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POEMS
BY
WILLIAM CULLEN BRYANT.
AUTHORIZED EDITION.
DESSAU:
KATZ BROTHERS.
1854.
TO THE READER.
I've been asked to agree to the publication of an edition of my poems in Dessau, Germany, intended only for distribution in Europe. I'm happy to comply with this request because the reputation of the gentleman overseeing the publication assures me that the edition will be accurate and thorough.
New York, November 2, 1853.
WILLIAM CULLEN BRYANT.
Williamm Cullen Bryant.
CONTENTS.
POEMS.
°indicates a link to the Notes. Click on Poem's Name to return.
°indicates a link to the Notes. Click on the Poem's Name to go back.
THE AGES.°
I.
When to the common rest that crowns our days,
Called in the noon of life, the good man goes,
Or full of years, and ripe in wisdom, lays
His silver temples in their last repose;
When, o'er the buds of youth, the death-wind blows,
And blights the fairest; when our bitter tears
Stream, as the eyes of those that love us close,
We think on what they were, with many fears
Lest goodness die with them, and leave the coming years:
When the common rest that ends our days,
Calls the good man in the prime of his life,
Or after a long life, full of wisdom, lays
His silver hair to rest at last;
When the death-wind blows over the buds of youth,
And withers the best among us; when our painful tears
Flow, as the eyes of those who love us close,
We think of who they were, with many worries,
Afraid that goodness will die with them, leaving future generations behind:
II.
And therefore, to our hearts, the days gone by,—
When lived the honoured sage whose death we wept,
And the soft virtues beamed from many an eye,
And beat in many a heart that long has slept,—
Like spots of earth where angel-feet have stepped—
Are holy; and high-dreaming bards have told
Of times when worth was crowned, and faith was kept,
Ere friendship grew a snare, or love waxed cold—
Those pure and happy times—the golden days of old.
And so, in our hearts, the days that have passed by,—
When the respected wise person we mourned lived,
And gentle virtues shone in many eyes,
And pulsed in many hearts that had long been still,—
Like spots of earth where angels have walked—
Are sacred; and lofty poets have spoken
Of times when worth was honored, and faith was true,
Before friendship became a trap, or love grew cold—
Those simple and joyful times—the golden days of the past.
III.
Peace to the just man's memory,—let it grow[Page 2]
Greener with years, and blossom through the flight
Of ages; let the mimic canvas show
His calm benevolent features; let the light
Stream on his deeds of love, that shunned the sight
Of all but heaven, and in the book of fame,
The glorious record of his virtues write,
And hold it up to men, and bid them claim
A palm like his, and catch from him the hallowed flame.
Peace to the memory of the good man—may it grow[Page 2]
More vibrant with the years, and bloom through the passage
Of time; may the painted canvas display
His serene and kind features; may the light
Shine on his acts of love, which avoided the gaze
Of all but heaven, and in the record of fame,
Write the glorious account of his virtues,
And hold it up for people, and urge them to strive
For a victory like his, and draw from him the sacred inspiration.
IV.
But oh, despair not of their fate who rise
To dwell upon the earth when we withdraw!
Lo! the same shaft by which the righteous dies,
Strikes through the wretch that scoffed at mercy's law,
And trode his brethren down, and felt no awe
Of Him who will avenge them. Stainless worth,
Such as the sternest age of virtue saw,
Ripens, meanwhile, till time shall call it forth
From the low modest shade, to light and bless the earth.
But oh, don’t despair for those who will stay
To live on the earth when we are gone!
Look! The same arrow that kills the righteous,
Hits the miserable one who mocked mercy’s rule,
And pushed his brothers down, feeling no fear
Of the one who will bring justice for them. Pure virtue,
Like what the toughest age of goodness knew,
Grows stronger until the time calls it forth
From the low, humble shade to illuminate and bless the earth.
V.
Has Nature, in her calm, majestic march
Faltered with age at last? does the bright sun
Grow dim in heaven? or, in their far blue arch,
Sparkle the crowd of stars, when day is done,
Less brightly? when the dew-lipped Spring comes on,
Breathes she with airs less soft, or scents the sky
With flowers less fair than when her reign begun?
Does prodigal Autumn, to our age, deny
The plenty that once swelled beneath his sober eye?
Has Nature, in her calm, majestic pace Finally faltered with age? Does the bright sun Grow dim in the sky? Or, in their distant blue expanse, Do the stars shine less brightly when day is done? When the dew-kissed Spring arrives, Does she breathe with less gentle breezes, or fill the sky With flowers less beautiful than when her reign began? Does generous Autumn, for our time, deny The wealth that once flourished under his careful attention?
VI.
Look on this beautiful world, and read the truth
In her fair page; see, every season brings
New change, to her, of everlasting youth;
Still the green soil, with joyous living things,
Swarms, the wide air is full of joyous wings,[Page 3]
And myriads, still, are happy in the sleep
Of ocean's azure gulfs, and where he flings
The restless surge. Eternal Love doth keep
In his complacent arms, the earth, the air, the deep.
Look at this beautiful world and read the truth
In her lovely pages; see how every season brings
New changes to her, maintaining everlasting youth;
Still, the green soil is filled with joyful living things,
The wide sky is full of cheerful wings,[Page 3]
And countless creatures are happy in the sleep
Of the ocean's blue depths, and where it throws
The restless waves. Eternal Love holds tight
In his gentle arms, the earth, the sky, and the sea.
VII.
Will then the merciful One, who stamped our race
With his own image, and who gave them sway
O'er earth, and the glad dwellers on her face,
Now that our swarming nations far away
Are spread, where'er the moist earth drinks the day,
Forget the ancient care that taught and nursed
His latest offspring? will he quench the ray
Infused by his own forming smile at first,
And leave a work so fair all blighted and accursed?
Will the merciful One, who created our race
in his own image, and who gave them control
over the earth and the happy people on its surface,
now that our many nations are spread out
wherever the wet earth welcomes the day,
forget the ancient care that taught and nurtured
his latest creation? Will he extinguish the light
that his own smile first infused,
and leave such a beautiful creation all damaged and cursed?
VIII.
Oh, no! a thousand cheerful omens give
Hope of yet happier days, whose dawn is nigh.
He who has tamed the elements, shall not live
The slave of his own passions; he whose eye
Unwinds the eternal dances of the sky,
And in the abyss of brightness dares to span
The sun's broad circle, rising yet more high,
In God's magnificent works his will shall scan—
And love and peace shall make their paradise with man.
Oh no! A thousand cheerful signs give Hope for even happier days, which are close at hand. The one who has mastered the elements won’t live As a slave to their own desires; the one whose gaze Unravels the eternal movements of the sky, And dares to embrace the sun’s wide path, rising higher, In God’s magnificent works shall understand His will— And love and peace will build their paradise with humanity.
IX.
Sit at the feet of history—through the night
Of years the steps of virtue she shall trace,
And show the earlier ages, where her sight
Can pierce the eternal shadows o'er their face;—
When, from the genial cradle of our race,
Went forth the tribes of men, their pleasant lot
To choose, where palm-groves cooled their dwelling-place,
Or freshening rivers ran; and there forgot
The truth of heaven, and kneeled to gods that heard them not.
Sit down and learn from history—through the night
Of countless years she will show the path of virtue,
And reveal earlier times, where her insight
Can cut through the eternal shadows on their faces;—
When, from the nurturing beginnings of our species,
The groups of people set out, choosing their own fate
Where palm trees shaded their homes,
Or refreshing rivers flowed; and there they forgot
The truth of heaven and knelt before gods that didn't pay attention.
X.
Then waited not the murderer for the night,
But smote his brother down in the bright day,
And he who felt the wrong, and had the might,
His own avenger, girt himself to slay;
Beside the path the unburied carcass lay;
The shepherd, by the fountains of the glen,
Fled, while the robber swept his flock away,
And slew his babes. The sick, untended then,
Languished in the damp shade, and died afar from men.
Then the murderer didn’t wait for night,
But struck his brother down in broad daylight,
And he who felt the wrong and had the power,
Prepared to take revenge and kill in turn;
Next to the path, the unburied body lay;
The shepherd, by the streams of the valley,
Ran away while the thief took his flock,
And killed his children. The sick, left alone,
Suffered in the damp shade and died far away from others.
XI.
But misery brought in love—in passion's strife
Man gave his heart to mercy, pleading long,
And sought out gentle deeds to gladden life;
The weak, against the sons of spoil and wrong,
Banded, and watched their hamlets, and grew strong.
