This is a modern-English version of Punch, or the London Charivari, Volume 152, March 21, 1917, originally written by Various.
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PUNCH,
OR THE LONDON CHARIVARI.
Vol. 152.
March 21st, 1917.
CHARIVARIA.
There is a convict at Pentonville who is said to be exactly like the KAISER. He feels that in view of the great inconvenience he has suffered it is the KAISER'S duty at once to remove his moustache or grow side whiskers.
There’s a prisoner at Pentonville who is said to look just like the KAISER. He believes that considering the significant trouble he’s gone through, it’s the KAISER'S responsibility to either shave off his mustache or grow sideburns.
The KAISER is in a bit of a hole. Attending a special service for the success of the War, he is reported to have "sung the De Profundis at the top of his voice." All the rest of him, including the lower part of his voice, seems to have been submerged.
The KAISER is in a bit of trouble. At a special service for the success of the War, he reportedly "sang the De Profundis at the top of his lungs." Everything else about him, including the lower part of his voice, seems to have been drowned out.
The revolutionary spirit in Germany seems to have extended to the vegetable kingdom. In a riot at Barmen which occurred recently the chief of police was "seriously wounded" by a turnip.
The revolutionary spirit in Germany appears to have spread to the vegetable kingdom. In a recent riot in Barmen, the chief of police was "seriously injured" by a turnip.
The Berliner Tageblatt states that for appearing at a private concert a famous opera singer has been paid in food, including sixty eggs. The custom is not unknown to some of our own music-hall artistes, who however are usually more than content with receiving "the bird."
The Berliner Tageblatt reports that a well-known opera singer was compensated in food, including sixty eggs, for performing at a private concert. This practice isn't unfamiliar to some of our local music-hall performers, who are typically more than happy to receive "the bird."
According to a Globe report Mr. CHARLES GULLIVER is giving at the Palladium "a programme of real entertainers." Enterprise and originality are always to be commended in a manager.
According to a Globe report, Mr. CHARLES GULLIVER is presenting "a program of genuine entertainers" at the Palladium. It's always good to recognize a manager's drive and creativity.
A telegram from Mexico City announces that General CARRANZA has been elected President of the Mexican Republic. It is expected that a full list of the casualties will be published shortly.
A telegram from Mexico City reports that General CARRANZA has been elected President of the Mexican Republic. A complete list of the casualties is expected to be released soon.
A Melbourne despatch states that Mr. HUGHES has been offered thirty-four seats in the forthcoming elections. The Opposition, it is understood, has expressed its willingness to allow Mr. HUGHES to occupy all thirty-four.
A Melbourne report says that Mr. HUGHES has been offered thirty-four seats in the upcoming elections. It is understood that the Opposition has agreed to let Mr. HUGHES take all thirty-four.
So effective has been the attempt to reduce circulation that we are not surprised to find a provincial paper advertising in The Daily Telegraph for "A Reader."
The effort to limit circulation has been so successful that it’s not surprising to see a local paper advertising in The Daily Telegraph for "A Reader."
"There is no monument more enduring than brass," writes Mr. GEORGE BERNARD SHAW, War Correspondent. The general feeling, however, is that there is a kind of brass that is beyond enduring.
"There’s no monument more lasting than brass," writes Mr. GEORGE BERNARD SHAW, War Correspondent. However, the general consensus is that there is a type of brass that doesn’t last at all.
The idea of blaming Queen Elizabeth for the Dardanelles fiasco is so entirely satisfactory to all parties concerned that it is being freely asked why the Commission couldn't have thought of that itself.
The idea of blaming Queen Elizabeth for the Dardanelles disaster is so completely satisfying to everyone involved that people are openly questioning why the Commission didn't come up with that on their own.
The new order prohibiting newspapers from printing contents bills is bearing hardly in certain quarters, and it is rumoured that at least one sensational contemporary has offered to forgo publishing itself in return for the privilege of selling its posters.
The new order banning newspapers from printing content bills is having a tough impact in some areas, and it's said that at least one sensational magazine has offered to stop publishing in exchange for the right to sell its posters.
By order of the General Officer Commanding the London District the Grafton Galleries have been placed out of bounds. Or, as they say in the best War-time dancing circles, out of leaps and bounds.
By order of the General Officer Commanding the London District, the Grafton Galleries have been declared off-limits. Or, as they say in the best wartime dance circles, out of leaps and bounds.
Kensington Council states that 300,000 tons of food are consumed annually by thousands of dogs which serve no useful purpose. The dogs, on the other hand, are asking what would become of the nation's womanhood if there were no dogs to take it out for exercise in the afternoon.
Kensington Council states that 300,000 tons of food are consumed annually by thousands of dogs that serve no useful purpose. The dogs, meanwhile, are wondering what would happen to the nation's women if there were no dogs to take them out for exercise in the afternoon.
The Government, it appears, is determined to keep Charing Cross Railway Station on the North side of the river. All the objections to the present site, they point out, are easily outweighed by its proximity to the National Gallery.
The Government seems set on keeping Charing Cross Railway Station on the north side of the river. They argue that all the objections to the current location are easily outweighed by how close it is to the National Gallery.
At Highgate, says a news item, a man named YELLS was fined for having in his possession pork which was not sound. It was suggested that defendant had held back the squeal for his own purposes.
At Highgate, according to a news article, a man named YELLS was fined for having pork that was not fit for consumption. It was suggested that the defendant had held back the squeal for his own use.
An applicant recently informed the House of Commons' Tribunal that cutting sandwiches was highly skilled work, which could not be done satisfactorily by women. The difficulty appears to consist not in the actual cutting, but in conveying the hammy taste from the knife to the bread without actually parting with the ham itself.
An applicant recently told the House of Commons' Tribunal that cutting sandwiches was highly skilled work that women couldn't do well. The challenge seems to be not in the actual cutting itself, but in transferring the hammy flavor from the knife to the bread without actually losing any of the ham.
Skipping is recommended as a healthy recreation. Several Germans on the Ancre say they already owe their lives to this practice.
Skipping is suggested as a healthy activity. Several Germans at the Ancre say they already owe their lives to this practice.
It is now proposed that Telephone Directories should be charged for. The idea appears to be to bring them into line with other light literature; but Punch fears no rivals.
It is now suggested that Telephone Directories should have a fee. The intention seems to be to align them with other light reading materials; however, Punch is not worried about any competition.
It has been decided by Mr. PAUL TAYLOR at Marylebone that bacon is meat. Lord DEVONPORT, now that his suspicion has been judicially confirmed, has announced his intention of going ahead on that basis.
It has been decided by Mr. PAUL TAYLOR at Marylebone that bacon is meat. Lord DEVONPORT, now that his suspicion has been legally confirmed, has announced his intention to move forward on that basis.
From a school-girl's examination paper:—"Question. What do you know of Tantalus? Answer: Tantalus suffered from continual hunger and thirst in internal regions."
From a schoolgirl's exam paper:—"Question. What do you know about Tantalus? Answer: Tantalus experienced constant hunger and thirst in the underworld."
CHILDREN'S TALES FOR GROWN-UPS.
III.
III.
ITS OWN REWARD.
Its own reward.
"What fun!" cried the wasp.
"What fun!" shouted the wasp.
"Where?" asked the bee looking up with a subdued smile.
"Where?" asked the bee, looking up with a gentle smile.
"I mean I can't help laughing," said the wasp.
"I can't help laughing," said the wasp.
"A disgusting habit," said the bee.
"A gross habit," said the bee.
"Look at those people nearly out of their wits. Here goes for old Bless-my-Soul again!" He flew off and buzzed round the old gentleman's neck and then flew back to the bee, laughing louder than ever at his purple rage.
"Look at those people almost losing their minds. Here we go with old Bless-my-Soul again!" He took off and zipped around the old man's neck, then flew back to the bee, laughing even harder at his purple fury.
"I don't know what you think of your conduct," said the bee severely, "but I think it is insects like you who give us all a bad name."
"I don't know what you think about your behavior," said the bee sternly, "but I believe it's insects like you who ruin our reputation."
"Be hanged to your bad name," scoffed the wasp. "A short life and a merry one, say I."
"To hell with your bad name," the wasp sneered. "I say a short life and a fun one!"
"A busy life and a useful one, rather," said the bee. "I am proud to be the friend of man."
"A busy life and a meaningful one, actually," said the bee. "I'm proud to be a friend of humanity."
"Good heavens!" shouted the wasp. "Here comes old Bless-my-Soul bent on murder. Look out! I'm going for his neck."
"Wow!" yelled the wasp. "Here comes old Bless-my-Soul looking to cause some trouble. Watch out! I'm going for his neck."
Old Bless-my-Soul slashed wildly with his table-napkin and slew the bee. He went back triumphantly with his spoil.
Old Bless-my-Soul swung his napkin around wildly and took down the bee. He returned triumphantly with his prize.
"A bee!" shouted everybody. "I thought it was a wasp. I didn't know bees were like that."
"A bee!" everyone shouted. "I thought it was a wasp. I didn’t realize bees were like that."
"All insects are vicious," said old Bless-my-Soul.
"All insects are brutal," said old Bless-my-Soul.
Another Impending Apology.
"LONDON PAVILION. CHEERIO! at 8.30.—'Just the thing for a dull evening.'"—Daily News.
"LONDON PAVILION. CHEERIO! at 8:30 PM.—'Perfect for a boring evening.'"—Daily News.
"A few of the waiting women abandoned hope of getting potatoes, and substituted the purchase by parsnips and sweres."—Daily Mirror.
"Some of the women waiting gave up on getting potatoes and decided to buy parsnips and swedes instead."—Daily Mirror.
In the circumstances who shall blame them?
In these circumstances, who can blame them?
NOTICE.
In order to meet the national need for economy in the consumption of paper, the Proprietors of Punch are compelled to reduce the number of its pages, but propose that the amount of matter published in Punch shall by condensation and compression be maintained and even, it is hoped, increased.
To address the country's need for conserving paper, the owners of Punch have to cut down the number of pages. However, they plan to keep the same amount of content in Punch by condensing and compressing the material, and they even hope to increase it.
It is further necessary that means should be taken to restrict the circulation of Punch, and its price has been raised to Sixpence. The Proprietors believe that the public will prefer an increase of price to a reduction of matter.
It is also necessary to take steps to limit the circulation of Punch, and its price has been raised to sixpence. The owners believe that the public will prefer a price increase to a reduction in content.
Readers are urged to place an order with their Newsagent for the regular delivery of copies, as Punch may otherwise be unobtainable, the shortage of paper making imperative the withdrawal from Newsagents of the "on-sale-or-return" privilege.
Readers are encouraged to order regular deliveries from their newsagent because Punch may not be available otherwise. Due to a paper shortage, the "on-sale-or-return" option has been removed from newsagents.
In consequence of the increase in the price of Punch the period covered by subscriptions already paid direct to the Punch Office will be proportionately shortened; or the unexpired value will be refunded, if desired.
Due to the rise in the price of Punch, the duration of subscriptions that have already been paid directly to the Punch Office will be shortened accordingly; or the remaining value will be refunded, if requested.
The next issue of Punch (March 28th) will be a Navy Double Number, price Sixpence. The Proprietors regret that arrangements for this Number were completed before the further drastic restrictions in the paper supply were announced.
The next issue of Punch (March 28th) will be a Navy Double Number, priced at six pence. The owners regret that the plans for this issue were finalized before the announcement of additional severe restrictions on paper supply.

Unlucky One (after perusing latest list of honours). "NEVER HAVE HAD ANY LUCK. MONTHS AGO I SAVED A SERGEANT CHAP FROM A ROTTEN PLACE—CARRIED THE FELLOW ALL THE WAY BACK—AND TOLD HIM NOT TO SAY A WORD ABOUT IT!"
Unlucky One (after looking over the latest list of honors). "I'VE NEVER HAD ANY LUCK. A FEW MONTHS AGO, I SAVED A SERGEANT FROM A BAD SITUATION—CARRIED HIM ALL THE WAY BACK—AND TOLD HIM NOT TO BREATHE A WORD ABOUT IT!"
Friend. "WELL, WHAT'S WRONG? HAS HE BEEN TALKING?"
Friend. "SO, WHAT'S GOING ON? HAS HE SAID ANYTHING?"
Unlucky One. "NOT A WORD, CURSE HIM!"
Unlucky One. "NOT A WORD, DAMN HIM!"
THE MUD LARKS.
When I was young, my parents sent me to a boarding school, not in any hopes of getting me educated, but because they wanted a quiet home.
When I was a kid, my parents sent me to a boarding school, not because they wanted me to get an education, but because they needed a peaceful home.
At that boarding school I met one Frederick Delane Milroy, a chubby flame-coloured brat who had no claims to genius, excepting as a littérateur.
At that boarding school, I met a kid named Frederick Delane Milroy, a plump, fiery-haired brat who didn't have any claims to genius, except as a writer.
