This is a modern-English version of Things To Make, originally written by Williams, Archibald.
It has been thoroughly updated, including changes to sentence structure, words, spelling,
and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If
you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.
Scroll to the bottom of this page and you will find a free ePUB download link for this book.
![[Illustration]](images/cover.jpg)
Transcriber’s Note:
If the pdf version of the book is viewed using facing pages with even numbered pages on the left, you will see a close approximation of the original book.
If you view the PDF version of the book with facing pages, with even-numbered pages on the left, you'll see something that closely resembles the original book.
Notations of the form “(1,650) 2” appear at the bottom of some pages; they are probably printer’s references for assembling to book.
Notations like “(1,650) 2” show up at the bottom of some pages; they are likely printer’s references for putting the book together.
The text only version is of limited use because of the many figures used. I recommend the pdf or rtf versions.
The text-only version isn't very helpful due to the numerous figures included. I suggest using the PDF or RTF versions instead.
Some of the projects should be approached with care since they involve corrosive or explosive chemicals, electricity and steam boilers.
Some of the projects need to be handled carefully because they involve corrosive or explosive chemicals, electricity, and steam boilers.
Do not use lead solder, particularly on cooking utensils.
Avoid using lead solder, especially on cooking utensils.
Whether you simply want to travel back into the mind of a young boy at the beginning of the twentieth century, or want to try your hand at some interesting projects in carpentry, machinery, kites and many other areas, have fun.
Whether you just want to step into the mind of a young boy at the start of the twentieth century or try out some cool projects in carpentry, machinery, kites, and many other fields, enjoy yourself.
The following are definitions of unusual (to me) terms used frequently in the text.
The following are definitions of unusual (to me) terms that are often used in the text.
Terms
Batten - Narrow strip of wood.
Batten - A narrow piece of wood.
Bevel (Bevelling) - A cut that is not a right angle.
Bevel (Bevelling) - A cut that isn’t at a right angle.
Bradawl - Awl with a beveled tip to make holes in wood for brads or screws.
Bradawl - An awl with a angled tip used to create holes in wood for brads or screws.
Chamfer - Cut off the edge or corner; bevel.
Chamfer - Cut off the edge or corner; bevel.
Boss - Enlarged part of a shaft where another shaft is coupled or a wheel or gear is keyed.
Boss - The expanded section of a shaft where another shaft connects, or where a wheel or gear is attached.
Broach - To shape a hole with a tapered tool.
Broach - To create a hole using a tapered tool.
Carbide - Calcium carbide, used to produce acetylene (C2H2) gas for lighting and welding.
Carbide - Calcium carbide, used to make acetylene (C2H2) gas for lighting and welding.
Compo - “Composition”, like plastic.
Compo - “Composition,” like plastic.
Creosote - An oily liquid containing phenols and creosols, obtained from coal tar. Used as a wood preservative and disinfectant. Can cause severe neurological disturbances if inhaled.
Creosote - An oily liquid that has phenols and creosols, sourced from coal tar. It's used as a wood preservative and disinfectant. Inhaling it can lead to serious neurological issues.
Deal - A fir or pine board of standard dimensions
Deal - A standard-sized board made of fir or pine.
Fish-plate - A plate bolted to the sides of two abutting railroad tracks.
Fish-plate - A metal plate fastened to the sides of two adjacent railroad tracks.
Fretworking - Ornamental design, often in relief.
Fretworking - Decorative design, usually in raised patterns.
Gasholder Gasometer - Storage container for fuel gas, especially a large, telescoping, cylindrical tank.
Gasholder Gasometer - A storage container for fuel gas, particularly a large, telescoping cylindrical tank.
Gland - The outer sleeve of a stuffing box that prevents leakage past a moving machine part.
Gland - The outer sleeve of a stuffing box that stops leaks from a moving machine part.
Glass paper - Paper faced with pulverized glass, like sandpaper.
Glass paper - Paper coated with crushed glass, similar to sandpaper.
Gudgeon - A metal pivot or journal at the end of a shaft or an axle, around which a wheel or other device turns.
Gudgeon - A metal pivot or journal at the end of a shaft or axle, around which a wheel or other device rotates.
Joiner - A cabinetmaker.
Cabinetmaker.
Linoleum - A floor covering made in sheets by pressing heated linseed oil, rosin, powdered cork, and pigments onto a burlap or canvas backing.
Linoleum - A type of flooring created in sheets by pressing heated linseed oil, rosin, powdered cork, and pigments onto a burlap or canvas base.
Lissom - Easily bent; supple
Lissom - Flexible; agile
Longitudinal - Relating to length.
Longitudinal - Related to length.
Mortice - Cavity in a piece of wood or other material, prepared to receive a tenon and form a joint.
Mortice - A cavity in a piece of wood or other material, made to hold a tenon and create a joint.
Panel saw - Handsaw with fine teeth.
Panel saw - A handsaw with fine teeth.
Pinion - Gear with a small number of teeth designed to mesh with a larger gear.
Pinion - A gear with a few teeth made to fit together with a larger gear.
Plinth - Architectural support or base.
Plinth - The foundational support or base in architecture.
Rasp - Coarse file with sharp, raised, pointed projections.
Rasp - A rough file with sharp, raised, pointed edges.
Sleeper - Railroad crosstie.
Railroad tie.
Spanner - Wrench
Wrench - Tool
Spirit Lamp - Alcohol lamp; see example on page 188.
Spirit Lamp - Alcohol lamp; see example on page 188.
Spirit - Alcohol
Liquor
Strake - Ridge of thick planking on the side of a wooden ship.
Strake - A row of thick boards on the side of a wooden ship.
Strut - Any part designed to hold things apart or resist compressive stress;
Strut - Any component made to keep things spaced out or to withstand compressive stress;
Tap - Cut screw threads
Tap - Cut screw threads
Tenon - Projection on the end of a piece of wood shaped for insertion into a mortise to make a joint.
Tenon - A projection on the end of a piece of wood designed to fit into a mortise to create a joint.
Tenon saw - Saw with a thin blade for cutting tenons.
Tenon saw - A saw with a narrow blade designed for cutting tenons.
Tinning - Coating with soft solder.
Tinning - Coating with soft solder.
Turner - Person who operates a lathe or similar device.
Turner - A person who operates a lathe or a similar machine.
Tyre - Tire
Tire
Vestas - Matches; Vestai is the Roman goddess of the hearth, worshiped in a temple containing the sacred fire tended by the vestal virgins.
Vestas - Matches; Vesta is the Roman goddess of the hearth, worshiped in a temple that housed the sacred fire cared for by the vestal virgins.
Currency Conversion
Prices are quoted in old English currency, pounds, shillings, pence.
Prices are quoted in old English currency: pounds, shillings, and pence.
“12s. 6d.” is read as “12 Shillings and 6 Pence.”
“12s. 6d.” is read as “12 Shillings and 6 Pence.”
Pence/penny
Shilling—12 pence.
Crown—5 shillings.
Pound—20 shillings.
Guinea—21 shillings.
Pence/penny
Shilling—12 pence.
Crown—5 shillings.
Pound—20 shillings.
Guinea—21 shillings.
The approximate value of 1900 prices in 2002 is:
The estimated value of 1900 prices in 2002 is:
1900 Unit | Value in 2002 Currency | |
English Pound | US Dollars | |
Pence | .26 | .48 |
Shilling | 3.10 | 5.80 |
Crown | 15.50 | 29.00 |
Pound | 62.00 | 116.00 |
[End Transcriber’s note.]
[End Transcriber’s note.]
[Illustration: Large model locomotive]
[Illustration: Big model train]
Photo: Daily Mirror. Large model locomotive built for one of the royal princes of Siam by Messrs. Bassett-Lowke, Limited. It is one-quarter the size of a modern express engine; weighs two tons, with tender; is fifteen feet long; will pull seventy persons; and has a highest speed of about thirty miles an hour.
Photo: Daily Mirror. Large model train made for one of the royal princes of Siam by Bassett-Lowke, Limited. It is a quarter the size of a contemporary express engine, weighs two tons with tender, is fifteen feet long, can carry seventy people, and has a top speed of about thirty miles per hour.
THINGS TO MAKE
BY
ARCHIBALD WILLIAMS
AUTHOR OF
“VICTORIES OF THE ENGINEER,”
“HOW IT WORKS,”
“HOW IT IS MADE,”
ETC., ETC.
THOMAS NELSON AND SONS, LTD.
LONDON, EDINBURGH, AND NEW YORK
PREFACE.
The making for oneself of toys and other objects of a more or less useful character has certain advantages over buying them. In the case of the more elaborate and costly articles, it may enable one to possess things which otherwise would be unobtainable. Secondly, a home-made article may give a satisfaction more lasting than is conferred by a bought one, though it may be less beautiful to look upon. Thirdly, the mere making should be a pleasure, and must be an education in itself.
Creating your own toys and other somewhat useful items has some advantages over buying them. For more elaborate and expensive items, making them yourself can allow you to have things that you wouldn’t be able to get otherwise. Additionally, a homemade item can provide a satisfaction that lasts longer than that of a purchased one, even if it’s less visually appealing. Lastly, the process of making should be enjoyable and can be a valuable learning experience in itself.
To encourage readers to “use their hands” the following chapters have been written. The subjects chosen provide ample scope for the exercise of ingenuity and patience; but in making my selection I have kept before me the fact that a well-equipped workshop falls to the lot of but a few of the boys who are anxious to develop into amateur craftsmen. Therefore, while the easiest tasks set herein are very easy, the most difficult will not be found to demand a very high degree of skill, or more than a very moderate outlay on tools. I may say here that I have been over the ground myself to find out its difficulties for my readers, and that I made an engine similar to that described in Chapter XV (the most elaborate mechanism included in the book) with very simple tools. Some of the items which I had on my original list were abandoned, because they presupposed the possession of comparatively expensive machines.
To encourage readers to “use their hands,” the following chapters have been created. The chosen subjects offer plenty of opportunities for creativity and patience; however, I kept in mind that not all aspiring amateur craftsmen have access to a well-equipped workshop. So, while the easiest tasks presented here are quite simple, the more challenging ones won’t require a high level of skill or a significant investment in tools. I should mention that I went through the process myself to identify the challenges for my readers, and I built an engine similar to the one described in Chapter XV (the most complex mechanism included in the book) using very basic tools. Some items originally on my list were removed because they assumed access to relatively expensive machines.
My selection has also been guided by the desire to cater for different tastes. In some cases the actual manufacture of the thing described may be regarded as the most instructive and valuable element, and may appeal most forcibly to the “handy” boy; in others—the Harmonograph provides a good instance—the interest centres round the experiments made possible by the construction of a simple piece of apparatus; in some the utility of the article manufactured is its chief recommendation.
My choices have also been influenced by the wish to accommodate various preferences. In some instances, the actual creation of the object described might be seen as the most educational and valuable aspect, and it may resonate strongly with the “hands-on” kid; in other cases—like the Harmonograph—interest revolves around the experiments enabled by building a simple device; in some, the practicality of the manufactured item is its main selling point.
I feel certain that anyone who follows out the pages of this volume with hand as well as with eye, will have little reason to regret the time so spent. The things made may in course of time be put aside and forgotten, but the manual skill acquired will remain. Nowadays one can buy almost anything ready-made, or get it made without difficulty; yet he who is able to make things for himself will always have an advantage over the person to whom the use of tools is an unprobed mystery.
I’m confident that anyone who explores the pages of this book with both hands and eyes will have little reason to regret the time spent. The items created may eventually be set aside and forgotten, but the skills learned will last. These days, you can buy almost anything pre-made or have it made easily; however, someone who knows how to create things for themselves will always have an edge over someone for whom tools are an unexplored mystery.
Contents
THINGS TO MAKE.
I.
A SAWING TRESTLE
A strong and stable sawing trestle is one of the most important accessories of the carpenter’s shop, whether amateur or professional. The saw is constantly being used, and for it to do its work accurately the material must be properly supported, so that it cannot sway or shift. Anybody who has been in the habit of using a wobbly chair or box to saw on will be surprised to find how much more easily wood can be cut when resting on a trestle like that illustrated by Figs. 1 to 3.
A strong and stable sawing trestle is one of the most important tools in a carpenter's workshop, whether you're a hobbyist or a pro. The saw is continuously in use, and for it to work accurately, the material must be properly supported to prevent it from swaying or shifting. Anyone who's used a wobbly chair or box to saw will be amazed at how much easier it is to cut wood when it’s resting on a trestle like the ones shown in Figs. 1 to 3.
The top, a, of the trestle is 29 inches long, 4 inches wide, and 2 inches thick. At one end it has a deep nick, to serve much the same purpose as the notched board used in fretworking; also to hold on edge such things as doors while their edges are planed up. Pushed back against the wall the trestle is then “as good as a boy.”
The top, a, of the trestle is 29 inches long, 4 inches wide, and 2 inches thick. At one end, there’s a deep groove, which serves a similar purpose as the notched board used in creating fretwork; it also holds items like doors upright while their edges are smoothed out. When pushed back against the wall, the trestle is “just like having an extra set of hands.”
[Illustration: Fig I.—Leg of sawing trestle (left). Trestle seen from above (right).]
[Illustration: Fig I.—Leg of sawing trestle (left). Trestle seen from above (right).]
The four legs are made of 2 by 2 inch stuff. To start with, the pieces should be 24 inches long, to allow for the waste of cutting on the angle.
The four legs are made of 2 by 2 inch material. To begin with, the pieces should be 24 inches long to account for the waste when cutting at an angle.
Cutting the Notches.—Make four marks 7 inches from the four corners of the top, set your bevel to an angle of 70 degrees (or cut an angle out of a card with the help of a protractor), and lay a leg against each mark in turn, the end projecting an inch or so above the top. Move the leg about till it makes the proper angle at the mark, and draw a pencil line down each side of the leg as close up as possible. Since the legs may vary slightly in size, use each once only for marking, and number it and the place to which it belongs.
Cutting the Notches.—Make four marks 7 inches from each corner of the top. Set your bevel to a 70-degree angle (or cut an angle out of a card using a protractor), and position a leg against each mark one at a time, letting the end stick out about an inch above the top. Adjust the leg until it achieves the correct angle at the mark, then draw a pencil line down each side of the leg as closely as you can. Since the legs might be slightly different in size, use each one only for marking, and label it along with the spot it belongs to.
Lines must now be drawn along the upper and under sides of the top, parallel to and 3/4-inch from the edge, to complete the marking out of the notches.
Lines must now be drawn along the top and bottom sides of the top, parallel to and 3/4 inch from the edge, to finish marking the notches.
Cut just inside the side marks with a fine tenon saw, and remove the wood between the cuts back to the top and bottom marks with a broad, sharp chisel, making the surface of the cut as true and flat as you can. Then “offer” the leg that belongs to the cut, its end projecting an inch or so. If it won’t enter, bevel off the sides of the cut very slightly till it will. A good driving fit is what one should aim at. While the leg is in place, draw your pencil in the angles which it makes with the top above and below, to obtain the lines AB, CD (Fig. 2, a).
Cut just inside the side marks with a fine tenon saw, and remove the wood between the cuts back to the top and bottom marks with a wide, sharp chisel, making the surface of the cut as true and flat as you can. Then, "offer" the leg that belongs to the cut, with its end sticking out about an inch. If it won’t fit, bevel the sides of the cut very slightly until it does. A snug fit is what you should aim for. While the leg is in place, trace your pencil along the angles it makes with the top above and below, to get the lines AB, CD (Fig. 2, a).
Bevelling the Legs.-The marking out of the bevels will be much expedited if a template is cut out of tin or card. It should be just as wide as the legs, and at a point 4 inches from one end run off at an angle of 162 degrees from one edge. (See Fig. 2,b.)
Bevelling the Legs.-You can speed up marking the bevels by cutting out a template from tin or cardboard. It should be as wide as the legs, and 4 inches from one end, it should angle off at 162 degrees from one edge. (See Fig. 2,b.)
[Illustration: FIG. 2.-Showing how to cut sloping joint for trestle leg.]
[Illustration: FIG. 2.-Demonstrating how to cut a sloping joint for a trestle leg.]
Draw with a square a line, EEl, across what is to be the inside of the leg. The template is applied to the end side of the leg and moved up till its sloping edge occupies a position in which a perpendicular dropped on to it from C is 1/2 inch long. Mark the line EF (Fig. 2, b) and the perpendicular CG. The bevel is marked on the other side of the leg, the, angle of the template being at E1 (Fig. 2, a) to guide the saw, which is passed down through the leg just outside the marks till in line with CD. The piece is detached by a cross cut along CG, CD. This procedure, which sounds very complicated, but is really very simple, and performed much more quickly than it can be described, yields a leg properly bevelled and provided with a shoulder to take the weight of the top.
Draw a line, EEl, with a square across what will be the inside of the leg. Position the template at the end side of the leg and move it upward until its sloping edge is in a spot where a perpendicular line dropped from C measures 1/2 inch. Mark the line EF (Fig. 2, b) and the perpendicular CG. The bevel is marked on the other side of the leg, with the angle of the template at E1 (Fig. 2, a) to guide the saw. Cut down through the leg just outside the marks until you align with CD. The piece is removed by making a cross cut along CG, CD. This process may seem complex, but it's actually quite straightforward and can be done much faster than it sounds, resulting in a leg that’s properly beveled and equipped with a shoulder to support the weight of the top.
[Illustration: Fig.3—End elevation of sawing trestle.]
[Illustration: Fig.3—End elevation of sawing trestle.]
The leg at the diagonally opposite corner is an exact replica of the one first made; the other two are similar, but the direction of the bevels is reversed, as will be evident after a little consideration.
The leg at the diagonally opposite corner is a perfect copy of the original; the other two are similar, but the angle of the bevels is flipped, which will become clear after some thought.
When all the legs are ready, knock them into place, driving the shoulders tight up against the top, and nail them on. The projections are sawn off roughly and planed down flush with the top. Then affix the tie C at each end, and plane its edges off neatly.
When all the legs are ready, fit them into place, pressing the shoulders firmly against the top, and nail them on. Cut the projections off roughly and smooth them down to be flush with the top. Then attach the tie C at each end and trim its edges neatly.
Truing the Legs.—Stand the stool on end, top flat against the wall. Measure off a 20-inch perpendicular from the wall to the outside corner of each of the two upper legs. (Fig. 3.) Lay a straightedge from mark to mark, and draw lines across the legs. Reverse the trestle, and do the same with the legs at the other end. Then turn the trestle on its side, and draw lines on the other outside faces of the legs, using the lines already made as guides. If the operation has been carried through accurately, all eight lines will be in a plane parallel to the top. Cut off the ends of the legs below the lines, and the trestle is finished.
Truing the Legs.—Stand the stool upright with the top flat against the wall. Measure a 20-inch vertical line from the wall to the outer corner of each of the two upper legs. (Fig. 3.) Place a straightedge from mark to mark and draw lines across the legs. Flip the trestle over and do the same with the legs on the other end. Next, lay the trestle on its side and draw lines on the other outer sides of the legs, using the lines you've already drawn as guides. If this is done correctly, all eight lines will be in a plane parallel to the top. Cut off the ends of the legs below the lines, and the trestle is complete.
II.
A JOINER’S BENCH.
After finishing his sawing trestle the reader may be willing to undertake a larger job, the manufacture of a joiner’s bench—if he does not already possess a good article—heavy and rigid enough to stand firm under plane and hammer.
After finishing his saw horse, the reader might want to take on a bigger project: building a workbench—if he doesn’t already have a good one—that's sturdy and solid enough to hold up against a plane and hammer.
For the general design and detailed measurements he is referred to Figs. 4 and 5, in which the dimensions of each part are figured clearly. The length of 5 feet, width of 2 feet (exclusive of the back E), and height of 2 feet 7-1/2 inches will be found a good average. If the legs prove a bit long for some readers, it is a simple matter to lay a plank beside the bench to raise the (human) feet an inch or two.
For the overall design and specific measurements, refer to Figs. 4 and 5, where the dimensions of each part are shown clearly. A length of 5 feet, a width of 2 feet (not including the back E), and a height of 2 feet 7.5 inches will be a good average. If the legs seem a bit long for some users, it's easy to place a plank next to the bench to elevate the (human) feet by an inch or two.
In order to give rigidity, the struts S1S2 of the trestles at the end and the braces DD on the front are “halved” where they overlap the legs and front so as to offer the resistance of a “shoulder” to any thrust.
To provide support, the struts S1S2 of the trestles at the ends and the braces DD at the front are “halved” where they overlap the legs and front, creating a “shoulder” to resist any push.
[Illustration: Fig. 4.—Front elevation of Joiner’s bench]
[Illustration: Fig. 4.—Front elevation of Joiner’s bench]
Materials.—The cost of these will be, approximately: wood, 12s. 6d.; [12 Shillings. 6 Pence] bench screw, 1s. 6d.; nails and screws, 1s.; or 15s. in all. It is advisable to show the timber merchant the specifications, so that he may cut up the stuff most economically.
Materials.—The cost of these will be approximately: wood, £0.62; bench screw, £0.08; nails and screws, £0.05; or £0.75 in total. It's a good idea to show the timber merchant the specifications so that he can cut up the materials most economically.
If the wood is mill-planed before delivery a lot of trouble will be saved, as no further finish will be required, except perhaps at the top corners. In passing, one should remark that the boards used should be of the widths and lengths given; while as regards thickness the figures must be taken as nominal, as in practice the saw cut is included. Thus a 1-inch board would, when planed, be only 7/8 to 15/16 inch thick, unless the actual size is specified, in which case something extra might be charged.
If the wood is planed at the mill before it’s delivered, it will save a lot of hassle since no extra finishing will be needed, except maybe on the top corners. It’s also important to note that the boards should match the specified widths and lengths; however, for thickness, the numbers are just estimates because the saw cut is included. So, a 1-inch board will typically end up being only 7/8 to 15/16 inch thick once it’s planed, unless the actual size is specified, in which case there could be an additional charge.
Construction.
Building.
The Trestles.—These should be made first. Begin by getting all the legs of exactly the same length, and square top and bottom. Then cut off two 22-inch lengths of the 6 by 1 inch wood, squaring the ends carefully. Two of the legs are laid on the floor, one end against the wall or a batten nailed to the floor and arranged parallel to one another, as gauged by the piece C, which is nailed on perfectly square to both, and with its top edge exactly flush with the ends of the legs.
The Trestles.—Start by making these first. Begin by cutting all the legs to the same length and ensuring both the top and bottom are even. Next, cut two pieces of the 6 by 1 inch wood to be 22 inches long, making sure to square the ends carefully. Lay two of the legs on the floor, with one end against the wall or a batten nailed to the floor, keeping them parallel to each other. Use piece C, which should be nailed on perfectly square to both legs and with its top edge flush with the ends of the legs.
Next take the 3 by 1 inch wood for the struts, and cut off a piece 32 inches long. Two inches from one end of it make a cross mark with the square, and from the ends of the mark run lines towards the end at an angle of 45 degrees. Cut along these lines, and lay one of the edges just cut up against C, and flush with the outer edge of L1 (Fig. 5). Tack the strut on temporarily to both legs, turn the trestle over, and draw your pencil (which should have a sharp point) along the angles which the strut makes with the legs. This gives you the limits of the overlaps. Detach the strut.
Next, take the 3 by 1 inch wood for the struts and cut a piece that is 32 inches long. Two inches from one end, make a cross mark with a square, and from the ends of the mark, draw lines towards the end at a 45-degree angle. Cut along these lines, and place one of the cut edges against C, aligning it with the outer edge of L1 (Fig. 5). Temporarily tack the strut to both legs, flip the trestle over, and use a sharp pencil to trace along the angles where the strut meets the legs. This will show you where the overlaps will be. Remove the strut.
The marking-gauge now comes into use. Set it at 3/8 inch, and make marks on the sides of the strut down to the limits, pressing the guide against what will be the inner face of the board. The ends must now be divided down along the gauge scratches to the limit mark with a tenon or panel saw, the saw being kept on the inside of the mark, So that its cut is included in the 3/8 inch, and a cross cut made to detach the piece and leave a shoulder. The strut is “offered” again to the legs, and a mark is drawn across the bottom parallel to the ends or the legs for the final saw cut. Nail on the strut, pressing the legs well up against the shoulders. Its fellow on the other side of the legs is prepared in exactly the same manner; and the second trestle is a duplicate of the first, with the exception that the directions of the struts are reversed relatively to the C piece, to preserve the symmetry—which, however, is not an important point.
The marking gauge is used now. Set it at 3/8 inch and make marks on the sides of the strut down to the limits, pressing the guide against what will be the inner face of the board. The ends must be cut along the gauge marks to the limit mark with a tenon or panel saw, keeping the saw on the inside of the mark so that its cut falls within the 3/8 inch. Make a cross cut to detach the piece and leave a shoulder. The strut is then "offered" again to the legs, and a mark is drawn across the bottom parallel to the ends of the legs for the final saw cut. Nail on the strut, pressing the legs firmly against the shoulders. The strut on the other side of the legs is prepared in exactly the same way; and the second trestle is a duplicate of the first, except that the directions of the struts are reversed relative to the C piece to maintain symmetry—which is not a crucial point, though.
[Illustration: FIG. 5.—End elevation of joiner’s bench.]
[Illustration: FIG. 5.—End elevation of joiner’s bench.]
Back and Front.—The only operation to be performed on the front piece B and the back G is the notching of them both on the inside faces at the centre to take the ends of the bearer F, which performs the important function of preventing any bending of the top planks. Lay the boards together, top edges and ends level, and mark them at the same time. The square is then used on the faces to give the limits for the notches, which should be 1/4 inch deep and chiselled out carefully.
Back and Front.—The only task to do on the front piece B and the back G is to notch both of them on the inside faces at the center to accommodate the ends of the bearer F, which is crucial for stopping any bending of the top planks. Place the boards together, making sure the top edges and ends are aligned, and mark them at the same time. Use a square on the faces to outline where the notches should be, which should be 1/4 inch deep and chiseled out carefully.
Draw cross lines with your square 3 inches from each end of both pieces, on the inside, to show where the legs are to be. Bore holes in the boards for the 3-inch screws which will hold them to the legs.
Draw cross lines with your square 3 inches from each end of both pieces, on the inside, to indicate where the legs will be placed. Drill holes in the boards for the 3-inch screws that will attach them to the legs.
Attaching the Trestles.—Stand the trestles on their heads and lay the back and front up to them, using the guide marks just drawn. A nail driven part way in through one of the screw holes, and a batten tacked diagonally on the DD lines, will hold a leg in position while the screws are inserted. (Make sure that the tops of the legs and the top edges of B and G are in the same plane.)
Attaching the Trestles.—Place the trestles upside down and set the back and front against them, using the guide marks you just made. Drive a nail partway into one of the screw holes, and attach a batten diagonally along the DD lines to keep a leg in place while you insert the screws. (Ensure that the tops of the legs and the top edges of B and G are level with each other.)
Affixing the Braces.—The braces DD, of 3 by 1 inch stuff, can now be marked off and cut exactly down the middle to the limits of the overlap. Screw on the braces.
Affixing the Braces.—The braces DD, made of 3 by 1 inch material, can now be marked and cut exactly down the middle to the limits of the overlap. Screw the braces on.
The bearer F is next cut out. Its length should be such as to maintain the exact parallelism of B with G, and the ends be as square as you can cut them. Fix it in position by two 2-inch screws at each end.
The bearer F is next cut out. Its length should be such that it keeps B parallel to G, and the ends should be as square as possible. Secure it in place with two 2-inch screws at each end.
The bench is now ready for covering. Begin with the front board, A1. Bore countersunk holes for 3-inch screws over the centre of the legs and half an inch from the front edge, 1 foot apart. Arrange Al with its front edge perfectly flush with the face of B, and tack it in place by nails driven through a couple of screw holes, and insert all the screws. The middle board, A2, is laid up against it, and the back board, A3 (bored for screws like the front board), against that. Screw down A3.
The bench is now ready for covering. Start with the front board, A1. Drill countersunk holes for 3-inch screws over the center of the legs, half an inch from the front edge, and 1 foot apart. Position A1 so that its front edge is perfectly flush with the face of B, and secure it in place with nails driven through a couple of screw holes, then insert all the screws. The middle board, A2, is placed against it, and the back board, A3 (drilled for screws like the front board), is placed against that. Secure A3 with screws.
You must now measure carefully to establish lines over the centres of CC and F. Attach each board to each of these by a couple of screws. All screws in the top of the bench are countersunk 1/8 inch below the surface. Screw the ledge E, of 4 by 5/8 inch wood, on to the back of G, with 2-1/2 inches projecting. This will prevent tools, etc., slipping off the bench.
You need to measure accurately to mark lines over the centers of CC and F. Attach each board to these points with a couple of screws. All screws on the top of the bench are sunk 1/8 inch below the surface. Screw the 4 by 5/8 inch ledge E onto the back of G, with 2-1/2 inches sticking out. This will stop tools and other items from sliding off the bench.
[Illustration: Fig. 6.—Perspective view of joiner’s bench]
[Illustration: Fig. 6.—Perspective view of joiner’s bench]
The Vice.—This important accessory consists of an 8 by 2 by 15 inch piece, V, a 2-inch diameter wooden bench screw and threaded block, and a guide, F. (Note.—A 1-1/8-inch diameter wrought iron screw is very preferable to the wooden, but its cost is about 4s. more.) V should be tacked to B while the 2-inch hole for the bench screw is bored through both with a centre bit, at a point 8 inches from the guide end on the centre line of V. This hole must be made quite squarely to enable the screw to work freely. If a 2-inch bit is not available, mark out a 2-inch ring and bore a number of small holes, which can afterwards be joined by a pad-saw; and finish, the hole thus formed with a half-round rasp. The threaded block for the screw is attached to the inner side of H in the angle formed by the leg and the board A1. The guide F is then fitted. This is pinned in to V, and the slides through B. If a rectangular piece is used, cut the hole in V first; then screw V up tightly, and mark B through V. It may be found more convenient to use a circular piece, in which case the holes for it can be centre-bitted through V and B in one operation. If after fitting V projects above A, plane it down level.
The Vice.—This important accessory consists of an 8 by 2 by 15 inch piece, V, a 2-inch diameter wooden bench screw and threaded block, and a guide, F. (Note.—A 1-1/8-inch diameter wrought iron screw is much better than the wooden one, but it costs about 4s. more.) V should be attached to B while a 2-inch hole for the bench screw is drilled through both using a center bit, at a point 8 inches from the guide end on the center line of V. This hole must be drilled straight to let the screw move freely. If a 2-inch bit isn’t available, mark out a 2-inch ring and drill several small holes, which can then be connected with a pad-saw, and finish the hole with a half-round rasp. The threaded block for the screw is attached to the inner side of H at the angle formed by the leg and board A1. The guide F is then installed. This is pinned into V and slides through B. If you’re using a rectangular piece, cut the hole in V first; then screw V tightly, and mark B through V. It might be easier to use a circular piece, in which case the holes can be drilled through V and B in one go. If after fitting V extends above A, plane it down to be level.
The finishing touches are rounding off all corners which might catch and fray the clothes, and boring the 3/4-inch holes, HH, for pegs on which planks can be rested for edge planing.
The final steps involve smoothing out all the corners that could snag and damage the fabric, and drilling 3/4-inch holes, HH, for pegs where planks can be placed for edge planing.
For a “stop” to prevent boards slipping when being planed on the flat, one may use an ordinary 2-inch wood screw, the projection of which must of course be less than the thickness of the board planed. Many carpenters employ this very simple expedient; others, again, prefer a square piece of wood sliding stiffly through a hole in A1 and provided on top with a fragment of old saw blade having its teeth projecting beyond the side facing the work. The bench is countersunk to allow the teeth to be driven down out of the way when a “clear bench” is required.
To keep boards from slipping when being planed flat, you can use a regular 2-inch wood screw, but the screw must stick out less than the thickness of the board being planed. Many carpenters use this straightforward method; others prefer a square piece of wood that fits tightly through a hole in A1 and is topped with a piece of an old saw blade, with the teeth sticking out toward the work. The bench is recessed to let the teeth be pushed down out of the way when a "clear bench" is needed.
Just a word of warning in conclusion. Don’t be tempted to nail the parts together—with the exception of the trestle components—to save trouble. The use of screws entails very little extra bother, and gives you a bench which can be taken to pieces very quickly for transport, and is therefore more valuable than a nailed one.
Just a quick warning in conclusion. Don’t be tempted to nail the parts together—except for the trestle components—to avoid hassle. Using screws requires very little extra effort and gives you a bench that can be taken apart easily for transport, making it more useful than one that's nailed together.
III.
A HANDY BOOKSTAND.
A bookstand of the kind shown in Fig. 7 has two great advantages: first, it holds the books in such a position that their titles are read more easily than when the books stand vertically; second, it can be taken to pieces for packing in a few moments, as it consists of but four pieces held together by eight removable wedges. We recommend it for use on the study table.
A bookstand like the one shown in Fig. 7 has two major advantages: first, it holds the books at a position where their titles are easier to read compared to when they are standing vertically; second, it can be taken apart for packing in just a few moments, as it is made up of only four pieces secured by eight removable wedges. We suggest using it on the study table.
Oak or walnut should preferably be chosen as material, or, if the maker wishes to economize, American whitewood or yellow pine. Stuff 1/4 inch (actual) thick will serve throughout if the stronger woods are used; 3/8 inch for the shelf parts in the case of whitewood or pine.
Oak or walnut is the best choice for the material, but if the maker wants to save money, American whitewood or yellow pine can be used. For stronger woods, 1/4 inch (actual) thick material will work for everything; use 3/8 inch for the shelf sections if you're using whitewood or pine.
The ends (Fig. 8) are sawn out of pieces 5-1/2 by 10 inches, and nicely rounded off on all but the bottom edge, which is planed flat and true. The positions for the holes through which the shelf eyes will project must be marked accurately, to prevent the stand showing a twist when put together. The simplest method of getting the marks right is to cut a template out of thin card and apply it to the two ends in turn, using the base of each as the adjusting line. Fret-saw the holes, cutting just inside the lines to allow for truing up with a coarse file.
The ends (Fig. 8) are cut from pieces that are 5-1/2 by 10 inches and smoothly rounded on all sides except for the bottom edge, which is planed flat and straight. You need to mark the spots for the holes where the shelf eyes will go very accurately to avoid any twisting when the stand is assembled. The easiest way to get the marks right is to cut a template out of thin card and use it on both ends, aligning it with the base of each piece. Use a fret saw to cut the holes, making your cuts just inside the lines so you can smooth them out with a coarse file.
[Illustration: Fig. 7.—Perspective view of bookstand.]
[Illustration: Fig. 7.—Perspective view of bookstand.]
The shelves a and b are 15 inches long, exclusive of the lugs c, c, c, c, and 4-1/2 and 4-3/4 inches wide respectively. As will be seen from Fig. 8, b overlaps a. Both have their top edges rounded off to prevent injury to book bindings, but their bottom edges are left square.
The shelves a and b are 15 inches long, not including the lugs c, c, c, c, and 4-1/2 and 4-3/4 inches wide, respectively. As you can see from Fig. 8, shelf b overlaps shelf a. Both have their top edges rounded to avoid damaging book bindings, but their bottom edges are left square.
As the neatness of the stand will depend largely on a and b fitting closely against the sides, their ends should be cut out and trued carefully, special attention being paid to keeping the shoulders between and outside the lugs in a straight line. The wedge holes in c, c, c, c measure 1/2 by 1/4 inch, and are arranged to be partly covered by the sides, so that the wedges cannot touch their inner ends. (See Fig. 9.) This ensures the shelves being tightly drawn up against the sides when the wedges are driven home.
As the neatness of the stand will depend mostly on a and b fitting tightly against the sides, their ends should be cut and smoothed carefully, paying special attention to keeping the shoulders between and outside the lugs in a straight line. The wedge holes in c, c, c, c measure 1/2 by 1/4 inch and are positioned to be partly covered by the sides, so the wedges won't touch their inner ends. (See Fig. 9.) This ensures that the shelves are pulled tightly against the sides when the wedges are driven in.
[Illustration: Fig. 8.—End elevation of bookstand.]
[Illustration: Fig. 8.—End elevation of bookstand.]
The wedges should be cut on a very slight taper of not more than half an inch in the foot run, in order to keep their grip. Prepare a strip as thick as the smaller dimension of the holes, 3/8 inch wide at one end, and 7/8 inch wide at the other. Assemble the parts and push the piece through a hole until it gets a good hold, mark it across half an inch above the hole, and cut it off. Then plane the strip down parallel to the edge that follows the grain until the end will project half an inch beyond the lug next fitted. Mark and cut off as before, and repeat the process until the eight wedges are ready in the rough. Then bevel off the outside corners and smooth them—as well as the rest of the woodwork—with fine glass paper.
The wedges should be cut with a slight taper of no more than half an inch over the foot run to maintain their grip. Prepare a strip that matches the smaller dimension of the holes, 3/8 inch wide at one end and 7/8 inch wide at the other. Assemble the parts and push the piece through a hole until it grips well, then mark it across half an inch above the hole and cut it off. Next, plane the strip down parallel to the edge that follows the grain until the end extends half an inch beyond the next lug to be fitted. Mark and cut off as before, and repeat this process until all eight wedges are roughly prepared. Then, bevel the outside corners and smooth them, along with the rest of the woodwork, using fine sandpaper.
Shelves and sides should be wax-polished or given a coat or two of varnish.
Shelves and sides should be polished with wax or coated with a couple of layers of varnish.
[Illustration: Fig. 9. Plan or bookstand shelf.]
[Illustration: Fig. 9. Plan or bookstand shelf.]
Don’t drive the wedges in too tight, or yon may have to lament a split lug.
Don’t drive the wedges in too tight, or you might end up with a split lug.
If the stand is to be used for very heavy books, or the shelves are much longer than specified here, it is advisable to bring the angle of the shelves down to the bottom of the standards, to relieve the shelves of bending strain at the centre; or to use stouter material; or to unite the shelves at two or three points by thin brass screws inserted through holes drilled in the overlapping part.
If the stand is going to hold very heavy books, or if the shelves are significantly longer than mentioned here, it’s a good idea to lower the angle of the shelves to the bottom of the vertical supports. This will reduce the bending strain on the shelves in the middle. Alternatively, you can use thicker material or connect the shelves at two or three points with small brass screws through holes drilled in the overlapping section.
IV.
A HOUSE LADDER.
The preparation and putting together of the parts of a ladder having round, tapered rungs let into holes in the two sides is beyond the capacity of the average young amateur; but little skill is needed to manufacture a very fairly efficient substitute for the professionally-built article—to wit, a ladder of the kind to which builders apply the somewhat disparaging adjective “duck.”
The process of assembling a ladder with round, tapered rungs inserted into holes on both sides is beyond the ability of most young beginners; however, it's not too hard to create a pretty decent alternative to a professionally made one—specifically, a ladder that builders often refer to with the somewhat unflattering term “duck.”
The rungs of such a “duck” ladder are merely nailed to the outside if the ladder is required for temporary purposes only; but as we are of course aiming at the construction of a thing made to last, we shall go to the trouble of “notching-in” each rung (see Fig. 10), so that the sides shall take the weight directly, and the nails only have to keep the rungs firmly in position. The objection to notching-in is that it reduces the strength of the ladder, which is of course only that of the wood between the bottom of the notches and the plain side. Therefore it is necessary to have sides somewhat deeper than would be required for a centrally-runged ladder; which is pierced where the wood is subjected to little tension or compression.
The rungs of a “duck” ladder are just nailed to the outside if the ladder is only needed temporarily; however, since we're aiming to build something durable, we’ll take the time to “notch-in” each rung (see Fig. 10), so that the sides can bear the weight directly, and the nails just keep the rungs securely in place. The downside of notching in is that it weakens the ladder, which is limited to the strength of the wood between the bottom of the notches and the flat side. Therefore, the sides need to be a bit deeper than what would be needed for a ladder with rungs in the center, which is where the wood experiences minimal tension or compression.
[Illustration: Fig. 10—House ladder and details of letting in a rung]
[Illustration: Fig. 10—House ladder and details of installing a rung]
Materials.—The length of the ladder will decide what the stoutness of the sides should be. For a ladder about 12 feet long, such as we propose to describe, larch battens 3 by 1-1/8 inches (actual) in section and free from knots, especially at the edges, will be sufficiently strong to carry all reasonable weights without danger of collapse. But be sure to get the best wood obtainable. The rungs may be of 2 by 1 inch stuff, though 2 by 3/4 inch will suffice for the upper half-dozen, which have less wear, and are shorter than those below.
Materials.—The length of the ladder will determine how sturdy the sides need to be. For a ladder that's about 12 feet long, like the one we'll describe, larch battens measuring 3 by 1-1/8 inches (actual) in section and free from knots, especially at the edges, will be strong enough to support all reasonable weights without the risk of collapsing. Just make sure to use the best wood you can find. The rungs can be made from 2 by 1 inch material, but 2 by 3/4 inch will work for the top half-dozen, which experience less wear and are shorter than those below.
The rungs are 10 inches apart (Fig. 10), centre to centre. The distance may be increased to a foot, Or even more if weight-saving is an object.
The rungs are 10 inches apart (Fig. 10), measured from center to center. The distance can be increased to a foot, or even more, if saving weight is a concern.
CONSTRUCTION.
Preparing the Sides.—These are cut to exactly the same length, which we will assume to be 11 feet 6 inches, planed quite smooth and rounded off slightly at the corners to make handling comfortable. Before marking them for the rungs it is important that they shall be so arranged that both incline equally towards a centre line.
Preparing the Sides.—These are cut to exactly the same length, which we'll assume is 11 feet 6 inches, planed smooth, and slightly rounded at the corners for comfortable handling. Before marking them for the rungs, it's important that they are arranged so that both incline equally toward a center line.
Stretch a string tightly three inches above the ground, and lay the sides of the ladder on edge to right and left of it, their ends level. Adjust the bottom ends 8-1/2, the top ends 6-1/2 inches from the string, measuring from the outside. Tack on cross pieces to prevent shifting, and then, starting from the bottom, make a mark every 10 inches on the outside corners, to show the position of the tops of the rungs. A piece of the wood to be used for making the rungs of is laid up to the pairs of marks in turn, and lines are drawn on both sides of it.
Stretch a string tightly three inches above the ground and position the sides of the ladder on edge to the right and left of it, making sure their ends are level. Adjust the bottom ends to 8-1/2 inches and the top ends to 6-1/2 inches from the string, measuring from the outside. Attach cross pieces to prevent shifting, then starting from the bottom, make a mark every 10 inches on the outside corners to indicate where the tops of the rungs will be. A piece of wood, intended for making the rungs, is placed against the pairs of marks in turn, and lines are drawn on both sides of it.
Cutting the Notches.—The work of marking the ends of the notches will be quickened, and rendered more accurate, if a template (Fig. 10) is cut out of tin. The side AC is 3/8 to 1/2 inch deep. Apply the template to both faces of the side in turn, with its corner A at the line below the rung, and DE flush with the upper corner. When all the notches have been marked cut down the AC line of each with a tenon saw, and chisel along BC till the wedge-shaped chip is removed. Finish off every notch as neatly as possible, so that the rungs may make close contact and keep water out.
Cutting the Notches.—Marking the ends of the notches will go faster and be more accurate if you use a template (Fig. 10) made from tin. The side AC should be 3/8 to 1/2 inch deep. Place the template on both sides of the piece, aligning corner A with the line below the rung and DE flush with the upper corner. After marking all the notches, cut down the AC line of each with a tenon saw, then chisel along BC until the wedge-shaped chip is removed. Clean up each notch as neatly as you can, so the rungs fit snugly and keep water out.
Preparing the Rungs.—Lay a piece of rung batten across the lowest notches, the end overhanging the side by a quarter of an inch or so to allow for the taper of the ladder, and draw your pencil along the angles which it makes with the sides. Mark the positions of the nail holes. Cut off the rung at the cross lines; drill the four nail holes on the skew, as shown in Fig. 10; and round off all the corners. The other rungs are treated in the same manner, and the sides are then separated, for the inside top corner and both back corners, which will be handled most, to be well rounded off and rubbed smooth with glass paper.
Preparing the Rungs.—Place a piece of rung batten across the lowest notches, letting the end hang over the side by about a quarter of an inch to account for the ladder's taper, and trace your pencil along the angles it creates with the sides. Mark where the nail holes will go. Cut the rung at the marked lines; drill the four nail holes on an angle, as shown in Fig. 10; and round off all the corners. Treat the other rungs in the same way, and then separate the sides, ensuring that the inside top corner and both back corners, which will be used the most, are rounded off and smoothed with sandpaper.
Assembling.—Before putting the parts together give them a coating of paint, as the contact surfaces will not be accessible to the brush afterwards. When the paint has dried, lay the sides out as before, and nail on the rungs with 3-inch nails. To counteract any tendency of the sides to draw apart, a light cross bar should be fixed on the back of the ladder behind the top and bottom rungs.
Assembling.—Before putting the parts together, give them a coat of paint since the contact surfaces won't be reachable with the brush afterward. Once the paint has dried, lay out the sides as before, and nail on the rungs with 3-inch nails. To prevent the sides from pulling apart, attach a light crossbar at the back of the ladder, behind the top and bottom rungs.
Round off the end angles of the rungs, and apply a second coating of paint.
Round off the ends of the rungs and apply a second coat of paint.
Note.—A ladder of this kind is given a more presentable appearance if the rungs are let in square to the sides and flush, but at the sacrifice either of strength or lightness, unless narrow rungs of a hard wood, such as oak, be used. Moreover, square notches are not so easy to cut out as triangular.
Note.—A ladder like this looks better if the rungs are set in square with the sides and flush, but this comes at the cost of either strength or weight, unless you use narrow rungs made of a hard wood like oak. Also, square notches are harder to cut out than triangular ones.
For a short ladder, not more than 9 feet long, the section of the sides may safely be reduced to 2-3/4 by 1 inch (actual), if good material is selected.
For a short ladder, no longer than 9 feet, the sides can safely be reduced to 2-3/4 by 1 inch (actual), as long as you choose good materials.
V.
A DEVELOPING SINK.
Many amateur photographers are obliged to do their developing in odd corners and under conditions which render the hobby somewhat irksome if a large number of plates have to be treated. The main difficulty is to secure an adequate water supply and to dispose of the waste water. At a small expenditure of money and energy it is easy, however, to rig up a contrivance which, if it does not afford the conveniences of a properly equipped dark room, is in advance of the jug-and-basin arrangement with which one might otherwise have to be content. A strong point in favour of the subject of this chapter is that it can be moved without any trouble if the photographer has to change his quarters.
Many amateur photographers have to do their developing in weird spots and under conditions that make the hobby pretty annoying, especially when they have a lot of plates to deal with. The main challenge is to get enough water supply and to get rid of the waste water. However, with a small amount of money and effort, it's easy to set up a makeshift solution that, while it may not offer the comforts of a fully equipped darkroom, is definitely better than the old jug-and-basin setup that one might otherwise have to use. A big advantage of the topic of this chapter is that it can be easily moved if the photographer needs to switch locations.
The foundation, so to speak, of the developing sink is a common wooden washstand of the kind which has a circular hole in the top to hold the basin. A secondhand article of this sort can be purchased for a shilling or two. A thoroughly sound specimen should be selected, even if it is not the cheapest offered, especial attention being paid to its general rigidity and the good condition of the boards surrounding the basin shelf.
The base of the developing sink is a typical wooden washstand that has a circular hole in the top for holding the basin. You can buy a used one like this for a shilling or two. It's important to choose a solid piece, even if it's not the cheapest one available, with particular attention to its overall sturdiness and the good condition of the boards around the basin shelf.
[Illustration: Fig. 11.—A home-made developing sink for the darkroom.]
[Illustration: Fig. 11.—A DIY developing sink for the darkroom.]
The area of the top is generally about 20 by 15 inches; but if a stand of larger dimensions can be found, choose it by preference.
The top area is usually around 20 by 15 inches, but if you can find a stand that’s larger, it’s better to choose that one.
The general design of the sink and its equipment is shown in Fig. 11. For the uprights, which rest on the beading of the washstand, use two boards 9 inches wide, 1/2 inch (actual) thick, and 36 inches long. The top shelf, to carry the pail or other water container, should be of 1-inch stuff; and the two lower shelves be not more than 5 inches wide and 3/4 inch thick. Space the shelves at least 11 inches apart, so that they may accommodate tall bottles. The superstructure will gain in rigidity if the intermediate shelves are screwed to the uprights, in addition to being supported on ledges as indicated; and if the back is boarded over for at least half its height, there will be no danger of sideways collapse, when a full bucket is put in position.
The overall design of the sink and its components is shown in Fig. 11. For the vertical supports, which sit on the edge of the washstand, use two boards that are 9 inches wide, 1/2 inch thick, and 36 inches long. The top shelf, meant to hold a pail or another water container, should be made from 1-inch material; the two lower shelves should be no more than 5 inches wide and 3/4 inch thick. Make sure to space the shelves at least 11 inches apart to accommodate taller bottles. The structure will be more stable if the middle shelves are screwed to the vertical supports, in addition to being supported by ledges as shown; also, if the back is covered with boards for at least half its height, you'll prevent any risk of collapsing sideways when a full bucket is placed.
The top of the washstand, on which the developing will be done, must be provided with a tray of lead or zinc. Lead is preferable, as lying flatter; but the jointing at the corners is more difficult than the soldering of sheet zinc, which, though more liable to chemical corrosion, is much lighter than the thinnest lead—weighing about 1-1/2 lbs. to the square foot—that could well be used. If lead is selected, the services of a plumber had better be secured, if the reader has had no experience in “wiping a joint.”
The top of the washstand, where the developing will take place, should have a tray made of lead or zinc. Lead is better because it lies flatter, but joining the corners is trickier than soldering sheet zinc. Although zinc is more prone to chemical corrosion, it’s much lighter than the thinnest lead—about 1.5 lbs. per square foot—that could be used. If you choose lead, it’s wise to get a plumber to help unless you’re experienced in "wiping a joint."
A zinc tray is prepared by cutting out of a single sheet a piece of the shape shown in Fig. 12. The dimensions between the bending lines (dotted) are 1/8 inch less in both directions than those of the shelf. The turn-ups a, a, b, b, should not be less than 1-1/2 inches wide. Allow half an inch at each end of b b for the turnover c. Turn a a up first, then b b, and finally bend c c round the back of a a, to which they are soldered. A drop of solder will be needed in each corner to make it water-tight. When turning up a side use a piece of square-cornered metal or wood as mould, and make the angles as clean as possible, especially near the joints.
A zinc tray is made by cutting a piece from a single sheet in the shape shown in Fig. 12. The measurements between the bending lines (dotted) should be 1/8 inch smaller in both directions than those of the shelf. The turn-ups a, a, b, b, should be at least 1-1/2 inches wide. Leave half an inch at each end of b b for the turnover c. First, bend up a a, then b b, and finally wrap c c around the back of a a, where they are soldered together. You’ll need a drop of solder in each corner to make it water-tight. When bending up a side, use a piece of square-cornered metal or wood as a mold and keep the angles as neat as possible, especially near the joints.
[Illustration: FIG. 12.—Showing how the tray for sink is marked out.]
[Illustration: FIG. 12.—Showing how to outline the tray for the sink.]
A drain hole, an inch or so in diameter, is cut in the centre of the tray. To prevent the hands being injured by the tray, the front should be covered by a 1/2-inch strip of zinc doubled lengthwise, or be made a bit deeper than 1-1/2 inches in the first instance and turned over on itself.
A drain hole about an inch wide is cut in the center of the tray. To protect hands from getting hurt by the tray, the front should be covered with a 1/2-inch strip of zinc folded in half lengthwise, or it can be made a little deeper than 1-1/2 inches and turned over on itself.
Before the tray is put in position the basin hole must be filled in, except for an opening to take the waste pipe. The plug is pad-sawed out of wood of the same thickness as the top, to which it is attached by crossbars on the under side. The whole of the woodwork, or at least those parts which are most likely to get wetted, should then be given a coat or two of paint.
Before the tray is set in place, the basin hole needs to be filled in, leaving only an opening for the waste pipe. The plug is cut out of wood that matches the thickness of the top, and it’s secured with crossbars on the underside. All the woodwork, or at least the parts that are most likely to get wet, should then be painted with a coat or two.
A waste pipe, somewhat larger than the drain hole and 3 inches long, having been firmly soldered to the tray, beat the edges of the hole down into the pipe. Then prepare a wooden collar to fit the pipe outside, and drill a hole on the centre line to take a carpenter’s screw. If the edges of the tray are supported on slats 3/16 to 1/4 inch thick, and its centre is kept in contact with the wood by the collar pressing against the underside of the shelf, any water will naturally gravitate to the centre and escape by the waste pipe. This automatic clearance of “slops” is a very desirable feature of a developing sink.
A waste pipe, a bit larger than the drain hole and 3 inches long, was securely soldered to the tray, pushing the edges of the hole down into the pipe. Next, make a wooden collar to fit around the pipe outside, and drill a hole along the center line to insert a carpenter’s screw. If the edges of the tray are supported on slats that are 3/16 to 1/4 inch thick, and the center is held against the wood by the collar pressing up from under the shelf, any water will naturally flow to the center and drain through the waste pipe. This automatic clearance of leftover water is a very useful feature for a working sink.
To prevent water splashing on to the sides of the stand and working down between tray and wood, tack pieces of American cloth on the sides with their edges overlapping the tray edges by an inch or so.
To stop water from splashing onto the sides of the stand and seeping between the tray and wood, staple pieces of American cloth to the sides so their edges overlap the tray edges by about an inch.
A small two-handled bath is the most convenient receptacle for the waste water. It should hold at least a quarter as much again as the water tank, so as to avoid any danger of overfilling. A piece of old cycle tyre tubing, tied to the waste pipe and long enough to reach below the edge of the bath, will prevent splashing—which, when chemicals are being poured away, might prove disastrous to light-coloured clothes.
A small two-handled bath is the most convenient container for waste water. It should hold at least one and a quarter times the amount of the water tank to avoid any risk of overflowing. A piece of old bicycle tire tubing, tied to the waste pipe and long enough to reach below the edge of the bath, will prevent splashing—which, when disposing of chemicals, could seriously damage light-colored clothing.
The supply pipe has a siphon-piece of “compo” tubing at the top, to draw off the water when the tube has been filled by suction, and a small tap at the bottom. This tap, when not in use, should be held back out of the way by a wire hook attached to the lowest of the upper shelves. A piece of linoleum should be cut to fit the bath-shelf and protect the drawer below.
The supply pipe has a siphon made of “compo” tubing at the top, which draws water when the tube has been filled by suction, and a small tap at the bottom. When not in use, this tap should be secured and kept out of the way by a wire hook attached to the lowest of the upper shelves. A piece of linoleum should be cut to fit the bath shelf and protect the drawer underneath.
VI.
A POULTRY HOUSE AND RUN.
This chapter should be of interest to the keeper of poultry on a small scale, for even if the instructions given are not followed out quite as they stand, they may suggest modifications to suit the taste and means of the reader.
This chapter should interest small-scale poultry keepers, as even if the instructions aren't followed exactly, they might inspire changes to fit the reader's preferences and resources.
The principle of the combined run and house—which will accommodate a dozen fowls without overcrowding, especially if it be moved from time to time on to fresh ground—will be understood from Figs. 13 and 14. The first of these shows the framework to which the boards for the house and the wire for the run are nailed. Its over-all length of 10 feet is subdivided into five “bays” or panels, 2 feet long (nearly) between centres of rafters. Two bays are devoted to the house, three to the run.
The idea of the combined run and house—which can hold about a dozen chickens without crowding, especially if it's moved periodically to fresh ground—can be seen in Figs. 13 and 14. The first one illustrates the framework to which the boards for the house and the wire for the run are attached. It has a total length of 10 feet, divided into five "bays" or panels, each about 2 feet long from the center of one rafter to the next. Two bays are for the house, while three are for the run.
[Illustration: Fig. 13.—Frame for poultry house and run (above).
Completed house and run (below).]
[Illustration: Fig. 13.—Structure for chicken coop and enclosure (above).
Finished coop and enclosure (below).]
One square (10 by 10 feet) of weather boarding 6 inches wide, for covering in the house. 44 feet of 4 by 1, for base and ridge. 56 feet of 3 by 1, for eight rafters. 28 feet of 3 by 1-1/2, for four rafters. 50 feet of 2 by 1-1/2, for door frames and doors. 6 feet of 2 by 2, for tie t. 45 feet of 2-foot wire netting. Two pairs of hinges; two locks; staples, etc.
One square (10 by 10 feet) of weatherboarding that's 6 inches wide, for interior covering. 44 feet of 4 by 1 for the base and ridge. 56 feet of 3 by 1 for eight rafters. 28 feet of 3 by 1-1/2 for four rafters. 50 feet of 2 by 1-1/2 for door frames and doors. 6 feet of 2 by 2 for tie t. 45 feet of 2-foot wire netting. Two pairs of hinges; two locks; staples, and so on.
The materials used comprise:— The total cost as estimated from prices current at the time of writing is 25s. This cost could be considerably reduced by using lighter stuff all through for the framework and doors and by covering in the house with old boards, which may be picked up cheaply if one is lucky. Whether it is advisable to sacrifice durability and rigidity to cost must be left to the maker to decide. Anyhow, if the specifications given are followed, an outfit warranted to last for several years will be produced.
The materials used include:— The total estimated cost based on prices at the time of writing is 25s. This cost could be significantly lowered by using lighter materials throughout for the framework and doors, and by using old boards to cover the house, which can be found inexpensively if you're lucky. It's up to the maker to decide whether it's wise to trade off durability and strength for cost. Regardless, if the provided specifications are followed, a setup guaranteed to last for several years will be created.
A Few Points.—The vertical height of the run is just under 6 feet, the tips being cut away from the rafters at the apex. The width at the ground is exactly 6 feet. The base angles made by AA with B (Fig. 14) are 63 degrees; that which they make with one another, 54 degrees. The rafters r1 and r3 at each end of the house are half an inch thicker than the rest, as they have to stand a lot of nailing.
A Few Points.—The vertical height of the run is just under 6 feet, with the tips trimmed away from the rafters at the top. The width at the ground measures exactly 6 feet. The base angles formed by AA with B (Fig. 14) are 63 degrees; the angle they create with each other is 54 degrees. The rafters r1 and r3 at each end of the house are half an inch thicker than the others, as they need to withstand a lot of nailing.
CONSTRUCTION.
Cutting the Rafters.—If floor space is available, chalk out accurately the external outline of a pair of rafters (80 inches long each before shaping) and a line joining their lower ends. Then draw a line bisecting the ridge angle. With this template as guide the rafters can be quickly cut to shape. Another method is to cut one rafter out very carefully, making a notch for half the width of the ridge, and to use it as a pattern for the rest. In any case the chalked lines will prove useful in the next operation of pairing the rafters and uniting them by a tie just under the ridge notch. Cut a 4 by 1 inch notch at the bottom of each rafter, on the outside, for the base piece. The two end pairs have the B pieces (Fig. 14) nailed on to them, and r3 the tie t, which should be in line with the rafters. The other three pairs require temporary ties halfway up to prevent straddling during erection.
Cutting the Rafters.—If there's enough floor space, accurately outline the external shape of a pair of rafters (80 inches long each before shaping) and draw a line connecting their lower ends. Then, draw a line that bisects the ridge angle. Using this template as a guide, you can quickly cut the rafters to shape. Another method is to carefully cut out one rafter, making a notch for half the width of the ridge, and use it as a pattern for the others. In any case, the chalked lines will be helpful in the next step of pairing the rafters and joining them with a tie just under the ridge notch. Cut a 4 by 1 inch notch at the bottom of each rafter on the outside for the base piece. The two end pairs have the B pieces (Fig. 14) nailed to them, and r3 the tie t, which should be aligned with the rafters. The other three pairs need temporary ties halfway up to prevent straddling during erection.
Door Frames and Doors.—The method of fixing the frame of the door at the run end is shown in Fig. 14. The material for the frame being 1/2 inch thicker than that of the rafters, there is room for shoulders at the top angles, as indicated by dotted lines. The door frame at the house end is of the same thickness as r1 so that no overlapping is possible. This being the case, screws should be used in preference to nails, which are liable to draw a sloping face out of position as they get home.
Door Frames and Doors.—The way to secure the door frame at the run end is shown in Fig. 14. The material for the frame is 1/2 inch thicker than that of the rafters, allowing space for shoulders at the top corners, as indicated by the dotted lines. The door frame at the house end has the same thickness as r1, so overlapping isn't possible. Because of this, screws should be preferred over nails, as nails can pull a sloping face out of alignment as they set.
[Illustration: Fig. 14.—On left, elevation of end of run; on right, door for run.]
[Illustration: Fig. 14.—On the left, elevation of the end of the run; on the right, door for the run.]
The doors are made of 2 by 2 inch stuff, halved at the corners. Cut out the top and bottom of the two sides; lay them on the floor so as to form a perfect rectangle, and nail them together. The strut is then prepared, care being taken to get a good fit, as any shortness of strut will sooner or later mean sagging of the door. Cut the angles as squarely as possible, to ensure the strut being of the same length both inside and out.
The doors are made of 2x2 inch lumber, halved at the corners. Cut out the top and bottom of both sides; lay them on the floor to create a perfect rectangle, and nail them together. Next, prepare the strut, making sure it fits well, as any short length of strut will eventually cause the door to sag. Cut the angles as squarely as possible to ensure the strut is the same length on the inside and outside.
Note.—As the door is rectangular, it does not matter which corners are occupied by the ends of the strut; but when the door is hung, the strut must run relatively to the side on which the hinges are, as shown in Fig. 14. Amateurs—even some professionals—have been known to get the strut the wrong way up, and so render it practically useless.
Note.—Since the door is rectangular, it doesn't matter which corners the ends of the strut occupy; however, once the door is hung, the strut must align with the side where the hinges are, as shown in Fig. 14. Amateurs—even some professionals—have been known to install the strut upside down, making it almost useless.
Covering the Ends of the House.—The ends of the house should be covered before erection, while it is still possible to do the nailing on the flat. The run end is boarded right over, beginning at the bottom, and allowing each board to overlap that below it by 1 inch. The board ends are flush with the outer sides of the rafters. When boarding is finished, cut (with a pad saw) a semicircular-topped run hole, 14 inches high and 8 inches wide, in the middle of the bottom. Any structural weakness caused by severing the two lowest boards is counteracted by the two grooved pieces in which the drop-door moves.
Covering the Ends of the House.—The ends of the house should be covered before you start building, while you can still nail down the boards flat. The run end is completely covered, starting from the bottom, with each board overlapping the one below it by 1 inch. The ends of the boards should be even with the outer sides of the rafters. Once the boarding is done, use a pad saw to cut a semicircular hole at the bottom, measuring 14 inches high and 8 inches wide, right in the center. Any structural weakness from cutting the two lowest boards is supported by the two grooved pieces that the drop-door operates in.
Odds and ends of weather boards should be kept for the door end of the house, which requires short pieces only, and is not boarded below the top of b2. The door may be weather-boarded to match the rest of the end, or covered by a few strakes of match-boarding put on vertically.
Scraps of weatherboards should be saved for the door end of the house, which only needs short pieces and isn’t boarded below the top of b2. The door can be weatherboarded to match the rest of the end or covered with a few vertical strips of match-boarding.
The two base pieces, b1 and b2, and the ridge should be marked off for the rafters at the same time. All three are 10-foot lengths of 4 by 1 wood, unless you prefer the ridge to project a bit, in which case you must allow accordingly.
The two base pieces, b1 and b2, and the ridge should be marked for the rafters at the same time. All three are 10-foot lengths of 4 by 1 wood, unless you want the ridge to extend a little, in which case you'll need to adjust accordingly.
Stand all three pieces together on edge, and make the marks with a square across the tops. Allow a distance of 4 feet between the outside faces of r1 and r3; halve this distance to get the centre of r2; and subdivide the distance between r3 and r6 so that each rafter is separated from its neighbours by an equal space, which will be 1 foot 11 inches. Number the marks and continue them down the sides of the boards with the square. There should be a mark on each side of the place to be occupied by the intermediate rafters, to prevent mistakes; for it is obvious that if a rafter is fixed on the left side of a single ridge mark and on the right of the corresponding mark on the base, the result will not be pleasing.
Stand all three pieces upright and make the marks with a square across the tops. Leave a space of 4 feet between the outer edges of r1 and r3; divide this distance in half to find the center of r2; and divide the distance between r3 and r6 so that each rafter is spaced equally from its neighbors, which will be 1 foot 11 inches apart. Number the marks and continue them down the sides of the boards with the square. There should be a mark on each side of where the intermediate rafters will go, to avoid mistakes; it’s clear that if a rafter is attached on the left side of a single ridge mark and on the right side of the corresponding mark on the base, the outcome won’t be visually appealing.
Erection.—The services of a second pair of hands are needed here, to hold while nailing is done. Nail holes having been drilled in the tops of the rafters and in the base pieces, the ends are stood upright and tacked to the ridge at the places marked for them, and after them the intermediate rafters, working from one end to the other. Then tack on the base pieces, b1, b3. Get the ends quite perpendicular, and nail a temporary cross strut or two on the outside of the rafters to prevent shifting while the final nailing up is done.
Erection.—You need a second pair of hands to help hold things while you nail. Once the nail holes are drilled in the tops of the rafters and in the base pieces, stand the ends up and attach them to the ridge at the marked locations. Then, add the intermediate rafters, working from one end to the other. Next, attach the base pieces, b1 and b3. Make sure the ends are perfectly vertical, and nail on one or two temporary cross supports on the outside of the rafters to keep everything in place while you finish nailing.
Covering the Shed.—Sixteen boards, 4 feet 2 inches long, are needed for each side, as, owing to the overlap of one inch, each tier covers only five of the 80 inches. The ridge is made watertight by a strip of sheet zinc, a foot wide, bent over the top and nailed along each edge.
Covering the Shed.—You will need sixteen boards that are 4 feet 2 inches long for each side. Since there's a one-inch overlap, each row only covers five of the 80 inches. The ridge is made waterproof with a one-foot-wide strip of sheet zinc, bent over the top and nailed along both edges.
Waterproofing.—All the woodwork should now be given a coating of well-boiled tar, paint, creosote, or some other preservative, worked well down into the cracks. Creosote and stoprot are most convenient to use, as they dry quickly.
Waterproofing.—All the woodwork should now be coated with well-boiled tar, paint, creosote, or another preservative, thoroughly worked into the cracks. Creosote and stoprot are the easiest to use since they dry quickly.
Netting.—When the preservative has dried, fix on the netting with 3/4-inch wire staples. Begin at the base on one side, strain the netting over the ridge, and down to the base on the other side. Be careful not to draw the rafters out of line sideways. The last edge stapled should be that on the roof of the house.
Netting.—Once the preservative has dried, attach the netting with 3/4-inch wire staples. Start at the base on one side, stretch the netting over the ridge, and down to the base on the other side. Make sure not to pull the rafters out of alignment. The last edge to be stapled should be the one on the roof of the house.
Note.—When driving nails or staples into a rafter or other part, get a helper to hold up some object considerably heavier than the hammer on the farther side to deaden the blow. Lack of such support may cause damage, besides making the work much more tedious and difficult.
Note.—When driving nails or staples into a rafter or another part, get someone to hold up an object that's significantly heavier than the hammer on the other side to cushion the blow. Not having this support can cause damage and make the work a lot more tedious and challenging.
Finishing off.—The doors are now hung, and fitted with buttons and padlocks. The stops should be on the doors, not on the frames, where they would prove an obstruction in a somewhat narrow opening. Perches should be of 2 by 1 inch wood, rounded off at the top, and supported in sockets at each end so as to be removable for cleaning; and be all on the same level, to avoid fighting for the “upper seats” among the fowls. A loose floor, made in two pieces for convenience of moving, will help to keep the fowls warm and make cleaning easier, but will add a few shillings to the cost. The inside of the house should be well whitewashed before fowls are admitted. To prevent draughts the triangular spaces between the roof boards and rafters should be plugged, but ample ventilation must be provided for by holes bored in the ends of the house at several elevations, the lowest 2 feet above the base. Handles for lifting may be screwed to the faces of b and b2 halfway between the door frame and the corners.
Finishing Touches.—The doors are now installed and equipped with buttons and padlocks. The stops should be on the doors, not on the frames, as they could become an obstruction in a somewhat narrow opening. Perches should be made from 2 by 1 inch wood, rounded at the top, and mounted in sockets at each end to allow for easy removal for cleaning. All perches should be at the same height to prevent the birds from fighting over the "upper seats." A loose floor, made in two sections for easier moving, will help keep the birds warm and make cleaning easier, though it will add a bit to the cost. The interior of the house should be thoroughly whitewashed before the birds are introduced. To prevent drafts, the triangular spaces between the roof boards and rafters should be sealed, but sufficient ventilation must be ensured with holes drilled in the ends of the house at various heights, with the lowest being 2 feet above the floor. Handles for lifting can be attached to the faces of b and b2 halfway between the door frame and the corners.
VII.
A SHED FOR YOUR BICYCLE.
The problem, how to house one or more cycles, often gives trouble to the occupiers of small premises. The hall-way, which in many cases has to serve as stable, is sadly obstructed by the handles of a machine; and if one is kept there, the reason generally is that no other storage is available.
The issue of how to store one or more bikes often causes problems for people in small spaces. The hallway, which often has to double as a storage area, is unfortunately cluttered by the handles of a machine; and if a bike is kept there, it's usually because there’s nowhere else to put it.
If accommodation is needed permanently for two or three cycles belonging to the house, and occasionally for the machine of a visitor, and if room is obtainable in a backyard or garden in direct communication with the road, the question of constructing a really durable and practical cycle shed is well worth consideration. I say constructing, because, in the first place, a bought shed costing the same money would probably not be of such good quality as a home-made one; and secondly, because the actual construction, while not offering any serious difficulty, will afford a useful lesson in carpentry.
If you need a permanent space for two or three bikes that belong to the house, and occasionally for a guest’s bike, and if there’s room available in a backyard or garden that connects directly to the road, then it’s definitely worth considering building a solid and practical bike shed. I say building because, first, a store-bought shed that costs the same would likely not be as good quality as one you make yourself; and second, the actual building process, while not overly difficult, will provide a valuable lesson in carpentry.
[Illustration: FIG. 16.—Cycle shed completed.]
[Illustration: FIG. 16.—Bike shed completed.]
Cycle sheds are of many kinds, but owing to the limitations of space it is necessary to confine attention to one particular design, which specifies a shed composed of sections quickly put together or taken apart—portability being an important feature of “tenants’ fixtures”—and enables fullest advantage to be taken of the storage room. As will be seen from the scale drawings illustrating this chapter, the doors extend right across the front, and when they are open the whole of the interior is easily accessible. The fact that the cycles can be put in sideways is a great convenience, as the standing of the machines head to tail alternately economizes room considerably.
Cycle sheds come in various types, but due to space constraints, we’ll focus on one specific design. This design consists of sections that can be quickly assembled or disassembled—portability is a key aspect of “tenants’ fixtures”—and optimizes the use of storage space. As shown in the scale drawings in this chapter, the doors span the entire front, allowing easy access to the whole interior when open. The ability to store bicycles sideways is a significant advantage since alternating their positioning from head to tail saves a considerable amount of space.
[Illustration: FIG. 16.—Plan of corner joints of cycle shed.]
[Illustration: FIG. 16.—Plan of corner joints of cycle shed.]
I ought to mention before going further that the shed to be described is very similar, as regards design and dimensions, to one in a back issue of Cycling. By the courtesy of the proprietors of the journal I have been permitted to adapt the description there given.[1]
I should note before we continue that the shed I’m about to describe is quite similar in design and size to one featured in a past issue of Cycling. Thanks to the journal's owners, I've been allowed to adapt the description from there.[1]
[Footnote 1: By Mr. Hubert Burgess. ]
[Footnote 1: By Mr. Hubert Burgess.]
Dimensions and General Arrangements.—The shed is 8 feet long over all, 5 feet 6 inches high in front, 5 feet high at the back, 3 feet deep over all, under the roof, which projects 3 inches fore and aft, and 2 inches at each end. It consists of seven parts: two sides, roof, back, front frame and doors, and a bottom in two sections.
Dimensions and General Arrangements.—The shed is 8 feet long overall, 5 feet 6 inches high in the front, 5 feet high in the back, and 3 feet deep overall, under the roof, which extends 3 inches at the front and back, and 2 inches at each end. It is made up of seven parts: two sides, a roof, a back, a front frame with doors, and a bottom in two sections.
The reader should examine the diagrams (Figs. 16 to 24) to get a clear understanding of the disposal of the parts at the corners. Fig. 16 makes it plain that the frames of the back and front overlap the frames of the sides, to which they are bolted; and that the covering of the back overlaps the covering of the sides, which in turn overlaps the front frame.
The reader should look at the diagrams (Figs. 16 to 24) to clearly understand how the parts are arranged at the corners. Fig. 16 shows that the frames of the back and front overlap the side frames, to which they are bolted; and that the back covering overlaps the side coverings, which in turn overlap the front frame.
All corner joints are halved. In order to allow the doors to lie flush with the front of the doorframe uprights, the last must project the thickness of the door boards beyond the frame longitudinals; and to bring the front uprights of the sides up against the uprights of the door frame, the longitudinals are notched, as shown (Fig. 16), to the depth of the set-back for the doors.
All corner joints are cut in half. To make sure the doors sit flush with the front of the doorframe uprights, the last must extend the thickness of the door boards beyond the frame longitudinals. To align the front uprights of the sides with the uprights of the door frame, the longitudinals are notched, as shown (Fig. 16), to the depth needed for the doors to be set back.
Materials.—The question of cost and the question of materials cannot be separated. A shed even of the dimensions given consumes a lot of wood, and the last, that it may withstand our variable and treacherous climate for a good number of years, should, as regards those parts directly exposed to the weather, be of good quality. Yellow deal may be selected for the boards; pitch pine is better, but it costs considerably more. For the frames and non-exposed parts generally ordinary white deal will suffice.
Materials.—The cost and the choice of materials are closely linked. A shed, even one with the dimensions mentioned, uses a significant amount of wood, and to ensure it can endure our unpredictable and harsh climate for many years, the parts that are directly exposed to the elements should be of good quality. Yellow deal can be chosen for the boards; pitch pine is a better option, but it's much more expensive. For the frames and parts that won't be exposed, standard white deal will be adequate.
[Illustration: FIG. 17.-Types of match boarding: (a) square joint; (b) double.-V; (c) single-V.]
[Illustration: FIG. 17.-Types of match boarding: (a) square joint; (b) double.-V; (c) single-V.]
The scale drawings are based on the assumption that matching of one of the forms shown in Fig. 17, and measuring 4 inches (actual) across, exclusive of the tongue, and 5/8 inch (actual) thick, is used.
The scale drawings are based on the assumption that one of the forms illustrated in Fig. 17, measuring 4 inches (actual) across, not including the tongue, and 5/8 inch (actual) thick, is used.
As advised in the case of the carpenter’s bench, (p. 15) the prospective constructor should let the wood merchant have the specifications, so that he may provide the material in the most economical lengths. The following is a rough estimate of the wood required, allowing a sufficient margin for waste:
As mentioned in the case of the carpenter’s bench (p. 15), the future builder should give the wood supplier the specifications so that they can supply the wood in the most cost-effective lengths. Below is a rough estimate of the wood needed, with a sufficient allowance for waste:
4-1/2 (over tongue) by 5/8 inch (actual) yellow match boarding for sides, roof, back, and doors:
4-1/2 inches (over tongue) by 5/8 inch (actual) yellow match boarding for the sides, roof, back, and doors:
1-1/2 squares = 150 sq. feet. = 450 feet run. White 4-1/2 by 3/4 inch square-shouldered flooring: 1/4 square = 25 sq. feet. = 75 feet run. 3 by 1-1/2 inch battens = 88 feet run. 4 by 1-1/2 inch battens = 26 feet run. 3 by 2 inch battens = 27 feet run. 5 by 1-1/2 inch battens = 8 feet run. 2 by 1-1/2 inch battens = 21 feet run.
1.5 squares = 150 sq. ft. = 450 ft. run. White 4.5 by 0.75 inch square-shouldered flooring: 0.25 square = 25 sq. ft. = 75 ft. run. 3 by 1.5 inch battens = 88 ft. run. 4 by 1.5 inch battens = 26 ft. run. 3 by 2 inch battens = 27 ft. run. 5 by 1.5 inch battens = 8 ft. run. 2 by 1.5 inch battens = 21 ft. run.
There will also be required:
Twelve 6-inch bolts and nuts.
Two pairs 18-inch cross-garnet hinges.
Two door bolts.
One lock (a good one).
Four yards of roofing felt.
Two gallons of stoprot.
Three lbs. wire-nails
A few dozen 3-inch and I-1/2-inch screws.
There will also be required:
Twelve 6-inch bolts and nuts.
Two pairs of 18-inch cross-garnet hinges.
Two door bolts.
One lock (a good one).
Four yards of roofing felt.
Two gallons of stoprot.
Three lbs. of wire nails.
A few dozen 3-inch and 1.5-inch screws.
The total cost of the materials will come to about 2 pounds, 2s.
