This is a modern-English version of Punch, or the London Charivari, Volume 103, October 15, 1892, originally written by Various.
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PUNCH,
OR THE LONDON CHARIVARI.
Vol. 103.
October 15, 1892.
'ARRY AT 'ARRYGATE.
(Second Letter.)
DEAR CHARLIE,—The post-mark, no doubt, will surprise you. I'm still at the "Crown,"
DEAR CHARLIE,—The postmark will probably surprise you. I'm still at the "Crown,"
Though I said in my last—wot wos true—I was jest on the mizzle for town.
Though I said in my last—which was true—I was just on my way to town.
'Ad a letter from nunky, old man, with another small cheque. Good old nunk!
'Got a letter from my uncle, the old man, with another small check. Good old uncle!'
So I'm in for a fortnit' more sulphur and slosh, afore doing a bunk.
So I'm in for another couple of weeks of sulfur and mess, before making a run for it.
Ah! I've worked it, my pippin, I've worked it; gone in for hexcursions all round,
Ah! I've figured it out, my dear, I've figured it out; I've gone all in for adventures all around,
To Knaresborough, Bolton, and Fountains. You know, dear old pal, I'll be bound,
To Knaresborough, Bolton, and Fountains. You know, dear old friend, I'm sure,
As hantiquities isn't my 'obby, and ruins don't fetch me, not much!
As antiquities aren't my thing, and ruins don't interest me much!
I can't see their "beauty," no more than the charms of some dowdy old Dutch.
I can't see their "beauty," any more than the appeal of some frumpy old Dutch woman.
A Castle, all chunnicks of stone, or a Habbey, much out of repair,
A castle made entirely of stone, or an abbey that’s in pretty bad shape,
A skelinton Banquetting 'All, and a bit of a broken-down stair,
A skeleton Banquet Hall, and a little bit of a broken stair,
May appear most perticular "precious" to them as the picteresk cops;
May seem particularly "precious" to them as the picturesque cops;
But give me the sububs and stucco, smart villas, and spick-and-span shops.
But give me the suburbs and stucco, stylish homes, and tidy shops.
"Up to date" is our siney quay non in these days. Fang der sickle, yer know.
"Up to date" is our siney quay non these days. Fang der sickle, you know.
Wich is French for the same, I persoom, and them phrases is now all the go.
Which is French for the same, I presume, and those phrases are now all the rage.
Find 'em sprinkled all over the papers; in politics, fashion, or art,
Find them scattered throughout the newspapers; in politics, fashion, or art,
If you carnt turn 'em slick round yer tongue, you ain't modern, or knowing, or smart.
If you can't roll them off your tongue smoothly, you’re not modern, knowledgeable, or clever.
Still a houting to Bolton ain't bad when the charry-bang's well loaded up
Still a trip to Bolton isn't bad when the charry-bang's well loaded up
With swell seven-and-sixpence-a-headers. I felt like a tarrier-pup
With swell seven-and-sixpence-a-headers. I felt like a little pup.
On the scoop arter six weeks of kennel and drench in the 'ands of a vet;
On the report after six weeks of being in a kennel and undergoing treatment in the care of a vet;
I'd got free of the brimstoney flaviour and went it accordin', you bet!
I'd gotten free of the strong, sulfur-like smell and went about it, you bet!
'Ad a day at a village called Birstwith. The most tooralooralest scene,
'Ad a day at a village called Birstwith. The most tooralooralest scene,
'Oiler down among 'ills, dontcher know, ancient trees and a jolly big green.
'Oiler down among hills, you know, ancient trees and a really big green.
Reglar old Rip-van-Winkleish spot, sech as CALDECOTT ought to ha' sketched.
Reglar old Rip Van Winkle kind of place, like CALDECOTT should have sketched.
Though I ain't noways nuts on the pastoral, even Yours Truly wos fetched.
Though I'm not really into the pastoral, even I was drawn in.
Pooty sight and no error, old pal! 'Twos a grand "Aughticultural Show,"
Pooty sight and no error, old pal! It’s a great "Agricultural Show,"
So the "Progrum of Sports" told the public. Fruit, flowers, and live poultry, yer know.
So the "Program of Sports" told the public. Fruit, flowers, and live poultry, you know.
Big markee and a range of old 'en-coops, sports, niggers, a smart local band,
Big marquee and a variety of old enclosures, sports, people of color, a sharp local band,
Cottage gardemn', cheese, roosters, and races! Rum mix, but I gave it a 'and.
Cottage garden, cheese, roosters, and races! Rum mix, but I gave it a hand.
I do like to hencourage the joskins. One thing though, wos fiddle-de-dee,
I really want to support the newcomers. One thing, though, was just nonsense,
They 'ad a "Refreshment Tent," CHARLIE. 'Oh my! Ginger-ale and weak tea!
They had a "Refreshment Tent," CHARLIE. "Oh my! Ginger ale and weak tea!"
Nothink stronger, old pal, s'elp me bob! Fancy me flopping down on a form
Nothin' stronger, old friend, I swear! Can you believe me crashing down on a bench?
A-munching plum-putty, and lapping Bohea as wos not even warm!
A munching plum pudding and sipping Bohea that wasn't even warm!
This 'ere 'Arrygate's short of amusements. There's niggers and bands on the "Stray"
This place, 'Arrygate, doesn't have much to entertain folks. There are some black people and bands on the "Stray."
(Big lumpy old field in a 'ole, wich if properly managed might pay.)
(Big lumpy old field in a hole, which if properly managed might pay.)
Mysterious Minstrels with masks on, a bleating contralto in black,
Mysterious musicians wearing masks, a low-pitched voice in black,
With a orful tremoler, my pippin!—yus, these are the pick of the pack.
With a cheerful tremor, my little pumpkin!—yes, these are the best of the bunch.
Bit sick of "Ta-ra-ra" and "Knocked 'em;" "Carissimar" gives me the 'ump,
Bit sick of "Ta-ra-ra" and "Knocked 'em;" "Carissimar" is getting on my nerves,
For I 'ear it some six times per morning; and then there's a footy old pump
For I hear it about six times each morning; and then there's an old pump.
Blows staggery toons on a post-'orn for full arf a-hour each day,
Blows stagger toons on a post-horn for a full half hour each day,
To muster the mugs for a coach-drive. My heye and a bandbox, it's gay!
To gather the cups for a coach ride. My goodness, it’s cheerful!
At the "Crown" we git up little barnies, to eke out the 'Arrygate lot,
At the "Crown," we have small gatherings to supplement the people from 'Arrygate.
For even the Spa's a bit samesome for six times a week when it's 'ot;
For even the spa gets a bit dull when it's six times a week and really hot.
Though they do go it pooty permiskus with pickter-shows, concerts, and such;
Though they do get pretty wild with picture shows, concerts, and stuff;
Yus, I must say they ladles it out fair and free, for a sixpenny touch.
Yup, I have to say they serve it up generously and without charge, for just six pennies.
But even yer Fancy Dress Balls, and yer lectures by ANNIE BESANT,
But even your Fancy Dress Balls, and your lectures by ANNIE BESANT,
All about Hastral Bodies and Hether, seems not always quite wot yer want
All about Astral Bodies and Ether, doesn’t always seem to be exactly what you want.
To wile away time arter dinner. So thanks to that gent—six-foot-four!—
To pass the time after dinner. So, thanks to that guy—six-foot-four!—
Who fair cuts the record as Droring-Room M.C.—of course hammytoor.
Who fairly cuts the record as Droring-Room M.C.—of course hammytoor.
Then we've conjurors, worblers, phrenologists! One 'ad a go at my chump.
Then we have magicians, singers, and phrenologists! One tried their luck with my head.
'E touzled my 'air up tremenjus, and said I'd no hend of a bump
'E tousled my hair up tremendously and said I had no end of a bump.
Of somethink he called "Happrybativeness." Feller meant well, I suppose,
Of something he called "Happybativeness." Feller meant well, I guess,
But I didn't quite relish his smile, nor his rummy remarks on my nose.
But I didn't really like his smile, or his weird comments about my nose.
When a tall gurl as pooty as paint, and with cheeks like a blush—rose in bloom,
When a tall girl is as pretty as paint, with cheeks like a blooming blush-rose,
'As 'er lamps all a-larf on yer face, and a giggle goes round the whole room,
'As her lamps all laugh on your face, and a giggle goes around the whole room,
'Tisn't nice to sit square on a chair, with a feller a-sharpening 'is wit
'Tisn't nice to sit directly on a chair, with a guy sharpening his wit
On your nob, and a rumpling your 'air till it's like a birch-broom in a fit!
On your knob, and messing up your hair until it looks like a birch broom in a fit!
One caper we 'ad, on the lawn, wos a spree and no error, old man.
One adventure we had on the lawn was a wild time, no doubt about it, old man.
They call it a "Soap-Bubble Tournyment." Soapsuds, a pipe, and a fan,
They call it a "Soap-Bubble Tournament." Soap suds, a pipe, and a fan,
Four six—foot posts stuck in the ground with a tape run around—them's the "props,"
Four six-foot posts stuck in the ground with a tape wrapped around them are the "props,"
And lawn-tennis ain't in it for larks. Oh, the ladies did larf, though tip-tops!
And lawn tennis isn't just for fun. Oh, the ladies did laugh, though they were having a great time!
Bit sniffy fust off. "Oh!" sez they, "wot a most hintellectual game!"
Bit snobby at first. "Oh!" they said, "what a really intellectual game!"
But I noticed that them as sneered most wos most anxious to win, all the same,
But I noticed that those who sneered the most were the ones most eager to win, anyway.
The gent he stands slap in the middle, and tries to blow bubbles like fun,
The guy stands right in the middle and tries to blow bubbles like crazy,
Wich his pardner fans over the tape; don't it jest keep the girls on the run!
Wich his partner fans over the tape; doesn’t it just keep the girls on their toes!
Every bubble as crosses the tape afore busting counts one to that pair,
Every bubble that crosses the finish line before popping counts as one for that pair,
And the pair as counts most wins the prize. They are timed by a hegg-boiler. There!
And the couple with the most points wins the prize. Their time is tracked by a hegg-boiler. There!
It wos all a pantermime, CHARLIE, to see 'ow them gurls scooted round,
It was all a pantomime, CHARLIE, to see how them girls scooted around,
Jest like Japanese jugglers, a-fanning the bubbles, as would 'ug the ground.
Jest like Japanese jugglers, fanning the bubbles, as would 'ug the ground.
Some gents wos fair frosts at the bizness; one good-'earted trim little toff
Some guys were really cold about the business; one kind-hearted, stylish dude
Would blow with the bowl wrong end uppards. His pardner went pink and flounced off.
Would blow with the bowl the wrong way up. His partner went pink and stormed off.
He gurgled away like a babe with a pap-bottle, guggle—gug—gug!
He gurgled like a baby with a bottle, guggle—gug—gug!
And I 'eard 'er a-giving 'im beans as 'e mizzled, much down in the mug.
And I heard her yelling at him as he slipped away, much down in the mug.
Owsomever, it ain't for amusements as 'Arrygate lays itself hout;
Owsomever, it isn't for entertainment as 'Arrygate presents itself;
So, dear boy, it's for doses and douches; and there it scores freely, no doubt,
So, dear boy, it's meant for treatment and cleansing; and it's very effective, no doubt,
Wy, there's thirty-two Springs in the Bog Field—a place like a graveyard gone wrong—
Wy, there are thirty-two springs in the Bog Field—a place that feels like a graveyard gone wrong—
Besides Starbeck, the Tewit, and others, all narsty, and most on 'em strong.
Besides Starbeck, the Tewit, and a few others, all nasty, and most of them tough.
Since Sir SLINGSBY discovered the first one, now close on three cent'ries ago,
Since Sir SLINGSBY discovered the first one, almost three centuries ago,
Wot a lush of mixed mineral muck these 'ere 'Arrygate Springs 'ave let flow!
Wot a rich mix of mineral sludge these here 'Arrygate Springs have let flow!
Well, ere's bully for Brimstone, my bloater, and 'ooray for 'Arrygate air!
Well, here's a shoutout for Brimstone, my friend, and hooray for Harrogate air!
Wich 'as done me most good I don't know, and I'm scorched if I very much care!
