This is a modern-English version of Punch, or the London Charivari, Volume 1, August 7, 1841, originally written by Various.
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PUNCH,
OR THE LONDON CHARIVARI.
VOL. 1.
AUGUST 7, 1841.
THE WIFE-CATCHERS.
A LEGEND OF MY UNCLE’S BOOTS.
In Four Chapters.
“His name ’tis proper you should hear,
“His name is one you should definitely know,
’Twas Timothy Thady Mulligin:
'Twas Timothy Thady Mulligan:
And whenever he finish’d his tumbler of punch,
And whenever he finished his glass of punch,
He always wished it full agin.”
He always wished it full again.
CHAPTER II.
“You can have no idea, Jack, how deeply the loss of those venerated family retainers affected me.”
“Y”ou can’t imagine, Jack, how much the loss of those respected family servants affected me.”
My uncle paused. I perceived that his eyes were full, and his tumbler empty; I therefore thought it advisable to divert his sorrow, by reminding him of our national proverb, “Iss farr doch na skeal11. A drink is better than a story..”
My uncle paused. I noticed his eyes were full, and his glass was empty; so I figured it would be a good idea to lift his spirits by reminding him of our national saying, “Iss farr doch na skeal11. A drink is more enjoyable than a story..”
The old man’s eyes glistened with pleasure, as he grasped my hand, saying, “I see, Jack, you are worthy of your name. I was afraid that school-learning and college would have spoiled your taste for honest drinking; but the right drop is in you still, my boy. I mentioned,” continued he, resuming the thread of his story, “that my grandfather died, leaving to his heirs the topped boots, spurs, buckskin-breeches, and red waistcoat; but it is about the first-mentioned articles I mean especially to speak, as it was mainly through their respectable appearance that so many excellent matches and successful negotiations have been concluded by our family. If one of our cousins was about to wait on his landlord or his sweetheart, if he meditated taking a farm or a wife, ‘the tops’ were instantly brushed up, and put into requisition. Indeed, so fortunate had they been in all the matrimonial embassies to which they had been attached, that they acquired the name of ‘the wife-catchers,’ amongst the young fellows of our family. Something of the favour they enjoyed in the eyes of the fair sex should, perhaps, be attributed to the fact, that all the Duffys were fine strapping fellows, with legs that seemed made for setting off topped boots to the best advantage.
The old man’s eyes sparkled with delight as he took my hand and said, “I see, Jack, you truly live up to your name. I was worried that all that schooling and college would have ruined your appreciation for good drinking, but you’ve still got it in you, my boy. I mentioned,” he continued, picking up his story again, “that my grandfather passed away, leaving his heirs the top boots, spurs, buckskin breeches, and red waistcoat; but I want to focus especially on the top boots because it was mainly their impressive look that helped our family seal many great deals and successful matches. If one of our cousins was about to visit his landlord or his sweetheart, or if he was considering taking on a farm or a wife, the top boots were quickly polished up and put to good use. In fact, they were so successful in all the matrimonial missions they were involved in that they earned the nickname ‘the wife-catchers’ among the young guys in our family. Some of the favor they had with the ladies might also be because all the Duffys were tall, strong guys, with legs that perfectly showcased the top boots.”
“Well, years rolled by; the sons of mothers whose hearts had been won by the irresistible buckism of Shawn Duffy’s boots, grew to maturity, and, in their turn, furbished up ‘the wife-catchers,’ when intent upon invading the affections of other rustic fair ones. At length these invaluable relics descended to me, as the representative of our family. It was ten years on last Lady-day since they came into my possession, and I am proud to say, that during that time the Duffys and ‘the wife-catchers’ lost nothing of the reputation they had previously gained, for no less than nineteen marriages and ninety-six christenings have occurred in our family during the time. I had every hope, too, that another chalk would have been added to the matrimonial tally, and that I should have the pleasure of completing the score before Lent; for, one evening, about four months ago, I received a note from your cousin Peter, informing me that he intended riding over, on the following Sunday, to Miss Peggy Haggarty’s, for the purpose of popping the question, and requesting of me the loan of the lucky ‘wife-catchers’ for the occasion.
“Well, years went by; the sons of mothers who had fallen for the undeniable charm of Shawn Duffy’s boots grew up, and they, in turn, polished up ‘the wife-catchers’ when they wanted to win the hearts of other local girls. Eventually, these treasured items were passed down to me as the representative of our family. It has been ten years this past Lady-day since they came into my possession, and I’m proud to say that during that time, the Duffys and ‘the wife-catchers’ have maintained their stellar reputation, resulting in no fewer than nineteen marriages and ninety-six baptisms in our family. I had high hopes that another notch would be added to the marriage count and that I would have the pleasure of completing the tally before Lent; because, about four months ago, I received a note from your cousin Peter, telling me he planned to ride over the following Sunday to Miss Peggy Haggarty’s to propose, and asking to borrow the lucky ‘wife-catchers’ for the occasion."
“I need not tell you I was delighted to oblige poor Peter, who is the best fellow and surest shot in the county, and accordingly took down the boots from their peg in the hall. Through the negligence of the servant they have been hung up in a damp state, and had become covered with blue mould. In order to render them decent and comfortable for Peter, I placed them to dry inside the fender, opposite the fire; then lighting my pipe, I threw myself back in my chair, and as the fragrant fumes of the Indian weed curled and wreathed around my head, with half-closed eyes turned upon the renowned ‘wife-catchers,’ I indulged in delightful visions of future weddings and christenings, and recalled, with a sigh, the many pleasant ones I had witnessed in their company.”
“I don’t need to tell you how happy I was to help poor Peter, who is the best guy and the most accurate shooter in the county. So, I took down the boots from their peg in the hall. Because the servant was careless, they’d been left hanging up in a damp state and had gotten covered in blue mold. To make them decent and comfortable for Peter, I put them to dry in front of the fire. Then, lighting my pipe, I settled back in my chair, and as the fragrant smoke of the tobacco curled around me, I half-closed my eyes and looked at the famous ‘wife-catchers,’ indulging in delightful thoughts of future weddings and christenings, while reminiscing, with a sigh, about the many enjoyable ones I had seen with them.”
Here my uncle applied the tumbler to his face to conceal his emotion. “I brought to mind,” he continued (ordering; in a parenthesis, another jug of boiling water), “I brought to mind the first time I had myself sported the envied ‘wife-catchers’ at the pattron of Moycullen. I was then as wild a blade as any in Connaught, and the ‘tops’ were in the prime of their beauty. In fact, I am not guilty of flattery or egotism in saying, that the girl who could then turn up her nose at the boots, or their master, must have been devilish hard to please. But though the hey-day of our youth had passed, I consoled myself with the reflection that with the help of the saints, and a pair of new soles, we might yet hold out to marry and bury three generations to come.
Here my uncle held the glass up to his face to hide his emotions. “I remembered,” he continued (ordering, in parentheses, another jug of boiling water), “I remembered the first time I showed off the coveted ‘wife-catchers’ at the pattron of Moycullen. I was as wild as anyone in Connaught, and the ‘tops’ were at the height of their beauty. Honestly, I'm not flattering myself when I say that any girl who could turn up her nose at the boots, or their owner, must have been really hard to please. But even though the prime of our youth had passed, I comforted myself with the thought that with a little help from the saints, and a new pair of soles, we might still last long enough to marry and bury three generations to come.
“As these anticipations passed through my mind, I was startled by a sudden rustling near me. I raised my eyes to discover the cause, and fancy my surprise when I beheld ‘the wife-catchers,’ by some marvellous power, suddenly become animated, gradually elongating and altering themselves, until they assumed the appearance of a couple of tall gentlemen clad in black, with extremely sallow countenances; and what was still more extraordinary, though they possessed separate bodies, their actions seemed to be governed by a single mind. I stared, and doubtless so would you, Jack, had you been in my place; but my astonishment was at its height, when the partners, keeping side by side as closely as the Siamese twins, stepped gracefully over the fender, and taking a seat directly opposite me, addressed me in a voice broken by an irrepressible chuckle—
“As these thoughts crossed my mind, I was startled by a sudden rustling nearby. I looked up to see what was causing it, and imagine my surprise when I saw ‘the wife-catchers,’ somehow brought to life, gradually stretching and transforming themselves until they looked like a couple of tall gentlemen dressed in black, with very pale faces; and what was even stranger, even though they had separate bodies, their movements seemed to be controlled by a single mind. I stared, and you would have too, Jack, if you were in my position; but my shock reached its peak when the pair, staying close together like Siamese twins, stepped elegantly over the fender, took a seat right across from me, and spoke to me in a voice interrupted by an uncontrollable chuckle—
“‘Here we are, old boy. Ugh, ugh, ugh, hoo!’
“‘Here we are, buddy. Ugh, ugh, ugh, hoo!’”
“So I perceive, gentlemen,” I replied, rather drily.
"So I see, gentlemen," I replied, a bit dryly.
“‘You look a little alarmed—ugh, ugh, hoo, hoo, hoo!’ cried the pair. ‘Excuse our laughter—hoo! hoo! hoo! We mean no offence—none whatever. Ugh, hoo, hoo, hoo! We know we are somewhat changed in appearance.’
“‘You seem a bit shocked—ugh, ugh, hoo, hoo, hoo!’ shouted the two of them. ‘Sorry for laughing—hoo! hoo! hoo! We don’t mean to offend you—none at all. Ugh, hoo, hoo, hoo! We realize we look a bit different.’”
“I assured the transformed ‘tops’ I was delighted in being honoured with their company, under any shape; hoped they would make themselves quite at home, and take a glass with me in the friendly way. The friends shook their heads simultaneously, declining the offer; and he whom I had hitherto known as the right foot, said in a grave voice:—
“I assured the transformed ‘tops’ that I was thrilled to be in their company, no matter what form they took; I hoped they would feel right at home and have a drink with me in a friendly manner. The friends shook their heads at the same time, turning down the offer; and the one I had known as the right foot said in a serious tone:—
“‘We feel obliged, sir, but we never take anything but water; moreover, our business now is to relate to you some of the singular adventures of our life, convinced, that in your hand they will be given to the world in three handsome volumes.’
“‘We feel obligated, sir, but we only take water; also, our purpose now is to share some of the unique adventures of our lives, believing that in your hands, they will be presented to the world in three beautiful volumes.’”
“My curiosity was instantly awakened, and I drew my chair closer to my communicative friends, who, stretching out their legs, prepared to commence their recital.”
“My curiosity was immediately piqued, and I inched my chair closer to my chatty friends, who, stretching out their legs, got ready to start their story.”
“‘Hem!’ cried the right foot, who appeared to be the spokesman, clearing his throat and turning to his companion—‘hem! which of our adventures shall I relate first, brother?’
“‘Ahem!’ said the right foot, who seemed to be the spokesperson, clearing his throat and turning to his buddy—‘ahem! Which of our adventures should I share first, brother?’
“‘Why,’ replied the left foot, after a few moments’ reflection, ‘I don’t think you can do better than tell our friend the story of Terence Duffy and the heiress.’
“‘Why,’ replied the left foot, after a moment of thinking, ‘I don’t think you can do better than tell our friend the story of Terence Duffy and the heiress.’”
“‘Egad! you’re right, brother; that was a droll affair:’ and then, addressing himself to me, he continued, ‘You remember your Uncle Terence? A funny dog he was, and in his young days the very devil for lovemaking and fighting. Look here,’ said the speaker, pointing to a small circular perforation in his side, which had been neatly patched. ‘This mark, which I shall carry with me to my grave, I received in an affair between your uncle and Captain Donovan of the North Cork Militia. The captain one day asserted in the public library at Ballybreesthawn, that a certain Miss Biddy O’Brannigan had hair red as a carrot. This calumny was not long in reaching the ears of your Uncle Terence, who prided himself on being the champion of the sex in general, and of Miss Biddy O’Brannigan in particular. Accordingly he took the earliest opportunity of demanding from the captain an apology, and a confession that the lady’s locks were a beautiful auburn. The militia hero, who was too courageous to desert his colours, maintained they were red. The result was a meeting on the daisies at four o’clock in the morning, when the captain’s ball grazed your uncle’s leg, and in return he received a compliment from Terence, in the hip, that spoiled his dancing for life.
“‘Wow! You’re right, brother; that was a funny situation,’ he said, then turning to me, he continued, ‘Do you remember your Uncle Terence? He was a real character, and in his younger days, he was all about romance and getting into fights. Check this out,’ he said, pointing to a small circular scar on his side that had been neatly patched up. ‘This mark, which I’ll carry with me to my grave, I got during an incident involving your uncle and Captain Donovan of the North Cork Militia. One day, the captain claimed in the public library at Ballybreesthawn that a certain Miss Biddy O’Brannigan had hair as red as a carrot. This slander quickly reached your Uncle Terence, who took pride in being the defender of women in general, and Miss Biddy O’Brannigan in particular. So, he took the first chance to demand an apology from the captain, along with a confession that the lady’s hair was a beautiful auburn. The militia hero, who was too brave to back down, insisted it was red. The result was a meeting in a field of daisies at four o’clock in the morning, where the captain's shot grazed your uncle’s leg, and in return, Terence gave him a wound in the hip that ruined his dancing for life.”
“‘I will not insult your penetration by telling you what I perceive you are already aware of, that Terence Duffy was the professed admirer of Miss Biddy. The affair with Captain Donovan raised him materially in her estimation, and it was whispered that the hand and fortune of the heiress were destined for her successful champion. There’s an old saying, though, that the best dog don’t always catch the hare, as Terence found to his cost. He had a rival candidate for the affections of Miss Biddy; but such a rival—however I will not anticipate.’”
“‘I won’t insult your intelligence by telling you what you already know: that Terence Duffy was openly in love with Miss Biddy. His relationship with Captain Donovan definitely improved his standing in her eyes, and people were saying that the heiress’s hand and fortune were meant for her successful suitor. There’s an old saying, though, that the best dog doesn’t always catch the hare, as Terence learned the hard way. He had competition for Miss Biddy’s affection; but just wait— I won’t spoil it.’”
SONGS FOR THE SENTIMENTAL, NO. 3.
I am thine in my gladness,
I am yours in my happiness,
I’m thine in thy tears;
I'm yours in your tears;
My love it can change not
My love won't change.
With absence or years.
With absence or years.
Were a dungeon thy dwelling,
If a dungeon were your home,
My home it should be,
My home it should be,
For its gloom would be sunshine
For its darkness would be light
If I were with thee.
If I were with you.
But the light has no beauty
But the light isn't pretty.
Of thee, love bereft:
Without you, love lost:
I am thine, and thine only!
I am yours, and yours alone!
Thine!—over the left!
You!—over the left!
Over the left!
Go left!
As the wild Arab hails,
As the wild Arab calls,
On his desolate way,
On his lonely path,
The palm-tree which tells
The telling palm tree
Where the cool fountains play,
Where the trendy fountains are,
So thy presence is ever
So your presence is always
The herald of bliss,
The messenger of happiness,
For there’s love in thy smile,
For there’s love in your smile,
And there’s joy in thy kiss.
And there’s joy in your kiss.
Thou hast won me—then wear me!
You’ve won me—now flaunt me!
Of thee, love, bereft,
Of you, love, lost,
I should fade like a flower,
I should wilt like a flower,
Yes!—over the left!
Yes!—over to the left!
Over the left!
To the left!
A gentleman in Mobile has a watch that goes so fast, he is obliged to calculate a week back to know the time of day.
A guy in Mobile has a watch that runs so fast, he has to count a week back to figure out what time it is.
A new bass singer has lately appeared at New Orleans, who sings so remarkably deep, it takes nine Kentucky lawyers to understand a single bar!
A new bass singer has recently emerged in New Orleans, and he sings so incredibly deep that it takes nine Kentucky lawyers to make sense of just one bar!
A NATURAL DEDUCTION
Why S—e is long-lived at once appears—
Why S—e lives so long is immediately clear—
The ass was always famed for length of ears.
The donkey was always known for its long ears.
WIT WITHOUT MONEY;
OR, HOW TO LIVE UPON NOTHING.
BY VAMPYRE HORSELEECH, ESQ.
“Creation’s heir—the world, the world is mine.”—GOLDSMITH.
“Creation’s heir—the world, the world is mine.”—GOLDSMITH.
Philosophers, moralists, poets, in all ages, have never better pleased themselves or satisfied their readers than when they have descanted upon, deplored, and denounced the pernicious influence of money upon the heart and the understanding. “Filthy lucre”—“so much trash as may be grasped thus”—“yellow mischief,” I know not, or choose not, to recount how many justly injurious names have been applied to coin by those who knew, because they had felt, its consequences. Wherefore, I say at once, it is better to have none on’t—to live without it. And yet, now I think better upon that point, it is well not altogether to discourage its approach. On the contrary, lay hold upon it, seize it, rescue it from hands which in all probability would work ruin with it, and resolutely refuse, when it is once got, to let it go out of your grasp. Let no absurd talk about quittance, discharge, remuneration, payment, induce the holder to relax from his inflexible purpose of palm. Pay, like party, is the madness of many for the gain of a few.
Philosophers, moralists, and poets throughout history have never pleased themselves or satisfied their readers more than when they have spoken about, lamented, and criticized the harmful influence of money on the heart and mind. “Dirty money”—“trash that can be grabbed like this”—“yellow mischief,” I can’t say, or don’t want to recall, how many damaging names have been given to money by those who understood its effects because they experienced them. So, I’ll say right away, it’s better to have none of it—to live without it. And yet, as I think more about it, it’s also good not to entirely discourage its presence. On the contrary, grab it, take it, save it from the hands of those who would probably misuse it and resolutely refuse to let it slip from your grasp once you have it. Don’t let any ridiculous talk about quitting, settling up, or payment convince the holder to waver in their firm commitment. Payment, like politics, is the folly of many for the benefit of a few.
