This is a modern-English version of Punch, or the London Charivari, Vol. 158, 1920-01-28, originally written by Various.
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and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If
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PUNCH,
OR THE LONDON CHARIVARI.
Vol. 158.
January 28th, 1920.
CHARIVARIA.
Now that petrol is being increased by eightpence a gallon, pedestrians will shortly have to be content to be knocked down by horsed vehicles or hand trucks.
Now that gas prices are going up by eight pence a gallon, pedestrians will soon have to settle for being hit by horse-drawn vehicles or hand trucks.
Moleskins, says a news item, are now worth eighteen-pence each. It is only fair to add that the moles do not admit the accuracy of these figures.
Moleskins, according to a news article, are now valued at eighteen pence each. It's only fair to mention that the moles do not agree with these figures.
Three hundred pounds is the price asked by an advertiser in The Times for a motor-coat lined with Persian lamb. It is still possible to get a waistcoat lined with English lamb (or even good capon) for a mere fraction of that sum.
Three hundred pounds is the price quoted by an advertiser in The Times for a motor coat lined with Persian lamb. You can still find a waistcoat lined with English lamb (or even good capon) for just a tiny fraction of that amount.
Charged with impersonation at a municipal election a defendant told the Carlisle Bench that it was only a frolic. The Bench, entering into the spirit of the thing, told the man to go and have a good frisk in the second division.
Charged with impersonation at a local election, a defendant told the Carlisle Bench that it was just a joke. The Bench, getting into the spirit of it, told the guy to go have a good time in the second division.
"Steamers carrying coal from Dover to Calais," says a news item, "are bringing back champagne." It is characteristic of the period that we should thus exchange the luxuries of life for its necessities.
"Steamers carrying coal from Dover to Calais," says a news item, "are bringing back champagne." It’s typical of this time that we would trade the essentials of life for its luxuries.
Charged at Willesden with travelling without a ticket a Walworth girl was stated to have a mania for travelling on the Tube. The Court missionary thought that a position could probably be obtained for her as scrum-half at a West End bargain-counter.
Charged at Willesden with traveling without a ticket, a girl from Walworth was said to have a passion for riding the Tube. The court missionary believed she might be able to get a job as a scrum-half at a West End discount store.
A correspondent writes to a London paper to say that he heard a lark in full song on Sunday. We can only suppose that the misguided bird did not know it was Sunday.
A writer sent a letter to a London newspaper saying they heard a lark singing its heart out on Sunday. We can only assume that the confused bird didn't realize it was Sunday.
A medical man refers to the case of a woman who has no sense of time, proportion or numbers. There should be a great chance for her as a telephone operator.
A doctor describes a woman who has no sense of time, proportion, or numbers. She would probably do well as a phone operator.
"Owing to its weed-choked condition," says The Evening News, "the Thames is going to ruin." Unless something is done at once it is feared that this famous river may have to be abolished.
"Owing to its weed-choked condition," says The Evening News, "the Thames is going to ruin." Unless something is done immediately, there are concerns that this iconic river might have to be eliminated.
As the supply of foodstuffs will probably be normal in August next, the Food Ministry will cease to exist, its business being finished. This seems a pretty poor excuse for a Government Department to give for closing down.
As the supply of food will likely be back to normal in August, the Food Ministry will be shutting down since its work is done. This sounds like a pretty weak reason for a government department to close.
"Music is not heard by the ear alone," says M. Jacques Dalcroze. Experience proves that when the piano is going next door it is heard by the whole of the neighbour at once.
"Music isn't just heard with the ears," says M. Jacques Dalcroze. Experience shows that when the piano is playing next door, the whole neighbor hears it all at once.
A weekly paper points out that there are at least thirty thousand unemployed persons in this country. This of course is very serious. After all you cannot have strikes unless the people are in work.
A weekly paper highlights that there are at least thirty thousand unemployed individuals in this country. This is, of course, very serious. After all, you can't have strikes unless people are employed.
It appears that the dog (since destroyed) which was found wandering outside No. 10, Downing Street, had never tasted Prime Minister.
It seems that the dog (now destroyed) that was found wandering outside No. 10, Downing Street, had never experienced Prime Minister.
It is reported that when Sir David Burnett put up Drury Lane Theatre for sale under the hammer the other day one gentleman offered to buy it on condition that the vendor papered the principal room and put a bath in.
It’s said that when Sir David Burnett put Drury Lane Theatre up for auction recently, one gentleman offered to buy it on the condition that the seller renovated the main room and added a bathroom.
A Bolton labourer who picked up twenty-five one-pound Treasury notes and restored them to the proper owner was rewarded with a shilling. It is only fair to say that the lady also said, "Thank you."
A Bolton worker who found twenty-five one-pound Treasury notes and returned them to the rightful owner was rewarded with a shilling. It's only fair to mention that the lady also said, "Thank you."
Asked what he would give towards a testimonial fund for a local hero one hardy Scot is reported to have said that he would give three cheers.
Asked what he would contribute to a testimonial fund for a local hero, one tough Scot is said to have replied that he would give three cheers.
We learn on good authority that should a General Election take place during one of Mr. Lloyd George's visits to Paris The Daily Mail will undertake to keep him informed regarding the results by means of its Continental edition.
We hear from reliable sources that if a General Election happens during one of Mr. Lloyd George's trips to Paris, The Daily Mail will make sure to keep him updated on the results through its Continental edition.
A sad story reaches us from South-West London. It appears that a girl of twenty attempted suicide because she realised she was too old to write either a popular novel or a book of poems.
A sad story comes to us from South-West London. It seems that a twenty-year-old girl tried to take her own life because she realized she was too old to write either a popular novel or a collection of poems.
The Guards, it is stated, are to revert to the pre-war scarlet tunic and busby. Pre-war head-pieces, it may be added, are now worn exclusively at the War Office.
The Guards are set to go back to the pre-war scarlet tunic and busby. It's worth mentioning that pre-war headgear is now only worn at the War Office.
At the Independent Labour Party's Victory dance it was stipulated that "evening dress and shirt sleeves are barred." This challenge to the upper classes (with whom shirt-sleeves are of course de rigueur) is not without its significance.
At the Independent Labour Party's Victory dance, it was stated that "evening dress and shirt sleeves are not allowed." This challenge to the upper classes (who, of course, find shirt sleeves de rigueur) holds its own significance.
As much alarm was caused by the announcement in these columns last week that the collapse of a wooden house was caused by a sparrow stepping on it, we feel we ought to mention that, owing to a sudden gust of wind, the bird in question leaned to one side, and it was simply this movement which caused the house to overbalance.
As much shock was created by the announcement in these columns last week that the collapse of a wooden house was caused by a sparrow stepping on it, we feel we should clarify that, due to a sudden gust of wind, the bird in question leaned to one side, and it was just this movement that caused the house to tip over.

THE WAVE OF CRIME.
Gent. "What made you put your hand into my pocket?"
Gent. "What made you reach into my pocket?"
Doubtful Character. "Just absent-mindedness. I once 'ad a pair of pants exactly like those you're wearing."
Doubtful Character. "Just being forgetful. I once had a pair of pants just like the ones you're wearing."
"The eternal combustion engine has become recognised the world over as a factor in modern civilisation."—Provincial Paper.
"The eternal combustion engine is now acknowledged globally as a crucial part of modern society."—Provincial Paper.
But surely it is many years since Lord Westbury in the Gorham case was said to have "dismissed h—— with costs?"
But surely it’s been many years since Lord Westbury in the Gorham case was said to have "dismissed h—— with costs?"
THE SWEET INFLUENCES OF TRADE.
[The revival, in certain quarters, of commercial relations with Germany has already begun to blunt the memory of the War. And now the proposal to open up trade with the Co-operative Societies in Russia, to the obvious benefit of the Bolshevists, who practically control the whole country, looks like an attempt to bring about indirectly a peace which we cannot in decency negotiate through the ordinary channels of diplomacy.]
[The revival of trade relations with Germany in certain areas has already begun to soften the memory of the War. Now, the idea of opening up trade with the Co-operative Societies in Russia, which clearly benefits the Bolsheviks who essentially control the whole country, appears to be an effort to indirectly reach a peace that we cannot negotiate through the typical diplomatic routes.]
They are coming, the carpet-baggers, their voices are heard in the land,
They are coming, the carpetbaggers, their voices can be heard across the land,
Guttural Teuton organs, but very polite and bland;
Guttural Teuton organs, but very polite and bland;
And our arms are stretched for their welcome; we've buried the past like a dud;
And our arms are open for their welcome; we've put the past behind us like a failed attempt;
For blood may be thicker than water, but Trade is thicker than blood.
For blood might be thicker than water, but business is thicker than family.
The Winter of war is over, and lo! with the dawn of Spring
The winter of war is over, and look! With the arrival of spring
They come, and we greet them coming, like swallows that homeward swing,
They arrive, and we welcome them as they come, like swallows that swoop back home,
Fair as the violet's waking, swift as the snows in flood,
Fair as the violet waking, quick as the melting snow,
For blood may be thicker than water, but Trade is thicker than blood.
For blood might be thicker than water, but business ties are stronger than family ties.
Likewise with Soviet Russia—we've done with the need to fight;
Likewise with Soviet Russia—we’ve moved past the need to fight;
There are gentler methods (and cheaper) of putting the whole thing right;
There are easier (and cheaper) ways to fix everything;
The palms of the dealers are plying the soap's invisible sud,
The hands of the dealers are working with the soap's invisible lather,
For blood may be thicker than water, but Trade is thicker than blood.
For blood might be thicker than water, but business is thicker than blood.
Of Peace there can be no parley with Lenin's régime, as such,
Of Peace, there can be no negotiation with Lenin's régime, as such,
But Business can easily tackle what Honour declines to touch,
But business can easily handle what honor avoids.
Making the sewage to blossom, sampling the septic mud,
Making the sewage thrive, sampling the septic sludge,
For blood may be thicker than water, but Trade is thicker than blood.
For blood might be thicker than water, but business connections are stronger than family ties.
Thus may our merchant princes modestly play their part,
Thus, our wealthy merchants can humbly play their role,
Speeding the silent process of soldering heart to heart,
Speeding up the quiet process of connecting heart to heart,
Just as the forces of Nature silently swell the bud,
Just like Nature silently encourages the bud to grow,
For blood may be thicker than water, but Trade is thicker than blood.
For blood might be thicker than water, but business is thicker than blood.
So in the hands of the Bolshie our hands shall at last be laid;
So in the hands of the Bolsheviks, our hands will finally be placed;
Deep unto deep is calling to lift the long blockade;
Deep calls to deep to lift the long blockade;
"No truck," we had sworn, "with murder;" but God will forget that oath,
"No truck," we had sworn, "with murder;" but God will overlook that oath,
For blood is thicker than water, but Trade is thicker than both.
For blood is thicker than water, but business is thicker than both.
O.S.
O.S.
WITH THE AUXILIARY PATROL.
An Honourable Record.
An Honorable Record.
Many years ago, in the reign of good Queen Victoria, a little ship sailed out of Grimsby Docks in all the proud bravery of new paint and snow-white decks, and passed the Newsand bound for the Dogger Bank. They had christened her the King George, and, though her feminine susceptibilities were perhaps a trifle piqued at this affront to her sex, it was a right royal name, and her brand-new boilers swelled with loyal fervour. She was a steam trawler—at that time one of the smartest steam trawlers afloat, and she knew it; she held her headlights very high indeed, you may be sure.
Many years ago, during the reign of good Queen Victoria, a small ship left Grimsby Docks full of pride with its fresh paint and bright white decks, heading towards the Dogger Bank. They named her the King George, and even though this name might have offended her feminine sensitivities a bit, it was a very royal title, and her brand-new boilers were filled with loyal enthusiasm. She was a steam trawler—at that time one of the smartest steam trawlers out there, and she knew it; she held her headlights very high, that's for sure.
Time passed, and the winds and waters of the North Sea dealt all too rudely with the fair freshness of her exterior; she grew worn and weather-stained, and it was apparent even to the casual eye of a landsman that she had left her girlhood behind her out on the Nor'-East Rough. Some of the younger trawlers would jeeringly refer to her behind her back as "Auntie," and affected to regard her as an antediluvian old dowager, which of course was mainly due to jealousy. But she still pegged away at her work, bringing in from the Dogger week by week her cargoes of fish, regardless alike of the ravages of time and the jibes of her upstart rivals. As long as her owners were satisfied she was happy, for she cherished first and last a sense of duty, as all good ships do.
Time went by, and the harsh winds and waves of the North Sea took a toll on her once fresh appearance; she became worn and weathered, and even a casual observer on land could see that she had left her youth behind out in the Nor'-East Rough. Some of the younger trawlers would mockingly call her "Auntie" when she wasn't around and pretended to see her as an outdated old lady, which was mostly just out of jealousy. But she continued to do her job, bringing in her catches of fish from the Dogger week after week, ignoring both the effects of time and the taunts of her arrogant competitors. As long as her owners were content, she was happy, as she held on to a strong sense of duty, like all good ships do.
And then suddenly came the War, infesting the seas with unaccustomed and nerve-racking dangers. I must apologise for mentioning this, as everybody knows that we ought now to forget about the War as quickly as possible and get on with more important matters, but at the time it had a certain effect upon us all, not excluding the King George. Scorning the menaces that lurked about her path she carried on the pursuit of the cod and haddock in her old undemonstrative fashion, for she was a British ship from stem to stern and conscious of the tradition behind her.
And then suddenly the War broke out, filling the seas with new and nerve-wracking dangers. I apologize for bringing this up, as everyone knows we should quickly move on from the War and focus on more important things, but at the time it affected us all, including the King George. Ignoring the threats around her, she continued to pursue cod and haddock in her usual understated way, for she was a British ship through and through and proud of the tradition behind her.
Then one day they hauled her up in dock, gave her a six-pounder astern, fitted her with wireless and sent her out to take care of her unarmed sisters on the fishing-grounds. She flew the White Ensign.
Then one day they brought her into port, equipped her with a six-pounder at the back, set her up with wireless communication, and sent her out to protect her defenseless counterparts in the fishing areas. She displayed the White Ensign.
These were the proudest days of her life: she was helping to keep the seas. It is true the big ships of the Fleet might laugh at her in a good-natured way and pass uncomplimentary remarks about her personal appearance, but they had to acknowledge her seamanship and her pluck. She could buffet her way through weather that no destroyer dare face, and mines had no terrors for her, for even if she were to bump a tin-fish it only meant one old trawler the less, and the Navy could afford it.
These were the proudest days of her life: she was helping to keep the seas safe. It’s true that the big ships of the Fleet might laugh at her playfully and make unflattering comments about how she looked, but they had to recognize her skills and bravery. She could push through weather that no destroyer would dare confront, and mines didn’t scare her; even if she hit a mine, it just meant one less old trawler, and the Navy could handle that.
It was during these days, too, that she became known, though not by name, to readers of Punch, for her adventures and those of her crew were often chronicled in his tales of the "Auxiliary Patrol." And when she had seen the War through she said Good-bye to his pages and made ready to return again to the ways of peace. She was quite satisfied; she never thought of giving up her job, though she was now a very old ship, and it would have been no shame to her. She just took a fresh coat of paint and steamed away to the Dogger Bank once more.