Wich has done me the most good, I don't know, and honestly, I don't really care!
I know 'Arrygate girls cop the biscuit for beauty. They've cheeks like the rose,
I know 'Arrygate girls get the prize for beauty. They have cheeks like roses,
Their skin is jest strorberries and cream; it's the sulphur, dear boy, I suppose.
Their skin is just strawberries and cream; it’s the sulfur, dear boy, I guess.
As for me, I look yaller as taller alongside 'em CHARLIE, wus luck!
As for me, I look more yellow the taller I stand next to them. CHARLIE, what luck!
I 'eard one call me saffron-faced sparrer, and jest as I thought 'er fair struck.
I heard someone call me saffron-faced sparrow, and just when I thought she really hit me.
I'd nail 'em, in time, I've no doubt, when I once got the 'ang of their style.
I'd get them in no time, I'm sure, once I figured out their style.
There's a gal at the Montpellier Baths. Scissoree! 'ow I've tried for a smile,
There's a girl at the Montpellier Baths. Amazing! 'How I've tried for a smile,
When she tips me my tannersworth! Shucks! she's as orty and stiff as yer please.
When she gives me my money! Wow! she's as dirty and uptight as you can imagine.
Primrose Dames isn't in it for snubs with these arrygant 'Arrygatese!
Primrose Dames isn't in it for the dismissals from these arrogant 'Arrygatese!
But I reckon my "Douche" is now due. Doctor BLACK's that pertikler, old man.
But I think my "Douche" is now due. Doctor BLACK's that particular, old man.
These 'Arrygate doctors 'ave progrums—you've got to pan out to their plan.
These 'Arrygate doctors have problems—you've got to fit into their plan.
Up early, two swigs afore breakfust, and tubs when they tell yer's the rule.
Up early, two drinks before breakfast, and jars when they tell you that's the rule.
Well, the feller as flies to a Sawbones, and don't toe the line is a fool.
Well, the guy who goes to a doctor and doesn't follow the rules is a fool.
Reglar Doctor-Shop, 'Arrygate is; see their photos all over the town.
Reglar Doctor-Shop, 'Arrygate is; you can see their photos all over town.
Mine is doing me dollups of good; I'm quite peckish, and jest a bit brown.
Mine is doing me dollops of good; I'm quite hungry, and just a bit tanned.
I'm making the most of my time, and a-laying in all I can carry.
I'm making the most of my time and taking in as much as I can.
So 'ere ends this budget of brimstone and baths from your sulphur-soaked
So here ends this report of trouble and turmoil from your sulfur-soaked
A FROG HE WOULD A-ROWING GO!
A Sad Song of the International Boat Race.
(With Mr. Punch's cordial Compliments to the victorious French Eight.) AIR—"A Frog he would a-Wooing go."

A FROGGIE would a-rowing go,
A froggie would go rowing,
Heigho for Rowing!
Let's go Rowing!
To see if Big BULLIE could lick him or no;
To see if Big BULLIE could beat him or not;
With his boating form that's all gammon and spinach.
With his boating style that's all about show and nonsense.
Heigho for British Rowing!
Cheers for British Rowing!
So off he set with his boating-cap,
So he set off, wearing his boating cap,
Heigho for Rowing!
Let's go rowing!
And swore at Big BULL he would just have a slap!
And cursed at Big BULL, he said he would just give a slap!
Which BULL declared was all gammon and spinach!
Which BULL declared was all nonsense and boring!
Heigho for British Rowing!
Cheers for British Rowing!
"Pray, Mr. BULL, will you race with me?"
"Please, Mr. BULL, will you race with me?"
Heigho for Rowing!
Let's go rowing!
Says BULL, "If you like, but 'tis fiddle-de-dee!
Says BULL, "If you want, but that's just nonsense!"
For FROG against BULL is all gammon and spinach."
For FROG against BULL is all a waste of time and nonsense.
Heigho for British Rowing!
Cheers for British Rowing!
When they came to Andresy upon the Seine,
When they arrived at Andresy on the Seine,
Heigho for Rowing!
Let’s go rowing!
Big BULL pulled his hardest, but pulled in vain,
Big BULL pulled as hard as he could, but it was all in vain,
For he found his boasts were all gammon and spinach.
For he realized that his bragging was all just nonsense.
Heigho for British Rowing!
Cheers for British Rowing!
For in spite of the brag, and the bounce, and the chaff,
For despite the bragging, and the confidence, and the jokes,
Heigho for Rowing!
Let's go rowing!
The FROG beat the BULL by a length and a half,
The FROG won against the BULL by a length and a half,
With your MOSSOP and JAMES, licked by BOUDIN and CUZIN,
With your MOSSOP and JAMES, licked by BOUDIN and CUZIN,
Heigho, says R.C. LEHMANN!
Hey, says R.C. LEHMANN!
"Pray, Mr. BULL, do you relish the spin?"
"Please, Mr. BULL, do you enjoy the spin?"
Heigho for Rowing!
Let's go rowing!
(Said FROGGIE.) "And were you cocksure you would win,
(Said FROGGIE.) "And were you absolutely certain you would win,
With your forty-one strokes all sheer gammon and spinach?"
With your forty-one strokes all nonsense?
Heigho for British Rowing!
Cheers for British Rowing!
"Humph! Regular take-down!" said Big Mr. BULL—
"Humph! Regular take-down!" said Big Mr. BULL—
Heigho for Rowing!
Let’s go rowing!
"But, FROGGIE or not, by the lord you can pull,
"But whether it's FROGGIE or not, by the lord you can pull,"
With your much-decried 'hang,'—'twas all gammon and spinach!
With your frequently criticized 'hang,'—it was all nonsense!
Heigho for British Rowing!"
"Cheers for British Rowing!"
"Ha! Ha!" cried the FROG, "the old fable, thought true"—
"Ha! Ha!" shouted the FROG, "the old fable, thought true"—
Heigho for Rowing!
Row, row, row!
"Is out of date now. I'm as big, BULL, as you,
"Is outdated now. I'm just as big, BULL, as you,"
As an oarsman, which is not all gammon and spinach!"
As an oarsman, which is not all nonsense and triviality!
Heigho for British Rowing.
Hooray for British Rowing.
So that in the end (for the present), you see,
So that in the end (for now), you see,
Heigho for Rowing!
Time to row!
Of the race between Big BULL and Little FROGGIE.
Of the race between Big BULL and Little FROGGIE.
BULL's fame, in a boat, seems all gammon and spinach.
BULL's fame, in a boat, seems all just nonsense.
Heigho for British Rowing!
Cheers to British Rowing!

LOOKING AHEAD.
Miss Golightly (the Friend of the Family, and to whom Sir Percy (the elder) has proposed). "OF COURSE I'M AWFULLY OBLIGED, SIR PERCY—BUT, SAY NOW, DON'T YOU THINK THERE WOULD BE SOME DANGER OF MY FALLING IN LOVE WITH YOUR ELDEST SON?"
Miss Golightly (the Friend of the Family, and to whom Sir Percy (the elder) has proposed). "OF COURSE I'M REALLY THANKFUL, SIR PERCY—BUT, TELL ME, DON'T YOU THINK THERE'S A RISK I MIGHT FALL FOR YOUR OLDEST SON?"
MR. CHAUNCEY DEPEW, the well-known American lawyer, wonders why on earth the British Government has not long ago given Home Rule to Ireland. He encourages Mr. G.'s Ministry to do their best in this direction, and chaunce-y it. We're always delighted to welcome Mr. CHAUNCEY DEPEW in England, so let him come over with a Depewtation to Mr. G. on the subject.
MR. CHAUNCEY DEPEW, the famous American lawyer, is puzzled as to why the British Government hasn't granted Home Rule to Ireland a long time ago. He urges Mr. G.'s administration to make the effort in this area, and chaunce-y it. We’re always happy to welcome Mr. CHAUNCEY DEPEW in England, so let him come over with a Depewtation to Mr. G. regarding this topic.
EQUESTRIAN FRUIT.—At the Horticultural Show the Baroness BURDETT-COUTTS exhibited a "Cob of ADAM's Early Maize." No particulars are given. Was it 14'1 and a weight-carrier? Being ADAM's, it must be about the oldest in the world. "Maize" may be a misprint for "Mews." Next time the Baroness must send a pear.
EQUESTRIAN FRUIT.—At the Horticultural Show, Baroness Burdett-Coutts showcased a "Cob of Adam's Early Maize." No details are provided. Was it 14'1 and a weight-carrier? Being Adam's, it must be one of the oldest in the world. "Maize" might be a typo for "Mews." Next time, the Baroness should send a pear.
PROBABLE DEDUCTION.—A pertinacious Salvation Army Captain was worrying a Scotch farmer, whom he had met in the train, with perpetual inquiries as to whether "he had been born again of Water and the Spirit?" At last, McSANDY replied, "Aweel, I dinna reetly ken how that may be, but my good old feyther and mither took their toddy releegiously every nicht, the noo."
PROBABLE DEDUCTION.—An insistent Salvation Army Captain was nagging a Scottish farmer he met on the train with endless questions about whether "he had been born again of Water and the Spirit?" Finally, McSANDY answered, "Well, I don't really know how that works, but my good old father and mother enjoyed their whiskey religiously every night, you know."
THE AUSTRO-GERMAN OFFICER'S VADE-MECUM.
Q. You have heard of the Ride from Berlin to Vienna, and vice versâ?
Q. Have you heard of the ride from Berlin to Vienna, and vice versa?
A. Yes; and of the mishaps that befell many of the competitors.
A. Yes; and about the problems that happened to many of the competitors.
Q. You mean their horses?
You mean their horses?
A. What applies to the one applies to the other.
A. What applies to one applies to the other.
Q. Some of the poor steeds died on the journey?
Q. Did some of the poor horses die on the journey?
A. I daresay—of course, it was hard work.
A. I must say—obviously, it was tough work.
Q. And you have read that, even when the poor horses were fainting and refusing food, the riders still went on?
Q. So you've read that, even when the poor horses were collapsing and not eating, the riders kept going?
A. Of course. The riders had magnificent pluck and nerve.
A. Of course. The riders had incredible courage and determination.
Q. What, to observe the anguish of their chargers without emotion?
Q. What, to watch their horses suffer without feeling anything?
A. No! The idea! I mean they had pluck and nerve in spite of all discouragement to push on to the winning-post.
A. No! The idea! I mean they had guts and determination despite all the setbacks to push on to the finish line.
Q. And what do you think this breaking down of the horses proved?
Q. What do you think this breakdown of the horses showed?
A. That, after all, the creatures were brutes—only brutes!
A. That, after all, the creatures were just animals—only animals!
Q. Does not the suffering of these brutes suggest—
Q. Doesn't the suffering of these animals suggest—
A. That the riders were brutes too?—Ah!
A. So the riders were just savages as well?—Ah!
[No further question put, the Answerer having mastered the subject.
No more questions were asked since the Answerer had mastered the subject.
IN EXCELSIS.—No better example of the methods employed by Vivisectionists could be given than was presented at the Church Congress last week, where in debate on this subject they were all engaged in cutting up one another. The Bishop of EDINBURGH, denouncing the morality of the Bishop of MANCHESTER and of Bishop BARRY, was a rare sight. His Lordship said that the morality of these two Bishops was "up in a balloon." Well, surely this is morality of the most elevated description. These Bishops are not "in partibus," but in nubibus.
IN EXCELSIS.—No better example of the methods used by vivisectionists could be found than what was shown at the Church Congress last week, where they were all caught up in tearing each other apart during the debate on this topic. The Bishop of EDINBURGH, criticizing the ethics of the Bishop of MANCHESTER and Bishop BARRY, was quite a spectacle. His Lordship remarked that the morality of these two Bishops was "up in a balloon." Well, this must be morality of the highest kind. These Bishops are not "in partibus," but in nubibus.
IN WATER COLOURS.—The East London Waterworks Company had a very successful meeting the other day. Inter alia the Chairman said, that "the Waltham Well is a complete success." Ergo let Well alone. That from this source they still supplied "36 gallons per head." The heads must be uncommonly hard to stand all this water on the brain. A dividend of eight per cent. is, after all, a very pleasant draught.
