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POEMS
Vol. I
BY
GEORGE MEREDITH
BY GEORGE MEREDITH
SURREY EDITION
SURREY EDITION
LONDON
THE TIMES BOOK CLUB
376–384 OXFORD STREET, W.
1912
LONDON
THE TIMES BOOK CLUB
376–384 Oxford Street, W.
1912
p. vCONTENTS
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PAGE PAGE |
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CHILLIANWALLAH, CHILLIANWALLAH, Chillianwallah, Chillianwallah! Chillianwallah, Chillianwallah! |
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THE DOE: A FRAGMENT, THE DOE: A FRAGMENT, And—‘Yonder look! yoho! yoho! And—‘Look over there! Yoho! Yoho! |
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BEAUTY ROHTRAUT, BEAUTY ROHTRAUT, What is the name of King Ringang’s daughter? What is King Ringang's daughter's name? |
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THE OLIVE BRANCH, THE OLIVE BRANCH, A dove flew with an Olive Branch; A dove flew with an olive branch; |
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SONG, TUNE, Love within the lover’s breast Love in the lover's heart |
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THE WILD ROSE AND THE SNOWDROP, THE WILD ROSE AND THE SNOWDROP, The Snowdrop is the prophet of the flowers; The Snowdrop is the messenger of the flowers; |
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THE DEATH OF WINTER, WINTER'S END, When April with her wild blue eye When April arrives with her wild blue eye |
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SONG, TUNE, The moon is alone in the sky The moon is all alone in the sky. |
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JOHN LACKLAND, JOHN THE LACKLAND, A wicked man is bad enough on earth; A wicked person is bad enough on earth; |
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THE SLEEPING CITY, THE SLEEPING CITY, A Princess in the eastern tale A princess in the eastern story |
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THE POETRY OF CHAUCER, Chaucer's Poetry, Grey with all honours of age! but fresh-featured and ruddy Grey with all the signs of age! but still fresh-faced and rosy. |
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THE POETRY OF SPENSER, The Poetry of Spenser, Lakes where the sunsheen is mystic with splendour and softness; Lakes where the sunlight feels magical with beauty and gentleness; |
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Picture some Isle smiling green ’mid the white-foaming ocean;— Picture an island smiling green amid the white-foaming ocean;— |
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THE POETRY OF MILTON, MILTON'S POETRY, Like to some deep-chested organ whose grand inspiration, Like to some deep-chested organ whose grand inspiration, |
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THE POETRY OF SOUTHEY, Southey's Poetry, Keen as an eagle whose flight towards the dim empyréan Keen as an eagle flying towards the dark sky |
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THE POETRY OF COLERIDGE, COLERIDGE'S POETRY, A brook glancing under green leaves, self-delighting, exulting, A stream sparkling beneath green leaves, filled with joy and celebration, |
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THE POETRY OF SHELLEY, Shelleys Poetry See’st thou a Skylark whose glistening winglets ascending See you a skylark with its shining wings rising |
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THE POETRY OF WORDSWORTH, Wordsworth's Poetry, A breath of the mountains, fresh born in the regions majestic, A breath of the mountains, newly born in the majestic regions, |
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THE POETRY OF KEATS, KEATS' POETRY, The song of a nightingale sent thro’ a slumbrous valley, The song of a nightingale echoed through a sleepy valley, |
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VIOLETS, Violets, Violets, shy violets! Violets, timid violets! |
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ANGELIC LOVE, Angelic Love, Angelic love that stoops with heavenly lips Angelic love that descends with heavenly lips |
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TWILIGHT MUSIC, Twilight Music, Know you the low pervading breeze Know you the gentle, surrounding breeze |
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REQUIEM, REQUIEM, Where faces are hueless, where eyelids are dewless, Where faces are colorless, where eyelids are dry, |
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THE FLOWER OF THE RUINS, THE BLOOM AMONG THE RUINS, Take thy lute and sing Grab your lute and sing |
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THE RAPE OF AURORA, THE ASSAULT OF AURORA, Never, O never, Never, oh never, |
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SOUTH-WEST WIND IN THE WOODLAND, Southwest wind in the woods, The silence of preluded song— The silence before the song— |
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Follow me, follow me, Follow me, follow me, |
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SONG, TUNE, Fair and false! No dawn will greet Fair and false! No dawn will greet |
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SONG, Track Two wedded lovers watched the rising moon, Two married lovers watched the rising moon, |
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SONG, TRACK, I cannot lose thee for a day, I can't go a single day without you, |
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DAPHNE, Daphne, Musing on the fate of Daphne, Musing on the fate of Daphne, |
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LONDON BY LAMPLIGHT, London by Lamplight There stands a singer in the street, There’s a singer on the street, |
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SONG, TRACK, Under boughs of breathing May, Under the branches of May, |
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PASTORALS, Pastoral themes How sweet on sunny afternoons, How lovely on sunny afternoons, |
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TO A SKYLARK, To a Skylark, O skylark! I see thee and call thee joy! O skylark! I see you and call you joy! |
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SONG—SPRING, SPRING SONG When buds of palm do burst and spread When the palm buds burst and spread |
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SONG—AUTUMN, SONG—FALL, When nuts behind the hazel-leaf When nuts are behind the hazel leaf |
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SORROWS AND JOYS, Sorrows and joys, Bury thy sorrows, and they shall rise Bury your sorrows, and they will rise. |
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SONG, TRACK, The Flower unfolds its dawning cup, The flower opens its blooming cup, |
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SONG, TRACK, Thou to me art such a spring Thou to me art such a spring |
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ANTIGONE, ANTIGONE, The buried voice bespake Antigone. The buried voice spoke to Antigone. |
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SONG, Track, No, no, the falling blossom is no sign No, no, the falling blossom doesn’t mean anything |
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THE TWO BLACKBIRDS, THE TWO BLACKBIRDS, A Blackbird in a wicker cage, A blackbird in a woven cage, |
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JULY, JULY, Blue July, bright July, Blue July, bright July, |
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SONG, TUNE I would I were the drop of rain I wish I were a drop of rain |
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SONG, TRACK, Come to me in any shape! Come to me in any form! |
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THE SHIPWRECK OF IDOMENEUS, THE SHIPWRECK OF IDOMENEUS Swept from his fleet upon that fatal night Swept from his fleet on that tragic night |
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THE LONGEST DAY, THE LONGEST DAY, On yonder hills soft twilight dwells On those hills, soft twilight lingers. |
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TO ROBIN REDBREAST, To Robin Redbreast, Merrily ’mid the faded leaves, Happily among the faded leaves, |
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SONG, TUNE, The daisy now is out upon the green; The daisy is now blooming on the green; |
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SUNRISE, Sunrise, The clouds are withdrawn The clouds have parted |
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PICTURES OF THE RHINE, RHINE PHOTOS, The spirit of Romance dies not to those The spirit of Romance doesn’t die for those |
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TO A NIGHTINGALE, TO A NIGHTINGALE, O nightingale! how hast thou learnt O nightingale! how have you learned |
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INVITATION TO THE COUNTRY, Country Invitation Now ’tis Spring on wood and wold, Now it's Spring in the woods and fields, |
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THE SWEET O’ THE YEAR, THE BEST PART OF THE YEAR, Now the frog, all lean and weak, Now the frog, all thin and weak, |
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The long cloud edged with streaming grey The long cloud lined with billowing gray |
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THE SONG OF COURTESY, THE SONG OF RESPECT, When Sir Gawain was led to his bridal-bed, When Sir Gawain was taken to his wedding bed, |
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THE THREE MAIDENS, THE THREE MAIDENS, There were three maidens met on the highway; There were three young women who met on the highway; |
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OVER THE HILLS, OVER THE HILLS, The old hound wags his shaggy tail, The old dog wags his fluffy tail, |
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JUGGLING JERRY, Juggling Jerry, Pitch here the tent, while the old horse grazes: Pitch the tent here while the old horse grazes: |
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THE CROWN OF LOVE, THE CROWN OF LOVE, O might I load my arms with thee, O might I load my arms with you, |
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THE HEAD OF BRAN THE BLEST, THE HEAD OF BRAN THE BLESSED, When the Head of Bran When the Head of Bran |
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THE MEETING, THE MEETING, The old coach-road through a common of furze, The old coach road through a common of brush, |
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THE BEGGAR’S SOLILOQUY, THE BEGGAR’S MONOLOGUE, Now, this, to my notion, is pleasant cheer, Now, to me, this is a nice vibe, |
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BY THE ROSANNA TO F. M., BY THE ROSANNA TO F. M., The old grey Alp has caught the cloud, The old gray Alp has caught the cloud, |
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PHANTASY, FANTASY, Within a Temple of the Toes, Within a Temple of the Toes, |
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THE OLD CHARTIST, THE VINTAGE CHARTIST, Whate’er I be, old England is my dam! Whichever way I look at it, old England is my home! |
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SONG, TUNE, Should thy love die; If your love dies; |
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TO ALEX. SMITH, THE ‘GLASGOW POET,’ TO ALEX. SMITH, THE ‘GLASGOW POET,’ Not vainly doth the earnest voice of man Not in vain does the sincere voice of a person |
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GRANDFATHER BRIDGEMAN, GRANDPA BRIDGEMAN, ‘Heigh, boys!’ cried Grandfather Bridgeman, ‘it’s time before dinner to-day.’ ‘Hey, boys!’ shouted Grandfather Bridgeman, ‘it's time before dinner today.’ |
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How low when angels fall their black descent, How low do angels descend when they fall, |
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MODERN LOVE, MODERN LOVE, |
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I. I. |
By this he knew she wept with waking eyes: By this, he realized she cried with her eyes open: |
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II. II. |
It ended, and the morrow brought the task. It was over, and the next day brought the job. |
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III. III. |
This was the woman; what now of the man? This was the woman; what about the man now? |
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IV. IV. |
All other joys of life he strove to warm, All other joys of life he tried to enhance, |
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V. V. |
A message from her set his brain aflame. A message from her lit up his mind. |
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VI. VI. |
It chanced his lips did meet her forehead cool. It just so happened that his lips touched her cool forehead. |
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VII. VII. |
She issues radiant from her dressing-room, She steps out glowing from her dressing room, |
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VIII. VIII. |
Yet it was plain she struggled, and that salt Yet it was clear she was struggling, and that salt |
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IX. IX. |
He felt the wild beast in him betweenwhiles He occasionally felt the wild beast within him. |
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X. X. |
But where began the change; and what’s my crime? But where did the change start, and what did I do wrong? |
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XI. XI. |
Out in the yellow meadows, where the bee Out in the yellow meadows, where the bee |
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XII. XII. |
Not solely that the Future she destroys, Not just that the Future she destroys, |
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XIII. XIII. |
‘I play for Seasons; not Eternities!’ ‘I play for Seasons, not Eternities!’ |
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XIV. XIV. |
What soul would bargain for a cure that brings What person would negotiate for a cure that brings |
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XV. XV. |
I think she sleeps: it must be sleep, when low I think she's sleeping: it has to be sleep, when low |
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XVI. XVI. |
In our old shipwrecked days there was an hour, In our old shipwrecked days, there was a time, |
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XVII. XVII. |
At dinner, she is hostess, I am host. At dinner, she hosts, and I host. |
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XVIII. XVIII. |
Here Jack and Tom are paired with Moll and Meg. Here Jack and Tom are teamed up with Moll and Meg. |
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XIX. XIX. |
No state is enviable. To the luck alone No state is admirable. To the fortunate alone |
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XX. XX. |
I am not of those miserable males I am not one of those miserable guys |
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XXI. XXI. |
We three are on the cedar-shadowed lawn; We three are on the lawn shaded by cedar trees; |
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XXII. XXII. |
What may the woman labour to confess? What might the woman struggle to admit? |
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XXIII. XXIII. |
’Tis Christmas weather, and a country house ’Tis Christmas weather, and a country house |
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XXIV. XXIV. |
The misery is greater, as I live! The misery is even greater, I swear! |
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XXV. XXV. |
You like not that French novel? Tell me why. You don't like that French novel? Tell me why. |
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XXVI. XXVI. |
Love ere he bleeds, an eagle in high skies, Love before he bleeds, an eagle in the high skies, |
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XXVII. XXVII. |
Distraction is the panacea, Sir! Distraction is the cure, Sir! |
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XXVIII. XXVIII. |
I must be flattered. The imperious I must be flattered. The commanding |
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XXIX. XXIX. |
Am I failing? For no longer can I cast Am I failing? For I can no longer cast |
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XXX. XXX. |
What are we first? First, animals; and next What are we first? First, we're animals; and next |
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XXXI. XXXI. |
This golden head has wit in it. I live This golden head is full of wit. I live |
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XXXII. XXXII. |
Full faith I have she holds that rarest gift Full faith I have that she possesses that unique gift |
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XXXIII. XXXIII. |
‘In Paris, at the Louvre, there have I seen ‘In Paris, at the Louvre, I have seen |
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XXXIV. XXXIV. |
Madam would speak with me. So, now it comes: Madam wants to talk to me. So, here it is: |
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It is no vulgar nature I have wived. It is not a trivial nature I have married. |
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XXXVI. XXXVI. |
My Lady unto Madam makes her bow. My lady bows to the madam. |
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XXXVII. XXXVII. |
Along the garden terrace, under which Along the garden terrace, under which |
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XXXVIII. XXXVIII. |
Give to imagination some pure light Give imagination pure light |
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XXXIX. XXXIX. |
She yields: my Lady in her noblest mood She gives in: my Lady in her finest state |
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XL. XL. |
I bade my Lady think what she might mean. I encouraged my lady to consider what she could mean. |
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XLI. XLI. |
How many a thing which we cast to the ground, How many things do we throw to the ground, |
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XLII. XLII. |
I am to follow her. There is much grace I will follow her. There is a lot of grace. |
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XLIII. XLIII. |
Mark where the pressing wind shoots javelin-like Mark where the biting wind pierces like a spear |
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XLIV. XLIV. |
They say, that Pity in Love’s service dwells, They say that compassion lives in the service of love, |
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XLV. XLV. |
It is the season of the sweet wild rose, It is the season of the sweet wild rose, |
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XLVI. XLVI. |
At last we parley: we so strangely dumb At last we talk: we're so oddly silent |
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XLVII. XLVII. |
We saw the swallows gathering in the sky, We saw the swallows gathering in the sky, |
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XLVIII. XLVIII. |
Their sense is with their senses all mixed in, Their perception is all tangled up with their senses, |
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XLIX. XLIX. |
He found her by the ocean’s moaning verge, He found her by the ocean's restless edge, |
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L. L. |
Thus piteously Love closed what he begat: Thus sadly Love ended what he created: |
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THE PATRIOT ENGINEER, THE PATRIOT ENGINEER, ‘Sirs! may I shake your hands? ‘Sirs! May I shake your hands? |
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CASSANDRA, Cassandra, Captive on a foreign shore, Stuck on a foreign shore, |
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THE YOUNG USURPER, THE YOUNG USURPER, On my darling’s bosom On my love's chest |
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MARGARET’S BRIDAL EVE, MARGARET'S WEDDING EVE, The old grey mother she thrummed on her knee: The old gray mother she strummed on her knee: |
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MARIAN, MARIAN, She can be as wise as we, She can be as wise as we are, |
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BY MORNING TWILIGHT, BY MORNING TWILIGHT, Night, like a dying mother, Night, like a fading mother, |
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UNKNOWN FAIR FACES, UNKNOWN FAIR FACES, Though I am faithful to my loves lived through, Though I am loyal to my experiences with love, |
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SHEMSELNIHAR, SHEMSELNIHAR O my lover! the night like a broad smooth wave O my love! the night is like a wide, smooth wave |
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A ROAR THROUGH THE TALL TWIN ELM-TREES, A ROAR THROUGH THE TALL TWIN ELM TREES, A roar thro’ the tall twin elm-trees A roar through the tall twin elm trees |
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When I would image her features, When I pictured her face, |
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THE SPIRIT OF SHAKESPEARE, SHAKESPEARE'S SPIRIT, Thy greatest knew thee, Mother Earth; unsoured Thy greatest knew you, Mother Earth; unsoured |
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CONTINUED, CONTINUED, How smiles he at a generation ranked How he smiles at a generation ranked |
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ODE TO THE SPIRIT OF EARTH IN AUTUMN, ODE TO THE SPIRIT OF EARTH IN AUTUMN, Fair Mother Earth lay on her back last night, Fair Mother Earth lay on her back last night, |
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MARTIN’S PUZZLE, MARTIN'S PUZZLE, There she goes up the street with her book in her hand, There she goes down the street with her book in her hand, |
p. 1CHILLIANWALLAH [1]
Chillanwallah,
Chillanwallah!
Where our brothers fought and bled,
O thy name is natural music
And a dirge above the dead!
Though we have not been defeated,
Though we can’t be overcome,
Still, whene’er thou art repeated,
I would fain that grief were dumb.
Chillanwallah,
Chillanwallah!
Where our brothers fought and bled,
Oh, your name is like a natural melody
And a lament for the dead!
Even though we haven't lost,
Even though we can’t be beaten,
Still, whenever your name is mentioned,
I wish that sorrow could be silenced.
Chillianwallah, Chillianwallah!
’Tis a name so sad and strange,
Like a breeze through midnight harpstrings
Ringing many a mournful change;
But the wildness and the sorrow
Have a meaning of their own—
Oh, whereof no glad to-morrow
Can relieve the dismal tone!
Chillianwallah, Chillianwallah!
It’s a name that’s both sad and strange,
Like a breeze through midnight harp strings
Sounding many a mournful change;
But the wildness and the sorrow
Hold their own meaning—
Oh, where no bright tomorrow
Can lighten the dismal tone!
Chillianwallah, Chillianwallah!
’Tis a wild and dreary plain,
Strewn with plots of thickest jungle,
Matted with the gory stain.
There the murder-mouthed artillery,
In the deadly ambuscade,
Wrought the thunder of its treachery
On the skeleton brigade.
Chillianwallah, Chillianwallah!
It’s a wild and gloomy plain,
Covered with patches of dense jungle,
Stained with blood.
There the killer guns,
In the deadly ambush,
Created the roar of their betrayal
Against the skeleton brigade.
Chillianwallah, Chillianwallah!
When the night set in with rain,
Came the savage plundering devils
To their work among the slain;
And the wounded and the dying
In cold blood did share the doom
Of their comrades round them lying,
Stiff in the dead skyless gloom.
Chillianwallah, Chillianwallah!
When night fell with rain,
The ruthless, looting devils
Got to work among the fallen;
And the wounded and dying
Coldly faced the same fate
As their comrades lying around them,
Stiff in the dark, endless gloom.
Chillianwallah, Chillianwallah!
Thou wilt be a doleful chord,
And a mystic note of mourning
That will need no chiming word;
And that heart will leap with anguish
Who may understand thee best;
But the hopes of all will languish
Till thy memory is at rest.
Chillianwallah, Chillianwallah!
You will be a sad tune,
And a haunting note of grief
That won't need any words;
And that heart will ache with pain
Who may understand you best;
But everyone’s hopes will fade
Until your memory finds peace.
p. 3THE DOE:
A FRAGMENT
(SEND FROM‘Wandering Willie’)
And—‘Yonder look! yoho! yoho!
Nancy is off!’ the farmer cried,
Advancing by the river side,
Red-kerchieft and brown-coated;—‘So,
My girl, who else could leap like that?
So neatly! like a lady! ‘Zounds!
Look at her how she leads the hounds!’
And waving his dusty beaver hat,
He cheered across the chase-filled water,
And clapt his arm about his daughter,
And gave to Joan a courteous hug,
And kiss that, like a stubborn plug
From generous vats in vastness rounded,
The inner wealth and spirit sounded:
Eagerly pointing South, where, lo,
The daintiest, fleetest-footed doe
Led o’er the fields and thro’ the furze
Beyond: her lively delicate ears
Prickt up erect, and in her track
A dappled lengthy-striding pack.
And—‘Look over there! Yo ho! Yo ho!
Nancy is off!’ the farmer shouted,
Walking along the riverbank,
With his red kerchief and brown coat;—‘So,
My girl, who else could jump like that?
So gracefully! Like a lady! ‘Wow!
Look at how she guides the hounds!’
And waving his dusty top hat,
He cheered across the chase-filled water,
And wrapped his arm around his daughter,
And gave Joan a polite hug,
And a kiss that, like a stubborn plug
From generous barrels in wide containers,
The inner richness and spirit echoed:
Eagerly pointing south, where, look,
The daintiest, quickest-footed doe
Leaped over the fields and through the bushes
Beyond: her lively, delicate ears
Pricked up straight, and following her track
A dappled, long-striding pack.
Scarce had they cast eyes upon her,
When every heart was wagered on her,
And half in dread, and half delight,
They watched her lovely bounding flight;
As now across the flashing green,
p. 4And now
beneath the stately trees,
And now far distant in the dene,
She headed on with graceful ease:
Hanging aloft with doubled knees,
At times athwart some hedge or gate;
And slackening pace by slow degrees,
As for the foremost foe to wait.
Renewing her outstripping rate
Whene’er the hot pursuers neared,
By garden wall and paled estate,
Where clambering gazers whooped and cheered.
Here winding under elm and oak,
And slanting up the sunny hill:
Splashing the water here like smoke
Among the mill-holms round the mill.
Hardly had they laid eyes on her,
When every heart was put on the line for her,
Half in fear and half in joy,
They watched her beautiful, bounding flight;
Now across the bright green,
p. 4And now
beneath the grand trees,
And now far away in the valley,
She moved ahead with graceful ease:
Leaping high with bent knees,
Sometimes over a hedge or gate;
And slowing down gradually,
As if to let the leading opponent wait.
Picking up speed once more
Whenever the eager pursuers got close,
By garden walls and fenced estates,
Where climbing spectators yelled and cheered.
Here winding under elm and oak,
And heading up the sunny hill:
Splashing the water like mist
Among the mill-holms around the mill.
And—‘Let her go; she shows her
game,
My Nancy girl, my pet and treasure!’
The farmer sighed: his eyes with pleasure
Brimming: ‘’Tis my daughter’s name,
My second daughter lying yonder.’
And Willie’s eye in search did wander,
And caught at once, with moist regard,
The white gleams of a grey churchyard.
‘Three weeks before my girl had gone,
And while upon her pillows propped,
She lay at eve; the weakling fawn—
For still it seems a fawn just dropt
A se’nnight—to my Nancy’s bed
I brought to make my girl a gift:
The mothers of them both were dead:
And both to bless it was my drift,
By giving each a friend; not thinking
How rapidly my girl was sinking.
And I remember how, to pat
p. 5Its neck,
she stretched her hand so weak,
And its cold nose against her cheek
Pressed fondly: and I fetched the mat
To make it up a couch just by her,
Where in the lone dark hours to lie:
For neither dear old nurse nor I
Would any single wish deny her.
And there unto the last it lay;
And in the pastures cared to play
Little or nothing: there its meals
And milk I brought: and even now
The creature such affection feels
For that old room that, when and how,
’Tis strange to mark, it slinks and steals
To get there, and all day conceals.
And once when nurse who, since that time,
Keeps house for me, was very sick,
Waking upon the midnight chime,
And listening to the stair-clock’s click,
I heard a rustling, half uncertain,
Close against the dark bed-curtain:
And while I thrust my leg to kick,
And feel the phantom with my feet,
A loving tongue began to lick
My left hand lying on the sheet;
And warm sweet breath upon me blew,
And that ’twas Nancy then I knew.
So, for her love, I had good cause
To have the creature “Nancy” christened.’
And—‘Let her go; she’s showing her true colors,
My Nancy girl, my pet and treasure!’
The farmer sighed: his eyes filled with joy
Brimming: ‘That’s my daughter’s name,
My second daughter lying over there.’
And Willie’s gaze began to wander,
And instantly caught, with moist eyes,
The white gleams of a gray churchyard.
‘Three weeks before my girl had left,
And while she lay propped up on her pillows at dusk;
The frail fawn—
It still seems like a fawn just dropped
A week ago—to my Nancy’s bed
I brought it as a gift for her:
Both their mothers had passed away:
And my intention was to bless them both,
By giving each a friend; not realizing
How quickly my girl was fading.
And I remember how, to pet
p. 5Its neck,
She stretched out her weak hand,
And its cold nose pressed fondly against her cheek:
I brought the mat
To make a little couch by her side,
Where she could lie during the lonely dark hours:
For neither dear old nurse nor I
Would deny her a single wish.
And there it stayed until the end;
And in the meadows, it hardly played,
Only there for its meals
And milk that I brought: even now
The creature feels such affection
For that old room that, strangely enough,
It sneaks and hides away
To get there, and spends all day in concealment.
And once, when the nurse who since then,
Has been looking after me, was very sick,
Waking at the midnight chime,
And listening to the clock’s ticking,
I heard a rustling, somewhat uncertain,
Right by the dark bed-curtain:
And while I stretched out my leg to kick,
And touch the phantom with my feet,
A loving tongue began to lick
My left hand resting on the sheet;
And warm, sweet breath blew over me,
And that it was Nancy, I knew.
So, for love of her, I had good reason
To name the creature “Nancy.”’
‘Daily upon the meads to browse,
Goes Nancy with those dairy cows
You see behind the clematis:
And such a favourite she is,
That when fatigued, and helter skelter,
Among them from her foes to shelter,
She dashes when the chase is over,
They’ll close her in and give her cover,
And bend their horns against the hounds,
And low, and keep them out of bounds!
From the house dogs she dreads no harm,
And is good friends with all the farm,
Man, and bird, and beast, howbeit
Their natures seem so opposite.
And she is known for many a mile,
And noted for her splendid style,
For her clear leap and quick slight hoof;
Welcome she is in many a roof.
And if I say, I love her, man!
I say but little: her fine eyes full
Of memories of my girl, at Yule
And May-time, make her dearer than
Dumb brute to men has been, I think.
So dear I do not find her dumb.
I know her ways, her slightest wink,
So well; and to my hand she’ll come,
Sidelong, for food or a caress,
Just like a loving human thing.
Nor can I help, I do confess,
Some touch of human sorrowing
To think there may be such a doubt
p. 7That from
the next world she’ll be shut out,
And parted from me! And well I mind
How, when my girl’s last moments came,
Her soft eyes very soft and kind,
She joined her hands and prayed the same,
That she “might meet her father, mother,
Sister Bess, and each dear brother,
And with them, if it might be, one
Who was her last companion.”
Meaning the fawn—the doe you mark—
For my bay mare was then a foal,
And time has passed since then:—but hark!’
‘Every day in the meadows to graze,
Nancy goes with those dairy cows
You see behind the clematis:
And she’s such a favorite,
That when she’s tired and in a rush,
Hiding from her pursuers,
She bolts when the chase is done,
They’ll gather around and keep her safe,
And lower their horns against the hounds,
And moo, keeping them away!
She fears no harm from the house dogs,
And gets along with everyone on the farm,
Man, and bird, and beast, even though
Their natures seem so different.
And she is known for many miles,
And recognized for her amazing style,
For her clear jumps and quick, light hooves;
She’s welcome in many homes.
And if I say I love her, truly!
That’s just a small part: her beautiful eyes,
Full of memories of my girl, during Yule
And May-time, make her dearer than
Any dumb animal to men, I think.
So dear, I don’t find her dumb.
I know her ways, her littlest glance,
So well; and she’ll come to my hand,
Sideways, for food or a pat,
Just like a loving human might.
And I can’t help but feel, I admit,
A touch of human sorrow
To think there might be such a worry
p. 7That from
the next world she’ll be excluded,
And separated from me! And I remember
How, when my girl’s last moments came,
Her soft eyes, very gentle and kind,
She joined her hands and prayed the same,
That she “might meet her father, mother,
Sister Bess, and each dear brother,
And with them, if possible, one
Who was her last companion.”
Referring to the fawn—the doe you notice—
Because my bay mare was just a foal then,
And time has passed since then:—but listen!’
For like the shrieking of a soul
Shut in a tomb, a darkened cry
Of inward-wailing agony
Surprised them, and all eyes on each
Fixed in the mute-appealing speech
Of self-reproachful apprehension:
Knowing not what to think or do:
But Joan, recovering first, broke through
The instantaneous suspension,
And knelt upon the ground, and guessed
The bitterness at a glance, and pressed
Into the comfort of her breast
The deep-throed quaking shape that drooped
In misery’s wilful aggravation,
Before the farmer as he stooped,
Touched with accusing consternation:
Soothing her as she sobbed aloud:—
p. 8‘Not
me! not me! Oh, no, no, no!
Not me! God will not take me in!
Nothing can wipe away my sin!
I shall not see her: you will go;
You and all that she loves so:
Not me! not me! Oh, no, no, no!’
Colourless, her long black hair,
Like seaweed in a tempest tossed
Tangling astray, to Joan’s care
She yielded like a creature lost:
Yielded, drooping toward the ground,
As doth a shape one half-hour drowned,
And heaved from sea with mast and spar,
All dark of its immortal star.
And on that tender heart, inured
To flatter basest grief, and fight
Despair upon the brink of night,
She suffered herself to sink, assured
Of refuge; and her ear inclined
To comfort; and her thoughts resigned
To counsel; her wild hair let brush
From off her weeping brows; and shook
With many little sobs that took
Deeper-drawn breaths, till into sighs,
Long sighs, they sank; and to the ‘hush!’
Of Joan’s gentle chide, she sought
Childlike to check them as she ought,
Looking up at her infantwise.
And Willie, gazing on them both,
Shivered with bliss through blood and brain,
To see the darling of his troth
Like a maternal angel strain
The sinful and the sinless child
At once on either breast, and there
In peace and promise reconciled
Unite them: nor could Nature’s care
With subtler sweet beneficence
Have fed the springs of penitence,
Still keeping true, though harshly tried,
The vital prop of human pride.
For like the screaming of a soul
Trapped in a tomb, a dark cry
Of internal wailing agony
Caught them off guard, and all eyes on each
Fixed in the silent, pleading language
Of self-reproachful worry:
Not knowing what to think or do:
But Joan, recovering first, broke through
The sudden pause,
And knelt on the ground, and guessed
The bitterness at a glance, and pulled
Into the comfort of her chest
The trembling figure that drooped
In misery’s stubborn torment,
Before the farmer as he bent,
Touched with accusing alarm:
Soothing her as she cried out:—
p. 8‘Not me! not me! Oh, no, no, no!
Not me! God will not take me in!
Nothing can erase my sin!
I won’t see her: you will go;
You and all that she loves so:
Not me! not me! Oh, no, no, no!’
Pale, her long black hair,
Like seaweed tossed in a storm,
Tangling wildly, to Joan’s care
She surrendered like a lost creature:
Surrendered, drooping toward the ground,
Like something half an hour drowned,
And pulled from the sea with mast and spar,
All dark without its guiding star.
And on that tender heart, hardened
To flatter the lowest grief, and fight
Despair on the edge of night,
She let herself sink, relying
On refuge; and her ear leaned
To comfort; and her thoughts surrendered
To guidance; her wild hair brushed
From her weeping brows; and trembled
With many small sobs that took
Deeper breaths, until into sighs,
Long sighs, they sank; and to the ‘hush!’
Of Joan’s gentle scolding, she tried
Childlike to control them as she should,
Looking up at her innocently.
And Willie, watching them both,
Shivered with joy throughout his body and mind,
To see the love of his life
Like a maternal angel stretch
The sinful and the sinless child
At once on either side, and there
In peace and promise reconciled
Unite them: nor could Nature’s care
With subtler, sweeter kindness
Have nourished the roots of repentance,
Still keeping true, though tested harshly,
The vital support of human pride.
p. 9BEAUTY
ROHTRAUT
The text appears to be incomplete. Please provide a complete phrase or sentence for modernization.FROM MÖRICKE)
What is the name of
King Ringang’s daughter?
Rohtraut, Beauty Rohtraut!
And what does she do the livelong day,
Since she dare not knit and spin alway?
O hunting and fishing is ever her play!
And, heigh! that her huntsman I might be!
I’d hunt and fish right merrily!
Be silent,
heart!
What is the name of King Ringang’s daughter?
Rohtraut, beautiful Rohtraut!
And what does she do all day,
Since she can’t just knit and spin all the time?
Oh, hunting and fishing is always her game!
And, oh! how I wish I could be her huntsman!
I’d hunt and fish so happily!
Be quiet, heart!
And it chanced that, after this some
time,—
Rohtraut, Beauty Rohtraut,—
The boy in the Castle has gained access,
And a horse he has got and a huntsman’s dress,
To hunt and to fish with the merry Princess;
And, O! that a king’s son I might be!
Beauty Rohtraut I love so tenderly.
Hush! hush! my
heart.
And it happened that, after a while,—
Rohtraut, beautiful Rohtraut,—
The boy in the castle has gained entry,
And he has a horse and a huntsman's outfit,
To hunt and fish with the cheerful princess;
And oh! how I wish I could be a king's son!
I love beautiful Rohtraut so dearly.
Hush! hush! my heart.
Under a grey old oak they sat,
Beauty, Beauty Rohtraut!
She laughs: ‘Why look you so slyly at me?
If you have heart enough, come, kiss me.’
Cried the breathless boy, ‘kiss thee?’
But he thinks, kind fortune has favoured my youth;
And thrice he has kissed Beauty Rohtraut’s mouth.
Down! down! mad
heart.
Under a grey old oak they sat,
Beauty, Beauty Rohtraut!
She laughs: ‘Why are you looking at me like that?
If you’re brave enough, come kiss me.’
The breathless boy exclaimed, ‘Kiss you?’
But he thinks, lucky fate has smiled on my youth;
And three times he has kissed Beauty Rohtraut’s lips.
Down! down! crazy heart.
p.
10Then slowly and silently they rode home,—
Rohtraut, Beauty Rohtraut!
The boy was lost in his delight:
‘And, wert thou Empress this very night,
I would not heed or feel the blight;
Ye thousand leaves of the wild wood wist
How Beauty Rohtraut’s mouth I kiss’d.
Hush! hush! wild
heart.’
p. 10Then slowly and quietly, they rode home,—
Rohtraut, beautiful Rohtraut!
The boy was completely enchanted:
‘And if you were Empress this very night,
I wouldn’t care or feel the sting;
Those thousand leaves of the wild woods knew
How I kissed the lips of beautiful Rohtraut.
Hush! hush! wild heart.’
p. 11THE OLIVE BRANCH
A dove flew with an
Olive Branch;
It crossed the sea and reached the shore,
And on a ship about to launch
Dropped down the happy sign it bore.
A dove (the bird) flew with an
Olive Branch;
It crossed the sea and reached the shore,
And on a ship about to launch
Dropped down the happy sign it carried.
‘An omen’ rang the glad acclaim!
The Captain stooped and picked it up,
‘Be then the Olive Branch her name,’
Cried she who flung the christening cup.
‘An omen!’ rang the joyful cheers!
The Captain bent down and picked it up,
‘Let the Olive Branch be her name,’
Cried the one who threw the christening cup.
The vessel took the laughing tides;
It was a joyous revelry
To see her dashing from her sides
The rough, salt kisses of the sea.
The boat danced with the playful waves;
It was a joyful celebration
To watch her glide from her sides
The harsh, salty kisses of the ocean.
And forth into the bursting foam
She spread her sail and sped away,
The rolling surge her restless home,
Her incense wreaths the showering spray.
And out into the crashing waves
She unfurled her sail and took off,
The rolling surf her endless home,
Her scent mingles with the splashing spray.
Far out, and where the riot waves
Run mingling in tumultuous throngs,
She danced above a thousand graves,
And heard a thousand briny songs.
Far away, where the chaotic waves
Mix together in restless crowds,
She danced over a thousand graves,
And listened to a thousand salty songs.
Her mission with her manly crew,
Her flag unfurl’d, her title told,
She took the Old World to the New,
And brought the New World to the Old.
Her mission with her strong crew,
Her flag raised high, her name declared,
She brought the Old World to the New,
And carried the New World back to the Old.
To her no more the bastioned fort
Shot out its swarthy tongue of fire;
From bay to bay, from port to port,
Her coming was the world’s desire.
To her, the fortified castle
No longer shot out its dark flames;
From bay to bay, from port to port,
Everyone longed for her arrival.
And tho’ the tempest lashed her oft,
And tho’ the rocks had hungry teeth,
And lightnings split the masts aloft,
And thunders shook the planks beneath,
And though the storm beat against her often,
And though the rocks had sharp edges,
And lightning struck the masts above,
And thunder shook the boards below,
And tho’ the storm, self-willed and
blind,
Made tatters of her dauntless sail,
And all the wildness of the wind
Was loosed on her, she did not fail;
And though the storm, stubborn and
blind,
Ripped her fearless sail to shreds,
And all the chaos of the wind
Was unleashed on her, she did not falter;
But gallantly she ploughed the main,
And gloriously her welcome pealed,
And grandly shone to sky and plain
The goodly bales her decks revealed;
But boldly she sailed the sea,
And wonderfully her welcome rang,
And brilliantly shone to sky and land
The fine goods her decks displayed;
Brought from the fruitful eastern glebes
Where blow the gusts of balm and spice,
Or where the black blockaded ribs
Are jammed ’mongst ghostly fleets of ice,
Brought from the fertile Eastern lands
Where the winds carry sweet scents and spice,
Or where the dark, trapped hulls
Are stuck among eerie fleets of ice,
Or where upon the curling hills
Glow clusters of the bright-eyed grape,
Or where the hand of labour drills
The stubbornness of earth to shape;
Or where on the rolling hills
Glow groups of bright-eyed grapes,
Or where the laborer's hand digs
To shape the stubborn earth;
Come, read the meaning of the deep!
The use of winds and waters learn!
’Tis not to make the mother weep
For sons that never will return;
Come, read the meaning of the deep!
Learn the ways of winds and waters!
It's not to make the mother cry
For sons who will never come back;
’Tis not to make the nations show
Contempt for all whom seas divide;
’Tis not to pamper war and woe,
Nor feed traditionary pride;
It’s not to make the nations display
Disdain for everyone the seas separate;
It’s not to indulge in war and suffering,
Nor to fuel traditional pride;
’Tis not to make the floating bulk
Mask death upon its slippery deck,
Itself in turn a shattered hulk,
A ghastly raft, a bleeding wreck.
It’s not to make the floating mass
Hide death on its slick surface,
Itself eventually a broken wreck,
A horrifying raft, a bleeding disaster.
It is to knit with loving lip
The interests of land to land;
To join in far-seen fellowship
The tropic and the polar strand.
It is to connect with affectionate words
The interests of one land to another;
To unite in a distant friendship
The tropical and polar shores.
It is to make that foaming Strength
Whose rebel forces wrestle still
Thro’ all his boundaried breadth and length
Become a vassal to our will.
It is to create that bubbling Strength
Whose rebellious forces still struggle
Through all its defined width and length
To become a servant to our will.
It is to make the various skies,
And all the various fruits they vaunt,
And all the dowers of earth we prize,
Subservient to our household want.
It’s to create the different skies,
And all the different fruits they brag about,
And all the treasures of the earth we value,
To serve our home needs.
The wild Atlantic’s weltering gloom,
Earth-clasping seas of North and South,
The Baltic with its amber spume,
The Caspian with its frozen mouth;
The wild Atlantic's churning darkness,
Seas surrounding the North and South,
The Baltic with its amber foam,
The Caspian with its icy shore;
The broad Pacific, basking bright,
And girdling lands of lustrous growth,
Vast continents and isles of light,
Dumb tracts of undiscovered sloth;
The wide Pacific, shining bright,
Encircling lands of vibrant growth,
Huge continents and islands of light,
Silent areas of undiscovered laziness;
She visits these, traversing each;
They ripen to the common sun;
Thro’ diverse forms and different speech,
The world’s humanity is one.
She visits each of them;
They grow under the same sun;
Through various forms and different languages,
All of humanity is one.
O may her voice have power to say
How soon the wrecking discords cease,
When every wandering wave is gay
With golden argosies of peace!
O may her voice have the power to say
How soon the destructive discord ends,
When every wandering wave is happy
With golden fleets of peace!
Now when the ark of human fate,
Long baffled by the wayward wind,
Is drifting with its peopled freight,
Safe haven on the heights to find;
Now when the ark of human fate,
Long confused by the unpredictable wind,
Is floating with its crowded load,
A safe haven on the heights to find;
Safe haven from the drowning slime
Of evil deeds and Deluge wrath;—
To plant again the foot of Time
Upon a purer, firmer path;
Safe haven from the drowning muck
Of wicked actions and flood's rage;—
To stand once more on the foot of Time
On a cleaner, stronger path;
On strengthened wing for evermore,
Let Science, swiftly as she can,
Fly seaward on from shore to shore,
And bind the links of man to man;
On strong wings forever,
Let Science, as fast as she can,
Fly across the sea from shore to shore,
And connect the bonds between people;
And like that fair propitious Dove
Bless future fleets about to launch;
Make every freight a freight of love,
And every ship an Olive Branch.
And just like that beautiful, helpful Dove
Bring good luck to future fleets about to set sail;
Let every cargo be a load of love,
And every ship be an Olive Branch.
p. 16SONG
Love within the
lover’s breast
Burns like Hesper in the west,
O’er the ashes of the sun,
Till the day and night are done;
Then when dawn drives up her car—
Lo! it is the morning star.
Love in the
lover’s heart
Burns like the evening star,
Over the sun's remnants,
Until day and night are finished;
Then when dawn arrives—
Look! It’s the morning star.
Love! thy love pours down on mine
As the sunlight on the vine,
As the snow-rill on the vale,
As the salt breeze in the sail;
As the song unto the bird,
On my lips thy name is heard.
Love! your love falls on me
Like sunlight on the vine,
Like snowmelt in the valley,
Like the salty breeze in the sail;
Like a song to the bird,
Your name is on my lips.
As a dewdrop on the rose
In thy heart my passion glows,
As a skylark to the sky
Up into thy breast I fly;
As a sea-shell of the sea
Ever shall I sing of thee.
As a dewdrop on the rose
My passion shines in your heart,
Like a skylark to the sky
I soar into your heart;
Like a sea-shell from the sea
I will always sing of you.
p. 17THE WILD ROSE AND THE SNOWDROP
The Snowdrop is the
prophet of the flowers;
It lives and dies upon its bed of snows;
And like a thought of spring it comes and goes,
Hanging its head beside our leafless bowers.
The sun’s betrothing kiss it never knows,
Nor all the glowing joy of golden showers;
But ever in a placid, pure repose,
More like a spirit with its look serene,
Droops its pale cheek veined thro’ with infant green.
The Snowdrop is the
messenger of flowers;
It thrives and fades upon its snowy bed;
And like a thought of spring, it appears and disappears,
Drooping its head beside our bare trees.
The sun’s loving kiss it never feels,
Nor the vibrant joy of golden rain;
But always in a calm, pure rest,
More like a spirit with its peaceful gaze,
Bows its pale cheek lined with tender green.
Queen of her sisters is the sweet Wild Rose,
Sprung from the earnest sun and ripe young June;
The year’s own darling and the Summer’s Queen!
Lustrous as the new-throned crescent moon.
Much of that early prophet look she shows,
Mixed with her fair espoused blush which glows,
As if the ethereal fairy blood were seen;
Like a soft evening over sunset snows,
Half twilight violet shade, half crimson sheen.
Queen of her sisters is the sweet Wild Rose,
Born from the warm sun and the youthful June;
The year’s own favorite and the Summer’s Queen!
Shining like the new-crowned crescent moon.
She has that early prophetic look, you know,
Mixed with her lovely glowing blush,
As if her fairy blood is visible;
Like a gentle evening over sunset snows,
Half twilight violet hue, half crimson glow.
Twin-born are both in beauteousness, most
fair
In all that glads the eye and charms the air;
In all that wakes emotions in the mind
And sows sweet sympathies for human kind.
Twin-born, albeit their seasons are apart,
They bloom together in the thoughtful heart;
Fair symbols of the marvels of our state,
Mute speakers of the oracles of fate!
Twin-born are both so beautiful and fair
In everything that delights the eye and charms the air;
In everything that stirs feelings in the mind
And spreads sweet connections for humankind.
Twin-born, even though their times are separate,
They flourish together in the thoughtful heart;
Lovely symbols of the wonders of our condition,
Quiet messengers of fate's predictions!
p.
18For each, fulfilling nature’s law, fulfils
Itself and its own aspirations pure;
Living and dying; letting faith ensure
New life when deathless Spring shall touch the hills.
Each perfect in its place; and each content
With that perfection which its being meant:
Divided not by months that intervene,
But linked by all the flowers that bud between.
Forever smiling thro’ its season brief,
The one in glory and the one in grief:
Forever painting to our museful sight,
How lowlihead and loveliness unite.
p. 18For each, following nature's law, fulfills
Itself and its own pure desires;
Living and dying; trusting faith to ensure
New life when eternal Spring touches the hills.
Each perfect in its place; and each satisfied
With that perfection which its existence means:
Not divided by the months that come and go,
But connected by all the flowers that bloom between.
Forever smiling through its brief season,
One in glory and the other in sorrow:
Forever showing to our creative sight,
How simplicity and beauty come together.
Born from the first blind yearning of the
earth
To be a mother and give happy birth,
Ere yet the northern sun such rapture brings,
Lo, from her virgin breast the Snowdrop springs;
And ere the snows have melted from the grass,
And not a strip of greensward doth appear,
Save the faint prophecy its cheeks declare,
Alone, unkissed, unloved, behold it pass!
While in the ripe enthronement of the year,
Whispering the breeze, and wedding the rich air
With her so sweet, delicious bridal breath,—
Odorous and exquisite beyond compare,
And starr’d with dews upon her forehead clear,
Fresh-hearted as a Maiden Queen should be
Who takes the land’s devotion as her fee,—
The Wild Rose blooms, all summer for her dower,
Nature’s most beautiful and perfect flower.
Born from the earth's first blind desire
To be a mother and give joyful birth,
Before the northern sun brings such joy,
Look, from her untouched breast the Snowdrop rises;
And before the snows have melted from the grass,
And there's not a patch of green to be seen,
Except for the faint sign on her cheeks,
Alone, unkissed, unloved, watch it pass!
While in the lush peak of the year,
The breeze whispers, and marries the rich air
With her sweet, delightful bridal breath,—
Fragrant and exquisite beyond compare,
And sprinkled with dewdrops on her clear forehead,
Fresh and lively like a Maiden Queen should be
Who accepts the land's devotion as her fee,—
The Wild Rose blooms, all summer for her gift,
Nature's most beautiful and perfect flower.
p. 19THE DEATH OF WINTER
When April with her
wild blue eye
Comes dancing over the grass,
And all the crimson buds so shy
Peep out to see her pass;
As lightly she loosens her showery locks
And flutters her rainy wings;
Laughingly stoops
To the glass of
the stream,
And loosens and loops
Her hair by the
gleam,
While all the young villagers blithe as the flocks
Go frolicking round in rings;—
Then Winter, he who tamed the fly,
Turns on his back and prepares to die,
For he cannot live longer under the sky.
When April, with her
bright blue eye
Comes dancing over the grass,
And all the shy crimson buds
Peek out to see her pass;
As lightly she shakes out her shower of hair
And flutters her rainy wings;
Laughing, she leans
Over the stream,
And loosens and loops
Her hair in the gleam,
While all the young villagers, cheerful as flocks,
Go frolicking around in circles;—
Then Winter, who tamed the fly,
Turns on his back and gets ready to die,
For he can’t stay alive any longer under the sky.
Down the valleys glittering green,
Down from the hills in snowy rills,
He melts between the border sheen
And leaps the flowery verges!
He cannot choose but brighten their hues,
And tho’ he would creep, he fain must leap,
For the quick Spring spirit urges.
Down the vale and down the dale
He leaps and lights, till his moments fail,
Buried in blossoms red and pale,
While the sweet birds sing his dirges!
Down the shimmering green valleys,
Down from the snowy hills,
He melts into the shining edge
And jumps over the blooming edges!
He can't help but brighten their colors,
And even though he wants to move slowly, he has to jump,
Because the lively Spring spirit pushes him on.
Down the valley and down the path
He jumps and shines, until his moments fade,
Buried in red and pale blossoms,
While the lovely birds sing his farewell!
p.
20O Winter! I’d live that life of thine,
With a frosty brow and an icicle tongue,
And never a song my whole life long,—
Were such delicious burial mine!
To die and be buried, and so remain
A wandering brook in April’s train,
Fixing my dying eyes for aye
On the dawning brows of maiden May.
p. 20Oh Winter! I would embrace your life,
With a chilly forehead and a tongue like ice,
And never a song my entire life long,—
If such a delightful resting place could be mine!
To die and be buried, and stay that way
As a wandering brook in April’s wake,
Setting my dying eyes forever
On the blooming face of young May.
p. 21SONG
The moon is alone in the sky
As thou in my soul;
The sea takes her image to lie
Where the white ripples roll
All night in a
dream,
With the light
of her beam,
Hushedly, mournfully, mistily up to the shore.
The pebbles
speak low
In the ebb and
the flow,
As I when thy voice came at intervals, tuned to adore:
Nought other
stirred
Save my heart
all unheard
Beating to bliss that is past evermore.
The moon stands alone in the sky
Just like you in my soul;
The sea reflects her image to rest
Where the white waves roll
All night in a
dream,
With the light
of her beam,
Softly, sadly, hazily reaching the shore.
The pebbles
whisper low
In the ebb and
the flow,
Just like I did when your voice came in moments, tuned to admire:
Nothing else
moved
Except my heart
all unheard
Pounding for happiness that is gone forever.
JOHN LACKLAND
A wicked man is bad enough on earth;
But O the baleful lustre of a chief
Once pledged in tyranny! O star of dearth
Darkly illumining a nation’s grief!
How many men have worn thee on their brows!
Alas for them and us! God’s precious
gift
Of gracious dispensation got by theft—
The damning form of false unholy vows!
The thief of God and man must have his fee:
And thou, John Lackland, despicable prince—
Basest of England’s banes before or since!
Thrice traitor, coward, thief! O thou shalt
be
The historic warning, trampled and abhorr’d
Who dared to steal and stain the symbols of the Lord!
A awesome man is bad enough on earth;
But oh, the devastating glow of a leader
Once committed to tyranny! Oh, star of emptiness
Darkly shining a light on a nation’s sorrow!
How many men have worn you on their heads!
Alas for them and us! God’s precious
Gift of gracious providence stolen—
The cursed form of false, unholy vows!
The thief of God and man must pay his price:
And you, John Lackland, despicable prince—
Lowest of England’s curses before or since!
Thrice traitor, coward, thief! Oh, you shall be
The historical warning, trampled and hated
Who dared to steal and tarnish the symbols of the Lord!
p. 22THE SLEEPING CITY
A Princess in the
eastern tale
Paced thro’ a marble city pale,
And saw in ghastly shapes of stone
The sculptured life she breathed alone;
A Princess in the
eastern tale
Walked through a pale marble city,
And saw in eerie stone shapes
The sculpted life she lived by herself;
Saw, where’er her eye might range,
Herself the only child of change;
And heard her echoed footfall chime
Between Oblivion and Time;
Saw, wherever her eye could see,
She was the only one who changed;
And she heard her echoed footsteps sound
Between Forgetting and Time;
And in the squares where fountains played,
And up the spiral balustrade,
Along the drowsy corridors,
Even to the inmost sleeping floors,
And in the squares where fountains splashed,
And up the spiral railing,
Through the sleepy hallways,
Even to the deepest sleeping areas,
Surveyed in wonder chilled with dread
The seemingness of Death, not dead;
Life’s semblance but without its storm,
And silence frosting every form;
Surveyed in awe, filled with fear
The appearance of Death, not truly gone;
Life's illusion but without its chaos,
And silence covering everything;
Crowned figures, cold and grouping slaves,
Like suddenly arrested waves
About to sink, about to rise,—
Strange meaning in their stricken eyes;
Crowned figures, cold and gathering slaves,
Like suddenly stopped waves
About to sink, about to rise,—
Strange meaning in their troubled eyes;
And cloths and couches live with flame
Of leopards fierce and lions tame,
And hunters in the jungle reed,
Thrown out by sombre glowing brede;
And fabrics and sofas are alive with fire
Of fierce leopards and gentle lions,
And hunters in the jungle grass,
Cast out by dark, glowing scenes;
On palaces and column’d towers,
Unconscious of the stony hours;
Harsh gateways startled at a sound,
With burning lamps all burnish’d round;—
On palaces and columned towers,
Unaware of the stony hours;
Harsh gateways startled by a sound,
With burning lamps all polished around;—
Surveyed in awe this wealth and state,
Touched by the finger of a Fate,
And drew with slow-awakening fear
The sternness of the atmosphere;—
Surveyed in wonder this wealth and condition,
Touched by the hand of Fate,
And felt with a gradually rising fear
The seriousness of the atmosphere;—
And gradually, with stealthier foot,
Became herself a thing as mute,
And listened,—while with swift alarm
Her alien heart shrank from the charm;
And slowly, with quieter steps,
She turned into something as silent,
And listened,—while with quick fear
Her unfamiliar heart recoiled from the allure;
Yet as her thoughts dilating rose,
Took glory in the great repose,
And over every postured form
Spread lava-like and brooded warm,—
Yet as her thoughts expanded and grew,
Took pride in the peaceful view,
And over every poised shape
Spread like lava and warmed the landscape,—
And fixed on every frozen face
Beheld the record of its race,
And in each chiselled feature knew
The stormy life that once blushed thro’;—
And focused on every frozen face
Saw the record of its lineage,
And in each carved feature recognized
The turbulent life that once flowed through;—
The ever-present of the past
There written; all that lightened last,
Love, anguish, hope, disease, despair,
Beauty and rage, all written there;—
The constant presence of the past
There it's written; everything that shone bright,
Love, pain, hope, sickness, despair,
Beauty and anger, all captured there;—
Like such a one I pace along
This City with its sleeping throng;
Like her with dread and awe, that turns
To rapture, and sublimely yearns;—
Like someone like that, I walk through
This City with its sleeping crowd;
Like her, filled with fear and wonder, that shifts
To excitement, and deeply longs;—
For now the quiet stars look down
On lights as quiet as their own;
The streets that groaned with traffic show
As if with silence paved below;
For now, the quiet stars look down
On lights as calm as their own;
The streets that used to be filled with traffic show
As if silenced and paved below;
The latest revellers are at peace,
The signs of in-door tumult cease,
From gay saloon and low resort,
Comes not one murmur or report:
The latest partiers are at peace,
The signs of indoor chaos stop,
From lively bar and shady spot,
Not a single murmur or report comes:
The clattering chariot rolls not by,
The windows show no waking eye,
The houses smoke not, and the air
Is clear, and all the midnight fair.