States rose, and, in the shadow of their might,
The timid rested. To the reverent throng,
Grave and time-wrinkled men, with locks all white,
Gave laws, and judged their strifes, and taught the way of right;
But misery led to love—in the heat of passion
Man gave his heart to compassion, pleading for a long time,
And sought out kind actions to brighten life;
The weak, standing up against those who spoiled and did wrong,
Came together, watched over their villages, and grew stronger.
Nations rose, and, in the shadow of their power,
The scared found safety. To the respectful crowd,
Serious, aged men, with all-white hair,
Created laws, settled disputes, and demonstrated the way of righteousness;
XII.
Till bolder spirits seized the rule, and nailed
On men the yoke that man should never bear,
And drove them forth to battle. Lo! unveiled
The scene of those stern ages! What is there!
A boundless sea of blood, and the wild air
Moans with the crimson surges that entomb
Cities and bannered armies; forms that wear
The kingly circlet rise, amid the gloom,
O'er the dark wave, and straight are swallowed in its womb.
Until bolder souls took control and fastened
On people the burden that no one should bear,
And pushed them into battle. Look! Uncovered
Is the scene of those harsh times! What do we see?
An endless sea of blood, and the wild air
Whispers with the red waves that bury
Cities and armies with banners; figures that wear
The royal crown rise, amidst the darkness,
Over the dark tide, and quickly engulfed in its depths.
XIII.
Those ages have no memory—but they left
A record in the desert—columns strown
On the waste sands, and statues fallen and cleft,
Heaped like a host in battle overthrown;
Vast ruins, where the mountain's ribs of stone[Page 5]
Were hewn into a city; streets that spread
In the dark earth, where never breath has blown
Of heaven's sweet air, nor foot of man dares tread
The long and perilous ways—the Cities of the Dead:
Those ages have no memory—but they left
A record in the desert—scattered columns
On the barren sands, and statues broken and fallen,
Piled like an army defeated in battle;
Huge ruins, where the mountain's stone ribs[Page 5]
Were carved into a city; streets that stretch
In the dark earth, where no breath has blown
Of heaven's sweet air, nor has a foot of man dared to tread
The long and dangerous roads—the Cities of the Dead:
XIV.
And tombs of monarchs to the clouds up-piled—
They perished—but the eternal tombs remain—
And the black precipice, abrupt and wild,
Pierced by long toil and hollowed to a fane;—
Huge piers and frowning forms of gods sustain
The everlasting arches, dark and wide,
Like the night-heaven, when clouds are black with rain.
But idly skill was tasked, and strength was plied,
All was the work of slaves to swell a despot's pride.
And the tombs of kings piled up to the sky—
They died—but the eternal tombs stay—
And the steep cliff, rugged and wild,
Carved by endless labor and hollowed into a shrine;—
Massive pillars and grim faces of gods hold up
The lasting arches, dark and vast,
Like the night sky when clouds are heavy with rain.
But pointless skill was used, and strength was wasted,
Everything was done by slaves to enhance a tyrant's pride.
XV.
And Virtue cannot dwell with slaves, nor reign
O'er those who cower to take a tyrant's yoke;
She left the down-trod nations in disdain,
And flew to Greece, when Liberty awoke,
New-born, amid those glorious vales, and broke
Sceptre and chain with her fair youthful hands:
As rocks are shivered in the thunder-stroke.
And lo! in full-grown strength, an empire stands
Of leagued and rival states, the wonder of the lands.
And virtue can't live with slaves, nor rule
Over those who shrink from bearing a tyrant's burden;
She left the oppressed nations in disgust,
And flew to Greece when liberty rose,
Newly born, amid those beautiful valleys, and broke
Sceptre and chain with her fair youthful hands:
Like rocks shattered in a thunderclap.
And look! in full-grown strength, an empire stands
Of united and competing states, the wonder of the lands.
XVI.
Oh, Greece! thy flourishing cities were a spoil
Unto each other; thy hard hand oppressed
And crushed the helpless; thou didst make thy soil
Drunk with the blood of those that loved thee best;
And thou didst drive, from thy unnatural breast,
Thy just and brave to die in distant climes;
Earth shuddered at thy deeds, and sighed for rest
From thine abominations; after times,
That yet shall read thy tale, will tremble at thy crimes.
Oh, Greece! your thriving cities were a treasure
For one another; your harsh hand oppressed
And crushed the helpless; you made your soil
Soaked with the blood of those who cared for you the most;
And you drove, from your unnatural heart,
Your just and brave to die in far-off lands;
The earth shuddered at your actions, and sighed for peace
From your horrors; future generations,
Whoever reads your story will shudder at your sins.
XVII.
Yet there was that within thee which has saved
Thy glory, and redeemed thy blotted name;
The story of thy better deeds, engraved
On fame's unmouldering pillar, puts to shame
Our chiller virtue; the high art to tame
The whirlwind of the passions was thine own;
And the pure ray, that from thy bosom came,
Far over many a land and age has shone,
And mingles with the light that beams from God's own throne;
Yet there’s something within you that has saved
Your glory and redeemed your tarnished name;
The story of your better deeds, carved
On fame's unchanging pillar, shames
Our colder virtue; the great skill to control
The whirlwind of passions was your own;
And the pure light that came from your heart,
Has shone far over many lands and ages,
And merges with the light that shines from God's own throne;
XVIII.
And Rome—thy sterner, younger sister, she
Who awed the world with her imperial frown—
Rome drew the spirit of her race from thee,—
The rival of thy shame and thy renown.
Yet her degenerate children sold the crown
Of earth's wide kingdoms to a line of slaves;
Guilt reigned, and we with guilt, and plagues came down,
Till the north broke its floodgates, and the waves
Whelmed the degraded race, and weltered o'er their graves.
And Rome—your tougher, younger sister, she Who intimidated the world with her powerful gaze— Rome got the spirit of her people from you,— The rival of your shame and your glory. Yet her corrupt offspring sold the crown Of the world's vast kingdoms to a line of slaves; Guilt ruled, and we wallowed in it, and plagues followed, Until the north burst its floodgates, and the waves Overwhelmed the defeated race and rolled over their graves.
XIX.
Vainly that ray of brightness from above,
That shone around the Galilean lake,
The light of hope, the leading star of love,
Struggled, the darkness of that day to break;
Even its own faithless guardians strove to slake,
In fogs of earth, the pure immortal flame;
And priestly hands, for Jesus' blessed sake,
Were red with blood, and charity became,
In that stern war of forms, a mockery and a name.
Vainly that ray of brightness from above,
That shone around the Galilean lake,
The light of hope, the leading star of love,
Struggled to break the darkness of that day;
Even its own unfaithful guardians tried to extinguish,
In earthly fogs, the pure immortal flame;
And priestly hands, for Jesus' blessed sake,
Were stained with blood, and kindness turned into,
In that brutal battle of appearances, a joke and a label.
XX.
They triumphed, and less bloody rites were kept
Within the quiet of the convent cell:
The well-fed inmates pattered prayer, and slept,
And sinned, and liked their easy penance well.
Where pleasant was the spot for men to dwell,[Page 7]
Amid its fair broad lands the abbey lay,
Sheltering dark orgies that were shame to tell,
And cowled and barefoot beggars swarmed the way,
All in their convent weeds, of black, and white, and gray.
They won, and less violent ceremonies took place
Inside the calm of the convent cell:
The well-fed residents murmured prayers and slept,
And sinned, and enjoyed their easy penance just fine.
It was a lovely place for people to live,[Page 7]
Set among its beautiful fields, the abbey was located,
Hiding dark rituals that were shameful to discuss,
And hooded, barefoot beggars crowded the path,
All dressed in their convent attire of black, white, and gray.
XXI.
Oh, sweetly the returning muses' strain
Swelled over that famed stream, whose gentle tide
In their bright lap the Etrurian vales detain,
Sweet, as when winter storms have ceased to chide,
And all the new-leaved woods, resounding wide,
Send out wild hymns upon the scented air.
Lo! to the smiling Arno's classic side
The emulous nations of the west repair,
And kindle their quenched urns, and drink fresh spirit there.
Oh, how sweetly the returning muses' song
Rose over that famous stream, whose gentle flow
Holds the Etrurian valleys in their bright embrace,
Sweet, like when winter storms have finally stopped,
And all the newly-leaved woods, echoing wide,
Send out wild songs into the fragrant air.
Look! To the cheerful banks of the Arno,
The competing nations of the west gather,
And light their tired urns, and soak in new energy there.
XXII.
Still, Heaven deferred the hour ordained to rend
From saintly rottenness the sacred stole;
And cowl and worshipped shrine could still defend
The wretch with felon stains upon his soul;
And crimes were set to sale, and hard his dole
Who could not bribe a passage to the skies;
And vice, beneath the mitre's kind control,
Sinned gaily on, and grew to giant size,
Shielded by priestly power, and watched by priestly eyes.