Unhappily, vile gold, or its representation or equivalent, has been, during many centuries, the sole medium through which the majority of mankind have supplied their wants, or ministered to their luxuries. It is high time that a sage should arise to expound how the discerning few—those who have the wit and the will (both must concur to the great end) may live—LIVE—not like him who buys and balances himself by the book of the groveller who wrote “How to Live upon Fifty Pounds a Year”—(O shame to manhood!)—but live, I say—“be free and merry”—“laugh and grow fat”—exchange the courtesies of life—be a pattern of the “minor morals”—and yet: all this without a doit in bank, bureau, or breeches’ pocket.
Unfortunately, for many centuries, terrible gold, or its representation or equivalent, has been the only way most people have met their needs or indulged in their luxuries. It’s about time a wise person steps forward to explain how the few who are insightful—those who have both the intelligence and the determination (both are necessary for this great purpose)—can truly live—not like someone who follows the advice of a lowly writer who penned “How to Live on Fifty Pounds a Year”—(Oh, the shame!)—but live, I say—“be free and happy”—“laugh and enjoy life”—share the good things in life—be a model of “the little morals”—and yet: all this without a penny in the bank, office, or pockets.
I am that sage. Let none deride. Haply, I shall only remind some, but I may teach many. Those that come to scoff, may perchance go home to prey.
I am that wise person. Let no one mock. Maybe I will just remind a few, but I might teach many. Those who come to sneer may end up going home to think.
Let no gentleman of the old school (for whom, indeed, my brief treatise is not designed) be startled when I advance this proposition: That more discreditable methods are daily practised by those who live to get money, than are resorted to by those who without money are nevertheless under the necessity of living. If this proposition be assented to—as, in truth, I know not how it can be gainsaid,—nothing need be urged in vindication of my art of free living. Proceed I then at once.
Let no old-school gentleman (for whom my brief discussion isn’t intended) be surprised when I put forward this idea: That more disgraceful methods are used daily by those who live to make money than by those who, despite having no money, still need to survive. If this idea is accepted—as I honestly don’t see how it can be denied—there's no need to justify my approach to free living. So, I’ll proceed right away.
Here is a youth of promise—born, like Jaffier, with “elegant desires”—one who does not agnize a prompt alacrity in carrying burdens—one, rather, who recognizes a moral and physical unfitness for such, and indeed all other dorsal and manual operations—one who has been born a Briton, and would not, therefore, sell his birthright for a mess of pottage; but, on the contrary, holds that his birthright entitles him to as many messes of pottage as there may be days to his mortal span, though time’s fingers stretched beyond the distance allotted to extreme Parr or extremest Jenkins. “Elegant desires” are gratified to the extent I purpose treating of them, by handsome clothes—comfortable lodgings—good dinners.
Here is a promising young person—born, like Jaffier, with “refined aspirations”—someone who doesn’t show eagerness in taking on burdens—rather, someone who realizes a lack of physical and moral ability for such tasks, and indeed all other strenuous activities—someone who was born British, and therefore wouldn’t sell their birthright for a bowl of stew; instead, they believe that their birthright entitles them to as many bowls of stew as there are days in their life, even if time stretches beyond the limits of the longest-lived person. “Refined aspirations” are fulfilled to the extent I intend to discuss them, through nice clothes—comfortable housing—good meals.
1st. Of Handsome Clothes.—Here, I confess, I find myself in some difficulty. The man who knows not how to have his name entered in the day-book of a tailor, is not one who could derive any benefit from instruction of mine. He must be a born natural. Why, it comes by instinct.
1st. Of Handsome Clothes.—I have to admit, I'm a bit stuck here. A guy who doesn’t know how to get his name written down in a tailor’s log is someone who wouldn’t gain anything from my advice. He must be completely clueless. It’s just something you pick up naturally.
2nd. Of Comfortable Lodgings.—Easily obtained and secured. The easiest thing in life. But the wit without money must possess very little more of the former than of the latter, if he do not, even when snugly ensconced in one splendid suite of apartments, have his eye upon many others; for landladies are sometimes vexatiously impertinent, and novelty is desirable. Besides, his departure may be (nay, often is) extremely sudden. When in quest of apartments, I have found tarnished cards in the windows preferable. They imply a length of vacancy of the floor, and a consequent relaxation of those narrow, worldly (some call them prudent) scruples, which landladies are apt to nourish. Hints of a regular income, payable four times a year, have their weight; nay, often convert weekly into quarterly lodgings. Be sure there are no children in your house. They are vociferous when you would enjoy domestic retirement, and inquisitive when you take the air. Once (horresco referens!) on returning from my peripatetics, I was accosted with brutally open-mouthed clamour, by my landlady, who, dragging me in a state of bewilderment into her room, pointed to numerous specimens of granite, which her “young people” had, in their unhallowed thirst for knowledge, discovered and drawn from my trunk, which, by some strange mischance, had been left unlocked! In vain I mumbled something touching my love of mineralogy, and that a lapidary had offered I knew not what for my collection. I was compelled to “bundle,” as the idiomatic, but ignorant woman expressed herself. To resume.
2nd. Of Comfortable Lodgings.—Easily acquired and secured. The simplest thing in life. But someone clever without money must have very little of the former compared to the latter if they don’t, even when comfortably settled in one beautiful apartment, keep an eye on many others; because landlords can sometimes be annoyingly rude, and change is appealing. Besides, their departure may be (and often is) very sudden. When looking for apartments, I’ve found that old signs in the windows are preferable. They suggest that the place has been vacant for a long time, leading to a relaxing of those strict, worldly (as some call them, prudent) standards that landlords often hold. Hints of a steady income, paid four times a year, carry weight; in fact, they often turn a weekly rental into a quarterly one. Make sure there are no kids in your house. They are loud when you want to enjoy some peace at home and curious when you're outside. Once (horresco referens!) when I returned from my walks, I was confronted with a loud and rude outburst from my landlady, who, dragging me in a state of confusion into her room, pointed to various pieces of granite that her “young ones” had, in their inappropriate thirst for knowledge, pulled from my trunk, which, by some strange accident, had been left open! In vain, I mumbled something about my passion for mineralogy and that a lapidary had offered I knew not what for my collection. I was forced to “pack up,” as the uneducated but clever woman put it. To continue.
Let not the nervous or sensitive wit imagine that, in a vast metropolis like London, his chance of securing an appropriate lodging and a confiding landlady is at all doubtful. He might lodge safe from the past, certain of the future, till the crash of doom. I shall be met by Ferguson’s case. Ferguson I knew well, and I respected him. But he had a most unfortunate countenance. It was a very solemn, but by no means a solvent face; and yet he had a manner with him too, and his language was choice, if not persuasive. That the matter of his speech was plausible, none ever presumed to deny. “It is all very well, Mr. Ferguson,”—that was always conceded. I do not wish to speak ill of the dead; but Ferguson never entered a lodging without being compelled to pay a fortnight in advance, and always
Let’s not let the anxious or sensitive thinker believe that, in a huge city like London, there's any doubt about finding a suitable place to stay and a trustworthy landlord. He could settle in, feeling safe from the past and confident about the future, right up until the end of time. Now, I’ll bring up Ferguson’s situation. I knew Ferguson well and had a lot of respect for him. But he had a rather unfortunate face. It was very serious, but not very approachable; still, he had a certain manner about him, and his words were well-chosen, if not convincing. No one ever disagreed that what he said was reasonable. “That’s all very nice, Mr. Ferguson,”—that was always accepted. I don’t want to speak ill of the deceased, but Ferguson never moved into a place without having to pay two weeks' rent upfront, and always
3rd. Of Good Dinners.—Wits, like other men, are distinguished by a variety of tastes and inclinations. Some prefer dining at taverns and eating-houses; others, more discreet or less daring, love the quiet security of the private house, with its hospitable inmates, courteous guests, and no possibility of “bill transactions.” I confess when I was young and inexperienced, wanting that wisdom which I am now happy to impart, I was a constant frequenter of taverns, eating-houses, oyster-rooms, and similar places of entertainment. I am old now, and have been persecuted by a brutal world, and am grown timid. But I was ever a peaceable man—hated quarrels—never came to words if I could help it. I do not recommend the tavern, eating-house, oyster-room system. These are the words of wisdom. The waiters at these places are invariably sturdy, fleet, abusive rascals, who cannot speak and will not listen to reason. To eat one’s dinner, drink a pint of sherry, and then, calling for the bill, take out one’s pocket-book, and post it in its rotation in a neat hand, informing the waiter the while, that it is a simple debt, and so forth; this really requires nerve. Great spirits only are equal to it. It is an innovation upon old, established forms, however absurd—and innovators bring down upon themselves much obloquy. To run from the score you have run up—not to pay your shot, but to shoot from payment—this is not always safe, and invariably spoils digestion. No; it is not more honourable—far from it—but it is better; for you should strive to become, what is commonly called—“A Diner Out”—that is to say, one who continues to sit at the private tables of other men every day of his life, and by his so potent art, succeeds in making them believe that they are very much obliged to him.
3rd. Of Good Dinners.—People, like everyone else, have different tastes and preferences. Some enjoy dining at taverns and restaurants; others, more reserved or less adventurous, prefer the cozy comfort of a private home, with its welcoming hosts, polite guests, and no worries about splitting the bill. I admit that when I was young and inexperienced, lacking the wisdom that I now gladly share, I often visited taverns, restaurants, oyster bars, and similar entertainment spots. Now that I’m older and have faced a harsh world, I’ve become more cautious. But I’ve always been a peaceful person—I hated arguments and avoided confrontation whenever I could. I don’t recommend the tavern, restaurant, oyster bar approach. These are wise words. The waitstaff at these places are usually strong, fast, and rude folks who can’t communicate well and won’t listen to reason. To enjoy a meal, have a glass of sherry, and then, when you ask for the bill, take out your wallet, writing the amount clearly while telling the waiter it's just a simple debt, truly takes guts. Only great souls can handle that. It’s a departure from traditional practices, no matter how ridiculous—but innovators often face a lot of criticism. To leave without paying what you've ordered—not to dodge your share but to avoid payment altogether—can be risky and will definitely ruin your digestion. No; it's not more honorable—quite the opposite—but it’s better; because you should aim to be what’s often called “A Diner Out”—someone who continues to enjoy meals at others’ private tables every day, and, with their handy skills, makes them feel grateful for the experience.
How to be this thing—this “Diner Out”—I shall teach you, by a few short rules next week. Till then—farewell!
How to be this thing—this “Diner Out”—I will teach you with a few simple rules next week. Until then—goodbye!
Lord William Paget has applied to the Lord Chancellor, to inquire whether the word “jackass” is not opprobrious and actionable. His lordship says, “No, decidedly, in this case only synonymous.”
Lord William Paget has asked the Lord Chancellor to find out if the word “jackass” is considered offensive and actionable. His lordship responds, “No, definitely, in this case it’s just a synonym.”
THE POLITICAL QUACK.
Sir Robert Peel has convinced us of one thing by his Tamworth speech, that whatever danger the constitution may be in, he will not proscribe for the patient until he is regularly called in. A beautiful specimen of the old Tory leaven. Sir Robert objects to give Advice gratis.
Sir Robert Peel has shown us one thing with his Tamworth speech: that no matter what danger the constitution might be facing, he will not prescribe for the patient until he is regularly called in. A great example of the old Tory influence. Sir Robert refuses to offer Advice for free.
TO FANCY BUILDERS AND CAPITALISTS.
A large assortment of peculiarly fine oyster-shells, warranted fire-proof and of first-rate quality; exquisitely adapted for the construction of grottoes. May be seen by cards only, to be procured of Mr. George Robins, or the clerks of Billingsgate or Hungerfofd markets.
A wide variety of unusual, high-quality oyster shells, guaranteed to be fire-proof and perfect for building grottoes. Available for viewing by appointment only, which can be arranged through Mr. George Robins, or the clerks at Billingsgate or Hungerford markets.
N.B.—Some splendid ground at the corners of popular and well-frequented streets, to be let on short leases for edifices of the above description. Apply as before.
N.B.—Some great land at the corners of busy and popular streets is available for short-term leases for buildings of the type mentioned above. Apply as before.
LITERARY RECIPES.
The following invaluable literary recipes have been most kindly forwarded by the celebrated Ude. They are the produce of many years’ intense study, and, we must say, the very best things of the sort we have ever met with. There is much delicacy in M. Ude leaving it to us, as to whether the communication should be anonymous. We think not, as the peculiarity of the style would at once establish the talented authorship, and, therefore, attempted concealment would be considered as the result of a too morbidly modest feeling.
The following invaluable culinary recipes have been generously shared by the renowned Ude. They are the result of many years of dedicated study, and we must say, they are the best of their kind we've ever come across. M. Ude's choice to let us decide whether to keep this communication anonymous shows a lot of thoughtfulness. We don’t think it should be anonymous, as the uniqueness of the writing would immediately reveal the skillful authorship, and any attempt to hide it would simply come across as an overly excessive modesty.
HOW TO COOK UP A FASHIONABLE NOVEL.
Take a consummate puppy—M.P.s preferable (as they are generally the softest, and don’t require much pressing)—baste with self-conceit—stuff with slang—season with maudlin sentiment—hash up with a popular publisher—simmer down with preparatory advertisements. Add six reams of gilt-edged paper—grate in a thousand quills—garnish with marble covers, and morocco backs and corners. Stir up with magazine puffs—skim off sufficient for preface. Shred scraps of French and small-talk, very fine. Add “superfine coats”—“satin stocks”—“bouquets”—“opera-boxes”—“a duel”—an elopement—St. George’s Church—silver bride favours—eight footmen—four postilions—the like number of horses—a “dredger” of smiles—some filtered tears—half-mourning for a dead uncle (the better if he has a twitch in his nose), and serve with anything that will bear “frittering.”
Take a perfect puppy—preferably an M.P. (since they’re usually the softest and don’t need much effort)—baste it with self-importance—stuff it with slang—season it with overly sentimental feelings—mix it up with a trendy publisher—let it simmer with promotional ads. Add six reams of fancy paper—grate in a thousand quills—garnish with marble covers and morocco backs and corners. Stir in magazine shout-outs—save enough for the preface. Shred some bits of French and casual conversation, very fine. Add “superfine coats”—“satin stocks”—“bouquets”—“opera-boxes”—“a duel”—an elopement—St. George’s Church—silver bride favors—eight footmen—four postilions—the same number of horses—a “dredger” of smiles—some filtered tears—half-mourning for a deceased uncle (even better if he has a twitch in his nose), and serve with anything that can handle “frittering.”
A SENTIMENTAL DITTO.
(By the same Author.)
Take a young lady—dress her in blue ribbons—sprinkle with innocence, spring flowers, and primroses. Procure a Baronet (a Lord if in season); if not, a depraved “younger son”—trim him with écarté, rouge et noir, Epsom, Derby, and a slice of Crockford’s. Work up with rustic cottage, an aged father, blind mother, and little brothers and sisters in brown holland pinafores. Introduce mock abduction—strong dose of virtue and repentance. Serve up with village church—happy parent—delighted daughter—reformed rake—blissful brothers—syren sisters—and perfect dénouement.
Take a young woman—dress her in blue ribbons—add some innocence, spring flowers, and primroses. Get a Baronet (or a Lord if you can find one); if not, a troubled “younger son”—deck him out with chance games, a bit of gambling, Epsom, Derby, and a slice of Crockford’s. Set the scene with a rustic cottage, an aging father, a blind mother, and little brothers and sisters in simple brown dresses. Include a mock abduction—packed with virtue and remorse. Wrap it up with a village church—happy parents—pleased daughter—a reformed rake—joyful brothers—enchanting sisters—and a perfect dénouement.
N.B. Season with perspective christening and postponed epitaph.
N.B. Add a touch of perspective to the naming ceremony and delayed tribute.
A STARTLING ROMANCE.
Take a small boy, charity, factory, carpenter’s apprentice, or otherwise, as occasion may serve—stew him well down in vice—garnish largely with oaths and flash songs—boil him in a cauldron of crime and improbabilities. Season equally with good and bad qualities—infuse petty larceny, affection, benevolence, and burglary, honour and housebreaking, amiability and arson—boil all gently. Stew down a mad mother—a gang of robbers—several pistols—a bloody knife. Serve up with a couple of murders—and season with a hanging-match.
Take a young boy, whether he's in charity, working at a factory, a carpenter’s apprentice, or whatever the situation calls for—soak him well in bad habits—mix in plenty of swearing and flashy songs—boil him in a mix of crime and wild situations. Balance the good and bad traits—add a dash of petty theft, love, kindness, and burglary, along with honor and breaking and entering, friendliness and arson—simmer everything gently. Include a crazy mother—a group of thieves—some pistols—a bloody knife. Serve it up with a couple of murders—and top it off with a hanging.
N.B. Alter the ingredients to a beadle and a workhouse—the scenes may be the same, but the whole flavour of vice will be lost, and the boy will turn out a perfect pattern.—Strongly recommended for weak stomachs.
N.B. Change the ingredients to a beadle and a workhouse—the scenes might be the same, but the entire essence of vice will be lost, and the boy will end up being a perfect example.—Highly recommended for sensitive viewers.
AN HISTORICAL DITTO.
Take a young man six feet high—mix up with a horse—draw a squire from his father’s estate (the broad-shouldered and loquacious are the best sort)—prepare both for potting (that is, exporting). When abroad, introduce a well-pounded Saracen—a foreign princess—stew down a couple of dwarfs and a conquered giant—fill two sauce-tureens with a prodigious ransom. Garnish with garlands and dead Turks. Serve up with a royal marriage and cloth of gold.