The occasion that established his reputation with the pen was a Natural History essay. We were given five sheets of foolscap, two hours and our own choice of subject. I chose the elephant, I remember, having once been kind to one through the medium of a bag of nuts.
The event that built his reputation as a writer was an essay on Natural History. We were given five sheets of foolscap, two hours, and the freedom to choose our own topic. I remember picking the elephant because I had once been nice to one by feeding it a bag of nuts.
Frederick D. Milroy headed his effort "THE FERT" in large capitals, and began, "The fert is a noble animal—" He got no further, the extreme nobility of the ferret having apparently blinded him to its other characteristics.
Frederick D. Milroy titled his effort "THE FERT" in big letters, and started, "The fert is a noble animal—" He didn’t get any further, as the ferret's extreme nobility seemed to have clouded his view of its other traits.
The other day, as I was wandering about on the "line," dodging Bosch crumps with more agility than grace, I met Milroy (Frederick Delane) once more.
The other day, while I was wandering around on the "line," avoiding Bosch crumps with more skill than elegance, I ran into Milroy (Frederick Delane) again.
He was standing at the entrance of a cosy little funk-hole, his boots and tunic undone, sniffing the morning nitro-glycerine. He had swollen considerably since our literary days, but was wearing his hair as red as ever, and I should have known it anywhere—on the darkest night. I dived for him and his hole, pushed him into it, and re-introduced myself. He remembered me quite well, shook my chilblains heartily, and invited me further underground for tea and talk.
He was standing at the entrance of a cozy little hangout, his boots and jacket unbuttoned, taking in the morning nitroglycerin. He had definitely filled out since our days of writing together, but his hair was as red as ever, and I would have recognized it anywhere—even on the darkest night. I rushed over to him and his spot, shoved him into it, and reintroduced myself. He remembered me well, shook my cold hands warmly, and invited me further underground for tea and conversation.
It was a nice hole, cramped and damp, but very deep, and with those Bosch love-tokens thudding away upstairs I felt that the nearer Australia the better. But the rats! Never before have I seen rats in such quantities; they flowed unchidden all over the dug-out, rummaged in the cupboards, played kiss-in-the-ring in the shadows, and sang and brawled behind the old oak panelling until you could barely hear yourself shout. I am fond of animals, but I do not like having to share my tea with a bald-headed rodent who gets noisy in his cups, or having a brace of high-spirited youngsters wrestle out the championship of the district on my bread-and-butter.
It was a nice hole, cramped and damp, but very deep, and with those Bosch love-tokens thudding away upstairs I felt that the closer to Australia I got, the better. But the rats! I have never seen so many rats; they were everywhere in the dug-out, rummaging through the cupboards, playing tag in the shadows, and making a racket behind the old oak paneling until you could barely hear yourself shout. I love animals, but I really don’t like having to share my tea with a bald rodent who gets rowdy when he drinks, or having a pair of hyperactive kids wrestling for the title of the district on my bread-and-butter.
Freddy apologised for them; they were getting a bit above themselves, he was afraid, but they were seldom dangerous, seldom attacked one unprovoked. "Live and let live" was their motto. For all that they did get a trifle de trop sometimes; he himself had lost his temper when he awoke one morning to find a brawny rat sitting on his face combing his whiskers in mistake for his own (a pardonable error in the dark); and, determining to teach them a lesson, had bethought him of his old friend, the noble fert. He therefore sent home for two of the best.
Freddy apologized for them; they were getting a bit too full of themselves, he feared, but they were rarely dangerous, seldom attacking anyone without cause. "Live and let live" was their motto. Still, they could get a little too much sometimes; he himself had lost his temper when he woke up one morning to find a strong rat sitting on his face, mistaking his whiskers for its own (a forgivable mistake in the dark). Deciding to teach them a lesson, he remembered his old friend, the noble ferret. So, he sent home for two of the best.
The ferrets arrived in due course, received the names Burroughs and Welcome, were blessed and turned loose.
The ferrets arrived on time, were given the names Burroughs and Welcome, were blessed, and set free.
They had had a rough trip over at the bottom of the mail sack and were looking for trouble. An old rat strolled out of his club to see what all the noise was about, and got the excitement he needed. Seven friends came to his funeral and never smiled again. There was great rejoicing in that underground Mess that evening; Burroughs and Welcome were fêted on bully beef and condensed milk, and made honorary members.
They had a tough journey at the bottom of the mail sack and were looking for trouble. An old rat wandered out of his club to see what all the noise was about and got the excitement he was looking for. Seven friends attended his funeral and never smiled again. There was a big celebration in that underground Mess that evening; Burroughs and Welcome were honored with bully beef and condensed milk and made honorary members.
For three days the good work went on; there was weeping in the cupboards and gnashing of teeth behind the old oak panelling. Then on the fourth day Burroughs and Welcome disappeared, and the rats swarmed to their own again. The deserters were found a week later; they had wormed through a system of rat-holes into the next dug-out, inhabited by the Atkinses, and had remained there, honoured guests.
For three days, the good work continued; there were tears in the cupboards and gritting of teeth behind the old oak paneling. Then, on the fourth day, Burroughs and Welcome vanished, and the rats returned to their own. The deserters were discovered a week later; they had crawled through a network of rat holes into the next dugout, which was home to the Atkinses, and had stayed there as honored guests.
It is the nature of the British Atkins to make a pet of anything, from a toad to a sucking pig—he cannot help it. The story about St. George, doyen of British soldiers, killing that dragon—nonsense! He would have spanked it, may be, until it promised to reform, then given it a cigarette, and taken it home to amuse the children. To return to our ferrets, Burroughs and Welcome provided no exception to the rule; they were taught to sit up and beg, and lie down and die, to turn handsprings and play the mouth-organ; they were gorged with Maconochie, plum jam and rum ration; it was doubtful if they ever went to bed sober. Times out of number they were borne back to the Officers' Mess and exhorted to do their bit, but they returned immediately to their friends the Atkinses, viâ their private route, not unnaturally preferring a life of continuous carousal and vaudeville among the flesh-pots to sapping and mining down wet rat-holes.
It’s in the nature of the British Atkins to adopt just about anything as a pet, from a toad to a piglet—he can’t help it. The tale of St. George, the patron of British soldiers, slaying that dragon? Nonsense! He probably would have just given it a good spanking until it promised to behave, then handed it a cigarette and taken it home to entertain the kids. As for our ferrets, Burroughs and Welcome were no exception; they were trained to sit up and beg, lie down and play dead, do backflips, and even play the harmonica. They were stuffed with Maconochie, plum jam, and rum rations; it was questionable whether they ever went to bed sober. Time and time again, they were taken back to the Officers' Mess and urged to pull their weight, but they always made a beeline back to their pals the Atkinses, viâ their own secret path, clearly preferring a life of constant partying and entertainment among the good food to slogging through muddy rat holes.
Freddy was of opinion that, when the battalion proceeded up Unter den Linden, Burroughs and Welcome would be with it as regimental mascots, marching behind the band, bells on their fingers, rings on their toes. He also assured me that if he ever again has to write an essay on the Fert, its characteristics, the adjective "noble" will not figure so prominently.
Freddy believed that when the battalion marched up Unter den Linden, Burroughs and Welcome would be there as regimental mascots, walking behind the band, with bells on their fingers and rings on their toes. He also told me that if he ever has to write another essay on the Fert, the word "noble" won't play such a big role.
HERBS OF GRACE.
III.
III.
SWEET MARJORAM.
Sweet Marjoram.
"Sweet Marjoram! Sweet Marjoram!"
"Wow, Marjoram! Wow, Marjoram!"
(Sang an old dame standing on the kerb);
(Sang an old lady standing on the curb);
"You may hear a thousand ballads,
You might hear a thousand songs,
You may pick a thousand salads,
You can choose from a thousand salads,
Ere you light on such another herb.
Ere you find another herb like that.
Sweet Marjoram! Sweet Marjoram!
Sweet Marjoram! Sweet Marjoram!
(Let its virtues evermore be sung);
(Let its virtues always be celebrated);
Oh, 'twill make your Sunday clo'es gay,
Oh, it will make your Sunday clothes bright,
If you wear it in a nosegay,
If you wear it in a bouquet,
Pretty mistress, like when I was young.
Pretty mistress, just like when I was young.
"Sweet Marjoram! Sweet Marjoram!
"Sweet Marjoram! Sweet Marjoram!"
(Sing of sweet old gardens all a-glow);
(Sing of sweet old gardens all aglow);
It will scent your dower drawer, dear,
It will fragrance your gift drawer, dear,
Folk would strew it on the floor, dear,
Folk would scatter it on the floor, dear,
Long ago—long ago—long ago.
A long time ago.
"Sweet Marjoram! Sweet Marjoram!"
"Marjoram! Marjoram!"
(Sang the old dame standing on the kerb);
(Sang the old woman standing on the curb);
"You may hear a thousand ballads,
"You might hear a thousand songs,
You may pick a thousand salads,
You can choose from a thousand salads,
Ere you light on such another herb."
Before you find another plant like that.
"The recipients [of the medals] were:—Sergeant W.A. Norris, D.C.M. and Military Private A. Trichney, M.M., andtootompPUF. Medal ..." Daily Paper.
"The recipients of the medals were: Sergeant W.A. Norris, D.C.M. and Military Private A. Trichney, M.M., andtootompPUF. Medal ..." Daily Paper.
Private TRICHNEY'S second distinction was awarded presumably for something extra good in the bombing line.
Private Trichney's second distinction was likely awarded for something particularly impressive in the bombing category.
"Lord Beauchamp, opening an Economy Exhibition at Gloucester on Saturday, said that among many interesting exhibits was one described as 'Frocks for the twins from Uncle's pyjamas.' He hoped that the child who sent this exhibit would get the prize it deserved."—Daily Mail.
"Lord Beauchamp, who opened an Economy Exhibition in Gloucester on Saturday, mentioned that one of the many interesting exhibits was labeled 'Frocks for the twins from Uncle's pajamas.' He expressed hope that the child who submitted this exhibit would receive the prize it deserved."—Daily Mail.
Uncle has probably seen to that.
Uncle has probably taken care of that.
ELLA REEVE.
One can't be too careful how one boasts, especially if there is the chance of the boast being put quickly to the proof. In fact, it is better perhaps not to boast at all.
One can't be too careful about how they brag, especially if there's a chance that the bragging will be tested quickly. In fact, it might be better not to brag at all.
I was sitting with a friend and a stranger in a London restaurant, having joined their table for coffee. The stranger, on introduction, turned out to be connected with the stage in some capacity as agent, and among his regular clients were the managers of various big provincial theatres, for whom he provided the leading lights of pantomime, or, as he would call it, panto. Panto was indeed the mainstay of his business; it was even the warp and woof of his life. He lived for panto, he thought panto, and he talked panto. No one, according to him, had a more abysmal knowledge of principal boys with adequate legs, principal (if that is still the word) girls with sufficient voices, contralto fairy queens with abundant bosoms, basso demon kings, Prince Dandinis, Widow Twankays, Ugly Sisters, and all the other personages of this strange grease-paint mythology of ours. Listening to him, I learned—as those who are humble in spirit may learn of all men. I learned, for example, that Ugly Sisters are at Christmas-time always Ugly Sisters, and very often use again the same dialogue, merely transferring themselves from, say, Glasgow to Wigan, or from Bristol to Dublin; and this will be their destiny until they become such very old men that not even the kindly British public will stand it any longer. England, it seems, is full of performers who, touring the halls from March to December, are then claimed for panto as her own, arriving a little before Christmas not less regularly than the turkey; and the aim of all of them is as nearly as possible to do the next Christmas what they did last Christmas.
I was sitting with a friend and a stranger in a London restaurant, having joined their table for coffee. The stranger, when introduced, turned out to be involved with the theater in some way as an agent, and among his regular clients were the managers of various big regional theaters, for whom he provided the leading stars of pantomime, or, as he called it, panto. Panto was indeed the main focus of his business; it was even the core of his life. He lived for panto, thought panto, and talked panto. According to him, no one had a more terrible understanding of principal boys with great legs, principal (if that is still the term) girls with strong voices, contralto fairy queens with ample bosoms, basso demon kings, Prince Dandinis, Widow Twankays, Ugly Sisters, and all the other characters in this peculiar grease-paint mythology of ours. Listening to him, I learned—as those who are humble in spirit may learn from everyone. For example, I learned that Ugly Sisters are always Ugly Sisters at Christmas and often reuse the same dialogue, merely moving from, say, Glasgow to Wigan, or from Bristol to Dublin; and this will be their fate until they become such very old men that not even the kind British public will tolerate it anymore. England, it appears, is filled with performers who, touring the venues from March to December, are then claimed for panto as their own, arriving a little before Christmas just as regularly as the turkey; and the goal of all of them is as closely as possible to do the next Christmas what they did last Christmas.