The total cost of the materials will be around 2 pounds, 2 shillings.
CONSTRUCTION.
The scale drawings are so complete as to dimensions that, assuming the materials to be of the sizes specified, they may be followed implicitly. It is, of course, easy to modify the design to suit any slight differences in dimensions; and to avoid mistakes all the stuff should be gauged carefully beforehand.
The scale drawings are so detailed in dimensions that, assuming the materials are the sizes specified, they can be followed exactly. It's easy to adjust the design for any minor differences in dimensions; to prevent mistakes, all the materials should be measured carefully in advance.
[Illustration: FIG. 18.-Side of cycle shed.]
[Illustration: FIG. 18.-Side of cycle shed.]
The Sides.—When laying out the frames for these it is necessary to bear in mind that the front upright is somewhat less than 5 feet 6 inches long, and the back upright rather more than 5 feet, owing to the slope of the roof, and to the fact that they are set in 2 inches from the back and front. To get the lengths and angle of the half-joints right, lay the verticals, which should be 5 feet 6 inches and 5 feet 1 inch long before trimming, on the floor, at right angles to the bottom of the frame (2 feet 7-3/4 inches long) and quite parallel to one another. (We will assume the half-joints to have been made at the bottom.) The batten for the top is laid across the ends of the verticals, its top edge in line with a 5-foot 6-inch mark at a point 2 inches beyond the front vertical, and with a 5-foot mark 2 inches beyond the back vertical, the distances being measured perpendicularly from the bottom of the frames produced. The lines for the joints can then be marked, and the joints cut. The notches for the roof stays should not be cut till the roof is being fitted.
The Sides.—When setting up the frames for these, it's important to remember that the front upright is just under 5 feet 6 inches long, and the back upright is a bit over 5 feet, due to the slope of the roof and the fact that they are positioned 2 inches in from the back and front. To get the lengths and angles of the half-joints correct, lay the verticals, which should be 5 feet 6 inches and 5 feet 1 inch long before trimming, on the floor at right angles to the bottom of the frame (which is 2 feet 7-3/4 inches long) and parallel to each other. (Let's assume the half-joints have been made at the bottom.) The batten for the top should be placed across the ends of the verticals, with its top edge aligned with a 5-foot 6-inch mark at a point 2 inches beyond the front vertical and with a 5-foot mark 2 inches beyond the back vertical, measuring these distances straight up from the bottom of the extended frames. You can then mark the lines for the joints and cut them. The notches for the roof stays should not be cut until you start fitting the roof.
[Illustration: FIG. 19.—Boards at top of side, fixed ready for cutting off.]
[Illustration: FIG. 19.—Boards at the top of the side, fixed and ready for cutting off.]
Use the side frame first made as template for the other.
Use the first side frame as a template for the other one.
The shelves are notched at the ends, so that their back faces shall be flush with the board side of the frame.
The shelves have notches at the ends, allowing their back edges to be flush with the board side of the frame.
Fix the corners with the screws, and plane off the projecting angles of the uprights.
Secure the corners with the screws, and smooth out the protruding angles of the uprights.
When putting on the boards, start at the back of the frame. Plane down the groove edge of the first board until the groove is out of the board, and apply the board with 1-1/2 inches projecting beyond the frame. Leave a little spare at each end of every board, and when the side is covered run a tenon-saw across both ends of all the boards close to the frame, and finish up with the plane. This is quicker and makes a neater job than cutting each board to size separately.
When attaching the boards, begin at the back of the frame. Smooth down the groove edge of the first board until the groove is gone, and attach the board with 1-1/2 inches extending beyond the frame. Leave a little extra at each end of every board, and once the side is covered, use a tenon saw to trim both ends of all the boards close to the frame, then finish with a plane. This method is faster and results in a neater job than cutting each board to size individually.
[Illustration: FIG. 20.-Back of cycle shed.]
[Illustration: FIG. 20.-Back of cycle shed.]
The Back (Fig. 20).—When laying out the frame for this, remember that there is a bevel to be allowed for along the top, and that the height of the frame at the front must be that of the back of a side frame. (See Fig. 21.) The boards should be cut off to the same slope.
The Back (Fig. 20).—When planning the frame for this, keep in mind that there's a bevel to allow for along the top, and the height of the frame at the front needs to match the height of the back of a side frame. (See Fig. 21.) The boards should be cut to the same angle.
Twenty-four boards should exactly cover the back. Cut the tongue neatly off that last fixed, and glue it into the groove of the first board.
Twenty-four boards should perfectly cover the back. Trim the tongue off that last one you fixed, and glue it into the groove of the first board.
The Front.—The frame requires careful making. For details of corner joints see Fig. 16. The 3-inch faces of the top and bottom bars are vertical. The upper side of the top bar is planed off to the angle of the slope. (Fig. 23.)
The Front.—The frame needs to be crafted carefully. For details about the corner joints, see Fig. 16. The 3-inch faces of the top and bottom bars are vertical. The upper side of the top bar is planed down to match the angle of the slope. (Fig. 23.)
[Illustration: FIG. 21. Detail of eaves.]
[Illustration: FIG. 21. Detail of eaves.]
The Doors (Fig. 22).—These are the most difficult parts to construct, as the braces which prevent the front edges dropping must be carefully fitted in order to do their work properly.
The Doors (Fig. 22).—These are the toughest parts to build, as the braces that stop the front edges from dropping need to be precisely fitted to do their job effectively.
The eleven outside boards of each door are held together by two 4-inch ledges 6 inches away from the ends, and one 5-inch central ledge. Allow a little “spare” on the boards for truing up. Boards and ledges having been nailed together, lay a piece of 4 by 1-1/2 inch batten across the ledges on the line which the braces will take, and mark the ledges accordingly. Next mark on the batten the ends of the braces. These project half an inch into the ledges, and terminate on the thrust side in a nose an inch long, square to the edge of the brace. The obtuse angle is flush with the edge of the ledge. Cut out the braces, lay them in position on the ledges, and scratch round the ends. Chisel out the notches very carefully, working just inside the lines to ensure the brace making a tight fit. If there is any slackness at either end, the brace obviously cannot carry the weight of the door until the door has settled slightly, which is just what should be prevented. Therefore it is worth while taking extra trouble over this part of the work.
The eleven outside boards of each door are held together by two 4-inch ledges located 6 inches from the ends and one 5-inch central ledge. Leave a little extra on the boards for adjustments. After nailing the boards and ledges together, place a piece of 4 by 1-1/2 inch batten across the ledges along the line where the braces will go, and mark the ledges accordingly. Next, mark the ends of the braces on the batten. These should extend half an inch into the ledges and finish on the thrust side with a nose that is an inch long, flush with the edge of the brace. The obtuse angle should be even with the edge of the ledge. Cut out the braces, position them on the ledges, and trace around the ends. Carefully chisel out the notches, staying just inside the lines to ensure the brace fits tightly. If there’s any looseness at either end, the brace won’t support the door's weight until it settles a bit, which we want to avoid. So, it’s worth taking extra care with this part of the work.
[Illustration: FIG. 22.-Doors of shed.]
[Illustration: FIG. 22.-Shed Doors.]
Cautions.—Don’t get the nose of the brace too near the end of the ledge. Nail the boards on specially securely to the ledges near the ends of the braces.
Cautions.—Don’t let the nose of the brace get too close to the end of the ledge. Fasten the boards on particularly securely to the ledges near the ends of the braces.
Fitting the Doors.—The doors should now be laid on the top of the frame and secured to it by the four hinges. The long ends of these are held by screws driven through the boards into the bearers; the cross pieces are screwed to the uprights of the door frame. The doors when closed should make a good but not tight fit with one another.
Fitting the Doors.—The doors should now be placed on top of the frame and attached to it with the four hinges. The long ends are held in place with screws driven through the boards into the supports; the cross pieces are screwed to the verticals of the door frame. When closed, the doors should fit well together but not be too tight.
PUTTING THE PARTS TOGETHER.
The two sides, front, and back are now assembled, on a level surface, for drilling the holes for the bolts which hold them together. The positions of the bolts will be gathered from the drawings. Get the parts quite square before drilling, and run the holes through as parallel to the sides as possible. If the bolts are a bit too long, pack washers between nut and wood until the nut exerts proper pressure.
The front and back panels are now put together on a flat surface to drill the holes for the bolts that will hold them in place. The bolt positions will be taken from the drawings. Make sure the parts are squared up properly before drilling, and drill the holes as parallel to the sides as you can. If the bolts are slightly too long, use washers between the nut and wood until the nut applies the right amount of pressure.
Caution.—The hole must not be large enough to allow the square part just under the head to revolve, for in such a case it would be impossible to screw up the nut. Its size ought to be such as to require the head to be driven up against the wood.
Caution.—The hole must not be big enough to let the square part just below the head rotate, because if that happens, it would be impossible to tighten the nut. The hole should be sized so that the head needs to be driven against the wood.
[Illustration: Fig. 23 Roof attachment]
[Illustration: Fig. 23 Roof mount]
The Roof.—The boards of this are attached to a frame which fits closely inside the tops of the sides, back, and front. To get the fit of the frame correct, it must be made a bit too wide in the first instance, and then be bevelled off at the front, as shown in Fig. 23, and the reverse way at the back. The ends are notched for the stays AA, and the frame then tacked firmly, by driving nails into the sides, etc., below it, in the position which it will occupy when the roof is on, except that it projects upwards a little. Cut off twenty-five boards 3 feet 7 inches long. Omitting the end ones for the present, lay the remainder up to one another in order, their ends an equal distance from the frame, and nail to the frame. Lift off the roof, insert and secure AAAA, and nail on the end boards. Then rule parallel straight lines 3 feet 6 inches apart across all the boards from end to end of the roof, and cut along these lines. The roof is replaced after notches have been cut in the tops of the sides to take AAAA, and secured to the vertical parts by six bolts, the positions of which are shown in Fig. 24.
The Roof.—The boards are attached to a frame that fits snugly inside the tops of the sides, back, and front. To ensure the frame fits correctly, it should be made slightly wider at first, then beveled at the front, as shown in Fig. 23, and tapered at the back. The ends are notched for the stays AA, and the frame is then firmly secured by driving nails into the sides, etc., below it, in the position it will occupy when the roof is on, except that it should stick up a little. Cut twenty-five boards, each 3 feet 7 inches long. For now, leave out the end ones and stack the remaining boards on top of each other in order, making sure their ends are an equal distance from the frame, and nail them to the frame. Remove the roof, insert and secure AAAA, and nail on the end boards. Then draw straight lines 3 feet 6 inches apart across all the boards from one end of the roof to the other, and cut along these lines. The roof is replaced after notches have been cut into the tops of the sides to accommodate AAAA, and it is secured to the vertical parts with six bolts, the positions of which are shown in Fig. 24.
[Illustration:
FIG. 24.—Top of cycle shed.
FIG. 25.—Floor of shed.]
[Illustration:
FIG. 24.—Top of the cycle shed.
FIG. 25.—Floor of the shed.]
The Floor (Fig. 25).—The making of this is so simple a matter that one need only point out the need for notching the end boards to allow the floor to touch the sides and back, and the doors when closed. It should be screwed to the frames, on which it rests, in a few places.
The Floor (Fig. 25).—Creating this is so straightforward that it’s only necessary to mention the importance of notching the end boards to ensure the floor connects with the sides and back, as well as the doors when they're closed. It should be screwed to the frames it rests on in a few spots.
Preserving the Wood.—All outside wood is dressed with stoprot or creosote, rubbed well into the joints of the boarding.
Preserving the Wood.—All exterior wood is treated with stoprot or creosote, applied thoroughly into the seams of the boards.
Felting the Roof.—The felt is cut into 4-foot lengths, and each length has its ends turned over and nailed to the underside of the roof. The strips must overlap an inch or two. When the felt is on, dress it with boiled tar, and sprinkle sand over it while the tar is still liquid.
Felting the Roof.—The felt is cut into 4-foot lengths, and each length has its ends folded over and nailed to the underside of the roof. The strips should overlap by an inch or two. Once the felt is in place, coat it with boiled tar and sprinkle sand over it while the tar is still hot.
Fitting.—The two bolts to hold one door top and bottom and the lock are now fitted, and a couple of hooks screwed into the door frame clear of the door, to sling a machine from while it is being cleaned or adjusted.
Fitting.—The two bolts to secure the top and bottom of the door and the lock are now in place, along with a couple of hooks screwed into the door frame out of the way of the door, for hanging a machine while it’s being cleaned or adjusted.
Mounting the Shed.—The shed must be raised a few inches above the ground, on bricks or other suitable supports. Don’t stand it close to a wall. Air should be able to circulate freely under and all round it.
Mounting the Shed.—The shed needs to be elevated a few inches off the ground on bricks or other appropriate supports. Don’t place it too close to a wall. Air should be able to flow freely underneath and all around it.
CUTTING DOWN EXPENSE.
If the cost appears prohibitive, it may be reduced somewhat (1) by using thinner boards; (2) by reducing the height of the shed by 1 foot. A very cheap shed, but of course not comparable in quality with the one described, can be made by using odd rough boards for the outside, and covering them with roofing felt well tarred.
If the cost seems too high, it can be lowered a bit (1) by using thinner boards; (2) by cutting the height of the shed down by 1 foot. You can create a very inexpensive shed, though it won't match the quality of the one described, by using leftover rough boards for the exterior and covering them with well-tarred roofing felt.
VIII.
A TARGET APPARATUS FOR RIFLE SHOOTING.
The base is a 1-inch board, 18 inches long and 7 inches wide.
The base is a 1-inch thick board that's 18 inches long and 7 inches wide.
The target-holder is a piece of wood 1-1/2 inches square, and a couple of inches longer than the side of the largest target to be used. To one face nail a piece of strip lead as weight; and to the parallel face attach, by means of brads driven in near one edge, a piece of thin wood of the same size as the face. The free long edge of this should be chamfered off slightly on the inside to enable the target to be slipped easily between it and the roller.
The target holder is a block of wood that's 1.5 inches square and a couple of inches longer than the side of the biggest target you'll use. Nail a strip of lead to one side for weight, and on the opposite side, attach a thin piece of wood of the same size using brads driven in close to one edge. The free long edge of this should be slightly beveled on the inside to allow the target to slide easily between it and the roller.
The roller is pivoted on two short spindles—which can be made out of stout wire nails—driven into the ends near the face farthest from the weight. (See Fig. 26.)
The roller is attached to two short spindles—made from strong wire nails—inserted into the ends closest to the side farthest from the weight. (See Fig. 26.)
For standards use a couple of the small angle irons used for supporting shelves, and sold at about a penny each. These are screwed on to the board 2 inches from what may be considered to be the rear edge, and are so spaced as to leave room for a washer on each spindle between the roller and the standards, to diminish friction.
For the standards, use a couple of small angle brackets designed for supporting shelves, which cost around a penny each. Screw these onto the board 2 inches from what would be considered the back edge, and space them out to allow room for a washer on each spindle between the roller and the brackets to reduce friction.
[Illustration: FIG. 26.-Side elevation of disappearing target apparatus.]
[Illustration: FIG. 26.-Side elevation of disappearing target apparatus.]
Remove one standard, and drive into the roller a piece of stout wire with its end bent to form an eye. The inclination of the arm to the roller is shown in Fig. 26.
Remove one standard, and insert a sturdy wire into the roller, bending the end to create a loop. The angle of the arm to the roller is illustrated in Fig. 26.
To the front of the board now nail a rectangle of stout sheet iron, long and deep enough to just protect the standards and roller. Place the roller in position, insert a target, and revolve the roller to bring the target vertical. A small wire stop should now be fixed into the baseboard to prevent the arm coming farther forward, and a hole for the operating string be drilled in the protection plate at the elevation of the eye on the arm. The edges of this hole need careful smoothing off to prevent fraying of the string. A small eyelet or brass ring soldered into or round the hole will ensure immunity from chafing.
To the front of the board, now attach a sturdy rectangle of sheet metal that’s long and deep enough to protect the standards and roller. Position the roller, insert a target, and turn the roller to make the target vertical. A small wire stop should be attached to the baseboard to prevent the arm from moving too far forward, and a hole for the operating string should be drilled in the protective plate at eye level on the arm. The edges of this hole need to be smoothed out carefully to stop the string from fraying. A small eyelet or brass ring soldered into or around the hole will prevent chafing.
Drive a couple of long wire nails into the front edge of the board outside the iron screen to wind the string on when the target is put away.
Drive a couple of long nails into the front edge of the board outside the iron screen to wrap the string around when the target is stored.
It may prove a convenience if plain marks are made on the string at the distances from which shooting will be done.
It could be helpful to make simple marks on the string at the distances from which shooting will take place.
The above description covers apparatus for working two or more targets simultaneously on a long roller, or separately on separate rollers mounted on a common baseboard.
The description above outlines equipment for handling two or more targets at the same time on a long roller, or individually on separate rollers attached to a shared baseboard.
If it is desired to combine with the apparatus a “stop” for the bullets, the latter (a sheet of stout iron of the requisite strength) may be affixed to the rear of the baseboard, and furnished with a handle at the top to facilitate transport.
If you want to add a “stop” for the bullets to the equipment, you can attach a sheet of heavy iron, strong enough for the job, to the back of the baseboard, and add a handle at the top to make it easier to carry.
IX.
CABINET-MAKING.
A Match-box Cabinet.
A matchbox cabinet.
This is useful for the storage of small articles, such as stamps, pens, seeds, needles, and a number of other minor things which easily go astray if put in a drawer with larger objects.
This is great for storing small items, like stamps, pens, seeds, needles, and various other little things that can easily get lost if placed in a drawer with bigger objects.
The best boxes for the purpose are those used for the larger Bryant and May matches. Select only those boxes of which the tray moves easily in the case.
The best boxes for this purpose are the ones used for the larger Bryant and May matches. Choose only those boxes where the tray moves easily within the case.
The cases should be stood on end on some flat surface while being glued together. A box or drawer with truly square corners is useful for assembling them in; if they are packed into one corner they cannot slew about. Press the boxes together while the glue is setting.
The cases should be stood upright on a flat surface while being glued together. A box or drawer with perfectly square corners is helpful for assembling them; if they're packed into one corner, they can't shift around. Press the boxes together while the glue sets.
Now glue the back ends of the cases (from which the trays should have been removed), and press them against a piece of thin card. When the glue is dry, apply some more with a small brush to the back angles inside the covers, to ensure a good hold on the backing. Trim off the card to the outline of the pile.
Now glue the back ends of the cases (from which the trays should have been removed), and press them against a piece of thin cardboard. Once the glue is dry, apply some more with a small brush to the back corners inside the covers to ensure a good hold on the backing. Trim the cardboard to match the outline of the pile.
[Illustration: FIG. 27.—Match-box cabinet.]
[Illustration: FIG. 27.—Matchbox cabinet.]
Select for the front end of the drawer that for which the wood is doubled over. Paste outside the end a piece of white paper, whereon words and numbers will be more plainly visible. The life of the trays will be increased if the insides are neatly lined with thin paper.
Select the front of the drawer that has the wood folded over. Glue a piece of white paper to the outside end, where words and numbers will be more clearly visible. The lifespan of the trays will be extended if the insides are neatly lined with thin paper.
For “handles” use boot buttons, or loops of thin brass wire, or brass paper clips. To give the cabinet a neat appearance you should cover it outside with paper of some neutral tint; and if you wish it to be stable and not upset when a rather sticky drawer is pulled out, glue it down to a solid wooden base of the proper size.
For "handles," use boot buttons, thin brass wire loops, or brass paper clips. To make the cabinet look tidy, cover the outside with paper in a neutral color; and if you want it to be stable and not tip over when a somewhat sticky drawer is pulled out, glue it to a solid wooden base of the right size.
A Cardboard Cabinet.
A cardboard organizer.
We now proceed to a more ambitious undertaking—the manufacture of a cabinet for the storage of note-paper, envelopes, labels, etc. The only materials needed are some cardboard and glue; the tools, a ruler and a very sharp knife. For the marking out a drawing board and T-square are invaluable. The cardboard should be fairly stout, not less than 1/16 inch thick.
We’re now moving on to a more ambitious project—the creation of a cabinet for storing note paper, envelopes, labels, and so on. The only materials needed are some cardboard and glue; the tools required are a ruler and a very sharp knife. For measuring, a drawing board and T-square are extremely helpful. The cardboard should be reasonably sturdy, at least 1/16 inch thick.
Begin with the drawers; it is easier to make the case fit the drawers than vice versa.
Start with the drawers; it's easier to adjust the case to fit the drawers than the other way around.
Mark out the drawers as shown in Fig. 28. The areas AA are the front and back; BB the sides. The dotted lines indicate the lines along which the cardboard is bent up. The sides are of exactly the same length as the bottom, but the front and back are longer than the bottom by twice the thickness of the cardboard, so as to overlap the sides. (The extra length is indicated by the heavy black lines.)
Mark out the drawers as shown in Fig. 28. The areas AA are the front and back; BB are the sides. The dotted lines show where the cardboard is bent up. The sides are exactly the same length as the bottom, but the front and back are longer than the bottom by twice the thickness of the cardboard, so they overlap the sides. (The extra length is shown by the thick black lines.)
[Illustration: FIG. 28.—Drawer of cardboard cabinet marked ready for cutting.]
[Illustration: FIG. 28.—Drawer of cardboard cabinet labeled ready for cutting.]
Measure and cut out very carefully to ensure all the drawers being of the same size. Lay a piece of card under the thing cut to avoid blunting the knife or damaging the table. When the blanks are ready, cut them almost through along the dotted lines. Use several strokes, and after each stroke test the stubbornness of the bend. When the card is almost severed it will bend up quite easily. Note.—Bend as shown in the inset C; not the other way, or you will snap the card. If you should be so unlucky as to cut the card through in places, paste a strip of thin paper along the line before turning up.
Measure and cut carefully to make sure all the drawers are the same size. Place a piece of cardboard underneath the item you're cutting to avoid dulling the knife or damaging the table. Once the blanks are ready, cut along the dotted lines but don't cut all the way through. Use several strokes, and after each stroke, check how easy it is to bend. When the card is almost cut through, it will bend up quite easily. Note.—Bend as shown in the inset C; not the other way, or you risk snapping the card. If you're unfortunate enough to cut through the card in places, glue a strip of thin paper along the line before bending it up.
The four flaps are now bent up, glued together, and covered outside with paper. This part of the business is easy enough if a small square-cornered wooden box be used as a support inside at each angle in turn. It is advisable to glue strips along all the bends both inside and outside. The external strips should be flattened down well, so as to offer no loose edges.
The four flaps are now folded up, glued together, and covered on the outside with paper. This part of the process is pretty straightforward if you use a small square-cornered wooden box as a support inside at each corner one at a time. It's a good idea to glue strips along all the bends on both the inside and outside. The external strips should be pressed down firmly, so there are no loose edges.
Compare the drawers, and if one is slightly wider than the rest, use it to guide you in making the measurements for the case.
Compare the drawers, and if one is a bit wider than the others, use it to help you take measurements for the case.
The sides and back of the case are cut out of a single piece. The sides should be a quarter of an inch deeper than the drawers to allow some overlap; the back slightly wider than the drawer.
The sides and back of the case are made from one single piece. The sides should be a quarter of an inch deeper than the drawers to create some overlap; the back should be slightly wider than the drawer.
As each drawer will be separated from that above it by a shelf, allowance must be made for the shelves, and also for a twentieth of an inch or so of “play” to each drawer. To keep on the safe side leave a little extra stuff to be removed later on.
As each drawer will be separated from the one above it by a shelf, you need to factor in the shelves and also allow for about a twentieth of an inch of “play” for each drawer. To be safe, leave a little extra material to trim off later.
Cut out the bottom to fit inside the back and sides exactly, and a sufficient number of shelves of precisely the same size as the bottom. Attach the bottom to the sides and back with internal and external strips. When the glue has set, place the guide drawer in position, and lay on it a piece of thin card to cover it over. This card is merely a removable “spacer.” Along the side and back edges of the shelf stick projecting strips of stout paper. When the adhesive is dry, turn the strips round the end at right angles to the division, glue them outside, and lay the division in position on top of the “spacer.”
Cut out the bottom to fit exactly inside the back and sides, and make a sufficient number of shelves that are the same size as the bottom. Attach the bottom to the sides and back using internal and external strips. Once the glue has set, position the guide drawer and place a piece of thin card on top of it as a removable “spacer.” Stick projecting strips of sturdy paper along the side and back edges of the shelf. When the adhesive is dry, turn the strips at the end at a right angle to the division, glue them on the outside, and place the division on top of the “spacer.”
Place the second drawer and shelf in like manner, and continue till the top of the cabinet is reached. Then mark off and cut away any superfluous card. Glue the top edges, and stand the cabinet head downwards on a piece of cardboard. Trim off the edges of this, and the top is completed, except for binding the corners.
Place the second drawer and shelf in the same way, and keep going until you reach the top of the cabinet. Then, mark and cut away any excess cardboard. Glue the top edges, and turn the cabinet upside down on a piece of cardboard. Trim the edges of the cardboard, and the top is finished, except for binding the corners.
Then attend to the outside back corners of the case, and paste strips in the angles under the shelves. The strips should be forced well into the angles.
Then focus on the outside back corners of the case, and glue strips into the angles under the shelves. The strips should be pushed firmly into the angles.
For handles use brass rings let sufficiently far through the fronts of the drawers for a wedge of card to be slipped through them and stuck in position. The appearance of the cabinet will be enhanced by a neatly applied covering of paper.
For handles, use brass rings positioned far enough through the fronts of the drawers so that a piece of card can be slipped through them and secured in place. The cabinet's appearance will be enhanced by a neatly applied paper covering.
A Cigar-box Cabinet.
Cigar box cabinet.
At the rate of a halfpenny or less apiece one may buy the cigar boxes made to hold twenty-five cigars. These boxes, being fashioned by machinery, are all—at any rate all those devoted to a particular “brand”—of the same dimensions; they are neatly constructed, and their wood is well seasoned. Anyone who wishes to make a useful little cabinet may well employ the boxes as drawers in the said cabinet (Fig. 29).
At a cost of half a penny or less each, you can buy cigar boxes designed to hold twenty-five cigars. These boxes, made by machines, are all—at least all those meant for a specific “brand”—the same size; they are neatly built, and the wood is properly seasoned. Anyone looking to create a handy little cabinet could use the boxes as drawers for that cabinet (Fig. 29).
Each box should be prepared as follows:-Remove the lid and paper lining, and rub all the paper binding off the outside angles with a piece of coarse glass paper. This is a safer method than soaking-off, which may cause warping and swelling of the wood. Then plane down the tops of the two sides till they are flush with the back and front, and glue into the corners small pieces of wood of right-angled-triangle section to hold the sides together and the bottom to the sides. To secure the parts further cut a number of large pins down to 3/4 inch, and drive these into the sides through holes carefully drilled in the bottom. Finally, rub the outside of the drawer well with fine glass paper or emery cloth till the surface is smooth all over.
Each box should be prepared like this: -Remove the lid and paper lining, and sand down all the paper binding off the outside corners with a piece of coarse sandpaper. This method is safer than soaking it off, which could warp and swell the wood. Then, plane down the tops of the two sides until they are even with the back and front, and glue small pieces of wood cut in a right-angled triangle shape into the corners to hold the sides together and attach the bottom to the sides. To secure everything further, cut several large pins down to ¾ inch and drive them into the sides through holes that you’ve carefully drilled in the bottom. Finally, sand the outside of the drawer well with fine sandpaper or emery cloth until the surface is smooth all over.
The Case.—If mahogany can be obtained for this, so much the better, as the wood will match the boxes. In default of it, a white wood, stained, will have to serve.
The Case.—If mahogany is available for this, that's great, as the wood will match the boxes. If not, we'll have to use a white wood that’s been stained.
[Illustration: FIG. 29.—Cabinet with cigar-box drawers.]
[Illustration: FIG. 29.—Cabinet with cigar-box drawers.]
The two sides of the case should be prepared first Wood 3/8 inch thick is advised. Each side is 1 inch wider than the depth (outside) of a drawer from front to back. (Whether the drawers shall slide in lengthways or flatways is for the maker to decide.) The length of a side is calculated on the basis that the drawers will be separated from one another by runners 1/4 to 5/16 inch deep, and that a slight clearance must be allowed for the drawers to slide in and out freely. In the first instance cut the sides a bit too long. If it be preferred to insert the bottom between the sides, the length must be increased accordingly.
The two sides of the case should be prepared first. It's recommended to use wood that's 3/8 inch thick. Each side should be 1 inch wider than the depth (outside) of the drawer from front to back. (It's up to the maker to decide whether the drawers will slide in lengthways or flatways.) The length of a side is calculated based on having runners between the drawers that are 1/4 to 5/16 inch deep, and a slight clearance needs to be allowed for the drawers to slide in and out easily. First, cut the sides a little too long. If you prefer to insert the bottom between the sides, you'll need to increase the length accordingly.
The runners are cut out of the box lids, and planed till their top and bottom edges are parallel. Their length is 1/4 inch less than the depth of a drawer. To fill up the spaces between the drawers in front you will need some slips of the same depth as the runners, and 3/8 inch longer than the drawer, so that they may be let 3/16 inch into the sides of the case at each end.
The runners are made from the box lids and shaped until their top and bottom edges are even. Their length is 1/4 inch shorter than the depth of the drawer. To fill the gaps between the drawers in front, you’ll need some slips that are the same depth as the runners, and 3/8 inch longer than the drawer, so they can be inset 3/16 inch into the sides of the case at each end.
Affixing the Runners.—This is a very easy matter if a wooden spacer, slightly wider than the depth of the drawer, is prepared. Having decided which is to be the inside face and the forward edge of a side, lay the side flat, and apply the spacer with one edge flush with the bottom of the side, or as far away from it as the thickness of the bottom, as the case may be, and fix it lightly in position with a couple of tacks. The first runner is laid touching the spacer and a little back from the edge to give room for the cross-bar, and fastened by means of short tacks, for which holes had better be drilled in the runner to prevent splitting. The spacer is now transferred to the other side of the runner, and the second runner is fastened on above it; and so on till all the runners are in position. The square should be used occasionally to make sure that the tops of the runners are parallel to one another. The other side having been treated in like manner, any spare wood at the top is sawn off.
Attaching the Runners.—This is really simple if you prepare a wooden spacer that’s slightly wider than the depth of the drawer. First, decide which side will be the inside face and the front edge, then lay the side flat. Place the spacer with one edge flush against the bottom of the side or as far away as the thickness of the bottom, depending on the situation, and lightly secure it with a couple of tacks. The first runner should be laid against the spacer and slightly back from the edge to allow space for the cross-bar, then fastened with short tacks; it’s better to drill holes in the runner first to avoid splitting. Next, move the spacer to the other side of the runner and attach the second runner above it, continuing this process until all the runners are in place. Use a square occasionally to ensure that the tops of the runners are parallel to each other. Once the other side is done in the same way, saw off any excess wood at the top.
The notches for the front cross-bars between drawers are cut out with a very sharp narrow chisel.
The slots for the front cross-bars between the drawers are cut out with a very sharp, narrow chisel.
The Top and Bottom.—Make the top of the same thickness as the sides; the bottom of somewhat stouter wood. If the bottom is cut a bit longer than the width of the case, and neatly bevelled off, it will help to smarten the appearance of the cabinet.
The Top and Bottom.—Make the top the same thickness as the sides; the bottom from a slightly thicker wood. If the bottom is cut a little longer than the width of the case and nicely beveled, it will enhance the look of the cabinet.
When fixing the sides to the bottom and top get the distance correct by placing the top and bottom drawers in position, and insert a piece of thin card between one end of the drawer and the side. This will ensure the necessary clearance being allowed for.
When attaching the sides to the top and bottom, make sure you get the distance right by positioning the top and bottom drawers. Then, place a piece of thin cardboard between one end of the drawer and the side. This will ensure there's enough clearance.
The Back.—Cut this out of thin wood. The top of a sweetstuff box-costing about a halfpenny—will do well enough. It should be quite rectangular and make a close fit, as it plays the important part of keeping the case square laterally. Bevel its back edges off a bit. Push it in against the back ends of the runners, and fix it by picture brads driven in behind.
The Back.—Cut this out of thin wood. The top of a candy box that costs about a halfpenny will work just fine. It should be completely rectangular and fit snugly, as it plays an important role in keeping the case square laterally. Bevel the back edges a bit. Push it against the back ends of the runners and secure it with picture nails driven in from behind.
The front bars should now be cut to a good fit and glued in the notches.
This completes the construction.
The front bars should now be cut to fit well and glued into the notches.
This completes the construction.
Drop handles for the drawers may be made out of semicircles of brass wire with the ends turned up. The handles are held up to the drawer by loops of finer wire passed through the front and clinched inside.
Drop handles for the drawers can be made from semicircles of brass wire with the ends turned up. The handles are attached to the drawer by loops of thinner wire that pass through the front and are secured inside.
The finishing of the outside must be left to the maker’s taste. Varnishing, or polishing with warmed beeswax, will add to the general appearance, and keep out damp.
The finishing on the outside should be left to the maker’s preference. Varnishing or polishing with warmed beeswax will enhance the overall look and protect against moisture.
The total cost of a ten-drawer cabinet ought not to exceed eighteen pence.
The total cost of a ten-drawer cabinet shouldn't be more than eighteen pence.
A Tool Cabinet.
Tool Cabinet.
The wooden cabinet shown in Fig. 30 is constructed, as regards its case, in the same way as that just described, but the drawers are built up of several pieces. The over-all dimensions of the cabinet represented are as follows: Height, including plinth, 25 inches; width, 17-3/8 inches; depth, 10-1/2 inches. The drawers are 16 inches wide (outside), by 10-1/8 inches from back to front, and, reckoning from the bottom upwards, are 3-1/4, 3, 2-1/2, 2, 2, 2, 2, and 1-3/4 inches deep.
The wooden cabinet shown in Fig. 30 is built in the same way as the previously described one, but the drawers are made from several pieces. The overall dimensions of the cabinet are as follows: Height, including the base, is 25 inches; width is 17-3/8 inches; and depth is 10-1/2 inches. The drawers are 16 inches wide (on the outside) and 10-1/8 inches deep from back to front, with the depths of the drawers from the bottom up being 3-1/4, 3, 2-1/2, 2, 2, 2, 2, and 1-3/4 inches.
[Illustration: FIG. 30.—Large cabinet (a), details of drawer joints (b, c, d), and padlock fastening (e).]
[Illustration: FIG. 30.—Large cabinet (a), details of drawer joints (b, c, d), and padlock fastening (e).]
The construction of the drawers is indicated by the diagrams, Fig. 30, b, c, d. The fronts are of 5/8-inch, the sides and backs of 3/8-inch, and the bottoms of (barely) 1/4-inch wood. The grooves should not come nearer than 1/8-inch to the bottom edge, or be more than 5/16 inch wide and deep. The possessor of a suitable “plough” plane will have no difficulty in cutting them out; in the absence or such a tool the cutting gauge and chisel must be used.
The construction of the drawers is shown in the diagrams, Fig. 30, b, c, d. The fronts are made of 5/8-inch wood, the sides and backs of 3/8-inch wood, and the bottoms of (just about) 1/4-inch wood. The grooves should be no closer than 1/8 inch to the bottom edge, and should not be wider or deeper than 5/16 inch. If you have a suitable “plough” plane, you’ll have no trouble cutting them out; if you don’t have that tool, you’ll need to use a cutting gauge and chisel.
The back piece of a drawer has 1/4-inch less height than the front, to allow the bottom to be introduced. The ends or the bottom are bevelled off towards the top edge to fit the grooves, so that no part may be above the grooves.
The back part of a drawer is 1/4 inch shorter than the front to make it easier to add the bottom. The ends or the bottom are beveled at the top edge to fit into the grooves, ensuring that no part sticks up above the grooves.
Glue should be used to attach the sides of a drawer to the back and front in the first place, and nails be added when the glue has set. As an aid to obtaining perfect squareness, without which the drawers will fit badly, it is advisable to mark out on a board a rectangle having the exact inside dimensions of a drawer, and to nail strips of wood up to the lines on the inside. If the parts are put together round this template they will necessarily fit squarely.
Glue should be used to attach the sides of a drawer to the back and front first, and nails should be added once the glue has dried. To ensure perfect squareness, which is essential for the drawers to fit properly, it’s a good idea to mark a rectangle on a board that matches the exact inside dimensions of a drawer, and then nail strips of wood along the lines on the inside. By assembling the parts around this template, they will automatically fit squarely.
Divisions.—If the drawers are to be subdivided in one direction only, the partitions should run preferably from back to front, as this enables the contents of a compartment to be more easily seen. Where two-direction division is needed the partitions are cut as shown in Fig. 31. All partitions should touch the bottom, and be made immovable by gluing or nailing. It is a mistake to have so many divisions in a drawer that the fingers cannot get into them easily.
Divisions.—If the drawers are only going to be divided in one direction, the partitions should ideally run from back to front, as this makes it easier to see what's in each compartment. If you need two-direction divisions, the partitions should be cut like in Fig. 31. All partitions should touch the bottom and be secured in place by gluing or nailing. It's a mistake to have so many divisions in a drawer that you can't easily reach into them.
Wooden knobs for the drawers can be bought very cheaply of any turner, or suitable brass knobs at any ironmonger’s. Take care that the knobs are in line with one another; otherwise the general appearance of the cabinet will suffer.
You can buy wooden knobs for the drawers cheaply from any woodworker or get suitable brass knobs from any hardware store. Make sure the knobs are aligned with each other; otherwise, the overall look of the cabinet will be affected.
[Illustration: FIG. 31.—Divisions of drawer notched to cross each other.]
[Illustration: FIG. 31.—Drawer sections notched to intersect with each other.]
Lock and Key.—If a cabinet is intended for storage of articles of any value it should be provided with lock and key. One lock will secure all the drawers if attached to a flap hinged on one side to the cabinet, as shown in Fig. 30 a, to engage a catch projecting from one of the drawers. A special form of lock is sold for the purpose. If the single flap seems to give a lop-sided effect, place a fellow on the other side, and fit it with sunk bolts to shoot into the overhanging top and plinth. If you wish to avoid the expense and trouble of fitting a lock, substitute a padlock and a staple clinched through the front of a drawer and passing through a slot in the flap (Fig. 30, e).
Lock and Key.—If you have a cabinet meant for storing valuable items, it should come with a lock and key. One lock can secure all the drawers if it’s attached to a flap that hinges on one side of the cabinet, as shown in Fig. 30 a, to engage a catch that sticks out from one of the drawers. There’s a specific type of lock made for this purpose. If the single flap looks uneven, you can add another one on the opposite side and use sunk bolts to secure it into the top and base. If you want to skip the cost and hassle of installing a lock, you can use a padlock and a staple nailed through the front of a drawer, going through a slot in the flap (Fig. 30, e).
Alternative Method.—The fixing of the front bars can be avoided if the front of each drawer (except the lowest) be made to overhang the bottom by the depth of the runner. This method, of course, makes it impossible to stand a drawer level on a level surface.
Alternative Method.—You can skip attaching the front bars if the front of each drawer (except the lowest) overhangs the bottom by the depth of the runner. However, this approach makes it impossible to place a drawer flat on a level surface.
X.
TELEGRAPHIC APPARATUS.
The easily made but practical apparatus described in this chapter supplies an incentive for learning the Morse telegraphic code, which is used for sending sound signals, and for visible signals transmitted by means of flags, lamps, and heliograph mirrors. Signalling is so interesting, and on occasion can be so useful, that no apology is needed for introducing signalling apparatus into this book.
The simple yet useful device discussed in this chapter encourages learning the Morse code, which is used for sending sound signals as well as visible signals with flags, lamps, and heliograph mirrors. Signaling is not only fascinating but can also be quite helpful, so there's no need to apologize for including signaling equipment in this book.
The apparatus in question is a double-instrument outfit, which enables an operator at either end of the line to cause a “buzzer” or “tapper” to work at the other end when he depresses a key and closes an electric circuit. Each unit consists of three main parts—(1) the transmitting key; (2) the receiving buzzer or tapper; (3) the electric battery.
The equipment in question is a two-part system that lets a user at either end of the line activate a “buzzer” or “tapper” at the other end by pressing a key and closing an electric circuit. Each unit has three main components—(1) the transmitting key; (2) the receiving buzzer or tapper; (3) the electric battery.
The principles of an installation are shown in Fig. 33. One unit only is illustrated, but, as the other is an exact duplicate, the working of the system will be followed easily.
The principles of an installation are shown in Fig. 33. Only one unit is illustrated, but since the other is an exact duplicate, the operation of the system will be easy to follow.
[Illustration: Fig. 32.—Morse alphabet]
[Illustration: Fig. 32.—Morse code]
A wooden lever, L, is pivoted on a support, A. Passing through it at the forward end is a metal bar having at the top a knob, K, which can be grasped conveniently in the fingers; at the other a brass screw, O, which is normally pulled down against the contact, N, by the spiral spring, S. The contact M under K is in connection with the binding post T1 and N with binding post T3; K is joined up to T2, and O to T4.
A wooden lever, L, is hinged on a support, A. At the front end, there's a metal bar with a knob, K, that can be easily gripped by fingers; at the other end, a brass screw, O, that is usually pressed down against the contact, N, by the spiral spring, S. The contact M under K is connected to the binding post T1, and N is connected to binding post T3; K is wired to T2, and O is connected to T4.
T3 and T4 are connected with one of the line wires; T1 with the other wire through a battery, B; T3 with the other wire through the buzzer, R. [1]
T3 and T4 are connected to one of the line wires; T1 is connected to the other wire through a battery, B; T3 is connected to the other wire through the buzzer, R. [1]
[Footnote 1: For the buzzer may be substituted the tapper, described on a later page.]
[Footnote 1: Instead of the buzzer, you can use the tapper, which is explained on a later page.]
Assuming both keys to be at rest, as in Fig. 33, the two buzzers are evidently in circuit with the line wires, though no current is passing. If the stem of K is depressed to make contact with M, the electric circuit of which the battery, B, forms part is completed, and the buzzer at the other end of the lines comes into action. Since the depression of K raises O off N, the “home” buzzer’s connection with the line wires is broken, to prevent the current being short-circuited. The fact that this buzzer is periodically in circuit, even when the key is being worked, makes it possible for the operator at the other end to attract attention by depressing his key, if he cannot read the signals sent.
Assuming both keys are at rest, as shown in Fig. 33, the two buzzers are obviously connected to the line wires, even though no current is flowing. When the stem of K is pressed to make contact with M, the electric circuit that includes the battery, B, is completed, and the buzzer at the other end of the line activates. Since pressing K lifts O off N, the “home” buzzer’s connection with the line wires is interrupted to prevent the current from short-circuiting. The fact that this buzzer is periodically connected, even while the key is being used, allows the operator at the other end to get attention by pressing his key if he can’t read the signals being sent.
[Illustration: Fig.33—Telegraphic apparatus; sending key, buzzer and battery]
[Illustration: Fig.33—Telegraphic equipment; sending key, buzzer, and battery]
Making the Keys.
Creating the Keys.
Transmitting keys can be bought cheaply, but not so cheaply as they can be made. The only expense entailed in home manufacture is that of the screw terminals for connecting the keys with the lines and buzzers. These cost only a penny each, and, if strict economy is the order of the day, can be dispensed with should the apparatus not have to be disconnected frequently.
Transmitting keys can be purchased inexpensively, but they can be made even cheaper. The only cost involved in making them at home is for the screw terminals that connect the keys to the lines and buzzers. These only cost a penny each, and if saving money is a priority, they can be omitted if the equipment doesn’t need to be disconnected often.
The size of the key is immaterial. The keys made by me have levers 1 inch wide and 5-1/2 inches long, oak being chosen as material, on account of its toughness. K is in each case a small wooden knob on a piece of 3/16-inch brass rod; O a 1-1/2-inch brass screw; A a piece of sheet brass 3-1/2 inches long, marked off carefully, drilled 1/8 inch from the centre of each end for the pivot screws, and in four places for the holding-down screws, and bent up at the ends to form two standards. If you do not possess any brass strip, the lever may be supported on wooden uprights glued and screwed to the base.
The size of the key doesn't matter. The keys I make have levers that are 1 inch wide and 5.5 inches long, with oak chosen for its toughness. K is a small wooden knob attached to a piece of 3/16-inch brass rod; O is a 1.5-inch brass screw; A is a piece of sheet brass that is 3.5 inches long, carefully marked, drilled 1/8 inch from the center at each end for the pivot screws, and drilled in four places for the holding-down screws, then bent up at the ends to form two standards. If you don't have any brass strip, you can support the lever on wooden uprights that are glued and screwed to the base.
[Illustration: Fig. 34—Telegraphic apparatus mounted on baseboard]
[Illustration: Fig. 34—Telegraphic equipment set up on a baseboard]
Contact M is a small piece of brass attached to the base by a screw at one end and by T1 at the other. K was drilled near the end to take the short coil of insulated wire joining it to T2, and O was similarly connected with T4.
Contact M is a small piece of brass attached to the base with a screw at one end and by T1 at the other. K was drilled near the end to accommodate the short coil of insulated wire joining it to T2, and O was similarly connected to T4.
The spring, S, should be fairly strong. A steel spiral with a loop at each end is most easily fitted. Drill holes in the lever and base large enough for the spring to pass through freely, make a small cross hole through the lever hole for a pin, and cut a slot across the base hole for a pin to hold the bottom of the spring. Adjust the lever by means of screw O so that there is a space of about 1/4-inch between K and M when O and N are in contact, and after the spring has been put in position give the screw a turn or two to bring K down to within 1/16 inch of M. This will put the required tension on the spring.
The spring, S, should be pretty strong. A steel spiral with a loop at each end is the easiest to install. Drill holes in the lever and base large enough for the spring to pass through easily, make a small cross hole through the lever hole for a pin, and cut a slot across the base hole for a pin to hold the bottom of the spring in place. Adjust the lever using screw O so that there is about a 1/4-inch gap between K and M when O and N are touching, and once the spring is in place, turn the screw one or two times to bring K down to within 1/16 inch of M. This will create the necessary tension on the spring.
The Buzzers.—For these I selected a couple of small electric bells, costing 2s. 6d. each. Their normal rate of vibration being much too slow for telegraphic purposes, I cut off the hammers to reduce the inertia, and so adjusted the contact screw that the armature had to move less than one hundredth of an inch to break the circuit. This gave so high a rate of vibration that the key could not make and break the circuit quickly enough to prevent the buzzer sounding.
The Buzzers.—For these, I chose a couple of small electric bells, costing 2s. 6d. each. Their normal vibration rate was much too slow for telegraphic use, so I removed the hammers to reduce the inertia, and adjusted the contact screw so that the armature had to move less than one hundredth of an inch to break the circuit. This created such a high vibration rate that the key couldn't make and break the circuit quickly enough to stop the buzzer from sounding.
A Morse Tapper or Sounder.
A Morse code tapper.
In postal telegraph offices a “sounder,” and not a “buzzer,” is generally used to communicate the signals. Instead of a continuous noise, lasting as long as the key at the transmitting station is held down, the operator at the receiving station hears only a series of taps made by an instrument called a “sounder.” The principle of this simple device is illustrated by the working diagrams in Fig. 35. M is a horseshoe magnet fixed to a base, A. Close to it is an armature, AR, of soft iron, attached to a lever, L, which works on a pivot and is held up against a regulating screw, P1, by the pull of the spring SP. When current passes through the magnet the armature is attracted, and the point of the screw S2 strikes against P2; while the breaking of the circuit causes L to fly back against S1. The time intervening between the “down” and “up” clicks tells the operator whether a long or a short—dash or a dot—is being signalled.
In postal telegraph offices, a “sounder” is typically used to send signals instead of a “buzzer.” Rather than producing a constant noise as long as the key at the sending station is pressed, the operator at the receiving station hears a series of taps made by a device called a “sounder.” The basic idea behind this simple device is shown in the working diagrams in Fig. 35. M is a horseshoe magnet mounted on a base, A. Nearby is an armature, AR, made of soft iron, connected to a lever, L, that pivots and is pushed up against a regulating screw, P1, by the tension of spring SP. When current flows through the magnet, the armature is drawn in, and the screw point S2 hits P2; while when the circuit breaks, L snaps back against S1. The duration between the “down” and “up” clicks indicates to the operator whether a long or short signal—a dash or a dot—is being sent.
[Illustration: FIG. 35.-Elevation and plan of telegraphic sounder.]
[Illustration: FIG. 35.-Elevation and plan of telegraphic sounder.]
Materials.—A horseshoe magnet and armature taken from an electric bell provide the most essential parts of our home-made instrument in a cheap form. If these are available, expense will be limited to a few pence. Oak or walnut are the best woods to use for the lever, being more resonant than the softer woods, and for the standard B and stop V. Any common wood is good enough for the base A.
Materials.—A horseshoe magnet and armature taken from an electric bell provide the most essential parts of our homemade instrument in a cost-effective way. If you have these, expenses will only be a few pennies. Oak or walnut are the best woods to use for the lever, as they resonate better than softer woods, and also for the standard B and stop V. Any regular wood will work fine for the base A.
The lever L is 6 inches long, 1/2 inch deep, and 3/8-inch wide, and is pivoted at a point 4-1/4 inches from the stop end. The hole should be bored through it as squarely as possible, so that it may lie centrally without B being out of the square. A piece of metal is screwed to its top face under the adjusting screw S1.
The lever L is 6 inches long, 1/2 inch deep, and 3/8 inch wide, and is pivoted at a point 4-1/4 inches from the stop end. The hole should be drilled through it as straight as possible, so that it can sit centrally without B being off-kilter. A piece of metal is attached to its top face below the adjusting screw S1.
The spring is attached to L and A in the manner already described on p. 89 in connection with the “buzzer.”
The spring is connected to L and A in the way previously explained on p. 89 regarding the “buzzer.”
The plate P2 should be stout enough not to spring under the impact of the lever. Fig. 36 is an end view of the standard B. The drilling of the pivot hole through this requires care. The screw S2 should be so adjusted as to prevent the armature actually touching the cores of the magnets when attracted. The ends of the magnet winding wire, after being scraped, are clipped tightly against the base by the binding posts T1 T2.
The plate P2 should be strong enough not to flex when the lever hits it. Fig. 36 shows an end view of the standard B. Drilling the pivot hole through this needs to be done carefully. The screw S2 should be adjusted to make sure the armature doesn’t actually touch the magnet cores when it’s attracted. The ends of the magnet winding wire, after being stripped, are tightly secured against the base by the binding posts T1 T2.
If sounders are used in place of buzzers they are connected up with the keys, batteries, and line wires in the manner shown in Fig. 33.
If sounders are used instead of buzzers, they are connected with the keys, batteries, and line wires as shown in Fig. 33.
Batteries.
Batteries.
The dry cells used for electric bells are the most convenient batteries to use. They can now be purchased at all prices from a shilling upwards, and give about 1-1/2 volts when in good condition. One cell at each end will suffice for short distances, or for considerable distances if large conductors are used. If a single cell fails to work the buzzer strongly through the circuit, another cell must be added.
The dry cells used for electric bells are the most convenient batteries available. They can now be bought at various prices starting from a shilling, and they provide about 1.5 volts when in good condition. One cell at each end will be enough for short distances, or for longer distances if larger conductors are used. If a single cell doesn’t power the buzzer strongly through the circuit, another cell needs to be added.
[Illustration: FIG. 36.—Standard for sounder.]
[Illustration: FIG. 36.—Sounder standard.]
For ease in transport it will be found advisable to mount key, buzzer, and battery on a common baseboard, which should be provided with a cover and handle. The three parts are interconnected with one another, and the line wire terminals as sketched in Fig. 34. This arrangement makes the apparatus very compact and self-contained. As a finishing touch fit the lid inside with clips for holding a stiff-backed writing pad and pencil for the recording of messages.
To make transport easier, it’s a good idea to mount the key, buzzer, and battery on a shared baseboard that has a cover and handle. These three parts are connected to each other, along with the line wire terminals as shown in Fig. 34. This setup keeps the equipment very compact and self-contained. As a final detail, attach clips inside the lid to hold a stiff-backed writing pad and pencil for recording messages.
Lines.—Fencing made of stout galvanized iron wires strung on wooden posts supplies excellent conductors for practice purposes, provided the posts be quite dry. In wet weather there will be leakage. (Fencing with metal posts is, of course, unsuitable, as every post short-circuits the current.) The two wires selected for land lines must be scraped quite bright at the points where the connections are to be made.
Lines.—Fencing made of sturdy galvanized iron wires set up on wooden posts provides excellent conductors for practice purposes, as long as the posts are completely dry. In wet weather, there will be leakage. (Fencing with metal posts is, of course, not suitable, as each post short-circuits the current.) The two wires chosen for land lines must be scraped clean at the points where the connections will be made.
It is an easy matter to rig up a telegraph line of galvanized wire 1/12 to 1/8 inch in diameter, strung along insulators (the necks of bottles serve the purpose excellently) supported on trees, posts, or rough poles. The length of the line will be limited by the battery power available, but a 6-volt battery at each end will probably suffice for all experimental purposes. A second wire is not needed if one terminal at each end is connected with a copper plate sunk in the ground, or with a metal fence, drain-pipe, etc.
It's pretty easy to set up a telegraph line using galvanized wire that's 1/12 to 1/8 inch in diameter, stretched along insulators (the necks of bottles work really well) that are supported by trees, posts, or sturdy poles. The length of the line will depend on the battery power available, but a 6-volt battery at each end should be enough for most experiments. You don't need a second wire if one terminal at each end is connected to a copper plate buried in the ground, or to a metal fence, drain pipe, etc.
XI.
A RECIPROCATING ELECTRIC MOTOR.
The electric motor to be treated in this chapter illustrates very prettily the attractive force of a hollow, wire-wound bobbin on a movable core, when the electric current is passed through the wire. If one inserts the end of an iron rod into the coil, the coil exerts a pull upon it, and this pull will cease only when the centre of the rod is opposite the centre of the coil. This principle is used in the “electric gun,” which in its simplest form is merely a series of powerful coils arranged one behind another on a tube through which an iron or steel projectile can pass. The projectile closes automatically the circuit of each coil in turn just before reaching it, and breaks it before its centre is halfway through the coil, being thus passed along from one coil to the other with increasing velocity.
The electric motor discussed in this chapter nicely demonstrates the attractive force of a hollow, wire-wound coil on a movable core when electric current flows through the wire. If you insert the end of an iron rod into the coil, the coil will pull on it, and this pull will only stop when the center of the rod lines up with the center of the coil. This principle is utilized in the “electric gun,” which, in its simplest form, is just a series of powerful coils arranged one after another on a tube that allows an iron or steel projectile to pass through. The projectile automatically completes the circuit of each coil just before it reaches it and breaks the circuit before its center is halfway through the coil, thereby being moved along from one coil to the next with increasing speed.
Our motor is essentially a very inefficient one, its energy being small for the current used, as compared with a revolving motor of the usual kind. But it has the advantage of being very easy to make.
Our motor is basically very inefficient, using a small amount of energy for the current compared to a standard rotating motor. However, it has the benefit of being really easy to make.
[Illustration: FIG. 37.—Electric reciprocating engine and battery.]
[Illustration: FIG. 37.—Electric reciprocating engine and battery.]
How it works.—The experimental engine, constructed in less than a couple of hours, which appears in Fig. 38, consists of a coil, C, strapped down by a piece of tin to a wooden bedplate; a moving plunger, P, mounted on a knitting-needle slide rod, SR; a wire connecting rod, SR; a wooden crank, K; and a piece of knitting-needle for crank shaft, on which are mounted a small eccentric brass wipe, W, and a copper collar, D. Against D presses a brass brush, B1 connected with the binding post, T1; while under W is a long strip of springy brass against which W presses during part of every revolution. T2 is connected to one end of the coil winding, and T1 through a 4-volt accumulator or three dry cells, with the other end of the coil. When W touches B2 the circuit is completed, and the coil draws in the plunger, the contact being broken before the plunger gets home. The crank rotates at a very high speed if there is plenty of battery power, all the moving parts appearing mere blurs.
How it works.—The experimental engine, built in less than a couple of hours, shown in Fig. 38, includes a coil, C, secured by a piece of tin to a wooden base; a moving plunger, P, attached to a knitting-needle slide rod, SR; a wire connecting rod, SR; a wooden crank, K; and a knitting-needle used as the crank shaft, which has a small eccentric brass wipe, W, and a copper collar, D, mounted on it. A brass brush, B1, presses against D and is connected to the binding post, T1; meanwhile, there’s a long strip of springy brass under W that W presses against during part of each revolution. T2 connects to one end of the coil winding, and T1 connects through a 4-volt accumulator or three dry cells to the other end of the coil. When W touches B2, the circuit is completed, causing the coil to pull in the plunger, with the contact being broken before the plunger fully retracts. The crank rotates at a very high speed if there’s plenty of battery power, making all the moving parts look like mere blurs.
CONSTRUCTION.
The coil is made by winding 4 oz. of No. 32 cotton-covered wire (price 6d. to 8d.) on a boxwood reel 2 inches long and 1-1/2 inches in diameter, with a 9/16-inch central hole. Before winding, bore a hole for the wire through one end of the reel, near the central part, and mount the reel on a lathe or an improvised spindle provided with a handle of some kind. The wire should be uncoiled and wound on some circular object, to ensure its paying out regularly without kinking; which makes neat winding almost impossible.
The coil is made by wrapping 4 oz. of No. 32 cotton-covered wire (costing between 6d. to 8d.) around a boxwood reel that is 2 inches long and 1.5 inches in diameter, with a 9/16-inch hole in the center. Before you start winding, drill a hole for the wire through one end of the reel, close to the center, and set up the reel on a lathe or an improvised spindle with some kind of handle. The wire should be uncoiled and wrapped around a circular object to ensure it unwinds smoothly without tangling, which would make it nearly impossible to wind neatly.
Draw a foot of the wire through the hole in the reel, and drive in a tiny peg—which must not protrude inwards—to prevent it slipping. Lay the turns on carefully, forcing them into close contact, so that the next layer may have a level bed. On reaching the end of the layer, be equally careful to finish it neatly before starting back again. When the wire is all on, bore a hole as near the edge of the finishing edge as possible, and draw the spare wire through. Then cut a strip of tough paper of the width of the coils, coat one side with paste, and wrap it tightly round the outside to keep the wire in place.
Pull a foot of wire through the hole in the reel and drive in a small peg—make sure it doesn't stick out inside—to stop it from slipping. Lay the coils down carefully, pushing them close together so the next layer can sit evenly. When you get to the end of the layer, be just as careful to finish it neatly before going back. Once all the wire is on, drill a hole as close to the outer edge as you can, and pull the excess wire through. Then cut a strip of sturdy paper that's the same width as the coils, apply paste to one side, and wrap it tightly around the outside to keep the wire secure.
Note.—Insulation will be improved if every layer of wire is painted over with shellac dissolved in alcohol before the next layer is applied.
Note.—Insulation will be better if each layer of wire is coated with shellac dissolved in alcohol before applying the next layer.
Flatten the reel slightly with a file at the points of contact with the baseboard, to prevent rolling.
Flatten the reel a bit with a file where it touches the baseboard, to stop it from rolling.
The plunger is a tube of thin iron, 1/16 inch less in diameter than the hole in the reel, and 1/4 inch longer than the reel. If a ready-made tube is not available, construct one by twisting a piece of tin round a metal rod, and soldering the joint. As it is difficult to make a jointed tube cylindrical, and a close fit is needed to give good results, it is worth going to a little trouble to get a plunger of the right kind.
The plunger is a thin iron tube that's 1/16 inch smaller in diameter than the hole in the reel and 1/4 inch longer than the reel. If you can't find a pre-made tube, you can make one by twisting a piece of tin around a metal rod and soldering the joint. Since it's challenging to create a cylindrical jointed tube, and a snug fit is essential for good performance, it's worth putting in some effort to get a plunger that’s just right.
The ends of the plunger are plugged with wood and bored centrally for the slide rod, which should not be cut to its final length until the parts are assembled.
The ends of the plunger are sealed with wood and drilled in the center for the slide rod, which shouldn't be cut to its final length until the parts are put together.
The crank shaft is 2-3/4 inches of a stout knitting needle mounted in a sheet brass bearing. The crank, a fragment of oak or other tough wood, is balanced, and has a throw of 5/8 inch. The crank-shaft hole should be a trifle small, so that the crank shall get a tight hold of the shaft without pinning. The collar, D, and wipe, W, are soldered to the shaft after this has been passed through its bearings. The brush B1 should press firmly, but not unnecessarily so, against the collar. For B2 one must use very springy brass strip, a piece about 3 inches long and 1/4 inch wide being needed. Bend it to the arc of a large circle, and screw one end down to the base by the binding screw T2. The other end, which should not touch the base, is confined by the heads of a couple of small screws, by means of which the strip is adjusted relatively to the wipe.
The crankshaft is 2-3/4 inches of a sturdy knitting needle set in a sheet brass bearing. The crank, made of a piece of oak or other strong wood, is balanced and has a throw of 5/8 inch. The hole for the crankshaft should be slightly smaller so that the crank grips the shaft tightly without getting stuck. The collar, D, and wipe, W, are soldered to the shaft after it has been put through its bearings. The brush B1 should press firmly, but not too hard, against the collar. For B2, you need a very springy brass strip, about 3 inches long and 1/4 inch wide. Bend it to the arc of a large circle and screw one end down to the base using the binding screw T2. The other end, which should not touch the base, is held in place by a couple of small screws, which allows the strip to be adjusted relative to the wipe.
Fixing the Coil.—Cut a strip of tin 1-3/4 inches wide and 4 inches long. Punch a couple of holes near one end, and nail this to the side of the base, with its forward end 4-1/4 inches from the crank shaft. Pass the strip over the coil, and bend it down towards the base. Drill a couple of screw holes, and screw the other end down so that the coil is gripped fairly tight.
Fixing the Coil.—Cut a strip of tin that is 1-3/4 inches wide and 4 inches long. Make a couple of holes near one end, and attach this to the side of the base, with the front end 4-1/4 inches from the crank shaft. Pass the strip over the coil, and bend it down towards the base. Drill a couple of screw holes, and screw the other end down so that the coil is held fairly tight.
Fixing the Plunger. Two small guides, G1 G2, are made for the plunger. The holes through which the slide rod moves should be a good fit, and their centres at the level of the centre of the coil. Screw holes are bored in the feet.
Fixing the Plunger. Two small guides, G1 G2, are created for the plunger. The holes that the slide rod moves through should fit well, and their centers should align with the center of the coil. Screw holes are drilled into the feet.
Pass the plunger through the coil, and place the guides on the rod. Then draw the plunger forward till 1/2 inch projects. Bring G1 close up to it, mark its position, and screw it to the base. The other guide, G2, should be 1-1/2 inches away from the rear of the coil.
Pass the plunger through the coil and attach the guides to the rod. Then pull the plunger forward until 1/2 inch is sticking out. Bring G1 close to it, mark its position, and screw it to the base. The other guide, G2, should be 1-1/2 inches away from the back of the coil.
[Illustration: Fig. 38.—Plan of electric reciprocating engine.]
[Illustration: Fig. 38.—Plan of electric reciprocating engine.]
The coil and guides must be adjusted so that the plunger does not touch the coil anywhere during a stroke, packings being placed, if necessary, under coil or guides. When the adjustment is satisfactory, screw the coil down tightly, and cut off any superfluous parts of the rod.
The coil and guides need to be adjusted so that the plunger doesn’t touch the coil at any point during a stroke. If needed, place packings under the coil or guides. Once the adjustment is good, tighten the coil down securely and cut off any excess parts of the rod.
The Connecting Rod.—Bore a hole near the end of the plunger for a screw to hold the rear end of the connecting rod. Pull the plunger out till 1-3/4 inches project, turn the crank full forward, and measure off the distance between the centres of the plunger hole and the crank pin. Drive a couple of wire nails into a board, and twist the ends of a piece of 1/20-inch wire round them twice. This wire constitutes a connecting rod amply strong enough to stand the pulls to which it will be subjected. Fix the rod in position.
The Connecting Rod.—Drill a hole near the end of the plunger for a screw to secure the back end of the connecting rod. Pull the plunger out until 1-3/4 inches stick out, turn the crank all the way forward, and measure the distance between the centers of the plunger hole and the crank pin. Hammer a couple of wire nails into a board, and wrap the ends of a piece of 1/20-inch wire around them twice. This wire will serve as a connecting rod that's strong enough to handle the forces it will encounter. Position the rod in place.
Adjusting the Wipe.—Turn the wipe, W, round until it makes contact with B2, and, holding the crank shaft with a pair of pliers, twist the crank on it till it just begins the return stroke. Then turn the crank to find out how long the wipe remains in contact, and adjust the crank relatively to the wipe so that the crank is vertical when the period of contact is half finished. The length of this period is controlled by the set screws at the free end of B2.
Adjusting the Wipe.—Turn the wipe, W, until it touches B2, and with a pair of pliers, hold the crankshaft and twist the crank until it just starts the return stroke. Then turn the crank to see how long the wipe stays in contact, and adjust the crank relative to the wipe so that the crank is vertical when half of the contact period is done. The duration of this period is controlled by the set screws at the free end of B2.
OTHER DETAILS.
The fly wheel may be a disc of wood.
The flywheel can be a wooden disc.
Oil all the rubbing parts slightly. Connect T1 to one terminal of the battery, T2 to the coil, and the other terminal of the battery to the coil. Set the engine going. If it refuses to run, make sure that B1 is pressing against D. The speed of the engine may possibly be improved by careful adjustment of B2 and an alteration in the setting of the crank, and will certainly be accelerated by increasing the number of battery cells.
Oil all the moving parts a little. Connect T1 to one terminal of the battery, T2 to the coil, and the other terminal of the battery to the coil. Start the engine. If it doesn't start, check that B1 is pressing against D. You might be able to improve the engine's speed by carefully adjusting B2 and altering the crank's setting, and it will definitely speed up if you increase the number of battery cells.
The cost of the engine described was about 1s, 3d., exclusive of the battery.
The cost of the engine mentioned was about 1 shilling and 3 pence, not including the battery.
XII.
AN ELECTRIC ALARM CLOCK.
Anybody who possesses an alarm clock with an external gong, an electric bell, and a battery, may easily make them combine to get the drowsiest of mortals out of bed on the chilliest of winter mornings. The arrangement has as its secondary advantages and capabilities—
Anybody who has an alarm clock with an external bell, an electric buzzer, and a battery can easily make them work together to wake even the sleepiest person on the coldest winter mornings. This setup also has additional benefits and features—
(l) That the clock can be placed where its ticking will not disturb the person whom it has to arouse in due course (some of the cheaper clocks are very self-advertising);
(l) That the clock can be set up where its ticking won't bother the person it needs to wake up eventually (some of the less expensive clocks are quite noisy);
(2) That one clock can be made to operate any number of bells in different parts of the house.
(2) One clock can control multiple bells located in different areas of the house.
The main problem to be solved is, how to make the alarm mechanism of the clock complete an electric circuit when the alarm “goes off.”
The main problem to solve is how to make the alarm mechanism of the clock complete an electric circuit when the alarm goes off.
If you examine an alarm clock of the type described, you will find that the gong hammer lies against the gong when at rest, and that its shaft when in motion vibrates to and fro about a quarter of an inch.
If you look at an alarm clock like the one described, you'll see that the hammer rests against the gong when it's not in use, and that its shaft moves back and forth about a quarter of an inch when it's in action.
[Illustration: FIG. 89.—Plan of release gear of electric alarm, as attached to clock.]
[Illustration: FIG. 89.—Plan of release gear of electric alarm, as attached to clock.]
Fig. 39 shows a. method of utilizing the movement of the hammer. A piece of wood, 2 inches long, wide enough to fill the space between the rear edge of the clock and the hammer slot, and 1/2 inch thick, has its under side hollowed out to the curvature of the clock barrel. This block serves as a base for two binding posts or terminals, T1 T2. A vertical slit is made in T1 and in this is soldered [to] one end of a little piece of spring brass strip, 1 inch long and 1/4 inch wide. To the back of the other end of the strip solder a piece of 1/20 inch wire, projecting l inch below the strip. The strip must be bent so that it presses naturally against T2. A little trigger, B, which you can cut out of sheet brass, is pivoted at a, where it must be raised off the base by a small washer. It projects 1/4 inch beyond the base on the gong support side. A square nick is cut in it at such a distance from a that, when the wire spike on C is in the nick, the strip is held clear of T2. The other end of the trigger, when the trigger is set, must be 1/8 inch from the shank of the alarm hammer—at any rate not so far away that the hammer, when it vibrates, cannot release C from the nick.
Fig. 39 shows a method of using the movement of the hammer. A piece of wood, 2 inches long, wide enough to fit the space between the back edge of the clock and the hammer slot, and 1/2 inch thick, has its underside shaped to match the curve of the clock barrel. This block acts as a base for two binding posts or terminals, T1 and T2. A vertical slit is cut in T1, where one end of a small piece of spring brass strip, 1 inch long and 1/4 inch wide, is soldered. A piece of 1/20 inch wire is soldered to the back of the other end of the strip, extending 1 inch below the strip. The strip must be bent so that it naturally presses against T2. A small trigger, B, which you can cut from sheet brass, is pivoted at a, elevated from the base by a small washer. It extends 1/4 inch beyond the base on the gong support side. A square notch is cut in it at a distance from a such that, when the wire spike on C is in the notch, the strip is held away from T2. The other end of the trigger, when it is set, must be 1/8 inch from the shank of the alarm hammer—definitely not far enough away that the hammer, when it vibrates, cannot release C from the notch.
To fix the base on to the top of the clock, the works must be removed (quite an easy matter to accomplish) and holes bored for a couple of screws put through from the inside. If the underside of the base is not quite correctly curved, take care not to force in the screws far enough to distort the barrel. It is advisable to do the fitting of the parts of the release after the base has been fixed, and before the works are replaced. The position of the hammer shaft can be gauged accurately enough from the slot in the case.
To attach the base to the top of the clock, you need to remove the mechanism (which is pretty simple) and drill holes for a couple of screws that will go in from the inside. If the bottom of the base isn’t perfectly curved, make sure not to tighten the screws too much to avoid bending the barrel. It’s best to fit the release parts after securing the base and before putting the mechanism back in. You can measure the position of the hammer shaft accurately through the slot in the case.
The tails of the terminals T1 T2 must be truncated sufficiently not to penetrate the base and make contact with the barrel, or a “short circuit” will be evident as soon as the battery is connected up.
The tails of the terminals T1 and T2 must be cut back enough so they don't reach the base and touch the barrel, or a "short circuit" will happen as soon as the battery is connected.
[Illustration: Fig. 40.—Electric alarm releaser, as attached to separate wooden clock casing.]
[Illustration: Fig. 40.—Electric alarm releaser, attached to a separate wooden clock casing.]
If the bell, battery, and clock are in the same room, a single dry cell will give sufficient current; but if the circuit is a long one, or several bells have to be operated, two or more cells will be required.
If the bell, battery, and clock are in the same room, one dry cell will provide enough power; however, if the circuit is long or multiple bells need to be used, two or more cells will be needed.
An Alternative Arrangement.—Should the reader prefer to have the clock quite free from the release—and this is certainly convenient for winding and setting the alarm—he should make a little wooden case for the clock to stand in, just wide enough to take the clock, and the back just as high as the top of the barrel. The release is then attached to a little platform projecting from the back, care being taken that the lever is arranged in the correct position relatively to the hammer when the clock is pushed back as far as it will go (Fig. 40).
An Alternative Arrangement.—If the reader wants the clock completely separate from the release—and this is definitely convenient for winding and setting the alarm—they should make a small wooden case for the clock to sit in, just wide enough to hold the clock, with the back as high as the top of the barrel. The release should then be attached to a small platform extending from the back, ensuring that the lever is positioned correctly in relation to the hammer when the clock is pushed back as far as it can go (Fig. 40).
If a self-contained outfit is desired, make the case two-storied: the upper division for the clock, the lower for the cell or cells. The bell may be attached to the front. A hinged fretwork front to the clock chamber, with an opening the size of the face; a door at the back of the cell chamber; and a general neat finish, staining and polishing, are refinements that some readers may like to undertake.
If you want a complete setup, make the case two levels: the top section for the clock and the bottom for the cell or cells. You can attach the bell to the front. Use a hinged decorative front for the clock area with an opening the size of the clock face; add a door at the back of the cell area; and ensure a clean overall finish with staining and polishing, as some readers might want to do.
Setting the Alarm.—A good many alarm clocks are not to be relied upon to act within a quarter of an hour or so of the time to which they are set. But absolute accuracy of working may be obtained if the clock hands are first set to the desired hour, and the alarm dial hand revolved slowly till the alarm is released. The hands are then set at the correct time, and the alarm fully wound.
Setting the Alarm.—Many alarm clocks can't be trusted to go off within about fifteen minutes of the set time. However, you can achieve perfect accuracy by first setting the clock hands to the desired hour and then slowly turning the alarm dial hand until the alarm is activated. After that, set the hands to the correct time and make sure the alarm is fully wound.
XIII.
A MODEL ELECTRIC RAILWAY.
The rapid increase in the number of electrically worked railways, and the substitution of the electric for the steam locomotive on many lines, give legitimate cause for wondering whether, twenty or so years hence, the descendants of the “Rocket” will not have disappeared from all the railways of the world, excepting perhaps those of transcontinental character.
The quick rise in electrically operated railways and the replacement of steam locomotives with electric ones on many routes raises a legitimate question: will the descendants of the “Rocket” be gone from all the railways in the world in twenty years or so, except maybe on transcontinental routes?
[Illustration: Fig. 41.—Electric Locomotive.]
[Illustration: Fig. 41.—Electric Train.]
The change is already spreading to model plant, and not without good reason, as the miniature electric railway possesses decided advantages of its own. Instead of having to chase the locomotive to stop or reverse it, one merely has to press a button or move a switch. The fascinations of a model steam locomotive, with its furnace, hissing of steam, business-like puffings, and a visible working of piston and connecting rods, are not to be denied, any more than that a full-sized steam locomotive is a more imposing object at rest or in motion than its electric rival. On the other hand, the ease of control already noticed, and the absence of burning fuel, water leakage, smoke and fumes, are strong points in favour of the electric track, which does no more harm to a carpet than to a front lawn, being essentially clean to handle. Under the head of cost the electric locomotive comes out well, as motors can be purchased cheaply; and connecting them up with driving wheels is a much less troublesome business than the construction of an equally efficient steamer. One may add that the electric motor is ready to start at a moment’s notice: there is no delay corresponding to that caused by the raising of steam.
The change is already spreading to model plants, and for good reason, as the miniature electric railway has its own clear advantages. Instead of chasing the locomotive to stop or reverse it, you just press a button or flip a switch. The charm of a model steam locomotive, with its furnace, hissing steam, purposeful puffing, and visible working piston and connecting rods, is undeniable, just like the fact that a full-sized steam locomotive is a more impressive sight, whether it's stationary or moving, than its electric counterpart. However, the ease of control mentioned earlier, combined with the lack of burning fuel, water leaks, smoke, and fumes, are strong points in favor of the electric track, which can be managed without damaging a carpet any more than it would a front lawn, as it's basically clean to handle. In terms of cost, the electric locomotive stands out since motors can be bought cheaply, and connecting them to driving wheels is much less complicated than building an equally effective steam engine. Additionally, the electric motor is ready to go at a moment’s notice, with no delays like those associated with generating steam.
The Track
The Course
We will consider this first, as its design must govern, within certain limits, the design of the locomotive. There are three systems of electrical transmission available.
We will think about this first, since its design has to regulate, within certain limits, the design of the locomotive. There are three types of electrical transmission available.
1. The trolley system, with overhead cable attached to insulators on posts, to carry the current one way, the rails being used as the “return.” This system has the disadvantages associated with a wire over which the human foot may easily trip with disastrous effect.
1. The trolley system has overhead cables connected to insulators on posts to carry the current in one direction, with the rails serving as the “return.” This system has the disadvantages of having a wire that people can easily trip over, which can lead to serious accidents.
2. That in which one of the wheel rails is used for taking the current to the motor, and the other as the return. The objection to the system is that the wheels must be insulated, to prevent short circuiting; and this, besides causing trouble in construction, makes it impossible to use the ordinary model rolling stock. To its credit one may place the fact that only two rails are needed.
2. In this system, one of the rails is used to deliver current to the motor, while the other serves as the return. The downside of this setup is that the wheels need to be insulated to avoid short circuits, which not only complicates construction but also makes it impossible to use standard model rolling stock. On the plus side, it only requires two rails.
3. The third and, we think, best system, which has an insulated third rail as one half of the circuit, and both wheel rails as the return, the motor being kept in connection with the third rail by means of a collector projecting from the frame and pressing against the top of the third rail. The last, for reasons of convenience, is placed between the wheel rails. We will assume that this system is to be employed.
3. The third and, in our opinion, best system uses an insulated third rail as one part of the circuit, with both wheel rails serving as the return path. The motor stays connected to the third rail through a collector that extends from the frame and presses against the top of the third rail. For convenience, this is positioned between the wheel rails. Let’s assume we will use this system.
[Illustration: FIG. 42.—Details of rails for electric track.]
