This is a modern-English version of McGuffey's Third Eclectic Reader, originally written by McGuffey, William Holmes.
It has been thoroughly updated, including changes to sentence structure, words, spelling,
and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If
you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.
Scroll to the bottom of this page and you will find a free ePUB download link for this book.
Produced by Don Kostuch
Produced by Don Kostuch
Transcriber's Notes:
Transcriber's Notes:
Welcome to the schoolroom of 1900. The moral tone is plain. "She is kind to the old blind man."
Welcome to the classroom of 1900. The moral lesson is clear. "She is kind to the elderly blind man."
The exercises are still suitable, and perhaps more helpful than some contemporary alternatives. Much is left to the teacher. Explanations given in the text are enough to get started teaching a child to read and write. Counting in Roman numerals is included as a bonus in the form of lesson numbers.
The exercises are still relevant and might even be more useful than some modern options. A lot depends on the teacher. The explanations provided in the text are sufficient to begin teaching a child how to read and write. Counting in Roman numerals is included as a bonus through the lesson numbers.
There is no text version because much of the material uses specialized characters that have no ASCI equivalent. Wherever possible the "ASCI" text has been converted.
There is no text version because a lot of the content uses specialized characters that don't have an ASCII equivalent. Wherever possible, the "ASCII" text has been converted.
The "non-ASCI" text remains as images. The "non-ASCI" text is approximated in text boxes to right of the image, as are script images.
The "non-ASCII" text is still displayed as images. The "non-ASCII" text is approximated in text boxes to the right of the image, along with script images.
The form of contractions includes a space. The contemporary word "don't" was rendered as "do n't".
The form of contractions includes a space. The modern word "don't" was written as "do n't".
The author, not listed in the text is William Holmes
McGuffey.
The author, not mentioned in the text, is William Holmes
McGuffey.
Don Kostuc
Don Kostuc
ECLECTIC EDUCATIONAL SERIES.
MCGUFFEY'S(R)
THIRD
ECLECTIC READER.
REVISED EDITION.
McGuffey Editions and Colophon are Trademarks of
McGuffey Editions and Colophon are trademarks of
JOHN WILEY & SONS, INC.
JOHN WILEY & SONS, INC.
NEW YORK—CHICHESTER—WEINHEIM—BRISBANE—SINGAPORE—TORONTO
The long continued popularity of MCGUFFEY'S READERS is sufficient evidence of the positive merits of the books. The aim of this revision has been to preserve unimpaired the distinctive features of the series, and at the same time to present the matter in a new dress, with new type, new illustrations, and with a considerable amount of new matter. Spelling exercises are continued through the first half of the THIRD READER. These exercises, with those furnished in the two lower books, are exhaustive of the words employed in the reading lessons. Words are not repeated in the vocabularies. In the latter half of the book, definitions are introduced. It is hoped that the teacher will extend this defining exercise to all the words of the lesson liable to be misunderstood. The child should define the word in his own language sufficiently to show that he has a mastery of the word in its use. Drills in articulation and emphasis should be given with every lesson. The essentials of good reading are not to be taught by one or two lessons. Constant drill on good exercises, with frequent exhibitions of the correct method from the teacher, will be found more effectual than any form prescribed in type. If the pupils are not familiar with the diacritical marks, they should be carefully taught; such instruction constitutes an excellent drill on articulation, and enables the pupils to use the dictionary with intelligence. Copyright, 1879, by VAN ANTWERP, BRAGG & Co. Copyright, 1896, by AMERICAN BOOK COMPANY. Copyright, 1907 and 1920, by H. H. VAIL. (ii) MG 30 60 REV. EP 308
The enduring popularity of MCGUFFEY'S READERS clearly shows that these books have real value. The goal of this revision has been to keep the unique qualities of the series while also updating the presentation with new type, new illustrations, and a significant amount of new content. Spelling exercises continue throughout the first half of the THIRD READER. These exercises, along with those in the two earlier books, cover all the words used in the reading lessons. Words are not repeated in the vocabularies. In the second half of the book, definitions are included. We hope that teachers will expand this defining exercise to include all the words in the lesson that may be confusing. Students should define the words in their own language sufficiently to show that they understand how to use them. Practices in articulation and emphasis should be included with every lesson. The fundamentals of good reading can't be taught in just one or two lessons. Regular practice with quality exercises, coupled with frequent demonstrations of the correct method from the teacher, will be more effective than any prescribed format. If students are not familiar with the diacritical marks, they should be taught them carefully; this instruction serves as an excellent drill for articulation and helps students use the dictionary more effectively. Copyright, 1879, by VAN ANTWERP, BRAGG & Co. Copyright, 1896, by AMERICAN BOOK COMPANY. Copyright, 1907 and 1920, by H. H. VAIL. (ii) MG 30 60 REV. EP 308
CONTENTS
INTRODUCTORY MATTER PAGE. ARTICULATION 5 EMPHASIS 10 PUNCTUATION 11
SELECTIONS IN PROSE AND POETRY.
LESSON 1. The Shepherd Boy 13 2. Johnny's First Snowstorm 15 3. Let It rain 18 4. Castle-building 20 5. Castle-building 22 6. Lend a Hand (Script) 25 7. The Truant 27 8. The White Kitten 29 9. The Beaver 31 10. The Young Teacher 34 11. The Blacksmith 38 12. A Walk in the Garden 39 13. The Wolf 42 14. The Little Bird's Song 44 15. Harry and Annie 46 16. Bird Friends 48 17. What the Minutes say 51 18. The Widow and the Merchant 52 19. The Birds Set Free 54 20. A Moment too Late 66 21. Humming Birds 67 22. The Wind and the Sun 59 23. Sunset (Script) 61 24. Beautiful Hands 52 25. Things to Remember 65 26. Three Little Mice 67 Z7. The New Year 69 28. The Clock and the Sundial 72 29. Remember 74 (iii)
LESSON 1. The Shepherd Boy 13 2. Johnny's First Snowstorm 15 3. Let It Rain 18 4. Castle-Building 20 5. Castle-Building 22 6. Lend a Hand (Script) 25 7. The Truant 27 8. The White Kitten 29 9. The Beaver 31 10. The Young Teacher 34 11. The Blacksmith 38 12. A Walk in the Garden 39 13. The Wolf 42 14. The Little Bird's Song 44 15. Harry and Annie 46 16. Bird Friends 48 17. What the Minutes Say 51 18. The Widow and the Merchant 52 19. The Birds Set Free 54 20. A Moment Too Late 66 21. Hummingbirds 67 22. The Wind and the Sun 59 23. Sunset (Script) 61 24. Beautiful Hands 52 25. Things to Remember 65 26. Three Little Mice 67 27. The New Year 69 28. The Clock and the Sundial 72 29. Remember 74 (iii)
iv CONTENTS.
Contents
LESSON PAGE. 30. Courage and Cowardice 76 31. Weighing an Elephant 78 32. The Soldier 82 33. The Echo 83 34. George's Feast 86 35. The Lord's Prayer 90 An Evening: Prayer (Script.) 91 36. Finding the Owner 92 37. Bats 95 38. A Summer Day 98 39. I will Think of It 101 40. Charlie and Rob 104 41. Ray and his Kite 107 42. Beware of the First Drink 111 43. Speak Gently 114 44. The Seven Sticks 115 45. The Mountain Sister 117 46. Harry and the Guidepost 121 47. The Money Amy didn't Earn 123 48. Who Made the Stars? 126 49. Deeds of Kindness 128 50. The Alarm Clock 130 51. Spring 132 52. True Courage 134 53. The Old Clock 137 54. The Waves 139 55. Don't Kill the Birds 143 56. When to Say No 144 57. Which Loved Best? 146 58. John Carpenter 147 59. Persevere 151 60. The Contented Boy 151 61. Little Gustava 156 62. The Insolent Boy 158 63. We are Seven 163 64. Mary's Dime 167 65. Mary Dow 169 66. The Little Loaf 172 67. Susie and Rover 174 68. The Violet. 178 69. No Crown for Me 180 70. Young Soldiers 184 71. How Willie Got out of the Shaft 187 72. The Pert Chicken 191 73. Indian Corn 193 74. The Snowbird's Song 197 75. Mountains 200 76. A Child's Hymn 203 77. Holding the Fort 204 78. The Little People 207 79. Good Night 208
LESSON PAGE. 30. Courage and Cowardice 76 31. Weighing an Elephant 78 32. The Soldier 82 33. The Echo 83 34. George's Feast 86 35. The Lord's Prayer 90 An Evening: Prayer (Script.) 91 36. Finding the Owner 92 37. Bats 95 38. A Summer Day 98 39. I will Think of It 101 40. Charlie and Rob 104 41. Ray and his Kite 107 42. Beware of the First Drink 111 43. Speak Gently 114 44. The Seven Sticks 115 45. The Mountain Sister 117 46. Harry and the Guidepost 121 47. The Money Amy didn't Earn 123 48. Who Made the Stars? 126 49. Deeds of Kindness 128 50. The Alarm Clock 130 51. Spring 132 52. True Courage 134 53. The Old Clock 137 54. The Waves 139 55. Don't Kill the Birds 143 56. When to Say No 144 57. Which Loved Best? 146 58. John Carpenter 147 59. Persevere 151 60. The Contented Boy 151 61. Little Gustava 156 62. The Insolent Boy 158 63. We are Seven 163 64. Mary's Dime 167 65. Mary Dow 169 66. The Little Loaf 172 67. Susie and Rover 174 68. The Violet. 178 69. No Crown for Me 180 70. Young Soldiers 184 71. How Willie Got out of the Shaft 187 72. The Pert Chicken 191 73. Indian Corn 193 74. The Snowbird's Song 197 75. Mountains 200 76. A Child's Hymn 203 77. Holding the Fort 204 78. The Little People 207 79. Good Night 208
INTRODUCTION.
ARTICULATION.
A distinct articulation can only be gained by constant and careful practice of the elementary sounds. Whenever a word is imperfectly enunciated, the teacher should call attention to the sounds composing the spoken word. If the pupil fails to sound any element correctly, as in the case of lisping, the fault can be overcome by calling attention to the correct position of the organs of speech, and insisting upon exact execution. Except in case of malformation of these organs, every pupil should sound each element correctly before such drill should cease.
A clear way of speaking can only be achieved through consistent and careful practice of the basic sounds. Whenever a word is pronounced incorrectly, the teacher should highlight the sounds that make up the spoken word. If the student struggles to pronounce any sound correctly, like with a lisp, the issue can be resolved by directing their focus to the correct positioning of their speech organs and emphasizing the need for precise execution. Unless there is a physical deformity of these organs, every student should be able to pronounce each sound correctly before this practice comes to an end.
TABLE OF VOCALS.
LONG SOUNDS.
6 ECLECTIC SERIES,
SHORT SOUNDS.
DIPHTHONGS.
TABLE OF SUBVOCALS.
TABLE OF ASPIRATES.
THIRD READER. 7
NOTE.-The above forty-five sounds are those most employed in the English language. Some of these sounds are represented by other letters, as shown in the following table.
NOTE.-The forty-five sounds listed above are the most commonly used in the English language. Some of these sounds are represented by different letters, as shown in the following table.
TABLE OF SUBSTITUTES.
EXERCISES IN ARTICULATION.
The following exercises may be used for drill after the tables are fully understood. Pronounce the word first; then, the sound indicated.
The following exercises can be used for practice after the tables are completely understood. Say the word first; then, say the sound indicated.
8 ECLECTIC SERIES.
EXERCISE I.
THIRD READER. 9
10 ECLECTIC SERIES.
EMPHASIS.
NOTE.—If the pupil has received proper oral instruction, he has been taught to understand what he has read, and has already acquired the habit of emphasizing words. He is now prepared for a more formal introduction to the SUBJECT of emphasis, and for more particular attention to its first PRINCIPLES. This lesson, and the examples given, should be repeatedly practiced. In reading and in talking, we always speak some words with more force than others. We do this, because the meaning of what we say depends most upon these words. If I wish to know whether it is George or his brother who is sick, I speak the words George and brother with more force than the other words. I say, Is it George or his brother who is sick? This greater force with which we speak the words is called EMPHASIS. The words upon which emphasis is put, are sometimes printed in slanting letters, called Italics,* and sometimes in CAPITALS. The words printed in Italics in the following questions and answers, should be read with more force than the other words, that is, with emphasis. Did you ride to town yesterday? No, my brother, did. Did yon ride to town yesterday? No, I walked.
NOTE.—If the student has received proper oral instruction, he has learned to understand what he has read and has developed the habit of emphasizing words. He is now ready for a more formal introduction to the SUBJECT of emphasis and for more focused attention on its first PRINCIPLES. This lesson, along with the examples provided, should be practiced repeatedly. In reading and speaking, we always emphasize certain words more than others. We do this because the meaning of what we say relies heavily on those words. If I want to know whether it’s George or his brother who is sick, I stress the words George and brother more than the others. I say, Is it George or his brother who is sick? This increased stress we place on specific words is called EMPHASIS. The words that receive emphasis are sometimes written in slanting letters, known as Italics,* and sometimes in CAPITALS. The words printed in Italics in the following questions and answers should be read with more emphasis than the other words. Did you ride to town yesterday? No, my brother did. Did you ride to town yesterday? No, I walked.
* Italics are also used for other purposes, though most frequently for emphasis.
* Italics are also used for other purposes, though they are most often used for emphasis.
THIRD READER. 11
Did you ride to town yesterday? No, I went into the
country.
Did you ride to town yesterday? No, I went the day before.
Have you seen James or John lately? I have seen James,
but not John.
Did you say there were four eggs in the nest, or three?
There were only three eggs, not four.
Were the eggs white or blue? The eggs were white, not
blue.
Had the boy a hat on his head, or a cap? He had a cap on,
not a hat.
Did you go to town yesterday? No, I went to the
countryside.
Did you go to town yesterday? No, I went the day before.
Have you seen James or John recently? I’ve seen James,
but not John.
Did you say there were four eggs in the nest, or three?
There were only three eggs, not four.
Were the eggs white or blue? The eggs were white, not
blue.
Did the boy have a hat on his head, or a cap? He had a cap on,
not a hat.
PUNCTUATION.
Punctuation should be thoroughly studied by the pupil, in order that he may become perfectly familiar with the marks and pauses found in the reading lessons of this volume.
Pupils should study punctuation closely so they can become fully familiar with the marks and pauses found in the reading lessons of this volume.
MARKS AND PAUSES.
These marks are used to point off written or printed matter into sentences and parts of sentences, and thus to assist the reader in obtaining the meaning of the writer. They seldom indicate the length of the pause to be made; this must be determined by the sense. A Hyphen (-) is used between syllables in a word divided at the end of a line; as, "be-cause," "ques-tion," and between the parts of a compound word; as, Rocking-chair, good-by.
These marks are used to break down written or printed material into sentences and parts of sentences, helping the reader understand the writer's meaning. They rarely indicate how long a pause should be; that depends on the context. A Hyphen (-) is used to separate syllables in a word that is split at the end of a line, like "be-cause," "ques-tion," and between the parts of a compound word, such as Rocking-chair, good-by.
12 ECLECTIC SERIES.
The Comma (,), Semicolon (;), and Colon (:) mark
grammatical divisions in a sentence; as,
God is good; for he gives us all things.
Be wise to-day, my child: 't is madness to defer.
The Comma (,), Semicolon (;), and Colon (:) mark
grammatical divisions in a sentence; for example,
God is good; because he gives us everything.
Be wise today, my child: it's crazy to wait.
A Period (.) is placed at the end of a sentence; as,
God is love. Life is short.
Or is used after an abbreviation; as,
Dr. Murphy. Jan. 10, 1879.
A period (.) is placed at the end of a sentence; for example,
God is love. Life is short.
Or it is used after an abbreviation; for instance,
Dr. Murphy. Jan. 10, 1879.
An Interrogation Point (?) denotes a question; as,
Has he come? Who are you?
An Interrogation Point (?) indicates a question; for example,
Has he arrived? Who are you?
An Exclamation Point (!) denotes strong feeling; as,
O Absalom! my son! my son!
An Exclamation Point (!) shows strong emotion, as in,
Oh Absalom! my son! my son!
The Dash (—) is used where there is a sudden break or pause in a sentence; as, The truth has power—such is God's will—to make us better.
The Dash (—) is used where there is a sudden break or pause in a sentence; for example, The truth has power—such is God's will—to make us better.
Quotation Marks (" ") denote the words of another; as,
God said, "Let there be light."
Quotation Marks (" ") indicate the words of someone else; for example,
God said, "Let there be light."
An Apostrophe (') denotes that a letter or letters are left
out; as,
O'er, for over; 't is, for it is.
And is also used to show ownership; as,
The man's hat. Helen's book.
An apostrophe (') shows that a letter or letters are missing
as in,
O'er, for over; 'tis, for it is.
It's also used to indicate ownership; as,
The man's hat. Helen's book.
MCGUFFEY'S
THIRD READER.
LESSON I.
THE SHEPHERD BOY.
1. Little Roy led his sheep down to pasture, And his cows, by the side of the brook;
1. Little Roy took his sheep to the pasture, And his cows, beside the stream;
(13)
(13)
14 ECLECTIC SERIES.
But his cows never drank any water,
And his sheep never needed a crook.
But his cows never drank any water,
And his sheep never needed a staff.
2. For the pasture was gay as a garden,
And it glowed with a flowery red;
But the meadows had never a grass blade,
And the brooklet—it slept in its bed:
2. For the pasture was cheerful like a garden,
And it shone with a vibrant red;
But the meadows had no grass blades,
And the brooklet—it rested in its bed:
3. And it lay without sparkle or murmur,
Nor reflected the blue of the skies;
But the music was made by the shepherd,
And the sparkle was all in his eyes.
3. And it lay there without shine or sound,
Nor did it reflect the blue of the skies;
But the music was created by the shepherd,
And the sparkle was all in his eyes.
4. Oh, he sang like a bird in the summer!
And, if sometimes you fancied a bleat,
That, too, was the voice of the shepherd,
And not of the lambs at his feet.
4. Oh, he sang like a bird in the summer!
And if you occasionally thought you heard a bleat,
That was just the voice of the shepherd,
And not the lambs at his feet.
5. And the glossy brown cows were so gentle
That they moved at the touch of his hand
O'er the wonderful, rosy-red meadow,
And they stood at the word of command.
5. And the shiny brown cows were so gentle
That they responded to the touch of his hand
Over the beautiful, rosy-red meadow,
And they stood still at the word of command.
6. So he led all his sheep to the pasture,
And his cows, by the side of the brook;
Though it rained, yet the rain never pattered
O'er the beautiful way that they took.
6. So he took all his sheep to the field,
And his cows, by the bank of the stream;
Even though it rained, the rain never fell
On the lovely path that they walked.
7. And it was n't in Fairyland either,
But a house in the midst of the town,
Where Roy, as he looked from the window,
Saw the silvery drops trickle down.
7. And it wasn't in Fairyland either,
But a house in the middle of the town,
Where Roy, as he looked out the window,
Saw the silvery drops running down.
THIRD READER. 15
8. For his pasture was only a table,
With its cover so flowery fair,
And his brooklet was just a green ribbon,
That his sister had lost from her hair.
8. For his pasture was just a table,
With its cover so pretty and bright,
And his brook was simply a green ribbon,
That his sister had lost from her hair.
9. And his cows were but glossy horse-chestnuts,
That had grown on his grandfather's tree;
And his sheep only snowy-white pebbles,
He had brought from the shore of the sea.
9. And his cows were just shiny horse-chestnuts,
That had grown on his grandfather's tree;
And his sheep were only snowy-white pebbles,
He had brought from the shore of the sea.
10. And at length when the shepherd was weary,
And had taken his milk and his bread,
And his mother had kissed him and tucked him,
And had bid him "good night" in his bed;
10. And finally, when the shepherd was tired,
And had his milk and his bread,
And his mother had kissed him and tucked him in,
And had said "good night" to him in his bed;
11. Then there entered his big brother Walter,
While the shepherd was soundly asleep,
And he cut up the cows into baskets,
And to jackstones turned all of the sheep.
11. Then his big brother Walter came in,
While the shepherd was fast asleep,
And he chopped up the cows into baskets,
And turned all the sheep into jackstones.
Emily S. Oakey.
Emily Oakey.
LESSON II.
JOHNNY'S FIRST SNOWSTORM.
1. Johnny Reed was a little boy who never had seen a snowstorm till he was six years old. Before this, he had lived in a warm country, where the sun shines down on beautiful
1. Johnny Reed was a little boy who had never seen a snowstorm until he was six years old. Before that, he lived in a warm country where the sun shines down on beautiful
16 ECLECTIC SERIES. orange groves, and fields always sweet with flowers. 2. But now he had come to visit his grandmother, who lived where the snow falls in winter. Johnny was standing at the window when the snow came down.
16 ECLECTIC SERIES. orange groves, and fields always sweet with flowers. 2. But now he had come to visit his grandmother, who lived where the snow falls in winter. Johnny was standing at the window when the snow began to fall.
3. "O mamma!" he cried, joyfully, "do come quick, and see these little white birds flying down from heaven." 4. "They are not birds, Johnny," said mamma, smiling. 5. "Then maybe the little angels are losing their feathers! Oh! do tell me what it is; is it sugar? Let me taste it," said
3. "Oh, Mom!" he shouted happily, "please hurry and come see these little white birds coming down from the sky." 4. "Those aren’t birds, Johnny," Mom said, smiling. 5. "Then maybe the little angels are dropping their feathers! Oh! Please tell me what it is; is it sugar? Let me taste it," he said.
THIRD READER. 17 Johnny. But when he tasted it, he gave a little jump—it was so cold. 6. "That is only snow, Johnny," said his mother. 7. "What is snow, mother?" 8. "The snowflakes, Johnny, are little drops of water that fall from the clouds. But the air through which they pass is so cold it freezes them, and they come down turned into snow." 9. As she said this, she brought out an old black hat from the closet. "See, Johnny! I have caught a snowflake on this hat. Look quick through this glass, and you will see how beautiful it is." 10. Johnny looked through the glass. There lay the pure, feathery snowflake like a lovely little star. 11. "Twinkle, twinkle, little star!" he cried in delight. "Oh! please show me more snow-flakes, mother." 12. So his mother caught several more, and they were all beautiful. 13. The next day Johnny had a fine play in the snow, and when he carne in, he said, "I love snow; and I think snowballs are a great deal prettier than oranges."
THIRD READER. 17 Johnny. But when he tasted it, he jumped a little—it was so cold. 6. "That's just snow, Johnny," his mother said. 7. "What’s snow, mom?" 8. "Snowflakes, Johnny, are tiny drops of water that fall from the clouds. But the air they pass through is so cold that it freezes them, and they come down as snow." 9. As she said this, she pulled out an old black hat from the closet. "Look, Johnny! I caught a snowflake on this hat. Look quickly through this glass, and you’ll see how beautiful it is." 10. Johnny looked through the glass. There lay the pure, feathery snowflake like a lovely little star. 11. "Twinkle, twinkle, little star!" he exclaimed in delight. "Oh! Please show me more snowflakes, mom." 12. So his mother caught several more, and they were all beautiful. 13. The next day, Johnny had a great time playing in the snow, and when he came in, he said, "I love snow; and I think snowballs are way prettier than oranges."
3,
3
18 ECLECTIC SERIES.
LESSON III.
LET IT RAIN.
Rose. See how it rains! Oh dear, dear, dear! how dull it is! Must I stay in doors all day? Father. Why, Rose, are you sorry that you had any bread and butter for breakfast, this morning? Rose. Why, father, what a question! I should be sorry, indeed, if I could not get any. Father. Are you sorry, my daughter, when you see the flowers and the trees growing in the garden? Rose. Sorry? No, indeed. Just now, I wished very much to go out and see them,—they look so pretty. Father. Well, are you sorry when you see the horses, cows, or sheep drinking at the brook to quench their thirst? Rose. Why, father, you must think I am a cruel girl, to wish that the poor horses that work so hard, the beautiful cows that
Rose. Look at the rain! Oh dear, how gloomy it is! Do I really have to stay inside all day? Father. Rose, are you upset that you had bread and butter for breakfast this morning? Rose. Father, what a strange question! I would be upset, for sure, if I couldn’t have any. Father. Do you feel sad when you see the flowers and trees growing in the garden? Rose. Sad? Not at all. Right now, I really want to go outside and see them—they look so lovely. Father. Well, do you feel sad when you see the horses, cows, or sheep drinking at the creek to quench their thirst? Rose. Father, you must think I'm a mean girl if I want the poor horses that work so hard, the beautiful cows that...
THIRD READER. 19 give so much nice milk, and the pretty lambs should always be thirsty. Father. Do you not think they would die, if they had no water to drink? Rose. Yes, sir, I am sure they would. How shocking to think of such a thing! Father. I thought little Rose was sorry it rained. Do you think the trees and flowers would grow, if they never had any water on them? Rose. No, indeed, father, they would be dried up by the sun. Then we should not have any pretty flowers to look at, and to make wreaths of for mother. Father. I thought you were sorry it rained. Rose, what is our bread made of? Rose. It is made of flour, and the flour is made from wheat, which is ground in the mill. Father. Yes, Rose, and it was rain that helped to make the wheat grow, and it was water that turned the mill to grind the wheat. I thought little Rose was sorry it rained. Rose. I did not think of all these things, father. I am truly very glad to see the rain falling.
THIRD READER. 19 give so much nice milk, and the cute lambs should always be thirsty. Father. Don’t you think they would die if they had no water to drink? Rose. Yes, sir, I’m sure they would. It’s shocking to think about it! Father. I thought little Rose was upset that it was raining. Do you think the trees and flowers would grow if they never got any water? Rose. No, definitely not, dad. They would dry up in the sun. Then we wouldn’t have any pretty flowers to look at or to make wreaths for mom. Father. I thought you were upset that it was raining. Rose, what is our bread made of? Rose. It’s made from flour, and flour comes from wheat, which is ground at the mill. Father. Yes, Rose, and it was rain that helped the wheat grow, and it was water that powered the mill to grind the wheat. I thought little Rose was upset that it was raining. Rose. I didn’t think of all that, dad. I’m really glad to see the rain falling.
20 ECLECTIC SERIES.
LESSON IV.
CASTLE-BUILDING.
1. "O pussy!" cried Herbert, in a voice of anger and dismay, as the blockhouse he was building fell in sudden ruin. The playful cat had rubbed against his mimic castle,
1. "Oh no, kitty!" exclaimed Herbert, his voice filled with anger and disappointment, as the blockhouse he was building suddenly collapsed. The playful cat had brushed against his make-believe castle,
THIRD READER. 21 and tower and wall went rattling down upon the floor. 2. Herbert took up one of the blocks and threw it fiercely at pussy. Happily, it passed over her and did no harm. His hand was reaching for another block, when his little sister Hetty sprang toward the cat, and caught her up. 3. "No, no, no!" said she, "you sha'n't hurt pussy! She did n't mean to do it!" 4. Herbert's passion was over quickly, and, sitting down upon the floor, he covered his face with his hands, and began to cry. 5. "What a baby!" said Joe, his elder brother, who was reading on the sofa. "Crying over spilled milk does no good. Build it up again." 6. "No, I won't," said Herbert, and he went on crying. 7. "What's all the trouble here?" exclaimed papa, as he opened the door and came in. 8. "Pussy just rubbed against Herbert's castle, and it fell down," answered Hetty. "But she did n't mean to do it; she did n't know it would fall, did she, papa?" 9. "Why, no! And is that all the trouble?"
THIRD READER. 21 and the tower and wall came crashing down onto the floor. 2. Herbert picked up one of the blocks and threw it angrily at the cat. Fortunately, it flew over her and caused no harm. He was reaching for another block when his little sister Hetty jumped toward the cat and scooped her up. 3. "No, no, no!" she said, "you can’t hurt the cat! She didn’t mean to do it!" 4. Herbert's anger faded quickly, and as he sat down on the floor, he covered his face with his hands and started to cry. 5. "What a baby!" said Joe, his older brother, who was reading on the sofa. "Crying over spilled milk doesn’t help. Just rebuild it." 6. "No, I won't," Herbert replied, continuing to cry. 7. "What's going on in here?" exclaimed Dad as he opened the door and walked in. 8. "The cat just brushed against Herbert's castle, and it fell down," Hetty replied. "But she didn’t mean to; she didn’t know it would fall, did she, Dad?" 9. "Well, no! Is that all the problem?"
22 ECLECTIC SERIES. 10. "Herbert!" his papa called, and held out his hands. "Come." The little boy got up from the floor, and came slowly, his eyes full of tears, and stood by his father. 11. "There is a better way than this, my boy," said papa. "If you had taken that way, your heart would have been light already. I should have heard you singing over your blocks instead of crying. Shall I show you that way?" 12. Herbert nodded his head, and papa sat down on the floor by the pile of blocks, with his little son by his side, and began to lay the foundation for a new castle.
22 ECLECTIC SERIES. 10. "Herbert!" his dad called, stretching out his hands. "Come here." The little boy got up from the floor and walked over slowly, his eyes full of tears, standing next to his father. 11. "There's a better way than this, kid," said dad. "If you had chosen that way, your heart would already feel lighter. I would have heard you singing while playing with your blocks instead of crying. Want me to show you that way?" 12. Herbert nodded, and dad sat down on the floor next to the pile of blocks, with his little son by his side, and started to build a new castle.
LESSON V.
CASTLE-BUILDING. (CONCLUDED)
1. Soon, Herbert was as much interested in castle-building as he had been a little while before. He began to sing over his work. All his trouble was gone.
1. Soon, Herbert was just as into building castles as he had been a little while ago. He started singing while he worked. All his worries disappeared.
THIRD READER. 23 2. "This is a great deal better than crying, is n't it?" said papa. 3. "Crying for what?" asked Herbert, forgetting his grief of a few minutes before. 4. "Because pussy knocked your castle over." 5. "Oh!" A shadow flitted across his face, but was gone in a moment, and he went on building as eagerly as ever. 6. "I told him not to cry over spilled milk," said Joe, looking down from his place on the sofa. 7. "I wonder if you did n't cry when your kite string broke," retorted Herbert. 8. "Losing a kite is quite another thing," answered Joe, a little dashed. "The kite was gone forever; but your blocks were as good as before, and you had only to build again." 9. "I do n't see," said papa, "that crying was of any more use in your case then in Herbert's. Sticks and paper are easily found, and you had only to go to work and make another kite." Joe looked down at his book, and went on reading. By this time the castle was finished. 10. "It is ever so much nicer than the one
THIRD READER. 23 2. "This is a lot better than crying, right?" said Dad. 3. "Crying about what?" asked Herbert, forgetting his sadness from a few minutes ago. 4. "Because the cat knocked over your castle." 5. "Oh!" A frown crossed his face but quickly disappeared, and he continued building as eagerly as ever. 6. "I told him not to cry over spilled milk," said Joe, looking down from his spot on the sofa. 7. "I wonder if you didn't cry when your kite string broke," replied Herbert. 8. "Losing a kite is a whole different story," Joe responded, a little deflated. "The kite was gone for good; but your blocks were fine and you just had to rebuild." 9. "I don’t see," said Dad, "that crying did any more good for you than it did for Herbert. Sticks and paper are easy to find, and you just had to get back to work and make another kite." Joe looked down at his book and kept reading. By this time, the castle was finished. 10. "It’s so much nicer than the one
24 ECLECTIC SERIES. pussy knocked down," said Hetty. And so thought Herbert, as he looked at it proudly from all sides. 11. "If pussy knocks that down, I'll-" 12. "Build it up again," said papa, finishing the sentence for his little boy.
