolic, or whatever it may be termed, Wakefield lies down betimes, and, starting from his first nap, spreads forth his arms into the wide and solitary waste of the unaccustomed bed, “No,” thinks he, gathering the bedclothes about him; “I will not sleep alone another night.” In the morning he rises earlier than usual and sets himself to consider what he really means to do. Such are his loose and rambling modes of thought that he has taken this very singular step with the consciousness of a purpose, indeed, but without being able to define it sufficiently for his own contemplation. The vagueness of the project and the convulsive effort with which he plunges into the execution of it are equally characteristic of a feeble-minded man. Wakefield sifts his ideas, however, as minutely as he may, and finds himself curious to know the progress of matters at home—how his exemplary wife will endure her widowhood of a week, and, briefly, how the little sphere of creatures and circumstances in which he was a central object will be affected by his removal. A morbid vanity, therefore, lies nearest the bottom of the affair. But how is he to attain his ends? Not, certainly, by keeping close in this comfortable lodging, where, though he slept and awoke in the next street to his home, he is as effectually abroad as if the stage-coach had been whirling him away all night. Yet should he reappear, the whole project is knocked in the head. His poor brains being hopelessly puzzled with this dilemma, he at length ventures out, partly resolving to cross the head of the street and send one hasty glance toward his forsaken domicile. Habit—for he is a man of habits—takes him by the hand and guides him, wholly unaware, to his own door, where, just at the critical moment, he is aroused by the scraping of his foot upon the step.—Wakefield, whither are you going?
Almost regretting his playful escapade, or whatever it should be called, Wakefield goes to bed early. Starting from his first nap, he stretches his arms out into the vast and lonely expanse of the unfamiliar bed. “No,” he thinks, pulling the blankets around him, “I won’t sleep alone another night.” In the morning, he wakes up earlier than usual and sets himself to think about what he really intends to do. His thoughts are so loose and meandering that he has taken this unusual step with a sense of purpose but can't define it enough for his own reflection. The uncertainty of his plan and the frantic effort with which he throws himself into its execution are both signs of a confused mind. However, Wakefield examines his ideas as closely as he can and becomes curious about what’s happening at home—how his devoted wife will manage her week of widowhood and, in short, how the small world of people and situations where he was the focus will be affected by his absence. A disturbing kind of vanity lies at the heart of it all. But how is he supposed to achieve his goals? Surely not by staying put in this comfortable place, where, even though he slept and woke up just a street away from home, he feels just as far away as if he had been traveling by coach all night. But if he goes back, his whole plan is ruined. His mind being hopelessly tangled in this dilemma, he eventually decides to step outside, partly planning to cross the end of the street and take a quick look at his abandoned home. Habit—since he is a man of routines—leads him, without him even realizing it, right to his own door, where, just at the crucial moment, he is jolted back to reality by the sound of his foot scraping against the step. —Wakefield, where are you going?
At that instant his fate was turning on the pivot. Little dreaming of the doom to which his first backward step devotes him, he hurries away, breathless with agitation hitherto unfelt, and hardly dares turn his head at the distant corner. Can it be that nobody caught sight of him? Will not the whole household—the decent Mrs. Wakefield, the smart maid-servant and the dirty little footboy—raise a hue-and-cry through London streets in pursuit of their fugitive lord and master? Wonderful escape! He gathers courage to pause and look homeward, but is perplexed with a sense of change about the familiar edifice such as affects us all when, after a separation of months or years, we again see some hill or lake or work of art with which we were friends of old. In ordinary cases this indescribable impression is caused by the comparison and contrast between our imperfect reminiscences and the reality. In Wakefield the magic of a single night has wrought a similar transformation, because in that brief period a great moral change has been effected. But this is a secret from himself. Before leaving the spot he catches a far and momentary glimpse of his wife passing athwart the front window with her face turned toward the head of the street. The crafty nincompoop takes to his heels, scared with the idea that among a thousand such atoms of mortality her eye must have detected him. Right glad is his heart, though his brain be somewhat dizzy, when he finds himself by the coal-fire of his lodgings.
At that moment, his fate was about to change. Unaware of the disaster that his first backward step would lead him to, he rushes away, breathless with new anxiety, and hardly dares to glance back at the distant corner. Is it possible that nobody saw him? Won’t the whole household—the respectable Mrs. Wakefield, the stylish maid, and the grimy little footboy—raise an alarm through the streets of London to find their runaway lord and master? What a close call! He musters the courage to stop and look back homeward, but he feels a strange sense of change around the familiar building, similar to how we all feel when, after being away for months or years, we see a hill, lake, or piece of art we used to know. Usually, this indescribable feeling comes from comparing our imperfect memories with reality. In Wakefield, a single night has brought about a similar transformation, because in that short time, a significant moral shift has occurred. But this is something he doesn’t realize yet. Before he leaves the spot, he catches a quick, distant glimpse of his wife moving past the front window, her face turned toward the end of the street. The clever fool takes off running, terrified that in a crowd of souls, her eye must have caught sight of him. Though his head is a bit spinning, his heart is relieved when he finds himself back at the coal fire in his lodgings.
So much for the commencement of this long whim-wham. After the initial conception and the stirring up of the man’s sluggish temperament to put it in practice, the whole matter evolves itself in a natural train. We may suppose him, as the result of deep deliberation, buying a new wig of reddish hair and selecting sundry garments, in a fashion unlike his customary suit of brown, from a Jew’s old-clothes bag. It is accomplished: Wakefield is another man. The new system being now established, a retrograde movement to the old would be almost as difficult as the step that placed him in his unparalleled position. Furthermore, he is rendered obstinate by a sulkiness occasionally incident to his temper and brought on at present by the inadequate sensation which he conceives to have been produced in the bosom of Mrs. Wakefield. He will not go back until she be frightened half to death. Well, twice or thrice has she passed before his sight, each time with a heavier step, a paler cheek and more anxious brow, and in the third week of his non-appearance he detects a portent of evil entering the house in the guise of an apothecary. Next day the knocker is muffled. Toward nightfall comes the chariot of a physician and deposits its big-wigged and solemn burden at Wakefield’s door, whence after a quarter of an hour’s visit he emerges, perchance the herald of a funeral. Dear woman! will she die?
So much for the start of this long tale. After the initial idea and getting the man to shake off his lazy attitude to make it happen, everything unfolds naturally. We can imagine him, after thinking it over, buying a new reddish wig and picking out various clothes that are very different from his usual brown attire, sourced from a secondhand shop. It’s done: Wakefield is a changed man. Now that he’s established this new persona, going back to his old self would be almost as hard as the step that got him into this unique situation. Plus, he becomes stubborn due to a moodiness that occasionally affects him, which is currently fueled by the inadequate feelings he thinks Mrs. Wakefield is experiencing. He won't return until she’s scared half to death. Well, she’s walked by him two or three times, each time with a heavier step, a paler face, and a more worried look, and by the third week of his absence, he senses trouble as an apothecary enters the house. The next day, the knocker is muffled. As night falls, a carriage arrives with a well-dressed doctor who unloads his serious presence at Wakefield’s door, and after a fifteen-minute visit, he comes out—perhaps the bearer of bad news. Oh dear! Is she going to die?
By this time Wakefield is excited to something like energy of feeling, but still lingers away from his wife’s bedside, pleading with his conscience that she must not be disturbed at such a juncture. If aught else restrains him, he does not know it. In the course of a few weeks she gradually recovers. The crisis is over; her heart is sad, perhaps, but quiet, and, let him return soon or late, it will never be feverish for him again. Such ideas glimmer through the mist of Wakefield’s mind and render him indistinctly conscious that an almost impassable gulf divides his hired apartment from his former home. “It is but in the next street,” he sometimes says. Fool! it is in another world. Hitherto he has put off’ his return from one particular day to another; henceforward he leaves the precise time undetermined—not to-morrow; probably next week; pretty soon. Poor man! The dead have nearly as much chance of revisiting their earthly homes as the self-banished Wakefield.
By this time, Wakefield feels a surge of emotion, but he still hesitates to go back to his wife’s bedside, convincing himself that she shouldn’t be disturbed at such a critical moment. If there’s anything else holding him back, he isn’t aware of it. Over the course of a few weeks, she slowly recovers. The crisis has passed; her heart may be sad, but it’s calm, and whether he returns soon or later, it won’t race for him anymore. These thoughts flicker through the fog of Wakefield’s mind, making him vaguely aware that there’s an almost unbridgeable gap between his rented place and his old home. “It’s just in the next street,” he sometimes tells himself. Fool! It’s in another world. Until now, he delayed his return from one specific day to the next; from here on, he leaves the exact timing uncertain—not tomorrow; probably next week; soon enough. Poor man! The dead have nearly as much chance of coming back to their earthly homes as Wakefield does after his self-imposed exile.
Would that I had a folio to write, instead of an article of a dozen pages! Then might I exemplify how an influence beyond our control lays its strong hand on every deed which we do and weaves its consequences into an iron tissue of necessity.
I wish I had a whole book to write instead of a short article! Then I could show how an influence we can't control affects every action we take, threading its consequences into a tough fabric of necessity.
Wakefield is spellbound. We must leave him for ten years or so to haunt around his house without once crossing the threshold, and to be faithful to his wife with all the affection of which his heart is capable, while he is slowly fading out of hers. Long since, it must be remarked, he has lost the perception of singularity in his conduct.
Wakefield is mesmerized. We have to leave him for about ten years to wander around his house without ever stepping outside, staying loyal to his wife with all the love his heart can give, while he gradually fades out of hers. It should be noted that he has long since lost the awareness of how unusual his behavior is.
Now for a scene. Amid the throng of a London street we distinguish a man, now waxing elderly, with few characteristics to attract careless observers, yet bearing in his whole aspect the handwriting of no common fate for such as have the skill to read it. He is meagre; his low and narrow forehead is deeply wrinkled; his eyes, small and lustreless, sometimes wander apprehensively about him, but oftener seem to look inward. He bends his head and moves with an indescribable obliquity of gait, as if unwilling to display his full front to the world. Watch him long enough to see what we have described, and you will allow that circumstances—which often produce remarkable men from Nature’s ordinary handiwork—have produced one such here. Next, leaving him to sidle along the footwalk, cast your eyes in the opposite direction, where a portly female considerably in the wane of life, with a prayer-book in her hand, is proceeding to yonder church. She has the placid mien of settled widowhood. Her regrets have either died away or have become so essential to her heart that they would be poorly exchanged for joy. Just as the lean man and well-conditioned woman are passing a slight obstruction occurs and brings these two figures directly in contact. Their hands touch; the pressure of the crowd forces her bosom against his shoulder; they stand face to face, staring into each other’s eyes. After a ten years’ separation thus Wakefield meets his wife. The throng eddies away and carries them asunder. The sober widow, resuming her former pace, proceeds to church, but pauses in the portal and throws a perplexed glance along the street. She passes in, however, opening her prayer-book as she goes.
Now for a scene. Amid the crowd on a London street, we spot a man, growing older, with few traits to catch the eye of casual passersby, yet his whole appearance tells the story of an unusual fate for those who know how to read it. He is thin; his low, narrow forehead is deeply wrinkled; his small, dull eyes sometimes glance around him anxiously, but more often seem to look inward. He tilts his head and walks with a curious slouch, as if he’s reluctant to fully face the world. If you watch him long enough to see what we've described, you'll agree that circumstances—which often shape remarkable individuals from Nature's ordinary creations—have done so here. Next, leaving him to shuffle along the sidewalk, look in the opposite direction, where a plump woman, well past her prime, holding a prayer book, is making her way to the church ahead. She has the calm demeanor of an established widow. Her regrets have either faded away or have become such a part of her that they wouldn’t easily be traded for happiness. Just as the thin man and well-rounded woman are passing, a minor obstruction occurs, bringing them face to face. Their hands touch; the pressure of the crowd pushes her chest against his shoulder; they lock eyes. After ten years apart, this is how Wakefield meets his wife again. The crowd swirls around them, pulling them apart. The solemn widow resumes her pace, heading into the church, but pauses at the entrance to cast a confused glance down the street. She goes inside, opening her prayer book as she does so.
And the man? With so wild a face that busy and selfish London stands to gaze after him he hurries to his lodgings, bolts the door and throws himself upon the bed. The latent feelings of years break out; his feeble mind acquires a brief energy from their strength; all the miserable strangeness of his life is revealed to him at a glance, and he cries out passionately, “Wakefield, Wakefield! You are mad!” Perhaps he was so. The singularity of his situation must have so moulded him to itself that, considered in regard to his fellow-creatures and the business of life, he could not be said to possess his right mind. He had contrived—or, rather, he had happened—to dissever himself from the world, to vanish, to give up his place and privileges with living men without being admitted among the dead. The life of a hermit is nowise parallel to his. He was in the bustle of the city as of old, but the crowd swept by and saw him not; he was, we may figuratively say, always beside his wife and at his hearth, yet must never feel the warmth of the one nor the affection of the other. It was Wakefield’s unprecedented fate to retain his original share of human sympathies and to be still involved in human interests, while he had lost his reciprocal influence on them. It would be a most curious speculation to trace out the effect of such circumstances on his heart and intellect separately and in unison. Yet, changed as he was, he would seldom be conscious of it, but deem himself the same man as ever; glimpses of the truth, indeed, would come, but only for the moment, and still he would keep saying, “I shall soon go back,” nor reflect that he had been saying so for twenty years.
And the man? With such a wild look that busy, selfish London stops to stare at him, he rushes to his place, locks the door, and throws himself onto the bed. The buried feelings from years past come rushing out; his fragile mind gets a brief burst of energy from their intensity; all the awful strangeness of his life becomes clear in an instant, and he cries out passionately, “Wakefield, Wakefield! You’re crazy!” Maybe he was. The uniqueness of his situation must have shaped him so much that, when it comes to his fellow humans and the business of life, he couldn’t be considered in his right mind. He had managed—or rather, it had just happened—to detach himself from the world, to disappear, to give up his place and privileges among the living without being counted among the dead. The life of a hermit is nothing like his. He was still in the hustle of the city like before, but the crowd rushed past him and didn’t see him; he was, we could say metaphorically, always next to his wife and at his home, yet he could never feel the warmth of either or the love of the other. It was Wakefield’s unusual fate to keep his original share of human feelings and still be caught up in human interests while losing his ability to influence them in return. It would be a fascinating experiment to explore how such conditions affected his heart and mind separately and together. Yet, despite his changes, he would rarely notice it, still thinking of himself as the same man as always; moments of truth would arise, but only briefly, and he would continue to say, “I’ll be going back soon,” without realizing he had been saying that for twenty years.
I conceive, also, that these twenty years would appear in the retrospect scarcely longer than the week to which Wakefield had at first limited his absence. He would look on the affair as no more than an interlude in the main business of his life. When, after a little while more, he should deem it time to re-enter his parlor, his wife would clap her hands for joy on beholding the middle-aged Mr. Wakefield. Alas, what a mistake! Would Time but await the close of our favorite follies, we should be young men—all of us—and till Doomsday.
I also believe that these twenty years would seem, in hindsight, hardly longer than the week Wakefield initially planned to be away. He would see it as just a brief break in the main events of his life. When he eventually felt it was time to step back into his living room, his wife would clap her hands in joy at seeing middle-aged Mr. Wakefield. Sadly, what a mistake! If only Time would wait for us to finish our preferred distractions, we would all be young men—forever—and until the end of time.
One evening, in the twentieth year since he vanished, Wakefield is taking his customary walk toward the dwelling which he still calls his own. It is a gusty night of autumn, with frequent showers that patter down upon the pavement and are gone before a man can put up his umbrella. Pausing near the house, Wakefield discerns through the parlor-windows of the second floor the red glow and the glimmer and fitful flash of a comfortable fire. On the ceiling appears a grotesque shadow of good Mrs. Wakefield. The cap, the nose and chin and the broad waist form an admirable caricature, which dances, moreover, with the up-flickering and down-sinking blaze almost too merrily for the shade of an elderly widow. At this instant a shower chances to fall, and is driven by the unmannerly gust full into Wakefield’s face and bosom. He is quite penetrated with its autumnal chill. Shall he stand wet and shivering here, when his own hearth has a good fire to warm him and his own wife will run to fetch the gray coat and small-clothes which doubtless she has kept carefully in the closet of their bedchamber? No; Wakefield is no such fool. He ascends the steps—heavily, for twenty years have stiffened his legs since he came down, but he knows it not.—Stay, Wakefield! Would you go to the sole home that is left you? Then step into your grave.—The door opens. As he passes in we have a parting glimpse of his visage, and recognize the crafty smile which was the precursor of the little joke that he has ever since been playing off at his wife’s expense. How unmercifully has he quizzed the poor woman! Well, a good night’s rest to Wakefield!
One evening, twenty years after he disappeared, Wakefield is taking his usual walk toward the house he still thinks of as his. It's a blustery autumn night, with frequent rain showers that hit the pavement and are gone before someone can open an umbrella. Stopping near the house, Wakefield sees through the second-floor parlor windows the warm glow and flickering light of a cozy fire. On the ceiling, there's a funny shadow of good Mrs. Wakefield. The cap, nose, chin, and broad waist create a perfect caricature that dances joyfully with the flickering flames, almost too cheerfully for the shadow of an older widow. Just then, a shower begins to fall, driven by a rude gust right into Wakefield's face and chest. He feels the chilly autumn air sharply. Should he stand here, wet and shivering, when his own hearth offers a nice fire to warm him and his wife would rush to get the gray coat and pants she's surely kept neatly in their bedroom closet? No; Wakefield isn't that foolish. He climbs the steps—slowly, because twenty years have stiffened his legs since he came down, though he doesn’t realize it. —Wait, Wakefield! Are you really going to the only home you have left? Then you’re heading to your grave. —The door opens. As he steps inside, we catch a last glimpse of his face and recognize the sly smile that has been behind the little joke he’s been playing on his wife all this time. How mercilessly he has teased the poor woman! Well, good night to Wakefield!
This happy event—supposing it to be such—could only have occurred at an unpremeditated moment. We will not follow our friend across the threshold. He has left us much food for thought, a portion of which shall lend its wisdom to a moral and be shaped into a figure. Amid the seeming confusion of our mysterious world individuals are so nicely adjusted to a system, and systems to one another and to a whole, that by stepping aside for a moment a man exposes himself to a fearful risk of losing his place for ever. Like Wakefield, he may become, as it were, the outcast of the universe.
This happy event—if we can call it that—could only have happened in an unexpected moment. We won't follow our friend as he steps through the door. He has given us plenty to think about, some of which will contribute to a moral and be shaped into a lesson. In the apparent chaos of our mysterious world, people are so perfectly aligned with a system, and systems with each other and the whole, that taking a moment to step aside puts a person at great risk of losing their place forever. Like Wakefield, he might end up feeling like an outcast in the universe.
A RILL FROM THE TOWN-PUMP
(SCENE, the corner of two principal streets,[3] the TOWN-PUMP talking through its nose.)
(SCENE, the corner of two main streets,[3] the TOWN-PUMP talking nasally.)
Noon by the north clock! Noon by the east! High noon, too, by these hot sunbeams, which full, scarcely aslope, upon my head and almost make the water bubble and smoke in the trough under my nose. Truly, we public characters have a tough time of it! And among all the town-officers chosen at March meeting, where is he that sustains for a single year the burden of such manifold duties as are imposed in perpetuity upon the town-pump? The title of “town-treasurer” is rightfully mine, as guardian of the best treasure that the town has. The overseers of the poor ought to make me their chairman, since I provide bountifully for the pauper without expense to him that pays taxes. I am at the head of the fire department and one of the physicians to the board of health. As a keeper of the peace all water-drinkers will confess me equal to the constable. I perform some of the duties of the town-clerk by promulgating public notices when they are posted on my front. To speak within bounds, I am the chief person of the municipality, and exhibit, moreover, an admirable pattern to my brother-officers by the cool, steady, upright, downright and impartial discharge of my business and the constancy with which I stand to my post. Summer or winter, nobody seeks me in vain, for all day long I am seen at the busiest corner, just above the market, stretching out my arms to rich and poor alike, and at night I hold a lantern over my head both to show where I am and keep people out of the gutters. At this sultry noontide I am cupbearer to the parched populace, for whose benefit an iron goblet is chained to my waist. Like a dramseller on the mall at muster-day, I cry aloud to all and sundry in my plainest accents and at the very tiptop of my voice.
Noon by the north clock! Noon by the east! High noon, too, under these hot sunbeams, which barely slant over my head and almost make the water bubble and steam in the trough right in front of me. Seriously, we public figures have a tough job! And among all the town officials chosen at March meeting, who else can handle the weight of so many responsibilities as the town-pump does year after year? The title of "town treasurer" rightfully belongs to me, as I protect the greatest treasure our town has. The overseers of the poor should make me their chairperson since I generously support the needy without costing those who pay taxes anything. I'm in charge of the fire department and one of the doctors on the health board. As a peacekeeper, even all the water drinkers would say I’m as good as the constable. I take on some duties of the town clerk by announcing public notices when they’re posted on my front. To put it plainly, I am the main person in the municipality and serve as a great example to my fellow officials with my calm, steady, honest, straightforward, and fair handling of my responsibilities and the dedication with which I stick to my post. Summer or winter, no one looks for me in vain, as I’m visible all day at the busiest corner, just above the market, reaching out to both the wealthy and the poor. At night, I hold a lantern over my head to show where I am and keep people out of the gutters. At this hot noon, I serve as the cupbearer for the thirsty crowd, with an iron goblet chained to my waist for that purpose. Like a vendor at the fair on muster day, I call out loudly to everyone in my clearest voice and at the very top of my lungs.
Here it is, gentlemen! Here is the good liquor! Walk up, walk up, gentlemen! Walk up, walk up! Here is the superior stuff! Here is the unadulterated ale of Father Adam—better than Cognac, Hollands, Jamaica, strong beer or wine of any price; here it is by the hogshead or the single glass, and not a cent to pay! Walk up, gentlemen, walk up, and help yourselves!
Here it is, guys! Here’s the good stuff! Come on up, come on up, everyone! Step right up! Here’s the top-quality liquor! Here’s the pure ale of Father Adam—better than Cognac, gin, rum, strong beer, or any wine, no matter the price; it’s available by the barrel or by the glass, and it won't cost you a dime! Step up, folks, step up, and help yourselves!
It were a pity if all this outcry should draw no customers. Here they come.—A hot day, gentlemen! Quaff and away again, so as to keep yourselves in a nice cool sweat.—You, my friend, will need another cupful to wash the dust out of your throat, if it be as thick there as it is on your cowhide shoes. I see that you have trudged half a score of miles to-day, and like a wise man have passed by the taverns and stopped at the running brooks and well-curbs. Otherwise, betwixt heat without and fire within, you would have been burnt to a cinder or melted down to nothing at all, in the fashion of a jelly-fish. Drink and make room for that other fellow, who seeks my aid to quench the fiery fever of last night’s potations, which he drained from no cup of mine.—Welcome, most rubicund sir! You and I have been great strangers hitherto; nor, to confess the truth, will my nose be anxious for a closer intimacy till the fumes of your breath be a little less potent. Mercy on you, man! the water absolutely hisses down your red-hot gullet and is converted quite to steam in the miniature Tophet which you mistake for a stomach. Fill again, and tell me, on the word of an honest toper, did you ever, in cellar, tavern, or any kind of a dram-shop, spend the price of your children’s food for a swig half so delicious? Now, for the first time these ten years, you know the flavor of cold water. Good-bye; and whenever you are thirsty, remember that I keep a constant supply at the old stand.—Who next?—Oh, my little friend, you are let loose from school and come hither to scrub your blooming face and drown the memory of certain taps of the ferule, and other schoolboy troubles, in a draught from the town-pump? Take it, pure as the current of your young life. Take it, and may your heart and tongue never be scorched with a fiercer thirst than now! There, my dear child! put down the cup and yield your place to this elderly gentleman who treads so tenderly over the paving-stones that I suspect he is afraid of breaking them. What! he limps by without so much as thanking me, as if my hospitable offers were meant only for people who have no wine-cellars.—Well, well, sir, no harm done, I hope? Go draw the cork, tip the decanter; but when your great toe shall set you a-roaring, it will be no affair of mine. If gentlemen love the pleasant titillation of the gout, it is all one to the town-pump. This thirsty dog with his red tongue lolling out does not scorn my hospitality, but stands on his hind legs and laps eagerly out of the trough. See how lightly he capers away again!—Jowler, did your worship ever have the gout?
It would be a shame if all this fuss didn’t bring in any customers. Here they come.—Hot day, gentlemen! Drink up quickly so you can keep yourselves nice and cool.—You, my friend, will need another cup to clear the dust from your throat if it’s as thick in there as it is on your leather shoes. I can see you've walked about ten miles today and, wisely, avoided the taverns to stop at the running streams and wells. Otherwise, with the heat outside and the fire within, you would have been cooked to a crisp or melted away like a jellyfish. Drink and make space for the next guy, who needs my help to cool down from the hangover of last night’s drinks, which he didn’t get from my bar.—Welcome, rosy-faced sir! We haven’t met before; to be honest, my nose isn’t eager for a closer encounter until the smell of your breath is a bit less intense. Goodness, man! The water hisses down your scorched throat and turns to steam in the little furnace you call a stomach. Fill up again and tell me, on the word of an honest drinker, have you ever, in a cellar, tavern, or any kind of bar, spent money meant for your children's food on a drink as refreshing as this? For the first time in ten years, you know the taste of cold water. Bye for now; and whenever you're thirsty, remember I always have a supply at this spot.—Who’s next?—Oh, my little friend, you’re out of school and have come here to wash your rosy face and forget about those taps from the ruler and other school troubles with a drink from the town pump? Here it is, as pure as your young life. Take it, and may your heart and tongue never be scorched with a greater thirst than now! There, my dear child! Put down the cup and let this elderly gentleman take your place, who walks so carefully over the pavement that I think he’s afraid of breaking it. What! He walks by without thanking me, as if my offers were only for those who don’t have wine cellars.—Well, well, sir, I hope no harm done? Go pour yourself a drink; but when your toe starts hurting, it won’t be my responsibility. If gentlemen enjoy the fun of gout, that's their business. This thirsty dog with his red tongue hanging out doesn’t refuse my hospitality, but stands on his hind legs and eagerly drinks from the trough. Look how he dances away happily!—Jowler, have you ever had the gout?
Are you all satisfied? Then wipe your mouths, my good friends, and while my spout has a moment’s leisure I will delight the town with a few historical remniscences. In far antiquity, beneath a darksome shadow of venerable boughs, a spring bubbled out of the leaf-strewn earth in the very spot where you now behold me on the sunny pavement. The water was as bright and clear and deemed as precious as liquid diamonds. The Indian sagamores drank of it from time immemorial till the fatal deluge of the firewater burst upon the red men and swept their whole race away from the cold fountains. Endicott and his followers came next, and often knelt down to drink, dipping their long beards in the spring. The richest goblet then was of birch-bark. Governor Winthrop, after a journey afoot from Boston, drank here out of the hollow of his hand. The elder Higginson here wet his palm and laid it on the brow of the first town-born child. For many years it was the watering-place, and, as it were, the washbowl, of the vicinity, whither all decent folks resorted to purify their visages and gaze at them afterward—at least, the pretty maidens did—in the mirror which it made. On Sabbath-days, whenever a babe was to be baptized, the sexton filled his basin here and placed it on the communion-table of the humble meeting-house, which partly covered the site of yonder stately brick one. Thus one generation after another was consecrated to Heaven by its waters, and cast their waxing and waning shadows into its glassy bosom, and vanished from the earth, as if mortal life were but a flitting image in a fountain. Finally the fountain vanished also. Cellars were dug on all sides and cart-loads of gravel flung upon its source, whence oozed a turbid stream, forming a mud-puddle at the corner of two streets. In the hot months, when its refreshment was most needed, the dust flew in clouds over the forgotten birthplace of the waters, now their grave. But in the course of time a town-pump was sunk into the source of the ancient spring; and when the first decayed, another took its place, and then another, and still another, till here stand I, gentlemen and ladies, to serve you with my iron goblet. Drink and be refreshed. The water is as pure and cold as that which slaked the thirst of the red sagamore beneath the aged boughs, though now the gem of the wilderness is treasured under these hot stones, where no shadow falls but from the brick buildings. And be it the moral of my story that, as this wasted and long-lost fountain is now known and prized again, so shall the virtues of cold water—too little valued since your fathers’ days—be recognized by all.
Are you all happy? Then wipe your mouths, my good friends, and while I have a moment to spare, I’ll entertain the town with a few historical stories. Long ago, under the dark shade of ancient trees, a spring bubbled up from the leafy earth right where you now see me on the sunny pavement. The water was clear and bright, considered as valuable as liquid diamonds. The Native American chiefs drank from it for ages until the devastating tide of alcohol hit the Indigenous people and wiped their race away from the cool springs. Then Endicott and his followers arrived, often kneeling to drink, dipping their long beards in the spring. The richest cup back then was made from birch bark. Governor Winthrop, after a long trek from Boston, drank from the hollow of his hand here. The elder Higginson wet his hand and placed it on the forehead of the first child born in the town. For many years, it served as the watering place, or washbowl, for the area, where all decent folks came to cleanse their faces and look at themselves afterward—at least the pretty young women did—in the mirror it provided. On Sundays, whenever a baby was to be baptized, the sexton filled his bowl here and placed it on the communion table of the humble meeting house, which partly covered the spot of that grand brick building over there. Thus, one generation after another was consecrated to Heaven by its waters, casting their shadows into its glassy surface, and vanished from the earth, as if human life were just a fleeting image in a fountain. Eventually, the fountain disappeared too. Cellars were dug all around and loads of gravel were dumped on its source, from which a muddy stream oozed, forming a puddle at the corner of two streets. During the hot months, when refreshment was most needed, dust flew in clouds over the forgotten birthplace of the waters, now its grave. But over time, a town pump was installed at the original spring; when the first one decayed, another took its place, and so on, until here I stand, ladies and gentlemen, ready to serve you with my iron cup. Drink and feel refreshed. The water is as pure and cold as that which quenched the thirst of the red chief beneath the ancient branches, though now the gem of the wilderness is treasured under these hot stones, where no shadow falls except from the brick buildings. Let the moral of my story be this: just as this lost and long-forgotten fountain is now appreciated again, so should the value of cold water—too often overlooked since your ancestors' days—be recognized by everyone.
Your pardon, good people! I must interrupt my stream of eloquence and spout forth a stream of water to replenish the trough for this teamster and his two yoke of oxen, who have come from Topsfield, or somewhere along that way. No part of my business is pleasanter than the watering of cattle. Look! how rapidly they lower the water-mark on the sides of the trough, till their capacious stomachs are moistened with a gallon or two apiece and they can afford time to breathe it in with sighs of calm enjoyment. Now they roll their quiet eyes around the brim of their monstrous drinking-vessel. An ox is your true toper.
Excuse me, everyone! I need to pause my speech to refill the trough for this teamster and his two pairs of oxen, who have traveled from Topsfield or somewhere nearby. One of my favorite tasks is watering the cattle. Look how quickly they lower the water level in the trough, each gulping down a gallon or two until their bellies are full, allowing them to relax and breathe it in with satisfied sighs. Now they’re looking around the edge of their huge drinking container. An ox is the ultimate drinker.
But I perceive, my dear auditors, that you are impatient for the remainder of my discourse. Impute it, I beseech you, to no defect of modesty if I insist a little longer on so fruitful a topic as my own multifarious merits. It is altogether for your good. The better you think of me, the better men and women you will find yourselves. I shall say nothing of my all-important aid on washing-days, though on that account alone I might call myself the household god of a hundred families. Far be it from me, also, to hint, my respectable friends, at the show of dirty faces which you would present without my pains to keep you clean. Nor will I remind you how often, when the midnight bells make you tremble for your combustible town, you have fled to the town-pump and found me always at my post firm amid the confusion and ready to drain my vital current in your behalf. Neither is it worth while to lay much stress on my claims to a medical diploma as the physician whose simple rule of practice is preferable to all the nauseous lore which has found men sick, or left them so, since the days of Hippocrates. Let us take a broader view of my beneficial influence on mankind.
But I see, my dear listeners, that you're eager for the rest of my talk. Please, don't take it as a lack of modesty if I take a little more time to discuss my many qualities. It's all for your benefit. The better you think of me, the better people you'll become. I won’t even mention how crucial I am on laundry days, though just that alone could make me the household hero of a hundred families. It’s also not my place to point out the dirty faces you’d show without my efforts to keep you clean. And I won’t remind you how often, when the midnight bells make you nervous about your flammable town, you’ve rushed to the town-pump and found me always there, steady in the chaos and ready to give my all for you. It isn’t necessary for me to emphasize my qualifications as a doctor, whose straightforward methods are better than all the unpleasant knowledge that has left people sick since the days of Hippocrates. Let’s take a wider look at my positive impact on humanity.
No; these are trifles, compared with the merits which wise men concede to me—if not in my single self, yet as the representative of a class—of being the grand reformer of the age. From my spout, and such spouts as mine, must flow the stream that shall cleanse our earth of the vast portion of its crime and anguish which has gushed from the fiery fountains of the still. In this mighty enterprise the cow shall be my great confederate. Milk and water—the TOWN-PUMP and the Cow! Such is the glorious copartnership that shall tear down the distilleries and brewhouses, uproot the vineyards, shatter the cider-presses, ruin the tea and coffee trade, and finally monopolize the whole business of quenching thirst. Blessed consummation! Then Poverty shall pass away from the land, finding no hovel so wretched where her squalid form may shelter herself. Then Disease, for lack of other victims, shall gnaw its own heart and die. Then Sin, if she do not die, shall lose half her strength. Until now the frenzy of hereditary fever has raged in the human blood, transmitted from sire to son and rekindled in every generation by fresh draughts of liquid flame. When that inward fire shall be extinguished, the heat of passion cannot but grow cool, and war—the drunkenness of nations—perhaps will cease. At least, there will be no war of households. The husband and wife, drinking deep of peaceful joy—a calm bliss of temperate affections—shall pass hand in hand through life and lie down not reluctantly at its protracted close. To them the past will be no turmoil of mad dreams, nor the future an eternity of such moments as follow the delirium of the drunkard. Their dead faces shall express what their spirits were and are to be by a lingering smile of memory and hope.
No; these are minor issues compared to the praise that wise people give me—if not for myself alone, then as a representative of a group—for being the great reformer of our time. From my fountain, and fountains like mine, will flow the stream that will cleanse our world of the significant amount of crime and suffering that has poured forth from the fiery sources of the distillery. In this grand effort, the cow will be my main ally. Milk and water—the TOWN-PUMP and the Cow! This is the amazing partnership that will shut down the distilleries and breweries, eliminate the vineyards, destroy the cider presses, ruin the tea and coffee trade, and ultimately dominate the entire business of satisfying thirst. What a wonderful outcome! Then Poverty will vanish from the land, unable to find anywhere as wretched as to take refuge. Then Disease, deprived of other victims, will eat away at its own heart and perish. Then Sin, if she does not perish, will lose half her power. Until now, the fever of inheritance has raged in human blood, passed down from father to son and reignited in every generation with new doses of fiery liquid. When that internal fire is extinguished, the heat of passion will surely cool, and war—the intoxication of nations—might finally come to an end. At the very least, there will be no strife within families. Husbands and wives, deeply immersed in peaceful joy—a calm bliss of moderate affections—will walk hand in hand through life and lay down without reluctance at its extended close. For them, the past will be free from the chaos of crazy dreams, and the future will not be an eternity of moments like those that follow a drunkard's delirium. Their lifeless faces will reflect what their spirits were and will be through a lingering smile of memory and hope.
Ahem! Dry work, this speechifying, especially to an unpractised orator. I never conceived till now what toil the temperance lecturers undergo for my sake; hereafter they shall have the business to themselves.—Do, some kind Christian, pump a stroke or two, just to wet my whistle.—Thank you, sir!—My dear hearers, when the world shall have been regenerated by my instrumentality, you will collect your useless vats and liquor-casks into one great pile and make a bonfire in honor of the town-pump. And when I shall have decayed like my predecessors, then, if you revere my memory, let a marble fountain richly sculptured take my place upon this spot. Such monuments should be erected everywhere and inscribed with the names of the distinguished champions of my cause. Now, listen, for something very important is to come next.
Ahem! This speaking gig is tough, especially for someone who's not used to it. I never realized until now how much effort the temperance speakers put in for my benefit; from now on, they can handle it themselves. —Could a kind-hearted person give me a drink or two to wet my whistle? —Thank you, sir! —My dear audience, when the world has been renewed because of my efforts, you'll gather all your unused vats and liquor barrels into a huge pile and light a bonfire in honor of the town pump. And when I've passed away like those before me, if you want to honor my memory, let a beautifully sculpted marble fountain be placed here. Such monuments should be put up everywhere, with the names of the great advocates of my cause inscribed on them. Now, pay attention because something really important is coming next.
There are two or three honest friends of mine—and true friends I know they are—who nevertheless by their fiery pugnacity in my behalf do put me in fearful hazard of a broken nose, or even a total overthrow upon the pavement and the loss of the treasure which I guard.—I pray you, gentlemen, let this fault be amended. Is it decent, think you, to get tipsy with zeal for temperance and take up the honorable cause of the town-pump in the style of a toper fighting for his brandy-bottle? Or can the excellent qualities of cold water be no otherwise exemplified than by plunging slapdash into hot water and woefully scalding yourselves and other people? Trust me, they may. In the moral warfare which you are to wage—and, indeed, in the whole conduct of your lives—you cannot choose a better example than myself, who have never permitted the dust and sultry atmosphere, the turbulence and manifold disquietudes, of the world around me to reach that deep, calm well of purity which may be called my soul. And whenever I pour out that soul, it is to cool earth’s fever or cleanse its stains.
There are a couple of honest friends of mine—and I know they’re true friends—who, despite their fiery enthusiasm on my behalf, put me at serious risk of getting a broken nose or even falling flat on the pavement and losing the treasure I protect. I ask you, gentlemen, let’s fix this issue. Is it appropriate, do you think, to get drunk while passionately advocating for temperance and fight for the community’s water source like a drunkard defending his whiskey? Or can the great benefits of cold water only be shown by jumping recklessly into hot water and painfully scalding yourselves and others? Trust me, they can. In the moral battles you’re going to fight—and in all aspects of your lives—you can’t find a better example than me. I have never let the dust and heat, the chaos and many troubles, of the world around me touch that deep, calm well of purity that can be called my soul. And whenever I share that soul, it’s to soothe the earth’s fever or cleanse its stains.
One o’clock! Nay, then, if the dinner-bell begins to speak, I may as well hold my peace. Here comes a pretty young girl of my acquaintance with a large stone pitcher for me to fill. May she draw a husband while drawing her water, as Rachel did of old!—Hold out your vessel, my dear! There it is, full to the brim; so now run home, peeping at your sweet image in the pitcher as you go, and forget not in a glass of my own liquor to drink “SUCCESS TO THE TOWN-PUMP.”
One o'clock! Well, if the dinner bell is ringing, I might as well be quiet. Here comes a lovely young girl I know with a big stone pitcher for me to fill. I hope she finds a husband while drawing her water, just like Rachel did back in the day!—Hold out your pitcher, my dear! Here it is, full to the top; now hurry home, glancing at your pretty reflection in the pitcher as you go, and don't forget to drink to “SUCCESS TO THE TOWN-PUMP” in a glass of my own drink.
THE GREAT CARBUNCLE[4]
A MYSTERY OF THE WHITE MOUNTAINS
At nightfall once in the olden time, on the rugged side of one of the Crystal Hills, a party of adventurers were refreshing themselves after a toilsome and fruitless quest for the Great Carbuncle. They had come thither, not as friends nor partners in the enterprise, but each, save one youthful pair, impelled by his own selfish and solitary longing for this wondrous gem. Their feeling of brotherhood, however, was strong enough to induce them to contribute a mutual aid in building a rude hut of branches and kindling a great fire of shattered pines that had drifted down the headlong current of the Amonoosuck, on the lower bank of which they were to pass the night. There was but one of their number, perhaps, who had become so estranged from natural sympathies by the absorbing spell of the pursuit as to acknowledge no satisfaction at the sight of human faces in the remote and solitary region whither they had ascended. A vast extent of wilderness lay between them and the nearest settlement, while scant a mile above their heads was that bleak verge where the hills throw off their shaggy mantle of forest-trees and either robe themselves in clouds or tower naked into the sky. The roar of the Amonoosuck would have been too awful for endurance if only a solitary man had listened while the mountain-stream talked with the wind.
At nightfall, once upon a time, on the rugged side of one of the Crystal Hills, a group of adventurers were taking a break after a tiring and unsuccessful search for the Great Carbuncle. They had come there, not as friends or partners in the quest, but each, except for one young couple, driven by their own selfish and solitary desire for this amazing gem. However, their sense of camaraderie was strong enough to motivate them to work together to build a simple hut from branches and start a large fire made of broken pine trees that had washed down the fast current of the Amonoosuck, where they would spend the night on the lower bank. There was only one among them who had become so disconnected from natural emotions due to the intense focus on the pursuit that he felt no pleasure at the sight of other people in the remote and isolated area they had climbed to. A vast wilderness stretched between them and the nearest settlement, while just a mile above them was the bleak edge where the hills shed their thick covering of forest and either cloaked themselves in clouds or towered starkly into the sky. The roar of the Amonoosuck would have been unbearable if a solitary man had been listening as the mountain stream conversed with the wind.
The adventurers, therefore, exchanged hospitable greetings and welcomed one another to the hut where each man was the host and all were the guests of the whole company. They spread their individual supplies of food on the flat surface of a rock and partook of a general repast; at the close of which a sentiment of good-fellowship was perceptible among the party, though repressed by the idea that the renewed search for the Great Carbuncle must make them strangers again in the morning. Seven men and one young woman, they warmed themselves together at the fire, which extended its bright wall along the whole front of their wigwam. As they observed the various and contrasted figures that made up the assemblage, each man looking like a caricature of himself in the unsteady light that flickered over him, they came mutually to the conclusion that an odder society had never met in city or wilderness, on mountain or plain.
The adventurers exchanged warm greetings and welcomed each other to the hut where everyone was both a host and a guest. They laid out their individual food supplies on a flat rock and enjoyed a shared meal; by the end, a sense of camaraderie filled the group, though it was dampened by the thought that their renewed search for the Great Carbuncle would likely make them strangers again come morning. Seven men and one young woman gathered around the fire, which cast a bright glow across the front of their wigwam. As they looked at each other's diverse and striking figures in the flickering light, they all realized that they had never encountered such an unusual group in the city or the wild, on mountains or plains.
The eldest of the group—a tall, lean, weatherbeaten man some sixty years of age—was clad in the skins of wild animals whose fashion of dress he did well to imitate, since the deer, the wolf and the bear had long been his most intimate companions. He was one of those ill-fated mortals, such as the Indians told of, whom in their early youth the Great Carbuncle smote with a peculiar madness and became the passionate dream of their existence. All who visited that region knew him as “the Seeker,” and by no other name. As none could remember when he first took up the search, there went a fable in the valley of the Saco that for his inordinate lust after the Great Carbuncle he had been condemned to wander among the mountains till the end of time, still with the same feverish hopes at sunrise, the same despair at eve. Near this miserable Seeker sat a little elderly personage wearing a high-crowned hat shaped somewhat like a crucible. He was from beyond the sea—a Doctor Cacaphodel, who had wilted and dried himself into a mummy by continually stooping over charcoal-furnaces and inhaling unwholesome fumes during his researches in chemistry and alchemy. It was told of him—whether truly or not—that at the commencement of his studies he had drained his body of all its richest blood and wasted it, with other inestimable ingredients, in an unsuccessful experiment, and had never been a well man since. Another of the adventurers was Master Ichabod Pigsnort, a weighty merchant and selectman of Boston, and an elder of the famous Mr. Norton’s church. His enemies had a ridiculous story that Master Pigsnort was accustomed to spend a whole hour after prayer-time every morning and evening in wallowing naked among an immense quantity of pine-tree shillings, which were the earliest silver coinage of Massachusetts. The fourth whom we shall notice had no name that his companions knew of, and was chiefly distinguished by a sneer that always contorted his thin visage, and by a prodigious pair of spectacles which were supposed to deform and discolor the whole face of nature to this gentleman’s perception. The fifth adventurer likewise lacked a name, which was the greater pity, as he appeared to be a poet. He was a bright-eyed man, but woefully pined away, which was no more than natural if, as some people affirmed, his ordinary diet was fog, morning mist and a slice of the densest cloud within his reach, sauced with moonshine whenever he could get it. Certain it is that the poetry which flowed from him had a smack of all these dainties. The sixth of the party was a young man of haughty mien and sat somewhat apart from the rest, wearing his plumed hat loftily among his elders, while the fire glittered on the rich embroidery of his dress and gleamed intensely on the jewelled pommel of his sword. This was the lord De Vere, who when at home was said to spend much of his time in the burial-vault of his dead progenitors rummaging their mouldy coffins in search of all the earthly pride and vainglory that was hidden among bones and dust; so that, besides his own share, he had the collected haughtiness of his whole line of ancestry. Lastly, there was a handsome youth in rustic garb, and by his side a blooming little person in whom a delicate shade of maiden reserve was just melting into the rich glow of a young wife’s affection. Her name was Hannah, and her husband’s Matthew—two homely names, yet well enough adapted to the simple pair who seemed strangely out of place among the whimsical fraternity whose wits had been set agog by the Great Carbuncle.
The eldest of the group—a tall, lean, weathered man around sixty years old—was dressed in the skins of wild animals, a style he imitated well, as deer, wolves, and bears had long been his closest companions. He was one of those unfortunate souls the Indians spoke of, who in his youth was struck by the Great Carbuncle with a peculiar madness that became his all-consuming dream. Everyone in that area knew him as “the Seeker,” and nothing else. As no one could recall when he began his search, there was a legend in the Saco Valley that his excessive desire for the Great Carbuncle had condemned him to wander the mountains for all eternity, with the same feverish hopes at dawn and the same despair at dusk. Near this miserable Seeker sat a little elderly man wearing a high-crowned hat resembling a crucible. He had come from across the sea—Doctor Cacaphodel—who had dried himself into a sort of mummy by constantly stooping over charcoal furnaces and inhaling harmful fumes during his studies in chemistry and alchemy. It was said of him—whether true or not—that at the start of his work, he had drained his body of all its richest blood and wasted it, along with other invaluable substances, in a failed experiment, and had never been well since. Another adventurer was Master Ichabod Pigsnort, a prominent merchant and selectman from Boston, as well as an elder of the notable Mr. Norton’s church. His critics had a silly story suggesting that Master Pigsnort spent a full hour after morning and evening prayers wallowing naked among a massive pile of pine-tree shillings, the first silver coins of Massachusetts. The fourth member of the group had no name known to his companions and was primarily recognized by a sneer that twisted his thin face, and by a huge pair of glasses that supposedly distorted and discolored everything he looked at. The fifth adventurer also went unnamed, which was unfortunate because he appeared to be a poet. He was bright-eyed but sadly wasted away, which made sense if, as some claimed, his usual diet consisted of fog, morning mist, and a slice of the densest cloud he could find, sometimes topped with moonlight. It was certain that the poetry he produced carried hints of all these delicacies. The sixth member was a young man with an arrogant demeanor who sat somewhat apart from the rest, wearing his plumed hat proudly among his elders, while the fire sparkled on the rich embroidery of his clothing and shone brightly on the jeweled handle of his sword. This was Lord De Vere, who was said to spend much of his time at home rummaging through the burial vaults of his ancestors, searching in their decayed coffins for all the earthly pride and vanity hidden among the bones and dust; thus, in addition to his own haughtiness, he possessed the combined arrogance of his entire lineage. Finally, there was a handsome young man in rustic clothing, alongside a lovely woman whose slight air of maidenly reserve was melting into the warm glow of a young wife’s affection. Her name was Hannah, and her husband’s was Matthew—two simple names, yet perfectly suited to the down-to-earth couple who seemed oddly out of place among the whimsical group stirred by the Great Carbuncle.
Beneath the shelter of one hut, in the bright blaze of the same fire, sat this varied group of adventurers, all so intent upon a single object that of whatever else they began to speak their closing words were sure to be illuminated with the Great Carbuncle. Several related the circumstances that brought them thither. One had listened to a traveller’s tale of this marvellous stone in his own distant country, and had immediately been seized with such a thirst for beholding it as could only be quenched in its intensest lustre. Another, so long ago as when the famous Captain Smith visited these coasts, had seen it blazing far at sea, and had felt no rest in all the intervening years till now that he took up the search. A third, being encamped on a hunting-expedition full forty miles south of the White Mountains, awoke at midnight and beheld the Great Carbuncle gleaming like a meteor, so that the shadows of the trees fell backward from it. They spoke of the innumerable attempts which had been made to reach the spot, and of the singular fatality which had hitherto withheld success from all adventurers, though it might seem so easy to follow to its source a light that overpowered the moon and almost matched the sun. It was observable that each smiled scornfully at the madness of every other in anticipating better fortune than the past, yet nourished a scarcely-hidden conviction that he would himself be the favored one. As if to allay their too sanguine hopes, they recurred to the Indian traditions that a spirit kept watch about the gem and bewildered those who sought it either by removing it from peak to peak of the higher hills or by calling up a mist from the enchanted lake over which it hung. But these tales were deemed unworthy of credit, all professing to believe that the search had been baffled by want of sagacity or perseverance in the adventurers, or such other causes as might naturally obstruct the passage to any given point among the intricacies of forest, valley and mountain.
Under the cover of one hut, gathered around the same fire, sat this diverse group of adventurers, all so focused on one goal that, no matter what else they talked about, their final words were bound to include the Great Carbuncle. Several shared the stories that brought them there. One had heard a traveler’s tale about this amazing stone in his faraway land and was instantly overcome with an intense desire to see it, one that could only be satisfied by its brightest shine. Another, as long ago as when the famous Captain Smith visited these shores, had spotted it glowing far out at sea and had felt restless for all the years since until he took up the search now. A third, while camping on a hunting trip nearly forty miles south of the White Mountains, woke up at midnight to see the Great Carbuncle shining like a meteor, casting the shadows of the trees backward. They talked about the countless attempts made to find the gem and the strange misfortune that had prevented success for all adventurers so far, even though it seemed easy to follow a light that outshone the moon and nearly rivaled the sun. It was clear that each of them smiled mockingly at the foolishness of the others for thinking they had better luck ahead, yet held onto a barely concealed belief that they would be the lucky one. To temper their overly optimistic hopes, they referred to Indian legends that said a spirit guarded the gem, confusing those who sought it by moving it from peak to peak in the high hills or raising mist from the enchanted lake above which it hovered. However, these stories were considered unbelievable, as they all claimed to think that the search had failed due to the lack of skill or persistence in the adventurers, or some other logical reason that might naturally impede the journey through the twists and turns of forest, valley, and mountain.
In a pause of the conversation the wearer of the prodigious spectacles looked round upon the party, making each individual in turn the object of the sneer which invariably dwelt upon his countenance.
In a break in the conversation, the person with the huge glasses glanced around at the group, directing his trademark sneer at each person in turn.
“So, fellow-pilgrims,” said he, “here we are, seven wise men and one fair damsel, who doubtless is as wise as any graybeard of the company. Here we are, I say, all bound on the same goodly enterprise. Methinks, now, it were not amiss that each of us declare what he proposes to do with the Great Carbuncle, provided he have the good hap to clutch it.—What says our friend in the bearskin? How mean you, good sir, to enjoy the prize which you have been seeking the Lord knows how long among the Crystal Hills?”
“So, fellow travelers,” he said, “here we are, seven wise men and one lovely lady, who is surely as wise as any old man in the group. Here we are, all set on the same great adventure. I think it would be good for each of us to share what we plan to do with the Great Carbuncle, if we happen to find it. —What do you say, our friend in the bearskin? How do you intend to enjoy the prize you’ve been searching for, God knows how long, among the Crystal Hills?”
“How enjoy it!” exclaimed the aged Seeker, bitterly. “I hope for no enjoyment from it--that folly has past, long ago! I keep up the search for this accursed stone, because the vain ambition of my youth has become a fate upon me, in old age. The pursuit alone is my strength--the energy of my soul--the warmth of my blood, and the pith and marrow of my bones! Were I to turn my back upon it, I should fall down dead, on the hither side of the Notch, which is the gate-way of this mountain region. Yet, not to have my wasted life time back again, would I give up my hopes of the Great Carbuncle! Having found it, I shall bear it to a certain cavern that I wot of, and there, grasping it in my arms, lie down and die, and keep it buried with me for ever.”
“How enjoyable!” the old Seeker exclaimed bitterly. “I don’t expect to find any enjoyment in it—those days are long gone! I continue the search for this cursed stone because the foolish ambitions of my youth have become my fate in old age. The pursuit itself is my strength—the energy of my soul—the warmth of my blood, and the essence of my bones! If I were to turn my back on it, I would collapse right here at the foot of the Notch, which is the gateway to this mountain region. Yet, I wouldn’t give up my hopes for the Great Carbuncle just to reclaim my wasted life! Once I find it, I will take it to a certain cave I know of, and there, holding it in my arms, I will lie down and die, keeping it buried with me forever.”
“Oh, wretch, regardless of the interests of science!” cried Doctor Cacaphodel, with philosophic indignation. “Thou art not worthy to behold, even from afar off, the lustre of this most precious gem that ever was concocted in the laboratory of Nature. Mine is the sole purpose for which a wise man may desire the possession of the Great Carbuncle. Immediately on obtaining it--for I have a presentiment, good people, that the prize is reserved to crown my scientific reputation--I shall return to Europe, and employ my remaining years in reducing it to its first elements. A portion of the stone will I grind to impalpable powder; other parts shall be dissolved in acids, or whatever solvents will act upon so admirable a composition; and the remainder I design to melt in the crucible, or set on fire with the blow-pipe. By these various methods, I shall gain an accurate analysis, and finally bestow the result of my labours upon the world, in a folio volume.”
“Oh, wretch, completely ignoring the interests of science!” exclaimed Doctor Cacaphodel, filled with philosophical outrage. “You don't deserve to see, even from a distance, the brilliance of this incredibly precious gem that Nature has ever created. My purpose alone justifies a wise person wanting the Great Carbuncle. As soon as I obtain it—because I have a strong feeling, good people, that the prize is meant to enhance my scientific reputation—I will return to Europe and spend my remaining years breaking it down to its fundamental elements. I will grind part of the stone to a fine powder; other sections will be dissolved in acids or any solvents that can act on such a marvelous composition, and I plan to melt the rest in a crucible or ignite it with a blowpipe. Through these various methods, I will achieve an accurate analysis and finally share the results of my work with the world in a detailed volume.”
“Excellent!” quoth the man with the spectacles. “Nor need you hesitate, learned Sir, on account of the necessary destruction of the gem; since the perusal of your folio may teach every mother’s son of us to concoct a Great Carbuncle of his own.”
“Excellent!” said the man with the glasses. “And you shouldn't hesitate, learned Sir, because of the necessary destruction of the gem; since reading your book might teach all of us how to create our own Great Carbuncle.”
“But, verily,” said Master Ichabod Pigsnort, “for mine own part, I object to the making of these counterfeits, as being calculated to reduce the marketable value of the true gem. I tell ye frankly, Sirs, I have an interest in keeping up the price. Here have I quitted my regular traffic, leaving my warehouse in the care of my clerks, and putting my credit to great hazard, and furthermore, have put myself to peril of death or captivity by the accursed heathen savages--and all this without daring to ask the prayers of the congregation, because the quest for the Great Carbuncle is deemed little better than a traffic with the evil one. Now think ye that I would have done this grievous wrong to my soul, body, reputation and estate, without a reasonable chance of profit?”
“But truly,” said Master Ichabod Pigsnort, “for my part, I’m against making these fakes, as they’re likely to lower the market value of the real gem. I’ll be honest with you, gentlemen, I have a stake in keeping the price up. I have left my regular business, trusting my warehouse to my clerks, risking my credit, and putting my life in danger of death or capture by the cursed savage heathens—and all this without daring to ask for the congregation’s prayers, because the search for the Great Carbuncle is considered almost as bad as dealing with the devil. Now, do you really think I would have done this serious wrong to my soul, body, reputation, and wealth without a good chance of profit?”
“Not I, pious Master Pigsnort,” said the man with the spectacles. “I never laid such a great folly to thy charge.”
“Not me, pious Master Pigsnort,” said the man with the glasses. “I never accused you of such a great folly.”
“Truly, I hope not,” said the merchant. “Now, as touching this Great Carbuncle, I am free to own that I have never had a glimpse of it, but, be it only the hundredth part so bright as people tell, it will surely outvalue the Great Mogul’s best diamond, which he holds at an incalculable sum; wherefore I am minded to put the Great Carbuncle on shipboard and voyage with it to England, France, Spain, Italy, or into heathendom if Providence should send me thither, and, in a word, dispose of the gem to the best bidder among the potentates of the earth, that he may place it among his crown-jewels. If any of ye have a wiser plan, let him expound it.”
“Honestly, I hope not,” said the merchant. “Now, regarding this Great Carbuncle, I’ll admit that I’ve never seen it, but if it’s even just one hundredth as bright as people say, it will definitely be worth more than the best diamond the Great Mogul has, which is valued at an unimaginable sum. That’s why I plan to put the Great Carbuncle on a ship and travel with it to England, France, Spain, Italy, or anywhere else if fate takes me there. In short, I want to sell the gem to the highest bidder among the powerful people of the world so that he can add it to his crown jewels. If anyone here has a better idea, feel free to share it.”
“That have I, thou sordid man!” exclaimed the poet. “Dost thou desire nothing brighter than gold, that thou wouldst transmute all this ethereal lustre into such dross as thou wallowest in already? For myself, hiding the jewel under my cloak, I shall hie me back to my attic-chamber in one of the darksome alleys of London. There night and day will I gaze upon it. My soul shall drink its radiance; it shall be diffused throughout my intellectual powers and gleam brightly in every line of poesy that I indite. Thus long ages after I am gone the splendor of the Great Carbuncle will blaze around my name.”
"That's what I have, you greedy man!" the poet exclaimed. "Do you want nothing more than gold, that you would turn all this beautiful light into the trash you're already stuck in? As for me, hiding the gem under my coat, I’ll head back to my tiny room in one of London’s dark alleys. There, day and night, I will admire it. My soul will absorb its glow; it will spread through my mind and shine in every line of poetry I write. So, long after I'm gone, the brilliance of the Great Carbuncle will surround my name."
“Well said, Master Poet!” cried he of the spectacles. “Hide it under thy cloak, sayest thou? Why, it will gleam through the holes and make thee look like a jack-o’-lantern!”
“Well said, Master Poet!” shouted the guy with the glasses. “You say to hide it under your cloak? It’ll still shine through the holes and make you look like a jack-o’-lantern!”
“To think,” ejaculated the lord De Vere, rather to himself than his companions, the best of whom he held utterly unworthy of his intercourse—“to think that a fellow in a tattered cloak should talk of conveying the Great Carbuncle to a garret in Grubb street! Have not I resolved within myself that the whole earth contains no fitter ornament for the great hall of my ancestral castle? There shall it flame for ages, making a noonday of midnight, glittering on the suits of armor, the banners and escutcheons, that hang around the wall, and keeping bright the memory of heroes. Wherefore have all other adventurers sought the prize in vain but that I might win it and make it a symbol of the glories of our lofty line? And never on the diadem of the White Mountains did the Great Carbuncle hold a place half so honored as is reserved for it in the hall of the De Veres.”
“To think,” exclaimed Lord De Vere, more to himself than to his companions, the best of whom he considered completely unworthy of his company—“to think that some guy in a ragged cloak would talk about bringing the Great Carbuncle to a small attic on Grubb Street! Haven’t I decided for myself that no other place on earth would be a better setting for the grand hall of my ancestral castle? There it will shine for centuries, lighting up the midnight like it’s noon, sparkling on the suits of armor, the banners, and the coats of arms that hang on the walls, and keeping alive the memory of heroes. Why have all other adventurers sought the prize in vain if not so that I might claim it and make it a symbol of the glories of our noble lineage? And never on the crown of the White Mountains did the Great Carbuncle have a place as esteemed as the one reserved for it in the hall of the De Veres.”
“It is a noble thought,” said the cynic, with an obsequious sneer. “Yet, might I presume to say so, the gem would make a rare sepulchral lamp, and would display the glories of Your Lordship’s progenitors more truly in the ancestral vault than in the castle-hall.”
“It’s a nice idea,” said the cynic, with a sycophantic smirk. “But, if I may say so, the gem would make a unique tomb lamp, showcasing the greatness of your family’s ancestors more accurately in the family vault than in the castle hall.”
“Nay, forsooth,” observed Matthew, the young rustic, who sat hand in hand with his bride, “the gentleman has bethought himself of a profitable use for this bright stone. Hannah here and I are seeking it for a like purpose.”
“Nah, really,” said Matthew, the young farmer, who was sitting hand in hand with his bride, “the gentleman has come up with a useful idea for this shiny stone. Hannah and I are looking for it for the same reason.”
“How, fellow?” exclaimed His Lordship, in surprise. “What castle-hall hast thou to hang it in?”
“How are you, my friend?” exclaimed His Lordship, surprised. “What castle hall do you have to hang it in?”
“No castle,” replied Matthew, “but as neat a cottage as any within sight of the Crystal Hills. Ye must know, friends, that Hannah and I, being wedded the last week, have taken up the search of the Great Carbuncle because we shall need its light in the long winter evenings and it will be such a pretty thing to show the neighbors when they visit us! It will shine through the house, so that we may pick up a pin in any corner, and will set all the windows a-glowing as if there were a great fire of pine-knots in the chimney. And then how pleasant, when we awake in the night, to be able to see one another’s faces!”
“No castle,” replied Matthew, “but a tidy little cottage, just as nice as any around the Crystal Hills. You should know, friends, that Hannah and I, having just gotten married last week, have started looking for the Great Carbuncle because we’ll need its light for the long winter evenings, and it’ll be such a lovely thing to show our neighbors when they come to visit! It will light up the whole house, allowing us to find a pin in any corner, and will make all the windows glow as if there were a big fire of pine knots in the chimney. And how nice it will be, when we wake up at night, to see each other’s faces!”
There was a general smile among the adventurers at the simplicity of the young couple’s project in regard to this wondrous and invaluable stone, with which the greatest monarch on earth might have been proud to adorn his palace. Especially the man with spectacles, who had sneered at all the company in turn, now twisted his visage into such an expression of ill-natured mirth that Matthew asked him rather peevishly what he himself meant to do with the Great Carbuncle.
There was a collective smile among the adventurers at how straightforward the young couple's idea was about this amazing and priceless stone, which even the greatest king on earth would have been proud to use to decorate his palace. Especially the man wearing glasses, who had mocked everyone in the group, now contorted his face into such a mean-spirited grin that Matthew, a bit annoyed, asked him what he intended to do with the Great Carbuncle.
“The Great Carbuncle!” answered the cynic, with ineffable scorn. “Why, you blockhead, there is no such thing in rerum naturâ. I have come three thousand miles, and am resolved to set my foot on every peak of these mountains and poke my head into every chasm for the sole purpose of demonstrating to the satisfaction of any man one whit less an ass than thyself that the Great Carbuncle is all a humbug.”
“The Great Carbuncle!” answered the cynic, with utter disdain. “Are you serious? There’s no such thing in nature. I’ve traveled three thousand miles and I'm determined to stand on every peak of these mountains and look into every chasm just to prove to anyone who's a bit smarter than you that the Great Carbuncle is just a myth.”
Vain and foolish were the motives that had brought most of the adventurers to the Crystal Hills, but none so vain, so foolish, and so impious too, as that of the scoffer with the prodigious spectacles. He was one of those wretched and evil men whose yearnings are downward to the darkness instead of heavenward, and who, could they but extinguish the lights which God hath kindled for us, would count the midnight gloom their chiefest glory.
Vain and foolish were the reasons that had brought most of the adventurers to the Crystal Hills, but none were as vain, foolish, and even disrespectful as the scoffer with the huge glasses. He was one of those miserable and wicked people whose desires lead them into darkness instead of towards the light of heaven, and who, if they could extinguish the lights that God has given us, would see the midnight darkness as their greatest achievement.
As the cynic spoke several of the party were startled by a gleam of red splendor that showed the huge shapes of the surrounding mountains and the rock-bestrewn bed of the turbulent river, with an illumination unlike that of their fire, on the trunks and black boughs of the forest-trees. They listened for the roll of thunder, but heard nothing, and were glad that the tempest came not near them. The stars—those dial-points of heaven—now warned the adventurers to close their eyes on the blazing logs and open them in dreams to the glow of the Great Carbuncle.
As the cynic spoke, several people in the group were startled by a flash of red light that illuminated the massive shapes of the surrounding mountains and the rocky bed of the rushing river, glowing differently than their fire on the trunks and dark branches of the trees. They listened for the rumble of thunder but heard nothing, feeling relieved that the storm didn’t approach them. The stars—those markers of the sky—now urged the adventurers to close their eyes on the bright logs and open them in dreams to the shine of the Great Carbuncle.
The young married couple had taken their lodgings in the farthest corner of the wigwam, and were separated from the rest of the party by a curtain of curiously-woven twigs such as might have hung in deep festoons around the bridal-bower of Eve. The modest little wife had wrought this piece of tapestry while the other guests were talking. She and her husband fell asleep with hands tenderly clasped, and awoke from visions of unearthly radiance to meet the more blessed light of one another’s eyes. They awoke at the same instant and with one happy smile beaming over their two faces, which grew brighter with their consciousness of the reality of life and love. But no sooner did she recollect where they were than the bride peeped through the interstices of the leafy curtain and saw that the outer room of the hut was deserted.
The young married couple had settled into the furthest corner of the cabin, separated from the rest of the group by a curtain made of intricately woven twigs that might have adorned Eve's bridal bower. The modest little wife had crafted this tapestry while the other guests chatted. She and her husband fell asleep with their hands gently intertwined and woke from dreams of heavenly light to the even more blessed glow of each other’s eyes. They woke up at the same moment, sharing a happy smile that lit up their faces, which grew brighter as they embraced the joys of life and love. But as soon as she remembered where they were, the bride peeked through the gaps in the leafy curtain and noticed that the main room of the hut was empty.
“Up, dear Matthew!” cried she, in haste. “The strange folk are all gone. Up this very minute, or we shall lose the Great Carbuncle!”
“Get up, dear Matthew!” she urged, hurriedly. “The strange people are all gone. Get up right now, or we’ll miss the Great Carbuncle!”
In truth, so little did these poor young people deserve the mighty prize which had lured them thither that they had slept peacefully all night and till the summits of the hills were glittering with sunshine, while the other adventurers had tossed their limbs in feverish wakefulness or dreamed of climbing precipices, and set off to realize their dreams with the curliest peep of dawn. But Matthew and Hannah after their calm rest were as light as two young deer, and merely stopped to say their prayers and wash themselves in a cold pool of the Amonoosuck, and then to taste a morsel of food ere they turned their faces to the mountain-side. It was a sweet emblem of conjugal affection as they toiled up the difficult ascent gathering strength from the mutual aid which they afforded.
Honestly, these poor young people didn’t deserve the huge prize that had brought them here. They had slept peacefully all night until the hills were shining in the sunlight, while the other adventurers had tossed and turned in restless wakefulness or dreamed of climbing cliffs, setting out to chase their dreams at the first light of dawn. But Matthew and Hannah, after their restful night, were as light as two young deer. They simply paused to say their prayers and wash up in a cold pool of the Amonoosuck, then grabbed a bite to eat before they turned towards the mountainside. It was a beautiful symbol of their love as they climbed the challenging slope, drawing strength from the help they gave each other.
After several little accidents, such as a torn robe, a lost shoe and the entanglement of Hannah’s hair in a bough, they reached the upper verge of the forest and were now to pursue a more adventurous course. The innumerable trunks and heavy foliage of the trees had hitherto shut in their thoughts, which now shrank affrighted from the region of wind and cloud and naked rocks and desolate sunshine that rose immeasurably above them. They gazed back at the obscure wilderness which they had traversed, and longed to be buried again in its depths rather than trust themselves to so vast and visible a solitude.
After several little mishaps, like a torn robe, a lost shoe, and Hannah getting her hair caught in a branch, they reached the edge of the forest and were now ready to take a more adventurous path. The countless trunks and thick foliage of the trees had kept their thoughts contained, which now recoiled in fear from the area of wind, clouds, bare rocks, and stark sunlight rising endlessly above them. They looked back at the dark wilderness they had crossed and wished to be lost again in its depths rather than face such a vast and visible emptiness.
“Shall we go on?” said Matthew, throwing his arm round Hannah’s waist both to protect her and to comfort his heart by drawing her close to it.
“Should we continue?” Matthew said, putting his arm around Hannah’s waist to both protect her and soothe his own heart by pulling her close.
But the little bride, simple as she was, had a woman’s love of jewels, and could not forego the hope of possessing the very brightest in the world, in spite of the perils with which it must be won.
But the little bride, as innocent as she was, had a woman’s love for jewels and couldn’t let go of the hope of having the brightest one in the world, despite the dangers involved in getting it.
“Let us climb a little higher,” whispered she, yet tremulously, as she turned her face upward to the lonely sky.
“Let’s climb a little higher,” she whispered, though nervously, as she looked up at the empty sky.
“Come, then,” said Matthew, mustering his manly courage and drawing her along with him; for she became timid again the moment that he grew bold.
“Come on, then,” said Matthew, gathering his courage and pulling her along with him; she got shy again as soon as he became brave.
And upward, accordingly, went the pilgrims of the Great Carbuncle, now treading upon the tops and thickly-interwoven branches of dwarf pines which by the growth of centuries, though mossy with age, had barely reached three feet in altitude. Next they came to masses and fragments of naked rock heaped confusedly together like a cairn reared by giants in memory of a giant chief. In this bleak realm of upper air nothing breathed, nothing grew; there was no life but what was concentred in their two hearts; they had climbed so high that Nature herself seemed no longer to keep them company. She lingered beneath them within the verge of the forest-trees, and sent a farewell glance after her children as they strayed where her own green footprints had never been. But soon they were to be hidden from her eye. Densely and dark the mists began to gather below, casting black spots of shadow on the vast landscape and sailing heavily to one centre, as if the loftiest mountain-peak had summoned a council of its kindred clouds. Finally the vapors welded themselves, as it were, into a mass, presenting the appearance of a pavement over which the wanderers might have trodden, but where they would vainly have sought an avenue to the blessed earth which they had lost. And the lovers yearned to behold that green earth again—more intensely, alas! than beneath a clouded sky they had ever desired a glimpse of heaven. They even felt it a relief to their desolation when the mists, creeping gradually up the mountain, concealed its lonely peak, and thus annihilated—at least, for them—the whole region of visible space. But they drew closer together with a fond and melancholy gaze, dreading lest the universal cloud should snatch them from each other’s sight. Still, perhaps, they would have been resolute to climb as far and as high between earth and heaven as they could find foothold if Hannah’s strength had not begun to fail, and with that her courage also. Her breath grew short. She refused to burden her husband with her weight, but often tottered against his side, and recovered herself each time by a feebler effort. At last she sank down on one of the rocky steps of the acclivity.
And up they went, the pilgrims of the Great Carbuncle, walking on the tops and thick branches of dwarf pines that, after centuries of growth, had barely reached three feet high, despite their mossy age. Next, they encountered piles and fragments of bare rock jumbled together like a cairn built by giants in memory of a giant chief. In this harsh upper air, nothing breathed, nothing grew; the only life was in their two hearts; they had climbed so high that Nature herself seemed to have abandoned them. She lingered below, within the edges of the forest trees, sending a farewell glance after her children as they wandered where her own green footprints had never touched. But soon, they would be hidden from her view. The mists began to gather below them, thick and dark, casting black patches of shadow across the vast landscape and swirling heavily towards one center, as if the highest mountain peak had called a meeting of its fellow clouds. Eventually, the vapors merged into a mass that looked like a pavement, over which the wanderers might have walked, but where they would have searched in vain for a way back to the blessed earth they had lost. And the lovers longed to see that green earth again—more intensely, unfortunately, than they had ever desired a glimpse of heaven beneath a cloudy sky. They even felt a sense of relief from their sorrow when the mists slowly climbed up the mountain, hiding its lonely peak, thus erasing—their viewpoint, at least—the entire visible region. But they drew closer together, exchanging a fond and sad gaze, fearing that the all-encompassing cloud might take them from each other’s sight. Still, they might have been determined to climb as far and as high between earth and heaven as possible if Hannah's strength hadn't begun to fail, taking her courage with it. Her breath became shallow. She refused to weigh down her husband, yet often stumbled against his side, recovering each time with a weaker effort. Finally, she collapsed onto one of the rocky steps of the incline.
“We are lost, dear Matthew,” said she, mournfully; “we shall never find our way to the earth again. And oh how happy we might have been in our cottage!”
“We’re lost, dear Matthew,” she said sadly; “we’ll never find our way back to the earth again. And oh, how happy we could have been in our cottage!”
“Dear heart, we will yet be happy there,” answered Matthew. “Look! In this direction the sunshine penetrates the dismal mist; by its aid I can direct our course to the passage of the Notch. Let us go back, love, and dream no more of the Great Carbuncle.”
“Dear heart, we will still be happy there,” Matthew replied. “Look! The sunshine breaks through the gloomy mist over here; with its help, I can guide us to the passage of the Notch. Let’s go back, love, and stop dreaming about the Great Carbuncle.”
“The sun cannot be yonder,” said Hannah, with despondence. “By this time it must be noon; if there could ever be any sunshine here, it would come from above our heads.”
“The sun can’t be over there,” Hannah said, feeling down. “By now it has to be noon; if there was ever any sunshine around here, it would be right above us.”
“But look!” repeated Matthew, in a somewhat altered tone. “It is brightening every moment. If not sunshine, what can it be?”
“But look!” Matthew said again, his tone slightly different. “It’s getting brighter every moment. If it’s not sunshine, then what could it be?”
Nor could the young bride any longer deny that a radiance was breaking through the mist and changing its dim hue to a dusky red, which continually grew more vivid, as if brilliant particles were interfused with the gloom. Now, also, the cloud began to roll away from the mountain, while, as it heavily withdrew, one object after another started out of its impenetrable obscurity into sight with precisely the effect of a new creation before the indistinctness of the old chaos had been completely swallowed up. As the process went on they saw the gleaming of water close at their feet, and found themselves on the very border of a mountain-lake, deep, bright, clear and calmly beautiful, spreading from brim to brim of a basin that had been scooped out of the solid rock. A ray of glory flashed across its surface. The pilgrims looked whence it should proceed, but closed their eyes, with a thrill of awful admiration, to exclude the fervid splendor that glowed from the brow of a cliff impending over the enchanted lake.
The young bride could no longer deny that a light was breaking through the mist, transforming its dim hue into a dusky red that continually became more vivid, as if bright particles were mixed in with the darkness. Also, the clouds began to roll away from the mountain, and as they slowly retreated, one object after another emerged from the thick obscurity, appearing like a new creation before the old chaos had been completely consumed. As this unfolded, they saw the glimmering water right at their feet and realized they were standing on the edge of a mountain lake—deep, bright, clear, and peacefully beautiful—spanning from one edge to the other of a basin carved out of solid rock. A ray of light flashed across its surface. The pilgrims looked to see where it came from, but closed their eyes in a thrill of awe to shield themselves from the intense brilliance glowing from the top of a cliff towering over the enchanted lake.
For the simple pair had reached that lake of mystery and found the long-sought shrine of the Great Carbuncle. They threw their arms around each other and trembled at their own success, for as the legends of this wondrous gem rushed thick upon their memory they felt themselves marked out by fate, and the consciousness was fearful. Often from childhood upward they had seen it shining like a distant star, and now that star was throwing its intensest lustre on their hearts. They seemed changed to one another’s eyes in the red brilliancy that flamed upon their cheeks, while it lent the same fire to the lake, the rocks and sky, and to the mists which had rolled back before its power. But with their next glance they beheld an object that drew their attention even from the mighty stone. At the base of the cliff, directly beneath the Great Carbuncle, appeared the figure of a man with his arms extended in the act of climbing and his face turned upward as if to drink the full gush of splendor. But he stirred not, no more than if changed to marble.
For the simple pair had reached that mysterious lake and discovered the long-sought shrine of the Great Carbuncle. They embraced each other and trembled at their own success, as the legends of this amazing gem flooded back into their minds, making them feel chosen by fate, and that awareness was intimidating. Since childhood, they had seen it shining like a distant star, and now that star was casting its brightest light on their hearts. They seemed transformed in each other’s eyes by the red brilliance that blazed on their cheeks, which also ignited the same fire in the lake, the rocks, and the sky, as well as in the mists that had parted before its power. But with their next glance, they noticed something that captured their attention even more than the magnificent stone. At the base of the cliff, directly below the Great Carbuncle, was the figure of a man with his arms outstretched as if he were climbing, his face turned upward as if to fully absorb the rush of splendor. Yet he did not move, as still as if he had turned to marble.
“It is the Seeker,” whispered Hannah, convulsively grasping her husband’s arm. “Matthew, he is dead.”
“It’s the Seeker,” whispered Hannah, gripping her husband’s arm tightly. “Matthew, he’s dead.”
“The joy of success has killed him,” replied Matthew, trembling violently. “Or perhaps the very light of the Great Carbuncle was death.”
“The joy of success has killed him,” Matthew replied, shaking uncontrollably. “Or maybe the brilliance of the Great Carbuncle was deadly.”
“‘The Great Carbuncle’!” cried a peevish voice behind them. “The great humbug! If you have found it, prithee point it out to me.”
“‘The Great Carbuncle’!” yelled a whiny voice behind them. “The big fake! If you’ve found it, please show it to me.”
They turned their heads, and there was the cynic with his prodigious spectacles set carefully on his nose, staring now at the lake, now at the rocks, now at the distant masses of vapor, now right at the Great Carbuncle itself, yet seemingly as unconscious of its light as if all the scattered clouds were condensed about his person. Though its radiance actually threw the shadow of the unbeliever at his own feet as he turned his back upon the glorious jewel, he would not be convinced that there was the least glimmer there.
They turned their heads, and there was the cynic with his enormous glasses perched carefully on his nose, looking now at the lake, now at the rocks, now at the distant clouds, and then directly at the Great Carbuncle itself, yet completely unaware of its light as if all the scattered clouds were wrapped around him. Even though its glow actually cast the shadow of the nonbeliever at his own feet as he turned his back on the magnificent jewel, he refused to believe there was even a hint of light there.
“Where is your great humbug?” he repeated. “I challenge you to make me see it.”
“Where’s your big deception?” he repeated. “I dare you to show it to me.”
“There!” said Matthew, incensed at such perverse blindness, and turning the cynic round toward the illuminated cliff. “Take off those abominable spectacles, and you cannot help seeing it.”
“Look!” Matthew said, furious at such willful ignorance, as he turned the cynic to face the lit-up cliff. “Take off those awful glasses, and you can’t help but see it.”
Now, these colored spectacles probably darkened the cynic’s sight in at least as great a degree as the smoked glasses through which people gaze at an eclipse. With resolute bravado, however, he snatched them from his nose and fixed a bold stare full upon the ruddy blaze of the Great Carbuncle. But scarcely had he encountered it when, with a deep, shuddering groan, he dropped his head and pressed both hands across his miserable eyes. Thenceforth there was in very truth no light of the Great Carbuncle, nor any other light on earth, nor light of heaven itself, for the poor cynic. So long accustomed to view all objects through a medium that deprived them of every glimpse of brightness, a single flash of so glorious a phenomenon, striking upon his naked vision, had blinded him for ever.
Now, those colored glasses probably darkened the cynic’s vision just as much as the smoked lenses people use to look at an eclipse. With determined bravado, though, he ripped them off his face and fixed an intense stare directly at the bright glow of the Great Carbuncle. But as soon as he saw it, he let out a deep, shuddering groan, dropped his head, and pressed both hands over his miserable eyes. From then on, there was truly no light from the Great Carbuncle, nor any other light on earth or even from heaven itself for the poor cynic. So used to seeing everything through a lens that robbed them of all brightness, a single burst of such a glorious sight hitting his bare eyes had blinded him forever.
“Matthew,” said Hannah, clinging to him, “let us go hence.”
“Matthew,” Hannah said, holding onto him, “let’s get out of here.”
Matthew saw that she was faint, and, kneeling down, supported her in his arms while he threw some of the thrillingly-cold water of the enchanted lake upon her face and bosom. It revived her, but could not renovate her courage.
Matthew noticed that she was feeling weak, so he knelt down and held her in his arms while splashing some of the icy water from the enchanted lake onto her face and chest. It brought her back to her senses, but it couldn't restore her courage.
“Yes, dearest,” cried Matthew, pressing her tremulous form to his breast; “we will go hence and return to our humble cottage. The blessed sunshine and the quiet moonlight shall come through our window. We will kindle the cheerful glow of our hearth at eventide and be happy in its light. But never again will we desire more light than all the world may share with us.”
“Yes, my dear,” exclaimed Matthew, holding her trembling body close to him; “we’ll leave and head back to our cozy cottage. The beautiful sunshine and the peaceful moonlight will stream through our window. We’ll light the warm glow of our fire in the evening and find happiness in its light. But we will never again wish for more light than what the whole world can share with us.”
“No,” said his bride, “for how could we live by day or sleep by night in this awful blaze of the Great Carbuncle?”
“No,” said his bride, “because how could we live by day or sleep at night in this terrible glare of the Great Carbuncle?”
Out of the hollow of their hands they drank each a draught from the lake, which presented them its waters uncontaminated by an earthly lip. Then, lending their guidance to the blinded cynic, who uttered not a word, and even stifled his groans in his own most wretched heart, they began to descend the mountain. Yet as they left the shore, till then untrodden, of the spirit’s lake, they threw a farewell glance toward the cliff and beheld the vapors gathering in dense volumes, through which the gem burned duskily.
Out of the hollow of their hands, they each took a drink from the lake, which offered them its water untouched by human lips. Then, supporting the blind cynic, who said nothing and even suppressed his groans deep inside his miserable heart, they started to head down the mountain. However, as they left the previously untouched shore of the spirit’s lake, they cast a final glance at the cliff and saw the mist gathering in thick clouds, through which the gem glowed dimly.
As touching the other pilgrims of the Great Carbuncle, the legend goes on to tell that the worshipful Master Ichabod Pigsnort soon gave up the quest as a desperate speculation, and wisely resolved to betake himself again to his warehouse, near the town-dock, in Boston. But as he passed through the Notch of the mountains a war-party of Indians captured our unlucky merchant and carried him to Montreal, there holding him in bondage till by the payment of a heavy ransom he had woefully subtracted from his hoard of pine-tree shillings. By his long absence, moreover, his affairs had become so disordered that for the rest of his life, instead of wallowing in silver, he had seldom a sixpence-worth of copper. Doctor Cacaphodel, the alchemist, returned to his laboratory with a prodigious fragment of granite, which he ground to powder, dissolved in acids, melted in the crucible and burnt with the blowpipe, and published the result of his experiments in one of the heaviest folios of the day. And for all these purposes the gem itself could not have answered better than the granite. The poet, by a somewhat similar mistake, made prize of a great piece of ice which he found in a sunless chasm of the mountains, and swore that it corresponded in all points with his idea of the Great Carbuncle. The critics say that, if his poetry lacked the splendor of the gem, it retained all the coldness of the ice. The lord De Vere went back to his ancestral hall, where he contented himself with a wax-lighted chandelier, and filled in due course of time another coffin in the ancestral vault. As the funeral torches gleamed within that dark receptacle, there was no need of the Great Carbuncle to show the vanity of earthly pomp.
Regarding the other pilgrims of the Great Carbuncle, the story goes that the respected Master Ichabod Pigsnort soon abandoned the quest as a lost cause and wisely decided to return to his warehouse by the town dock in Boston. However, as he was traveling through the mountain pass, a group of Native Americans captured our unfortunate merchant and took him to Montreal, where he was held captive until he paid a hefty ransom that severely depleted his stash of pine-tree shillings. Due to his long absence, his affairs became so chaotic that for the rest of his life, instead of thriving in wealth, he barely had even a few cents to his name. Doctor Cacaphodel, the alchemist, went back to his lab with a massive chunk of granite, which he ground into powder, dissolved in acids, melted in a crucible, and burned with a blowpipe, publishing the results of his experiments in one of the heaviest folios of the time. Surprisingly, the granite served as well as the actual gem for all these experiments. The poet, in a somewhat similar mix-up, took a large piece of ice he found in a shadowy mountain crevice and insisted it matched perfectly with his vision of the Great Carbuncle. Critics argue that while his poetry may have lacked the brilliance of the gem, it certainly maintained all the coldness of the ice. Lord De Vere returned to his ancestral estate, where he settled for a wax-lit chandelier and eventually filled another coffin in the family vault. As the funeral torches flickered inside that dark resting place, the Great Carbuncle was unnecessary to highlight the futility of worldly grandeur.
The cynic, having cast aside his spectacles, wandered about the world a miserable object, and was punished with an agonizing desire of light for the wilful blindness of his former life. The whole night long he would lift his splendor-blasted orbs to the moon and stars; he turned his face eastward at sunrise as duly as a Persian idolater; he made a pilgrimage to Rome to witness the magnificent illumination of Saint Peter’s church, and finally perished in the Great Fire of London, into the midst of which he had thrust himself with the desperate idea of catching one feeble ray from the blaze that was kindling earth and heaven.
The cynic, having tossed aside his glasses, roamed the world as a pitiful figure, suffering from a painful longing for light due to the stubborn blindness of his past. All night long, he would raise his damaged eyes to the moon and stars; he turned his face eastward at sunrise like a devoted Persian worshiper; he made a pilgrimage to Rome to see the stunning lights of Saint Peter’s Basilica, and ultimately met his end in the Great Fire of London, throwing himself into the flames with the desperate hope of catching just one weak ray from the inferno that was igniting both earth and sky.
Matthew and his bride spent many peaceful years and were fond of telling the legend of the Great Carbuncle. The tale, however, toward the close of their lengthened lives, did not meet with the full credence that had been accorded to it by those who remembered the ancient lustre of the gem. For it is affirmed that from the hour when two mortals had shown themselves so simply wise as to reject a jewel which would have dimmed all earthly things its splendor waned. When our pilgrims reached the cliff, they found only an opaque stone with particles of mica glittering on its surface. There is also a tradition that as the youthful pair departed the gem was loosened from the forehead of the cliff and fell into the enchanted lake, and that at noontide the Seeker’s form may still be seen to bend over its quenchless gleam.
Matthew and his wife enjoyed many peaceful years together and loved to share the legend of the Great Carbuncle. However, as the years went by, their story was no longer fully believed by those who remembered the gem's ancient brilliance. It's said that from the moment two people showed such simple wisdom by turning down a jewel that would have overshadowed everything with its shine, its luster began to fade. When the travelers reached the cliff, they only found a dull stone with bits of mica sparkling on its surface. There’s also a tale that as the young couple left, the gem was dislodged from the cliff and fell into the enchanted lake, and that at noon, you can still see the Seeker leaning over its unquenchable glow.
Some few believe that this inestimable stone is blazing as of old, and say that they have caught its radiance, like a flash of summer lightning, far down the valley of the Saco. And be it owned that many a mile from the Crystal Hills I saw a wondrous light around their summits, and was lured by the faith of poesy to be the latest pilgrim of the Great Carbuncle.
Some people believe that this priceless stone is still shining as it once did, claiming they've seen its glow, like a flash of summer lightning, far down the Saco valley. I must admit that many miles away from the Crystal Hills, I saw an amazing light around their peaks, and was drawn by the allure of poetry to become the latest seeker of the Great Carbuncle.
THE PROPHETIC PICTURES[5]
“But this painter!” cried Walter Ludlow, with animation. “He not only excels in his peculiar art, but possesses vast acquirements in all other learning and science. He talks Hebrew with Dr. Mather and gives lectures in anatomy to Dr. Boylston. In a word, he will meet the best-instructed man among us on his own ground. Moreover, he is a polished gentleman, a citizen of the world—yes, a true cosmopolite; for he will speak like a native of each clime and country on the globe, except our own forests, whither he is now going. Nor is all this what I most admire in him.”
“But this painter!” exclaimed Walter Ludlow, excitedly. “He not only excels in his unique art, but he also has a wealth of knowledge in all kinds of other subjects and sciences. He speaks Hebrew with Dr. Mather and gives anatomy lectures to Dr. Boylston. In short, he can hold his own with the most educated people among us. Plus, he’s a refined gentleman, a true citizen of the world—yes, a real cosmopolite; because he can converse like a local from every region and country on the planet, except for our own forests, where he’s heading now. But that’s not even what I admire most about him.”
“Indeed!” said Elinor, who had listened with a women’s interest to the description of such a man. “Yet this is admirable enough.”
“Indeed!” said Elinor, who had listened with great interest to the description of such a man. “Yet this is impressive enough.”
“Surely it is,” replied her lover, “but far less so than his natural gift of adapting himself to every variety of character, insomuch that all men—and all women too, Elinor—shall find a mirror of themselves in this wonderful painter. But the greatest wonder is yet to be told.”
“Of course it is,” her partner replied, “but it’s much less impressive than his natural ability to adapt to every type of character, so that all men—and all women too, Elinor—will see a reflection of themselves in this amazing painter. But the biggest surprise is still to come.”
“Nay, if he have more wonderful attributes than these,” said Elinor, laughing, “Boston is a perilous abode for the poor gentleman. Are you telling me of a painter, or a wizard?”
“Nah, if he has more amazing qualities than these,” said Elinor, laughing, “Boston is a risky place for the poor guy. Are you talking about a painter or a wizard?”
“In truth,” answered he, “that question might be asked much more seriously than you suppose. They say that he paints not merely a man’s features, but his mind and heart. He catches the secret sentiments and passions and throws them upon the canvas like sunshine, or perhaps, in the portraits of dark-souled men, like a gleam of infernal fire. It is an awful gift,” added Walter, lowering his voice from its tone of enthusiasm. “I shall be almost afraid to sit to him.”
“In reality,” he replied, “that question could be taken a lot more seriously than you think. They say he doesn’t just capture a person's appearance, but also their mind and soul. He reveals the hidden emotions and passions and brings them to life on the canvas like sunlight, or maybe, in the portraits of darker characters, like a flash of hellfire. It’s a chilling talent,” Walter added, lowering his voice from its enthusiastic tone. “I’ll almost be scared to pose for him.”
“Walter, are you in earnest?” exclaimed Elinor.
“Walter, are you serious?” exclaimed Elinor.
“For Heaven’s sake, dearest Elinor, do not let him paint the look which you now wear,” said her lover, smiling, though rather perplexed. “There! it is passing away now; but when you spoke, you seemed frightened to death, and very sad besides. What were you thinking of?”
“For heaven’s sake, dear Elinor, don’t let him capture the expression you’re wearing right now,” her lover said with a smile, though he looked a bit confused. “There! It’s fading now; but when you spoke, you looked terrified and pretty sad too. What were you thinking about?”
“Nothing, nothing!” answered Elinor, hastily. “You paint my face with your own fantasies. Well, come for me tomorrow, and we will visit this wonderful artist.”
“Nothing, nothing!” Elinor replied quickly. “You’re projecting your own fantasies onto me. Well, come see me tomorrow, and we’ll check out this amazing artist.”
But when the young man had departed, it cannot be denied that a remarkable expression was again visible on the fair and youthful face of his mistress. It was a sad and anxious look, little in accordance with what should have been the feelings of a maiden on the eve of wedlock. Yet Walter Ludlow was the chosen of her heart.
But when the young man left, it’s undeniable that a striking expression returned to the beautiful and youthful face of his mistress. It was a sad and worried look, not at all in line with what a bride-to-be should feel. Yet Walter Ludlow was the one she loved.
“A look!” said Elinor to herself. “No wonder that it startled him if it expressed what I sometimes feel. I know by my own experience how frightful a look may be. But it was all fancy. I thought nothing of it at the time; I have seen nothing of it since; I did but dream it;” and she busied herself about the embroidery of a ruff in which she meant that her portrait should be taken.
“A look!” Elinor said to herself. “No wonder it startled him if it showed what I sometimes feel. From my own experience, I know how terrifying a look can be. But it was all in my head. I didn’t think anything of it at the time; I haven’t noticed anything since; I just dreamt it;” and she focused on the embroidery of a ruff for her portrait.
The painter of whom they had been speaking was not one of those native artists who at a later period than this borrowed their colors from the Indians and manufactured their pencils of the furs of wild beasts. Perhaps, if he could have revoked his life and prearranged his destiny, he might have chosen to belong to that school without a master in the hope of being at least original, since there were no works of art to imitate nor rules to follow. But he had been born and educated in Europe. People said that he had studied the grandeur or beauty of conception and every touch of the master-hand in all the most famous pictures in cabinets and galleries and on the walls of churches till there was nothing more for his powerful mind to learn. Art could add nothing to its lessons, but Nature might. He had, therefore, visited a world whither none of his professional brethren had preceded him, to feast his eyes on visible images that were noble and picturesque, yet had never been transferred to canvas. America was too poor to afford other temptations to an artist of eminence, though many of the colonial gentry on the painter’s arrival had expressed a wish to transmit their lineaments to posterity by moans of his skill. Whenever such proposals were made, he fixed his piercing eyes on the applicant and seemed to look him through and through. If he beheld only a sleek and comfortable visage, though there were a gold-laced coat to adorn the picture and golden guineas to pay for it, he civilly rejected the task and the reward; but if the face were the index of anything uncommon in thought, sentiment or experience, or if he met a beggar in the street with a white beard and a furrowed brow, or if sometimes a child happened to look up and smile, he would exhaust all the art on them that he denied to wealth.
The painter they were discussing wasn’t one of those local artists who, later on, borrowed their colors from the Indigenous people and made their brushes from animal furs. Maybe, if he could have changed his life and planned his fate, he would have chosen to belong to that masterless school, hoping to be original since there were no artworks to copy or rules to follow. But he had been born and educated in Europe. People said he had studied the brilliance and beauty of conception and every detail of the master’s hand in all the most famous paintings in museums and galleries and on church walls until there was nothing more for his brilliant mind to learn. Art had nothing more to teach him, but Nature might. So, he traveled to a world where none of his fellow artists had gone before to feast his eyes on inspiring and picturesque sights that had never been painted. America was too barren to offer other attractions to a distinguished artist, though many of the colonial elites, upon his arrival, had expressed a desire to immortalize their likenesses through his talent. Whenever such requests were made, he would fix his piercing gaze on the person asking, seemingly looking straight through them. If he saw only a smooth and comfortable face, even if it was dressed in a gold-laced coat and offered gold coins for payment, he would politely decline the job and the money. But if the face showed something extraordinary in thought, feeling, or experience, or if he encountered a beggar in the street with a white beard and a weathered brow, or sometimes a child happened to smile up at him, he would pour all his artistic skill into them that he denied to wealth.
Pictorial skill being so rare in the colonies, the painter became an object of general curiosity. If few or none could appreciate the technical merit of his productions, yet there were points in regard to which the opinion of the crowd was as valuable as the refined judgment of the amateur. He watched the effect that each picture produced on such untutored beholders, and derived profit from their remarks, while they would as soon have thought of instructing Nature herself as him who seemed to rival her. Their admiration, it must be owned, was tinctured with the prejudices of the age and country. Some deemed it an offence against the Mosaic law, and even a presumptuous mockery of the Creator, to bring into existence such lively images of his creatures. Others, frightened at the art which could raise phantoms at will and keep the form of the dead among the living, were inclined to consider the painter as a magician, or perhaps the famous Black Man of old witch-times plotting mischief in a new guise. These foolish fancies were more than half believed among the mob. Even in superior circles his character was invested with a vague awe, partly rising like smoke-wreaths from the popular superstitions, but chiefly caused by the varied knowledge and talents which he made subservient to his profession.
Pictorial skill was so rare in the colonies that the painter became a source of general curiosity. While very few could appreciate the technical quality of his work, there were aspects where the opinions of the crowd were just as valuable as the refined judgments of experts. He observed the reactions each painting elicited from these untrained viewers and gained insights from their comments, while they would just as soon have thought about instructing Nature herself as they would have about directing him, who seemed to rival her. Their admiration, it must be said, was colored by the prejudices of their time and place. Some considered it a violation of the Mosaic law and an arrogant mockery of the Creator to create such vivid images of his creatures. Others, alarmed by an art that could conjure phantoms at will and keep the forms of the dead among the living, tended to view the painter as a magician or perhaps as the infamous Black Man from old witch tales plotting mischief in a new form. These silly notions were more than half believed by the crowd. Even in upper-class circles, his character was wrapped in a vague sense of fear, partly arising from the popular superstitions but primarily due to the varied knowledge and skills he employed in his work.
Being on the eve of marriage, Walter Ludlow and Elinor were eager to obtain their portraits as the first of what, they doubtless hoped, would be a long series of family pictures. The day after the conversation above recorded they visited the painter’s rooms. A servant ushered them into an apartment where, though the artist himself was not visible, there were personages whom they could hardly forbear greeting with reverence. They knew, indeed, that the whole assembly were but pictures, yet felt it impossible to separate the idea of life and intellect from such striking counterfeits. Several of the portraits were known to them either as distinguished characters of the day or their private acquaintances. There was Governor Burnett, looking as if he had just received an undutiful communication from the House of Representatives and were inditing a most sharp response. Mr. Cooke hung beside the ruler whom he opposed, sturdy and somewhat puritanical, as befitted a popular leader. The ancient lady of Sir William Phipps eyed them from the wall in ruff and farthingale, an imperious old dame not unsuspected of witchcraft. John Winslow, then a very young man, wore the expression of warlike enterprise which long afterward made him a distinguished general. Their personal friends were recognized at a glance. In most of the pictures the whole mind and character were brought out on the countenance and concentrated into a single look; so that, to speak paradoxically, the originals hardly resembled themselves so strikingly as the portraits did.
On the brink of their wedding, Walter Ludlow and Elinor were excited to get their portraits done as the first in what they hoped would be a long line of family pictures. The day after their earlier conversation, they visited the painter's studio. A servant led them into a room where, although the artist himself wasn’t there, they found figures they could hardly help but greet with respect. They knew that all the figures were just paintings, yet it felt impossible to separate the idea of life and intellect from such striking representations. Several of the portraits were familiar to them, either as notable personalities of the time or as personal acquaintances. There was Governor Burnett, looking as if he had just received a disrespectful message from the House of Representatives and was writing a sharp response. Mr. Cooke hung next to the ruler he opposed, looking sturdy and somewhat puritanical, as was fitting for a popular leader. The elderly lady of Sir William Phipps glared down at them from the wall in ruff and farthingale, an imposing old dame rumored to be involved in witchcraft. John Winslow, then a very young man, wore the expression of a warrior ready for action, which later made him a distinguished general. They recognized their personal friends instantly. In most of the portraits, the entire mind and character were vividly captured in the face and focused into a single look; so that, paradoxically, the originals hardly resembled themselves as much as the portraits did.
Among these modern worthies there were two old bearded saints who had almost vanished into the darkening canvas. There was also a pale but unfaded Madonna who had perhaps been worshipped in Rome, and now regarded the lovers with such a mild and holy look that they longed to worship too.
Among these contemporary figures, there were two old, bearded saints who had almost faded into the darkening background. There was also a pale but still vibrant Madonna who may have been worshipped in Rome and now looked at the lovers with such a gentle and sacred expression that they felt a desire to worship as well.
“How singular a thought,” observed Walter Ludlow, “that this beautiful face has been beautiful for above two hundred years! Oh, if all beauty would endure so well! Do you not envy her, Elinor?”
“How unique an idea,” Walter Ludlow remarked, “that this beautiful face has remained beautiful for over two hundred years! Oh, if only all beauty could last so long! Don’t you envy her, Elinor?”
“If earth were heaven, I might,” she replied. “But, where all things fade, how miserable to be the one that could not fade!”
“If the earth were like heaven, I might,” she replied. “But, in a place where everything fades, how sad to be the one who can't fade!”
“This dark old St. Peter has a fierce and ugly scowl, saint though he be,” continued Walter; “he troubles me. But the Virgin looks kindly at us.”
“This dark old St. Peter has a fierce and ugly scowl, saint though he may be,” continued Walter; “he bothers me. But the Virgin looks kindly at us.”
“Yes, but very sorrowfully, methinks,” said Elinor.
“Yes, but I think very sadly,” said Elinor.
The easel stood beneath these three old pictures, sustaining one that had been recently commenced. After a little inspection they began to recognize the features of their own minister, the Rev. Dr. Colman, growing into shape and life, as it were, out of a cloud.
The easel stood under these three old pictures, holding one that had just been started. After a bit of looking, they began to recognize the features of their own minister, the Rev. Dr. Colman, taking shape and coming to life, as if emerging from a cloud.
“Kind old man!” exclaimed Elinor. “He gazes at me as if he were about to utter a word of paternal advice.”
“Kind old man!” Elinor exclaimed. “He looks at me like he’s about to give me some fatherly advice.”
“And at me,” said Walter, “as if he were about to shake his head and rebuke me for some suspected iniquity. But so does the original. I shall never feel quite comfortable under his eye till we stand before him to be married.”
“And at me,” said Walter, “like he was about to shake his head and scold me for some imagined wrongdoing. But that's just how it is. I’ll never feel completely at ease under his gaze until we stand before him to get married.”
They now heard a footstep on the floor, and, turning, beheld the painter, who had been some moments in the room and had listened to a few of their remarks. He was a middle-aged man with a countenance well worthy of his own pencil. Indeed, by the picturesque though careless arrangement of his rich dress, and perhaps because his soul dwelt always among painted shapes, he looked somewhat like a portrait himself. His visitors were sensible of a kindred between the artist and his works, and felt as if one of the pictures had stepped from the canvas to salute them.
They heard a footstep on the floor and turned to see the painter, who had been in the room for a few moments and had listened to some of their conversation. He was a middle-aged man with a face that was just as captivating as his own creations. In fact, with the artistic yet casual way he wore his elegant clothes, and maybe because his mind was constantly surrounded by painted images, he resembled a living portrait. His visitors sensed a connection between the artist and his works, feeling as if one of the paintings had come to life to greet them.
Walter Ludlow, who was slightly known to the painter, explained the object of their visit. While he spoke a sunbeam was falling athwart his figure and Elinor’s with so happy an effect that they also seemed living pictures of youth and beauty gladdened by bright fortune. The artist was evidently struck.
Walter Ludlow, who was somewhat familiar to the painter, explained the purpose of their visit. As he spoke, a sunbeam fell across his figure and Elinor’s, creating such a joyful effect that they appeared to be living images of youth and beauty, illuminated by good fortune. The artist was clearly impressed.
“My easel is occupied for several ensuing days, and my stay in Boston must be brief,” said he, thoughtfully; then, after an observant glance, he added, “But your wishes shall be gratified though I disappoint the chief-justice and Madame Oliver. I must not lose this opportunity for the sake of painting a few ells of broadcloth and brocade.”
“My easel is taken up for the next few days, and I can't stay in Boston for long,” he said thoughtfully. Then, after a careful look around, he added, “But I’ll make sure your wishes are fulfilled, even if it means letting down the chief justice and Madame Oliver. I can’t pass up this chance just to paint some yards of fine fabric and fancy cloth.”
The painter expressed a desire to introduce both their portraits into one picture and represent them engaged in some appropriate action. This plan would have delighted the lovers, but was necessarily rejected because so large a space of canvas would have been unfit for the room which it was intended to decorate. Two half-length portraits were therefore fixed upon. After they had taken leave, Walter Ludlow asked Elinor, with a smile, whether she knew what an influence over their fates the painter was about to acquire.
The painter wanted to combine both their portraits into one picture and show them doing something meaningful. This idea would have thrilled the couple, but it had to be turned down because such a large canvas wouldn’t fit in the room it was meant for. So, they decided on two half-length portraits instead. After they said their goodbyes, Walter Ludlow asked Elinor with a smile if she realized how much power the painter was about to have over their lives.
“The old women of Boston affirm,” continued he, “that after he has once got possession of a person’s face and figure he may paint him in any act or situation whatever, and the picture will be prophetic. Do you believe it?”
“The old women of Boston say,” he continued, “that once he has captured someone's face and figure, he can depict them in any act or situation, and the painting will come true. Do you believe that?”
“Not quite,” said Elinor, smiling. “Yet if he has such magic, there is something so gentle in his manner that I am sure he will use it well.”
“Not exactly,” said Elinor, smiling. “But if he has that kind of magic, there's something so kind in the way he carries himself that I’m sure he’ll use it wisely.”
It was the painter’s choice to proceed with both the portraits at the same time, assigning as a reason, in the mystical language which he sometimes used, that the faces threw light upon each other. Accordingly, he gave now a touch to Walter and now to Elinor, and the features of one and the other began to start forth so vividly that it appeared as if his triumphant art would actually disengage them from the canvas. Amid the rich light and deep shade they beheld their phantom selves, but, though the likeness promised to be perfect, they were not quite satisfied with the expression: it seemed more vague than in most of the painter’s works. He, however, was satisfied with the prospect of success, and, being much interested in the lovers, employed his leisure moments, unknown to them, in making a crayon sketch of their two figures. During their sittings he engaged them in conversation and kindled up their faces with characteristic traits, which, though continually varying, it was his purpose to combine and fix. At length he announced that at their next visit both the portraits would be ready for delivery.
It was the painter’s decision to work on both portraits at the same time, claiming, in his sometimes mysterious way, that the faces illuminated one another. So, he would add details to Walter and then to Elinor, making the features of both become so vivid that it seemed his skilled art would actually pull them off the canvas. Amid the rich light and deep shadows, they saw their ghostly selves, but even though the likeness looked like it would be flawless, they weren’t completely happy with the expression: it felt more unclear than in most of the painter’s works. However, he was confident about achieving success and, being very interested in the couple, spent his free moments, without them knowing, sketching their two figures with a crayon. During their sittings, he talked to them and brought their faces to life with distinctive traits, which, despite changing all the time, he aimed to combine and capture. Finally, he announced that at their next visit, both portraits would be ready for them.
“If my pencil will but be true to my conception in the few last touches which I meditate,” observed he, “these two pictures will be my very best performances. Seldom indeed has an artist such subjects.” While speaking he still bent his penetrative eye upon them, nor withdrew it till they had reached the bottom of the stairs.
“If my pencil can truly capture my vision in the final touches I’m planning,” he remarked, “these two paintings will be my best work yet. Rarely does an artist have such subjects.” As he spoke, he kept his intense gaze on them and didn’t look away until they reached the bottom of the stairs.
Nothing in the whole circle of human vanities takes stronger hold of the imagination than this affair of having a portrait painted. Yet why should it be so? The looking-glass, the polished globes of the andirons, the mirror-like water, and all other reflecting surfaces, continually present us with portraits—or, rather, ghosts—of ourselves which we glance at and straightway forget them. But we forget them only because they vanish. It is the idea of duration—of earthly immortality—that gives such a mysterious interest to our own portraits.
Nothing in the entire spectrum of human vanity captures the imagination quite like getting a portrait painted. But why is that? The mirror, the shiny globes of the andirons, the reflective water, and all other surfaces that reflect constantly show us images—or rather, shadows—of ourselves that we briefly notice and then forget. We forget them only because they fade away. It’s the idea of permanence—of earthly immortality—that adds such an intriguing allure to our own portraits.
Walter and Elinor were not insensible to this feeling, and hastened to the painter’s room punctually at the appointed hour to meet those pictured shapes which were to be their representatives with posterity. The sunshine flashed after them into the apartment, but left it somewhat gloomy as they closed the door. Their eyes were immediately attracted to their portraits, which rested against the farthest wall of the room. At the first glance through the dim light and the distance, seeing themselves in precisely their natural attitudes and with all the air that they recognized so well, they uttered a simultaneous exclamation of delight.
Walter and Elinor weren't immune to this feeling, and they quickly made their way to the painter’s studio right on time to meet the images that would represent them for future generations. The sunlight rushed in behind them as they entered, but left the room feeling a bit dark once they shut the door. Their eyes were immediately drawn to their portraits, leaning against the far wall of the room. At first glance, through the dim light and from a distance, seeing themselves in exactly their natural poses and with all the familiar traits they recognized so well, they both gasped in delight.
“There we stand,” cried Walter, enthusiastically, “fixed in sunshine for ever. No dark passions can gather on our faces.”
“There we stand,” Walter exclaimed excitedly, “forever bathed in sunshine. No dark feelings can overshadow our faces.”
“No,” said Elinor, more calmly; “no dreary change can sadden us.”
“No,” Elinor said more calmly, “no gloomy change can upset us.”
This was said while they were approaching and had yet gained only an imperfect view of the pictures. The painter, after saluting them, busied himself at a table in completing a crayon sketch, leaving his visitors to form their own judgment as to his perfected labors. At intervals he sent a glance from beneath his deep eyebrows, watching their countenances in profile with his pencil suspended over the sketch. They had now stood some moments, each in front of the other’s picture, contemplating it with entranced attention, but without uttering a word. At length Walter stepped forward, then back, viewing Elinor’s portrait in various lights, and finally spoke.
This was said as they approached and had only caught a partial view of the paintings. The artist, after greeting them, busied himself at a table finishing a crayon sketch, allowing his visitors to form their own opinions about his completed work. Occasionally, he glanced out from under his thick eyebrows, observing their faces in profile with his pencil hovering over the sketch. They had now been standing for a few moments, each in front of the other’s painting, gazing at it with focused attention but without saying a word. Finally, Walter took a step forward, then back, looking at Elinor’s portrait in different lights, and then he spoke.
“Is there not a change?” said he, in a doubtful and meditative tone. “Yes; the perception of it grows more vivid the longer I look. It is certainly the same picture that I saw yesterday; the dress, the features, all are the same, and yet something is altered.”
“Is there a change?” he said, in a questioning and thoughtful tone. “Yeah; the way I see it gets clearer the longer I look. It’s definitely the same picture I saw yesterday; the dress, the features, everything is the same, and yet something has changed.”
“Is, then, the picture less like than it was yesterday?” inquired the painter, now drawing near with irrepressible interest.
“Is the picture less similar than it was yesterday?” the painter asked, now approaching with intense curiosity.
“The features are perfect Elinor,” answered Walter, “and at the first glance the expression seemed also hers; but I could fancy that the portrait has changed countenance while I have been looking at it. The eyes are fixed on mine with a strangely sad and anxious expression. Nay, it is grief and terror. Is this like Elinor?”
“The features are perfect, Elinor,” Walter replied, “and at first glance the expression seemed to be hers too; but I think the portrait has changed its look while I’ve been staring at it. The eyes are locked onto mine with a strangely sad and anxious expression. No, it’s grief and fear. Is this like Elinor?”
“Compare the living face with the pictured one,” said the painter.
“Compare the live face with the one in the picture,” said the painter.
Walter glanced sidelong at his mistress, and started. Motionless and absorbed, fascinated, as it were, in contemplation of Walter’s portrait, Elinor’s face had assumed precisely the expression of which he had just been complaining. Had she practised for whole hours before a mirror, she could not have caught the look so successfully. Had the picture itself been a mirror, it could not have thrown back her present aspect with stronger and more melancholy truth. She appeared quite unconscious of the dialogue between the artist and her lover.
Walter glanced sideways at his mistress and jumped. Motionless and absorbed, as if she were captivated by Walter’s portrait, Elinor’s face reflected exactly the expression he had just been complaining about. If she had practiced for hours in front of a mirror, she couldn't have captured the look more successfully. If the picture itself had been a mirror, it couldn't have reflected her current appearance with stronger and more melancholy accuracy. She seemed completely unaware of the conversation between the artist and her lover.
“Elinor,” exclaimed Walter, in amazement, “what change has come over you?”
“Elinor,” Walter exclaimed, amazed, “what's happened to you?”
She did not hear him nor desist from her fixed gaze till he seized her hand, and thus attracted her notice; then with a sudden tremor she looked from the picture to the face of the original.
She didn’t hear him and didn’t stop her intense stare until he grabbed her hand, pulling her attention. Then, with a sudden jolt, she shifted her gaze from the picture to the face of the person.
“Do you see no change in your portrait?” asked she.
“Don't you see any change in your portrait?” she asked.
“In mine? None,” replied Walter, examining it. “But let me see. Yes; there is a slight change—an improvement, I think, in the picture, though none in the likeness. It has a livelier expression than yesterday, as if some bright thought were flashing from the eyes and about to be uttered from the lips. Now that I have caught the look, it becomes very decided.”
“In mine? None,” replied Walter, looking it over. “But let me see. Yes; there’s a small change—an improvement, I think, in the picture, though nothing in the likeness. It has a more lively expression than yesterday, as if some bright thought is flashing from the eyes and about to be spoken from the lips. Now that I’ve captured the look, it becomes very clear.”
While he was intent on these observations Elinor turned to the painter. She regarded him with grief and awe, and felt that he repaid her with sympathy and commiseration, though wherefore she could but vaguely guess.
While he was focused on these observations, Elinor turned to the painter. She looked at him with sadness and admiration, feeling that he responded with sympathy and understanding, though she could only guess at the reason.
“That look!” whispered she, and shuddered. “How came it there?”
“That look!” she whispered, shuddering. “How did it get there?”
“Madam,” said the painter, sadly, taking her hand and leading her apart, “in both these pictures I have painted what I saw. The artist—the true artist—must look beneath the exterior. It is his gift—his proudest, but often a melancholy one—to see the inmost soul, and by a power indefinable even to himself to make it glow or darken upon the canvas in glances that express the thought and sentiment of years. Would that I might convince myself of error in the present instance!”
“Madam,” said the painter, sadly, taking her hand and stepping aside with her, “in both of these paintings, I've captured what I truly saw. An artist—the real artist—has to look beyond the surface. It’s his talent—his greatest, yet often a sorrowful one—to see the deepest soul, and with a power that even he can’t fully explain, to make it shine or darken on the canvas in expressions that convey the thoughts and feelings of a lifetime. I wish I could convince myself that I'm wrong in this case!”
They had now approached the table, on which were heads in chalk, hands almost as expressive as ordinary faces, ivied church-towers, thatched cottages, old thunder-stricken trees, Oriental and antique costume, and all such picturesque vagaries of an artist’s idle moments. Turning them over with seeming carelessness, a crayon sketch of two figures was disclosed.
They had now reached the table, where chalk drawings of heads, hands that were almost as expressive as real faces, ivy-covered church towers, thatched cottages, old trees struck by lightning, and all sorts of vintage and exotic costumes showed the whimsical creativity of an artist's free time. As they casually flipped through the drawings, a crayon sketch of two figures was revealed.
“If I have failed,” continued he—“if your heart does not see itself reflected in your own portrait, if you have no secret cause to trust my delineation of the other—it is not yet too late to alter them. I might change the action of these figures too. But would it influence the event?” He directed her notice to the sketch.
“If I’ve failed,” he continued, “if you don’t see your heart reflected in your own portrait, if you have no secret reason to trust how I’ve portrayed the other—it’s not too late to change them. I could adjust the actions of these figures too. But would it change the outcome?” He pointed her attention to the sketch.
A thrill ran through Elinor’s frame; a shriek was upon her lips, but she stifled it with the self-command that becomes habitual to all who hide thoughts of fear and anguish within their bosoms. Turning from the table, she perceived that Walter had advanced near enough to have seen the sketch, though she could not determine whether it had caught his eye.
A rush of excitement coursed through Elinor; a scream was on her lips, but she held it back with the self-control that becomes second nature to those who conceal feelings of fear and distress inside. Turning away from the table, she noticed that Walter had come close enough to see the sketch, though she couldn’t tell if it had actually caught his attention.
“We will not have the pictures altered,” said she, hastily. “If mine is sad, I shall but look the gayer for the contrast.”
“We're not going to change the pictures,” she said quickly. “If mine looks sad, it'll just make me look happier by contrast.”
“Be it so,” answered the painter, bowing. “May your griefs be such fanciful ones that only your pictures may mourn for them! For your joys, may they be true and deep, and paint themselves upon this lovely face till it quite belie my art!”
"Sure thing," said the painter, bowing. "I hope your sorrows are so imaginative that only your artwork needs to cry for them! As for your joys, may they be real and profound, and reflect themselves on this beautiful face until it completely outshines my work!"
After the marriage of Walter and Elinor the pictures formed the two most splendid ornaments of their abode. They hung side by side, separated by a narrow panel, appearing to eye each other constantly, yet always returning the gaze of the spectator. Travelled gentlemen who professed a knowledge of such subjects reckoned these among the most admirable specimens of modern portraiture, while common observers compared them with the originals, feature by feature, and were rapturous in praise of the likeness. But it was on a third class—neither travelled connoisseurs nor common observers, but people of natural sensibility—that the pictures wrought their strongest effect. Such persons might gaze carelessly at first, but, becoming interested, would return day after day and study these painted faces like the pages of a mystic volume. Walter Ludlow’s portrait attracted their earliest notice. In the absence of himself and his bride they sometimes disputed as to the expression which the painter had intended to throw upon the features, all agreeing that there was a look of earnest import, though no two explained it alike. There was less diversity of opinion in regard to Elinor’s picture. They differed, indeed, in their attempts to estimate the nature and depth of the gloom that dwelt upon her face, but agreed that it was gloom and alien from the natural temperament of their youthful friend. A certain fanciful person announced as the result of much scrutiny that both these pictures were parts of one design, and that the melancholy strength of feeling in Elinor’s countenance bore reference to the more vivid emotion—or, as he termed it, the wild passion—in that of Walter. Though unskilled in the art, he even began a sketch in which the action of the two figures was to correspond with their mutual expression.