The loud chariot doesn't roll by,
The windows reveal no waking eyes,
The houses don't smoke, and the air
Is clear, and everything's peaceful at midnight.
The centre of the striving world,
Round which the human fate is curled,
To which the future crieth wild,—
Is pillowed like a cradled child.
The center of the striving world,
Around which human fate revolves,
To which the future cries out wild,—
Is cradled like a sleeping child.
The palace roof that guards a crown,
The mansion swathed in dreamy down,
Hovel, court, and alley-shed,
Sleep in the calmness of the dead.
The palace roof that protects a crown,
The mansion wrapped in soft dreams,
Shack, estate, and back alley,
Rest in the stillness of the dead.
Whose yellowing crescent down the West
Leans listening, now when every breast
Its basest or its purest heaves,
The soul that joys, the soul that grieves;—
Whose yellowing crescent in the West
Leans in to listen, now when every heart
Its lowest or its highest beats,
The soul that rejoices, the soul that mourns;—
While Fame is crowning happy brows
That day will blindly scorn, while vows
Of anguished love, long hidden, speak
From faltering tongue and flushing cheek
While Fame is celebrating joyful people
That day will thoughtlessly ignore, while promises
Of painful love, long kept secret, express
From a trembling tongue and blushing cheek
The language only known to dreams,
Rich eloquence of rosy themes!
While on the Beauty’s folded mouth
Disdain just wrinkles baby youth;
The language only known to dreams,
Rich eloquence of rosy themes!
While on the beauty’s closed lips
Disdain just creases youthful beauty;
While Poverty dispenses alms
To outcasts, bread, and healing balms;
While old Mammon knows himself
The greatest beggar for his pelf;
While poverty gives out charity
To outcasts, food, and healing remedies;
While old Mammon recognizes himself
As the biggest beggar for his wealth;
While noble things in darkness grope,
The Statesman’s aim, the Poet’s hope;
The Patriot’s impulse gathers fire,
And germs of future fruits aspire;—
While noble things feel their way in the dark,
The Statesman's goal, the Poet's dream;
The Patriot's drive sparks with passion,
And the seeds of future success reach for the light;—
Now while dumb nature owns its links,
And from one common fountain drinks,
Methinks in all around I see
This Picture in Eternity;—
Now while simple nature has its connections,
And drinks from one shared source,
I feel like I see all around me
This image of Eternity;—
And in the Gorgon’s glance for aye
The lifeless immortality
Reveals in sculptured calmness all
Its latest life beyond recall.
And in the Gorgon’s stare forever
The lifeless immortality
Shows in carved stillness all
Its most recent life that can’t be remembered.
p. 27THE POETRY OF CHAUCER
Grey with all honours of age! but
fresh-featured and ruddy
As dawn when the drowsy farm-yard has thrice heard
Chaunticlere.
Tender to tearfulness—childlike, and manly,
and motherly;
Here beats true English blood richest joyance on sweet English
ground.
Gray with all the honors of age! but
fresh-faced and rosy
Like dawn when the sleepy farmyard has heard
the rooster crow three times.
Tender to the point of tears—childlike, yet strong,
and nurturing;
Here beats true English blood, filled with joy on sweet English
soil.
THE POETRY OF SPENSER
Lakes where the sunsheen is mystic with
splendour and softness;
Vales where sweet life is all Summer with golden
romance:
Forests that glimmer with twilight round
revel-bright palaces;
Here in our May-blood we wander, careering ’mongst ladies
and knights.
Lakes where the sunlight shines beautifully with brilliance and warmth;
Valleys where sweet life feels like eternal Summer filled with golden romance:
Forests that sparkle with twilight around vibrant palaces;
Here in our youthful energy we wander, roaming among ladies and knights.
p. 28THE POETRY OF SHAKESPEARE
Picture some Isle smiling green ’mid
the white-foaming ocean;—
Full of old woods, leafy wisdoms, and frolicsome
fays;
Passions and pageants; sweet love singing bird-like
above it;
Life in all shapes, aims, and fates, is there warm’d by one
great human heart.
Image an island smiling green in the white-foaming ocean;—
Full of ancient woods, leafy wisdoms, and playful fairies;
Passions and celebrations; sweet love singing like a bird above it;
Life in all its forms, goals, and destinies, is there warmed by one
great human heart.
THE POETRY OF MILTON
Like to some deep-chested organ whose grand
inspiration,
Serenely majestic in utterance, lofty and calm,
Interprets to mortals with melody great as its
burthen
The mystical harmonies chiming for ever throughout the bright
spheres.
Like to some deep-throated instrument whose grand inspiration,
Serenely majestic in its sound, lofty and calm,
Translates to humans with a melody as great as its weight
The mystical harmonies ringing out forever through the bright spheres.
p. 29THE POETRY OF SOUTHEY
Keen as an eagle whose flight towards the
dim empyréan
Fearless of toil or fatigue ever royally wends!
Vast in the cloud-coloured robes of the
balm-breathing Orient
Lo! the grand Epic advances, unfolding the humanest truth.
Excited like an eagle soaring toward the distant sky
Unafraid of hard work or exhaustion, it proudly glides!
Dressed in the vast, soft colors of the soothing East
Look! The great story unfolds, revealing the deepest truths about humanity.
THE POETRY OF COLERIDGE
A brook glancing under green leaves,
self-delighting, exulting,
And full of a gurgling melody ever renewed—
Renewed thro’ all changes of Heaven, unceasing
in sunlight,
Unceasing in moonlight, but hushed in the beams of the holier
orb.
A stream shimmering under green leaves,
happy and joyous,
And full of a constantly refreshed gurgling melody—
Renewed through all the changes of the sky, constantly
in sunlight,
Constantly in moonlight, but quiet in the light of the holier
orb.
p. 30THE POETRY OF SHELLEY
See’st thou a Skylark whose glistening
winglets ascending
Quiver like pulses beneath the melodious dawn?
Deep in the heart-yearning distance of heaven it
flutters—
Wisdom and beauty and love are the treasures it brings down at
eve.
Do you see? a skylark whose shining wings rising
tremble like beats beneath the cheerful dawn?
Deep in the longing distance of the sky it flutters—
Wisdom, beauty, and love are the gifts it brings down at night.
THE POETRY OF WORDSWORTH
A breath of the mountains, fresh born in the
regions majestic,
That look with their eye-daring summits deep into
the sky.
The voice of great Nature; sublime with her lofty
conceptions,
Yet earnest and simple as any sweet child of the green lowly
vale.
A breath of the mountains, newly formed in the
majestic regions,
That gaze with their eye-catching peaks deep into
the sky.
The voice of great Nature; elevated with her grand
ideas,
Yet sincere and simple like any sweet child of the green, gentle
valley.
p. 31THE POETRY OF KEATS
The song of a nightingale sent thro’ a
slumbrous valley,
Low-lidded with twilight, and tranced with the
dolorous sound,
Tranced with a tender enchantment; the yearning of
passion
That wins immortality even while panting delirious with
death.
The song of a nightingale echoed through a
sleepy valley,
Heavy with twilight, and entranced by the
sorrowful sound,
Captivated by a gentle magic; the desire of
passion
That achieves immortality even while gasping in a frenzy with
death.
VIOLETS
Violets, shy
violets!
How many hearts with you compare!
Who hide themselves in thickest
green,
And thence, unseen,
Ravish the enraptured air
With sweetness, dewy fresh and rare!
Violets, shy
violets!
How many hearts are like yours!
Who hide themselves in the densest
green,
And from there, unseen,
Captivate the enthralled air
With sweetness, dewy fresh and rare!
Violets, shy violets!
Human hearts to me shall be
Viewless violets in the grass,
And as I pass,
Odours and sweet imagery
Will wait on mine and gladden me!
Violets, shy violets!
Human hearts to me will be
Invisible violets in the grass,
And as I walk by,
Scents and sweet images
Will follow me and bring me joy!
p. 32ANGELIC LOVE
Angelic love that
stoops with heavenly lips
To meet its earthly mate;
Heroic love that to its sphere’s eclipse
Can dare to join its fate
With one beloved devoted human heart,
And share with it the passion and the smart,
The undying
bliss
Of its most
fleeting kiss;
The fading
grace
Of its most
sweet embrace:—
Angelic love, heroic love!
Whose birth can only be above,
Whose wandering must be on earth,
Whose haven where it first had birth!
Love that can part with all but its own worth,
And joy in every sacrifice
That beautifies its Paradise!
And gently, like a golden-fruited vine,
With earnest tenderness itself consign,
And creeping up deliriously entwine
Its dear
delicious arms
Round the beloved being!
With fair
unfolded charms,
All-trusting, and all-seeing,—
Grape-laden with full bunches of young wine!
While to the panting heart’s dry yearning drouth
Buds the rich dewy mouth—
p. 33Tenderly
uplifted,
Like two
rose-leaves drifted
Down in a long warm sigh of the sweet South!
Such love, such
love is thine,
Such heart is
mine,
O thou of mortal visions most divine!
Heavenly love that
stoops with heavenly lips
To meet its earthly mate;
Heroic love that can face its sphere’s eclipse
And dare to join its fate
With one devoted human heart,
And share with it the passion and the pain,
The undying bliss
Of its most fleeting kiss;
The fading grace
Of its sweetest embrace:—
Angelic love, heroic love!
Whose birth can only be above,
Whose wandering must be on earth,
Whose haven where it first had birth!
Love that can part with everything but its worth,
And find joy in every sacrifice
That beautifies its Paradise!
And gently, like a vine with golden fruit,
With earnest tenderness it entwines,
And climbing up, deliriously embraces
Its dear delicious arms
Round the beloved being!
With fair unfolded charms,
All-trusting and all-seeing,—
Grape-laden with bunches of young wine!
While to the panting heart’s dry yearning thirst
Buds the rich dewy mouth—
p. 33Tenderly lifted,
Like two rose leaves drifting
Down in a long warm sigh of the sweet South!
Such love, such love is yours,
Such heart is mine,
O you of mortal visions most divine!
p. 34TWILIGHT MUSIC
Know you the low pervading breeze
That softly sings
In the trembling leaves of twilight trees,
As if the wind were dreaming on its wings?
And have you marked their still degrees
Of ebbing melody, like the strings
Of a silver harp swept by a spirit’s hand
In some strange glimmering
land,
’Mid gushing springs,
And glistenings
Of waters and of planets, wild and grand!
And have you marked in that still time
The chariots of those shining cars
Brighten upon the hushing dark,
And bent to hark
That Voice, amid the poplar and the lime,
Pause in the dilating lustre
Of the spheral cluster;
Pause but to renew its sweetness, deep
As dreams of heaven to souls that sleep!
And felt, despite earth’s jarring wars,
When day is done
And dead the sun,
Still a voice divine can sing,
Still is there sympathy can bring
A whisper from the stars!
Ah, with this sentience quickly will you know
p. 35How like a
tree I tremble to the tones
Of your sweet voice!
How keenly I rejoice
When in me with sweet motions slow
The spiritual music ebbs and moans—
Lives in the lustre of those heavenly eyes,
Dies in the light of its own paradise,—
Dies, and relives eternal from its death,
Immortal melodies in each deep breath;
Sweeps thro’ my being, bearing up to thee
Myself, the weight of its eternity;
Till, nerved to life from its ordeal fire,
It marries music with the human lyre,
Blending divine delight with loveliest desire.
Do you know the gentle breeze
That softly sings
In the shivering leaves of twilight trees,
As if the wind were dreaming on its way?
And have you noticed their quiet tones
Of fading melody, like the strings
Of a silver harp played by a spirit’s hand
In some mysterious
land,
Among flowing springs,
And glimmerings
Of waters and of stars, wild and grand?
And have you noticed in that calm time
The shining rides of those bright cars
Light up the quiet dark,
And paused to listen
To that Voice, among the poplar and the lime,
Stop in the expanding glow
Of the starry cluster;
Pause just to renew its sweetness, deep
As dreams of heaven to souls that sleep!
And felt, despite life’s harsh wars,
When day is done
And the sun has set,
Still a divine voice can sing,
Still is there sympathy to bring
A whisper from the stars!
Ah, with this feeling you will quickly know
p. 35How I tremble like a
tree at the sounds
Of your sweet voice!
How deeply I rejoice
When within me, with gentle motions slow,
The spiritual music ebbs and moans—
Lives in the shine of those heavenly eyes,
Dies in the light of its own paradise,—
Dies, and comes back to life from its death,
Immortal melodies in each deep breath;
Flows through my being, lifting to you
Myself, the weight of its eternity;
Till, strengthened by its fiery trial,
It unites music with the human heart,
Blending divine joy with the loveliest desire.
p. 36REQUIEM
Where faces are
hueless, where eyelids are dewless,
Where passion is silent and hearts never crave;
Where thought hath no theme, and where sleep hath no dream,
In patience and peace thou art gone—to thy
grave!
Gone where no warning can wake thee to morning,
Dead tho’ a thousand hands stretch’d out
to save.
Where's it at? faces are
pale, where eyelids are dry,
Where passion is quiet and hearts never yearn;
Where thought has no subject, and where sleep has no dreams,
In patience and peace you have gone—to your
grave!
Gone where no call can wake you to morning,
Dead even though a thousand hands reach out
to save.
Thou cam’st to us sighing, and singing
and dying,
How could it be otherwise, fair as thou wert?
Placidly fading, and sinking and shading
At last to that shadow, the latest desert;
Wasting and waning, but still, still remaining.
Alas for the hand that could deal the
death-hurt!
You came to us sighing, singing,
and dying,
How could it be any different, as beautiful as you were?
Calmly fading, sinking, and fading away
At last into that shadow, the final desert;
Wasting and diminishing, but still, still remaining.
Alas for the hand that could deliver the
death-blow!
The Summer that brightens, the Winter that
whitens,
The world and its voices, the sea and the sky,
The bloom of creation, the tie of relation,
All—all is a blank to thine ear and thine
eye;
The ear may not listen, the eye may not glisten,
Nevermore waked by a smile or a sigh.
The summer that brings warmth, the winter that covers everything in white,
The world and its sounds, the ocean and the sky,
The beauty of creation, the bond of connection,
Everything—it's all meaningless to your ear and your eye;
The ear can't hear, the eye can't shine,
Never again stirred by a smile or a sigh.
The tree that is rootless must ever be
fruitless;
And thou art alone in thy death and thy birth;
No last loving token of wedded love broken,
No sign of thy singleness, sweetness and worth;
Lost as the flower that is drowned in the shower,
Fall’n like a snowflake to melt in the
earth.
The tree that has no roots will always be
fruitless;
And you are alone in your death and your birth;
No final loving token of a broken wedding love,
No sign of your uniqueness, sweetness, and value;
Lost like the flower that gets washed away in the rain,
Fallen like a snowflake to melt into the
earth.
p. 37THE FLOWER OF THE RUINS
Take thy lute and sing
By the ruined castle walls,
Where the torrent-foam falls,
And long weeds wave:
Take thy lute and sing,
O’er the grey ancestral grave!
Daughter of a King,
Tune thy string.
Grab your lute and sing
By the crumbling castle walls,
Where the rushing water falls,
And long weeds sway:
Grab your lute and sing,
Over the old family grave!
Daughter of a King,
Play your tune.
Sing of happy hours,
In the roar of rushing time;
Till all the echoes chime
To the days gone by;
Sing of passing hours
To the ever-present sky;—
Weep—and let the showers
Wake thy flowers.
Sing of happy times,
In the rush of passing days;
Till all the echoes sound
For the times long past;
Sing of fleeting moments
To the always-present sky;—
Cry—and let the rain
Wake your flowers.
Sing of glories
gone:—
No more the blazoned fold
From the banner is unrolled;
The gold sun is set.
Sing his glory gone,
For thy voice may charm him yet;
Daughter of the dawn,
He is gone!
Sing of glories lost:—
No more the decorated banner
From the flag is unfurled;
The golden sun has set.
Sing of his glory gone,
For your voice might still enchant him;
Daughter of the dawn,
He is gone!
Sing up to the night:
Hard it is for streaming tears
To read the calmness of the spheres;
Coldly they shine;
Sing up to their light;
They have views thou may’st divine—
Gain prophetic sight
From their light!
Sing up to the night:
It's hard for streaming tears
To see the calmness of the skies;
They shine coldly;
Sing up to their light;
They have insights you can perceive—
Gain prophetic vision
From their light!
On the windy hills
Lo, the little harebell leans
On the spire-grass that it queens,
With bonnet blue;
Trusting love instils
Love and subject reverence true;
Learn what love instils
On the hills!
On the windy hills
Look, the little harebell leans
On the grass that it rules,
With a blue bonnet;
Trusting love brings
True love and respect;
Learn what love brings
On the hills!
By the bare wayside
Placid snowdrops hang their cheeks,
Softly touch’d with pale green streaks,
Soon, soon, to die;
On the clothed hedgeside
Bands of rosy beauties vie,
In their prophesied
Summer pride.
By the side of the road
Calm snowdrops hang their heads,
Gently marked with pale green lines,
Soon, soon, to fade;
On the covered hedgeside
Groups of rosy beauties compete,
In their promised
Summer splendor.
Heroes of thy race—
Warriors with golden crowns,
Ghostly shapes with marbled frowns
Stare thee to stone;
Matrons of thy race
Pass before thee making moan;
Full of solemn grace
Is their pace.
Heroes of your race—
Warriors with golden crowns,
Ghostly figures with marble frowns
Stare you to stone;
Matrons of your race
Walk by you, mourning;
Full of solemn grace
Is their pace.
Piteous their despair!
Piteous their looks forlorn!
Terrible their ghostly scorn!
Still hold thou fast;—
Heed not their despair!—
Thou art thy future, not thy past;
Let them glance and glare
Thro’ the air.
Their despair is so tragic!
Their faces are so hopeless!
Their ghostly scorn is so awful!
Still, hold on tight;—
Don't pay attention to their despair!—
You are your future, not your past;
Let them stare and glare
Through the air.
Thou the ruin’s bud,
Be not that moist rich-smelling weed
With its arras-sembled brede,
And ruin-haunting stalk;
Thou the ruin’s bud,
Be still the rose that lights the walk,
Mix thy fragrant blood
With the flood!
You, the bud of the ruin,
Don’t be that damp, sweet-smelling weed
With its tapestry-like patterns,
And the stalk that haunts the ruins;
You, the bud of the ruin,
Stay the rose that brightens the path,
Blend your fragrant essence
With the flood!
p. 40THE RAPE OF AURORA
Never, O never,
Since dewy sweet Flora
Was ravished by Zephyr,
Was such a thing heard
In the valleys so hollow!
Till rosy Aurora,
Uprising as ever,
Bright Phosphor to follow,
Pale Phoebe to sever,
Was caught like a bird
To the breast of Apollo!
Never, oh never,
Since fresh and lovely Flora
Was swept away by Zephyr,
Has anything like this been heard
In the hollow valleys!
Until rosy Aurora,
Rising as always,
Bright Phosphor to follow,
Pale Phoebe to break apart,
Was captured like a bird
In the arms of Apollo!
Wildly she flutters,
And flushes all over
With passionate mutters
Of shame to the hush
Of his amorous whispers:
But O such a lover
Must win when he utters,
Thro’ rosy red lispers,
The pains that discover
The wishes that gush
From the torches of Hesperus.
Wildly she flutters,
And blushes all over
With passionate murmurs
Of shame in the quiet
Of his romantic whispers:
But oh, such a lover
Must succeed when he speaks,
Through rosy red lips,
The pains that reveal
The desires that flow
From the lights of Hesperus.
Great Pan in his covert
Beheld the rare glistening,
The cry of the love-hurt,
The sigh and the kiss
Of the latest close mingling;
But love, thought he, listening,
Will not do a dove hurt,
I know,—and a tingling,
Latent with bliss,
Prickt thro’ him, I wis,
For the Nymph he was singling.
Great Pan in his hiding place
Saw the rare glistening,
The cry of the heartbroken,
The sigh and the kiss
Of the latest close embrace;
But love, he thought, listening,
Will not hurt a dove,
I know,—and a tingling,
Filled with bliss,
Pricked through him, I know,
For the Nymph he was focusing on.
p. 42SOUTH-WEST WIND IN THE WOODLAND
The silence of
preluded song—
Æolian silence charms the woods;
Each tree a harp, whose foliaged strings
Are waiting for the master’s touch
To sweep them into storms of joy,
Stands mute and whispers not; the birds
Brood dumb in their foreboding nests,
Save here and there a chirp or tweet,
That utters fear or anxious love,
Or when the ouzel sends a swift
Half warble, shrinking back again
His golden bill, or when aloud
The storm-cock warns the dusking hills
And villages and valleys round:
For lo, beneath those ragged clouds
That skirt the opening west, a stream
Of yellow light and windy flame
Spreads lengthening southward, and the sky
Begins to gloom, and o’er the ground
A moan of coming blasts creeps low
And rustles in the crisping grass;
Till suddenly with mighty arms
Outspread, that reach the horizon round,
The great South-West drives o’er the earth,
And loosens all his roaring robes
Behind him, over heath and moor.
He comes upon the neck of night,
p. 43Like one
that leaps a fiery steed
Whose keen black haunches quivering shine
With eagerness and haste, that needs
No spur to make the dark leagues fly!
Whose eyes are meteors of speed;
Whose mane is as a flashing foam;
Whose hoofs are travelling thunder-shocks;—
He comes, and while his growing gusts,
Wild couriers of his reckless course,
Are whistling from the daggered gorse,
And hurrying over fern and broom,
Midway, far off, he feigns to halt
And gather in his streaming train.
The silence before the song—
A gentle quiet fills the woods;
Each tree a harp, its leafy strings
Awaiting the master’s touch
To unleash storms of joy,
Stands still and whispers nothing; the birds
Remain quiet in their anxious nests,
Except for an occasional chirp or tweet,
That expresses fear or nervous love,
Or when the ouzel sends a quick
Half warble, pulling back again
His golden beak, or when the storm-cock
Calls out to the dusking hills
And surrounding villages and valleys:
For look, beneath those ragged clouds
That border the opening west, a stream
Of yellow light and windy flame
Spreads longer southward, and the sky
Begins to darken, and across the ground
A low moan of approaching winds
Creeps and rustles through the crisping grass;
Until suddenly with massive arms
Stretched out, reaching to the horizon,
The great South-West sweeps across the land,
And unleashes all his roaring power
Behind him, over heath and moor.
He comes on the edge of night,
p. 43Like one
That leaps on a fiery steed
Whose sharp black flanks gleam
With eagerness and speed, that needs
No spur to make the dark miles fly!
Whose eyes are meteors of speed;
Whose mane is like flashing foam;
Whose hooves are rumbling thunder-claps;—
He comes, and while his growing gusts,
Wild messengers of his reckless path,
Whistle through the thorny gorse,
And rush over fern and broom,
Midway, far off, he pretends to pause
And gathers in his flowing train.
Now, whirring like an eagle’s wing
Preparing for a wide blue flight;
Now, flapping like a sail that tacks
And chides the wet bewildered mast;
Now, screaming like an anguish’d thing
Chased close by some down-breathing beak;
Now, wailing like a breaking heart,
That will not wholly break, but hopes
With hope that knows itself in vain;
Now, threatening like a storm-charged cloud;
Now, cooing like a woodland dove;
Now, up again in roar and wrath
High soaring and wide sweeping; now,
With sudden fury dashing down
Full-force on the awaiting woods.
Now, whirring like an eagle's wing
Getting ready for a wide blue flight;
Now, flapping like a sail that tacks
And scolds the confused, wet mast;
Now, screaming like a tormented thing
Pursued closely by some heavy beak;
Now, wailing like a breaking heart,
That won’t fully break but still hopes
With a hope that knows it’s in vain;
Now, threatening like a stormy cloud;
Now, cooing like a forest dove;
Now, up again in roar and rage
High soaring and wide sweeping; now,
With sudden fury crashing down
Full-force on the waiting woods.
Long waited there, for aspens frail
That tinkle with a silver bell,
To warn the Zephyr of their love,
When danger is at hand, and wake
The neighbouring boughs, surrendering all
p. 44Their
prophet harmony of leaves,
Had caught his earliest windward thought,
And told it trembling; naked birk
Down showering her dishevelled hair,
And like a beauty yielding up
Her fate to all the elements,
Had swayed in answer; hazels close,
Thick brambles and dark brushwood tufts,
And briared brakes that line the dells
With shaggy beetling brows, had sung
Shrill music, while the tattered flaws
Tore over them, and now the whole
Tumultuous concords, seized at once
With savage inspiration,—pine,
And larch, and beech, and fir, and thorn,
And ash, and oak, and oakling, rave
And shriek, and shout, and whirl, and toss,
And stretch their arms, and split, and crack,
And bend their stems, and bow their heads,
And grind, and groan, and lion-like
Roar to the echo-peopled hills
And ravenous wilds, and crake-like cry
With harsh delight, and cave-like call
With hollow mouth, and harp-like thrill
With mighty melodies, sublime,
From clumps of column’d pines that wave
A lofty anthem to the sky,
Fit music for a prophet’s soul—
And like an ocean gathering power,
And murmuring deep, while down below
Reigns calm profound;—not trembling now
The aspens, but like freshening waves
That fall upon a shingly beach;—
And round the oak a solemn roll
Of organ harmony ascends,
p. 45And in the
upper foliage sounds
A symphony of distant seas.
Long waited there, for fragile aspens
That tinkled with a silver bell,
To signal the Zephyr of their love,
When danger approached, and awake
The nearby branches, giving up all
p. 44Their
prophet harmony of leaves,
Had caught his earliest thoughts carried by the wind,
And shared it trembling; bare birch
Down showering her messy hair,
And like a beauty surrendering
Her fate to all the elements,
Had swayed in response; hazels close,
Thick brambles and dark brushwood clumps,
And thorny thickets that line the valleys
With rugged, looming brows, had sung
Shrill music, while the torn winds
Rushed over them, and now the whole
Chaotic symphony, seized all at once
With wild inspiration,—pine,
And larch, and beech, and fir, and thorn,
And ash, and oak, and small oak, rave
And shriek, and shout, and whirl, and toss,
And stretch their arms, and split, and crack,
And bend their trunks, and bow their heads,
And grind, and groan, and roar like a lion
To the echo-filled hills
And hungry wilds, and call out like a crake
With harsh joy, and resonate like a cave
With hollow tones, and thrill
With powerful melodies, sublime,
From clusters of columned pines that sway
A lofty anthem to the sky,
Perfect music for a prophet’s soul—
And like an ocean gathering strength,
And murmuring deep, while down below
Calm reigns profound;—not trembling now
The aspens, but like refreshing waves
That crash upon a shingle beach;—
And around the oak a solemn wave
Of organ harmony rises,
p. 45And in the
upper leaves sounds
A symphony of distant seas.
The voice of nature is abroad
This night; she fills the air with balm;
Her mystery is o’er the land;
And who that hears her now and yields
His being to her yearning tones,
And seats his soul upon her wings,
And broadens o’er the wind-swept world
With her, will gather in the flight
More knowledge of her secret, more
Delight in her beneficence,
Than hours of musing, or the lore
That lives with men could ever give!
Nor will it pass away when morn
Shall look upon the lulling leaves,
And woodland sunshine, Eden-sweet,
Dreams o’er the paths of peaceful shade;—
For every elemental power
Is kindred to our hearts, and once
Acknowledged, wedded, once embraced,
Once taken to the unfettered sense,
Once claspt into the naked life,
The union is eternal.
The voice of nature is out tonight;
She fills the air with soothing scents;
Her mystery is everywhere;
And anyone who listens now and surrenders
Their being to her yearning sounds,
And lets their soul ride on her wings,
And expands over the wind-swept world
With her, will gain in the journey
More understanding of her secrets, more
Joy in her kindness,
Than hours of contemplation, or the knowledge
That humans possess could ever provide!
And it won’t fade when morning
Shines on the calming leaves,
And woodland sunshine, paradise-sweet,
Dreams over the peaceful paths in shade;—
For every basic power
Is connected to our hearts, and once
Acknowledged, united, once embraced,
Once brought into the free senses,
Once entwined with the raw life,
The bond is eternal.
p. 46WILL O’ THE WISP
Follow me, follow me,
Over brake and under tree,
Thro’ the bosky tanglery,
Brushwood and
bramble!
Follow me, follow me,
Laugh and leap
and scramble!
Follow, follow,
Hill and hollow,
Fosse and burrow,
Fen and furrow,
Down into the bulrush beds,
’Midst the reeds and osier heads,
In the rushy soaking damps,
Where the vapours pitch their camps,
Follow me, follow me,
For a midnight
ramble!
O! what a mighty fog,
What a merry night O ho!
Follow, follow, nigher, nigher—
Over bank, and pond, and briar,
Down into the croaking ditches,
Rotten log,
Spotted frog,
Beetle bright
With crawling light,
What a joy O
ho!
Deep into the purple bog—
What a joy O
ho!
p. 47Where like
hosts of puckered witches
All the shivering agues sit
Warming hands and chafing feet,
By the blue marsh-hovering oils:
O the fools for all their moans!
Not a forest mad with fire
Could still their teeth, or warm their bones,
Or loose them from their chilly coils.
What a clatter,
How they chatter!
Shrink and huddle,
All a muddle!
What a joy O
ho!
Down we go, down we go,
What a joy O
ho!
Soon shall I be down below,
Plunging with a grey fat friar,
Hither, thither, to and fro,
Breathing mists and whisking lamps,
Plashing in the shiny swamps;
While my cousin Lantern Jack,
With cook ears and cunning eyes,
Turns him round upon his back,
Daubs him oozy green and black,
Sits upon his rolling size,
Where he lies, where he lies,
Groaning full of sack—
Staring with his great round eyes!
What a joy O ho!
Sits upon him in the swamps
Breathing mists and whisking lamps!
What a joy O
ho!
Such a lad is Lantern Jack,
When he rides
the black nightmare
Through the fens, and puts a glare
p. 48In the
friar’s track.
Such a frolic lad, good lack!
To turn a friar on his back,
Trip him, clip him, whip him, nip him.
Lay him sprawling, smack!
Such a lad is Lantern Jack!
Such a tricksy lad, good lack!
What a joy O
ho!
Follow me, follow me,
Where he sits, and you shall see!
Follow me, follow me,
Over the brakes and under the trees,
Through the tangled woods,
Brushwood and brambles!
Follow me, follow me,
Laugh, leap, and scramble!
Follow, follow,
Hill and hollow,
Ditches and burrows,
Marshes and furrows,
Down into the bulrush beds,
Among the reeds and willow heads,
In the soggy, rushy damp,
Where the mists set up their camps,
Follow me, follow me,
For a midnight stroll!
Oh! what a thick fog,
What a fun night, oh ho!
Follow, follow, closer, closer—
Over banks, ponds, and thorn bushes,
Down into the croaking ditches,
Rotten log,
Spotted frog,
Bright beetle
With its glowing light,
What a joy, oh ho!
Deep into the purple bog—
What a joy, oh ho!
p. 47Where like groups of wrinkled witches
All the shivering fevers sit
Warming hands and rubbing feet,
By the blue hovering oils of the marsh:
Oh, the fools with all their moans!
Not a forest crazy with fire
Could warm their bones or stop their shaking,
Or free them from their chilly coils.
What a racket,
How they chatter!
Shrink and huddle,
All in a mess!
What a joy, oh ho!
Down we go, down we go,
What a joy, oh ho!
Soon I’ll be down below,
Plunging with a fat grey friar,
Hither, thither, to and fro,
Breathing fogs and swishing lights,
Splashing in the shiny swamps;
While my cousin Lantern Jack,
With big ears and clever eyes,
Turns himself around on his back,
Dabs himself in muddy green and black,
Sits on his rolling side,
Where he lies, where he lies,
Groaning full of drink—
Staring with his big round eyes!
What a joy, oh ho!
Sitting in the swamps
Breathing fogs and swishing lights!
What a joy, oh ho!
Such a guy is Lantern Jack,
When he rides the dark nightmare
Through the marshes, and gives a glare
p. 48In the friar’s path.
What a playful lad, good gracious!
To turn a friar onto his back,
Trip him, clip him, whip him, nip him.
Lay him sprawling, smack!
What a lad is Lantern Jack!
Such a tricky lad, good gracious!
What a joy, oh ho!
Follow me, follow me,
Where he sits, and you shall see!
p. 49SONG
Fair and
false! No dawn will greet
Thy waking beauty as of old;
The little flower beneath thy feet
Is alien to thy smile so cold;
The merry bird flown up to meet
Young morning from his nest i’ the wheat
Scatters his joy to wood and wold,
But scorns the arrogance of gold.
Just and false! No dawn will welcome
your waking beauty like before;
The little flower beneath your feet
is unfamiliar with your cold smile;
The cheerful bird that has flown up to greet
Young morning from its nest in the wheat
spreads its joy to the woods and fields,
but looks down on the arrogance of gold.
False and fair! I scarce know why,
But standing in the lonely air,
And underneath the blessed sky,
I plead for thee in my despair;—
For thee cut off, both heart and eye
From living truth; thy spring quite dry;
For thee, that heaven my thought may share,
Forget—how false! and think—how
fair!
False and fair! I hardly know why,
But standing in the lonely air,
And under the blessed sky,
I plead for you in my despair;—
For you are cut off, both heart and eye
From living truth; your spring completely dry;
For you, that heaven may share my thoughts,
Forget—how false! and think—how
fair!
p. 50SONG
Two wedded lovers
watched the rising moon,
That with her strange mysterious beauty glowing,
Over misty hills and waters flowing,
Crowned the long twilight loveliness of June:
And thus in me, and thus in me, they spake,
The solemn secret of fist love did wake.
Two married lovers
watched the rising moon,
Which, with her strange, mysterious beauty glowing,
Over misty hills and flowing waters,
Crowned the long twilight beauty of June:
And so in me, and so in me, they spoke,
The serious secret of first love awoke.
Above the hills the blushing orb arose;
Her shape encircled by a radiant bower,
In which the nightingale with charméd
power
Poured forth enchantment o’er the dark repose:
And thus in me, and thus in me, they said,
Earth’s mists did with the sweet new spirit
wed.
Above the hills, the glowing sun rose;
Its shape surrounded by a bright arch,
In which the nightingale with magical
Sang enchantment over the quiet night:
And so in me, and so in me, they said,
Earth’s mists married with the sweet new spirit.
Far up the sky with ever purer beam,
Upon the throne of night the moon was seated,
And down the valley glens the shades retreated,
And silver light was on the open stream.
And thus in me, and thus in me, they sighed,
Aspiring Love has hallowed Passion’s tide.
High in the sky with a brighter glow,
The moon sat on its throne of night,
And the shadows in the valley slowly faded,
And silver light spread across the open stream.
And just like that in me, just like that in me, they sighed,
Aspiring Love has blessed Passion’s flow.
p. 51SONG
I cannot lose thee
for a day,
But like a bird with restless wing
My heart will find thee far away,
And on thy bosom fall and sing,
My nest is here, my rest is
here;—
And in the lull of wind and rain,
Fresh voices make a sweet refrain,
‘His rest is there, his nest
is there.’
I can't be apart from you
for even a day,
But like a bird with restless wings,
My heart will seek you from far away,
And on your chest, I’ll fall and sing,
My home is here, my peace is
here;—
And in the calm of wind and rain,
Fresh voices create a sweet refrain,
‘His peace is there, his home
is there.’
With thee the wind and sky are fair,
But parted, both are strange and dark;
And treacherous the quiet air
That holds me singing like a lark,
O shield my love, strong arm
above!
Till in the hush of wind and rain,
Fresh voices make a rich refrain,
‘The arm above will shield
thy love.’
With you, the wind and sky are clear,
But when we’re apart, both feel strange and dark;
And the calm air can be deceiving
As it keeps me singing like a lark,
O protect my love, strong arm above!
Until in the stillness of wind and rain,
New voices create a beautiful refrain,
‘The arm above will protect your love.’
p. 52DAPHNE
Musing on the fate
of Daphne,
Many feelings urged my breast,
For the God so keen desiring,
And the Nymph so deep distrest.
Thinking about the fate
of Daphne,
Many emotions stirred within me,
For the God who wanted her so badly,
And the Nymph who was so deeply troubled.
Never flashed thro’ sylvan valley
Visions so divinely fair!
He with early ardour glowing,
She with rosy anguish rare.
Never passed through the wooded valley
Images so beautifully bright!
He with youthful passion glowing,
She with rare, rosy pain.
Only still more sweet and lovely
For those terrors on her brows,
Those swift glances wild and brilliant,
Those delicious panting vows.
Only even more sweet and lovely
For those worries on her forehead,
Those quick, wild, brilliant glances,
Those delightful, breathless promises.
Timidly the timid shoulders
Shrinking from the fervid hand!
Dark the tide of hair back-flowing
From the blue-veined temples bland!
Timidly the shy shoulders
Shrinking from the fiery hand!
Dark the tide of hair flowing back
From the blue-veined, calm temples!
Lovely, too, divine Apollo
In the speed of his pursuit;
With his eye an azure lustre,
And his voice a summer lute!
Lovely too, divine Apollo
In the rush of his chase;
With his eye a bright blue shimmer,
And his voice a summer tune!
Looking like some burnished eagle
Hovering o’er a fluttered bird;
Not unseen of silver Naiad,
And of wistful Dryad heard!
Looking like a shiny eagle
Hovering over a fluttering bird;
Not unnoticed by the silver Naiad,
And of the wistful Dryad heard!
Down from Pindus bright Peneus
Tells its muse-melodious source;
Sacred is its fountained birthplace,
And the Orient floods its course.
Down from the bright Pindus, Peneus
Shares its melodious muse-filled source;
Its fountain birthplace is sacred,
And the East floods its course.
Many a morn the sunny darling
Saw the rising chariot-rays,
From the winding river-reaches,
Mellowing in amber haze.
Many mornings the sunshiny darling
Watched the rising rays of the chariot,
From the winding river stretches,
Softening in amber mist.
Thro’ the flaming mountain gorges
Lo, the River leaps the plain;
Like a wild god-stridden courser,
Tossing high its foamy mane.
Through the fiery mountain gorges
Look, the River jumps across the plain;
Like a wild god-driven horse,
Throwing up its foamy mane.
Then he swims thro’ laurelled
sunlight,
Full of all sensations sweet,
Misty with his morning incense,
To the mirrored maiden’s feet!
Then he swims through sunlit laurels,
Filled with all sweet sensations,
Misty with his morning incense,
To the mirrored maiden’s feet!
Wet and bright the dinting pebbles
Shine where oft she paused and stood;
All her dreamy warmth revolving,
While the chilly waters wooed.
Wet and bright, the shimmering pebbles
Shine where she often paused and stood;
All her dreamy warmth swirling,
While the cold waters beckoned.
Like to rosy-born Aurora,
Glowing freshly into view,
When her doubtful foot she ventures
On the first cold morning blue.
Like the rosy-fingered dawn,
Glowing brightly into sight,
When her uncertain foot steps
Out into the first cold morning light.
There the laurell’d wreaths
o’erarching
Crown’d the dainty shuddering maid;
There the dark prophetic laurel
Kiss’d her with its sister shade.
There the laurel wreaths
overhead
Crowned the delicate, trembling girl;
There the dark, foresighted laurel
Touched her with its sister shade.
There the young green glistening leaflets
Hush’d with love their breezy peal;
There the little opening flowerets
Blush’d beneath her vermeil heel!
There the young green shiny leaves
Hushed with love their breezy sound;
There the little opening flowers
Blushed beneath her red heel!
There among the conscious arbours
Sounds of soft tumultuous wail,
Mysteries of love, melodious,
Came upon the lyric gale!
There among the aware groves
Sounds of gentle, turbulent cries,
Mysteries of love, harmonious,
Appeared with the lyrical wind!
Breathings of a deep enchantment,
Effluence of immortal grace,
Flitted round her faltering footstep,
Spread a balm about her face!
Breathings of a deep enchantment,
Effluence of immortal grace,
Flitted around her unsteady steps,
Spread a soothing balm on her face!
Witless of the enamour’d presence,
Like a dreamy lotus bud
From its drowsy stem down-drooping,
Gazed she in the glowing flood.
Witless of the enchanted presence,
Like a dreamy lotus bud
Drooping from its sleepy stem,
She gazed into the glowing water.
Softly sweet with fluttering presage,
Felt she that ethereal sense,
Drinking charms of love delirious,
Reaping bliss of love intense!
Softly sweet with a gentle hint,
She sensed that otherworldly feeling,
Savoring the intoxicating magic of love,
Harvesting the joy of deep affection!
Richer for that glance unconscious!
Dearer for that soft dismay!
And the sudden self-possession!
And the smile as bright as day!
Richer for that unaware glance!
Dearer for that gentle surprise!
And the sudden confidence!
And the smile as bright as day!
Plunging ’mid her scattered tresses,
With her blue invoking eyes;
See her like a star descending!
Like a rosebud see her rise!
Plunging through her tangled hair,
With her inviting blue eyes;
Look at her like a star coming down!
Like a rosebud, watch her bloom!
Like a rosebud in the morning
Dashing off its jewell’d dews,
Ere unfolding all its fragrance
It is gathered by the muse!
Like a rosebud in the morning
Wiping off its jeweled dewdrops,
Before releasing all its fragrance
It is picked by the muse!
Beauteous in the foamy laughter
Bubbling round her shrinking waist,
Lo! from locks and lips and eyelids
Rain the glittering pearl-drops chaste!
Beautiful in the foamy laughter
Bubbling around her shrinking waist,
Look! From her hair, lips, and eyelids
Rain the glittering, pure pearl drops!
And about the maiden rapture
Still the ruddy ripples play’d,
Ebbing round in startled circlets
When her arms began to wade;
And about the young girl’s joy
Still the red ripples danced,
Fading in surprised circles
When her arms started to wade;
Flowing in like tides attracted
To the glowing crescent shine!
Clasping her ambrosial whiteness
Like an Autumn-tinted vine!
Moving in like tides drawn to
The glowing crescent shine!
Grasping her heavenly whiteness
Like an autumn-colored vine!
Trembling up with adoration
To the crimson daisy tip
Budding from the snowy bosom—
Fainter than the rose-red lip!
Trembling with admiration
To the red daisy tip
Blooming from the white blossom—
Fainter than the rose-red lip!
Rising in a storm of wavelets,
That for shelter, feigning fright,
Prest to those twin-heaving havens,
Harbour’d there beneath her light;
Rising in a flurry of little waves,
That seek shelter, pretending to be scared,
Pressed to those two heaving ports,
Harbored there under her light;
Gleaming in a whirl of eddies
Round her lucid throat and neck;
Eddying in a gleam of dimples
Up against her bloomy cheek;
Glistening in a swirl of currents
Around her clear throat and neck;
Swirling in a shine of dimples
Against her blooming cheek;
Bribing all the breezy water
With rich warmth, the nymph to keep
In a self-imprison’d plaisance,
Tempting her from deep to deep.
Bribing all the lively water
With rich warmth, the nymph to hold
In a self-imposed pleasure,
Tempting her from deep to deep.
Till at last delirious passion
Thrill’d the god to wild excess,
And the fervour of a moment
Made divinity confess;
Till at last, overwhelming passion
Thrilled the god to wild extremes,
And the intensity of a moment
Made divinity admit;
And he stood in all his glory!
But so radiant, being near,
That her eyes were frozen on him
In a fascinated fear!
And he stood in all his glory!
But so radiant, being close,
That her eyes were locked on him
In a captivated fear!
Soon the dazzled light subsided,
And he seem’d a beauteous youth,
Form’d to gain the maiden’s murmurs,
And to pledge the vows of truth.
Soon the dazzling light faded,
And he appeared as a beautiful young man,
Made to win the girl's whispers,
And to promise vows of truth.
Ah! that thus he had continued!
O, that such for her had been!
Graceful with all godlike beauty,
But so humanly serene!
Ah! how I wish he had stayed like that!
Oh, if only it could have been for her!
Poised with all divine beauty,
But so wonderfully calm and human!
Cheeks, and mouth, and mellow ringlets,
Bounteous as the mid-day beam;
Pleading looks and wistful tremour,
Tender as a maiden’s dream!
Cheeks, and mouth, and soft curls,
Generous as the midday sun;
Pleading glances and longing shivers,
Gentle as a young girl's dream!
Palms that like a bird’s throbb’d
bosom
Palpitate with eagerness,
Lips, the bridals of the roses,
Dewy sweet from the caress!
Palms that resemble a bird’s beating
chest
Pulsate with excitement,
Lips, the blooms of the roses,
Fresh and sweet from the touch!
Lips and limbs, and eyes and ringlets,
Swaying, praying to one prayer,
Like a lyre, swept by a spirit,
In the still, enraptur’d air.
Lips and limbs, and eyes and curls,
Swaying, praying to one prayer,
Like a lyre, played by a spirit,
In the calm, enchanted air.
Like a lyre in some far valley,
Uttering ravishments divine!
All its strings to viewless fingers
Yearning, modulations fine!
Like a lyre in a distant valley,
Sharing divine melodies!
All its strings for unseen hands
Longing, subtle harmonies!
Throbbing thro’ the dawning stillness!
As a heart within a breast,
When the young beloved is stepping
Radiant to the nuptial nest.
Throbbing through the quiet of dawn!
Like a heart inside a chest,
As the young love walks in,
Shining bright towards the wedding nest.
O for Daphne! gentle Daphne
Ever warmer by degrees
Whispers full of hopes and visions
Throng her ears like honey bees!
O for Daphne! gentle Daphne
Ever warmer by the moment
Whispers full of dreams and visions
Buzz around her ears like honey bees!
Never yet was lonely blossom
Woo’d with such delicious voice!
Never since hath mortal maiden
Dwelt on such celestial choice!
Never before has a lonely flower
Been courted with such a sweet voice!
Never since has any woman
Focused on such divine choice!
Love-suffused she quivers, falters—
Falters, sighs, but never speaks,
All her rosy blood up-gushing
Overflows her ripe young cheeks.
Love-filled, she trembles, hesitates—
Hesitates, sighs, but never speaks,
All her rosy blood rushing
Overflows her flushed young cheeks.
Blushing, sweet with virgin blushes,
All her loveliness a-flame,
Stands she in the orient waters,
Stricken o’er with speechless shame!
Blushing, sweet with innocent flushes,
All her beauty aflame,
She stands in the eastern waters,
Overwhelmed with silent shame!
Ah! but lovelier, ever lovelier,
As more deep the colour glows,
And the honey-laden lily
Changes to the fragrant rose.
Ah! but more beautiful, always more beautiful,
As the color gets deeper,
And the honey-filled lily
Transforms into the sweet-smelling rose.
But, O Dian! veil not wholly
Thy pale crescent from the morn!
Vanish not, O virgin goddess,
With that look of pallid scorn!
But, oh Diana! Don't completely
Hide your pale crescent from the morning!
Do not disappear, oh virgin goddess,
With that expression of pale contempt!
Still thy pure protecting influence
Shed from those fair watchful eyes!—
Lo! her angry orb has vanished,
And the bright sun thrones the skies!
Still your pure protective influence
Shed from those beautiful watchful eyes!—
Look! her angry orb has disappeared,
And the bright sun rules the skies!
Voicelessly the forest Virgin
Vanished! but one look she gave—
Keen as Niobean arrow
Thro’ the maiden’s heart it drave.
Voicelessly the forest Virgin
Vanished! but one look she gave—
Sharp as a Niobean arrow
Through the maiden’s heart it drove.
Thus toward that throning bosom
Where all earth is warmed,—each spot
Nourished with autumnal blessings—
Icy chill was Daphne caught.
Thus toward that warm embrace
Where the whole earth feels the heat,—every place
Nurtured with autumn’s gifts—
Daphne was caught in a freezing chill.
Icy chill! but swift revulsion
All her gentler self renewed,
Even as icy Winter quickens
With bud-opening warmth imbued.
Icy chill! but quick disgust
All her kinder side revived,
Just like icy Winter stirs
With warmth that opens up buds.
Even as a torpid brooklet,
That to the night-gleaming moon
Flashed in turn the frozen glances,
Melts upon the breast of noon.
Even as a sluggish little stream,
That reflected the shining moon at night,
Glimmers with frozen looks in turn,
Melts on the warmth of noon.
O’er the brows of radiant Pindus
Rolls a shadow dark and cold,
And a sound of lamentation
Issues from its mournful fold.
Over the peaks of bright Pindus
Rolls a shadow dark and cold,
And a sound of sorrow
Comes from its mournful depths.
Voice of the far-sighted Muses!
Cry of keen foreboding song!
Every cleft of startled Tempe
Tingles with it sharp and long.
Voice of the visionary Muses!
Call of a deep and foreboding song!
Every crack of startled Tempe
Vibrates with it sharp and long.
Over bourn and bosk and dingle,
Over rivers, over rills,
Runs the sad subservient Echo
Toward the dim blue distant hills!
Over stream and thicket and glen,
Over rivers, over streams,
Runs the sorrowful, obedient Echo
Toward the faint blue distant hills!
And another and another!
’Tis a cry more wild than all;
And the hills with muffled voices
Answer ‘Daphne!’ to the call.
And another and another!
It’s a cry more wild than all;
And the hills with hushed voices
Respond ‘Daphne!’ to the call.
And another and another!
’Tis a cry so wildly sweet,
That her charmed heart turns rebel
To the instinct of her feet;
And another and another!
It’s a cry so wonderfully sweet,
That her enchanted heart turns against
The instincts of her feet;
And she pauses for an instant;
But his arms have scarcely slid
Round her waist in cestian girdles,
And his low voluptuous lid
And she pauses for a moment;
But his arms have barely wrapped
Around her waist like soft belts,
And his sultry, inviting gaze
In the sweet espousing showers—
And his tongue has scarce begun
With its inarticulate burthen,
And the clouds scarce show the sun
In the gentle, loving rain—
And his tongue has barely started
With its unclear burden,
And the clouds hardly reveal the sun
As it pierces thro’ a crevice
Of the mass that closed it o’er,
When again the horror flashes—
And she turns to flight once more!
As it breaks through a gap
In the mass that covered it,
When the terror strikes again—
And she runs away once more!
And again o’er radiant Pindus
Rolls the shadow dark and cold,
And the sound of lamentation
Issues from its sable fold!
And once more over shining Pindus
Rolls the shadow, dark and cold,
And the sound of sorrow
Comes from its dark embrace!
And again the light winds chide her
As she darts from his embrace—
And again the far-voiced echoes
Speak their tidings of the chase.
And once more, the gentle winds tease her
As she quickly slips away from his arms—
And once more, the distant echoes
Share their news of the pursuit.
Loudly now as swiftly, swiftly,
O’er the glimmering sands she speeds;
Wildly now as in the furzes
From the piercing spikes she bleeds.
Loudly now and quickly, quickly,
Across the shining sands she rushes;
Wildly now like in the thickets
From the sharp thorns she suffers.
Deeply and with direful anguish,
As above each crimson drop
Passion checks the god Apollo,
And love bids him weep and stop.—
Deeply and with great sorrow,
As above each red drop
Passion stops the god Apollo,
And love makes him cry and pause.—
Then with love’s remorseful discord,
With its own desire at war,
Sighing turns, while dimly fleeting
Daphne flies the chase afar.
Then with love's regretful conflict,
With its own desire in turmoil,
Sighing twists, while faintly fading
Daphne escapes the pursuit far away.
But all nature is against her!
Pan, with all his sylvan troop,
Thro’ the vista’d woodland valleys
Blocks her course with cry and whoop!
But all of nature is against her!
Pan, with all his woodland crew,
Through the open forest valleys
Blocks her path with shouts and whoops!
In the twilights of the thickets
Trees bend down their gnarled boughs,
Wild green leaves and low curved branches
Hold her hair and beat her brows.
In the twilight of the woods
Trees lean down with their twisted branches,
Wild green leaves and low, curved boughs
Catch her hair and brush against her forehead.
Many a brake of brushwood covert,
Where cold darkness slumbers mute,
Slips a shrub to thwart her passage,
Slides a hand to clutch her foot.
Many thickets of brushwood,
Where cold darkness lies silent,
A shrub gets in her way,
A hand reaches out to grab her foot.
Glens and glades of lushest verdure
Toil her in their tawny mesh,
Wilder-woofed ways and alleys
Lock her struggling limbs in leash.