24 ECLECTIC SERIES. “Kitty knocked it down,” said Hetty. And so thought Herbert as he looked at it proudly from all sides. 11. “If Kitty knocks that down, I’ll-” 12. “Build it up again,” said Dad, finishing the sentence for his little boy.
13. "But, papa, pussy must not knock my castles down. I can't have it," spoke out Herbert, knitting his forehead. 14. "You must watch her, then. Little boys, as well as grown up people, have to be often on their guard. If you go into the street, you have to look out for the carriages, so as not to be run over, and you have to keep out of people's way. 15. "In the house, if you go about heedlessly, you will be very apt to run against some one. I have seen a careless child dash suddenly into a room just as a servant was leaving it with a tray of dishes in her hands. A crash followed."
13. "But, Dad, the cat can’t knock down my castles. I can’t have that," Herbert said, furrowing his brow. 14. "You need to keep an eye on her, then. Little boys, just like adults, have to be careful. When you go out to the street, you have to watch out for cars so you don’t get run over, and you need to stay out of people's way. 15. "In the house, if you’re not careful, you’re likely to bump into someone. I’ve seen a careless kid rush into a room right as a server was coming out with a tray of dishes. There was a crash."
THIRD READER. 25 16. "It was I, was n't it?" said Hetty. 17. "Yes, I believe it was, and I hope it will never happen again." 18. Papa now left the room, saying, "I do n't want any more of this crying over spilled milk, as Joe says. If your castles get knocked down, build them up again."
THIRD READER. 25 16. "That was me, right?" said Hetty. 17. "Yeah, I think it was, and I hope it doesn't happen again." 18. Dad then left the room, saying, "I don't want to hear any more of this crying over spilled milk, like Joe says. If your dreams get shattered, just rebuild them."
LESSON VI.
LEND A HAND.
26 ECLECTIC SERIES.
THIRD READER. 27
LESSON VII.
THE TRUANT. 1. James Brown was ten years old when his parents sent him to school. It was not far from his home, and therefore they sent him by himself. 2. But, instead of going to school, he was in the habit of playing truant. He would go into the fields, or spend his time with idle boys. 3. But this was not all. When he went home, he would falsely tell his mother that he had been to school, and had said his lessons very well. 4. One fine morning, his mother told James to make haste home from school, for she wished, after he had come back, to take him to his aunt's. 5. But, instead of minding her, he went off to the water, where there were some boats. There he met plenty of idle boys. 6. Some of these boys found that James
THE TRUANT. 1. James Brown was ten years old when his parents sent him to school. It was close to home, so they let him go on his own. 2. However, instead of actually going to school, he usually skipped and played hooky. He’d wander into the fields or hang out with other lazy boys. 3. But that’s not all. When he got home, he would lie to his mom, telling her that he had gone to school and done very well in his lessons. 4. One nice morning, his mom told James to hurry home from school because she wanted to take him to see his aunt after he returned. 5. But instead of listening to her, he went to the water where there were some boats. There he ran into a bunch of other kids who weren’t doing anything. 6. Some of these boys realized that James
28 ECLECTIC SERIES, had money, which his aunt had given him; and he was led by them to hire a boat, and to go with them upon the water. 7. Little did James think of the danger into which he was running. Soon the wind began to blow, and none of them knew how to manage the boat.
28 ECLECTIC SERIES, had money, which his aunt had given him; and he was led by them to rent a boat and go with them on the water. 7. Little did James realize the danger he was getting into. Soon the wind started to blow, and none of them knew how to handle the boat.
8. For some time, they struggled against the wind and the tide. At last, they became so tired that they could row no longer. 9. A large wave upset the boat, and they were all thrown into the water. Think of James Brown, the truant, at this time! 10. He was far from home, known by no one. His parents were ignorant of his danger.
8. For a while, they fought against the wind and the current. Eventually, they got so tired that they couldn’t row anymore. 9. A big wave capsized the boat, and they were all thrown into the water. Just imagine James Brown, the runaway, at that moment! 10. He was far from home, a stranger to everyone. His parents had no idea he was in danger.
THIRD READER. 29 He was struggling in the water, on the point of being drowned. 11. Some men, however, saw the boys, and went out to them in a boat. They reached them just in time to save them from a watery grave. 12. They were taken into a house, where their clothes were dried. After a while, they were sent home to their parents. 13. James was very sorry for his conduct, and he was never known to be guilty of the same thing again. 14. He became regular at school, learned to attend to his books, and, above all, to obey his parents perfectly.
THIRD READER. 29 He was struggling in the water, about to drown. 11. However, some men saw the boys and went out in a boat. They reached them just in time to save them from drowning. 12. They were taken to a house where their clothes were dried. After a while, they were sent home to their parents. 13. James felt very sorry for his actions and was never known to do the same thing again. 14. He started attending school regularly, learned to focus on his studies, and, most importantly, to obey his parents perfectly.
LESSON VIII.
THE WHITE KITTEN.
1. My little white kitten's asleep on my knee;
As white as the snow or the lilies is she;
She wakes up with a pur
When I stroke her soft fur:
Was there ever another white kitten like her?
1. My little white kitten's asleep on my lap;
As white as the snow or the lilies is she;
She wakes up with a purr
When I pet her soft fur:
Has there ever been another white kitten like her?
30 ECLECTIC SERIES.
2. My little white kitten now wants to go out
And frolic, with no one to watch her about;
"Little kitten," I say,
"Just an hour you may stay,
And be careful in choosing your places to play."
2. My little white kitten now wants to go outside
And play around, with no one watching her;
"Little kitten," I say,
"You can stay out for just an hour,
And make sure to be careful about where you play."
3. But night has come down, when I hear a loud "mew;"
I open the door, and my kitten comes through;
My white kitten! ah me!
Can it really be she—
This ill-looking, beggar-like cat that I see?
3. But night has fallen, and I hear a loud "mew;"
I open the door, and my kitten walks in;
My white kitten! oh no!
Is it really her—
This scruffy, beggar-like cat that I see?
4. What ugly, gray streaks on her side and her back!
Her nose, once as pink as a rosebud, is black!
Oh, I very well know,
Though she does not say so,
She has been where white kittens ought never to go.
4. What ugly, gray streaks on her side and her back!
Her nose, once as pink as a rosebud, is black!
Oh, I know very well,
Even though she doesn’t say so,
She has been where white kittens should never go.
THIRD READER. 31
5. If little good children intend to do right,
If little white kittens would keep themselves white,
It is needful that they
Should this counsel obey,
And be careful in choosing their places to play.
5. If little kids want to do the right thing,
If little white kittens want to stay white,
They need to
Follow this advice,
And be careful about where they choose to play.
LESSON IX.
THE BEAVER.
1. The beaver is found chiefly in North America. It is about three and a half feet long, including the flat, paddle- shaped tail, which is a foot in length. 2. The long, shining hair on the back is chestnut-colored, while the fine, soft fur that lies next the skin, is grayish brown. 3. Beavers build themselves most curious huts to live in, and quite frequently a great number of these huts are placed close together, like the buildings in a town. 4. They always build their huts on the banks of rivers or lakes, for they swim much
1. Beavers are mainly found in North America. They are about three and a half feet long, including their flat, paddle-shaped tail, which is a foot long. 2. The long, shiny fur on their backs is chestnut-colored, while the fine, soft fur next to their skin is grayish-brown. 3. Beavers create very interesting huts to live in, and often a lot of these huts are clustered together, similar to buildings in a town. 4. They always build their huts on the banks of rivers or lakes because they swim a lot.
32 ECLECTIC SERIES. more easily than they walk, and prefer moving about in the water. 5. When they build on the bank of a running stream, they make a dam across the stream for the purpose of keeping the water at the height they wish. 6. These dams are made chiefly of mud, and stones, and the branches of trees. They are sometimes six or seven hundred feet in length, and are so constructed that they look more like the work of man than of little dumb beasts. 7. Their huts are made of the same material as the dams, and are round in shape. The walls are very thick, and the roofs are finished off with a thick layer of mud, sticks, and leaves. 8. They commence building their houses late in the summer, but do not get them finished before the early frosts. The freezing makes them tighter and stronger. 9. They obtain the wood for their dams and huts by gnawing through the branches of trees, and even through the trunks of small ones, with their sharp front teeth. They peel off the bark, and lay it up in store for winter food.
32 ECLECTIC SERIES. more easily than they walk, and prefer moving around in the water. 5. When they build on the bank of a flowing stream, they create a dam across the stream to keep the water at their desired level. 6. These dams are mostly made of mud, stones, and branches from trees. They can be six or seven hundred feet long and are designed in a way that makes them look more like human work than that of small, mindless creatures. 7. Their huts are made from the same materials as the dams and are round in shape. The walls are quite thick, and the roofs are topped off with a heavy layer of mud, sticks, and leaves. 8. They start building their homes late in the summer but don’t finish them before the first frosts. The freezing makes them tighter and stronger. 9. They gather wood for their dams and huts by gnawing through tree branches and even the trunks of small trees with their sharp front teeth. They peel off the bark and store it for winter food.
THIRD READER. 33 10. The fur of the beaver is highly prized. The men who hunt these animals are called trappers. 11. A gentleman once saw five young beavers playing. They would leap on the trunk of a tree that lay near a beaver dam, and would push one another off into the water.
THIRD READER. 33 10. Beaver fur is really valuable. The people who hunt these animals are known as trappers. 11. A man once saw five young beavers playing. They would jump onto the trunk of a tree that was near a beaver dam and would push each other off into the water.
12. He crept forward very cautiously, and was about to fire on the little creatures; but their amusing tricks reminded him so much of some little children he knew at home, that he thought it would be inhuman to kill them. So he left them without even disturbing their play.
12. He moved forward very carefully and was just about to shoot at the little creatures; however, their funny antics reminded him so much of some little kids he knew back home that he thought it would be cruel to harm them. So he walked away without even interrupting their fun.
3,3
3,3
34 ECLECTIC SERIES.
LESSON X.
THE YOUNG TEACHER.
1. Charles Rose lived in the country with his father, who taught him to read and to write. 2. Mr. Rose told his son that, when his morning lessons were over, he might amuse himself for one hour as he pleased. 3. There was a river near by. On its bank stood the hut of a poor fisherman, who lived by selling fish. 4. His careful wife kept her wheel going early and late. They both worked very hard to keep themselves above want. 5. But they were greatly troubled lest their only son should never learn to read and to write. They could not teach him themselves, and they were too poor to send him to school. 6. Charles called at the hut of this fisherman one day, to inquire about his dog, which was missing.
1. Charles Rose lived in the countryside with his dad, who taught him how to read and write. 2. Mr. Rose told his son that once his morning lessons were done, he could entertain himself for an hour however he wanted. 3. There was a river nearby. On its bank stood the hut of a poor fisherman who made a living by selling fish. 4. His diligent wife kept her spinning wheel going from early morning until late at night. They both worked very hard to stay above poverty. 5. But they were very worried that their only son might never learn to read and write. They couldn't teach him themselves, and they were too poor to send him to school. 6. One day, Charles visited the fisherman’s hut to ask about his missing dog.
THIRD READER. 35 7. He found the little boy, whose name was Joe, sitting by the table, on which he was making marks with a piece of chalk. Charles asked him whether he was drawing pictures.
THIRD READER. 35 7. He found the little boy, named Joe, sitting at the table, where he was making marks with a piece of chalk. Charles asked him if he was drawing pictures.
8. "No, I am trying to write," said little Joe, "but I know only two words. Those I saw upon a sign, and I am trying to write them." 9. "If I could only learn to read and write," said he, "I should be the happiest boy in the world."
8. "No, I'm trying to write," said little Joe, "but I only know two words. Those are the ones I saw on a sign, and I'm trying to write them." 9. "If I could just learn to read and write," he said, "I'd be the happiest boy in the world."
36 ECLECTIC SERIES. 10. "Then I will make you happy," said Charles. "I am only a little boy, but I can teach you that. 11. "My father gives me an hour every day for myself. Now, if you will try to learn, you shall soon know how to read and to write." 12. Both Joe and his mother were ready to fall on their knees to thank Charles. They told him it was what they wished above all things. 13. So, on the next day when the hour came, Charles put his book in his pocket, and went to teach Joe. Joe learned very fast, and Charles soon began to teach him how to write. 14. Some time after, a gentleman called on Mr. Rose, and asked him if he knew where Charles was. Mr. Rose said that he was taking a walk, he supposed. 15. "I am afraid," said the gentleman, "that he does not always amuse himself thus. I often see him go to the house of the fisherman. I fear he goes out in their boat." 16. Mr. Rose was much troubled. He had told Charles that he must never venture on the river, and he thought he could trust him.
36 ECLECTIC SERIES. 10. "Then I'll make you happy," said Charles. "I may be just a kid, but I can teach you that. 11. "My dad gives me an hour every day just for myself. If you’re willing to learn, you’ll quickly know how to read and write." 12. Both Joe and his mom were ready to drop to their knees to thank Charles. They told him it was their greatest wish. 13. So, the next day when the hour arrived, Charles slipped his book into his pocket and went to teach Joe. Joe picked it up really fast, and Charles soon started teaching him how to write. 14. Some time later, a man visited Mr. Rose and asked him if he knew where Charles was. Mr. Rose said he thought Charles was out for a walk. 15. "I'm afraid," said the man, "that he doesn’t always just have fun like that. I often see him going to the fisherman’s house. I’m worried he might be going out in their boat." 16. Mr. Rose was quite concerned. He had warned Charles never to go near the river, and he thought he could trust him.
THIRD READER. 37 17. The moment the gentleman left, Mr. Rose went in search of his son. He went to the river, and walked up and down, in hope of seeing the boat. 18. Not seeing it, he grew uneasy. He thought Charles must have gone a long way off. Unwilling to leave without learning something of him, he went to the hut. 19. He put his head in at the window, which was open. There a pleasant sight met his eyes. 20. Charles was at the table, ruling a copybook Joe was reading to him, while his mother was spinning in the corner. 21. Charles was a little confused. He feared his father might not be pleased; but he had no need to be uneasy, for his father was delighted. 22. The next day, his father took him to town, and gave him books for himself and Joe, with writing paper, pens, and ink. 23. Charles was the happiest boy in the world when he came home. He ran to Joe, his hands filled with parcels, and his heart beating with joy.
THIRD READER. 37 17. The moment the gentleman left, Mr. Rose went looking for his son. He headed to the river and walked back and forth, hoping to see the boat. 18. Not seeing it, he started to feel worried. He thought Charles might have gone quite far away. Not wanting to leave without knowing something about him, he went to the hut. 19. He peeked in through the open window. There, a nice sight greeted him. 20. Charles was at the table, drawing lines in a copybook while Joe was reading to him, and his mother was spinning in the corner. 21. Charles felt a bit uneasy. He was afraid his father might not be happy; but there was no reason to worry, as his father was thrilled. 22. The next day, his father took him to town and bought him books for himself and Joe, along with writing paper, pens, and ink. 23. Charles was the happiest boy in the world when he got home. He ran to Joe, his hands full of packages, and his heart racing with joy.
38 ECLECTIC SERIES.
LESSON XI.
THE BLACKSMITH.
1. Clink, clink, clinkerty clink!
We begin to hammer at morning's blink,
And hammer away
Till the busy day,
Like us, aweary, to rest shall sink.
1. Clink, clink, clinkety clink!
We start to work at the break of dawn,
And keep on hammering
Until the busy day,
Like us, tired, finally settles down.
2. Clink, clink, clinkerty clink!
From labor and care we never will shrink;
But our fires we'll blow
Till our forges glow
With light intense, while our eyelids wink.
2. Clink, clink, clinkerty clink!
We will never shy away from hard work and care;
But we’ll keep our fires burning
Until our forges shine
With bright light, while we blink our eyes.
THIRD READER. 39
3. Clink, clink, clinkerty clink;
The chain we'll forge with many a link.
We'll work each form
While the iron is warm,
With strokes as fast as we can think.
3. Clink, clink, clinkety clink;
The chain we'll create with many links.
We'll shape each form
While the iron's hot,
With strokes as quickly as we can think.
4. Clink, clink, clinkerty clink!
Our faces may be as black as ink,
But our hearts are true
As man ever knew,
And kindly of all we shall ever think.
4. Clink, clink, clinkerty clink!
Our faces might be as dark as ink,
But our hearts are genuine
As anyone has ever known,
And we’ll always think kindly of everyone.
LESSON XII.
A WALK IN THE GARDEN.
1. Frank was one day walking with his mother, when they came to a pretty garden. Frank looked in, and saw that it had clean gravel walks, and beds of beautiful flowers all in bloom. 2. He called to his mother, and said, "Mother, come and look at this pretty garden. I wish I might open the gate, and walk in."
1. One day, Frank was walking with his mom when they came across a lovely garden. Frank peered inside and saw that it had tidy gravel paths and vibrant flower beds in full bloom. 2. He called out to his mom and said, "Mom, come check out this beautiful garden. I wish I could open the gate and walk in."
40 ECLECTIC SERIES. 3. The gardener, being near, heard what Frank said, and kindly invited him and his mother to come into the garden. 4. Frank's mother thanked the man. Turning to her son, she said, "Frank, if I take you to walk in this garden, you must take care not to meddle with anything in it."
40 ECLECTIC SERIES. 3. The gardener, who was nearby, heard what Frank said and kindly invited him and his mother to come into the garden. 4. Frank's mother thanked the man. Turning to her son, she said, "Frank, if I take you for a walk in this garden, you need to be careful not to touch anything."
5. Frank walked along the neat gravel paths, and looked at everything, but touched nothing that he saw. 6. He did not tread on any of the borders, and was careful that his clothes should not brush the tops of the flowers, lest he might break them.
5. Frank strolled down the tidy gravel paths, taking in everything he saw but not touching a thing. 6. He made sure not to step on any of the edges and was careful that his clothes didn’t brush against the flowers, so he wouldn’t damage them.
THIRD READER. 41 7. The gardener was much pleased with Frank, because he was so careful not to do mischief. He showed him the seeds, and told him the name of many of the flowers and plants. 8. While Frank was admiring the beauty of a flower, a boy came to the gate, and finding it locked, he shook it hard. But it would not open. Then he said, "Let me in; let me in; will you not let me in this garden?" 9. "No, indeed," said the gardener, "I will not let you in, I assure you; for when I let you in yesterday, you meddled with my flowers, and pulled some of my rare fruit. I do not choose to let a boy into my garden who meddles with the plants." 10. The boy looked ashamed, and when he found that the gardener would not let him in, he went slowly away. 11. Frank saw and felt how much happier a boy may be by not meddling with what does not belong to him. 12. He and his mother then continued their walk in the garden, and enjoyed the day very much. Before they left, the gardener gave each of them some pretty flowers.
THIRD READER. 41 7. The gardener was quite pleased with Frank because he was careful not to cause any trouble. He showed him the seeds and named many of the flowers and plants. 8. While Frank was admiring the beauty of a flower, a boy came to the gate and, finding it locked, shook it hard. But it wouldn't open. Then he called out, "Let me in; let me in; will you please let me into this garden?" 9. "No, not at all," said the gardener, "I won't let you in, I promise you; because when I let you in yesterday, you messed with my flowers and plucked some of my rare fruit. I don't want to let a boy into my garden who interferes with the plants." 10. The boy looked embarrassed, and when he realized that the gardener wouldn't let him in, he slowly walked away. 11. Frank saw and understood how much happier a boy can be by not interfering with what doesn't belong to him. 12. He and his mother then continued their walk in the garden and enjoyed the day very much. Before they left, the gardener gave each of them some beautiful flowers.
42 ECLECTIC SERIES.
LESSON XIII.
THE WOLF. 1. A boy was once taking care of some sheep, not far from a forest. Near by was a village, and he was told to call for help if there was any danger. 2. One day, in order to have some fun, he cried out, with all his might, "The wolf is coming! the wolf is coming!" 3. The men came running with clubs and axes to destroy the wolf. As they saw nothing they went home again, and left John laughing in his sleeve. 4. As he had had so much fun this time, John cried out again, the next day, "The wolf! the wolf!" 5. The men came again, but not so many as the first time. Again they saw no trace of the wolf; so they shook their heads, and went back. 6. On the third day, the wolf came in earnest. John cried in dismay, "Help! help!
THE WOLF. 1. A boy was once watching some sheep not far from a forest. Nearby was a village, and he was told to call for help if there was any danger. 2. One day, looking for some fun, he shouted at the top of his lungs, "The wolf is coming! The wolf is coming!" 3. The men came rushing with clubs and axes to chase away the wolf. When they found nothing, they went home again, leaving John laughing to himself. 4. Since he had so much fun this time, John shouted again the next day, "The wolf! The wolf!" 5. The men came running again, but not as many as the first time. Once more, they found no sign of the wolf, so they shook their heads and went back. 6. On the third day, the wolf appeared for real. John cried out in panic, "Help! Help!
THIRD READER. 43 the wolf! the wolf!" But not a single man came to help him. 7. The wolf broke into the flock, and killed
THIRD READER. 43 the wolf! the wolf!" But not a single person came to help him. 7. The wolf broke into the flock and killed
a great many sheep. Among them was a beautiful lamb, which belonged to John. 8. Then he felt very sorry that he had deceived his friends and neighbors, and grieved over the loss of his pet lamb.
a lot of sheep. Among them was a beautiful lamb, which belonged to John. 8. Then he felt really sorry that he had tricked his friends and neighbors, and he was sad about losing his pet lamb.
The truth itself is not believed,
From one who often has deceived.
The truth isn't trusted,
Coming from someone who's often lied.
44 ECLECTIC SERIES.
LESSON XIV.
THE LITTLE BIRD'S SONG.
1. A little bird, with feathers brown,
Sat singing on a tree;
The song was very soft and low,
But sweet as it could be.
1. A small brown bird,
Sat singing on a tree;
The song was soft and low,
But as sweet as could be.
2. The people who were passing by, Looked up to see the bird
2. The people walking by looked up to see the bird.
THIRD READER. 45
That made the sweetest melody
That ever they had heard.
3. But all the bright eyes looked in vain;
Birdie was very small,
And with his modest, dark-brown coat,
He made no show at all.
4. "Why, father," little Gracie said
"Where can the birdie be?
If I could sing a song like that,
I'd sit where folks could see."
5. "I hope my little girl will learn
A lesson from the bird,
And try to do what good she can,
Not to be seen or heard.
6. "This birdie is content to sit
Unnoticed on the way,
And sweetly sing his Maker's praise
From dawn to close of day.
7. "So live, my child, all through your life,
That, be it short or long,
Though others may forget your looks,
They'll not forget your song."
That made the sweetest melody
That anyone had ever heard.
3. But all the bright eyes looked in vain;
The little bird was very small,
And with his simple, dark-brown coat,
He didn’t stand out at all.
4. "Why, Dad," little Gracie said
"Where could the bird be?
If I could sing a song like that,
I'd sit where people could see."
5. "I hope my little girl will learn
A lesson from the bird,
And try to do good in the world,
Not for praise or attention.
6. "This little bird is happy to sit
Unnoticed on the path,
And sweetly sing his Maker's praise
From sunrise to sunset.
7. "So live, my child, throughout your life,
Whether it’s short or long,
Though others may forget your looks,
They won't forget your song."
46 ECLECTIC SERIES.
LESSON XV.
HARRY AND ANNIE. 1. Harry and Annie lived a mile from town, but they went there to school every day. It was a pleasant walk down the lane, and through the meadow by the pond. 2. I hardly know whether they liked it better in summer or in winter. They used to pretend that they were travelers exploring a new country, and would scatter leaves on
HARRY AND ANNIE. 1. Harry and Annie lived a mile from town, but they went there to school every day. It was a nice walk down the lane and through the meadow by the pond. 2. I can hardly tell if they liked it more in summer or in winter. They would pretend they were travelers exploring a new land and would scatter leaves on
THIRD READER. 47 the road that they might find their way back again. 3. When the ice was thick and firm, they went across the pond. But their mother did not like to have them do this unless some one was with them. 4. "Do n't go across the pond to-day, children," she said, as she kissed them and bade them good-by one morning; "it is beginning to thaw." 5. "All right, mother," said Harry, not very good- naturedly, for he was very fond of running and sliding on the ice. When they came to the pond, the ice looked hard and safe. 6. "There," said he to his sister, "I knew it had n't thawed any. Mother is always afraid we shall be drowned. Come along, we will have a good time sliding. The school bell will not ring for an hour at least." 7. "But you promised mother," said Annie. 8. "No, I did n't. I only said 'All right,' and it is all right." 9. "I did n't say anything; so I can do as I like," said Annie. 10. So they stepped on the ice, and started to go across the pond. They had not gone
THIRD READER. 47 the road that they might find their way back again. 3. When the ice was thick and solid, they crossed the pond. But their mother didn’t like them doing this unless someone was with them. 4. "Don’t go across the pond today, kids," she said as she kissed them and said goodbye one morning; "it’s starting to melt." 5. "Okay, Mom," Harry replied, not very cheerfully, since he loved running and sliding on the ice. When they reached the pond, the ice looked hard and safe. 6. "See," he told his sister, "I knew it hadn’t melted at all. Mom is always worried we’ll drown. Let’s go, we’ll have a great time sliding. The school bell won’t ring for at least an hour." 7. "But you promised Mom," Annie said. 8. "No, I didn’t. I just said ‘Okay,’ and that means it’s fine." 9. "I didn’t say anything, so I can do what I want," Annie stated. 10. So they stepped onto the ice and started to cross the pond. They hadn’t gone
48 ECLECTIC SERIES. far before the ice gave way, and they fell into the water. 11. A man who was at work near the shore, heard the screams of the children, and plunged into the water to save them. Harry managed to get to the shore without any help, but poor Annie was nearly drowned before the man could reach her. 12. Harry went home almost frozen, and told his mother how disobedient he had been. He remembered the lesson learned that day as long as he lived.
48 ECLECTIC SERIES. far before the ice broke, and they fell into the water. 11. A man who was working near the shore heard the children's screams and jumped into the water to save them. Harry managed to get to the shore on his own, but poor Annie was nearly drowned by the time the man could reach her. 12. Harry went home almost frozen and told his mom how disobedient he had been. He remembered the lesson he learned that day for the rest of his life.
LESSON XVI.
BIRD FRIENDS. 1. I once knew a man who was rich in his love for birds, and in their love for him. He lived in the midst of a grove full of all kinds of trees. He had no wife or children in his home. 2. He was an old man with gray beard, blue and kind eyes, and a voice that the
BIRD FRIENDS. 1. I once knew a man who loved birds deeply, and they loved him back. He lived in a grove surrounded by all kinds of trees. He had no wife or children at home. 2. He was an old man with a gray beard, kind blue eyes, and a gentle voice that the
THIRD READER. 49 birds loved; and this was the way he made them his friends. 3. While he was at work with a rake on his nice walks in the grove, the birds came
THIRD READER. 49 birds loved; and this was how he made them his friends. 3. While he was busy raking his lovely paths in the grove, the birds came
close to him to pick up the worms in the fresh earth he dug up. At first, they kept a rod or two from him, but they soon found he was a kind man, and would not hurt them, but liked to have them near him. 3. 4.
close to him to pick up the worms in the fresh earth he dug up. At first, they kept a few rods from him, but they soon realized he was a kind man who wouldn’t hurt them and actually liked having them nearby. 3. 4.
50 ECLECTIC SERIES. 4. They knew this by his kind eyes and voice, which tell what is in the heart. So, day by day their faith in his love grew in them. 5. They came close to the rake. They would hop on top of it to be first at the worm. They would turn up their eyes into his when he spoke to them, as if they said, "He is a kind man; he loves us; we need not fear him." 6. All the birds of the grove were soon his fast friends. They were on the watch for him, and would fly down from the green tree tops to greet him with their chirp. 7. When he had no work on the walks to do with his rake or his hoe, he took crusts of bread with him, and dropped the crumbs on the ground. Down they would dart on his head and feet to catch them as they fell from his hand. 8 He showed me how they loved him. He put a crust of bread in his mouth, with one end of it out of his lips. Down they came like bees at a flower, and flew off with it crumb by crumb. 9. When they thought he slept too long in the morning, they would fly in and sit
50 ECLECTIC SERIES. 4. They recognized this by his kind eyes and warm voice, which revealed what he felt inside. So, day by day, their trust in his love deepened. 5. They moved closer to the rake, ready to hop on top of it to be the first to find the worm. They would look up at him with admiration when he spoke, as if to say, "He’s a good man; he cares for us; we have nothing to fear." 6. Before long, all the birds in the grove were his loyal friends. They would keep an eye out for him and swoop down from the lush treetops to greet him with their cheerful chirps. 7. Whenever he had no work to do with his rake or hoe, he would take some crusts of bread and drop crumbs on the ground. They would dart down from above, eager to catch them as they fell from his hands. 8. He showed me how much they loved him. He would place a crust of bread in his mouth, leaving one end sticking out. They would swarm around him like bees around a flower, grabbing the crumbs one by one. 9. When they thought he was sleeping in too late in the morning, they would swoop in and perch on him.
THIRD READER. 51 on the bedpost, and call him up with their chirp. 10. They went with him to church, and while he said his prayers and sang his hymns in it, they sat in the trees, and sang their praises to the same good God who cares for them as he does for us. 11. Thus the love and trust of birds were a joy to him all his life long; and such love and trust no boy or girl can fail to win with the same kind heart, voice, and eye that he had.
THIRD READER. 51 on the bedpost, and call him up with their chirp. 10. They went with him to church, and while he said his prayers and sang his hymns in it, they sat in the trees and sang their praises to the same good God who cares for them just like He does for us. 11. Thus, the love and trust of birds brought him joy throughout his life; and such love and trust can be won by any boy or girl with the same kind heart, voice, and eye that he had.
Adapted from Elihu Burritt.
Adapted from Elihu Burritt.
LESSON XVII.
WHAT THE MINUTES SAY.