It was during these days that she became known, though not by name, to readers of Punch, as her adventures and those of her crew were often featured in the stories of the "Auxiliary Patrol." And after she had seen the War through, she said goodbye to its pages and prepared to return to peaceful times. She was quite content; she never considered quitting her job, even though she was now a very old ship, and it wouldn’t have been a disgrace. She simply got a fresh coat of paint and set off to the Dogger Bank once more.
The other day a small paragraph appeared in some of the newspapers that were not too busy discussing the possibilities of another railway strike: "The Grimsby trawler King George," it said, "is reported long over-due from the fishing-grounds, and the owners say that there is no hope of her return." No one would notice this, because the first round of the English Cup was to be played that week, and besides it was not as though it were a battleship or a big liner that had gone down. It was just the old King George.
The other day, a small paragraph showed up in some of the newspapers that weren’t too caught up in discussing the potential for another railway strike: "The Grimsby trawler King George," it said, "is reported long overdue from the fishing grounds, and the owners say there’s no hope of her return." No one would pay attention to this, since the first round of the English Cup was set to be played that week, and besides, it wasn’t like a battleship or a big liner had gone down. It was just the old King George.
And that, I suppose, is the end of her, except that she may continue to be remembered by one or two who served aboard her in the days of the Auxiliary Patrol—remembered as a gallant little ship that served her country in its hour of need, and did not hold that hour the limit of her service. Well played, King George!
And that, I guess, is the end of her story, except that she might still be remembered by a few who were on board during the Auxiliary Patrol—remembered as a brave little ship that served her country when it needed help and didn’t see that time as the end of her duty. Well done, King George!
"THE DRINKWATER TRAGEDY."—Heading in "New York Times."
"THE DRINKWATER TRAGEDY."—Headline in "New York Times."
This comes from dry America, but it is not the wail of a "Wet"; merely the heading of an article on Abraham Lincoln.
This comes from dry America, but it's not the cry of a "Wet"; just the title of an article on Abraham Lincoln.
"Wales has its Ulster just as Ireland had, and it was a question whether Wales was going to be conquered by the industrial area of Cardiff and the district, or whether the industrial area was going to conquer Wales."—Western Mail.
"Wales has its own Ulster just like Ireland did, and there was a question of whether Wales would be dominated by the industrial area of Cardiff and its surroundings, or if that industrial area would dominate Wales."—Western Mail.
We shall put our money on "the industrial area."
We’ll invest our money in "the industrial area."

A POPULAR REAPPEARANCE.
Mr. Asquith (the Veteran Scots Impersonator) sings:—
Mr. Asquith (The Veteran Scots Impersonator) sings:—
"I LOVE A LASSIE,
"I love a girl,
ANITHER LOWLAN' LASSIE."
"Another lowland girl."

Officer. "Well, Peters, how did you get on?"
Officer. "So, Peters, how did it turn out?"
Steward (who has asked for special leave). "Nothin' doin', Sir. The skipper 'e sez to me, 'e sez, 'It'll cost the country four-an'-sevenpence to send you 'ome, an' as the Navy 'as got to economise you'll do to begin on,' 'e sez."
Steward (who has requested special leave). "No way, Sir. The captain told me, "It'll cost the country four shillings and seven pence to send you home, and since the Navy needs to save money, you're the first to go," he said."
A LIMPET OF WAR.
(With the British Army in France.)
(With the British Army in France.)
The day on which that fine old crusted warrior, Major Slingswivel, quits the hospitable confines of Nullepart Camp will be the signal that the British Army in France has completed its work, even to the labelling and despatching of the last bundle of assorted howitzers. A British army in France without Major Slingswivel would be unthinkable. It is confidently asserted that Nullepart Camp was built round him when he landed in '14, and that he has only emerged from it on annual visits to his tailor for the purpose of affixing an additional chevron and having another inch let into his tunic. Latest reports state that he is still going strong, and indenting for ice-cream freezers in anticipation of a hot summer.
The day that the legendary old warrior, Major Slingswivel, leaves the welcoming grounds of Nullepart Camp will mark the end of the British Army's mission in France, right down to labeling and sending off the last shipment of assorted howitzers. A British army in France without Major Slingswivel is unimaginable. It's widely believed that Nullepart Camp was established around him when he arrived in '14, and that he has only left it for his annual visits to the tailor to add another chevron and get an extra inch added to his tunic. Latest reports say that he’s still going strong and ordering ice cream freezers in preparation for a hot summer.
But for an unforgivable error of tact I might have stood by the old brontosaurus to the bitter end. One evening he and I were listening to a concert given by the "Fluffy Furbelows" in the camp Nissen Coliseum, and a Miss Gwennie Gwillis was expressing an ardent desire to get back to Alabama and dear ole Mammy and Dad, not to speak of the rooster and the lil melon-patch way down by the swamp. The prospect as painted by her was so alluring that by the end of the first verse all the troops were infected with trans-Atlantic yearnings and voiced them in a manner that would have made an emigration agent rub his hands and start chartering transport right away. She had an enticing twinkle which lighted on the Major a few times, so that I wasn't surprised when the second chorus found him roaring out that he too was going to take a long lease of a shack down Alabama way.
But for a major lapse in judgment, I probably would have stayed by the old brontosaurus until the very end. One evening, he and I were listening to a concert by the "Fluffy Furbelows" at the camp Nissen Coliseum, and a Miss Gwennie Gwillis was expressing her strong desire to return to Alabama and her dear old Mom and Dad, not to mention the rooster and the little melon patch down by the swamp. The way she described it was so tempting that by the end of the first verse, all the troops were filled with trans-Atlantic longing and expressed it in a way that would have made an emigration agent rub his hands and start arranging transport immediately. She had a charming sparkle that landed on the Major a few times, so I wasn’t surprised when the second chorus found him enthusiastically declaring that he too was going to rent a place down in Alabama.
"Gad—she's immense! We must invite her to tea to-morrow," he said to me in a whisper that shook the Nissen hut to its foundations. Slingswivel was no vocal lightweight. Those people in Thanet and Kent who used to write to the papers saying they could hear the guns in the Vimy Ridge and Messines offensives were wrong. What they really heard was Major Slingswivel at Nullepart expostulating with his partner for declaring clubs on a no-trump hand.
"Gosh—she's huge! We have to invite her for tea tomorrow," he said to me in a whisper that vibrated the Nissen hut to its core. Slingswivel was definitely not soft-spoken. Those people in Thanet and Kent who
"Very well," I answered sulkily. It wasn't the first time the Major had been captivated by ladies with Southern syncopated tastes, and I knew I should be expected to complete the party with the other lady member of the troupe, Miss Dulcie Demiton, and listen to the old boy making very small talk in a very large voice. I could see myself balancing a teacup and trying to get in a word here and there through the barrage.
"Fine," I replied sulkily. It wasn't the first time the Major had been smitten by women with Southern rhythms, and I knew I was expected to join the party with the other woman in the group, Miss Dulcie Demiton, while listening to the old guy making small talk in a loud voice. I could picture myself balancing a teacup and trying to squeeze in a word here and there through the noise.
Still, there was no getting out of it, and next afternoon found our quartette nibbling petits gâteaux in the only pâtisserie in the village. The Major was in fine fettle as the war-worn old veteran, and Gwennie and Dulcie spurred him on with open and undisguised admiration.
Still, there was no escaping it, and the next afternoon, our group found ourselves munching on petits gâteaux in the only pâtisserie in the village. The Major was in great spirits as the battle-hardened old veteran, and Gwennie and Dulcie encouraged him with obvious and unabashed admiration.
"Now I'm in France," gushed Gwennie, "I want to see everything—where the trenches were and where you fought your terrible battles."
"Now I'm in France," exclaimed Gwennie, "I want to see everything—where the trenches were and where you fought your intense battles."
"Delighted to show you," said Slingswivel, bursting with pride at being taken for a combatant officer. "How about to-morrow?"
"Happy to show you," said Slingswivel, filled with pride at being mistaken for a combat officer. "How about tomorrow?"
"Just lovely," cooed Gwennie. "We're showing at Petiteville in the [pg 65] evening, but we shan't be starting before lunch."
"Just lovely," Gwennie said sweetly. "We're showing at Petiteville in the [pg 65] evening, but we won't be starting until after lunch."
"That gives us all morning," said the Major enthusiastically. "Miss Gwennie, Miss Dulcie, Spenlow, we will parade to-morrow at 9.30."
"That gives us all morning," the Major said excitedly. "Miss Gwennie, Miss Dulcie, Spenlow, we’ll parade tomorrow at 9:30."
I couldn't understand it. Naturally Gwennie, with her mind constantly set on Alabama, couldn't be expected to be up in war geography, but the Major knew jolly well that all the battles within reasonable distance of Nullepart had been fought out with chits and indents. I put it to him that it wasn't likely country for war thrills.
I couldn't wrap my head around it. Of course, Gwennie, always focused on Alabama, wasn't really up to speed on war geography, but the Major definitely knew that all the battles close to Nullepart had been settled with paperwork. I pointed out to him that it didn't seem like a place for any war excitement.
"Leave it to me," he said confidently.
"Leave it to me," he said with confidence.
So I left it, and when we paraded next morning where do you think the wily old bird led us? Why, to the old training ground on the edge of the camp, where the R.E.'s used to lay out beautifully revetted geometrical trenches as models of what we were supposed to imitate in the front line between hates. Having been neglected since the Armistice they had caved in a bit and sagged round the corners till they were a very passable imitation of the crump-battered thing.
So I just left it, and when we marched out the next morning, guess where that clever old guy took us? To the old training ground at the edge of the camp, where the Royal Engineers used to create perfectly shaped trenches as examples of what we were supposed to replicate in the front line during battles. Since the Armistice, they had been left alone for a while and had fallen in a bit and sagged at the corners until they looked pretty similar to the battered mess they were meant to represent.
Old Slingswivel so arranged the itinerary that the girls didn't perceive that the sector was bounded on one side by Père Popeau's turnip field and on the other by a duck-pond, and he showed a tactical knowledge of the value of cover in getting us into a trench out of view of certain stakes and pickets that were obviously used by Mère Popeau as a drying-ground. To divert attention he gave a vivid demonstration of bombing along a C.T. with clods of earth, with myself as bayonet-man nipping round traverses and mortally puncturing sand-bags with a walking-stick. It must have been a pretty nervy business for the Major, for any minute we might have come across a notice-board about the hours of working parties knocking off for dinner that would have given the whole show away. But he displayed fine qualities of leadership and presence of mind at critical moments, notably when Gwennie showed a disposition to explore a particular dug-out.
Old Slingswivel planned the itinerary so well that the girls didn't notice that one side was bordered by Père Popeau's turnip field and the other by a duck pond. He tactically understood the importance of cover and got us into a trench where we couldn't be seen from certain stakes and pickets that Mère Popeau clearly used for drying things. To divert attention, he put on an entertaining show of bombing along a communication trench with clods of dirt, while I played the role of the bayonet man, darting around corners and stabbing sandbags with a walking stick. It must have been pretty nerve-wracking for the Major because we could have easily stumbled upon a notice board about when the work parties were finishing for dinner, which would have revealed everything. But he demonstrated great leadership and quick thinking during critical moments, especially when Gwennie seemed eager to check out a specific dugout.
"I shouldn't advise you to go in there, Miss Gwennie," he said gravely.
"I really can't recommend that you go in there, Miss Gwennie," he said seriously.
"Why?" asked Gwennie apprehensively.
"Why?" asked Gwennie nervously.
"Not a pleasant sight for a lady," said the Major gruffly. "It upset me one day when I looked in."
"Not a nice sight for a woman," the Major said gruffly. "It bothered me one day when I looked in."
This was probable enough, for the Mess steward used it as a store for empty bottles.
This seemed likely enough since the mess steward used it as a storage area for empty bottles.
Gwennie shuddered and passed on.
Gwennie shuddered and moved on.
The Major mopped his forehead with relief and set the ladies souveniring among old water-tin stoppers, which he alleged to be the plugs of hand-grenades.
The Major wiped his forehead in relief and let the ladies explore among old water-tin stoppers, which he claimed were the plugs of hand grenades.
Taking it all round, it was a successful morning's show, which did credit to the producer, and it was only spoiled when, so to speak, the curtain rolled down amidst thunders of applause.
Overall, it was a successful morning show that honored the producer, and it was only marred when, so to speak, the curtain fell to loud applause.
"We don't realize what we owe to gallant soldiers like you," said Gwennie admiringly.
"We don't realize what we owe to brave soldiers like you," said Gwennie admiringly.
The Major waved a fat deprecating hand.
The Major waved a dismissive hand.
"And Captain Spenlow has just been telling me," continued Gwennie, "that you occupied this sector all through the War and that you hung on right to the very last, notwithstanding incredible efforts to dislodge you."
"And Captain Spenlow just told me," Gwennie continued, "that you held this area the entire time during the War and that you stayed until the very end, despite unbelievable attempts to force you out."
At this crude statement of the naked facts Slingswivel's face went a deeper shade of purple, and you can appreciate why I put in an urgent application for immediate release, on compassionate grounds, and why the Major gladly endorsed it.
At this blunt statement of the bare facts, Slingswivel's face turned an even deeper shade of purple, and you can see why I made an urgent request for immediate release on compassionate grounds, and why the Major happily supported it.

The New Minister. "Boy, do ye no ken it's the Sawbath?"
The New Minister. "Hey, don't you know it's Sunday??"
Boy. "Oh ay, fine. But this is work o' necessity."
Boy. "Oh yeah, that's fine. But this is work out of necessity.."
Minister. "An' hoo is that?"
Minister. "And who is that?"
Boy. "The meenister's comin' tae dinner an' we've naethin' tae gie 'im."
Boy. "The minister is coming to dinner, and we have nothing to serve him."
"WAR CRIMINALS.
"WAR CRIMINALS.
THE THREE PREMIERS MEET ALONE TO-DAY."—Evening Paper.
THE THREE LEADERS MEET PRIVATELY TODAY."—Evening Paper.
We suspect Mr. Keynes' hand in these headlines.
We suspect that Mr. Keynes's involvement is behind these headlines.
"Information wanted as to whereabouts of Mrs. J.O. Plonk (Blonk) wife of J.O. Plonk (Clonk)."—Advt. in Chinese Paper.
"Seeking information about the location of Mrs. J.O. Plonk (Blonk), the wife of J.O. Plonk (Clonk)."—Advt. in Chinese Paper.
This should go very well with a banjo accompaniment.
This should go really well with a banjo backup.
THE TRAGEDY OF AN AUTHOR'S WIFE.
"I won't stand it any longer," said Janet intensely, meeting me in the hall. "Take off your umbrella and listen to me."
"I can't take it anymore," said Janet fiercely, running into me in the hall. "Put down your umbrella and hear me out."
"It's off," I replied faintly, perceiving that something was all my fault. "Can't you hear it singing 'Niagara' in the porch?"
"It's off," I said softly, realizing that it was all my fault. "Can't you hear it singing 'Niagara' on the porch?"