Not only did my new acquaintance know all these people, their capabilities and the lowest salary that could be offered to them with any chance of acceptance, but he was also, it seemed, beloved by them all. Between agent and client never in the history of the world had such charming relations subsisted as between every pro. on his books and himself.
Not only did my new acquaintance know all these people, their skills, and the minimum salary that could be offered to them with any chance of being accepted, but he also seemed to be liked by all of them. There had never been such a friendly relationship between an agent and a client as there was between every pro in his roster and himself.
It was then that Ella Reeve came in.
It was then that Ella Reeve walked in.
Accompanied by two expensive-looking men, whose ancestors had beyond any doubt crossed the Red Sea with Moses, this new and glittering star, who had but just "made good," or "got over," or "clicked" (my new acquaintance used all these phrases indiscriminately when referring to his own Herschellian triumphs as a watcher of the skies), walked confidently to a distant table which was being held in reserve for her party, and drew off her gloves with the happy anticipatory assurance of one who is about to lunch a little too well. (All this, I should say, happened before the War. I am reminded of it to-day by the circumstance that I have just heard of the death of the agent whom I then met.)
Accompanied by two sharply dressed men, whose ancestors had definitely crossed the Red Sea with Moses, this new and glamorous star, who had just made it big (my new acquaintance used all these phrases interchangeably when talking about his own successes as an observer of the skies), confidently walked to a reserved table for her group and took off her gloves with the cheerful expectation of someone about to enjoy a lavish lunch. (I should mention that all this took place before the War. I'm reminded of it today because I've just heard about the death of the agent I met back then.)
The impact of the lady on this gentleman was terrific.
The effect of the woman on this man was amazing.
"Look, look!" he said. "That's Ella Reeve, one of my discoveries. She was principal boy at Blackpool two years ago. I put her there. She got fifteen pounds a week, and to-day she gets two hundred. I spotted her in a chorus, asked her to call and see me, and this is the result. I made her. There's nothing she wouldn't do for me, she's so grateful. If she knew I was in the room she'd be over here in a jiffy."
"Look, look!" he said. "That's Ella Reeve, one of my finds. She was the lead role at Blackpool two years ago. I got her that job. She was earning fifteen pounds a week, and now she makes two hundred. I noticed her in a chorus, invited her to come see me, and this is what happened. I made her who she is. There's nothing she wouldn't do for me; she's so thankful. If she knew I was in the room, she'd be over here in no time."
Having told us all this, he, being a very normal man, told it again, all the while craning his neck in the hope that his old client (she had now, it seemed, passed out of his hands, having forsaken panto for London and revue) might catch sight of his dear face. But she was far too much occupied either with the lobster on her plate or with the yellow fluid, strange to me, that moved restlessly in a long-stemmed shallow glass at her side.
Having shared all this, he, being a pretty ordinary guy, repeated it, constantly stretching his neck, hoping that his old client (who it seemed had moved on from pantomime to London and revue) might catch a glimpse of his familiar face. But she was way too caught up with either the lobster on her plate or the yellow liquid, unfamiliar to me, that swirled endlessly in a long-stemmed shallow glass next to her.
And then, being, as I say, not in any way an eccentric or exorbitant character, the agent told it us a third time, with a digression here and there as to the deep friendships that members of his profession could form and cement if only they were decent fellows and not mere money-grubbing machines out for nothing but their commission. "That's what the wise man does," he concluded; "he makes real friends with his clients, such as I did with Ella Reeve. The result is we never had any hitches, and there's nothing she wouldn't do for me. She's a darling!"
And then, since I’m not at all an eccentric or outrageous person, the agent told us again for the third time, adding some thoughts about how deep friendships can form among people in his profession if they’re decent and not just focused on making money. “That’s what a wise person does,” he wrapped up; “they build real friendships with their clients, like I did with Ella Reeve. The outcome is we never had any issues, and there’s nothing she wouldn’t do for me. She’s amazing!”
Getting a little tired of this, but obviously anything but unwilling to shake the new star's slender hand and listen to the vivacious flow of speech from such attractive lips, my friend said at last, "Well, as you and she are such pals, and as she has only to know that you are here to jump over the tables to get to you, why not send your card to her?"
Getting a bit tired of this, but definitely not unwilling to shake the new star's slender hand and listen to the lively conversation from those attractive lips, my friend finally said, "Well, since you and she are such good friends, and since she just needs to know you’re here to rush over to you, why not send her your card?"
The agent agreed, and we watched the waiter threading his way among the tables towards that one at which the new and grateful star was seated and hand the card to her.
The agent agreed, and we watched the waiter weaving his way through the tables towards the one where the new and appreciative star was seated, handing her the card.
The end of this story is so tragic that I should prefer not to tell it.
The ending of this story is so sad that I’d rather not share it.
Ella Reeve took the card, read it, laid it down, and resumed conversation with her friends. She did not even glance in our direction.
Ella Reeve took the card, read it, put it down, and went back to chatting with her friends. She didn't even look our way.
I felt sorry for the agent, whose mortification was very real, though he made a brave effort to carry it off; and now that he is dead I feel sorrier. As for Ella Reeve (which is not really her name, but one which with great ingenuity I devised for her from the French: thus, Elle arrive) I often see her, under her true style, in her triumphs, and I always wonder whether her treatment of the agent, or his assurance of her dependence on his cordiality, represents more nearly the truth. She looks such a good sort. Some day, when the War is over, I must acquire a shiny tall hat and a glossy shirt front and a youthful manner and get someone to introduce me, and then, bit by bit, extract the truth.
I felt bad for the agent, whose embarrassment was very real, even though he tried hard to keep it together; and now that he’s passed away, I feel even worse. As for Ella Reeve (which isn’t her real name, but one I cleverly created from the French: Elle arrive), I often see her, under her real name, enjoying her successes, and I always wonder whether her treatment of the agent or his insistence on her reliance on his friendliness is closer to the truth. She seems like such a nice person. Someday, when the war is over, I need to get a shiny tall hat, a polished shirt front, and a youthful vibe, then have someone introduce me, and gradually uncover the truth.
Meanwhile the fact remains that it is dangerous to boast.
Meanwhile, the fact is that it's risky to brag.

Tommy (back from Blighty). "YUS, I GRANT YER A BIT O' LEAVE'S ALL RIGHT. BUT IT'S AWFUL DEPRESSIN', TOO, AT HOME—NOTHIN' BUT WAR—WAR! IT GIVES YER THE FAIR 'UMP."
Tommy (back from Blighty). "Yeah, I’ll give you a little time off, that's fine. But it’s really depressing at home—nothing but war—war! It really gets on your nerves."
"JAPANESE POLITICS.
Japanese Politics.
PRIME MINISTER'S ATTACK ON THE DIET."—Daily Paper.
PRIME MINISTER'S ATTACK ON THE DIET."—Daily Paper.
We wouldn't be the Food Controller in Japan for anything.
We wouldn’t trade being the Food Controller in Japan for anything.
"Wanted situation as Groom Coachman or Coachman General; disengaged early in March; can milk and care motor if required."—Irish Paper.
"Looking for a position as a Groom Coachman or General Coachman; available since early March; can milk and take care of the motor if needed."—Irish Paper.
A modern improvement, we suppose, on "the cow with the iron tail."
A contemporary upgrade, we assume, on "the cow with the iron tail."
"At a special meeting of the Duma held to-day, the Minister for Agriculture, M. Rittich, in reply to an urgent question on the measures for supplying Petrograd, stated the supplies were sufficient for the present. Difficulties in purchase are due to excessive building and storing by individuals in the shape of rusks."—Daily Chronicle.
"At a special meeting of the Duma held today, the Minister for Agriculture, M. Rittich, in response to an urgent question about the measures for supplying Petrograd, stated that the supplies are adequate for now. The difficulties in purchasing are due to excessive building and storing by individuals in the form of rusks."—Daily Chronicle.
No authority for this remarkable statement is given, but we suspect the Russky Invalid.
No source for this remarkable statement is provided, but we suspect the Russky Invalid.
"A trifle of a trinket for his women-folk is the only saving as an insurance for the poor against famine and starvation for a rainless day."—A Native Writer in "The Times of India."
"A small token for the women in his life is the only safeguard for the poor against hunger and starvation on a dry day."—A Native Writer in "The Times of India."
KIPLING was right, East is East and West is West.
KIPLING was right, the East is the East and the West is the West.
"The undersigned has great pleasure in informing all the ladies, gentlemen and the other travellers in the Station that a very nice comfortable motor car can be obtained on hire from him for a walk in or out of the Station for any period of time at very reasonable charges."—Peshawar Daily News.
"The undersigned is pleased to inform all the ladies, gentlemen, and other travelers at the Station that a very nice, comfortable motor car is available for hire for a trip into or out of the Station for any duration at very reasonable rates."—Peshawar Daily News.
The petrol shortage evidently extends to India.
The gas shortage clearly includes India.
"Ireland is accustomed to disappointment; she is accustomed to what she signalises as betrayal, but her spirit remains unbroken, and she goes on her way undaunted to seek, it may be by new methods and a new road, her appointed gaol."—Manchester Guardian.
"Ireland is used to disappointment; she is used to what she calls betrayal, but her spirit remains strong, and she continues on her path fearlessly to seek, perhaps through new methods and a new route, her destined goal."—Manchester Guardian.
Irishmen may justifiably resent this cynicism on the part of an old friend.
Irishmen may understandably feel annoyed by this cynicism from an old friend.

A MODIFIED SALIENT.
The Old 'Un (surveying recently called-up warrior). "WELL, JARGE, YOU'M STILL TURR'BLE FAT, BUT THE ARMY DO ZEEM TO 'AVE REARRANGED IT, LIKE."
The Old 'Un (looking at the recently called-up soldier). "WELL, JARGE, YOU'RE STILL REALLY FAT, BUT THE ARMY DOES SEEM TO HAVE FIXED IT UP A BIT."
GOLD BRAID.
Same old crossing, same old boat,
Same old crossing, same old boat,
Same old dust round Rouen way,
Same old dust in Rouen.
Same old narsty one-franc note,
Same old nasty one-franc bill,
Same old "Mercy, sivvoo play;"
Same old "Mercy, please play;"
Same old scramble up the line,
Same old scramble up the line,
Same old 'orse-box, same old stror,
Same old horse-drawn carriage, same old story,
Same old weather, wet or fine,
Same old weather, rainy or clear,
Same old blooming War.
Same old damn War.
Ho Lor, it isn't a dream,
Hey Lor, it’s not a dream,
It's just as it used to be, every bit;
It's exactly the same as it used to be, every bit;
Same old whistle and same old bang,
Same old whistle and same old bang,
And me to stay 'ere till I'm 'it.
And I'll be here until I'm hit.
'Twas up by Loos I got me first;
'Twas up by Loos that I got my first;
I just dropped gently, crawled a yard
I just dropped down softly and crawled for a yard.
And rested sickish, with a thirst—
And rested, feeling a bit sick and thirsty—
The 'eat, I thought, and smoking 'ard ...
The 'eat, I thought, and smoking hard ...
Then someone offers me a drink,
Then someone hands me a drink,
What poets call "the cooling draft,"
What poets refer to as "the cooling breeze,"
And seeing 'im I done a think:
And seeing him, I thought:
"Blighty," I thinks—and laughed.
"Britain," I think—and laughed.
I'm not a soldier natural,
I'm not a natural soldier.
No more than most of us to-day;
No more than most of us today;
I runs a business with a pal
I run a business with a friend.
(Meaning the Missis) Fulham way;
Fulham way;
Greengrocery—the cabbages
Produce section—the cabbages
And fruit and things I take meself,
And I get fruits and other things myself,
And she has daffs and crocuses
And she has daffodils and crocuses
A-smiling on a shelf.
Smiling on a shelf.
"Blighty," I thinks. The doctor knows;
"Blighty," I think. The doctor knows;
'E talks of punctured damn-the-things.
'E talks about punctured damn-the-things.
It's me for Blighty. Down I goes;
It's me heading back to England. Here I go;
I ain't a singer, but I sings;
I’m not a singer, but I sing;
"Oh, 'oo goes 'ome?" I sort of 'ums;
"Oh, who’s going home?" I kind of hum;
"Oh, 'oo's for dear old England's shores?"
"Oh, who's for dear old England's shores?"
And by-and-by Southampton comes—
Eventually Southampton arrives—
"Blighty!" I says and roars.
"Blighty!" I say and roar.
I s'pose I thort I done my bit;
I suppose I thought I did my part;
I s'pose I thort the War would stop;
I guess I thought the war would end;
I saw myself a-getting fit
I saw myself getting fit
With Missis at the little shop;
With Missis at the small shop;
The same like as it used to be,
The same as it used to be,
The same old markets, same old crowd.
The same old markets, same old crowd.
The same old marrers, same old me,
The same old problems, the same old me,
But 'er as proud as proud....
But she’s as proud as can be....