1. We are but minutes—little things!
Each one furnished with sixty wings,
With which we fly on our unseen track,
And not a minute ever comes back.
1. We’re just minutes—tiny things!
Each one equipped with sixty wings,
With which we soar along our hidden path,
And not a minute ever returns.
2. We are but minutes; use us well,
For how we are used we must one day tell.
Who uses minutes, has hours to use;
Who loses minutes, whole years must lose.
2. We are just minutes; use us wisely,
Because how we’re used will be something we share one day.
Those who use minutes have hours to spend;
Those who waste minutes end up losing years.
52 ECLECTIC SERIES
LESSON XVIII.
THE WIDOW AND THE MERCHANT. 1. A merchant, who was very fond of music, was asked by a poor widow to give her some assistance. Her husband, who was a musician, had died, and left her very poor indeed. 2. The merchant saw that the widow and her daughter, who was with her, were in great
THE WIDOW AND THE MERCHANT. 1. A merchant, who really loved music, was approached by a struggling widow for help. Her husband, a musician, had passed away, leaving her in a tough financial situation. 2. The merchant noticed that the widow and her daughter, who was with her, were in deep distress.
THIRD READER. 53 distress. He looked with pity into their pale faces, and was convinced by their conduct that their sad story was true. 3. "How much do you want, my good woman?" said the merchant. 4. "Five dollars will save us," said the poor widow, with some hesitation. 5. The merchant sat down at his desk, took a piece of paper, wrote a few lines on it, and gave it to the widow with the words, "Take it to the bank you see on the other side of the street." 6. The grateful widow and her daughter, without stopping to read the note, hastened to the bank. The banker at once counted out fifty dollars instead of five, and passed them to the widow. 7. She was amazed when she saw so much money. "Sir, there is a mistake here," she said. "You have given me fifty dollars, and I asked for only five." 8. The banker looked at the note once more, and said, "The check calls for fifty dollars." 9. "It is a mistake—indeed it is," said the widow. 10. The banker then asked her to wait
THIRD READER. 53 distress. He looked with compassion at their pale faces and was convinced by their actions that their sad story was genuine. 3. "How much do you need, my good woman?" asked the merchant. 4. "Five dollars will save us," replied the poor widow, hesitating a bit. 5. The merchant sat down at his desk, took a piece of paper, wrote a few lines on it, and handed it to the widow, saying, "Take this to the bank across the street." 6. The grateful widow and her daughter hurried to the bank without reading the note. The banker immediately counted out fifty dollars instead of five and handed it to the widow. 7. She was stunned when she saw so much money. "Sir, there’s been a mistake," she said. "You've given me fifty dollars, and I only asked for five." 8. The banker looked at the note again and said, "The check is for fifty dollars." 9. "It's a mistake—truly it is," insisted the widow. 10. The banker then asked her to wait.
54 ECLECTIC SERIES. a few minutes, while he went to see the merchant who gave her the note. 11. "Yes." said the merchant, when he had heard the banker's story, "I did make a mistake. I wrote fifty instead of five hundred. Give the poor widow five hundred dollars, for such honesty is poorly rewarded with even that sum." LESSON XIX.
54 ECLECTIC SERIES. A few minutes later, he went to talk to the merchant who gave her the note. 11. "Yes," said the merchant after hearing the banker's story, "I did make a mistake. I wrote fifty instead of five hundred. Give the poor widow five hundred dollars, because such honesty deserves at least that amount." LESSON XIX.
THE BIRDS SET FREE. 1. A man was walking one day through a large city. On a street corner he saw a boy with a number of small birds for sale, in a cage. 2. He looked with sadness upon the little prisoners flying about the cage, peeping through the wires, beating them with their wings, and trying to get out. 3. He stood for some time looking at the birds. At last he said to the boy, "How much do you ask for your birds?"
THE BIRDS SET FREE. 1. A man was walking one day through a big city. At a street corner, he saw a boy with several small birds for sale in a cage. 2. He looked sadly at the little prisoners fluttering around the cage, peeking through the bars, flapping their wings, and trying to escape. 3. He stood there for a while watching the birds. Finally, he said to the boy, "How much do you want for your birds?"
THIRD READER. 55 4. "Fifty cents apiece, sir," said the boy. "I do not mean how much apiece," said the man, "but how much for all of them? I want to buy them all." 5. The boy began to count, and found they came to five dollars. "There is your money,"
THIRD READER. 55 4. "Fifty cents each, sir," said the boy. "I don’t mean how much each one is," said the man, "but how much for all of them? I want to buy them all." 5. The boy started counting and found they added up to five dollars. "Here’s your money,"
said the man. The boy took it, well pleased with his morning's trade. 6. No sooner was the bargain settled than the man opened the cage door, and let all the birds fly away. 7. The boy, in great surprise, cried, "What did you do that for, sir? You have lost all your birds."
said the man. The boy took it, happy with his morning's deal. 6. As soon as the deal was done, the man opened the cage door and let all the birds fly away. 7. The boy, really surprised, shouted, "Why did you do that, sir? You've lost all your birds."
56 ECLECTIC SERIES. 8. "I will tell you why I did it," said the man. "I was shut up three years in a French prison, as a prisoner of war, and I am resolved never to see anything in prison which I can make free." LESSON XX.
56 ECLECTIC SERIES. 8. "I'll tell you why I did it," said the man. "I was locked up for three years in a French prison as a prisoner of war, and I've made up my mind to never see anything in prison that I can’t make free." LESSON XX.
A MOMENT TOO LATE.
1. A moment too late, my beautiful bird,
A moment too late are you now;
The wind has your soft, downy nest disturbed—
The nest that you hung on the bough.
1. A moment too late, my lovely bird,
A moment too late are you now;
The wind has messed up your soft, downy nest—
The nest that you hung on the branch.
2. A moment too late; that string in your bill,
Would have fastened it firmly and strong;
But see, there it goes, rolling over the hill!
Oh, you staid a moment too long.
2. A moment too late; that string in your bill,
Would have held it tight and strong;
But look, it’s rolling over the hill!
Oh, you waited just a moment too long.
3. A moment, one moment too late, busy bee;
The honey has dropped from the flower:
No use to creep under the petals and see;
It stood ready to drop for an hour.
3. A moment, just a moment too late, busy bee;
The honey has fallen from the flower:
No point in crawling under the petals to peek;
It was ready to fall for an hour.
4. A moment too late; had you sped on your wing, The honey would not have been gone;
4. A moment too late; if you had flown faster, The honey wouldn’t have been gone;
THIRD READER. 57
Now you see what a very, a very sad thing
'T is to stay a moment too long.
Now you see how truly sad it is
'Tis to linger just a moment too long.
5. Little girl, never be a moment too late,
It will soon end in trouble or crime;
Better be an hour early, and stand and wait,
Than a moment behind the time.
5. Little girl, never be a moment late,
It will quickly lead to trouble or chaos;
It's better to be an hour early and stand around,
Than to be just a moment behind schedule.
6. If the bird and the bee, little boy, were too late,
Remember, as you play along
On your way to school, with pencil and slate,
Never stay a moment too long.
6. If the bird and the bee, kid, showed up too late,
Just keep this in mind while you’re on your way
To school, with your pencil and notebook,
Don’t linger for even a second.
LESSON XXI.
HUMMING BIRDS. 1. The most beautiful humming birds are found in the West Indies and South America. The crest of the tiny head of one of these shines like a sparkling crown of colored light. 2. The shades of color that adorn its breast, are equally brilliant. As the bird
HUMMING BIRDS. 1. The most beautiful hummingbirds are found in the West Indies and South America. The crest of the tiny head of one of these shines like a sparkling crown of colored light. 2. The colors that adorn its breast are equally brilliant. As the bird
58 ECLECTIC SERIES. flits from one object to another, it looks more like a bright flash of sunlight than it does like a living being. 3. But, you ask, why are they called humming birds? It is because they make a soft, humming noise by the rapid motion of their wings—a motion so rapid, that as they fly you can only see that they have wings. 4. One day when walking in the woods, I found the nest of one of the smallest humming birds. It was about half the size of a very small hen's egg, and
58 ECLECTIC SERIES. flits from one thing to another, it seems more like a bright flash of sunlight than a living creature. 3. But you might wonder, why are they called hummingbirds? It's because they produce a soft, humming sound from the quick motion of their wings—a motion so fast that when they fly, you can barely see their wings. 4. One day while walking in the woods, I found the nest of one of the tiniest hummingbirds. It was about half the size of a very small hen's egg, and
THIRD READER. 59 was attached to a twig no thicker than a steel knitting needle. 5. It seemed to have been made of cotton fibers, and was covered with the softest bits of leaf and bark. It had two eggs in it, quite white, and each about as large as a small sugarplum. 6. When you approach the spot where one of these birds has built its nest, it is necessary to be careful. The mother bird will dart at you and try to peck your eyes. Its sharp beak may hurt your eyes most severely, and even destroy the sight. 7. The poor little thing knows no other way of defending its young, and instinct teaches it that you might carry off its nest if you could find it.
THIRD READER. 59 was attached to a twig no thicker than a steel knitting needle. 5. It seemed to be made of cotton fibers and was covered with the softest bits of leaf and bark. It had two eggs in it, completely white, each about the size of a small candy. 6. When you get close to the spot where one of these birds has built its nest, you need to be careful. The mother bird will swoop at you and try to peck your eyes. Its sharp beak can seriously injure your eyes and even harm your vision. 7. The poor little thing doesn't know any other way to protect its young, and instinct tells it that you might take its nest if you find it.
LESSON XXII.
THE WIND AND THE SUN. A FABLE. 1. A dispute once arose between the Wind and the Sun, as to which was the stronger.
THE WIND AND THE SUN. A FABLE. 1. One day, the Wind and the Sun got into an argument about who was stronger.
60 ECLECTIC SERIES. 2. To decide the matter, they agreed to try their power on a traveler. That party which should first strip him of his cloak, was to win the day. 3. The Wind began. He blew a cutting blast, which tore up the mountain oaks by their roots, and made the whole forest look like a wreck. 4. But the traveler, though at first he could scarcely keep his cloak on his back, ran under a hill for shelter, and buckled his mantle about him more closely. 5. The Wind having thus tried his utmost power in vain, the Sun began. 6. Bursting through a thick cloud, he darted his sultry beams so forcibly upon the traveler's head, that the poor fellow was almost melted. 7. "This," said he, "is past all bearing. It is so hot, that one might as well be in an oven." 8. So he quickly threw off his cloak, and went into the shade of a tree to cool himself. 9. This fable teaches us, that gentle means will often succeed where forcible ones will fail.
60 ECLECTIC SERIES. 2. To settle the issue, they decided to test their strength on a traveler. The group that first took his cloak would be the winner. 3. The Wind started. He blew a fierce gust that uprooted the mountain oaks and left the entire forest looking like a disaster zone. 4. However, the traveler, even though he initially struggled to keep his cloak on, escaped under a hill for cover and tightened his cloak around him. 5. After the Wind failed to achieve his goal, the Sun took his turn. 6. Breaking through a thick cloud, he blasted his scorching rays directly onto the traveler’s head, making him feel like he was about to melt. 7. "This," the traveler said, "is unbearable. It’s so hot, I might as well be in an oven." 8. So he quickly took off his cloak and moved into the shade of a tree to cool down. 9. This fable teaches us that gentle approaches often work where forceful ones do not.
THIRD READER. 61
LESSON XXIII.
SUNSET.
62 ECLECTIC SERIES,
LESSON XXIV.
BEAUTIFUL HANDS. 1. "O Miss Roberts! what coarse-looking hands Mary Jessup has!" said Daisy Marvin, as she walked home from school with her teacher.
BEAUTIFUL HANDS.
1. "Oh Miss Roberts! Look at how rough Mary Jessup's hands are!" said Daisy Marvin as she walked home from school with her teacher.
THIRD READER. 63 2. "In my opinion, Daisy, Mary's hands are the prettiest in he class." 3. "Why, Miss Roberts, they are as red and hard as they can be. How they would look if she were to try to play on a piano!" exclaimed Daisy. 4. Miss Roberts took Daisy's hands in hers, and said, "Your hands are very soft and white, Daisy—just the hands to look beautiful on a piano; yet they lack one beauty that Mary's hands have. Shall I tell you what the difference is?" 5. "Yes, please, Miss Roberts." 6. "Well, Daisy, Mary's hands are always busy. They wash dishes; they make fires; they hang out clothes, and help to wash them, too; they sweep, and dust, and sew; they are always trying to help her poor, hard-working mother. 7. "Besides, they wash and dress the children; they mend their toys and dress their dolls; yet, they find time to bathe the head of the little girl who is so sick in the next house to theirs. 8. "They are full of good deeds to every living thing. I have seen them patting the tired horse and the lame dog in the street.
THIRD READER. 63 2. "In my opinion, Daisy, Mary's hands are the prettiest in the class." 3. "But, Miss Roberts, they are as red and rough as can be. Just imagine how they would look if she tried to play the piano!" exclaimed Daisy. 4. Miss Roberts took Daisy's hands in hers and said, "Your hands are very soft and pale, Daisy—just the kind to look lovely on a piano; yet they miss one quality that Mary's hands have. Do you want me to tell you what the difference is?" 5. "Yes, please, Miss Roberts." 6. "Well, Daisy, Mary's hands are always busy. They wash dishes, make fires, hang out clothes, and help wash them too; they sweep, dust, and sew; they are constantly trying to assist her poor, hard-working mother. 7. "Plus, they wash and dress the children, fix their toys, and dress their dolls; yet they even find time to care for the sick little girl next door. 8. "They are full of good deeds for every living thing. I've seen them patting the tired horse and the lame dog in the street."
64 ECLECTIC SERIES,
They are always ready to help those who need help." 9. "I shall never think Mary's hands are ugly any more, Miss Roberts." 10. "I am glad to hear you say that, Daisy; and I must tell you that they are beautiful because they do their work gladly and cheerfully." 11. "O Miss Roberts! I feel so ashamed of myself, and so sorry," said Daisy, looking into her teacher's face with tearful eyes.
They’re always ready to help those in need. 9. “I won’t ever think Mary’s hands are ugly again, Miss Roberts.” 10. “I’m glad you said that, Daisy; and I have to tell you that they’re beautiful because they do their work happily and with a smile.” 11. “Oh Miss Roberts! I feel so ashamed and so sorry,” said Daisy, looking into her teacher’s face with tear-filled eyes.
THIRD READER. 65 12. "Then, my dear, show your sorrow by deeds of kindness. The good alone are really beautiful."
THIRD READER. 65 12. "Then, my dear, show your sorrow through acts of kindness. Only the good are truly beautiful."
LESSON XXV.
THINGS TO REMEMBER. 1. When you rise in the morning, remember who kept you from danger during the night. Remember who watched over you while you slept, and whose sun shines around you, and gives you the sweet light of day. 2. Let God have the thanks of your heart, for his kindness and his care; and pray for his protection during the wakeful hours of day. 3. Remember that God made all creatures to be happy, and will do nothing that may prevent their being so, without good reason for it. 4. When you are at the table, do not eat in a greedy manner, like a pig. Eat quietly, 3,5
THINGS TO REMEMBER. 1. When you wake up in the morning, think about who kept you safe during the night. Remember who looked after you while you slept, and whose light shines around you, giving you the beautiful light of day. 2. Give thanks to God from your heart for His kindness and care, and pray for His protection during your waking hours. 3. Remember that God created all living beings to be happy, and He won't do anything to hinder that happiness without a good reason. 4. When you're at the table, avoid eating in a greedy way, like a pig. Eat quietly. 3,5
66 ECLECTIC SERIES. and do not reach forth your hand for the food, but ask some one to help you. 5. Do not become peevish and pout, because you do not get a part of everything. Be satisfied with what is given you. 6. Avoid a pouting face, angry looks, and angry words. Do not slam the doors. Go quietly up and down stairs; and never make a loud noise about the house. 7. Be kind and gentle in your manners; not like the howling winter storm, but like the bright summer morning. 8. Do always as your parents bid you. Obey them with a ready mind, and with a pleasant face. 9. Never do anything that you would be afraid or ashamed that your parents should know. Remember, if no one else sees you, God does, from whom you can not hide even your most secret thought. 10. At night, before you go to sleep, think whether you have done anything that was wrong during the day, and pray to God to forgive you. If anyone has done you wrong, forgive him in your heart. 11. If you have not learned something useful, or been in some way useful, during
66 ECLECTIC SERIES. Don't reach for food yourself; ask someone to help you instead. 5. Don’t get grumpy or sulk just because you don’t get a little bit of everything. Be content with what you're given. 6. Keep a neutral expression, avoid angry looks, and don’t use harsh words. Don’t slam doors. Move quietly up and down the stairs; never make a loud noise in the house. 7. Be kind and gentle in how you act; don’t be like a howling winter storm, but rather like a bright summer morning. 8. Always do what your parents ask. Obey them willingly and with a cheerful demeanor. 9. Never do anything you wouldn’t want your parents to know about. Remember, even if no one else sees you, God does, and you can't hide your deepest thoughts from Him. 10. Before you sleep at night, reflect on whether you did anything wrong during the day, and pray to God for forgiveness. If someone has wronged you, forgive them in your heart. 11. If you haven’t learned something useful or been helpful in some way during
THIRD READER. 67 the past day, think that it is a day lost, and be very sorry for it. 12. Trust in the Lord, and He will guide you in the way of good men. The path of the just is as the shining light that shineth more and more unto the perfect day. 13. We must do all the good we can to all men, for this is well pleasing in the sight of God. He delights to see his children walk in love, and do good one to another.
THIRD READER. 67 If you look back on the past day and think it was a day wasted, you might feel really sorry about it. 12. Trust in the Lord, and He will lead you toward good people. The path of the righteous is like a bright light that shines brighter and brighter until the perfect day. 13. We should do as much good as we can for everyone, because this makes God happy. He loves to see His children treat each other with love and kindness.
LESSON XXVI.
THREE LITTLE MICE.
1. I will tell you the story of three little mice,
If you will keep still and listen to me,
Who live in a cage that is cozy and nice,
And are just as cunning as cunning can be.
They look very wise, with their pretty red eyes,
That seem just exactly like little round beads;
They are white as the snow, and stand up in a row
Whenever we do not attend to their needs;—
THREE LITTLE MICE.
1. I’m going to tell you the story of three little mice,
If you’ll just be quiet and listen to me,
Who live in a cage that’s cozy and nice,
And are as clever as clever can be.
They look very wise, with their cute red eyes,
That seem just like little round beads;
They are as white as snow, and stand in a row
Whenever we don’t pay attention to their needs;—
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2. Stand up in a row in a comical way,—
Now folding their forepaws as if saying, "please;"
Now rattling the lattice, as much as to say,
"We shall not stay here without more bread and
cheese,"
They are not at all shy, as you'll find, if you try
To make them run up in their chamber to bed;
If they do n't want to go, why, they won't go—ah! no,
Though you tap with your finger each queer little
head.
3. One day as I stood by the side of the cage,
Through the bars there protruded a funny, round tail;
2. They line up in a funny way,—
Now folding their front paws like they’re saying, "please;"
Now shaking the bars, as if to say,
"We're not staying here without more bread and
cheese,"
They're not shy at all, as you'll see if you try
To make them go to their room for bed;
If they don’t want to go, then they won’t go—oh no,
Even if you tap each quirky little
head.
3. One day as I stood by the cage,
A funny, round tail poked through the bars;
THIRD READER. 69
Just for mischief I caught it, and soon; in a rage,
Its owner set up a most pitiful wail.
He looked in dismay,—there was something to pay,—
But what was the matter he could not make out;
What was holding him so, when he wanted to go
To see what his brothers upstairs were about?
Just for fun, I caught it, and soon; in a rage,
Its owner let out a really sad wail.
He looked in shock—there was a price to pay—
But he didn't understand what was wrong;
What was keeping him back when he wanted to go
See what his brothers upstairs were up to?
4. But soon from the chamber the others rushed down,
Impatient to learn what the trouble might be;
I have not a doubt that each brow wore a frown,
Only frowns on their brows are not easy to see.
For a moment they gazed, perplexed and amazed;
Then began both together to—gnaw off the tail!
So, quick I released him,—do you think that it pleased
him?
And up the small staircase they fled like a gale.
Julia C. R. Dorr.
LESSON XXVII.
4. But soon the others rushed down from the room,
Eager to find out what was going on;
I have no doubt that everyone had a frown,
But those frowns are hard to see from afar.
For a moment they stared, confused and shocked;
Then they both started to—bite off the tail!
So, quickly I set him free—do you think that made him happy?
And up the small staircase they ran like a storm.
Julia C. R. Dorr.
LESSON XXVII.
THE NEW YEAR. 1. One pleasant New-year morning, Edward rose, and washed and dressed himself
THE NEW YEAR. 1. One nice New Year’s morning, Edward got up, washed up, and got dressed.
70 ECLECTIC SERIES. in haste. He wanted to be first to wish a happy New Year. 2. He looked in every room, and shouted the words of welcome. He ran into the
70 ECLECTIC SERIES. in haste. He wanted to be the first to wish a happy New Year. 2. He checked every room and shouted the words of welcome. He dashed into the
street, to repeat them to those he might meet. 3. When he came back, his father gave him two bright, new silver dollars. 4. His face lighted up as he took them. He had wished for a long time to buy some pretty books that he had seen at the bookstore.
street, to repeat them to those he might meet. 3. When he came back, his dad gave him two shiny, new silver dollars. 4. His face lit up as he took them. He had wanted to buy some nice books that he had seen at the bookstore for a long time.
THIRD READER. 71 5. He left the house with a light heart, intending to buy the books. 6. As he ran down the street, he saw a poor German family, the father, mother, and three children shivering with cold. 7. "I wish you a happy New Year," said Edward, as he was gayly passing on. The man shook his head. 8. "You do not belong to this country," said Edward. The man again shook his head, for he could not understand or speak our language. 9. But he pointed to his mouth, and to the children, as if to say, "These little ones have had nothing to eat for a long time." 10. Edward quickly understood that these poor people were in distress. He took out his dollars, and gave one to the man, and the other to his wife. 11. How their eyes sparkled with gratitude! They said something in their language, which doubtless meant, "We thank you a thousand times, and will remember you in our prayers." 12. When Edward came home, his father asked what books he had bought. He hung his head a moment, but quickly looked up.
THIRD READER. 71 5. He left the house feeling cheerful, planning to buy the books. 6. As he ran down the street, he saw a poor German family—the father, mother, and three children—shivering in the cold. 7. "Happy New Year!" Edward said cheerfully as he passed by. The man shook his head. 8. "You’re not from around here," Edward said. The man shook his head again because he couldn’t understand or speak our language. 9. But he pointed to his mouth and to the children, as if to say, "These little ones haven't eaten in a long time." 10. Edward quickly realized that these poor people were suffering. He took out his dollars and gave one to the man and another to his wife. 11. Their eyes lit up with gratitude! They said something in their language that surely meant, "Thank you so much, and we’ll remember you in our prayers." 12. When Edward got home, his father asked what books he had bought. He lowered his head for a moment but quickly looked up.
72 ECLECTIC SERIES. 13. "I have bought no books," said he, "I gave my money to some poor people, who seemed to be very hungry and wretched. 14. "I think I can wait for my books till next New Year. Oh, if you had seen how glad they were to receive the money!" 15. "My dear boy;" said his father, "here is a whole bundle of books. I give them to you, more as a reward for your goodness of heart than as a New-year gift. 16. "I saw you give the money to the poor German family. It was no small sum for a little boy to give cheerfully. 17. "Be thus ever ready to help the poor, and wretched, and distressed; and every year of your life will be to you a happy New Year." LESSON XXVIII.
72 ECLECTIC SERIES. 13. "I didn't buy any books," he said, "I gave my money to some people who looked really hungry and miserable. 14. "I think I can wait for my books until next New Year. Oh, if only you had seen how happy they were to get the money!" 15. "My dear boy," his father said, "here's a whole stack of books. I'm giving them to you more as a reward for your kindness than as a New Year gift. 16. "I saw you give the money to the poor German family. It was a decent amount for a little boy to give so generously. 17. "Always be ready to help the poor, the miserable, and the distressed; and every year of your life will be a happy New Year for you." LESSON XXVIII.
THE CLOCK AND THE SUNDIAL. A FABLE. 1. One gloomy day, the clock on a church steeple, looking down on a sundial, said,
THE CLOCK AND THE SUNDIAL. A FABLE. 1. One gloomy day, the clock on a church steeple, looking down at a sundial, said,
THIRD READER. 73 "How stupid it is in you to stand there all the while like a stock! 2. "You never tell the hour till a bright sun looks forth from the sky, and gives you leave. I go merrily round, day and night, in summer and winter the same, without asking his leave. 3. "I tell the people the time to rise, to go to dinner, and to come to church.
THIRD READER. 73 "How silly you are to just stand there all the time like a statue! 2. "You never tell the time until a bright sun shines down from the sky and gives you permission. I go cheerfully around, day and night, in summer and winter alike, without needing his approval. 3. "I let people know when to get up, when to have dinner, and when to come to church.
74 ECLECTIC SERIES. 4. "Hark! I am going to strike now; one, two, three, four. There it is for you. How silly you look! You can say nothing." 5. The sun, at that moment, broke forth from behind a cloud, and showed, by the sundial, that the clock was half an hour behind the right time. 6. The boasting clock now held his tongue, and the dial only smiled at his folly. 7. MORAL.—Humble modesty is more often right than a proud and boasting spirit.
74 ECLECTIC SERIES. 4. "Listen up! I'm about to strike now; one, two, three, four. There it is for you. You look so silly! You can't say a thing." 5. Just then, the sun broke through a cloud and showed, by the sundial, that the clock was half an hour slow. 6. The bragging clock fell silent, and the dial just smiled at its foolishness. 7. MORAL.—Humble modesty is often more accurate than a proud and boastful attitude.
LESSON XXIX.
REMEMBER.
1. Remember, child, remember,
That God is in the sky;
That He looks down on all we do,
With an ever-wakeful eye.
REMEMBER.
1. Remember, kid, remember,
That God is in the sky;
That He watches over everything we do,
With a watchful eye.
2. Remember, oh remember,
That, all the day and night,
He sees our thoughts and actions
With an ever-watchful sight.
2. Remember, oh remember,
That, all day and night,
He sees our thoughts and actions
With a constantly watchful eye.
THIRD READER. 75
3. Remember, child, remember,
That God is good and true;
That He wishes us to always be
Like Him in all we do.
3. Remember, kid, remember,
That God is good and true;
That He wants us to always be
Like Him in everything we do.
4. Remember that He ever hates
A falsehood or a lie;
Remember He will punish, too,
The wicked, by and by.
4. Remember that He always hates
A falsehood or a lie;
Remember He will punish, too,
The wicked, sooner or later.
5. Remember, oh remember,
That He is like a friend,
And wishes us to holy be,
And happy, in the end.
5. Remember, oh remember,
That He is like a friend,
And wants us to be holy,
And happy, in the end.
6. Remember, child, remember,
To pray to Him in heaven;
And if you have been doing wrong,
Oh, ask to be forgiven.
6. Remember, kid, remember,
To pray to Him in heaven;
And if you've been doing wrong,
Oh, ask for forgiveness.
7. Be sorry, in your little prayer,
And whisper in his ear;
Ask his forgiveness and his love.
And He will surely hear.
7. Be sorry in your little prayer,
And whisper in His ear;
Ask for His forgiveness and love.
And He will definitely hear.
8. Remember, child, remember, That you love, with all your might,
8. Remember, kid, remember, That you love with all your heart,
76 ECLECTIC SERIES.
The God who watches o'er us,
And gives us each delight;
Who guards us ever through the day,
And saves us in the night.
The God who watches over us,
And gives us each joy;
Who protects us all through the day,
And saves us in the night.
LESSON XXX..
COURAGE AND COWARDICE. 1. Robert and Henry were going home from school, when, on turning a corner, Robert cried out, "A fight! let us go and see!"
COURAGE AND COWARDICE. 1. Robert and Henry were on their way home from school when, as they turned a corner, Robert yelled, "A fight! Let's go check it out!"
ECLECTIC READER. 77 2. "No," said Henry; "let us go quietly home and not meddle with this quarrel. We have nothing to do with it, and may get into mischief." 3. "You are a coward, and afraid to go," said Robert, and off he ran. Henry went straight home, and in the afternoon went to school, as usual. 4. But Robert had told all the boys that Henry was a coward, and they laughed at him a great deal. 5. Henry had learned, however, that true courage is shown most in bearing reproach when not deserved, and that he ought to be afraid of nothing but doing wrong. 6. A few days after, Robert was bathing with some schoolmates, and got out of his depth. He struggled, and screamed for help, but all in vain. 7. The boys who had called Henry a coward, got out of the water as fast as they could, but they did not even try to help him. 8. Robert was fast sinking, when Henry threw off his clothes, and sprang into the water. He reached Robert just as he was sinking the last time.
ECLECTIC READER. 77 2. "No," said Henry; "let's just go home quietly and avoid this fight. It’s not our problem, and we might get into trouble." 3. "You're a coward, scared to go," Robert said, and off he ran. Henry went straight home and, as usual, headed to school in the afternoon. 4. But Robert told all the boys that Henry was a coward, and they laughed at him a lot. 5. Henry had learned, though, that true courage is really about handling unfair criticism gracefully, and that the only thing he should fear is doing something wrong. 6. A few days later, Robert was swimming with some classmates and went too far. He struggled and called for help, but it was pointless. 7. The boys who had called Henry a coward got out of the water as quickly as they could, but they didn’t even try to help him. 8. Robert was sinking fast when Henry took off his clothes and jumped into the water. He reached Robert just as he was going under for the last time.
78 ECLECTIC SERIES. 9. By great effort, and with much danger to himself, he brought Robert to thc shore, and thus saved his life. 10. Robert and his schoolmates were ashamed at having called Henry a coward. They owned that he had more courage than any of them. 11. Never be afraid to do good, but always fear to do evil.
78 ECLECTIC SERIES. 9. With a lot of effort and risking his own safety, he got Robert to the shore, saving his life. 10. Robert and his classmates felt embarrassed for calling Henry a coward. They admitted he had more courage than any of them. 11. Never be afraid to do good, but always be cautious about doing wrong.
LESSON XXXI.
WEIGHING AN ELEPHANT. 1. "An eastern king," said Teddy's mother, "had been saved from some great danger. To show his gratitude for deliverance, he vowed he would give to the poor the weight of his favorite elephant in silver." 2. "Oh! what a great quantity that would be," cried Lily, opening her eyes very wide. "But how could you weigh an elephant?"