After Walter and Elinor got married, the paintings became the two most stunning decorations in their home. They hung side by side, separated by a narrow panel, seemingly gazing at each other while always returning the look of anyone who came to see them. Well-traveled gentlemen who claimed to know about art considered these to be some of the best examples of modern portraiture, while everyday observers compared them to the originals, detail by detail, and praised the resemblance. However, it was a third group—neither art experts nor casual viewers, but people with a natural sense of feeling—that felt the strongest impact from the paintings. These individuals might glance at them without much thought at first, but as they became intrigued, they would return day after day to study these painted faces like the pages of a mysterious book. Walter Ludlow's portrait caught their attention first. When he and Elinor were absent, they sometimes debated the expression the artist intended for his features, all agreeing there was a look of serious importance, though no two interpretations were exactly the same. There was less disagreement about Elinor's portrait. They did differ in trying to determine the nature and depth of the sadness on her face, but all agreed it was indeed sadness and unlike the usual cheerful disposition of their young friend. One imaginative person concluded after much observation that these paintings were part of a single design, suggesting that the melancholy intensity of Elinor’s expression was connected to the more intense emotion—or, as he put it, wild passion—in Walter's. Even though he had no artistic training, he began to make a sketch where the poses of the two figures would match their shared expression.
It was whispered among friends that day by day Elinor’s face was assuming a deeper shade of pensiveness which threatened soon to render her too true a counterpart of her melancholy picture. Walter, on the other hand, instead of acquiring the vivid look which the painter had given him on the canvas, became reserved and downcast, with no outward flashes of emotion, however it might be smouldering within. In course of time Elinor hung a gorgeous curtain of purple silk wrought with flowers and fringed with heavy golden tassels before the pictures, under pretence that the dust would tarnish their hues or the light dim them. It was enough. Her visitors felt that the massive folds of the silk must never be withdrawn nor the portraits mentioned in her presence.
It was whispered among friends that day by day Elinor’s face was taking on a deeper look of sadness that soon threatened to make her a true reflection of her gloomy painting. Walter, on the other hand, instead of gaining the bright look the artist had portrayed on the canvas, became distant and downhearted, showing no outward signs of emotion, even if it was simmering inside. Eventually, Elinor hung a beautiful curtain of purple silk decorated with flowers and fringed with heavy gold tassels in front of the paintings, pretending that the dust would dull their colors or the light would fade them. That was enough. Her guests felt that the heavy silk drapes should never be pulled back or the portraits mentioned in her presence.
Time wore on, and the painter came again. He had been far enough to the north to see the silver cascade of the Crystal Hills, and to look over the vast round of cloud and forest from the summit of New England’s loftiest mountain. But he did not profane that scene by the mockery of his art. He had also lain in a canoe on the bosom of Lake George, making his soul the mirror of its loveliness and grandeur till not a picture in the Vatican was more vivid than his recollection. He had gone with the Indian hunters to Niagara, and there, again, had flung his hopeless pencil down the precipice, feeling that he could as soon paint the roar as aught else that goes to make up the wondrous cataract. In truth, it was seldom his impulse to copy natural scenery except as a framework for the delineations of the human form and face, instinct with thought, passion or suffering. With store of such his adventurous ramble had enriched him. The stern dignity of Indian chiefs, the dusky loveliness of Indian girls, the domestic life of wigwams, the stealthy march, the battle beneath gloomy pine trees, the frontier fortress with its garrison, the anomaly of the old French partisan bred in courts, but grown gray in shaggy deserts,—such were the scenes and portraits that he had sketched. The glow of perilous moments, flashes of wild feeling, struggles of fierce power, love, hate, grief, frenzy—in a word, all the worn-out heart of the old earth—had been revealed to him under a new form. His portfolio was filled with graphic illustrations of the volume of his memory which genius would transmute into its own substance and imbue with immortality. He felt that the deep wisdom in his art which he had sought so far was found.
Time passed, and the painter returned. He had traveled far enough north to see the silver waterfalls of the Crystal Hills and to gaze over the vast expanse of clouds and forests from the top of New England’s highest mountain. But he didn’t tarnish that scene with his art. He also lay in a canoe on the calm waters of Lake George, absorbing its beauty and grandeur until no painting in the Vatican was more vivid than his memory. He had joined Indian hunters at Niagara, and there, once again, he had thrown his hopeless paintbrush down the cliff, feeling he could as easily paint the roar of the falls as anything else that contributed to the stunning cascade. In fact, he rarely felt the urge to replicate natural landscapes unless they served as a backdrop for portrayals of the human figure and face, filled with thought, passion, or suffering. His adventurous journey had greatly enriched him with such experiences. The stern dignity of Indian chiefs, the dusky beauty of Indian girls, the everyday life in wigwams, the stealthy marches, battles under dark pine trees, the frontier fort with its soldiers, the strange sight of an old French partisan raised in luxury yet aged in wild deserts—these were the scenes and portraits he had sketched. The intensity of dangerous moments, sparks of wild emotion, the struggle of raw power, love, hate, grief, madness—in short, all the worn-out heart of the old world—had been revealed to him in a new way. His portfolio was filled with vivid illustrations of his memories that genius would transform into its own essence and infuse with immortality. He felt he had finally discovered the deep wisdom in his art that he had been searching for.
But amid stern or lovely nature, in the perils of the forest or its overwhelming peacefulness, still there had been two phantoms, the companions of his way. Like all other men around whom an engrossing purpose wreathes itself, he was insulated from the mass of humankind. He had no aim, no pleasure, no sympathies, but what were ultimately connected with his art. Though gentle in manner and upright in intent and action, he did not possess kindly feelings; his heart was cold: no living creature could be brought near enough to keep him warm. For these two beings, however, he had felt in its greatest intensity the sort of interest which always allied him to the subjects of his pencil. He had pried into their souls with his keenest insight and pictured the result upon their features with his utmost skill, so as barely to fall short of that standard which no genius ever reached, his own severe conception. He had caught from the duskiness of the future—at least, so he fancied—a fearful secret, and had obscurely revealed it on the portraits. So much of himself—of his imagination and all other powers—had been lavished on the study of Walter and Elinor that he almost regarded them as creations of his own, like the thousands with which he had peopled the realms of Picture. Therefore did they flit through the twilight of the woods, hover on the mist of waterfalls, look forth from the mirror of the lake, nor melt away in the noontide sun. They haunted his pictorial fancy, not as mockeries of life nor pale goblins of the dead, but in the guise of portraits, each with an unalterable expression which his magic had evoked from the caverns of the soul. He could not recross the Atlantic till he had again beheld the originals of those airy pictures.
But amidst the harsh or beautiful nature, in the dangers of the forest or its overwhelming stillness, there had been two phantoms, the companions of his journey. Like everyone else who is wrapped up in a consuming purpose, he was isolated from the crowd of humanity. He had no goals, no pleasures, no sympathies, except those ultimately connected to his art. Though gentle in manner and righteous in intent and action, he did not have warm feelings; his heart was cold: no living creature could get close enough to keep him warm. For these two beings, however, he felt an intense interest that always tied him to the subjects of his drawings. He had delved into their souls with keen insight and captured the result on their faces with his utmost skill, nearly reaching that standard which no genius has ever achieved, his own strict conception. He had imagined that he had caught a terrifying secret from the darkness of the future, and had vaguely revealed it in the portraits. He had poured so much of himself—his imagination and all other abilities—into studying Walter and Elinor that he almost regarded them as creations of his own, like the thousands of figures he had filled the realms of Picture with. Therefore, they floated through the twilight of the woods, hovered in the mist of waterfalls, looked out from the mirror of the lake, and did not evaporate in the midday sun. They haunted his artistic imagination, not as mockeries of life or pale ghosts of the dead, but as portraits, each with an unchanging expression that his magic had evoked from the depths of the soul. He could not cross the Atlantic again until he had seen the originals of those ethereal pictures once more.
“O glorious Art!” Thus mused the enthusiastic painter as he trod the street. “Thou art the image of the Creator’s own. The innumerable forms that wander in nothingness start into being at thy beck. The dead live again; thou recallest them to their old scenes and givest their gray shadows the lustre of a better life, at once earthly and immortal. Thou snatchest back the fleeting moments of history. With thee there is no past, for at thy touch all that is great becomes for ever present, and illustrious men live through long ages in the visible performance of the very deeds which made them what they are. O potent Art! as thou bringest the faintly-revealed past to stand in that narrow strip of sunlight which we call ‘now,’ canst thou summon the shrouded future to meet her there? Have I not achieved it? Am I not thy prophet?”
“O glorious Art!” the enthusiastic painter mused as he walked down the street. “You are a reflection of the Creator. The countless forms that drift in nothingness come to life at your command. The dead live again; you bring them back to their old scenes and give their gray shadows the brilliance of a better life, both earthly and eternal. You capture the fleeting moments of history. With you, there is no past, for at your touch, all that is great becomes forever present, and remarkable people live on through ages in the actual performance of the very deeds that made them who they are. O powerful Art! as you bring the faintly-revealed past to stand in that narrow beam of sunlight we call ‘now,’ can you also call forth the hidden future to meet her there? Haven't I achieved it? Am I not your prophet?”
Thus with a proud yet melancholy fervor did he almost cry aloud as he passed through the toilsome street among people that knew not of his reveries nor could understand nor care for them. It is not good for man to cherish a solitary ambition. Unless there be those around him by whose example he may regulate himself, his thoughts, desires and hopes will become extravagant and he the semblance—perhaps the reality—of a madman. Reading other bosoms with an acuteness almost preternatural, the painter failed to see the disorder of his own.
So with a mix of pride and sadness, he nearly shouted as he walked down the difficult street surrounded by people who were unaware of his thoughts and didn’t understand or care about them. It's not healthy for a person to hold onto a solitary ambition. Unless there are others around him to guide him by their example, his thoughts, desires, and hopes can become excessive, making him seem—perhaps even truly become—a madman. Despite having an almost supernatural ability to read others' feelings, the painter failed to recognize the chaos within himself.
“And this should be the house,” said he, looking up and down the front before he knocked. “Heaven help my brains! That picture! Methinks it will never vanish. Whether I look at the windows or the door, there it is framed within them, painted strongly and glowing in the richest tints—the faces of the portraits, the figures and action of the sketch!”
“And this should be the house,” he said, looking up and down the front before he knocked. “God help my mind! That image! I don't think it's ever going to go away. No matter if I look at the windows or the door, there it is, framed by them, vividly painted in the richest colors—the faces in the portraits, the figures, and the action in the sketch!”
He knocked.
He knocked.
“The portraits—are they within?” inquired he of the domestic; then, recollecting himself, “Your master and mistress—are they at home?”
“The portraits—are they inside?” he asked the servant; then, remembering himself, “Are your master and mistress at home?”
“They are, sir,” said the servant, adding, as he noticed that picturesque aspect of which the painter could never divest himself, “and the portraits too.”
“They are, sir,” said the servant, adding, as he noticed that picturesque quality of which the painter could never shake off, “and the portraits too.”
The guest was admitted into a parlor communicating by a central door with an interior room of the same size. As the first apartment was empty, he passed to the entrance of the second, within which his eyes were greeted by those living personages, as well as their pictured representatives, who had long been the objects of so singular an interest. He involuntarily paused on the threshold.
The guest was let into a parlor that had a central door connecting it to an equally sized interior room. Since the first room was empty, he went to the entrance of the second, where he was met by both the real people and their portraits, who had been the focus of such unique interest for a long time. He found himself stopping involuntarily at the threshold.
They had not perceived his approach. Walter and Elinor were standing before the portraits, whence the former had just flung back the rich and voluminous folds of the silken curtain, holding its golden tassel with one hand, while the other grasped that of his bride. The pictures, concealed for months, gleamed forth again in undiminished splendor, appearing to throw a sombre light across the room rather than to be disclosed by a borrowed radiance. That of Elinor had been almost prophetic. A pensiveness, and next a gentle sorrow, had successively dwelt upon her countenance, deepening with the lapse of time into a quiet anguish. A mixture of affright would now have made it the very expression of the portrait. Walter’s face was moody and dull or animated only by fitful flashes which left a heavier darkness for their momentary illumination. He looked from Elinor to her portrait, and thence to his own, in the contemplation of which he finally stood absorbed.
They hadn’t noticed him coming. Walter and Elinor were standing in front of the paintings, where Walter had just pulled back the heavy, luxurious silken curtain, holding its golden tassel in one hand while gripping his bride’s hand with the other. The pictures, hidden for months, shone again with unchanged brilliance, casting a somber light over the room instead of being revealed by a borrowed glow. Elinor’s portrait seemed almost prophetic. A thoughtful expression, followed by a gentle sadness, had lingered on her face, deepening over time into a quiet anguish. A hint of fear would now have captured the true essence of the portrait. Walter’s face looked gloomy and dull, or only lit up briefly by flashes of emotion that left a heavier darkness in their wake. He looked from Elinor to her portrait, then to his own, becoming absorbed in the contemplation of it.
The painter seemed to hear the step of Destiny approaching behind him on its progress toward its victims. A strange thought darted into his mind. Was not his own the form in which that Destiny had embodied itself, and he a chief agent of the coming evil which he had foreshadowed?
The painter felt the step of Destiny closing in behind him as it moved toward its victims. A strange thought crossed his mind. Wasn't he the very embodiment of that Destiny, serving as a main agent of the evil he had predicted?
Still, Walter remained silent before the picture, communing with it as with his own heart and abandoning himself to the spell of evil influence that the painter had cast upon the features. Gradually his eyes kindled, while as Elinor watched the increasing wildness of his face her own assumed a look of terror; and when, at last, he turned upon her, the resemblance of both to their portraits was complete.
Still, Walter stayed silent in front of the painting, connecting with it like he would with his own heart and surrendering to the dark allure that the artist had infused into the image. Gradually, his eyes lit up, and as Elinor observed the growing wildness in his expression, her own face turned to one of fear; and when he finally looked at her, the similarity between both of them and their portraits was unmistakable.
“Our fate is upon us!” howled Walter. “Die!”
“Our fate is here!” Walter shouted. “Die!”
Drawing a knife, he sustained her as she was sinking to the ground, and aimed it at her bosom. In the action and in the look and attitude of each the painter beheld the figures of his sketch. The picture, with all its tremendous coloring, was finished.
Drawing a knife, he supported her as she was falling to the ground, aiming it at her chest. In their movements and expressions, the artist saw the figures of his sketch. The artwork, with all its intense colors, was complete.
“Hold, madman!” cried he, sternly.
“Wait, crazy person!” he shouted, sternly.
He had advanced from the door and interposed himself between the wretched beings with the same sense of power to regulate their destiny as to alter a scene upon the canvas. He stood like a magician controlling the phantoms which he had evoked.
He had moved away from the door and placed himself between the miserable individuals with the same sense of power to control their fate as to change a scene on a canvas. He stood like a magician commanding the illusions he had conjured.
“What!” muttered Walter Ludlow as he relapsed from fierce excitement into sullen gloom. “Does Fate impede its own decree?”
“What!” muttered Walter Ludlow as he shifted from intense excitement to a dark mood. “Does Fate block its own plan?”
“Wretched lady,” said the painter, “did I not warn you?”
“Wretched lady,” said the painter, “did I not warn you?”
“You did,” replied Elinor, calmly, as her terror gave place to the quiet grief which it had disturbed. “But I loved him.”
“You did,” Elinor responded calmly, as her fear faded into the quiet sadness that had been disrupted. “But I loved him.”
Is there not a deep moral in the tale? Could the result of one or all our deeds be shadowed forth and set before us, some would call it fate and hurry onward, others be swept along by their passionate desires, and none be turned aside by the prophetic pictures.
Is there not a deep moral in the story? If the outcome of any one of our actions could be shown to us, some would call it fate and rush on, others would be carried away by their strong desires, and none would be swayed by the prophetic images.
DAVID SWAN
A FANTASY
We can be but partially acquainted even with the events which actually influence our course through life and our final destiny. There are innumerable other events, if such they may be called, which come close upon us, yet pass away without actual results or even betraying their near approach by the reflection of any light or shadow across our minds. Could we know all the vicissitudes of our fortunes, life would be too full of hope and fear, exultation or disappointment, to afford us a single hour of true serenity. This idea may be illustrated by a page from the secret history of David Swan.
We can only be somewhat aware of the events that actually shape our journey through life and our ultimate fate. There are countless other occurrences, if you can call them that, which come close to us but fade away without making any real impact or even hinting at their arrival by casting any light or shadow on our thoughts. If we knew all the ups and downs of our fortunes, life would be overflowing with hope and fear, joy and disappointment, leaving us not a single moment of true peace. This idea can be illustrated by a chapter from the secret history of David Swan.
We have nothing to do with David until we find him, at the age of twenty, on the high road from his native place to the city of Boston, where his uncle, a small dealer in the grocery line, was to take him behind the counter. Be it enough to say that he was a native of New Hampshire, born of respectable parents, and had received an ordinary school education with a classic finish by a year at Gilmanton Academy. After journeying on foot from sunrise till nearly noon of a summer’s day, his weariness and the increasing heat determined him to sit down in the first convenient shade and await the coming up of the stage-coach. As if planted on purpose for him, there soon appeared a little tuft of maples with a delightful recess in the midst, and such a fresh bubbling spring that it seemed never to have sparkled for any wayfarer but David Swan. Virgin or not, he kissed it with his thirsty lips and then flung himself along the brink, pillowing his head upon some shirts and a pair of pantaloons tied up in a striped cotton handkerchief. The sunbeams could not reach him; the dust did not yet rise from the road after the heavy rain of yesterday, and his grassy lair suited the young man better than a bed of down. The spring murmured drowsily beside him; the branches waved dreamily across the blue sky overhead, and a deep sleep, perchance hiding dreams within its depths, fell upon David Swan. But we are to relate events which he did not dream of.
We don’t connect with David until we find him at twenty years old, on the main road from his hometown to Boston, where his uncle, a small grocery store owner, was going to take him behind the counter. It’s enough to say that he was from New Hampshire, born to respectable parents, and had a typical school education, finishing up with a year at Gilmanton Academy. After walking from sunrise until nearly noon on a summer day, his fatigue and the rising heat led him to sit down in the first bit of shade he could find and wait for the stagecoach to arrive. Just the right spot appeared for him—a little cluster of maples with a lovely retreat in the middle and a fresh, bubbling spring that seemed to have only sparkled for David Swan. Whether pure or not, he drank from it with his thirsty lips and then lay down beside it, resting his head on some shirts and a pair of pants tied up in a striped cotton handkerchief. The sun couldn’t reach him; the dust hadn’t started to rise from the road after yesterday's heavy rain, and the grassy spot felt better to him than a down-filled bed. The spring murmured sleepily next to him; the branches swayed dreamily against the blue sky above, and a deep sleep, perhaps hiding dreams within it, fell over David Swan. But we are about to recount events that he didn’t dream of.
While he lay sound asleep in the shade other people were wide awake, and passed to and fro, afoot, on horseback and in all sorts of vehicles, along the sunny road by his bedchamber. Some looked neither to the right hand nor the left and knew not that he was there; some merely glanced that way without admitting the slumberer among their busy thoughts; some laughed to see how soundly he slept, and several whose hearts were brimming full of scorn ejected their venomous superfluity on David Swan. A middle-aged widow, when nobody else was near, thrust her head a little way into the recess, and vowed that the young fellow looked charming in his sleep. A temperance lecturer saw him, and wrought poor David into the texture of his evening’s discourse as an awful instance of dead drunkenness by the roadside.
While he lay peacefully asleep in the shade, others were wide awake, moving to and fro on foot, on horseback, and in all sorts of vehicles along the sunny road by his room. Some didn’t look right or left and didn’t even know he was there; some just glanced his way without registering the sleeping man in their busy minds; some laughed at how deeply he was asleep, and many, filled with scorn, directed their disdain towards David Swan. A middle-aged widow, when no one else was around, peered a little way into the recess and insisted that the young man looked charming while he slept. A temperance lecturer noticed him and incorporated poor David into his evening talk as a terrible example of someone who was dead drunk by the roadside.
But censure, praise, merriment, scorn and indifference were all one—or, rather, all nothing—to David Swan. He had slept only a few moments when a brown carriage drawn by a handsome pair of horses bowled easily along and was brought to a standstill nearly in front of David’s resting-place. A linch-pin had fallen out and permitted one of the wheels to slide off. The damage was slight and occasioned merely a momentary alarm to an elderly merchant and his wife, who were returning to Boston in the carriage. While the coachman and a servant were replacing the wheel the lady and gentleman sheltered themselves beneath the maple trees, and there espied the bubbling fountain and David Swan asleep beside it. Impressed with the awe which the humblest sleeper usually sheds around him, the merchant trod as lightly as the gout would allow, and his spouse took good heed not to rustle her silk gown lest David should start up all of a sudden.
But criticism, praise, laughter, scorn, and indifference all felt the same—or, rather, felt like nothing—to David Swan. He had only been asleep for a few moments when a brown carriage, pulled by a beautiful pair of horses, rolled up and stopped nearly in front of where David was resting. A linch-pin had fallen out, causing one of the wheels to come off. The damage was minor and only caused a momentary scare for an elderly merchant and his wife, who were on their way back to Boston in the carriage. While the coachman and a servant were fixing the wheel, the lady and gentleman sheltered themselves under the maple trees and noticed the bubbling fountain and David Swan asleep beside it. Struck by the quiet respect that even the simplest sleeper often inspires, the merchant walked as softly as his gout would allow, and his wife was careful not to rustle her silk gown, worried that David might suddenly wake up.
“How soundly he sleeps!” whispered the old gentleman. “From what a depth he draws that easy breath! Such sleep as that, brought on without an opiate, would be worth more to me than half my income, for it would suppose health and an untroubled mind.”
“How soundly he sleeps!” whispered the old man. “What a deep breath he takes so easily! Such sleep, achieved without any drugs, is worth more to me than half my income, because it implies good health and a peaceful mind.”
“And youth besides,” said the lady. “Healthy and quiet age does not sleep thus. Our slumber is no more like his than our wakefulness.”
“And youth too,” said the lady. “A healthy and peaceful age doesn't sleep like that. Our sleep is nothing like his, just as our wakefulness is different.”
The longer they looked, the more did this elderly couple feel interested in the unknown youth to whom the wayside and the maple shade were as a secret chamber with the rich gloom of damask curtains brooding over him. Perceiving that a stray sunbeam glimmered down upon his face, the lady contrived to twist a branch aside so as to intercept it, and, having done this little act of kindness, she began to feel like a mother to him.
The longer they watched, the more this elderly couple became intrigued by the unknown young man, who seemed to be in his own secret world beneath the maple shade, wrapped in a rich gloom like heavy curtains. Noticing that a stray sunbeam was shining on his face, the lady managed to move a branch aside to block it, and after this small act of kindness, she started to feel a motherly affection toward him.
“Providence seems to have laid him here,” whispered she to her husband, “and to have brought us hither to find him, after our disappointment in our cousin’s son. Methinks I can see a likeness to our departed Henry. Shall we waken him?”
“Providence seems to have put him here,” she whispered to her husband, “and brought us here to find him, after our disappointment with our cousin’s son. I think I can see a resemblance to our late Henry. Should we wake him?”
“To what purpose?” said the merchant, hesitating. “We know nothing of the youth’s character.”
“To what end?” said the merchant, pausing. “We don’t know anything about the young man’s character.”
“That open countenance!” replied his wife, in the same hushed voice, yet earnestly. “This innocent sleep!”
"That open face!" his wife responded in the same quiet tone, but with sincerity. "This peaceful sleep!"
While these whispers were passing, the sleeper’s heart did not throb, nor his breath become agitated, nor his features betray the least token of interest. Yet Fortune was bending over him, just ready to let fall a burden of gold. The old merchant had lost his only son, and had no heir to his wealth except a distant relative with whose conduct he was dissatisfied. In such cases people sometimes do stranger things than to act the magician and awaken a young man to splendor who fell asleep in poverty.
While these whispers were happening, the sleeper’s heart didn’t race, his breath didn’t quicken, and his face showed no sign of curiosity. Yet Fortune was hovering over him, just about to drop a load of gold. The old merchant had lost his only son and had no heir to his fortune except for a distant relative whose behavior he was unhappy with. In situations like this, people sometimes do more unusual things than playing the magician and waking up a young man to wealth who had been asleep in poverty.
“Shall we not waken him?” repeated the lady, persuasively.
“Shouldn't we wake him up?” the lady said, trying to convince them.
“The coach is ready, sir,” said the servant, behind.
“The coach is ready, sir,” said the servant from behind.
The old couple started, reddened and hurried away, mutually wondering that they should ever have dreamed of doing anything so very ridiculous. The merchant threw himself back in the carriage and occupied his mind with the plan of a magnificent asylum for unfortunate men of business. Meanwhile, David Swan enjoyed his nap.
The old couple blushed and quickly left, both thinking how they could have ever imagined doing something so silly. The merchant leaned back in the carriage, lost in thought about a grand shelter for struggling businesspeople. Meanwhile, David Swan continued to take his nap.
The carriage could not have gone above a mile or two when a pretty young girl came along with a tripping pace which showed precisely how her little heart was dancing in her bosom. Perhaps it was this merry kind of motion that caused—is there any harm in saying it?—her garter to slip its knot. Conscious that the silken girth—if silk it were—was relaxing its hold, she turned aside into the shelter of the maple trees, and there found a young man asleep by the spring. Blushing as red as any rose that she should have intruded into a gentleman’s bedchamber, and for such a purpose too, she was about to make her escape on tiptoe. But there was peril near the sleeper. A monster of a bee had been wandering overhead—buzz, buzz, buzz—now among the leaves, now flashing through the strips of sunshine, and now lost in the dark shade, till finally he appeared to be settling on the eyelid of David Swan. The sting of a bee is sometimes deadly. As free-hearted as she was innocent, the girl attacked the intruder with her handkerchief, brushed him soundly and drove him from beneath the maple shade. How sweet a picture! This good deed accomplished, with quickened breath and a deeper blush she stole a glance at the youthful stranger for whom she had been battling with a dragon in the air.
The carriage couldn’t have gone more than a mile or two when a pretty young girl appeared, moving with a light, cheerful step that showed just how her little heart was dancing inside her. Maybe it was this joyful motion that caused—can I say it?—her garter to come undone. Realizing that the silk band—if it was silk—was loosening its grip, she slipped into the shelter of the maple trees and found a young man sleeping by the spring. Blushing as red as a rose at having intruded into a gentleman’s space for such a reason, she was about to escape quietly. But danger was nearby. A big bee had been buzzing around—buzz, buzz, buzz—now fluttering among the leaves, then darting through the patches of sunlight, and finally hovering in the dark shade, until it seemed to settle on David Swan’s eyelid. A bee sting can be serious. As innocent as she was carefree, the girl fought off the intruder with her handkerchief, swatting him away and driving him from under the maple. What a sweet scene! With her breath quickening and her blush deepening, she stole a glance at the young stranger for whom she had been battling a dragon in the air.
“He is handsome!” thought she, and blushed redder yet.
“He's really good-looking!” she thought, and her cheeks turned even redder.
How could it be that no dream of bliss grew so strong within him that, shattered by its very strength, it should part asunder and allow him to perceive the girl among its phantoms? Why, at least, did no smile of welcome brighten upon his face? She was come, the maid whose soul, according to the old and beautiful idea, had been severed from his own, and whom in all his vague but passionate desires he yearned to meet. Her only could he love with a perfect love, him only could she receive into the depths of her heart, and now her image was faintly blushing in the fountain by his side; should it pass away, its happy lustre would never gleam upon his life again.
How could it be that no dream of happiness grew so strong within him that, overwhelmed by its intensity, it would break apart and let him see the girl among its illusions? Why, at the very least, didn’t a smile of warmth light up his face? She had arrived, the girl whose soul, according to the timeless and beautiful idea, had been separated from his own, and whom he yearned to meet amidst all his vague but passionate desires. Only she could be loved with a perfect love, and only he could find a place in the depths of her heart, and now her image was faintly reflecting in the fountain beside him; if it were to fade away, its joyful brightness would never shine in his life again.
“How sound he sleeps!” murmured the girl. She departed, but did not trip along the road so lightly as when she came.
“How soundly he sleeps!” whispered the girl. She left, but did not skip along the road as lightly as when she arrived.
Now, this girl’s father was a thriving country merchant in the neighborhood, and happened at that identical time to be looking out for just such a young man as David Swan. Had David formed a wayside acquaintance with the daughter, he would have become the father’s clerk, and all else in natural succession. So here, again, had good fortune—the best of fortunes—stolen so near that her garments brushed against him, and he knew nothing of the matter.
Now, this girl's father was a successful merchant in the area and happened to be searching for a young man just like David Swan at that exact time. If David had struck up a friendship with the daughter, he would have become the father's clerk, and everything else would have followed naturally. So here, once again, good fortune—the best kind of fortune—was so close that it almost touched him, and he was completely unaware of it.
The girl was hardly out of sight when two men turned aside beneath the maple shade. Both had dark faces set off by cloth caps, which were drawn down aslant over their brows. Their dresses were shabby, yet had a certain smartness. These were a couple of rascals who got their living by whatever the devil sent them, and now, in the interim of other business, had staked the joint profits of their next piece of villainy on a game of cards which was to have been decided here under the trees. But, finding David asleep by the spring, one of the rogues whispered to his fellow:
The girl had barely disappeared when two men stepped into the shade of the maple tree. Both had dark faces and wore caps pulled down at an angle over their foreheads. Their clothes were worn but had a certain style to them. These were a couple of troublemakers who made their living by whatever came their way, and now, while waiting for their next scheme, they had bet the profits from their next con on a game of cards that was supposed to take place here under the trees. But when they found David asleep by the spring, one of the crooks leaned over and whispered to his partner:
“Hist! Do you see that bundle under his head?”
“Shh! Do you see that bundle under his head?”
The other villain nodded, winked and leered.
The other villain nodded, winked, and grinned.
“I’ll bet you a horn of brandy,” said the first, “that the chap has either a pocketbook or a snug little hoard of small change stowed away amongst his shirts. And if not there, we will find it in his pantaloons pocket.”
“I’ll bet you a mug of brandy,” said the first, “that the guy has either a wallet or a cozy stash of coins hidden away among his shirts. And if it’s not there, we’ll find it in his pants pocket.”
“But how if he wakes?” said the other.
"But what if he wakes up?" said the other.
His companion thrust aside his waistcoat, pointed to the handle of a dirk and nodded.
His companion pushed aside his vest, pointed to the handle of a dagger, and nodded.
“So be it!” muttered the second villain.
“Fine then!” muttered the second villain.
They approached the unconscious David, and, while one pointed the dagger toward his heart, the other began to search the bundle beneath his head. Their two faces, grim, wrinkled and ghastly with guilt and fear, bent over their victim, looking horrible enough to be mistaken for fiends should he suddenly awake. Nay, had the villains glanced aside into the spring, even they would hardly have known themselves as reflected there. But David Swan had never worn a more tranquil aspect, even when asleep on his mother’s breast.
They moved closer to the unconscious David, and while one aimed a dagger at his heart, the other started rummaging through the bundle beneath his head. Their faces, harsh, lined, and pale with guilt and fear, hovered over their victim, looking so frightening they could easily be mistaken for monsters if he suddenly woke up. In fact, if the villains had glanced into the spring, even they would barely recognize themselves in the reflection. But David Swan had never looked more peaceful, even when he was asleep on his mother’s chest.
“I must take away the bundle,” whispered one.
“I need to take the bundle,” whispered one.
“If he stirs, I’ll strike,” muttered the other.
“If he moves, I’ll hit,” muttered the other.
But at this moment a dog scenting along the ground came in beneath the maple trees and gazed alternately at each of these wicked men and then at the quiet sleeper. He then lapped out of the fountain.
But just then, a dog sniffing around came in under the maple trees and looked back and forth between each of these bad guys and the peaceful sleeper. It then drank from the fountain.
“Pshaw!” said one villain. “We can do nothing now. The dog’s master must be close behind.”
“Ugh!” said one villain. “We can't do anything now. The dog's owner must be right behind us.”
“Let’s take a drink and be off,” said the other.
“Let’s grab a drink and head out,” said the other.
The man with the dagger thrust back the weapon into his bosom and drew forth a pocket-pistol, but not of that kind which kills by a single discharge. It was a flask of liquor with a block-tin tumbler screwed upon the mouth. Each drank a comfortable dram, and left the spot with so many jests and such laughter at their unaccomplished wickedness that they might be said to have gone on their way rejoicing. In a few hours they had forgotten the whole affair, nor once imagined that the recording angel had written down the crime of murder against their souls in letters as durable as eternity. As for David Swan, he still slept quietly, neither conscious of the shadow of death when it hung over him nor of the glow of renewed life when that shadow was withdrawn. He slept, but no longer so quietly as at first. An hour’s repose had snatched from his elastic frame the weariness with which many hours of toil had burdened it. Now he stirred, now moved his lips without a sound, now talked in an inward tone to the noonday spectres of his dream. But a noise of wheels came rattling louder and louder along the road, until it dashed through the dispersing mist of David’s slumber; and there was the stagecoach. He started up with all his ideas about him.
The man with the dagger pulled it back into his chest and took out a pocket pistol, but it wasn’t one that kills with a single shot. It was a flask of liquor with a block-tin cup screwed onto the top. They both took a comfortable drink and left the place laughing and joking about their failed mischief, feeling like they were on their way with joy. A few hours later, they had completely forgotten about the whole thing, not even thinking that the recording angel had noted the crime of murder against their souls in lasting letters. As for David Swan, he continued to sleep peacefully, unaware of the shadow of death looming over him or the light of new life when that shadow lifted. He slept, but not as soundly as before. An hour of rest had shaken off the weariness his long hours of work had placed on him. Now he stirred, moved his lips silently, and chatted quietly with the midday ghosts of his dream. But then the sound of wheels grew louder as it rolled down the road, cutting through the mist of David's slumber; and there was the stagecoach. He stood up, fully alert.
“Halloo, driver! Take a passenger?” shouted he.
“Hey, driver! Can you take a passenger?” he shouted.
“Room on top!” answered the driver.
“Room on top!” the driver replied.
Up mounted David, and bowled away merrily toward Boston without so much as a parting glance at that fountain of dreamlike vicissitude. He knew not that a phantom of Wealth had thrown a golden hue upon its waters, nor that one of Love had sighed softly to their murmur, nor that one of Death had threatened to crimson them with his blood, all in the brief hour since he lay down to sleep. Sleeping or waking, we hear not the airy footsteps of the strange things that almost happen. Does it not argue a superintending Providence that, while viewless and unexpected events thrust themselves continually athwart our path, there should still be regularity enough in mortal life to render foresight even partially available?
Up rode David, happily heading toward Boston without even a backward glance at that fountain of beautiful change. He didn’t realize that a ghost of Wealth had cast a golden glow on its waters, nor that a spirit of Love had sighed gently with their sound, nor that a figure of Death had threatened to stain them red with his blood, all in the short hour since he went to sleep. Whether asleep or awake, we don’t notice the light footsteps of the strange things that almost happen. Doesn’t it suggest a higher power that, while invisible and unexpected events constantly cross our path, there’s still enough regularity in human life to make foresight at least somewhat possible?
SIGHTS FROM A STEEPLE
So! I have climbed high, and my reward is small. Here I stand with wearied knees—earth, indeed, at a dizzy depth below, but heaven far, far beyond me still. Oh that I could soar up into the very zenith, where man never breathed nor eagle ever flew, and where the ethereal azure melts away from the eye and appears only a deepened shade of nothingness! And yet I shiver at that cold and solitary thought. What clouds are gathering in the golden west with direful intent against the brightness and the warmth of this summer afternoon? They are ponderous air-ships, black as death and freighted with the tempest, and at intervals their thunder—the signal-guns of that unearthly squadron—rolls distant along the deep of heaven. These nearer heaps of fleecy vapor—methinks I could roll and toss upon them the whole day long—seem scattered here and there for the repose of tired pilgrims through the sky. Perhaps—for who can tell?—beautiful spirits are disporting themselves there, and will bless my mortal eye with the brief appearance of their curly locks of golden light and laughing faces fair and faint as the people of a rosy dream. Or where the floating mass so imperfectly obstructs the color of the firmament a slender foot and fairy limb resting too heavily upon the frail support may be thrust through and suddenly withdrawn, while longing fancy follows them in vain. Yonder, again, is an airy archipelago where the sunbeams love to linger in their journeyings through space. Every one of those little clouds has been dipped and steeped in radiance which the slightest pressure might disengage in silvery profusion like water wrung from a sea-maid’s hair. Bright they are as a young man’s visions, and, like them, would be realized in dullness, obscurity and tears. I will look on them no more.
So! I've climbed high, and my reward is small. Here I stand with tired knees—earth, indeed, at a dizzy depth below, but heaven still far, far ahead of me. Oh, how I wish I could soar up to the very peak, where no man has breathed and no eagle has ever flown, and where the ethereal blue fades away from the eye, showing only a deep shade of nothingness! And yet I shiver at that cold and lonely thought. What clouds are gathering in the golden west with ominous intent against the brightness and warmth of this summer afternoon? They are heavy airships, black as death, filled with storms, and at intervals their thunder—the signal shots of that otherworldly squadron—rolls distantly across the vast sky. These closer clusters of fluffy vapor—I think I could roll and toss on them all day long—look scattered here and there for the rest of weary travelers in the sky. Maybe—for who can say?—beautiful spirits are playing there, and will bless my mortal eye with a brief glimpse of their golden curls and cheerful faces, delicate as the characters of a rosy dream. Or where the floating mass slightly obscures the color of the sky, a slender foot and fairy limb resting too heavily on the fragile support might suddenly thrust through and then be drawn back, while my yearning imagination follows them in vain. Over there, again, is a light archipelago where the sunbeams love to linger on their journey through space. Each of those little clouds has been soaked in radiance that the slightest pressure could release in a silvery overflow like water squeezed from a sea maiden's hair. They shine bright like a young man's dreams, and, like them, would turn into dullness, obscurity, and tears. I won’t look at them anymore.
In three parts of the visible circle whose centre is this spire I discern cultivated fields, villages, white country-seats, the waving lines of rivulets, little placid lakes, and here and there a rising ground that would fain be termed a hill. On the fourth side is the sea, stretching away toward a viewless boundary, blue and calm except where the passing anger of a shadow flits across its surface and is gone. Hitherward a broad inlet penetrates far into the land; on the verge of the harbor formed by its extremity is a town, and over it am I, a watchman, all-heeding and unheeded. Oh that the multitude of chimneys could speak, like those of Madrid, and betray in smoky whispers the secrets of all who since their first foundation have assembled at the hearths within! Oh that the Limping Devil of Le Sage would perch beside me here, extend his wand over this contiguity of roofs, uncover every chamber and make me familiar with their inhabitants! The most desirable mode of existence might be that of a spiritualized Paul Pry hovering invisible round man and woman, witnessing their deeds, searching into their hearts, borrowing brightness from their felicity and shade from their sorrow, and retaining no emotion peculiar to himself. But none of these things are possible; and if I would know the interior of brick walls or the mystery of human bosoms, I can but guess.
In three parts of the visible circle centered around this spire, I see cultivated fields, villages, white country houses, the gentle curves of streams, small tranquil lakes, and occasionally a raised area that might be called a hill. On the fourth side is the sea, stretching out to an unseen horizon, blue and calm except for the fleeting shadows that briefly cross its surface. This way, a wide inlet cuts deep into the land; at the edge of the harbor it creates, there’s a town, and above it, I am a watchman, observant and unnoticed. If only the many chimneys could speak, like those in Madrid, and reveal in smoky whispers the secrets of everyone who has gathered around their fires since the town was founded! If only the Limping Devil from Le Sage would sit beside me here, wave his wand over this row of roofs, uncover every room, and let me know their inhabitants! The best way to exist might be to be a spiritualized Paul Pry, hovering invisibly around people, witnessing their actions, exploring their hearts, drawing brightness from their happiness and shadows from their sadness, without having any feelings of my own. But none of this is possible; and if I want to understand what happens behind brick walls or within people’s hearts, I can only speculate.
Yonder is a fair street extending north and south. The stately mansions are placed each on its carpet of verdant grass, and a long flight of steps descends from every door to the pavement. Ornamental trees—the broadleafed horse-chestnut, the elm so lofty and bending, the graceful but infrequent willow, and others whereof I know not the names—grow thrivingly among brick and stone. The oblique rays of the sun are intercepted by these green citizens and by the houses, so that one side of the street is a shaded and pleasant walk. On its whole extent there is now but a single passenger, advancing from the upper end, and he, unless distance and the medium of a pocket spyglass do him more than justice, is a fine young man of twenty. He saunters slowly forward, slapping his left hand with his folded gloves, bending his eyes upon the pavement, and sometimes raising them to throw a glance before him. Certainly he has a pensive air. Is he in doubt or in debt? Is he—if the question be allowable—in love? Does he strive to be melancholy and gentlemanlike, or is he merely overcome by the heat? But I bid him farewell for the present. The door of one of the houses—an aristocratic edifice with curtains of purple and gold waving from the windows—is now opened, and down the steps come two ladies swinging their parasols and lightly arrayed for a summer ramble. Both are young, both are pretty; but methinks the left-hand lass is the fairer of the twain, and, though she be so serious at this moment, I could swear that there is a treasure of gentle fun within her. They stand talking a little while upon the steps, and finally proceed up the street. Meantime, as their faces are now turned from me, I may look elsewhere.
There’s a beautiful street running north and south. The impressive mansions sit on their patches of green grass, and each has a long set of stairs leading down to the sidewalk. Decorative trees—the broad-leafed horse chestnut, the tall, bending elm, the elegant but rare willow, and others whose names I don’t know—grow healthily among the brick and stone. The angled rays of the sun are blocked by these green trees and the houses, making one side of the street a shaded and pleasant walkway. Right now, there’s just one person walking the length of the street, coming from the upper end. From a distance, he looks like a handsome young man about twenty. He strolls along slowly, slapping his left hand with his folded gloves, looking down at the sidewalk, then occasionally glancing ahead. He definitely seems deep in thought. Is he uncertain or in financial trouble? Is he—if I can ask—in love? Is he trying to appear thoughtful and sophisticated, or is he simply feeling the heat? But I’ll leave him for now. The door of one of the houses—an elegant building with purple and gold curtains fluttering in the windows—has just opened, and two ladies come down the steps, swinging their parasols and dressed lightly for a summer outing. Both are young and pretty, but I think the girl on the left is more beautiful, and even though she looks serious right now, I can sense there’s a playful charm beneath the surface. They chat for a moment on the steps before continuing up the street. Meanwhile, since their backs are now to me, I can look elsewhere.
Upon that wharf and down the corresponding street is a busy contrast to the quiet scene which I have just noticed. Business evidently has its centre there, and many a man is wasting the summer afternoon in labor and anxiety, in losing riches or in gaining them, when he would be wiser to flee away to some pleasant country village or shaded lake in the forest or wild and cool sea-beach. I see vessels unlading at the wharf and precious merchandise strown upon the ground abundantly as at the bottom of the sea—that market whence no goods return, and where there is no captain nor supercargo to render an account of sales. Here the clerks are diligent with their paper and pencils and sailors ply the block and tackle that hang over the hold, accompanying their toil with cries long-drawn and roughly melodious till the bales and puncheons ascend to upper air. At a little distance a group of gentlemen are assembled round the door of a warehouse. Grave seniors be they, and I would wager—if it were safe, in these times, to be responsible for any one—that the least eminent among them might vie with old Vincentio, that incomparable trafficker of Pisa. I can even select the wealthiest of the company. It is the elderly personage in somewhat rusty black, with powdered hair the superfluous whiteness of which is visible upon the cape of his coat. His twenty ships are wafted on some of their many courses by every breeze that blows, and his name, I will venture to say, though I know it not, is a familiar sound among the far-separated merchants of Europe and the Indies.
At the wharf and down the busy street is a lively contrast to the quiet scene I just noticed. Business clearly has its center there, and many men are spending the summer afternoon in toil and worry, either losing or gaining riches, when they would be better off escaping to a charming country village, a shaded lake in the woods, or a cool, wild beach. I see ships unloading at the wharf and valuable goods scattered on the ground like treasure at the bottom of the sea—a market where no items return, and where there’s no captain or supercargo to account for the sales. The clerks are hard at work with their papers and pencils, while sailors use the block and tackle hanging over the hold, their labor accompanied by drawn-out, roughly melodious shouts as they hoist the bales and barrels up to the deck. A bit further away, a group of gentlemen has gathered by the door of a warehouse. They are serious older men, and I’d bet—if it were safe in these times to make such bets—that even the least distinguished among them could compete with old Vincentio, that legendary trader from Pisa. I can even point out the wealthiest of the group. It’s the elderly man in somewhat worn black clothes, with powdered hair that’s visibly too white on the collar of his coat. His twenty ships are carried on many of their routes by every breeze that blows, and I’d guess, even though I don’t know for sure, that his name is well-known among distant merchants in Europe and the Indies.
But I bestow too much of my attention in this quarter. On looking again to the long and shady walk I perceive that the two fair girls have encountered the young man. After a sort of shyness in the recognition, he turns back with them. Moreover, he has sanctioned my taste in regard to his companions by placing himself on the inner side of the pavement, nearest the Venus to whom I, enacting on a steeple-top the part of Paris on the top of Ida, adjudged the golden apple.
But I’m paying way too much attention in this area. Looking back at the long, shady path, I see that the two beautiful girls have run into the young man. After a bit of awkwardness in recognizing each other, he turns back to walk with them. Plus, he confirms my choice of friends by positioning himself on the side of the sidewalk closest to the girl I’ve decided is like Venus, giving her the golden apple, just like Paris did on Mount Ida.
In two streets converging at right angles toward my watch-tower I distinguish three different processions. One is a proud array of voluntary soldiers in bright uniform, resembling, from the height whence I look down, the painted veterans that garrison the windows of a toy-shop. And yet it stirs my heart. Their regular advance, their nodding plumes, the sun-flash on their bayonets and musket-barrels, the roll of their drums ascending past me, and the fife ever and anon piercing through,—these things have wakened a warlike fire, peaceful though I be. Close to their rear marches a battalion of schoolboys ranged in crooked and irregular platoons, shouldering sticks, thumping a harsh and unripe clatter from an instrument of tin and ridiculously aping the intricate manoeuvres of the foremost band. Nevertheless, as slight differences are scarcely perceptible from a church-spire, one might be tempted to ask, “Which are the boys?” or, rather, “Which the men?” But, leaving these, let us turn to the third procession, which, though sadder in outward show, may excite identical reflections in the thoughtful mind. It is a funeral—a hearse drawn by a black and bony steed and covered by a dusty pall, two or three coaches rumbling over the stones, their drivers half asleep, a dozen couple of careless mourners in their every-day attire. Such was not the fashion of our fathers when they carried a friend to his grave. There is now no doleful clang of the bell to proclaim sorrow to the town. Was the King of Terrors more awful in those days than in our own, that wisdom and philosophy have been able to produce this change? Not so. Here is a proof that he retains his proper majesty. The military men and the military boys are wheeling round the corner, and meet the funeral full in the face. Immediately the drum is silent, all but the tap that regulates each simultaneous footfall. The soldiers yield the path to the dusty hearse and unpretending train, and the children quit their ranks and cluster on the sidewalks with timorous and instinctive curiosity. The mourners enter the churchyard at the base of the steeple and pause by an open grave among the burial-stones; the lightning glimmers on them as they lower down the coffin, and the thunder rattles heavily while they throw the earth upon its lid. Verily, the shower is near, and I tremble for the young man and the girls, who have now disappeared from the long and shady street.
In two streets meeting at right angles by my watchtower, I notice three different processions. One is a proud group of volunteer soldiers in bright uniforms, which, from my high vantage point, looks like colorful toy soldiers on display in a shop window. And yet it stirs something in my heart. Their steady march, the swaying feathers on their hats, the sunlight glinting off their bayonets and rifles, the rolling sound of their drums rising past me, and the occasional sharp notes from the fife—these things ignite a spark of warlike spirit in me, even though I’m peaceful. Close behind them marches a group of schoolboys, lined up in crooked, messy formations, holding sticks and making a clattering noise from a tin instrument, mimicking the complicated movements of the soldiers in front. Yet, just as slight differences are hard to see from a church steeple, one might wonder, “Which are the boys?” or rather, “Which are the men?” But moving on, let’s look at the third procession, which, though more somber in appearance, can evoke similar thoughts in a reflective mind. It’s a funeral—a hearse pulled by a thin, black horse covered with a dusty cloth, a few coaches rumbling over the stones with drivers who seem half-asleep, and a dozen casual mourners dressed in regular clothes. This isn’t how our ancestors did it when they buried a friend. There’s no mournful ringing of bells announcing the town's grief. Was the Grim Reaper scarier back then than he is today, that wisdom and philosophy have brought about this change? Not really. Here’s proof he still holds his true power. The soldiers and the boys are turning the corner and coming face-to-face with the funeral. Instantly, the drumming stops, except for the light beat that keeps time with each footfall. The soldiers step aside for the dusty hearse and modest procession, and the boys break ranks and gather cautiously on the sidewalks with curious eyes. The mourners enter the graveyard at the base of the steeple and pause by an open grave among the headstones; the lightning flashes as they lower the coffin, and the thunder rumbles heavily while they cover it with dirt. Truly, the rain is coming, and I worry about the young man and the girls who have just vanished from the long, shaded street.
How various are the situations of the people covered by the roofs beneath me, and how diversified are the events at this moment befalling them! The new-born, the aged, the dying, the strong in life and the recent dead are in the chambers of these many mansions. The full of hope, the happy, the miserable and the desperate dwell together within the circle of my glance. In some of the houses over which my eyes roam so coldly guilt is entering into hearts that are still tenanted by a debased and trodden virtue; guilt is on the very edge of commission, and the impending deed might be averted; guilt is done, and the criminal wonders if it be irrevocable. There are broad thoughts struggling in my mind, and, were I able to give them distinctness, they would make their way in eloquence. Lo! the raindrops are descending.
How different are the situations of the people under the roofs below me, and how varied are the events they’re experiencing right now! The newborn, the elderly, the dying, the strong and the recently departed are all in the rooms of these many houses. The hopeful, the happy, the miserable, and the desperate coexist within my view. In some of these homes, guilt is creeping into hearts that still hold onto a compromised and battered sense of virtue; guilt is on the brink of being acted upon, and the upcoming action could still be stopped; guilt has been committed, and the wrongdoer wonders if it can be undone. I have deep thoughts wrestling in my mind, and if I could articulate them clearly, they would come forth in powerful words. Look! The raindrops are falling.
The clouds within a little time have gathered over all the sky, hanging heavily, as if about to drop in one unbroken mass upon the earth. At intervals the lightning flashes from their brooding hearts, quivers, disappears, and then comes the thunder, travelling slowly after its twin-born flame. A strong wind has sprung up, howls through the darkened streets, and raises the dust in dense bodies to rebel against the approaching storm. The disbanded soldiers fly, the funeral has already vanished like its dead, and all people hurry homeward—all that have a home—while a few lounge by the corners or trudge on desperately at their leisure. In a narrow lane which communicates with the shady street I discern the rich old merchant putting himself to the top of his speed lest the rain should convert his hair-powder to a paste. Unhappy gentleman! By the slow vehemence and painful moderation wherewith he journeys, it is but too evident that Podagra has left its thrilling tenderness in his great toe. But yonder, at a far more rapid pace, come three other of my acquaintance, the two pretty girls and the young man unseasonably interrupted in their walk. Their footsteps are supported by the risen dust, the wind lends them its velocity, they fly like three sea-birds driven landward by the tempestuous breeze. The ladies would not thus rival Atalanta if they but knew that any one were at leisure to observe them. Ah! as they hasten onward, laughing in the angry face of nature, a sudden catastrophe has chanced. At the corner where the narrow lane enters into the street they come plump against the old merchant, whose tortoise-motion has just brought him to that point. He likes not the sweet encounter; the darkness of the whole air gathers speedily upon his visage, and there is a pause on both sides. Finally he thrusts aside the youth with little courtesy, seizes an arm of each of the two girls, and plods onward like a magician with a prize of captive fairies. All this is easy to be understood. How disconsolate the poor lover stands, regardless of the rain that threatens an exceeding damage to his well-fashioned habiliments, till he catches a backward glance of mirth from a bright eye, and turns away with whatever comfort it conveys!
The clouds have quickly gathered over the entire sky, hanging heavily as if about to drop in one solid mass onto the earth. Occasionally, lightning flashes from their ominous depths, flickers, disappears, and then comes the thunder, slowly following its twin-born flame. A strong wind has picked up, howling through the darkened streets and stirring dust into thick clouds, rebelling against the approaching storm. The disbanded soldiers flee, the funeral has already vanished like its deceased, and everyone rushes home—all who have a home—while a few linger on the corners or trudge on slowly at their leisure. In a narrow lane connecting with the shaded street, I spot the wealthy old merchant hurriedly picking up his pace to avoid the rain turning his hair powder into a paste. Poor guy! By the slow intensity and careful moderation of his movements, it’s clear that gout has left him with a painful reminder in his big toe. But over there, at a much quicker pace, come three people I know: the two pretty girls and the young man, suddenly interrupted in their walk. Their footsteps stir up the rising dust, the wind boosts their speed, and they fly like three seabirds driven ashore by a fierce wind. The ladies wouldn’t be racing like this if they knew anyone was around to watch them. As they hurry along, laughing defiantly in nature’s face, a sudden mishap occurs. At the corner where the narrow lane meets the street, they collide right into the old merchant, whose slow pace has just brought him to that spot. He doesn’t appreciate this cheerful encounter; the gloom of the sky quickly settles on his face, and there’s a pause on both sides. Finally, he rudely pushes the young man aside, grabs an arm of each of the two girls, and plods on like a magician with a prize of captured fairies. This is all pretty straightforward. How forlorn the poor lover stands, oblivious to the rain that threatens to ruin his well-tailored clothes, until he catches a backward glance of laughter from a bright eye and turns away with whatever comfort it brings!
The old man and his daughters are safely housed, and now the storm lets loose its fury. In every dwelling I perceive the faces of the chambermaids as they shut down the windows, excluding the impetuous shower and shrinking away from the quick fiery glare. The large drops descend with force upon the slated roofs and rise again in smoke. There is a rush and roar as of a river through the air, and muddy streams bubble majestically along the pavement, whirl their dusky foam into the kennel, and disappear beneath iron grates. Thus did Arethusa sink. I love not my station here aloft in the midst of the tumult which I am powerless to direct or quell, with the blue lightning wrinkling on my brow and the thunder muttering its first awful syllables in my ear. I will descend. Yet let me give another glance to the sea, where the foam breaks out in long white lines upon a broad expanse of blackness or boils up in far-distant points like snowy mountain-tops in the eddies of a flood; and let me look once more at the green plain and little hills of the country, over which the giant of the storm is striding in robes of mist, and at the town whose obscured and desolate streets might beseem a city of the dead; and, turning a single moment to the sky, now gloomy as an author’s prospects, I prepare to resume my station on lower earth. But stay! A little speck of azure has widened in the western heavens; the sunbeams find a passage and go rejoicing through the tempest, and on yonder darkest cloud, born like hallowed hopes of the glory of another world and the trouble and tears of this, brightens forth the rainbow.
The old man and his daughters are safely inside, and now the storm unleashes its fury. In every home, I see the faces of the maids as they close the windows, blocking out the heavy rain and flinching from the bright flashes of lightning. The large raindrops hit the rooftops with force and rise again in steam. There’s a rush and roar like a river moving through the air, and muddy streams bubble dramatically along the pavement, swirling their dark foam into the gutters and disappearing beneath iron grates. Just like Arethusa did. I don't like my place up here amid the chaos that I can’t control or calm, with the blue lightning flashing across my brow and the thunder muttering its first awful sounds in my ear. I will go down. But let me take one last look at the sea, where the foam breaks into long white lines over a vast stretch of darkness or rises in distant points like snowy mountain peaks in the swirling flood; and let me gaze one more time at the green fields and small hills of the countryside, over which the storm giant strides in cloaks of mist, and at the town whose shadowy, desolate streets could belong to a city of the dead; and, turning for a moment to the sky, now as gloomy as an author’s prospects, I prepare to return to the ground. But wait! A little spot of blue has opened up in the western sky; the sunbeams find a way through the storm, and on that darkest cloud, born like sacred hopes for the glory of another world and the troubles and tears of this one, the rainbow shines forth.
THE HOLLOW OF THE THREE HILLS
In those strange old times when fantastic dreams and madmen’s reveries were realized among the actual circumstances of life, two persons met together at an appointed hour and place. One was a lady graceful in form and fair of feature, though pale and troubled and smitten with an untimely blight in what should have been the fullest bloom of her years; the other was an ancient and meanly-dressed woman of ill-favored aspect, and so withered, shrunken and decrepit that even the space since she began to decay must have exceeded the ordinary term of human existence. In the spot where they encountered no mortal could observe them. Three little hills stood near each other, and down in the midst of them sunk a hollow basin almost mathematically circular, two or three hundred feet in breadth and of such depth that a stately cedar might but just be visible above the sides. Dwarf pines were numerous upon the hills and partly fringed the outer verge of the intermediate hollow, within which there was nothing but the brown grass of October and here and there a tree-trunk that had fallen long ago and lay mouldering with no green successor from its roots. One of these masses of decaying wood, formerly a majestic oak, rested close beside a pool of green and sluggish water at the bottom of the basin. Such scenes as this (so gray tradition tells) were once the resort of a power of evil and his plighted subjects, and here at midnight or on the dim verge of evening they were said to stand round the mantling pool disturbing its putrid waters in the performance of an impious baptismal rite. The chill beauty of an autumnal sunset was now gilding the three hill-tops, whence a paler tint stole down their sides into the hollow.
In those odd old days when incredible dreams and crazed fantasies intertwined with real life, two people met at a prearranged time and place. One was a lady, graceful in form and attractive in features, though pale, anxious, and burdened by an early sorrow in what should have been the prime of her life; the other was an elderly, poorly dressed woman with an unpleasing appearance, so withered and frail that she seemed to have decayed for longer than a typical human lifespan. Where they met, no one could see them. Three small hills stood close together, and in the middle of them was a hollow basin, almost perfectly circular, about two or three hundred feet wide and deep enough that only the top of a tall cedar could barely be seen above the sides. Numerous dwarf pines grew on the hills, partially lining the outer edge of the hollow, which held only the brown grass of October and scattered tree trunks that had fallen long ago, rotting without any green successors sprouting from their roots. One of these decaying trunks, once a grand oak, lay next to a pool of green, stagnant water at the bottom of the basin. According to old tales, such scenes were once the haunt of an evil power and his loyal subjects, and it was said that at midnight or just before dusk, they would gather around the murky pool, stirring its foul waters as part of a blasphemous baptismal ceremony. The cool beauty of an autumn sunset was now bathing the three hilltops, where a lighter hue flowed down their slopes into the hollow.
“Here is our pleasant meeting come to pass,” said the aged crone, “according as thou hast desired. Say quickly what thou wouldst have of me, for there is but a short hour that we may tarry here.”
“Here is our nice meeting happening,” said the old woman, “just as you wanted. Please say quickly what you need from me, because we only have a short time to stay here.”
As the old withered woman spoke a smile glimmered on her countenance like lamplight on the wall of a sepulchre. The lady trembled and cast her eyes upward to the verge of the basin, as if meditating to return with her purpose unaccomplished. But it was not so ordained.
As the old, frail woman spoke, a smile shone on her face like light from a lamp reflecting on a tomb wall. The lady shook and looked up toward the edge of the basin, as if considering going back without fulfilling her purpose. But that was not meant to be.
“I am stranger in this land, as you know,” said she, at length. “Whence I come it matters not, but I have left those behind me with whom my fate was intimately bound, and from whom I am cut off for ever. There is a weight in my bosom that I cannot away with, and I have come hither to inquire of their welfare.”
“I’m a stranger in this land, as you know,” she said after a while. “Where I come from doesn’t matter, but I’ve left behind those with whom my fate was closely tied, and from whom I’m separated forever. There’s a heaviness in my heart that I can’t shake off, and I’ve come here to ask about their well-being.”
“And who is there by this green pool that can bring thee news from the ends of the earth?” cried the old woman, peering into the lady’s face. “Not from my lips mayst thou hear these tidings; yet be thou bold, and the daylight shall not pass away from yonder hilltop before thy wish be granted.”
“And who’s by this green pool that can bring you news from the ends of the earth?” the old woman exclaimed, looking intensely into the lady’s face. “You won't hear these tidings from me; but be brave, and the daylight won’t disappear from that hilltop before your wish is granted.”
“I will do your bidding though I die,” replied the lady, desperately.
“I’ll do what you ask, even if it costs me my life,” the lady replied, desperately.
The old woman seated herself on the trunk of the fallen tree, threw aside the hood that shrouded her gray locks and beckoned her companion to draw near.
The old woman sat on the trunk of the fallen tree, tossed aside the hood covering her gray hair, and signaled for her companion to come closer.
“Kneel down,” she said, “and lay your forehead on my knees.”
“Kneel down,” she said, “and put your forehead on my knees.”
She hesitated a moment, but the anxiety that had long been kindling burned fiercely up within her. As she knelt down the border of her garment was dipped into the pool; she laid her forehead on the old woman’s knees, and the latter drew a cloak about the lady’s face, so that she was in darkness. Then she heard the muttered words of prayer, in the midst of which she started and would have arisen.
She paused for a moment, but the anxiety that had been building inside her flared up intensely. As she knelt down, the edge of her dress dipped into the pool; she rested her forehead on the old woman’s knees, and the woman pulled a cloak around the lady’s face, plunging her into darkness. Then she heard the whispered words of prayer, during which she flinched and would have stood up.
“Let me flee! Let me flee and hide myself, that they may not look upon me!” she cried. But, with returning recollection, she hushed herself and was still as death, for it seemed as if other voices, familiar in infancy and unforgotten through many wanderings and in all the vicissitudes of her heart and fortune, were mingling with the accents of the prayer. At first the words were faint and indistinct—not rendered so by distance, but rather resembling the dim pages of a book which we strive to read by an imperfect and gradually brightening light. In such a manner, as the prayer proceeded, did those voices strengthen upon the ear, till at length the petition ended, and the conversation of an aged man and of a woman broken and decayed like himself became distinctly audible to the lady as she knelt. But those strangers appeared not to stand in the hollow depth between the three hills. Their voices were encompassed and re-echoed by the walls of a chamber the windows of which were rattling in the breeze; the regular vibration of a clock, the crackling of a fire and the tinkling of the embers as they fell among the ashes rendered the scene almost as vivid as if painted to the eye. By a melancholy hearth sat these two old people, the man calmly despondent, the woman querulous and tearful, and their words were all of sorrow. They spoke of a daughter, a wanderer they knew not where, bearing dishonor along with her and leaving shame and affliction to bring their gray heads to the grave. They alluded also to other and more recent woe, but in the midst of their talk their voices seemed to melt into the sound of the wind sweeping mournfully among the autumn leaves; and when the lady lifted her eyes, there was she kneeling in the hollow between three hills.
“Let me run away! Let me run and hide so they won’t see me!” she cried. But as she regained her composure, she quieted herself and was as still as death, for it felt like other voices, familiar from her childhood and remembered through many journeys and the ups and downs of her heart and life, were blending with the words of the prayer. At first, the words were faint and unclear—not because of distance, but like the blurry pages of a book we struggle to read in a dim light that is slowly brightening. As the prayer went on, those voices grew clearer until, eventually, the conversation of an elderly man and a woman, frail and worn like him, became distinctly audible to her as she knelt. However, those strangers didn’t seem to be in the hollow valley between the three hills. Their voices echoed within the walls of a room with windows rattling in the breeze; the steady ticking of a clock, the crackling of a fire, and the soft falling of embers among the ashes made the scene almost as vibrant as if it were painted right before her eyes. By a somber fireplace sat these two old people, the man calmly resigned, the woman complaining and tearful, and their words were filled with sorrow. They spoke about a daughter, a wanderer they didn’t know the whereabouts of, carrying dishonor with her and leaving shame and sorrow to gray their heads before death. They also mentioned other, more recent grief, but amidst their conversation, their voices seemed to blend with the sound of the wind sorrowfully rustling through the autumn leaves; and when the lady lifted her eyes, there she was kneeling in the hollow between three hills.
“A weary and lonesome time yonder old couple have of it,” remarked the old woman, smiling in the lady’s face.
“A tired and lonely time that old couple has,” the old woman said with a smile at the lady's face.
“And did you also hear them?” exclaimed she, a sense of intolerable humiliation triumphing over her agony and fear.
“And did you also hear them?” she exclaimed, overwhelmed by a sense of unbearable humiliation that overshadowed her pain and fear.
“Yea, and we have yet more to hear,” replied the old woman, “wherefore cover thy face quickly.”
“Yeah, and we have even more to hear,” replied the old woman, “so cover your face quickly.”
Again the withered hag poured forth the monotonous words of a prayer that was not meant to be acceptable in heaven, and soon in the pauses of her breath strange murmurings began to thicken, gradually increasing, so as to drown and overpower the charm by which they grew. Shrieks pierced through the obscurity of sound and were succeeded by the singing of sweet female voices, which in their turn gave way to a wild roar of laughter broken suddenly by groanings and sobs, forming altogether a ghastly confusion of terror and mourning and mirth. Chains were rattling, fierce and stern voices uttered threats and the scourge resounded at their command. All these noises deepened and became substantial to the listener’s ear, till she could distinguish every soft and dreamy accent of the love-songs that died causelessly into funeral-hymns. She shuddered at the unprovoked wrath which blazed up like the spontaneous kindling of flume, and she grew faint at the fearful merriment raging miserably around her. In the midst of this wild scene, where unbound passions jostled each other in a drunken career, there was one solemn voice of a man, and a manly and melodious voice it might once have been. He went to and fro continually, and his feet sounded upon the floor. In each member of that frenzied company whose own burning thoughts had become their exclusive world he sought an auditor for the story of his individual wrong, and interpreted their laughter and tears as his reward of scorn or pity. He spoke of woman’s perfidy, of a wife who had broken her holiest vows, of a home and heart made desolate. Even as he went on, the shout, the laugh, the shriek, the sob, rose up in unison, till they changed into the hollow, fitful and uneven sound of the wind as it fought among the pine trees on those three lonely hills.
Again, the withered old woman recited the monotonous words of a prayer that wasn’t meant to reach heaven, and soon in her pauses, strange murmurs began to swell, gradually growing louder until they drowned out the charm that had brought them forth. Shrieks pierced through the confusing noise, followed by the sweet singing of female voices, which then gave way to wild laughter suddenly interrupted by groans and sobs, all combining into a ghastly mix of terror, mourning, and mirth. Chains rattled, fierce and harsh voices made threats, and a whip cracked at their command. All these sounds deepened and became tangible to the listener’s ear, until she could pick out every soft and dreamy note of love songs fading into funeral hymns. She shuddered at the unprovoked anger that flared up like a fire igniting on its own, and she felt faint from the terrifying merriment swirling chaotically around her. In the midst of this wild scene, where uncontrolled emotions collided in a drunken frenzy, there was one solemn voice of a man, once strong and melodic. He paced back and forth, his footsteps echoing against the floor. Among the frenzied crowd, each consumed by their own troubled thoughts, he looked for someone to hear the story of his personal wrongs, interpreting their laughter and tears as his reward for scorn or pity. He spoke of a woman’s betrayal, of a wife who had broken her most sacred vows, of a home and heart left desolate. As he continued, the cries, the laughter, the shrieks, and the sobs rose together until they transformed into the hollow, erratic sound of wind struggling among the pine trees on those three lonely hills.
The lady looked up, and there was the withered woman smiling in her face.
The woman looked up, and there was the old woman smiling back at her.
“Couldst thou have thought there were such merry times in a mad-house?” inquired the latter.
“Could you have imagined there were such joyful times in a crazy house?” asked the latter.
“True, true!” said the lady to herself; “there is mirth within its walls, but misery, misery without.”
“That's true!” the lady said to herself; “there's joy inside, but sorrow outside.”
“Wouldst thou hear more?” demanded the old woman.
“Do you want to hear more?” asked the old woman.
“There is one other voice I would fain listen to again,” replied the lady, faintly.
“There’s one more voice I’d love to hear again,” the lady replied softly.
“Then lay down thy head speedily upon my knees, that thou mayst get thee hence before the hour be past.”
“Then quickly lay your head on my knees, so you can leave before the hour is up.”
The golden skirts of day were yet lingering upon the hills, but deep shades obscured the hollow and the pool, as if sombre night were rising thence to overspread the world. Again that evil woman began to weave her spell. Long did it proceed unanswered, till the knolling of a bell stole in among the intervals of her words like a clang that had travelled far over valley and rising ground and was just ready to die in the air. The lady shook upon her companion’s knees as she heard that boding sound. Stronger it grew, and sadder, and deepened into the tone of a death-bell, knolling dolefully from some ivy-mantled tower and bearing tidings of mortality and woe to the cottage, to the hall and to the solitary wayfarer, that all might weep for the doom appointed in turn to them. Then came a measured tread, passing slowly, slowly on, as of mourners with a coffin, their garments trailing on the ground, so that the ear could measure the length of their melancholy array. Before them went the priest, reading the burial-service, while the leaves of his book were rustling in the breeze. And though no voice but his was heard to speak aloud, still there were revilings and anathemas, whispered but distinct, from women and from men, breathed against the daughter who had wrung the aged hearts of her parents, the wife who had betrayed the trusting fondness of her husband, the mother who had sinned against natural affection and left her child to die. The sweeping sound of the funeral train faded away like a thin vapor, and the wind, that just before had seemed to shake the coffin-pall, moaned sadly round the verge of the hollow between three hills. But when the old woman stirred the kneeling lady, she lifted not her head.
The golden light of day was still lingering on the hills, but dark shadows covered the hollow and the pool, as if a somber night was rising up to spread over the world. Once again, that wicked woman started to weave her spell. It went on for a long time without a response until the distant tolling of a bell broke through the pauses in her words, like a sound that had traveled far over valleys and hills and was about to fade away. The lady trembled on her companion’s knees as she heard that ominous sound. It grew stronger and sadder, deepening into the tone of a death knell, tolling mournfully from some ivy-covered tower and bringing news of death and sorrow to the cottage, to the hall, and to the lonely traveler, so that all might weep for the fate that awaited them in turn. Then came a slow, measured step, passing by as if mourners were carrying a coffin, their garments trailing on the ground, allowing the ear to gauge the length of their sorrowful procession. Ahead of them walked the priest, reciting the burial service, while the pages of his book rustled in the breeze. And though only his voice was audibly speaking, there were still murmurs of insults and curses, softly but clearly, from both women and men, directed at the daughter who had hurt her parents’ aged hearts, the wife who had betrayed her husband’s trusting love, and the mother who had abandoned her child to die. The sound of the funeral procession faded away like a thin mist, and the wind, which had seemed to shake the funeral cloak just before, sadly moaned around the edge of the hollow between three hills. But when the old woman nudged the kneeling lady, she did not lift her head.
“Here has been a sweet hour’s sport!” said the withered crone, chuckling to herself.
“Here has been a sweet hour’s fun!” said the withered crone, laughing to herself.
THE TOLL-GATHERER’S DAY
A SKETCH OF TRANSITORY LIFE
Methinks, for a person whose instinct bids him rather to pore over the current of life than to plunge into its tumultuous waves, no undesirable retreat were a toll-house beside some thronged thoroughfare of the land. In youth, perhaps, it is good for the observer to run about the earth, to leave the track of his footsteps far and wide, to mingle himself with the action of numberless vicissitudes, and, finally, in some calm solitude to feed a musing spirit on all that he has seen and felt. But there are natures too indolent or too sensitive to endure the dust, the sunshine or the rain, the turmoil of moral and physical elements, to which all the wayfarers of the world expose themselves. For such a man how pleasant a miracle could life be made to roll its variegated length by the threshold of his own hermitage, and the great globe, as it were, perform its revolutions and shift its thousand scenes before his eyes without whirling him onward in its course! If any mortal be favored with a lot analogous to this, it is the toll-gatherer. So, at least, have I often fancied while lounging on a bench at the door of a small square edifice which stands between shore and shore in the midst of a long bridge. Beneath the timbers ebbs and flows an arm of the sea, while above, like the life-blood through a great artery, the travel of the north and east is continually throbbing. Sitting on the aforesaid bench, I amuse myself with a conception, illustrated by numerous pencil-sketches in the air, of the toll-gatherer’s day.
I think, for someone whose instinct pushes him to study the flow of life rather than dive into its chaotic waves, a toll-house next to a busy road wouldn’t be a bad retreat. In youth, perhaps, it’s good for the observer to explore the world, leaving his footprints far and wide, to engage with the action of countless changes, and, ultimately, in some peaceful solitude, to reflect on everything he has seen and felt. But some people are too lazy or too sensitive to endure the dust, sunlight, or rain, and the chaos of moral and physical challenges that all the travelers of the world face. For such a person, how wonderful it would be if life could unfold its colorful scenes right at the entrance of his own sanctuary, letting the world turn and shift its many scenes before him without pushing him along! If anyone is lucky enough to have a life like this, it’s the toll-gatherer. At least, that’s what I often imagine while sitting on a bench in front of a small building located between shores in the middle of a long bridge. Beneath the structure, an arm of the sea ebbs and flows, while above, like blood through a major artery, the traffic from the north and east continually pulses. Sitting on that bench, I entertain myself with an idea, illustrated by numerous imaginary sketches in the air, of the toll-gatherer’s day.
In the morning—dim, gray, dewy summer’s morn—the distant roll of ponderous wheels begins to mingle with my old friend’s slumbers, creaking more and more harshly through the midst of his dream and gradually replacing it with realities. Hardly conscious of the change from sleep to wakefulness, he finds himself partly clad and throwing wide the toll-gates for the passage of a fragrant load of hay. The timbers groan beneath the slow-revolving wheels; one sturdy yeoman stalks beside the oxen, and, peering from the summit of the hay, by the glimmer of the half-extinguished lantern over the toll-house is seen the drowsy visage of his comrade, who has enjoyed a nap some ten miles long. The toll is paid; creak, creak, again go the wheels, and the huge hay-mow vanishes into the morning mist. As yet nature is but half awake, and familiar objects appear visionary. But yonder, dashing from the shore with a rattling thunder of the wheels and a confused clatter of hoofs, comes the never-tiring mail, which has hurried onward at the same headlong, restless rate all through the quiet night. The bridge resounds in one continued peal as the coach rolls on without a pause, merely affording the toll-gatherer a glimpse at the sleepy passengers, who now bestir their torpid limbs and snuff a cordial in the briny air. The morn breathes upon them and blushes, and they forget how wearily the darkness toiled away. And behold now the fervid day in his bright chariot, glittering aslant over the waves, nor scorning to throw a tribute of his golden beams on the toll-gatherer’s little hermitage. The old man looks eastward, and (for he is a moralizer) frames a simile of the stage-coach and the sun.
In the morning—a dim, gray, dewy summer morning—the distant sound of heavy wheels starts to blend with my old friend's sleep, creaking more harshly through his dreams and slowly replacing them with reality. Barely aware of the shift from sleep to wakefulness, he finds himself partly dressed and opening the toll-gates for a fragrant load of hay. The timbers groan under the slowly turning wheels; a sturdy farmer walks beside the oxen, and peeking from the top of the hay, lit by the dim light of the half-burned lantern over the toll-house, is the sleepy face of his friend, who has just enjoyed a nap that lasted about ten miles. The toll is paid; creak, creak, the wheels go again, and the large hay load disappears into the morning mist. Nature is still only half-awake, and familiar sights seem dreamlike. But there, bursting from the shore with a rattling thunder of wheels and a chaotic clatter of hooves, comes the tireless mail coach, which has rushed on at the same fast, restless pace all through the quiet night. The bridge echoes with a continuous sound as the coach rolls on without stopping, only giving the toll collector a quick look at the sleepy passengers, who now stir their sluggish limbs and take in the salty air. The morning breathes on them, bringing warmth, and they forget how hard the darkness worked to pass. And look now at the bright day in its shining chariot, sparkling over the waves, generously casting its golden light on the toll-gatherer’s little shelter. The old man looks eastward, and (since he tends to reflect) compares the stagecoach to the sun.
While the world is rousing itself we may glance slightly at the scene of our sketch. It sits above the bosom of the broad flood—a spot not of earth, but in the midst of waters which rush with a murmuring sound among the massive beams beneath. Over the door is a weatherbeaten board inscribed with the rates of toll in letters so nearly effaced that the gilding of the sunshine can hardly make them legible. Beneath the window is a wooden bench on which a long succession of weary wayfarers have reposed themselves. Peeping within-doors, we perceive the whitewashed walls bedecked with sundry lithographic prints and advertisements of various import and the immense show-bill of a wandering caravan. And there sits our good old toll-gatherer, glorified by the early sunbeams. He is a man, as his aspect may announce, of quiet soul and thoughtful, shrewd, yet simple mind, who of the wisdom which the passing world scatters along the wayside has gathered a reasonable store.
As the world wakes up, we take a quick look at the scene before us. It sits above the wide river—a place that's not really land, but amidst the waters that rush by with a soft murmur beneath the sturdy beams. Above the door, there's an old, weathered sign listing the toll rates in letters so faded that the sunlight barely makes them readable. Below the window, there's a wooden bench where a long line of tired travelers have rested. Peeking inside, we see the whitewashed walls decorated with various lithographic prints and ads of different kinds, along with a huge poster for a traveling circus. And there sits our friendly old toll collector, illuminated by the early sunlight. He’s a man, as his appearance suggests, with a calm demeanor and a thoughtful, clever yet straightforward mind, who has gathered a decent amount of the wisdom that life throws in his path.
Now the sun smiles upon the landscape and earth smiles back again upon the sky. Frequent now are the travellers. The toll-gatherer’s practised ear can distinguish the weight of every vehicle, the number of its wheels and how many horses beat the resounding timbers with their iron tramp. Here, in a substantial family chaise, setting forth betimes to take advantage of the dewy road, come a gentleman and his wife with their rosy-cheeked little girl sitting gladsomely between them. The bottom of the chaise is heaped with multifarious bandboxes and carpet-bags, and beneath the axle swings a leathern trunk dusty with yesterday’s journey. Next appears a four-wheeled carryall peopled with a round half dozen of pretty girls, all drawn by a single horse and driven by a single gentleman. Luckless wight doomed through a whole summer day to be the butt of mirth and mischief among the frolicsome maidens! Bolt upright in a sulky rides a thin, sour-visaged man who as he pays his toll hands the toll-gatherer a printed card to stick upon the wall. The vinegar-faced traveller proves to be a manufacturer of pickles. Now paces slowly from timber to timber a horseman clad in black, with a meditative brow, as of one who, whithersoever his steed might bear him, would still journey through a mist of brooding thought. He is a country preacher going to labor at a protracted meeting. The next object passing townward is a butcher’s cart canopied with its arch of snow-white cotton. Behind comes a “sauceman” driving a wagon full of new potatoes, green ears of corn, beets, carrots, turnips and summer squashes, and next two wrinkled, withered witch-looking old gossips in an antediluvian chaise drawn by a horse of former generations and going to peddle out a lot of huckleberries. See, there, a man trundling a wheelbarrow-load of lobsters. And now a milk-cart rattles briskly onward, covered with green canvas and conveying the contributions of a whole herd of cows, in large tin canisters.
Now the sun shines on the landscape, and the earth reflects that light back at the sky. Travelers are frequent now. The toll collector’s trained ear can pick up the weight of every vehicle, the number of its wheels, and how many horses stomp heavily on the wood. Here, in a sturdy family carriage, setting out early to make the most of the dewy road, a gentleman and his wife are with their rosy-cheeked little girl joyfully sitting between them. The bottom of the carriage is piled with various boxes and bags, and beneath the axle hangs a leather trunk dusty from yesterday’s journey. Next comes a four-wheeled wagon filled with a round half dozen of pretty girls, all pulled by a single horse and driven by one gentleman. Poor guy, destined all summer long to be the target of laughter and mischief from the playful maidens! Sitting upright in a sulky is a thin, sour-faced man who, as he pays his toll, hands the collector a printed card to post on the wall. The grumpy traveler turns out to be a pickle manufacturer. Now, slowly making his way from tree to tree is a horseman dressed in black, with a thoughtful expression, as if wherever his horse takes him, he will still be lost in deep reflection. He is a country preacher heading to lead a lengthy meeting. The next thing heading toward town is a butcher’s cart topped with an arch of pure white fabric. Following that is a "sauceman" driving a wagon filled with fresh potatoes, green corn, beets, carrots, turnips, and summer squashes. Next are two wrinkled, elderly ladies, looking like witches, in an old-fashioned carriage pulled by a horse from another era, going to sell some huckleberries. Look over there! A man pushing a wheelbarrow full of lobsters. And now a milk cart rattles along, covered with green canvas and carrying the bounty of an entire herd of cows in large tin containers.
But let all these pay their toll and pass. Here comes a spectacle that causes the old toll-gatherer to smile benignantly, as if the travellers brought sunshine with them and lavished its gladsome influence all along the road. It is a barouche of the newest style, the varnished panels of which reflect the whole moving panorama of the landscape, and show a picture, likewise, of our friend with his visage broadened, so that his meditative smile is transformed to grotesque merriment. Within sits a youth fresh as the summer morn, and beside him a young lady in white with white gloves upon her slender hands and a white veil flowing down over her face. But methinks her blushing cheek burns through the snowy veil. Another white-robed virgin sits in front. And who are these on whom, and on all that appertains to them, the dust of earth seems never to have settled? Two lovers whom the priest has blessed this blessed morn and sent them forth, with one of the bride-maids, on the matrimonial tour.—Take my blessing too, ye happy ones! May the sky not frown upon you nor clouds bedew you with their chill and sullen rain! May the hot sun kindle no fever in your hearts! May your whole life’s pilgrimage be as blissful as this first day’s journey, and its close be gladdened with even brighter anticipations than those which hallow your bridal-night! They pass, and ere the reflection of their joy has faded from his face another spectacle throws a melancholy shadow over the spirit of the observing man. In a close carriage sits a fragile figure muffled carefully and shrinking even from the mild breath of summer. She leans against a manly form, and his arm enfolds her as if to guard his treasure from some enemy. Let but a few weeks pass, and when he shall strive to embrace that loved one, he will press only desolation to his heart.
But let all these pay their dues and move on. Here comes a scene that makes the old toll collector smile warmly, as if the travelers brought sunshine with them and spread its joyful effect all along the road. It’s a stylish new carriage, its glossy panels reflecting the whole moving landscape, also showing a picture of our friend with a widened face, his thoughtful smile turned into exaggerated laughter. Inside sits a young man as fresh as a summer morning, and next to him a young woman in white with white gloves on her slender hands and a white veil flowing down over her face. But I think her blushing cheek shines through the snowy veil. Another white-clad woman sits in front. And who are these, on whom the dust of the earth seems to have never settled? Two lovers whom the priest has blessed this very morning, sending them off, along with one of the bridesmaids, on their honeymoon. —Take my blessings too, you happy ones! May the sky not frown upon you, nor may clouds drench you with their cold and gloomy rain! May the hot sun not spark any fever in your hearts! May your entire journey through life be as joyful as this first day’s trip, and may its end be filled with even brighter hopes than those that bless your wedding night! They pass by, and before the reflection of their joy fades from his face, another scene casts a sad shadow over the observer's spirit. In a closed carriage sits a delicate figure, carefully wrapped and shrinking even from the gentle summer breeze. She leans against a strong man, his arm wrapped around her as if to protect his treasure from some threat. Just a few weeks later, when he tries to embrace that loved one, he will find only desolation in his arms.
And now has Morning gathered up her dewy pearls and fled away. The sun rolls blazing through the sky, and cannot find a cloud to cool his face with. The horses toil sluggishly along the bridge, and heave their glistening sides in short quick pantings when the reins are tightened at the toll-house. Glisten, too, the faces of the travellers. Their garments are thickly bestrewn with dust; their whiskers and hair look hoary; their throats are choked with the dusty atmosphere which they have left behind them. No air is stirring on the road. Nature dares draw no breath lest she should inhale a stifling cloud of dust. “A hot and dusty day!” cry the poor pilgrims as they wipe their begrimed foreheads and woo the doubtful breeze which the river bears along with it.—“Awful hot! Dreadful dusty!” answers the sympathetic toll-gatherer. They start again to pass through the fiery furnace, while he re-enters his cool hermitage and besprinkles it with a pail of briny water from the stream beneath. He thinks within himself that the sun is not so fierce here as elsewhere, and that the gentle air doth not forget him in these sultry days. Yes, old friend, and a quiet heart will make a dog-day temperate. He hears a weary footstep, and perceives a traveller with pack and staff, who sits down upon the hospitable bench and removes the hat from his wet brow. The toll-gatherer administers a cup of cold water, and, discovering his guest to be a man of homely sense, he engages him in profitable talk, uttering the maxims of a philosophy which he has found in his own soul, but knows not how it came there. And as the wayfarer makes ready to resume his journey he tells him a sovereign remedy for blistered feet.
And now Morning has gathered her dewy pearls and slipped away. The sun rolls blazing through the sky, unable to find a cloud to cool his face. The horses move sluggishly along the bridge, heaving their shiny sides in short, quick breaths when the reins are pulled tight at the toll-house. The faces of the travelers are shining as well. Their clothes are covered in dust; their beards and hair look gray; their throats are choked with the dusty air they've left behind. There's no breeze on the road. Nature holds her breath, afraid to inhale a thick cloud of dust. “What a hot and dusty day!” the tired pilgrims shout as they wipe their grimy foreheads and try to catch the uncertain breeze carried from the river. “So hot! So dusty!” replies the sympathetic toll collector. They set off again to pass through the burning heat, while he returns to his cool shelter and sprinkles it with a bucket of salty water from the stream below. He thinks to himself that the sun isn't as harsh here as it is elsewhere, and that the gentle air doesn't forget him on these sweltering days. Yes, old friend, and a peaceful heart can make a hot day feel bearable. He hears a tired footstep and sees a traveler with a pack and a staff, who sits down on the welcoming bench and takes off his hat from his damp forehead. The toll collector hands him a cup of cold water, and noticing that his guest is a sensible man, he engages him in meaningful conversation, sharing the wisdom he's discovered within himself without knowing how it got there. As the traveler prepares to continue his journey, he shares a foolproof remedy for blistered feet.
Now comes the noontide hour—of all the hours, nearest akin to midnight, for each has its own calmness and repose. Soon, however, the world begins to turn again upon its axis, and it seems the busiest epoch of the day, when an accident impedes the march of sublunary things. The draw being lifted to permit the passage of a schooner laden with wood from the Eastern forests, she sticks immovably right athwart the bridge. Meanwhile, on both sides of the chasm a throng of impatient travellers fret and fume. Here are two sailors in a gig with the top thrown back, both puffing cigars and swearing all sorts of forecastle oaths; there, in a smart chaise, a dashingly-dressed gentleman and lady, he from a tailor’s shop-board and she from a milliner’s back room—the aristocrats of a summer afternoon. And what are the haughtiest of us but the ephemeral aristocrats of a summer’s day? Here is a tin-pedler whose glittering ware bedazzles all beholders like a travelling meteor or opposition sun, and on the other side a seller of spruce beer, which brisk liquor is confined in several dozen of stone bottles. Here conic a party of ladies on horseback, in green ridings habits, and gentlemen attendant, and there a flock of sheep for the market, pattering over the bridge with a multitude nous clatter of their little hoofs; here a Frenchman with a hand-organ on his shoulder, and there an itinerant Swiss jeweller. On this side, heralded by a blast of clarions and bugles, appears a train of wagons conveying all the wild beasts of a caravan; and on that a company of summer soldiers marching from village to village on a festival campaign, attended by the “brass band.” Now look at the scene, and it presents an emblem of the mysterious confusion, the apparently insolvable riddle, in which individuals, or the great world itself, seem often to be involved. What miracle shall set all things right again?
Now it's noon—the time that feels closest to midnight, as both have their own sense of calm. But soon, the world starts moving again, and it feels like the most hectic part of the day, especially when something disrupts the flow of everyday life. The drawbridge is raised to let a schooner loaded with wood from the Eastern forests pass, but it gets stuck right across the bridge. Meanwhile, on both sides of the gap, a crowd of impatient travelers is getting frustrated. Two sailors are in a small boat with the cover down, both smoking cigars and shouting all sorts of rough sailor curses; nearby, a sharply-dressed gentleman and lady in a fancy carriage—a product of a tailor’s shop and a milliner’s workroom—represent the high society of a summer afternoon. And what are the so-called elite, if not the temporary aristocrats of a sunny day? There's a tin peddler whose shiny goods dazzle everyone like a moving star or blazing sun, and across the way, a seller of spruce beer, with that lively drink packed in numerous stone bottles. Here come a group of ladies on horseback in green riding outfits, with gentlemen accompanying them, and over there, a flock of sheep heading to market, clattering over the bridge with their tiny hooves; here’s a Frenchman carrying a hand-organ on his shoulder, and there’s a traveling Swiss jeweler. On this side, announced by the sound of trumpets and bugles, a line of wagons is carrying all the wild animals from a caravan; and on that side, a group of summer soldiers is marching from village to village for a festive tour, accompanied by a brass band. Now look at the scene; it’s a symbol of the mysterious chaos and seemingly unsolvable puzzle that individuals, or even the world itself, often find themselves caught up in. What miracle will restore order to everything?
But see! the schooner has thrust her bulky carcase through the chasm; the draw descends; horse and foot pass onward and leave the bridge vacant from end to end. “And thus,” muses the toll-gatherer, “have I found it with all stoppages, even though the universe seemed to be at a stand.” The sage old man!
But look! The schooner has pushed its bulky body through the gap; the drawbridge lowers; horse and foot move on, leaving the bridge empty from one end to the other. “And so,” thinks the toll collector, “have I found it with all delays, even when it felt like the world was at a standstill.” The wise old man!
Far westward now the reddening sun throws a broad sheet of splendor across the flood, and to the eyes of distant boatmen gleams brightly among the timbers of the bridge. Strollers come from the town to quaff the freshening breeze. One or two let down long lines and haul up flapping flounders or cunners or small cod, or perhaps an eel. Others, and fair girls among them, with the flush of the hot day still on their cheeks, bend over the railing and watch the heaps of seaweed floating upward with the flowing tide. The horses now tramp heavily along the bridge and wistfully bethink them of their stables.—Rest, rest, thou weary world! for to-morrow’s round of toil and pleasure will be as wearisome as to-day’s has been, yet both shall bear thee onward a day’s march of eternity.—Now the old toll-gatherer looks seaward and discerns the lighthouse kindling on a far island, and the stars, too, kindling in the sky, as if but a little way beyond; and, mingling reveries of heaven with remembrances of earth, the whole procession of mortal travellers, all the dusty pilgrimage which he has witnessed, seems like a flitting show of phantoms for his thoughtful soul to muse upon.
Far to the west, the setting sun casts a bright display of color across the water, shining vividly among the bridge's beams for the distant boaters. People stroll from town to enjoy the refreshing breeze. A few drop down long lines and reel in wriggling flounders, cunners, or small cod, maybe even an eel. Others, including some young women with the day's heat still on their cheeks, lean over the railing to watch the clumps of seaweed rise with the tide. The horses now trudge heavily along the bridge, nostalgically thinking about their stables. —Rest, rest, you weary world! Tomorrow’s grind of work and fun will be just as exhausting as today’s, yet both will carry you another day forward in the endless journey of eternity. —Now the old toll collector gazes toward the sea and spots the lighthouse lighting up on a distant island, along with the stars beginning to twinkle in the sky, as if they were just beyond reach; and, blending thoughts of heaven with memories of earth, the entire parade of human travelers—the dusty journey he has seen—feels like a fleeting show of phantoms for his contemplative mind to ponder.
THE VISION OF THE FOUNTAIN
At fifteen I became a resident in a country village more than a hundred miles from home. The morning after my arrival—a September morning, but warm and bright as any in July—I rambled into a wood of oaks with a few walnut trees intermixed, forming the closest shade above my head. The ground was rocky, uneven, overgrown with bushes and clumps of young saplings and traversed only by cattle-paths. The track which I chanced to follow led me to a crystal spring with a border of grass as freshly green as on May morning, and overshadowed by the limb of a great oak. One solitary sunbeam found its way down and played like a goldfish in the water.
At fifteen, I moved to a village over a hundred miles from home. The morning after I arrived—a September morning, but warm and bright like any in July—I wandered into a wood of oak trees with a few walnut trees mixed in, creating a thick shade above me. The ground was rocky, uneven, and overgrown with bushes and clusters of young saplings, and it was only crossed by cattle paths. The path I happened to take led me to a crystal-clear spring surrounded by grass as fresh and green as on a May morning, with a big oak tree casting its shadow over it. A single sunbeam pierced through and danced in the water like a goldfish.
From my childhood I have loved to gaze into a spring. The water filled a circular basin, small but deep and set round with stones, some of which were covered with slimy moss, the others naked and of variegated hue—reddish, white and brown. The bottom was covered with coarse sand, which sparkled in the lonely sunbeam and seemed to illuminate the spring with an unborrowed light. In one spot the gush of the water violently agitated the sand, but without obscuring the fountain or breaking the glassiness of its surface. It appeared as if some living creature were about to emerge—the naiad of the spring, perhaps, in the shape of a beautiful young woman with a gown of filmy water-moss, a belt of rainbow-drops and a cold, pure, passionless countenance. How would the beholder shiver, pleasantly yet fearfully, to see her sitting on one of the stones, paddling her white feet in the ripples and throwing up water to sparkle in the sun! Wherever she laid her hands on grass and flowers, they would immediately be moist, as with morning dew. Then would she set about her labors, like a careful housewife, to clear the fountain of withered leaves, and bits of slimy wood, and old acorns from the oaks above, and grains of corn left by cattle in drinking, till the bright sand in the bright water were like a treasury of diamonds. But, should the intruder approach too near, he would find only the drops of a summer shower glistening about the spot where he had seen her.
From my childhood, I've loved gazing into a spring. The water filled a small, deep circular basin surrounded by stones, some coated with slimy moss, others bare and in various colors—reddish, white, and brown. The bottom was covered in coarse sand that sparkled in a lonely sunbeam, seeming to illuminate the spring with its own light. In one spot, the rush of water stirred the sand violently, yet it didn’t cloud the fountain or disrupt the glassy surface. It looked as if some living creature might emerge—the naïad of the spring, perhaps, appearing as a beautiful young woman in a gown of delicate water-moss, a belt of rainbow droplets, and a cold, pure, passionless face. How would onlookers shiver, both pleasantly and fearfully, to see her sitting on one of the stones, dipping her white feet in the ripples and splashing water to sparkle in the sun! Wherever she touched grass and flowers, they would instantly become damp, like they were kissed by morning dew. Then she would begin her tasks, like a diligent housewife, removing dead leaves, slimy bits of wood, old acorns from the oaks above, and grains of corn left behind by cattle drinking, until the bright sand in the clear water looked like a treasure of diamonds. But if an intruder got too close, he would only find the glistening drops of a summer shower where he had seen her.
Reclining on the border of grass where the dewy goddess should have been, I bent forward, and a pair of eyes met mine within the watery mirror. They were the reflection of my own. I looked again, and, lo! another face, deeper in the fountain than my own image, more distinct in all the features, yet faint as thought. The vision had the aspect of a fair young girl with locks of paly gold. A mirthful expression laughed in the eyes and dimpled over the whole shadowy countenance, till it seemed just what a fountain would be if, while dancing merrily into the sunshine, it should assume the shape of woman. Through the dim rosiness of the cheeks I could see the brown leaves, the slimy twigs, the acorns and the sparkling sand. The solitary sunbeam was diffused among the golden hair, which melted into its faint brightness and became a glory round that head so beautiful.
Reclining on the edge of the grass where the dewy goddess should have been, I leaned in, and a pair of eyes met mine in the watery mirror. They were the reflection of my own. I looked again, and, wow! another face, deeper in the fountain than my own image, was clearer in all its features, yet faint as a thought. The vision had the appearance of a beautiful young girl with pale golden hair. A joyful smile danced in her eyes and lit up her whole shadowy face, making it seem just like what a fountain would look like if, while joyfully spilling into the sunshine, it took on the form of a woman. Through the soft pinkness of her cheeks, I could see the brown leaves, slippery twigs, acorns, and sparkling sand. The single sunbeam spread through her golden hair, which melted into its gentle brightness, creating a radiant aura around that lovely head.
My description can give no idea how suddenly the fountain was thus tenanted and how soon it was left desolate. I breathed, and there was the face; I held my breath, and it was gone. Had it passed away or faded into nothing? I doubted whether it had ever been.
My description can't convey how suddenly the fountain was filled and how quickly it became empty again. I took a breath, and there it was—then I held my breath, and it disappeared. Did it vanish or just fade away? I questioned whether it had ever existed at all.
My sweet readers, what a dreamy and delicious hour did I spend where that vision found and left me! For a long time I sat perfectly still, waiting till it should reappear, and fearful that the slightest motion, or even the flutter of my breath, might frighten it away. Thus have I often started from a pleasant dream, and then kept quiet in hopes to wile it back. Deep were my musings as to the race and attributes of that ethereal being. Had I created her? Was she the daughter of my fancy, akin to those strange shapes which peep under the lids of children’s eyes? And did her beauty gladden me for that one moment and then die? Or was she a water-nymph within the fountain, or fairy or woodland goddess peeping over my shoulder, or the ghost of some forsaken maid who had drowned herself for love? Or, in good truth, had a lovely girl with a warm heart and lips that would bear pressure stolen softly behind me and thrown her image into the spring?
My sweet readers, what a dreamy and delightful hour I spent where that vision found and left me! For a long time, I sat perfectly still, waiting for it to reappear, scared that the slightest movement or even the flutter of my breath might scare it away. This is often how I've woken from a pleasant dream, then stayed quiet hoping to lure it back. I was deep in thought about the nature and qualities of that ethereal being. Had I created her? Was she the daughter of my imagination, like those strange shapes that peek under the eyelids of children? Did her beauty bring me joy for just that one moment before fading away? Or was she a water nymph in the fountain, a fairy or woodland goddess looking over my shoulder, or the ghost of some forsaken maiden who drowned herself for love? Or, to be honest, had a lovely girl with a warm heart and lips that would yield softly slipped up behind me and cast her image into the spring?
I watched and waited, but no vision came again. I departed, but with a spell upon me which drew me back that same afternoon to the haunted spring. There was the water gushing, the sand sparkling and the sunbeam glimmering. There the vision was not, but only a great frog, the hermit of that solitude, who immediately withdrew his speckled snout and made himself invisible—all except a pair of long legs—beneath a stone. Methought he had a devilish look. I could have slain him as an enchanter who kept the mysterious beauty imprisoned in the fountain.
I watched and waited, but no vision appeared again. I left, but there was a spell on me that pulled me back to the haunted spring that same afternoon. The water was flowing, the sand was sparkling, and the sun was shining. The vision wasn’t there, only a large frog, the hermit of that solitude, who quickly tucked his speckled nose away and made himself disappear—except for a pair of long legs—under a stone. He looked rather sinister. I could have killed him as an enchanter keeping the mysterious beauty trapped in the fountain.
Sad and heavy, I was returning to the village. Between me and the church-spire rose a little hill, and on its summit a group of trees insulated from all the rest of the wood, with their own share of radiance hovering on them from the west and their own solitary shadow falling to the east. The afternoon being far declined, the sunshine was almost pensive and the shade almost cheerful; glory and gloom were mingled in the placid light, as if the spirits of the Day and Evening had met in friendship under those trees and found themselves akin. I was admiring the picture when the shape of a young girl emerged from behind the clump of oaks. My heart knew her: it was the vision, but so distant and ethereal did she seem, so unmixed with earth, so imbued with the pensive glory of the spot where she was standing, that my spirit sunk within me, sadder than before. How could I ever reach her?
Feeling sad and heavy, I was heading back to the village. A small hill rose between me and the church spire, and at its top, a group of trees stood apart from the rest of the woods, bathed in the warm glow of the setting sun from the west, their solitary shadow stretching out to the east. With the afternoon fading, the sunshine felt almost reflective, while the shade seemed surprisingly cheerful; light and darkness blended in a calm radiance, as if the spirits of Day and Evening had met in friendship under those trees and recognized their connection. I was captivated by the scene when a young girl appeared from behind the cluster of oaks. I felt I knew her: it was the vision, but she seemed so far away and ethereal, so disconnected from the earth, and so filled with the thoughtful beauty of the place she stood in that a deeper sadness settled within me. How could I ever reach her?
While I gazed a sudden shower came pattering down upon the leaves. In a moment the air was full of brightness, each raindrop catching a portion of sunlight as it fell, and the whole gentle shower appearing like a mist, just substantial enough to bear the burden of radiance. A rainbow vivid as Niagara’s was painted in the air. Its southern limb came down before the group of trees and enveloped the fair vision as if the hues of heaven were the only garment for her beauty. When the rainbow vanished, she who had seemed a part of it was no longer there. Was her existence absorbed in nature’s loveliest phenomenon, and did her pure frame dissolve away in the varied light? Yet I would not despair of her return, for, robed in the rainbow, she was the emblem of Hope.
While I was looking, a sudden shower started to fall on the leaves. In an instant, the air was filled with brightness, each raindrop catching a bit of sunlight as it fell, and the gentle shower looked like a mist, just solid enough to carry the light. A rainbow as bright as Niagara appeared in the sky. Its southern arc came down in front of the group of trees and surrounded the beautiful scene as if the colors of heaven were the only clothes for her beauty. When the rainbow disappeared, she, who seemed like part of it, was gone. Was her existence absorbed into nature’s most beautiful display, and did her pure form dissolve in the colorful light? Yet I wouldn’t lose hope for her return, because, wrapped in the rainbow, she was the symbol of Hope.
Thus did the vision leave me, and many a doleful day succeeded to the parting moment. By the spring and in the wood and on the hill and through the village, at dewy sunrise, burning noon, and at that magic hour of sunset, when she had vanished from my sight, I sought her, but in vain. Weeks came and went, months rolled away, and she appeared not in them. I imparted my mystery to none, but wandered to and fro or sat in solitude like one that had caught a glimpse of heaven and could take no more joy on earth. I withdrew into an inner world where my thoughts lived and breathed, and the vision in the midst of them. Without intending it, I became at once the author and hero of a romance, conjuring up rivals, imagining events, the actions of others and my own, and experiencing every change of passion, till jealousy and despair had their end in bliss. Oh, had I the burning fancy of my early youth with manhood’s colder gift, the power of expression, your hearts, sweet ladies, should flutter at my tale.
So the vision left me, and many sad days followed that moment. In the spring, in the woods, on the hill, and through the village, at dewy sunrise, blazing noon, and that magical hour of sunset, when she had disappeared from my sight, I searched for her, but it was useless. Weeks passed, and months went by, and she didn’t appear in any of them. I shared my secret with no one, instead wandering around or sitting alone like someone who had caught a glimpse of heaven and could find no more joy on earth. I retreated into a private world where my thoughts lived and thrived, with the vision at the center of them. Without meaning to, I became both the author and the hero of a romance, conjuring up rivals, imagining events, the actions of others and my own, and feeling every shift in emotion, until jealousy and despair yielded to bliss. Oh, if I had the passionate imagination of my youth combined with the cooler ability to express myself that comes with manhood, your hearts, lovely ladies, would flutter at my story.
In the middle of January I was summoned home. The day before my departure, visiting the spots which had been hallowed by the vision, I found that the spring had a frozen bosom, and nothing but the snow and a glare of winter sunshine on the hill of the rainbow. “Let me hope,” thought I, “or my heart will be as icy as the fountain and the whole world as desolate as this snowy hill.” Most of the day was spent in preparing for the journey, which was to commence at four o’clock the next morning. About an hour after supper, when all was in readiness, I descended from my chamber to the sitting-room to take leave of the old clergyman and his family with whom I had been an inmate. A gust of wind blew out my lamp as I passed through the entry.
In the middle of January, I was called home. The day before I left, I visited the places that were special to me. I found that spring was still frozen, with only snow and bright winter sunlight shining down on the hill of the rainbow. “I hope for the best,” I thought, “or my heart will feel as cold as the fountain, and the whole world will seem as empty as this snowy hill.” I spent most of the day getting ready for my trip, which was set to start at four o’clock the next morning. About an hour after dinner, once everything was in order, I went down from my room to the living room to say goodbye to the old clergyman and his family, whom I had been living with. A gust of wind blew out my lamp as I walked through the hallway.
According to their invariable custom—so pleasant a one when the fire blazes cheerfully—the family were sitting in the parlor with no other light than what came from the hearth. As the good clergyman’s scanty stipend compelled him to use all sorts of economy, the foundation of his fires was always a large heap of tan, or ground bark, which would smoulder away from morning till night with a dull warmth and no flame. This evening the heap of tan was newly put on and surmounted with three sticks of red oak full of moisture, and a few pieces of dry pine that had not yet kindled. There was no light except the little that came sullenly from two half-burnt brands, without even glimmering on the andirons. But I knew the position of the old minister’s arm-chair, and also where his wife sat with her knitting-work, and how to avoid his two daughters—one a stout country lass, and the other a consumptive girl. Groping through the gloom, I found my own place next to that of the son, a learned collegian who had come home to keep school in the village during the winter vacation. I noticed that there was less room than usual to-night between the collegian’s chair and mine.
According to their usual routine—which was quite nice when the fire was happily glowing—the family was sitting in the living room with no other light than what came from the fireplace. Since the good clergyman’s small salary forced him to be frugal, the base of his fires was always a large pile of tan or ground bark, which would smolder quietly from morning until night, giving off a dull warmth without any flames. That evening, the pile of tan had just been added to, topped with three sticks of red oak that were still wet, and a few pieces of dry pine that hadn’t lit yet. There was hardly any light except for the dim glow from two half-burned logs, barely illuminating the andirons. But I knew where the old minister’s armchair was, where his wife sat with her knitting, and how to avoid his two daughters—one a sturdy country girl and the other a frail one. Feeling my way through the darkness, I found my spot next to the son, a scholarly college student who had returned home to teach school in the village during winter break. I noticed that there was less space than usual tonight between the college student's chair and mine.
As people are always taciturn in the dark, not a word was said for some time after my entrance. Nothing broke the stillness but the regular click of the matron’s knitting-needles. At times the fire threw out a brief and dusky gleam which twinkled on the old man’s glasses and hovered doubtfully round our circle, but was far too faint to portray the individuals who composed it. Were we not like ghosts? Dreamy as the scene was, might it not be a type of the mode in which departed people who had known and loved each other here would hold communion in eternity? We were aware of each other’s presence, not by sight nor sound nor touch, but by an inward consciousness. Would it not be so among the dead?
As people tend to be quiet in the dark, no one spoke for a while after I walked in. The only thing breaking the silence was the steady clicking of the matron’s knitting needles. Sometimes, the fire cast a brief, dim light that twinkled on the old man’s glasses and hovered uncertainly around our group, but it was too weak to show the faces of the people there. Weren't we like ghosts? Even though the scene was dreamy, could it represent how people who had loved each other and passed on would communicate in eternity? We sensed each other's presence, not through sight, sound, or touch, but through a deep, inner awareness. Wouldn't it be like that among the dead?
The silence was interrupted by the consumptive daughter addressing a remark to some one in the circle whom she called Rachel. Her tremulous and decayed accents were answered by a single word, but in a voice that made me start and bend toward the spot whence it had proceeded. Had I ever heard that sweet, low tone? If not, why did it rouse up so many old recollections, or mockeries of such, the shadows of things familiar yet unknown, and fill my mind with confused images of her features who had spoken, though buried in the gloom of the parlor? Whom had my heart recognized, that it throbbed so? I listened to catch her gentle breathing, and strove by the intensity of my gaze to picture forth a shape where none was visible.
The silence was broken by the ailing daughter speaking to someone in the circle she called Rachel. Her shaky, weakened voice was met with a single word, but it came from a direction that made me jump and lean in closer. Had I ever heard that sweet, soft tone before? If not, why did it stir up so many old memories—or echoes of them—shadows of things both familiar and unfamiliar, flooding my mind with jumbled images of the face that had spoken, even though it was hidden in the dim light of the parlor? Whom did my heart recognize that made it beat so fast? I listened to catch her soft breathing and tried to focus so hard that I could picture a form where none was visible.
Suddenly the dry pine caught; the fire blazed up with a ruddy glow, and where the darkness had been, there was she—the vision of the fountain. A spirit of radiance only, she had vanished with the rainbow and appeared again in the firelight, perhaps to flicker with the blaze and be gone. Yet her cheek was rosy and lifelike, and her features, in the bright warmth of the room, were even sweeter and tenderer than my recollection of them. She knew me. The mirthful expression that had laughed in her eyes and dimpled over her countenance when I beheld her faint beauty in the fountain was laughing and dimpling there now. One moment our glance mingled; the next, down rolled the heap of tan upon the kindled wood, and darkness snatched away that daughter of the light, and gave her back to me no more!
Suddenly, the dry pine caught fire; the flames flared up with a warm glow, and where there had been darkness, there she was—the vision of the fountain. She was just a spirit of light, vanishing with the rainbow and reappearing in the firelight, maybe to flicker with the flames and then disappear again. Yet her cheek looked rosy and lifelike, and her features, in the cozy warmth of the room, were even sweeter and more tender than I remembered. She recognized me. The joyful expression that had glimmered in her eyes and brightened her face when I saw her faint beauty in the fountain was present again, laughing and glowing now. For a moment our eyes met; then suddenly, a pile of logs collapsed onto the burning wood, and darkness took that daughter of light away, never to return to me again!
Fair ladies, there is nothing more to tell. Must the simple mystery be revealed, then, that Rachel was the daughter of the village squire and had left home for a boarding-school the morning after I arrived and returned the day before my departure? If I transformed her to an angel, it is what every youthful lover does for his mistress. Therein consists the essence of my story. But slight the change, sweet maids, to make angels of yourselves.
Fair ladies, there’s nothing more to share. Must I reveal the simple mystery that Rachel was the daughter of the village squire, who left for boarding school the morning after I arrived and came back the day before I left? If I turned her into an angel, that’s what every young lover does for his sweetheart. That’s the heart of my story. But don’t change too much, sweet girls, to become angels yourselves.
FANCY’S SHOW-BOX
A MORALITY
What is guilt? A stain upon the soul. And it is a point of vast interest whether the soul may contract such stains in all their depth and flagrancy from deeds which may have been plotted and resolved upon, but which physically have never had existence. Must the fleshly hand and visible frame of man set its seal to the evil designs of the soul, in order to give them their entire validity against the sinner? Or, while none but crimes perpetrated are cognizable before an earthly tribunal, will guilty thoughts—of which guilty deeds are no more than shadows,—will these draw down the full weight of a condemning sentence in the supreme court of eternity? In the solitude of a midnight chamber or in a desert afar from men or in a church while the body is kneeling the soul may pollute itself even with those crimes which we are accustomed to deem altogether carnal. If this be true, it is a fearful truth.
What is guilt? A mark on the soul. It's a fascinating question whether the soul can bear such marks in all their intensity and obviousness from actions that may have been planned and decided but never actually carried out. Does the physical hand and visible body of a person need to endorse the evil intentions of the soul for them to hold full weight against the sinner? Or, while only actual crimes can be judged by earthly courts, do guilty thoughts—which guilty actions are merely reflections of—do these bring down the full force of a condemning sentence in the ultimate court of eternity? In the isolation of a midnight room, in a distant desert, or in a church where the body is kneeling, the soul can corrupt itself even with those acts we usually consider purely physical. If this is true, it is a terrifying truth.
Let us illustrate the subject by an imaginary example. A venerable gentleman—one Mr. Smith—who had long been regarded as a pattern of moral excellence was warming his aged blood with a glass or two of generous wine. His children being gone forth about their worldly business and his grandchildren at school, he sat alone in a deep luxurious arm-chair with his feet beneath a richly-carved mahogany table. Some old people have a dread of solitude, and when better company may not be had rejoice even to hear the quiet breathing of a babe asleep upon the carpet. But Mr. Smith, whose silver hair was the bright symbol of a life unstained except by such spots as are inseparable from human nature—he had no need of a babe to protect him by its purity, nor of a grown person to stand between him and his own soul. Nevertheless, either manhood must converse with age, or womanhood must soothe him with gentle cares, or infancy must sport around his chair, or his thoughts will stray into the misty region of the past and the old man be chill and sad. Wine will not always cheer him.
Let’s illustrate the topic with a made-up example. A respected gentleman—Mr. Smith—who had long been seen as a model of moral integrity was warming his old blood with a glass or two of fine wine. With his children off handling their own affairs and his grandchildren at school, he sat alone in a plush armchair with his feet resting on a beautifully carved mahogany table. Some older people fear being alone, and when they can’t find better company, they even take comfort in the quiet breathing of a baby sleeping on the carpet. But Mr. Smith, whose silver hair was a shining symbol of a life lived with few blemishes—besides the natural flaws that come with being human—didn't need a baby to shield him with its innocence, nor an adult to act as a barrier between him and his own thoughts. Still, either a man must engage with age, or a woman must comfort him with gentle care, or children must play around his chair, or his thoughts will drift into the foggy memories of the past, leaving the old man feeling cold and sad. Wine won't always lift his spirits.
Such might have been the case with Mr. Smith, when, through the brilliant medium of his glass of old Madeira, he beheld three figures entering the room. These were Fancy, who had assumed the garb and aspect of an itinerant showman, with a box of pictures on her back; and Memory, in the likeness of a clerk, with a pen behind her ear, an inkhorn at her buttonhole and a huge manuscript volume beneath her arm; and lastly, behind the other two, a person shrouded in a dusky mantle which concealed both face and form. But Mr. Smith had a shrewd idea that it was Conscience. How kind of Fancy, Memory and Conscience to visit the old gentleman just as he was beginning to imagine that the wine had neither so bright a sparkle nor so excellent a flavor as when himself and the liquor were less aged! Through the dim length of the apartment, where crimson curtains muffled the glare of sunshine and created a rich obscurity, the three guests drew near the silver-haired old man. Memory, with a finger between the leaves of her huge volume, placed herself at his right hand; Conscience, with her face still hidden in the dusky mantle, took her station on the left, so as to be next his heart; while Fancy set down her picture-box upon the table with the magnifying-glass convenient to his eye.
This might have been the situation with Mr. Smith when, through the sparkling glass of his old Madeira, he saw three figures entering the room. These were Fancy, dressed like a traveling showman with a box of pictures on her back; Memory, resembling a clerk, with a pen behind her ear, an inkwell at her buttonhole, and a huge manuscript volume under her arm; and finally, behind the other two, a person wrapped in a dark cloak that hid both face and form. But Mr. Smith had a shrewd suspicion that it was Conscience. How nice of Fancy, Memory, and Conscience to pay a visit to the old gentleman just as he was starting to think that the wine didn’t sparkle as brightly or taste as good as it did when he and the drink were younger! Through the dimly lit room, where crimson curtains softened the harsh sunlight and created a rich darkness, the three guests approached the silver-haired old man. Memory, with a finger marking her place in the large volume, took her spot at his right; Conscience, with her face still covered by the dark cloak, positioned herself on his left, close to his heart; while Fancy placed her picture box on the table, making the magnifying glass easy for him to use.
We can sketch merely the outlines of two or three out of the many pictures which at the pulling of a string successively peopled the box with the semblances of living scenes. One was a moonlight picture, in the background a lowly dwelling, and in front, partly shadowed by a tree, yet besprinkled with flakes of radiance, two youthful figures, male and female. The young man stood with folded arms, a haughty smile upon his lip and a gleam of triumph in his eye as he glanced downward at the kneeling girl. She was almost prostrate at his feet, evidently sinking under a weight of shame and anguish which hardly allowed her to lift her clasped hands in supplication. Her eyes she could not lift. But neither her agony, nor the lovely features on which it was depicted, nor the slender grace of the form which it convulsed, appeared to soften the obduracy of the young man. He was the personification of triumphant scorn.
We can outline just two or three of the many scenes that came to life in the box with the pull of a string. One was a moonlit scene with a modest house in the background and, in the foreground, partially shaded by a tree but sprinkled with bits of light, stood two young figures, one male and one female. The young man had his arms crossed, a proud smile on his face, and a look of victory in his eyes as he looked down at the kneeling girl. She was nearly collapsed at his feet, clearly overwhelmed by a heavy sense of shame and sorrow that barely let her raise her clasped hands in prayer. She couldn't lift her eyes. But neither her pain, nor her beautiful features that showed it, nor the delicate grace of her body that was shaking, seemed to soften the young man's indifference. He was the embodiment of triumphant contempt.
Now, strange to say, as old Mr. Smith peeped through the magnifying-glass, which made the objects start out from the canvas with magical deception, he began to recognize the farmhouse, the tree and both the figures of the picture. The young man in times long past had often met his gaze within the looking-glass; the girl was the very image of his first love—his cottage-love, his Martha Burroughs. Mr. Smith was scandalized. “Oh, vile and slanderous picture!” he exclaims. “When have I triumphed over ruined innocence? Was not Martha wedded in her teens to David Tomkins, who won her girlish love and long enjoyed her affection as a wife? And ever since his death she has lived a reputable widow!”