IN WATER COLOURS.—The East London Waterworks Company had a very successful meeting recently. Among other things, the Chairman stated that "the Waltham Well is a total success." Therefore, let's leave the Well alone. From this source, they are still supplying "36 gallons per person." Those people must have exceptionally strong heads to handle all this water on the brain. A dividend of eight percent is, after all, a very nice return.
"GREEN THE GUIDE."
(A Sketch on a "Royal Blue" Car at Jersey.)
On the Car is, among others, an Elderly Gentleman, in a tall hat, with a quantity of wraps; a Stout Shopkeeper, with a stouter Wife; a Serious Commercial Traveller, and a couple of young "Shop-ladies"; a Morose Young Man, who has "got out of bed the wrong side" that morning, and another, who has begun his potations rather early, and is in the muzzily talkative mood. The Car is one of a long string of similar vehicles, and is proceeding at a rapid rate along one of the winding roads.
On the bus, there’s an elderly man, wearing a tall hat and lots of layers; a stout shop owner, with his even bigger wife; a serious salesman, and a couple of young shop assistants; a moody young guy, who clearly "got out of bed on the wrong side" that morning, and another who started drinking a bit too early and is in a slightly tipsy, talkative mood. The bus is one of many similar vehicles and is moving quickly along one of the winding roads.
The Muzzy Man. Frivolous, am I? Well, we came 'ere to be frivolous—to a certain extent. Am I out of the way in anything I've said? Because I woke this morning with a dry month, and I don't mind saying I've had a little drop o' brandy since.
The Muzzy Man. Am I being silly? Well, we came here to be a bit silly—to some degree. Am I crossing any lines with what I've said? Because I woke up this morning with a dry mouth, and I don’t mind admitting I’ve had a little bit of brandy since then.
His Neighbour. You might let people find out that for themselves, I should think!
His Neighbour. You might let people discover that on their own, I would think!
The Muzzy M. No—I like to be honest and straightforward, I do. I don't want to be out of the way, you understand.
The Muzzy M. No—I really value honesty and being direct, I do. I don't want to be in the way, you get me?
The Shopkeeper's Wife (to her Neighbour). This is a pretty part of the road we're on now—but, lor! there's nothing 'ere to come up to the Isle of Man. Douglas, now—that is a nice place, with all them Music Halls! And the scenery—why, I'm sure I felt sometimes as if I must stop, just to look at it!
The Shopkeeper's Wife (to her Neighbor). This is a nice stretch of road we're on now—but, wow! there's nothing here that can compare to the Isle of Man. Douglas, now—that is a lovely place, with all those Music Halls! And the scenery—honestly, I sometimes felt like I had to stop, just to take it all in!
The Muzzy Man. I consider scenery we're coming to most beautiful I've seen for—for miles around. [He goes to sleep.
The Muzzy Man. I think the landscape we're approaching is the most beautiful I've seen for miles. [He goes to sleep.
The Shopkeeper (to the Elderly G., who is shifting and turning about uneasily). Lost anything, Sir?
The Shopkeeper (to the Elderly G., who is fidgeting and moving around uneasily). Have you lost something, Sir?
The E.G. No—thank you, no. I was looking to see whether GREEN the Guide was on the car. (Shouts of laughter are heard from the car behind.) Ah, that's GREEN the Guide! I wish he'd come on our oar—very amusing fellow, Sir—capital company!
The E.G. No—thank you, no. I was checking to see if GREEN the Guide was in the car. (Shouts of laughter are heard from the car behind.) Ah, that's GREEN the Guide! I wish he'd join us in our boat—very funny guy, Sir—great company!
The Morose M. (to the Young Lady 'on his Left) Who's GREEN the Guide?
The Morose M. (to the Young Lady 'on his Left) Who's GREEN the Guide?
The Y.L. Oh, don't you know? He comes with the cars and makes jokes and all that. I hope he'll come to us.
The Y.L. Oh, don’t you know? He shows up with the cars and cracks jokes and all that. I hope he’ll come visit us.
The Mor. M. I don't. I can do that sort of thing for myself if I want to, I hope. [With a scowl.
The Mor. M. I don't. I can handle that kind of thing on my own if I choose to, I hope. [With a scowl.
The Y.L. Well, there's no harm in hoping!
The Y.L. Well, there's nothing wrong with hoping!
The Serious Comm. T. (to his neighbour—one of the Shop-ladies). So you come from Birmingham? Dear me, now. I used to be there very often on business at one time. Do you know the Rev. Mr. PODGER there? A good old gentleman, he is. I used to attend his Chapel regular—most improving discourses he used to give us. I am fond of a good Sermon, aren't you? &c.
The Serious Comm. T. (to his neighbor—one of the shop ladies). So you’re from Birmingham? Wow, that’s interesting. I used to go there quite a bit for work. Do you know Reverend Mr. PODGER? He’s a really nice old guy. I used to go to his chapel regularly—he gave really thought-provoking sermons. I enjoy a good sermon, don’t you? &c.
[He imagines—not altogether correctly—that he is producing an agreeable impression.
He believes—though not completely accurately—that he is leaving a good impression.
A Young Man in a Frock-coat, Canvas-shoes, and Cloth-cap. Scarborough? Yes, I've been there—but I don't care about it much. You have to dress such a lot there, y' know, and I like to come out just as I am!
A Young Man in a Frock-coat, Canvas-shoes, and Cloth-cap. Scarborough? Yeah, I've been there—but I'm not really into it. You have to dress up a lot there, you know, and I prefer to just be myself!
[The conversation, notwithstanding its brilliancy, is beginning to flag—when the car is boarded by a stalwart good-looking man, carrying a banjo, and wearing a leather shoulder-belt with "GREEN the Guide" in brass letters upon it; the Elderly Gentleman, and most of the Ladies welcome him with effusion, while the Younger Men appear to resent his appearance.
The chat, although energetic, is beginning to wane—when a tall, attractive man steps onto the train, holding a banjo and sporting a leather shoulder strap that reads "GREEN the Guide" in brass letters; the Elderly Gentleman and most of the Ladies greet him enthusiastically, while the Younger Men appear irritated by his arrival.
The Mor. M. (sotto voce). If he's going to play that old instrument of torture, I shall howl, that's all!
The Mor. M. (quietly). If he's going to use that old torture device, I will scream, that's it!
Green the Guide (in a deep baritone voice). Well, Ladies and Gentlemen, I congratulate you upon having a fine day for our excursion. My glass went up three feet this morning.
Green the Guide (in a deep baritone voice). Well, everyone, I want to congratulate you on having a perfect day for our trip. My glass went up three feet this morning.
The Morose Man (aggressively). Was there whiskey inside it?
The Morose Man (aggressively). Was there whiskey in it?
Green the Guide. No, Sir, it would have gone down suddenly if there had been. (The Elderly G. asks for a song.) I shall be delighted to entertain you to the best of my ability. What would you like to have?
Green the Guide. No, Sir, it would have ended abruptly if there had been. (The Elderly G. asks for a song.) I would be happy to entertain you as best as I can. What would you like to hear?
The Mor. M. None of your songs—give us an imitation—of a deaf and dumb man.
The Mor. M. None of your songs—give us a performance—of a deaf and mute person.
Green the G. (with perfect good-humour). I shall be happy to do the deaf man, Sir,—if you'll help me by doing the dumb. (The Mor. M. begins to feel that he had better leave GREEN the Guide alone.) Well, Ladies and Gentlemen, I'll sing you a good old-fashioned hunting-song, and I'll ask you to join me in the Chorus.
Green the G. (with perfect good humor). I’ll be glad to play the deaf man, Sir—if you’ll help me by being the dumb one. (The Mor. M. starts to realize that he should probably leave GREEN the Guide alone.) Alright, Ladies and Gentlemen, I’m going to sing you a classic hunting song, and I’d like you to join me in the chorus.
[He sings "We'll all go out hunting to-day!"
He's singing, "We're all going hunting today!"
The Mor. M. (after the First Verse). The beggar don't sing so badly. I will say that for him! (After the Third.) Capital voice he has! Rattling good Chorus, too! "Join the glad throng that goes laughing along, and we'll all go a-hunting to-day!" (At the end.) Bravo! encore! encore!
The Mor. M. (after the First Verse). The beggar doesn’t sing too badly. I’ll give him that! (After the Third.) He's got a great voice! Really good chorus, too! "Join the happy crowd that’s laughing along, and we’ll all go hunting today!" (At the end.) Bravo! Encore! Encore!
[His good-humour is suddenly and miraculously restored.
His good mood is unexpectedly and wonderfully revived.
Green the G. (in a tone of instruction). You will notice that the thistle is very abundant just here, Ladies and Gentlemen. The reason of that, is that some years ago a vessel was wrecked on this part of the coast which was sailing from Scotland with a cargo of thistledown. (Outcry of incredulity.) If you don't believe me, ask the Coachman.
Green the G. (in a tone of instruction). You’ll see that there are a lot of thistles right here, everyone. The reason for that is that a few years ago, a ship sank along this part of the coast while carrying a load of thistledown from Scotland. (Outcry of disbelief.) If you don’t believe me, just ask the Coachman.
The Coachman (stolidly). It's a fact, Gentlemen, I assure you.
The Coachman (calmly). It's true, gentlemen, I promise you.
G. the G. The soil of Jersey is remarkably productive; if you plant a sixpence, it will come up a shilling in no time. The cabbages on this island grow to an extraordinary height, frequently attaining twenty feet—(outcry)—yes, if you measure up one side, and down the other. (They pass a couple of sheep on a slope.) The finest flock of sheep in the island. The dark one is not black, only a little sunburnt. The house you see on that hill over there was formerly slept in by CHARLES THE SECOND. He left a pair of slippers behind him—which have since grown into top-boots. There you see the only windmill in this part of the island—there used to be three, but it was found there was not enough wind for them all. From here you have a clear view of the coast of France; and, when the wind is blowing in this direction, you have an excellent opportunity of acquiring the French accent in all its purity. (This string of somewhat hoary chestnuts meets with a success beyond their intrinsic merits, the Morose Man being as much entertained as anybody.) On your right is an inland lake of fresh water—
G. the G. The soil in Jersey is incredibly fertile; if you plant a sixpence, it will grow into a shilling in no time. The cabbages on this island reach amazing heights, often growing up to twenty feet—(shout)—yes, if you measure up one side and down the other. (They pass a couple of sheep on a slope.) The finest flock of sheep on the island. The dark one isn’t black, just a little sun-kissed. The house you see on that hill over there was once occupied by CHARLES THE SECOND. He left behind a pair of slippers—which have since transformed into top-boots. Over there you see the only windmill in this part of the island—there used to be three, but it was determined that there wasn't enough wind for all of them. From here, you have a clear view of the coast of France; and when the wind blows this way, you get a great chance to pick up the French accent in its purest form. (This string of somewhat old jokes finds an audience greater than their actual value, the Morose Man being just as entertained as anyone else.) On your right is an inland lake of fresh water—
The Muzzy Man (waking up with sudden interest). Can you drink it with perfect impunity?
The Muzzy Man (waking up with sudden interest). Can you drink it without any consequences?
G. the G. Depends how far you are accustomed to it as a beverage, Sir. (The car stops at an hotel.) We stop here two hours, Ladies and Gentlemen, to enable you to lunch, and examine the caves afterwards. You can leave anything you like on the cars except five-pound notes—and they might get blown away!
G. the G. It depends on how used you are to it as a drink, Sir. (The car stops at a hotel.) We'll stop here for two hours, Ladies and Gentlemen, to give you time to have lunch and check out the caves afterward. You can leave anything you want in the cars except five-pound notes—and those might get blown away!
On the Way Home.
The Shopkeeper's Wife (to her Husband). Ah, TOM, it's just as well you stayed behind—you'd never have got through those caves! You wouldn't believe I could ha' done it unless you'd seen me—clambering down iron ladders, and jumping on to rocks, and squeezing through tunnels, and then up a cliff like the side of a house. I do wish you could ha' seen me, TOM!
The Shopkeeper's Wife (to her Husband). Ah, TOM, it’s a good thing you stayed back—you would’ve never made it through those caves! You wouldn’t believe I could’ve done it unless you’d seen me—climbing down iron ladders, jumping onto rocks, squeezing through tunnels, and then scaling a cliff like the side of a house. I really wish you could’ve seen me, TOM!