Still, Heaven postponed the moment meant to take away
From holy decay the sacred robe;
And the hood and revered altar could still protect
The miserable one stained with crime;
And sins were offered for sale, and harsh was the lot
Of anyone who couldn’t pay for a ticket to paradise;
And wrongdoing, under the bishop’s kind oversight,
Sinfully thrived and grew to enormous proportions,
Protected by the power of priests and observed by their watchful gaze.
XXIII.
At last the earthquake came—the shock, that hurled
To dust, in many fragments dashed and strown,
The throne, whose roots were in another world,
And whose far-stretching shadow awed our own.
From many a proud monastic pile, o'erthrown,
Fear-struck, the hooded inmates rushed and fled;
The web, that for a thousand years had grown
O'er prostrate Europe, in that day of dread
Crumbled and fell, as fire dissolves the flaxen thread.
At last, the earthquake hit—the shock that shattered
To dust, in many pieces scattered and strewn,
The throne, which had roots in another world,
And whose far-reaching shadow intimidated our own.
From many a proud monastery, overturned,
Frightened, the hooded residents rushed and fled;
The web that had grown for a thousand years
Over fallen Europe, on that day of terror
Crumpled and fell, like fire melting a strand of flax.
XXIV.
The spirit of that day is still awake,
And spreads himself, and shall not sleep again;
But through the idle mesh of power shall break
Like billows o'er the Asian monarch's chain;
Till men are filled with him, and feel how vain,
Instead of the pure heart and innocent hands,
Are all the proud and pompous modes to gain
The smile of heaven;—till a new age expands
Its white and holy wings above the peaceful lands.
The spirit of that day is still alive,
And spreads itself, and won’t sleep again;
But will break through the tangled web of power,
Like waves over the Asian king’s chains;
Until people are filled with him, and realize how pointless,
Instead of having a pure heart and innocent hands,
Are all the proud and showy ways to earn
The smile of heaven;—until a new age unfolds
Its bright and sacred wings over the tranquil lands.
XXV.
For look again on the past years;—behold,
How like the nightmare's dreams have flown away
Horrible forms of worship, that, of old,
Held, o'er the shuddering realms, unquestioned sway:
See crimes, that feared not once the eye of day,
Rooted from men, without a name or place:
See nations blotted out from earth, to pay
The forfeit of deep guilt;—with glad embrace
The fair disburdened lands welcome a nobler race.
For a look back at the past years;—see,
How like the nightmares, those dreams have vanished
Terrible forms of worship that, in the past,
Held, over the trembling realms, unquestioned power:
Witness crimes that once had no fear of daylight,
Erased from mankind, without a name or place:
See nations wiped off the earth, to pay
The price of deep guilt;—with joyful embrace
The once-struggling lands now embrace a better people.
XXVI.
Thus error's monstrous shapes from earth are driven;
They fade, they fly—but truth survives their flight;
Earth has no shades to quench that beam of heaven;
Each ray that shone, in early time, to light
The faltering footsteps in the path of right,
Each gleam of clearer brightness shed to aid
In man's maturer day his bolder sight,
All blended, like the rainbow's radiant braid,
Pour yet, and still shall pour, the blaze that cannot fade.
So the monstrous forms of error are driven from the earth;
They disappear, they flee—but truth endures their escape;
The earth has no shadows to extinguish that light from heaven;
Each ray that shone, in the past, to guide
The unsure steps along the right path,
Each glimmer of clearer light meant to help
In a person's more mature years their clearer vision,
All combined, like the vibrant strands of a rainbow,
Still shines, and will always shine, the light that never fades.
XXVII.
Late, from this western shore, that morning chased
The deep and ancient night, that threw its shroud
O'er the green land of groves, the beautiful waste,
Nurse of full streams, and lifter-up of proud
Sky-mingling mountains that o'erlook the cloud.[Page 9]
Erewhile, where yon gay spires their brightness rear,
Trees waved, and the brown hunter's shouts were loud
Amid the forest; and the bounding deer
Fled at the glancing plume, and the gaunt wolf yelled near;
Later, from this western shore, that morning chased
The deep and ancient night, which had cast its shroud
Over the lush land of groves, the beautiful wasteland,
Cradle of full streams, and lifter of proud
Sky-piercing mountains that overlook the clouds.[Page 9]
Not long ago, where those bright spires rise,
Trees swayed, and the brown hunter's shouts echoed loud
Among the forest; and the bounding deer
Ran away at the sight of the flashing plume, while the hungry wolf howled close by;
XXVIII.
And where his willing waves yon bright blue bay
Sends up, to kiss his decorated brim,
And cradles, in his soft embrace, the gay
Young group of grassy islands born of him,
And crowding nigh, or in the distance dim,
Lifts the white throng of sails, that bear or bring
The commerce of the world;—with tawny limb,
And belt and beads in sunlight glistening,
The savage urged his skiff like wild bird on the wing.
And where his gentle waves send up to kiss the decorated edge of that bright blue bay, And cradle in his soft embrace the lively young group of grassy islands that came from him, And nearby or in the distant haze, lifts the white crowd of sails that carry or bring The world's trade;—with his tan limbs, And belt and beads shining in the sunlight, The warrior drove his boat like a wild bird soaring through the sky.
XXIX.
Then all this youthful paradise around,
And all the broad and boundless mainland, lay
Cooled by the interminable wood, that frowned
O'er mount and vale, where never summer ray
Glanced, till the strong tornado broke his way
Through the gray giants of the sylvan wild;
Yet many a sheltered glade, with blossoms gay,
Beneath the showery sky and sunshine mild,
Within the shaggy arms of that dark forest smiled.
Then all this youthful paradise around,
And all the vast and endless land, lay
Cooled by the endless woods, that loomed
Over mountain and valley, where no summer light
Shone, until the fierce tornado carved its path
Through the gray giants of the wild woods;
Yet many a sheltered clearing, with colorful blossoms,
Beneath the rainy sky and gentle sunshine,
Within the tangled branches of that dark forest smiled.
XXX.
There stood the Indian hamlet, there the lake
Spread its blue sheet that flashed with many an oar,
Where the brown otter plunged him from the brake,
And the deer drank: as the light gale flew o'er,
The twinkling maize-field rustled on the shore;
And while that spot, so wild, and lone, and fair,
A look of glad and guiltless beauty wore,
And peace was on the earth and in the air,
The warrior lit the pile, and bound his captive there:
There was the Native American village, and there was the lake
Spreading its blue surface that sparkled with many oars,
Where the brown otter dove from the brush,
And the deer came to drink: as the light breeze blew by,
The shimmering cornfield swayed along the shore;
And while that place, so wild, and solitary, and beautiful,
Had an appearance of joyful and innocent beauty,
And peace filled the earth and the air,
The warrior lit the pyre and bound his captive to it:
XXXI.
Not unavenged—the foeman, from the wood,
Beheld the deed, and when the midnight shade
Was stillest, gorged his battle-axe with blood;
All died—the wailing babe—the shrieking maid—
And in the flood of fire that scathed the glade,
The roofs went down; but deep the silence grew,
When on the dewy woods the day-beam played;
No more the cabin smokes rose wreathed and blue,
And ever, by their lake, lay moored the light canoe.
Not unavenged—the enemy, from the woods,
Watched the act, and when the midnight darkness
Was calmest, soaked his battle-axe in blood;
Everyone died—the crying baby—the screaming girl—
And in the wave of fire that burned through the glade,
The roofs collapsed; but deep the silence grew,
When the sunlight shone on the dewy woods;
No longer did the cabin's smoke rise, wreathed and blue,
And always, by their lake, was the light canoe tied up.
XXXII.
Look now abroad—another race has filled
These populous borders—wide the wood recedes,
And towns shoot up, and fertile realms are tilled:
The land is full of harvests and green meads;
Streams numberless, that many a fountain feeds,
Shine, disembowered, and give to sun and breeze
Their virgin waters; the full region leads
New colonies forth, that toward the western seas
Spread, like a rapid flame among the autumnal trees.
Look around—another group of people has filled These crowded lands—the forests are receding, Towns are popping up, and fertile fields are cultivated: The land is abundant with harvests and green meadows; Countless streams, fed by many springs, Shine, exposed, and offer their pure waters to the sun and breeze; The entire area is giving rise To new settlements that spread toward the western seas Like a quickly spreading fire among the fall trees.
XXXIII.
Here the free spirit of mankind, at length,
Throws its last fetters off; and who shall place
A limit to the giant's unchained strength,
Or curb his swiftness in the forward race!
Far, like the cornet's way through infinite space
Stretches the long untravelled path of light,
Into the depths of ages: we may trace,
Distant, the brightening glory of its flight,
Till the receding rays are lost to human sight.