Take a young man who’s six feet tall—mix him with a horse—create a squire from his family’s estate (the broad-shouldered and talkative types are the best)—get both ready for export. When overseas, add in a well-prepared Saracen—a foreign princess—slow-cook a couple of dwarfs and a defeated giant—fill two sauceboats with an enormous ransom. Decorate with garlands and dead Turks. Present it with a royal marriage and cloth of gold.
A NARRATIVE.
Take a distant village—follow with high-road—introduce and boil down pedlar, gut his pack, and cut his throat—hang him up by the heels—when enough, let his brother cut him down—get both into a stew—pepper the real murderer—grill the innocent for a short time—then take them off, and put delinquents in their place (these can scarcely be broiled too much, and a strong fire is particularly recommended). When real perpetrators are done, all is complete.
Take a faraway village—follow the main road—bring in the traveling salesman, empty his bag, and kill him—hang him upside down—when it's enough, let his brother take him down—put both of them in a pot—season the real killer—grill the innocent for a little while—then take them off and replace them with the guilty (they can hardly be overcooked, and a high heat is especially advised). When the real criminals are finished, everything is done.
If the parties have been poor, serve up with mint sauce, and the name of the enriched sufferer.
If the servings have been inadequate, add some mint sauce and note the name of the person who has suffered.
BIOGRAPHY OF KINGS.
Lay in a large stock of “gammon” and pennyroyal—carefully strip and pare all the tainted parts away, when this can be done without destroying the whole—wrap it up in printed paper, containing all possible virtues—baste with flattery, stuff with adulation, garnish with fictitious attributes, and a strong infusion of sycophancy.
Lay in a large supply of “gammon” and pennyroyal—carefully remove all the bad parts without ruining the whole—wrap it up in printed paper that lists all possible virtues—baste with flattery, stuff with praise, decorate with made-up qualities, and soak in a strong dose of sycophancy.
Serve up to prepared courtiers, who have been previously well seasoned with long-received pensions or sinecures.
Serve them to the prepared courtiers, who have already been well taken care of with long-standing pensions or easy jobs.
DRAMATIC RECIPES.
FOR THE ADELPHI.—VERY FINE!
Take a beautiful and highly-accomplished young female, imbued with every virtue, but slightly addicted to bigamy! Let her stew through the first act as the bride of a condemned convict—then season with a benevolent but very ignorant lover—add a marriage. Stir up with a gentleman in dusty boots and large whiskers. Dredge in a meeting, and baste with the knowledge of the dusty boot proprietor being her husband. Let this steam for some time; during which, prepare, as a covering, a pair of pistols—carefully insert the bullet in the head of him of the dusty boots. Dessert—general offering of LADIES’ FINGERS! Serve up with red fire and tableaux.
Take a beautiful and accomplished young woman, filled with every virtue but slightly inclined towards bigamy! Let her struggle through the first act as the bride of a condemned convict—then add a kind but really clueless lover—mix in a marriage. Blend in a gentleman with dusty boots and a big mustache. Mix in a meeting, and coat with the knowledge that the owner of the dusty boots is her husband. Let this simmer for a while; during that time, prepare, as a topping, a pair of pistols—carefully place a bullet in the head of the man with the dusty boots. For dessert—general serving of LADIES’ FINGERS! Present it all with red fire and dramatic scenes.
FOR MESSRS. MACREADY AND CHARLES KEAN.
Take an enormous hero—work him up with improbabilities—dress him in spangles and a long train—disguise his head as much as possible, as the great beauty of this dish is to avoid any resemblance to the “tête de veau au naturel.”
Take a gigantic hero—create him with unlikely traits—dress him in glitter and a long train—hide his head as much as possible, because the main appeal of this dish is to avoid any resemblance to the “tête de veau au naturel.”
Grill him for three acts. When well worked up, add a murder or large dose of innocence (according to the palate of the guests)—Season, with a strong infusion of claqueurs and box orders. Serve up with twelve-sheet posters, and imaginary Shaksperian announcements.
Grill him for three acts. When heated up, add a murder or a big dose of innocence (depending on what the audience prefers)—Season with a strong mix of cheerleaders and VIP passes. Serve with large posters and fictional Shakespearean announcements.
N.B. Be careful, in cooking the heroes, not to turn their backs to the front range—should you do so the dish will be spoiled.
N.B. Be careful when cooking the heroes not to turn their backs to the front range—if you do, the dish will be spoiled.
FOR THE ROYAL VIC.
(A Domestic Sketch.)
Take a young woman—give her six pounds a year—work up her father and mother into a viscous paste—bind all with an abandoned poacher—throw in a “dust of virtue,” and a “handful of vice.” When the poacher is about to boil over, put him into another saucepan, let him simmer for some time, and then he will turn out “lord of the manor,” and marry the young woman. Serve up with bludgeons, handcuffs, a sentimental gaoler, and a large tureen of innocence preserved.
Take a young woman—give her six pounds a year—mix her parents into a mush—bind it all with a former poacher—add a "pinch of virtue" and a "bit of vice." When the poacher is close to boiling over, transfer him to another pot, let him simmer for a while, and then he will end up as “lord of the manor” and marry the young woman. Serve it all with clubs, handcuffs, a sentimental jailer, and a big bowl of preserved innocence.
FOR THE SURREY NAUTICAL.
Take a big man with a loud voice, dress him with a pair of ducks, and, if pork is comeatable, a pigtail—stuff his jaws with an imitation quid, and his mouth with a large assortment of dammes. Garnish with two broad-swords and a hornpipe. Boil down a press-gang and six or seven smugglers, and (if in season) a bo’swain and large cat-o’-nine-tails.—Sprinkle the dish with two lieutenants, four midshipmen, and about seven or eight common sailors. Serve up with a pair of epaulettes and an admiral in a white wig, silk stockings, smalls, and the Mutiny Act.
Take a big guy with a loud voice, dress him in some pants, and, if pork is available, add a pigtail—fill his cheeks with a fake chew and his mouth with a bunch of bad words. Top it off with two swords and a dance. Mix in a press-gang and six or seven smugglers, and (if it's the right time) a bosun and a big cat-o'-nine-tails. Sprinkle the mix with two lieutenants, four midshipmen, and about seven or eight regular sailors. Serve it with a pair of epaulettes and an admiral in a white wig, silk stockings, shorts, and the Mutiny Act.
OUR CITY ARTICLE.
We have no arrivals to-day, but are looking out anxiously for the overland mail from Battersea. It is expected that news will be brought of the state of the mushroom market, and great inconvenience in the mean time is felt by the dealers, who are holding all they have got, in the anticipation of a fall; while commodities are, of course, every moment getting heavier.
We have no arrivals today, but we’re anxiously waiting for the overland mail from Battersea. We expect it will bring news about the mushroom market, and in the meantime, the dealers are feeling a lot of pressure as they hold on to all their stock, anticipating a drop in prices; meanwhile, the goods are getting heavier by the moment.
The London and Westminster steam-boat Tulip, with letters from Milbank, was planted in the mud off Westminster for several hours, and those who looked for the correspondence, had to look much longer than could have been agreeable.
The London and Westminster steamboat Tulip, carrying letters from Milbank, was stuck in the mud off Westminster for several hours, and those waiting for the mail had to wait far longer than was pleasant.
The egg market has been in a very unsettled state all the week; and we have heard whispers of a large breakage in one of the wholesale houses. This is caused by the dead weight of the packing-cases, to which every house in the trade is liable. In the fruit market, there is positively nothing doing; and the growers, who are every day becoming less, complain bitterly. Raspberries were very slack, at 2½d. per pottle; but dry goods still brought their prices. We have heard of several severe smashes in currants, and the bakers, who, it is said, generally contrive to get a finger in the pie, are among the sufferers.
The egg market has been really unstable all week, and we've heard rumors about a big breakdown at one of the wholesale companies. This is due to the heavy packing cases, which every business in the trade is at risk of. In the fruit market, there’s honestly nothing happening, and the growers, who are decreasing every day, are complaining a lot. Raspberries were very slow to sell, at 2½d. per pottle, but dry goods are still fetching good prices. We've heard about several serious losses in currants, and the bakers, who usually manage to get involved, are among those suffering.
The salmon trade is, for the most part, in a pickle; but we should regret to say anything that might be misinterpreted. The periwinkle and wilk interest has sustained a severe shock; but potatoes continue to be done much as usual.
The salmon trade is mostly in trouble, but we wouldn't want to say anything that could be misunderstood. The periwinkle and wilk market has taken a big hit, but potatoes are still being handled pretty much the same as before.
TO SIR F—S B—T.
“A dinner will be held for Captain Rous on the 20th of this month, with Sir Francis Burdett set to host.” —Morning Paper.
Egyptian revels often boast a guest
Egyptian parties often feature a guest
In sparkling robes and blooming chaplets drest;
In shiny robes and blooming garlands dressed;
But, oh! what loathsomeness is hid beneath—
But, oh! what disgusting things are hidden beneath—
A fleshless, mould’ring effigy of death;
A lifeless, decaying figure of death;
A thing to check the smile and wake the sigh,
A way to hold back a smile and bring out a sigh,
With thoughts that living excellence can die.
With the idea that living a great life can come to an end.
How many at the coming feast will see
How many at the upcoming feast will see
THE SKELETON OF HONOURED WORTH IN THEE!
THE SKELETON OF HONORED WORTH IN YOU!
SUPREME: COURT OF THE LORD HIGH INQUISITOR PUNCH.
“Laselato ogni speranza, voi ch’ intrate!”
“Abandon all hope, you who enter here!”
JOHN BULL v. THE PEEL PLACE-HUNTING COMPANY.
MR. JOBTICKLER said he had to move in this cause for an injunction to restrain the Peel Place-hunting Company from entering into possession of the estates of plaintiff. It appeared from the affidavits on which he moved, that the defendants, though not in actual possession, laid an equitable claim to the fee simple of the large estates rightfully belonging to the plaintiff, over which they were about to exercise sovereign dominion. They had entered into private treaty with the blind old man who held the post of chief law-grubber of the Exchequer, offering him a bribe to pretend illness, and take half his present pay, in order to fasten one of the young and long-lived leeches—one Sir Frederick Smal-luck—to the vacant bench. They were about to compel a decentish sort of man, who did the business of Chancery as well as such business can be done under the present system, to retire upon half allowance, in order to make room for one Sir William Fullhat, who had no objection to £14,000 a year and a peerage. They were about to fill two sub-chancellorships, which they would not on any account allow the company in the present actual possession of the estates to fill up with a couple of their own shareholders; and were, in fine, proceeding to dispose of, by open sale, and by private contract, the freehold, leasehold, and funded property of plaintiff, to the incalculable danger of the estate, and to the disregard of decency and justice. What rendered this assumption and exercise of power the more intolerable, was, that the persons the most unfit were selected; and as if, it would appear, from a “hateful love of contraries,” the man learned in law being sent to preside over the business of equity, of which he knew nothing, and the man learned in equity being entrusted with the direction of law of which he knew worse than nothing; being obliged to unlearn all he had previously learnt, before he began to learn his new craft.
MR. JOBTICKLER said he needed to file for an injunction to stop the Peel Place-hunting Company from taking over the plaintiff's estates. The affidavits he presented showed that, even though the defendants weren’t actually in possession, they claimed an equitable right to the fee simple of the large estates that truly belonged to the plaintiff, which they were about to control. They had made a private deal with the blind old man who was the chief law-grubber of the Exchequer, offering him a bribe to pretend to be ill and to accept half of his current salary, all to secure a position for one of their own, Sir Frederick Smal-luck, on the vacant bench. They were planning to force a decent man, who managed Chancery as well as it could be done under the current system, to retire on half pay to make way for Sir William Fullhat, who had no issue with receiving £14,000 a year and a peerage. They were going to fill two sub-chancellorships, which they would never allow the company currently managing the estates to fill with their own shareholders; and, in short, they were moving to sell, both openly and privately, the freehold, leasehold, and funded properties of the plaintiff, posing enormous risks to the estate and showing a complete disregard for decency and justice. What made this usurpation of power even more outrageous was that the most unsuitable individuals were chosen; seemingly, out of a “hateful love of contraries,” the legal expert was assigned to oversee equity, which he knew nothing about, while the expert in equity was tasked with handling law, which he understood even less than nothing—forced to unlearn everything he had known before learning his new craft.
LORD HIGH INQUISITOR.—Don’t you know, sir, that poeta nascitur non fit? Is not a judge a judge the moment he applies himself to the seat of justice?
LORD HIGH INQUISITOR.—Don’t you know, sir, that poeta nascitur non fit? Isn’t a judge a judge the moment he takes his seat in court?
MR. JOBTICKLER.—Most undoubtedly it is so, my lord, as your lordship is a glorious example, but—
MR. JOBTICKLER.—It definitely is, my lord, as you are a wonderful example, but—
LORD HIGH INQUISITOR.—But me no buts, sir. I’ll have no allusions made to my person. What way are the cases on the point you would press on the court?
LORD HIGH INQUISITOR.—No excuses, sir. I won’t tolerate any references to myself. What issues are you trying to bring before the court?
MR. JOBTICKLER.—The cases, I am sorry to say, are all in favour of the Peel Place-hunting Company’s proceedings; but the principle, my lord, the principle!
MR. JOBTICKLER.—Unfortunately, the cases all support the actions of the Peel Place-hunting Company; but the principle, my lord, the principle!
LORD HIGH INQUISITOR.—Principle! What has principle to do with law, Sir? Really the bar is losing all reverence for authority, all regard for consistency. I must put a stop to such revolutionary tendencies on the part of gentlemen who practise in my court. Sit down, sir.
LORD HIGH INQUISITOR.—Principle! What does principle have to do with law, Sir? Honestly, the bar is losing all respect for authority and all sense of consistency. I have to put an end to these revolutionary tendencies from the gentlemen practicing in my court. Sit down, sir.
MR. JOBTICKLER.—May my client have the injunction?
MR. JOBTICKLER.—Can my client get the injunction?
LORD HIGH INQUISITOR.—No-o-o-o! But he shall pay all the costs, and I only wish I could double them for his impertinence. You, sir, you deserve to be stripped of your gown for insulting the ears of the court with such a motion.
LORD HIGH INQUISITOR.—No! But he will cover all the costs, and I wish I could double them for his rudeness. You, sir, deserve to be removed from your position for disrespecting the court with such a suggestion.
CRIER.—Any more appeals, causes, or motions, in the Supreme Court of the Lord High Inquisitor Punch, to-day? (A dead silence.)
CRIER.—Any more appeals, cases, or motions in the Supreme Court of the Lord High Inquisitor Punch today? (A dead silence.)
LORD HIGH INQUISITOR (bowing gracefully to the bar).—Good morning, gentlemen. You behold how carefully we fulfil the letter of Magna Charta.
LORD HIGH INQUISITOR (bowing gracefully to the bar).—Good morning, gentlemen. You see how diligently we uphold the principles of Magna Carta.
“Nulli vendemus, nulli negabimus, aut differemus rectum vel justitiam.” [Exit.]
“Neither will we sell, nor will we deny, or delay justice.” [Exit.]
CRIER.—This Court will sit the next time it is the Lord High Inquisitor’s pleasure that it should sit, and at no other period or time.—God save the Queen!
CRIER.—This Court will meet the next time the Lord High Inquisitor decides it should, and not at any other time.—God save the Queen!
AN AN-TEA ANACREONTIC.—No. 3.
ΕΙΣ ΛΥΡΑΝ.
Apollo! ere the adverse fates
Apollo! before the bad luck
Gave thy lyre to Mr. Yates22. This celebrated instrument now crowns the chaste yet elaborate front of the Adelphi Theatre, where full-length effigies of Mr. and Mrs. Yates may be seen silently inviting the public to walk in.,
Gave your lyre to Mr. Yates22. This iconic instrument now embellishes the stylish yet simple façade of the Adelphi Theatre, where life-sized statues of Mr. and Mrs. Yates can be seen subtly inviting the public to enter.,
I have melted at thy strain
I have melted from your pressure.
When Bunn reign’d o’er Drury-lane;
When Bunn ruled over Drury Lane;
For the music of thy strings
For the music of your strings
Haunts the ear when Romer sings.
Haunts the ear when Romer sings.
But to me that voice is mute!
But to me, that voice is silent!
Tuneless kettle-drum and flute
Out-of-tune kettle drum and flute
I but hear one liquid lyre—
I only hear one liquid lyre—
Kettle bubbling on the fire,
Kettle boiling on the stove,
Whizzing, fizzing, steaming out
Whizzing, fizzing, steaming out
Music from its curved spot,
Music from its curved position,
Wak’ning visions by its song
Awakening visions with its song
Of thy nut-brown streams, Souchong;
Of your nut-brown streams, Souchong;
Lumps of crystal saccharine—
Sugar crystals—
Liquid pearl distill’d from kine;
Liquid milk from cows;
Nymphs whose gentle voices mingle
Nymphs with soothing voices blend
With the silver tea-spoons’ jingle!
With the silver spoons' jingle!
Symposiarch I o’er all preside,
I preside over all.
The Pidding of the fragrant tide.
The Pidding of the fragrant tide.
Such the dreams that fancy brings,
Such are the dreams that imagination creates,
When my tuneful kettle sings!
When my cheerful kettle sings!
AUTHENTIC.
FROM EBENEZER BEWLEY, OF LONDON, TO HIS FRIEND REUBEN PIM, OF LIVERPOOL.
7th mo. 29th, 1841.
July 29, 1841.
Friend Reuben,—I am in rect. of thine of 27th inst., and
note contents. It affordeth me consolation that the brig
Hazard hath arrived safely in thy port—whereof I
myself was an underwriter—also, that a man-child hath been
born unto thee and to thy faithful spouse Rebecca. Nevertheless,
the house of Crash and Crackitt hath stopped payment, which hath
caused sore lamentation amongst the faithful, who have discounted
their paper. It hath pleased Providence to raise the price of E.I.
sugars; the quotations of B.P. coffee are likewise improving, in
both of which articles I am a large holder. Yet am I not puffed up
with foolish vanity, but have girded myself round with the girdle
of lowliness, even as with the band which is all round my hat! In
token whereof, I offered to hand 20 puncheons of the former, as
margin.