Tom (philosophically). Ah, well, I was very comfortable where I was, settin' in the hotel room there, smoking my pipe. GREEN the Guide gave us, "Rocked in the Cradle of the Deep," in first-rate style—he is a singer, and no mistake!
Tom (philosophically). Ah, well, I was really relaxed where I was, sitting in the hotel room, smoking my pipe. GREEN the Guide gave us, "Rocked in the Cradle of the Deep," in top-notch style—he is a singer, no doubt about it!
His Wife. Lor, I wish I'd known he was going to sing—I'd ha' stayed too! But here he is, waiting by the road for us—I do hope he's going to sing again!
His Wife. Wow, I wish I had known he was going to sing— I would have stayed too! But here he is, waiting by the road for us—I really hope he's going to sing again!
Green the G. (mounting the car). I fear I am an unwelcome visitor.
Green the G. (getting into the car). I worry I’m an uninvited guest.
The Eld. G. (graciously). It would be the first time in your life then, GREEN!
The Eld. G. (graciously). So this will be the first time in your life, GREEN!
G. the G. Well, the fact is, I come to levy a little contribution on behalf of myself and the Coachman. Times are hard, Gentlemen, and both of us have large families to support. If you don't believe me, ask the Coachman. (The Elderly G. explains that his wrappings prevent him from getting at his purse just then, while the others contribute with more or less readiness and liberality.) Many thanks. Ladies and Gentlemen, on behalf of myself and the Coachman, and to express my sense of your generosity, I will sing you the great [pg 173] Jersey National Song, composed by myself, before leaving. (He sings a ditty with the following spirited Chorus):—
G. the G. Well, the truth is, I’m here to ask for a little donation on behalf of myself and the Coachman. Times are tough, everyone, and we both have big families to support. If you don’t believe me, just ask the Coachman. (The Elderly G. explains that his wrappings make it hard for him to reach his wallet right now, while the others contribute with varying degrees of willingness and generosity.) Thank you very much. Ladies and Gentlemen, on behalf of myself and the Coachman, and to show my appreciation for your kindness, I will sing you the great [pg 173] Jersey National Song, which I composed myself, before I leave. (He sings a lively tune with the following spirited Chorus):—
There the streets are paved with granite. So neat and clean
There, the streets are paved with granite. So neat and clean.
And lots of pretty, witty girls, are always to be seen!
And there are always plenty of pretty, smart girls to see!
With the brave old Mi-litia, Our foes to defy!
With the brave old militia, We stand up to our enemies!
And there they grow the Cabba-ges—Ten feet high!
And there they grow the cabbages—ten feet high!
(All together, Gentlemen, please!) Yes, there they grow the Cabbages, there they grow the Cabbages, there they grow the Cabbages—Ten feet high!
(All together, gentlemen, please!) Yes, that’s where they grow the cabbages, that’s where they grow the cabbages, that’s where they grow the cabbages—Ten feet tall!
Thank you, Gentlemen, I've sung that song a number of times, and I never remember hearing the chorus better sung. If you don't believe me, ask the Coachman.
Thank you, gentlemen. I've sung that song many times, and I never remember hearing the chorus sung better. If you don’t believe me, ask the coachman.
Coachman. I've never 'eard it better sung, Ladies and Gentlemen, I assure you.
Coachman. I’ve never heard it sung better, Ladies and Gentlemen, I promise you.
[GREEN the Guide descends in a blaze of popularity, and the "Royal Blue" rolls on in excellent spirits.
[GREEN the Guide gains immense popularity, while the "Royal Blue" keeps going strong.
POLITICAL TRAINING.
Monday.—Read Mr. CHAMBERLAIN's remarks on abstinence from bodily exercise. Sold my bicycle, and gave away all my rackets, bats, &c. Resolved to follow the latest system. Shall doubtless, by these means, reach Mr. C.'s high position as a statesman and orator. Went out in a Bath-chair. Five minutes after starting, man said he was not accustomed to drag so heavy an invalid, and must rest a little. Tried a speech—my maiden one—on the Disadvantages of Bodily Exercise. He listened respectfully, and, when at last I had finished, said he quite agreed with me, and that the fare was seven shillings.
Monday.—Read Mr. CHAMBERLAIN's comments on avoiding physical exercise. Sold my bike and gave away all my rackets, bats, etc. Decided to adopt the latest approach. I'm sure that, by doing this, I’ll reach Mr. C.'s high standing as a politician and speaker. Went out in a Bath chair. Just five minutes after we started, the man said he wasn't used to pulling such a heavy invalid and needed to take a break. Tried giving a speech—my first one—on the Downsides of Physical Exercise. He listened politely, and when I finally finished, he said he completely agreed with me and that the fare was seven shillings.
Tuesday.—Have decided that exercise in a Bath-chair is quite superfluous. Resolved to take exercise, for the future, in a hammock, just outside the garden-door. Must practise speech-making to the gardener. Good idea—Orchids. Asked him what he thought about the new Orchid. Miserable fool answered, "Awkud, zur? Dunno waht thaht be." I said that was "awkud," and had to laugh at the highly original side-splitter myself, as he never saw it.
Tuesday.—I've decided that exercising in a wheelchair is completely unnecessary. From now on, I'm going to take my exercise in a hammock just outside the garden door. I need to practice my speech-making with the gardener. Good idea—Orchids. I asked him what he thought about the new orchid. The miserable fool answered, "Awkud, sir? I don't know what that is." I told him it was "awkud" and had to laugh at my own highly original joke since he didn't get it.
Wednesday.—Must really give up this long walk to the garden-door. Shall never become a great statesman unless I do. Resolved to take exercise in arm-chair in library. The children's governess came in to fetch a book. Addressed her at some length on Free Education. Afterwards, thought this subject was somewhat ill-chosen, as her salary is so small.
Wednesday.—I really need to stop this long walk to the garden door. I’ll never become a great statesman if I keep this up. I’ve decided to get my exercise in the armchair in the library. The children’s governess came in to get a book. I talked to her for a while about Free Education. Later, I realized that this topic was a bit inappropriate since her salary is so low.
Thursday.—Really cannot stand this walking up and down stairs. Shall remain for the future in my bed-room and take exercise on sofa by fireside, as I feel chilly. Page came in with coals. Reminded me of Policy of Scuttle. Spoke of this at some length, and woke him up with difficulty when I had finished. Felt rather unwell.
Thursday.—I really can't stand walking up and down stairs anymore. From now on, I'll stay in my bedroom and exercise on the sofa by the fireplace since I feel cold. The page came in with coal. It reminded me of the Policy of Scuttle. I talked about it for a while and had a hard time waking him up when I was done. I felt a bit unwell.
Friday.—Dressing and undressing is certainly needless fatigue, and evidently causes this headache and general seediness. Shall take exercise in bed. Felt worse. Female relatives anxious, and insist on medical attendance. Assured them I was following the best system, and answered their persistent demands by a short address on Home Rule.
Friday.—Getting dressed and undressed is definitely unnecessary stress and clearly contributes to this headache and general feeling unwell. I’ll get some exercise in bed. I felt worse. My female relatives are worried and insist on calling a doctor. I assured them I was following the best approach and responded to their constant demands with a brief talk about Home Rule.
Saturday.—Felt so bad at five this morning, that Doctor was fetched. Tried feebly to address him on the Eight Hours' Question, when he said he never had any time to think how long he worked. Explained my new system to him. He said I should myself want a new system to stand such a course of treatment. Then he pulled me out of bed, and insisted on my walking ten miles as soon as I was dressed. Felt much better. Shall abandon politics and become a farmer, having just heard of an infallible system for growing wheat profitably.
Saturday.—I felt so terrible at five this morning that they called the doctor. I tried weakly to discuss the Eight Hours' Question with him, but he said he never had time to think about how long he worked. I explained my new system to him. He said I would need a new system to handle such a treatment plan. Then he got me out of bed and insisted that I walk ten miles as soon as I was dressed. I felt much better afterward. I've decided to give up politics and become a farmer since I've just heard about a foolproof way to grow wheat profitably.
THE "RESTORATION" PERIOD.—Will the Chairmen of the L.C. & D. and the S.E. Lines unite their forces? After the meeting on this subject last week, Sir EDWARD will have lots of reason to listen to. But apart from every consideration of mal de mer, and "From Calais to Dover," as the poet sings "'Tis soonest over," there is not anywhere a better, and we, who have suffered as greatly as the much-enduring Ulysses, venture to assert not anywhere as good a luncheon as at the "Restauration" (well it deserves the title!) of the Calais Station. Every patriotic travelling Englishman must be delighted to think that some few centuries ago we gave up Calais. Had it been nowadays in English hands, why it might even now be possessed of a "Refreshment Room" no better than—any on our side of the Channel, for there is no necessity to particularise. From Dover to Calais is the shortest and best restorative'd route for the traveller, whether ill or well, at sea.
THE "RESTORATION" PERIOD.—Will the Chairmen of the L.C. & D. and the S.E. Lines join forces? After last week's meeting on this topic, Sir EDWARD will have plenty of reasons to pay attention. But aside from any thoughts of seasickness, and "From Calais to Dover," as the poet sings "'Tis soonest over," there isn't anywhere better, and we, who have suffered as much as the long-suffering Ulysses, dare to say there isn't anywhere as good a lunch as at the "Restauration" (it truly deserves the name!) of the Calais Station. Every patriotic English traveler must be pleased to remember that a few centuries ago we gave up Calais. If it were still in English hands today, it might even have a "Refreshment Room" no better than any of those on our side of the Channel, no need to specify. The route from Dover to Calais is the shortest and best restorative path for travelers, whether sick or well, at sea.
MOTTOES for the new Lord MAYOR. "Nil obstet," "Nil fortius," and, from HORACE, "Nil amplius oro." This, in answer to thousands of correspondents, is our last word on the subject; so after this (except on the 9th of November), we say—nil.
MOTTOS for the new Lord MAYOR. "Nothing stands in the way," "Nothing is stronger," and, from HORACE, "Nothing more I ask." This, in response to thousands of correspondents, is our final take on the matter; so after this (except on the 9th of November), we say—nothing.
SUCH A "LIGHT OPERA!"

"Christmas is comin'!"
"Christmas is coming!"
The McClown of McClown dancing.
The McClown of McClown dancing.
The Reel Hit of the Opera.
The Major Hit of the Opera.
Had Sir ARTHUR written the music for The Mountebanks, and Sir BRIAN DE BOIS GILBERT the book of Haddon Hall, both might have been big successes So, however, it was not to be, and Sir ARTHUR chose this book by Mr. GRUNDY, which labours under the disadvantages of being original, and of not owing almost everything to a French source. It isn't every day of the week that Mr. GRUNDY tumbles upon A Pair of Spectacles in a volume of French plays. The period to which the very slight and uninteresting story of Haddon Hall belongs is just before the Restoration, but the dialogue of "the book" is spiced with modern slang, both "up to date" (the date being this present year of Grace, not sixteen hundred and sixty) and out of date. The "out-of-date" slang, which is, "I've got 'em on"—alluding to the Scotchman's trousers—has by far the best of it, as it comes at the end of the piece, and enjoys the honour of having been set to music by the variously-gifted Composer: so that "I've got 'em on," with its enthusiastically treble-encored whiskey fling, capitally danced by Miss NITA COLE as Nance, with Mr. DENNY as The McCrankie, may be considered as the real hit of the evening, having in itself about as much to do with whatever there is of the plot as would have the entrance of Mr. JOEY GRIMALDI, in full Clown's costume, with "Here we are again!" Of the music, as there was very little to catch and take away, one had to leave it. Of course this seriously comic or comically serious Opera is drawing—["Music," observes Mr. WAGG, parenthetically, "cannot be drawing"]—and will continue to do so for some little time, long enough at all events to reimburse Mr. D'OYLY CARTE for his more than usually lavish outlay on the mise-en-scène.