Here, the free spirit of humanity finally
Breaks its last chains; who can set
A limit to the giant's unleashed power,
Or slow him down in the race ahead?
Far, like a trumpet's sound through endless space,
Expands the long-unexplored path of light,
Through the depths of time: we can see,
From afar, the radiant glory of its journey,
Until the last rays of light vanish from sight.
XXXIV
Europe is given a prey to sterner fates,
And writhes in shackles; strong the arms that chain
To earth her struggling multitude of states;
She too is strong, and might not chafe in vain
Against them, but might cast to earth the train[Page 11]
That trample her, and break their iron net.
Yes, she shall look on brighter days and gain
The meed of worthier deeds; the moment set
To rescue and raise up, draws near—but is not yet.
Europe is facing harsher fates,
And struggles under heavy chains; strong are the arms binding
To the ground her fighting nations;
She is powerful too and shouldn’t suffer in silence
Against them, but could throw to the ground the train[Page 11]
That tramples her and break their iron grip.
Yes, she will see brighter days and earn
The rewards of worthier actions; the moment
The time to save and support is coming—but it's not here yet.
XXXV.
But thou, my country, thou shalt never fall,
Save with thy children—thy maternal care,
Thy lavish love, thy blessings showered on all—
These are thy fetters—seas and stormy air
Are the wide barrier of thy borders, where,
Among thy gallant sons that guard thee well,
Thou laugh'st at enemies: who shall then declare
The date of thy deep-founded strength, or tell
How happy, in thy lap, the sons of men shall dwell.
But you, my country, will never fall,
Except with your children—your caring embrace,
Your endless love, your blessings poured on everyone—
These are your chains—seas and stormy skies
Are the vast walls of your borders, where,
Among your brave sons who protect you well,
You laugh at enemies: who can then say
The date of your solid strength, or explain
How blissfully the sons of men will live in your embrace.
THANATOPSIS.
To him who in the love of Nature holds
Communion with her visible forms, she speaks
A various language; for his gayer hours
She has a voice of gladness, and a smile
And eloquence of beauty, and she glides
Into his darker musings, with a mild
And healing sympathy, that steals away
Their sharpness, e're he is aware. When thoughts
Of the last bitter hour come like a blight
Over thy spirit, and sad images
Of the stern agony, and shroud, and pall,
And breathless darkness, and the narrow house,
Make thee to shudder, and grow sick at heart;—
Go forth, under the open sky, and list
To Nature's teachings, while from all around—
Earth and her waters, and the depths of air,—
Comes a still voice—Yet a few days, and thee
The all-beholding sun shall see no more
In all his course; nor yet in the cold ground,
Where thy pale form was laid, with many tears,
Nor in the embrace of ocean, shall exist
Thy image. Earth, that nourished thee, shall claim
Thy growth, to be resolved to earth again,
And, lost each human trace, surrendering up
Thine individual being, shalt thou go[Page 13]
To mix for ever with the elements,
To be a brother to the insensible rock
And to the sluggish clod, which the rude swain
Turns with his share, and treads upon. The oak
Shall send his roots abroad, and pierce thy mould.
Yet not to thine eternal resting-place
Shalt thou retire alone—nor couldst thou wish
Couch more magnificent. Thou shalt lie down
With patriarchs of the infant world—with kings,
The powerful of the earth—the wise, the good,
Fair forms, and hoary seers of ages past,
All in one mighty sepulchre.—The hills
Rock-ribbed and ancient as the sun,—the vales
Stretching in pensive quietness between;
The venerable woods—rivers that move
In majesty, and the complaining brooks
That make the meadows green; and, poured round all,
Old ocean's gray and melancholy waste,—
Are but the solemn decorations all
Of the great tomb of man. The golden sun,
The planets, all the infinite host of heaven,
Are shining on the sad abodes of death,
Through the still lapse of ages. All that tread
The globe are but a handful to the tribes
That slumber in its bosom.—Take the wings
Of morning—and the Barcan desert pierce,
Or lose thyself in the continuous woods
Where rolls the Oregon, and hears no sound,
Save his own dashings—yet—the dead are there:
And millions in those solitudes, since first
The flight of years began, have laid them down
In their last sleep—the dead reign there alone.
So shalt thou rest—-and what, if thou withdraw
Unheeded by the living, and no friend
Take note of thy departure? All that breathe
Will share thy destiny. The gay will laugh[Page 14]
When thou art gone, the solemn brood of care
Plod on, and each one as before will chase
His favourite phantom; yet all these shall leave
Their mirth and their employments, and shall come,
And make their bed with thee. As the long train
Of ages glide away, the sons of men,
The youth in life's green spring, and he who goes
In the full strength of years, matron, and maid,
And the sweet babe, and the gray-headed man,—
Shall one by one be gathered to thy side,
By those, who in their turn shall follow them.
So live, that when thy summons comes to join
The innumerable caravan, that moves
To that mysterious realm, where each shall take
His chamber in the silent halls of death,
Thou go not like the quarry-slave at night,
Scourged to his dungeon, but, sustained and soothed
By an unfaltering trust, approach thy grave,
Like one who wraps the drapery of his couch
About him, and lies down to pleasant dreams.
To the person who finds connection with Nature's visible forms, she communicates in varied ways; during joyful moments, she speaks with happiness, bearing a smile and the beauty of her eloquence. She slips into his darker thoughts with gentle sympathy that softens their intensity, often before he even notices. When thoughts of the final, bitter moment come like a shadow over your spirit, and you are haunted by grim images of suffering, shrouds, and the stillness of the grave, making you shudder and feel sick at heart—step outside, under the vast sky, and listen to Nature's lessons. From all around—Earth and her waters, and the depths of the air—a quiet voice comes: Soon you shall be seen by the all-seeing sun no more throughout its journey; nor will you exist in the cold earth, where your pale body was laid with many tears, nor in the ocean’s embrace. Earth, which nurtured you, will claim your growth to return to the ground again, and losing all human traces, surrendering your individual existence, you shall merge forever with the elements, becoming a brother to the lifeless rock and the sluggish soil that the farmer turns and walks upon. The oak will spread its roots and penetrate your soil. Yet you will not rest alone in your eternal resting place—nor could you desire a more grand resting spot. You will lie down with the ancient patriarchs, with kings and the mighty of the earth, the wise, the good, beautiful figures, and the wise seers of ages past—all in one grand tomb. The hills, as ancient as the sun, the valleys stretching in thoughtful stillness in between; the venerable forests—majestic rivers and the murmuring brooks that make the meadows lush; and surrounding it all, the gray and melancholy expanse of the old ocean—these are merely the solemn decorations of man's great tomb. The golden sun, the planets, and all the countless stars in heaven shine upon the sad resting places of the dead, through the quiet passage of time. All that tread the earth are but a handful to the countless tribes that rest in its embrace. Take the wings of morning and cross the barren desert, or lose yourself in the endless woods where the Oregon River flows silently, hearing nothing but its own rushing—yet, the dead are there: and millions in those desolate areas, since time began, have laid down in their final sleep—the dead reign there alone. So shall you rest—and what if you depart unnoticed by the living, with no friend acknowledging your leaving? All who breathe will share your fate. The cheerful will laugh when you’re gone, while the serious will continue their burdens, each pursuing their favorite dreams; yet all these will eventually leave their joys and tasks to come and rest beside you. As the long procession of years flows by, the sons of men—youth in the spring of life, and those in the prime of their years, mothers and daughters, sweet babies, and the elderly—shall one by one be gathered to you, by those who will, in turn, follow. So live, that when your summons arrives to join the countless caravan moving to that mysterious place, where each will take their place in the silent halls of death, you do not go like a prisoner at night, dragged to their dungeon, but embraced and comforted by an unwavering trust, approach your grave like someone who wraps the sheet of their bed around them, settling in for serene dreams.
THE YELLOW VIOLET.
When beechen buds begin to swell,
And woods the blue-bird's warble know,
The yellow violet's modest bell
Peeps from the last year's leaves below.
Ere russet fields their green resume,
Sweet flower, I love, in forest bare,
To meet thee, when thy faint perfume
Alone is in the virgin air.
Of all her train, the hands of Spring
First plant thee in the watery mould,
And I have seen thee blossoming
Beside the snow-bank's edges cold.
Thy parent sun, who bade thee view
Pale skies, and chilling moisture sip,
Has bathed thee in his own bright hue,
And streaked with jet thy glowing lip.
Yet slight thy form, and low thy seat,[Page 16]
And earthward bent thy gentle eye,
Unapt the passing view to meet,
When loftier flowers are flaunting nigh.
Oft, in the sunless April day,
Thy early smile has stayed my walk;
But midst the gorgeous blooms of May,
I passed thee on thy humble stalk.