WEIGHING AN ELEPHANT. 1. "An eastern king," Teddy's mother said, "was saved from a huge danger. To show his gratitude for being rescued, he promised to give the poor silver equal to the weight of his favorite elephant." 2. "Wow! That would be a massive amount," Lily exclaimed, her eyes widening. "But how could you even weigh an elephant?"
THIRD READER. 79 asked Teddy, who was a quiet, thoughtful boy 3. "There was the difficulty," said his mother. "The wise and learned men of the court stroked their long beards, and talked the matter over, but no one found out how to weigh the elephant. 4. "At last, a poor old sailor found safe and simple means by which to weigh the enormous beast. The thousands and thousands of pieces of silver were counted out to the people; and crowds of the poor were relieved by the clever thought of the sailor." 5. "O mamma," said Lily, "do tell us what it was!" 6. "Stop, stop!" said Teddy. "I want to think for myself— think hard—and find out how an elephant's weight could be known, with little trouble and expense." 7. "I am well pleased," said his mother, "that my little boy should set his mind to work on the subject. If he can find out the sailor's secret before night, he shall have that orange for his pains." 8. The boy thought hard and long. Lily laughed at her brother's grave looks, as he sat leaning his head on his hands. Often
THIRD READER. 79 asked Teddy, who was a quiet, thoughtful boy. 3. "That was the problem," his mother replied. "The wise and learned men at the court stroked their long beards and discussed the issue, but no one figured out how to weigh the elephant." 4. "Finally, a poor old sailor discovered a safe and simple way to weigh the huge animal. The thousands and thousands of silver pieces were counted out to the people, and crowds of the poor were helped by the sailor's clever idea." 5. "Oh, Mom," Lily said, "please tell us what it was!" 6. "Wait, wait!" Teddy said. "I want to think for myself—really think—and figure out how to determine an elephant's weight without too much trouble or expense." 7. "I'm very pleased," said his mother, "that my little boy is working so hard on this. If he can discover the sailor's secret before nightfall, he can have that orange for his effort." 8. The boy thought hard and long. Lily laughed at her brother's serious expression as he sat with his head resting on his hands. Often
80 ECLECTIC SERIES.
she teased him with the question, "Can you weigh an elephant, Teddy?" 9. At last, while eating his supper, Teddy suddenly cried out, "I have it now!" 10. "Do you think so?" asked his mother. 11. "How would you do it," asked Lily.
she teased him with the question, "Can you weigh an elephant, Teddy?" 9. At last, while eating his dinner, Teddy suddenly exclaimed, "I've got it now!" 10. "Do you really think so?" asked his mother. 11. "How would you do that?" asked Lily.
THIRD READER. 81 12. "First, I would have a big boat brought very close to the shore, and would have planks laid across, so that the elephant could walk right into it." 13. "Oh, such a great, heavy beast would make it sink low in the water," said Lily. 14. "Of course it would," said her brother. Then I would mark on the outside of the boat the exact height to which the water had risen all around it while the elephant was inside. Then he should march on shore, leaving the boat quite empty." 15. "But I do n't see the use of all this," said Lily. 16. "Do n't you?" cried Teddy, in surprise. "Why, I should then bring the heaps of silver, and throw them into the boat till their weight would sink it to the mark made by the elephant. That would show that the weight of each was the same." 17. "How funny!" cried Lily; "you would make a weighing machine of the boat?" 18. "That is my plan," said Teddy. 19. "That was the sailor's plan," said his mother. "You have earned the orange, my boy;" and she gave it to him with a smile. Adapted from A. L. O. E. 3,6.
THIRD READER. 81 12. "First, I would bring a big boat right up to the shore and lay down some planks so the elephant could walk straight into it." 13. "Oh, such a huge, heavy animal would cause it to sink low in the water," Lily said. 14. "Of course it would," her brother replied. "Then I would mark on the outside of the boat how high the water rose while the elephant was inside. After that, he would walk back on shore, leaving the boat completely empty." 15. "But I don’t see the point of all this," Lily said. 16. "You don’t?" Teddy exclaimed, surprised. "Well, then I would pile up heaps of silver and throw them into the boat until their weight sunk it to the mark made by the elephant. That would prove that their weights are equal." 17. "How funny!" Lily laughed. "You’d turn the boat into a weighing machine?" 18. "That’s my plan," Teddy said. 19. "That was the sailor’s idea," their mother said. "You’ve earned the orange, my boy," and she handed it to him with a smile. Adapted from A. L. O. E. 3,6.
82 ECLECTIC SERIES.
LESSON XXXII.
THE SOLDIER.
1. A soldier! a soldier! I'm longing to he:
The name and the life of a soldier for me!
I would not be living at ease and at play;
True honor and glory I'd win in my day.
1. A soldier! A soldier! I want to be:
The name and life of a soldier sounds perfect for me!
I wouldn’t be living comfortably and goofing off;
I’d earn true honor and glory in my time.
2. A soldier! a soldier! in armor arrayed;
My weapons in hand, of no contest afraid;
I'd ever be ready to strike the first blow,
And to fight my way through the ranks of the foe.
2. A soldier! a soldier! dressed in armor;
With my weapons in hand, not scared of a fight;
I’d always be ready to make the first move,
And to battle my way through the enemy ranks.
3. But then, let me tell you, no blood would I shed,
No victory seek o'er the dying and dead;
A far braver soldier than this would I be;
A warrior of Truth, in the ranks of the free.
3. But let me tell you, I wouldn't shed any blood,
I wouldn't seek victory over the dying and dead;
I would be a much braver soldier than that;
A warrior of Truth, among the free.
4. A soldier! a soldier! Oh, then, let me be!
My friends, I invite you, enlist now with me.
Truth's bands shall be mustered, love's foes shall
give way!
Let's up, and be clad in our battle array!
J. G. Adams.
4. A soldier! A soldier! Oh, then, let me be!
My friends, I invite you, join me now.
The bonds of truth will be gathered, love's enemies
will yield!
Let's get up and put on our battle gear!
J. G. Adams.
THIRD READER. 83
LESSON XXXIII.
THE ECHO. 1. As Robert was one day rambling about, he happened to cry out, "Ho, ho!" He instantly heard coming back from a hill near by, the same words, "Ho, ho!" 2. In great surprise, he said with a loud voice, "Who are you?" Upon this, the same words came back, "Who are you?" 3. Robert now cried out harshly, "You must be a very foolish fellow." "Foolish fellow!" came back from the hill. 4. Robert became angry, and with loud and fierce words went toward the spot whence the sounds came. The words all came back to him in the same angry tone. 5. He then went into the thicket, and looked for the boy who, as he thought, was mocking him; but he could find nobody anywhere. 6. When he went home, he told his mothe
THE ECHO. 1. One day, as Robert was wandering around, he shouted, "Hey, hey!" He immediately heard the same words come back from a nearby hill, "Hey, hey!" 2. In shock, he called out loudly, "Who are you?" In response, the same words echoed, "Who are you?" 3. Robert then yelled angrily, "You must be a real fool." "Real fool!" echoed back from the hill. 4. Robert got mad and, in a loud and fierce voice, made his way toward where the sounds were coming from. The words returned to him in the same angry tone. 5. He then went into the bushes, looking for the boy he assumed was teasing him, but he couldn’t find anyone at all. 6. When he got home, he told his mother
84 ECLECTIC SERIES.
that some boy had hid himself in the wood, for the purpose of mocking him. 7. "Robert," said his mother, "you are angry with yourself alone. You heard nothing but your own words." 8. "Why, mother, how can that be?" said Robert. "Did you never hear an echo?" asked his mother. "An echo, dear mother? No, ma'am. What is it?" 9. "I will tell you," said his mother. "You know, when you play with your ball,
that some boy had hidden himself in the woods to tease him. 7. "Robert," his mother said, "you're only angry with yourself. You heard nothing but your own voice." 8. "But, mother, how can that be?" Robert replied. "Haven't you ever heard an echo?" his mother asked. "An echo, dear mother? No, ma'am. What is it?" 9. "I'll explain," his mother said. "You know when you play with your ball,
THIRD READER. 85 and throw it against the side of a house, it bounds back to you." "Yes, mother," said he, "and I catch it again." 10. "Well," said his mother, "if I were in the open air, by the side of a hill or a large barn, and should speak very loud, my voice would be sent back, so that I could hear again the very words which I spoke. 11. "That, my son, is an echo. When you thought some one was mocking you, it was only the hill before you, echoing, or sending back, your own voice. 12. "The bad boy, as you thought it was, spoke no more angrily than yourself. If you had spoken kindly, you would have heard a kind reply. 13. "Had you spoken in a low, sweet, gentle tone, the voice that came back would have been as low, sweet, and gentle as your own. 14. "The Bible says, 'A soft answer turneth away wrath.' Remember this when you are at play with your school mates. 15. "If any of them should be offended, and speak in a loud, angry tone, remember the echo, and let your words be soft and kind."
THIRD READER. 85 and throw it against the side of a house, it bounces back to you." "Yes, Mom," he replied, "and I catch it again." 10. "Well," said his mother, "if I were outside, next to a hill or a big barn, and spoke really loudly, my voice would bounce back, and I would hear the exact words I said again. 11. "That, my son, is an echo. When you thought someone was mocking you, it was just the hill in front of you reflecting your own voice. 12. "The bad boy, as you thought he was, wasn’t any angrier than you were. If you had spoken kindly, you would have heard a kind response. 13. "If you had spoken in a soft, sweet, gentle tone, the voice that came back would have been just as soft, sweet, and gentle as yours. 14. "The Bible says, 'A soft answer turns away wrath.' Keep this in mind when you're playing with your friends. 15. "If any of them gets upset and speaks in a loud, angry tone, remember the echo, and let your words be soft and kind."
86 ECLECTIC SERIES. 16. "When you come home from school, and find your little brother cross and peevish, speak mildly to him. You will soon see a smile on his lips, and find that his tones will become mild and sweet. 17. "Whether you are in the fields or in the woods, at school or at play, at home or abroad, remember, The good and the kind, By kindness their love ever proving, Will dwell with the pure and the loving."
86 ECLECTIC SERIES. 16. "When you get home from school and find your little brother grumpy and irritable, talk to him gently. You’ll quickly see a smile on his face, and notice that his tone will become soft and pleasant. 17. "Whether you're in the fields or the woods, at school or playing, at home or away, remember, The good and the kind, By kindness their love always showing, Will live with the pure and the loving."
LESSON XXXIV.
GEORGE'S FEAST. 1. George's mother was very poor. Instead of having bright, blazing fires in winter, she had nothing to burn but dry sticks, which George picked up from under the trees and hedges. 2. One fine day in July, she sent George to the woods, which were about two miles from the village in which she lived. He
GEORGE'S FEAST. 1. George's mom was really poor. Instead of warm, bright fires in winter, she only had dry sticks to burn, which George gathered from under the trees and hedges. 2. One nice day in July, she sent George to the woods, which were about two miles from their village. He
THIRD READER. 87 was to stay there all day, to get as much wood as he could collect. 3. It was a bright, sunny day, and George worked very hard; so that by the time the
THIRD READER. 87 was to stay there all day, to get as much wood as he could collect. 3. It was a bright, sunny day, and George worked very hard; so that by the time the
sun was high, he was hot, and wished for a cool place where he might rest and eat his dinner. 4. While he hunted about the bank he saw among the moss some fine, wild strawberries, which were a bright scarlet with ripeness.
The sun was high, he was hot, and he wished for a cool place to rest and eat his dinner. 4. While he searched along the bank, he spotted some delicious wild strawberries among the moss, which were a bright red with ripeness.
88 ECLECTIC SERIES. 5. "How good these will be with my bread and butter!" thought George; and lining his little cap with leaves, he set to work eagerly to gather all he could find, and then seated himself by the brook. 6. It was a pleasant place, and George felt happy and contented. He thought how much his mother would like to see him there, and to be there herself, instead of in her dark, close room in the village. 7. George thought of all this, and just as he was lifting the first strawberry to his mouth, he said to himself, "How much mother would like these;" and he stopped, and put the strawberry back again. 8. "Shall I save them for her?" said he, thinking how much they would refresh her, yet still looking at them with a longing eye. 9. "I will eat half, and take the other half to her," said he at last; and he divided them into two heaps. But each heap looked so small, that he put them together again. 10. "I will only taste one," thought he; but, as he again lifted it to his mouth, he saw that he had taken the finest, and he put it back. "I will keep them all for her,"
88 ECLECTIC SERIES. 5. "These will go perfectly with my bread and butter!" thought George, and lining his little cap with leaves, he eagerly started gathering whatever he could find, then sat down beside the brook. 6. It was a nice spot, and George felt happy and at peace. He thought about how much his mother would enjoy seeing him here and being here herself, instead of stuck in her dark, cramped room in the village. 7. As George considered all this, just as he was about to eat the first strawberry, he said to himself, "Mom would really like these;" and he paused, putting the strawberry back down. 8. "Should I save them for her?" he wondered, thinking how refreshing they would be for her, while still gazing at them with desire. 9. "I'll eat half and take the other half to her," he finally decided, and he split them into two piles. But each pile looked so small that he combined them again. 10. "I'll just taste one," he thought; but as he lifted it to his mouth again, he realized he had chosen the best one, so he put it back. "I'll save them all for her,"
THIRD READER. 89 said he, and he covered them up nicely, till he should go home. 11. When the sun was beginning to sink, George set out for home. How happy he felt, then, that he had all his strawberries for his sick mother. The nearer he came to his home, the less he wished to taste them. 12. Just as he had thrown down his wood, he heard his mother's faint voice calling him from the next room. "Is that you, George? I am glad you have come, for I am thirsty, and am longing for some tea." 13. George ran in to her, and joyfully offered his wild strawberries. "And you saved them for your sick mother, did you?" said she, laying her hand fondly on his head, while the tears stood in her eyes. "God will bless you for all this, my child." 14. Could the eating of the strawberries have given George half the happiness he felt at this moment?
THIRD READER. 89 said he, and he covered them up nicely until he could go home. 11. As the sun began to set, George headed home. He felt so happy that he had all his strawberries for his sick mom. The closer he got to home, the less he wanted to eat them. 12. Just as he dropped off his wood, he heard his mom's faint voice calling from the next room. "Is that you, George? I’m glad you’re here because I’m thirsty and really want some tea." 13. George rushed in to her and happily offered his wild strawberries. "And you saved them for your sick mom, didn’t you?" she said, gently patting his head, tears welling up in her eyes. "God will bless you for all this, my child." 14. Could eating the strawberries have given George even half the happiness he felt at that moment?
90 ECLECTIC SERIES.
LESSON XXXV.
THE LORD'S PRAYER.
1. Our Father in heaven,
We hallow thy name;
May thy kingdom holy
On earth be the same;
Oh, give to us daily
Our portion of bread;
It is from thy bounty,
That all must be fed.
1. Our Father in heaven,
We honor your name;
May your kingdom be holy
On earth just the same;
Please give us daily
Our share of bread;
It is from your generosity,
That everyone must be fed.
2. Forgive our transgressions.
And teach us to know
The humble compassion
That pardons each foe;
Keep us from temptation,
From weakness and sin,
And thine be the glory
Forever! Amen!
2. Forgive our wrongdoings.
And show us how to understand
The humble compassion
That forgives every enemy;
Keep us from temptation,
From weakness and sin,
And yours be the glory
Forever! Amen!
THIRD READER. 91 AN EVENING PRAYER.
92 ECLECTIC SERIES.
LESSON XXXVI.
FINDING THE OWNER. 1. "It's mine," said Fred, showing a white handled pocketknife, with every blade perfect and shining. "Just what I've always
FINDING THE OWNER. 1. "It's mine," Fred said, holding up a white-handled pocketknife, with all the blades perfect and shining. "Just what I've always
THIRD READER. 93 wanted." And he turned the prize over and over with evident satisfaction. 2. "I guess I know who owns it," said Tom, looking at it with a critical eye.
THIRD READER. 93 wanted." And he examined the prize repeatedly with clear satisfaction. 2. "I think I know who it belongs to," said Tom, examining it critically.
3. "I guess you do n't," was the quick response. "It is n't Mr. Raymond's," said Fred, shooting wide of the mark. 4. "I know that; Mr. Raymond's is twice as large," observed Tom, going on with his drawing lesson. 5. Do you suppose Fred took any comfort in that knife? Not a bit of comfort did he take. He was conscious all the time of having something in his possession that did
3. "I guess you don’t," was the quick response. "It’s not Mr. Raymond's," said Fred, missing the point. 4. "I know that; Mr. Raymond's is twice the size," added Tom, continuing with his drawing lesson. 5. Do you think Fred found any comfort in that knife? Not at all. He was constantly aware of having something in his possession that did
94 ECLECTIC SERIES. not belong to him; and Tom's suspicion interfered sadly with his enjoyment. 6. Finally, it became such a torment to him, that he had serious thoughts of burning it, or burying it, or giving it away; but a better plan suggested itself. 7. "Tom," said he, one day at recess, "did n't you say you thought you knew who owned that knife I found?" 8. "Yes, I did; it looked like Doctor Perry's." And Tom ran off to his play, without giving the knife another thought. 9. Dr. Perry's! Why, Fred would have time to go to the doctor's office before recess closed: so he started in haste, and found the old gentleman getting ready to visit a patient. "Is this yours?" cried Fred, in breathless haste, holding up the cause of a week's anxiety. 10. "It was," said the doctor; "but I lost it the other day." 11. "I found it," said Fred, "and have felt like a thief ever since. Here, take it; I've got to run." 12. "Hold on!" said the doctor. "I've got a new one, and you are quite welcome to this."
94 ECLECTIC SERIES. didn't belong to him; and Tom's suspicion seriously affected his enjoyment. 6. In the end, it became such a torment for him that he seriously considered burning it, burying it, or giving it away; but a better idea came to him. 7. "Tom," he said one day during recess, "didn't you say you thought you knew who owned that knife I found?" 8. "Yeah, I did; it looked like Doctor Perry's." And Tom ran off to play, without thinking about the knife again. 9. Doctor Perry's! Fred realized he had time to go to the doctor’s office before recess ended, so he quickly set off and found the old gentleman getting ready to visit a patient. "Is this yours?" Fred exclaimed, breathlessly holding up the source of his week's anxiety. 10. "It was," said the doctor; "but I lost it the other day." 11. "I found it," said Fred, "and I’ve felt like a thief ever since. Here, take it; I have to go." 12. "Wait!" said the doctor. "I’ve got a new one, and you’re welcome to keep this."
THIRD READER. 95 13. "Am I? May I? Oh! thank you!" And with what a different feeling he kept it from that which he had experienced for a week!
THIRD READER. 95 13. "Am I? Can I? Oh! thank you!" And with how different a feeling he held it compared to what he had felt for a week!
LESSON XXXVII.
BATS. 1. Bats are very strange little animals, having hair like mice, and wings like birds. During the day, they live in crevices of rocks, in caves, and in other dark places. 2. At night, they go forth in search of food; and, no doubt, you have seen them flying
BATS. 1. Bats are really unusual little creatures, with fur like mice and wings like birds. During the day, they hide in rock crevices, caves, and other dark spots. 2. At night, they head out to look for food, and you’ve probably seen them flying around.
96 ECLECTIC SERIES. about, catching such insects as happen to be out rather late at night. 3. The wings of a bat have no quills. They are only thin pieces of skin stretched upon a framework of bones. Besides this, it may be said that while he is a quadruped, he can rise into the air and fly from place to place like a bird. 4. There is a funny fable about the bat, founded upon this double character of beast and bird, which I will tell you. 5. An owl was once prowling about, when he came across a bat. So he caught him in his claws, and was about to devour him. Upon this, the bat began to squeal terribly; and he said to the owl, "Pray, what do you take me for, that you use me thus?" 6. "Why, you are a bird, to be sure," said the owl, "and I am fond of birds. I love dearly to break their little bones." 7. "Well," said the bat, "I thought there was some mistake. I am no bird. Do n't you see, Mr. Owl, that I have no feathers, and that I am covered with hair like a mouse?" 8. "Sure enough," said the owl, in great surprise; "I see it now. Really, I took you
96 ECLECTIC SERIES. about, catching insects that happen to be out late at night. 3. Bats don’t have quilled wings. Their wings are just thin pieces of skin stretched over a framework of bones. Plus, even though they’re four-legged, they can take off and fly like a bird. 4. There’s a funny story about the bat based on its mixed nature of both beast and bird, which I’ll share with you. 5. One night, an owl was wandering around when he came across a bat. He caught the bat in his claws and was about to eat him. At that moment, the bat started squealing loudly and said to the owl, “What do you think I am, to treat me like this?” 6. “Well, you’re a bird, of course,” replied the owl, “and I love birds. I really enjoy breaking their little bones.” 7. “Actually,” said the bat, “I think you’re mistaken. I’m not a bird. Don’t you see, Mr. Owl, that I have no feathers and I’m covered in hair like a mouse?” 8. “You’re right,” said the owl, clearly surprised; “I see it now. I really thought you
THIRD READER. 97 for a bird, but it appears you are only a kind of mouse. I ate a mouse last night, and it gave me the nightmare. I can't bear mice! Bah! it makes me sick to think of it." So the owl let the bat go.
THIRD READER. 97 for a bird, but it seems you're just a type of mouse. I ate a mouse last night, and it gave me a nightmare. I can't stand mice! Ugh! Just thinking about it makes me sick." So the owl let the bat go.
9. The very next night, the bat encountered another danger. He was snapped up by puss, who took him for a mouse, and immediately prepared to eat him. 10. "I beg you to stop one moment," said the bat. "Pray, Miss Puss, what do you suppose I am?" "A mouse, to be sure!" said the cat. "Not at all," said the bat, spreading his long wings. 11. "Sure enough," said the cat: "you seem to be a bird, though your feathers are 3,7.
9. The very next night, the bat faced another threat. He was caught by the cat, who thought he was a mouse and was ready to eat him. 10. "Please hold on for a second," said the bat. "Excuse me, Miss Cat, what do you think I am?" "A mouse, obviously!" replied the cat. "Not at all," the bat said, spreading his long wings. 11. "Sure enough," said the cat, "you look like a bird, even if you don't have feathers." 3,7.
98 ECLECTIC SERIES. not very fine. I eat birds sometimes, but I am tired of them just now, having lately devoured four young robins; so you may go. But, bird or mouse, it will be your best policy to keep out of my way hereafter." 12. The meaning of this fable is, that a person playing a double part may sometimes escape danger; but he is always, like the bat, a creature that is disgusting to everybody, and shunned by all. S. G. Goodrich—Adapted.
98 ECLECTIC SERIES. Not great. I eat birds sometimes, but I’m over them right now after recently eating four young robins; so you can leave. But whether you're a bird or a mouse, it's best for you to stay out of my way from now on." 12. The lesson of this fable is that someone who plays both sides might sometimes avoid trouble; however, they're always, like the bat, a creature that everyone finds unpleasant and wants to avoid. S. G. Goodrich—Adapted.
LESSON XXXVIII.
A SUMMER DAY.
1. This is the way the morning dawns:
Rosy tints on flowers and trees,
Winds that wake the birds and bees,
Dewdrops on the fields and lawns—
This is the way the morning dawns.
1. This is how morning begins:
Pink hues on flowers and trees,
Winds that wake the birds and bees,
Dewdrops on the fields and lawns—
This is how morning begins.
2. This is the way the sun comes up: Gold on brook and glossy leaves,
2. This is how the sun rises: Gold on the stream and shiny leaves,
THIRD READER. 99
Mist that melts above the sheaves,
Vine, and rose, and buttercup—
This is the way the sun comes up.
Mist that disappears above the bundles,
Vine, rose, and buttercup—
This is how the sun rises.
0
0
3. This is the way the river flows:
Here a whirl, and there a dance;
Slowly now, then, like a lance,
Swiftly to the sea it goes—
This is the way the river flows.
3. This is how the river flows:
Here a swirl, and there a twirl;
Slowly now, then like a spear,
Quickly to the sea it goes—
This is how the river flows.
100 ECLECTIC SERIES.
4. This is the way the rain comes down:
Tinkle, tinkle, drop by drop,
Over roof and chimney top;
Boughs that bend, and skies that frown—
This is the way the rain comes down.
4. This is how the rain falls:
Tinkle, tinkle, drop by drop,
Over roofs and chimney tops;
Branches that bend, and skies that scowl—
This is how the rain falls.
5. This is the way the birdie sings:
"Baby birdies in the nest,
You I surely love the best;
Over you I fold my wings"—
This is the way the birdie sings.
5. This is how the bird sings:
"Baby birds in the nest,
I love you the most;
Over you I spread my wings"—
This is how the bird sings.
6. This is the way the daylight dies:
Cows are lowing in the lane,
Fireflies wink on hill and plain;
Yellow, red, and purple skies—
This is the way the daylight dies.
George Cooper.
6. This is how the daylight fades:
Cows are mooing in the lane,
Fireflies twinkle on hill and plain;
Yellow, red, and purple skies—
This is how the daylight fades.
George Cooper.
THIRD READER. 101
LESSON XXXIX.
I WILL THINK OF IT. 1. "I will think of it." It is easy to say this; but do you know what great things have come from thinking? 2. We can not see our thoughts, or hear, or taste, or feel them; and yet what mighty power they have! 3. Sir Isaac Newton was seated in his garden on a summer's evening, when he saw an apple fall from a tree. He began to think, and, in trying to find out why the apple fell, discovered how the earth, sun, moon, and stars are kept in their places. 4. A boy named James Watt sat quietly by the fireside, watching the lid of the tea kettle as it moved up and down. He began to think; he wanted to find out why the steam in the kettle moved the heavy lid.
I WILL THINK OF IT. 1. "I will think about it." It's easy to say this; but do you know what incredible things have come from thinking? 2. We can't see our thoughts, or hear, or taste, or feel them; and yet, they hold such incredible power! 3. Sir Isaac Newton was sitting in his garden on a summer evening when he saw an apple fall from a tree. He started to think, and in trying to figure out why the apple fell, he discovered how the earth, sun, moon, and stars stay in their places. 4. A boy named James Watt sat quietly by the fireplace, watching the lid of the kettle as it moved up and down. He began to think; he wanted to understand why the steam in the kettle lifted the heavy lid.
102 ECLECTIC SERIES.
5. From that time he went on thinking and thinking; and when he became a man, he improved the steam engine so much that it could, with the greatest ease, do the work of many horses. 6. When you see a steamboat, a steam mill, or a locomotive, remember that it would never have been built if it had not been for the hard thinking of some one. 7. A man named Galileo was once standing in the cathedral of Pisa, when he saw a chandelier swaying to and fro.
5. From that time on, he kept thinking and thinking; and when he became an adult, he improved the steam engine so much that it could easily do the work of many horses. 6. When you see a steamboat, a steam mill, or a locomotive, remember that they would never have been created if it hadn't been for someone's hard thinking. 7. A man named Galileo was once standing in the cathedral of Pisa when he noticed a chandelier swinging back and forth.
THIRD READER. 103 8. This set him thinking, and it led to the invention of the pendulum. 9. James Ferguson was a poor Scotch shepherd boy. Once, seeing the inside of a watch, he was filled with wonder. "Why should I not make a watch?" thought he. 10. But how was he to get the materials out of which to make the wheels and the mainspring? He soon found how to get them: he made the mainspring out of a piece of whalebone. He then made a wooden clock which kept good time. 11. He began, also, to copy pictures with a pen, and portraits with oil colors. In a few years, while still a small boy, he earned money enough to support his father. 12. When he became a man, he went to London to live. Some of the wisest men in England, and the king himself, used to attend his lectures. His motto was, "I will think of it;" and he made his thoughts useful to himself and the world. 13. Boys, when you have a difficult lesson to learn, do n't feel discouraged, and ask some one to help you before helping yourselves. Think, and by thinking you will learn how to think to some purpose.
THIRD READER. 103 8. This made him think, leading to the invention of the pendulum. 9. James Ferguson was a poor Scottish shepherd boy. One day, after seeing the inside of a watch, he was filled with wonder. "Why can't I make a watch?" he thought. 10. But how would he get the materials to make the wheels and the mainspring? He quickly figured it out: he crafted the mainspring from a piece of whalebone. He then built a wooden clock that kept accurate time. 11. He also began copying pictures with a pen and painting portraits with oil colors. In just a few years, even while still a young boy, he earned enough money to support his father. 12. As a man, he moved to London. Some of the wisest men in England, along with the king himself, would attend his lectures. His motto was, "I will think of it," and he turned his thoughts into something useful for himself and the world. 13. Boys, when you have a tough lesson to learn, don’t feel discouraged and rush to ask someone for help without trying to solve it yourself. Think, and through thinking, you will learn how to think effectively.
104 ECLECTIC SERIES. LESSON XL. CHARLIE AND ROB. 1. "Do n't you hate splitting wood?" asked Charlie, as he sat down on a log to hinder Rob for a while. 2. "No, I rather like it. When I get hold of a tough old fellow, I say, 'See here, now, you think you're the stronger, and are going to beat me; so I'll split you up into kindling wood." 3. "Pshaw!" said Charlie, laughing; "and it's only a stick of wood." 4. "Yes; but you see I pretend it's a lesson, or a tough job of any kind, and it's nice to conquer it." 5. "I do n't want to conquer such things; I do n't care what becomes of them. I wish I were a man, and a rich one." 6. "Well, Charlie, if you live long enough you'll be a man, without wishing for it; and as for the rich part, I mean to be that myself." 7. "You do. How do you expect to get your money? By sawing wood?" 8. "May be—some of it; that's as good a
104 ECLECTIC SERIES. LESSON XL. CHARLIE AND ROB. 1. "Don't you hate splitting wood?" Charlie asked, sitting down on a log to distract Rob for a moment. 2. "No, I actually enjoy it. When I come across a tough piece, I think, 'You think you're stronger and can beat me, but I'm going to turn you into kindling.'" 3. "Come on!" Charlie laughed. "It's just a piece of wood." 4. "Yeah, but I pretend it's a challenge or a difficult task, and it's satisfying to overcome it." 5. "I don't want to deal with stuff like that; I couldn't care less. I wish I were an adult, and wealthy." 6. "Well, Charlie, if you live long enough, you'll grow up, whether you want to or not; and as for being rich, that's my goal too." 7. "You really think so? How do you plan to make money? By sawing wood?" 8. "Maybe—at least some of it; that’s as good a
THIRD READER. 105
way as any, so long as it lasts. I do n't care how I get rich, you know, so that it's in an honest and useful way." 9. "I'd like to sleep over the next ten years, and wake up to find myself a young man with a splendid education and plenty of money."
way as any, as long as it lasts. I don’t care how I get rich, you know, as long as it’s in an honest and useful way." 9. "I’d like to sleep through the next ten years and wake up to find myself a young man with a great education and lots of money."