I dropped the shopping on the floor and sat down to watch Janet walking up and down the room.
I dropped the shopping on the floor and sat down to watch Janet pacing back and forth in the room.
"I want," she continued in the tone of one who has had nobody to be indignant with all day, "a divorce."
"I want," she continued with the tone of someone who hasn't had anyone to be mad at all day, "a divorce."
"Who for?" I inquired. "Really, darling, we can't afford any more presents this—"
"Who is it for?" I asked. "Honestly, babe, we can't afford any more gifts this—"
"Me," she interrupted, frowning.
"Me," she cut in, frowning.
"Couldn't you have it for your birthday?" I suggested. "I may have some more money by then. Besides, I gave you—"
"Couldn’t you get it for your birthday?" I suggested. "I might have a little more money by then. Plus, I gave you—"
"No, I could not," replied Janet in a voice like the end of the world; "I want it now. I will not wear myself out trying to live up to an impossible ideal, and lose all my friends because they can't help comparing me with it. And it isn't even as if it were my own ideal. I never know what I've got to be like from one week to another. And what do I get for my struggles? Not even recognition, much less gratitude."
"No, I can't," Janet replied, her voice filled with despair. "I want it now. I won't exhaust myself trying to live up to an impossible standard and lose all my friends because they can't help but compare me to it. And it's not even my own ideal. I never know what I’m supposed to be like from one week to the next. And what do I get for my efforts? Not even acknowledgment, let alone appreciation."
"Janet," I said kindly, "I don't know what you're talking about. Who are these people who keep idealising you? I will not have you annoyed in this way. Send them to me and I'll put a little solid realism into their heads. I'll tell them what you really are, and that'll settle their unfortunate illusions. Dear old girl, don't worry so.... I'll soon put it right."
"Janet," I said gently, "I have no idea what you're talking about. Who are these people who keep putting you on a pedestal? I won't let you be bothered like this. Send them to me and I'll give them a dose of reality. I'll tell them who you really are, and that will clear up their misguided beliefs. Don't worry, dear. I'll fix this soon."
Janet looked at me piercingly.
Janet stared at me intensely.
"It's this," she said; "I keep having people to call on me."
"It's this," she said, "I keep having people calling on me."
"I know," I answered, shuddering; "but I can't help it, can I? You shouldn't be so attractive."
"I know," I replied, shivering; "but I can't help it, can I? You just shouldn't be so appealing."
"Dear Willyum," she replied, "that's just the point; you can help it."
"Dear Willyum," she replied, "that's exactly the point; you can help it."
"Stop calling me names and I'll see what can be done."
"Stop insulting me and I'll see what I can do."
"But it's part of my 'whimsical wit' to call you Willyum," she said grimly. "I understand that I am like that. People realise this when they read your articles, and immediately call to see if I'm true. I've read through nearly all your stories to-day, in between the visitors, and—and—"
"But it's part of my 'quirky humor' to call you Willyum," she said grimly. "I know I can be like that. People figure it out when they read your articles and then call to see if I’m for real. I've read through almost all your stories today, in between the visitors, and—and—"
I gripped her hand in silence.
I quietly held her hand.
"I'm losing all my friends," she mourned, touched by my sympathy, "even those who used to like me long ago. Girls who knew me at school say to themselves, 'Fancy poor old Janet being like that all the time, and we never knew!' and they rush down to see me again. They sit hopefully round me as long as they can bear it; then, after the breakdown, they go away indignant and never think kindly of me again."
"I'm losing all my friends," she said sadly, moved by my sympathy. "Even those who liked me a long time ago. Girls from school say to themselves, 'Can you believe poor old Janet is like this all the time, and we never knew?' and they rush over to see me again. They sit around me, hoping to help for as long as they can stand it; then, after the breakdown, they leave upset and never think kindly of me again."
She gloomed.
She was gloomy.
"And all the cousins and nice young men who used to think I was quite jolly have suddenly noticed how much jollier I might be if only I could say the things they say you say I say...."
"And all the cousins and nice young men who used to think I was pretty fun have suddenly realized how much more fun I could be if only I could say the things they claim you say I say...."
"Hush, hush," I whispered; "have an aspirin."
"Hush, hush," I whispered. "Here, take an aspirin."
"But it's quite true," she cried hopelessly. "And She's just what I ought to be. She says everything just in the right place. When I compare myself with Her, I know I'm not a bit the kind of person you admire, and—and it's no good pretending any longer. I'm not jealous, only—sort of misrubble."
"But it's really true," she exclaimed in despair. "And she's exactly who I should be. She says everything perfectly. When I compare myself to her, I realize I'm not at all the kind of person you admire, and—it's pointless to pretend anymore. I'm not jealous, just—kind of messed up."
She rose with a pale smile and, hushing my protestations, arrived at her conclusion.
She stood up with a faint smile and, silencing my objections, reached her conclusion.
"We must part," she said, throwing her cigarette into the fire and walking to the window; "I can't help it. I suppose I'm not good enough for you. You must be free to marry Her when we find Her. I too," she sighed, "must be free...."
"We have to say goodbye," she said, tossing her cigarette into the fire and walking to the window; "I can't help it. I guess I'm not good enough for you. You should be free to marry her when we find her. I also," she sighed, "have to be free...."
"I now call upon myself to speak," I remarked, rising hurriedly. "Janet," I continued, arriving at her side, "keep perfectly still and do not attempt to breathe, because you will not be able to, and look as pleasant as you can while I tell you truthfully what I think you are really like."
"I’m going to speak now," I said quickly as I stood up. "Janet," I went on, moving closer to her, "just stay completely still and don’t try to breathe because you won’t be able to. Try to look as pleasant as possible while I honestly share what I really think you’re like."
(I have been compelled to delete this passage on the ground that even if people believed me it would only attract more callers.)
(I had to remove this section because even if people believed me, it would just bring in more callers.)
"All right," she continued, unruffling her hair; "but if I do you must promise to leave off writing stories about me. Will you?"
"Okay," she said, smoothing her hair; "but if I do, you have to promise to stop writing stories about me. Will you?"
"But, darling," I objected, "consider the bread-and-jam."
"But, darling," I said, "think about the bread and jam."
She was silent.
She stayed quiet.
"Well, then," she said at last, "you must only write careful ones that I can live up to."
"Well, then," she finally said, "you have to write ones that I can actually live up to."
"I'll try," I agreed remorsefully; "I'll go and do one now—all about this. And you can censor it." I left the room jauntily.
"I'll try," I said with a hint of regret; "I'll go write one now—all about this. And you can edit it." I left the room cheerfully.
Janet's voice, suddenly repentant, followed me.
Janet's voice, now filled with regret, trailed behind me.
"No," she called, "that won't do either. Because if it's a true one you won't sell it."
"No," she said, "that won't work either. Because if it's genuine, you won't sell it."
"But if it isn't," I called back, "and I do, we can put the money in the Divorce Fund."
"But if it isn't," I shouted back, "and I do, we can put the money in the Divorce Fund."
THE SORROWS OF A SUPER-PROFITEER.
[Bradford wool-spinners are stated to be unable to escape from the deluge of wealth that pours upon them or avoid making profits of three thousand two hundred per cent.]
[Bradford wool-spinners are said to be overwhelmed by the influx of wealth they receive and can’t avoid making profits of three thousand two hundred percent.]
And so you thought we simply steered
And so you thought we just steered
Great motor-cars to champagne dinners
Luxury cars to champagne dinners
And bought tiaras and were cheered
And bought tiaras and were celebrated
By hopes of breeding Epsom winners;
By hopes of breeding Epsom winners;
Eh, lad, you little knew the weird
Eh, kid, you had no idea how strange
Dreed by the Yorkshire spinners.
Dreaded by the Yorkshire spinners.
How hollow are those marble halls,
How empty are those marble halls,
The place I built and deemed a show-thing,
The place I created and considered a showcase,
Its terraces, its waterfalls—
Its terraces, its waterfalls—
Once more I hear that sound of loathing,
Once again, I hear that sound of disgust,
The bell rings and a stranger calls
The bell rings and someone unfamiliar calls.
To speak of underclothing.
To talk about underwear.
They've bashed my offices to wrecks,
They've smashed my offices to pieces,
They've broke their way beyond the warders,
They've gotten past the guards,
And now my country seat they vex,
And now they annoy my country home,
They trample my herbaceous borders;
They trample my garden beds;
They chase me up and down with cheques,
They chase me around with checks,
They flummox me with orders.
They confuse me with orders.
They bolt me to the billiard-room,
They lock me in the billiard room,
Where chaps are playing five-bob snooker;
Where guys are playing five-pound snooker;
They see me dodging from the doom,
They see me dodging disaster,
They heed no threats and no rebuker;
They overlook threats and criticisms;
"We've got thee now," they say, "ba goom!"
"We've got you now," they say, "ba goom!"
And pelt me with their lucre.
And throw their money at me.
Vainly I put the prices up
I raised the prices in vain.
To stem that flowing tide of riches;
To stop that rush of wealth;
The horror haunts me as I sup;
The horror haunts me as I eat;
The unknown guest arrives and pitches
The unknown guest shows up and makes a proposal.
His ultimatum in my cup:—
His ultimatum in my drink:—
"The people must have breeches."
"People need pants."
I shall not see the skylark soar
I won't see the skylark fly high.
Nor hear the cuckoo nor the linnet,
Nor hear the cuckoo or the linnet,
When Springtime comes, above the roar
When spring arrives, above the noise
Of folk a-hollering each minute
Of people yelling every minute
For yarn at thirty-two times more
For yarn that is thirty-two times more
Than what I spent to spin it.
Than what I spent to create it.
Eh me, I cannot help but pine
Eh me, I can’t help but yearn
For days departed now and olden,
For days gone by and ancient,
When I could drink of common wine,
When I could drink regular wine,
To powdered flunkeys unbeholden;
To powdered lackeys unaccountable;
Do peas taste better when we dine
Do peas taste better when we eat?
Because the knife is golden?
Because the knife is gold?
Often I wish I might repair
Often I wish I could fix
To haunts that once I used to enter,
To places I used to visit,
Like "The Old Fleece" up yonder there,
Like "The Old Fleece" up there,
Of which I was a great frequenter,
I visited often,
Not yet a brass-bound millionaire,
Not a millionaire yet,
But just a cent-per-center.
But just a penny pincher.
Evoe.
Evoe.
"Over 30,000 people paid £2,019 to see the cup tie at Valley Parade."—Provincial Paper.
"Over 30,000 people paid £2,019 to watch the cup match at Valley Parade."—Provincial Paper.
The new rich!
The new wealthy!

MANNERS AND MODES.
HERO-WORSHIP: DISTRACTIONS OF THE FILM WORLD.
HERO-WORSHIP: DISTRACTIONS OF THE FILM WORLD.

Female (to ignorant party). "'E's dressed as one o' them Bronchial Busters to attract attention to 'is Corf Cure."
Female (to ignorant party). "He's dressed up like one of those Bronchial Busters to highlight his Corf Cure."
THE JUMBLE SALE.
Aunt Angela coughed. "By the way, Etta was here this afternoon."
Aunt Angela coughed. "By the way, Etta was here this afternoon."
Edward's eye met mine. The result of Etta's last call was that Edward spent a vivid afternoon got up as Father Christmas in a red dressing-gown and cotton-wool whiskers, which caught fire and singed his home-grown articles, small boys at the same time pinching his legs to see if he was real, while I put in some sultry hours under a hearthrug playing the benevolent polar-bear to a crowd of small girls who hunted me with fire-irons.
Edward's gaze locked with mine. After Etta's last call, Edward had a lively afternoon dressed as Santa Claus in a red robe and cotton-wool beard, which caught fire and singed some of his homemade decorations, while little boys pinched his legs to see if he was real. Meanwhile, I spent some steamy hours under a rug playing the friendly polar bear to a group of little girls who chased me with fire pokers.
"What is it this time?" I asked.
"What is it this time?" I asked.
"A jumble sale," said Aunt Angela.
"A jumble sale," Aunt Angela said.
"What's that?"
"What's that?"
"A scheme by which the bucolic English exchange garbage," Edward explained.
"A plan where the rural English trade trash," Edward explained.
"Oh, well, that has nothing to do with us, thank goodness."
"Oh, well, that has nothing to do with us, thank goodness."
He returned to his book, a romance entitled Gertie, or Should She Have Done It? Edward, I should explain, is a philosopher by trade, but he beguiles his hours of ease with works of fiction borrowed from the cook.
He went back to his book, a romance titled Gertie, or Should She Have Done It? Edward, I should mention, is a philosopher by profession, but he spends his free time reading fiction borrowed from the cook.
Aunt Angela was of a different opinion. "Oh, yes, it has: both of you are gradually filling the house up with accumulated rubbish. If you don't surrender most of it for Etta's sale there'll be a raid."
Aunt Angela disagreed. "Oh, yes, it has: both of you are slowly cluttering the house with all this junk. If you don't get rid of most of it for Etta's sale, there'll be a cleanup."
My eye met Edward's. We walked out into the hall.
My eyes met Edward's. We walked into the hallway.
"We'll have to give Angela something or she'll tidy us," he groaned.
"We'd better give Angela something or she'll clean up after us," he complained.
"These orderly people are a curse," I protested. "They have no consideration for others. Look at me; I am naturally disorderly, but I don't run round and untidy people's houses for them."
"These neat freaks are a nightmare," I argued. "They’ve got no regard for anyone else. Look at me; I’m naturally messy, but I don’t go around tidy people's homes for them."
Edward nodded. "I know; I know it's all wrong, of course; we should make a stand. Still, if we can buy Angela off, I think ... you understand?..." And he ambled off to his muck-room.
Edward nodded. "I get it; I know it's all messed up, of course; we should take a stand. But still, if we can bribe Angela, I think ... you get what I mean?..." And he wandered off to his muck-room.
If anybody in this neighbourhood has anything that is both an eyesore and an encumbrance they bestow it on Edward for his muck-room, where he stores it against an impossible contingency. I trotted upstairs to my bedroom and routed about among my Lares et Penates. I have many articles which, though of no intrinsic value, are bound to me by strong ties of sentiment; little old bits of things—you know how it is. After twenty minutes' heart-and-drawer-searching I decided to sacrifice a policeman's helmet and a sock, the upper of which had outlasted the toe and heel. I bore these downstairs and laid them at Aunt Angela's feet.
If anyone in this neighborhood has something that’s both an eyesore and a burden, they give it to Edward for his junk room, where he keeps it for an unlikely situation. I went upstairs to my bedroom and searched through my belongings. I have many items that, even though they aren’t valuable, hold strong sentimental ties for me; little old things—you know how it is. After twenty minutes of searching through my heart and my drawers, I decided to part with a policeman's helmet and a sock, the top of which had outlasted the toe and heel. I took these downstairs and placed them at Aunt Angela's feet.
"What's this?" said she, stirring the helmet disdainfully with her toe.
"What's this?" she said, stirring the helmet dismissively with her toe.
"Relic of the Great War. The Crown Prince used to wear it in wet weather to keep the crown dry."