[Illustration: FIG. 42.—Details of rails for electric track.]
Gauge.—For indoor and short tracks generally it is advisable to keep the gauge narrow, so that sharp curves may be employed without causing undue friction between rails and wheels. In the present instance we specify a 2-inch gauge, for which, as also for 1-1/2 and 1-1/4 inch, standard rolling stock is supplied by the manufacturers.
Gauge.—For indoor and short tracks, it's generally best to keep the gauge narrow so that sharp curves can be used without creating excessive friction between the rails and wheels. In this case, we specify a 2-inch gauge, for which standard rolling stock is provided by the manufacturers, as well as for 1-1/2 and 1-1/4 inch gauges.
Track Construction.—It is essential that the centre rail and at least one of the wheel rails shall have all joints bonded together to give a clear course to the electric current, and the centre rail must be insulated to prevent leakage and short-circuiting. Where a track is laid down more or less permanently, the bonding is most positively effected by means of little fish-plates, screwed into the sides of the abutting rails; but in the case of a track which must be capable of quick coupling-up and uncoupling, some such arrangement as that shown in Fig. 42 is to be recommended.
Track Construction.—It’s important that the center rail and at least one of the wheel rails have all joints bonded together to provide a clear path for the electric current, and the center rail must be insulated to prevent leakage and short-circuiting. When a track is installed more or less permanently, bonding is best achieved using small fish-plates, screwed into the sides of the adjacent rails. However, for a track that needs to be easily coupled and uncoupled, some arrangement like that shown in Fig. 42 is recommended.
Fig. 42 (a) is a cross vertical section of the track; Fig. 42 (c) a longitudinal view; while Fig. 42 (b) shows in plan a point of junction of two lengths of rail.
Fig. 42 (a) is a cross vertical section of the track; Fig. 42 (c) is a longitudinal view; while Fig. 42 (b) shows a plan view of a junction between two lengths of rail.
The wheel rails are made of carefully straightened brass strip 3/8 inch wide and 1/16 inch thick, sunk rather more than 1/8 inch into wooden sleepers (Fig. 42, a), 3-1/2 inches long and 3/4 inch wide (except at junctions). The sleepers are prepared most quickly by cutting out a strip of wood 3-1/2 inches wide in the direction of the grain, and long enough to make half a dozen sleepers. Two saw cuts are sunk into the top, 2 inches apart, reckoning from the inside edges, to the proper depth, and the wood is then subdivided along the grain. The saw used should make a cut slightly narrower than the strip, to give the wood a good hold. If the cut is unavoidably too large, packings of tin strip must be forced in with the rail on the outside. To secure the rails further, holes are bored in them on each side of the sleeper (see Fig. 42, c), and fine iron or, brass wire is passed through these, round the bottom of the sleeper, and made fast.
The wheel rails are made from carefully straightened brass strips that are 3/8 inch wide and 1/16 inch thick, sunk slightly more than 1/8 inch into wooden sleepers (Fig. 42, a), which are 3-1/2 inches long and 3/4 inch wide (except at junctions). The sleepers are usually prepared quickly by cutting out a strip of wood 3-1/2 inches wide along the grain, long enough to make about six sleepers. Two saw cuts are made into the top, 2 inches apart, measured from the inside edges, to the correct depth, and then the wood is subdivided along the grain. The saw used should create a cut that's slightly narrower than the strip to give the wood a solid grip. If the cut ends up being too wide, strips of tin must be forced in along with the rail on the outside. To secure the rails more firmly, holes are drilled in them on each side of the sleeper (see Fig. 42, c), and fine iron or brass wire is threaded through these, around the bottom of the sleeper, and secured.
[Illustration: FIG. 43.—Tin chair for centre rail of electric track.]
[Illustration: FIG. 43.—Tin chair for the center rail of the electric track.]
The centre rail is soldered to small tin chairs, the feet of which are pinned down to the sleepers. The top of the rails must project slightly above the chairs, so that the current collector may not be fouled.
The center rail is soldered to small tin brackets, whose feet are pinned down to the wooden beams. The tops of the rails need to stick up a little above the brackets so that the current collector doesn't get obstructed.
Junctions.—At these points one 3/4-inch sleeper is reduced to 1/2-inch width, and the other increased to 1 inch, this sleeper being overlapped 3/8 inch by the rails of the other section. To the outsides of the wheel rails are soldered the little angle plates, AA, BB, attached to the sleepers by brass tacks, which project sufficiently to take the brass wire hooks. These hooks must be of the right length to pull upon the tacks in AA and make a good contact. The centre rails are bonded by two strips of springy brass, riveted to one section, and forced apart at their free end by the interposed strip. Two pins projecting from the narrower sleeper fit into holes in the wider to keep the sections in line at a junction.
Junctions.—At these points, one 3/4-inch sleeper is narrowed to 1/2-inch width, while the other is widened to 1 inch, with this sleeper overlapping 3/8 inch by the rails of the other section. Attached to the outsides of the wheel rails are small angle plates, AA and BB, which are fastened to the sleepers with brass tacks that stick out enough to hold the brass wire hooks. These hooks need to be the right length to pull on the tacks in AA and ensure a good connection. The center rails are connected using two strips of flexible brass, riveted to one section and pushed apart at their free end by an intervening strip. Two pins sticking out from the narrower sleeper fit into holes in the wider one to keep the sections aligned at a junction.
General.—The sleepers of straight sections are screwed down to 3/4 by 1/4 inch longitudinals, which help to keep the track straight and prevent the sleepers slipping. Sections should be of the same length and be interchangeable. Make straight sections of the greatest convenient length, to reduce the number of junctions. Sleepers need not be less than 6 inches apart. Fix the sleepers on the longitudinals before hammering the rails into the slots.
General.—The sleepers in straight sections are secured to 3/4 by 1/4 inch longitudinals, which help maintain the track's straightness and prevent the sleepers from slipping. Sections should be of equal length and interchangeable. Create straight sections as long as possible to minimize the number of joints. Sleepers should be at least 6 inches apart. Attach the sleepers to the longitudinals before hammering the rails into the slots.
[Illustration: FIG. 44.—Laying out a curve for electric track.]
[Illustration: FIG. 44.—Planning out a curve for electric track.]
Curves.—A simple method of laying out a semi-circular curve is shown in Fig. 44. Sleepers and longitudinals are replaced by 1/2-inch boards, 8 inches wide. Three pieces, about 32 inches long each, have their ends bevelled off at an angle of 60 degrees, and are laid with their ends touching. Two semi-circles of 24 and 22 inch radius are drawn on the boards to indicate the positions of the rails, and short decapitated brass nails are driven in on each side of a rail, about an inch apart, as it is laid along one of these lines. (See Fig. 44. A.) The inside nails must not project sufficiently to catch the wheel flanges. The spring of the brass will prevent the rail falling out of place, but to make sure, it should be tied in with wire at a few points. The centre rail should on the curves also be 3/8 inch deep, and raised slightly above the bed so as to project above the wheel rails. The method already described of bonding at joints will serve equally well on curves. If the outer rail is super-elevated slightly, there will be less tendency for the rolling stock to jump the track when rounding the curve.
Curves.—A straightforward way to lay out a semi-circular curve is shown in Fig. 44. Sleepers and longitudinals are replaced by 1/2-inch boards, 8 inches wide. Three pieces, about 32 inches long each, have their ends beveled at a 60-degree angle and are positioned with their ends touching. Two semi-circles with radii of 24 and 22 inches are drawn on the boards to mark the rail positions, and short brass nails, with the heads cut off, are driven in on each side of a rail, about an inch apart, as it is placed along one of these lines. (See Fig. 44. A.) The inside nails should not stick out enough to catch the wheel flanges. The flexibility of the brass will keep the rail in place, but for extra stability, it should be tied down with wire at a few points. The center rail should also be 3/8 inch deep on the curves and raised slightly above the bed so that it sits higher than the wheel rails. The method described for bonding at joints will work just as well on curves. If the outer rail is slightly elevated, it will help reduce the chance of the rolling stock jumping the track while making the turn.
When the rails are in place the boards may be cut with a pad-saw to curves corresponding with the breadth of the track on the straight. If the boards incline to warp, screw some pieces of 1/8-inch strip iron to the under side across the grain, sinking the iron in flush with the wood.
When the rails are set up, the boards can be cut with a pad saw to match the curves of the track on the straight sections. If the boards start to warp, attach some strips of 1/8-inch iron to the underside, going against the grain, making sure the iron is flush with the wood.
The brass strip for the rails costs about one penny per foot run. Iron strip is much cheaper, but if it rusts, as it is very likely to do, the contact places will need constant brightening.
The brass strip for the rails costs about one penny per foot. Iron strip is much cheaper, but if it rusts, which is very likely, the contact points will need to be constantly polished.
Points.—Fig. 45 shows the manner of laying out a set of points, and connecting up the rails. The outside wheel rails, it will be seen, are continuous, and switching is effected by altering the position of the moving tongues, pivoted at PP, by means of the rod R, which passes through a hole in the continuous rail to a lever or motor of the same reversible type as is used for the locomotive. If a motor is employed, R should be joined to a crank pin on the large driven cog—corresponding to that affixed to the driving wheel (Fig. 47)—by a short rod. The pin is situated at such a distance from the axle of the cog wheel that a quarter of a revolution suffices to move the points over. The points motor must, of course, have its separate connections with the “central station.” To show how the points lie, the rod R also operates a semaphore with a double arm (Fig. 46), one end of which is depressed—indicating that the track on that side is open—when the other is horizontal, indicating “blocked.” The arms point across the track.
Points.—Fig. 45 shows how to lay out a set of points and connect the rails. You can see that the outside wheel rails are continuous, and switching is done by changing the position of the moving tongues, which are pivoted at PP, using the rod R. This rod goes through a hole in the continuous rail to a lever or motor of the same reversible type used for the locomotive. If a motor is used, R should connect to a crank pin on the large driven cog—similar to the one attached to the driving wheel (Fig. 47)—by a short rod. The pin is placed at a distance from the axle of the cog wheel that allows a quarter of a revolution to move the points over. The points motor must, of course, have its own connections with the “central station.” To show the position of the points, the rod R also controls a semaphore with a double arm (Fig. 46). One end of the semaphore is lowered—indicating that the track on that side is open—while the other is horizontal, indicating “blocked.” The arms extend across the track.
[Illustration: FIG. 45.—Points for electric railway.]
[Illustration: FIG. 45.—Points for electric railway.]
Details.—The tongues must be bevelled off to a point on the sides respectively nearest to the continuous rails. The parts AA are bent out at the ends to make guides, which, in combination with the safety rails, will prevent the wheels jumping the track. Care should be taken to insulate centre rail connecting wires where they pass through or under the wheel rails.
Details.—The tongues need to be tapered to a point on the sides closest to the continuous rails. The parts AA are bent out at the ends to create guides, which, along with the safety rails, will stop the wheels from bouncing off the track. It's important to ensure that the connecting wires for the center rail are insulated where they go through or under the wheel rails.
It is advisable to lay out a set of points, together with motor and signals, on a separate board.
It’s a good idea to outline a set of points, along with motors and signals, on a separate board.
[Illustration: Fig. 46.—Double-armed signal, operated by points.]
[Illustration: Fig. 46.—Double-armed signal, controlled by points.]
Preservation of Track.—All the wooden parts of an outdoor track should be well creosoted before use.
Preservation of Track.—All the wooden parts of an outdoor track should be properly treated with creosote before use.
The Electric Locomotive.
Electric Train.
An elevation and a plan of this are given in Fig. 47. The two pairs of wheels are set close together, so that they may pass easily round curves.
An elevation and a plan of this are given in Fig. 47. The two pairs of wheels are placed close together, allowing them to easily navigate curves.
[Illustration: Fig. 47.—Plan and elevation of electric locomotive.]
[Illustration: Fig. 47.—Plan and elevation of electric locomotive.]
The Motor.—A motor of ordinary type, with electro field magnets, is unsuitable for traction, as it cannot be reversed by changing the direction of the current, unless a special and rather expensive type of automatic switch be used. While a motor of this kind is, in conjunction with such a switch, the most efficient, the motor with permanent field magnets is preferable as regards cost and ease of fixing. It can be reversed through the rails. The armature or revolving part must be tripolar to be self-starting in all positions.
The Motor.—A standard motor with electromagnetic field magnets isn't suitable for traction because it can't be reversed by switching the current direction unless a special and quite costly automatic switch is used. Although this type of motor can work efficiently with such a switch, a motor with permanent field magnets is better in terms of cost and ease of installation. It can be reversed through the rails. The armature or rotating part needs to be tripolar to start by itself in any position.
A motor of sufficient power can be bought for half a crown or less—in any case more cheaply than it can be made by the average amateur.
A powerful motor can be bought for half a crown or less—definitely cheaper than an average amateur could make one.
The motor used for the locomotive illustrated was taken to pieces, and the magnet M screwed to a strip of wood 1-5/8 inches wide; and for the original armature bearings were substituted a couple of pieces of brass strip, HH, screwed to two wooden supports, SS, on the base, E (Fig. 47, a). It was found necessary to push the armature along the spindle close to the commutator piece, C, and to shorten the spindle at the armature end and turn it down to the size of the original bearing, in order to bring the motor within the space between the wheels.
The motor used for the illustrated locomotive was taken apart, and the magnet M was secured to a 1-5/8 inch wide strip of wood. Instead of the original armature bearings, two pieces of brass strip, HH, were attached to two wooden supports, SS, on the base, E (Fig. 47, a). It was necessary to push the armature along the spindle close to the commutator piece, C, and to shorten the spindle at the armature end while also reducing its size to match the original bearing, in order to fit the motor within the space between the wheels.
The place of the small pulley was taken by an 8-toothed pinion wheel, engaging with a pinion soldered to the near driving wheel, the diameter of which it exceeded by about 3/16 inch. The pair, originally parts of an old clock purchased for a few pence, gave a gearing-down of about 9 times.
The small pulley was replaced by an 8-toothed pinion wheel that connected to a pinion soldered to the nearby driving wheel, which was about 3/16 inch larger in diameter. The two parts, originally from an old clock bought for just a few cents, provided a gear reduction of about 9 times.
The position of the driven wheels relatively to the armature must be found experimentally. There is plenty of scope for adjustment, as the wheels can be shifted in either direction longitudinally, while the distance between wheel and armature centres may be further modified in the length of the bearings, BE. These last are pieces of brass strip turned up at the ends, and bored for axles, and screwed to the under side of the base. To prevent the axles sliding sideways and the wheels rubbing the frame, solder small collars to them in contact with the inner side of the bearings.
The position of the driven wheels in relation to the armature needs to be determined through experimentation. There’s a lot of room for adjustment because the wheels can be moved back and forth, and you can also change the distance between the centers of the wheels and the armature by modifying the length of the bearings, BE. These bearings are made from brass strips that are bent up at the ends and drilled for the axles, then attached to the underside of the base with screws. To keep the axles from sliding sideways and to prevent the wheels from rubbing against the frame, solder small collars onto them that touch the inner side of the bearings.
The Frame.—Having got the motor wheels adjusted, shorten E so that it projects 2 inches beyond the centres of the axles at each end. Two cross bars, GG, 3-1/2 inches long, are then glued to the under side of E, projecting 1/8 inch. To these are glued two 3/8-inch strips, FF, of the same length as E. A buffer beam, K, is screwed to G. A removable cover, abedfg, is made out of cigar-box wood or tin. The ends rest on GG; the sides on FF. Doors and windows are cut out, and handrails, etc., added to make the locomotive suggest the real thing—except for the proportionate size and arrangement of the wheels.
The Frame.—After adjusting the motor wheels, shorten E so that it extends 2 inches beyond the centers of the axles on both ends. Two cross bars, GG, that are 3-1/2 inches long, are then glued to the underside of E, extending 1/8 inch. Two 3/8-inch strips, FF, the same length as E, are glued to these. A buffer beam, K, is screwed to G. A removable cover, abedfg, is made from cigar-box wood or tin. The ends rest on GG; the sides sit on FF. Cut out doors and windows, and add handrails and other details to make the locomotive resemble the real thing—except for the size and arrangement of the wheels.
Electrical Connections.—The current collector, CR, should be well turned up at the end, so as not to catch on the centre rail joints, and not press hard enough on the rail to cause noticeable resistance. The fixed end of CR is connected through T2 with one brush, B, and both wheel bearings with T1.
Electrical Connections.—The current collector, CR, should be nicely rounded at the end to avoid snagging on the center rail joints and should not apply too much pressure on the rail to create significant resistance. The fixed end of CR is linked through T2 with one brush, B, and both wheel bearings with T1.
[Illustration: FIG. 48.—Reversing switch.]
[Illustration: FIG. 48.—Reversing switch.]
Electrical Fittings.—The best source of power to use is dry cells giving 1-1/2 to 2 volts each. These can be bought at 1s. apiece in fairly large sizes. Four or five connected in series will work quite a long line if the contacts are in good condition.
Electrical Fittings.—The best power source to use is dry cells that provide 1.5 to 2 volts each. They can be purchased for 1 shilling each in relatively large sizes. Connecting four or five in series will effectively power a long line as long as the contacts are in good condition.
A reversing switch is needed to alter the direction of the current flow. The construction of one is an exceedingly simple matter. Fig. 48 gives a plan of switch and connection, from which the principle of the apparatus will be gathered. The two links, LL, are thin springy brass strips slightly curved, and at the rear end pivoted on the binding posts T1 T2. Underneath the other ends solder the heads of a couple of brass nails. The links are held parallel to one another by a wooden yoke, from the centre of which projects a handle. The three contacts C1 C2 C3 must be the same distance apart as the centres of the link heads, and so situated as to lie on the arcs of circles described by the links. The binding post T3 is connected with the two outside contacts—which may be flat-headed brass nails driven in almost flush with the top of the wooden base—by wires lying in grooves under the base, and T4 with the central contact. As shown, the switch is in the neutral position and the circuit broken.
A reversing switch is needed to change the direction of the current flow. Building one is really straightforward. Fig. 48 shows a diagram of the switch and its connections, which illustrates how the device works. The two links, LL, are thin, flexible brass strips that are slightly curved and pivoted at the back end on the binding posts T1 and T2. At the other ends, solder the heads of a couple of brass nails. The links are kept parallel to each other by a wooden yoke, which has a handle projecting from the center. The three contacts C1, C2, and C3 need to be equally spaced apart, matching the centers of the link heads, and positioned to align with the arcs of circles traced by the links. The binding post T3 is connected to the two outer contacts—which can be flat-headed brass nails nearly flush with the top of the wooden base—using wires that run in grooves underneath the base, and T4 is connected to the central contact. As illustrated, the switch is in the neutral position, and the circuit is broken.
[Illustration: Fig. 49.—Multiple battery switch.]
[Illustration: Fig. 49.—Multiple battery switch.]
Multiple Battery Switch.—To control the speed of the train and economize current a multiple battery switch is useful. Fig. 49 explains how to make and connect up such a switch. The contacts, C1 to C5, lie in the path of the switch lever, and are connected through binding posts T1 to T6 with one terminal of their respective cells. The cells are coupled up in series to one another, and one terminal of the series with binding posts T0 and T6. By moving the lever, any number of the cells can be put in circuit with T7. The button under the head of the lever should not be wide enough to bridge the space between any two contacts. Change the order of the cells occasionally to equalize the exhaustion.
Multiple Battery Switch.—To control the speed of the train and save on power, a multiple battery switch is helpful. Fig. 49 shows how to create and connect this switch. The contacts, C1 to C5, are positioned along the path of the switch lever and are linked through binding posts T1 to T6 to one terminal of their respective cells. The cells are set up in series with each other, with one end connected to binding posts T0 and T6. By moving the lever, you can connect any number of the cells with T7. The button beneath the lever's head shouldn’t be wide enough to bridge the gap between any two contacts. Change the order of the cells from time to time to balance out their wear.
[Illustration: FIG. 50.—Adjustable resistance for controlling current.]
[Illustration: FIG. 50.—Adjustable resistance for controlling current.]
Resistance.—With accumulators, a “resistance” should be included in the circuit to regulate the flow of current. The resistance shown in Fig. 50 consists of a spiral of fine German silver wire lying in the grooved circumference of a wood disc. One of the binding posts is in connection with the regulating lever pivot, the other with one end of the coil. By moving the lever along the coil the amount of German silver wire, which offers resistance to the current, is altered. When starting the motor use as little current as possible, and open the resistance as it gets up speed, choking down again when the necessary speed is attained.
Resistance.—With batteries, a "resistance" should be added to the circuit to control the flow of current. The resistance shown in Fig. 50 consists of a coil of fine German silver wire positioned in the grooved edge of a wooden disk. One of the binding posts is connected to the pivot of the regulating lever, while the other connects to one end of the coil. By moving the lever along the coil, the length of German silver wire that resists the current is changed. When starting the motor, use minimal current, and increase the resistance as it gains speed, then reduce it again once the desired speed is reached.
General.—All the three fittings described should for convenience be mounted on the same board, which itself may form the cover of the box holding the dry cells or accumulators.
General.—All three fittings mentioned should be conveniently mounted on the same board, which can also serve as the cover for the box containing the dry cells or batteries.
SOME SUGGESTIONS.
Instead of dry cells or accumulators a small foot or hand operated dynamo generating direct, not alternating current, might be used. Its life is indefinitely long, whereas dry cells become exhausted with use, and accumulators need recharging from time to time. On occasion such a dynamo might prove very convenient.
Instead of using dry batteries or rechargeable batteries, a small foot or hand-operated dynamo that generates direct current (not alternating current) could be used. Its lifespan is essentially unlimited, while dry batteries run out over time, and rechargeable batteries need to be recharged periodically. At times, such a dynamo could be extremely useful.
Anyone who possesses a fair-sized stationary engine and boiler might increase the realism of the outdoor track by setting up a generating station, which will give a good deal of extra fun.
Anyone with a decent-sized stationary engine and boiler could enhance the realism of the outdoor track by setting up a generating station, which will add a lot of extra fun.
XIV.
A SIMPLE RECIPROCATING ENGINE.
Figs. 51 and 52 illustrate a very simple form of fixed-cylinder engine controlled by a slide valve.
Figs. 51 and 52 show a very basic type of fixed-cylinder engine that's operated by a slide valve.
An open-ended “trunk” piston, similar in principle to that used in gas engines, is employed; and the valve is of the piston type, which is less complicated than the box form of valve, though less easily made steam-tight in small sizes. The engine is single-acting, making only one power stroke per revolution.
An open-ended "trunk" piston, similar to what’s used in gas engines, is used here; and the valve is a piston type, which is simpler than the box-shaped valve, although it's harder to make steam-tight in smaller sizes. The engine is single-acting, producing only one power stroke per revolution.
The cylinder is a piece of brass tubing; the piston another piece of tubing, fitting the first telescopically. Provided that the fit is true enough to prevent the escape of steam, while not so close as to set up excessive friction, a packing behind the piston is not needed; but should serious leakage be anticipated, a packing of thick felt or cloth, held up by a washer and nuts on the gudgeon G, will make things secure. Similarly for the built-up piston valve P may be substituted a piece of close-fitting brass rod with diameter reduced, except at the ends, by filing or turning, to allow the passage of steam.
The cylinder is a piece of brass tubing, and the piston is another piece of tubing that fits inside it like a telescope. As long as the fit is tight enough to keep steam from escaping but not so tight that it causes too much friction, you don’t need any packing behind the piston. However, if there’s a chance of serious leakage, using thick felt or cloth packing secured with a washer and nuts on the gudgeon G will ensure everything stays secure. Similarly, for the built-up piston valve P, you can use a close-fitting brass rod that’s been reduced in diameter, except at the ends, by filing or turning to allow steam to pass through.
CONSTRUCTION.
[Illustration: FIG. 51.—Elevation of simple reciprocating steam engine.]
[Illustration: FIG. 51.—Elevation of simple reciprocating steam engine.]
The bed is made of wood, preferably oak, into the parts of which linseed oil is well rubbed before they are screwed together, to prevent the entry of water. A longitudinal groove is sawn in the top of the bed, as indicated by the dotted line in Fig. 51, to give room for the connecting rod in its lowest position, and a cross groove is scooped in line with the crank shaft to accommodate the lower part of the crank disc and the big end of the rod. (If the wing W under the cylinder is screwed to the side of the bed, instead of passing through it, as shown, a slight cutting away of the edge will give the necessary clearance in both cases. )
The bed is made of wood, ideally oak, with linseed oil rubbed into the parts before they are screwed together to keep out water. A groove is cut along the top of the bed, as shown by the dotted line in Fig. 51, to allow space for the connecting rod in its lowest position, and a cross groove is carved in line with the crankshaft to fit the lower part of the crank disc and the big end of the rod. (If the wing W under the cylinder is attached to the side of the bed instead of going through it, as shown, trimming the edge slightly will provide the necessary clearance in both cases.)
[Illustration: FIG. 52.—Plan of simple reciprocating steam engine.]
[Illustration: FIG. 52.—Plan of a straightforward reciprocating steam engine.]
The cylinder and valve tube A should be flattened by filing and rubbing on emery cloth, so that they may bed snugly against one another and give a good holding surface for the solder. A steam port, S P, should next be bored in each, and the “burr” of the edges cleaned off carefully so as not to obstruct valve or piston in the slightest degree. “Tin” the contact surfaces thinly, and after laying valve tube and cylinder in line, with the portholes corresponding exactly, bind them tightly together with a turn or two of wire, or hold them lightly in a vice, while the solder is made to run again with the aid of a spirit lamp. If it seems necessary, run a little extra solder along the joint, both sides, and at the ends.
The cylinder and valve tube A should be smoothed down by filing and rubbing against emery cloth so they fit snugly together and create a good surface for the solder. Next, a steam port (S P) should be drilled into each, and the edges should be carefully cleaned to avoid any obstruction to the valve or piston. Lightly “tin” the contact surfaces, and once the valve tube and cylinder are aligned with the portholes matching perfectly, tightly bind them together with a couple of turns of wire, or hold them gently in a vice while reheating the solder with a spirit lamp. If needed, add a little extra solder along the joint on both sides and at the ends.
The valve, if built up, consists of a central rod, threaded at the rear end, four washers which fit the tube, and a central spacing-piece. The forward washer is soldered to the rod. Behind this is placed a felt packing. Then come in order the central spacing-piece, with a washer soldered to each end, a second packing, and a fourth washer. The series is completed by an adjusting nut to squeeze the packings, and a lock nut to prevent slipping. The back end of the valve must be wide enough to just more than cover the steam port. If the felt proves difficult to procure or fit, one may use a ring or two of brass tubing, with an external packing of asbestos cord.
The valve, when assembled, has a central rod that's threaded at the back, four washers that fit the tube, and a central spacer. The front washer is soldered to the rod. Behind it is a felt packing. Next in line is the central spacer, with a washer soldered to each end, followed by a second packing, and then the fourth washer. The setup is finished with an adjusting nut to compress the packings, and a lock nut to keep it in place. The back end of the valve needs to be wide enough to slightly cover the steam port. If the felt is hard to find or fit, you can use one or two rings of brass tubing, with an outer packing of asbestos cord.
The cylinder wing W should have the top edge turned over for an eighth of an inch or so to give a good bearing against the cylinder, and be held in position by a wire while the soldering is done. It is important that the line of the wing should be at right angles to a line passing through the centres of the valve tube and cylinder.
The cylinder wing W should have the top edge folded over about an eighth of an inch to create a solid contact against the cylinder, and it should be kept in place with a wire while the soldering is done. It’s essential that the wing is aligned at a right angle to a line that goes through the centers of the valve tube and cylinder.
Shaft Bearings.—Take a piece of strip brass half an inch or so wide and 3-1/2 inches long. Bore four holes for screws, and scratch cross lines an inch from each extremity. Turn up the ends at these lines at right angles to the central part, stand the piece on some flat surface, and on the outer faces of the uprights scratch two cross lines at the height of the centre of the cylinder above the bed. Mark the central points of these lines.
Shaft Bearings.—Take a strip of brass about half an inch wide and 3.5 inches long. Drill four holes for screws, and mark cross lines an inch from each end. Bend up the ends at these lines at right angles to the center part, place the piece on a flat surface, and on the outer faces of the vertical sections, mark two cross lines at the height of the center of the cylinder above the base. Mark the center points of these lines.
Next select a piece of brass tubing which fits the rod chosen for the crank shaft, and bore in the bearing standards two holes to fit this tubing. Slip the tubing through the standards and solder it to them. The ends and central parts of the tubing must now be so cut away as to leave two bearings, BB—that at the fly-wheel end projecting far enough to allow the fly wheel, when brought up against it, to just clear the bed; that at the crank end being of the proper length to allow the eccentric to be in line with the valve rod, and the crank disc to occupy its proper position relatively to the central line of the cylinder. Finish off the standards by filing the tops concentrically with the bearings.
Next, choose a piece of brass tubing that fits the rod you've selected for the crankshaft, and drill two holes in the bearing supports to accommodate this tubing. Slide the tubing through the supports and solder it in place. The ends and central sections of the tubing must now be cut away to create two bearings, BB—one at the flywheel end needs to extend enough to allow the flywheel to just clear the base when it's pressed against it; the one at the crank end should be cut to the right length to align the eccentric with the valve rod, and to ensure the crank disc is positioned correctly relative to the center line of the cylinder. Finish the supports by filing the tops to be concentric with the bearings.
The eccentric may be built up from a metal disc about 3/4 inch diameter and two slightly larger discs soldered concentrically to the sides. The width of the middle disc should be the same as that of the eccentric rod. A careful filer could make a passable eccentric by sinking a square or semicircular groove in the edge of a wide disc. The centre of the eccentric must be found carefully, and a point marked at a distance from it equal to half the travel of the valve. To ascertain this, pull the valve forward until the steam port is fully exposed, insert a bar at the rear end of the valve tube, and mark it. Then push the valve back until a wire pushed through the port from the cylinder side shows that the port is again fully exposed. Insert and mark the bar again. The distance between the marks gives you the “travel” required.
The eccentric can be made from a metal disc about 3/4 inch in diameter, with two slightly larger discs soldered on either side. The width of the middle disc should match that of the eccentric rod. A careful filer could create a decent eccentric by carving a square or semicircular groove into the edge of a wider disc. You need to find the center of the eccentric accurately and mark a point from it that's equal to half the valve's travel. To do this, pull the valve forward until the steam port is completely open, insert a bar at the back of the valve tube, and mark it. Then push the valve back until a wire pushed through the port from the cylinder side shows that the port is fully exposed again. Insert and mark the bar once more. The distance between the two marks gives you the required “travel.”
Order of Assembly.—The following list of operations in their order may assist the beginner:
Order of Assembly.—The following list of operations in their order may help the beginner:
Make the bed.
Make the bed.
Cut out cylinder barrel, piston, and valve tube.
Cut out the cylinder barrel, piston, and valve tube.
Bevel off the ends of the last inside to allow the valve to enter easily.
Bevel the ends of the last inside to let the valve fit in easily.
Make the valve.
Create the valve.
Bore the steam ports, and solder valve tube and cylinder together.
Bore the steam ports and solder the valve, tube, and cylinder together.
Solder holding-down wing, W, to cylinder.
Solder the holding-down wing, W, to the cylinder.
Finish off the piston.
Complete the piston.
Solder the bearings in their standards.
Solder the bearings into their brackets.
Prepare shaft, crank disc, crank pin, and piston rod.
Prepare the shaft, crank disc, crank pin, and piston rod.
Fix the cylinder to the bed, in which a slot must be cut for the wing and holding-down bolt.
Fix the cylinder to the bed, making sure to cut a slot for the wing and holding-down bolt.
Attach the piston rod to the piston, and insert piston in cylinder.
Attach the piston rod to the piston and insert the piston into the cylinder.
Bore hole for shaft in centre of crank disc, and another, 9/16 inch away (centre to centre), for crank pin.
Bore a hole for the shaft in the center of the crank disc, and another hole, 9/16 inch away (center to center), for the crank pin.
Solder in crank pin squarely to disc.
Solder the crank pin straight onto the disc.
Pass shaft through bearings and slip on the crank disc.
Pass the shaft through the bearings and slide on the crank disc.
Pass front end of piston rod over the crank pin.
Pass the front end of the piston rod over the crank pin.
Lay bearing standard on bed squarely to the centre line of the cylinder, turn crank fully back, and move the standard about till the back end of the piston clears the back end of the cylinder by about 1/32 inch.
Lay the bearing standard on the bed directly on the center line of the cylinder, turn the crank all the way back, and adjust the standard until the back end of the piston clears the back end of the cylinder by about 1/32 inch.
Get standard quite square, and adjust sideways till connecting rod is in line with axis of cylinder.
Get the standard quite square and adjust it sideways until the connecting rod is aligned with the cylinder's axis.
Mark off and screw down the standard.
Mark off and secure the standard.
Make the eccentric, eccentric rod, and strap. Slip eccentric on shaft.
Make the eccentric rod and strap. Slide the eccentric onto the shaft.
Put valve in position and draw it forward till the port is exposed.
Put the valve in position and pull it forward until the port is exposed.
Turn the eccentric forward, and mark the rod opposite centre of valve pin.
Turn the eccentric forward and mark the rod directly across from the center of the valve pin.
Bore hole for pin, and insert pin.
Bore a hole for the pin and insert it.
Hold the crank shaft firmly, and revolve eccentric till the port just begins to open on its forward stroke. Rotate crank disc on shaft till the crank pin is full forward.
Hold the crankshaft firmly, and rotate the eccentric until the port just starts to open on its forward stroke. Turn the crank disc on the shaft until the crank pin is fully forward.
Solder eccentric and disc to shaft.
Solder the eccentric and disc to the shaft.
Solder steam pipe to cylinder, and a brass disc to the rear end of the cylinder.
Solder the steam pipe to the cylinder, and attach a brass disc to the back end of the cylinder.
Fit a fly wheel of metal or wood. This must be fairly heavy, as it has to overcome all friction during the return or exhaust stroke.
Fit a flywheel made of metal or wood. It should be fairly heavy, as it needs to overcome all friction during the return or exhaust stroke.
Action of Engine.—During the forward motion of the piston the valve is pushed back by the eccentric until the steam port is fully opened, and is then drawn forward, covering the port. At the end of the power stroke the port has begun to open to the air, to allow the steam to escape throughout the exhaust stroke, in the course of which the valve is pushed back until, just at the end of the stroke, the steam port begins to open again.
Action of Engine.—During the piston’s forward motion, the eccentric pushes the valve back until the steam port is fully open, and then it pulls the valve forward, covering the port. At the end of the power stroke, the port starts to open to the air, allowing steam to escape during the exhaust stroke, during which the valve is pushed back until, just at the end of the stroke, the steam port begins to open again.
Notes.— (l.) The connecting rod may be made shorter than shown in Figs. 51 and 52; but in that case the piston also must be shortened to allow for the greater obliquity of the rod at half-stroke.
Notes.— (1.) The connecting rod can be made shorter than what’s shown in Figs. 51 and 52; however, in that case, the piston must also be shortened to accommodate the increased angle of the rod at half-stroke.
(2.) If two opposed cylinders are made to operate the one crank, a double-acting engine is obtained. Both valves may be operated by a single eccentric, the connecting rod of one being pivoted to a small lug projecting from the eccentric strap. If three cylinders are set 120 degrees apart round the crank shaft, a continuous turning effect is given. This type will be found useful for running small dynamos.
(2.) If two opposing cylinders are made to drive one crank, you get a double-acting engine. Both valves can be controlled by a single eccentric, with the connecting rod of one attached to a small lug that sticks out from the eccentric strap. If three cylinders are positioned 120 degrees apart around the crank shaft, it creates a continuous turning effect. This design is useful for powering small dynamos.
(3.) If it is desired to use the exhaust steam to promote a draught in the boiler furnace, it should be led away by a small pipe from the rear end of the valve tube.
(3.) If you want to use the exhaust steam to help create a draft in the boiler furnace, it should be directed away through a small pipe from the back end of the valve tube.
XV.
A HORIZONTAL SLIDE-VALVE ENGINE.
The reader who has succeeded in putting together the simple engine described in the preceding chapter may wish to try his hand on something more ambitious in the same line. The engine illustrated in Figs. 53 to 66 will give sufficient scope for energy and handiness with drill and soldering iron. The writer made an engine of the same kind, differing only from that shown in the design of the crosshead guides, without the assistance of a lathe, except for turning the piston and fly wheel—the last bought in the rough. Files, drills, taps, a hack saw, and a soldering iron did all the rest of the work.
The reader who has successfully built the simple engine described in the previous chapter may want to take on a more ambitious project in the same field. The engine shown in Figs. 53 to 66 will provide plenty of opportunity for skill and creativity with a drill and soldering iron. The author built a similar engine, differing only in the design of the crosshead guides, without using a lathe, except for turning the piston and flywheel—the latter was purchased in its rough form. Files, drills, taps, a hacksaw, and a soldering iron handled all the rest of the work.
Solder plays so important a part in the assembling of the many pieces of the engine that, if the machine fell into the fire, a rapid disintegration would follow. But in actual use the engine has proved very satisfactory; and if not such as the highly-skilled model-maker with a well-equipped workshop at his command would prefer to expend his time on, it will afford a useful lesson in the use of the simpler tools. Under 50 lbs. of steam it develops sufficient power to run a small electric-lighting installation, or to do other useful work on a moderate scale.
Solder is crucial for assembling the various parts of the engine; if the machine were to fall into the fire, it would quickly fall apart. However, in practice, the engine has performed very well. While it might not be what a highly-skilled model-maker with a fully equipped workshop would choose to invest time in, it provides a valuable lesson in using basic tools. With under 50 lbs. of steam, it generates enough power to run a small electric lighting system or perform other useful tasks on a manageable scale.
[Illustration: Fig. 53.—Elevation of a large horizontal engine.]
[Illustration: Fig. 53.—Elevation of a large horizontal engine.]
The principal dimensions of the engine are as follows:
The main dimensions of the engine are as follows:
Bedplate (sheet zinc), 13-1/2 inches long; 4-1/2 inches wide; 1/8 inch thick.
Bedplate (sheet zinc), 13.5 inches long; 4.5 inches wide; 0.125 inches thick.
Support of bedplate (1/20 inch zinc), 3 inches high from wooden base to underside of bedplate.
Support of bedplate (1/20 inch zinc), 3 inches high from wooden base to underside of bedplate.
Cylinder (mandrel-drawn brass tubing), 1-1/2 inches internal diameter; 2-13/16 inches long over all.
Cylinder (mandrel-drawn brass tubing), 1.5 inches internal diameter; 2.81 inches long overall.
Piston, 1-1/2 inches diameter; 1/2 inch long.
Piston, 1.5 inches in diameter; 0.5 inches long.
Stroke of piston, 2-1/4 inches.
2-1/4 inch piston stroke.
Connecting rod, 5 inches long between centres; 5/16 inch diameter.
Connecting rod, 5 inches long between centers; 5/16 inch diameter.
Piston rod, 5-1/8 inches long; 1/4 inch diameter.
Piston rod, 5.125 inches long; 0.25 inch diameter.
Valve rod, 4-1/8 inches long; 3/16 inch diameter.
Valve rod, 4.125 inches long; 0.1875 inch diameter.
Crank shaft, 5 inches long; 1/2 inch diameter.
Crankshaft, 5 inches long; 1/2 inch in diameter.
Centre line of piston rod, 1-1/4 inches laterally from near edge of bed; 1-5/8 inches from valve-rod centre line; 1-5/8 inches vertically above bed.
Centre line of piston rod, 1-1/4 inches to the side from the near edge of the bed; 1-5/8 inches from the valve-rod centre line; 1-5/8 inches vertically above the bed.
Centre line of crank shaft, 10-3/8 inches from cross centre line of cylinder.
Centre line of the crankshaft is 10-3/8 inches from the cross center line of the cylinder.
Bearings, 1 inch long.
1-inch long bearings.
Eccentric, 9/32-inch throw.
Eccentric, 9/32-inch throw.
Fly wheel, diameter, 7-1/2 inches; width, 1 inch; weight, 6 lbs.
Flywheel, diameter: 7.5 inches; width: 1 inch; weight: 6 lbs.
Pump, 3/8-inch bore; 3/8-inch stroke; plunger, 2 inches long.
Pump, 3/8-inch diameter; 3/8-inch stroke; plunger, 2 inches long.
[Illustration: Fig. 54.—Plan of a large horizontal engine.]
[Illustration: Fig. 54.—Plan of a large horizontal engine.]
Other dimensions will be gathered from the various diagrams of details.
Other dimensions will be collected from the different detailed diagrams.
The reader will, of course, suit his own fancy in following these dimensions, or in working to them on a reduced scale, or in modifying details where he considers he can effect his object in a simpler manner.
The reader can, of course, choose their own preferences in following these dimensions, working with a smaller scale, or changing details where they think they can achieve their goals more easily.
The diagrams are sufficiently explicit to render it unnecessary to describe the making of the engine from start to finish, so remarks will be limited to those points which require most careful construction and adjustment.
The diagrams are clear enough that there's no need to explain how to build the engine from beginning to end, so comments will focus on the areas that need the most precise construction and adjustment.
[Illustration: Fig. 55.—Standards of Bedplate.]
[Illustration: Fig. 55.—Bedplate Standards.]
The Bedplate.—This should be accurately squared and mounted on its four arch-like supports. (For dimensions, consult Fig. 55.) Half an inch is allowed top and bottom for the turnovers by which the supports are screwed to the bedplate and base. The ends of the longer supports are turned back so as to lie in front of the end supports, to which they may be attached by screws or solder, after all four parts have been screwed to the bed. Care must be taken that the parts all have the same height. Drill all holes in the turnovers before bending. Use 1/8-inch screws. Turn the bed bottom upwards, and stand the four supports, temporarily assembled, on it upside down and in their correct positions, and mark off for the 3/32-inch holes to be drilled in the bed. A hole 3/4 inch in diameter should be cut in the bedplate for the exhaust pipe, round a centre 2 inches from the end and 1-5/8 inches from the edge on the fly-wheel side, and two more holes for the pump.
The Bedplate.—This should be correctly squared and mounted on its four arch-like supports. (For dimensions, check Fig. 55.) Half an inch is allowed at the top and bottom for the overlaps where the supports are screwed to the bedplate and base. The ends of the longer supports are bent back to sit in front of the end supports, which they can be attached to with screws or solder after all four parts have been secured to the bed. Make sure that all parts are the same height. Drill all holes in the overlaps before bending. Use 1/8-inch screws. Turn the bed bottom up and set the four supports, temporarily assembled, on it upside down in their correct positions, and mark off where to drill the 3/32-inch holes in the bed. A 3/4-inch diameter hole should be cut in the bedplate for the exhaust pipe, with the center 2 inches from the end and 1-5/8 inches from the edge on the fly-wheel side, along with two more holes for the pump.
Making the Cylinder Slide and Valve.—The cylinder barrel must be perfectly cylindrical and free from any dents. Mandrel-drawn brass tubing, 1/16-inch thick, may be selected. If you cannot get this turned off at the ends in a lathe, mark the lines round it for working to with the aid of a perfectly straight edged strip of paper, 2-13/16 inches wide, rolled twice round the tube. The coils must lie exactly under one another. Make plain scratches at each end of the paper with a sharp steel point. Cut off at a distance of 1/16-inch from the lines, and work up to the lines with a file, finishing by rubbing the ends on a piece of emery cloth resting on a hard, true surface.
Making the Cylinder Slide and Valve.—The cylinder barrel needs to be perfectly cylindrical and free of any dents. You can use mandrel-drawn brass tubing that’s 1/16-inch thick. If you can't get this turned down at the ends using a lathe, mark the lines around it by using a perfectly straight strip of paper, 2-13/16 inches wide, wrapped twice around the tube. The coils should line up exactly with each other. Make clear scratches at both ends of the paper with a sharp steel point. Cut off 1/16-inch away from the lines, and then file down to the lines, finishing by rubbing the ends on a piece of emery cloth on a hard, flat surface.
[Illustration: FIG. 56.-Cylinder standard before being bent.]
[Illustration: FIG. 56.-Cylinder standard before being bent.]
A square-cornered notch 1/8 inch deep and 7/8 inch wide must now be cut in each end of the barrel, the two notches being exactly in line with one another. These are to admit steam from the steam ways into the cylinder.
A square-cornered notch that's 1/8 inch deep and 7/8 inch wide needs to be cut into each end of the barrel, with the two notches perfectly aligned. These notches will allow steam from the steam ways to enter the cylinder.
Cylinder Standards.-Use 5/64 or 3/32 inch brass plate for these. Two pieces of the dimensions shown in Fig. 56 are needed. Scratch a line exactly down the middle of each, and a cross line 1/2 inch from one end. The other end should be marked, cut, and filed to a semicircle. Drill three 3/16-inch holes in the turnover for the holding-down screws. The two standards should now be soldered temporarily together at the round ends and trued up to match each other exactly. Place them in the vice with the bending lines exactly level with the jaws, split the turnovers apart, and hammer them over at right angles to the main parts. Whether this has been done correctly may be tested by placing the standards on a flat surface. Take the standards apart, and scratch a cross line on each 1-5/8 inch from the lower surface of the foot on the side away from the foot. Make a punch mark where the line crosses the vertical line previously drawn, and with this as centre describe a circle of the diameter of the outside of the barrel. Cut out the inside and file carefully up to the circle, stopping when the barrel makes a tight fit. On the inside of the hole file a nick 1/8 inch deep, as shown in Fig. 56. Remember that this nick must be on the left of one standard and on the right of the other, so that they shall pair off properly.
Cylinder Standards.-Use 5/64 or 3/32 inch brass plates for these. You’ll need two pieces with the dimensions shown in Fig. 56. Scratch a line exactly down the middle of each piece, and a cross line 1/2 inch from one end. The other end should be marked, cut, and filed into a semicircle. Drill three 3/16-inch holes in the turnover for the holding-down screws. Now, temporarily solder the two standards together at the rounded ends and adjust them to match each other perfectly. Place them in the vice so the bending lines are level with the jaws, then split the turnovers apart and hammer them over at right angles to the main parts. You can check if this has been done correctly by placing the standards on a flat surface. Take the standards apart and scratch a cross line on each one 1-5/8 inch from the lower surface of the foot on the side opposite the foot. Make a punch mark where this line intersects the vertical line previously drawn, and use this as the center to draw a circle matching the diameter of the outside of the barrel. Cut out the inside and file carefully up to the circle, stopping when the barrel fits tightly. On the inside of the hole, file a nick 1/8 inch deep, as shown in Fig. 56. Keep in mind that this nick must be on the left of one standard and on the right of the other, so they will pair up correctly.
Standards and barrel must now be cleaned for soldering. Screw one standard down to a wood base; slip one end of the barrel into it; pass the other standard over the other end of the barrel, and adjust everything so that the barrel ends are flush with the, outer surfaces of the standard, and the nicks of the barrel in line with the standard nicks. Then screw the other standard to the base. Solder must be run well into the joints, as these will have to stand all the longitudinal working strain.
Standards and the barrel need to be cleaned for soldering. Attach one standard to a wooden base; insert one end of the barrel into it; place the other standard over the opposite end of the barrel, and adjust everything so that the ends of the barrel are level with the outer surfaces of the standards, and the grooves of the barrel align with the grooves of the standards. Then, secure the other standard to the base. Make sure to run solder well into the joints, as these will need to withstand all the longitudinal strain during use.
The next step is the fitting of the cylinder covers. If you can obtain two stout brass discs 2-1/8 inches in diameter, some trouble will be saved; otherwise you must cut them out of 3/32-inch plate. The centre of each should be marked, and four lines 45 degrees apart be scratched through it from side to side. A circle of 15/16-inch radius is now drawn to cut the lines, and punch marks are made at the eight points of intersection. Solder the covers lightly to the foot side of their standards, marked sides outwards, and drill 1/8-inch holes through cover and standard at the punch marks. Make matching marks on the edges. Unsolder the covers, enlarge the holes in them to take 5/32-inch screws; and tap the holes in the standards. This method will ensure the holes being in line, besides avoiding the trouble of marking off the standards separately.
The next step is to fit the cylinder covers. If you can get two sturdy brass discs that are 2-1/8 inches in diameter, it will save you some trouble; otherwise, you'll need to cut them out of 3/32-inch plate. Mark the center of each disc and scratch four lines 45 degrees apart across it. Now draw a circle with a 15/16-inch radius to intersect the lines, and make punch marks at the eight intersection points. Lightly solder the covers to the foot side of their standards, with the marked sides facing out, and drill 1/8-inch holes through both the cover and standard at the punch marks. Make matching marks on the edges. Unsolder the covers, enlarge the holes in them to fit 5/32-inch screws, and tap the holes in the standards. This method will ensure the holes are aligned and save you the hassle of marking off the standards separately.
Bore a 1/4-inch hole in the centre of one cover—be sure that it is the right one—for the piston rod.
Bore a 1/4-inch hole in the center of one cover—make sure it's the correct one—for the piston rod.
You can now proceed to the making of the piston-rod gland (Fig. 54, G1). Fig. 57 shows how this is built up of pieces of tubing and brass lugs for the screws. If possible, get the tubular parts trued in a lathe.
You can now move on to creating the piston-rod gland (Fig. 54, G1). Fig. 57 demonstrates how this is assembled using pieces of tubing and brass lugs for the screws. If you can, have the tubular parts machined in a lathe.
[Illustration: FIG. 57.—Vertical section of cylinder.]
[Illustration: FIG. 57.—Vertical section of cylinder.]
Before the gland is soldered to the cover, the cover should be put in place, the piston rod attached to the piston, and the parts of the gland assembled. Push the piston rod through the cover until the piston is hard up against the back of the cover. Slip the gland over the rod, turn it so that the screws are parallel to the foot of the standard, and make the solder joint. This is the best way of getting the gland exactly concentric with the cylinder so that the piston rod shall move without undue friction. But you must be careful not to unsolder the cylinder from its standard or the parts of the gland. Blacken the piston rod in a candle flame to prevent solder adhering.
Before you solder the gland to the cover, make sure the cover is in place, the piston rod is connected to the piston, and the gland parts are assembled. Push the piston rod through the cover until the piston is firmly against the back of the cover. Slide the gland over the rod, orient it so that the screws are parallel to the foot of the standard, and then make the solder joint. This is the best method for ensuring that the gland is perfectly aligned with the cylinder, allowing the piston rod to move smoothly without excessive friction. However, be careful not to unsolder the cylinder from its standard or the gland components. To prevent solder from sticking, blacken the piston rod in a candle flame.
Steam Chest.—The walls of the steam chest are best made in one piece out of 1/2-inch brass by cutting out to the dimension given in Fig. 58. A sharp fret saw will remove the inside rectangle. Get both inside and outside surfaces as square as possible in all directions, and rub down the two contact faces on emery cloth supported by an old looking-glass.
Steam Chest.—The walls of the steam chest should be made in one piece from 1/2-inch brass by cutting to the dimensions shown in Fig. 58. Use a sharp fret saw to cut out the inner rectangle. Ensure that both the inside and outside surfaces are as square as possible in all directions, and smooth down the two contact faces on emery cloth supported by an old mirror.
[Illustration: FIG. 68.-Wall-piece for steam chest, with gland and valve rod in position.]
[Illustration: FIG. 68.-Wall piece for steam chest, with the gland and valve rod in place.]
Two perfectly flat plates of 1/8-inch brass are cut to the size given in Fig. 59, or a little longer both ways, to allow for working down to the same area as the wall-piece. This operation should be carried out after soldering the three pieces together. File and rub the sides until no projections are visible. Then drill twelve 3/32-inch holes right through the three parts. After separating them, the holes in the walls and what will be the cover must be enlarged to an easy fit for 1/8-inch bolts, and the valve plate tapped.
Two perfectly flat plates of 1/8-inch brass are cut to the dimensions shown in Fig. 59, or slightly larger in both directions, to allow for trimming down to match the same area as the wall piece. This should be done after soldering the three pieces together. File and smooth the edges until there are no visible bumps. Then, drill twelve 3/32-inch holes all the way through the three parts. Once they are separated, the holes in the walls and what will be the cover need to be enlarged for an easy fit for 1/8-inch bolts, and the valve plate should be tapped.
Now drill 3/16-inch holes centrally through the ends of the walls for the valve rod. If the first hole is drilled accurately, the second hole should be made without removing the drill, as this will ensure the two holes being in line. If, however, luck is against you, enlarge the holes and get the rod into its correct position by screwing and soldering small drilled plates to the outside of the chest. Also drill and tap a hole for the lubricator. The attachment of the gland (Fig. 54, G2) is similar to that of the cylinder gland, and therefore need not be detailed.
Now drill 3/16-inch holes in the center of the ends of the walls for the valve rod. If the first hole is drilled correctly, the second hole should be made without removing the drill, as this will ensure the two holes are aligned. However, if you're having trouble, enlarge the holes and position the rod correctly by screwing and soldering small drilled plates to the outside of the chest. Also, drill and tap a hole for the lubricator. Attaching the gland (Fig. 54, G2) is similar to attaching the cylinder gland, so it doesn’t need to be explained in detail.
The Valve Plate (Fig. 59).—Three ports must be cut in this—a central one, 7/8 by 3/32 inch, for the exhaust; and two inlets, 7/8 by 3/32 inch, 1/8 inch away from the exhaust. These are easily opened out if a series of holes be drilled along their axes.
The Valve Plate (Fig. 59).—Three ports need to be cut into this—a central one, 7/8 by 3/32 inch, for the exhaust; and two inlets, also 7/8 by 3/32 inch, located 1/8 inch away from the exhaust. These can be easily opened up by drilling a series of holes along their axes.
[Illustration: FIG. 69.—Valve plate.]
[Illustration: FIG. 69.—Valve plate.]
The Steam Ways.—The formation of the steam ways between valve plate and cylinder is the most ticklish bit of work to be done on the engine as it entails the making of a number of solder joints close together.
The Steam Ways.—Creating the steam ways between the valve plate and the cylinder is the trickiest task when working on the engine because it involves making several closely placed solder joints.
[Illustration: FIG. 60.—Piece for steam ways.]
[Illustration: FIG. 60.—Piece for steam ways.]
We begin by cutting out of 1/20-inch sheet brass a piece shaped as in Fig. 60. Parallel to the long edges, and 3/8 inch away, scribe bending lines. Join these by lines 5/8 inch from the short edges, and join these again by lines 1/4 inch from the bending lines. Cuts must now be made along the lines shown double in Fig. 60. Bend parts CC down and parts BB upwards, so that they are at right angles to parts AA. The positions of these parts, when the piece is applied to the cylinder, are shown in Fig. 62.
We start by cutting a piece from a 1/20-inch thick sheet of brass, shaped like what’s shown in Fig. 60. Draw bending lines parallel to the long edges, 3/8 inch away. Connect these with lines 5/8 inch from the short edges, and then connect those with lines 1/4 inch from the bending lines. Now, make cuts along the lines marked with double lines in Fig. 60. Bend parts CC down and parts BB up so that they are at right angles to parts AA. The layout of these parts when attached to the cylinder is shown in Fig. 62.
[Illustration: FIG. 61.—Valve plate and steam ways in section.]
[Illustration: FIG. 61.—Valve plate and steam pathways in section.]
One must now make the bridge pieces (Fig. 61, a, a) to separate the inlet passages from the exhaust. Their width is the distance between the bent-down pieces CC of Fig. 60, and their bottom edges are shaped to the curvature of the cylinder barrel. Finally, make the pieces bb (Fig. 61), which form part of the top of the steam ways.
One must now create the bridge pieces (Fig. 61, a, a) to separate the inlet passages from the exhaust. Their width is the distance between the bent-down pieces CC of Fig. 60, and their bottom edges are shaped to match the curvature of the cylinder barrel. Finally, make the pieces bb (Fig. 61), which are part of the top of the steam ways.
In the assembling of these parts a blowpipe spirit lamp or a little “Tinol” soldering lamp will prove very helpful.
In putting these parts together, a blowpipe spirit lamp or a small "Tinol" soldering lamp will be very useful.
The following order should be observed:
The following order should be followed:
(1.) Solder the piece shown in Fig. 60 to the cylinder barrel by the long edges, and to the cylinder supports at the ends. This piece must, of course, cover the steam ports in the cylinder.
(1.) Solder the piece shown in Fig. 60 to the cylinder barrel along the long edges, and to the cylinder supports at the ends. This piece must, of course, cover the steam ports in the cylinder.
(2.) Put pieces aa (Fig. 61) in position, with their tops quite flush with the tops of BB (Fig. 62), and solder them to the cylinder barrel and sides of the steam-way piece.
(2.) Position pieces aa (Fig. 61) so that their tops are completely level with the tops of BB (Fig. 62), and solder them to the cylinder barrel and the sides of the steam-way piece.
(3.) Solder the valve plate centrally to BB, and to the tops of aa, which must lie between the central and outside ports. Take great care to make steam-tight joints here, and to have the plate parallel to the standards in one direction and to the cylinder in the other.
(3.) Solder the valve plate directly to BB and to the tops of aa, which must be positioned between the central and outside ports. Be very careful to create steam-tight joints here, and ensure the plate is parallel to the standards in one direction and to the cylinder in the other.
(4.) Solder in pieces bb. These should be a tight fit, as it is difficult to hold them in place while soldering is done.
(4.) Solder in pieces bb. These should fit tightly, as it’s hard to keep them in place while you’re soldering.
(5.) Bore a 5/16-inch hole in the lower side of the central division and solder on the exhaust pipe.
(5.) Drill a 5/16-inch hole in the lower side of the central division and solder on the exhaust pipe.
Slide Valve.—The contact part of this is cut out of flat sheet brass (Fig. 63), and to one side is soldered a cap made by turning down the edges of a cross with very short arms. The little lugs aa are soldered to this, and slotted with a jeweller’s file to engage with notches cut in the valve rod (see Figs. 58 and 62).
Slide Valve.—The contact part of this is made from a flat sheet of brass (Fig. 63), and on one side, there’s a cap that's created by bending down the edges of a cross with very short arms. The small lugs aa are soldered to this cap and are notched with a jeweler’s file to fit into notches cut in the valve rod (see Figs. 58 and 62).
[Illustration: FIG. 63.-Parts of slide valve.]
[Illustration: FIG. 63.-Parts of slide valve.]
The Crank and Crank Shaft.—The next thing to take in hand is the fixing of the crank shaft. This is a piece of 3/8 or 1/2 inch steel rod 5 inches long.
The Crank and Crank Shaft.—The next thing to focus on is attaching the crank shaft. This is a piece of 3/8 or 1/2 inch steel rod that is 5 inches long.
The bearings for this may be pieces of brass tubing, fitting the rod fairly tight. By making them of good length—1 inch—the wear is reduced to almost nothing if the lubricating can is used as often as it should be.
The bearings for this can be made from pieces of brass tubing that fit the rod pretty snugly. By making them a good length—1 inch—the wear is minimized to almost nothing if the lubricant can is used as often as it should be.
Each bearing is shown with two standards. The doubling increases rigidity, and enables an oil cup to be fixed centrally.
Each bearing is shown with two standards. The doubling increases stiffness and allows for an oil cup to be mounted in the center.
The shape of the standards will be gathered from Fig. 53, their outline being dotted in behind the crank.
The shape of the standards will be obtained from Fig. 53, with their outline shown behind the crank.
Cut out and bend the standards—after drilling the holes for the foot screws—before measuring off for the centres of the holes; in fact, follow the course laid down with regard to the cylinder standards.
Cut out and bend the standards—after drilling the holes for the foot screws—before measuring for the centers of the holes; in fact, follow the procedure outlined for the cylinder standards.
Make a bold scratch across the bedplate to show where the centre line of the shaft should be, and another along the bed for the piston-rod centre line. (Position given on p. 138.)
Make a bold mark across the bedplate to indicate where the centerline of the shaft should be, and another mark along the bed for the piston-rod centerline. (Position given on p. 138.)
Bore holes in the bearings for the oil cups, which may be merely forced in after the engine is complete.
Bore holes in the bearings for the oil cups, which can simply be pushed in after the engine is finished.
The crank boss may be made out of a brass disc 2-3/4 inches diameter and 3/16 inch thick, from which two curved pieces are cut to reduce the crank to the shape shown in Fig. 53. The heavier portion, on the side of the shaft away from the crank pin, helps to counterbalance the weight of the connecting and piston rods. In Fig. 54 (plan of engine) you will see that extra weight in this part has been obtained by fixing a piece of suitably curved metal to the back of the boss.
The crank boss can be made from a brass disc that's 2-3/4 inches in diameter and 3/16 inch thick, from which two curved sections are cut to shape the crank as shown in Fig. 53. The heavier part, on the side of the shaft opposite the crank pin, helps balance the weight of the connecting and piston rods. In Fig. 54 (engine plan), you can see that the extra weight in this area has been added by attaching a piece of appropriately curved metal to the back of the boss.
The mounting of the crank boss on the shaft and the insertion of the crank pin into the boss might well be entrusted to an expert mechanic, as absolute “squareness” is essential for satisfactory working. Screw-thread attachments should be used, and the crankshaft should project sufficiently to allow room for a flat lock nut. The crank pin will be rendered immovable by a small lock screw penetrating the boss edgeways and engaging with a nick in the pin.
The installation of the crank boss on the shaft and the fitting of the crank pin into the boss should ideally be done by a skilled mechanic, as it's crucial that everything is perfectly aligned for proper functioning. Screw-thread connections should be utilized, and the crankshaft should extend enough to make space for a flat lock nut. The crank pin will be secured in place by a small lock screw that goes through the boss and fits into a notch on the pin.
Fixing the Standards and Bearings.—Place the two bearings in their standards and slip the crank shaft through them. Place standards on the bed, with their centre lines on the crank-shaft centre line. The face of the crank should be about 3/8 inch away from the piston rod centre line. Bring the nearer bearing up against the back of the disc, and arrange the standards equidistantly from the ends of the bearing. The other bearing should overlap the edge of the bed by about 1/8 inch. Get all standards square to the edge of the bed, and mark off the positions of screw holes in bed. Remove the standards, drill and tap the bed-plate holes, and replace parts as before, taking care that the lubricating holes in the bearings point vertically upwards. Then solder bearings to standards.
Fixing the Standards and Bearings.—Place the two bearings in their stands and slide the crankshaft through them. Position the stands on the bed, aligning their center lines with the crankshaft center line. The face of the crank should be about 3/8 inch away from the piston rod center line. Push the nearest bearing up against the back of the disc and arrange the stands evenly from the ends of the bearing. The other bearing should extend over the edge of the bed by about 1/8 inch. Ensure all stands are square to the edge of the bed and mark the locations of the screw holes on the bed. Remove the stands, drill and tap the bed plate holes, and replace the parts as before, making sure that the lubricating holes in the bearings are facing vertically upward. Then, solder the bearings to the stands.
If any difficulty is experienced in getting all four standards to bed properly, make the bearing holes in the two inner ones a rather easy fit. The presence of the crank-shaft will assure the bearings being in line when the soldering is completed.
If you have trouble getting all four standards to fit into place, make the bearing holes in the two inner ones a bit loose. The crankshaft will ensure that the bearings are aligned when the soldering is done.
The standards and bed should have matching marks made on them.
The standards and bed should have matching marks on them.
The Eccentric.—This can be formed by soldering two thin brass discs 1-15/16-inch diameter concentrically to the sides of a disc of 1-15/16-inch diameter and 5/16 inch thick. The centre of the shaft hole must be exactly 9/32 inch from the centre of the eccentric to give the proper valve-travel. Drill and tap the eccentric edgeways for a lock screw.
The Eccentric.—To create this, solder two thin brass discs that are 1-15/16 inches in diameter to the sides of a disc that is also 1-15/16 inches in diameter and 5/16 inch thick. The center of the shaft hole needs to be exactly 9/32 inch from the center of the eccentric to ensure the correct valve travel. Drill and tap the edge of the eccentric for a lock screw.
A piece to which the eccentric strap, eccentric rod, and pump rod are attached is cut out of 5/16-inch brass. Its shape is indicated in Fig. 53. The side next the eccentric must be shaped as accurately as possible to the radius of the eccentric. The strap, of strip brass, is fastened to the piece by four screws, the eccentric rod by two screws.
A part that connects to the eccentric strap, eccentric rod, and pump rod is made from 5/16-inch brass. Its shape is shown in Fig. 53. The side facing the eccentric needs to be shaped as accurately as possible to match the radius of the eccentric. The strap, made of brass strip, is attached to the part using four screws, and the eccentric rod is secured with two screws.
Crosshead and Guides.—The crosshead (Figs. 53 and 54) is built up by soldering together a flat foot of steel, a brass upright, and a tubular top fitting the piston rod. The guides, which consist of a bed, covers, and distance-pieces united by screws (Fig. 64), have to withstand a lot of wear, and should preferably be of steel. The importance of having them quite flat and straight is, of course, obvious.
Crosshead and Guides.—The crosshead (Figs. 53 and 54) is constructed by soldering a flat steel base, a brass upright, and a tubular top that fits onto the piston rod. The guides, which include a bed, covers, and spacers held together by screws (Fig. 64), need to endure significant wear and are ideally made of steel. It's clear how crucial it is for them to be completely flat and straight.
[Illustration: FIG. 64.—Cross section of crosshead and guide.]
[Illustration: FIG. 64.—Cross section of crosshead and guide.]
The last 1-3/8 inches of the piston rod has a screw thread cut on it to engage with a threaded hole in the fork (cut out of thick brass plate), to which the rear end of the connecting rod is pinned, and to take the lock nut which presses the crosshead against this fork.
The last 1-3/8 inches of the piston rod has a screw thread cut on it to fit into a threaded hole in the fork (made from a thick brass plate), where the rear end of the connecting rod is pinned, and to hold the lock nut that presses the crosshead against this fork.
Assuming that all the parts mentioned have been prepared, the cylinder should be arranged in its proper place on the bed, the piston rod centrally over its centre line. Mark and drill the screw holes in the bed.
Assuming that all the mentioned parts are ready, the cylinder should be positioned correctly on the bed, with the piston rod aligned centrally over its center line. Mark and drill the screw holes in the bed.
The Valve Gear.—We may now attend to the valve gear. A fork must be made for the end of the valve rod, and soldered to it with its slot at right angles to the slots which engage with the valve lugs. Slip the rod into the steam chest, put the valve on the rod, and attach the chest (without the cover) to the valve plate by a bolt at each corner. Pull the valve forward till the rear port is just uncovered, and turn the eccentric full forward. You will now be able to measure off exactly the distance between the centres of the valve-rod fork pin and the rear screw of the eccentric. The valve connecting rod (Fig. 53, VCR) should now be made and placed in position. If the two forward holes are filed somewhat slot-shaped, any necessary adjustment of the valve is made easier. If the adjustment of VCR and the throw of the eccentric are correct, the valve will just expose both end ports alternately when the crank is revolved. If one port is more exposed than the other, adjust by means of the eccentric screws till a balance is obtained. Should the ports still not be fully uncovered, the throw of the eccentric is too small, and you must either make a new eccentric or reduce the width of the valve. (The second course has the disadvantage of reducing the expansive working of the steam.) Excess movement, on the other hand, implies too great an eccentric throw.
The Valve Gear.—Now let's focus on the valve gear. You need to create a fork for the end of the valve rod and solder it to the rod with its slot positioned at a right angle to the slots that connect with the valve lugs. Slide the rod into the steam chest, place the valve on the rod, and connect the chest (without the cover) to the valve plate using a bolt at each corner. Pull the valve forward until the rear port is just uncovered, and rotate the eccentric fully forward. You can now accurately measure the distance between the centers of the valve-rod fork pin and the rear screw of the eccentric. The valve connecting rod (Fig. 53, VCR) should be created and positioned. If the two forward holes are shaped somewhat like slots, it will make any necessary adjustments to the valve easier. If the adjustments to VCR and the throw of the eccentric are correct, the valve will alternately expose both end ports when the crank rotates. If one port is exposed more than the other, make adjustments using the eccentric screws until balance is achieved. If the ports are still not fully uncovered, the throw of the eccentric is too small, and you will need to either create a new eccentric or reduce the width of the valve. (The second option has the downside of decreasing the expansive use of the steam.) On the other hand, excessive movement means the eccentric throw is too large.
Setting the Eccentric.—Turn the crank full forward, so that a line through the crank pin and shaft centres is parallel to the bed. Holding it in this position, revolve the eccentric (the screw of which should be slackened off sufficiently to allow the eccentric to move stiffly) round the shaft in a clockwise direction, until it is in that position below the shaft at which the front steam port just begins to show. Then tighten up the eccentric lock screw.[1]
Setting the Eccentric.—Turn the crank all the way forward, so that a line through the crank pin and shaft centers is parallel to the bed. Keeping it in this position, rotate the eccentric (with the screw loosened enough to let it move stiffly) around the shaft in a clockwise direction, until it's positioned below the shaft where the front steam port starts to appear. Then, tighten the eccentric lock screw.[1]
[Footnote 1: The reader is referred to an excellent little treatise, entitled “The Slide Valve” (Messrs. Percival Marshall and Co., 26 Poppin’s Court, Fleet Street, E.C. Price 6d.), for a full explanation of the scientific principles of the slide valve.]
[Footnote 1: The reader is directed to a great little book called “The Slide Valve” (Messrs. Percival Marshall and Co., 26 Poppin’s Court, Fleet Street, E.C. Price 6d.) for a complete explanation of the scientific principles of the slide valve.]
The Connecting Rod.—The length of this from centre to centre of the pins on which it works should be established as follows:—Slip over the piston rod a disc of card 1/32 inch thick. Then pass the rod through the gland and assemble the crosshead and fork on its end, and assemble the guides round the crosshead foot. Turn the crank pin full forward, pull the piston rod out as far as it will come, measure the distance between pin centres very carefully, and transfer it to a piece of paper.
The Connecting Rod.—To determine the length from the center to the center of the pins it works with, follow these steps: Slip a disc of cardboard that's 1/32 inch thick over the piston rod. Next, pass the rod through the gland and attach the crosshead and fork at its end, then place the guides around the crosshead foot. Turn the crank pin all the way forward, pull the piston rod out as far as it will go, carefully measure the distance between the pin centers, and write it down on a piece of paper.
The rod consists of a straight central bar and two rectangular halved ends. The ends should be cut out of brass and carefully squared. Through their exact centres drill 1/8-inch holes, and cut the pieces squarely in two across these holes. The sawed faces should be filed down to a good fit and soldered together. Now drill holes of the size of the pins, using what remains of the holes first made to guide the drill. The bolt holes are drilled next, and finally the holes for lubrication and those to take the rods. Then lay the two ends down on the piece of paper, so that their pinholes are centred on the centre marks, and the holes for the rod are turned towards one another. Cut off a piece of steel rod of the proper length and unsolder the ends. The rod pieces must then be assembled on the rod, and with it be centred on the paper and held in position while the parts are soldered together.
The rod has a straight central bar and two rectangular split ends. The ends should be cut from brass and squared off neatly. Drill 1/8-inch holes through their exact centers and then cut the pieces in half at these holes. File down the cut faces for a snug fit and solder them together. Next, drill holes the size of the pins, using the remnants of the previously drilled holes as a guide. After that, drill the bolt holes, followed by the lubrication holes and the holes for the rods. Then, lay the two ends on a piece of paper, aligning their pinholes with the center marks, and make sure the holes for the rod face each other. Cut a piece of steel rod to the correct length and unsolder the ends. The rod pieces should then be put together on the rod, centered on the paper, and held in place while the parts are soldered together.
OTHER DETAILS.
Adjusting the Guides.—Put the connecting rod in place on its pins, and revolve the crank until the guides have taken up that position which allows the crosshead to move freely. Then mark off the holes for the guide holding-down screws, and drill and tap them.
Adjusting the Guides.—Place the connecting rod on its pins, and turn the crank until the guides are in a position that lets the crosshead move freely. Then, mark where the holes for the guide holding-down screws will go, and drill and tap them.
Packings.—The glands and piston should be packed with asbestos string. Don’t be afraid of packing too tightly, as the tendency is for packing to get slacker in use. The rear end of the cylinder should be bevelled off slightly inside, to allow the packed piston to enter easily.
Packings.—The seals and piston should be packed with asbestos string. Don’t worry about packing it too tightly, as it tends to loosen with use. The back end of the cylinder should be slightly beveled on the inside to make it easier for the packed piston to fit in.
Joints.—The cylinder head and valve chest joints should be made with stout brown paper soaked in oil or smeared with red lead. All screw holes should be cut cleanly through the paper, and give plenty of room for the screws.
Joints.—The cylinder head and valve chest joints should be made with sturdy brown paper soaked in oil or coated with red lead. All screw holes should be cut cleanly through the paper and provide plenty of space for the screws.
[Illustration: FIG. 66.-Vertical section of force pump driven by engine.]
[Illustration: FIG. 66.-Vertical section of force pump driven by engine.]
When making a joint, tighten up the screws in rotation, a little at a time so as not to put undue strain on any screw. Wait an hour or two, and go round with the screw-driver again.
When making a joint, tighten the screws in a circular manner, a bit at a time, to avoid putting too much stress on any one screw. Wait an hour or two, then go around with the screwdriver again.
Lubrication.—When the engine is first put under steam, lubrication should be very liberal, to assure the parts “settling down” without undue wear.
Lubrication.—When the engine is first started, lubrication should be generous to ensure the parts "settle down" without excessive wear.
The Pump.—Fig. 65 shows in section the pump, which will be found a useful addition to the engine. (For other details, see Figs. 53 and 54.) Its stroke is only that of the eccentric, and as the water passages and valves are of good size, it will work efficiently at high speed. The method of making it will be obvious from the diagrams, and space will therefore not be devoted to a detailed description. The valve balls should, of course, be of gun-metal or brass, and the seatings must be prepared for them by hammering in a steel ball of the same size.
The Pump.—Fig. 65 shows a section of the pump, which will be a beneficial addition to the engine. (For more details, see Figs. 53 and 54.) Its stroke is just that of the eccentric, and since the water passages and valves are adequately sized, it will work efficiently at high speeds. The manufacturing method will be clear from the diagrams, so a detailed description won't be included. The valve balls should be made of gunmetal or brass, and the seats must be prepared for them by hammering in a steel ball of the same size.
In practice it is advisable to keep the pump always working, and to regulate the delivery to the boiler by means of a by-pass tap on the feed pipe, through which all or some of the water may be returned direct to the tank.
In practice, it’s best to keep the pump running continuously and control the flow to the boiler using a bypass valve on the feed line, allowing all or some of the water to be sent straight back to the tank.
The tank, which should be of zinc, may conveniently be placed under the engine. If the exhaust steam pipe be made to traverse the tank along or near the bottom, a good deal of what would otherwise be wasted heat will be saved by warming the feed water.
The tank, which should be made of zinc, can be conveniently placed under the engine. If the exhaust steam pipe runs through or near the bottom of the tank, a significant amount of heat that would otherwise be wasted can be saved by warming the feed water.
Making a Governor.
Becoming a Governor.
[Illustration: FIG. 66.—Elevation of governor for horizontal
engine.
Above is plan of valve and rod gear.]
[Illustration: FIG. 66.—Elevation of governor for horizontal engine.
Above is plan of valve and rod gear.]
It is a great advantage to have the engine automatically governed, so that it may run at a fairly constant speed under varying loads and boiler pressures. In the absence of a governor one has to be constantly working the throttle; with one fitted, the throttle can be opened up full at the start, and the automatic control relied upon to prevent the engine knocking itself to pieces.
It’s a huge benefit to have the engine automatically controlled, so it can maintain a steady speed despite changes in load and boiler pressure. Without a governor, you have to constantly adjust the throttle; with one in place, you can fully open the throttle at the beginning, and rely on the automatic control to keep the engine from damaging itself.
The vertical centrifugal apparatus shown in Fig. 66 was made by the writer, and acted very well. The only objection to it is its displacement of the pump from the bed. But a little ingenuity will enable the pump to be driven off the fly wheel end of the crank shaft, or, if the shaft is cut off pretty flush with the pulley, off a pin in the face of the pulley.
The vertical centrifugal machine shown in Fig. 66 was built by the author and performed very well. The only drawback is that it moves the pump away from the base. However, with a bit of creativity, the pump can be powered from the flywheel end of the crankshaft, or, if the shaft is cut flush with the pulley, from a pin on the face of the pulley.
Turning to Fig. 66, A is a steel spindle fixed in a base, L, screwed to the bed. B is a brass tube fitting A closely, and resting at the bottom on a 1/4-inch piece of similar tubing pinned to A.
Turning to Fig. 66, A is a steel spindle fixed in a base, L, screwed to the bed. B is a brass tube that fits closely around A and rests at the bottom on a 1/4-inch piece of similar tubing pinned to A.
A wooden pulley jammed on B transmits the drive from a belt which passes at its other end round a similar, but slightly larger, pulley on the crank shaft. This pulley is accommodated by moving the eccentric slightly nearer the crank and shortening the fly-wheel side bearing a little.
A wooden pulley stuck on B transfers the drive from a belt that wraps around a similar, but slightly larger, pulley on the crankshaft at its other end. This pulley is positioned by moving the eccentric a bit closer to the crank and shortening the flywheel side bearing slightly.