So they, who climb to wealth, forget
The friends in darker fortunes tried.
I copied them—but I regret
That I should ape the ways of pride.
And when again the genial hour
Awakes the painted tribes of light,
I'll not o'erlook the modest flower
That made the woods of April bright.
When beechnuts start to bud,
And the woods know the bluebird's song,
The yellow violet's shy little bell
Peeks out from last year's leaves below.
Before the brown fields turn green again,
Sweet flower, I love, in the bare forest,
To see you when your faint perfume
Is the only scent in the pure air.
Of all the flowers, Spring's first hands
Plant you in the wet soil,
And I’ve seen you blooming
Next to the cold edges of the snowbank.
Your parent sun, who made you see
Pale skies and sip chilling moisture,
Has washed you in his own bright colors,
And marked your glowing petals with black.
Yet your shape is slight, and your place is low,[Page 16]
And your gentle gaze is directed downward,
Not likely to catch the passerby's attention,
When taller flowers are flaunting nearby.
Often, on a sunless April day,
Your early smile has stopped me in my tracks;
But among the exquisite blooms of May,
I passed you by on your humble stalk.
So those who climb the ladder to wealth forget
The friends they've had through harder times.
I’ve imitated them—but I regret
That I would follow the ways of pride.
And when the warm season returns
To awaken the colorful tribes of light,
I won't overlook the modest flower
That made the woods of April bright.
INSCRIPTION FOR THE ENTRANCE TO A WOOD.
Stranger, if thou hast learned a truth which needs
No school of long experience, that the world
Is full of guilt and misery, and hast seen
Enough of all its sorrows, crimes, and cares,
To tire thee of it, enter this wild wood
And view the haunts of Nature. The calm shade
Shall bring a kindred calm, and the sweet breeze
That makes the green leaves dance, shall waft a balm
To thy sick heart. Thou wilt find nothing here
Of all that pained thee in the haunts of men
And made thee loathe thy life. The primal curse
Fell, it is true, upon the unsinning earth,
But not in vengeance. God hath yoked to guilt
Her pale tormentor, misery. Hence, these shades
Are still the abodes of gladness; the thick roof
Of green and stirring branches is alive
And musical with birds, that sing and sport
In wantonness of spirit; while below
The squirrel, with raised paws and form erect,
Chirps merrily. Throngs of insects in the shade
Try their thin wings and dance in the warm beam
That waked them into life. Even the green trees
Partake the deep contentment; as they bend
To the soft winds, the sun from the blue sky
Looks in and sheds a blessing on the scene.[Page 18]
Scarce less the cleft-born wild-flower seems to enjoy
Existence, than the winged plunderer
That sucks its sweets. The massy rocks themselves,
And the old and ponderous trunks of prostrate trees
That lead from knoll to knoll a causey rude
Or bridge the sunken brook, and their dark roots,
With all their earth upon them, twisting high,
Breathe fixed tranquillity. The rivulet
Sends forth glad sounds, and tripping o'er its bed
Of pebbly sands, or leaping down the rocks,
Seems, with continuous laughter, to rejoice
In its own being. Softly tread the marge,
Lest from her midway perch thou scare the wren
That dips her bill in water. The cool wind,
That stirs the stream in play, shall come to thee,
Like one that loves thee nor will let thee pass
Ungreeted, and shall give its light embrace.
Stranger, if you've learned a truth that doesn't require long experience, that the world is filled with guilt and misery, and you've seen enough of its sorrows, crimes, and worries to wear you out, step into this wild wood and explore the homes of Nature. The calm shade will bring you a similar calm, and the sweet breeze that makes the green leaves dance will soothe your troubled heart. Here, you won't find any of the things that pained you among people and made you despise your life. The original curse did, it's true, fall upon the innocent earth, but not out of vengeance. God has paired guilt with its pale companion, misery. That's why these woods are still places of joy; the thick canopy of green and active branches is alive and filled with the music of birds that sing and play in carefree spirits, while below, the squirrel, with its raised paws and upright form, chirps happily. Swarms of insects in the shade flutter their delicate wings and dance in the warm sunlight that has brought them to life. Even the green trees share in the deep contentment; as they sway in the gentle winds, the sun from the blue sky shines down, blessing the scene. The wildflower born from the cracks seems to enjoy life just as much as the winged creature that sips its nectar. The massive rocks and the old, heavy trunks of fallen trees that connect the hills or bridge the sunken stream, along with their dark roots, twisting high with all the earth on them, radiate a sense of calm. The stream sends out joyful sounds, and as it flows over its bed of pebbly sand or tumbles down the rocks, it seems to laugh continuously in delight at its own existence. Walk softly along the edge, so you don't scare the wren perched midway, dipping its beak in the water. The cool breeze that playfully stirs the stream will come to you like a friend who cares for you and won't let you pass without acknowledgment, and it will wrap you in its gentle embrace.
SONG.
Soon as the glazed and gleaming snow
Reflects the day-dawn cold and clear,
The hunter of the west must go
In depth of woods to seek the deer.
His rifle on his shoulder placed,
His stores of death arranged with skill,
His moccasins and snow-shoes laced,—
Why lingers he beside the hill?
Far, in the dim and doubtful light,
Where woody slopes a valley leave,
He sees what none but lover might,
The dwelling of his Genevieve.
And oft he turns his truant eye,
And pauses oft, and lingers near;
But when he marks the reddening sky,
He bounds away to hunt the deer.
As soon as the shiny, fresh snow
Reflects the bright morning chill,
The western hunter must head out
Into the woods to find the deer.
With his rifle slung over his shoulder,
His gear carefully packed,
His moccasins and snowshoes on,
Why does he hesitate by the hill?
Far off, in the soft, uncertain light,
Where the wooded slopes meet a valley,
He sees what only a lover could see,
The home of his Genevieve.
And often he looks back with longing,
Pausing frequently, lingering near;
But as he notices the reddening sky,
He rushes off to hunt the deer.
TO A WATERFOWL.
Whither, midst falling dew,
While glow the heavens with the last steps of day,
Far, through their rosy depths, dost thou pursue
Thy solitary way?
Vainly the fowler's eye
Might mark thy distant flight to do thee wrong,
As, darkly painted on the crimson sky,
Thy figure floats along.
Seek'st thou the plashy brink
Of weedy lake, or marge of river wide,
Or where the rocking billows rise and sink
On the chafed ocean side?
There is a Power whose care
Teaches thy way along that pathless coast,—
The desert and illimitable air,—
Lone wandering, but not lost.
All day thy wings have fanned,[Page 21]
At that far height, the cold, thin atmosphere,
Yet stoop not, weary, to the welcome land,
Though the dark night is near.
And soon that toil shall end;
Soon shalt thou find a summer home, and rest,
And scream among thy fellows; reeds shall bend,
Soon, o'er thy sheltered nest.
Thou'rt gone, the abyss of heaven
Hath swallowed up thy form; yet, on my heart
Deeply hath sunk the lesson thou hast given,
And shall not soon depart.
He who, from zone to zone,
Guides through the boundless sky thy certain flight,
In the long way that I must tread alone,
Will lead my steps aright.
Where are you going, amidst the falling dew,
As the heavens glow with the last light of day?
Far, through their rosy depths, are you pursuing
Your solitary path?
The hunter’s eye
Might track your distant flight to do you harm,
As, silhouetted against the crimson sky,
Your figure drifts along.
Are you seeking the muddy edge
Of a weedy lake, or the banks of a wide river,
Or where the rolling waves rise and fall
On the turbulent ocean shore?
There is a Power whose care
Guides you along that pathless coast,—
The desert and vast air,—
Wandering alone, but not lost.
All day your wings have fanned,[Page 21]
In that high altitude, the cold, thin air,
Yet you do not, tired, descend to the welcoming land,
Though the dark night is near.
And soon that toil will end;
Soon you will find a summer home, and rest,
And call out among your companions; reeds will sway,
Soon, over your sheltered nest.
You’re gone, the depths of heaven
Have swallowed up your form; yet, in my heart
Deeply has sunk the lesson you have taught,
And it won’t soon fade away.
He who, from zone to zone,
Guides your certain flight through the boundless sky,
In the long path that I must walk alone,
Will lead my steps correctly.
GREEN RIVER.
When breezes are soft and skies are fair,
I steal an hour from study and care,
And hie me away to the woodland scene,
Where wanders the stream with waters of green,
As if the bright fringe of herbs on its brink
Had given their stain to the wave they drink;
And they, whose meadows it murmurs through,
Have named the stream from its own fair hue.