Dear Reuben, — I received your letter from the 27th and noted its contents. I'm glad to hear that the brig Hazard has arrived safely in your port—of which I was an underwriter— and that you and your loyal wife Rebecca have welcomed a baby boy. However, the house of Crash and Crackitt has defaulted on payments, which has caused great distress among those affected, who have relied on their notes. Providence has raised the price of E.I. sugars; the prices for B.P. coffee are also improving, in which I hold a substantial amount. Yet, I’m not filled with foolish pride; instead, I’ve wrapped myself in humility, just like the band that goes around my hat! As a sign of this, I offered to deliver 20 puncheons of the sugars, as margin.
There are serious ferments and heartburnings amongst the great ones of this land: and those that sit on the benches called “The Treasury” are become sore afraid, for he whom men call Lord John Russell hath had notice to quit. Thereat, the Tories rejoice mightily, and lick their chops for the fat morsels and the sops in the pan that Robert the son of Jenny hath promised unto his followers. Nevertheless, tidings have reached me that a good spec. might be made in Y.C. tallow, whereon I desire thy opinion; as also on the practice of stuffing roast turkey with green walnuts, which hath been highly recommended by certain of the brethren here, who have with long diligence and great anxiety meditated upon the subject.
There are serious tensions and frustrations among the powerful people in this country: those sitting on the benches called "The Treasury" are quite worried, as the man known as Lord John Russell has been told to step down. In response, the Tories are celebrating and eagerly looking forward to the rewards and advantages that Robert, son of Jenny, has promised to his supporters. However, I’ve heard that there’s a good opportunity to invest in Y.C. tallow, and I’d like your thoughts on that; as well as on the idea of stuffing roast turkey with green walnuts, which has been highly recommended by several of the members here who have carefully considered the matter for a long time.
And now, I counsel thee, hold fast the change which thou hast, striving earnestly for that which thou hast not, taking heed especially that no man comes the “artful” over thee; whereby I caution thee against one Tom Kitefly of Manchester, whose bills have returned back unto me, clothed with that unseemly garment which the notary calleth “a protest.” Assuredly he is a viper in the paths of the unwary, and will bewray thee with his fair speeches; therefore, I say, take heed unto him.
And now, I advise you to hold on to what you have, while working hard for what you don’t have, especially being careful not to let anyone deceive you. In particular, beware of one Tom Kitefly from Manchester, whose bills have come back to me marked with the unpleasant label the notary calls “a protest.” He is definitely a danger to those who aren’t careful, and he will mislead you with his smooth talk; so I say, watch out for him.
I remain thy friend,
EBEN. BEWLEY.
Mincing Lane.
I’m still your friend,
EBEN. BEWLEY.
Mincing Lane.
TO BAD JOKERS.
Sir,—Seeing in the first number of your paper an announcement from Mr. Thomas Hood, that he was in want of a laugher, I beg to offer my services in that comic capacity, and to hand you my card and certificates of my cachinnatory powers.
Sir,—I noticed in the first issue of your paper an announcement from Mr. Thomas Hood that he was looking for a laugher, so I’d like to offer my services for that comic role and present my card and certificates of my laughing abilities.
T.C.
T.C.
CARD.
Mr. Toady Chuckle begs to inform wits, punsters, and jokers in general that he
Mr. Toady Chuckle wants to inform all the clever thinkers, joke tellers, and funny folks that he
GOES OUT LAUGHING.
His truly invaluable zest for bad jokes has been patronised by several popular farce-writers and parliamentary Pasquins.
His deep affection for terrible jokes has been embraced by several well-known comedy writers and satirical politicians.
Mr. T.C. always has at command smiles for satire, simpers for repartee, sniggers for conundrums, titters for puns, and guffaws for jocular anecdotes. By Mr. T.C.’s system, cues for laughter are rendered unnecessary, as, from a long course of practical experience, the moment of cachinnation is always judiciously selected.
Mr. T.C. is always ready to smile at jokes, smirk at witty comments, grin at riddles, giggle at puns, and laugh out loud at funny stories. With Mr. T.C.'s style, you don't need cues for laughter, as he intuitively knows the perfect moment to laugh from years of experience.
N.B. The worst Jokes laughed at, and rendered successful. Old Joes made to tell as well as new.
N.B. The worst jokes get laughed at and become successful. Old jokes are told just as well as new ones.
COMIC CREDENTIALS.
T.R.C.G.
T.R.C.G.
Sir,—I feel myself bound in justice to you and your invaluable laughter, as well as to others who may be suffering, as I have been, with a weakly farce, to inform you of its extraordinary results in my case. My bantling was given up by all the faculty, when you were happily shown into the boxes. One laugh removed all sibillatory indications; a second application of your invaluable cachinnation elicited slight applause; whilst a third, in the form of a guffaw, rendered it perfectly successful.
Sir,—I think it’s only fair to you and your priceless laughter, as well as to others who might be struggling like I have, to share the incredible results it had for me. All the doctors had given up on my case when you were luckily called into the box. One laugh cleared away all the troubling signs; a second round of your priceless laughter earned a little applause; and a third, in the form of a guffaw, made it a total success.
From the prevalence of dulness among dramatic writers, I have no doubt that your services will be in general requisition.
Considering the general dullness among playwrights, I’m sure people will be looking for your help.
I am, yours, very respectfully,
J.R. Planche.
C—— C——.I am, yours, very respectfully,
J.R. Planche.
C—— C——.Sir,—I beg to inform you, for the good of other bad jokers, that I deem the introduction of your truly valuable cachinnation one of the most important ever made; in proof of which, allow me to state, that after a joke of mine had proved a failure for weeks, I was induced to try your cachinnation, by the use of which it met with unequivocal success; and, I declare, if the cost were five guineas a guffaw, I would not be without it.
Hey there, I just wanted to let you know, for the sake of other not-so-great jokers, that I think your amazing laughter is one of the most important things ever introduced. To prove this, let me share that after one of my jokes bombed for weeks, I decided to try your laughter, and it was an instant hit. Honestly, if it cost five guineas for a guffaw, I wouldn't want to be without it.
Yours truly,
Charles Delaet Waldo Sibthorp (Colonel).Yours truly,
Charles Delaet Waldo Sibthorp (Colonel).
“MY NAME’S THE DOCTOR”—(vide Peel’s Speech at Tamworth.)
The two doctors, Peel and Russell, who have been so long engaged in renovating John Bull’s “glorious constitution!” though they both adopt the lowering system at present, differ as to the form of practice to be pursued. Russell still strenuously advocates his purge, while Sir Robert insists upon the efficacy of bleeding.
The two doctors, Peel and Russell, who have been working for so long to fix John Bull’s “glorious constitution!” both use the lowering method now, but they disagree on the approach to take. Russell still strongly supports his purge, while Sir Robert insists on the effectiveness of bleeding.
“Who shall decide when doctors disagree?”
“Who will decide when doctors don't agree?”
PUNCH’S INFORMATION FOR THE PEOPLE.—NO. 1.
BEING A VERY FAMILIAR TREATISE ON ASTRONOMY.
Our opinion is, that science cannot be too familiarly dealt with; and though too much familiarity certainly breeds contempt, we are only following the fashion of the day, in rendering science somewhat contemptible, by the strange liberties that publishers of Penny Cyclopædias, three-halfpenny Informations, and twopenny Stores of Knowledge, are prone to take with it.
We believe that science shouldn't be treated too casually. While becoming too familiar with it can lead to disdain, we're just going along with today's trends that make science seem a bit less respectable, thanks to the odd liberties taken by publishers of Penny Cyclopædias, three-halfpenny Informations, and twopenny Stores of Knowledge.
In order to show that we intend going at high game, we shall begin with the stars; and if we do not succeed in levelling the heavens to the very meanest capacity—even to that of
In order to show that we aim to reach great heights, we will start with the stars; and if we don't manage to bring the heavens down to the lowest level—even to that of
we shall at once give up all claims to the title of an enlightener of the people.
we will immediately give up any claims to the title of an enlightener of the people.
Every body knows there are planets in the air, which are called the planetary system. Every one knows our globe goes upon its axis, and has two poles, but what is the axis, and what the poles are made of—whether of wood, or any other material—are matters which, as far as the mass are concerned, are involved in the greatest possible obscurity.
Everybody knows there are planets in the sky, which are called the planetary system. Everyone knows our Earth spins on its axis and has two poles, but what the axis is made of, and what the poles consist of—whether wood or some other material—are questions that, for the most part, remain completely unclear.
The north pole is chiefly remarkable for no one having ever succeeded in reaching it, though there seems to have been a regular communication to it by post in the time of Pope, whose lines—
The North Pole is mainly notable for the fact that no one has ever managed to reach it, although there appears to have been regular mail sent there during Pope's time, whose lines—
“Speed the soft intercourse from zone to zone.
“Speed the gentle communication from area to area.
And waft a sigh from Indus to the pole,”
And let out a sigh from the Indus to the pole,”
imply, without doubt, that packages reached the pole; not, however, without regard to the size (SIGHS), which may have been limited.
imply, without a doubt, that packages reached the pole; however, this may have been limited by the size (SIGHS).
The sun, every body knows, is very large, and indeed the size has been ascertained to an inch, though we must say we should like to see the gentleman who measured it. Astronomers declare there are spots upon it, which may be the case, unless the savans have been misled by specks of dirt on the bottom of their telescopes. As these spots are said to disappear from time to time, we are strongly inclined to think our idea is the correct one. Some insist that the sun is liquid like water, but if it were, the probability is, that from its intense heat, the whole must have boiled away long ago, or put itself out, which is rather more feasible.
The sun, everyone knows, is really big, and its size has been measured down to an inch, though we’d love to see the person who did that. Astronomers say there are spots on it, which could be true, unless the experts have been fooled by dirt on their telescope lenses. Since these spots are said to disappear now and then, we strongly suspect that our theory is the right one. Some people argue that the sun is liquid like water, but if that were the case, it’s likely that with all its intense heat, it would have boiled away a long time ago or gone out, which seems much more likely.
We do not think it necessary to go into the planets, for, if we did, it is not unlikely we should be some time time before we got out again; but we shall say a few words about our own Earth, in which our readers must, of course, take a special interest.
We don't think it's necessary to dive into the planets, because if we did, we might end up taking a long time to come back; however, we will say a few words about our own Earth, which our readers should, of course, be particularly interested in.
It has been decided, that, viewed from the moon, our globe presents a mottled appearance; but, as this assertion can possibly rest on no better authority than that of the Man in the Moon, we must decline putting the smallest faith in it.
It has been decided that from the moon, our planet looks mottled; however, since this claim can only rely on the authority of the Man in the Moon, we can’t really put any trust in it.
It is calculated that a day in the moon lasts just a fortnight, and that the night is of the same duration. If this be the case, the watchmen in the moon must be horridly over-worked, and daily labourers must be fatigued in proportion. When the moon is on the increase, it is seen in the crescent; but whether Mornington-crescent or Burton-crescent, or any other crescent in particular, has not been mentioned by either ancient or modern astronomers. The only articles we get from the moon, are moonlight and madness. Lunar caustic is not derived from the planet alluded to.
It's estimated that a day on the moon lasts about two weeks, and that the night is the same length. If that's true, the watchmen on the moon must be incredibly overworked, and daily laborers would be equally exhausted. When the moon is waxing, it's visible in a crescent shape; however, whether it's Mornington Crescent, Burton Crescent, or any specific crescent hasn't been specified by either ancient or modern astronomers. The only things we get from the moon are moonlight and madness. Lunar caustic doesn’t come from the moon that's mentioned.
Of the stars, one of the most brilliant is Sirius, or the Dog-star, which it is calculated gives just one-twenty-millionth part of the light of the sun, or about as much as that of a farthing rushlight. It would seem that such a shabby degree of brilliancy was hardly worth having; but when it is remembered that it takes three years to come, it really seems hardly worth while to travel so far to so very little purpose.
Of the stars, one of the brightest is Sirius, or the Dog Star, which is estimated to give off just one-twenty-millionth of the light of the sun, or roughly the same amount as a small candle. It might seem that such a tiny amount of brightness isn't worth much; but considering it takes three years to reach us, traveling that far for so little seems almost pointless.
The most magnificent of the starry phenomena, is the Milky Way or Whey; and, indeed, the epithet seems superfluous, for all whey is to a certain extent milky. The Band of Orion is familiar to all of us by name; but it is not a musical band, as most people are inclined to think it is. Perhaps the allusion to the music of the spheres may have led to this popular error, as well as to that which regards Orion’s band as one of wind instruments.
The most magnificent of the starry sights is the Milky Way or Whey, and honestly, the term seems unnecessary because all whey is somewhat milky. The Band of Orion is known to all of us by name, but it’s not a musical band, as many people tend to believe. Maybe the reference to the music of the spheres has contributed to this common misconception, along with the idea that Orion’s band refers to a type of wind instrument.
We shall not go into those ingenious calculations that some astronomers have indulged in, as to the time it would take for a cannon-ball to come from the sun to the earth, for we really hope the earth will never be troubled by so unwelcome a visitor. Nor shall we throw out any suggestions as to how long a bullet would be going from the globe to the moon; for we do not think any one would be found goose enough to take up his rifle with the intention of trying the experiment.
We won't dive into the clever calculations that some astronomers have made about how long it would take for a cannonball to travel from the sun to the earth, because we genuinely hope that the earth will never be bothered by such an unwelcome visitor. Similarly, we won't propose any ideas about how long it would take for a bullet to travel from the earth to the moon, since we don’t think anyone would be foolish enough to grab their rifle to try out that experiment.
Comets are, at present, though very luminous bodies, involved in considerable obscurity. Though there is plenty of light in comets, we are almost entirely in the dark concerning them. All we know about them is, that they are often coming, but never come, and that, after frightening us every now and then, by threatening destruction to our earth, they turn sharp off, all of a sudden, and we see no more of them. Astronomers have spied at them, learned committees have sat upon them, and old women have been frightened out of their wits by them; but, notwithstanding all this, the comet is so utterly mysterious, that “thereby hangs a tail” is all we are prepared to say respecting it.
Comets are, right now, very bright objects, yet shrouded in mystery. Even though they emit a lot of light, we know almost nothing about them. All we really understand is that they frequently appear but never truly arrive, and after scaring us from time to time by suggesting they might bring destruction to our planet, they suddenly change direction and disappear from sight. Astronomers have observed them, dedicated committees have studied them, and even superstitious people have been terrified by them; but despite all this, the comet remains so completely enigmatic that all we can say is that “thereby hangs a tail.”
We trust the above remarks will have thrown a light on the sun and moon, illustrated the stars, and furnished a key to the skies in general; but those who require further information are referred to Messrs. Adams and Walker, whose plans of the universe, consisting of several yellow spots on a few yards of black calico, are exactly the things to give the students of astronomy a full development of those ideas which it has been our aim to open out to him.
We hope the comments above have shed some light on the sun and moon, explained the stars, and provided a guide to the skies in general. However, for those who need more information, we recommend checking out Messrs. Adams and Walker, whose universe plans, made up of several yellow spots on a few yards of black fabric, are perfect for giving astronomy students a complete understanding of the concepts we aimed to introduce.
NEW STUFFING FOR THE SPEAKER’S CHAIR.
“With too much blood and too little brain, these two might go crazy; but if they have too much brain and too little blood, and still do, I’ll be a healer of mad people.”—Troilus and Cressida.
MR. PETER BORTHWICK and Colonel Sibthorpe are both named as candidates for the Speaker’s chair. Peter has a certificate of being “a bould speaker,” from old Richardson, in whose company he was engaged as parade-clown and check-taker. The gallant Colonel, however, is decidedly the favourite, notwithstanding his very ungracious summary of the Whigs some time ago. We would give one of the buttons off our hump to see
MR. PETER BORTHWICK and Colonel Sibthorpe are both running for the Speaker’s position. Peter has a certificate stating he is “a bould speaker,” from the late Richardson, who he worked under as a parade clown and check-taker. The brave Colonel, however, is definitely the favorite, despite his rather unkind remarks about the Whigs not long ago. We would give one of the buttons off our hump to see
MR. JOSEPH MUGGINS begs to inform his old crony, PUNCH, that the report of Sir John Pullon, “as to the possibility of elevating an ass to the head of the poll by bribery and corruption” is perfectly correct, provided there is no abatement in the price. Let him canvass again, and Mr. J.M. pledges himself, whatever his weight, if he will only stand “one penny more, up goes the donkey!”
MR. JOSEPH MUGGINS wants to let his old friend, PUNCH, know that the report from Sir John Pullon about “the possibility of getting a donkey elected by bribery and corruption” is entirely accurate, as long as the price doesn’t drop. Let him campaign again, and Mr. J.M. promises that no matter his weight, if he just stands for “one penny more, the donkey will win!”
OLD BAILEY.
Robbed—Melbourne’s butcher of his twelvemonth’s billings.
Robbed—Melbourne’s butcher of his yearly earnings.
Verdict—Stealing under forty shillings.
Verdict—Theft of under forty shillings.
LEGAL PUGILISM.
The Chancery bar has been lately occupied with a question relating to a patent for pins’ heads. The costs are estimated at £5000. The lawyers are the best boxers, after all. Only let them get a head in chancery, even a pin’s, and see how they make the proprietor bleed.
The Chancery bar has recently been dealing with a question about a patent for pinheads. The costs are estimated to be £5000. The lawyers are the best fighters, after all. Just let them get a head in chancery, even a pin’s, and watch how they make the owner bleed.