The piece G, fixed to B by a lock screw, has two slots cut in it to take the upper ends of the weight links DD; and C, which slides up and down B, is similarly slotted for the links EE. Each of the last is made of two similarly shaped plates of thin brass, soldered together for half their length, but separated 3/32 inch at the top to embrace the projections of D. To prevent C revolving relatively to B, a notch is filed in one side of the central hole, to engage with a piece of brass wire soldered on B (shown solid black in the diagram). A spiral steel spring, indicated in section by a number of black dots, presses at the top against the adjustable collar F, and at the bottom against C.
The piece G, attached to B with a lock screw, has two slots cut into it for the upper ends of the weight links DD. C, which moves up and down along B, is also slotted for the links EE. Each of these is made of two similarly shaped plates of thin brass, soldered together for half their length but separated by 3/32 inch at the top to fit around the projections of D. To keep C from rotating relative to B, a notch is filed on one side of the central hole to lock in with a piece of brass wire soldered to B (shown solid black in the diagram). A spiral steel spring, indicated in section by a series of black dots, presses against the adjustable collar F at the top and against C at the bottom.
The two weights WW are pieces of brass bar slotted for driving on to DD, which taper gently towards the outer edge.
The two weights WW are pieces of brass bar designed to slide onto DD, which taper gently towards the outer edge.
When the pulley revolves, centrifugal force makes WW fly outwards against the pressure of the spring, and the links EE raise C, which in turn lifts the end of lever M. A single link, N, transmits the motion from a pin on M to the double bell-crank lever O (see Fig. 66) pivoted on a standard, P, attached to the bedplate. The slotted upper ends of P engage with pins on an adjustable block, R, which moves the governing valve V (solid black), working in the tube S through a gland. The higher M is raised the farther back is V moved, and its annular port is gradually pushed more out of line with two ports in the side of the valve tube, thus reducing the flow of steam from the supply pipe to the cylinder connection on the other side of the tube. This connection, by-the-bye, acts as fulcrum for lever M, which is made in two parts, held together by screws, to render detachment easy.
When the pulley spins, centrifugal force causes WW to fly outward against the pressure of the spring, and the links EE lift C, which then raises the end of lever M. A single link, N, transfers motion from a pin on M to the double bell-crank lever O (see Fig. 66) that pivots on a standard, P, attached to the base plate. The slotted upper ends of P connect with pins on an adjustable block, R, which moves the governing valve V (solid black), operating in the tube S through a gland. The higher M is lifted, the further back V is moved, and its annular port is gradually misaligned with the two ports on the side of the valve tube, thereby reducing the steam flow from the supply pipe to the cylinder connection on the other side of the tube. This connection, by the way, serves as the fulcrum for lever M, which is made in two parts, held together by screws for easy detachment.
The closer the fit that V makes with S the more effective will the governing be. The gland at the end of S was taken from an old cylinder cover.
The better V fits with S, the more effective the governance will be. The gland at the end of S was taken from an old cylinder cover.
Regulation of the speed may be effected either
Regulating speed can be done either
(1) by driving the governor faster or slower relatively to the speed of the crank shaft;
(1) by adjusting the governor's speed to go faster or slower compared to the speed of the crankshaft;
(2) by altering the position of W on D;
(2) by changing the position of W on D;
(3) by altering the compression of the spring by shifting F;
(3) by changing the compression of the spring by moving F;
(4) by a combination of two or more of the above.
(4) by combining two or more of the above.
Generally speaking, (3) is to be preferred, as the simplest.
Generally speaking, (3) is preferred because it's the simplest.
The belt may be made out of a bootlace or fairly stout circular elastic. In either case the ends should be chamfered off to form a smooth joint, which may be wrapped externally with thread.
The belt can be made from a bootlace or fairly strong circular elastic. In either case, the ends should be beveled to create a smooth joint, which can be wrapped externally with thread.
FINAL HINTS.
All parts which have to be fitted together should have matching marks made on them with the punch. To take the parts of the valve chest as an example. As we have seen, these should be soldered together, finished off outside, and drilled. Before separating them make, say, two punch marks on what will be the upper edge of the valve plate near the end, and two similar marks on the chest as near the first as they can conveniently be. In like manner mark the chest cover and an adjacent part of the chest with three marks. It is utterly impossible to reassemble the parts incorrectly after separation if the marks are matched. Marking is of greatest importance where one piece is held up to another by a number of screws. If it is omitted in such a case, you may have a lot of trouble in matching the holes afterwards.
All parts that need to be assembled should have matching marks made on them with a punch. For example, take the valve chest parts. As we’ve seen, these should be soldered together, finished on the outside, and drilled. Before separating them, create two punch marks on what will be the upper edge of the valve plate near the end, and two similar marks on the chest as close to the first marks as possible. Similarly, mark the chest cover and a nearby part of the chest with three marks. If the marks are matched, it’s completely impossible to reassemble the parts incorrectly after separation. Marking is especially important when one piece is held up to another with multiple screws. If this step is skipped in such cases, you may face a lot of trouble aligning the holes later on.
Jacket the cylinder with wood or asbestos, covered in neatly with sheet brass, to minimize condensation. If the steam ways, valve chest, and steam pipe also are jacketed, an increase in efficiency will be gained, though perhaps somewhat at the expense of appearance.
Jacket the cylinder with wood or asbestos, neatly covered with sheet brass, to reduce condensation. If the steam ways, valve chest, and steam pipe are also jacketed, you’ll gain increased efficiency, though it might come at the cost of appearance.
Boiler.—The boiler described on pp. 211-216, or a vertical multitubular boiler with about 800 sq. inches of heating surface will drive this engine satisfactorily.
Boiler.—The boiler mentioned on pp. 211-216, or a vertical multitubular boiler with around 800 sq. inches of heating surface, will effectively power this engine.
XVI.
MODEL STEAM TURBINES.
Steam turbines have come very much to the fore during recent years, especially for marine propulsion. In principle they are far simpler than cylinder engines, steam being merely directed at a suitable angle on to specially shaped vanes attached to a revolving drum and shaft. In the Parsons type of turbine the steam expands as it passes through successive rings of blades, the diameter of which rings, as well as the length and number of the blades, increases towards the exhaust end of the casing, so that the increasing velocity of the expanding steam may be taken full advantage of. The De Laval turbine includes but a single ring of vanes, against which the steam issues through nozzles so shaped as to allow the steam to expand somewhat and its molecules to be moving at enormous velocity before reaching the vanes. A De Laval wheel revolves at terrific speeds, the limit being tens of thousands of turns per minute for the smallest engines. The greatest efficiency is obtained, theoretically, when the vane velocity is half that of the steam, the latter, after passing round the curved inside surfaces of the vanes, being robbed of all its energy and speed. (For a fuller description of the steam turbine, see How It Works, Chap. III., pp.74-86.)
Steam turbines have become increasingly popular in recent years, especially for marine propulsion. They are fundamentally simpler than cylinder engines, as steam is simply directed at a specific angle onto specially designed vanes attached to a rotating drum and shaft. In the Parsons type of turbine, steam expands as it moves through successive rings of blades, with the diameter of these rings, as well as the length and number of the blades, increasing toward the exhaust end of the casing. This design allows for maximum benefit from the increasing velocity of the expanding steam. The De Laval turbine features only a single ring of vanes, with steam released through nozzles shaped to allow for some expansion, resulting in the steam molecules moving at incredibly high speeds before hitting the vanes. A De Laval wheel spins at incredibly high speeds, with the smallest engines reaching tens of thousands of revolutions per minute. The highest efficiency is theoretically achieved when the speed of the vanes is half that of the steam, which, after moving around the curved inner surfaces of the vanes, loses all its energy and speed. (For a fuller description of the steam turbine, see How It Works, Chap. III., pp.74-86.)
The turbines to be described work on the De Laval principle, which has been selected as the easier for the beginner to follow.
The turbines discussed here operate on the De Laval principle, which has been chosen because it's easier for beginners to understand.
A Very Simple Turbine.
A Very Simple Turbine.
We will begin with a very simple contrivance, shown in Fig. 67. As a “power plant” it is confessedly useless, but the making of it affords amusement and instruction. For the boiler select a circular tin with a jointless stamped lid, not less than 4 inches in diameter, so as to give plenty of heating surface, and at least 2-1/2 inches deep, to ensure a good steam space and moderately dry steam. A shallow boiler may “prime” badly, if reasonably full, and fling out a lot of water with the steam.
We will start with a very simple setup, shown in Fig. 67. As a "power plant," it’s clearly not practical, but building it is both fun and educational. For the boiler, choose a round tin with a seamless stamped lid that’s at least 4 inches in diameter to provide enough heating surface, and at least 2-1/2 inches deep to ensure a good steam space and reasonably dry steam. A shallow boiler might "prime" poorly if filled to a reasonable level and could spit out a lot of water along with the steam.
Clean the metal round the joints, and punch a small hole in the lid, half an inch from the edge, to give egress to the heated air during the operation of soldering up the point or joints, which must be rendered absolutely water-tight.
Clean the metal around the joints, and punch a small hole in the lid, half an inch from the edge, to allow the heated air to escape during the soldering of the point or joints, which must be made completely water-tight.
[Illustration: FIG. 67.—Simple steam turbine.]
[Illustration: FIG. 67.—Basic steam turbine.]
For the turbine wheel take a piece of thin sheet iron or brass; flatten it out, and make a slight dent in it an inch from the two nearest edges. With this dent as centre are scribed two circles, of 3/4 and 1/2 inch radius respectively. Then scratch a series of radial marks between the circles, a fifth of an inch apart. Cut out along the outer circle, and with your shears follow the radial lines to the inner circle. The edge is thus separated into vanes (Fig. 68), the ends of which must then be twisted round through half a right angle, with the aid of a pair of narrow-nosed pliers, care being taken to turn them all in the same direction.
For the turbine wheel, take a piece of thin sheet metal, either iron or brass; flatten it out and make a slight dent about an inch from the two closest edges. Using this dent as the center, draw two circles with radii of 3/4 inch and 1/2 inch, respectively. Then, create a series of radial lines between the circles, spaced a fifth of an inch apart. Cut along the outer circle, and with your shears, follow the radial lines to the inner circle. The edge will then be divided into vanes (Fig. 68), which you will need to twist around through half a right angle using a pair of narrow-nosed pliers, making sure to turn them all in the same direction.
[Illustration: FIG. 68.—Wheel for steam turbine, showing one vane twisted into final position.]
[Illustration: FIG. 68.—Wheel for steam turbine, showing one vane twisted into final position.]
A spindle is made out of a large pin, beheaded, the rough end of which must be ground or filed to a sharp point. Next, just break through the metal of the disc at the centre with a sharpened wire nail, and push the spindle through till it projects a quarter of an inch or so. Soldering the disc to the spindle is most easily effected with a blowpipe or small blow-lamp.
A spindle is created using a large pin that has been cut down, with one end needing to be sharpened by grinding or filing it to a point. Then, just pierce the metal of the disc in the center using a sharpened wire nail, and slide the spindle through until it sticks out about a quarter of an inch. The easiest way to solder the disc to the spindle is with a blowpipe or a small blowtorch.
The Boiler.—In the centre of the boiler make a dent, to act as bottom bearing for the spindle. From this centre describe a circle of 5/8-inch radius. On this circle must be made the steam port or ports. Two ports, at opposite ends of a diameter, give better results than a single port, as equalizing the pressure on the vanes, so that the spindle is relieved of bending strains. Their combined area must not, however, exceed that of the single port, if one only be used. It is important to keep in mind that for a turbine of this kind velocity of steam is everything, and that nothing is gained by increasing the number or size of ports if it causes a fall in the boiler pressure.
The Boiler.—In the center of the boiler, create a dent to serve as a bottom bearing for the spindle. From this center, draw a circle with a radius of 5/8 inch. The steam port or ports should be made on this circle. Two ports, placed at opposite ends of a diameter, produce better results than a single port, as they help equalize the pressure on the vanes, relieving the spindle of bending stresses. However, their combined area should not exceed that of a single port if only one is used. It's crucial to remember that for a turbine like this, steam velocity is everything, and increasing the number or size of ports won't be beneficial if it leads to a decrease in boiler pressure.
The holes are best made with a tiny Morse twist drill. As the metal is thin, drill squarely, so that the steam shall emerge vertically.
The holes are best made with a small Morse twist drill. Since the metal is thin, drill straight so that the steam comes out vertically.
For the upper bearing bend a piece of tin into the shape shown in Fig. 67. The vertical parts should be as nearly as possible of the same length as the spindle. In the centre of the underside of the standard make a deep dent, supporting the metal on hard wood or lead, so that it shall not be pierced. If this accident occurs the piece is useless.
For the upper bearing, bend a piece of tin into the shape shown in Fig. 67. The vertical parts should be about the same length as the spindle. In the center of the underside of the standard, create a deep dent, supporting the metal on hard wood or lead, so it won’t get pierced. If this happens, the piece is useless.
Place the wheel in position, the longer part of the spindle upwards, and move the standard about until the spindle is vertical in all directions. Scratch round the feet of the standard to mark their exact position, and solder the standard to the boiler. The top of the standard must now be bent slightly upwards or downwards until the spindle is held securely without being pinched.
Place the wheel in position, with the longer part of the spindle facing up, and adjust the stand until the spindle is vertical in all directions. Mark around the feet of the stand to indicate their exact position, and then solder the stand to the boiler. The top of the stand should now be bent slightly up or down until the spindle is securely held without being pinched.
A 3/16-inch brass nut and screw, the first soldered to the boiler round a hole of the same size as its internal diameter, make a convenient “filler;” but a plain hole plugged with a tapered piece of wood, such as the end of a penholder, will serve.
A 3/16-inch brass nut and screw, with the nut soldered to the boiler around a hole that's the same size as its internal diameter, make a handy "filler;" however, a simple hole can be plugged with a tapered piece of wood, like the end of a penholder, and that works too.
Half fill the boiler by immersion in hot water, the large hole being kept lowermost, and one of the steam vents above water to allow the air to escape.
Fill the boiler halfway by immersing it in hot water, keeping the large hole at the bottom, and ensuring one of the steam vents is above the water to let the air escape.
A spirit lamp supplies the necessary heat. Or the boiler may be held in a wire cradle over the fire, near enough to make the wheel hum. Be careful not to over-drive the boiler. As a wooden plug will probably be driven out before the pressure can become dangerous, this is a point in favour of using one. Corrosion of the boiler will be lessened if the boiler is kept quite full of water when not in use.
A spirit lamp provides the heat you need. Alternatively, you can hold the boiler in a wire cradle over the fire, close enough to make the wheel hum. Just be careful not to push the boiler too hard. A wooden plug will likely pop out before the pressure becomes dangerous, which is a good reason to use one. To reduce corrosion, keep the boiler completely full of water when it's not in use.
A Practical Steam Turbine.
A Practical Steam Turbine.
The next step takes us to the construction of a small turbine capable of doing some useful work. It is shown in cross section and elevation in Fig. 69.
The next step takes us to building a small turbine that can perform useful work. It's shown in cross-section and elevation in Fig. 69.
[Illustration: FIG. 69.—Model steam turbine, showing vertical cross section (left) and external steam pipe (right).]
[Illustration: FIG. 69.—Model steam turbine, showing vertical cross section (left) and external steam pipe (right).]
The rotor in this instance is enclosed in a case made up of two stout brass discs, D and E, and a 3/4-inch length of brass tubing. The plates should be 1/2-inch larger in diameter than the ring, if the bolts are to go outside. The stouter the parts, within reason, the better. Thick discs are not so liable to cockle as thin ones, and a stout ring will make it possible to get steam-tight joints with brown-paper packing.
The rotor in this case is surrounded by a casing made of two sturdy brass discs, D and E, and a 3/4-inch length of brass tubing. The plates should be 1/2-inch larger in diameter than the ring if the bolts are placed on the outside. The thicker the components, within reason, the better. Thick discs are less likely to warp than thin ones, and a sturdy ring will allow for steam-tight joints using brown-paper packing.
The wheel is a disc of brass, say, 1/25 inch thick and 4 inches in diameter; the spindle is 3/16 inch, of silver steel rod; the bearings, brass tubing, making a close fit on the rod.
The wheel is a brass disc, about 1/25 inch thick and 4 inches in diameter; the spindle is 3/16 inch, made of silver steel rod; the bearings are brass tubing, which fits closely on the rod.
If you cannot get the ring ends turned up true in a lathe—a matter of but a few minutes’ work—rub them down on a piece of emery cloth supported on a true surface, such as a piece of thick glass.
If you can't get the ends of the ring aligned properly in a lathe—a task that only takes a few minutes—sand them down on a piece of emery cloth that’s laid on a flat surface, like a thick piece of glass.
Now mark out accurately the centres of the discs on both sides, and make marks to show which face of each disc is to be outside.
Now carefully mark the centers of the discs on both sides and make marks to indicate which side of each disc should be facing out.
On the outside of both scribe circles of the size of the bearing tubes, and other circles at the proper radius for the bolt hole centres.
On the outside of both scribe circles the size of the bearing tubes, and other circles at the correct radius for the bolt hole centers.
On the outside of D scribe two circles of 2-inch and 1-11/16-inch radius, between which the steam pipe will lie.
On the outside of D, draw two circles with radii of 2 inches and 1-11/16 inches, between which the steam pipe will be placed.
On the inside of D scribe a circle of 1-27/32-inch radius for the steam ports.
On the inside of D, draw a circle with a radius of 1-27/32 inches for the steam ports.
On the outside of E mark a 7/8-inch circle for the exhaust pipe.
On the outside of E, mark a 7/8-inch circle for the exhaust pipe.
On the inside of both mark the circles between which the ring must lie.
On the inside of both, mark the circles where the ring should be positioned.
Bolt Holes.—The marks for these, six or twelve in number, are equally spaced on the outside of one plate, and the two plates are clamped or soldered together before the boring is done, to ensure the holes being in line. If the bolts are to screw into one plate, be careful to make the holes of the tapping size in the first instance, and to enlarge those in D afterwards. Make guide marks in the plates before separating, between what will be the uppermost holes and the circumference.
Bolt Holes.—The marks for these, whether six or twelve, are evenly spaced on the outside of one plate, and the two plates are clamped or soldered together before boring to ensure the holes are aligned. If the bolts are meant to screw into one plate, make sure to initially create the holes at the tapping size, and then enlarge those in D afterward. Make guide marks on the plates before separating them, indicating where the uppermost holes will be in relation to the circumference.
Bolts.—These should be of brass if passed inside the ring. Nuts are not necessary if E is tapped, but their addition will give a smarter appearance and prevent-the bolts becoming loose.
Bolts.—These should be made of brass if they go inside the ring. Nuts aren't necessary if E is tapped, but adding them will look nicer and keep the bolts from loosening.
Bearings.—Bore central holes in the discs to a good fit for the bearings, and prepare the hole for the exhaust pipe. This hole is most easily made by drilling a ring of small holes just inside the mark and cutting through the intervening metal.
Bearings.—Drill central holes in the discs to fit the bearings well, and prepare the hole for the exhaust pipe. The easiest way to create this hole is by drilling a ring of small holes just inside the mark and cutting through the metal in between.
For A, B, and C cut off pieces of bearing pipe, 1/2, 1/4, and 3/4 inch long respectively, and bevel the ends of B and C as shown, to minimize friction if they rub. File all other ends square. (Lathe useful here.)
For A, B, and C, cut sections of bearing pipe that are 1/2, 1/4, and 3/4 inch long, respectively, and bevel the ends of B and C as shown to reduce friction if they rub against each other. File all other ends square. (A lathe is useful here.)
Bore oil holes in B and C, and clear away all the “burr.” Make scratches on the bearings to show how far they should be pushed through the case.
Bore oil holes in B and C, and clear away all the “burr.” Make scratches on the bearings to indicate how far they should be pushed through the case.
Now assemble the case, taking care that the edge of the ring corresponds exactly with the circles marked on the discs, and clean the metal round the bearing holes and the bearings themselves. The last are then placed in position, with the lubricating holes pointing upwards towards the guide marks on the discs. Push the spindle rod through the bearings, which must be adjusted until the rod can be revolved easily with the fingers. Then solder in the bearing with a “Tinol” lamp.
Now put together the case, making sure that the edge of the ring lines up perfectly with the circles marked on the discs, and clean the metal around the bearing holes and the bearings themselves. Then, place the bearings in position, with the lubricating holes facing up towards the guide marks on the discs. Slide the spindle rod through the bearings, adjusting them until the rod can be easily turned with your fingers. Finally, solder the bearing in using a “Tinol” lamp.
The Wheel.—Anneal this well by heating to a dull red and plunging it in cold water. Mark a circle of 1-1/4-inch radius, and draw radial lines 1/4 inch apart at the circumference from this circle to the edge. Cut out along the lines, and twist the vanes to make an angle of about 60 degree with the central part, and bend the ends slightly backward away from the direction in which the rotor will revolve. (The directions given on p. 189 for making a steam top wheel can be applied here.)
The Wheel.—Heat this until it's a dull red and then quickly cool it in cold water. Draw a circle with a 1-1/4-inch radius and mark radial lines 1/4 inch apart from the edge of the circle out to the edge. Cut along these lines and twist the blades to form an angle of about 60 degrees with the center piece, bending the tips slightly backward away from the direction the rotor will spin. (You can follow the instructions on p. 189 for making a steam top wheel here.)
Bore a hole in the centre to make a tight fit with the spindle, and place the rotor in position, with piece B in contact on the C side. Get everything square (rotation will betray a bad wobble), and solder the three parts together with the blow-lamp.
Drill a hole in the center to create a snug fit with the spindle, and place the rotor in position, with piece B touching the C side. Make sure everything is aligned (if it's not, it will wobble when it spins), and solder the three parts together using a blowtorch.
Mount the rotor squarely by the spindle points between two pieces of wood held lightly in the vice, and, with the aid of a gauge fixed to the piece nearest the wheel, true up the line of the vanes. (Lathe useful here.)
Mount the rotor evenly by the spindle points between two pieces of wood held gently in the vise, and, using a gauge attached to the piece closest to the wheel, align the vanes accurately. (A lathe is helpful here.)
The Steam Pipe is 15 inches (or more) of 5/16-inch copper tubing, well annealed. To assist the bending of it into a ring one needs some circular object of the same diameter as the interior diameter of the ring round which to curve it. I procured a tooth-powder box of the right size, and nailed it firmly to a piece of board. Then I bevelled off the end of the pipe to the approximately correct angle, laid it against the box, and drove in a nail to keep it tight up. Bending was then an easy matter, a nail driven in here and there holding the pipe until the ring was complete. I then soldered the end to the standing part, and detached the ring for flattening on one side with a file and emery cloth. This done, I bored a hole through the tube at F to open up the blind end of the ring.
The steam pipe is 15 inches (or more) of 5/16-inch copper tubing, properly annealed. To help bend it into a ring, you need a circular object that matches the inner diameter of the ring you want to shape. I found a tooth powder box that was the right size and nailed it securely to a piece of wood. Then, I beveled the end of the pipe to the right angle, positioned it against the box, and hammered in a nail to keep it snug. Bending it was straightforward after that, with nails driven in here and there to hold the pipe until the ring was complete. I then soldered the end to the part that was still attached, removed the ring, and flattened one side with a file and emery cloth. After that, I drilled a hole through the tube at F to open up the blind end of the ring.
Attaching the ring to disc D is effected as follows:—Tin the contact faces of the ring and disc pretty heavily with solder, after making poppet marks round the guide circles so that they may not be lost under the solder. The ring must be pressed tightly against its seat while heating is done with the lamp. An extra pair of hands makes things easier at this point. Be careful not to unsolder the spindle bearing, a thing which cannot happen if the bearing is kept cool by an occasional drop or two of water. A little extra solder should be applied round the points where the ports will be.
Attaching the ring to disc D is done as follows: Tin the contact surfaces of the ring and disc generously with solder, after making poppet marks around the guide circles so they aren't lost under the solder. The ring must be pressed tightly against its seat while heating it with the lamp. Having an extra pair of hands makes this easier. Be careful not to unsolder the spindle bearing; this won't happen if the bearing stays cool with an occasional drop or two of water. A bit of extra solder should be applied around the areas where the ports will be.
The Steam Ports.—These are drilled (with a 1/32-inch twist drill), at an angle of about 30 degrees to the plate, along the circle already scribed. If you have any doubt as to your boiler’s capacity, begin with one hole only, and add a second if you think it advisable. As already remarked, pressure must not be sacrificed to steam flow.
The Steam Ports.—These are drilled (with a 1/32-inch twist drill) at an angle of about 30 degrees to the plate, following the circle previously marked. If you’re unsure about your boiler’s capacity, start with one hole and add a second if you think it's necessary. As mentioned before, pressure should not be compromised for steam flow.
Lubricators.—These are short pieces of tubing hollowed at one end by a round file of the same diameter as the bearings. A little “Tinol” is smeared over the surfaces to be joined, and the lubricators are placed in position and heated with the blow-lamp until the solder runs. To prevent the oil flowing too freely, the lubricators should be provided with airtight wooden plugs.
Lubricators.—These are short tubes that are hollowed out at one end using a round file that matches the diameter of the bearings. A bit of “Tinol” is applied to the surfaces that need to be joined, and the lubricators are positioned and heated with a blowtorch until the solder melts. To stop the oil from leaking out too easily, the lubricators should have airtight wooden plugs.
Escape Pipes.—The pipe for the exhaust steam is now soldered into disc E, and a small water escape into the ring at its lowest point. This pipe should be connected with a closed chamber or with the exhaust at a point lower than the base of the turbine case.
Escape Pipes.—The pipe for the exhaust steam is now soldered into disc E, and there is a small water escape into the ring at its lowest point. This pipe should be connected to a sealed chamber or to the exhaust at a point lower than the base of the turbine case.
Stirrup.—Fig. 69 shows a stirrup carrying a screw which presses against the pulley end of the spindle. This attachment makes it easy to adjust the distance between the rotor and the steam ports, and also concentrates all end thrust on to a point, thereby minimizing friction. The stirrup can be fashioned in a few minutes out of brass strip. Drill the holes for the holding-on screws; drill and tap a hole for the adjusting screw; insert the screw and centre it correctly on the spindle point. Then mark the position of the two screw holes in E; drill and tap them.
Stirrup.—Fig. 69 shows a stirrup with a screw that presses against the pulley end of the spindle. This attachment makes it simple to adjust the distance between the rotor and the steam ports, while also concentrating all end thrust on a single point, reducing friction. You can make the stirrup in just a few minutes from a brass strip. First, drill holes for the holding screws; then drill and tap a hole for the adjusting screw; insert the screw and center it correctly on the spindle point. After that, mark the position of the two screw holes in E; drill and tap those holes.
Feet are made of sheet brass, drilled to take the three (or two) lowermost bolts, and bent to shape. Note.—A side and foot may be cut out of one piece of metal. The difficulty is that the bending may distort the side, and prevent a tight joint between side and ring.
Feet are made of sheet brass, drilled to accommodate the three (or two) lowest bolts, and shaped accordingly. Note — A side and foot can be cut from a single piece of metal. The challenge is that bending may distort the side and prevent a snug fit between the side and the ring.
Assembling.—Cut out two rings of stout brown paper a quarter of an inch wide and slightly larger in diameter than the casing ring. In assembling the turbine finally, these, after being soaked in oil, should be inserted between the ring and the discs. Put in four screws only at first, and get the ring properly centred and the bearings exactly in line, which will be shown by the spindle revolving easily. Then tighten up the nuts and insert the other bolts, the three lowest of which are passed through the feet. Affix the pulley and stirrup, and adjust the spindle longitudinally until the rotor just does not rub the casing. The soldering on of the cap of A completes operations.
Assembling.—Cut out two rings of sturdy brown paper that are a quarter of an inch wide and slightly larger in diameter than the casing ring. When you finally put the turbine together, soak these in oil and insert them between the ring and the discs. Start by putting in only four screws, making sure the ring is properly centered and the bearings are perfectly aligned, which will be indicated by the spindle spinning easily. Then tighten the nuts and insert the other bolts, with the three lowest going through the feet. Attach the pulley and stirrup, and adjust the spindle back and forth until the rotor barely avoids touching the casing. Soldering on the cap of A completes the assembly.
To get efficiency, heavy gearing down is needed, and this can be managed easily enough with the help of a clockwork train, decreasing the speed five or more times for driving a dynamo, and much more still for slow work, such as pumping.
To achieve efficiency, significant gear reduction is necessary, and this can be easily handled with a clockwork train, reducing the speed by five times or more for operating a dynamo, and even more for slower tasks like pumping.
A More Elaborate Turbine.
An Advanced Turbine.
[Illustration: FIG. 70.—Vertical section of steam turbine with formed blades (left); outside view of turbine, gear side (right).]
[Illustration: FIG. 70.—Vertical section of steam turbine with molded blades (left); exterior view of turbine, gear side (right).]
The turbine just described can hardly be termed an efficient one, as the vanes, owing to their simple formation, are not shaped to give good results. We therefore offer to our readers a design for a small turbine of a superior character. This turbine is shown in elevation and section in Fig. 70. The casing is, as in the preceding instance, made up of flat brass plates and a ring of tubing, and the bearings, BG1, BG2, of brass tube. But the wheel is built up of a disc 3 inches in diameter, round the circumference of which are 32 equally-spaced buckets, blades, or vanes, projecting 5/8 inch beyond the edge of the disc. The wheel as a whole is mounted on a spindle 3-1/8 inches long, to which it is secured by three nuts, N1 N2 N3. One end of the spindle is fined down to take a small pinion, P1, meshing with a large pinion, P2, the latter running in bearings, BG3, in the wheel-case and cover. The drive of the turbine is transmitted either direct from the axle of P2 or from a pulley mounted on it.
The turbine described isn't very efficient because the vanes, due to their simple design, aren't shaped to produce good results. Therefore, we present our readers with a design for a small, high-quality turbine. This turbine is illustrated in elevation and section in Fig. 70. The casing is made from flat brass plates and a ring of tubing, just like the previous example, and the bearings, BG1, BG2, are made from brass tubes. The wheel consists of a disc 3 inches in diameter, with 32 evenly spaced buckets, blades, or vanes around the edge, extending 5/8 inch beyond the disc's edge. The wheel is mounted on a spindle that is 3-1/8 inches long, secured by three nuts, N1, N2, N3. One end of the spindle is tapered to fit a small pinion, P1, which meshes with a larger pinion, P2. The latter is supported by bearings, BG3, in the wheel case and cover. The turbine's power is transmitted either directly from the axle of P2 or from a pulley attached to it.
CONSTRUCTION.
[Illustration: FIG. 71.—Plate marked out for turbine wheel blades. B is blade as it appears before being curved.]
[Illustration: FIG. 71.—Plate marked out for turbine wheel blades. B is blade as it looks before being curved.]
The Wheel.—If you do not possess a lathe, the preparation of the spindle and mounting the wheel disc on it should be entrusted to a mechanic. Its diameter at the bearings should be 5/32 inch or thereabouts. (Get the tubing for the bearings and for the spindle turned to fit.) The larger portion is about twice as thick as the smaller, to allow room for the screw threads. The right-hand end is turned down quite small for the pinion, which should be of driving fit.
The Wheel.—If you don't have a lathe, you should let a mechanic handle the preparation of the spindle and the installation of the wheel disc on it. Its diameter at the bearings should be around 5/32 inch. (Make sure to have the tubing for the bearings and the spindle shaped to fit.) The larger portion is about twice as thick as the smaller one to accommodate the screw threads. The right-hand end is turned down quite small for the pinion, which should fit tightly.
The Blades.—Mark out a piece of sheet iron as shown in Fig. 71 to form 32 rectangles, 1 by l/2 inch. The metal is divided along the lines aaaa, bbbb, and ab, ab, ab, ab, etc. The piece for each blade then has a central slot 5/16 inch long and as wide as the wheel disc cut very carefully in it.
The Blades.—Draw a piece of sheet metal as shown in Fig. 71 to create 32 rectangles, each measuring 1 by 1/2 inch. The metal is divided along the lines aaaa, bbbb, and ab, ab, ab, ab, etc. Each piece for the blade should then have a central slot that measures 5/16 inch long and is as wide as the wheel disc, cut very carefully.
Bending the Blades.—In the edge of a piece of hard wood 1 inch thick file a notch 3/8 inch wide and 1/8 inch deep with a 1/2-inch circular file, and procure a metal bar which fits the groove loosely. Each blade is laid in turn over the groove, and the bar is applied lengthwise on it and driven down with a mallet, to give the blade the curvature of the groove. When all the blades have been made and shaped, draw 16 diameters through the centre of the wheel disc, and at the 32 ends make nicks 1/16 inch deep in the circumference.
Bending the Blades.—In the edge of a piece of hard wood 1 inch thick, file a notch that is 3/8 inch wide and 1/8 inch deep using a 1/2-inch circular file, and get a metal bar that fits loosely in the groove. Lay each blade in turn over the groove, place the bar lengthwise on it, and hit it down with a mallet to shape the blade to the curvature of the groove. Once all the blades are shaped, draw 16 diameters through the center of the wheel disc, and make nicks that are 1/16 inch deep at the 32 ends around the circumference.
True up the long edges of the blades with a file, and bring them off to a sharp edge, removing the metal from the convex side.
File the long edges of the blades to make them even, and sharpen them by removing metal from the rounded side.
Fixing the Blades.—Select a piece of wood as thick as half the width of a finished blade, less half the thickness of the wheel disc. Cut out a circle of this wood 2 inches in diameter, and bore a hole at the centre. The wheel disc is then screwed to a perfectly flat board or plate, the wooden disc being used as a spacer between them.
Fixing the Blades.—Choose a piece of wood that is half the thickness of a finished blade, minus half the thickness of the wheel disc. Cut out a circle from this wood that is 2 inches in diameter, and drill a hole in the center. The wheel disc is then attached to a completely flat board or plate, with the wooden disc acting as a spacer between them.
Slip a blade into place on the disc, easing the central slit, if necessary, to allow the near edge to lie in contact with the board—that is parallel to the disc. Solder on the blade, using the minimum of solder needed to make a good joint. When all the blades are fixed, you will have a wheel with the blades quite true on one side. It is, therefore, important to consider, before commencing work, in which direction the concave side of the blades should be, so that when the wheel is mounted it shall face the nozzle.
Slide a blade into position on the disc, adjusting the central slit if needed to ensure the near edge is in contact with the board, which should be parallel to the disc. Solder the blade in place, using just enough solder to create a strong joint. Once all the blades are secured, you'll have a wheel with the blades aligned on one side. It's crucial to decide before you start working which direction the concave side of the blades should face so that when the wheel is mounted, it points towards the nozzle.
To make this point clear: the direction of the nozzle having been decided, the buckets on the trued side must in turn present their concave sides to the nozzle. In Fig. 70 the nozzle points downwards, and the left side of the wheel has to be trued. Therefore B1 has its convex, B2 its concave, side facing the reader, as it were.
To make this point clear: with the nozzle direction set, the buckets on the adjusted side must show their concave sides to the nozzle. In Fig. 70, the nozzle is pointing down, and the left side of the wheel needs to be adjusted. Therefore, B1 has its convex side facing the reader, while B2 has its concave side facing the reader, so to speak.
The Nozzle is a 1-1/2 inch piece of brass bar. Drill a 1/20-inch hole through the centre. On the outside end, enlarge this hole to 1/8 inch to a depth of 1/8 inch. The nozzle end is bevelled off to an angle of 20 degrees, and a broach is inserted to give the steam port a conical section, as shown in Fig. 72, so that the steam may expand and gain velocity as it approaches the blades. Care must be taken not to allow the broach to enter far enough to enlarge the throat of the nozzle to more than 1/20 inch.
The nozzle is a 1.5-inch piece of brass bar. Drill a 0.05-inch hole through the center. On the outer end, widen this hole to 0.125 inches to a depth of 0.125 inches. The nozzle end is beveled at a 20-degree angle, and a broach is inserted to create a conical section for the steam port, as shown in Fig. 72, so that the steam can expand and gain speed as it gets closer to the blades. Make sure not to let the broach go in too deep, so the throat of the nozzle doesn't widen to more than 0.05 inches.
[Illustration: FIG. 72.—Nozzle of turbine, showing its position relatively to buckets.]
[Illustration: FIG. 72.—Nozzle of turbine, showing its position relative to buckets.]
Fixing the Nozzle.—The centre of the nozzle discharge opening is 1-13/16-inches from the centre of the wheel. The nozzle must make an angle of 20 degrees with the side of the casing, through which it projects far enough to all but touch the nearer edges of the vanes. (Fig. 72.) The wheel can then be adjusted, by means of the spindle nuts, to the nozzle more conveniently than the nozzle to the wheel. To get the hole in the casing correctly situated and sloped, begin by boring a hole straight through, 1/4 inch away laterally from where the steam discharge hole will be, centre to centre, and then work the walls of the hole to the proper angle with a circular file of the same diameter as the nozzle piece, which is then sweated in with solder. It is, of course, an easy matter to fix the nozzle at the proper angle to a thin plate, which can be screwed on to the outside of the casing, and this method has the advantage of giving easy detachment for alteration or replacement.
Fixing the Nozzle.—The center of the nozzle discharge opening is 1-13/16 inches from the center of the wheel. The nozzle should be angled at 20 degrees with the side of the casing, extending far enough to almost touch the closest edges of the vanes. (Fig. 72.) It's easier to adjust the wheel using the spindle nuts to align with the nozzle than to adjust the nozzle to fit the wheel. To ensure the hole in the casing is positioned and angled correctly, start by drilling a hole straight through, 1/4 inch away from where the steam discharge hole will be, center to center. Then use a circular file the same diameter as the nozzle piece to shape the walls of the hole to the correct angle before securing the nozzle in place with solder. It's also straightforward to attach the nozzle at the right angle to a thin plate, which can be screwed onto the outside of the casing, making it easier to remove for adjustments or replacements.
Balancing the Wheel.—As the wheel will revolve at very high speed, it should be balanced as accurately as possible. A simple method of testing is to rest the ends of the spindle on two carefully levelled straight edges. If the wheel persists in rolling till it takes up a certain position, lighten the lower part of the wheel by scraping off solder, or by cutting away bits of the vanes below the circumference of the disc, or by drilling holes in the disc itself.
Balancing the Wheel.—Since the wheel will spin at very high speeds, it should be balanced as accurately as possible. A straightforward way to test this is to place the ends of the spindle on two carefully leveled straight edges. If the wheel continues to roll until it settles into a certain position, lighten the lower part of the wheel by scraping off solder, cutting away parts of the vanes below the edge of the disc, or drilling holes in the disc itself.
Securing the Wheel.—When the wheel has been finally adjusted relatively to the nozzle, tighten up all the spindle nuts hard, and drill a hole for a pin through them and the disc parallel to the spindle, and another through N3 and the spindle. (Fig. 70.)
Securing the Wheel.—Once the wheel is properly adjusted in relation to the nozzle, tighten all the spindle nuts firmly, and drill a hole for a pin through them and the disc parallel to the spindle, and another through N3 and the spindle. (Fig. 70.)
Gearing.—The gear wheels should be of good width, not less than 3/16 inch, and the smaller of steel, to withstand prolonged wear. Constant lubrication is needed, and to this end the cover should make an oil-tight fit with the casing, so that the bottom of the big pinion may run in oil. To prevent overfilling, make a plug-hole at the limit level, and fit a draw-off cock in the bottom of the cover. If oil ducts are bored in the bearing inside the cover, the splashed oil will lubricate the big pinion spindle automatically.
Gearing.—The gear wheels should be adequately wide, at least 3/16 inch, and the smaller ones should be made of steel to endure long-term wear. Regular lubrication is essential, so the cover should create an oil-tight seal with the casing, allowing the bottom of the big pinion to run in oil. To avoid overfilling, include a plug-hole at the maximum level and install a drain valve at the bottom of the cover. If oil channels are drilled into the bearing inside the cover, the splashed oil will automatically lubricate the big pinion spindle.
[Illustration: FIG. 73.—Perspective view of completed turbine.]
[Illustration: FIG. 73.—Perspective view of completed turbine.]
General—The sides of the casing are held against the drum by six screw bolts on the outside of the drum. The bottom of the sides is flattened as shown (Fig. 70), and the supports, S1 S2, made of such a length that when they are screwed down the flattened part is pressed hard against the bed. The oil box on top of the casing has a pad of cotton wool at the bottom to regulate the flow of oil to the bearings. Fit a drain pipe to the bottom of the wheel-case.
General—The sides of the casing are secured to the drum by six external screw bolts. The bottom edges are flattened as shown (Fig. 70), and the supports, S1 S2, are designed to press the flattened area tightly against the bed when they’re screwed down. The oil box on top of the casing contains a cotton wool pad at the bottom to control the oil flow to the bearings. Install a drain pipe at the bottom of the wheel case.
Testing.—If your boiler will make steam above its working pressure faster than the turbine can use it, the nozzle may be enlarged with a broach until it passes all the steam that can be raised; or a second nozzle may be fitted on the other end of the diameter on which the first lies. This second nozzle should have a separate valve, so that it can be shut off.
Testing.—If your boiler can produce steam above its working pressure faster than the turbine can use it, you can enlarge the nozzle with a broach until it can pass all the steam that can be generated; or you can add a second nozzle at the opposite end of the diameter of the first one. This second nozzle should have its own valve so that it can be closed off.
XVII.
STEAM TOPS.
A very interesting and novel application of the steam turbine principle is to substitute for a wheel running in fixed bearings a “free” wheel pivoted on a vertical spindle, the point of which takes the weight, so that the turbine becomes a top which can be kept spinning as long as the steam supply lasts.
A really interesting and new way to use the steam turbine principle is to replace a wheel that runs in fixed bearings with a “free” wheel mounted on a vertical spindle, where the spindle bears the weight. This setup allows the turbine to spin like a top for as long as the steam supply lasts.
These toys, for such they must be considered, are very easy to make, and are “warranted to give satisfaction” if the following instructions are carried out.
These toys, as they should be called, are super easy to make, and are "guaranteed to please" if you follow these instructions.
A Small Top.—Fig. 74 shows a small specimen, which is of the self-contained order, the boiler serving as support for the top.
A Small Top.—Fig. 74 shows a small example, which is of the self-contained type, with the boiler acting as support for the top.
[Illustration: FIG. 74.-Simplest form of steam top.] [1]
[Illustration: FIG. 74.-Simplest form of steam top.] [1]
[Footnote 1: Spirit lamp shown for heating boiler.]
[Footnote 1: Spirit lamp shown for heating the boiler.]
For the boiler use a piece of brass tubing 4 inches or so in diameter and 3 inches long. (The case of an old brass “drum” clock, which may be bought for a few pence at a watchmaker’s, serves very well if the small screw holes are soldered over.) The ends should be of brass or zinc, the one which will be uppermost being at least 1/16 inch thick. If you do not possess a lathe, lay the tube on the sheet metal, and with a very sharp steel point scratch round the angle between tube and plate on the inside. Cut out with cold chisel or shears to within 1/16 inch of the mark, and finish off carefully—testing by the tube now and then—to the mark. Make a dent with a centre punch in the centre of the top plate for the top to spin in.
For the boiler, use a piece of brass tubing that's about 4 inches in diameter and 3 inches long. (An old brass “drum” clock case, which can be bought for a few cents at a watchmaker's, works well if the small screw holes are soldered shut.) The ends should be made of brass or zinc, with the upper end being at least 1/16 inch thick. If you don't have a lathe, place the tube on the sheet metal, and using a very sharp steel point, scratch around the angle between the tube and the plate on the inside. Cut out with a cold chisel or shears to within 1/16 inch of the mark, and carefully finish it off—checking the fit with the tube from time to time—to the mark. Make a dent with a center punch in the center of the top plate for the top to spin in.
[Illustration: FIG. 75.—Wheel of steam top, ready for blades to be
bent.
A hole is drilled at the inner end of every slit to make bending easier.]
[Illustration: FIG. 75.—Wheel of steam top, ready for blades to be bent.
A hole is drilled at the inner end of each slit to make bending easier.]
Solder the plates into the tube, allowing an overlap of a quarter of an inch beyond the lower one, to help retain the heat.
Solder the plates into the tube, letting them overlap by a quarter of an inch below, to help keep the heat in.
The top wheel is cut out of a flat piece of sheet iron, zinc, or brass. Its diameter should be about 2-1/2 inches, the vanes 1/2 inch long and 1/4 inch wide at the circumference. Turn them over to make an angle of about 45 degrees with the spindle. They will be more easily bent and give better results if holes are drilled, as shown in Fig. 75.
The top wheel is made from a flat piece of sheet iron, zinc, or brass. It should be about 2.5 inches in diameter, with vanes that are 0.5 inches long and 0.25 inches wide at the edge. Flip them over to create an angle of about 45 degrees with the spindle. They will bend more easily and perform better if holes are drilled, as illustrated in Fig. 75.
The spindle is made out of a bit of steel or wire—a knitting-needle or wire-nail—not more than 1 inch in diameter and 1-1/2 inches long. The hole for this must be drilled quite centrally in the wheel; otherwise the top will be badly balanced, and vibrate at high speeds. For the same reason, the spindle requires to be accurately pointed.
The spindle is made from a piece of steel or wire—a knitting needle or wire nail—no more than 1 inch in diameter and 1-1/2 inches long. The hole for this needs to be drilled right in the center of the wheel; otherwise, the top will be poorly balanced and vibrate at high speeds. For the same reason, the spindle must be precisely pointed.
The steam ports are next drilled in the top of the boiler. Three of them should be equally spaced (120 degrees apart) on a circle of 1-inch radius drawn about the spindle poppet as centre. The holes must be as small as possible—1/40 to 1/50 inch—and inclined at an angle of not more than 45 degrees to the top plate. The best drills for the purpose are tiny Morse twists, sold at from 2d. to 3d. each, held in a pin vice rotated by the fingers. The points for drilling should be marked with a punch, to give the drills a hold. Commence drilling almost vertically, and as the drill enters tilt it gradually over till the correct angle is attained.
The steam ports should be drilled into the top of the boiler next. Three of them need to be spaced equally (120 degrees apart) along a circle with a 1-inch radius centered around the spindle poppet. The holes should be as small as possible—between 1/40 and 1/50 inch—and tilted at no more than a 45-degree angle to the top plate. Tiny Morse twist drills, priced between 2d. and 3d. each, work best for this task and should be held in a pin vice that you turn with your fingers. Mark the spots for drilling with a punch to give the drills a grip. Start drilling almost vertically, and as the drill goes in, gradually tilt it until you reach the correct angle.
If a little extra trouble is not objected to, a better job will be made of this operation if three little bits of brass, filed to a triangular section (Fig. 76 a), are soldered to the top plate at the proper places, so that the drilling can be done squarely to one face and a perfectly clear hole obtained. The one drawback to these additions is that the vanes of the turbine may strike them. As an alternative, patches may be soldered to the under side of the plate (Fig. 76, b) before it is joined to the barrel; this will give longer holes and a truer direction to the steam ports.
If you don't mind a little extra effort, this operation will be done better if three small pieces of brass, shaped into a triangle (Fig. 76 a), are soldered onto the top plate at the right spots, allowing for drilling to be squarely aligned with one face and creating a perfectly clear hole. The only downside to these additions is that the turbine's vanes might hit them. Alternatively, patches can be soldered to the underside of the plate (Fig. 76, b) before it is attached to the barrel; this will result in longer holes and a straighter path for the steam ports.
[Illustration: FIG. 76. Steam port details.]
[Illustration: FIG. 76. Steam port details.]
Note that it is important that the ports should be all of the same diameter and tangential to the circle on which they are placed, and all equally inclined to the plate. Differences in size or direction affect the running of the top.
Note that it's important for all the ports to be the same diameter and positioned tangentially to the circle they are on, and all should be equally inclined to the plate. Variations in size or direction can impact how the top runs.
Solder the spindle to the wheel in such a position that the vanes clear the boiler by an eighth of an inch or so. If tests show that the top runs quite vertically, the distance might be reduced to half, as the smaller it is the more effect will the steam jets have.
Solder the spindle to the wheel so that the vanes are about an eighth of an inch away from the boiler. If tests indicate that the top is running fairly vertically, you can reduce the distance to half, because the smaller it is, the more impact the steam jets will have.
A small brass filler should be affixed to the boiler halfway up. A filler with ground joints costs about 6d.
A small brass filler should be attached to the boiler halfway up. A filler with ground joints costs about 6d.
A wick spirit lamp will serve to raise steam. Solder to the boiler three legs of such a length as to give an inch clearance between the lamp wick and the boiler. If the wick is arranged to turn up and down, the speed of the top can be regulated.
A wick spirit lamp will be used to generate steam. Solder three legs to the boiler that are long enough to provide an inch of clearance between the lamp's wick and the boiler. If the wick is set up to move up and down, you can adjust the speed of the top.
A Large Top.—The top just described must be light, as the steam driving it is low-pressure, having free egress from the boiler, and small, as the steam has comparatively low velocity. The possessor of a high-pressure boiler may be inclined to make something rather more ambitious—larger, heavier, and useful for displaying spectrum discs, etc.
A Large Top.—The top mentioned needs to be lightweight since the steam driving it is low-pressure, allowing it to flow freely from the boiler, and it should be small because the steam has relatively low speed. Someone with a high-pressure boiler might want to create something a bit more ambitious—larger, heavier, and suitable for showcasing spectrum discs, etc.
The top shown in Fig. 77 is 3 inches in diameter, weighs 1 oz., and was cut out of sheet-zinc. It stands on a brass disc, round the circumference of which is soldered a ring of 5/32-inch copper tubing, furnished with a union for connection with a boiler.
The top shown in Fig. 77 is 3 inches wide, weighs 1 oz., and was made from sheet zinc. It sits on a brass disc, and around its edge, there's a ring of 5/32-inch copper tubing soldered in place, which has a union for connecting to a boiler.
[Illustration: FIG. 77.—-Large steam top and base.]
[Illustration: FIG. 77.—Large steam top and base.]
The copper tubing must be well annealed, so as to bend quite easily. Bevel off one end, and solder this to the plate. Bend a couple of inches to the curve of the plate, clamp it in position, and solder; and so on until the circle is completed, bringing the tube snugly against the bevelled end. A hole should now be drilled through the tube into this end—so that steam may enter the ring in both directions-and plugged externally.
The copper tubing needs to be properly annealed so it can bend easily. Angle one end and solder it to the plate. Bend a couple of inches to match the curve of the plate, clamp it in place, and solder; repeat this until the circle is complete, ensuring the tube fits tightly against the angled end. Now, drill a hole through the tube into this end—so steam can enter the ring from both sides—and seal it on the outside.
By preference, the ring should be below the plate, as this gives a greater thickness of metal for drilling, and also makes it easy to jacket the tube by sinking the plate into a wooden disc of somewhat greater diameter.
By preference, the ring should be below the plate, as this provides a greater thickness of metal for drilling and also makes it easy to shield the tube by sinking the plate into a wooden disc that’s slightly larger in diameter.
Under 50 lbs. of steam, a top of this kind attains a tremendous velocity. Also, it flings the condensed steam about so indiscriminately that a ring of zinc 3 inches high and 18 inches in diameter should be made wherewith to surround it while it is running.
Under 50 lbs. of steam, this type of top reaches an incredible speed. It also throws the condensed steam around so wildly that a ring of zinc 3 inches high and 18 inches in diameter should be made to encircle it while it’s running.
If a little bowl with edges turned over be accurately centred on the wheel, a demonstration of the effects of centrifugal force may be made with water, quicksilver, or shot, which fly up into the rim and disappear as the top attains high speed, and come into sight again when its velocity decreases to a certain figure. A perforated metal globe threaded on the spindle gives the familiar humming sound.
If a small bowl with its edges turned up is perfectly centered on the wheel, you can easily show how centrifugal force works using water, mercury, or small pellets, which will fly up to the rim and vanish as the top spins faster, only to reappear when its speed drops to a certain level. A perforated metal globe placed on the spindle produces the familiar humming sound.
A spectrum disc of the seven primary colours—violet, indigo, blue, green, yellow, orange, red—revolved by the top, will appear more or less white, the purity of which depends on the accuracy of the tints used.
A disc with the seven main colors—violet, indigo, blue, green, yellow, orange, red—spinning at the top will look more or less white, and the clarity of that white depends on how accurately the colors were mixed.
XVIII.
MODEL BOILERS.
A chapter devoted to the construction of model boilers may well open with a few cautionary words, as the dangers connected with steam-raisers are very real; and though model-boiler explosions are fortunately rare, if they do occur they may be extremely disastrous.
A chapter focused on building model boilers should probably start with some warnings, as the dangers associated with steam engines are very real; and while model boiler explosions are thankfully uncommon, when they do happen, they can be seriously destructive.
Therefore the following warnings:—
So, here are the warnings:—
(1.) Do not use tins or thin sheet iron for boilers. One cannot tell how far internal corrosion has gone. The scaling of 1/100 inch of metal off a “tin” is obviously vastly more serious than the same diminution in the thickness of, say, a 1/4-inch plate. Brass and copper are the metals to employ, as they do not deteriorate at all provided a proper water supply be maintained.
(1.) Don't use tin or thin sheet iron for boilers. It's hard to know how much internal corrosion has occurred. Losing 1/100 inch of metal from a “tin” is clearly much more critical than losing the same thickness from, say, a 1/4-inch plate. Brass and copper are the best choices because they won’t deteriorate as long as the water supply is maintained properly.
(2.) If in doubt, make the boiler much more solid than is needed, rather than run any risks.
(2.) If you’re unsure, make the boiler a lot sturdier than necessary instead of taking any chances.
(3.) Fit a steam gauge, so that you may know what is happening.
(3.) Install a steam gauge so you can monitor what's going on.
(4.) Test your boiler under steam, and don’t work it at more than half the pressure to which it has been tested. (See p. 220.)
(4.) Test your boiler while it's under steam, and don’t operate it at more than half the pressure it was tested at. (See p. 220.)
In the present chapter we will assume that the barrels of all the boilers described are made out of solid-drawn seamless copper tubing, which can be bought in all diameters up to 6 inches, and of any one of several thicknesses. Brass tubing is more easily soldered, but not so good to braze, and generally not so strong as copper, other things being equal. Solid-drawn tubing is more expensive than welded tubing or an equivalent amount of sheet metal, but is considerably stronger than the best riveted tube.
In this chapter, we’ll assume that the barrels of all the boilers described are made from solid-drawn seamless copper tubing, which is available in diameters up to 6 inches and various thicknesses. Brass tubing is easier to solder but not as good for brazing, and it’s generally not as strong as copper when compared under the same conditions. Solid-drawn tubing is pricier than welded tubing or an equal amount of sheet metal, but it’s significantly stronger than the best riveted tube.
Boiler ends may be purchased ready turned to size. Get stampings rather than castings, as the first are more homogeneous, and therefore can be somewhat lighter.
Boiler ends can be bought pre-cut to size. Choose stampings instead of castings, as stampings are more uniform and can be a bit lighter.
Flanging Boiler Ends.—To make a good job, a plate for an end should be screwed to a circular block of hard wood (oak or boxwood), having an outside diameter less than the inside diameter of the boiler barrel by twice the thickness of the metal of the end, and a rounded-off edge. The plate must be annealed by being heated to a dull red and dipped in cold water. The process must be repeated should the hammering make the copper stubborn.
Flanging Boiler Ends.—To do a good job, you should attach a plate for an end to a circular block of hard wood (like oak or boxwood) that has an outer diameter smaller than the inner diameter of the boiler barrel by twice the thickness of the metal for the end, with a rounded edge. The plate needs to be softened by heating it to a dull red and then dipping it in cold water. If hammering makes the copper tough, you’ll need to repeat this process.
Stays should be used liberally, and be screwed and nutted at the ends. As the cutting of the screw thread reduces the effective diameter, the strength of a stay is only that of the section at the bottom of the threads.
Stays should be used freely and secured with screws and nuts at the ends. Since cutting the screw thread reduces the effective diameter, the strength of a stay is only as strong as the section at the base of the threads.
Riveting.—Though stays will prevent the ends of the boiler blowing off, it is very advisable to rivet them through the flanges to the ends of the barrel, as this gives mutual support independently of soldering or brazing. Proper boiler rivets should be procured, and annealed before use. Make the rivet holes a good fit, and drill the two parts to be held together in one operation, to ensure the holes being in line. Rivets will not close properly if too long. Dies for closing the rivet heads may be bought for a few pence.
Riveting. — While stays will stop the ends of the boiler from blowing off, it's highly recommended to rivet them through the flanges to the ends of the barrel, as this provides independent support without relying on soldering or brazing. Proper boiler rivets should be obtained and annealed before use. Make sure the rivet holes fit well, and drill the two pieces to be joined in one go to ensure the holes are aligned. Rivets will not close correctly if they’re too long. Dies for shaping the rivet heads can be purchased for just a few cents.
Soldering, etc.—Joints not exposed directly to the furnace flames may be soldered with a solder melting not below 350 degrees Fahr. Surfaces to be riveted together should be “tinned” before riveting, to ensure the solder getting a good hold afterwards. The solder should be sweated right through the joint with a blow-lamp to make a satisfactory job.
Soldering, etc.—Joints that aren't directly exposed to the furnace flames can be soldered with a solder that melts at no lower than 350 degrees Fahrenheit. Surfaces that will be riveted together should be “tinned” before riveting to make sure the solder bonds well afterward. The solder should be heated all the way through the joint with a blowtorch to achieve a good result.
All joints exposed to the flames should be silver-soldered, and other joints as well if the working pressure is to exceed 50 lbs. to the square inch. Silver-soldering requires the use of a powerful blow—lamp or gas-jet; ordinary soft soldering bits and temperatures are ineffective. Brazing is better still, but should be done by an expert, who may be relied on not to burn the metal. It is somewhat risky to braze brass, which melts at a temperature not far above that required to fuse the spelter (brass solder). Getting the prepared parts of a boiler silver-soldered or brazed together is inexpensive, and is worth the money asked.
All joints exposed to flames should be silver-soldered, and other joints should be too if the working pressure is going to exceed 50 psi. Silver-soldering needs a strong blowtorch or gas jet; regular soft soldering tools and temperatures won't work. Brazing is even better but should be done by an expert who can be trusted not to damage the metal. Brazing brass can be tricky since it melts at a temperature not far above what it takes to fuse the brass solder. Getting the parts of a boiler silver-soldered or brazed together is affordable and definitely worth the cost.
[Illustration: FIG. 78.]
[Illustration: FIG. 78.]
Some Points in Design.
Design Highlights.
The efficiency of a boiler is governed chiefly (1) by the amount of heating surface exposed to the flames; (2) by the distribution of the heating surface; (3) by the amount of fuel which can be burnt in the furnace in a given time; (4) by avoiding wastage of heat.
The efficiency of a boiler is mainly determined by (1) the amount of heating surface that is exposed to the flames; (2) how the heating surface is distributed; (3) the amount of fuel that can be burned in the furnace within a certain time frame; (4) and by minimizing heat loss.
The simplest form of boiler, depicted in Fig. 78, is extremely inefficient because of its small heating surface. A great deal of the heat escapes round the sides and the ends of the boiler. Moreover, a good deal of the heat which passes into the water is radiated out again, as the boiler is exposed directly to the air.
The simplest type of boiler, shown in Fig. 78, is very inefficient due to its limited heating surface. A lot of heat escapes from the sides and ends of the boiler. Additionally, much of the heat that enters the water is radiated back out since the boiler is directly exposed to the air.
Fig. 79 shows a great improvement in design. The boiler is entirely enclosed, except at one end, so that the hot gases get right round the barrel, and the effective heating surface has been more than doubled by fitting a number of water-tubes, aaa, bbbb, which lie right in the flames, and absorb much heat which would otherwise escape. The tubes slope upwards from the chimney end, where the heat is less, to the fire-door end, where the heat is fiercer, and a good circulation is thus assured. The Babcock and Wilcox boiler is the highest development of this system, which has proved very successful, and may be recommended for model boilers of all sizes. The heating surface may be increased indefinitely by multiplying the number of tubes. If a solid fuel-coal, coke, charcoal, etc.-fire is used, the walls of the casing should be lined with asbestos or fire-clay to prevent the metal being burnt away.
Fig. 79 shows a significant improvement in design. The boiler is completely enclosed, except for one end, allowing hot gases to circulate around the barrel. The effective heating surface has more than doubled by adding several water tubes, aaa, bbbb, which sit directly in the flames and absorb a lot of heat that would otherwise be lost. The tubes slope upward from the chimney end, where the heat is lower, to the fire-door end, where the heat is more intense, ensuring good circulation. The Babcock and Wilcox boiler represents the pinnacle of this system, which has proven very effective and can be recommended for model boilers of all sizes. The heating surface can be increased indefinitely by adding more tubes. If a solid fuel—coal, coke, charcoal, etc.—is used, the casing walls should be lined with asbestos or fire-clay to prevent the metal from being damaged.
[Illustration: FIG. 79—Side and end elevations of a small water-tube boiler.]
[Illustration: FIG. 79—Side and end views of a small water-tube boiler.]
The horizontal boiler has an advantage over the vertical in that, for an equal diameter of barrel, it affords a larger water surface, and is, therefore, less subject to “priming,” which means the passing off of minute globules of water with the steam. This trouble, very likely to occur if the boiler has to run an engine too large for it, means a great loss of efficiency, but it may be partly cured by making the steam pass through coils exposed to the furnace gases on its way to the engine. This “superheating” evaporates the globules and dries the steam, besides raising its temperature. The small water-tube is preferable to the small fire-tube connecting furnace and chimney, as its surface is exposed more directly to the flames; also it increases, instead of decreasing, the total volume of water in the boiler.
The horizontal boiler has an advantage over the vertical one because, for the same barrel diameter, it provides a larger water surface. As a result, it’s less prone to “priming,” which is when tiny water droplets accompany the steam. This issue is likely to happen if the boiler is running an engine that’s too big for it, leading to a significant loss of efficiency. However, it can be partly resolved by routing the steam through coils that are exposed to the furnace gases on its way to the engine. This “superheating” process evaporates the droplets and dries the steam, while also increasing its temperature. The small water-tube is better than the small fire-tube connecting the furnace and chimney because its surface is more directly exposed to the flames. Additionally, it increases rather than decreases the total volume of water in the boiler.
A Vertical Boiler.
A vertical boiler.
[Illustration: FIG. 80.—Details of vertical boiler.]
[Illustration: FIG. 80.—Details of vertical boiler.]
The vertical boiler illustrated by Fig. 80 is easily made. The absence of a water jacket to the furnace is partly compensated by fitting six water-tubes in the bottom. As shown, the barrel is 8 inches long and 6 inches in outside diameter, and the central flue 1-1/2 inches across outside solid-drawn 1/16-inch tubing, flanged ends, and four 1/4-inch stays—disposed as indicated in Fig. 80 (a) and (b)—are used. The 5/16 or 3/8 inch water-tubes must be annealed and filled with lead or resin before being bent round wooden templates. After bending, run the resin or lead out by heating. The outflow end of each pipe should project half an inch or so further through the boiler bottom than the inflow end.
The vertical boiler shown in Fig. 80 is simple to construct. The lack of a water jacket around the furnace is somewhat offset by installing six water tubes at the bottom. As depicted, the barrel is 8 inches long and has an outside diameter of 6 inches, while the central flue is 1-1/2 inches across, made from solid-drawn 1/16-inch tubing with flanged ends. Four 1/4-inch stays are arranged as indicated in Fig. 80 (a) and (b). The 5/16 or 3/8 inch water tubes need to be annealed and filled with lead or resin before being bent around wooden templates. After bending, heat them to remove the resin or lead. The outflow end of each pipe should extend about half an inch further through the boiler bottom than the inflow end.
Mark out and drill the tube holes in the bottom, and then the flue hole, for which a series of small holes must be made close together inside the circumference and united with a fret saw. Work the hole out carefully till the flue, which should be slightly tapered at the end, can be driven through an eighth of an inch or so. The flue hole in the top should be made a good fit, full size.
Mark and drill the tube holes in the bottom, then create the flue hole. For this, you need to make a series of small holes close together along the circumference and connect them with a coping saw. Carefully work the hole out until the flue, which should be slightly tapered at the end, can fit through about an eighth of an inch or so. The flue hole at the top should be a perfect fit, full size.
Rivet a collar, x (Fig. 80, a), of strip brass 1/4 inch above the bottom of the flue to form a shoulder. Another collar, y (Fig. 80, c), is needed for the flue above the top plate. Put the ends and flue temporarily in place, mark off the position of y, and drill half a dozen 5/32-inch screw holes through y and the flue. Also drill screw holes to hold the collar to the boiler top.
Rivet a collar, x (Fig. 80, a), made of 1/4 inch strip brass above the bottom of the flue to create a shoulder. You’ll need another collar, y (Fig. 80, c), for the flue above the top plate. Place the ends and flue temporarily, mark the position of y, and drill about six 5/32-inch screw holes through y and the flue. Also, drill screw holes to secure the collar to the top of the boiler.
The steam-pipe is a circle of 5/16-inch copper tube, having one end closed, and a number of small holes bored in the upper side to collect the steam from many points at once. The other end is carried through the side of the boiler.
The steam pipe is a 5/16-inch copper tube shaped like a circle, with one end sealed off and several small holes drilled into the top side to gather steam from multiple points simultaneously. The other end extends through the side of the boiler.
[Illustration: FIG. 81.—Perspective view of horizontal boiler mounted on wooden base.]
[Illustration: FIG. 81.—Perspective view of a horizontal boiler mounted on a wooden base.]
Assembling.—The order of assembling is:—Rivet in the bottom; put the steam-pipe in place; rivet in the top; insert the flue, and screw collar y to the top; expand the bottom of the flue by hammering so that it cannot be withdrawn; insert the stays and screw them up tight; silver-solder both ends of the flue, the bottom ends of the stays, and the joint between bottom and barrel. The water-tubes are then inserted and silver-soldered, and one finishes by soft-soldering the boiler top to the barrel and fixing in the seatings for the water and steam gauges, safety-valve, mud-hole, filler, and pump-if the last is fitted.
Assembling.—The assembly order is as follows: Rivet the bottom; place the steam pipe in position; rivet the top; insert the flue, and screw the collar onto the top; hammer the bottom of the flue to expand it so that it can’t be removed; insert the stays and tighten them; silver-solder both ends of the flue, the bottom ends of the stays, and the joint between the bottom and the barrel. Next, insert and silver-solder the water tubes, and finish by soft-soldering the boiler top to the barrel and installing the fittings for the water and steam gauges, safety valve, mud hole, filler, and pump—if the pump is being installed.
The furnace is lined with a strip of stout sheet iron, 7 inches wide and 19-1/4 inches long, bent round the barrel, which it overlaps for an inch and a half. Several screws hold lining and barrel together. To promote efficiency, the furnace and boiler is jacketed with asbestos—or fire-clay round the furnace—secured by a thin outer cover. The enclosing is a somewhat troublesome business, but results in much better steaming power, especially in cold weather. Air-holes must be cut round the bottom of the lining to give good ventilation.
The furnace has a strong sheet iron lining that’s 7 inches wide and 19-1/4 inches long, wrapped around the barrel and overlapping by an inch and a half. Several screws attach the lining to the barrel. To improve efficiency, the furnace and boiler are insulated with asbestos—or fire-clay around the furnace—secured by a thin outer cover. This insulation can be a bit tricky to install, but it significantly boosts steaming power, especially in colder weather. Air holes need to be cut around the bottom of the lining to ensure proper ventilation.
A boiler of this size will keep a 1 by 1-1/2 inch cylinder well supplied with steam at from 30 to 40 lbs. per square inch.
A boiler this size will keep a 1 by 1-1/2 inch cylinder well supplied with steam at 30 to 40 psi.
A Horizontal Boiler.
A horizontal boiler.
[Illustration: FIG. 82.—Longitudinal section of large water-tube boiler.]
[Illustration: FIG. 82.—Longitudinal section of large water-tube boiler.]
The boiler illustrated by Fig. 81 is designed for heating with a large paraffin or petrol blow-lamp. It has considerably greater water capacity, heating surface—the furnace being entirely enclosed—and water surface than the boiler just described. The last at high-water level is about 60, and at low-water level 70, square inches.
The boiler shown in Fig. 81 is built for heating with a large paraffin or petrol blowtorch. It has a significantly larger water capacity and heating surface—the furnace is fully enclosed—and a greater water surface compared to the previously described boiler. The dimensions at high-water level are about 60 square inches, and at low-water level, they are 70 square inches.
The vertical section (Fig. 82) shows 1/16-inch barrel, 13 inches long over all and 12 inches long between the end plates, and 6 inches in diameter. The furnace flue is 2-1/2 inches across outside, and contains eleven 1/2-inch cross tubes, set as indicated by the end view (Fig. 83), and 3/4 inch apart, centre to centre. This arrangement gives a total heating surface of about 140 square inches. If somewhat smaller tubes are used and doubled (see Fig. 84), or even trebled, the heating surface may be increased to 180-200 square inches. With a powerful blow-lamp this boiler raises a lot of steam.
The vertical section (Fig. 82) shows a 1/16-inch barrel that's 13 inches long overall and 12 inches long between the end plates, with a diameter of 6 inches. The furnace flue is 2-1/2 inches wide on the outside and has eleven 1/2-inch cross tubes, arranged as shown in the end view (Fig. 83), with 3/4 inch spacing from center to center. This setup provides a total heating surface of about 140 square inches. If slightly smaller tubes are used and arranged in pairs (see Fig. 84), or even in triples, the heating surface can be increased to 180-200 square inches. With a powerful blowtorch, this boiler generates a significant amount of steam.
Tubing the Furnace Flue.—Before any of the holes are made, the lines on which the centres lie must be scored from end to end of the flue on the outside. The positions of these lines are quickly found as follows:—Cut out a strip of paper exactly as long as the circumference of the tube, and plot the centre lines on it. The paper is then applied to the tube again, and poppet marks made with a centre punch opposite to or through the marks on the paper. Drive a wire-nail through a piece of square wood and sharpen the point. Lay the flue on a flat surface, apply the end of the nail to one of the poppet marks, and draw it along the flue, which must be held quite firmly. When all the lines have been scored, the centring of the water tubes is a very easy matter.
Tubing the Furnace Flue.—Before making any holes, you need to score the lines for the centers from one end of the flue to the other on the outside. You can easily find where to place these lines by doing the following: Cut a strip of paper that’s exactly as long as the circumference of the tube, and mark the center lines on it. Then, place the paper back on the tube and use a center punch to create marks opposite or through the paper marks. Take a wire nail, drive it through a piece of square wood, and sharpen the tip. Lay the flue on a flat surface, position the end of the nail on one of the poppet marks, and drag it along the flue while holding it firmly. Once all the lines are scored, centering the water tubes becomes a straightforward task.
[Illustration: FIG. 83.-End of horizontal boiler, showing position of holes for stays and fittings.]
[Illustration: FIG. 83.-End of horizontal boiler, showing position of holes for stays and fittings.]
The two holes for any one tube should be bored independently, with a drill somewhat smaller than the tube, and be opened to a good fit with a reamer or broach passed through both holes to ensure their sides being in line. Taper the tubes—2-7/8 inches long each—slightly at one end, and make one of the holes a bit smaller than the other. The tapered end is passed first through the larger hole and driven home in the other, but not so violently as to distort the flue. If the tubes are made fast in this way, the subsequent silver-soldering will be all the easier.
The two holes for each tube should be drilled separately, using a drill that’s slightly smaller than the tube, and then adjusted for a proper fit with a reamer or broach passed through both holes to make sure the sides are aligned. Slightly taper the tubes—each 2-7/8 inches long—at one end, and make one hole a bit smaller than the other. The tapered end goes through the larger hole first and is pushed into the smaller one, but not so forcefully that it distorts the flue. If the tubes are secured this way, the silver soldering process will be much easier later on.
[Illustration: FIG. 84.—Doubled cross tubes In horizontal boiler flue.]
[Illustration: FIG. 84.—Doubled cross tubes in horizontal boiler flue.]
The Steam Dome.—The large holes—2 inches in diameter—required for the steam dome render it necessary to strengthen the barrel at this point. Cut out a circular plate of metal 4 inches across, make a central hole of the size of the steam dome, and bend the plate to the curve of the inside of the barrel. Tin the contact faces of the barrel and “patch” and draw them together with screws or rivets spaced as shown in Fig. 85, and sweat solder into the joint. To make it impossible for the steam dome to blowout, let it extend half an inch through the barrel, and pass a piece of 1/4-inch brass rod through it in contact with the barrel. The joint is secured with hard solder. Solder the top of the dome in 1/8 inch below the end of the tube, and burr the end over. The joint should be run again afterwards to ensure its being tight.
The Steam Dome.—The large holes—2 inches in diameter—needed for the steam dome require additional reinforcement of the barrel at this point. Cut out a circular metal plate that is 4 inches wide, create a center hole that matches the size of the steam dome, and shape the plate to fit the curve of the inside of the barrel. Tin the surfaces where the barrel and "patch" meet and join them together using screws or rivets placed as shown in Fig. 85, and apply solder to the joint. To prevent the steam dome from blowing out, let it extend half an inch into the barrel and insert a piece of 1/4-inch brass rod through it, making sure it touches the barrel. Secure the joint with hard solder. Solder the top of the dome to be 1/8 inch below the end of the tube, and flare the end over. The joint should be re-soldered later to ensure it's tight.
[Illustration: FIG. 85.—Showing how to mark out strengthening patch round steam dome hole.]
[Illustration: FIG. 85.—Illustrating how to outline a reinforcement patch around the steam dome hole.]
The positions of stays and gauges is shown in Fig. 83.
The positions of stays and gauges are shown in Fig. 83.
Chimney.—This should be an elbow of iron piping fitting the inside of the flue closely, made up of a 9-inch and a 4-inch part. The last slips into the end of the flue; the first may contain a coil for superheating the steam.
Chimney.—This should be a piece of iron piping that fits snugly inside the flue, made up of a 9-inch and a 4-inch section. The 4-inch part fits into the end of the flue; the 9-inch part can include a coil for superheating the steam.
A Multitubular Boiler.
A multi-tube boiler.
[Illustration: FIG. 86.—Cross section of multitubular boiler.]
[Illustration: FIG. 86.—Cross section of multitubular boiler.]
Figs. 86 and 87 are respectively end and side elevations of a multitubular boiler having over 600 square inches of heating surface—most of it contributed by the tubes—and intended for firing with solid fuel.
Figs. 86 and 87 are the end and side views of a multitubular boiler with over 600 square inches of heating surface—mostly from the tubes—and designed for solid fuel use.
The boiler has a main water-drum, A, 5 inches in diameter and 18 inches long, and two smaller water-drums, B and C, 2-1/2 by 18 inches, connected by two series of tubes, G and H, each set comprising 20 tubes. The H tubes are not exposed to the fire so directly as the G tubes, but as they enter the main drum at a higher point, the circulation is improved by uniting A to B and C at both ends by large 1-inch drawn tubes, F. In addition, B and C are connected by three 3/4-inch cross tubes, E, which prevent the small drums spreading, and further equalize the water supply. A 1-1/2-inch drum, D, is placed on the top of A to collect the steam at a good distance from the water.
The boiler has a main water-drum, A, that is 5 inches in diameter and 18 inches long, along with two smaller water-drums, B and C, each measuring 2-1/2 by 18 inches. These are connected by two sets of tubes, G and H, with each set consisting of 20 tubes. The H tubes aren't as directly exposed to the fire as the G tubes, but because they enter the main drum at a higher point, the circulation is improved by connecting A to B and C at both ends with large 1-inch drawn tubes, F. Additionally, B and C are linked by three 3/4-inch cross tubes, E, which help prevent the smaller drums from spreading and further balance the water supply. A 1-1/2-inch drum, D, is placed on top of A to gather the steam at a safe distance from the water.
Materials.—In addition to 1-1/2 feet of 5 by 3/32 inch solid-drawn tubing for the main, and 3 feet of 2-1/2 by 1/16 inch tubing for the lower drums, the boiler proper requires 22-1/2 feet of 1/2-inch tubing, 19 inches of 3/4-inch tubing, 2-1/4 feet of 1-inch tubing, 1 foot of 1-1/2-inch tubing, and ends of suitable size for the four drums.
Materials.—In addition to 1.5 feet of 5 by 3/32 inch solid-drawn tubing for the main part, and 3 feet of 2.5 by 1/16 inch tubing for the lower drums, the boiler itself requires 22.5 feet of 0.5-inch tubing, 19 inches of 0.75-inch tubing, 2.25 feet of 1-inch tubing, 1 foot of 1.5-inch tubing, and ends of appropriate size for the four drums.
[Illustration: FIG. 87.—Longitudinal section of multitubular boiler.]
[Illustration: FIG. 87.—Longitudinal section of multitubular boiler.]
CONSTRUCTION.
[Illustration: FIG. 88.-Two arrangements for tube holes in multi tubular boiler.]
[Illustration: FIG. 88.-Two arrangements for tube holes in multi-tubular boiler.]
The centres for the water-tubes, G and H, should be laid out, in accordance with Fig. 88, on the tops of B and C and the lower part of A, along lines scribed in the manner explained on p. 207. Tubes H must be bent to a template to get them all of the same shape and length, and all the tubes be prepared before any are put in place. If the tubes are set 7/8 inch apart, centre to centre, instead of 1-1/4 inches, the heating surface will be greatly increased and the furnace casing better protected.