Now, it's odd to say, as old Mr. Smith looked through the magnifying glass, which made the objects pop out from the canvas with a magical trick, he started to recognize the farmhouse, the tree, and both figures in the picture. The young man had often caught his reflection in the mirror back in the day; the girl looked just like his first love—his small-town love, his Martha Burroughs. Mr. Smith was appalled. “Oh, disgusting and defamatory picture!” he exclaimed. “When did I have victory over ruined innocence? Wasn't Martha married in her teens to David Tomkins, who won her young love and enjoyed her affection as a wife for a long time? And ever since his death, she has lived as a respectable widow!”
Meantime, Memory was turning over the leaves of her volume, rustling them to and fro with uncertain fingers, until among the earlier pages she found one which had reference to this picture. She reads it close to the old gentleman’s ear: it is a record merely of sinful thought which never was embodied in an act, but, while Memory is reading, Conscience unveils her face and strikes a dagger to the heart of Mr. Smith. Though not a death-blow, the torture was extreme.
Meantime, Memory was flipping through the pages of her book, stirring them back and forth with unsure fingers, until she found a page among the earlier ones that referenced this picture. She reads it close to the old man's ear: it is just a record of sinful thoughts that were never acted upon, but while Memory is reading, Conscience reveals her face and plunges a dagger into Mr. Smith's heart. Though it wasn't a fatal blow, the pain was intense.
The exhibition proceeded. One after another Fancy displayed her pictures, all of which appeared to have been painted by some malicious artist on purpose to vex Mr. Smith. Not a shadow of proof could have been adduced in any earthly court that he was guilty of the slightest of those sins which were thus made to stare him in the face. In one scene there was a table set out, with several bottles and glasses half filled with wine, which threw back the dull ray of an expiring lamp. There had been mirth and revelry until the hand of the clock stood just at midnight, when Murder stepped between the boon-companions. A young man had fallen on the floor, and lay stone dead with a ghastly wound crushed into his temple, while over him, with a delirium of mingled rage and horror in his countenance, stood the youthful likeness of Mr. Smith. The murdered youth wore the features of Edward Spencer. “What does this rascal of a painter mean?” cries Mr. Smith, provoked beyond all patience. “Edward Spencer was my earliest and dearest friend, true to me as I to him through more than half a century. Neither I nor any other ever murdered him. Was he not alive within five years, and did he not, in token of our long friendship, bequeath me his gold-headed cane and a mourning-ring?”
The exhibition went on. One by one, Fancy showcased her paintings, all seeming to have been created by a spiteful artist just to torment Mr. Smith. There wasn’t a bit of evidence that could have been presented in any court that he was guilty of even the slightest of the accusations glaring at him. One scene depicted a table set with several bottles and glasses half full of wine, reflecting the dim light of a dying lamp. There had been laughter and celebration until the clock struck midnight, when Murder intervened among the partygoers. A young man lay dead on the floor, with a horrible wound to his temple, while over him stood a youthful version of Mr. Smith, his face a chaotic mix of rage and horror. The murdered young man had the features of Edward Spencer. “What on earth does this scoundrel of a painter mean?” Mr. Smith exclaimed, losing all patience. “Edward Spencer was my first and closest friend, as loyal to me as I was to him for more than fifty years. Neither I nor anyone else ever killed him. Was he not alive just five years ago? Did he not, as a sign of our long friendship, leave me his gold-headed cane and a mourning ring?”
Again had Memory been turning over her volume, and fixed at length upon so confused a page that she surely must have scribbled it when she was tipsy. The purport was, however, that while Mr. Smith and Edward Spencer were heating their young blood with wine a quarrel had flashed up between them, and Mr. Smith, in deadly wrath, had flung a bottle at Spencer’s head. True, it missed its aim and merely smashed a looking-glass; and the next morning, when the incident was imperfectly remembered, they had shaken hands with a hearty laugh. Yet, again, while Memory was reading, Conscience unveiled her face, struck a dagger to the heart of Mr. Smith and quelled his remonstrance with her iron frown. The pain was quite excruciating.
Again, Memory had been going through her collection and finally landed on such a jumbled page that she must have jotted it down while tipsy. The gist was that while Mr. Smith and Edward Spencer were enjoying their drinks, a fight broke out between them, and Mr. Smith, in a fit of rage, threw a bottle at Spencer’s head. Fortunately, it missed and only shattered a mirror; the next morning, when they vaguely recalled the incident, they shook hands and had a good laugh about it. However, as Memory continued reading, Conscience revealed herself, stabbed Mr. Smith right in the heart, and silenced his protests with her cold glare. The pain was incredibly intense.
Some of the pictures had been painted with so doubtful a touch, and in colors so faint and pale, that the subjects could barely be conjectured. A dull, semi-transparent mist had been thrown over the surface of the canvas, into which the figures seemed to vanish while the eye sought most earnestly to fix them. But in every scene, however dubiously portrayed, Mr. Smith was invariably haunted by his own lineaments at various ages as in a dusty mirror. After poring several minutes over one of these blurred and almost indistinguishable pictures, he began to see that the painter had intended to represent him, now in the decline of life, as stripping the clothes from the backs of three half-starved children. “Really, this puzzles me!” quoth Mr. Smith, with the irony of conscious rectitude. “Asking pardon of the painter, I pronounce him a fool as well as a scandalous knave. A man of my standing in the world to be robbing little children of their clothes! Ridiculous!”
Some of the paintings had been done with such a questionable touch and in colors so faint and pale that the subjects were barely recognizable. A dull, semi-transparent mist had been cast over the surface of the canvas, into which the figures seemed to fade just as the eye tried hard to focus on them. Yet in every scene, no matter how ambiguously depicted, Mr. Smith was always confronted by his own features at different ages, like in a dusty mirror. After staring for several minutes at one of these blurred and nearly unrecognizable paintings, he started to realize that the artist had meant to portray him, now in the twilight of life, as stripping the clothes off three half-starved children. “Honestly, this confuses me!” Mr. Smith said, with the irony of someone who knows they are in the right. “With all due respect to the artist, I must call him a fool as well as a scandalous rogue. A man of my status in the world robbing little children of their clothes! Absurd!”
But while he spoke Memory had searched her fatal volume and found a page which with her sad calm voice she poured into his ear. It was not altogether inapplicable to the misty scene. It told how Mr. Smith had been grievously tempted by many devilish sophistries, on the ground of a legal quibble, to commence a lawsuit against three orphan-children, joint-heirs to a considerable estate. Fortunately, before he was quite decided, his claims had turned out nearly as devoid of law as justice. As Memory ceased to read Conscience again thrust aside her mantle, and would have struck her victim with the envenomed dagger only that he struggled and clasped his hands before his heart. Even then, however, he sustained an ugly gash.
But while he was speaking, Memory had searched her fateful book and found a page that she poured into his ear with her sorrowful, calm voice. It wasn’t completely irrelevant to the hazy scene. It revealed how Mr. Smith had been severely tempted by many crafty arguments, based on a legal loophole, to start a lawsuit against three orphaned children, who were joint-heirs to a significant estate. Fortunately, before he made up his mind, his claims turned out to be almost as lacking in legitimacy as they were in fairness. As Memory stopped reading, Conscience again cast aside her cloak and would have struck her target with the poisoned dagger, but he struggled and clutched his hands over his heart. Even then, however, he bore a nasty wound.
Why should we follow Fancy through the whole series of those awful pictures? Painted by an artist of wondrous power and terrible acquaintance with the secret soul, they embodied the ghosts of all the never-perpetrated sins that had glided through the lifetime of Mr. Smith. And could such beings of cloudy fantasy, so near akin to nothingness, give valid evidence against him at the day of judgment? Be that the case or not, there is reason to believe that one truly penitential tear would have washed away each hateful picture and left the canvas white as snow. But Mr. Smith, at a prick of Conscience too keen to be endured, bellowed aloud with impatient agony, and suddenly discovered that his three guests were gone. There he sat alone, a silver-haired and highly-venerated old man, in the rich gloom of the crimsoned-curtained room, with no box of pictures on the table, but only a decanter of most excellent Madeira. Yet his heart still seemed to fester with the venom of the dagger.
Why should we follow Fancy through the entire series of those terrible images? Painted by an artist of incredible talent and a deep understanding of the hidden soul, they represented the ghosts of all the uncommitted sins that had passed through Mr. Smith's life. And could such ephemeral beings, so close to nothingness, provide credible evidence against him on judgment day? Whether that's true or not, it's reasonable to think that one genuinely repentant tear could have erased each hateful image and left the canvas as white as snow. But Mr. Smith, feeling a pang of Conscience too sharp to bear, cried out in frustrated agony and suddenly realized that his three guests had vanished. There he sat alone, a silver-haired and respected old man, in the rich gloom of the crimson-draped room, with no box of pictures on the table, only a decanter of exquisite Madeira. Yet his heart still seemed to burn with the poison of the dagger.
Nevertheless, the unfortunate old gentleman might have argued the matter with Conscience and alleged many reasons wherefore she should not smite him so pitilessly. Were we to take up his cause, it should be somewhat in the following fashion. A scheme of guilt, till it be put in execution, greatly resembles a train of incidents in a projected tale. The latter, in order to produce a sense of reality in the reader’s mind, must be conceived with such proportionate strength by the author as to seem in the glow of fancy more like truth, past, present or to come, than purely fiction. The prospective sinner, on the other hand, weaves his plot of crime, but seldom or never feels a perfect certainty that it will be executed. There is a dreaminess diffused about his thoughts; in a dream, as it were, he strikes the death-blow into his victim’s heart and starts to find an indelible blood-stain on his hand. Thus a novel-writer or a dramatist, in creating a villain of romance and fitting him with evil deeds, and the villain of actual life in projecting crimes that will be perpetrated, may almost meet each other halfway between reality and fancy. It is not until the crime is accomplished that Guilt clenches its gripe upon the guilty heart and claims it for his own. Then, and not before, sin is actually felt and acknowledged, and, if unaccompanied by repentance, grows a thousandfold more virulent by its self-consciousness. Be it considered, also, that men often overestimate their capacity for evil. At a distance, while its attendant circumstances do not press upon their notice and its results are dimly seen, they can bear to contemplate it. They may take the steps which lead to crime, impelled by the same sort of mental action as in working out a mathematical problem, yet be powerless with compunction at the final moment. They knew not what deed it was that they deemed themselves resolved to do. In truth, there is no such thing in man’s nature as a settled and full resolve, either for good or evil, except at the very moment of execution. Let us hope, therefore, that all the dreadful consequences of sin will not be incurred unless the act have set its seal upon the thought.
Nevertheless, the unfortunate old gentleman could have argued with Conscience and given many reasons why she shouldn't punish him so harshly. If we were to support his case, it might go something like this. A plan for wrongdoing, until it's put into action, closely resembles a series of events in a planned story. For the latter to create a sense of reality in the reader’s mind, the author must develop it with enough strength to make it seem, in the light of imagination, more like truth—whether it's past, present, or future—rather than mere fiction. The would-be sinner, on the other hand, constructs his plot for crime but rarely feels completely sure that it will actually be carried out. There's a hazy quality to his thoughts; in a dreamlike state, he deals the fatal blow to his victim’s heart and then notices an indelible bloodstain on his hand. Thus, a novelist or playwright, when crafting a fictional villain and assigning him evil deeds, and the real-life villain, who plans actual crimes, may find themselves almost meeting halfway between reality and imagination. It’s not until the crime is committed that Guilt tightens its grip on the guilty heart and claims it for itself. Only then, and not before, is sin truly felt and accepted, and if it comes without repentance, it grows exponentially more toxic through its self-awareness. It should also be noted that people often overestimate their ability to do evil. From a distance, when its surrounding circumstances don’t impose on their attention and its outcomes are vague, they can bear to think about it. They might take steps toward committing a crime, driven by the same kind of mental process as solving a math problem, yet find themselves powerless with regret at the moment of truth. They don't fully understand the act they convinced themselves they were determined to commit. In reality, there's no such thing in human nature as a settled, all-encompassing resolve for either good or evil, except at the very moment of action. Let’s hope, therefore, that all the dreadful consequences of sin won’t be faced unless the act has stamped its mark on the thought.
Yet, with the slight fancy-work which we have framed, some sad and awful truths are interwoven. Man must not disclaim his brotherhood even with the guiltiest, since, though his hand be clean, his heart has surely been polluted by the flitting phantoms of iniquity. He must feel that when he shall knock at the gate of heaven no semblance of an unspotted life can entitle him to entrance there. Penitence must kneel and Mercy come from the footstool of the throne, or that golden gate will never open.
Yet, with the slight embellishments we've created, some sad and terrible truths are woven in. A person can't deny their connection to others, even those who are most guilty, because, even if their hands are clean, their hearts have surely been tainted by the fleeting shadows of wrongdoing. They must understand that when they knock at the gates of heaven, no appearance of a spotless life can grant them entry. Repentance must kneel and Mercy must come from the foot of the throne, or that golden gate will never open.
DR. HEIDEGGER’S EXPERIMENT
That very singular man old Dr. Heidegger once invited four venerable friends to meet him in his study. There were three white-bearded gentlemen—Mr. Medbourne, Colonel Killigrew and Mr. Gascoigne—and a withered gentlewoman whose name was the widow Wycherly. They were all melancholy old creatures who had been unfortunate in life, and whose greatest misfortune it was that they were not long ago in their graves. Mr. Medbourne, in the vigor of his age, had been a prosperous merchant, but had lost his all by a frantic speculation, and was now little better than a mendicant. Colonel Killigrew had wasted his best years and his health and substance in the pursuit of sinful pleasures which had given birth to a brood of pains, such as the gout and divers other torments of soul and body. Mr. Gascoigne was a ruined politician, a man of evil fame—or, at least, had been so till time had buried him from the knowledge of the present generation and made him obscure instead of infamous. As for the widow Wycherly, tradition tells us that she was a great beauty in her day, but for a long while past she had lived in deep seclusion on account of certain scandalous stories which had prejudiced the gentry of the town against her. It is a circumstance worth mentioning that each of these three old gentlemen—Mr. Medbourne, Colonel Killigrew and Mr. Gascoigne—were early lovers of the widow Wycherly, and had once been on the point of cutting each other’s throats for her sake. And before proceeding farther I will merely hint that Dr. Heidegger and all his four guests were sometimes thought to be a little beside themselves, as is not infrequently the case with old people when worried either by present troubles or woeful recollections.
That very unique man, old Dr. Heidegger, once invited four aging friends to meet him in his study. There were three white-bearded gentlemen—Mr. Medbourne, Colonel Killigrew, and Mr. Gascoigne—and a frail lady named the widow Wycherly. They were all sorrowful old souls who had been unfortunate in life, and their greatest misfortune was that they weren’t already in their graves. Mr. Medbourne, in his prime, had been a successful merchant but lost everything due to a reckless investment and was now barely better than a beggar. Colonel Killigrew had wasted his best years, health, and wealth chasing sinful pleasures that left him with a host of pains, like gout and various other torments of mind and body. Mr. Gascoigne was a disgraced politician, a man with a bad reputation—or at least he had been until time obscured him from the current generation’s memory, turning him from infamous to forgotten. As for widow Wycherly, legend has it that she was a great beauty in her day, but for a long time, she had lived in deep isolation because of certain scandalous stories that had turned the town’s social elite against her. It’s worth noting that each of these three old gentlemen—Mr. Medbourne, Colonel Killigrew, and Mr. Gascoigne—had once been in love with widow Wycherly and had nearly come to blows over her. And before going further, I should just mention that Dr. Heidegger and all four of his guests were sometimes thought to be a bit out of touch, as often happens with elderly people troubled by present difficulties or painful memories.
“My dear old friends,” said Dr. Heidegger, motioning them to be seated, “I am desirous of your assistance in one of those little experiments with which I amuse myself here in my study.”
“My dear old friends,” said Dr. Heidegger, gesturing for them to sit down, “I need your help with one of those little experiments that I enjoy conducting here in my study.”
If all stories were true, Dr. Heidegger’s study must have been a very curious place. It was a dim, old-fashioned chamber festooned with cobwebs and besprinkled with antique dust. Around the walls stood several oaken bookcases, the lower shelves of which were filled with rows of gigantic folios and black-letter quartos, and the upper with little parchment-covered duodecimos. Over the central bookcase was a bronze bust of Hippocrates, with which, according to some authorities, Dr. Heidegger was accustomed to hold consultations in all difficult cases of his practice. In the obscurest corner of the room stood a tall and narrow oaken closet with its door ajar, within which doubtfully appeared a skeleton. Between two of the bookcases hung a looking-glass, presenting its high and dusty plate within a tarnished gilt frame. Among many wonderful stories related of this mirror, it was fabled that the spirits of all the doctor’s deceased patients dwelt within its verge and would stare him in the face whenever he looked thitherward. The opposite side of the chamber was ornamented with the full-length portrait of a young lady arrayed in the faded magnificence of silk, satin and brocade, and with a visage as faded as her dress. Above half a century ago Dr. Heidegger had been on the point of marriage with this young lady, but, being affected with some slight disorder, she had swallowed one of her lover’s prescriptions and died on the bridal-evening. The greatest curiosity of the study remains to be mentioned: it was a ponderous folio volume bound in black leather, with massive silver clasps. There were no letters on the back, and nobody could tell the title of the book. But it was well known to be a book of magic, and once, when a chambermaid had lifted it merely to brush away the dust, the skeleton had rattled in its closet, the picture of the young lady had stepped one foot upon the floor and several ghastly faces had peeped forth from the mirror, while the brazen head of Hippocrates frowned and said, “Forbear!”
If all stories were true, Dr. Heidegger’s study must have been a very strange place. It was a dim, old-fashioned room covered in cobwebs and sprinkled with antique dust. Along the walls stood several oak bookcases, the lower shelves filled with rows of huge folios and old black-letter books, while the upper shelves held small, parchment-covered books. Above the central bookcase was a bronze bust of Hippocrates, which, according to some sources, Dr. Heidegger would consult for all the tricky cases in his practice. In the darkest corner of the room was a tall, narrow oak closet with its door slightly open, revealing a skeleton inside. Between two of the bookcases hung a mirror, showcasing its high, dusty surface in a tarnished gilt frame. Among the many fascinating stories about this mirror, it was said that the spirits of all the doctor’s deceased patients lingered within it and would stare back at him whenever he looked their way. The opposite wall of the room featured a full-length portrait of a young woman dressed in the faded splendor of silk, satin, and brocade, her face as faded as her gown. More than fifty years ago, Dr. Heidegger had been about to marry this young woman, but after being slightly unwell, she took one of her fiancé’s prescriptions and died on their wedding night. The most intriguing item in the study was a hefty folio volume bound in black leather, secured with massive silver clasps. There were no letters on the spine, and no one knew the title of the book. However, it was well-known to be a book of magic, and once, when a maid had lifted it just to dust, the skeleton rattled in its closet, the portrait of the young woman stepped one foot onto the floor, and several ghastly faces peeked out from the mirror, while Hippocrates' bronze head frowned and warned, “Forbear!”
Such was Dr. Heidegger’s study. On the summer afternoon of our tale a small round table as black as ebony stood in the centre of the room, sustaining a cut-glass vase of beautiful form and elaborate workmanship. The sunshine came through the window between the heavy festoons of two faded damask curtains and fell directly across this vase, so that a mild splendor was reflected from it on the ashen visages of the five old people who sat around. Four champagne-glasses were also on the table.
Such was Dr. Heidegger’s study. On the summer afternoon of our story, a small round table as black as ebony stood in the center of the room, holding a cut-glass vase of beautiful shape and intricate design. The sunlight streamed through the window between the heavy drapes of two worn damask curtains and fell directly on this vase, casting a gentle glow that reflected on the ashen faces of the five old people sitting around it. There were also four champagne glasses on the table.
“My dear old friends,” repeated Dr. Heidegger, “may I reckon on your aid in performing an exceedingly curious experiment?”
“My dear old friends,” Dr. Heidegger repeated, “can I count on your help in conducting a really fascinating experiment?”
Now, Dr. Heidegger was a very strange old gentleman whose eccentricity had become the nucleus for a thousand fantastic stories. Some of these fables—to my shame be it spoken—might possibly be traced back to mine own veracious self; and if any passages of the present tale should startle the reader’s faith, I must be content to bear the stigma of a fiction-monger.
Now, Dr. Heidegger was a very odd old man whose quirks had become the center of countless wild stories. Some of these tales—shamefully enough—might actually be linked to my own honest self; and if any parts of this story happen to shock the reader’s belief, I have to accept the label of a storyteller.
When the doctor’s four guests heard him talk of his proposed experiment, they anticipated nothing more wonderful than the murder of a mouse in an air-pump or the examination of a cobweb by the microscope, or some similar nonsense with which he was constantly in the habit of pestering his intimates. But without waiting for a reply Dr. Heidegger hobbled across the chamber and returned with the same ponderous folio bound in black leather which common report affirmed to be a book of magic. Undoing the silver clasps, he opened the volume and took from among its black-letter pages a rose, or what was once a rose, though now the green leaves and crimson petals had assumed one brownish hue and the ancient flower seemed ready to crumble to dust in the doctor’s hands.
When the doctor’s four guests heard him talk about his proposed experiment, they expected nothing more exciting than killing a mouse in an air pump or looking at a spiderweb under a microscope, or some other similar nonsense that he always bothered his friends with. But without waiting for a response, Dr. Heidegger hobbled across the room and came back with the same heavy book bound in black leather, which people said was a book of magic. Unfastening the silver clasps, he opened the book and took out a rose, or what used to be a rose, though now the green leaves and red petals had turned a brownish color, and the ancient flower looked like it would fall apart in the doctor’s hands.
“This rose,” said Dr. Heidegger, with a sigh—“this same withered and crumbling flower—blossomed five and fifty years ago. It was given me by Sylvia Ward, whose portrait hangs yonder, and I meant to wear it in my bosom at our wedding. Five and fifty years it has been treasured between the leaves of this old volume. Now, would you deem it possible that this rose of half a century could ever bloom again?”
“This rose,” Dr. Heidegger said with a sigh, “this same dried and crumbling flower—bloomed fifty-five years ago. It was given to me by Sylvia Ward, whose portrait hangs over there, and I intended to wear it in my bosom at our wedding. For fifty-five years, it has been cherished between the pages of this old book. Now, would you believe it’s possible for this rose from half a century ago to bloom again?”
“Nonsense!” said the widow Wycherly, with a peevish toss of her head. “You might as well ask whether an old woman’s wrinkled face could ever bloom again.”
“Nonsense!” said the widow Wycherly, with an annoyed toss of her head. “You might as well ask if an old woman’s wrinkled face could ever blossom again.”
“See!” answered Dr. Heidegger. He uncovered the vase and threw the faded rose into the water which it contained. At first it lay lightly on the surface of the fluid, appearing to imbibe none of its moisture. Soon, however, a singular change began to be visible. The crushed and dried petals stirred and assumed a deepening tinge of crimson, as if the flower were reviving from a deathlike slumber, the slender stalk and twigs of foliage became green, and there was the rose of half a century, looking as fresh as when Sylvia Ward had first given it to her lover. It was scarcely full-blown, for some of its delicate red leaves curled modestly around its moist bosom, within which two or three dewdrops were sparkling.
“See!” Dr. Heidegger said. He uncovered the vase and tossed the faded rose into the water inside it. At first, the rose floated lightly on the surface, seemingly absorbing none of the moisture. Soon, however, a remarkable change started to become apparent. The crushed and dried petals began to stir and take on a deeper shade of crimson, as if the flower was awakening from a deathlike sleep. The slender stem and leaves turned green, and there was the rose from half a century ago, looking as fresh as when Sylvia Ward had first given it to her lover. It was barely in full bloom, with some of its delicate red petals curling modestly around its moist center, where two or three dewdrops sparkled.
“That is certainly a very pretty deception,” said the doctor’s friends—carelessly, however, for they had witnessed greater miracles at a conjurer’s show. “Pray, how was it effected?”
"That's definitely a really nice trick," said the doctor's friends—though they spoke lightly, having seen bigger wonders at a magician's performance. "So, how was it done?"
“Did you never hear of the Fountain of Youth?” asked Dr. Heidegger, “which Ponce de Leon, the Spanish adventurer, went in search of two or three centuries ago?”
“Have you never heard of the Fountain of Youth?” asked Dr. Heidegger, “which Ponce de Leon, the Spanish adventurer, searched for two or three centuries ago?”
“But did Ponce de Leon ever find it?” said the widow Wycherly.
“But did Ponce de Leon ever find it?” asked the widow Wycherly.
“No,” answered Dr. Heidegger, “for he never sought it in the right place. The famous Fountain of Youth, if I am rightly informed, is situated in the southern part of the Floridian peninsula, not far from Lake Macaco. Its source is overshadowed by several gigantic magnolias which, though numberless centuries old, have been kept as fresh as violets by the virtues of this wonderful water. An acquaintance of mine, knowing my curiosity in such matters, has sent me what you see in the vase.”
“No,” replied Dr. Heidegger, “because he never looked for it in the right spot. The legendary Fountain of Youth, if I’m correct, is located in the southern part of the Florida peninsula, not far from Lake Macaco. Its source is shaded by several massive magnolias that, despite being countless centuries old, have remained as fresh as violets thanks to the qualities of this amazing water. A friend of mine, aware of my interest in such things, has sent me what you see in the vase.”
“Ahem!” said Colonel Killigrew, who believed not a word of the doctor’s story; “and what may be the effect of this fluid on the human frame?”
“Ahem!” said Colonel Killigrew, who didn't believe a word of the doctor’s story; “and what could this fluid do to the human body?”
“You shall judge for yourself, my dear colonel,” replied Dr. Heidegger.—“And all of you, my respected friends, are welcome to so much of this admirable fluid as may restore to you the bloom of youth. For my own part, having had much trouble in growing old, I am in no hurry to grow young again. With your permission, therefore, I will merely watch the progress of the experiment.”
“You can decide for yourself, my dear colonel,” replied Dr. Heidegger. “And all of you, my respected friends, are welcome to as much of this amazing liquid as it takes to bring back your youth. As for me, after putting up with so much in getting old, I’m not in a rush to be young again. So, with your permission, I’ll just watch how the experiment unfolds.”
While he spoke Dr. Heidegger had been filling the four champagne-glasses with the water of the Fountain of Youth. It was apparently impregnated with an effervescent gas, for little bubbles were continually ascending from the depths of the glasses and bursting in silvery spray at the surface. As the liquor diffused a pleasant perfume, the old people doubted not that it possessed cordial and comfortable properties, and, though utter sceptics as to its rejuvenescent power, they were inclined to swallow it at once. But Dr. Heidegger besought them to stay a moment.
While he spoke, Dr. Heidegger was filling the four champagne glasses with water from the Fountain of Youth. It seemed to be infused with a fizzy gas because little bubbles were constantly rising from the bottom of the glasses and popping into a silvery spray at the top. As the liquid released a pleasant fragrance, the elderly folks had no doubt that it had soothing and comforting qualities, and even though they were completely skeptical about its rejuvenating effects, they were tempted to drink it immediately. But Dr. Heidegger urged them to wait a moment.
“Before you drink, my respectable old friends,” said he, “it would be well that, with the experience of a lifetime to direct you, you should draw up a few general rules for your guidance in passing a second time through the perils of youth. Think what a sin and shame it would be if, with your peculiar advantages, you should not become patterns of virtue and wisdom to all the young people of the age!”
“Before you drink, my esteemed old friends,” he said, “it would be wise for you, with a lifetime of experience to guide you, to establish a few general rules for navigating the challenges of youth once more. Consider what a sin and shame it would be if, with your unique advantages, you didn't set an example of virtue and wisdom for all the young people today!”
The doctor’s four venerable friends made him no answer except by a feeble and tremulous laugh, so very ridiculous was the idea that, knowing how closely Repentance treads behind the steps of Error, they should ever go astray again.
The doctor’s four respected friends responded with nothing but a weak and shaky laugh, as the idea that they could ever wander off course again—especially knowing how closely Repentance follows Error—was simply too absurd.
“Drink, then,” said the doctor, bowing; “I rejoice that I have so well selected the subjects of my experiment.”
“Go ahead and drink,” said the doctor, bowing; “I’m glad I chose my experiment subjects so well.”
With palsied hands they raised the glasses to their lips. The liquor, if it really possessed such virtues as Dr. Heidegger imputed to it, could not have been bestowed on four human beings who needed it more woefully. They looked as if they had never known what youth or pleasure was, but had been the offspring of Nature’s dotage, and always the gray, decrepit, sapless, miserable creatures who now sat stooping round the doctor’s table without life enough in their souls or bodies to be animated even by the prospect of growing young again. They drank off the water and replaced their glasses on the table.
With trembling hands, they lifted the glasses to their lips. The drink, if it really had the benefits that Dr. Heidegger claimed, couldn't have been given to four people who needed it more desperately. They looked as if they had never experienced youth or joy, but were the result of Nature's decline, always the gray, frail, lifeless, miserable beings who now sat hunched around the doctor's table, lacking the vitality in their souls or bodies to even feel excited about the chance to grow young again. They finished the water and set their glasses back on the table.
Assuredly, there was an almost immediate improvement in the aspect of the party—not unlike what might have been produced by a glass of generous wine—together with a sudden glow of cheerful sunshine, brightening over all their visages at once. There was a healthful suffusion on their cheeks instead of the ashen hue that had made them look so corpse-like. They gazed at one another, and fancied that some magic power had really begun to smooth away the deep and sad inscriptions which Father Time had been so long engraving on their brows. The widow Wycherly adjusted her cap, for she felt almost like a woman again.
Sure enough, there was almost an immediate change in the vibe of the party—much like what you’d expect from a good glass of wine—along with a sudden burst of cheerful sunlight lighting up all their faces at once. Their cheeks had a healthy flush instead of the pale, lifeless look that had made them seem almost ghostly. They looked at each other and imagined that some magical force had actually started to erase the deep and sad marks that Father Time had been engraving on their foreheads for so long. The widow Wycherly fixed her cap, feeling almost like a woman again.
“Give us more of this wondrous water,” cried they, eagerly. “We are younger, but we are still too old. Quick! give us more!”
“Give us more of this amazing water,” they pleaded, excitedly. “We may be younger, but we’re still too old. Hurry! Give us more!”
“Patience, patience!” quoth Dr. Heidegger, who sat, watching the experiment with philosophic coolness. “You have been a long time growing old; surely you might be content to grow young in half an hour. But the water is at your service.” Again he filled their glasses with the liquor of youth, enough of which still remained in the vase to turn half the old people in the city to the age of their own grandchildren.
“Patience, patience!” said Dr. Heidegger, who sat, observing the experiment with a calm demeanor. “You've spent a long time getting old; surely you can be satisfied to become young in just half an hour. But the water is ready for you.” He filled their glasses again with the elixir of youth, enough of which still remained in the vase to restore half the old people in the city to the age of their own grandchildren.
While the bubbles were yet sparkling on the brim the doctor’s four guests snatched their glasses from the table and swallowed the contents at a single gulp. Was it delusion? Even while the draught was passing down their throats it seemed to have wrought a change on their whole systems. Their eyes grew clear and bright; a dark shade deepened among their silvery locks: they sat around the table three gentlemen of middle age and a woman hardly beyond her buxom prime.
While the bubbles were still sparkling at the top, the doctor’s four guests grabbed their glasses from the table and downed the drinks in one go. Was it all in their heads? Even as the liquid went down, it felt like it was transforming them entirely. Their eyes became clear and bright; a darker hue deepened among their silver hair: they sat around the table—three middle-aged men and a woman who was barely past her youthful prime.
“My dear widow, you are charming!” cried Colonel Killigrew, whose eyes had been fixed upon her face while the shadows of age were flitting from it like darkness from the crimson daybreak.
“My dear widow, you are enchanting!” exclaimed Colonel Killigrew, whose eyes had been focused on her face while the signs of age faded away like darkness at the brightening dawn.
The fair widow knew of old that Colonel Killigrew’s compliments were not always measured by sober truth; so she started up and ran to the mirror, still dreading that the ugly visage of an old woman would meet her gaze.
The fair widow had always known that Colonel Killigrew’s compliments weren't always grounded in reality; so she jumped up and rushed to the mirror, still fearing that the ugly face of an old woman would greet her.
Meanwhile, the three gentlemen behaved in such a manner as proved that the water of the Fountain of Youth possessed some intoxicating qualities—unless, indeed, their exhilaration of spirits were merely a lightsome dizziness caused by the sudden removal of the weight of years. Mr. Gascoigne’s mind seemed to run on political topics, but whether relating to the past, present or future could not easily be determined, since the same ideas and phrases have been in vogue these fifty years. Now he rattled forth full-throated sentences about patriotism, national glory and the people’s right; now he muttered some perilous stuff or other in a sly and doubtful whisper, so cautiously that even his own conscience could scarcely catch the secret; and now, again, he spoke in measured accents and a deeply-deferential tone, as if a royal ear were listening to his well-turned periods. Colonel Killigrew all this time had been trolling forth a jolly bottle-song and ringing his glass in symphony with the chorus, while his eyes wandered toward the buxom figure of the widow Wycherly. On the other side of the table, Mr. Medbourne was involved in a calculation of dollars and cents with which was strangely intermingled a project for supplying the East Indies with ice by harnessing a team of whales to the polar icebergs. As for the widow Wycherly, she stood before the mirror courtesying and simpering to her own image and greeting it as the friend whom she loved better than all the world besides. She thrust her face close to the glass to see whether some long-remembered wrinkle or crow’s-foot had indeed vanished; she examined whether the snow had so entirely melted from her hair that the venerable cap could be safely thrown aside. At last, turning briskly away, she came with a sort of dancing step to the table.
Meanwhile, the three men acted in a way that suggested the water from the Fountain of Youth had some kind of intoxicating effect—unless their burst of energy was just a lightheaded feeling from shedding the weight of their years. Mr. Gascoigne seemed focused on political issues, but it was hard to tell if he was thinking about the past, present, or future since the same ideas and phrases had been popular for the last fifty years. Sometimes he passionately shared his thoughts on patriotism, national pride, and the people’s rights; at other times, he whispered something risky with a sly tone, cautious enough that even he might not fully grasp the implications; and then again, he would speak in measured tones, as if a royal audience was listening to his carefully crafted words. Colonel Killigrew had been singing a lively drinking song and clinking his glass along with the rhythm, with his gaze drifting toward the attractive figure of widow Wycherly. Across the table, Mr. Medbourne was engrossed in counting dollars and cents, strangely mixing that with a plan to send ice to the East Indies by using a team of whales to pull polar icebergs. As for widow Wycherly, she stood in front of the mirror, curtsying and flirting with her own reflection, treating it like a friend she cherished more than anyone else in the world. She leaned in close to see if any long-remembered wrinkles or crow’s-feet had truly disappeared; she checked if the gray had completely faded from her hair, allowing her to discard her old cap. Finally, she turned away with a lively step and made her way to the table.
“My dear old doctor,” cried she, “pray favor me with another glass.”
“My dear old doctor,” she exclaimed, “please pour me another glass.”
“Certainly, my dear madam—certainly,” replied the complaisant doctor. “See! I have already filled the glasses.”
“Of course, my dear madam—of course,” replied the accommodating doctor. “Look! I've already filled the glasses.”
There, in fact, stood the four glasses brimful of this wonderful water, the delicate spray of which, as it effervesced from the surface, resembled the tremulous glitter of diamonds.
There, in fact, were the four glasses filled to the top with this amazing water, the delicate spray of which, as it bubbled up from the surface, looked like the shimmering sparkle of diamonds.
It was now so nearly sunset that the chamber had grown duskier than ever, but a mild and moonlike splendor gleamed from within the vase and rested alike on the four guests and on the doctor’s venerable figure. He sat in a high-backed, elaborately-carved oaken arm-chair with a gray dignity of aspect that might have well befitted that very Father Time whose power had never been disputed save by this fortunate company. Even while quaffing the third draught of the Fountain of Youth, they were almost awed by the expression of his mysterious visage. But the next moment the exhilarating gush of young life shot through their veins. They were now in the happy prime of youth. Age, with its miserable train of cares and sorrows and diseases, was remembered only as the trouble of a dream from which they had joyously awoke. The fresh gloss of the soul, so early lost and without which the world’s successive scenes had been but a gallery of faded pictures, again threw its enchantment over all their prospects. They felt like new-created beings in a new-created universe.
It was almost sunset, and the room had become dimmer than ever, but a soft, moon-like glow shone from the vase, casting light on both the four guests and the doctor’s venerable figure. He sat in a high-backed, intricately carved oak armchair, exuding a dignified grayness that could have suited Father Time himself, whose power had only ever been challenged by this lucky group. Even while sipping the third drink from the Fountain of Youth, they felt a sense of awe at his mysterious expression. Yet just moments later, the exhilarating rush of youthful energy surged through their veins. They were now in the joyful prime of their youth. They remembered age, along with its burdens of worry, sadness, and illness, only as a troubling dream from which they had blissfully awakened. The refreshing glow of the soul, so easily lost and without which the world's many experiences had been nothing more than a collection of faded images, once again enchanted all their prospects. They felt like newly created beings in a newly created universe.
“We are young! We are young!” they cried, exultingly.
“We're young! We're young!” they shouted, joyfully.
Youth, like the extremity of age, had effaced the strongly-marked characteristics of middle life and mutually assimilated them all. They were a group of merry youngsters almost maddened with the exuberant frolicsomeness of their years. The most singular effect of their gayety was an impulse to mock the infirmity and decrepitude of which they had so lately been the victims. They laughed loudly at their old-fashioned attire—the wide-skirted coats and flapped waistcoats of the young men and the ancient cap and gown of the blooming girl. One limped across the floor like a gouty grandfather; one set a pair of spectacles astride of his nose and pretended to pore over the black-letter pages of the book of magic; a third seated himself in an arm-chair and strove to imitate the venerable dignity of Dr. Heidegger. Then all shouted mirthfully and leaped about the room.
Youth, like the extremes of old age, had erased the distinct traits of middle age and blended them all together. They were a lively group of young people almost driven wild by the vibrant energy of their youth. The most striking thing about their joyfulness was an urge to mock the frailty and old age they had so recently endured. They laughed loudly at their outdated clothing—the wide-skirted jackets and baggy vests of the young men and the old-fashioned cap and gown of the young woman. One limped across the floor like an elderly grandfather; another put on a pair of glasses and pretended to study the archaic pages of a magic book; a third sat down in an armchair and tried to mimic the dignified presence of Dr. Heidegger. Then they all shouted with laughter and jumped around the room.
The widow Wycherly—if so fresh a damsel could be called a widow—tripped up to the doctor’s chair with a mischievous merriment in her rosy face.
The widow Wycherly—if such a fresh young woman could be called a widow—walked up to the doctor’s chair with a playful smile on her rosy face.
“Doctor, you dear old soul,” cried she, “get up and dance with me;” and then the four young people laughed louder than ever to think what a queer figure the poor old doctor would cut.
“Doctor, you sweet old soul,” she exclaimed, “get up and dance with me;” and then the four young people laughed even harder at the thought of how ridiculous the poor old doctor would look.
“Pray excuse me,” answered the doctor, quietly. “I am old and rheumatic, and my dancing-days were over long ago. But either of these gay young gentlemen will be glad of so pretty a partner.”
“Please excuse me,” the doctor replied quietly. “I’m old and have arthritis, and my days of dancing were long ago. But either of these lively young men would be happy to have such a lovely partner.”
“Dance with me, Clara,” cried Colonel Killigrew.
“Dance with me, Clara,” shouted Colonel Killigrew.
“No, no! I will be her partner,” shouted Mr. Gascoigne.
“No, no! I’ll be her partner,” shouted Mr. Gascoigne.
“She promised me her hand fifty years ago,” exclaimed Mr. Medbourne.
“She promised me her hand fifty years ago,” Mr. Medbourne exclaimed.
They all gathered round her. One caught both her hands in his passionate grasp, another threw his arm about her waist, the third buried his hand among the glossy curls that clustered beneath the widow’s cap. Blushing, panting, struggling, chiding, laughing, her warm breath fanning each of their faces by turns, she strove to disengage herself, yet still remained in their triple embrace. Never was there a livelier picture of youthful rivalship, with bewitching beauty for the prize. Yet, by a strange deception, owing to the duskiness of the chamber and the antique dresses which they still wore, the tall mirror is said to have reflected the figures of the three old, gray, withered grand-sires ridiculously contending for the skinny ugliness of a shrivelled grandam. But they were young: their burning passions proved them so.
They all gathered around her. One held both her hands in an intense grip, another wrapped his arm around her waist, and the third buried his hand in the shiny curls that framed the widow’s cap. Blushing, breathless, struggling, teasing, laughing, her warm breath brushed against each of their faces in turn as she tried to break free, yet she remained in their three-way embrace. Never was there a livelier scene of youthful rivalry, with enchanting beauty as the prize. However, due to the dim light of the room and the old-fashioned clothes they still wore, the tall mirror was said to reflect the images of three old, gray, withered grandfathers absurdly competing for the gaunt unattractiveness of a wrinkled grandmother. But they were young: their intense emotions proved it.
Inflamed to madness by the coquetry of the girl-widow, who neither granted nor quite withheld her favors, the three rivals began to interchange threatening glances. Still keeping hold of the fair prize, they grappled fiercely at one another’s throats. As they struggled to and fro the table was overturned and the vase dashed into a thousand fragments. The precious Water of Youth flowed in a bright stream across the floor, moistening the wings of a butterfly which, grown old in the decline of summer, had alighted there to die. The insect fluttered lightly through the chamber and settled on the snowy head of Dr. Heidegger.
Fired up with jealousy over the flirtation of the girl-widow, who neither fully gave nor completely denied her affections, the three rivals started exchanging hostile glances. Still holding onto the beautiful prize, they fiercely grabbed at each other’s throats. As they fought, the table got knocked over, and the vase shattered into a thousand pieces. The precious Water of Youth spilled in a bright stream across the floor, wetting the wings of a butterfly that, having aged in the late summer, had landed there to die. The insect lightly fluttered through the room and landed on Dr. Heidegger’s snowy head.
“Come, come, gentlemen! Come, Madam Wycherly!” exclaimed the doctor. “I really must protest against this riot.”
“Come on, gentlemen! Come on, Madam Wycherly!” exclaimed the doctor. “I really have to protest against this chaos.”
They stood still and shivered, for it seemed as if gray Time were calling them back from their sunny youth far down into the chill and darksome vale of years. They looked at old Dr. Heidegger, who sat in his carved armchair holding the rose of half a century, which he had rescued from among the fragments of the shattered vase. At the motion of his hand the four rioters resumed their seats—the more readily because their violent exertions had wearied them, youthful though they were.
They stood still and shivered, as if gray Time was pulling them back from their bright youth into the cold and dark depths of the years. They looked at old Dr. Heidegger, who sat in his ornate armchair holding the rose from half a century ago, which he had saved from the broken vase. At his gesture, the four troublemakers took their seats again—eager to do so because their wild activities had tired them out, even though they were young.
“My poor Sylvia’s rose!” ejaculated Dr. Heidegger, holding it in the light of the sunset clouds. “It appears to be fading again.”
"My poor Sylvia's rose!" exclaimed Dr. Heidegger, holding it up to the light of the sunset clouds. "It seems to be fading again."
And so it was. Even while the party were looking at it the flower continued to shrivel up, till it became as dry and fragile as when the doctor had first thrown it into the vase. He shook off the few drops of moisture which clung to its petals.
And that’s how it happened. Even while the group was watching it, the flower kept wilting until it became as dry and delicate as when the doctor had first tossed it into the vase. He shook off the few drops of moisture that clung to its petals.
“I love it as well thus as in its dewy freshness,” observed he, pressing the withered rose to his withered lips.
“I love it just the same in its dewy freshness,” he said, pressing the dried rose to his dry lips.
While he spoke the butterfly fluttered down from the doctor’s snowy head and fell upon the floor. His guests shivered again. A strange dullness—whether of the body or spirit they could not tell—was creeping gradually over them all. They gazed at one another, and fancied that each fleeting moment snatched away a charm and left a deepening furrow where none had been before. Was it an illusion? Had the changes of a lifetime been crowded into so brief a space, and were they now four aged people sitting with their old friend Dr. Heidegger?
While he spoke, the butterfly fluttered down from the doctor’s white hair and landed on the floor. His guests shivered once more. A strange dullness—whether it was in their bodies or spirits, they couldn’t tell—was gradually creeping over them all. They looked at each other and felt that each passing moment took away some charm, leaving a deeper line where there hadn’t been one before. Was it just an illusion? Had the changes of a lifetime been packed into such a short time, and were they now four older people sitting with their old friend Dr. Heidegger?
“Are we grown old again so soon?” cried they, dolefully.
“Are we getting old again so soon?” they cried, sadly.
In truth, they had. The Water of Youth possessed merely a virtue more transient than that of wine; the delirium which it created had effervesced away. Yes, they were old again. With a shuddering impulse that showed her a woman still, the widow clasped her skinny hands before her face and wished that the coffin-lid were over it, since it could be no longer beautiful.
In reality, they had. The Water of Youth had just one quality that was more fleeting than that of wine; the euphoria it brought had fizzled out. Yes, they were old again. With a shuddering impulse that revealed her as a woman still, the widow pressed her bony hands against her face and wished that the coffin lid were closed over it, since it could no longer be beautiful.
“Yes, friends, ye are old again,” said Dr. Heidegger, “and, lo! the Water of Youth is all lavished on the ground. Well, I bemoan it not; for if the fountain gushed at my very doorstep, I would not stoop to bathe my lips in it—no, though its delirium were for years instead of moments. Such is the lesson ye have taught me.”
“Yes, friends, you are old again,” said Dr. Heidegger, “and look! the Water of Youth has all been poured out on the ground. Well, I don’t regret it; because if the fountain were right at my doorstep, I still wouldn’t bend down to drink from it—no, even if its high spirits lasted for years instead of just moments. That’s the lesson you’ve taught me.”
But the doctor’s four friends had taught no such lesson to themselves. They resolved forthwith to make a pilgrimage to Florida and quaff at morning, noon and night from the Fountain of Youth.
But the doctor’s four friends had not learned any such lesson themselves. They quickly decided to make a trip to Florida and drink from the Fountain of Youth morning, noon, and night.
I.
HOWE’S MASQUERADE
One afternoon last summer, while walking along Washington street, my eye was attracted by a sign-board protruding over a narrow archway nearly opposite the Old South Church. The sign represented the front of a stately edifice which was designated as the “OLD PROVINCE HOUSE, kept by Thomas Waite.” I was glad to be thus reminded of a purpose, long entertained, of visiting and rambling over the mansion of the old royal governors of Massachusetts, and, entering the arched passage which penetrated through the middle of a brick row of shops, a few steps transported me from the busy heart of modern Boston into a small and secluded court-yard. One side of this space was occupied by the square front of the Province House, three stories high and surmounted by a cupola, on the top of which a gilded Indian was discernible, with his bow bent and his arrow on the string, as if aiming at the weathercock on the spire of the Old South. The figure has kept this attitude for seventy years or more, ever since good Deacon Drowne, a cunning carver of wood, first stationed him on his long sentinel’s watch over the city.
One afternoon last summer, as I was walking along Washington Street, a signboard caught my eye, sticking out over a narrow archway almost directly across from the Old South Church. The sign depicted the front of an impressive building labeled the “OLD PROVINCE HOUSE, run by Thomas Waite.” This reminder sparked my long-held intention to visit and explore the mansion of the old royal governors of Massachusetts. Stepping into the arched passageway that cut through the middle of a row of brick shops, I was quickly transported from the busy center of modern Boston into a small, secluded courtyard. One side of this area was taken up by the Province House, a square building three stories tall topped with a cupola, where a gilded Indian could be seen with his bow drawn and arrow ready, as if aiming at the weather vane on the spire of the Old South. This figure has maintained this pose for over seventy years, ever since the skilled woodcarver Deacon Drowne first placed him there on his watch over the city.
The Province House is constructed of brick, which seems recently to have been overlaid with a coat of light-colored paint. A flight of red freestone steps fenced in by a balustrade of curiously wrought iron ascends from the court-yard to the spacious porch, over which is a balcony with an iron balustrade of similar pattern and workmanship to that beneath. These letters and figures—“16 P.S. 79”—are wrought into the ironwork of the balcony, and probably express the date of the edifice, with the initials of its founder’s name.
The Province House is made of brick and looks like it has recently been covered with a layer of light-colored paint. A set of red stone steps surrounded by an intricately designed iron railing leads up from the courtyard to the large porch, which has a balcony with a matching iron railing. The letters and numbers—“16 P.S. 79”—are engraved into the ironwork of the balcony, likely indicating the date the building was constructed along with the initials of its founder's name.
A wide door with double leaves admitted me into the hall or entry, on the right of which is the entrance to the bar-room. It was in this apartment, I presume, that the ancient governors held their levees with vice-regal pomp, surrounded by the military men, the counsellors, the judges, and other officers of the Crown, while all the loyalty of the province thronged to do them honor. But the room in its present condition cannot boast even of faded magnificence. The panelled wainscot is covered with dingy paint and acquires a duskier hue from the deep shadow into which the Province House is thrown by the brick block that shuts it in from Washington street. A ray of sunshine never visits this apartment any more than the glare of the festal torches which have been extinguished from the era of the Revolution. The most venerable and ornamental object is a chimney-piece set round with Dutch tiles of blue-figured china, representing scenes from Scripture, and, for aught I know, the lady of Pownall or Bernard may have sat beside this fireplace and told her children the story of each blue tile. A bar in modern style, well replenished with decanters, bottles, cigar-boxes and network bags of lemons, and provided with a beer-pump and a soda-fount, extends along one side of the room.
A wide double door led me into the hall or entry, and to the right is the entrance to the bar room. It was in this space, I assume, that the old governors held their formal receptions with a vice-regal flair, surrounded by military officers, advisors, judges, and other Crown officials, while all the loyal citizens of the province came to pay their respects. But the room, in its current state, can't even claim faded glory. The paneled walls are covered in grimy paint and take on a darker shade from the deep shadow cast by the brick building that blocks it from Washington Street. A ray of sunshine never reaches this room, just like the bright light from the celebration torches that have been snuffed out since the Revolution. The oldest and most decorative feature is a fireplace surrounded by Dutch tiles of blue-figured china, depicting scenes from the Bible, and for all I know, the lady of Pownall or Bernard may have sat beside this fireplace telling her children the story behind each blue tile. A modern-style bar, well stocked with decanters, bottles, cigar boxes, and net bags of lemons, and complete with a beer tap and soda fountain, runs along one side of the room.
At my entrance an elderly person was smacking his lips with a zest which satisfied me that the cellars of the Province House still hold good liquor, though doubtless of other vintages than were quaffed by the old governors. After sipping a glass of port-sangaree prepared by the skilful hands of Mr. Thomas Waite, I besought that worthy successor and representative of so many historic personages to conduct me over their time-honored mansion. He readily complied, but, to confess the truth, I was forced to draw strenuously upon my imagination in order to find aught that was interesting in a house which, without its historic associations, would have seemed merely such a tavern as is usually favored by the custom of decent city boarders and old-fashioned country gentlemen. The chambers, which were probably spacious in former times, are now cut up by partitions and subdivided into little nooks, each affording scanty room for the narrow bed and chair and dressing-table of a single lodger: The great staircase, however, may be termed, without much hyperbole, a feature of grandeur and magnificence. It winds through the midst of the house by flights of broad steps, each flight terminating in a square landing-place, whence the ascent is continued toward the cupola. A carved balustrade, freshly painted in the lower stories, but growing dingier as we ascend, borders the staircase with its quaintly twisted and intertwined pillars, from top to bottom. Up these stairs the military boots, or perchance the gouty shoes, of many a governor have trodden as the wearers mounted to the cupola which afforded them so wide a view over their metropolis and the surrounding country. The cupola is an octagon with several windows, and a door opening upon the roof. From this station, as I pleased myself with imagining, Gage may have beheld his disastrous victory on Bunker Hill (unless one of the tri-mountains intervened), and Howe have marked the approaches of Washington’s besieging army, although the buildings since erected in the vicinity have shut out almost every object save the steeple of the Old South, which seems almost within arm’s length. Descending from the cupola, I paused in the garret to observe the ponderous white-oak framework, so much more massive than the frames of modern houses, and thereby resembling an antique skeleton. The brick walls, the materials of which were imported from Holland, and the timbers of the mansion, are still as sound as ever, but, the floors and other interior parts being greatly decayed, it is contemplated to gut the whole and build a new house within the ancient frame-and brickwork. Among other inconveniences of the present edifice, mine host mentioned that any jar or motion was apt to shake down the dust of ages out of the ceiling of one chamber upon the floor of that beneath it.
When I entered, an elderly man was savoring a drink in a way that made me sure the cellars of the Province House still had good liquor, though likely from different vintages than the ones the old governors enjoyed. After sipping a glass of port-sangaree made by the skilled Mr. Thomas Waite, I asked the worthy successor and representative of many historic figures to show me around their time-honored mansion. He readily agreed, but to be honest, I had to stretch my imagination to find anything interesting in a house that, without its historical associations, would just seem like a tavern usually frequented by respectable city boarders and old-fashioned country gents. The rooms, which used to be spacious, are now divided by partitions into little nooks, each offering just enough space for a narrow bed, a chair, and a dressing table for a single guest. However, the grand staircase can be described, without much exaggeration, as a feature of grandeur and magnificence. It winds through the house with wide steps, each flight ending in a square landing, where the path continues toward the cupola. A carved balustrade, freshly painted on the lower floors but becoming dingy as we go up, lines the staircase with its oddly twisted and intertwined pillars, from top to bottom. Many governors have walked up these stairs, whether in military boots or perhaps in shoes made uncomfortable by gout, as they made their way to the cupola, which offered them a wide view over their city and the surrounding countryside. The cupola is an octagon with several windows and a door leading to the roof. From this spot, I like to imagine that Gage may have witnessed his disastrous victory on Bunker Hill (unless one of the tri-mountains obstructed his view), and Howe might have seen the movements of Washington's encircling army, though the buildings now put up in the area have blocked out almost everything except for the steeple of the Old South, which seems almost within arm's reach. Coming down from the cupola, I paused in the attic to admire the heavy white-oak framework, which is much more massive than the frames of modern houses, resembling an old skeleton. The brick walls, made from materials imported from Holland, and the mansion's timbers are still as sturdy as ever, but since the floors and other parts inside are quite decayed, there's a plan to remove everything and build a new house within the old frame and brickwork. Among other issues with the current building, the host mentioned that any sudden movement was likely to shake down dust accumulated over the ages from the ceiling of one room onto the floor below.
We stepped forth from the great front window into the balcony where in old times it was doubtless the custom of the king’s representative to show himself to a loyal populace, requiting their huzzas and tossed-up hats with stately bendings of his dignified person. In those days the front of the Province House looked upon the street, and the whole site now occupied by the brick range of stores, as well as the present court-yard, was laid out in grass-plats overshadowed by trees and bordered by a wrought-iron fence. Now the old aristocratic edifice hides its time-worn visage behind an upstart modern building; at one of the back windows I observed some pretty tailoresses sewing and chatting and laughing, with now and then a careless glance toward the balcony. Descending thence, we again entered the bar-room, where the elderly gentleman above mentioned—the smack of whose lips had spoken so favorably for Mr. Waite’s good liquor—was still lounging in his chair. He seemed to be, if not a lodger, at least a familiar visitor of the house who might be supposed to have his regular score at the bar, his summer seat at the open window and his prescriptive corner at the winter’s fireside. Being of a sociable aspect, I ventured to address him with a remark calculated to draw forth his historical reminiscences, if any such were in his mind, and it gratified me to discover that, between memory and tradition, the old gentleman was really possessed of some very pleasant gossip about the Province House. The portion of his talk which chiefly interested me was the outline of the following legend. He professed to have received it at one or two removes from an eye-witness, but this derivation, together with the lapse of time, must have afforded opportunities for many variations of the narrative; so that, despairing of literal and absolute truth, I have not scrupled to make such further changes as seemed conducive to the reader’s profit and delight.
We stepped out from the large front window onto the balcony where, in the past, it was probably customary for the king's representative to show himself to a loyal crowd, rewarding their cheers and tossed hats with respectful nods and gestures. Back then, the front of the Province House faced the street, and the whole area now taken up by brick stores and the current courtyard was filled with grassy patches shaded by trees and lined by an iron fence. Now, the old aristocratic building hides its weathered face behind a flashy modern structure; at one of the back windows, I noticed some lovely seamstresses sewing, chatting, and laughing, occasionally glancing carelessly toward the balcony. After leaving there, we returned to the bar room, where the older gentleman I mentioned earlier—the one whose smacking lips had praised Mr. Waite’s fine liquor—was still lounging in his chair. He seemed to be a regular at the place, likely having an ongoing tab at the bar, his summer spot by the open window, and his usual corner by the winter fire. Being friendly-looking, I decided to speak to him with a comment aimed at sparking his historical memories, if he had any, and I was pleased to find that the old gentleman had some delightful stories about the Province House, blending memory and tradition. The part of his tale that caught my attention was the outline of the following legend. He claimed to have heard it secondhand from an eyewitness, but that source, along with the passing of time, must have led to many changes in the story; so, in hopes of serving the reader well, I did not hesitate to make additional adjustments that seemed beneficial and enjoyable.
At one of the entertainments given at the province-house during the latter part of the siege of Boston there passed a scene which has never yet been satisfactorily explained. The officers of the British army and the loyal gentry of the province, most of whom were collected within the beleaguered town, had been invited to a masqued ball, for it was the policy for Sir William Howe to hide the distress and danger of the period and the desperate aspect of the siege under an ostentation of festivity. The spectacle of this evening, if the oldest members of the provincial court circle might be believed, was the most gay and gorgeous affair that had occurred in the annals of the government. The brilliantly-lighted apartments were thronged with figures that seemed to have stepped from the dark canvas of historic portraits or to have flitted forth from the magic pages of romance, or at least to have flown hither from one of the London theatres without a change of garments. Steeled knights of the Conquest, bearded statesmen of Queen Elizabeth and high-ruffed ladies of her court were mingled with characters of comedy, such as a parti-colored Merry Andrew jingling his cap and bells, a Falstaff almost as provocative of laughter as his prototype, and a Don Quixote with a bean-pole for a lance and a pot-lid for a shield.
At one of the parties held at the province-house during the later stages of the Boston siege, there was a scene that has never been fully explained. The officers of the British army and the loyal upper-class residents of the province, most of whom were gathered in the besieged town, were invited to a masked ball. It was Sir William Howe’s strategy to distract from the ongoing distress and danger of the time, as well as the dire situation of the siege, by putting on an extravagant show. According to the oldest members of the provincial court circle, this evening's event was the most lively and extravagant affair ever seen in the government’s history. The brilliantly lit rooms were filled with figures that appeared to have stepped out of the dark artwork of historic portraits or to have come straight from the pages of a storybook, or at least flown in from one of London’s theaters without changing their clothes. Armored knights from the Conquest, bearded politicians from the time of Queen Elizabeth, and elegantly dressed ladies from her court mingled among comedic characters, like a jester in flashy clothing jingling his cap and bells, a Falstaff almost as amusing as his literary counterpart, and a Don Quixote wielding a beanpole as a lance and a pot lid as a shield.
But the broadest merriment was excited by a group of figures ridiculously dressed in old regimentals which seemed to have been purchased at a military rag-fair or pilfered from some receptacle of the cast-off clothes of both the French and British armies. Portions of their attire had probably been worn at the siege of Louisburg, and the coats of most recent cut might have been rent and tattered by sword, ball or bayonet as long ago as Wolfe’s victory. One of these worthies—a tall, lank figure brandishing a rusty sword of immense longitude—purported to be no less a personage than General George Washington, and the other principal officers of the American army, such as Gates, Lee, Putnam, Schuyler, Ward and Heath, were represented by similar scarecrows. An interview in the mock-heroic style between the rebel warriors and the British commander-in-chief was received with immense applause, which came loudest of all from the loyalists of the colony.
But the biggest laughs came from a group of people dressed ridiculously in old military uniforms that looked like they were bought from a thrift shop or taken from a pile of discarded clothes from both the French and British armies. Parts of their outfits might have been worn during the siege of Louisburg, and the most recent coats could have been torn and tattered by swords, bullets, or bayonets as far back as Wolfe’s victory. One of these characters—a tall, skinny figure waving a rusty sword that was way too long—claimed to be none other than General George Washington, while other important officers of the American army, like Gates, Lee, Putnam, Schuyler, Ward, and Heath, were represented by similar scarecrows. A mock-heroic dialogue between the rebel fighters and the British commander-in-chief got huge applause, especially from the loyalists in the colony.
There was one of the guests, however, who stood apart, eying these antics sternly and scornfully at once with a frown and a bitter smile. It was an old man formerly of high station and great repute in the province, and who had been a very famous soldier in his day. Some surprise had been expressed that a person of Colonel Joliffe’s known Whig principles, though now too old to take an active part in the contest, should have remained in Boston during the siege, and especially that he should consent to show himself in the mansion of Sir William Howe. But thither he had come with a fair granddaughter under his arm, and there, amid all the mirth and buffoonery, stood this stern old figure, the best-sustained character in the masquerade, because so well representing the antique spirit of his native land. The other guests affirmed that Colonel Joliffe’s black puritanical scowl threw a shadow round about him, although, in spite of his sombre influence, their gayety continued to blaze higher, like—an ominous comparison—the flickering brilliancy of a lamp which has but a little while to burn.
There was one guest, however, who stood apart, watching these antics with a stern and scornful expression, a frown mixed with a bitter smile. He was an old man who had once held a high position and was well-respected in the province, known as a very famous soldier in his time. Some people were surprised that someone like Colonel Joliffe, who had openly Whig views, would stay in Boston during the siege, especially since he was too old to actively participate in the conflict. Yet he had come to the mansion of Sir William Howe with his lovely granddaughter by his side, and there, amidst all the laughter and foolishness, stood this stern old figure—the most impressive character in the masquerade as he embodied the old spirit of his homeland. The other guests claimed that Colonel Joliffe’s dark, puritanical scowl cast a shadow around him, but despite his gloomy presence, their joy continued to rise, like—an ominous comparison—a flickering lamp that has only a little time left to burn.
Eleven strokes full half an hour ago had pealed from the clock of the Old South, when a rumor was circulated among the company that some new spectacle or pageant was about to be exhibited which should put a fitting close to the splendid festivities of the night.
Eleven chimes sounded a half hour ago from the Old South clock when the guests started whispering that a new show or performance was about to take place, which would perfectly conclude the amazing celebrations of the night.
“What new jest has Your Excellency in hand?” asked the Reverend Mather Byles, whose Presbyterian scruples had not kept him from the entertainment. “Trust me, sir, I have already laughed more than beseems my cloth at your Homeric confabulation with yonder ragamuffin general of the rebels. One other such fit of merriment, and I must throw off my clerical wig and band.”
“What new joke do you have in store, Your Excellency?” asked Reverend Mather Byles, whose Presbyterian beliefs hadn’t stopped him from joining the fun. “Honestly, sir, I’ve already laughed more than is proper for someone in my position at your epic conversation with that disheveled general of the rebels. One more round of laughter like this, and I’ll have to take off my clerical wig and band.”
“Not so, good Dr. Byles,” answered Sir William Howe; “if mirth were a crime, you had never gained your doctorate in divinity. As to this new foolery, I know no more about it than yourself—perhaps not so much. Honestly, now, doctor, have you not stirred up the sober brains of some of your countrymen to enact a scene in our masquerade?”
“Not at all, good Dr. Byles,” replied Sir William Howe; “if laughter were a crime, you would never have earned your doctorate in divinity. As for this new nonsense, I know just as little about it as you do—maybe even less. Honestly, doctor, haven’t you inspired some of your fellow countrymen to put on a show in our masquerade?”
“Perhaps,” slyly remarked the granddaughter of Colonel Joliffe, whose high spirit had been stung by many taunts against New England—“perhaps we are to have a masque of allegorical figures—Victory with trophies from Lexington and Bunker Hill, Plenty with her overflowing horn to typify the present abundance in this good town, and Glory with a wreath for His Excellency’s brow.”
“Maybe,” the granddaughter of Colonel Joliffe said with a smirk, whose pride had been hurt by countless jabs against New England—“maybe we’re about to see a performance with symbolic figures—Victory with trophies from Lexington and Bunker Hill, Plenty with her overflowing cornucopia to represent the current abundance in this great town, and Glory with a wreath for His Excellency’s head.”
Sir William Howe smiled at words which he would have answered with one of his darkest frowns had they been uttered by lips that wore a beard. He was spared the necessity of a retort by a singular interruption. A sound of music was heard without the house, as if proceeding from a full band of military instruments stationed in the street, playing, not such a festal strain as was suited to the occasion, but a slow funeral-march. The drums appeared to be muffled, and the trumpets poured forth a wailing breath which at once hushed the merriment of the auditors, filling all with wonder and some with apprehension. The idea occurred to many that either the funeral procession of some great personage had halted in front of the province-house, or that a corpse in a velvet-covered and gorgeously-decorated coffin was about to be borne from the portal. After listening a moment, Sir William Howe called in a stern voice to the leader of the musicians, who had hitherto enlivened the entertainment with gay and lightsome melodies. The man was drum-major to one of the British regiments.
Sir William Howe smiled at comments he would have reacted to with a scowl if they had come from someone with a beard. He was saved from having to respond by an unusual interruption. Music could be heard outside the house, as if a full military band was stationed in the street, playing not a festive tune appropriate for the occasion, but a slow funeral march. The drums sounded muffled, and the trumpets emitted a mournful sound that immediately silenced the laughter of the crowd, leaving everyone puzzled and some feeling anxious. Many wondered if a funeral procession of a notable person had stopped in front of the province house, or if a corpse in an ornate, velvet-covered coffin was about to emerge from the entrance. After listening for a moment, Sir William Howe called out in a stern voice to the leader of the musicians, who had previously entertained the guests with cheerful and lively melodies. The man was the drum major of one of the British regiments.
“Dighton,” demanded the general, “what means this foolery? Bid your band silence that dead march, or, by my word, they shall have sufficient cause for their lugubrious strains. Silence it, sirrah!”
“Dighton,” the general demanded, “what’s with this nonsense? Tell your band to stop that mournful march, or I swear, they’ll have more than enough reason for their gloomy tunes. Silence it, you fool!”
“Please, Your Honor,” answered the drum-major, whose rubicund visage had lost all its color, “the fault is none of mine. I and my band are all here together, and I question whether there be a man of us that could play that march without book. I never heard it but once before, and that was at the funeral of his late Majesty, King George II.”
“Please, Your Honor,” replied the drum major, whose red face had lost all its color, “the fault isn’t mine. My band and I are all here together, and I doubt there’s anyone among us who could play that march by memory. I’ve only heard it once before, and that was at the funeral of the late King George II.”
“Well, well!” said Sir William Howe, recovering his composure; “it is the prelude to some masquerading antic. Let it pass.”
“Well, well!” said Sir William Howe, regaining his composure; “this is just the setup for some playful trick. Let it go.”
A figure now presented itself, but among the many fantastic masks that were dispersed through the apartments none could tell precisely from whence it came. It was a man in an old-fashioned dress of black serge and having the aspect of a steward or principal domestic in the household of a nobleman or great English landholder. This figure advanced to the outer door of the mansion, and, throwing both its leaves wide open, withdrew a little to one side and looked back toward the grand staircase, as if expecting some person to descend. At the same time, the music in the street sounded a loud and doleful summons. The eyes of Sir William Howe and his guests being directed to the staircase, there appeared on the uppermost landing-place, that was discernible from the bottom, several personages descending toward the door. The foremost was a man of stern visage, wearing a steeple-crowned hat and a skull-cap beneath it, a dark cloak and huge wrinkled boots that came halfway up his legs. Under his arm was a rolled-up banner which seemed to be the banner of England, but strangely rent and torn; he had a sword in his right hand and grasped a Bible in his left. The next figure was of milder aspect, yet full of dignity, wearing a broad ruff, over which descended a beard, a gown of wrought velvet and a doublet and hose of black satin; he carried a roll of manuscript in his hand. Close behind these two came a young man of very striking countenance and demeanor with deep thought and contemplation on his brow, and perhaps a flash of enthusiasm in his eye; his garb, like that of his predecessors, was of an antique fashion, and there was a stain of blood upon his ruff. In the same group with these were three or four others, all men of dignity and evident command, and bearing themselves like personages who were accustomed to the gaze of the multitude. It was the idea of the beholders that these figures went to join the mysterious funeral that had halted in front of the province-house, yet that supposition seemed to be contradicted by the air of triumph with which they waved their hands as they crossed the threshold and vanished through the portal.
A figure now appeared, but among the many elaborate masks scattered throughout the rooms, no one could say exactly where it came from. It was a man dressed in old-fashioned black fabric, resembling a steward or head servant in the household of a nobleman or a major English landowner. This figure stepped up to the mansion's front door, threw both doors wide open, took a step to the side, and looked back toward the grand staircase as if waiting for someone to come down. At the same time, the music from the street sounded a loud and mournful call. Sir William Howe and his guests turned their attention to the staircase, where several figures appeared on the top landing visible from the bottom, making their way toward the door. The first was a man with a stern expression, wearing a tall, pointed hat and a cap underneath it, a dark cloak, and large wrinkled boots that reached halfway up his legs. Under his arm, he carried a rolled-up banner that seemed to be the banner of England, though it was oddly torn and frayed; he held a sword in his right hand and a Bible in his left. The next figure looked more gentle yet dignified, sporting a wide ruff, a beard, a gown of embroidered velvet, and a doublet and hose of black satin; he held a rolled manuscript in his hand. Right behind them was a young man with a striking appearance and presence, deep in thought and with perhaps a spark of enthusiasm in his eye; like the others, he wore old-fashioned clothing, and there was a stain of blood on his ruff. Alongside these were three or four other men, all dignified and commanding, carrying themselves as if they were used to being the center of attention. The observers thought that these figures were heading to join the mysterious funeral that had stopped in front of the province house, yet that assumption seemed contradicted by the triumphant manner in which they waved their hands as they crossed the threshold and disappeared through the door.
“In the devil’s name, what is this?” muttered Sir William Howe to a gentleman beside him. “A procession of the regicide judges of King Charles the martyr?”
“In the devil’s name, what is this?” muttered Sir William Howe to a gentleman beside him. “A procession of the judges who condemned King Charles the martyr?”
“These,” said Colonel Joliffe, breaking silence almost for the first time that evening—“these, if I interpret them aright, are the Puritan governors, the rulers of the old original democracy of Massachusetts—Endicott with the banner from which he had torn the symbol of subjection, and Winthrop and Sir Henry Vane and Dudley, Haynes, Bellingham and Leverett.”
“These,” said Colonel Joliffe, finally speaking up after a long silence that evening—“these, if I understand correctly, are the Puritan governors, the leaders of the original democracy of Massachusetts—Endicott with the flag from which he had removed the symbol of submission, and Winthrop and Sir Henry Vane and Dudley, Haynes, Bellingham, and Leverett.”
“Why had that young man a stain of blood upon his ruff?” asked Miss Joliffe.
“Why did that young man have a stain of blood on his collar?” asked Miss Joliffe.
“Because in after-years,” answered her grandfather, “he laid down the wisest head in England upon the block for the principles of liberty.”
“Because later on,” her grandfather replied, “he put the wisest head in England on the block for the principles of liberty.”
“Will not Your Excellency order out the guard?” whispered Lord Percy, who, with other British officers, had now assembled round the general. “There may be a plot under this mummery.”
“Will you please order out the guard?” whispered Lord Percy, who, along with other British officers, had now gathered around the general. “There might be a plot behind this nonsense.”
“Tush! we have nothing to fear,” carelessly replied Sir William Howe. “There can be no worse treason in the matter than a jest, and that somewhat of the dullest. Even were it a sharp and bitter one, our best policy would be to laugh it off. See! here come more of these gentry.”
“Tush! We have nothing to worry about,” Sir William Howe replied casually. “There can be no treachery worse than a joke, and it's a pretty dull one at that. Even if it were sharp and bitter, the best thing to do would be to laugh it off. Look! Here come more of these guys.”
Another group of characters had now partly descended the staircase. The first was a venerable and white-bearded patriarch who cautiously felt his way downward with a staff. Treading hastily behind him, and stretching forth his gauntleted hand as if to grasp the old man’s shoulder, came a tall soldier-like figure equipped with a plumed cap of steel, a bright breastplate and a long sword, which rattled against the stairs. Next was seen a stout man dressed in rich and courtly attire, but not of courtly demeanor; his gait had the swinging motion of a seaman’s walk, and, chancing to stumble on the staircase, he suddenly grew wrathful and was heard to mutter an oath. He was followed by a noble-looking personage in a curled wig such as are represented in the portraits of Queen Anne’s time and earlier, and the breast of his coat was decorated with an embroidered star. While advancing to the door he bowed to the right hand and to the left in a very gracious and insinuating style, but as he crossed the threshold, unlike the early Puritan governors, he seemed to wring his hands with sorrow.
Another group of characters had now partly come down the stairs. The first was an elderly man with a long white beard who carefully felt his way down with a cane. Coming up quickly behind him was a tall soldier-like figure wearing a plumed steel helmet, a shiny breastplate, and a long sword that clanked against the steps. Next was a stout man dressed in fancy, elegant clothes, but his manner was anything but dignified; he walked with the heavy gait of a sailor, and when he happened to trip on the stairs, he immediately became angry and muttered a curse. He was followed by a distinguished-looking man in a curled wig similar to those seen in portraits from the time of Queen Anne and earlier, his coat adorned with an embroidered star. As he approached the door, he bowed gracefully to the right and left, but as he stepped over the threshold, unlike the early Puritan governors, he seemed to wring his hands in sorrow.
“Prithee, play the part of a chorus, good Dr. Byles,” said Sir William Howe. “What worthies are these?”
“Please, act like a chorus, good Dr. Byles,” said Sir William Howe. “Who are these notable people?”
“If it please Your Excellency, they lived somewhat before my day,” answered the doctor; “but doubtless our friend the colonel has been hand and glove with them.”
“If it pleases you, Your Excellency, they lived a bit before my time,” replied the doctor; “but surely our friend the colonel has been very close with them.”
“Their living faces I never looked upon,” said Colonel Joliffe, gravely; “although I have spoken face to face with many rulers of this land, and shall greet yet another with an old man’s blessing ere I die. But we talk of these figures. I take the venerable patriarch to be Bradstreet, the last of the Puritans, who was governor at ninety or thereabouts. The next is Sir Edmund Andros, a tyrant, as any New England schoolboy will tell you, and therefore the people cast him down from his high seat into a dungeon. Then comes Sir William Phipps, shepherd, cooper, sea-captain and governor. May many of his countrymen rise as high from as low an origin! Lastly, you saw the gracious earl of Bellamont, who ruled us under King William.”
“I never saw their living faces,” Colonel Joliffe said somberly. “Even though I’ve spoken directly with many leaders of this land, and I’ll greet another with an old man’s blessing before I die. But we’re talking about these figures. I believe the venerable patriarch is Bradstreet, the last of the Puritans, who was governor at around ninety. Next is Sir Edmund Andros, a tyrant, as any New England schoolboy will tell you, and because of that, the people overthrew him from his high position and sent him to a dungeon. Then there’s Sir William Phipps, a shepherd, cooper, sea captain, and governor. May many of his fellow countrymen rise as high from such humble beginnings! Lastly, you see the gracious Earl of Bellamont, who governed us under King William.”
“But what is the meaning of it all?” asked Lord Percy.
“But what does it all mean?” asked Lord Percy.
“Now, were I a rebel,” said Miss Joliffe, half aloud, “I might fancy that the ghosts of these ancient governors had been summoned to form the funeral procession of royal authority in New England.”
“Now, if I were a rebel,” Miss Joliffe said half to herself, “I might think that the ghosts of these old governors have been called to create the funeral procession for royal authority in New England.”
Several other figures were now seen at the turn of the staircase. The one in advance had a thoughtful, anxious and somewhat crafty expression of face, and in spite of his loftiness of manner, which was evidently the result both of an ambitious spirit and of long continuance in high stations, he seemed not incapable of cringing to a greater than himself. A few steps behind came an officer in a scarlet and embroidered uniform cut in a fashion old enough to have been worn by the duke of Marlborough. His nose had a rubicund tinge, which, together with the twinkle of his eye, might have marked him as a lover of the wine-cup and good-fellowship; notwithstanding which tokens, he appeared ill at ease, and often glanced around him as if apprehensive of some secret mischief. Next came a portly gentleman wearing a coat of shaggy cloth lined with silken velvet; he had sense, shrewdness and humor in his face and a folio volume under his arm, but his aspect was that of a man vexed and tormented beyond all patience and harassed almost to death. He went hastily down, and was followed by a dignified person dressed in a purple velvet suit with very rich embroidery; his demeanor would have possessed much stateliness, only that a grievous fit of the gout compelled him to hobble from stair to stair with contortions of face and body. When Dr. Byles beheld this figure on the staircase, he shivered as with an ague, but continued to watch him steadfastly until the gouty gentleman had reached the threshold, made a gesture of anguish and despair and vanished into the outer gloom, whither the funeral music summoned him.
Several other people were now visible at the turn of the staircase. The one in front had a thoughtful, anxious, and somewhat sly look on his face. Despite his lofty demeanor, which clearly came from an ambitious spirit and having held high positions for a long time, he didn’t seem above groveling to someone more powerful than him. A few steps behind walked an officer in a scarlet and embroidered uniform that looked old enough to have been worn by the Duke of Marlborough. His nose had a ruddy tint, and the sparkle in his eye suggested he enjoyed drinking and camaraderie; still, he appeared ill at ease and often glanced around as if worried about some hidden trouble. Next came a stocky gentleman dressed in a shaggy coat lined with silk velvet; he had intelligence, sharpness, and humor in his face and was carrying a large book under his arm, but he looked like a man who was deeply distressed and near exhaustion. He hurried down the stairs, followed by a dignified man in a purple velvet suit with intricate embroidery; his presence would have been quite stately if not for the severe gout that forced him to hobble down the stairs, contorting his face and body in discomfort. When Dr. Byles saw this man on the staircase, he shivered as if he had a chill but kept watching him intently until the gouty gentleman reached the threshold, gestured in anguish and despair, and disappeared into the dark outside, where the funeral music called him.
“Governor Belcher—my old patron—in his very shape and dress!” gasped Dr. Byles. “This is an awful mockery.”
“Governor Belcher—my old boss—in his exact form and outfit!” gasped Dr. Byles. “This is a terrible joke.”
“A tedious foolery, rather,” said Sir William Howe, with an air of indifference. “But who were the three that preceded him?”
“A boring prank, really,” said Sir William Howe, with a sense of indifference. “But who were the three that came before him?”
“Governor Dudley, a cunning politician; yet his craft once brought him to a prison,” replied Colonel Joliffe. “Governor Shute, formerly a colonel under Marlborough, and whom the people frightened out of the province, and learned Governor Burnett, whom the legislature tormented into a mortal fever.”
“Governor Dudley, a clever politician; yet his tricks once landed him in prison,” replied Colonel Joliffe. “Governor Shute, who used to be a colonel under Marlborough, and whom the people scared out of the province, and the knowledgeable Governor Burnett, whom the legislature pushed into a serious illness.”
“Methinks they were miserable men—these royal governors of Massachusetts,” observed Miss Joliffe. “Heavens! how dim the light grows!”
“I think they were miserable men—these royal governors of Massachusetts,” Miss Joliffe remarked. “Wow! How dim the light is getting!”
It was certainly a fact that the large lamp which illuminated the staircase now burned dim and duskily; so that several figures which passed hastily down the stairs and went forth from the porch appeared rather like shadows than persons of fleshly substance.
It was definitely true that the big lamp lighting the staircase now burned weakly and dimly; so that several figures rushing down the stairs and out of the porch looked more like shadows than real people.
Sir William Howe and his guests stood at the doors of the contiguous apartments watching the progress of this singular pageant with various emotions of anger, contempt or half-acknowledged fear, but still with an anxious curiosity. The shapes which now seemed hastening to join the mysterious procession were recognized rather by striking peculiarities of dress or broad characteristics of manner than by any perceptible resemblance of features to their prototypes. Their faces, indeed, were invariably kept in deep shadow, but Dr. Byles and other gentlemen who had long been familiar with the successive rulers of the province were heard to whisper the names of Shirley, of Pownall, of Sir Francis Bernard and of the well-remembered Hutchinson, thereby confessing that the actors, whoever they might be, in this spectral march of governors had succeeded in putting on some distant portraiture of the real personages. As they vanished from the door, still did these shadows toss their arms into the gloom of night with a dread expression of woe. Following the mimic representative of Hutchinson came a military figure holding before his face the cocked hat which he had taken from his powdered head, but his epaulettes and other insignia of rank were those of a general officer, and something in his mien reminded the beholders of one who had recently been master of the province-house and chief of all the land.
Sir William Howe and his guests stood at the doors of the nearby rooms, watching the unusual spectacle unfold with a mix of anger, contempt, and a hint of fear, but still filled with anxious curiosity. The figures that now seemed to be rushing to join the mysterious parade were recognized more by their distinctive clothing and broad mannerisms than by any noticeable resemblance to the real people. Their faces were always kept in deep shadow, but Dr. Byles and other gentlemen who had long been acquainted with the province's successive rulers could be heard whispering the names Shirley, Pownall, Sir Francis Bernard, and the well-remembered Hutchinson. This indicated that the participants, whoever they were in this ghostly march of governors, had managed to portray a vague likeness of the actual individuals. As they disappeared from view, these shadows continued to gesture into the night with expressions of deep sorrow. Following the imitation of Hutchinson was a military figure holding a cocked hat in front of his face, which he had taken off his powdered head, but his epaulettes and other signs of rank were those of a general officer, and something about his demeanor reminded the onlookers of someone who had recently been in charge of the province house and the entire area.
“The shape of Gage, as true as in a looking-glass!” exclaimed Lord Percy, turning pale.
“The shape of Gage, just like in a mirror!” exclaimed Lord Percy, turning pale.
“No, surely,” cried Miss Joliffe, laughing hysterically; “it could not be Gage, or Sir William would have greeted his old comrade in arms. Perhaps he will not suffer the next to pass unchallenged.”
“No, come on,” cried Miss Joliffe, laughing uncontrollably; “it can't be Gage, or Sir William would have welcomed his old friend in arms. Maybe he won’t let the next one go without a challenge.”
“Of that be assured, young lady,” answered Sir William Howe, fixing his eyes with a very marked expression upon the immovable visage of her grandfather. “I have long enough delayed to pay the ceremonies of a host to these departing guests; the next that takes his leave shall receive due courtesy.”
“Rest assured of that, young lady,” replied Sir William Howe, fixing his gaze with a strong expression on the unchanging face of her grandfather. “I have already delayed long enough to offer my hospitality to these departing guests; the next one to leave will receive the proper respect.”
A wild and dreary burst of music came through the open door. It seemed as it the procession, which had been gradually filling up its ranks, were now about to move, and that this loud peal of the wailing trumpets and roll of the muffled drums were a call to some loiterer to make haste. Many eyes, by an irresistible impulse, were turned upon Sir William Howe, as if it were he whom the dreary music summoned to the funeral of departed power.
A wild and gloomy blast of music came through the open door. It felt like the procession, which had been slowly gathering, was about to start moving, and that this loud sound of the wailing trumpets and the roll of the muffled drums was a call for some straggler to hurry up. Many people, as if drawn by an irresistible force, looked at Sir William Howe, as if he were the one the mournful music was calling to the funeral of lost power.
“See! here comes the last,” whispered Miss Joliffe, pointing her tremulous finger to the staircase.
“Look! Here comes the last one,” whispered Miss Joliffe, pointing her shaky finger at the staircase.
A figure had come into view as if descending the stairs, although so dusky was the region whence it emerged some of the spectators fancied that they had seen this human shape suddenly moulding itself amid the gloom. Downward the figure came with a stately and martial tread, and, reaching the lowest stair, was observed to be a tall man booted and wrapped in a military cloak, which was drawn up around the face so as to meet the napped brim of a laced hat; the features, therefore, were completely hidden. But the British officers deemed that they had seen that military cloak before, and even recognized the frayed embroidery on the collar, as well as the gilded scabbard of a sword which protruded from the folds of the cloak and glittered in a vivid gleam of light. Apart from these trifling particulars there were characteristics of gait and bearing which impelled the wondering guests to glance from the shrouded figure to Sir William Howe, as if to satisfy themselves that their host had not suddenly vanished from the midst of them. With a dark flush of wrath upon his brow, they saw the general draw his sword and advance to meet the figure in the cloak before the latter had stepped one pace upon the floor.
A figure appeared as if coming down the stairs, but the area it emerged from was so dark that some of the onlookers thought they saw this human shape suddenly materializing from the shadows. The figure came down with a commanding and military stride, and when it reached the bottom step, it was revealed to be a tall man wearing boots and a military cloak. The cloak was pulled up around his face, hiding his features completely, except for the napped brim of a lace-trimmed hat. The British officers felt they recognized that military cloak and even noticed the frayed embroidery on the collar, along with the shining gilded scabbard of a sword that peeked out from the folds of the cloak, glittering in a bright flash of light. Aside from these minor details, there were aspects of his walk and demeanor that made the curious guests look from the cloaked figure to Sir William Howe, as if to confirm that their host hadn't suddenly disappeared. With a dark look of anger on his face, they watched the general draw his sword and step forward to confront the cloaked figure before he had even taken a step onto the floor.
“Villain, unmuffle yourself!” cried he. “You pass no farther.”
“Villain, show yourself!” he shouted. “You can’t go any further.”
The figure, without blenching a hair’s-breadth from the sword which was pointed at his breast, made a solemn pause and lowered the cape of the cloak from about his face, yet not sufficiently for the spectators to catch a glimpse of it. But Sir William Howe had evidently seen enough. The sternness of his countenance gave place to a look of wild amazement, if not horror, while he recoiled several steps from the figure and let fall his sword upon the floor. The martial shape again drew the cloak about his features and passed on, but, reaching the threshold with his back toward the spectators, he was seen to stamp his foot and shake his clenched hands in the air. It was afterward affirmed that Sir William Howe had repeated that selfsame gesture of rage and sorrow when for the last time, and as the last royal governor, he passed through the portal of the province-house.
The figure, without flinching an inch from the sword aimed at his chest, paused dramatically and pulled down the cape of his cloak from around his face, though not enough for the onlookers to see it. But Sir William Howe had clearly seen enough. The sternness on his face shifted to a look of shock, if not horror, as he stepped back from the figure and dropped his sword onto the floor. The military figure wrapped the cloak back around his features and moved on, but as he reached the door with his back to the spectators, he was seen to stomp his foot and shake his clenched fists in the air. It was later said that Sir William Howe repeated that same gesture of anger and sorrow when, for the last time, he exited the province house as the final royal governor.
“Hark! The procession moves,” said Miss Joliffe.
“Hear that! The parade is moving,” said Miss Joliffe.
The music was dying away along the street, and its dismal strains were mingled with the knell of midnight from the steeple of the Old South and with the roar of artillery which announced that the beleaguered army of Washington had intrenched itself upon a nearer height than before. As the deep boom of the cannon smote upon his ear Colonel Joliffe raised himself to the full height of his aged form and smiled sternly on the British general.
The music faded along the street, its sad notes blending with the midnight bells from the Old South steeple and the thunder of cannon fire that signaled that Washington's trapped army had taken up positions closer than before. As the deep sound of the cannons reached him, Colonel Joliffe straightened up to his full, aged height and smiled sternly at the British general.
“Would Your Excellency inquire further into the mystery of the pageant?” said he.
“Would you like to know more about the mystery of the pageant?” he asked.
“Take care of your gray head!” cried Sir William Howe, fiercely, though with a quivering lip. “It has stood too long on a traitor’s shoulders.”
“Take care of your gray head!” shouted Sir William Howe, fiercely, though with a trembling lip. “It has been resting too long on a traitor’s shoulders.”
“You must make haste to chop it off, then,” calmly replied the colonel, “for a few hours longer, and not all the power of Sir William Howe, nor of his master, shall cause one of these gray hairs to fall. The empire of Britain in this ancient province is at its last gasp to-night; almost while I speak it is a dead corpse, and methinks the shadows of the old governors are fit mourners at its funeral.”
“You need to hurry and cut it off then,” the colonel replied calmly, “because in just a few more hours, not even all the power of Sir William Howe or his boss can make one of these gray hairs fall. Britain's empire in this old province is on its last breath tonight; while I’m speaking, it’s already a dead body, and I think the shadows of the old governors would make appropriate mourners at its funeral.”
With these words Colonel Joliffe threw on his cloak, and, drawing his granddaughter’s arm within his own, retired from the last festival that a British ruler ever held in the old province of Massachusetts Bay. It was supposed that the colonel and the young lady possessed some secret intelligence in regard to the mysterious pageant of that night. However this might be, such knowledge has never become general. The actors in the scene have vanished into deeper obscurity than even that wild Indian hand who scattered the cargoes of the tea-ships on the waves and gained a place in history, yet left no names. But superstition, among other legends of this mansion, repeats the wondrous tale that on the anniversary night of Britain’s discomfiture the ghosts of the ancient governors of Massachusetts still glide through the portal of the Province House. And last of all comes a figure shrouded in a military cloak, tossing his clenched hands into the air and stamping his iron-shod boots upon the broad freestone steps with a semblance of feverish despair, but without the sound of a foot-tramp.
With those words, Colonel Joliffe put on his cloak, and, hooking his granddaughter’s arm around his own, left the last celebration ever held by a British ruler in the old province of Massachusetts Bay. It was believed that the colonel and the young lady had some secret information about the mysterious event that night. Whatever the truth may be, that knowledge has never become widely known. The people involved in that scene have faded into deeper obscurity than even the wild Indian who scattered the tea-ships' cargoes into the ocean and made a mark in history without leaving any names. Yet, superstition, alongside other legends of this mansion, tells the incredible story that on the anniversary night of Britain’s defeat, the ghosts of Massachusetts' former governors still glide through the doors of the Province House. Lastly, a figure wrapped in a military cloak appears, throwing his clenched fists into the air and stamping his iron-clad boots on the broad stone steps with an air of frantic despair, but without making a sound.
When the truth-telling accents of the elderly gentleman were hushed, I drew a long breath and looked round the room, striving with the best energy of my imagination to throw a tinge of romance and historic grandeur over the realities of the scene. But my nostrils snuffed up a scent of cigar-smoke, clouds of which the narrator had emitted by way of visible emblem, I suppose, of the nebulous obscurity of his tale. Moreover, my gorgeous fantasies were woefully disturbed by the rattling of the spoon in a tumbler of whiskey-punch which Mr. Thomas Waite was mingling for a customer. Nor did it add to the picturesque appearance of the panelled walls that the slate of the Brookline stage was suspended against them, instead of the armorial escutcheon of some far-descended governor. A stage-driver sat at one of the windows reading a penny paper of the day—the Boston Times—and presenting a figure which could nowise be brought into any picture of “Times in Boston” seventy or a hundred years ago. On the window-seat lay a bundle neatly done up in brown paper, the direction of which I had the idle curiosity to read: “MISS SUSAN HUGGINS, at the PROVINCE HOUSE.” A pretty chambermaid, no doubt. In truth, it is desperately hard work when we attempt to throw the spell of hoar antiquity over localities with which the living world and the day that is passing over us have aught to do. Yet, as I glanced at the stately staircase down which the procession of the old governors had descended, and as I emerged through the venerable portal whence their figures had preceded me, it gladdened me to be conscious of a thrill of awe. Then, diving through the narrow archway, a few strides transported me into the densest throng of Washington street.
When the elderly gentleman finished sharing his truths, I took a deep breath and looked around the room, trying my best to infuse a sense of romance and historical grandeur into the realities of the scene. But I caught a whiff of cigar smoke, which the storyteller had puffed out as a visible symbol of the hazy obscurity of his story. My grand daydreams were further interrupted by the clinking of a spoon stirring a glass of whiskey punch that Mr. Thomas Waite was preparing for a customer. It didn’t help that instead of an impressive coat of arms of some long-gone governor, a slate for the Brookline stage hung on the panelled walls. A stage-driver was sitting by one of the windows, reading a current penny newspaper—the Boston Times—and looked nothing like the “Times in Boston” from seventy or a hundred years ago. On the window seat, I spotted a bundle wrapped in brown paper, and out of idle curiosity, I read the label: “MISS SUSAN HUGGINS, at the PROVINCE HOUSE.” Probably a pretty chambermaid, no doubt. Honestly, it’s really challenging to create a sense of ancient enchantment in places that are tied to the living world and the present day. Yet, as I glanced at the grand staircase that the old governors had once descended, and as I stepped through the historic doorway that they had passed through before me, I felt a thrill of awe. Then, after ducking through the narrow archway, a few strides brought me into the bustling crowd of Washington Street.
II.
EDWARD RANDOLPH’S PORTRAIT
The old legendary guest of the Province House abode in my remembrance from midsummer till January. One idle evening last winter, confident that he would be found in the snuggest corner of the bar-room, I resolved to pay him another visit, hoping to deserve well of my country by snatching from oblivion some else unheard-of fact of history. The night was chill and raw, and rendered boisterous by almost a gale of wind which whistled along Washington street, causing the gaslights to flare and flicker within the lamps.
The old legendary guest of the Province House stayed in my memory from midsummer until January. One lazy evening last winter, sure that he would be in the coziest spot of the bar-room, I decided to pay him another visit, hoping to do my part for my country by uncovering some unknown fact of history. The night was cold and damp, made even more intense by a strong wind that whistled down Washington Street, making the gaslights flare and flicker in their lamps.
As I hurried onward my fancy was busy with a comparison between the present aspect of the street and that which it probably wore when the British governors inhabited the mansion whither I was now going. Brick edifices in those times were few till a succession of destructive fires had swept, and swept again, the wooden dwellings and warehouses from the most populous quarters of the town. The buildings stood insulated and independent, not, as now, merging their separate existences into connected ranges with a front of tiresome identity, but each possessing features of its own, as if the owner’s individual taste had shaped it, and the whole presenting a picturesque irregularity the absence of which is hardly compensated by any beauties of our modern architecture. Such a scene, dimly vanishing from the eye by the ray of here and there a tallow candle glimmering through the small panes of scattered windows, would form a sombre contrast to the street as I beheld it with the gaslights blazing from corner to corner, flaming within the shops and throwing a noonday brightness through the huge plates of glass. But the black, lowering sky, as I turned my eyes upward, wore, doubtless, the same visage as when it frowned upon the ante-Revolutionary New Englanders. The wintry blast had the same shriek that was familiar to their ears. The Old South Church, too, still pointed its antique spire into the darkness and was lost between earth and heaven, and, as I passed, its clock, which had warned so many generations how transitory was their lifetime, spoke heavily and slow the same unregarded moral to myself. “Only seven o’clock!” thought I. “My old friend’s legends will scarcely kill the hours ’twixt this and bedtime.”
As I rushed forward, my imagination was busy comparing the current look of the street with what it likely looked like when the British governors lived in the mansion I was heading to. Back then, there weren’t many brick buildings until a series of devastating fires had wiped out the wooden houses and warehouses from the busiest areas of the town. The buildings were standalone and independent, unlike today, where they all blend together into long rows with a dull uniformity. Each building had its own unique features, as if the owner's personal style shaped it, creating a charming irregularity that modern architecture hardly makes up for. This scene, dimly fading from view with just a few flickering tallow candles glowing through the small panes of scattered windows, would be a stark contrast to the street I saw now, lit up from corner to corner by gaslights, shining brightly in the shops and filling the large glass windows with noonday brightness. But the dark, brooding sky, when I looked up, likely had the same scowl it wore when it looked down on the pre-Revolutionary New Englanders. The winter wind had the same chilling shriek that they were used to. The Old South Church still raised its old spire into the darkness, lost between earth and sky, and as I walked by, its clock—which had reminded so many generations of the fleeting nature of their lives—slowly chimed the same unnoticed lesson to me. “Only seven o’clock!” I thought. “My old friend’s stories will hardly pass the time until bedtime.”
Passing through the narrow arch, I crossed the courtyard, the confined precincts of which were made visible by a lantern over the portal of the Province House. On entering the bar-room, I found, as I expected, the old tradition-monger seated by a special good fire of anthracite, compelling clouds of smoke from a corpulent cigar. He recognized me with evident pleasure, for my rare properties as a patient listener invariably make me a favorite with elderly gentlemen and ladies of narrative propensites. Drawing a chair to the fire, I desired mine host to favor us with a glass apiece of whiskey-punch, which was speedily prepared, steaming hot, with a slice of lemon at the bottom, a dark-red stratum of port wine upon the surface and a sprinkling of nutmeg strewn over all. As we touched our glasses together, my legendary friend made himself known to me as Mr. Bela Tiffany, and I rejoiced at the oddity of the name, because it gave his image and character a sort of individuality in my conception. The old gentleman’s draught acted as a solvent upon his memory, so that it overflowed with tales, traditions, anecdotes of famous dead people and traits of ancient manners, some of which were childish as a nurse’s lullaby, while others might have been worth the notice of the grave historian. Nothing impressed me more than a story of a black mysterious picture which used to hang in one of the chambers of the Province House, directly above the room where we were now sitting. The following is as correct a version of the fact as the reader would be likely to obtain from any other source, although, assuredly, it has a tinge of romance approaching to the marvellous.
Passing through the narrow arch, I crossed the courtyard, which was lit up by a lantern above the entrance of the Province House. When I entered the bar room, I found, as I expected, the old storyteller sitting by a cozy fire, puffing clouds of smoke from a big cigar. He recognized me with clear pleasure because my knack for being a patient listener always makes me a favorite with older gentlemen and ladies who love to share their stories. I pulled up a chair to the fire and asked our host to serve us each a glass of whiskey-punch, which was quickly made, steaming hot, with a slice of lemon at the bottom, a dark-red layer of port wine on top, and a sprinkle of nutmeg over everything. As we clinked our glasses together, my legendary friend introduced himself as Mr. Bela Tiffany, and I delighted in the peculiarity of his name, as it gave him a unique identity in my mind. The old gentleman's drink acted like a key to his memory, flooding it with tales, traditions, anecdotes of famous deceased individuals, and aspects of old customs, some as simple as a nurse's lullaby, while others could attract the attention of serious historians. Nothing struck me more than a story about a mysterious black painting that used to hang in one of the rooms of the Province House, directly above the room where we were now sitting. The following account is as accurate as you’re likely to find from any other source, although it definitely has a hint of romance that borders on the extraordinary.
In one of the apartments of the province-house there was long preserved an ancient picture the frame of which was as black as ebony, and the canvas itself so dark with age, damp and smoke that not a touch of the painter’s art could be discerned. Time had thrown an impenetrable veil over it and left to tradition and fable and conjecture to say what had once been there portrayed. During the rule of many successive governors it had hung, by prescriptive and undisputed right, over the mantel piece of the same chamber, and it still kept its place when Lieutenant-governor Hutchinson assumed the administration of the province on the departure of Sir Francis Bernard.
In one of the apartments of the provincial house, there was an old painting that had been preserved for a long time. Its frame was as black as ebony, and the canvas itself was so dark from age, moisture, and smoke that no detail of the artist's work could be seen. Time had created an impenetrable veil over it, leaving only tradition, legend, and speculation to tell what had once been depicted. For many years under various governors, it had hung, with established and unquestioned right, above the mantelpiece of the same room, and it remained in place when Lieutenant Governor Hutchinson took over the province following the departure of Sir Francis Bernard.
The lieutenant-governor sat one afternoon resting his head against the carved back of his stately arm-chair and gazing up thoughtfully at the void blackness of the picture. It was scarcely a time for such inactive musing, when affairs of the deepest moment required the ruler’s decision; for within that very hour Hutchinson had received intelligence of the arrival of a British fleet bringing three regiments from Halifax to overawe the insubordination of the people. These troops awaited his permission to occupy the fortress of Castle William and the town itself, yet, instead of affixing his signature to an official order, there sat the lieutenant-governor so carefully scrutinizing the black waste of canvas that his demeanor attracted the notice of two young persons who attended him. One, wearing a military dress of buff, was his kinsman, Francis Lincoln, the provincial captain of Castle William; the other, who sat on a low stool beside his chair, was Alice Vane, his favorite niece. She was clad entirely in white—a pale, ethereal creature who, though a native of New England, had been educated abroad and seemed not merely a stranger from another clime, but almost a being from another world. For several years, until left an orphan, she had dwelt with her father in sunny Italy, and there had acquired a taste and enthusiasm for sculpture and painting which she found few opportunities of gratifying in the undecorated dwellings of the colonial gentry. It was said that the early productions of her own pencil exhibited no inferior genius, though perhaps the rude atmosphere of New England had cramped her hand and dimmed the glowing colors of her fancy. But, observing her uncle’s steadfast gaze, which appeared to search through the mist of years to discover the subject of the picture, her curiosity was excited.
The lieutenant-governor sat one afternoon with his head resting against the ornate back of his impressive armchair, staring thoughtfully at the dark blankness of the painting. It wasn’t really the right time for such idle reflection, especially when matters of great importance needed his decision; that very hour, Hutchinson had learned about the arrival of a British fleet bringing three regiments from Halifax to intimidate the rebellious citizens. These troops were waiting for his permission to take over the fortress of Castle William and the town itself, yet here sat the lieutenant-governor, carefully examining the dark emptiness of the canvas, drawing the attention of two young people who were with him. One, dressed in a tan military uniform, was his relative, Francis Lincoln, the provincial captain of Castle William; the other, sitting on a low stool next to his chair, was Alice Vane, his favorite niece. She was dressed completely in white—a delicate, otherworldly figure who, despite being from New England, had been educated overseas and seemed not just like a stranger from another place, but almost a being from another realm. For several years, until she became an orphan, she had lived with her father in sunny Italy, where she developed a love for sculpture and painting that she found few chances to pursue in the plain homes of the colonial elite. It was said that her early artwork displayed significant talent, although the harsh environment of New England may have stifled her creativity and dimmed her vibrant imagination. But as she watched her uncle’s intense gaze, which seemed to be searching back through time to uncover the subject of the painting, her curiosity was piqued.
“Is it known, my dear uncle,” inquired she, “what this old picture once represented? Possibly, could it be made visible, it might prove a masterpiece of some great artist; else why has it so long held such a conspicuous place?”
“Do you know, my dear uncle,” she asked, “what this old picture used to be? Maybe, if it could be revealed, it might turn out to be a masterpiece by some great artist; otherwise, why has it held such a prominent spot for so long?”
As her uncle, contrary to his usual custom—for he was as attentive to all the humors and caprices of Alice as if she had been his own best-beloved child—did not immediately reply, the young captain of Castle William took that office upon himself.
As her uncle, breaking from his usual behavior—for he was always so attentive to all of Alice's moods and quirks as if she were his own beloved child—did not respond right away, the young captain of Castle William took it upon himself to speak up.
“This dark old square of canvas, my fair cousin,” said he, “has been an heirloom in the province-house from time immemorial. As to the painter, I can tell you nothing; but if half the stories told of it be true, not one of the great Italian masters has ever produced so marvellous a piece of work as that before you.”
“This dark old piece of canvas, my lovely cousin,” he said, “has been a family treasure in the mansion for ages. I can't tell you anything about the artist, but if even half of the stories about it are true, no great Italian master has ever created such an amazing work as the one in front of you.”
Captain Lincoln proceeded to relate some of the strange fables and fantasies which, as it was impossible to refute them by ocular demonstration, had grown to be articles of popular belief in reference to this old picture. One of the wildest, and at the same time the best-accredited, accounts stated it to be an original and authentic portrait of the evil one, taken at a witch-meeting near Salem, and that its strong and terrible resemblance had been confirmed by several of the confessing wizards and witches at their trial in open court. It was likewise affirmed that a familiar spirit or demon abode behind the blackness of the picture, and had shown himself at seasons of public calamity to more than one of the royal governors. Shirley, for instance, had beheld this ominous apparition on the eve of General Abercrombie’s shameful and bloody defeat under the walls of Ticonderoga. Many of the servants of the province-house had caught glimpses of a visage frowning down upon them at morning or evening twilight, or in the depths of night while raking up the fire that glimmered on the hearth beneath, although, if any were, bold enough to hold a torch before the picture, it would appear as black and undistinguishable as ever. The oldest inhabitant of Boston recollected that his father—in whose days the portrait had not wholly faded out of sight—had once looked upon it, but would never suffer himself to be questioned as to the face which was there represented. In connection with such stories, it was remarkable that over the top of the frame there were some ragged remnants of black silk, indicating that a veil had formerly hung down before the picture until the duskiness of time had so effectually concealed it. But, after all, it was the most singular part of the affair that so many of the pompous governors of Massachusetts had allowed the obliterated picture to remain in the state-chamber of the province-house.
Captain Lincoln began to share some of the strange tales and myths that had become widely believed about this old painting since there was no way to disprove them through direct evidence. One of the wildest, yet most credible, stories claimed it to be an original and authentic portrait of the devil, captured at a witch meeting near Salem, and that its strong and frightening resemblance had been confirmed by several confessing witches and wizards during their trials in open court. It was also said that a familiar spirit or demon lurked behind the darkness of the painting, revealing itself during times of public disaster to more than one royal governor. For example, Shirley had witnessed this ominous figure on the eve of General Abercrombie's disgraceful and bloody defeat at Ticonderoga. Many servants in the province house reported catching glimpses of a face scowling down at them during morning or evening twilight or in the dead of night while they tended to the fire that flickered on the hearth below; however, anyone bold enough to hold a torch up to the painting would still see it as dark and indistinguishable as ever. The oldest resident of Boston remembered that his father—when the portrait was still somewhat visible—had looked at it but would never allow himself to be questioned about the face depicted. Interestingly, there were some tattered remnants of black silk draped over the top of the frame, suggesting that a veil had once hung in front of the painting until time had thoroughly obscured it. Yet, the most curious part of the whole situation was that so many of the self-important governors of Massachusetts had allowed the faded painting to remain in the state chamber of the province house.
“Some of these fables are really awful,” observed Alice Vane, who had occasionally shuddered as well as smiled while her cousin spoke. “It would be almost worth while to wipe away the black surface of the canvas, since the original picture can hardly be so formidable as those which fancy paints instead of it.”
“Some of these fables are really terrible,” said Alice Vane, who had sometimes shuddered as well as smiled while her cousin spoke. “It would almost be worth it to wipe away the dark surface of the canvas, since the original picture can’t be nearly as frightening as the ones that imagination creates instead.”
“But would it be possible,” inquired her cousin,” to restore this dark picture to its pristine hues?”
“But is it possible,” her cousin asked, “to bring this dark picture back to its original colors?”
“Such arts are known in Italy,” said Alice.
“Such arts are known in Italy,” Alice said.
The lieutenant-governor had roused himself from his abstracted mood, and listened with a smile to the conversation of his young relatives. Yet his voice had something peculiar in its tones when he undertook the explanation of the mystery.
The lieutenant governor snapped out of his daydream and smiled as he listened to his younger relatives talk. However, there was something unusual in his voice when he began to explain the mystery.
“I am sorry, Alice, to destroy your faith in the legends of which you are so fond,” remarked he, “but my antiquarian researches have long since made me acquainted with the subject of this picture—if picture it can be called—which is no more visible, nor ever will be, than the face of the long-buried man whom it once represented. It was the portrait of Edward Randolph, the founder of this house, a person famous in the history of New England.”
“I’m sorry, Alice, to shatter your belief in the legends you love so much,” he said, “but my studies of the past have made me familiar with the subject of this image—if you can even call it an image—which is as invisible, and will always be, as the face of the long-buried man it used to show. It was the portrait of Edward Randolph, the founder of this house, a person well-known in New England's history.”
“Of that Edward Randolph,” exclaimed Captain Lincoln, “who obtained the repeal of the first provincial charter, under which our forefathers had enjoyed almost democratic privileges—he that was styled the arch-enemy of New England, and whose memory is still held in detestation as the destroyer of our liberties?”
“About that Edward Randolph,” shouted Captain Lincoln, “who got the first provincial charter repealed, under which our ancestors had almost democratic rights—he who was called the arch-enemy of New England, and whose memory is still despised as the one who destroyed our freedoms?”
“It was the same Randolph,” answered Hutchinson, moving uneasily in his chair. “It was his lot to taste the bitterness of popular odium.”
“It was the same Randolph,” Hutchinson replied, shifting uncomfortably in his chair. “He had to experience the harshness of public disdain.”
“Our annals tell us,” continued the captain of Castle William, “that the curse of the people followed this Randolph where he went and wrought evil in all the subsequent events of his life, and that its effect was seen, likewise, in the manner of his death. They say, too, that the inward misery of that curse worked itself outward and was visible on the wretched man’s countenance, making it too horrible to be looked upon. If so, and if this picture truly represented his aspect, it was in mercy that the cloud of blackness has gathered over it.”
“Our records tell us,” continued the captain of Castle William, “that the people's curse followed this Randolph everywhere he went, causing trouble in everything he did afterward, and its impact was also evident in how he died. They say that the inner torment of that curse showed itself outwardly and was visible on the miserable man’s face, making it too awful to look at. If that’s the case, and if this image genuinely reflected his appearance, then it was a mercy that the shroud of darkness has fallen over it.”
“These traditions are folly to one who has proved, as I have, how little of historic truth lies at the bottom,” said the lieutenant-governor. “As regards the life and character of Edward Randolph, too implicit credence has been given to Dr. Cotton Mather, who—I must say it, though some of his blood runs in my veins—has filled our early history with old women’s tales as fanciful and extravagant as those of Greece or Rome.”
“These traditions are nonsense to someone like me, who has shown how little historical truth there actually is,” said the lieutenant-governor. “When it comes to the life and character of Edward Randolph, too much trust has been placed in Dr. Cotton Mather, who—I have to say it, even though some of his blood runs in my veins—has filled our early history with stories as fanciful and outlandish as those from Greece or Rome.”
“And yet,” whispered Alice Vane, “may not such fables have a moral? And methinks, if the visage of this portrait be so dreadful, it is not without a cause that it has hung so long in a chamber of the province-house. When the rulers feel themselves irresponsible, it were well that they should be reminded of the awful weight of a people’s curse.”
“And yet,” whispered Alice Vane, “can’t these stories have a lesson? And I think, if the face in this portrait is so terrifying, there’s a reason it has hung for so long in a room of the provincial house. When leaders feel untouchable, it’s important that they remember the heavy burden of the people's curse.”
The lieutenant-governor started and gazed for a moment at his niece, as if her girlish fantasies had struck upon some feeling in his own breast which all his policy or principles could not entirely subdue. He knew, indeed, that Alice, in spite of her foreign education, retained the native sympathies of a New England girl.
The lieutenant-governor paused and looked for a moment at his niece, as if her youthful dreams had touched something in him that all his strategies or beliefs couldn’t completely suppress. He knew that Alice, despite her overseas education, still had the natural feelings of a New England girl.
“Peace, silly child!” cried he, at last, more harshly than he had ever before addressed the gentle Alice. “The rebuke of a king; is more to be dreaded than the clamor of a wild, misguided multitude.—Captain Lincoln, it is decided: the fortress of Castle William must be occupied by the royal troops. The two remaining regiments shall be billeted in the town or encamped upon the Common. It is time, after years of tumult, and almost rebellion, that His Majesty’s government should have a wall of strength about it.”
“Calm down, silly child!” he finally yelled, more harshly than he had ever spoken to the gentle Alice. “A king's disapproval is way more frightening than the loud outcry of a wild, misled crowd. — Captain Lincoln, it’s settled: the royal troops must take over Castle William. The two remaining regiments will be stationed in the town or camped on the Common. After years of chaos and near rebellion, it’s time for His Majesty’s government to have a solid defense around it.”
“Trust, sir—trust yet a while to the loyalty of the people,” said Captain Lincoln, “nor teach them that they can ever be on other terms with British soldiers than those of brotherhood, as when they fought side by side through the French war. Do not convert the streets of your native town into a camp. Think twice before you give up old Castle William, the key of the province, into other keeping than that of true-born New Englanders.”
“Trust, sir—trust a little longer in the loyalty of the people,” said Captain Lincoln, “and don’t let them believe that their relationship with British soldiers could ever be anything other than brotherhood, just like when they fought side by side in the French war. Don’t turn the streets of your hometown into a military camp. Think carefully before you hand over old Castle William, the key to the province, to anyone other than true-born New Englanders.”
“Young man, it is decided,” repeated Hutchinson, rising from his chair. “A British officer will be in attendance this evening to receive the necessary instructions for the disposal of the troops. Your presence also will be required. Till then, farewell.”
“Listen, young man, it’s been decided,” Hutchinson said again as he stood up from his chair. “A British officer will be here this evening to get the instructions for managing the troops. You’ll need to be there too. Until then, goodbye.”
With these words the lieutenant-governor hastily left the room, while Alice and her cousin more slowly followed, whispering together, and once pausing to glance back at the mysterious picture. The captain of Castle William fancied that the girl’s air and mien were such as might have belonged to one of those spirits of fable—fairies or creatures of a more antique mythology—who sometimes mingled their agency with mortal affairs, half in caprice, yet with a sensibility to human weal or woe. As he held the door for her to pass Alice beckoned to the picture and smiled.
With those words, the lieutenant-governor quickly exited the room, while Alice and her cousin followed more slowly, whispering to each other and stopping once to look back at the mysterious painting. The captain of Castle William thought that the girl's demeanor and presence were reminiscent of one of those legendary spirits—fairies or beings from an ancient mythology—who sometimes intertwined their actions with human affairs, partly on a whim, yet with an awareness of human happiness or suffering. As he held the door for her to go through, Alice gestured toward the painting and smiled.
“Come forth, dark and evil shape!” cried she. “It is thine hour.”
“Come out, dark and evil figure!” she shouted. “This is your time.”
In the evening Lieutenant-governor Hutchinson sat in the same chamber where the foregoing scene had occurred, surrounded by several persons whose various interests had summoned them together. There were the selectmen of Boston—plain patriarchal fathers of the people, excellent representatives of the old puritanical founders whose sombre strength had stamped so deep an impress upon the New England character. Contrasting with these were one or two members of council, richly dressed in the white wigs, the embroidered waistcoats and other magnificence of the time, and making a somewhat ostentatious display of courtier-like ceremonial. In attendance, likewise, was a major of the British army, awaiting the lieutenant-governor’s orders for the landing of the troops, which still remained on board the transports. The captain of Castle William stood beside Hutchinson’s chair, with folded arms, glancing rather haughtily at the British officer by whom he was soon to be superseded in his command. On a table in the centre of the chamber stood a branched silver candlestick, throwing down the glow of half a dozen waxlights upon a paper apparently ready for the lieutenant-governor’s signature.
In the evening, Lieutenant Governor Hutchinson sat in the same room where the earlier scene had taken place, surrounded by several people whose different interests had brought them together. There were the selectmen of Boston—simple, traditional leaders of the community, true representatives of the old Puritan founders whose serious strength had left such a strong mark on the New England character. In contrast, there were one or two council members, dressed in fine clothing with white wigs, embroidered waistcoats, and other lavish attire, putting on a somewhat showy display of court-like formality. Also present was a major of the British army, waiting for the lieutenant governor’s orders for the troops, who were still on board the transports. The captain of Castle William stood beside Hutchinson’s chair with his arms crossed, looking somewhat arrogantly at the British officer who was about to take over his command. In the center of the room, there was a silver candlestick with branches, casting the light of six wax candles onto a piece of paper that seemed ready for the lieutenant governor’s signature.
Partly shrouded in the voluminous folds of one of the window-curtains, which fell from the ceiling to the floor, was seen the white drapery of a lady’s robe. It may appear strange that Alice Vane should have been there at such a time, but there was something so childlike, so wayward, in her singular character, so apart from ordinary rules, that her presence did not surprise the few who noticed it. Meantime, the chairman of the selectmen was addressing to the lieutenant-governor a long and solemn protest against the reception of the British troops into the town.
Partly hidden in the long folds of one of the window curtains that stretched from the ceiling to the floor was the white fabric of a woman's robe. It might seem odd that Alice Vane was there at that moment, but there was something so innocent and unpredictable in her unique personality, so unlike typical behavior, that her presence didn’t surprise the few who noticed it. Meanwhile, the chairman of the selectmen was delivering a lengthy and serious protest to the lieutenant-governor against the arrival of British troops in the town.
“And if Your Honor,” concluded this excellent but somewhat prosy old gentleman, “shall see fit to persist in bringing these mercenary sworders and musketeers into our quiet streets, not on our heads be the responsibility. Think, sir, while there is yet time, that if one drop of blood be shed, that blood shall be an eternal stain upon Your Honor’s memory. You, sir, have written with an able pen the deeds of our forefathers; the more to be desired is it, therefore, that yourself should deserve honorable mention as a true patriot and upright ruler when your own doings shall be written down in history.”
“And if Your Honor,” concluded this distinguished but somewhat verbose old man, “decides to keep bringing these hired soldiers and musketeers into our peaceful streets, we won’t take on that responsibility. Think, sir, while there’s still time, that if even a drop of blood is shed, that blood will be an everlasting stain on Your Honor’s memory. You, sir, have skillfully documented the achievements of our ancestors; it is even more important that you earn honorable mention as a true patriot and just ruler when your own actions are recorded in history.”