INQUEST.
Died, Eagle Rouse—Verdict, Felo de se.
Died, Eagle Rouse—Verdict, Suicide.
Induced by being ta’en for—Ross, M.P.
Induced by being taken for—Ross, M.P.
RUMBALL THE COMEDIAN.
When Mr. Rumball was at the Surrey Theatre, the treasurer paid him the proceeds of a share of a benefit in half-crowns, shillings, and sixpences, which Rumball boasted that he had carried home on his head. His friends, from that day, accounted for his silvery hair!
When Mr. Rumball was at the Surrey Theatre, the treasurer gave him the earnings from a share of a benefit in half-crowns, shillings, and sixpences, which Rumball claimed he had carried home on his head. From that day on, his friends said it explained his silvery hair!
FOREIGN AFFAIRS.
We beg to invite attention to the aspect of our Foreign Affairs. It is dark, lowering, gloomy—some would say, alarming. When it smiles, its smiles deceive. To use the very mildest term, it is exceedingly suspicious. Let John Bull look to his pockets.
We would like to highlight the state of our Foreign Affairs. It's bleak, threatening, and gloomy—some might even call it alarming. When it appears to be cheerful, that cheerfulness is misleading. To put it mildly, it's incredibly suspicious. John Bull should be cautious with his money.
It is, nevertheless, but a piece of justice to state, that, formidable as the appearance of Foreign Affairs may be, no blame whatever can, in our opinion, be attached to Lord Palmerston.
It is, however, only fair to say that, despite how intimidating Foreign Affairs may seem, we believe that no blame can be placed on Lord Palmerston.
The truth is, that the Foreign Affairs of PUNCH are not the Foreign Affairs of Politics. They are certain living beings; and we call them Affairs, by way of compromise with some naturalists, to whom the respective claims of man and the ape to their relationship may appear as yet undecided.
The truth is, the Foreign Affairs of PUNCH aren’t the same as the Foreign Affairs of Politics. They are specific entities, and we refer to them as Affairs to make a compromise with some naturalists, for whom the debate over the relationship between humans and apes may still seem unresolved.
In their anatomical construction they undoubtedly resemble mankind; they are also endowed with the faculty of speech. Their clothes, moreover, do not grow upon their backs, although they look very much as if they did. They come over here in large numbers from other countries, chiefly from France; and in London abound in Leicester-square, and are constantly to be met with under the Quadrant in Regent-street, where they grin, gabble, chatter, and sometimes dance, to the no small diversion of the passengers.
In their physical makeup, they definitely resemble humans; they also have the ability to speak. Their clothing, however, doesn't grow on them, even though it may look like it does. They come here in large numbers from other countries, mainly from France; and in London, they are plentiful in Leicester Square and can often be found under the Quadrant on Regent Street, where they grin, talk, chatter, and sometimes dance, to the great amusement of passersby.
As these Foreign Affairs have long been the leaders of fashion, and continue still to give the tone to the manners and sentiments of the politer circles, where also their language is, perhaps, more frequently spoken than the vernacular tongue; and as there is something about them—no matter what—which renders them great favourites with a portion of the softer sex, we shall endeavour to point out, for the edification of those who may be disposed to copy them, those peculiarities of person, deportment, and dress, by which their tribe is distinguished.
As these Foreign Affairs have been setting fashion trends for a long time and still influence the behavior and attitudes of the more refined social circles—where their language is possibly spoken more often than the local language—and since there’s something about them, whatever it may be, that makes them very popular with some of the softer sex, we will try to highlight, for the benefit of those who might want to emulate them, the unique traits in appearance, behavior, and style that define their group.
We address ourselves more particularly to those whose animal part—every man is said to resemble, in some respect, one of the lower animals—is made up of the marmozet and the puppy.
We specifically speak to those whose animal side—everyone is said to resemble, in some way, one of the lower animals—is made up of the marmoset and the puppy.
Be it known, then, to all those whom it may concern, that there are, to speak in a general way, two great classes of Foreign Affairs—the shining and the dingy.
Be it known, then, to all those whom it may concern, that there are, to speak in a general way, two great classes of Foreign Affairs—the shining and the dingy.
The characteristic appearance of the former might, perhaps, be obtained by treating the apparel with a preparation of plumbago or black lead; that of the latter by the use of some fuliginous substance, as a dye, or, perhaps, by direct fumigation. The gloss upon the cheeks might be produced by perseverance in the process of dry-rubbing; the more humid style of visage, by the application of emollient cataplasms. General sallowness would result, as a matter of course, from assiduous dissipation. Young gentlemen thus glazed and varnished, French-polished, in fact, from top to toe, might glitter in the sun like beetles; or adopt, if they preferred it, as being better adapted for lady-catching, the more sombre guise of the spider.
The distinct look of the former might be achieved by treating the clothing with a solution of graphite or black lead; that of the latter using some sooty substance as a dye or perhaps through direct fumigation. The shine on the cheeks could come from repeatedly rubbing, while a more dewy look could be achieved with soothing poultices. A general yellowness would naturally result from consistent indulgence. Young men styled like this, polished to a shine from head to toe, could sparkle in the sun like beetles, or, if they preferred, could choose the darker appearance of a spider, which might be more appealing for attracting the attention of ladies.
Foreign Affairs have two opposite modes of wearing the hair; we can recommend both to those studious of elegance. The locks may be suffered to flow about the shoulders in ringlets, resembling the tendrils of the vine, by which means much will be done towards softening down the asperities of sex; or they may be cropped close to the scalp in such a manner as to impart a becoming prominence to the ears. When the development of those appendages is more than usually ample, and when nature has given the head a particularly stiff and erect covering, descending in two lateral semicircles, and a central point on the forehead, the last mentioned style is the more appropriate By its adoption, the most will be made of certain personal, we might almost say generic, advantages;—we shall call it, in the language of the Foreign Affairs themselves, the coiffure à-la-singe.
Foreign Affairs offers two contrasting ways to style hair; we can recommend both to those who care about elegance. Hair can be left to flow around the shoulders in curls, resembling the tendrils of a vine, which helps soften the harsher traits of gender; or it can be cut close to the scalp in a way that highlights the ears. When those features are notably prominent and when nature has given the head a particularly stiff and upright shape, with hair falling in two side semicircles and a peak in the center of the forehead, the second style is more fitting. By choosing this look, one can make the most of certain personal, we might even say inherent, advantages; we will refer to it, using the term from the Foreign Affairs themselves, as the coiffure à-la-singe.
Useful hints, with respect to the management of the whiskers, may be derived from the study of Foreign Affairs. The broad, shorn, smooth extent of jaw, darkened merely on its denuded surface, and the trimmed regular fringe surrounding the face, are both, in perhaps equal degrees, worthy of the attention of the tasteful. The shaggy beard and mustachios, especially, if aided by the effect of a ferocious scowl, will admirably suit those who would wish to have an imposing appearance; the chin, with its pointed tuft à la capricorne, will, at all events, ensure distinction from the human herd; and the decorated upper lip, with its downy growth dyed black, and gummed (the cheek at the same time having been faintly tinged with rouge, the locks parted, perfumed, and curled, the waist duly compressed, a slight addition, if necessary, made to the breadth of the hips, and the feet confined by the most taper and diminutive chausserie imaginable), will just serve to give to the tout ensemble that one touch of the masculine character which, perhaps, it may be well to retain.
Useful tips for managing your facial hair can be found in the study of Foreign Affairs. The broad, clean-shaven jawline, complemented by a neatly trimmed beard and mustache, both deserve attention from those with a sense of style. A shaggy beard and intense scowl are perfect for anyone looking to make a bold impression, while a pointed tuft on the chin will definitely set one apart from the crowd. Additionally, an adorned upper lip with a fine layer of dark hair, combined with subtle cheek blush, styled hair that’s parted, scented, and curled, a nipped waist, and a slight boost to hip width, along with the tiniest, most stylish shoes imaginable, will give the overall look that touch of masculinity that might be worth keeping.
The remarkable tightness and plumpness of limbs and person exhibited by Foreign Affairs cannot have escaped observation. This attractive quality may be acquired by purchasing the material out of which the clothes are to be made, and giving the tailor only just as much as may exactly suffice for the purpose. Its general effect will be much aided by wearing wristbands turned up over the cuff, and collars turned down upon the stock. An agreeable contrast of black and white will thus also be produced. Those who are fonder of harmony will do well to emulate the closely-buttoned sables likewise worn by a large class of Foreign Affairs, who, affecting a uniform tint, eschew the ostentation of linen.
The impressive tightness and fullness of limbs and body shown by Foreign Affairs definitely stands out. This attractive quality can be achieved by carefully selecting the fabric for the clothing and giving the tailor just enough material to get the job done. Wearing wristbands flipped over the cuffs and collars folded down over the neck can enhance the overall look. This also creates a nice contrast between black and white. For those who prefer a more uniform appearance, they should consider the closely-buttoned furs also worn by many in Foreign Affairs, who opt for a single color and avoid the flashiness of white fabric.
The diminution of the width of their coat collars, and the increase of the convexity of their coat tails, an object which, by artificial assistance, might easily be gained, are measures which we would earnestly press on all who are ambitious of displaying an especial resemblance to Foreign Affairs. We also advise them to have lofty, napless, steeple-crowned hats.
The narrowing of their coat collars and the greater curve of their coat tails, a change that could easily be achieved with some help, are steps we strongly encourage anyone wanting to show a special similarity to Foreign Affairs to take. We also suggest they wear tall, smooth, steeple-crowned hats.
He who would pass for a shining specimen, in every sense of the word, of a Foreign Affair, should wear varnished boots, which, if composed partly of striped cloth, or what is much prettier, of silk, will display the ancles to the better advantage.
He who wants to be considered a perfect example, in every sense of the word, of a Foreign Affair should wear polished boots, which, if made partly of striped fabric, or even better, silk, will show off the ankles to better effect.
With regard to colours in the matter of costume, the contemplation of Foreign Affairs will probably induce a preference for black, as being better suited to the complexion, though it will, at the same time, teach that the hues of the rainbow are capable, under certain circumstances, of furnishing useful suggestions.
When it comes to colors in clothing, thinking about foreign affairs will likely lead to a preference for black, as it tends to suit the complexion better. However, it will also show that the colors of the rainbow can provide useful ideas in certain situations.
It will have been perceived that the Foreign Affairs of which we have been treating are the Affairs of one particular nation: beside these, however, there are others; but since all of their characteristics may be acquired by letting the clothes alone, never interfering with the hair, abstaining from the practice of ablution, and smoking German pipes about the streets, they are hardly worth dwelling upon. Those who have light and somewhat shaggy locks will study such models with the best success.
It’s been noticed that the foreign affairs we've discussed are specific to one nation. However, there are other types; but since you can understand their traits just by ignoring the clothes, leaving the hair as it is, avoiding bathing, and smoking German pipes in the streets, they really aren't worth elaborating on. People with light, somewhat messy hair will find these examples the most helpful.
Not only the appearance, but the manners also, of Foreign Affairs, may be copied with signal benefit. Two of their accomplishments will be found eminently serviceable—the art of looking black, and that of leering. These physiognomical attainments, exhibited by turns, have a marvellous power of attracting female eyes—those of them, at least, that have a tendency to wander abroad. The best way of becoming master of these acquisitions is, to peruse with attention the features of bravoes and brigands on the one hand, and those of opera-dancers on the other. The progress of Foreign Affairs should be attentively watched, as the manner of it is distinguished by a peculiar grace. This, perhaps, we cannot better teach anyone to catch, than by telling him to endeavour, in walking, to communicate, at each step, a lateral motion to his coat tail. The gait of a popular actress, dressed as a young officer, affords, next to that actually in question, the best exemplification of our meaning. Habitual dancing before a looking-glass, by begetting a kind of second nature, which will render the movements almost instinctive, will be of great assistance in this particular.
Not only the looks but also the behavior of Foreign Affairs can be imitated with great advantage. Two skills that are particularly useful are the ability to look intimidating and to give suggestive glances. These facial expressions, used alternately, have a remarkable power to catch the attention of women—at least those whose eyes tend to wander. The best way to master these skills is to carefully observe the features of tough guys and outlaws on one side, and those of dancers from the opera on the other. The progress of Foreign Affairs should be closely monitored, as its style is marked by a unique elegance. Perhaps the best way to teach someone to adopt this style is to suggest that they try to give a slight side-to-side motion to their coat tail with each step while walking. The walk of a popular actress dressed as a young officer provides, next to the one in question, the best example of what we mean. Regularly dancing in front of a mirror will help develop a kind of second nature, making the movements nearly instinctive, which will be very helpful in this regard.
In order to secure that general style and bearing for which Foreign Affairs are so remarkable, the mind must be carefully divested of divers incompatible qualities—such as self-respect, the sense of shame, the reverential instinct, and that of conscience, as certain feelings are termed. It must also be relieved of any inconvenient weight of knowledge under which it may labour; though these directions are perhaps needless, as those who have any inclination to form themselves after the pattern of Foreign Affairs, are not very likely to have any such moral or intellectual disqualifications to get rid of. However, it would only be necessary to become conversant with the Affairs themselves, in order, if requisite, to remove all difficulties of the sort. “There is a thing,” reader, “which thou hast often heard of, and it is known to many in our land by the name of pitch;” we need not finish the quotation.
To achieve the distinctive style and demeanor that Foreign Affairs is known for, one must carefully shed various conflicting qualities—like self-respect, shame, reverence, and what we call conscience. It’s also important to be free from any burdensome knowledge that might weigh you down; although, this might be unnecessary because those who want to emulate Foreign Affairs likely don't have such moral or intellectual hindrances to overcome. Still, it's just a matter of becoming familiar with the Affairs themselves to remove any such challenges if needed. “There is a thing,” reader, “which thou hast often heard of, and it is known to many in our land by the name of pitch;” we need not finish the quotation.
To defend the preceding observations from misconstruction, we will make, in conclusion, one additional remark; Foreign Affairs are one thing—Foreign Gentlemen another.
To clarify the previous points and prevent any misunderstandings, we’ll add one more comment in conclusion: Foreign Affairs are one thing—Foreign Gentlemen are another.
PUNCH’S PENCILLINGS—No. IV.
THE MINTO-HOUSE MANIFESTO
Some of our big mothers of the broad-sheet have expressed their surprise that Lord John Russell should have penned so long an address to the citizens of London, only the day before his wedding. For ourselves, we think, it would have augured a far worse compliment to Lady John had he written it the day after. These gentlemen very properly look upon marriage as a most awful ceremony, and would, therefore, indirectly compliment the nerve of a statesman who pens a political manifesto with the torch of Hymen in his eyes, and the whole house odorous of wedding-cake. In the like manner have we known the last signature of an unfortunate gentleman, about to undergo a great public and private change, eulogized for the firmness and clearness of its letters, with the perfect mastery of the supplementary flourish. However, what is written is written; whether penned to the rustling of bridesmaids’ satins, or the surplice of the consolatory ordinary—whether to the anticipated music of a marriage peal, or to the more solemn accompaniment of the bell of St. Sepulchre’s.
Some of our prominent commentators in the press have expressed their surprise that Lord John Russell would write such a long address to the citizens of London just a day before his wedding. For us, we think it would have been a much worse compliment to Lady John if he had written it the day after. These gentlemen rightly see marriage as a significant event and would, therefore, indirectly admire the courage of a politician who drafts a political manifesto with wedding bells on his mind and a house filled with the scent of wedding cake. Similarly, we've seen the final signature of an unfortunate man, about to go through a major public and private change, praised for the strength and clarity of its letters, along with a perfect flourish. However, what’s done is done; whether written amid the rustling of bridesmaids' dresses or in the solemnity of a funeral service—whether to the expected sound of wedding music or to the more somber tolling of St. Sepulchre’s bell.
Ha! Lord John, had you only spoken out a little year ago—had you only told her Majesty’s Commons what you told the Livery of London—then, at this moment, you had been no moribund minister—then had Sir Robert Peel been as far from St. James’s as he has ever been from Chatham. But so it is: the Whig Ministry, like martyr Trappists, have died rather than open their mouths. They would not hear the counsel of their friends, and they refused to speak out to their enemies. They retire from office with, at least, this distinction—they are henceforth honorary members of the Asylum for the Deaf and Dumb!
Ha! Lord John, if only you had spoken up a year ago—if only you had told the House of Commons what you told the Livery of London—then right now, you wouldn’t be a dying minister—then Sir Robert Peel would have been as far from St. James’s as he has ever been from Chatham. But here we are: the Whig Ministry, like martyr Trappists, have chosen to stay silent rather than speak out. They wouldn’t listen to their friends' advice, and they refused to speak out to their enemies. They step down from office with at least this distinction—they are now honorary members of the Asylum for the Deaf and Dumb!
Again, the Whigs are victims to their inherent sense of politeness—to their instinctive observance of courtesy towards the Tories. There has been no bold defiance—no challenge to mortal combat for the cause of public good; but when Whig has called out Tory, it has been in picked and holiday phrase—
Again, the Whigs are victims of their natural sense of politeness and their instinctive respect for the Tories. There has been no bold defiance or challenge to fight for the public good; instead, when a Whig has called out a Tory, it has been in carefully chosen and formal language—
“As if a brother should a brother dare,
“As if a brother should dare to challenge a brother,
To gentle exercise and proof of arms.”
To light exercise and demonstration of skills.
For a long time the people have expected to see “cracked crowns and bloody noses,” and at length, with true John Bull disgust, turned from the ring, convinced that the Whigs, whatever play they might make, would never go in and fight.
For a long time, people have been waiting to see “cracked crowns and bloody noses,” and finally, with classic British disgust, they turned away from the ring, convinced that the Whigs, no matter how they pretended, would never actually step in and fight.