Yet pure its waters—its shallows are bright
With coloured pebbles and sparkles of light,
And clear the depths where its eddies play,
And dimples deepen and whirl away,
And the plane-tree's speckled arms o'ershoot
The swifter current that mines its root,
Through whose shifting leaves, as you walk the hill,
The quivering glimmer of sun and rill
With a sudden flash on the eye is thrown,
Like the ray that streams from the diamond stone.
Oh, loveliest there the spring days come,
With blossoms, and birds, and wild bees' hum;
The flowers of summer are fairest there,
And freshest the breath of the summer air;
And sweetest the golden autumn day
In silence and sunshine glides away.
Yet fair as thou art, thou shunnest to glide,
Beautiful stream! by the village side;
But windest away from haunts of men,
To quiet valley and shaded glen;
And forest, and meadow, and slope of hill,
Around thee, are lonely, lovely, and still.
Lonely—save when, by thy rippling tides,[Page 23]
From thicket to thicket the angler glides;
Or the simpler comes with basket and book,
For herbs of power on thy banks to look;
Or haply, some idle dreamer, like me,
To wander, and muse, and gaze on thee.
Still—save the chirp of birds that feed
On the river cherry and seedy reed,
And thy own wild music gushing out
With mellow murmur and fairy shout,
From dawn to the blush of another day,
Like traveller singing along his way.
That fairy music I never hear,
Nor gaze on those waters so green and clear,
And mark them winding away from sight,
Darkened with shade or flashing with light,
While o'er them the vine to its thicket clings,
And the zephyr stoops to freshen his wings,
But I wish that fate had left me free
To wander these quiet haunts with thee,
Till the eating cares of earth should depart,
And the peace of the scene pass into my heart;
And I envy thy stream, as it glides along,
Through its beautiful banks in a trance of song.
Though forced to drudge for the dregs of men,
And scrawl strange words with the barbarous pen,
And mingle among the jostling crowd,
Where the sons of strife are subtle and loud—
I often come to this quiet place,
To breathe the airs that ruffle thy face,
And gaze upon thee in silent dream,
For in thy lonely and lovely stream
An image of that calm life appears
That won my heart in my greener years.
When the breezes are gentle and the skies are clear,
I grab an hour away from studying and worries,
And head to the wooded scene,
Where the stream flows with green waters,
As if the bright edges of herbs on its banks
Had colored the water they touch;
And those whose fields it flows through,
Have named the stream after its beautiful hue.
Yet its waters are pure—its shallow parts are bright
With colorful pebbles and glimmers of light,
And clear are the depths where the currents swirl,
And dimples deepen and whirl away,
And the speckled branches of the plane tree stretch
Over the faster current that digs at its roots,
Through whose shifting leaves, as you walk the hill,
The shimmering flash of sunlight and stream
Suddenly catches your eye,
Like the ray that shines from a diamond.
Oh, spring days are most beautiful there,
With blossoms, and birds, and the buzz of wild bees;
The summer flowers are the fairest there,
And the summer air is the freshest;
And the sweetest golden autumn day
Glides by in silence and sunshine.
Yet, as lovely as you are, you avoid gliding,
Beautiful stream! by the village side;
But wind away from human dwellings,
To quiet valleys and shaded glens;
And the forest, and meadow, and sloping hill,
Around you, are lonely, lovely, and still.
Lonely—except when, by your rippling waters,[Page 23]
The fisherman glides from thicket to thicket;
Or the simpler soul comes with basket and book,
To search for herbs of power on your banks;
Or perhaps, some idle dreamer like me,
To wander, and ponder, and gaze at you.
Still—except for the chirping of birds that feed
On the river cherries and seedy reeds,
And your own wild music bubbling out
With a rich murmur and fairy shout,
From dawn until the blush of another day,
Like a traveler singing along the way.
That fairy music I never hear,
Nor gaze upon those waters so green and clear,
And watch them winding out of sight,
Shaded or sparkling with light,
While over them the vine clings to its thicket,
And the gentle breeze bends down to refresh its wings,
But I wish fate had left me free
To explore these peaceful spots with you,
Until the burdens of the world fade away,
And the serenity of the scene fills my heart;
And I envy your stream, as it flows along,
Through its beautiful banks in a state of song.
Though forced to toil for the dregs of society,
And scribble strange words with a harsh pen,
And mix with the jostling crowd,
Where the sons of conflict are clever and loud—
I often come to this quiet spot,
To breathe the air that ruffles your surface,
And gaze at you in silent reverie,
For in your lonely and lovely stream
An image of that calm life appears
That captured my heart in my younger years.
A WINTER PIECE.
The time has been that these wild solitudes,
Yet beautiful as wild, were trod by me
Oftener than now; and when the ills of life
Had chafed my spirit—when the unsteady pulse
Beat with strange flutterings—I would wander forth
And seek the woods. The sunshine on my path
Was to me as a friend. The swelling hills,
The quiet dells retiring far between,
With gentle invitation to explore
Their windings, were a calm society
That talked with me and soothed me. Then the chant
Of birds, and chime of brooks, and soft caress
Of the fresh sylvan air, made me forget
The thoughts that broke my peace, and I began
To gather simples by the fountain's brink,
And lose myself in day-dreams. While I stood
In nature's loneliness, I was with one
With whom I early grew familiar, one
Who never had a frown for me, whose voice
Never rebuked me for the hours I stole
From cares I loved not, but of which the world
Deems highest, to converse with her. When shrieked
The bleak November winds, and smote the woods,[Page 25]
And the brown fields were herbless, and the shades,
That met above the merry rivulet,
Were spoiled, I sought, I loved them still,—they seemed
Like old companions in adversity.
Still there was beauty in my walks; the brook,
Bordered with sparkling frost-work, was as gay
As with its fringe of summer flowers. Afar,
The village with its spires, the path of streams,
And dim receding valleys, hid before
By interposing trees, lay visible
Through the bare grove, and my familiar haunts
Seemed new to me. Nor was I slow to come
Among them, when the clouds, from their still skirts,
Had shaken down on earth the feathery snow,
And all was white. The pure keen air abroad,
Albeit it breathed no scent of herb, nor heard
Love-call of bird, nor merry hum of bee,
Was not the air of death. Bright mosses crept
Over the spotted trunks, and the close buds,
That lay along the boughs, instinct with life,
Patient, and waiting the soft breath of Spring,
Feared not the piercing spirit of the North.
The snow-bird twittered on the beechen bough,
And 'neath the hemlock, whose thick branches bent
Beneath its bright cold burden, and kept dry
A circle, on the earth, of withered leaves,
The partridge found a shelter. Through the snow
The rabbit sprang away. The lighter track
Of fox, and the racoon's broad path, were there,
Crossing each other. From his hollow tree,
The squirrel was abroad, gathering the nuts
Just fallen, that asked the winter cold and sway
Of winter blast, to shake them from their hold.
But Winter has yet brighter scenes,—he boasts
Splendours beyond what gorgeous Summer knows;
Or Autumn with his many fruits, and woods[Page 26]
All flushed with many hues. Come when the rains
Have glazed the snow, and clothed the trees with ice;
While the slant sun of February pours
Into the bowers a flood of light. Approach!
The incrusted surface shall upbear thy steps,
And the broad arching portals of the grove
Welcome thy entering. Look! the massy trunks
Are cased in the pure crystal; each light spray,
Nodding and tinkling in the breath of heaven,
Is studded with its trembling water-drops,
That stream with rainbow radiance as they move.
But round the parent stem the long low boughs
Bend, in a glittering ring, and arbours hide
The glassy floor. Oh! you might deem the spot
The spacious cavern of some virgin mine,
Deep in the womb of earth—where the gems grow,
And diamonds put forth radiant rods and bud
With amethyst and topaz—and the place
Lit up, most royally, with the pure beam
That dwells in them. Or haply the vast hall
Of fairy palace, that outlasts the night,
And fades not in the glory of the sun;—
Where crystal columns send forth slender shafts
And crossing arches; and fantastic aisles
Wind from the sight in brightness, and are lost
Among the crowded pillars. Raise thine eye,—
Thou seest no cavern roof, no palace vault;
There the blue sky and the white drifting cloud
Look in. Again the wildered fancy dreams
Of spouting fountains, frozen as they rose,
And fixed, with all their branching jets, in air,
And all their sluices sealed. All, all is light;
Light without shade. But all shall pass away
With the next sun. From numberless vast trunks,
Loosened, the crashing ice shall make a sound
Like the far roar of rivers, and the eve
Shall close o'er the brown woods as it was wont.