“I am not insensible, my good sir, to the natural desire to stand well in the annals of my country,” replied Hutchinson, controlling his impatience into courtesy, “nor know I any better method of attaining that end than by withstanding the merely temporary spirit of mischief which, with your pardon, seems to have infected older men than myself. Would you have me wait till the mob shall sack the province-house as they did my private mansion? Trust me, sir, the time may come when you will be glad to flee for protection to the king’s banner, the raising of which is now so distasteful to you.”
“I’m not insensitive, my good sir, to the natural desire to be remembered well in my country’s history,” replied Hutchinson, controlling his impatience with politeness, “and I don’t know a better way to achieve that than by resisting the temporary spirit of mischief that seems, if you’ll excuse me, to have affected older men than myself. Would you have me wait until the mob ransacks the governor’s mansion as they did my private home? Trust me, sir, there may come a time when you’ll be thankful to seek safety under the king’s banner, which you currently find so unappealing.”
“Yes,” said the British major, who was impatiently expecting the lieutenant-governor’s orders. “The demagogues of this province have raised the devil, and cannot lay him again. We will exorcise him in God’s name and the king’s.”
“Yes,” said the British major, who was eagerly waiting for the lieutenant-governor’s orders. “The troublemakers in this province have stirred up chaos, and they can't put it back to rest. We will drive it away in God’s name and the king’s.”
“If you meddle with the devil, take care of his claws,” answered the captain of Castle William, stirred by the taunt against his countrymen.
“If you mess with the devil, watch out for his claws,” replied the captain of Castle William, upset by the insult aimed at his fellow countrymen.
“Craving your pardon, young sir,” said the venerable selectman, “let not an evil spirit enter into your words. We will strive against the oppressor with prayer and fasting, as our forefathers would have done. Like them, moreover, we will submit to whatever lot a wise Providence may send us—always after our own best exertions to amend it.”
“Excuse me, young man,” said the old selectman, “don’t let any negativity seep into your words. We will fight against the oppressor with prayer and fasting, just like our ancestors. And like them, we will accept whatever fate a wise Providence chooses for us—after doing our best to change it.”
“And there peep forth the devil’s claws!” muttered Hutchinson, who well understood the nature of Puritan submission. “This matter shall be expedited forthwith. When there shall be a sentinel at every corner and a court of guard before the town-house, a loyal gentleman may venture to walk abroad. What to me is the outcry of a mob in this remote province of the realm? The king is my master, and England is my country; upheld by their armed strength, I set my foot upon the rabble and defy them.”
“And there come the devil’s claws!” muttered Hutchinson, who clearly understood what it meant to submit as a Puritan. “This will be dealt with right away. When there’s a guard at every corner and security outside the town hall, a loyal gentleman can dare to walk around. What do I care about the shouting of a mob in this far-off part of the country? The king is my master, and England is my homeland; backed by their military power, I stand above the mob and challenge them.”
He snatched a pen and was about to affix his signature to the paper that lay on the table, when the captain of Castle William placed his hand upon his shoulder. The freedom of the action, so contrary to the ceremonious respect which was then considered due to rank and dignity, awakened general surprise, and in none more than in the lieutenant-governor himself. Looking angrily up, he perceived that his young relative was pointing his finger to the opposite wall. Hutchinson’s eye followed the signal, and he saw what had hitherto been unobserved—that a black silk curtain was suspended before the mysterious picture, so as completely to conceal it. His thoughts immediately recurred to the scene of the preceding afternoon, and in his surprise, confused by indistinct emotions, yet sensible that his niece must have had an agency in this phenomenon, he called loudly upon her:
He grabbed a pen and was about to sign the paper on the table when the captain of Castle William put a hand on his shoulder. This unexpected action, so different from the formal respect usually shown to rank and authority, surprised everyone, especially the lieutenant-governor himself. Looking up in anger, he noticed his young relative pointing at the opposite wall. Hutchinson followed his gaze and saw what he hadn’t noticed before—a black silk curtain was hanging in front of the mysterious painting, completely hiding it. His mind went back to the scene from the previous afternoon, and in his shock, filled with vague emotions but aware that his niece must have played a role in this situation, he called out to her loudly:
“Alice! Come hither, Alice!”
“Alice! Come here, Alice!”
No sooner had he spoken than Alice Vane glided from her station, and, pressing one hand across her eyes, with the other snatched away the sable curtain that concealed the portrait. An exclamation of surprise burst from every beholder, but the lieutenant-governor’s voice had a tone of horror.
No sooner had he finished speaking than Alice Vane moved from her spot, pressing one hand against her eyes while she used the other to pull aside the dark curtain that covered the portrait. Gasps of surprise came from everyone watching, but the lieutenant-governor's voice sounded horrified.
“By Heaven!” said he, in a low inward murmur, speaking rather to himself than to those around him; “if the spirit of Edward Randolph were to appear among us from the place of torment, he could not wear more of the terrors of hell upon his face.”
"By Heaven!" he said, barely above a whisper, more to himself than to those around him; "if Edward Randolph's spirit were to show up here from the depths of hell, he couldn't look more terrified."
“For some wise end,” said the aged selectman, solemnly, “hath Providence scattered away the mist of years that had so long hid this dreadful effigy. Until this hour no living man hath seen what we behold.”
“For some wise reason,” said the elderly selectman, gravely, “Providence has cleared away the veil of years that had long concealed this dreadful statue. Until now, no living person has seen what we see.”
Within the antique frame which so recently had enclosed a sable waste of canvas now appeared a visible picture-still dark, indeed, in its hues and shadings, but thrown forward in strong relief. It was a half-length figure of a gentleman in a rich but very old-fashioned dress of embroidered velvet, with a broad ruff and a beard, and wearing a hat the brim of which overshadowed his forehead. Beneath this cloud the eyes had a peculiar glare which was almost lifelike. The whole portrait started so distinctly out of the background that it had the effect of a person looking down from the wall at the astonished and awe-stricken spectators. The expression of the face, if any words can convey an idea of it, was that of a wretch detected in some hideous guilt and exposed to the bitter hatred and laughter and withering scorn of a vast surrounding multitude. There was the struggle of defiance, beaten down and overwhelmed by the crushing weight of ignominy. The torture of the soul had come forth upon the countenance. It seemed as if the picture, while hidden behind the cloud of immemorial years, had been all the time acquiring an intenser depth and darkness of expression, till now it gloomed forth again and threw its evil omen over the present hour. Such, if the wild legend may be credited, was the portrait of Edward Randolph as he appeared when a people’s curse had wrought its influence upon his nature.
Within the old frame that had recently held a dark void of canvas now appeared a distinct image—still dark in color and shading, but standing out in strong contrast. It was a half-length portrait of a gentleman dressed in a rich but very old-fashioned embroidered velvet outfit, complete with a wide ruff and a beard, and wearing a hat with a brim that shadowed his forehead. Beneath this shadow, his eyes had a strange glare that was almost lifelike. The entire portrait emerged so clearly from the background that it seemed like a person was looking down from the wall at the stunned onlookers. The expression on his face conveyed, if any words can describe it, the look of a wretch caught in some terrible guilt, facing the bitter hatred, ridicule, and scorn of a vast crowd surrounding him. There was a struggle of defiance, crushed under the overwhelming weight of shame. The pain of the soul was evident on his face. It felt like the painting, while hiding behind the cloud of countless years, had been gaining an intense depth and darkness of expression, until it now loomed forth again, casting a sinister shadow over the present moment. Such, if the wild legend can be believed, was the portrait of Edward Randolph as he appeared when a people's curse had affected his character.
“’Twould drive me mad, that awful face,” said Hutchinson, who seemed fascinated by the contemplation of it.
“It would drive me crazy, that awful face,” said Hutchinson, who seemed captivated by staring at it.
“Be warned, then,” whispered Alice. “He trampled on a people’s rights. Behold his punishment, and avoid a crime like his.”
“Be careful, then,” whispered Alice. “He trampled on people's rights. Look at his punishment, and steer clear of a crime like his.”
The lieutenant-governor actually trembled for an instant, but, exerting his energy—which was not, however, his most characteristic feature—he strove to shake off the spell of Randolph’s countenance.
The lieutenant-governor actually trembled for a moment, but, pushing himself—though that wasn't really his strong suit—he tried to shake off the influence of Randolph’s face.
“Girl,” cried he, laughing bitterly, as he turned to Alice, “have you brought hither your painter’s art, your Italian spirit of intrigue, your tricks of stage-effect, and think to influence the councils of rulers and the affairs of nations by such shallow contrivances? See here!”
“Girl,” he exclaimed, laughing bitterly as he turned to Alice, “did you bring your artistic skills, your flair for Italian intrigue, your stage tricks, and think you can sway the decisions of leaders and the fate of nations with such superficial tactics? Look here!”
“Stay yet a while,” said the selectman as Hutchinson again snatched the pen; “for if ever mortal man received a warning from a tormented soul, Your Honor is that man.”
“Stay a little longer,” said the selectman as Hutchinson grabbed the pen again; “for if anyone ever received a warning from a troubled soul, it’s you, Your Honor.”
“Away!” answered Hutchinson, fiercely. “Though yonder senseless picture cried ‘Forbear!rsquo; it should not move me!”
“Away!” Hutchinson shouted angrily. “Even if that lifeless image pleaded ‘Stop!’, it wouldn’t affect me!”
Casting a scowl of defiance at the pictured face—which seemed at that moment to intensify the horror of its miserable and wicked look—he scrawled on the paper, in characters that betokened it a deed of desperation, the name of Thomas Hutchinson. Then, it is said, he shuddered, as if that signature had granted away his salvation.
Casting a defiant glare at the picture, which seemed to amplify the horror of its miserable and wicked expression, he scribbled on the paper, in a way that suggested a desperate act, the name Thomas Hutchinson. Then, it's said, he shuddered, as if that signature had sacrificed his salvation.
“It is done,” said he, and placed his hand upon his brow.
“It’s done,” he said, placing his hand on his forehead.
“May Heaven forgive the deed!” said the soft, sad accents of Alice Vane, like the voice of a good spirit flitting away.
“May Heaven forgive what’s been done!” said the soft, melancholy tones of Alice Vane, like the voice of a kind spirit drifting away.
When morning came, there was a stifled whisper through the household, and spreading thence about the town, that the dark mysterious picture had started from the wall and spoken face to face with Lieutenant-governor Hutchinson. If such a miracle had been wrought, however, no traces of it remained behind; for within the antique frame nothing could be discerned save the impenetrable cloud which had covered the canvas since the memory of man. If the figure had, indeed, stepped forth, it had fled back, spirit-like, at the day-dawn, and hidden itself behind a century’s obscurity. The truth probably was that Alice Vane’s secret for restoring the hues of the picture had merely effected a temporary renovation. But those who in that brief interval had beheld the awful visage of Edward Randolph desired no second glance, and ever afterward trembled at the recollection of the scene, as if an evil spirit had appeared visibly among them. And, as for Hutchinson, when, far over the ocean, his dying-hour drew on, he gasped for breath and complained that he was choking with the blood of the Boston Massacre, and Francis Lincoln, the former captain of Castle William, who was standing at his bedside, perceived a likeness in his frenzied look to that of Edward Randolph. Did his broken spirit feel at that dread hour the tremendous burden of a people’s curse?
When morning arrived, a hushed whisper spread through the household and into the town that the dark, mysterious painting had come to life and spoken directly with Lieutenant Governor Hutchinson. However, if such a miracle had occurred, there were no signs of it left; within the old frame, nothing was visible except the impenetrable cloud that had shrouded the canvas for as long as anyone could remember. If the figure had indeed stepped out, it had retreated, like a spirit, at dawn, hiding once again behind a century of obscurity. The reality is likely that Alice Vane’s secret for restoring the painting's colors had only provided a temporary fix. But those who had seen the terrifying face of Edward Randolph during that brief moment didn't want to see it again, and they trembled at the memory of it afterward, as if an evil spirit had been literally among them. As for Hutchinson, far across the ocean as he neared his death, he gasped for breath, claiming he was choking on the blood from the Boston Massacre, and Francis Lincoln, the former captain of Castle William, who stood by his bedside, noted a resemblance in Hutchinson's frantic expression to that of Edward Randolph. Did his fractured spirit feel the immense weight of a people's curse in that dreadful moment?
At the conclusion of this miraculous legend I inquired of mine host whether the picture still remained in the chamber over our heads, but Mr. Tiffany informed me that it had long since been removed, and was supposed to be hidden in some out-of-the-way corner of the New England Museum. Perchance some curious antiquary may light upon it there, and, with the assistance of Mr. Howorth, the picture-cleaner, may supply a not unnecessary proof of the authenticity of the facts here set down.
At the end of this incredible story, I asked my host if the painting was still in the room above us, but Mr. Tiffany told me it had been taken down a long time ago and was believed to be tucked away in some obscure part of the New England Museum. Maybe some curious historian will stumble upon it there and, with the help of Mr. Howorth, the picture cleaner, will provide some necessary proof of the authenticity of the events described here.
During the progress of the story a storm had been gathering abroad and raging and rattling so loudly in the upper regions of the Province House that it seemed as if all the old governors and great men were running riot above stairs while Mr. Bela Tiffany babbled of them below. In the course of generations, when many people have lived and died in an ancient house, the whistling of the wind through its crannies and the creaking of its beams and rafters become strangely like the tones of the human voice, or thundering laughter, or heavy footsteps treading the deserted chambers. It is as if the echoes of half a century were revived. Such were the ghostly sounds that roared and murmured in our ears when I took leave of the circle round the fireside of the Province House and, plunging down the doorsteps, fought my way homeward against a drifting snow-storm.
As the story unfolds, a storm had been brewing outside, raging and booming so loudly in the upper floors of the Province House that it felt like all the old governors and prominent figures were causing chaos above while Mr. Bela Tiffany chatted about them below. Over generations, when many people have lived and died in an old house, the wind whistling through its cracks and the creaking of its beams and rafters start to sound eerily like human voices, uproarious laughter, or heavy footsteps echoing in the empty rooms. It's as if the echoes of decades past come back to life. Such were the eerie sounds that roared and whispered in our ears when I said goodbye to the group around the fireplace at the Province House and, rushing down the steps, battled my way home through a swirling snowstorm.
III.
LADY ELEANORE’S MANTLE
Mine excellent friend the landlord of the Province House was pleased the other evening to invite Mr. Tiffany and myself to an oyster-supper. This slight mark of respect and gratitude, as he handsomely observed, was far less than the ingenious tale-teller, and I, the humble note-taker of his narratives, had fairly earned by the public notice which our joint lucubrations had attracted to his establishment. Many a cigar had been smoked within his premises, many a glass of wine or more potent aqua vitæ had been quaffed, many a dinner had been eaten, by curious strangers who, save for the fortunate conjunction of Mr. Tiffany and me, would never have ventured through that darksome avenue which gives access to the historic precincts of the Province House. In short, if any credit be due to the courteous assurances of Mr. Thomas Waite, we had brought his forgotten mansion almost as effectually into public view as if we had thrown down the vulgar range of shoe-shops and dry-good stores which hides its aristocratic front from Washington street. It may be unadvisable, however, to speak too loudly of the increased custom of the house, lest Mr. Waite should find it difficult to renew the lease on so favorable terms as heretofore.
My good friend, the landlord of the Province House, kindly invited Mr. Tiffany and me to an oyster dinner the other evening. This small gesture of respect and gratitude, as he graciously pointed out, was far less than what the clever storyteller and I, the humble note-taker of his tales, had truly earned from the attention our collaboration had brought to his establishment. Many cigars had been smoked within his premises, many glasses of wine or stronger drinks had been enjoyed, and many dinners had been eaten by curious strangers who, without the fortunate combination of Mr. Tiffany and me, would never have dared to enter that dark alley leading to the historic area of the Province House. In short, if any credit is owed to the polite assurances of Mr. Thomas Waite, we had practically brought his forgotten mansion back into public view as effectively as if we had removed the row of shoe stores and dry goods shops that obscures its elegant façade from Washington Street. It might be wise, however, not to speak too loudly about the growing business at the house, in case Mr. Waite finds it hard to renew the lease under such favorable terms as before.
Being thus welcomed as benefactors, neither Mr. Tiffany nor myself felt any scruple in doing full justice to the good things that were set before us. If the feast were less magnificent than those same panelled walls had witnessed in a bygone century; if mine host presided with somewhat less of state than might have befitted a successor of the royal governors; if the guests made a less imposing show than the bewigged and powdered and embroidered dignitaries who erst banqueted at the gubernatorial table and now sleep within their armorial tombs on Copp’s Hill or round King’s Chapel,—yet never, I may boldly say, did a more comfortable little party assemble in the province-house from Queen Anne’s days to the Revolution. The occasion was rendered more interesting by the presence of a venerable personage whose own actual reminiscences went back to the epoch of Gage and Howe, and even supplied him with a doubtful anecdote or two of Hutchinson. He was one of that small, and now all but extinguished, class whose attachment to royalty, and to the colonial institutions and customs that were connected with it, had never yielded to the democratic heresies of after-times. The young queen of Britain has not a more loyal subject in her realm—perhaps not one who would kneel before her throne with such reverential love—as this old grandsire whose head has whitened beneath the mild sway of the republic which still in his mellower moments he terms a usurpation. Yet prejudices so obstinate have not made him an ungentle or impracticable companion. If the truth must be told, the life of the aged loyalist has been of such a scrambling and unsettled character—he has had so little choice of friends and been so often destitute of any—that I doubt whether he would refuse a cup of kindness with either Oliver Cromwell or John Hancock, to say nothing of any democrat now upon the stage. In another paper of this series I may perhaps give the reader a closer glimpse of his portrait.
Being welcomed as benefactors, neither Mr. Tiffany nor I felt any hesitation in enjoying the good food that was offered to us. Although the feast was less grand than those same paneled walls had seen in the past, and although our host had a bit less formality than what might be expected from a royal governor’s successor, and the guests weren’t as impressive as the wigged, powdered, and richly dressed dignitaries who had once dined at the governor's table and now rest in their armorial tombs on Copp’s Hill or around King’s Chapel—never, I can confidently say, did a more comfortable gathering come together in the province house from Queen Anne’s era to the Revolution. The occasion was made more interesting by the presence of an elderly gentleman whose memories went back to the time of Gage and Howe, and he even shared a few uncertain anecdotes about Hutchinson. He belonged to that small, now almost extinct, group whose loyalty to the crown and to the colonial traditions associated with it had never been swayed by the democratic ideas of later times. The young queen of Britain couldn’t have a more devoted subject in her realm—perhaps nobody who would kneel before her throne with such deep love—as this old grandfather whose hair has turned gray under the gentle rule of the republic, which he still nostalgically refers to as a usurpation in his calmer moments. Yet his stubborn views haven’t made him an unfriendly or difficult companion. If I’m being honest, the life of this old loyalist has been so chaotic and unstable—he has had so few friends and has often found himself without any—that I doubt he would turn down a toast of friendship with either Oliver Cromwell or John Hancock, not to mention any democrat currently in the spotlight. In another article in this series, I might give the reader a closer look at his portrait.
Our host in due season uncorked a bottle of Madeira of such exquisite perfume and admirable flavor that he surely must have discovered it in an ancient bin down deep beneath the deepest cellar where some jolly old butler stored away the governor’s choicest wine and forgot to reveal the secret on his death-bed. Peace to his red-nosed ghost and a libation to his memory! This precious liquor was imbibed by Mr. Tiffany with peculiar zest, and after sipping the third glass it was his pleasure to give us one of the oddest legends which he had yet raked from the storehouse where he keeps such matters. With some suitable adornments from my own fancy, it ran pretty much as follows.
Our host eventually opened a bottle of Madeira with such an incredible aroma and amazing taste that he must have found it in an old stash hidden deep in a cellar where some cheerful butler piled the governor’s best wine and forgot to share the secret before he passed away. Rest in peace to his red-nosed ghost, and here’s a toast to his memory! Mr. Tiffany enjoyed this fine drink with particular enthusiasm, and after sipping his third glass, he delighted us with one of the strangest legends he had pulled from the vault where he keeps such stories. With some embellishments of my own, it went something like this.
Not long after Colonel Shute had assumed the government of Massachusetts Bay—now nearly a hundred and twenty years ago—a young lady of rank and fortune arrived from England to claim his protection as her guardian. He was her distant relative, but the nearest who had survived the gradual extinction of her family; so that no more eligible shelter could be found for the rich and high-born Lady Eleanore Rochcliffe than within the province-house of a Transatlantic colony. The consort of Governor Shute, moreover, had been as a mother to her childhood, and was now anxious to receive her in the hope that a beautiful young woman would be exposed to infinitely less peril from the primitive society of New England than amid the artifices and corruptions of a court. If either the governor or his lady had especially consulted their own comfort, they would probably have sought to devolve the responsibility on other hands, since with some noble and splendid traits of character Lady Eleanore was remarkable for a harsh, unyielding pride, a haughty consciousness of her hereditary and personal advantages, which made her almost incapable of control. Judging from many traditionary anecdotes, this peculiar temper was hardly less than a monomania; or if the acts which it inspired were those of a sane person, it seemed due from Providence that pride so sinful should be followed by as severe a retribution. That tinge of the marvellous which is thrown over so many of these half-forgotten legends has probably imparted an additional wildness to the strange story of Lady Eleanore Rochcliffe.
Not long after Colonel Shute took over the government of Massachusetts Bay—almost one hundred and twenty years ago—a young lady of high status and wealth arrived from England seeking his protection as her guardian. He was her distant relative, being the closest family member still alive after the gradual decline of her family; therefore, there was no better place for the affluent and noble Lady Eleanore Rochcliffe than the provincial house of a Transatlantic colony. Additionally, the governor's wife had been like a mother to her during her childhood and was eager to welcome her, hoping that a beautiful young woman would face far less danger from the simple society of New England than amidst the deceit and corruption of a royal court. If either the governor or his wife had really considered their own comfort, they might have tried to pass the responsibility to someone else, since despite having some noble and splendid traits, Lady Eleanore was known for her harsh, unyielding pride and a strong awareness of her inherited and personal advantages, which made her nearly unmanageable. Based on many traditional stories, this unusual temperament was nearly a monomania; or if her actions were those of a sane person, it seemed destined by Providence that such sinful pride would be met with severe consequences. The touch of the extraordinary that colors so many of these half-forgotten tales has likely added an extra wildness to the strange story of Lady Eleanore Rochcliffe.
The ship in which she came passenger had arrived at Newport, whence Lady Eleanore was conveyed to Boston in the governor’s coach, attended by a small escort of gentlemen on horseback. The ponderous equipage, with its four black horses, attracted much notice as it rumbled through Cornhill surrounded by the prancing steeds of half a dozen cavaliers with swords dangling to their stirrups and pistols at their holsters. Through the large glass windows of the coach, as it rolled along, the people could discern the figure of Lady Eleanore, strangely combining an almost queenly stateliness with the grace and beauty of a maiden in her teens. A singular tale had gone abroad among the ladies of the province that their fair rival was indebted for much of the irresistible charm of her appearance to a certain article of dress—an embroidered mantle—which had been wrought by the most skilful artist in London, and possessed even magical properties of adornment. On the present occasion, however, she owed nothing to the witchery of dress, being clad in a riding-habit of velvet which would have appeared stiff and ungraceful on any other form.
The ship she arrived on had docked at Newport, from where Lady Eleanore was taken to Boston in the governor’s coach, accompanied by a small group of gentlemen on horseback. The heavy carriage, pulled by four black horses, drew a lot of attention as it rolled through Cornhill, surrounded by the prancing horses of half a dozen knights with swords hanging from their stirrups and pistols in their holsters. Through the large glass windows of the coach, people could see Lady Eleanore, who had a unique mix of almost royal elegance with the grace and beauty of a young girl in her teens. A curious rumor had spread among the ladies of the province that their beautiful rival owed much of her enchanting appearance to a particular piece of clothing—an embroidered mantle—crafted by the most skilled artist in London, which was said to have even magical properties of enhancement. On this occasion, however, she wasn’t relying on the enchantment of her outfit, as she was dressed in a velvet riding habit that would have looked stiff and awkward on anyone else.
The coachman reined in his four black steeds, and the whole cavalcade came to a pause in front of the contorted iron balustrade that fenced the province-house from the public street. It was an awkward coincidence that the bell of the Old South was just then tolling for a funeral; so that, instead of a gladsome peal with which it was customary to announce the arrival of distinguished strangers, Lady Eleanore Rochcliffe was ushered by a doleful clang, as if calamity had come embodied in her beautiful person.
The coachman pulled back on the reins of his four black horses, and the whole procession came to a stop in front of the twisted iron railing that separated the province house from the public street. It was an unfortunate coincidence that the Old South bell was ringing for a funeral at that moment; instead of a cheerful chime announcing the arrival of notable guests, Lady Eleanore Rochcliffe was welcomed by a mournful toll, as if disaster had arrived in her beautiful form.
“A very great disrespect!” exclaimed Captain Langford, an English officer who had recently brought despatches to Governor Shute. “The funeral should have been deferred lest Lady Eleanore’s spirits be affected by such a dismal welcome.”
“A huge disrespect!” exclaimed Captain Langford, an English officer who had just delivered messages to Governor Shute. “The funeral should have been postponed so that Lady Eleanore’s spirits wouldn’t be impacted by such a gloomy welcome.”
“With your pardon, sir,” replied Dr. Clarke, a physician and a famous champion of the popular party, “whatever the heralds may pretend, a dead beggar must have precedence of a living queen. King Death confers high privileges.”
“With your permission, sir,” replied Dr. Clarke, a doctor and a well-known supporter of the popular party, “no matter what the heralds might claim, a dead beggar should take priority over a living queen. King Death grants significant privileges.”
These remarks-were interchanged while the speakers waited a passage through the crowd which had gathered on each side of the gateway, leaving an open avenue to the portal of the province-house. A black slave in livery now leaped from behind the coach and threw open the door, while at the same moment Governor Shute descended the flight of steps from his mansion to assist Lady Eleanore in alighting. But the governor’s stately approach was anticipated in a manner that excited general astonishment. A pale young man with his black hair all in disorder rushed from the throng and prostrated himself beside the coach, thus offering his person as a footstool for Lady Eleanore Rochcliffe to tread upon. She held back an instant, yet with an expression as if doubting whether the young man were worthy to bear the weight of her footstep rather than dissatisfied to receive such awful reverence from a fellow-mortal.
These comments were exchanged while the speakers waited for a way through the crowd that had gathered on either side of the gateway, leaving a clear path to the entrance of the province house. A black slave in uniform suddenly jumped out from behind the coach and opened the door, at the same moment that Governor Shute came down the steps from his mansion to help Lady Eleanore get out. However, the governor's grand approach was interrupted in a way that surprised everyone. A pale young man with messy black hair rushed out of the crowd and threw himself down beside the coach, offering his body as a footstool for Lady Eleanore Rochcliffe to step on. She hesitated for a moment, with an expression as if questioning whether the young man was worthy of supporting her weight rather than being annoyed at receiving such overwhelming respect from another human being.
“Up, sir!” said the governor, sternly, at the same time lifting his cane over the intruder. “What means the Bedlamite by this freak?”
“Get up, sir!” said the governor, sternly, while raising his cane over the intruder. “What does this madman think he’s doing?”
“Nay,” answered Lady Eleanore, playfully, but with more scorn than pity in her tone; “Your Excellency shall not strike him. When men seek only to be trampled upon, it were a pity to deny them a favor so easily granted—and so well deserved!” Then, though as lightly as a sunbeam on a cloud, she placed her foot upon the cowering form and extended her hand to meet that of the governor.
“No,” replied Lady Eleanore playfully, but with more disdain than sympathy in her voice. “Your Excellency won’t harm him. When men just want to be walked all over, it’s a shame to deny them such an easily granted—and well-deserved—favor!” Then, as lightly as a sunbeam on a cloud, she placed her foot on the cowering figure and reached out her hand to meet the governor’s.
There was a brief interval during which Lady Eleanore retained this attitude, and never, surely, was there an apter emblem of aristocracy and hereditary pride trampling on human sympathies and the kindred of nature than these two figures presented at that moment. Yet the spectators were so smitten with her beauty, and so essential did pride seem to the existence of such a creature, that they gave a simultaneous acclamation of applause.
There was a short moment when Lady Eleanore held this stance, and never has there been a better symbol of aristocracy and inherited pride ignoring human feelings and the bonds of nature than the two figures displayed at that moment. Yet the onlookers were so captivated by her beauty, and pride seemed so crucial to the essence of such a being, that they erupted in applause all at once.
“Who is this insolent young fellow?” inquired Captain Langford, who still remained beside Dr. Clarke. “If he be in his senses, his impertinence demands the bastinado; if mad, Lady Eleanore should be secured from further inconvenience by his confinement.”
“Who is this rude young guy?” asked Captain Langford, who was still standing next to Dr. Clarke. “If he’s in his right mind, his disrespect deserves punishment; if he’s crazy, Lady Eleanore should be kept safe from any further trouble by locking him up.”
“His name is Jervase Helwyse,” answered the doctor—“a youth of no birth or fortune, or other advantages save the mind and soul that nature gave him; and, being secretary to our colonial agent in London, it was his misfortune to meet this Lady Eleanore Rochcliffe. He loved her, and her scorn has driven him mad.”
“His name is Jervase Helwyse,” the doctor replied. “He’s a young man with no wealth or status, but he has a sharp mind and a good heart. He worked as the secretary to our colonial agent in London, and unfortunately, he fell for Lady Eleanore Rochcliffe. Her rejection has pushed him over the edge.”
“He was mad so to aspire,” observed the English officer.
“He was crazy to aim for that,” noted the English officer.
“It may be so,” said Dr. Clarke, frowning as he spoke; “but I tell you, sir, I could wellnigh doubt the justice of the Heaven above us if no signal humiliation overtake this lady who now treads so haughtily into yonder mansion. She seeks to place herself above the sympathies of our common nature, which envelops all human souls; see if that nature do not assert its claim over her in some mode that shall bring her level with the lowest.”
“It might be true,” said Dr. Clarke, frowning as he spoke; “but I’m telling you, sir, I could almost question the fairness of the Heaven above us if this woman, who currently walks so proudly into that mansion, doesn’t face some sort of significant humiliation. She tries to elevate herself above the compassion of our shared humanity, which connects all human souls; let’s see if that humanity doesn’t reclaim its power over her in a way that brings her down to the level of the lowest.”
“Never!” cried Captain Langford, indignantly—“neither in life nor when they lay her with her ancestors.”
“Never!” shouted Captain Langford, angrily—“not in life nor when they bury her with her family.”
Not many days afterward the governor gave a ball in honor of Lady Eleanore Rochcliffe. The principal gentry of the colony received invitations, which were distributed to their residences far and near by messengers on horseback bearing missives sealed with all the formality of official despatches. In obedience to the summons, there was a general gathering of rank, wealth and beauty, and the wide door of the province-house had seldom given admittance to more numerous and honorable guests than on the evening of Lady Eleanore’s ball. Without much extravagance of eulogy, the spectacle might even be termed splendid, for, according to the fashion of the times, the ladies shone in rich silks and satins outspread over wide-projecting hoops, and the gentlemen glittered in gold embroidery laid unsparingly upon the purple or scarlet or sky-blue velvet which was the material of their coats and waistcoats. The latter article of dress was of great importance, since it enveloped the wearer’s body nearly to the knees and was perhaps bedizened with the amount of his whole year’s income in golden flowers and foliage. The altered taste of the present day—a taste symbolic of a deep change in the whole system of society—would look upon almost any of those gorgeous figures as ridiculous, although that evening the guests sought their reflections in the pier-glasses and rejoiced to catch their own glitter amid the glittering crowd. What a pity that one of the stately mirrors has not preserved a picture of the scene which by the very traits that were so transitory might have taught us much that would be worth knowing and remembering!
Not long after, the governor held a ball in honor of Lady Eleanore Rochcliffe. The main gentry of the colony received invitations, which were delivered to their homes far and wide by messengers on horseback carrying letters sealed with official formality. In response to the invite, there was a gathering of rank, wealth, and beauty, and the large door of the province-house had rarely welcomed as many distinguished guests as it did on the night of Lady Eleanore’s ball. Without too much exaggeration, the event could even be called spectacular, as, following the fashion of the time, the ladies dazzled in rich silks and satins spread over wide hoops, while the gentlemen shimmered in gold embroidery lavishly adorning their purple, scarlet, or sky-blue velvet coats and waistcoats. The waistcoat was especially significant, as it covered the wearer’s body nearly to the knees and could be decorated with the equivalent of a year's worth of income in golden flowers and foliage. Today's altered tastes—a reflection of a deep change in society as a whole—would view these extravagant figures as silly, though that evening, the guests delighted in seeing themselves in the pier-glasses, excited to catch their own sparkle in the glittering crowd. It’s unfortunate that one of the grand mirrors didn’t capture a picture of the scene, as its fleeting nature might have provided us with valuable insights to remember!
Would, at least, that either painter or mirror could convey to us some faint idea of a garment already noticed in this legend—the Lady Eleanore’s embroidered mantle, which the gossips whispered was invested with magic properties, so as to lend a new and untried grace to her figure each time that she put it on! Idle fancy as it is, this mysterious mantle has thrown an awe around my image of her, partly from its fabled virtues and partly because it was the handiwork of a dying woman, and perchance owed the fantastic grace of its conception to the delirium of approaching death.
Would that either a painter or a mirror could give us a glimpse of a garment mentioned in this story—the Lady Eleanore’s embroidered cloak, which the gossipers claimed had magical qualities, making her look more graceful and elegant every time she wore it! This fanciful notion has added a sense of awe to my image of her, partly because of its legendary powers and partly because it was made by a dying woman, possibly inspired by the delirium of her near death.
After the ceremonial greetings had been paid, Lady Eleanore Rochcliffe stood apart from the mob of guests, insulating herself within a small and distinguished circle to whom she accorded a more cordial favor than to the general throng. The waxen torches threw their radiance vividly over the scene, bringing out its brilliant points in strong relief, but she gazed carelessly, and with now and then an expression of weariness or scorn tempered with such feminine grace that her auditors scarcely perceived the moral deformity of which it was the utterance. She beheld the spectacle not with vulgar ridicule, as disdaining to be pleased with the provincial mockery of a court-festival, but with the deeper scorn of one whose spirit held itself too high to participate in the enjoyment of other human souls. Whether or no the recollections of those who saw her that evening were influenced by the strange events with which she was subsequently connected, so it was that her figure ever after recurred to them as marked by something wild and unnatural, although at the time the general whisper was of her exceeding beauty and of the indescribable charm which her mantle threw around her. Some close observers, indeed, detected a feverish flush and alternate paleness of countenance, with a corresponding flow and revulsion of spirits, and once or twice a painful and helpless betrayal of lassitude, as if she were on the point of sinking to the ground. Then, with a nervous shudder, she seemed to arouse her energies, and threw some bright and playful yet half-wicked sarcasm into the conversation. There was so strange a characteristic in her manners and sentiments that it astonished every right-minded listener, till, looking in her face, a lurking and incomprehensible glance and smile perplexed them with doubts both as to her seriousness and sanity. Gradually, Lady Eleanore Rochcliffe’s circle grew smaller, till only four gentlemen remained in it. These were Captain Langford, the English officer before mentioned; a Virginian planter who had come to Massachusetts on some political errand; a young Episcopal clergyman, the grandson of a British earl; and, lastly, the private secretary of Governor Shute, whose obsequiousness had won a sort of tolerance from Lady Eleanore.
After the formal greetings were done, Lady Eleanore Rochcliffe stood apart from the crowd of guests, surrounding herself with a small, distinguished group to whom she showed more warmth than to the general assembly. The wax candles lit up the scene vividly, highlighting its bright features, but she looked on carelessly, occasionally showing signs of fatigue or disdain, tempered by such feminine grace that those around her hardly noticed the negativity in her expression. She viewed the spectacle not with crude mockery, rejecting the provincial silliness of a court festival, but with a deeper disdain of someone whose spirit felt too elevated to join in the enjoyment of other people. Whether or not the memories of those who saw her that evening were shaped by the strange events that followed, she was forever recalled as having something wild and unnatural about her, even though, at the time, people whispered about her remarkable beauty and the indescribable allure that surrounded her. Some keen observers did indeed notice a feverish flush and alternating paleness in her face, along with a shift in her mood, and a couple of times she revealed a painful, helpless fatigue, as if she was about to collapse. Then, with a nervous shudder, she seemed to gather her strength and infused some bright, playful yet slightly wicked sarcasm into the conversation. Her strange mannerisms and sentiments astonished every decent listener until they looked into her face, where a mysterious glance and smile confused them with doubts about her seriousness and sanity. Gradually, Lady Eleanore Rochcliffe’s group shrank until only four gentlemen remained. These were Captain Langford, the English officer mentioned earlier; a Virginian planter who had come to Massachusetts for some political reason; a young Episcopal clergyman, the grandson of a British earl; and finally, the private secretary of Governor Shute, whose servility had earned him a level of tolerance from Lady Eleanore.
At different periods of the evening the liveried servants of the province-house passed among the guests bearing huge trays of refreshments and French and Spanish wines. Lady Eleanore Rochcliffe, who refused to wet her beautiful lips even with a bubble of champagne, had sunk back into a large damask chair, apparently overwearied either with the excitement of the scene or its tedium; and while, for an instant, she was unconscious of voices, laughter and music, a young man stole forward and knelt down at her feet. He bore a salver in his hand on which was a chased silver goblet filled to the brim with wine, which he offered as reverentially as to a crowned queen—or, rather, with the awful devotion of a priest doing sacrifice to his idol. Conscious that some one touched her robe, Lady Eleanore started, and unclosed her eyes upon the pale, wild features and dishevelled hair of Jervase Helwyse.
At various times during the evening, the uniformed staff of the province house moved among the guests, carrying large trays of snacks and French and Spanish wines. Lady Eleanore Rochcliffe, who wouldn’t even touch her beautiful lips to a bubble of champagne, had sunk back into a grand damask chair, seemingly exhausted either from the excitement of the event or its monotony. For a moment, she was unaware of the voices, laughter, and music around her, when a young man stepped forward and knelt at her feet. He held a tray with a beautifully crafted silver goblet filled to the brim with wine, offering it to her with the reverence of a crowned queen—or rather, with the profound devotion of a priest making a sacrifice to his idol. Realizing someone was touching her dress, Lady Eleanore jolted and opened her eyes to see the pale, wild features and messy hair of Jervase Helwyse.
“Why do you haunt me thus?” said she, in a languid tone, but with a kindlier feeling than she ordinarily permitted herself to express. “They tell me that I have done you harm.”
“Why do you keep bothering me like this?” she said in a tired voice, but with a warmer feeling than she usually allowed herself to show. “People are saying that I’ve hurt you.”
“Heaven knows if that be so,” replied the young man, solemnly. “But, Lady Eleanore, in requital of that harm, if such there be, and for your own earthly and heavenly welfare, I pray you to take one sip of this holy wine and then to pass the goblet round among the guests. And this shall be a symbol that you have not sought to withdraw yourself from the chain of human sympathies, which whoso would shake off must keep company with fallen angels.”
“Heaven knows if that’s true,” replied the young man, seriously. “But, Lady Eleanore, to make up for that harm, if there is any, and for your own earthly and heavenly well-being, I ask you to take a sip of this holy wine and then pass the goblet around among the guests. This will symbolize that you have not tried to distance yourself from the bonds of human connection, which anyone who wants to break free must join the company of fallen angels.”
“Where has this mad fellow stolen that sacramental vessel?” exclaimed the Episcopal clergyman.
“Where has that crazy guy taken that sacred vessel?” exclaimed the Episcopal clergyman.
This question drew the notice of the guests to the silver cup, which was recognized as appertaining to the communion-plate of the Old South Church, and, for aught that could be known, it was brimming over with the consecrated wine.
This question caught the guests' attention to the silver cup, which was identified as belonging to the communion set of the Old South Church, and, for all anyone could tell, it was filled to the brim with the consecrated wine.
“Perhaps it is poisoned,” half whispered the governor’s secretary.
“Maybe it's poisoned,” the governor's secretary half-whispered.
“Pour it down the villain’s throat!” cried the Virginian, fiercely.
“Shove it down the villain’s throat!” shouted the Virginian, fiercely.
“Turn him out of the house!” cried Captain Langford, seizing Jervase Helwyse so roughly by the shoulder that the sacramental cup was overturned and its contents sprinkled upon Lady Eleanore’s mantle. “Whether knave, fool or Bedlamite, it is intolerable that the fellow should go at large.”
“Get him out of the house!” shouted Captain Langford, grabbing Jervase Helwyse so roughly by the shoulder that the sacred cup tipped over and its contents spilled on Lady Eleanore’s mantle. “Whether he’s a crook, an idiot, or crazy, it’s unacceptable for him to be wandering around.”
“Pray, gentlemen, do my poor admirer no harm,” said Lady Eleanore, with a faint and weary smile. “Take him out of my sight, if such be your pleasure, for I can find in my heart to do nothing but laugh at him, whereas, in all decency and conscience, it would become me to weep for the mischief I have wrought.”
“Please, gentlemen, don’t hurt my poor admirer,” Lady Eleanore said with a weak and tired smile. “If it pleases you, take him out of my sight, because all I can do is laugh at him, whereas, out of decency and conscience, I should be crying for the trouble I’ve caused.”
But while the bystanders were attempting to lead away the unfortunate young man he broke from them and with a wild, impassioned earnestness offered a new and equally strange petition to Lady Eleanore. It was no other than that she should throw off the mantle, which while he pressed the silver cup of wine upon her she had drawn more closely around her form, so as almost to shroud herself within it.
But while the onlookers were trying to take the unfortunate young man away, he broke free from them and, with wild, passionate intensity, made a new and equally strange request to Lady Eleanore. He asked her to remove the cloak that she had pulled tightly around herself while he was offering her the silver cup of wine, almost wrapping herself up in it.
“Cast it from you,” exclaimed Jervase Helwyse, clasping his hands in an agony of entreaty. “It may not yet be too late. Give the accursed garment to the flames.”
“Throw it away,” Jervase Helwyse shouted, holding his hands together in desperation. “It might not be too late. Burn that cursed garment.”
But Lady Eleanore, with a laugh of scorn, drew the rich folds of the embroidered mantle over her head in such a fashion as to give a completely new aspect to her beautiful face, which, half hidden, half revealed, seemed to belong to some being of mysterious character and purposes.
But Lady Eleanore, laughing scornfully, pulled the luxurious folds of her embroidered cloak over her head in a way that completely changed the look of her beautiful face, which, partly concealed and partly shown, seemed to belong to a being of mysterious nature and intentions.
“Farewell, Jervase Helwyse!” said she. “Keep my image in your remembrance as you behold it now.”
“Goodbye, Jervase Helwyse!” she said. “Remember me just as you see me now.”
“Alas, lady!” he replied, in a tone no longer wild, but sad as a funeral-bell; “we must meet shortly when your face may wear another aspect, and that shall be the image that must abide within me.” He made no more resistance to the violent efforts of the gentlemen and servants who almost dragged him out of the apartment and dismissed him roughly from the iron gate of the province-house.
“Unfortunately, my lady!” he responded, his tone no longer frantic but as somber as a funeral bell; “we will have to meet again soon when your expression might show something different, and that will be the image that stays with me.” He offered no more resistance to the forceful attempts of the gentlemen and servants who nearly pulled him out of the room and roughly pushed him out of the iron gate of the provincial house.
Captain Langford, who had been very active in this affair, was returning to the presence of Lady Eleanore Rochcliffe, when he encountered the physician, Dr. Clarke, with whom he had held some casual talk on the day of her arrival. The doctor stood apart, separated from Lady Eleanore by the width of the room, but eying her with such keen sagacity that Captain Langford involuntarily gave him credit for the discovery of some deep secret.
Captain Langford, who had been very involved in this situation, was on his way back to Lady Eleanore Rochcliffe when he ran into the doctor, Dr. Clarke, with whom he had shared a brief conversation on the day she arrived. The doctor stood at a distance, separated from Lady Eleanore by the width of the room, but watching her with such sharp insight that Captain Langford couldn't help but think he had uncovered some hidden truth.
“You appear to be smitten, after all, with the charms of this queenly maiden,” said he, hoping thus to draw forth the physician’s hidden knowledge.
“You seem to be taken with the allure of this regal young woman,” he said, hoping to uncover the doctor’s hidden insights.
“God forbid!” answered Dr. Clarke, with a grave smile; “and if you be wise, you will put up the same prayer for yourself. Woe to those who shall be smitten by this beautiful Lady Eleanore! But yonder stands the governor, and I have a word or two for his private ear. Good-night!” He accordingly advanced to Governor Shute and addressed him in so low a tone that none of the bystanders could catch a word of what he said, although the sudden change of His Excellency’s hitherto cheerful visage betokened that the communication could be of no agreeable import. A very few moments afterward it was announced to the guests that an unforeseen circumstance rendered it necessary to put a premature close to the festival.
“God forbid!” replied Dr. Clarke, with a serious smile; “and if you’re smart, you’ll say the same prayer for yourself. Trouble awaits those who fall under the spell of the beautiful Lady Eleanore! But there’s the governor, and I need to have a word with him privately. Goodnight!” He then approached Governor Shute and spoke to him in such a low voice that none of the bystanders could hear a word, though the sudden change in His Excellency’s previously cheerful expression suggested that the news wasn’t anything good. Just a few moments later, the guests were informed that an unexpected situation required an early end to the festival.
The ball at the province-house supplied a topic of conversation for the colonial metropolis for some days after its occurrence, and might still longer have been the general theme, only that a subject of all-engrossing interest thrust it for a time from the public recollection. This was the appearance of a dreadful epidemic which in that age, and long before and afterward, was wont to slay its hundreds and thousands on both sides of the Atlantic. On the occasion of which we speak it was distinguished by a peculiar virulence, insomuch that it has left its traces—its pitmarks, to use an appropriate figure—on the history of the country, the affairs of which were thrown into confusion by its ravages. At first, unlike its ordinary course, the disease seemed to confine itself to the higher circles of society, selecting its victims from among the proud, the well-born and the wealthy, entering unabashed into stately chambers and lying down with the slumberers in silken beds. Some of the most distinguished guests of the province-house—even those whom the haughty Lady Eleanore Rochcliffe had deemed not unworthy of her favor—were stricken by this fatal scourge. It was noticed with an ungenerous bitterness of feeling that the four gentlemen—the Virginian, the British officer, the young clergyman and the governor’s secretary—who had been her most devoted attendants on the evening of the ball were the foremost on whom the plague-stroke fell. But the disease, pursuing its onward progress, soon ceased to be exclusively a prerogative of aristocracy. Its red brand was no longer conferred like a noble’s star or an order of knighthood. It threaded its way through the narrow and crooked streets, and entered the low, mean, darksome dwellings and laid its hand of death upon the artisans and laboring classes of the town. It compelled rich and poor to feel themselves brethren then, and stalking to and fro across the Three Hills with a fierceness which made it almost a new pestilence, there was that mighty conqueror—that scourge and horror of our forefathers—the small-pox.
The ball at the province house gave the colonial city something to talk about for several days after it happened, and it might have remained the main topic for even longer if it weren't for a more pressing issue that pushed it out of public memory for a while. This was the emergence of a terrible epidemic that, during that time and for many years before and after, was known for killing hundreds and thousands on both sides of the Atlantic. On this occasion, it was marked by a particularly deadly nature, leaving its marks—its scars, to use a fitting metaphor—on the country’s history, which was thrown into chaos by its spread. At first, unlike its usual pattern, the disease seemed to target the upper echelons of society, choosing its victims among the proud, the elite, and the wealthy, boldly entering grand rooms and lying down with those asleep in luxurious beds. Some of the most notable guests of the province house—even those whom the proud Lady Eleanore Rochcliffe had deemed worthy of her attention—were struck by this deadly plague. It was observed with a resentful bitterness that the four men—the Virginian, the British officer, the young clergyman, and the governor’s secretary—who had been her most devoted attendants on the night of the ball were among the first to fall victim to the disease. But the illness, continuing its relentless advance, soon stopped being just something the aristocracy had to deal with. Its devastating mark was no longer reserved like a noble's emblem or a knight's honor. It wound its way through the narrow, twisty streets, invaded the poor, dark homes, and claimed the lives of the working-class people in the town. It forced rich and poor to see themselves as equals; and moving across the Three Hills with a ferocity that made it feel like a new plague, there was that powerful conqueror—that scourge and terror of our ancestors—the smallpox.
We cannot estimate the affright which this plague inspired of yore by contemplating it as the fangless monster of the present day. We must remember, rather, with what awe we watched the gigantic footsteps of the Asiatic cholera striding from shore to shore of the Atlantic and marching like Destiny upon cities far remote which flight had already half depopulated. There is no other fear so horrible and unhumanizing as that which makes man dread to breathe heaven’s vital air lest it be poison, or to grasp the hand of a brother or friend lest the grip of the pestilence should clutch him. Such was the dismay that now followed in the track of the disease or ran before it throughout the town. Graves were hastily dug and the pestilential relics as hastily covered, because the dead were enemies of the living and strove to draw them headlong, as it were, into their own dismal pit. The public councils were suspended, as if mortal wisdom might relinquish its devices now that an unearthly usurper had found his way into the ruler’s mansion. Had an enemy’s fleet been hovering on the coast or his armies trampling on our soil, the people would probably have committed their defence to that same direful conqueror who had wrought their own calamity and would permit no interference with his sway. This conqueror had a symbol of his triumphs: it was a blood-red flag that fluttered in the tainted air over the door of every dwelling into which the small-pox had entered.
We can't truly grasp the fear this plague caused in the past by viewing it as the harmless creature we know today. Instead, we should recall the dread we felt as the massive footsteps of Asiatic cholera crossed the Atlantic, marching like Fate toward distant cities that had already been half emptied by flight. There's no fear more awful and dehumanizing than the one that makes people afraid to breathe the life-giving air for fear it’s poisonous, or to take the hand of a brother or friend, worried that the grip of disease might latch onto him. Such was the terror that followed the disease or raced ahead of it throughout the town. Graves were dug quickly, and the bodies were buried just as fast because the dead were seen as enemies to the living, trying to drag them down into their own dark pit. Public councils were put on hold, as if human wisdom could abandon its plans now that an otherworldly invader had entered the ruler’s domain. If an enemy fleet had been positioned off the coast or enemy troops were trampling our land, people might have given their defense to that same terrifying conqueror who had caused their suffering and allowed no interference with his power. This conqueror had a symbol of his victories: a blood-red flag that waved in the polluted air over the door of every home where smallpox had entered.
Such a banner was long since waving over the portal of the province-house, for thence, as was proved by tracking its footsteps back, had all this dreadful mischief issued. It had been traced back to a lady’s luxurious chamber, to the proudest of the proud, to her that was so delicate and hardly owned herself of earthly mould, to the haughty one who took her stand above human sympathies—to Lady Eleanore. There remained no room for doubt that the contagion had lurked in that gorgeous mantle which threw so strange a grace around her at the festival. Its fantastic splendor had been conceived in the delirious brain of a woman on her death-bed and was the last toil of her stiffening fingers, which had interwoven fate and misery with its golden threads. This dark tale, whispered at first, was now bruited far and wide. The people raved against the Lady Eleanore and cried out that her pride and scorn had evoked a fiend, and that between them both this monstrous evil had been born. At times their rage and despair took the semblance of grinning mirth; and whenever the red flag of the pestilence was hoisted over another and yet another door, they clapped their hands and shouted through the streets in bitter mockery: “Behold a new triumph for the Lady Eleanore!”
A banner had long been waving over the entrance of the provincial house because, as could be traced back, all this terrible mischief had come from there. It was tracked back to a lady’s lavish room, to the proudest of the proud, to the one so delicate she barely seemed to belong to the earthly realm, to the arrogant one who stood above human emotions—Lady Eleanore. There was no doubt that the infection had hidden in that gorgeous cloak that gave her such an unusual grace at the festival. Its fantastical splendor was imagined by the delirious mind of a woman on her death bed and was the final work of her stiffening fingers, which had woven together fate and misery with its golden threads. This dark story, initially whispered, was now being spread far and wide. The people raged against Lady Eleanore and shouted that her pride and contempt had called forth a demon, and that between them both, this monstrous evil had been born. At times, their anger and despair resembled twisted laughter; and whenever the red flag of the plague was raised over yet another door, they clapped their hands and shouted through the streets in bitter mockery: “Look, a new triumph for Lady Eleanore!”
One day in the midst of these dismal times a wild figure approached the portal of the province-house, and, folding his arms, stood contemplating the scarlet banner, which a passing breeze shook fitfully, as if to fling abroad the contagion that it typified. At length, climbing one of the pillars by means of the iron balustrade, he took down the flag, and entered the mansion waving it above his head. At the foot of the staircase he met the governor, booted and spurred, with his cloak drawn around him, evidently on the point of setting forth upon a journey.
One day, during these gloomy times, a wild figure approached the entrance of the provincial house. With his arms crossed, he stood there, staring at the scarlet banner, which fluttered in the breeze as if trying to spread the disease it represented. After a while, he climbed one of the pillars using the iron railing, took down the flag, and entered the mansion, waving it over his head. At the bottom of the staircase, he ran into the governor, who was dressed for travel, boots and spurs on, with his cloak wrapped around him, clearly ready to head out on a journey.
“Wretched lunatic, what do you seek here?” exclaimed Shute, extending his cane to guard himself from contact. “There is nothing here but Death; back, or you will meet him.”
“Crazy lunatic, what are you doing here?” shouted Shute, holding out his cane to keep himself safe. “There’s nothing here but Death; turn back, or you’ll face him.”
“Death will not touch me, the banner-bearer of the pestilence,” cried Jervase Helwyse, shaking the red flag aloft. “Death and the pestilence, who wears the aspect of the Lady Eleanore, will walk through the streets to-night, and I must march before them with this banner.”
“Death won’t touch me, the banner-bearer of the plague,” Jervase Helwyse shouted, waving the red flag high. “Death and the plague, who looks like Lady Eleanore, will roam the streets tonight, and I must lead the way with this banner.”
“Why do I waste words on the fellow?” muttered the governor, drawing his cloak across his mouth. “What matters his miserable life, when none of us are sure of twelve hours’ breath?—On, fool, to your own destruction!”
“Why am I wasting my breath on him?” the governor grumbled, pulling his cloak over his mouth. “What does his pathetic life matter when none of us can be sure we'll breathe for another twelve hours?—Go on, fool, to your own downfall!”
He made way for Jervase Helwyse, who immediately ascended the staircase, but on the first landing-place was arrested by the firm grasp of a hand upon his shoulder. Looking fiercely up with a madman’s impulse to struggle with and rend asunder his opponent, he found himself powerless beneath a calm, stern eye which possessed the mysterious property of quelling frenzy at its height. The person whom he had now encountered was the physician, Dr. Clarke, the duties of whose sad profession had led him to the province-house, where he was an infrequent guest in more prosperous times.
He stepped aside for Jervase Helwyse, who quickly climbed the staircase, but on the first landing, he was stopped by a firm hand gripping his shoulder. Glancing up with a wild urge to fight and overpower his opponent, he found himself unable to move under the calm, intense gaze that seemed to calm his rage at its peak. The person he had now come face to face with was Dr. Clarke, the physician whose somber profession had brought him to the province house, where he had previously been an occasional visitor in better times.
“Young man, what is your purpose?” demanded he.
“Hey, young man, what’s your purpose?” he asked.
“I seek the Lady Eleanore,” answered Jervase Helwyse, submissively.
“I’m looking for Lady Eleanore,” replied Jervase Helwyse, humbly.
“All have fled from her,” said the physician. “Why do you seek her now? I tell you, youth, her nurse fell death-stricken on the threshold of that fatal chamber. Know ye not that never came such a curse to our shores as this lovely Lady Eleanore, that her breath has filled the air with poison, that she has shaken pestilence and death upon the land from the folds of her accursed mantle?”
“All have run away from her,” said the doctor. “Why do you want to see her now? I tell you, young one, her nurse collapsed, dead, at the door of that deadly room. Don’t you know that no curse has ever come to our shores like this beautiful Lady Eleanore? Her breath has poisoned the air, and from the folds of her cursed cloak, she has spread disease and death across the land?”
“Let me look upon her,” rejoined the mad youth, more wildly. “Let me behold her in her awful beauty, clad in the regal garments of the pestilence. She and Death sit on a throne together; let me kneel down before them.”
“Let me see her,” replied the crazed young man, even more frantically. “Let me look at her in her terrifying beauty, dressed in the royal robes of disease. She and Death sit together on a throne; let me kneel down before them.”
“Poor youth!” said Dr. Clarke, and, moved by a deep sense of human weakness, a smile of caustic humor curled his lip even then. “Wilt thou still worship the destroyer and surround her image with fantasies the more magnificent the more evil she has wrought? Thus man doth ever to his tyrants. Approach, then. Madness, as I have noted, has that good efficacy that it will guard you from contagion, and perhaps its own cure may be found in yonder chamber.” Ascending another flight of stairs, he threw open a door and signed to Jervase Helwyse that he should enter.
“Poor youth!” Dr. Clarke said, and, feeling a strong sense of human weakness, a wry smile appeared on his lips even then. “Will you still worship the destroyer and surround her image with fantasies that are more magnificent the more harm she has caused? That's what people always do to their tyrants. Come closer, then. As I mentioned, madness has the useful effect of protecting you from infection, and maybe the cure for it can be found in that room over there.” He climbed another flight of stairs, threw open a door, and gestured for Jervase Helwyse to enter.
The poor lunatic, it seems probable, had cherished a delusion that his haughty mistress sat in state, unharmed herself by the pestilential influence which as by enchantment she scattered round about her. He dreamed, no doubt, that her beauty was not dimmed, but brightened into superhuman splendor. With such anticipations he stole reverentially to the door at which the physician stood, but paused upon the threshold, gazing fearfully into the gloom of the darkened chamber.
The poor guy, it seems likely, had convinced himself that his arrogant mistress sat proudly, unharmed by the terrible effects she spread around her like magic. He probably believed that her beauty wasn’t fading but shining with an otherworldly brilliance. With those thoughts in mind, he approached the door where the doctor stood, but stopped at the threshold, looking anxiously into the darkness of the dimly lit room.
“Where is the Lady Eleanore?” whispered he.
“Where's Lady Eleanore?” he asked.
“Call her,” replied the physician.
“Call her,” the doctor replied.
“Lady Eleanore! princess! queen of Death!” cried Jervase Helwyse, advancing three steps into the chamber. “She is not here. There, on yonder table, I behold the sparkle of a diamond which once she wore upon her bosom. There”—and he shuddered—“there hangs her mantle, on which a dead woman embroidered a spell of dreadful potency. But where is the Lady Eleanore?”
“Lady Eleanore! Princess! Queen of Death!” shouted Jervase Helwyse, stepping further into the room. “She’s not here. Look, on that table, I see the sparkle of a diamond she once wore on her chest. There”—he shivered—“there hangs her cloak, which a dead woman decorated with a powerful spell. But where is Lady Eleanore?”
Something stirred within the silken curtains of a canopied bed and a low moan was uttered, which, listening intently, Jervase Helwyse began to distinguish as a woman’s voice complaining dolefully of thirst. He fancied, even, that he recognized its tones.
Something stirred behind the silky curtains of a canopied bed, and a soft moan was heard. As Jervase Helwyse listened closely, he began to identify it as a woman's voice sadly expressing her thirst. He even thought he recognized her tone.
“My throat! My throat is scorched,” murmured the voice. “A drop of water!”
“My throat! My throat is burning,” murmured the voice. “A drop of water!”
“What thing art thou?” said the brain-stricken youth, drawing near the bed and tearing asunder its curtains. “Whose voice hast thou stolen for thy murmurs and miserable petitions, as if Lady Eleanore could be conscious of mortal infirmity? Fie! Heap of diseased mortality, why lurkest thou in my lady’s chamber?”
“What are you?” said the confused young man, approaching the bed and pulling back the curtains. “Whose voice have you taken for your whispers and sad pleas, as if Lady Eleanore could actually be aware of human weakness? Ugh! Heap of sickly humanity, why are you hiding in my lady’s room?”
“Oh, Jervase Helwyse,” said the voice—and as it spoke the figure contorted itself, struggling to hide its blasted face—“look not now on the woman you once loved. The curse of Heaven hath stricken me because I would not call man my brother nor woman sister. I wrapped myself in pride as in a mantle and scorned the sympathies of nature, and therefore has Nature made this wretched body the medium of a dreadful sympathy. You are avenged, they are all avenged, Nature is avenged; for I am Eleanore Rochcliffe.”
“Oh, Jervase Helwyse,” said the voice—and as it spoke, the figure twisted itself, trying to hide its ruined face—“don't look now at the woman you once loved. Heaven's curse has struck me because I refused to call man my brother or woman my sister. I wrapped myself in pride like a cloak and turned away from the sympathies of nature, and so Nature has made this wretched body the vessel for a terrible empathy. You are avenged, they are all avenged, Nature is avenged; for I am Eleanore Rochcliffe.”
The malice of his mental disease, the bitterness lurking at the bottom of his heart, mad as he was, for a blighted and ruined life and love that had been paid with cruel scorn, awoke within the breast of Jervase Helwyse. He shook his finger at the wretched girl, and the chamber echoed, the curtains of the bed were shaken, with his outburst of insane merriment.
The evil of his mental illness, the resentment hiding deep in his heart, drove Jervase Helwyse mad as he reflected on his wasted and destroyed life and love that had been met with harsh disdain. He pointed a finger at the miserable girl, and the room echoed with his outburst of crazy laughter, shaking the bed curtains.
“Another triumph for the Lady Eleanore!” he cried. “All have been her victims; who so worthy to be the final victim as herself?” Impelled by some new fantasy of his crazed intellect, he snatched the fatal mantle and rushed from the chamber and the house.
“Another win for Lady Eleanore!” he shouted. “Everyone else has fallen to her; who’s more deserving of being her last victim than she is?” Driven by some new idea from his disturbed mind, he grabbed the deadly cloak and ran out of the room and the house.
That night a procession passed by torchlight through the streets, bearing in the midst the figure of a woman enveloped with a richly-embroidered mantle, while in advance stalked Jervase Helwyse waving the red flag of the pestilence. Arriving opposite the province-house, the mob burned the effigy, and a strong wind came and swept away the ashes. It was said that from that very hour the pestilence abated, as if its sway had some mysterious connection, from the first plague-stroke to the last, with Lady Elcanore’s mantle. A remarkable uncertainty broods over that unhappy lady’s fate. There is a belief, however, that in a certain chamber of this mansion a female form may sometimes be duskily discerned shrinking into the darkest corner and muffling her face within an embroidered mantle. Supposing the legend true, can this be other than the once proud Lady Eleanore?
That night, a procession moved through the streets by torchlight, with a woman in a richly embroidered cloak at its center, while Jervase Helwyse led the way, waving the red flag of the plague. When they reached the province-house, the crowd burned an effigy, and a strong wind came and blew away the ashes. It was said that from that very moment, the plague began to lessen, as if it had some mysterious link to Lady Elcanore’s cloak, from the first outbreak to the last. There is a notable uncertainty surrounding that unfortunate lady’s fate. However, it's believed that in a certain room of this house, a female figure can sometimes be seen lurking in the darkest corner, hiding her face in an embroidered cloak. If the legend is true, could this be none other than the once proud Lady Eleanore?
Mine host and the old loyalist and I bestowed no little Warmth of applause upon this narrative, in which we had all been deeply interested; for the reader can scarcely conceive how unspeakably the effect of such a tale is heightened when, as in the present case, we may repose perfect confidence in the veracity of him who tells it. For my own part, knowing how scrupulous is Mr. Tiffany to settle the foundation of his facts, I could not have believed him one whit the more faithfully had he professed himself an eyewitness of the doings and sufferings of poor Lady Eleanore. Some sceptics, it is true, might demand documentary evidence, or even require him to produce the embroidered mantle, forgetting that—Heaven be praised!—it was consumed to ashes.
My host, the old loyalist, and I all applauded this story wholeheartedly, as we were deeply interested in it. You can hardly imagine how much more powerful such a tale becomes when, as in this case, we can completely trust the honesty of the storyteller. Personally, knowing how meticulous Mr. Tiffany is in establishing the basis of his facts, I wouldn’t have considered him any more credible if he claimed to be an eyewitness to the events and suffering of poor Lady Eleanore. Some skeptics might indeed want proof or even ask him to present the embroidered mantle, forgetting that—thankfully!—it was turned to ashes.
But now the old loyalist, whose blood was warmed by the good cheer, began to talk, in his turn, about the traditions of the Province House, and hinted that he, if it were agreeable, might add a few reminiscences to our legendary stock. Mr. Tiffany, having no cause to dread a rival, immediately besought him to favor us with a specimen; my own entreaties, of course, were urged to the same effect; and our venerable guest, well pleased to find willing auditors, awaited only the return of Mr. Thomas Waite, who had been summoned forth to provide accommodations for several new arrivals. Perchance the public—but be this as its own caprice and ours shall settle the matter—may read the result in another tale of the Province House.
But now the old loyalist, whose spirits were lifted by the good cheer, started to share stories about the traditions of the Province House and suggested that he could, if everyone was okay with it, add a few memories to our legendary collection. Mr. Tiffany, feeling no need to compete, immediately asked him to share a sample; I, of course, joined in urging him to do the same. Our esteemed guest, happy to find eager listeners, only waited for Mr. Thomas Waite, who had been called away to make arrangements for a few new arrivals. Perhaps the public—but let’s leave that to its own whims, and we’ll settle the matter—might see the results in another story from the Province House.
IV.
OLD ESTHER DUDLEY
Our host having resumed the chair, he as well as Mr. Tiffany and myself expressed much eagerness to be made acquainted with the story to which the loyalist had alluded. That venerable man first of all saw lit to moisten his throat with another glass of wine, and then, turning his face toward our coal-fire, looked steadfastly for a few moments into the depths of its cheerful glow. Finally he poured forth a great fluency of speech. The generous liquid that he had imbibed, while it warmed his age-chilled blood, likewise took off the chill from his heart and mind, and gave him an energy to think and feel which we could hardly have expected to find beneath the snows of fourscore winters. His feelings, indeed, appeared to me more excitable than those of a younger man—or, at least, the same degree of feeling manifested itself by more visible effects than if his judgment and will had possessed the potency of meridian life. At the pathetic passages of his narrative he readily melted into tears. When a breath of indignation swept across his spirit, the blood flushed his withered visage even to the roots of his white hair, and he shook his clinched fist at the trio of peaceful auditors, seeming to fancy enemies in those who felt very kindly toward the desolate old soul. But ever and anon, sometimes in the midst of his most earnest talk, this ancient person’s intellect would wander vaguely, losing its hold of the matter in hand and groping for it amid misty shadows. Then would he cackle forth a feeble laugh and express a doubt whether his wits—for by that phrase it pleased our ancient friend to signify his mental powers—were not getting a little the worse for wear.
Our host took his seat again, and he, Mr. Tiffany, and I were all eager to hear the story that the loyalist mentioned. The old man first decided to wet his throat with another glass of wine, then, looking into the warm glow of the coal fire for a few moments, he began to speak fluently. The wine warmed his aged blood and lifted the chill from his heart and mind, giving him an unexpected energy for thought and feeling despite his eighty years. His emotions seemed more intense than those of a younger person—or at least, the same feelings showed themselves more visibly because his judgment and will didn't have the strength of youth. When he reached touching moments in his story, he easily broke into tears. When indignation swept over him, color rushed to his withered face, even to the roots of his white hair, and he shook his fist at the three peaceful listeners, as if he imagined enemies among those who actually felt kindly toward him. Yet, from time to time, even in the middle of his most passionate speech, his thoughts would drift aimlessly, losing touch with what he was discussing and groping for it in a foggy haze. He would then let out a weak laugh and express doubt about whether his wits—by which term he referred to his mental abilities—were starting to fade.
Under these disadvantages, the old loyalist’s story required more revision to render it fit for the public eye than those of the series which have preceded it; nor should it be concealed that the sentiment and tone of the affair may have undergone some slight—or perchance more than slight—metamorphosis in its transmission to the reader through the medium of a thoroughgoing democrat. The tale itself is a mere sketch with no involution of plot nor any great interest of events, yet possessing, if I have rehearsed it aright, that pensive influence over the mind which the shadow of the old Province House flings upon the loiterer in its court-yard.
Given these challenges, the old loyalist’s story needed more editing to make it suitable for the public than those in the previous series; it’s also worth noting that the sentiment and tone of the narrative may have shifted somewhat—or perhaps even more than somewhat—as it reached the reader through the perspective of a dedicated democrat. The story itself is just a brief outline with no complex plot or particularly engaging events, yet it has, if I’ve conveyed it correctly, that reflective impact on the mind that the shadow of the old Province House casts over someone hanging around in its courtyard.
The hour had come—the hour of defeat and humiliation—when Sir William Howe was to pass over the threshold of the province-house and embark, with no such triumphal ceremonies as he once promised himself, on board the British fleet. He bade his servants and military attendants go before him, and lingered a moment in the loneliness of the mansion to quell the fierce emotions that struggled in his bosom as with a death-throb. Preferable then would he have deemed his fate had a warrior’s death left him a claim to the narrow territory of a grave within the soil which the king had given him to defend. With an ominous perception that as his departing footsteps echoed adown the staircase the sway of Britain was passing for ever from New England, he smote his clenched hand on his brow and cursed the destiny that had flung the shame of a dismembered empire upon him.
The time had come—the time of defeat and humiliation—when Sir William Howe was about to leave the province house and board the British fleet, with none of the triumph he had once envisioned. He told his servants and military aides to go ahead of him and lingered for a moment in the empty mansion to calm the intense emotions battling inside him like a death rattle. He would have preferred a warrior’s death that would have given him the right to a small burial plot in the land the king had given him to defend. With a heavy feeling that his footsteps echoing down the staircase signified Britain’s rule was fading forever from New England, he slammed his fist against his forehead and cursed the fate that had brought him the shame of a broken empire.
“Would to God,” cried he, hardly repressing his tears of rage, “that the rebels were even now at the doorstep! A blood-stain upon the floor should then bear testimony that the last British ruler was faithful to his trust.”
“Would to God,” he exclaimed, barely holding back his tears of anger, “that the rebels were at the doorstep right now! A bloodstain on the floor would prove that the last British ruler stayed true to his duty.”
The tremulous voice of a woman replied to his exclamation.
The shaky voice of a woman responded to his outburst.
“Heaven’s cause and the king’s are one,” it said. “Go forth, Sir William Howe, and trust in Heaven to bring back a royal governor in triumph.”
“Heaven’s purpose and the king’s are the same,” it said. “Go ahead, Sir William Howe, and have faith that Heaven will return a royal governor in victory.”
Subduing at once the passion to which he had yielded only in the faith that it was unwitnessed, Sir William Howe became conscious that an aged woman leaning on a gold-headed staff was standing betwixt him and the door. It was old Esther Dudley, who had dwelt almost immemorial years in this mansion, until her presence seemed as inseparable from it as the recollections of its history. She was the daughter of an ancient and once eminent family which had fallen into poverty and decay and left its last descendant no resource save the bounty of the king, nor any shelter except within the walls of the province-house. An office in the household with merely nominal duties had been assigned to her as a pretext for the payment of a small pension, the greater part of which she expended in adorning herself with an antique magnificence of attire. The claims of Esther Dudley’s gentle blood were acknowledged by all the successive governors, and they treated her with the punctilious courtesy which it was her foible to demand, not always with success, from a neglectful world. The only actual share which she assumed in the business of the mansion was to glide through its passages and public chambers late at night to see that the servants had dropped no fire from their flaring torches nor left embers crackling and blazing on the hearths. Perhaps it was this invariable custom of walking her rounds in the hush of midnight that caused the superstition of the times to invest the old woman with attributes of awe and mystery, fabling that she had entered the portal of the province-house—none knew whence—in the train of the first royal governor, and that it was her fate to dwell there till the last should have departed.
Suppressing the urge he had only allowed himself to feel because he thought no one was watching, Sir William Howe realized that an elderly woman leaning on a gold-headed cane was standing between him and the door. It was old Esther Dudley, who had lived in this mansion for what felt like forever, making her presence feel as much a part of it as its history. She was the daughter of a once-prominent family that had fallen into poverty and decay, leaving her as the last descendant with no means of support other than the king's generosity, and no shelter except within the province house. She held a nominal position in the household, which served as a cover for a small pension, most of which she spent on dressing herself in an old-fashioned splendor. Every successive governor acknowledged Esther Dudley’s noble background, treating her with the meticulous courtesy she often insisted upon, sometimes without success, from a generally indifferent world. The only real role she played in the mansion was to move through its hallways and public rooms late at night, making sure the servants hadn’t let any flames from their torches go unnoticed or left any glowing embers on the hearths. Perhaps this nightly ritual of her wandering through the quiet house contributed to the superstitions of the time, leading people to believe that the old woman had entered the province house—no one knew from where—in the company of the first royal governor, destined to remain there until the last had left.
But Sir William Howe, if he ever heard this legend, had forgotten it.
But Sir William Howe, if he ever heard this story, had forgotten it.
“Mistress Dudley, why are you loitering here?” asked he, with some severity of tone. “It is my pleasure to be the last in this mansion of the king.”
“Mistress Dudley, why are you hanging around here?” he asked, with a rather serious tone. “I enjoy being the last one left in this king's mansion.”
“Not so, if it please Your Excellency,” answered the time-stricken woman. “This roof has sheltered me long; I will not pass from it until they bear me to the tomb of my forefathers. What other shelter is there for old Esther Dudley save the province-house or the grave?”
“Not at all, if it pleases Your Excellency,” replied the time-worn woman. “This roof has protected me for a long time; I won’t leave it until they carry me to the grave of my ancestors. What other place of refuge is there for old Esther Dudley except the province house or the grave?”
“Now, Heaven forgive me!” said Sir William Howe to himself. “I was about to leave this wretched old creature to starve or beg.—Take this, good Mistress Dudley,” he added, putting a purse into her hands. “King George’s head on these golden guineas is sterling yet, and will continue so, I warrant you, even should the rebels crown John Hancock their king. That purse will buy a better shelter than the province-house can now afford.”
“Now, God forgive me!” said Sir William Howe to himself. “I was about to leave this miserable old woman to starve or beg. —Here you go, good Mistress Dudley,” he added, placing a purse in her hands. “King George’s image on these golden guineas is still valuable, and it will stay that way, I promise you, even if the rebels make John Hancock their king. That purse will get you a better place to stay than the provincial house can offer right now.”
“While the burden of life remains upon me I will have no other shelter than this roof,” persisted Esther Dudley, striking her staff upon the floor with a gesture that expressed immovable resolve; “and when Your Excellency returns in triumph, I will totter into the porch to welcome you.”
“While I still have the weight of life on my shoulders, this roof will be my only shelter,” insisted Esther Dudley, striking her staff on the floor with a gesture that showed her strong determination; “and when you return in victory, I will make my way to the porch to greet you.”
“My poor old friend!” answered the British general, and all his manly and martial pride could no longer restrain a gush of bitter tears. “This is an evil hour for you and me. The province which the king entrusted to my charge is lost. I go hence in misfortune—perchance in disgrace—to return no more. And you, whose present being is incorporated with the past, who have seen governor after governor in stately pageantry ascend these steps, whose whole life has been an observance of majestic ceremonies and a worship of the king,—how will you endure the change? Come with us; bid farewell to a land that has shaken off its allegiance, and live still under a royal government at Halifax.”
“My poor old friend!” said the British general, and all his manly pride could no longer hold back a flood of bitter tears. “This is a terrible time for both of us. The province that the king entrusted to me is lost. I'm leaving in misfortune—possibly in disgrace—and I won’t be coming back. And you, whose current existence is tied to the past, who have seen governor after governor in grand ceremonies ascend these steps, whose entire life has been about observing majestic rituals and honoring the king—how will you handle the change? Come with us; say goodbye to a land that has broken its loyalty, and continue to live under a royal government in Halifax.”
“Never! never!” said the pertinacious old dame. “Here will I abide, and King George shall still have one true subject in his disloyal province.”
“Never! never!” said the stubborn old lady. “I will stay here, and King George will still have one loyal subject in his rebellious province.”
“Beshrew the old fool!” muttered Sir William Howe, growing impatient of her obstinacy and ashamed of the emotion into which he had been betrayed. “She is the very moral of old-fashioned prejudice, and could exist nowhere but in this musty edifice.—Well, then, Mistress Dudley, since you will needs tarry, I give the province-house in charge to you. Take this key, and keep it safe until myself or some other royal governor shall demand it of you.” Smiling bitterly at himself and her, he took the heavy key of the province-house, and, delivering it into the old lady’s hands, drew his cloak around him for departure.
“Curse the old fool!” muttered Sir William Howe, growing impatient with her stubbornness and embarrassed by the feelings he had revealed. “She is the epitome of outdated prejudice and could only exist in this dusty building. Well then, Mistress Dudley, since you insist on staying, I’m putting the province house in your care. Take this key and keep it safe until I or another royal governor comes to ask for it.” Smiling bitterly at himself and at her, he took the heavy key to the province house and, handing it to the old lady, wrapped his cloak around him to leave.
As the general glanced back at Esther Dudley’s antique figure he deemed her well fitted for such a charge, as being so perfect a representative of the decayed past—of an age gone by, with its manners, opinions, faith and feelings all fallen into oblivion or scorn, of what had once been a reality, but was now merely a vision of faded magnificence. Then Sir William Howe strode forth, smiting his clenched hands together in the fierce anguish of his spirit, and old Esther Dudley was left to keep watch in the lonely province-house, dwelling there with Memory; and if Hope ever seemed to flit around her, still it was Memory in disguise.
As the general looked back at Esther Dudley’s old-fashioned figure, he thought she was well suited for the task, being such a perfect symbol of the faded past—of a long-gone era, with its customs, beliefs, and emotions all forgotten or ridiculed, of what had once been real, but was now just a memory of lost grandeur. Then Sir William Howe stepped forward, smashing his fists together in the deep anguish of his soul, and old Esther Dudley was left alone to keep watch in the empty province house, residing there with Memory; and if Hope ever seemed to flutter around her, it was still just Memory in disguise.
The total change of affairs that ensued on the departure of the British troops did not drive the venerable lady from her stronghold. There was not for many years afterward a governor of Massachusetts, and the magistrates who had charge of such matters saw no objection to Esther Dudley’s residence in the province-house, especially as they must otherwise have paid a hireling for taking care of the premises, which with her was a labor of love; and so they left her the undisturbed mistress of the old historic edifice. Many and strange were the fables which the gossips whispered about her in all the chimney-corners of the town.
The complete change in circumstances that followed the departure of the British troops didn’t drive the elderly lady from her stronghold. For many years afterward, there was no governor of Massachusetts, and the officials responsible for these matters had no issue with Esther Dudley living in the province house, especially since they would have otherwise needed to pay someone to care for the property, which she did out of love; so they left her as the undisturbed owner of the old historic building. Many strange stories circulated about her, whispered by the town's gossipers in every corner.
Among the time-worn articles of furniture that had been left in the mansion, there was a tall antique mirror which was well worthy of a tale by itself, and perhaps may hereafter be the theme of one. The gold of its heavily-wrought frame was tarnished, and its surface so blurred that the old woman’s figure, whenever she paused before it, looked indistinct and ghostlike. But it was the general belief that Esther could cause the governors of the overthrown dynasty, with the beautiful ladies who had once adorned their festivals, the Indian chiefs who had come up to the province-house to hold council or swear allegiance, the grim provincial warriors, the severe clergymen—in short, all the pageantry of gone days, all the figures that ever swept across the broad-plate of glass in former times,—she could cause the whole to reappear and people the inner world of the mirror with shadows of old life. Such legends as these, together with the singularity of her isolated existence, her age and the infirmity that each added winter flung upon her, made Mistress Dudley the object both of fear and pity, and it was partly the result of either sentiment that, amid all the angry license of the times, neither wrong nor insult ever fell upon her unprotected head. Indeed, there was so much haughtiness in her demeanor toward intruders—among whom she reckoned all persons acting under the new authorities—that it was really an affair of no small nerve to look her in the face. And, to do the people justice, stern republicans as they had now become, they were well content that the old gentlewoman, in her hoop-petticoat and faded embroidery, should still haunt the palace of ruined pride and overthrown power, the symbol of a departed system, embodying a history in her person. So Esther Dudley dwelt year after year in the province-house, still reverencing all that others had flung aside, still faithful to her king, who, so long as the venerable dame yet held her post, might be said to retain one true subject in New England and one spot of the empire that had been wrested from him.
Among the old pieces of furniture left in the mansion, there was a tall antique mirror that definitely deserved its own story, and maybe it will be the focus of one in the future. The gold frame was tarnished, and its surface was so blurred that the old woman's reflection, whenever she stopped to look at it, appeared faint and ghostly. But people generally believed that Esther could conjure up the governors of the fallen dynasty, the beautiful ladies who used to grace their celebrations, the Indian chiefs who had come to the provincial house for meetings or to pledge loyalty, the stern provincial warriors, and the serious clergymen—in other words, all the grandeur of days gone by, all the figures that once moved across the glass surface long ago—she could make them all reappear, filling the inner world of the mirror with shadows of the past. Tales like these, along with her unique solitary life, her age, and the frailty that each passing winter brought her, made Mistress Dudley both feared and pitied. It was partly because of these feelings that, despite the chaotic times, no one dared to wrong or insult her. In fact, her haughty demeanor towards intruders—whom she considered anyone working under the new authorities—made it quite intimidating to meet her gaze. And to be fair, even though they had become stern republicans, the people were satisfied that the old gentlewoman, in her hoop skirt and faded embroidery, still wandered the palace of fallen pride and destroyed power, symbolizing a vanished system, embodying a history in her person. So, Esther Dudley lived on year after year in the province house, still honoring everything others had cast aside, still loyal to her king, who, as long as the venerable lady held her ground, could be said to have one true subject in New England and one piece of the empire that had been taken from him.
And did she dwell there in utter loneliness? Rumor said, “Not so.” Whenever her chill and withered heart desired warmth, she was wont to summon a black slave of Governor Shirley’s from the blurred mirror and send him in search of guests who had long ago been familiar in those deserted chambers. Forth went the sable messenger, with the starlight or the moonshine gleaming through him, and did his errand in the burial-grounds, knocking at the iron doors of tombs or upon the marble slabs that covered them, and whispering to those within, “My mistress, old Esther Dudley, bids you to the province-house at midnight;” and punctually as the clock of the Old South told twelve came the shadows of the Olivers, the Hutchinsons, the Dudleys—all the grandees of a bygone generation—gliding beneath the portal into the well-known mansion, where Esther mingled with them as if she likewise were a shade. Without vouching for the truth of such traditions, it is certain that Mistress Dudley sometimes assembled a few of the stanch though crestfallen old Tories who had lingered in the rebel town during those days of wrath and tribulation. Out of a cobwebbed bottle containing liquor that a royal governor might have smacked his lips over they quaffed healths to the king and babbled treason to the republic, feeling as if the protecting shadow of the throne were still flung around them. But, draining the last drops of their liquor, they stole timorously homeward, and answered not again if the rude mob reviled them in the street.
And did she live there in complete loneliness? Rumor had it, “Not at all.” Whenever her cold and faded heart craved warmth, she would call upon a black servant of Governor Shirley’s from the distorted mirror and send him to find guests who had once been familiar in those empty halls. Off went the dark messenger, with the starlight or moonlight shining through him, carrying out his mission in the graveyards, knocking at the iron doors of tombs or the marble slabs above them, and whispering to those inside, “My mistress, old Esther Dudley, invites you to the province-house at midnight.” And just as the clock of the Old South struck twelve, the shadows of the Olivers, the Hutchinsons, the Dudleys—all the prominent figures of a past generation—would glide through the entrance into the familiar mansion, where Esther mingled with them as if she too were a ghost. Without confirming the truth of such stories, it is clear that Mistress Dudley sometimes gathered a few loyal but downcast old Tories who had remained in the rebel town during those days of conflict and hardship. From a cobweb-covered bottle containing liquor that a royal governor would have relished, they toasted the king and murmured treason against the republic, feeling as if the protective shadow of the throne still surrounded them. But after draining the last drops of their drink, they quietly headed home, not responding if the angry crowd insulted them in the street.
Yet Esther Dudley’s most frequent and favored guests were the children of the town. Toward them she was never stern. A kindly and loving nature hindered elsewhere from its free course by a thousand rocky prejudices lavished itself upon these little ones. By bribes of gingerbread of her own making, stamped with a royal crown, she tempted their sunny sportiveness beneath the gloomy portal of the province-house, and would often beguile them to spend a whole play-day there, sitting in a circle round the verge of her hoop-petticoat, greedily attentive to her stories of a dead world. And when these little boys and girls stole forth again from the dark, mysterious mansion, they went bewildered, full of old feelings that graver people had long ago forgotten, rubbing their eyes at the world around them as if they had gone astray into ancient times and become children of the past. At home, when their parents asked where they had loitered such a weary while and with whom they had been at play, the children would talk of all the departed worthies of the province as far back as Governor Belcher and the haughty dame of Sir William Phipps. It would seem as though they had been sitting on the knees of these famous personages, whom the grave had hidden for half a century, and had toyed with the embroidery of their rich waistcoats or roguishly pulled the long curls of their flowing wigs. “But Governor Belcher has been dead this many a year,” would the mother say to her little boy. “And did you really see him at the province-house?”—“Oh yes, dear mother—yes!” the half-dreaming child would answer. “But when old Esther had done speaking about him, he faded away out of his chair.” Thus, without affrighting her little guests, she led them by the hand into the chambers of her own desolate heart and made childhood’s fancy discern the ghosts that haunted there.
Yet Esther Dudley’s most common and favorite guests were the town's children. She was never strict with them. Her kind and loving nature, which was often restrained by countless prejudices, freely expressed itself with these little ones. With homemade gingerbread cookies stamped with a royal crown, she tempted their joyful playfulness beneath the gloomy entrance of the province house, often inviting them to spend an entire play day there, sitting in a circle around the edge of her hoop skirt, eagerly listening to her stories of a lost world. When these little boys and girls finally emerged from the dark, mysterious mansion, they felt dazed, filled with old emotions that grown-ups had long forgotten, blinking at the world around them as if they had wandered into ancient times and become children of the past. At home, when their parents asked where they had spent such a long time and who they had played with, the children would talk about all the notable figures from the province's past, reaching back to Governor Belcher and the proud lady of Sir William Phipps. It was as if they had been sitting on the laps of these famous figures, long hidden by death, playing with the rich embroidery on their waistcoats or mischievously tugging at the long curls of their flowing wigs. “But Governor Belcher has been dead for many years,” the mother would say to her little boy. “Did you really see him at the province house?”—“Oh yes, dear mother—yes!” the half-dreaming child would reply. “But when old Esther finished talking about him, he faded away from his chair.” Thus, without frightening her young guests, she gently led them into the chambers of her own lonely heart and allowed childhood's imagination to see the ghosts that lingered there.
Living so continually in her own circle of ideas, and never regulating her mind by a proper reference to present things, Esther Dudley appears to have grown partially crazed. It was found that she had no right sense of the progress and true state of the Revolutionary war, but held a constant faith that the armies of Britain were victorious on every field and destined to be ultimately triumphant. Whenever the town rejoiced for a battle won by Washington or Gates or Morgan or Greene, the news, in passing through the door of the province-house as through the ivory gate of dreams, became metamorphosed into a strange tale of the prowess of Howe, Clinton or Cornwallis. Sooner or later, it was her invincible belief, the colonies would be prostrate at the footstool of the king. Sometimes she seemed to take for granted that such was already the case. On one occasion she startled the townspeople by a brilliant illumination of the province-house with candles at every pane of glass and a transparency of the king’s initials and a crown of light in the great balcony-window. The figure of the aged woman in the most gorgeous of her mildewed velvets and brocades was seen passing from casement to casement, until she paused before the balcony and flourished a huge key above her head. Her wrinkled visage actually gleamed with triumph, as if the soul within her were a festal lamp.
Living so constantly in her own bubble of ideas and never grounding her thoughts in reality, Esther Dudley seems to have become somewhat deranged. It was evident that she had a distorted understanding of the progress and true nature of the Revolutionary War, clinging to the belief that the British armies were winning every battle and were ultimately going to be victorious. Whenever the town celebrated a victory by Washington, Gates, Morgan, or Greene, the news would slip through the doors of the province house like a dream, transforming into a wild story of Howe, Clinton, or Cornwallis’s achievements. She firmly believed that sooner or later, the colonies would be at the king's feet. Sometimes, she even assumed that this was already the situation. Once, she shocked the townspeople by illuminating the province house with candles on every window and displaying a sign with the king’s initials and a crown of light in the large balcony window. The figure of the elderly woman, dressed in her most extravagant, moth-eaten velvets and brocades, was seen moving from window to window until she stopped at the balcony and held a large key above her head. Her wrinkled face shone with triumph as if the spirit within her was a celebratory lamp.
“What means this blaze of light? What does old Esther’s joy portend?” whispered a spectator. “It is frightful to see her gliding about the chambers and rejoicing there without a soul to bear her company.”
“What does this bright light mean? What is old Esther’s joy all about?” a spectator whispered. “It’s unsettling to see her moving around the rooms and celebrating all alone.”
“It is as if she were making merry in a tomb,” said another.
“It’s like she’s celebrating in a grave,” said another.
“Pshaw! It is no such mystery,” observed an old man, after some brief exercise of memory. “Mistress Dudley is keeping jubilee for the king of England’s birthday.”
“Pshaw! It’s no mystery,” said an old man, after thinking for a moment. “Mistress Dudley is celebrating the king of England’s birthday.”
Then the people laughed aloud, and would have thrown mud against the blazing transparency of the king’s crown and initials, only that they pitied the poor old dame who was so dismally triumphant amid the wreck and ruin of the system to which she appertained.
Then the crowd burst into laughter and would have thrown mud at the shining crown and initials of the king, but they felt sorry for the poor old woman who was so miserably triumphant amidst the destruction of the system to which she belonged.
Oftentimes it was her custom to climb the weary staircase that wound upward to the cupola, and thence strain her dimmed eyesight seaward and countryward, watching for a British fleet or for the march of a grand procession with the king’s banner floating over it. The passengers in the street below would discern her anxious visage and send up a shout: “When the golden Indian on the province-house shall shoot his arrow, and when the cock on the Old South spire shall crow, then look for a royal governor again!” for this had grown a by-word through the town. And at last, after long, long years, old Esther Dudley knew—or perchance she only dreamed—that a royal governor was on the eve of returning to the province-house to receive the heavy key which Sir William Howe had committed to her charge. Now, it was the fact that intelligence bearing some faint analogy to Esther’s version of it was current among the townspeople. She set the mansion in the best order that her means allowed, and, arraying herself in silks and tarnished gold, stood long before the blurred mirror to admire her own magnificence. As she gazed the gray and withered lady moved her ashen lips, murmuring half aloud, talking to shapes that she saw within the mirror, to shadows of her own fantasies, to the household friends of memory, and bidding them rejoice with her and come forth to meet the governor. And while absorbed in this communion Mistress Dudley heard the tramp of many footsteps in the street, and, looking out at the window, beheld what she construed as the royal governor’s arrival.
It was often her habit to climb the weary staircase that twisted up to the cupola, and from there she would strain her tired eyes towards the sea and the countryside, looking for a British fleet or the grand procession with the king’s banner waving above. The people in the street below would spot her worried face and shout, “When the golden Indian on the province house shoots his arrow, and when the rooster on the Old South spire crows, then expect a royal governor again!” This had become a saying around town. Finally, after many long years, old Esther Dudley knew—or maybe she just dreamed—that a royal governor was about to return to the province house to receive the heavy key that Sir William Howe had entrusted to her. There was indeed some news similar to Esther’s story circulating among the townspeople. She arranged the mansion as best as she could, and dressed in silks and faded gold, she stood for a long time before the cloudy mirror, admiring her own splendor. As she gazed, the gray and worn lady moved her parched lips, murmuring to herself, talking to the shapes she saw in the mirror, to the shadows of her own imagination, to the old friends from her memories, encouraging them to celebrate with her and come forward to greet the governor. While she was lost in this moment, Mistress Dudley heard the sound of many footsteps in the street, and looking out the window, she saw what she thought was the royal governor’s arrival.
“Oh, happy day! Oh, blessed, blessed hour!” she exclaimed. “Let me but bid him welcome within the portal, and my task in the province-house and on earth is done.” Then, with tottering feet which age and tremulous joy caused to tread amiss, she hurried down the grand staircase, her silks sweeping and rustling as she went; so that the sound was as if a train of special courtiers were thronging from the dim mirror.
“Oh, happy day! Oh, blessed, blessed hour!” she exclaimed. “Let me just welcome him at the door, and my work in the house and on Earth is done.” Then, with shaky legs that age and overwhelming joy made unsteady, she hurried down the grand staircase, her silks sweeping and rustling as she went; so the sound was like a group of special courtiers flowing from the dim mirror.
And Esther Dudley fancied that as soon as the wide door should be flung open all the pomp and splendor of bygone times would pace majestically into the province-house and the gilded tapestry of the past would be brightened by the sunshine of the present. She turned the key, withdrew it from the lock, unclosed the door and stepped across the threshold. Advancing up the court-yard appeared a person of most dignified mien, with tokens, as Esther interpreted them, of gentle blood, high rank and long-accustomed authority even in his walk and every gesture. He was richly dressed, but wore a gouty shoe, which, however, did not lessen the stateliness of his gait. Around and behind him were people in plain civic dresses and two or three war-worn veterans—evidently officers of rank—arrayed in a uniform of blue and buff. But Esther Dudley, firm in the belief that had fastened its roots about her heart, beheld only the principal personage, and never doubted that this was the long-looked-for governor to whom she was to surrender up her charge. As he approached she involuntarily sank down on her knees and tremblingly held forth the heavy key.
And Esther Dudley imagined that as soon as the wide door was thrown open, all the grandeur and magnificence of earlier times would stride gracefully into the province house, and the golden tapestry of the past would be illuminated by the sunlight of the present. She turned the key, pulled it from the lock, opened the door, and stepped over the threshold. Walking up the courtyard was a person of very dignified appearance, with signs, as Esther interpreted them, of noble blood, high status, and a long-held authority evident in his walk and every gesture. He was richly dressed, but wore a gouty shoe, which didn’t reduce the stateliness of his stride. Surrounding and trailing behind him were people in plain civilian clothes and two or three battle-hardened veterans—clearly officers of rank—dressed in a blue and buff uniform. But Esther Dudley, firmly believing in what had taken root in her heart, saw only the main figure and never doubted that this was the long-awaited governor to whom she was supposed to hand over her charge. As he approached, she instinctively sank to her knees and tremblingly extended the heavy key.
“Receive my trust! Take it quickly,” cried she, “for methinks Death is striving to snatch away my triumph. But he comes too late. Thank Heaven for this blessed hour! God save King George!”
“Accept my trust! Take it now,” she shouted, “because I feel like Death is trying to take my victory away. But he's too late. Thank God for this wonderful moment! God save King George!”
“That, madam, is a strange prayer to be offered up at such a moment,” replied the unknown guest of the province-house, and, courteously removing his hat, he offered his arm to raise the aged woman. “Yet, in reverence for your gray hairs and long-kept faith, Heaven forbid that any here should say you nay. Over the realms which still acknowledge his sceptre, God save King George!”
“That's a really odd prayer to say at a time like this,” replied the unknown guest at the provincial house, and, politely taking off his hat, he offered his arm to help the elderly woman. “However, out of respect for your gray hair and lifelong faith, God forbid that anyone here would say otherwise. Over the lands that still recognize his rule, God save King George!”
Esther Dudley started to her feet, and, hastily clutching back the key, gazed with fearful earnestness at the stranger, and dimly and doubtfully, as if suddenly awakened from a dream, her bewildered eyes half recognized his face. Years ago she had known him among the gentry of the province, but the ban of the king had fallen upon him. How, then, came the doomed victim here? Proscribed, excluded from mercy, the monarch’s most dreaded and hated foe, this New England merchant had stood triumphantly against a kingdom’s strength, and his foot now trod upon humbled royalty as he ascended the steps of the province-house, the people’s chosen governor of Massachusetts.
Esther Dudley jumped to her feet, quickly grabbing the key back, and looked at the stranger with a mix of fear and earnestness. Slowly and uncertainly, as if waking from a dream, her confused eyes partially recognized his face. Years ago, she had known him among the wealthy elites of the province, but he had been exiled by the king. So how did this condemned man end up here? Outlawed and denied mercy, the king’s most feared and hated enemy, this New England merchant had stood proudly against the power of a kingdom, and now he walked up the steps of the province house as the people’s elected governor of Massachusetts, stepping on the dignity of the humbled royalty.
“Wretch, wretch that I am!” muttered the old woman, with such a heartbroken expression that the tears gushed from the stranger’s eyes. “Have I bidden a traitor welcome?—Come, Death! come quickly!”
“Wretched, wretched me!” muttered the old woman, with such a heartbroken look that tears streamed down the stranger’s face. “Have I welcomed a traitor?—Come, Death! hurry up!”
“Alas, venerable lady!” said Governor Hancock, lending her his support with all the reverence that a courtier would have shown to a queen, “your life has been prolonged until the world has changed around you. You have treasured up all that time has rendered worthless—the principles, feelings, manners, modes of being and acting which another generation has flung aside—and you are a symbol of the past. And I and these around me—we represent a new race of men, living no longer in the past, scarcely in the present, but projecting our lives forward into the future. Ceasing to model ourselves on ancestral superstitions, it is our faith and principle to press onward—onward.—Yet,” continued he, turning to his attendants, “let us reverence for the last time the stately and gorgeous prejudices of the tottering past.”
“Alas, respected lady!” said Governor Hancock, offering her his support with all the respect that someone might show to a queen, “your life has been extended until the world has changed around you. You have held onto all that time has made irrelevant—the values, emotions, customs, and ways of being and acting that another generation has cast aside—and you are a symbol of the past. And I and those around me—we represent a new generation, living not in the past, hardly in the present, but looking forward into the future. No longer shaping ourselves based on old beliefs, it is our mission and principle to move forward—forward.—Yet,” he continued, turning to his attendants, “let us honor for the last time the grand and elaborate biases of the crumbling past.”
While the republican governor spoke he had continued to support the helpless form of Esther Dudley; her weight grew heavier against his arm, but at last, with a sudden effort to free herself, the ancient woman sank down beside one of the pillars of the portal. The key of the province-house fell from her grasp and clanked against the stone.
While the republican governor spoke, he continued to support the frail figure of Esther Dudley; her weight grew heavier against his arm, but eventually, with a sudden effort to break free, the elderly woman sank down next to one of the pillars of the entrance. The key to the province house fell from her hand and clattered against the stone.
“I have been faithful unto death,” murmured she. “God save the king!”
“I have been loyal until the end,” she whispered. “God save the king!”
“She hath done her office,” said Hancock, solemnly. “We will follow her reverently to the tomb of her ancestors, and then, my fellow-citizens, onward—onward. We are no longer children of the past.”
“She has fulfilled her duty,” said Hancock, solemnly. “We will follow her respectfully to the tomb of her ancestors, and then, my fellow citizens, onward—onward. We are no longer tied to the past.”
As the old loyalist concluded his narrative the enthusiasm which had been fitfully flashing within his sunken eyes and quivering across his wrinkled visage faded away, as if all the lingering fire of his soul were extinguished. Just then, too, a lamp upon the mantelpiece threw out a dying gleam, which vanished as speedily as it shot upward, compelling our eyes to grope for one another’s features by the dim glow of the hearth. With such a lingering fire, methought, with such a dying gleam, had the glory of the ancient system vanished from the province-house when the spirit of old Esther Dudley took its flight. And now, again, the clock of the Old South threw its voice of ages on the breeze, knolling the hourly knell of the past, crying out far and wide through the multitudinous city, and filling our ears, as we sat in the dusky chamber, with its reverberating depth of tone. In that same mansion—in that very chamber—what a volume of history had been told off into hours by the same voice that was now trembling in the air! Many a governor had heard those midnight accents and longed to exchange his stately cares for slumber. And, as for mine host and Mr. Bela Tiffany and the old loyalist and me, we had babbled about dreams of the past until we almost fancied that the clock was still striking in a bygone century. Neither of us would have wondered had a hoop-petticoated phantom of Esther Dudley tottered into the chamber, walking her rounds in the hush of midnight as of yore, and motioned us to quench the fading embers of the fire and leave the historic precincts to herself and her kindred shades. But, as no such vision was vouchsafed, I retired unbidden, and would advise Mr. Tiffany to lay hold of another auditor, being resolved not to show my face in the Province House for a good while hence—if ever.
As the old loyalist finished his story, the excitement that had been flickering in his sunken eyes and trembling across his wrinkled face faded away, as if all the remaining fire in his soul had been put out. Just then, a lamp on the mantelpiece gave off a dim light, which disappeared as quickly as it had appeared, forcing us to search for each other’s faces in the soft glow of the hearth. I thought how similar this fading light was to the glory of the old system that had vanished from the province house when the spirit of old Esther Dudley departed. And now, once again, the clock of the Old South echoed its ancient voice on the breeze, tolling the hourly bell of the past, calling out far and wide through the bustling city, filling our ears, as we sat in the dimly lit room, with its deep reverberating tone. In that same mansion—in that very room—how much history had been marked off into hours by the same voice that was now resonating in the air! Many a governor had listened to those midnight chimes and wished to trade his grand responsibilities for sleep. As for my host, Mr. Bela Tiffany, the old loyalist, and me, we chattered about dreams of the past until we almost believed that the clock was still striking in a bygone century. None of us would have been surprised if a hoop-skirted ghost of Esther Dudley had stumbled into the room, making her rounds in the quiet of midnight like before, and gestured for us to put out the dying embers of the fire and leave the historic space to her and her fellow spirits. But since no such vision was granted, I left uninvited and would suggest that Mr. Tiffany find another listener, as I was determined not to show my face in the Province House for a long time—if ever.
THE HAUNTED MIND
What a singular moment is the first one, when you have hardly begun to recollect yourself, after starting from midnight slumber! By unclosing your eyes so suddenly you seem to have surprised the personages of your dream in full convocation round your bed, and catch one broad glance at them before they can flit into obscurity. Or, to vary the metaphor, you find yourself for a single instant wide awake in that realm of illusions whither sleep has been the passport, and behold its ghostly inhabitants and wondrous scenery with a perception of their strangeness such as you never attain while the dream is undisturbed. The distant sound of a church-clock is borne faintly on the wind. You question with yourself, half seriously, whether it has stolen to your waking ear from some gray tower that stood within the precincts of your dream. While yet in suspense another clock flings its heavy clang over the slumbering town with so full and distinct a sound, and such a long murmur in the neighboring air, that you are certain it must proceed from the steeple at the nearest corner; You count the strokes—one, two; and there they cease with a booming sound like the gathering of a third stroke within the bell.
What a unique moment the first one is, when you’ve barely started to wake up after a night of sleep! By opening your eyes so suddenly, you feel like you’ve surprised the characters from your dream gathered around your bed, and you catch a quick glimpse of them before they disappear. Or, to put it another way, you find yourself wide awake for a brief moment in that strange world where sleep has taken you, and you see its eerie inhabitants and amazing scenery with a clarity of their weirdness that you never fully grasp while you’re still dreaming. The distant sound of a church clock can be faintly heard in the wind. You wonder, half-jokingly, if it has somehow reached your waking ears from some old tower within your dream. While still unsure, another clock chimes loudly over the sleeping town, with a clear, strong sound and a long echo in the nearby air, making you certain it must come from the steeple at the nearest corner. You count the chimes—one, two; and then it stops with a booming sound as if a third chime is being gathered inside the bell.
If you could choose an hour of wakefulness out of the whole night, it would be this. Since your sober bedtime, at eleven, you have had rest enough to take off the pressure of yesterday’s fatigue, while before you, till the sun comes from “Far Cathay” to brighten your window, there is almost the space of a summer night—one hour to be spent in thought with the mind’s eye half shut, and two in pleasant dreams, and two in that strangest of enjoyments the forgetfulness alike of joy and woe. The moment of rising belongs to another period of time, and appears so distant that the plunge out of a warm bed into the frosty air cannot yet be anticipated with dismay. Yesterday has already vanished among the shadows of the past; to-morrow has not yet emerged from the future. You have found an intermediate space where the business of life does not intrude, where the passing moment lingers and becomes truly the present; a spot where Father Time, when he thinks nobody is watching him, sits down by the wayside to take breath. Oh that he would fall asleep and let mortals live on without growing older!
If you could pick an hour of wakefulness from the whole night, it would be this one. Since your sober bedtime at eleven, you've rested enough to ease yesterday's fatigue, and before you, until the sun rises from "Far Cathay" to brighten your window, there’s almost the stretch of a summer night—one hour to spend thinking with your mind half asleep, two hours in pleasant dreams, and two hours in that strange enjoyment of forgetting both joy and sorrow. The moment of getting up belongs to another time and feels so far away that you can’t yet anticipate the shock of jumping out of a warm bed into the cold air. Yesterday has already faded into the shadows of the past; tomorrow hasn’t yet appeared from the future. You’ve found a middle ground where life’s business doesn’t intrude, where the moment hangs on and truly becomes the present; a place where Father Time, when he thinks no one is watching, sits down by the roadside to catch his breath. Oh, if only he would fall asleep and let mortals go on without getting older!
Hitherto you have lain perfectly still, because the slightest motion would dissipate the fragments of your slumber. Now, being irrevocably awake, you peep through the half-drawn window-curtain, and observe that the glass is ornamented with fanciful devices in frost-work, and that each pane presents something like a frozen dream. There will be time enough to trace out the analogy while waiting the summons to breakfast. Seen through the clear portion of the glass where the silvery mountain-peaks of the frost-scenery do not ascend, the most conspicuous object is the steeple, the white spire of which directs you to the wintry lustre of the firmament. You may almost distinguish the figures on the clock that has just told the hour. Such a frosty sky and the snow-covered roofs and the long vista of the frozen street, all white, and the distant water hardened into rock, might make you shiver even under four blankets and a woollen comforter. Yet look at that one glorious star! Its beams are distinguishable from all the rest, and actually cast the shadow of the casement on the bed with a radiance of deeper hue than moonlight, though not so accurate an outline.
Until now, you’ve been completely still, because even the tiniest movement would disrupt your sleep. Now that you’re fully awake, you peek through the half-drawn curtain and notice that the window is decorated with intricate frost patterns, with each pane resembling a frozen dream. There will be plenty of time to think about the connection while waiting for breakfast. Through the clear part of the glass, where the silver peaks of frost don’t rise, the most obvious sight is the steeple, its white spire leading your gaze to the bright winter sky. You can almost see the clock’s hands that just marked the hour. That frosty sky, along with the snow-covered roofs and the long stretch of the frozen street—all white—and the distant water turned to ice could make you shiver, even under four blankets and a warm comforter. But look at that one brilliant star! Its light stands out from all the others and actually casts a shadow of the window frame on the bed with a glow that’s richer than moonlight, though not as clearly defined.
You sink down and muffle your head in the clothes, shivering all the while, but less from bodily chill than the bare idea of a polar atmosphere. It is too cold even for the thoughts to venture abroad. You speculate on the luxury of wearing out a whole existence in bed like an oyster in its shell, content with the sluggish ecstasy of inaction, and drowsily conscious of nothing but delicious warmth such as you now feel again. Ah! that idea has brought a hideous one in its train. You think how the dead are lying in their cold shrouds and narrow coffins through the drear winter of the grave, and cannot persuade your fancy that they neither shrink nor shiver when the snow is drifting over their little hillocks and the bitter blast howls against the door of the tomb. That gloomy thought will collect a gloomy multitude and throw its complexion over your wakeful hour.
You sink down and bury your head in the clothes, shaking the whole time, but not so much from the cold as from the mere thought of a polar environment. It's too chilly even for your thoughts to roam. You imagine the luxury of spending an entire life in bed like an oyster in its shell, satisfied with the sluggish bliss of doing nothing and drowsily aware of nothing but the cozy warmth you're feeling again. Ah! That idea has brought a horrible one right along with it. You think about how the dead are lying in their cold shrouds and narrow coffins through the bleak winter of the grave, and you can't convince yourself that they don't shrink or shiver when the snow drifts over their little mounds and the bitter wind howls against the door of the tomb. That dark thought will gather a gloomy crowd and cast its shadow over your restless hours.
In the depths of every heart there is a tomb and a dungeon, though the lights, the music and revelry, above may cause us to forget their existence and the buried ones or prisoners whom they hide. But sometimes, and oftenest at midnight, those dark receptacles are flung wide open. In an hour like this, when the mind has a passive sensibility, but no active strength—when the imagination is a mirror imparting vividness to all ideas without the power of selecting or controlling them—then pray that your griefs may slumber and the brotherhood of remorse not break their chain. It is too late. A funeral train comes gliding by your bed in which passion and feeling assume bodily shape and things of the mind become dim spectres to the eye. There is your earliest sorrow, a pale young mourner wearing a sister’s likeness to first love, sadly beautiful, with a hallowed sweetness in her melancholy features and grace in the flow of her sable robe. Next appears a shade of ruined loveliness with dust among her golden hair and her bright garments all faded and defaced, stealing from your glance with drooping head, as fearful of reproach: she was your fondest hope, but a delusive one; so call her Disappointment now. A sterner form succeeds, with a brow of wrinkles, a look and gesture of iron authority; there is no name for him unless it be Fatality—an emblem of the evil influence that rules your fortunes, a demon to whom you subjected yourself by some error at the outset of life, and were bound his slave for ever by once obeying him. See those fiendish lineaments graven on the darkness, the writhed lip of scorn, the mockery of that living eye, the pointed finger touching the sore place in your heart! Do you remember any act of enormous folly at which you would blush even in the remotest cavern of the earth? Then recognize your shame.
In the depths of every heart, there’s a tomb and a dungeon, though the lights, music, and celebrations above might make us forget they’re there and the buried ones or prisoners they conceal. But sometimes—most often at midnight—those dark places are thrown wide open. During moments like this, when the mind is sensitive but lacks the strength to act—when the imagination becomes a mirror that vividly reflects ideas without the ability to select or control them—pray that your sorrows sleep and the weight of regret doesn’t break its hold. It’s too late. A funeral procession glides past your bed, where passion and emotion take on physical forms, and thoughts become shadowy figures before your eyes. There’s your earliest sorrow, a pale young mourner resembling a sister who was your first love, sadly beautiful, with a sacred sweetness in her melancholic features and grace in the flow of her black robe. Next comes a shade of lost beauty, dust in her golden hair, her once-bright clothes now faded and torn, retreating from your gaze with a lowered head, as if afraid of judgment: she was your dearest hope, but a false one; now call her Disappointment. Following her is a harsher figure, with a furrowed brow and a demeanor of cold authority; there’s no name for him but Fatality—an emblem of the evil influence that controls your fate, a demon you bound yourself to by some mistake early in life, making you his slave forever by once yielding to him. Look at those fiendish features etched in the darkness, the twisted lip of scorn, the mockery in that living eye, the pointed finger poking at the wound in your heart! Do you remember a moment of great foolishness that would make you blush even in the furthest depths of the earth? Then recognize your shame.
Pass, wretched band! Well for the wakeful one if, riotously miserable, a fiercer tribe do not surround him—the devils of a guilty heart that holds its hell within itself. What if Remorse should assume the features of an injured friend? What if the fiend should come in woman’s garments with a pale beauty amid sin and desolation, and lie down by your side? What if he should stand at your bed’s foot in the likeness of a corpse with a bloody stain upon the shroud? Sufficient without such guilt is this nightmare of the soul, this heavy, heavy sinking of the spirits, this wintry gloom about the heart, this indistinct horror of the mind blending itself with the darkness of the chamber.
Pass, miserable group! It’s bad enough for the restless one if, in their chaotic misery, a more savage crowd doesn’t close in on them—the demons of a guilty conscience that holds its own hell inside. What if Remorse took on the shape of a wounded friend? What if the tormentor showed up in women’s clothes with a pale beauty amidst sin and despair, lying down beside you? What if it stood at the foot of your bed, looking like a corpse with a bloody stain on the shroud? This nightmare of the soul is already heavy enough without such guilt, this deep sinking of the spirit, this wintry gloom around the heart, this vague horror of the mind merging with the darkness of the room.
By a desperate effort you start upright, breaking from a sort of conscious sleep and gazing wildly round the bed, as if the fiends were anywhere but in your haunted mind. At the same moment the slumbering embers on the hearth send forth a gleam which palely illuminates the whole outer room and flickers through the door of the bedchamber, but cannot quite dispel its obscurity. Your eye searches for whatever may remind you of the living world. With eager minuteness you take note of the table near the fireplace, the book with an ivory knife between its leaves, the unfolded letter, the hat and the fallen glove. Soon the flame vanishes, and with it the whole scene is gone, though its image remains an instant in your mind’s eye when darkness has swallowed the reality. Throughout the chamber there is the same obscurity as before, but not the same gloom within your breast.
With a desperate effort, you sit up, breaking free from a kind of conscious sleep and looking around the bed in a panic, as if the nightmares were anywhere but in your troubled mind. At the same time, the smoldering embers in the fireplace give off a faint glow that softly lights up the entire outer room and flickers through the door of the bedroom, but it can't completely chase away the darkness. Your eyes search for anything that might remind you of the real world. You closely examine the table by the fireplace, the book with an ivory knife sticking out, the open letter, the hat, and the fallen glove. Soon, the flame goes out, and with it, the whole scene disappears, though its image lingers for a moment in your mind when the darkness swallows reality. The room is just as dark as before, but the heaviness in your chest feels different now.
As your head falls back upon the pillow you think—in a whisper be it spoken—how pleasant in these night solitudes would be the rise and fall of a softer breathing than your own, the slight pressure of a tenderer bosom, the quiet throb of a purer heart, imparting its peacefulness to your troubled one, as if the fond sleeper were involving you in her dream. Her influence is over you, though she have no existence but in that momentary image. You sink down in a flowery spot on the borders of sleep and wakefulness, while your thoughts rise before you in pictures, all disconnected, yet all assimilated by a pervading gladsomeness and beauty. The wheeling of gorgeous squadrons that glitter in the sun is succeeded by the merriment of children round the door of a schoolhouse beneath the glimmering shadow of old trees at the corner of a rustic lane. You stand in the sunny rain of a summer shower, and wander among the sunny trees of an autumnal wood, and look upward at the brightest of all rainbows overarching the unbroken sheet of snow on the American side of Niagara. Your mind struggles pleasantly between the dancing radiance round the hearth of a young man and his recent bride and the twittering flight of birds in spring about their new-made nest. You feel the merry bounding of a ship before the breeze, and watch the tuneful feet of rosy girls as they twine their last and merriest dance in a splendid ball-room, and find yourself in the brilliant circle of a crowded theatre as the curtain falls over a light and airy scene.
As your head sinks back onto the pillow, you think—quietly as if speaking—that it would be so nice in these nighttime quietness to feel a softer breath than your own, the gentle pressure of a warmer body, the calm beat of a purer heart sharing its peace with your troubled one, as if the dear sleeper were pulling you into her dream. Her presence surrounds you, even though she exists only in that fleeting image. You drift into a flowery space on the edge of sleep and wakefulness, while your thoughts appear as images, all disconnected yet unified by a sense of joy and beauty. The sight of stunning troops shimmering in the sunlight gives way to the laughter of children at the entrance of a school under the sparkling shade of old trees at the turn of a country lane. You stand in the warm rain of a summer shower, wandering among the sunlit trees of an autumn forest, looking up at the brightest rainbow stretching over the untouched blanket of snow on the American side of Niagara. Your mind pleasantly ebbs and flows between the lively glow around a young man and his new bride and the cheerful flight of birds in spring near their freshly built nest. You feel the joyful sway of a ship in the breeze, watch the graceful movements of cheerful girls as they twirl in their last joyful dance in a beautiful ballroom, and find yourself in the dazzling atmosphere of a crowded theater as the curtain falls over a light and airy scene.
With an involuntary start you seize hold on consciousness, and prove yourself but half awake by running a doubtful parallel between human life and the hour which has now elapsed. In both you emerge from mystery, pass through a vicissitude that you can but imperfectly control, and are borne onward to another mystery. Now comes the peal of the distant clock with fainter and fainter strokes as you plunge farther into the wilderness of sleep. It is the knell of a temporary death. Your spirit has departed, and strays like a free citizen among the people of a shadowy world, beholding strange sights, yet without wonder or dismay. So calm, perhaps, will be the final change—so undisturbed, as if among familiar things, the entrance of the soul to its eternal home.
With a sudden jolt, you become aware, proving you're only half awake by drawing a shaky comparison between human life and the hour that has just passed. In both, you come from uncertainty, go through fluctuations that you can only partially control, and are pushed onward to another mystery. Then you hear the distant clock ringing, its sounds growing fainter as you sink deeper into the wilderness of sleep. It's the tolling of a temporary death. Your spirit has left and wanders freely among the inhabitants of a shadowy world, witnessing strange sights without any surprise or fear. Perhaps the final change will be just as calm—just as undisturbed, as if stepping into familiar territory, as the soul enters its eternal home.