Glens and clearings of the greenest greenery
Work her in their brown tangle,
Wildly woven paths and alleys
Restrict her struggling limbs with a leash.
Feathery grasses, flowery mosses,
Knot themselves to make her trip;
Sprays and stubborn sprigs outstretching
Put a bridle on her lip;
Feathery grasses, flowery mosses,
Knot themselves to trip her up;
Sprays and stubborn sprigs reaching out
Put a bridle on her lips;
Whose quaint face peers green and dusky
’Mongst the matted growth of plants,
While she rises wild and weltering,
Speeding on with many pants.
Whose unique face peeks out, green and dark
Amongst the tangled growth of plants,
As she moves freely and wildly,
Rushing forward with heavy breaths.
Tangles of the wild red strawberry
Spread their freckled trammels frail;
In the pathway creeping brambles
Catch her in their thorny trail.
Tangles of the wild red strawberry
Spread their spotted traps, so weak;
In the path, creeping brambles
Catch her in their thorny reach.
All the widely sweeping greensward
Shifts and swims from knoll to knoll;
Grey rough-fingered oak and elm wood
Push her by from bole to bole.
All the expansive green grass
Moves and flows from hill to hill;
Gray, rough-barked oak and elm trees
Nudge her along from trunk to trunk.
Groves of lemon, groves of citron,
Tall high-foliaged plane and palm,
Bloomy myrtle, light-blue olive,
Wave her back with gusts of balm.
Lemon groves, citron groves,
Tall plane trees and palms,
Blooming myrtle, light blue olive,
Wave her back with gentle breezes.
Languid jasmine, scrambling briony,
Walls of close-festooning braid,
Fling themselves about her, mingling
With her wafted looks, waylaid.
Lethargic jasmine, climbing briony,
Walls of tightly woven vines,
Wrap themselves around her, mixing
With her floating glances, intercepted.
Twisting bindweed, honey’d woodbine,
Cling to her, while, red and blue,
On her rounded form ripe berries
Dash and die in gory dew.
Twisting bindweed, sweet woodbine,
Cling to her, while, red and blue,
On her rounded shape ripe berries
Dash and die in bloody dew.
Reining in the flying creature
With its arms about her mouth;
Bursting all its mellowing bunches
To seduce her husky drouth;
Reining in the flying creature
With its arms around her mouth;
Bursting all its sweet bunches
To lure her thirsty desire;
Crowning her with amorous clusters;
Pouring down her sloping back
Fresh-born wines in glittering rillets,
Following her in crimson track.
Crowning her with loving clusters;
Pouring fresh wine down her sloping back
In sparkling streams,
Following her in a crimson trail.
Buried, drenched in dewy foliage,
Thus she glimmers from the dawn,
Watched by every forest creature,
Fleet-foot Oread, frolic Faun.
Buried, soaked in fresh dew,
So she sparkles in the morning,
Observed by every forest animal,
Swift-footed Oread, playful Faun.
Silver-sandalled Arethusa
Not more swiftly fled the sands,
Fled the plains and fled the sunlights,
Fled the murmuring ocean strands.
Silver-sandaled Arethusa
Not more quickly did the sands escape,
Escaped the plains and escaped the sunlight,
Escaped the whispering ocean shores.
O, that now the earth would open!
O, that now the shades would hide!
O, that now the gods would shelter!
Caverns lead and seas divide!
Oh, how I wish the earth would open up!
Oh, how I wish the shadows would conceal!
Oh, how I wish the gods would protect!
Caverns lead and oceans separate!
Not more faint soft-lowing Io
Panted in those starry eyes,
When the sleepless midnight meadows
Piteously implored the skies!
Not more faintly soft-lowing Io
Panted in those starry eyes,
When the sleepless midnight meadows
Piteously begged the skies!
Her the close bewildering greenery
Darkens with its duskiest green,—
Him each little leaflet welcomes,
Flushing with an orient sheen.
Her the thick, confusing greenery
Darkens with its deepest green,—
He is welcomed by each little leaf,
Glowing with a bright sheen.
Thus he nears, and now all Tempe
Rings with his melodious cry,
Avenues and blue expanses
Beam in his large lustrous eye!
Thus he approaches, and now all Tempe
Rings with his beautiful call,
Paths and blue skies
Shine in his bright, gleaming eye!
All the branches start to music!
As if from a secret spring
Thousands of sweet bills are bubbling
In the nest and on the wing.
All the branches burst into song!
As if from a hidden source
Thousands of sweet notes are flowing
In the nest and in the air.
Gleams and shines the glassy river
And rich valleys every one;
But of all the throbbing beauty
Brightest! singled by the sun!
Glistening and sparkling, the smooth river
And every lush valley;
But of all the vibrant beauty,
The brightest! highlighted by the sun!
Ivy round her glimmering ancle,
Vine about her glowing brow,
Never sure was bride so beauteous,
Daphne, chosen nymph, as thou!
Ivy wrapped around her shining ankle,
Vine adorning her glowing brow,
Never was a bride so beautiful,
Daphne, chosen nymph, like you!
Thus he nears! and now she feels him
Breathing hot on every limb;
And he hears her own quick pantings—
Ah! that they might be for him.
Thus he comes closer! and now she feels him
Breathing hot on every limb;
And he hears her quick breaths—
Ah! that they might be for him.
O, that like the flower she presses,
Nodding from her lily touch,
Light as in the harmless breezes,
She would know the god for such!
O, if only, like the flower she holds,
Nodding from her gentle touch,
Light as the harmless breezes,
She would recognize the god for that!
See! the golden arms are round her—
To the air she grasps and clings!
See! his glowing arms have wound her—
To the sky she shrieks and springs!
See! the golden arms are around her—
To the air she reaches and clings!
See! his glowing arms have wrapped her—
To the sky she screams and jumps!
See! the flushing chace of Tempe
Trembles with Olympian air—
See! green sprigs and buds are shooting
From those white raised arms of prayer!
Look! the vibrant hunt of Tempe
Quivers with divine presence—
Look! green sprouts and buds are emerging
From those white arms lifted in prayer!
In the earth her feet are rooting!—
Breasts and limbs and lifted eyes,
Hair and lips and stretching fingers,
Fade away—and fadeless rise.
In the ground, her feet are planted!—
Breasts and limbs and lifted eyes,
Hair and lips and reaching fingers,
Fade away—and everlasting rise.
And the god whose fervent rapture
Clasps her finds his close embrace
Full of palpitating branches,
And new leaves that bud apace,
And the god whose passionate excitement
Holds her finds his tight embrace
Full of throbbing branches,
And new leaves that sprout quickly,
Bound his wonder-stricken forehead;—
While in ebbing measures slow
Sounds of softly dying pulses
Pause and quiver, pause and go;
Bound his astonished forehead;
While in fading, gentle waves
Sounds of softly fading pulses
Pause and tremble, pause and flow;
Still with the great panting love-chase
All its running sap is warmed;—
But from head to foot the virgin
Is transfigured and transformed.
Still in the intense pursuit of love
All its energy is heated;—
But from head to toe, the young woman
Is changed and transformed.
Changed!—yet the green Dryad nature
Is instinct with human ties,
And above its anguish’d lover
Breathes pathetic sympathies;
Changed!—yet the green Dryad nature
Is filled with human connections,
And above its suffering lover
Offers deep sympathy;
Sympathies of love and sorrow;
Joy in her divine escape;
Breathing through her bursting foliage
Comfort to his bending shape.
Sympathies of love and sorrow;
Joy in her divine escape;
Breathing through her overflowing leaves
Comfort to his leaning form.
Vainly now the floating Naiads
Seek to pierce the laurel maze,
Nought but laurel meets their glances,
Laurel glistens as they gaze.
Vainly now the floating Naiads
Try to find their way through the laurel maze,
Nothing but laurel meets their eyes,
Laurel shines as they look.
Nought but bright prophetic laurel!
Laurel over eyes and brows,
Over limbs and over bosom,
Laurel leaves and laurel boughs!
Nothing but bright prophetic laurel!
Laurel over eyes and brows,
Over limbs and over chest,
Laurel leaves and laurel branches!
And in vain the listening Dryad
Shells her hand against her ear!—
All is silence—save the echo
Travelling in the distance drear.
And the listening Dryad tries in vain
To cup her hand to her ear!—
Everything is silent—except for the echo
Fading out in the dreary distance.
p. 68LONDON BY LAMPLIGHT
There stands a
singer in the street,
He has an audience motley and meet;
Above him lowers the London night,
And around the lamps are flaring bright.
There stands a
singer on the street,
He has a diverse and fitting audience;
The London night looms above him,
And the lamps around him are shining bright.
His minstrelsy may be unchaste—
’Tis much unto that motley taste,
And loud the laughter he provokes
From those sad slaves of obscene jokes.
His music may be inappropriate—
It appeals to that mixed-up crowd,
And loud is the laughter he draws
From those unfortunate souls who revel in crude jokes.
But woe is many a passer by
Who as he goes turns half an eye,
To see the human form divine
Thus Circe-wise changed into swine!
But how unfortunate is the passerby
Who as they walk glances over
To see the divine human form
Transformed like Circe's into pigs!
Make up the sum of either sex
That all our human hopes perplex,
With those unhappy shapes that know
The silent streets and pale cock-crow.
Make up the total of either gender
That all our human hopes confuse,
With those unfortunate figures that know
The quiet streets and pale dawn.
And can I trace in such dull eyes
Of fireside peace or country skies?
And could those haggard cheeks presume
To memories of a May-tide bloom?
And can I see in those lifeless eyes
Of cozy evenings or country skies?
And could those tired cheeks dare to recall
Memories of a springtime bloom?
Those violated forms have been
The pride of many a flowering green;
And still the virgin bosom heaves
With daisy meads and dewy leaves.
Those damaged shapes have been
The pride of many blooming fields;
And still the pure heart rises
With fields of daisies and dewy leaves.
I will not hide the tragic sight—
Those drown’d black locks, those dead lips white,
Will rise from out the slimy flood,
And cry before God’s throne for blood!
I won’t hide the heartbreaking scene—
Those drowned black hair, those lifeless white lips,
Will emerge from the slimy water,
And plead before God’s throne for justice!
Those stiffened limbs, that swollen
face,—
Pollution’s last and best embrace,
Will call, as such a picture can,
For retribution upon man.
Those stiff limbs, that swollen face,—
Pollution’s last and best embrace,
Will call, just like this image can,
For payback against humanity.
Hark! how their feeble laughter rings,
While still the ballad-monger sings,
And flatters their unhappy breasts
With poisonous words and pungent jests.
Listen! How their weak laughter echoes,
While the song seller still sings,
And flatters their troubled hearts
With harmful words and sharp jokes.
O how would every daisy blush
To see them ’mid that earthy crush!
O dumb would be the evening thrush,
And hoary look the hawthorn bush!
O how would every daisy blush
To see them in that earthy crowd!
O silent would be the evening thrush,
And gray would look the hawthorn bush!
The meadows of their infancy
Would shrink from them, and every tree,
And every little laughing spot,
Would hush itself and know them not.
The meadows of their childhood
Would turn away from them, and every tree,
And every little joyful place,
Would quiet down and not recognize them.
Precursor to what black despairs
Was that child’s face which once was theirs!
And O to what a world of guile
Was herald that young angel smile!
Precursor to what black despairs
Was that child’s face which once was theirs!
And O to what a world of deceit
Was heralded by that young angel’s smile!
O happy homes! that still they know
At intervals, with what a woe
Would ye look on them, dim and strange,
Suffering worse than winter change!
O happy homes! that still they know
At times, with what a sorrow
Would you look at them, unclear and strange,
Enduring worse than winter's change!
And yet could I transplant them there,
To breathe again the innocent air
Of youth, and once more reconcile
Their outcast looks with nature’s smile;
And yet if I could move them there,
To breathe the pure air
Of their youth once more, and again make peace
Between their abandoned faces and nature’s smile;
Could I but give them one clear day
Of this delicious loving May,
Release their souls from anguish dark,
And stand them underneath the lark;—
Could I just give them one clear day
Of this delightful, loving May,
Free their souls from dark anguish,
And have them stand beneath the lark;—
I think that Nature would have power
To graft again her blighted flower
Upon the broken stem, renew
Some portion of its early hue;—
I believe that Nature has the ability
To reattach her damaged flower
To the broken stem, bringing back
Some of its original color;—
The heavy flood of tears unlock,
More precious than the Scriptured rock;
At least instil a happier mood,
And bring them back to womanhood.
The flood of tears flows freely,
More valuable than the holy stone;
At least brings a brighter vibe,
And restore their sense of womanhood.
Alas! how many lost ones claim
This refuge from despair and shame!
How many, longing for the light,
Sink deeper in the abyss this night!
Alas! how many lost souls seek
This refuge from their despair and shame!
How many, yearning for the light,
Sink deeper into the abyss tonight!
O, agony of grief! for who
Less dainty than his race, will do
Such battle for their human right,
As shall awake this startled night?
O, the pain of grief! For who
Less delicate than his kind, will fight
So bravely for their human rights,
As to awaken this startled night?
Proclaim this evil human page
Will ever blot the Golden Age
That poets dream and saints invite,
If it be unredeemed this night?
Proclaim this wicked human era
Will always stain the Golden Age
That poets dream of and saints welcome,
If it remains unredeemed tonight?
This night of deep solemnity,
And verdurous serenity,
While over every fleecy field
The dews descend and odours yield.
This night of deep seriousness,
And lush calmness,
While over every fluffy field
The dew falls and scents arise.
This night of gleaming floods and falls,
Of forest glooms and sylvan calls,
Of starlight on the pebbly rills,
And twilight on the circling hills.
This night of shining streams and waterfalls,
Of darkened woods and nature's calls,
Of starlight on the rocky brooks,
And twilight covering the surrounding hills.
This night! when from the paths of men
Grey error steams as from a fen;
As o’er this flaring City wreathes
The black cloud-vapour that it breathes!
This night! when from the paths of people
Gray mistakes rise like from a swamp;
As over this glowing City wraps
The dark cloud- mist that it exhales!
This night from which a morn will spring
Blooming on its orient wing;
A morn to roll with many more
Its ghostly foam on the twilight shore.
This night, from which a morning will emerge
Blooming on its eastern wing;
A morning to follow many others
Its ghostly waves on the twilight shore.
The destinies that bards have sung,
Regeneration to the young,
Reverberation of the truth,
And virtuous culture unto youth!
The fates that poets have praised,
Renewal for the young,
Echoes of the truth,
And good values for the youth!
Youth! in whose season let abound
All flowers and fruits that strew the ground,
Voluptuous joy where love consents,
And health and pleasure pitch their tents:
Youth! in this time, let there be plenty
Of flowers and fruits scattered around,
Pleasurable joy where love agrees,
And health and happiness set up camp:
All rapture and all pure delight;
A garden all unknown to blight;
But never the unnatural sight
That throngs the shameless song this night!
All joy and all pure happiness;
A garden untouched by destruction;
But never the unnatural sight
That crowds the shameless song tonight!
p. 73SONG
Under boughs of
breathing May,
In the mild spring-time I lay,
Lonely, for I had no love;
And the sweet birds all sang for
pity,
Cuckoo, lark, and dove.
Under the branches of
life-filled May,
During the gentle springtime I rested,
Alone, because I had no love;
And the lovely birds all sang in sympathy,
Cuckoo, lark, and dove.
Tell me, cuckoo, then I cried,
Dare I woo and wed a bride?
I, like thee, have no home-nest;
And the twin notes thus tuned
their ditty,—
‘Love can answer best.’
Tell me, cuckoo, I cried,
Should I try to win and marry a bride?
I, like you, have no home-nest;
And the twin notes sang their tune,—
‘Love knows best.’
Nor, warm dove with tender coo,
Have I thy soft voice to woo,
Even were a damsel by;
And the deep woodland crooned its
ditty,—
‘Love her first and try.’
Nor, warm dove with tender coo,
Do I have your soft voice to woo,
Even if there were a girl nearby;
And the deep woods sang its
tune,—
‘Love her first and give it a shot.’
Nor have I, wild lark, thy wing,
That from bluest heaven can bring
Bliss, whatever fate befall;
And the sky-lyrist trilled this
ditty,—
‘Love will give thee all.’
Nor do I, wild lark, have your wing,
That from the bluest sky can bring
Joy, no matter what happens;
And the sky musician sang this
‘Love will give you everything.’
So it chanced while June was young,
Wooing well with fervent song,
I had won a damsel coy;
And the sweet birds that sang for
pity,
Jubileed for joy.
So it happened while June was new,
Courting nicely with passionate song,
I had won a shy girl;
And the lovely birds that sang out of
sympathy,
Celebrated with joy.
p. 74PASTORALS
I
How sweet on sunny
afternoons,
For those who journey light and well,
To loiter up a hilly rise
Which hides the prospect far beyond,
And fancy all the landscape lying
Beautiful and
still;
How? sweet on sunny afternoons,
For those who travel light and carefree,
To hang out on a hilly slope
That conceals the view far ahead,
And imagine the entire landscape stretched out
Beautiful and still;
Beneath a sky of summer blue,
Whose rounded cloudlets, folded soft,
Gaze on the scene which we await
And picture from their peacefulness;
So calmly to the earth inclining
Float those
loving shapes!
Beneath a summer blue sky,
With fluffy clouds, soft and gentle,
They look down on the scene we’re waiting for
And reflect the calm they bring;
So peacefully leaning over the earth
Float those
loving shapes!
Like airy brides, each singling out
A spot to love and bless with love,
Their creamy bosoms glowing warm,
Till distance weds them to the hills,
And with its latest gleam the river
Sinks in their
embrace.
Like light brides, each choosing
A place to love and cherish,
Their soft chests glowing warmly,
Until distance ties them to the hills,
And with its final shine the river
Sinks in their embrace.
And silverly the river runs,
And many a graceful wind he makes,
By fields where feed the happy flocks,
And hedge-rows hushing pleasant lanes,
The charms of English home reflected
In his shining
eye:
And the river flows like silver,
And it creates many graceful breezes,
By fields where joyful flocks graze,
And hedgerows quieting pleasant paths,
The beauty of an English home mirrored
In his bright eye:
And circling round, as with a ring,
The distance spreading amber haze,
Enclosing hills and pastures sweet;
A depth of soft and mellow light
Which fills the heart with sudden yearning
Aimless and
serene!
And circling around, like a ring,
The distance spreading a warm haze,
Surrounding hills and sweet meadows;
A depth of soft and gentle light
That fills the heart with a sudden longing
Aimless and
calm!
No disenchantment follows here,
For nature’s inspiration moves
The dream which she herself fulfils;
And he whose heart, like valley warmth,
Steams up with joy at scenes like this
Shall never be
forlorn.
No disillusionment happens here,
For nature’s creativity drives
The dream that she herself brings to life;
And he whose heart, like the warmth of a valley,
Rises with joy at scenes like this
Will never be
alone.
And O for any human soul
The rapture of a wide survey—
A valley sweeping to the West,
With all its wealth of loveliness,
Is more than recompense for days
That taught us
to endure.
And oh, for any human soul
The joy of a broad view—
A valley stretching to the West,
With all its beautiful riches,
Is more than enough reward for days
That taught us
to endure.
p. 76II
Yon upland slope which hides the sun
Ascending from his eastern deeps,
And now against the hues of dawn
One level line of tillage rears;
The furrowed brow of toil and time;
To many it is but a sweep of land!
That hillside over there that blocks the sun
Rising from its eastern depths,
And now set against the colors of dawn
A flat stretch of cultivated land stands;
The lined forehead of hard work and time;
To many, it’s just a stretch of land!
To others ’tis an
Autumn trust,
But unto me a mystery;—
An influence strange and swift as dreams;
A whispering of old romance;
A temple naked to the clouds;
Or one of nature’s bosoms fresh revealed,
To others, it’s an
Autumn trust,
But to me, it’s a mystery;—
A strange and swift influence like dreams;
A whisper of old romance;
A temple open to the clouds;
Or one of nature’s bosoms freshly revealed,
Heaving with adoration!
there
The work of husbandry is done,
And daily bread is daily earned;
Nor seems there ought to indicate
The springs which move in me such thoughts,
But from my soul a spirit calls them up.
Heaving with adoration!
The work of farming is done,
And daily bread is earned every day;
It doesn’t seem like there’s anything to show
The feelings inside me that inspire these thoughts,
But from my heart, a spirit brings them to life.
All day into the open sky,
All night to the eternal stars,
For ever both at morn and eve
Men mellow distances draw near,
And shadows lengthen in the dusk,
Athwart the heavens it rolls its glimmering line!
All day under the open sky,
All night to the endless stars,
Forever both in morning and evening
People smooth out long distances,
And shadows stretch out in the twilight,
Across the sky it rolls its shining line!
And now beneath the rising
sun,
Whose shining chariot overpeers
The irradiate ridge, while fetlock deep
In the rich soil his coursers plunge—
How grand in robes of light it looks!
How glorious with rare suggestive grace!
And now under the rising
sun,
Whose shining chariot looks down
Over the bright ridge, while deep in the rich
Soil his horses plunge—
How majestic in robes of light it appears!
How glorious with unique, inspiring beauty!
The ploughman mounting up the
height
Becomes a glowing shape, as though
’Twere young Triptolemus, plough in hand,
While Ceres in her amber scarf
With gentle love directs him how
To wed the willing earth and hope for fruits!
The farmer climbing the hill
Becomes a shining figure, as if
He’s young Triptolemus, plow in hand,
While Ceres in her golden scarf
Lovingly guides him on how
To marry the eager earth and hope for crops!
The furrows running up are
fraught
With meanings; there the goddess walks,
While Proserpine is young, and there—
’Mid the late autumn sheaves, her voice
Sobbing and choked with dumb despair—
The nights will hear her wailing for her child!
The furrows running up are full of meanings; there the goddess walks, while Proserpine is young, and there— amid the late autumn sheaves, her voice sobbing and choked with silent despair— the nights will hear her crying for her child!
Whatever dim tradition
tells,
Whatever history may reveal,
Or fancy, from her starry brows,
Of light or dreamful lustre shed,
Could not at this sweet time increase
The quiet consecration of the spot.
Whatever vague tradition
Whatever history might uncover,
Or imagination, from her starry crown,
Of light or dreamy glow spread,
Could not, at this lovely moment, enhance
The peaceful blessing of this place.
III
Now standing on this
hedgeside path,
Up which the evening winds are blowing
Wildly from the lingering lines
Of sunset
o’er the hills;
Unaided by one motive thought,
My spirit with a strange impulsion
Rises, like a fledgling,
Whose wings are not mature, but still
Supported by its strong desire
Beats up its native air and leaves
The tender
mother’s nest.
Now standing on this
hedge-lined path,
Up which the evening winds are blowing
Wildly from the fading light
Of sunset
over the hills;
Without any clear intention,
My spirit, with a strange urge,
Rises, like a young bird,
Whose wings aren't fully developed, but still
Driven by a strong desire
Flaps into its natural air and leaves
The gentle
mother’s nest.
Great music under heaven is made,
And in the track of rushing darkness
Comes the solemn shape of night,
And broods above
the earth.
A thing of Nature am I now,
Abroad, without a sense or feeling
Born not of her bosom;
Content with all her truths and fates;
Ev’n as yon strip of grass that bows
Above the new-born violet bloom,
And sings with
wood and field.
Great music plays in the sky,
And in the path of swift darkness
Appears the serious figure of night,
And hovers over
the earth.
I am now a part of Nature,
Out here, without any sense or feeling
Not born from her embrace;
Satisfied with all her truths and fates;
Just like that patch of grass that bends
Over the newly bloomed violet,
And sings with
the woods and fields.
p. 79IV
Lo, as a tree, whose wintry twigs
Drink in the sun with fibrous joy,
And down into its dampest roots
Thrills quickened with the draught of life,
I wake unto the dawn, and leave my griefs to drowse.
Check this out, like a tree, whose bare branches
soak up the sunlight with happy vigor,
and deep into its wet roots
shivers alive with the refreshing drink of life,
I wake to the morning, and let my sorrows fade away.
I rise and drink the fresh
sweet air:
Each draught a future bud of Spring;
Each glance of blue a birth of green;
I will not mimic yonder oak
That dallies with dead leaves ev’n while the primrose
peeps.
I get up and breathe in the fresh, sweet air:
Each breath a future bloom of Spring;
Each glimpse of blue a sign of green;
I won’t imitate that oak over there
That lingers with dead leaves even while the primrose
shows its face.
But full of these
warm-whispering beams,
Like Memnon in his mother’s eye,—
Aurora! when the statue stone
Moaned soft to her pathetic touch,—
My soul shall own its parent in the founts of day!
But filled with these warm, whispering rays,
Like Memnon in his mother’s gaze,—
Aurora! when the statue stone
Moaned softly to her tender touch,—
My soul will recognize its source in the wells of day!
And ever in the recurring
light,
True to the primal joy of dawn,
Forget its barren griefs; and aye
Like aspens in the faintest breeze
Turn all its silver sides and tremble into song.
And always in the returning light,
Staying true to the pure joy of morning,
Forget its empty sorrows; and always
Like aspens in the slightest breeze
Turn all their silver sides and shake into song.
V
Now from the meadow
floods the wild duck clamours,
Now the wood pigeon wings a rapid flight,
Now the homeward rookery follows up its vanguard,
And the valley mists are curling up the hills.
Now from the meadow
come the noisy wild ducks,
Now the wood pigeon takes a quick flight,
Now the homeward rooks follow their leaders,
And the valley fog is rising up the hills.
Deeper the stillness hangs on every motion;
Calmer the silence follows every call;
Now all is quiet save the roosting pheasant,
The bell-wether’s tinkle and the watch-dog’s
bark.
Deeper the stillness lingers on every movement;
Calmer the silence comes after every call;
Now everything is quiet except for the roosting pheasant,
The bellwether’s jingle and the watch-dog’s bark.
Softly shine the lights from the silent
kindling homestead,
Stars of the hearth to the shepherd in the fold;
Springs of desire to the traveller on the roadway;
Ever breathing incense to the ever-blessing sky!
Gently glow the lights from the quiet home,
Stars of the fire for the shepherd with the flock;
Sources of longing for the traveler on the road;
Always sending out fragrance to the endlessly blessing sky!
VI
How barren would this valley
be,
Without the golden orb that gazes
On it, broadening to hues
Of rose, and spreading wings of amber;
Blessing it before it falls asleep.
How empty would this valley be,
Without the golden sun that looks
Down on it, expanding into shades
Of pink, and stretching wings of gold;
Blessing it before it drifts off to sleep.
How barren would this valley
be,
Without the human lives now beating
In it, or the throbbing hearts
Far distant, who their flower of childhood
Cherish here, and water it with tears!
How empty would this valley be,
Without the human lives now thriving
In it, or the beating hearts
Far away, who hold onto their childhood
Cherish here, and nurture it with tears!
How barren should I be, were
I
Without above that loving splendour,
Shedding light and warmth! without
Some kindred natures of my kind
To joy in me, or yearn towards me now!
How empty would I feel, if I
Lacked that loving brightness above,
Bringing light and warmth! Without
Some kindred spirits like me
To share joy with me, or long for me now!
p. 81VII
Summer glows warm on
the meadows, and speedwell, and gold-cups, and daisies
Darken ’mid deepening masses of sorrel, and shadowy
grasses
Show the ripe hue to the farmer, and summon the scythe and the
hay-makers
Down from the village; and now, even now, the air smells of the
mowing,
And the sharp song of the scythe whistles daily; from dawn, till
the gloaming
Wears its cool star, sweet and welcome to all flaming faces
afield now;
Heavily weighs the hot season, and drowses the darkening
foliage,
Drooping with languor; the white cloud floats, but sails not, for
windless
Heaven’s blue tents it; no lark singing up in its fleecy
white valleys;
Up in its fairy white valleys, once feathered with minstrels,
melodious
With the invisible joy that wakes dawn o’er the green
fields of England.
Summer glows warm on the meadows; then come, let us roam
thro’ them gaily,
Heedless of heat, and the hot-kissing sun, and the fear of dark
freckles.
Never one kiss will he give on a neck, or a lily-white
forehead,
Chin, hand, or bosom uncovered, all panting, to take the chance
coolness,
But full sure the fiery pressure leaves seal of espousal.
p. 82Heed him
not; come, tho’ he kiss till the soft little upper-lip
loses
Half its pure whiteness; just speck’d where the curve of
the rosy mouth reddens.
Summer shines warmly on the meadows, with speedwell, gold-cups, and daisies
Darkening among the deepening patches of sorrel and shadowy grasses
Indicating the ripe hue to the farmer, calling for the scythe and the hay-makers
From the village; and now, even now, the air is filled with the scent of mowing,
And the sharp sound of the scythe whistling daily; from dawn until twilight
Wears its cool star, sweet and welcome to all the flushed faces in the fields now;
The hot season weighs heavily, drowsing the darkening foliage,
Drooping with fatigue; the white cloud floats, but doesn’t move, for it’s windless
Heaven’s blue tents it; no lark is singing up in its fluffy white valleys;
Up in its enchanting white valleys, once filled with singers,
Melodious with the invisible joy that awakens dawn over the green
Fields of England.
Summer shines warmly on the meadows; so come, let’s wander
Through them cheerfully,
Ignoring the heat, the blazing sun, and the fear of dark freckles.
He won’t leave a single kiss on a neck or a lily-white forehead,
Chin, hand, or bosom uncovered, all panting, eager for the coolness,
But you can be sure the fiery touch leaves a mark of union.
p. 82Don’t pay him any mind; come, even if he kisses until the soft little upper lip
Loses half its pure whiteness; just specked where the curve of the rosy mouth reddens.
Come, let him kiss, let him kiss, and his
kisses shall make thee the sweeter.
Thou art no nun, veiled and vowed; doomed to nourish a withering
pallor!
City exotics beside thee would show like bleached linen at
mid-day,
Hung upon hedges of eglantine! Thou in the freedom of
nature,
Full of her beauty and wisdom, gentleness, joyance, and
kindness!
Come, and like bees will we gather the rich golden honey of
noontide;
Deep in the sweet summer meadows, border’d by hillside and
river,
Lined with long trenches half-hidden, where smell of white
meadow-sweet, sweetest,
Blissfully hovers—O sweetest! but pluck it not! even in the
tenderest
Grasp it will lose breath and wither; like many, not made for a
posy.
Come, let him kiss, let him kiss, and his kisses will make you sweeter.
You’re not a nun, veiled and committed; doomed to have a fading pallor!
City beauties next to you would look like bleached linen at noon,
Hanging on hedges of eglantine! You in the freedom of nature,
Full of her beauty and wisdom, gentleness, joy, and kindness!
Come, and like bees, we’ll gather the rich golden honey of midday;
Deep in the sweet summer meadows, bordered by hillside and river,
Lined with long trenches half-hidden, where the smell of white meadow-sweet, sweetest,
Blissfully lingers—O sweetest! but don’t pick it! even in the softest
Grasp, it will lose its breath and wither; like many, not meant for a bouquet.
See, the sun slopes down the meadows, where all
the flowers are falling!
Falling unhymned; for the nightingale scarce ever charms the long
twilight:
Mute with the cares of the nest; only known by a ‘chuck,
chuck,’ and dovelike
Call of content, but the finch and the linnet and blackcap pipe
loudly.
Round on the western hill-side warbles the rich-billed ouzel;
p. 83And the
shrill throstle is filling the tangled thickening copses;
Singing o’er hyacinths hid, and most honey’d of
flowers, white field-rose.
Joy thus to revel all day in the grass of our own beloved
country;
Revel all day, till the lark mounts at eve with his sweet
‘tirra-lirra’:
Trilling delightfully. See, on the river the slow-rippled
surface
Shining; the slow ripple broadens in circles; the bright surface
smoothens;
Now it is flat as the leaves of the yet unseen water-lily.
There dart the lives of a day, ever-varying tactics fantastic.
There, by the wet-mirrored osiers, the emerald wing of the
kingfisher
Flashes, the fish in his beak! there the dab-chick dived, and the
motion
Lazily undulates all thro’ the tall standing army of
rushes.
Look, the sun is setting over the meadows, where all the flowers are wilting!
Wilting without a song; because the nightingale hardly ever sings in the long twilight:
Quiet with the worries of the nest; known only by a 'chuck, chuck,' and the soft
Call of content, while the finch, linnet, and blackcap sing loudly.
On the western hillside, the rich-billed ouzel chirps;
p. 83And the sharp-throated throstle fills the thickening, tangled copses;
Singing over hidden hyacinths and the sweetest flowers, the white field-rose.
It's a joy to celebrate all day in the grass of our beloved country;
Celebrating all day, until the lark rises at dusk with his sweet 'tirra-lirra':
Singing beautifully. Look, on the river, the gently rippling surface
Sparkles; the slow ripple spreads in circles; the bright surface smooths out;
Now it's as flat as the leaves of the yet-unseen water-lily.
There, the lives of a day dash by, with ever-changing, fantastic moves.
There, by the wet-mirrored willows, the emerald wing of the kingfisher
Flashes, with a fish in its beak! There the dab-chick dove, and the movement
Lazily ripples through the tall, standing army of reeds.
Joy thus to revel all day, till the twilight
turns us homeward!
Till all the lingering deep-blooming splendour of sunset is
over,
And the one star shines mildly in mellowing hues, like a
spirit
Sent to assure us that light never dieth, tho’ day is now
buried.
Saying: to-morrow, to-morrow, few hours intervening, that
interval
Tuned by the woodlark in heaven, to-morrow my semblance, far
eastward,
Heralds the day ’tis my mission eternal to seal and to
prophecy.
p. 84Come then,
and homeward; passing down the close path of the meadows.
Home like the bees stored with sweetness; each with a lark in the
bosom,
Trilling for ever, and oh! will yon lark ever cease to sing up
there?
Joy to celebrate all day until twilight leads us back home!
Until all the lingering, richly blooming beauty of sunset fades away,
And the first star shines gently in soft colors, like a
Spirit sent to remind us that light never dies, even though day is now
Gone.
Saying: tomorrow, tomorrow, just a few hours between, that
Moment tuned by the woodlark in the sky, tomorrow my reflection, far
Eastward,
Announces the day it’s my eternal mission to seal and to
Foretell.
p. 84So come on, let’s head home; walking down the narrow path of the meadows.
Going home like bees filled with sweetness; each with a lark in their heart,
Singing forever, and oh! will that lark ever stop singing up there?
TO A SKYLARK
O skylark! I see
thee and call thee joy!
Thy wings bear thee up to the breast of the dawn;
I see thee no more, but thy song is still
The tongue of the heavens to me!
O skylark! I see you and call you joy!
Your wings lift you to the heart of the dawn;
I can no longer see you, but your song is still
The voice of the heavens to me!
Thus are the days when I was a boy;
Sweet while I lived in them, dear now they’re gone:
I feel them no longer, but still, O still
They tell of the heavens to me.
So these are the days when I was a boy;
Sweet while I lived through them, precious now that they’re gone:
I don’t feel them anymore, but still, O still
They speak of heaven to me.
p. 85SONG
SPRING
When buds of palm do
burst and spread
Their downy feathers in the lane,
And orchard blossoms, white and red,
Breathe Spring delight for Autumn gain;
And the skylark shakes his wings in the rain;
When palm buds bloom and open
Their soft feathers in the path,
And orchard flowers, white and red,
Bring Spring joy for Autumn's harvest;
And the skylark flutters his wings in the rain;
O then is the season to look for a bride!
Choose her warily, woo her unseen;
For the choicest maids are those that hide
Like dewy violets under the green.
Oh, now is the time to find a bride!
Choose her carefully, pursue her discreetly;
For the most desirable women are those who conceal
Themselves like dewy violets beneath the green.
SONG
AUTUMN
When nuts behind the
hazel-leaf
Are brown as the squirrel that hunts them free,
And the fields are rich with the sun-burnt sheaf,
’Mid the blue cornflower and the yellowing
tree;
And the farmer glows and beams in his glee;
When nuts behind the hazel leaf
Are brown like the squirrel that hunts them freely,
And the fields are lush with the sun-baked harvest,
Among the blue cornflower and the yellowing tree;
And the farmer shines and beams with joy;
O then is the season to wed thee a bride!
Ere the garners are filled and the ale-cups foam;
For a smiling hostess is the pride
And flower of every Harvest Home.
O then is the time to marry you, my bride!
Before the granaries are full and the beer mugs overflow;
For a cheerful hostess is the pride
And highlight of every Harvest Home.
p. 86SORROWS AND JOYS
Bury thy sorrows,
and they shall rise
As souls to the immortal skies,
And there look down like mothers’ eyes.
Bury your sorrows,
and they will rise
Like souls to the immortal skies,
And there look down like mothers’ eyes.
But let thy joys be fresh as flowers,
That suck the honey of the showers,
And bloom alike on huts and towers.
But let your joys be fresh like flowers,
That gather the sweetness from the rain,
And bloom equally in both huts and towers.
So shall thy days be sweet and bright;
Solemn and sweet thy starry night,
Conscious of love each change of light.
So your days will be sweet and bright;
Serene and sweet your starry night,
Aware of love with every change of light.
The stars will watch the flowers asleep,
The flowers will feel the soft stars weep,
And both will mix sensations deep.
The stars will watch over the flowers as they sleep,
The flowers will sense the gentle tears of the stars,
And both will share deep feelings.
With these below, with those above,
Sits evermore the brooding dove,
Uniting both in bonds of love.
With those below and those above,
Sits forever the thoughtful dove,
Bringing them together in love's embrace.
For both by nature are akin;
Sorrow, the ashen fruit of sin,
And joy, the juice of life within.
For both are naturally connected;
Sorrow, the lifeless fruit of sin,
And joy, the essence of life within.
Children of earth are these; and those
The spirits of divine repose—
Death radiant o’er all human woes.
Children of the earth are these; and those
The spirits of divine peace—
Death shining brightly over all human sorrows.
O, think again what now they are—
Motherly love, tho’ dim and far,
Imaged in every lustrous star.
O, think again about what they are now—
Motherly love, though faint and distant,
Reflected in every shining star.
For they, in their salvation, know
No vestige of their former woe,
While thro’ them all the heavens do flow.
For they, in their salvation, know
No trace of their past pain,
While all the heavens flow through them.
Thus art thou wedded to the skies,
And watched by ever-loving eyes,
And warned by yearning sympathies.
So you are married to the skies,
And watched by ever-loving eyes,
And warned by longing sympathies.
p. 88SONG
The flower unfolds
its dawning cup,
And the young sun drinks the star-dews up,
At eve it droops with the bliss of day,
And dreams in the midnight far away.
The flower opens its fresh bloom,
And the young sun soaks up the dewdrops,
In the evening it wilts, happy from the day,
And drifts into dreams far into the night.
So am I in thy sole, sweet glance
Pressed with a weight of utterance;
Lovingly all my leaves unfold,
And gleam to the beams of thirsty gold.
So am I in your only, sweet gaze
Burdened with a weight of expression;
Affectionately all my leaves spread out,
And shine in the rays of eager gold.
At eve I droop, for then the swell
Of feeling falters forth farewell;—
At midnight I am dreaming deep,
Of what has been, in blissful sleep.
At night I feel down, because then the rush
Of emotion fades away goodbye;—
At midnight I’m dreaming deeply,
Of what was, in peaceful sleep.
When—ah! when will love’s own
fight
Wed me alike thro’ day and night,
When will the stars with their linking charms
Wake us in each other’s arms?
When—oh! when will love's own
battle
Join me both day and night,
When will the stars with their connecting magic
Awaken us in each other's arms?
p. 89SONG
Thou to me art such a spring
As the Arab seeks at eve,
Thirsty from the shining sands;
There to bathe his face and hands,
While the sun is taking leave,
And dewy sleep is a delicious thing.
You are to me like a spring
That an Arab searches for in the evening,
Thirsty from the bright sands;
There to wash his face and hands,
While the sun sets,
And refreshing sleep is a wonderful thing.
Thou to me art such a
dream
As he dreams upon the grass,
While the bubbling coolness near
Makes sweet music in his ear;
And the stars that slowly pass
In solitary grandeur o’er him gleam.
You are to me like a dream
As he dreams on the grass,
While the bubbling coolness nearby
Makes sweet music in his ear;
And the stars that slowly pass
In solitary grandeur above him shine.
Thou to me art such a dawn
As the dawn whose ruddy kiss
Wakes him to his darling steed;
And again the desert speed,
And again the desert bliss,
Lightens thro’ his veins, and he is gone!
You are to me like a dawn
Like the dawn with its red kiss
That wakes him to his beloved horse;
And once more he rushes through the desert,
And once more the desert joy
Flows through his veins, and he is off!
p. 90ANTIGONE
The buried voice bespake Antigone.
The buried voice spoke to Antigone.
‘O sister!
couldst thou know, as thou wilt know,
The bliss above, the reverence below,
Enkindled by thy sacrifice for me;
Thou wouldst at once with holy ecstasy
Give thy warm limbs into the yearning earth.
Sleep, Sister! for Elysium’s dawning birth,—
And faith will fill thee with what is to be!
Sleep, for the Gods are watching over thee!
Thy dream will steer thee to perform their will,
As silently their influence they instil.
O Sister! in the sweetness of thy prime,
Thy hand has plucked the bitter flower of death;
But this will dower thee with Elysian breath,
That fade into a never-fading clime.
Dear to the Gods are those that do like thee
A solemn duty! for the tyranny
Of kings is feeble to the soul that dares
Defy them to fulfil its sacred cares:
And weak against a mighty will are men.
O, Torch between two brothers! in whose gleam
Our slaughtered House doth shine as one again,
Tho’ severed by the sword; now may thy dream
Kindle desire in thee for us, and thou,
Forgetting not thy lover and his vow,
Leaving no human memory forgot,
Shalt cross, not unattended, the dark stream
Which runs by thee in sleep and ripples not.
p. 91The large
stars glitter thro’ the anxious night,
And the deep sky broods low to look at thee:
The air is hush’d and dark o’er land and sea,
And all is waiting for the morrow light:
So do thy kindred spirits wait for thee.
O Sister! soft as on the downward rill,
Will those first daybeams from the distant hill
Fall on the smoothness of thy placid brow,
Like this calm sweetness breathing thro’ me now:
And when the fated sounds shall wake thine eyes,
Wilt thou, confiding in the supreme will,
In all thy maiden steadfastness arise,
Firm to obey and earnest to fulfil;
Remembering the night thou didst not sleep,
And this same brooding sky beheld thee creep,
Defiant of unnatural decree,
To where I lay upon the outcast land;
Before the iron gates upon the plain;
A wretched, graveless ghost, whose wailing chill
Came to thy darkened door imploring thee;
Yearning for burial like my brother slain;—
And all was dared for love and piety!
This thought will nerve again thy virgin hand
To serve its purpose and its destiny.’
‘O sibling!
If you could know, as you will know,
The joy above, the respect below,
Sparked by your sacrifice for me;
You would instantly, with holy joy,
Give your warm body back to the yearning earth.
Sleep, Sister! for Elysium's new dawn—
And faith will fill you with what is to come!
Sleep, for the Gods are watching over you!
Your dreams will guide you to fulfill their will,
As quietly their influence seeps in.
O Sister! in the sweetness of your youth,
Your hand has plucked the bitter flower of death;
But this will bless you with Elysian breath,
That fades into an everlasting realm.
Dear to the Gods are those who act like you
A solemn duty! for the tyranny
Of kings is weak against the soul that dares
Defy them to fulfill its sacred call:
And men are weak against a mighty will.
O, Torch between two brothers! in whose light
Our slaughtered House shines as one again,
Though separated by the sword; now may your dreams
Ignite desire in you for us, and you,
Not forgetting your lover and his vow,
Leaving no human memory behind,
Shall cross, not alone, the dark stream
That flows by you in sleep, silently.
p. 91The bright stars twinkle through the anxious night,
And the deep sky leans low to see you:
The air is quiet and dark over land and sea,
And everything is waiting for the morning light:
So do your kindred spirits wait for you.
O Sister! soft as on the flowing stream,
Will those first rays of sun from the distant hill
Fall on the smoothness of your peaceful brow,
Like this calm sweetness breathing through me now:
And when the destined sounds awaken your eyes,
Will you, trusting in the supreme will,
In all your maiden steadiness arise,
Ready to obey and eager to fulfill;
Remembering the night you didn’t sleep,
And this same brooding sky witnessed you creep,
Defiant of unnatural decree,
To where I lay upon the forsaken land;
Before the iron gates on the plain;
A wretched, unburied ghost, whose chilling wail
Came to your darkened door pleading with you;
Longing for burial like my fallen brother;—
And all was risked for love and devotion!
This thought will strengthen again your virgin hand
To serve its purpose and its destiny.’
She woke, they led her forth, and all was still.
She woke up, they guided her out, and everything was quiet.
p.
92Swathed round in mist and
crown’d with cloud,
O Mountain! hid from peak to base—
Caught up into the heavens and clasped
In white ethereal arms that make
Thy mystery of size sublime!
What eye or thought can measure now
Thy grand dilating loftiness!
What giant crest dispute with thee
Supremacy of air and sky!
What fabled height with thee compare!
Not those vine-terraced hills that seethe
The lava in their fiery cusps;
Nor that high-climbing robe of snow,
Whose summits touch the morning star,
And breathe the thinnest air of life;
Nor crocus-couching Ida, warm
With Juno’s latest nuptial lure;
Nor Tenedos whose dreamy eye
Still looks upon beleaguered Troy;
Nor yet Olympus crown’d with gods
Can boast a majesty like thine,
O Mountain! hid from peak to base,
And image of the awful power
With which the secret of all things,
That stoops from heaven to garment earth,
Can speak to any human soul,
When once the earthly limits lose
Their pointed heights and sharpened lines,
And measureless immensity
Is palpable to sense and sight.
p. 92Wrapped in mist and crowned with clouds,
O Mountain! hidden from peak to base—
Lifted up into the heavens and embraced
In white, ethereal arms that create
Your sublime mystery of size!
What eye or thought can now gauge
Your magnificent height!
What giant crest can contest with you
For supremacy of air and sky!
What legendary height can compare with you!
Not those vine-covered hills that boil
The lava in their fiery peaks;
Nor that high snow-covered cloak,
Whose summits reach the morning star,
And breathe the thinnest air of life;
Nor crocus-filled Ida, warm
With Juno’s latest wedding charm;
Nor Tenedos whose dreamy gaze
Still watches over besieged Troy;
Nor Olympus crowned with gods
Can claim a majesty like yours,
O Mountain! hidden from peak to base,
And symbol of the awful power
With which the secret of all things,
That descends from heaven to dress the earth,
Can speak to any human soul,
When once the earthly limits fade
Their pointed heights and sharpened lines,
And boundless immensity
Becomes real to touch and sight.
p. 93SONG
No, no, the falling
blossom is no sign
Of loveliness destroy’d and sorrow mute;
The blossom sheds its loveliness divine;—
Its mission is to prophecy the fruit.
No, no, the falling
blossom isn’t a sign
Of beauty lost and sorrow silent;
The blossom lets go of its divine beauty;—
Its purpose is to predict the fruit.
Nor is the day of love for ever dead,
When young enchantment and romance are gone;
The veil is drawn, but all the future dread
Is lightened by the finger of the dawn.
Nor is the day of love ever done,
When youth's magic and romance fade away;
The curtain falls, but all the fear to come
Is brightened by the touch of dawn's light.
Love moves with life along a darker way,
They cast a shadow and they call it death:
But rich is the fulfilment of their day;
The purer passion and the firmer faith.
Love journeys through life on a darker path,
They create a shadow and name it death:
But their day is rich with fulfillment;
A deeper passion and a stronger faith.
p. 94THE TWO BLACKBIRDS
A Blackbird in a
wicker cage,
That hung and swung ’mid fruits and
flowers,
Had learnt the song-charm, to assuage
The drearness of its wingless hours.
A Blackbird in a
wicker cage,
That hung and swayed among fruits and
flowers,
Had learned the song-charm, to ease
The dullness of its wingless hours.
And ever when the song was heard,
From trees that shade the grassy plot
Warbled another glossy bird,
Whose mate not long ago was shot.
And whenever the song was heard,
From the trees that shade the grassy area
A different shiny bird chirped,
Whose mate was shot not long ago.
Strange anguish in that creature’s
breast,
Unwept like human grief, unsaid,
Has quickened in its lonely nest
A living impulse from the dead.
Strange pain in that creature’s chest,
Uncried like human sorrow, unspoken,
Has stirred in its solitary home
A vibrant urge from the departed.
Not to console its own wild smart,—
But with a kindling instinct strong,
The novel feeling of its heart
Beats for the captive bird of song.
Not to comfort its own wild intelligence,—
But with a powerful instinct ignited,
The new emotion in its heart
Beats for the trapped songbird.
And when those mellow notes are still,
It hops from off its choral perch,
O’er path and sward, with busy bill,
All grateful gifts to peck and search.
And when those soft notes are quiet,
It jumps down from its singing spot,
Over paths and lawns, with busy beak,
All thankful treats to pick and explore.
Store of ouzel dainties choice
To those white swinging bars it brings;
And with a low consoling voice
It talks between its fluttering wings.
Store of sweet treats to choose from
It brings to those white swinging bars;
And with a gentle, soothing voice
It speaks between its fluttering wings.
But deeper doth the secret prove,
Uniting those sad creatures so;
Humanity’s great link of love,
The common sympathy of woe.
But the secret runs deeper,
Connecting those sorrowful beings;
Humanity’s strong bond of love,
The shared empathy of suffering.
Well divined from day to day
Is the swift speech between them twain;
For when the bird is scared away,
The captive bursts to song again.
Well understood from day to day
Is the quick conversation between the two;
For when the bird is frightened away,
The captive breaks into song again.
Yet daily with its flattering voice,
Talking amid its fluttering wings,
Store of ouzel dainties choice
With busy bill the poor bird brings.
Yet every day with its charming voice,
Talking among its fluttering wings,
A collection of delicious goodies
With busy beak the little bird brings.
And shall I say, till weak with age
Down from its drowsy branch it drops,
It will not leave that captive cage,
Nor cease those busy searching hops?
And should I say, until it's weak with age
Down from its sleepy branch it falls,
It won't leave that captive cage,
Nor stop those active searching hops?
Ah, no! the moral will not strain;
Another sense will make it range,
Another mate will soothe its pain,
Another season work a change.
Ah, no! The lesson won’t be forced;
Another meaning will set it free,
Another companion will ease its hurt,
Another time will bring a shift.
But thro’ the live-long summer, tried,
A pure devotion we may see;
The ebb and flow of Nature’s tide;
A self-forgetful sympathy.
But through the entire summer, we experience,
A genuine devotion we can witness;
The rise and fall of Nature’s rhythm;
An unselfish connection.
p. 96JULY
I
Blue July, bright
July,
Month of storms and gorgeous blue;
Violet lightnings o’er thy sky,
Heavy falls of drenching dew;
Summer crown! o’er glen and glade
Shrinking hyacinths in their shade;
I welcome thee with all thy pride,
I love thee like an Eastern bride.
Though all the singing days are done
As in those climes that clasp the sun;
Though the cuckoo in his throat
Leaves to the dove his last twin note;
Come to me with thy lustrous eye,
Golden-dawning oriently,
Come with all thy shining blooms,
Thy rich red rose and rolling glooms.
Though the cuckoo doth but sing ‘cuk,
cuk,’
And the dove alone doth coo;
Though the cushat spins her coo-r-roo,
r-r-roo—
To the cuckoo’s halting
‘cuk.’
Blue July, bright
July,
Month of storms and beautiful blue;
Violet lightnings across your sky,
Heavy falls of drenching dew;
Summer crown! over glen and glade
Shrinking hyacinths in their shade;
I welcome you with all your pride,
I love you like an Eastern bride.
Though all the singing days are over
Like in those lands that embrace the sun;
Though the cuckoo in his throat
Leaves the dove his last twin note;
Come to me with your shining eye,
Golden-dawning like the east,
Come with all your bright blooms,
Your rich red rose and rolling shadows.
Though the cuckoo just sings ‘cuk,
cuk,’
And the dove only coos;
Though the cushat spins her coo-r-roo,
r-r-roo—
To the cuckoo’s halting ‘cuk.’
II
Sweet July, warm July!
Month when mosses near the stream,
Soft green mosses thick and shy,
Are a rapture and a dream.
p. 97Summer
Queen! whose foot the fern
Fades beneath while chestnuts burn;
I welcome thee with thy fierce love,
Gloom below and gleam above.
Though all the forest trees hang dumb,
With dense leafiness o’ercome;
Though the nightingale and thrush,
Pipe not from the bough or bush;
Come to me with thy lustrous eye,
Azure-melting westerly,
The raptures of thy face unfold,
And welcome in thy robes of gold!
Tho’ the nightingale
broods—‘sweet-chuck-sweet’—
And the ouzel flutes so chill,
Tho’ the throstle gives but one shrilly
trill
To the nightingale’s
‘sweet-sweet.’
Sweet July, warm July!
Month when the mosses by the stream,
Soft green mosses thick and shy,
Are a joy and a dream.
p. 97Summer Queen! whose footsteps make the fern
Fade beneath while chestnuts burn;
I welcome you with your fierce love,
Gloom below and shine above.
Though all the forest trees stand silent,
Covered in dense leaves;
Though the nightingale and thrush,
Don’t sing from the branches or bushes;
Come to me with your shining eye,
Azure-melting westerly,
The joy of your face unfold,
And welcome in your robes of gold!