"Relic of the Great War. The Crown Prince used to wear it in wet weather to keep the crown dry."
Aunt Angela sniffed and picked up the sock with the fire-tongs. "And this?"
Aunt Angela sniffed and grabbed the sock with the tongs. "And this?"
"A sock, of course," I explained. "An emergency sock of my own invention. It has three exits, you will observe, very handy in case of fire."
"A sock, obviously," I explained. "It’s an emergency sock I came up with. You'll notice it has three openings, really useful in case of a fire."
"Hump!" said Aunt Angela.
"Hump!" Aunt Angela said.
Edward returned bearing his offerings, a gent's rimless boater, a doorknob, six inches of lead-piping and half a bottle of cod-liver oil.
Edward came back with his gifts: a man's rimless boater hat, a doorknob, six inches of lead pipe, and half a bottle of cod liver oil.
"Hump!" said Aunt Angela.
"Hump!" Aunt Angela said.
No more was said of it that night. Aunt Angela resumed her sewing, Edward his Gertie, I my slumb—, my meditations. Nor indeed was the jumble sale again mentioned, a fact which in itself should have aroused my suspicions; but I am like that, innocent as a sucking-dove. I had put the matter out of my mind altogether until yesterday evening, when, hearing the sound of laboured breathing and the frantic clanking of a bicycle pump proceeding from the shed, I went thither to investigate, and was nearly capsized by Edward charging out.
No more was said about it that night. Aunt Angela went back to her sewing, Edward to his Gertie, and I to my daydreams—my thoughts. In fact, the jumble sale wasn't mentioned again, which should have raised my suspicions; but I’m like that, as innocent as a dove. I had completely forgotten about it until yesterday evening when I heard the sound of heavy breathing and the frantic noise of a bike pump coming from the shed. I went to check it out and almost got knocked over by Edward bursting out.
"It's gone," he cried—"gone!" and pawed wildly for his stirrup.
"It's gone," he shouted—"gone!" and frantically searched for his stirrup.
"What has?" I inquired.
"What happened?" I asked.
"'The Limit,'" he wailed. "She's picked ... lock ... muck-room with a hairpin, sent ... Limit ... jumble sale!"
"'The Limit,'" he cried. "She's picked the lock on the muck room with a hairpin and sent the Limit to the jumble sale!"
He sprang aboard his cycle and disappeared down the high road to St. Gwithian, pedalling like a squirrel on a treadmill, the tails of his new mackintosh spread like wings on the breeze. So Aunt Angela with serpentine guile had deferred her raid until the last moment and then bagged "The Limit," the pride of the muck-room.
He jumped on his bike and vanished down the main road to St. Gwithian, pedaling like a squirrel on a wheel, the tails of his new raincoat flapping in the wind. So Aunt Angela, with clever cunning, had postponed her plan until the last minute and then snagged "The Limit," the pride of the muck-room.
"The Limit," I should tell you, is (or was) a waterproof. It is a faithful record of Edward's artistic activities during the last thirty years, being decorated all down the front with smears of red, white and green paint. Here and there it has been repaired with puncture patches and strips of surgical plaster, but more often it has not. As Edward is incapable of replacing a button and Aunt Angela refuses to touch the "Limit," he knots himself into it with odds and ends of string and has to be liberated by his ally, the cook, with a kitchen knife. Edward calls it his "garden coat," and swears he only wears it on dirty jobs, to save his new mackintosh, but nevertheless he is sincerely attached to the rag, and once attempted to travel to London to a Royal Society beano in it, and was only frustrated in the nick of time.
"The Limit," I should mention, is (or was) waterproof. It's a true record of Edward's artistic endeavors over the past thirty years, covered all over the front with splashes of red, white, and green paint. Here and there, it's been patched up with puncture patches and bits of surgical tape, but more often than not, it hasn’t. Since Edward can't sew on a button and Aunt Angela refuses to touch the "Limit," he ties himself into it with random pieces of string and has to be freed by his ally, the cook, using a kitchen knife. Edward calls it his "garden coat" and insists he only wears it for messy jobs to keep his new raincoat clean, but he’s genuinely attached to the rag. He even tried to go to London for a Royal Society party in it, and only just managed to avoid doing so at the last minute.
So the oft-threatened "Limit" had been reached at last. I laughed heartily for a moment, then a sudden cold dread gripped me, and I raced upstairs and tore open my wardrobe. Gregory, the glory of Gopherville, had gone too!
So the long-threatened "Limit" had finally been reached. I laughed heartily for a moment, then a sudden chill of dread hit me, and I raced upstairs and flung open my wardrobe. Gregory, the pride of Gopherville, was gone too!
A word as to Gregory. If you look at a map of Montana and follow a line due North through from Fort Custer you will not find Gopherville, because a cyclone removed it some eight years ago. Nine years ago, however, Gregory and I first met in the "Bon Ton Parisian Clothing Store," in the main (and only) street of Gopherville, and I secured him for ten dollars cash. He is a mauve satin waistcoat, embroidered with a chaste design of anchors and [pg 69] forget-me-nots, subtly suggesting perennial fidelity. The combination of Gregory and me proved irresistible at all Gopherville's social events.
A note about Gregory. If you look at a map of Montana and draw a line straight North from Fort Custer, you won't find Gopherville because a tornado wiped it out about eight years ago. Nine years ago, though, Gregory and I first met at the "Bon Ton Parisian Clothing Store" on the main (and only) street of Gopherville, and I got him for ten dollars cash. He’s a mauve satin waistcoat, embroidered with a modest design of anchors and [pg 69] forget-me-nots, subtly suggesting lasting loyalty. The combination of Gregory and me was a hit at all the social events in Gopherville.
Wishing to create a favourable atmosphere, I wore Gregory at my first party in England. I learn that Aunt Angela disclaimed all knowledge of me during that evening.
Wishing to create a good vibe, I wore Gregory to my first party in England. I found out that Aunt Angela acted like she didn't know me at all that evening.
Subsequently she made several determined attempts to present Gregory to the gardener, the butcher's boy and to an itinerant musician as an overcoat for his simian colleague. Had I foiled her in all of these to be beaten in the end? No, not without a struggle. I scampered downstairs again and, wresting Harriet's bicycle from its owner's hands (Harriet is the housemaid and it was her night out), was soon pedalling furiously after Edward.
Subsequently, she made several strong attempts to introduce Gregory to the gardener, the butcher's boy, and an itinerant musician as an overcoat for his monkey companion. Had I stopped her in all these attempts only to be defeated in the end? No, not without a fight. I quickly dashed downstairs again and, grabbing Harriet's bicycle from her hands (Harriet is the housemaid and it was her night off), I was soon pedaling furiously after Edward.
The jumble sale was being held in the schools and all St. Gwithian was there, fighting tooth and nail over the bargains. A jumble sale is to rus what remnant sales are to urbs. I battled my way round to each table in turn, but nowhere could I find my poor dear old Gregory. Then I saw Etta, the presiding genius, and butted my way towards her.
The garage sale was happening at the school, and everyone in St. Gwithian was there, scrambling for the best deals. A garage sale is to rus what clearance sales are to urbs. I pushed my way around each table in turn, but I couldn't find my dear old Gregory anywhere. Then I spotted Etta, the one in charge, and made my way over to her.
"Look here," I gasped—"have you by any chance seen—?" I gave her a full description of the lost one.
"Hey," I said, breathless—"have you seen—?" I gave her a complete description of the person I was looking for.
Etta nodded. "Sort of illuminated horse-blanket? Oh, yes, I should say I have."
Etta nodded. "Kind of like a glowing horse blanket? Oh, yes, I definitely have."
"Tell me," I panted—"tell me, is it sold yet? Who bought it? Where is—?"
"Tell me," I breathed—"tell me, has it been sold yet? Who bought it? Where is—?"
"It's not sold yet," said Etta calmly. "There was such rivalry over it that it's going to be raffled. Tickets half-a-crown each. Like one?"
"It's not sold yet," Etta said calmly. "There was so much competition for it that they're going to raffle it off. Tickets are half a crown each. Want one?"
"But it's mine!" I protested.
"But it's mine!" I argued.
"On the contrary, it's mine; Angela gave it to me. If you care to buy all the tickets—?"
"Actually, it's mine; Angela gave it to me. If you're interested in buying all the tickets—?"
"How much?" I growled.
"How much?" I asked.
"Four pounds."
"4 pounds."
"But—but that's twice as much as I paid for it originally!"
"But that's two times what I originally paid for it!"
"I know," said Etta sweetly, "but prices have risen terribly owing to the War."
"I know," Etta said sweetly, "but prices have gone up a lot because of the war."
I found Edward outside leaning on his jaded velocipede. He was wearing the "Limit."
I found Edward outside leaning on his worn-out bike. He was wearing the "Limit."
"Hello," said he, "got what you wanted?"
"Hey," he said, "did you get what you wanted?"
"Yes," said I, "and so, I observe, did you. How much did you have to pay?"
"Yes," I said, "and I see you did too. How much did you have to pay?"
"Nothing," said he triumphantly; "Etta took my new mackintosh in exchange," he chuckled. "I think we rather scored off Angela this time, don't you?"
"Nothing," he said with a smirk; "Etta swapped my new raincoat," he laughed. "I think we really got one over on Angela this time, don't you?"
"Yes," said I—"ye-es."
"Yes," I said—"ye-es."

From an invitation to a subscription-ball:—
From an invitation to a subscription ball:—
"Hoping that you will endeavour to make this, our first dance, a bumping success...."
"I hope you will help make this, our first dance, a big success...."
As the Latin gentleman might have said, Nemo repente fuit Terpsichore.
As the Latin gentleman might have said, No one suddenly became Terpsichore.
"Two pigs off their feet had hard work to get to food trough, but K—— Pig Powders soon put them right."—Local Paper.
"Two pigs trying to stand had a hard time getting to the food trough, but K—— Pig Powders sorted that out fast."—Local Paper.
Set them on their feet again, we conclude.
Set them on their feet again, we conclude.
"Respectable reserved lady (25), of ability, wishes to meet respectable keen Business Gentleman, honourable and reserved."—Advt. in Irish Paper.
"A respectable, reserved woman (25), skilled and capable, is looking to meet a respectable, ambitious business man who is honorable and reserved."—Advt. in Irish Paper.
Obviously reserved for one another.
Clearly reserved for each other.
"A big re-union of all returned men and their dependents is to be held at the Board of Trade building on New Year's day.... A year ago the affair was a hug success and the ladies hope for an even better record this year."—Manitoba Free Press.
"A major reunion for all returning servicemen and their families is scheduled for the Board of Trade building on New Year's Day.... Last year's event was a great success, and the organizers are hoping for an even better turnout this time."—Manitoba Free Press.
Manitoba is so embracing.
Manitoba is very welcoming.

Small Boy (indicating highly-powdered lady). "Mummy, may I write 'dust' on that lady's back?"
Small Boy (pointing at a heavily powdered woman). "Mom, can I write 'dust' on that woman's back?"
TO MY BUTTER RATION
(On hearing that the stuff is shortly to be decontrolled).
(Upon hearing that the restrictions will soon be lifted).
Thou whom, when Saturday's expiring sun
Thou whom, when Saturday's setting sun
Informs me that another day is done
Informs me that another day is over
And summons fire from the reflecting pane
And calls forth fire from the reflecting glass
Of Griggs and Sons, where groceries obtain,
Of Griggs and Sons, where you can get groceries,
I seek, not lightly nor in careless haste
I search, not casually or in a rushed way
As men buy bloaters or anchovy paste,
As guys buy bloaters or anchovy paste,
Who fling the cash down with abstracted air,
Who tosses the cash around with a distracted look,
Crying, "Two tins, please," or "I'll take the pair,"
Crying, "Two cans, please," or "I'll take both,"
But reverently and with concentred gaze
But respectfully and with focused attention
Lest Griggs's varlet (drat his casual ways!),
Lest Griggs's servant (damn his laid-back attitude!),
Intrigued with passing friend or canine strife,
Intrigued by a passing friend or a dog's trouble,
Leave half of thee adhering to the knife—
Leave half of you sticking to the knife—
My butter ration! If symbolic breath
My butter ration! If symbolic breath
Can be presumed in one so close to death,
Can be assumed in someone so near to death,
It is decreed that thou, my heart's desire,
It is decreed that you, the one my heart longs for,
Who scarcely art, must finally expire;
Who barely exists must eventually come to an end;
Yea, they who hold thy fortunes in their hands,
Yup, those who hold your future in their hands,
Base-truckling to the profiteer's commands,
Following the profiteer's orders,
No more to my slim revenues will temper
No more will my tight budget settle.
The cost of thee, but with a harsh "Sic semper
The cost of you, but with a harsh "Sic semper
Pauperibus" fling thee, heedless of my prayers,
Pauperibus "throw you away, ignoring my pleas,
Into the fatted laps of war-time millionaires.
Into the well-padded laps of wartime millionaires.
No more when Phœbus bids the day be born
No more when Phœbus tells the day to begin
And savoury odours greet the Sabbath morn,
And tasty scents welcome the Sabbath morning,
Calling to Jane to bring the bacon in,
Calling to Jane to bring in the bacon,
Shall I bespread thee, marvellously thin,
Shall I spread you out, wonderfully thin,
But ah! how toothsome! while my offspring barge
But wow! how delicious! while my kids barge
Into the cheap but uninspiring marge,
Into the cheap but unexciting margin,
While James, our youngest (spoilt), proceeds to cram
While James, our youngest (spoiled), is busy cramming
His ample crop with plum and rhubarb jam.
His plentiful harvest with plum and rhubarb jam.
No more when twilight fades from tower and tree
No longer when dusk disappears from tower and tree
Shall I conceal what still remains of thee
Shall I hide what’s left of you?
Lest that the housemaid or, perchance, the cat
Lest that the housemaid or, perhaps, the cat
Should mischief thee, imponderable pat.
Should mischief you, imponderable pat.
Ah, mine no more! for lo! 'tis noised around
Ah, not mine anymore! Because look! It's being talked about everywhere.
How thou wilt soon cost seven bob a pound.
How you will soon cost seven shillings a pound.
As well demand thy weight in radium
As well ask for your weight in radium
As probe my 'poverished poke for such a sum.
As I searched my empty pockets for that amount.
Wherefore, farewell! No more, alas! thou'lt oil
Wherefore, farewell! No more, sadly! you’ll oil
These joints that creak with unrewarded toil;
These joints that creak from unrecognized hard work;
No more thy heartsick votary's midmost riff
No more your love-stricken follower's central refrain
Wilt lubricate, and, oh! (as Wordsworth says) the diff!
Wilt lubricate, and, oh! (as Wordsworth says) the diff!
Algol.
Algol.
"PUNCH" ON THE SCREEN.
Mr. Punch begs to inform the Public that he has prepared for their entertainment twelve sets of Lantern Slides reproducing his most famous Cartoons and Pictures (five of the sets deal with the Great War), and that they may be hired, along with explanatory Lectures, and, if desired, a Lantern and Operator, on application to Messrs. E.G. Wood, 2, Queen Street, Cheapside, E.C., to whom all inquiries as to terms should be addressed.