Had Sir Arthur composed the music for The Mountebanks and Sir Brian de Bois Gilbert written the book for Haddon Hall, both might have become big hits. However, it wasn’t meant to be, and Sir Arthur opted for this book by Mr. Grundy, which suffers from being original and not borrowing almost everything from a French source. It’s not every day that Mr. Grundy comes across A Pair of Spectacles in a collection of French plays. The time period of the rather trivial and unengaging story of Haddon Hall is just before the Restoration, but the dialogue in "the book" is laced with modern slang—both “current” (the current year being this present year of Grace, not sixteen hundred and sixty) and “outdated.” The “outdated” slang, which is "I've got 'em on"—referring to the Scottish man's trousers—takes the lead, as it comes at the end of the show and has the honor of being set to music by the talented Composer. So, "I've got 'em on," with its enthusiastically encore-worthy whiskey dance, expertly performed by Miss Nita Cole as Nance, and Mr. Denny as The McCrankie, can be seen as the real highlight of the evening, having little to do with whatever there is of the plot, similar to the entrance of Mr. Joey Grimaldi, in full Clown's costume, saying, "Here we are again!" As for the music, since there was very little to remember and take away, one had to let it go. Of course, this seriously comic or comically serious opera is drawing—["Music," notes Mr. Wagg, parenthetically, "cannot be drawing"]—and will likely continue to do so for some time, enough at least to cover Mr. D'Oyly Carte's more than usual extravagant spending on the mise-en-scène.
In the Second Act, the mechanical change from the exterior of Haddon Hall to the interior, must be reckoned as among the most effective transformations ever seen on any stage. It would be still more so if the time occupied in making it were reduced one-half, and the storm in the orchestra, and the lightning seen through black gauze on stage were omitted. The lightning frightens nobody, only amuses a few, and in itself is no very great attraction. Even if these flashes were a very striking performance; no danger to the audience need be apprehended from it, seeing that Mr. CELLIER is in front as "Conductor." Perhaps Mr. D'OYLY CARTE, noticing that Mr. GRUNDY calls his piece "a light Opera," thought that, as it wasn't quite up to this description, it would be as well if the required "light'ning" were brought in somewhere, and so he introduced it here. If this be so, it is about the only flash of genius in the performance.
In the Second Act, the shift from the outside of Haddon Hall to the inside is one of the most impressive transformations ever seen on stage. It would be even better if the time taken to do this were cut in half, and the storm music and lightning effects through black gauze on stage were left out. The lightning doesn't scare anyone; it just entertains a few, and it's not a major draw on its own. Even if these flashes were an exceptional display, there's no need for the audience to worry since Mr. CELLIER is there as "Conductor." Perhaps Mr. D'OYLY CARTE, noticing that Mr. GRUNDY refers to his work as "a light Opera," thought that since it didn't fully meet this description, it would be best to add some "light'ning" somewhere, which is why it's included here. If that's the case, it's pretty much the only burst of creativity in the performance.

POST-PRANDIAL PESSIMISTS.
SCENE—The Smoking-room at the Decadents.First Decadent (M.A. Oxon.). "AFTER ALL, SMYTHE, WHAT WOULD LIFE BE WITHOUT COFFEE?"
First Decadent (M.A. Oxon.). "AFTER ALL, SMYTHE, WHAT WOULD LIFE BE WITHOUT COFFEE?"
Second Decadent (B.A. Camb.). "TRUE, JEOHNES, TRUE! AND YET, AFTER ALL, WHAT IS LIFE WITH COFFEE?"
Second Decadent (B.A. Camb.). "TRUE, JEOHNES, TRUE! AND YET, AFTER ALL, WHAT IS LIFE WITHOUT COFFEE?"
"CROSSING THE BAR."
IN MEMORIAM.
Alfred Lord Tennyson.
Born, August 5, 1809. Died, October 6, 1892.
Our fullest throat of song is silent, hushed
Our loudest song is silent, quiet.
In Autumn, when the songless woods are still,
In autumn, when the silent woods are still,
And with October's boding hectic flushed
And with October's promising chaos flushed
Slowly the year disrobes. A passionate thrill
Slowly the year strips away its layers. A passionate thrill
Of strange proud sorrow pulses through the land,
Of strange, proud sorrow pulses through the land,
His land, his England, which he loved so well:
His land, his England, which he loved so much:
And brows bend low, as slow from strand to strand
And brows lower, as they move slowly from one strand to another.
The Poet's passing bell
The Poet's farewell bell
Sends forth its solemn note, and every heart
Sends out its serious sound, and every heart
Chills, and sad tears to many an eyelid start.
Chills, and sad tears fill many an eyelid.
Sad tears in sooth! And yet not wholly so.
Sad tears, indeed! But not completely.
Exquisite echoes of his own swan-song
Exquisite echoes of his own farewell song
Forbid mere murmuring mournfulness; the glow
Forbid just whispering sadness; the glow
Of its great hope illumes us. Sleep, thou strong
Of its great hope lights us up. Sleep, you strong
Full tide, as over the unmeaning bar
Full tide, as over the pointless bar
Fares this unfaltering darer of the deep,
Fares this unwavering adventurer of the deep,
Beaconed by a Great Light, the pilot-star
Beaconed by a Great Light, the guiding star
Of valiant souls, who keep
Of brave souls, who keep
Through the long strife of thought-life free from scathe
Through the long struggle of a mind free from harm
The luminous guidance of the larger faith.
The bright direction of the greater belief.
No sadness of farewell? Great Singer, crowned
No sadness in saying goodbye? Great Singer, crowned
With lustrous laurel, facing that far light,
With shiny laurel, facing that distant light,
In whose white radiance dark seems whelmed and drowned,
In whose bright light darkness feels overwhelmed and submerged,
And death a passing shade, of meaning slight;
And death is just a fleeting shadow, with little significance;
Sunset, and evening star, and that clear call,
Sunset, and evening star, and that bright call,
The twilight shadow, and the evening bell,
The evening shadow and the ringing bell,
Bring naught of gloom for thee. Whate'er befall
Bring no gloom to you. Whatever happens
Thou must indeed fare well.
You must indeed fare well.
But we—we have but memories now, and love
But we—we only have memories now, and love
The plaint of fond regret will scarce reprove.
The expression of deep regret will hardly be criticized.
Great singer, he, and great among the great,
Great singer he is, and truly among the best,
Or greatness hath no sure abiding test.
Or greatness has no sure lasting test.
The poet's splendid pomp, the shining state
The poet's glorious display, the radiant presence
Of royal singing robes, were his, confest,
Of royal singing robes, were his, confest,
By slowly growing certitude of fame,
By gradually gaining confidence in my fame,
Since first, a youth, he found fresh-opening portals
Since he was a young man, he discovered new opportunities
To Beauty's Pleasure-House. Ranked with acclaim
To Beauty's Pleasure-House. Celebrated with praise
Amidst the true Immortals,
Among the real Immortals,
The amaranth fields with native ease he trod,
The amaranth fields he walked through with natural ease,
Authentic son of the lyre-bearing god.
Authentic son of the god who plays the lyre.
Fresh portals, untrod pleasaunces, new ways
Fresh paths, untouched pleasures, new routes
In Art's great Palace, shrined in Nature's heart,
In Art's grand Palace, nestled in Nature's heart,
Sought the young singer, and his limpid lays,
Sought the young singer and his clear songs,
O'er sweet, perchance, yet made the quick blood start
O'er sweet, maybe, yet made the quick blood start
To many a cheek mere glittering; rhymes left cold.
To many, a cheek is just shiny; rhymes feel empty.
But through the gates of Ivory or of Horn
But through the gates of Ivory or of Horn
His vivid vision flocked, and who so bold
His vivid vision gathered, and whoever was brave
As to repulse with scorn
To reject with disdain
The shining troop because of shadowy birth.
The shining group due to a dark origin.
Of bodiless passion, or light tinkling mirth?
Of disembodied passion, or light, cheerful laughter?
But the true god-gift grows. Sweet, sweet, still sweet
But the true gift from God keeps growing. Sweet, sweet, still sweet.
As great Apollo's lyre, or Pan's plain reed,
As great Apollo's lyre or Pan's simple reed,
His music flowed, but slowly he out-beat
His music flowed, but gradually he fell behind.
His song to finer issues. Fingers fleet,
His song to finer issues. Fingers swift,
That trifled with the pipe-stops, shook grand sound
That messed with the pipe stops, created a grand sound
From the great organ's golden mouths anon.
From the grand organ's golden pipes soon.
A mellow-measured might, a beauty bound
A calm and powerful strength, a beauty restrained
(As Venus with her zone)
(As Venus with her vibe)
By that which shaped from chaos Earth, Air, Sky,
By what emerged from chaos: Earth, Air, Sky,
The unhampering restraint of Harmony.
The unrestrictive freedom of Harmony.
Hysteric ecstasy, new fierce, now faint,
Hysterical ecstasy, new intensity, now weak,
But ever fever-sick, shook not his lyre
But always feverishly ill, did not shake his lyre
With epileptic fervours. Sensual taint
With intense passions. Sensual touch
Of satyr heat, or bacchanal desire,
Of satyr heat, or bacchanal desire,
Polluted not the passion of his song;
Polluted not the passion of his song;
No corybantic clangor clamoured through
No loud noise disturbed
Its manly harmonies, as sane as strong;
Its masculine harmonies, as sensible as they are powerful;
So that the captious few
So that the critical few
Found sickliness in pure Elysian balm,
Found illness in pure Elysian balm,
And coldness in such high Olympian calm.
And a chill in such lofty, godlike tranquility.
Impassioned purity, high minister
Pure passion, senior minister
Of spirit's joys, was his, reserved, restrained.
Of the joys of the spirit, his was kept in check, controlled.
His song was like the sword Excalibur
His song was like the sword Excalibur
Of his symbolic knight; trenchant, unstained.
Of his symbolic knight; sharp, unblemished.
It shook the world of wordly baseness, smote
It shook the world of materialism, hit
The Christless heathendom of huckstering days.
The godless paganism of commercial days.

"CROSSING THE BAR."
"TWILIGHT AND EVENING BELL,
"Twilight and evening bell,"
AND AFTER THAT THE DARK"
AND AFTER THAT THE DARK
"AND MAY THERE BE NO SADNESS OF FAREWELL,
"AND MAY THERE BE NO SAD GOODBYES,"
WHEN I EMBARK."—TENNYSON.
"When I Set Out." —Tennyson.
There is no harshness in that mellow note,
There’s no harshness in that soft tone,
No blot upon those bays;
No stains on those bays;
For loyal love and knightly valour rang
For true love and chivalrous bravery echoed
Through rich immortal music when he sang.
Through his beautiful, timeless music when he sang.
ARTHUR, his friend, the Modern Gentleman,
ARTHUR, his friend, the Modern Gentleman,
ARTHUR, the hero, his ideal Knight,
ARTHUR, the hero, his ideal Knight,
Inspired his strains. From fount to flood they ran
Inspired his strains. From source to flood they ran
A flawless course of melody and light.
A perfect flow of music and brightness.
A Christian chivalry shone in his song
A Christian chivalry shined in his song
From Locksley Hall to shadowy Lyonnesse,
From Locksley Hall to the mysterious Lyonnesse,
Whence there stand forth two figures, stately, strong,
Whence there stand forth two figures, stately, strong,
Symbols of spirit's stress;
Signs of the spirit's stress;
The blameless King, saintship with scarce a blot,
The faultless King, with barely a flaw,
And song's most noble sinner, LANCELOT.
And the most noble sinner of song, LANCELOT.
Lover of England, lord of English hearts,
Lover of England, ruler of English hearts,
Master of English speech, painter supreme
Master of English speech, painter supreme
Of English landscape! Patriot passion starts
Of English landscape! National pride ignites
A-flame, pricked by the words that glow and gleam
A-flame, touched by the words that shine and sparkle
In those imperial pæans, which might arm
In those imperial praises, which might arm
Pale cowards for the fray. Touched by his hand
Pale cowards for the battle. Touched by his hand.
The simple sweetness, and the homely charm
The simple sweetness and the cozy charm
Of our green garden-land
Of our green garden
Take on a witchery as of Arden's glade,
Take on a magic like that of Arden's glade,
Or verdant Vallombrosa's leafy shade.
Or green Vallombrosa's leafy shade.