And it is pleasant, when the noisy streams[Page 27]
Are just set free, and milder suns melt off
The plashy snow, save only the firm drift
In the deep glen or the close shade of pines,—
'Tis pleasant to behold the wreaths of smoke
Roll up among the maples of the hill,
Where the shrill sound of youthful voices wakes
The shriller echo, as the clear pure lymph,
That from the wounded trees, in twinkling drops,
Falls, mid the golden brightness of the morn,
Is gathered in with brimming pails, and oft,
Wielded by sturdy hands, the stroke of axe
Makes the woods ring. Along the quiet air,
Come and float calmly off the soft light clouds,
Such as you see in summer, and the winds
Scarce stir the branches. Lodged in sunny cleft,
Where the cold breezes come not, blooms alone
The little wind-flower, whose just opened eye
Is blue as the spring heaven it gazes at—
Startling the loiterer in the naked groves
With unexpected beauty, for the time
Of blossoms and green leaves is yet afar.
And ere it comes, the encountering winds shall oft
Muster their wrath again, and rapid clouds
Shade heaven, and bounding on the frozen earth
Shall fall their volleyed stores rounded like hail,
And white like snow, and the loud North again
Shall buffet the vexed forest in his rage.
The time has been that these wild, beautiful places,
Were explored by me more often than now; and when the troubles of life
Had troubled my spirit—when my unsteady heart
Beat with odd fluttering—I would head out
And seek the woods. The sunlight on my path
Felt like a friend. The rolling hills,
The quiet valleys far in between,
With gentle invitations to explore
Their twists, were a calm company
That talked to me and comforted me. Then the song
Of birds, the sound of streams, and the soft touch
Of the fresh forest air made me forget
The thoughts that disturbed my peace, and I began
To gather herbs by the fountain's edge,
And lose myself in daydreams. While I stood
In nature's solitude, I was with one
I had become familiar with early on, one
Who never had a frown for me, whose voice
Never scolded me for the hours I took
From cares I didn’t love, but which the world
Considers the highest, to talk with her. When the harsh
November winds howled and struck the woods,[Page 25]
And the brown fields were bare, and the shadows,
That met above the lively stream,
Were spoiled, I sought, I loved them still—they seemed
Like old friends in hard times.
There was still beauty in my walks; the brook,
Fringed with sparkling frost, was just as cheerful
As with its summer flower border. In the distance,
The village with its spires, the path of streams,
And faint valleys sliding back,
Hidden before by interposing trees, were visible
Through the bare woods, and my familiar spots
Seemed new to me. I didn’t hesitate to go
Among them, when the clouds, from their quiet edges,
Had dropped the feathery snow on earth,
And everything was white. The pure, crisp air outside,
Though it breathed no scent of herbs, nor heard
The call of birds, nor the happy buzz of bees,
Was not the air of death. Bright mosses crept
Over the spotted trunks, and the tight buds,
That lay along the branches, full of life,
Patiently waiting for the soft breath of Spring,
Didn’t fear the biting spirit of the North.
The snowbird chirped on the beech branch,
And beneath the hemlock, whose thick branches bowed
Under its bright, cold burden, and kept dry
A circle on the ground of withered leaves,
The partridge found shelter. Through the snow,
The rabbit sprang away. The lighter tracks
Of foxes and the broad path of raccoons were there,
Crossing each other. From his hollow tree,
The squirrel was out, gathering the nuts
That had just fallen, needing the winter cold and sway
Of winter's wind to shake them from their hold.
But Winter has even brighter scenes—he boasts
Splendor beyond what glorious Summer knows;
Or Autumn with its many fruits, and woods[Page 26]
All flushed with many colors. Come when the rains
Have glazed the snow and clothed the trees with ice;
While February's slant sun pours
A flood of light into the boughs. Come!
The frozen surface shall support your steps,
And the broad arching entrances of the grove
Will welcome your arrival. Look! the massive trunks
Are covered in pure crystal; each light branch,
Nodding and tinkling in the breath of heaven,
Is studded with trembling water-drops,
That shine with rainbow colors as they move.
But around the main stem the long low boughs
Bend, in a shining ring, and arbors hide
The glassy floor. Oh! you might think the spot
The spacious cavern of some untouched mine,
Deep in the earth—where gems grow,
And diamonds shoot forth radiant rods and bud
With amethyst and topaz—and the place
Lit up, most royally, with the pure light
That dwells within them. Or perhaps the vast hall
Of a fairy palace, that lasts through the night,
And doesn’t fade in the glory of the sun;—
Where crystal columns send forth slender shafts
And crossing arches; and fantastic aisles
Wind out of sight in brightness, and are lost
Among the crowded pillars. Raise your gaze,—
You see no cavern roof, no palace vault;
There the blue sky and the white drifting cloud
Look in. Again the dazed imagination dreams
Of spouting fountains, frozen as they rose,
And fixed, with all their branching jets, in the air,
And all their channels sealed. All, all is light;
Light without shade. But all will pass away
With the next sun. From countless vast trunks,
The crashing ice shall make a sound
Like the distant roar of rivers, and the evening
Shall close over the brown woods as it always has.
And it is pleasant when the noisy streams[Page 27]
Are just set free, and milder suns melt away
The puddled snow, except for the solid drift
In the deep gully or the thick shade of pines,—
It’s nice to see the curls of smoke
Rising among the maples on the hill,
Where the sharp sound of youthful voices wakes
The sharper echo, as the clear, pure water,
That drips from the wounded trees, in sparkling drops,
Falls, amid the golden brightness of the morning,
Is gathered in by full buckets, and often,
Handled by strong arms, the stroke of an axe
Makes the woods ring. Along the peaceful air,
Come and float away the soft light clouds,
Just like you see in summer, and the winds
Barely stir the branches. Nestled in sunny crevices,
Where the cold breezes can’t reach, blooms alone
The little windflower, whose newly opened eye
Is as blue as the spring sky it gazes at—
Startling the loiterer in the bare woods
With unexpected beauty, because the time
Of blossoms and green leaves is still far away.
And before it comes, the gusting winds will often
Gather their anger again, and rapid clouds
Will shade the sky, and bounding on the frozen earth
Will drop their volleyed stores rounded like hail,
And white like snow, and the loud North again
Will batter the troubled forest with his rage.
THE WEST WIND.
Beneath the forest's skirts I rest,
Whose branching pines rise dark and high,
And hear the breezes of the West
Among the threaded foliage sigh.
Sweet Zephyr! why that sound of woe?
Is not thy home among the flowers?
Do not the bright June roses blow,
To meet thy kiss at morning hours?
And lo! thy glorious realm outspread—
Yon stretching valleys, green and gay,
And yon free hill-tops, o'er whose head
The loose white clouds are borne away.
And there the full broad river runs,
And many a fount wells fresh and sweet,
To cool thee when the mid-day suns
Have made thee faint beneath their heat.
Thou wind of joy, and youth, and love;
Spirit of the new-wakened year!
The sun in his blue realm above
Smooths a bright path when thou art here.
In lawns the murmuring bee is heard,
The wooing ring-dove in the shade;
On thy soft breath, the new-fledged bird
Takes wing, half happy, half afraid.
Ah! thou art like our wayward race;—
When not a shade of pain or ill
Dims the bright smile of Nature's face,
Thou lovest to sigh and murmur still.
Beneath the forest's edge, I rest,
Where the tall, dark pines reach high,
And hear the breezes from the West
Sighing through the tangled leaves.
Sweet Zephyr! why do you sound so sad?
Isn’t your home among the flowers?
Don’t the bright June roses bloom,
Eager for your kiss in the morning hours?
Look at your beautiful kingdom spread wide—
Those sprawling valleys, green and bright,
And those free hilltops, where the loose
White clouds are carried away.
And there the wide, full river flows,
And many springs bubble fresh and sweet,
To refresh you when the midday sun
Leaves you feeling weak beneath its heat.
You wind of joy, youth, and love;
Spirit of the new awakening year!
The sun in his blue sky above
Creates a bright path when you are near.
In the meadows, the buzzing bee is heard,
The courting dove calls from the shade;
On your gentle breath, the newly fledged bird
Takes off, half happy, half afraid.
Ah! you are like our unpredictable race;—
When not a trace of pain or trouble
Clouds the bright smile of Nature's face,
You love to sigh and murmur still.
THE BURIAL-PLACE.°
A FRAGMENT.
Erewhile, on England's pleasant shores, our sires
Left not their churchyards unadorned with shades
Or blossoms; and indulgent to the strong
And natural dread of man's last home, the grave,
Its frost and silence—they disposed around,
To soothe the melancholy spirit that dwelt
Too sadly on life's close, the forms and hues
Of vegetable beauty.—There the yew,
Green even amid the snows of winter, told
Of immortality, and gracefully
The willow, a perpetual mourner, drooped;
And there the gadding woodbine crept about,
And there the ancient ivy. From the spot
Where the sweet maiden, in her blossoming years
Cut off, was laid with streaming eyes, and hands
That trembled as they placed her there, the rose
Sprung modest, on bowed stalk, and better spoke
Her graces, than the proudest monument.