106 ECLECTIC SERIES. 10. "Humph! I am not sleepy—a night at a time is enough for me. I mean to work the next ten years. You see there are things that you've got to work out—you can't sleep them out." 11. "I hate work," said Charlie, "that is, such work as sawing and splitting wood, and doing chores. I'd like to do some big work, like being a clerk in a bank or something of that sort." 12. "Wood has to be sawed and split before it can be burned," said Rob. "I do n't know but I'll be a clerk in a bank some time; I'm working towards it. I'm keeping father's accounts for him." 13. How Charlie laughed! "I should think that was a long way from being a bank clerk. I suppose your father sells two tables and six chairs, some days, does n't he?" 14. "Sometimes more than that, and sometimes not so much," said Rob, in perfect good humor. 15. "I did n't say I was a bank clerk now. I said I was working towards it. Am I not nearer it by keeping a little bit of a book than I should be if I did n't keep any book at all?"
106 ECLECTIC SERIES. 10. "Humph! I'm not tired—a night is all I need. I plan to work for the next ten years. There are things you have to figure out—you can't just sleep them away." 11. "I hate work," Charlie said, "I mean, work like sawing and splitting wood and doing chores. I want to do something big, like being a bank clerk or something along those lines." 12. "Wood has to be sawed and split before you can burn it," Rob replied. "I might become a bank clerk someday; I'm working towards it. I'm keeping track of Dad's accounts." 13. Charlie laughed hard! "I would think that's a long way from being a bank clerk. I assume your dad sells two tables and six chairs some days, right?" 14. "Sometimes more than that, and sometimes less," Rob said, still in good spirits. 15. "I didn't say I was a bank clerk now. I said I'm working towards it. Am I not closer to it by keeping a little book than I would be if I didn't keep any records at all?"
THIRD READER. 107 16. "Not a whit—such things happen," said Charlie, as he started to go. 17. Now, which of these boys, do you think, grew up to be a rich and useful man, and which of them joined a party of tramps before he was thirty years old?
THIRD READER. 107 16. "Not at all—these things happen," said Charlie, as he began to leave. 17. Now, which of these boys do you think grew up to be a successful and productive man, and which one became a drifter by the time he was thirty?
LESSON XLI.
RAY AND HIS KITE. 1. Ray was thought to be an odd boy. You will think him so, too, when you have read this story. 2. Ray liked well enough to play with the boys at school; yet he liked better to be alone under the shade of some tree, reading a fairy tale or dreaming daydreams. But there was one sport that he liked as well as his companions; that was kiteflying. 3. One day when he was flying his kite, he said to himself, "I wonder if anybody ever tried to fly a kite at night. It seems
RAY AND HIS KITE. 1. Ray was considered an unusual boy. You’ll probably think he is too after you read this story. 2. Ray enjoyed playing with the other boys at school, but he preferred being alone under a tree, reading a fairy tale or lost in his thoughts. However, there was one activity he loved just as much as his friends did, and that was flying kites. 3. One day while flying his kite, he thought to himself, “I wonder if anyone has ever tried to fly a kite at night. It seems
108 ECLECTIC SERIES. to me it would be nice. But then, if it were very dark, the kite could not be seen. What if I should fasten a light to it, though? That would make it show. I'll try it this very night." 4. As soon as it was dark, without saying a word to anybody, he took his kite and lantern, and went to a large, open lot, about a quarter of a mile from his home. "Well," thought he, "this is queer. How lonely and still it seems without any other boys around! But I am going to fly my kite, anyway." 5. So he tied the lantern, which was made of tin punched full of small holes, to the tail of his kite. Then he pitched the kite, and,
108 ECLECTIC SERIES. to me it would be nice. But if it got really dark, you wouldn't be able to see the kite. What if I attach a light to it, though? That would make it visible. I'll try that tonight." 4. As soon as it got dark, without telling anyone, he took his kite and lantern and went to a large, open field about a quarter of a mile from his house. "Well," he thought, "this is strange. It feels so lonely and quiet without any other kids around! But I’m going to fly my kite anyway." 5. So he tied the lantern, which was made of tin with a lot of small holes punched into it, to the tail of his kite. Then he launched the kite, and,
THIRD READER. 109 after several attempts, succeeded in making it rise. Up it went, higher and higher, as Ray let out the string. When the string was all unwound, he tied it to a fence; and then he stood and gazed at his kite as it floated high up in the air. 6. While Ray was enjoying his sport, some people who were out on the street in the village, saw a strange light in the sky. They gathered in groups to watch it. Now it was still for a few seconds, then it seemed to be jumping up and down; then it made long sweeps back and forth through the air. 7. "What can it be?" said one person. "How strange!" said another. "It can not be a comet; for comets have tails," said a third. "Perhaps it's a big firefly," said another. 8. At last some of the men determined to find out what this strange light was—whether it was a hobgoblin dancing in the air, or something dropped from the sky. So off they started to get as near it as they could. 9. While this was taking place, Ray, who had got tired of standing, was seated in a fence corner, behind a tree. He could see
THIRD READER. 109 After several attempts, he finally got it to rise. Up it went, higher and higher, as Ray let out the string. When the string was completely unwound, he tied it to a fence and then stood there, watching his kite float high in the air. 6. While Ray was enjoying his time, some people out on the street in the village saw a strange light in the sky. They gathered in groups to watch it. At first, it was still for a few seconds, then it started bouncing up and down; then it made long sweeps back and forth through the air. 7. "What could it be?" one person asked. "How weird!" another commented. "It can't be a comet because comets have tails," said a third. "Maybe it's a big firefly," another suggested. 8. Finally, some of the men decided they needed to find out what this strange light was—whether it was a hobgoblin dancing in the air or something that had fallen from the sky. So they set off to get as close as they could. 9. While this was happening, Ray, who had grown tired of standing, sat down in a corner by the fence, behind a tree. He could see
110 ECLECTIC SERIES. the men as they approached; but they did not see him. 10. When they were directly under the light, and saw what it was, they looked at each other, laughing, and said, "This is some boy's trick; and it has fooled us nicely. Let us keep the secret, and have our share of the joke." 11. Then they laughed again, and went back to the village; and some of the simple people there have not yet found out what that strange light was. 12. When thc men had gone, Ray thought it was time for him to go; so he wound up his string, picked up his kite and lantern, and went home. His mother had been wondering what had become of him. 13. When she heard what he had been doing, she hardly knew whether to laugh or scold; but I think she laughed, and told him that it was time for him to go to bed.
110 ECLECTIC SERIES. the men as they got closer; but they didn’t see him. 10. When they were right under the light and realized what it was, they looked at each other, laughed, and said, "This is just some kid's prank; and it’s fooled us pretty well. Let’s keep it a secret and enjoy the joke." 11. Then they laughed again and headed back to the village; and some of the simple folks there still haven’t figured out what that strange light was. 12. After the men left, Ray thought it was time to go, so he rolled up his string, picked up his kite and lantern, and went home. His mom had been wondering where he was. 13. When she heard what he had been up to, she hardly knew whether to laugh or scold; but I think she laughed and told him it was time for bed.
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LESSON XLII. BEWARE OF THE FIRST DRINK.
1. "Uncle Philip, as the day is fine, will you take a walk with us this morning?" 2. "Yes, boys. Let me get my hat and cane, and we will take a ramble. I will tell you a story as we go. Do you know poor old Tom Smith?" 3. "Know him! Why, Uncle Philip, everybody knows him. He is such a shocking drunkard, and swears so horribly." 4. "Well, I have known him ever since we were boys together. There was not a more decent, well-behaved boy among us. After he left school, his father died, and he was put into a store in the city. There, he fell into bad company. 5. "Instead of spending his evenings in reading, he would go to the theater and to balls. He soon learned to play cards, and of course to play for money. He lost more than he could pay. 6. "He wrote to his poor mother, and told her his losses. She sent him money to pay his debts, and told him to come home.
1. "Uncle Philip, since it’s a nice day, will you go for a walk with us this morning?" 2. "Sure, boys. Let me grab my hat and cane, and we’ll take a stroll. I’ll tell you a story as we walk. Do you know poor old Tom Smith?" 3. "Know him! Come on, Uncle Philip, everyone knows him. He’s such a terrible drunk and swears like a sailor." 4. "Well, I’ve known him since we were kids together. There wasn’t a more decent, well-behaved kid among us. After he left school, his father passed away, and he got a job in a store in the city. That’s when he fell in with a bad crowd. 5. "Instead of spending his evenings reading, he started going to the theater and parties. He quickly learned to play cards, and of course, to gamble. He lost more than he could afford. 6. "He wrote to his poor mother and told her about his losses. She sent him money to cover his debts and told him to come home.
112 ECLECTIC SERIES. 7. "He did come home. After all, he might still have been useful and happy, for his friends were willing to forgive the past. For a time, things went on well. He married a lovely woman, gave up his bad habits, and was doing well. 8. "But one thing, boys, ruined him forever. In the city, he had learned to take strong drink, and he said to me once, that when a man begins to drink, he never knows where it will end. 'Therefore,' said Tom, 'beware of the first drink!' 9. "It was not long before he began to follow his old habit. He knew the danger, but it seemed as if he could not resist his desire to drink. His poor mother soon died of grief and shame. His lovely wife followed her to the grave. 10. "He lost the respect of all, went on from bad to worse, and has long been a perfect sot. Last night, I had a letter from the city, stating that Tom Smith had been found guilty of stealing, and sent to the state prison for ten years. 11. "There I suppose he will die, for he is now old. It is dreadful to think to what an end he has come. I could not but think,
112 ECLECTIC SERIES. 7. "He did come home. After all, he might still have been useful and happy because his friends were ready to forgive the past. For a while, things went well. He married a wonderful woman, gave up his bad habits, and was doing great. 8. "But one thing, boys, ruined him forever. In the city, he learned to drink heavily, and he once told me that when a man starts drinking, he never knows where it will lead. 'So,' said Tom, 'watch out for that first drink!' 9. "It wasn't long before he fell back into his old habits. He knew the risk, but it seemed he couldn't fight his urge to drink. His poor mother soon died from grief and shame. His beautiful wife followed her to the grave. 10. "He lost everyone's respect, spiraled down from bad to worse, and has long been a hopeless drunk. Last night, I got a letter from the city saying that Tom Smith was found guilty of theft and sentenced to ten years in state prison. 11. "I guess he'll die there because he's now old. It's horrifying to think about how far he's fallen. I couldn't help but think,
THIRD READER. 113 as I read the letter, of what he said to me years ago, 'Beware of the first drink!' 12. "Ah, my dear boys, when old Uncle Philip is gone, remember that he told you
THIRD READER. 113 as I read the letter, of what he said to me years ago, 'Watch out for the first drink!' 12. "Ah, my dear boys, when old Uncle Philip is gone, remember that he told you
the story of Tom Smith, and said to you, 'Beware of the first drink!' The man who does this will never be a drunkard."
the story of Tom Smith, and told you, 'Watch out for that first drink!' The person who does this will never be an alcoholic."
114 ECLECTIC SERIES.
LESSON XLIII.
SPEAK GENTLY.
1. Speak gently; it is better far
To rule by love than fear:
Speak gently; let no harsh words mar
The good we might do here.
1. Speak gently; it’s much better
To lead with love than with fear:
Speak gently; let no harsh words spoil
The good we could do here.
2. Speak gently to the little child;
Its love be sure to gain;
Teach it in accents soft and mild;
It may not long remain.
2. Speak kindly to the little child;
Make sure to earn its love;
Teach it in soft and gentle tones;
It might not be here for long.
3. Speak gently to the aged one;
Grieve not the careworn heart:
The sands of life are nearly run;
Let such in peace depart.
3. Speak kindly to the elderly;
Don't trouble the weary heart:
The sands of life are almost gone;
Let them leave in peace.
4. Speak gently, kindly, to the poor;
Let no harsh tone be heard;
They have enough they must endure,
Without an unkind word.
4. Speak softly and kindly to those in need;
Let no harsh words be heard;
They have enough to deal with,
Without any cruel comments.
5. Speak gently to the erring; know
They must have toiled in vain;
Perhaps unkindness made them so;
Oh, win them back again.
5. Speak softly to those who have strayed; know
They may have worked hard for nothing;
Maybe unkindness caused their behavior;
Oh, heal their hearts once more.
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6. Speak gently: 'tis a little thing
Dropped in the heart's deep well;
The good, the joy, which it may bring,
Eternity shall tell.
George Washington Langford.
6. Speak gently: it’s a simple thing
Dropped in the heart's deep well;
The good, the joy, that it may bring,
Eternity will reveal.
George Washington Langford.
LESSON XLIV.
THE SEVEN STICKS. 1. A man had seven sons, who were always quarreling. They left their studies and work, to quarrel among themselves. Some bad men were looking forward to the death of their father, to cheat them out of their property by making them quarrel about it. 2. The good old man, one day, called his sons around him. He laid before them seven sticks, which were bound together. He said, "I will pay a hundred dollars to the one who can break this bundle." 3. Each one strained every nerve to break the bundle. After a long but vain trial, they all said that it could not be done.
THE SEVEN STICKS. 1. A man had seven sons who were always fighting. They abandoned their studies and work to argue with each other. Some unscrupulous people were anticipating the father's death to trick the sons into fighting over their inheritance. 2. One day, the wise old man gathered his sons around him. He presented them with seven sticks that were tied together. He said, "I will give a hundred dollars to whoever can break this bundle." 3. Each son did their best to break the bundle. After a long but unsuccessful attempt, they all admitted it was impossible to do.
116 ECLECTIC SERIES. 4. "And yet, my boys," said the father, "nothing is easier to do." He then untied the bundle, and broke the sticks, one by one, with perfect ease.
116 ECLECTIC SERIES. 4. "And yet, my boys," said the father, "nothing is easier to do." He then untied the bundle and broke the sticks, one by one, with complete ease.
5. "Ah!" said his sons, "it is easy enough to do it so; anybody could do it in that way." 6. Their father replied, "As it is with these sticks, so is it with you, my sons. So
5. "Ah!" said his sons, "it's pretty easy to do it that way; anyone could do it like that." 6. Their father replied, "Just like these sticks, that's how it is with you, my sons. So
THIRD READER. 117 long as you hold fast together and aid each other, you will prosper, and none can injure you. 7. "But if the bond of union be broken, it will happen to you just as it has to these sticks, which lie here broken on the ground."
THIRD READER. 117 As long as you stick together and support each other, you will succeed, and no one can harm you. 7. "But if the bond of unity is broken, what will happen to you will be just like what happened to these sticks, which lie here broken on the ground."
Home, city, country, all are prosperous found,
When by the powerful link of union bound.
Home, city, and country all thrive together,
When united by the strong bond of connection.
LESSON XLV. THE MOUNTAIN SISTER. 1. The home of little Jeannette is far away, high up among the mountains. Let us call her our mountain sister. 2. There are many things you would like to hear about her, but I can only tell you now how she goes with her father and brother, in the autumn, to help gather nuts for the long winter.
LESSON XLV. THE MOUNTAIN SISTER. 1. Little Jeannette lives far away, high up in the mountains. Let's call her our mountain sister. 2. There are many things you’d like to know about her, but I can only tell you now how she goes with her dad and brother in the fall to help gather nuts for the long winter.
118 ECLECTIC SERIES. 3. A little way down the mountain side is a chestnut wood. Did you ever see a chestnut tree? In the spring its branches are covered with bunches of creamy flowers, like long tassels. All the hot summer these are turning into sweet nuts, wrapped safely in large, prickly, green balls. 4. But when the frost of autumn comes, these prickly balls turn brown, and crack open. Then you may see inside one, two, three, and even four, sweet, brown nuts. 5. When her father says, one night at supper time, "I think there will be a frost tonight," Jeannette knows very well what to do. She dances away early in the evening to her little bed, made in a box built up against the wall. 6. Soon she falls asleep to dream about
118 ECLECTIC SERIES. 3. A little way down the mountainside is a chestnut grove. Have you ever seen a chestnut tree? In the spring, its branches are covered with clusters of creamy flowers that look like long tassels. Throughout the hot summer, these turn into sweet nuts, safely wrapped in large, prickly green husks. 4. But when the autumn frost arrives, these prickly husks turn brown and crack open. Then you might see inside one, two, three, or even four sweet brown nuts. 5. When her father says one night at dinner, "I think there will be a frost tonight," Jeannette knows exactly what to do. She happily dances off early in the evening to her little bed, which is made in a box built against the wall. 6. Soon, she falls asleep, dreaming about
THIRD READER. 119 the chestnut wood, and the little brook that springs from rock to rock down under the tall, dark trees. She wakes with the first daylight, and is out of bed in a minute, when she hears her father's cheerful call, "Come, children; it is time to be off." 7. Their dinner is ready in a large basket. The donkey stands before the door with great bags for the nuts hanging at each side. They go merrily over the crisp, white frost to the chestnut trees. How the frost has opened the burs! It has done half their work for them already. 8. How they laugh and sing, and shout to each other as they fill their baskets! The sun looks down through the yellow leaves; the rocks give them mossy seats; the birds and squirrels wonder what these strange people are doing in their woods. 9. Jeannette really helps, though she is only a little girl; and her father says at night, that his Jane is a dear, good child. This makes her very happy. She thinks about it at night, when she says her prayers. Then she goes to sleep to dream of the merry autumn days. 10. Such is our little mountain sister, and
THIRD READER. 119 the chestnut woods and the small brook that flows from rock to rock beneath the tall, dark trees. She wakes with the first light of day and is out of bed in a minute when she hears her father's cheerful call, "Come, kids; it's time to go." Their lunch is packed in a big basket. The donkey stands by the door, loaded with huge bags for the nuts hanging on each side. They happily walk over the crisp, white frost toward the chestnut trees. Look how the frost has opened the burs! It has done half the work for them already. They laugh, sing, and shout to each other as they fill their baskets! The sun shines down through the yellow leaves; the rocks provide them with mossy seats; the birds and squirrels are curious about what these strange people are doing in their woods. Jeannette really pitches in, even though she’s just a little girl; and her father says at night that his Jane is a dear, good child. This makes her very happy. She thinks about it at night when she says her prayers. Then, she goes to sleep dreaming of those joyful autumn days. Such is our little mountain sister, and
120 ECLECTIC SERIES.
here is a picture of her far-away home. The mountain life is ever a fresh and happy one.
here is a picture of her distant home. Life in the mountains is always fresh and joyful.
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LESSON XLVI.
HARRY AND THE GUIDEPOST.
1. The night was dark, the sun was hid
Beneath the mountain gray,
And not a single star appeared
To shoot a silver ray.
1. The night was dark, the sun was hidden
Beneath the gray mountain,
And not a single star showed up
To cast a silver ray.
2. Across the heath the owlet flew,
And screamed along the blast;
And onward, with a quickened step,
Benighted Harry passed.
2. Across the field, the little owl flew,
And screeched in the wind;
And onward, with a faster pace,
Nightfall had caught up with Harry.
3. Now, in thickest darkness plunged,
He groped his way to find;
And now, he thought he saw beyond,
A form of horrid kind.
3. Now, plunged into the deepest darkness,
He felt his way around;
And now, he thought he saw ahead,
A figure of a terrifying kind.
4. In deadly white it upward rose,
Of cloak and mantle bare,
And held its naked arms across,
To catch him by the hair.
4. In deadly white, it rose upward,
With no cloak or mantle,
And stretched its bare arms out,
To catch him by the hair.
5. Poor Harry felt his blood run cold,
At what before him stood;
But then, thought he, no harm, I'm sure,
Can happen to the good.
5. Poor Harry felt his blood run cold,
At what stood before him;
But then, he thought, no harm, I'm sure,
Can come to the good.
122 ECLECTIC SERIES.
6. So, calling all his courage up,
He to the monster went;
And eager through the dismal gloom
His piercing eyes he bent.
6. So, gathering all his courage,
He approached the monster;
And eagerly through the dark gloom
He focused his sharp eyes.
7. And when he came well nigh the ghost
That gave him such affright,
He clapped his hands upon his side,
And loudly laughed outright.
7. And when he got close to the ghost
That scared him so much,
He put his hands on his hips,
And laughed out loud.
8. For 't was a friendly guidepost stood,
His wandering steps to guide;
And thus he found that to the good,
No evil could betide.
8. For it was a friendly signpost that stood,
To guide his wandering steps;
And so he discovered that for the good,
No harm could come to them.
THIRD READER. 123
9. Ah well, thought he, one thing I've learned,
Nor shall I soon forget;
Whatever frightens me again,
I'll march straight up to it.
9. Ah well, he thought, one thing I've learned,
And I won't soon forget;
Whatever scares me next,
I'll face it head-on.
10. And when I hear an idle tale,
Of monster or of ghost,
I'll tell of this, my lonely walk,
And one tall, white guidepost.
10. And when I hear a pointless story,
Of a monster or a ghost,
I'll share about this, my solitary stroll,
And one tall, white signpost.
LESSON XLVII.
THE MONEY AMY DID N'T EARN.
1. Amy was a dear little girl, but she was too apt to waste time in getting ready to do her tasks, instead of doing them at once as she ought.
1. Amy was a sweet little girl, but she often wasted time getting ready to do her tasks instead of just doing them right away like she was supposed to.
124 ECLECTIC SERIES. 2. In the village in which she lived, Mr. Thornton kept a store where he sold fruit of all kinds, including berries in their season. One day he said to Amy, whose parents were quite poor, "Would you like to earn some money? " 3. "Oh, yes," replied she, "for I want some new shoes, and papa has no money to buy them with." 4. "Well, Amy," said Mr. Thorhton, "I noticed some fine, ripe blackberries in Mr. Green's pasture to-day, and he said that anybody was welcome to them. I will pay you thirteen cents a quart for all you will pick for me." 5. Amy was delighted at the thought of earning some money; so she ran home to get a basket, intending to go immediately to pick the berries. 6. Then she thought she would like to know how much money she would get if she picked five quarts. With the help of her slate and pencil, she found out that she would get sixty-five cents. 7. "But supposing I should pick a dozen quarts," thought she, "how much should I earn then?" "Dear me," she said, after
124 ECLECTIC SERIES. 2. In the village where she lived, Mr. Thornton ran a store where he sold all kinds of fruit, including seasonal berries. One day he said to Amy, whose family was pretty poor, "Would you like to earn some money?" 3. "Oh, yes," she replied, "because I want some new shoes, and my dad doesn’t have any money to buy them." 4. "Well, Amy," Mr. Thornton said, "I noticed some really nice, ripe blackberries in Mr. Green's pasture today, and he said anyone could pick them. I'll pay you thirteen cents a quart for however many you pick for me." 5. Amy was thrilled at the idea of making some money, so she ran home to grab a basket, planning to head out right away to pick the berries. 6. Then she thought she'd like to know how much money she would make if she picked five quarts. With her slate and pencil, she figured out that she would earn sixty-five cents. 7. "But what if I pick a dozen quarts?" she wondered. "How much would I earn then?" "Goodness," she said, after
THIRD READER. 125 figuring a while, "I should earn a dollar and fifty-six cents." 8. Amy then found out what Mr. Thornton would pay her for fifty, a hundred, and two hundred quarts. It took her some time to
THIRD READER. 125 figuring for a bit, "I should make a dollar and fifty-six cents." 8. Amy then discovered what Mr. Thornton would pay her for fifty, a hundred, and two hundred quarts. It took her some time to
do this, and then it was so near dinner time that she had to stay at home until afternoon. 9. As soon as dinner was over, she took
do this, and then it was so close to dinner time that she had to stay at home until the afternoon. 9. As soon as dinner was done, she took
126 ECLECTIC SERIES, her basket and hurried to the pasture. Some boys had been there before dinner, and all the ripe berries were picked. She could not find enough to fill a quart measure. 10. As Amy went home, she thought of what her teacher had often told her—"Do your task at once; then think about it," for "one doer is worth a hundred dreamers."
126 ECLECTIC SERIES, She grabbed her basket and rushed to the pasture. Some boys had already been there before lunch, and all the ripe berries were gone. She couldn't find enough to fill a quart measure. 10. As Amy walked home, she remembered what her teacher often said—"Do your task right away; then reflect on it," because "one person who gets things done is worth a hundred who just dream."
LESSON XLVIII. WHO MADE THE STARS?
1. "Mother, who made the stars, which light
The beautiful blue sky?
Who made the moon, so clear and bright,
That rises up so high?"
1. "Mom, who created the stars that shine
In the beautiful blue sky?
Who made the moon, so clear and bright,
That rises up so high?"
2. "'T was God, my child, the Glorious One,
He formed them by his power;
He made alike the brilliant sun,
And every leaf and flower.
2. "'T was God, my child, the Glorious One,
He formed them by his power;
He made the bright sun,
And every leaf and flower.
THIRD READER. 127
3. "He made your little feet to walk;
Your sparkling eyes to see;
Your busy, prattling tongue to talk,
And limbs so light and free.
3. "He made your little feet to walk;
Your sparkling eyes to see;
Your busy, chattering tongue to talk,
And limbs so light and free.
4. "He paints each fragrant flower that blows,
With loveliness and bloom;
He gives the violet and the rose
Their beauty and perfume.
4. "He paints every fragrant flower that blooms,
With beauty and vitality;
He gives the violet and the rose
Their charm and fragrance.
5. "Our various wants his hands supply;
He guides us every hour;
We're kept beneath his watchful eye,
And guarded by his power.
5. "He fulfills our many needs;
He leads us every moment;
We're under his attentive gaze,
And protected by his strength.
6. "Then let your little heart, my love,
Its grateful homage pay
To that kind Friend, who, from above,
Thus guides you every day.
6. "Then let your little heart, my love,
Express its grateful thanks
To that kind Friend, who, from above,
Guides you every day."
7. "In all the changing scenes of time,
On Him our hopes depend;
In every age, in every clime,
Our Father and our Friend."
7. "Throughout all the shifting moments in life,
We rely on Him for hope;
In every era, in every place,
Our Father and our Friend."
128 ECLECTIC SERIES.
LESSON XLIX. DEEDS OF KINDNESS. 1. One day, as two little boys were walking along the road, they overtook a woman carrying a large basket of apples. 2. The boys thought the woman looked very pale and tired; so they said, "Are you going to town? If you are, we will carry your basket." 3. "Thank you," replied the woman, "you are very kind: you see I am weak and ill." Then she told them that she was a widow, and had a lame son to support. 4. She lived in a cottage three miles away, and was now going to market to sell the apples which grew on the only tree in her little garden. She wanted the money to pay her rent. 5. "We are going the same way you are," said the boys. "Let us have the basket;" and they took hold of it, one on each side, and trudged along with merry hearts. 6. The poor widow looked glad, and said that she hoped their mother would not be angry with them. "Oh, no," they replied;
LESSON XLIX. DEEDS OF KINDNESS. 1. One day, as two little boys were walking down the road, they came across a woman carrying a large basket of apples. 2. The boys noticed that the woman looked very pale and tired, so they asked, "Are you headed to town? If you are, we can help carry your basket." 3. "Thank you," the woman replied, "that's very kind of you: I'm feeling weak and unwell." Then she shared that she was a widow and had to support her disabled son. 4. She lived in a cottage three miles away and was heading to the market to sell the apples from the only tree in her small garden. She needed the money to pay her rent. 5. "We're going the same way," said the boys. "Let us carry the basket," and they each grabbed one side and walked along happily. 6. The poor widow looked relieved and said she hoped their mother wouldn't be upset with them. "Oh, no," they replied;
THIRD READER. 129 "our mother has taught us to be kind to everybody, and to be useful in any way that we can." 7. She then offered to give them a few of the ripest apples for their trouble. "No,
THIRD READER. 129 "our mother has taught us to be kind to everyone and to be helpful in any way we can." 7. She then offered to give them a few of the ripest apples for their trouble. "No,
thank you," said they; "we do not want any pay for what we have done." 8. When the widow got home, she told her lame son what had happened on the road, 3. 9.
"Thank you," they said; "we don't want any payment for what we've done." 8. When the widow got home, she told her lame son what had happened on the road, 3. 9.
130 ECLECTIC SERIES. and they were both made happier that day by the kindness of the two boys. 9. The other day, I saw a little girl stop and pick up a piece of orange peel, which she threw into the gutter. "I wish the boys would not throw orange peel on the sidewalk," said she. "Some one may tread upon it, and fall." 10. "That is right, my dear," I said. "It is a little thing for you to do what you have done, but it shows that you have a thoughtful mind and a feeling heart." 11. Perhaps some may say that these are little things. So they are; but we must not wait for occasions to do great things. We must begin with little labors of love.
130 ECLECTIC SERIES. and they were both made happier that day by the kindness of the two boys. 9. The other day, I saw a little girl stop and pick up a piece of orange peel, which she threw into the gutter. "I wish the boys wouldn't throw orange peels on the sidewalk," she said. "Someone might step on it and fall." 10. "That's right, my dear," I said. "It may seem like a small thing for you to do, but it shows that you have a thoughtful mind and a caring heart." 11. Some might say these are minor things. And they are; but we shouldn't wait for big opportunities to do great things. We should start with small acts of kindness.
LESSON L. THE ALARM CLOCK. 1. A lady, who found it not easy to wake in the morning as early as she wished,
LESSON L. THE ALARM CLOCK. 1. A woman, who didn’t find it easy to wake up in the morning as early as she wanted,
THIRD READER. 131 bought an alarm clock. These clocks are so made as to strike with a loud whirring noise at any hour the owner pleases to set them. 2. The lady placed her clock at the head of the bed, and at the right time she found herself roused by the long, rattling sound. 3. She arose at once, and felt better all day for her early rising. This lasted for some weeks. The alarm clock faithfully did its duty, and was plainly heard so long as it was obeyed. 4. But, after a time, the lady grew tired of early rising. When she was waked by the noise, she merely turned over in bed, and slept again. 5. In a few days, the clock ceased to rouse her from her sleep. It spoke just as loudly as ever; but she did not hear it, because she had been in the habit of not obeying it. 6. Finding that she might as well be without it, she resolved that when she heard the sound she would jump up. 7. Just so it is with conscience. If we will obey its voice, even in the most trifling things, we can always hear it, clear and strong.
THIRD READER. 131 bought an alarm clock. These clocks are designed to ring loudly at any hour the owner chooses to set them. 2. The lady placed her clock at the head of the bed, and at the right time, she found herself awakened by the long, rattling sound. 3. She got up immediately and felt better all day for rising early. This continued for several weeks. The alarm clock reliably did its job and was clearly heard as long as it was followed. 4. However, over time, the lady grew tired of waking up early. When she was disturbed by the noise, she simply turned over in bed and fell back asleep. 5. In a few days, the clock no longer woke her up. It rang just as loudly as before, but she didn’t hear it because she had gotten used to ignoring it. 6. Realizing it was as good as having no clock at all, she decided that when she heard the sound, she would jump up. 7. It's the same with conscience. If we listen to its voice, even in the smallest matters, we can always hear it, clear and strong.