The centers for the water tubes, G and H, should be arranged as shown in Fig. 88, positioned on the tops of B and C and the lower part of A, along lines marked as explained on p. 207. Tubes H need to be bent to a template to ensure they are all the same shape and length, and all the tubes should be prepared before any are installed. If the tubes are spaced 7/8 inch apart, center to center, instead of 1-1/4 inches, the heating surface will significantly increase and the furnace casing will be better protected.
Assembling.—When all necessary holes have been made and are of the correct size, begin by riveting and silver-soldering in the ends of the drums. Next fix the cross tubes, E, taking care that they and B and C form rectangles. Then slip the F, G, and H tubes half an inch into the main drum, and support A, by means of strips passed between the G and H tubes, in its correct position relatively to B and C. The E tubes can now be pushed into B and C and silver-soldered. The supports may then be removed, and the a and H tubes be got into position and secured. Drum D then demands attention. The connecting tubes, KK, should be silver-soldered in, as the boiler, if properly made, can be worked at pressures up to 100 lbs. per square inch.
Assembling.—Once all necessary holes have been created and are the right size, start by riveting and silver-soldering the ends of the drums. Next, attach the cross tubes, E, ensuring they and B and C form rectangles. Then, slide the F, G, and H tubes half an inch into the main drum and support A using strips placed between the G and H tubes to keep it positioned correctly in relation to B and C. The E tubes can now be pushed into B and C and silver-soldered. You can then remove the supports and get the A and H tubes into position and secure them. Next, focus on drum D. The connecting tubes, KK, should be silver-soldered in, as the boiler, if made properly, can operate at pressures of up to 100 lbs. per square inch.
The casing is of 1/20-inch sheet iron, and in five parts. The back end must be holed to allow A, B, and C to project 1 inch, and have a furnace-door opening, and an airway at the bottom, 5 inches wide and 1 inch deep, cut in it. The airway may be provided with a flap, to assist in damping down the fire if too much steam is being raised. In the front end make an inspection opening to facilitate cleaning the tubes and removing cinders, etc.
The casing is made of 1/20-inch sheet iron and consists of five parts. The back end needs to be holed to let A, B, and C stick out 1 inch, and there should be an opening for the furnace door, along with a 5-inch wide and 1-inch deep airway cut at the bottom. The airway can have a flap to help reduce the fire if there's too much steam being generated. At the front end, create an inspection opening to make it easier to clean the tubes and remove cinders, etc.
The side plates, m m, are bent as shown in Fig. 86, and bolted to a semicircular top plate, n, bent to a radius of 6 inches. A slot, 1-1/2 inches wide and 11-1/2 inches long, must be cut in the top, n, to allow it to be passed over drum D; and there must also be a 3 or 3-1/2 inch hole for the chimney. A plate, p, covers in D. A little plate, o, is slipped over the slot in n, and asbestos is packed in all round D. The interior of the end, side, and the top plates should be lined with sheet asbestos held on by large tin washers and screw bolts. To protect the asbestos, movable iron sheets may be interposed on the furnace side. These are replaced easily if burnt away. The pieces m m are bent out at the bottom, and screwed down to a base-plate extending the whole length of the boiler.
The side plates, m m, are bent as shown in Fig. 86, and bolted to a semicircular top plate, n, bent to a radius of 6 inches. A slot, 1-1/2 inches wide and 11-1/2 inches long, needs to be cut in the top, n, to allow it to fit over drum D; and there also needs to be a 3 or 3-1/2 inch hole for the chimney. A plate, p, covers in D. A small plate, o, is placed over the slot in n, and asbestos is packed all around D. The inside of the end, side, and top plates should be lined with sheet asbestos held in place by large tin washers and screw bolts. To protect the asbestos, movable iron sheets can be placed on the furnace side. These can be easily replaced if they get burnt away. The pieces m m are bent out at the bottom and screwed down to a base plate that runs the entire length of the boiler.
The fire-bars fill the rectangle formed by the tubes B, El, and E2. A plate extends from the top of E2 to the front plate of the casing, to prevent the furnace draught being “short circuited.”
The fire-bars fill the rectangle created by the tubes B, El, and E2. A plate extends from the top of E2 to the front plate of the casing to prevent the furnace draft from being “short circuited.”
Boiler Fittings.
Boiler Accessories.
[Illustration: FIG. 89.-Safety valve.]
[Illustration: FIG. 89.-Safety valve.]
Safety Valves.—The best all-round type is that shown in Fig. 89. There is no danger of the setting being accidentally altered, as is very possible with a lever and sliding weight. The valve should be set by the steam gauge. Screw it down, and raise steam to the point at which you wish the safety valve to act, and then slacken off the regulating nuts until steam issues freely. The lock nuts under the cross-bar should then be tightened up. In the case of a boiler with a large heating surface, which makes steam quickly, it is important that the safety-valve should be large enough to master the steam. If the valve is too small, the pressure may rise to a dangerous height, even with the steam coming out as fast as the valve can pass it.
Safety Valves.—The best all-around type is the one shown in Fig. 89. There's no risk of the settings being changed accidentally, which can easily happen with a lever and sliding weight. The valve should be adjusted using the steam gauge. Tighten it down, then raise the steam to the level at which you want the safety valve to operate, and then loosen the regulating nuts until steam flows freely. After that, make sure to tighten the lock nuts under the cross-bar. For a boiler with a large heating surface that produces steam quickly, it's crucial that the safety valve is big enough to handle the steam. If the valve is too small, the pressure could rise to a dangerous level, even if steam is escaping as fast as the valve allows.
[Illustration: FIG. 90.-Steam gauge and siphon.]
[Illustration: FIG. 90.-Steam gauge and siphon.]
Steam Gauges.—The steam gauge should register pressures considerably higher than that to be used, so that there may be no danger of the boiler being forced unwittingly beyond the limit registered. A siphon piece should be interposed between boiler and gauge (Fig. 90), to protect the latter from the direct action of the steam. Water condenses in the siphon, and does not become very hot.
Steam Gauges.—The steam gauge should show pressures significantly higher than what will actually be used, to prevent accidentally pushing the boiler beyond the safe limit indicated. A siphon piece should be placed between the boiler and the gauge (Fig. 90) to shield the gauge from direct steam action. Water collects in the siphon and doesn't get very hot.
[Illustration: FIG. 91.-Water gauge.]
[Illustration: FIG. 91.-Water gauge.]
Water Gauges should have three taps (Fig. 91), two between glass and boiler, to cut off the water if the glass should burst, and one for blowing off through. Very small gauges are a mistake, as the water jumps about in a small tube. When fitting a gauge, put packings between the bushes and the glass-holders, substitute a piece of metal rod for the glass tube, and pack the rod tightly. If the bushes are now sweated into the boiler end while thus directed, the gauge must be in line for the glass. This method is advisable in all cases, and is necessary if the boiler end is not perfectly flat.
Water gauges should have three taps (Fig. 91): two between the glass and the boiler to shut off the water if the glass breaks, and one for blowing off pressure. Very small gauges are a mistake because the water moves around too much in a small tube. When installing a gauge, place packing between the bushes and the glass holders, replace the glass tube with a piece of metal rod, and pack the rod tightly. If the bushes are now secured into the boiler end while directed like this, the gauge must align with the glass. This method is recommended in all cases and is necessary if the boiler end isn't perfectly flat.
Pumps.—Where a pump is used, the supply should enter the boiler below low-water level through a non-return valve fitted with a tap, so that water can be prevented from blowing back through the pump. As regards the construction of pumps, the reader is referred to p. 164 and to Chapter XXII.
Pumps.—When a pump is used, the supply should flow into the boiler below the low-water level through a check valve with a shut-off valve, so that water can be prevented from flowing back through the pump. For information on pump construction, please see p. 164 and Chapter XXII.
Filling Caps.—The filling cap should be large enough to take the nozzle of a good-sized funnel with some room to spare. Beat the nozzle out of shape, to give room for the escape of the air displaced by the water.
Filling Caps.—The filling cap should be big enough to fit the nozzle of a decent-sized funnel with some extra space around it. Bend the nozzle slightly to allow air displaced by the water to escape.
The best form of filling cap has a self-seating ground plug, which, if properly made, is steam-tight without any packing. If needed, asbestos packing can easily be inserted between plug and cap.
The best type of filling cap has a self-seating ground plug that, if made correctly, is steam-tight without any packing. If necessary, asbestos packing can easily be placed between the plug and the cap.
Mud-holes.—All but the smallest boilers should have a mud-hole and plug in the bottom at a point not directly exposed to the furnace. In Fig. 82 it is situated at the bottom of the barrel. In Figs. 86 and 87 there should be a mud-hole in one end of each of the three drums, A, B, and C. The plug may be bored at the centre for a blow-off cock, through which the boiler should be emptied after use, while steam is up, and after the fire has been “drawn.” Emptying in this way is much quicker than when there is no pressure, and it assists to keep the boiler free from sediment.
Mud-holes.—All but the smallest boilers should have a mud-hole and plug at the bottom in a spot not directly exposed to the furnace. In Fig. 82, it's located at the bottom of the barrel. In Figs. 86 and 87, there should be a mud-hole at one end of each of the three drums, A, B, and C. The plug can be drilled at the center for a blow-off cock, which should be used to empty the boiler after use while steam is up and after the fire has been “drawn.” Emptying this way is much faster than when there is no pressure, and it helps keep the boiler free from sediment.
[Illustration: FIG. 92.—Steam cock.]
[Illustration: FIG. 92.—Steam valve.]
Steam Cocks.-The screw-down type (Fig. 92) is very preferable to the “plug” type, which is apt to leak and stick.
Steam Cocks.-The screw-down type (Fig. 92) is much better than the “plug” type, which tends to leak and get stuck.
Testing Boilers.—The tightness of the joints of a boiler is best tested in the first instance by means of compressed air. Solder on an all-metal cycle valve, “inflate” the boiler to a considerable pressure, and submerge it in a tub of water. The slightest leak will be betrayed by a string of bubbles coming directly from the point of leakage. Mark any leaks by plain scratches, solder them up, and test again.
Testing Boilers.—The best way to check the tightness of a boiler's joints is initially by using compressed air. Seal an all-metal cycle valve, “inflate” the boiler to a high pressure, and submerge it in a tub of water. Any leak will show up as a stream of bubbles rising from the leak point. Mark any leaks with simple scratches, solder them up, and test again.
[Illustration: FIG. 94.—Benzoline lamp for model central-flue boiler.]
[Illustration: FIG. 94.—Benzoline lamp for model central-flue boiler.]
The boiler should then be quite filled with cold water, and heated gradually until the pressure gauge has risen to over the working pressure. There is no risk of an explosion, as the volume of the water is increased but slightly.
The boiler should then be filled with cold water and heated gradually until the pressure gauge rises above the working pressure. There’s no risk of an explosion, as the volume of the water increases only slightly.
The third test is the most important and most risky of all-namely, that conducted under steam to a pressure well above the working pressure.
The third test is the most critical and the riskiest of all—specifically, the one done under steam at a pressure significantly higher than the working pressure.
In order to carry out the test without risk, one needs to be able to watch the steam-gauge from a considerable distance, and to have the fire under control. My own method is to set the boiler out in the open, screw down the safety-valve so that it cannot lift, and raise steam with the help of a blow-lamp, to which a string is attached wherewith to pull it backwards along a board. If the boiler is to be worked at 50 lbs., I watch the steam gauge through a telescope until 100 lbs. is recorded, then draw the lamp away. After passing the test, the boiler, when pressure has fallen, say, 20 lbs., may safely be inspected at close quarters for leaks.
To safely conduct the test, you need to keep an eye on the steam gauge from a good distance and manage the fire carefully. My approach is to set the boiler outside, secure the safety valve so it won’t lift, and use a blowtorch to generate steam while pulling it back along a board with a string. If the boiler is supposed to operate at 50 lbs., I monitor the steam gauge through a telescope until it hits 100 lbs., then I pull the lamp away. After the test, once the pressure drops by about 20 lbs., it’s safe to inspect the boiler up close for leaks.
This test is the only quite satisfactory one, as it includes the influence of high temperature, which has effects on the metal not shown by “cold” tests, such as the hydraulic.
This test is the only one that's really satisfactory since it takes into account the effects of high temperature, which impact the metal in ways that “cold” tests, like the hydraulic test, do not show.
Do not increase your working pressure without first re-testing the boiler to double the new pressure to be used.
Do not raise your working pressure without first re-testing the boiler to ensure it can handle the new pressure you plan to use.
Fuels.—For very small stationary boilers the methylated spirit lamp is best suited, as it is smell-less, and safe if the reservoir be kept well apart from the burner and the supply is controllable by a tap or valve. (See Fig. 104.)
Fuels.—For very small stationary boilers, the best option is the methylated spirit lamp, as it has no smell and is safe if the reservoir is kept away from the burner and the supply can be controlled by a tap or valve. (See Fig. 104.)
[Illustration: FIG. 95.-Paraffin burner for vertical boiler.]
[Illustration: FIG. 95.-Paraffin burner for vertical boiler.]
For medium-sized model boilers, and for small launch boilers, benzoline or petrol blow-lamps and paraffin stoves have become very popular, as they do away with stoking, and the amount of heat is easily regulated by governing the fuel supply. Fig. 94 is a sketch of a blow-lamp suitable for the horizontal boiler shown on pp. 204, and 206, while Fig. 95 shows a convenient form of paraffin stove with silent “Primus” burner, which may be used for a horizontal with considerable furnace space or for vertical boilers. In the case of all these liquid fuel consumers, the amount of heat developed can be increased by augmenting the number of burners. Where a gas supply is available its use is to be recommended for small stationary boilers.
For medium-sized model boilers and small launch boilers, blowtorches that use gasoline or petrol and paraffin stoves have become quite popular, as they eliminate the need for stoking, and you can easily control the amount of heat by adjusting the fuel supply. Fig. 94 is a sketch of a blowtorch suitable for the horizontal boiler shown on pp. 204 and 206, while Fig. 95 displays a handy type of paraffin stove with a silent "Primus" burner, which can be used for a horizontal boiler with a decent amount of furnace space or for vertical boilers. With all these liquid fuel consumers, you can increase the amount of heat produced by adding more burners. If a gas supply is available, it's recommended for small stationary boilers.
Solid Fuels.—The chief disadvantages attaching to these are smoke and fumes; but as a solid fuel gives better results than liquid in a large furnace, it is preferred under certain conditions, one of them being that steam is not raised in a living room. Charcoal, coke, anthracite coal, and ordinary coal partly burned are the fuels to use, the fire being started with a liberal supply of embers from an open fire. Every solid-fuel boiler should have a steam-blower in the chimney for drawing up the fire; and if a really fierce blaze is aimed at, the exhaust from the engine should be utilized for the same purpose.
Solid Fuels.—The main drawbacks of solid fuels are smoke and fumes; however, since solid fuels perform better than liquids in a large furnace, they are preferred under certain conditions, one being that steam is not produced in a living space. Charcoal, coke, anthracite coal, and partially burned regular coal are the fuels to use, starting the fire with a generous supply of embers from an open fire. Every solid-fuel boiler should have a steam blower in the chimney to help draw up the fire; and if a very intense blaze is desired, the exhaust from the engine should be used for the same purpose.
XIX.
QUICK BOILING KETTLES.
[Transcriber’s note: Do not use lead solder on articles associated with human or animal consumption.]
[Transcriber’s note: Do not use lead solder on items related to human or animal consumption.]
The principles of increasing the area of heating surface in model boilers may be applied very practically to the common kettle. The quick-boiling kettle is useful for camping out, for heating the morning tea water of the very early riser, and for the study “brew,” which sometimes has to be made in a hurry; and, on occasion, it will be so welcome in the kitchen as to constitute a very useful present to the mistress of the house.
The principles of increasing the heating surface area in model boilers can be applied quite effectively to the everyday kettle. The fast-boiling kettle is handy for camping, for quickly heating water for morning tea for those who rise early, and for the study "brew," which sometimes needs to be made in a hurry; and, at times, it will be so appreciated in the kitchen that it becomes a very thoughtful gift for the person in charge of the household.
As the putting in of the tubes entails some trouble, it is worth while to select a good kettle for treatment. Get one that is made of thick tinned sheet iron (cast-iron articles are unsuitable), or even of copper, if you are intent on making a handsome gift which will last indefinitely. The broad shallow kettle is best suited for tubing, as it naturally has a fair heating surface, and its bottom area gives room for inserting plenty of tubes. Also, the tubes can be of good length. Let us, therefore, assume that the kettle will be of at least 8 inches diameter.
Since putting in the tubes can be a bit of a hassle, it's worth it to choose a good kettle for the job. Get one that's made of thick tinned sheet iron (cast iron isn't appropriate), or even copper if you're looking to create a nice gift that will last forever. A broad, shallow kettle is ideal for tubing since it has a decent heating surface and enough bottom space to insert plenty of tubes. Plus, the tubes can be pretty long. So, let's assume the kettle will be at least 8 inches in diameter.
In Figs. 96 (a) and 96 (b) are shown two forms of fire-tube kettles (a and b) and two of water-tube (c and d). For use over a spirit or Swedish petroleum stove the first two types are most convenient; the third will work well on a stove or an open fire; and the last proves very efficient on an open fire. One may take it that, as a general rule, areas of heating surface being equal, the water-tube kettle will boil more quickly than the fire-tube.
In Figs. 96 (a) and 96 (b), you can see two types of fire-tube kettles (a and b) and two types of water-tube kettles (c and d). The first two types are the most convenient for use over a spirit or Swedish petroleum stove; the third works well on a stove or an open fire; and the last is very efficient on an open fire. Generally speaking, if the heating surface areas are the same, the water-tube kettle will boil faster than the fire-tube kettle.
Fire-tube Kettles.
Fire-tube kettles.
The tubing of Figs. 96 (a) and 96 (b) presents a little difficulty in each case. The straight tube is the more difficult to insert, owing to the elliptical shape of the ends; whereas the bent tube requires only circular holes, but must be shaped on a template.
The tubing in Figs. 96 (a) and 96 (b) has a bit of difficulty in both cases. The straight tube is harder to insert because of the oval shape of the ends; on the other hand, the bent tube only needs circular holes but has to be shaped using a template.
The tubing used for (a) should have at least 5/8-inch internal diameter, for (b) 1/2 inch, and be of thin copper. Hot gases will not pass willingly through tubes much smaller than this, in the absence of induced or forced draught.
The tubing used for (a) should have an internal diameter of at least 5/8 inch, for (b) 1/2 inch, and it should be made of thin copper. Hot gases won't easily flow through tubes that are much smaller than this without some kind of induced or forced draft.
For convenience in fitting, the tubes should run at an angle of 45 degrees to the bottom and side of the kettle, as this gives the same bevel at each end. Find the centre of the bottom, and through it scratch plainly four diameters 45 degrees apart. From their ends draw perpendiculars up the side of the kettle.
For easier fitting, the tubes should be angled at 45 degrees to the bottom and side of the kettle, as this creates the same bevel on each end. Locate the center of the bottom and clearly mark four diameters that are 45 degrees apart. From their ends, draw straight lines perpendicular to the side of the kettle.
[Illustration: FIG. 96 (a).]
[Illustration: FIG. 96 (a).]
Now draw on a piece of paper a section of the kettle, and from what is selected as a convenient water-level run a line obliquely, at an angle of 45 degrees, from the side to the bottom. Measuring off from this diagram, you can establish the points in the side and bottom at which the upper and longer side of the tubes should emerge. Mark these off.
Now sketch on a piece of paper a section of the kettle, and from what you choose as a suitable water level, draw a line diagonally at a 45-degree angle from the side to the bottom. Using this diagram, you can identify the points on the side and bottom where the upper and longer side of the tubes should come out. Mark these points.
Next bevel off a piece of tubing to an angle of 45 degrees, cutting off roughly in the first instance and finishing up carefully with a file till the angle is exact. Solder to the end a piece of tin, and cut and file this to the precise shape of the elliptical end. Detach by heating, scribe a line along its longest axis, and attach it by a small countersunk screw to the end of a convenient handle.
Next, bevel a piece of tubing to a 45-degree angle, cutting it roughly at first and then finishing it carefully with a file until the angle is just right. Solder a piece of tin to the end and cut and file it to match the exact shape of the elliptical end. Heat it to detach, scribe a line along its longest axis, and attach it with a small countersunk screw to the end of a suitable handle.
Place this template in turn on each of the eight radii, its long axis in line with it, being careful that the plate is brought up to the marks mentioned above, and is on the bottom corner side of it. Scratch round plainly with a fine steel point.
Place this template on each of the eight radii in turn, aligning its long axis with it. Make sure the plate touches the marks mentioned earlier and is positioned at the bottom corner side. Clearly scratch around it with a fine steel point.
To remove the metal for a tube hole, it is necessary to drill a succession of almost contiguous holes as near the scratch as possible without actually cutting it. When the ring is completed, join the holes with a cold chisel held obliquely. Then file carefully with a round file, just not cutting the scratch. As the side of the hole nearest to the bottom corner should run obliquely to enable the tube to pass, work this out with the file held at an angle.
To remove the metal for a tube hole, you need to drill a series of closely spaced holes as close to the scratch as you can without actually cutting it. Once the ring is finished, connect the holes using a cold chisel held at an angle. Then, file carefully with a round file, making sure not to cut into the scratch. Since the side of the hole closest to the bottom corner should slope to allow the tube to fit, work this out with the file held at an angle.
As soon as a pair of holes (one in the bottom, the other in the side) have been made, true up the side hole until a piece of tubing will run through it at the correct angle. Then bevel off the end to 45 degrees and pass the tube through again, bringing the bevel up against the bottom hole from the inside. If it is a trifle difficult to pass, bevel off the edge slightly on the inside to make a fairly easy driving fit. (Take care not to bulge the bottom of the kettle.) Mark off the tube beyond the side hole, allowing an eighth of an inch extra. Cut at the mark, and number tube and hole, so that they may be paired correctly later on.
As soon as you've made a pair of holes (one at the bottom and the other on the side), make sure the side hole is aligned so a piece of tubing can run through it at the right angle. Then, bevel the end to 45 degrees and slide the tube through again, pressing the bevel against the bottom hole from inside. If it’s a bit tricky to insert, slightly bevel the inner edge to create a reasonably easy fit. (Be careful not to stretch the bottom of the kettle.) Mark the tube beyond the side hole, adding an extra eighth of an inch. Cut at the mark and label both the tube and the hole so you can match them correctly later.
When all the tubes are fitted, “tin” the ends with a wash of solder before returning them to their holes. If there is a gap at any point wide enough to let the solder run through, either beat out the tube from the inside into contact, or, if this is impracticable, place a bit of brass wire in the gap. Use powdered resin by preference as flux for an iron kettle, as it does not cause the rusting produced by spirit of salt. If the latter is used, wipe over the solder with a strong ammonia or soda solution, in order to neutralize the acid.
When all the tubes are in place, “tin” the ends with a layer of solder before putting them back in their holes. If there’s a gap at any point wide enough for solder to flow through, either pound the tube from the inside to close it up, or, if that’s not possible, insert a piece of brass wire into the gap. Use powdered resin as the preferred flux for an iron kettle, as it won’t lead to rust like muriatic acid does. If you use muriatic acid, wipe the solder with a strong ammonia or soda solution to neutralize the acid.
As the hot gases may tend to escape too quickly through large tubes, it is well to insert in the upper end of each a small “stop,” x—a circle of tin with an arc cut away on the bottom side. To encourage the gases to pass up the tubes instead of along the bottom, a ring of metal, y, may be soldered beyond the bottom holes, if an oil or spirit stove is to be used. This ring should have notches cut along the kettle edge, so as not to throttle the flame too much.
As the hot gases can escape too quickly through large tubes, it’s a good idea to place a small “stop,” x—a tin circle with a cut-out arc on the bottom side—at the upper end of each tube. To help the gases travel up the tubes instead of along the bottom, a metal ring, y, can be soldered beyond the bottom holes, if using an oil or spirit stove. This ring should have notches cut along the kettle edge to prevent choking the flame too much.
[Illustration: FIG. 96—(b), (c), and (d).]
[Illustration: FIG. 96—(b), (c), and (d).]
As the tubes for these require bending to shape in each case, the three types may be grouped together. The tubes of c and d, which require bending to somewhat sharp curves, may be of 3/8-inch internal diameter. In the last two cases the direction of the water travel is shown. The up-flow end, which projects farther through the bottom than the down-flow, is nearer the centre, where, if a gas stove is used, the heat is more intense than at the circumference of the bottom. (Note.-If type c is for use on a three-support stove, increase the number of tubes to 9, equally spaced, 40 degrees apart, so that the kettle may be adjusted easily.)
Since the tubes for these need to be bent into shape for each situation, the three types can be grouped together. The tubes labeled c and d, which need to bend into somewhat sharp curves, can have a 3/8-inch internal diameter. In the last two cases, the direction of water flow is indicated. The up-flow end, which sticks out more from the bottom than the down-flow end, is closer to the center, where, if a gas stove is used, the heat is more intense than at the edge of the bottom. (Note: If type c is used with a three-support stove, increase the number of tubes to 9, placed evenly 40 degrees apart, to allow for easy adjustment of the kettle.)
The copper tubing should be annealed or softened by heating to a dull red and plunging in cold water. Cut a wooden template of the exact outline of the inside line of the shape that the tube is to assume, and secure this firmly to a board. Fill the tube with melted resin, to prevent, as much as possible, “buckling” or flattening on the curves. The tube must be kept up to the template by a stop of hard wood, at the end at which bending commences. Don’t cut the tube into lengths before bending, as short pieces are more difficult to handle. When a piece sufficient for a tube has been bent, cut it oft, and remove the resin by heating.
The copper tubing should be softened by heating it until it turns a dull red and then plunging it into cold water. Cut a wooden template that matches the exact outline of the inner shape the tube needs to take, and attach this securely to a board. Fill the tube with melted resin to help prevent “buckling” or flattening on the curves as much as possible. The tube needs to stay aligned with the template using a hard wooden stop at the end where the bending starts. Don’t cut the tube into shorter pieces before bending, as shorter lengths are harder to manage. Once you have bent a piece long enough for a tube, cut it off and remove the resin by heating it.
The fitting of the tubes is an easy matter, as the holes are circular. Pair off a tube with its holes and number it. A fluted reamer will be found invaluable for enlarging them to the correct size. Tin all tubes at points where they are to be attached to the kettle.
The fitting of the tubes is straightforward since the holes are round. Match each tube to its holes and label it. A fluted reamer will be extremely helpful for enlarging them to the right size. Tin all tubes at the points where they will connect to the kettle.
In Fig. 96 (c) and (d) care should be taken to make all the tubes project the same distance, so that the kettle may be level when resting on them.
In Fig. 96 (c) and (d), make sure all the tubes extend the same distance so that the kettle sits level on them.
XX.
A HOT-AIR ENGINE.
The pretty little toy about to be described is interesting as a practical application to power-producing purposes of the force exerted by expanding air. It is easy to make, and, for mere demonstration purposes, has an advantage over a steam-engine of the same size in that it can be set working in less than a minute, and will continue to act as long as a small spirit flame is kept burning beneath it; it cannot explode; and its construction is a simpler matter than the building of a steam-engine.
The charming little toy we’re going to describe is fascinating as a practical application of the power generated by expanding air. It’s easy to make, and for demonstration purposes, it has an edge over a steam engine of the same size since it can be up and running in under a minute and will keep working as long as a small spirit flame is lit beneath it. It also can’t explode, and its construction is simpler than that of a steam engine.
[Illustration: FIG. 97.—Vertical section of hot-air engine.]
[Illustration: FIG. 97.—Vertical section of hot-air engine.]
Principles of the Hot-air Engine.—Fig. 97 gives a sectional view of the engine. The place of what would be the boiler in a steam-engine of similar shape is taken by an air chamber immediately above the lamp, and above that is a chamber through which cold water circulates. In what we will call the heating chamber a large piston, known as the displacer, is moved up and down by a rod D and a connecting rod CR1. This piston does not touch the sides of the chamber, so that the bulk of the air is pushed past it from one end of the chamber to the other as the piston moves. When the displacer is in the position shown—at the top of its stroke—the air is heated by contact with the hot plate C, and expands, forcing up the piston of the power cylinder, seen on the left of the engine. (The power crank and the displacer crank are, it should be mentioned, set at right angles to one another.) During the second half of the power stroke the displacer is moved downwards, causing some of the air to pass round it into contact with the cold plate D. It immediately contracts, and reduces the pressure on the power piston by the time that the piston has finished its stroke. When the power piston has reached the middle of its downward stroke, the displacer is at its lowest position, but is halfway up again when the power piston is quite down. The air is once again displaced downwards, and the cycle begins anew. The motive power is, therefore, provided by the alternate heating and cooling of the same air.
Principles of the Hot-air Engine.—Fig. 97 shows a cross-section of the engine. Instead of a boiler like you’d find in a steam engine of a similar design, there’s an air chamber right above the lamp, with another chamber above that for circulating cold water. In what we’ll call the heating chamber, a large piston, known as the displacer, moves up and down via a rod D and a connecting rod CR1. This piston doesn’t touch the chamber walls, allowing most of the air to be pushed past it from one end of the chamber to the other as it moves. When the displacer is in the position shown—at the top of its stroke—the air is heated by contact with the hot plate C, which causes it to expand and push up the piston in the power cylinder, located on the left side of the engine. (It’s worth mentioning that the power crank and the displacer crank are positioned at right angles to each other.) During the second half of the power stroke, the displacer moves downward, allowing some of the air to flow around it to contact the cold plate D. The air then contracts, which decreases the pressure on the power piston by the time it finishes its stroke. When the power piston is halfway down its stroke, the displacer is at its lowest position, but it’s halfway back up when the power piston is fully down. The air is displaced down again, and the cycle starts over. So, the power is generated by the alternating heating and cooling of the same air.
Construction.—The barrel and supports were made out of a single piece of thin brass tubing, 2-7/16 inch internal diameter and 5-5/8 inch long. The heating end was filed up true, the other cut and filed to the shape indicated in Fig. 98 by dotted lines. The marking out was accomplished with the help of a strip of paper exactly as wide as the length of the tube, and as long as the tube’s circumference. This strip had a line ruled parallel to one of its longer edges, and 2-1/2 inches from it, and was then folded twice, parallel to a shorter edge. A design like the shaded part of Fig. 98 was drawn on an end fold, and all the four folds cut through along this line with a pair of scissors. When opened out, the paper appeared as in Fig. 98.
Construction.—The barrel and supports were made from a single piece of thin brass tubing, 2-7/16 inch internal diameter and 5-5/8 inch long. The heating end was filed down evenly, while the other end was cut and shaped as shown in Fig. 98 with dotted lines. Marking out was done using a strip of paper that was exactly the width of the tube's length and as long as its circumference. This strip had a line drawn parallel to one of its longer edges, 2-1/2 inches away from it, and was then folded twice, parallel to a shorter edge. A design similar to the shaded area in Fig. 98 was drawn on one of the folds, and all four folds were cut along this line with scissors. When unfolded, the paper looked like what is shown in Fig. 98.
[Illustration: FIG. 98.]
[Illustration: FIG. 98.]
We now—to pass into the present tense—wrap this pattern round the tube and scratch along its edges. The metal is removed from the two hollows by cutting out roughly with a hack saw and finishing up to the lines with a file.
We now—let's switch to the present tense—wrap this pattern around the tube and scratch along its edges. The metal is taken out from the two cavities by cutting out roughly with a hacksaw and finishing up to the lines with a file.
The next things to take in hand are the displacer rod D and the guide tube in which it works. These must make so good a fit that when slightly lubricated they shall prevent the passage of air between them and yet set up very little friction. If you cannot find a piece of steel rod and brass tubing which fit close enough naturally, the only alternative is to rub down a rod, slightly too big to start with, until it will just move freely in the tube. This is a somewhat tedious business, but emery cloth will do it. The rod should be 3-3/8 inches, the tube 2-1/8 inches, long. I used rod 3/16 inch in diameter; but a smaller rod would do equally well.
The next steps are to work with the displacer rod D and the guide tube it fits into. They need to fit together so well that, when lightly lubricated, they prevent air from passing through, while also creating minimal friction. If you can't find a piece of steel rod and brass tubing that fit closely enough, the only option is to grind down a slightly oversized rod until it moves freely in the tube. This can be a bit tedious, but emery cloth will help. The rod should be 3-3/8 inches long, and the tube should be 2-1/8 inches long. I used a rod that is 3/16 inch in diameter, but a smaller rod would work just as well.
[Illustration: FIG. 99.]
[Illustration: FIG. 99.]
The two plates, A and B, are next prepared by filing or turning down thin brass[1] discs to a tight fit. (Note.—For turning down, the disc should be soldered centrally to a piece of accurately square brass rod, which can be gripped in a chuck. I used a specially-made holder like that shown in Fig. 99 for this purpose.)
The two plates, A and B, are then prepared by filing or shaping thin brass discs to fit tightly. (Note: For shaping, the disc should be soldered centrally to a piece of precisely square brass rod, which can be held in a chuck. I used a specially-made holder like the one shown in Fig. 99 for this.)
[Footnote 1: Thin iron plate has the disadvantage of soon corroding.]
[Footnote 1: Thin iron plates have the downside of corroding quickly.]
When a good fit has been obtained, solder the two discs together so that they coincide exactly, and bore a central hole to fit the guide tube tightly. Before separating the plates make matching marks, so that the same parts may lie in the same direction when they are put in position. This will ensure the guide tube being parallel to the barrel.
When a good fit has been achieved, solder the two discs together so that they align perfectly, and drill a central hole that fits the guide tube snugly. Before separating the plates, make matching marks so that the same parts are oriented in the same direction when they are reassembled. This will ensure that the guide tube is parallel to the barrel.
The power cylinder is a piece of brass tubing 2 inches long and of 7/8-inch internal diameter. The piston is of 7/8-inch tubing, fitting the cylinder easily, and thick enough to allow a shallow packing recess to be turned in the outside. Brass washers turned or filed to size form the ends of cylinder and piston. The connecting rod CR2 is a piece of strip brass, 3-3/16 inches long, between centres of holes. This had better be cut off a bit long in the first instance, and be fitted to the little stirrup which attaches its lower end to the piston. The drilling of the crank pinhole should be deferred till the cylinder and crank are in position.
The power cylinder is a piece of brass tubing that's 2 inches long with a 7/8-inch internal diameter. The piston is made of 7/8-inch tubing, which fits the cylinder easily and is thick enough to have a shallow packing recess turned on the outside. Brass washers, either turned or filed to size, create the ends of both the cylinder and the piston. The connecting rod CR2 is a piece of strip brass, 3-3/16 inches long, measured between the centers of the holes. It’s best to cut this a bit long at first and then adjust it to fit the small stirrup that attaches its lower end to the piston. The drilling of the crank pinhole should be postponed until the cylinder and crank are in place.
[Illustration: FIG. 100.—Exterior view of hot air engine.]
[Illustration: FIG. 100.—Exterior view of hot air engine.]
Putting in the Water-chamber Discs.—Clean the inside of the barrel thoroughly with sandpaper; also discs A and B round the edges and the central holes. Disc A is forced in from the crank end a little further down than it is to be finally, and then driven up from below until at all points its lower side is exactly three inches from the bottom edge of the barrel. Disc B is then forced up 1-1/2 inches from the bottom end. The guide tube— which should have been cleaned—having been driven into place, solder is run all round the joints. If the barrel is heated over a spirit lamp, this operation is performed very quickly. (“Tinol” soldering paste is recommended.) Before soldering in B, drill a small hole in the barrel between A and B to allow the air to escape.
Putting in the Water-chamber Discs.—Clean the inside of the barrel thoroughly with sandpaper; also clean discs A and B around the edges and the central holes. Disc A is inserted from the crank end a bit further down than its final position, and then it's pushed up from below until its lower side is exactly three inches from the bottom edge of the barrel. Disc B is then pushed up 1-1/2 inches from the bottom end. The guide tube—which should have been cleaned—is then driven into place, and solder is applied all around the joints. If the barrel is heated over a spirit lamp, this part is done very quickly. (“Tinol” soldering paste is recommended.) Before soldering in B, drill a small hole in the barrel between A and B to allow air to escape.
Attaching the Cylinder.—Scratch a bold line through the centre of one of the crank holes to the bottom of the barrel, to act as guide. Drill a 5/32-inch hole in the barrel on this line just below plate B, and a similar hole in the bottom of the cylinder. (The cylinder end should be put in position temporarily while this is done to prevent distortion.) Flatten down the cylinder slightly on the line of the hole, so that it may lie snugly against the barrel, and clean the outside of the barrel. Lay the cylinder against the barrel with the holes opposite one another, and push a short piece of wood through to exclude solder from the holes and keep the holes in line. Half a dozen turns of fine wire strained tightly round cylinder and barrel will hold the cylinder in place while soldering is done with a bit or lamp. The end of the cylinder should then be made fast.
Attaching the Cylinder.—Draw a bold line through the center of one of the crank holes down to the bottom of the barrel to serve as a guide. Drill a 5/32-inch hole in the barrel along this line, just below plate B, and a matching hole in the bottom of the cylinder. (Temporarily position the cylinder end while doing this to prevent distortion.) Slightly flatten the cylinder on the line of the hole so it fits snugly against the barrel, and clean the outside of the barrel. Place the cylinder against the barrel with the holes aligned, and insert a short piece of wood to keep solder from entering the holes and to keep them in line. Wrap a few turns of fine wire tightly around the cylinder and barrel to secure the cylinder while you solder with a bit or lamp. Finally, secure the end of the cylinder.
The Displacer.—This is a circular block of wood—well dried before turning—5/8 inch thick and 3/32 inch less in diameter than the inside of the barrel. The rod hole in it should be bored as truly central as possible. A hole is drilled edgeways through the block and through the rod to take a pin to hold the two together. To prevent it splitting with the heat, make a couple of grooves in the sides to accommodate a few turns of fine copper wire, the twisted ends of which should be beaten down flush with the outside of the block. The bottom of the block is protected by a disc of asbestos card held up to the wood by a disc of tin nailed on.
The Displacer.—This is a round piece of wood, well-dried before shaping, 5/8 inch thick and 3/32 inch smaller in diameter than the inside of the barrel. The hole for the rod should be drilled as centrally as possible. A hole is drilled through the block and the rod to insert a pin that will hold them together. To prevent it from splitting due to heat, carve a couple of grooves along the sides to fit a few turns of fine copper wire, with the twisted ends flattened against the surface of the block. The bottom of the block is protected by a disc of asbestos board secured to the wood by a tin disc nailed on.
The Crank Shaft and Crank.—The central crank of the crank shaft—that for the displacer—has a “throw” of 1/4 inch, as the full travel of the displacer is 1/2 inch. If the bending of a rod to the proper shape is beyond the reader’s capacity, he may build up a crank in the manner shown in Fig. 101. Holes for the shaft are bored near the tops of the supports, and the shaft is put in place. After this has been done, smoke the shaft in a candle flame and solder two small bits of tubing, or bored pieces of brass, to the outside of the supports to increase the length of the bearing. The power-crank boss is a 1-1/2-inch brass disc. This crank has a “throw” of 1/2 inch.
The Crank Shaft and Crank.—The main crank of the crankshaft—specifically for the displacer—has a “throw” of 1/4 inch, while the full travel of the displacer is 1/2 inch. If bending a rod into the right shape is too difficult for the reader, they can create a crank as shown in Fig. 101. Holes for the shaft are drilled near the tops of the supports, and the shaft is inserted. Once that’s done, heat the shaft with a candle flame and solder two small pieces of tubing or bored sections of brass to the outside of the supports to lengthen the bearing. The power-crank boss is a 1-1/2-inch brass disc, and this crank has a “throw” of 1/2 inch.
[Illustration: FIG. 101.-Details of built-up crank.]
[Illustration: FIG. 101.-Details of built-up crank.]
Connecting Rods.—Put a piece of card 1/16 inch thick in the bottom of the cylinder and push the piston home. Turn the power crank down and mark off the centre of the hole for the crank pin in the connecting rod CR2. Solder a piece of strip brass on each side of the rod at this point; measure again, and drill.
Connecting Rods.—Place a piece of card 1/16 inch thick at the bottom of the cylinder and push the piston all the way in. Lower the power crank and mark the center of the hole for the crank pin in the connecting rod CR2. Solder a strip of brass on each side of the rod at this point; measure again, and drill.
The top of the displacer rod D is now filed flat on two sides and drilled. Slip a ring 1/16 inch thick over the rod and push the rod upwards through the guide tube till the displacer can go no farther. Turn the displacer crank up and measure from the centre of the hole in the rod to the centre of the crank. The top of the connecting rod should be filed to fit the under side of the crank, against which it should be held by a little horseshoe-shaped strap pinned on. (Fig. 102). (Be sure to remove the ring after it has served its purpose.)
The top of the displacer rod D is now filed flat on two sides and drilled. Slip a 1/16 inch thick ring over the rod and push the rod upward through the guide tube until the displacer can't go any farther. Turn the displacer crank up and measure from the center of the hole in the rod to the center of the crank. The top of the connecting rod should be filed to fit the underside of the crank, which it should be held against by a small horseshoe-shaped strap that is pinned on. (Fig. 102). (Be sure to remove the ring after it has served its purpose.)
The Water Circulation.—The water chamber is connected by two rubber tubes with an external tank. In Fig. 97 the cooling water tank is shown, for illustrative purposes, on the fly-wheel side of the engine, but can be placed more conveniently behind the engine, as it were. Two short nozzles, E1 and E2, of 1/4-inch tube are soldered into the water chamber near the top and bottom for the rubber pipes to be slipped over, and two more on the water tank. For the tank one may select a discarded 1 lb. carbide tin. Cut off the top and solder on a ring of brass wire; make all the joints water-tight with solder, and give the tin a couple of coatings of paint inside and outside.
The Water Circulation.—The water chamber is connected to an external tank via two rubber tubes. In Fig. 97, the cooling water tank is shown for illustrative purposes on the flywheel side of the engine, but it can also be placed more conveniently behind the engine. Two short nozzles, E1 and E2, made from 1/4-inch tubing, are soldered into the water chamber near the top and bottom for the rubber pipes to fit over, with two additional nozzles on the water tank. For the tank, you can use a discarded 1 lb. carbide tin. Cut off the top and solder on a ring of brass wire; ensure all joints are watertight with solder, and apply a couple of coats of paint to both the inside and outside of the tin.
[Illustration: FIG. 102.]
[Illustration: FIG. 102.]
Closing the Hot-air Chamber.—When all the parts except the lamp chamber have been prepared, assemble them to make sure that everything is in order. The lower end of the hot-air chamber has then to be made air-tight. Soldering is obviously useless here, as the heat of the lamp would soon cause the solder to run, and it is impossible to make a brazed joint without unsoldering the joints in the upper parts of the engine. I was a bit puzzled over the problem, and solved it by means of the lower part of an old tooth-powder box stamped out of a single piece of tin. This made a tight fit on the outside of the barrel, and as it was nearly an inch deep, I expected that if it were driven home on the barrel and soldered to it the joint would be too near the water chamber to be affected by the lamp. This has proved to be the case, even when the water is nearly at boiling point. If a very close-fitting box is not procurable, the space between box and barrel must be filled in with a strip of tin cut off to the correct length.
Closing the Hot-Air Chamber.—Once all the parts except for the lamp chamber have been prepared, put them together to ensure everything is in order. The lower end of the hot-air chamber needs to be made airtight. Soldering won't work here since the heat from the lamp would quickly melt it, and it's impossible to create a brazed joint without unsoldering the joints in the upper parts of the engine. I was a bit stumped by this issue, but I figured it out using the bottom part of an old tooth-powder box made from a single piece of tin. This provided a snug fit on the outside of the barrel, and since it was nearly an inch deep, I thought that if it were pressed onto the barrel and soldered, the joint would be far enough from the water chamber to avoid being affected by the lamp. This has turned out to be true, even when the water is close to boiling. If you can't find a box that fits perfectly, you’ll need to fill the gap between the box and barrel with a strip of tin cut to the right length.
The Lamp Chamber.—Cut out a strip of tin 4 inches wide and 1 inch longer than the circumference of the lower end of the hot-air chamber. Scratch a line 1/2 inch from one of the sides, a line 3/4 inch from the other, and a line 1/2 inch from each of the ends.
The Lamp Chamber.—Cut a strip of tin 4 inches wide and 1 inch longer than the circumference of the lower end of the hot-air chamber. Mark a line 1/2 inch from one side, a line 3/4 inch from the other side, and a line 1/2 inch from each end.
A lamp hole is cut in the centre, and ventilation holes 1 inch apart, as shown in Fig. 103. If the latter holes are made square or triangular (base uppermost), and the metal is cut with a cold chisel so as to leave the side nearest the edge unsevered, the parts may be turned up to form supports for the barrel.
A hole for the lamp is cut in the center, and ventilation holes are placed 1 inch apart, as shown in Fig. 103. If those holes are made square or triangular (with the base on top), and the metal is cut with a cold chisel to leave the side closest to the edge intact, the pieces can be turned up to create supports for the barrel.
[Illustration: FIG. 103.—Plate for lamp chamber cut out ready for bending.]
[Illustration: FIG. 103.—Plate for lamp chamber cut out and ready to be bent.]
The slit lower side of the plate is splayed out into a series of “feet,” by three or more of which, the chamber is secured to the base. Bend the plate round the barrel and put the two screws and bolts which hold the ends in place, and tighten them until the barrel is gripped firmly. Screw the engine to its base, fit on the rubber water connections, and fasten down the tank by a screw through the centre of the bottom. The screw should pass through a brass washer, between which and the tank should be interposed a rubber washer to make a water-tight joint.
The slit on the bottom edge of the plate is spread out into several “feet,” with three or more securing the chamber to the base. Bend the plate around the barrel and use the two screws and bolts to hold the ends in place, tightening them until the barrel is securely gripped. Attach the engine to its base, connect the rubber water hoses, and secure the tank with a screw through the center of the bottom. The screw should go through a brass washer, with a rubber washer placed between it and the tank to create a watertight seal.
The Lamp.—The lamp shown in Fig. 104 was made out of a truncated brass elbow, a piece of 5/16-inch brass tube, and a round tin box holding about 1/3-pint of methylated spirit. A tap interposed between the reservoir and burner assists regulation of the flame, and prevents leakage when the lamp is not in use.
The Lamp.—The lamp shown in Fig. 104 was made from a cut brass elbow, a piece of 5/16-inch brass tube, and a round tin box that holds about 1/3 pint of methylated spirit. A tap placed between the reservoir and burner helps control the flame and prevents leakage when the lamp is not in use.
Running the Engine.—The power and displacer cranks must be set exactly at right angles to one another, and the first be secured by soldering or otherwise to the crank shaft. The fly wheel will revolve in that direction in which the displacer crank is 90 degrees ahead of the other.
Running the Engine.—The power and displacer cranks must be positioned exactly at right angles to each other, and the first should be secured by soldering or another method to the crankshaft. The flywheel will spin in the direction where the displacer crank is 90 degrees ahead of the other.
[Illustration: FIG. l04.-Spirit lamp for hot-air engine, with regulating tap.]
[Illustration: FIG. l04.-Spirit lamp for hot-air engine, with regulating tap.]
The packing of the piston should be sufficiently tight to prevent leakage of air, but not to cause undue friction. When the packing has settled into place, an occasional drop of oil in the cylinder and guide tube will assist to make the piston and slide air-tight.
The piston packing should be tight enough to stop air from leaking, but not so tight that it creates too much friction. Once the packing is in place, a drop of oil in the cylinder and guide tube every now and then will help ensure the piston and slide are air-tight.
The engine begins to work a quarter of a minute or so after the lamp is lit, and increases its speed up to a certain point, say 300 revolutions per minute. When the water becomes very hot it may be changed. The power might be applied, through demultiplying gear, to a small pump drawing water from the bottom of the tank and forcing it through the water chamber and a bent-over stand pipe into the tank again. This will help to keep the water cool, and will add to the interest of the exhibit by showing “work being done.”
The engine starts running about fifteen seconds after the light is turned on and speeds up to around 300 revolutions per minute. When the water gets very hot, it can be changed. The power can be used, through a gear reduction system, to operate a small pump that pulls water from the bottom of the tank and pushes it through the water chamber and a bent-over standpipe back into the tank. This will help keep the water cool and make the exhibit more engaging by demonstrating “work being done.”
XXI.
A WATER MOTOR.
FIG. 105 is a perspective view of a simple water motor which costs little to make, and can be constructed by anybody able to use carpenter’s tools and a soldering iron. It will serve to drive a very small dynamo, or do other work for which power on a small scale is required. A water supply giving a pressure of 40 lbs. upwards per square inch must be available.
FIG. 105 is a perspective view of a basic water motor that is inexpensive to create and can be built by anyone who can use carpentry tools and a soldering iron. It can power a very small dynamo or perform other tasks that need small-scale power. A water supply with a pressure of 40 lbs. or more per square inch is necessary.
We begin operations by fashioning the case, which consists of three main parts, the centre and two sides, held together by brass screws. For the centre, select a piece of oak 1 inch thick. Mark off a square, 7 inches on the side; find the centre of this, and describe a circle 5 inches in diameter. A bulge is given to the circle towards one corner of the square, at which the waste-pipe will be situated.
We start our work by creating the case, which has three main parts: the center and two sides, all secured with brass screws. For the center, choose a piece of oak that's 1 inch thick. Mark a square that is 7 inches on each side; find the center of this square and draw a circle with a diameter of 5 inches. Add a bulge to the circle towards one corner of the square, where the waste pipe will be located.
Cut out along the line with a keyhole saw. Then saw out the square of wood. A 5/8-inch hole is now bored edgeways through the wood into the “bulge” for the escape, and in what will be the top edge is drilled a 1/4-inch hole to allow air to enter.
Cut along the line with a keyhole saw. Then saw out the square of wood. A 5/8-inch hole is now drilled sideways through the wood into the “bulge” for the escape, and in what will be the top edge, a 1/4-inch hole is drilled to let air in.
[Illustration: FIG. l05.—Simple water turbine.]
[Illustration: FIG. l05.—Basic water turbine.]
Cut out the sides, and screw them on to the centre at the four corners, taking care that the grain runs the same way in all three pieces, so that they may all expand or contract in the same direction. Plane off the edges of the sides flush with the centre.
Cut out the sides and attach them to the center at the four corners, making sure the grain runs the same way in all three pieces so that they all expand or contract in the same direction. Trim the edges of the sides so they are flush with the center.
The parts should now be separated, after being marked so that they can be reassembled correctly, and laid for a quarter of an hour in a pan of melted paraffin wax, or, failing this, of vaseline, until the wood is thoroughly impregnated. Reassemble the parts, and put in the rest of the holding screws, which should have their heads countersunk flush with the wood.
The parts should now be separated, after being marked so that they can be reassembled correctly, and laid for fifteen minutes in a pan of melted paraffin wax, or, if that's not available, in vaseline, until the wood is completely saturated. Reassemble the parts, and put in the remaining holding screws, which should have their heads countersunk flush with the wood.
[Illustration: FIG. 106.—Water turbine, with pulley side of casing removed.]
[Illustration: FIG. 106.—Water turbine, with pulley side of casing removed.]
For the shaft select a piece of steel rod 5/32 inch in diameter, and 3 or 4 inches long; for the bearings use two pieces, 3/4 inch long each, of close-fitting brass tube. Now take a drill, very slightly smaller in diameter than the bearings, and run holes right through the centres of, and square to, the sides. Both holes should be drilled at one operation, so that they may be in line.
For the shaft, choose a piece of steel rod that is 5/32 inch in diameter and 3 or 4 inches long. For the bearings, use two pieces of brass tube that are 3/4 inch long each and fit closely. Now take a drill that is slightly smaller in diameter than the bearings and drill holes straight through the centers and perpendicular to the sides. Both holes should be drilled in one go to ensure they are aligned.
With a wooden mallet drive the bearings, which should be tapered slightly at the entering end, through the sides. Push the shaft through them. If it refuses to pass, or, if passed, turns very unwillingly, the bearings must be out of line; in which case the following operation will put things right. Remove the bearing on the pulley side, and enlarge the hole slightly. Then bore a hole in the centre of a metal disc, 1 inch in diameter, to fit the bearing; and drill three holes for screws to hold the disc against the case. Rub disc and bearing bright all over.
With a wooden mallet, drive the bearings, which should be slightly tapered at the entering end, through the sides. Push the shaft through them. If it doesn't go through easily, or if it does but turns very reluctantly, the bearings must be misaligned; in that case, the following steps will fix it. Remove the bearing on the pulley side and slightly enlarge the hole. Next, drill a hole in the center of a metal disc, 1 inch in diameter, to fit the bearing, and drill three holes for screws to attach the disc to the case. Make sure to clean both the disc and the bearing thoroughly.
Replace the bearing in its hole, slip the disc over it, and push the shaft through both bearings. Move the disc about until the shaft turns easily, mark the screw holes, and insert the screws. Finally, solder the bearing to the disc while the shaft is still in place.
Replace the bearing in its slot, slide the disc over it, and push the shaft through both bearings. Adjust the disc until the shaft turns smoothly, mark the screw holes, and insert the screws. Finally, solder the bearing to the disc while the shaft is still in position.
The wheel is a flat brass disc 4 inches in diameter. Polish this, and scratch on one side twelve equally spaced radii. At the end of each radius a small cup, made by bending a piece of strip brass 1/4 inch wide and 1/2 inch long into an arc of a circle, is soldered with its extremities on the scratch. A little “Tinol” soldering lamp (price 1s. 6d.) comes in very handy here.
The wheel is a flat brass disc that measures 4 inches across. Polish it up and etch twelve evenly spaced lines from the center to the edge on one side. At the end of each line, attach a small cup, which you can create by bending a piece of brass strip that is 1/4 inch wide and 1/2 inch long into an arc. Use solder to fix the ends of the cup to the etch marks. A small “Tinol” soldering lamp (costing 1s. 6d.) is really useful for this task.
To fix the wheel of the shaft requires the use of a third small piece of tubing, which should be turned off quite square at both ends. Slip this and the wheel on the shaft, and make a good, firm, soldered joint. Note.— Consult Fig. 107 for a general idea of the position of the wheel, which must be kept just clear of the case by the near bearing.
To fix the wheel on the shaft, you'll need a small piece of tubing that's cut square at both ends. Slide this and the wheel onto the shaft, and create a solid, soldered joint. Note.— See Fig. 107 for a general idea of the wheel's position, which should be kept just clear of the case by the nearby bearing.
[Illustration: FIG. 107.—Plan of water turbine, showing arrangement of nozzle.]
[Illustration: FIG. 107.—Plan of water turbine, showing arrangement of nozzle.]
The nozzle should be a straight, tapered tube of some kind—the nose of a large oil can will serve the purpose. The exit must be small enough to allow the water to leave it at high velocity; if too large, the efficiency of the wheel will be diminished. To the rear end of the nozzle should be soldered a piece of brass tubing, which will make a tight fit with the hose pipe leading from the water supply. A few small brass rings soldered round this piece will prevent the hose blowing off if well wired on the outside.
The nozzle should be a straight, tapered tube of some kind—the tip of a large oil can will work well. The opening must be small enough to let the water exit at high speed; if it's too big, the wheel's efficiency will drop. At the back end of the nozzle, there should be a soldered piece of brass tubing that fits tightly with the hose connecting to the water supply. A few small brass rings soldered around this section will help keep the hose from coming off if it's securely wired on the outside.
Now comes the boring of the hole for the nozzle. Fig. 106 shows the line it should take horizontally, so that the water shall strike the uppermost bucket just below the centre; while Fig. 107 indicates the obliquity needed to make the stream miss the intervening bucket. A tapered broach should be used to enlarge the hole gradually till the nozzle projects sufficiently. If the line is not quite correct, the tip should be bent carefully in the direction required. One must avoid distorting the orifice, which should be perfectly circular; clean it out with a small twist drill of the proper size.
Now we need to drill the hole for the nozzle. Fig. 106 shows the horizontal line it should follow so that the water hits the top bucket just below the center; Fig. 107 shows the angle needed to ensure the stream misses the bucket in between. A tapered broach should be used to gradually enlarge the hole until the nozzle sticks out enough. If the line isn't quite right, carefully bend the tip in the needed direction. It's important to avoid distorting the opening, which should remain perfectly circular; clean it out with a small twist drill of the correct size.
A brass elbow, which may be purchased for a few pence, should be driven into the waste hole, and a small shield be nailed under the air hole. A couple of screwed-on cross pieces are required to steady the motor sideways and raise the elbow clear of the ground.
A brass elbow, which can be bought for just a few cents, should be inserted into the waste hole, and a small shield should be nailed under the air hole. A couple of screwed-on cross pieces are needed to stabilize the motor sideways and lift the elbow off the ground.
The motor may be geared direct to a very small dynamo, if the latter is designed to run at high speeds. If a geared-down drive is needed, a small pulley—such as is used for blinds, and may be bought for a penny—should be attached to the shaft, and a bootlace be employed as belt. Avoid overloading the wheel, for if it is unable to run at a high speed it will prove inefficient.
The motor can be directly connected to a small dynamo if the dynamo is made to operate at high speeds. If a slower drive is necessary, attach a small pulley—like the ones used for blinds, which can be purchased for a penny—to the shaft, and use a bootlace as a belt. Be careful not to overload the wheel; if it can't run at a high speed, it won't work efficiently.
[Illustration: FIG. l08.-Water motor working a photographic dish-rocker.]
[Illustration: FIG. l08.-Water motor operating a photographic dish-rocker.]
Lubrication.—The water will keep the bearings cool, but the bearings should be well lubricated. The most convenient method of effecting this is to bore holes in the bearings, and from them run small pipes to an oil reservoir on the top of the case (as in Fig. 70), where they are fed on the siphon principle through strands of worsted.
Lubrication.—Water will keep the bearings cool, but the bearings should be well lubricated. The easiest way to achieve this is to drill holes in the bearings and connect small pipes to an oil reservoir on top of the case (as shown in Fig. 70), where they are fed using the siphon principle through strands of worsted.
Alternative Construction.—If an all-metal case is preferred, the reader might utilize the description given of a steam turbine on pp. 170-178. The details there given will apply to water as well as steam, the one exception being that a nozzle of the kind described above must be substituted for the steam pipe and small ports.
Alternative Construction.—If you prefer an all-metal case, you can use the description of a steam turbine on pp. 170-178. The details provided will apply to both water and steam, with one exception: you need to replace the steam pipe and small ports with a nozzle of the type described above.
XXII.
MODEL PUMPS.
Every steam boiler which has to run for long periods and evaporate considerable quantities of water should be in connection with a pump capable of forcing water in against the highest pressure used. On a previous page (p. 158) we have described a force pump driven directly off the crank shaft of an engine. As the action of this is dependent on the running of the engine, it is advisable, in cases where the boiler may have to work an engine not provided with a pump of its own, to install an independent auxiliary pump operated by hand or by steam, and of considerable capacity, so that in an emergency water may be supplied quickly.
Every steam boiler that needs to operate for long periods and evaporate large amounts of water should be connected to a pump that can push water against the highest pressure used. On a previous page (p. 158), we described a force pump driven directly from the engine's crankshaft. Since this pump relies on the engine running, it’s wise to install an independent auxiliary pump that can be operated manually or by steam, especially in situations where the boiler may power an engine without its own pump. This auxiliary pump should have a substantial capacity to ensure water can be supplied quickly in an emergency.
[Illustration: FIG. l09.-Vertical section of force pump.]
[Illustration: FIG. l09.-Vertical section of force pump.]
Making a Hand pump.—Fig. 109 shows the details of a hand pump which is easy to make. The barrel is a length of brass tubing; the plunger a piece of brass or preferably gun-metal rod, which fits the tube closely, but works easily in it. The gland at the top of the barrel, E, is composed of a piece, D, of the same tubing as the barrel, sliding in a collar, C, soldered to E. The bottom of D and top of E are bevelled to force the packing against the plunger. The plates A and B, soldered to D and C respectively, are drawn together by three or more screws. A brass door-knob makes a convenient top for the plunger. When the knob touches A, the bottom of the plunger must not come lower than the top of the delivery pipe, lest the water flow should be impeded and the valve, V, injured. Round off the end of the plunger, so that it may be replaced easily and without disarranging the packing if pulled out of the pump.
Making a Hand Pump.—Fig. 109 shows how to make an easy hand pump. The barrel is a piece of brass tubing; the plunger is a piece of brass or, ideally, gun-metal rod that fits snugly in the tube but moves easily. The gland at the top of the barrel, E, consists of a piece, D, made from the same tubing as the barrel, sliding into a collar, C, that is soldered to E. The bottom of D and the top of E are beveled to press the packing against the plunger. The plates A and B, soldered to D and C respectively, are held together by three or more screws. A brass doorknob serves as a convenient top for the plunger. When the knob touches A, the bottom of the plunger shouldn’t go lower than the top of the delivery pipe to avoid blocking the water flow and damaging the valve, V. Round off the end of the plunger so that it can be easily reinserted without disturbing the packing if it’s pulled out of the pump.
The valves are gun-metal balls, for which seats have been prepared by hammering in steel cycle balls of the same size. Be careful to select balls considerably larger than the bore of the pipes on which they rest, to avoid all possibility of jamming. An eighth of an inch or so above the ball, cross wires should be soldered in to prevent the ball rising too far from its seat.
The valves are made of gun-metal balls, with seats created by hammering in steel cycle balls of the same size. Make sure to choose balls that are significantly larger than the diameter of the pipes they sit on to prevent any chance of jamming. About an eighth of an inch above the ball, cross wires should be soldered in to keep the ball from rising too far from its seat.
[Illustration: FIG. 110.]
[Illustration: FIG. 110.]
A convenient mounting for a hand pump is shown in Fig. 110. The plate, F, of the pump is screwed to a wooden base resting on a framework of bent sheet zinc, which is attached to the bottom of a zinc water tray. The delivery pipe, G, will be protected against undue strains if secured by a strap to the side of the wooden base.
A handy setup for a hand pump is shown in Fig. 110. The plate, F, of the pump is screwed to a wooden base that sits on a framework of bent sheet zinc, which is attached to the bottom of a zinc water tray. The delivery pipe, G, will be safeguarded against excessive strains if it's secured with a strap to the side of the wooden base.
The same pump is easily adapted to be worked by a lever, which makes the work of pumping easier. Fig. 111 gives details of the top of the plunger and the links, B. A slot must be cut in the plunger for the lever, A, to pass through, and the sides bored for a pivot pin. The links are straddled (see sketch of end view) to prevent the back end of the lever wobbling from side to side.
The same pump can easily be set up to be operated by a lever, which simplifies the pumping process. Fig. 111 shows details of the top of the plunger and the links, B. A slot needs to be cut in the plunger for the lever, A, to go through, and the sides should be drilled for a pivot pin. The links are positioned (see sketch of end view) to keep the back end of the lever stable and prevent it from wobbling side to side.
[Illustration: FIG. 111.—Details of lever for force pump.]
[Illustration: FIG. 111.—Details of lever for force pump.]
A Steam Pump.—The pump illustrated in Fig. 112 belongs to what is probably the simplest self-contained type, as no fly wheel, crank, or eccentric is needed for operating the valve.
A Steam Pump.—The pump shown in Fig. 112 is likely the simplest type that operates on its own, as it doesn’t require a flywheel, crank, or eccentric to function the valve.
The steam cylinder and the pump are set in line with one another (in the case shown, horizontally), and half as far apart again as the stroke of the cylinder. The plunger is either a continuation of the piston rod, or attached to it.
The steam cylinder and the pump are aligned with each other (in the case shown, horizontally), and they are spaced apart by half the distance of the cylinder's stroke. The plunger is either an extension of the piston rod or connected to it.
[Illustration: FIG. 112—View of steam pump, showing details.]
[Illustration: FIG. 112—View of steam pump, showing details.]
An arm, S, fixed at right angles to the piston rod, has a forked end which moves along the rod. This rod is connected with the slide valve through the rocking arm, R1 and the rod, R2. On it are two adjustable stops, T1 T2, which S strikes alternately towards the end of a stroke, causing the valve to shift over and expose the other side of the piston to steam pressure. The absence of the momentum of a fly wheel makes it necessary for the thrust exerted by the piston to be considerably greater than the back pressure of the water, so that the moving parts may work with a velocity sufficient to open the valve. If the speed falls below a certain limit, the valve opens only part way, the speed falls, and at the end of the next stroke the valve is not shifted at all.
An arm, S, fixed at a right angle to the piston rod, has a forked end that moves along the rod. This rod is connected to the slide valve through the rocking arm, R1, and the rod, R2. It has two adjustable stops, T1 and T2, that S hits alternately toward the end of a stroke, causing the valve to shift and expose the other side of the piston to steam pressure. Without the momentum of a flywheel, the force exerted by the piston needs to be much greater than the back pressure from the water, so that the moving parts can operate fast enough to open the valve. If the speed drops below a certain point, the valve only opens partially, the speed decreases, and by the end of the next stroke, the valve doesn’t shift at all.
The diameter of the plunger must be decided by the pressure against which it will have to work. For boiler feeding it should not exceed one-third that of the piston; and in such case the piston rod and plunger may well be one.
The diameter of the plunger must be determined by the pressure it will need to handle. For feeding boilers, it shouldn't be more than one-third the size of the piston; in that situation, the piston rod and plunger can be combined into one.
A piston valve, being moved more easily than a box valve, is better suited for a pump of this kind, as friction should be reduced as much as possible.
A piston valve, which is easier to move than a box valve, is more suitable for this type of pump since minimizing friction is important.
CONSTRUCTION.
The cylinder will not be described in detail, as hints on making a slide-valve cylinder have been given on earlier pages. The piston rod should be three times as long as the stroke of the cylinder, if it is to serve as pump plunger; and near the pump end an annular groove must be sunk to take a packing.
The cylinder won't be described in detail, as tips on creating a slide-valve cylinder have been provided on previous pages. The piston rod should be three times the length of the cylinder's stroke if it's going to function as a pump plunger; and near the pump end, an annular groove must be made to hold a packing.
The pump, if designed to work horizontally, will have the valves arranged like the pump illustrated in Fig. 65; if vertically, like the pump shown in Fig. 109. Both suction and delivery pipes should be of ample size, as the pump works very fast. The pump is mounted on a foot, F, made by turning up the ends of a piece of brass strip, and filing them to fit the barrel.
The pump, if designed to operate horizontally, will have the valves set up like the pump shown in Fig. 65; if vertically, like the pump in Fig. 109. Both the suction and delivery pipes should be sufficiently large, as the pump operates at high speed. The pump is mounted on a foot, F, created by bending up the ends of a piece of brass strip and filing them to fit the barrel.
The bed can be fashioned out of stout sheet brass or zinc. Let it be of ample size to start with, and do not cut it down until the pump is complete. Rule a centre line for cylinder and pump, and mount the cylinder. Pull out the piston rod plunger as far as it will go, and slip the pump barrel on it. The foot of the pump must then be brought to the correct height by filing and spreading the ends until the plunger works quite easily in the pump, when this is pressed down firmly against the bed. When adjustment is satisfactory, mark the position of the foot on the bed, solder foot to barrel, and drill and tap the foot for the holding-down screws. Don’t forget that the distance between pump and cylinder gland must be at least 1-1/3 times the stroke.
The bed can be made from sturdy sheet brass or zinc. Start with a good-sized bed and avoid cutting it down until the pump is finished. Draw a center line for the cylinder and pump, then attach the cylinder. Pull out the piston rod plunger as far as it will go, and slide the pump barrel onto it. The base of the pump needs to be adjusted to the right height by filing and spreading the ends until the plunger moves smoothly in the pump when pressed firmly against the bed. Once you’re happy with the adjustment, mark the position of the base on the bed, solder it to the barrel, and drill and tap the base for the holding-down screws. Remember that the distance between the pump and the cylinder gland must be at least 1-1/3 times the stroke.
The valve motion can then be taken in hand. Cut off for the guides, G1 G2, two pieces of stout brass strip, 2-1/2 inches long and 3/4 inch wide. Lay them together in a vice, and bore the holes (Fig. 113) 1-1/4 inches apart, centre to centre, for the 1/8-inch rods, R1 R2. The feet are then turned over and a third hole bored in G1, midway between those previously made, to take the end of the support, PP, of the rocking lever.
The valve movement can then be addressed. Cut two sturdy pieces of brass strip for the guides, G1 G2, each 2.5 inches long and 0.75 inch wide. Clamp them together in a vice, and drill holes (Fig. 113) 1.25 inches apart, center to center, for the 0.125-inch rods, R1 R2. Next, flip the feet over and drill a third hole in G1, halfway between the other two, to accommodate the end of the support, PP, of the rocking lever.
[Illustration: FIG. 113.—End view of striking mechanism of steam pump.]
[Illustration: FIG. 113.—End view of the striking mechanism of the steam pump.]
Screw G1 G2 down to the bedplate, 3/4 inch away from the cylinder centre line. G1 is abreast of the mouth of the pump, G2 about half an inch forward of the end of the cylinder.
Screw G1 and G2 down to the bedplate, 3/4 inch away from the cylinder centerline. G1 is in line with the opening of the pump, and G2 is about half an inch ahead of the end of the cylinder.
The striker, S, is a piece of brass strip soldered to 1/2 inch of tubing fitting the piston rod. (See Fig. 113.) Its length is decided by running a rod through the upper holes in G1 G2, allowance being made for the notch in the end. The collar is tapped for two screws, which prevent S slipping on the piston rod. The rods for R1 R2 are now provided with forks, made by cutting and filing notches in bits of brass tubing. The notches should be half as deep again as the rocking lever is wide, to give plenty of room for movement. Solder the forks to the rods, and put the rods in place in the guides, with the forks as far away from G1 as the travel of the slide valve. Then measure to get the length of the rocking lever support. One end of this should be filed or turned down to fit the hole drilled for it; the other should be slotted to fit the lever accurately.
The striker, S, is a strip of brass soldered to a 1/2 inch piece of tubing that fits the piston rod. (See Fig. 113.) Its length is determined by inserting a rod through the upper holes in G1 and G2, making sure to account for the notch at the end. The collar is tapped for two screws to stop S from sliding on the piston rod. The rods for R1 and R2 now have forks, created by cutting and filing notches in pieces of brass tubing. The notches should be one and a half times deeper than the width of the rocking lever to allow for enough movement. Solder the forks to the rods, and place the rods in the guides, positioning the forks as far from G1 as the slide valve can travel. Then measure to determine the length of the rocking lever support. One end of this should be filed or turned down to fit the hole drilled for it, while the other should be slotted to fit the lever precisely.
The rocking lever, RL, which should be of steel, is slotted at each end to slide on the pins in the forks, and bored for the pivot pin, which, like those in the forks, should be of hardened steel wire. Assemble the rocking lever in its support and the rod forks, and solder on the support.
The rocking lever, RL, made of steel, has slots at each end to slide on the pins in the forks, and it's drilled for the pivot pin, which, like the ones in the forks, should be made of hardened steel wire. Put the rocking lever in its support and the rod forks, then solder the support in place.
To the back end of R2 solder a steel plate, A, which must be bored for the pin in the valve fork, after the correct position has been ascertained by careful measurement.
Solder a steel plate, A, to the back end of R2, making sure to drill a hole for the pin in the valve fork once you have determined the correct position through careful measurement.
The stops, T1 T2, are small, adjustable collars, kept tightly in place on
R1 by screws.
The stops, T1 T2, are small, adjustable collars that are securely held in place on
R1 by screws.
Setting the Striker.—Assemble all the parts. Pull out the piston rod as far as it will go, and push the slide valve right back. Loosen the striker and the forward stop, and slide them along in contact until the striker is close to the pump. Tighten up their screws. Then push the piston rod fully in, draw the valve rod fully out, and bring the rear stop up against the striker, and make it fast. Each stop may now be moved 1/16 inch nearer to a point halfway between them to cause “cushioning” of the piston, by admitting steam before the stroke is quite finished.
Setting the Striker.—Gather all the parts. Extend the piston rod as far as it will go, and push the slide valve all the way back. Loosen the striker and the forward stop, then slide them together until the striker is close to the pump. Tighten their screws. Next, push the piston rod all the way in, pull the valve rod all the way out, and push the rear stop against the striker, securing it in place. Now, each stop can be moved 1/16 inch closer to a point halfway between them to create “cushioning” of the piston by allowing steam in before the stroke is completely finished.
A pump made by the author on this principle, having a 1-1/4 inch stroke and a 1/2-inch bore, will deliver water at the rate of half a gallon per minute against a head of a few feet.
A pump designed by the author based on this principle, with a 1-1/4 inch stroke and a 1/2-inch bore, will provide water at a rate of half a gallon per minute against a head of a few feet.
Note.—To steady the flow and prevent “water hammer,” a small air-chamber should be attached to the delivery pipe.
Note.—To regulate the flow and avoid “water hammer,” a small air chamber should be connected to the delivery pipe.
An Alternative Arrangement.—If the reader prefers a steam pump which will work at slow speeds, and be available, when not pumping, for driving purposes, the design may be modified as shown diagrammatically in Fig. 114. The striker becomes a cross head, and is connected by a forked rod passing on each side of the pump with the crank of a fly wheel overhanging the base. The valve is operated in the ordinary manner by an eccentric on the crankshaft. The steadying effect of the fly wheel and the positive action of the valve make it possible to use a larger pump plunger than is advisable with the striking gear. With a pump piston of considerably greater diameter than the piston rod, the pump may be made double-acting, a gland being fitted at the front end for the piston rod to work through, and, of course, a second set of valves added.
An Alternative Arrangement.—If the reader prefers a steam pump that operates at slow speeds and can also be used for driving purposes when not pumping, the design can be modified as shown in Fig. 114. The striker turns into a crosshead and is linked by a forked rod that runs on either side of the pump to a crank on a flywheel that extends over the base. The valve is activated in the usual way by an eccentric on the crankshaft. The stabilizing effect of the flywheel and the reliable operation of the valve allow for the use of a larger pump plunger than what is recommended with the striking mechanism. With a pump piston that has a much larger diameter than the piston rod, the pump can be designed to be double-acting, incorporating a gland at the front end for the piston rod to pass through, along with a second set of valves.
[Illustration: Fig. 114.—Plan of steam pump with fly wheel.]
[Illustration: Fig. 114.—Plan of steam pump with flywheel.]
A SUGGESTION.
For exhibition purposes a small, easily running, double-action pump might be worked by the spindle of a gramophone. A crank of the proper throw and a connecting rod must be provided. Both delivery pipes feed, through an air-chamber, a fountain in the centre of a bowl, the water returning through an overflow to the source of supply, so that the same water may be used over and over again.
For display purposes, a small, easily operated double-action pump could be powered by the spindle of a gramophone. A crank with the right throw and a connecting rod need to be included. Both delivery pipes feed into an air chamber that channels water to a fountain in the center of a bowl, with the water returning through an overflow back to its supply source, allowing the same water to be reused repeatedly.
XXIII.
KITES.
Plain Rectangular Box Kites.—The plain box kite is easy to make and a good flier. Readers should try their hands on it before attempting more complicated models.
Plain Rectangular Box Kites.—The plain box kite is simple to make and flies well. Readers should give it a try before moving on to more complex models.
Lifting pressure is exerted only on the sides facing the wind, but the other sides have their use in steadying the kite laterally, and in holding in the wind, so that they justify their weight.
Lifting pressure is applied only on the sides that are facing the wind, but the other sides help to stabilize the kite sideways and maintain its position in the wind, so they serve a purpose for their weight.
Proportions of Box.—Each box has wind faces one and a third times as long as the sides, and the vertical depth of the box is about the same as its fore and aft dimensions. That is, the ends of the boxes are square, and the wind faces oblong, with one-third as much area again as the ends. Little advantage is to be gained from making the boxes proportionately deeper than this. The distance between the boxes should be about equal to the depth of each box.
Proportions of Box.—Each box has wind faces that are one and a third times longer than the sides, and the vertical depth of the box is roughly the same as its front and back dimensions. In other words, the ends of the boxes are square, while the wind faces are oblong, having one-third more area than the ends. There isn’t much advantage to making the boxes proportionately deeper than this. The space between the boxes should be about the same as the depth of each box.
CONSTRUCTION.
After these general remarks, we may proceed to a practical description of manufacture, which will apply to kites of all dimensions. It will be prudent to begin on small models, as requiring small outlay.
After these general comments, we can move on to a practical description of how to make kites of all sizes. It’s wise to start with small models since they require less investment.
Having decided on the size of your kite, cut out two pieces of material as wide as a box is to be deep, and as long as the circumference of the box plus an inch and a half to spare. Machine stitch 5/8 inch tapes along each edge, using two rows of stitching about 1/8 inch from the edges of the tape. Then double the piece over, tapes inside, and machine stitch the ends together, three quarters of an inch from the edge. Note.—All thread ends should be tied together to prevent unravelling, and ends of stitching should be hand-sewn through the tape, as the greatest strain falls on these points.