The regiment is where it was,
The regiment is where it was,
I'm in the same old ninth platoon;
I'm in the same old ninth platoon;
New faces most, and keen becos
New faces mostly, and eager because
They 'ope the thing is ending soon;
They hope the thing is ending soon;
I ain't complaining, mind, but still,
I'm not complaining, just saying.
When later on some newish bloke
When later on some new guy
Stops one and laughs, "A blighty, Bill,"
Stops one and laughs, "A blighty, Bill,"
I'll wonder, "Where's the joke?"
I'll wonder, "Where's the punchline?"
Same old trenches, same old view,
Same old trenches, same old view,
Same old rats and just as tame,
Same old rats, just as domesticated,
Same old dug-outs, nothing new,
Same old dugouts, nothing new,
Same old smell, the very same,
Same old smell, exactly the same,
Same old bodies out in front,
Same old bodies out in front,
Same old strafe from 2 till 4,
Same old strafe from 2 to 4,
Same old scratching, same old 'unt,
Same old scratching, same old hunt,
Same old bloody War.
Same old damn War.
Ho Lor, it isn't a dream,
Hey Lor, it’s not a dream,
It's just as it used to be, every bit;
It's exactly the same as it always was;
Same old whistle and same old bang
Same old whistle and same old bang
And me out again to be 'it.
And I'm out again to be 'it.
A.A.M.
A.A.M.
"The important now development in the cotton situation is that the ½ Prime Minister has consented to receive a deputation."—Manchester Guardian.
"The key new development in the cotton situation is that the ½ Prime Minister has agreed to meet with a delegation."—Manchester Guardian.
All the same, he refused to adopt a ½ measure.
All the same, he refused to take a half measure.
"The history of the development of the ¾eppelin is well-known."—Daily Chronicle.
"The history of the development of the Zeppelin is well-known."—Daily Chronicle.
Particularly since our airmen ceased to give it any quarter.
Especially since our airmen stopped showing it any mercy.
From an official notice of the sale of an enemy business:—
From an official notice about the sale of a competitor's business:—
"Lot 2. The goodwill of the business of the company attaching to goods shipped from England to Nigeria, marked with the unregistered or common-law trade-marks known as 'Eagle on Rocks' and 'Lion and Flag.'"
"Lot 2. The goodwill of the company's business associated with goods shipped from England to Nigeria, marked with the unregistered or common-law trademarks known as 'Eagle on Rocks' and 'Lion and Flag.'"
We are not surprised to hear of the "Eagle on Rocks" when it had the "Lion and Flag" after it.
We aren't surprised to hear about the "Eagle on Rocks" when it had the "Lion and Flag" after it.
THE JOY-RIDER AT THE FRONT.
(Being a free version of Mr. BERNARD SHAW'S articles in "The Daily Chronicle" on his visit to the seat of War.)
(This is a free version of Mr. BERNARD SHAW'S articles in "The Daily Chronicle" about his visit to the war front.)
"Since the good man, RAMSAY MACDONALD, while touring in the East
"Since the good man, RAMSAY MACDONALD, while touring in the East
Went out to shoot the tiger, that homicidal beast,
Went out to hunt the tiger, that murderous animal,
The most electrifying humanitarian stunt
The most thrilling humanitarian stunt
Has been my khaki joy-ride along the British Front.
Has been my fun adventure in khaki along the British Front.
"It wasn't my own suggestion; I went as the Government's guest,
"It wasn't my idea; I went as a guest of the Government,"
Invited to see how the brass-hats were running the show on the West;
Invited to see how the higher-ups were managing things out West;
I've never been sweet on soldiers, but I only went for a week,
I've never really liked soldiers, but I only went for a week,
And it gave me heaps of chances of studying war technique.
And it gave me plenty of opportunities to study military strategy.
"If they really thought to convert me by the loan of a khaki suit,
"If they really thought they could change my mind by lending me a khaki suit,
Or by conferring upon me the right to claim a salute,
Or by giving me the right to ask for a salute,
It wouldn't at all surprise me, for dullards have always tried
It wouldn’t surprise me at all, since dull people have always tried
To bribe true men of genius to take the popular side.
To persuade real people of talent to support the popular opinion.
"Well, I went, I saw, I 'joy-rode,' and my verdict remains the same;
"Well, I went, I saw, I had a great time, and my opinion is still the same;"
There's no use having a country unless she's always to blame;
There's no point in having a country if she's always going to take the heat;
For of all the appalling prospects that human life can lend
For all the terrible possibilities that human life can offer
The worst is to be unable to play the candid friend.
The worst part is not being able to be the honest friend.
"Men talk of France, the Martyr; of her precious blood outpoured;
"Guys talk about France, the Martyr; about her precious blood spilled;
Of the innocent helpless victims of the brutal Hunnish horde;
Of the innocent, defenseless victims of the savage Hunnish army;
Presuming, insensate idiots, to label as beast and brute
Presuming, senseless idiots, to call someone a beast and a brute
The race that has always held me in the very highest repute!
The race that has always been held in the highest regard by me!
"While France has failed completely, at least in those later days,
"While France has completely failed, at least in those later days,"
To show appreciation of my Prefaces and Plays;
To show appreciation for my Prefaces and Plays;
It wouldn't be therefore worthy of a genuine superman
It wouldn't be worthy of a true superhero.
To show undue compassion for the sorrows of 'Marianne.'
To show excessive compassion for the troubles of 'Marianne.'
"And as for the sheer destruction of noble and ancient fanes
"And regarding the utter destruction of noble and ancient temples"
Which the prejudiced Hun-hater indignantly arraigns,
Which the biased Hun-hater angrily criticizes,
The simple truth compels me in honesty to state
The simple truth drives me to honestly say
That the style of some ruined buildings was utterly second-rate.
That the style of some ruined buildings was really low-quality.
"But to quit these trivial matters—let weaklings wail and weep,
"But to move past these petty concerns—let the weak complain and cry,
The loss of a few cathedrals will never affect my sleep—
The loss of a few cathedrals will never keep me up at night—
What lifts this Armageddon to an altitude sublime
What elevates this Armageddon to a sublime height
Is the crowning fact that it gave me a perfectly glorious time.
Is the best part that it gave me an absolutely amazing time.
"As an ultra-neutral observer I entered the battle zone
"As a completely neutral observer, I entered the battle zone
And emerged unmoved, unshaken, with a heart as cool as a stone;
And emerged unchanged, steady, with a heart as cold as a stone;
No sight could touch or daunt me, no sound my soul untune;
No sight could affect or scare me, and no sound could throw my soul off balance;
From pity or tears or sorrow I still remained immune.
From pity, tears, or sorrow, I still stayed unaffected.
"I own that before my arrival I felt an occasional qualm
"I admit that before I arrived, I sometimes felt a bit uneasy."
Lest the shock of the unexpected might shatter my wonted calm;
Lest the surprise of the unexpected might break my usual calm;
But it gave me the richest rapture to find I was wholly free
But it filled me with the greatest joy to realize I was completely free.
From the crude and vulgar emotions that harass the plain V.C.
From the rough and crude feelings that trouble the plain V.C.
"I inspected the great war-engine, and, instead of its going strong,
"I checked out the massive war machine, and instead of it powering through,"
I saw that in each of its workings there was always something wrong;
I noticed that in everything it did, there was always something off;
In fact, with the old black powder and the obsolete Brown Bess
In fact, with the old black powder and the outdated Brown Bess
The chances of missing your target were infinitely less.
The chances of missing your target were way lower.
"The so-called arm of precision scores only by lucky hits,
"The so-called arm of precision only gets lucky hits,"
Though the 'heavies' and high explosives may possibly blow you to bits;
Though the heavy artillery and high explosives might blow you to pieces;
I saw one corpse on my 'joy-ride,' the head had been blown away,
I saw one body on my 'joyride,' the head had been blown off,
And the thought of this painless ending produced in me no dismay."
And the idea of this painless ending didn't upset me at all.
Now he's back in the finest feather from his holiday with the Staff,
Now he's back in his best outfit from his vacation with the Staff,
And we're sure that no one will grudge him the meed of this epitaph:
And we're sure that no one will resent him getting credit for this epitaph:
"He went through the fiery furnace, but never a hair was missed
"He went through the fiery furnace, but not a single hair was harmed"
From the heels of our most colossal Arch-Super-Egotist."
From the footsteps of our biggest Arch-Super-Egotist.
"GREAT WHITE SALE.
GREAT WHITE SALE.
UNREPEATABLE BARGAINS IN LINGERIE."—Daily Paper.
UNMISSABLE LINGERIE DEALS."—Daily Paper.
We respect this reticence.
We respect this reluctance.
"The public are responding but slowly to the appeal of the Post Office to facilitate the delay of correspondence in London by using the new numbered addresses."—Daily Mail.
"The public is responding, but slowly, to the Post Office's request to help delay mail delivery in London by using the new numbered addresses."—Daily Mail.
If that is really the object, why hurry?
If that's really the goal, why rush?
ESSENCE OF PARLIAMENT.
Monday, March 12th.—Having declared war upon the Government the Nationalists are seeking a suitable plan of campaign. The Home Rule demand never obtained much support among the Irish farmers until FINTAN LALOR hitched it on to the Land question, and ever since Mr. WYNDHAM'S Land Purchase Act turned the tenants into prospective owners it has been steadily losing momentum. Mr. GINNELL, who made his reputation as a perverse species of cowboy, now witnesses with grim satisfaction the efforts of his colleagues to borrow his policy and break up the grass farms. It was rather hard on him that the Parliamentary printer should have ruined one of his questions on the subject by making him say "that the reason"—instead of the season—"for breaking this land is passing away."
Monday, March 12th.—With a declaration of war against the Government, the Nationalists are looking for a solid campaign strategy. The Home Rule demand never really gained much traction among Irish farmers until FINTAN LALOR connected it to the Land issue, and ever since Mr. WYNDHAM'S Land Purchase Act turned tenants into potential owners, it has been steadily losing steam. Mr. GINNELL, who built his reputation as a controversial figure, now watches with grim satisfaction as his colleagues try to adopt his policy and break up the grass farms. It was quite unfortunate for him that the Parliamentary printer messed up one of his questions on the topic by making him say "that the reason"—instead of the season—"for breaking this land is passing away."
The HOME SECRETARY is regarded by those who do not know him intimately as a somewhat austere person, but given the right atmosphere he can be as lively as anybody. Questioned about the reopening of Ciro's, he betrayed a minute acquaintance with the details of its programme. I was beginning to wonder if he were related to that famous Early-Victorian family, the Caves of Harmony, when his knowledge broke down. On being asked by his old friend Mr. BUTCHER to define a cabaret-entertainment he was nonplussed, and could only refer him to Colonel LOCKWOOD as a probable authority.
The HOME SECRETARY is seen by those who don’t know him well as a bit serious, but in the right setting, he can be as lively as anyone. When asked about the reopening of Ciro's, he revealed a slight familiarity with the details of its program. I was starting to wonder if he was related to that famous Early-Victorian family, the Caves of Harmony, when his knowledge fell short. When his old friend Mr. BUTCHER asked him to explain a cabaret entertainment, he was taken aback and could only suggest Colonel LOCKWOOD as someone who might know.
No one was more delighted at Mr. BONAR LAW'S announcement of the capture of Baghdad than the Member for Cockermouth, who knows the region well. Mesopotamia may or may not be the Garden of Eden, but Baghdad was at one time unquestionably the abode of BLISS.
No one was happier about Mr. BONAR LAW'S announcement of the capture of Baghdad than the Member for Cockermouth, who is familiar with the area. Mesopotamia might be the Garden of Eden or it might not be, but Baghdad was definitely, at one point, the home of BLISS.
Mr. CATHCART WASON was a little puzzled when Mr. FORSTER informed him that the peeling of potatoes by Army cooks is strictly forbidden, "except when the dietary of the troops makes it necessary." Why should there be any exception at all, he wondered, until a neighbour, better informed about the new meat-ration, whispered, "Sausages and mashed."
Mr. CATHCART WASON was a bit confused when Mr. FORSTER told him that Army cooks are not allowed to peel potatoes, "unless the troops' diet requires it." He couldn’t understand why there would be any exceptions at all, until a neighbor, who was more in the know about the new meat rations, whispered, "Sausages and mashed."
A grave statement by Mr. MACPHERSON as to the recent losses of the Royal Flying Corps on the Western Front, and the increased activity of the German airmen, created some natural depression, which might have been more pronounced had not Mr. PEMBERTON-BILLING seized the occasion to reiterate his charges of "Murder" already condemned as baseless by two judicial tribunals. The House will do anything in reason, but it refuses to accompany Mr. BILLING in his flights of imagination.