The fragrant fruitfulness of wood and wold,
The sweet, fruitful nature of the woods and fields,
Of flowery upland, and of orchard-lawn,
Of flowery upland, and of orchard-lawn,
Lit by the lingering evening's softened gold,
Lit by the fading evening's gentle gold,
Or flushed with rose-hued radiance of the dawn;
Or flushed with a rosy glow of the dawn;
Bird-music beautiful; the robin's trill,
Robin's beautiful song,
Or the rook's drowsy clangour; flats that run
Or the rook's sleepy clamor; low areas that
From sky to sky, dusk woods that drape the hill,
From sky to sky, twilight woods that cover the hill,
Still lakes that draw the sun;
Still lakes that attract the sun;
All, all are mirror'd in his verse, and there
All, all are reflected in his poetry, and there
Familiar beauties shine most strangely fair.
Familiar beauties look surprisingly lovely.
Poet, the pass-key magical was thine,
Poet, the magical passkey was yours,
To Beauty's Fairy World, in classic calm
To Beauty's Fairy World, in classic calm
Or rich romantic colour. Bagdat's shrine
Or rich romantic color. Bagdad's shrine
By sheeny Tigris, Syrian pool and palm,
By the shiny Tigris, Syrian pond and palm,
Avilion's bowery hollows, Ida's peak,
Avilion's hollowed bowery, Ida's peak,
The lily-laden Lotos land, the fields
The lily-filled Lotos land, the fields
Of amaranth! What may vagrant Fancy seek
Of amaranth! What might wandering Imagination search for?
More than thy rich song yields,
More than your beautiful song offers,
Of Orient odour, Faëry wizardry,
Of Eastern scent, magical wizardry,
Or soft Arcadian simplicity?
Or gentle Arcadian simplicity?
From all, far Faëry Land, Romance's realm,
From all, far Faëry Land, Romance's realm,
Green English homestead, cloud-crown'd Attic hill,
Green English homestead, crowned by clouds Attic hill,
The Poet passes—whither? Not the helm
The Poet moves on—where to? Not the helm
Of wounded ARTHUR, lit by light that fills
Of injured ARTHUR, illuminated by light that fills
Avilion's fair horizons, gleamed more bright
Avilion's beautiful horizons shone even brighter
Than does that leonine laurelled visage now,
Than does that lion-like, crowned face now,
Fronting with steadfast look that mystic Light.
Fronting with a determined gaze at that mysterious Light.
Grave eye, and gracious brow
Serious gaze, and kind expression
Turn from the evening bell, the earthly shore,
Turn away from the evening bell, the earthly shore,
To face the Light that floods him evermore.
To confront the Light that continually washes over him.
Farewell! How fitlier should a poet pass
Farewell! How much better should a poet leave
Than thou from that dim chamber and the gleam
Than you from that dim chamber and the gleam
Of poor earth's purest radiance? Love, alas!
Of the purest brightness of this troubled world? Love, sadly!
Of that strange scene must long in sorrow dream.
Of that strange scene must long in sadness dream.
But we—we hear thy manful music still!
But we—we still hear your brave music!
A royal requiem for a kingly soul!
A royal farewell for a majestic spirit!
No sadness of farewell! Away regret,
No sadness in saying goodbye! Away with regret,
When greatness nears its goal!
When greatness is almost there!
We follow thee, in thought, through light, afar
We follow you, in thought, through light, far away.
Divinely piloted beyond the bar!
Guided by divine forces!
TO MY SWEETHEART.
["Those roses you bought and gave to me are marvels. They are still alive."—Her Letter.]
["Those roses you bought and gave me are incredible. They’re still alive."—Her Letter.]
A Hothouse where some roses blew,
A greenhouse where some roses bloomed,
And, whilst the outer world was white,
And, while the outside world was white,
The gentle roses softly grew
The delicate roses gently grew
To fragrant visions of delight.
To fragrant visions of joy.
Some wretched florist owned them all,
Some unfortunate florist owned them all,
And plucked them from their native bowers,
And picked them from their natural dwellings,
Then gaily showed them on his stall
Then he cheerfully displayed them on his stand.
To swell the ranks of "Fresh-Cut Flowers."
To increase the number of "Fresh-Cut Flowers."
Some went beside a bed of pain
Some went next to a bed of pain
Where influenza claimed its due;
Where flu took its toll;
They drooped and never smiled again,
They slumped and never smiled again,
The epidemic had them too.
The epidemic affected them too.
A gay young gallant bought some buds,
A flamboyant young guy bought some flowers,
And jauntily went out to dine
And cheerfully went out to eat
With other reckless sporting bloods,
With other reckless sports enthusiasts,
Who talked of women, drank of wine;
Who talked about women, drank wine;
But whilst they talked, and smoked, and drank,
But while they talked, smoked, and drank,
And told tales not too sanctified.
And shared stories that weren't too holy.
Abashed the timid blossoms shrank,
Shy, the timid blossoms shrank,
Changed colour, faded, and then died.
Changed color, faded, and then died.
Yet roses, too, I gave to you,
Yet I gave you roses, too,
I saw you place them near your heart,
I saw you put them close to your heart,
You wore them all the evening through,
You wore them all evening long,
You wore them when we came to part.
You wore them when we had to say goodbye.
But now you write to me, my dear,
But now you’re writing to me, my dear,
And marvel that they are not dead,
And wonder that they are not dead,
Their beauty does not disappear,
Their beauty doesn't fade,
Their fragrant perfume has not fled.
Their sweet scent is still here.
The reason's plain. Somehow aright
The reason is clear. Somehow right.
The flowers know if we ignore them.
The flowers can tell when we ignore them.
The roses live for sheer delight
The roses exist for pure joy
At knowing, Sweetheart, that you wore them.
At knowing, Sweetheart, that you wore them.
THOUGHTS—NOT WORTH A PENNY.
(Fragment from the Burlesque-Romance of "No Cents; or, The New Criticism.")
The Critic of the new cult visited a tailor's establishment, and was delighted with all he saw. There were coats, and vests, and other garments.
The critic of the new cult visited a tailor's shop and was impressed with everything he saw. There were coats, vests, and other outfits.
"I make some fifty per cent. profit," said the proprietor of the establishment, stroking his moustache with a hand adorned with many a diamond ring. "Of course it causes some labour, thought, and time—but I get my money for my trouble."
"I make about fifty percent profit," said the owner of the business, stroking his mustache with a hand covered in diamond rings. "Of course, it takes some effort and time, but I get paid for my trouble."
"And why not?" replied the Critic. "Are you not worth it? Do you not devote your energy to it? Must you not live?"
"And why not?" said the Critic. "Aren't you worth it? Don't you put your energy into it? Don't you have to live?"
And, having said this, the Reviewer visited another place of business. This time he had entered the office of a Stockbroker.
And after saying this, the Reviewer went to another business. This time he entered the office of a Stockbroker.
"Of course it is rather anxious work sometimes," said the alternative representative of a bull and a bear. "But it pays in the long run. I manage to keep up a house in South Kensington, and a carriage and pair, out of my takings."
"Of course, it can be pretty nerve-wracking sometimes," said the alternate representative of a bull and a bear. "But it pays off in the long run. I manage to maintain a house in South Kensington and keep a carriage and pair from my earnings."
"Again, why not?" responded the Critic. "You have a wife and family. Must you not live?" Then the Critic visited Cheesemongers, and Bankers, Solicitors, and Upholsterers. At last, he reached the modest abode of an Author.
"Again, why not?" replied the Critic. "You have a wife and family. Don't you have to support them?" Then the Critic went to see Cheesemongers, Bankers, Solicitors, and Upholsterers. Finally, he arrived at the humble home of an Author.
"Ah!" said he, in a tone of contempt; "you write books and plays! Why?
"Ah!" he said with disdain, "you write books and plays! Why?"
"Why, to sell them," answered the Poet, in a faltering voice.
"To sell them," the Poet replied, his voice shaking.
"Sell them!" echoed the Critic, in tones of thunder. "What do you mean by that?"
"Sell them!" shouted the Critic, his voice booming. "What do you mean by that?"
"Why, one must live!"
"Why, we must live!"
"Nonsense! The universe can get on very well without anyone. You might be dispensed with; and, if it comes to that, so might I. Yes, I am not wanted."
"Nonsense! The universe can manage just fine without anyone. You could be gone, and honestly, so could I. Yes, I’m not needed."
"Quite true!" murmured the Author; "indeed, you are not!"
"Absolutely!" the Author whispered. "In fact, you're not!"
"And, after all, what is your work? Mere brain action! Anyone who could wield a pen could do it for you! And you expect to be paid, as if you were a tradesman—a Tailor or an Upholsterer!"
"And, after all, what is your work? Just mental activity! Anyone who can use a pen could do it for you! And you expect to get paid, just like a tradesperson—a Tailor or an Upholsterer!"
"But am I not a man and a brother? Do I not get hungry, like anyone else? Have I not a wife and family?"
"But am I not a man and a brother? Don’t I get hungry like everyone else? Don’t I have a wife and family?"
"That is entirely beside the question," persisted the Critic. "All you have to consider are the claims of Art. Now, Art is not to be served by paid votaries."
"That's completely beside the point," the Critic insisted. "What you need to focus on are the demands of Art. Now, Art shouldn't be supported by paid followers."
"Then I suppose am unworthy," replied the Author, mournfully shaking his head. Well, let us exchange places. You shall be the Author, and I will be the Critic."
"Then I guess I'm unworthy," replied the Author, sadly shaking his head. "Well, let's switch roles. You can be the Author, and I’ll be the Critic."
"Very sorry, my dear friend, but that is an unjust division. By that means you would receive all the money."
"Sorry, my dear friend, but that's an unfair division. With that, you'd end up with all the money."
"And why not? If I am to write, why am I not to be paid?"
"And why not? If I’m going to write, why shouldn’t I get paid?"
"Because it is beneath the dignity of an Author to write with a view to obtaining cash."
"Because it's beneath the dignity of an author to write with the goal of making money."
"Indeed! Well, I am tired of work. You have nothing to do but criticise. Let us swap positions."
"Definitely! I'm really tired of working. All you do is criticize. Let's switch places."
"Are you mad?" shouted the Critic. "Why, I am fond of my work. You don't imagine I am going to give up my salary to you? Why, it would demoralise you. I know the drawback of the system." And the Author applied himself to the study of the New Criticism, and it seemed as great a mystery to him as ever.
"Are you crazy?" yelled the Critic. "I actually care about my job. You don't think I'm going to give up my paycheck for you, do you? That would just ruin you. I know the downsides of the system." And the Author focused on understanding New Criticism, which still seemed just as mysterious to him as before.
LADY GAY'S SELECTIONS.
DEAR MR. PUNCH,
Dear Mr. Punch,
Nothing but a keen sense of duty, coupled with the possession of the smartest thing in waterproof overcoats ever seen, would have tempted me to go racing last week; but the claims of Hurst Park were not to be denied, and my reward was, assisting at perhaps the most successful meeting ever held there—(the backers "went down" to a man, and so did the excellent lunch—so what more could you want?)—and, in addition, being told by at least twenty people, the name of the winner of the Cesarewitch!—they all named different horses, so that one is almost certain to be able to say next week, in that annoying tone of voice people adopt after a successful prophecy—(this does not apply to Just Prophets, who are notoriously modest in success)—"There! I told you it was a certainty for Whiteface!—couldn't lose!—of course you backed it, after what I told you!"—which of course was the very reason why you hadn't backed it; however—as he may really be able to tell you something on a future occasion, you put on a ghastly smile, and say—"Oh, yes—I had a trifle on—but my money was on Blackfoot before you told me—but it got me out!"—and it does "get you out" too, for nothing is more annoying than to be told you "ought to have won a good stake!"
Nothing but a strong sense of duty, along with wearing the coolest waterproof coat ever, would have convinced me to go racing last week; however, I couldn’t resist the allure of Hurst Park, and my reward was helping out at what might have been the most successful event ever held there—(the bettors lost money, and so did the fantastic lunch—so what more could you want?)—and on top of that, I was given the names of the winner of the Cesarewitch by at least twenty different people!—they all named different horses, so you can be sure that next week, someone will say, in that annoying tone people use after making a lucky guess—(this doesn’t apply to Just Prophets, who are famously humble about their successes)—“There! I told you it was a sure thing for Whiteface!—couldn’t lose!—of course you backed it after what I told you!”—which is exactly why you hadn’t backed it; anyway—as they might actually have useful information next time, you just wear a forced smile and say—“Oh, yes—I had a little on it—but my money was on Blackfoot before you mentioned it—but it paid off for me!”—and it does "pay off" too, because nothing is more frustrating than being told you "should have won a decent amount!"