THE VILLAGE UNCLE
AN IMAGINARY RETROSPECT
Come! another log upon the hearth. True, our little parlor is comfortable, especially here where the old man sits in his old arm-chair; but on Thanksgiving-night the blaze should dance higher up the chimney and send a shower of sparks into the outer darkness. Toss on an armful of those dry oak chips, the last relicts of the Mermaid’s knee-timbers—the bones of your namesake, Susan. Higher yet, and clearer, be the blaze, till our cottage windows glow the ruddiest in the village and the light of our household mirth flash far across the bay to Nahant.
Come on! Let's add another log to the fire. Sure, our little living room is cozy, especially right here where the old man sits in his armchair; but on Thanksgiving night, the flames should leap higher up the chimney and send a shower of sparks into the dark outside. Throw on a bunch of those dry oak chips, the last remnants of the Mermaid’s knee-timbers—the bones of your namesake, Susan. Let the fire burn higher and brighter, until our cottage windows shine the brightest in the village and the light of our family joy sparkles far across the bay to Nahant.
And now come, Susan; come, my children. Draw your chairs round me, all of you. There is a dimness over your figures. You sit quivering indistinctly with each motion of the blaze, which eddies about you like a flood; so that you all have the look of visions or people that dwell only in the firelight, and will vanish from existence as completely as your own shadows when the flame shall sink among the embers.
And now, come here, Susan; come, my kids. Gather around me, all of you. There’s a softness around your shapes. You sit, shimmering faintly with every flicker of the fire, which swirls around you like a wave; so you all look like visions or people who exist only in the firelight and will disappear completely like your own shadows when the flame goes down among the embers.
Hark! let me listen for the swell of the surf; it should be audible a mile inland on a night like this. Yes; there I catch the sound, but only an uncertain murmur, as if a good way down over the beach, though by the almanac it is high tide at eight o’clock, and the billows must now be dashing within thirty yards of our door. Ah! the old man’s ears are failing him, and so is his eyesight, and perhaps his mind, else you would not all be so shadowy in the blaze of his Thanksgiving fire.
Listen! Let me hear the sound of the waves; it should be loud enough to hear a mile inland on a night like this. Yes; I can hear it, but it's just a faint murmur, as if it's still a bit down the beach, even though according to the almanac, it’s high tide at eight o’clock, and the waves must be crashing within thirty yards of our door. Ah! The old man's hearing is fading, and so is his eyesight, and maybe his mind too, or else you all wouldn't seem so shadowy in the glow of his Thanksgiving fire.
How strangely the past is peeping over the shoulders of the present! To judge by my recollections, it is but a few moments since I sat in another room. Yonder model of a vessel was not there, nor the old chest of drawers, nor Susan’s profile and mine in that gilt frame—nothing, in short, except this same fire, which glimmered on books, papers and a picture, and half discovered my solitary figure in a looking-glass. But it was paler than my rugged old self, and younger, too, by almost half a century.
How strangely the past is looking over the shoulders of the present! Judging by my memories, it was just a few moments ago that I was in another room. That model ship wasn’t there, nor the old dresser, nor the framed silhouette of Susan and me—nothing, really, except this same fire, which flickered on books, papers, and a picture, and partly revealed my lonely figure in a mirror. But it looked paler than my rough old self and younger, too, by almost fifty years.
Speak to me, Susan; speak, my beloved ones; for the scene is glimmering on my sight again, and as it brightens you fade away. Oh, I should be loth to lose my treasure of past happiness and become once more what I was then—a hermit in the depths of my own mind, sometimes yawning over drowsy volumes and anon a scribbler of wearier trash than what I read; a man who had wandered out of the real world and got into its shadow, where his troubles, joys and vicissitudes were of such slight stuff that he hardly knew whether he lived or only dreamed of living. Thank Heaven I am an old man now and have done with all such vanities!
Talk to me, Susan; talk to me, my loved ones; because the scene is shimmering in front of me again, and as it gets brighter, you seem to disappear. Oh, I would hate to lose my treasure of past happiness and go back to being who I was then—a loner deep within my own thoughts, sometimes dozing over boring books and other times scribbling even more tedious nonsense than what I read; a man who had stepped away from the real world and into its shadows, where his problems, joys, and changes felt so insignificant that he could hardly tell if he was alive or just dreaming of living. Thank goodness I’m an old man now and have left all those vanities behind!
Still this dimness of mine eyes!—Come nearer, Susan, and stand before the fullest blaze of the hearth. Now I behold you illuminated from head to foot, in your clean cap and decent gown, with the dear lock of gray hair across your forehead and a quiet smile about your mouth, while the eyes alone are concealed by the red gleam of the fire upon your spectacles. There! you made me tremble again. When the flame quivered, my sweet Susan, you quivered with it and grew indistinct, as if melting into the warm light, that my last glimpse of you might be as visionary as the first was, full many a year since. Do you remember it? You stood on the little bridge over the brook that runs across King’s Beach into the sea. It was twilight, the waves rolling in, the wind sweeping by, the crimson clouds fading in the west and the silver moon brightening above the hill; and on the bridge were you, fluttering in the breeze like a sea-bird that might skim away at your pleasure. You seemed a daughter of the viewless wind, a creature of the ocean-foam and the crimson light, whose merry life was spent in dancing on the crests of the billows that threw up their spray to support your footsteps. As I drew nearer I fancied you akin to the race of mermaids, and thought how pleasant it would be to dwell with you among the quiet coves in the shadow of the cliffs, and to roam along secluded beaches of the purest sand, and, when our Northern shores grew bleak, to haunt the islands, green and lonely, far amid summer seas. And yet it gladdened me, after all this nonsense, to find you nothing but a pretty young girl sadly perplexed with the rude behavior of the wind about your petticoats. Thus I did with Susan as with most other things in my earlier days, dipping her image into my mind and coloring it of a thousand fantastic hues before I could see her as she really was.
Still this dimness in my eyes!—Come closer, Susan, and stand in front of the brightest part of the fire. Now I can see you lit up from head to toe, in your clean cap and nice dress, with that lovely strand of gray hair across your forehead and a gentle smile on your lips, while the fire’s red glow reflects off your glasses, hiding your eyes. There! You made me tremble again. When the flame flickered, my sweet Susan, you quivered with it and faded into the warm light, as if my last glimpse of you might be as dreamlike as the first one was, many years ago. Do you remember? You stood on the little bridge over the stream that runs from King’s Beach to the sea. It was twilight, the waves were rolling in, the wind was blowing, the red clouds were fading in the west, and the silver moon was shining above the hill; and there you were on the bridge, fluttering in the breeze like a sea-bird ready to take flight. You looked like a daughter of the invisible wind, a being of ocean foam and crimson light, whose joyful life was spent dancing on the crests of the waves that lifted their spray to support your steps. As I got closer, I imagined you as one of the mermaids, dreaming of how nice it would be to live with you in the quiet coves beneath the cliffs, and wander along secluded beaches of the finest sand, and, when our Northern shores got bleak, to explore the green and lonely islands far out in the summer seas. Yet after all this daydreaming, I felt relieved to find you were just a pretty young girl, sadly confused by the wind messing with your petticoats. That’s how I treated Susan, just like many other things in my youth, filling my mind with her image and painting it in a thousand fantastical colors before I could see her for who she really was.
Now, Susan, for a sober picture of our village. It was a small collection of dwellings that seemed to have been cast up by the sea with the rock-weed and marine plants that it vomits after a storm, or to have come ashore among the pipe-staves and other lumber which had been washed from the deck of an Eastern schooner. There was just space for the narrow and sandy street between the beach in front and a precipitous hill that lifted its rocky forehead in the rear among a waste of juniper-bushes and the wild growth of a broken pasture. The village was picturesque in the variety of its edifices, though all were rude. Here stood a little old hovel, built, perhaps, of driftwood, there a row of boat-houses, and beyond them a two-story dwelling of dark and weatherbeaten aspect, the whole intermixed with one or two snug cottages painted white, a sufficiency of pig-styes and a shoemaker’s shop. Two grocery stores stood opposite each other in the centre of the village. These were the places of resort at their idle hours of a hardy throng of fishermen in red baize shirts, oilcloth trousers and boots of brown leather covering the whole leg—true seven-league boots, but fitter to wade the ocean than walk the earth. The wearers seemed amphibious, as if they did but creep out of salt water to sun themselves; nor would it have been wonderful to see their lower limbs covered with clusters of little shellfish such as cling to rocks and old ship-timber over which the tide ebbs and flows. When their fleet of boats was weather-bound, the butchers raised their price, and the spit was busier than the frying-pan; for this was a place of fish, and known as such to all the country round about. The very air was fishy, being perfumed with dead sculpins, hard-heads and dogfish strewn plentifully on the beach.—You see, children, the village is but little changed since your mother and I were young.
Now, Susan, here’s an honest look at our village. It was a small collection of homes that seemed to have been washed up by the sea along with the seaweed and other marine plants that it spits out after a storm, or to have come ashore among the barrels and other wood that had been swept off the deck of an Eastern schooner. There was just enough room for the narrow, sandy street between the beach in front and a steep hill rising up in the back among a mess of juniper bushes and the wild growth of a broken pasture. The village was charming in the variety of its buildings, though they were all rough around the edges. Here stood a little old shack, possibly made of driftwood, there was a row of boat houses, and beyond them a two-story home that looked dark and weathered, all mixed in with a few cozy white cottages, some pig pens, and a shoemaker’s shop. Two grocery stores faced each other in the center of the village. These were the hangout spots during their downtime for a tough group of fishermen in red flannel shirts, oilskin pants, and tall brown leather boots that covered them entirely—like seven-league boots, but better suited for wading through the ocean than walking on land. The fishermen seemed part amphibious, as if they just crawled out of saltwater to bask in the sun; it wouldn't have been surprising to see their legs covered in clusters of little shellfish that cling to rocks and old shipwrecks that the tide washes over. When their fleet of boats was stuck due to bad weather, butchers hiked up their prices, and the spit was busier than the frying pan; this was a place of fish, known for that all around the area. The air itself smelled fishy, filled with the scent of dead sculpins, hardheads, and dogfish littering the beach. You see, kids, the village hasn’t changed much since your mother and I were young.
How like a dream it was when I bent over a pool of water one pleasant morning and saw that the ocean had dashed its spray over me and made me a fisherman! There was the tarpaulin, the baize shirt, the oilcloth trousers and seven-league boots, and there my own features, but so reddened with sunburn and sea-breezes that methought I had another face, and on other shoulders too. The seagulls and the loons and I had now all one trade: we skimmed the crested waves and sought our prey beneath them, the man with as keen enjoyment as the birds. Always when the east grew purple I launched my dory, my little flat-bottomed skiff, and rowed cross-handed to Point Ledge, the Middle Ledge, or perhaps beyond Egg Rock; often, too, did I anchor off Dread Ledge—a spot of peril to ships unpiloted—and sometimes spread an adventurous sail and tracked across the bay to South Shore, casting my lines in sight of Scituate. Ere nightfall I hauled my skiff high and dry on the beach, laden with red rock-cod or the white-bellied ones of deep water, haddock bearing the black marks of St. Peter’s fingers near the gills, the long-bearded hake whose liver holds oil enough for a midnight lamp, and now and then a mighty halibut with a back broad as my boat. In the autumn I toled and caught those lovely fish the mackerel. When the wind was high, when the whale-boats anchored off the Point nodded their slender masts at each other and the dories pitched and tossed in the surf, when Nahant Beach was thundering three miles off and the spray broke a hundred feet in the air round the distant base of Egg Rock, when the brimful and boisterous sea threatened to tumble over the street of our village,—then I made a holiday on shore.
How dream-like it was when I leaned over a pool of water one beautiful morning and saw that the ocean had splashed its spray on me, turning me into a fisherman! There was the tarp, the felt shirt, the oilskin pants, and the seven-league boots, and there were my own features, but so sunburned and windblown that I thought I had another face, and different shoulders too. The seagulls, the loons, and I all shared the same job: we skimmed the cresting waves and hunted for our catch beneath them, enjoying it as much as the birds did. Every time the east turned purple, I launched my dory, my little flat-bottomed boat, and rowed across to Point Ledge, the Middle Ledge, or sometimes even beyond Egg Rock; I often anchored off Dread Ledge—a dangerous spot for ships without a guide—and sometimes unfurled an adventurous sail and crossed the bay to South Shore, casting my lines near Scituate. Before night fell, I dragged my boat high and dry on the beach, loaded with red rock cod or the white-bellied ones from the deep, haddock marked with the black spots of St. Peter’s fingers near the gills, the long-bearded hake whose liver has enough oil for a midnight lamp, and occasionally a huge halibut with a back as wide as my boat. In the autumn, I chased and caught those beautiful mackerel. When the wind picked up, when the whale boats anchored off the Point swayed their slender masts at each other, and the dories pitched and tossed in the surf, when Nahant Beach was booming three miles away and the spray shot up a hundred feet in the air around the distant base of Egg Rock, when the full and wild sea threatened to spill over the streets of our village—then, I took a holiday on shore.
Many such a day did I sit snugly in Mr. Bartlett’s store, attentive to the yarns of Uncle Parker—uncle to the whole village by right of seniority, but of Southern blood, with no kindred in New England. His figure is before me now enthroned upon a mackerel-barrel—a lean old man of great height, but bent with years and twisted into an uncouth shape by seven broken limbs; furrowed, also, and weatherworn, as if every gale for the better part of a century had caught him somewhere on the sea. He looked like a harbinger of tempest—a shipmate of the Flying Dutchman. After innumerable voyages aboard men-of-war and merchantmen, fishing-schooners and chebacco-boats, the old salt had become master of a hand-cart, which he daily trundled about the vicinity, and sometimes blew his fish-horn through the streets of Salem. One of Uncle Parker’s eyes had been blown out with gunpowder, and the other did but glimmer in its socket. Turning it upward as he spoke, it was his delight to tell of cruises against the French and battles with his own shipmates, when he and an antagonist used to be seated astride of a sailor’s chest, each fastened down by a spike-nail through his trousers, and there to fight it out. Sometimes he expatiated on the delicious flavor of the hagden, a greasy and goose-like fowl which the sailors catch with hook and line on the Grand Banks. He dwelt with rapture on an interminable winter at the Isle of Sables, where he had gladdened himself amid polar snows with the rum and sugar saved from the wreck of a West India schooner. And wrathfully did he shake his fist as he related how a party of Cape Cod men had robbed him and his companions of their lawful spoils and sailed away with every keg of old Jamaica, leaving him not a drop to drown his sorrow. Villains they were, and of that wicked brotherhood who are said to tie lanterns to horses’ tails to mislead the mariner along the dangerous shores of the Cape.
Many days I sat comfortably in Mr. Bartlett’s store, listening to Uncle Parker’s stories—who was considered the uncle of the entire village because of his age, but was originally from the South, with no family ties in New England. I can still picture him sitting on a mackerel barrel—a tall, lean old man, but hunched over with age and misshapen from seven broken bones; his face was lined and weathered, as if every storm for most of a century had battered him at sea. He looked like a sign of trouble ahead—a companion of the Flying Dutchman. After countless trips aboard warships, merchant ships, fishing boats, and small craft, this old sailor had become the master of a handcart, which he pushed around the neighborhood, sometimes tooting his fish horn through the streets of Salem. Uncle Parker had lost one eye to gunpowder, and the other hardly sparkled in its socket. As he spoke, he often turned that eye upward, taking pleasure in recounting his adventures against the French and brawls with his fellow sailors, where he and his rival would sit on a sailor’s chest, each pinned down by a spike nail through their trousers, and fight it out. Sometimes he elaborated on the tasty flavor of the hagden, a greasy bird that sailors catch with hooks and lines in the Grand Banks. He enthusiastically reminisced about a long winter spent on the Isle of Sables, where he survived the polar snow by enjoying rum and sugar salvaged from the wreck of a West India schooner. And he angrily shook his fist as he recounted how a group of Cape Cod men had robbed him and his friends of their hard-earned treasure, sailing away with every keg of old Jamaica, leaving him with nothing to ease his sorrow. They were villains, part of that wicked group known for tying lanterns to horses’ tails to mislead sailors along the dangerous shores of Cape Cod.
Even now I seem to see the group of fishermen with that old salt in the midst. One fellow sits on the counter, a second bestrides an oil-barrel, a third lolls at his length on a parcel of new cod-lines, and another has planted the tarry seat of his trousers on a heap of salt which will shortly be sprinkled over a lot of fish. They are a likely set of men. Some have voyaged to the East Indies or the Pacific, and most of them have sailed in Marblehead schooners to Newfoundland; a few have been no farther than the Middle Banks, and one or two have always fished along the shore; but, as Uncle Parker used to say, they have all been christened in salt water and know more than men ever learn in the bushes. A curious figure, by way of contrast, is a fish-dealer from far up-country listening with eyes wide open to narratives that might startle Sinbad the Sailor.—Be it well with you, my brethren! Ye are all gone—some to your graves ashore and others to the depths of ocean—but my faith is strong that ye are happy; for whenever I behold your forms, whether in dream or vision, each departed friend is puffing his long nine, and a mug of the right blackstrap goes round from lip to lip.
Even now, I can still picture the group of fishermen with that old salt in the middle. One guy is sitting on the counter, another is perched on an oil barrel, a third is lounging on a pile of new cod lines, and another has settled himself on a mound of salt that's about to be sprinkled over a bunch of fish. They’re a rugged bunch. Some have traveled to the East Indies or the Pacific, and most have sailed in Marblehead schooners to Newfoundland; a few have only gone as far as the Middle Banks, and one or two have always fished along the shore; but, as Uncle Parker used to say, they’ve all been baptized in saltwater and know more than folks ever learn in the woods. A peculiar figure, in contrast, is a fish dealer from way upcountry, listening with wide eyes to stories that could shock Sinbad the Sailor. —May you be well, my friends! You’ve all passed on—some to your graves on land and others to the depths of the ocean—but I firmly believe you are happy; whenever I see your faces, whether in dreams or visions, each departed friend is puffing on his pipe, and a mug of good dark rum goes around from lips to lips.
But where was the mermaid in those delightful times? At a certain window near the centre of the village appeared a pretty display of gingerbread men and horses, picture-books and ballads, small fish-hooks, pins, needles, sugarplums and brass thimbles—articles on which the young fishermen used to expend their money from pure gallantry. What a picture was Susan behind the counter! A slender maiden, though the child of rugged parents, she had the slimmest of all waists, brown hair curling on her neck, and a complexion rather pale except when the sea-breeze flushed it. A few freckles became beauty-spots beneath her eyelids.—How was it, Susan, that you talked and acted so carelessly, yet always for the best, doing whatever was right in your own eyes, and never once doing wrong in mine, nor shocked a taste that had been morbidly sensitive till now? And whence had you that happiest gift of brightening every topic with an unsought gayety, quiet but irresistible, so that even gloomy spirits felt your sunshine and did not shrink from it? Nature wrought the charm. She made you a frank, simple, kind-hearted, sensible and mirthful girl. Obeying Nature, you did free things without indelicacy, displayed a maiden’s thoughts to every eye, and proved yourself as innocent as naked Eve.—It was beautiful to observe how her simple and happy nature mingled itself with mine. She kindled a domestic fire within my heart and took up her dwelling there, even in that chill and lonesome cavern hung round with glittering icicles of fancy. She gave me warmth of feeling, while the influence of my mind made her contemplative. I taught her to love the moonlight hour, when the expanse of the encircled bay was smooth as a great mirror and slept in a transparent shadow, while beyond Nahant the wind rippled the dim ocean into a dreamy brightness which grew faint afar off without becoming gloomier. I held her hand and pointed to the long surf-wave as it rolled calmly on the beach in an unbroken line of silver; we were silent together till its deep and peaceful murmur had swept by us. When the Sabbath sun shone down into the recesses of the cliffs, I led the mermaid thither and told her that those huge gray, shattered rocks, and her native sea that raged for ever like a storm against them, and her own slender beauty in so stern a scene, were all combined into a strain of poetry. But on the Sabbath-eve, when her mother had gone early to bed and her gentle sister had smiled and left us, as we sat alone by the quiet hearth with household things around, it was her turn to make me feel that here was a deeper poetry, and that this was the dearest hour of all. Thus went on our wooing, till I had shot wild-fowl enough to feather our bridal-bed, and the daughter of the sea was mine.
But where was the mermaid during those wonderful times? At a window near the center of the village, there was a charming display of gingerbread men and horses, picture books and ballads, little fishhooks, pins, needles, sugar plums, and brass thimbles—things that the young fishermen used to spend their money on just for fun. What a sight it was to see Susan behind the counter! A slender girl, though born to rugged parents, she had the slimmest of waists, brown hair curling around her neck, and a complexion that was rather pale except when the sea breeze brought color to her cheeks. A few freckles became beauty spots beneath her eyelids. How is it, Susan, that you spoke and acted so effortlessly, yet always for the best, doing what felt right to you, and never once seeming wrong to me, nor offending a taste that had been overly sensitive until now? And where did you gain that wonderful ability to lighten every subject with a spontaneous cheerfulness, quiet but impossible to resist, so that even the gloomiest souls felt your warmth and didn’t shy away? Nature worked the magic. She made you a straightforward, kind-hearted, sensible, and cheerful girl. Following Nature, you did free-spirited things with grace, shared a maiden’s thoughts openly, and proved to be as innocent as the naked Eve. It was lovely to see how her simple and joyful nature mixed with mine. She sparked a warm feeling in my heart and made her home there, even in that cold and lonely cave filled with glittering icicles of imagination. She gave me warmth of feeling, while my thoughts made her reflective. I taught her to cherish the moonlight hour when the calm bay was smooth like a giant mirror, sleeping in a clear shadow, while beyond Nahant, the wind rippled the distant ocean into a dreamy brightness that faded without overshadowing. I held her hand and pointed to the long surf wave as it rolled peacefully onto the beach in an unbroken line of silver; we were silent together until its deep and soothing hum had passed us by. When the Sunday sun shone into the cliffs, I took the mermaid there and explained that those massive gray, shattered rocks, and her native sea that raged endlessly against them, and her own delicate beauty in such a stern setting, all came together to create a poetic scene. But on Sunday evening, when her mother had gone to bed early and her gentle sister had smiled and left us, as we sat alone by the quiet fireplace with familiar things around, it was her turn to show me that a deeper poetry existed, and that this was the dearest hour of all. Thus our courtship continued until I had hunted enough wildfowl to furnish our bridal bed, and the daughter of the sea became mine.
I built a cottage for Susan and myself, and made a gateway in the form of a Gothic arch by setting up a whale’s jaw-bones. We bought a heifer with her first calf, and had a little garden on the hillside to supply us with potatoes and green sauce for our fish. Our parlor, small and neat, was ornamented with our two profiles in one gilt frame, and with shells and pretty pebbles on the mantelpiece, selected from the sea’s treasury of such things on Nahant Beach. On the desk, beneath the looking-glass, lay the Bible, which I had begun to read aloud at the book of Genesis, and the singing-book that Susan used for her evening psalm. Except the almanac, we had no other literature. All that I heard of books was when an Indian history or tale of shipwreck was sold by a pedler or wandering subscription-man to some one in the village, and read through its owner’s nose to a slumbrous auditory.
I built a cottage for Susan and me, and created a gateway shaped like a Gothic arch using a whale’s jawbones. We bought a heifer with her first calf and had a small garden on the hillside to provide us with potatoes and green sauce for our fish. Our parlor, small and tidy, was decorated with our two profiles in one gilded frame, along with shells and pretty pebbles on the mantelpiece, collected from the sea’s treasures at Nahant Beach. On the desk, beneath the mirror, lay the Bible, which I had started reading aloud from the book of Genesis, and the hymn book that Susan used for her evening psalm. Besides the almanac, we had no other literature. The only books I heard about were when a peddler or traveling subscription man sold an Indian history or a shipwreck tale to someone in the village, and it was read through its owner’s nose to a drowsy audience.
Like my brother-fishermen, I grew into the belief that all human erudition was collected in our pedagogue, whose green spectacles and solemn phiz as he passed to his little schoolhouse amid a waste of sand might have gained him a diploma from any college in New England. In truth, I dreaded him.—When our children were old enough to claim his care, you remember, Susan, how I frowned, though you were pleased at this learned man’s encomiums on their proficiency. I feared to trust them even with the alphabet: it was the key to a fatal treasure. But I loved to lead them by their little hands along the beach and point to nature in the vast and the minute—the sky, the sea, the green earth, the pebbles and the shells. Then did I discourse of the mighty works and coextensive goodness of the Deity with the simple wisdom of a man whose mind had profited by lonely days upon the deep and his heart by the strong and pure affections of his evening home. Sometimes my voice lost itself in a tremulous depth, for I felt his eye upon me as I spoke. Once, while my wife and all of us were gazing at ourselves in the mirror left by the tide in a hollow of the sand, I pointed to the pictured heaven below and bade her observe how religion was strewn everywhere in our path, since even a casual pool of water recalled the idea of that home whither we were travelling to rest for ever with our children. Suddenly your image, Susan, and all the little faces made up of yours and mine, seemed to fade away and vanish around me, leaving a pale visage like my own of former days within the frame of a large looking-glass. Strange illusion!
Like my fellow fishermen, I came to believe that all human knowledge was contained in our teacher, whose green glasses and serious face as he walked to his small schoolhouse through a sea of sand could have earned him a degree from any college in New England. Honestly, I dreaded him. When our kids were old enough to be in his care, you remember, Susan, how I frowned, even though you were happy about this learned man praising their skills. I was afraid to trust them, even with the alphabet: it was the key to a dangerous treasure. But I loved guiding them by their little hands along the beach, pointing out nature in all its vastness and detail—the sky, the sea, the green earth, the pebbles, and the shells. Then I would talk about the amazing works and boundless goodness of God with the simple wisdom of a man who had gained insight from lonely days at sea and strength from the strong, pure love of home. Sometimes my voice would tremble, as I felt his gaze on me while I spoke. Once, while my wife and we all were looking at our reflections in the tide pool left in a dip in the sand, I pointed to the mirrored sky below and told her to notice how religion was everywhere along our journey, since even a simple puddle reminded us of that home where we were heading to rest forever with our children. Suddenly, your image, Susan, and all the little faces made up of yours and mine seemed to fade and disappear around me, leaving just a pale face like my own from earlier days within the frame of a large mirror. Strange illusion!
My life glided on, the past appearing to mingle with the present and absorb the future, till the whole lies before me at a glance. My manhood has long been waning with a stanch decay; my earlier contemporaries, after lives of unbroken health, are all at rest without having known the weariness of later age; and now with a wrinkled forehead and thin white hair as badges of my dignity I have become the patriarch—the uncle—of the village. I love that name: it widens the circle of my sympathies; it joins all the youthful to my household in the kindred of affection.
My life has flowed on, with the past seeming to blend into the present and take in the future, so everything is laid out before me in an instant. My manhood has been slowly fading away; my earlier peers, after lives of constant health, have all passed on without ever experiencing the fatigue of old age. Now, with my wrinkled brow and sparse white hair as symbols of my status, I’ve become the patriarch—the uncle—of the village. I cherish that title: it expands my circle of compassion; it connects all the young people to my family through bonds of love.
Like Uncle Parker, whose rheumatic bones were dashed against Egg Rock full forty years ago, I am a spinner of long yarns. Seated on the gunnel of a dory or on the sunny side of a boat-house, where the warmth is grateful to my limbs, or by my own hearth when a friend or two are there, I overflow with talk, and yet am never tedious. With a broken voice I give utterance to much wisdom. Such, Heaven be praised! is the vigor of my faculties that many a forgotten usage, and traditions ancient in my youth, and early adventures of myself or others hitherto effaced by things more recent, acquire new distinctness in my memory. I remember the happy days when the haddock were more numerous on all the fishing-grounds than sculpins in the surf—when the deep-water cod swam close in-shore, and the dogfish, with his poisonous horn, had not learnt to take the hook. I can number every equinoctial storm in which the sea has overwhelmed the street, flooded the cellars of the village and hissed upon our kitchen hearth. I give the history of the great whale that was landed on Whale Beach, and whose jaws, being now my gateway, will last for ages after my coffin shall have passed beneath them. Thence it is an easy digression to the halibut—scarcely smaller than the whale—which ran out six codlines and hauled my dory to the mouth of Boston harbor before I could touch him with the gaff.
Like Uncle Parker, whose aching joints were thrown against Egg Rock forty years ago, I’m someone who tells long stories. Sitting on the side of a dory or in the warm rays by a boathouse, where the sun feels great on my limbs, or by my own fireplace when a friend or two is around, I can’t stop talking, and yet I’m never boring. With a raspy voice, I share a lot of wisdom. Thankfully, my mind is still sharp enough that many forgotten habits, old traditions from my youth, and early adventures of mine or others, which had faded away because of more recent events, become clear in my memory again. I remember the good old days when haddock were more plentiful in all the fishing spots than sculpins in the surf—when deep-water cod swam close to shore, and dogfish, with their venomous spines, hadn’t yet learned to take the bait. I can recount every equinoctial storm that overwhelmed the streets, flooded the village cellars, and hissed on our kitchen hearth. I tell the story of the massive whale that was caught on Whale Beach, and whose jaws now form my gateway, destined to last long after my coffin has passed beneath them. From there, it’s an easy transition to the halibut—almost as big as the whale—which pulled out six codlines and dragged my dory to the mouth of Boston Harbor before I could even hit him with the gaff.
If melancholy accidents be the theme of conversation, I tell how a friend of mine was taken out of his boat by an enormous shark, and the sad, true tale of a young man on the eve of marriage who had been nine days missing, when his drowned body floated into the very pathway on Marble-head Neck that had often led him to the dwelling of his bride, as if the dripping corpse would have come where the mourner was. With such awful fidelity did that lover return to fulfil his vows! Another favorite story is of a crazy maiden who conversed with angels and had the gift of prophecy, and whom all the village loved and pitied, though she went from door to door accusing us of sin, exhorting to repentance and foretelling our destruction by flood or earthquake. If the young men boast their knowledge of the ledges and sunken rocks, I speak of pilots who knew the wind by its scent and the wave by its taste, and could have steered blindfold to any port between Boston and Mount Desert guided only by the rote of the shore—the peculiar sound of the surf on each island, beach and line of rocks along the coast. Thus do I talk, and all my auditors grow wise while they deem it pastime.
If sad accidents are the topic of conversation, I share the story of a friend of mine who was pulled from his boat by a giant shark, and the tragic, true tale of a young man about to get married who was missing for nine days, until his drowned body floated into the very pathway on Marblehead Neck that had often led him to his bride's home, as if his dripping corpse had come to the place where his loved one grieved. With such grim fidelity did that lover return to fulfill his vows! Another favorite story is about a troubled young woman who talked to angels and had the gift of prophecy, and who was loved and pitied by the whole village, even though she went from door to door accusing us of sin, urging us to repent, and predicting our doom by flood or earthquake. While the young men brag about their knowledge of the ledges and sunken rocks, I speak of pilots who could sense the wind by its scent and the waves by their taste, and could navigate blindly to any port between Boston and Mount Desert, guided only by the rhythm of the shore—the unique sound of the surf on each island, beach, and line of rocks along the coast. So I talk, and all my listeners grow wise while they think it's just entertainment.
I recollect no happier portion of my life than this my calm old age. It is like the sunny and sheltered slope of a valley where late in the autumn the grass is greener than in August, and intermixed with golden dandelions that had not been seen till now since the first warmth of the year. But with me the verdure and the flowers are not frost-bitten in the midst of winter. A playfulness has revisited my mind—a sympathy with the young and gay, an unpainful interest in the business of others, a light and wandering curiosity—arising, perhaps, from the sense that my toil on earth is ended and the brief hour till bedtime may be spent in play. Still, I have fancied that there is a depth of feeling and reflection under this superficial levity peculiar to one who has lived long and is soon to die.
I can't remember a happier time in my life than this calm old age. It's like a sunny, sheltered slope in a valley where, late in autumn, the grass is greener than in August, mixed with golden dandelions that haven’t appeared since the first warmth of the year. But for me, the greenery and flowers aren't frost-bitten in the midst of winter. A sense of playfulness has returned to my mind—a connection with the young and cheerful, a light interest in what others are up to, and a curious spirit—maybe because I feel that my hard work on earth is done, and this brief time before bedtime can be spent in play. Still, I can’t help but feel there’s a deeper sense of feeling and reflection beneath this lightheartedness, unique to someone who has lived a long life and is near the end.
Show me anything that would make an infant smile, and you shall behold a gleam of mirth over the hoary ruin of my visage. I can spend a pleasant hour in the sun watching the sports of the village children on the edge of the surf. Now they chase the retreating wave far down over the wet sand; now it steals softly up to kiss their naked feet; now it comes onward with threatening front, and roars after the laughing crew as they scamper beyond its reach. Why should not an old man be merry too, when the great sea is at play with those little children? I delight, also, to follow in the wake of a pleasure-party of young men and girls strolling along the beach after an early supper at the Point. Here, with handkerchiefs at nose, they bend over a heap of eel-grass entangled in which is a dead skate so oddly accoutred with two legs and a long tail that they mistake him for a drowned animal. A few steps farther the ladies scream, and the gentlemen make ready to protect them against a young shark of the dogfish kind rolling with a lifelike motion in the tide that has thrown him up. Next they are smit with wonder at the black shells of a wagon-load of live lobsters packed in rock-weed for the country-market. And when they reach the fleet of dories just hauled ashore after the day’s fishing, how do I laugh in my sleeve, and sometimes roar outright, at the simplicity of these young folks and the sly humor of the fishermen! In winter, when our village is thrown into a bustle by the arrival of perhaps a score of country dealers bargaining for frozen fish to be transported hundreds of miles and eaten fresh in Vermont or Canada, I am a pleased but idle spectator in the throng. For I launch my boat no more.
Show me anything that would make a baby smile, and you’ll see a spark of joy on my aging face. I can spend a lovely hour in the sun watching the village kids play at the water's edge. There they go, chasing the retreating wave down the wet sand; then it gently comes back to touch their bare feet; now it rushes in with a roaring wave, chasing after the laughing kids as they run away from it. Why shouldn’t an old man be cheerful too when the great sea is playing with those little children? I also enjoy following a group of young men and women stroll along the beach after an early dinner at the Point. Here, with handkerchiefs in hand, they lean over a pile of eelgrass where a dead skate is oddly adorned with two legs and a long tail, mistaking it for a drowned animal. A few steps further, the ladies scream, and the gentlemen get ready to protect them from a young dogfish shark rolling with lifelike grace in the tide that has washed it up. Next, they're amazed by the black shells of a whole bunch of live lobsters packed in seaweed for the country market. And when they reach the fleet of boats just brought ashore after a day of fishing, how I laugh quietly, and sometimes burst out loud, at the naïveté of these young folks and the cleverness of the fishermen! In winter, when our village gets busy from the arrival of maybe twenty country merchants bargaining for frozen fish to take hundreds of miles away and eat fresh in Vermont or Canada, I am a happy but idle observer in the crowd. Because I don’t launch my boat anymore.
When the shore was solitary, I have found a pleasure that seemed even to exalt my mind in observing the sports or contentions of two gulls as they wheeled and hovered about each other with hoarse screams, one moment flapping on the foam of the wave, and then soaring aloft till their white bosoms melted into the upper sunshine. In the calm of the summer sunset I drag my aged limbs with a little ostentation of activity, because I am so old, up to the rocky brow of the hill. There I see the white sails of many a vessel outward bound or homeward from afar, and the black trail of a vapor behind the Eastern steamboat; there, too, is the sun, going down, but not in gloom, and there the illimitable ocean mingling with the sky, to remind me of eternity.
When the shore was empty, I found a joy that lifted my spirits as I watched two gulls playing and circling each other with loud cries, sometimes flapping on the waves and then soaring high until their white bodies blended into the bright sky. During the quiet of a summer sunset, I slowly pull my tired body, with a hint of showiness since I'm old, up to the rocky edge of the hill. There I see the white sails of many ships heading out or returning from a distance, and the dark plume of smoke trailing behind the Eastern steamboat; there’s also the sun setting, but not in sadness, and the endless ocean meeting the sky, reminding me of eternity.
But sweetest of all is the hour of cheerful musing and pleasant talk that comes between the dusk and the lighted candle by my glowing fireside. And never, even on the first Thanksgiving-night, when Susan and I sat alone with our hopes, nor the second, when a stranger had been sent to gladden us and be the visible image of our affection, did I feel such joy as now. All that belongs to me are here: Death has taken none, nor Disease kept them away, nor Strife divided them from their parents or each other; with neither poverty nor riches to disturb them, nor the misery of desires beyond their lot, they have kept New England’s festival round the patriarch’s board. For I am a patriarch. Here I sit among my descendants, in my old arm-chair and immemorial corner, while the firelight throws an appropriate glory round my venerable frame.—Susan! My children! Something whispers me that this happiest hour must be the final one, and that nothing remains but to bless you all and depart with a treasure of recollected joys to heaven. Will you meet me there? Alas! your figures grow indistinct, fading into pictures on the air, and now to fainter outlines, while the fire is glimmering on the walls of a familiar room, and shows the book that I flung down and the sheet that I left half written some fifty years ago. I lift my eyes to the looking-glass, and perceive myself alone, unless those be the mermaid’s features retiring into the depths of the mirror with a tender and melancholy smile.
But the best moment of all is the time of joyful reflection and friendly conversation that comes between dusk and the light of the candle by my warm fireside. And never, not even on that first Thanksgiving night when Susan and I sat alone with our hopes, nor on the second when a stranger joined us to bring us joy and embody our affection, have I felt such happiness as I do now. All those I love are here: Death hasn’t taken anyone, Disease hasn’t kept them away, and Strife hasn’t separated them from their parents or each other; with neither poverty nor wealth to upset them, nor the sorrow of wanting what they cannot have, they’ve celebrated New England’s festival around the family table. Because I am a patriarch. Here I sit among my descendants, in my old armchair and the familiar space, while the firelight casts a warm glow around my old frame. —Susan! My children! Something tells me that this greatest hour must also be the last one, and that all that’s left is to bless you all and leave with a treasure of cherished memories to heaven. Will you meet me there? Alas! your figures are becoming blurry, fading into images in the air, and now into fainter outlines, while the firelight dances on the walls of a familiar room, lighting up the book I tossed aside and the page I left half-written about fifty years ago. I lift my eyes to the mirror and see myself alone, unless those are the features of the mermaid retreating into the depths of the glass with a gentle and wistful smile.
Ah! One feels a chilliness—not bodily, but about the heart—and, moreover, a foolish dread of looking behind him, after these pastimes. I can imagine precisely how a magician would sit down in gloom and terror after dismissing the shadows that had personated dead or distant people and stripping his cavern of the unreal splendor which had changed it to a palace.
Ah! One feels a chill—not physical, but in the heart—and, on top of that, a silly fear of looking back after these activities. I can picture exactly how a magician would sit down in sadness and fear after sending away the shadows that had impersonated dead or distant people and clearing his cave of the fake grandeur that had turned it into a palace.
And now for a moral to my reverie. Shall it be that, since fancy can create so bright a dream of happiness, it were better to dream on from youth to age than to awake and strive doubtfully for something real? Oh, the slight tissue of a dream can no more preserve us from the stern reality of misfortune than a robe of cobweb could repel the wintry blast. Be this the moral, then: In chaste and warm affections, humble wishes and honest toil for some useful end there is health for the mind and quiet for the heart, the prospect of a happy life and the fairest hope of heaven.
And now for a lesson from my thoughts. Should it be that, since imagination can create such a vibrant dream of happiness, it’s better to keep dreaming from youth to old age than to wake up and uncertainly pursue something real? Oh, the delicate fabric of a dream can no more protect us from the harsh reality of misfortune than a cobweb robe could shield us from the cold wind. So let this be the lesson: In pure and warm affection, humble desires, and honest hard work towards a meaningful goal, there is health for the mind and peace for the heart, the prospect of a happy life, and the best hope for heaven.
THE AMBITIOUS GUEST
One September night a family had gathered round their hearth and piled it high with the driftwood of mountain-streams, the dry cones of the pine, and the splintered ruins of great trees that had come crashing down the precipice. Up the chimney roared the fire, and brightened the room with its broad blaze. The faces of the father and mother had a sober gladness; the children laughed. The eldest daughter was the image of Happiness at seventeen, and the aged grandmother, who sat knitting in the warmest place, was the image of Happiness grown old. They had found the “herb heart’s-ease” in the bleakest spot of all New England. This family were situated in the Notch of the White Hills, where the wind was sharp throughout the year and pitilessly cold in the winter, giving their cottage all its fresh inclemency before it descended on the valley of the Saco. They dwelt in a cold spot and a dangerous one, for a mountain towered above their heads so steep that the stones would often rumble down its sides and startle them at midnight.
One September night, a family gathered around their fireplace, stacked high with driftwood from mountain streams, dried pine cones, and broken pieces of large trees that had fallen down the cliff. The fire roared up the chimney, lighting up the room with its bright flames. The parents wore a serious yet happy expression, while the children laughed. Their eldest daughter, at seventeen, embodied happiness, and the elderly grandmother, sitting in the coziest spot and knitting, represented happiness in old age. They had found “heart’s-ease” in the bleakest part of New England. This family lived in the Notch of the White Hills, where the wind was biting all year round and brutally cold in winter, bringing harsh weather to their cottage before it descended into the Saco valley. They lived in a cold and potentially dangerous place, as a steep mountain towered above them, causing rocks to frequently tumble down its slopes and startle them at midnight.
The daughter had just uttered some simple jest that filled them all with mirth, when the wind came through the Notch and seemed to pause before their cottage, rattling the door with a sound of wailing and lamentation before it passed into the valley. For a moment it saddened them, though there was nothing unusual in the tones. But the family were glad again when they perceived that the latch was lifted by some traveller whose footsteps had been unheard amid the dreary blast which heralded his approach and wailed as he was entering and went moaning away from the door.
The daughter had just made a silly joke that made them all laugh when the wind blew through the Notch and seemed to stop in front of their cottage, shaking the door with a sound of crying and sorrow before it moved into the valley. For a moment, it brought them down, even though the sounds weren’t unusual. But the family felt happy again when they noticed that the latch was lifted by a traveler whose footsteps had been drowned out by the gloomy gust that announced his arrival and who moaned as he entered and drifted away from the door.
Though they dwelt in such a solitude, these people held daily converse with the world. The romantic pass of the Notch is a great artery through which the life-blood of internal commerce is continually throbbing between Maine on one side and the Green Mountains and the shores of the St. Lawrence on the other. The stage-coach always drew up before the door of the cottage. The wayfarer with no companion but his staff paused here to exchange a word, that the sense of loneliness might not utterly overcome him ere he could pass through the cleft of the mountain or reach the first house in the valley. And here the teamster on his way to Portland market would put up for the night, and, if a bachelor, might sit an hour beyond the usual bedtime and steal a kiss from the mountain-maid at parting. It was one of those primitive taverns where the traveller pays only for food and lodging, but meets with a homely kindness beyond all price. When the footsteps were heard, therefore, between the outer door and the inner one, the whole family rose up, grandmother, children and all, as if about to welcome some one who belonged to them, and whose fate was linked with theirs.
Even though they lived in such isolation, these people interacted with the world every day. The romantic pass of the Notch serves as a major route through which the lifeblood of regional trade flows continuously between Maine on one side and the Green Mountains and the banks of the St. Lawrence on the other. The stagecoach always stopped in front of the cottage. A traveler, alone except for their walking stick, would pause here to exchange a few words, so the feeling of loneliness wouldn't completely overwhelm them before they could get through the mountain gap or reach the first house in the valley. Here, the teamster on their way to the Portland market would stay the night, and if they were single, they might linger an hour past the usual bedtime and steal a kiss from the mountain girl when leaving. It was one of those simple inns where the traveler only pays for food and a bed, but experiences a warmth and kindness that's priceless. So when footsteps were heard between the outer door and the inner one, the whole family—grandmother, kids, and all—would get up as if to welcome someone who belonged to them and whose fate was intertwined with theirs.
The door was opened by a young man. His face at first wore the melancholy expression, almost despondency, of one who travels a wild and bleak road at nightfall and alone, but soon brightened up when he saw the kindly warmth of his reception. He felt his heart spring forward to meet them all, from the old woman who wiped a chair with her apron to the little child that held out its arms to him. One glance and smile placed the stranger on a footing of innocent familiarity with the eldest daughter.
The door was opened by a young man. At first, his face showed a sad, almost hopeless, look, like someone traveling a rough and lonely road at dusk. But it soon lit up when he saw the warm welcome he received. He felt his heart leap at the sight of everyone, from the old woman wiping a chair with her apron to the little child reaching out its arms to him. With just one glance and a smile, the stranger connected with the eldest daughter in a way that felt innocent and familiar.
“Ah! this fire is the right thing,” cried he, “especially when there is such a pleasant circle round it. I am quite benumbed, for the Notch is just like the pipe of a great pair of bellows; it has blown a terrible blast in my face all the way from Bartlett.”
“Ah! this fire is just what I needed,” he exclaimed, “especially with such a nice group around it. I’m completely frozen, because the Notch is like the nozzle of a huge pair of bellows; it’s sent a terrible blast right in my face all the way from Bartlett.”
“Then you are going toward Vermont?” said the master of the house as he helped to take a light knapsack off the young man’s shoulders.
“Then you’re heading to Vermont?” said the master of the house as he helped take a light backpack off the young man’s shoulders.
“Yes, to Burlington, and far enough beyond,” replied he. “I meant to have been at Ethan Crawford’s to-night, but a pedestrian lingers along such a road as this. It is no matter; for when I saw this good fire and all your cheerful faces, I felt as if you had kindled it on purpose for me and were waiting my arrival. So I shall sit down among you and make myself at home.”
“Yes, to Burlington, and quite a bit farther,” he replied. “I intended to be at Ethan Crawford’s tonight, but it takes time to walk along a road like this. It doesn’t really matter; when I saw this lovely fire and all your cheerful faces, I felt like you had lit it just for me and were waiting for me to arrive. So, I’ll just sit down with you and make myself comfortable.”
The frank-hearted stranger had just drawn his chair to the fire when something like a heavy footstep was heard without, rushing down the steep side of the mountain as with long and rapid strides, and taking such a leap in passing the cottage as to strike the opposite precipice. The family held their breath, because they knew the sound, and their guest held his by instinct.
The open-hearted stranger had just pulled his chair closer to the fire when they heard what sounded like a heavy footstep outside, rushing down the steep side of the mountain with long, fast strides, and making such a leap as it passed the cottage that it hit the opposite cliff. The family held their breath because they recognized the sound, and their guest instinctively did the same.
“The old mountain has thrown a stone at us for fear we should forget him,” said the landlord, recovering himself. “He sometimes nods his head and threatens to come down, but we are old neighbors, and agree together pretty well, upon the whole. Besides, we have a sure place of refuge hard by if he should be coming in good earnest.”
“The old mountain has thrown a stone at us because he worries we might forget him,” said the landlord, regaining his composure. “Sometimes he nods his head and seems like he might come down, but we’ve been neighbors for a long time and generally get along pretty well. Plus, we have a safe spot nearby if he truly decides to come down.”
Let us now suppose the stranger to have finished his supper of bear’s meat, and by his natural felicity of manner to have placed himself on a footing of kindness with the whole family; so that they talked as freely together as if he belonged to their mountain-brood. He was of a proud yet gentle spirit, haughty and reserved among the rich and great, but ever ready to stoop his head to the lowly cottage door and be like a brother or a son at the poor man’s fireside. In the household of the Notch he found warmth and simplicity of feeling, the pervading intelligence of New England, and a poetry of native growth which they had gathered when they little thought of it from the mountain-peaks and chasms, and at the very threshold of their romantic and dangerous abode. He had travelled far and alone; his whole life, indeed, had been a solitary path, for, with the lofty caution of his nature, he had kept himself apart from those who might otherwise have been his companions. The family, too, though so kind and hospitable, had that consciousness of unity among themselves and separation from the world at large which in every domestic circle should still keep a holy place where no stranger may intrude. But this evening a prophetic sympathy impelled the refined and educated youth to pour out his heart before the simple mountaineers, and constrained them to answer him with the same free confidence. And thus it should have been. Is not the kindred of a common fate a closer tie than that of birth?
Let’s imagine that the stranger has finished his meal of bear meat and, with his natural charm, has established a friendly relationship with the entire family, so they chatted as casually as if he were one of them. He had a proud yet gentle spirit, aloof and reserved around the wealthy and powerful, but always willing to lower himself to the humble cottage door and be like a brother or son at the fireside of those in need. In the Notch household, he found warmth and straightforward emotions, the sharp intellect characteristic of New England, and a natural poetry they had unknowingly gathered from the mountain peaks and valleys right at the edge of their adventurous and perilous home. He had traveled far and alone; his life had truly been a solitary journey, as his cautious nature kept him separate from those who could have been his companions. The family, while kind and welcoming, shared a sense of closeness among themselves and a separation from the outside world, creating a sacred space in their home where no outsider could intrude. But on this evening, a deep connection prompted the refined and educated youth to open his heart to the simple mountain folk, and they felt compelled to respond with the same openness. And so it should be. Isn’t the bond of a shared fate a stronger connection than that of blood?
The secret of the young man’s character was a high and abstracted ambition. He could have borne to live an undistinguished life, but not to be forgotten in the grave. Yearning desire had been transformed to hope, and hope, long cherished, had become like certainty that, obscurely as he journeyed now, a glory was to beam on all his pathway, though not, perhaps, while he was treading it. But when posterity should gaze back into the gloom of what was now the present, they would trace the brightness of his footsteps, brightening as meaner glories faded, and confess that a gifted one had passed from his cradle to his tomb with none to recognize him.
The secret to the young man's character was a lofty and elevated ambition. He could have accepted living a life without distinction, but he couldn't stand the idea of being forgotten after he died. His deep longing had changed into hope, and that hope, nurtured over time, had turned into a certainty that, even as he moved through life unnoticed, a glory would eventually shine on his path, though perhaps not while he was still walking it. But when people in the future looked back into the darkness of what is now the present, they would find the light of his footsteps, shining brighter as lesser glories faded away, and acknowledge that a talented individual had journeyed from cradle to grave without anyone recognizing him.
“As yet,” cried the stranger, his cheek glowing and his eye flashing with enthusiasm—“as yet I have done nothing. Were I to vanish from the earth to-morrow, none would know so much of me as you—that a nameless youth came up at nightfall from the valley of the Saco, and opened his heart to you in the evening, and passed through the Notch by sunrise, and was seen no more. Not a soul would ask, ‘Who was he? Whither did the wanderer go?’ But I cannot die till I have achieved my destiny. Then let Death come: I shall have built my monument.”
"Not yet," the stranger exclaimed, his cheek flushed and his eyes shining with excitement. "I haven’t done anything yet. If I were to disappear from the earth tomorrow, no one would know anything about me beyond you—that a nameless young man came up in the evening from the valley of the Saco, shared his thoughts with you, and passed through the Notch by sunrise, never to be seen again. Not a single person would ask, 'Who was he? Where did the traveler go?' But I can’t die until I’ve achieved my purpose. Then let death come: I will have built my monument."
There was a continual flow of natural emotion gushing forth amid abstracted reverie which enabled the family to understand this young man’s sentiments, though so foreign from their own. With quick sensibility of the ludicrous, he blushed at the ardor into which he had been betrayed.
There was an ongoing stream of genuine emotion pouring out during their distracted thoughts that allowed the family to grasp this young man's feelings, even though they were so different from their own. With a sharp awareness of the ridiculous, he flushed with embarrassment at the passion he had been caught up in.
“You laugh at me,” said he, taking the eldest daughter’s hand and laughing himself. “You think my ambition as nonsensical as if I were to freeze myself to death on the top of Mount Washington only that people might spy at me from the country roundabout. And truly that would be a noble pedestal for a man’s statue.”
“You're laughing at me,” he said, taking the eldest daughter’s hand and laughing as well. “You think my ambition is as ridiculous as if I were to freeze to death on top of Mount Washington just so people could watch me from the surrounding area. And honestly, that would be quite the impressive pedestal for a statue.”
“It is better to sit here by this fire,” answered the girl, blushing, “and be comfortable and contented, though nobody thinks about us.”
“It’s better to sit here by this fire,” the girl replied, blushing, “and be comfortable and content, even if nobody thinks about us.”
“I suppose,” said her father, after a fit of musing, “there is something natural in what the young man says; and if my mind had been turned that way, I might have felt just the same.—It is strange, wife, how his talk has set my head running on things that are pretty certain never to come to pass.”
“I guess,” said her father, after a moment of thinking, “there's something genuine in what the young man says; and if I had thought about it that way, I might have felt the same way. —It's odd, dear, how his conversation has got me thinking about things that are probably never going to happen.”
“Perhaps they may,” observed the wife. “Is the man thinking what he will do when he is a widower?”
“Maybe they are,” the wife noted. “Is the man thinking about what he will do when he’s a widower?”
“No, no!” cried he, repelling the idea with reproachful kindness. “When I think of your death, Esther, I think of mine too. But I was wishing we had a good farm in Bartlett or Bethlehem or Littleton, or some other township round the White Mountains, but not where they could tumble on our heads. I should want to stand well with my neighbors and be called squire and sent to General Court for a term or two; for a plain, honest man may do as much good there as a lawyer. And when I should be grown quite an old man, and you an old woman, so as not to be long apart, I might die happy enough in my bed, and leave you all crying around me. A slate gravestone would suit me as well as a marble one, with just my name and age, and a verse of a hymn, and something to let people know that I lived an honest man and died a Christian.”
“No, no!” he exclaimed, pushing the thought away with a pained kindness. “When I think of your death, Esther, I think of my own too. But I was wishing we had a nice farm in Bartlett or Bethlehem or Littleton, or somewhere else around the White Mountains, just not where they could fall on us. I’d want to have a good relationship with my neighbors and be called squire and sent to the General Court for a term or two; because a plain, honest man can do just as much good there as a lawyer. And when I’m an old man, and you’re an old woman, so we’re not far apart, I might die content in my bed, with you all gathered around me. A simple slate gravestone would be fine for me, just my name and age, a verse from a hymn, and something to show that I lived an honest life and died a Christian.”
“There, now!” exclaimed the stranger; “it is our nature to desire a monument, be it slate or marble, or a pillar of granite, or a glorious memory in the universal heart of man.”
“There, now!” said the stranger; “it’s in our nature to want a monument, whether it’s slate or marble, a granite pillar, or a glorious memory in the hearts of all people.”
“We’re in a strange way to-night,” said the wife, with tears in her eyes. “They say it’s a sign of something when folks’ minds go a-wandering so. Hark to the children!”
“We’re feeling odd tonight,” said the wife, tears in her eyes. “They say it means something when people’s minds start to wander like this. Listen to the children!”
They listened accordingly. The younger children had been put to bed in another room, but with an open door between; so that they could be heard talking busily among themselves. One and all seemed to have caught the infection from the fireside circle, and were outvying each other in wild wishes and childish projects of what they would do when they came to be men and women. At length a little boy, instead of addressing his brothers and sisters, called out to his mother.
They listened closely. The younger kids had been put to bed in another room, but with an open door in between; so they could be heard chatting excitedly among themselves. They all seemed to have caught the energy from the fireside group and were trying to outdo each other with wild dreams and childish plans about what they would do when they grew up. Finally, a little boy, instead of talking to his brothers and sisters, called out to his mom.
“I’ll tell you what I wish, mother,” cried he: “I want you and father and grandma’m, and all of us, and the stranger too, to start right away and go and take a drink out of the basin of the Flume.”
“I’ll tell you what I wish, mom,” he shouted: “I want you, dad, grandma, all of us, and even the stranger, to go right now and drink from the basin of the Flume.”
Nobody could help laughing at the child’s notion of leaving a warm bed and dragging them from a cheerful fire to visit the basin of the Flume—a brook which tumbles over the precipice deep within the Notch.
Nobody could help laughing at the child's idea of getting out of a warm bed and pulling them away from a cozy fire to check out the Flume—a stream that cascades over the cliff deep within the Notch.
The boy had hardly spoken, when a wagon rattled along the road and stopped a moment before the door. It appeared to contain two or three men who were cheering their hearts with the rough chorus of a song which resounded in broken notes between the cliffs, while the singers hesitated whether to continue their journey or put up here for the night.
The boy had barely said a word when a wagon clattered down the road and paused for a moment in front of the door. It seemed to hold two or three men who were enjoying themselves with the rough chorus of a song that echoed in broken notes between the cliffs, while the singers debated whether to carry on with their journey or stay here for the night.
“Father,” said the girl, “they are calling you by name.”
“Dad,” said the girl, “they're calling for you.”
But the good man doubted whether they had really called him, and was unwilling to show himself too solicitous of gain by inviting people to patronize his house. He therefore did not hurry to the door, and, the lash being soon applied, the travellers plunged into the Notch, still singing and laughing, though their music and mirth came back drearily from the heart of the mountain.
But the good man wasn’t sure if they had actually called him, and he didn’t want to seem too eager for business by coaxing people to visit his place. So, he didn’t rush to the door, and soon after, the whip was cracked, causing the travelers to dive into the Notch, still singing and laughing, even though their voices and joy echoed sadly from deep within the mountain.
“There, mother!” cried the boy, again; “they’d have given us a ride to the Flume.”
“There, mom!” the boy shouted again, “they would have given us a ride to the Flume.”
Again they laughed at the child’s pertinacious fancy for a night-ramble. But it happened that a light cloud passed over the daughter’s spirit; she looked gravely into the fire and drew a breath that was almost a sigh. It forced its way, in spite of a little struggle to repress it. Then, starting and blushing, she looked quickly around the circle, as if they had caught a glimpse into her bosom. The stranger asked what she had been thinking of.
Once again, they laughed at the child's stubborn desire for a late-night adventure. But then, a shadow passed over the daughter’s mood; she gazed seriously into the fire and took a breath that was almost a sigh. It slipped out despite her effort to hold it in. Then, startled and blushing, she quickly glanced around the circle, as if they had caught a glimpse into her heart. The stranger asked what she had been thinking about.
“Nothing,” answered she, with a downcast smile; “only I felt lonesome just then.”
“Nothing,” she replied, with a sad smile; “I just felt lonely at that moment.”
“Oh, I have always had a gift of feeling what is in other people’s hearts,” said he, half seriously. “Shall I tell the secrets of yours? For I know what to think when a young girl shivers by a warm hearth and complains of lonesomeness at her mother’s side. Shall I put these feelings into words?”
“Oh, I’ve always had a knack for sensing what others are feeling,” he said, half-joking. “Should I share your secrets? Because I know what to think when a young girl shivers by a warm fire and complains about being lonely next to her mother. Should I put these feelings into words?”
“They would not be a girl’s feelings any longer if they could be put into words,” replied the mountain-nymph, laughing, but avoiding his eye.
“They wouldn't be a girl’s feelings anymore if they could be put into words,” replied the mountain nymph, laughing but avoiding his gaze.
All this was said apart. Perhaps a germ of love was springing in their hearts so pure that it might blossom in Paradise, since it could not be matured on earth; for women worship such gentle dignity as his, and the proud, contemplative, yet kindly, soul is oftenest captivated by simplicity like hers. But while they spoke softly, and he was watching the happy sadness, the lightsome shadows, the shy yearnings, of a maiden’s nature, the wind through the Notch took a deeper and drearier sound. It seemed, as the fanciful stranger said, like the choral strain of the spirits of the blast who in old Indian times had their dwelling among these mountains and made their heights and recesses a sacred region. There was a wail along the road as if a funeral were passing. To chase away the gloom, the family threw pine-branches on their fire till the dry leaves crackled and the flame arose, discovering once again a scene of peace and humble happiness. The light hovered about them fondly and caressed them all. There were the little faces of the children peeping from their bed apart, and here the father’s frame of strength, the mother’s subdued and careful mien, the high-browed youth, the budding girl and the good old grandam, still knitting in the warmest place.
All of this was said on the side. Perhaps a spark of love was starting to grow in their hearts so pure that it could bloom in Paradise, since it couldn’t fully develop on earth; women admire such gentle dignity as his, and the proud, thoughtful yet kind soul is often drawn to simplicity like hers. But while they spoke softly, and he was observing the happy sadness, playful shadows, and shy longings of a young woman's nature, the wind through the Notch took on a deeper and gloomier sound. It seemed, as the fanciful stranger said, like the choral echo of the spirits of the storm who, in ancient Indian times, lived among these mountains and made their heights and hidden places sacred. There was a wail along the road as if a funeral was passing by. To dispel the darkness, the family threw pine branches onto their fire until the dry leaves crackled and the flames rose, revealing once again a scene of peace and simple happiness. The light danced around them affectionately and embraced them all. There were the little faces of the children peeking from their separate beds, and here was the father’s strong frame, the mother’s gentle and careful demeanor, the thoughtful young man, the blossoming girl, and the good old grandmother, still knitting in the warmest spot.
The aged woman looked up from her task, and with fingers ever busy was the next to speak.
The elderly woman looked up from what she was doing, and with her hands still busy, she was the next to speak.
“Old folks have their notions,” said she, “as well as young ones. You’ve been wishing and planning and letting your heads run on one thing and another till you’ve set my mind a-wandering too. Now, what should an old woman wish for, when she can go but a step or two before she comes to her grave? Children, it will haunt me night and day till I tell you.”
“Older people have their ideas,” she said, “just like young ones do. You’ve been wishing and planning and letting your thoughts drift from one thing to another until you’ve got me thinking too. Now, what should an old woman wish for when she can only take a step or two before reaching her grave? Kids, it's going to haunt me day and night until I tell you.”
“What is it, mother?” cried the husband and wife at once.
“What is it, Mom?” cried the husband and wife together.
Then the old woman, with an air of mystery which drew the circle closer round the fire, informed them that she had provided her grave-clothes some years before—a nice linen shroud, a cap with a muslin ruff, and everything of a finer sort than she had worn since her wedding-day. But this evening an old superstition had strangely recurred to her. It used to be said in her younger days that if anything were amiss with a corpse—if only the ruff were not smooth or the cap did not set right—the corpse, in the coffin and beneath the clods, would strive to put up its cold hands and arrange it. The bare thought made her nervous.
Then the old woman, with an air of mystery that brought the group closer around the fire, told them she had prepared her burial clothes some years ago—a nice linen shroud, a cap with a muslin ruff, and everything fancier than what she had worn since her wedding day. But tonight, an old superstition had strangely come back to her. It used to be said in her younger days that if anything was wrong with a corpse—if the ruff wasn’t smooth or the cap didn’t fit right—the corpse, in the coffin and beneath the dirt, would try to lift its cold hands and fix it. Just thinking about it made her nervous.
“Don’t talk so, grandmother,” said the girl, shuddering.
“Don't say that, grandma," the girl replied, shuddering.
“Now,” continued the old woman, with singular earnestness, yet smiling strangely at her own folly, “I want one of you, my children, when your mother is dressed and in the coffin,—I want one of you to hold a looking-glass over my face. Who knows but I may take a glimpse at myself and see whether all’s right?”
“Now,” continued the old woman, with unusual seriousness, yet smiling oddly at her own silliness, “I want one of you, my children, when your mother is dressed and in the coffin,—I want one of you to hold a mirror over my face. Who knows, I might catch a glimpse of myself and see if everything’s okay?”
“Old and young, we dream of graves and monuments,” murmured the stranger-youth. “I wonder how mariners feel when the ship is sinking and they, unknown and undistinguished, are to be buried together in the ocean, that wide and nameless sepulchre?”
“Old and young, we dream of graves and monuments,” murmured the young stranger. “I wonder how sailors feel when the ship is sinking and they, unknown and unremarkable, are about to be buried together in the ocean, that vast and nameless burial place?”
For a moment the old woman’s ghastly conception so engrossed the minds of her hearers that a sound abroad in the night, rising like the roar of a blast, had grown broad, deep and terrible before the fated group were conscious of it. The house and all within it trembled; the foundations of the earth seemed to be shaken, as if this awful sound were the peal of the last trump. Young and old exchanged one wild glance and remained an instant pale, affrighted, without utterance or power to move. Then the same shriek burst simultaneously from all their lips:
For a moment, the old woman's horrifying story completely captured the attention of her listeners, so much so that a sound outside in the night, booming like a powerful blast, had grown loud, deep, and terrifying before the doomed group even realized it. The house and everything inside it shook; the very ground seemed to tremble as if this terrifying noise were the sound of the final judgment. Young and old exchanged a frantic glance, standing pale and scared for a moment, unable to speak or move. Then, a simultaneous scream erupted from all their mouths:
“The slide! The slide!”
“The slide! The slide!”
The simplest words must intimate, but not portray, the unutterable horror of the catastrophe. The victims rushed from their cottage and sought refuge in what they deemed a safer spot, where, in contemplation of such an emergency, a sort of barrier had been reared. Alas! they had quitted their security and fled right into the pathway of destruction. Down came the whole side of the mountain in a cataract of ruin. Just before it reached the house the stream broke into two branches, shivered not a window there, but overwhelmed the whole vicinity, blocked up the road and annihilated everything in its dreadful course. Long ere the thunder of that great slide had ceased to roar among the mountains the mortal agony had been endured and the victims were at peace. Their bodies were never found.
The simplest words must suggest, but not describe, the unspeakable horror of the disaster. The victims rushed out of their cottage and sought safety in what they thought was a safer place, where, anticipating such an emergency, a sort of barrier had been built. Unfortunately, they left their safety and ran straight into the path of destruction. Down came the entire side of the mountain like a waterfall of ruin. Just before it reached the house, the flow split into two branches, didn't break a single window there, but overwhelmed the entire area, blocked the road, and wiped out everything in its terrifying path. Long before the thunder of that massive slide had faded among the mountains, the suffering had been endured and the victims were at peace. Their bodies were never found.
The next morning the light smoke was seen stealing from the cottage chimney up the mountain-side. Within, the fire was yet smouldering on the hearth, and the chairs in a circle round it, as if the inhabitants had but gone forth to view the devastation of the slide and would shortly return to thank Heaven for their miraculous escape. All had left separate tokens by which those who had known the family were made to shed a tear for each. Who has not heard their name? The story has been told far and wide, and will for ever be a legend of these mountains. Poets have sung their fate.
The next morning, a thin plume of smoke was seen rising from the cottage chimney up the mountainside. Inside, the fire was still smoldering on the hearth, and the chairs were arranged in a circle around it, as if the inhabitants had just stepped out to look at the damage from the landslide and would soon return to thank God for their miraculous escape. Everyone had left behind personal reminders that made those who knew the family shed a tear for each one. Who hasn't heard their name? The story has been told far and wide, and it will forever be a legend of these mountains. Poets have sung about their fate.
There were circumstances which led some to suppose that a stranger had been received into the cottage on this awful night, and had shared the catastrophe of all its inmates; others denied that there were sufficient grounds for such a conjecture. Woe for the high-souled youth with his dream of earthly immortality! His name and person utterly unknown, his history, his way of life, his plans, a mystery never to be solved, his death and his existence equally a doubt,—whose was the agony of that death-moment?
There were circumstances that led some to believe that a stranger had entered the cottage on that terrible night and had experienced the same fate as all its residents; others argued that there was not enough evidence to support that idea. How tragic for the idealistic young man with his dream of lasting fame! His name and identity completely unknown, his background, lifestyle, and goals a mystery that would never be uncovered, his life and death equally uncertain—who experienced the pain of that dying moment?
THE SISTER-YEARS
Last night, between eleven and twelve o’clock, when the Old Year was leaving her final footprints on the borders of Time’s empire, she found herself in possession of a few spare moments, and sat down—of all places in the world—on the steps of our new city-hall. The wintry moonlight showed that she looked weary of body and sad of heart, like many another wayfarer of earth. Her garments, having been exposed to much foul weather and rough usage, were in very ill condition, and, as the hurry of her journey had never before allowed her to take an instant’s rest, her shoes were so worn as to be scarcely worth the mending. But after trudging only a little distance farther this poor Old Year was destined to enjoy a long, long sleep. I forgot to mention that when she seated herself on the steps she deposited by her side a very capacious bandbox in which, as is the custom among travellers of her sex, she carried a great deal of valuable property. Besides this luggage, there was a folio book under her arm very much resembling the annual volume of a newspaper. Placing this volume across her knees and resting her elbows upon it, with her forehead in her hands, the weary, bedraggled, world-worn Old Year heaved a heavy sigh and appeared to be taking no very pleasant retrospect of her past existence.
Last night, between eleven and midnight, as the Old Year was leaving her final marks on the edges of Time's territory, she found herself with a few spare moments and sat down—of all places—on the steps of our new city hall. The wintry moonlight revealed that she looked tired and sad, like many other travelers on earth. Her clothes, having faced a lot of bad weather and rough handling, were in very poor condition, and since the rush of her journey had never allowed her a moment's rest, her shoes were so worn they were hardly worth fixing. But after trudging just a little farther, this poor Old Year was about to enjoy a long, long sleep. I forgot to mention that when she sat on the steps, she placed a large bandbox beside her, in which, like many travelers, she carried a lot of valuable belongings. Besides this luggage, there was a folio book under her arm that looked a lot like an annual newspaper. She rested this book across her knees and leaned her elbows on it, with her forehead in her hands. The tired, ragged, world-weary Old Year let out a heavy sigh and seemed to be reflecting on her past existence with little pleasure.
While she thus awaited the midnight knell that was to summon her to the innumerable sisterhood of departed years, there came a young maiden treading lightsomely on tip-toe along the street from the direction of the railroad dépôt. She was evidently a stranger, and perhaps had come to town by the evening train of cars. There was a smiling cheerfulness in this fair maiden’s face which bespoke her fully confident of a kind reception from the multitude of people with whom she was soon to form acquaintance. Her dress was rather too airy for the season, and was bedizened with fluttering ribbons and other vanities which were likely soon to be rent away by the fierce storms or to fade in the hot sunshine amid which she was to pursue her changeful course. But still she was a wonderfully pleasant-looking figure, and had so much promise and such an indescribable hopefulness in her aspect that hardly anybody could meet her without anticipating some very desirable thing—the consummation of some long-sought good—from her kind offices. A few dismal characters there may be here and there about the world who have so often been trifled with by young maidens as promising as she that they have now ceased to pin any faith upon the skirts of the New Year. But, for my own part, I have great faith in her, and, should I live to see fifty more such, still from each of those successive sisters I shall reckon upon receiving something that will be worth living for.
While she waited for the midnight bell that would call her to the countless sisterhood of the departed years, a young woman walked lightly on tiptoes down the street from the direction of the train station. She was clearly a newcomer and had probably arrived in town on the evening train. There was a cheerful smile on this young woman’s face that showed she was confident about being warmly welcomed by the many people she would soon meet. Her outfit was a bit too light for the season and was decorated with fluttering ribbons and other embellishments that might soon be torn away by harsh storms or fade under the hot sun as she navigated her changing path. Still, she looked incredibly pleasant, with so much promise and an indescribable sense of hope in her demeanor that hardly anyone could see her without expecting something wonderful—the fulfillment of some long-desired wish—from her friendly presence. There may be a few gloomy individuals scattered throughout the world who have been let down too many times by young women as bright as she, causing them to lose faith in the prospects of the New Year. But for my part, I have great faith in her, and if I live to see fifty more like her, I will still expect to receive something worth living for from each of these successive sisters.
The New Year—for this young maiden was no less a personage—carried all her goods and chattels in a basket of no great size or weight, which hung upon her arm. She greeted the disconsolate Old Year with great affection, and sat down beside her on the steps of the city-hall, waiting for the signal to begin her rambles through the world. The two were own sisters, being both granddaughters of Time, and, though one looked so much older than the other, it was rather owing to hardships and trouble than to age, since there was but a twelvemonth’s difference between them.
The New Year—this young woman was quite the figure—carried all her belongings in a small, lightweight basket that hung on her arm. She warmly greeted the sad Old Year and sat down beside her on the steps of the city hall, waiting for the signal to start her journeys around the world. The two were sisters, both granddaughters of Time, and even though one appeared much older than the other, it was more due to struggles and hardships than actual age, as there was only a year between them.
“Well, my dear sister,” said the New Year, after the first salutations, “you look almost tired to death. What have you been about during your sojourn in this part of infinite space?”
“Well, my dear sister,” said the New Year, after the first greetings, “you look exhausted. What have you been doing during your time here in this part of infinite space?”
“Oh, I have it all recorded here in my book of chronicles,” answered the Old Year, in a heavy tone. “There is nothing that would amuse you, and you will soon get sufficient knowledge of such matters from your own personal experience. It is but tiresome reading.”
“Oh, I have everything written down in my book of records,” replied the Old Year, in a deep voice. “There’s nothing that would entertain you, and you will soon learn all of this from your own experiences. It’s just tedious reading.”
Nevertheless, she turned over the leaves of the folio and glanced at them by the light of the moon, feeling an irresistible spell of interest in her own biography, although its incidents were remembered without pleasure. The volume, though she termed it her book of chronicles, seemed to be neither more nor less than the Salem Gazette for 1838; in the accuracy of which journal this sagacious Old Year had so much confidence that she deemed it needless to record her history with her own pen.
Nevertheless, she flipped through the pages of the book and looked at them in the moonlight, feeling an undeniable fascination with her own life story, even though she recalled its events with no joy. The volume, which she called her book of chronicles, felt like nothing more than the Salem Gazette from 1838; she trusted this clever Old Year so much that she thought it was unnecessary to write down her history herself.
“What have you been doing in the political way?” asked the New Year.
“What have you been doing politically?” asked the New Year.
“Why, my course here in the United States,” said the Old Year—“though perhaps I ought to blush at the confession—my political course, I must acknowledge, has been rather vacillatory, sometimes inclining toward the Whigs, then causing the administration party to shout for triumph, and now again uplifting what seemed the almost prostrate banner of the opposition; so that historians will hardly know what to make of me in this respect. But the Loco-Focos—”
“Why, my time here in the United States,” said the Old Year—“though I should probably feel embarrassed admitting this—my political stance has been pretty inconsistent, sometimes leaning towards the Whigs, then making the administration party celebrate in victory, and now again raising what seemed like the almost down-and-out banner of the opposition; so historians will probably struggle to figure me out in this regard. But the Loco-Focos—”
“I do not like these party nicknames,” interrupted her sister, who seemed remarkably touchy about some points. “Perhaps we shall part in better humor if we avoid any political discussion.”
“I don’t like these party nicknames,” her sister interrupted, seeming really sensitive about certain things. “Maybe we’ll end things on a better note if we steer clear of any political discussion.”
“With all my heart,” replied the Old Year, who had already been tormented half to death with squabbles of this kind. “I care not if the name of Whig or Tory, with their interminable brawls about banks and the sub-treasury, abolition, Texas, the Florida war, and a million of other topics which you will learn soon enough for your own comfort,—I care not, I say, if no whisper of these matters ever reaches my ears again. Yet they have occupied so large a share of my attention that I scarcely know what else to tell you. There has, indeed been a curious sort of war on the Canada border, where blood has streamed in the names of liberty and patriotism; but it must remain for some future, perhaps far-distant, year to tell whether or no those holy names have been rightfully invoked. Nothing so much depresses me in my view of mortal affairs as to see high energies wasted and human life and happiness thrown away for ends that appear oftentimes unwise, and still oftener remain unaccomplished. But the wisest people and the best keep a steadfast faith that the progress of mankind is onward and upward, and that the toil and anguish of the path serve to wear away the imperfections of the immortal pilgrim, and will be felt no more when they have done their office.”
“With all my heart,” replied the Old Year, who had already been tormented half to death by arguments like this. “I don’t care if it’s Whigs or Tories, with their endless fights about banks, the sub-treasury, abolition, Texas, the Florida war, and a million other topics that you’ll learn soon enough for your own comfort—I don’t care, I say, if I never hear a whisper of these issues again. Yet they’ve taken up so much of my attention that I hardly know what else to tell you. There has indeed been a strange kind of war on the Canada border, where blood has been shed in the names of liberty and patriotism; but it will take some future, perhaps far-off, year to determine whether those sacred names have been properly invoked. Nothing saddens me more when I look at human affairs than to see high energies wasted and lives and happiness thrown away for causes that often seem unwise, and even more often achieve nothing. But the wisest and best people keep a strong belief that humanity is progressing onward and upward, and that the struggles and suffering along the way help to smooth out the flaws of the everlasting traveler, which will be felt no more once they’ve fulfilled their purpose.”
“Perhaps,” cried the hopeful New Year—“perhaps I shall see that happy day.”
“Maybe,” exclaimed the hopeful New Year—“maybe I will see that happy day.”
“I doubt whether it be so close at hand,” answered the Old Year, gravely smiling. “You will soon grow weary of looking for that blessed consummation, and will turn for amusement—as has frequently been my own practice—to the affairs of some sober little city like this of Salem. Here we sit on the steps of the new city-hall which has been completed under my administration, and it would make you laugh to see how the game of politics of which the Capitol at Washington is the great chess-board is here played in miniature. Burning Ambition finds its fuel here; here patriotism speaks boldly in the people’s behalf and virtuous economy demands retrenchment in the emoluments of a lamplighter; here the aldermen range their senatorial dignity around the mayor’s chair of state and the common council feel that they have liberty in charge. In short, human weakness and strength, passion and policy, man’s tendencies, his aims and modes of pursuing them, his individual character and his character in the mass, may be studied almost as well here as on the theatre of nations, and with this great advantage—that, be the lesson ever so disastrous, its Liliputian scope still makes the beholder smile.”
“I doubt it’s really that close,” replied the Old Year, smiling seriously. “You’ll soon get tired of searching for that long-awaited goal and will, as I often have, turn for entertainment to the matters of some quiet little city like Salem. Here we sit on the steps of the new city hall that has been built during my time in office, and it would make you laugh to see how the game of politics, with the Capitol in Washington as the big chessboard, is played on a smaller scale here. Burning ambition finds its fuel here; patriotism speaks boldly for the people, and the call for budget cuts includes a lamplighter’s salary; here, the aldermen parade their senatorial dignity around the mayor's chair, while the common council feels they’re in charge of freedom. In short, human weaknesses and strengths, passion and strategy, individual aspirations and collective behaviors can be observed almost as well here as on the world stage, with one significant advantage—that no matter how disastrous the lesson may be, its small scale still makes the observer smile.”
“Have you done much for the improvement of the city?” asked the New Year. “Judging from what little I have seen, it appears to be ancient and time-worn.”
“Have you done much to improve the city?” asked the New Year. “From what little I’ve seen, it looks old and worn out.”
“I have opened the railroad,” said the elder Year, “and half a dozen times a day you will hear the bell which once summoned the monks of a Spanish convent to their devotions announcing the arrival or departure of the cars. Old Salem now wears a much livelier expression than when I first beheld her. Strangers rumble down from Boston by hundreds at a time. New faces throng in Essex street. Railroad-hacks and omnibuses rattle over the pavements. There is a perceptible increase of oyster-shops and other establishments for the accommodation of a transitory diurnal multitude. But a more important change awaits the venerable town. An immense accumulation of musty prejudices will be carried off by the free circulation of society. A peculiarity of character of which the inhabitants themselves are hardly sensible will be rubbed down and worn away by the attrition of foreign substances. Much of the result will be good; there will likewise be a few things not so good. Whether for better or worse, there will be a probable diminution of the moral influence of wealth, and the sway of an aristocratic class which from an era far beyond my memory has held firmer dominion here than in any other New England town.”
“I've opened the railroad,” said the elder Year, “and six times a day, you'll hear the bell that once called the monks of a Spanish convent to their prayers, announcing the arrival or departure of the trains. Old Salem now looks much livelier than when I first saw it. Strangers come rumbling down from Boston by the hundreds at a time. New faces crowd Essex Street. Cabs and buses rattle over the streets. There’s a noticeable increase in oyster shops and other places catering to the daily influx of visitors. But a more significant change is coming for this historic town. A huge pile of outdated prejudices will be removed by the free flow of society. A unique part of the local character, of which the residents themselves are hardly aware, will be smoothed out and worn away by the influence of newcomers. Much of this will be positive; however, there will also be some drawbacks. Whether it's for better or worse, it's likely that the moral power of wealth and the dominance of an aristocratic class, which has held a stronger grip here than in any other New England town for as long as I can remember, will lessen.”
The Old Year, having talked away nearly all of her little remaining breath, now closed her book of chronicles, and was about to take her departure, but her sister detained her a while longer by inquiring the contents of the huge bandbox which she was so painfully lugging along with her.
The Old Year, having spent almost all of her remaining energy talking, now closed her book of records and was ready to leave, but her sister held her back a little longer by asking about the contents of the large bandbox that she was struggling to carry.
“These are merely a few trifles,” replied the Old Year, “which I have picked up in my rambles and am going to deposit in the receptacle of things past and forgotten. We sisterhood of years never carry anything really valuable out of the world with us. Here are patterns of most of the fashions which I brought into vogue, and which have already lived out their allotted term; you will supply their place with others equally ephemeral. Here, put up in little china pots, like rouge, is a considerable lot of beautiful women’s bloom which the disconsolate fair ones owe me a bitter grudge for stealing. I have likewise a quantity of men’s dark hair, instead of which I have left gray locks or none at all. The tears of widows and other afflicted mortals who have received comfort during the last twelve months are preserved in some dozens of essence-bottles well corked and sealed. I have several bundles of love-letters eloquently breathing an eternity of burning passion which grew cold and perished almost before the ink was dry. Moreover, here is an assortment of many thousand broken promises and other broken ware, all very light and packed into little space. The heaviest articles in my possession are a large parcel of disappointed hopes which a little while ago were buoyant enough to have inflated Mr. Lauriat’s balloon.”
“These are just a few trivial items,” replied the Old Year, “that I’ve collected during my journeys and am going to put away in the storage of things past and forgotten. We, the sisterhood of years, never take anything truly valuable out of the world with us. Here are examples of most of the trends I started, which have already run their course; you will replace them with others just as fleeting. Look, stored in little china pots like makeup, is a significant amount of beautiful women’s beauty that the heartbroken ladies hold a bitter grudge against me for taking. I also have a bunch of men’s dark hair, which I've left in exchange for gray strands or none at all. The tears of widows and other grieving souls who have found comfort over the past twelve months are kept in several dozen corked and sealed essence bottles. I have numerous bundles of love letters passionately expressing an eternity of love that cooled and faded almost before the ink dried. Additionally, here is a collection of thousands of broken promises and other broken items, all very light and compact. The heaviest things I own are a large parcel of disappointed hopes that not long ago were buoyant enough to inflate Mr. Lauriat’s balloon.”
“I have a fine lot of hopes here in my basket,” remarked the New Year. “They are a sweet-smelling flower—a species of rose.”
“I have a great bunch of hopes in my basket,” said the New Year. “They are a fragrant flower—a kind of rose.”
“They soon lose their perfume,” replied the sombre Old Year. “What else have you brought to insure a welcome from the discontented race of mortals?”
“They quickly lose their fragrance,” replied the serious Old Year. “What else have you brought to ensure a warm reception from the unhappy human race?”
“Why, to say the truth, little or nothing else,” said her sister, with a smile, “save a few new Annuals and almanacs, and some New Year’s gifts for the children. But I heartily wish well to poor mortals, and mean to do all I can for their improvement and happiness.”
“Honestly, not much else,” her sister said with a smile, “just a few new Annuals and almanacs, plus some New Year’s gifts for the kids. But I really want the best for people and plan to do everything I can to help them improve and be happy.”
“It is a good resolution,” rejoined the Old Year. “And, by the way, I have a plentiful assortment of good resolutions which have now grown so stale and musty that I am ashamed to carry them any farther. Only for fear that the city authorities would send Constable Mansfield with a warrant after me, I should toss them into the street at once. Many other matters go to make up the contents of my bandbox, but the whole lot would not fetch a single bid even at an auction of worn-out furniture; and as they are worth nothing either to you or anybody else, I need not trouble you with a longer catalogue.”
“It’s a good resolution,” replied the Old Year. “And by the way, I’ve got a ton of good resolutions that have become so old and dusty that I’m embarrassed to hold onto them any longer. If it weren't for the fact that the city officials might send Constable Mansfield after me with a warrant, I would just throw them out in the street right now. There are many other things in my collection, but they wouldn’t even get a single bid at a sale of old furniture; and since they’re worth nothing to you or anyone else, I won’t bother you with a longer list.”
“And must I also pick up such worthless luggage in my travels?” asked the New Year.
“And do I really have to carry around such useless baggage on my journey?” asked the New Year.
“Most certainly, and well if you have no heavier load to bear,” replied the other. “And now, my dear sister, I must bid you farewell, earnestly advising and exhorting you to expect no gratitude nor good-will from this peevish, unreasonable, inconsiderate, ill-intending and worse-behaving world. However warmly its inhabitants may seem to welcome you, yet, do what you may and lavish on them what means of happiness you please, they will still be complaining, still craving what it is not in your power to give, still looking forward to some other year for the accomplishment of projects which ought never to have been formed, and which, if successful, would only provide new occasions of discontent. If these ridiculous people ever see anything tolerable in you, it will be after you are gone for ever.”
“Of course, and as long as you’re not carrying a heavier burden,” replied the other. “And now, my dear sister, I have to say goodbye, strongly advising you not to expect any gratitude or goodwill from this difficult, unreasonable, inconsiderate, ill-intentioned, and worse-behaving world. No matter how warmly its people seem to welcome you, you can give them all the happiness you want, but they will still complain, still want things you can’t provide, and still look forward to some future time for achieving goals that should never have been made, and which, even if successful, would only lead to new reasons for discontent. If these ridiculous people ever notice anything good about you, it will only be after you’re gone forever.”
“But I,” cried the fresh-hearted New Year—“I shall try to leave men wiser than I find them. I will offer them freely whatever good gifts Providence permits me to distribute, and will tell them to be thankful for what they have and humbly hopeful for more; and surely, if they are not absolute fools, they will condescend to be happy, and will allow me to be a happy year. For my happiness must depend on them.”
“But I,” exclaimed the enthusiastic New Year, “I will try to leave people wiser than I found them. I will freely share whatever good gifts fate allows me to give out, and I’ll encourage them to be thankful for what they have and to be humbly hopeful for more; and surely, if they aren’t complete fools, they will choose to be happy and will let me be a happy year. My happiness depends on them.”
“Alas for you, then, my poor sister!” said the Old Year, sighing, as she uplifted her burden. “We grandchildren of Time are born to trouble. Happiness, they say, dwells in the mansions of eternity, but we can only lead mortals thither step by step with reluctant murmurings, and ourselves must perish on the threshold. But hark! my task is done.”
“Unfortunately for you, my poor sister!” said the Old Year, sighing as she lifted her burden. “We grandchildren of Time are destined for trouble. They say happiness resides in the homes of eternity, but we can only guide mortals there slowly and with reluctance, while we ourselves must fade away at the entrance. But listen! My task is complete.”
The clock in the tall steeple of Dr. Emerson’s church struck twelve; there was a response from Dr. Flint’s, in the opposite quarter of the city; and while the strokes were yet dropping into the air the Old Year either flitted or faded away, and not the wisdom and might of angels, to say nothing of the remorseful yearnings of the millions who had used her ill, could have prevailed with that departed year to return one step. But she, in the company of Time and all her kindred, must hereafter hold a reckoning with mankind. So shall it be, likewise, with the maidenly New Year, who, as the clock ceased to strike, arose from the steps of the city-hall and set out rather timorously on her earthly course.
The clock in the tall steeple of Dr. Emerson's church struck twelve; there was a response from Dr. Flint's, across the city; and while the last chimes were still hanging in the air, the Old Year either slipped away or faded out, and not even the wisdom and strength of angels, not to mention the regretful wishes of the millions who had treated her poorly, could have convinced that departed year to come back for even a moment. But she, alongside Time and all her relatives, must now face accounting with humanity. The same will be true for the maidenly New Year, who, as the clock finished striking, rose from the steps of the city hall and began her earthly journey a little nervously.
“A happy New Year!” cried a watchman, eying her figure very questionably, but without the least suspicion that he was addressing the New Year in person.
“A happy New Year!” shouted a watchman, looking at her figure with doubt, but he had no idea that he was actually speaking to the New Year itself.
“Thank you kindly,” said the New Year; and she gave the watchman one of the roses of hope from her basket. “May this flower keep a sweet smell long after I have bidden you good-bye!”
“Thank you so much,” said the New Year; and she gave the watchman one of the roses of hope from her basket. “May this flower keep a sweet scent long after I’ve said goodbye!”
Then she stepped on more briskly through the silent streets, and such as were awake at the moment heard her footfall and said, “The New Year is come!” Wherever there was a knot of midnight roisterers, they quaffed her health. She sighed, however, to perceive that the air was tainted—as the atmosphere of this world must continually be—with the dying breaths of mortals who had lingered just long enough for her to bury them. But there were millions left alive to rejoice at her coming, and so she pursued her way with confidence, strewing emblematic flowers on the doorstep of almost every dwelling, which some persons will gather up and wear in their bosoms, and others will trample under foot. The carrier-boy can only say further that early this morning she filled his basket with New Year’s addresses, assuring him that the whole city, with our new mayor and the aldermen and common council at its head, would make a general rush to secure copies. Kind patrons, will not you redeem the pledge of the New Year?
Then she walked more briskly through the quiet streets, and those who were awake at the moment heard her footsteps and exclaimed, “The New Year has come!” Wherever there was a group of midnight revelers, they raised a toast to her. However, she sighed as she noticed that the air was tainted—like the atmosphere of this world always is—with the last breaths of people who had hung on just long enough for her to bury them. But there were millions still alive to celebrate her arrival, so she continued on her way confidently, scattering symbolic flowers on the doorstep of almost every home. Some people would pick them up and wear them close to their hearts, while others would tread them into the ground. The delivery boy can only add that early this morning she filled his basket with New Year’s messages, assuring him that the whole city, with our new mayor, the aldermen, and the city council leading the way, would make a beeline to get copies. Kind patrons, will you not honor the promise of the New Year?
SNOWFLAKES
There is snow in yonder cold gray sky of the morning, and through the partially-frosted window-panes I love to watch the gradual beginning of the storm. A few feathery flakes are scattered widely through the air and hover downward with uncertain flight, now almost alighting on the earth, now whirled again aloft into remote regions of the atmosphere. These are not the big flakes heavy with moisture which melt as they touch the ground and are portentous of a soaking rain. It is to be in good earnest a wintry storm. The two or three people visible on the sidewalks have an aspect of endurance, a blue-nosed, frosty fortitude, which is evidently assumed in anticipation of a comfortless and blustering day. By nightfall—or, at least, before the sun sheds another glimmering smile upon us—the street and our little garden will be heaped with mountain snowdrifts. The soil, already frozen for weeks past, is prepared to sustain whatever burden may be laid upon it, and to a Northern eye the landscape will lose its melancholy bleakness and acquire a beauty of its own when Mother Earth, like her children, shall have put on the fleecy garb of her winter’s wear. The cloud-spirits are slowly weaving her white mantle. As yet, indeed, there is barely a rime like hoar-frost over the brown surface of the street; the withered green of the grass-plat is still discernible, and the slated roofs of the houses do but begin to look gray instead of black. All the snow that has yet fallen within the circumference of my view, were it heaped up together, would hardly equal the hillock of a grave. Thus gradually by silent and stealthy influences are great changes wrought. These little snow-particles which the storm-spirit flings by handfuls through the air will bury the great Earth under their accumulated mass, nor permit her to behold her sister Sky again for dreary months. We likewise shall lose sight of our mother’s familiar visage, and must content ourselves with looking heavenward the oftener.
There’s snow in the cold gray morning sky, and through the partially-frosted window, I love watching the storm slowly start. A few feathery flakes are scattered through the air, drifting down uncertainly, almost touching the ground one moment and then swirling back up into the atmosphere the next. These aren't the big, wet flakes that melt on contact and signal a heavy rain. This is definitely going to be a serious winter storm. The two or three people visible on the sidewalks wear a look of endurance, with blue noses and a frosty determination, clearly preparing for a cold, blustery day ahead. By nightfall—or at least before the sun shares another glimmering smile with us—the street and our small garden will be piled high with snowdrifts. The ground, already frozen for weeks, is ready to handle whatever weight is laid upon it, and to a Northern eye, the landscape will shift from its dreary bleakness to a unique beauty when Mother Earth, like her children, puts on her fluffy winter coat. The clouds are slowly weaving her white mantle. Right now, there’s barely a frost-like coating over the brown surface of the street; the dried-out green of the grass is still visible, and the slate roofs of the houses are just starting to look gray instead of black. All the snow that’s fallen in my sight, if piled together, wouldn’t even equal the size of a small grave. This gradual process is how great changes happen silently and stealthily. These tiny snowflakes that the storm spirit throws around will bury the Earth under their growing mass, making it impossible for her to see her sister Sky for many dreary months. We too will lose sight of our mother’s familiar face and must make do by looking up at the heavens more often.
Now, leaving the Storm to do his appointed office, let us sit down, pen in hand, by our fireside. Gloomy as it may seem, there is an influence productive of cheerfulness and favorable to imaginative thought in the atmosphere of a snowy day. The native of a Southern clime may woo the Muse beneath the heavy shade of summer foliage reclining on banks of turf, while the sound of singing-birds and warbling rivulets chimes in with the music of his soul. In our brief summer I do not think, but only exist in the vague enjoyment of a dream. My hour of inspiration—if that hour ever comes—is when the green log hisses upon the hearth, and the bright flame, brighter for the gloom of the chamber, rustles high up the chimney, and the coals drop tinkling down among the growing heaps of ashes. When the casement rattles in the gust and the snowflakes or the sleety raindrops pelt hard against the window-panes, then I spread out my sheet of paper with the certainty that thoughts and fancies will gleam forth upon it like stars at twilight or like violets in May, perhaps to fade as soon. However transitory their glow, they at least shine amid the darksome shadow which the clouds of the outward sky fling through the room. Blessed, therefore, and reverently welcomed by me, her true-born son, be New England’s winter, which makes us one and all the nurslings of the storm and sings a familiar lullaby even in the wildest shriek of the December blast. Now look we forth again and see how much of his task the storm-spirit has done.
Now, leaving the Storm to do its job, let’s sit down, pen in hand, by our fireplace. As gloomy as it may seem, there’s something uplifting and inspiring about the atmosphere of a snowy day. Someone from a Southern climate can find inspiration under the heavy shade of summer trees, relaxing on grassy banks, with the sounds of singing birds and bubbling streams harmonizing with the music of their soul. In our brief summer, I don’t really think; I just exist in the vague enjoyment of a dream. My moment of inspiration—if it ever comes—is when the green log hisses on the hearth, and the bright flame, even brighter in the dim room, flickers up the chimney, while the coals drop with a tinkling sound among the growing piles of ash. When the window rattles in the wind and the snowflakes or icy raindrops hit hard against the windowpanes, that’s when I lay out my sheet of paper, sure that thoughts and ideas will shine on it like stars at twilight or like violets in May, maybe to fade just as quickly. However fleeting their light, they at least illuminate the dark shadows that the clouds outside cast through the room. Therefore, blessed and reverently welcomed by me, her true-born son, be New England’s winter, which makes us all nurtured by the storm and sings a familiar lullaby even in the wildest howl of the December wind. Now let’s look out again and see how much of his task the storm spirit has completed.
Slow and sure! He has the day—perchance the week—before him, and may take his own time to accomplish Nature’s burial in snow. A smooth mantle is scarcely yet thrown over the withered grass-plat, and the dry stalks of annuals still thrust themselves through the white surface in all parts of the garden. The leafless rose-bushes stand shivering in a shallow snowdrift, looking, poor things! as disconsolate as if they possessed a human consciousness of the dreary scene. This is a sad time for the shrubs that do not perish with the summer. They neither live nor die; what they retain of life seems but the chilling sense of death. Very sad are the flower-shrubs in midwinter. The roofs of the houses are now all white, save where the eddying wind has kept them bare at the bleak corners. To discern the real intensity of the storm, we must fix upon some distant object—as yonder spire—and observe how the riotous gust fights with the descending snow throughout the intervening space. Sometimes the entire prospect is obscured; then, again, we have a distinct but transient glimpse of the tall steeple, like a giant’s ghost; and now the dense wreaths sweep between, as if demons were flinging snowdrifts at each other in mid-air. Look next into the street, where we have an amusing parallel to the combat of those fancied demons in the upper regions. It is a snow-battle of schoolboys. What a pretty satire on war and military glory might be written in the form of a child’s story by describing the snow-ball fights of two rival schools, the alternate defeats and victories of each, and the final triumph of one party, or perhaps of neither! What pitched battles worthy to be chanted in Homeric strains! What storming of fortresses built all of massive snow-blocks! What feats of individual prowess and embodied onsets of martial enthusiasm! And when some well-contested and decisive victory had put a period to the war, both armies should unite to build a lofty monument of snow upon the battlefield and crown it with the victor’s statue hewn of the same frozen marble. In a few days or weeks thereafter the passer-by would observe a shapeless mound upon the level common, and, unmindful of the famous victory, would ask, “How came it there? Who reared it? And what means it?” The shattered pedestal of many a battle-monument has provoked these questions when none could answer.
Slow and steady! He has the day—maybe even the week—ahead of him, and can take his time to cover Nature with snow. A smooth layer of snow has barely settled over the withered grass, and the dry stalks of annuals still poke through the white surface all over the garden. The leafless rose bushes stand shivering in a shallow snowdrift, looking, poor things! as miserable as if they had a human awareness of the dreary scene. This is a sad time for the shrubs that don’t die off in the summer. They neither live nor die; what little life they have seems to just bring the chilling feeling of death. The flower shrubs in midwinter are very sad. The roofs of the houses are now all white, except where the swirling wind has kept them bare at the cold corners. To truly understand the intensity of the storm, we need to focus on some distant object—like that spire—and watch how the wild gusts clash with the falling snow in between. Sometimes the entire view is obscured; then, we catch a clear but brief glimpse of the tall steeple, like a giant’s ghost; and now the thick swirls sweep through, as if demons were throwing snowdrifts at each other in the air. Now look down into the street, where we see a funny comparison to the imagined battle of those demons above. It’s a snowball fight among schoolboys. What a great satire on war and military glory could be made into a child’s story, detailing the snowball battles of two rival schools, the back-and-forth losses and wins for each, and the ultimate triumph of one side, or maybe neither! What epic battles worthy of being sung about in grand tales! What sieges of fortresses made entirely of snow blocks! What displays of individual bravery and thrilling attacks of youthful enthusiasm! And when some fiercely contested and definitive victory finally ends the war, both sides should come together to build a tall snow monument on the battlefield and top it with the victor's statue carved from the same frozen snow. In a few days or weeks afterward, passersby would notice a shapeless mound on the flat ground and, not knowing about the famous victory, would wonder, “How did that get there? Who built it? And what does it mean?” The broken pedestal of many a battle monument has sparked these questions when no one could provide answers.
Turn we again to the fireside and sit musing there, lending our ears to the wind till perhaps it shall seem like an articulate voice and dictate wild and airy matter for the pen. Would it might inspire me to sketch out the personification of a New England winter! And that idea, if I can seize the snow-wreathed figures that flit before my fancy, shall be the theme of the next page.
Let's return to the fireside and sit there, lost in thought, listening to the wind until it sounds like a clear voice, inspiring wild and imaginative ideas for writing. I hope it inspires me to create a personification of a New England winter! If I can capture the snow-covered figures that dance in my imagination, that will be the focus of the next page.
How does Winter herald his approach? By the shrieking blast of latter autumn which is Nature’s cry of lamentation as the destroyer rushes among the shivering groves where she has lingered and scatters the sear leaves upon the tempest. When that cry is heard, the people wrap themselves in cloaks and shake their heads disconsolately, saying, “Winter is at hand.” Then the axe of the woodcutter echoes sharp and diligently in the forest; then the coal-merchants rejoice because each shriek of Nature in her agony adds something to the price of coal per ton; then the peat-smoke spreads its aromatic fragrance through the atmosphere. A few days more, and at eventide the children look out of the window and dimly perceive the flaunting of a snowy mantle in the air. It is stern Winter’s vesture. They crowd around the hearth and cling to their mother’s gown or press between their father’s knees, affrighted by the hollow roaring voice that bellows adown the wide flue of the chimney.
How does Winter announce his arrival? With the howling winds of late autumn, which is Nature’s cry of sorrow as the harbinger rushes through the trembling groves where she has stayed and scatters the dry leaves in the storm. When that cry is heard, people wrap themselves in cloaks and shake their heads sadly, saying, “Winter is coming.” Then the woodcutter's axe rings out sharply and tirelessly in the forest; then the coal merchants celebrate because each scream of Nature in her distress raises the price of coal per ton; then the scent of burning peat spreads through the air. A few days later, as evening falls, the children look out the window and can barely see the bright white mantle of snow in the air. It’s the stern clothes of Winter. They gather around the fire, clinging to their mother’s skirt or pressing between their father’s knees, frightened by the deep, roaring sound that thunders down the wide flue of the chimney.
It is the voice of Winter; and when parents and children hear it, they shudder and exclaim, “Winter is come. Cold Winter has begun his reign already.” Now throughout New England each hearth becomes an altar sending up the smoke of a continued sacrifice to the immitigable deity who tyrannizes over forest, country-side and town. Wrapped in his white mantle, his staff a huge icicle, his beard and hair a wind-tossed snowdrift, he travels over the land in the midst of the northern blast, and woe to the homeless wanderer whom he finds upon his path! There he lies stark and stiff, a human shape of ice, on the spot where Winter overtook him. On strides the tyrant over the rushing rivers and broad lakes, which turn to rock beneath his footsteps. His dreary empire is established; all around stretches the desolation of the pole. Yet not ungrateful be his New England children (for Winter is our sire, though a stern and rough one)—not ungrateful even for the severities which have nourished our unyielding strength of character. And let us thank him, too, for the sleigh-rides cheered by the music of merry bells; for the crackling and rustling hearth when the ruddy firelight gleams on hardy manhood and the blooming cheek of woman: for all the home-enjoyments and the kindred virtues which flourish in a frozen soil. Not that we grieve when, after some seven months of storm and bitter frost, Spring, in the guise of a flower-crowned virgin, is seen driving away the hoary despot, pelting him with violets by the handful and strewing green grass on the path behind him. Often ere he will give up his empire old Winter rushes fiercely buck and hurls a snowdrift at the shrinking form of Spring, yet step by step he is compelled to retreat northward, and spends the summer month within the Arctic circle.
It is the voice of Winter; and when parents and children hear it, they shudder and say, “Winter has come. Cold Winter has already begun his reign.” Across New England, every hearth becomes an altar sending up smoke as a continuous offering to the relentless deity who rules over the forests, countryside, and towns. Wrapped in his white cloak, with a giant icicle as his staff and his beard and hair resembling a blown snowdrift, he moves across the land along with the northern winds, and woe to the homeless wanderer he encounters! There lies the person, cold and stiff, a figure of ice, right where Winter found them. The tyrant strides on over rushing rivers and broad lakes that turn to solid ice beneath his feet. His bleak empire is established; desolation stretches around, like the polar wasteland. Yet, let his New England children not be ungrateful (for Winter is our father, though harsh and rough)—not ungrateful even for the hardships that have built our strong character. And let’s thank him, too, for the sleigh rides accompanied by the sound of cheerful bells; for the crackling hearth where the warm firelight shines on sturdy men and the rosy cheeks of women; for all the comforts of home and the virtues that thrive in a frozen landscape. We do not mourn when, after about seven months of storms and biting frost, Spring, looking like a flower-crowned virgin, shows up to drive away the old tyrant, pelting him with handfuls of violets and spreading green grass in his wake. Often, before he gives up his domain, old Winter fights back fiercely and hurls a snowdrift at the retreating form of Spring, yet step by step, he must retreat northward and spends the summer within the Arctic Circle.
Such fantasies, intermixed among graver toils of mind, have made the winter’s day pass pleasantly. Meanwhile, the storm has raged without abatement, and now, as the brief afternoon declines, is tossing denser volumes to and fro about the atmosphere. On the window-sill there is a layer of snow reaching halfway up the lowest pane of glass. The garden is one unbroken bed. Along the street are two or three spots of uncovered earth where the gust has whirled away the snow, heaping it elsewhere to the fence-tops or piling huge banks against the doors of houses. A solitary passenger is seen, now striding mid-leg deep across a drift, now scudding over the bare ground, while his cloak is swollen with the wind. And now the jingling of bells—a sluggish sound responsive to the horse’s toilsome progress through the unbroken drifts—announces the passage of a sleigh with a boy clinging behind and ducking his head to escape detection by the driver. Next comes a sledge laden with wood for some unthrifty housekeeper whom winter has surprised at a cold hearth. But what dismal equipage now struggles along the uneven street? A sable hearse bestrewn with snow is bearing a dead man through the storm to his frozen bed. Oh how dreary is a burial in winter, when the bosom of Mother Earth has no warmth for her poor child!
Such daydreams, mixed in with more serious thoughts, have made the winter day go by pleasantly. Meanwhile, the storm has raged on without letting up, and now, as the brief afternoon fades, it's tossing heavier clouds around in the air. There's a layer of snow on the window-sill that reaches halfway up the lowest pane of glass. The garden looks like one huge blanket of white. Along the street, there are a few patches of bare ground where the wind has blown the snow away, piling it up at the fence tops or against the doors of houses. A lone person is spotted, now trudging through a drift that's come up to mid-calf, now skimming over the clear ground, while their cloak billows in the wind. And now the sound of jingling bells—a slow sound in tune with the horse’s tough journey through the untouched drifts—signals the passage of a sleigh with a boy hanging on behind, ducking his head to avoid being seen by the driver. Next comes a sled loaded with firewood for some unprepared housekeeper surprised by winter with a cold hearth. But what grim sight struggles down the uneven street now? A black hearse covered in snow is carrying a dead man through the storm to his frozen resting place. Oh, how sad it is to have a burial in winter, when Mother Earth's embrace offers no warmth for her poor child!
Evening—the early eve of December—begins to spread its deepening veil over the comfortless scene. The firelight gradually brightens and throws my flickering shadow upon the walls and ceiling of the chamber, but still the storm rages and rattles against the windows. Alas! I shiver and think it time to be disconsolate, but, taking a farewell glance at dead Nature in her shroud, I perceive a flock of snowbirds skimming lightsomely through the tempest and flitting from drift to drift as sportively as swallows in the delightful prime of summer. Whence come they? Where do they build their nests and seek their food? Why, having airy wings, do they not follow summer around the earth, instead of making themselves the playmates of the storm and fluttering on the dreary verge of the winter’s eve? I know not whence they come, nor why; yet my spirit has been cheered by that wandering flock of snow-birds.
Evening—the early night of December—starts to cast its deepening veil over the bleak scene. The firelight gradually brightens and throws my flickering shadow on the walls and ceiling of the room, but the storm continues to rage and rattle against the windows. I shiver and feel like it's time to be downhearted, but as I take a last look at dead Nature in her shroud, I notice a flock of snowbirds gracefully skimming through the storm and flitting from drift to drift, as playfully as swallows in the lovely heart of summer. Where do they come from? Where do they build their nests and find their food? Why do they not follow summer with their light wings, instead of becoming the companions of the storm and fluttering on the gloomy edge of winter’s night? I don’t know where they come from or why; yet that wandering flock of snowbirds lifts my spirits.
THE SEVEN VAGABONDS
Rambling on foot in the spring of my life and the summer of the year, I came one afternoon to a point which gave me the choice of three directions. Straight before me the main road extended its dusty length to Boston; on the left a branch went toward the sea, and would have lengthened my journey a trifle of twenty or thirty miles, while by the right-hand path I might have gone over hills and lakes to Canada, visiting in my way the celebrated town of Stamford. On a level spot of grass at the foot of the guide-post appeared an object which, though locomotive on a different principle, reminded me of Gulliver’s portable mansion among the Brobdignags. It was a huge covered wagon—or, more properly, a small house on wheels—with a door on one side and a window shaded by green blinds on the other. Two horses munching provender out of the baskets which muzzled them were fastened near the vehicle. A delectable sound of music proceeded from the interior, and I immediately conjectured that this was some itinerant show halting at the confluence of the roads to intercept such idle travellers as myself. A shower had long been climbing up the western sky, and now hung so blackly over my onward path that it was a point of wisdom to seek shelter here.
Wandering on foot in the spring of my life and the summer of the year, I came one afternoon to a spot where I had to choose between three paths. Right in front of me, the main road stretched dusty toward Boston; to the left, a branch led to the sea, adding about twenty or thirty miles to my journey, while the path to the right could take me over hills and lakes to Canada, where I could visit the famous town of Stamford. At the base of the guidepost, I spotted something that, while moving by a different means, reminded me of Gulliver’s portable house among the Brobdingnag giants. It was a large covered wagon—or more accurately, a small house on wheels—complete with a door on one side and a window with green blinds on the other. Two horses were tied nearby, munching from the baskets that limited their reach. I heard delightful music coming from inside, and I quickly guessed this was some traveling show stopping at the crossroads to attract idle travelers like me. A rain shower had been building in the western sky and now loomed so darkly over my path that it seemed wise to seek shelter here.
“Halloo! Who stands guard here? Is the doorkeeper asleep?” cried I, approaching a ladder of two or three steps which was let down from the wagon.
“Hello! Who's on guard here? Is the doorkeeper asleep?” I shouted as I walked up to a two or three-step ladder that was lowered from the wagon.
The music ceased at my summons, and there appeared at the door, not the sort of figure that I had mentally assigned to the wandering showman, but a most respectable old personage whom I was sorry to have addressed in so free a style. He wore a snuff-colored coat and small-clothes, with white top-boots, and exhibited the mild dignity of aspect and manner which may often be noticed in aged schoolmasters, and sometimes in deacons, selectmen or other potentates of that kind. A small piece of silver was my passport within his premises, where I found only one other person, hereafter to be described.
The music stopped at my call, and at the door appeared not the kind of figure I had imagined for a wandering showman, but rather a very respectable older gentleman whom I regretted addressing so casually. He wore a brown coat and trousers with white top boots, and he had that calm dignity in his demeanor that you often see in older teachers, or sometimes in deacons, selectmen, or other local leaders. A small piece of silver allowed me to enter his place, where I found only one other person, who will be described later.
“This is a dull day for business,” said the old gentleman as he ushered me in; “but I merely tarry here to refresh the cattle, being bound for the camp-meeting at Stamford.”
“This is a slow day for business,” said the old man as he welcomed me in; “but I’m just stopping here to rest the horses, since I’m on my way to the camp meeting at Stamford.”
Perhaps the movable scene of this narrative is still peregrinating New England, and may enable the reader to test the accuracy of my description. The spectacle—for I will not use the unworthy term of “puppet-show”—consisted of a multitude of little people assembled on a miniature stage. Among them were artisans of every kind in the attitudes of their toil, and a group of fair ladies and gay gentlemen standing ready for the dance; a company of foot-soldiers formed a line across the stage, looking stern, grim and terrible enough to make it a pleasant consideration that they were but three inches high; and conspicuous above the whole was seen a Merry Andrew in the pointed cap and motley coat of his profession. All the inhabitants of this mimic world were motionless, like the figures in a picture, or like that people who one moment were alive in the midst of their business and delights and the next were transformed to statues, preserving an eternal semblance of labor that was ended and pleasure that could be felt no more. Anon, however, the old gentleman turned the handle of a barrel-organ, the first note of which produced a most enlivening effect upon the figures and awoke them all to their proper occupations and amusements. By the selfsame impulse the tailor plied his needle, the blacksmith’s hammer descended upon the anvil and the dancers whirled away on feathery tiptoes; the company of soldiers broke into platoons, retreated from the stage, and were succeeded by a troop of horse, who came prancing onward with such a sound of trumpets and trampling of hoofs as might have startled Don Quixote himself; while an old toper of inveterate ill-habits uplifted his black bottle and took off a hearty swig. Meantime, the Merry Andrew began to caper and turn somersets, shaking his sides, nodding his head and winking his eyes in as lifelike a manner as if he were ridiculing the nonsense of all human affairs and making fun of the whole multitude beneath him. At length the old magician (for I compared the showman to Prospero entertaining his guests with a masque of shadows) paused that I might give utterance to my wonder.
Maybe the movable scene of this story is still wandering through New England, allowing the reader to check the accuracy of my description. The spectacle—for I won't use the unworthy term “puppet show”—featured a bunch of little people gathered on a tiny stage. Among them were craftsmen of all kinds in the midst of their work, and a group of beautiful ladies and dashing gentlemen ready to dance; a line of foot-soldiers stood across the stage, looking serious and fierce enough to make it a relief that they were only three inches tall; and standing out above all was a Merry Andrew in the pointed cap and colorful coat typical of his role. All the inhabitants of this tiny world were motionless, like figures in a painting, or like people who were alive just a moment ago in the midst of their tasks and joys, only to be turned into statues, preserving an eternal image of work that was done and enjoyment that could no longer be felt. However, soon the old gentleman turned the handle of a barrel organ, and the first note produced a lively effect on the figures, waking them up to their proper jobs and pastimes. With the same impulse, the tailor used his needle, the blacksmith’s hammer hit the anvil, and the dancers spun away on their light toes; the soldiers split into formations, retreated from the stage, and were replaced by a group of horses, who trotted forward with such a sound of trumpets and the pounding of hooves that it could have startled Don Quixote himself; while an old drunkard with bad habits lifted his black bottle and took a hearty swig. Meanwhile, the Merry Andrew began to dance and do somersaults, shaking his sides, nodding his head, and winking his eyes in such a lifelike way that it seemed he was mocking the absurdity of all human affairs and poking fun at the whole crowd below him. Finally, the old magician (I compared the showman to Prospero entertaining his guests with a mask of shadows) paused so I could express my amazement.
“What an admirable piece of work is this!” exclaimed I, lifting up my hands in astonishment.
“What an amazing piece of work this is!” I exclaimed, raising my hands in astonishment.
Indeed, I liked the spectacle and was tickled with the old man’s gravity as he presided at it, for I had none of that foolish wisdom which reproves every occupation that is not useful in this world of vanities. If there be a faculty which I possess more perfectly than most men, it is that of throwing myself mentally into situations foreign to my own and detecting with a cheerful eye the desirable circumstances of each. I could have envied the life of this gray-headed showman, spent as it had been in a course of safe and pleasurable adventure in driving his huge vehicle sometimes through the sands of Cape Cod and sometimes over the rough forest-roads of the north and east, and halting now on the green before a village meeting-house and now in a paved square of the metropolis. How often must his heart have been gladdened by the delight of children as they viewed these animated figures, or his pride indulged by haranguing learnedly to grown men on the mechanical powers which produced such wonderful effects, or his gallantry brought into play—for this is an attribute which such grave men do not lack—by the visits of pretty maidens! And then with how fresh a feeling must he return at intervals to his own peculiar home! “I would I were assured of as happy a life as his,” thought I.
Honestly, I enjoyed the show and was amused by the old man's seriousness as he ran it, because I didn't have that silly wisdom that criticizes every activity that's not practical in this world of superficiality. If there's one skill I have better than most, it's the ability to mentally put myself into situations that are different from my own and see the good in each. I could have envied the life of this gray-haired showman, which was filled with enjoyable and safe adventures, driving his big vehicle sometimes through the sands of Cape Cod and other times over the rough backroads of the north and east, stopping now in front of a village meeting house and then in a busy square in the city. How often must his heart have been lifted by the joy of children watching these lively figures, or his pride satisfied by explaining to grown men the mechanical wonders that created such amazing effects, or his charm activated—because serious men like him often have this trait—by the attention of pretty young women! And how refreshing it must be for him to return home from all that every now and then! “I wish I could have a life as happy as his,” I thought.
Though the showman’s wagon might have accommodated fifteen or twenty spectators, it now contained only himself and me and a third person, at whom I threw a glance on entering. He was a neat and trim young man of two or three and twenty; his drab hat and green frock-coat with velvet collar were smart, though no longer new, while a pair of green spectacles that seemed needless to his brisk little eyes gave him something of a scholar-like and literary air. After allowing me a sufficient time to inspect the puppets, he advanced with a bow and drew my attention to some books in a corner of the wagon. These he forthwith began to extol with an amazing volubility of well-sounding words and an ingenuity of praise that won him my heart as being myself one of the most merciful of critics. Indeed, his stock required some considerable powers of commendation in the salesman. There were several ancient friends of mine—the novels of those happy days when my affections wavered between the Scottish Chiefs and Thomas Thumb—besides a few of later date whose merits had not been acknowledged by the public. I was glad to find that dear little venerable volume the New England Primer, looking as antique as ever, though in its thousandth new edition; a bundle of superannuated gilt picture-books made such a child of me that, partly for the glittering covers and partly for the fairy-tales within, I bought the whole, and an assortment of ballads and popular theatrical songs drew largely on my purse. To balance these expenditures, I meddled neither with sermons nor science nor morality, though volumes of each were there, nor with a Life of Franklin in the coarsest of paper, but so showily bound that it was emblematical of the doctor himself in the court-dress which he refused to wear at Paris, nor with Webster’s spelling-book, nor some of Byron’s minor poems, nor half a dozen little Testaments at twenty-five cents each. Thus far the collection might have been swept from some great bookstore or picked up at an evening auction-room, but there was one small blue-covered pamphlet which the pedler handed me with so peculiar an air that I purchased it immediately at his own price; and then for the first time the thought struck me that I had spoken face to face with the veritable author of a printed book.