But have the Tories been correspondingly courteous? By no means; the generosity of politeness has been wholly with the Whigs. They, like frolicsome youths at a carnival, have pelted their antagonists with nothing harder than sugar-plums—with egg-shells filled with rose-water; while the Tories have acknowledged such holiday missiles with showers of brickbats, and eggs not filled with aromatic dew. What was the result? The Tories increased in confidence and strength with every new assault; whilst the battered Whigs, from their sheer pusillanimity, became noisome in the nostrils of the country.
But have the Tories been equally polite? Not at all; the generosity of politeness has been entirely with the Whigs. They, like playful youths at a carnival, have thrown nothing tougher than candy at their opponents—using eggshells filled with rose water; while the Tories have responded to such festive attacks with showers of bricks and eggs not filled with fragrant dew. What was the outcome? The Tories grew more confident and stronger with each new attack; while the battered Whigs, due to their sheer cowardice, became unpleasant to the nation.
At length, the loaves and fishes being about to be carried off, the Whigs speak out: like sulky Master Johnny, who, pouting all dinner-time, with his finger in his mouth, suddenly finds his tongue when the apple-dumplings are to be taken from the table. Then does he advance his plate, seize his ivory knife and fork, put on a look of determined animation, and cry aloud for plenty of paste, plenty of fruit, and plenty of sugar! And then Mrs. Tory (it must be confessed a wicked old Mother Cole in her time), with a face not unlike the countenance of a certain venerable paramour at a baptismal rite, declares upon her hopes of immortality that the child shall have nothing of the sort, there being nothing so dangerous to the constitution as plenty of flour, plenty of fruit, and plenty of sugar. Therefore, there is a great uproar with Master Johnny: the House, to use a familiar phrase, is turned out of the windows; the neighbourhood is roused; Master Johnny rallies his friends about him, that is, all the other boys of the court, and the fight begins. Johnny and his mates make a very good fight, but certain heavy Buckinghamshire countrymen—fellows of fifty stone—are brought to the assistance of that screaming beldame Mother Tory, and poor Master Johnny has no other election than to listen to the shouts of triumph that declare there never shall be plenty of flour, plenty of sugar, or, in a word, plenty of pudding.
At last, just as the loaves and fishes are about to be taken away, the Whigs speak up: like sulky Master Johnny, who, pouting the whole dinner time with his finger in his mouth, suddenly finds his voice when the apple dumplings are about to leave the table. Then he pushes his plate forward, grabs his knife and fork, puts on a determined look, and loudly demands plenty of dough, plenty of fruit, and plenty of sugar! And then Mrs. Tory (it must be said she was quite a nasty old Mother Cole in her day), with a face not unlike that of a certain elderly lover at a baptism, swears on her hopes of living forever that the child will have none of that, insisting there's nothing more harmful to health than tons of flour, tons of fruit, and tons of sugar. So, Master Johnny raises a great uproar: the House, to use a familiar expression, is flipped upside down; the neighborhood is stirred up; Master Johnny gathers his friends around him, that is, all the other boys from the court, and the battle starts. Johnny and his friends put up a good fight, but some hefty Buckinghamshire men—guys weighing fifty stone—are brought in to support that screaming old woman Mother Tory, and poor Master Johnny has no choice but to listen to the cheers of victory announcing there will never be plenty of flour, plenty of sugar, or, in short, plenty of pudding.
However, Lord Russell is not discouraged. No; he says “there shall be cakes and ale, and ginger shall be hot i’ the mouth, too!” We only trust that his Lordship’s manifesto is not tinged by those feelings of hope (and in the case of his lordship we may add, resignation) that animate most men about to enter wedlock. We trust he does not confound his own anticipations of happiness with the prospects of the country; for in allusion to the probable policy of the Tories, he says—“Returned to office—they may adopt our measures, and submit to the influence of reason.” Reason from the Stanleys—reason from the Goulburns—reason from the Aberdeens! When the Marquis of Londonderry shall have discovered the longitude, and Colonel Sibthorp have found out the philosopher’s stone, we may then begin to expect the greater miracle.
However, Lord Russell isn't discouraged. No; he says, “There shall be cakes and ale, and ginger shall be hot in the mouth, too!” We just hope that his Lordship’s manifesto isn’t influenced by those feelings of hope (and in the case of his lordship, we can also add resignation) that motivate most men about to get married. We hope he doesn't confuse his own expectations for happiness with the outlook for the country; because in reference to the likely policies of the Tories, he says, “Returned to office—they might adopt our measures and listen to reason.” Reason from the Stanleys—reason from the Goulburns—reason from the Aberdeens! When the Marquis of Londonderry discovers the longitude, and Colonel Sibthorp finds the philosopher’s stone, then we can start to expect the greater miracle.
The Whigs, according to Lord Russell’s letter, have really done so much when out of power, and—as he insinuates, are again ready to do so much the instant they are expelled the Treasury—that for the sake of the country, it must be a matter of lamentation if ever they get in again.
The Whigs, based on Lord Russell's letter, have actually accomplished a lot while not in power, and—as he suggests—are ready to do even more as soon as they are kicked out of the Treasury. It would be a shame for the country if they ever get back in.
PUNCH AND SIR JOHN POLLEN.
Punch, we regret to state, was taken into custody on Monday night at a late hour, on a warrant, for the purpose of being bound over to keep the peace towards Sir John Pollen, Bart. The circumstances giving rise to this affair will be better explained by a perusal of the following correspondence, which took place between ourselves and Sir John, on the occasion, a copy of which we subjoin:—
Punch, we regret to inform you, was arrested on Monday night late, based on a warrant, to ensure he keeps the peace towards Sir John Pollen, Bart. The events leading to this situation will be better understood by reading the following correspondence between us and Sir John regarding the incident, a copy of which we include below:—
Wellington Street, July 30, 1841.
Wellington Street, July 30, 1841.
SIR,—I have this moment read in the Morning Chronicle, the correspondence between you and Lord William Paget, wherein you are reported to say, that your recent defeat at the Andover election was effected by “tampering with some of the smaller voters, who would have voted for Punch or any other puppet;” and that such expressions were not intended to be personally offensive to Lord William Paget! The members of her Majesty’s puppetry not permitting derogatory conclusions to be drawn at their expense, I call upon you to state whether the above assertions are correct; and if so, whether, in the former case, you intended to allude personally to myself, or my friend Colonel Sibthorp; or, in the latter, to infer that you considered Lord W. Paget in any way our superior.
SIR,—I just read in the Morning Chronicle the exchange between you and Lord William Paget, where you mentioned that your recent loss at the Andover election was caused by “messing with some of the smaller voters, who would have voted for Punch or any other puppet;” and that such comments were not meant to be personally offensive to Lord William Paget! Since members of Her Majesty’s puppetry don’t allow negative conclusions to be drawn about them, I ask you to clarify whether the above statements are true; and if so, did you mean to refer personally to me or my friend Colonel Sibthorp, or, alternatively, to imply that you see Lord W. Paget as in any way superior to us?
I have the honour to
be, Sir, your obedient servant,
PUNCH.
I am honored to be your obedient servant,
PUNCH.
Sir John Pollen, Bart.
Sir John Pollen, Bart.
Redenham, July 30, 1841.
Redenham, July 30, 1841.
SIGNOR,—I have just received a note in which you complain of a speech made by me at Andover. I have sent express for my Lord Wilkshire, and will then endeavour to recollect what I did say.
SIGNOR,—I just got a note from you where you mention a speech I gave at Andover. I’ve sent for my Lord Wilkshire and will try to remember exactly what I said.
I have the honour to
be, your admirer,
JOHN POLLEN.
I’m honored to be your admirer,
JOHN POLLEN.
To Signor Punch.
To Mr. Punch.
White Hart.
White Hart.
SIGNOR,—My friend Lord Wilkshire has just arrived. It is his opinion that: I did use the terms “Punch, or any other puppet;” but I intended them to have been highly complimentary, as applied to Lord William Paget.
SIGNOR,—My friend Lord Wilkshire has just arrived. He believes that I did use the terms “Punch, or any other puppet;” but I meant them to be quite complimentary regarding Lord William Paget.
I have the honour to
be, your increased admirer,
JOHN POLLEN.
I’m honored to be your biggest fan,
JOHN POLLEN.
To Signor Punch.
To Mr. Punch.
Wellington Street.
Wellington Street.
SIR,—I and the Colonel are perfectly satisfied. Yours ever,
SIR,—The Colonel and I are completely satisfied. Yours always,
PUNCH
PUNCH
Wellington Street.
Wellington Street.
MY LORD,—It would have afforded me satisfaction to have consulted the wishes of Sir John Pollen in regard to the publication of this correspondence. The over-zeal of Sir John’s friends have left me no choice in the matter, I shall print.
MY LORD,—I would have been pleased to consider Sir John Pollen's wishes regarding the publication of this correspondence. However, the eagerness of Sir John’s friends has left me with no choice in the matter; I will proceed with printing.
Your obedient
servant,
PUNCH.
Your loyal servant,
PUNCH.
Earl of Wilkshire.
Earl of Wilkshire.
Thus ended this—
Thus ended this—
HUMFERY CHEAT-’EM.—(Vide Ainsworth’s “Guy Fawkes.”)
HUMFERY CHEAT-’EM.—(See Ainsworth’s "Guy Fawkes.")
A city friend met us the other morning: “Hark ‘ee,” said he, “Alderman Humfery has been selling shares of the Blackwall Railway, which were not in his possession; and when the directors complained, and gave him notice that they would bring his conduct before a full meeting, inviting him at the same time to attend, and vindicate or explain his conduct as he best might, he not only declined to do so, but hurried off to Dublin. Now, I want to know this,” and he took me by the button, “why was Alderman Humfery, when he ran away to Dublin, like the boy who ripped up his goose which laid golden eggs?”—We were fain to give it up.—“Because,” said he, with a cruel dig in the ribs, “because he cut his lucky!”
A city friend ran into us the other morning: “Listen,” he said, “Alderman Humfery has been selling shares of the Blackwall Railway that he didn’t even own; and when the directors complained and told him they would bring his actions to a full meeting, inviting him to attend and explain himself, he not only refused but rushed off to Dublin. Now, I want to know this,” and he grabbed me by the button, “why was Alderman Humfery, when he ran away to Dublin, like the boy who opened up the goose that laid golden eggs?”—We had to give up. —“Because,” he said, giving me a sharp poke in the ribs, “because he cut his lucky!”
THE BOY JONES’S LOG.
PICKED UP AT SEA.
The following interesting narrative of the sufferings of the youth Jones, whose indefatigable pursuit of knowledge, under the most discouraging circumstances, has been the cause of his banishment to a distant shore, was lately picked up at sea, in a sealed bottle, by a homeward-bound East Indiaman, and since placed in our hands by the captain of the vessel; who complimented us by saying, he felt such confidence in PUNCH’S honour and honesty! (these were his very words), that he unhesitatingly confided to him the precious document, in order that it might be given to the world without alteration or curtailment.
The following captivating story about the struggles of a young man named Jones, whose relentless pursuit of knowledge, despite facing overwhelming challenges, led to his exile on a faraway shore, was recently discovered at sea in a sealed bottle by a ship returning home from the East Indies. The captain of the ship kindly handed it to us, expressing his confidence in PUNCH's integrity and honesty (these were his exact words). He entrusted us with the valuable document to share with the world without any changes or omissions.
We hasten to realise the captain’s flattering estimate of our character.
We quickly come to appreciate the captain’s flattering view of our character.
At see, on board the ship Apollo.
At sea, on board the ship Apollo.
June 30.—So soon as the fust aggytation of my mind is woar off, I take up my pen to put my scentiments on peaper, in hops that my friends as nose the misfortin wich as oc-curd to me, may think off me wen I’m far a whey. Halass! sir, the wicktim of that crewel blewbeard, Lord Melbun, who got affeard of my rising poplarity in the Palass, and as sent me to see for my peeping, though, heaven nose, I was acktyated by the pewrest motiffs in what I did. The reel fax of the case is, I’m a young man of an ighly cultiwated mind and a very ink-wisitive disposition, wich naturally led me to the use of the pen. I ad also bean in the abit of reading “Jak Sheppard,” and I may add, that I O all my eleygant tastes to the perowsal of that faxinating book. O! wot a noble mind the author of these wollums must have!—what a frootful inwention and fine feelings he displays!—what a delicat weal he throws over the piccadillys of his ero, making petty larceny lovely, and burglarly butiful.
June 30.—As soon as the initial agitation of my mind wears off, I take up my pen to express my thoughts on paper, hoping that my friends who know about the misfortune that has befallen me may think of me when I’m far away. Alas! Sir, I am the victim of that cruel tyrant, Lord Melbun, who became afraid of my rising popularity in the Palace and has sent me away for my troubles, though, heaven knows, I was motivated by the purest intentions in what I did. The real fact of the matter is, I am a young man with a highly cultivated mind and a very inquisitive nature, which naturally led me to use my pen. I had also been in the habit of reading “Jak Sheppard,” and I can say that I owe all my elegant tastes to the reading of that captivating book. Oh! What a noble mind the author of these volumes must have!—what a fruitful imagination and fine feelings he displays!—what a delicate veil he throws over the petty crimes of his hero, making theft charming and burglary beautiful.
However, I don’t mean now to enter into a reglar crickitism of this egxtrornary work, but merely to observe, when I read it fust I felt a thust for literrerry fame spring up in my buzzem; and I thort I should to be an orthor. Unfortinnet delusion!—that thort has proved my rooin. It was the bean of my life, and the destroyer of my pease. From that moment I could think of nothink else; I neglekted my wittles and my master, and wanderd about like a knight-errand-boy who had forgotten his message. Sleap deserted my lowly pillar, and, like a wachful shepherd, I lay all night awake amongst my flocks. I had got hold of a single idear—it was the axle of my mind, and, like a wheelbarrow, my head was always turning upon it. At last I resolved to rite, and I cast my i’s about for a subject—they fell on the Palass! Ear, as my friend Litton Bulwer ses, ear was a field for genus to sore into;—ear was an area for fillophosy to dive into;—ear was a truly magnificient and comprehensive desine for a great nash-ional picture! I had got a splendid title, too—not for myself—I’ve a sole above such trumperry—but for my book. Boox is like humane beings—a good title goes a grate way with the crowd:—the one I ad chose for my shed-oove, was “Pencillings in the Palass; or, a Small Voice from the Royal Larder,” with commick illustriations by Fiz or Krokvill. Mr. Bentley wantid to be engaged as monthly nuss for my expected projeny; and a nother gen’leman, whose “name” shall be “never heard,” offered to go shears with me, if I’d consent to cut-uup the Cort ladies. “No,” ses I, indignantly, “I leave Cort scandle to my betters—I go on independent principals into the Palass, and that’s more than Lord Melbun, or Sir Robert Peal, or any one of the insiders or outsiders ever could or ever can say of theirselves.
However, I don’t intend to dive deep into a regular critique of this extraordinary work; I just want to mention that when I first read it, I felt a thirst for literary fame rising up in my chest, and I thought I wanted to be an author. What a mistaken belief that was!—that thought has been my downfall. It was the source of my life and the destroyer of my peace. From that moment, I could think of nothing else; I neglected my meals and my master, wandering around like a delivery boy who had forgotten his message. Sleep abandoned my humble bed, and, like a watchful shepherd, I lay wide awake all night among my flocks. I had latched onto a single idea—it was the hub of my mind, and, like a wheelbarrow, my head kept spinning around it. Finally, I decided to write, and I looked around for a subject—my gaze landed on the Palace! Here, as my friend Litton Bulwer says, was a place for genius to soar; here was a realm for philosophy to dive into; here was a truly magnificent and comprehensive design for a great national picture! I had a fantastic title, too—not for myself—I have too much self-respect for such nonsense—but for my book. Books are like human beings—a good title goes a long way with the public: the one I chose for my endeavor was “Pencillings in the Palace; or, a Small Voice from the Royal Larder,” with comic illustrations by Fiz or Krokvill. Mr. Bentley wanted to be engaged as the monthly caregiver for my expected creation; and another gentleman, whose "name" shall remain "unheard," offered to partner with me if I would agree to cut up the Court ladies. “No,” I said indignantly, “I leave Court scandal to my betters—I proceed on independent principles into the Palace, and that’s more than Lord Melbourne, or Sir Robert Peel, or anyone on either side ever could or can say for themselves.
That’s what I said then,—but now I think, what a cussed fool I was. All my eye-flown bubbles were fated to be busted and melted, like the wigs, “into thin hair.”
That’s what I said then,—but now I think, what a complete fool I was. All my grand illusions were destined to be popped and faded away, like the wigs, “into thin hair.”
Nong port! We gets wiser as we gets
Nong port! We get wiser as we get
Genteel Reader,—I beg your parding. I’m better now. Bless me, how the ship waggles! It’s reelly hawful; the sailors only laff at it, but I suppose as they’re all tars they don’t mind being pitched a little.
Genteel Reader,—I apologize. I'm doing better now. Wow, the ship is swaying so much! It’s really awful; the sailors just laugh at it, but I guess since they’re all tars, they don’t mind being pitched a little.
The capting tells me we are now reglarly at see, having just passt the North 4 land; so, ackording to custom, I begin my journal, or, as naughtical men call it—to keep my log.
The captain tells me we are now officially at sea, having just passed the North Land; so, as is customary, I start my journal, or as nautical people call it—to keep my log.