Though the nightingale
broods—‘sweet-chuck-sweet’—
And the ouzel flutes so chill,
Though the thrush gives just one shrill
To the nightingale’s ‘sweet-sweet.’
p. 98SONG
I would I were the
drop of rain
That falls into the dancing rill,
For I should seek the river then,
And roll below the wooded hill,
Until I reached the sea.
I wish I were the
drop of rain
That falls into the flowing stream,
For I would look for the river then,
And flow beneath the wooded hill,
Until I reached the sea.
And O, to be the river swift
That wrestles with the wilful tide,
And fling the briny weeds aside
That o’er the foamy billows drift,
Until I came to thee!
And oh, to be the fast-flowing river
That struggles against the stubborn tide,
And toss the salty weeds aside
That drift over the frothy waves,
Until I reached you!
I would that after weary strife,
And storm beneath the piping wind,
The current of my true fresh life
Might come unmingled, unimbrined,
To where thou floatest free.
I hope that after tired struggles,
And storms under the howling wind,
The flow of my genuine, vibrant life
Might come pure and untainted,
To where you drift freely.
Might find thee in some amber clime,
Where sunlight dazzles on the sail,
And dreaming of our plighted vale
Might seal the dream, and bless the time,
With maiden kisses three.
Might find you in some golden place,
Where sunlight sparkles on the sail,
And dreaming of our promised vale
Might seal the dream and bless the time,
With three sweet kisses.
p. 99SONG
Come to me in any
shape!
As a victor crown’d with vine,
In thy curls the clustering grape,—
Or a vanquished slave:
’Tis thy coming that I crave,
And thy folding serpent twine,
Close and dumb;
Ne’er from that would I escape;
Come to me in any shape!
Only come!
Come to me in any form!
As a victor crowned with vines,
With clusters of grapes in your curls,—
Or as a defeated slave:
It’s your presence that I long for,
And your coiling embrace,
Tight and silent;
Never would I want to break free;
Come to me in any form!
Just come!
Only come, and in my breast
Hide thy shame or show thy pride;
In my bosom be caressed,
Never more to part;
Come into my yearning heart;
I, the serpent, golden-eyed,
Twine round thee;
Twine thee with no venomed test;
Absence makes the venomed nest;
Come to me!
Only come, and hide your shame or show your pride in my heart;
Let me hold you close, never to be apart;
Come into my longing heart;
I, the golden-eyed serpent,
Will wrap around you;
Wrap you up without any poison;
Distance creates a toxic environment;
Come to me!
Come to me, my lover, come!
Violets on the tender stem
Die and wither in their bloom,
Under dewy grass;
Come, my lover, or, alas!
I shall die, shall die like them,
Frail and lone;
Come to me, my lover, come!
Let thy bosom be my tomb:
Come, my own!
Come to me, my love, come!
Violets on the delicate stem
Die and fade while still blooming,
Beneath the dewy grass;
Come, my love, or, oh no!
I will perish, will perish like them,
Fragile and alone;
Come to me, my love, come!
Let your heart be my resting place:
Come, my dear!
p. 100THE SHIPWRECK OF IDOMENEUS
Swept from his fleet
upon that fatal night
When great Poseidon’s sudden-veering wrath
Scattered the happy homeward-floating Greeks
Like foam-flakes off the waves, the King of Crete
Held lofty commune with the dark Sea-god.
His brows were crowned with victory, his cheeks
Were flushed with triumph, but the mighty joy
Of Troy’s destruction and his own great deeds
Passed, for the thoughts of home were dearer now,
And sweet the memory of wife and child,
And weary now the ten long, foreign years,
And terrible the doubt of short delay—
More terrible, O Gods! he cried, but stopped;
Then raised his voice upon the storm and prayed.
O thou, if injured, injured not by me,
Poseidon! whom sea-deities obey
And mortals worship, hear me! for indeed
It was our oath to aid the cause of Greece,
Not unespoused by Gods, and most of all
By thee, if gentle currents, havens calm,
Fair winds and prosperous voyage, and the Shape
Impersonate in many a perilous hour,
Both in the stately councils of the Kings,
And when the husky battle murmured thick,
May testify of services performed!
But now the seas are haggard with thy wrath,
Thy breath is tempest! never at the shores
p. 101Of
hostile Ilium did thy stormful brows
Betray such fierce magnificence! not even
On that wild day when, mad with torch and glare,
The frantic crowds with eyes like starving wolves
Burst from their ports impregnable, a stream
Of headlong fury toward the hissing deep;
Where then full-armed I stood in guard, compact
Beside thee, and alone, with brand and spear,
We held at bay the swarming brood, and poured
Blood of choice warriors on the foot-ploughed sands!
Thou, meantime, dark with conflict, as a cloud
That thickens in the bosom of the West
Over quenched sunset, circled round with flame,
Huge as a billow running from the winds
Long distances, till with black shipwreck swoln,
It flings its angry mane about the sky.
And like that billow heaving ere it burst;
And like that cloud urged by impulsive storm
With charge of thunder, lightning, and the drench
Of torrents, thou in all thy majesty
Of mightiness didst fall upon the war!
Remember that great moment! Nor forget
The aid I gave thee; how my ready spear
Flew swiftly seconding thy mortal stroke,
Where’er the press was hottest; never slacked
My arm its duty, nor mine eye its aim,
Though terribly they compassed us, and stood
Thick as an Autumn forest, whose brown hair,
Lustrous with sunlight, by the still increase
Of heat to glowing heat conceives like zeal
Of radiance, till at the pitch of noon
’Tis seized with conflagration and distends
Horridly over leagues of doom’d domain;
Mingling the screams of birds, the cries of brutes,
The wail of creatures in the covert pent,
p. 102Howls,
yells, and shrieks of agony, the hiss
Of seething sap, and crash of falling boughs
Together in its dull voracious roar.
So closely and so fearfully they throng’d,
Savage with phantasies of victory,
A sea of dusky shapes; for day had passed
And night fell on their darkened faces, red
With fight and torchflare; shrill the resonant air
With eager shouts, and hoarse with angry groans;
While over all the dense and sullen boom,
The din and murmur of the myriads,
Rolled with its awful intervals, as though
The battle breathed, or as against the shore
Waves gather back to heave themselves anew.
That night sleep dropped not from the dreary skies,
Nor could the prowess of our chiefs oppose
That sea of raging men. But what were they?
Or what is man opposed to thee? Its hopes
Are wrecks, himself the drowning, drifting weed
That wanders on thy waters; such as I
Who see the scattered remnants of my fleet,
Remembering the day when first we sailed,
Each glad ship shining like the morning star
With promise for the world. Oh! such as I
Thus darkly drifting on the drowning waves.
O God of waters! ’tis a dreadful thing
To suffer for an evil unrevealed;
Dreadful it is to hear the perishing cry
Of those we love; the silence that succeeds
How dreadful! Still my trust is fixed on thee
For those that still remain and for myself.
And if I hear thy swift foam-snorting steeds
Drawing thy dusky chariot, as in
The pauses of the wind I seem to hear,
Deaf thou art not to my entreating prayer!
p. 103Haste
then to give us help, for closely now
Crete whispers in my ears, and all my blood
Runs keen and warm for home, and I have yearning,
Such yearning as I never felt before,
To see again my wife, my little son,
My Queen, my pretty nursling of five years,
The darling of my hopes, our dearest pledge
Of marriage, and our brightest prize of love,
Whose parting cry rings clearest in my heart.
O lay this horror, much-offended God!
And making all as fair and firm as when
We trusted to thy mighty depths of old,—
I vow to sacrifice the first whom Zeus
Shall prompt to hail us from the white seashore
And welcome our return to royal Crete,
An offering, Poseidon, unto thee!
Swept away from his fleet
on that fateful night
When Poseidon’s sudden wrath
Scattered the joyfully homeward-bound Greeks
Like foam off the waves, the King of Crete
Held a lofty conversation with the dark Sea-god.
His brow was crowned with victory, his cheeks
Flushed with triumph, but the immense joy
Of Troy’s destruction and his own great deeds
Passed away, for thoughts of home were now dearer,
And fond memories of wife and child,
And the weariness of ten long foreign years,
And the dreadful uncertainty of a short delay—
More dreadful, O Gods! he cried, but stopped;
Then raised his voice against the storm and prayed.
O you, if wronged, not by me,
Poseidon! whom sea deities follow
And mortals worship, hear me! for indeed
We pledged to aid the cause of Greece,
Not without the support of Gods, especially
You, if gentle currents, calm harbors,
Fair winds and a prosperous journey, and the Presence
Embodied in many a perilous hour,
Both in the grand councils of the Kings,
And when the husky battle roared,
Can testify to the services rendered!
But now the seas are rough with your anger,
Your breath is a tempest! Never at the shores
p. 101
Of hostile Ilium did your stormy brow
Show such fierce magnificence! Not even
On that wild day when, mad with fire and light,
Frantic crowds with eyes like starving wolves
Burst from their impregnable ports, a torrent
Of headlong fury toward the churning deep;
Where I stood fully armed, ready
Beside you, alone, with brand and spear,
We held back the swarming foe, and spilled
The blood of chosen warriors on the trampled sands!
You, meantime, dark with conflict, like a cloud
That thickens in the West
Over a faded sunset, surrounded by flame,
Huge as a wave running from the winds
Over long distances, until with massive shipwreck swollen,
It flings its angry mane across the sky.
And like that wave heaving before it crashes;
And like that cloud pushed by an impulsive storm
With bursts of thunder, lightning, and the downpour
Of torrents, you in all your majesty
Of mightiness fell upon the battle!
Remember that great moment! And don’t forget
The help I gave you; how my ready spear
Flew swiftly to support your mortal blow,
Wherever the fiercest fighting was; my arm
Never slacked its duty, nor did my eye lose its aim,
Though terribly they surrounded us, and stood
Thick as an autumn forest, whose brown hair,
Glittering with sunlight, by the rising heat
Conceives with zeal of radiance, until at noon
It’s seized with flame and stretches horrifically
Over miles of doomed land;
Mixing the screams of birds, the cries of beasts,
The wails of creatures trapped in cover,
p. 102
Howls,
yells, and shrieks of agony, the hiss
Of boiling sap, and crashes of falling branches
Together make a dull, voracious roar.
So closely and fearfully they crowded,
Savage with fantasies of victory,
A sea of shadowy shapes; for day had passed
And night fell on their darkened faces, red
With fight and torchlight; the air rang shrill
With eager shouts and hoarse with angry groans;
While over all, the heavy and sullen boom,
The noise and murmurs of the countless men,
Rolled with its awful intervals, as if
The battle breathed, or as against the shore
Waves gathered back to crash again.
That night sleep didn’t fall from the dreary skies,
Nor could our leaders’ power oppose
That sea of raging men. But what were they?
Or what is man against you? Their hopes
Are wrecks, themselves drowning, drifting weeds
That wander on your waters; just like me
Who see the scattered remains of my fleet,
Remembering the day we first set sail,
Each joyful ship shining like the morning star
With promise for the world. Oh! just like me
Thus darkly drifting on the sinking waves.
O God of waters! It’s a dreadful thing
To suffer for an unknown evil;
Dreadful it is to hear the dying cries
Of those we love; the silence that follows
How dreadful! Still, my hope is fixed on you
For those that still remain and for myself.
And if I hear your swift, foam-snorting horses
Pulling your dark chariot, as I seem to hear
In the pauses of the wind,
You are not deaf to my pleading prayer!
p. 103
So hurry to give us help, for now
Crete whispers in my ears, and all my blood
Runs eager and warm for home, and I feel a yearning,
Such longing as I’ve never felt before,
To see again my wife, my little son,
My Queen, my sweet five-year-old,
The light of my hopes, our dearest pledge
Of marriage, and our brightest prize of love,
Whose parting cry rings clearest in my heart.
O lay this horror to rest, much-offended God!
And make everything as fair and stable as when
We once relied on your mighty depths,—
I vow to sacrifice the first person Zeus
Shall prompt to greet us from the sandy shore
And welcome our return to royal Crete,
An offering, Poseidon, to you!
Amid the din of elemental strife,
No voice may pierce but Deity supreme:
And Deity supreme alone can hear,
Above the hurricane’s discordant shrieks,
The cry of agonized humanity.
Amid the noise of chaotic struggle,
No voice can cut through except for the supreme Deity:
And only the supreme Deity can hear,
Above the hurricane’s jarring screams,
The cry of suffering humanity.
Not unappeased was He who smites the waves,
When to his stormy ears the warrior’s vow
Entered, and from his foamy pinnacle
Tumultuous he beheld the prostrate form,
And knew the mighty heart. Awhile he gazed,
As doubtful of his purpose, and the storm,
Conscious of that divine debate, withheld
Its fierce emotion, in the luminous gloom
Of those so dark irradiating eyes!
Beneath whose wavering lustre shone revealed
The tumult of the purpling deeps, and all
The throbbing of the tempest, as it paused,
p. 104Slowly
subsiding, seeming to await
The sudden signal, as a faithful hound
Pants with the forepaws stretched before its nose,
Athwart the greensward, after an eager chase;
Its hot tongue thrust to cool, its foamy jaws
Open to let the swift breath come and go,
Its quick interrogating eyes fixed keen
Upon the huntsman’s countenance, and ever
Lashing its sharp impatient tail with haste:
Prompt at the slightest sign to scour away,
And hang itself afresh by the bleeding fangs,
Upon the neck of some death-singled stag,
Whose royal antlers, eyes, and stumbling knees
Will supplicate the Gods in mute despair.
This time not mute, nor yet in vain this time!
For still the burden of the earnest voice
And all the vivid glories it revoked
Sank in the God, with that absorbed suspense
Felt only by the Olympians, whose minds
Unbounded like our mortal brain, perceive
All things complete, the end, the aim of all;
To whom the crown and consequence of deeds
Are ever present with the deed itself.
He who strikes the waves was not unappeased,
When the warrior's vow reached his stormy ears,
And from his frothy peak
He saw the fallen form,
And recognized the mighty heart. For a moment, he stared,
Uncertain of his purpose, and the storm,
Aware of that divine debate, held back
Its fierce emotion, in the glowing shadow
Of those dark, illuminating eyes!
Beneath their flickering light was revealed
The chaos of the deep, and all
The pulse of the tempest, as it paused,
p. 104Slowly
calming down, as if waiting
For the sudden signal, like a loyal dog
Panting with its front paws outstretched,
Across the grass after an eager chase;
Its hot tongue out to cool, its foamy jaws
Open to let swift breaths flow in and out,
Its quick, questioning eyes fixed intently
On the hunter's face, while eagerly
Its sharp, impatient tail lashed back and forth:
Ready at the slightest sign to race away,
And sink its fresh fangs
Into the neck of some singled-out stag,
Whose majestic antlers, eyes, and trembling knees
Will plead with the Gods in silent despair.
This time not silent, nor in vain this time!
For still the weight of the earnest voice
And all the vivid glories it recalled
Sank deep into the God, with that absorbed suspense
Felt only by the Olympians, whose minds
Are as vast as our mortal brains, perceiving
All things in their entirety, the end, the purpose of all;
To whom the crown and consequences of actions
Are always present with the action itself.
And now the pouring surges, vast and smooth,
Grew weary of restraint, and heaved themselves
Headlong beneath him, breaking at his feet
With wild importunate cries and angry wail;
Like crowds that shout for bread and hunger more.
And now the surface of their rolling backs
Was ridged with foam-topt furrows, rising high
And dashing wildly, like to fiery steeds,
Fresh from the Thracian or Thessalian plains,
High-blooded mares just tempering to the bit,
Whose manes at full-speed stream upon the winds,
p. 105And in
whose delicate nostrils when the gust
Breathes of their native plains, they ramp and rear,
Frothing the curb, and bounding from the earth,
As though the Sun-god’s chariot alone
Were fit to follow in their flashing track.
Anon with gathering stature to the height
Of those colossal giants, doomed long since
To torturous grief and penance, that assailed
The sky-throned courts of Zeus, and climbing, dared
For once in a world the Olympic wrath, and braved
The electric spirit which from his clenching hand
Pierces the dark-veined earth, and with a touch
Is death to mortals, fearfully they grew!
And with like purpose of audacity
Threatened Titanic fury to the God.
Such was the agitation of the sea
Beneath Poseidon’s thought-revolving brows,
Storming for signal. But no signal came.
And as when men, who congregate to hear
Some proclamation from the regal fount,
With eager questioning and anxious phrase
Betray the expectation of their hearts,
Till after many hours of fretful sloth,
Weary with much delay, they hold discourse
In sullen groups and cloudy masses, stirred
With rage irresolute and whispering plot,
Known more by indication than by word,
And understood alone by those whose minds
Participate;—even so the restless waves
Began to lose all sense of servitude,
And worked with rebel passions, bursting, now
To right, and now to left, but evermore
Subdued with influence, and controlled with dread
Of that inviolate Authority.
p. 106Then,
swiftly as he mused, the impetuous God
Seized on the pausing reins, his coursers plunged,
His brows resumed the grandeur of their ire;
Throughout his vast divinity the deeps
Concurrent thrilled with action, and away,
As sweeps a thunder-cloud across the sky
In harvest-time, preluded by dull blasts;
Or some black-visaged whirlwind, whose wide folds
Rush, wrestling on with all ’twixt heaven and earth,
Darkling he hurried, and his distant voice,
Not softened by delay, was heard in tones
Distinctly terrible, still following up
Its rapid utterance of tremendous wrath
With hoarse reverberations; like the roar
Of lions when they hunger, and awake
The sullen echoes from their forest sleep,
To speed the ravenous noise from hill to hill
And startle victims; but more awful, He,
Scudding across the hills that rise and sink,
With foam, and splash, and cataracts of spray,
Clothed in majestic splendour; girt about
With Sea-gods and swift creatures of the sea;
Their briny eyes blind with the showering drops;
Their stormy locks, salt tongues, and scaly backs,
Quivering in harmony with the tempest, fierce
And eager with tempestuous delight;—
He like a moving rock above them all
Solemnly towering while fitful gleams
Brake from his dense black forehead, which display’d
The enduring chiefs as their distracted fleets
Tossed, toiling with the waters, climbing high,
And plunging downward with determined beaks,
In lurid anguish; but the Cretan king
And all his crew were ’ware of under-tides,
That for the groaning vessel made a path,
p. 107On which
the impending and precipitous waves
Fell not, nor suck’d to their abysmal gorge.
And now the pouring waves, huge and smooth,
Grew tired of holding back, and crashed
Headlong beneath him, breaking at his feet
With wild, urgent cries and angry wails;
Like crowds shouting for food, always wanting more.
And now the surface of their rolling backs
Was ridged with foamy furrows, rising high
And crashing wildly, like fiery horses,
Fresh from Thrace or Thessaly,
High-bred mares just getting used to the bit,
Whose manes stream on the winds at full speed,
p. 105And in
whose delicate nostrils, when the gust
Breathes of their homeland, they rear and ramp,
Frothing at the reins, and leaping from the ground,
As if the Sun-god’s chariot alone
Were fit to follow in their flashing trail.
Then, rising tall like those colossal giants,
Doomed long ago to endless grief and punishment,
Who challenged the throne of Zeus, and climbed,
Daring for once in the world the wrath of Olympus,
And braving the electric force from his clenched hand
That pierces the dark-veined earth, and with a touch
Means death for mortals, fearlessly they grew!
And with similar boldness
Threatened Titanic fury to the God.
Such was the agitation of the sea
Under Poseidon’s thought-filled brows,
Stirring for a signal. But no signal came.
And just like when people gather to hear
Some announcement from the royal source,
With eager questions and anxious words
Showing their expectations,
Till after many hours of restless waiting,
Weary from the delay, they start to talk
In sullen groups and gloomy masses, stirred
With uncertain rage and whispering schemes,
Known more by hinting than by saying,
And understood only by those in the know;—even so the restless waves
Began to lose all sense of serving,
And stirred with rebellious passions, bursting, now
To the right, and now to the left, but always
Subdued by influence, and held back by fear
Of that unbroken Authority.
p. 106Then,
swiftly as he thought, the impetuous God
Seized the waiting reins, his horses plunged,
His brows resumed their grand anger;
Throughout his vast divinity the depths
Simultaneously thrilled with action, and away,
As a thundercloud sweeps across the sky
In harvest time, announced by dull rumblings;
Or some dark whirlwind, whose wide folds
Rush, wrestling with all between heaven and earth,
Darkly he hurried, and his distant voice,
Not softened by delay, was heard in tones
Clearly terrible, still following up
Its rapid expression of tremendous wrath
With hoarse echoes; like the roar
Of hungry lions, waking
The sullen echoes from their forest sleep,
To send the ravenous noise from hill to hill
And startle their prey; but more awe-inspiring, He,
Rushing across the hills that rise and fall,
With foam, and splash, and torrents of spray,
Dressed in majestic splendor; surrounded
By Sea-gods and swift creatures of the sea;
Their briny eyes blinded by the pouring drops;
Their stormy hair, salty tongues, and scaly backs,
Vibrating in harmony with the fierce storm,
Eager with tempestuous delight;—
He like a moving rock above them all
Solemnly towering while fitful flashes
Burst from his dense black forehead, which revealed
The enduring leaders as their troubled fleets
Tossed, struggling with the waters, climbing high,
And plunging downward with determined beaks,
In vivid anguish; but the Cretan king
And all his crew were aware of the undercurrents,
That for the groaning vessel made a way,
p. 107On which
the looming and steep waves
Fell not, nor sucked down to their abysmal depths.
O, happy they to feel the mighty God,
Without his whelming presence near: to feel
Safety and sweet relief from such despair,
And gushing of their weary hopes once more
Within their fond warm hearts, tired limbs, and eyes
Heavy with much fatigue and want of sleep!
Prayers did not lack; like mountain springs they came,
After the earth has drunk the drenching rains,
And throws her fresh-born jets into the sun
With joyous sparkles;—for there needed not
Evidence more serene of instant grace,
Immortal mercy! and the sense which follows
Divine interposition, when the shock
Of danger hath been thwarted by the Gods,
Visibly, and through supplication deep,—
Rose in them, chiefly in the royal mind
Of him whose interceding vow had saved.
Tears from that great heroic soul sprang up;
Not painful as in grief, nor smarting keen
With shame of weeping; but calm, fresh, and sweet;
Such as in lofty spirits rise, and wed
The nature of the woman to the man;
A sight most lovely to the Gods! They fell
Like showers of starlight from his steadfast eyes,
As ever towards the prow he gazed, nor moved
One muscle, with firm lips and level lids,
Motionless; while the winds sang in his ears,
And took the length of his brown hair in streams
Behind him. Thus the hours passed, and the oars
Plied without pause, and nothing but the sound
Of the dull rowlocks and still watery sough,
Far off, the carnage of the storm, was heard.
p. 108For
nothing spake the mariners in their toil,
And all the captains of the war were dumb:
Too much oppressed with wonder, too much thrilled
By their great chieftain’s silence, to disturb
Such meditation with poor human speech.
Meantime the moon through slips of driving cloud
Came forth, and glanced athwart the seas a path
Of dusky splendour, like the Hadean brows,
When with Elysian passion they behold
Persephone’s complacent hueless cheeks.
Soon gathering strength and lustre, as a ship
That swims into some blue and open bay
With bright full-bosomed sails, the radiant car
Of Artemis advanced, and on the waves
Sparkled like arrows from her silver bow
The keenness of her pure and tender gaze.
O, how happy they are to feel the powerful God,
Even without His overwhelming presence nearby: to feel
Safe and relieved from such despair,
And the rush of their weary hopes once again
Filling their warm hearts, tired limbs, and eyes
Heavy with fatigue and lack of sleep!
Prayers were abundant; like mountain springs they came,
After the earth has soaked up the drenching rains,
And shoots forth her fresh streams into the sun
With joyful sparkles;—for there was no need for
More serene proof of instant grace,
Immortal mercy! And the feeling that follows
Divine intervention, when the shock
Of danger has been thwarted by the Gods,
Clearly, and through deep supplication,—
Rose within them, especially in the royal mind
Of him whose interceding vow had saved.
Tears from that great heroic soul welled up;
Not painful as in grief, nor sharp
With the shame of crying; but calm, fresh, and sweet;
Like those that rise in lofty spirits, combining
The nature of the woman with that of the man;
A sight most beautiful to the Gods! They fell
Like showers of starlight from his steadfast eyes,
As he gazed toward the prow, unmoving,
With firm lips and steady gaze,
Staying still; while the winds sang in his ears,
And tugged at the lengths of his brown hair behind him.
Thus the hours passed, and the oars
Kept moving without pause, and only the sound
Of the dull rowlocks and the still splashes,
Far off, the chaos of the storm, could be heard.
p. 108For
the sailors said nothing in their labor,
And all the commanders of the war were silent:
Too overwhelmed with awe, too thrilled
By their great leader’s silence, to interrupt
Such contemplation with simple human speech.
Meanwhile, the moon, through gaps in the driving clouds,
Came out and glanced across the sea, creating a path
Of dusky brilliance, like the Underworld’s brows,
When, with Elysian passion, they gaze upon
Persephone’s serene, colorless cheeks.
Soon gaining strength and radiance, as a ship
That sails into a bright, open bay
With full-bellied sails, the radiant chariot
Of Artemis moved forward, and on the waves
Sparkled like arrows from her silver bow
The intensity of her pure and gentle gaze.
Then, slowly, one by one the chiefs sought
rest;
The watches being set, and men to relieve
The rowers at midseason. Fair it was
To see them as they lay! Some up the prow,
Some round the helm, in open-handed sleep;
With casques unloosed, and bucklers put aside;
The ten years’ tale of war upon their cheeks,
Where clung the salt wet locks, and on their breasts
Beards, the thick growth of many a proud campaign;
And on their brows the bright invisible crown
Victory sheds from her own radiant form,
As o’er her favourites’ heads she sings and soars.
But dreams came not so calmly; as around
Turbulent shores wild waves and swamping surf
Prevail, while seaward, on the tranquil deeps,
Reign placid surfaces and solemn peace,
So, from the troubled strands of memory, they
Launched and were tossed, long ere they found the tides
p. 109That
lead to the gentle bosoms of pure rest.
And like to one who from a ghostly watch
In a lone house where murder hath been done,
And secret violations, pale with stealth
Emerges, staggering on the first chill gust
Wherewith the morning greets him, feeling not
Its balmy freshness on his bloodless cheek,—
But swift to hide his midnight face afar,
’Mongst the old woods and timid-glancing flowers
Hastens, till on the fresh reviving breasts
Of tender Dryads folded he forgets
The pallid witness of those nameless things,
In renovated senses lapt, and joins
The full, keen joyance of the day, so they
From sights and sounds of battle smeared with blood,
And shrieking souls on Acheron’s bleak tides,
And wail of execrating kindred, slid
Into oblivious slumber and a sense
Of satiate deliciousness complete.
Then, slowly, one by one, the leaders found some rest;
The watches were set, and men were assigned
To relieve the rowers at midseason. It was nice
To see them lying there! Some at the bow,
Some around the helm, sound asleep;
With helmets loosened and shields put aside;
The ten years of war etched on their faces,
Where the salty, wet hair clung, and on their chests
Beards, thick from many proud campaigns;
And on their brows the bright unseen crown
Victory gives from her radiant form,
As she sings and soars over her favorites’ heads.
But their dreams weren’t so peaceful; just as
Around turbulent shores wild waves and crashing surf
Prevail, while on calm seas, tranquil surfaces
And solemn peace reign,
So from the troubled strands of memory, they
Launched and were tossed, long before they found the tides
p. 109That
lead to the gentle embrace of pure rest.
And like someone emerging from a ghostly watch
In a lonely house where a murder has occurred,
And secret wrongs, pale with stealth,
Stumbles into the first chill breeze
That the morning greets him with, feeling not
Its refreshing warmth on his pale cheek,—
But quickly hides his midnight face far away,
Among the old woods and shy flowers
Hurrying until he finds himself on the fresh,
Reviving breasts of tender Dryads, where he forgets
The pale witness of those nameless acts,
Lost in renewed senses, and joins
The full, sharp joy of the day, so they
From sights and sounds of battle stained with blood,
And screaming souls on Acheron’s bleak tides,
And the cries of cursed kin, slipped
Into oblivious sleep and a feeling
Of complete, satisfying delight.
Leave them, O Muse, in that so happy sleep!
Leave them to reap the harvest of their toil,
While fast in moonlight the glad vessel glides,
As if instinctive to its forest home.
O Muse, that in all sorrows and all joys,
Rapturous bliss and suffering divine,
Dwellest with equal fervour, in the calm
Of thy serene philosophy, albeit
Thy gentle nature is of joy alone,
And loves the pipings of the happy fields,
Better than all the great parade and pomp
Which forms the train of heroes and of kings,
And sows, too frequently, the tragic seeds
That choke with sobs thy singing,—turn away
Thy lustrous eyes back to the oath-bound man!
p. 110For as a
shepherd stands above his flock,
The lofty figure of the king is seen,
Standing above his warriors as they sleep:
And still as from a rock grey waters gush,
While still the rock is passionless and dark,
Nor moves one feature of its giant face,
The tears fall from his eyes, and he stirs not.
Leave them, O Muse, in that blissful sleep!
Let them enjoy the benefits of their hard work,
As the joyful boat glides swiftly in the moonlight,
As if it's naturally drawn to its forest home.
O Muse, who shares both sorrows and joys,
With rapturous happiness and divine suffering,
You dwell with equal passion in the calm
Of your peaceful philosophy, even though
Your gentle nature is all about joy alone,
And you prefer the sounds of happy fields,
To all the grand displays and pomp
That accompany heroes and kings,
And too often plant the tragic seeds
That stifle your singing with sobs—turn your
Bright eyes back to the oath-bound man!
p. 110For just as a shepherd stands over his flock,
The king's imposing figure is seen,
Watching over his warriors as they sleep:
And just as grey waters gush from a rock,
While the rock remains passionless and dark,
Not changing a single feature of its giant face,
The tears fall from his eyes, and he remains still.
And O, bright Muse! forget not thou to fold
In thy prophetic sympathy the thought
Of him whose destiny has heard its doom:
The Sacrifice thro’ whom the ship is saved.
Haply that Sacrifice is sleeping now,
And dreams of glad tomorrows. Haply now,
His hopes are keenest, and his fervent blood
Richest with youth, and love, and fond regard!
Round him the circle of affections blooms,
And in some happy nest of home he lives,
One name oft uttering in delighted ears,
Mother! at which the heart of men are kin
With reverence and yearning. Haply, too,
That other name, twin holy, twin revered,
He whispers often to the passing winds
That blow toward the Asiatic coasts;
For Crete has sent her bravest to the war,
And multitudes pressed forward to that rank,
Men with sad weeping wives and little ones.
That other name—O Father! who art thou,
Thus doomed to lose the star of thy last days?
It may be the sole flower of thy life,
And that of all who now look up to thee!
O Father, Father! unto thee even now
Fate cries; the future with imploring voice
Cries ‘Save me,’ ‘Save me,’ though thou
hearest not.
And O thou Sacrifice, foredoomed by Zeus;
p. 111Even now
the dark inexorable deed
Is dealing its relentless stroke, and vain
Are prayers, and tears, and struggles, and despair!
The mother’s tears, the nation’s stormful grief,
The people’s indignation and revenge!
Vain the last childlike pleading voice for life,
The quick resolve, the young heroic brow,
So like, so like, and vainly beautiful!
Oh! whosoe’er ye are the Muse says not,
And sees not, but the Gods look down on both.
And oh, bright Muse! don’t forget to wrap
In your prophetic sympathy the thought
Of him whose fate has met its end:
The Sacrifice through whom the ship is saved.
Maybe that Sacrifice is resting now,
And dreaming of happy tomorrows. Maybe now,
His hopes are brightest, and his passionate blood
Full of youth, love, and warm affection!
Around him, the circle of love blooms,
And in some happy home he lives,
One name often spoken in joyful voices,
Mother! which unites the hearts of men
With respect and longing. Maybe, too,
That other name, equally sacred, equally honored,
He whispers often to the passing winds
That blow toward the Asian shores;
For Crete has sent her bravest to the war,
And many pushed forward to that cause,
Men with sorrowful wives and little ones.
That other name—O Father! who are you,
Thus destined to lose the light of your later days?
It may be the sole blossom of your life,
And that of all who now look up to you!
O Father, Father! even now to you
Fate calls; the future with pleading voice
Cries ‘Save me,’ ‘Save me,’ though you
Do not hear.
And oh you Sacrifice, fated by Zeus;
p. 111Even now
The dark, unavoidable deed
Is striking its relentless blow, and pointless
Are prayers, and tears, and efforts, and despair!
The mother’s tears, the nation’s turbulent grief,
The people’s anger and desire for revenge!
Pointless the last desperate pleading for life,
The quick decision, the bold youthful face,
So similar, so similar, and vainly beautiful!
Oh! whoever you are the Muse does not say,
And she does not see, but the Gods look down on both.
p. 112THE LONGEST DAY
On yonder hills soft
twilight dwells
And Hesper burns where sunset dies,
Moist and chill the woodland smells
From the fern-covered hollows uprise;
Darkness drops not from the skies,
But shadows of darkness are flung o’er the vale
From the boughs of the chestnut, the oak, and the
elm,
While night in yon lines of eastern pines
Preserves alone her inviolate realm
Against the
twilight pale.
On those distant hills, gentle twilight settles
And Hesper glows as the sunset fades,
The woodland air is damp and cool
Rising from the fern-covered valleys;
Darkness doesn’t fall from the skies,
But shadows of darkness are cast over the valley
From the branches of the chestnut, oak, and elm,
While night in those lines of eastern pines
Guards her untouched realm
Against the pale twilight.
Say, then say, what is this day,
That it lingers thus with half-closed eyes,
When the sunset is quenched and the orient ray
Of the roseate moon doth rise,
Like a midnight sun o’er the skies!
’Tis the longest, the longest of all the glad year,
The longest in life and the fairest in hue,
When day and night, in bridal light,
Mingle their beings beneath the sweet blue,
And bless the
balmy air!
Say, then say, what is this day,
That it lingers here with half-closed eyes,
When the sunset is gone and the eastern light
Of the pink moon starts to rise,
Like a midnight sun in the sky!
It's the longest, the longest of all the joyful year,
The longest in life and the prettiest in color,
When day and night, in perfect light,
Blend their existence beneath the sweet blue,
And bless the
balmy air!
Upward to this starry height
The culminating seasons rolled;
On one slope green with spring delight,
The other with harvest gold,
And treasures of Autumn untold:
p. 113And on
this highest throne of the midsummer now
The waning but deathless day doth dream,
With a rapturous grace, as tho’ from the face
Of the unveiled infinity, lo, a far beam
Had fall’n
on her dim-flushed brow!
Upward to this starry height
The seasons rolled to their peak;
On one side, vibrant with the joy of spring,
The other, shining with harvest gold,
And treasures of autumn yet to be told:
p. 113And on
this highest throne of midsummer now
The fading but everlasting day dreams,
With a rapturous grace, as if from the essence
Of the unveiled infinity, a distant beam
Had fallen
on her softly glowing brow!
Prolong, prolong that tide of song,
O leafy nightingale and thrush!
Still, earnest-throated blackcap, throng
The woods with that emulous gush
Of notes in tumultuous rush.
Ye summer souls, raise up one voice!
A charm is afloat all over the land;
The ripe year doth fall to the Spirit of all,
Who blesses it with outstretched hand;
Ye summer souls,
rejoice!
Prolong, prolong that wave of song,
O leafy nightingale and thrush!
Still, heartfelt blackcap, fill
The woods with that eager rush
Of notes in a wild flow.
You summer spirits, lift up one voice!
A magic is spreading all across the land;
The ripe year falls to the Spirit of all,
Who blesses it with an open hand;
You summer spirits,
rejoice!
p. 114TO ROBIN REDBREAST
Merrily ’mid
the faded leaves,
O Robin of the bright red breast!
Cheerily over the Autumn eaves,
Thy note is heard, bonny bird;
Sent to cheer us, and kindly endear us
To what would be a sorrowful time
Without thee in the weltering clime:
Merry art thou in the boughs of the lime,
While thy fadeless waistcoat glows
on thy breast,
In Autumn’s reddest livery
drest.
Joyfully among
the faded leaves,
O Robin with the bright red chest!
Cheerfully over the Autumn rooftops,
Your song is heard, lovely bird;
Sent to comfort us and warmly make us
Appreciate what would be a sad time
Without you in the dreary weather:
You’re cheerful in the branches of the lime,
While your timeless waistcoat shines
on your chest,
Dressed in Autumn’s brightest colors.
A merry song, a cheery song!
In the boughs above, on the sward below,
Chirping and singing the live day long,
While the maple in grief sheds its fiery leaf,
And all the trees waning, with bitter complaining,
Chestnut, and elm, and sycamore,
Catch the wild gust in their arms, and roar
Like the sea on a stormy shore,
Till wailfully they let it go,
And weep themselves naked and
weary with woe.
A joyful song, a happy song!
In the branches above, on the grass below,
Chirping and singing throughout the day,
While the maple sadly drops its fiery leaves,
And all the trees fading, with bitter complaints,
Chestnut, and elm, and sycamore,
Feel the wild wind in their arms, and roar
Like the sea on a stormy shore,
Until they sorrowfully let it go,
And weep themselves bare and
tired with grief.
Merrily, cheerily, joyously still
Pours out the crimson-crested tide.
The set of the season burns bright on the hill,
Where the foliage dead falls yellow and red,
Picturing vainly, but foretelling plainly
The wealth of cottage warmth that comes
When the frost gleams and the blood numbs,
And then, bonny Robin, I’ll spread thee out
crumbs
In my garden porch for thy
redbreast pride,
The song and the ensign of dear
fireside.
Happily, cheerfully, joyfully still
Flows the red-tipped tide.
The season's vibe glows brightly on the hill,
Where the dead leaves fall yellow and red,
Imagining foolishly, but clearly predicting
The cozy warmth of home that arrives
When the frost sparkles and the blood chills,
And then, lovely Robin, I’ll lay out
crumbs
On my garden porch for your
redbreast pride,
The song and symbol of a warm fireside.
p. 115SONG
The daisy now is out
upon the green;
And in the grassy lanes
The child of April rains,
The sweet fresh-hearted violet, is smelt and loved unseen.
The daisy is now blooming
on the lawn;
And in the grassy paths
The child of April showers,
The sweet, fresh-hearted violet is felt and cherished out of sight.
Along the brooks and meads, the daffodil
Its yellow richness spreads,
And by the fountain-heads
Of rivers, cowslips cluster round, and over every hill.
Along the streams and meadows, the daffodil
Spreads its bright yellow bloom,
And near the springs
Of rivers, cowslips gather around, and all over every hill.
The crocus and the primrose may have gone,
The snowdrop may be low,
But soon the purple glow
Of hyacinths will fill the copse, and lilies watch the dawn.
The crocus and the primrose might be gone,
The snowdrop might be low,
But soon the purple glow
Of hyacinths will fill the grove, and lilies will greet the dawn.
And in the sweetness of the budding year,
The cuckoo’s woodland call,
The skylark over all,
And then at eve, the nightingale, is doubly sweet and dear.
And in the warmth of the new year,
The cuckoo's call in the woods,
The skylark soaring above,
And then in the evening, the nightingale is even sweeter and more cherished.
My soul is singing with the happy birds,
And all my human powers
Are blooming with the flowers,
My foot is on the fields and downs, among the flocks and
herds.
My spirit is joyful like the cheerful birds,
And all my human abilities
Are flourishing with the flowers,
My foot is in the fields and hills, among the sheep and cattle.
The sunny vistas, dim with hurrying shade,
And old romantic haze:—
Again as in past days,
The spirit of immortal Spring doth every sense pervade.
The sunny views, dimmed by rushing shadows,
And old, dreamy mist:—
Just like in days gone by,
The essence of everlasting Spring fills every sense.
Oh! do not say that this will ever
cease;—
This joy of woods and fields,
This youth that nature yields,
Will never speak to me in vain, tho’ soundly rapt in
peace.
Oh! don’t say that this will ever stop;—
This joy of woods and fields,
This youth that nature gives,
Will never speak to me in vain, even when I'm deeply immersed in peace.
p. 117SUNRISE
The clouds are
withdrawn
And their thin-rippled mist,
That stream’d o’er the lawn
To the drowsy-eyed west.
Cold and grey
They slept in the way,
And shrank from the ray
Of the chariot East:
But now they are gone,
And the bounding light
Leaps thro’ the bars
Of doubtful dawn;
Blinding the stars,
And blessing the sight;
Shedding delight
On all below;
Glimmering fields,
And wakening wealds,
And rising lark,
And meadows dark,
And idle rills,
And labouring mills,
And far-distant hills
Of the fawn and the doe.
The sun is cheered
And his path is cleared,
As he steps to the air
From his emerald cave,
His heel in the wave,
p. 118Most
bright and bare;
In the tide of the sky
His radiant hair
From his temples fair
Blown back on high;
As forward he bends,
And upward ascends,
Timely and true,
To the breast of the blue;
His warm red lips
Kissing the dew,
Which sweetened drips
On his flower cupholders;
Every hue
From his gleaming shoulders
Shining anew
With colour sky-born,
As it washes and dips
In the pride of the morn.
Robes of azure,
Fringed with amber,
Fold upon fold
Of purple and gold,
Vine-leaf bloom,
And the grape’s ripe gloom,
When season deep
In noontide leisure,
With clustering heap
The tendrils clamber
Full in the face
Of his hot embrace,
Fill’d with the gleams
Of his firmest beams.
Autumn flushes,
Roseate blushes,
p. 119Vermeil
tinges,
Violet fringes,
Every hue
Of his flower cupholders,
O’er the clear ether
Mingled together,
Shining anew
From his gleaming shoulders!
Circling about
In a coronal rout,
And floating behind,
The way of the wind,
As forward he bends,
And upward ascends,
Timely and true,
To the breast of the blue.
His bright neck curved,
His clear limbs nerved,
Diamond keen
On his front serene,
While each white arm strains
To the racing reins,
As plunging, eyes flashing,
Dripping, and dashing,
His steeds triple grown
Rear up to his throne,
Ruffling the rest
Of the sea’s blue breast,
From his flooding, flaming crimson crest!
The clouds have moved away
And their thin, rippling mist,
That streamed across the lawn
Toward the sleepy west.
Cold and gray
They lay in the way,
And shrank from the light
Of the eastern sun:
But now they are gone,
And the bounding light
Jumps through the bars
Of uncertain dawn;
Blinding the stars,
And brightening the view;
Bringing joy
To everything below;
Glistening fields,
And waking woods,
And rising lark,
And dark meadows,
And gentle streams,
And busy mills,
And distant hills
Where the fawn and the doe roam.
The sun is happy
And his path is clear,
As he steps into the air
From his emerald cave,
His heel in the wave,
p. 118Most bright and open;
In the sky’s tide
His radiant hair
Blows back from his fair temples;
As he leans forward,
And rises high,
Right on time and true,
To the blue sky;
His warm red lips
Kissing the dew,
Which sweetly drips
On his flower holders;
Every color
From his shining shoulders
Sparkling anew
With sky-born hues,
As it washes and dips
In the glory of the morn.
Robes of blue,
Trimmed with amber,
Layer upon layer
Of purple and gold,
Vine-leaf blooms,
And the grape’s ripe shade,
When the season deepens
In the lazy noon,
With bunches piled high
The tendrils climb
Fully into his warm embrace,
Filled with the glints
Of his strongest rays.
Autumn blushes,
Rosy tints,
p. 119Crimson highlights,
Violet edges,
Every color
Of his flower holders,
Over the clear sky
Mixed together,
Shining anew
From his gleaming shoulders!
Circling around
In a crown-like rush,
And floating behind,
With the wind’s path,
As he leans forward,
And rises high,
Right on time and true,
To the blue sky.
His bright neck curved,
His strong limbs set,
Diamond sharp
On his calm front,
While each white arm strains
To the racing reins,
As plunging, eyes flashing,
Dripping and splashing,
His three steeds grown
Rear up to his throne,
Disturbing the rest
Of the sea’s blue surf,
From his flooding, fiery crimson crest!
p. 120PICTURES OF THE RHINE
I
The spirit of Romance dies not to those
Who hold a kindred spirit in their souls:
Even as the odorous life within the rose
Lives in the scattered leaflets and controls
Mysterious adoration, so there glows
Above dead things a thing that cannot die;
Faint as the glimmer of a tearful eye,
Ere the orb fills and all the sorrow flows.
Beauty renews itself in many ways;
The flower is fading while the new bud blows;
And this dear land as true a symbol shows,
While o’er it like a mellow sunset strays
The legendary splendour of old days,
In visible, inviolate repose.
The spirit of Romance doesn’t die for those
Who share a kindred spirit in their souls:
Just like the fragrant life within the rose
Lives on in scattered petals and controls
Mysterious admiration, so there shines
Above lifeless things something that won't die;
Faint as the shimmer of a tearful eye,
Before the orb fills and all the sorrow flows.
Beauty finds ways to renew itself;
The flower may fade while a new bud blooms;
And this beloved land shows a true symbol,
While over it like a warm sunset drifts
The legendary splendor of old days,
In visible, untouched calm.
II
About a mile behind the viny
banks,
How sweet it was, upon a sloping green,
Sunspread, and shaded with a branching screen,
To lie in peace half-murmuring words of thanks!
To see the mountains on each other climb,
With spaces for rich meadows flowery bright;
The winding river freshening the sight
At intervals, the trees in leafy prime;
The distant village-roofs of blue and white,
With intersections of quaint-fashioned beams
All slanting crosswise, and the feudal gleams
Of ruined turrets, barren in the light;—
To watch the changing clouds, like clime in
clime;
Oh sweet to lie and bless the luxury of time.
About a mile behind the vine-covered banks,
How sweet it was, on a sloping green,
Bathed in sunlight, and shaded by branching trees,
To lie in peace, softly murmuring words of thanks!
To see the mountains rise one after another,
With spaces for rich, colorful meadows;
The winding river refreshing the sight,
With trees bursting with leaves in their prime;
The distant roofs of the village in blue and white,
With patterns of old-fashioned beams
All slanting across, and the feudal glints
Of ruined towers, stark in the light;—
To watch the changing clouds, like weather in different places;
Oh sweet it is to lie and revel in the luxury of time.
p. 121III
Fresh blows the early breeze,
our sail is full;
A merry morning and a mighty tide.
Cheerily O! and past St. Goar we glide,
Half hid in misty dawn and mountain cool.
The river is our own! and now the sun
In saffron clothes the warming atmosphere;
The sky lifts up her white veil like a nun,
And looks upon the landscape blue and
clear;—
The lark is up; the hills, the vines in sight;
The river broadens with his waking bliss
And throws up islands to behold the light;
Voices begin to rise, all hues to kiss;—
Was ever such a happy morn as this!
Birds sing, we shout, flowers breathe, trees shine with one
delight!
A fresh breeze blows in, our sail is full;
It’s a cheerful morning with a strong tide.
Cheerily O! and we glide past St. Goar,
Half hidden in the misty dawn and cool mountains.
The river is ours! and now the sun
Dons its golden robes to warm the air;
The sky lifts her white veil like a nun,
And gazes at the clear blue landscape;—
The lark is up; the hills, the vines are visible;
The river widens with the joy of waking
And reveals islands to bask in the light;
Voices start to rise, all colors to embrace;—
Has there ever been a happier morning than this?
Birds sing, we shout, flowers bloom, trees shine in perfect delight!
IV
Between the two white breasts
of her we love,
A dewy blushing rose will sometimes spring;
Thus Nonnenwerth like an enchanted thing
Rises mid-stream the crystal depths above.
On either side the waters heave and swell,
But all is calm within the little Isle;
Content it is to give its holy smile,
And bless with peace the lives that in it dwell.
Most dear on the dark grass beneath its bower
Of kindred trees embracing branch and bough,
To dream of fairy foot and sudden flower;
Or haply with a twilight on the brow,
To muse upon the legendary hour,
And Roland’s lonely love and Hildegard’s sad vow.
Between the two white breasts
of her we love,
A dewy blushing rose sometimes blooms;
Thus Nonnenwerth like an enchanted thing
Rises in the stream, above the crystal depths.
On either side the waters rise and fall,
But all is calm within the little Isle;
It’s content to share its holy smile,
And bless with peace the lives that dwell within.
Most dear on the dark grass beneath its shelter
Of closely-knit trees embracing branch and bough,
To dream of fairy footsteps and sudden flowers;
Or perhaps with twilight resting on the brow,
To reflect on the legendary hour,
And Roland’s lonely love and Hildegard’s sad vow.
p. 122V
Hark! how the bitter winter
breezes blow
Round the sharp rocks and o’er the half-lifted
wave,
While all the rocky woodland branches rave
Shrill with the piercing cold, and every cave,
Along the icy water-margin low,
Rings bubbling with the whirling overflow;
And sharp the echoes answer distant cries
Of dawning daylight and the dim sunrise,
And the gloom-coloured clouds that stain the
skies
With pictures of a warmth, and frozen glow
Spread over endless fields of sheeted snow;
And white untrodden mountains shining cold,
And muffled footpaths winding thro’ the
wold,
O’er which those wintry gusts cease not to howl and
blow.
Listen! how the bitter winter
breezes blow
Around the sharp rocks and over the half-lifted
wave,
While all the rocky woodland branches tangle
shrilly with the piercing cold, and every cave,
Along the icy water's edge low,
Rings bubbling with the swirling overflow;
And sharp the echoes respond to distant cries
Of dawning daylight and the dim sunrise,
And the dark-colored clouds that stain the
skies
With images of warmth, and frozen glow
Spread over endless fields of smooth snow;
And white untouched mountains shining cold,
And muffled footpaths winding through the
meadow,
Over which those winter gusts never stop howling and
blowing.
VI
Rare is the loveliness of
slow decay!
With youth and beauty all must be desired,
But ’tis the charm of things long past
away,
They leave, alone, the light they have inspired:
The calmness of a picture; Memory now
Is the sole life among the ruins grey,
And like a phantom in fantastic play
She wanders with rank weeds stuck on her brow,
Over grass-hidden caves and turret-tops,
Herself almost as tottering as they;
While, to the steps of Time, her latest props
Fall stone by stone, and in the Sun’s hot
ray
All that remains stands up in rugged pride,
And bridal vines drink in his juices on each side.
Rare is the beauty of slow decay!
With youth and beauty, everyone longs for more,
But it’s the charm of things that have faded away,
They alone hold the light they’ve inspired:
The tranquility of a picture; Memory now
Is the only life among the grey ruins,
And like a ghost in a surreal play
She wanders with wild weeds tangled in her hair,
Over grass-covered caves and turret-tops,
Almost as shaky as they are;
While, under the weight of Time, her last supports
Fall stone by stone, and in the sun’s hot rays
Everything that’s left stands proudly in its ruggedness,
And bridal vines soak in its essence on each side.
p. 123TO A NIGHTINGALE
O nightingale! how
hast thou learnt
The note of the nested dove?
While under thy bower the fern hangs burnt
And no cloud hovers above!
Rich July has many a sky
With splendour dim, that thou mightst hymn,
And make rejoice with thy wondrous voice,
And the thrill of thy wild pervading tone!
But instead of to woo, thou hast learnt to coo:
Thy song is mute at the mellowing fruit,
And the dirge of the flowers is sung by the hours
In silence and twilight alone.
O nightingale! how
have you learned
the song of the dove?
While under your shelter the fern hangs burnt
and no cloud is above!
Rich July has many a sky
with dim splendor that you could sing,
and make all rejoice with your amazing voice,
and the thrill of your wild, resonant tone!
But instead of wooing, you’ve learned to coo:
your song is silent at the ripening fruit,
and the funeral song of the flowers is sung by the hours
in silence and twilight alone.
O nightingale! ’tis this, ’tis
this
That makes thee mock the dove!
That thou hast past thy marriage bliss,
To know a parent’s love.
The waves of fern may fade and burn,
The grasses may fall, the flowers and all,
And the pine-smells o’er the oak dells
Float on their drowsy and odorous wings,
But thou wilt do nothing but coo,
Brimming the nest with thy brooding breast,
’Midst that young throng of future song,
Round whom the Future sings!
O nightingale! It’s this, it’s this
That makes you mock the dove!
That you’ve missed your marital bliss,
To know a parent’s love.
The waves of ferns may fade and burn,
The grasses may wilt, the flowers and all,
And the scent of pines over the oak valleys
Drifts on their drowsy and fragrant wings,
But you’ll just coo,
Filling the nest with your nurturing warmth,
Amidst that young crowd of future song,
Around whom the Future sings!
p. 124INVITATION TO THE COUNTRY
Now ’tis
Spring on wood and wold,
Early Spring that shivers with cold,
But gladdens, and gathers, day by day,
A lovelier hue, a warmer ray,
A sweeter song, a dearer ditty;
Ouzel and throstle, new-mated and gay,
Singing their bridals on every spray—
Oh, hear them, deep in the songless City!
Cast off the yoke of toil and smoke,
As Spring is casting winter’s grey,
As serpents cast their skins away:
And come, for the Country awaits thee with pity
And longs to bathe thee in her delight,
And take a new joy in thy kindling sight;
And I no less, by day and night,
Long for thy coming, and watch for, and wait thee,
And wonder what duties can thus berate thee.
Now it’s
Spring in the woods and fields,
Early Spring that shivers with chill,
But brightens, and gathers, day by day,
A prettier hue, a warmer ray,
A sweeter song, a dearer tune;
Ouzel and thrush, newly paired and cheerful,
Singing their love songs on every branch—
Oh, hear them, deep in the songless City!