Though the showman's wagon could have fit fifteen or twenty spectators, it now held just him, me, and a third person I glanced at when I entered. He was a neat, well-groomed young man, around twenty-two or twenty-three years old; his drab hat and green frock coat with a velvet collar looked sharp, even if they weren't brand new. A pair of green glasses, which seemed unnecessary for his bright little eyes, gave him a somewhat scholarly and literary vibe. After giving me enough time to look at the puppets, he approached with a bow and pointed out some books in a corner of the wagon. He started to praise them with impressive fluency and clever compliments that won me over, as I considered myself a pretty easy-going critic. In fact, his selection needed quite a bit of selling skills. There were several old favorites of mine—the novels from the good old days when my interests flipped between the Scottish Chiefs and Thomas Thumb—along with a few more recent titles that hadn’t received recognition. I was happy to see that dear little classic, the New England Primer, looking just as antique as ever, despite being in its thousandth new edition. A collection of old gilt picture books made me feel like a child again, and partly because of their shiny covers and partly because of the fairy tales inside, I ended up buying the whole lot. An assortment of ballads and popular theatrical songs also made a dent in my wallet. To balance out my spending, I avoided sermons, science, and morality books, even though there were plenty of each, nor did I touch a shabby-covered Life of Franklin, which was so flashy that it seemed a representation of the doctor himself in the court attire he refused to wear in Paris, nor did I buy Webster's spelling book, some of Byron's lesser poems, or a handful of little Testaments at twenty-five cents each. Up to this point, the collection could have come from a big bookstore or an evening auction, but there was one small blue-covered pamphlet that the peddler handed me with such a special air that I bought it immediately at his price; and it was then that it struck me for the first time that I was speaking face to face with the actual author of a printed book.
The literary-man now evinced a great kindness for me, and I ventured to inquire which way he was travelling.
The writer now showed me a lot of kindness, and I took the chance to ask which direction he was going.
“Oh,” said he, “I keep company with this old gentlemen here, and we are moving now toward the camp-meeting at Stamford.”
“Oh,” he said, “I’m with this older gentleman here, and we’re headed to the camp meeting in Stamford now.”
He then explained to me that for the present season he had rented a corner of the wagon as a book-store, which, as he wittily observed, was a true circulating library, since there were few parts of the country where it had not gone its rounds. I approved of the plan exceedingly, and began to sum up within my mind the many uncommon felicities in the life of a book-pedler, especially when his character resembled that of the individual before me. At a high rate was to be reckoned the daily and hourly enjoyment of such interviews as the present, in which he seized upon the admiration of a passing stranger and made him aware that a man of literary taste, and even of literary achievement, was travelling the country in a showman’s wagon. A more valuable yet not infrequent triumph might be won in his conversations with some elderly clergyman long vegetating in a rocky, woody, watery back-settlement of New England, who as he recruited his library from the pedler’s stock of sermons would exhort him to seek a college education and become the first scholar in his class. Sweeter and prouder yet would be his sensations when, talking poetry while he sold spelling-books, he should charm the mind, and haply touch the heart, of a fair country schoolmistress, herself an unhonored poetess, a wearer of blue stockings which none but himself took pains to look at. But the scene of his completest glory would be when the wagon had halted for the night and his stock of books was transferred to some crowded bar-room. Then would he recommend to the multifarious company, whether traveller from the city, or teamster from the hills, or neighboring squire, or the landlord himself, or his loutish hostler, works suited to each particular taste and capacity, proving, all the while, by acute criticism and profound remark, that the lore in his books was even exceeded by that in his brain. Thus happily would he traverse the land, sometimes a herald before the march of Mind, sometimes walking arm in arm with awful Literature, and reaping everywhere a harvest of real and sensible popularity which the secluded bookworms by whose toil he lived could never hope for.
He explained to me that for the current season, he had rented a corner of the wagon as a bookstore, which, as he humorously pointed out, was a true circulating library since it had made its way to almost every part of the country. I thought the idea was fantastic and began to consider the many unique pleasures of being a book peddler, especially when you’re like the guy in front of me. There was great value in the everyday enjoyment of encounters like this one, where he captured the admiration of a passing stranger and made them realize that a person with literary taste, and even some literary achievements, was traveling the country in a showman’s wagon. An even more significant, though not rare, triumph might come from his chats with an elderly clergyman living in a remote, rocky, wooded area of New England, who, while expanding his library with the peddler’s stock of sermons, would encourage him to pursue a college education and be the top student in his class. His feelings would be even sweeter and prouder when, while selling spelling books and discussing poetry, he managed to charm the mind—and maybe even touch the heart—of a lovely country schoolmistress, herself an unrecognized poetess, a wearer of blue stockings that only he bothered to notice. But the peak of his glory would come when the wagon stopped for the night, and his collection of books was moved to a busy bar room. Then he would recommend various works to the diverse crowd, whether they were travelers from the city, teamsters from the hills, local squires, the landlord, or even his awkward host, suggesting titles suited to each person's taste and interests, all while demonstrating through sharp criticism and deep insights that the knowledge in his books was even surpassed by the wisdom in his mind. In this way, he would happily travel the land, sometimes as a herald announcing the arrival of new ideas, sometimes walking side by side with serious literature, and reaping a harvest of genuine popularity everywhere that the reclusive book lovers, whose labor supported him, could only dream of.
“If ever I meddle with literature,” thought I, fixing myself in adamantine resolution, “it shall be as a travelling bookseller.”
“If I ever get into literature,” I thought, setting my mind with strong determination, “it will be as a traveling bookseller.”
Though it was still mid-afternoon, the air had now grown dark about us, and a few drops of rain came down upon the roof of our vehicle, pattering like the feet of birds that had flown thither to rest. A sound of pleasant voices made us listen, and there soon appeared halfway up the ladder the pretty person of a young damsel whose rosy face was so cheerful that even amid the gloomy light it seemed as if the sunbeams were peeping under her bonnet. We next saw the dark and handsome features of a young man who, with easier gallantry than might have been expected in the heart of Yankee-land, was assisting her into the wagon. It became immediately evident to us, when the two strangers stood within the door, that they were of a profession kindred to those of my companions, and I was delighted with the more than hospitable—the even paternal—kindness of the old showman’s manner as he welcomed them, while the man of literature hastened to lead the merry-eyed girl to a seat on the long bench.
Though it was still early afternoon, the air around us had darkened, and a few drops of rain started falling on the roof of our vehicle, tapping like birds' feet that had come to rest. We heard cheerful voices and soon saw a young woman halfway up the ladder, her rosy face so bright that even in the dim light it felt like sunlight was peeking out from under her bonnet. Next, we spotted the dark and handsome features of a young man who, with surprising charm for someone from New England, was helping her into the wagon. It was clear to us, as the two strangers stood at the door, that they belonged to a profession similar to my companions’, and I was thrilled by the more than welcoming—the almost paternal—kindness of the old showman as he greeted them, while the literary man quickly guided the cheerful girl to a seat on the long bench.
“You are housed but just in time, my young friends,” said the master of the wagon; “the sky would have been down upon you within five minutes.”
“You're sheltered just in time, my young friends,” said the wagon master; “the sky would’ve come crashing down on you in five minutes.”
The young man’s reply marked him as a foreigner—not by any variation from the idiom and accent of good English, but because he spoke with more caution and accuracy than if perfectly familiar with the language.
The young man's response indicated he was a foreigner—not because he had a different accent or used poor English, but because he spoke with more care and precision than someone who was completely comfortable with the language.
“We knew that a shower was hanging over us,” said he, “and consulted whether it were best to enter the house on the top of yonder hill, but, seeing your wagon in the road—”
“We knew that a storm was coming,” he said, “and we debated whether it was best to go into the house on that hill over there, but when we saw your wagon on the road—”
“We agreed to come hither,” interrupted the girl, with a smile, “because we should be more at home in a wandering house like this.”
“We agreed to come here,” interrupted the girl with a smile, “because we would feel more at home in a place like this.”
I, meanwhile, with many a wild and undetermined fantasy was narrowly inspecting these two doves that had flown into our ark. The young man, tall, agile and athletic, wore a mass of black shining curls clustering round a dark and vivacious countenance which, if it had not greater expression, was at least more active and attracted readier notice, than the quiet faces of our countrymen. At his first appearance he had been laden with a neat mahogany box of about two feet square, but very light in proportion to its size, which he had immediately unstrapped from his shoulders and deposited on the floor of the wagon.
I was busy examining these two doves that had flown into our ark, caught up in all sorts of wild and unclear thoughts. The young man was tall, agile, and athletic, with a bunch of shiny black curls framing his dark, lively face. While his expression might not have been more intense, it was definitely more animated and drew attention more easily than the calm faces of our countrymen. When he first appeared, he carried a neat mahogany box that was about two feet square, but surprisingly light for its size. He quickly unstrapped it from his shoulders and set it down on the floor of the wagon.
The girl had nearly as fair a complexion as our own beauties, and a brighter one than most of them; the lightness of her figure, which seemed calculated to traverse the whole world without weariness, suited well with the glowing cheerfulness of her face, and her gay attire, combining the rainbow hues of crimson, green and a deep orange, was as proper to her lightsome aspect as if she had been born in it. This gay stranger was appropriately burdened with that mirth-inspiring instrument the fiddle, which her companion took from her hands, and shortly began the process of tuning. Neither of us the previous company of the wagon needed to inquire their trade, for this could be no mystery to frequenters of brigade-musters, ordinations, cattle-shows, commencements, and other festal meetings in our sober land; and there is a dear friend of mine who will smile when this page recalls to his memory a chivalrous deed performed by us in rescuing the show-box of such a couple from a mob of great double-fisted countrymen.
The girl had a complexion almost as fair as our own beauties, and even brighter than most of them; her light figure, which seemed designed to travel the world without getting tired, perfectly matched the bright cheerfulness of her face. Her colorful outfit, blending the rainbow shades of red, green, and a deep orange, suited her lively appearance as if she had been born in it. This cheerful stranger was fittingly carrying the joy-inducing instrument, the fiddle, which her friend took from her hands and soon started tuning. None of us from the previous wagon needed to ask what they did, as it was no mystery to anyone who had been to brigade-musters, ordinations, cattle shows, graduations, and other festive gatherings in our serious country; and there is a dear friend of mine who will smile when this page reminds him of a courageous act we did in saving the show-box of such a duo from a mob of strong countrymen.
“Come,” said I to the damsel of gay attire; “shall we visit all the wonders of the world together?”
“Come,” I said to the girl in the bright outfit; “shall we explore all the wonders of the world together?”
She understood the metaphor at once, though, indeed, it would not much have troubled me if she had assented to the literal meaning of my words. The mahogany box was placed in a proper position, and I peeped in through its small round magnifying-window while the girl sat by my side and gave short descriptive sketches as one after another the pictures were unfolded to my view. We visited together—at least, our imaginations did—full many a famous city in the streets of which I had long yearned to tread. Once, I remember, we were in the harbor of Barcelona, gazing townward; next, she bore me through the air to Sicily and bade me look up at blazing Ætna; then we took wing to Venice and sat in a gondola beneath the arch of the Rialto, and anon she set me down among the thronged spectators at the coronation of Napoleon. But there was one scene—its locality she could not tell—which charmed my attention longer than all those gorgeous palaces and churches, because the fancy haunted me that I myself the preceding summer had beheld just such a humble meeting-house, in just such a pine-surrounded nook, among our own green mountains. All these pictures were tolerably executed, though far inferior to the girl’s touches of description; nor was it easy to comprehend how in so few sentences, and these, as I supposed, in a language foreign to her, she contrived to present an airy copy of each varied scene.
She got the metaphor immediately, although honestly, it wouldn’t have bothered me much if she had agreed with the literal meaning of my words. The mahogany box was positioned just right, and I looked through its small round magnifying window while the girl sat next to me, giving brief descriptive sketches as the pictures unfolded before me. We traveled together—at least in our imaginations—through many famous cities whose streets I had long wanted to walk. I remember once we were in the harbor of Barcelona, looking toward the town; then she took me flying over to Sicily to see the fiery Mount Etna; next, we soared to Venice and sat in a gondola beneath the arch of the Rialto, and then she placed me among the crowd at Napoleon’s coronation. But there was one scene—she couldn’t tell me where it was—that captured my attention longer than all those beautiful palaces and churches, because I had a feeling that the previous summer I had seen just such a humble meeting house, in just such a pine-surrounded spot, in our own green mountains. All these pictures were done reasonably well, though they were far inferior to the girl’s descriptions; it was also hard to understand how, in so few sentences—and these, I thought, in a language that wasn’t her own—she managed to create such a lively representation of each different scene.
When we had travelled through the vast extent of the mahogany box, I looked into my guide’s face.
When we had traveled through the huge mahogany box, I looked into my guide’s face.
“‘Where are you going, my pretty maid?’” inquired I, in the words of an old song.
“‘Where are you going, my beautiful girl?’” I asked, using the words of an old song.
“Ah!” said the gay damsel; “you might as well ask where the summer wind is going. We are wanderers here and there and everywhere. Wherever there is mirth our merry hearts are drawn to it. To-day, indeed, the people have told us of a great frolic and festival in these parts; so perhaps we may be needed at what you call the camp-meeting at Stamford.”
“Ah!” said the cheerful young woman; “you might as well ask where the summer breeze is headed. We wander here, there, and everywhere. Wherever there’s joy, our happy hearts are drawn to it. Today, in fact, the locals told us about a big party and celebration happening around here; so maybe we should check out what you call the camp meeting in Stamford.”
Then, in my happy youth, and while her pleasant voice yet sounded in my ears, I sighed; for none but myself, I thought, should have been her companion in a life which seemed to realize my own wild fancies cherished all through visionary boyhood to that hour. To these two strangers the world was in its Golden Age—not that, indeed, it was less dark and sad than ever, but because its weariness and sorrow had no community with their ethereal nature. Wherever they might appear in their pilgrimage of bliss, Youth would echo back their gladness, care-stricken Maturity would rest a moment from its toil, and Age, tottering among the graves, would smile in withered joy for their sakes. The lonely cot, the narrow and gloomy street, the sombre shade, would catch a passing gleam like that now shining on ourselves as these bright spirits wandered by. Blessed pair, whose happy home was throughout all the earth! I looked at my shoulders, and thought them broad enough to sustain those pictured towns and mountains; mine, too, was an elastic foot as tireless as the wing of the bird of Paradise; mine was then an untroubled heart that would have gone singing on its delightful way.
Then, in my happy youth, while her pleasant voice was still ringing in my ears, I sighed; for I believed I was the only one who could be her companion in a life that seemed to bring to life my wild dreams I'd held since childhood. To those two strangers, the world was in its Golden Age—not that it was any less dark and sad than before, but because its weariness and sorrow didn’t connect with their otherworldly nature. Wherever they appeared in their joyful journey, Youth would echo their happiness, burdened Maturity would take a momentary break from its struggles, and Age, wobbling among the graves, would smile with dry joy for their sake. The lonely cottage, the narrow, gloomy street, the dark shade, would catch a fleeting spark like the one shining on us now as these bright souls passed by. Blessed couple, whose happiness could be felt all over the earth! I looked at my shoulders and thought they were broad enough to carry those illustrated towns and mountains; mine, too, was a flexible foot as tireless as the wing of a mythical bird; mine was an untroubled heart that would have continued singing happily along its path.
“Oh, maiden,” said I aloud, “why did you not come hither alone?”
“Oh, girl,” I said out loud, “why didn’t you come here by yourself?”
While the merry girl and myself were busy with the show-box the unceasing rain had driven another wayfarer into the wagon. He seemed pretty nearly of the old showman’s age, but much smaller, leaner and more withered than he, and less respectably clad in a patched suit of gray; withal, he had a thin, shrewd countenance and a pair of diminutive gray eyes, which peeped rather too keenly out of their puckered sockets. This old fellow had been joking with the showman in a manner which intimated previous acquaintance, but, perceiving that the damsel and I had terminated our affairs, he drew forth a folded document and presented it to me. As I had anticipated, it proved to be a circular, written in a very fair and legible hand and signed by several distinguished gentlemen whom I had never heard of, stating that the bearer had encountered every variety of misfortune and recommending him to the notice of all charitable people. Previous disbursements had left me no more than a five-dollar bill, out of which, however, I offered to make the beggar a donation provided he would give me change for it. The object of my beneficence looked keenly in my face, and discerned that I had none of that abominable spirit, characteristic though it be, of a full-blooded Yankee, which takes pleasure in detecting every little harmless piece of knavery.
While the cheerful girl and I were busy with the show-box, the constant rain drove another traveler into the wagon. He looked about the same age as the old showman but was much smaller, leaner, and more worn out than him, and less neatly dressed in a patched gray suit. Still, he had a thin, sharp face and a pair of tiny gray eyes that peered a bit too intensely from their wrinkled sockets. This old man had been joking with the showman in a way that suggested they knew each other, but when he saw that the girl and I had finished our business, he pulled out a folded document and handed it to me. As I had expected, it turned out to be a circular, written in a clear and neat hand and signed by several notable gentlemen I had never heard of, stating that the bearer had faced various hardships and asking for support from all charitable individuals. Previous donations had left me with only a five-dollar bill, but I offered to give the old man a donation if he could provide me with change. The recipient of my generosity looked closely at my face and realized that I didn’t have that unpleasant trait, typical of a full-blooded Yankee, that enjoys uncovering every little harmless trick.
“Why, perhaps,” said the ragged old mendicant, “if the bank is in good standing, I can’t say but I may have enough about me to change your bill.”
“Maybe,” said the scruffy old beggar, “if the bank is stable, I can’t say I don’t have enough on me to change your bill.”
“It is a bill of the Suffolk Bank,” said I, “and better than the specie.”
“It’s a check from the Suffolk Bank,” I said, “and better than cash.”
As the beggar had nothing to object, he now produced a small buff leather bag tied up carefully with a shoe-string. When this was opened, there appeared a very comfortable treasure of silver coins of all sorts and sizes, and I even fancied that I saw gleaming among them the golden plumage of that rare bird in our currency the American eagle. In this precious heap was my bank-note deposited, the rate of exchange being considerably against me.
As the beggar had nothing to say, he pulled out a small tan leather bag tightly tied with a shoelace. When he opened it, there was a nice collection of silver coins of different kinds and sizes, and I think I even spotted the shiny gold of that rare bird in our currency, the American eagle. In this valuable stash was my banknote, with the exchange rate being quite unfavorable for me.
His wants being thus relieved, the destitute man pulled out of his pocket an old pack of greasy cards which had probably contributed to fill the buff leather bag in more ways than one.
His needs taken care of, the poor man pulled out an old pack of greasy cards from his pocket that had probably helped fill the buff leather bag in more ways than one.
“Come!” said he; “I spy a rare fortune in your face, and for twenty-five cents more I’ll tell you what it is.”
“Come on!” he said. “I see a great fortune in your face, and for twenty-five cents more, I’ll tell you what it is.”
I never refuse to take a glimpse into futurity; so, after shuffling the cards and when the fair damsel had cut them, I dealt a portion to the prophetic beggar. Like others of his profession, before predicting the shadowy events that were moving on to meet me he gave proof of his preternatural science by describing scenes through which I had already passed.
I never turn down a chance to peek into the future; so, after shuffling the cards and when the lovely lady had cut them, I dealt some to the prophetic beggar. Like others in his line of work, before predicting the vague events that were coming my way, he demonstrated his supernatural skill by describing moments I had already experienced.
Here let me have credit for a sober fact. When the old man had read a page in his book of fate, he bent his keen gray eyes on mine and proceeded to relate in all its minute particulars what was then the most singular event of my life. It was one which I had no purpose to disclose till the general unfolding of all secrets, nor would it be a much stranger instance of inscrutable knowledge or fortunate conjecture if the beggar were to meet me in the street today and repeat word for word the page which I have here written.
Here, let me get some credit for a straightforward fact. When the old man read a page from his book of fate, he fixed his sharp gray eyes on mine and went on to recount, in every detail, what was then the most unusual event of my life. It was something I had no intention of revealing until all secrets were finally uncovered, and it wouldn't be any stranger if a beggar met me on the street today and recited, word for word, the page I've written here.
The fortune-teller, after predicting a destiny which time seems loth to make good, put up his cards, secreted his treasure-bag and began to converse with the other occupants of the wagon.
The fortune-teller, after predicting a future that time seems reluctant to fulfill, packed away his cards, hid his treasure bag, and started chatting with the other people in the wagon.
“Well, old friend,” said the showman, “you have not yet told us which way your face is turned this afternoon.”
“Well, old friend,” said the showman, “you still haven't told us which way your face is turned this afternoon.”
“I am taking a trip northward this warm weather,” replied the conjurer, “across the Connecticut first, and then up through Vermont, and maybe into Canada before the fall. But I must stop and see the breaking up of the camp-meeting at Stamford.”
“I’m going on a trip up north this nice weather,” replied the conjurer, “across Connecticut first, then through Vermont, and maybe into Canada before fall. But I have to stop and see the end of the camp meeting in Stamford.”
I began to think that all the vagrants in New England were converging to the camp-meeting and had made this wagon, their rendezvous by the way.
I started to think that all the homeless people in New England were heading to the camp meeting and had made this wagon their meeting spot along the way.
The showman now proposed that when the shower was over they should pursue the road to Stamford together, it being sometimes the policy of these people to form a sort of league and confederacy.
The showman now suggested that once the rain stopped, they should head to Stamford together, as it was occasionally the strategy of these folks to create a kind of alliance and partnership.
“And the young lady too,” observed the gallant bibliopolist, bowing to her profoundly, “and this foreign gentleman, as I understand, are on a jaunt of pleasure to the same spot. It would add incalculably to my own enjoyment, and I presume to that of my colleague and his friend, if they could be prevailed upon to join our party.”
“And the young lady too,” remarked the charming book seller, bowing deeply to her, “and this foreign gentleman, as I understand, are on a pleasure trip to the same place. It would greatly enhance my own enjoyment, and I believe that of my colleague and his friend, if they could be convinced to join our group.”
This arrangement met with approbation on all hands, nor were any of those concerned more sensible of its advantages than myself, who had no title to be included in it.
This setup received approval from everyone, and none of those involved recognized its benefits more than I did, even though I had no right to be part of it.
Having already satisfied myself as to the several modes in which the four others attained felicity, I next set my mind at work to discover what enjoyments were peculiar to the old “straggler,” as the people of the country would have termed the wandering mendicant and prophet. As he pretended to familiarity with the devil, so I fancied that he was fitted to pursue and take delight in his way of life by possessing some of the mental and moral characteristics—the lighter and more comic ones—of the devil in popular stories. Among them might be reckoned a love of deception for its own sake, a shrewd eye and keen relish for human weakness and ridiculous infirmity, and the talent of petty fraud. Thus to this old man there would be pleasure even in the consciousness—so insupportable to some minds—that his whole life was a cheat upon the world, and that, so far as he was concerned with the public, his little cunning had the upper hand of its united wisdom. Every day would furnish him with a succession of minute and pungent triumphs—as when, for instance, his importunity wrung a pittance out of the heart of a miser, or when my silly good-nature transferred a part of my slender purse to his plump leather bag, or when some ostentatious gentleman should throw a coin to the ragged beggar who was richer than himself, or when—though he would not always be so decidedly diabolical—his pretended wants should make him a sharer in the scanty living of real indigence. And then what an inexhaustible field of enjoyment, both as enabling him to discern so much folly and achieve such quantities of minor mischief, was opened to his sneering spirit by his pretensions to prophetic knowledge.
Having already figured out how the other four found happiness, I turned my attention to figuring out what kinds of enjoyment the old “straggler” experienced, as the locals would have called the wandering beggar and prophet. Since he claimed to have a connection with the devil, I imagined he was suited to embrace and find joy in his way of life by sharing some of the devil's lighter and more humorous traits found in popular tales. These included a love for deception just for the thrill of it, a sharp eye for human flaws, a keen appreciation for ridiculous weaknesses, and a knack for small tricks. So for this old man, there would even be pleasure in the unbearable awareness—so troubling to some—that his entire existence was a trick on the world, and that in his interactions with society, his petty cleverness outsmarted its collective wisdom. Each day would bring him a series of small and sharp victories—like when his persistent requests coaxed a few coins from the heart of a miser, or when my naïve kindness led me to part with some of my meager cash into his well-worn bag, or when some showy gentleman tossed a coin to the ragged beggar, who was richer than he was, or when—though he wouldn't always be overtly devilish—his feigned needs allowed him to share in the meager resources of genuine poverty. And what an endless source of enjoyment, enabling him to recognize so much folly and create countless small troubles, was opened up for his mocking spirit by his claims of prophetic insight.
All this was a sort of happiness which I could conceive of, though I had little sympathy with it. Perhaps, had I been then inclined to admit it, I might have found that the roving life was more proper to him than to either of his companions; for Satan, to whom I had compared the poor man, has delighted, ever since the time of Job, in “wandering up and down upon the earth,” and, indeed, a crafty disposition which operates not in deep-laid plans, but in disconnected tricks, could not have an adequate scope, unless naturally impelled to a continual change of scene and society.
All of this was a kind of happiness that I could understand, even though I didn't really relate to it. Maybe, if I had been open to it at the time, I would have realized that the wandering lifestyle suited him better than it did either of his companions. After all, Satan, who I compared the poor man to, has taken pleasure, since Job's time, in "roaming around the earth." In fact, a clever nature that doesn't engage in carefully laid plans, but instead relies on random tricks, wouldn't have a fitting outlet unless it was naturally driven to constantly change its surroundings and company.
My reflections were here interrupted.
My thoughts were interrupted here.
“Another visitor!” exclaimed the old showman.
“Another visitor!” the old showman exclaimed.
The door of the wagon had been closed against the tempest, which was roaring and blustering with prodigious fury and commotion and beating violently against our shelter, as if it claimed all those homeless people for its lawful prey, while we, caring little for the displeasure of the elements, sat comfortably talking. There was now an attempt to open the door, succeeded by a voice uttering some strange, unintelligible gibberish which my companions mistook for Greek and I suspected to be thieves’ Latin. However, the showman stepped forward and gave admittance to a figure which made me imagine either that our wagon had rolled back two hundred years into past ages or that the forest and its old inhabitants had sprung up around us by enchantment. It was a red Indian armed with his bow and arrow. His dress was a sort of cap adorned with a single feather of some wild bird, and a frock of blue cotton girded tight about him; on his breast, like orders of knighthood, hung a crescent and a circle and other ornaments of silver, while a small crucifix betokened that our father the pope had interposed between the Indian and the Great Spirit whom he had worshipped in his simplicity. This son of the wilderness and pilgrim of the storm took his place silently in the midst of us. When the first surprise was over, I rightly conjectured him to be one of the Penobscot tribe, parties of which I had often seen in their summer excursions down our Eastern rivers. There they paddle their birch canoes among the coasting-schooners, and build their wigwam beside some roaring mill-dam, and drive a little trade in basket-work where their fathers hunted deer. Our new visitor was probably wandering through the country toward Boston, subsisting on the careless charity of the people while he turned his archery to profitable account by shooting at cents which were to be the prize of his successful aim.
The wagon door had been shut tight against the storm, which was howling and raging with incredible force, pounding violently against our shelter, as if it had claimed all those homeless folks as its rightful victims. Meanwhile, we, unfazed by the wrath of nature, sat comfortably chatting. There was an attempt to open the door, followed by a voice speaking some strange, unintelligible gibberish that my friends mistook for Greek, but I suspected it was thieves’ Latin. However, the showman stepped forward and let in a figure that made me feel like our wagon had rolled back two hundred years or that the forest and its ancient inhabitants had magically appeared around us. It was a Native American, armed with a bow and arrow. He wore a cap adorned with a single feather from some wild bird, and a blue cotton frock tied tightly around him; on his chest, like medals of honor, hung a crescent, a circle, and other silver ornaments, while a small crucifix indicated that our father the pope had intervened between the Native and the Great Spirit he had worshipped in his simplicity. This child of the wilderness and traveler of the storm silently took his place among us. Once the initial surprise faded, I correctly figured him to be from the Penobscot tribe, groups of which I had often seen during their summer trips down our Eastern rivers. There they paddle their birch canoes among the coasting schooners, build their wigwams by some rushing mill-dam, and trade a little in basket-making where their ancestors hunted deer. Our new guest was probably wandering toward Boston, living off the casual kindness of people while using his archery skills to earn a little money by shooting at cents that would be his prize for a successful shot.
The Indian had not long been seated ere our merry damsel sought to draw him into conversation. She, indeed, seemed all made up of sunshine in the month of May, for there was nothing so dark and dismal that her pleasant mind could not cast a glow over it; and the wild man, like a fir tree in his native forest, soon began to brighten into a sort of sombre cheerfulness. At length she inquired whether his journey had any particular end or purpose.
The Indian had barely settled in when our cheerful young woman tried to start a conversation with him. She truly seemed like a ray of sunshine in May, because there was nothing so gloomy that her bright spirit couldn't lift it. And the wild man, like a fir tree in his home forest, soon began to radiate a kind of quiet happiness. Finally, she asked if his journey had any specific destination or goal.
“I go shoot at the camp-meeting at Stamford,” replied the Indian.
“I’m going to shoot at the camp meeting in Stamford,” replied the Indian.
“And here are five more,” said the girl, “all aiming at the camp-meeting too. You shall be one of us, for we travel with light hearts; and, as for me, I sing merry songs and tell merry tales and am full of merry thoughts, and I dance merrily along the road, so that there is never any sadness among them that keep me company. But oh, you would find it very dull indeed to go all the way to Stamford alone.”
“And here are five more,” said the girl, “all heading to the camp meeting too. You should join us, because we travel with light hearts; as for me, I sing cheerful songs, tell fun stories, and have happy thoughts, dancing joyfully along the road, so there’s never any sadness among those who keep me company. But oh, you would find the journey to Stamford really boring if you went alone.”
My ideas of the aboriginal character led me to fear that the Indian would prefer his own solitary musings to the gay society thus offered him; on the contrary, the girl’s proposal met with immediate acceptance and seemed to animate him with a misty expectation of enjoyment.
My thoughts on the original nature of the Indigenous character made me worry that the Indian would choose his own quiet reflections over the lively company being offered to him; however, the girl’s suggestion was instantly welcomed and seemed to fill him with a vague hope of pleasure.
I now gave myself up to a course of thought which, whether it flowed naturally from this combination of events or was drawn forth by a wayward fancy, caused my mind to thrill as if I were listening to deep music. I saw mankind in this weary old age of the world either enduring a sluggish existence amid the smoke and dust of cities, or, if they breathed a purer air, still lying down at night with no hope but to wear out to-morrow, and all the to-morrows which make up life, among the same dull scenes and in the same wretched toil that had darkened the sunshine of today. But there were some full of the primeval instinct who preserved the freshness of youth to their latest years by the continual excitement of new objects, new pursuits and new associates, and cared little, though their birthplace might have been here in New England, if the grave should close over them in Central Asia. Fate was summoning a parliament of these free spirits; unconscious of the impulse which directed them to a common centre, they had come hither from far and near, and last of all appeared the representatives of those mighty vagrants who had chased the deer during thousands of years, and were chasing it now in the spirit-land. Wandering down through the waste of ages, the woods had vanished around his path; his arm had lost somewhat of its strength, his foot of its fleetness, his mien of its wild regality, his heart and mind of their savage virtue and uncultured force, but here, untamable to the routine of artificial life, roving now along the dusty road as of old over the forest-leaves,—here was the Indian still.
I found myself lost in thought, whether it was a natural response to these events or just a whimsical idea, causing my mind to resonate as if I were listening to beautiful music. I viewed humanity in this tired old world either trudging through a dull life in the smoke and grime of cities, or, if they were in a cleaner environment, still going to bed each night with no hope other than to simply get through tomorrow and all the tomorrows that make up life, stuck in the same mundane scenes and exhausting labor that overshadowed today’s sunlight. Yet, there were some who retained the vitality of youth into their later years, fueled by the excitement of new experiences, new interests, and new friends, and they cared little if their final resting place was in Central Asia, even if they were born in New England. Fate was gathering these free spirits together; unaware of the force pulling them toward a shared destiny, they arrived from far and wide, lastly joined by representatives of those great wanderers who had hunted deer for thousands of years and were still pursuing it in the spirit world. Over the span of ages, the forests had disappeared from his journey; his strength had diminished, his speed reduced, his wild presence softened, and his heart and mind lost some of their raw virtue and untamed power. But here, still resistant to the monotony of artificial life, wandering now along the dusty road just like he once roamed over forest leaves—here was the Indian still.
“Well,” said the old showman, in the midst of my meditations, “here is an honest company of us—one, two, three, four, five, six—all going to the camp-meeting at Stamford. Now, hoping no offence, I should like to know where this young gentleman may be going?”
"Well," said the old showman, interrupting my thoughts, "here's a good group of us—one, two, three, four, five, six—all heading to the camp meeting at Stamford. Now, no offense meant, but I’d like to know where this young man is going?"
I started. How came I among these wanderers? The free mind that preferred its own folly to another’s wisdom, the open spirit that found companions everywhere—above all, the restless impulse that had so often made me wretched in the midst of enjoyments,—these were my claims to be of their society.
I began. How did I end up among these wanderers? The free mind that chose its own foolishness over someone else’s wisdom, the open spirit that found friends everywhere—most importantly, the restless impulse that had often made me unhappy even when I was enjoying myself—these were my reasons for being part of their group.
“My friends,” cried I, stepping into the centre of the wagon, “I am going with you to the camp-meeting at Stamford.”
“My friends,” I exclaimed, stepping into the middle of the wagon, “I’m joining you for the camp meeting in Stamford.”
“But in what capacity?” asked the old showman, after a moment’s silence. “All of us here can get our bread in some creditable way. Every honest man should have his livelihood. You, sir, as I take it, are a mere strolling gentleman.”
“But in what way?” asked the old performer after a moment of silence. “Everyone here can make an honest living. Every decent person deserves to earn their keep. You, sir, as I understand it, are just a wandering gentleman.”
I proceeded to inform the company that when Nature gave me a propensity to their way of life she had not left me altogether destitute of qualifications for it, though I could not deny that my talent was less respectable, and might be less profitable, than the meanest of theirs. My design, in short, was to imitate the story-tellers of whom Oriental travellers have told us, and become an itinerant novelist, reciting my own extemporaneous fictions to such audiences as I could collect.
I told the company that when Nature gave me a knack for their way of life, she didn’t leave me completely lacking in qualifications for it, though I couldn’t deny that my talent was less admirable and might be less profitable than the lowest among theirs. In short, my plan was to imitate the storytellers that Oriental travelers have told us about and become a traveling novelist, sharing my own spontaneous stories with whatever audiences I could gather.
“Either this,” said I, “is my vocation, or I have been born in vain.”
“Either this is my calling,” I said, “or I was born for nothing.”
The fortune-teller, with a sly wink to the company, proposed to take me as an apprentice to one or other of his professions, either of which undoubtedly would have given full scope to whatever inventive talent I might possess. The bibliopolist spoke a few words in opposition to my plan—influenced partly, I suspect, by the jealousy of authorship, and partly by an apprehension that the vivâ-voce practice would become general among novelists, to the infinite detriment of the book trade.
The fortune-teller, with a mischievous wink to the group, suggested taking me on as an apprentice in one of his trades, either of which would have allowed me to fully explore any creative talent I might have. The bookseller objected to my plan—partly, I think, out of jealousy for writers and partly because he feared that the live storytelling practice would become common among novelists, which would seriously harm the book business.
Dreading a rejection, I solicited the interest of the merry damsel.
Fearing rejection, I asked the cheerful young woman if she was interested.
“‘Mirth,’” cried I, most aptly appropriating the words of L’Allegro, “‘to thee I sue! Mirth, admit me of thy crew!rsquo;”
“‘Mirth,’” I exclaimed, perfectly quoting L’Allegro, “‘to you I plead! Mirth, let me join your crew!’”
“Let us indulge the poor youth,” said Mirth, with a kindness which made me love her dearly, though I was no such coxcomb as to misinterpret her motives. “I have espied much promise in him. True, a shadow sometimes flits across his brow, but the sunshine is sure to follow in a moment. He is never guilty of a sad thought but a merry one is twin-born with it. We will take him with us, and you shall see that he will set us all a-laughing before we reach the camp-meeting at Stamford.” Her voice silenced the scruples of the rest and gained me admittance into the league; according to the terms of which, without a community of goods or profits, we were to lend each other all the aid and avert all the harm that might be in our power.
“Let’s indulge the poor young man,” said Mirth, with a kindness that made me truly care for her, even though I wasn’t naive enough to misunderstand her intentions. “I see a lot of potential in him. Sure, sometimes a shadow crosses his face, but sunshine is sure to follow right after. He never has a sad thought without a joyful one coming along with it. We’ll take him with us, and you’ll see that he’ll have us all laughing before we get to the camp meeting at Stamford.” Her voice quieted everyone’s doubts and got me included in the group; according to the rules, without sharing any possessions or profits, we were to support each other and prevent any harm that we could.
This affair settled, a marvellous jollity entered into the whole tribe of us, manifesting itself characteristically in each individual. The old showman, sitting down to his barrel-organ, stirred up the souls of the pigmy people with one of the quickest tunes in the music-book; tailors, blacksmiths, gentlemen and ladies all seemed to share in the spirit of the occasion, and the Merry Andrew played his part more facetiously than ever, nodding and winking particularly at me. The young foreigner flourished his fiddle-bow with a master’s hand, and gave an inspiring echo to the showman’s melody. The bookish man and the merry damsel started up simultaneously to dance, the former enacting the double shuffle in a style which everybody must have witnessed ere election week was blotted out of time, while the girl, setting her arms akimbo with both hands at her slim waist, displayed such light rapidity of foot and harmony of varying attitude and motion that I could not conceive how she ever was to stop, imagining at the moment that Nature had made her, as the old showman had made his puppets, for no earthly purpose but to dance jigs. The Indian bellowed forth a succession of most hideous outcries, somewhat affrighting us till we interpreted them as the war-song with which, in imitation of his ancestors, he was prefacing the assault on Stamford. The conjurer, meanwhile, sat demurely in a corner extracting a sly enjoyment from the whole scene, and, like the facetious Merry Andrew, directing his queer glance particularly at me. As for myself, with great exhilaration of fancy, I began to arrange and color the incidents of a tale wherewith I proposed to amuse an audience that very evening; for I saw that my associates were a little ashamed of me, and that no time was to be lost in obtaining a public acknowledgment of my abilities.
Once this matter was settled, a wonderful joy spread through our entire group, showing itself in each person’s demeanor. The old showman sat down at his barrel-organ and brought the spirits of the little people to life with one of the fastest tunes from his music book. Tailors, blacksmiths, gentlemen, and ladies all seemed to join in the festive atmosphere, and the Merry Andrew was more playful than ever, nodding and winking especially at me. The young foreigner skillfully played his fiddle, adding an inspiring echo to the showman’s melody. The bookish man and the cheerful girl jumped up to dance at the same time, with the former performing the double shuffle in a way everyone would have recognized before election week faded from memory, while the girl, hands on her slim waist, moved with such lightness and a mix of poses that I couldn't imagine how she would ever stop, thinking at that moment that Nature had created her, much like the old showman had made his puppets, solely to dance. The Indian let out a series of terrifying cries that startled us until we realized they were his version of a war song, reminiscent of his ancestors, preluding the attack on Stamford. Meanwhile, the conjurer quietly sat in a corner, enjoying the scene slyly and, like the Merry Andrew, casting curious looks at me. As for me, filled with excitement, I began to sketch out and embellish the events of a story I planned to share with an audience that very evening; I noticed my companions felt a bit embarrassed by me, and there was no time to waste in getting a public acknowledgment of my talents.
“Come, fellow-laborers,” at last said the old showman, whom we had elected president; “the shower is over, and we must be doing our duty by these poor souls at Stamford.”
“Come on, team,” finally said the old showman, whom we had elected as our president; “the rain has stopped, and we need to do our part for these poor people in Stamford.”
“We’ll come among them in procession, with music and dancing,” cried the merry damsel.
“We’ll join them in a parade, with music and dancing,” shouted the cheerful young woman.
Accordingly—for it must be understood that our pilgrimage was to be performed on foot—we sallied joyously out of the wagon, each of us, even the old gentleman in his white top-boots, giving a great skip as we came down the ladder. Above our heads there was such a glory of sunshine and splendor of clouds, and such brightness of verdure below, that, as I modestly remarked at the time, Nature seemed to have washed her face and put on the best of her jewelry and a fresh green gown in honor of our confederation. Casting our eyes northward, we beheld a horseman approaching leisurely and splashing through the little puddle on the Stamford road. Onward he came, sticking up in his saddle with rigid perpendicularity, a tall, thin figure in rusty black, whom the showman and the conjurer shortly recognized to be what his aspect sufficiently indicated—a travelling preacher of great fame among the Methodists. What puzzled us was the fact that his face appeared turned from, instead of to, the camp-meeting at Stamford. However, as this new votary of the wandering life drew near the little green space where the guide-post and our wagon were situated, my six fellow-vagabonds and myself rushed forward and surrounded him, crying out with united voices, “What news? What news from the camp-meeting at Stamford?”
So, it should be noted that our journey was meant to be on foot— we happily jumped out of the wagon, each of us, even the old man in his white top boots, hopping down the ladder. Above us was a beautiful mix of sunshine and stunning clouds, with bright greenery below. As I modestly pointed out at the time, it felt like Nature had freshened up and dressed in her finest jewelry and a new green gown to celebrate our gathering. Looking to the north, we noticed a rider coming towards us slowly, splashing through a puddle on the Stamford road. He approached, sitting upright in his saddle, a tall, thin figure dressed in worn black, who the entertainer and the magician quickly recognized as a well-known traveling preacher among the Methodists. What confused us was that his face seemed to be turned away from, rather than towards, the camp-meeting at Stamford. However, as this new wanderer got closer to the little green area where the guidepost and our wagon were located, my six fellow travelers and I rushed up to him and called out in unison, “What news? What news from the camp-meeting at Stamford?”
The missionary looked down in surprise at as singular a knot of people as could have been selected from all his heterogeneous auditors. Indeed, considering that we might all be classified under the general head of Vagabond, there was great diversity of character among the grave old showman, the sly, prophetic beggar, the fiddling foreigner and his merry damsel, the smart bibliopolist, the sombre Indian and myself, the itinerant novelist, a slender youth of eighteen. I even fancied that a smile was endeavoring to disturb the iron gravity of the preacher’s mouth.
The missionary looked down in surprise at such a unique group of people as could have been picked from all his diverse listeners. In fact, considering we might all fit under the broad category of Vagabond, there was a lot of variety in character among the serious old showman, the crafty, prophetic beggar, the fiddling foreigner and his cheerful companion, the sharp bookseller, the serious Indian, and me, the traveling novelist, a slender eighteen-year-old. I even thought I saw a smile trying to break the serious expression on the preacher’s face.
“Good people,” answered he, “the camp-meeting is broke up.”
“Good people,” he replied, “the camp meeting is over.”
So saying, the Methodist minister switched his steed and rode westward. Our union being thus nullified by the removal of its object, we were sundered at once to the four winds of heaven. The fortune-teller, giving a nod to all and a peculiar wink to me, departed on his Northern tour, chuckling within himself as he took the Stamford road. The old showman and his literary coadjutor were already tackling their horses to the wagon with a design to peregrinate south-west along the sea-coast. The foreigner and the merry damsel took their laughing leave and pursued the eastern road, which I had that day trodden; as they passed away the young man played a lively strain and the girl’s happy spirit broke into a dance, and, thus dissolving, as it were, into sunbeams and gay music, that pleasant pair departed from my view. Finally, with a pensive shadow thrown across my mind, yet emulous of the light philosophy of my late companions, I joined myself to the Penobscot Indian and set forth toward the distant city.
So saying, the Methodist minister changed his horse and rode westward. Our connection was now broken by the removal of its purpose, and we were all scattered like leaves in the wind. The fortune-teller, giving a nod to everyone and a special wink to me, set off on his northern journey, chuckling to himself as he took the Stamford road. The old showman and his literary partner were already hitching their horses to the wagon with plans to travel southwest along the coast. The foreigner and the cheerful young woman said their playful goodbyes and headed down the eastern road that I had walked earlier that day; as they passed by, the young man played a lively tune, and the girl’s joyful spirit burst into a dance, dissolving like sunbeams and cheerful music as the lovely pair disappeared from my sight. Finally, with a thoughtful shadow over my mind but inspired by the lighthearted philosophy of my recent companions, I joined the Penobscot Indian and set off toward the distant city.
THE WHITE OLD MAID
The moonbeams came through two deep and narrow windows and showed a spacious chamber richly furnished in an antique fashion. From one lattice the shadow of the diamond panes was thrown upon the floor; the ghostly light through the other slept upon a bed, falling between the heavy silken curtains and illuminating the face of a young man. But how quietly the slumberer lay! how pale his features! And how like a shroud the sheet was wound about his frame! Yes, it was a corpse in its burial-clothes.
The moonlight streamed through two deep, narrow windows, revealing a large room furnished in a lavish, old-fashioned style. From one window, the shadow of the diamond panes was cast on the floor; the ethereal light from the other rested on a bed, filtering through the heavy silk curtains and lighting up the face of a young man. But how peacefully the sleeper lay! How pale his features! And how much like a shroud the sheet was wrapped around him! Yes, it was a corpse in its burial clothes.
Suddenly the fixed features seemed to move with dark emotion. Strange fantasy! It was but the shadow of the fringed curtain waving betwixt the dead face and the moonlight as the door of the chamber opened and a girl stole softly to the bedside. Was there delusion in the moonbeams, or did her gesture and her eye betray a gleam of triumph as she bent over the pale corpse, pale as itself, and pressed her living lips to the cold ones of the dead? As she drew back from that long kiss her features writhed as if a proud heart were fighting with its anguish. Again it seemed that the features of the corpse had moved responsive to her own. Still an illusion. The silken curtains had waved a second time betwixt the dead face and the moonlight as another fair young girl unclosed the door and glided ghostlike to the bedside. There the two maidens stood, both beautiful, with the pale beauty of the dead between them. But she who had first entered was proud and stately, and the other a soft and fragile thing.
Suddenly, the set features seemed to shift with dark emotion. What a strange vision! It was just the shadow of the fringed curtain swaying between the lifeless face and the moonlight as the door to the room opened, and a girl quietly approached the bedside. Was it just an illusion in the moonlight, or did her gesture and eyes reveal a hint of triumph as she leaned over the pale body, ghostly in its whiteness, and pressed her living lips against the cold ones of the dead? As she pulled away from that long kiss, her features twisted as if a proud heart was battling its pain. Again, it appeared that the corpse's features had moved in response to her. Still an illusion. The silken curtains waved once more between the lifeless face and the moonlight as another lovely young girl opened the door and glided ghostlike to the bedside. There the two maidens stood, both beautiful, with the pale beauty of the dead between them. But the first girl was proud and dignified, while the other was soft and delicate.
“Away!” cried the lofty one. “Thou hadst him living; the dead is mine.”
“Away!” shouted the proud one. “You had him alive; the dead is mine.”
“Thine!” returned the other, shuddering. “Well hast thou spoken; the dead is thine.”
“Yours!” the other replied, shuddering. “You’ve spoken well; the dead belongs to you.”
The proud girl started and stared into her face with a ghastly look, but a wild-and mournful expression passed across the features of the gentle one, and, weak and helpless, she sank down on the bed, her head pillowed beside that of the corpse and her hair mingling with his dark locks. A creature of hope and joy, the first draught of sorrow had bewildered her.
The proud girl jumped and looked at her face with a terrified expression, but a wild and sorrowful look crossed the gentle girl's features, and feeling weak and helpless, she collapsed onto the bed, resting her head next to the corpse, her hair blending with his dark locks. A being of hope and joy, the first taste of sorrow had left her confused.
“Edith!” cried her rival.
“Edith!” shouted her rival.
Edith groaned as with a sudden compression of the heart, and, removing her cheek from the dead youth’s pillow, she stood upright, fearfully encountering the eyes of the lofty girl.
Edith groaned as her heart suddenly felt tight, and, pulling her cheek away from the dead young man's pillow, she stood up straight, nervously meeting the gaze of the tall girl.
“Wilt thou betray me?” said the latter, calmly.
“Will you betray me?” said the latter, calmly.
“Till the dead bid me speak I will be silent,” answered Edith. “Leave us alone together. Go and live many years, and then return and tell me of thy life. He too will be here. Then, if thou tellest of sufferings more than death, we will both forgive thee.”
“Until the dead tell me to speak, I will stay silent,” replied Edith. “Leave us alone together. Go and live for many years, and then come back and tell me about your life. He will be here too. Then, if you share your sufferings that are worse than death, we will both forgive you.”
“And what shall be the token?” asked the proud girl, as if her heart acknowledged a meaning in these wild words.
“And what will be the sign?” asked the proud girl, as if her heart recognized a meaning in these wild words.
“This lock of hair,” said Edith, lifting one of the dark clustering curls that lay heavily on the dead man’s brow.
“This lock of hair,” said Edith, lifting one of the dark, clustered curls that lay heavily on the dead man’s forehead.
The two maidens joined their hands over the bosom of the corpse and appointed a day and hour far, far in time to come for their next meeting in that chamber. The statelier girl gave one deep look at the motionless countenance and departed, yet turned again and trembled ere she closed the door, almost believing that her dead lover frowned upon her. And Edith, too! Was not her white form fading into the moonlight? Scorning her own weakness, she went forth and perceived that a negro slave was waiting in the passage with a waxlight, which he held between her face and his own and regarded her, as she thought, with an ugly expression of merriment. Lifting his torch on high, the slave lighted her down the staircase and undid the portal of the mansion. The young clergyman of the town had just ascended the steps, and, bowing to the lady, passed in without a word.
The two young women joined their hands over the chest of the corpse and decided on a day and time far in the future for their next meeting in that room. The more dignified girl took one last deep look at the still face and left but turned back and trembled before closing the door, almost convinced that her dead lover was frowning at her. And Edith, too! Wasn’t her pale form blending into the moonlight? Disregarding her own weakness, she stepped outside and noticed a black servant waiting in the hallway with a candle, which he held between her face and his own, looking at her, as she thought, with an ugly smirk. Raising his torch high, the servant guided her down the staircase and opened the mansion’s door. The young clergyman from town had just climbed the steps, and, bowing to the lady, entered without saying a word.
Years—many years—rolled on. The world seemed new again, so much older was it grown since the night when those pale girls had clasped their hands across the bosom of the corpse. In the interval a lonely woman had passed from youth to extreme age, and was known by all the town as the “Old Maid in the Winding-Sheet.” A taint of insanity had affected her whole life, but so quiet, sad and gentle, so utterly free from violence, that she was suffered to pursue her harmless fantasies unmolested by the world with whose business or pleasures she had naught to do. She dwelt alone, and never came into the daylight except to follow funerals. Whenever a corpse was borne along the street, in sunshine, rain or snow, whether a pompous train of the rich and proud thronged after it or few and humble were the mourners, behind them came the lonely woman in a long white garment which the people called her shroud. She took no place among the kindred or the friends, but stood at the door to hear the funeral prayer, and walked in the rear of the procession as one whose earthly charge it was to haunt the house of mourning and be the shadow of affliction and see that the dead were duly buried. So long had this been her custom that the inhabitants of the town deemed her a part of every funeral, as much as the coffin-pall or the very corpse itself, and augured ill of the sinner’s destiny unless the Old Maid in the Winding-Sheet came gliding like a ghost behind. Once, it is said, she affrighted a bridal-party with her pale presence, appearing suddenly in the illuminated hall just as the priest was uniting a false maid to a wealthy man before her lover had been dead a year. Evil was the omen to that marriage. Sometimes she stole forth by moonlight and visited the graves of venerable integrity and wedded love and virgin innocence, and every spot where the ashes of a kind and faithful heart were mouldering. Over the hillocks of those favored dead would she stretch out her arms with a gesture as if she were scattering seeds, and many believed that she brought them from the garden of Paradise, for the graves which she had visited were green beneath the snow and covered with sweet flowers from April to November. Her blessing was better than a holy verse upon the tombstone. Thus wore away her long, sad, peaceful and fantastic life till few were so old as she, and the people of later generations wondered how the dead had ever been buried or mourners had endured their grief without the Old Maid in the Winding-Sheet. Still years went on, and still she followed funerals and was not yet summoned to her own festival of death.
Years—many years—went by. The world felt new again, even though it had aged so much since that night when those pale girls had held hands over the corpse. In that time, a lonely woman had moved from youth to extreme old age, known to everyone in town as the "Old Maid in the Winding-Sheet." A touch of madness had influenced her whole life, but she was so quiet, sad, and gentle, completely free from violence, that people allowed her to follow her harmless fantasies without interference from the world that had nothing to do with her. She lived alone and rarely ventured out into the daylight except to attend funerals. Whenever a body was carried down the street, in sunshine, rain, or snow, whether a grand procession of the wealthy and proud followed or only a few humble mourners, the lonely woman came behind in a long white garment that people called her shroud. She took no place among the family or friends but stood at the door to hear the funeral prayer and walked at the back of the procession as if it were her earthly duty to haunt the house of mourning and be the shadow of sorrow, ensuring that the dead were properly buried. This had been her routine for so long that the townspeople considered her a part of every funeral, just like the coffin or the corpse itself, and they believed it was a bad sign for the sinner's fate unless the Old Maid in the Winding-Sheet glided like a ghost behind. Once, it's said, she frightened a bridal party with her pale presence, appearing suddenly in the brightly lit hall just as the priest was uniting a false bride to a wealthy man, less than a year after her lover's death. That marriage was doomed. Sometimes she ventured out by moonlight to visit the graves of integrity, love, and innocence, and every place where the ashes of kind and faithful hearts lay. Over the mounds of those favored dead, she would stretch out her arms as if sowing seeds, and many believed she brought them from the garden of Paradise, for the graves she visited were green beneath the snow and covered with sweet flowers from April to November. Her blessing was more powerful than a holy verse on the tombstone. Thus, her long, sad, peaceful, and strange life went on until few were as old as she, and people of later generations wondered how the dead had ever been buried or how mourners endured their grief without the Old Maid in the Winding-Sheet. Still, the years passed, and she continued to follow funerals without yet being called to her own death celebration.
One afternoon the great street of the town was all alive with business and bustle, though the sun now gilded only the upper half of the church-spire, having left the housetops and loftiest trees in shadow. The scene was cheerful and animated in spite of the sombre shade between the high brick buildings. Here were pompous merchants in white wigs and laced velvet, the bronzed faces of sea-captains, the foreign garb and air of Spanish Creoles, and the disdainful port of natives of Old England, all contrasted with the rough aspect of one or two back-settlers negotiating sales of timber from forests where axe had never sounded. Sometimes a lady passed, swelling roundly forth in an embroidered petticoat, balancing her steps in high-heeled shoes and courtesying with lofty grace to the punctilious obeisances of the gentlemen. The life of the town seemed to have its very centre not far from an old mansion that stood somewhat back from the pavement, surrounded by neglected grass, with a strange air of loneliness rather deepened than dispelled by the throng so near it. Its site would have been suitably occupied by a magnificent Exchange or a brick block lettered all over with various signs, or the large house itself might have made a noble tavern with the “King’s Arms” swinging before it and guests in every chamber, instead of the present solitude. But, owing to some dispute about the right of inheritance, the mansion had been long without a tenant, decaying from year to year and throwing the stately gloom of its shadow over the busiest part of the town.
One afternoon, the main street of the town was bustling with activity, even though the sun only illuminated the top half of the church spire, leaving the rooftops and tallest trees in shadow. The scene was lively and cheerful despite the dark shade between the tall brick buildings. There were pompous merchants in white wigs and fancy velvet, the sun-tanned faces of sea captains, the exotic clothing and demeanor of Spanish Creoles, and the haughty attitude of English natives, all contrasting with the rough appearance of a couple of backwoods settlers negotiating timber sales from uncharted forests. Occasionally, a lady strolled by, elegantly dressed in an embroidered petticoat, carefully balancing on high-heeled shoes and curtsying gracefully to the polite bows of the gentlemen. The town’s vibrant life seemed to revolve around an old mansion set back from the sidewalk, surrounded by neglected grass, giving off a strange sense of loneliness that was only heightened by the nearby crowd. The location would have been perfect for a grand Exchange building or a brick block filled with signs, or the mansion itself could have been a fine tavern with the “King’s Arms” swinging out front and guests in every room, instead of the current emptiness. However, due to a dispute over inheritance rights, the mansion had long been unoccupied, decaying year after year and casting a stately gloom over the busiest part of town.
Such was the scene, and such the time, when a figure unlike any that have been described was observed at a distance down the street.
Such was the scene, and such the time, when a figure unlike any that had been described was seen in the distance down the street.
“I espy a strange sail yonder,” remarked a Liverpool captain—“that woman in the long white garment.”
“I see a strange ship over there,” said a Liverpool captain—“that woman in the long white dress.”
The sailor seemed much struck by the object, as were several others who at the same moment caught a glimpse of the figure that had attracted his notice. Almost immediately the various topics of conversation gave place to speculations in an undertone on this unwonted occurrence.
The sailor appeared to be really surprised by the object, as were several others who at that moment caught sight of the figure that had caught his attention. Almost instantly, the various topics of conversation shifted to quiet speculations about this unusual event.
“Can there be a funeral so late this afternoon?” inquired some.
“Is there really going to be a funeral this late this afternoon?” some asked.
They looked for the signs of death at every door—the sexton, the hearse, the assemblage of black-clad relatives, all that makes up the woeful pomp of funerals. They raised their eyes, also, to the sun-gilt spire of the church, and wondered that no clang proceeded from its bell, which had always tolled till now when this figure appeared in the light of day. But none had heard that a corpse was to be borne to its home that afternoon, nor was there any token of a funeral except the apparition of the Old Maid in the Winding-Sheet.
They searched for signs of death at every door—the grave digger, the hearse, the gathering of relatives in black, all the sad trappings of funerals. They also looked up at the sunlit spire of the church and were surprised that no sound came from its bell, which had always rung until now when this figure showed up in daylight. But no one had heard that a body was to be taken home that afternoon, nor was there any indication of a funeral except for the appearance of the Old Maid in the Winding-Sheet.
“What may this portend?” asked each man of his neighbor.
“What could this mean?” each man asked his neighbor.
All smiled as they put the question, yet with a certain trouble in their eyes, as if pestilence, or some other wide calamity, were prognosticated by the untimely intrusion among the living of one whose presence had always been associated with death and woe. What a comet is to the earth was that sad woman to the town. Still she moved on, while the hum of surprise was hushed at her approach, and the proud and the humble stood aside that her white garment might not wave against them. It was a long, loose robe of spotless purity. Its wearer appeared very old, pale, emaciated and feeble, yet glided onward without the unsteady pace of extreme age. At one point of her course a little rosy boy burst forth from a door and ran with open arms toward the ghostly woman, seeming to expect a kiss from her bloodless lips. She made a slight pause, fixing her eye upon him with an expression of no earthly sweetness, so that the child shivered and stood awestruck rather than affrighted while the Old Maid passed on. Perhaps her garment might have been polluted even by an infant’s touch; perhaps her kiss would have been death to the sweet boy within the year.
Everyone smiled as they asked the question, but there was a certain worry in their eyes, as if disease or some other major disaster was foreseen by the untimely arrival of someone whose presence had always been linked to death and sorrow. That sad woman was like a comet to the earth for the town. She continued on, while the murmurs of surprise quieted at her approach, and both the proud and the humble stepped aside so that her white garment wouldn’t brush against them. It was a long, loose robe of pure white. The wearer looked very old, pale, thin, and frail, yet she moved forward without the shaky steps of extreme old age. At one point, a small, rosy-cheeked boy burst out of a doorway and ran toward the ghostly woman with open arms, seemingly expecting a kiss from her lifeless lips. She paused briefly, locking her gaze on him with an expression that held no earthly sweetness, causing the child to shiver and stand in awe rather than fear as the Old Maid continued on. Perhaps her garment could have been tainted even by an infant’s touch; perhaps her kiss would bring death to the sweet boy within the year.
“She is but a shadow,” whispered the superstitious. “The child put forth his arms and could not grasp her robe.”
“She’s just a shadow,” whispered the superstitious. “The child reached out his arms and couldn’t grab her robe.”
The wonder was increased when the Old Maid passed beneath the porch of the deserted mansion, ascended the moss-covered steps, lifted the iron knocker and gave three raps. The people could only conjecture that some old remembrance, troubling her bewildered brain, had impelled the poor woman hither to visit the friends of her youth—all gone from their home long since and for ever unless their ghosts still haunted it, fit company for the Old Maid in the Winding-Sheet.
The amazement grew when the Old Maid walked under the porch of the empty mansion, climbed the mossy steps, lifted the iron knocker, and knocked three times. The onlookers could only guess that some old memory, troubling her confused mind, had driven the poor woman to visit the friends of her youth—all of whom had left their home long ago and for good, unless their ghosts still lingered there, suitable companions for the Old Maid in the Winding-Sheet.
An elderly man approached the steps, and, reverently uncovering his gray locks, essayed to explain the matter.
An old man walked up to the steps, and, respectfully removing his hat, tried to explain the situation.
“None, madam,” said he, “have dwelt in this house these fifteen years agone—no, not since the death of old Colonel Fenwicke, whose funeral you may remember to have followed. His heirs, being ill-agreed among themselves, have let the mansion-house go to ruin.”
“None, ma'am,” he said, “have lived in this house for the last fifteen years—not since the death of old Colonel Fenwicke, whose funeral you might remember attending. His heirs, being in conflict with each other, have allowed the mansion to fall into disrepair.”
The Old Maid looked slowly round with a slight gesture of one hand and a finger of the other upon her lip, appearing more shadow-like than ever in the obscurity of the porch. But again she lifted the hammer, and gave, this time, a single rap. Could it be that a footstep was now heard coming down the staircase of the old mansion which all conceived to have been so long untenanted? Slowly, feebly, yet heavily, like the pace of an aged and infirm person, the step approached, more distinct on every downward stair, till it reached the portal. The bar fell on the inside; the door was opened. One upward glance toward the church-spire, whence the sunshine had just faded, was the last that the people saw of the Old Maid in the Winding-Sheet.
The Old Maid slowly looked around with a slight gesture of one hand and a finger from the other on her lip, appearing even more ghostly in the dim light of the porch. But again she lifted the hammer and this time gave a single knock. Could it be that a footstep was now heard coming down the staircase of the old mansion that everyone thought had been empty for so long? Slowly, weakly, yet heavily, like the pace of an elderly and frail person, the step approached, becoming clearer with each downward stair until it reached the entrance. The bar fell on the inside; the door was opened. One last glance upward toward the church spire, from which the sunshine had just faded, was the final sight the people had of the Old Maid in the Winding-Sheet.
“Who undid the door?” asked many.
“Who opened the door?” many asked.
This question, owing to the depth of shadow beneath the porch, no one could satisfactorily answer. Two or three aged men, while protesting against an inference which might be drawn, affirmed that the person within was a negro and bore a singular resemblance to old Cæsar, formerly a slave in the house, but freed by death some thirty years before.
This question, because of the deep shadows under the porch, no one could convincingly answer. Two or three old men, while denying a conclusion that could be drawn, claimed that the person inside was black and looked remarkably like old Cæsar, who used to be a slave in the house but had been freed by death about thirty years ago.
“Her summons has waked up a servant of the old family,” said one, half seriously.
“Her call has awakened a servant of the old family,” said one, half seriously.
“Let us wait here,” replied another; “more guests will knock at the door anon. But the gate of the graveyard should be thrown open.”
“Let’s wait here,” replied another; “more guests will show up soon. But the gate of the graveyard should be opened.”
Twilight had overspread the town before the crowd began to separate or the comments on this incident were exhausted. One after another was wending his way homeward, when a coach—no common spectacle in those days—drove slowly into the street. It was an old-fashioned equipage, hanging close to the ground, with arms on the panels, a footman behind and a grave, corpulent coachman seated high in front, the whole giving an idea of solemn state and dignity. There was something awful in the heavy rumbling of the wheels.
Twilight had settled over the town before the crowd started to disperse and the chatter about the incident ran out. One by one, people were making their way home when a coach—something rare in those days—slowly drove into the street. It was an old-fashioned vehicle, sitting low to the ground, with ornate designs on the sides, a footman at the back, and a serious, heavyset coachman sitting high in front, all giving off a sense of solemnity and dignity. The deep rumble of the wheels was somewhat intimidating.
The coach rolled down the street, till, coming to the gateway of the deserted mansion, it drew up, and the footman sprang to the ground.
The carriage rolled down the street until it reached the entrance of the empty mansion, where it stopped, and the footman jumped to the ground.
“Whose grand coach is this?” asked a very inquisitive body.
“Whose fancy car is this?” asked a very curious person.
The footman made no reply, but ascended the steps of the old house, gave three taps with the iron hammer, and returned to open the coach door. An old man possessed of the heraldic lore so common in that day examined the shield of arms on the panel.
The footman didn’t say anything, but he climbed the steps of the old house, knocked three times with the iron hammer, and went back to open the coach door. An old man, knowledgeable about the heraldry that was common back then, looked at the coat of arms on the panel.
“Azure, a lion’s head erased, between three flowers de luce,” said he, then whispered the name of the family to whom these bearings belonged. The last inheritor of its honors was recently dead, after a long residence amid the splendor of the British court, where his birth and wealth had given him no mean station. “He left no child,” continued the herald, “and these arms, being in a lozenge, betoken that the coach appertains to his widow.”
“Azure, a lion’s head removed, between three fleur-de-lis,” said he, then quietly spoke the name of the family that owned these symbols. The last person to inherit its honors had recently died, after spending a long time in the grandeur of the British court, where his lineage and wealth afforded him a respectable position. “He left no children,” the herald continued, “and these arms, shown in a lozenge, indicate that the carriage belongs to his widow.”
Further disclosures, perhaps, might have been made had not the speaker been suddenly struck dumb by the stern eye of an ancient lady who thrust forth her head from the coach, preparing to descend. As she emerged the people saw that her dress was magnificent, and her figure dignified in spite of age and infirmity—a stately ruin, but with a look at once of pride and wretchedness. Her strong and rigid features had an awe about them unlike that of the white Old Maid, but as of something evil. She passed up the steps, leaning on a gold-headed cane. The door swung open as she ascended, and the light of a torch glittered on the embroidery of her dress and gleamed on the pillars of the porch. After a momentary pause, a glance backward and then a desperate effort, she went in.
Further revelations might have come to light if the speaker hadn't suddenly been silenced by the stern gaze of an elderly lady who leaned out of the coach, preparing to get out. As she stepped out, people noticed that her attire was stunning, and her figure held a dignified presence despite her age and frailty—a grand yet tragic sight, exuding both pride and sorrow. Her strong and rigid features had an unsettling aura about them, unlike that of the elderly spinster, but hinting at something sinister. She made her way up the steps, using a gold-tipped cane for support. The door swung open as she ascended, and the light of a torch sparkled on the intricate designs of her dress and shone on the porch's columns. After a brief pause, a backward glance, and then a determined effort, she stepped inside.
The decipherer of the coat-of-arms had ventured up the lower step, and, shrinking back immediately, pale and tremulous, affirmed that the torch was held by the very image of old Cæsar.
The person deciphering the coat-of-arms cautiously stepped onto the lower step, but quickly recoiled, pale and shaking, claiming that the torch was held by the very likeness of old Cæsar.
“But such a hideous grin,” added he, “was never seen on the face of mortal man, black or white. It will haunt me till my dying-day.”
“But such a creepy grin,” he added, “was never seen on the face of any human, regardless of race. It will haunt me until my last day.”
Meantime, the coach had wheeled round with a prodigious clatter on the pavement and rumbled up the street, disappearing in the twilight, while the ear still tracked its course. Scarcely was it gone when the people began to question whether the coach and attendants, the ancient lady, the spectre of old Cæsar and the Old Maid herself were not all a strangely-combined delusion with some dark purport in its mystery. The whole town was astir, so that, instead of dispersing, the crowd continually increased, and stood gazing up at the windows of the mansion, now silvered by the brightening moon. The elders, glad to indulge the narrative propensity of age, told of the long-faded splendor of the family, the entertainments they had given and the guests, the greatest of the land, and even titled and noble ones from abroad, who had passed beneath that portal. These graphic reminiscences seemed to call up the ghosts of those to whom they referred. So strong was the impression on some of the more imaginative hearers that two or three were seized with trembling fits at one and the same moment, protesting that they had distinctly heard three other raps of the iron knocker.
Meanwhile, the coach had turned around with a loud clatter on the pavement and rolled up the street, disappearing into the twilight, while the sound of its movement still lingered. Hardly had it left when people began to wonder if the coach and its attendants, the old lady, the ghost of Caesar, and the Old Maid herself were all part of a bizarre illusion with some hidden meaning. The whole town was buzzing, so instead of breaking up, the crowd continued to grow and stood staring up at the mansion's windows, now illuminated by the brightening moon. The older folks, eager to share tales from the past, recounted the once-great splendor of the family, the lavish parties they had hosted, and the esteemed guests, including the most prominent figures from the land and even foreign nobility, who had walked through that door. These vivid memories seemed to summon the spirits of those they talked about. The impression was so strong on some of the more imaginative listeners that two or three were suddenly struck with trembling fits at the same moment, insisting that they had clearly heard three more knocks from the iron knocker.
“Impossible!” exclaimed others. “See! The moon shines beneath the porch, and shows every part of it except in the narrow shade of that pillar. There is no one there.”
“Impossible!” others exclaimed. “Look! The moonlight shines under the porch, illuminating everything except for the small shadow cast by that pillar. There’s no one there.”
“Did not the door open?” whispered one of these fanciful persons.
“Didn’t the door open?” whispered one of these imaginative people.
“Didst thou see it too?” said his companion, in a startled tone.
“Did you see it too?” said his companion, in a startled tone.
But the general sentiment was opposed to the idea that a third visitant had made application at the door of the deserted house. A few, however, adhered to this new marvel, and even declared that a red gleam like that of a torch had shone through the great front window, as if the negro were lighting a guest up the staircase. This too was pronounced a mere fantasy.
But most people were against the idea that a third visitor had knocked at the door of the abandoned house. A few, however, stuck to this strange idea and even claimed that a red light, like that of a torch, had shone through the large front window, as if someone in black was guiding a guest up the staircase. This, too, was dismissed as just a fantasy.
But at once the whole multitude started, and each man beheld his own terror painted in the faces of all the rest.
But suddenly the entire crowd gasped, and each person saw their own fear reflected in the faces of everyone else.
“What an awful thing is this!” cried they.
“What a terrible thing is this!” they exclaimed.
A shriek too fearfully distinct for doubt had been heard within the mansion, breaking forth suddenly and succeeded by a deep stillness, as if a heart had burst in giving it utterance. The people knew not whether to fly from the very sight of the house or to rush trembling in and search out the strange mystery. Amid their confusion and affright they were somewhat reassured by the appearance of their clergyman, a venerable patriarch, and equally a saint, who had taught them and their fathers the way to heaven for more than the space of an ordinary lifetime. He was a reverend figure with long white hair upon his shoulders, a white beard upon his breast and a back so bent over his staff that he seemed to be looking downward continually, as if to choose a proper grave for his weary frame. It was some time before the good old man, being deaf and of impaired intellect, could be made to comprehend such portions of the affair as were comprehensible at all. But when possessed of the facts, his energies assumed unexpected vigor.
A scream that was too distinct to doubt echoed through the mansion, breaking out suddenly and followed by a heavy silence, as if a heart had shattered in the act of making that sound. The people didn't know whether to flee from the very sight of the house or to rush in, trembling, to uncover the strange mystery. Amid their confusion and fear, they found some comfort in the appearance of their clergyman, an elderly and almost saintly figure who had guided them and their ancestors toward heaven for more than an average lifetime. He had long white hair draping over his shoulders, a white beard resting on his chest, and he hunched over his staff so much that it seemed he was always looking down, as if to find a proper grave for his weary body. It took a while for the kind old man, who was hard of hearing and had diminished mental capacity, to grasp any parts of the situation that were understandable. But once he was aware of the facts, his energies sparked with unexpected strength.
“Verily,” said the old gentleman, “it will be fitting that I enter the mansion-house of the worthy Colonel Fenwicke, lest any harm should have befallen that true Christian woman whom ye call the ‘Old Maid in the Winding-Sheet.’”
“Truly,” said the old gentleman, “it’s only right that I go into the mansion of the esteemed Colonel Fenwicke, in case anything has happened to that genuine Christian woman you refer to as the ‘Old Maid in the Winding-Sheet.’”
Behold, then, the venerable clergyman ascending the steps of the mansion with a torch-bearer behind him. It was the elderly man who had spoken to the Old Maid, and the same who had afterward explained the shield of arms and recognized the features of the negro. Like their predecessors, they gave three raps with the iron hammer.
Behold, then, the respected clergyman climbing the steps of the mansion with a torchbearer behind him. It was the old man who had talked to the Old Maid, and the same one who later explained the coat of arms and recognized the black figure's features. Like their predecessors, they knocked three times with the iron hammer.
“Old Cæsar cometh not,” observed the priest. “Well, I wot he no longer doth service in this mansion.”
“Old Cæsar isn't coming,” the priest commented. “Well, I know he doesn't work in this house anymore.”
“Assuredly, then, it was something worse in old Cæsar’s likeness,” said the other adventurer.
“Surely, then, it was something worse in old Caesar’s image,” said the other adventurer.
“Be it as God wills,” answered the clergyman. “See! my strength, though it be much decayed, hath sufficed to open this heavy door. Let us enter and pass up the staircase.”
“Whatever God wants,” replied the clergyman. “Look! My strength, although it's weakened, has been enough to open this heavy door. Let’s go in and head up the staircase.”
Here occurred a singular exemplification of the dreamy state of a very old man’s mind. As they ascended the wide flight of stairs the aged clergyman appeared to move with caution, occasionally standing aside, and oftener bending his head, as it were in salutation, thus practising all the gestures of one who makes his way through a throng. Reaching the head of the staircase, he looked around with sad and solemn benignity, laid aside his staff, bared his hoary locks, and was evidently on the point of commencing a prayer.
Here was a unique example of the dreamy state of a very old man’s mind. As they climbed the wide staircase, the elderly clergyman seemed to move carefully, sometimes stepping aside and more often bowing his head, as if greeting someone, practicing all the gestures of someone navigating through a crowd. Upon reaching the top of the stairs, he looked around with a sad and kind expression, set aside his cane, exposed his gray hair, and was clearly about to start a prayer.
“Reverend sir,” said his attendant, who conceived this a very suitable prelude to their further search, “would it not be well that the people join with us in prayer?”
“Reverend sir,” said his assistant, who thought this was a good way to start their search, “wouldn’t it be a good idea for the people to join us in prayer?”
“Well-a-day!” cried the old clergyman, staring strangely around him. “Art thou here with me, and none other? Verily, past times were present to me, and I deemed that I was to make a funeral prayer, as many a time heretofore, from the head of this staircase. Of a truth, I saw the shades of many that are gone. Yea, I have prayed at their burials, one after another, and the Old Maid in the Winding-Sheet hath seen them to their graves.”
“Well, well!” exclaimed the old clergyman, looking around him in confusion. “Are you really here with me, and no one else? Honestly, it felt like the past was alive for me, and I thought I was about to give a funeral prayer, just like I have many times before, from the top of this staircase. Truly, I saw the spirits of many who have passed. Yes, I have prayed at their funerals, one after another, and the Old Maid in the Winding-Sheet has accompanied them to their graves.”
Being now more thoroughly awake to their present purpose, he took his staff and struck forcibly on the floor, till there came an echo from each deserted chamber, but no menial to answer their summons. They therefore walked along the passage, and again paused, opposite to the great front window, through which was seen the crowd in the shadow and partial moonlight of the street beneath. On their right hand was the open door of a chamber, and a closed one on their left.
Now fully aware of their purpose, he grabbed his staff and struck the floor hard, creating echoes from each empty room, but no servant came to respond. They then walked down the hallway and stopped again in front of the large front window, where they could see the crowd in the shadows and partial moonlight of the street below. On their right was an open door to a room, and on their left was a closed door.
The clergyman pointed his cane to the carved oak panel of the latter.
The clergyman pointed his cane at the carved oak panel of the latter.
“Within that chamber,” observed he, “a whole lifetime since, did I sit by the death-bed of a goodly young man who, being now at the last gasp—” Apparently, there was some powerful excitement in the ideas which had now flashed across his mind. He snatched the torch from his companion’s hand, and threw open the door with such sudden violence that the flame was extinguished, leaving them no other light than the moonbeams which fell through two windows into the spacious chamber. It was sufficient to discover all that could be known. In a high-backed oaken arm-chair, upright, with her hands clasped across her breast and her head thrown back, sat the Old Maid in the Winding-Sheet. The stately dame had fallen on her knees with her forehead on the holy knees of the Old Maid, one hand upon the floor and the other pressed convulsively against her heart. It clutched a lock of hair—once sable, now discolored with a greenish mould.
“Inside that room,” he remarked, “a whole lifetime ago, I sat by the deathbed of a decent young man who was now taking his last breath—” It seemed he was struck with some intense realization as thoughts raced through his mind. He grabbed the torch from his companion’s hand and flung the door open with such force that the flame went out, leaving them with only the moonlight streaming through the two windows into the large room. It was enough to reveal everything that could be seen. In a tall-backed oak armchair, sitting up straight with her hands clasped across her chest and her head tilted back, was the Old Maid in the Winding-Sheet. The dignified woman had fallen to her knees, resting her forehead against the holy knees of the Old Maid, one hand on the floor and the other pressed tightly against her heart. It clutched a lock of hair—once black, now tarnished with a greenish mold.
As the priest and layman advanced into the chamber the Old Maid’s features assumed such a semblance of shifting expression that they trusted to hear the whole mystery explained by a single word. But it was only the shadow of a tattered curtain waving betwixt the dead face and the moonlight.
As the priest and layman entered the room, the Old Maid’s face changed so much that they hoped to understand the entire mystery with just one word. But it was just the shadow of a worn-out curtain fluttering between the lifeless face and the moonlight.
“Both dead!” said the venerable man. “Then who shall divulge the secret? Methinks it glimmers to and fro in my mind like the light and shadow across the Old Maid’s face. And now ’tis gone!”
“Both dead!” said the old man. “Then who will reveal the secret? It flits around in my mind like the light and shadow on the Old Maid’s face. And now it’s gone!”
PETER GOLDTHWAITE’S TREASURE
“And so, Peter, you won’t even consider of the business?” said Mr. John Brown, buttoning his surtout over the snug rotundity of his person and drawing on his gloves. “You positively refuse to let me have this crazy old house, and the land under and adjoining, at the price named?”
“And so, Peter, you won’t even think about the business?” said Mr. John Brown, buttoning his coat over the comfortable roundness of his body and putting on his gloves. “You seriously refuse to let me have this old house and the land it sits on and the land next to it, at the price we discussed?”
“Neither at that, nor treble the sum,” responded the gaunt, grizzled and threadbare Peter Goldthwaite. “The fact is, Mr. Brown, you must find another site for your brick block and be content to leave my estate with the present owner. Next summer I intend to put a splendid new mansion over the cellar of the old house.”
“Not even that amount, nor three times it,” replied the thin, gray, and worn-out Peter Goldthwaite. “The truth is, Mr. Brown, you need to look for another location for your brick building and accept that my estate will remain with the current owner. Next summer, I plan to build a magnificent new mansion over the cellar of the old house.”
“Pho, Peter!” cried Mr. Brown as he opened the kitchen door; “content yourself with building castles in the air, where house-lots are cheaper than on earth, to say nothing of the cost of bricks and mortar. Such foundations are solid enough for your edifices, while this underneath us is just the thing for mine; and so we may both be suited. What say you, again?”
“Pho, Peter!” shouted Mr. Brown as he opened the kitchen door. “Just stick to dreaming big, where the price for land is way cheaper than in reality, not to mention the cost of bricks and mortar. Those kinds of dreams are solid enough for what you want to build, while what we have here is perfect for my plans; so we both get what we need. What do you think?”
“Precisely what I said before, Mr. Brown,” answered Peter Goldthwaite. “And, as for castles in the air, mine may not be as magnificent as that sort of architecture, but perhaps as substantial, Mr. Brown, as the very respectable brick block with dry-goods stores, tailors’ shops and banking-rooms on the lower floor, and lawyers’ offices in the second story, which you are so anxious to substitute.”
“Exactly what I mentioned earlier, Mr. Brown,” replied Peter Goldthwaite. “And while my dreams may not be as grand as that kind of design, they might be just as solid, Mr. Brown, as the perfectly respectable brick building with dry-goods stores, tailors’ shops, and banking offices on the first floor, and lawyers’ offices on the second, which you’re so eager to replace.”
“And the cost, Peter? Eh?” said Mr. Brown as he withdrew in something of a pet. “That, I suppose, will be provided for off-hand by drawing a check on Bubble Bank?”
“And the cost, Peter? Huh?” said Mr. Brown as he pulled back a bit annoyed. “That, I guess, will be taken care of right away by writing a check on Bubble Bank?”
John Brown and Peter Goldthwaite had been jointly known to the commercial world between twenty and thirty years before under the firm of Goldthwaite & Brown; which copartnership, however, was speedily dissolved by the natural incongruity of its constituent parts. Since that event, John Brown, with exactly the qualities of a thousand other John Browns, and by just such plodding methods as they used, had prospered wonderfully and become one of the wealthiest John Browns on earth. Peter Goldthwaite, on the contrary, after innumerable schemes which ought to have collected all the coin and paper currency of the country into his coffers, was as needy a gentleman as ever wore a patch upon his elbow. The contrast between him and his former partner may be briefly marked, for Brown never reckoned upon luck, yet always had it, while Peter made luck the main condition of his projects, and always missed it. While the means held out his speculations had been magnificent, but were chiefly confined of late years to such small business as adventures in the lottery. Once he had gone on a gold-gathering expedition somewhere to the South, and ingeniously contrived to empty his pockets more thoroughly than ever, while others, doubtless, were filling theirs with native bullion by the handful. More recently he had expended a legacy of a thousand or two of dollars in purchasing Mexican scrip, and thereby became the proprietor of a province; which, however, so far as Peter could find out, was situated where he might have had an empire for the same money—in the clouds. From a search after this valuable real estate Peter returned so gaunt and threadbare that on reaching New England the scarecrows in the corn-fields beckoned to him as he passed by. “They did but flutter in the wind,” quoth Peter Goldthwaite. No, Peter, they beckoned, for the scarecrows knew their brother.
John Brown and Peter Goldthwaite were known in the business world for about twenty to thirty years before as Goldthwaite & Brown; however, their partnership was quickly dissolved due to the natural incompatibility of its members. Since then, John Brown, possessing the same traits as a thousand other average Joes and using the same persistent methods, had thrived and become one of the wealthiest John Browns around. On the other hand, Peter Goldthwaite, after countless plans that should have filled his pockets with all the money in the country, remained as broke as ever. The contrast between him and his former partner is clear: Brown never relied on luck, yet always had it, while Peter depended on luck for his plans and consistently missed out. As long as he had the resources, his schemes were grand but recently had been limited to small ventures like lottery tickets. He once embarked on a gold-seeking trip in the South and somehow managed to end up more broke than ever, while others were likely filling their pockets with gold. More recently, he spent a couple of thousand dollars from an inheritance on Mexican bonds and ended up owning a province that, as far as Peter could tell, was located in the clouds where he could’ve bought an empire with the same money. When he returned from his search for this valuable real estate, he looked so gaunt and ragged that the scarecrows in the cornfields waved at him as he walked by. “They just flutter in the wind,” Peter Goldthwaite said. No, Peter, they were waving because the scarecrows recognized their brother.
At the period of our story his whole visible income would not have paid the tax of the old mansion in which we find him. It was one of those rusty, moss-grown, many-peaked wooden houses which are scattered about the streets of our elder towns, with a beetle-browed second story projecting over the foundation, as if it frowned at the novelty around it. This old paternal edifice, needy as he was, and though, being centrally situated on the principal street of the town, it would have brought him a handsome sum, the sagacious Peter had his own reasons for never parting with, either by auction or private sale. There seemed, indeed, to be a fatality that connected him with his birthplace; for, often as he had stood on the verge of ruin, and standing there even now, he had not yet taken the step beyond it which would have compelled him to surrender the house to his creditors. So here he dwelt with bad luck till good should come.
At the time of our story, his entire visible income wouldn’t have even covered the property tax on the old mansion where we find him. It was one of those run-down, moss-covered wooden houses with multiple peaks that are dotted throughout the streets of our older towns, featuring a second floor that jutted out over the ground floor, as if it were frowning at the modernity surrounding it. This old family home, as strapped for cash as he was, would have sold for a considerable amount since it was located right on the main street of town, but the shrewd Peter had his own reasons for never selling it, whether at auction or privately. There seemed to be a strange connection that tied him to his birthplace; for, although he had often stood at the brink of financial ruin, and was standing there even now, he had never crossed the line that would force him to hand over the house to his creditors. So here he lived in bad luck until better days arrived.
Here, then, in his kitchen—the only room where a spark of fire took off the chill of a November evening—poor Peter Goldthwaite had just been visited by his rich old partner. At the close of their interview, Peter, with rather a mortified look, glanced downward at his dress, parts of which appeared as ancient as the days of Goldthwaite & Brown. His upper garment was a mixed surtout, woefully faded, and patched with newer stuff on each elbow; beneath this he wore a threadbare black coat, some of the silk buttons of which had been replaced with others of a different pattern; and, lastly, though he lacked not a pair of gray pantaloons, they were very shabby ones, and had been partially turned brown by the frequent toasting of Peter’s shins before a scanty fire. Peter’s person was in keeping with his goodly apparel. Gray-headed, hollow-eyed, pale-cheeked and lean-bodied, he was the perfect picture of a man who had fed on windy schemes and empty hopes till he could neither live on such unwholesome trash nor stomach more substantial food. But, withal, this Peter Goldthwaite, crack-brained simpleton as, perhaps, he was, might have cut a very brilliant figure in the world had he employed his imagination in the airy business of poetry instead of making it a demon of mischief in mercantile pursuits. After all, he was no bad fellow, but as harmless as a child, and as honest and honorable, and as much of the gentleman which Nature meant him for, as an irregular life and depressed circumstances will permit any man to be.
Here, in his kitchen—the only room that kept the chill of a November evening at bay—poor Peter Goldthwaite had just been visited by his wealthy old partner. At the end of their meeting, Peter, looking somewhat embarrassed, glanced down at his clothes, parts of which seemed as old as the days of Goldthwaite & Brown. His outer coat was a worn-out surtout, badly faded, and patched with newer fabric at the elbows; underneath, he wore a thin black coat, with some of the silk buttons replaced by mismatched ones; and finally, although he had a pair of gray trousers, they were quite shabby and had partially turned brown from Peter frequently warming his shins in front of a meager fire. Peter's appearance matched his shabby attire. Gray-haired, hollow-eyed, pale-cheeked, and lean, he was the perfect image of a man who had survived on empty dreams and failed plans until he couldn’t live on such unhealthy thoughts nor digest more substantial food. But still, this Peter Goldthwaite, perhaps a misguided simpleton, could have made a striking figure in the world if he had channeled his imagination into poetry instead of letting it become a source of trouble in business. Ultimately, he was not a bad guy—harmless as a child, honest and honorable, and as much of a gentleman as nature intended, given the irregular life and tough circumstances he faced.
As Peter stood on the uneven bricks of his hearth looking round at the disconsolate old kitchen his eyes began to kindle with the illumination of an enthusiasm that never long deserted him. He raised his hand, clenched it and smote it energetically against the smoky panel over the fireplace.
As Peter stood on the uneven bricks of his hearth, looking around at the dismal old kitchen, his eyes started to light up with a spark of enthusiasm that never fully left him. He raised his hand, clenched it, and struck it forcefully against the smoky panel above the fireplace.
“The time is come,” said he; “with such a treasure at command, it were folly to be a poor man any longer. Tomorrow morning I will begin with the garret, nor desist till I have torn the house down.”
“The time has come,” he said; “with such a treasure at my fingertips, it would be foolish to stay poor any longer. Tomorrow morning, I’ll start with the attic and won’t stop until I’ve torn the house down.”
Deep in the chimney-corner, like a witch in a dark cavern, sat a little old woman mending one of the two pairs of stockings wherewith Peter Goldthwaite kept his toes from being frost-bitten. As the feet were ragged past all darning, she had cut pieces out of a cast-off flannel petticoat to make new soles. Tabitha Porter was an old maid upward of sixty years of age, fifty-five of which she had sat in that same chimney-corner, such being the length of time since Peter’s grandfather had taken her from the almshouse. She had no friend but Peter, nor Peter any friend but Tabitha; so long as Peter might have a shelter for his own head, Tabitha would know where to shelter hers, or, being homeless elsewhere, she would take her master by the hand and bring him to her native home, the almshouse. Should it ever be necessary, she loved him well enough to feed him with her last morsel and clothe him with her under-petticoat. But Tabitha was a queer old woman, and, though never infected with Peter’s flightiness, had become so accustomed to his freaks and follies that she viewed them all as matters of course. Hearing him threaten to tear the house down, she looked quietly up from her work.
Deep in the corner by the chimney, like a witch in a dark cave, sat an old woman patching one of the two pairs of stockings that Peter Goldthwaite used to keep his toes from freezing. Since the feet were too worn to be repaired, she had cut pieces from a discarded flannel petticoat to make new soles. Tabitha Porter was an old maid over sixty years old, having spent fifty-five of those years in that same spot, ever since Peter’s grandfather took her from the almshouse. She had no friend except for Peter, and Peter had no friend but Tabitha; as long as Peter had a place to stay, Tabitha knew where to find shelter, or if she was homeless, she would take his hand and bring him to her old home, the almshouse. If it ever came to that, she cared for him enough to share her last bite of food and give him her under-petticoat for warmth. But Tabitha was an odd old woman, and while she had never shared Peter’s whims, she had gotten so used to his antics that she viewed them as completely normal. When she heard him threaten to tear the house down, she simply looked up from her work.
“Best leave the kitchen till the last, Mr. Peter,” said she.
“It's best to leave the kitchen for last, Mr. Peter,” she said.
“The sooner we have it all down, the better,” said Peter Goldthwaite. “I am tired to death of living in this cold, dark, windy, smoky, creaking, groaning, dismal old house. I shall feel like a younger man when we get into my splendid brick mansion, as, please Heaven, we shall by this time next autumn. You shall have a room on the sunny side, old Tabby, finished and furnished as best may suit your own notions.”
“The sooner we get everything sorted out, the better,” said Peter Goldthwaite. “I’m so tired of living in this cold, dark, windy, smoky, creaky, groaning, miserable old house. I’ll feel like a younger man when we move into my beautiful brick mansion, which, God willing, we will by this time next autumn. You’ll have a room on the sunny side, old Tabby, finished and furnished however you like.”
“I should like it pretty much such a room as this kitchen,” answered Tabitha. “It will never be like home to me till the chimney-corner gets as black with smoke as this, and that won’t be these hundred years. How much do you mean to lay out on the house, Mr. Peter?”
“I’d like a room pretty similar to this kitchen,” Tabitha replied. “It won’t feel like home to me until the fireplace gets as black with smoke as this one, and that won’t happen for a hundred years. How much are you planning to spend on the house, Mr. Peter?”
“What is that to the purpose?” exclaimed Peter, loftily. “Did not my great-grand-uncle, Peter Goldthwaite, who died seventy years ago, and whose namesake I am, leave treasure enough to build twenty such?”
“What does that have to do with anything?” Peter exclaimed arrogantly. “Didn’t my great-grand-uncle, Peter Goldthwaite, who died seventy years ago and after whom I’m named, leave behind enough treasure to build twenty of those?”
“I can’t say but he did, Mr. Peter,” said Tabitha, threading her needle.
“I can’t say he didn’t, Mr. Peter,” said Tabitha, threading her needle.
Tabitha well understood that Peter had reference to an immense hoard of the precious metals which was said to exist somewhere in the cellar or walls, or under the floors, or in some concealed closet or other out-of-the-way nook of the old house. This wealth, according to tradition, had been accumulated by a former Peter Goldthwaite whose character seems to have borne a remarkable similitude to that of the Peter of our story. Like him, he was a wild projector, seeking to heap up gold by the bushel and the cart-load instead of scraping it together coin by coin. Like Peter the second, too, his projects had almost invariably failed, and, but for the magnificent success of the final one, would have left him with hardly a coat and pair of breeches to his gaunt and grizzled person. Reports were various as to the nature of his fortunate speculation, one intimating that the ancient Peter had made the gold by alchemy; another, that he had conjured it out of people’s pockets by the black art; and a third—still more unaccountable—that the devil had given him free access to the old provincial treasury. It was affirmed, however, that some secret impediment had debarred him from the enjoyment of his riches, and that he had a motive for concealing them from his heir, or, at any rate, had died without disclosing the place of deposit. The present Peter’s father had faith enough in the story to cause the cellar to be dug over. Peter himself chose to consider the legend as an indisputable truth, and amid his many troubles had this one consolation—that, should all other resources fail, he might build up his fortunes by tearing his house down. Yet, unless he felt a lurking distrust of the golden tale, it is difficult to account for his permitting the paternal roof to stand so long, since he had never yet seen the moment when his predecessor’s treasure would not have found plenty of room in his own strong-box. But now was the crisis. Should he delay the search a little longer, the house would pass from the lineal heir, and with it the vast heap of gold, to remain in its burial-place till the ruin of the aged walls should discover it to strangers of a future generation.
Tabitha fully understood that Peter was referring to a huge stash of precious metals that was rumored to be hidden somewhere in the cellar, walls, under the floors, or in some secret closet or hidden corner of the old house. According to tradition, this wealth had been gathered by a former Peter Goldthwaite, who seemed to share a striking resemblance in character to the Peter in our story. Like him, he was an ambitious dreamer, trying to amass gold by the bushel and cartload instead of collecting it coin by coin. Like the current Peter as well, his endeavors almost always ended in failure, and if it hadn't been for the spectacular success of his last one, he would have barely had a coat and pants to his thin, grizzled frame. There were many rumors about the nature of his lucky venture—one suggested that the old Peter had made the gold through alchemy; another claimed he had magically drawn it from people's pockets using dark arts; and a third—still more bizarre—said the devil had given him unfettered access to the old provincial treasury. It was said, however, that some secret obstacle had kept him from enjoying his riches, and that he had a reason for hiding them from his heir, or at least had died without revealing their location. The current Peter's father believed enough in the story to have the cellar dug up. Peter himself chose to see the legend as an undeniable truth and, amidst his many struggles, found some solace in the thought that if all other resources failed, he could improve his fortunes by tearing down his house. Still, unless he had a nagging doubt about the golden tale, it's hard to explain why he allowed the family home to stand for so long, especially since he had never faced a moment when his predecessor's treasure wouldn't have fit comfortably in his own strongbox. But now was the critical moment. If he delayed the search any longer, the house would pass from the direct heir, taking the vast pile of gold with it to remain hidden until the crumbling old walls revealed it to future strangers.
“Yes,” cried Peter Goldthwaite, again; “to-morrow I will set about it.”
“Yes,” shouted Peter Goldthwaite again, “Tomorrow I’ll get started on it.”
The deeper he looked at the matter, the more certain of success grew Peter. His spirits were naturally so elastic that even now, in the blasted autumn of his age, he could often compete with the springtime gayety of other people. Enlivened by his brightening prospects, he began to caper about the kitchen like a hobgoblin, with the queerest antics of his lean limbs and gesticulations of his starved features. Nay, in the exuberance of his feelings, he seized both of Tabitha’s hands and danced the old lady across the floor till the oddity of her rheumatic motions set him into a roar of laughter, which was echoed back from the rooms and chambers, as if Peter Goldthwaite were laughing in every one. Finally, he bounded upward, almost out of sight, into the smoke that clouded the roof of the kitchen, and, alighting safely on the floor again, endeavored to resume his customary gravity.
The deeper Peter examined the situation, the more confident he became about his success. His spirits were naturally so high that even now, in the difficult autumn of his life, he could often match the cheerful energy of others. Energized by his improving prospects, he began to dance around the kitchen like a playful spirit, performing the funniest moves with his skinny limbs and the expressive gestures of his haggard face. In his excitement, he took both of Tabitha’s hands and twirled the old lady around the floor until her funny, stiff movements made him burst into laughter, which echoed back from every room, as if Peter Goldthwaite was laughing in all of them. Finally, he jumped up, almost disappearing into the smoke gathering at the ceiling of the kitchen, and, landing safely on the floor again, tried to regain his usual seriousness.
“To-morrow, at sunrise,” he repeated, taking his lamp to retire to bed, “I’ll see whether this treasure be hid in the wall of the garret.”
“Tomorrow, at sunrise,” he repeated, taking his lamp to head to bed, “I’ll check to see if this treasure is hidden in the wall of the attic.”
“And, as we’re out of wood, Mr. Peter,” said Tabitha, puffing and panting with her late gymnastics, “as fast as you tear the house down I’ll make a fire with the pieces.”
“And, since we’re out of wood, Mr. Peter,” Tabitha said, out of breath from her recent workout, “the faster you tear the house down, the quicker I’ll make a fire with the pieces.”
Gorgeous that night were the dreams of Peter Goldthwaite. At one time he was turning a ponderous key in an iron door not unlike the door of a sepulchre, but which, being opened, disclosed a vault heaped up with gold coin as plentifully as golden corn in a granary. There were chased goblets, also, and tureens, salvers, dinner-dishes and dish-covers of gold or silver-gilt, besides chains and other jewels, incalculably rich, though tarnished with the damps of the vault; for, of all the wealth that was irrevocably lost to man, whether buried in the earth or sunken in the sea, Peter Goldthwaite had found it in this one treasure-place. Anon he had returned to the old house as poor as ever, and was received at the door by the gaunt and grizzled figure of a man whom he might have mistaken for himself, only that his garments were of a much elder fashion. But the house, without losing its former aspect, had been changed into a palace of the precious metals. The floors, walls and ceilings were of burnished silver; the doors, the window-frames, the cornices, the balustrades and the steps of the staircase, of pure gold; and silver, with gold bottoms, were the chairs, and gold, standing on silver legs, the high chests of drawers, and silver the bedsteads, with blankets of woven gold and sheets of silver tissue. The house had evidently been transmuted by a single touch, for it retained all the marks that Peter remembered, but in gold or silver instead of wood, and the initials of his name—which when a boy he had cut in the wooden door-post—remained as deep in the pillar of gold. A happy man would have been Peter Goldthwaite except for a certain ocular deception which, whenever he glanced backward, caused the house to darken from its glittering magnificence into the sordid gloom of yesterday.
That night, Peter Goldthwaite had incredible dreams. At one point, he was turning a heavy key in an iron door that looked a lot like a tomb door. When it opened, it revealed a vault piled high with gold coins as plentiful as grains of corn in a granary. There were also ornate goblets, tureens, trays, dinner plates, and dish covers made of gold or silver-gilt, along with chains and other jewels, immeasurably valuable but tarnished by the dampness of the vault. For all the wealth that was forever lost to humanity, whether buried underground or sunk in the sea, Peter Goldthwaite had discovered it all in this one treasure trove. Soon after, he returned to the old house as poor as before, greeted at the door by the thin, grizzled figure of a man he might have mistaken for himself, except his clothes were much older in style. But the house, while keeping its familiar look, had transformed into a palace made of precious metals. The floors, walls, and ceilings were made of polished silver; the doors, window frames, cornices, railings, and staircase steps were pure gold; and the chairs were silver with gold bottoms, while the tall dressers were gold on silver legs, and the beds were silver with blankets woven of gold and sheets of silver fabric. The house had clearly been changed by a single touch, retaining all the features Peter remembered, but in gold or silver instead of wood, and the initials of his name—which he had carved into the wooden doorpost as a boy—were still deep in the golden pillar. Peter Goldthwaite would have been a happy man, except for a certain visual illusion that, whenever he looked back, made the house shift from its sparkling splendor to the dull gloom of the past.
Up betimes rose Peter, seized an axe, hammer and saw which he had placed by his bedside, and hied him to the garret. It was but scantily lighted up as yet by the frosty fragments of a sunbeam which began to glimmer through the almost opaque bull-eyes of the window. A moralizer might find abundant themes for his speculative and impracticable wisdom in a garret. There is the limbo of departed fashions, aged trifles of a day and whatever was valuable only to one generation of men, and which passed to the garret when that generation passed to the grave—not for safekeeping, but to be out of the way. Peter saw piles of yellow and musty account-books in parchment covers, wherein creditors long dead and buried had written the names of dead and buried debtors in ink now so faded that their moss-grown tombstones were more legible. He found old moth-eaten garments, all in rags and tatters, or Peter would have put them on. Here was a naked and rusty sword—not a sword of service, but a gentleman’s small French rapier—which had never left its scabbard till it lost it. Here were canes of twenty different sorts, but no gold-headed ones, and shoebuckles of various pattern and material, but not silver nor set with precious stones. Here was a large box full of shoes with high heels and peaked toes. Here, on a shelf, were a multitude of phials half filled with old apothecary’s stuff which, when the other half had done its business on Peter’s ancestors, had been brought hither from the death-chamber. Here—not to give a longer inventory of articles that will never be put up at auction—was the fragment of a full-length looking-glass which by the dust and dimness of its surface made the picture of these old things look older than the reality. When Peter, not knowing that there was a mirror there, caught the faint traces of his own figure, he partly imagined that the former Peter Goldthwaite had come back either to assist or impede his search for the hidden wealth. And at that moment a strange notion glimmered through his brain that he was the identical Peter who had concealed the gold, and ought to know whereabout it lay. This, however, he had unaccountably forgotten.
Early in the morning, Peter got up, grabbed an axe, hammer, and saw that he had set by his bedside, and headed to the attic. It was only dimly lit by the frosty remnants of a sunbeam that began to shine through the almost opaque panes of the window. A philosopher might find plenty of topics for their theoretical and impractical ideas in an attic. There’s the limbo of old fashions, antique knickknacks from a time long past, and items that were only valuable to one generation, which ended up in the attic when that generation passed away—not for safekeeping, but to be out of sight. Peter saw stacks of yellowed, musty ledgers in soft covers, where long-dead creditors had written the names of deceased debtors in ink faded to the point where their moss-covered tombstones were clearer. He found old, moth-eaten clothes in rags and tatters, or else he would have worn them. There was a rusted sword—not a practical weapon, but a gentleman's small French rapier—which hadn’t left its sheath until it lost it. There were canes of twenty different styles, but none with gold heads, and shoebuckles of various patterns and materials, none made of silver or adorned with precious stones. There was a large box full of shoes with high heels and pointy toes. On a shelf, there were numerous vials half-filled with old apothecary substances, which had been brought there from the deathbed after finishing their task on Peter's ancestors. Here—and without going into a longer list of items that will never go up for auction—was a fragment of a full-length mirror that, due to the dust and dullness of its surface, made the image of these old things seem older than they actually were. When Peter, not realizing there was a mirror, caught a glimpse of his own figure, he partly imagined that the former Peter Goldthwaite had returned either to help or hinder his search for the hidden treasure. At that moment, a strange thought flickered in his mind that he was the same Peter who had hidden the gold and should know where it was. This, however, he had somehow forgotten.
“Well, Mr. Peter!” cried Tabitha, on the garret stairs. “Have you torn the house down enough to heat the teakettle?”
“Well, Mr. Peter!” shouted Tabitha from the attic stairs. “Have you broken down the house enough to heat the teakettle?”
“Not yet, old Tabby,” answered Peter, “but that’s soon done, as you shall see.” With the word in his mouth, he uplifted the axe, and laid about him so vigorously that the dust flew, the boards crashed, and in a twinkling the old woman had an apron full of broken rubbish.
“Not yet, old Tabby,” Peter replied, “but that will be done soon, as you’ll see.” With that, he raised the axe and swung it with such force that dust flew everywhere, the boards broke apart, and in no time, the old woman had an apron full of debris.
“We shall get our winter’s wood cheap,” quoth Tabitha.
“We'll get our winter wood for a good price,” said Tabitha.
The good work being thus commenced, Peter beat down all before him, smiting and hewing at the joints and timbers, unclenching spike-nails, ripping and tearing away boards, with a tremendous racket from morning till night. He took care, however, to leave the outside shell of the house untouched, so that the neighbors might not suspect what was going on.
The good work started, Peter knocked down everything in his way, striking and chopping at the joints and beams, pulling out nails, ripping and tearing away boards, making a huge noise from morning till night. He made sure to keep the outside of the house intact so the neighbors wouldn’t suspect anything was happening.
Never, in any of his vagaries, though each had made him happy while it lasted, had Peter been happier than now. Perhaps, after all, there was something in Peter Goldthwaite’s turn of mind which brought him an inward recompense for all the external evil that it caused. If he were poor, ill-clad, even hungry and exposed, as it were, to be utterly annihilated by a precipice of impending ruin, yet only his body remained in these miserable circumstances, while his aspiring soul enjoyed the sunshine of a bright futurity. It was his nature to be always young, and the tendency of his mode of life to keep him so. Gray hairs were nothing—no, nor wrinkles nor infirmity; he might look old, indeed, and be somewhat disagreeably connected with a gaunt old figure much the worse for wear, but the true, the essential Peter was a young man of high hopes just entering on the world. At the kindling of each new fire his burnt-out youth rose afresh from the old embers and ashes. It rose exulting now. Having lived thus long—not too long, but just to the right age—a susceptible bachelor with warm and tender dreams, he resolved, so soon as the hidden gold should flash to light, to go a-wooing and win the love of the fairest maid in town. What heart could resist him? Happy Peter Goldthwaite!
Never, in any of his whims, though each had made him happy while it lasted, had Peter been happier than he was now. Maybe there was something about Peter Goldthwaite's mindset that gave him an inner reward for all the external troubles it caused. Even if he was poor, poorly dressed, and even hungry, facing the threat of complete ruin, only his body was stuck in these dire circumstances, while his hopeful spirit basked in the promise of a bright future. It was in his nature to always be young, and his way of life helped him stay that way. Gray hairs meant nothing—nor did wrinkles or frailty; he might look old and be somewhat uncomfortably associated with a worn, gaunt figure, but the real Peter was a young man filled with high hopes just starting out in the world. With every new opportunity, his burnt-out youth sprang up again from the old embers and ashes. It was rising triumphantly now. Having lived just long enough—not too long, but just the right amount—as a sensitive bachelor with warm and tender dreams, he decided that as soon as the hidden riches revealed themselves, he would go courting and win the love of the prettiest girl in town. What heart could resist him? Happy Peter Goldthwaite!
Every evening—as Peter had long absented himself from his former lounging-places at insurance offices, news-rooms, and book-stores, and as the honor of his company was seldom requested in private circles—he and Tabitha used to sit down sociably by the kitchen hearth. This was always heaped plentifully with the rubbish of his day’s labor. As the foundation of the fire there would be a goodly-sized back-log of red oak, which after being sheltered from rain or damp above a century still hissed with the heat and distilled streams of water from each end, as if the tree had been cut down within a week or two. Next there were large sticks, sound, black and heavy, which had lost the principle of decay and were indestructible except by fire, wherein they glowed like red-hot bars of iron. On this solid basis Tabitha would rear a lighter structure, composed of the splinters of door-panels, ornamented mouldings, and such quick combustibles, which caught like straw and threw a brilliant blaze high up the spacious flue, making its sooty sides visible almost to the chimney-top. Meantime, the gloom of the old kitchen would be chased out of the cobwebbed corners and away from the dusky cross-beams overhead, and driven nobody could tell whither, while Peter smiled like a gladsome man and Tabitha seemed a picture of comfortable age. All this, of course, was but an emblem of the bright fortune which the destruction of the house would shed upon its occupants.
Every evening—since Peter had long stopped frequenting his old hangouts at insurance offices, newsrooms, and bookstores, and since his company was rarely requested in private circles—he and Tabitha would sit down together by the kitchen hearth. This was always piled high with the leftover debris from his day’s work. At the base of the fire was a sizable back-log of red oak, which, after being sheltered from rain or damp for over a century, still hissed with heat and dripped streams of water from each end, as if the tree had just been cut down a week or two ago. Next were large, sturdy sticks—black and heavy—that had resisted decay and were indestructible except by fire, glowing like red-hot bars of iron. On this solid foundation, Tabitha would build a lighter structure made of splinters from door panels, decorative moldings, and other quick-burning materials, which caught fire like straw and sent a bright blaze shooting up the spacious flue, making the sooty sides visible almost to the top of the chimney. Meanwhile, the darkness of the old kitchen would be chased out of the cobwebbed corners and away from the dim cross-beams overhead, sent off to nobody knows where, while Peter smiled like a happy man and Tabitha appeared as a picture of comfortable age. All of this, of course, was just a sign of the bright fortune that the destruction of the house would bring to its occupants.
While the dry pine was flaming and crackling like an irregular discharge of fairy-musketry, Peter sat looking and listening in a pleasant state of excitement; but when the brief blaze and uproar were succeeded by the dark-red glow, the substantial heat and the deep singing sound which were to last throughout the evening, his humor became talkative. One night—the hundredth time—he teased Tabitha to tell him something new about his great-granduncle.
While the dry pine was burning and crackling like an uneven burst of fireworks, Peter sat watching and listening in a nice state of excitement; but when the short blaze and noise gave way to the dark-red glow, the steady heat, and the deep hum that lasted all evening, he got chatty. One night— the hundredth time— he nudged Tabitha to share something new about his great-granduncle.
“You have been sitting in that chimney-corner fifty-five years, old Tabby, and must have heard many a tradition about him,” said Peter. “Did not you tell me that when you first came to the house there was an old woman sitting where you sit now who had been housekeeper to the famous Peter Goldthwaite?”
“You've been sitting in that corner by the fireplace for fifty-five years, old Tabby, and you must have heard a lot of stories about him,” said Peter. “Didn’t you tell me that when you first arrived at the house, there was an old woman sitting in the same spot who used to be the housekeeper for the famous Peter Goldthwaite?”
“So there was, Mr. Peter,” answered Tabitha, “and she was near about a hundred years old. She used to say that she and old Peter Goldthwaite had often spent a sociable evening by the kitchen fire—pretty much as you and I are doing now, Mr. Peter.”
“So there was, Mr. Peter,” replied Tabitha, “and she was almost a hundred years old. She used to say that she and old Peter Goldthwaite often spent a friendly evening by the kitchen fire—pretty much like you and I are doing now, Mr. Peter.”
“The old fellow must have resembled me in more points than one,” said Peter, complacently, “or he never would have grown so rich. But methinks he might have invested the money better than he did. No interest! nothing but good security! and the house to be torn down to come at it! What made him hide it so snug, Tabby?”
“The old guy must have been a lot like me,” said Peter, pleased with himself, “or he wouldn’t have gotten so wealthy. But I think he could have invested the money better. No interest! Just solid security! And the house has to be demolished to get to it! Why did he keep it so hidden, Tabby?”
“Because he could not spend it,” said Tabitha, “for as often as he went to unlock the chest the Old Scratch came behind and caught his arm. The money, they say, was paid Peter out of his purse, and he wanted Peter to give him a deed of this house and land, which Peter swore he would not do.”
“Because he couldn't spend it,” Tabitha said, “every time he tried to unlock the chest, Old Scratch came up behind him and caught his arm. They say Peter was given the money directly from his purse, and he wanted Peter to sign over a deed for this house and land, but Peter swore he wouldn’t do it.”
“Just as I swore to John Brown, my old partner,” remarked Peter. “But this is all nonsense, Tabby; I don’t believe the story.”
“Just like I promised John Brown, my old partner,” Peter said. “But this is all nonsense, Tabby; I don't believe the story.”
“Well, it may not be just the truth,” said Tabitha, “for some folks say that Peter did make over the house to the Old Scratch, and that’s the reason it has always been so unlucky to them that lived in it. And as soon as Peter had given him the deed the chest flew open, and Peter caught up a handful of the gold. But, lo and behold! there was nothing in his fist but a parcel of old rags.”
"Well, it might not be just the truth," Tabitha said, "because some people say that Peter gave the house to the Devil, and that’s why it’s always been so unlucky for anyone who lived there. As soon as Peter handed over the deed, the chest opened, and he grabbed a handful of gold. But, surprisingly, all he had in his hand was a bunch of old rags."
“Hold your tongue, you silly old Tabby!” cried Peter, in great wrath. “They were as good golden guineas as ever bore the effigies of the king of England. It seems as if I could recollect the whole circumstance, and how I, or old Peter, or whoever it was, thrust in my hand, or his hand, and drew it out all of a blaze with gold. Old rags indeed!”
“Shut up, you silly old Tabby!” shouted Peter, furious. “They were as good as golden guineas that ever had the king of England's likeness on them. I feel like I can remember the whole thing, how I, or old Peter, or whoever it was, reached in and pulled it out all shining with gold. Old rags, really!”
But it was not an old woman’s legend that would discourage Peter Goldthwaite. All night long he slept among pleasant dreams, and awoke at daylight with a joyous throb of the heart which few are fortunate enough to feel beyond their boyhood. Day after day he labored hard without wasting a moment except at meal-times, when Tabitha summoned him to the pork and cabbage, or such other sustenance as she had picked up or Providence had sent them. Being a truly pious man, Peter never failed to ask a blessing—if the food were none of the best, then so much the more earnestly, as it was more needed—nor to return thanks, if the dinner had been scanty, yet for the good appetite which was better than a sick stomach at a feast. Then did he hurry back to his toil, and in a moment was lost to sight in a cloud of dust from the old walls, though sufficiently perceptible to the ear by the clatter which he raised in the midst of it.
But it wasn’t an old woman’s story that would deter Peter Goldthwaite. He slept all night filled with pleasant dreams and woke up at dawn with a joyful feeling in his heart that few are lucky enough to experience beyond their childhood. Day after day, he worked hard without wasting a moment except at meal times, when Tabitha called him to enjoy the pork and cabbage or whatever else they had managed to gather or that fate had provided. Being a truly religious man, Peter always remembered to say a blessing—if the food wasn’t great, he prayed even more earnestly since it was needed more— and he gave thanks even if the meal was meager, grateful for a good appetite, which was better than having a sick stomach at a banquet. Then he rushed back to his work, quickly disappearing into a cloud of dust from the old walls, though you could still hear him by the noise he made amidst it all.
How enviable is the consciousness of being usefully employed! Nothing troubled Peter, or nothing but those phantoms of the mind which seem like vague recollections, yet have also the aspect of presentiments. He often paused with his axe uplifted in the air, and said to himself, “Peter Goldthwaite, did you never strike this blow before?” or “Peter, what need of tearing the whole house down? Think a little while, and you will remember where the gold is hidden.” Days and weeks passed on, however, without any remarkable discovery. Sometimes, indeed, a lean gray rat peeped forth at the lean gray man, wondering what devil had got into the old house, which had always been so peaceable till now. And occasionally Peter sympathized with the sorrows of a female mouse who had brought five or six pretty, little, soft and delicate young ones into the world just in time to see them crushed by its ruin. But as yet no treasure.
How envied is the awareness of being productively busy! Nothing bothered Peter, except for those haunting thoughts that felt like vague memories, yet also had the vibe of premonitions. He often paused with his axe raised in the air, asking himself, “Peter Goldthwaite, have you never made this cut before?” or “Peter, why do you need to tear down the whole house? Think for a moment, and you’ll remember where the gold is hidden.” Days and weeks went by, though, without any significant discovery. Sometimes, a thin gray rat peeked out at the thin gray man, puzzled about what had possessed the old house, which had always been so calm until now. Occasionally, Peter empathized with the woes of a female mouse who had just given birth to five or six cute, tiny, soft young ones, only to see them crushed by the destruction. But still, no treasure.
By this time, Peter, being as determined as fate and as diligent as time, had made an end with the uppermost regions and got down to the second story, where he was busy in one of the front chambers. It had formerly been the state-bedchamber, and was honored by tradition as the sleeping-apartment of Governor Dudley and many other eminent guests. The furniture was gone. There were remnants of faded and tattered paper-hangings, but larger spaces of bare wall ornamented with charcoal sketches, chiefly of people’s heads in profile. These being specimens of Peter’s youthful genius, it went more to his heart to obliterate them than if they had been pictures on a church wall by Michael Angelo. One sketch, however, and that the best one, affected him differently. It represented a ragged man partly supporting himself on a spade and bending his lean body over a hole in the earth, with one hand extended to grasp something that he had found. But close behind him, with a fiendish laugh on his features, appeared a figure with horns, a tufted tail and a cloven hoof.
By this time, Peter, as determined as fate and as hardworking as time, had finished with the top floors and moved down to the second story, where he was busy in one of the front rooms. It had once been the state bedroom and was respected by tradition as the sleeping quarters of Governor Dudley and many other distinguished guests. The furniture was gone. There were remnants of faded and tattered wallpaper, but larger patches of bare wall were decorated with charcoal sketches, mostly of people’s heads in profile. These were examples of Peter’s youthful talent, and it pained him more to erase them than if they had been paintings on a church wall by Michelangelo. One sketch, however, the best one, affected him differently. It depicted a ragged man partially supporting himself on a spade and bending his thin body over a hole in the earth, with one hand reaching out to grab something he had discovered. But just behind him, with a wicked grin on his face, was a figure with horns, a tufted tail, and a cloven hoof.
“Avaunt, Satan!” cried Peter. “The man shall have his gold.” Uplifting his axe, he hit the horned gentleman such a blow on the head as not only demolished him, but the treasure-seeker also, and caused the whole scene to vanish like magic. Moreover, his axe broke quite through the plaster and laths and discovered a cavity.
“Away with you, Satan!” shouted Peter. “The man will get his gold.” Raising his axe, he struck the horned figure a blow to the head that not only defeated him but also took out the treasure-seeker, making the entire scene disappear like magic. Additionally, his axe broke through the plaster and laths, revealing a hollow space.