A serious statement by Mr. MACPHERSON regarding the recent losses of the Royal Flying Corps on the Western Front, along with the increased activity of German pilots, caused some understandable gloom, which could have been more intense if Mr. PEMBERTON-BILLING hadn't taken the opportunity to repeat his claims of "Murder," which have already been dismissed as groundless by two courts. The House is willing to consider reasonable actions, but it refuses to follow Mr. BILLING into his flights of fancy.
Tuesday, March 13th.—In the Lords, the Bill to deprive enemy peers of their titles was supported by Lord MIDLETON, who nobly offered to sacrifice his Red Eagle on the altar of patriotism. On the other hand Lord COURTNEY condemned it; but there is no truth in the story that the Yellow Waistcoat which he habitually wears was originally conferred upon him by the KAISER. It is, I understand, an example of protective colouring, designed to ward off the attacks of the Yellow Press.
Tuesday, March 13th.—In the House of Lords, the Bill to strip enemy peers of their titles received support from Lord MIDLETON, who heroically offered to give up his Red Eagle for the sake of patriotism. On the other hand, Lord COURTNEY criticized it; however, the rumor that the Yellow Waistcoat he always wears was given to him by the KAISER is not true. I hear it’s actually a kind of camouflage meant to protect him from the criticisms of the Yellow Press.
Wednesday, March 14th.—The explosive qualities of cotton when suitably combined with other ingredients are well known. Of these ingredients the Lancashire spirit is perhaps the most potent. Mr. AUSTEN CHAMBERLAIN began his defence of the proposed Indian cotton duties with an appeal to Imperial sentiment based upon what India had done and was doing. The Maharajah of BIKANIR, seated in the Distinguished Strangers' Gallery, listened with appreciation to the praises of his famous Camel Corps. Then followed what might be called the Home Rule argument—we could not refuse what the Indian people so much desired—delivered with so much earnestness that Mr. JEREMIAH MACVEAGH loudly invited Mr. CHAMBERLAIN to "come over and sit on these benches."
Wednesday, March 14th.—The explosive qualities of cotton when mixed with other ingredients are well known. Among these ingredients, the Lancashire spirit is probably the strongest. Mr. AUSTEN CHAMBERLAIN started his defense of the proposed Indian cotton duties with an appeal to Imperial sentiment based on what India has done and is doing. The Maharajah of BIKANIR, seated in the Distinguished Strangers' Gallery, listened appreciatively to the praises of his famous Camel Corps. Then came what could be called the Home Rule argument—we couldn’t refuse what the Indian people really wanted—delivered with such sincerity that Mr. JEREMIAH MACVEAGH loudly invited Mr. CHAMBERLAIN to "come over and sit on these benches."

MEGAPHONES FOR MINISTERS. A SUGGESTION FROM THE PRESS GALLERY.
MEGAPHONES FOR MINISTERS. A SUGGESTION FROM THE PRESS GALLERY.
But his best card was his last, when, after a tribute to Mr. ASQUITH'S "loyalty to colleagues," which roused tremendous cheering from the Liberals, he invited the late Prime Minister to cast his vote with the Government. Mr. ASQUITH did even more, for at the end of a speech, critical but not censorious, he suggested an amendment to the Resolution which enabled his Free Trade followers to "save their face." A few stalwarts from Lancashire insisted none the less on taking a division, and were joined on general principles by the Nationalists and other habitual malcontents. But India, the Government and Mr. ASQUITH had the comfortable majority of 140.
But his best move was his last one when, after praising Mr. ASQUITH's "loyalty to colleagues," which got a huge cheer from the Liberals, he invited the former Prime Minister to vote with the Government. Mr. ASQUITH did even more; at the end of a speech that was critical but not harsh, he proposed an amendment to the Resolution that allowed his Free Trade supporters to "save face." A few loyalists from Lancashire insisted on a division anyway, and were joined on general principles by the Nationalists and other usual dissenters. But India, the Government, and Mr. ASQUITH had a solid majority of 140.
Thursday, March 15th.—Under the present rules of procedure (the products of Irish obstruction in the past) the Nationalists find it difficult to put their declaration of war against the Government to much effect. Their best chance comes during the first hour of the sitting, and their most useful weapon is the Supplementary Question. No sooner has Mr. DUKE read the official reply to the inquiry on the Paper than there comes a strident "Arising out of that, Mr. SPEAKER-R." Fortunately the CHIEF SECRETARY possesses a Job-like patience, and is rarely betrayed into any departure from his polite if somewhat ponderous manner. To badger Mr. BIRRELL was an exciting pastime rather like punching the ball. To heckle Mr. DUKE is like hammering a sandbag.
Thursday, March 15th.—Under the current rules of procedure (which are the result of past Irish obstruction), the Nationalists struggle to make their declaration of war against the Government truly impactful. Their best opportunity arises during the first hour of the session, and their most effective tool is the Supplementary Question. As soon as Mr. DUKE reads the official response to the inquiry on the agenda, a loud "Arising out of that, Mr. SPEAKER-R." follows immediately. Luckily, the CHIEF SECRETARY has a Job-like patience and rarely lets his calm and somewhat heavy demeanor slip. Badgering Mr. BIRRELL was an exhilarating activity, akin to hitting a ball. Heckling Mr. DUKE feels more like hitting a sandbag.
It would be interesting to know how many Members of the House of Commons have volunteered under the National Service scheme. I only know of one; that is Dr. MACNAMARA, who modestly avowed the fact when challenged by Mr. PRINGLE, though I doubt whether the Admiralty will consent to dispense with his services. On the other hand I only know of one who has not; and that is Mr. PRINGLE himself, who, on the same challenge being put to him, replied, "No, and don't intend." There is evidently someone, possibly Mr. HOGGE, who thinks Mr. PRINGLE'S present services indispensable to the winning of the War.
It would be interesting to know how many Members of the House of Commons have volunteered under the National Service scheme. I only know of one: Dr. Macnamara, who modestly acknowledged this when Mr. Pringle challenged him, though I doubt the Admiralty will agree to let him go. On the other hand, I only know of one who hasn't: Mr. Pringle himself, who responded to the same challenge by saying, "No, and I don't plan to." There’s clearly someone, possibly Mr. Hogge, who believes Mr. Pringle’s current contributions are crucial to winning the war.
The debate on the new Vote of Credit dragged along in a thin and somnolent House until Mr. BONAR LAW woke it up with the startling news that there had been a revolution in Russia, and that the TSAR had abdicated. Everybody seemed pleased, including Mr. DEVLIN, who was quite statesmanlike in his appreciation. But no one noticed that henceforward we must rank the late Sir HENRY CAMPBELL-BANNERMAN among the prophets. Addressing the Members of the Inter-parliamentary Conference assembled in the Palace of Westminster on July 23rd, 1906, just after the dissolution of Russia's first elected Parliament, he said, "La Duma est morte; vive la Duma!" For a Prime Minister this outburst was regarded as a little tactless; its essential wisdom has been justified by the event.
The discussion on the new Vote of Credit dragged on in a dull and sleepy House until Mr. BONAR LAW jolted everyone awake with the shocking news that there had been a revolution in Russia, and that the TSAR had given up his throne. Everyone seemed happy, including Mr. DEVLIN, who reacted in a very statesmanlike way. But no one noticed that from then on, we should consider the late Sir HENRY CAMPBELL-BANNERMAN as one of the visionaries. Speaking to the Members of the Inter-parliamentary Conference gathered in the Palace of Westminster on July 23rd, 1906, right after the dissolution of Russia's first elected Parliament, he declared, "La Duma est morte; vive la Duma!" For a Prime Minister, this comment was seen as somewhat inappropriate; however, its fundamental insight has been validated by subsequent events.
Friday, March 16th.—To-morrow being St. Patrick's Day, Mr. BONAR LAW seized the opportunity to address a little homily to Members from Ireland. Unless they mend their ways pretty soon they may have to go back to their constituents and tackle the Sinn Feiners themselves.
Friday, March 16th.—With tomorrow being St. Patrick's Day, Mr. BONAR LAW took the chance to give a brief message to the Members from Ireland. If they don't change their approach soon, they might have to return to their constituents and deal with the Sinn Feiners on their own.
WINGED VICTORY.
"Per ardua ad astra."
"Through adversity to the stars."
"One of our machines did not return."
"One of our machines didn't come back."
I like to think it did not fall to earth,
I like to think it didn't fall to the ground,
A wounded bird that trails a broken wing,
A wounded bird dragging a broken wing,
But to the heavenly blue that gave it birth
But to the sky blue that brought it to life
Faded in silence, a mysterious thing,
Faded in silence, a mysterious thing,
Cleaving its radiant course where honour lies,
Cleaving its bright path where honor exists,
Like a winged victory mounting to the skies.
Like a victorious angel soaring into the sky.
The clouds received it and the pathless night;
The clouds took it in and the endless night;
Swift as a flame, its eager force unspent,
Swift as a flame, its eager energy untapped,
We saw no limit to its daring flight;
We saw no end to its bold flight;
Only its pilot knew the way it went,
Only the pilot knew the way it went,
And how it pierced the maze of flickering stars
And how it cut through the maze of twinkling stars
Straight to its goal in the red planet Mars.
Straight to its goal on the red planet Mars.
So to the entrance of that fiery gate,
So to the entrance of that fiery gate,
Borne by no current, driven by no breeze,
Brought along by no current, pushed by no breeze,
Knowing no guide but some compelling fate,
Knowing no guide except for some powerful destiny,
Bold navigators of uncharted seas,
Bold navigators of unknown waters,
Courage and youth went proudly sweeping by,
Courage and youth boldly swept by,
To win the unchallenged freedom of the sky.
To achieve the complete freedom of the sky.

Curate (to unfailing supporter). "OH, MISS TOOTSBY, IT'S GOOD TO SEE YOU HERE AGAIN. IT WOULDN'T SEEM LIKE A JUMBLE SALE WITHOUT YOU."
Curate (to unfailing supporter). "OH, MISS TOOTSBY, IT'S GREAT TO SEE YOU BACK HERE. IT WOULD NOT FEEL LIKE A JUMBLE SALE WITHOUT YOU."
HEART-TO-HEART TALKS.
(Enter PASHA and the Sultan of TURKEY.)
(Enter PASHA and the Sultan of TURKEY.)
The Sultan. Then you want me to press the GERMAN KAISER to come to Constantinople and pay me a visit. Is that it?
The Sultan. So, you want me to get the GERMAN KAISER to come to Constantinople and pay me a visit. Is that right?
Enver. Yes, your Majesty, that is about it. It would produce a splendid effect on the populace and would electrify the soldiers.
Enver. Yes, your Majesty, that's pretty much it. It would have a great impact on the public and would really excite the soldiers.
The Sultan. But I've already told you that I cordially dislike this KAISER of yours. Wherever he goes he turns everything upside down, and there's not a moment's peace or repose for anybody. He must have reviews of troops morning, noon and night, and it's all quite useless, for our Generals tell me that he doesn't really understand anything about soldiers and their movements. You know they've had to keep him away from the fighting, both in France and Russia, because he would insist on giving the most absurd orders, and when things didn't go right immediately he always broke out into shouting and cursing, and praying and crying until his Staff felt so ashamed of him and themselves that they didn't know which way to look. There's never any knowing what a man like that will do. He's as likely as not to want to preach a sermon in St. Sophia, or to ride his horse up the steps of the Palace.
The Sultan. But I've already told you that I really can’t stand this KAISER of yours. Wherever he goes, he turns everything upside down, and there's no peace or quiet for anyone. He has to hold military reviews morning, noon, and night, and it’s all completely pointless, because our Generals say he doesn’t really get anything about soldiers and their movements. You know they’ve had to keep him away from the fighting, both in France and Russia, because he would insist on giving the most ridiculous orders, and when things didn’t go right immediately, he’d start shouting and cursing, praying and crying until his Staff felt so embarrassed for him and themselves that they didn’t know where to look. You never know what a guy like that will do. He might just want to preach a sermon in St. Sophia, or ride his horse up the steps of the Palace.
Enver. These are certainly faults, but they are the faults of an enthusiastic nature.
Enver. These are definitely shortcomings, but they are the shortcomings of an excited personality.
The Sultan. Well, I don't like that kind of enthusiastic nature. I prefer something quieter. Besides, I am told that his behaviour in the house and his table-manners are dreadful. He's quite capable, if he doesn't like a dish, of throwing it at the attendants. Then he gets so angry when people don't agree with him; the least contradiction makes him purple, absolutely purple, with passion. My dear ENVER, you would have to pretend you knew nothing about Turkey when you talked with him—at any rate nothing in comparison with his knowledge—and I'm sure you wouldn't like that; nobody would. No, I can't say the prospect of having him here as my guest allures me, but of course, if you say it must be done, I'm ready to sacrifice myself. Only I warn you it will spoil everything for me to have him here prancing about in a Turkish uniform.