Mr. Punch wants to let everyone know that he has created twelve sets of Lantern Slides featuring his most famous cartoons and pictures (five of the sets focus on the Great War). These can be rented, along with explanatory lectures, and if needed, a lantern and operator, by contacting Messrs. E.G. Wood, 2, Queen Street, Cheapside, E.C. All inquiries about pricing should be directed to them.
"When he endeavoured to put the man out the Alderman was chucked under the paw. He drove straight to the barracks, informed the police of what had occurred, and having met his assailant on the road near by, he was placed under arrest."—Irish Paper.
"When he attempted to kick the guy out, the Alderman was pushed back. He immediately went to the police station, explained what happened, and after encountering his attacker nearby, he was arrested."—Irish Paper.
The Alderman seems to have had a rough time all through.
The Alderman seems to have had a tough time all along.

Newly-crowned Cotton King (with the plovers' eggs). "'Ere, my lad, take these darn things away. They're 'ard-boiled and absolutely stone-cold."
Newly-crowned Cotton King (with the plovers' eggs). ""Hey, kid, get rid of these things. They're hard-boiled and completely cold."."
THE MOO-COW.
I was getting so tired of the syncopated life of town (and it didn't fit in with my present literary work) that I bribed my old pal Hobson to exchange residences with me for six months, with option; so now he has my flat in town, complete with Underground Railway and street noises (to say nothing of jazz music wherever he goes), and I have his country cottage, old-fashioned and clean, and a perfectly heavenly silence to listen to. Still, there are noises, and their comparative infrequency makes them the more noticeable. There is, for instance, a cow that bothers me more than a little. It has chosen, or there has been chosen, for its day nursery a field adjoining my (really Hobson's) garden. It has selected a spot by the hedge, almost under the study window, as a fit and proper place for its daily round of mooing.
I was getting really tired of the hectic life in town (and it didn’t match my current writing project) that I convinced my old friend Hobson to swap places with me for six months, with an option to extend; so now he has my apartment in the city, complete with subway sounds and street noise (not to mention jazz music everywhere he goes), and I have his charming country cottage, old-fashioned and tidy, with a wonderfully peaceful silence to enjoy. Still, there are noises, and their rarity makes them more noticeable. For example, there’s a cow that annoys me more than a bit. It has chosen, or has been chosen, to use a field next to my (really Hobson's) garden as its daytime nursery. It has picked a spot by the hedge, almost right under my study window, as the perfect place for its daily mooing.
Possibly this was at Hobson's request. Perhaps he likes the sound of mooing, or, conceivably, the cow doesn't like Hobson, and moos to annoy him. But surely it cannot mistake me for him. We are not at all alike. He is short and dark; I am tall and fair. This has given rise to a question in my mind: Can cows distinguish between human beings?
Possibly this was at Hobson's request. Maybe he enjoys the sound of mooing, or perhaps the cow doesn’t like Hobson and moos to annoy him. But it can’t possibly confuse me for him. We look nothing alike. He is short and dark; I am tall and fair. This raises a question in my mind: Can cows tell humans apart?
Anyway the cow worries me with its continual fog-horn, and I thought I would write to the owner (a small local dairy-farmer) to see if he could manage to find another field in which to batten this cow, where it could moo till it broke its silly tonsils for all I should care; so I indited this to him:—
Anyway, the cow is bothering me with its constant noise, and I thought I would write to the owner (a small local dairy farmer) to see if he could find another field for this cow to stay in, where it could moo until it ruined its silly voice for all I care; so I wrote this to him:—
My dear Sir,—You have in your entourage a cow that is causing me some annoyance. It is one of those red-and-white cows (an Angora or Pomeranian perhaps; I don't know the names of the different breeds, being a town mouse), and it has horns of which one is worn at an angle of fifteen or twenty degrees higher than the other. This may help you to identify it. It possesses, moreover, a moo which is a blend between a ship's siren and a taxicab's honk syringe. If you haven't heard either of these instruments you may take my word for them. Further, I think it may really assist you if I describe its tail. The last two feet of it have become unravelled, and the upper part is red, with a white patch where the tail is fastened on to the body.
Dear Sir,—You have a cow in your group that’s been bothering me. It’s one of those red-and-white cows (maybe an Angora or Pomeranian; I’m not sure about the different breeds, being a city mouse), and one of its horns is angled about fifteen or twenty degrees higher than the other. That might help you recognize it. It also has a moo that sounds like a mix between a ship's siren and a taxi's honk. If you haven’t heard either of those sounds, you can trust me on this. Additionally, I think it will help if I describe its tail. The last two feet of it are frayed, and the top part is red, with a white patch where the tail connects to the body.
It is only the moo part of the cow that is annoying me; I like the rest of it. I am engaged in writing a book on the Dynamic Force of Modern Art, and a solo on the Moo does not blend well with such labour as mine.
It’s just the moo part of the cow that’s bothering me; I actually like the rest of it. I’m working on a book about the Dynamic Force of Modern Art, and a solo on the moo doesn’t fit well with my work.
There are hens here at Hillcroft. This remark may seem irrelevant, but not if you read on. Every time one of these hens brings five-pence-halfpenny worth of egg into the world it makes a noise commensurate with this feat. But I contend that even if your cow laid an egg every time it moos (which it doesn't, so far as my survey reveals) its idiotic bellowing would still be out of all proportion to the achievement. Even milk at a shilling a quart scarcely justifies such assertiveness.
There are hens here at Hillcroft. This comment might seem unimportant, but it’s not if you keep reading. Every time one of these hens lays an egg worth five and a half pence, it makes a noise that matches this accomplishment. But I argue that even if your cow laid an egg every time it mooed (which it doesn’t, based on my observations), its silly bellowing would still be way out of proportion to the achievement. Even milk at a shilling a quart hardly justifies such loudness.
My friend Mr. Hobson may, of course, have offended the animal in question, but even so I cannot see why I should have to put up with its horrible revenge; which brings me to the real and ultimate reason for troubling you, and that is, to ask you if you will be so good as to tell the cow to desist, and, in case of its refusal, to [pg 74] remove it to other quarters. If the annoyance continues I cannot answer for the consequences.
My friend Mr. Hobson might have upset the animal involved, but that doesn't mean I should have to deal with its terrible retaliation. This leads me to the main reason I'm bothering you: could you please ask the cow to stop? If it refuses, please [pg 74] move it somewhere else. If this disturbance goes on, I can’t guarantee what will happen next.
Thanking you in anticipation,
Thanks in advance,
I am, Yours faithfully,
Best, Yours truly,
Arthur K. Wilkinson.
Arthur K. Wilkinson.
The reply ran:—
The reply said:—
Deer Sir,—i am not a scollard and can't understand more'n 'alf your letter if you don't lik my cow why not go back were you cum from i dunno what you mean by consequences but if you lay 'ands on my cow i'll 'ave the lor of you.
Dear Sir/Madam,—I am not educated and can't understand more than half of your letter. If you don't like my cow, why not go back to where you came from? I don't know what you mean by consequences, but if you touch my cow, I'll take legal action against you.
Yours obedient Henry Gibbs.
Yours sincerely, Henry Gibbs.
I felt that I hadn't got off very well with Henry, and thought I would try again, so wrote:—
I felt like I hadn't started off very well with Henry, so I decided to try again and wrote:—
Dear Mr. Gibbs,—Thank you so much for your too delightful letter. I am afraid you somewhat misapprehended the purport of mine. I freely admit your right to turn all manner of beasts into your demesne; equally do I concede to them the right to play upon such instruments as Nature has handed out to them; but I also claim the right to be allowed to carry on my work undisturbed. The consequences would be to me, not to the cow, unless laryngitis supervenes. I love cows, and I greatly admire this particular cow, but not its moo; that is all.
Dear Mr. Gibbs,—Thank you so much for your lovely letter. I'm afraid you misunderstood the point of mine. I completely acknowledge your right to bring all sorts of animals onto your property; I also recognize their right to use the sounds that nature has given them. However, I assert my right to work without interruptions. The effects would impact me, not the cow, unless I get laryngitis. I love cows, and I have a lot of admiration for this specific cow, but not its moo; that's all.
Is it, do you suppose, uttering some Jeremiad or prophecy? Can it, for example, be foretelling the doom of the middle classes? Or is it possible that our noisy friend is uttering a protest against some injurious treatment received from its master?
Is it, you think, expressing some kind of warning or prophecy? Could it, for instance, be predicting the downfall of the middle class? Or is it possible that our loud companion is protesting against some harmful treatment from its owner?
I have discovered that our daily supply of milk is supplied by your herd, and on inquiry I find that our cook is not at all confident that a quart of the same as delivered to us would satisfy the requirements of the Imperial standard of measurement.
I found out that your herd provides our daily milk supply, and after asking around, I learned that our cook isn’t sure that a quart of what you deliver meets the Imperial measurement standards.
If the animal's fog-horn continues I shall take it as an indignant protest against a slight that has been cast on its fertility, and shall seriously think of calling in the Food-Inspector to examine you in the table of liquid measure.
If the animal's foghorn keeps going off, I'll take it as a frustrated protest against an insult to its fertility, and I'll seriously consider bringing in the Food Inspector to check you out in the liquid measurement table.
Delightful weather we have been experiencing, have we not?
Delightful weather we've been having, haven't we?
Believe me as ever, dear Mr. Gibbs,
Believe me as always, dear Mr. Gibbs,
Yours most sincerely,
Sincerely yours,
Arthur K. Wilkinson.
Arthur K. Wilkinson.
I do not know how much my correspondent understood of this letter, but, as the moo-cow was shortly afterwards relegated to fresh pastures, and as we are getting decidedly better measure for our milk money, I gather that he had enough intelligence for my purposes.
I don't know how much my correspondent got from this letter, but since the cow was soon moved to new pastures, and we're definitely getting better value for our milk money, I figure he understood enough for what I needed.
The threat which I thus put at a venture may be recommended to anyone suffering from the moo nuisance.
The risk I'm suggesting is worth considering for anyone dealing with the moo nuisance.
"The serious loss to D'Annunzio recently of 300,000 lire, through the disappearance of his cashier, has had a happy sequel. The airman-poet has received a like amount from a rich Milanese lady. The donor remains incognito."—Evening Standard.
"The recent loss of 300,000 lire by D'Annunzio because his cashier vanished has resulted in a lucky turn of events. The poet and aviator has received the same amount from a rich woman in Milan. The donor wishes to stay anonymous."—Evening Standard.
It was very clever of the lady to disguise herself as an unknown man.
It was really smart of the lady to pretend to be an unknown man.
THE NEW SUBTRACTION.
(By a middle-class Martyr.)
(By a middle-class martyr.)
Euclid is gone, dethroned,
Euclid is gone, dethroned,
By dominies disowned,
By teachers disowned,
And modern physicists, Judæo-Teuton,
And modern physicists, Jewish-German,
Finding strange kinks in space,
Discovering unusual quirks in space,
Swerves in light's arrowy race,
Swerves in light's swift race,
Make havoc of the theories of Newton.
Make a mess of Newton's theories.
Yet, mid this general wreck,
Yet, in the midst of this disaster,
These blows dealt in the neck
These neck strikes
Of authors of established reputation,
Of well-known authors,
Four methods unassailed
Four unbeaten methods
Endured and never failed
Persevered and never faltered
To guide our arithmetic calculations.
To help with our math.
But now at last new rules
But now, finally, new rules.
Are used in "Council Schools"
Are used in "Council Schools"
In consequence of Governmental action;
Due to government action;
And newspapers abound
And newspapers are everywhere
In praise of the profound
In praise of the deep
Importance of the so-called "New Subtraction."
Importance of the so-called "New Subtraction."
New, maybe, but too well
New, maybe, but too familiar
I know its influence fell;
I know its impact reduced;
The "new subtraction" (which I suffer under)
The "new subtraction" (which I endure)
From what I earn or save
From what I earn or save
By toiling like a slave
By working like a slave
Is just a euphemistic name for plunder.
Is just a nicer way of saying plunder.
"At Richmond a discharged soldier was charged with stealing a pillow, valued at 7/6, the property of the Government.... The prisoner, who had a clean sheet, was fined 40/-."—Local Paper.
"In Richmond, a discharged soldier was accused of stealing a pillow valued at 7/6, which belonged to the Government.... The prisoner, who had no previous offenses, was fined 40/-."—Local Paper.
We can understand his wanting a fresh pillow to go with his clean sheet.
We can understand why he wants a new pillow to match his clean sheet.

Golf Enthusiast (urging the merits of the game). "—and, besides, it's so good for you."
Golf Enthusiast (urging the merits of the game). "—And on top of that, it's actually very good for you.."
Unbeliever. "So is cod-liver oil."
Nonbeliever. "So is cod-liver oil."
GOLDEN GEESE.
The London University Correspondent of The Observer has been deploring the fact that a number of professors and lecturers have lately resigned their poorly-paid academic positions in order to take up commercial and industrial posts at much higher salaries. Among the instances he cites is that of a Professor of Chemistry at King's College, who has been appointed Director of Research to the British Cotton Industry Research Association.
The London University Correspondent of The Observer has been expressing regret that several professors and lecturers have recently left their low-paying academic jobs to accept commercial and industrial positions with much better salaries. One example he mentions is a Professor of Chemistry at King's College, who has been hired as the Director of Research for the British Cotton Industry Research Association.
The movement, which the writer denounces as bearing "too obvious an analogy to the killing of the golden goose," is not however confined to London University. From the great seats of learning all over the country the same complaint is heard. We learn, for instance, that Mr. Angus McToddie, until recently Professor of Physics at the John Walker University, N.B., has vacated that post on his appointment as Experimental Adviser to the British Constitutional Whisky Manufacturers' Association.
The movement, which the writer criticizes as having "too clear a comparison to the killing of the golden goose," is not limited to London University. Similar complaints are being voiced at major universities across the country. For example, we find out that Mr. Angus McToddie, who was recently a Professor of Physics at John Walker University in N.B., has left that position after being appointed as Experimental Adviser to the British Constitutional Whisky Manufacturers' Association.
Past and present alumni of Tonypandy will learn with regret that the University is to lose the services of its Professor of Live Languages, Mr. O. Evans, who is about to assume the responsible and highly-remunerated position of Director of Research to the Billingsgate Fishporters' Self-Help Society.
Past and present alumni of Tonypandy will be saddened to learn that the University will lose its Professor of Live Languages, Mr. O. Evans, who is set to take on the important and well-paid role of Director of Research for the Billingsgate Fishporters' Self-Help Society.
The Egregius Professor of Ancient History at Giggleswick University will shortly take up his duties as Editor of Chestnuts, the new comic weekly.
The esteemed Professor of Ancient History at Giggleswick University will soon start his role as Editor of Chestnuts, the new comic weekly.
Professor Ernest Grubb, who for many years has adorned the Chair of Entomology at Durdleham, is about to enter the dramatic sphere as stage-manager to a well-known troupe of performing insects.
Professor Ernest Grubb, who has held the Entomology Chair at Durdleham for many years, is about to step into the spotlight as the stage manager for a famous troupe of performing insects.