“Mercy on us, Mr. Peter! Are you quarrelling with the Old Scratch?” said Tabitha, who was seeking some fuel to put under the dinner-pot.
“Please have mercy, Mr. Peter! Are you arguing with the devil?” said Tabitha, who was looking for some kindling to put under the dinner pot.
Without answering the old woman, Peter broke down a further space of the wall, and laid open a small closet or cupboard on one side of the fireplace, about breast-high from the ground. It contained nothing but a brass lamp covered with verdigris, and a dusty piece of parchment. While Peter inspected the latter, Tabitha seized the lamp and began to rub it with her apron.
Without replying to the old woman, Peter smashed down another section of the wall and opened a small closet or cupboard located beside the fireplace, about chest-high from the ground. Inside, he found nothing but a brass lamp covered in green corrosion and a dusty piece of parchment. As Peter examined the parchment, Tabitha grabbed the lamp and started to rub it with her apron.
“There is no use in rubbing it, Tabitha,” said Peter. “It is not Aladdin’s lamp, though I take it to be a token of as much luck. Look here, Tabby!”
“There’s no point in rubbing it, Tabitha,” said Peter. “It’s not Aladdin’s lamp, but I think it brings just as much luck. Look here, Tabby!”
Tabitha took the parchment and held it close to her nose, which was saddled with a pair of iron-bound spectacles. But no sooner had she begun to puzzle over it than she burst into a chuckling laugh, holding both her hands against her sides.
Tabitha grabbed the parchment and held it up to her nose, which was framed by a pair of heavy glasses. But as soon as she started trying to figure it out, she burst into a fit of laughter, clutching her sides with both hands.
“You can’t make a fool of the old woman,” cried she. “This is your own handwriting, Mr. Peter, the same as in the letter you sent me from Mexico.”
“You can’t trick the old woman,” she exclaimed. “This is your own handwriting, Mr. Peter, just like in the letter you sent me from Mexico.”
“There is certainly a considerable resemblance,” said Peter, again examining the parchment. “But you know yourself, Tabby, that this closet must have been plastered up before you came to the house or I came into the world. No; this is old Peter Goldthwaite’s writing. These columns of pounds, shillings and pence are his figures, denoting the amount of the treasure, and this, at the bottom, is doubtless a reference to the place of concealment. But the ink has either faded or peeled off, so that it is absolutely illegible. What a pity!”
“There’s definitely a strong resemblance,” said Peter, looking over the parchment again. “But you know, Tabby, that this closet must have been sealed up long before you arrived at the house or before I was born. No; this is old Peter Goldthwaite’s handwriting. These columns of pounds, shillings, and pence represent the amount of the treasure, and this reference at the bottom is probably about where it’s hidden. But the ink has either faded or flaked off, making it completely unreadable. What a shame!”
“Well, this lamp is as good as new. That’s some comfort,” said Tabitha.
“Well, this lamp is like brand new. That’s a bit comforting,” said Tabitha.
“A lamp!” thought Peter. “That indicates light on my researches.”
“A lamp!” thought Peter. “That means I’m getting somewhere with my research.”
For the present Peter felt more inclined to ponder on this discovery than to resume his labors. After Tabitha had gone down stairs he stood poring over the parchment at one of the front windows, which was so obscured with dust that the sun could barely throw an uncertain shadow of the casement across the floor. Peter forced it open and looked out upon the great street of the town, while the sun looked in at his old house. The air, though mild, and even warm, thrilled Peter as with a dash of water.
For now, Peter was more interested in thinking about this discovery than getting back to work. After Tabitha went downstairs, he stood staring at the parchment by one of the front windows, which was so dusty that the sun could barely cast a faint shadow of the frame on the floor. Peter pushed the window open and looked out at the main street of the town, while the sun shone into his old house. The air, although mild and even warm, sent a thrill through Peter like a splash of water.
It was the first day of the January thaw. The snow lay deep upon the housetops, but was rapidly dissolving into millions of water-drops, which sparkled downward through the sunshine with the noise of a summer shower beneath the eaves. Along the street the trodden snow was as hard and solid as a pavement of white marble, and had not yet grown moist in the spring-like temperature. But when Peter thrust forth his head, he saw that the inhabitants, if not the town, were already thawed out by this warm day, after two or three weeks of winter weather. It gladdened him—a gladness with a sigh breathing through it—to see the stream of ladies gliding along the slippery sidewalks with their red cheeks set off by quilted hoods, boas and sable capes like roses amidst a new kind of foliage. The sleigh bells jingled to and fro continually, sometimes announcing the arrival of a sleigh from Vermont laden with the frozen bodies of porkers or sheep, and perhaps a deer or two; sometimes, of a regular marketman with chickens, geese and turkeys, comprising the whole colony of a barn-yard; and sometimes, of a farmer and his dame who had come to town partly for the ride, partly to go a-shopping and partly for the sale of some eggs and butter. This couple rode in an old-fashioned square sleigh which had served them twenty winters and stood twenty summers in the sun beside their door. Now a gentleman and lady skimmed the snow in an elegant car shaped somewhat like a cockle-shell; now a stage-sleigh with its cloth curtains thrust aside to admit the sun dashed rapidly down the street, whirling in and out among the vehicles that obstructed its passage; now came round a corner the similitude of Noah’s ark on runners, being an immense open sleigh with seats for fifty people and drawn by a dozen horses. This spacious receptacle was populous with merry maids and merry bachelors, merry girls and boys and merry old folks, all alive with fun and grinning to the full width of their mouths. They kept up a buzz of babbling voices and low laughter, and sometimes burst into a deep, joyous shout which the spectators answered with three cheers, while a gang of roguish boys let drive their snow-balls right among the pleasure-party. The sleigh passed on, and when concealed by a bend of the street was still audible by a distant cry of merriment.
It was the first day of the January thaw. The snow was deep on the rooftops but was quickly melting into millions of droplets that sparkled in the sunlight, making the sound of a summer shower as it fell from the eaves. The packed snow along the street was hard and solid like a pavement of white marble and hadn’t yet turned wet in the spring-like warmth. But when Peter poked his head out, he noticed that the people, if not the town, had already warmed up in this mild weather after two or three weeks of winter. It made him happy—a happiness tinged with a sigh—to see the stream of ladies gliding along the slick sidewalks, their rosy cheeks highlighted by quilted hoods, boas, and sable capes, like roses among a new kind of foliage. The sleigh bells jingled continuously, sometimes signaling the arrival of a sleigh from Vermont loaded with frozen pigs or sheep, and maybe a deer or two; sometimes, it was a market seller with chickens, geese, and turkeys—essentially the whole barnyard; and sometimes, a farmer and his wife who had come to town partly for the ride, partly to shop, and partly to sell some eggs and butter. This couple was riding in an old-fashioned square sleigh that had served them for twenty winters and spent twenty summers sitting in the sun by their door. Now a gentleman and lady glided over the snow in a stylish sleigh shaped like a cockle-shell; now a stage sleigh with its cloth curtains drawn back to let in the sun rushed swiftly down the street, weaving in and out among the vehicles blocking its way; and now, rounding a corner, was what looked like Noah’s ark on runners—a large open sleigh with seats for fifty people, pulled by a dozen horses. This spacious ride was filled with cheerful maidens and bachelors, happy girls and boys, and merry old folks, all brimming with fun and grinning widely. They created a buzz of chatter and soft laughter, occasionally bursting into deep, joyful shouts that the spectators responded to with three cheers, while a group of mischievous boys threw snowballs right into the happy crowd. The sleigh moved on, and when it disappeared around a bend in the street, its distant laughter could still be heard.
Never had Peter beheld a livelier scene than was constituted by all these accessories—the bright sun, the flashing water-drops, the gleaming snow, the cheerful multitude, the variety of rapid vehicles and the jingle-jangle of merry bells which made the heart dance to their music. Nothing dismal was to be seen except that peaked piece of antiquity Peter Goldthwaite’s house, which might well look sad externally, since such a terrible consumption was preying on its insides. And Peter’s gaunt figure, half visible in the projecting second story, was worthy of his house.
Peter had never seen a livelier scene than what was made up by all these elements—the bright sun, the sparkling water droplets, the shining snow, the happy crowd, the variety of fast vehicles, and the cheerful jingling of bells that made the heart feel light with their music. The only dull sight was the old, pointed structure of Peter Goldthwaite's house, which certainly appeared sad from the outside, since something terrible was eating away at it from the inside. And Peter's thin figure, half-visible in the projecting second story, matched the state of his house.
“Peter! How goes it, friend Peter?” cried a voice across the street as Peter was drawing in his head. “Look out here, Peter!”
“Peter! How's it going, buddy Peter?” shouted a voice from across the street while Peter was lost in thought. “Hey over here, Peter!”
Peter looked, and saw his old partner, Mr. John Brown, on the opposite sidewalk, portly and comfortable, with his furred cloak thrown open, disclosing a handsome surtout beneath. His voice had directed the attention of the whole town to Peter Goldthwaite’s window, and to the dusty scarecrow which appeared at it.
Peter looked and saw his old partner, Mr. John Brown, on the other side of the sidewalk, plump and at ease, with his fur cloak thrown open, revealing a stylish overcoat underneath. His voice had captured the attention of the whole town, drawing it to Peter Goldthwaite’s window and the dusty scarecrow that stood there.
“I say, Peter!” cried Mr. Brown, again; “what the devil are you about there, that I hear such a racket whenever I pass by? You are repairing the old house, I suppose, making a new one of it? Eh?”
“I say, Peter!” shouted Mr. Brown again. “What on earth are you doing in there? I hear such a racket every time I walk by! You’re fixing up the old house, I assume, turning it into something new? Huh?”
“Too late for that, I am afraid, Mr. Brown,” replied Peter. “If I make it new, it will be new inside and out, from the cellar upward.”
“Sorry, but it's too late for that, Mr. Brown,” Peter replied. “If I make it new, it will be new inside and out, from the basement up.”
“Had not you better let me take the job?” said Mr. Brown, significantly.
“Wouldn't it be better if I took the job?” Mr. Brown said with emphasis.
“Not yet,” answered Peter, hastily shutting the window; for ever since he had been in search of the treasure he hated to have people stare at him.
“Not yet,” Peter replied, quickly closing the window; ever since he started looking for the treasure, he couldn’t stand having people stare at him.
As he drew back, ashamed of his outward poverty, yet proud of the secret wealth within his grasp, a haughty smile shone out on Peter’s visage with precisely the effect of the dim sunbeams in the squalid chamber. He endeavored to assume such a mien as his ancestor had probably worn when he gloried in the building of a strong house for a home to many generations of his posterity. But the chamber was very dark to his snow-dazzled eyes, and very dismal, too, in contrast with the living scene that he had just looked upon. His brief glimpse into the street had given him a forcible impression of the manner in which the world kept itself cheerful and prosperous by social pleasures and an intercourse of business, while he in seclusion was pursuing an object that might possibly be a phantasm by a method which most people would call madness. It is one great advantage of a gregarious mode of life that each person rectifies his mind by other minds and squares his conduct to that of his neighbors, so as seldom to be lost in eccentricity. Peter Goldthwaite had exposed himself to this influence by merely looking out of the window. For a while he doubted whether there were any hidden chest of gold, and in that case whether it was so exceedingly wise to tear the house down only to be convinced of its non-existence.
As he stepped back, embarrassed by his outward poverty but proud of the hidden wealth he held, a haughty smile appeared on Peter’s face, similar to the faint sunlight streaming into the shabby room. He tried to adopt the same demeanor his ancestor probably had when he took pride in building a sturdy house for future generations. However, the room felt very dark to his eyes, which were still dazzled by the brightness outside, and it seemed particularly bleak compared to the lively scene he had just witnessed. His brief view of the street had given him a strong sense of how the world maintained its cheer and prosperity through social activities and business interactions, while he, in solitude, was chasing a goal that might just be an illusion with a method that most people would think was crazy. One major benefit of a social lifestyle is that each individual adjusts their thinking and behavior based on those around them, so they rarely drift into eccentricity. Peter Goldthwaite had exposed himself to this effect just by looking out the window. For a moment, he questioned whether any hidden treasure existed at all, and if it was really wise to tear down the house just to find out it wasn’t there.
But this was momentary. Peter the Destroyer resumed the task which Fate had assigned him, nor faltered again till it was accomplished. In the course of his search he met with many things that are usually found in the ruins of an old house, and also with some that are not. What seemed most to the purpose was a rusty key which had been thrust into a chink of the wall, with a wooden label appended to the handle, bearing the initials “P.G.” Another singular discovery was that of a bottle of wine walled up in an old oven. A tradition ran in the family that Peter’s grandfather, a jovial officer in the old French war, had set aside many dozens of the precious liquor for the benefit of topers then unborn. Peter needed no cordial to sustain his hopes, and therefore kept the wine to gladden his success. Many half-pence did he pick up that had been lost through the cracks of the floor, and some few Spanish coins, and the half of a broken sixpence which had doubtless been a love-token. There was likewise a silver coronation medal of George III. But old Peter Goldthwaite’s strong-box fled from one dark corner to another, or otherwise eluded the second Peter’s clutches till, should he seek much farther, he must burrow into the earth.
But this was just a brief moment. Peter the Destroyer got back to the task that Fate had given him and didn’t hesitate again until he finished it. During his search, he came across many things usually found in the ruins of an old house, as well as some unexpected items. The most useful find was a rusty key stuffed into a crack in the wall, with a wooden tag attached to the handle that had the initials "P.G." Another unusual discovery was a bottle of wine sealed up in an old oven. There was a family tradition that Peter’s grandfather, a cheerful officer in the old French war, had set aside many dozens of this precious liquor for the benefit of future drinkers. Peter didn’t need any encouragement to keep his spirits up, so he saved the wine to celebrate his success. He picked up many coins that had slipped through the cracks of the floor, along with a few Spanish coins and half of a broken sixpence that must have been a love-token. There was also a silver coronation medal of George III. But old Peter Goldthwaite’s strongbox kept slipping away from dark corners or otherwise evading Peter the Second's grasp until, if he searched much further, he would have to dig into the earth.
We will not follow him in his triumphant progress step by step. Suffice it that Peter worked like a steam-engine and finished in that one winter the job which all the former inhabitants of the house, with time and the elements to aid them, had only half done in a century. Except the kitchen, every room and chamber was now gutted. The house was nothing but a shell, the apparition of a house, as unreal as the painted edifices of a theatre. It was like the perfect rind of a great cheese in which a mouse had dwelt and nibbled till it was a cheese no more. And Peter was the mouse.
We won’t follow him in his triumphant journey step by step. It's enough to say that Peter worked like a machine and completed in that one winter the job that all the previous occupants of the house, with time and the elements on their side, had only half finished in a century. Except for the kitchen, every room and chamber was completely stripped. The house was just a shell, a ghost of a house, as unreal as the painted structures of a theater. It resembled the perfect rind of a big cheese that a mouse had lived in and nibbled on until it was no longer a cheese. And Peter was the mouse.
What Peter had torn down, Tabitha had burnt up, for she wisely considered that without a house they should need no wood to warm it, and therefore economy was nonsense. Thus the whole house might be said to have dissolved in smoke and flown up among the clouds through the great black flue of the kitchen chimney. It was an admirable parallel to the feat of the man who jumped down his own throat.
What Peter had taken apart, Tabitha had set on fire because she smartly thought that without a house, they wouldn’t need any wood to heat it, so being economical was pointless. So, the entire house could be said to have vanished in smoke and floated up into the clouds through the big black flue of the kitchen chimney. It was a great comparison to the trick of the guy who jumped down his own throat.
On the night between the last day of winter and the first of spring every chink and cranny had been ransacked except within the precincts of the kitchen. This fated evening was an ugly one. A snow-storm had set in some hours before, and was still driven and tossed about the atmosphere by a real hurricane which fought against the house as if the prince of the air in person were putting the final stroke to Peter’s labors. The framework being so much weakened and the inward props removed, it would have been no marvel if in some stronger wrestle of the blast the rotten walls of the edifice and all the peaked roofs had come crashing down upon the owner’s head. He, however, was careless of the peril, but as wild and restless as the night itself, or as the flame that quivered up the chimney at each roar of the tempestuous wind.
On the night between the last day of winter and the first day of spring, every nook and cranny had been searched except for inside the kitchen. This doomed evening was unpleasant. A snowstorm had started a few hours earlier and was still being whipped around the atmosphere by a severe hurricane, as if the prince of the air himself were trying to put the final touches on Peter’s efforts. With the structure weakened and the internal supports removed, it wouldn’t have been surprising if, during a stronger clash of the winds, the decaying walls of the building and all the tall roofs came crashing down on the owner’s head. He was, however, oblivious to the danger, wild and restless like the night itself or like the flames that danced up the chimney with every roar of the fierce wind.
“The wine, Tabitha,” he cried—“my grandfather’s rich old wine! We will drink it now.”
“The wine, Tabitha,” he said—“my grandfather’s rich old wine! We’ll drink it now.”
Tabitha arose from her smoke-blackened bench in the chimney-corner and placed the bottle before Peter, close beside the old brass lamp which had likewise been the prize of his researches. Peter held it before his eyes, and, looking through the liquid medium, beheld the kitchen illuminated with a golden glory which also enveloped Tabitha and gilded her silver hair and converted her mean garments into robes of queenly splendor. It reminded him of his golden dream.
Tabitha got up from her soot-covered bench in the corner by the fireplace and set the bottle down in front of Peter, right next to the old brass lamp that he had also discovered. Peter held it up to his eyes and, peering through the liquid, saw the kitchen bathed in a golden light that surrounded Tabitha, turning her silver hair radiant and transforming her simple clothes into majestic robes. It made him think of his golden dream.
“Mr. Peter,” remarked Tabitha, “must the wine be drunk before the money is found?”
“Mr. Peter,” Tabitha said, “do we have to drink the wine before we find the money?”
“The money is found!” exclaimed Peter, with a sort of fierceness. “The chest is within my reach; I will not sleep till I have turned this key in the rusty lock. But first of all let us drink.”
“The money is found!” Peter shouted, with a kind of intensity. “The chest is within my grasp; I won’t rest until I’ve turned this key in the rusty lock. But first, let’s have a drink.”
There being no corkscrew in the house, he smote the neck of the bottle with old Peter Goldthwaite’s rusty key, and decapitated the sealed cork at a single blow. He then filled two little china teacups which Tabitha had brought from the cupboard. So clear and brilliant was this aged wine that it shone within the cups and rendered the sprig of scarlet flowers at the bottom of each more distinctly visible than when there had been no wine there. Its rich and delicate perfume wasted itself round the kitchen.
There was no corkscrew in the house, so he struck the neck of the bottle with old Peter Goldthwaite’s rusty key, popping the sealed cork off in one swift move. He then filled two small china teacups that Tabitha had taken from the cupboard. The aged wine was so clear and bright that it sparkled in the cups, making the sprig of red flowers at the bottom of each cup stand out even more than when there was no wine. Its rich and subtle scent filled the kitchen.
“Drink, Tabitha!” cried Peter. “Blessings on the honest old fellow who set aside this good liquor for you and me! And here’s to Peter Goldthwaite’s memory!”
“Drink, Tabitha!” shouted Peter. “Cheers to the honest old guy who saved this great drink for you and me! And here’s to the memory of Peter Goldthwaite!”
“And good cause have we to remember him,” quoth Tabitha as she drank.
“And we have good reason to remember him,” said Tabitha as she drank.
How many years, and through what changes of fortune and various calamity, had that bottle hoarded up its effervescent joy, to be quaffed at last by two such boon-companions! A portion of the happiness of a former age had been kept for them, and was now set free in a crowd of rejoicing visions to sport amid the storm and desolation of the present time. Until they have finished the bottle we must turn our eyes elsewhere.
How many years, and through what twists of fate and different hardships, had that bottle stored up its bubbling joy, only to be enjoyed at last by two such close friends! A bit of the happiness from a previous time had been saved for them, and now it was released in a flurry of joyful memories to play in the chaos and despair of the present. Until they finish the bottle, we have to look elsewhere.
It so chanced that on this stormy night Mr. John Brown found himself ill at ease in his wire-cushioned arm-chair by the glowing grate of anthracite which heated his handsome parlor. He was naturally a good sort of a man, and kind and pitiful whenever the misfortunes of others happened to reach his heart through the padded vest of his own prosperity. This evening he had thought much about his old partner, Peter Goldthwaite, his strange vagaries and continual ill-luck, the poverty of his dwelling at Mr. Brown’s last visit, and Peter’s crazed and haggard aspect when he had talked with him at the window.
On this stormy night, Mr. John Brown found himself uncomfortable in his cushioned armchair by the warm glow of the anthracite fireplace that heated his lovely living room. He was generally a decent guy, kind and compassionate whenever he heard about other people's troubles, which broke through the comfort of his own success. That evening, he had been thinking a lot about his old business partner, Peter Goldthwaite, his odd behaviors and ongoing misfortune, the poor condition of his home during Mr. Brown’s last visit, and Peter’s wild, weary look when they had talked by the window.
“Poor fellow!” thought Mr. John Brown. “Poor crack-brained Peter Goldthwaite! For old acquaintance’ sake I ought to have taken care that he was comfortable this rough winter.” These feelings grew so powerful that, in spite of the inclement weather, he resolved to visit Peter Goldthwaite immediately.
“Poor guy!” thought Mr. John Brown. “Poor crazy Peter Goldthwaite! For the sake of our old friendship, I should have made sure he was doing okay this tough winter.” These feelings became so strong that, despite the bad weather, he decided to go see Peter Goldthwaite right away.
The strength of the impulse was really singular. Every shriek of the blast seemed a summons, or would have seemed so had Mr. Brown been accustomed to hear the echoes of his own fancy in the wind. Much amazed at such active benevolence, he huddled himself in his cloak, muffled his throat and ears in comforters and handkerchiefs, and, thus fortified, bade defiance to the tempest. But the powers of the air had rather the best of the battle. Mr. Brown was just weathering the corner by Peter Goldthwaite’s house when the hurricane caught him off his feet, tossed him face downward into a snow-bank and proceeded to bury his protuberant part beneath fresh drifts. There seemed little hope of his reappearance earlier than the next thaw. At the same moment his hat was snatched away and whirled aloft into some far-distant region whence no tidings have as yet returned.
The power of the wind was truly remarkable. Every scream of the storm felt like a call to action, or at least it would have felt that way if Mr. Brown had been used to hearing the echoes of his own imagination in the breeze. Surprised by such lively kindness, he wrapped himself in his cloak, bundled his neck and ears in scarves and handkerchiefs, and, feeling prepared, faced the storm. But the forces of nature had the upper hand. Mr. Brown was just rounding the corner by Peter Goldthwaite’s house when the hurricane swept him off his feet, threw him face-first into a snowbank, and started to cover him with fresh layers of snow. It seemed unlikely that he would resurface before the next thaw. At the same time, his hat was whisked away and launched into some far-off place from which no news has yet come back.
Nevertheless Mr. Brown contrived to burrow a passage through the snow-drift, and with his bare head bent against the storm floundered onward to Peter’s door. There was such a creaking and groaning and rattling, and such an ominous shaking, throughout the crazy edifice that the loudest rap would have been inaudible to those within. He therefore entered without ceremony, and groped his way to the kitchen. His intrusion even there was unnoticed. Peter and Tabitha stood with their backs to the door, stooping over a large chest which apparently they had just dragged from a cavity or concealed closet on the left side of the chimney. By the lamp in the old woman’s hand Mr. Brown saw that the chest was barred and clamped with iron, strengthened with iron plates and studded with iron nails, so as to be a fit receptacle in which the wealth of one century might be hoarded up for the wants of another.
Nevertheless, Mr. Brown managed to find a way through the snowdrift, and with his bare head lowered against the storm, he struggled onward to Peter’s door. There was such a creaking and groaning and rattling, along with an ominous shaking throughout the rickety building, that the loudest knock would have gone unheard inside. So, he entered without knocking and made his way to the kitchen. His presence there went unnoticed. Peter and Tabitha stood with their backs to the door, leaning over a large chest that they had apparently just pulled out from a hidden space or cupboard on the left side of the chimney. By the light of the lamp in the old woman’s hand, Mr. Brown saw that the chest was barred and clamped with iron, reinforced with iron plates and dotted with iron nails, making it a suitable place to store the wealth of one century for the needs of another.
Peter Goldthwaite was inserting a key into the lock.
Peter Goldthwaite was putting a key into the lock.
“Oh, Tabitha,” cried he, with tremulous rapture, “how shall I endure the effulgence? The gold!—the bright, bright gold! Methinks I can remember my last glance at it just as the iron-plated lid fell down. And ever since, being seventy years, it has been blazing in secret and gathering its splendor against this glorious moment. It will flash upon us like the noonday sun.”
“Oh, Tabitha,” he exclaimed with trembling excitement, “how can I handle this brightness? The gold!—the shiny, shiny gold! I think I can remember my last glimpse of it just as the heavy lid slammed shut. And ever since, for seventy years, it has been shining secretly and building up its brilliance for this amazing moment. It’s going to burst forth like the midday sun.”
“Then shade your eyes, Mr. Peter!” said Tabitha, with somewhat less patience than usual. “But, for mercy’s sake, do turn the key!”
“Then shield your eyes, Mr. Peter!” said Tabitha, with a bit less patience than usual. “But, for heaven's sake, do turn the key!”
And with a strong effort of both hands Peter did force the rusty key through the intricacies of the rusty lock. Mr. Brown, in the mean time, had drawn near and thrust his eager visage between those of the other two at the instant that Peter threw up the lid. No sudden blaze illuminated the kitchen.
And with a strong effort from both hands, Peter managed to push the rusty key through the complicated rusty lock. Meanwhile, Mr. Brown had come closer and leaned in between the other two just as Peter lifted the lid. There was no sudden burst of light in the kitchen.
“What’s here?” exclaimed Tabitha, adjusting her spectacles and holding the lamp over the open chest. “Old Peter Goldthwaite’s hoard of old rags!”
“What’s in here?” exclaimed Tabitha, adjusting her glasses and holding the lamp over the open chest. “Old Peter Goldthwaite’s stash of old rags!”
“Pretty much so, Tabby,” said Mr. Brown, lifting a handful of the treasure.
“Yeah, pretty much, Tabby,” Mr. Brown said, lifting a handful of the treasure.
Oh what a ghost of dead and buried wealth had Peter Goldthwaite raised to scare himself out of his scanty wits withal! Here was the semblance of an incalculable sum, enough to purchase the whole town and build every street anew, but which, vast as it was, no sane man would have given a solid sixpence for. What, then, in sober earnest, were the delusive treasures of the chest? Why, here were old provincial bills of credit and treasury notes and bills of land-banks, and all other bubbles of the sort, from the first issue—above a century and a half ago—down nearly to the Revolution. Bills of a thousand pounds were intermixed with parchment pennies, and worth no more than they.
Oh, what a ghost of long-dead wealth had Peter Goldthwaite conjured up to frighten himself out of his meager wits! Here was the appearance of an unimaginable fortune, enough to buy the whole town and rebuild every street from scratch, but despite its size, no rational person would have paid even a single penny for it. So, what were the illusory treasures in the chest? Well, they were old provincial currency notes, treasury notes, land bank bills, and all other similar worthless items, dating back over a century and a half to just before the Revolution. Bills worth a thousand pounds were mixed in with parchment pennies, and were worth just as much.
“And this, then, is old Peter Goldthwaite’s treasure!” said John Brown. “Your namesake, Peter, was something like yourself; and when the provincial currency had depreciated fifty or seventy-five per cent, he bought it up in expectation of a rise. I have heard my grandfather say that old Peter gave his father a mortgage of this very house and land to raise cash for his silly project. But the currency kept sinking till nobody would take it as a gift, and there was old Peter Goldthwaite, like Peter the second, with thousands in his strong-box and hardly a coat to his back. He went mad upon the strength of it. But never mind, Peter; it is just the sort of capital for building castles in the air.”
“And this, then, is old Peter Goldthwaite’s treasure!” said John Brown. “Your namesake, Peter, was a lot like you; and when the provincial currency dropped by fifty or seventy-five percent, he bought it up hoping for a rise. I’ve heard my grandfather say that old Peter gave his father a mortgage on this very house and land to get cash for his foolish idea. But the currency kept falling until no one would even accept it as a gift, and there was old Peter Goldthwaite, like Peter the Second, with thousands in his strongbox and hardly a coat on his back. He went mad because of it. But never mind, Peter; it’s just the kind of capital for dreaming big.”
“The house will be down about our ears,” cried Tabitha as the wind shook it with increasing violence.
“The house is going to come down around us,” shouted Tabitha as the wind battered it harder and harder.
“Let it fall,” said Peter, folding his arms, as he seated himself upon the chest.
“Let it fall,” Peter said, folding his arms as he sat down on the chest.
“No, no, my old friend Peter!” said John Brown. “I have house-room for you and Tabby, and a safe vault for the chest of treasure. To-morrow we will try to come to an agreement about the sale of this old house; real estate is well up, and I could afford you a pretty handsome price.”
“No, no, my old friend Peter!” said John Brown. “I have space for you and Tabby, and a secure place for the treasure chest. Tomorrow, we’ll work out a deal for the sale of this old house; the real estate market is strong, and I can offer you a really good price.”
“And I,” observed Peter Goldthwaite, with reviving spirits, “have a plan for laying out the cash to great advantage.”
“And I,” noted Peter Goldthwaite, feeling more upbeat, “have an idea for using the money wisely.”
“Why, as to that,” muttered John Brown to himself, “we must apply to the next court for a guardian to take care of the solid cash; and if Peter insists upon speculating, he may do it to his heart’s content with old Peter Goldthwaite’s treasure.”
“Why, about that,” muttered John Brown to himself, “we need to go to the next court to find a guardian to manage the cash, and if Peter wants to take risks with investments, he can do so as much as he likes with old Peter Goldthwaite’s fortune.”
CHIPPINGS WITH A CHISEL
Passing a summer several years since at Edgartown, on the island of Martha’s Vineyard, I became acquainted with a certain carver of tombstones who had travelled and voyaged thither from the interior of Massachusetts in search of professional employment. The speculation had turned out so successful that my friend expected to transmute slate and marble into silver and gold to the amount of at least a thousand dollars during the few months of his sojourn at Nantucket and the Vineyard. The secluded life and the simple and primitive spirit which still characterizes the inhabitants of those islands, especially of Martha’s Vineyard, insure their dead friends a longer and dearer remembrance than the daily novelty and revolving bustle of the world can elsewhere afford to beings of the past. Yet, while every family is anxious to erect a memorial to its departed members, the untainted breath of Ocean bestows such health and length of days upon the people of the isles as would cause a melancholy dearth of business to a resident artist in that line. His own monument, recording his decease by starvation, would probably be an early specimen of his skill. Gravestones, therefore, have generally been an article of imported merchandise.
A few summers ago, while I was in Edgartown on Martha’s Vineyard, I met a tombstone carver who had come from the interior of Massachusetts looking for work. His venture had been so successful that he expected to turn slate and marble into at least a thousand dollars during his few months on Nantucket and the Vineyard. The quiet lifestyle and the simple, traditional spirit of the people on those islands, especially Martha’s Vineyard, ensure that their deceased friends are remembered longer and more fondly than they are in the constantly changing, busy world elsewhere. However, while every family wants to create a memorial for their deceased loved ones, the clean ocean air offers such health and longevity to the islanders that it would likely mean little business for a local artist in that field. His own tombstone, marking his death by starvation, might end up being an early example of his work. As a result, gravestones have usually had to be imported.
In my walks through the burial-ground of Edgartown—where the dead have lain so long that the soil, once enriched by their decay, has returned to its original barrenness—in that ancient burial-ground I noticed much variety of monumental sculpture. The elder stones, dated a century back or more, have borders elaborately carved with flowers and are adorned with a multiplicity of death’s-heads, crossbones, scythes, hour-glasses, and other lugubrious emblems of mortality, with here and there a winged cherub to direct the mourner’s spirit upward. These productions of Gothic taste must have been quite beyond the colonial skill of the day, and were probably carved in London and brought across the ocean to commemorate the defunct worthies of this lonely isle. The more recent monuments are mere slabs of slate in the ordinary style, without any superfluous flourishes to set off the bald inscriptions. But others—and those far the most impressive both to my taste and feelings—were roughly hewn from the gray rocks of the island, evidently by the unskilled hands of surviving friends and relatives. On some there were merely the initials of a name; some were inscribed with misspelt prose or rhyme, in deep letters which the moss and wintry rain of many years had not been able to obliterate. These, these were graves where loved ones slept. It is an old theme of satire, the falsehood and vanity of monumental eulogies; but when affection and sorrow grave the letters with their own painful labor, then we may be sure that they copy from the record on their hearts.
During my walks through the graveyard of Edgartown—where the dead have rested for so long that the soil, once enriched by their decay, has turned back to its natural barrenness—I noticed a lot of different styles of tombstone art. The older stones, dating back a century or more, have intricate borders carved with flowers and are decorated with various grim symbols of death, like skulls, crossbones, scythes, hourglasses, and other somber emblems of mortality, with an occasional winged cherub to guide the mourner's spirit upward. These Gothic designs must have been beyond the colonial craftsmanship of the time and were likely carved in London and shipped across the ocean to honor the distinguished dead of this isolated island. The newer monuments are just plain slabs of slate in a standard style, lacking any unnecessary decorations to highlight the bare inscriptions. But others—and these were by far the most moving to me—were roughly carved from the island's gray rocks, clearly by the unskilled hands of grieving friends and family. Some just had initials; others bore misspelled prose or rhymes in deep letters that moss and years of rain hadn’t faded. These were the graves of loved ones. It's a common theme in satire that monumental eulogies are false and vain; however, when love and sorrow etch the letters with their own painful effort, we can be sure they’re drawing from the memories in their hearts.
My acquaintance the sculptor—he may share that title with Greenough, since the dauber of signs is a painter as well as Raphael—had found a ready market for all his blank slabs of marble and full occupation in lettering and ornamenting them. He was an elderly man, a descendant of the old Puritan family of Wigglesworth, with a certain simplicity and singleness both of heart and mind which, methinks, is more rarely found among us Yankees than in any other community of people. In spite of his gray head and wrinkled brow, he was quite like a child in all matters save what had some reference to his own business; he seemed, unless my fancy misled me, to view mankind in no other relation than as people in want of tombstones, and his literary attainments evidently comprehended very little either of prose or poetry which had not at one time or other been inscribed on slate or marble. His sole task and office among the immortal pilgrims of the tomb—the duty for which Providence had sent the old man into the world, as it were with a chisel in his hand—was to label the dead bodies, lest their names should be forgotten at the resurrection. Yet he had not failed, within a narrow scope, to gather a few sprigs of earthly, and more than earthly, wisdom—the harvest of many a grave. And, lugubrious as his calling might appear, he was as cheerful an old soul as health and integrity and lack of care could make him, and used to set to work upon one sorrowful inscription or another with that sort of spirit which impels a man to sing at his labor. On the whole, I found Mr. Wigglesworth an entertaining, and often instructive, if not an interesting, character; and, partly for the charm of his society, and still more because his work has an invariable attraction for “man that is born of woman,” I was accustomed to spend some hours a day at his workshop. The quaintness of his remarks and their not infrequent truth—a truth condensed and pointed by the limited sphere of his view—gave a raciness to his talk which mere worldliness and general cultivation would at once have destroyed.
My acquaintance, the sculptor—he might share that title with Greenough, since the signmaker is a painter as well as Raphael—had found a steady market for all his blank slabs of marble and was fully occupied in lettering and decorating them. He was an older man, a descendant of the old Puritan Wigglesworth family, with a kind of simplicity and sincerity of heart and mind that, I think, is more rarely found among us Yankees than in any other community. Despite his gray hair and wrinkled forehead, he was quite childlike in every way except when it came to his own business; he seemed, unless I was mistaken, to see humanity only as people in need of gravestones, and his literary knowledge clearly included very little prose or poetry that hadn’t been inscribed on slate or marble at some point. His sole job among the immortal souls of the dead—the duty for which Providence had sent him into the world, as if with a chisel in his hand—was to label the dead bodies so their names wouldn’t be forgotten at the resurrection. Yet he hadn’t failed, within a narrow range, to gather a few bits of earthly and even more than earthly wisdom—the harvest of many graves. And, grim as his profession might seem, he was as cheerful an old soul as good health, integrity, and a lack of worries could make him, often approaching one sad inscription or another with the kind of spirit that makes a person sing while they work. Overall, I found Mr. Wigglesworth to be an entertaining and often enlightening, if not entirely fascinating, character; and, partly because of how charming his company was, and even more so because his work has a universal appeal for “man that is born of woman,” I used to spend several hours a day at his workshop. The uniqueness of his remarks and their frequent truth—a truth sharpened and focused by the limited scope of his perspective—added flavor to his conversation that mere worldly experience and general education would have completely stripped away.
Sometimes we would discuss the respective merits of the various qualities of marble, numerous slabs of which were resting against the walls of the shop, or sometimes an hour or two would pass quietly without a word on either side while I watched how neatly his chisel struck out letter after letter of the names of the Nortons, the Mayhews, the Luces, the Daggets, and other immemorial families of the Vineyard. Often with an artist’s pride the good old sculptor would speak of favorite productions of his skill which were scattered throughout the village graveyards of New England. But my chief and most instructive amusement was to witness his interviews with his customers, who held interminable consultations about the form and fashion of the desired monuments, the buried excellence to be commemorated, the anguish to be expressed, and finally the lowest price in dollars and cents for which a marble transcript of their feelings might be obtained. Really, my mind received many fresh ideas which perhaps may remain in it even longer than Mr. Wigglesworth’s hardest marble will retain the deepest strokes of his chisel.
Sometimes we would talk about the different qualities of marble, with numerous slabs leaning against the shop walls, or sometimes an hour or two would go by quietly without a word while I watched him skillfully carve the names of the Nortons, the Mayhews, the Luces, the Daggets, and other long-standing families from the Vineyard. Often, with pride like an artist, the old sculptor would mention his favorite creations that were scattered throughout the village graveyards of New England. But my main and most enlightening amusement was watching him interact with his customers, who would have long discussions about the shape and style of the memorials they wanted, the legacy to be honored, the emotions to be conveyed, and finally the best price in dollars and cents for a marble representation of their feelings. Honestly, I gained many fresh ideas that might stick with me even longer than Mr. Wigglesworth’s hardest marble will hold the deepest impressions of his chisel.
An elderly lady came to bespeak a monument for her first love, who had been killed by a whale in the Pacific Ocean no less than forty years before. It was singular that so strong an impression of early feeling should have survived through the changes of her subsequent life, in the course of which she had been a wife and a mother, and, so far as I could judge, a comfortable and happy woman. Reflecting within myself, it appeared to me that this lifelong sorrow—as, in all good faith, she deemed it—was one of the most fortunate circumstances of her history. It had given an ideality to her mind; it had kept her purer and less earthy than she would otherwise have been by drawing a portion of her sympathies apart from earth. Amid the throng of enjoyments and the pressure of worldly care and all the warm materialism of this life she had communed with a vision, and had been the better for such intercourse. Faithful to the husband of her maturity, and loving him with a far more real affection than she ever could have felt for this dream of her girlhood, there had still been an imaginative faith to the ocean-buried; so that an ordinary character had thus been elevated and refined. Her sighs had been the breath of Heaven to her soul. The good lady earnestly desired that the proposed monument should be ornamented with a carved border of marine plants interwined with twisted sea-shells, such as were probably waving over her lover’s skeleton or strewn around it in the far depths of the Pacific. But, Mr. Wigglesworth’s chisel being inadequate to the task, she was forced to content herself with a rose hanging its head from a broken stem.
An elderly woman came to order a monument for her first love, who had been killed by a whale in the Pacific Ocean no less than forty years ago. It was remarkable that such a strong impression from her early feelings had lasted through the changes in her life, during which she had been a wife and mother, and, from what I could tell, a comfortable and happy person. Reflecting on this, it seemed to me that this lifelong sorrow—as she sincerely believed—was one of the most fortunate aspects of her life story. It had given her a sense of idealism; it had kept her purer and less grounded than she might have been by drawing some of her emotions away from the earthly realm. Amid the many joys and pressures of daily life and all the material concerns, she had connected with a vision, and that had enriched her. Faithful to her husband, whom she loved with a far deeper affection than she ever could have had for this long-gone figure from her youth, there remained an imaginative loyalty to the one lost at sea, which elevated and refined her character. Her sighs had been like a breath of Heaven to her soul. The kind woman earnestly wished for the monument to be adorned with a carved border of marine plants intertwined with twisted seashells, similar to those that were probably swaying above her lover’s remains or scattered around him in the deep Pacific. However, since Mr. Wigglesworth’s chisel wasn’t capable of the task, she had to settle for a rose drooping from a broken stem.
After her departure I remarked that the symbol was none of the most apt.
After she left, I noted that the symbol wasn’t the most fitting one.
“And yet,” said my friend the sculptor, embodying in this image the thoughts that had been passing through my own mind, “that broken rose has shed its sweet smell through forty years of the good woman’s life.”
“And yet,” said my friend the sculptor, capturing the thoughts that had been running through my mind, “that broken rose has released its sweet fragrance throughout the forty years of that good woman's life.”
It was seldom that I could find such pleasant food for contemplation as in the above instance. None of the applicants, I think, affected me more disagreeably than an old man who came, with his fourth wife hanging on his arm, to bespeak gravestones for the three former occupants of his marriage-bed. I watched with some anxiety to see whether his remembrance of either were more affectionate than of the other two, but could discover no symptom of the kind. The three monuments were all to be of the same material and form, and each decorated in bas-relief with two weeping willows, one of these sympathetic trees bending over its fellow, which was to be broken in the midst and rest upon a sepulchral urn. This, indeed, was Mr. Wigglesworth’s standing emblem of conjugal bereavement. I shuddered at the gray polygamist who had so utterly lost the holy sense of individuality in wedlock that methought he was fain to reckon upon his fingers how many women who had once slept by his side were now sleeping in their graves. There was even—if I wrong him, it is no great matter—a glance sidelong at his living spouse, as if he were inclined to drive a thriftier bargain by bespeaking four gravestones in a lot.
I rarely found such interesting food for thought as in this situation. None of the applicants, in my opinion, bothered me more than an older man who came in with his fourth wife on his arm to order gravestones for the three previous occupants of his marriage bed. I anxiously watched to see if he remembered any of them more fondly than the others, but I couldn't find any sign of that. The three gravestones were all going to be the same material and shape, each adorned with two weeping willows in bas-relief, one tree leaning over the other, which was meant to be broken in the middle and resting on a tomb urn. This was, indeed, Mr. Wigglesworth’s usual symbol of marital loss. I felt uneasy about the old polygamist who had completely lost the sacred sense of individuality in marriage that it seemed he was counting on his fingers how many women who once slept beside him were now lying in their graves. There was even—if I'm wrong about him, it's not a big deal—a sideways glance at his living wife, as if he was thinking of getting a better deal by ordering four gravestones in one go.
I was better pleased with a rough old whaling-captain who gave directions for a broad marble slab divided into two compartments, one of which was to contain an epitaph on his deceased wife and the other to be left vacant till death should engrave his own name there. As is frequently the case among the whalers of Martha’s Vineyard, so much of this storm-beaten widower’s life had been tossed away on distant seas that out of twenty years of matrimony he had spent scarce three, and those at scattered intervals, beneath his own roof. Thus the wife of his youth, though she died in his and her declining age, retained the bridal dewdrops fresh around her memory.
I was much more impressed with a tough old whaling captain who had plans for a large marble slab split into two sections; one was to have an inscription for his late wife, while the other would remain empty until his own name was engraved there after he passed. Like many of the whalers from Martha’s Vineyard, this weather-beaten widower had spent so much of his life out at sea that out of twenty years of marriage, he had barely spent three with his wife under their own roof, and those were at random times. So, even though she died when they were both getting older, the memories of their early days together still felt fresh and beautiful.
My observations gave me the idea, and Mr. Wigglesworth confirmed it, that husbands were more faithful in setting up memorials to their dead wives than widows to their dead husbands. I was not ill-natured enough to fancy that women less than men feel so sure of their own constancy as to be willing to give a pledge of it in marble. It is more probably the fact that, while men are able to reflect upon their lost companions as remembrances apart from themselves, women, on the other hand, are conscious that a portion of their being has gone with the departed whithersoever he has gone. Soul clings to soul, the living dust has a sympathy with the dust of the grave; and by the very strength of that sympathy the wife of the dead shrinks the more sensitively from reminding the world of its existence. The link is already strong enough; it needs no visible symbol. And, though a shadow walks ever by her side and the touch of a chill hand is on her bosom, yet life, and perchance its natural yearnings, may still be warm within her and inspire her with new hopes of happiness. Then would she mark out the grave the scent of which would be perceptible on the pillow of the second bridal? No, but rather level its green mound with the surrounding earth, as if, when she dug up again her buried heart, the spot had ceased to be a grave.
My observations led me to think, and Mr. Wigglesworth agreed, that husbands are more likely to create memorials for their deceased wives than widows are for their deceased husbands. I wasn’t mean enough to think that women feel any less certain about their own loyalty than men do, to the point of wanting to commemorate it in stone. It’s more likely the truth that while men can remember their lost partners as separate from themselves, women are acutely aware that a part of them has gone with their loved one wherever he has gone. Soul clings to soul; the living have a bond with the dust of the grave, and because of that bond, a widow is even more sensitive about reminding the world of its existence. The connection is already strong enough; it doesn’t need a visible symbol. And although a shadow may always accompany her and she may feel a chill in her heart, life—and maybe its natural desires—can still be vibrant within her and inspire new hopes for happiness. Would she then mark the grave that would carry the scent of her second wedding pillow? No, she would rather flatten its green mound with the surrounding earth, as if, when she dug up her buried heart again, the spot had stopped being a grave.
Yet, in spite of these sentimentalities, I was prodigiously amused by an incident of which I had not the good-fortune to be a witness, but which Mr. Wigglesworth related with considerable humor. A gentlewoman of the town, receiving news of her husband’s loss at sea, had bespoken a handsome slab of marble, and came daily to watch the progress of my friend’s chisel. One afternoon, when the good lady and the sculptor were in the very midst of the epitaph—which the departed spirit might have been greatly comforted to read—who should walk into the workshop but the deceased himself, in substance as well as spirit! He had been picked up at sea, and stood in no present need of tombstone or epitaph.
Yet, despite these sentimental moments, I was incredibly entertained by an incident I wasn't lucky enough to witness myself, but Mr. Wigglesworth recounted it with a lot of humor. A woman from the town, after hearing about her husband’s shipwreck, ordered a beautiful slab of marble and came by every day to check on my friend's chiseling progress. One afternoon, while the lady and the sculptor were deep into crafting the epitaph—which the deceased would have found quite comforting—who should walk into the workshop but the husband himself, alive and well! He had been rescued from the sea and had no current need for a tombstone or epitaph.
“And how,” inquired I, “did his wife bear the shock of joyful surprise?”
“And how,” I asked, “did his wife handle the shock of joyful surprise?”
“Why,” said the old man, deepening the grin of a death’s-head on which his chisel was just then employed, “I really felt for the poor woman; it was one of my best pieces of marble—and to be thrown away on a living man!”
“Why,” said the old man, deepening the grin of a skull that he was currently carving, “I really felt for the poor woman; that was one of my best pieces of marble—and to waste it on a living man!”
A comely woman with a pretty rosebud of a daughter came to select a gravestone for a twin-daughter, who had died a month before. I was impressed with the different nature of their feelings for the dead. The mother was calm and woefully resigned, fully conscious of her loss, as of a treasure which she had not always possessed, and therefore had been aware that it might be taken from her; but the daughter evidently had no real knowledge of what Death’s doings were. Her thoughts knew, but not her heart. It seemed to me that by the print and pressure which the dead sister had left upon the survivor’s spirit her feelings were almost the same as if she still stood side by side and arm in arm with the departed, looking at the slabs of marble, and once or twice she glanced around with a sunny smile, which, as its sister-smile had faded for ever, soon grew confusedly overshadowed. Perchance her consciousness was truer than her reflection; perchance her dead sister was a closer companion than in life.
A beautiful woman with a lovely daughter came to choose a gravestone for her twin daughter, who had passed away a month earlier. I noticed the contrasting emotions they had for the deceased. The mother was calm and sadly resigned, fully aware of her loss, like a treasure she had once had, knowing it could be taken away. In contrast, the daughter clearly didn’t truly understand what Death meant. She knew it intellectually, but not emotionally. It seemed to me that the mark left by her deceased sister on her spirit made her feelings almost as if her sister was still by her side, looking at the marble slabs together. A few times, she turned around with a bright smile, but as her sister's smile faded forever, her own quickly turned into a confused shadow. Perhaps her awareness was more genuine than her thoughts; perhaps her deceased sister felt like a closer companion than when she was alive.
The mother and daughter talked a long while with Mr. Wigglesworth about a suitable epitaph, and finally chose an ordinary verse of ill-matched rhymes which had already been inscribed upon innumerable tombstones. But when we ridicule the triteness of monumental verses, we forget that Sorrow reads far deeper in them than we can, and finds a profound and individual purport in what seems so vague and inexpressive unless interpreted by her. She makes the epitaph anew, though the selfsame words may have served for a thousand graves.
The mother and daughter chatted for a long time with Mr. Wigglesworth about a fitting epitaph and eventually settled on a simple verse of mismatched rhymes that had already been carved on countless tombstones. But when we mock the banality of these memorial verses, we forget that Sorrow understands them in a way that goes much deeper than we can and finds a personal and meaningful significance in what appears so general and unexpressive unless seen through her eyes. She gives the epitaph new meaning, even if the same words have been used for a thousand graves.
“And yet,” said I afterward to Mr. Wigglesworth, “they might have made a better choice than this. While you were discussing the subject I was struck by at least a dozen simple and natural expressions from the lips of both mother and daughter. One of these would have formed an inscription equally original and appropriate.”
“And yet,” I later said to Mr. Wigglesworth, “they could have chosen better than this. While you were talking about it, I noticed at least a dozen simple and natural phrases from both the mother and daughter. One of those would have made for an inscription that was just as original and fitting.”
“No, no!” replied the sculptor, shaking his head; “there is a good deal of comfort to be gathered from these little old scraps of poetry, and so I always recommend them in preference to any new-fangled ones. And somehow they seem to stretch to suit a great grief and shrink to fit a small one.”
“No, no!” the sculptor replied, shaking his head. “There’s a lot of comfort to be found in these old bits of poetry, and I always suggest them over any modern stuff. They somehow expand to accommodate a big sorrow and shrink to fit a smaller one.”
It was not seldom that ludicrous images were excited by what took place between Mr. Wigglesworth and his customers. A shrewd gentlewoman who kept a tavern in the town was anxious to obtain two or three gravestones for the deceased members of her family, and to pay for these solemn commodities by taking the sculptor to board. Hereupon a fantasy arose in my mind of good Mr. Wigglesworth sitting down to dinner at a broad, flat tombstone carving one of his own plump little marble cherubs, gnawing a pair of crossbones and drinking out of a hollow death’s-head or perhaps a lachrymatory vase or sepulchral urn, while his hostess’s dead children waited on him at the ghastly banquet. On communicating this nonsensical picture to the old man he laughed heartily and pronounced my humor to be of the right sort.
It wasn't uncommon for ridiculous images to come up from what happened between Mr. Wigglesworth and his customers. A clever woman who owned a tavern in town wanted to get a few gravestones for her deceased family members and suggested that she could pay for them by having the sculptor stay with her. This sparked a funny fantasy in my mind of Mr. Wigglesworth sitting down to dinner on a large, flat tombstone, carving one of his own chubby little marble cherubs, munching on a pair of crossbones and drinking from a hollow skull or maybe a tear jar or burial urn, while his hostess’s dead children served him at the creepy feast. When I shared this silly picture with the old man, he laughed heartily and said my humor was spot on.
“I have lived at such a table all my days,” said he, “and eaten no small quantity of slate and marble.”
“I've been at that table for my whole life,” he said, “and eaten a lot of slate and marble.”
“Hard fare,” rejoined I, smiling, “but you seemed to have found it excellent of digestion, too.”
“Tough food,” I replied, smiling, “but you seem to have digested it quite well, too.”
A man of fifty or thereabouts with a harsh, unpleasant countenance ordered a stone for the grave of his bitter enemy, with whom he had waged warfare half a lifetime, to their mutual misery and ruin. The secret of this phenomenon was that hatred had become the sustenance and enjoyment of the poor wretch’s soul; it had supplied the place of all kindly affections; it had been really a bond of sympathy between himself and the man who shared the passion; and when its object died, the unappeasable foe was the only mourner for the dead. He expressed a purpose of being buried side by side with his enemy.
A man around fifty, with a harsh and unpleasant face, ordered a stone for the grave of his bitter enemy, with whom he had fought for half a lifetime, bringing both of them misery and ruin. The reason behind this was that hatred had become the primary source of nourishment and enjoyment for the poor man’s soul; it had replaced all feelings of kindness; it had actually formed a bond of sympathy between him and the man he despised; and when that man died, the unyielding foe was the only one mourning the dead. He expressed a desire to be buried side by side with his enemy.
“I doubt whether their dust will mingle,” remarked the old sculptor to me; for often there was an earthliness in his conceptions.
“I’m not sure their dust will mix,” the old sculptor said to me, because there was often a rawness in his ideas.
“Oh yes,” replied I, who had mused long upon the incident; “and when they rise again, these bitter foes may find themselves dear friends. Methinks what they mistook for hatred was but love under a mask.”
“Oh yes,” I replied, having thought a lot about the incident; “and when they come back, these bitter enemies might discover they’re actually close friends. I believe what they mistook for hatred was just love wearing a disguise.”
A gentleman of antiquarian propensities provided a memorial for an Indian of Chabbiquidick—one of the few of untainted blood remaining in that region, and said to be a hereditary chieftain descended from the sachem who welcomed Governor Mayhew to the Vineyard. Mr. Wiggles-worth exerted his best skill to carve a broken bow and scattered sheaf of arrows in memory of the hunters and warriors whose race was ended here, but he likewise sculptured a cherub, to denote that the poor Indian had shared the Christian’s hope of immortality.
A man with an interest in history created a memorial for an Indian from Chabbiquidick—one of the few remaining people of pure heritage in that area, believed to be a hereditary chief descended from the sachem who greeted Governor Mayhew upon his arrival to the Vineyard. Mr. Wigglesworth used his best skills to carve a broken bow and a scattered bundle of arrows to honor the hunters and warriors whose lineage ended here, but he also sculpted a cherub to signify that the unfortunate Indian shared in the Christian hope of eternal life.
“Why,” observed I, taking a perverse view of the winged boy and the bow and arrows, “it looks more like Cupid’s tomb than an Indian chief’s.”
“Why,” I noted, taking a contrary look at the winged boy and the bow and arrows, “it resembles Cupid’s tomb more than an Indian chief’s.”
“You talk nonsense,” said the sculptor, with the offended pride of art. He then added with his usual good-nature, “How can Cupid die when there are such pretty maidens in the Vineyard?”
“You're talking nonsense,” said the sculptor, with the offended pride of an artist. He then added with his usual good nature, “How can Cupid die when there are such beautiful maidens in the Vineyard?”
“Very true,” answered I; and for the rest of the day I thought of other matters than tombstones.
"That's very true," I replied; and for the rest of the day, I focused on things other than tombstones.
At our next meeting I found him chiselling an open book upon a marble headstone, and concluded that it was meant to express the erudition of some black-letter clergyman of the Cotton Mather school. It turned out, however, to be emblematical of the scriptural knowledge of an old woman who had never read anything but her Bible, and the monument was a tribute to her piety and good works from the orthodox church of which she had been a member. In strange contrast with this Christian woman’s memorial was that of an infidel whose gravestone, by his own direction, bore an avowal of his belief that the spirit within him would be extinguished like a flame, and that the nothingness whence he sprang would receive him again.
At our next meeting, I found him carving an open book into a marble headstone, and I assumed it was meant to showcase the scholarly credentials of some old-fashioned clergyman from the Cotton Mather era. However, it turned out to symbolize the biblical knowledge of an elderly woman who had only ever read her Bible, and the monument was a tribute to her faith and good deeds from the orthodox church she belonged to. In stark contrast to this Christian woman's memorial was that of a nonbeliever, whose gravestone, by his own request, declared his belief that the spirit within him would be snuffed out like a flame and that the nothingness he came from would welcome him back.
Mr. Wigglesworth consulted me as to the propriety of enabling a dead man’s dust to utter this dreadful creed.
Mr. Wigglesworth asked me whether it was appropriate to let a dead man's remains express this horrific belief.
“If I thought,” said he, “that a single mortal would read the inscription without a shudder, my chisel should never cut a letter of it. But when the grave speaks such falsehoods, the soul of man will know the truth by its own horror.”
“If I believed,” he said, “that even one person would read the inscription without feeling uneasy, my chisel would never carve a single letter of it. But when the grave tells such lies, a person's soul will recognize the truth through its own fear.”
“So it will,” said I, struck by the idea. “The poor infidel may strive to preach blasphemies from his grave, but it will be only another method of impressing the soul with a consciousness of immortality.”
“So it will,” I said, struck by the idea. “The poor nonbeliever may try to preach heresies from his grave, but it will just be another way of making the soul aware of its immortality.”
There was an old man by the name of Norton, noted throughout the island for his great wealth, which he had accumulated by the exercise of strong and shrewd faculties combined with a most penurious disposition. This wretched miser, conscious that he had not a friend to be mindful of him in his grave, had himself taken the needful precautions for posthumous remembrance by bespeaking an immense slab of white marble with a long epitaph in raised letters, the whole to be as magnificent as Mr. Wigglesworth’s skill could make it. There was something very characteristic in this contrivance to have his money’s worth even from his own tombstone, which, indeed, afforded him more enjoyment in the few months that he lived thereafter than it probably will in a whole century, now that it is laid over his bones.
There was an old man named Norton, known all over the island for his immense wealth, which he had amassed through his sharp intellect and extremely frugal nature. This miserable miser, aware that he had no friends to remember him after he was gone, took it upon himself to arrange for a large slab of white marble with a long inscription in raised letters, making it as grand as Mr. Wigglesworth could design it. There was something very characteristic about his plan to get his money’s worth even from his tombstone, which gave him more satisfaction in the few months he lived afterward than it probably will in a whole century now that it covers his remains.
This incident reminds me of a young girl—a pale, slender, feeble creature most unlike the other rosy and healthful damsels of the Vineyard, amid whose brightness she was fading away. Day after day did the poor maiden come to the sculptor’s shop and pass from one piece of marble to another, till at last she pencilled her name upon a slender slab which, I think, was of a more spotless white than all the rest. I saw her no more, but soon afterward found Mr. Wigglesworth cutting her virgin-name into the stone which she had chosen.
This incident reminds me of a young girl—a pale, thin, fragile person who was completely different from the other rosy, healthy girls of the Vineyard, among whose brightness she was fading away. Day after day, the poor girl came to the sculptor’s shop and moved from one piece of marble to another, until finally she wrote her name on a slender slab that I believe was whiter than all the others. I didn't see her again, but shortly after, I found Mr. Wigglesworth carving her pristine name into the stone she had chosen.
“She is dead, poor girl!” said he, interrupting the tune which he was whistling, “and she chose a good piece of stuff for her headstone. Now, which of these slabs would you like best to see your own name upon?”
“She's dead, poor thing!” he said, stopping the tune he was whistling. “And she picked a nice material for her headstone. So, which of these slabs would you prefer to see your own name on?”
“Why, to tell you the truth, my good Mr. Wigglesworth,” replied I, after a moment’s pause, for the abruptness of the question had somewhat startled me—“to be quite sincere with you, I care little or nothing about a stone for my own grave, and am somewhat inclined to scepticism as to the propriety of erecting monuments at all over the dust that once was human. The weight of these heavy marbles, though unfelt by the dead corpse or the enfranchised soul, presses drearily upon the spirit of the survivor and causes him to connect the idea of death with the dungeon-like imprisonment of the tomb, instead of with the freedom of the skies. Every gravestone that you ever made is the visible symbol of a mistaken system. Our thoughts should soar upward with the butterfly, not linger with the exuviæ that confined him. In truth and reason, neither those whom we call the living, and still less the departed, have anything to do with the grave.”
"Honestly, my good Mr. Wigglesworth," I replied after a brief pause, as the bluntness of the question had caught me off guard, "to be completely honest with you, I don’t really care about having a stone for my grave, and I’m somewhat skeptical about the whole idea of putting up monuments over the remains of those who were once human. The heavy stones and marbles, although they don’t affect the dead body or the liberated soul, weigh down on the survivors and make them associate death with the dark confinement of a tomb instead of the freedom of the sky. Every gravestone you’ve ever made represents a flawed system. Our thoughts should rise like butterflies, not linger in the discarded remnants that held them back. In truth, neither those we call the living, nor even less so the departed, should have anything to do with the grave."
“I never heard anything so heathenish,” said Mr. Wigglesworth, perplexed and displeased at sentiments which controverted all his notions and feelings and implied the utter waste, and worse, of his whole life’s labor. “Would you forget your dead friends the moment they are under the sod?”
“I've never heard anything so barbaric,” said Mr. Wigglesworth, confused and upset by ideas that challenged all his beliefs and feelings and suggested the complete waste, and worse, of everything he had worked for in his life. “Would you really forget your deceased friends the moment they’re in the ground?”
“They are not under the sod,” I rejoined; “then why should I mark the spot where there is no treasure hidden? Forget them? No; but, to remember them aright, I would forget what they have cast off. And to gain the truer conception of death I would forget the grave.”
“They're not buried,” I replied; “so why should I mark the place where there’s no treasure hidden? Forget them? No; but to truly remember them, I would forget what they left behind. And to get a clearer understanding of death, I would forget about the grave.”
But still the good old sculptor murmured, and stumbled, as it were, over the gravestones amid which he had walked through life. Whether he were right or wrong, I had grown the wiser from our companionship and from my observations of nature and character as displayed by those who came, with their old griefs or their new ones, to get them recorded upon his slabs of marble. And yet with my gain of wisdom I had likewise gained perplexity; for there was a strange doubt in my mind whether the dark shadowing of this life, the sorrows and regrets, have not as much real comfort in them—leaving religious influences out of the question—as what we term life’s joys.
But still, the good old sculptor murmured and stumbled, so to speak, over the gravestones he had walked among throughout his life. Whether he was right or wrong, I had become wiser from our time together and from observing nature and character as shown by those who came, with their old griefs or new ones, to have them recorded on his slabs of marble. Yet, along with my newfound wisdom, I also gained confusion; because I had a strange doubt in my mind about whether the dark shadows of this life, the sorrows and regrets, hold as much real comfort—setting aside religious influences—as what we call life’s joys.
THE SHAKER BRIDAL
One day, in the sick-chamber of Father Ephraim, who had been forty years the presiding elder over the Shaker settlement at Goshen, there was an assemblage of several of the chief men of the sect. Individuals had come from the rich establishment at Lebanon, from Canterbury, Harvard and Alfred, and from all the other localities where this strange people have fertilized the rugged hills of New England by their systematic industry. An elder was likewise there who had made a pilgrimage of a thousand miles from a village of the faithful in Kentucky to visit his spiritual kindred the children of the sainted Mother Ann. He had partaken of the homely abundance of their tables, had quaffed the far-famed Shaker cider, and had joined in the sacred dance every step of which is believed to alienate the enthusiast from earth and bear him onward to heavenly purity and bliss. His brethren of the North had now courteously invited him to be present on an occasion when the concurrence of every eminent member of their community was peculiarly desirable.
One day, in the sickroom of Father Ephraim, who had been the head elder of the Shaker settlement in Goshen for forty years, a group gathered with several of the sect's top leaders. People had come from the wealthy community in Lebanon, as well as from Canterbury, Harvard, Alfred, and other places where this unique group had cultivated the rough hills of New England through their dedicated work. An elder was also there, who had traveled a thousand miles from a faithful village in Kentucky to visit his spiritual relatives, the children of beloved Mother Ann. He had enjoyed their simple, plentiful meals, tasted the renowned Shaker cider, and participated in the sacred dance, each step believed to lift the participant away from earthly concerns and guide them toward heavenly purity and joy. His northern brethren had kindly invited him to attend this event, where the presence of every prominent member of their community was especially important.
The venerable Father Ephraim sat in his easy-chair, not only hoary-headed and infirm with age, but worn down by a lingering disease which it was evident would very soon transfer his patriarchal staff to other hands. At his footstool stood a man and woman, both clad in the Shaker garb.
The elderly Father Ephraim sat in his comfortable chair, not only gray-haired and weak due to old age but also fatigued by a chronic illness that was clearly going to pass his leadership over to someone else soon. At his feet stood a man and a woman, both dressed in Shaker clothing.
“My brethren,” said Father Ephraim to the surrounding elders, feebly exerting himself to utter these few words, “here are the son and daughter to whom I would commit the trust of which Providence is about to lighten my weary shoulders. Read their faces, I pray you, and say whether the inward movement of the spirit hath guided my choice aright.”
“Brothers,” Father Ephraim said to the elders around him, struggling to speak these few words, “here are the son and daughter I want to trust with the responsibility that Providence is about to relieve me of. Please read their faces and tell me if the inner guidance of the spirit has led me to make the right choice.”
Accordingly, each elder looked at the two candidates with a most scrutinizing gaze. The man—whose name was Adam Colburn—had a face sunburnt with labor in the fields, yet intelligent, thoughtful and traced with cares enough for a whole lifetime, though he had barely reached middle age. There was something severe in his aspect and a rigidity throughout his person—characteristics that caused him generally to be taken for a schoolmaster; which vocation, in fact, he had formerly exercised for several years. The woman, Martha Pierson, was somewhat above thirty, thin and pale, as a Shaker sister almost invariably is, and not entirely free from that corpse-like appearance which the garb of the sisterhood is so well calculated to impart.
Accordingly, each elder examined the two candidates with a keen gaze. The man—named Adam Colburn—had a face bronzed by hard work in the fields, but it also showed signs of intelligence, thoughtfulness, and enough worries for a lifetime, even though he was barely in his mid-thirties. There was something stern about his demeanor and a stiffness in his posture—traits that often led people to assume he was a teacher; a job he had actually held for several years. The woman, Martha Pierson, was a little over thirty, thin and pale, like most Shaker sisters, and she wasn't entirely free from that lifeless look that the sisterhood's clothing tends to convey.
“This pair are still in the summer of their years,” observed the elder from Harvard, a shrewd old man. “I would like better to see the hoar-frost of autumn on their heads. Methinks, also, they will be exposed to peculiar temptations on account of the carnal desires which have heretofore subsisted between them.”
“This pair are still in the prime of their youth,” noted the older Harvard man, a clever old fellow. “I would prefer to see the gray of autumn in their hair. I also think they will face unique temptations because of the desires that have existed between them.”
“Nay, brother,” said the elder from Canterbury; “the hoar-frost and the black frost hath done its work on Brother Adam and Sister Martha, even as we sometimes discern its traces in our cornfields while they are yet green. And why should we question the wisdom of our venerable Father’s purpose, although this pair in their early youth have loved one another as the world’s people love? Are there not many brethren and sisters among us who have lived long together in wedlock, yet, adopting our faith, find their hearts purified from all but spiritual affection?”
“Not at all, brother,” said the elder from Canterbury. “The frost has done its job on Brother Adam and Sister Martha, just as we sometimes see its effects in our cornfields while they’re still green. And why should we doubt the wisdom of our respected Father’s plan, even if this couple, in their youth, have loved each other like people in the world do? Aren't there many brothers and sisters among us who have been together in marriage for a long time, yet, after embracing our faith, find their hearts cleansed of everything but spiritual love?”
Whether or no the early loves of Adam and Martha had rendered it inexpedient that they should now preside together over a Shaker village, it was certainly most singular that such should be the final result of many warm and tender hopes. Children of neighboring families, their affection was older even than their school-days; it seemed an innate principle interfused among all their sentiments and feelings, and not so much a distinct remembrance as connected with their whole volume of remembrances. But just as they reached a proper age for their union misfortunes had fallen heavily on both and made it necessary that they should resort to personal labor for a bare subsistence. Even under these circumstances Martha Pierson would probably have consented to unite her fate with Adam Colburn’s, and, secure of the bliss of mutual love, would patiently have awaited the less important gifts of Fortune. But Adam, being of a calm and cautious character, was loth to relinquish the advantages which a single man possesses for raising himself in the world. Year after year, therefore, their marriage had been deferred.
Whether or not Adam and Martha's early loves made it unwise for them to lead a Shaker village together now, it was certainly quite strange that this ended up being the final outcome of so many heartfelt dreams. They had known each other since childhood, their bond going back even further than their school days; it felt like an inherent part of all their emotions and memories, more than just a specific recollection, but intertwined with their entire collection of memories. However, just as they reached the right age to get married, misfortunes hit them hard, forcing them to take on personal labor just to get by. Even in these tough times, Martha Pierson likely would have agreed to tie her life to Adam Colburn’s, confident in the happiness that mutual love would bring, and patiently waiting for the less crucial blessings from Fortune. But Adam, being calm and cautious by nature, was reluctant to give up the benefits that being single offered him to advance in the world. So, year after year, their marriage kept getting postponed.
Adam Colburn had followed many vocations, had travelled far and seen much of the world and of life. Martha had earned her bread sometimes as a sempstress, sometimes as help to a farmer’s wife, sometimes as schoolmistress of the village children, sometimes as a nurse or watcher of the sick, thus acquiring a varied experience the ultimate use of which she little anticipated. But nothing had gone prosperously with either of the lovers; at no subsequent moment would matrimony have been so prudent a measure as when they had first parted, in the opening bloom of life, to seek a better fortune. Still, they had held fast their mutual faith. Martha might have been the wife of a man who sat among the senators of his native State, and Adam could have won the hand, as he had unintentionally won the heart, of a rich and comely widow. But neither of them desired good-fortune save to share it with the other.
Adam Colburn had tried various jobs, traveled widely, and experienced a lot of life. Martha had earned her living at different times as a seamstress, a farmer's helper, a schoolteacher for the village kids, and as a caregiver for the sick, gaining a range of experiences that she little expected to use. However, neither of the lovers had prospered; at no time later would marriage have seemed as wise a choice as when they first parted, in their youthful days, to seek better opportunities. Still, they held on to their shared commitment. Martha could have been the wife of a man among the senators of her home state, and Adam could have won the hand—and heart—of a wealthy and attractive widow. But neither of them wanted good fortune unless they could share it with each other.
At length that calm despair which occurs only in a strong and somewhat stubborn character and yields to no second spring of hope settled down on the spirit of Adam Colburn. He sought an interview with Martha and proposed that they should join the Society of Shakers. The converts of this sect are oftener driven within its hospitable gates by worldly misfortune than drawn thither by fanaticism, and are received without inquisition as to their motives. Martha, faithful still, had placed her hand in that of her lover and accompanied him to the Shaker village. Here the natural capacity of each, cultivated and strengthened by the difficulties of their previous lives, had soon gained them an important rank in the society, whose members are generally below the ordinary standard of intelligence. Their faith and feelings had in some degree become assimilated to those of their fellow-worshippers. Adam Colburn gradually acquired reputation not only in the management of the temporal affairs of the society, but as a clear and efficient preacher of their doctrines. Martha was not less distinguished in the duties proper to her sex. Finally, when the infirmities of Father Ephraim had admonished him to seek a successor in his patriarchal office, he thought of Adam and Martha, and proposed to renew in their persons the primitive form of Shaker government as established by Mother Ann. They were to be the father and mother of the village. The simple ceremony which would constitute them such was now to be performed.
Finally, that calm despair, which only seems to happen in strong and somewhat stubborn people and doesn’t give way to any new hope, settled on Adam Colburn’s spirit. He asked to meet with Martha and suggested that they should join the Society of Shakers. People usually enter this community more because of worldly troubles than because of any fanatical beliefs, and they’re welcomed without questioning their motives. Martha, still loyal, took her lover’s hand and went with him to the Shaker village. There, their natural abilities, honed and strengthened by the challenges of their past lives, quickly earned them a significant position in the society, whose members generally have a lower level of intelligence. Their beliefs and feelings began to align with those of their fellow worshippers. Adam Colburn gradually gained a reputation not only for managing the society's practical affairs but also as a clear and effective preacher of its doctrines. Martha was equally recognized for her appropriate roles. Ultimately, when the frailties of Father Ephraim prompted him to find a successor for his patriarchal role, he thought of Adam and Martha and proposed to restore the original structure of Shaker governance as established by Mother Ann. They were to become the father and mother of the village. The simple ceremony to officially make them so was about to be held.
“Son Adam and daughter Martha,” said the venerable Father Ephraim, fixing his aged eyes piercingly upon them, “if ye can conscientiously undertake this charge, speak, that the brethren may not doubt of your fitness.”
“Son Adam and daughter Martha,” said the wise Father Ephraim, locking his aged eyes on them, “if you can truly take on this responsibility, speak up, so that the others won’t doubt your ability.”
“Father,” replied Adam, speaking with the calmness of his character, “I came to your village a disappointed man, weary of the world, worn out with continual trouble, seeking only a security against evil fortune, as I had no hope of good. Even my wishes of worldly success were almost dead within me. I came hither as a man might come to a tomb willing to lie down in its gloom and coldness for the sake of its peace and quiet. There was but one earthly affection in my breast, and it had grown calmer since my youth; so that I was satisfied to bring Martha to be my sister in our new abode. We are brother and sister, nor would I have it otherwise. And in this peaceful village I have found all that I hope for—all that I desire. I will strive with my best strength for the spiritual and temporal good of our community. My conscience is not doubtful in this matter. I am ready to receive the trust.”
“Dad,” Adam replied, speaking calmly as always, “I came to your village feeling let down, tired of the world, and worn out from constant troubles. I was only looking for some protection from bad luck, as I had lost all hope for good. Even my dreams of achieving success felt almost dead inside me. I arrived here like someone approaching a grave, ready to rest in its darkness and coldness just for the sake of its peace and quiet. There was only one love in my heart, and it had faded since my youth; so I was content to have Martha as my sister in our new home. We are brother and sister, and I wouldn’t want it any other way. In this peaceful village, I have found everything I hope for—everything I desire. I will do my best for the spiritual and material well-being of our community. I have no doubts about this. I am ready to take on this responsibility.”
“Thou hast spoken well, son Adam,” said the father. “God will bless thee in the office which I am about to resign.”
“You’ve spoken well, son Adam,” said the father. “God will bless you in the position I’m about to give up.”
“But our sister,” observed the elder from Harvard. “Hath she not likewise a gift to declare her sentiments?”
“But our sister,” said the elder from Harvard. “Doesn't she also have a talent for expressing her feelings?”
Martha started and moved her lips as if she would have made a formal reply to this appeal. But, had she attempted it, perhaps the old recollections, the long-repressed feelings of childhood, youth and womanhood, might have gushed from her heart in words that it would have been profanation to utter there.
Martha started and moved her lips as if she was going to give a formal reply to this request. But, if she had tried, maybe the old memories, the long-hidden emotions of childhood, youth, and womanhood, would have poured out from her heart in words that would have felt inappropriate to say in that moment.
“Adam has spoken,” said she, hurriedly; “his sentiments are likewise mine.”
“Adam has spoken,” she said quickly; “his feelings are the same as mine.”
But while speaking these few words Martha grew so pale that she looked fitter to be laid in her coffin than to stand in the presence of Father Ephraim and the elders; she shuddered, also, as if there were something awful or horrible in her situation and destiny. It required, indeed, a more than feminine strength of nerve to sustain the fixed observance of men so exalted and famous throughout the sect as these were. They had overcome their natural sympathy with human frailties and affections. One, when he joined the society, had brought with him his wife and children, but never from that hour had spoken a fond word to the former or taken his best-loved child upon his knee. Another, whose family refused to follow him, had been enabled—such was his gift of holy fortitude—to leave them to the mercy of the world. The youngest of the elders, a man of about fifty, had been bred from infancy in a Shaker village, and was said never to have clasped a woman’s hand in his own, and to have no conception of a closer tie than the cold fraternal one of the sect. Old Father Ephraim was the most awful character of all. In his youth he had been a dissolute libertine, but was converted by Mother Ann herself, and had partaken of the wild fanaticism of the early Shakers. Tradition whispered at the firesides of the village that Mother Ann had been compelled to sear his heart of flesh with a red-hot iron before it could be purified from earthly passions.
But as Martha spoke those few words, she became so pale that she looked more like she belonged in a coffin than standing before Father Ephraim and the elders. She also shuddered, as if there was something dreadful or terrible about her situation and destiny. It truly took more than just feminine strength to endure the constant gaze of men who were so esteemed and well-known within the sect. They had suppressed their natural compassion for human weaknesses and emotions. One elder had brought his wife and kids when he joined the society, but from that moment on, he never spoke a kind word to her or held his beloved child on his lap. Another elder, whose family chose not to follow him, had managed—thanks to his incredible holy strength—to leave them to face the world alone. The youngest of the elders, a man around fifty, had been raised in a Shaker village since childhood and was said never to have held a woman’s hand nor to have any understanding of a bond closer than the cold brotherly connection within the sect. Old Father Ephraim was the most intimidating figure of all. In his younger days, he had been a reckless libertine, but was converted by Mother Ann herself and had experienced the wild fanaticism of the early Shakers. Tradition suggested around the village fires that Mother Ann had to cauterize his fleshly heart with a red-hot iron before it could be cleansed of earthly desires.
However that might be, poor Martha had a woman’s heart, and a tender one, and it quailed within her as she looked round at those strange old men, and from them to the calm features of Adam Colburn. But, perceiving that the elders eyed her doubtfully, she gasped for breath and again spoke.
However that might be, poor Martha had a woman’s heart, and a tender one, and it trembled inside her as she looked around at those strange old men, and then at the calm face of Adam Colburn. But noticing that the elders were regarding her with uncertainty, she gasped for breath and spoke again.
“With what strength is left me by my many troubles,” said she, “I am ready to undertake this charge, and to do my best in it.”
“With the strength I have left from all my struggles,” she said, “I’m ready to take on this responsibility and do my best.”
“My children, join your hands,” said Father Ephraim.
“My kids, hold hands,” said Father Ephraim.
They did so. The elders stood up around, and the father feebly raised himself to a more erect position, but continued sitting in his great chair.
They did that. The elders stood around, and the father weakly lifted himself into a more upright position, but stayed seated in his large chair.
“I have bidden you to join your hands,” said he, “not in earthly affection, for ye have cast off its chains for ever, but as brother and sister in spiritual love and helpers of one another in your allotted task. Teach unto others the faith which ye have received. Open wide your gates—I deliver you the keys thereof—open them wide to all who will give up the iniquities of the world and come hither to lead lives of purity and peace. Receive the weary ones who have known the vanity of earth; receive the little children, that they may never learn that miserable lesson. And a blessing be upon your labors; so that the time may hasten on when the mission of Mother Ann shall have wrought its full effect, when children shall no more be born and die, and the last survivor of mortal race—some old and weary man like me—shall see the sun go down nevermore to rise on a world of sin and sorrow.”
“I've asked you to join your hands,” he said, “not out of earthly love, since you've broken those chains forever, but as brother and sister in spiritual love, helping each other with your tasks. Share the faith you've received with others. Open your gates wide—I give you the keys—open them to all who will abandon the wrongs of the world and come here to live lives of purity and peace. Welcome those who are weary and have seen the emptiness of life; welcome the little children so they never have to learn that painful lesson. And may your efforts be blessed, so that the time may come sooner when Mother Ann's mission has achieved its full purpose, when no more children are born to die, and the last person of the human race—an old and tired man like me—will see the sun set never to rise again on a world of sin and sorrow.”
The aged father sank back exhausted, and the surrounding elders deemed, with good reason, that the hour was come when the new heads of the village must enter on their patriarchal duties. In their attention to Father Ephraim their eyes were turned from Martha Pierson, who grew paler and paler, unnoticed even by Adam Colburn. He, indeed, had withdrawn his hand from hers and folded his arms with a sense of satisfied ambition. But paler and paler grew Martha by his side, till, like a corpse in its burial-clothes, she sank down at the feet of her early lover; for, after many trials firmly borne, her heart could endure the weight of its desolate agony no longer.
The old father leaned back, completely worn out, and the surrounding elders correctly decided it was time for the new leaders of the village to take on their responsibilities. While they focused on Father Ephraim, their attention drifted away from Martha Pierson, who was growing paler by the moment, even unnoticed by Adam Colburn. He had pulled his hand away from hers and crossed his arms, feeling a sense of fulfilled ambition. But Martha continued to grow paler beside him, until, like a corpse in its burial shroud, she collapsed at the feet of her first love; after enduring so much pain, her heart could no longer bear the weight of its desolate sorrow.
NIGHT-SKETCHES,
BENEATH AN UMBRELLA
Pleasant is a rainy winter’s day within-doors. The best study for such a day—or the best amusement: call it what you will—is a book of travels describing scenes the most unlike that sombre one which is mistily presented through the windows. I have experienced that Fancy is then most successful in imparting distinct shapes and vivid colors to the objects which the author has spread upon his page, and that his words become magic spells to summon up a thousand varied pictures. Strange landscapes glimmer through the familiar walls of the room, and outlandish figures thrust themselves almost within the sacred precincts of the hearth. Small as my chamber is, it has space enough to contain the ocean-like circumference of an Arabian desert, its parched sands tracked by the long line of a caravan with the camels patiently journeying through the heavy sunshine. Though my ceiling be not lofty, yet I can pile up the mountains of Central Asia beneath it till their summits shine far above the clouds of the middle atmosphere. And with my humble means—a wealth that is not taxable—I can transport hither the magnificent merchandise of an Oriental bazaar, and call a crowd of purchasers from distant countries to pay a fair profit for the precious articles which are displayed on all sides. True it is, however, that amid the bustle of traffic, or whatever else may seem to be going on around me, the raindrops will occasionally be heard to patter against my window-panes, which look forth upon one of the quietest streets in a New England town. After a time, too, the visions vanish, and will not appear again at my bidding. Then, it being nightfall, a gloomy sense of unreality depresses my spirits, and impels me to venture out before the clock shall strike bedtime to satisfy myself that the world is not entirely made up of such shadowy materials as have busied me throughout the day. A dreamer may dwell so long among fantasies that the things without him will seem as unreal as those within.
A rainy winter day indoors is truly pleasant. The best way to spend such a day—or the best entertainment, however you'd like to phrase it—is to read a travel book that describes scenes completely different from the gloomy ones visible through the windows. I've found that when it's like this, my imagination works best, giving clear shapes and bright colors to the scenes depicted on the pages, and the author's words act like magic spells that conjure up a thousand different images. Strange landscapes shimmer beyond the familiar walls of my room, and exotic figures almost intrude upon the cozy space of my fireplace. Even though my room is small, it can hold the vastness of an Arabian desert, with its dry sands marked by a long caravan of camels traveling patiently under the bright sun. While my ceiling isn't high, I can stack up the mountains of Central Asia beneath it until their peaks rise far above the clouds. With my modest resources—a wealth that isn’t taxed—I can bring the stunning treasures of an Oriental marketplace here and call buyers from far-off lands to pay a fair price for the valuable items displayed around. However, amidst all the activity or whatever else seems to be happening around me, I can still hear the raindrops tapping against my window panes, which look out onto one of the quietest streets in a New England town. Eventually, though, the visions fade and won't return when I want them to. As night falls, a heavy feeling of unreality weighs on me, pushing me to step outside before it gets late to reassure myself that the world isn't only made up of the elusive things I've been preoccupied with all day. A dreamer can spend so much time in their fantasies that the outside world can start to feel as unreal as the dreams within.
When eve has fairly set in, therefore, I sally forth, tightly buttoning my shaggy overcoat and hoisting my umbrella, the silken dome of which immediately resounds with the heavy drumming of the invisible raindrops. Pausing on the lowest doorstep, I contrast the warmth and cheerfulness of my deserted fireside with the drear obscurity and chill discomfort into which I am about to plunge. Now come fearful auguries innumerable as the drops of rain. Did not my manhood cry shame upon me, I should turn back within-doors, resume my elbow-chair, my slippers and my book, pass such an evening of sluggish enjoyment as the day has been, and go to bed inglorious. The same shivering reluctance, no doubt, has quelled for a moment the adventurous spirit of many a traveller when his feet, which were destined to measure the earth around, were leaving their last tracks in the home-paths.
When evening has fully arrived, I head out, buttoning my shaggy overcoat and raising my umbrella, the silky top of which immediately echoes with the heavy sound of raindrops. I pause on the bottom step, comparing the warmth and coziness of my empty fireside with the dreary darkness and cold discomfort I'm about to face. Now, countless ominous thoughts flood my mind like the rain falling around me. If it weren’t for my sense of pride, I would turn back inside, settle into my armchair, slip on my slippers, and spend the evening in lazy contentment like the rest of the day, going to bed without any sense of achievement. I imagine that this same shivering hesitation has held back the adventurous spirit of many travelers as they took their last steps on familiar paths before embarking on their journeys.
In my own case poor human nature may be allowed a few misgivings. I look upward and discern no sky, not even an unfathomable void, but only a black, impenetrable nothingness, as though heaven and all its lights were blotted from the system of the universe. It is as if Nature were dead and the world had put on black and the clouds were weeping for her. With their tears upon my cheek I turn my eyes earthward, but find little consolation here below. A lamp is burning dimly at the distant corner, and throws just enough of light along the street to show, and exaggerate by so faintly showing, the perils and difficulties which beset my path. Yonder dingily-white remnant of a huge snowbank, which will yet cumber the sidewalk till the latter days of March, over or through that wintry waste must I stride onward. Beyond lies a certain Slough of Despond, a concoction of mud and liquid filth, ankle-deep, leg-deep, neck-deep—in a word, of unknown bottom—on which the lamplight does not even glimmer, but which I have occasionally watched in the gradual growth of its horrors from morn till nightfall. Should I flounder into its depths, farewell to upper earth! And hark! how roughly resounds the roaring of a stream the turbulent career of which is partially reddened by the gleam of the lamp, but elsewhere brawls noisily through the densest gloom! Oh, should I be swept away in fording that impetuous and unclean torrent, the coroner will have a job with an unfortunate gentleman who would fain end his troubles anywhere but in a mud-puddle.
In my case, human nature may be allowed a few doubts. I look up and see no sky, not even an endless void, but just a black, impenetrable nothingness, as if heaven and all its lights have been wiped from the universe. It feels like Nature is dead, and the world is mourning in black, with the clouds crying for her. With their tears on my cheek, I look down to the earth but find little comfort here. A lamp is flickering dimly in the distance, casting just enough light on the street to highlight and amplify the dangers and challenges in my way. That dingy white remnant of a huge snowbank will block the sidewalk until the end of March, and I must navigate over or through that wintry mess. Beyond it lies a certain Slough of Despond, a mix of mud and sludge, ankle-deep, leg-deep, neck-deep—in short, of unknown depth—where the lamplight doesn’t even shine, yet I’ve watched its horrors grow from morning until nightfall. If I stumble into its depths, farewell to the world! And listen! How loudly the roaring of a stream resounds, its turbulent flow partially lit by the lamp's glow, but elsewhere it rages noisily through the thickest darkness! Oh, if I get swept away trying to cross that wild and filthy torrent, the coroner will have to deal with an unfortunate guy who just wanted to escape his problems, anywhere but in a mud puddle.
Pshaw! I will linger not another instant at arm’s-length from these dim terrors, which grow more obscurely formidable the longer I delay to grapple with them. Now for the onset, and, lo! with little damage save a dash of rain in the face and breast, a splash of mud high up the pantaloons and the left boot full of ice-cold water, behold me at the corner of the street. The lamp throws down a circle of red light around me, and twinkling onward from corner to corner I discern other beacons, marshalling my way to a brighter scene. But this is a lonesome and dreary spot. The tall edifices bid gloomy defiance to the storm with their blinds all closed, even as a man winks when he faces a spattering gust. How loudly tinkles the collected rain down the tin spouts! The puffs of wind are boisterous, and seem to assail me from various quarters at once. I have often observed that this corner is a haunt and loitering-place for those winds which have no work to do upon the deep dashing ships against our iron-bound shores, nor in the forest tearing up the sylvan giants with half a rood of soil at their vast roots. Here they amuse themselves with lesser freaks of mischief. See, at this moment, how they assail yonder poor woman who is passing just within the verge of the lamplight! One blast struggles for her umbrella and turns it wrong side outward, another whisks the cape of her cloak across her eyes, while a third takes most unwarrantable liberties with the lower part of her attire. Happily, the good dame is no gossamer, but a figure of rotundity and fleshly substance; else would these aerial tormentors whirl her aloft like a witch upon a broomstick, and set her down, doubtless, in the filthiest kennel hereabout.
Ugh! I won’t stay even a moment at arm’s length from these dim horrors, which become more frightening the longer I hold back from facing them. Here we go, and look! With little harm except a splash of rain in my face and chest, mud splattered up my pants, and my left boot filled with ice-cold water, here I am at the corner of the street. The lamp casts a circle of red light around me, and gleaming from corner to corner, I see other lights guiding my way to a brighter scene. But this place feels lonely and dreary. The tall buildings stand defiantly against the storm with their blinds tightly shut, just like a person squinting when facing a sudden gust. How loudly the accumulated rain falls down the tin spouts! The wind puffs are strong and seem to hit me from all directions at once. I've often noticed that this corner is a favorite spot for winds that have no work to do on the ships crashing against our rocky shores or in the forest tearing up the massive trees with huge chunks of soil at their roots. Here, they entertain themselves with smaller tricks. Look, right now, how they’re attacking that poor woman walking just within the light of the lamp! One gust is fighting for her umbrella and turning it inside out, another is whipping the cape of her cloak across her eyes, while a third is taking quite unwelcome liberties with the lower part of her outfit. Fortunately, this good lady is not a delicate figure but a woman of substantial size; otherwise, these tormenting winds would whisk her away like a witch on a broomstick and drop her, no doubt, in the dirtiest gutter around here.
From hence I tread upon firm pavements into the centre of the town. Here there is almost as brilliant an illumination as when some great victory has been won either on the battlefield or at the polls. Two rows of shops with windows down nearly to the ground cast a glow from side to side, while the black night hangs overhead like a canopy, and thus keeps the splendor from diffusing itself away. The wet sidewalks gleam with a broad sheet of red light. The raindrops glitter as if the sky were pouring down rubies. The spouts gush with fire. Methinks the scene is an emblem of the deceptive glare which mortals throw around their footsteps in the moral world, thus bedazzling themselves till they forget the impenetrable obscurity that hems them in, and that can be dispelled only by radiance from above.
From here, I walk on solid sidewalks into the heart of the town. The lighting here is almost as bright as during a major victory on the battlefield or at the polls. Two rows of shops with windows reaching nearly to the ground cast light from side to side, while the dark night hangs overhead like a canopy, keeping the brilliance from spreading away. The wet sidewalks shine with a broad sheet of red light. The raindrops sparkle as if the sky were showering down rubies. The downspouts gush with fire. I think the scene symbolizes the misleading brilliance that people create around their paths in the moral world, dazzling themselves until they forget the impenetrable darkness that surrounds them, which can only be dispelled by light from above.
And, after all, it is a cheerless scene, and cheerless are the wanderers in it. Here comes one who has so long been familiar with tempestuous weather that he takes the bluster of the storm for a friendly greeting, as if it should say, “How fare ye, brother?” He is a retired sea-captain wrapped in some nameless garment of the pea-jacket order, and is now laying his course toward the marine-insurance office, there to spin yarns of gale and shipwreck with a crew of old seadogs like himself. The blast will put in its word among their hoarse voices, and be understood by all of them. Next I meet an unhappy slipshod gentleman with a cloak flung hastily over his shoulders, running a race with boisterous winds and striving to glide between the drops of rain. Some domestic emergency or other has blown this miserable man from his warm fireside in quest of a doctor. See that little vagabond! How carelessly he has taken his stand right underneath a spout while staring at some object of curiosity in a shop-window! Surely the rain is his native element; he must have fallen with it from the clouds, as frogs are supposed to do.
And, after all, it’s a dreary scene, and the travelers in it are just as gloomy. Here comes someone who's been so used to rough weather that he takes the storm’s fury as a friendly hello, as if it’s saying, “How's it going, buddy?” He’s a retired sea captain wrapped in some kind of heavy coat, and he’s headed for the marine insurance office to share stories of storms and shipwrecks with a bunch of old sailors like him. The wind will chime in among their gruff voices, and they’ll all get what it’s saying. Next, I see an unfortunate, disheveled man with a cloak thrown haphazardly over his shoulders, racing against the wild winds and trying to dodge the raindrops. Some domestic crisis has pushed this poor guy away from his warm home in search of a doctor. Look at that little troublemaker! He’s standing carelessly right under a downspout while staring at something interesting in a shop window! It’s as if the rain is his natural habitat; he must have fallen from the sky with it, like frogs are said to do.
Here is a picture, and a pretty one—a young man and a girl, both enveloped in cloaks and huddled beneath the scanty protection of a cotton umbrella. She wears rubber overshoes, but he is in his dancing-pumps, and they are on their way no doubt, to some cotillon-party or subscription-ball at a dollar a head, refreshments included. Thus they struggle against the gloomy tempest, lured onward by a vision of festal splendor. But ah! a most lamentable disaster! Bewildered by the red, blue and yellow meteors in an apothecary’s window, they have stepped upon a slippery remnant of ice, and are precipitated into a confluence of swollen floods at the corner of two streets. Luckless lovers! Were it my nature to be other than a looker-on in life, I would attempt your rescue. Since that may not be, I vow, should you be drowned, to weave such a pathetic story of your fate as shall call forth tears enough to drown you both anew. Do ye touch bottom, my young friends? Yes; they emerge like a water-nymph and a river-deity, and paddle hand in hand out of the depths of the dark pool. They hurry homeward, dripping, disconsolate, abashed, but with love too warm to be chilled by the cold water. They have stood a test which proves too strong for many. Faithful though over head and ears in trouble!
Here’s a picture, and a pretty one—a young man and a girl, both wrapped up in cloaks and huddled under a small cotton umbrella. She’s wearing rubber overshoes, but he’s in his dance shoes, and they’re definitely heading to some cotillion party or subscription ball for a dollar a ticket, refreshments included. They’re battling through the gloomy storm, tempted by visions of festive fun. But oh! a terrible disaster! Distracted by the red, blue, and yellow lights in a store window, they’ve stepped onto a slippery patch of ice and have tumbled into a rushing stream at the corner of two streets. Poor lovers! If I were anything but a bystander in life, I would try to save you. Since that’s not possible, I promise, if you drown, to write such a sad story about your fate that it will bring enough tears to drown you both again. Are you touching bottom, my young friends? Yes; they come up like a water nymph and a river god, and paddle hand in hand out of the depths of the dark pool. They hurry home, soaking wet, disheartened, embarrassed, but with a love too strong to be numbed by the cold water. They’ve faced a test that many can’t withstand. Faithful even when they’re in deep trouble!
Onward I go, deriving a sympathetic joy or sorrow from the varied aspect of mortal affairs even as my figure catches a gleam from the lighted windows or is blackened by an interval of darkness. Not that mine is altogether a chameleon spirit with no hue of its own. Now I pass into a more retired street where the dwellings of wealth and poverty are intermingled, presenting a range of strongly-contrasted pictures. Here, too, may be found the golden mean. Through yonder casement I discern a family circle—the grandmother, the parents and the children—all flickering, shadow-like, in the glow of a wood-fire.—Bluster, fierce blast, and beat, thou wintry rain, against the window-panes! Ye cannot damp the enjoyment of that fireside.—Surely my fate is hard that I should be wandering homeless here, taking to my bosom night and storm and solitude instead of wife and children. Peace, murmurer! Doubt not that darker guests are sitting round the hearth, though the warm blaze hides all but blissful images.
Onward I go, feeling joy or sadness from the various aspects of life, just as my figure catches the light from the illuminated windows or is swallowed by moments of darkness. It’s not that I lack a personality of my own—I'm not entirely a chameleon. Now I find myself in a quieter street where homes of both wealth and poverty are mixed, creating a series of starkly contrasting scenes. Here, too, lies the ideal balance. Through that window, I see a family gathered—the grandmother, the parents, and the kids—all flickering like shadows in the warm glow of a wood fire. —Wind, fierce and wild, and beat, you wintry rain, against the window panes! You cannot dampen the joy of that fireside. —Surely my fate is tough, as I wander here homeless, embracing the night, the storm, and solitude instead of a wife and children. Be quiet, voice of complaint! Don't doubt that darker thoughts are gathered around the fire, even if the warm flames only reveal happy images.
Well, here is still a brighter scene—a stately mansion illuminated for a ball, with cut-glass chandeliers and alabaster lamps in every room, and sunny landscapes hanging round the walls. See! a coach has stopped, whence emerges a slender beauty who, canopied by two umbrellas, glides within the portal and vanishes amid lightsome thrills of music. Will she ever feel the night-wind and the rain? Perhaps—perhaps! And will Death and Sorrow ever enter that proud mansion? As surely as the dancers will be gay within its halls to-night. Such thoughts sadden yet satisfy my heart, for they teach me that the poor man in this mean, weatherbeaten hovel, without a fire to cheer him, may call the rich his brother—brethren by Sorrow, who must be an inmate of both their households; brethren by Death, who will lead them both to other homes.
Well, here’s a brighter scene—a grand mansion lit up for a party, with crystal chandeliers and alabaster lamps in every room, and sunny landscapes decorating the walls. Look! A coach has pulled up, and a slender beauty steps out, sheltered by two umbrellas, gliding through the entrance and disappearing into the cheerful sounds of music. Will she ever feel the night air and the rain? Maybe—maybe! And will Death and Sorrow ever enter that proud mansion? Just as surely as the dancers will be lively in its halls tonight. Such thoughts sadden yet comfort my heart, for they remind me that the poor man in this shabby, weathered house, without a fire to warm him, can call the rich his brother—brothers in Sorrow, who must be a part of both their lives; brothers in Death, who will guide them both to different homes.
Onward, still onward, I plunge into the night. Now have I reached the utmost limits of the town, where the last lamp struggles feebly with the darkness like the farthest star that stands sentinel on the borders of uncreated space. It is strange what sensations of sublimity may spring from a very humble source. Such are suggested by this hollow roar of a subterranean cataract where the mighty stream of a kennel precipitates itself beneath an iron grate and is seen no more on earth. Listen a while to its voice of mystery, and Fancy will magnify it till you start and smile at the illusion. And now another sound—the rumbling of wheels as the mail-coach, outward bound, rolls heavily off the pavements and splashes through the mud and water of the road. All night long the poor passengers will be tossed to and fro between drowsy watch and troubled sleep, and will dream of their own quiet beds and awake to find themselves still jolting onward. Happier my lot, who will straightway hie me to my familiar room and toast myself comfortably before the fire, musing and fitfully dozing and fancying a strangeness in such sights as all may see. But first let me gaze at this solitary figure who comes hitherward with a tin lantern which throws the circular pattern of its punched holes on the ground about him. He passes fearlessly into the unknown gloom, whither I will not follow him.
Onward, I move into the night. I’ve now reached the edge of town, where the last lamp barely fights against the darkness like the distant star watching over the void. It’s interesting how feelings of grandeur can come from something so simple. This is evoked by the hollow roar of a hidden waterfall, where the strong flow of a gutter plunges beneath an iron grate and disappears from view. Listen for a moment to its mysterious sound, and your imagination will amplify it until it surprises you and makes you smile at the illusion. Now, there’s another sound—the rumbling of wheels as the mail coach heads out, rolling heavily off the pavement and splashing through the mud and water on the road. All night long, the poor passengers will be jolted between drowsy waking and restless sleep, dreaming of their cozy beds and waking up to find themselves still bouncing along. I am luckier, as I’ll head straight to my familiar room and warm myself comfortably by the fire, reflecting and dozing off, imagining the oddity in sights that everyone can see. But first, let me take a look at this lone figure approaching with a tin lantern that casts a circular pattern of punched holes on the ground around him. He bravely steps into the unknown darkness, a place I won’t follow.
This figure shall supply me with a moral wherewith, for lack of a more appropriate one, I may wind up my sketch. He fears not to tread the dreary path before him, because his lantern, which was kindled at the fireside of his home, will light him back to that same fireside again. And thus we, night-wanderers through a stormy and dismal world, if we bear the lamp of Faith enkindled at a celestial fire, it will surely lead us home to that heaven whence its radiance was borrowed.
This person will provide me with a moral that, for lack of a better one, I can use to conclude my sketch. He isn’t afraid to walk the bleak path ahead of him because his lantern, lit from the warmth of his home, will guide him back to that same place. Similarly, as we wander through a stormy and gloomy world at night, if we carry the light of Faith ignited by a divine source, it will definitely lead us back home to the heaven from which its glow came.
ENDICOTT AND THE RED CROSS
At noon of an autumnal day more than two centuries ago the English colors were displayed by the standard bearer of the Salem train-band, which had mustered for martial exercise under the orders of John Endicott. It was a period when the religious exiles were accustomed often to buckle on their armor and practise the handling of their weapons of war. Since the first settlement of New England its prospects had never been so dismal. The dissensions between Charles I. and his subjects were then, and for several years afterward, confined to the floor of Parliament. The measures of the king and ministry were rendered more tyrannically violent by an opposition which had not yet acquired sufficient confidence in its own strength to resist royal injustice with the sword. The bigoted and haughty primate Laud, archbishop of Canterbury, controlled the religious affairs of the realm, and was consequently invested with powers which might have wrought the utter ruin of the two Puritan colonies, Plymouth and Massachusetts. There is evidence on record that our forefathers perceived their danger, but were resolved that their infant country should not fall without a struggle, even beneath the giant strength of the king’s right arm.
At noon on an autumn day over two hundred years ago, the English flag was raised by the standard bearer of the Salem militia, which had gathered for military drills under John Endicott's command. It was a time when the religious exiles often strapped on their armor and practiced using their weapons. Since New England was first settled, its outlook had never been so bleak. The conflicts between Charles I and his subjects were, at that time, limited to the Parliament floor and continued for several years. The king's and government's actions were increasingly oppressive due to an opposition that had not yet found the confidence to stand up to royal tyranny with force. The bigoted and arrogant Archbishop Laud, archbishop of Canterbury, oversaw the religious matters of the realm, giving him powers that could have completely destroyed the two Puritan colonies, Plymouth and Massachusetts. Records show that our ancestors recognized their peril but were determined that their fledgling country would not fall without a fight, even against the king’s overwhelming power.
Such was the aspect of the times when the folds of the English banner with the red cross in its field were flung out over a company of Puritans. Their leader, the famous Endicott, was a man of stern and resolute countenance, the effect of which was heightened by a grizzled beard that swept the upper portion of his breastplate. This piece of armor was so highly polished that the whole surrounding scene had its image in the glittering steel. The central object in the mirrored picture was an edifice of humble architecture with neither steeple nor bell to proclaim it—what, nevertheless, it was—the house of prayer. A token of the perils of the wilderness was seen in the grim head of a wolf which had just been slain within the precincts of the town, and, according to the regular mode of claiming the bounty, was nailed on the porch of the meeting-house. The blood was still plashing on the doorstep. There happened to be visible at the same noontide hour so many other characteristics of the times and manners of the Puritans that we must endeavor to represent them in a sketch, though far less vividly than they were reflected in the polished breastplate of John Endicott.
This was the scene in those times when the English flag with the red cross was unfurled over a group of Puritans. Their leader, the well-known Endicott, had a tough and determined look, made even more striking by his grizzled beard that brushed against the top of his breastplate. This piece of armor was so shiny that the entire surrounding scene was reflected in the gleaming steel. The focal point in this mirrored image was a simple building with no steeple or bell to announce itself—yet it was, after all, the house of worship. A reminder of the dangers of the wilderness was evident in the fierce head of a wolf that had just been killed near the town and, following the usual method of claiming the bounty, was nailed to the porch of the meeting house. Blood was still dripping on the doorstep. At the same hour, many other traits of Puritan life and customs were visible, and we will try to represent them in a sketch, although far less vividly than they appeared in the polished breastplate of John Endicott.
In close vicinity to the sacred edifice appeared that important engine of Puritanic authority the whipping-post, with the soil around it well trodden by the feet of evil-doers who had there been disciplined. At one corner of the meeting-house was the pillory and at the other the stocks, and, by a singular good fortune for our sketch, the head of an Episcopalian and suspected Catholic was grotesquely encased in the former machine, while a fellow-criminal who had boisterously quaffed a health to the king was confined by the legs in the latter. Side by side on the meeting-house steps stood a male and a female figure. The man was a tall, lean, haggard personification of fanaticism, bearing on his breast this label, “A WANTON GOSPELLER,” which betokened that he had dared to give interpretations of Holy Writ unsanctioned by the infallible judgment of the civil and religious rulers. His aspect showed no lack of zeal to maintain his heterodoxies even at the stake. The woman wore a cleft stick on her tongue, in appropriate retribution for having wagged that unruly member against the elders of the church, and her countenance and gestures gave much cause to apprehend that the moment the stick should be removed a repetition of the offence would demand new ingenuity in chastising it.
Near the sacred building stood the important symbol of Puritan authority, the whipping post, with the ground around it well worn by the feet of wrongdoers who had been punished there. At one corner of the meeting house was the pillory and at the other the stocks. By an odd twist of fate for our story, the head of an Episcopalian, who was suspected of being a Catholic, was humorously trapped in the pillory, while another criminal, who had loudly toasted the king, was locked up by the legs in the stocks. Standing side by side on the steps of the meeting house were a man and a woman. The man was a tall, thin, haggard embodiment of fanaticism, displaying a sign on his chest that read, “A WANTON GOSPELLER,” indicating that he had dared to interpret the Bible in ways not approved by the infallible judgment of the civil and religious leaders. His appearance showed he had no lack of zeal to defend his beliefs even at the stake. The woman had a cleft stick on her tongue as punishment for having spoken against the elders of the church, and her expression and gestures suggested that as soon as the stick was removed, she would likely repeat her offense, requiring new creativity in punishment.
The above-mentioned individuals had been sentenced to undergo their various modes of ignominy for the space of one hour at noonday. But among the crowd were several whose punishment would be lifelong—some whose ears had been cropped like those of puppy-dogs, others whose cheeks had been branded with the initials of their misdemeanors; one with his nostrils slit and seared, and another with a halter about his neck, which he was forbidden ever to take off or to conceal beneath his garments. Methinks he must have been grievously tempted to affix the other end of the rope to some convenient beam or bough. There was likewise a young woman with no mean share of beauty whose doom it was to wear the letter A on the breast of her gown in the eyes of all the world and her own children. And even her own children knew what that initial signified. Sporting with her infamy, the lost and desperate creature had embroidered the fatal token in scarlet cloth with golden thread and the nicest art of needlework; so that the capital A might have been thought to mean “Admirable,” or anything rather than “Adulteress.”
The people mentioned above had been sentenced to endure their various forms of shame for one hour at noon. But among the crowd were several whose punishment would last a lifetime—some with their ears cropped like puppy dogs, others with their cheeks branded with the initials of their crimes; one had his nostrils slit and burned, while another wore a noose around his neck that he was never allowed to remove or hide under his clothes. He must have felt a strong temptation to tie the other end of the rope to a convenient beam or tree branch. There was also a young woman, not lacking in beauty, whose fate was to wear the letter A on the front of her dress for the whole world and her own children to see. Even her own children knew what that letter meant. Embracing her shame, the lost and desperate woman had embroidered the dreaded letter in scarlet fabric with golden thread and the finest needlework, making it look as if the capital A meant “Admirable” or something other than “Adulteress.”
Let not the reader argue from any of these evidences of iniquity that the times of the Puritans were more vicious than our own, when as we pass along the very street of this sketch we discern no badge of infamy on man or woman. It was the policy of our ancestors to search out even the most secret sins and expose them to shame, without fear or favor, in the broadest light of the noonday sun. Were such the custom now, perchance we might find materials for a no less piquant sketch than the above.
Let’s not assume from any of these signs of wrongdoing that the times of the Puritans were worse than ours, especially when we can walk down the same street in this story and see no marks of disgrace on anyone. Our ancestors had a policy of uncovering even the most hidden sins and bringing them to light, without holding back or showing bias, in the full glare of the midday sun. If that were the norm today, we might discover stories just as interesting as the one mentioned above.
Except the malefactors whom we have described and the diseased or infirm persons, the whole male population of the town, between sixteen years and sixty were seen in the ranks of the train-band. A few stately savages in all the pomp and dignity of the primeval Indian stood gazing at the spectacle. Their flint-headed arrows were but childish weapons, compared with the matchlocks of the Puritans, and would have rattled harmlessly against the steel caps and hammered iron breastplates which enclosed each soldier in an individual fortress. The valiant John Endicott glanced with an eye of pride at his sturdy followers, and prepared to renew the martial toils of the day.
Except for the wrongdoers we mentioned and the sick or disabled individuals, the entire male population of the town, aged between sixteen and sixty, was seen in the ranks of the militia. A few dignified Native Americans, adorned in the full regalia of their ancestors, stood watching the scene. Their flint-tipped arrows seemed like toys compared to the matchlocks of the Puritans and would have bounced off the steel helmets and iron breastplates that turned each soldier into a personal fortress. The brave John Endicott looked proudly at his strong followers and got ready to take on the challenges of the day.
“Come, my stout hearts!” quoth he, drawing his sword. “Let us show these poor heathen that we can handle our weapons like men of might. Well for them if they put us not to prove it in earnest!”
“Come on, my brave friends!” he said, drawing his sword. “Let’s show these poor heathens that we can use our weapons like strong men. They’d better hope we don’t have to prove it for real!”
The iron-breasted company straightened their line, and each man drew the heavy butt of his matchlock close to his left foot, thus awaiting the orders of the captain. But as Endicott glanced right and left along the front he discovered a personage at some little distance with whom it behoved him to hold a parley. It was an elderly gentleman wearing a black cloak and band and a high-crowned hat beneath which was a velvet skull-cap, the whole being the garb of a Puritan minister. This reverend person bore a staff which seemed to have been recently cut in the forest, and his shoes were bemired, as if he had been travelling on foot through the swamps of the wilderness. His aspect was perfectly that of a pilgrim, heightened also by an apostolic dignity. Just as Endicott perceived him he laid aside his staff and stooped to drink at a bubbling fountain which gushed into the sunshine about a score of yards from the corner of the meeting-house. But ere the good man drank he turned his face heavenward in thankfulness, and then, holding back his gray beard with one hand, he scooped up his simple draught in the hollow of the other.
The iron-breasted company straightened their line, and each man brought the heavy butt of his matchlock close to his left foot, waiting for the captain's orders. But as Endicott looked right and left along the front, he noticed a figure a little distance away with whom he needed to talk. It was an older man wearing a black cloak and band and a high-crowned hat, underneath which was a velvet skullcap, all typical attire for a Puritan minister. This reverend carried a staff that looked like it had just been cut in the forest, and his shoes were muddy, as if he had been walking through the swamps. He had the appearance of a pilgrim, adding to his look an air of apostolic dignity. Just as Endicott spotted him, he set down his staff and bent to drink from a bubbling fountain that flowed into the sunlight about twenty yards away from the corner of the meeting-house. But before the good man drank, he looked up at the sky in gratitude, and then, holding back his gray beard with one hand, he scooped up his simple drink in the hollow of the other.
“What ho, good Mr. Williams!” shouted Endicott. “You are welcome back again to our town of peace. How does our worthy Governor Winthrop? And what news from Boston?”
“Hey there, Mr. Williams!” shouted Endicott. “Welcome back to our peaceful town. How is our esteemed Governor Winthrop? And what’s the news from Boston?”
“The governor hath his health, worshipful sir,” answered Roger Williams, now resuming his staff and drawing near. “And, for the news, here is a letter which, knowing I was to travel hitherward to-day, His Excellency committed to my charge. Belike it contains tidings of much import, for a ship arrived yesterday from England.”
“The governor is well, esteemed sir,” replied Roger Williams, now picking up his staff and coming closer. “And as for the news, here’s a letter that His Excellency entrusted to me, knowing I was traveling this way today. It probably contains important information, as a ship arrived yesterday from England.”
Mr. Williams, the minister of Salem, and of course known to all the spectators, had now reached the spot where Endicott was standing under the banner of his company, and put the governor’s epistle into his hand. The broad seal was impressed with Winthrop’s coat-of-arms. Endicott hastily unclosed the letter and began to read, while, as his eye passed down the page, a wrathful change came over his manly countenance. The blood glowed through it till it seemed to be kindling with an internal heat, nor was it unnatural to suppose that his breastplate would likewise become red hot with the angry fire of the bosom which it covered. Arriving at the conclusion, he shook the letter fiercely in his hand, so that it rustled as loud as the flag above his head.
Mr. Williams, the minister of Salem, who was well known to all the spectators, had now reached the spot where Endicott was standing under the banner of his company and handed him the governor’s letter. The broad seal bore Winthrop’s coat-of-arms. Endicott quickly opened the letter and began to read. As he went down the page, a look of anger transformed his strong features. The blood rushed to his face, making it seem like it was igniting with an inner heat; it wasn’t hard to imagine that his breastplate would also become red hot from the fury within. When he finished reading, he shook the letter furiously in his hand, making it rustle as loudly as the flag above him.
“Black tidings these, Mr. Williams,” said he; “blacker never came to New England. Doubtless you know their purport?”
“Bad news this, Mr. Williams,” he said; “worse has never come to New England. I’m sure you understand what it means?”
“Yea, truly,” replied Roger Williams, “for the governor consulted respecting this matter with my brethren in the ministry at Boston, and my opinion was likewise asked. And His Excellency entreats you by me that the news be not suddenly noised abroad, lest the people be stirred up unto some outbreak, and thereby give the king and the archbishop a handle against us.”
"Yes, truly," replied Roger Williams, "for the governor discussed this matter with my fellow ministers in Boston, and my opinion was also sought. His Excellency asks you through me that the news not be spread too quickly, so the people aren’t stirred up into any unrest, which would give the king and the archbishop a reason to act against us."
“The governor is a wise man—a wise man, and a meek and moderate,” said Endicott, setting his teeth grimly. “Nevertheless, I must do according to my own best judgment. There is neither man, woman nor child in New England but has a concern as dear as life in these tidings; and if John Endicott’s voice be loud enough, man, woman and child shall hear them.—Soldiers, wheel into a hollow square.—Ho, good people! Here are news for one and all of you.”
“The governor is a wise guy—a wise guy, and he's humble and reasonable,” said Endicott, clenching his teeth tightly. “Still, I have to follow my own best judgment. Everyone in New England, regardless of age or gender, cares deeply about this news; and if John Endicott's voice is loud enough, everyone will hear it.—Soldiers, form a hollow square.—Hey, everyone! I've got news for all of you.”
The soldiers closed in around their captain, and he and Roger Williams stood together under the banner of the red cross, while the women and the aged men pressed forward and the mothers held up their children to look Endicott in the face. A few taps of the drum gave signal for silence and attention.
The soldiers gathered around their captain, and he and Roger Williams stood together under the red cross banner, while the women and elderly men moved closer and the mothers lifted their children to see Endicott's face. A few beats of the drum signaled for silence and attention.
“Fellow-soldiers, fellow-exiles,” began Endicott, speaking under strong excitement, yet powerfully restraining it, “wherefore did ye leave your native country? Wherefore, I say, have we left the green and fertile fields, the cottages, or, perchance, the old gray halls, where we were born and bred, the churchyards where our forefathers lie buried? Wherefore have we come hither to set up our own tombstones in a wilderness? A howling wilderness it is. The wolf and the bear meet us within halloo of our dwellings. The savage lieth in wait for us in the dismal shadow of the woods. The stubborn roots of the trees break our ploughshares when we would till the earth. Our children cry for bread, and we must dig in the sands of the seashore to satisfy them. Wherefore, I say again, have we sought this country of a rugged soil and wintry sky? Was it not for the enjoyment of our civil rights? Was it not for liberty to worship God according to our conscience?”
“Fellow soldiers, fellow exiles,” began Endicott, speaking with intense emotion but managing to hold it back, “why did you leave your homeland? Why, I ask, have we left the green and fertile fields, the cottages, or perhaps the old gray halls where we were born and raised, the graveyards where our ancestors are buried? Why have we come here to put our own tombstones in a wilderness? It truly is a howling wilderness. The wolf and the bear come close to our homes. The savage waits for us in the dark shadows of the woods. The stubborn roots of the trees break our plows when we try to farm the land. Our children cry for food, and we have to dig in the sands by the seashore to feed them. So I ask again, why have we sought this land of rough soil and cold skies? Was it not for the enjoyment of our civil rights? Was it not for the freedom to worship God according to our conscience?”
“Call you this liberty of conscience?” interrupted a voice on the steps of the meeting-house.
“Is this what you call liberty of conscience?” interrupted a voice from the steps of the meeting house.
It was the wanton gospeller. A sad and quiet smile flitted across the mild visage of Roger Williams, but Endicott, in the excitement of the moment, shook his sword wrathfully at the culprit—an ominous gesture from a man like him.
It was the reckless preacher. A sad and gentle smile crossed Roger Williams' soft face, but Endicott, caught up in the heat of the moment, shook his sword angrily at the offender—an intimidating move from someone like him.