The Sultan. Well, I’m not a fan of that kind of over-the-top personality. I prefer someone more low-key. Plus, I’ve heard that his behavior at home and his dining etiquette are terrible. He’s definitely the type to throw food at the staff if he doesn’t like a dish. And he gets so mad when people don’t agree with him; just the slightest disagreement makes him turn completely red with rage. My dear ENVER, you’d have to act like you knew nothing about Turkey when you talked to him—at least nothing compared to his knowledge—and I’m sure you wouldn’t enjoy that; no one would. No, I can’t say the idea of having him here as my guest excites me, but if you insist that it has to happen, I’m willing to make that sacrifice. Just know that having him strutting around in a Turkish uniform will ruin everything for me.
Enver. I didn't know your Majesty's feelings were so strong on the subject. Perhaps it will not, after all, be necessary. I will see what can be done.
Enver. I didn’t realize how strongly you feel about this, Your Majesty. Maybe it won’t be necessary after all. I’ll find out what we can do.
The Sultan. Yes, do, there's a good fellow. If I had to entertain that man for a week I should suffer from indigestion for the rest of my life.
The Sultan. Yes, please do, you're a good guy. If I had to put up with that man for a week, I’d be dealing with indigestion for the rest of my life.
Enver. If possible we will see that your Majesty is spared such an affliction. With your Majesty's leave I will now withdraw.
Enver. If we can, we will make sure that Your Majesty is spared from such a burden. With Your Majesty's permission, I will now take my leave.
The Sultan. Do by all means. No—stop; you haven't given me any of the War news. I keep on asking for it, but nobody pays any attention to my requests. Honestly, I don't see much use in being a Sultan if one can't get anyone to do what one asks.
The Sultan. Go ahead. No—wait; you haven't told me any of the War news. I keep asking for it, but nobody listens to my requests. Honestly, I don’t get the point of being a Sultan if I can’t get anyone to do what I ask.
Enver. Oh, you want to hear some War news, do you? Well, I may as well tell you now as later. Baghdad's gone.
Enver. Oh, you want to hear some war news, huh? Well, I might as well tell you now as later. Baghdad's fallen.
The Sultan. What—captured?
The Sultan. Wait—captured?
Enver. Yes, the infernal English have got it.
Enver. Yes, the damn English have got it.
The Sultan. I knew it was bound to happen. I told you so only last Tuesday—at least, if it wasn't you it was somebody else. "Baghdad," I said, "is sure to be captured. The English are in great force, and if we don't watch it carefully they're sure to snatch it from us." That's what I said; but you wouldn't have it. You were all so cock-sure, and now where are you?
The Sultan. I knew this was going to happen. I told you just last Tuesday—if it wasn't you, it was someone else. "Baghdad," I said, "is definitely going to be captured. The English have a huge force, and if we don't keep a close eye on things, they’ll definitely take it from us." That’s what I said, but you wouldn’t listen. You were all so overly confident, and now look at you.
Enver. Who can fight against treachery?
Enver. Who can stand against betrayal?
The Sultan. Treachery? It's simply stupidity and incompetence. You and your KAISER keep patting one another on the back, and then one fine morning you wake up and discover that Baghdad has fallen. ENVER, you'll find it rather difficult to explain this to the people. They know my advice hasn't counted for anything in this; they'll put it all down to you; and you can't murder them all, as you murdered poor old NAZIM.
The Sultan. Betrayal? It's just foolishness and incompetence. You and your KAISER keep congratulating each other, and then one day you wake up to realize that Baghdad has fallen. ENVER, you're going to have a tough time explaining this to the people. They realize my advice hasn’t mattered at all in this; they’ll blame it all on you, and you can’t just go and kill them all like you did with poor old NAZIM.
Enver. Silence, or—
Enver. Quiet, or—
The Sultan. Yes, I know, but I will not keep silence. Rather, I will ask again, why have you sent my best regiments to help the Austrians and Germans on their own fronts? Even I could have managed better than that. And why are we fighting in this War at all? Answer me that.
The Sultan. Yes, I get it, but I won’t stay quiet. Instead, I’ll ask again, why did you send my best troops to support the Austrians and Germans on their own battlefields? Even I could have done a better job than that. And why are we even fighting in this War? Answer that for me.
Enver. We fight for the greatness of Turkey.
Enver. We’re fighting for the greatness of Turkey.
The Sultan. Well, we don't seem very successful. It was a good deal bigger before we lost Erzerum and Baghdad...
The Sultan. Well, we don't seem very successful. It was a lot bigger before we lost Erzerum and Baghdad...
(Left wrangling.)
Leftist infighting.
Conscience-Money?
"The Commissioners of Inland Revenue acknowledge the receipt of first half of £100 note from 'Berlin.'"—Daily Paper.
"The Inland Revenue Commissioners confirm they received the first half of a £100 note from 'Berlin.'"—Daily Paper.
"Half-a-dozen deer escaped from Hatfield Park some weeks ago through a gate having been carelessly left open. A wholesale clearance of vegetables followed in the district, and the damage was so serious that, with the Marquis of Salisbury's approval, shooting parties of farmers went out, and the raiders have now been run to earth."—Manchester Paper.
"A group of six deer escaped from Hatfield Park a few weeks ago through a gate that was accidentally left open. This led to a large-scale destruction of vegetables in the area, and the damage was so severe that, with the Marquis of Salisbury's consent, groups of farmers organized shooting parties, and the intruders have now been tracked down."—Manchester Paper.
It looks as if they were only rabbits, after all.
It seems like they were just rabbits, after all.
AT THE PLAY.
"REMNANT."
"Leftover."
I wish now that I had not been compelled to postpone my visit to the Royalty, for I think the fall of Baghdad must have put me a bit above myself. Anyhow, I was less moved than usual by the triumph of virtue and the downing of vice; and permitted myself to wonder how a play like Remnant ever found its way into the Royalty (of all theatres), and what Mr. DENNIS EADIE (of all actors) was doing in this galley, this melted-butter boat. And indeed there were moments when I could see that Mr. EADIE himself shared my wonder, if I rightly interpreted certain signs of indifference and detachment in his performance. I even suspected a sinister intention in the title, though, of course, Messrs. MORTON and NICCODEMI didn't really get their play off in the course of a bargain sale of superannuated goods.
I now regret having to delay my visit to the Royalty, as I think the fall of Baghdad has made me a bit too full of myself. Anyway, I felt less affected than usual by the triumph of good over evil, and I found myself wondering how a play like Remnant ever made it to the Royalty (of all theatres), and what Mr. DENNIS EADIE (of all actors) was doing in this mess, this melted-butter boat. In fact, there were moments when I could tell that Mr. EADIE himself seemed to share my confusion, if I correctly interpreted some signs of indifference and detachment in his performance. I even suspected there was something shady about the title, although, of course, Messrs. MORTON and NICCODEMI didn’t really deliver their play as part of a clearance sale of outdated goods.
Apart from the Second Act, where Miss MARIE LÖHR (looking rather like a nice Dutch doll) delivered the blunt gaucheries of Remnant with a delightfully stolid naïveté, the design of the play and its simple little devices might almost have been the work of amateurs. The sordid quarrels between Tony and his preposterous mistress (whom I took to be a model, till I found that he was only an artist in steam locomotives) were extraordinarily lacking in subtlety. In all this Bohemian business one looked in vain for a touch of the art of MURGER. What would one not have given for something even distantly reminiscent of the Juliet scene—"et le pigeon chantait toujours"? And it wasn't as if this was supposed to be a sham Americanised quartier of to-day. We were in the true period—under Louis PHILIPPE. Indeed I know no other reason (costumes always excepted) why the scene was the Paris of 1840. For the purposes of the play Tony might just as well have been a British designer of tanks (London, 1916). Nor was there anything even conventionally French about the girl Remnant, who might have been born next-door to Bow Bells.
Aside from the Second Act, where Miss MARIE LÖHR (looking a bit like a cute Dutch doll) delivered the blunt awkwardness of Remnant with a delightfully stiff naïveté, the overall design of the play and its simple little tricks might as well have been from amateurs. The messy arguments between Tony and his ridiculous mistress (who I originally thought was a model, only to discover he was just an artist in steam locomotives) were strikingly lacking in depth. In all this Bohemian scene, one couldn't help but miss any hint of the art of MURGER. What wouldn’t one have given for something even vaguely reminiscent of the Juliet scene—"et le pigeon chantait toujours"? And it wasn't like this was meant to be a fake Americanized quartier of today. We were in the genuine period—under Louis PHILIPPE. In fact, I can't think of any other reason (costumes aside) why the setting felt like Paris in 1840. For the sake of the play, Tony could have just as easily been a British tank designer (London, 1916). There was nothing even remotely French about the girl Remnant, who could have been born right next to Bow Bells.

REMNANT BARGAIN DAY.
Clearance Sale Day.
Tony ... MR. DENNIS EADIE.
Tony ... MR. DENNIS EADIE.
"Remnant" ... MISS MARIE LÖHR.
"Remnant" ... Miss Marie Löhr.
Miss MARIE LÖHR was the life and soul of the party. Her true comedy manner, when she was serious, was always fascinating. She said with great discretion her little Barriesque piece about the desirability of babies, and she did all she knew to keep the sentiment from being too sickly-sweet. Here she had strong assistance from Mr. EADIE as her lover Tony; for, though he got a fine flash out of the green eye of jealousy when he suspected his patron, Jules, of jumping his love-claim, it was obvious at the end that the success of his professional ambitions was far more to him than any affair of the heart. And, after all, when Remnant complained of a curious bourdonnement in her ears, and Tony had to reply solemnly, "That which you hear is the beating of your heart to the music of your soul," you could hardly expect a man with Mr. EADIE'S sense of humour to throw much conviction into the statement.
Miss Marie Löhr was the life of the party. Her genuine comedic style, even when she was serious, was always captivating. With great tact, she delivered her little piece, reminiscent of Barrie, about the appeal of babies, doing her best to keep the sentiment from being overly sentimental. She had strong support from Mr. Eadie as her lover, Tony; even though he got a thrill from the green-eyed jealousy when he suspected his rival, Jules, of encroaching on his romantic claim, it was clear by the end that his professional ambitions mattered to him far more than any romantic affair. And, after all, when Remnant complained of a strange buzzing in her ears, and Tony had to respond solemnly, "What you hear is the beating of your heart to the music of your soul," you could hardly expect a man with Mr. Eadie's sense of humor to put much conviction behind that statement.
Mr. C.M. LOWNE was a very passable beau, and made love to Remnant with that rich fruitiness of voice of which he is a past master. It was her business (as she explained to Tony when he surprised their two faces within kissing distance of each other) to keep Jules in good humour since Tony's chances depended upon his patronage. But it couldn't have helped much to tell Jules with such appalling candour that the shiver produced by his kiss was the same kind as she had once felt when a rat ran over her face during sleep. However, Jules was not a beau for nothing and could afford this exceptional set-back to one of his many amours. There was, by the way, an excellent little comedy scene between him and his wife, played by Miss MURIEL POPE with a quiet humour as piquant as her gown.
Mr. C.M. LOWNE was quite the charming guy and flirted with Remnant using that rich, inviting voice he's mastered. It was her job (as she told Tony when he unexpectedly found them almost kissing) to keep Jules in a good mood since Tony's chances relied on his support. But it probably didn’t help much to tell Jules so bluntly that the chill from his kiss reminded her of the time a rat scurried across her face while she was asleep. Still, Jules was a smooth talker and could handle this unusual setback in one of his many flings. By the way, there was a delightful little comedic scene between him and his wife, played by Miss MURIEL POPE, featuring a subtle humor as delightful as her outfit.
As Manon, the querulous termagant that Tony had taken for mistress, Miss HILDA MOORE was not very kindly served by her part—so rudimentary that its highest flight was achieved when, with a Parthian shot, she referred to Tony as a geni-ass.
As Manon, the complaining firebrand that Tony had taken as his mistress, Miss HILDA MOORE wasn't given much to work with in her role—so basic that her biggest moment came when, with a sharp comeback, she called Tony a geni-ass.
I will not forecast a limited success for this play, for who would dare to say that there is not always room in the broad British bosom for yet another triumph of sentiment over ideas—I speak of the play itself and not of the performance? If only for Miss LÖHR'S sake I could wish that the best of fortune may attend it; for to have worn her hair as she did in the Second Act, out of regard for the period, was a sacrifice as fine as any that women have shown in the course of Armageddon (if I may judge of them by their portraits in the Photographic Press), and she ought to have her reward, bless her heart! O.S.
I won't predict a limited success for this play, because who would dare to claim that there's not always room in the big British heart for yet another win of emotion over ideas—I mean the play itself, not the performance? If only for Miss LÖHR'S sake, I hope it does really well; after all, wearing her hair the way she did in the Second Act, to honor the period, was a sacrifice as noble as any women have made during tough times (if I can judge them by their pictures in the Photographic Press), and she deserves her reward, bless her heart! O.S.
"GENERAL POST."
"GENERAL POST."