Another recruit to Stage enterprise is Professor Seymour Legge, who has been appointed Chief Investigator to the Beauty Chorus Providers' Corporation. Mr. Legge was formerly Professor of Comparative Anatomy at Ballycorp.
Another recruit to the Stage enterprise is Professor Seymour Legge, who has been appointed Chief Investigator for the Beauty Chorus Providers' Corporation. Mr. Legge was previously the Professor of Comparative Anatomy at Ballycorp.
SATURDAYS.
Now has the soljer handed in his pack,
Now the soldier has handed in his pack,
And "Peace on earth, goodwill to all" been sung;
And "Peace on earth, goodwill to everyone" has been sung;
I've got a pension and my ole job back—
I've got a pension and my old job back—
Me, with my right leg gawn and half a lung;
Me, with my right leg gone and half a lung;
But, Lord! I'd give my bit o' buckshee pay
But, wow! I'd give my little extra pay
And my gratuity in honest Brads
And my tip in honest Brads
To go down to the field nex' Saturday
To go down to the field next Saturday
And have a game o' football with the lads.
And play a game of soccer with the guys.
It's Saturdays as does it. In the week
It's Saturdays like it does. During the week
It's not too bad; there's cinemas and things;
It's not too bad; there are movie theaters and stuff;
But I gets up against it, so to speak,
But I run into it, so to speak,
When half-day-off comes round again and brings
When the half-day off comes around again and brings
The smell o' mud an' grass an' sweating men
The smell of mud and grass and sweaty men
Back to my mind—there's no denying it;
Back to my thoughts—there's no denying it;
There ain't much comfort tellin' myself then,
There isn't much comfort in telling myself that,
"Thank Gawd, I went toot sweet an' did my bit!"
"Thank God, I went right away and did my part!"
Oh, yes, I knows I'm lucky, more or less;
Oh, yes, I know I'm lucky, more or less;
There's some pore blokes back there who played the game
There's some poor guys back there who played the game.
Until they heard the whistle go, I guess,
Until they heard the whistle blow, I guess,
For Time an' Time eternal. All the same
For time and time eternal. All the same
It makes me proper down at heart and sick
It really makes me feel down and sick at heart.
To see the lads go laughing off to play;
To watch the guys laugh as they head off to play;
I'd sell my bloomin' soul to have a kick—
I'd sell my damn soul to have a kick—
But what's the good of talkin', anyway?
But what's the point of talking, anyway?
"If we were suddenly to be deprived of the fast underground train, and presented with a sparse service of steam trains in sulphurous tunnels, the result on our tempers and the rate of our travelling would be—well, electric!"—Pall Mall Gazette.
"If we suddenly lost the high-speed underground train and had to rely on a limited service of steam trains in smoky tunnels, the effect on our moods and travel speed would be—frankly, shocking!"—Pall Mall Gazette.
We have tried to think of a less appropriate word than "electric," but have failed miserably.
We’ve tried to come up with a better word than “electric,” but we’ve totally failed.
THE RIDING LESSON.
Phillida arrived up to time with her suit-case, a riding-crop and a large copy of D'Aulnoy's Fairy Tales. She was not very communicative as we drove out, and I sought to draw her. You never, by the way, talk down to Phillida. Personally, I don't believe in talking down to any child; but to employ this method with Phillida is to court disaster.
Phillida arrived right on time with her suitcase, a riding crop, and a big copy of D'Aulnoy's Fairy Tales. She wasn’t very chatty as we drove off, and I tried to engage her. By the way, you never talk down to Phillida. Personally, I don’t think you should talk down to any child; but trying that with Phillida is asking for trouble.
"Pleasant journey?" I inquired casually, flicking Rex's ear.
"Had a good trip?" I asked casually, flicking Rex's ear.
"'M," responded Phillida in the manner of a child sucking sweets. Phillida was not sucking sweets, and I accepted my snub. We drove on for a bit in silence. Phillida removed her hat, and her bobbed hair went all round her head like a brown busby. I looked round and was embarrassed to find the straight grey eyes fixed on my face, the expression in them almost rapturous.
"'M," Phillida replied, acting like a kid with candy. Phillida wasn't actually eating candy, and I took the slight. We continued to drive in silence for a while. Phillida took off her hat, and her bobbed hair fluffed around her head like a brown fur hat. I glanced around and felt awkward to see her straight grey eyes staring at me, the look in them nearly ecstatic.
"Jolly country, isn't it?" I essayed hurriedly, with a comprehensive wave of my whip.
"Great place, isn’t it?" I said quickly, with a broad wave of my whip.
The preoccupied "'M" was repeated with even less emphasis.
The distracted "'M" was repeated with even less emphasis.
Another protracted silence. I decided not to interfere with the course of nature as manifested in one small grey-eyed maiden of eight. Presently there burst from her ecstatically, "Uncle Dick, is this the one I'm going to ride?" So that was it. From that moment we got on splendidly. We discussed, agreed and disagreed over breeds, paces, sizes. I told her the horse she would ride would be twice the size of Rex, and she nearly fell out of the trap when I said we might go together that very afternoon.
Another long silence. I decided not to interfere with the natural flow of things as shown by a small grey-eyed girl of eight. Suddenly, she exclaimed with excitement, "Uncle Dick, is this the one I’m going to ride?" So that was it. From that moment, we got along great. We talked, agreed, and disagreed about breeds, speeds, and sizes. I told her the horse she would ride would be twice the size of Rex, and she almost fell out of the carriage when I mentioned that we might go together that very afternoon.
"I've not learned to gallop," she remarked with some reluctance; "but of course you could teach me."
"I haven't learned to gallop," she said somewhat reluctantly; "but of course you could teach me."
I had only heard the vaguest rumours of her riding experience, and she was very mysterious about it herself. However, when she came downstairs at the appointed time, in her brown velvet jockey-cap, top-boots, breeches and gloves complete, she looked so determined and efficient I felt reassured.
I had only heard a few vague rumors about her riding experience, and she was pretty secretive about it herself. However, when she came downstairs at the scheduled time, wearing her brown velvet jockey cap, top boots, breeches, and gloves, she looked so determined and capable that I felt reassured.
I had to make holes in the stirrup leathers eleven inches higher than the top one of all before she could touch the irons; but she settled into the saddle with great firmness and we were off without any fuss. Once on a horse, she had no difficulty in maintaining a perfect continuity of speech, and I soon felt relieved of all anxiety about her safety. If she was not an old and practised hand, she had nerve and balance, and I did not think fit to produce the leading rein which I had smuggled into my pocket.
I had to make holes in the stirrup leathers eleven inches higher than the top one before she could reach the irons; but she got into the saddle with great confidence and we were off without any trouble. Once on the horse, she had no trouble keeping up a steady conversation, and I quickly felt reassured about her safety. Even if she wasn't experienced, she had bravery and balance, so I decided not to use the leading rein that I had discreetly tucked into my pocket.
We trotted a perfect three miles, and she had an eye to the country and a word to say about all she saw. When we turned to come back, I felt Brimstone make his usual spurt forward, but I was not prepared for Treacle's sudden break away. He was off like a rocket. That small child's cap was flung across my eyes in a sudden gust. I had retrieved it in a second, but it was time lost, and, by Jove! she was out of sight round a bend. I followed after, might and main, but the racket of Brimstone's hoofs only sent Treacle flying faster. I caught sight of the small figure leaning back, the bright hair flying. Then they were gone again. My heart beat very fast. "She had never learned to gallop!" At every bend I hardly dared to look for what I might find. I knew Treacle, once started, would dash for home. If the child could only stick it, all might be well. I pounded along, and after a two-mile run I came on them. She had pulled him in and was walking him, waiting for me, a little turned in the saddle, one minute hand resting lightly on his broad back. She was prettily flushed, her hair blown, but she hadn't even lost her crop.
We trotted a perfect three miles, and she had a keen eye for the landscape and a comment for everything she saw. When we turned to head back, I felt Brimstone make his usual surge forward, but I wasn't ready for Treacle's sudden dash away. He took off like a rocket. That little girl’s cap flew across my face in a sudden gust. I grabbed it in an instant, but I lost precious time, and, good grief! she was out of sight around a corner. I chased after her with all my might, but the noise of Brimstone's hooves only made Treacle run faster. I spotted the small figure leaning back, her bright hair flying behind her. Then they disappeared again. My heart was racing. "She had never learned to gallop!" At every corner, I hardly dared to see what I might find. I knew Treacle, once she got going, would zoom straight home. If only the child could hang on, everything would be fine. I kept on running, and after two miles, I caught up with them. She had pulled him in and was walking him, waiting for me, slightly turned in the saddle, one hand resting lightly on his broad back. She looked charmingly flushed, her hair tousled, and she hadn't even dropped her crop.
"Did you stop to get my cap?" she said as we came up. "Thanks awfully."
"Did you grab my cap?" she said as we arrived. "Thanks a ton."
I wanted to hug the little thing, but her dignity forbade any such exhibition.
I wanted to hug the little one, but her dignity prevented me from doing that.
The only other reference to the afternoon's experience was on a postcard I happened to see written the same night, addressed to her mother.
The only other mention of that afternoon's experience was on a postcard I happened to see, written that same night and addressed to her mom.
"Darling Bee" (it ran in very large baby characters),—"I had the most adorable ride to-day I ever had. I learned to galup all by myself. I thaut at first the horse was running away with me, but Uncle Dick soon caut me up. He had my cap.
"Sweet Bee" (it was written in very big baby letters),—"I had the most amazing ride today that I've ever had. I learned to gallop all by myself. At first, I thought the horse was taking off with me, but Uncle Dick caught up with me pretty quickly. He had my cap."
Your loving
Your love
Phillida."
Phillida.
I only hope that Isabel will think it was all just as deliberate as that.
I just hope that Isabel thinks it was all as intentional as that.

BEHIND THE SCENES IN CINEMA-LAND.
"You needn't be a bit nervous about handling the child, me lad. It's not a real one."
"You don't need to worry at all about taking care of the kid, my friend. It's not a real kid."
"The Ashton-under-Lyne fight is beginning, and The Daily News comes forward to-day with the suggestion that the Liberal candidate should withdraw.
"The fight in Ashton-under-Lyne is starting, and The Daily News is suggesting today that the Liberal candidate should withdraw."
The practical effect of the candidature of a Liebral may be only to reduce the Labour majority....
The real impact of a Liberal candidate might just reduce the Labour majority....
In such circumstances we think it matter for great regret that there should be any Libtral candilature....
In this situation, we think it's very unfortunate that there should be any Liberal candidacy...
Upon this the comment at the Liberal headquarters to-day was, 'Well, it is a little difficult to know just where we are, isn't it?'"—Evening Paper.
In response, the comment at the Liberal headquarters today was, "Well, it's a bit hard to know exactly where we stand, isn't it?" —Evening Paper.
Yes, or what we are, for that matter.
Yes, or what we are, for that matter.
"Gilbert-Sullivan Operas.
"Gilbert-Sullivan Operas.
Friday, 'Trial by July.'"—Provincial Paper.
Friday, 'Trial by July.'"—Provincial Paper.
It seems a long remand.
It seems like a long wait.
Journalistic Camaraderie.
"The whole of this preliminary business is nauseating, and in real sporting circles it is taboo as a topic of conversation. No wonder The Times devoted a leading article to the matter the other day."—Daily Mail.
"The whole preliminary process is gross, and in real sports circles, it's a no-go topic. It's no surprise that The Times had a front-page article about it the other day."—Daily Mail.
How these Northcliffe journals love one another!
How these Northcliffe journals adore each other!

P.C. (referring to notes). "I told 'er she would be reported, your worship, to which she replied, 'Go ahead, my cheery little sunbeam!'"
P.C. (referring to notes). "I told her I would report her, your honor, to which she replied, "Go ahead, my cheerful little sunshine!""
MORE CHAMPIONSHIPS.
The sporting public is so intrigued by the prospect of a Dempsey-Carpentier match that other impending championship events are in danger of being forgotten.
The sports fans are so excited about the possibility of a Dempsey vs. Carpentier match that other upcoming championship events are at risk of being overlooked.
The present position in the challenge for the World's Halma Championship is this. Mr. George P. Henrun is patriotically endeavouring to secure the contest for Britain, and to that end has put up a purse of half-a-guinea. The Société Halma de Bordeaux has cut in with a firm offer of twenty-two francs, and the matter now remains in abeyance while financial advisers calculate the rate of exchange in order to ascertain which proposal is the more advantageous. The challenger, of course, is Tommy Jupes, aged twelve, of Ashby-de-la-Zouche. His opponent, the champion, has an advantage of three years in age and two inches in reach, but the strategy of Master Jupes is said to be irresistible. Only last week he overwhelmed his mother, herself a scratch player, when conceding her four men and the liberty to cheat twice.
The current status in the race for the World Halma Championship is as follows. Mr. George P. Henrun is working hard to bring the contest to Britain and has set up a prize of half a guinea. The Société Halma de Bordeaux has stepped in with a solid offer of twenty-two francs, and now the situation is on hold while financial advisors figure out the exchange rate to determine which offer is better. The challenger, of course, is Tommy Jupes, a twelve-year-old from Ashby-de-la-Zouche. His opponent, the champion, is three years older and has a two-inch reach advantage, but Master Jupes is said to have an unbeatable strategy. Just last week, he defeated his mother, who is a casual player, even when he gave her four pieces and allowed her to cheat twice.
The public will be thrilled to hear that a match has now been arranged between the two lady aspirants for the World's Patience Championship, viz., Miss Tabitha Templeman, of Bath, and Miss Priscilla J. Jarndyce, of Washington. To meet the territorial prejudices of both ladies the contest will take place in mid-Atlantic, on a liner. There will be no seconds, but Miss Templeman will be accompanied by the pet Persian, which she always holds in her lap while playing, and Miss Jarndyce will bring with her the celebrated foot-warmer which is associated with her greatest triumphs. The vexed question of the allocation of cinema royalties has been settled through the tact of Mr. Manketlow Spefforth, author of Patience for the Impatient. One lady wanted the royalties to be devoted to a Home for Stray Cats, and the other expressed a desire to benefit the Society for the Preservation of Wild Bird Life. Mr. Spefforth's happy compromise is that the money shall be assigned to the Fund in aid of Distressed Spinsters.
The public will be excited to hear that a match has now been arranged between the two female contenders for the World's Patience Championship, namely, Miss Tabitha Templeman from Bath and Miss Priscilla J. Jarndyce from Washington. To accommodate the local preferences of both ladies, the contest will take place in the mid-Atlantic on a cruise ship. There will be no seconds, but Miss Templeman will bring her pet Persian cat, which she always has on her lap while playing, and Miss Jarndyce will bring her famous foot-warmer, which is linked to her greatest victories. The complicated issue of the distribution of cinema royalties has been resolved thanks to the diplomacy of Mr. Manketlow Spefforth, author of Patience for the Impatient. One lady wanted the royalties to support a Home for Stray Cats, while the other wished to help the Society for the Preservation of Wild Bird Life. Mr. Spefforth's clever compromise is that the funds will be directed to the Aid for Distressed Spinsters.