Having decided on the size of your kite, cut out two pieces of material that are as wide as the box is deep, and as long as the circumference of the box plus an inch and a half for extra. Sew 5/8 inch tapes along each edge with two rows of stitching about 1/8 inch from the edges of the tape. Then fold the piece over with the tapes inside and sew the ends together, three-quarters of an inch from the edge. Note: All thread ends should be tied together to prevent unraveling, and ends of stitching should be hand-sewn through the tape since the greatest strain falls on these points.
The most convenient shape for the rods is square, as fitting the corners and taking tacks most easily. The sectional size of the rods is governed by the dimensions of the kite, and to a certain extent by the number of stretchers used. If four stretchers are employed in each box, two near the top and two near the bottom, the rods need not be so stout as in a case where only a single pair of central stretchers is preferred.
The best shape for the rods is square because it fits the corners easily and allows for tacking without hassle. The size of the rods depends on the dimensions of the kite and, to some degree, on how many stretchers are used. If you use four stretchers in each box—two near the top and two near the bottom—the rods don't have to be as thick compared to a setup that only has a single pair of central stretchers.
Lay the two boxes flat on the floor, in line with one another, and the joins at the same end. Pass two rods through, and arrange the boxes so that the outer edges are 1/2 inch from the ends of the rods. (These projections protect the fabric when the kite strikes the ground).
Lay the two boxes flat on the floor, aligned with each other, keeping the joins at the same end. Slide two rods through, and position the boxes so the outer edges are 1/2 inch from the ends of the rods. (These projections protect the fabric when the kite hits the ground).
Lay the rods on one corner, so that the sides make an angle of 45 degrees with the floor, pull the boxes taut—be careful that they are square to the rods—and drive three or four tacks through each end of the box into the rods. Then turn them over and tack the other sides similarly. Repeat the process with the other rods after measuring to get the distances correct.
Lay the rods in one corner at a 45-degree angle to the floor. Pull the boxes tight—make sure they’re square to the rods—and hammer three or four tacks through each end of the box into the rods. Then flip them over and tack the other sides in the same way. Repeat the process with the other rods after measuring to ensure the distances are accurate.
The length of the stretchers is found approximately by a simple arithmetical sum, being the square root of the sum of the squares of the lengths of two adjacent sides of the box. For example, if each box is 20 by 15 inches, the diagonal is the square root of (20 squared plus 15 squared) = square root of 625 = 25 inches. The space occupied by the vertical rods will about offset the stretch of the material, but to be on the safe side and to allow for the notches, add another half-inch for small kites and more proportionately for large ones. It is advisable to test one pair of stretchers before cutting another, to reduce the effect of miscalculations.
The length of the stretchers can be found by using a simple math calculation: take the square root of the sum of the squares of the lengths of the two adjacent sides of the box. For instance, if each box measures 20 by 15 inches, the diagonal would be the square root of (20 squared plus 15 squared) = square root of 625 = 25 inches. The space taken up by the vertical rods will mostly balance out the stretch of the material, but to be safe and to account for the notches, add an extra half-inch for small kites and more proportionately for larger ones. It's a good idea to test one pair of stretchers before cutting another to minimize the chances of mistakes.
The stretcher notches should be deep enough to grip the rods well and prevent them twisting, and one must take care to have those on the same stretcher exactly in line, otherwise one or other cannot possibly “bed” properly. A square file is useful for shaping the notches.
The stretcher notches should be deep enough to securely hold the rods and stop them from twisting, and you need to make sure that the notches on the same stretcher are perfectly aligned; otherwise, one or the other won’t sit properly. A square file is handy for shaping the notches.
Ordinarily stretchers do not tend to fall out, as the wind pressure puts extra strain on them and keeps them up tight. But to prevent definitely any movement one may insert screw eyes into the rods near the points at which the stretchers press on them, and other eyes near the ends of the stretchers to take string fastenings. These attachments will be found useful for getting the first pair of stretchers into position, and for preventing the stretchers getting lost when the kite is rolled up.
Typically, stretchers don’t tend to fall out since the wind pressure adds extra strain and keeps them securely in place. However, to ensure there’s no movement at all, you can insert screw eyes into the rods close to where the stretchers apply pressure, and additional eyes near the ends of the stretchers for string fastenings. These attachments will be helpful for positioning the first pair of stretchers and for preventing them from getting lost when the kite is rolled up.
The bridle is attached to four eyes screwed into the rods near the tops of the boxes. (See Fig. 118.) The top and bottom elements of the bridle must be paired off to the correct length; the top being considerably shorter than the bottom. All four parts may be attached to a brass ring, and all should be taut when the ring is pulled on. The exact adjustment must be found by experiment. In a very high wind it is advisable to shorten the top of the bridle if you have any doubt as to the strength of your string, to flatten the angle made by the kite with the wind.
The bridle is connected to four eyes that are screwed into the rods near the tops of the boxes. (See Fig. 118.) The top and bottom parts of the bridle must be cut to the right length, with the top being much shorter than the bottom. All four pieces can be attached to a brass ring, and everything should be tight when the ring is pulled. The exact adjustment needs to be found through testing. In very strong winds, it’s wise to shorten the top of the bridle if you're unsure about the strength of your string, to reduce the angle between the kite and the wind.
[Illustration: FIG. 115.—Details of stretcher attachment for diamond-shaped box kites.]
[Illustration: FIG. 115.—Details of stretcher attachment for diamond-shaped box kites.]
Diamond Box Kites.—In another type of box kite the boxes have four equal sides, but the boxes are rhombus-shaped, as in Fig. 116, the long diagonal being square to the wind, and the bridle attached at the front corner.
Diamond Box Kites.—In another design of box kite, the boxes have four equal sides, but they are rhombus-shaped, as shown in Fig. 116, with the long diagonal facing directly into the wind, and the bridle connected at the front corner.
For particulars of design and construction I am much indebted to Mr. W. H. Dines, F.R.S., who has used the diamond box kite for his meteorological experiments to carry registering meteorographs several thousands of feet into the air.
For details about the design and construction, I owe a lot to Mr. W. H. Dines, F.R.S., who has used the diamond box kite in his meteorological experiments to take recording meteorographs several thousand feet into the air.
The longitudinal sticks used at the corners have the section shown in Fig. 115. They are about four times as wide at the front edge, which presses against the fabric, as at the back, and their depth is about twice the greater width. This shape makes it easy to attach the shorter stretchers, which have their ends notched and bound to prevent splitting.
The long sticks used at the corners have the shape shown in Fig. 115. They are roughly four times as wide at the front edge, which presses against the fabric, compared to the back, and their depth is about twice the wider part. This design makes it easy to attach the shorter stretchers, which have notched ends that are bound to prevent splitting.
[Illustration: FIG. 116.—Plan of diamond box kite, showing arrangement of stretchers.]
[Illustration: FIG. 116.—Plan of diamond box kite, showing arrangement of stretchers.]
Fig. 117 is a perspective diagram of a kite. The sail of each box measures from top to bottom one-sixth the total circumference of the box, or, to express the matter differently, each face of the box is half as long again as its depth. The distance separating the boxes is equal to the depth of a box.
Fig. 117 is a perspective diagram of a kite. The sail of each box measures from top to bottom one-sixth of the total circumference of the box, or, to put it another way, each face of the box is one and a half times its depth. The distance between the boxes is equal to the depth of a box.
The sides of a box make angles of 60 degrees and 120 degrees with one another, the depth of the space enclosed from front to back being the same as the length of a side. With these angles the effective area of the sails is about six-sevenths of the total area. Therefore a kite of the dimensions given in Fig. 117 will have an effective area of some thirty square feet.
The sides of a box form angles of 60 degrees and 120 degrees with each other, and the depth of the space from front to back is the same as the length of a side. With these angles, the usable area of the sails is about six-sevenths of the total area. So, a kite with the dimensions shown in Fig. 117 will have a usable area of around thirty square feet.
[Illustration: FIG. 117.—Diamond box kite in perspective. Ties are indicated by fine dotted lines.]
[Illustration: FIG. 117.—Diamond box kite in perspective. Ties are indicated by fine dotted lines.]
The long stretchers pass through holes in the fabric close to the sticks, and are connected with the sticks by stout twine. Between stretcher and stick is interposed a wedge-shaped piece of wood (A in Fig. 115), which prevents the stick being drawn out of line. This method of attachment enables the boxes to be kept tight should the fabric stretch at all—as generally happens after some use; also it does away with the necessity for calculating the length of the stretchers exactly.
The long stretchers go through holes in the fabric near the sticks and are tied to the sticks with strong twine. A wedge-shaped piece of wood (A in Fig. 115) is placed between the stretcher and the stick, which keeps the stick from getting out of alignment. This way of connecting them allows the boxes to stay tight even if the fabric stretches a bit, which usually happens after some use; it also eliminates the need to precisely calculate the length of the stretchers.
The stretchers are tied together at the crossing points to give support to the longer of the pair.
The stretchers are connected at the crossing points to support the longer one of the pair.
The dotted lines AB, AC, AD, EM, and EN in Fig. 117 indicate ties made with wire or doubled and hemmed strips of the fabric used for the wings. AB, running from the top of the front stick to the bottom of the back stick, should be of such a length that, when the kite is stood on a level surface, the front and back sticks make right angles with that surface, being two sides of a rectangle whereof the other two sides are imaginary lines joining the tops and bottoms of the sticks. This tie prevents the back of the kite drooping under pressure of the wind, and increases the angle of flight. The other four ties prevent the back sails turning over at the edges and spilling the wind, and also keep them flatter. This method of support should be applied to the type of kite described in the first section of this chapter.
The dotted lines AB, AC, AD, EM, and EN in Fig. 117 show ties made with wire or folded and hemmed strips of the fabric used for the wings. AB, which runs from the top of the front stick to the bottom of the back stick, should be long enough so that when the kite is placed on a flat surface, the front and back sticks form right angles with that surface, acting as two sides of a rectangle with the other two sides being imaginary lines connecting the tops and bottoms of the sticks. This tie stops the back of the kite from sagging due to wind pressure and helps improve the angle of flight. The other four ties prevent the back sails from flipping over at the edges and losing wind, while also keeping them flatter. This support method should be used for the type of kite described in the first section of this chapter.
String Attachment.—A box kite will fly very well if the string is attached to the top box only. The tail box is then free to tilt up and trim the kite to varying pressures independently of the ascent of the kite as a whole. When the bottom box also is connected to the string it is a somewhat risky business sending a kite up in a high wind, as in the earlier part of the ascent the kite is held by the double bridle fairly square to the wind. If any doubt is entertained as to the ability of the string to stand the pressure, the one-box attachment is preferable, though possibly it does not send the kite to as great a height as might be attained under similar conditions by the two-box bridle.
String Attachment.—A box kite flies really well if the string is only attached to the top box. This allows the tail box to tilt up and adjust the kite to different wind pressures independently of how the kite is rising overall. When the bottom box is also connected to the string, it becomes a bit risky to launch the kite in strong winds, since during the initial ascent the kite is held fairly straight against the wind by the double bridle. If there's any doubt about whether the string can handle the pressure, the single box attachment is a better option, even though it might not let the kite reach the same height as it could with the two-box bridle under similar conditions.
[Illustration: FIG. 118.—Box kite with rear wings.]
[Illustration: FIG. 118.—Box kite with rear wings.]
When one has to attach a string or wire to a large kite at a single point, the ordinary method of using an eye screwed into the front stick is attended by obvious risks. Mr. Dines employs for his kites (which measure up to nine feet in height) an attachment which is independent of the front stick. Two sticks, equal in length to the width of the sail, are tacked on to the inner side of the sail close to the front stick. Rings are secured to the middle of the sticks and connected by a loop of cord, to which the wire (in this case) used for flying the kite is made fast.
When you need to attach a string or wire to a large kite at a single point, the usual approach of using an eye screwed into the front stick comes with clear risks. Mr. Dines uses a different method for his kites (which can be up to nine feet tall) that doesn't rely on the front stick. He adds two sticks, each as long as the width of the sail, to the inner side of the sail near the front stick. Rings are attached to the middle of the sticks and linked by a loop of cord, to which the wire (in this case) used for flying the kite is securely tied.
A Box Kite with Wings.—The type of kite shown in Fig. 118 is an excellent flyer, very easy, to make and very portable. The two boxes give good longitudinal stability, the sides of the boxes prevent quick lateral movements, and the two wings projecting backwards from the rear corners afford the “dihedral angle” effect which tends to keep the kite steadily facing the wind. The “lift,” or vertical upward pull, obtained with the type is high, and this, combined with its steadiness, makes the kite useful for aerial photography, and, on a much larger scale, for man-lifting.
A Box Kite with Wings.—The type of kite shown in Fig. 118 is an excellent flyer, very easy to make, and very portable. The two boxes provide good longitudinal stability, the sides of the boxes prevent sudden lateral movements, and the two wings protruding backward from the rear corners create the “dihedral angle” effect, which helps keep the kite consistently facing the wind. The “lift,” or vertical upward pull, achieved with this type is high, and this, along with its steadiness, makes the kite useful for aerial photography and, on a much larger scale, for carrying people.
The materials required for the comparatively small example with which the reader may content himself in the first instance are:
The materials needed for the relatively small example that the reader might want to focus on initially are:
8 wooden rods or bamboos, 4 feet long and 1/2 inch in diameter. 4 yards of lawn or other light, strong material, 30 inches wide. 12 yards of unbleached tape, 5/8 inch wide. 8 brass rings, 1 inch diameter.
8 wooden rods or bamboo, 4 feet long and 1/2 inch in diameter. 4 yards of lawn or other lightweight, strong material, 30 inches wide. 12 yards of unbleached tape, 5/8 inch wide. 8 brass rings, 1 inch in diameter.
The Boxes.—Cut off 2 yards 8 inches of material quite squarely, fold down the middle, crease, and cut along the crease. This gives two pieces 80 by 15 inches.
The Boxes.—Cut off 2 yards 8 inches of material straight across, fold it in half, crease it, and then cut along the crease. This gives you two pieces that are 80 by 15 inches.
Double-stitch tape along the edges of each piece.
Double-stitch tape along the edges of each piece.
Lay the ends of a piece together, tapes inside, and stitch them together half an inch from the edge. Bring a rod up against the stitching on the inside, and calculate where to run a second row of stitching parallel to the first, to form a pocket into which the rod will slip easily but not loosely. (See Fig. 119, a.)
Lay the ends of a piece together, with the tapes inside, and sew them together half an inch from the edge. Place a rod against the stitching on the inside and figure out where to sew a second row of stitching parallel to the first to create a pocket that the rod can slide into easily but not too loosely. (See Fig. 119, a.)
Remove the rod and stitch the row.
Remove the rod and sew the row.
Now repeat the process at the other end of the folded piece. The positions of the other two rod pockets must be found by measuring off 15 inches from the inner stitching of those already made. (Be careful to measure in the right direction in each case, so that the short and long sides of the box shall be opposite.) Fold the material beyond the 15-inch lines to allow for the pockets and the 1/2-inch “spare,” and make the two rows of stitching.
Now repeat the process on the other end of the folded piece. To find the positions of the other two rod pockets, measure 15 inches from the inner stitching of the ones you already made. (Make sure to measure in the right direction each time, so the short and long sides of the box are opposite.) Fold the material past the 15-inch lines to create the pockets and add a 1/2-inch “spare,” then sew the two rows of stitching.
[Illustration: FIG. 119.—Plan of box kite with rear wings.]
[Illustration: FIG. 119.—Plan of box kite with rear wings.]
Repeat these operations with the second strip of material, and you will have prepared your two boxes, each measuring, inside the pockets, 15 by about 20 inches. (See Fig. 119.) Now cut out the wings in accordance with the dimensions given in Fig. 120. Each is 47-1/2 inches long and 15 inches across at the broadest point. It is advisable to cut a pattern out of brown paper, and to mark off the material from this, so arranging the pattern that the long 47-1/2-inch side lies on a selvedge. [The edge of a fabric that is woven so that it will not fray or ravel.]
Repeat these steps with the second piece of material, and you’ll have both boxes ready, each measuring 15 by about 20 inches inside the pockets. (See Fig. 119.) Now cut out the wings according to the dimensions shown in Fig. 120. Each wing should be 47-1/2 inches long and 15 inches wide at the widest point. It’s a good idea to make a pattern from brown paper and use it to mark the material, making sure to position the 47-1/2-inch side along a selvedge. [The edge of a fabric that is woven to prevent fraying or raveling.]
[Illustration: FIG. 120.—Wing for box kite.]
[Illustration: FIG. 120.—Wing for box kite.]
Double stitch tapes along the three shorter sides of each wing, finishing off the threads carefully. Then sew the wings to what will be the back corners of the boxes when the kite is in the air—to the “spares” outside the rod pockets of a long side.
Double-stitch tape along the three shorter sides of each wing, making sure to finish the threads neatly. Then attach the wings to what will be the back corners of the boxes when the kite is flying—to the “spares” outside the rod pockets on one of the long sides.
Take your needle and some strong thread, and make all corners at the ends of pockets quite secure. This will prevent troublesome splitting when the kite is pulling hard.
Take your needle and some strong thread, and make sure all the corners at the ends of the pockets are secure. This will prevent annoying splits when the kite is pulling hard.
Sew a brass ring to each of the four wing angles, AA, BB, at the back, and as many on the front of the spares of the rod pockets diagonally opposite to those to which the wings are attached, halfway up the boxes. These rings are to take the two stretchers in each box.
Sew a brass ring to each of the four wing angles, AA, BB, at the back, and as many on the front of the spare rod pockets diagonally opposite to the ones where the wings are attached, halfway up the boxes. These rings will hold the two stretchers in each box.
Slip four rods, after rounding off their ends slightly, through the pockets of both boxes, and secure them by sewing the ends of the pockets and by the insertion of a few small tacks. These rods will not need to be removed.
Slip four rods, after slightly rounding off their ends, through the pockets of both boxes and secure them by sewing the ends of the pockets and by inserting a few small tacks. You won’t need to remove these rods.
The cutting and arrangement of the stretchers and the holes for the same require some thought. Each stretcher lies behind its wing, passes in front of the rod nearest to it, and behind that at the corner diagonally opposite. (See Fig. 119.) The slits through which it is thrust should be strengthened with patches to prevent ripping of the material.
The cutting and arrangement of the stretchers and the holes for them require careful consideration. Each stretcher is placed behind its wing, goes in front of the closest rod, and then behind the rod at the diagonally opposite corner. (See Fig. 119.) The slits where it is inserted should be reinforced with patches to prevent tearing of the material.
Two persons should hold a box out as squarely as possible while a stretcher is measured. Cut a nick 3/8 inch deep in one end of the stretcher, and pass the end through the fabric slits to the ring not on the wing. Pull the wing out, holding it by its ring, and cut the stretcher off 1 inch from the nearest point of the ring. The extra length will allow for the second nick and the tensioning of the material. Now measure off the second stretcher by the first, nick it, and place it in position. If the tension seems excessive, shorten the rods slightly, but do not forget that the fabric will stretch somewhat in use.
Two people should hold a box out as squarely as possible while measuring a stretcher. Cut a notch 3/8 inch deep at one end of the stretcher, and pass that end through the fabric slits to the ring that isn't on the wing. Pull the wing out, holding it by its ring, and cut the stretcher off 1 inch from the closest point of the ring. The extra length will allow for the second notch and the tensioning of the material. Now measure the second stretcher using the first one, notch it, and place it in position. If the tension seems too tight, shorten the rods slightly, but keep in mind that the fabric will stretch a bit during use.
[Illustration: FIG. 121.—Box kite with front and back wings.]
[Illustration: FIG. 121.—Box kite with front and back wings.]
Make the stretchers for the second box, and place them in position. The wings ought to be pretty taut if the adjustments are correct, but should they show a tendency to looseness, a third pair of stretchers of light bamboo may be inserted between the other two, being held up to the rods by loops of tape. In order to be able to take up any slackness, the wing end of each stretcher may be allowed to project a couple of inches, and be attached by string to the near ring, as described on p. 271. The bridle to which the flying string is attached is made up of four parts, two long, two short, paired exactly as regards length. These are attached to eyes screwed into the front rods three inches below the tops of the boxes. Adjustment is made very easy if a small slider is used at the kite end of each part. These sliders should be of bone or some tough wood, and measure 1 inch by 3/8 inch. The forward ends of the bridle are attached to a brass ring from which runs the flying string.
Make the stretchers for the second box, and position them accordingly. The wings should be fairly tight if the adjustments are correct, but if they appear a bit loose, you can insert a third pair of light bamboo stretchers between the other two, held up to the rods by loops of tape. To easily take up any slack, allow the wing end of each stretcher to extend a couple of inches and attach it with string to the near ring, as described on p. 271. The bridle that the flying string attaches to consists of four parts: two long and two short, paired precisely in length. These are connected to eyes screwed into the front rods, three inches below the tops of the boxes. Adjusting everything is much simpler if you use a small slider at the kite end of each part. These sliders should be made of bone or a tough wood, measuring 1 inch by 3/8 inch. The forward ends of the bridle are attached to a brass ring from which the flying string runs.
It is advisable to bind the stretchers with strong thread just behind the notches to prevent splitting, and to loosen the stretchers when the kite is not in use, to allow the fabric to retain as much as possible of its elasticity.
It’s a good idea to tie the stretchers with sturdy thread right behind the notches to avoid splitting, and to loosen the stretchers when the kite isn’t being used, so the fabric can keep as much of its elasticity as possible.
The area of the kite affected by wind is about 14 square feet; the total weight, 1-1/2 lb. The cost of material is about 2s.
The area of the kite affected by wind is around 14 square feet; the total weight is 1.5 lbs. The cost of materials is about 2 shillings.
The experience gained from making the kite described may be used in the construction of a larger kite, six or more feet high, with boxes 30 by 22 by 22 inches, and wings 24 inches wide at the broadest point. If a big lift is required, or it is desired to have a kite usable in very light breezes, a second pair of wings slightly narrower than those at the back may be attached permanently to the front of the boxes, or be fitted with hooks and eyes for use on occasion only. (Fig. 121.) In the second case two sets of stretchers will be needed.
The experience gained from making the kite described can be applied to building a larger kite, six feet or more in height, with boxes measuring 30 by 22 by 22 inches, and wings that are 24 inches wide at the widest point. If a significant lift is needed, or if you want a kite that can be used in very light winds, a second pair of wings, slightly narrower than the ones in the back, can be permanently attached to the front of the boxes, or equipped with hooks and eyes for occasional use. (Fig. 121.) In the second scenario, two sets of stretchers will be required.
[Illustration: FIG. 122.—Simple string winder for kite.]
[Illustration: FIG. 122.—Simple string winder for kite.]
Note.—If all free edges of boxes and wings are cut on the curve, they will be less likely to turn over and flap in the wind; but as the curvature gives extra trouble in cutting out and stitching, the illustrations have been drawn to represent a straight-edged kite.
Note.—If all the free edges of boxes and wings are cut along the curve, they will be less likely to tip over and flap in the wind; however, since the curved edges make cutting and stitching more challenging, the illustrations have been created to show a straight-edged kite.
Kite Winders.—The plain stick which small children flying small kites on short strings find sufficient for winding their twine on is far too primitive a contrivance for dealing with some hundreds of yards, may be, of string. In such circumstances one needs a quick-winding apparatus. A very fairly effective form of winder, suitable for small pulls, is illustrated in Fig. 122.
Kite Winders.—The simple stick that little kids use to wind their string on small kites isn’t advanced enough for handling several hundred yards of string. In those situations, you need a fast-winding tool. A fairly effective type of winder, suitable for smaller pulls, is shown in Fig. 122.
Select a sound piece of wood, 3/8-inch thick, 5 inches wide, and about 1 foot long. In each end cut a deep V, the sides of which must be carefully smoothed and rounded with chisel and sandpaper. Nail a wooden rod, 15 inches long and slightly flattened where it makes contact, across the centre of the board, taking care not to split the rod, and clinch the ends of the nails securely. The projecting ends of the rods are held in the hands while the string runs out. The projecting piece, A, which must also be well secured, is for winding in. The winding hand must be held somewhat obliquely to the board to clear the spindle. Winding is much less irksome if a piece of tubing is interposed between the spindle and the other hand, which can then maintain a firm grip without exercising a braking effect.
Choose a sturdy piece of wood that is 3/8 inch thick, 5 inches wide, and about 1 foot long. Cut a deep V at each end, making sure to smooth and round the sides carefully with a chisel and sandpaper. Nail a wooden rod that is 15 inches long and slightly flattened at the ends across the center of the board, being careful not to split the rod, and secure the ends of the nails tightly. Hold the projecting ends of the rod in your hands while the string runs out. The protruding piece, A, which also needs to be firmly secured, is for winding in. Hold the winding hand at a bit of an angle to the board to avoid hitting the spindle. Winding is much easier if you place a piece of tubing between the spindle and the other hand, allowing for a solid grip without creating resistance.
This kind of winder is unsuited for reeling in a string on which there is a heavy pull, as the hands are working at a great disadvantage at certain points of a revolution.
This type of winder isn’t suitable for pulling in a string that has a heavy load, as the hands struggle at certain points during a turn.
[Illustration: FIG. 123.—Plan of string-winding drum, frame, and brake.]
[Illustration: FIG. 123.—Plan of string-winding drum, frame, and brake.]
A far better type is shown in Figs. 123 and 124. Select a canister at least 6 inches in diameter, and not more than 6 inches long, with an overlapping lid. Get a turner to make for you a couple of wooden discs, 3/8 inch thick, and having a diameter 2 inches greater than that of the tin. Holes at least 3/8 inch across should be bored in the centre of each. Cut holes 1 inch across in the centre of the lid and the bottom of the canister, and nail the lid concentrically to one disc, the canister itself to the other. Then push the lid on the tin and solder them together. This gives you a large reel. For the spindle you will require a piece of brass tubing or steel bar 1 foot long and large enough to make a hard driving fit with the holes in the wood. Before driving it in, make a framework of 3/4-inch strip iron (Fig. 123), 3/32 or 1/8 inch thick, for the reel to turn in. The width of this framework is 1 inch greater than the length of the reel; its length is twice the diameter of the canister. Rivet or solder the ends together. Halfway along the sides bore holes to fit the spindle.
A much better option is shown in Figs. 123 and 124. Choose a canister that's at least 6 inches in diameter and no more than 6 inches long, with a lid that overlaps. Have a woodworker make you a couple of wooden discs that are 3/8 inch thick and 2 inches wider in diameter than the tin. Drill holes that are at least 3/8 inch across in the center of each disc. Cut holes that are 1 inch across in the center of both the lid and the bottom of the canister, and attach the lid to one disc and the canister to the other using nails to secure them in place. Then attach the lid to the tin and solder them together. This will create a large reel. For the spindle, you’ll need a piece of brass tubing or a steel bar that’s 1 foot long and fits snugly through the holes in the wood. Before inserting it, build a framework using 3/4-inch strip iron (Fig. 123), which should be 3/32 or 1/8 inch thick, for the reel to rotate in. The width of this framework should be 1 inch longer than the length of the reel, and its length should be twice the diameter of the canister. Rivet or solder the ends together. Halfway along the sides, drill holes to accommodate the spindle.
Make a mark 1 inch from one end of the spindle, a second l/8 inch farther away from the first than the length of the reel. Drill 3/16-inch holes at the marks. Select two wire nails which fit the holes, and remove their heads. Next cut two 1/4-inch pieces off a tube which fits the spindle. The reel, spindle, and framework are now assembled as follows:
Make a mark 1 inch from one end of the spindle, and a second mark 1/8 inch farther away than the length of the reel. Drill 3/16-inch holes at the marks. Choose two wire nails that fit the holes and remove their heads. Then cut two 1/4-inch pieces from a tube that fits the spindle. The reel, spindle, and framework are now assembled as follows:
[Illustration: FIG. 124.—End view of string winder, showing brake and lever.]
[Illustration: FIG. 124.—End view of string winder, showing brake and lever.]
Push the end of the spindle which has a hole nearest to it through one of the framework holes, slip on one of the pieces of tubing, drive the spindle through the reel until half an inch projects; put on the second piece of tubing, and continue driving the spindle till the hole bored in it shows. Then push the nails half-way through the holes in the spindle, and fix them to the ends of the reel by small staples. A crank is made out of 1/2-inch wood (oak by preference) bored to fit the spindle, to which it must be pinned. A small wooden handle is attached at a suitable distance away. If there is any fear of the wood splitting near the spindle, it should be bound with fine wire. An alternative method is to file the end of the spindle square, and to solder to it a piece of iron strip in which a square hole has been made to fit the spindle. The crank should be as light as is consistent with sufficient strength, and be balanced so that there shall not be unpleasant vibration when the string runs out fast, and of course it must be attached very securely to the spindle.
Push the end of the spindle with the hole closest to you through one of the framework holes, slide on one of the pieces of tubing, and drive the spindle through the reel until half an inch sticks out. Put on the second piece of tubing and keep driving the spindle until the hole drilled in it is visible. Then push the nails halfway through the holes in the spindle and secure them to the ends of the reel with small staples. A crank is made from 1/2-inch wood (preferably oak) that is bored to fit the spindle, which should be pinned in place. A small wooden handle is attached at a comfortable distance away. If there's a risk of the wood splitting near the spindle, it should be wrapped with fine wire. An alternative method is to file the end of the spindle into a square shape and solder a piece of iron strip to it with a square hole made to fit the spindle. The crank should be as light as possible while still being strong enough and balanced to prevent any annoying vibrations when the string unwinds quickly, and of course, it must be securely attached to the spindle.
What will be the front of the framework must be rounded off on the top edge, which has a wire guide running parallel to it (Fig. 123) to direct the string on to the reel; and into the back are riveted a couple of eyes, to which are attached the ends of a cord passing round the body, or some stationary object.
What will be the front of the framework needs to be rounded off at the top edge, which has a wire guide running parallel to it (Fig. 123) to direct the string onto the reel; and at the back, a couple of eyes are riveted in, to which the ends of a cord are attached, wrapping around the body or a stationary object.
[Illustration: FIG. 125.—String winder in operation.]
[Illustration: FIG. 125.—String winder in operation.]
A pin should be provided to push into a hole at one end of the reel and lock the reel by striking the framework, and it will be found a great convenience to have a brake for controlling the reel when the kite is rising. Such a brake is easily fitted to the side of the frame, to act on the left end of the reel when a lever is depressed by the fingers. There should be a spring to keep it off the reel when it is not required. The diagrams show where the brake and brake lever are situated.
A pin should be added to push into a hole at one end of the reel and lock the reel by hitting the framework, and it will be very convenient to have a brake for controlling the reel when the kite is flying. Such a brake can be easily attached to the side of the frame to engage the left end of the reel when a lever is pressed down by your fingers. There should be a spring to keep it away from the reel when it’s not needed. The diagrams indicate where the brake and brake lever are located.
Note.—To obtain great elevations a fine wire (piano wire 1/32 inch in diameter) is generally used, but to protect the user against electric shocks the wire must be connected with an “earthed” terminal, on the principle of the lightning conductor.
Note.—To achieve high elevations, a fine wire (piano wire 1/32 inch in diameter) is typically used, but to protect the user from electric shocks, the wire must be connected to an “earthed” terminal, similar to how a lightning conductor works.
XXIV.
PAPER GLIDERS.
In this chapter are brought to your notice some patterns of paper gliders which, if made and handled carefully, prove very satisfactory. Gliders are sensitive and “moody” things, so that first experiments may be attended by failure; but a little persistence will bring its reward, and at the end of a few hours you will, unless very unlucky, be the possessor of a good specimen or two.
In this chapter, we’ll introduce you to some designs for paper gliders that, if constructed and flown with care, can be very rewarding. Gliders can be finicky and unpredictable, so your first attempts might not be successful; however, a bit of persistence will pay off, and after a few hours, you should, unless you’re very unfortunate, end up with a couple of decent models.
The three distinguishing features of a good glider are stability, straightness of flight, and a small gliding angle. If the last is as low as 1 in 10, so that the model falls but 1 foot vertically while progressing 10 feet horizontally, the glider is one to be proud of.
The three key features of a good glider are stability, straight flight, and a low gliding angle. If the last is as low as 1 in 10, meaning the model descends just 1 foot vertically while moving 10 feet horizontally, then the glider is something to be proud of.
Materials.—The materials needed for the gliders to be described are moderately stout paper—cream-laid notepaper is somewhat heavy for the purpose—and a little sealing wax or thin sheet metal for weighting.
Materials.—The materials needed for the gliders described are moderately sturdy paper—cream-laid notepaper is a bit too heavy for this purpose—and some sealing wax or a thin sheet of metal for weight.
[Illustration: FIG. 126.—Paper glider: Model “A.”]
[Illustration: FIG. 126.—Paper glider: Model “A.”]
[Illustration: FIG. 127.—How to launch Model “A.”]
[Illustration: FIG. 127.—How to launch Model “A.”]
Model “A.”—Double a piece of paper 8 inches long and 2-1/2 inches wide, and cut out, through both folds, the shape shown in Fig. 126. Flatten the piece and fold the “head” inwards four times on the side away from the direction in which the paper was folded before being cut out. Flatten the folds and fix to the centre a little clip formed by doubling a piece of thin metal 3/16 by 1/2 inch. Make certain that the wings are quite flat, and then, holding the glider between thumb and first finger, as shown in Fig. 127, push it off gently. If the balance is right, it will fly quite a long way with an undulating motion. If too heavy in front, it will dive; if too light, it will rise suddenly and slip backwards to the ground. The clip or the amount of paper in the head must be modified accordingly. This type is extraordinarily efficient if the dimensions, weighting, and shape are correct, and one of the easiest possible to make.
Model “A.”—Take a piece of paper that’s 8 inches long and 2-1/2 inches wide, fold it in half, and cut out the shape shown in Fig. 126, making sure to cut through both folds. Unfold the piece and fold the “head” inwards four times on the side away from the direction you folded it before cutting. Flatten the folds and attach a small clip made from a piece of thin metal measuring 3/16 by 1/2 inch at the center. Ensure that the wings are completely flat, then hold the glider between your thumb and index finger, as shown in Fig. 127, and release it gently. If it’s balanced correctly, it will glide a good distance with a smooth, undulating motion. If it’s too heavy at the front, it will dive; if it’s too light, it will shoot up suddenly and fall back to the ground. Adjust the clip or the amount of paper in the head accordingly. This design is extremely effective if the measurements, weight, and shape are right, and it’s one of the easiest to make.
Model “B.”—The next model (Fig. 128), suggesting by its shape the Langley steam-driven aeroplane, has two sets of wings tandem. Double a piece of paper and cut out of both folds simultaneously a figure of the shape indicated by the solid lines in the diagram. The portion A is square, and forms the head weight; B indicates the front planes, C the rear planes. Bend the upper fold of each pair into the positions B1, C1, marked by dotted lines. Their front edges make less than a right angle with the keel, to ensure the wings slanting slightly upwards towards the front when expanded.
Model “B.”—The next model (Fig. 128), which resembles the Langley steam-powered airplane in its shape, has two sets of wings arranged in tandem. Fold a piece of paper in half and cut out the figure shown by the solid lines in the diagram from both layers at once. The section A is square and serves as the weight at the front; B represents the front wings, and C represents the back wings. Fold the top edge of each pair into the positions B1 and C1, as marked by the dotted lines. Their front edges should form an angle of less than 90 degrees with the body to ensure the wings tilt slightly upward at the front when extended.
The model is now turned over, and the other wings are folded exactly on top of their respective fellows. Then the halves of the head are folded twice inwards, to bring the paper into as compact a form as possible. It remains to open out the wings at right angles to the keel, and then raise their tips slightly so that the two planes of a pair shall make what is called a “dihedral” angle with one another.
The model is now flipped over, and the other wings are folded directly on top of their matching counterparts. Next, the two halves of the head are folded inward twice to compress the paper as much as possible. Finally, it’s time to extend the wings to be at a right angle to the keel and then slightly lift their tips so that the two surfaces of each pair create what is known as a “dihedral” angle with each other.
[Illustration: FIG. 128.—Details of paper gliders: Model “B”
above,
Model “C” below.]
[Illustration: FIG. 128.—Details of paper gliders: Model “B” above,
Model “C” below.]
Before launching, look at your model endways and make sure that the rear planes are exactly in line with those in front. It is essential that they should be so for straight flight. Then grip the keel at its centre between finger and thumb and launch gently. Mark how your glider behaves. If it plunges persistently, trim off a very little of the head. If, on the contrary, it settles almost vertically, weight must be added in front. The position of the weight is soon found by sliding a metal clip along the keel until a good result is obtained.
Before launching, check your model from the side and make sure the back surfaces are perfectly aligned with the front ones. It's crucial for maintaining straight flight. Then, grasp the keel at its center with your fingers and thumb and launch it gently. Observe how your glider performs. If it consistently dives, trim a tiny bit off the front. If it instead descends almost straight down, you'll need to add weight to the front. You can find the right weight placement by sliding a metal clip along the keel until you achieve a good result.
Note that if the leading edges of the front wings are bent slightly downwards the glider may fly much better than before.
Note that if the front wing tips are bent down a bit, the glider might fly significantly better than before.
A good specimen of this type is so stable that if launched upside down it will right itself immediately and make a normal flight.
A good example of this type is so stable that if it's launched upside down, it will flip itself right side up immediately and fly normally.
Model “C.”—This is cut out of doubled paper according to the solid lines of Fig. 128. The three sets of planes are bent back in the manner already described, but the front planes are given a somewhat steeper angle than the others. This type is very stable and very fairly efficient.
Model “C.”—This is cut out of doubled paper following the solid lines of Fig. 128. The three sets of planes are bent back as described earlier, but the front planes are given a slightly steeper angle than the others. This type is quite stable and fairly efficient.
General Remarks.—Always pick up a glider by the keel or middle, not by one of the wings, as a very little distortion will give trouble.
General Remarks.—Always pick up a glider by the keel or middle, not by one of the wings, as even a slight distortion can cause problems.
The merits of a glider depend on length, and on straightness of flight; so in competition the launching height should be limited by a string stretched across the room, say 6 feet above the floor. If the room be too short for a glider to finish its flight, the elevation at which it strikes the wall is the measure of its efficiency.
The value of a glider relies on its length and how straight it flies; therefore, in competitions, the launch height should be capped by a string stretched across the room, maybe 6 feet above the floor. If the room is too short for a glider to complete its flight, the height at which it hits the wall is a measure of its effectiveness.
Out-of-door flights are impracticable with these very frail models when there is the slightest breeze blowing. On a perfectly calm day, however, much better fun can be got out of doors than in, owing to the greater space available. A good glider launched from a second-floor window facing a large lawn should travel many yards before coming to grass.
Outdoor flights are impractical with these very delicate models when there's even a slight breeze. However, on a perfectly calm day, you can have a lot more fun outside than indoors because there's more space. A good glider launched from a second-floor window overlooking a large lawn should go many yards before landing.
Large gliders of the types detailed above can be made of very stout paper stiffened with slips of cane or bamboo; but the time they demand in construction might perhaps be more profitably spent on a power-driven aeroplane such as forms the subject of the next chapter.
Large gliders of the types mentioned above can be made from thick paper reinforced with strips of cane or bamboo; however, the time spent constructing them might be better used on a powered airplane, which is the topic of the next chapter.
XXV.
A SELF-LAUNCHING MODEL AEROPLANE.
By V. E. Johnson, M.A.
By V. E. Johnson, M.A.
This article deals not with a scale model—a small copy of some full-sized machine—but with one designed for actual flight; with one not specially intended to create records either of length or duration, but which, although small details must perforce be omitted, does along its main lines approximate to the “real thing.”
This article isn't about a scale model—a small version of a full-sized machine—but rather about one that's made for actual flight; it's not specifically meant to set records for distance or time, but even though some small details have to be left out, it does closely resemble the "real thing" on its main lines.
Partly for this reason, and partly because it proves a far more interesting machine, we choose a model able to rise from the ground under its own power and make a good flight after rising, assuming the instructions which we give to have been carefully carried out. It is perhaps hardly necessary to add that such a machine can always be launched by hand when desired.
For this reason, and because it's a much more exciting machine, we choose a model that can lift off the ground on its own and take a good flight afterward, assuming the instructions we provide have been carefully followed. It's probably not necessary to mention that such a machine can always be launched by hand when needed.
Before entering into special details we may note some broad principles which must be taken into account if success is to attend our efforts.
Before diving into the specifics, we should note some general principles that need to be considered for our efforts to be successful.
Important Points.—It is absolutely essential that the weight be kept down as much as possible. It is quite a mistake to suppose that weight necessarily means strength. On the contrary, it may actually be a cause of weakness if employed in the wrong place and in the wrong way. The heavier the machine, the more serious the damage done in the event of a bad landing. One of the best and easiest ways of ensuring lightness is to let the model be of very simple construction. Such a model is easier to build and more efficient when constructed than one of more complicated design. Weigh every part of your model as you construct it, and do not be content until all symmetrically arranged parts which should weigh the same not only look alike but do actually balance one another. (Note.—The writer always works out the various parts of his models in grammes, not ounces.) If a sufficiently strong propeller bearing weighing only half a gramme can be employed, so much the better, as you have more margin left for some other part of the model in which it would be inadvisable to cut down the weight to a very fine limit.
Important Points.—It is absolutely essential to keep the weight as low as possible. It’s a common misconception that weight equals strength. In fact, it can actually cause weakness if used inappropriately. The heavier the machine, the more significant the damage in the event of a bad landing. One of the best and simplest ways to ensure lightness is to create a model that has a very basic design. Such a model is easier to build and more efficient once constructed than a more complicated one. Weigh each part of your model as you build it, and don’t be satisfied until all symmetrically arranged parts that should weigh the same not only look alike but actually balance each other. (Note.—The writer always calculates the various parts of his models in grams, not ounces.) If you can use a sufficiently strong propeller bearing that weighs only half a gram, that’s even better, as it gives you more leeway for other parts of the model where losing too much weight would be unwise.
Details.—To pass now to details, we have four distinct parts to deal with:—
Details.—Now, moving on to the specifics, we have four separate parts to cover:—
1. The framework, or fuselage.
The structure, or body.
2. The supporting surfaces, consisting of the main plane, or aerofoil, behind, and the elevator in front.
2. The supporting surfaces include the main plane, or airfoil, at the back, and the elevator at the front.
3. The propellers.
The propellers.
4. The motor, in this case two long skeins of rubber; long, because we wish to be able to give our motor many turns, from 700 to, say, 1,000 as a limit, so that the duration of flight may be considerable.
4. The motor, which consists of two long strands of rubber; long, because we want to allow our motor many turns, from 700 to about 1,000 at most, so that the flight time can be substantial.
[Illustration: FIG. 129.-Sections of backbone for model aeroplane.]
[Illustration: FIG. 129.-Sections of the spine for model airplane.]
The Backbone.—For the backbone or central rod take a piece of pitch pine or satin walnut 52 inches long, 5/8 inch deep, and 1/2 inch broad, and plane it down carefully until it has a T-shaped section, as shown in Fig. 129, and the thickness is not anywhere more than 1/8 inch. It is quite possible to reduce the thickness to even 1/16 inch and still have a sufficient reserve of strength to withstand the pull of 28 strands of 1/16-inch rubber wound up 1,000 times; but such a course is not advisable unless you are a skilful planer and have had some experience in model-making.
The Backbone.—For the backbone or central rod, take a piece of pitch pine or satin walnut that's 52 inches long, 5/8 inch thick, and 1/2 inch wide. Carefully plane it down until it has a T-shaped section, as shown in Fig. 129, ensuring that the thickness is no more than 1/8 inch anywhere. You could even reduce the thickness to 1/16 inch and still have enough strength to handle the tension from 28 strands of 1/16-inch rubber wrapped 1,000 times, but this isn’t recommended unless you’re a skilled planer with experience in model-making.
If you find the construction of the T-shaped rod too difficult, two courses are open—
If you find building the T-shaped rod too challenging, you have two options—
(l) To get a carpenter to do the job for you, or
(l) To hire a carpenter to do the job for you, or
(2) To give the rod the triangular section shown in Fig. 129, each side of the equilateral triangle being half an inch long.
(2) To shape the rod into the triangular section shown in Fig. 129, each side of the equilateral triangle should be half an inch long.
[Illustration: FIG. 150—Side elevation of model aeroplane.]
[Illustration: FIG. 150—Side view of model airplane.]
The top of the T or the base of the triangle, as the case may be, is used uppermost. This rod must be pierced in three places for the vertical masts employed in the bracing of the rod, trussing the main plane, and adjusting the elevator. These are spaced out in Fig. 130, which shows a side elevation of the model. Their sectional dimensions are 1/16 by 1/4 inch; their respective lengths are given in Fig. 130. Round the front edges and sharpen the rear.
The top of the T or the base of the triangle, depending on the situation, is used at the top. This rod needs to be pierced in three spots for the vertical masts used in supporting the rod, strengthening the main plane, and adjusting the elevator. These are laid out in Fig. 130, which displays a side view of the model. Their cross-sectional dimensions are 1/16 by 1/4 inch, and their lengths are specified in Fig. 130. Round the front edges and sharpen the back.
In Fig. 130 is shown the correct attitude or standing pose necessary to make the model rise quickly and sweep boldly up into the air without skimming the ground for some 10 to 20 yards as so many models do. E is the elevator (7 by 3 inches); A the main plane (5-1/2 by 29 inches); W the wheels; and RS the rear skid, terminating in a piece of hooked steel wire. The vertical bracing of these masts is indicated. The best material to use for the purpose is Japanese silk gut, which is very light and strong. To brace, drill a small, neat hole in the mast and rod where necessary, pass through, and tie. Do the same with each one.
In Fig. 130, you can see the right stance or standing position needed to help the model lift off quickly and rise confidently into the air without dragging along the ground for 10 to 20 yards like many models do. E is the elevator (7 by 3 inches); A is the main plane (5-1/2 by 29 inches); W are the wheels; and RS is the rear skid, which ends in a piece of hooked steel wire. The vertical support for these masts is shown. The best material to use is Japanese silk gut, which is very lightweight and strong. To brace, drill a small, neat hole in the mast and rod where needed, thread through, and tie. Do the same for each one.
To return to the central mast, which must also form the chassis. This is double and opened out beneath as shown in Fig. 131, yz being a piece similar to the sides, which completes, the triangle x y z and gives the necessary rigidity. Attach this piece by first binding to its extremities two strips of aluminium, or by preference very thin tinned iron, Tl and T2. Bend to shape and bind to xy, xz as shown in Fig. 131.
To go back to the main mast, which also needs to act as the frame. This is double and flared out at the bottom as shown in Fig. 131. The piece yz is similar to the sides, completing the triangle x y z and providing the needed stability. Attach this piece by first securing two strips of aluminum, or preferably very thin tinned iron, Tl and T2, to its ends. Bend them into the correct shape and attach to xy and xz as illustrated in Fig. 131.
[Illustration: FIG. 131.—Front elevation of chassis.]
[Illustration: FIG. 131.—Front elevation of chassis.]
[Illustration: FIG. l32.-Wheel for model aeroplane chassis.]
[Illustration: FIG. l32.-Wheel for model airplane chassis.]
[Illustration: FIG. 133.—Plan of model aeroplane.]
[Illustration: FIG. 133.—Plan of model airplane.]
The Wheels and Chassis.—WW are the two wheels on which the model runs. They are made of hollow brass curtain rings, 1 inch in diameter, such as can be bought at four a penny. For spokes, solder two strips of thin tinned iron to the rings, using as little solder as possible. (Fig. 132.) To connect these wheels with the chassis, first bind to the lower ends of xy, xz two strips of thin tinned iron, T3 and T4, after drilling in them two holes of sufficient size to allow a piece of steel wire of “bonnet pin” gauge to pass freely, but not loosely, through them. Soften the wire by making it red hot and allowing it to cool slowly, and solder one end of this wire (which must be quite straight and 5-1/4 inches long) to the centre of the cross pieces or spokes of one wheel. Pass the axle through the holes in the ends of xy, xz, and solder on the other wheel. Your chassis is then finished.
The Wheels and Chassis.—WW are the two wheels that the model runs on. They are made from hollow brass curtain rings, 1 inch in diameter, which can be bought cheaply. For spokes, solder two strips of thin tinned iron to the rings, using as little solder as possible. (Fig. 132.) To connect these wheels to the chassis, first attach two strips of thin tinned iron, T3 and T4, to the lower ends of xy and xz, making sure to drill two holes in them that are big enough for a piece of steel wire of "bonnet pin" gauge to pass through freely, but not loosely. Soften the wire by heating it until red hot and then letting it cool slowly, and solder one end of this wire (which needs to be perfectly straight and 5-1/4 inches long) to the center of the cross pieces or spokes of one wheel. Pass the axle through the holes at the ends of xy and xz, and solder on the other wheel. Your chassis is then complete.
The rear skid (RS in Fig. 130) is attached to the central rod by gluing, and drilling a hole through both parts and inserting a wooden peg; or the upright may be mortised in. On no account use nail, tack, or screw. Attach the vertical masts and the horizontal ones about to be described by gluing and binding lightly with thread, or by neatly glued strips of the Hart’s fabric used for the planes.
The rear skid (RS in Fig. 130) is connected to the central rod by gluing, drilling a hole through both parts, and inserting a wooden peg; or the upright can be mortised in. Under no circumstances use nails, tacks, or screws. Attach the vertical masts and the horizontal ones that will be described shortly by gluing and lightly binding with thread, or by using neatly glued strips of the Hart’s fabric used for the planes.
Horizontal Spars, etc.—To consider now the horizontal section or part plan of the model, from which, to avoid confusion, details of most vertical parts are omitted. Referring to Fig. 133, it will be seen that we have three horizontal masts or spars—HS1, 4 inches; HS2, 6 inches; and HS3, slightly over 12 inches long. The last is well steamed, slightly curved and left to dry while confined in such a manner as to conform to the required shape. It should so remain at least twenty-four hours before being fixed to the model. All the spars are attached by glue and neat cross bindings. If the central rod be of triangular instead of T section, the join can be made more neatly. The same remarks apply to the two 9 and 10 inch struts at the propeller end of the rod, which have to withstand the pull of the rubber motor on PPl. These two pieces will have a maximum strength and minimum weight if of the T section used for the rod. If the work is done carefully, 1/4 inch each way will be sufficient.
Horizontal Spars, etc.—Now let’s look at the horizontal section or part plan of the model, omitting most details of the vertical parts to avoid confusion. Referring to Fig. 133, you’ll see that we have three horizontal masts or spars—HS1, which is 4 inches; HS2, which is 6 inches; and HS3, which is just over 12 inches long. The last one is well steamed, slightly curved, and left to dry in a way that maintains its shape. It should stay in that position for at least twenty-four hours before being attached to the model. All the spars are secured with glue and neat cross bindings. If the central rod is triangular instead of T-shaped, the join can be made even neater. The same goes for the two 9 and 10 inch struts at the propeller end of the rod, which need to handle the pull from the rubber motor on PPl. These two pieces will have maximum strength and minimum weight if they use the same T-section as the rod. If done carefully, 1/4 inch adjustment in either direction will be enough.
Main Plane and Elevator.—The framework of each plane is simply four strips of satin walnut or other suitable wood, 1/4 inch broad and 1/16 inch or even less in thickness for the main plane, and about 1/16 by 1/16 inch for the elevator. These strips are first glued together at the corners and left to set. The fabric (Hart’s fabric or some similar very light material) is then glued on fairly tight—that is, just sufficiently so to get rid of all creases. The main plane is then fixed flat on to the top of the central rod by gluing and cross binding at G and H. (A better but rather more difficult plan is to fasten the rectangular frame on first and then apply the fabric.) The same course is followed in dealing with the elevator, which is fixed, however, not to the rod, but to the 4-inch horizontal spar, HS1, just behind it, in such a manner as to have a slight hinge movement at the back. This operation presents no difficulty, and may be effected in a variety of ways. To set the elevator, use is made of the short vertical mast, M1. A small hole is pierced in the front side of the elevator frame at Z, and through this a piece of thin, soft iron wire is pushed, bent round the spar, and tied. The other end of the wire is taken forward and wrapped three or four times round the mast M1, which should have several notches in its front edge, to assist the setting of the elevator at different angles. Pull the wire tight, so that the elevator shall maintain a constant angle when once set. H H1 is a piece of 25 to 30 gauge wire bent as shown and fastened by binding. It passes round the front of the rod, in which a little notch should be cut, so as to be able to resist the pull of the twin rubber motors, the two skeins of which are stretched between H H1 and the hooks formed on the propeller spindles. If all these hooks are covered with cycle valve tubing the rubber will last much longer. The rubber skeins pass through two little light wire rings fastened to the underside ends of HS2. (Fig. 133.)
Main Plane and Elevator.—The structure of each plane consists of four strips of satin walnut or another appropriate wood, 1/4 inch wide and 1/16 inch or even less thick for the main plane, and about 1/16 by 1/16 inch for the elevator. These strips are first glued together at the corners and left to set. The fabric (Hart’s fabric or a similar very light material) is then glued on fairly tight—that is, just enough to eliminate any creases. The main plane is then securely attached flat to the top of the central rod by gluing and cross-binding at G and H. (A better but somewhat more challenging method is to attach the rectangular frame first and then apply the fabric.) The same process is followed for the elevator, which is attached, however, not to the rod, but to the 4-inch horizontal spar, HS1, just behind it, allowing for a slight hinge movement at the back. This task is straightforward and can be accomplished in several ways. To set the elevator, a short vertical mast, M1, is used. A small hole is made in the front side of the elevator frame at Z, and through this, a piece of thin, soft iron wire is pushed, bent around the spar, and tied. The other end of the wire is pulled forward and wrapped three or four times around the mast M1, which should have several notches along its front edge to help set the elevator at different angles. Pull the wire tight so the elevator maintains a constant angle once set. H H1 is a piece of 25 to 30 gauge wire bent as shown and secured by binding. It wraps around the front of the rod, where a small notch should be cut to help resist the pull of the twin rubber motors, with the two skeins of rubber stretched between H H1 and the hooks on the propeller spindles. If all these hooks are covered with bicycle valve tubing, the rubber will last much longer. The rubber skeins pass through two small light wire rings attached to the underside ends of HS2. (Fig. 133.)
The front skid or protector, FS, is made out of a piece of thin, round, jointless cane, some 9 inches in length, bent round as shown in Fig. 134, in which A B represents the front piece of the T-shaped rod and x y z a the cane skid; the portion x y passing on the near side of the vertical part of the T, and z a on the far side of the same. At E and F thread is bound right round the rod. Should the nose of the machine strike the ground, the loop of cane will be driven along the underside of the rod and the shock be minimized. So adjust matters that the skid slides fairly stiff. Note that the whole of the cane is on the under side of the top bar of the T.
The front skid or protector, FS, is made from a piece of thin, round, jointless cane, about 9 inches long, bent around as shown in Fig. 134, where A B represents the front piece of the T-shaped rod and x y z a the cane skid; the section x y runs on the near side of the vertical part of the T, while z a runs on the far side. At E and F, thread is wrapped around the rod. If the nose of the machine hits the ground, the loop of cane will be pushed along the underside of the rod, minimizing the shock. Make sure that the skid slides with a bit of resistance. Keep in mind that the entire cane is positioned on the underside of the top bar of the T.
[Illustration: FIG. 134.—Front skid and attachment to backbone.]
[Illustration: FIG. 134.—Front skid and attachment to backbone.]
Bearings.—We have still to deal with the propellers and their bearings. The last, TN and TNl (Fig. 133), are simply two tiny pieces of tin about half a gramme in weight, bent round the propeller spar HS3 at B and B1. Take a strip of thin tin 1/4 inch wide and of sufficient length to go completely round the spar (which is 1/4 by 1/8 inch) and overlap slightly. Solder the ends together, using a minimum amount of solder. Now bore two small holes through wood and tin from rear to front, being careful to go through the centre. The hole must be just large enough to allow the propeller axle to run freely, but not loosely, in it. Primitive though such a bearing may seem, it answers admirably in practice. The wood drills out or is soon worn more than the iron, and the axle runs quite freely. The pull of the motor is thus directed through the thin curved spar at a point where the resistance is greatest—a very important matter in model aeroplane construction. To strengthen this spar further against torsional forces, run gut ties from B and Bl down to the bottom of the rear vertical skid post; and from B to B1 also pass a piece of very thin piano wire, soldered to the tin strips over a little wooden bridge, Q, like a violin bridge, on the top of the central rod, to keep it quite taut.
Bearings.—We still need to talk about the propellers and their bearings. The last, TN and TNl (Fig. 133), are just two small pieces of tin, each weighing about half a gram. They are bent around the propeller spar HS3 at points B and B1. Take a strip of thin tin, 1/4 inch wide, long enough to wrap completely around the spar (which measures 1/4 by 1/8 inch) and overlap slightly. Solder the ends together, using the least amount of solder necessary. Next, drill two small holes through the wood and tin from the back to the front, making sure to go through the center. The holes should be just big enough for the propeller axle to move freely but not too loose. As simple as this bearing may seem, it works perfectly in practice. The wood wears out or drills more easily than the iron, allowing the axle to rotate smoothly. The motor's pull is directed through the thin curved spar at the point where resistance is greatest—this is very important in model airplane construction. To further reinforce this spar against twisting forces, run gut ties from B and B1 down to the bottom of the rear vertical skid post; and also thread a very thin piece of piano wire from B to B1, soldered to the tin strips over a small wooden bridge, Q, similar to a violin bridge, positioned on top of the central rod to keep it taut.
[Illustration: FIG. 135—“Centrale” wooden propeller.]
[Illustration: FIG. 135—"Centrale" wooden propeller.]
Propellers.—To turn now to the propellers. Unless the reader has already had fair experience in making model propellers, he should purchase a couple, one right-handed and one left-handed, as they have to revolve in opposite directions. It would be quite impossible to give in the compass of this article such directions as would enable a novice to make a really efficient propeller, and it must be efficient for even a decent flight with a self-launching model. The diameter of the two propellers should be about 11-1/2 to 11-3/4 inches, with a pitch angle at the extremities of about 25 to 30 degrees as a limit. The “centrale” type (Fig. 135) is to be preferred. Such propellers can be procured at Messrs. A. W. Gamage, Ltd., Holborn, E.C.; Messrs. T. W. K. Clarke and Co., Kingston-on-Thames; and elsewhere.
Propellers.—Now, let's talk about the propellers. Unless you've got some experience making model propellers, it's best to buy a couple: one that turns clockwise and one that turns counterclockwise, since they spin in opposite directions. It would be impossible to provide the detailed instructions needed for a beginner to create a truly efficient propeller in this article, and it needs to be efficient for a decent flight with a self-launching model. The diameter of both propellers should be about 11.5 to 11.75 inches, with a pitch angle at the tips of about 25 to 30 degrees maximum. The “centrale” type (Fig. 135) is the preferred choice. You can find these propellers at A. W. Gamage, Ltd., Holborn, E.C.; T. W. K. Clarke and Co., Kingston-on-Thames; and other retailers.
For the particular machine which we are considering, the total weight of the two propellers, including axle and hook for holding the rubber, should not exceed 3/4 oz. This means considerable labour in cutting and sandpapering away part of the boss, which is always made much too large in propellers of this size. It is wonderful what can be done by care and patience. The writer has in more than one case reduced the weight of a propeller by more than one-half by such means, and has yet left sufficient strength.
For the specific machine we're looking at, the total weight of the two propellers, including the axle and hook for holding the rubber, shouldn't go over 3/4 oz. This requires a lot of work in cutting and sanding down part of the boss, which is usually made way too large in propellers of this size. It's amazing what can be accomplished with care and patience. The author has, in several instances, reduced the weight of a propeller by more than half using these methods, while still maintaining enough strength.
The combined axle and hook should be made as follows:—Take a piece of thin steel wire, sharpen one end, and bend it as shown at C (Fig. 136). Pass the end B through a tight-fitting hole in the centre of the small boss of the propeller, and drive C into the wood. Solder a tiny piece of 1/8-inch brass tubing to the wire axle at A, close up to the rubber hook side of the propeller, and file quite smooth. The only things now left to do are to bend the wire into the form of a hook (as shown by the dotted line), and to cover this hook, as already advised, with a piece of valve tubing to prevent fraying the rubber skeins.
The combined axle and hook should be made as follows: Take a piece of thin steel wire, sharpen one end, and bend it as shown at C (Fig. 136). Pass the end B through a snug-fitting hole in the center of the small boss of the propeller, and drive C into the wood. Solder a small piece of 1/8-inch brass tubing to the wire axle at A, close to the rubber hook side of the propeller, and file it smooth. The only remaining tasks are to bend the wire into the shape of a hook (as shown by the dotted line) and to cover this hook, as already mentioned, with a piece of valve tubing to prevent fraying the rubber skeins.
[Illustration: FIG. 136.—Axle and hook for propeller.]
[Illustration: FIG. 136.—Axle and hook for propeller.]
Weight.—The weight of a model with a T-shaped central rod 1/16 inch thick should be 4-1/2 oz. Probably it will be more than this—as a maximum let us fix 6 oz.—although 4-1/2 oz. is quite possible, as the writer has proved in actual practice. In any case the centre of gravity of the machine without the rubber motor should be situated 1 inch behind the front or entering edge of the main plane. When the rubber motor (14 strands of 1/16-inch rubber for each propeller, total weight 2 oz.) is in position, the centre of gravity will be further forward, in front of the main plane. The amount of rubber mentioned is for a total weight of 6-1/2 oz. If the weight of the model alone be 6 oz., you will probably have to use 16 strands, which again adds to the weight, and makes one travel in a vicious circle. Therefore I lay emphasis on the advice, Keep down the weight.
Weight.—The weight of a model with a T-shaped central rod 1/16 inch thick should be 4.5 oz. It's likely to be more than this—let's set a maximum of 6 oz.—although 4.5 oz. is definitely achievable, as I've demonstrated in practice. In any case, the center of gravity of the machine without the rubber motor should be located 1 inch behind the front edge of the main wing. When the rubber motor (14 strands of 1/16-inch rubber for each propeller, total weight 2 oz.) is installed, the center of gravity will shift forward, in front of the main wing. The amount of rubber mentioned is for a total weight of 6.5 oz. If the weight of the model alone is 6 oz., you will likely need to use 16 strands, which again increases the weight and creates a negative cycle. So I emphasize the advice: Keep the weight down.
The front edge of the elevator should be set about 3/8 inch higher than the back, and the model be tried first as a glider, with the rubber and propellers in position. If it glides satisfactorily, wind up the motor, say 500 turns, and launch by hand. When a good flight has been obtained, and the correct angle of the elevator has been determined, place the model on a strip of linoleum, wind up, and release the propellers. The model should rise in its own length and remain in the air (if wound up 900 turns) at least three quarters of a minute. Choose a calm day if possible. If a wind blows, let the model face the breeze. Remember that the model flies high, and select a wide open space. Do not push the model forward; just release the propellers, held one in each hand near the boss by the fingers and thumb. As a lubricant for the rubber use pure glycerine. It is advisable to employ a geared-up mechanical winder, since to make 1,800 turns with the fingers is rather fatiguing and very tedious.
The front edge of the elevator should be about 3/8 inch higher than the back, and test the model first as a glider, with the rubber and propellers in place. If it glides well, wind up the motor, around 500 turns, and launch it by hand. Once you achieve a good flight and find the right angle for the elevator, place the model on a piece of linoleum, wind it up, and release the propellers. The model should lift off within its own length and stay in the air (if wound up 900 turns) for at least three-quarters of a minute. Try to pick a calm day if possible. If it's windy, let the model face into the breeze. Remember that the model flies high, so choose a wide open space. Don’t push the model forward; just release the propellers, holding one in each hand near the center with your fingers and thumb. For the rubber, use pure glycerine as a lubricant. It's a good idea to use a geared mechanical winder since winding 1,800 turns with your fingers can be quite tiring and tedious.
Simple as this model may seem in design, one built by the writer on exactly the lines given has met the most famous flying models of the day in open competition and proved successful against them.
As simple as this model may look in design, one created by the writer following these exact guidelines has faced off against the most renowned flying models of the time in open competition and has proven successful against them.
XXVI.
APPARATUS FOR SIMPLE SCIENTIFIC EXPERIMENTS.
Colour Discs for the Gramophone.—The gramophone, by virtue of its table revolving at a controllable speed, comes in useful for a series of optical experiments made with coloured discs bearing designs of different kinds.
Color Discs for the Gramophone.—The gramophone, with its turntable that can spin at a controlled speed, is ideal for a series of optical experiments using colored discs featuring various designs.
The material needed for these discs is cardboard, covered with white paper on one side, or the Bristol board used by artists. The discs on which the designs are drawn should be made as large as the gramophone table will take conveniently, so as to be viewed by a number of people at once. To encourage readers who do not possess a gramophone, it may be pointed out that a gramophone, is merely a convenience, and not indispensable for turning the discs, which may be revolved on a sharpened pencil or any other spindle with pointed ends.
The materials needed for these discs are cardboard covered with white paper on one side or the Bristol board used by artists. The discs where the designs are drawn should be as large as the gramophone table can comfortably accommodate so they can be seen by several people at once. To encourage readers who don’t own a gramophone, it’s worth mentioning that a gramophone is just a convenience and not essential for using the discs, which can be spun on a sharpened pencil or any other spindle with pointed ends.
The Vanishing Spirals (Fig. 137).—This design, if spun slowly in a clockwise direction, gives one the impression that the lines all move in towards the centre. If the disc is turned in an anti-clockwise direction, the lines seem to move towards the circumference and disappear. To get the proper effect the gaze should be fixed and not attempt to follow the lines round.
The Vanishing Spirals (Fig. 137).—This design, when spun slowly in a clockwise direction, creates the illusion that the lines are all moving toward the center. If the disc is turned counterclockwise, the lines appear to move toward the outer edge and vanish. To achieve the best effect, you should fix your gaze and refrain from trying to follow the lines around.
[Illustration: FIG. 137.]
[Illustration: FIG. 137.]
[Illustration: FIG. 138.]
[Illustration: FIG. 138.]
The Rolling Circles.—Figs. 138 and 139 are variations of the same idea. In Fig. 138 two large circles are described cutting one another and enclosing a smaller circle concentric with the disc. When spun at a certain rate the larger circles will appear to run independently round the small. The effect is heightened if the circles are given different colours. If black only is used for the large circles, the eyes should be kept half closed. In Fig. 139 two pairs of circles are described about two centres, neither of which is the centre of the disc. The pairs appear to roll independently.
The Rolling Circles.—Figs. 138 and 139 show variations of the same concept. In Fig. 138, two large circles intersect and surround a smaller circle that is centered with the disc. When spun at a specific speed, the larger circles seem to rotate independently around the smaller one. The effect is enhanced if the circles are different colors. If only black is used for the large circles, keep your eyes partly closed. In Fig. 139, there are two pairs of circles centered around two points, neither of which is the center of the disc. The pairs appear to roll independently.
[Illustration: FIG. 139.]
[Illustration: FIG. 139.]
[Illustration: FIG. 140.]
[Illustration: FIG. 140.]
The Wriggling Line (Fig. 140).—If this design is revolved at a low speed and the eye is fixed on a point, the white (or coloured) line will seem to undulate in a very extraordinary manner. The line is made up of arcs of circles, and as the marking out is somewhat of a geometrical problem, a diagram (Fig. 141) is added to show how it is done. The dotted curves are those parts of the circles which do not enter into the design.
The Wriggling Line (Fig. 140).—If you spin this design slowly and focus your gaze on a specific point, the white (or colored) line will appear to move in a really unusual way. The line consists of arcs of circles, and since figuring this out is a bit of a geometry challenge, a diagram (Fig. 141) is included to explain how it’s constructed. The dotted curves represent the sections of the circles that are not part of the design.
Begin by marking out the big circle A for the disc. The circumference of this is divided into six equal parts (chord equal to radius), and through the points of division are drawn the six lines from the centre. Describe circles aaa, each half the diameter of A. The circles bbb are then drawn from centres on the lines RRR, and with the same radius as aaa., The same centres are used for describing the circles a1 a1 a1 and b1 b1 b1, parts of which form the inner boundary of the line. The background should be blackened and the belt left white or be painted some bright colour.
Begin by marking a large circle A for the disc. The circumference is divided into six equal parts (with each chord equal to the radius), and six lines are drawn from the center through these division points. Draw circles aaa, each with half the diameter of A. Next, draw circles bbb from centers on the lines RRR, using the same radius as aaa. The same centers are used to create the circles a1 a1 a1 and b1 b1 b1, some parts of which form the inner boundary of the line. The background should be shaded black, leaving the belt white or painted in a bright color.
[Illustration: FIG. 141.]
[Illustration: FIG. 141.]
Another optical illusion is afforded by Fig. 142. Two sets of circles are described about different centres, and the crescent-shaped areas between them coloured, the remainder of the disc being left white. The disc is revolved about the centre of the white areas, and one gets the impression that the coloured parts are portions of separate discs separated by white discs.
Another optical illusion is shown in Fig. 142. Two sets of circles are drawn around different centers, and the crescent-shaped areas between them are colored, while the rest of the disc is left white. When the disc is spun around the center of the white areas, it creates the impression that the colored parts are sections of separate discs, with white discs in between.
[Illustration: FIG. 142.]
[Illustration: FIG. 142.]
[Illustration: FIG. 143.]
[Illustration: FIG. 143.]
The Magic Spokes (Fig. 143).—Place a design like this on the gramophone and let it turn at high speed. The radial lines seem but a blur. Now punch a hole one-eighth of an inch in diameter in a piece of blackened card, and, standing well away from the gramophone, apply your eye to the hole and move the card quickly to and fro. The extreme briefness of the glimpses obtained of the moving lines seems to rob them of motion, or even make them appear to be moving in the direction contrary to the actual. Instead of a single hole, one may use a number of holes punched at equal intervals round a circle, and revolve the card on the centre. If a certain speed be maintained, the spokes will appear motionless.
The Magic Spokes (Fig. 143).—Place a design like this on the gramophone and let it spin at high speed. The radial lines become a blur. Now, punch a hole that's one-eighth of an inch in diameter in a piece of black card, and standing a good distance away from the gramophone, hold the card up to your eye and quickly move it back and forth. The very brief glimpses of the moving lines make it seem like they have no motion, or even that they are moving in the opposite direction. Instead of just one hole, you can punch several holes at equal intervals around a circle and rotate the card around the center. If you maintain the right speed, the spokes will look like they are completely still.
The substitution of a long narrow slit for a circular hole gives other effects.
The replacement of a long narrow slit with a circular hole creates different effects.
[Illustration: FIG. 144.]
[Illustration: FIG. 144.]
A Colour Top.—Cut a 4-inch disc out of white cardboard and blacken one-half with Indian ink. On the other half draw four series of concentric black lines, as shown in Fig. 144. If the disc is mounted on a knitting needle and spun in a horizontal plane, the black lines will appear of different colours. A clockwise rotation makes the outermost lines appear a greenish blue, those nearest the centre a dark red, and the intermediate groups yellow and green. A reversal of the motion reverses the order of the colours, the red lines now being farthest from the centre. The experiment is generally most successful by artificial light, which contains a larger proportion of red and yellow rays than does sunlight. The speed at which the top revolves affects the result considerably. It should be kept moderate, any excess tending to neutralize the colours.
A Color Top.—Cut a 4-inch circle out of white cardboard and color half of it black with Indian ink. On the other half, draw four sets of concentric black lines, as shown in Fig. 144. If you attach the disc to a knitting needle and spin it horizontally, the black lines will seem to change colors. When spun clockwise, the outermost lines appear a greenish blue, the lines closest to the center look dark red, and the middle lines seem yellow and green. If you reverse the spinning direction, the order of the colors also reverses, with the red lines now being the farthest from the center. This experiment usually works best under artificial light, which has a higher concentration of red and yellow rays compared to sunlight. The speed at which the top spins greatly impacts the results; it should be kept moderate, as excessive speed can wash out the colors.
[Illustration: FIG. 145.]
[Illustration: FIG. 145.]
The Magic Windmill.—Mark a circle 2-1/2 inches in diameter on a piece of notepaper, resting the centre leg [of the compass] so lightly that it dents without piercing the paper. With the same centre describe a 3/4-inch circle. Join the circles by eight equally spaced radial lines, and an eighth of an inch away draw dotted parallel lines, all on the same side of their fellow lines in order of rotation. Cut out along the large circle, and then with a. sharp knife follow the lines shown double in Fig. 145. This gives eight little vanes, each of which must be bent upwards to approximately the same angle round a flat ruler held with an edge on the dotted line. Next make a dent with a lead pencil at the exact centre on the vane side, and revolve the pencil until the dent is well polished.
The Magic Windmill.—Draw a circle 2-1/2 inches in diameter on a piece of notepaper, placing the center leg [of the compass] gently so that it leaves a dent without tearing the paper. Using the same center, draw a 3/4-inch circle. Connect the circles with eight evenly spaced radial lines, and about an eighth of an inch away, draw dotted parallel lines, all on the same side in the direction of rotation. Cut along the larger circle, then with a sharp knife, follow the lines shown double in Fig. 145. This creates eight small vanes, each of which should be bent upwards to about the same angle using a flat ruler placed along the dotted line. Finally, make a dent with a pencil at the exact center on the vane side, and rotate the pencil until the dent is smooth.
[Illustration: FIG. 146.]
[Illustration: FIG. 146.]
Hold a pin, point upwards, in the right hand, and with the left centre the mill, vanes pointing downwards, on the pin (Fig. 146). The mill will immediately commence to revolve at a steady pace, and will continue to do so indefinitely; though, if the head of the pin be stuck in, say, a piece of bread, no motion will occur. The secret is that the heat of the hand causes a very slight upward current of warmed air, which is sufficient to make the very delicately poised windmill revolve.
Hold a pin with the point facing up in your right hand, and with your left hand, place the mill centered on the pin with the vanes pointing down (Fig. 146). The mill will immediately start to spin steadily and will keep going indefinitely; however, if the head of the pin is stuck in something like a piece of bread, it won't move at all. The trick is that the warmth from your hand creates a slight upward flow of warm air, which is enough to make the delicate windmill spin.
A Pneumatic Puzzle.—For the very simple apparatus illustrated by Fig. 147 one needs only half a cotton reel, three pins, and a piece of glass or metal tubing which fits the hole in the reel. Adjust a halfpenny centrally over the hole and stick the pins into the reel at three equidistant points, so that they do not quite touch the coin, and with their ends sloping slightly outwards to allow the halfpenny to fall away.
A Pneumatic Puzzle.—For the very simple device shown in Fig. 147, you only need half a cotton reel, three pins, and a piece of glass or metal tubing that fits the hole in the reel. Place a halfpenny over the hole and insert the pins into the reel at three evenly spaced points, ensuring they don't quite touch the coin, with their ends sloping slightly outward to allow the halfpenny to fall away.
[Illustration: FIG. 147.—Apparatus for illustrating an apparent scientific paradox.]
[Illustration: FIG. 147.—Apparatus for demonstrating a seemingly contradictory scientific concept.]
Press the coin against the reel and blow hard through the tube. One would expect the coin to fall; but, on the contrary, the harder you blow the tighter will it stick, even if the reel be pointed downwards. Only when you stop blowing will it fall to the floor.
Press the coin against the reel and blow hard into the tube. You'd think the coin would drop; however, the harder you blow, the more it sticks, even if the reel is pointing down. It will only fall to the floor when you stop blowing.
This is a very interesting experiment, and will mystify onlookers who do not understand the reason for the apparent paradox, which is this. The air blown through the reel strikes a very limited part of the nearer side of the halfpenny. In order to escape, it has to make a right-angle turn and pass between coin and reel, and, while travelling in this direction, loses most of its repulsive force. The result is that the total pressure on the underside of the coin, plus the effect of gravity, is exactly balanced by the atmospheric pressure on the outside, and the coin remains at that distance from the reel which gives equilibrium of forces. When one stops blowing, the air pressure on both sides is the same, and gravity makes the coin fall away.
This is a really interesting experiment that will puzzle onlookers who don’t understand the reason behind the apparent paradox, which is this: the air blown through the reel hits only a small area on the closer side of the halfpenny. To escape, it has to make a right-angle turn and move between the coin and the reel, and while moving this way, it loses most of its repulsive force. As a result, the total pressure on the bottom of the coin, combined with gravity, is exactly balanced by the atmospheric pressure on the outside, so the coin stays at a distance from the reel that creates equilibrium of forces. When you stop blowing, the air pressure on both sides equalizes, and gravity causes the coin to drop away.
The function of the pins is merely to keep the halfpenny centred on the hole. If steam is used instead of human breath, a considerable weight may be hung from the disc without dislodging it.
The purpose of the pins is simply to keep the halfpenny centered on the hole. If steam is used instead of human breath, a significant weight can be hung from the disc without moving it.
The Magic Swingers.—The easily made toy illustrated next is much more interesting than would appear from the mere picture, as it demonstrates a very striking physical phenomenon, the transference of energy. If two pendulums are hung close together from a flexible support and swung, their movements influence one another in a somewhat remarkable way—the swing of the one increasing as that of the other dies down, until a certain point is reached, after which the process is reversed, and the “dying” or “dead” pendulum commences to come to life again at the expense of the other. This alternation is repeated over and over again, until all the energy of both pendulums is exhausted.