It would be easy to make fun of the exaggerations and ultra-simplifications of Mr. TERRY'S new comedy. It is much pleasanter (and juster) to dwell on its wholesomeness, its easy humour and its effect of honest entertainment. Not a highbrow adventure, it is not to be judged by highbrow standards. It is decently in key, and an exceptionally clever cast carried it adroitly over any rough places. Remarkable, too, as almost the first popular testimonial since the War began to the too-much-taken-for-granted Territorials, who worked in the old days while we scoffed and golfed. That's all to the good.
It would be easy to mock the exaggerations and oversimplifications of Mr. TERRY'S new comedy. It’s much nicer (and fairer) to focus on its wholesome nature, its light humor, and its ability to provide genuine entertainment. It’s not a highbrow adventure, so it shouldn’t be judged by highbrow standards. It strikes a proper tone, and an exceptionally talented cast handled it smoothly despite any rough spots. It’s also noteworthy as one of the first popular acknowledgments since the War began of the often-overlooked Territorials, who worked in the past while we were busy scoffing and playing golf. That’s all good.

THE TAILOR WHO DID NOT NEED TO PRESS HIS SUIT.
THE TAILOR WHO DIDN'T NEED TO PRESS HIS SUIT.
Sir Dennys Broughton ... MR. NORMAN MCKINNEL.
Sir Dennys Broughton ... MR. NORMAN MCKINNEL.
Lady Broughton ... MISS LILIAN BRAITHWAITE.
Lady Broughton ... Miss Lilian Braithwaite.
Edward Smith (tailor) ... MR. GEORGE TULLY.
Edward Smith (tailor) ... MR. GEORGE TULLY.
Our author's hero is an excellent provincial tailor, who is also keen Captain Smith in the Sheffingham Terriers. As tailor his chief customer, as soldier his contemptuous scandalised critic, is Sir Dennys Broughton, whose wayward flapper daughter Betty is in the early fierce stages of revolt against the stuffiness of life at Grange Court, meets Smith over some boys' club work, and, finding brains and dreams in him (a formidable contrast to her loafing brother), falls into passionate first-love. Smith is just as badly if more soberly hit, and recognising the impossibility of the situation (quite apart from demonstrations by the alarmed Broughtons) decides to take his tape and shears to his London house of business. The date of all this being about the time of the misguided Panther's fateful leap on Agadir.
Our author’s hero is a talented provincial tailor who is also a dedicated captain in the Sheffingham Terriers. As a tailor, his main customer and, as a soldier, his scornful critic is Sir Dennys Broughton, whose rebellious daughter Betty is in the early stages of pushing back against the dullness of life at Grange Court. She meets Smith while working on a boys' club project and, finding intelligence and dreams in him (a striking contrast to her lazy brother), she falls deeply in love for the first time. Smith is equally affected, albeit in a more serious way, and realizing the impossibility of their situation (especially with the anxious Broughtons looking on), he decides to take his measuring tape and scissors to his business in London. This all happens around the time of the misguided Panther’s fateful leap on Agadir.
Act II. brings us to the second year of the War. Young Broughton, puppy no longer, is gloriously in it, and has just been gazetted to a Territorial regiment whose Colonel bears the not uncommon name of Smith. Our tailor, of course, and a rattling fine soldier too. Having discovered this latter fact and also formed a remarkably cordial relationship apparently in a single day, the enthusiastic cub subaltern (distemper and snobbishness over and done with) motors up his C.O., who is visiting his brother and partner, and brings him in to Grange Court on the way. Sir Dennys, now a brassarded private and otherwise a converted man, is still confoundedly embarrassed, and stands anything but easy in the presence of his youngster's Colonel. Lady Broughton, least malleable of the group, is frankly appalled by this new mésalliance. Perhaps Mr. TERRY'S version of blue-blooded insolence and fatuity is for his stage purpose rather crudely coloured, but who shall say [pg 187] that the doctrine that a man in khaki who has been an elementary schoolmaster or a tailor is a man for a' that, is quite universally accepted in the best circles even in this year of grace? Betty, now a grown girl in the cynical stage, revenges herself with feline savagery on the knight of the shears for the imagined slight of his defection.
Act II. brings us to the second year of the War. Young Broughton, no longer a rookie, is fully embedded in it, and has just been gazetted to a Territorial regiment whose Colonel has the fairly common name of Smith. Our tailor, of course, and he’s a fantastic soldier too. Having discovered this and also formed a surprisingly friendly relationship apparently in just one day, the eager young subaltern (over his childish attitudes and snobbery) drives up to see his C.O., who is visiting his brother and partner, and brings him into Grange Court on the way. Sir Dennys, now a private with a badge and otherwise a changed man, is still incredibly embarrassed and feels anything but comfortable around his son's Colonel. Lady Broughton, the least flexible of the group, is openly horrified by this new mésalliance. Maybe Mr. TERRY'S portrayal of pretentious arrogance and foolishness is a bit exaggerated for his stage purposes, but who can say [pg 187] that the idea that a man in khaki who has been an elementary schoolteacher or a tailor is deserving of respect is entirely accepted in the best circles even in this year of grace? Betty, now a grown girl in a cynical phase, takes her revenge with feline cruelty on the tailor for the imagined slight of his defection.
Act III. is dated 19? just after peace is declared. The tailor is not (as I half expected) back in his shop, but a Brigadier-General Smith, V.C., is being invested with the freedom of Sheffingham and is making a spirited attack on the defences of Betty. She puts up enough of a fight to ensure a good Third Act, and capitulates charmingly to the delight, now, of all the Broughton household—butler included. I hope Mr. TERRY is right and that the places taken in this great war game of General Post and the values registered will have permanence.
Act III is set in 19? right after peace is declared. The tailor is not back in his shop as I somewhat expected; instead, a Brigadier-General Smith, V.C. is being honored with the freedom of Sheffingham and is making an energetic attempt to break through the defenses of Betty. She puts up enough of a fight to make for an engaging Third Act and charmingly surrenders, much to the delight of everyone in the Broughton household— including the butler. I hope Mr. TERRY is correct in believing that the positions gained in this big war game of General Post and the values noted will last.
I won't deny that the excellent moral of the play goes far to disarm one's critical faculty. Why not confess that one lost one's heart to the nicest tailor since Evan Harrington? Indeed, Mr. TULLY (always, I find, quite admirable in characterisation, and that no mere matter of outward trick, but duly charged with feeling) made just such a decent, lovable, sideless officer as it has been the pride of the nation of shopkeepers to produce in the day of challenge. Whoever was it dared cast Mr. MCKINNEL for the part of a weak kindly old ass of a baronet, without any ruggedness or violence in his composition? Congratulations to the unknown perspicacious hero and to Mr. MCKINNEL! Miss MADGE TITHERADGE flapped prettily as a flapper; bit cleanly and cruelly in her biting mood; surrendered most engagingly. This is less than justice. She used her queer caressing voice and her reserves of emotional power to fine effect. Miss LILIAN BRAITHWAITE made her Lady Broughton nearly credible and less "unsympathetic" than was just. Mr. DANIELL is new to me. He played one of those difficult foil parts with a really nice discretion.
I won’t deny that the great moral of the play really makes you overlook some of the critical aspects. Why not admit that I fell for the most charming tailor since Evan Harrington? Honestly, Mr. TULLY (who is always impressive in his character portrayal, and it’s not just a superficial thing, but filled with genuine emotion) created a decent, lovable, and unassuming officer that this nation of shopkeepers can take pride in during times of challenge. Who had the courage to cast Mr. MCKINNEL as a gentle, kind old baronet, completely lacking any rough edges or aggression? Hats off to the anonymous insightful hero and to Mr. MCKINNEL! Miss MADGE TITHERADGE was delightful as a flapper; she was sharp and harsh in her biting moments, yet surrendered in a very charming way. This doesn't do her justice. She used her unique soothing voice and her emotional depth to great effect. Miss LILIAN BRAITHWAITE made her Lady Broughton almost believable and less "unsympathetic" than one might expect. Mr. DANIELL is new to me. He handled one of those challenging supporting roles with a really nice subtlety.
The audience was genuinely pleased. It dragged from the author a becomingly modest acknowledgment. He did owe a great deal to his players, but a writer of stage plays need not be ashamed of that. T.
The audience was genuinely pleased. It drew a modest acknowledgment from the author. He did owe a lot to his performers, but a playwright doesn’t need to be embarrassed about that. T.

Ethel (playing at grown-ups). "IS YOUR HUSBAND IN THE WAR, MRS. BROWN?" Mabel. "OH YES, OF COURSE, MRS. SMITH."
Ethel (pretending to be an adult). "IS YOUR HUSBAND IN THE WAR, MRS. BROWN?" Mabel. "OH YES, OF COURSE, MRS. SMITH."
Ethel. "IS HE IN FRANCE?" Mabel. "NO, HE'S IN THE WAR LOAN."
Ethel. "IS HE IN FRANCE?" Mabel. "NO, HE'S IN THE WAR LOAN."
THE PLOT PRECAUTIONARY.
(The KAISER addresses his Transatlantic Faithful.)
(The KAISER speaks to his Transatlantic supporters.)
Ye stalwart Huns and strident,
You steadfast Huns and loud,
Who can't come home again,
Who can't go home again,
Because base Albion's trident,
Because base Albion's trident,
Though largely on the wane,
Though mostly declining,
Still occupies successfully the surface of the main;
Still successfully occupies the surface of the main;
Give ear, my gallant fellows,
Listen up, my brave friends,
While I the truth declare;
While I declare the truth;
Britain's expiring bellows
Britain's fading resources
Will shortly rend the air;
Will soon break the silence;
Wiping the earth up then will be a simplified affair.
Wiping up the earth will then be a straightforward task.
But, while at home our Hunnish
But while we were home, our Hunnish
Valour obtains the day,
Courage wins the day,
It must be yours to punish
It must be your responsibility to punish.
The craven U.S.A.,
The cowardly U.S.A.,
Debouching on them unawares from Sinaloa way.
Debouching on them unexpectedly from Sinaloa way.
I make the rough suggestion,
I make the casual suggestion,
And it shall be your care
And it will be your responsibility
To solve the minor question
To address the small issue
Of how and when and where,
Of when, where, and how,
Aided by Gen. CARRANZA, the party with the hair.
Aided by Gen. CARRANZA, the party with the hair.
Some pesos and centavos
Some pesos and cents
He will of course demand
He will definitely demand
Before he leads his bravos
Before he leads his crew
Across the Rio Grande;
Across the Rio Grande
Offer the fellow all he wants—in German notes of hand.
Offer the guy everything he wants—in German promissory notes.
Meanwhile the Hyphenated,
Meanwhile, the Hyphenated,
Busy with bomb and knife,
Busy with explosives and knife,
Will likewise hand the hated
Will also hand the hated
Gringos a taste of strife,
Gringos experience a taste of strife,
Starting with Colonel ROOSEVELT and the Editor of Life.
Starting with Colonel Roosevelt and the editor of Life.
These are, in brief, the vistas
These are, in short, the views
That swim before my ken;
That swim before my sight;
So tell the Carranzistas
So tell the Carranzistas.
To up and act like men;
To step up and behave like men;
And say the money's coming on, but do not mention when.
And say the money's on the way, but don't say when.
Bid them with sword and fire wreck
Bid them with sword and fire wreck
The pale Pacific West;
The light Pacific West;
And tell SYLVESTER VIERECK
And inform SYLVESTER VIERECK
And BARTHOLDT and the rest
And BARTHOLDT and others
To call the Lagerbund to arms and jump on WILSON'S chest.
To rally the Lagerbund and attack WILSON.
There'll be some opposition—
There will be some opposition—
That I can quite foresee;
I can see that clearly;
But bear in mind your mission
But remember your mission.
Must primarily be
Must be primarily
To keep the swine-dog Yankees from jumping on to me!
To stop the pig-dog Yankees from coming after me!
ALGOL.
ALGOL.
Our Commercial Stylists.
"—, SONS & CO., LTD.,
—, SONS & CO., LTD.,
ARE SHOWING A DELIGHTFUL RANGE OF CORSETS, EMBRACING THE MOST APPROVED MODELS."—Glasgow Herald.
ARE SHOWING A CHARMING VARIETY OF CORSETS, FEATURING THE MOST APPROVED STYLES."—Glasgow Herald.
"Dover: Gas up 5d. a 1,000.
"Dover: Gas up 5d. a 1,000."
Tunbridge Wells: Gas up 2d. a 1,000.
Tunbridge Wells: Gas up 2d. a 1,000.
Lord Selborne is up again, after a chill."—Evening News.
Lord Selborne is back on his feet after catching a chill."—Evening News.
Good, but how much?
Good, but how much is it?
OUR BOOKING-OFFICE.
(By Mr. Punch's Staff of Learned Clerics.)
(By Mr. Punch's Team of Knowledgeable Experts.)