However, with regard to the great race next week, I am fortunately able to set aside all "information received," because I have had a dream!—not one of the ordinary lobster-salad kind of racing-dreams one reads about—(naturally I should not have an inferior kind, having ordered in a stock of the "best selected," one to be taken every night at bed-time)—in which the dreamer only sees one horse—but a most complicated affair, from which it will be an easy task for anyone skilled in dream-lore to extract the winner!
However, when it comes to the big race next week, I'm lucky enough to set aside all the "information received" because I've had a dream!—not one of those typical lobster-salad racing dreams you read about—(of course I wouldn't have a lower quality one, having stocked up on the "best selected," meant to be taken every night before bed)—in which the dreamer only sees one horse—but a really complex situation, from which anyone skilled in dream interpretation could easily figure out the winner!
Well—I had been rather upset during the day, so to quiet my nerves, on reaching home, I took, before going to bed, just a little Golden Drop of Brandy as an Insurance against restlessness—went to sleep, and dreamt that my friends Lady Villikins and Madame d'Albany, with their maid Helen Ware, were attacked on their way from Illsley to Weymouth, by some Dare Devil of a Circassian, whose horse's hoofs rang in a Metallic manner on the road! They were rescued in the pass of Ben Avon by the gallant Burnaby, who after a long Rigmarole, squared their captor, Roy Neil, with a Hanover Jack, and acted as their Pilot to safe quarters at Versailles! There!—that was my dream—and I think it points most conclusively to the winner; and, anyone unable to pick the right one, need only back them all, and there you are!—or at least you may be. If they don't care to do this, they can avail themselves of my verse selection—which I did not dream—and which, therefore, is quite as reliable.
Well—I had been feeling pretty stressed during the day, so to calm my nerves, when I got home, I had just a little Golden Drop of Brandy before bed as a sort of Insurance against restlessness—went to sleep, and dreamt that my friends Lady Villikins and Madame d'Albany, with their maid Helen Ware, were attacked on their way from Illsley to Weymouth by some Dare Devil of a Circassian, whose horse's hoofs sounded metallic on the road! They were saved in the pass of Ben Avon by the brave Burnaby, who after a long Rigmarole, squared off against their captor, Roy Neil, with a Hanover Jack, and guided them to safety at Versailles! There!—that was my dream—and I think it clearly points to the winner; anyone who can’t pick the right one should just back them all, and there you go!—or at least you might be. If they don't want to do this, they can take advantage of my poetry selection—which I did not dream—and which, therefore, is totally as reliable.
Cesarewitch Selection.
Oh, Weymouth is a pleasant place,
Oh, Weymouth is a nice place,
And bathing tents are handy;
Bathing tents are convenient;
When coming out, if white your face,
When coming out, if your face is white,
Why, take a nip of Brandy.
Why not have a sip of Brandy?
P.S.—This advice is not intended for confirmed Topers.
P.S.—This advice isn't meant for heavy drinkers.
"SUR LE TAPIS."—If the new Carpet Knight, Sir BLONDEL MAPLE—which is our troubadourish way of spelling it—be exceptionally successful on the Turf, isn't he just the man to "make his 'pile' and cut it"?
"SUR LE TAPIS."—If the new Carpet Knight, Sir BLONDEL MAPLE—which is our troubadourish way of spelling it—does exceptionally well on the Turf, isn't he just the guy to "make his 'pile' and cut it"?

A CONTENTED MIND.
He. "A—THE FACT IS, I DON'T CARE FOR POPULARITY. I ONLY WISH MY BOOKS TO BE ADMIRED BY THOSE WHOSE ADMIRATION IS REALLY WORTH HAVING!"
He. "The truth is, I don't care about popularity. I just want my books to be appreciated by those whose admiration truly matters!"
She. "AND WHO ARE THEY?"
She. "WHO ARE THEY?"
He. "THOSE WHO ADMIRE MY BOOKS!"
He. "THE PEOPLE WHO LOVE MY BOOKS!"
OUR BOOKING-OFFICE.
Not the least interesting figure in the circle of The Racing Life of Lord George Bentinck, which Messrs. BLACKWOOD produce in a handsome volume, is that of JOHN KENT, who, under the editorship of Mr. FRANK LAWLEY, tells the story. KENT was trainer to Lord GEORGE during the period when, to quote the characteristic Disraelian phrase, his Lordship became "Lord Paramount of the Turf." It is forty-four years since Lord GEORGE was found lying dead on his face in the water-meadows near Welbeck Abbey. Yet KENT remembers all about him—his six feet of height, his long black frock-coat, his velvet waistcoat, his gold chain, and his "costly cream-coloured satin scarf of great length, knotted under his chin, with a gold pin stuck in it." These scarves cost twenty shillings a-piece, and it was one of Lord GEORGE's fancies never to wear one a second time. When he died whole drawersful of them were found, and honest JOHN KENT purchased half-a-dozen from his Lordship's valet, who seems to have kept his eye on them. Did he ever wear them on Sundays? My Baronite who has been reading the book trows not. JOHN KENT knows his place better than that, and when he goes the way that masters and servants tread together, the scarves will doubtless be found tucked away in his chest of drawers. My Baronite is not able to take the same lofty view of the defunct nobleman who played at politics and worked at racing as does his faithful old servitor. Lord GEORGE seems to have been, as the cabman observed of the late JOHN FORSTER, "a harbitery gent," kind to those who faithfully serve him (as one is kind to a useful hound), but relentless to any who offended him or crossed his path. Moreover, whilst, as his biographer devoutly says, he purified the turf, he was not, upon occasion, above fighting blacklegs with their own weapons. The book gives clear glimpses of men and times which, less than half a century dead, will never live again. It pleasantly testifies that, though no man may be a hero to his valet, Lord GEORGE BENTINCK remains one in the eyes of his trainer.
Not the least interesting figure in the circle of The Racing Life of Lord George Bentinck, published by Messrs. BLACKWOOD in a beautiful edition, is JOHN KENT, who shares the story under the editorship of Mr. FRANK LAWLEY. KENT was the trainer for Lord GEORGE during the time when, to quote the distinctly Disraelian phrase, his Lordship became "Lord Paramount of the Turf." It’s been forty-four years since Lord GEORGE was found dead face down in the water-meadows near Welbeck Abbey. Yet KENT remembers everything about him—his six-foot frame, his long black frock coat, his velvet waistcoat, his gold chain, and his "expensive cream-colored satin scarf of great length, knotted under his chin, with a gold pin stuck in it." These scarves cost twenty shillings each, and one of Lord GEORGE’s quirks was to never wear one more than once. When he died, drawers full of them were discovered, and honest JOHN KENT bought half a dozen from his Lordship’s valet, who seems to have kept an eye on them. Did he ever wear them on Sundays? My Baronite, who has been reading the book, thinks not. JOHN KENT knows his place better than that, and when he follows the same path that masters and servants take together, the scarves will probably be found tucked away in his chest of drawers. My Baronite cannot share the same elevated view of the deceased nobleman, who toyed with politics and hustled in racing, as his devoted old servant does. Lord GEORGE seems to have been, as the cabman noted about the late JOHN FORSTER, "a habitual gentleman," kind to those who served him faithfully (like one is kind to a useful dog), but unforgiving to anyone who offended him or got in his way. Moreover, while, as his biographer piously claims, he cleaned up the turf, he was not above using the same tactics as the blacklegs when necessary. The book provides clear insights into people and times that, less than half a century gone, will never return. It charmingly affirms that, although no man may be a hero to his valet, Lord GEORGE BENTINCK remains one in the eyes of his trainer.
The Baron not having read a three-volume novel for some considerable time, may safely affirm, instead of taking his oath, that Mrs. OLIPHANT's The Cuckoo in the Nest is one of the best he has come across for quite two months. It opens well, and if it drops a bit about the middle, there are all sorts of surprises yet in store for the reader, who, the Baron assures him or her, will be rewarded for his, or her, perseverance.
The Baron, not having read a three-volume novel in quite a while, can confidently say, without needing to swear, that Mrs. OLIPHANT's The Cuckoo in the Nest is one of the best he's encountered in the past two months. It starts strong, and even if it loses a bit of momentum in the middle, there are plenty of surprises ahead for the reader, who the Baron promises will be rewarded for their patience.
The Baron begs to recommend the latest volume of the Whitefriars Library, called King Zub, by W.H. POLLOCK. Zub is a wise poodle, and the waggish tale of the dog gives the name to the collection. The Fleeting Show is quite on a par with The Green Lady in a former collection by the same author, and such other stories as Sir Jocelyn's Cap and A Phantom Fish will delight those who, like the Baron, love the mixture as before of the weird and the humorous. In the Phantom Fish there is much local dialect, and The Baron coming across the expression, "a proper bender," is inclined to ask if this is not Zummerzetsheer for, and only applicable to, a running hare? The Baron remembers the expression well, though 'tis years since he heard it, and owns to being uncertain as to whether it is not Devonian or Cornish. That he heard it applied to a hare apparent he is prepared to make oath and say; but he is not in the least prepared to assert that it is not generally applied as an expression of admiration for adroitness in avoiding pursuit. "Be that as it may, give me King Zub and the other stories, a good fire, a glass of spiritual comfort, a cosy chair, and a soothing pipe, and I am prepared to spend a pleasant evening," says
The Baron would like to recommend the latest volume of the Whitefriars Library, titled King Zub, by W.H. POLLOCK. Zub is a clever poodle, and the amusing story of the dog gives the collection its name. The Fleeting Show is just as good as The Green Lady from a previous collection by the same author, and other stories like Sir Jocelyn's Cap and A Phantom Fish will entertain those who, like the Baron, enjoy the mix of the strange and the funny. In The Phantom Fish, there's plenty of local dialect, and when the Baron encounters the phrase "a proper bender," he wonders if this is Somerset slang specifically for a running hare. The Baron remembers the term well, even though it’s been years since he last heard it, and he's not sure if it might actually be from Devon or Cornwall. He can swear he heard it used for a hare, but he’s not at all ready to claim that it isn't commonly used to express admiration for cleverness in evading capture. "Be that as it may, give me King Zub and the other stories, a good fire, a glass of something comforting, a cozy chair, and a relaxing pipe, and I'm all set for a lovely evening," he says.
CONVERSATIONAL HINTS FOR YOUNG SHOOTERS.
(By Mr. Punch's own Grouse in the Gun-room.)
In our last (it is Mr. Punch who speaks), we indicated very briefly the conversational possibilities of the Gun. It must be observed, that this treatise makes no pretensions to be exhaustive. Something must, after all, be left to the ingenuity of the young shooter who desires to talk of sport. All that these hints profess, is to put him in the way of shining, if there is a certain amount of natural brightness to begin upon. The next subject will be—
In our last (it's Mr. Punch speaking), we briefly touched on the conversational possibilities of the Gun. It's important to note that this guide doesn't claim to cover everything. There should be some room left for the creativity of the young shooter who wants to discuss sports. All these tips aim to help him excel, assuming he has a bit of natural talent to start with. The next topic will be—
Cartridges.
To a real talker, this subject offers an infinite variety of opportunities. First, you can begin to fight the battle of the powders, as thus:—
To a real talker, this topic provides endless opportunities. First, you can start to tackle the issue of the powders, like this:—
"What powder are you shooting with this year, CHALMERS?"
"What powder are you using this year, CHALMERS?"
"Schultze."
"Schultze."
"How do you find it kill?"
"How do you find it to kill?"
"Deadly—absolutely-deadly: best lot I've ever had."
"Deadly—totally deadly: the best lot I've ever had."