Bert Hawkins, of Whitechapel, has expressed his willingness, on suitable terms, to meet T'gumbu, the powerful Matabele, in a twenty-ball contest for the World's Cokernut-Shying Championship. There is however a deadlock over details. T'gumbu's manager is adamant that the match shall take place in his nominee's native village of Mpm, but Mr. Hawkins objects, seeing little chance of escaping alive after the victory of which he is so confident. He says he would "feel more safer like on 'Ampstead 'Eaf." Another difficulty is that Mr. Hawkins insists on wearing his fiancée's headgear while competing, and this is regarded by T'gumbu as savouring of witchcraft. Mr. Hawkins generously offers his opponent permission to wear any article of his wives' clothing; but the coloured candidate quite reasonably retorts that this concession is practically valueless. On one point fortunately there is unaniminity: both parties are firm that all bad nuts must be replaced.
Bert Hawkins from Whitechapel has expressed his willingness, under suitable terms, to meet T'gumbu, the powerful Matabele, in a twenty-ball contest for the World's Cokernut-Shying Championship. However, there is a deadlock over the details. T'gumbu's manager insists that the match should take place in his nominee's home village of Mpm, but Mr. Hawkins disagrees, fearing he might not escape alive after the victory he feels so confident about. He says he would "feel much safer on 'Ampstead 'Eaf." Another issue is that Mr. Hawkins insists on wearing his fiancée's headgear while competing, which T'gumbu views as resembling witchcraft. Mr. Hawkins generously offers his opponent the option to wear any item of his wives' clothing; however, the colored candidate reasonably responds that this concession is practically worthless. Fortunately, both parties agree that all bad nuts must be replaced.
Another Asian Mystery.
"Old and Rare Paintings. Exquisite works of old Indian art. Mytholo-Roast Beef or Pork: Bindaloo Sausages gical, Historical, Mediæval."—Englishman (Calcutta).
"Vintage and Rare Artwork. Stunning pieces of traditional Indian art. Mythical, Historical, Medieval."—Englishman (Calcutta).
"Two capable young gentlemen desire Posts in good families as Companions, ladies or children; mending, hairdressing, decorations; willing to travel; in or near London."—Daily Paper.
"Two talented young men are seeking positions in respectable homes as companions for women or children; they offer services such as sewing, hairstyling, and decorating; they are available to travel and are located in or near London."—Daily Paper.
What did they do in the Great War?
What did they do in the World War?
"One of the exquisite features was the presence of the Deacon's wives. We had 83 upon our Roll of Honour, and of these 36 turned up."—Parish Magazine.
"One of the great things was that the Deacon's wives were there. We had 83 on our Roll of Honour, and 36 of them attended."—Parish Magazine.
The other forty-seven being presumably engaged in looking after the Deacon.
The other forty-seven were presumably busy taking care of the Deacon.
"In addition to the fine work done by the Irish regiments he assured them that many a warm Irish heart beat under a Scottish kilt."—Local Paper.
"Besides the excellent work done by the Irish regiments, he reassured them that many warm Irish hearts were beating beneath Scottish kilts."—Local Paper.
Surely Irishmen enlisted in Scottish regiments are not so down-hearted as all that!
Surely Irishmen who joined Scottish regiments aren't as downhearted as that!
THE TALE OF THE TUNEFUL TUB.
["Why do so many people sing in the bathroom?... The note is struck for them by the running water. While the voice sounds resonantly in the bath-room it is not half so fine and inspiring when the song is continued in the dressing-room. The reason is that the furniture of the dressing-room tends to deaden the reverberations."—Prof. W.H. Bragg on "The World of Sound."]
["Why do so many people sing in the bathroom?... The running water creates the perfect atmosphere for them. While their voice sounds full and beautiful in the bathroom, it doesn't sound quite as good or inspiring when they move to the dressing room. The reason is that the furniture in the dressing room soaks up the echoes."—Prof. W.H. Bragg on "The World of Sound."]
When to my morning tub I go,
When I head to my morning bath,
With towel, dressing-gown and soap,
With towel, robe, and soap,
Then most, the while I puff and blow,
Then most, while I puff and blow,
My soul with song doth overflow
My soul is overflowing with song
(Not unmelodiously, I hope).
(Not too off-key, I hope).
The plashing of the H. and C.
The splashing of the H. and C.
Castalian stimulus affords;
Castalian inspiration provides;
I reach with ease an upper G
I easily reach an upper G.
And, like the wild swan, carol free
And, like the wild swan, sing freely
The gamut of my vocal chords.
The range of my vocal cords.
And when, my pure ablutions o'er,
And when, after my cleansing rituals,
The larynx fairly gets to work,
The larynx really gets to work,
Amid the unplugged water's roar
Amid the unplugged water's noise
I caper, trolling round the floor,
I dance around the floor,
In tones as rich as Thomas Burke.
In tones as rich as Thomas Burke.
But in my dressing-room's retreat
But in my dressing room's retreat
My native wood-notes wilt and sag;
My natural wood sounds fade and droop;
Not there those raptures I repeat;
Not there are those joys I keep repeating;
My bellow now becomes a bleat
My shout now turns into a bleat
(For reasons, ask Professor Bragg).
(For reasons, ask Prof. Bragg).
So, Ruth, if song may find a path
So, Ruth, if a song can find a way
Still through thy heart, be listening by
Still through your heart, keep listening by
The bathroom while I take my bath;
The bathroom while I take my shower;
But leave before the aftermath,
But leave before the fallout,
Nor while I'm dressing linger nigh.
Nor should you linger nearby while I’m getting dressed.
On the acoustic side, I fear,
On the acoustic side, I'm afraid,
My chest of drawers is quite a "dud;"
My chest of drawers is really a "failure;"
The chairs would silence Chanticleer,
The chairs would quiet Chanticleer,
Nor would I have you overhear
Nor would I want you to overhear
When I have lost my collar-stud.
When I've lost my collar stud.
BOOKS AND BACKS.
The proposal to revive the old "yellow back" cover for novels, partly in the interest of economy in production, partly to attract the purchaser by the lure of colour, has caused no little stir in the literary world. In order to clarify opinion on the subject Mr. Punch has been at pains to secure the following expressions of their views from some of the leading authors of both sexes:—
The suggestion to bring back the old "yellow back" cover for novels, partly for cost-saving in production and partly to draw buyers in with a splash of color, has created quite a buzz in the literary world. To shed light on the topic, Mr. Punch has made an effort to gather opinions from some of the leading authors, both male and female:—
Mr. J.M. Keynes, C.B., the author of the most sensational book of the hour, contributed some interesting observations on the economics of the dye industry and their bearing on the question. These we are reluctantly obliged to omit. We may note however his general conclusion that the impact on the public mind of a book often varies in an inverse ratio with the attractiveness of its appearance or its title. At the same time he admits that if he had called his momentous work The Terrible Treaty, and if it had been bound in a rainbow cover with a Cubist design, its circulation might have been even greater than it actually is. But then, as he candidly owns, "as a Cambridge man, I may be inclined to attach an undue importance to 'Backs.'"
Mr. J.M. Keynesian Economics, C.B., the author of the most talked-about book right now, shared some interesting insights on the economics of the dye industry and how they relate to the topic at hand. Unfortunately, we have to skip over those. However, we can mention his overall conclusion that how a book is perceived by the public often goes down as its cover or title becomes more appealing. He also acknowledges that if he had titled his significant work The Terrible Treaty and had it covered in a colorful design with a Cubist style, it might have sold even better than it actually has. But, as he honestly admits, "as a Cambridge man, I may be inclined to attach an undue importance to 'Backs.'"
Mr. Frederic Harrison writes: "Matt. Arnold once chaffed me for keeping a guillotine in my back-garden. But my real colour was never sea-green in politics any more than it is yellow in literature or journalism. Yet I have a great tenderness for the old yellow-backs of fifty years ago. Yellow Books are another story. The yellow-backs may have sometimes affronted the eye, but for the most part they were dove-like in their outlook. Now 'red ruin and the breaking-up of laws' flaunt themselves in the soberest livery. I do not often drop into verse, but this inversion of the old order has suggested these lines, which you may care to print:—
Mr. Frederic Harrison writes: "Matt Arnold once teased me for having a guillotine in my backyard. But my true stance in politics was never really sea-green, just as it isn’t yellow in literature or journalism. Still, I have a deep fondness for the old yellow-covered books from fifty years ago. Yellow Books are a different matter. While the yellow-covered ones might have sometimes been an eyesore, they mostly had a gentle perspective. Now 'red ruin and the breakdown of laws' boldly parade in the most serious attire. I don’t often write in verse, but this upheaval of the old order has inspired these lines, which you might want to publish:—
"'In an age mid-Victorian and mellow,
"In the relaxed mid-Victorian era,
Ere the current of life ran askew,
Ere the current of life ran askew,
The backs of our novels were yellow,
The backs of our novels were yellow,
Their hearts were of Quaker-like hue;
Their hearts were a Quaker-like color;
But now, when extravagant lovers
But now, when extravagant couples
Their hectic emotions parade,
Their chaotic emotions show,
In sober or colourless covers
In plain or neutral covers
We find them arrayed.'"
We see them lined up.
Mr. Charles Garvice points out that the choice of colour in bindings calls for especial care and caution at the present time, owing to the powerful influence of association. Yellow might lend impetus to the Yellow Peril. Red is especially to be avoided owing to its unfortunate appropriation by Revolutionary propagandists. Blue, though affected by statisticians and Government publishers, has a traditional connection with the expression of sentiments of an antinomian and heterodox character. At all costs the sobriety and dignity of fiction should be maintained, and sparing use should be made of the brighter hues of the spectrum. He had forgotten a good deal of his Latin, but there still lingered in his memory the old warning: "O formose puer, nimium ne crede colori."
Mr. Charles Garvice notes that choosing colors for book bindings requires special attention and caution right now, because of the strong influence of associations. Yellow could reinforce the idea of the Yellow Peril. Red should be avoided due to its unfortunate use by revolutionary activists. Blue, while often used by statisticians and government publishers, has a traditional link to expressing antinomian and unorthodox sentiments. It's essential to maintain the seriousness and dignity of fiction, and brighter colors from the spectrum should be used sparingly. He had forgotten much of his Latin, but he still remembered the old saying: "O formose puer, nimium ne crede colori."
Miss Daisy Ashford, another of our "best sellers," demurs to the view that a gaudy or garish exterior is needed to catch the public eye. The enlightened child-author scorned such devices. Books, like men and women—especially women—ought not to be judged by their backs, but by their hearts. She confessed, however, to a weakness for "jackets" as a form of attire peculiarly consecrated to youth.
Miss Daisy Ashford, one of our "best sellers," disagrees with the idea that a flashy or overly bright cover is necessary to grab people's attention. The insightful young author dismissed such tactics. Books, much like people—especially women—shouldn't be judged by their appearances, but by their character. She did admit, though, that she has a soft spot for "jackets" as a style particularly suited for young people.
Madame Montessori cables from Rome as follows:—"The colour of book-covers is of vital importance in education. I wish to express my strong conviction that, where books for the young are concerned, no action should be taken by publishers without holding an unfettered plébiscite of all children under twelve. Also that the polychromatic series of Fairy Stories edited by the late Mr. Andrew Lang should be at once withdrawn from circulation, not only because of the reckless and unscientific colour scheme adopted, but to check the wholesale dissemination of futile fables concocted and invented by irresponsible adults of all ages and countries."
Madame Montessori method sends a message from Rome stating: "The color of book covers is crucial in education. I want to emphasize my strong belief that when it comes to children's books, publishers should not make any decisions without conducting an open vote among all kids under twelve. Additionally, the colorful series of Fairy Stories edited by the late Mr. Andrew Lang should be immediately pulled from circulation, not only because of the careless and unscientific color choices made but also to prevent the widespread sharing of pointless stories created by irresponsible adults from all backgrounds."
SONGS OF THE HOME.
III.—THE GUEST.
III.—THE GUEST.
I have a friend; his name is John;
I have a friend, and his name is John.
He's nothing much to dote upon,
He's not really worth obsessing over,
But, on the whole, a pleasant soul
But overall, a great person.
And, like myself, no paragon.
And, like me, no role model.
I have a house, and, then again,
I have a house, and, then again,
An extra room to take a guest;
An additional room for hosting a guest;
And in my house I have a spouse.
And in my house, I have a partner.
It's good for me; I don't protest.
It's fine with me; I don't complain.
By her is every virtue taught;
By her, every virtue is taught;
Man does as he is told, and ought;
Man does what he is told, and should;
He has to eat his own conceit,
He has to deal with his own arrogance,
So, "Just the place for John!" I thought.
So, "Exactly the spot for John!" I thought.
The unsuspecting guest arrives;
The unaware guest arrives;
But (note the worthlessness of wives)
But (note the uselessness of wives)
Does he endure the kill-or-cure
Does he face the kill-or-cure?
Refining process? No, he thrives.
Refining process? No, he excels.
He's led to think that he has got
He's led to believe that he's got
The very virtues I have not;
The very qualities I lack;
Her every phrase is subtle praise
Her every phrase is a subtle compliment
And oh! how he absorbs the lot.
And oh! how he takes it all in.
She finds his wisdom full of wit
She finds his wisdom to be really clever.
And listens to no end of it;
And listens to it on repeat;
And if he dash tobacco-ash
And if he dashes tobacco ash
On carpets doesn't mind a bit.
On carpets doesn't mind a bit.
All that the human frame requires,
All that the human body needs,
From flattery to bedroom fires,
From compliments to bedroom fires,
Is his; and I must self-deny
Is his; and I must deny myself
To satisfy his least desires.
To satisfy his basic desires.
I have a friend; his name is John;
I have a friend, and his name is John.
I tell him he is "getting on"
I tell him he's "getting old."
And "growing fat," and things like that....
And "getting fat," and stuff like that....
He pays no heed. He's too far gone.
He doesn't pay attention. He's too far gone.
Henry.
Henry.
"Pupils wanted for Pianoforte and Theory.—J.G. Peat, Dyer and Cleaner."—New Zealand Herald.
"Students needed for Piano and Theory.—J.G. Peat, Dyer and Cleaner."—New Zealand Herald.
"That strain again! It had a dying fall."—Twelfth Night, Act I., Sc. 1, 4.
"That melody again! It has a fading note."—Twelfth Night, Act I., Sc. 1, 4.
"The lowest grade of porter is the grade from which railway employees in the traffic departments gravitate to higher positions."—Daily Paper.
"The lowest level of porter is where railway staff in the traffic departments can advance to higher positions."—Daily Paper.
The Einstein theory is beginning to capture our journalists.
The Einstein theory is starting to catch the attention of our journalists.
There was a Society Sinner
There was a Society Rebel
Who no longer was asked out to dinner;
Who was no longer invited to dinner;
This proof of his guilt
This evidence of his guilt
So caused him to wilt
So made him wilt
That he's now emigrated to Pinner.
That he has now moved to Pinner.

MORE ADVENTURES OF A POST-WAR SPORTSMAN.
Post-War Sportsman."Wot's the matter?"
Post-War Sportsman. "What's the matter?"