12 o’clock.—Wind.—All in my eye. Mate said we had our larburd tax aboard—never herd of that tax on shore. Told me I should learn to box the compass—tried, but couldn’t do it—so boxt the cabbing boy insted. Capting several times calld to a man who was steering—“Port, port;” but though he always anserd, “Eye, eye, sir,” he didn’t bring him a drop. The black cook fell into the hold on the topp of his hed. Everybody sed he was gone to Davy Jones’s locker; but he warn’t, for he soon came to again, drank 1/2 a pint of rumm, and declared it was—
12 o’clock.—Wind.—Everything in my eye. My mate said we had our larburd tax on board—never heard of that tax on land. He told me I should learn to box the compass—I tried, but I couldn’t do it—so I boxed the cabbing boy instead. The captain several times called to a man who was steering—“Port, port,” but although he always answered, “Aye, aye, sir,” he didn’t bring him a drop. The black cook fell into the hold and hit his head. Everybody said he was gone to Davy Jones’s locker; but he wasn’t, because he soon came to again, drank half a pint of rum, and declared it was—
Saw a yung salor sitting on the top of one of the masts—thort of Dibdings faymos see-song, and asked if he warn’t
Saw a young sailor sitting on top of one of the masts—thought of Dibdin's famous sea song, and asked if he wasn't
“The sweet little cherub that sits up aloft?”
“The cute little angel that’s perched up high?”
Man laff’d, and said it wor only Bill Junk clearing the pennant halliards.
Man laughed and said it was just Bill Junk clearing the pennant halliards.
1 o’clock.—Thort formerly that every sailer wore his pigtale at the back of his head, like Mr. Tippy Cook—find I labored under a groce mistake—they all carry their pigtale in their backy-boxes. When I beheld the sailors working and heaving, and found that I was also beginning to heave-too, I cuddn’t help repeting the varse of the old song—which fitted my case egsactly:—
1 o’clock.—I used to think that every sailor wore his pigtail at the back of his head, like Mr. Tippy Cook—but I realized I was completely wrong—they all keep their pigtails in their tobacco boxes. When I saw the sailors working and straining, and noticed that I was also starting to feel the strain, I couldn’t help but repeat the verse of the old song—which fit my situation perfectly:—
“There’s the capt’n he is our kimmander,
“There’s the captain; he is our commander,
There’s the bos’n and all the ship’s crew,
There’s the bos’un and all the ship’s crew,
There’s the married men as well as the single,
There are both married men and single ones,
Ken-ows what we poor sailors goes through.”
Ken knows what we poor sailors go through.”
However, I made up my mind not to look inward on my own wose any longer, so I put my head out of a hole in the side of the ship—and, my wiskers! how she did whizz along. Saw the white cliffs of Halbion a long way off, wich brought tiers in my i, thinking of those I had left behind, particular Sally Martin the young gal I was paying my attentions to, who gave me a lock of her air when I was a leaving of the key. Oh! Lord Melbun, Lord Melbun! how can you rest in youre 4-post bed at nite, nowing you have broke the tize of affexion and divided 2 fond arts for hever! This mellancholly reflexion threw me into a poeticle fitte, and though I was werry uneasy in my stommik, and had nothing to rite on but my chest. I threw off as follows in a few 2nds, and arterards sung it to the well-none hair of “Willy Reilly:”—
However, I decided not to dwell on my sadness any longer, so I stuck my head out of a hole in the side of the ship—and wow, it really sped along. I saw the white cliffs of Albion far in the distance, which brought tears to my eyes, thinking of those I had left behind, especially Sally Martin, the young lady I was courting, who gave me a lock of her hair when I was leaving the key. Oh! Lord Melbun, Lord Melbun! how can you sleep in your four-poster bed at night, knowing you have broken the ties of affection and separated two fond hearts forever! This melancholic reflection put me in a poetic mood, and although I was very uneasy in my stomach, and had nothing to write on but my chest, I managed to write down some verses in just a few seconds, and afterwards I sang them to the well-known tune of “Willy Reilly:” —
Oakum to me33. The nautical mode of writing—“Oh! come to me.”—PRINTER’S DEVIL., ye sailors bold,
Oakum to me33. The nautical style of writing—“Oh! come to me.”—PRINTER’S DEVIL., you brave sailors,
Wot plows upon the sea;
What plows the sea;
To you I mean for to unfold
To you, I plan to reveal
My mournful histo-ree.
My sad history.
So pay attention to my song,
So check out my song,
And quick-el-ly shall appear,
And quickly shall appear,
How innocently, all along,
How innocently, all this time,
I vos in-weigle-ed here.
I was entangled here.
One night, returnin home to bed,
One night, coming home to bed,
I walk’d through Pim-li-co,
I walked through Pimlico,
And, twigging of the Palass, sed,
And, seeing the Palace, said,
“I’m Jones and In-i-go.”
“I’m Jones and In-i-go.”
But afore I could get out, my boys
But before I could get out, my guys
Pollise-man 20 A,
Poll worker 20 A,
He caught me by the corderoys,
He caught me by the corduroys,
And lugged me right a-way.
And dragged me right away.
My cuss upon Lord Melbun, and
My curse on Lord Melbun, and
On Jonny Russ-all-so,
On Jonny Russ-all-so,
That forc’d me from my native land
That forced me to leave my home country
Across the vaves to go-o-oh.
Across the waves to go-o-oh.
But all their spiteful arts is wain,
But all their spiteful tricks are pointless,
My spirit down to keep;
My spirit is down to keep;
I hopes I’ll soon git back again,
I hope I'll be back soon.
To take another peep.
To take another look.
2 o’clock.—Bell rung for all hands to come down to dinner. Thought I never saw dirtier hands in my life. They call their dinner “a mess” on broad ship, and a preshious mess it did look—no bread but hard biskit and plenty of ship’s rolls, besides biled pork and P-soop—both these articles seemed rayther queer—felt my stommick growing quear too—got on deck, and asked where we were—was told we were in the Straits of Dover. I never was in such dreadful straits in my life—ship leaning very much on one side, which made me feel like a man
2 o’clock.—The bell rang for everyone to come down for dinner. I don't think I've ever seen dirtier hands in my life. They call their dinner “a mess” on a large ship, and it really did look like a precious mess—no bread, just hard biscuits and a lot of ship’s rolls, along with boiled pork and pea soup—both of those seemed pretty strange to me. I felt my stomach starting to churn too—got on deck and asked where we were—was told we were in the Straits of Dover. I’ve never been in such dreadful straits in my life—the ship was leaning quite a bit to one side, which made me feel a bit uncomfortable.
3 o’clock.—Weather getting rather worse than better. Mind very uneasy. Capting says we shall have plenty of squalls to-night; and I heard him just now tell the mate to look to the main shrouds, so I spose it’s all dickey with us, and that this log will be my sad epilog. The idear of being made fish meat was so orrible to my sensitive mind, that I couldn’t refrain from weaping, which made the capting send me down stairs, to vent my sorros in the cable tiers.
3 o’clock.—The weather is getting worse instead of better. I’m feeling very anxious. The captain says we’re going to have a lot of squalls tonight, and I just heard him tell the mate to check the main shrouds, so I guess we’re in a pretty bad situation, and this log will be my sad ending. The thought of being turned into fish food was so horrifying to my sensitive nature that I couldn’t help but cry, which led the captain to send me downstairs to let out my sorrows in the cable tiers.
5 o’clock.—I’m sure we shan’t srwive this night, therefore I av determined to put my heavy log into an M T rum-bottle, and throw it overbord, in bops it may be pickd up by some pirson who will bare my sad tail to my dear Sally. And now I conclewd with this short advice:—Let awl yung men take warning by my crewel fate. Let them avide bad kumpany and keep out of the Palass; and above all, let them mind their bissnesses on dri land, and never cast their fortunes on any main, like their unfortinet
5 o’clock.—I’m pretty sure we won’t survive this night, so I’ve decided to put my heavy log into an empty rum bottle and throw it overboard, hoping it might be found by someone who will tell my sad story to my dear Sally. And now I’ll conclude with this short advice:—Let all young men take warning from my cruel fate. Let them avoid bad company and stay out of the Palace; and above all, let them focus on their business on dry land, and never gamble their fortunes on any main, like their unfortunate friend.
Servant, THE BOY JONES.
Servant, THE BOY JONES.
THE TWO MACBETHS.
OR THE HAY MARKET GEMINI.
O, Gemini-
Oh, Gemini-
Crimini!
Crimini!
Nimini-
Nimini
Pimini
Pimini
Representatives of the Tartan hero,
Tartan hero representatives,
Who wildly tear a passion into rags
Who wildly tear a passion into shreds
More ragged than the hags
More ragged than the witches
That round about the cauldron go!
That round about the pot go!
Murderers! who murder Shakspeare so,
Murderers! who murder Shakespeare like that,
That ’stead of murdering sleep, ye do not do it;
That instead of killing sleep, you don't do it;
But, vice versa, send the audience to it.
But, on the flip side, direct the audience to it.
And, oh!—
And, oh!—
But no—
But no—
Illustrious Mac-
Illustrious Mac
Beth, or -ready,
Beth, or -ready,
And thou, small quack,
And you, small quack,
Of plaudits greedy!
So desperate for praise!
Our pen, deserted by the tuneful Muses,
Our pen, abandoned by the melodic Muses,
To write on such a barren theme refuses.
To write on such a bleak topic is unthinkable.
THEATRE ROYAL, DRURY LANE,
POLITICAL PROMENADE AND CONSERVATIVE CONCERTS.
The most splendid night of the season! Friday, the 20th of August.
The most amazing night of the season! Friday, August 20th.
CAPTAIN ROUS’S NIGHT!
British Champagne and the British Constitution!—The Church, the State, and Real Turtle!
British Champagne and the British Constitution!—The Church, the State, and Real Turtle!
The performances will commence with
The performances will start with
FISH OUT OF WATER,
Sam Savory—Captain Rous, R.N.
After which,
Then,
HIS FIRST CHAMPAGNE;
Which will embrace the whole strength of THE STEWARDS.
Which will embrace the full strength of THE STEWARDS.
In the course of the Evening, the ENLIGHTENED
In the course of the evening, the ENLIGHTENED
LICENSED VICTUALLERS,
(Those zealous admirers of true British spirit) will parade the room amid
(Those passionate fans of true British spirit) will walk around the room amid
A GRAND DISPLAY OF ELECTION ACCOUNTS.
To be followed by a GRAND PANTOMIME, called
To be followed by a BIG PANTOMIME, called
HARLEQUIN HUMBUG;
OR, BRAVO ROUS!
OLD GLORY (afterwards Pantaloon) SIR F. BURDETT,
OLD GLORY (later Pantaloon) SIR F. BURDETT,
who has kindly offered his services on this occasion.
who has generously offered his help on this occasion.
HARRY HUMBUG (a true British Sailor, afterwards Harlequin), CAPT. ROUS.
HARRY HUMBUG (a real British sailor, later Harlequin), CAPT. ROUS.
DON WHISKERANDOS (afterwards Clown), COL. SIBTHORPE.
DON WHISKERANDOS (later known as Clown), COL. SIBTHORPE.
The whole to conclude with a grand mélange of
The whole thing wraps up with a big mix of
HATS, COATS, AND UMBRELLAS.
TICKETS TO BE HAD AT ANY PRICE.
Stretchers to be at the doors at half-past 2, and policemen to take up with their heads towards Bow-street.
Stretchers should be at the doors by 2:30 PM, and police officers should head towards Bow Street.
VIVAT REGINA.
Long live the queen.
THE ADVANTAGES OF ANIMAL MAGNETISM.
The experiments of M. Delafontaine having again raised an outcry against this noble science, from the apparent absence of any benefit likely to arise from it, beyond converting human beings into pincushions and galvanic dummies. We, who look deeper into things than the generality of the world, hail it as an inestimable boon to mankind, and proceed at once to answer the numerous enquirers as to the cui bono of this novel soporific.
The experiments conducted by M. Delafontaine have sparked another uproar against this noble science, mainly because people see no benefit from it other than turning humans into pincushions and electrical dummies. We, who understand things more deeply than most, view it as an invaluable gift to humanity, and we immediately respond to the many inquiries about the cui bono of this new sleep inducer.
By a judicious application of the mesmeric fluid, the greatest domestic comfort can be insured at the least possible trouble. The happiest Benedict is too well aware that ladies will occasionally exercise their tongues in a way not altogether compatible with marital ideas of quietude. A few passes of the hand (“in the way of kindness for he who would,” &c. vide Tobin) will now silence the most powerful oral battery; and Tacitus himself might, with the aid of mesmerism, pitch his study in a milliner’s work-room. Hen-pecked husbands have now other means at their command, to secure quiet, than their razors and their garters. We have experimentalised upon our Judy, and find it answer to a miracle. Mrs. Johnson may shut up her laboratory for American Soothing Syrup; mesmerism is the only panacea for those morning and evening infantile ebullitions which affectionate mammas always assign to the teeth, the wind, or a pain in the stomach, and never to that possible cause, a pain in the temper. Mesmerism is “the real blessing to mothers,” and Elliotson the Mrs. Johnson of the day. We have tried it upon our Punchininny, and find it superior to our old practice of throwing him out of the window.
By wisely using the mesmerizing fluid, you can ensure the greatest comfort at home with minimal effort. Even the happiest married man knows that women can sometimes talk in ways that disrupt the peacefulness he desires. Just a few hand movements (“in the way of kindness for he who would,” etc. see Tobin) can silence even the strongest verbal onslaught; and Tacitus himself could, with a little mesmerism, set up shop in a milliner’s workroom. Men who feel henpecked now have better ways to secure peace than relying on razors and garters. We’ve tested this on our Judy, and it works like a charm. Mrs. Johnson can close down her lab for American Soothing Syrup; mesmerism is the real solution for those morning and evening toddler tantrums that loving mothers always blame on teething, gas, or a stomach ache, but never on what could be the real issue—a short temper. Mesmerism is “the real blessing for mothers,” and Elliotson is the Mrs. Johnson of our time. We’ve tried it on our little one, and it’s far better than our old method of throwing him out of the window.
Lovers, to you it is a boon sent by Cupid. Mammas, who will keep in the room when your bosoms are bursting with adoration—fathers, who will wake on the morning of an elopement, when the last trunk and the parrot are confided to you from the window—bailiffs, who will hunt you up and down their bailiwick, even to the church-door, though an heiress is depending upon your character for weekly payments—all are rendered powerless and unobtrusive by this inexplicable palmistry. Candidates, save your money; mesmerise your opponents instead of bribing them, and you may become a patriot by a show of hands.
Lovers, this is a gift from Cupid. Moms, who will stay in the room when your hearts are overflowing with love—dads, who will wake up on the morning of a runaway wedding, when the last bag and the parrot are handed to you from the window—bailiffs, who will chase you up and down their territory, even to the church door, even if an heiress is depending on your reputation for weekly payments—all are made powerless and unnoticeable by this mysterious fortune-telling. Candidates, save your money; hypnotize your opponents instead of bribing them, and you might become a patriot just by raising your hand.
These are a few of its social advantages—its political uses are unbounded. Why not mesmerise the Chinese? and, as for the Chartists, call out Delafontaine instead of the magistrates—a few mesmeric passes would be an easy and efficient substitute for the “Riot Act.” Then the powers of clairvoyance—the faculty of seeing with their eyes shut—that it gives to the patient. Mrs. Ratsey, your royal charge might be soothed and instructed at the same time, by substituting a sheet of PUNCH for the purple and fine linen of her little Royal Highness’s nautilus-shell.
These are a few of its social benefits—its political applications are limitless. Why not mesmerize the Chinese? And for the Chartists, why not call in Delafontaine instead of the magistrates—a few mesmeric passes would be a simple and effective replacement for the “Riot Act.” Then there are the powers of clairvoyance—the ability to see with their eyes closed—that it gives to the subject. Mrs. Ratsey, your royal charge could be calmed and educated at the same time, by replacing a sheet of PUNCH for the purple and fine linens of her little Royal Highness’s nautilus shell.
Lord John Russell, the policy of your wily adversary would no longer be concealed. Jealous husbands, do you not see a haven of security, for brick walls may be seen through, and letters read in the pocket of your rival, by this magnetic telescope? whilst studious young gentleman may place Homer under their arms, and study Greek without looking at it.
Lord John Russell, your cunning opponent's strategy would no longer be hidden. Jealous husbands, don’t you realize there’s a safe spot to hide, since brick walls can be seen through and letters can be read from your rival’s pocket with this amazing telescope? Meanwhile, studious young men can tuck Homer under their arms and study Greek without even glancing at it.
FASHIONABLE INTELLIGENCE.
The Marquis of Waterford and party visited Vauxhall Gardens on Monday. The turnpike man on the bridge was much struck by their easy manner of dealing with their inferiors.
The Marquis of Waterford and his group went to Vauxhall Gardens on Monday. The toll gate operator on the bridge was quite impressed by their relaxed way of interacting with those below them.
Alderman Magnay laid the first shell of an oyster grotto one night this week in the Minories. There was a large party of boys, who, with the worthy Alderman, repaired to a neighbouring fruit-stall, where the festivity of the occasion was kept up for several minutes.
Alderman Magnay put down the first shell of an oyster grotto one night this week in the Minories. A big group of boys, along with the respectable Alderman, went to a nearby fruit stall, where they celebrated the occasion for several minutes.
The New Cut was, as usual, a scene of much animation on Saturday last, and there was rather a more brilliant display than customary of new and elegant baked-potato stands. The well-known turn-out, with five lanterns and four apertures for the steam, was the general admiration of the host of pedestrians who throng the Cut between the hours of eight and twelve on Saturday.
The New Cut was, as usual, a lively scene last Saturday, and there was an even more impressive display than usual of new and stylish baked-potato stands. The famous setup, featuring five lanterns and four openings for the steam, was the center of attention for the crowd of pedestrians who filled the Cut between eight and twelve on Saturday.
A BITTER DRAUGHT.