The Magic Swingers.—The toy shown next is much more fascinating than it seems from just the picture, as it showcases a striking physical phenomenon: the transfer of energy. When two pendulums are hung close together from a flexible support and set in motion, their movements affect each other in a remarkable way—the swing of one increases as the other slows down, until it reaches a certain point, after which the process reverses, and the “dying” or “still” pendulum starts to swing again at the expense of the other. This alternation repeats over and over until all the energy of both pendulums is used up.
[Illustration: FIG. 148.-Magic pendulums.]
[Illustration: FIG. 148.-Magic pendulums.]
To make the experiment more attractive, we substitute for the simplest possible pendulums—weights at the end of strings—small swings, each containing a figure sitting or standing on a seat, to the underside of which is attached a quarter of a pound of lead. To prevent the swings twisting, they are best made of strong wire bent as shown in Fig. 148, care being taken that the sides are of equal length, so that both hooks may press equally on the strings. Eighteen inches is a good length. The longer the swing, and the heavier the weight, the longer will the experiment last.
To make the experiment more appealing, we replace the simplest kind of pendulums—weights hanging from strings—with small swings, each featuring a figure sitting or standing on a seat, to which a quarter of a pound of lead is attached underneath. To stop the swings from twisting, it's best to use strong wire bent as shown in Fig. 148, making sure that the sides are equal in length so that both hooks apply equal pressure on the strings. Eighteen inches is a good length. The longer the swing and the heavier the weight, the longer the experiment will run.
The swings are hung, six inches apart, from a stout string stretched tightly between two well-weighted chairs or between two fixed points. The string should be at least 4 feet long.
The swings are hung six inches apart on a strong string pulled tight between two sturdy chairs or between two secure points. The string should be at least 4 feet long.
With two equally long and equally weighted pendulums, the three following experiments may be carried out:—
With two pendulums that are the same length and weight, you can perform the following three experiments:—
1. Let one, A, start from rest. The other, B will gradually die, and A swing to and fro more and more violently, till B at last comes to a dead stop. Then A will die and B in turn get up speed. The energy originally imparted to B is thus transferred through the string from one pendulum to the other an indefinite number of times, with a slight loss at every alternation, until it is finally exhausted by friction.
1. Let one pendulum, A, start from rest. The other, B, will gradually slow down, while A swings back and forth more and more vigorously until B finally comes to a complete stop. Then A will slow down as B picks up speed. The energy originally given to B is transferred through the string from one pendulum to the other an indefinite number of times, with a slight loss of energy each time, until it is eventually worn out by friction.
2. Swing them in opposite directions, but start A from a higher point than B. They will each alternately lose and gain motion, but will never come to rest, and will continue to swing in opposite directions—that is, while A swings north or east B will be swinging south or west, and vice versa.
2. Swing them in opposite directions, but start A from a higher point than B. They will each alternately lose and gain motion, but will never come to a stop, and will keep swinging in opposite directions—that is, while A swings north or east, B will be swinging south or west, and vice versa.
3. Start them both in the same direction, but one from a higher point than the other. There will be the same transference of energy as in (2), but neither will come to rest between alternations, and they will always swing in the same direction.
3. Start them both going the same way, but one from a higher point than the other. There will be the same transfer of energy as in (2), but neither will stop between swings, and they'll always move in the same direction.
Unequal Lengths.—If for one of the original pendulums we substitute one a couple of inches longer than the other, but of the same weight, the same set of three experiments will provide six variations among them, as in each case either the longer or the shorter may be started first or given the longer initial swing, as the case may be. The results are interesting throughout, and should be noted.
Unequal Lengths.—If we replace one of the original pendulums with one that's a couple of inches longer but weighs the same, the same set of three experiments will produce six variations. In each instance, either the longer or the shorter pendulum can be started first or given a longer initial swing, depending on the situation. The results are consistently interesting and should be noted.
Three or more Pendulums.—If the number of pendulums be increased to three or more, the length of all being the same, a fresh field for observation is opened. With an increase of number a decrease in the individual weighting is advisable, to prevent an undue sagging of the string.
Three or more Pendulums.—If the number of pendulums is increased to three or more, with all of them having the same length, a new area for observation is created. As the number increases, it’s recommended to reduce the individual weight to avoid excessive sagging of the string.
In conclusion, we may remark that a strong chain stretched between two trees and a suitable supply of rope will enable the reader and his friends to carry out all the experiments on a life-size scale.
In conclusion, we can say that a strong chain tied between two trees and plenty of rope will allow the reader and their friends to perform all the experiments on a full-size scale.
A Smoke-ring Apparatus.—Get a large tin of the self-opening kind and cut a hole 2 inches across in the bottom. Then make a neat circular hole 1-1/4 inches in diameter in the centre of a paper disc somewhat smaller than the bottom of the tin, to which it is pasted firmly on the outside. The other end—from which the lid is removed—must be covered with a piece of sheet rubber stretched fairly tight and secured to the tin by string passed over it behind the rim. An old cycle or motor car air tube, according to the size of the tin, will furnish the rubber needed; but new material, will cost only a few pence (Fig. 149).
A Smoke-ring Apparatus.—Get a large self-opening tin and cut a hole 2 inches wide in the bottom. Then create a clean circular hole 1-1/4 inches in diameter in the center of a paper disc that's slightly smaller than the tin's bottom, and stick it firmly on the outside. The other end—where the lid is removed—needs to be covered with a piece of sheet rubber stretched fairly tight and secured to the tin with string tied behind the rim. An old bicycle or car air tube can provide the rubber needed, but new material will only cost a few pence (Fig. 149).
[Illustration: FIG. 149.—Smoke-ring apparatus.]
[Illustration: FIG. 149.—Smoke ring device.]
A dense smoke is produced by putting in the tin two small rolls of blotting paper, one soaked in hydrochloric acid, the other in strong ammonia. The rolls should not touch. To reduce corrosion of the tin by the acid, the inside should be lined with thin card.
A thick smoke is generated by placing two small rolls of blotting paper inside the tin, one soaked in hydrochloric acid and the other in strong ammonia. The rolls should not touch each other. To minimize the corrosion of the tin by the acid, the interior should be lined with thin cardboard.
[Illustration: FIG. 150.—Smoke-making apparatus.]
[Illustration: FIG. 150.—Smoke machine.]
A ring of smoke is projected from the hole in the card if the rubber diaphragm is pushed inwards. A slow, steady push makes a fat, lazy ring come out; a smart tap a thinner one, moving much faster. Absolutely still air is needed for the best effects, as draughts make the rings lose shape very quickly and move erratically. Given good conditions, a lot of fun can be got out of the rings by shooting one through another which has expanded somewhat, or by destroying one by striking it with another, or by extinguishing a candle set up at a distance, and so on. The experimenter should notice how a vortex ring rotates in itself while moving forward, like a rubber ring being rolled along a stick.
A ring of smoke is released from the hole in the card when the rubber diaphragm is pushed inward. A slow, steady push creates a big, lazy ring; a sharp tap produces a thinner, faster one. You need completely still air for the best results, since drafts can quickly distort the rings and make them move unpredictably. When conditions are right, you can have a lot of fun with the rings by shooting one through another that's already expanded a bit, or by popping one by hitting it with another, or by blowing out a candle placed at a distance, and so on. The experimenter should observe how a vortex ring spins as it moves forward, similar to a rubber ring rolling along a stick.
A continuous supply of smoke can be provided by the apparatus shown in Fig. 150. The bulb of a scent spray is needed to force ammonia gas through a box, made air-tight by a rubber band round the lid, in which is a pad soaked with hydrochloric acid. The smoke formed in this box is expelled through a pipe into the ring-making box.
A steady stream of smoke can be produced by the device shown in Fig. 150. You need the bulb of a scent spray to push ammonia gas through a sealed box, secured with a rubber band around the lid, which contains a pad soaked in hydrochloric acid. The smoke created in this box is released through a pipe into the ring-making box.
Caution.—When dealing with hydrochloric acid, take great care not to get it on your skin or clothes, as it is a very strong corrosive.
Caution.—When handling hydrochloric acid, be very careful not to get it on your skin or clothes, as it is a highly corrosive substance.
XXVII.
A RAIN-GAUGE.
The systematic measurement of rainfall is one of those pursuits which prove more interesting in the doing than in the prospect. It enables us to compare one season or one year with another; tells us what the weather has been while we slept; affords a little mild excitement when thunderstorms are about; and compensates to a limited extent for the disadvantages of a wet day.
The systematic measurement of rainfall is one of those activities that turns out to be more rewarding in practice than in theory. It lets us compare one season or year to another, informs us about the weather while we were asleep, adds some mild excitement during thunderstorms, and somewhat makes up for the downsides of a rainy day.
The general practice is to examine the gauge daily (say at 10 a.m.); to measure the water, if any, collected during the previous twenty-four hours; and to enter the record at once. Gauges are made which record automatically the rainfall on a chart or dial, but these are necessarily much more expensive than those which merely catch the water for measurement.
The common routine is to check the gauge every day (for example, at 10 a.m.); to measure the amount of water, if any, that has collected over the last twenty-four hours; and to log the results immediately. There are gauges that automatically record the rainfall on a chart or dial, but these are significantly more expensive than those that simply collect the water for measurement.
This last class, to which our attention will be confined chiefly, all include two principal parts—a metal receiver and a graduated glass measure, of much smaller diameter than the receiver, so that the divisions representing hundredths of an inch may be far enough apart to be distinguishable. It is evident that the smaller the area of the measure is, relatively to that of the receiver, the more widely spaced will the graduation marks of the measure be, and the more exact the readings obtained.
This final class, which we'll focus on, consists of two main parts—a metal receiver and a graduated glass measure that is much narrower than the receiver. This design ensures that the divisions representing hundredths of an inch are spaced far enough apart to be clearly visible. It’s clear that the smaller the area of the measure is compared to that of the receiver, the more spaced out the graduation marks on the measure will be, leading to more accurate readings.
[Illustration: FIG. 151.—Standard rain-gauge.]
[Illustration: FIG. 151.—Standard rain gauge.]
The gauge most commonly used is that shown in Fig. 151. It consists of an upper cylindrical part, usually 5 or 8 inches in diameter, at the inside of the rim, with its bottom closed by a funnel. The lower cylindrical part holds a glass catcher into which the funnel delivers the water for storage until the time when it will be measured in a graduated glass. The upper part makes a good fit with the lower, in order to reduce evaporation to a minimum.
The most commonly used gauge is the one shown in Fig. 151. It has an upper cylindrical section, typically 5 or 8 inches in diameter at the inner rim, with a funnel closing the bottom. The lower cylindrical section contains a glass catcher that collects the water delivered by the funnel for storage until it can be measured in a graduated glass. The upper part fits snugly with the lower part to minimize evaporation.
Such a gauge can be bought for half a guinea or so, but one which, if carefully made, will prove approximately accurate, can be constructed at very small expense. One needs, in the first place, a cylindrical tin, or, better still, a piece of brass tubing, about 5 inches high and not less than 3 inches in diameter. (Experiments have proved that the larger the area of the receiver the more accurate are the results.) The second requisite is a piece of stout glass tubing having an internal diameter not more than one-quarter that of the receiver This is to serve as measuring glass.
You can buy a gauge for about half a guinea, but if it's made carefully, you can make one that's pretty accurate for very little money. First, you need a cylindrical tin, or even better, a piece of brass tubing that's about 5 inches tall and at least 3 inches wide. (Experiments have shown that the bigger the area of the receiver, the more accurate the results.) The second thing you need is a thick piece of glass tubing with an internal diameter no more than a quarter of the receiver's diameter. This will be used as the measuring glass.
[Illustration: FIG. 152.—Section of homemade rain-gauge.]
[Illustration: FIG. 152.—Section of homemade rain gauge.]
The success of the gauge depends entirely upon ascertaining accurately how much of the tube will be filled by a column of water 1 inch deep and having the same area as the receiver. This is easily determined as follows:—If a tin is to be used as receiver, make the bottom and side joints watertight with solder; if a tube, square off one end and solder a flat metal to it temporarily. The receptacle is placed on a perfectly level base, and water is poured in until it reaches exactly to a mark made 4 inches from the end of a fine wire held perpendicularly. Now cork one end of the tube and pour in the water, being careful not to spill any, emptying and filling again if necessary. This will give you the number of tube inches filled by the 4 inches in the receiver. Divide the result by 4, and you will have the depth unit in the measure representing 1 inch of rainfall. The measuring should be done several times over, and the average result taken as the standard. If the readings all agree, so much the better.
The success of the gauge relies completely on accurately determining how much of the tube will be filled by a column of water 1 inch deep, with the same area as the receiver. This can be easily figured out as follows:—If you’re using a tin as the receiver, make the bottom and side joints watertight with solder; if you’re using a tube, square off one end and temporarily solder a flat metal piece to it. The receptacle should be placed on a perfectly level surface, and water is poured in until it exactly reaches a mark made 4 inches from the end of a thin wire held vertically. Now seal one end of the tube with a cork and pour in the water, being careful not to spill any, emptying and refilling if necessary. This will give you the number of tube inches filled by the 4 inches in the receiver. Divide the result by 4, and you’ll get the depth unit that represents 1 inch of rainfall. You should perform the measuring several times and take the average result as the standard. If all the readings match, that's even better.
Preparing the Scale.—The next thing is to graduate a scale, which will most conveniently be established in indelible pencil on a carefully smoothed strip of white wood 1 inch wide. First make a zero mark squarely across the strip near the bottom, and at the unit distance above it a similar mark, over which “One Inch” should be written plainly. The distance between the marks is next divided by 1/2-inch lines into tenths, and these tenths by 1/4-inch lines into hundredths, which, if the diameter of the receiver is four times that of the tube, will be about 3/16 inch apart. For reading, the scale is held against the tube, with the zero mark level with the top of the cork plugging the bottom. It will, save time and trouble if both tube and scale are attached permanently to a board, which will also serve to protect the tube against damage.
Preparing the Scale.—The next step is to create a scale, which should be marked in permanent pencil on a smoothly finished strip of white wood that is 1 inch wide. Start by making a zero mark across the strip near the bottom, and at a unit distance above it, make a similar mark where “One Inch” should be clearly written. Next, divide the distance between the marks with 1/2-inch lines into tenths, and further divide these tenths with 1/4-inch lines into hundredths, which will be about 3/16 inch apart if the diameter of the receiver is four times that of the tube. To read the scale, hold it against the tube so that the zero mark is level with the top of the cork plugging the bottom. It will save time and trouble if both the tube and scale are permanently attached to a board, which will also protect the tube from damage.
Making the Receiver.—A tin funnel, fitting the inside of the receiver closely, should be obtained, or, if the exact article is not available, a longer one should be cut down to fit. Make a central hole in the bottom of the receiver large enough to allow the funnel to pass through up to the swell, and solder the rim of the funnel to the inside of the receiver, using as little heat as possible.
Making the Receiver.—Get a tin funnel that fits snugly inside the receiver; if you can't find the exact one, you can trim a longer funnel to fit. Cut a central hole in the bottom of the receiver that's big enough for the funnel to slide through up to the swell, and solder the rim of the funnel to the inside of the receiver, applying minimal heat.
If you select a tin of the self-opening kind, you must now cut away the top with a file or hack-saw, being very careful not to bend the metal, as distortion, by altering the area of the upper end of the tin, will render the gauge inaccurate.
If you choose a self-opening tin, you now need to cut off the top with a file or hacksaw, being very careful not to bend the metal, because any distortion that changes the shape of the upper part of the tin will make the gauge inaccurate.
The receiver should be supported by another tin of somewhat smaller diameter, and deep enough to contain a bottle which will hold 3 or 4 inches of rainfall. In order to prevent water entering this compartment, tie a strip of rubber (cut out of an old cycle air tube) or other material round the receiver, and projecting half an inch beyond the bottom (Fig. 152).
The receiver should be supported by another can that has a slightly smaller diameter and is deep enough to hold a bottle that can contain 3 or 4 inches of rainfall. To keep water from entering this compartment, tie a strip of rubber (cut from an old bicycle inner tube) or another material around the receiver, extending half an inch beyond the bottom (Fig. 152).
All tinned iron surfaces should be given a couple of thin coats or paint.
All tin-coated iron surfaces should be given a couple of thin coats of paint.
The standard distance between the rain gauge and the ground is one foot. The amount caught decreases with increase of elevation, owing to the greater effect of the wind. The top of the gauge must be perfectly level, so that it may offer the same catchment area to rain from whatever direction it may come.
The standard distance between the rain gauge and the ground is one foot. The amount collected decreases as elevation increases due to the stronger effect of the wind. The top of the gauge must be perfectly level to provide the same catchment area for rain from any direction.
[Illustration: FIG. 153.—Self-measuring gauge.]
[Illustration: FIG. 153.—Self-measuring gauge.]
Another Arrangement.—To simplify measurement, the receiver and tube may be arranged as shown in Fig. 153. In this case the water is delivered directly into the measure, and the rainfall may be read at a glance. On the top of the support is a small platform for the receiver, its centre directly over the tube. The graduations, first made on a rod as already described, may be transferred, by means of a fine camel’s hair brush and white paint, to the tube itself. To draw off the water after taking a reading, a hole should be burnt with a hot wire through the bottom cork. This hole is plugged with a piece of slightly tapered brass rod, pushed in till its top is flush with the upper surface of the cork.
Another Arrangement.—To make measurement easier, the receiver and tube can be set up as shown in Fig. 153. In this setup, the water flows directly into the measure, allowing the rainfall to be read quickly. At the top of the support is a small platform for the receiver, positioned directly over the tube. The markings, initially made on a rod as previously described, can be transferred using a fine camel's hair brush and white paint directly onto the tube. To release the water after taking a measurement, a hole should be burned with a hot wire through the bottom cork. This hole is then sealed with a slightly tapered brass rod, pushed in until the top is flush with the surface of the cork.
If the tube has small capacity, provision should be made for catching the overflow by inserting through the cork a small tube reaching to a convenient height-say the 1-inch mark. The bottom of the tube projects into a closed storage vessel. Note that the tube must be in position before the graduation is determined, otherwise the readings will exaggerate the rainfall.
If the tube has a small capacity, you should set up a way to catch any overflow by inserting a small tube through the cork that reaches a convenient height—like the 1-inch mark. The bottom of the tube should go into a sealed storage container. Keep in mind that the tube needs to be in place before you measure the graduation, or else the readings will misrepresent the rainfall.
[Illustration: FIG. 154.—Gauge in case.]
[Illustration: FIG. 154.—Gauge in case.]
Protection against the Weather.—A rain-gauge of this kind requires protection against frost, as the freezing of the water would burst the tube. It will be sufficient to hinge to the front of the support a piece of wood half an inch thicker than the diameter of the tube, grooved out so as to fit the tube when shut round it (Fig 154).
Protection against the Weather.—This type of rain gauge needs protection from frost because freezing water could break the tube. It's enough to attach a piece of wood that is half an inch thicker than the tube's diameter to the front of the support, carved out to fit the tube when it's closed around it (Fig 154).
XXVIII.
WIND VANES WITH DIALS.
It is difficult to tell from a distance in which direction the arrow of a wind vane points when the arrow lies obliquely to the spectator, or points directly towards or away from him. In the case of a vane set up in some position where it will be plainly visible from the house, this difficulty is overcome by making the wind vane operate an arrow moving round a vertical dial set square to the point of observation. Figs. 155 to 157 are sketches and diagrams of an apparatus which does the work very satisfactorily. The vane is attached to the upper end of a long rod, revolving freely in brackets attached to the side of a pole. The bottom end of the rod is pointed to engage with a nick in a bearer, in which it moves with but little friction. Near the end is fixed a horizontal bevel-wheel, engaging with a vertical bevel of equal size and number of teeth attached to a short rod running through a hole in the post to an arrow on the other side. Between arrow and post is room for a dial on which the points of the compass are marked.
It's hard to see from a distance which way the arrow on a wind vane is pointing when the arrow is at an angle to the observer or is facing directly toward or away from them. To solve this issue for a vane that’s clearly visible from the house, the wind vane is designed to move an arrow around a vertical dial that is aligned with the observer's position. Figs. 155 to 157 are sketches and diagrams of a device that works very well. The vane is attached to the top of a long rod that spins freely in brackets mounted on the side of a pole. The bottom end of the rod is shaped to fit into a slot on a base, allowing it to move with minimal friction. Near the end of the rod, there’s a horizontal bevel gear that connects with a vertical bevel gear of the same size and teeth count on a short rod that passes through a hole in the post, leading to an arrow on the other side. There’s space between the arrow and the post for a dial that marks the directions of the compass.
The construction of the apparatus is so simple as to call for little comment. The tail of the vane is made of two pieces of zinc, tapering from 8 inches wide at the rear to 4 inches at the rod, to which they are clipped by 4 screws and nuts. A stay soldered between them near the stern keeps the broader ends a couple of inches apart, giving to the vane a wedge shape which is more sensitive to the wind than a single flat plate. The pointer also is cut out of sheet metal, and is attached to the tail by means of the screws already mentioned. It must, of course, be arranged to lie in a line bisecting the angle formed by the two parts of the tail.
The setup of the device is so straightforward that it needs little explanation. The tail of the vane is made from two pieces of zinc, narrowing from 8 inches wide at the back to 4 inches at the rod, which they are fastened to with 4 screws and nuts. A stay soldered between them near the back keeps the wider ends a few inches apart, giving the vane a wedge shape that is more sensitive to the wind than a single flat plate. The pointer is also cut from sheet metal and is attached to the tail using the screws mentioned earlier. It must be positioned to align with the angle formed by the two parts of the tail.
[Illustration: FIG. 165—Wind vane with dial.]
[Illustration: FIG. 165—Wind vane with dial.]
The rod should preferably be of brass, which does not corrode like iron. If the uppermost 18 inches or so are of 1/4-inch diameter, and assigned a bracket some distance below the one projecting from the top of the pole, the remainder of the rod need not exceed 1/8 to 5/32 inch in diameter, as the twisting strain on it is small. Or the rod may be built up of wooden rods, well painted, alternating with brass at the points where the brackets are.
The rod should ideally be made of brass, which doesn't rust like iron. If the top 18 inches or so are 1/4 inch in diameter and have a bracket placed a bit lower than the one on top of the pole, the rest of the rod can be 1/8 to 5/32 inch in diameter since the twisting strain on it is minimal. Alternatively, the rod could be made of wooden rods, properly painted, with brass at the places where the brackets are attached.
[Illustration: FIG. 156.—Elevation and plan of vane.]
[Illustration: FIG. 156.—Elevation and plan of vane.]
The Bevel Gearing.—Two brass bevel wheels, about 1 inch in diameter, and purchasable for a couple of shillings or less, should be obtained to transmit the vane movements to the dial arrow. Grooved pulleys, and a belt would do the work, but not so positively, and any slipping would, of course, render the dial readings incorrect. The arrow spindle (of brass) turns in a brass tube, driven tightly into a hole of suitable size bored through the centre of the post (Fig. 157). It will be well to fix a little metal screen over the bevel gear to protect it from the weather.
The Bevel Gearing.—You should get two brass bevel wheels, about 1 inch in diameter, which can be bought for a couple of shillings or less, to transfer the vane movements to the dial arrow. Grooved pulleys and a belt could also do the job, but they wouldn’t be as reliable, and any slipping would definitely make the dial readings inaccurate. The arrow spindle (made of brass) rotates in a brass tube that fits snugly into a hole of the right size drilled through the center of the post (Fig. 157). It’s a good idea to attach a small metal cover over the bevel gear to protect it from the weather.
[Illustration: FIG. 157.—Details of bevel gear and arrow.]
[Illustration: FIG. 157.—Details of bevel gear and arrow.]
The Dial—This is made of tinned iron sheet or of 1/4-inch wood nailed to 1/2-inch battens. It is held up to the post by 3-inch screws passing through front and battens. At the points of contact, the pole is slightly flattened to give a good bearing; and, to prevent the dial being twisted off by the wind, strip iron or stout galvanized wire stays run from one end of a batten to the other behind the post, to which they are secured.
The Dial—This is made of tinned iron sheet or 1/4-inch wood fastened to 1/2-inch battens. It is attached to the post with 3-inch screws that go through the front and battens. At the points where they meet, the pole is slightly flattened for a better fit; to stop the dial from being twisted off by the wind, strip iron or strong galvanized wire stays run from one end of a batten to the other behind the post, where they are secured.
The post should be well painted, the top protected by a zinc disc laid under the top bracket, and the bottom, up to a point 6 inches above the ground level, protected by charring or by a coat of boiled tar, before the dial and the brackets for the vane rod to turn in are fastened on. A white dial and black arrow and letters will be most satisfactory against a dark background; and vice versa for a light background. The letters are of relatively little importance, as the position of the arrow will be sufficient indication.
The post should be painted well, with a zinc disc placed under the top bracket to protect the top, and the bottom protected by charring or a coat of boiled tar, up to about 6 inches above ground level, before attaching the dial and the brackets for the vane rod to turn in. A white dial with black arrows and letters will look best against a dark background, and the opposite is true for a light background. The letters aren't as important since the position of the arrow will provide enough indication.
It gives little trouble to affix to the top of the pole 4 arms, each carrying the initial of one of the cardinal points of the compass. The position of these relatively to the direction in which the dial will face must be carefully thought out before setting the position in the ground. In any case the help of a compass will be needed to decide which is the north.
It's not difficult to attach 4 arms to the top of the pole, each displaying the initial of one of the cardinal directions. The placement of these arms in relation to where the dial will face needs to be planned out carefully before fixing it in the ground. In any case, you will need a compass to determine which way is north.
Having set in the post and rammed the earth tightly round it, loosen the bracket supporting the vane rod so that the vane bevel clears the dial bevel. Turn the vane to true north, set the dial arrow also to north, and raise the bevel so that it meshes, and make the bracket tight.
Having placed the post and packed the earth tightly around it, loosen the bracket holding the vane rod so that the vane bevel clears the dial bevel. Turn the vane to true north, align the dial arrow to north as well, raise the bevel so that they mesh, and tighten the bracket.
Note.—In the vicinity of London true north is 15 degrees east of the magnetic north.
Note.—In the London area, true north is 15 degrees east of magnetic north.
The pole must be long enough to raise the vane clear of any objects which might act as screens, and its length will therefore depend on its position. As for the height of the dial above the ground, this must be left to individual preference or to circumstances. If conditions allow, it should be near enough to the ground to be examined easily with a lamp at night, as one of the chief advantages of the system is that the reading is independent of the visibility of the vane.
The pole needs to be tall enough to lift the vane above any objects that could block it, so its length will depend on where it’s placed. Regarding how high the dial should be off the ground, that’s up to personal choice or specific situations. If possible, it should be low enough to check easily with a lamp at night, since one of the main benefits of this system is that you can read it regardless of how well the vane is visible.
A Dial Indoors.—If some prominent part of the house, such as a chimney stack, be used to support the pole—which in such a case can be quite short—it is an easy matter to connect the vane with a dial indoors, provided that the rod can be run down an outside wall.
A Dial Indoors.—If a noticeable part of the house, like a chimney stack, is used to hold the pole— which can be relatively short in this case— it's simple to link the vane to a dial inside, as long as the rod can be routed down an outside wall.
An Electrically Operated Dial.—Thanks to the electric current, it is possible to cause a wind vane, wherever it may be set, to work a dial situated anywhere indoors. A suggested method of effecting this is illustrated in Figs. 158 to 161, which are sufficiently explicit to enable the reader to fill in details for himself.
An Electrically Operated Dial.—Thanks to electricity, you can make a wind vane, no matter where it's located, operate a dial positioned anywhere indoors. A proposed way to achieve this is shown in Figs. 158 to 161, which provide enough detail for the reader to fill in the specifics themselves.
[Illustration: FIG. 158.—Plan and elevation of electric contact on vane post.]
[Illustration: FIG. 158.—Plan and elevation of electric contact on vane post.]
In-this case the vane is attached (Fig. 158) to a brass tube, closed at the upper end, and supported by a long spike stuck into the top of the pole. A little platform carries a brass ring, divided into as many insulated segments as the points which the vane is to be able to register. Thus, there will be eight segments if the half-points as well as the cardinal points are to be shown on the dial. The centre of each of these segments lies on a line running through the centre of the spike to the compass point to which the segment belongs. The tube moves with it a rotating contact piece, which rubs against the tops of the segments.
In this case, the vane is attached (Fig. 158) to a brass tube, sealed at the top, and is supported by a long spike that goes into the top of the pole. A small platform holds a brass ring, divided into as many insulated sections as the points the vane needs to register. So, there will be eight sections if both the half-points and the cardinal points are shown on the dial. The center of each of these sections aligns with a line that goes through the center of the spike to the compass point that each section corresponds to. The tube moves with a rotating contact piece that touches the tops of the sections.
Below it is a “brush” of strip brass pressing against the tube. This brush is connected with a wire running to one terminal of a battery near the dial.
Below it is a “brush” made of strip brass pressing against the tube. This brush is connected by a wire running to one terminal of a battery near the dial.
[Illustration: FIG. 159.—Magnetic recording dial.]
[Illustration: FIG. 159.—Magnetic recording dial.]
The Dial.—This may be either vertical or horizontal, provided that the arrow is well balanced. The arrow, which should be of some light non-magnetic material, such as cardboard or wood, carries on its lower side, near the point, a piece of soft iron. Under the path of this piece is a ring of equally spaced magnets, their number equaling that of, the segments on the vane. Between arrow and magnets is the dial on which the points are marked (Fig. 159).
The Dial.—This can be either vertical or horizontal, as long as the arrow is well balanced. The arrow, which should be made from a light non-magnetic material like cardboard or wood, has a piece of soft iron attached to its lower side, near the tip. Beneath this piece is a ring of evenly spaced magnets, with the number of magnets matching the segments on the vane. Between the arrow and the magnets is the dial where the points are marked (Fig. 159).
Each segment is connected by a separate wire with the corresponding dial magnet, and each of these, through a common wire and switch, with the other terminal of the battery (Fig. 161).
Each segment is connected by its own wire to the corresponding dial magnet, and each of these is linked through a common wire and switch to the other terminal of the battery (Fig. 161).
In order to ascertain the quarter of the wind, the switch is closed. The magnet which is energized will attract the needle to it, showing in what direction the vane is pointing. To prevent misreading, the dial may be covered by a flap the raising of which closes the battery circuit. A spring should be arranged to close the flap when the hand is removed, to prevent waste of current.
To find the wind direction, the switch is turned on. The powered magnet will pull the needle toward it, indicating which way the vane is facing. To avoid misreading, a flap can be used to cover the dial; lifting it will close the battery circuit. A spring should be set up to close the flap when the hand is lifted, preventing current drain.
[Illustration: FIG. 160.—Another type of electric dial with compass needle for pointer.]
[Illustration: FIG. 160.—Another type of electric dial with a compass needle for the pointer.]
The exactitude of the indication given by the arrow depends on the number of vane segments used. If these are only four, a N. read- ing will be given by any position of the vane between N.E. and N.W.; if eight, N. will mean anything between N.N.E. and N.N.W. Telephone cables, containing any desired number of insulated wires, each covered by a braiding of a distinctive colour, can be obtained at a cost only slightly exceeding that of an equal total amount of single insulated wire. The cable form is to be preferred, on account of its greater convenience in fixing.
The accuracy of the direction indicated by the arrow depends on how many vane segments are used. With only four segments, any position of the vane between N.E. and N.W. will show a N. reading; with eight segments, N. will represent anything from N.N.E. to N.N.W. You can get telephone cables that have any number of insulated wires, each wrapped in a different colored braid, for just a bit more than the cost of the same total amount of single insulated wire. The cable form is favored because it's easier to install.
The amount of battery power required depends on the length of the circuit and the delicacy of the dial. If an ordinary compass needle be used, as indicated in Fig. 160, very little current is needed. In this case the magnets, which can be made of a couple of dozen turns of fine insulated wire round a 1/8-in soft iron bar, should be arranged spokewise round the compass case, and care must be taken that all the cores are wound in the same direction, so as to have the same polarity. Otherwise some will attract the N. end of the needle and others repel it. The direction of the current flow through the circuit will decide the polarity of the magnets, so that, if one end of the needle be furnished with a little paper arrow-head, the “correspondence” between vane and dial is easily established. An advantage attaching to the use of a compass needle is that the magnet repels the wrong end of the needle.
The amount of battery power needed depends on the length of the circuit and how sensitive the dial is. If you use a regular compass needle, like the one shown in Fig. 160, only a small amount of current is required. In this case, the magnets, which can be made from a few dozen turns of fine insulated wire wrapped around a 1/8-inch soft iron bar, should be arranged like spokes around the compass case. It's important to ensure that all the wires are wound in the same direction to maintain the same polarity. If they aren't, some will pull the north end of the needle while others will push it away. The direction of the current flow through the circuit will determine the polarity of the magnets, so if one end of the needle has a small paper arrowhead attached, it's easy to establish the "correspondence" between the vane and the dial. One advantage of using a compass needle is that the magnet pushes away the wrong end of the needle.
[Illustration: FIG. 161.—General arrangement of electric wind recorder.]
[Illustration: FIG. 161.—Overall layout of the electric wind recorder.]
The brush and segments must be protected from he weather by a cover, either attached to the segment platform or to the tube on which the vane is mounted.
The brush and segments need to be shielded from the weather with a cover, either connected to the segment platform or to the tube where the vane is mounted.
The spaces between the segments must be filled in flush with some non-conducting material, such as fibre, vulcanite, or sealing-wax; and be very slightly wider than the end of the contact arm, so that two segments may not be in circuit simultaneously. In certain positions of the vane no contact will be made, but, as the vane is motionless only when there is no wind or none to speak of, this is a small matter.
The gaps between the segments need to be filled flush with some non-conductive material, like fiberglass, vulcanite, or sealing wax, and should be just slightly wider than the end of the contact arm to ensure that two segments aren't connected at the same time. In certain positions of the vane, there won't be any contact, but since the vane is only motionless when there’s no wind or barely any, this isn't a big issue.
XXIX.
A STRENGTH-TESTING MACHINE.
The penny-in-the-slot strength-testing machine is popular among men and boys, presumably because many of them like to show other people what their muscles are capable of, and the opportunity of proving it on a graduated dial is therefore tempting, especially if there be a possibility of recovering the penny by an unusually good performance.
The strength-testing machine that takes a penny is popular with men and boys, likely because many of them enjoy showing off their muscles. The chance to demonstrate their strength on a graduated dial is tempting, especially if they might win back their penny with an impressive performance.
For the expenditure of quite a small number of pence, one may construct a machine which will show fairly accurately what is the value of one’s grip and the twisting, power of the arms; and, even if inaccurate, will serve for competitive purposes. The apparatus is very simple in principle, consisting of but five pieces of wood, an ordinary spring balance registering up to 40 lbs., and a couple of handles. The total cost is but a couple of shillings at the outside.
For just a few cents, you can build a machine that reasonably measures your grip strength and the twisting power of your arms; even if it's not perfectly accurate, it will still work for competitions. The device is quite simple, made up of only five pieces of wood, a standard spring scale that measures up to 40 lbs., and a couple of handles. The total cost is only a few shillings at most.
Fig. 162 is a plan of the machine as used for grip measuring. The base is a piece of deal 1 inch thick, 2 feet long, and 5-1/2 inches wide. The lever, L, is pivoted at P, attached to a spring balance at Q, and subjected to the pull of the hand at a point, R.
Fig. 162 shows a diagram of the machine used for grip measuring. The base is made from a piece of softwood that is 1 inch thick, 2 feet long, and 5.5 inches wide. The lever, L, is pivoted at P, connected to a spring scale at Q, and receives force from the hand at a point, R.
The pressure exerted at R is to that registered at Q as the distance PQ is to the distance PR. As the spring balance will not record beyond 40 lbs., the ratio of PQ to PR may conveniently be made 5 to 1, as this will allow for the performances of quite a strong man; but even if the ratio be lowered to 4 to 1, few readers will stretch the balance to its limit.
The pressure at R is to the pressure at Q as the distance PQ is to the distance PR. Since the spring scale won’t read beyond 40 lbs., the ratio of PQ to PR can be set at 5 to 1, which will accommodate the strength of a fairly strong person; however, even if the ratio is reduced to 4 to 1, few people will push the scale to its maximum.
The balance should preferably be of the type shown in Fig. 162, having an indicator projecting at right angles to the scale through a slot, as this can be very easily fitted with a sliding index, I, in the form of a 1/4-inch strip of tin bent over at the ends to embrace the edges of the balance.
The balance should ideally be like the one shown in Fig. 162, featuring an indicator that extends perpendicular to the scale through a slot. This design allows for easy installation of a sliding index, I, which consists of a 1/4-inch strip of tin bent at the ends to wrap around the edges of the balance.
CONSTRUCTION.
[Illustration: FIG. 162.—Plan of strength tester.]
[Illustration: FIG. 162.—Plan of strength tester.]
[Illustration: FIG. 163.—Grips of strength tester.]
[Illustration: FIG. 163.—Grips of strength tester.]
As the pressures on the machine are high, the construction must be solid throughout. The lever frame, A, and pivot piece, C, should be of one-inch oak, and the two last be screwed very securely to the baseboard. The shape of A is shown in Fig. 163. The inside is cut out with a pad saw, a square notch being formed at the back for the lever to move in. The handles of an old rubber chest expander come in useful for the grips. One grip, D, is used entire for attachment to the lever; while of the other only the wooden part is required, to be mounted on a 1/4-inch steel bar running through the arms of A near the ends of the horns. If a handle of this kind is not available for D, one may substitute for it a piece of metal tubing of not less than 1/2-inch diameter, or a 3/4-inch wooden rod, attached to an eye on the lever by a wire passing through its centre.
As the stresses on the machine are high, the construction must be durable throughout. The lever frame, A, and pivot piece, C, should be made of one-inch oak, and the last two should be screwed securely to the baseboard. The shape of A is shown in Fig. 163. The inside is cut out with a jigsaw, creating a square notch at the back for the lever to move in. The handles of an old rubber chest expander work well for the grips. One grip, D, is used entirely for attaching to the lever; for the other, only the wooden part is needed, to be mounted on a 1/4-inch steel bar running through the arms of A near the ends of the horns. If a handle like this isn't available for D, you can substitute it with a piece of metal tubing that is at least 1/2-inch in diameter, or a 3/4-inch wooden rod, attached to an eye on the lever with a wire passing through its center.
A handle, if used, is joined to the lever by means of a brass plate 3/4 inch wide and a couple of inches long. A hole is bored in the centre somewhat smaller than the knob to which the rubber was fastened, and joined up to one long edge by a couple of saw cuts. Two holes for good-sized screws must also be drilled and countersunk, and a socket for the knob must be scooped out of the lever. After making screw holes in the proper positions, pass the shank of the knob through the slot in the plate, and screw the plate on the lever. This method holds the handle firmly while allowing it to move freely.
A handle, if used, is attached to the lever with a brass plate that's 3/4 inch wide and a couple of inches long. A hole is drilled in the center, slightly smaller than the knob where the rubber was attached, and connected to one long edge by a couple of saw cuts. Two holes for good-sized screws also need to be drilled and countersunk, and a socket for the knob should be carved out of the lever. After drilling the screw holes in the right spots, thread the knob's shank through the slot in the plate, and screw the plate onto the lever. This method keeps the handle secure while still allowing it to move freely.
The lever tapers from 1-1/2 inches at the pivot to 5/8 inch at the balance end. The hole for the pivot—5/16-inch steel bar—should be long enough to admit a piece of tubing fitting the bar, to diminish friction, and an important point, be drilled near the handle edge of the lever, so as to leave plenty of wood to take the strain. The last remark also applies to the hole for the balance pin at Q.
The lever narrows from 1-1/2 inches at the pivot to 5/8 inch at the balance end. The hole for the pivot—5/16-inch steel bar—should be long enough to fit a piece of tubing around the bar to reduce friction. It's also important that this hole is drilled close to the handle edge of the lever to leave enough wood to handle the strain. This point also applies to the hole for the balance pin at Q.
The balance support, B, and the pivot piece, C, are 2-1/2 and 2-7/16 inches high respectively. Run a hole vertically through C and the baseboard for the pivot, which should be 4-1/2 inches long, so as to project 1 inch when driven right home. Take some trouble over getting the holes in L and C quite square to the baseboard, as any inaccuracy will make the lever twist as it moves. To prevent the pivot cutting into the wood, screw to the top of C a brass plate bored to fit the pivot accurately. The strain will then be shared by the screws.
The balance support, B, and the pivot piece, C, are 2-1/2 and 2-7/16 inches high, respectively. Drill a hole vertically through C and the baseboard for the pivot, which should be 4-1/2 inches long, so it sticks out 1 inch when fully inserted. Take care to ensure the holes in L and C are perfectly square to the baseboard, as any misalignment will cause the lever to twist as it moves. To stop the pivot from damaging the wood, attach a brass plate to the top of C that is shaped to fit the pivot snugly. This way, the stress will be shared by the screws.
The horns of A should be long enough to allow the outside of the fixed grip to be 2-1/4 inches from the inside of the handle.
The horns of A should be long enough to keep the outside of the fixed grip 2-1/4 inches away from the inside of the handle.
The balance is secured first to the lever by a pin driven through the eye of the hook, and then to B by a 3-inch screw passed through the ring. The balance should just not be in tension.
The balance is attached to the lever first by a pin inserted through the eye of the hook, and then to B by a 3-inch screw threaded through the ring. The balance should be slightly loose.
When the apparatus is so far complete, test it by means of a second balance applied to D. Set the scale-marker at zero, and pull on the D balance till, say, 35 lbs. is attained. If the fixed balance shows 7 lbs. on what is meant to be a 5 to 1 ratio, the setting of R relatively to P and Q is correct. If, however, there is a serious discrepancy, it would be worth while making tests with a very strong balance, and establishing a corrected gradation on a paper dial pasted to the face of E.
When the setup is mostly complete, test it using a second scale applied to D. Set the scale marker to zero, and pull on the D scale until you reach about 35 lbs. If the fixed scale shows 7 lbs., which is what you’d expect in a 5 to 1 ratio, then the setting of R in relation to P and Q is correct. However, if there’s a significant difference, it would be a good idea to test with a very precise scale and create a corrected scale on a paper dial pasted to the front of E.
For twisting tests we need a special handle (see Fig. 164), which is slipped on to the pivot and transmits the twist to L through a pin pressing on the back of the lever. The stirrup is made out of strip iron, bent to shape and drilled near the ends for the grip spindle. To the bottom is screwed and soldered a brass or iron plate, into the underside of which the pin is driven.
For twisting tests, we need a special handle (see Fig. 164) that slips onto the pivot and transfers the twist to L through a pin pressing against the back of the lever. The stirrup is made from strip iron, shaped and drilled near the ends for the grip spindle. A brass or iron plate is screwed and soldered to the bottom, with the pin driven into its underside.
[Illustration: FIG. 164.—Handle for twisting test.]
[Illustration: FIG. 164.—Handle for twisting test.]
To prevent the handle bending over, solder round the pivot hole 3/4 inch of brass tubing, fitting the pivot closely.
To stop the handle from bending, solder around the pivot hole with 3/4 inch of brass tubing, making sure the pivot fits closely.
Tests.—Grip tests should be made with each hand separately. The baseboard should lie flat on a table or other convenient support, and be steadied, but not pushed, by the hand not gripping.
Tests.—Grip tests should be done with each hand individually. The baseboard should be placed flat on a table or another suitable support, and held steady, but not pushed, by the hand that isn't gripping.
Twisting tests may be made inwards with the right hand, and back-handedly with the left. The apparatus is stood on edge, square to the performer, resting on the horns of A and a support near the balance.
Twisting tests can be done inward with the right hand and back-handed with the left. The apparatus is positioned upright, facing the performer, resting on the horns of A and a support close to the balance.
Finger tests are made by placing the thumb on the front face of B, and two fingers on the farther side of the lever, one to the left and the other to the right of the tail of the balance.
Finger tests are done by putting the thumb on the front side of B, and two fingers on the opposite side of the lever, one to the left and the other to the right of the end of the balance.
XXX.
LUNG-TESTING APPARATUS.
The capacity of the lungs, and their powers of inspiration and expiration, can be tested by means of easily constructed apparatus which will interest most people who are introduced to it. The reduction of the capabilities of the lungs to figures affords a not unprofitable form of entertainment, as even among adults these figures will be found to vary widely.
The capacity of the lungs and their ability to inhale and exhale can be tested using simple devices that will engage most people who encounter them. Quantifying lung capabilities can provide a surprisingly enjoyable form of entertainment, as even among adults, these measurements vary significantly.
Air Volume Measuring.—The air which the lungs deal with is scientifically classified under four heads:
Air Volume Measuring.—The air that the lungs handle is scientifically categorized into four types:
1. Tidal air, which passes into and out of the lungs in natural breathing. About 30 cubic inches in an adult (average).
1. Tidal air, which moves into and out of the lungs during normal breathing. About 30 cubic inches in an adult (on average).
2. Reserve air, which can be expelled after a normal expiration. About 100 cubic inches.
2. Reserve air, which can be released after a normal exhalation, is about 100 cubic inches.
3. Complemental air, which can be drawn in after a normal inspiration. About 100 cubic inches.
3. Complemental air, which can be inhaled after a normal breath. About 100 cubic inches.
4. Residual air, which cannot be removed from the lungs under any conditions by voluntary effort. About 120 cubic inches.
4. Residual air, which cannot be expelled from the lungs under any circumstances through voluntary effort, is approximately 120 cubic inches.
The first three added together give the vital capacity. This, as an addition sum will show, is very much greater than the volume of air taken in during a normal inspiration.
The first three combined give the vital capacity. This, as a sum will show, is much larger than the amount of air taken in during a regular breath.
The simplest method of testing the capacity of an individual pair of lungs is embodied in the apparatus shown in Figs. 165 and 166. A metal box is submerged, bottom upwards, in a tank of somewhat larger dimensions, until the water is level with the bottom inside and out. A counterweight is attached to the smaller box to place it almost in equilibrium, so that if air is blown into the box it will at once begin to rise.
The easiest way to test how much air a pair of lungs can hold is with the equipment shown in Figs. 165 and 166. A metal box is turned upside down and submerged in a larger tank until the water level inside the box is the same as outside. A counterweight is connected to the smaller box to keep it nearly balanced, so when air is blown into the box, it will immediately start to rise.
If we make the container 7-1/16 inches square inside, in plan, every inch it rises will represent approximately 50 cubic inches of air blown in; and a height of 7 inches, by allowing for 325 cubic inches, with a minimum immersion of half an inch, should suffice even for unusually capacious lungs. The outside box need not be more than 8 inches all ways.
If we make the container 7-1/16 inches square on the inside, every inch it rises will represent about 50 cubic inches of air added in; and a height of 7 inches, allowing for 325 cubic inches, with a minimum immersion of half an inch, should be enough even for very large lungs. The outside box doesn't need to be more than 8 inches in all dimensions.
[Illustration: FIG. 166.—Section of lung-capacity tester.]
[Illustration: FIG. 166.—Section of lung-capacity tester.]
Unless you are an expert with the soldering iron, the making of the boxes should be deputed to a professional tinman, who would turn out the pair for quite a small charge. Specify very thin zinc for the air vessel, and have the top edges stiffened so that they may remain straight.
Unless you're an expert with a soldering iron, it's best to have a professional tinman make the boxes for you, and they can do it for a pretty low cost. Specify very thin zinc for the air vessel and make sure the top edges are reinforced so they stay straight.
On receiving the boxes, cut a hole 3/4-inch diameter in the centre of the bottom of the air vessel, and solder round it a piece of tubing, A, 1 inch long, on the outside of the box. In the centre of the larger box make a hole large enough to take a tube, E, with an internal diameter of 1/8 inch. This tube is 8 inches long and must be quite straight. Next procure a straight wire, C, that fits the inside of the small tube easily; make an eye at the end, and cut off about 9 inches. Bore a hole for the wire in a metal disc 1 inch across.
On receiving the boxes, cut a hole with a 3/4-inch diameter in the center of the bottom of the air vessel, and solder a piece of tubing, A, 1 inch long, around it on the outside of the box. In the center of the larger box, make a hole big enough to fit a tube, E, with an internal diameter of 1/8 inch. This tube is 8 inches long and needs to be completely straight. Next, get a straight wire, C, that fits easily inside the small tube; make a loop at the end and cut about 9 inches off. Drill a hole for the wire in a metal disc that is 1 inch wide.
[Illustration: FIG. 166.—Perspective view of lung-capacity tester.]
[Illustration: FIG. 166.—Perspective view of lung-capacity tester.]
The air container is then placed in the water box and centred by means of wooden wedges driven in lightly at the corners. Push the small tube through its hole in the water box, and thrust the wire—after passing it through the disc and the projection on the air container—into the tube. The tube should reach nearly to the top of the air container, and the wire to the bottom of the water box. Solder the tube to the box, the wire to the disc, and the disc to the container. A little stay, S, will render the tube less liable to bend the bottom of the box. Plug the tube at the bottom.
The air container is then placed in the water box and centered using wooden wedges lightly driven in at the corners. Push the small tube through its hole in the water box, and insert the wire—after threading it through the disc and the projection on the air container—into the tube. The tube should reach almost to the top of the air container, and the wire should extend to the bottom of the water box. Solder the tube to the box, the wire to the disc, and the disc to the container. A small support, S, will help keep the tube from bending the bottom of the box. Plug the tube at the bottom.
The wire sliding in the tube will counteract any tendency of the container to tilt over as it rises.
The wire moving within the tube will prevent the container from tipping over as it rises.
A nozzle, D, for the air tube is soldered into the side of A, as shown.
A nozzle, D, for the air tube is soldered into the side of A, as shown.
The counterweight is attached to the container by a piece of fine strong twine which passes over two pulleys, mounted on a crossbar of a frame screwed to the sides of the water box, or to an independent base. The bottom of the central pulley should be eight inches above the top of the container, when that is in its lowest position.
The counterweight is connected to the container by a piece of strong, thin twine that runs over two pulleys attached to a crossbar of a frame, which is screwed to the sides of the water box or to a separate base. The bottom of the central pulley should be eight inches above the top of the container when it's in the lowest position.
For recording purposes, make a scale of inches and tenths, and the corresponding volumes of air, on the side of the upright next the counterweight. The wire, W, is arranged between counterweight and upright so that an easily sliding plate, P, may be pushed down it by the weight, to act as index.
For recording purposes, create a scale of inches and tenths, along with the corresponding air volumes, on the side of the upright next to the counterweight. The wire, W, is positioned between the counterweight and the upright so that a smoothly sliding plate, P, can be pushed down by the weight to function as an index.
[Illustration: FIG. 167.—Apparatus for showing lung power.]
[Illustration: FIG. 167.—Device for demonstrating lung capacity.]
Notes.—The pulleys must work easily, to reduce friction, which renders the readings inaccurate. Absolute accuracy is not obtainable by this apparatus, as the rising of the container lowers the water level slightly, and the air has to support part of the weight of the container which was previously borne by the water. But the inaccuracy is so small as to be practically negligible.
Notes.—The pulleys need to operate smoothly to minimize friction, which can make the readings inaccurate. You can't achieve complete accuracy with this setup since the container rising causes the water level to drop slightly, and the air has to bear some of the weight of the container that the water used to support. However, the inaccuracy is minimal enough to be practically ignored.
A Pressure Recorder.
Pressure Recorder.
[Transcribers note: Even with the precautions used in this project, health standards of 2004 would consider any exposure to mercury dangerous. Water could be substituted and the column lengths scaled up by about 13.5.]
[Transcribers note: Even with the precautions taken in this project, health standards from 2004 would regard any exposure to mercury as hazardous. Water could be used instead, and the column lengths could be increased by about 13.5.]
If mercury is poured into a vertical tube closed at the bottom, a pressure is exerted on the bottom in the proportion of approximately one pound per square inch for every two inches depth of mercury. Thus, if the column is 30 inches high the bottom pressure is slightly under 15 lbs. per square inch.
If mercury is poured into a vertical tube that is closed at the bottom, it creates pressure at the bottom that’s roughly one pound per square inch for every two inches of mercury depth. So, if the column is 30 inches high, the pressure at the bottom is just under 15 lbs. per square inch.
This fact is utilized in the pressure recorder shown in Fig. 167, a U-shaped glass tube half filled with mercury. A rubber tube is attached to the bent-over end of one of the legs, so that the effects of blowing or suction may be communicated to the mercury in that leg. Normally the mercury stands level in both tubes at what may be called the zero mark. Any change of level in one leg is accompanied by an equal change in the opposite direction in the other. Therefore, if by blowing the mercury is made to rise an inch in the left leg, the pressure exerted is obviously that required to support a two-inch column of mercury—that is, 1 lb. per sq. inch. This gives a very convenient standard of measurement, as every inch rise above the zero mark indicates 1 lb. of pressure.
This concept is used in the pressure recorder shown in Fig. 167, which is a U-shaped glass tube that is half filled with mercury. A rubber tube connects to the bent-over end of one of the legs, allowing the effects of blowing or suction to affect the mercury in that leg. Normally, the mercury levels are even in both tubes at what we can call the zero mark. Any change in one leg's level causes an equal change in the opposite direction in the other leg. So, if blowing makes the mercury rise an inch in the left leg, the pressure being applied is clearly enough to support a two-inch column of mercury, meaning 1 lb. per square inch. This provides a very handy standard of measurement, as every inch above the zero mark represents 1 lb. of pressure.
CONSTRUCTION.
The mercury tube should be made first. Take a piece of glass tubing 20 inches long, and bend it at a point 9 inches from one end after heating in a spirit flame. The legs should be kept as parallel as possible. Lay the tube, while the heated part is still pliant, on a flat surface, the bend projecting over the edge, So that the two legs shall be in line. When the glass has cooled, bend over two inches of the longer leg to an angle of about 45 degrees.
The mercury tube should be made first. Take a piece of glass tubing 20 inches long and bend it at a point 9 inches from one end after heating in a flame. The legs should be kept as parallel as possible. While the heated part is still pliable, place the tube on a flat surface with the bend hanging over the edge so that the two legs are in line. After the glass has cooled, bend over two inches of the longer leg to an angle of about 45 degrees.
A standard for the tube is now made out of one-inch wood. Hollow out a bed in which the tube shall lie and be completely protected. To the right of the tube the standard is notched to take a small bottle. The notch should be slightly narrower than the diameter of the bottle, and have its sides hollowed out to fit.
A standard for the tube is now made from one-inch wood. Carve out a space where the tube will rest and be fully protected. To the right of the tube, the standard has a notch for a small bottle. The notch should be a bit narrower than the bottle's diameter, with its sides shaped to fit.
Halfway up the tube draw a zero mark across the standards, and above this a scale of inches in fractions on both sides. Each inch represents 1 lb. pressure.
Halfway up the tube, draw a zero mark across the standards, and above this, a scale of inches in fractions on both sides. Each inch represents 1 lb. of pressure.
The cork of the bottle must be pierced with a red-hot wire for two glass tubes, one of which is bent over for the blowing tube. Both tubes should be pointed at the bottle end so that they may enter the cork easily. Make the top of the cork air tight with sealing-wax. The purpose of the bottle is to catch any mercury that might be sucked out of the tube; one does not wish mercurial poisoning to result from the experiments. Also it prevents any saliva entering the mercury tube.
The cork of the bottle needs to be poked with a hot wire for two glass tubes, one of which is bent to serve as the blowing tube. Both tubes should be tapered at the end that goes into the cork for easy insertion. Seal the top of the cork tightly with sealing wax. The bottle's purpose is to collect any mercury that could be drawn out of the tube; you want to avoid mercury poisoning from the experiments. It also keeps any saliva from getting into the mercury tube.
When the latter has been secured to the standard by a couple of slips of tin nailed to the front, connect it up with the bottle, and fill it up to the zero mark with mercury poured in through a small paper funnel.
When the latter is attached to the standard with a couple of tin slips nailed to the front, connect it to the bottle and fill it up to the zero mark with mercury poured in through a small paper funnel.
The open end of the tube should be provided with an inch of tubing. Clips placed on this and on the rubber connection between tube and bottle will prevent the escape of mercury should the apparatus be upset when not in use.
The open end of the tube should have an inch of tubing attached. Clips placed on this and on the rubber connection between the tube and the bottle will stop mercury from escaping if the apparatus tips over when it's not being used.
The average blowing pressure of which the lungs are capable is about 1-1/2 lbs. per square inch; inspiration pressure without mouth suction about 1 lb. per square inch; suction pressure 2-1/2 to 3 lbs. per square inch.
The average blowing pressure that the lungs can handle is about 1.5 lbs. per square inch; the pressure during inhalation without using the mouth for suction is about 1 lb. per square inch; and the suction pressure is between 2.5 to 3 lbs. per square inch.
Caution.—Don’t ask people with weak lungs to try experiments with the apparatus described in this chapter.
Caution.—Don’t ask people with weak lungs to try out the experiments with the equipment described in this chapter.
XXXI.
HOME-MADE HARMONOGRAPHS.
Have you ever heard of the harmonograph? If not, or if at the most you have very hazy ideas as to what it is, let me explain. It is an instrument for recording on paper, or on some other suitable surface, the figures described by two or more pendulums acting in concert.
Have you ever heard of the harmonograph? If not, or if you only have a vague idea of what it is, let me explain. It’s a device that records on paper or another suitable surface the patterns created by two or more pendulums working together.
The simplest form of harmonograph is shown in Fig. 168. Two pendulums are so suspended on points that their respective directions of movement are at right angles to one another—that is, pendulum A can swing only north and south, as it were, and pendulum B only east and west. On the top of B is a platform to carry a card, and on the upper end of A a lever is pivoted so as to be able to swing only vertically upwards and downwards. At its end this lever carries a pen, which when at rest lies on the centre of the card platform.
The simplest form of a harmonograph is shown in Fig. 168. Two pendulums are suspended from points so that their movements are at right angles to each other—that is, pendulum A can swing only north and south, while pendulum B can swing only east and west. On top of B is a platform to hold a card, and at the upper end of A, a lever is pivoted to swing only vertically up and down. At the end of this lever, there’s a pen that, when at rest, sits on the center of the card platform.
[Illustration: FIG. 168.—Simple Rectilinear Harmonograph.]
[Illustration: FIG. 168.—Simple Rectilinear Harmonograph.]
The bob, or weight, of a pendulum can be clamped at any point on its rod, so that the rate or “period” of swing may be adjusted or altered. The nearer the weight is brought to the point of suspension, the oftener will the pendulum swing to and fro in a given time—usually taken as one minute. From this it is obvious that the rates of swing of the two pendulums can be adjusted relatively to one another. If they are exactly equal, they are said to be in unison, and under these conditions the instrument would trace figures varying in outline between the extremes of a straight line on the one hand and a circle on the other. A straight line would result if both pendulums were released at the same time, a circle,[1] if one were released when the other had half finished a swing, and the intermediate ellipses would be produced by various alterations of “phase,” or time of the commencement of the swing of one pendulum relatively to the commencement of the swing of the other.
The bob, or weight, of a pendulum can be fixed at any point along its rod, allowing the swing rate or "period" to be adjusted or changed. The closer the weight is to the suspension point, the more frequently the pendulum will swing back and forth in a set time—usually one minute. From this, it's clear that the swinging rates of two pendulums can be adjusted in relation to each other. If they are exactly the same, they are said to be in sync, and under these conditions, the instrument would create shapes that vary between a straight line on one end and a circle on the other. A straight line would appear if both pendulums were released simultaneously; a circle if one was released when the other had completed half a swing; and the different ellipses would result from various changes in "phase," or the timing difference in when each pendulum starts swinging in relation to the other.
[Footnote 1: It should be pointed out here that the presence of friction reduces the “amplitude,” or distance through which a pendulum moves, at every swing; so that a true circle cannot be produced by free swinging pendulums, but only a spiral with coils very close together.]
[Footnote 1: It should be noted that friction reduces the "amplitude," or distance a pendulum swings, with each motion; therefore, a perfect circle can't be made by freely swinging pendulums, but rather a spiral with tightly packed coils.]
But the interest of the harmonograph centres round the fact that the periods of the pendulums can be tuned to one another. Thus, if A be set to swing twice while B swings three times, an entirely new series of figures results; and the variety is further increased by altering the respective amplitudes of swing and phase of the pendulums.
But the appeal of the harmonograph lies in the fact that the pendulum periods can be adjusted to match each other. So, if A is set to swing twice while B swings three times, it creates a completely new set of figures; and the variety is further enhanced by changing the amplitudes of swing and the phases of the pendulums.
We have now gone far enough to be able to point out why the harmonograph is so called. In the case just mentioned the period rates of A and B are as 2: 3. Now, if the note C on the piano be struck the strings give a certain note, because they vibrate a certain number of times per second. Strike the G next above the C, and you get a note resulting from strings vibrating half as many times again per second as did the C strings—that is, the relative rates of vibration of notes C and G are the same as those of pendulums A and B—namely, as 2 is to 3. Hence the “harmony” of the pendulums when so adjusted is known as a “major fifth,” the musical chord produced by striking C and G simultaneously.
We have now come far enough to explain why the harmonograph is named as it is. In the earlier example, the period rates of A and B are in the ratio of 2:3. Now, if you strike the note C on the piano, the strings produce a specific note because they vibrate a certain number of times per second. If you play the G note just above C, it creates a note from the strings vibrating one and a half times more per second than the C strings. In other words, the relative rates of vibration for notes C and G match those of pendulums A and B—specifically, in the ratio of 2 to 3. This is why the "harmony" of the pendulums, when adjusted this way, is referred to as a "major fifth," the musical chord created by playing C and G at the same time.
In like manner if A swings four times to B’s five times, you get a “major third;” if five times to B’s six times, a “minor third;” and if once to B’s three times, a “perfect twelfth;” if thrice to B’s five times, a “major sixth;” if once to B’s twice, an “octave;” and so on.
In the same way, if A swings four times while B swings five times, you get a “major third;” if A swings five times to B’s six times, that’s a “minor third;” and if A swings once while B swings three times, it’s a “perfect twelfth;” if A swings three times to B’s five times, that’s a “major sixth;” if A swings once to B’s twice, it’s an “octave;” and so on.
So far we have considered the figures obtained by two pendulums swinging in straight lines only. They are beautiful and of infinite variety, and one advantage attaching to this form of harmonograph is, that the same figure can be reproduced exactly an indefinite number of times by releasing the pendulums from the same points.
So far, we've looked at the shapes created by two pendulums swinging in straight lines only. They are beautiful and incredibly varied, and one benefit of this type of harmonograph is that the same shape can be perfectly reproduced an endless number of times by letting the pendulums go from the same points.
[Illustration: FIG. 169.—Goold’s Twin Elliptic Pendulum Hamonograph.]
[Illustration: FIG. 169.—Goold’s Twin Elliptic Pendulum Hamonograph.]
But a fresh field is opened if for the one-direction suspension of pendulum B we substitute a gimbal, or universal joint, permitting movement in all directions, so that the pendulum is able to describe a more or less circular path. The figures obtained by this simple modification are the results of compounded rectilinear and circular movements.
But a new opportunity arises if we replace the one-direction suspension of pendulum B with a gimbal or universal joint, allowing movement in all directions, so the pendulum can trace a more or less circular path. The shapes created by this simple change are the results of combined straight-line and circular movements.
[Illustration: FIG. 170.—Benham’s miniature Twin Elliptic
Pendulum
Harmonograph.]
[Illustration: FIG. 170.—Benham’s miniature Twin Elliptic Pendulum
Harmonograph.]
The reader will probably now see even fresh possibilities if both pendulums are given universal movement. This can be effected with the independent pendulums; but a more convenient method of obtaining equivalent results is presented in the Twin Elliptic Pendulum invented by Mr. Joseph Goold, and shown in Fig. 169. It consists of—(1) a long pendulum, free to swing in all directions, suspended from the ceiling or some other suitable point. The card on which the figure is to be traced, and the weights, are placed on a platform at the bottom of this pendulum. (2) A second and shorter free pendulum, known as the “deflector,” hung from the bottom of the first.
The reader will likely now see even new possibilities if both pendulums are allowed to move freely. This can be done with the independent pendulums, but a more convenient way to achieve similar outcomes is presented in the Twin Elliptic Pendulum invented by Mr. Joseph Goold, as shown in Fig. 169. It consists of—(1) a long pendulum that can swing in all directions, hanging from the ceiling or another suitable point. The card for tracing the figure and the weights are placed on a platform at the bottom of this pendulum. (2) A second, shorter free pendulum, called the “deflector,” hangs from the bottom of the first one.
This form of harmonograph gives figures of infinite variety and of extreme beauty and complexity. Its chief drawback is its length and weight, which render it more or less of a fixture.
This type of harmonograph creates an endless range of stunning and intricate designs. Its main downside is its size and weight, which make it somewhat permanent.
Fortunately, Mr. C. E. Benham of Colchester has devised a Miniature Twin Elliptic Pendulum which possesses the advantages of the Goold, but can be transported easily and set up anywhere. This apparatus is sketched in Fig. 170. The main or platform pendulum resembles in this case that of the Rectilinear Harmonograph, the card platform being above the point of suspension.
Fortunately, Mr. C. E. Benham from Colchester has created a Miniature Twin Elliptic Pendulum that has the benefits of the Goold while being easy to transport and set up anywhere. This device is shown in Fig. 170. The main pendulum or platform in this case is similar to that of the Rectilinear Harmonograph, with the card platform positioned above the suspension point.
Value of the Harmonograph.—A small portable harmonograph will be found to be a good means of entertaining friends at home or elsewhere. The gradual growth of the figure, as the card moves to and fro under the pen, will arouse the interest of the least scientifically inclined person; in fact, the trouble is rather to persuade spectators that they have had enough than to attract their attention. The cards on which designs have been drawn are in great request, so that the pleasure of the entertainment does not end with the mere exhibition. An album filled with picked designs, showing different harmonies and executed in inks of various colours, is a formidable rival to the choicest results of the amateur photographer’s skill.
Value of the Harmonograph.—A small portable harmonograph is a great way to entertain friends at home or anywhere else. Watching the figure gradually take shape as the card moves back and forth under the pen will capture the interest of even the least scientifically minded person; in fact, the challenge is more about convincing people when to stop rather than getting their attention. The cards with the designs drawn on them are highly sought after, so the enjoyment of the entertainment extends beyond just the display. An album filled with selected designs, showcasing different harmonies and created with various colored inks, is a strong competitor to the best work of amateur photographers.
Practical Instructions for making Harmonographs.
How to Make Harmonographs.
Pendulums.—For the Rectilinear type of harmonograph wooden rods 5/8 to 3/4 inch in diameter will be found very suitable. They cost about 2d. each. Be careful to select straight specimens. The upper pendulum of the Miniature Twin Elliptic type should be of stouter stuff, say a broomstick; that of the Goold apparatus stouter still.
Pendulums.—For the Rectilinear type of harmonograph, wooden rods with a diameter of 5/8 to 3/4 inch work well. They cost about 2d. each. Make sure to choose straight pieces. The upper pendulum of the Miniature Twin Elliptic type should be sturdier, like a broomstick; and the one for the Goold apparatus should be even sturdier.
All pendulums on which weights are slid up and down should be graduated in inches and fractions, reckoning from the point of suspension as zero. The graduation makes it easy to re-establish any harmony after the weights have been shifted.
All pendulums with weights that are moved up and down should be marked in inches and fractions, starting from the point of suspension as zero. This measurement system makes it easy to restore any balance after the weights have been adjusted.
Suspensions.—For a harmonograph to give satisfaction it is necessary that very little friction should be set up at the point of suspension, so that the pendulums may lose amplitude of swing very slowly.
Suspensions.—For a harmonograph to be effective, it's essential that there is minimal friction at the suspension point, allowing the pendulums to gradually lose their swing amplitude.
One-way suspensions are easily made. Two types, the point and knife-edge respectively, are shown in Fig. 168 and the top part of Fig. 172. The point suspension is most suitable for small rods and moderate weights; the knife-edge for large rods and heavy weights which would tend to crush a fine point.
One-way suspensions are simple to create. Two types, the point and knife-edge, are shown in Fig. 168 and the top part of Fig. 172. The point suspension works best for small rods and moderate weights, while the knife-edge is better for large rods and heavy weights that could damage a fine point.
[Illustration: FIG. 171.—Gimbal giving universal movement: point suspension.]
[Illustration: FIG. 171.—Gimbal providing 360-degree movement: point suspension.]
Points should rest in cup-shaped depressions in a metal plate; knife-edges in V-shaped grooves in a metal ring.
Points should sit in cup-shaped dips in a metal plate; knife-edges in V-shaped slots in a metal ring.
[Illustration: FIG. 172.—Knife-edge universal-motion gimbal.]
[Illustration: FIG. 172.—Knife-edge universal motion gimbal.]
Screws turned or filed to a sharp end make convenient points, as they can be quickly adjusted so that a line joining the points lies exactly at right angles to the pendulum. The cups to take the points should not be drilled until the points have been thus adjusted. Make a punch mark on the bedplate, and using this as centre for one of the points, describe an arc of a circle with the other. This will give the exact centre for the other cup. It is evident that if points and cup centres do not coincide exactly there must be a certain amount of jamming and consequent friction.
Screws that have been sharpened or filed to a point work well as adjustable markers because you can quickly set them so that a line connecting the points is perfectly at right angles to the pendulum. Don’t drill the cups for the points until they’ve been adjusted like this. Make a punch mark on the bedplate and use it as the center for one of the points, then draw an arc with the other point. This will give you the exact center for the other cup. It’s clear that if the points and cup centers aren’t aligned perfectly, there will be some jamming and resulting friction.
In making a knife-edge, such as that shown in Fig. 172, put the finishing touches on with a flat file drawn lengthwise to ensure the edge being rectilinear. For the same reason the V slots in the ring support should be worked out together. If they are formed separately, the chances are against their being in line with one another.
In making a knife-edge, like the one shown in Fig. 172, finish it off with a flat file moved along the length to ensure the edge is straight. For the same reason, the V slots in the ring support should be worked out together. If they are done separately, they're likely to not be in line with each other.
Gimbals, or universal joints, giving motion in all directions, require the employment of a ring which supports one pair of edges or points (Fig. 172), and is itself supported on another pair of edges or points set at right angles to the first. The cups or nicks in the ring should come halfway through, so that all four points of suspension shall be in the same plane. If they are not, the pendulum will not have the same swing-period in all directions. If a gimbal does not work with equal freedom in all ways, there will be a tendency for the pendulum to lose motion in the direction in which most friction occurs.
Gimbals, or universal joints, allow movement in all directions and require a ring that supports one pair of edges or points (Fig. 172), which is itself supported on another pair of edges or points positioned at right angles to the first. The cups or notches in the ring should extend halfway through, ensuring that all four suspension points are in the same plane. If they aren't, the pendulum won't have the same swing period in every direction. If a gimbal doesn't operate with equal freedom in all directions, the pendulum will likely lose motion in the direction where there’s the most friction.
By wedging up the ring of a gimbal the motion of the pendulum is changed from universal to rectilinear. If you are making a harmonograph of the type shown in Fig. 168, use a gimbal for the platform pendulum, and design it so that the upper suspension gives a motion at right angles to the pen pendulum. The use of two little wedges will then convert the apparatus in a moment from semirectilinear to purely rectilinear.
By adjusting the ring of a gimbal, the pendulum's motion changes from universal to straight-line. If you're creating a harmonograph like the one shown in Fig. 168, use a gimbal for the platform pendulum and set it up so that the upper suspension allows movement at a right angle to the pen pendulum. With the addition of two small wedges, you can quickly change the setup from semi-straight-line to entirely straight-line.
Weights.—The provision of weights which can be slipped up and down a rod may present some difficulty. Of iron and lead, lead is the more convenient material, as occupying less space, weight for weight, and being more easily cast or shaped. I have found thin sheet roofing lead, running 2 lbs. to the square foot, very suitable for making weights, by rolling a carefully squared strip of the material round the rod on which it will have to move, or round a piece of brass tubing which fits the rod. When the weight has been rolled, drill four holes in it, on opposite sides near the ends, to take nails, shortened so that they just penetrate all the laps but do not enter the central circular space. These will prevent the laps sliding over one another endways. A few turns of wire round the weight over the heads makes everything snug.
Weights.—Creating weights that can slide up and down a rod can be a bit tricky. Between iron and lead, lead is more practical since it takes up less space for the same weight and can be shaped or molded more easily. I've found that thin sheet roofing lead, which weighs 2 lbs. per square foot, works well for making weights. You can do this by rolling a precisely cut strip of the material around the rod it will move on or around a piece of brass tubing that fits the rod. Once the weight is rolled, drill four holes in it on opposite sides close to the ends to hold nails, which should be shortened just enough to penetrate the layers but not go into the central circular space. This will stop the layers from sliding over each other lengthwise. A few twists of wire around the weight over the nail heads will keep everything secure.
Just one caution here. The outside lap of lead should finish at the point on the circumference where the first lap began, for the weight to be approximately symmetrical about the centre.
Just one caution here. The outer layer of lead should end at the point on the circumference where the first layer started, so the weight is roughly balanced around the center.
An alternative method is to melt up scrap lead and cast weights in tins or flowerpots sunk in sand, using an accurately centred stick as the core. This stick should be very slightly larger than the pendulum rod, to allow for the charring away of the outside by the molten metal. (Caution.—The mould must be quite dry.)
An alternative method is to melt down scrap lead and pour weights into tins or flowerpots buried in sand, using a centered stick as the core. This stick should be just a bit larger than the pendulum rod to account for the outer layer burning away from the molten metal. (Caution.—The mold must be completely dry.)
Failing lead, tin canisters filled with metal scrap may be made to serve. It will in this case be necessary to bore the lid and bottom centrally and solder in a tube fitting the rod, and to make an opening through which the weighting material can be inserted.
Failing lead, tin canisters filled with metal scrap can be used instead. In this case, you'll need to drill a hole in the center of the lid and bottom, solder in a tube that fits the rod, and create an opening for inserting the weighting material.
Adjustment of Weights.—As lead is too soft a metal to give a satisfactory purchase to a screw—a thread cut in it soon wears out—it is better to support a leaden weight from underneath by means of a brass collar and screw. A collar is easily made out of a bit of tubing thickened at the point where the screw will pass by soldering on a suitably shaped piece of metal. Drill through the reinforcement and tubing and tap to suit the screw used, which may well be a camera tail screw, with a large flat head.
Adjustment of Weights.—Since lead is too soft a metal to hold a screw securely—threads cut into it quickly wear out—it’s better to support a lead weight from below using a brass collar and screw. You can easily make a collar from a piece of tubing by thickening the area where the screw will go by soldering on a suitably shaped piece of metal. Drill through the reinforcement and tubing, and tap it to fit the screw, which could be a camera tail screw, featuring a large flat head.
I experienced some trouble from the crushing of wooden rods by a screw, but got over it as follows. The tubing selected for the collar was large enough to allow a piece of slightly smaller tubing to be introduced between it and the rod. This inner piece was slit from one end almost to the other, on opposite sides, and soldered at one end to the outer tube, a line joining the slots being at right angles to the axis of the screw. The pressure of the screw point was thus distributed over a sufficient area of the wood to prevent indentation. (See Fig. 173.)
I ran into some issues with wooden rods getting crushed by a screw, but I sorted it out like this. I chose a collar that had a tubing size large enough to fit a slightly smaller piece of tubing in between it and the rod. I slitted this inner piece from one end almost all the way to the other on opposite sides, and I soldered it at one end to the outer tube, with a line connecting the slits positioned at right angles to the screw's axis. The screw point's pressure was then spread out over a large enough area of the wood to prevent any indentations. (See Fig. 173.)
[Illustration: FIG. 173.]
[Illustration: FIG. 173.]
[Illustration: FIG. 174.—Pivot for pen lever.]
[Illustration: FIG. 174.—Pivot for pen lever.]
Pen Levers.—The pen lever, of whatever kind it be, must work on its pivots with very little friction, and be capable of fine adjustment as regards balance. For the Rectilinear Harmonograph the form of lever pivot shown in Fig. 174 is very suitable. The spindle is a wire nail or piece of knitting needle sharpened at both ends; the bearings, two screws filed flat at the ends and notched with a drill.
Pen Levers.—The pen lever, regardless of its type, should operate on its pivots with minimal friction and allow for precise balance adjustments. For the Rectilinear Harmonograph, the lever pivot design shown in Fig. 174 is quite suitable. The spindle is a wire nail or a sharpened piece of knitting needle at both ends; the bearings consist of two screws that are filed flat at the ends and notched with a drill.
The brass standard should be drilled and tapped to fit the screws fairly tight, so that when once adjusted they may not slacken off. If the lever is made of wood, the tail may be provided with a number of metal pegs on which to place the weights; if of wire, the tail should be threaded so that a brass weight and lock screw may be moved along it to any desired position. It is very important that the pressure of the pen on the card should be reduced to a minimum by proper balancing, as the friction generated by a “heavy” pen slows the pendulum very quickly; and that the centre of gravity should be below the point of suspension, to put the pen in stable equilibrium. The lever shown in Fig. 169 is suitable for the Twin Elliptic Pendulum.