Shake off the burden of work and smoke,
As Spring is shedding winter’s grey,
As snakes shed their skins:
And come, for the Country awaits you with kindness
And longs to wrap you in her joy,
And take new pleasure in your brightening eyes;
And I no less, by day and night,
Yearn for your arrival, and watch for, and wait for you,
And wonder what tasks can so frustrate you.
Dry-fruited firs are dropping their cones,
And vista’d avenues of pines
Take richer green, give fresher tones,
As morn after morn the glad sun shines.
Dry-fruited firs are dropping their cones,
And lined avenues of pines
Become a deeper green, showing fresher shades,
As day after day the bright sun shines.
Primrose tufts peep over the brooks,
Fair faces amid moist decay!
The rivulets run with the dead leaves at play,
The leafless elms are alive with the rooks.
Primrose clumps peek over the streams,
Pretty faces among the wet decay!
The little rivers flow with the fallen leaves at play,
The bare elms are buzzing with the rooks.
Soon comes the cuckoo when April is fair,
And her blue eye the brighter the more it may weep:
The frog and the butterfly wake from their sleep,
Each to its element, water and air.
Soon comes the cuckoo when April is nice,
And her blue eye shines brighter the more it weeps:
The frog and the butterfly wake from their sleep,
Each to their element, water and air.
Mist hangs still on every hill,
And curls up the valleys at eve; but noon
Is fullest of Spring; and at midnight the moon
Gives her westering throne to Orion’s bright zone,
As he slopes o’er the darkened world’s repose;
And a lustre in eastern Sirius glows.
Mist hangs quietly on every hill,
And curls up the valleys in the evening; but noon
Is the peak of Spring; and at midnight the moon
Gives her setting throne to Orion’s bright area,
As he leans over the quiet darkened world;
And a shine in eastern Sirius glows.
Come, in the season of opening buds;
Come, and molest not the otter that whistles
Unlit by the moon, ’mid the wet winter bristles
Of willow, half-drowned in the fattening floods.
Let him catch his cold fish without fear of a gun,
And the stars shall shield him, and thou wilt shun!
And every little bird under the sun
Shall know that the bounty of Spring doth dwell
In the winds that blow, in the waters that run,
And in the breast of man as well.
Come, in the season of new buds;
Come, and don’t disturb the otter that whistles
Unseen by the moon, amidst the damp winter bristles
Of willow, half-submerged in the rising floods.
Let him catch his cold fish without fear of a gun,
And the stars will protect him, and you will stay away!
And every little bird under the sun
Will know that the blessings of Spring are found
In the winds that blow, in the waters that flow,
And in the heart of man as well.
p. 126THE SWEET O’ THE YEAR
Now the frog, all
lean and weak,
Yawning from his famished sleep,
Water in the ditch doth seek,
Fast as he can stretch and leap:
Marshy king-cups burning near
Tell him ’tis the sweet
o’ the year.
Now the frog, all
thin and weak,
Yawning from his hungry sleep,
Is looking for water in the ditch,
As quickly as he can stretch and leap:
Marshy king-cups glowing nearby
Tell him it's the sweet time of year.
Now the ant works up his mound
In the mouldered piny soil,
And above the busy ground
Takes the joy of earnest toil:
Dropping pine-cones, dry and
sere,
Warn him ’tis the sweet
o’ the year.
Now the ant builds its mound
In the decayed pine soil,
And above the bustling ground
Takes pleasure in hard work:
Dropping pine cones, dry and
withered,
Reminding him it’s the sweetness
of the year.
Now the chrysalis on the wall
Cracks, and out the creature springs,
Raptures in his body small,
Wonders on his dusty wings:
Bells and cups, all shining
clear,
Show him ’tis the sweet
o’ the year.
Now the chrysalis on the wall
Cracks, and out the creature bursts,
Delight in his tiny body,
Wonders on his dusty wings:
Bells and cups, all shining
Show him it’s the sweet
time of the year.
Now the brown bee, wild and wise,
Hums abroad, and roves and roams,
Storing in his wealthy thighs
Treasure for the golden combs:
Dewy buds and blossoms dear
Whisper ’tis the sweet
o’ the year.
Now the brown bee, wild and clever,
Buzzes around, exploring and wandering,
Gathering in his plump thighs
Rich treasures for the golden combs:
Dewy buds and beloved flowers
Whisper it’s the sweet time of the year.
Now the lads, all quick and gay,
Whistle to the browsing herds,
Or in the twilight pastures grey
Learn the use of whispered words:
First a blush, and then a tear,
And then a smile, i’ the
sweet o’ the year.
Now the guys, all lively and cheerful,
Whistle to the grazing herds,
Or in the dim pastures at dusk
Discover the power of whispered words:
First a blush, then a tear,
And then a smile, in the sweet of the year.
Now the May-fly and the fish
Play again from noon to night;
Every breeze begets a wish,
Every motion means delight:
Heaven high over heath and mere
Crowns with blue the sweet
o’ the year.
Now the mayfly and the fish
Play again from noon till night;
Every breeze brings a wish,
Every movement means delight:
Heaven high above heath and pond
Crowns with blue the sweetness of the year.
Now all Nature is alive,
Bird and beetle, man and mole;
Bee-like goes the human hive,
Lark-like sings the soaring soul:
Hearty faith and honest cheer
Welcome in the sweet o’ the
year.
Now all of nature is alive,
Bird and beetle, man and mole;
People buzz around like bees,
Souls soar and sing like larks:
True faith and genuine cheer
Are welcomed in the sweetness of the year.
p. 128AUTUMN EVEN-SONG
The long cloud edged with streaming grey
Soars from the West;
The red leaf mounts with it away,
Showing the nest
A blot among the branches bare:
There is a cry of outcasts in the air.
The long cloud rimmed with drifting gray
Rises from the West;
The red leaf rises with it,
Revealing the nest
A dark spot among the bare branches:
There's a cry of outcasts in the air.
Swift little breezes, darting
chill,
Pant down the lake;
A crow flies from the yellow hill,
And in its wake
A baffled line of labouring rooks:
Steel-surfaced to the light the river looks.
Quick little breezes, rushing cold,
Brush down the lake;
A crow flies from the golden hill,
And following
A confused line of busy rooks:
The river shines like steel in the light.
Pale on the panes of the old
hall
Gleams the lone space
Between the sunset and the squall;
And on its face
Mournfully glimmers to the last:
Great oaks grow mighty minstrels in the blast.
Pale on the windows of the old hall
Shines the lonely area
Between the sunset and the storm;
And on its surface
Sadly glimmers to the end:
Great oaks become strong storytellers in the wind.
Pale the rain-rutted roadways
shine
In the green light
Behind the cedar and the pine:
Come, thundering night!
Blacken broad earth with hoards of storm:
For me yon valley-cottage beckons warm.
Pale the rain-soaked roads
shine
In the green light
Behind the cedar and the pine:
Come, roaring night!
Darken the wide earth with torrents of storm:
For me, that cozy valley cottage calls.
p. 129THE SONG OF COURTESY
I
When Sir Gawain was
led to his bridal-bed,
By Arthur’s knights in scorn God-sped:—
How think you he felt?
O the bride within
Was yellow and dry as a snake’s old skin;
Loathly as sin!
Scarcely faceable,
Quite unembraceable;
With a hog’s bristle on a hag’s chin!—
Gentle Gawain felt as should we,
Little of Love’s soft fire knew he:
But he was the Knight of Courtesy.
When Sir Gawain was
taken to his wedding bed,
By Arthur’s knights in mockery God sped:—
How do you think he felt?
O the bride inside
Was yellow and dry like an old snake skin;
As ugly as sin!
Hardly presentable,
Totally unlovable;
With a hog’s bristle on a witch’s chin!—
Gentle Gawain felt as we might,
Knowing little of Love’s gentle light:
But he was the Knight of Courtesy.
II
When that evil lady he lay beside
Bade him turn to greet his bride,
What think you he did?
O, to spare her pain,
And let not his loathing her loathliness vain
Mirror too plain,
Sadly, sighingly,
Almost dyingly,
Turned he and kissed her once and again.
Like Sir Gawain, gentles, should we?
Silent, all! But for pattern agree
There’s none like the Knight of Courtesy.
When that wicked woman he was lying next to
Told him to turn and greet his bride,
What do you think he did?
Oh, to spare her from pain,
And not let his disgust at her ugliness
Show too clearly,
Sadly, with a sigh,
Almost dying,
He turned and kissed her once and then again.
Like Sir Gawain, my friends, should we?
Quiet, everyone! But for an example, let’s agree
There’s no one like the Knight of Courtesy.
p. 130III
Sir Gawain sprang up amid laces and curls:
Kisses are not wasted pearls:—
What clung in his arms?
O, a maiden flower,
Burning with blushes the sweet bride-bower,
Beauty her dower!
Breathing perfumingly;
Shall I live bloomingly,
Said she, by day, or the bridal hour?
Thereat he clasped her, and whispered he,
Thine, rare bride, the choice shall be.
Said she, Twice blest is Courtesy!
Sir Gawain jumped up, surrounded by lace and curls:
Kisses are never wasted gems:—
What was wrapped in his arms?
Oh, a maiden flower,
Blushing like a sweet bride in her bower,
Her beauty a treasure!
Filling the air with perfume;
Will I live beautifully,
She asked, by day, or at the wedding hour?
Then he held her tightly and whispered,
It’s your choice, my lovely bride.
She replied, Courteousness is truly blessed!
IV
Of gentle Sir Gawain they had no sport,
When it was morning in Arthur’s court;
What think you they cried?
Now, life and eyes!
This bride is the very Saint’s dream of a prize,
Fresh from the skies!
See ye not, Courtesy
Is the true Alchemy,
Turning to gold all it touches and tries?
Like the true knight, so may we
Make the basest that there be
Beautiful by Courtesy!
They had no fun with gentle Sir Gawain,
When morning came in Arthur’s court;
What do you think they shouted?
Wow, life and eyes!
This bride is the ultimate dream prize,
Straight from the skies!
Don't you see, Courtesy
Is the real magic,
Turning everything it touches into gold?
Just like the true knight, we too
Can make even the lowest among us
Beautiful through Courtesy!
p. 131THE THREE MAIDENS
There were three
maidens met on the highway;
The sun was down, the night was late:
And two sang loud with the birds of May,
O the nightingale is merry with its mate.
There were three
young women met on the road;
The sun was setting, and it was getting late:
And two sang loudly with the spring birds,
O the nightingale is happy with its mate.
Said they to the youngest, Why walk you there
so still?
The land is dark, the night is late:
O, but the heart in my side is ill,
And the nightingale will languish for its mate.
They said to the youngest, "Why are you walking there so quietly?
The land is dark, and it's late at night:
Oh, but my heart feels heavy,
And the nightingale will suffer for its mate."
Said they to the youngest, Of lovers there is
store;
The moon mounts up, the night is late:
O, I shall look on man no more,
And the nightingale is dumb without its mate.
They said to the youngest, There are plenty of lovers;
The moon rises, the night is late:
Oh, I will see no man again,
And the nightingale is silent without its mate.
Said they to the youngest, Uncross your arms
and sing;
The moon mounts high, the night is late:
O my dear lover can hear no thing,
And the nightingale sings only to its mate.
They said to the youngest, "Uncross your arms and sing;
The moon is high, and the night is late:
Oh my dear lover can hear nothing,
And the nightingale sings only to its mate."
They slew him in revenge, and his true-love was
his lure;
The moon is pale, the night is late:
His grave is shallow on the moor;
O the nightingale is dying for its mate.
They killed him out of revenge, and his true love was his bait;
The moon is pale, the night is late:
His grave is shallow on the moor;
O the nightingale is dying for its mate.
His blood is on his breast, and the moss-roots
at his hair;
The moon is chill, the night is late:
But I will lie beside him there:
O the nightingale is dying for its mate.
His blood is on his chest, and the mossy roots
are in his hair;
The moon is cold, the night is late:
But I will lie next to him there:
O the nightingale is dying for its mate.
p. 132OVER THE HILLS
The old hound wags
his shaggy tail,
And I know what he would say:
It’s over the hills we’ll bound, old hound,
Over the hills, and away.
The old dog wags
his fluffy tail,
And I know what he would say:
It’s over the hills we’ll go, old dog,
Over the hills, and away.
There’s nought for us here save to count
the clock,
And hang the head all day:
But over the hills we’ll bound, old hound,
Over the hills and away.
There’s nothing for us here except to watch the clock,
And keep our heads down all day:
But over the hills we’ll go, old hound,
Over the hills and away.
Here among men we’re like the deer
That yonder is our prey:
So, over the hills we’ll bound, old hound,
Over the hills and away.
Here among people we’re like the deer
That over there is our target:
So, up the hills we’ll leap, old hound,
Up the hills and away.
The hypocrite is master here,
But he’s the cock of clay:
So, over the hills we’ll bound, old hound,
Over the hills and away.
The hypocrite is in charge here,
But he's just a weakling:
So, we'll leap over the hills, old hound,
Over the hills and away.
The women, they shall sigh and smile,
And madden whom they may:
It’s over the hills we’ll bound, old hound,
Over the hills and away.
The women will sigh and smile,
And drive crazy whoever they want:
It's over the hills we'll go, old dog,
Over the hills and away.
Let silly lads in couples run
To pleasure, a wicked fay:
’Tis ours on the heather to bound, old hound,
Over the hills and away.
Let foolish guys in pairs rush
To pleasure, a mischievous fairy:
It's our time on the heather to leap, old hound,
Over the hills and away.
The sun bursts broad, and the heathery bed
Is purple, and orange, and gray:
Away, and away, we’ll bound, old hound,
Over the hills and away.
The sun shines brightly, and the heather-covered ground
Is purple, orange, and gray:
Let’s run, old hound,
Over the hills and away.
p. 134JUGGLING JERRY
I
Pitch here the tent,
while the old horse grazes:
By the old hedge-side we’ll halt a stage.
It’s nigh my last above the daisies:
My next leaf ’ll be man’s blank page.
Yes, my old girl! and it’s no use crying:
Juggler, constable, king, must bow.
One that outjuggles all’s been spying
Long to have me, and he has me now.
Panic the tent here,
while the old horse grazes:
We’ll stop by the old hedge for a bit.
It’s close to my last time above the flowers:
My next chapter will be a blank for humanity.
Yeah, my old girl! and it’s pointless to cry:
Magician, officer, king, must all bow.
One who outjuggles everyone’s been watching
Long to have me, and now he does.
II
We’ve travelled times to this old
common:
Often we’ve hung our pots in the gorse.
We’ve had a stirring life, old woman!
You, and I, and the old grey horse.
Races, and fairs, and royal occasions,
Found us coming to their call:
Now they’ll miss us at our stations:
There’s a Juggler outjuggles all!
We’ve traveled many times to this old common:
Often we’ve hung our pots in the gorse.
We’ve had an exciting life, old woman!
You, me, and the old grey horse.
Races, fairs, and royal events,
Found us answering their call:
Now they’ll miss us at our spots:
There’s a Juggler who outjuggles all!
III
Up goes the lark, as if all were jolly!
Over the duck-pond the willow shakes.
Easy to think that grieving’s folly,
When the hand’s firm as driven stakes!
p. 135Ay, when
we’re strong, and braced, and manful,
Life’s a sweet fiddle: but we’re a
batch
Born to become the Great Juggler’s han’ful:
Balls he shies up, and is safe to catch.
Up flies the lark, as if everything's fine!
Over the duck pond, the willow sways.
It’s easy to think that mourning is foolish,
When your grip is as solid as driven stakes!
p. 135Yeah, when we’re strong, and prepared, and brave,
Life’s a beautiful tune: but we’re a bunch
Destined to become the Great Juggler’s handful:
He tosses the balls up, and is sure to catch them.
IV
Here’s where the lads of the village
cricket:
I was a lad not wide from here:
Couldn’t I whip off the bail from the wicket?
Like an old world those days appear!
Donkey, sheep, geese, and thatched ale-house—I know
them!
They are old friends of my halts, and seem,
Somehow, as if kind thanks I owe them:
Juggling don’t hinder the heart’s
esteem.
Here’s where the guys from the village play cricket:
I was a kid not far from here:
Couldn’t I knock the bail off the wicket?
Those days feel like a different world!
Donkeys, sheep, geese, and thatched pubs—I know them!
They are old friends from my stops, and somehow,
I feel like I owe them a grateful nod:
Juggling doesn’t diminish the heart’s affection.
V
Juggling’s no sin, for we must have
victual:
Nature allows us to bait for the fool.
Holding one’s own makes us juggle no little;
But, to increase it, hard juggling’s the
rule.
You that are sneering at my profession,
Haven’t you juggled a vast amount?
There’s the Prime Minister, in one Session,
Juggles more games than my sins ’ll count.
Juggling isn't a crime, because we need food:
Nature lets us play tricks on the foolish.
Taking care of ourselves makes us juggle quite a bit;
But, to grow our resources, tough juggling is necessary.
You, who are mocking my job,
Haven’t you juggled a lot yourself?
There’s the Prime Minister, in one term,
Juggles more issues than my mistakes can count.
VI
I’ve murdered insects with mock
thunder:
Conscience, for that, in men don’t quail.
I’ve made bread from the bump of wonder:
That’s my business, and there’s my
tale.
p. 136Fashion
and rank all praised the professor:
Ay! and I’ve had my smile from the Queen:
Bravo, Jerry! she meant: God bless her!
Ain’t this a sermon on that scene?
I’ve killed bugs with pretend thunder:
Conscience, for that, doesn’t frighten men.
I’ve created bread from the thrill of wonder:
That’s my job, and that’s my story.
p. 136Fashion
and status all praised the professor:
Yes! and I’ve received my smile from the Queen:
Good job, Jerry! she meant: God bless her!
Isn’t this a lesson from that scene?
VII
I’ve studied men from my topsy-turvy
Close, and, I reckon, rather true.
Some are fine fellows: some, right scurvy:
Most, a dash between the two.
But it’s a woman, old girl, that makes me
Think more kindly of the race:
And it’s a woman, old girl, that shakes me
When the Great Juggler I must face.
I’ve studied guys from my upside-down
Close, and, I think, pretty accurately.
Some are great guys: some, really awful:
Most, somewhere in between.
But it’s a woman, dear friend, that makes me
Think more positively about the human race:
And it’s a woman, dear friend, that shakes me
When I have to confront the Great Juggler.
VIII
We two were married, due and legal:
Honest we’ve lived since we’ve been
one.
Lord! I could then jump like an eagle:
You danced bright as a bit o’ the sun.
Birds in a May-bush we were! right merry!
All night we kiss’d, we juggled all day.
Joy was the heart of Juggling Jerry!
Now from his old girl he’s juggled away.
We were married, totally legal:
We’ve honestly lived as one.
Wow! I could jump like an eagle:
You danced bright like a ray of sunshine.
We were like birds in a blooming bush! so happy!
We kissed all night, messed around all day.
Joy was the heart of Juggling Jerry!
Now he’s moved on from his old girl.
IX
It’s past parsons to console us:
No, nor no doctor fetch for me:
I can die without my bolus;
Two of a trade, lass, never agree!
p. 137Parson
and Doctor!—don’t they love rarely,
Fighting the devil in other men’s fields!
Stand up yourself and match him fairly:
Then see how the rascal yields!
It's past the time for ministers to comfort us:
No, and don't send a doctor for me:
I can die without my medicine;
Two people in the same profession, girl, never get along!
p. 137Minister and Doctor!—don't they rarely care,
Battling the devil in other people's turf!
Stand up for yourself and face him fairly:
Then watch how the scoundrel gives in!
X
I, lass, have lived no gipsy, flaunting
Finery while his poor helpmate grubs:
Coin I’ve stored, and you won’t be wanting:
You shan’t beg from the troughs and tubs.
Nobly you’ve stuck to me, though in his kitchen
Many a Marquis would hail you Cook!
Palaces you could have ruled and grown rich in,
But our old Jerry you never forsook.
I, girl, haven't lived like a gypsy, showing off
Fancy clothes while his poor partner toils:
I've saved some money, and you won't go without:
You won’t have to beg from the scraps.
You've been loyal to me, even in his kitchen,
Many a nobleman would call you Chef!
You could have ruled in palaces and made a fortune,
But you never left our old Jerry.
XI
Hand up the chirper! ripe ale winks in it;
Let’s have comfort and be at peace.
Once a stout draught made me light as a linnet.
Cheer up! the Lord must have his lease.
May be—for none see in that black hollow—
It’s just a place where we’re held in
pawn,
And, when the Great Juggler makes as to swallow,
It’s just the sword-trick—I ain’t
quite gone!
Hand up the drink! Fresh beer sparkles in it;
Let’s relax and be at ease.
Once a hearty drink made me feel as light as a bird.
Come on! God must have his time.
Maybe—because no one looks into that dark void—
It’s just a spot where we’re kept on hold,
And, when the Great Performer pretends to swallow,
It’s just a magic trick—I’m not quite out of it!
XII
Yonder came smells of the gorse, so nutty,
Gold-like and warm: it’s the prime of May.
Better than mortar, brick and putty,
Is God’s house on a blowing day.
p. 138Lean me
more up the mound; now I feel it:
All the old heath-smells! Ain’t it
strange?
There’s the world laughing, as if to conceal it,
But He’s by us, juggling the change.
Here came the scents of the gorse, so nutty,
Golden and warm: it's the height of May.
Better than mortar, brick, and putty,
Is God’s house on a breezy day.
p. 138Lean me
more against the mound; now I feel it:
All the old heath smells! Isn’t it
strange?
There's the world laughing, as if to hide it,
But He’s with us, juggling the change.
XIII
I mind it well, by the sea-beach lying,
Once—it’s long gone—when two gulls
we beheld,
Which, as the moon got up, were flying
Down a big wave that sparked and swelled.
Crack, went a gun: one fell: the second
Wheeled round him twice, and was off for new
luck:
There in the dark her white wing beckon’d:—
Drop me a kiss—I’m the bird
dead-struck!
I remember it clearly, lying on the beach,
Once—it was ages ago—when we saw two gulls
Flying as the moon rose,
Down a big wave that sparkled and swelled.
Bang, went a gun: one fell: the other
Wheeled around him twice and flew off for new
Luck:
There in the dark her white wing waved:—
Drop me a kiss—I’m the bird that was shot!
p. 139THE CROWN OF LOVE
O might I load my
arms with thee,
Like that young lover of Romance
Who loved and gained so gloriously
The fair Princess of France!
O might I take you in my arms,
Like that young lover from the stories
Who loved and won so triumphantly
The beautiful Princess of France!
Because he dared to love so high,
He, bearing her dear weight, shall speed
To where the mountain touched on sky:
So the proud king decreed.
Because he had the courage to love so deeply,
He, carrying her precious weight, will hurry
To where the mountain meets the sky:
So the proud king ordered.
Unhalting he must bear her on,
Nor pause a space to gather breath,
And on the height she will be won;
And she was won in death!
Unstoppable, he must carry her on,
Without taking a moment to catch his breath,
And on the summit, she will be conquered;
And she was conquered in death!
Red the far summit flames with morn,
While in the plain a glistening Court
Surrounds the king who practised scorn
Through such a mask of sport.
Red the high peak burns with morning light,
While in the valley a shining Court
Surrounds the king who showed contempt
Through such a mask of play.
She leans into his arms; she lets
Her lovely shape be clasped: he fares.
God speed him whole! The knights make bets:
The ladies lift soft prayers.
She leans into his arms; she lets
Her lovely form be held: he goes.
God speed him safe! The knights place bets:
The ladies offer gentle prayers.
O have you seen the deer at chase?
O have you seen the wounded kite?
So boundingly he runs the race,
So wavering grows his flight.
O have you seen the deer being chased?
O have you seen the injured kite?
He runs the race with such energy,
But his flight becomes so unsteady.
—Ah, hero-love! unloose thy hold:
O drop me like a curséd thing.
—See’st thou the crowded swards of gold?
They wave to us Rose and Ring.
—Ah, hero-love! let go of your grip:
O drop me like a cursed thing.
—Do you see the crowded fields of gold?
They wave to us Rose and Ring.
—O death-white mouth! O cast me
down!
Thou diest? Then with thee I die.
—See’st thou the angels with their Crown?
We twain have reached the sky.
—O deathly pale mouth! O throw me down!
You die? Then I die with you.
—Do you see the angels with their crown?
We both have reached the sky.
p. 141THE HEAD OF BRAN THE BLEST
I
When the Head of
Bran
Was firm on British shoulders,
God made a man!
Cried all beholders.
When the Head of
Bran
Was solid on British shoulders,
God created a man!
Shouted all the onlookers.
Steel could not resist
The weight his arm would rattle;
He, with naked fist,
Has brain’d a knight in battle.
Steel could not resist
The weight of his arm would rattle;
He, with his bare fist,
Has knocked out a knight in battle.
He marched on the foe,
And never counted numbers;
Foreign widows know
The hosts he sent to slumbers.
He marched against the enemy,
And never worried about the numbers;
Foreign widows know
The armies he sent to rest.
As a street you scan,
That’s towered by the steeple,
So the Head of Bran
Rose o’er his people.
As you look down the street,
Dominated by the steeple,
The Head of Bran
Rose above his people.
II
‘Death’s my neighbour,’
Quoth Bran the Blest;
‘Christian labour
Brings Christian rest.
From the trunk sever
The Head of Bran,
That which never
Has bent to man!
‘Death’s my neighbor,’
said Bran the Blest;
‘Christian work
brings Christian rest.
From the trunk sever
the Head of Bran,
That which never
has bowed to man!
‘Be it written,
That all I wrought
Was for Britain,
In deed and thought:
Be it written,
That while I die,
Glory to Britain!
Is my last cry.
‘Let it be known,
That everything I did
Was for Britain,
In action and in thought:
Let it be known,
That as I die,
Glory to Britain!
Is my final shout.
‘Glory to Britain!
Death echoes me round.
Glory to Britain!
The world shall resound.
Glory to Britain!
In ruin and fall,
Glory to Britain!
Is heard over all.’
‘Glory to Britain!
Death surrounds me.
Glory to Britain!
The world will echo.
Glory to Britain!
In ruin and downfall,
Glory to Britain!
It can be heard everywhere.’
III
Burn, Sun, down the sea!
Bran lies low with thee.
Burn, Sun, down to the sea!
Bran lies low with you.
Burst, Morn, from the main!
Bran so shall rise again.
Burst, Morn, from the main!
Bran will rise again.
Beam, Star, in the West!
Bright burns the Head of Bran the Blest.
Beam, Star, in the West!
Bright burns the Head of Bran the Blessed.
IV
Crimson-footed, like the stork,
From great ruts of slaughter,
Warriors of the Golden Torque
Cross the lifting water.
Princes seven, enchaining hands,
Bear the live head homeward.
Lo! it speaks, and still commands:
Gazing out far foamward.
Crimson-footed, like the stork,
From deep channels of blood,
Warriors of the Golden Torque
Cross the rising water.
Seven princes, hands intertwined,
Carry the living head home.
Look! It speaks, and still holds power:
Staring out toward the distant waves.
Fiery words of lightning sense
Down the hollows thunder;
Forest hostels know not whence
Comes the speech, and wonder.
City-Castles, on the steep,
Where the faithful Seven
House at midnight, hear, in sleep,
Laughter under heaven.
Fiery words of electric insight
Echo through the valleys;
Forest inns can't tell where
This talk comes from, and wonder.
City towers, on the high ground,
Where the faithful Seven
Sleep at midnight, hear, in dreams,
Laughter beneath the sky.
Lilies, swimming on the mere,
In the castle shadow,
Under draw their heads, and Fear
Walks the misty meadow.
Tremble not! it is not Death
Pledging dark espousal:
’Tis the Head of endless breath,
Challenging carousal!
Lilies floating on the pond,
In the shadow of the castle,
Lower their heads, and Fear
Walks through the foggy meadow.
Don’t tremble! It’s not Death
Making a dark promise:
It’s the Head of endless breath,
Inviting revelry!
p. 145THE MEETING
The old coach-road
through a common of furze,
With knolls of pine, ran white;
Berries of autumn, with thistles, and burrs,
And spider-threads, droop’d in the light.
The old coach road
through a field of gorse,
With mounds of pine, ran bright;
Autumn berries, thistles, and burrs,
And spider webs drooped in the light.
The light in a thin blue veil peered sick;
The sheep grazed close and still;
The smoke of a farm by a yellow rick
Curled lazily under a hill.
The light in a thin blue veil looked sick;
The sheep grazed nearby, quiet;
The smoke from a farm by the yellow stack
Curling lazily beneath a hill.
No fly shook the round of the silver net;
No insect the swift bird chased;
Only two travellers moved and met
Across that hazy waste.
No fly disturbed the silver net;
No insect did the quick bird chase;
Only two travelers moved and met
Across that misty expanse.
One was a girl with a babe that throve,
Her ruin and her bliss;
One was a youth with a lawless love,
Who clasped it the more for this.
One was a girl with a baby who thrived,
Her destruction and her happiness;
One was a young man with a forbidden love,
Who held onto it even more because of that.
The girl for her babe hummed prayerful
speech;
The youth for his love did pray;
Each cast a wistful look on each,
And either went their way.
The girl hummed a hopeful tune for her baby;
The young man prayed for his love;
Each gave a longing glance at the other,
And then they went their separate ways.
p. 146THE BEGGAR’S SOLILOQUY
I
Now, this, to my
notion, is pleasant cheer,
To lie all alone on a ragged heath,
Where your nose isn’t sniffing for bones or beer,
But a peat-fire smells like a garden beneath.
The cottagers bustle about the door,
And the girl at the window ties her strings.
She’s a dish for a man who’s a mind to be poor;
Lord! women are such expensive things.
Now, I think this is nice and comforting,
To lie all alone on a rough patch of land,
Where your nose isn’t looking for bones or beer,
But a peat fire smells like a garden below.
The villagers bustle around the door,
And the girl at the window ties her laces.
She’s a catch for a guy who's willing to be broke;
Wow! women are such costly things.
II
We don’t marry beggars, says she: why,
no:
It seems that to make ’em is what you do;
And as I can cook, and scour, and sew,
I needn’t pay half my victuals for you.
A man for himself should be able to scratch,
But tickling’s a luxury:—love,
indeed!
Love burns as long as the lucifer match,
Wedlock’s the candle! Now, that’s
my creed.
We don’t marry beggars, she says: why, no:
It seems that making them is what you do;
And since I can cook, clean, and sew,
I shouldn’t have to pay half my food for you.
A man should be able to take care of himself,
But flirting’s a luxury:—love, for real!
Love lasts as long as a matchstick,
Marriage is the real deal! Now, that’s my belief.
III
The church-bells sound water-like over the
wheat;
And up the long path troop pair after pair.
The man’s well-brushed, and the woman looks neat:
It’s man and woman everywhere!
p. 147Unless,
like me, you lie here flat,
With a donkey for friend, you must have a wife:
She pulls out your hair, but she brushes your hat.
Appearances make the best half of life.
The church bells ring gently over the wheat;
And along the long path, couples walk by one after another.
The man looks sharp, and the woman is tidy:
It’s just men and women everywhere!
p. 147Unless, like me, you’re lying here flat,
With a donkey as a buddy, you’ve got to have a wife:
She may pull your hair, but she straightens your hat.
How you look is a big part of life.
IV
You nice little madam! you know you’re
nice.
I remember hearing a parson say
You’re a plateful of vanity pepper’d with vice;
You chap at the gate thinks t’ other way.
On his waistcoat you read both his head and his heart:
There’s a whole week’s wages there
figured in gold!
Yes! when you turn round you may well give a start:
It’s fun to a fellow who’s getting
old.
You sweet little lady! You know you’re sweet.
I remember hearing a preacher say
You’re a mix of vanity sprinkled with sin;
You guy at the gate thinks differently.
On his vest, you can see both his thoughts and feelings:
There’s a whole week’s pay represented in gold!
Yeah! When you turn around, it’s no surprise if you jump:
It’s amusing for a guy who’s getting old.
V
Now, that’s a good craft, weaving
waistcoats and flowers,
And selling of ribbons, and scenting of lard:
It gives you a house to get in from the showers,
And food when your appetite jockeys you hard.
You live a respectable man; but I ask
If it’s worth the trouble? You use your
tools,
And spend your time, and what’s your task?
Why, to make a slide for a couple of fools.
Now, that’s a good skill, making waistcoats and flowers,
And selling ribbons, and scenting lard:
It gives you a home to stay dry from the rain,
And food when your hunger hits you hard.
You live a respectable life; but I wonder
If it’s worth all the effort? You use your tools,
And spend your time, and what’s your job?
Well, to make a slide for a couple of idiots.
VI
You can’t match the colour o’ these
heath mounds,
Nor better that peat-fire’s agreeable
smell.
I’m clothed-like with natural sights and sounds;
To myself I’m in tune: I hope you’re as
well.
You jolly old cot! though you don’t own coal:
It’s a generous pot that’s boiled with
peat.
Let the Lord Mayor o’ London roast oxen whole:
His smoke, at least, don’t smell so sweet.
You can’t compare the color of these heath mounds,
Nor the pleasant smell of that peat fire.
I’m surrounded by natural sights and sounds;
I feel connected to it all: I hope you do too.
You lovely old cottage! even though you don’t have coal:
It’s a generous pot that’s cooked with peat.
Let the Lord Mayor of London roast whole oxen:
His smoke, at least, doesn’t smell as sweet.
p. 148VII
I’m not a low Radical, hating the
laws,
Who’d the aristocracy rebuke.
I talk o’ the Lord Mayor o’ London because
I once was on intimate terms with his cook.
I served him a turn, and got pensioned on scraps,
And, Lord, Sir! didn’t I envy his place,
Till Death knock’d him down with the softest of taps,
And I knew what was meant by a tallowy face!
I’m not some extreme Radical who hates the laws,
That the aristocracy would criticize.
I mention the Lord Mayor of London because
I used to be close with his cook.
I did him a favor and got by on leftovers,
And, wow, didn’t I envy his role,
Until Death came along with the gentlest of knocks,
And I understood what a waxy face meant!
VIII
On the contrary, I’m Conservative
quite;
There’s beggars in Scripture ’mongst
Gentiles and Jews:
It’s nonsense, trying to set things right,
For if people will give, why, who’ll
refuse?
That stopping old custom wakes my spleen:
The poor and the rich both in giving agree:
Your tight-fisted shopman’s the Radical mean:
There’s nothing in common ’twixt him and
me.
On the contrary, I’m quite Conservative;
There are beggars in Scripture among Gentiles and Jews:
It’s pointless to try to set things right,
Because if people choose to give, who would refuse?
That stopping old customs really irritates me:
The poor and the rich both agree on giving:
Your stingy shopkeeper is the real Radical:
There’s nothing in common between him and me.
IX
He says I’m no use! but I won’t
reply.
You’re lucky not being of use to him!
On week-days he’s playing at Spider and Fly,
And on Sundays he sings about Cherubim!
Nailing shillings to counters is his chief work:
He nods now and then at the name on his door:
But judge of us two, at a bow and a smirk,
I think I’m his match: and I’m
honest—that’s more.
He says I'm useless! but I won’t respond.
You're lucky not to be of any use to him!
During the week, he plays at Spider and Fly,
And on Sundays, he sings about angels!
Nailing coins to counters is his main job:
He occasionally glances at the name on his door:
But just consider us two, with a bow and a smirk,
I think I'm his equal: and I'm honest—that's what matters.
X
No use! well, I mayn’t be. You ring
a pig’s snout,
And then call the animal glutton! Now, he,
p. 149Mr.
Shopman, he’s nought but a pipe and a spout
Who won’t let the goods o’ this world
pass free.
This blazing blue weather all round the brown crop,
He can’t enjoy! all but cash he hates.
He’s only a snail that crawls under his shop;
Though he has got the ear o’ the
magistrates.
No point! Well, I might not be. You ring a pig’s nose,
And then call the animal greedy! Now, he,
p. 149Mr.
Shopman, he’s nothing but a pipe and a spout
Who won’t let the goods of this world pass freely.
This bright blue weather all around the brown crops,
He can’t enjoy! He hates everything but cash.
He’s just a snail crawling under his shop;
Even though he has the ear of the magistrates.
XI
Now, giving and taking’s a proper
exchange,
Like question and answer: you’re both
content.
But buying and selling seems always strange;
You’re hostile, and that’s the thing
that’s meant.
It’s man against man—you’re almost brutes;
There’s here no thanks, and there’s
there no pride.
If Charity’s Christian, don’t blame my pursuits,
I carry a touchstone by which you’re
tried.
Now, giving and taking is a real exchange,
Like question and answer: you both feel good.
But buying and selling always feels strange;
You’re at odds, and that’s the point.
It’s man versus man—you’re nearly like animals;
There’s no gratitude here, and there’s no pride there.
If Charity’s Christian, don’t judge my goals,
I have a standard by which you’re measured.
XII
—‘Take it,’ says she,
‘it’s all I’ve got’:
I remember a girl in London streets:
She stood by a coffee-stall, nice and hot,
My belly was like a lamb that bleats.
Says I to myself, as her shilling I seized,
You haven’t a character here, my dear!
But for making a rascal like me so pleased,
I’ll give you one, in a better sphere!
—‘Take it,’ she says,
‘it’s all I have’:
I remember a girl in the streets of London:
She stood by a coffee stand, warm and fresh,
My stomach felt like a hungry lamb.
I thought to myself, as I took her coin,
You don’t have a reputation here, sweetheart!
But for making a rogue like me so happy,
I’ll give you one, in a better place!
XIII
And that’s where it is—she made me
feel
I was a rascal: but people who scorn,
And tell a poor patch-breech he isn’t genteel,
Why, they make him kick up—and he treads on a
corn.
p. 150It
isn’t liking, it’s curst ill-luck,
Drives half of us into the begging-trade:
If for taking to water you praise a duck,
For taking to beer why a man upbraid?
And that’s how it is—she made me feel
like a troublemaker: but people who look down on,
and tell a poor guy in ragged pants he isn’t classy,
well, they just make him act up—and then he steps on a sore spot.
p. 150It’s not about liking; it’s just bad luck,
that drives half of us into begging:
If we praise a duck for swimming,
then why criticize a man for drinking beer?
XIV
The sermon’s over: they’re out of
the porch,
And it’s time for me to move a leg;
But in general people who come from church,
And have called themselves sinners, hate chaps to
beg.
I’ll wager they’ll all of ’em dine to-day!
I was easy half a minute ago.
If that isn’t pig that’s baking away,
May I perish!—we’re never
contented—heigho!
The sermon’s done: they’re out on the porch,
And it’s time for me to get moving;
But usually, people who come from church,
And have called themselves sinners, don’t like guys to beg.
I bet they’ll all have dinner today!
I was fine just half a minute ago.
If that isn’t pork roasting away,
I swear!—we’re never satisfied—oh well!
p. 151BY
THE ROSANNA
TO F. M.
Stanzer Thal, Tyrol
Stanzer Valley, Tyrol
The old grey Alp has
caught the cloud,
And the torrent river sings aloud;
The glacier-green Rosanna sings
An organ song of its upper springs.
Foaming under the tiers of pine,
I see it dash down the dark ravine,
And it tumbles the rocks in boisterous play,
With an earnest will to find its way.
Sharp it throws out an emerald shoulder,
And, thundering ever of the mountain,
Slaps in sport some giant boulder,
And tops it in a silver fountain.
A chain of foam from end to end,
And a solitude so deep, my friend,
You may forget that man abides
Beyond the great mute mountain-sides.
Yet to me, in this high-walled solitude
Of river and rock and forest rude,
The roaring voice through the long white chain
Is the voice of the world of bubble and brain.
The old gray Alp has caught the cloud,
And the rushing river sings out loud;
The glacier-green Rosanna sings
An organ song from its upper springs.
Foaming beneath the rows of pine,
I see it rush down the dark ravine,
And it tumbles the rocks in playful glee,
With a determined will to find its way.
It sharpens its emerald shoulder,
And, booming ever from the mountain,
Hits some giant boulder in a playful manner,
And crowns it with a silver fountain.
A chain of foam from end to end,
And a solitude so deep, my friend,
You might forget that people live
Beyond the great silent mountain sides.
Yet to me, in this high-walled solitude
Of river, rock, and wild forest,
The roaring voice through the long white chain
Is the voice of the world of bubbles and thoughts.
p. 152PHANTASY
I
Within a Temple of
the Toes,
Where twirled the passionate Wili,
I saw full many a market rose,
And sighed for my village lily.
In a Temple of
the Toes,
Where the passionate Wili danced,
I saw plenty of market roses,
And wished for my village lily.
II
With cynical Adrian then I took flight
To that old dead city whose carol
Bursts out like a reveller’s loud in the night,
As he sits astride his barrel.
With cynical Adrian, I then took off
To that old ghost town whose song
Bursts out like a partygoer’s loud cheer in the night,
As he sits on top of his barrel.
III
We two were bound the Alps to scale,
Up the rock-reflecting river;
Old times blew thro’ me like a gale,
And kept my thoughts in a quiver.
We were both set to climb the Alps,
Up the river that reflects the rocks;
Memories rushed through me like a storm,
And made my thoughts tremble.
IV
Hawking ruin, wood-slope, and vine
Reeled silver-laced under my vision,
And into me passed, with the green-eyed wine
Knocking hard at my head for admission.
Hawking ruin, wood-slope, and vine
Reeled silver-laced under my sight,
And into me flowed, with the green-eyed wine
Knocking hard at my head to get in.
V
I held the village lily cheap,
And the dream around her idle:
Lo, quietly as I lay to sleep,
The bells led me off to a bridal.
I thought the village lily was nothing special,
And the dream surrounding her was meaningless:
Look, just as I was drifting off to sleep,
The bells guided me away to a wedding.
p. 153VI
My bride wore the hood of a Béguine,
And mine was the foot to falter;
Three cowled monks, rat-eyed, were seen;
The Cross was of bones o’er the altar.
My bride wore the hood of a Béguine,
And I was the one who stumbled;
Three cowled monks, with beady eyes, were there;
The Cross was made of bones above the altar.
VII
The Cross was of bones; the priest that
read,
A spectacled necromancer:
But at the fourth word, the bride I led
Changed to an Opera dancer.
The Cross was made of bones; the priest who read,
A spectacled necromancer:
But at the fourth word, the bride I led
Turned into an opera dancer.
VIII
A young ballet-beauty, who perked in her
place,
A darling of pink and spangles;
One fair foot level with her face,
And the hearts of men at her ankles.
A young ballet beauty, who stood out in her spot,
A darling in pink and sparkles;
One fair foot at the height of her face,
And the hearts of men at her feet.
IX
She whirled, she twirled, the mock-priest
grinned,
And quickly his mask unriddled;
’Twas Adrian! loud his old laughter dinned;
Then he seized a fiddle, and fiddled.
She spun around, she danced, the fake priest grinned,
And quickly his mask came off;
It was Adrian! His old laugh rang out loud;
Then he grabbed a fiddle and played.
X
He fiddled, he glowed with the bottomless
fire,
Like Sathanas in feature:
All through me he fiddled a wolfish desire
To dance with that bright creature.
He played around, glowing with endless fire,
Like Satan in looks:
All through me he stirred a craving
To dance with that bright being.
XI
And gathering courage I said to my soul,
Throttle the thing that hinders!
When the three cowled monks, from black as coal,
Waxed hot as furnace-cinders.
And mustering my courage, I said to myself,
Get rid of what's holding you back!
When the three hooded monks, dark as coal,
Became as heated as furnace ashes.
p. 154XII
They caught her up, twirling: they leapt
between-whiles:
The fiddler flickered with laughter:
Profanely they flew down the awful aisles,
Where I went sliding after.
They caught her up, spinning: they jumped in between:
The fiddler laughed brightly:
They joyfully rushed down the terrifying aisles,
Where I slid after them.
XIII
Down the awful aisles, by the fretted walls,
Beneath the Gothic arches:—
King Skull in the black confessionals
Sat rub-a-dub-dubbing his marches.
Down the terrible aisles, by the troubled walls,
Under the Gothic arches:—
King Skull in the dark confessionals
Sat tapping out his beats.
XIV
Then the silent cold stone warriors frowned,
The pictured saints strode forward:
A whirlwind swept them from holy ground;
A tempest puffed them nor’ward.
Then the silent, cold stone warriors frowned,
The painted saints moved forward:
A whirlwind swept them off holy ground;
A storm pushed them northward.
XV
They shot through the great cathedral door;
Like mallards they traversed ocean:
And gazing below, on its boiling floor,
I marked a horrid commotion.
They rushed through the big cathedral door;
Like ducks, they crossed the ocean:
And looking down at its churning floor,
I noticed a terrible uproar.
XVI
Down a forest’s long alleys they spun
like tops:
It seemed that for ages and ages,
Thro’ the Book of Life bereft of stops,
They waltzed continuous pages.
Down the forest's long paths they spun like tops:
It felt like for a very long time,
Through the Book of Life without any breaks,
They waltzed through endless pages.
XVII
And ages after, scarce awake,
And my blood with the fever fretting,
I stood alone by a forest-lake,
Whose shadows the moon were netting.
And ages later, barely awake,
And my blood boiling with fever,
I stood alone by a forest lake,
Whose shadows the moon was capturing.
p. 155XVIII
Lilies, golden and white, by the curls
Of their broad flat leaves hung swaying.
A wreath of languid twining girls
Streamed upward, long locks disarraying.
Lilies, golden and white, by the curls
Of their wide flat leaves hung swaying.
A wreath of relaxed, entwined girls
Streamed upward, long hair in disarray.
XIX
Their cheeks had the satin frost-glow of the
moon;
Their eyes the fire of Sirius.
They circled, and droned a monotonous tune,
Abandoned to love delirious.
Their cheeks had the soft, frosty glow of the moon;
Their eyes the brightness of Sirius.
They danced around and hummed a repetitive tune,
Lost in a state of blissful love.
XX
Like lengths of convolvulus torn from the
hedge,
And trailing the highway over,
The dreamy-eyed mistresses circled the sedge,
And called for a lover, a lover!
Like strands of bindweed ripped from the hedge,
And trailing over the road,
The dreamy-eyed women circled the grasses,
And called for a lover, a lover!
XXI
I sank, I rose through seas of eyes,
In odorous swathes delicious:
They fanned me with impetuous sighs,
They hit me with kisses vicious.
I sank, I rose through a sea of eyes,
In fragrant waves that felt amazing:
They fanned me with passionate sighs,
They hit me with kisses that were crazing.
XXII
My ears were spelled, my neck was coiled,
And I with their fury was glowing,
When the marbly waters bubbled and boiled
At a watery noise of crowing.
My ears were buzzing, my neck was tense,
And I was radiating their anger,
When the smooth waters bubbled and frothed
At a watery sound of crowing.
XXIII
They dragged me low and low to the lake:
Their kisses more stormily showered;
On the emerald brink, in the white moon’s wake,
An earthly damsel cowered.
They pulled me down and down to the lake:
Their kisses fell like a storm;
On the green edge, in the bright moon’s glow,
A mortal girl was frightened.
p. 156XXIV
Fresh heart-sobs shook her knitted hands
Beneath a tiny suckling,
As one by one of the doleful bands
Dived like a fairy duckling.
Fresh heart-sobs shook her knitted hands
Beneath a tiny suckling,
As one by one of the mournful groups
Dived like a fairy duckling.
XXV
And now my turn had come—O me!
What wisdom was mine that second!
I dropped on the adorer’s knee;
To that sweet figure I beckoned.
And now it was my turn—oh boy!
What insight did I have in that moment?
I dropped down on my knees in reverence;
To that lovely figure I called out.
XXVI
Save me! save me! for now I know
The powers that Nature gave me,
And the value of honest love I know:—
My village lily! save me!
Save me! save me! because now I understand
The powers that Nature gave me,
And I recognize the value of true love:—
My village lily! save me!
XXVII
Come ’twixt me and the sisterhood,
While the passion-born phantoms are fleeing!
Oh, he that is true to flesh and blood
Is true to his own being!
Come between me and the sisterhood,
While the passion-born phantoms are escaping!
Oh, whoever is loyal to flesh and blood
Is loyal to their own being!
XXVIII
And he that is false to flesh and blood
Is false to the star within him:
And the mad and hungry sisterhood
All under the tides shall win him!
And anyone who betrays their own family
Betrays the light inside themselves:
And the crazy and desperate group
Will ultimately claim him!
XXIX
My village lily! save me! save!
For strength is with the holy:—
Already I shuddered to feel the wave,
As I kept sinking slowly:—
My village lily! Help me! Save me!
For strength belongs to the holy:—
I already shuddered at the feeling of the wave,
As I kept sinking slowly:—
p. 157XXX
I felt the cold wave and the under-tug
Of the Brides, when—starting and
shrinking—
Lo, Adrian tilts the water-jug!
And Bruges with morn is blinking.
I felt the cold wave and the pull
Of the Brides, when—jumping and
Look, Adrian tilts the water jug!
And Bruges is waking up to morning.
XXXI
Merrily sparkles sunny prime
On gabled peak and arbour:
Merrily rattles belfry-chime
The song of Sevilla’s Barber.
Merrily sparkles the bright sunshine
On the gabled peak and arbor:
Merrily rattles the bell tower chime
The song of Sevilla’s Barber.
p. 158THE OLD CHARTIST
I
Whate’er I be,
old England is my dam!
So there’s my answer to the judges, clear.
I’m nothing of a fox, nor of a lamb;
I don’t know how to bleat nor how to leer:
I’m for the nation!
That’s why you see me by the wayside here,
Returning home from
transportation.
Whatever I am,
old England is my mother!
So that’s my answer to the judges, clearly.
I’m neither a fox nor a lamb;
I don’t know how to bleat or how to smirk:
I’m for the country!
That’s why you see me here by the roadside,
coming home from exile.
II
It’s Summer in her bath this morn, I
think.
I’m fresh as dew, and chirpy as the birds:
And just for joy to see old England wink
Thro’ leaves again, I could harangue the
herds:
Isn’t it something
To speak out like a man when you’ve got
words,
And prove you’re not a
stupid dumb thing?
It’s summer in her bath this morning, I think.
I’m fresh as dew and cheerful as the birds:
And just to see old England peeking
Through the leaves again, I could lecture the herds:
Isn’t it something
To speak up like a man when you’ve got words,
And show you’re not a stupid, mute thing?
III
They shipp’d me of for it; I’m here
again.
Old England is my dam, whate’er I be!
Says I, I’ll tramp it home, and see the grain:
If you see well, you’re king of what you
see:
Eyesight is having,
If you’re not given, I said, to gluttony.
Such talk to ignorance sounds as
raving.
They sent me away for it; I’m back now.
Old England is my home, no matter who I am!
I said, I’ll walk it back home and check out the land:
If you can see clearly, you own what you see:
Being able to see is a gift,
If you’re not consumed by greed.
Such talk sounds like madness to someone who's ignorant.
p. 159IV
You dear old brook, that from his Grace’s
park
Come bounding! on you run near my old town:
My lord can’t lock the water; nor the lark,
Unless he kills him, can my lord keep down.
Up, is the song-note!
I’ve tried it, too:—for comfort and
renown,
I rather pitch’d upon the
wrong note.
You dear old brook, that comes rushing from his Grace’s park,
Running close to my old town:
My lord can’t control the water; and my lord can't hold back the lark,
Unless he kills it, he can’t keep it down.
Up, is the song-note!
I’ve tried it too:—for comfort and fame,
I kinda hit the wrong note.
V
I’m not ashamed: Not beaten’s still
my boast:
Again I’ll rouse the people up to strike.
But home’s where different politics jar most.
Respectability the women like.
This form, or that form,—
The Government may be hungry pike,
But don’t you mount a
Chartist platform!
I’m not ashamed: Not being beaten is still my pride:
Again I’ll rally the people to take action.
But at home, that's where different views clash the most.
The women prefer respectability.
This approach, or that approach,—
The Government may be a hungry predator,
But don’t you dare step onto a Chartist platform!
VI
Well, well! Not beaten—spite of
them, I shout;
And my estate is suffering for the Cause.—
No,—what is yon brown water-rat about,
Who washes his old poll with busy paws?
What does he mean by’t?
It’s like defying all our natural laws,
For him to hope that he’ll
get clean by’t.
Well, well! Not defeated—despite them, I shout;
And my property is suffering for the Cause.—
No,—what's that brown water rat doing,
Who’s scrubbing his old head with busy paws?
What’s he trying to do?
It’s like defying all our natural laws,
For him to think that he’ll get clean by doing that.
VII
His seat is on a mud-bank, and his trade
Is dirt:—he’s quite contemptible; and
yet
The fellow’s all as anxious as a maid
To show a decent dress, and dry the wet.
Now it’s his whisker,
And now his nose, and ear: he seems to get
Each moment at the motion
brisker!
His spot is on a mud bank, and his job
Is dirt:—he's pretty pathetic; yet
The guy’s just as eager as a woman
To show off a nice outfit and dry off the wet.
Now it’s his whisker,
And now his nose and ear: he appears to get
Each moment more energetic!
p. 160VIII
To see him squat like little chaps at
school,
I could let fly a laugh with all my might.
He peers, hangs both his fore-paws:—bless that fool,
He’s bobbing at his frill now!—what a
sight!
Licking the dish up,
As if he thought to pass from black to white,
Like parson into lawny bishop.