132 ECLECTIC SERIES. 8. But if we allow ourselves to do what we have some fears may not be quite right, we shall grow more and more sleepy, until the voice of conscience has no longer power to wake as.
132 ECLECTIC SERIES. 8. But if we let ourselves do things we’re a bit hesitant about, we’ll become increasingly complacent, until our conscience loses its ability to wake us up.
LESSON LI.
SPRING.
1. The alder by the river
Shakes out her powdery curls;
The willow buds in silver
For little boys and girls.
1. The alder by the river
Shakes out her powdery curls;
The willow buds in silver
For little kids.
2. The little birds fly over,
And oh, how sweet they sing!
To tell the happy children
That once again 't is Spring.
2. The little birds are flying overhead,
And oh, how sweet their songs are!
They're telling the joyful children
That it's Spring once again.
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3. The gay green grass comes creeping
So soft beneath their feet;
The frogs begin to ripple
A music clear and sweet.
3. The vibrant green grass spreads out
So soft underfoot;
The frogs start to croak
A melody clear and sweet.
4. And buttercups are coming,
And scarlet columbine,
And in the sunny meadows
The dandelions shine.
4. And buttercups are blooming,
And bright red columbine,
And in the sunny meadows
The dandelions glow.
5. And just as many daisies
As their soft hands can hold,
The little ones may gather,
All fair in white and gold.
5. And just as many daisies
As their gentle hands can hold,
The kids can pick,
All pretty in white and gold.
6. Here blows the warm red clover,
There peeps the violet blue;
Oh, happy little children!
God made them all for you.
Celia Thaxter.
6. Here blooms the warm red clover,
There peeks the violet blue;
Oh, happy little kids!
God made them all for you.
Celia Thaxter.
134 ECLECTIC SERIES.
LESSON LII. TRUE COURAGE. One cold winter's day, three boys were passing by a schoolhouse. The oldest was a bad boy. always in trouble himself, and trying to get others into trouble. The youngest, whose name was George, was a very good boy. George wished to do right, but was very much wanting in courage. The other boys were named Henry and James. As they walked along, they talked as follows: Henry. What fun it would be to throw a snowball against the schoolroom door, and make the teacher and scholars all jump! James. You would jump, if you should. If the teacher did not catch you and whip you, he would tell your father, and you would get a whipping then; and that would make you jump higher than the scholars, I think. Henry. Why, we would get so far off, before the teacher could come to the door, that he could not tell who we are. Here is a snowball just as hard as ice, and George
LESSON LII. TRUE COURAGE. One cold winter day, three boys were walking by a schoolhouse. The oldest was a troublemaker, always causing problems for himself and trying to drag others into trouble. The youngest, named George, was a really good kid. George wanted to do the right thing but lacked courage. The other two boys were named Henry and James. As they walked, their conversation went like this: Henry: What would be so much fun is to throw a snowball at the schoolroom door and make the teacher and the students jump! James: You’d be the one jumping if you did that. If the teacher didn’t catch you and punish you, he’d tell your dad, and you’d get in trouble then; that would definitely make you jump higher than the other students, I think. Henry: Well, we could get far enough away before the teacher got to the door that he wouldn’t be able to figure out who we are. Look at this snowball—it’s as hard as ice, and George
THIRD READER. 135 would as soon throw it against the door as not. James. Give it to him, and see. He would not dare to throw it. Henry. Do you think George is a coward? You do not know him as well as I do.
THIRD READER. 135 would just as soon throw it against the door as not. James. Give it to him and see. He wouldn't dare throw it. Henry. Do you think George is a coward? You don't know him as well as I do.
Here, George, take this snowball, and show James that you are not such a coward as he thinks you are. George. I am not afraid to throw it; but I do not want to. I do not see that it
Here, George, take this snowball and show James that you’re not as much of a coward as he thinks you are. George. I’m not scared to throw it, but I don’t want to. I don’t see that it
136 ECLECTIC SERIES. will do any good, or that there will be any fun in it. James. There! I told you he would not dare to throw it. Henry. Why, George, are you turning coward? I thought you did not fear anything. Come, save your credit, and throw it. I know you are not afraid. George. Well, I am not afraid to throw. Give me the snowball. I would as soon throw it as not. Whack! went the snowball against the door; and the boys took to their heels. Henry was laughing as heartily as he could, to think what a fool he had made of George. George had a whipping for his folly, as he ought to have had. He was such a coward, that he was afraid of being called a coward. He did not dare refuse to do as Henry told him, for fear that he would be laughed at. If he had been really a brave boy, he would have said, "Henry, do you suppose that I am so foolish as to throw that snowball, just because you want to have me? You may throw your own snowballs, if you please!"
136 ECLECTIC SERIES. will do any good, or that there will be any fun in it. James. There! I told you he wouldn’t dare to throw it. Henry. Why, George, are you being a coward? I thought you weren’t scared of anything. Come on, save your reputation and throw it. I know you’re not scared. George. Well, I’m not scared to throw. Just give me the snowball. I’d just as soon throw it as not. Whack! went the snowball against the door; and the boys took off running. Henry was laughing as hard as he could, thinking about how much of a fool he had made George look. George got a scolding for his foolishness, which he deserved. He was such a coward that he was worried about being called a coward. He didn’t dare say no to Henry, fearing he’d be laughed at. If he had been a truly brave boy, he would have said, "Henry, do you really think I’m stupid enough to throw that snowball just because you want me to? You can throw your own snowballs if you want!"
THIRD READER. 137 Henry would, perhaps, have laughed at him, and called him a coward. But George would have said, "Do you think that 1 care for your laughing? I do not think it right to throw the snowball. I will not do that which 1 think to be wrong, if the whole town should join with you in laughing." This would have been real courage. Henry would have seen, at once, that it would do no good to laugh at a boy who had so bold a heart. You must have this fearless spirit, or you will get into trouble, and will be, and ought to be, disliked by all.
THIRD READER. 137 Henry might have laughed at him and called him a coward. But George would have said, "Do you think I care about your laughter? I don't think it's right to throw the snowball. I won't do something I believe is wrong, even if the whole town joins you in laughing." That would have been true courage. Henry would have realized right away that it was pointless to laugh at a boy with such a brave heart. You need to have this fearless spirit, or you'll get into trouble, and people will dislike you, and they should.
LESSON LIII.
THE OLD CLOCK.
1. In the old, old hall the old clock stands,
And round and round move the steady hands;
With its tick, tick, tick, both night and day,
While seconds and minutes pass away.
1. In the ancient hall, the old clock stands,
And round and round, the steady hands move;
With its tick, tick, tick, both night and day,
As seconds and minutes slip away.
138 ECLECTIC SERIES,
2. At the old, old clock oft wonders Nell, For she can't make out what it has to tell;
2. At the ancient clock, Nell often wonders, Because she can't figure out what it has to say;
She has ne'er yet read, in prose or rhyme,
That it marks the silent course of time.
She has never read, in prose or rhyme,
That it shows the quiet passage of time.
3. When I was a child, as Nell is now,
And long ere Time had wrinkled my brow,
The old, old clock both by night and day
Said,—"Tick, tick, tick!" Time passes away.
3. When I was a kid, just like Nell is now,
And long before Time had left its mark on me,
The old clock, day and night,
Said,—"Tick, tick, tick!" Time goes by.
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LESSON LIV. THE WAVES. 1. "Where are we to go?" said the little waves to the great, deep sea. "Go, my darlings, to the yellow sands: you will find work to do there." 2. "I want to play," said one little wave; "I want to see who can jump the highest." "No; come on, come on," said an earnest wave; "mother must be right. I want to work." 3. "Oh, I dare not go," said another; "look at those great, black rocks close to the sands; I dare not go there, for they will tear me to pieces." 4. "Take my hand, sister," said the earnest wave; "let us go on together. How glorious it is to do some work." 5. "Shall we ever go back to mother?" "Yes, when our work is done."
LESSON LIV. THE WAVES. 1. "Where should we go?" asked the little waves of the big, deep sea. "Go, my darlings, to the golden sands: you'll find plenty to do there." 2. "I want to play," said one little wave; "I want to see who can jump the highest." "No; come on, come on," said a serious wave; "mother must be right. I want to work." 3. "Oh, I can't go," said another; "look at those huge, dark rocks near the sands; I can't go there, they'll tear me apart." 4. "Take my hand, sister," said the serious wave; "let’s go together. How wonderful it is to do some work." 5. "Will we ever go back to mother?" "Yes, when our work is done."
140 ECLECTIC SERIES. 6. So one and all hurried on. Even the little wave that wanted to play, pressed on, and thought that work might be fun after all. The timid ones did not like to be left behind, and they became earnest as they got nearer the sands. 7. After all, it was fun, pressing on one after another— jumping, laughing, running on to the broad, shining sands. 8. First, they came in their course to a great sand castle. Splash, splash! they all
140 ECLECTIC SERIES. 6. So everyone hurried along. Even the little wave that wanted to play kept going, thinking that maybe work could be fun after all. The shy ones didn’t want to be left behind, so they got serious as they approached the sands. 7. In the end, it was fun, moving forward one after another—jumping, laughing, running onto the wide, shining sands. 8. First, they arrived at a huge sand castle. Splash, splash! they all
THIRD READER. 141 went over it, and down it came. "Oh, what fun!" they cried. 9. "Mother told me to bring these seaweeds; I will find a pretty place for them," said one—and she ran a long way over the sands, and left them among the pebbles. The pebbles cried, "We are glad you are come. We wanted washing." 10. "Mother sent these shells; I do n't know where to put them," said a little fretful wave. "Lay them one by one on the sand, and do not break them," said the eldest wave. 11. And the little one went about its work, and learned to be quiet and gentle, for fear of breaking the shells. 12. "Where is my work?" said a great, full-grown wave. "this is mere play. The little ones can do this and laugh over it. Mother said there was work for me." And he came down upon some large rocks. 13. Over the rocks and into a pool he went, and he heard the fishes say, "The sea is coming. Thank you, great sea; you always send a big wave when a storm is nigh. Thank you, kind wave; we are all ready for you now."
THIRD READER. 141 went over it, and down it came. "Oh, what fun!" they shouted. 9. "Mom told me to bring these seaweeds; I’ll find a nice spot for them," said one—and she ran a long way over the sands, leaving them among the pebbles. The pebbles said, "We’re glad you’re here. We needed a wash." 10. "Mom sent these shells; I don’t know where to put them," said a little grumpy wave. "Place them one by one on the sand, and don’t break them," said the oldest wave. 11. And the little one went about its task, learning to be quiet and gentle, afraid of breaking the shells. 12. "Where’s my job?" said a big, grown-up wave. "This is just play. The little ones can do this and giggle about it. Mom said there was work for me." And he rushed down onto some large rocks. 13. He crashed over the rocks and into a pool, and he heard the fish say, "The sea is coming. Thank you, great sea; you always send a big wave when a storm is near. Thank you, kind wave; we’re all ready for you now."
142 ECLECTIC SERIES. 14. Then the waves all went back over the wet sands, slowly and carelessly, for they were tired. 15. "All my shells are safe," said one. 16. And, "My seaweeds are left behind," said another. 17. "I washed all of the pebbles," said a third. 18. "And I—I only broke on a rock, and splashed into a pool," said the one that was so eager to work. "I have done no good, mother—no work at all" 19. "Hush!" said the sea. And they heard a child that was walking on the shore, say, "O mother, the sea has been here! Look, how nice and clean the sand is, and how clear the water is in that pool." 20. Then the sea, said, "Hark!" and far away they heard the deep moaning of the coming storm. 21. "Come, my darlings," said she; "you have done your work, now let the storm do its work."
142 ECLECTIC SERIES. 14. Then the waves rolled back over the wet sand, slowly and carelessly, because they were tired. 15. "All my shells are safe," said one. 16. And, "I've left my seaweeds behind," said another. 17. "I washed all the pebbles," said a third. 18. "And I—I just broke on a rock and splashed into a pool," said the one who was so eager to work. "I haven't done any good, mom—no work at all." 19. "Hush!" said the sea. And they heard a child walking on the shore say, "Oh mom, the sea has been here! Look how nice and clean the sand is, and how clear the water is in that pool." 20. Then the sea said, "Listen!" and far away they heard the deep moaning of the approaching storm. 21. "Come, my darlings," she said; "you’ve done your work, now let the storm do its work."
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LESSON LV.
DO N'T KILL THE BIRDS.
1. Do n't kill the birds! the little birds,
That sing about your door
Soon as the joyous Spring has come,
And chilling storms are o'er.
1. Don’t kill the birds! The little birds,
That sing at your door
As soon as joyful Spring arrives,
And the chilling storms are over.
2. The little birds! how sweet they sing!
Oh, let them joyous live;
And do not seek to take the life
Which you can never give.
2. The little birds! How sweetly they sing!
Oh, let them live joyfully;
And don’t try to take the life
That you can never give.
3. Do n't kill the birds! the pretty birds, That play among the trees;
3. Don't kill the birds! The beautiful birds, That play among the trees;
144 ECLECTIC SERIES.
For earth would be a cheerless place,
If it were not for these.
For earth would be a dull place,
If it weren't for these.
4. The little birds! how fond they play!
Do not disturb their sport;
But let them warble forth their songs,
Till winter cuts them short.
4. The little birds! They play so happily!
Don’t interrupt their fun;
Just let them sing their songs,
Until winter silences them.
5. Do n't kill the birds! the happy birds,
That bless the field and grove;
So innocent to look upon,
They claim our warmest love.
5. Don't kill the birds! the cheerful birds,
That brighten the field and woods;
So innocent to look at,
They deserve our deepest love.
6. The happy birds, the tuneful birds,
How pleasant 't is to see!
No spot can be a cheerless place
Where'er their presence be.
6. The joyful birds, the singing birds,
How lovely it is to see!
No place can be a dreary spot
Wherever they may be.
LESSON LVI.
WHEN TO SAY NO.
1. Though "No" is a very little word, it is not always easy to say it; and the not doing so, often causes trouble.
1. Even though "No" is a tiny word, it isn't always easy to say; and failing to do so often leads to problems.
THIRD READER. 145 2. When we are asked to stay away from school, and spend in idleness or mischief the time which ought to be spent in study, we should at once say "No." 3. When we are urged to loiter on our way to school, and thus be late, and interrupt our teacher and the school, we should say "No." When some schoolmate wishes us to whisper or play in the schoolroom, we should say "No." 4. When we are tempted to use angry or wicked words, we should remember that the eye of God is always upon us, and should say "No." 5. When we have done anything wrong, and are tempted to conceal it by falsehood, we should say "No, we can not tell a lie; it is wicked and cowardly." 6. If we are asked to do anything which we know to be wrong, we should not fear to say "No." 7. If we thus learn to say "No," we shall avoid much trouble, and be always safe.
THIRD READER. 145 2. When we're told to skip school and waste time in idleness or mischief instead of studying, we should immediately say "No." 3. When we’re encouraged to dawdle on our way to school, making us late and disrupting our teacher and the class, we should say "No." When a classmate wants us to whisper or play in the classroom, we should say "No." 4. When we’re tempted to use angry or harmful words, we should remember that God is always watching us and should say "No." 5. If we’ve done something wrong and are tempted to cover it up with a lie, we should say "No, we can’t lie; it’s wrong and cowardly." 6. If we’re asked to do something we know is wrong, we shouldn’t hesitate to say "No." 7. By learning to say "No," we can avoid a lot of trouble and always stay safe.
3.10.
3.10.
146 ECLECTIC SERIES. LESSON LVII. WHICH LOVED BEST?
"I love you, mother," said little John;
Then, forgetting work, his cap went on,
And he was off to the garden swing,
Leaving his mother the wood to bring.
"I love you, Mom," said little John;
Then, forgetting his chores, he put on his cap,
And he was off to the swing in the garden,
Leaving his mom to handle the wood.
2. "I love you, mother," said rosy Nell; "I love you better than tongue can tell;"
2. "I love you, Mom," said rosy Nell; "I love you more than words can say;"
THIRD READER. 147
Then she teased and pouted full half the day,
Till her mother rejoiced when she went to play.
Then she joked around and sulked for half the day,
Until her mom was happy when she went out to play.
3. "I love you, mother," said little Fan;
"To-day I'll help you all I can;
How glad I am that school does n't keep!"
So she rocked the baby till it fell asleep.
3. "I love you, Mom," said little Fan;
"Today I'll help you as much as I can;
I'm so glad there's no school today!"
So she rocked the baby until it fell asleep.
4. Then, stepping softly, she took the broom,
And swept the floor, and dusted the room;
Busy and happy all day was she,
Helpful and cheerful as child could be.
4. Then, she quietly grabbed the broom,
And swept the floor, and dusted the room;
She was busy and happy all day long,
Helpful and cheerful as a child could be.
5. "I love you, mother," again they said—
Three little children going to bed;
How do you think that mother guessed
Which of them really loved her best?
Joy Allison.
5. "I love you, Mom," they said again—
Three little kids getting ready for bed;
How do you think that Mom knew
Which one of them really loved her the most?
Joy Allison.
LESSON LVIII.
JOHN CARPENTER. 1. John Carpenter did not like to buy toys that somebody else had made. He liked the fun of making them himself. The thought that they were his own work delighted him. 2. Tom Austin, one of his playmates, thought a toy was worth nothing unless it cost a great deal of money. He never tried to make anything, but bought all his toys.
JOHN CARPENTER. 1. John Carpenter didn’t like buying toys that someone else made. He enjoyed the fun of creating them himself. The idea that they were his own creations thrilled him. 2. Tom Austin, one of his friends, believed a toy wasn’t valuable unless it was expensive. He never tried to make anything and just bought all his toys.
148 ECLECTIC SERIES. 3. "Come and look at my horse," said he, one day. "It cost a dollar, and it is such a beauty! Come and see it." 4. John was soon admiring his friend's
148 ECLECTIC SERIES. 3. "Come and check out my horse," he said one day. "It cost a dollar, and it's such a beauty! Come and see it." 4. John quickly found himself admiring his friend's
horse; and he was examining it carefully, to see how it was made. The same evening he began to make one for himself. 5. He went into the wood shed, and picked
horse; and he was looking at it closely to understand how it was made. That same evening, he started to build one for himself. 5. He went into the wood shed and picked
THIRD READER. 149 out two pieces of wood—one for the head of his horse, the other for the body. It took him two or three days to shape them to his satisfaction. 6. His father gave him a bit of red leather for a bridle, and a few brass nails, and his mother found a bit of old fur with which he made a mane and tail for his horse. 7. But what about the wheels? This puzzled him. At last he thought he would go to a turner's shop, and see if he could not get some round pieces of wood which might suit his purpose. 8. He found a large number of such pieces among the shavings on the floor, and asked permission to take a few of them. The turner asked him what he wanted them for, and he told him about his horse. 9. "Oh," said the man, laughing, "if you wish it, I will make some wheels for your horse. But mind, when it is finished, you must let me see it." 10. John promised to do so, and he soon ran home with the wheels in his pocket. The next evening, he went to the turner's shop with his horse all complete, and was told that he was an ingenious little fellow
THIRD READER. 149 out two pieces of wood—one for his horse's head and the other for its body. It took him two or three days to carve them to his liking. 6. His dad gave him a piece of red leather for a bridle, and a few brass nails, while his mom found a piece of old fur that he used to make a mane and tail for his horse. 7. But what about the wheels? This troubled him. Finally, he thought he would check out a turner's shop to see if he could find some round pieces of wood that would work for what he needed. 8. He found a lot of those pieces among the shavings on the floor and asked if he could take a few. The turner asked him what he needed them for, and he explained about his horse. 9. "Oh," said the man, chuckling, "if you want, I can make some wheels for your horse. But you have to promise to show me when it’s done." 10. John promised and quickly ran home with the wheels in his pocket. The next evening, he returned to the turner's shop with his horse fully made, and the man told him he was a clever little guy.
150 ECLECTIC SERIES. 11. Proud of this compliment, he ran to his friend Tom, crying, "Now then, Tom, here is my horse,—look!" 12. "Well, that is a funny horse," said Tom; "where did you buy it?" "I did n't buy it," replied John; I made it." 13. "You made it yourself! Oh, well, it's a good horse for you to make. But it is not so good as mine. Mine cost a dollar, and yours did n't cost anything." 14. "It was real fun to make it, though," said John, and away he ran with his horse rolling after him. 15. Do you want to know what became of John? Well, I will tell you. He studied hard in school, and was called the best scholar in his class. When he left school, he went to work in a machine shop. He is now a master workman, and will soon have a shop of his own.
150 ECLECTIC SERIES. 11. Proud of this compliment, he ran to his friend Tom, shouting, "Hey, Tom, check out my horse—look!" 12. "Well, that's a funny horse," said Tom; "where did you get it?" "I didn't get it," John replied; "I made it." 13. "You made it yourself! Well, it's a good horse for you to make. But it's not as good as mine. Mine cost a dollar, and yours didn't cost anything." 14. "It was a lot of fun to make it, though," said John, and off he ran with his horse rolling after him. 15. Want to know what happened to John? Well, I'll tell you. He studied hard in school and was called the best student in his class. After he left school, he started working in a machine shop. Now he's a master workman and will soon have his own shop.
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LESSON LIX.
PERSEVERE.
1. The fisher who draws in his net too soon,
Won't have any fish to sell;
The child who shuts up his book too soon,
Won't learn any lessons well.
1. The fisherman who pulls in his net too early,
Won't have any fish to sell;
The child who closes his book too early,
Won't learn any lessons well.
2. If you would have your learning stay,
Be patient,—do n't learn too fast:
The man who travels a mile each day,
May get round the world at last.
2. If you want your learning to stick,
Be patient—don’t rush it:
The person who travels a mile each day,
Can eventually make it around the world.
LESSON LX.
THE CONTENTED BOY. Mr. Lenox was one morning riding by himself. He got off from his horse to look at something on the roadside. The horse broke away from him, and ran off. Mr. Lenox ran after him, but soon found that he could not catch him. A little boy at work in a field near the road, heard the horse. As soon as he saw him running from his master, the boy ran
THE CONTENTED BOY. Mr. Lenox was riding alone one morning. He got off his horse to check out something on the side of the road. The horse bolted from him and took off. Mr. Lenox chased after him but quickly realized he couldn't catch up. A little boy working in a nearby field heard the horse. As soon as he saw it running away from its owner, the boy ran
152 ECLECTIC SERIES.
very quickly to the middle of the road, and, catching the
horse by thc bridle, stopped him till Mr. Lenox came up.
Mr. Lenox. Thank you, my good boy, you have caught my
horse very nicely. What shall I give you for your trouble?
Boy. I want nothing, sir.
Mr. L. You want nothing? So much the better for you.
Few men can say as much. But what were you doing in the
field?
B. I was rooting up weeds, and tending the sheep that
were feeding on turnips.
Mr. L. Do you like to work?
B. Yes, sir, very well, this fine weather.
Mr. L. But would you not rather play?
B. This is not hard work. It is almost as good as play.
Mr. L. Who set you to work?
B. My father, sir.
Mr. L. What is your name?
B. Peter Hurdle, sir.
Mr. L. How old are you?
B. Eight years old, next June.
Mr. L. How long have you been here?
B. Ever since six o'clock this morning.
Mr. L. Are you not hungry?
B. Yes, sir, but I shall go to dinner soon.
very quickly to the middle of the road, and, catching the
horse by the bridle, stopped him until Mr. Lenox came up.
Mr. Lenox: Thank you, my good boy, you caught my
horse very well. What can I give you for your trouble?
Boy: I want nothing, sir.
Mr. L: You want nothing? That's good for you.
Few men can say the same. But what were you doing in the
field?
B: I was pulling up weeds and taking care of the sheep that
were eating turnips.
Mr. L: Do you enjoy working?
B: Yes, sir, very much, in this nice weather.
Mr. L: But wouldn’t you rather play?
B: This isn't hard work. It's almost like playing.
Mr. L: Who told you to work?
B: My father, sir.
Mr. L: What’s your name?
B: Peter Hurdle, sir.
Mr. L: How old are you?
B: I’ll be eight years old next June.
Mr. L: How long have you been here?
B: Ever since six o'clock this morning.
Mr. L: Aren’t you hungry?
B: Yes, sir, but I’ll be going to dinner soon.
THIRD READER. 153
Mr. L. If you had a dime now, what would you do with it?
B. I do n't know, sir. I never had so much.
Mr. L. Have you no playthings?
Mr. L. If you had a dime right now, what would you do with it?
B. I don't know, sir. I've never had that much.
Mr. L. Don't you have any toys?
154 ECLECTIC SERIES.
B. Playthings? What are they?
Mr. L. Such things as ninepins, marbles, tops, and wooden
horses.
B. No, sir. Tom and I play at football in winter, and I have
a jumping rope. I had a hoop, but it is broken.
Mr. L. Do you want nothing else?
B. I have hardly time to play with what I have. I have to
drive the cows, and to run on errands, and to ride the horses
to the fields, and that is as good as play.
Mr. L. You could get apples and cakes, if you had money,
you know.
B. I can have apples at home. As for cake, I do not want
that. My mother makes me a pie now and then, which is as
good.
Mr. L. Would you not like a knife to cut sticks?
B. I have one. Here it is. Brother Tom gave it to me.
Mr. L. Your shoes are full of holes. Do n't you want a new
pair?
B. I have a better pair for Sundays.
Mr. L. But these let in water.
B. I do not mind that, sir.
Mr. L. Your hat is all torn, too.
B. I have a better one at home.
154 ECLECTIC SERIES.
B. Playthings? What are those?
Mr. L. Things like ninepins, marbles, tops, and wooden
horses.
B. No, sir. Tom and I play football in the winter, and I have
a jump rope. I had a hoop, but it's broken.
Mr. L. Don’t you want anything else?
B. I barely have time to play with what I have. I have to
tend to the cows, run errands, and ride the horses
to the fields, and that's just as good as play.
Mr. L. You could get apples and cakes if you had money,
you know.
B. I can get apples at home. As for cake, I don’t want
that. My mom makes me a pie every now and then, which is just as
good.
Mr. L. Wouldn't you like a knife to cut sticks?
B. I have one. Here it is. Brother Tom gave it to me.
Mr. L. Your shoes are full of holes. Don’t you want a new
pair?
B. I have a better pair for Sundays.
Mr. L. But those let in water.
B. I don’t mind that, sir.
Mr. L. Your hat is all torn, too.
B. I have a better one at home.
THIRD READER. 155
Mr. L. What do yon do when it rains?
B. If it rains very hard when I am in the field, I get under a
tree for shelter.
Mr. L. What do you do, if you are hungry before it is time
to go home?
B. I sometimes eat a raw turnip.
Mr. L. But if there is none?
B. Then I do as well as I can without. I work on, and never
think of it.
Mr. L. Why, my little fellow, I am glad to see that you are
so contented. Were you ever at school?
B. No, sir. But father means to send me next winter.
Mr. L. You will want books then.
B. Yes, sir; each boy has a Spelling Book, a Reader, and a
Testament.
Mr. L. Then I will give them to you. Tell your father so,
and that it is because you are an obliging, contented little
boy.
B. I will, sir. Thank you.
Mr. L. Good by, Peter.
B. Good morning, sir.
Dr. John Aiken
THIRD READER. 155
Mr. L. What do you do when it rains?
B. If it rains really hard while I’m in the field, I take cover under a
tree.
Mr. L. What do you do if you get hungry before it’s time
to go home?
B. Sometimes I eat a raw turnip.
Mr. L. But what if there aren't any?
B. Then I just make do without it. I keep working and don’t
worry about it.
Mr. L. Well, I’m glad to see you’re so content. Have you ever been to school?
B. No, sir. But my dad plans to send me next winter.
Mr. L. You’ll need books for that.
B. Yes, sir; each boy gets a Spelling Book, a Reader, and a
Testament.
Mr. L. Then I’ll get those for you. Tell your dad that,
and that it’s because you’re such a helpful, content little
boy.
B. I will, sir. Thank you.
Mr. L. Goodbye, Peter.
B. Good morning, sir.
Dr. John Aiken
156 ECLECTIC SERIES.
LESSON LXI.
LITTLE GUSTAVA.
1. Little Gustava sits in the sun,
Safe in the porch, and the little drops run
From the icicles under the eaves so fast,
For the bright spring sun shines warm at last,
And glad is little Gustava.
1. Little Gustava sits in the sun,
Safe on the porch, and the little drops run
From the icicles under the eaves so quickly,
Because the bright spring sun shines warm at last,
And little Gustava is happy.
2. She wears a quaint little scarlet cap,
And a little green bowl she holds in her lap,
Filled with bread and milk to the brim,
And a wreath of marigolds round the rim:
"Ha! ha!" laughs little Gustava.
2. She wears a cute little red cap,
And a small green bowl she keeps in her lap,
Filled with bread and milk to the top,
And a garland of marigolds around the edge:
"Ha! ha!" laughs little Gustava.
3. Up comes her little gray, coaxing cat,
With her little pink nose, and she mews, "What's that ?"
Gustava feeds her,—she begs for more,
And a little brown hen walks in at the door:
"Good day!" cries little Gustava.
3. Here comes her little gray cat, being all sweet,
With her tiny pink nose, and she meows, "What's that?"
Gustava feeds her—she wants more,
And a little brown hen walks in through the door:
"Good day!" exclaims little Gustava.
4. She scatters crumbs for the little brown hen,
There comes a rush and a flutter, and then
Down fly her little white doves so sweet,
With their snowy wings and their crimson feet:
"Welcome!" cries little Gustava.
4. She spreads crumbs for the little brown hen,
A rush and a flutter come, and then
Down swoop her little white doves so sweet,
With their snowy wings and their crimson feet:
"Welcome!" shouts little Gustava.
5. So dainty and eager they pick up the crumbs. But who is this through the doorway comes?
5. So delicate and eager, they pick up the crumbs. But who is this coming through the doorway?
THIRD READER. 157
Little Scotch terrier, little dog Rags,
Looks in her face, and his funny tail wags:
"Ha! ha!" laughs little Gustava.
Little Scotch terrier, little dog Rags,
Looks up at her, and his funny tail wags:
"Ha! ha!" laughs little Gustava.
6. "You want some breakfast, too?" and down
She sets her bowl on the brick floor brown,
And little dog Rags drinks up her milk,
While she strokes his shaggy locks, like silk:
"Dear Rags!" says little Gustava.
6. "Do you want some breakfast, too?" and down
She places her bowl on the brown brick floor,
And little dog Rags drinks her milk,
While she pets his shaggy fur, like silk:
"Sweet Rags!" says little Gustava.