The Snare (SECKER) impressed me as a tale emphatically prededicate to the footlights. Actually, by the way, Mr. RAFAEL SABATINI has dedicated it "to LEON M. LEON, who told me this story"—which, of course, only strengthens my belief. Anyhow, it has every mark of the romantic drama—a picturesque setting, that of the Peninsular War, rich in possibilities for the scenic and sartorial arts; and a strongly emotional plot, leading up to a situation that could be relied upon to bring down the house. I shall, of course, not tell you the plot. It contains a jealous husband, an injudicious wife, a hero and heroine, a villain (of foreign extraction) and a god in the machine, who is none other than our IRON DUKE himself. And the situation in the last Act offers as pretty a piece of table-turning as any audience need desire. I wish I could explain how the DUKE plays with his enemies, and finally—but no, I said I wouldn't, and I will keep my word. Two little carpings, however. Surely it is wrong to speak of "catch half-penny" journalism in the time of WELLINGTON. My impression is that the journalists of those days caught at least fourpence by their wares. And I confess to an emotion of disappointment when the heroine bounced up at the court-martial and said that the hero couldn't have committed the murder because he was "in her arms" at the time. Of course he hadn't been; and I very much doubt whether any Court would have believed her for two minutes. But leading ladies love saying it, so I suppose the very out-worn device will have to be retained in the stage version. I look forward to this with much pleasure.
The Snare (SECKER) struck me as a story that’s clearly meant for the stage. By the way, Mr. RAFAEL SABATINI has dedicated it "to LEON M. LEON, who told me this story"—which definitely reinforces my view. In any case, it has all the hallmarks of a romantic drama—a vivid backdrop of the Peninsular War, packed with potential for impressive visuals and costumes; and a gripping emotional storyline, building up to a moment sure to wow the audience. I won't give away the plot, of course. It features a jealous husband, a rash wife, a hero and heroine, a villain (of foreign descent), and a “god in the machine,” who is none other than our IRON DUKE himself. And the situation in the final act delivers quite a twist that any audience would love. I wish I could explain how the DUKE tricks his enemies, but I promised I wouldn’t, so I’ll stick to that. Just two minor complaints, though. It’s surely inaccurate to refer to “cheap journalism” in Wellington’s time. I believe journalists back then made at least fourpence from their work. And I felt a bit let down when the heroine stood up at the court-martial and claimed the hero couldn’t have committed the murder because he was "in her arms" at the time. Of course, he wasn’t; and I really doubt any court would have believed her for more than two minutes. But leading ladies love saying this, so I guess this well-worn trope will have to stay in the stage version. I’m looking forward to it with great anticipation.
That clever lady, ELINOR MORDAUNT, has collected into the volume that she calls Before Midnight (CASSELL) a series of short stories of a psychic (though not always ghostly) character, which, while not very eerie, or on the same high level, are at their best both original and impressive. The first of them, which affords excuse for a highly-intriguing cover-picture, is at once the most spooksome and the least satisfactory. That is to say that, though it opens with a genuine and quite horrible thrill, the "explanation" is obscure and tame. Far more successful, to my mind, is "The Vision," a delicate little idyll of a Midland schoolmarm, to whom is shown the death of Adonis and the lamenting of his goddess-lover. The writing of this touches real beauty (the high-fantastic, instead of the merely high-falutin', which in such connection would have been so fatally easy). To sum up, though one at least of these "dreams before midnight" may quite possibly become a nightmare after it, I fancy that, to all lovers of the occult, the game will be found well worth the bed-room candle.
That clever woman, ELINOR MORDAUNT, has put together a collection she calls Before Midnight (CASSELL), featuring a series of short stories with a psychic (though not always ghostly) theme. While they aren’t particularly eerie or on the same high level, at their best, they are both original and impressive. The first story, which justifies a highly intriguing cover picture, is simultaneously the most spooky and the least satisfying. In other words, although it starts with a genuine and quite horrifying thrill, the "explanation" is vague and lackluster. Much more successful, in my opinion, is "The Vision," a delicate little tale about a Midlands schoolteacher who witnesses the death of Adonis and the mourning of his goddess-lover. The writing here embodies real beauty (the high-fantastic, rather than merely high-falutin', which would have been too easy in this context). To sum up, although one of these "dreams before midnight" might very well turn into a nightmare afterward, I believe that to all fans of the occult, it’s definitely worth the bedside candle.
There are qualities in The Bird of Life, by GERTRUDE VAUGHAN (CHAPMAN AND HALL), which cause me to look forward to this lady's future work with very considerable interest. In the present novel she sets out the life story of Rachel up to a point boldly given as being beyond the conclusion of the War, in which, by the way, both her husband and the man whom she ought to have married are killed on the same day. The first eighty-four pages of the book raised my hopes very high. They describe with great simplicity and sympathy the thoughts and feelings, the romances and difficulties, of an affectionate and lonely little girl living with her Uncle Matthew and her Aunt Elizabeth, and loving them both with a childlike fervour. There is no exaggeration; the writing goes true to its mark, and the effect designed by the writer is admirably well made. Then Uncle Matthew dies and Rachel finds a new home in the Vicarage of Mr. Venning, a family man if ever there was one, for he has fifteen children. From this point the interest is slightly diluted, and the excellence of the book diminishes. One does not recognise in the more mature Rachel the girl one had expected to find after one's initiation into the secrets of her baby mind. She marries Edward Venning, and finds too late that he is, like his father, made up of convention and narrowness. She plans a disappearance, and leaves some of her belongings on the edge of a bottomless tarn. Then, being hypothetically dead, she begins to live her life in her own way. Later on she returns to Edward, "on approval for six months"; but this period was apparently not sufficient to break the chain that bound her to Another, and, the War intervening, she is left almost doubly widowed. I feel that I have not quite done justice to Miss VAUGHAN'S book, but, on the other hand, I am sure that she has not quite done justice to her unquestionable talent.
There are qualities in The Bird of Life, by GERTRUDE VAUGHAN (CHAPMAN AND HALL), that make me eager to see what this author will produce next. In this novel, she presents the life story of Rachel, set boldly beyond the end of the War, during which both her husband and the man she should have married die on the same day. The first eighty-four pages of the book raised my hopes high. They describe with great simplicity and empathy the thoughts and feelings, romances and challenges of a loving and lonely little girl living with her Uncle Matthew and Aunt Elizabeth, and she loves them both with a childlike intensity. There’s no exaggeration; the writing hits its mark, and the impact the writer intended is expertly achieved. Then, when Uncle Matthew dies, Rachel moves to the Vicarage of Mr. Venning, a family man in every sense, as he has fifteen children. From this point, the story loses a bit of its spark, and the quality of the book declines. The more mature Rachel does not resemble the girl we expected to find after learning the secrets of her childhood. She marries Edward Venning and realizes too late that he, like his father, is filled with conventions and limitations. She plans to disappear and leaves some of her belongings by a bottomless tarn. Then, as if hypothetically dead, she starts living her life on her own terms. Later, she returns to Edward, "on approval for six months"; however, this period isn’t enough to break the connection to another person, and when the War intervenes, she finds herself almost doubly widowed. I feel I haven’t fully captured the essence of Miss VAUGHAN'S book, but on the other hand, I believe she hasn’t fully showcased her undeniable talent either.
A volume entitled Friends of France: The Field Service of the American Ambulance (SMITH, ELDER) has appeared in a happy hour to remind one, if that were necessary, that in the great nation that awaits Mr. WILSON'S call there have always been found some eager to give their services and, if need be, life itself to prove their love for the other great Republic. I don't think either you or I will grudge such an affection at this date, founded historically though it may be on a mutual dislike of ourselves, and consequently it is a very pleasant impression that is produced by this record of American efficiency and courage in Red Cross work on the French front. This being clearly remembered one need not be afraid to admit that in detail the book will be of interest mainly to the friends of those concerned, since the method of multiple authorship adopted necessarily involves overlapping, and a good deal of the volume is given up to monotonous, though undoubtedly well-earned, "tributes and citations" from the French authorities. Neither is the bulk of the matter, most generously illustrated though it is, particularly intriguing, for by now one is sufficiently familiar with accounts of the removal of wounded under fire and the sort of work at which these four hundred American University men proved themselves so adept at half-a-dozen points between Flanders and Alsace. Americans, long at odds with "ruthlessness" (and at last forced to the inevitable logical conclusion in regard to it), may well be glad to be able to point, amongst other creditable things, to this history of service given without hesitation in acknowledgment of their debt to the civilisation of the Old World; and we also shall be no less glad to remember it.
A book called Friends of France: The Field Service of the American Ambulance (SMITH, ELDER) has come out at a good time to remind us that in the great nation waiting for Mr. WILSON'S call, there have always been people ready to offer their services and, if necessary, their lives to show their love for the other great Republic. I don't think either you or I will resent such affection at this time, even though it may be historically grounded in a mutual dislike of ourselves. Therefore, it creates a pleasant impression to see this record of American efficiency and courage in Red Cross work on the French front. Keeping this in mind, one should admit that the book will mainly interest the friends of those involved, as the method of multiple authorship leads to some overlap, and a considerable portion of the volume is dedicated to repetitive, though undoubtedly well-deserved, "tributes and citations" from the French authorities. Additionally, the bulk of the content, while generously illustrated, isn't particularly captivating since we are now quite familiar with stories of rescuing the wounded under fire and the kind of work these four hundred American university men excelled at across various locations from Flanders to Alsace. Americans, who have long struggled with "ruthlessness" (and have finally been forced to confront it), can take pride in being able to highlight this history of service offered without hesitation, recognizing their debt to the civilization of the Old World; and we will also be glad to remember it.
It is perhaps natural that in Winnowed Memories (CASSELL), by Field-Marshal Sir EVELYN WOOD, V.C., one should look at first to see what references they contain to modern events. On these matters, as on all others covered by this volume, we are told nothing that is not invigorating and to the point, and the tributes here paid to the fighting qualities of our armies of to-day form a fitting conclusion to a book that is full of sound sense and good cheer. Sir EVELYN has had a vast experience and enjoys an evergreen vigour. What is rarer still, he has a kindly nature that admits no trace of the disappointments he must from time to time have suffered. As everyone knows, he was always an advocate of Compulsory Universal Service for Home Defence, but he casts no stone at those who so long and parlously delayed to learn their lesson. Like the true soldier that he is, he seems to have no time or taste for those recriminations which are best left to small political fry. And I rejoice that in a book of such authority the note is largely one of happiness and hope.
It’s probably natural that in Winnowed Memories (CASSELL), by Field-Marshal Sir EVELYN WOOD, V.C., one would first look for references to modern events. On these topics, as with everything else in this book, we’re presented with nothing but refreshing and relevant insights, and the praises given to the combat skills of our current armies serve as a fitting conclusion to a book that’s full of solid reasoning and optimism. Sir EVELYN has extensive experience and maintains a vibrant spirit. What’s even rarer is his kind nature, which shows no signs of the disappointments he must have faced from time to time. As everyone knows, he’s always been a strong supporter of Compulsory Universal Service for Home Defense, but he doesn’t blame those who took so long to grasp the lesson. Like the true soldier he is, he appears to have no interest in the blame game that’s better suited for minor politicians. I’m glad that in a book of such authority, the overall message is one of joy and hope.
"Owing to congestion on the railways there is a food shortage in Petrograd, which has led some of the less irresponsible citizens to demonstrate during the session of the Council of the Empire and the Duma."—Daily Sketch.
"Due to congestion on the railways, there's a food shortage in Petrograd, which has prompted some of the more responsible citizens to protest during the session of the Council of the Empire and the Duma."—Daily Sketch.
Subsequent news shows that "less irresponsible" was not a misprint but a prophecy.
Subsequent news indicates that "less irresponsible" was not a typo but a prediction.

Sympathetic Newsboy (to proprietor of Coffee Stall.) "WOT YER TRYIN' TO DO WIV THE OLD 'OTEL, GUVNER? TAKIN' IT 'OME FOR FEAR OF 'AVIN' IT COMMANDEERED?"
Sympathetic Newsboy (to proprietor of Coffee Stall.) "What are you trying to do with the old hotel, sir? Are you taking it home because you’re afraid of it being taken over?"
"It is claimed that about thirty Merman firms construct the Diesel motors originally used for submarines."—Daily Telegraph.
"It's reported that around thirty Merman companies build the Diesel engines originally used for submarines."—Daily Telegraph.
We wish these motors a speedy return to the fishy scenes of their origin.
We hope these motors quickly return to the fishy places they came from.
"Several eligible sires for workmen's dwellings, of which some 300 are needed, have been selected by the Southport Town Planning Committee."—Daily Paper.
"The Southport Town Planning Committee has selected several qualified sites for workers' housing, with around 300 needed."—Daily Paper.
They must not be confused with "the rude forefathers of the hamlet" mentioned by GRAY.
They shouldn't be confused with "the rude forefathers of the hamlet" mentioned by GRAY.
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