To see him squat like little kids at school,
I could burst out laughing with all my might.
He looks around, hanging both his front paws:—bless that idiot,
He’s bouncing at his collar now!—what a sight!
Licking the dish clean,
As if he thought to go from black to white,
Like a priest becoming a fancy bishop.
IX
The elms and yellow reed-flags in the sun,
Look on quite grave:—the sunlight flecks his
side;
And links of bindweed-flowers round him run,
And shine up doubled with him in the tide.
I’m nearly splitting,
But nature seems like seconding his pride,
And thinks that his
behaviour’s fitting.
The elms and yellow reeds in the sun,
Look quite serious:—the sunlight dapples his side;
And links of bindweed flowers run around him,
And shimmer doubled with him in the tide.
I’m almost bursting,
But nature seems to support his pride,
And believes that his behavior is appropriate.
X
That isle o’ mud looks baking dry with
gold.
His needle-muzzle still works out and in.
It really is a wonder to behold,
And makes me feel the bristles of my chin.
Judged by appearance,
I fancy of the two I’m nearer Sin,
And might as well commence a
clearance.
That patch of dirt looks completely dried out with gold.
His nose still moves in and out.
It's truly amazing to see,
And it makes me feel the stubble on my chin.
Judging by looks,
I think that between the two of us, I'm more sinful,
And I might as well start cleaning up my act.
XI
And that’s what my fine daughter
said:—she meant:
Pray, hold your tongue, and wear a Sunday face.
Her husband, the young linendraper, spent
Much argument thereon:—I’m their
disgrace.
Bother the couple!
I feel superior to a chap whose place
Commands him to be neat and
supple.
And that’s what my lovely daughter said:—she meant:
Please be quiet and put on your best face.
Her husband, the young cloth dealer, argued a lot about it:—I’m their shame.
Forget the couple!
I feel better than a guy whose job
Requires him to be tidy and flexible.
p. 161XII
But if I go and say to my old hen:
I’ll mend the gentry’s boots, and keep
discreet,
Until they grow too violent,—why, then,
A warmer welcome I might chance to meet:
Warmer and better.
And if she fancies her old cock is beat,
And drops upon her knees—so
let her!
But if I go and tell my old hen:
I’ll fix the gentry’s shoes and stay
discreet,
Until they get too rowdy,—well,
I might get a warmer welcome:
warmer and better.
And if she thinks her old rooster is defeated,
And kneels down—so let her!
XIII
She suffered for me:—women, you’ll
observe,
Don’t suffer for a Cause, but for a man.
When I was in the dock she show’d her nerve:
I saw beneath her shawl my old tea-can
Trembling . . . she brought it
To screw me for my work: she loath’d my
plan,
And therefore doubly kind I
thought it.
She suffered for me:—women, you’ll notice,
Don’t suffer for a Cause, but for a man.
When I was in trouble, she showed her strength:
I saw under her shawl my old tea kettle
Shaking . . . she brought it
To pressure me for my work: she hated my
Plan, and that’s why I thought it was so kind.
XIV
I’ve never lost the taste of that same
tea:
That liquor on my logic floats like oil,
When I state facts, and fellows disagree.
For human creatures all are in a coil;
All may want pardon.
I see a day when every pot will boil
Harmonious in one great
Tea-garden!
I’ve never forgotten the taste of that same tea:
That drink floats on my mind like oil,
When I state facts, and people disagree.
Because all humans are tangled up;
All might want forgiveness.
I envision a day when every pot will boil
Harmoniously in one great Tea-garden!
XV
We wait the setting of the Dandy’s
day,
Before that time!—He’s furbishing his
dress,—
He will be ready for it!—and I say,
That yon old dandy rat amid the cress,—
Thanks to hard labour!—
If cleanliness is next to godliness,
The old fat fellow’s
heaven’s neighbour!
We wait for the Dandy’s day to end,
Before that time!—He’s getting his outfit ready,—
He will be set for it!—and I say,
That old dandy rat in the watercress,—
Thanks to hard work!—
If being clean is close to being godly,
That old chubby guy is definitely next to heaven!
p. 162XVI
You teach me a fine lesson, my old boy!
I’ve looked on my superiors far too long,
And small has been my profit as my joy.
You’ve done the right while I’ve
denounced the wrong.
Prosper me later!
Like you I will despise the sniggering throng,
And please myself and my
Creator.
You teach me a valuable lesson, my old friend!
I've relied on my superiors for too long,
And I’ve gained little joy or profit from it.
You've done what’s right while I’ve condemned what’s wrong.
Bless me in the future!
Like you, I will scorn the mocking crowd,
And do what makes me and my Creator happy.
XVII
I’ll bring the linendraper and his
wife
Some day to see you; taking off my hat.
Should they ask why, I’ll answer: in my life
I never found so true a democrat.
Base occupation
Can’t rob you of your own esteem, old rat!
I’ll preach you to the
British nation.
I’ll bring the linen draper and his wife
one day to see you; taking off my hat.
If they ask why, I’ll say: in my life
I’ve never met someone as genuine a democrat.
Lowly job
Can’t take away your own self-respect, old rat!
I’ll promote you to the British nation.
p. 163SONG [163]
Should thy love die;
O bury it not under ice-blue eyes!
And lips that deny,
With a scornful surprise,
The life it once lived in thy breast when it wore no
disguise.
Must your love die;
O don’t bury it under ice-blue eyes!
And lips that reject,
With a disdainful surprise,
The life it once had in your heart when it showed no
mask.
Should thy
love die;
O bury it where the sweet wild-flowers blow!
And breezes go by,
With no whisper of woe;
And strange feet cannot guess of the anguish that slumbers
below.
Should your love die;
O bury it where the sweet wildflowers grow!
And breezes pass by,
With no whisper of sorrow;
And strange feet won't know of the pain that rests
below.
Should thy
love die;
O wander once more to the haunt of the bee!
Where the foliaged sky
Is most sacred to see,
And thy being first felt its wild birth like a wind-wakened
tree.
Should your love die;
O wander once more to the bee's haunt!
Where the leafy sky
Is the most sacred to see,
And your spirit first felt its wild birth like a wind-awakened
tree.
Should thy
love die;
O dissemble it! smile! let the rose hide the
thorn!
While the lark sings on high,
And no thing looks forlorn,
Bury it, bury it, bury it where it was born.
Should your love die;
O pretend it! smile! let the rose hide the thorn!
While the lark sings high,
And nothing looks forlorn,
Bury it, bury it, bury it where it was born.
p. 164TO
ALEX. SMITH, THE ‘GLASGOW POET,’ [164]
ON HIS SONNET TO ‘FAME’
Not vainly doth the
earnest voice of man
Call for the thing that is his pure desire!
Fame is the birthright of the living lyre!
To noble impulse Nature puts no ban.
Nor vainly to the Sphinx thy voice was raised!
Tho’ all thy great emotions like a sea,
Against her stony immortality,
Shatter themselves unheeded and amazed.
Time moves behind her in a blind eclipse:
Yet if in her cold eyes the end of all
Be visible, as on her large closed lips
Hangs dumb the awful riddle of the earth;—
She sees, and she might speak, since that wild call,
The mighty warning of a Poet’s birth.
Not in vain does the serious voice of man
Seek the thing that he truly desires!
Fame is the birthright of the living artist!
Nature doesn’t restrict noble impulses.
Nor was your voice raised to the Sphinx in vain!
Though all your deep emotions crash like waves,
Against her stony immortality,
Breaking apart, unnoticed and in shock.
Time moves behind her in a blind shadow:
Yet if in her cold eyes the end of everything
Is visible, as on her large closed lips
Lingers the silent, terrifying riddle of the earth; —
She sees, and she could speak, since that wild call,
The powerful warning of a Poet’s birth.
p. 165GRANDFATHER BRIDGEMAN
I
‘Heigh,
boys!’ cried Grandfather Bridgeman, ‘it’s time
before dinner to-day.’
He lifted the crumpled letter, and thumped a surprising
‘Hurrah!’
Up jumped all the echoing young ones, but John, with the starch
in his throat,
Said, ‘Father, before we make noises, let’s see the
contents of the note.’
The old man glared at him harshly, and twinkling made answer:
‘Too bad!
John Bridgeman, I’m always the whisky, and you are the
water, my lad!’
‘Hey, boys!’ exclaimed Grandfather Bridgeman, ‘it’s almost time for dinner today.’
He lifted the crumpled letter and let out a surprising ‘Hurrah!’
All the excited kids jumped up, but John, feeling a bit uneasy,
Said, ‘Dad, before we celebrate, let’s check what’s in the note.’
The old man shot him a glare and, with a twinkle in his eye, replied: ‘Too bad!
John Bridgeman, I’m always the whisky, and you’re the water, my boy!’
II
But soon it was known thro’ the house,
and the house ran over for joy,
That news, good news, great marvels, had come from the soldier
boy;
Young Tom, the luckless scapegrace, offshoot of Methodist
John;
His grandfather’s evening tale, whom the old man hailed as
his son.
And the old man’s shout of pride was a shout of his
victory, too;
For he called his affection a method: the neighbours’
opinions he knew.
But soon everyone in the house heard the news, and the place was filled with joy, That good news, amazing news, had come from the soldier boy; Young Tom, the unfortunate troublemaker, the child of Methodist John; His grandfather’s evening story, whom the old man referred to as his son. And the old man's shout of pride was also a shout of his victory; For he called his affection a method: he was aware of the neighbors' opinions.
p. 166III
Meantime, from the morning table removing the
stout breakfast cheer,
The drink of the three generations, the milk, the tea, and the
beer
(Alone in its generous reading of pints stood the
Grandfather’s jug),
The women for sight of the missive came pressing to coax and to
hug.
He scattered them quick, with a buss and a smack; thereupon he
began
Diversions with John’s little Sarah: on Sunday, the naughty
old man!
Meantime, as everyone cleared the hearty breakfast from the table,
The drink of three generations—milk, tea, and beer—
(The Grandfather’s jug stood alone, proudly holding its pints),
The women gathered around, eager to see the letter, wanting to embrace and persuade.
He quickly sent them away with a kiss and a hug; then he started
Playing around with little Sarah, John's daughter: what a mischievous old man he was on Sunday!
IV
Then messengers sped to the maltster, the
auctioneer, miller, and all
The seven sons of the farmer who housed in the range of his
call.
Likewise the married daughters, three plentiful ladies, prime
cooks,
Who bowed to him while they condemned, in meek hope to stand high
in his books.
‘John’s wife is a fool at a pudding,’ they
said, and the light carts up hill
Went merrily, flouting the Sabbath: for puddings well made mend a
will.
Then messengers rushed to the maltster, the auctioneer, the miller, and all
The seven sons of the farmer who lived within his reach.
Also, the married daughters, three ample women, excellent cooks,
Who bowed to him while they criticized, hoping to get in his good graces.
‘John’s wife is terrible at making pudding,’ they said, and the light carts up the hill
Went cheerfully, ignoring the Sabbath: because well-made puddings improve a will.
V
The day was a van-bird of summer: the robin
still piped, but the blue,
As a warm and dreamy palace with voices of larks ringing
thro’,
p. 167Looked
down as if wistfully eyeing the blossoms that fell from its
lap:
A day to sweeten the juices: a day to quicken the sap.
All round the shadowy orchard sloped meadows in gold, and the
dear
Shy violets breathed their hearts out: the maiden breath of the
year!
The day was a warm summer day: the robin still sang, but the blue,
As a cozy and dreamy place with the sound of larks echoing
p. 167Looked down as if it was wistfully watching the blossoms that fell from its lap:
A day to sweeten the senses: a day to awaken the life.
All around the shady orchard were meadows of gold, and the sweet
Shy violets shared their essence: the fresh breath of the year!
VI
Full time there was before dinner to bring
fifteen of his blood,
To sit at the old man’s table: they found that the dinner
was good.
But who was she by the lilacs and pouring laburnums concealed,
When under the blossoming apple the chair of the Grandfather
wheeled?
She heard one little child crying, ‘Dear brave Cousin
Tom!’ as it leapt;
Then murmured she: ‘Let me spare them!’ and passed
round the walnuts, and wept.
Full time there was before dinner to bring
fifteen of his family,
To sit at the old man’s table: they found that the dinner
was good.
But who was she by the lilacs and pouring golden rain,
When under the blossoming apple the Grandfather’s chair
was moved?
She heard one little child crying, ‘Dear brave Cousin
Tom!’ as it jumped;
Then she whispered: ‘Let me spare them!’ and passed
around the walnuts, and cried.
VII
Yet not from sight had she slipped ere feminine
eyes could detect
The figure of Mary Charlworth. ‘It’s just what
we all might expect,’
Was uttered: and: ‘Didn’t I tell you?’ Of
Mary the rumour resounds,
That she is now her own mistress, and mistress of five thousand
pounds.
’Twas she, they say, who cruelly sent young Tom to the
war.
Miss Mary, we thank you now! If you knew what we’re
thanking you for!
Yet she hadn’t disappeared from sight before feminine eyes could catch
a glimpse of Mary Charlworth. “It’s just what we all expected,”
someone said, followed by, “Didn’t I tell you?” The rumors about Mary are
echoing that she is now her own master, with five thousand pounds to her name.
They say it was she who heartlessly sent young Tom off to war.
Miss Mary, we thank you now! If you only knew what we’re thanking you for!
p. 168VIII
But, ‘Have her in: let her hear
it,’ called Grandfather Bridgeman, elate,
While Mary’s black-gloved fingers hung trembling with
flight on the gate.
Despite the women’s remonstrance, two little ones, lighter
than deer,
Were loosed, and Mary, imprisoned, her whole face white as a
tear,
Came forward with culprit footsteps. Her punishment was to
commence:
The pity in her pale visage they read in a different sense.
But, “Bring her in: let her hear it,” called Grandfather Bridgeman, excited,
While Mary’s black-gloved fingers trembled nervously on the gate.
Despite the women’s protests, two little ones, lighter than deer,
Were set free, and Mary, trapped, her entire face pale as a
tear, came forward with guilty steps. Her punishment was about to begin:
They interpreted the pity in her pale face in a completely different way.
IX
‘You perhaps may remember a fellow, Miss
Charlworth, a sort of black sheep,’
The old man turned his tongue to ironical utterance deep:
‘He came of a Methodist dad, so it wasn’t his fault
if he kicked.
He earned a sad reputation, but Methodists are mortal strict.
His name was Tom, and, dash me! but Bridgeman! I think you might
add:
Whatever he was, bear in mind that he came of a Methodist
dad.’
‘You might remember a guy, Miss Charlworth, a bit of a black sheep,’
The old man spoke with a sarcastic tone:
‘He had a Methodist dad, so it wasn't his fault if he acted out.
He got a bad reputation, but Methodists are really strict.
His name was Tom, and, I swear! but Bridgeman! I think you should add:
Whatever he was, just remember he had a Methodist dad.’
X
This prelude dismally lengthened, till Mary,
starting, exclaimed,
‘A letter, Sir, from your grandson?’ ‘Tom
Bridgeman that rascal is named,’
p. 169The old
man answered, and further, the words that sent Tom to the
ranks
Repeated as words of a person to whom they all owed mighty
thanks.
But Mary never blushed: with her eyes on the letter, she sate,
And twice interrupting him faltered, ‘The date, may I ask,
Sir, the date?’
This prelude dragged on until Mary, suddenly responding, exclaimed,
‘A letter, Sir, from your grandson?’ ‘That troublemaker is named Tom Bridgeman,’
p. 169 The old man replied, adding that the words that sent Tom to the ranks
were repeated as if spoken by someone to whom they all owed huge thanks.
But Mary didn’t blush: keeping her eyes on the letter, she sat,
and twice interrupting him, hesitated, ‘The date, may I ask, Sir, the date?’
XI
‘Why, that’s what I never look at
in a letter,’ the farmer replied:
‘Facts first! and now I’ll be parson.’
The Bridgeman women descried
A quiver on Mary’s eyebrows. One turned, and while
shifting her comb,
Said low to a sister: ‘I’m certain she knows more
than we about Tom.
She wants him now he’s a hero!’ The same,
resuming her place,
Begged Mary to check them the moment she found it a tedious
case.
‘That’s the last thing I pay attention to in a letter,’ the farmer replied:
‘Let’s focus on the facts! Now I’ll play the role of the parson.’ The Bridgeman women spotted
a twitch on Mary’s eyebrows. One turned, and while adjusting her comb,
whispered to a sister: ‘I’m sure she knows more than we do about Tom.
She wants him now that he’s a hero!’ The same woman,
resuming her place,
urged Mary to let them know as soon as she found it to be a boring case.
XII
Then as a mastiff swallows the snarling noises
of cats,
The voice of the farmer opened. ‘“Three cheers,
and off with your hats!”
—That’s Tom. “We’ve beaten them,
Daddy, and tough work it was, to be sure!
A regular stand-up combat: eight hours smelling powder and
gore.
I entered it Serjeant-Major,”—and now he commands a
salute,
And carries the flag of old England! Heigh! see him lift
foes on his foot!
Then like a mastiff swallowing the hissing of cats,
The farmer's voice rang out. ‘“Three cheers, and take off your hats!”
—That’s Tom. “We’ve beaten them, Dad, and it was tough work, no doubt!
A real face-to-face fight: eight hours of gunpowder and blood.
I stepped up, Sergeant-Major,”—and now he expects a salute,
And carries the flag of old England! Hey! look at him lift foes off their feet!
p. 170XIII
‘—An officer! ay, Miss Charlworth,
he is, or he is so to be;
You’ll own war isn’t such humbug: and Glory means
something, you see.
“But don’t say a word,” he continues,
“against the brave French any more.”
—That stopt me: we’ll now march together. I
couldn’t read further before.
That “brave French” I couldn’t stomach.
He can’t see their cunning to get
Us Britons to fight their battles, while best half the winnings
they net!’
‘—An officer! Yeah, Miss Charlworth, he is, or he will be;
You’ve got to admit war isn’t all nonsense: and Glory actually means something, you know.
“But don’t say anything bad,” he goes on, “about the brave French anymore.”
—That stopped me: we’ll march together now. I couldn’t read any further before.
That “brave French” I couldn’t take. He can’t see their trickery to get
Us Britons to fight their battles, while they keep half the spoils for themselves!’
XIV
The old man sneered, and read forward. It
was of that desperate fight;—
The Muscovite stole thro’ the mist-wreaths that wrapped the
chill Inkermann height,
Where stood our silent outposts: old England was in them that
day!
O sharp worked his ruddy wrinkles, as if to the breath of the
fray
They moved! He sat bareheaded: his long hair over him
slow
Swung white as the silky bog-flowers in purple heath-hollows that
grow.
The old man sneered and continued reading. It was about that desperate battle;—
The Russian crept through the mist that surrounded the cold Inkermann height,
Where our silent outposts stood: old England was with them that day!
Oh, how deeply his weathered wrinkles showed, as if stirred by the heat of the fight
They moved! He sat without a hat: his long hair flowed down, looking
White like the silky bog-flowers that grow in the purple heather hollows.
XV
And louder at Tom’s first person: acute
and in thunder the ‘I’
Invaded the ear with a whinny of triumph, that seem’d to
defy
p. 171The
hosts of the world. All heated, what wonder he little could
brook
To catch the sight of Mary’s demure puritanical look?
And still as he led the onslaught, his treacherous side-shots he
sent
At her who was fighting a battle as fierce, and who sat there
unbent.
And louder in Tom’s perspective: sharp
and thundering, the ‘I’
invaded the ear with a triumphant whinny that seemed to
defy
p. 171 the hosts of the world. All heated, no wonder he could hardly
handle catching a glimpse of Mary’s modest, puritanical expression?
And still, as he led the charge, he fired treacherous side comments
at her, who was engaged in a battle just as fierce and who sat there
unyielding.
XVI
‘“We stood in line, and like
hedgehogs the Russians rolled under us thick.
They frightened me there.”—He’s no coward; for
when, Miss, they came at the quick,
The sight, he swears, was a breakfast.—“My stomach
felt tight: in a glimpse
I saw you snoring at home with the dear cuddled-up little
imps.
And then like the winter brickfields at midnight, hot fire
lengthened out.
Our fellows were just leashed bloodhounds: no heart of the lot
faced about.
‘“We stood in line, and like hedgehogs the Russians rolled under us thick.
They frightened me there.” He’s no coward; because when, Miss, they came at us fast,
the sight, he swears, was a breakfast. “My stomach felt tight: for a moment
I saw you snoring at home with the dear snuggled-up little imps.
And then like the winter brickfields at midnight, hot fire stretched out.
Our guys were just leashed bloodhounds: none of them had the heart to turn back.
XVII
‘“And only that grumbler, Bob
Harris, remarked that we stood one to ten:
‘Ye fool,’ says Mick Grady, ‘just tell
’em they know to compliment men!’
And I sang out your old words: ‘If the opposite side
isn’t God’s,
Heigh! after you’ve counted a dozen, the pluckiest lads
have the odds.’
Ping-ping flew the enemies’ pepper: the Colonel roared,
Forward, and we
Went at them. ’Twas first like a blanket: and then a
long plunge in the sea.
“Only that grumbler, Bob Harris, pointed out that we were outnumbered one to ten:
‘You fool,’ said Mick Grady, ‘just tell them they know how to praise men!’
And I shouted your old words: ‘If the other side isn’t God’s,
Hey! once you’ve counted to twelve, the bravest guys have the advantage.’
The enemy's bullets flew like ping-pong balls: the Colonel yelled, Forward, and we
Charged at them. It was first like being wrapped in a blanket, and then a long dive into the sea.
p. 172XVIII
‘“Well, now about me and the
Frenchman: it happened I can’t tell you how:
And, Grandfather, hear, if you love me, and put aside prejudice
now”:
He never says “Grandfather”—Tom
don’t—save it’s a serious thing.
“Well, there were some pits for the rifles, just dug on our
French-leaning wing:
And backwards, and forwards, and backwards we went, and at last I
was vexed,
And swore I would never surrender a foot when the Russians
charged next.
‘“Well, now let me tell you about me and the Frenchman: it happened in a way I can’t explain:
And, Grandfather, listen, if you care about me, and put your biases aside now”:
He never calls him “Grandfather”—Tom doesn’t—unless it’s serious.
“Well, we had some pits dug for the rifles, just on our French-leaning side:
And we went back and forth, and back and forth, until I got really frustrated,
And I swore I would never give up an inch when the Russians charged next.
XIX
‘“I know that life’s worth
keeping.”—Ay, so it is, lad; so it is!—
“But my life belongs to a woman.”—Does that
mean Her Majesty, Miss?—
“These Russians came lumping and grinning: they’re
fierce at it, though they are blocks.
Our fellows were pretty well pumped, and looked sharp for the
little French cocks.
Lord, didn’t we pray for their crowing! when over us, on
the hill-top,
Behold the first line of them skipping, like kangaroos seen on
the hop.
‘“I know that life’s worth keeping.”—Yeah, it really is, man; it really is!—
“But my life belongs to a woman.”—Does that mean Her Majesty, miss?—
“These Russians came stomping and grinning: they’re fierce about it, even if they are clumsy.
Our guys were pretty worn out and kept an eye out for the little French roosters.
Lord, didn’t we hope for their crowing! when over us, on the hilltop,
Look at the first line of them jumping around, like kangaroos on the move.
XX
‘“That sent me into a passion, to
think of them spying our flight!”
Heigh, Tom! you’ve Bridgeman blood, boy! And,
“‘Face them!’ I shouted: ‘All right;
p. 173Sure,
Serjeant, we’ll take their shot dacent, like
gentlemen,’ Grady replied.
A ball in his mouth, and the noble old Irishman dropped by my
side.
Then there was just an instant to save myself, when a short
wheeze
Of bloody lungs under the smoke, and a red-coat crawled up on his
knees.
“Thinking about them spying on our escape made me furious!”
“Hey, Tom! You’ve got Bridgeman blood in you, boy! And,
‘Let’s confront them!’ I shouted. ‘Alright;
p. 173Sure, Sergeant, we’ll take their shot decently, like gentlemen,’ Grady replied.
With a bullet in his mouth, the brave old Irishman fell by my side.
Then I had just a moment to save myself when a short wheeze
of bloody lungs filled the smoke, and a redcoat crawled up on his knees.
XXI
‘“’Twas Ensign Baynes of our
parish.”—Ah, ah, Miss Charlworth, the one
Our Tom fought for a young lady? Come, now we’ve got
into the fun!—
“I shouldered him: he primed his pistol, and I trailed my
musket, prepared.”
Why, that’s a fine pick-a-back for ye, to make twenty
Russians look scared!
“They came—never mind how many: we couldn’t
have run very well,
We fought back to back: ‘face to face, our last
time!’ he said, smiling, and fell.
‘“It was Ensign Baynes from our parish.” —Ah, Miss Charlworth, is he the one
Our Tom fought for on behalf of a young lady? Come on, now we’ve got
into the fun!—
“I shouldered him: he loaded his pistol, and I dragged my musket, ready.”
Well, that’s a great ride for you, making twenty Russians look scared!
“They came—no need to say how many: we couldn’t have escaped very well,
We fought back to back: ‘face to face, our last time!’ he said, smiling, and fell.
XXII
‘“Then I strove wild for his body:
the beggars saw glittering rings,
Which I vowed to send to his mother. I got some hard knocks
and sharp stings,
But felt them no more than angel, or devil, except in the
wind.
I know that I swore at a Russian for showing his teeth, and he
grinned
The harder: quick, as from heaven, a man on a horse rode
between,
And fired, and swung his bright sabre: I can’t write you
more of the scene.
‘“Then I desperately fought for his body:
the beggars saw sparkling rings,
Which I promised to send to his mother. I took some hard hits
and sharp pains,
But I felt them no more than an angel or a devil, except in the
wind.
I know I cursed at a Russian for showing his teeth, and he
grinned
even wider: suddenly, as if from heaven, a man on a horse rode
through,
And fired, and swung his shiny saber: I can’t describe more of the scene.
p. 174XXIII
‘“But half in his arms, and half at
his stirrup, he bore me right forth,
And pitched me among my old comrades: before I could tell south
from north,
He caught my hand up, and kissed it! Don’t ever let
any man speak
A word against Frenchmen, I near him! I can’t find
his name, tho’ I seek.
But French, and a General, surely he was, and, God bless him!
thro’ him
I’ve learnt to love a whole nation.”’ The
ancient man paused, winking dim.
‘“But half in his arms and half at his stirrup, he carried me right out,
And tossed me among my old friends: before I could tell south
from north,
He grabbed my hand and kissed it! Don’t ever let
anyone say a word against Frenchmen, I swear! I can’t find
his name, though I’ve looked.
But he was French and definitely a General, and, God bless him!
Because of him
I’ve come to love an entire nation.”’ The
old man paused, winking dimly.
XXIV
A curious look, half woeful, was seen on his
face as he turned
His eyes upon each of his children, like one who but faintly
discerned
His old self in an old mirror. Then gathering sense in his
fist,
He sounded it hard on his knee-cap. ‘Your hand, Tom,
the French fellow kissed!
He kissed my boy’s old pounder! I say he’s a
gentleman!’ Straight
The letter he tossed to one daughter; bade her the remainder
relate.
A curious expression, part sad, appeared on his face as he turned
His eyes toward each of his children, like someone who could barely
Make out his old self in a worn mirror. Then, gathering his thoughts,
He knocked them hard against his knee. “Your hand, Tom, the French guy kissed!
He kissed my boy’s old weapon! I say he’s a gentleman!” Immediately
He tossed the letter to one daughter and asked her to share the rest.
XXV
Tom properly stated his praises in facts, but
the lady preferred
To deck the narration with brackets, and drop her additional
word.
p. 175What
nobler Christian natures these women could boast, who,
’twas known,
Once spat at the name of their nephew, and now made his praises
their own!
The letter at last was finished, the hearers breathed freely, and
sign
Was given, ‘Tom’s health!’—Quoth the
farmer: ‘Eh, Miss? are you weak in the spine?’
Tom spoke his praises clearly, but the lady preferred
To embellish the story with extra details and leave out her final thought.
p. 175What nobler Christian qualities these women must have, who,
it was known,
Once disdained the name of their nephew, and now sang his praises!
The letter was finally complete, the listeners relaxed, and
A toast was proposed, ‘To Tom’s health!’—Said the farmer: ‘Hey, Miss? Are you feeling weak?’
XXVI
For Mary had sunk, and her body was shaking, as
if in a fit.
Tom’s letter she held, and her thumb-nail the month when
the letter was writ
Fast-dinted, while she hung sobbing: ‘O, see, Sir, the
letter is old!
O, do not be too happy!’—‘If I understand you,
I’m bowled!’
Said Grandfather Bridgeman, ‘and down go my
wickets!—not happy! when here,
Here’s Tom like to marry his General’s
daughter—or widow—I’ll swear!
For Mary had collapsed, and her body was trembling, as if having a seizure.
She clutched Tom’s letter, and her thumb was marking the month when
the letter was written,
while she hung there sobbing: ‘Oh, look, Sir, the letter is old!
Oh, please don’t be too happy!’—‘If I get what you mean,
I’m in shock!’
Said Grandfather Bridgeman, ‘and down go my defenses!—not happy! when right here,
Here’s Tom about to marry his General’s daughter—or widow—I swear!
XXVII
‘I wager he knows how to strut,
too! It’s all on the cards that the Queen
Will ask him to Buckingham Palace, to say what he’s done
and he’s seen.
Victoria’s fond of her soldiers: and she’s got a nose
for a fight.
If Tom tells a cleverish story—there is such a thing as a
knight!
And don’t he look roguish and handsome!—To see a girl
snivelling there—
By George, Miss, it’s clear that you’re
jealous’—‘I love him!’ she answered his
stare.
‘I bet he knows how to show off, too! It's a sure thing that the Queen
Will invite him to Buckingham Palace to talk about what he's done
and what he's seen.
Victoria loves her soldiers and can sniff out a fight.
If Tom tells a clever story—there is such a thing as a
knight!
And doesn't he look charming and dashing!—To see a girl
crying there—
By George, Miss, it’s obvious that you’re
jealous’—‘I love him!’ she replied, meeting his gaze.
p. 176XXVIII
‘Yes! now!’ breathed the voice of a
woman.—‘Ah! now!’ quiver’d low the
reply.
‘And “now”’s just a bit too late, so
it’s no use your piping your eye,’
The farmer added bluffly: ‘Old Lawyer Charlworth was
rich;
You followed his instructions in kicking Tom into the ditch.
If you’re such a dutiful daughter, that doesn’t prove
Tom is a fool.
Forgive and forget’s my motto! and here’s my grog
growing cool!’
‘Yes! right now!’ breathed the voice of a woman.—‘Ah! now!’ quivered the reply softly.
‘And “now” is just a bit too late, so there's no point in crying,’
The farmer added confidently: ‘Old Lawyer Charlworth was wealthy;
You followed his orders when you kicked Tom into the ditch.
Just because you’re such a dutiful daughter doesn’t mean
Tom is an idiot.
Forgive and forget is my motto! and my drink is getting cold!’
XXIX
‘But, Sir,’ Mary faintly repeated:
‘for four long weeks I have failed
To come and cast on you my burden; such grief for you always
prevailed!
My heart has so bled for you!’ The old man burst on
her speech:
‘You’ve chosen a likely time, Miss! a pretty occasion
to preach!’
And was it not outrageous, that now, of all times, one should
come
With incomprehensible pity! Far better had Mary been
dumb.
‘But, Sir,’ Mary weakly repeated:
‘for four long weeks I have been unable
To come and share my burden with you; my grief for you has always
Been overwhelming!
My heart has hurt for you so much!’ The old man interrupted
Her words:
‘You’ve picked quite the time, Miss! What a nice moment
To preach to me!’
And wasn’t it outrageous that now, of all times, someone would come
With such confusing pity! Mary would have been better off
Silent.
XXX
But when again she stammered in this
bewildering way,
The farmer no longer could bear it, and begged her to go, or to
stay,
p. 177But not
to be whimpering nonsense at such a time. Pricked by a
goad,
’Twas you who sent him to glory:—you’ve come
here to reap what you sowed.
Is that it?’ he asked; and the silence the elders preserved
plainly said,
On Mary’s heaving bosom this begging-petition was read.
But when she stuttered in that confusing way again,
the farmer couldn't take it anymore and asked her to leave or stay,
p. 177 but not to be babbling nonsense at a time like this. Stung by a prod,
"It was you who sent him to his end: you've come here to face the consequences of your actions.
Is that it?" he asked, and the silence from the elders clearly indicated,
on Mary’s heaving chest, this request was understood.
XXXI
And that it was scarcely a bargain that she who
had driven him wild
Should share now the fruits of his valour, the women expressed,
as they smiled.
The family pride of the Bridgemans was comforted; still, with
contempt,
They looked on a monied damsel of modesty quite so exempt.
‘O give me force to tell them!’ cried Mary, and even
as she spoke,
A shout and a hush of the children: a vision on all of them
broke.
And it hardly seemed fair that the woman who had driven him crazy
Should now enjoy the rewards of his bravery, the women noted,
Smiling. The Bridgeman family's pride was reassured; still, with
Disdain, they viewed a wealthy girl of modesty as entirely different.
‘Oh, give me the strength to tell them!’ Mary exclaimed, and just as she spoke,
A cheer and then silence from the children: a vision broke over all of them.
XXXII
Wheeled, pale, in a chair, and shattered, the
wreck of their hero was seen;
The ghost of Tom drawn slow o’er the orchard’s
shadowy green.
Could this be the martial darling they joyed in a moment ago?
‘He knows it?’ to Mary Tom murmured, and closed his
weak lids at her ‘No.’
‘Beloved!’ she said, falling by him, ‘I have
been a coward: I thought
You lay in the foreign country, and some strange good might be
wrought.
Wheeled in a chair, pale and shattered, the wreck of their hero was seen;
The ghost of Tom slowly drifted over the orchard's shadowy green.
Could this really be the brave darling they were celebrating just moments ago?
‘Does he know?’ Tom murmured to Mary, closing his weak eyelids at her ‘No.’
‘My love!’ she said, collapsing beside him, ‘I have been a coward: I thought
You were in a foreign land, and something good might come from it.
p. 178XXXIII
‘Each day I have come to tell him, and
failed, with my hand on the gate.
I bore the dreadful knowledge, and crushed my heart with its
weight.
The letter brought by your comrade—he has but just read it
aloud!
It only reached him this morning!’ Her head on his
shoulder she bowed.
Then Tom with pity’s tenderest lordliness patted her
arm,
And eyed the old white-head fondly, with something of doubt and
alarm.
‘Each day I've come to tell him, and failed, with my hand on the gate.
I carried the heavy knowledge, and my heart felt crushed by its weight.
The letter brought by your friend—he just read it out loud!
It only reached him this morning!’ Her head on his shoulder, she bowed.
Then Tom, with the gentlest pity, patted her arm,
And looked at the old white-haired man fondly, with a mix of doubt and worry.
XXXIV
O, take to your fancy a sculptor whose fresh
marble offspring appears
Before him, shiningly perfect, the laurel-crown’d issue of
years:
Is heaven offended? for lightning behold from its bosom
escape,
And those are mocking fragments that made the harmonious
shape!
He cannot love the ruins, till, feeling that ruins alone
Are left, he loves them threefold. So passed the old
grandfather’s moan.
O, imagine a sculptor whose brand new marble creation stands
Before him, shining and perfect, the laurel-crowned result of
Years:
Is heaven upset? For lightning seems to break free from its core,
And those are mocking pieces that formed the beautiful shape!
He can’t love the ruins until he realizes that only ruins
Are left, then he loves them three times over. So went the old
Grandfather’s lament.
XXXV
John’s text for a sermon on Slaughter he
heard, and he did not protest.
All rigid as April snowdrifts, he stood, hard and feeble; his
chest
p. 179Just
showing the swell of the fire as it melted him. Smiting a
rib,
‘Heigh! what have we been about, Tom! Was this all a
terrible fib?’
He cried, and the letter forth-trembled. Tom told what the
cannon had done.
Few present but ached to see falling those aged tears on his
heart’s son!
John listened to a sermon on slaughter he had heard, and he didn’t object.
Rigid like April snowdrifts, he stood there, both hard and weak; his chest
p. 179just revealing the heat of the fire as it consumed him. Hitting a rib,
“Hey! What have we been up to, Tom! Was this all just a cruel lie?”
He shouted, and the letter trembled in his hands. Tom explained what the cannon had done.
Few people present didn’t feel the pain of those old tears falling on his heart’s son!
XXXVI
Up lanes of the quiet village, and where the
mill-waters rush red
Thro’ browning summer meadows to catch the sun’s
crimsoning head,
You meet an old man and a maiden who has the soft ways of a
wife
With one whom they wheel, alternate; whose delicate flush of new
life
Is prized like the early primrose. Then shake his right
hand, in the chair—
The old man fails never to tell you: ‘You’ve got the
French General’s there!’
Up the quiet village lanes, where the mill waters flow red
Through the golden summer meadows, catching the sun’s glowing rays,
You meet an old man and a young woman who has the gentle manner of a
Wife, taking turns pushing the one they care for, whose delicate glow of new
Life is treasured like the first primrose of spring. Then, when you shake his right
Hand, the old man always tells you: ‘You’ve got the French General’s there!’
p. 180THE PROMISE IN DISTURBANCE
How low when angels
fall their black descent,
Our primal thunder tells: known is the pain
Of music, that nigh throning wisdom went,
And one false note cast wailful to the insane.
Now seems the language heard of Love as rain
To make a mire where fruitfulness was meant.
The golden harp gives out a jangled strain,
Too like revolt from heaven’s Omnipotent.
But listen in the thought; so may there come
Conception of a newly-added chord,
Commanding space beyond where ear has home.
In labour of the trouble at its fount,
Leads Life to an intelligible Lord
The rebel discords up the sacred mount.
How low when angels
fall in their dark descent,
Our primal thunder speaks: known is the pain
Of music, that once brought wisdom near,
And one wrong note sent wailing to the insane.
Now it seems the language of Love is like rain
To create a mess where abundance was meant.
The golden harp plays a jangled tune,
Too much like a revolt against heaven’s Omnipotent.
But listen closely; there may arise
An idea of a newly-added chord,
Reaching beyond where the ear has its home.
In the struggle that starts at its source,
Life leads to a clear Lord,
The rebel dissonances up the sacred mount.
p. 181MODERN LOVE
I
By this he knew she
wept with waking eyes:
That, at his hand’s light quiver by her head,
The strange low sobs that shook their common bed
Were called into her with a sharp surprise,
And strangled mute, like little gaping snakes,
Dreadfully venomous to him. She lay
Stone-still, and the long darkness flowed away
With muffled pulses. Then, as midnight makes
Her giant heart of Memory and Tears
Drink the pale drug of silence, and so beat
Sleep’s heavy measure, they from head to feet
Were moveless, looking through their dead black years,
By vain regret scrawled over the blank wall.
Like sculptured effigies they might be seen
Upon their marriage-tomb, the sword between;
Each wishing for the sword that severs all.
By this, he realized she cried with open eyes:
That, from the slight tremor of his hand near her head,
The strange soft sobs that shook their shared bed
Caught her by surprise, choking her voice silent,
Like little gaping snakes,
Terrifyingly poisonous to him. She lay
Completely still, as the long darkness slipped away
With muted beats. Then, as midnight creates
Her massive heart of Memory and Tears
To take the pale drug of silence and pulse
To Sleep’s heavy rhythm, they from head to toe
Were motionless, staring through their wasted years,
With futile regret scribbled on the blank wall.
Like carved statues they could be seen
On their marriage tomb, the sword in between;
Each wishing for the sword that ends it all.
p. 182II
It ended, and the morrow brought the task.
Her eyes were guilty gates, that let him in
By shutting all too zealous for their sin:
Each sucked a secret, and each wore a mask.
But, oh, the bitter taste her beauty had!
He sickened as at breath of poison-flowers:
A languid humour stole among the hours,
And if their smiles encountered, he went mad,
And raged deep inward, till the light was brown
Before his vision, and the world, forgot,
Looked wicked as some old dull murder-spot.
A star with lurid beams, she seemed to crown
The pit of infamy: and then again
He fainted on his vengefulness, and strove
To ape the magnanimity of love,
And smote himself, a shuddering heap of pain.
It ended, and the next day brought the task.
Her eyes were guilty gates, letting him in
By shutting with too much eagerness for their sin:
Each held a secret, and each wore a mask.
But, oh, the bitter taste of her beauty!
He felt sick, like he was inhaling poison flowers:
A lazy mood crept in as the hours passed,
And if their smiles met, he lost it,
Raging deep inside until the light turned brown
Before his eyes, and the world, ignored,
Looked as evil as some old, dull murder scene.
A star with harsh beams seemed to crown
The pit of disgrace: and then again
He fainted from his desire for revenge, and tried
To imitate the nobility of love,
And struck himself, a trembling mass of pain.
p. 183III
This was the woman; what now of the man?
But pass him. If he comes beneath a heel,
He shall be crushed until he cannot feel,
Or, being callous, haply till he can.
But he is nothing:—nothing? Only mark
The rich light striking out from her on him!
Ha! what a sense it is when her eyes swim
Across the man she singles, leaving dark
All else! Lord God, who mad’st the thing so fair,
See that I am drawn to her even now!
It cannot be such harm on her cool brow
To put a kiss? Yet if I meet him there!
But she is mine! Ah, no! I know too well
I claim a star whose light is overcast:
I claim a phantom-woman in the Past.
The hour has struck, though I heard not the bell!
This was the woman; what about the man now?
But let’s ignore him. If he comes underfoot,
He'll be trampled until he can't feel,
Or, if he’s indifferent, maybe until he can.
But he is nothing:—nothing? Just look
At the rich light radiating from her to him!
Wow! What a feeling it is when her gaze glides
Across the man she chooses, darkening all
Else! Lord God, who made such a beautiful thing,
Look at how I'm drawn to her even now!
Is it really so wrong to kiss her cool brow?
But what if I run into him there?
But she is mine! Ah, no! I know too well
I’m chasing a star whose light is dimmed:
I’m after a ghostly woman from the Past.
The hour has struck, though I didn’t hear the bell!
p. 184IV
All other joys of life he strove to warm,
And magnify, and catch them to his lip:
But they had suffered shipwreck with the ship,
And gazed upon him sallow from the storm.
Or if Delusion came, ’twas but to show
The coming minute mock the one that went.
Cold as a mountain in its star-pitched tent,
Stood high Philosophy, less friend than foe:
Whom self-caged Passion, from its prison-bars,
Is always watching with a wondering hate.
Not till the fire is dying in the grate,
Look we for any kinship with the stars.
Oh, wisdom never comes when it is gold,
And the great price we pay for it full worth:
We have it only when we are half earth.
Little avails that coinage to the old!
All other joys of life he tried to embrace,
And appreciate, and savor them:
But they had suffered shipwreck with the ship,
And looked at him, pale from the storm.
Or if Delusion showed up, it was just to illustrate
How the next moment mocks the one that just passed.
Cold as a mountain in its starry tent,
Stood high Philosophy, more of a foe than a friend:
Whom self-imprisoned Passion, from its cell,
Is always observing with a curious resentment.
Not until the fire is dying in the hearth,
Do we look for any connection with the stars.
Oh, wisdom never arrives when it's valuable,
And the steep cost we pay for it is worth it:
We have it only when we are partly grounded.
Little good that currency does for the old!
p. 185V
A message from her set his brain aflame.
A world of household matters filled her mind,
Wherein he saw hypocrisy designed:
She treated him as something that is tame,
And but at other provocation bites.
Familiar was her shoulder in the glass,
Through that dark rain: yet it may come to pass
That a changed eye finds such familiar sights
More keenly tempting than new loveliness.
The ‘What has been’ a moment seemed his own:
The splendours, mysteries, dearer because known,
Nor less divine: Love’s inmost sacredness
Called to him, ‘Come!’—In his restraining
start,
Eyes nurtured to be looked at scarce could see
A wave of the great waves of Destiny
Convulsed at a checked impulse of the heart.
A message from her lit up his mind.
His thoughts were filled with everyday concerns,
Where he noticed hypocrisy at play:
She treated him like he was easy to handle,
But could strike back when provoked.
Her reflection in the glass was all too familiar,
Amid the dark rain: yet it could happen
That a changed perspective makes familiar sights
More enticing than fresh beauty.
The past felt like it was his for a moment:
The splendors and mysteries were more precious because he knew them,
No less divine: Love’s deepest sacredness
Called to him, ‘Come!’—In his moment of hesitation,
Eyes trained to be gazed at hardly could see
A wave from the great tides of Destiny
Rising from a checked impulse of the heart.
p. 186VI
It chanced his lips did meet her forehead
cool.
She had no blush, but slanted down her eye.
Shamed nature, then, confesses love can die:
And most she punishes the tender fool
Who will believe what honours her the most!
Dead! is it dead? She has a pulse, and flow
Of tears, the price of blood-drops, as I know,
For whom the midnight sobs around Love’s ghost,
Since then I heard her, and so will sob on.
The love is here; it has but changed its aim.
O bitter barren woman! what’s the name?
The name, the name, the new name thou hast won?
Behold me striking the world’s coward stroke!
That will I not do, though the sting is dire.
—Beneath the surface this, while by the fire
They sat, she laughing at a quiet joke.
His lips brushed against her cool forehead.
She didn't blush, but glanced down.
Shamed nature admits that love can fade:
And it often punishes the tender fool
Who dares to believe what honors her the most!
Dead! Is it really dead? She has a pulse and tears,
The cost of blood-drops, as I know,
For whom the midnight cries around Love’s ghost,
Since I heard her, and I will keep crying.
The love is here; it’s just redirected.
Oh bitter, empty woman! What’s the name?
The name, the name, the new name you've earned?
Look at me making the world’s cowardly move!
I won't do that, even though it stings terribly.
—Beneath the surface this, while by the fire
They sat, she laughing at a quiet joke.
p. 187VII
She issues radiant from her dressing-room,
Like one prepared to scale an upper sphere:
—By stirring up a lower, much I fear!
How deftly that oiled barber lays his bloom!
That long-shanked dapper Cupid with frisked curls
Can make known women torturingly fair;
The gold-eyed serpent dwelling in rich hair
Awakes beneath his magic whisks and twirls.
His art can take the eyes from out my head,
Until I see with eyes of other men;
While deeper knowledge crouches in its den,
And sends a spark up:—is it true we are wed?
Yea! filthiness of body is most vile,
But faithlessness of heart I do hold worse.
The former, it were not so great a curse
To read on the steel-mirror of her smile.
She step out of her dressing room looking radiant,
Like someone ready to reach for the stars:
—But I worry that it's all just about lowering herself!
Look how skillfully that barber brings out her beauty!
That tall, stylish Cupid with playful curls
Can make women extraordinarily beautiful;
The gold-eyed serpent hidden in her lush hair
Awakens under his magical flicks and spins.
His talent can make me see through the eyes of others;
While deeper truths stay hidden inside,
And send a spark:—are we truly married?
Yes! Physical dirtiness is really bad,
But I think unfaithfulness of the heart is worse.
The first isn’t as great a curse
As what I read in the sharp reflection of her smile.
p. 188VIII
Yet it was plain she struggled, and that
salt
Of righteous feeling made her pitiful.
Poor twisting worm, so queenly beautiful!
Where came the cleft between us? whose the fault?
My tears are on thee, that have rarely dropped
As balm for any bitter wound of mine:
My breast will open for thee at a sign!
But, no: we are two reed-pipes, coarsely stopped:
The God once filled them with his mellow breath;
And they were music till he flung them down,
Used! used! Hear now the discord-loving clown
Puff his gross spirit in them, worse than death!
I do not know myself without thee more:
In this unholy battle I grow base:
If the same soul be under the same face,
Speak, and a taste of that old time restore!
Yet it was clear she was struggling, and that painful feeling made her seem pitiful. Poor, twisted worm, so beautifully regal! Where did the gap between us come from? Who's to blame? My tears are on you, which have rarely fallen as healing for any of my bitter wounds: My heart will open for you at a sign! But no: we are two reed pipes, roughly blocked: God once filled them with his sweet breath; And they were music until he cast them down, Used! Used! Hear now the discord-loving fool blow his heavy spirit into them, worse than death! I don't know myself without you anymore: In this unholy struggle, I become lesser: If the same soul is under the same face, Speak, and let me taste of those old times again!
p. 189IX
He felt the wild beast in him betweenwhiles
So masterfully rude, that he would grieve
To see the helpless delicate thing receive
His guardianship through certain dark defiles.
Had he not teeth to rend, and hunger too?
But still he spared her. Once: ‘Have you no
fear?’
He said: ’twas dusk; she in his grasp; none near.
She laughed: ‘No, surely; am I not with you?’
And uttering that soft starry ‘you,’ she leaned
Her gentle body near him, looking up;
And from her eyes, as from a poison-cup,
He drank until the flittering eyelids screened.
Devilish malignant witch! and oh, young beam
Of heaven’s circle-glory! Here thy shape
To squeeze like an intoxicating grape—
I might, and yet thou goest safe, supreme.
He sometimes felt the wild beast inside him, so brutally strong that it made him sad to think about the fragile, delicate being he had to protect through dark paths. Didn’t he have teeth to tear and hunger too? Yet, he still spared her. Once, he asked, "Aren't you scared?" It was dusk; she was in his hold, with no one around. She laughed, "Not at all; am I not with you?" As she said that sweet, starry "you," she leaned her gentle body closer to him, looking up. And from her eyes, like from a cup of poison, he drank until her fluttering eyelids closed. Awful, wicked witch! And oh, young ray of heaven's glory! Here I could squeeze your shape like an intoxicating grape—yet you remain safe and untouchable.
p. 190X
But where began the change; and what’s my
crime?
The wretch condemned, who has not been arraigned,
Chafes at his sentence. Shall I, unsustained,
Drag on Love’s nerveless body thro’ all time?
I must have slept, since now I wake. Prepare,
You lovers, to know Love a thing of moods:
Not, like hard life, of laws. In Love’s deep
woods,
I dreamt of loyal Life:—the offence is there!
Love’s jealous woods about the sun are curled;
At least, the sun far brighter there did beam.—
My crime is, that the puppet of a dream,
I plotted to be worthy of the world.
Oh, had I with my darling helped to mince
The facts of life, you still had seen me go
With hindward feather and with forward toe,
Her much-adored delightful Fairy Prince!
But where did the change start, and what’s my crime?
The condemned wretch, who hasn’t been put on trial,
Fumes over his sentence. Shall I, alone,
Carry on Love’s lifeless body through the ages?
I must have been asleep, because now I wake. Prepare,
You lovers, to realize that Love is all about moods:
Not, like harsh life, about rules. In Love’s deep
forest,
I dreamt of loyal Life:—that’s where the offense lies!
Love’s jealous woods curl around the sun;
At least, the sun shone much brighter there.—
My crime is that, like a puppet of a dream,
I aimed to be worthy of the world.
Oh, if I had helped my darling to shape
The facts of life, you would still have seen me go
With backward feather and with forward toe,
Her much-adored delightful Fairy Prince!
p. 191XI
Out in the yellow meadows, where the bee
Hums by us with the honey of the Spring,
And showers of sweet notes from the larks on wing
Are dropping like a noon-dew, wander we.
Or is it now? or was it then? for now,
As then, the larks from running rings pour showers:
The golden foot of May is on the flowers,
And friendly shadows dance upon her brow.
What’s this, when Nature swears there is no change
To challenge eyesight? Now, as then, the grace
Of heaven seems holding earth in its embrace.
Nor eyes, nor heart, has she to feel it strange?
Look, woman, in the West. There wilt thou see
An amber cradle near the sun’s decline:
Within it, featured even in death divine,
Is lying a dead infant, slain by thee.
Out in the yellow meadows, where the bee
Hums by us with the spring's honey,
And showers of sweet notes from the larks in flight
Are falling like noon dew, we wander.
Is it now? Or was it then? Because now,
Just like then, the larks are pouring showers:
The golden touch of May is on the flowers,
And friendly shadows dance on her brow.
What’s going on when Nature insists there’s no change
To challenge our sight? Now, just like then, the grace
Of heaven seems to hold earth in its embrace.
Does she lack the eyes or heart to find it strange?
Look, woman, in the West. There you’ll see
An amber cradle near the setting sun:
Within it, even in death divine,
Is a dead infant, slain by you.
p. 192XII
Not solely that the Future she destroys,
And the fair life which in the distance lies
For all men, beckoning out from dim rich skies:
Nor that the passing hour’s supporting joys
Have lost the keen-edged flavour, which begat
Distinction in old times, and still should breed
Sweet Memory, and Hope,—earth’s modest seed,
And heaven’s high-prompting: not that the world is flat
Since that soft-luring creature I embraced
Among the children of Illusion went:
Methinks with all this loss I were content,
If the mad Past, on which my foot is based,
Were firm, or might be blotted: but the whole
Of life is mixed: the mocking Past will stay:
And if I drink oblivion of a day,
So shorten I the stature of my soul.
Not only does she ruin the Future,
And the beautiful life that lies ahead
For everyone, calling out from dim, rich skies:
Nor is it that the joys of the passing hour
Have lost their sharp flavor, which used to create
Distinction in the old days, and should still produce
Sweet Memory and Hope—earth’s humble seeds,
And heaven’s high inspiration: not that the world is flat
Since that softly alluring being I embraced
Among the children of Illusion is gone:
I think I could be alright with all this loss,
If the crazy Past, on which I stand,
Were solid, or could be erased: but the whole
Of life is a mix: the mocking Past will remain:
And if I drink to forget a single day,
I diminish the stature of my soul.
p. 193XIII
‘I play for Seasons; not
Eternities!’