7. Waiting without stood sparrow and crow, Cooling their feet in the melting snow.
7. Waiting without a sparrow and crow, Cooling their feet in the melting snow.
158 ECLECTIC SERIES.
"Won't you come in, good folk?" she cried,
But they were too bashful, and staid outside,
Though "Pray come in!" cried Gustava.
"Won't you come in, nice people?" she shouted,
But they were too shy and stayed outside,
Although "Please come in!" urged Gustava.
8. So the last she threw them, and knelt on the mat,
With doves, and biddy, and dog, and cat.
And her mother came to the open house door:
"Dear little daughter, I bring you some more,
My merry little Gustava."
8. So she threw them one last time and knelt on the mat,
With doves, and a chick, and a dog, and a cat.
And her mother came to the open front door:
"Dear little daughter, I have more for you,
My cheerful little Gustava."
9. Kitty and terrier, biddy and doves,
All things harmless Gustava loves,
The shy, kind creatures 't is joy to feed,
And, oh! her breakfast is sweet indeed
To happy little Gustava!
Celia Thaxter.
9. Kitty and the terrier, chick and doves,
All harmless things that Gustava loves,
The shy, kind creatures are a joy to feed,
And, oh! her breakfast is truly sweet
For happy little Gustava!
Celia Thaxter.
LESSON LXII.
THE INSOLENT BOY.
1. James Selton was one of the most insolent boys in the village where he lived. He would rarely pass people in the street without being guilty of some sort of abuse.
1. James Selton was one of the most disrespectful boys in the village where he lived. He would hardly walk past anyone in the street without being involved in some form of harassment.
THIRD READER. 159 2. If a person were well dressed he would cry out, "Dandy!" If a person's clothes were dirty or torn, he would throw stones at him, and annoy him in every way. 3. One afternoon, just as the school was dismissed, a stranger passed through the village. His dress was plain and somewhat old, but neat and clean. He carried a cane in his hand, on the end of which was a bundle, and he wore a broad-brimmed hat. 4. No sooner did James see the stranger, than he winked to his playmates, and said, "Now for some fun!" He then silently went toward the stranger from behind, and, knocking off his hat, ran away. 5. The man turned and saw him, but James was out of hearing before he could speak. The stranger put on his hat, and went on his way. Again did James approach; but this time, the man caught him by the arm, and held him fast. 6. However, he contented himself with looking James a moment in the face, and then pushed him from him. No sooner did the naughty boy find himself free again, than he began to pelt the stranger with dirt and stones.
THIRD READER. 159 2. If someone was well dressed, he'd shout, "Dandy!" If someone’s clothes were dirty or torn, he'd throw stones at him and bother him in every way. 3. One afternoon, just as school was letting out, a stranger walked through the village. His clothes were plain and a bit old, but they were neat and clean. He carried a cane with a bundle on the end, and he wore a wide-brimmed hat. 4. As soon as James spotted the stranger, he winked at his friends and said, "Time for some fun!" He then quietly approached the stranger from behind, knocked off his hat, and ran away. 5. The man turned and saw him, but James was out of earshot before he could say anything. The stranger put his hat back on and continued on his way. James approached again, but this time the man grabbed him by the arm and held him tightly. 6. However, he simply looked James in the face for a moment and then pushed him away. As soon as the naughty boy found himself free again, he started throwing dirt and stones at the stranger.
160 ECLECTIC SERIES.
7. But he was much frightened when the "rowdy," as he foolishly called the man, was struck on the head by a brick, and badly hurt. All the boys now ran away, and James skulked across the fields to his home. 8. As he drew near the house, his sister Caroline came out to meet him, holding up
7. But he was really scared when the "rowdy," as he stupidly called the guy, got hit on the head by a brick and got seriously injured. All the boys ran away, and James sneaked across the fields to get home. 8. As he got closer to the house, his sister Caroline came out to meet him, holding up
THIRD READER. 161 a beautiful gold chain and some new books for him to see. 9. She told James, as fast as she could talk, that their uncle, who had been away several years, had come home, and was now in the house; that he had brought beautiful presents for the whole family; that he had left his carriage at the tavern, a mile or two off, and walked on foot, so as to surprise his brother, their father. 10. She said, that while he was coming through the village, some wicked boys threw stones at him, and hit him just over the eye, and that mother had bound up the wound. "But what makes you look so pale?" asked Caroline, changing her tone. 11. The guilty boy told her that nothing was the matter with him; and running into the house, he went upstairs into his chamber. Soon after, he heard his father calling him to come down. Trembling from head to foot, he obeyed. When he reached the parlor door, he stood, fearing to enter. 12. His mother said, "James, why do you not come in? You are not usually so bashful. See this beautiful watch, which your uncle has brought for you." 3, 11.
THIRD READER. 161 a beautiful gold chain and some new books for him to see. 9. She told James, as quickly as she could, that their uncle, who had been away for several years, was back home and was now in the house; that he had brought lovely presents for the entire family; that he had left his carriage at the tavern, a mile or two away, and walked on foot to surprise his brother, their father. 10. She said that while he was passing through the village, some mischievous boys threw stones at him and hit him right above the eye, and that their mother had bandaged the wound. "But why do you look so pale?" asked Caroline, changing her tone. 11. The guilty boy told her that nothing was wrong with him; then he ran into the house and went upstairs to his room. Soon after, he heard his father calling him to come down. Shaking with fear, he obeyed. When he reached the parlor door, he hesitated to enter. 12. His mother said, "James, why aren't you coming in? You're not usually this shy. Look at this beautiful watch your uncle brought for you." 3, 11.
162 ECLECTIC SERIES, 13. What a sense of shame did James now feel! Little Caroline seized his arm, and pulled him into the room. But he hung down his head, and covered his face with his hands. 14. His uncle went up to him, and kindly taking away his hands, said, "James, will you not bid me welcome?" But quickly starting back, he cried, "Brother, this is not your son. It is the boy who so shamefully insulted me in the street!" 15. With surprise and grief did the good father and mother learn this. His uncle was ready to forgive him, and forget the injury. But his father would never permit James to have the gold watch, nor the beautiful books, which his uncle had brought for him. 16. The rest of the children were loaded with presents. James was obliged to content himself with seeing them happy. He never forgot this lesson so long as he lived. It cured him entirely of his low and insolent manners.
162 ECLECTIC SERIES, 13. James felt a deep sense of shame now! Little Caroline grabbed his arm and pulled him into the room. But he hung his head low and covered his face with his hands. 14. His uncle approached him, gently took his hands away, and said, "James, won't you welcome me?" But James quickly recoiled and exclaimed, "Brother, this isn’t your son. It’s the boy who insulted me so disgracefully in the street!" 15. The kind father and mother were filled with surprise and sadness upon hearing this. His uncle was ready to forgive and forget the offense. But his father would never let James have the gold watch or the beautiful books that his uncle had brought for him. 16. The other children were showered with gifts. James had to be satisfied just watching them be happy. He never forgot this lesson for as long as he lived. It completely changed his disrespectful behavior.
THIRD READER. 163
LESSON LXIII.
WE ARE SEVEN.
1. I met a little cottage girl:
She was eight years old, she said;
Her hair was thick with many a curl,
That clustered round her head.
1. I met a little cottage girl:
She said she was eight years old;
Her hair was thick with lots of curls,
That gathered around her head.
2. She had a rustic, woodland air,
And she was wildly clad:
Her eyes were fair, and very fair;—
Her beauty made me glad.
2. She had a natural, outdoorsy vibe,
And she was dressed in a wild way:
Her eyes were bright, and really bright;—
Her beauty brought me joy.
3. "Sisters and brothers, little maid,
How many may you be?"
"How many? Seven in all," she said,
And, wondering, looked at me.
3. "Sisters and brothers, little maid,
How many of you are there?"
"How many? Seven in total," she said,
And, curious, looked at me.
4. "And where are they? I pray you tell."
She answered, "Seven are we;
And two of us at Conway dwell,
And two are gone to sea.
4. "And where are they? Please tell me."
She answered, "There are seven of us;
Two of us live in Conway,
And two have gone to sea.
l64 ECLECTIC SERIES.
Diverse Series.
5. "Two of us in the churchyard lie,
My sister and my brother;
And, in the churchyard cottage, I
Dwell near them with my mother,"
5. "Two of us are lying in the churchyard,
My sister and my brother;
And, in the churchyard cottage, I
Live close to them with my mother,"
6. "You say that two at Conway dwell,
And two are gone to sea,
Yet ye are seven! I pray you tell,
Sweet maid, how this may be."
6. "You say that two live at Conway,
And two have gone to sea,
Yet there are seven of you! Please tell me,
Sweet girl, how can this be?"
THIRD READER. 165
7. Then did the little maid reply,
"Seven boys and girls are we;
Two of us in the churchyard lie,
Beneath the churchyard tree."
7. Then the little girl responded,
“We’re seven boys and girls;
Two of us are buried in the graveyard,
Under the graveyard tree.”
8. "You run about, my little maid,
Your limbs, they are alive;
If two are in the churchyard laid,
Then ye are only five."
8. "You run around, my little girl,
Your limbs are full of life;
If two are in the graveyard,
Then there are only five of you left."
9. "Their graves are green, they may be seen,"
The little maid replied,
"Twelve steps or more from mother's door,
And they are side by side.
9. "Their graves are green, you can see them,"
The little girl responded,
"Twelve steps or more from mom's door,
And they're next to each other.
10. "My stockings there I often knit,
My kerchief there I hem;
And there upon the ground I sit,
And sing a song to them.
10. "I often knit my stockings there,
I hem my kerchief there;
And there on the ground I sit,
And sing a song to them.
11. "And often after sunset, sir,
When it is light and fair,
I take my little porringer,
And eat my supper there.
11. "And often after sunset, sir,
When it’s nice and clear,
I grab my little bowl,
And have my dinner there.
12. "The first that died was sister Jane; In bed she moaning lay,
12. "The first to die was sister Jane; In bed she lay moaning,
166 ECLECTIC SERIES.
Till God released her from her pain;
And then she went away.
Till God freed her from her suffering;
And then she left.
13. "So in the churchyard she was laid;
And, when the grass was dry,
Together round her grave we played,
My brother John and I.
13. "So in the churchyard she was buried;
And, when the grass was dry,
Together around her grave we played,
My brother John and I.
14. "And when the ground was white with snow,
And I could run and slide,
My brother John was forced to go,
And he lies by her side."
14. "And when the ground was covered in snow,
And I could run and slide,
My brother John had to leave,
And he lies next to her now."
15. "How many are you, then?" said I,
"If they two are in heaven?"
Quick was the little maid's reply,
"O master! we are seven."
15. "So how many of you are there then?" I asked,
"If those two are in heaven?"
The little girl answered quickly,
"Oh master! there are seven of us."
16. "But they are dead; those two are dead!
Their spirits are in heaven!"
'T was throwing words away: for still
The little maid would have her will,
And said, "Nay, we are seven."
William Wordsworth.
16. "But they are dead; those two are dead!
Their spirits are in heaven!"
It was pointless to argue: because still
The little girl insisted,
And said, "No, we are seven."
William Wordsworth.
THIRD READER. 167
LESSON LXIV.
MARY'S DIME. 1. There! I have drawn the chairs into the right corners, and dusted the room nicely. How cold papa and mamma will be when they return from their long ride! It is not time to toast the bread yet, and I am tired of reading. 2. What shall I do? Somehow, I can't help thinking about the pale face of that little beggar girl all the time. I can see the glad light filling her eyes, just as plain as I did when I laid the dime in her little dirty hand. 3. How much I had thought of that dime, too! Grandpa gave it to me a whole month ago, and I had kept it ever since in my red box upstairs; but those sugar apples looked so beautiful, and were so cheap—only a dime apiece—that I made up my mind to have one. 4. I can see her—the beggar girl, I mean—as she stood there in front of the store, in her old hood and faded dress, looking at the candies laid all in a row. I wonder
MARY'S DIME. 1. There! I’ve moved the chairs into the right places and cleaned the room nicely. Papa and Mama are going to be so cold when they get back from their long ride! It’s not time to toast the bread yet, and I’m tired of reading. 2. What should I do? I can’t stop thinking about the pale face of that little beggar girl. I can see the joy in her eyes just as clearly as I did when I put the dime in her dirty little hand. 3. I had thought about that dime so much! Grandpa gave it to me a whole month ago, and I had kept it safe in my red box upstairs; but those sugar apples looked so beautiful and were so cheap—only a dime each—that I decided I had to get one. 4. I can see her—the beggar girl, I mean—as she stood there in front of the store, in her old hood and faded dress, staring at the candies displayed in a row. I wonder
168 ECLECTIC SERIES. what made me say, "Little girl, what do you want?" 5. How she stared at me, just as if nobody had spoken kindly to her before. I guess
168 ECLECTIC SERIES. what made me say, "Little girl, what do you want?" 5. How she stared at me, just as if nobody had spoken kindly to her before. I guess
she thought I was sorry for her, for she said, so earnestly and sorrowfully, "I was thinking how good one of those gingerbread rolls would taste. I have n't had anything to eat to-day."
she thought I felt sorry for her, because she said, so earnestly and sadly, "I was thinking about how good one of those gingerbread rolls would taste. I haven't eaten anything today."
THIRD READER. 169 6. Now, I thought to myself, "Mary Williams, you have had a good breakfast and a good dinner this day, and this poor girl has not had a mouthful. You can give her your dime; she needs it a great deal more than you do." 7. I could not resist that little girl's sorrowful, hungry look—so I dropped the dime right into her hand, and, without waiting for her to speak, walked straight away. I'm so glad I gave her the dime, if I did have to go without the apple lying there in the window, and looking just like a real one.
THIRD READER. 169 6. Now, I thought to myself, "Mary Williams, you’ve had a good breakfast and lunch today, and this poor girl hasn’t had a thing to eat. You can give her your dime; she needs it way more than you do." 7. I couldn’t resist that little girl’s sad, hungry look—so I dropped the dime right into her hand, and without waiting for her to say anything, walked straight away. I’m so glad I gave her the dime, even if I had to go without the apple sitting there in the window, looking just like a real one.
LESSON LXV. MARY DOW.
1. "Come in, little stranger," I said,
As she tapped at my half open door;
While the blanket, pinned over her head,
Just reached to the basket she bore.
1. "Come in, little stranger," I said,
as she knocked at my half-open door;
while the blanket pinned over her head
just touched the basket she carried.
170 ECLECTIC SERIES.
2. A look full of innocence fell
From her modest and pretty blue eye,
As she said, "I have matches to sell,
And hope you are willing to buy.
2. A gaze filled with innocence came
From her simple and lovely blue eye,
As she said, "I have matches for sale,
And I hope you want to buy.
3. "A penny a bunch is the price,
I think you'll not find it too much;
They are tied up so even and nice,
And ready to light with a touch."
3. "A penny a bunch is the price,
I don't think you'll find it too much;
They're tied up so neatly and nice,
And ready to light up with a touch."
4. I asked, "'What's your name, little girl?" "'Tis Mary," said she, "Mary Dow;"
4. I asked, "'What's your name, little girl?" "'It's Mary," she said, "Mary Dow;"
THIRD READER. 171
And carelessly tossed off a curl,
That played on her delicate brow.
And casually tossed aside a curl,
That rested on her elegant forehead.
5. "My father was lost on the deep;
The ship never got to the shore;
And mother is sad, and will weep,
To hear the wind blow and sea roar.
5. "My dad was lost at sea;
The ship never made it to shore;
And mom is sad and will cry,
Listening to the wind and the waves roar.
6. "She sits there at home, without food,
Beside our poor, sick Willy's bed;
She paid all her money for wood,
And so I sell matches for bread.
6. "She sits at home, without any food,
Next to our poor, sick Willy's bed;
She spent all her money on firewood,
And that's why I sell matches for bread.
7. "I'd go to the yard and get chips,
But then it would make me too sad
To see the men building the ships,
And think they had made one so bad.
7. "I'd head to the yard and grab some chips,
But then it would just make me too sad
To see the guys building the ships,
And think they had made one so bad.
8. "But God, I am sure, who can take
Such fatherly care of a bird,
Will never forget nor forsake
The children who trust in his word.
8. "But God, I’m sure, who can take
Such loving care of a bird,
Will never forget or abandon
The children who trust in His word.
9. "And now, if I only can sell
The matches I brought out to-day,
I think I shall do very well,
And we shall rejoice at the pay."
9. "And now, if I can just sell
The matches I brought out today,
I think I'll do really well,
And we'll celebrate the earnings."
172 ECLECTIC SERIES,
10. "Fly home, little bird," then I thought,
"Fly home, full of joy, to your nest;"
For I took all the matches she brought,
And Mary may tell you the rest.
10. "Fly home, little bird," I thought,
"Fly home, happy, to your nest;"
Because I took all the matches she brought,
And Mary can fill you in on the rest.
LESSON LXVI. THE LITTLE LOAF. 1. Once when there was a famine, a rich baker sent for twenty of the poorest children in the town, and said to them, "In this basket there is a loaf for each of you. Take it, and come back to me every day at this hour till God sends us better times." 2. The hungry children gathered eagerly about the basket, and quarreled for the bread, because each wished to have the largest loaf. At last they went away without even thanking the good gentleman. 3. But Gretchen, a poorly-dressed little girl, did not quarrel or struggle with the rest,
LESSON LXVI. THE LITTLE LOAF. 1. Once, during a famine, a wealthy baker called for twenty of the poorest kids in town and said to them, "In this basket, there’s a loaf for each of you. Take it, and come back to me every day at this hour until God sends us better times." 2. The hungry kids crowded eagerly around the basket and fought over the bread, each wanting the biggest loaf. In the end, they left without even thanking the kind gentleman. 3. But Gretchen, a little girl in ragged clothes, didn’t fight or struggle with the others,
THIRD READER. 173
but remained standing modestly in the distance. When the ill-behaved girls had left, she took the smallest loaf, which alone was left in the basket, kissed the gentleman's hand, and went home. 4. The next day the children were as ill behaved as before, and poor, timid Gretchen received a loaf scarcely half the size of the one she got the first day. When she came home, and her mother cut the loaf open, many new, shining pieces of silver fell out of it.
but stayed back quietly at a distance. When the misbehaving girls had left, she took the smallest loaf, which was the only one left in the basket, kissed the gentleman's hand, and went home. 4. The next day, the kids were just as unruly as before, and poor, shy Gretchen got a loaf that was barely half the size of the one she received the first day. When she got home and her mother cut the loaf open, many new, shiny pieces of silver fell out of it.
174 ECLECTIC SERIES. 5. Her mother was very much alarmed, and said, "Take the money back to the good gentleman at once, for it must have got into the dough by accident. Be quick, Gretchen! be quick!" 6. But when the little girl gave the rich man her mother's message, he said, "No, no, my child, it was no mistake. I had the silver pieces put into the smallest loaf to reward you. Always be as contented, peaceable, and grateful as you now are. Go home now, and tell your mother that the money is your own."
174 ECLECTIC SERIES. 5. Her mother was really worried and said, "Take the money back to the nice gentleman right away, because it must have accidentally gotten into the dough. Hurry, Gretchen! Hurry!" 6. But when the little girl relayed her mother's message to the rich man, he replied, "No, no, my child, it was not a mistake. I had the silver coins placed in the smallest loaf as a reward for you. Always stay as content, peaceful, and grateful as you are now. Go home now and tell your mother that the money is yours."
LESSON LXVII.
SUSIE AND ROVER. 1. "Mamma," said Susie Dean, one summer's morning, "may I go to the woods, and pick berries?"
SUSIE AND ROVER. 1. "Mom," said Susie Dean, one summer morning, "can I go to the woods and pick berries?"
THIRD READER. 175 2. "Yes," replied Mrs. Dean, "but you must take Rover with you." 3. Susie brought her little basket, and her mother put up a nice lunch for her. She tied down the cover, and fastened a tin cup to it. 4. The little girl called Rover—a great Newfoundland dog—and gave him a tin pail to carry. "If I bring it home full, mamma," she said, "won't you make some berry cakes for tea?" 5. Away she tripped, singing as she went down the lane and across the pasture. When she got to the woods, she put her dinner basket down beside a tree, and began to pick berries. 6. Rover ran about, chasing a squirrel or a rabbit now and then, but never straying far from Susie. 7. The tin pail was not a very small one. By the time it was two thirds full, Susie began to feel hungry, and thought she would eat her lunch. 8. Rover came and took his place at her side as soon as she began to eat. Did she not give him some of the lunch? No, she was in a selfish mood, and did no such thing.
THIRD READER. 175 2. "Yes," replied Mrs. Dean, "but you need to take Rover with you." 3. Susie grabbed her little basket, and her mom packed a nice lunch for her. She secured the cover and attached a metal cup to it. 4. The little girl called Rover—a big Newfoundland dog—and gave him a metal pail to carry. "If I bring it home full, Mom," she said, "will you make some berry cakes for tea?" 5. Off she skipped, singing as she walked down the lane and across the field. When she reached the woods, she placed her lunch basket down by a tree and started picking berries. 6. Rover ran around, chasing a squirrel or a rabbit every now and then, but he never wandered far from Susie. 7. The metal pail wasn't very small. By the time it was two-thirds full, Susie started feeling hungry and decided it was time to eat her lunch. 8. Rover came and settled down beside her as soon as she started eating. Did she share any of her lunch with him? No, she was feeling selfish and didn’t do that.
176 ECLECTIC SERIES. 9. "There, Rover, run away! there's a good dog," she said; but Rover staid near her, watching her steadily with his clear brown eves.
176 ECLECTIC SERIES. 9. "There, Rover, go on! there's a good boy," she said; but Rover stayed close to her, watching her intently with his bright brown eyes.
10. The meat he wanted so much, was soon eaten up; and all he got of the nice dinner, was a small crust of gingerbread that Susie threw away. 11. After dinner, Susie played a while by
10. The meat he really wanted was quickly devoured; and all he got from the nice dinner was a small piece of gingerbread that Susie discarded. 11. After dinner, Susie played for a while by
THIRD READER. 177 the brook. She threw sticks into the water, and Rover swam in and brought them back. Then she began to pick berries again. 12. She did not enjoy the afternoon as she did the morning. The sunshine was as bright, the berries were as sweet and plentiful, and she was neither tired nor hungry. 13. But good, faithful Rover was hungry, and she had not given him even one piece of meat. She tried to forget how selfish she had been; but she could not do so, and quite early she started for home. 14. When she was nearly out of the woods, a rustling in the underbrush attracted her attention. "I wonder if that is a bird or a squirrel," said she to herself. "If I can catch it, how glad I shall be!" 15. She tried to make her way quietly through the underbrush; but what was her terror when she saw it large snake coiled up before her, prepared for a spring! 16. She was so much frightened that she could not move; but brave Rover saw the snake, and, springing forward, seized it by the neck and killed it. 17. When the faithful dog came and rubbed his head against her hand, Susie put her 3, 12.
THIRD READER. 177 the brook. She tossed sticks into the water, and Rover swam in to fetch them back. Then she went back to picking berries. 12. She didn’t enjoy the afternoon as much as she had the morning. The sun was just as bright, the berries were just as sweet and plentiful, and she wasn’t tired or hungry. 13. But good, loyal Rover was hungry, and she hadn’t given him even one piece of meat. She tried to forget how selfish she had been, but she couldn’t, and quite early she set off for home. 14. When she was almost out of the woods, a rustling in the underbrush caught her attention. "I wonder if that’s a bird or a squirrel," she thought. "If I can catch it, I’ll be so happy!" 15. She tried to sneak through the underbrush quietly; but she was terrified when she saw a large snake coiled up in front of her, ready to strike! 16. She was so scared that she couldn’t move; but brave Rover spotted the snake, and, jumping forward, grabbed it by the neck and killed it. 17. When the faithful dog came over and nudged her hand with his head, Susie put her 3, 12.
178 ECLECTIC SERIES. arms 'round his neck, and burst into tears. "O Rover," she cried, "you dear, good dog! How sorry I am that I was so selfish!" 18. Rover understood the tone of her voice, if he did not understand her words, and capered about in great glee, barking all the time. You may be sure that he had a plentiful supper that evening. 19. Susie never forgot the lesson of that day. She soon learned to be on her guard against a selfish spirit, and became a happier and more lovable little girl. Mrs. M. O. Johnson—Adapted.
178 ECLECTIC SERIES. With her arms around his neck, she started crying. "Oh, Rover," she exclaimed, "you sweet, good dog! I'm so sorry for being so selfish!" 18. Rover didn't grasp her words, but he understood the emotion in her voice, and he jumped around in joy, barking the whole time. You can bet he had a huge dinner that night. 19. Susie never forgot the lesson from that day. She quickly learned to guard against being selfish and became a happier and more lovable little girl. Mrs. M. O. Johnson—Adapted.
LESSON LXVIII. THE VIOLET.
1. Down in a green and shady bed,
A modest violet grew;
Its stalk was bent, it hung its head,
As if to hide from view
1. Down in a green and shady spot,
A humble violet grew;
Its stem was bent, it drooped its head,
As if to hide from sight
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2. And yet it was a lovely flower,
Its colors bright and fair;
It might have graced a rosy bower
Instead of hiding there.
2. And yet it was a beautiful flower,
Its colors bright and pretty;
It could have decorated a lovely garden
Instead of hiding there.
3. Yet there it was content to bloom,
In modest tints arrayed,
And there it spread its sweet perfume,
Within the silent shade.
3. Yet there it was happy to bloom,
In simple colors displayed,
And there it released its sweet fragrance,
In the quiet shade.
4. Then let me to the valley go,
This pretty flower to see;
That I may also learn to grow
In sweet humility.
Jane Taylor.
4. Then let me go to the valley,
To see this lovely flower;
So I can also learn to grow
In sweet humility.
Jane Taylor.
180 ECLECTIC SERIES. LESSON LXIX. NO CROWN FOR ME. 1. "Will you come with us, Susan?" cried several little girls to a schoolmate. "We are going to the woods; do come, too." 2. "I should like to go with you very much," replied Susan, with a sigh; "but I can not finish the task grandmother set me to do." 3. "How tiresome it must be to stay at home to work on a holiday!" said one of the girls, with a toss of her head. "Susan's grandmother is too strict." 4. Susan heard this remark, and, as she bent her head over her task, she wiped away a tear, and thought of the pleasant afternoon the girls would spend gathering wild flowers in the woods. 5. Soon she said to herself, "What harm can there be in moving the mark grandmother put in the stocking? The woods must be very beautiful to-day, and how I should like to be in them!" 6. "Grandmother," said she, a few minutes afterwards, "I am ready, now." "What, so
180 ECLECTIC SERIES. LESSON LXIX. NO CROWN FOR ME. 1. "Are you coming with us, Susan?" called several little girls to a classmate. "We’re going to the woods; please come with us." 2. "I’d love to go with you," Susan replied with a sigh, "but I can’t finish the task my grandmother gave me." 3. "It must be so boring to stay home and work on a holiday!" said one of the girls, tossing her head. "Susan’s grandmother is way too strict." 4. Susan heard this comment, and as she leaned over her work, she wiped away a tear and thought about the fun afternoon the girls would have picking wildflowers in the woods. 5. Soon she thought to herself, "What’s the harm in moving the mark my grandmother put in the stocking? The woods must be stunning today, and I would love to be there!" 6. "Grandmother," she said a few minutes later, "I’m ready now." "What, so
THIRD READER. 181 soon, Susan?" Her grandmother took the work, and looked at it very closely. 7. "True, Susan," said she, laying great stress on each word; "true, I count twenty turns from the mark; and, as you have never deceived me, you may go and amuse yourself as you like the rest of the day." 8. Susan's cheeks were scarlet, and she did not say, "Thank you." As she left the cottage, she walked slowly away, not singing as usual. 9. "Why, here is Susan!" the girls cried, when she joined their company; "but what is the matter? Why have you left your dear, old grandmother?" they tauntingly added. 10. "There is nothing the matter." As Susan repeated these words, she felt that she was trying to deceive herself. She had acted a lie. At the same time she remembered her grandmother's words, "You have never deceived me." 11. "Yes, I have deceived her," said she to herself. "If she knew all, she would never trust me again." 12. When the little party had reached an open space in the woods, her companions ran about enjoying themselves; but Susan sat on
THIRD READER. 181 "Are you coming, Susan?" Her grandmother took the work and examined it closely. 7. "It's true, Susan," she said, emphasizing each word; "it’s true, I count twenty turns from the mark; and since you’ve never lied to me, you can go and have fun for the rest of the day." 8. Susan's cheeks were bright red, and she didn’t say, "Thank you." As she left the cottage, she walked slowly away, not singing like she usually did. 9. "Look, it's Susan!" the girls exclaimed when she joined them; "what’s wrong? Why did you leave your sweet old grandmother?" they teased. 10. "Nothing's wrong." As Susan repeated this, she realized she was trying to fool herself. She had been dishonest. At the same time, she recalled her grandmother's words, "You’ve never deceived me." 11. "Yes, I have deceived her," she thought. "If she knew everything, she would never trust me again." 12. When the little group reached a clearing in the woods, her friends ran around having fun; but Susan sat on
182 ECLECTIC SERIES.
the grass, wishing she were at home confessing her fault. 13. After a while Rose cried out, "Let us make a crown of violets, and put it on the head of the best girl here." 14. "It will be easy enough to make the crown, but not so easy to decide who is to wear it," said Julia. 15. "Why, Susan is to wear it, of course," said Rose: "is she not said to be the best girl in school and the most obedient at home?" 16. "Yes, yes; the crown shall be for Susan,"
the grass, wishing she were at home admitting her mistake. 13. After a while, Rose shouted, "Let’s make a crown of violets and put it on the head of the best girl here." 14. "Making the crown will be easy, but deciding who gets to wear it won’t be," said Julia. 15. "Well, of course, Susan should wear it," Rose said. "Isn’t she supposed to be the best girl in school and the most obedient at home?" 16. "Yes, yes; the crown will be for Susan,"
THIRD READER. 183 cried the other girls, and they began to make the crown. It was soon finished. 17. "Now, Susan," said Rose, "put it on in a very dignified way, for you are to be our queen." 18. As these words were spoken, the crown was placed on her head. In a moment she snatched it off, and threw it on the ground, saying, "No crown for me; I do not deserve it." 19. The girls looked at her with surprise. "I have deceived my grandmother," said she, while tears flowed down her cheeks. "I altered the mark she put in the stocking, that I might join you in the woods." 20. "Do you call that wicked?" asked one of the girls. "I am quite sure it is; and I have been miserable all the time I have been here." 21. Susan now ran home, and as soon as she got there she said, with a beating heart, "O grandmother! I deserve to be punished, for I altered the mark you put in the stocking. Do forgive me; I am very sorry and unhappy." 22. "Susan," said her grandmother, "I knew it all the time; but I let you go out, hoping
THIRD READER. 183 cried the other girls, and they started making the crown. It didn't take long to finish. 17. "Now, Susan," said Rose, "put it on in a really dignified way, because you’re going to be our queen." 18. As she said this, they placed the crown on her head. But in a moment, she ripped it off and threw it on the ground, saying, "No crown for me; I don't deserve it." 19. The girls stared at her in surprise. "I deceived my grandmother," she said, tears streaming down her cheeks. "I changed the mark she put on the stocking so I could join you in the woods." 20. "Do you think that’s wicked?" one of the girls asked. "I definitely think it is; and I’ve been miserable the whole time I've been here." 21. Susan ran home, and as soon as she got there, she said, with her heart racing, "Oh grandmother! I deserve to be punished for changing the mark you put on the stocking. Please forgive me; I’m so sorry and unhappy." 22. "Susan," her grandmother said, "I knew it all along; but I let you go out, hoping
184 ECLECTIC SERIES. that your own conscience would tell you of your sin. I am so glad that you have confessed your fault and your sorrow." 23. "When shall I be your own little girl again?" "Now," was the quick reply, and Susan's grandmother kissed her forehead.