“What hast thou to do with conscience, thou knave?” cried he. “I said liberty to worship God, not license to profane and ridicule him. Break not in upon my speech, or I will lay thee neck and heels till this time to-morrow.—Hearken to me, friends, nor heed that accursed rhapsodist. As I was saying, we have sacrificed all things, and have come to a land whereof the Old World hath scarcely heard, that we might make a new world unto ourselves and painfully seek a path from hence to heaven. But what think ye now? This son of a Scotch tyrant—this grandson of a papistical and adulterous Scotch woman whose death proved that a golden crown doth not always save an anointed head from the block—”
“What do you have to do with conscience, you scoundrel?” he shouted. “I mentioned the freedom to worship God, not the freedom to disrespect and mock Him. Don’t interrupt me, or I’ll have you flat on the ground by this time tomorrow. Listen to me, friends, and ignore that cursed fool. As I was saying, we have sacrificed everything and have come to a land that the Old World barely knows about, so we could create a new world for ourselves and work our way to heaven. But what do you think now? This son of a Scottish tyrant—this grandson of a papist and adulterous Scottish woman whose death showed that a golden crown doesn’t always protect a king's head from the executioner—”
“Nay, brother, nay,” interposed Mr. Williams; “thy words are not meet for a secret chamber, far less for a public street.”
“Nah, brother, nah,” Mr. Williams interrupted; “your words aren’t suitable for a private room, let alone for a public street.”
“Hold thy peace, Roger Williams!” answered Endicott, imperiously. “My spirit is wiser than thine for the business now in hand.—I tell ye, fellow-exiles, that Charles of England and Laud, our bitterest persecutor, arch-priest of Canterbury, are resolute to pursue us even hither. They are taking counsel, saith this letter, to send over a governor-general in whose breast shall be deposited all the law and equity of the land. They are minded, also, to establish the idolatrous forms of English episcopacy; so that when Laud shall kiss the pope’s toe as cardinal of Rome he may deliver New England, bound hand and foot, into the power of his master.”
“Be quiet, Roger Williams!” Endicott replied, firmly. “My judgment is clearer than yours for the matter at hand. I tell you, fellow exiles, that Charles of England and Laud, our fiercest persecutor, the arch-priest of Canterbury, are determined to pursue us even here. According to this letter, they are planning to send over a governor-general who will hold all the laws and justice of the land. They also intend to establish the corrupt practices of English episcopacy; so that when Laud kisses the pope’s toe as a cardinal of Rome, he can deliver New England, completely bound, into the power of his master.”
A deep groan from the auditors—a sound of wrath as well as fear and sorrow—responded to this intelligence.
A deep groan from the auditors—a mix of anger, fear, and sorrow—answered this news.
“Look ye to it, brethren,” resumed Endicott, with increasing energy. “If this king and this arch-prelate have their will, we shall briefly behold a cross on the spire of this tabernacle which we have builded, and a high altar within its walls, with wax tapers burning round it at noon-day. We shall hear the sacring-bell and the voices of the Romish priests saying the mass. But think ye, Christian men, that these abominations may be suffered without a sword drawn, without a shot fired, without blood spilt—yea, on the very stairs of the pulpit? No! Be ye strong of hand and stout of heart. Here we stand on our own soil, which we have bought with our goods, which we have won with our swords, which we have cleared with our axes, which we have tilled with the sweat of our brows, which we have sanctified with our prayers to the God that brought us hither! Who shall enslave us here? What have we to do with this mitred prelate—with this crowned king? What have we to do with England?”
“Listen up, everyone,” Endicott continued, with growing fervor. “If this king and this archbishop get their way, we’ll soon see a cross on the spire of this church we built, and a high altar inside it, with wax candles burning around it at noon. We’ll hear the altar bell and the voices of the Catholic priests saying mass. But do you really think, fellow Christians, that we can allow these outrages to happen without fighting back, without a shot being fired, without blood being spilled—right at the very steps of the pulpit? No! Be strong and courageous. We stand on our own land, which we’ve bought with our earnings, won with our swords, cleared with our axes, and worked with the sweat on our brows, which we’ve made holy with our prayers to the God who brought us here! Who can enslave us here? What do we have to do with this bishop—with this king? What do we have to do with England?”
Endicott gazed round at the excited countenances of the people, now full of his own spirit, and then turned suddenly to the standard-bearer, who stood close behind him.
Endicott looked around at the excited faces of the people, now reflecting his own enthusiasm, and then abruptly turned to the flag bearer, who was standing just behind him.
“Officer, lower your banner,” said he.
“Officer, lower your banner,” he said.
The officer obeyed, and, brandishing his sword, Endicott thrust it through the cloth and with his left hand rent the red cross completely out of the banner. He then waved the tattered ensign above his head.
The officer complied, and, holding his sword high, Endicott pierced the cloth and with his left hand tore the red cross completely from the banner. He then waved the torn flag above his head.
“Sacrilegious wretch!” cried the high-churchman in the pillory, unable longer to restrain himself; “thou hast rejected the symbol of our holy religion.”
“Sacrilegious wretch!” shouted the high-churchman in the pillory, unable to hold back any longer; “you have rejected the symbol of our holy religion.”
“Treason! treason!” roared the royalist in the stocks. “He hath defaced the king’s banner!”
“Treason! treason!” shouted the royalist in the stocks. “He has defaced the king’s banner!”
“Before God and man I will avouch the deed,” answered Endicott.—“Beat a flourish, drummer—shout, soldiers and people—in honor of the ensign of New England. Neither pope nor tyrant hath part in it now.”
“Before God and everyone, I’ll stand by this action,” Endicott replied. “Play a fanfare, drummer—shout, soldiers and people—in honor of the flag of New England. Neither pope nor tyrant has any say in this now.”
With a cry of triumph the people gave their sanction to one of the boldest exploits which our history records. And for ever honored be the name of Endicott! We look back through the mist of ages, and recognize in the rending of the red cross from New England’s banner the first omen of that deliverance which our fathers consummated after the bones of the stern Puritan had lain more than a century in the dust.
With a shout of victory, the people approved one of the boldest acts in our history. And forever may the name of Endicott be honored! We look back through the fog of time and see in the tearing away of the red cross from New England’s flag the first sign of the freedom that our ancestors achieved after the remains of the steadfast Puritan had been buried for over a century.
THE LILY’S QUEST
AN APOLOGUE
Two lovers once upon a time had planned a little summer-house in the form of an antique temple which it was their purpose to consecrate to all manner of refined and innocent enjoyments. There they would hold pleasant intercourse with one another and the circle of their familiar friends; there they would give festivals of delicious fruit; there they would hear lightsome music intermingled with the strains of pathos which make joy more sweet; there they would read poetry and fiction and permit their own minds to flit away in day-dreams and romance; there, in short—for why should we shape out the vague sunshine of their hopes?—there all pure delights were to cluster like roses among the pillars of the edifice and blossom ever new and spontaneously.
Two lovers once decided to build a little summer house shaped like an old temple, dedicated to all kinds of refined and innocent pleasures. There, they would enjoy each other's company and entertain their close friends; they would host festivals with delicious fruits; they would listen to cheerful music mixed with melodies that add depth to joy; they would read poetry and stories, allowing their minds to wander through daydreams and romance; in short—why spell out the vague sunshine of their hopes?—there would be pure delights gathered like roses around the pillars of the building, blooming anew and spontaneously.
So one breezy and cloudless afternoon Adam Forrester and Lilias Fay set out upon a ramble over the wide estate which they were to possess together, seeking a proper site for their temple of happiness. They were themselves a fair and happy spectacle, fit priest and priestess for such a shrine, although, making poetry of the pretty name of Lilias, Adam Forrester was wont to call her “Lily” because her form was as fragile and her cheek almost as pale. As they passed hand in hand down the avenue of drooping elms that led from the portal of Lilias Fay’s paternal mansion they seemed to glance like winged creatures through the strips of sunshine, and to scatter brightness where the deep shadows fell.
So one breezy and clear afternoon, Adam Forrester and Lilias Fay went for a stroll across the expansive estate that they would share, searching for the perfect spot for their temple of happiness. They themselves were a charming and joyful sight, like the ideal priest and priestess for such a shrine. Adam, playing off the beautiful name Lilias, often called her “Lily” because her figure was delicate and her cheeks almost pale. As they walked hand in hand down the avenue of drooping elms leading from the entrance of Lilias Fay’s family home, they appeared to glide like winged creatures through the patches of sunlight, spreading brightness wherever the deep shadows fell.
But, setting forth at the same time with this youthful pair, there was a dismal figure wrapped in a black velvet cloak that might have been made of a coffin-pall, and with a sombre hat such as mourners wear drooping its broad brim over his heavy brows. Glancing behind them, the lovers well knew who it was that followed, but wished from their hearts that he had been elsewhere, as being a companion so strangely unsuited to their joyous errand. It was a near relative of Lilias Fay, an old man by the name of Walter Gascoigne, who had long labored under the burden of a melancholy spirit which was sometimes maddened into absolute insanity and always had a tinge of it. What a contrast between the young pilgrims of bliss and their unbidden associate! They looked as if moulded of heaven’s sunshine and he of earth’s gloomiest shade; they flitted along like Hope and Joy roaming hand in hand through life, while his darksome figure stalked behind, a type of all the woeful influences which life could fling upon them.
But at the same time as this young couple set out, there was a gloomy figure wrapped in a black velvet cloak that looked like it came from a coffin, wearing a somber hat with a wide brim that drooped over his heavy brow. When they glanced back, the lovers instantly recognized who it was that followed them but genuinely wished he was somewhere else, as he was such an oddly unsuitable companion for their joyful outing. It was a close relative of Lilias Fay, an old man named Walter Gascoigne, who had long carried the weight of a sad spirit that sometimes spiraled into full-blown insanity and always had a hint of it. What a contrast between the young blissful travelers and their unwelcome companion! They seemed like they were made of sunshine while he appeared to be made of the gloomiest shadows; they moved along like Hope and Joy hand in hand through life, while his dark figure loomed behind, embodying all the sorrowful influences that life could throw at them.
But the three had not gone far when they reached a spot that pleased the gentle Lily, and she paused.
But the three hadn’t gone far when they arrived at a place that delighted the gentle Lily, and she stopped.
“What sweeter place shall we find than this?” said she. “Why should we seek farther for the site of our temple?”
“What sweeter place can we find than this?” she said. “Why should we look any further for the location of our temple?”
It was indeed a delightful spot of earth, though undistinguished by any very prominent beauties, being merely a nook in the shelter of a hill, with the prospect of a distant lake in one direction and of a church-spire in another. There were vistas and pathways leading onward and onward into the green woodlands and vanishing away in the glimmering shade. The temple, if erected here, would look toward the west; so that the lovers could shape all sorts of magnificent dreams out of the purple, violet and gold of the sunset sky, and few of their anticipated pleasures were dearer than this sport of fantasy.
It was truly a charming patch of land, though not marked by any major attractions, just a nook at the foot of a hill, with a distant lake visible in one direction and the spire of a church in another. There were paths and trails that led deeper into the lush woodlands, fading away into the shimmering shade. If a temple were built here, it would face west, allowing lovers to create all kinds of wonderful dreams from the purple, violet, and gold of the sunset sky, and few of their imagined joys were more cherished than this playful dreaming.
“Yes,” said Adam Forrester; “we might seek all day and find no lovelier spot. We will build our temple here.”
“Yes,” said Adam Forrester; “we could search all day and not find a more beautiful place. We’ll build our temple here.”
But their sad old companion, who had taken his stand on the very site which they proposed to cover with a marble floor, shook his head and frowned, and the young man and the Lily deemed it almost enough to blight the spot and desecrate it for their airy temple that his dismal figure had thrown its shadow there. He pointed to some scattered stones, the remnants of a former structure, and to flowers such as young girls delight to nurse in their gardens, but which had now relapsed into the wild simplicity of nature.
But their sad old companion, who had positioned himself right where they wanted to lay down a marble floor, shook his head and frowned. The young man and the Lily thought his gloomy presence was enough to darken the place and ruin their dream of a light-filled temple. He pointed to some scattered stones, the remains of an earlier building, and to flowers that young girls love to care for in their gardens, but which had now returned to the wild simplicity of nature.
“Not here,” cried old Walter Gascoigne. “Here, long ago, other mortals built their temple of happiness; seek another site for yours.”
“Not here,” shouted old Walter Gascoigne. “A long time ago, other people built their temple of happiness here; find another place for yours.”
“What!” exclaimed Lilias Fay. “Have any ever planned such a temple save ourselves?”
“What!” exclaimed Lilias Fay. “Has anyone ever planned such a temple except us?”
“Poor child!” said her gloomy kinsman. “In one shape or other every mortal has dreamed your dream.” Then he told the lovers, how—not, indeed, an antique temple, but a dwelling—had once stood there, and that a dark-clad guest had dwelt among its inmates, sitting for ever at the fireside and poisoning all their household mirth.
“Poor child!” said her gloomy relative. “In one way or another, everyone has had your dream.” Then he told the lovers how—rather than an ancient temple, it was a home—that used to stand there, and that a dark-clad guest lived with its residents, always sitting by the fire and ruining all their joy.
Under this type Adam Forrester and Lilias saw that the old man spake of sorrow. He told of nothing that might not be recorded in the history of almost every household, and yet his hearers felt as if no sunshine ought to fall upon a spot where human grief had left so deep a stain—or, at least, that no joyous temple should be built there.
Under this type, Adam Forrester and Lilias noticed that the old man was speaking about sorrow. He talked about nothing that couldn’t be found in the history of almost every household, and yet his listeners felt as if no sunshine should shine on a place where human grief had left such a deep mark—or, at least, that no joyful celebrations should take place there.
“This is very sad,” said the Lily, sighing.
“This is really sad,” said the Lily, sighing.
“Well, there are lovelier spots than this,” said Adam Forrester, soothingly—“spots which sorrow has not blighted.”
“Well, there are prettier places than this,” Adam Forrester said calmly, “places that haven’t been touched by sorrow.”
So they hastened away, and the melancholy Gascoigne followed them, looking as if he had gathered up all the gloom of the deserted spot and was bearing it as a burden of inestimable treasure. But still they rambled on, and soon found themselves in a rocky dell through the midst of which ran a streamlet with ripple and foam and a continual voice of inarticulate joy. It was a wild retreat walled on either side with gray precipices which would have frowned somewhat too sternly had not a profusion of green shrubbery rooted itself into their crevices and wreathed gladsome foliage around their solemn brows. But the chief joy of the dell was in the little stream which seemed like the presence of a blissful child with nothing earthly to do save to babble merrily and disport itself, and make every living soul its playfellow, and throw the sunny gleams of its spirit upon all.
So they quickly moved on, and the gloomy Gascoigne trailed behind them, looking as if he had collected all the sadness of the empty place and was carrying it like a precious burden. But they kept wandering, and soon found themselves in a rocky valley where a stream ran through, bubbling and foaming with a constant sound of pure joy. It was an untamed retreat, flanked by gray cliffs that would have seemed too harsh if it weren't for the lush greenery that had rooted itself in their cracks, wrapping cheerful leaves around their serious tops. But the main joy of the valley was the little stream, which felt like the presence of a happy child who had nothing to do but chatter playfully, have fun, invite every living being to join in, and spread sunny vibes all around.
“Here, here is the spot!” cried the two lovers, with one voice, as they reached a level space on the brink of a small cascade. “This glen was made on purpose for our temple.”
“Here, here is the spot!” shouted the two lovers in unison as they arrived at a flat area near a small waterfall. “This glen was created just for our temple.”
“And the glad song of the brook will be always in our ears,” said Lilias Fay.
“And the happy sound of the brook will always be in our ears,” said Lilias Fay.
“And its long melody shall sing the bliss of our lifetime,” said Adam Forrester.
“And its long melody will celebrate the joy of our lifetime,” said Adam Forrester.
“Ye must build no temple here,” murmured their dismal companion.
“You must not build any temple here,” murmured their gloomy companion.
And there again was the old lunatic standing just on the spot where they meant to rear their lightsome dome, and looking like the embodied symbol of some great woe that in forgotten days had happened there. And, alas! there had been woe, nor that alone. A young man more than a hundred years before had lured hither a girl that loved him, and on this spot had murdered her and washed his bloody hands in the stream which sang so merrily, and ever since the victim’s death-shrieks were often heard to echo between the cliffs.
And there stood the old crazy person right where they planned to build their cheerful dome, looking like the physical representation of a great sorrow that had happened here long ago. And, unfortunately, there had been sorrow, and not just that. More than a hundred years earlier, a young man had lured a girl who loved him to this spot, where he murdered her and washed his bloody hands in the stream that sang so happily, and ever since, the echoes of her death cries could often be heard bouncing off the cliffs.
“And see!” cried old Gascoigne; “is the stream yet pure from the stain of the murderer’s hands?”
“And look!” shouted old Gascoigne; “is the stream still clean from the stain of the murderer’s hands?”
“Methinks it has a tinge of blood,” faintly answered the Lily; and, being as slight as the gossamer, she trembled and clung to her lover’s arm, whispering, “Let us flee from this dreadful vale.”
“I think it has a hint of blood,” the Lily answered softly, and, delicate as a spider web, she trembled and held on to her lover’s arm, whispering, “Let’s escape from this terrible valley.”
“Come, then,” said Adam Forrester as cheerily as he could; “we shall soon find a happier spot.”
“Come on,” said Adam Forrester as cheerfully as he could; “we’ll find a happier place soon.”
They set forth again, young pilgrims on that quest which millions—which every child of earth—has tried in turn.
They set off again, young travelers on that journey that millions—every child of the world—has attempted in their own way.
And were the Lily and her lover to be more fortunate than all those millions? For a long time it seemed not so. The dismal shape of the old lunatic still glided behind them, and for every spot that looked lovely in their eyes he had some legend of human wrong or suffering so miserably sad that his auditors could never afterward connect the idea of joy with the place where it had happened. Here a heartbroken woman kneeling to her child had been spurned from his feet; here a desolate old creature had prayed to the evil one, and had received a fiendish malignity of soul in answer to her prayer; here a new-born infant, sweet blossom of life, had been found dead with the impress of its mother’s fingers round its throat; and here, under a shattered oak, two lovers had been stricken by lightning and fell blackened corpses in each other’s arms. The dreary Gascoigne had a gift to know whatever evil and lamentable thing had stained the bosom of Mother Earth; and when his funereal voice had told the tale, it appeared like a prophecy of future woe as well as a tradition of the past. And now, by their sad demeanor, you would have fancied that the pilgrim-lovers were seeking, not a temple of earthly joy, but a tomb for themselves and their posterity.
And were the Lily and her lover luckier than all those millions? For a long time, it didn’t seem so. The gloomy figure of the old lunatic still followed them, and for every beautiful spot in their eyes, he had some story of human wrong or suffering so heartbreakingly sad that his listeners could never again associate joy with that place. Here, a heartbroken woman kneeling to her child had been rejected; here, a lonely old person had prayed to the evil one and had received a wicked darkness of spirit in return; here, a newborn infant, a sweet promise of life, had been found dead with its mother’s fingers around its throat; and here, under a broken oak, two lovers had been struck by lightning and were found as charred corpses in each other’s arms. The sorrowful Gascoigne had a knack for knowing every evil and tragic thing that had marked Mother Earth; and when his mournful voice recounted the stories, it sounded like a prophecy of future misery as well as a tradition of the past. Now, with their sad expressions, you would have thought the pilgrim-lovers were looking for not a place of earthly joy, but a grave for themselves and their descendants.
“Where in this world,” exclaimed Adam Forrester, despondingly, “shall we build our temple of happiness?”
“Where in this world,” Adam Forrester exclaimed, feeling hopeless, “are we going to build our temple of happiness?”
“Where in this world, indeed?” repeated Lilias Fay; and, being faint and weary—the more so by the heaviness of her heart—the Lily drooped her head and sat down on the summit of a knoll, repeating, “Where in this world shall we build our temple?”
“Where in this world, really?” Lilias Fay repeated; and feeling faint and tired—the heaviness in her heart making it worse—the Lily lowered her head and sat down on top of a hill, saying, “Where in this world will we build our temple?”
“Ah! have you already asked yourselves that question?” said their companion, his shaded features growing even gloomier with the smile that dwelt on them. “Yet there is a place even in this world where ye may build it.”
“Ah! have you already asked yourselves that question?” said their companion, his hidden face looking even darker with the smile that lingered on it. “Yet there is a place even in this world where you can build it.”
While the old man spoke Adam Forrester and Lilias had carelessly thrown their eyes around, and perceived that the spot where they had chanced to pause possessed a quiet charm which was well enough adapted to their present mood of mind. It was a small rise of ground with a certain regularity of shape that had perhaps been bestowed by art, and a group of trees which almost surrounded it threw their pensive shadows across and far beyond, although some softened glory of the sunshine found its way there. The ancestral mansion wherein the lovers would dwell together appeared on one side, and the ivied church where they were to worship on another. Happening to cast their eyes on the ground, they smiled, yet with a sense of wonder, to see that a pale lily was growing at their feet.
While the old man spoke, Adam Forrester and Lilias casually looked around and noticed that the spot where they had stopped had a quiet charm that perfectly matched their current mood. It was a small rise of land with a shape that seemed intentionally designed, and a cluster of trees nearly surrounded it, casting thoughtful shadows across the area, although some gentle sunlight managed to break through. On one side was the ancestral home where the couple would live together, and on the other was the ivy-covered church where they would worship. When they glanced down at the ground, they smiled, both amazed and delighted, to see a pale lily blooming at their feet.
“We will build our temple here,” said they, simultaneously, and with an indescribable conviction that they had at last found the very spot.
“We’re going to build our temple here,” they said together, with an undeniable certainty that they had finally found the perfect place.
Yet while they uttered this exclamation the young man and the Lily turned an apprehensive glance at their dreary associate, deeming it hardly possible that some tale of earthly affliction should not make those precincts loathsome, as in every former case. The old man stood just behind them, so as to form the chief figure in the group, with his sable cloak muffling the lower part of his visage and his sombre hat overshadowing his brows. But he gave no word of dissent from their purpose, and an inscrutable smile was accepted by the lovers as a token that here had been no footprint of guilt or sorrow to desecrate the site of their temple of happiness.
Yet as they exclaimed this, the young man and the Lily exchanged a worried glance at their gloomy companion, finding it hard to believe that some story of earthly suffering wouldn't make this place unpleasant, like it did in every previous instance. The old man stood just behind them, making him the focal point of the group, with his dark cloak hiding the lower part of his face and his somber hat casting a shadow over his eyes. But he didn't voice any disagreement with their plans, and the lovers interpreted his mysterious smile as a sign that there had been no trace of guilt or sorrow to tarnish their place of happiness.
In a little time longer, while summer was still in its prime, the fairy-structure of the temple arose on the summit of the knoll amid the solemn shadows of the trees, yet often gladdened with bright sunshine. It was built of white marble, with slender and graceful pillars supporting a vaulted dome, and beneath the centre of this dome, upon a pedestal, was a slab of dark-veined marble on which books and music might be strewn. But there was a fantasy among the people of the neighborhood that the edifice was planned after an ancient mausoleum and was intended for a tomb, and that the central slab of dark-veined marble was to be inscribed with the names of buried ones. They doubted, too, whether the form of Lilias Fay could appertain to a creature of this earth, being so very delicate and growing every day more fragile, so that she looked as if the summer breeze should snatch her up and waft her heavenward. But still she watched the daily growth of the temple, and so did old Walter Gascoigne, who now made that spot his continual haunt, leaning whole hours together on his staff and giving as deep attention to the work as though it had been indeed a tomb. In due time it was finished and a day appointed for a simple rite of dedication.
In a little while longer, while summer was still at its peak, the enchanting temple rose at the top of the hill, surrounded by the solemn shadows of the trees but often brightened by sunshine. It was made of white marble, with slender, graceful pillars supporting a vaulted dome. Beneath the center of this dome, on a pedestal, was a slab of dark-veined marble where books and music could be placed. However, the locals believed that the structure was modeled after an ancient mausoleum and was meant to be a tomb, and that the central slab of dark-veined marble was to bear the names of those buried there. They also questioned whether Lilias Fay could really belong to this world, as she appeared so delicate and seemed to grow more fragile each day, as if the summer breeze could lift her away to the heavens. Yet, she continued to observe the daily progress of the temple, as did old Walter Gascoigne, who now made that place his usual spot, leaning for hours on his staff and paying as much attention to the construction as if it were indeed a tomb. Eventually, it was completed and a day was set for a simple dedication ceremony.
On the preceding evening, after Adam Forrester had taken leave of his mistress, he looked back toward the portal of her dwelling and felt a strange thrill of fear, for he imagined that as the setting sunbeams faded from her figure she was exhaling away, and that something of her ethereal substance was withdrawn with each lessening gleam of light. With his farewell glance a shadow had fallen over the portal, and Lilias was invisible. His foreboding spirit deemed it an omen at the time, and so it proved; for the sweet earthly form by which the Lily had been manifested to the world was found lifeless the next morning in the temple with her head resting on her arms, which were folded upon the slab of dark-veined marble. The chill winds of the earth had long since breathed a blight into this beautiful flower; so that a loving hand had now transplanted it to blossom brightly in the garden of Paradise.
The night before, after Adam Forrester said goodbye to his mistress, he looked back at her home and felt an odd shiver of fear. He imagined that as the sun’s rays faded from her figure, she was fading away too, and that something of her essence was disappearing with each diminishing beam of light. With his last look, a shadow fell over the doorway, and Lilias was gone. His uneasy spirit took it as a sign at the time, and it turned out to be true; for the lovely earthly form through which the Lily had existed in the world was found dead the next morning in the temple, her head resting on her arms, which were folded on the dark-veined marble slab. The cold winds of the earth had long since stunted this beautiful flower; now a loving hand had transplanted it to bloom brilliantly in the garden of Paradise.
But alas for the temple of happiness! In his unutterable grief Adam Forrester had no purpose more at heart than to convert this temple of many delightful hopes into a tomb and bury his dead mistress there. And, lo! a wonder! Digging a grave beneath the temple’s marble floor, the sexton found no virgin earth such as was meet to receive the maiden’s dust, but an ancient sepulchre in which were treasured up the bones of generations that had died long ago. Among those forgotten ancestors was the Lily to be laid; and when the funeral procession brought Lilias thither in her coffin, they beheld old Walter Gascoigne standing beneath the dome of the temple with his cloak of pall and face of darkest gloom, and wherever that figure might take its stand the spot would seem a sepulchre. He watched the mourners as they lowered the coffin down.
But sadly for the temple of happiness! In his deep grief, Adam Forrester had no greater desire than to turn this temple of many joyful hopes into a tomb and bury his beloved there. And behold! A surprise! While digging a grave beneath the temple's marble floor, the sexton found not pure earth suitable for the maiden's remains, but an ancient tomb containing the bones of generations long gone. Among those forgotten ancestors, the Lily was to be laid; and when the funeral procession brought Lilias there in her coffin, they saw old Walter Gascoigne standing beneath the dome of the temple, cloaked in pall and wearing a face of deep sorrow, and wherever that figure positioned itself, the spot felt like a grave. He watched the mourners as they lowered the coffin down.
“And so,” said he to Adam Forrester, with the strange smile in which his insanity was wont to gleam forth, “you have found no better foundation for your happiness than on a grave?”
“And so,” he said to Adam Forrester, with the odd smile that often hinted at his insanity, “have you really found no better basis for your happiness than on a grave?”
But as the shadow of Affliction spoke a vision of hope and joy had its birth in Adam’s mind even from the old man’s taunting words, for then he knew what was betokened by the parable in which the Lily and himself had acted, and the mystery of life and death was opened to him.
But as the shadow of Affliction loomed, a vision of hope and joy began to take shape in Adam's mind, even from the old man's taunting words, because then he understood the meaning behind the parable in which the Lily and he had played a part, and the mystery of life and death was revealed to him.
“Joy! joy!” he cried, throwing his arms toward heaven. “On a grave be the site of our temple, and now our happiness is for eternity.”
“Joy! Joy!” he exclaimed, raising his arms to the sky. “Let our temple be built on a grave, and now our happiness will last forever.”
With those words a ray of sunshine broke through the dismal sky and glimmered down into the sepulchre, while at the same moment the shape of old Walter Gascoigne stalked drearily away, because his gloom, symbolic of all earthly sorrow, might no longer abide there now that the darkest riddle of humanity was read.
With those words, a ray of sunshine broke through the gloomy sky and shone down into the grave, while at the same moment, the figure of old Walter Gascoigne walked away sadly, because his sadness, representing all earthly sorrow, could no longer stay there now that the darkest mystery of humanity had been solved.
FOOTPRINTS ON THE SEASHORE
It must be a spirit much unlike my own which can keep itself in health and vigor without sometimes stealing from the sultry sunshine of the world to plunge into the cool bath of solitude. At intervals, and not infrequent ones, the forest and the ocean summon me—one with the roar of its waves, the other with the murmur of its boughs—forth from the haunts of men. But I must wander many a mile ere I could stand beneath the shadow of even one primeval tree, much less be lost among the multitude of hoary trunks and hidden from the earth and sky by the mystery of darksome foliage. Nothing is within my daily reach more like a forest than the acre or two of woodland near some suburban farmhouse. When, therefore, the yearning for seclusion becomes a necessity within me, I am drawn to the seashore which extends its line of rude rocks and seldom-trodden sands for leagues around our bay. Setting forth at my last ramble on a September morning, I bound myself with a hermit’s vow to interchange no thoughts with man or woman, to share no social pleasure, but to derive all that day’s enjoyment from shore and sea and sky, from my soul’s communion with these, and from fantasies and recollections or anticipated realities. Surely here is enough to feed a human spirit for a single day.—Farewell, then, busy world! Till your evening lights shall shine along the street—till they gleam upon my sea-flushed face as I tread homeward—free me from your ties and let me be a peaceful outlaw.
It must be a spirit very different from mine that can stay healthy and energetic without sometimes escaping from the hot sunshine of the world to dive into the refreshing solitude. At times, and not infrequently, the forest and the ocean call me—one with the crash of its waves, the other with the whisper of its branches—drawing me away from the company of people. But I must travel many miles before I can stand beneath the shade of even one ancient tree, let alone get lost among the many gnarled trunks and hidden from the earth and sky by the mystery of dense leaves. Nothing within my daily reach resembles a forest more than the acre or two of woodland near some suburban farmhouse. So when the longing for solitude becomes a necessity within me, I’m pulled to the seashore, which stretches its line of rough rocks and rarely walked sands for miles around our bay. Setting off on my last adventure on a September morning, I made a hermit’s vow to share no thoughts with anyone, to not partake in any social pleasures, but to find enjoyment that day from the shore, sea, and sky, from my soul’s connection with these, and from dreams and memories or expected realities. Surely this is enough to nourish a human spirit for a single day.—Goodbye, then, busy world! Until your evening lights shine along the street—until they reflect on my sun-kissed face as I walk home—release me from your bonds and let me be a peaceful outlaw.
Highways and cross-paths are hastily traversed, and, clambering down a crag, I find myself at the extremity of a long beach. How gladly does the spirit leap forth and suddenly enlarge its sense of being to the full extent of the broad blue, sunny deep! A greeting and a homage to the sea! I descend over its margin and dip my hand into the wave that meets me, and bathe my brow. That far-resounding roar is Ocean’s voice of welcome. His salt breath brings a blessing along with it. Now let us pace together—the reader’s fancy arm in arm with mine—this noble beach, which extends a mile or more from that craggy promontory to yonder rampart of broken rocks. In front, the sea; in the rear, a precipitous bank the grassy verge of which is breaking away year after year, and flings down its tufts of verdure upon the barrenness below. The beach itself is a broad space of sand, brown and sparkling, with hardly any pebbles intermixed. Near the water’s edge there is a wet margin which glistens brightly in the sunshine and reflects objects like a mirror, and as we tread along the glistening border a dry spot flashes around each footstep, but grows moist again as we lift our feet. In some spots the sand receives a complete impression of the sole, square toe and all; elsewhere it is of such marble firmness that we must stamp heavily to leave a print even of the iron-shod heel. Along the whole of this extensive beach gambols the surf-wave. Now it makes a feint of dashing onward in a fury, yet dies away with a meek murmur and does but kiss the strand; now, after many such abortive efforts, it rears itself up in an unbroken line, heightening as it advances, without a speck of foam on its green crest. With how fierce a roar it flings itself forward and rushes far up the beach!
Highways and paths are quickly crossed, and as I climb down a rocky ledge, I find myself at the end of a long beach. How joyfully the spirit leaps and suddenly expands its sense of existence to embrace the vastness of the bright blue, sunny ocean! A greeting and tribute to the sea! I step over the water's edge, dip my hand into the wave that meets me, and wash my forehead. That deep, echoing roar is the Ocean’s voice of welcome. Its salt air brings a blessing with it. Now let’s walk together—the reader’s imagination linked with mine—along this beautiful beach, which stretches a mile or more from that rugged cliff to that barrier of broken rocks. In front, the sea; behind, a steep bank with a grassy edge that erodes bit by bit each year, shedding its tufts of greenery onto the barren ground below. The beach itself is a wide stretch of sand, brown and sparkling, with hardly any pebbles mixed in. Near the water’s edge, there is a wet margin that shines brightly in the sunlight and reflects objects like a mirror, and as we walk along the shining edge, a dry spot appears with each step but quickly becomes wet again when we lift our feet. In some places, the sand perfectly captures the print of the sole, complete with the square toe; elsewhere, it is so hard that we have to stomp down heavily to leave even a mark from our iron-shod heel. All along this vast beach, the surf plays. Now it pretends to rush forward in a fury, yet fades away with a gentle murmur and only kisses the shore; now, after many such failed attempts, it rises up in an unbroken line, growing as it advances, without a bit of foam on its green crest. With what a fierce roar it crashes forward and surges far up the beach!
As I threw my eyes along the edge of the surf I remember that I was startled, as Robinson Crusoe might have been, by the sense that human life was within the magic circle of my solitude. Afar off in the remote distance of the beach, appearing like sea-nymphs, or some airier things such as might tread upon the feathery spray, was a group of girls. Hardly had I beheld them, when they passed into the shadow of the rocks and vanished. To comfort myself—for truly I would fain have gazed a while longer—I made acquaintance with a flock of beach-birds. These little citizens of the sea and air preceded me by about a stone’s-throw along the strand, seeking, I suppose, for food upon its margin. Yet, with a philosophy which mankind would do well to imitate, they drew a continual pleasure from their toil for a subsistence. The sea was each little bird’s great playmate. They chased it downward as it swept back, and again ran up swiftly before the impending wave, which sometimes overtook them and bore them off their feet. But they floated as lightly as one of their own feathers on the breaking crest. In their airy flutterings they seemed to rest on the evanescent spray. Their images—long-legged little figures with gray backs and snowy bosoms—were seen as distinctly as the realities in the mirror of the glistening strand. As I advanced they flew a score or two of yards, and, again alighting, recommenced their dalliance with the surf-wave; and thus they bore me company along the beach, the types of pleasant fantasies, till at its extremity they took wing over the ocean and were gone. After forming a friendship with these small surf-spirits, it is really worth a sigh to find no memorial of them save their multitudinous little tracks in the sand.
As I scanned the edge of the surf, I was reminded of how shocked I would be, just like Robinson Crusoe, by the feeling that human life existed within the magic circle of my solitude. Far off in the distance on the beach, appearing like sea nymphs or some lighter beings that might tread on the feathery spray, was a group of girls. Just as I spotted them, they disappeared into the shadows of the rocks. To console myself—truly, I wished I could have watched them a bit longer—I started to observe a flock of beach birds. These little inhabitants of the sea and sky moved ahead of me by about a stone's throw along the shore, likely searching for food at the water's edge. Yet, with a philosophy that humans would do well to adopt, they found constant joy in their struggle for survival. The sea was like a great playmate for each little bird. They chased it down as it receded and then quickly ran up the beach before the incoming wave, which sometimes caught up to them and swept them off their feet. But they floated as lightly as one of their own feathers on the breaking crest. In their lighthearted flutters, they seemed to rest on the fleeting spray. Their images—long-legged little figures with gray backs and snowy fronts—were as clear as reality in the mirror of the shimmering shore. As I moved closer, they flew a score or two of yards, then landed again to resume their playful interaction with the surf; thus, they accompanied me along the beach, embodying pleasant fantasies, until at its end they took flight over the ocean and disappeared. After sharing this moment with these small spirits of the surf, it's truly bittersweet to find no trace of them except for their countless tiny tracks in the sand.
When we have paced the length of the beach, it is pleasant and not unprofitable to retrace our steps and recall the whole mood and occupation of the mind during the former passage. Our tracks, being all discernible, will guide us with an observing consciousness through every unconscious wandering of thought and fancy. Here we followed the surf in its reflux to pick up a shell which the sea seemed loth to relinquish. Here we found a seaweed with an immense brown leaf, and trailed it behind us by its long snake-like stalk. Here we seized a live horseshoe by the tail, and counted the many claws of that queer monster. Here we dug into the sand for pebbles, and skipped them upon the surface of the water. Here we wet our feet while examining a jelly-fish which the waves, having just tossed it up, now sought to snatch away again. Here we trod along the brink of a fresh-water brooklet which flows across the beach, becoming shallower and more shallow, till at last it sinks into the sand and perishes in the effort to bear its little tribute to the main. Here some vagary appears to have bewildered us, for our tracks go round and round and are confusedly intermingled, as if we had found a labyrinth upon the level beach. And here amid our idle pastime we sat down upon almost the only stone that breaks the surface of the sand, and were lost in an unlooked-for and overpowering conception of the majesty and awfulness of the great deep. Thus by tracking our footprints in the sand we track our own nature in its wayward course, and steal a glance upon it when it never dreams of being so observed. Such glances always make us wiser.
Once we've walked the length of the beach, it's nice and even beneficial to go back and remember how we felt and what we thought during that walk. Our footprints are all visible, guiding us through the wandering thoughts and ideas we had. Here, we chased the surf to grab a shell that the sea seemed reluctant to give up. Here, we found a piece of seaweed with a huge brown leaf and dragged it along by its long, snake-like stem. Here, we caught a live horseshoe crab by the tail and counted its many claws. Here, we dug in the sand for pebbles to skip across the water's surface. Here, we soaked our feet while looking at a jellyfish that the waves had just tossed onto the shore, which they now tried to pull back. Here, we walked along the edge of a fresh-water stream that crosses the beach, getting shallower until it finally disappears into the sand, unable to deliver its small contribution to the ocean. Here, we seemed to get a bit lost, as our tracks went in circles and became mixed up, as if we had stumbled into a maze on the flat sand. And here, during our idle moments, we sat on one of the only stones breaking the surface of the sand and were taken aback by the overwhelming greatness and mystery of the vast ocean. By following our footprints in the sand, we follow our nature in its unpredictable journey and get a glimpse of it when it least expects to be noticed. Such glimpses always make us wiser.
This extensive beach affords room for another pleasant pastime. With your staff you may write verses—love-verses if they please you best—and consecrate them with a woman’s name. Here, too, may be inscribed thoughts, feelings, desires, warm outgushings from the heart’s secret places, which you would not pour upon the sand without the certainty that almost ere the sky has looked upon them the sea will wash them out. Stir not hence till the record be effaced. Now (for there is room enough on your canvas) draw huge faces—huge as that of the Sphynx on Egyptian sands—and fit them with bodies of corresponding immensity and legs which might stride halfway to yonder island. Child’s-play becomes magnificent on so grand a scale. But, after all, the most fascinating employment is simply to write your name in the sand. Draw the letters gigantic, so that two strides may barely measure them, and three for the long strokes; cut deep, that the record may be permanent. Statesmen and warriors and poets have spent their strength in no better cause than this. Is it accomplished? Return, then, in an hour or two, and seek for this mighty record of a name. The sea will have swept over it, even as time rolls its effacing waves over the names of statesmen and warriors and poets. Hark! the surf-wave laughs at you.
This vast beach has plenty of space for another enjoyable activity. With your stick, you can write poetry—love poems if that’s what you prefer—and dedicate them to a woman’s name. Here, you can also inscribe your thoughts, feelings, desires, and heartfelt expressions, knowing that almost before the sky has seen them, the sea will wash them away. Don’t leave until the record is erased. Now (since there's plenty of space on your canvas), draw enormous faces—big like the Sphinx on Egyptian sands—and give them bodies of matching size and legs that could stride halfway to that island over there. Child’s play becomes spectacular on such a grand scale. But, ultimately, the most captivating activity is just writing your name in the sand. Make the letters huge, so that two steps barely cover them, and three for the longer strokes; carve deeply so the record lasts. Statesmen, warriors, and poets have invested their energy in no better endeavor than this. Is it done? Then come back in an hour or two and look for this great record of a name. The sea will have washed over it, just like time erases the names of statesmen, warriors, and poets. Listen! The surf wave is laughing at you.
Passing from the beach, I begin to clamber over the crags, making my difficult way among the ruins of a rampart shattered and broken by the assaults of a fierce enemy. The rocks rise in every variety of attitude. Some of them have their feet in the foam and are shagged halfway upward with seaweed; some have been hollowed almost into caverns by the unwearied toil of the sea, which can afford to spend centuries in wearing away a rock, or even polishing a pebble. One huge rock ascends in monumental shape, with a face like a giant’s tombstone, on which the veins resemble inscriptions, but in an unknown tongue. We will fancy them the forgotten characters of an antediluvian race, or else that Nature’s own hand has here recorded a mystery which, could I read her language, would make mankind the wiser and the happier. How many a thing has troubled me with that same idea! Pass on and leave it unexplained. Here is a narrow avenue which might seem to have been hewn through the very heart of an enormous crag, affording passage for the rising sea to thunder back and forth, filling it with tumultuous foam and then leaving its floor of black pebbles bare and glistening. In this chasm there was once an intersecting vein of softer stone, which the waves have gnawed away piecemeal, while the granite walls remain entire on either side. How sharply and with what harsh clamor does the sea rake back the pebbles as it momentarily withdraws into its own depths! At intervals the floor of the chasm is left nearly dry, but anon, at the outlet, two or three great waves are seen struggling to get in at once; two hit the walls athwart, while one rushes straight through, and all three thunder as if with rage and triumph. They heap the chasm with a snow-drift of foam and spray. While watching this scene I can never rid myself of the idea that a monster endowed with life and fierce energy is striving to burst his way through the narrow pass. And what a contrast to look through the stormy chasm and catch a glimpse of the calm bright sea beyond!
As I move away from the beach, I start to climb over the rocky cliffs, navigating my way through the ruins of a barrier that’s been shattered and broken by the attacks of a fierce enemy. The rocks stand in all kinds of positions. Some have their bases in the foam and are covered halfway up with seaweed; others have been hollowed out almost into caves by the relentless work of the sea, which can take centuries to wear down a rock or even smooth out a pebble. One massive rock rises like a monument, with a face resembling a giant’s tombstone, where the veins look like inscriptions in an unknown language. We might imagine them to be the forgotten symbols of an ancient civilization, or perhaps Nature herself has recorded a mystery here, which if I could decipher, would make humanity wiser and happier. How often have I been troubled by that same thought! I pass on and leave it unexplained. Here is a narrow passage that seems to have been carved right through the heart of a massive rock, allowing the rising sea to crash back and forth, filling it with churning foam and then leaving its floor of black pebbles exposed and shiny. In this gorge, there used to be a softer stone band that the waves have worn away over time, while the granite walls on either side remain intact. How sharply and with what rough noise the sea drags back the pebbles as it temporarily recedes into its depths! Occasionally, the floor of the gorge is almost dry, but then, at the entrance, two or three large waves are seen fighting to come in all at once; two collide with the walls sideways, while one rushes straight through, and all three crash in as if filled with rage and triumph. They pile the gorge high with a drift of foam and spray. As I watch this scene, I can never shake the thought that a creature full of life and fierce energy is trying to break through the narrow passage. And what a contrast it is to look through the stormy gorge and catch a glimpse of the calm, bright sea beyond!
Many interesting discoveries may be made among these broken cliffs. Once, for example, I found a dead seal which a recent tempest had tossed into the nook of the rocks, where his shaggy carcase lay rolled in a heap of eel-grass as if the sea-monster sought to hide himself from my eye. Another time a shark seemed on the point of leaping from the surf to swallow me, nor did I wholly without dread approach near enough to ascertain that the man-eater had already met his own death from some fisherman in the bay. In the same ramble I encountered a bird—a large gray bird—but whether a loon or a wild goose or the identical albatross of the Ancient Mariner was beyond my ornithology to decide. It reposed so naturally on a bed of dry seaweed, with its head beside its wing, that I almost fancied it alive, and trod softly lest it should suddenly spread its wings skyward. But the sea-bird would soar among the clouds no more, nor ride upon its native waves; so I drew near and pulled out one of its mottled tail-feathers for a remembrance. Another day I discovered an immense bone wedged into a chasm of the rocks; it was at least ten feet long, curved like a scymitar, bejewelled with barnacles and small shellfish and partly covered with a growth of seaweed. Some leviathan of former ages had used this ponderous mass as a jaw-bone. Curiosities of a minuter order may be observed in a deep reservoir which is replenished with water at every tide, but becomes a lake among the crags save when the sea is at its height. At the bottom of this rocky basin grow marine plants, some of which tower high beneath the water and cast a shadow in the sunshine. Small fishes dart to and fro and hide themselves among the seaweed; there is also a solitary crab who appears to lead the life of a hermit, communing with none of the other denizens of the place, and likewise several five-fingers; for I know no other name than that which children give them. If your imagination be at all accustomed to such freaks, you may look down into the depths of this pool and fancy it the mysterious depth of ocean. But where are the hulks and scattered timbers of sunken ships? where the treasures that old Ocean hoards? where the corroded cannon? where the corpses and skeletons of seamen who went down in storm and battle?
Many fascinating discoveries can be made among these broken cliffs. For instance, I once found a dead seal that a recent storm had washed into a nook in the rocks, where its shaggy body lay tangled in a heap of eelgrass as if it were trying to hide from me. Another time, a shark seemed ready to leap from the surf to swallow me, and I cautiously approached, feeling a bit of dread, only to find that this man-eater had already met its demise at the hands of a fisherman in the bay. During the same outing, I spotted a large gray bird, but whether it was a loon, a wild goose, or the same albatross from the Ancient Mariner was beyond my knowledge of birds. It rested so naturally on a bed of dry seaweed, with its head tucked beside its wing, that I nearly believed it was alive, and I stepped softly to avoid startling it into flight. But the sea-bird would no longer soar among the clouds or ride the waves, so I got closer and plucked one of its mottled tail feathers as a keepsake. On another day, I found a massive bone wedged into a crevice in the rocks; it was at least ten feet long, curved like a scimitar, covered in barnacles and small shellfish, and partly hidden under a layer of seaweed. Some giant creature from the past had used this heavy mass as a jawbone. You can also observe smaller curiosities in a deep pool that fills with water at every tide but becomes a lake among the cliffs when the sea is calm. At the bottom of this rocky basin, marine plants grow, some of which reach high beneath the water and cast shadows in the sunlight. Small fish dart around and hide among the seaweed; there's also a solitary crab that seems to live as a hermit, interacting with none of the other residents, as well as several five-fingers, which is the only name I know for them from how children refer to them. If your imagination is at all attuned to such oddities, you might look down into the depths of this pool and envision it as the mysterious expanse of the ocean. But where are the hulks and scattered timbers of sunken ships? Where are the treasures that old Ocean keeps hidden? Where are the corroded cannons? Where are the bodies and skeletons of sailors who went down in storms and battles?
On the day of my last ramble—it was a September day, yet as warm as summer—what should I behold as I approached the above-described basin but three girls sitting on its margin and—yes, it is veritably so—laving their snowy feet in the sunny water? These, these are the warm realities of those three visionary shapes that flitted from me on the beach. Hark their merry voices as they toss up the water with their feet! They have not seen me. I must shrink behind this rock and steal away again.
On the day of my last walk—it was a September day, but just as warm as summer—what did I see as I approached the basin I mentioned earlier but three girls sitting by the edge, and yes, it’s true, dipping their white feet in the sunny water? These are the warm realities of those three imaginary figures that disappeared from me on the beach. Listen to their happy voices as they splash the water with their feet! They haven’t spotted me. I must hide behind this rock and slip away again.
In honest truth, vowed to solitude as I am, there is something in this encounter that makes the heart flutter with a strangely pleasant sensation. I know these girls to be realities of flesh and blood, yet, glancing at them so briefly, they mingle like kindred creatures with the ideal beings of my mind. It is pleasant, likewise, to gaze down from some high crag and watch a group of children gathering pebbles and pearly shells and playing with the surf as with old Ocean’s hoary beard. Nor does it infringe upon my seclusion to see yonder boat at anchor off the shore swinging dreamily to and fro and rising and sinking with the alternate swell, while the crew—four gentlemen in roundabout jackets—are busy with their fishing-lines. But with an inward antipathy and a headlong flight do I eschew the presence of any meditative stroller like myself, known by his pilgrim-staff, his sauntering step, his shy demeanor, his observant yet abstracted eye.
Honestly, even though I’ve committed to being alone, there’s something about this encounter that makes my heart race with a strangely nice feeling. I know these girls are real, but when I glance at them briefly, they seem to blend with the ideal figures in my mind. It’s also nice to look down from a high cliff and watch a group of kids gathering pebbles and shiny shells, playing with the waves like they’re playing with the old Ocean's gray beard. It doesn’t break my solitude to see that boat anchored off the shore, gently rocking up and down with the waves while the crew—four guys in casual jackets—are busy with their fishing lines. But I have a strong dislike for and instinctively avoid the presence of any other reflective walker like me, easily recognized by his walking stick, leisurely pace, timid demeanor, and observant yet distant gaze.
From such a man as if another self had scared me I scramble hastily over the rocks, and take refuge in a nook which many a secret hour has given me a right to call my own. I would do battle for it even with the churl that should produce the title-deeds. Have not my musings melted into its rocky walls and sandy floor and made them a portion of myself? It is a recess in the line of cliffs, walled round by a rough, high precipice which almost encircles and shuts in a little space of sand. In front the sea appears as between the pillars of a portal; in the rear the precipice is broken and intermixed with earth which gives nourishment not only to clinging and twining shrubs, but to trees that grip the rock with their naked roots and seem to struggle hard for footing and for soil enough to live upon. These are fir trees, but oaks hang their heavy branches from above, and throw down acorns on the beach, and shed their withering foliage upon the waves. At this autumnal season the precipice is decked with variegated splendor. Trailing wreaths of scarlet flaunt from the summit downward; tufts of yellow-flowering shrubs and rose-bushes, with their reddened leaves and glossy seed-berries, sprout from each crevice; at every glance I detect some new light or shade of beauty, all contrasting with the stern gray rock. A rill of water trickles down the cliff and fills a little cistern near the base. I drain it at a draught, and find it fresh and pure. This recess shall be my dining-hall. And what the feast? A few biscuits made savory by soaking them in sea-water, a tuft of samphire gathered from the beach, and an apple for the dessert. By this time the little rill has filled its reservoir again, and as I quaff it I thank God more heartily than for a civic banquet that he gives me the healthful appetite to make a feast of bread and water.
From a man who felt like a frightening reflection of myself, I hurriedly climbed over the rocks and sought refuge in a nook that many secret hours have made my own. I would defend it even against the rude person who might present the title deeds. Haven't my thoughts melted into its rocky walls and sandy floor, becoming part of me? It's a recess in the line of cliffs, surrounded by a rough, tall precipice that almost encloses a small sandy area. In front, the sea looks like it's framed by the pillars of a doorway; behind, the cliff is broken up with earth that nourishes not just the twisting shrubs, but also the trees that cling to the rock with their bare roots, fighting hard for a solid grip and enough soil to survive. These are fir trees, but oaks drop their heavy branches from above, littering the beach with acorns and shedding their withering leaves onto the waves. During this autumn season, the cliff is adorned with colorful splendor. Trailing vines of scarlet hang from the top; clumps of yellow-flowering shrubs and rose bushes, with their reddening leaves and shiny seed berries, spring from every crevice; with each glance, I notice some new light or shade of beauty, all contrasting with the stark gray rock. A trickle of water flows down the cliff and fills a small cistern at the base. I drink it down in one go and find it fresh and pure. This nook will be my dining hall. And what’s on the menu? A few biscuits made tasty by soaking them in sea water, a tuft of samphire gathered from the beach, and an apple for dessert. By this time, the little stream has refilled its reservoir, and as I drink it, I thank God more sincerely than I would for a fancy banquet, for giving me the healthy appetite to make a feast out of bread and water.
Dinner being over, I throw myself at length upon the sand and, basking in the sunshine, let my mind disport itself at will. The walls of this my hermitage have no tongue to tell my follies, though I sometimes fancy that they have ears to hear them and a soul to sympathize. There is a magic in this spot. Dreams haunt its precincts and flit around me in broad sunlight, nor require that sleep shall blindfold me to real objects ere these be visible. Here can I frame a story of two lovers, and make their shadows live before me and be mirrored in the tranquil water as they tread along the sand, leaving no footprints. Here, should I will it, I can summon up a single shade and be myself her lover.—Yes, dreamer, but your lonely heart will be the colder for such fancies.—Sometimes, too, the Past comes back, and finds me here, and in her train come faces which were gladsome when I knew them, yet seem not gladsome now. Would that my hiding-place were lonelier, so that the Past might not find me!—Get ye all gone, old friends, and let me listen to the murmur of the sea—a melancholy voice, but less sad than yours. Of what mysteries is it telling? Of sunken ships and whereabouts they lie? Of islands afar and undiscovered whose tawny children are unconscious of other islands and of continents, and deem the stars of heaven their nearest neighbors? Nothing of all this. What, then? Has it talked for so many ages and meant nothing all the while? No; for those ages find utterance in the sea’s unchanging voice, and warn the listener to withdraw his interest from mortal vicissitudes and let the infinite idea of eternity pervade his soul. This is wisdom, and therefore will I spend the next half-hour in shaping little boats of driftwood and launching them on voyages across the cove, with the feather of a sea-gull for a sail. If the voice of ages tell me true, this is as wise an occupation as to build ships of five hundred tons and launch them forth upon the main, bound to “Far Cathay.” Yet how would the merchant sneer at me!
Dinner over, I lie back on the sand and, soaking up the sun, let my thoughts wander freely. The walls of this little hideaway can't share my secrets, though sometimes I imagine they have ears to listen and a spirit to understand. There's something enchanting about this place. Dreams linger here and dance around me in bright sunlight, not needing sleep to reveal them. I can create a story of two lovers, and their shadows come alive before me, mirrored in the calm water as they walk along the sand, leaving no footprints. Here, if I wish, I can summon a lone spirit and be her lover. Yes, dreamer, but your lonely heart will feel colder with such fantasies. Sometimes, the Past comes back and catches up with me here, bringing faces that were once joyful but now seem anything but. I wish my hideaway were even lonelier, so the Past wouldn’t find me! Go away, old friends, and let me listen to the soft sound of the sea—a sad voice, but less sorrowful than yours. What mysteries is it sharing? Of sunken ships and where they lie? Of distant, undiscovered islands where the native people are unaware of other lands and think the stars are their closest neighbors? None of that at all. Then what? Has it spoken for so long without meaning anything? No; those ages express themselves in the sea’s steady voice, urging the listener to turn away from worldly troubles and embrace the timeless idea of eternity. This is wisdom, and so I will spend the next half-hour making little boats out of driftwood and sending them on journeys across the cove, using a gull’s feather for a sail. If the voice of ages speaks the truth, this is just as wise a pastime as building 500-ton ships to set sail for "Far Cathay." Yet how the merchant would mock me!
And, after all, can such philosophy be true? Methinks I could find a thousand arguments against it. Well, then, let yonder shaggy rock mid-deep in the surf—see! he is somewhat wrathful: he rages and roars and foams,—let that tall rock be my antagonist, and let me exercise my oratory like him of Athens who bandied words with an angry sea and got the victory. My maiden-speech is a triumphant one, for the gentleman in seaweed has nothing to offer in reply save an immitigable roaring. His voice, indeed, will be heard a long while after mine is hushed. Once more I shout and the cliffs reverberate the sound. Oh what joy for a shy man to feel himself so solitary that he may lift his voice to its highest pitch without hazard of a listener!—But hush! Be silent, my good friend! Whence comes that stifled laughter? It was musical, but how should there be such music in my solitude? Looking upward, I catch a glimpse of three faces peeping from the summit of the cliff like angels between me and their native sky.—Ah, fair girls! you may make yourself merry at my eloquence, but it was my turn to smile when I saw your white feet in the pool. Let us keep each other’s secrets.
And really, can this philosophy be true? I think I could come up with a thousand arguments against it. Well, let that shaggy rock out there in the surf—look! It’s a bit angry: it’s raging and roaring and foaming—let that tall rock be my opponent, and let me speak like that guy from Athens who got into a word battle with an angry sea and won. My first speech is a big success, because the seaweed guy has nothing to say back except for his relentless roaring. His voice will definitely be heard long after mine stops. Once more I shout, and the cliffs echo my sound. Oh, what a joy for a shy person to feel so alone that he can raise his voice as high as he wants without worrying about an audience!—But wait! Be quiet, my good friend! Where does that muffled laughter come from? It was beautiful, but how can there be such music in my solitude? Looking up, I catch a glimpse of three faces peeking from the top of the cliff like angels between me and their sky.—Ah, lovely girls! You can laugh at my words, but it was my turn to smile when I saw your bare feet in the water. Let’s keep each other’s secrets.
The sunshine has now passed from my hermitage, except a gleam upon the sand just where it meets the sea. A crowd of gloomy fantasies will come and haunt me if I tarry longer here in the darkening twilight of these gray rocks. This is a dismal place in some moods of the mind. Climb we, therefore, the precipice, and pause a moment on the brink gazing down into that hollow chamber by the deep where we have been what few can be—sufficient to our own pastime. Yes, say the word outright: self-sufficient to our own happiness. How lonesome looks the recess now, and dreary too, like all other spots where happiness has been! There lies my shadow in the departing sunshine with its head upon the sea. I will pelt it with pebbles. A hit! a hit! I clap my hands in triumph, and see my shadow clapping its unreal hands and claiming the triumph for itself. What a simpleton must I have been all day, since my own shadow makes a mock of my fooleries!
The sunlight has now moved on from my little retreat, except for a glimmer on the sand where it meets the sea. If I stay here too long in the fading twilight of these gray rocks, a crowd of gloomy thoughts will come and haunt me. This place can feel pretty miserable depending on my mood. So, let’s climb the cliff and pause for a moment at the edge, looking down into that hollow where we’ve experienced what few can—enough for our own enjoyment. Yes, let’s be clear: enough for our own happiness. How lonely and dreary that spot looks now, just like all the places where happiness used to be! There lies my shadow in the setting sunlight with its head resting on the sea. I’ll throw pebbles at it. Got it! I clap my hands in triumph and see my shadow clapping its unreal hands back, taking the victory for itself. What a fool I must have been all day, letting my own shadow mock my silly actions!
Homeward! homeward! It is time to hasten home. It is time—it is time; for as the sun sinks over the western wave the sea grows melancholy and the surf has a saddened tone. The distant sails appear astray and not of earth in their remoteness amid the desolate waste. My spirit wanders forth afar, but finds no resting-place and comes shivering back. It is time that I were hence. But grudge me not the day that has been spent in seclusion which yet was not solitude, since the great sea has been my companion, and the little sea-birds my friends, and the wind has told me his secrets, and airy shapes have flitted around me in my hermitage. Such companionship works an effect upon a man’s character as if he had been admitted to the society of creatures that are not mortal. And when, at noontide, I tread the crowded streets, the influence of this day will still be felt; so that I shall walk among men kindly and as a brother, with affection and sympathy, but yet shall not melt into the indistinguishable mass of humankind. I shall think my own thoughts and feel my own emotions and possess my individuality unviolated.
Homeward! Homeward! It’s time to hurry back home. It’s time—it’s time; as the sun sets over the western waves, the sea becomes gloomy, and the waves carry a sad sound. The distant sails seem lost, not of this earth in their isolation within the desolate expanse. My spirit reaches out far but finds no resting place, then returns shivering. It’s time for me to leave. But don’t resent the day I spent in seclusion, which wasn’t really solitude since the vast sea was my companion, the little seabirds my friends, and the wind shared its secrets with me, while airy figures danced around me in my retreat. Such companionship shapes a person's character as if they’ve been among beings that aren’t mortal. And when, at noon, I walk through the busy streets, the impact of this day will linger; I’ll move among people with kindness and brotherhood, with love and empathy, yet I won’t blend into the indistinguishable crowd. I’ll think my own thoughts, feel my own emotions, and maintain my individuality intact.
But it is good at the eve of such a day to feel and know that there are men and women in the world. That feeling and that knowledge are mine at this moment, for on the shore, far below me, the fishing-party have landed from their skiff and are cooking their scaly prey by a fire of driftwood kindled in the angle of two rude rocks. The three visionary girls are likewise there. In the deepening twilight, while the surf is dashing near their hearth, the ruddy gleam of the fire throws a strange air of comfort over the wild cove, bestrewn as it is with pebbles and seaweed and exposed to the “melancholy main.” Moreover, as the smoke climbs up the precipice, it brings with it a savory smell from a pan of fried fish and a black kettle of chowder, and reminds me that my dinner was nothing but bread and water and a tuft of samphire and an apple. Methinks the party might find room for another guest at that flat rock which serves them for a table; and if spoons be scarce, I could pick up a clam-shell on the beach. They see me now; and—the blessing of a hungry man upon him!—one of them sends up a hospitable shout: “Halloo, Sir Solitary! Come down and sup with us!” The ladies wave their handkerchiefs. Can I decline? No; and be it owned, after all my solitary joys, that this is the sweetest moment of a day by the seashore.
But it's nice at the end of a day like this to feel and know that there are men and women in the world. That feeling and knowledge are mine right now, because down on the shore, far below me, the fishing group has landed from their small boat and are cooking their catch over a fire made from driftwood, lit between two rough rocks. The three dreamlike girls are there too. In the deepening twilight, as the waves crash nearby, the warm glow of the fire gives a cozy vibe to the wild cove, scattered with pebbles and seaweed and facing the “melancholy sea.” Plus, as the smoke rises up the cliff, it carries a tasty aroma from a pan of fried fish and a black pot of chowder, reminding me that my dinner was just bread and water, a bit of samphire, and an apple. I think the group could squeeze in another guest at that flat rock they’re using as a table; and if they’re short on spoons, I could grab a clam shell from the beach. They see me now; and—bless the hungry man!—one of them calls out warmly: “Hey, Sir Solitary! Come down and join us for dinner!” The ladies wave their handkerchiefs. Can I say no? No; and I must admit, after all my solitary pleasures, this is the best moment of a day by the seaside.
EDWARD FANE’S ROSEBUD
There is hardly a more difficult exercise of fancy than, while gazing at a figure of melancholy age, to recreate its youth, and without entirely obliterating the identity of form and features to restore those graces which Time has snatched away. Some old people—especially women—so age-worn and woeful are they, seem never to have been young and gay. It is easier to conceive that such gloomy phantoms were sent into the world as withered and decrepit as we behold them now, with sympathies only for pain and grief, to watch at death-beds and weep at funerals. Even the sable garments of their widowhood appear essential to their existence; all their attributes combine to render them darksome shadows creeping strangely amid the sunshine of human life. Yet it is no unprofitable task to take one of these doleful creatures and set Fancy resolutely at work to brighten the dim eye, and darken the silvery locks, and paint the ashen cheek with rose-color, and repair the shrunken and crazy form, till a dewy maiden shall be seen in the old matron’s elbow-chair. The miracle being wrought, then let the years roll back again, each sadder than the last, and the whole weight of age and sorrow settle down upon the youthful figure. Wrinkles and furrows, the handwriting of Time, may thus be deciphered and found to contain deep lessons of thought and feeling.
It's nearly impossible to imagine the youth of a figure marked by sadness and age, trying to bring back the beauty that Time has taken, without completely erasing their identity. Some elderly people—especially women—look so worn and sorrowful that they seem to never have been young and joyful. It’s easier to think that these gloomy figures were brought into the world already old and frail, with feelings only for pain and sorrow, sitting by deathbeds and crying at funerals. Even the dark clothes of their mourning seem essential to who they are; all their characteristics combine to make them dreary shadows moving oddly in the sunlight of life. Yet, it’s a worthwhile challenge to take one of these sorrowful beings and let imagination work to brighten their dull eyes, darken the grey hair, flush the pale cheeks with color, and restore the frail and fragile figure, until a fresh young woman can be seen in the old lady's armchair. Once this transformation is done, let the years roll back, each one sadder than the previous, until all the weight of age and grief settles onto the youthful form. The wrinkles and lines, the marks of Time, can then be understood to hold deep lessons of thought and emotion.
Such profit might be derived by a skilful observer from my much-respected friend the Widow Toothaker, a nurse of great repute who has breathed the atmosphere of sick-chambers and dying-breaths these forty years. See! she sits cowering over her lonesome hearth with her gown and upper petticoat drawn upward, gathering thriftily into her person the whole warmth of the fire which now at nightfall begins to dissipate the autumnal chill of her chamber. The blaze quivers capriciously in front, alternately glimmering into the deepest chasms of her wrinkled visage, and then permitting a ghostly dimness to mar the outlines of her venerable figure. And Nurse Toothaker holds a teaspoon in her right hand with which to stir up the contents of a tumbler in her left, whence steams a vapory fragrance abhorred of temperance societies. Now she sips, now stirs, now sips again. Her sad old heart has need to be revived by the rich infusion of Geneva which is mixed half and half with hot water in the tumbler. All day long she has been sitting by a death-pillow, and quitted it for her home only when the spirit of her patient left the clay and went homeward too. But now are her melancholy meditations cheered and her torpid blood warmed and her shoulders lightened of at least twenty ponderous years by a draught from the true fountain of youth in a case-bottle. It is strange that men should deem that fount a fable, when its liquor fills more bottles than the Congress-water.—Sip it again, good nurse, and see whether a second draught will not take off another score of years, and perhaps ten more, and show us in your high-backed chair the blooming damsel who plighted troths with Edward Fane.—Get you gone, Age and Widowhood!—Come back, unwedded Youth!—But, alas! the charm will not work. In spite of Fancy’s most potent spell, I can see only an old dame cowering over the fire, a picture of decay and desolation, while the November blast roars at her in the chimney and fitful showers rush suddenly against the window.
Such a profit could be gained by a keen observer from my well-respected friend, Widow Toothaker, a nurse of great reputation who has spent the last forty years surrounded by sickrooms and death. Look! She sits huddled over her lonely fireplace, her gown and upper petticoat pulled up, trying to soak up all the warmth from the fire that now, as night falls, starts to chase away the autumn chill in her room. The flames flicker unpredictably, sometimes shining brightly on the deep wrinkles of her face, then fading into a ghostly dimness that obscures her aged figure. Nurse Toothaker holds a teaspoon in her right hand, stirring a tumbler in her left, from which a steamy, fragrant aroma rises—something temperance societies would frown upon. Now she sips, now she stirs, and then sips again. Her weary old heart needs reviving from the rich mix of Geneva and hot water in the tumbler. All day long, she has been by a dying person's side, only leaving when their spirit departed and headed home. But now her gloomy thoughts are brightened, her sluggish blood warmed, and her shoulders feel at least twenty years lighter thanks to a drink from the true fountain of youth in a small bottle. It’s strange that people think this fountain is just a myth when its liquid fills more bottles than Congress water. Sip again, dear nurse, and see if a second drink will shed another twenty years, maybe even ten more, revealing the young woman who once promised her love to Edward Fane. Go away, Age and Widowhood! Come back, youthful, unmarried life! But, unfortunately, the spell won’t work. Despite the strongest powers of imagination, I can only see an old woman huddled over the fire, a picture of decay and despair, while the November wind howls down the chimney and sudden downpours hit the window.
Yet there was a time when Rose Grafton—such was the pretty maiden-name of Nurse Toothaker—possessed beauty that would have gladdened this dim and dismal chamber as with sunshine. It won for her the heart of Edward Fane, who has since made so great a figure in the world and is now a grand old gentleman with powdered hair and as gouty as a lord. These early lovers thought to have walked hand in hand through life. They had wept together for Edward’s little sister Mary, whom Rose tended in her sickness—partly because she was the sweetest child that ever lived or died, but more for love of him. She was but three years old. Being such an infant, Death could not embody his terrors in her little corpse; nor did Rose fear to touch the dead child’s brow, though chill, as she curled the silken hair around it, nor to take her tiny hand and clasp a flower within its fingers. Afterward, when she looked through the pane of glass in the coffin-lid and beheld Mary’s face, it seemed not so much like death or life as like a wax-work wrought into the perfect image of a child asleep and dreaming of its mother’s smile. Rose thought her too fair a thing to be hidden in the grave, and wondered that an angel did not snatch up little Mary’s coffin and bear the slumbering babe to heaven and bid her wake immortal. But when the sods were laid on little Mary, the heart of Rose was troubled. She shuddered at the fantasy that in grasping the child’s cold fingers her virgin hand had exchanged a first greeting with mortality and could never lose the earthy taint. How many a greeting since! But as yet she was a fair young girl with the dewdrops of fresh feeling in her bosom, and, instead of “Rose”—which seemed too mature a name for her half-opened beauty—her lover called her “Rosebud.”
Yet there was a time when Rose Grafton—such was the lovely maiden name of Nurse Toothaker—had a beauty that would light up this dim and dreary room like sunshine. It won her the heart of Edward Fane, who has since become a prominent figure in the world and is now a distinguished gentleman with powdered hair and as gouty as a lord. These early lovers planned to walk hand in hand through life. They had cried together for Edward’s little sister Mary, whom Rose cared for during her illness—partly because she was the sweetest child that ever lived or died, but more out of love for him. She was only three years old. Being so young, Death couldn't instill fear in her little body; nor did Rose hesitate to touch the dead child’s forehead, though cold, as she curled the silky hair around it, or to take her tiny hand and place a flower in its fingers. Later, when she looked through the glass on the coffin lid and saw Mary’s face, it seemed less like death or life and more like a wax figure crafted into the perfect likeness of a child asleep and dreaming of her mother’s smile. Rose thought she was too beautiful to be buried in the grave, and wondered why an angel didn’t take little Mary’s coffin and carry the sleeping child to heaven, bidding her to awake immortal. But when the earth was put on little Mary, Rose's heart was troubled. She shuddered at the idea that by holding the child’s cold fingers, her innocent hand had made a first connection with mortality and could never rid itself of that earthly stain. How many greetings since! But for now, she was a beautiful young girl full of fresh feelings, and instead of “Rose”—which felt too grown-up for her budding beauty—her lover called her “Rosebud.”
The rosebud was destined never to bloom for Edward Fane. His mother was a rich and haughty dame with all the aristocratic prejudices of colonial times. She scorned Rose Grafton’s humble parentage and caused her son to break his faith, though, had she let him choose, he would have prized his Rosebud above the richest diamond. The lovers parted, and have seldom met again. Both may have visited the same mansions, but not at the same time, for one was bidden to the festal hall and the other to the sick-chamber; he was the guest of Pleasure and Prosperity, and she of Anguish. Rose, after their separation, was long secluded within the dwelling of Mr. Toothaker, whom she married with the revengeful hope of breaking her false lover’s heart. She went to her bridegroom’s arms with bitterer tears, they say, than young girls ought to shed at the threshold of the bridal-chamber. Yet, though her husband’s head was getting gray and his heart had been chilled with an autumnal frost, Rose soon began to love him, and wondered at her own conjugal affection. He was all she had to love; there were no children.
The rosebud was never meant to bloom for Edward Fane. His mother was a wealthy and arrogant woman with all the upper-class biases of colonial times. She looked down on Rose Grafton’s humble background and made her son break his promise, even though, if given the choice, he would have cherished his Rosebud more than the finest diamond. The lovers parted and rarely met again. They may have been in the same places, but never at the same time; one was invited to the party and the other to the bedside of the sick; he enjoyed the company of Pleasure and Prosperity, while she was with Anguish. After they separated, Rose spent a long time in the home of Mr. Toothaker, whom she married with the spiteful hope of breaking her false lover’s heart. It’s said she entered her new husband’s arms with more tears than a young girl should shed at the threshold of the wedding chamber. Yet, even though her husband’s hair was turning gray and his heart was frostbitten with age, Rose eventually began to love him and was amazed by her own marital affection. He was all she had to love; there were no children.
In a year or two poor Mr. Toothaker was visited with a wearisome infirmity which settled in his joints and made him weaker than a child. He crept forth about his business, and came home at dinner-time and eventide, not with the manly tread that gladdens a wife’s heart, but slowly, feebly, jotting down each dull footstep with a melancholy dub of his staff. We must pardon his pretty wife if she sometimes blushed to own him. Her visitors, when they heard him coming, looked for the appearance of some old, old man, but he dragged his nerveless limbs into the parlor—and there was Mr. Toothaker! The disease increasing, he never went into the sunshine save with a staff in his right hand and his left on his wife’s shoulder, bearing heavily downward like a dead man’s hand. Thus, a slender woman still looking maiden-like, she supported his tall, broad-chested frame along the pathway of their little garden, and plucked the roses for her gray-haired husband, and spoke soothingly as to an infant. His mind was palsied with his body; its utmost energy was peevishness. In a few months more she helped him up the staircase with a pause at every step, and a longer one upon the landing-place, and a heavy glance behind as he crossed the threshold of his chamber. He knew, poor man! that the precincts of those four walls would thenceforth be his world—his world, his home, his tomb, at once a dwelling-and a burial-place—till he were borne to a darker and a narrower one. But Rose was with him in the tomb. He leaned upon her in his daily passage from the bed to the chair by the fireside, and back again from the weary chair to the joyless bed—his bed and hers, their marriage-bed—till even this short journey ceased and his head lay all day upon the pillow and hers all night beside it. How long poor Mr. Toothaker was kept in misery! Death seemed to draw near the door, and often to lift the latch, and sometimes to thrust his ugly skull into the chamber, nodding to Rose and pointing at her husband, but still delayed to enter. “This bedridden wretch cannot escape me,” quoth Death. “I will go forth and run a race with the swift and fight a battle with the strong, and come back for Toothaker at my leisure.” Oh, when the deliverer came so near, in the dull anguish of her worn-out sympathies did she never long to cry, “Death, come in”?
In a year or two, poor Mr. Toothaker was struck by a tiring illness that settled in his joints, leaving him weaker than a child. He would shuffle about his business and return home at lunchtime and in the evening, not with the strong stride that lifts a wife's spirits, but slowly and feebly, marking each dull step with a sad tap of his cane. We can forgive his lovely wife if she sometimes felt embarrassed to be with him. Her guests, when they heard him approaching, expected to see an ancient man, but instead, he dragged his frail body into the living room—and there was Mr. Toothaker! As his illness worsened, he never stepped into the sunlight except with a cane in his right hand and his left resting heavily on his wife’s shoulder, like a dead weight. Despite being slender and still looking youthful, she helped support his tall, broad-shouldered frame along the path of their little garden, picking roses for her gray-haired husband and speaking to him gently like he was a child. His mind was as weak as his body; his greatest energy was spent being irritable. A few months later, she assisted him up the stairs, taking breaks at each step and pausing longer on the landing, casting a heavy glance back as he crossed into his room. He knew, poor man, that the confines of those four walls would be his world from then on—his world, his home, his tomb, all at once a living space and a place of rest—until he was taken to a darker, narrower one. But Rose was with him in that tomb. He leaned on her as he moved daily from the bed to the chair by the fire and back again from the weary chair to the joyless bed—his bed and hers, their marriage bed—until even this short journey came to an end and he lay all day on the pillow while she lay beside it at night. How long poor Mr. Toothaker suffered! Death seemed to hover at the door, often lifting the latch, and sometimes even poking its grim skull into the room, nodding at Rose and pointing at her husband, yet still hesitated to enter. “This bedridden wretch can’t escape me,” Death said. “I’ll go out and race the swift and battle the strong, and come back for Toothaker at my convenience.” Oh, as the deliverer drew so close, did she never long to shout, “Death, come in,” amid the dull pain of her exhausted compassion?
But no; we have no right to ascribe such a wish to our friend Rose. She never failed in a wife’s duty to her poor sick husband. She murmured not though a glimpse of the sunny sky was as strange to her as him, nor answered peevishly though his complaining accents roused her from sweetest dream only to share his wretchedness. He knew her faith, yet nourished a cankered jealousy; and when the slow disease had chilled all his heart save one lukewarm spot which Death’s frozen fingers were searching for, his last words were, “What would my Rose have done for her first love, if she has been so true and kind to a sick old man like me?” And then his poor soul crept away and left the body lifeless, though hardly more so than for years before, and Rose a widow, though in truth it was the wedding-night that widowed her. She felt glad, it must be owned, when Mr. Toothaker was buried, because his corpse had retained such a likeness to the man half alive that she hearkened for the sad murmur of his voice bidding her shift his pillow. But all through the next winter, though the grave had held him many a month, she fancied him calling from that cold bed, “Rose, Rose! Come put a blanket on my feet!”
But no; we can’t assume that our friend Rose had such a wish. She never failed in her duties as a wife to her sick husband. She didn’t complain, even though a glimpse of the sunny sky was as foreign to her as he was, nor did she respond irritatingly, even when his complaining woke her from the sweetest dreams just to share in his misery. He knew her loyalty, yet he still harbored a twisted jealousy; and when the slow disease had frozen all his heart except for one lukewarm spot that Death’s cold fingers were searching for, his last words were, “What would my Rose have done for her first love, if she has been so true and kind to a sick old man like me?” And then his poor soul slipped away, leaving behind a lifeless body, though hardly more so than it had been for years, and Rose a widow, though truthfully it was their wedding night that had made her one. She felt a sense of relief, it must be said, when Mr. Toothaker was buried, because his corpse looked so much like the man who was half alive that she listened for the sad murmur of his voice telling her to adjust his pillow. But all through the next winter, even though the grave had held him for many months, she imagined him calling from that cold bed, “Rose, Rose! Come put a blanket on my feet!”
So now the Rosebud was the widow Toothaker. Her troubles had come early, and, tedious as they seemed, had passed before all her bloom was fled. She was still fair enough to captivate a bachelor, or with a widow’s cheerful gravity she might have won a widower, stealing into his heart in the very guise of his dead wife. But the widow Toothaker had no such projects. By her watchings and continual cares her heart had become knit to her first husband with a constancy which changed its very nature and made her love him for his infirmities, and infirmity for his sake. When the palsied old man was gone, even her early lover could not have supplied his place. She had dwelt in a sick-chamber and been the companion of a half-dead wretch till she could scarcely breathe in a free air and felt ill at ease with the healthy and the happy. She missed the fragrance of the doctor’s stuff. She walked the chamber with a noiseless footfall. If visitors came in, she spoke in soft and soothing accents, and was startled and shocked by their loud voices. Often in the lonesome evening she looked timorously from the fireside to the bed, with almost a hope of recognizing a ghastly face upon the pillow. Then went her thoughts sadly to her husband’s grave. If one impatient throb had wronged him in his lifetime, if she had secretly repined because her buoyant youth was imprisoned with his torpid age, if ever while slumbering beside him a treacherous dream had admitted another into her heart,—yet the sick man had been preparing a revenge which the dead now claimed. On his painful pillow he had cast a spell around her; his groans and misery had proved more captivating charms than gayety and youthful grace; in his semblance Disease itself had won the Rosebud for a bride, nor could his death dissolve the nuptials. By that indissoluble bond she had gained a home in every sick-chamber, and nowhere else; there were her brethren and sisters; thither her husband summoned her with that voice which had seemed to issue from the grave of Toothaker. At length she recognized her destiny.
So now the Rosebud was the widow Toothaker. Her troubles had started early, and, although they felt long and tedious, they had passed before all her beauty was gone. She was still attractive enough to catch the eye of a bachelor, or with a widow's cheerful seriousness, she might have won a widower, sneaking into his heart in the very way of his deceased wife. But the widow Toothaker had no such plans. Through her constant watchfulness and care, her heart had become strongly connected to her first husband in a way that changed her feelings and made her love him for his weaknesses, and his weaknesses for her sake. When the feeble old man passed away, even her first love couldn't take his place. She had spent time in a sickroom and had been the companion of a half-dead man until she could barely breathe the fresh air and felt uncomfortable around the healthy and happy. She missed the smell of the doctor's medicines. She walked through the room quietly. If visitors came in, she spoke softly and soothingly and was startled by their loud voices. Often, in the lonely evening, she looked carefully from the fire to the bed, almost hoping to see a ghostly face on the pillow. Then her thoughts sadly drifted to her husband's grave. If one impatient thought had wronged him during his life, if she had begrudged him secretly because her youthful spirit was trapped in his sluggish age, if ever while sleeping next to him a deceptive dream had let someone else into her heart—still, the sick man had been planning a revenge that the dead now claimed. On his painful pillow he had cast a spell over her; his groans and suffering had been more captivating than joy and youthful charm; in his likeness, Disease itself had won the Rosebud as a bride, and his death couldn't break that bond. Through that unbreakable tie, she had found a home in every sickroom, and nowhere else; there were her brothers and sisters; there her husband called her with that voice that seemed to come from the grave of Toothaker. Eventually, she understood her fate.
We have beheld her as the maid, the wife, the widow; now we see her in a separate and insulated character: she was in all her attributes Nurse Toothaker. And Nurse Toothaker alone, with her own shrivelled lips, could make known her experience in that capacity. What a history might she record of the great sicknesses in which she has gone hand in hand with the exterminating angel! She remembers when the small-pox hoisted a red banner on almost every house along the street. She has witnessed when the typhus fever swept off a whole household, young and old, all but a lonely mother, who vainly shrieked to follow her last loved one. Where would be Death’s triumph if none lived to weep? She can speak of strange maladies that have broken out as if spontaneously, but were found to have been imported from foreign lands with rich silks and other merchandise, the costliest portion of the cargo. And once, she recollects, the people died of what was considered a new pestilence, till the doctors traced it to the ancient grave of a young girl who thus caused many deaths a hundred years after her own burial. Strange that such black mischief should lurk in a maiden’s grave! She loves to tell how strong men fight with fiery fevers, utterly refusing to give up their breath, and how consumptive virgins fade out of the world, scarcely reluctant, as if their lovers were wooing them to a far country.—Tell us, thou fearful woman; tell us the death-secrets. Fain would I search out the meaning of words faintly gasped with intermingled sobs and broken sentences half-audibly spoken between earth and the judgment-seat.
We’ve seen her as the maid, the wife, the widow; now we see her in a different, isolated role: she is completely Nurse Toothaker. And only Nurse Toothaker, with her shriveled lips, can share her experiences in that role. What a story she could tell about the terrible sicknesses she has faced alongside the angel of death! She remembers when smallpox raised a red flag on almost every house on the street. She has seen whole families wiped out by typhus fever, leaving behind only a lonely mother who helplessly cried out to follow her last loved one. Where would be Death’s victory if there were no one left to mourn? She can talk about strange diseases that appeared as if out of nowhere but were actually brought in from foreign lands with expensive silks and other goods, the most costly part of the shipment. And once, she recalls, people died from what was thought to be a new plague until the doctors traced it back to the old grave of a young girl, leading to many deaths a hundred years after her burial. It’s strange that such dark misfortune could rest in a maiden’s grave! She loves to describe how strong men battle with raging fevers, refusing to give up their lives, and how fragile young women fade away, hardly resistant, as if their lovers are beckoning them to a distant land. —Tell us, you fearful woman; reveal to us the secrets of death. I would love to uncover the meaning of words weakly breathed with mixed sobs and half-broken sentences softly spoken between this world and the judgment seat.
An awful woman! She is the patron-saint of young physicians and the bosom-friend of old ones. In the mansions where she enters the inmates provide themselves black garments; the coffin-maker follows her, and the bell tolls as she comes away from the threshold. Death himself has met her at so many a bedside that he puts forth his bony hand to greet Nurse Toothaker. She is an awful woman. And oh, is it conceivable that this handmaid of human infirmity and affliction—so darkly stained, so thoroughly imbued with all that is saddest in the doom of mortals—can ever again be bright and gladsome even though bathed in the sunshine of eternity? By her long communion with woe has she not forfeited her inheritance of immortal joy? Does any germ of bliss survive within her?
An awful woman! She is the patron saint of young doctors and the close friend of older ones. In the homes where she visits, the residents prepare themselves in black clothing; the coffin maker follows her, and the bell tolls as she leaves the doorstep. Death himself has met her at so many bedsides that he reaches out his bony hand to greet Nurse Toothaker. She is an awful woman. And oh, is it possible that this servant of human sickness and suffering—so deeply tainted, so thoroughly full of all that is saddest in the fate of humans—can ever again be bright and cheerful, even if bathed in the sunshine of eternity? Has her long association with sorrow cost her the chance for eternal joy? Does any spark of happiness still survive within her?
Hark! an eager knocking st Nurse Toothaker’s door. She starts from her drowsy reverie, sets aside the empty tumbler and teaspoon, and lights a lamp at the dim embers of the fire. “Rap, rap, rap!” again, and she hurries adown the staircase, wondering which of her friends can be at death’s door now, since there is such an earnest messenger at Nurse Toothaker’s. Again the peal resounds just as her hand is on the lock. “Be quick, Nurse Toothaker!” cries a man on the doorstep. “Old General Fane is taken with the gout in his stomach and has sent for you to watch by his death-bed. Make haste, for there is no time to lose.”—“Fane! Edward Fane! And has he sent for me at last? I am ready. I will get on my cloak and begone. So,” adds the sable-gowned, ashen-visaged, funereal old figure, “Edward Fane remembers his Rosebud.”
Listen! There's an urgent knocking at Nurse Toothaker’s door. She jolts out of her sleepy thoughts, puts down the empty glass and spoon, and lights a lamp with the dim embers of the fire. “Knock, knock, knock!” again, and she rushes down the staircase, wondering which of her friends is in dire need now, since the messenger at Nurse Toothaker’s is so serious. The knocking echoes once more just as her hand touches the lock. “Hurry, Nurse Toothaker!” calls a man on the doorstep. “Old General Fane is suffering from gout in his stomach and has sent for you to keep watch by his deathbed. Hurry, there’s no time to waste.” — “Fane! Edward Fane! And he’s finally remembered to send for me? I’m ready. I’ll put on my cloak and go. So,” adds the dark-clad, pale-faced, funereal old figure, “Edward Fane remembers his Rosebud.”
Our question is answered. There is a germ of bliss within her. Her long-hoarded constancy, her memory of the bliss that was remaining amid the gloom of her after-life like a sweet-smelling flower in a coffin, is a symbol that all may be renewed. In some happier clime the Rosebud may revive again with all the dewdrops in its bosom.
Our question is answered. There’s a seed of happiness inside her. Her long-held loyalty, her memory of the happiness that lingered in the darkness of her later years like a fragrant flower in a coffin, symbolizes that everything can be renewed. In a happier place, the Rosebud may bloom again with all the dewdrops in its petals.
THE THREEFOLD DESTINY
A FAËRY LEGEND
I have sometimes produced a singular and not unpleasing effect, so far as my own mind was concerned, by imagining a train of incidents in which the spirit and mechanism of the faëry legend should be combined with the characters and manners of familiar life. In the little tale which follows a subdued tinge of the wild and wonderful is thrown over a sketch of New England personages and scenery, yet, it is hoped, without entirely obliterating the sober hues of nature. Rather than a story of events claiming to be real, it may be considered as an allegory such as the writers of the last century would have expressed in the shape of an Eastern tale, but to which I have endeavored to give a more lifelike warmth than could be infused into those fanciful productions.
I’ve sometimes created a unique and somewhat enjoyable effect, at least in my own mind, by imagining a series of events where the spirit and style of fairy tales blend with the characters and everyday life. In the little story that follows, there’s a subtle hint of the magical and extraordinary woven into a portrayal of New England people and landscapes, yet I hope it doesn’t completely erase the realistic tones of nature. Instead of being a story that claims to be real, it can be seen as an allegory, similar to how writers from the last century would have framed it as an Eastern tale, but I’ve tried to give it a more relatable warmth than those imaginative works.
In the twilight of a summer eve a tall dark figure over which long and remote travel had thrown an outlandish aspect was entering a village not in “faëry londe,” but within our own familiar boundaries. The staff on which this traveller leaned had been his companion from the spot where it grew in the jungles of Hindostan; the hat that overshadowed his sombre brow, had shielded him from the suns of Spain; but his cheek had been blackened by the red-hot wind of an Arabian desert and had felt the frozen breath of an Arctic region. Long sojourning amid wild and dangerous men, he still wore beneath his vest the ataghan which he had once struck into the throat of a Turkish robber. In every foreign clime he had lost something of his New England characteristics, and perhaps from every people he had unconsciously borrowed a new peculiarity; so that when the world-wanderer again trod the street of his native village it is no wonder that he passed unrecognized, though exciting the gaze and curiosity of all. Yet, as his arm casually touched that of a young woman who was wending her way to an evening lecture, she started and almost uttered a cry.
In the fading light of a summer evening, a tall, dark figure, marked by long and distant travels, was entering a village not in some “magical land,” but within our own familiar territory. The staff he relied on had journeyed with him since it grew in the jungles of India; the hat casting a shadow on his grim brow had protected him from the suns of Spain, but his cheek had been darkened by the scorching winds of an Arabian desert and had felt the icy breath of the Arctic. After spending so long among wild and dangerous people, he still carried beneath his vest the ataghan he had once plunged into the throat of a Turkish robber. In every foreign land, he had shed parts of his New England roots, and perhaps from each culture, he had unknowingly adopted a new trait. So, when the world traveler returned to his hometown, it's no surprise he went unrecognized, even as he piqued the interest and curiosity of everyone around him. Yet, when his arm brushed against that of a young woman heading to an evening lecture, she flinched and nearly cried out.
“Ralph Cranfield!” was the name that she half articulated.
“Ralph Cranfield!” was the name she half said.
“Can that be my old playmate Faith Egerton?” thought the traveller, looking round at her figure, but without pausing.
“Could that be my old friend Faith Egerton?” thought the traveler, glancing at her figure, but without stopping.
Ralph Cranfield from his youth upward had felt himself marked out for a high destiny. He had imbibed the idea—we say not whether it were revealed to him by witchcraft or in a dream of prophecy, or that his brooding fancy had palmed its own dictates upon him as the oracles of a sybil, but he had imbibed the idea, and held it firmest among his articles of faith—that three marvellous events of his life were to be confirmed to him by three signs.
Ralph Cranfield had believed since he was young that he was destined for something great. He had taken in the idea—we won't say whether it was shown to him through magic, a prophetic dream, or if his own imagination convinced him it was true, but he absorbed the idea and held it tightly as one of his core beliefs—that three amazing events in his life would be signaled to him by three signs.
The first of these three fatalities, and perhaps the one on which his youthful imagination had dwelt most fondly, was the discovery of the maid who alone of all the maids on earth could make him happy by her love. He was to roam around the world till he should meet a beautiful woman wearing on her bosom a jewel in the shape of a heart—whether of pearl or ruby or emerald or carbuncle or a changeful opal, or perhaps a priceless diamond, Ralph Cranfield little cared, so long as it were a heart of one peculiar shape. On encountering this lovely stranger he was bound to address her thus: “Maiden, I have brought you a heavy heart. May I rest its weight on you?” And if she were his fated bride—if their kindred souls were destined to form a union here below which all eternity should only bind more closely—she would reply, with her finger on the heart-shaped jewel, “This token which I have worn so long is the assurance that you may.”
The first of these three tragedies, and maybe the one his youthful imagination clung to most, was finding the maid who alone among all the maids in the world could make him happy with her love. He was destined to wander the earth until he met a beautiful woman wearing a heart-shaped jewel on her chest—whether it was a pearl, ruby, emerald, carbuncle, a shifting opal, or perhaps a priceless diamond, Ralph Cranfield didn't care, as long as it was a heart of that specific shape. When he came across this enchanting stranger, he would be compelled to say to her: “Maiden, I've brought you a heavy heart. May I rest its weight on you?” And if she was his destined bride—if their kindred souls were meant to unite here on earth, growing closer with all of eternity—she would respond, touching the heart-shaped jewel, “This token I have worn for so long assures you that you may.”
And, secondly, Ralph Cranfield had a firm belief that there was a mighty treasure hidden somewhere in the earth of which the burial-place would be revealed to none but him. When his feet should press upon the mysterious spot, there would be a hand before him pointing downward—whether carved of marble or hewn in gigantic dimensions on the side of a rocky precipice, or perchance a hand of flame in empty air, he could not tell, but at least he would discern a hand, the forefinger pointing downward, and beneath it the Latin word “Effode”—“Dig!” And, digging thereabouts, the gold in coin or ingots, the precious stones, or of whatever else the treasure might consist, would be certain to reward his toil.
And, secondly, Ralph Cranfield strongly believed that there was a huge treasure hidden somewhere in the ground, and that only he would know where it was buried. When he stepped on the mysterious spot, he would see a hand pointing downward in front of him—whether it was carved from marble, cut into a giant cliff, or maybe a hand made of flame in the empty air, he couldn’t say for sure, but he would definitely see a hand with the forefinger pointing down, and beneath it the Latin word “Effode”—“Dig!” And by digging in that area, he would surely be rewarded with gold coins or ingots, precious stones, or whatever else the treasure might be made of.
The third and last of the miraculous events in the life of this high-destined man was to be the attainment of extensive influence and sway over his fellow-creatures. Whether he were to be a king and founder of a hereditary throne, or the victorious leader of a people contending for their freedom, or the apostle of a purified and regenerated faith, was left for futurity to show. As messengers of the sign by which Ralph Cranfield might recognize the summons, three venerable men were to claim audience of him. The chief among them—a dignified and majestic person arrayed, it may be supposed, in the flowing garments of an ancient sage—would be the bearer of a wand or prophet’s rod. With this wand or rod or staff the venerable sage would trace a certain figure in the air, and then proceed to make known his Heaven-instructed message, which, if obeyed, must lead to glorious results.
The third and final miracle in the life of this destined man would be his ability to gain significant influence and power over others. Whether he would become a king and establish a royal dynasty, a victorious leader fighting for his people's freedom, or a messenger of a renewed faith remained to be seen. Three wise men would come to him as bearers of the sign that Ralph Cranfield needed to recognize his call. The leading one among them—a dignified and majestic figure, likely dressed in the flowing robes of an ancient sage—would carry a wand or prophet's staff. With this wand or staff, the sage would draw a specific shape in the air and then share his divine message, which, if followed, would lead to remarkable outcomes.
With this proud fate before him, in the flush of his imaginative youth Ralph Cranfield had set forth to seek the maid, the treasure, and the venerable sage with his gift of extended empire. And had he found them? Alas! it was not with the aspect of a triumphant man who had achieved a nobler destiny than all his fellows, but rather with the gloom of one struggling against peculiar and continual adversity, that he now passed homeward to his mother’s cottage. He had come back, but only for a time, to lay aside the pilgrim’s staff, trusting that his weary manhood would regain somewhat of the elasticity of youth in the spot where his threefold fate had been foreshown him. There had been few changes in the village, for it was not one of those thriving places where a year’s prosperity makes more than the havoc of a century’s decay, but, like a gray hair in a young man’s head, an antiquated little town full of old maids and aged elms and moss-grown dwellings. Few seemed to be the changes here. The drooping elms, indeed, had a more majestic spread, the weather-blackened houses were adorned with a denser thatch of verdant moss, and doubtless there were a few more gravestones in the burial-ground inscribed with names that had once been familiar in the village street; yet, summing up all the mischief that ten years had wrought, it seemed scarcely more than if Ralph Cranfield had gone forth that very morning and dreamed a day-dream till the twilight, and then turned back again. But his heart grew cold because the village did not remember him as he remembered the village.
With this proud fate ahead of him, in the excitement of his youthful imagination, Ralph Cranfield set out to find the girl, the treasure, and the wise old man with his gift of a wider world. And did he find them? Sadly, he returned not as a victorious man who had achieved a greater destiny than his peers, but rather with the weight of someone battling unique and ongoing hardships as he made his way back to his mother’s cottage. He had come back, but just for a while, to put down the pilgrim's staff, hoping that his weary adulthood would regain some of the spirit of youth in the place where his threefold fate had been hinted at. There had been few changes in the village; it was not one of those thriving places where a year of prosperity creates more than the destruction of a century’s decline, but rather like a gray hair in a young man's head, it was an old little town filled with old maids, aged elms, and moss-covered homes. Changes here seemed minimal. The drooping elms had indeed grown into a more majestic shape, the weather-beaten houses were dressed with a thicker layer of green moss, and there were likely a few more gravestones in the graveyard bearing names that were once well-known in the village. Yet, adding up all the mischief that ten years had brought, it felt as if Ralph Cranfield had set out that very morning, daydreamed until twilight, and then turned back again. But his heart grew heavy because the village did not remember him as he remembered it.
“Here is the change,” sighed he, striking his hand upon his breast. “Who is this man of thought and care, weary with world-wandering and heavy with disappointed hopes? The youth returns not who went forth so joyously.”
“Here is the change,” he sighed, hitting his chest. “Who is this thoughtful and burdened person, tired from wandering the world and weighed down by unfulfilled dreams? The young man who set out so happily does not return.”
And now Ralph Cranfield was at his mother’s gate, in front of the small house where the old lady, with slender but sufficient means, had kept herself comfortable during her son’s long absence. Admitting himself within the enclosure, he leaned against a great old tree, trifling with his own impatience as people often do in those intervals when years are summed into a moment. He took a minute survey of the dwelling—its windows brightened with the sky-gleam, its doorway with the half of a millstone for a step, and the faintly-traced path waving thence to the gate. He made friends again with his childhood’s friend—the old tree against which he leaned—and, glancing his eye down its trunk, beheld something that excited a melancholy smile. It was a half-obliterated inscription—the Latin word “Effode”—which he remembered to have carved in the bark of the tree with a whole day’s toil when he had first begun to muse about his exalted destiny. It might be accounted a rather singular coincidence that the bark just above the inscription had put forth an excrescence shaped not unlike a hand, with the forefinger pointing obliquely at the word of fate. Such, at least, was its appearance in the dusky light.
And now Ralph Cranfield was at his mother’s gate, in front of the small house where the old lady, with modest but enough means, had kept herself comfortable during her son’s long absence. Letting himself into the yard, he leaned against a massive old tree, idly dealing with his own impatience, as people often do in those moments when years are condensed into a split second. He took a moment to look over the house—its windows shining with sunlight, its doorway featuring half of a millstone as a step, and the faintly marked path winding from there to the gate. He reconnected with an old friend from his childhood—the old tree he leaned against—and, looking down its trunk, saw something that brought a bittersweet smile to his face. It was a nearly erased inscription—the Latin word “Effode”—which he remembered carving into the tree’s bark after a long and thoughtful day, when he had first started dreaming about his lofty destiny. It was a rather strange coincidence that the bark just above the inscription had developed a growth shaped somewhat like a hand, with the forefinger pointing diagonally at the word of fate. At least, that’s how it looked in the dim light.
“Now, a credulous man,” said Ralph Cranfield, carelessly, to himself, “might suppose that the treasure which I have sought round the world lies buried, after all, at the very door of my mother’s dwelling. That would be a jest indeed.”
“Now, a gullible guy,” Ralph Cranfield said casually to himself, “might think that the treasure I’ve searched for all over the world is actually buried right at my mother’s doorstep. That would be quite a joke.”
More he thought not about the matter, for now the door was opened and an elderly woman appeared on the threshold, peering into the dusk to discover who it might be that had intruded on her premises and was standing in the shadow of her tree. It was Ralph Cranfield’s mother. Pass we over their greeting, and leave the one to her joy and the other to his rest—if quiet rest he found.
He thought no more about it, for now the door was open and an elderly woman appeared at the threshold, looking into the dim light to see who had intruded on her property and was standing in the shadow of her tree. It was Ralph Cranfield’s mother. Let’s skip their greeting and leave her to her joy and him to his rest—if he found any peace at all.
But when morning broke, he arose with a troubled brow, for his sleep and his wakefulness had alike been full of dreams. All the fervor was rekindled with which he had burned of yore to unravel the threefold mystery of his fate. The crowd of his early visions seemed to have awaited him beneath his mother’s roof and thronged riotously around to welcome his return. In the well-remembered chamber, on the pillow where his infancy had slumbered, he had passed a wilder night than ever in an Arab tent or when he had reposed his head in the ghastly shades of a haunted forest. A shadowy maid had stolen to his bedside and laid her finger on the scintillating heart; a hand of flame had glowed amid the darkness, pointing downward to a mystery within the earth; a hoary sage had waved his prophetic wand and beckoned the dreamer onward to a chair of state. The same phantoms, though fainter in the daylight, still flitted about the cottage and mingled among the crowd of familiar faces that were drawn thither by the news of Ralph Cranfield’s return to bid him welcome for his mother’s sake. There they found him, a tall, dark, stately man of foreign aspect, courteous in demeanor and mild of speech, yet with an abstracted eye which seemed often to snatch a glance at the invisible.
But when morning came, he got up with a troubled expression, as his sleep and wakefulness had been filled with dreams. All the passion he once had to unravel the complicated mystery of his fate was reignited. The crowd of early visions seemed to be waiting for him under his mother’s roof, joyfully surrounding him to welcome his return. In the familiar room, on the pillow where he had slept as a baby, he had experienced a wilder night than in any Arab tent or while resting in the eerie shadows of a haunted forest. A shadowy woman had crept to his bedside and touched his sparkling heart; a fiery hand had glowed in the darkness, pointing down to a mystery hidden in the earth; an old sage had waved his prophetic wand and beckoned the dreamer toward a throne. The same apparitions, though less vivid in the daylight, still flitted around the cottage and mingled among the crowd of familiar faces drawn there by the news of Ralph Cranfield’s return to welcome him for his mother’s sake. They found him there, a tall, dark, imposing man with a foreign appearance, polite in manner and gentle in speech, yet with an abstracted gaze that often seemed to look beyond the visible.
Meantime, the widow Cranfield went bustling about the house full of joy that she again had somebody to love and be careful of, and for whom she might vex and tease herself with the petty troubles of daily life. It was nearly noon when she looked forth from the door and descried three personages of note coming along the street through the hot sunshine and the masses of elm-tree shade. At length they reached her gate and undid the latch.
Meanwhile, widow Cranfield hurried around the house, filled with joy that she had someone to love and take care of again, and for whom she could indulge in the little annoyances of daily life. It was almost noon when she glanced out the door and saw three important people coming down the street through the bright sunshine and the shady elm trees. Finally, they reached her gate and opened the latch.
“See, Ralph!” exclaimed she, with maternal pride; “here is Squire Hawkwood and the two other selectmen coming on purpose to see you. Now, do tell them a good long story about what you have seen in foreign parts.”
“Look, Ralph!” she said proudly. “Here come Squire Hawkwood and the other two selectmen just to see you. Now, make sure to tell them a great long story about what you’ve experienced in other places.”
The foremost of the three visitors, Squire Hawkwood, was a very pompous but excellent old gentleman, the head and prime-mover in all the affairs of the village, and universally acknowledged to be one of the sagest men on earth. He wore, according to a fashion even then becoming antiquated, a three-cornered hat, and carried a silver-headed cane the use of which seemed to be rather for flourishing in the air than for assisting the progress of his legs. His two companions were elderly and respectable yeomen who, retaining an ante-Revolutionary reverence for rank and hereditary wealth, kept a little in the squire’s rear.
The lead of the three visitors, Squire Hawkwood, was a very self-important but distinguished old gentleman, the head and driving force in all the village affairs, and widely recognized as one of the wisest men around. He wore, according to a style that was already becoming outdated, a tricorne hat, and carried a silver-headed cane that seemed more for waving in the air than for helping him walk. His two companions were older, respectable farmers who, still holding onto a pre-Revolution respect for social status and inherited wealth, stayed slightly behind the squire.
As they approached along the pathway Ralph Cranfield sat in an oaken elbow-chair half unconsciously gazing at the three visitors and enveloping their homely figures in the misty romance that pervaded his mental world. “Here,” thought he, smiling at the conceit—“here come three elderly personages, and the first of the three is a venerable sage with a staff. What if this embassy should bring me the message of my fate?”
As they walked down the path, Ralph Cranfield sat in an oak armchair, semi-unconsciously watching the three visitors and wrapping their familiar shapes in the dreamy aura that filled his mind. “Look at this,” he thought, smiling at the fanciful idea—“here come three older folks, and the first of them is a wise old sage with a staff. What if this visit brings me news of my destiny?”
While Squire Hawkwood and his colleagues entered, Ralph rose from his seat and advanced a few steps to receive them, and his stately figure and dark countenance as he bent courteously toward his guests had a natural dignity contrasting well with the bustling importance of the squire. The old gentleman, according to invariable custom, gave an elaborate preliminary flourish with his cane in the air, then removed his three-cornered hat in order to wipe his brow, and finally proceeded to make known his errand.
While Squire Hawkwood and his colleagues walked in, Ralph stood up from his seat and stepped forward a bit to greet them. His tall figure and serious expression, as he politely leaned toward his guests, had a natural dignity that contrasted nicely with the busy importance of the squire. As usual, the old gentleman first made a grand gesture with his cane in the air, then took off his three-cornered hat to wipe his brow, and finally got down to the purpose of his visit.
“My colleagues and myself,” began the squire, “are burdened with momentous duties, being jointly selectmen of this village. Our minds for the space of three days past have been laboriously bent on the selection of a suitable person to fill a most important office and take upon himself a charge and rule which, wisely considered, may be ranked no lower than those of kings and potentates. And whereas you, our native townsman, are of good natural intellect and well cultivated by foreign travel, and that certain vagaries and fantasies of your youth are doubtless long ago corrected,—taking all these matters, I say, into due consideration, we are of opinion that Providence hath sent you hither at this juncture for our very purpose.”
“My colleagues and I,” the squire began, “are faced with important responsibilities as selectmen of this village. For the last three days, we have been diligently focused on finding the right person to fill a crucial position and take on a role that, when you think about it, is on par with that of kings and powerful rulers. Given that you, our local resident, have a sharp mind and have gained valuable experience from your travels, and considering that the wild ideas of your youth have surely been left behind, we believe that fate has brought you here at just the right time for our needs.”
During this harangue Cranfield gazed fixedly at the speaker, as if he beheld something mysterious and unearthly in his pompous little figure, and as if the squire had worn the flowing robes of an ancient sage instead of a square-skirted coat, flapped waistcoat, velvet breeches and silk stockings. Nor was his wonder without sufficient cause, for the flourish of the squire’s staff, marvellous to relate, had described precisely the signal in the air which was to ratify the message of the prophetic sage whom Cranfield had sought around the world.
During this speech, Cranfield stared intently at the speaker, as if he saw something mysterious and otherworldly in his pompous little figure, and as if the squire was dressed in the flowing robes of an ancient sage instead of a square-cut coat, a flapped waistcoat, velvet breeches, and silk stockings. His amazement was not without reason, as the flourish of the squire’s staff, astonishingly, had matched the signal in the air that was meant to confirm the message of the prophetic sage whom Cranfield had searched for all over the world.
“And what,” inquired Ralph Cranfield, with a tremor in his voice—“what may this office be which is to equal me with kings and potentates?”
“And what,” asked Ralph Cranfield, with a quiver in his voice—“what is this office that will place me on the same level as kings and rulers?”
“No less than instructor of our village school,” answered Squire Hawkwood, “the office being now vacant by the death of the venerable Master Whitaker after a fifty years’ incumbency.”
“None other than the teacher of our village school,” replied Squire Hawkwood, “the position is now open due to the passing of the esteemed Master Whitaker after a fifty-year tenure.”
“I will consider of your proposal,” replied Ralph Cranfield, hurriedly, “and will make known my decision within three days.”
"I'll think about your proposal," Ralph Cranfield replied quickly, "and I'll let you know my decision within three days."
After a few more words the village dignitary and his companions took their leave. But to Cranfield’s fancy their images were still present, and became more and more invested with the dim awfulness of figures which had first appeared to him in a dream, and afterward had shown themselves in his waking moments, assuming homely aspects among familiar things. His mind dwelt upon the features of the squire till they grew confused with those of the visionary sage and one appeared but the shadow of the other. The same visage, he now thought, had looked forth upon him from the Pyramid of Cheops; the same form had beckoned to him among the colonnades of the Alhambra; the same figure had mistily revealed itself through the ascending steam of the Great Geyser. At every effort of his memory he recognized some trait of the dreamy messenger of destiny in this pompous, bustling, self-important, little-great man of the village. Amid such musings Ralph Cranfield sat all day in the cottage, scarcely hearing and vaguely answering his mother’s thousand questions about his travels and adventures. At sunset he roused himself to take a stroll, and, passing the aged elm tree, his eye was again caught by the semblance of a hand pointing downward at the half-obliterated inscription.
After a few more words, the village leader and his companions said their goodbyes. But in Cranfield's imagination, their figures lingered, taking on the eerie qualities of faces that had first appeared to him in a dream and later manifested in his waking moments, blending in with familiar surroundings. He focused on the features of the squire until they blurred with those of the visionary sage, making one seem like a mere shadow of the other. He now thought that the same face had gazed at him from the Pyramid of Cheops; the same figure had beckoned to him among the columns of the Alhambra; the same apparition had vaguely revealed itself through the rising steam of the Great Geyser. With each recollection, he recognized some trait of the dreamy messenger of fate in this pompous, bustling, self-important, little-great man of the village. Lost in such thoughts, Ralph Cranfield spent the entire day in the cottage, hardly hearing and vaguely responding to his mother's endless questions about his travels and adventures. As sunset approached, he decided to take a walk, and as he passed the old elm tree, he was once again drawn to the sight of a hand pointing down at the fading inscription.
As Cranfield walked down the street of the village the level sunbeams threw his shadow far before him, and he fancied that, as his shadow walked among distant objects, so had there been a presentiment stalking in advance of him throughout his life. And when he drew near each object over which his tall shadow had preceded him, still it proved to be one of the familiar recollections of his infancy and youth. Every crook in the pathway was remembered. Even the more transitory characteristics of the scene were the same as in by-gone days. A company of cows were grazing on the grassy roadside, and refreshed him with their fragrant breath. “It is sweeter,” thought he, “than the perfume which was wafted to our ship from the Spice Islands.” The round little figure of a child rolled from a doorway and lay laughing almost beneath Cranfield’s feet. The dark and stately man stooped down, and, lifting the infant, restored him to his mother’s arms. “The children,” said he to himself, and sighed and smiled—“the children are to be my charge.” And while a flow of natural feeling gushed like a well-spring in his heart he came to a dwelling which he could nowise forbear to enter. A sweet voice which seemed to come from a deep and tender soul was warbling a plaintive little air within. He bent his head and passed through the lowly door. As his foot sounded upon the threshold a young woman advanced from the dusky interior of the house, at first hastily, and then with a more uncertain step, till they met face to face. There was a singular contrast in their two figures—he dark and picturesque, one who had battled with the world, whom all suns had shone upon and whom all winds had blown on a varied course; she neat, comely and quiet—quiet even in her agitation—as if all her emotions had been subdued to the peaceful tenor of her life. Yet their faces, all unlike as they were, had an expression that seemed not so alien—a glow of kindred feeling flashing upward anew from half-extinguished embers.
As Cranfield walked through the village, the sun cast his shadow far ahead, and he imagined that, just as his shadow moved among distant sights, there had been a sense of something following him throughout his life. When he approached each object that his tall shadow had already passed, it turned out to be a familiar memory from his childhood. He remembered every bend in the path. Even the fleeting details of the scene felt like those from days gone by. A group of cows grazed by the grassy roadside, their sweet breath refreshing him. “It’s sweeter,” he thought, “than the scent that drifted to our ship from the Spice Islands.” A small child tumbled out of a doorway and laughed nearly at Cranfield’s feet. The tall, dark man bent down and picked up the child, handing him back to his mother. “The children,” he mused, sighing and smiling—“the children will be my responsibility.” As a wave of genuine emotion surged in his heart, he approached a house that he felt compelled to enter. A lovely voice that seemed to come from a deep and tender soul was singing a sad little tune inside. He lowered his head and stepped through the low door. Just as his foot hit the threshold, a young woman stepped into view from the dim interior of the house, initially rushing and then hesitating, until they stood face to face. Their figures contrasted sharply—he dark and striking, someone who had faced the world, who had been shaped by all the sun and wind; she tidy, pleasant, and calm—calm even amidst her nervousness—as if all her feelings had been tempered by the peaceful rhythm of her life. Yet, despite their differences, their faces shared an expression that didn’t seem entirely foreign—a spark of shared emotion flickering back to life from near-extinguished embers.
“You are welcome home,” said Faith Egerton.
"You’re welcome home," said Faith Egerton.
But Cranfield did not immediately answer, for his eye had, been caught by an ornament in the shape of a heart which Faith wore as a brooch upon her bosom. The material was the ordinary white quartz, and he recollected having himself shaped it out of one of those Indian arrowheads which are so often found in the ancient haunts of the red men. It was precisely on the pattern of that worn by the visionary maid. When Cranfield departed on his shadowy search, he had bestowed this brooch, in a gold setting, as a parting gift to Faith Egerton.
But Cranfield didn’t answer right away because his attention was caught by a heart-shaped brooch that Faith wore on her chest. It was made from plain white quartz, and he remembered shaping it himself from one of those Indian arrowheads that are often discovered in the ancient places of the Native Americans. It was exactly like the one worn by the dreamy girl. When Cranfield left on his mysterious quest, he had given this brooch, set in gold, as a farewell gift to Faith Egerton.
“So, Faith, you have kept the heart?” said he, at length.
“So, Faith, you’ve kept the heart?” he said finally.
“Yes,” said she, blushing deeply; then, more gayly, “And what else have you brought me from beyond the sea?”
“Yes,” she said, blushing deeply; then, more cheerfully, “And what else did you bring me from across the ocean?”
“Faith,” replied Ralph Cranfield, uttering the fated words by an uncontrollable impulse, “I have brought you nothing but a heavy heart. May I rest its weight on you?”
“Faith,” Ralph Cranfield said, speaking those fateful words without being able to help it, “I have brought you nothing but a heavy heart. Can I rest its weight on you?”
“This token which I have worn so long,” said Faith, laying her tremulous finger on the heart, “is the assurance that you may.”
“This token that I’ve worn for so long,” Faith said, touching her trembling finger to her heart, “is the assurance that you can.”
“Faith, Faith!” cried Cranfield, clasping her in his arms; “you have interpreted my wild and weary dream!”
“Faith, Faith!” cried Cranfield, wrapping her in his arms; “you’ve understood my crazy and exhausting dream!”
Yes, the wild dreamer was awake at last. To find the mysterious treasure he was to till the earth around his mother’s dwelling and reap its products; instead of warlike command or regal or religious sway, he was to rule over the village children; and now the visionary maid had faded from his fancy, and in her place he saw the playmate of his childhood.
Yes, the wild dreamer was finally awake. To find the mysterious treasure, he was meant to work the land around his mother’s home and enjoy its rewards; instead of leading in battle or having royal or religious power, he was to have authority over the village children; and now the visionary girl had vanished from his thoughts, and in her place, he saw the friend from his childhood.
Would all who cherish such wild wishes but look around them, they would oftenest find their sphere of duty, of prosperity and happiness, within those precincts and in that station where Providence itself has cast their lot. Happy they who read the riddle without a weary world-search or a lifetime spent in vain!
If everyone who dreams wild dreams would just look around, they'd often find their path to duty, success, and happiness right where they are, in the place Providence has assigned them. How fortunate are those who can solve this mystery without the need for exhausting quests or a lifetime wasted!
Footnotes:
Footnotes:
[1] Another clergyman in New England, Mr. Joseph Moody, of York, Maine, who died about eighty years since, made himself remarkable by the same eccentricity that is here related of the Reverend Mr. Hooper. In his case, however, the symbol had a different import. In early life he had accidentally killed a beloved friend, and from that day till the hour of his own death he hid his face from men.
[1] Another clergyman in New England, Mr. Joseph Moody, from York, Maine, who died around eighty years ago, became notable for the same eccentricity described here about Reverend Mr. Hooper. However, in his case, the symbol carried a different meaning. In his youth, he accidentally caused the death of a dear friend, and from that moment until his own death, he concealed his face from others.
[2] Did Governor Endicott speak less positively, we should suspect a mistake here. The Rev. Mr. Blackstone, though an eccentric, is not known to have been an immoral man. We rather doubt his identity with the priest of Merry Mount.
[2] If Governor Endicott spoke less favorably, we should suspect there's a mistake. Rev. Mr. Blackstone, while eccentric, isn't known to have been an immoral person. We have our doubts about him being the priest of Merry Mount.
[3] Essex and Washington streets, Salem.
[4] The Indian tradition on which this somewhat extravagant tale is founded is both too wild and too beautiful to be adequately wrought up in prose. Sullivan, in his history of Maine, written since the Revolution, remarks that even then the existence of the Great Carbuncle was not entirely discredited.
[4] The Indian tradition that this rather extravagant tale is based on is too wild and beautiful to capture fully in prose. In his history of Maine, written after the Revolution, Sullivan notes that even at that time, people hadn’t completely dismissed the existence of the Great Carbuncle.
[5] This story was suggested by an anecdote of Stuart related in Dunlap’s History of the Arts of Designs—a most entertaining book to the general reader, and a deeply-interesting one, we should think, to the artist.
[5] This story was inspired by a story about Stuart mentioned in Dunlap’s History of the Arts of Design—a really entertaining book for general readers, and one that we believe would be very interesting for artists.
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