Says Nature, laughing on her way. ‘So must
All those whose stake is nothing more than dust!’
And lo, she wins, and of her harmonies
She is full sure! Upon her dying rose
She drops a look of fondness, and goes by,
Scarce any retrospection in her eye;
For she the laws of growth most deeply knows,
Whose hands bear, here, a seed-bag—there, an urn.
Pledged she herself to aught, ’twould mark her end!
This lesson of our only visible friend
Can we not teach our foolish hearts to learn?
Yes! yes!—but, oh, our human rose is fair
Surpassingly! Lose calmly Love’s great bliss,
When the renewed for ever of a kiss
Whirls life within the shower of loosened hair!
‘I play for Seasons; not
Eternities!’
Says Nature, laughing as she goes. ‘So must
All those whose stake is nothing more than dust!’
And indeed, she wins, and she's confident in her harmony.
Upon her dying rose,
She drops a look of affection and moves on,
Barely any reflection in her eye;
For she knows the laws of growth very well,
Whose hands hold, here, a bag of seeds—there, an urn.
If she committed to anything, it would mean her end!
This lesson from our only visible friend
Can we not get our foolish hearts to learn?
Yes! yes!—but, oh, our human rose is so beautiful
Exceedingly! Calmly lose Love’s great joy,
When the forever renewed kiss
Whirls life within the cascade of loosened hair!
p. 194XIV
What soul would bargain for a cure that
brings
Contempt the nobler agony to kill?
Rather let me bear on the bitter ill,
And strike this rusty bosom with new stings!
It seems there is another veering fit,
Since on a gold-haired lady’s eyeballs pure
I looked with little prospect of a cure,
The while her mouth’s red bow loosed shafts of wit.
Just heaven! can it be true that jealousy
Has decked the woman thus? and does her head
Swim somewhat for possessions forfeited?
Madam, you teach me many things that be.
I open an old book, and there I find
That ‘Women still may love whom they deceive.’
Such love I prize not, madam: by your leave,
The game you play at is not to my mind.
What soul would trade a cure that brings
Contempt to the nobler pain?
I’d rather endure this bitter suffering,
And hit this weary heart with new hurt!
It seems there’s another change in me,
For I looked into the pure blue eyes of a golden-haired lady
With little hope of a cure,
While her red-lipped smile shot arrows of wit.
Good heavens! Is it true that jealousy
Has adorned her this way? Does her mind
Waver a bit from things lost?
Madam, you’re teaching me many truths.
I open an old book, and there I find
That ‘Women still may love those they deceive.’
I don’t value such love, madam: if you’ll allow,
The game you’re playing isn’t to my taste.
p. 195XV
I think she sleeps: it must be sleep, when
low
Hangs that abandoned arm toward the floor;
The face turned with it. Now make fast the door.
Sleep on: it is your husband, not your foe.
The Poet’s black stage-lion of wronged love
Frights not our modern dames:—well if he did!
Now will I pour new light upon that lid,
Full-sloping like the breasts beneath. ‘Sweet
dove,
Your sleep is pure. Nay, pardon: I disturb.
I do not? good!’ Her waking infant-stare
Grows woman to the burden my hands bear:
Her own handwriting to me when no curb
Was left on Passion’s tongue. She trembles
through;
A woman’s tremble—the whole instrument:—
I show another letter lately sent.
The words are very like: the name is new.
I think she’s sleeping: it must be sleep, when
low
that abandoned arm hangs toward the floor;
the face turned with it. Now lock the door.
Sleep on: it’s your husband, not your enemy.
The Poet’s dark stage-lion of unrequited love
doesn’t scare our modern women:—but what if he did!
Now I will shine new light on that lid,
full-sloping like the breasts beneath. ‘Sweet dove,
your sleep is pure. Wait, sorry: I’m interrupting.
Am I not? good!’ Her waking look of a baby
grows into a woman under the weight my hands bear:
her own handwriting to me when no limits
were left on Passion’s tongue. She shakes;
a woman’s shake—the whole instrument:—
I show another letter recently sent.
The words are very similar: the name is new.
p. 196XVI
In our old shipwrecked days there was an
hour,
When in the firelight steadily aglow,
Joined slackly, we beheld the red chasm grow
Among the clicking coals. Our library-bower
That eve was left to us: and hushed we sat
As lovers to whom Time is whispering.
From sudden-opened doors we heard them sing:
The nodding elders mixed good wine with chat.
Well knew we that Life’s greatest treasure lay
With us, and of it was our talk. ‘Ah, yes!
Love dies!’ I said: I never thought it less.
She yearned to me that sentence to unsay.
Then when the fire domed blackening, I found
Her cheek was salt against my kiss, and swift
Up the sharp scale of sobs her breast did lift:—
Now am I haunted by that taste! that sound!
In our old shipwrecked days, there was an hour,
When in the steady glow of the fire,
Joined loosely, we watched the red gap grow
Among the clicking coals. Our library nook
That evening was ours: and we sat silently
Like lovers to whom Time is whispering.
From suddenly opened doors, we heard them sing:
The nodding elders mixed good wine with conversation.
We knew well that Life’s greatest treasure lay
With us, and that was our topic. ‘Ah, yes!
Love dies!’ I said: I never thought otherwise.
She wished for me to take back that statement.
Then when the fire turned black, I found
Her cheek was salty against my kiss, and quickly
Up the sharp scale of sobs her chest rose:—
Now I am haunted by that taste! that sound!
p. 197XVII
At dinner, she is hostess, I am host.
Went the feast ever cheerfuller? She keeps
The Topic over intellectual deeps
In buoyancy afloat. They see no ghost.
With sparkling surface-eyes we ply the ball:
It is in truth a most contagious game:
Hiding the Skeleton, shall be its
name.
Such play as this the devils might appal!
But here’s the greater wonder; in that we,
Enamoured of an acting nought can tire,
Each other, like true hypocrites, admire;
Warm-lighted looks, Love’s ephemerioe,
Shoot gaily o’er the dishes and the wine.
We waken envy of our happy lot.
Fast, sweet, and golden, shows the marriage-knot.
Dear guests, you now have seen Love’s corpse-light
shine.
At dinner, she is the hostess, and I am the host.
Did the feast ever get more cheerful? She keeps
The conversation over deep topics
Floating in lightness. They see no ghosts.
With sparkling eyes, we toss around ideas:
It truly is a highly contagious game:
Hiding the skeleton will be its name.
Such play might frighten even the devils!
But here’s the greater wonder; we,
In love with a performance we can’t tire of,
Admire each other, like true hypocrites;
Bright, loving glances, like fleeting moments of Love,
Dance over the dishes and the wine.
We evoke envy for our happy situation.
Fast, sweet, and golden, the marriage bond shows.
Dear guests, you have now seen Love’s ghostly light shine.
p. 198XVIII
Here Jack and Tom are paired with Moll and
Meg.
Curved open to the river-reach is seen
A country merry-making on the green.
Fair space for signal shakings of the leg.
That little screwy fiddler from his booth,
Whence flows one nut-brown stream, commands the joints
Of all who caper here at various points.
I have known rustic revels in my youth:
The May-fly pleasures of a mind at ease.
An early goddess was a country lass:
A charmed Amphion-oak she tripped the grass.
What life was that I lived? The life of these?
Heaven keep them happy! Nature they seem near.
They must, I think, be wiser than I am;
They have the secret of the bull and lamb.
’Tis true that when we trace its source, ’tis
beer.
Here Jack and Tom are with Moll and Meg.
A view of the countryside opens up to the river,
A joyful gathering on the green.
A great spot for kicking up our legs.
That little fiddler in his booth,
Where one rich stream flows, gets everyone moving
Who dances here at different spots.
I remember rustic celebrations from my youth:
The simple pleasures of a relaxed mind.
An early goddess was a country girl:
A charming figure dancing on the grass.
What life did I lead? The life they're living?
I hope they're happy! They seem close to nature.
They must be, I believe, wiser than I am;
They know the balance of the bull and lamb.
It's true that if we trace its source, it’s beer.
p. 199XIX
No state is enviable. To the luck
alone
Of some few favoured men I would put claim.
I bleed, but her who wounds I will not blame.
Have I not felt her heart as ’twere my own
Beat thro’ me? could I hurt her? heaven and hell!
But I could hurt her cruelly! Can I let
My Love’s old time-piece to another set,
Swear it can’t stop, and must for ever swell?
Sure, that’s one way Love drifts into the mart
Where goat-legged buyers throng. I see not plain:—
My meaning is, it must not be again.
Great God! the maddest gambler throws his heart.
If any state be enviable on earth,
’Tis yon born idiot’s, who, as days go by,
Still rubs his hands before him, like a fly,
In a queer sort of meditative mirth.
No state is desirable. To the luck
Of a handful of favored people, I might claim.
I’m hurt, but I won’t blame the one who wounds me.
Haven’t I felt her heart as if it were my own
Pulsing through me? Could I really hurt her? Good grief!
But I could hurt her badly! Can I allow
My Love’s old clock to be set by someone else,
Claim it can’t stop, and must keep on ticking forever?
Sure, that’s one way Love slips into the marketplace
Where goat-legged buyers crowd. I don’t see it clearly:—
What I mean is, it can’t happen again.
Great God! The craziest gambler bets his heart.
If any state is enviable on earth,
It’s that of the born idiot, who, as the days go by,
Still rubs his hands together in a strange sort of reflective joy.
p. 200XX
I am not of those miserable males
Who sniff at vice and, daring not to snap,
Do therefore hope for heaven. I take the hap
Of all my deeds. The wind that fills my sails
Propels; but I am helmsman. Am I wrecked,
I know the devil has sufficient weight
To bear: I lay it not on him, or fate.
Besides, he’s damned. That man I do suspect
A coward, who would burden the poor deuce
With what ensues from his own slipperiness.
I have just found a wanton-scented tress
In an old desk, dusty for lack of use.
Of days and nights it is demonstrative,
That, like some aged star, gleam luridly.
If for those times I must ask charity,
Have I not any charity to give?
I'm not one of those miserable guys
Who look down on wrongdoing and, scared to act,
Think they can just hope for heaven. I accept the luck
Of all my actions. The wind fills my sails
And drives me; but I steer the ship. If I crash,
I know the devil has enough weight
To carry: I won’t blame him or fate.
Besides, he’s already doomed. I suspect that guy
Is a coward, who would dump on the poor devil
The consequences of his own slippery ways.
I just found a scented lock of hair
In an old desk, gathering dust from disuse.
For days and nights, it’s like a faded star, glowing strangely.
If I have to ask for charity from those times,
Don’t I have any charity to offer?
p. 201XXI
We three are on the cedar-shadowed lawn;
My friend being third. He who at love once laughed
Is in the weak rib by a fatal shaft
Struck through, and tells his passion’s bashful dawn
And radiant culmination, glorious crown,
When ‘this’ she said: went ‘thus’: most
wondrous she.
Our eyes grow white, encountering: that we are three,
Forgetful; then together we look down.
But he demands our blessing; is convinced
That words of wedded lovers must bring good.
We question; if we dare! or if we should!
And pat him, with light laugh. We have not winced.
Next, she has fallen. Fainting points the sign
To happy things in wedlock. When she wakes,
She looks the star that thro’ the cedar shakes:
Her lost moist hand clings mortally to mine.
We three are on the lawn shaded by cedar trees;
My friend is the third. He who once laughed at love
Is now struck in the side by a fatal arrow,
And he shares his shy beginnings in love
And its stunning peak, that glorious moment,
When she said ‘this’: went ‘like this’: she was most
Wondrous.
Our eyes widen, realizing that we are three,
Forgetful; then we all look down together.
But he asks for our blessing; he believes
That the words of married lovers will bring good luck.
We hesitate; if we dare! or if we should!
And we tease him with light laughter. We don’t flinch.
Next, she has collapsed. Fainting signals
Joyful moments in marriage. When she wakes,
She looks like the star that shakes through the cedar:
Her lost, damp hand clings desperately to mine.
p. 202XXII
What may the woman labour to confess?
There is about her mouth a nervous twitch.
’Tis something to be told, or hidden:—which?
I get a glimpse of hell in this mild guess.
She has desires of touch, as if to feel
That all the household things are things she knew.
She stops before the glass. What sight in view?
A face that seems the latest to reveal!
For she turns from it hastily, and tossed
Irresolute steals shadow-like to where
I stand; and wavering pale before me there,
Her tears fall still as oak-leaves after frost.
She will not speak. I will not ask. We are
League-sundered by the silent gulf between.
You burly lovers on the village green,
Yours is a lower, and a happier star!
What is the woman struggling to confess?
There’s a nervous twitch around her mouth.
It’s something that needs to be said or kept hidden—what is it?
I catch a glimpse of despair in this mild guess.
She has a longing for touch, as if to feel
That all the things around her are familiar to her.
She stops in front of the mirror. What does she see?
A face that seems ready to reveal something!
But she quickly turns away and, uncertain, slips
Like a shadow towards where I stand; and pale and wavering before me,
Her tears fall silently like oak leaves after frost.
She won’t speak. I won’t ask. We are
Separated by the silent divide between us.
You strong lovers on the village green,
Your situation is simpler, and far happier!
p. 203XXIII
’Tis Christmas weather, and a country
house
Receives us: rooms are full: we can but get
An attic-crib. Such lovers will not fret
At that, it is half-said. The great carouse
Knocks hard upon the midnight’s hollow door,
But when I knock at hers, I see the pit.
Why did I come here in that dullard fit?
I enter, and lie couched upon the floor.
Passing, I caught the coverlet’s quick beat:—
Come, Shame, burn to my soul! and Pride, and Pain—
Foul demons that have tortured me, enchain!
Out in the freezing darkness the lambs bleat.
The small bird stiffens in the low starlight.
I know not how, but shuddering as I slept,
I dreamed a banished angel to me crept:
My feet were nourished on her breasts all night.
It’s Christmas weather, and a country house
Welcomes us: the rooms are packed: we can only get
An attic bed. Such lovers won’t complain
About that, it’s half-accepted. The big party
Knocks loudly at midnight’s hollow door,
But when I knock on hers, I see the void.
Why did I come here in such a stupid mood?
I enter and lie down on the floor.
While passing, I felt the rapid beating of the cover:—
Come on, Shame, burn deep in my soul! and Pride, and Pain—
Nasty demons that have tormented me, restrain!
Outside in the freezing darkness the lambs bleat.
The small bird stiffens in the low starlight.
I don’t know how, but shuddering as I slept,
I dreamed a banished angel crept to me:
My feet were nourished on her chest all night.
p. 204XXIV
The misery is greater, as I live!
To know her flesh so pure, so keen her sense,
That she does penance now for no offence,
Save against Love. The less can I forgive!
The less can I forgive, though I adore
That cruel lovely pallor which surrounds
Her footsteps; and the low vibrating sounds
That come on me, as from a magic shore.
Low are they, but most subtle to find out
The shrinking soul. Madam, ’tis understood
When women play upon their womanhood,
It means, a Season gone. And yet I doubt
But I am duped. That nun-like look waylays
My fancy. Oh! I do but wait a sign!
Pluck out the eyes of pride! thy mouth to mine!
Never! though I die thirsting. Go thy ways!
The misery is greater, I swear!
To know her body is so pure, her senses so sharp,
That she now suffers for no wrongdoing,
Except for Love. The less I can forgive!
The less I can forgive, even though I adore
That cruel, beautiful pallor that surrounds
Her steps; and the soft, resonant sounds
That reach me, as if from an enchanted shore.
They’re faint, but so subtle in revealing
The shrinking soul. Madam, it’s clear
When women play on their femininity,
It signifies, a Season passed. And yet I doubt
But that I am fooled. That nun-like gaze stops
My thoughts. Oh! I am just waiting for a sign!
Tear away the eyes of pride! Your mouth to mine!
Never! Though I die wanting. Go your way!
p. 205XXV
You like not that French novel? Tell me
why.
You think it quite unnatural. Let us see.
The actors are, it seems, the usual three:
Husband, and wife, and lover. She—but fie!
In England we’ll not hear of it. Edmond,
The lover, her devout chagrin doth share;
Blanc-mange and absinthe are his penitent fare,
Till his pale aspect makes her over-fond:
So, to preclude fresh sin, he tries rosbif.
Meantime the husband is no more abused:
Auguste forgives her ere the tear is used.
Then hangeth all on one tremendous If:—
If she will choose between them. She does choose;
And takes her husband, like a proper wife.
Unnatural? My dear, these things are life:
And life, some think, is worthy of the Muse.
You don’t like that French novel? Tell me why.
You think it’s quite unnatural. Let’s see.
The characters are, it seems, the usual three:
Husband, wife, and lover. She—but oh!
In England, we won’t hear of it. Edmond,
The lover, shares her devoted disappointment;
Blanc-mange and absinthe are his guilty treats,
Until his pale look makes her overly affectionate:
So, to avoid fresh wrongdoing, he tries roast beef.
In the meantime, the husband is no longer hurt:
Auguste forgives her before the tear has dried.
Then everything hinges on one massive If:—
If she will choose between them. She does choose;
And takes her husband, like a proper wife.
Unnatural? My dear, these things are life:
And some believe life is worthy of inspiration.
p. 206XXVI
Love ere he bleeds, an eagle in high skies,
Has earth beneath his wings: from reddened eve
He views the rosy dawn. In vain they weave
The fatal web below while far he flies.
But when the arrow strikes him, there’s a change.
He moves but in the track of his spent pain,
Whose red drops are the links of a harsh chain,
Binding him to the ground, with narrow range.
A subtle serpent then has Love become.
I had the eagle in my bosom erst:
Henceforward with the serpent I am cursed.
I can interpret where the mouth is dumb.
Speak, and I see the side-lie of a truth.
Perchance my heart may pardon you this deed:
But be no coward:—you that made Love bleed,
You must bear all the venom of his tooth!
Love, before it suffers, is like an eagle in the high sky,
With the earth beneath its wings: from a crimson evening,
It watches the rosy dawn. They’re wasting their efforts
Weaving a deadly trap below while it soars above.
But when the arrow hits, everything changes.
It moves only along the path of its endured pain,
Whose red drops become links in a harsh chain,
Binding it to the ground, limiting its range.
Then Love transforms into a subtle serpent.
I once had the eagle in my heart:
From now on, I’m cursed to carry the serpent.
I can understand what’s left unsaid.
Speak, and I’ll recognize the deception within a truth.
Maybe my heart can forgive you for this act:
But don’t be a coward:—you who made Love bleed,
You must endure all the poison of its bite!
p. 207XXVII
Distraction is the panacea, Sir!
I hear my oracle of Medicine say.
Doctor! that same specific yesterday
I tried, and the result will not deter
A second trial. Is the devil’s line
Of golden hair, or raven black, composed?
And does a cheek, like any sea-shell rosed,
Or clear as widowed sky, seem most divine?
No matter, so I taste forgetfulness.
And if the devil snare me, body and mind,
Here gratefully I score:—he seemëd kind,
When not a soul would comfort my distress!
O sweet new world, in which I rise new made!
O Lady, once I gave love: now I take!
Lady, I must be flattered. Shouldst thou wake
The passion of a demon, be not afraid.
Distraction is the cure-all, Sir!
I hear my medical oracle say.
Doctor! that same remedy yesterday
I tried, and the outcome won’t stop
Me from trying again. Is the devil’s line
Of golden hair, or raven black, made up?
And does a cheek, like any seashell, blush,
Or clear like a widow’s sky, seem most divine?
No matter, as long as I can forget.
And if the devil traps me, body and soul,
Here I gladly admit:—he seemed kind,
When no one else would ease my pain!
O sweet new world, where I rise reborn!
O Lady, once I gave love: now I take!
Lady, I need to be flattered. If you should wake
The passion of a demon, don’t be afraid.
p. 208XXVIII
I must be flattered. The imperious
Desire speaks out. Lady, I am content
To play with you the game of Sentiment,
And with you enter on paths perilous;
But if across your beauty I throw light,
To make it threefold, it must be all mine.
First secret; then avowed. For I must shine
Envied,—I, lessened in my proper sight!
Be watchful of your beauty, Lady dear!
How much hangs on that lamp you cannot tell.
Most earnestly I pray you, tend it well:
And men shall see me as a burning sphere;
And men shall mark you eyeing me, and groan
To be the God of such a grand sunflower!
I feel the promptings of Satanic power,
While you do homage unto me alone.
I must admit, I'm flattered. The bold
Desire speaks up. Lady, I'm happy
To play this game of feelings with you,
And venture into dangerous paths together;
But if I shine a light on your beauty
To make it even more mesmerizing, it has to be completely mine.
First in secret; then openly. Because I must shine
With envy—while feeling diminished myself!
Be cautious of your beauty, my dear Lady!
You have no idea how much relies on that light.
I sincerely urge you to take good care of it:
And people will see me like a blazing sphere;
And they'll notice you watching me, sighing
To be the God of such a magnificent sunflower!
I can feel the temptations of dark power,
While you worship only me.
p. 209XXIX
Am I failing? For no longer can I cast
A glory round about this head of gold.
Glory she wears, but springing from the mould;
Not like the consecration of the Past!
Is my soul beggared? Something more than earth
I cry for still: I cannot be at peace
In having Love upon a mortal lease.
I cannot take the woman at her worth!
Where is the ancient wealth wherewith I clothed
Our human nakedness, and could endow
With spiritual splendour a white brow
That else had grinned at me the fact I loathed?
A kiss is but a kiss now! and no wave
Of a great flood that whirls me to the sea.
But, as you will! we’ll sit contentedly,
And eat our pot of honey on the grave.
Am I failing? For I can no longer cast
A glow around this head of gold.
She wears glory, but it comes from the ground;
Not like the blessing of the Past!
Is my soul impoverished? I still cry out for something beyond this world:
I can’t find peace
In having Love on a temporary lease.
I can't value the woman for what she is!
Where is the ancient wealth that I used to cloak
Our human vulnerability and could gift
With spiritual brilliance a pure brow
That otherwise would laugh at me with the truth I hated?
A kiss is just a kiss now! And no wave
Of a great flood that sweeps me out to sea.
But, as you wish! We’ll sit comfortably,
And eat our pot of honey on the grave.
p. 210XXX
What are we first? First, animals; and
next
Intelligences at a leap; on whom
Pale lies the distant shadow of the tomb,
And all that draweth on the tomb for text.
Into which state comes Love, the crowning sun:
Beneath whose light the shadow loses form.
We are the lords of life, and life is warm.
Intelligence and instinct now are one.
But nature says: ‘My children most they seem
When they least know me: therefore I decree
That they shall suffer.’ Swift doth young Love
flee,
And we stand wakened, shivering from our dream.
Then if we study Nature we are wise.
Thus do the few who live but with the day:
The scientific animals are they.—
Lady, this is my sonnet to your eyes.
What are we at our core? First, we're animals; and then
We become conscious beings in an instant; over us
The distant shadow of death looms,
And everything that pulls us toward death for meaning.
In this state, Love arrives, the shining sun:
Under its light, shadows lose their shape.
We are the rulers of life, and life is vibrant.
Intelligence and instinct are now united.
But nature says: ‘My children resemble me most
When they know me the least: so I declare
That they must suffer.’ Young Love flees quickly,
And we awaken, shaking off our dreams.
If we study Nature, we gain wisdom.
That’s how the few who only live for today operate:
They are the scientific beings.—
Lady, this is my sonnet to your eyes.
p. 211XXXI
This golden head has wit in it. I live
Again, and a far higher life, near her.
Some women like a young philosopher;
Perchance because he is diminutive.
For woman’s manly god must not exceed
Proportions of the natural nursing size.
Great poets and great sages draw no prize
With women: but the little lap-dog breed,
Who can be hugged, or on a mantel-piece
Perched up for adoration, these obtain
Her homage. And of this we men are vain?
Of this! ’Tis ordered for the world’s
increase!
Small flattery! Yet she has that rare gift
To beauty, Common Sense. I am approved.
It is not half so nice as being loved,
And yet I do prefer it. What’s my drift?
This golden head has wit. I live
Again, and a much better life, close to her.
Some women prefer a young philosopher;
Maybe because he’s smaller in stature.
For a woman’s ideal man shouldn’t be
Bigger than the natural size for nurturing.
Great poets and great thinkers don’t win
With women: instead, it’s the little lapdogs,
Who can be hugged or displayed on a mantel
For admiration; these get her attention. And we men are proud of this?
Of this! It’s meant for the world’s growth!
What a small compliment! Yet she has that rare gift
For beauty, Common Sense. I am accepted.
It’s not nearly as nice as being loved,
And still, I prefer it. What’s my point?
p. 212XXXII
Full faith I have she holds that rarest gift
To beauty, Common Sense. To see her lie
With her fair visage an inverted sky
Bloom-covered, while the underlids uplift,
Would almost wreck the faith; but when her mouth
(Can it kiss sweetly? sweetly!) would address
The inner me that thirsts for her no less,
And has so long been languishing in drouth,
I feel that I am matched; that I am man!
One restless corner of my heart or head,
That holds a dying something never dead,
Still frets, though Nature giveth all she can.
It means, that woman is not, I opine,
Her sex’s antidote. Who seeks the asp
For serpent’s bites? ’Twould calm me could I
clasp
Shrieking Bacchantes with their souls of wine!
I truly believe she has that rarest gift
For beauty, Common Sense. To see her lie
With her lovely face like an upside-down sky
Covered in blooms, while her bottom lids rise,
Would almost make me doubt; but when her lips
(Can they kiss sweetly? So sweetly!) would speak
To the deep part of me that craves her just as much,
And has long been suffering from thirst,
I know that I'm matched; that I am a man!
There's one restless part of my heart or mind,
That holds onto a dying something that never dies,
Still worries, though Nature gives all she can.
It suggests that a woman is not, I think,
Her sex’s cure. Who goes after the asp
For a serpent’s bite? I’d be calmed if I could
Embrace the shrieking Bacchantes with their souls of wine!
p. 213XXXIII
‘In Paris, at the Louvre, there have I
seen
The sumptuously-feathered angel pierce
Prone Lucifer, descending. Looked he fierce,
Showing the fight a fair one? Too serene!
The young Pharsalians did not disarray
Less willingly their locks of floating silk:
That suckling mouth of his upon the milk
Of heaven might still be feasting through the fray.
Oh, Raphael! when men the Fiend do fight,
They conquer not upon such easy terms.
Half serpent in the struggle grow these worms.
And does he grow half human, all is right.’
This to my Lady in a distant spot,
Upon the theme: While mind is mastering clay,
Gross clay invades it. If the spy you play,
My wife, read this! Strange love talk, is it not?
‘In Paris, at the Louvre, I’ve seen
The lavishly-feathered angel strike
Prone Lucifer, as he descends. Did he look fierce,
Claiming the battle fair? Too calm!
The young Pharsalians didn’t care less
About untangling their floating silk hair:
That suckling mouth of his might still be feasting
On heaven’s milk amidst the battle.
Oh, Raphael! When men fight the Devil,
They don’t win so easily.
These worms grow half serpent in the struggle.
And if he becomes half human, that’s just fine.’
This to my Lady in a distant place,
On the theme: While mind is mastering clay,
Gross clay invades it. If you’re playing the spy,
My wife, read this! Strange love talk, isn’t it?
p. 214XXXIV
Madam would speak with me. So, now it
comes:
The Deluge or else Fire! She’s well; she thanks
My husbandship. Our chain on silence clanks.
Time leers between, above his twiddling thumbs.
Am I quite well? Most excellent in health!
The journals, too, I diligently peruse.
Vesuvius is expected to give news:
Niagara is no noisier. By stealth
Our eyes dart scrutinizing snakes. She’s glad
I’m happy, says her quivering under-lip.
‘And are not you?’ ‘How can I
be?’ ‘Take ship!
For happiness is somewhere to be had.’
‘Nowhere for me!’ Her voice is barely heard.
I am not melted, and make no pretence.
With commonplace I freeze her, tongue and sense.
Niagara or Vesuvius is deferred.
Madam wants to talk to me. So, here we go:
The flood or maybe fire! She’s doing well; she thanks
My husbandly duties. Our silence rattles.
Time lingers between us, above his twiddling thumbs.
Am I feeling good? Absolutely in great health!
I also read the papers carefully.
Vesuvius is expected to bring news:
Niagara is just as loud. Quietly,
Our eyes dart like watchful snakes. She’s happy
I’m happy, says her trembling lower lip.
‘Aren’t you?’ ‘How could I be?’ ‘Get on a ship!
Because happiness is out there somewhere.’
‘Nowhere for me!’ Her voice is barely audible.
I’m not moved, and I’m not pretending.
With ordinary talk, I freeze her, tongue and senses.
Niagara or Vesuvius will have to wait.
p. 215XXXV
It is no vulgar nature I have wived.
Secretive, sensitive, she takes a wound
Deep to her soul, as if the sense had swooned,
And not a thought of vengeance had survived.
No confidences has she: but relief
Must come to one whose suffering is acute.
O have a care of natures that are mute!
They punish you in acts: their steps are brief.
What is she doing? What does she demand
From Providence or me? She is not one
Long to endure this torpidly, and shun
The drugs that crowd about a woman’s hand.
At Forfeits during snow we played, and I
Must kiss her. ‘Well performed!’ I said: then
she:
‘’Tis hardly worth the money, you agree?’
Save her? What for? To act this wedded lie!
It’s not a shallow person I’ve married.
Secretive and sensitive, she feels pain
Deep in her soul, as if her senses fainted,
And not a thought of revenge remains.
She has no confidants, but relief
Must come to someone whose suffering is intense.
Oh, be cautious of quiet natures!
They punish you through actions: their moves are subtle.
What is she doing? What does she want
From Providence or me? She won’t stay
This way for long, avoiding
The remedies that fill a woman’s hand.
During snow, we played forfeits, and I
Had to kiss her. “Well done!” I said. Then she:
“Is it really worth the money, wouldn’t you agree?”
Save her? For what? To live this married lie!
p. 216XXXVI
My Lady unto Madam makes her bow.
The charm of women is, that even while
You’re probed by them for tears, you yet may smile,
Nay, laugh outright, as I have done just now.
The interview was gracious: they anoint
(To me aside) each other with fine praise:
Discriminating compliments they raise,
That hit with wondrous aim on the weak point:
My Lady’s nose of Nature might complain.
It is not fashioned aptly to express
Her character of large-browed steadfastness.
But Madam says: Thereof she may be vain!
Now, Madam’s faulty feature is a glazed
And inaccessible eye, that has soft fires,
Wide gates, at love-time, only. This admires
My Lady. At the two I stand amazed.
My Lady bows to Madam.
The beauty of women is that even when
They're probing you for tears, you can still smile,
Even laugh out loud, like I just did.
The meeting was pleasant: they compliment
Each other with flattering words,
Crafting clever compliments that hit right on the mark:
My Lady’s nose, from nature, might have its issues.
It’s not shaped well to convey
Her strong, determined character.
But Madam says: She might be proud of that!
Now, Madam's flaw is her cold,
Unreachable eyes, which only shine
With warmth when it comes to love. This is admired
By My Lady. I stand amazed by both of them.
p. 217XXXVII
Along the garden terrace, under which
A purple valley (lighted at its edge
By smoky torch-flame on the long cloud-ledge
Whereunder dropped the chariot) glimmers rich,
A quiet company we pace, and wait
The dinner-bell in prae-digestive calm.
So sweet up violet banks the Southern balm
Breathes round, we care not if the bell be late:
Though here and there grey seniors question Time
In irritable coughings. With slow foot
The low rosed moon, the face of Music mute,
Begins among her silent bars to climb.
As in and out, in silvery dusk, we thread,
I hear the laugh of Madam, and discern
My Lady’s heel before me at each turn.
Our tragedy, is it alive or dead?
Along the garden terrace, beneath which
A purple valley (lit at its edge
By smoky torchlight on the long cloud ledge
Where the chariot dropped down) glimmers brightly,
We stroll in a calm group, waiting
For the dinner bell in a pre-digestive peace.
The sweet Southern air
Flows around us up the violet banks; we don’t mind if the bell is late:
Though now and then, older folks check the time
With their nagging coughs. With slow steps
The softly glowing moon, the face of silent Music,
Begins to climb among her quiet notes.
As we move in and out, in the silvery twilight,
I hear Madam’s laughter and catch a glimpse
Of my Lady’s heel before me at every turn.
Is our tragedy alive or dead?
p. 218XXXVIII
Give to imagination some pure light
In human form to fix it, or you shame
The devils with that hideous human game:—
Imagination urging appetite!
Thus fallen have earth’s greatest Gogmagogs,
Who dazzle us, whom we can not revere:
Imagination is the charioteer
That, in default of better, drives the hogs.
So, therefore, my dear Lady, let me love!
My soul is arrowy to the light in you.
You know me that I never can renew
The bond that woman broke: what would you have?
’Tis Love, or Vileness! not a choice between,
Save petrifaction! What does Pity here?
She killed a thing, and now it’s dead, ’tis dear.
Oh, when you counsel me, think what you mean!
Give imagination some pure light
In human form to hold it, or you'll shame
The devils with that ugly human game:—
Imagination driving desire!
So have fallen earth’s greatest giants,
Who dazzle us, whom we can’t admire:
Imagination is the charioteer
That, when there's nothing better, drives the hogs.
So, therefore, my dear Lady, let me love!
My soul is aiming for the light in you.
You know I can never renew
The bond that woman broke: what do you want?
It’s Love or Disgrace! not a choice between,
Except for turning to stone! What does Pity do here?
She ended a life, and now it’s gone, it’s precious.
Oh, when you give me advice, think about what you mean!
p. 219XXXIX
She yields: my Lady in her noblest mood
Has yielded: she, my golden-crownëd rose!
The bride of every sense! more sweet than those
Who breathe the violet breath of maidenhood.
O visage of still music in the sky!
Soft moon! I feel thy song, my fairest friend!
True harmony within can apprehend
Dumb harmony without. And hark! ’tis nigh!
Belief has struck the note of sound: a gleam
Of living silver shows me where she shook
Her long white fingers down the shadowy brook,
That sings her song, half waking, half in dream.
What two come here to mar this heavenly tune?
A man is one: the woman bears my name,
And honour. Their hands touch! Am I still tame?
God, what a dancing spectre seems the moon!
She gives in: my Lady at her finest
Has given in: she, my golden-crowned rose!
The bride of every sense! sweeter than those
Who exhale the violet scent of youth.
O face of calm music in the sky!
Soft moon! I feel your song, my dearest friend!
True harmony within can grasp
Silent harmony outside. And listen! It’s near!
Belief has struck the note of sound: a flash
Of living silver shows me where she brushed
Her long white fingers down the shadowy stream,
That sings her song, half awake, half in a dream.
What two come here to disrupt this heavenly tune?
A man is one: the woman carries my name,
And honor. Their hands touch! Am I still restrained?
God, what a dancing ghost the moon seems!
p. 220XL
I bade my Lady think what she might mean.
Know I my meaning, I? Can I love one,
And yet be jealous of another? None
Commits such folly. Terrible Love, I ween,
Has might, even dead, half sighing to upheave
The lightless seas of selfishness amain:
Seas that in a man’s heart have no rain
To fall and still them. Peace can I achieve,
By turning to this fountain-source of woe,
This woman, who’s to Love as fire to wood?
She breathed the violet breath of maidenhood
Against my kisses once! but I say, No!
The thing is mocked at! Helplessly afloat,
I know not what I do, whereto I strive.
The dread that my old love may be alive
Has seized my nursling new love by the throat.
I asked my lady to consider what she might mean.
Do I know my meaning? Can I love one,
And still be jealous of another? No one
Would act so foolishly. Terrible Love, I guess,
Has the power, even dead, half-sighing, to shake
The dark seas of selfishness violently:
Seas that in a man’s heart have no rain
To calm them. I can find peace,
By turning to this source of pain,
This woman, who’s to Love what fire is to wood?
She once shared the sweet breath of youth
With my kisses! But I say, No!
This is ridiculous! Helplessly adrift,
I don’t know what I’m doing or where I’m heading.
The fear that my old love may still be alive
Has gripped my new love tightly by the throat.
p. 221XLI
How many a thing which we cast to the
ground,
When others pick it up becomes a gem!
We grasp at all the wealth it is to them;
And by reflected light its worth is found.
Yet for us still ’tis nothing! and that zeal
Of false appreciation quickly fades.
This truth is little known to human shades,
How rare from their own instinct ’tis to feel!
They waste the soul with spurious desire,
That is not the ripe flame upon the bough.
We two have taken up a lifeless vow
To rob a living passion: dust for fire!
Madam is grave, and eyes the clock that tells
Approaching midnight. We have struck despair
Into two hearts. O, look we like a pair
Who for fresh nuptials joyfully yield all else?
How many things we toss aside,
When others pick them up, they become treasures!
We reach for all the value they hold;
And through their reflected light, we see their worth.
Yet for us, it remains worthless! And that eagerness
For false appreciation quickly fades.
This truth is little understood by people,
How rare it is for them to sense it on their own!
They drain their souls with fake desires,
Which aren’t the true fire hanging from the branch.
We have both taken a lifeless vow
To steal a living passion: dust for fire!
She is serious, watching the clock counting down
To midnight. We have filled two hearts with despair.
Oh, do we look like a couple
Ready to give up everything for new marriage?
p. 222XLII
I am to follow her. There is much
grace
In woman when thus bent on martyrdom.
They think that dignity of soul may come,
Perchance, with dignity of body. Base!
But I was taken by that air of cold
And statuesque sedateness, when she said
‘I’m going’; lit a taper, bowed her head,
And went, as with the stride of Pallas bold.
Fleshly indifference horrible! The hands
Of Time now signal: O, she’s safe from me!
Within those secret walls what do I see?
Where first she set the taper down she stands:
Not Pallas: Hebe shamed! Thoughts black as death
Like a stirred pool in sunshine break. Her wrists
I catch: she faltering, as she half resists,
‘You love . . .? love . . .? love . . .?’ all on an
indrawn breath.
I'm supposed to follow her. There’s a lot of grace
In a woman when she's aiming for martyrdom.
They believe that a noble soul can come,
Maybe, with a noble body. How foolish!
But I was captivated by that cold
And statuesque calmness when she said
"I’m going," lit a candle, bowed her head,
And left, striding like a bold Pallas.
What a horrible detachment! The hands
Of Time now signal: Oh, she’s safe from me!
What do I see within those secret walls?
Where she first set the candle down, she stands:
Not Pallas: shameful Hebe! Dark thoughts
Like a stirred pool in sunlight break. Her wrists
I seize: she's hesitating, as she half resists,
"You love...? love...? love...?" all in a quick breath.
p. 223XLIII
Mark where the pressing wind shoots
javelin-like
Its skeleton shadow on the broad-backed wave!
Here is a fitting spot to dig Love’s grave;
Here where the ponderous breakers plunge and strike,
And dart their hissing tongues high up the sand:
In hearing of the ocean, and in sight
Of those ribbed wind-streaks running into white.
If I the death of Love had deeply planned,
I never could have made it half so sure,
As by the unblest kisses which upbraid
The full-waked sense; or failing that, degrade!
’Tis morning: but no morning can restore
What we have forfeited. I see no sin:
The wrong is mixed. In tragic life, God wot,
No villain need be! Passions spin the plot:
We are betrayed by what is false within.
Mark where the strong wind shoots
javelin-like
Its shadow on the broad-backed wave!
This is a fitting place to dig Love’s grave;
Here where the heavy breakers plunge and hit,
And flash their hissing tongues high up the sand:
In hearing of the ocean and in sight
Of those ribbed wind streaks running into white.
If I had truly planned Love’s death,
I never could have made it half so certain,
As by the cursed kisses that scold
The fully awakened sense; or if that fails, degrade!
It's morning: but no morning can bring back
What we have lost. I see no sin:
The wrong is mixed. In tragic life, God knows,
No villain needs to be! Passions shape the plot:
We are betrayed by what is false within.
p. 224XLIV
They say, that Pity in Love’s service
dwells,
A porter at the rosy temple’s gate.
I missed him going: but it is my fate
To come upon him now beside his wells;
Whereby I know that I Love’s temple leave,
And that the purple doors have closed behind.
Poor soul! if, in those early days unkind,
Thy power to sting had been but power to grieve,
We now might with an equal spirit meet,
And not be matched like innocence and vice.
She for the Temple’s worship has paid price,
And takes the coin of Pity as a cheat.
She sees through simulation to the bone:
What’s best in her impels her to the worst:
Never, she cries, shall Pity soothe Love’s thirst,
Or foul hypocrisy for truth atone!
They say that Pity serves Love,
As a doorman at the gate of the lovely temple.
I didn’t see him leave, but now I find him
Next to his wells;
And I realize I’m leaving Love’s temple,
And the purple doors have closed behind me.
Poor thing! If, back in those unkind early days,
Your ability to hurt had only brought sadness,
We could have met with equal spirits,
Not matched like innocence and wrongdoing.
She has paid a price for the Temple’s worship,
And she accepts Pity as a trick.
She sees through the facade to the core:
What’s best in her drives her to the worst:
“Never,” she cries, “will Pity satisfy Love’s thirst,
Or can fake kindness atone for real truth!”
p. 225XLV
It is the season of the sweet wild rose,
My Lady’s emblem in the heart of me!
So golden-crownëd shines she gloriously,
And with that softest dream of blood she glows;
Mild as an evening heaven round Hesper bright!
I pluck the flower, and smell it, and revive
The time when in her eyes I stood alive.
I seem to look upon it out of Night.
Here’s Madam, stepping hastily. Her whims
Bid her demand the flower, which I let drop.
As I proceed, I feel her sharply stop,
And crush it under heel with trembling limbs.
She joins me in a cat-like way, and talks
Of company, and even condescends
To utter laughing scandal of old friends.
These are the summer days, and these our walks.
It’s the season of the sweet wild rose,
My lady’s symbol in my heart!
She shines gloriously with her golden crown,
And glows with the softest dream of blood;
Gentle as the evening sky around bright Hesper!
I pick the flower, smell it, and remember
The time when I felt alive in her eyes.
It feels like I’m looking at it from the darkness.
Here she comes, stepping quickly. Her whims
Make her demand the flower that I just dropped.
As I walk on, I feel her abruptly stop,
And crush it under her heel with shaking legs.
She joins me in a cat-like manner and talks
About our friends and even condescends
To share some funny gossip about old acquaintances.
These are the summer days, and these are our walks.
p. 226XLVI
At last we parley: we so strangely dumb
In such a close communion! It befell
About the sounding of the Matin-bell,
And lo! her place was vacant, and the hum
Of loneliness was round me. Then I rose,
And my disordered brain did guide my foot
To that old wood where our first love-salute
Was interchanged: the source of many throes!
There did I see her, not alone. I moved
Toward her, and made proffer of my arm.
She took it simply, with no rude alarm;
And that disturbing shadow passed reproved.
I felt the pained speech coming, and declared
My firm belief in her, ere she could speak.
A ghastly morning came into her cheek,
While with a widening soul on me she stared.
At last we talked: so strangely quiet
In such an intimate moment! It happened
Around the ringing of the morning bell,
And suddenly, her spot was empty, and the buzz
Of loneliness surrounded me. Then I stood up,
And my confused thoughts led my feet
To that old woods where we first kissed:
The source of many heartaches!
There I saw her, but not alone. I walked
Towards her and offered my arm.
She took it easily, without any alarm;
And that unsettling feeling faded away.
I sensed the painful words coming, and proclaimed
My strong belief in her, before she could speak.
A pale morning crept into her cheeks,
As she stared at me with widened eyes.
p. 227XLVII
We saw the swallows gathering in the sky,
And in the osier-isle we heard them noise.
We had not to look back on summer joys,
Or forward to a summer of bright dye:
But in the largeness of the evening earth
Our spirits grew as we went side by side.
The hour became her husband and my bride.
Love, that had robbed us so, thus blessed our dearth!
The pilgrims of the year waxed very loud
In multitudinous chatterings, as the flood
Full brown came from the West, and like pale blood
Expanded to the upper crimson cloud.
Love, that had robbed us of immortal things,
This little moment mercifully gave,
Where I have seen across the twilight wave
The swan sail with her young beneath her wings.
We saw the swallows gathering in the sky,
And in the willow groves, we heard them chirping.
We didn’t need to look back at summer days,
Or forward to a vibrant summer ahead:
But in the vastness of the evening earth,
Our spirits soared as we walked side by side.
The hour became her husband and my bride.
Love, which had taken so much from us, thus blessed our emptiness!
The travelers of the year grew very loud
In endless chatter, as the river
Full and brown rushed in from the West, and like pale blood
Spread into the crimson sky above.
Love, which had deprived us of eternal things,
This brief moment mercifully gave,
Where I’ve seen the swan glide with her young beneath her wings.
p. 228XLVIII
Their sense is with their senses all mixed
in,
Destroyed by subtleties these women are!
More brain, O Lord, more brain! or we shall mar
Utterly this fair garden we might win.
Behold! I looked for peace, and thought it near.
Our inmost hearts had opened, each to each.
We drank the pure daylight of honest speech.
Alas! that was the fatal draught, I fear.
For when of my lost Lady came the word,
This woman, O this agony of flesh!
Jealous devotion bade her break the mesh,
That I might seek that other like a bird.
I do adore the nobleness! despise
The act! She has gone forth, I know not where.
Will the hard world my sentience of her share
I feel the truth; so let the world surmise.
Their senses are all mixed up,
These women are destroyed by subtlety!
More brains, oh Lord, more brains! Or we’ll completely ruin
This beautiful garden we might win.
Look! I sought peace and thought it was close.
Our innermost hearts had opened to each other.
We absorbed the bright honesty of our words.
Alas! That was the dangerous choice, I fear.
For when news of my lost lady came,
This woman, oh this painful reality!
Jealous devotion urged her to break free,
So I could pursue that other like a bird.
I admire her nobility! I despise
The action! She has left, and I don’t know where.
Will this harsh world share my feelings about her?
I know the truth; let the world speculate.
p. 229XLIX
He found her by the ocean’s moaning
verge,
Nor any wicked change in her discerned;
And she believed his old love had returned,
Which was her exultation, and her scourge.
She took his hand, and walked with him, and seemed
The wife he sought, though shadow-like and dry.
She had one terror, lest her heart should sigh,
And tell her loudly she no longer dreamed.
She dared not say, ‘This is my breast: look in.’
But there’s a strength to help the desperate weak.
That night he learned how silence best can speak
The awful things when Pity pleads for Sin.
About the middle of the night her call
Was heard, and he came wondering to the bed.
‘Now kiss me, dear! it may be, now!’ she said.
Lethe had passed those lips, and he knew all.
He found her by the ocean’s moaning edge,
And there was no wicked change in her;
She believed his old love had come back,
Which was both her joy and her torment.
She took his hand, walked with him, and seemed
Like the wife he wanted, though shadowy and dry.
She had one fear, that her heart would sigh,
And tell her loudly she was no longer dreaming.
She couldn’t say, ‘This is my heart: look inside.’
But there’s a strength to help the desperate weak.
That night he learned how silence can communicate
The awful truths when Pity pleads for Sin.
Around midnight, she called,
And he came, wondering, to the bed.
‘Now kiss me, dear! It may be now!’ she said.
Lethe had passed those lips, and he knew everything.
p. 230L
Thus piteously Love closed what he begat:
The union of this ever-diverse pair!
These two were rapid falcons in a snare,
Condemned to do the flitting of the bat.
Lovers beneath the singing sky of May,
They wandered once; clear as the dew on flowers:
But they fed not on the advancing hours:
Their hearts held cravings for the buried day.
Then each applied to each that fatal knife,
Deep questioning, which probes to endless dole.
Ah, what a dusty answer gets the soul
When hot for certainties in this our life!—
In tragic hints here see what evermore
Moves dark as yonder midnight ocean’s force,
Thundering like ramping hosts of warrior horse,
To throw that faint thin fine upon the shore!
So sadly, Love ended what he created:
The connection of this always-different pair!
These two were quick falcons caught in a trap,
Doomed to flit around like a bat.
Lovers beneath the singing sky of May,
They once roamed; clear as dew on flowers:
But they didn’t savor the passing hours:
Their hearts yearned for the day that’s lost.
Then each used that deadly knife on the other,
Intense questions that lead to endless pain.
Ah, what a dusty answer the soul receives
When craving certainty in this life!—
In tragic hints, see what forever
Moves darkly like that midnight ocean’s power,
Roaring like charging legions of cavalry,
To cast that faint, thin line upon the shore!
p. 231THE PATRIOT ENGINEER
‘Sirs! may I shake your hands?
My countrymen, I see!
I’ve lived in foreign lands
Till England’s Heaven to
me.
A hearty shake will do me good,
And freshen up my sluggish blood.’
‘Guys! Can I shake your hands?
I see my fellow countrymen!
I’ve lived in other countries
Until England’s Heaven became
a blessing for me.
A warm handshake will lift my spirits,
And energize my tired blood.’
Into his hard right hand we struck,
Gave the shake, and wish’d him luck.
Into his strong right hand we shook,
Gave a shake, and wished him luck.
‘—From Austria I
come,
An English wife to win,
And find an English home,
And live and die therein.
Great Lord! how many a year I’ve pined
To drink old ale and speak my mind!’
‘—I come from Austria,
To win an English wife,
And find an English home,
To live and die there.
Great Lord! how many years I’ve longed
To drink old ale and speak my mind!’
Loud rang our laughter, and the shout
Hills round the Meuse-boat echoed about.
Our laughter rang out loud, and the shout
Echoed off the hills around the Meuse boat.
‘—Ay, no offence:
laugh on,
Young gentlemen: I’ll
join.
Had you to exile gone,
Where free speech is base coin,
You’d sigh to see the jolly nose
Where Freedom’s native liquor flows!’
‘—Yeah, no offense:
laugh on,
Young gentlemen: I’ll
join.
If you had gone into exile,
Where free speech is cheap,
You’d wish to see the cheerful place
Where Freedom’s native drink flows!’
He this time the laughter led,
Dabbling his oily bullet head.
He led the laughter this time,
Playing around with his shiny bald head.
Gravely he seem’d, with gaze intense,
Putting the question to common sense.
He seemed serious, with a focused gaze,
Putting the question to common sense.
‘—Why,
there’s the ale-house bench:
The furze-flower shining round:
And there’s my waiting-wench,
As lissome as a hound.
With “hail Britannia!” ere I drink,
I’ll kiss her with an artful wink.’
‘—Look, there’s the pub bench:
The gorse flowers shining all around:
And there’s my waiting girl,
As lively as a dog.
With “hail Britannia!” before I drink,
I’ll kiss her with a clever wink.’
Fair flash’d the foreign landscape
while
We breath’d again our native Isle.
Fair flashed the foreign landscape while
we breathed again our native island.
‘—The geese may
swim hard-by;
They gabble, and you talk:
You’re sure there’s not a spy
To mark your name with chalk.
My heart’s an oak, and it won’t grow
In flower-pots, foreigners must know.’
‘—The geese may
swim nearby;
They honk, and you chat:
You’re sure there’s not a spy
To write your name with chalk.
My heart’s strong like an oak, and it won’t thrive
In flower pots, that’s something foreigners should know.’
Pensive he stood: then shook his head
Sadly; held out his fist, and said:
Pensively, he stood, then shook his head
Sadly, he held out his fist and said:
‘—You’ve
heard that Hungary’s floor’d?
They’ve got her on the
ground.
A traitor broke her sword:
Two despots held her bound.
I’ve seen her gasping her last hope:
I’ve seen her sons strung up b’ the rope.
‘—You’ve
heard that Hungary’s fallen?
They’ve got her on the
ground.
A traitor broke her sword:
Two despots held her captive.
I’ve seen her gasping for her last hope:
I’ve seen her sons hanging by the rope.
‘Take money for my
hire
From butchers?—not the
man!
I’ve got some natural fire,
And don’t flash in the
pan;—
A few ideas I reveal’d:—
’Twas well old England stood my shield!
‘Take money for my hire
From butchers?—not a chance!
I’ve got some real spirit,
And don’t just fizzle out;—
A few ideas I shared:—
It was great that old England had my back!
‘Said I, “The
Lord of Hosts
Have mercy on your land!
I see those dangling ghosts,—
And you may keep command,
And hang, and shoot, and have your day:
They hold your bill, and you must pay.
‘Said I, “The
Lord of Hosts
Have mercy on your land!
I see those hanging ghosts,—
And you can stay in charge,
And hang, and shoot, and enjoy your time:
They’re your debt collectors, and you have to pay.
‘“You’ve
sent them where they’re strong,
You carrion Double-Head!
I hear them sound a gong
In Heaven above!”—I
said.
“My God, what feathers won’t you moult
For this!” says I: and then I bolt.
‘“You’ve sent them where they’re strong,
You disgusting Double-Head!
I hear them ringing a gong
In Heaven above!”—I said.
“My God, what feathers won’t you shed
For this!” I say: and then I run.
‘The Bird’s a
beastly Bird,
And what is more, a fool.
I shake hands with the herd
That flock beneath his rule.
They’re kindly; and their land is fine.
I thought it rarer once than mine.
‘The Bird’s a
beastly Bird,
And what’s more, a fool.
I shake hands with the crowd
That gathers beneath his rule.
They’re nice; and their land is great.
I used to think it was rarer than mine.
‘It tingles to your
scalps,
To think of it, my boys!