184 ECLECTIC SERIES. that your own conscience would remind you of your wrongdoing. I’m really glad that you admitted your mistake and your regret." 23. "When can I be your little girl again?" "Right now," was the quick reply, and Susan's grandmother kissed her forehead.
LESSON LXX.
YOUNG SOLDIERS.
1. Oh, were you ne'er a schoolboy,
And did you never train,
And feel that swelling of the heart
You ne'er can feel again?
1. Oh, were you never a schoolboy,
And did you never train,
And feel that rush of excitement
You can never feel again?
2. Did you never meet, far down the street,
With plumes and banners gay,
While the kettle, for the kettledrum,
Played your march, march away?
2. Did you ever meet, way down the street,
With colorful feathers and banners,
While the kettle, for the kettledrum,
Played your march, march away?
THIRD READER. 185
3. It seems to me but yesterday,
Nor scarce so long ago,
Since all our school their muskets took,
To charge the fearful foe.
3. It feels like just yesterday,
Or hardly that long ago,
Since all our classmates grabbed their guns,
To fight the dreaded enemy.
4. Our muskets were of cedar wood,
With ramrods bright and new;
With bayonets forever set,
And painted barrels, too.
4. Our muskets were made of cedar,
With ramrods shiny and new;
With bayonets always fixed,
And painted barrels, too.
5. We charged upon a flock of geese,
And put them all to flight—
Except one sturdy gander
That thought to show us fight.
5. We rushed at a flock of geese,
And sent them all flying—
Except for one tough gander
That decided to stand his ground.
186 ECLECTIC SERIES.
6. But, ah! we knew a thing or two;
Our captain wheeled the van;
We routed him, we scouted him,
Nor lost a single man!
6. But, oh! we knew a thing or two;
Our captain led the way;
We outsmarted him, we found him,
And didn’t lose a single person!
7. Our captain was as brave a lad
As e'er commission bore;
And brightly shone his new tin sword;
A paper cap he wore.
7. Our captain was as brave as any guy
Ever to get a commission;
And his new tin sword shone brightly;
He wore a paper hat.
8. He led us up the steep hillside,
Against the western wind,
While the cockerel plume that decked his head
Streamed bravely out behind.
8. He took us up the steep hill,
Against the west wind,
While the feathered crest on his head
Flew out boldly behind.
9. We shouldered arms, we carried arms,
We charged the bayonet;
And woe unto the mullein stalk
That in our course we met!
9. We took up our weapons, we carried our arms,
We charged with our bayonets;
And woe to the mullein stalk
That got in our way!
THIRD READER. 187
10. At two o'clock the roll we called,
And till the close of day,
With fearless hearts, though tired limbs,
We fought the mimic fray,—
Till the supper bell, from out the dell,
Bade us march, march away.
10. At two o'clock the roll was called,
And until the end of the day,
With brave hearts, though weary limbs,
We fought the pretend battle,—
Until the supper bell, from out the hollow,
Told us to march, march away.
LESSON LXXI.
HOW WILLIE GOT OUT OF THE SHAFT. 1. Willie's aunt sent him for a birthday present a little writing book. There was a place in the book for a pencil. Willie thought a great deal of this little book, and always kept it in his pocket. 2. One day, his mother was very busy, and he called his dog, and said, "Come, Caper, let us have a play."
HOW WILLIE GOT OUT OF THE SHAFT. 1. Willie's aunt sent him a small writing notebook as a birthday gift. There was a spot in the notebook for a pencil. Willie really cherished this little book and always kept it in his pocket. 2. One day, his mom was really busy, so he called his dog and said, "Come on, Caper, let's play."
188 ECLECTIC SERIES. 3. When Willie's mother missed him, she went to the door and looked out, and could not see him anywhere; but she knew that Caper was with him, and thought they would come back before long. 4. She waited an, hour, and still they did not come. When she came to the gate by the road, she met Mr. Lee, and told him how long Willie had been gone. Mr. Lee thought he must have gone to sleep under the trees. So they went to all the trees under which Willie was in the habit of playing, but he was nowhere to be found. 5. By this time the sun had gone down. The news that Willie was lost soon spread over the neighborhood, and all the men and women turned out to hunt. They hunted all night. 6. The next morning the neighbors were gathered round, and all were trying to think what to do next, when Caper came bounding into the room. There was a string tied round his neck, and a bit of paper tied to it. 7. Willie's father, Mr. Lee, took the paper, and saw that it was a letter from Willie. He read it aloud. It said, "O father! come to me. I am in the big hole in the pasture."
188 ECLECTIC SERIES. 3. When Willie's mom noticed he was missing, she went to the door and looked outside but couldn't see him anywhere. She knew Caper was with him and figured they would be back soon. 4. She waited for an hour, and they still didn't return. When she reached the gate by the road, she ran into Mr. Lee and told him how long Willie had been gone. Mr. Lee thought he might have fallen asleep under the trees. So, they checked all the trees where Willie usually played, but he was nowhere to be found. 5. By this time, the sun had set. The news that Willie was missing quickly spread throughout the neighborhood, and all the men and women came out to search. They searched all night. 6. The next morning, the neighbors gathered around, all trying to figure out what to do next when Caper came bouncing into the room. There was a string tied around his neck with a piece of paper attached to it. 7. Willie's dad, Mr. Lee, took the paper and saw it was a letter from Willie. He read it aloud. It said, "Oh, Dad! Come to me. I'm in the big hole in the pasture."
THIRD READER. 189 8. Everybody ran at once to the far corner of the pasture; and there was Willie, alive and well, in the shaft. Oh, how glad he was when his father caught him in his arms, and lifted him out!
THIRD READER. 189 8. Everyone rushed to the far corner of the pasture; and there was Willie, safe and sound, in the shaft. Oh, how happy he was when his father scooped him up in his arms and lifted him out!
9. Now I will tell you how Willie came to be in the shaft. He and Caper went to the pasture field, and came to the edge of the shaft and sat down. In bending over
9. Now I will tell you how Willie ended up in the shaft. He and Caper went to the pasture field, came to the edge of the shaft, and sat down. As they bent over
190 ECLECTIC SERIES. to see how deep it was, he lost his balance, and fell in. He tried very hard to get out, but could not. 10. When the good little dog saw that his master was in the shaft, he would not leave him, but ran round and round, reaching down and trying to pull him out. But while Caper was pulling Willie by the coat sleeves, a piece of sod gave way under his feet, and he fell in too. 11. Willie called for his father and mother as loud as he could call; but he was so far away from the house that no one could hear him. 12. He cried and called till it was dark, and then he lay down on the ground, and Caper lay down close beside him. It was not long before Willie cried himself to sleep. 13. When he awoke it was morning, and he began to think of a way to get out. The little writing book that his aunt had given him, was in his pocket. He took it out, and, after a good deal of trouble, wrote the letter to his father. 14. Then he tore the leaf out, and took a string out of his pocket, and tied it round Caper's neck, and tied the letter to the
190 ECLECTIC SERIES. to see how deep it was, he lost his balance and fell in. He tried really hard to get out but couldn’t. 10. When the good little dog saw that his owner was stuck in the shaft, he wouldn’t leave him and ran around in circles, reaching down and trying to pull him out. But while Caper was tugging at Willie’s coat sleeves, a piece of sod gave way under his feet, and he fell in too. 11. Willie yelled for his dad and mom as loudly as he could, but he was so far from the house that no one could hear him. 12. He cried and called until it got dark, and then he lay down on the ground, with Caper lying close beside him. It wasn't long before Willie cried himself to sleep. 13. When he woke up, it was morning, and he started to think of a way to get out. The little notebook his aunt had given him was in his pocket. He took it out and, after quite a bit of struggle, wrote a letter to his dad. 14. Then he tore the page out, took a string from his pocket, tied it around Caper's neck, and attached the letter to
THIRD READER. 191 string. Then he lifted the dog up, and helped him out, and said to him, "Go home, Caper, go home!" The little dog scampered away, and was soon at home.
THIRD READER. 191 string. Then he picked up the dog and helped him out, saying, "Go home, Caper, go home!" The little dog ran off and was soon back at home.
LESSON LXXII. THE PERT CHICKEN.
1. There was once a pretty chicken;
But his friends were very few,
For he thought that there was nothing
In the world but what he knew:
So he always, in the farmyard,
Had a very forward way,
Telling all the hens and turkeys
What they ought to do and say.
"Mrs. Goose," he said, "I wonder
That your goslings you should let
Go out paddling in the water;
It will kill them to get wet."
1. There was once a pretty chicken;
But he had very few friends,
Because he believed there was nothing
In the world except what he knew:
So he always, in the farmyard,
Acted quite cocky,
Telling all the hens and turkeys
What they should do and say.
"Mrs. Goose," he said, "I wonder
Why you let your goslings
Go out paddling in the water;
They’ll get hurt if they get wet."
192 ECLECTIC SERIES,
2. "I wish, my old Aunt Dorking,"
He began to her, one day,
"That you would n't sit all summer
In your nest upon the hay.
Won't you come out to the meadow,
Where the grass with seeds is filled?"
"If I should," said Mrs. Dorking,
"Then my eggs would all get chilled."
"No, they wo n't," replied the chicken,
"And no matter if they do;
Eggs are really good for nothing;
What's an egg to me or you?"
2. "I wish, my old Aunt Dorking,"
He started to her one day,
"That you wouldn’t spend all summer
In your nest on the hay.
Won't you come out to the meadow,
Where the grass is full of seeds?"
"If I do," said Mrs. Dorking,
"My eggs will all get cold."
"No, they won't," replied the chicken,
"And it doesn't matter if they do;
Eggs aren’t really good for anything;
What’s an egg to me or you?"
3. "What's an egg!" said Mrs. Dorking, "Can it be you do not know
3. "What's an egg!" said Mrs. Dorking, "Can it be you don't know
THIRD READER. 193
You yourself were in an eggshell
Just one little month ago?
And, if kind wings had not warmed you,
You would not be out to-day,
Telling hens, and geese, and turkeys,
What they ought to do and say!
You were in your shell
Just a little month ago?
And if gentle wings hadn't kept you warm,
You wouldn't be out today,
Telling hens, and geese, and turkeys,
What they should do and say!
4. "To be very wise, and show it,
Is a pleasant thing, no doubt;
But, when young folks talk to old folks,
They should know what they're about."
Marian Douglas.
4. "Being really wise and showing it,
Is definitely a nice thing;
But when young people talk to older people,
They should know what they're doing."
Marian Douglas.
LESSON LXXIII.
INDIAN CORN.
1. Few plants are more useful to man than Indian corn, or maize. No grain, except rice, is used to so great an extent as an article of food. In some countries corn is almost the only food eaten by the people.
1. Few plants are more useful to humans than Indian corn, or maize. No grain, except rice, is used as widely as a food source. In some countries, corn is nearly the only food consumed by the population.
3, 13
3, 13
194 ECLECTIC SERIES. 2. Do you know why it is called Indian corn? It is because the American Indians were the first corn growers. Columbus found this grain widely cultivated by them when he discovered the New World. They pounded it in rude, stone bowls, and thus made a coarse flour, which they mixed with water and baked. 3. Indian corn is now the leading crop in the United States. In whatever part of this land we live, we see corn growing every year in its proper season. Yet how few can tell the most simple and important facts about its planting and its growth! 4. Corn, to do well, must have a rich soil and a warm climate. It is a tender plant, and is easily injured by cold weather. The seed corn does not sprout, but rots, if the ground is cold and wet. 5. To prepare land properly for planting corn, the soil is made fine by plowing, and furrows are run across the field four feet apart each way. At every point where these furrows cross, the farmer drops from four to seven grains of seed corn. These are then covered with about two inches of earth, and thus form "hills" of corn.
194 ECLECTIC SERIES. 2. Do you know why it's called Indian corn? It's because the Native Americans were the first to grow corn. Columbus found this grain widely cultivated by them when he discovered the New World. They pounded it in crude stone bowls and made a coarse flour, which they mixed with water and baked. 3. Indian corn is now the leading crop in the United States. No matter where we live in this country, we see corn growing every year in its season. Yet, how few people can share the simplest and most important facts about how it's planted and grows! 4. Corn needs rich soil and a warm climate to thrive. It's a delicate plant and can be easily damaged by cold weather. The seed corn won’t sprout but will rot if the ground is cold and wet. 5. To properly prepare land for planting corn, the soil is tilled to make it fine, and furrows are created across the field four feet apart in both directions. At each point where these furrows intersect, the farmer drops four to seven grains of seed corn. These are then covered with about two inches of soil, creating what are called "hills" of corn.
THIRD READER. 195 6. In favorable weather, the tender blades push through the ground in ten days or two weeks; then the stalks mount up rapidly, and the long, streamer-like leaves unfold gracefully from day to day. Corn must be carefully cultivated while the plants are small. After they begin to shade the ground, they need but little hoeing or plowing. 7. The moisture and earthy matter, drawn through the roots, become sap. This passes through the stalk, and enters the leaves. There a great change takes place which results in the starting of the ears and the growth of the grain. 8. The maize plant bears two kinds of flowers,—male and female. The two are widely separated. The male flowers are on the tassel; the fine silk threads which surround the ear, and peep out from the end of the husks, are the female flowers. 9. Each grain on the cob is the starting point for a thread of silk; and, unless the thread receives some particle of the dust which falls from the tassel flowers, the kernel with which it is connected will not grow. 10. The many uses of Indian corn and its products are worthy of note. The green
THIRD READER. 195 6. In good weather, the young shoots break through the soil in about ten days to two weeks; then the stalks grow quickly, and the long, ribbon-like leaves unfold beautifully day by day. Corn needs to be carefully tended while the plants are small. Once they start to cover the ground, they require much less hoeing or plowing. 7. The moisture and nutrients taken in through the roots turn into sap. This sap travels up the stalk and enters the leaves. There, a significant change occurs that leads to the formation of ears and the growth of the grain. 8. The corn plant produces two types of flowers—male and female. These are located separately. The male flowers are found on the tassel; the fine silken threads that surround the ear and peek out from the end of the husks are the female flowers. 9. Each grain on the cob is the starting point for a silk thread; and unless that thread captures some of the pollen that falls from the male flowers, the kernel it’s attached to won't grow. 10. The many uses of corn and its products are worth mentioning. The green
196 ECLECTIC SERIES. stalks and leaves make excellent fodder for cattle. The ripe grain is used all over the earth as food for horses, pigs, and poultry. Nothing is better for fattening stock. 11. Green corn, or "roasting ears," hulled corn and hominy, New England hasty pudding, and succotash are favorite dishes with many persons. Then there are parched corn and pop corn—the delight of long winter evenings. 12. Cornstarch is an important article of commerce. Sirup and sugar are made from the juice of the stalk, and oil and alcohol from the ripened grain. Corn husks are largely used for filling
196 ECLECTIC SERIES. The stalks and leaves are great feed for cattle. The ripe grain is used worldwide as food for horses, pigs, and poultry. There's nothing better for fattening livestock. 11. Green corn, or "roasting ears," hulled corn and hominy, New England hasty pudding, and succotash are favorite dishes for many people. Then there are parched corn and popcorn—the joy of long winter nights. 12. Cornstarch is an important item in trade. Syrup and sugar come from the juice of the stalk, while oil and alcohol are derived from the ripened grain. Corn husks are widely used for filling
THIRD READER. 197 mattresses, and are braided into mats, baskets, and other useful articles. 13. Thus it will be seen how varied are the uses of Indian corn. And besides being so useful, the plant is very beautiful. The sight of a large cornfield in the latter part of summer, with all its green banners waving and its tasseled plumes nodding, is one to admire, and not to be forgotten.
THIRD READER. 197 mattresses, and are woven into mats, baskets, and other practical items. 13. So, it's clear how diverse the uses of corn are. Besides being so useful, the plant is also very beautiful. The view of a large cornfield in late summer, with all its green stalks waving and its tassels bobbing, is truly something to appreciate and remember.
LESSON LXXIV. THE SNOWBIRD'S SONG.
1. The ground was all covered with snow one day,
And two little sisters were busy at play,
When a snowbird was sitting close by on a tree,
And merrily singing his chick-a-de-dee.
1. The ground was completely covered in snow one day,
And two little sisters were happily playing,
When a snowbird was perched nearby in a tree,
Singing cheerfully his chick-a-de-dee.
198 ECLECTIC SERIES.
2. He had not been singing that tune very long
Ere Emily heard him, so loud was his song;
"O sister, look out of the window!" said she;
"Here's a dear little bird singing chick-a-de-dee.
2. He hadn't been singing that tune for very long
Before Emily heard him; his song was so loud;
"O sister, look out the window!" she said;
"There's a cute little bird singing chick-a-de-dee.
3. "Poor fellow! he walks in the snow and the sleet,
And has neither stockings nor shoes on his feet:
I wonder what makes him so full of his glee;
He's all the time singing his chick-a-de-dee.
3. "Poor guy! He walks in the snow and the sleet,
And has no socks or shoes on his feet:
I wonder what makes him so cheerful;
He's always singing his chick-a-de-dee.
4. "If I were a barefooted snowbird, I know,
I would not stay out in the cold and the snow;
I pity him so! oh, how cold he must be!
And yet he keeps singing his chick-a-de-dee.
4. "If I were a bare-footed snowbird, I know,
I wouldn’t stay out in the cold and the snow;
I feel so sorry for him! oh, how cold he must be!
And yet he keeps singing his chick-a-de-dee.
THIRD READER. 199
5. "O mother; do get him some stockings, and shoes,
And a nice little frock, and a hat if he choose:
I wish he'd come into the parlor, and see
How warm we would make him, poor chick-a-de-dee!"
5. "Oh, Mom; please get him some socks and shoes,
And a cute little dress, and a hat if he wants:
I wish he'd come into the living room and see
How cozy we would make him, poor little thing!"
6. The bird had flown down for some sweet crumbs of bread,
And heard every word little Emily said:
"What a figure I'd make in that dress" thought he,
And laughed as he warbled his chick-a-de-dee.
6. The bird had flown down for some sweet crumbs of bread,
And heard every word little Emily said:
"What a sight I'd make in that dress," he thought,
And chuckled as he sang his chick-a-de-dee.
7. "I am grateful," said he, "for the wish you express,
But have no occasion for such a fine dress;
I rather remain with my little limbs free,
Than to hobble about, singing chick-a-de-dee.
7. "I appreciate it," he said, "for the kind wish you have,
But I don't need such a fancy dress;
I'd rather keep my little limbs free,
Than to limp around, singing chick-a-de-dee.
8. "There is One, my dear child, though I can not tell who,
Has clothed me already, and warm enough, too.
Good morning! Oh, who are so happy as we?"
And away he flew, singing his chick-a-de-dee.
F. C. Woodworth.
8. "There is someone, my dear child, though I can't say who,
Has dressed me already, and I'm warm enough, too.
Good morning! Oh, who is as happy as we?"
And off he went, singing his chick-a-de-dee.
F. C. Woodworth.
200 ECLECTIC SERIES.
LESSON LXXV. MOUNTAINS. 1. The Himalayas are the highest mountains on our globe, They are in Asia, and separate India from Thibet. They extend in a continuous line for more than a thousand miles. 2. If you ever ascend one of these mountains from the plain below, you will have to cross an unhealthy border, twenty miles in width. It is, in fact, a swamp caused by the waters overflowing the river banks. 3. The soil of this swampy border is covered with trees and shrubs, where the tiger, the elephant, and other animals find secure retreat. Beyond this border, you will reach smiling valleys and noble forests. 4. As you advance onward and upward, you will get among bolder and more rugged scenes. The sides of the mountains are very steep, sometimes well wooded to quite a height, but sometimes quite barren. 5. In crossing a river you must be content with three ropes for a bridge. You will find the streets of the towns to be simply stairs
LESSON LXXV. MOUNTAINS. 1. The Himalayas are the highest mountains on our planet. They are located in Asia and separate India from Tibet. They stretch continuously for over a thousand miles. 2. If you ever climb one of these mountains from the plains below, you'll have to cross a poorly healthy area that is about twenty miles wide. This is actually a swamp created by the river overflowing its banks. 3. The soil in this swampy area is filled with trees and shrubs, where tigers, elephants, and other animals can find safe refuge. Beyond this area, you'll reach beautiful valleys and majestic forests. 4. As you continue to move upward, you'll encounter more dramatic and rugged views. The mountainsides are very steep, sometimes heavily wooded up to a significant height, but other times they are quite barren. 5. When you cross a river, you'll have to settle for three ropes serving as your bridge. You'll find that the streets in the towns are basically just stairs.
THIRD READER. 201 cut out of the rock, and see the houses rising in tiers. 6. The pathways into Thibet, among these mountains, are mere tracks by the side of
THIRD READER. 201 cut out of the rock, and see the houses rising in tiers. 6. The pathways into Tibet, among these mountains, are mere tracks by the side of
foaming torrents. Often, as you advance, you will find every trace of the path swept away by the failing of rocks and earth from above.
foaming torrents. Often, as you move forward, you'll find every sign of the path washed away by falling rocks and earth from above.
202 ECLECTIC SERIES. 7. Sometimes you will find posts driven into the mountain side, upon which branches of trees and earth are spread. This forms a trembling foothold for the traveler. 8. In the Andes, in South America, the sure-footed mule is used to carry travelers. Quite often a chasm must be crossed that is many feet wide and hundreds of feet deep. The mule will leap across this chasm, but not until it is sure it can make a safe jump. 9. "One day," says a traveler, "I went by the worst pass over the Andes Mountains. The path for seventy yards was very narrow, and at one point it was washed entirely away. On one side the rock brushed my shoulder, and on the other side my foot overhung the precipice." 10. The guide told this man, after he was safely over the pass, that, to his knowledge, four hundred mules had fallen over that precipice, and in many instances travelers had lost their lives at that terrible spot.
202 ECLECTIC SERIES. 7. Sometimes, you'll spot posts driven into the mountainside, with tree branches and earth spread out on them. This creates a shaky foothold for travelers. 8. In the Andes of South America, sure-footed mules are used to carry travelers. Often, a gap must be crossed that is several feet wide and hundreds of feet deep. The mule will jump over this gap, but only once it's certain it can make a safe leap. 9. "One day," says a traveler, "I took the worst route over the Andes Mountains. The path was very narrow for seventy yards, and at one point, it was completely washed away. On one side, the rock was brushing my shoulder, and on the other, my foot was hanging over the edge." 10. The guide told the traveler, after they had safely made it over the pass, that to his knowledge, four hundred mules had fallen over that edge, and many travelers had lost their lives at that dangerous spot.
THIRD READER. 203
LESSON LXXVI.
A CHILD'S HYMN.
1. God make my life a little light,
Within the world to glow;
A little flame that burneth bright
Wherever I may go.
1. God, let my life be a little light,
Shining in the world;
A small flame that burns bright
Wherever I may go.
2. God make my life a little flower,
That giveth joy to all,
Content to bloom in native bower,
Although its place be small.
2. God, make my life a little flower,
That brings joy to everyone,
Happy to bloom in its natural space,
Even if its spot is small.
3. God make my life a little song,
That comforteth the sad;
That helpeth others to be strong,
And makes the singer glad.
3. May God turn my life into a little song,
That comforts the sad;
That helps others to be strong,
And makes the singer happy.
4. God make my life a little hymn
Of tenderness and praise;
Of faith—that never waxeth dim
In all His wondrous ways.
4. May God turn my life into a little song
Of kindness and praise;
Of faith—that never fades away
In all His amazing ways.
204 ECLECTIC SERIES,
LESSON LXXVII. HOLDING THE FORT. 1. While Genie was walking slowly down street one day, she heard an odd rapping on the pavement behind her. Looking round, she saw Rob Grey hobbling on crutches. 2. "Why, what is the matter?" cried Genie. "I have n't seen you for a week, and now you are walking in that way." 3. "I shall have to walk in this way as much as a week longer, Genie. I sprained my ankle by stopping too quick— no, not too quick, either, for there was something in my way." "What was it?" asked Genie. 4. "One of the Commandments," replied Rob. "You remember how that lecturer talked to us about 'holding the fort'? Well, I thought I should like to do it; but it's a pretty long war, you know—all a lifetime, and no vacations— furloughs, I think they call them." 5. "If there was nothing to fight, we should not need to be soldiers," said Genie. 6. "Well, I thought I would try; but the
LESSON LXXVII. HOLDING THE FORT. 1. One day, as Genie was walking slowly down the street, she heard a strange tapping on the pavement behind her. Looking back, she saw Rob Grey struggling along on crutches. 2. "What happened to you?" Genie exclaimed. "I haven't seen you for a week, and now you're walking like that." 3. "I'm going to be walking like this for about another week, Genie. I sprained my ankle because I stopped too suddenly—well, not too suddenly, actually, because there was something in my way." "What was it?" Genie asked. 4. "One of the Commandments," Rob said. "Remember how that lecturer talked to us about 'holding the fort'? Well, I thought I'd give it a shot; but it’s a pretty long battle, you know—all of life, with no breaks—furloughs, I think they call them." 5. "If there were nothing to fight against, we wouldn't need to be soldiers," Genie replied. 6. "Well, I thought I would try; but the
THIRD READER. 205 first day, when we came out of the schoolhouse, Jack Lee snatched my books out of my hand, and threw them into the mud. 7. "I started after him as fast as I could run. I meant to throw him where he had
THIRD READER. 205 On the first day, when we came out of the schoolhouse, Jack Lee grabbed my books from my hands and tossed them into the mud. 7. "I took off after him as quickly as I could run. I intended to throw him where he had
thrown the books, when, all of a sudden, I thought of the Commandment about returning good for evil. 8. "I stopped short—so short, that, somehow,
thrown the books, when, all of a sudden, I thought of the Commandment about returning good for evil. 8. "I stopped short—so short, that, somehow,
206 ECLECTIC SERIES. my foot twisted under me. So, you see, it was one of the commandments." 9. "If one must stumble at them, it is a good thing to fall on the right side," said Genie, with a wise nod of her head. 10. "The whole thing puzzles me, and makes me feel— well, like giving it up," said Rob. "It might have served me right when I was chasing Jack; but when I thought of the Commandment, I really tried to do the right thing." 11. "You did do it, Rob," said Genie. "You 'held the fort' that time. Why, do n't you see—you are only a wounded soldier." 12. "I never thought of that," said Rob. "If I believe that way—" He began to whistle, and limped off to school without finishing the sentence. But Genie knew, by the way he behaved that day, that he had made up his mind to hold the fort.
206 ECLECTIC SERIES. My foot twisted under me. So, you see, it was one of the commandments." 9. "If you have to trip over them, it's better to fall on the right side," Genie said, nodding wisely. 10. "This whole thing puzzles me and makes me feel—well, like giving up," Rob said. "It might have been my fault when I was chasing Jack; but when I thought about the Commandment, I really tried to do the right thing." 11. "You did do the right thing, Rob," Genie said. "You 'held the fort' that time. Don’t you see—you’re just a wounded soldier." 12. "I never thought of that," Rob said. "If I believe it that way—" He started to whistle and limped off to school without finishing the sentence. But Genie knew from the way he acted that day that he had decided to hold the fort.
THIRD READER. 207
LESSON LXXVIII.
THE LITTLE PEOPLE.
1. A dreary place would be this earth,
Were there no little people in it;
The song of life would lose its mirth,
Were there no children to begin it;
1. This world would be a gloomy place,
If there were no little people in it;
The song of life would lose its joy,
If there were no children to start it;
2. No little forms, like buds to grow,
And make the admiring heart surrender;
No little hands on breast and brow,
To keep the thrilling love chords tender.
2. No small shapes, like buds about to bloom,
And make a heart that admires give in;
No small hands on my chest and forehead,
To keep those exciting love strings soft.
3. The sterner souls would grow more stern,
Unfeeling nature more inhuman,
And man to utter coldness turn,
And woman would be less than woman.
3. The stricter people would become even stricter,
Unfeeling nature would become more inhuman,
And humanity would turn to complete coldness,
And women would be less than women.
4. Life's song, indeed, would lose its charm,
Were there no babies to begin it;
A doleful place this world would be,
Were there no little people in it.
4. Life's song would definitely lose its charm,
If there were no babies to start it;
This world would be a sad place,
If there were no little people in it.
John G. Whittier.
John Greenleaf Whittier.
208 THIRD READER.
LESSON LXXIX.
GOOD NIGHT.
1. The sun is hidden from our sight,
The birds are sleeping sound;
'T is time to say to all, "Good night!"
And give a kiss all round.
1. The sun is out of view,
The birds are fast asleep;
It's time to tell everyone, "Good night!"
And share a kiss all around.
2. Good night, my father, mother, dear!
Now kiss your little son;
Good night, my friends, both far and near!
Good night to every one.
2. Good night, my dad, mom, dear!
Now kiss your little boy;
Good night, my friends, both far away and close!
Good night to everyone.
3. Good night, ye merry, merry birds!
Sleep well till morning light;
Perhaps, if you could sing in words,
You would have said, "Good night!"
3. Good night, you cheerful, cheerful birds!
Sleep well until morning light;
Maybe, if you could sing it in words,
You would have said, "Good night!"
4. To all my pretty flowers, good night!
You blossom while I sleep;
And all the stars, that shine so bright,
With you their watches keep.
4. Good night to all my beautiful flowers!
You bloom while I’m asleep;
And all the stars that shine so bright,
Keep watch over you.
5. The moon is lighting up the skies,
The stars are sparkling there;
'T is time to shut our weary eyes,
And say our evening prayer.
Mrs. Follen.
5. The moon is lighting up the sky,
The stars are twinkling there;
It's time to close our tired eyes,
And say our evening prayer.
Mrs. Follen.
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