The brass standard should be drilled and tapped to fit the screws snugly, so that once adjusted, they won’t loosen. If the lever is made of wood, the tail can have several metal pegs to hold the weights; if it’s made of wire, the tail should be threaded so that a brass weight and lock screw can be moved along it to any position. It’s very important that the pressure of the pen on the card is minimized through proper balancing, since the friction from a "heavy" pen quickly slows down the pendulum; also, the center of gravity should be below the suspension point to keep the pen in stable equilibrium. The lever shown in Fig. 169 is suitable for the Twin Elliptic Pendulum.
In this case the lever is not moved about as a whole. Mr. C. E. Benham advocates the use of wood covered with velvet to rest the lever points on.
In this case, the lever isn't moved around as a whole. Mr. C. E. Benham recommends using wood covered with velvet to support the lever points.
For keeping the pen, when not in use, off the platform, a small weight attached to the lever by a thread is convenient. When the pen is working, the weight is raised to slacken the thread.
To keep the pen off the platform when it's not in use, a small weight attached to the lever by a thread is handy. When the pen is in use, the weight is lifted to loosen the thread.
[Illustration: FIG. 175.—End of pen lever.]
[Illustration: FIG. 175.—End of pen lever.]
Attaching Pen to Lever.—In the case of wooden levers, it is sufficient to slit the end centrally for a few inches after drilling a hole rather smaller than the pen, at a point which lies over the centre of the card platform, and quite squarely to the lever in all directions, so that the pen point may rest squarely on the card. (Fig. 175.)
Attaching Pen to Lever.—For wooden levers, you just need to create a center slit at the end for a few inches after drilling a hole that’s slightly smaller than the pen. Make sure this is positioned directly over the center of the card platform and perfectly aligned with the lever in all directions, so the pen point can rest firmly on the card. (Fig. 175.)
Another method is to attach to the end of the lever a vertical half-tube of tin, against which the pen is pressed by small rubber bands; but even more convenient is a small spring clip shaped as in Fig. 176.
Another method is to attach a vertical half-tube of tin to the end of the lever, which the pen is pressed against by small rubber bands; however, an even more convenient option is a small spring clip shaped like in Fig. 176.
[Illustration: FIG. 176.—Clip to hold glass pen.]
[Illustration: FIG. 176.—Clip to hold glass pen.]
The card platform should be perfectly flat. This is essential for the production of good diagrams. If wood is used, it is advisable to glue two thin pieces together under pressure, with the grain of one running at right angles to the other, to prevent warping.
The card platform should be completely flat. This is crucial for creating quality diagrams. If you're using wood, it's best to glue two thin pieces together under pressure, with the grain of one running perpendicular to the other, to avoid warping.
Another important point is to have the card platform square to the rod. If a piece of tubing fitting the rod is turned up true in the lathe and soldered to a disc screwed to the underside of the table, perpendicularity will be assured, and incidentally the table is rendered detachable.
Another important point is to keep the card platform aligned with the rod. If a piece of tubing that fits the rod is properly turned on the lathe and soldered to a disc attached to the underside of the table, you can ensure that it's perpendicular, and by the way, this makes the table removable.
To hold the card in place on the table, slit a spring of an old photographic printing frame down the middle, and screw the two halves, convex side upwards, by one end near two opposite corners of the platform. (See Fig. 170.) If cards of the same size are always used, the table should be marked to assist adjustment.
To secure the card on the table, cut a spring from an old photo printing frame down the middle, and attach the two halves, with the curved side facing up, by one end near two opposite corners of the platform. (See Fig. 170.) If you're always using cards of the same size, mark the table to help with adjustments.
Making Pens.—The most satisfactory form of pen is undoubtedly a piece of glass tubing drawn out to a point, which is ground down quite smooth. The making of such pens is rather a tedious business, but if care be taken of the pen when made it will last an indefinite time.
Making Pens.—The best type of pen is definitely a piece of glass tubing sharpened to a point, which is then smoothed out. Creating these pens can be somewhat tedious, but if you take good care of the pen once it's made, it can last a very long time.
Tubing 3/16 or 1/8 inch in external diameter is suitable. Break it up (by nicking with a file) into 9-inch lengths. Take a piece and hold its centre in the flame of a small spirit lamp, and revolve it till it softens. Then draw the glass out in as straight a line as possible, so that the points may be central. If the drawing is done too fast, the points will be much too long to be of any use: half an inch of taper is quite enough.
Tubing with an outer diameter of 3/16 or 1/8 inch works well. Cut it into 9-inch lengths by nipping it with a file. Take a piece and hold its center in the flame of a small spirit lamp, rotating it until it softens. Then, pull the glass out as straight as you can to ensure the points are centered. If you pull too quickly, the points will end up much too long to be useful; a half-inch taper is plenty.
Assuming that a point of satisfactory shape has been attained—and one must expect some failures before this happens—the pen may be placed in the pen lever and ground down on a perfectly clean wet hone laid on the card platform, which should be given a circular movement. Weight the lever so as to put a fair pressure on the point.
Assuming that a satisfactory shape has been achieved—and it's normal to have some failures before getting there—the pen can be placed in the pen lever and shaped on a perfectly clean wet hone placed on the card platform, which should be moved in a circular motion. Add some weight to the lever to apply a reasonable amount of pressure on the point.
The point should be examined from time to time under a strong magnifying-glass, and tested by blowing through it into a glass of water. For very liquid ink the hole should be as small as you can possibly get it; thick inks, such as Indian, require coarser pens.
The point should be checked regularly with a strong magnifying glass and tested by blowing through it into a glass of water. For very liquid ink, the hole should be as small as possible; thicker inks, like Indian, need coarser pens.
The sharp edge is taken off and the width of the point reduced by drawing the pen at an angle along the stone, revolving it all the time. The nearer to the hole you can wear the glass away the finer will be the line made by the pen.
The sharp edge is smoothed out and the tip is made narrower by holding the pen at an angle while moving it along the stone, rotating it constantly. The closer you can wear down the glass to the hole, the finer the line made by the pen will be.
Another method is as follows:—Seal the point by holding it a moment in the flame. A tiny bulb forms on the end, and this has to be ground away till the central hole is reached. This is ascertained by the water test, or by holding the pen point upwards, so that light is reflected from the tip, and examining it under the magnifier. Then grind the edge off, as in the first case.
Another method is this: Hold the tip in the flame for a moment to seal it. A small bulb will form on the end, and you'll need to grind it down until you reach the central hole. You can check this with a water test or by holding the pen tip up to see the light reflecting off the tip and looking at it under a magnifier. Then grind the edge down, just like you did in the first case.
Care of Pens.—The ink should be well strained, to remove the smallest particles of “suspended matter,” and be kept corked. Fill the pen by suction. On no account allow the ink to dry in the pen. Squirt any ink out of it when it is done with, and place it point downwards in a vessel of water, which should have a soft rubber pad at the bottom, and be kept covered to exclude dust. Or the pen may be cleaned out with water and slipped into a holder made by rolling up a piece of corrugated packing-paper. If the point gets stopped up, stand the pen in nitric or sulphuric acid, which will probably dissolve the obstruction; and afterwards wash it out.
Care of Pens.—The ink should be well strained to remove the smallest particles of “suspended matter” and kept capped. Fill the pen by sucking it. Never let the ink dry in the pen. Squirt any leftover ink out when you’re done and place it point down in a container of water, which should have a soft rubber pad at the bottom and be kept covered to prevent dust. Alternatively, you can clean the pen with water and insert it into a holder made by rolling up a piece of corrugated packing paper. If the tip gets clogged, soak the pen in nitric or sulfuric acid, which will likely dissolve the blockage; then wash it out.
Inks.—I have found Stephens’s coloured inks very satisfactory, and can recommend them.
Inks.—I've found Stephens's colored inks to be very good and I can recommend them.
Paper and Cards.—The paper or cards used to draw the figures on should not have a coated surface, as the coating tends to clog the pen. The cheapest suitable material is hot pressed paper, a few penny-worths of which will suffice for many designs. Plain white cards with a good surface can be bought for from 8s. to 10s. per thousand.
Paper and Cards.—The paper or cards you use for drawing the figures shouldn't have a coated surface, as the coating can block the pen. The most affordable suitable material is hot pressed paper, which costs just a few pennies and will be enough for many designs. You can buy plain white cards with a good surface for around 8 to 10 shillings per thousand.
Lantern Slides.—Moisten one side of a clean lantern slide plate with paraffin and hold it over a candle flame till it is a dead black all over. Very fine tracings can be obtained on the smoked surface if a fine steel point is substituted for the glass pen. The design should be protected by a cover-glass attached to it by a binding strip round the edges.
Lantern Slides.—Moisten one side of a clean lantern slide plate with paraffin and hold it over a candle flame until it becomes completely black. You can achieve very fine tracings on the smoked surface if you use a fine steel point instead of a glass pen. The design should be protected by a cover glass that is secured with a binding strip around the edges.
Details of Harmonographs.
Harmonograph Details.
The reader may be interested in details of the apparatus shown in Figs. 168 and 170, made by the writer.
The reader might want to know more about the equipment displayed in Figs. 168 and 170, created by the author.
The Rectilinear Harmonograph, shown in Fig. 168, has pendulums of 5/8-inch wood, 40 inches long, suspended 30 inches from the lower ends, and set 10 inches apart, centre to centre. The suspensions are of the point type. The weights scale 5 lbs. each. The platform pendulum is provided with a second weight, which can be affixed above the suspension to slow that pendulum for 2:3, 4:5, 7:8, and higher harmonies.
The Rectilinear Harmonograph, shown in Fig. 168, features 5/8-inch wooden pendulums that are 40 inches long, suspended 30 inches from the lower ends, and spaced 10 inches apart from center to center. The suspensions use a point design. Each weight is 5 lbs. The platform pendulum has a second weight that can be attached above the suspension to slow it down for 2:3, 4:5, 7:8, and higher harmonies.
The baseboard is plain, and when the apparatus is in action its ends are supported on boxes or books laid on two tables, or on other convenient supports. The whole apparatus can be taken to pieces very quickly for transport. The total cost of materials used did not exceed 3s. 6d.
The baseboard is simple, and when the equipment is being used, its ends are rested on boxes or books placed on two tables, or on other handy supports. The entire setup can be disassembled quickly for transport. The total cost of materials used was no more than 3s. 6d.
The Twin Elliptic Pendulum of Fig. 170 is supported on a tripod base made of three pieces of 1-1/2 x 1-1/2 inch wood, 40 inches long, with ends cut off to an angle of 72 degrees to give a convenient straddle, screwed at the top to an oak head 3/4 inch thick, and braced a foot below the top by horizontal crossbars 2 inches wide and 1/2 inch thick. For transport this stand can be replaced by a flat baseboard similar to that of the Rectilinear Harmonograph described in the last paragraph.
The Twin Elliptic Pendulum shown in Fig. 170 is supported by a tripod base made of three pieces of wood measuring 1-1/2 x 1-1/2 inches and 40 inches long, with the ends cut at a 72-degree angle to allow for a comfortable straddle. The top is screwed to an oak head that is 3/4 inch thick and reinforced a foot below the top with horizontal crossbars that are 2 inches wide and 1/2 inch thick. For transport, this stand can be swapped out for a flat baseboard similar to the one used in the Rectilinear Harmonograph discussed in the last paragraph.
The main pendulum is a straight ash rod, 33 inches long and 1-1/4 inches in diameter, suspended 13-1/2 inches from its upper end. Two weights of 4-1/2 lbs. each, made of rolled sheet lead, are provided for this pendulum. According to the nature of the harmony, one only, or both together below the suspension, or one above and one below, are used.
The main pendulum is a straight ash rod, 33 inches long and 1-1/4 inches in diameter, hanging 13-1/2 inches from its top end. There are two weights, each weighing 4-1/2 lbs, made of rolled sheet lead, for this pendulum. Depending on the type of harmony, you can use just one weight, both together below the suspension, or one weight above and one below.
The weight of the lower pendulum, or deflector, is supported on a disc, resting on a pin passing through the bottom of a piece of brass tubing, which is provided with an eye at its upper end. This eye is connected by a hook with several strands of silk thread, which are attached to the upper pendulum by part of a cycle tyre valve. The stem part of the valve was cut off from the nut, and driven into a suitably sized hole in the end of the main pendulum. The screw collar for holding the valve in place had a little brass disc soldered to the outside, and this disc was bored centrally for the threads to pass through. The edges of the hole had been rounded off carefully to prevent fraying of the threads. (Fig. 177.) The over-all length of the pendulum, reckoning from the point of suspension, is 20 inches. The weights of the lower pendulum are several in number, ranging from l lb. to 3 lbs.
The weight of the lower pendulum, or deflector, is supported on a disc that rests on a pin going through the bottom of a piece of brass tubing, which has an eye at its upper end. This eye is connected by a hook to several strands of silk thread, which are attached to the upper pendulum using part of a bicycle tire valve. The stem part of the valve was cut off from the nut and inserted into a hole in the end of the main pendulum. The screw collar holding the valve in place had a small brass disc soldered to the outside, and this disc was drilled in the center for the threads to pass through. The edges of the hole were rounded carefully to prevent fraying of the threads. (Fig. 177.) The overall length of the pendulum, measuring from the suspension point, is 20 inches. The weights of the lower pendulum vary in number, ranging from 1 lb. to 3 lbs.
[Illustration: FIG. 177.—Suspension for lower weight of Twin
Elliptic
Harmonograph.]
[Illustration: FIG. 177.—Suspension for lower weight of Twin Elliptic
Harmonograph.]
Working the Harmonograph.—A preliminary remark is needed here. Harmonies are, as we have seen, a question of ratio of swing periods. The larger the number of swings made by the more quickly moving pendulum relatively to that of the slower pendulum in a given time, the higher or sharper is the harmony said to be. Thus, 1:3 is a higher harmony than 1:2, and 2:3 is lower or flatter than 3:8.
Working the Harmonograph.—We need to make a quick note here. Harmonies, as we’ve discussed, relate to the ratio of swing periods. The more swings the faster-moving pendulum makes compared to the slower pendulum in the same amount of time, the higher or sharper the harmony sounds. So, 1:3 is a higher harmony than 1:2, and 2:3 is lower or flatter than 3:8.
The tuning of a harmonograph with independent pendulums is a simple matter. It is merely necessary to move weights up or down until the respective numbers of swings per minute bear to one another the ratio required. This type of harmonograph, if made of convenient size, has its limitations, as it is difficult to get as high a harmonic as 1:2, or the octave with it, owing to the fact that one pendulum must in this case be very much shorter than the other, and therefore is very sensitive to the effects of friction.
Tuning a harmonograph with independent pendulums is straightforward. You just need to adjust the weights up or down until the number of swings per minute has the right ratio to each other. This kind of harmonograph, if made to a practical size, has its limits since it’s hard to achieve a high harmonic like 1:2, or the octave, because one pendulum needs to be significantly shorter than the other, making it quite sensitive to friction.
[Illustration: FIG. 176a.—Hamonograms illustrating the ratio 1:3. The two on the left are made by the pendulums of a twin elliptical harmonograph when working concurrently; the three on the right by the pendulums when working antagonistically.]
[Illustration: FIG. 176a.—Hamonograms showing the ratio 1:3. The two on the left are created by the pendulums of a twin elliptical harmonograph when they operate together; the three on the right are created by the pendulums when they work against each other.]
[Illustration: FIG. 177a.—Harmonograms of 3:4 ratio
(antagonistically).
(Reproduced with kind permission of Mr. C. E. Benham.)]
[Illustration: FIG. 177a.—Harmonograms of 3:4 ratio
(antagonistically).
(Reproduced with kind permission of Mr. C. E. Benham.)]
The action of the Twin Elliptic Pendulum is more complicated than that of the Rectilinear, as the harmony ratio is not between the swings of deflector and upper pendulum, but rather between the swings of the deflector and that of the system as a whole. Consequently “tuning” is a matter, not of timing, but of experiment.
The movement of the Twin Elliptic Pendulum is more complex than that of the Rectilinear because the harmony ratio isn't between the swings of the deflector and the upper pendulum, but between the swings of the deflector and those of the entire system. As a result, “tuning” is something that relies on experimentation rather than just timing.
Assuming that the length of the deflector is kept constant—and in practice this is found to be convenient—the ratios can be altered by altering the weights of one or both pendulums and by adjustment of the upper weight.
Assuming that the length of the deflector stays the same—and in practice, this is usually easier— the ratios can be changed by adjusting the weights of either or both pendulums and by changing the upper weight.
For the upper harmonies, 1:4 down to 3:8, the two pendulums may be almost equally weighted, the top one somewhat more heavily than the other. The upper weight is brought down the rod as the ratio is lowered.
For the upper harmonies, 1:4 down to 3:8, the two pendulums can be nearly equally weighted, with the top one a bit heavier than the other. The upper weight is moved down the rod as the ratio decreases.
To continue the harmonies beyond, say, 2:5, it is necessary to load the upper pendulum more heavily, and to lighten the lower one so that the proportionate weights are 5 or 6:1. Starting again with the upper weight high on the rod, several more harmonies may be established, perhaps down to 4:7. Then a third alteration of the weights is needed, the lower being reduced to about one-twentieth of the upper, and the upper weight is once more gradually brought down the rod.
To keep the harmonies going beyond, say, 2:5, you need to make the upper pendulum heavier and the lower one lighter so that the weight ratio is about 5 or 6:1. Starting with the upper weight high on the rod, you can create several more harmonies, maybe down to 4:7. Then, you need to adjust the weights again, reducing the lower one to about one-twentieth of the upper, and slowly lowering the upper weight down the rod.
Exact figures are not given, as much depends on the proportions of the apparatus, and the experimenter must find out for himself the exact position of the main weight which gives any desired harmonic. A few general remarks on the action and working of the Twin Elliptic will, however, be useful.
Exact figures are not provided, since a lot depends on the sizes of the equipment, and the experimenter needs to determine the exact placement of the main weight that produces the desired harmonic. However, a few general comments on the functioning and operation of the Twin Elliptic will be helpful.
1. Every ratio has two forms.
1. Every ratio has two versions.
(a) If the pendulums are working against each other— antagonistically—there will be loops or points on the outside of the figure equal in number to the sum of the figures in the ratio.
(a) If the pendulums are working against each other—antagonistically—there will be loops or points on the outside of the figure equal in number to the sum of the figures in the ratio.
(b) If the pendulums are working with each other—concurrently—the loops form inside the figure, and are equal in number to the difference between the figures of the ratio. To take the 1:3 ratio as an example. If the tracing has 3+1=4 loops on the outside, it is a specimen of antagonistic rotation. If, on the other hand, there are 3-1=2 loops on the inside, it is a case of concurrent rotation. (Fig. 176, A.)
(b) If the pendulums are working together—concurrently—the loops form inside the figure and are equal in number to the difference between the figures of the ratio. For example, with a 1:3 ratio, if the tracing has 3+1=4 loops on the outside, it's an example of opposing rotation. However, if there are 3-1=2 loops on the inside, it's a case of concurrent rotation. (Fig. 176, A.)
2. Figures with a ratio of which the sum of the numbers composing it is an even number (examples, 1:3, 3:5, 3:7) are symmetrical, one half of the figure reproducing the other. If the sum is Uneven, as in 1:2, 2:3, 2:7, the figure is unsymmetrical. (Fig. 177, A.)
2. Figures with a ratio where the sum of the numbers is an even number (for example, 1:3, 3:5, 3:7) are symmetrical, with one half of the figure mirroring the other. If the sum is odd, like in 1:2, 2:3, 2:7, the figure is asymmetrical. (Fig. 177, A.)
3. The ratio 1:3 is the easiest to begin upon, so the experimenter’s first efforts may be directed to it. He should watch the growth of the figure closely, and note whether the repeat line is made in front of or behind the previous line of the same loop. In the first case the figure is too flat, and the weight of the upper pendulum must be raised; in the second case the weight must be lowered. Immediately an exact harmonic is found, the position of the weight should be recorded.
3. The 1:3 ratio is the easiest to start with, so the experimenter's initial efforts should focus on that. They should closely observe the growth of the figure and note whether the repeat line is created in front of or behind the previous line of the same loop. If it's in front, the figure is too flat, and the weight of the upper pendulum needs to be raised; if it's behind, the weight should be lowered. As soon as an exact harmonic is found, the position of the weight should be noted.
Interesting effects are obtained by removing the lower pendulum and allowing the apparatus to describe two elliptical figures successively, one on the top of the other, on the same card. The crossing of the lines gives a “watered silk” appearance to the design, which, if the pen is a very fine one and the lines very close together, is in many cases very beautiful.
Interesting effects are created by taking away the lower pendulum and letting the setup draw two overlapping elliptical shapes one on top of the other on the same card. The crossing lines create a “watered silk” look to the design, which can be very beautiful, especially if you use a fine pen and draw the lines close together.
Readers who wish for further information on this fascinating subject are recommended to purchase “Harmonic Vibrations,” published by Messrs. Newton and Co., 72 Wigmore Street, London, W. This book, to which I am much indebted, contains, besides much practical instruction, a number of charming reproductions of harmonograms.
Readers who want more information on this fascinating topic are encouraged to buy “Harmonic Vibrations,” published by Newton and Co., 72 Wigmore Street, London, W. This book, which I greatly appreciate, includes not only practical guidance but also several beautiful reproductions of harmonograms.
Before closing this chapter I should like to acknowledge the kind assistance given me by Mr. C. E. Benham, who has made a long and careful study of the harmonograph.
Before wrapping up this chapter, I want to thank Mr. C. E. Benham for his generous help, as he has conducted extensive and thorough research on the harmonograph.
XXXII.
A SELF-SUPPLYING MATCHBOX.
This useful little article can be constructed in a couple of hours by a handy person. In general idea it consists of a diamond-shaped box to hold vestas, working up and down diagonally on a vertical member (A in Fig. 179 (1)), which passes through slits at the top and bottom, and runs in grooves cut in the sides of the box. The top of A is grooved to allow a match to rest on it. When the box is drawn up to the full extent allowed by a transverse pin in the slot shown in Fig. 179 (2), the groove is at the lowest point of the box, and is covered by the matches. When the box is lowered, A catches a vesta and takes it up through the top, as seen in Fig. 178, for removal by the fingers.
This handy little article can be put together in a couple of hours by a skilled person. Its basic design consists of a diamond-shaped box to hold matches, moving up and down diagonally on a vertical piece (A in Fig. 179 (1)), which goes through slits at the top and bottom and slides in grooves cut into the sides of the box. The top of A has a groove to let a match rest on it. When the box is pulled up to the maximum extent allowed by a cross pin in the slot shown in Fig. 179 (2), the groove is at the lowest point of the box and is covered by the matches. When the box is lowered, A catches a match and lifts it through the top, as shown in Fig. 178, for easy removal by hand.
The only materials required are a cigar-box, some pins, and a supply of glue. The box should be carefully taken to pieces, and the parts soaked in hot water till freed of all paper, and then allowed to dry under pressure, small slips of wood being interposed across the grain to keep them separate and permit the passage of air.
The only materials you need are a cigar box, some pins, and glue. Take the box apart carefully and soak the pieces in hot water until all the paper is removed, then let them dry under pressure. Place small wooden strips across the grain to keep the pieces apart and allow air to circulate.
[Illustration: FIG. 178.—Self-supplying matchbox, with match in position for removal by fingers.]
[Illustration: FIG. 178.—Self-supplying matchbox, with match in position for removal by fingers.]
When the wood is dry, cut out with a fret saw two pieces shaped like Fig. 179 (3), to form the ends of the box. Allow a little surplus, so that the edges may be finished off neatly with chisel and plane. The two ends should match exactly, or there will be trouble at a later stage.
When the wood is dry, use a fret saw to cut out two pieces shaped like Fig. 179 (3) to create the ends of the box. Leave a bit of extra wood so that the edges can be smoothed out nicely with a chisel and plane. The two ends need to match perfectly, or there will be issues later on.
Now cut, down the centre of each a groove for one edge of A to run in. By preference it should be square; but if you do not possess the necessary chisel, a V groove made with a knife will suffice—and, of course, in this case the edges of A will have to be bevelled to fit.
Now cut a groove down the center of each piece for one edge of A to fit into. Ideally, it should be square; but if you don’t have the right chisel, a V groove made with a knife will work as well—and in this case, the edges of A will need to be beveled to fit.
[Illustration: FIG. 179.—Details of self suplying matchbox.]
[Illustration: FIG. 179.—Details of self-supplying matchbox.]
The four sides of the box, BB and CC, are next cut out. Their sectional shape is shown in Fig. 179 (1). They should be rather longer than the length of the ordinary vesta, and all of exactly the same length, and rectangular. A very small hack saw (costing about 1s.) with fine teeth is the best possible tool for close cutting, and a small 1 shilling iron plane is invaluable for truing and bevelling the edges.
The four sides of the box, BB and CC, are then cut out. Their cross-section is shown in Fig. 179 (1). They should be a bit longer than a standard match and all exactly the same length and rectangular. A very small hacksaw (costing about 1s.) with fine teeth is the best tool for precise cutting, and a small 1 shilling iron plane is essential for smoothing and beveling the edges.
The glue pot, which we will assume to be ready for use, is now needed to attach the fixed B (the other B is hinged to form a lid for filling the box through) and CC to the ends. This operation must be carried out accurately, so that the slots may not be blocked.
The glue pot, which we’ll assume is ready to go, is now needed to attach the fixed B (the other B is hinged to serve as a lid for filling the box through) and CC to the ends. This task must be done carefully so that the slots aren't blocked.
While the glue is setting, cut out A, allowing an extra 1/16 inch of width for fitting. The slot down the centre is best made with a fret saw, and should be smoothed internally by drawing a strip of fine glass paper to and fro through it. The length of the slot is of great importance. It must reach to just that distance from the top edge which brings that edge flush with the bottom of the box when the box is raised; and in the other direction must permit the box to settle on to its foot, so that the match lifted shall project above the box.
While the glue is drying, cut out piece A, leaving an extra 1/16 inch on the width for adjustments. It's best to make the slot down the center with a fret saw, and you should smooth the inside by sliding a strip of fine sandpaper back and forth through it. The length of the slot is very important. It needs to extend just far enough from the top edge so that when the box is lifted, that edge is flush with the bottom of the box; in the opposite direction, it should allow the box to rest on its foot, so that the match lifted will stick up above the box.
Work the edges of A down carefully (double-bevelling them if the notches are V-shaped) till A will run easily, but not loosely, in the box. Then cut out two slips, DD, and bevel them at the top to an angle of 45 degrees. Put A in place and glue them on, taking care that the glue does not hold them fast to A.
Work the edges of A down carefully (double-bevelling them if the notches are V-shaped) until A can move smoothly in the box, but not too loosely. Then cut out two strips, DD, and bevel the top of each at a 45-degree angle. Place A in position and glue them on, making sure the glue doesn't bind them to A.
Pierce a small hole through DD, in line with the slot, and insert a pin.
Draw the box fully up, and see if the top of A sinks to the proper place.
If it projects a little, lengthen the slot a trifle.
Pierce a small hole through DD, in line with the slot, and insert a pin.
Pull the box all the way up and check if the top of A sinks to the correct position.
If it sticks out a bit, extend the slot slightly.
Cut out the supports EE, finish them neatly, and glue them to A. Make sure that the pin lets the box touch them.
Cut out the supports EE, finish them neatly, and glue them to A. Make sure the pin allows the box to touch them.
Fix on the lid B with two pins for pivots, and fit a little catch made of brass wire. To give extra security, drive ordinary pins, cut off to 5/8 inch, through the sides into fixed B, CC, and DD, and through EE into A. This is an easy enough business if pilot holes are made with a very fine awl or a tiny drill, and a small, light hammer is used. It now remains only to go over the whole box with glass paper or emery cloth, and to glue a diamond of coarse glass paper to one end for striking the matches on.
Attach lid B with two pins for pivots, and add a small catch made of brass wire. For extra security, drive ordinary pins, cut to 5/8 inch, through the sides into fixed B, CC, and DD, and through EE into A. This task is straightforward if you make pilot holes using a fine awl or a tiny drill, and use a small, light hammer. Finally, go over the entire box with sandpaper or emery cloth, and glue a piece of coarse sandpaper to one end for striking matches.
Note that the lid must not be opened when the box is down, as it would be wrenched off its pivots.
Note that the lid must not be opened when the box is down, as it would be wrenched off its pivots.
XXXIII.
A WOODEN WORKBOX.
The box illustrated by Fig. 181 was copied from an article of Norwegian manufacture. Its construction is an extremely simple matter, provided that one can get a piece of easily bent wood (birch, for instance), not exceeding 3/16 inch in thickness, for the sides.
The box shown in Fig. 181 was taken from an article about Norwegian design. It's really easy to make, as long as you can find a piece of wood that bends easily (like birch) that is no thicker than 3/16 inch for the sides.
[Illustration: FIG. 180.—Showing how to draw an ellipse.]
[Illustration: FIG. 180.—Showing how to draw an ellipse.]
[Illustration: FIG. 181.—Norwegian workbox.]
[Illustration: FIG. 181.—Norwegian workbox.]
The bottom of the box is made of 5/16 or 3/8 inch wood, cut to an oval or elliptical shape. To mark out an ellipse about 8 inches long and 5-1/2 inches wide—this will be a. convenient size—stick two pins into the board 5-1/8 inches apart, pass a loop of thread 14 inches in circumference round these, and run the point of a pencil round the pins in the path which it has to take when confined by the slack of the loop (Fig. 180). Fret-saw along the line.
The bottom of the box is made of 5/16 or 3/8 inch wood, shaped into an oval or elliptical form. To outline an ellipse about 8 inches long and 5-1/2 inches wide—this will be a convenient size—place two pins into the board 5-1/8 inches apart, loop a piece of thread that is 14 inches in circumference around them, and run the point of a pencil around the pins, following the path determined by the slack in the loop (Fig. 180). Use a fret saw to cut along the line.
The wood strip for the side is 4-1/2 inches deep, and 1-1/2 inches longer than the circumference of the bottom. The ends are thinned off somewhat, as shown in Fig. 181, to prevent the lap having a clumsy appearance, and the surface is smoothed all over with sandpaper. Bore a number of small nail holes 3/16 inch from one edge, and then steam the wood over a big saucepan or other suitable vessel until it is quite lissom.
The wood strip for the side is 4.5 inches deep and 1.5 inches longer than the circumference of the bottom. The ends are tapered a bit, as shown in Fig. 181, to avoid a bulky look, and the surface is sanded smooth all over. Drill several small nail holes about 3/16 inch from one edge, then steam the wood over a large saucepan or another suitable container until it is flexible.
When attaching the side piece to the bottom, begin at the middle, and work first towards what will be the inside end of the lap, and then towards the outside end. Nails are driven in through the holes already drilled. When nailing is finished, clip the top of the overlap with a hand-vice or screw spanner, to prevent the tops of the ends sliding over one another, and bore a line of holes l/4 inch apart, and at the same distance from the outer end. Fine copper wire drawn to and fro through alternate holes from one end of the row to the other and back again, will secure the joint.
When attaching the side piece to the bottom, start in the middle and work first towards what will be the inside end of the lap, and then towards the outside end. Drive nails through the pre-drilled holes. After nailing is done, use a hand-vice or screw spanner to trim the top of the overlap, preventing the tops of the ends from sliding over each other. Drill a line of holes 1/4 inch apart, and keep them at the same distance from the outer end. To secure the joint, run fine copper wire back and forth through alternate holes from one end of the row to the other and back again.
The lid overlaps the side 1/4 inch in all directions and has a square notch cut in it at one end to pass under the piece A, and at the other a deeper, circular-ended nick to enable it to pass over the key B when that is turned into the position shown in the illustration. A is cut out of 1/4-inch wood; B, in one piece, out of 1/2-inch. Their length under the heads exceeds the inside depth of the box by the thickness of the lid.
The lid extends over the sides by 1/4 inch all around and has a square notch cut at one end to go under piece A, and at the other end, a deeper, round notch so it can slide over key B when it’s turned to the position shown in the illustration. A is made from 1/4-inch wood; B is a single piece made from 1/2-inch wood. Their lengths below the heads are longer than the inside depth of the box by the thickness of the lid.
A is affixed rigidly to the side by small screws or wire, while B must be attached in a manner, which will allow the head to rotate. Cut two nicks round the shank, and two horizontal slots at the same height through the end of the box. A couple of brass rings must then be procured of such a size that, when flattened into a somewhat oval shape, they will project beyond the slots sufficiently to allow a piece of wire to pass through them and prevent their being drawn back again.
A is securely attached to the side with small screws or wire, while B needs to be connected in a way that lets the head rotate. Make two cuts around the shank and two horizontal slots at the same height at the end of the box. You’ll also need to get a couple of brass rings that, when flattened into a slightly oval shape, extend past the slots enough that a piece of wire can pass through them and keep them from being pulled back.
Quarter-inch wood will do for the lid. A handle is made out of a couple of inches of small cane bent into a semicircle, let through the lid at each end, glued, and cut off flush.
Quarter-inch wood will work for the lid. A handle is created from a few inches of small cane bent into a semicircle, passed through the lid at each end, glued, and trimmed flush.
The exterior may be decorated by a design in poker-work, or be stained and varnished. This is left to the maker’s discretion.
The outside can be decorated with a poker-work design or stained and varnished. This choice is up to the maker.
XXXIV.
WRESTLING PUPPETS.
[Illustration: FIG. 182.—Peg marked for cutting and drilling.]
[Illustration: FIG. 182.—Peg marked for cutting and drilling.]
The expenditure of a halfpenny, and a quarter of an hour’s use of a pocket knife, bradawl, and pliers, will produce a toy which is warranted to amuse grown-ups as well as children. Wrestlers made out of clothes pegs may be bought for a copper or two in the street, and are hardly a novelty; yet a few notes on home production will not be a waste of space, as making is cheaper, and much more interesting, than buying.
Spending a penny and using a pocket knife, a bradawl, and pliers for just fifteen minutes will create a toy that’s sure to entertain both adults and kids. You can find wrestlers made from clothespins for a couple of cents on the street, and they’re not exactly new; however, sharing some tips on making them at home is worth it, since creating is cheaper and way more fun than buying.
The clothes pegs used must be of the shape shown in Fig. 182, with a round top. They cost one penny per dozen.
The clothespins used should be shaped like the one shown in Fig. 182, with a round top. They cost one penny for a dozen.
Drill holes through body and legs as indicated in Fig. 182. Cut the legs from the “trunk,” and whittle them to the shape of Fig. 183. The arms, made out of any thin wood, are 2-1/4 inches long between centres of end holes.
Drill holes through the body and legs as shown in Fig. 182. Cut the legs off the “trunk” and carve them into the shape shown in Fig. 183. The arms, which can be made from any thin wood, should be 2-1/4 inches long between the centers of the end holes.
To get the best results the two arms and the four legs should be paired off to exactly the same length.
To achieve the best results, the two arms and four legs should be matched to the same length.
[Illustration: FIG. 183.—Clothes-peg wrestlers.]
[Illustration: FIG. 183.—Clothespin wrestlers.]
The neatest method of attaching the parts is to use small brass tacks, which must, of course, be of somewhat larger diameter than the holes in the body. Holes in arms and legs are a loose fit, so that the wrestlers may be very loose-jointed, and the tacks must not be driven in far enough to cause any friction.
The best way to attach the parts is to use small brass tacks, which should be a bit larger in diameter than the holes in the body. The holes in the arms and legs should be a loose fit, allowing the wrestlers to be quite loose-jointed, and the tacks should not be pushed in too far to avoid causing any friction.
Instead of tacks one may use wire passed through the parts and secured by a bend or loop at each end. Wire has the disadvantage of entangling the thread which works the figures.
Instead of tacks, you can use wire threaded through the pieces and secured with a bend or loop at each end. However, wire has the drawback of getting tangled in the thread that stitches the designs.
When assembling is finished, bore holes in the centres of the arm pieces, pass a piece of wire through, and twist it into a neat loop at each end. To one loop tie 2 feet of strong thread (carpet thread is best), and to the free end of the thread a large nail or hook. The other loop has 6 feet or so of thread tied to it, to be worked by the hand. If the thread is stained black, it will be practically invisible by artificial light.
When assembly is complete, drill holes in the centers of the arm pieces, thread a piece of wire through, and twist it into a tidy loop at each end. To one loop, tie 2 feet of strong thread (carpet thread works best), and attach a large nail or hook to the other end of the thread. The other loop should have about 6 feet of thread tied to it for manual operation. If the thread is dyed black, it will be nearly invisible under artificial light.
The nail or hook is stuck under the edge of the carpet, or into some crack or cranny which affords a good hold, and the wrestlers are worked by motions of the hand. The funniest antics are produced by very slight jerks.
The nail or hook is caught under the edge of the carpet, or in some crack or crevice that offers a solid grip, and the wrestlers are moved by hand motions. The funniest antics come from very small tugs.
If the arms are set too close together the heads may stick between them, in which case one must either flatten off the sides of the heads or insert fresh arm wires of greater length. If a head persists in jamming against the thread wire or getting under it and staying there, cut 1/2 inch off a pin and stick it into the front of the crown, so that the head is arrested by the wire when the wrestler bends forward.
If the arms are positioned too close together, the heads might get trapped between them. In that case, you either need to trim the sides of the heads or use longer arm wires. If a head keeps getting stuck against the thread wire or slips under it and remains stuck, cut half an inch off a pin and insert it into the front of the crown. This way, the wire will catch the head when the wrestler leans forward.
[Illustration: FIG. 184.—Large wrestlers made of stout wood.]
[Illustration: FIG. 184.—Big wrestlers made of sturdy wood.]
Large Wrestlers.—A more elaborate and realistic pair is shown in Fig. 184. The originals of the sketch are 8 inches high. Half-inch deal was used for the bodies, 3/8-inch for the legs and arms. The painting-in of hair, features, tights, and shoes adds considerably to the effect. The heads and limbs are mere profiles, but anyone with a turn for carving might spend a little time in rounding off and adding details which will make the puppets appear more lifelike.
Large Wrestlers.—A more detailed and realistic pair is shown in Fig. 184. The originals of the sketch are 8 inches tall. Half-inch wood was used for the bodies, 3/8-inch for the legs and arms. Adding paint for the hair, facial features, tights, and shoes significantly enhances the overall effect. The heads and limbs are just profiles, but anyone with a knack for carving could take some time to round off and add details that would make the puppets look more lifelike.
XXXV.
DOUBLE BELLOWS.
The small-sized bellows which have become popular in sitting-rooms are usually more ornamental than efficient, and make one think regretfully of the old-fashioned article of ample capacity which is seldom seen nowadays.
The small bellows that are now popular in living rooms are usually more for show than for functionality, making one wistfully think of the old-fashioned ones with larger capacity that are rarely seen these days.
Fig. 185 illustrates a method of coupling up two small bellows in such a manner as to provide an almost continuous blast, besides doubling the amount of air sent through the fire in a given time, at the coat of but little extra exertion. A piece of wood half an inch thick is screwed across one bellows just behind the valve hole. The two bellows are then laid valve facing valve, and are attached to one another by a strip of tin passed round the wood just behind the nozzles and by tying the two fixed handles together.
Fig. 185 shows a way to connect two small bellows so that they create an almost continuous blast and double the amount of air pushed through the fire in a given time, with only a small increase in effort. A piece of wood half an inch thick is screwed onto one bellows just behind the valve hole. The two bellows are then positioned valve to valve and connected by a strip of tin wrapped around the wood just behind the nozzles and by tying the two fixed handles together.
[Illustration: FIG. 185.—Double-acting bellows. Two methods of coupling shown.]
[Illustration: FIG. 185.—Double-acting bellows. Two methods of connection shown.]
Make a rectangle of stout wire somewhat wider than the handles and long enough to reach from the outer face of one moving handle to that of the other, when one bellows is quite closed and the other full open. The ends of the wire should be soldered together, and the ends of the link held up to the handles by a couple of staples.
Make a rectangle from sturdy wire that's a bit wider than the handles and long enough to connect the outer edge of one moving handle to the other when one bellows is completely closed and the other is fully open. The ends of the wire should be soldered together, and the ends of the link should be secured to the handles with a couple of staples.
An alternative method is to use a piece of wood with a screw driven into it at right angles near each end through the staples on the handles (Fig. 185, a). In place of the staples you may use screw-in eyes fitting the screws.
An alternative method is to use a piece of wood with a screw driven into it at right angles near each end through the staples on the handles (Fig. 185, a). Instead of the staples, you can use screw-in eyes that fit the screws.
XXXVI.
A HOME-MADE PANTOGRAPH.
The pantograph is a simple apparatus for copying drawings, maps, designs, etc., on a reduced or enlarged scale, or to the same size as the original.
The pantograph is a basic tool for copying drawings, maps, designs, and more, at a smaller or larger size, or the same size as the original.
[Illustration: FIG. 186.—Details of simple pantograph.]
[Illustration: FIG. 186.—Details of simple pantograph.]
A sketch of a pantograph is given in Fig. 186. Four rods are jointed together to form a parallelogram, the sides of which can be lengthened or shortened to suit the scale of reproduction. One is attached by a fixed pivot at a to the board on which the drawing is done. At b and e are removable pivots, used for adjusting the rods; at c is a pivot which projects an inch or so below the rods. The pointer is inserted at d for enlargement, or at f for reduction, the pencil being in the unoccupied hole at d or f.
A sketch of a pantograph is shown in Fig. 186. Four rods are connected to form a parallelogram, and the lengths of the sides can be adjusted to fit the scale of reproduction. One rod is attached with a fixed pivot at point a to the board where the drawing is made. Points b and e have removable pivots for adjusting the rods; point c has a pivot that sticks out about an inch below the rods. The pointer goes in at point d for enlargement, or at point f for reduction, with the pencil placed in the empty hole at d or f.
If a same-sized copy is desired, the fixed pivot is transferred to d, and the pencil and pointer placed at a and f respectively.
If you want a copy that’s the same size, move the fixed pivot to d, and position the pencil and pointer at a and f, respectively.
Construction of an Enlarging and Reducing Pantograph.—Cut out of 1/8-inch oak, walnut, or beech four rods 5/8 inch wide and 19 inches long. Smooth them well all over, and make marks near the ends of each, exactly 18 inches apart. The graduation of the rods for the adjustment pivot holes is carried out in accordance with the measurements given in Fig. 187. It is advisable to mark out and bore each rod separately if you do not possess a machine which will drill holes quite perpendicularly; if you do, all four rods can be drilled at one operation.
Construction of an Enlarging and Reducing Pantograph.—Cut four rods from 1/8-inch oak, walnut, or beech, each measuring 5/8 inch wide and 19 inches long. Sand them down smoothly all over, and make marks near the ends of each rod that are exactly 18 inches apart. The spacing of the rods for the adjustment pivot holes should follow the measurements shown in Fig. 187. It’s best to mark and drill each rod separately if you don’t have a machine that can drill the holes perfectly straight; if you do, you can drill all four rods at once.
In Fig. 187 the lower row of numerals indicates the number of times (in diameters) the original is enlarged when all four holes similarly figured are used; the upper row, the size of the copy as compared with the original in case of reduction.
In Fig. 187, the lower row of numbers shows how many times (in diameters) the original is enlarged when all four similarly shaped holes are used; the upper row shows the size of the copy compared to the original in case of reduction.
If proportions other than those given are required, a very little calculation will locate the necessary holes.
If you need different proportions than those provided, a quick calculation will help you find the necessary holes.
Pivots.—All the pivots must fit their holes accurately, as any looseness at the joints detracts from the truth of reproduction. For pivots band b and e may use brass screws and small pieces of hard wood as nuts to hold them in position. The nuts should screw on rather stiffly, and not be forced hard against the rods, as free motion with little friction at all joints is essential for good work.
Pivots.—All the pivots need to fit their holes precisely, as any looseness at the joints affects the accuracy of reproduction. For pivots b and e, you can use brass screws and small pieces of hardwood as nuts to keep them in place. The nuts should screw on fairly tightly, but not be pushed hard against the rods, since smooth motion with minimal friction at all joints is crucial for good performance.
[Illustration: FIG. 187.—Diagram showing how to mark off pantograph rods. The dotted lines above rod give distances of holes from ends.]
[Illustration: FIG. 187.—Diagram showing how to mark off pantograph rods. The dotted lines above the rod indicate the distances of the holes from the ends.]
The fixed pivot at a may be merely the shank of a wire nail of the proper size driven into the board, a cork collar being slipped over it to keep the rod the proper distance from the board. For c use a screw to the head of which has been soldered half an inch of a round-headed brass nail, which will move easily over the paper. At d is needed a hollow pivot, fashioned out of a quarter of an inch of pencil-point protector or some other thin tube, burred over slightly at the ends so as not to fall out. The end of B at f has a slotted hole to grip the pencil or pointer, as the case may be.
The fixed pivot at a may just be the shank of a wire nail of the right size driven into the board, with a cork collar slipped over it to keep the rod at the correct distance from the board. For c, use a screw that has half an inch of a round-headed brass nail soldered to the head, which will move easily over the paper. At d, you need a hollow pivot made from a quarter of an inch of pencil-point protector or another thin tube, slightly burred at the ends so it doesn’t fall out. The end of B at f has a slotted hole to hold the pencil or pointer, depending on what you’re using.
A Same-size Pantograph.—For making a same-size copy, tracing may be preferred to the use of a pantograph; but if a pantograph is adopted, a special apparatus may be constructed for the purpose. The arrangement is exactly the same as that already described, excepting that the only holes needed are those at a, c, d, f, at the middle points of the four rods, the parallelogram formed by the rods being equal-sided. The fixed pivot is situated at d, and pencil and pointer holes are made at a and f.
A Same-size Pantograph.—To create a same-size copy, tracing might be a better choice than using a pantograph; however, if you decide to go with a pantograph, you can build a special device for that. The setup is just like what was described before, except that the only holes needed are those at a, c, d, and f, located at the midpoint of the four rods, with the parallelogram formed by the rods being equal-sided. The fixed pivot is at d, and pencil and pointer holes are located at a and f.
Using the Pantograph.—When adjusting the instrument for reduction or enlargement, make sure that the adjustment pivots are in the holes corresponding with the scale. The fixed pivot, pointer, and pencil must be rigid, and, with pivot c, be of such a length that the pantograph as a whole moves parallel to the paper. A little sliding weight to place on the rod near the pencil will be found useful for keeping the pencil point in constant contact with the paper.
Using the Pantograph.—When setting up the instrument for scaling up or down, ensure that the adjustment pivots are in the holes that match the scale. The fixed pivot, pointer, and pencil must be sturdy, and, with pivot c, need to be long enough so that the pantograph moves parallel to the paper as a whole. A small sliding weight placed on the rod near the pencil is helpful for keeping the pencil point in consistent contact with the paper.
If the apparatus works stiffly, ease the holes a trifle and lead-pencil the wood at all points where two surfaces rub. It is absolutely impossible to make a good reproduction with a stiff, jerky pantograph.
If the machine operates roughly, loosen the holes a bit and use a pencil to mark the wood at all the spots where two surfaces touch. It's completely impossible to create a good copy with a stiff, jerky pantograph.
To decide the positions of original and the paper for the copy, get the pointer centred on the original and adjust the paper till its centre is under the pencil.
To determine the positions of the original and the paper for the copy, center the pointer on the original and adjust the paper until its center is directly under the pencil.
XXXVII.
A SILHOUETTE DRAWING MACHINE.
With this very simple apparatus you will be able to give good entertainment to such of your friends as may wish to have black paper records of their faces in profile.
With this very simple device, you'll be able to provide great entertainment to your friends who want black paper portraits of their faces in profile.
The machine is merely a long rod, with a sliding pencil attached to one end and a metal pointer stuck into the other, supported near the pencil end on a pivot which permits free movement in all directions.
The machine is just a long rod, with a sliding pencil attached to one end and a metal pointer stuck into the other, supported near the pencil end on a pivot that allows for movement in all directions.
For heads and busts only, the rod and pointer combined need not be more than 4 feet 6 inches long. The rod is a 1/2-inch blind rod, the pointer a stout knitting-needle driven axially into one end of the rod. This pointer, being of small diameter, follows the minor curves and angles of the features much more closely than would be possible with the rod.
For heads and busts only, the rod and pointer combined shouldn't be more than 4 feet 6 inches long. The rod is a 1/2-inch blind rod, and the pointer is a strong knitting needle inserted straight into one end of the rod. This pointer, being small in diameter, follows the smaller curves and angles of the features much more closely than would be possible with the rod.
The support is a piece of wood, 1-1/2 inches square and 12 to 15 inches long, screwed on to a large foot, which should be fairly heavy, as any tilting or slipping will, of course, spoil the silhouette. The universal joint for the rod is made by soldering a small U-shaped piece of metal to the end of a short metal bar. The ends of the U are drilled for a pin passing through the rod; and a hole is sunk into the top of the support to take the bar. The fit should be close, to prevent the pivot rocking about, and the hole in the support deep enough to bring the bottom of the stirrup down against the wood.
The support is a wooden piece that is 1.5 inches square and 12 to 15 inches long, screwed onto a heavy base, since any tilting or slipping will ruin the silhouette. The universal joint for the rod is made by soldering a small U-shaped piece of metal to the end of a short metal bar. The ends of the U are drilled for a pin that goes through the rod, and there's a hole drilled into the top of the support to hold the bar. The fit should be snug to prevent the pivot from wobbling, and the hole in the support should be deep enough so the bottom of the stirrup sits against the wood.
If a series of holes half an inch apart is drilled, through the rod, the nearest 9 inches from the pencil end, the size of the silhouette proportionately to the original can be varied by moving the pin from one hole to another.
If you drill a series of holes half an inch apart in the rod, located 9 inches from the pencil end, you can adjust the size of the silhouette in relation to the original by moving the pin from one hole to another.
[Illustration: FIG. 188.—Silhouettograph in use.]
[Illustration: FIG. 188.—Silhouettograph in use.]
[Illustration: FIG. 188a.—Group of silhouettes drawn with the machine described.]
[Illustration: FIG. 188a.—Group of silhouettes created with the machine described.]
The pencil holder is 4 inches of tubing, in which the pencil can slide easily without shaking. If necessary, the size of the pencil should be reduced by rubbing with glass paper. Bind the holder tightly to the end of the rod away from the pointer, so that one extremity just overhangs the rod. A piece of thin elastic is tied to the unsharpened end of the pencil and to the pencil tube, the adjustment allowing the pencil to project an inch when the elastic is taut but not stretched.
The pencil holder is 4 inches of tubing, where the pencil can slide in smoothly without wobbling. If needed, the pencil size should be trimmed down using sandpaper. Securely attach the holder to the end of the rod that's opposite the pointer, so that one end slightly hangs over the rod. A piece of thin elastic is tied to the blunt end of the pencil and to the pencil tube, allowing the pencil to extend an inch when the elastic is tight but not pulled.
A fairly soft pencil and a thick, smooth paper or card give the best results. Paper should be backed by something hard to prevent the pencil digging in. Attach the paper to a firm vertical surface, such as the side of a box, a drawing board, a wall, etc.
A fairly soft pencil and thick, smooth paper or cardstock yield the best results. The paper should be backed by something sturdy to prevent the pencil from digging in. Secure the paper to a solid vertical surface, like the side of a box, a drawing board, a wall, etc.
Using the Machine.—The rod support, paper, and sitter should be arranged so that the rod is level at the height of the sitter’s nose and the pencil on the centre of the paper. Bring the support near enough to the paper to drive the pencil back into the tube until the point projects only half an inch.
Using the Machine.—The rod support, paper, and sitter should be arranged so that the rod is level at the height of the sitter’s nose and the pencil is in the center of the paper. Move the support close enough to the paper to push the pencil back into the tube until the point sticks out only half an inch.
A thread attached to the pencil will enable you to keep the pencil off the paper until you wish to begin drawing the profile.
A thread connected to the pencil will let you keep the pencil away from the paper until you’re ready to start drawing the profile.
Begin with the pointer pressing against the sitter’s chest, and bring it over the face and down the back of the head and neck. Do not press it into the hair, but carry it along what you consider to be the outline; though it must be in actual contact with the features and clothes. It is hardly necessary to mention that the sitter must keep perfectly still if the silhouette is to be at all accurate.
Begin with the pointer pressing against the sitter’s chest, and bring it over the face and down the back of the head and neck. Don’t press it into the hair, but guide it along what you think is the outline; it should be in actual contact with the features and clothing. It’s pretty obvious that the sitter has to stay completely still if the silhouette is going to be even somewhat accurate.
The tracing is cut round with fine-pointed scissors, and the paper blacked and stuck on a piece of white card. Some trouble is saved by using paper white on one aide and black on the other. If duplicates are needed, two or more pieces of paper should be stuck together by the corners and to the paper on which the silhouette is drawn, and all be cut through at one operation.
The tracing is cut out with sharp scissors, and the paper is colored black and attached to a piece of white cardstock. Some effort is saved by using white paper on one side and black on the other. If duplicates are needed, two or more pieces of paper should be fastened together at the corners and to the paper where the silhouette is drawn, and then everything should be cut at the same time.
With a little practice the actual tracing of the outline occupies but a few seconds. Things are expedited if an assistant adjusts the paper and pencil.
With a bit of practice, tracing the outline takes just a few seconds. It helps to have an assistant position the paper and pencil.
XXXVII.
A SIGNALLING LAMP.
Visual signalling is effected at night in the Morse code by means of a lamp fitted with an easily-moved shutter, which passes or cuts off the light at the will of the operator. Readers who know the Morse code might well go to the trouble of constructing in duplicate the simple apparatus to be described, as the possession of an outfit will enable them to extend their signalling capabilities.
Visual signaling is done at night using Morse code with a lamp that has an easy-to-move shutter, allowing the operator to control the light. Those familiar with Morse code might find it worthwhile to build a duplicate of the simple device that will be described, as having this equipment will enhance their signaling abilities.
The stand for the lamp is admirably supplied by the ordinary camera
tripod.
For the illuminant we may select any good acetylene cycle lamp.
The lamp stand works perfectly with a regular camera tripod.
For the light source, we can choose any quality acetylene cycle lamp.
For this a holder is made of 1/2-inch wood, according to the sketch shown in Fig. 189. The width of all the four parts should be about 2 inches greater than the front glass of the lamp. B and C should be sufficiently far apart to allow the lamp to rest on the rim above the carbide chamber; and the front, A, should be at least an inch higher than the top of the lamp glass.
For this, a holder is made from 1/2-inch wood, following the sketch shown in Fig. 189. The width of all four parts should be about 2 inches wider than the front glass of the lamp. B and C should be far enough apart to let the lamp sit on the rim above the carbide chamber; and the front, A, should be at least an inch taller than the top of the lamp glass.
[Illustration: FIG. 189.—Signalling lamp with quick-moving shutter.]
[Illustration: FIG. 189.—Signaling lamp with fast-moving shutter.]
The hole cut in B must be so situated as to bring the front of the lamp close to the front of the holder, so that the greatest possible amount of light may be utilized. The hole in A should be rather larger than the lamp front, and, of course, be accurately centred. Mark these two holes off carefully, and cut out with a pad saw or fret saw.
The hole cut in B needs to be positioned so that the front of the lamp is close to the front of the holder, maximizing the amount of light used. The hole in A should be slightly larger than the lamp's front and should be centered precisely. Carefully mark these two holes and cut them out with a pad saw or a fret saw.
A socket must be attached to the centre of the underside of the base to take the camera screw; or, if such a socket is not easily obtainable, a hole should be drilled in the base to take an ordinary wood screw of good size, the surplus of which is cut off so as not to interfere with the lamp.
A socket should be attached to the center of the underside of the base to hold the camera screw; or, if that type of socket is not readily available, a hole should be drilled in the base to accommodate a regular wood screw of appropriate size, with the excess cut off so it doesn't interfere with the lamp.
The Shutter.—The woodwork is so simple that nothing further need be said about it. The more difficult part of the business is the making of the shutter, which must be so constructed that it can be opened and closed rapidly by motions similar to those used in working the telegraph key described in a preceding chapter. Speed of working is obtained by dividing the shutter into two or three parts, each revolving on its own spindle, but all connected so as to act in perfect unison. The thinnest sheet brass or iron obtainable should be used, so that the tension of the spring used to close the shutter need not be great. Our illustration shows a two-part shutter, each half an inch wider than the hole in the front, and jointly a similar amount deeper. The upper half overlaps the lower, outside, by a quarter of an inch.
The Shutter.—The construction is straightforward, so there's nothing more to discuss about it. The more challenging aspect is creating the shutter, which needs to be designed for quick opening and closing, similar to the motion used with the telegraph key described in a previous chapter. To achieve speed, the shutter is divided into two or three sections, each rotating on its own spindle but all working together in perfect harmony. The thinnest sheet of brass or iron available should be used to ensure that the spring tension required to close the shutter isn't too strong. Our illustration shows a two-part shutter, with each part being half an inch wider than the opening in the front and similarly deeper. The upper part overlaps the lower part on the outside by a quarter of an inch.
The spindles are two straight pieces of brass wire, revolving in sockets which are most easily made of notched pieces of wood (as shown in Fig. 189), with removable caps of strip tin. The lower spindle should be an inch longer than the width of the front, to allow for a cranked end, to which the closing spring will be attached.
The spindles are two straight pieces of brass wire, spinning in sockets that are easiest to make from notched pieces of wood (as shown in Fig. 189), with removable caps made of tin strips. The lower spindle should be an inch longer than the width of the front, so there’s room for a cranked end where the closing spring will attach.
Having cut out the halves of the shutter, solder the spindle wires to one edge of each on what will be the back side. The wires must be so arranged as to allow a quarter of an inch to project beyond the left edge of the front, as the opening mechanism is situated on this side as the most convenient for the operator.
Having cut out the halves of the shutter, solder the spindle wires to one edge of each on what will be the back side. The wires should be arranged to extend a quarter of an inch beyond the left edge of the front, as the opening mechanism is positioned on this side for the operator's convenience.
Take a couple of metal discs, an inch or so in diameter, and bore a hole in each near the circumference to fit the ends of the pivots fairly tight. Three-eighths of an inch from this—centre to centre—bore and tap a hole for a small screw. The tapping should be done with a taper tap and carried just so far that the screw turns stiffly without danger of being broken off by the screw-driver.
Take a couple of metal discs about an inch in diameter and drill a hole in each near the edge to fit the ends of the pivots snugly. Three-eighths of an inch from this—center to center—drill and tap a hole for a small screw. The tapping should be done with a taper tap and should go just far enough so the screw turns tightly without the risk of breaking off when using the screwdriver.
Next find the correct positions of the parts of the shutter and the spindle sockets on the front of the holder, and mark them off carefully. Screw the wooden parts of the sockets to the front. Four little “distance pieces” should now be cut out of small tubing, or made by twisting tin round the spindle, to place on the spindles between shutter and sockets, so that the shutters cannot shift sideways.
Next, locate the proper positions for the parts of the shutter and the spindle sockets on the front of the holder, and mark them precisely. Attach the wooden parts of the sockets to the front with screws. Now, cut four small "distance pieces" from small tubing or create them by twisting tin around the spindle to place on the spindles between the shutter and sockets, ensuring that the shutters don't slide sideways.
The right-hand end of the lower spindle must be bent over (after slipping on the distance piece) to form a 1/2-inch crank making an angle of 45 degrees with the line of the front, in an upward direction, as it will be depressed by the opening of the shutter. Flatten out the end with a hammer, and drill a small hole near the tip.
The right end of the lower spindle needs to be bent over (after sliding on the distance piece) to create a 1/2-inch crank that makes a 45-degree angle with the front line, pointing upward, since it will be pushed down when the shutter opens. Flatten the end with a hammer and drill a small hole near the tip.
The shutters can now be placed in position, and the caps of the sockets be screwed on. The next thing to make is the connecting rod to join the cranks at the left side of the front. For this purpose we may use a piece of fairly stiff strip metal—brass by preference—5 or 6 inches long. Half an inch from one end make a mark with the centre punch; then measure off exactly the distance between the shutter spindles, and make a second punch mark. Drill holes at the marks large enough, for the disc screws to pass through easily, but not loosely.
The shutters can now be put in place, and the socket caps can be screwed on. The next step is to make the connecting rod to link the cranks on the left side of the front. For this, we can use a piece of fairly stiff strip metal—preferably brass—that's 5 or 6 inches long. Half an inch from one end, make a mark with a center punch; then measure the exact distance between the shutter spindles and make a second punch mark. Drill holes at the marks that are large enough for the disc screws to pass through easily, but not too loose.
Attach the rod to the discs by the screws, and slip the discs on to the ends of the shutter spindles. (The free end of the rod should be upwards.) Press the shutters against the front so that they cannot open, adjust the discs at an angle of 45 degrees to the front in an upward direction, and solder them firmly to the spindles.
Attach the rod to the discs with the screws, and slide the discs onto the ends of the shutter spindles. (The free end of the rod should be facing up.) Push the shutters against the front so they can’t open, tilt the discs at a 45-degree angle upward toward the front, and solder them securely to the spindles.
The upper end of the connecting rod should be turned over to form a finger rest, or be sharpened off to take a knob. The last operation is the fitting of the spring to close the shutter. A spiral spring attached at one end of the crank on the lower spindle and at the other to a nail projecting from the side of the front is the most convenient arrangement. If you have not got a spiral spring, you can easily make a. fairly efficient substitute out of hard brass wire wound a few times round a large wire nail.
The top part of the connecting rod should be flipped over to create a finger rest or sharpened to fit a knob. The final step is to attach the spring to close the shutter. The best setup is a spiral spring connected at one end to the crank on the lower spindle and at the other end to a nail sticking out from the side of the front. If you don't have a spiral spring, you can easily make a decent substitute using hard brass wire wrapped a few times around a large wire nail.
An alternative method of springing is to add an arm, a, to the connecting rod, as shown by dotted lines in Fig. 189, and to use the projection for engaging a spring, made by winding hard brass wire a few times round a nail. A screw passed through the coil holds it to the front.
An alternative way to set up a spring is to attach an arm, a, to the connecting rod, as indicated by the dotted lines in Fig. 189. You can use this arm to connect a spring, which can be created by wrapping hard brass wire a few times around a nail. A screw goes through the coil to secure it in place at the front.
The tension of the spring must be just sufficient to close the shutter smartly and prevent it rebounding far enough to pass any light.
The spring's tension needs to be just right to shut the door quickly and stop it from bouncing back enough to let any light in.
XXXIX.
A MINIATURE GASWORKS.
The most primitive method of making coal gas on a small scale is to fill a tin—which must have folded, not soldered, joints—with small coal, punch a hole in the bottom, and place it lid downwards in the fire. Gas soon begins to issue, but, owing to the quantity of moisture and impurities present, it will not ignite until some minutes have elapsed. The flame, when it does make its appearance, is very smoky and gives little light, because, in addition to the coal gas of commerce, there are present ammonia gas, sulphuretted hydrogen, carbonic acid, tar vapour, etc., which prevent brightness of flame.
The most basic way to make coal gas on a small scale is to fill a tin—one with folded, not soldered, seams—with small pieces of coal, punch a hole in the bottom, and place it upside down in the fire. Gas starts to come out quickly, but due to the amount of moisture and impurities, it won't ignite for a few minutes. When the flame finally appears, it's very smoky and gives off little light because, along with the commercial coal gas, there are other gases like ammonia, hydrogen sulfide, carbon dioxide, tar vapors, etc., that keep the flame from being bright.
[Illustration: FIG. 190.—General view of gas-making apparatus.]
[Illustration: FIG. 190.—General view of gas-making apparatus.]
A miniature gasworks, if it is to be worthy of its name, must obviously endeavour to separate the troublesome components from the useful gas. The doing of this involves several processes, all simple enough in principle, and requiring but simple apparatus for demonstration on a small scale. To take them in order the processes are—
A small gasworks, to live up to its name, must clearly aim to separate the unwanted components from the useful gas. Achieving this involves several processes, which are straightforward in principle and only need basic equipment for demonstration on a small scale. Here are the processes in order—
(l) The formation of gas in a retort;
(l) The production of gas in a retort;
(2) The condensation of the tar;
(2) The thickening of the tar;
(3) The condensation of steam;
The condensation of steam;
(4) The removal of the ammonia gas;
(4) The removal of ammonia gas;
(5) The removal of the sulphuretted hydrogen and carbonic acid.
(5) The removal of hydrogen sulfide and carbon dioxide.
The last two processes are, in a real gasworks, usually separated, but for simplicity’s sake we will combine them. Finally, the storage of the gas has to be provided for.
The last two processes in a real gasworks are typically separate, but for the sake of simplicity, we will combine them. Lastly, we need to account for the storage of the gas.
The Retort.—To get very good results, the retort should be of cast iron, and have a removable air-tight cover; but, to keep down expense, we will use an ordinary 2-pound self-opening coffee tin. A short piece of brass pipe is soldered into the lid near one edge to carry off the gas as it is generated. To get a fairly gas-tight joint, red-leaded asbestos string should be rammed tightly between the lid and the tin. The tin may be laid on an open fire on the slant, the lid end uppermost, and the pipe at the top, where the gas will collect; or, if you wish to make things more realistic, you may easily construct an oven with sides and back of fire-brick, and front of sheet iron, through the hole in which the tin is pushed horizontally, so that only half an inch projects. This is a. suitable arrangement for out of doors.
The Retort.—To achieve great results, the retort should be made of cast iron and have a removable air-tight cover; however, to save money, we'll use a regular 2-pound self-opening coffee can. A short piece of brass pipe is soldered into the lid near one edge to vent the gas as it's generated. To create a nearly gas-tight seal, use red-leaded asbestos string tightly packed between the lid and the can. The can can be placed on an open fire at an angle, with the lid side up and the pipe at the top, where the gas will gather; or, if you want to be more realistic, you can easily build an oven with fire-brick sides and back, and a sheet metal front, through which the can is inserted horizontally, leaving about half an inch sticking out. This setup is ideal for outdoor use.
[Illustration: FIG. 191.—Vertical section of condenser.]
[Illustration: FIG. 191.—Vertical section of condenser.]
The Hydraulic Main.—This is represented in Fig. 190 by a double-necked bottle, B, standing in a bowl of cold water. The pipe from the retort passes through the cork in one neck and dips half an inch below the surface of the water inside. The gas, on meeting the water, is cooled, and some of the steam in it is condensed, also most of the tar present, which floats on the top of the water. From the bottle the gas passes on to the Condensers, where the process of cooling is completed gradually. The condenser (Fig. 191) is so designed as to cause the gas to pass through several pipes in succession. The base consists of a tin box, 6 inches long, 4 wide, and 1-3/4 deep. This is divided longitudinally down the centre by a 1-1/2-inch partition, soldered to the bottom and sides; and the two divisions are again subdivided, as shown in Fig. 192, by shorter cross partitions.
The Hydraulic Main.—This is shown in Fig. 190 as a double-necked bottle, B, placed in a bowl of cold water. The pipe from the retort goes through the cork in one neck and dips half an inch below the water's surface inside. When the gas hits the water, it gets cooled, and some of the steam condenses, along with most of the tar, which floats on top of the water. From the bottle, the gas moves on to the Condensers, where the cooling process continues gradually. The condenser (Fig. 191) is designed to make the gas flow through several pipes in succession. The base is a tin box, 6 inches long, 4 inches wide, and 1-3/4 inches deep. It is divided lengthwise down the middle by a 1-1/2-inch partition, soldered to the bottom and sides; and the two sections are further divided, as shown in Fig. 192, by shorter cross partitions.
[Illustration: FIG. 192.—Plan of condenser.]
[Illustration: FIG. 192.—Condenser layout.]
For the condensing pipes, “compo” tubing of 1/2-inch outside diameter is convenient. The amount required will, of course, depend on the number of pipes used and the length of the individual pipes. The design shows 6 pipes, each 3 feet long, bent to a semicircular curve (Fig. 191) at the middle to form very long, narrow horse-shoes. The pipes are supported at the curve by the crossbar, S (Fig. 191), of a frame, and their ends enter short pieces of brass tubing soldered into holes in the bottom of the tin box. Rubber bands make the joints air-tight.
For the condensing pipes, “compo” tubing with a 1/2-inch outside diameter works well. The amount needed will obviously depend on how many pipes are used and the length of each pipe. The design shows 6 pipes, each 3 feet long, bent into a semicircular shape (Fig. 191) in the middle to create very long, narrow horseshoes. The pipes are supported at the curve by the crossbar, S (Fig. 191), of a frame, and their ends fit into short pieces of brass tubing that are soldered into holes in the bottom of the tin box. Rubber bands seal the joints airtight.
[Illustration: FIG. 193.—Vertical section of purifier.]
[Illustration: FIG. 193.—Vertical section of purifier.]
The base is stood bottom upwards in a larger tin containing an inch and a half of water. The water acts as a seal, preventing the passage of the gas from one compartment to another through the pipes which it traverses, in the order indicated by the arrows and numbers in Fig. 192, to reach the outlet. On its way the gas is deprived of any water and of any traces of tar. The condensed water and tar fall from the open ends of the pipes into the base.
The base is placed upside down in a larger container with an inch and a half of water. The water creates a seal that stops gas from moving from one section to another through the pipes it travels, following the path shown by the arrows and numbers in Fig. 192, until it reaches the outlet. As it moves, the gas loses any water and any remnants of tar. The condensed water and tar drip from the open ends of the pipes into the base.
The Purifier is made of a large tin with overlapping lid. Near the bottom is soldered on an inlet pipe; just below the lid an outlet pipe. Cut out two discs of perforated zinc or sheet tin to fit inside the tin easily, but not loosely. (If tin is used, make a number of small holes in it.) The lower of the discs (Fig. 193, Bl) has three wire legs, AA, soldered to it, to support the upper disc, B. Three short supports keep it clear of the bottom.
The Purifier is made from a large tin with an overlapping lid. Near the bottom, there’s an inlet pipe that’s soldered on; just below the lid, there's an outlet pipe. Cut out two discs from perforated zinc or sheet tin that fit inside the tin snugly, but not too tightly. (If you're using tin, make several small holes in it.) The lower disc (Fig. 193, Bl) has three wire legs, AA, attached to it to support the upper disc, B. Three short supports keep it elevated above the bottom.
The tin must be charged with a mixture of two parts green sulphate of iron and one part lime. The lime should be slaked a short time before use. The sulphate, lime, and sufficient water to moisten the whole are ground into a pulp and left to dry. The dry mixture, which has a reddish-yellow colour, is broken up fine. Put tray B1 into place and spread half the chemical over it; then lay B on the top and cover it with the remainder. The lid joint is sealed by a broad rubber band.
The tin needs to be filled with a mix of two parts green iron sulfate and one part lime. The lime should be slaked shortly before use. The sulfate, lime, and enough water to dampen everything are ground into a pulp and left to dry. The dry mixture, which has a reddish-yellow color, is crushed finely. Place tray B1 in position and spread half of the chemical over it; then place B on top and cover it with the rest. Seal the lid joint with a wide rubber band.
While passing through the tin, the ammonia, sulphuretted hydrogen and carbonic acid gases all combine with the chemical, and fairly pure gas issues from the outlet.
While passing through the tin, ammonia, hydrogen sulfide, and carbon dioxide gases all combine with the chemical, and relatively pure gas comes out of the outlet.
The Gasholder.—As the gasometer is an important feature of a gasworks, our small plant should contain its counterpart, as it serves to regulate the pressure of the gas, and, therefore, the steadiness of the flame, as well as affording storage room.
The Gasholder.—Since the gasometer is a key part of a gasworks, our small plant should have one too, as it helps control the gas pressure and keeps the flame steady, while also providing storage space.
As a gasometer, one may use a container made on the principle of the lung-testing apparatus described on p. 361; or the gasholder of a lantern acetylene apparatus, which must, of course, be suitably counterweighted.
As a gasometer, you can use a container based on the lung-testing device described on p. 361; or the gas holder of a lantern acetylene setup, which must be properly counterweighted.
Working the Plant.—When starting up the plant, leave the burner open until inflammable gas issues, so that the air present in the various chambers may be displaced.
Working the Plant.—When starting up the plant, keep the burner open until flammable gas comes out, so that the air in the different chambers can be pushed out.
[Transcribers note: Premature lighting of the burner may cause the flame to propagate into the system and explode. I speak from experience.]
[Transcribers note: Starting the burner too early can cause the flame to travel into the system and explode. I've learned this the hard way.]
INDEX.
Aeroplane, model, self-launching.
Bedplate for engine.
Bellows, double.
Bench, joiner’s.
Benham’s harmonograph.
Bicycle shed.
Boilers, model.
Bookstand.
Box kites.
Aeroplane, model, self-launching.
Base for engine.
Double bellows.
Joiner's bench.
Benham's harmonograph.
Bicycle shed.
Model boilers.
Bookstand.
Box kites.
Cabinets, cardboard, cigar-box, match-box, tool.
Circles, rolling.
Clock, electric alarm.
Colour top.
Cylinder, double-acting steam.
Cabinets, cardboard, cigar box, matchbox, tool.
Circles, rolling.
Clock, electric alarm.
Color top.
Cylinder, double-acting steam.
Developing sink.
Doors for shed.
Double-acting horizontal steam engine.
Double bellows.
Developing sink.
Doors for the shed.
Double-acting horizontal steam engine.
Double bellows.
Eccentrics.
Electric alarm clock.
Electric motor, reciprocating.
Electric railway.
Engine, hot-air.
Experiments, apparatus for simple scientific.
Eccentrics.
Electric alarm clock.
Electric motor, reciprocating.
Electric railway.
Engine, hot-air.
Apparatus for simple scientific experiments.
Fuels for model boilers.
Model boiler fuels.
Gasworks, miniature.
Ganges, rain, water,
Gimbals, or universal joints.
Gliders, paper.
Goold’s harmonograph.
Governor for engine.
Gasworks, small scale.
Ganges, rain, water,
Gimbals, or universal joints.
Paper gliders.
Goold’s harmonograph.
Engine governor.
Harmonographs.
Hot-air engines.
House ladder.
Harmonographs.
Hot air engines.
Ladder.
Joiner’s bench.
Workbench.
Kettles, quick-boiling.
Kites, box.
Kite winders.
Quick-boil kettles.
Box kites.
Kite reels.
Ladder, house.
Lamp, signalling.
Locomotive, electric.
Lung-testing apparatus.
Magic swingers.
windmill.
Match-boarding.
Match-box, self-supplying.
Morse code.
Morse sounder.
Motor, electric.
Motor, water.
Ladder, house.
Lamp, signaling.
Locomotive, electric.
Lung-testing device.
Magic swingers.
Windmill.
Match boarding.
Matchbox, self-supplying.
Morse code.
Morse sounder.
Motor, electric.
Motor, water.
Nozzle for steam turbine.
Steam turbine nozzle.
Pantograph.
Pendulums for harmonograph.
Pens for harmonograph.
Pneumatic puzzle.
Poultry house.
Propellers for aeroplane.
Pumps.
Puppets, wrestling.
Puzzle, pneumatic.
Pantograph.
Pendulums for harmonograph.
Pens for harmonograph.
Pneumatic puzzle.
Chicken coop.
Propellers for airplane.
Pumps.
Wrestling puppets.
Pneumatic puzzle.
Railway, electric.
Rain gauges.
Reciprocating steam engine, simple.
Resistance, adjustable, for electric railway.
Reversing switch for electric railway.
Riveting.
Railways, electric.
Rain gauges.
Simple reciprocating steam engine.
Adjustable resistance for electric railway.
Reversing switch for electric railway.
Riveting.
Safety Valves.
Sawing trestle.
Shed for bicycle.
Signalling lamp.
Silhouette drawing machine.
Simple scientific experiments.
Sink, developing.
Slide valve.
Smoke-ring apparatus.
Soldering.
Spokes, magic.
Steam cocks.
Steam engines.
Steam gauge.
Steam pump.
Steam tops.
Steam turbines.
Strength. testing machines.
Swingers, magic.
Switch, multiple battery.
Switch, reversing.
Safety Valves.
Sawing table.
Bike shed.
Signal lamp.
Silhouette drawing machine.
Basic scientific experiments.
Sink, developing.
Slide valve.
Smoke ring device.
Soldering.
Magic spokes.
Steam valves.
Steam engines.
Steam gauge.
Steam pump.
Steam tops.
Steam turbines.
Strength testing machines.
Magic swingers.
Multiple battery switch.
Reversing switch.
Target apparatus.
Telegraphic apparatus.
Testing boilers.
Tool cabinet.
Top, colour.
Tops, steam.
Track for model railway.
Trestle, sawing.
Turbines, model steam.
Target equipment.
Telegraph equipment.
Boiler testing.
Tool storage.
Top, color.
Steam tops.
Track for model trains.
Sawing trestle.
Model steam turbines.
Vanishing spiral.
Vice for Joiner’s bench.
Disappearing spiral.
Vice for workbench.
Water gauge.
Water motor.
Weights for harmonograph pendulums.
Windmill, magic.
Wind vanes; electric.
Workbox, Norwegian.
Wrestling puppets.
Wriggling line.
Water gauge.
Water motor.
Weights for harmonograph pendulums.
Magic windmill.
Electric wind vanes.
Norwegian workbox.
Wrestling puppets.
Wriggling line.
THE END.
PRINTED IN GREAT BRITAIN AT THE PRESS OF THE PUBLISHERS.
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