You need not say anything more now. The discussion will get along beautifully without you, for you will have drawn, (1), the man who very much prefers E.C., which he warrants to kill at a distance no other powder can attain to; (2), the man who uses E.C. or Schultze for his right barrel, and always puts a black-powder cartridge into his left; (3), the detester of innovations, who means to go on using the good old black-powder for both barrels as long as he lives; and (4), the man who is trying an entirely new patent powder, infinitely superior to anything else ever invented, and is willing to give everybody, not only the address of the maker, but half a dozen cartridges to try.
You don't need to say anything more right now. The conversation will go on just fine without you, because you've gathered (1) the guy who really prefers E.C., which he claims is effective at a distance no other powder can match; (2) the guy who uses E.C. or Schultze in his right barrel, and always loads a black-powder cartridge in his left; (3) the guy who hates new things and plans to stick with the good old black powder for both barrels for as long as he can; and (4) the guy who's testing a brand-new patented powder, which he believes is way better than anything else ever made, and he's happy to share not just the manufacturer's address, but also a few cartridges for everyone to try.
You cannot make much of "charges" of powder. Good shots are dogmatic on the point, and ordinary shots don't bother their heads about it, trusting entirely to the man who sells them their cartridges. Still you might throw out, here and there, a few words about "drams" and "grains." Only, above all things, be careful not to mention drams in connection with anything but black powder, nor grains, except with reference to Schultze or E.C. A laboriously-acquired reputation as a scientific shot has been known to be ruined by a want of clearness on this important point.
You can't make much of "charges" of powder. Good shots are pretty strict about this, while average ones don’t think much about it, relying entirely on the person who sells them their cartridges. Still, you might want to toss in a few comments about "drams" and "grains." Just remember, above all, to be careful not to mention drams in connection with anything other than black powder, nor grains, except when talking about Schultze or E.C. A hard-earned reputation as a skilled shot can easily be damaged by confusion on this crucial point.
"Shot." Conversationally much more valuable than powder. "Very few people agree," says a well-known authority; "as to what is the best size of shot to use, and many forget that the charge which will suit one gun, and one description of game, will not do as well for another. Usually, one gun will shoot better one size of shot than will another, and we may safely say, that large bores shoot large shot better than do smaller bores." This last sentence has the beautiful ring of a profound truism. Lay it by for use, and bring it out with emphasis in the midst of such disagreement and forgetfulness as are here alluded to. "If a shooter is a good shot," says the same classic, "he may use No. 6 early in the season, and only for partridges—afterwards, nothing but No. 5. To the average shot, No. 6 throughout the season." This sounds dreadfully invidious. If a good shot cannot kill grouse with No. 6, how on earth is a merely average shot to do the trick? But, in these matters, the conversationalist finds his opportunity. Only they must not be pushed too far. There was once a party of genial, light-hearted friends, who went out shooting. Early in the day, slight differences of opinion made themselves observed with reference to the size of shot. Lunch found them still more or less good-tempered, but each obstinately determined not to give way even by a fraction on the point under discussion.
"Shot." Far more valuable in conversation than gunpowder. "Very few people agree," says a well-known expert, "on what the best size of shot to use is, and many forget that the load that works for one gun and one type of game might not work as well for another. Generally, one gun will perform better with one size of shot than another, and we can confidently say that larger bores shoot larger shot better than smaller bores do." This last statement has the beautiful ring of a profound truth. Keep it in mind for later and emphasize it amid the disagreements and forgetfulness mentioned here. "If a shooter is skilled," says the same classic source, "he may use No. 6 early in the season, and only for partridges—later, he should use only No. 5. For the average shooter, No. 6 throughout the season." This sounds incredibly unfair. If a skilled shooter can't hit grouse with No. 6, how in the world can an average shooter do it? But, in these discussions, the conversationalist finds their moment. Just don't push it too far. There was once a group of friendly, cheerful friends who went out shooting. Early in the day, minor disagreements about the size of shot became apparent. By lunchtime, they were still mostly good-natured, but each stubbornly refused to back down even slightly on the topic at hand.
Afterwards they began again. The very dogs grew ashamed of the noise, and went home. That afternoon there was peace in the world of birds—at least, on that particular shooting—and the next morning saw the shooting-parties of England reduced by one, which had separated in different dog-carts, and various stages of high dudgeon, for the railway station. So, please to be very, very careful. Use the methods of compromise. If you find your friend obstinately pinned to No. 5, when you have declared a preference for No. 6, meet him half-way, or even profess to be converted by his arguments. Or tell him the anecdote about the Irishman, who always shot snipe with No. 4, because, "being such a little bird, bedad, you want a bigger shot to get at the beggar." You can then inform him how you yourself once did dreadful execution among driven grouse in a gale of wind with No. 8 shot, which you had brought out by mistake. You may object that you never, as a matter of fact, did this execution, never having even shot at all with No. 8. Tush! you are puling. If you are going to let a conscientious accuracy stand in your way like this, you had better become dumb when sporting talk is flying about. Of course you must not exaggerate too much. Only bumptious fools do that, and they are called liars for their pains. But a little exaggeration, just a soupçon of romance, does no one any harm, while it relieves the prosaic dullness of the ordinary anecdote. So, swallow your scruples, and
After that, they started again. Even the dogs felt embarrassed by the noise and went home. That afternoon, there was peace in the bird world—at least, for that particular hunt—and the next morning saw England’s hunting parties reduced by one, all leaving in different dog carts, grumbling as they headed for the train station. So, please be very, very careful. Use compromise. If your friend stubbornly insists on No. 5 when you prefer No. 6, meet him halfway or even pretend to be swayed by his arguments. Or share the story about the Irishman who always shot snipe with No. 4 because, "being such a little bird, bedad, you need a bigger shot to hit the little bugger." You can then tell him how you once caused serious damage among driven grouse in a strong wind with No. 8 shot, which you had accidentally brought with you. You might point out that you never actually did that, since you never shot with No. 8 at all. Nonsense! You're just being petty. If you're going to let strict accuracy hold you back like this, you might as well stay silent when sporting conversations happen. Of course, don’t exaggerate too much. Only arrogant fools do that, and they end up being called liars. But a little exaggeration, just a touch of romance, doesn’t hurt anyone, and it brightens up the boring details of a regular story. So, set aside your scruples, and
Join the gay throng
Join the LGBTQ+ crowd
That goes talking along,
That keeps talking along,
For we'll all go romancing to-day.
For we're all going out to have some fun today.
DOE VERSUS ROE(DENT).
["The basements of the Royal Courts of Justice have lately been invaded by swarms of mice. They have become very audacious, and have penetrated into the Courts themselves, whose walls are lined with legal volumes, the leaves of which provide them with a rich feast."—Daily Paper.]
["The basements of the Royal Courts of Justice have recently been flooded with mice. They've become quite daring, even making their way into the Courts themselves, where the walls are filled with legal books, their pages providing a feast for the little intruders."—Daily Paper.]
For students of the law to "eat
For students of the law to "eat"
Their terms" is obviously right,
"Their terms" is obviously right,
But to devour the books themselves
But to consume the books themselves
Is impolite.
Is rude.
Unfortunately Mr. STREET.
Sorry, Mr. STREET.
Who planned the legal edif-īce,
Who planned the legal framework,
Designed a splendid trap for men,
Designed a great trap for men,
But not for mice.
But not for mice.
To view the Courts at midnight now,
To see the Courts at midnight now,
The Courts all in the stilly Strand,
The Courts all in the quiet Strand,
With rodents squeaking out their pleas,
With rodents squeaking their cries for help,
That would be grand!
That would be awesome!
No Ushers 'ush them; they consume
No ushers push them; they take their time.
The stiffest calf you ever saw,
The stiffest calf you ever saw,
Developing, these curious beasts,
Developing, these curious creatures,
A taste for Law.
A passion for law.
They fill—perhaps—the box wherein,
They fill—maybe—the box where,
Twelve bothered men have often sat,
Twelve annoyed men have often sat,
And try, with every proper form,
And try to follow every appropriate method,
Some absent cat.
Missing cat.
A fore-mouse probably they choose,
They probably choose a fore-mouse.
The culprit's advocate deride,
The culprit's lawyer mocks,
And fix upon that cat the guilt
And place the blame on that cat.
Of mouseycide.
Of mouse extermination.
At the Refreshment-bars, perchance,
At the snack bars, maybe,
They eat the cakes, and drink the milk,
They eat the cakes and drink the milk,
And in the Robing-room indulge
And in the Robing Room relax
In "taking silk."
In "becoming a barrister."
The Judges' sacred Bench itself
The Judges' sacred bench itself
From scampering feet is not exempt;
From scampering feet is not exempt;
With calmness they commit, of Court,
With calmness, they commit to the Court,
Frightful "contempt."
Frightening "contempt."
Through Byles on Bills they eat their way;
Through Byles on Bills they navigate their way;
Law "Digests" they at will digest;
Law "Digests" they will digest at will;
Not even Coke on Littleton
Not even Coke on Littleton
Sticks on their chests!
Stickers on their chests!
Wanted—the stodgiest Law-book out!
Wanted—the dullest law book out!
The Judges soon must note these facts,
The Judges soon need to note these facts,
And try a copy of the Ju-
And try a copy of the Ju-
-dicature Acts!
-dictatorship Acts!
WHY THE FRENCH WON THE BOAT-RACE.
(Answers supplied by an Unprejudiced Briton.)
Because the English Eight had had no practice on the Seine.
Because the English Eight hadn't practiced on the Seine.
Because the Londoners had had a fearful passage crossing the Channel.
Because the Londoners had a terrifying journey crossing the Channel.
Because they smashed their boat, and had to have it repaired.
Because they damaged their boat and had to get it fixed.
Because the English steering might have been better.
Because the English steering might have been better.
Because the weather was intolerable, and chiefly affected the Englishmen.
Because the weather was unbearable, and mainly affected the Englishmen.
Because the Londoners had no chance of pulling together.
Because the people in London had no chance of coming together.
Because the French knew the course better than the English.
Because the French knew the route better than the English.
Because the race should have been rowed weeks before.
Because the race should have happened weeks ago.
Because the race should not have been rowed for months.
Because the race shouldn't have been rowed for months.
Because the British naturally liked to see the foreigners win.
Because the British naturally enjoyed seeing foreigners win.
And last (and least), because the French had by far the better crew!
And finally (and least importantly), because the French had the much better crew!
ECCLESIASTICAL INTELLIGENCE.—The style, title, office, and dignity of Archbishop of Canterbury, with all appurtenances thereto belonging, with all emoluments, spiritualities and temporalities appertaining, have been conferred by letters patent, under supreme authority, according to Act V. Henricus Noster in such cases made and provided, on the Rev. Mr. VINCENT, in consequence of the retirement of the Right Rev. ARTHUR STIRLING from the said office; the duties of which he so recently and so effectively performed between the hours of ten-thirty and eleven-fifteen every night for several months at the Theatre Royal Lyceum. We are in a position to add, that his resignation of this high and valuable office, has not taken place in consequence of any question as to the validity or invalidity of orders ("not admitted after 7·30"), nor has this step been rendered imperative by reason of any "irregularity" in "properties" or "appointments."
ECCLESIASTICAL INTELLIGENCE.—The position, title, responsibilities, and status of the Archbishop of Canterbury, along with all associated rights and privileges, including all financial and spiritual aspects, have been granted by official letters, under supreme authority, according to Act V. Henricus Noster as established for such situations, to the Rev. Mr. VINCENT, following the retirement of the Right Rev. ARTHUR STIRLING from this role. He has recently and effectively carried out the duties during the hours of ten-thirty to eleven-fifteen every night for several months at the Theatre Royal Lyceum. We can also confirm that his resignation from this important and esteemed position is not due to any questions regarding the validity or invalidity of orders ("not admitted after 7:30"), nor has it been forced by any "irregularity" in "properties" or "appointments."
☞ NOTICE.—Rejected Communications or Contributions, whether MS., Printed Matter, Drawings, or Pictures of any description, will in no case be returned, not even when accompanied by a Stamped and Addressed Envelope, Cover, or Wrapper. To this rule there will be no exception.
Please provide the text you would like me to modernize. NOTICE.—Rejected communications or contributions, including manuscripts, printed materials, drawings, or any type of pictures, will not be returned under any circumstances, even if they are sent with a stamped and addressed envelope, cover, or wrapper. There will be no exceptions to this rule.
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