Confusion on their Alps,
And all their baby toys!
The mountains Britain boasts are men:
And scale you them, my brethren!’
‘It sends a chill down your spine,
To think of it, my boys!
Confusion on their peaks,
And all their childhood toys!
The mountains that Britain has are like men:
And climb them, my brothers!’
Cluck, went his tongue; his fingers, snap.
Britons were proved all heights to cap.
Cluck, went his tongue; his fingers snapped.
Britons were shown to reach all heights.
And we who worshipp’d
crags,
Where purple splendours
burn’d,
Our idol saw in rags,
And right about were
turn’d.
Horizons rich with trembling spires
On violet twilights lost their fires.
And we who worshipped
crags,
Where purple splendors
burned,
Our idol looked like it was in rags,
And everyone turned away.
Horizons filled with shaking spires
On violet twilights lost their glow.
And heights where morning
wakes
With one cheek over
snow;—
And iron-wallèd lakes
Where sits the white moon
low;—
For us on youthful travel bent,
The robing picturesque was rent.
And heights where morning
wakes
With one cheek over
snow;—
And iron-walled lakes
Where the white moon
sits low;—
For us on youthful adventures,
the beautiful scenery was torn apart.
And yet we liked him well;
We laugh’d with honest
hearts:—
He shock’d some inner spell,
And rous’d discordant
parts.
We echoed what we half abjured:
And hating, smilingly endured.
And yet we liked him a lot;
We laughed with genuine hearts:—
He broke some inner charm,
And stirred up conflicting feelings.
We repeated what we partially rejected:
And while we hated, we smiled and put up with it.
Moreover, could we be
To our dear land disloyal?
And were not also we
Of History’s blood-Royal?
We glow’d to think how donkeys graze
In England, thrilling at their brays.
Moreover, could we be
Disloyal to our beloved land?
And weren't we also
Of History’s noble blood?
We felt a thrill thinking about how donkeys graze
In England, excited by their brays.
For there a man may view
An aspect more sublime
Than Alps against the blue:—
The morning eyes of Time!
The very Ass participates
The glory Freedom radiates!
For there, a person can see
Something more amazing
Than the Alps against the blue:—
The morning gaze of Time!
Even the donkey shares in
The glory that Freedom shines!
p. 236CASSANDRA
I
Captive on a foreign
shore,
Far from Ilion’s hoary wave,
Agamemnon’s bridal slave
Speaks Futurity no more:
Death is busy with her grave.
Captive on a foreign
shore,
Far from Ilion’s ancient wave,
Agamemnon’s wedding slave
Talks of the future no more:
Death is busy with her grave.
II
Thick as water, bursts remote
Round her ears the alien din,
While her little sullen chin
Fills the hollows of her throat:
Silent lie her slaughter’d kin.
Thick as water, bursts remote
Around her ears the strange noise,
While her little pouty chin
Fills the hollows of her throat:
Silent lie her slaughtered kin.
III
Once to many a pealing shriek,
Lo, from Ilion’s topmost tower,
Ilion’s fierce prophetic flower
Cried the coming of the Greek!
Black in Hades sits the hour.
Once to many a loud scream,
Look, from Troy’s highest tower,
Troy’s fierce prophetic flower
Called out the arrival of the Greek!
Dark in Hades sits the hour.
IV
Eyeing phantoms of the Past,
Folded like a prophet’s scroll,
In the deep’s long shoreward roll
Here she sees the anchor cast:
Backward moves her sunless soul.
Eyeing ghosts of the past,
Folded like a prophet’s scroll,
In the deep’s long shoreline roll
Here she sees the anchor drop:
Her sunless soul moves backward.
p. 237V
Chieftains, brethren of her joy,
Shades, the white light in their eyes
Slanting to her lips, arise,
Crowding quick the plains of Troy:
Now they tell her not she lies.
Chieftains, brothers of her joy,
Shadows, the bright light in their eyes
Slanting to her lips, rise,
Quickly gathering on the plains of Troy:
Now they say she doesn’t lie.
VI
O the bliss upon the plains,
Where the joining heroes clashed
Shield and spear, and, unabashed,
Challenged with hot chariot-reins
Gods!—they glimmer ocean-washed.
Oh the joy on the fields,
Where the united heroes fought
Shield and spear, and without shame,
Challenged with fierce chariot reins
Gods!—they shimmered, washed by the ocean.
VII
Alien voices round the ships,
Thick as water, shouting Home.
Argives, pale as midnight foam,
Wax before her awful lips:
White as stars that front the gloom.
Alien voices surround the ships,
Thick as water, shouting "Home."
Argives, pale as midnight foam,
Melt before her terrifying lips:
White as stars that stand against the dark.
VIII
Like a torch-flame that by day
Up the daylight twists, and, pale,
Catches air in leaps that fail,
Crushed by the inveterate ray,
Through her shines the Ten-Years’ Tale.
Like a torch flame that twists up in the daylight,
And, pale,
Tries to catch the air in futile leaps,
Overpowered by the relentless sunlight,
Through her shines the Ten-Years’ Tale.
IX
Once to many a pealing shriek,
Lo, from Ilion’s topmost tower,
Ilion’s fierce prophetic flower
Cried the coming of the Greek!
Black in Hades sits the hour.
Once to many a loud scream,
Look, from Ilium’s highest tower,
Ilium’s fierce prophetic flower
Announced the arrival of the Greek!
Darkness in Hades marks the hour.
p. 238X
Still upon her sunless soul
Gleams the narrow hidden space
Forward, where her fiery race
Falters on its ashen goal:
Still the Future strikes her face.
Still upon her sunless soul
Gleams the narrow hidden space
Forward, where her fiery race
Falter on its ashen goal:
Still the Future strikes her face.
XI
See toward the conqueror’s car
Step the purple Queen whose hate
Wraps red-armed her royal mate
With his Asian tempest-star:
Now Cassandra views her Fate.
See toward the conqueror’s car
Step the purple Queen whose hate
Wraps red-armed her royal mate
With his Asian tempest-star:
Now Cassandra views her Fate.
XII
King of men! the blinded host
Shout:—she lifts her brooding chin:
Glad along the joyous din
Smiles the grand majestic ghost:
Clytemnestra leads him in.
King of men! The blinded crowd
Shouts:—she lifts her thoughtful chin:
Happy amidst the cheerful noise
Smiles the grand majestic spirit:
Clytemnestra brings him in.
XIII
Lo, their smoky limbs aloof,
Shadowing heaven and the seas,
Fates and Furies, tangling Threes,
Tear and mix above the roof:
Fates and fierce Eumenides.
Look, their smoky limbs raised high,
Shading heaven and the seas,
Fates and Furies, tangled Threes,
Tear and blend across the sky:
Fates and fierce Eumenides.
XIV
Is the prophetess with rods
Beaten, that she writhes in air?
With the Gods who never spare,
Wrestling with the unsparing Gods,
Lone, her body struggles there.
Is the prophetess with rods
Beaten, that she twists in the air?
With the Gods who never show mercy,
Wrestling with the relentless Gods,
Alone, her body fights there.
p. 239XV
Like the snaky torch-flame white,
Levelled as aloft it twists,
She, her soaring arms, and wrists
Drooping, struggles with the light,
Helios, bright above all mists!
Like the twisting torch-flame bright,
Lifted high as it sways,
She, her outstretched arms and wrists
Drooping, fights against the light,
Helios, shining above all haze!
XVI
In his orb she sees the tower,
Dusk against its flaming rims,
Where of old her wretched limbs
Twisted with the stolen power:
Ilium all the lustre dims!
In his sphere, she sees the tower,
Twilight against its fiery edges,
Where once her tortured limbs
Twisted with the stolen strength:
Ilium loses all its shine!
XVII
O the bliss upon the plains,
Where the joining heroes clashed
Shield and spear, and, unabashed,
Challenged with hot chariot-reins
Gods!—they glimmer ocean-washed.
Oh, the joy on the fields,
Where the united heroes fought
With shield and spear, and without shame,
Challenged with fiery chariot reins
Gods!—they shine like ocean waves.
XVIII
Thrice the Sun-god’s name she calls;
Shrieks the deed that shames the sky;
Like a fountain leaping high,
Falling as a fountain falls:
Lo, the blazing wheels go by!
Three times she calls the Sun-god's name;
The screams of the act that shames the sky;
Like a fountain shooting up,
Falling just like a fountain does:
Look, the blazing wheels roll by!
XIX
Captive on a foreign shore,
Far from Ilion’s hoary wave,
Agamemnon’s bridal slave
Speaks Futurity no more:
Death is busy with her grave.
Captive on a foreign shore,
Far from Ilion’s ancient wave,
Agamemnon’s bride-to-be
No longer speaks of the future:
Death is busy with her grave.
p. 240THE YOUNG USURPER
On
my darling’s bosom
Has dropped a living rosy bud,
Fair as brilliant Hesper
Against the brimming flood.
She handles him,
She dandles him,
She fondles him and eyes him:
And if upon a tear he wakes,
With many a kiss she dries him:
She covets every move he makes,
And never enough can prize him.
Ah, the young Usurper!
I yield my golden throne:
Such angel bands attend his hands
To claim it for his own.
On
my sweetheart’s chest
Has fallen a living rosy bud,
Beautiful as radiant Hesper
Against the overflowing flood.
She holds him,
She rocks him,
She caresses him and watches him:
And if he wakes with a tear,
With many kisses she dries him:
She treasures every move he makes,
And can never appreciate him enough.
Ah, the young Usurper!
I give up my golden throne:
Such angelic hands surround his hands
To claim it for his own.
p. 241MARGARET’S BRIDAL EVE
I
The old grey mother
she thrummed on her knee:
There is a rose that’s ready;
And which of the handsome young men shall it be?
There’s a rose that’s ready for
clipping.
The old gray mother
she tapped on her knee:
There's a rose that's ready;
And which of the handsome young men will it be?
There's a rose that's ready for picking.
My daughter, come hither, come hither to me:
There is a rose that’s ready;
Come, point me your finger on him that you see:
There’s a rose that’s ready for
clipping.
My daughter, come here, come here to me:
There’s a rose that’s ready;
Come, show me with your finger the one that you see:
There’s a rose that’s ready for
picking.
O mother, my mother, it never can be:
There is a rose that’s ready;
For I shall bring shame on the man marries me:
There’s a rose that’s ready for
clipping.
O mother, my mother, it can never be:
There’s a rose that’s ready;
For I will bring shame to the man who marries me:
There’s a rose that’s ready for
clipping.
Now let your tongue be deep as the sea:
There is a rose that’s ready;
And the man’ll jump for you, right briskly will he:
There’s a rose that’s ready for
clipping.
Now let your tongue be as deep as the sea:
There's a rose that's ready;
And the man will jump for you, he'll move quickly:
There's a rose that's ready for
picking.
Tall Margaret wept bitterly:
There is a rose that’s ready;
And as her parent bade did she:
There’s a rose that’s ready for
clipping.
Tall Margaret cried hard:
There’s a rose that’s ready;
And as her parent instructed, she did:
There’s a rose that’s ready for
clipping.
O the handsome young man dropped down on his
knee:
There is a rose that’s ready;
Pale Margaret gave him her hand, woe’s me!
There’s a rose that’s ready for
clipping.
O the handsome young man dropped down on his knee:
There's a rose that's ready;
Pale Margaret gave him her hand, oh no!
There's a rose that's ready for clipping.
p. 242II
O mother, my mother, this thing I must say:
There is a rose in the garden;
Ere he lies on the breast where that other lay:
And the bird sings over the roses.
O mother, my mother, I have to say this:
There’s a rose in the garden;
Before he lies on the breast where that other lay:
And the bird sings over the roses.
Now, folly, my daughter, for men are men:
There is a rose in the garden;
You marry them blindfold, I tell you again:
And the bird sings over the roses.
Now, my daughter, listen up, because men are just men:
There's a rose in the garden;
You marry them without seeing, I'm telling you again:
And the bird sings over the roses.
O mother, but when he kisses me!
There is a rose in the garden;
My child, ’tis which shall sweetest be!
And the bird sings over the roses.
O mother, but when he kisses me!
There is a rose in the garden;
My child, it’s the sweetest of them all!
And the bird sings over the roses.
O mother, but when I awake in the morn!
There is a rose in the garden;
My child, you are his, and the ring is worn:
And the bird sings over the roses.
O mother, but when I wake up in the morning!
There’s a rose in the garden;
My child, you belong to him, and the ring is worn:
And the bird sings over the roses.
Tall Margaret sighed and loosened a tress:
There is a rose in the garden;
Poor comfort she had of her comeliness
And the bird sings over the roses.
Tall Margaret sighed and loosened a lock of hair:
There's a rose in the garden;
She found little comfort in her beauty
And the bird sings over the roses.
My mother will sink if this thing be said:
There is a rose in the garden;
That my first betrothed came thrice to my bed;
And the bird sings over the roses.
My mom will be devastated if this is said:
There is a rose in the garden;
That my first fiancé came to my bed three times;
And the bird sings over the roses.
He died on my shoulder the third cold night:
There is a rose in the garden;
I dragged his body all through the moonlight:
And the bird sings over the roses.
He died on my shoulder the third cold night:
There is a rose in the garden;
I dragged his body all through the moonlight:
And the bird sings over the roses.
O neither to heaven, nor yet to hell:
There is a rose in the garden;
Could I follow the lover I loved so well!
And the bird sings over the roses.
O neither to heaven, nor yet to hell:
There is a rose in the garden;
Could I follow the lover I loved so much!
And the bird sings over the roses.
III
The bridesmaids slept in their chambers
apart:
There is a rose that’s ready;
Tall Margaret walked with her thumping heart:
There’s a rose that’s ready for
clipping.
The bridesmaids slept in their rooms apart:
There is a rose that’s ready;
Tall Margaret walked with her pounding heart:
There’s a rose that’s ready for
clipping.
The frill of her nightgown below the left
breast:
There is a rose that’s ready;
Had fall’n like a cloud of the moonlighted West:
There’s a rose that’s ready for
clipping.
The frill of her nightgown below the left breast:
There is a rose that’s ready;
Had fallen like a cloud from the moonlit West:
There’s a rose that’s ready for clipping.
But where the West-cloud breaks to a star:
There is a rose that’s ready;
Pale Margaret’s breast showed a winding scar:
There’s a rose that’s ready for
clipping.
But where the western clouds part for a star:
There’s a rose that’s ready;
Pale Margaret’s chest revealed a twisting scar:
There’s a rose that’s ready for
picking.
O few are the brides with such a sign!
There is a rose that’s ready;
Though I went mad the fault was mine:
There’s a rose that’s ready for
clipping.
O few are the brides with such a sign!
There is a rose that’s ready;
Though I went crazy, the fault was mine:
There’s a rose that’s ready for
picking.
I must speak to him under this roof
to-night:
There is a rose that’s ready;
I shall burn to death if I speak in the light:
There’s a rose that’s ready for
clipping.
I need to talk to him under this roof tonight:
There's a rose that's ready;
I'll burn up if I speak in the light:
There's a rose that's ready for clipping.
I will stab my honour under his eye:
There is a rose that’s ready;
Though I bleed to the death, I shall let out the lie:
There’s a rose that’s ready for
clipping.
I will stab my honor right in front of him:
There’s a rose that’s ready;
Even if I bleed to death, I will reveal the truth:
There’s a rose that’s ready for clipping.
O happy my bridesmaids! white sleep is with
you!
There is a rose that’s ready;
Had he chosen among you he might sleep too!
There’s a rose that’s ready for
clipping.
O happy my bridesmaids! peaceful sleep is with you!
There is a rose that’s ready;
If he had picked one of you, he might be sleeping too!
There’s a rose that’s ready for clipping.
O happy my bridesmaids! your breasts are
clean:
There is a rose that’s ready;
You carry no mark of what has been!
There’s a rose that’s ready for
clipping.
O happy my bridesmaids! Your chests are clean:
There’s a rose that’s ready;
You bear no sign of what has been!
There’s a rose that’s ready for clipping.
IV
An hour before the chilly beam:
Red rose and white in the garden;
The bridegroom started out of a dream:
And the bird sings over the roses.
An hour before the cold light:
Red rose and white in the garden;
The groom woke up from a dream:
And the bird sings over the roses.
He went to the door, and there espied:
Red rose and white in the garden;
The figure of his silent bride:
And the bird sings over the roses.
He went to the door and saw:
Red rose and white in the garden;
The silhouette of his quiet bride:
And the bird sings over the roses.
He went to the door, and let her in:
Red rose and white in the garden;
Whiter looked she than a child of sin:
And the bird sings over the roses.
He went to the door and let her in:
Red rose and white in the garden;
She looked whiter than a child of sin:
And the bird sings over the roses.
He fell at her feet with love and awe:
Red rose and white in the garden;
A stainless body of light he saw:
And the bird sings over the roses.
He fell at her feet with love and admiration:
Red rose and white in the garden;
A pure body of light he saw:
And the bird sings over the roses.
O Margaret, say you are not of the dead!
Red rose and white in the garden;
My bride! by the angels at night are you led?
And the bird sings over the roses.
O Margaret, please say you're not one of the dead!
Red rose and white in the garden;
My bride! Are you led by the angels at night?
And the bird sings over the roses.
I am not led by the angels about:
Red rose and white in the garden;
But I have a devil within to let out:
And the bird sings over the roses.
I’m not guided by angels:
Red rose and white in the garden;
But I have a devil inside that wants to escape:
And the bird sings over the roses.
O Margaret! my bride and saint!
Red rose and white in the garden;
There is on you no earthly taint:
And the bird sings over the roses.
O Margaret! my wife and saint!
Red rose and white in the garden;
There is nothing earthly about you:
And the bird sings over the roses.
I am no saint, and no bride can I be:
Red rose and while in the garden;
Until I have opened my bosom to thee:
And the bird sings over the roses.
I’m no saint, and I can’t be a bride:
Red rose and white in the garden;
Until I’ve opened my heart to you:
And the bird sings over the roses.
To catch at her heart she laid one hand:
Red rose and white in the garden;
She told the tale where she did stand:
And the bird sings over the roses.
To reach her heart, she placed one hand:
Red rose and white in the garden;
She shared the story of where she stood:
And the bird sings over the roses.
She saw how her body grow freckled and foul:
Red rose and white in the garden;
She heard from the woods the hooting owl:
And the bird sings over the roses.
She noticed how her skin became speckled and unpleasant:
Red rose and white in the garden;
She heard the owl hooting from the woods:
And the bird sings over the roses.
With never a quiver her mouth did speak:
Red rose and white in the garden;
O when she had done she stood so meek!
And the bird sings over the roses.
With never a shake, her mouth spoke:
Red rose and white in the garden;
Oh, when she finished, she stood so humble!
And the bird sings over the roses.
The bridegroom stamped and called her vile:
Red rose and white in the garden;
He did but waken a little smile:
And the bird sings over the roses.
The groom stomped and called her terrible:
Red rose and white in the garden;
He only managed to stir a slight smile:
And the bird sings over the roses.
The bridegroom raged and called her foul:
Red rose and white in the garden;
She heard from the woods the hooting owl:
And the bird sings over the roses.
The groom yelled angrily and insulted her:
Red rose and white in the garden;
She heard the hooting owl from the woods:
And the bird sings over the roses.
He muttered a name full bitter and sore:
Red rose and white in the garden;
She fell in a lump on the still dead floor:
And the bird sings over the roses.
He whispered a name filled with bitterness and pain:
Red rose and white in the garden;
She collapsed onto the still, lifeless floor:
And the bird sings over the roses.
O great was the wonder, and loud the wail:
Red rose and white in the garden;
When through the household flew the tale:
And the bird sings over the roses.
O great was the wonder, and loud the wail:
Red rose and white in the garden;
When through the household spread the news:
And the bird sings over the roses.
O had you but done as I bade you, my child!
Red rose and white in the garden;
You would not have died and been reviled:
And the bird sings over the roses.
O if you had just done as I asked you, my child!
Red rose and white in the garden;
You wouldn’t have died and been scorned:
And the bird sings over the roses.
The bridegroom he hung at midnight by the
bier:
Red rose and white in the garden;
He eyed the white girl thro’ a dazzling tear:
And the bird sings over the roses.
The groom hung at midnight by the bier:
Red rose and white in the garden;
He looked at the white girl through a bright tear:
And the bird sings over the roses.
O had you been false as the women who stray:
Red rose and white in the garden;
You would not be now with the Angels of Day!
And the bird sings over the roses.
O if you had been unfaithful like the women who wander:
Red rose and white in the garden;
You wouldn't be here now with the Angels of Day!
And the bird sings over the roses.
p. 248MARIAN
I
She can be as wise
as we,
And wiser when she wishes;
She can knit with cunning wit,
And dress the homely dishes.
She can flourish staff or pen,
And deal a wound that lingers;
She can talk the talk of men,
And touch with thrilling fingers.
She can be as wise
as we,
And smarter when she wants;
She can weave with cleverness,
And make simple meals appealing.
She can wield a staff or a pen,
And inflict a wound that lasts;
She can chat like men do,
And touch with electrifying fingers.
II
Match her ye across the sea,
Natures fond and fiery;
Ye who zest the turtle’s nest
With the eagle’s eyrie.
Soft and loving is her soul,
Swift and lofty soaring;
Mixing with its dove-like dole
Passionate adoring.
Match her you across the sea,
Nature's fond and fiery;
You who enjoy the turtle’s nest
With the eagle’s eyrie.
Soft and loving is her soul,
Swift and high soaring;
Mixing with its dove-like sorrow
Passionate adoring.
III
Such a she who’ll match with me?
In flying or pursuing,
Subtle wiles are in her smiles
To set the world a-wooing.
She is steadfast as a star,
And yet the maddest maiden:
She can wage a gallant war,
And give the peace of Eden.
Who is the one that could be a match for me?
In chasing or being chased,
Clever tricks are in her smiles
To entice the world into love.
She is as reliable as a star,
And yet the wildest young woman:
She can fight a noble battle,
And offer the serenity of paradise.
p. 249BY MORNING TWILIGHT
Night, like a dying mother,
Eyes her young offspring, Day.
The birds are dreamily piping.
And O, my love, my darling!
The night is life ebb’d
away:
Away beyond our reach!
A sea that has cast us pale on the beach;
Weeds with the weeds and the pebbles
That hear the lone tamarisk rooted in sand
Sway
With the song of the sea to the land.
Nighttime, like a fading mother,
Watches her young child, Day.
The birds are singing dreamily.
And oh, my love, my sweetheart!
The night is life slipped
Away:
Beyond our reach!
A sea that has left us pale on the shore;
Weeds with the weeds and the stones
That listen to the lonely tamarisk rooted in sand
Sway
To the song of the sea on the land.
UNKNOWN FAIR FACES
Though I am faithful
to my loves lived through,
And place them among Memory’s great stars,
Where burns a face like Hesper: one like Mars:
Of visages I get a moment’s view,
Sweet eyes that in the heaven of me, too,
Ascend, tho’ virgin to my life they passed.
Lo, these within my destiny seem glassed
At times so bright, I wish that Hope were new.
A gracious freckled lady, tall and grave,
Went, in a shawl voluminous and white,
Last sunset by; and going sow’d a glance.
Earth is too poor to hold a second chance;
I will not ask for more than Fortune gave:
My heart she goes from—never from my sight!
Even though I stay true to the loves I’ve experienced,
And place them among Memory’s shining stars,
Where a face shines like Hesper: one like Mars:
I catch a fleeting glimpse of those faces,
Sweet eyes that rise in my heart, too,
Even though they passed through my life untouched.
Look, these seem to be reflected in my fate,
At times so bright, I wish Hope were new.
A graceful, freckled lady, tall and serious,
Walked by in a flowing white shawl
At the last sunset; and as she passed, she cast a glance.
Earth is too limited to offer a second chance;
I won't ask for more than what Fortune provided:
My heart moves away from her—never from my sight!
p. 250SHEMSELNIHAR
O my lover! the
night like a broad smooth wave
Bears us onward, and morn, a black rock, shines
wet.
How I shuddered—I knew not that I was a slave,
Till I looked on thy face:—then I writhed in
the net.
Then I felt like a thing caught by fire, that her star
Glowed dark on the bosom of Shemselnihar.
O my lover! The night feels like a smooth wave,
Carrying us forward, and morning, a dark rock, sparkles
wet.
How I shuddered—I didn’t realize I was trapped,
Until I saw your face:—then I squirmed in the net.
Then I felt like something on fire, as her star
Shone dimly on the chest of Shemselnihar.
And he came, whose I am: O my lover! he
came:
And his slave, still so envied of women, was I:
And I turned as a hissing leaf spits from the flame,
Yes, I shrivelled to dust from him, haggard and
dry.
O forgive her:—she was but as dead lilies are:
The life of her heart fled from Shemselnihar.
And he came, the one I belong to: Oh my love! he came:
And I, still so desired by women, was his servant:
And I turned away like a leaf hissing as it escapes the fire,
Yes, I withered away to dust from him, worn and dry.
Oh forgive her:—she was just like dead lilies:
The life of her heart had vanished from Shemselnihar.
Yet with thee like a full throbbing rose how I
bloom!
Like a rose by the fountain whose showering we
hear,
As we lie, O my lover! in this rich gloom,
Smelling faint the cool breath of the lemon-groves
near.
As we lie gazing out on that glowing great star—
Ah! dark on the bosom of Shemselnihar.
Yet with you, like a fully blossomed rose, how I flourish!
Like a rose by the fountain whose water we hear,
As we lie, oh my love! in this lovely darkness,
Breathing in the subtle scent of the nearby lemon groves.
As we lie gazing out at that bright, shining star—
Ah! dark against the sky of Shemselnihar.
Yet with thee am I not as an arm of the
vine,
Firm to bind thee, to cherish thee, feed thee
sweet?
Swear an oath on my lip to let none disentwine
The life that here fawns to give warmth to thy
feet.
I on thine, thus! no more shall that jewelled Head jar
The music thou breathest on Shemselnihar.
Yet with you, I am not like a branch of the vine,
Strong to tie you, to care for you, to nourish you sweetly?
Swear an oath on my lips to let no one untangle
The life that here seeks to give warmth to your feet.
I on yours, like this! No more shall that jeweled Head disrupt
The music you breathe on Shemselnihar.
p.
251Far away, far away, where the wandering scents
Of all flowers are sweetest, white mountains
among,
There my kindred abide in their green and blue tents:
Bear me to them, my lover! they lost me so young.
Let us slip down the stream and leap steed till afar
None question thy claim upon Shemselnihar.
p. 251Far away, far away, where the wandering scents
Of all flowers are sweetest, white mountains among,
There my family lives in their green and blue tents:
Take me to them, my love! they lost me so young.
Let’s drift down the stream and leap on horseback until we're far
No one questions your claim on Shemselnihar.
O that long note the bulbul gave
out—meaning love!
O my lover, hark to him and think it my voice!
The blue night like a great bell-flower from above
Drooping low and gold-eyed: O, but hear him
rejoice!
Can it be? ’twas a flash! that accurst
scimitàr
In thought even cuts thee from Shemselnihar.
O that long note the nightingale sang—meaning love!
O my lover, listen to him and think it's my voice!
The blue night like a giant bellflower from above
Drooping low and glowing: O, but hear him rejoice!
Could it be? It was a flash! that cursed
scimitar
In thought even separates you from Shemselnihar.
Yes, I would that, less generous, he would
oppress,
He would chain me, upbraid me, burn deep brands for
hate,
Than with this mask of freedom and gorgeousness
Bespangle my slavery, mock my strange fate.
Would, would, would, O my lover, he knew—dared debar
Thy coming, and earn curse of Shemselnihar!
Yes, I would prefer that, less generous, he would
oppress,
He would chain me, scold me, burn deep marks for
hate,
Than with this mask of freedom and beauty
Decorate my slavery, mock my strange fate.
Would, would, would, O my lover, he knew—dared to prevent
Your coming, and earn the curse of Shemselnihar!
p. 252A ROAR THROUGH THE TALL TWIN ELM-TREES
A roar thro’
the tall twin elm-trees
The mustering storm betrayed:
The South-wind seized the willow
That over the water swayed.
A roar through the tall twin elm trees
The gathering storm revealed:
The South wind grabbed the willow
That swayed over the water.
Then fell the steady deluge
In which I strove to doze,
Hearing all night at my window
The knock of the winter rose.
Then came the constant downpour
As I tried to sleep,
Listening all night at my window
To the knock of the winter rose.
The rainy rose of winter!
An outcast it must pine.
And from thy bosom outcast
Am I, dear lady mine.
The rainy rose of winter!
An outsider it must long for.
And from your heart, an outsider
Am I, my dear lady.
WHEN I WOULD IMAGE
When I would image
her features,
Comes up a shrouded head:
I touch the outlines, shrinking;
She seems of the wandering dead.
When I picture her face,
A mysterious figure appears:
I trace the contours, shrinking;
She looks like one of the lost souls.
But when love asks for nothing,
And lies on his bed of snow,
The face slips under my eyelids,
All in its living glow.
But when love wants nothing,
And rests on its bed of snow,
The face slips beneath my eyelids,
All in its vibrant glow.
Like a dark cathedral city,
Whose spires, and domes, and towers
Quiver in violet lightnings,
My soul basks on for hours.
Like a dark cathedral city,
Whose spires, and domes, and towers
Shimmer in violet lightning,
My soul soaks it in for hours.
p. 253THE SPIRIT OF SHAKESPEARE
Thy greatest knew
thee, Mother Earth; unsoured
He knew thy sons. He probed from hell to hell
Of human passions, but of love deflowered
His wisdom was not, for he knew thee well.
Thence came the honeyed corner at his lips,
The conquering smile wherein his spirit sails
Calm as the God who the white sea-wave whips,
Yet full of speech and intershifting tales,
Close mirrors of us: thence had he the laugh
We feel is thine: broad as ten thousand beeves
At pasture! thence thy songs, that winnow chaff
From grain, bid sick Philosophy’s last leaves
Whirl, if they have no response—they enforced
To fatten Earth when from her soul divorced.
Your greatest knew
you, Mother Earth; unspoiled
He understood your children. He explored from hell to hell
Of human emotions, but his understanding of love was lacking
For he knew you well.
From that came the sweet corner of his lips,
The triumphant smile in which his spirit flows
Calm as the God who stirs the white sea-wave,
Yet full of words and ever-changing stories,
True reflections of us: from that he got the laugh
We feel is yours: wide as ten thousand cattle
At pasture! from you came your songs, which sift
The chaff from the grain, urging sick Philosophy’s last leaves
To swirl, if they remain unresponsive—they worked
To nourish Earth when separated from her soul.
CONTINUED
How smiles he at a
generation ranked
In gloomy noddings over life! They pass.
Not he to feed upon a breast unthanked,
Or eye a beauteous face in a cracked glass.
But he can spy that little twist of brain
Which moved some weighty leader of the blind,
Unwitting ’twas the goad of personal pain,
To view in curst eclipse our Mother’s mind,
And show us of some rigid harridan
The wretched bondmen till the end of time.
O lived the Master now to paint us Man,
That little twist of brain would ring a chime
Of whence it came and what it caused, to start
Thunders of laughter, clearing air and heart.
How he smiles at a generation that's
Wrapped up in gloomy thoughts about life! They pass by.
He's not one to thrive on gratitude,
Or to look at a beautiful face in a cracked mirror.
But he can see that small twist of the mind
That drove some powerful leader of the blind,
Unaware it was his own personal pain,
To see our Mother’s mind clouded in darkness,
And show us the unfortunate slaves of a stern woman
Until the end of time.
Oh, if the Master were alive now to depict Man,
That twist of the mind would sound a bell
Of where it came from and what it led to, sparking
Peals of laughter, clearing the air and the heart.
p. 254ODE TO THE SPIRIT OF EARTH IN AUTUMN
Fair Mother Earth
lay on her back last night,
To gaze her fill on Autumn’s sunset skies,
When at a waving of the fallen light
Sprang realms of rosy fruitage o’er her eyes.
A lustrous heavenly orchard hung the West,
Wherein the blood of Eden bloomed again:
Red were the myriad cherub-mouths that pressed,
Among the clusters, rich with song, full fain,
But dumb, because that overmastering spell
Of rapture held them dumb: then, here and there,
A golden harp lost strings; a crimson shell
Burnt grey; and sheaves of lustre fell to air.
The illimitable eagerness of hue
Bronzed, and the beamy winged bloom that flew
’Mid those bunched fruits and thronging figures failed.
A green-edged lake of saffron touched the blue,
With isles of fireless purple lying through:
And Fancy on that lake to seek lost treasures sailed.
Fair Mother Earth
was lying on her back last night,
Taking in the stunning Autumn sunset skies,
When, with a wave of the fading light,
Vast fields of rosy fruit appeared before her eyes.
A beautiful, shining orchard hung in the West,
Where the blood of Eden bloomed once more:
Red were the countless cherub faces that pressed,
Among the clusters, rich with song, eager to soar,
But silent, because that overwhelming spell
Of joy kept them quiet: then, here and there,
A golden harp lost its strings; a crimson shell
Turned grey; and bundles of light fell into the air.
The endless eagerness of color
Bronzed, and the radiant blossoms that flew
Among those grouped fruits and gathering figures disappeared.
A green-edged lake of saffron met the blue,
With islands of dull purple scattered through:
And Imagination set sail on that lake to search for lost treasures.
Not long
the silence followed:
The voice that issues from thy breast,
O glorious South-west,
Along the gloom-horizon holloa’d;
Warning the valleys with a mellow roar
Through flapping wings; then sharp the woodland bore
A shudder and a noise of hands:
A thousand horns from some far vale
In ambush sounding on the gale.
Forth from the cloven sky came bands
p. 255Of
revel-gathering spirits; trooping down,
Some rode the tree-tops; some on torn cloud-strips
Burst screaming thro’ the lighted town:
And scudding seaward, some fell on big ships:
Or mounting the sea-horses blew
Bright foam-flakes on the black review
Of heaving hulls and burying beaks.
Not long after, the silence ended:
The voice that comes from your heart,
O glorious South-west,
Echoed across the dark horizon;
Warning the valleys with a smooth roar
Through flapping wings; then sharply the woods
Shuddered with the sound of hands:
A thousand horns from some distant valley
Hidden in the wind.
Out from the split sky came groups
p. 255Of festive spirits; streaming down,
Some rode the treetops; some on torn clouds
Burst through the lit town with screams:
And racing to the sea, some landed on big ships:
Or riding the waves, they blew
Bright foam against the dark surface
Of heaving hulls and plunging bows.
Still on the farthest line, with outpuffed
cheeks,
’Twixt dark and utter dark, the great wind drew
From heaven that disenchanted harmony
To join earth’s laughter in the midnight blind:
Booming a distant chorus to the shrieks
Preluding him: then he,
His mantle streaming thunderingly behind,
Across the yellow realm of stiffened Day,
Shot thro’ the woodland alleys signals three;
And with the pressure of a sea
Plunged broad upon the vale that under lay.
Still on the farthest line, with puffed-out cheeks,
Between dark and total darkness, the great wind pulled
From heaven that disenchanted harmony
To join earth’s laughter in the blind midnight:
Booming a distant chorus to the screams
Preceding him: then he,
His cloak streaming thunderously behind,
Across the yellow realm of stiffened Day,
Shot through the woodland paths three signals;
And with the force of a sea
Plunged heavily onto the valley below.
Night on the rolling foliage
fell:
But I, who love old hymning night,
And know the Dryad voices well,
Discerned them as their leaves took flight,
Like souls to wander after death:
Great armies in imperial dyes,
And mad to tread the air and rise,
The savage freedom of the skies
To taste before they rot. And here,
Like frail white-bodied girls in fear,
The birches swung from shrieks to sighs;
The aspens, laughers at a breath,
In showering spray-falls mixed their cries,
Or raked a savage ocean-strand
p.
256With one incessant drowning screech.
Here stood a solitary beech,
That gave its gold with open hand,
And all its branches, toning chill,
Did seem to shut their teeth right fast,
To shriek more mercilessly shrill,
And match the fierceness of the blast.
Night fell on the rolling leaves:
But I, who love the singing night,
And know the Dryad voices well,
Caught their sound as their leaves took flight,
Like souls wandering after death:
Great armies in royal colors,
Eager to tread the air and rise,
The wild freedom of the skies
To savor before they decay. And here,
Like delicate white-bodied girls in fear,
The birches swung from screams to sighs;
The aspens, laughing at a breath,
Mixed their cries in showering spray-falls,
Or raked a savage ocean shore
p. 256With one endless drowning scream.
Here stood a solitary beech,
That offered its gold with open hand,
And all its branches, chilling to the touch,
Seemed to clench their teeth tight,
To echo more mercilessly shrill,
Matching the fierceness of the wind.
But heard I a low swell that
noised
Of far-off ocean, I was ’ware
Of pines upon their wide roots poised,
Whom never madness in the air
Can draw to more than loftier stress
Of mournfulness, not mournfulness
For melancholy, but Joy’s excess,
That singing on the lap of sorrow faints:
And Peace, as in the hearts of saints
Who chant unto the Lord their God;
Deep Peace below upon the muffled sod,
The stillness of the sea’s unswaying floor,
Could I be sole there not to see
The life within the life awake;
The spirit bursting from the tree,
And rising from the troubled lake?
Pour, let the wines of Heaven pour!
The Golden Harp is struck once more,
And all its music is for me!
Pour, let the wines of Heaven pour!
And, ho, for a night of Pagan glee!
But when I heard a soft swell that
Whispered of the distant ocean, I was aware
Of pines resting on their wide roots,
Never swayed by madness in the air
To rise more than into a heightened feeling
Of sadness, not sadness
For sorrow, but Joy's overflow,
That sings while resting on the lap of grief:
And Peace, like in the hearts of saints
Who sing to the Lord their God;
Deep Peace beneath the quiet earth,
The stillness of the sea’s steady floor,
Could I be alone there not to notice
The life awakening within life;
The spirit breaking free from the tree,
And rising from the restless lake?
Pour, let the wines of Heaven flow!
The Golden Harp is played once more,
And all its music is for me!
Pour, let the wines of Heaven flow!
And, hey, for a night of Pagan joy!
There is a
curtain o’er us.
For once, good souls, we’ll not pretend
To be aught better than her who bore us,
And is our only visible friend.
Hark to her laughter! who laughs like this,
p.
257Can she be dead, or rooted in pain?
She has been slain by the narrow brain,
But for us who love her she lives again.
Can she die? O, take her
kiss!
There’s a curtain over us.
For once, good people, let’s not pretend
To be any better than the one who gave us life,
And is our only visible friend.
Listen to her laughter! Who laughs like this,
p. 257Can she be dead, or stuck in pain?
She has been killed by a narrow mind,
But for those of us who love her, she lives on.
Can she really die? O, take her kiss!
The crimson-footed nymph is panting up the
glade,
With the wine-jar at her arm-pit, and the drunken ivy-braid
Round her forehead, breasts, and thighs: starts a Satyr, and they
speed:
Hear the crushing of the leaves: hear the cracking of the
bough!
And the whistling of the bramble, the piping of the weed!
The red-footed nymph is catching her breath in the glade,
With a wine jar tucked under her arm, and a drunken ivy braid
Around her forehead, chest, and thighs: a Satyr suddenly appears, and they rush off:
Listen to the crunching of the leaves: listen to the snapping of the
branches!
And the whistling of the bramble, the piping of the weed!
But the bull-voiced oak is
battling now:
The storm has seized him half-asleep,
And round him the wild woodland throngs
To hear the fury of his songs,
The uproar of an outraged deep.
He wakes to find a wrestling giant
Trunk to trunk and limb to limb,
And on his rooted force reliant
He laughs and grasps the broadened giant,
And twist and roll the Anakim;
And multitudes, acclaiming to the cloud,
Cry which is breaking, which is bowed.
But the loud oak is fighting now:
The storm has caught him half-asleep,
And around him the wild woodland gathers
To witness the power of his songs,
The chaos of an angry deep.
He wakes to find a wrestling giant
Trunk to trunk and limb to limb,
And relying on his strong roots
He laughs and grabs the larger giant,
And twists and rolls the Anakim;
And crowds, cheering to the clouds,
Shout which is breaking, which is bowed.
Away, for the cymbals clash
aloft
In the circles of pine, on the moss-floor soft.
The nymphs of the woodland are gathering there.
They huddle the leaves, and trample, and toss;
They swing in the branches, they roll in the
moss,
They blow the seed on the air.
Back to back they stand and blow
The winged seed on the cradling air,
A fountain of leaves over bosom and back.
Away, for the cymbals clash
aloft
In the circles of pine, on the soft moss floor.
The woodland nymphs are gathering there.
They gather the leaves, stomp, and toss;
They swing in the branches, roll in the moss,
They blow the seeds into the air.
Back to back they stand and blow
The winged seeds into the cradling air,
A fountain of leaves over bosom and back.
A star has nodded through
The depths of the flying blue.
Time only to plant the light
Of a memory in the blindness.
But time to show me the sight
Of my life thro’ the curtain of night;
Shining a moment, and mixed
With the onward-hurrying stream,
Whose pressure is darkness to me;
Behind the curtain, fixed,
Beams with endless beam
That star on the changing sea.
A star has blinked through
The depths of the endless blue.
Just enough time to plant the light
Of a memory in the darkness.
But time to show me the view
Of my life through the curtain of night;
Shining for a moment, and mingled
With the rushing stream,
Whose force feels like darkness to me;
Behind the curtain, steady,
Shines with endless light
That star on the shifting sea.
Great Mother Nature! teach me, like thee,
To kiss the season and shun regrets.
And am I more than the mother who bore,
Mock me not with thy harmony!
Teach me to blot regrets,
Great Mother! me inspire
With faith that forward sets
But feeds the living fire,
Faith that never frets
For vagueness in the form.
In life, O keep me warm!
For, what is human grief?
And what do men desire?
Teach me to feel myself the tree,
And not the withered leaf.
Fixed am I and await the dark to-be
p.
259And O, green bounteous Earth!
Bacchante Mother! stern to those
Who live not in thy heart of mirth;
Death shall I shrink from, loving thee?
Into the breast that gives the rose,
Shall I with shuddering fall?
Great Mother Nature! Teach me, like you,
To embrace the season and avoid regrets.
And am I more than the mother who gave birth,
Don’t tease me with your harmony!
Teach me to erase regrets,
Great Mother! Inspire me
With faith that propels me forward
But nourishes the living fire,
Faith that never worries
About uncertainty in form.
In life, O keep me warm!
For, what is human sorrow?
And what do people desire?
Teach me to feel like the tree,
And not the withered leaf.
I am anchored and await the darkness to come
p. 259And O, lush bounteous Earth!
Bacchante Mother! Harsh to those
Who don’t live in your joyful heart;
Should I fear death, loving you?
Into the embrace that gives the rose,
Shall I fall with a shudder?
Earth, the mother of all,
Moves on her stedfast way,
Gathering, flinging, sowing.
Mortals, we live in her day,
She in her children is growing.
Earth, the mother of everything,
Moves steadily along her path,
Collecting, throwing, planting.
Us mortals, we exist in her time,
She is growing within her children.
She can lead us, only she,
Unto God’s footstool, whither she reaches:
Loved, enjoyed, her gifts must be,
Reverenced the truths she teaches,
Ere a man may hope that he
Ever can attain the glee
Of things without a destiny!
She can guide us, only she,
To God's footstool, where she reaches:
Loved, cherished, her gifts must be,
Respected the truths she teaches,
Before a man can ever dream
That he
Can truly experience the joy
Of things without a purpose!
She knows not loss:
She feels but her need,
Who the winged seed
With the leaf doth toss.
She doesn't know loss:
She only feels her need,
Who the winged seed
With the leaf does toss.
And may not men to this attain?
That the joy of motion, the rapture of being,
Shall throw strong light when our season is fleeing,
Nor quicken aged blood in vain,
At the gates of the vault, on the verge of the plain?
Life thoroughly lived is a fact in the brain,
While eyes are left for seeing.
p. 260Behold,
in yon stripped Autumn, shivering grey,
Earth knows no desolation.
She smells regeneration
In the moist breath of decay.
And can men not achieve this?
That the joy of movement, the thrill of existence,
Will shine brightly as our time runs out,
Nor awaken old blood for nothing,
At the gates of the grave, on the edge of the field?
A life fully lived is a truth in the mind,
While there are still eyes to see.
p. 260Look,
in this bare Autumn, shivering and gray,
The Earth knows no despair.
She senses rebirth
In the damp breath of decay.
Prophetic of the coming joy and strife,
Like the wild western war-chief sinking
Calm to the end he eyes unblinking,
Her voice is jubilant in ebbing life.
Prophetic of the joy and struggles to come,
Like the wild western war chief sinking
Calm until the end, he looks unblinking,
Her voice is joyful in fading life.
He for his happy
hunting-fields
Forgets the droning chant, and yields
His numbered breaths to exultation
In the proud anticipation:
Shouting the glories of his nation,
Shouting the grandeur of his race,
Shouting his own great deeds of daring:
And when at last death grasps his face,
And stiffened on the ground in peace
He lies with all his painted terrors glaring;
Hushed are the tribe to hear a threading cry:
Not from the dead man;
Not from the standers-by:
The spirit of the red man
Is welcomed by his fathers up on high.
He, in his joyous hunting grounds
Forgets the buzzing chant and surrenders
His numbered breaths to celebration
In proud anticipation:
Yelling the glories of his nation,
Yelling the greatness of his people,
Yelling his own brave acts of courage:
And when at last death grips his face,
And he lies still on the ground in peace,
He remains with all his painted fears glaring;
Silence falls over the tribe to hear a distant cry:
Not from the dead man;
Not from those standing by:
The spirit of the native man
Is welcomed by his ancestors above.
p. 261MARTIN’S PUZZLE
I
There she goes up
the street with her book in her hand,
And her Good morning, Martin! Ay, lass, how
d’ye do?
Very well, thank you, Martin!—I can’t understand!
I might just as well never have cobbled a shoe!
I can’t understand it. She talks like a song;
Her voice takes your ear like the ring of a
glass;
She seems to give gladness while limping along,
Yet sinner ne’er suffer’d like that
little lass.
There she walks up the street with her book in hand,
And her Good morning, Martin! Oh, girl, how are you?
Very well, thank you, Martin!—I just can’t get it!
I might as well never have made a shoe!
I can’t figure it out. She talks like a song;
Her voice catches your attention like the chime of a glass;
She seems to spread joy while limping along,
Yet no sinner has suffered like that little girl.
II
First, a fool of a boy ran her down with a
cart.
Then, her fool of a father—a blacksmith by
trade—
Why the deuce does he tell us it half broke his heart?
His heart!—where’s the leg of the poor
little maid!
Well, that’s not enough; they must push her downstairs,
To make her go crooked: but why count the list?
If it’s right to suppose that our human affairs
Are all order’d by heaven—there, bang
goes my fist!
First, a foolish boy ran her down with a cart.
Then, her foolish father—a blacksmith by trade—
Why on earth does he say it nearly broke his heart?
His heart!—where’s the leg of the poor little girl!
Well, that’s not enough; they have to push her downstairs,
To make her go crooked: but why bother counting the list?
If we’re to believe that our human affairs
Are all managed by heaven—there, I slam my fist down!
III
For if angels can look on such
sights—never mind!
When you’re next to blaspheming, it’s
best to be mum.
The parson declares that her woes weren’t designed;
But, then, with the parson it’s all
kingdom-come.
p. 262Lose a
leg, save a soul—a convenient text;
I call it Tea doctrine, not savouring of God.
When poor little Molly wants ‘chastening,’ why,
next
The Archangel Michael might taste of the rod.
For if angels can witness such things—never mind!
When you're about to curse, it's best to stay quiet.
The priest says that her suffering wasn’t meant to be;
But with the priest, it’s all about the afterlife.
p. 262Lose a leg, save a soul—a handy saying;
I call it Tea doctrine, which doesn’t taste of God.
When poor little Molly wants some ‘discipline,’ well,
Next, the Archangel Michael might feel the punishment.
IV
But, to see the poor darling go limping for
miles
To read books to sick people!—and just of an
age
When girls learn the meaning of ribands and smiles!
Makes me feel like a squirrel that turns in a
cage.
The more I push thinking the more I revolve:
I never get farther:—and as to her face,
It starts up when near on my puzzle I solve,
And says, ‘This crush’d body seems such
a sad case.’
But seeing the poor darling limping for miles
Reading to sick people!—and just at an age
When girls learn the meaning of ribbons and smiles!
Makes me feel like a squirrel spinning in a cage.
The more I think, the more I go in circles:
I never get anywhere:—and as for her face,
It pops up whenever I'm close to solving my puzzle,
And says, ‘This crushed body looks like such a sad case.’
V
Not that she’s for complaining: she reads
to earn pence;
And from those who can’t pay, simple thanks
are enough.
Does she leave lamentation for chaps without sense?
Howsoever, she’s made up of wonderful
stuff.
Ay, the soul in her body must be a stout cord;
She sings little hymns at the close of the day,
Though she has but three fingers to lift to the Lord,
And only one leg to kneel down with to pray.
Not that she's one to complain: she reads to make a little money;
And from those who can't pay, just a simple thank you is enough.
Does she waste her time lamenting for guys without sense?
Regardless, she's made of incredible stuff.
Yep, the spirit in her must be strong;
She sings little hymns at the end of the day,
Though she only has three fingers to raise to the Lord,
And just one leg to kneel down and pray.
VI
What I ask is, Why persecute such a poor
dear,
If there’s Law above all? Answer that if
you can!
Irreligious I’m not; but I look on this sphere
As a place where a man should just think like a
man.
p. 263It
isn’t fair dealing! But, contrariwise,
Do bullets in battle the wicked select?
Why, then it’s all chance-work! And yet, in her
eyes,
She holds a fixed something by which I am
checked.
What I’m asking is, why go after someone so innocent,
if there’s a higher Law governing everything? Answer that if
you can!
I’m not irreligious; I just see this world
as a place where a person should think like a human being.
p. 263It’s not fair! But on the other hand,
do bullets in battle only target the wicked?
So, it’s all random chance! And yet, in her
eyes, she holds a constant something that holds me back.
VII
Yonder riband of sunshine aslope on the
wall,
If you eye it a minute ’ll have the same
look:
So kind! and so merciful! God of us all!
It’s the very same lesson we get from the
Book.
Then, is Life but a trial? Is that what is meant?
Some must toil, and some perish, for others
below:
The injustice to each spreads a common content;
Ay! I’ve lost it again, for it
can’t be quite so.
That ribbon of sunlight slanting on the wall,
If you look at it for a minute, you'll feel the same:
So gentle! and so compassionate! God of us all!
It’s exactly the lesson we learn from the Book.
So, is life just a test? Is that what it means?
Some have to struggle, and some suffer, for others' sake:
The unfairness to each creates a shared content;
Yes! I’ve lost that thought again, because it can’t be true.
VIII
She’s the victim of fools: that seems
nearer the mark.
On earth there are engines and numerous fools.
Why the Lord can permit them, we’re still in the dark;
He does, and in some sort of way they’re His
tools.
It’s a roundabout way, with respect let me add,
If Molly goes crippled that we may be taught:
But, perhaps, it’s the only way, though it’s so
bad;
In that case we’ll bow down our
heads,—as we ought.
She’s a victim of idiots: that seems closer to the truth.
There are machines and plenty of fools on earth.
We still don’t understand why the Lord allows them;
He does, and somehow they’re His tools.
It’s a roundabout way, I’ll add with respect,
If Molly ends up hurt so we can learn:
But maybe it’s the only way, even if it’s terrible;
In that case, we’ll lower our heads—as we should.
IX
But the worst of me is, that when I bow
my head,
I perceive a thought wriggling away in the dust,
And I follow its tracks, quite forgetful, instead
Of humble acceptance: for, question I must!
Here’s a creature made carefully—carefully made!
Put together with craft, and then stamped on, and
why?
The answer seems nowhere: it’s discord that’s
played.
The sky’s a blue dish!—an implacable
sky!
But the worst part of me is that when I bow my head,
I notice a thought squirming away in the dust,
And I follow its tracks, totally forgetful, instead
Of humbly accepting: because I have to question!
Here’s a being made with care—made with great care!
Assembled with skill, and then stamped on, and why?
The answer seems to be nowhere: it’s a discordant game.
The sky’s a blue plate!—an unyielding sky!
p. 264X
Stop a moment. I seize an idea from the
pit.
They tell us that discord, though discord, alone,
Can be harmony when the notes properly fit:
Am I judging all things from a single false tone?
Is the Universe one immense Organ, that rolls
From devils to angels? I’m blind with
the sight.
It pours such a splendour on heaps of poor souls!
I might try at kneeling with Molly to-night.
Stop for a moment. I grab an idea from the depths.
They say that discord, even though it's discord, can be harmony if the notes come together right:
Am I evaluating everything based on one wrong note?
Is the Universe one giant Organ that moves
From devils to angels? I’m overwhelmed by the vision.
It casts such brilliance on countless lost souls!
I might give kneeling with Molly a shot tonight.
FOOTNOTES
[1] First contributed to a MS. magazine, ‘The Monthly Observer,’ in the year 1849; first printed in Chambers’ Edinburgh Journal, July 7, 1849.
[1] First contributed to a magazine, ‘The Monthly Observer,’ in 1849; first printed in Chambers’ Edinburgh Journal, July 7, 1849.
[163] Originally printed in ‘Poems,’ 1851.
[164] ‘The Leader,’ December 20, 1851.
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