Mrs. P.-W.S."When I want him to jump the fence he just stops and eats it. What am I to do?"
Mrs. P.-W.S."When I want him to jump the fence, he just stops and starts eating instead. What should I do??"
P.-W.S. "Come along wi' me, my dear; I'll show you. 'E can't eat a gate."
P.-W.S. "Come with me, my dear; I’ll show you. He can't eat a gate."
OUR BOOKING-OFFICE.
(By Mr. Punch's Staff of Learned Clerks.)
(By Mr. Punch's Team of Knowledgeable Writers.)
In the war-after-the-war, the bombardment of books that is now so violently raging upon all fronts, any contribution by a writer as eminent as Lord Haldane naturally commands the respect due to weapons of the heaviest calibre. Unfortunately "heavy" is here an epithet unkindly apt, since it has to be admitted that the noble lord wields a pen rather philosophic than popular, with the result that Before the War (Cassell) tells a story of the highest interest in a manner that can only be called ponderous. Our ex-War Minister is, at least chiefly, responding to the literary offensives of Bethmann-Hollweg and Tirpitz, in connection with whose books his should be read, if the many references are properly to be understood. As every reader will know, however, Lord Haldane could hardly have delivered his apologia before the accuser without the gates and not at the same time had an eye on the critic within. Fortunately it is here no part of a reviewer's task to obtrude his own political theories. With regard to the chief indictment, of having permitted the country to be taken unawares, the author betrays his legal training by a defence which is in effect (1) that circumstances compelled our being so taken, and that (2) we weren't. On this and other matter, however, the individual reader, having paid his money (7s. 6d. net), remains at liberty to take his choice. One revelation at least emerges clearly enough from Lord Haldane's pages—the danger of playing diplomat to a democracy. "Extremists, whether Chauvinist or Pacifist, are not helpful in avoiding wars" is one of many conclusions, double-edged perhaps, to which he is led by retrospect of his own trials. His book, while making no concessions to the modern demand for vivacity, is one that no student of the War and its first causes can neglect.
In the post-war era, the flood of published works that’s currently overwhelming the literary scene means that any input from a prominent writer like Lord Haldane deserves significant attention. Unfortunately, "heavy" is a fitting description, as it's clear that the noble lord writes in a style that's more philosophical than accessible, resulting in Before the War (Cassell) telling an engaging story in a way that feels laborious. Our former War Minister is mostly responding to the literary attacks from Bethmann-Hollweg and Tirpitz, and his book should be read alongside theirs for a full understanding of the numerous references it contains. However, every reader knows that Lord Haldane could hardly present his defense without considering his accusers and the critics within. Luckily, it's not the reviewer's role to impose their own political views. Concerning the main accusation of allowing the country to be caught off guard, the author shows his legal background by arguing that (1) circumstances forced us to be unprepared, and (2) we actually weren’t. On this and other issues, the individual reader, having paid their money (7s. 6d. net), is free to form their own opinion. One clear takeaway from Lord Haldane's pages is the risk of trying to negotiate on behalf of a democracy. He concludes, "Extremists, whether Chauvinist or Pacifist, are not helpful in avoiding wars," a thought that may have double meanings, reflecting on his own experiences. His book, while lacking in the modern desire for liveliness, is essential reading for anyone studying the War and its underlying causes.
It is not Mr. L. Cope Cornford's fault that his initials are identical with those of the London County Council, nor do I consider it to be mine that his rather pontifical attitude towards men and matters reminds me of that august body. Anyone ignorant of recent inventions might be excused for thinking that The Paravane Adventure (Hodder and Stoughton) is the title of a stirring piece of sensational fiction. But fiction it is not, though in some of its disclosures it may be considered sensational enough. In this history of the invention of the Paravane Mr. Cornford hurls a lot of well-directed bricks at Officialdom, and concludes his book by giving us his frank opinion of the way in which the Navy ought to be run. It is impossible, even if one does not subscribe to all his ideas, to refrain from commending the enthusiasm with which he writes of those who, in spite of great difficulties, set to work to invent and perfect the Paravane. If you don't know what a Paravane is I have neither the space nor the ability to tell you; but Mr. Cornford has, and it's all in the book.
It’s not Mr. L. Cope Cornford fault that his initials match those of the London County Council, nor is it mine that his somewhat lofty attitude towards people and issues reminds me of that esteemed organization. Anyone unfamiliar with recent inventions might be forgiven for thinking that The Paravane Adventure (Hodder & Stoughton) is the title of an exciting piece of fiction. But it’s not fiction, although some of its revelations might be considered sensational enough. In this account of the invention of the Paravane, Mr. Cornford throws a lot of well-aimed criticisms at bureaucracy, and he wraps up his book by sharing his candid views on how the Navy should be managed. Even if you don’t agree with all his ideas, it’s hard not to appreciate the enthusiasm with which he writes about those who, despite significant challenges, set out to invent and improve the Paravane. If you’re not familiar with what a Paravane is, I don’t have the space or the skill to explain it; but Mr. Cornford does, and it’s all in the book.
A stray paragraph in a contemporary, to the effect that the portrait of the heroine and the story of her life in Baroness von Hutten's Happy House (Hutchinson) is a transcript of actual fact, saves me from the indiscretion of [pg 80] declaring that I found Mrs. Walbridge and her egregious husband and the general situation at Happy House frankly incredible. Pleasantly incredible, I should have added; and I rather liked the young man, Oliver, from Fleet Street, whom the Great Man had recently made Editor of Sparks and who realised that he was destined to be a titled millionaire, for is not that the authentic procedure? Hence his fanatical obstinacy in wooing his, if you ask me, none too desirable bride. I hope I am not doing the author a disservice in describing this as a thoroughly wholesome book, well on the side of the angels. It has the air of flowing easily from a practised pen. But nothing will induce me to believe that Mrs. Walbridge, putting off her Victorian airs, did win the prize competition with a novel in the modern manner.
A random paragraph in a modern context suggests that the portrayal of the heroine and her life story in Baroness von Hutten’s Happy House (Hutchinson) is based on real events, which keeps me from saying in [pg 80] that I found Mrs. Walbridge and her outrageous husband, along with the overall situation at Happy House, totally unbelievable. I should add that it was pleasantly unbelievable; I even liked the young guy, Oliver, from Fleet Street, who the Great Man had just made the Editor of Sparks and who realized he was meant to be a wealthy nobleman—after all, isn’t that how it works? That’s why he stubbornly pursued his, in my opinion, far-from-perfect fiancée. I hope I'm not doing the author a disservice by calling this a completely wholesome book, definitely on the right side of things. It feels like it flows effortlessly from a skilled writer. But there’s no way I’ll believe that Mrs. Walbridge, shedding her Victorian attitudes, actually won the prize competition with a novel written in a contemporary style.
Mr. Alexander Macfarlan's new story, The Inscrutable Lovers (Heinemann), is not the first to have what one may call Revolutionary Ireland for its background, but it is by all odds the most readable, possibly because it is not in any sense a political novel. It is in characters rather than events that the author interests himself. A highly refined, well-to-do and extremely picturesque Irish revolutionary, whom the author not very happily christens Count Kettle, has a daughter who secretly abhors romance and the high-falutin sentimentality that he and his circle mistake for patriotism. To her father's disgust she marries an apparently staid and practical young Scotch ship-owner, who at heart is a confirmed romantic. The circumstances which lead to their marriage and the subsequent events which reveal to each the other's true temperament provide the "plot" of The Inscrutable Lovers. Though slender it is original and might lend itself either to farce or tragedy. Mr. Macfarlan's attitude is pleasantly analytical. It is indeed his delightful air of remote criticism, his restrained and epigrammatic style queerly suggestive of Romain Roland in The Market Place, and his extremely clever portraiture, rather than any breadth or depth appertaining to the story itself, that entitle the author to a high place among the young novelists of to-day. Mr. Macfarlan—is he by any chance the Rev. Alexander Macfarlan?—may and doubtless will produce more formidable works of fiction in due course; he will scarcely write anything smoother, more sparing of the superfluous word or that offers a more perfect blend of sympathy and analysis.
Mr. Alexander Macfarlan's new story, The Inscrutable Lovers (Heinemann), isn’t the first novel set against the backdrop of Revolutionary Ireland, but it’s definitely the most engaging, perhaps because it doesn't focus on politics at all. The author is more interested in characters than events. A sophisticated, wealthy, and vividly portrayed Irish revolutionary, whom the author awkwardly names Count Kettle, has a daughter who secretly despises romance and the overly sentimental notions they mistake for patriotism. To her father's dismay, she marries a seemingly serious and practical young Scottish shipowner who, deep down, is a hopeless romantic. The circumstances that lead to their marriage and the events that reveal their true natures form the "plot" of The Inscrutable Lovers. Although it’s a slim story, it’s original and could work as either a farce or a tragedy. Mr. Macfarlan's approach is pleasantly analytical. His delightful sense of detached critique, his concise and epigrammatic style oddly reminiscent of Romain Rolland in The Market Place, and his exceptionally clever character portrayals, rather than any expansiveness or depth in the story itself, earn him a prominent place among today’s young novelists. Mr. Macfarlan—could he possibly be the Rev. Alexander Macfarlan?—may, and probably will, produce more significant works of fiction in the future; however, he’ll be hard-pressed to write anything that flows better, is more economical with words, or that offers a more perfect blend of empathy and analysis.
Susie (Duckworth) is the story of a minx or an exposition of the eternal feminine according to the reader's own convictions. I am not sure—and I suppose that places me among those who regard her heroine as the mere minx—that the Hon. Mrs. Dowdall has done well in expending so much cleverness in telling Susie's story. Certainly those who think of marriage as a high calling, for which the vocation is love, will be as much annoyed with her as was her cousin Lucy, the idealist, at once the most amusing and most pathetic figure in the book. I am quite sure that Susies and Lucys both abound, and that Mrs. Dowdall knows all about them; but I am not equally sure that the Susies deserve the encouragement of such a brilliant dissection. Yet the men whose happiness she played with believed in Susie's representation of herself as quite well-meaning, and other women who saw through her liked her in spite of their annoyance; and—after all the other things I have said—I am bound, in sincerity, to admit that I liked her too.
Susie (Duckworth) is a story about a flirt or an exploration of the timeless feminine, depending on the reader's perspective. I'm not sure—and I guess that puts me in the camp of those who see her heroine as just a flirt—that the Hon. Mrs. Dowdall has done a good job in using her cleverness to tell Susie's story. Clearly, those who view marriage as a noble pursuit, where love is the calling, will be just as irritated with her as her cousin Lucy, the idealist, who is both the funniest and saddest character in the book. I’m fairly certain that there are plenty of Susies and Lucys out there, and that Mrs. Dowdall understands them well; however, I'm not so sure that the Susies deserve such an insightful analysis. Yet the men whose feelings she toyed with believed that Susie genuinely meant well, and other women who could see through her charms still liked her despite their frustrations; and—after all I've said—I have to admit, honestly, that I liked her too.
You could scarcely have given a novelist a harder case than to prove the likeableness of Cherry Mart, as her actions show her in September (Methuen), and I wonder how a Victorian writer would have dealt with the terrible chit. But Frank Swinnerton, of course, is able to hold these astonishing briefs with ease. Here is a girl who first turns the head of Marian Forster's middle-aged husband in a pure fit of experimentalism, and then sets her cap with defiant malice at the young man who seems likely to bring real love into the elder woman's life. And yet Marian grows always fonder of her, and she, in the manner of a wayward and naughty child, of Marian. Insolence and gaucherie are on the one hand, coolness and finished grace on the other, and, although there are several moments of hatred between the two, their affection is the proper theme of the book. As for Nigel, he is impetuous and handsome, and falls in love with Marian because she is sympathetic, and with Cherry because she is Cherry, and also perhaps a little because the War has begun and the day of youth triumphant has arrived. But he does not make a very deep impression upon me, and as for Marian's husband, who is big and rather stupid, and always has been, I gather, a bit of a dog, he scarcely counts at all. Marian, however, is an extremely clever and intricate study, and for Cherry—I don't really know whether I like Cherry or not. But I have certainly met her.
You could hardly find a tougher challenge for a novelist than to make Cherry Mart likable, as her actions reveal in September (Methuen), and I wonder how a Victorian writer would have handled such a troublesome character. But Frank Swinnerton, of course, manages to present these incredible dilemmas effortlessly. Here’s a girl who initially captures the attention of Marian Forster's middle-aged husband purely out of curiosity, then deliberately tries to win over the young man who seems poised to bring genuine love into the older woman’s life. Yet, Marian grows increasingly fond of her, and Cherry, like a mischievous child, enjoys Marian’s affection in return. On one side, there's insolence and clumsiness, and on the other, there's coolness and refined grace. Despite moments of tension and dislike between them, their bond is the true focus of the story. As for Nigel, he's impulsive and good-looking, falling for Marian because she’s kind and for Cherry simply because she is Cherry, and maybe a bit because the War has started and the era of youthful vibrance has begun. However, he doesn’t leave much of an impression on me. Regarding Marian's husband, who is large, somewhat dim-witted, and apparently has always been a bit of a jerk, he hardly matters at all. Marian, however, is a keen and complex character study, and as for Cherry—I honestly can’t tell if I like her or not. But I definitely feel like I’ve met her.
Mr. Punch has pleasure in calling attention to two small volumes, lately issued, which reproduce matter that has appeared in his pages and therefore does not need any further token of his approbation: to wit, A Little Loot (Allen And Unwin), by Captain E.V. Knox ("Evoe"); and Staff Tales (Constable), by Captain W.P. Lipscomb, M.C. ("L."), with illustrations, now first published, by Mr. H.M. Bateman. Also to A Zoovenir (Dublin: The Royal Zoological Society of Ireland), by Mr. Cyril Bretherton ("Algol"), a book of verses which have appeared elsewhere and are being sold for the benefit of the Dublin Zoo.
Mr. Punch is pleased to highlight two small books that have recently come out, which contain material that has already appeared in his pages and therefore don't require any additional endorsement from him: namely, A Little Loot (Allen & Unwin), by Captain E.V. Knox ("Evoe"); and Staff Tales (Officer), by Captain W.P. Lipscomb, M.C. ("L."), featuring illustrations, newly published, by Mr. H.M. Bateman. Also, A Zoovenir (Dublin: The Royal Zoological Society of Ireland), by Mr. Cyril Bretherton ("Algol"), is a collection of poems that have appeared elsewhere and are being sold to benefit the Dublin Zoo.

The Fool. "Good master carpenter, I am in great need of wit for tonight's feast. Hast thou any merry quip or quaint conceit wherewith I might set the table in a roar?"
The Fool. "Hey, master carpenter, I really need some clever humor for tonight's feast. Do you have any funny jokes or smart ideas that could make everyone laugh?"
The Carpenter. "Nay, Master Fool, I have but one which I fashioned myself with much labour. It goeth thus: 'When is a door not a ——?'"
The Carpenter. "No, Master Fool, I only have one that I created myself with a lot of effort. It goes like this: 'When is a door not a ——?'"
The Fool." Enough! That Joke hath already cost me two good situations."
The Fool. "Enough! That joke has already cost me two good jobs."
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