SIR R. PEEL, in the celebrated medicinal metaphor with which he lately favoured his constituents at Tamworth, concludes by stating, “that he really believes he does more than any political physician ever did by referring to the prescriptions which he offered in 1835 and 1840, and by saying that he sees no reason to alter them.” This is, to carry out the physical figure, only another version of “the mixture as before.” We are afraid there are no hopes of the patient.
SIR R. PEEL, in the famous medicinal metaphor he recently shared with his constituents in Tamworth, wraps up by saying, “that he truly believes he does more than any political doctor ever has by referencing the prescriptions he provided in 1835 and 1840, and by stating that he sees no reason to change them.” This is, to extend the medical analogy, just another way of saying “the mixture as before.” We fear there is little hope for the patient.
“Why are the Whigs like the toes of a dancing-master?”—“Because they must be turned out.”
“Why are the Whigs like the toes of a dancing-master?”—“Because they have to be turned out.”
“Why are Colonel Sibthorp and Mr. Peter Borthwick like the covering of the dancing-master’s toes?”—“Because they are a pair of pumps.”
“Why are Colonel Sibthorp and Mr. Peter Borthwick like the covering of the dancing-master’s toes?”—“Because they are a pair of pumps.”
“Why are the Whigs and Tories like the scarlet fever and the measles?”—“Because there’s no telling which is the worst.”
“Why are the Whigs and Tories like scarlet fever and measles?”—“Because you can’t tell which one is worse.”
A HINT TO THE UGLY.
My uncle Septimus Snagglegrable is no more! Excellent old man! no one knew his worthiness whilst he was of the living, for every one called him a scoundrel.
My uncle Septimus Snagglegrable has passed away! What a great guy he was! No one recognized his value while he was alive, as everyone called him a scoundrel.
It is reserved for me to do justice to his memory, and one short sentence will be sufficient for the purpose—he has left me five thousand pounds! I have determined that his benevolence shall not want an imitator, and I have resolved, at a great personal sacrifice, to benefit that portion of my fellow creatures who are denominated ugly. I am particularly so. My complexion is a bright snuff-colour; my eyes are grey, and unprotected by the usual verandahs of eye-lashes; my nose is retroussé, and if it has a bridge, it must be of the suspension order, for it is decidedly concave. I wish Rennie would turn his attention to the state of numerous noses in the metropolis. I am sure a lucrative company might he established for the purpose of erecting bridges to noses that, like my own, have been unprovided by nature. I should be happy to become a director. Revenons nous—my mouth is decidedly large, and my teeth singularly irregular. My father was violently opposed to Dr. Jenner’s “repeal of the small-pox,”44. Baylis. and would not have me vaccinated; the consequence of which has been that my chin is full of little dells, thickly studded with dark and stunted bristles. I have bunions and legs that (as “the right line of beauty’s a curve”) are the perfection of symmetry. My poor mother used to lament what she, in the plenitude of her ignorance, was pleased to denominate my disadvantages. She knew not the power of genius. To me these—well, I’ll call them defects—have been the source of great profit. For years I have walked about the great metropolis without any known or even conjectural means of subsistence; my coat has always been without a patch—my linen without spot!
It's my job to honor his memory, and a single sentence will do—he left me five thousand pounds! I've decided that his kindness deserves to be followed, and I've made up my mind, at a significant personal cost, to help those who are considered ugly. I’m definitely one of them. My skin is a shade like dark brown sugar; my eyes are gray, and lacking the usual eyelashes for protection; my nose is turned up, and if it has a bridge, it must be an arched one because it’s definitely concave. I wish Rennie would focus on the many noses in the city. I’m sure a profitable company could be formed to create bridges for noses like mine that haven’t been naturally equipped. I’d be happy to be a director. Moving on—my mouth is definitely large, and my teeth are quite irregular. My father strongly opposed Dr. Jenner’s “repeal of smallpox,” and wouldn’t let me get vaccinated; as a result, my chin is dotted with little dents, covered in thick, short bristles. I have bunions and legs that (since “the right line of beauty’s a curve”) are the epitome of symmetry. My poor mother used to bemoan what she, in her ignorance, called my disadvantages. She didn’t understand the power of genius. To me, these—let’s call them defects—have been a great source of benefit. For years, I’ve strolled through the great city without any known or even imagined means of support; my coat has always been unpatched—my shirt always spotless!
Ugly brothers, I am about to impart to you the secret of my existence! I have lived by the fine arts—yes, by sitting as
Ugly brothers, I'm about to share the secret of my existence! I've lived through the fine arts—yes, by sitting as
A model for door-knockers and cherubim for tomb-stones.
A design for door knockers and cherubs for gravestones.
The latter may perhaps surprise you, but the contour of my countenance is decidedly infantile—for when had a babby a bridge?—and the addition of a penny trumpet completes the full-blown expression of the light-headed things known to stone-masons as cherubim.
The latter might surprise you, but the shape of my face is definitely childlike—for when has a baby had a nose?—and adding a penny trumpet just adds to the playful expression that stone-masons call cherubs.
But it is to the art of knocker-designing that I flatter myself I have been of most service. By the elevation of my chin, and the assistance of a long wig, I can present an excellent resemblance of a lion, with this great advantage over the real animal—I can vary the expression according to circumstances—
But I take pride in the art of designing knockers, where I believe I've been most helpful. With my chin raised and a long wig, I can create a striking likeness of a lion, with one major advantage over the actual animal—I can change the expression based on the situation—
“As mild as milk, or raging as the storm.”
“As gentle as milk, or fierce as a storm.”
So that nervous single ladies need not be terrified out of their senses every time they knock at their door, by the grim personification of a Nero at feeding time; or a tender-hearted poor-law guardian be pestered during dinner by invitations afforded to the starving poor by the benevolent expression of his knocker.
So that anxious single women don’t feel completely freaked out every time they knock on the door, facing the intimidating image of a Nero at mealtime; or so a kind-hearted social worker isn’t bothered during dinner by the invitations to the starving poor conveyed by the sympathetic look of his doorbell.
Ugly ones! I have now imparted to you my secret.
Ugly ones! I have now shared my secret with you.
ON THE POPULARITY OF MR. CH—S K—N.
Oh, Mr. Punch! what glorious times
Oh, Mr. Punch! What amazing times!
Are these, for humbly gifted mimes;
Are these, for modestly talented mimes;
When, spite of each detracter,
Despite each detractor,
Paternal name and filial love,
Dad's name and family love,
Assisted by “the powers above,”
Helped by “the powers that be,”
Have made C——s K——n an actor!
Have turned C——s K——n into an actor!
“’Tis true,” his generous patrons say,
“It's true,” his generous patrons say,
“Of genius he ne’er had a ray;
“Of genius he never had a hint;
Yet, all his faults to smother,
Yet, to cover all his flaws,
The youth inherits, from his sire,
The young person inherits from his father,
A name which all the world admire,
A name everyone admires,
And dearly loves his mother!”
And really loves his mom!”
Stripp’d of his adventitious aid,
Stripped of his extra help,
He ne’er ten pounds a week had made;
He never made more than ten pounds a week;
Yet every Thespian brother
Yet every actor brother
Is now kept down, or put to flight,
Is now held back or driven away,
While he gets fifty pounds a night,
While he gets £50 a night,
Because—he loves his mother!
Because he loves his mom!
Though I’m, in heart and soul, a friend
Though I’m, in heart and soul, a friend
To genuine talent, Heaven forefend
To true talent, Heaven forbid
That I should raise a pother,
That I should make a fuss,
Because the philanthropic folks
Because the generous people
Wink and applaud a pious hoax,
Wink and cheer on a religious trick,
For one who—loves his mother!
For someone who loves his mom!
No! Heaven prolong his parent’s life
No! Heaven prolong his parents' lives!
And grant that no untimely strife
And make sure that there’s no unnecessary conflict
May wean them from each other!
May they be separated from each other!
For soon he’d find the golden fleece
For soon he’d find the golden fleece.
Slip from his grasp, should he e’er cease
Slip from his grasp, if he ever lets go
To keep and—love his mother!
To support and—love his mother!
A CON. BY COLONEL SIBTHORP.
Why is a chesnut horse, going at a rapid pace up an inclined plane, like an individual in white trousers presenting a young lady in book muslin with an infantine specimen of the canine species?—Because he is giving a gallop up (a girl a pup).
Why is a chestnut horse, moving quickly up a slope, like a person in white pants introducing a young lady in light cotton with a puppy?—Because he's giving a gallop up (a girl a pup).
THE DRAMA.
ASTLEY’S COMPANY AT THE OLYMPIC.
The distresses of actors distress nobody but themselves. A tale of woe told off the stage by a broad comedian, begets little sympathy; and if he is in the “heavy line,” people say he is used to it, and is only acting—playing off upon you a melancholy joke, that he may judge how it will tell at night. Thus, when misfortune takes a benefit, charity seldom takes tickets; for she is always sceptical about the so-called miseries of the most giddy, volatile, jolly, careless, uncomplaining (where managers and bad parts are not concerned) vainest, and apparently, happiest possible members of the community, who are so completely associated with fiction, that they are hardly believed when telling the truth. Par exemple—nothing can be more true than that Astley’s Theatre was burnt down the other day; that the whole of that large establishment were suddenly thrown out of employ; that their wardrobes were burnt to rags, their properties reduced to a cinder, and their means of subsistence roasted in a too rapid fire. True also is it, that to keep the wolf from their own doors, those of the Olympic have been opened, where the really dismounted cavalry of Astley’s are continuing their campaign, having appealed to the public to support them. Judging from the night we were present, that support has been extended with a degree of lukewarmness which is exactly proportionate to the effect produced by the appeals of actors when misfortune overtakes them.
The struggles of actors only affect themselves. A sad story told offstage by a stand-up comic gets little sympathy, and if he usually plays serious roles, people think he’s used to it and is just acting—playing a sad joke on you to see how it goes over in the evening. So, when bad luck strikes, charity rarely gets involved; she’s always doubtful about the so-called miseries of the most carefree, fun-loving, happy-go-lucky members of society, who are so deeply tied to fiction that it’s hard to believe them when they share the truth. For example—nothing is more true than that Astley’s Theatre burned down recently; that the entire establishment was suddenly out of work; that their costumes were reduced to ashes, their props turned to cinders, and their means of living consumed in a fast blaze. It’s also true that to keep the wolf from their door, those at the Olympic have opened their doors, where the displaced performers from Astley’s are trying to continue their careers, having asked the public for support. Judging from the night we attended, that support has been given with a level of indifference that perfectly matches the response actors typically get when they face hard times.
But, besides public sympathy, they put forth other claims for support. The amusements they offer are of extraordinary merit. The acting of Mr. H. Widdicomb, of Miss Daly, and Mr. Sidney Forster, was, in the piece we saw—“The Old House at Home”—full of nature and quiet touches of feeling scarcely to be met with on any other stage. Still these are qualifications the “general” do not always appreciate; though they often draw tears, they seldom draw money. Very well, to meet that deficiency, other and more popular actors have come forward to offer their aid. Mr. T.P. Cooke has already done his part, as he always does it, nobly. The same may be said of Mr. Hammond. When we were present, Mrs. H.L. Grattan and Mr. Balls appeared in the “Lady of Munster.” Mr. Sloan, a popular Irish comedian from the provinces, has lent a helping hand, by coming out in a new drama. Mr. Keeley is also announced.
But, in addition to public sympathy, they made other requests for support. The entertainment they provide is of exceptional quality. The performances by Mr. H. Widdicomb, Miss Daly, and Mr. Sidney Forster in the show we watched—“The Old House at Home”—were filled with authenticity and subtle emotional moments that are rarely found on any other stage. However, these talents are not always recognized by the "general" audience; while they can evoke tears, they rarely bring in revenue. To address this gap, other, more popular actors have stepped up to help. Mr. T.P. Cooke has already contributed, as he always does, with great nobility. The same can be said for Mr. Hammond. When we attended, Mrs. H.L. Grattan and Mr. Balls performed in “Lady of Munster.” Mr. Sloan, a well-loved Irish comedian from the provinces, has offered his support by starring in a new drama. Mr. Keeley is also scheduled to appear.
The pieces we saw were well got up and carefully acted; so that the patrons of the drama need not dread that, in this instance, the Astleyan-Olympic actors believe that “charity covers a multitude of sins.” They don’t care who sees their faults—the more the better.
The performances we watched were well-prepared and thoughtfully executed, so the theatergoers need not worry that, in this case, the Astleyan-Olympic actors think that “charity covers a multitude of sins.” They don’t mind who sees their flaws—the more, the merrier.
“BEHIND THE SCENES.”
When a certain class of persons, whose antipathy to gratis sea-voyages is by no means remarkable, are overtaken by the police and misfortune; when the last legal quibble has been raised upon their case and failed; when, indeed, to use their own elegant phraseology, they are “regularly stumped and done up;” then—and, to do them justice, not till then—they resort to confession, and to turning king’s evidence against their accomplices.
When a certain group of people, whose dislike for free sea trips is by no means unusual, get caught by the police and hit hard by bad luck; when all legal tricks have been tried and failed in their case; when, to use their own fancy language, they are “completely stuck and finished;” that’s when—and to be fair, not until then—they turn to confessing and testifying against their partners in crime.
This seems to be exactly the case with the drama, which is evidently in the last stage of decline; the consumption of new subjects having exhausted the supply. The French has been “taken from” till it has nothing more to give; the Newgate Calendar no longer affords materials; for an entire dramatic edition of it might be collected (a valuable hint this for the Syncretic Society, that desperate association for producing un-actable dramas)—the very air is exhausted in a theatrical sense; for “life in the clouds” has been long voted “law;” whilst the play-writing craft have already robbed the regions below of every spark of poetic fire; devils are decidedly out of date. In short, and not to mince the matter, as hyenas are said to stave off starvation by eating their own haunches, so the drama must be on its last legs, when actors turn king’s evidence, and exhibit to the public how they flirt and quarrel, and eat oysters and drink porter, and scandalise and make fun—how, in fact, they disport themselves “Behind the Scenes.”
This seems to be exactly what's happening with the drama, which is clearly in its final stage of decline; the demand for new subjects has run out. The French has been “drained” to the point that it has nothing left to offer; the Newgate Calendar no longer provides material; an entire dramatic edition could be compiled (a valuable idea for the Syncretic Society, that desperate group trying to create unperformable dramas)—the very atmosphere is exhausted in theatrical terms; for “life in the clouds” has long been deemed the norm; meanwhile, playwrights have already stripped the lower realms of any trace of poetic spark; devils are definitely out of style. In short, and to put it bluntly, just as hyenas are said to stave off hunger by eating their own legs, the drama must be close to its end when actors start spilling the beans and show the public how they flirt and argue, eat oysters and drink porter, gossip and joke around—essentially, how they have fun “Behind the Scenes.”
A visit to the English Opera will gratify those of the uninitiated, who are anxious to get acquainted with the manners and customs of the ladies and gentlemen of the corps dramatique “at the wing.” Otherwise than as a sign of dramatic destitution, the piece called “Behind the Scenes” is highly amusing. Mr. Wild’s acting displays that happy medium between jocularity and earnest, which is the perfection of burlesque. Mrs. Selby plays the “leading lady” without the smallest effort, and invites the first tragedian to her treat of oysters and beer with considerable empressement, though supposed to be labouring at the time under the stroke of the headsman’s axe. Lastly, it would be an act of injustice to Mr. Selby to pass his Spooney Negus over in silence. PUNCH has too brotherly an affection for his fellow-actors, to hide their faults; in the hope that, by shewing them veluti in speculum, they may be amended. In all kindness, therefore, he entreats Mr. Selby, if he be not bent upon hastening his own ruin, if he have any regard for the feelings of unoffending audiences, who always witness the degradation of human nature with pain—he implores him to provide a substitute for Negus. Every actor knows the difference between portraying imbecility and being silly himself—between puerility, as characteristic of a part in posse, and as being a trait of the performer in esse. To this rule Mr. Selby, in this part, is a melancholy exception; for he seems utterly ignorant of such a distinction, broad as it is—he is silly himself, instead of causing silliness in Spooney. This is the more to be regretted, as whoever witnessed, with us, the first piece, saw in Mr. Selby a respectable representative of an old dandy in “Barnaby Rudge.” Moreover, the same gentleman is, we understand, the adapter of the drama from Boz’s tale. That too proves him to be a clever contriver of situations, and an ingenious adept with the pen and scissors.
A visit to the English Opera will please those who are new to it and eager to learn about the manners and customs of the ladies and gentlemen of the corps dramatique “at the wing.” Aside from being a sign of dramatic shortcomings, the piece called “Behind the Scenes” is very entertaining. Mr. Wild’s acting strikes a perfect balance between humor and seriousness, which is the ideal for burlesque. Mrs. Selby effortlessly plays the “leading lady” and eagerly invites the first tragic actor to join her for oysters and beer, even though he’s supposed to be facing execution at that moment. Lastly, it would be unfair to Mr. Selby to ignore his Spooney Negus. PUNCH has too much brotherly affection for his fellow actors to hide their mistakes; he hopes that by showing them veluti in speculum, they might improve. Therefore, in all kindness, he urges Mr. Selby, if he doesn't want to speed up his own downfall and if he cares at all about the feelings of innocent audiences, who always feel pain witnessing the decline of human nature—he implores him to find a substitute for Negus. Every actor knows the difference between performing as an idiot and being an idiot themselves—between portraying childlike behavior as part of a role in posse and embodying it as a characteristic of the performer in esse. Mr. Selby is a sad exception to this rule in this role; he seems completely unaware of this critical distinction—he acts silly instead of making Spooney seem silly. This is particularly unfortunate since anyone who saw the first piece with us recognized Mr. Selby as a respectable representation of an old dandy in “Barnaby Rudge.” Furthermore, we understand that the same gentleman is also the adapter of the drama from Boz’s tale. This also shows him to be a clever creator of situations and a skilled writer with both pen and scissors.
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