There children set about their playmate's grave
The pansy. On the infant's little bed,
Wet at its planting with maternal tears,
Emblem of early sweetness, early death,
Nestled the lowly primrose. Childless dames,
And maids that would not raise the reddened eye—
Orphans, from whose young lids the light of joy
Fled early,—silent lovers, who had given[Page 30]
All that they lived for to the arms of earth,
Came often, o'er the recent graves to strew
Their offerings, rue, and rosemary, and flowers.
The pilgrim bands who passed the sea to keep
Their Sabbaths in the eye of God alone,
In his wide temple of the wilderness,
Brought not these simple customs of the heart
With them. It might be, while they laid their dead
By the vast solemn skirts of the old groves,
And the fresh virgin soil poured forth strange flowers
About their graves; and the familiar shades
Of their own native isle, and wonted blooms,
And herbs were wanting, which the pious hand
Might plant or scatter there, these gentle rites
Passed out of use. Now they are scarcely known,
And rarely in our borders may you meet
The tall larch, sighing in the burying-place,
Or willow, trailing low its boughs to hide
The gleaming marble. Naked rows of graves
And melancholy ranks of monuments
Are seen instead, where the coarse grass, between,
Shoots up its dull green spikes, and in the wind
Hisses, and the neglected bramble nigh,
Offers its berries to the schoolboy's hand,
In vain—they grow too near the dead. Yet here,
Nature, rebuking the neglect of man,
Plants often, by the ancient mossy stone,
The brier rose, and upon the broken turf
That clothes the fresher grave, the strawberry vine
Sprinkles its swell with blossoms, and lays forth
Her ruddy, pouting fruit. * * * * *
Once, on England's beautiful shores, our ancestors
Did not leave their churchyards bare of shade
Or flowers; and aware of the deep,
Natural fear of man's final resting place—the grave,
With its chill and quiet—they arranged around,
To comfort the sorrowful spirit that lingered
Too heavily on the end of life, the forms and colors
Of natural beauty. There the yew,
Staying green even through winter's snow, spoke
Of immortality, and gracefully
The willow, a constant mourner, drooped;
And there the wandering woodbine wrapped around,
And there the ancient ivy. From the spot
Where the sweet young girl, in her blossoming years,
Was laid to rest with tears flowing, and hands
That shook as they placed her there, the rose
Grew modestly on a bowed stalk, more eloquent
Of her beauty than the grandest monument.
There children surrounded their playmate's grave
With pansies. On the infant's little bed,
Wet with maternal tears at its planting,
Emblematic of early sweetness and early death,
Nestled the humble primrose. Childless women,
And maidens who would not lift their reddened eyes—
Orphans, from whose young eyes the joy
Fled too soon,—silent lovers, who had given[Page 30]
All they lived for to the earth's embrace,
Often came to scatter
Their offerings—rue, rosemary, and flowers.
The groups of pilgrims who crossed the sea to keep
Their Sabbaths under the watch of God alone,
In his vast temple of wilderness,
Did not bring these simple, heartfelt customs
With them. Perhaps, as they buried their dead
By the grand, solemn edges of the old groves,
And the fresh virgin soil sprouted strange flowers
Around their graves; and the familiar shades
Of their own homeland, along with its usual blooms,
And herbs were missing, which a pious hand
Might have planted or scattered there, these gentle rites
Faded away. Now they’re barely known,
And rarely can you find
The tall larch sighing in the graveyard,
Or willow, trailing its branches low to conceal
The shining marble. Bare rows of graves
And sorrowful lines of monuments
Appear instead, where coarse grass, growing in between,
Sprouts dull green spikes, and in the wind
Whispers, while the neglected bramble nearby
Offers its berries to the schoolboy's hand,
In vain—they grow too close to the dead. Yet here,
Nature, scolding man's neglect,
Often plants, by the ancient mossy stone,
The wild rose, and upon the freshly turned earth
That covers the newer grave, the strawberry vine
Scatters its blossoms and displays
Her plump, red fruit. * * * * *
"BLESSED ARE THEY THAT MOURN."
Oh, deem not they are blest alone
Whose lives a peaceful tenor keep;
The Power who pities man, has shown
A blessing for the eyes that weep.
The light of smiles shall fill again
The lids that overflow with tears;
And weary hours of woe and pain
Are promises of happier years.
There is a day of sunny rest
For every dark and troubled night;
And grief may bide an evening guest,
But joy shall come with early light.
And thou, who, o'er thy friend's low bier,
Sheddest the bitter drops like rain,
Hope that a brighter, happier sphere
Will give him to thy arms again.
Nor let the good man's trust depart,
Though life its common gifts deny,—
Though with a pierced and broken heart,
And spurned of men, he goes to die.
For God has marked each sorrowing day
And numbered every secret tear,
And heaven's long age of bliss shall pay
For all his children suffer here.
Oh, don’t think that only those
Whose lives are calm and peaceful are blessed;
The Power who cares for humanity has shown
A blessing for the eyes that cry.
The light of smiles will fill again
The eyes that overflow with tears;
And the long hours of sorrow and pain
Are promises of happier years.
There is a day of sunny rest
For every dark and troubled night;
And sadness may stay as a guest,
But joy will arrive with the morning light.
And you, who, over your friend's low grave,
Let the bitter tears fall like rain,
Hope that a brighter, happier place
Will bring him back to your arms again.
And don’t let the good person lose hope,
Even when life denies its common gifts,—
Though with a pierced and broken heart,
And rejected by people, he goes to die.
For God has marked each sorrowful day
And counted every hidden tear,
And heaven’s long time of happiness will repay
For all that His children suffer here.
"NO MAN KNOWETH HIS SEPULCHRE."
When he, who, from the scourge of wrong,
Aroused the Hebrew tribes to fly,
Saw the fair region, promised long,
And bowed him on the hills to die;
God made his grave, to men unknown,
Where Moab's rocks a vale infold,
And laid the aged seer alone
To slumber while the world grows old.
Thus still, whene'er the good and just
Close the dim eye on life and pain,
Heaven watches o'er their sleeping dust
Till the pure spirit comes again.
Though nameless, trampled, and forgot,
His servant's humble ashes lie,
Yet God has marked and sealed the spot,
To call its inmate to the sky.
When he, who rose up against wrongdoing,
Aroused the Hebrew tribes to escape,
Saw the beautiful land that had long been promised,
And knelt on the hills to die;
God made his grave, unknown to people,
Where Moab's rocks embrace a valley,
And laid the old seer to rest
To sleep while the world ages.
So still, whenever the good and just
Close their eyes on life and suffering,
Heaven watches over their resting remains
Until the pure spirit returns.
Though unnamed, trampled, and forgotten,
His servant's humble ashes rest,
Yet God has marked and sealed the place,
To bring its resident to the sky.
A WALK AT SUNSET.
When insect wings are glistening in the beam
Of the low sun, and mountain-tops are bright,
Oh, let me, by the crystal valley-stream,
Wander amid the mild and mellow light;
And while the wood-thrush pipes his evening lay,
Give me one lonely hour to hymn the setting day.
Oh, sun! that o'er the western mountains now
Goest down in glory! ever beautiful
And blessed is thy radiance, whether thou
Colourest the eastern heaven and night-mist cool,
Till the bright day-star vanish, or on high
Climbest and streamest thy white splendours from mid-sky.
Yet, loveliest are thy setting smiles, and fair,
Fairest of all that earth beholds, the hues
That live among the clouds, and flush the air,
Lingering and deepening at the hour of dews.
Then softest gales are breathed, and softest heard
The plaining voice of streams, and pensive note of bird.
They who here roamed, of yore, the forest wide,
Felt, by such charm, their simple bosoms won;
They deemed their quivered warrior, when he died,
Went to bright isles beneath the setting sun;
Where winds are aye at peace, and skies are fair,
And purple-skirted clouds curtain the crimson air.
So, with the glories of the dying day,
Its thousand trembling lights and changing hues,
The memory of the brave who passed away
Tenderly mingled;—fitting hour to muse
On such grave theme, and sweet the dream that shed
Brightness and beauty round the destiny of the dead.
For ages, on the silent forests here,[Page 34]
Thy beams did fall before the red man came
To dwell beneath them; in their shade the deer
Fed, and feared not the arrow's deadly aim.
Nor tree was felled, in all that world of woods,
Save by the beaver's tooth, or winds, or rush of floods.
Then came the hunter tribes, and thou didst look,
For ages, on their deeds in the hard chase,
And well-fought wars; green sod and silver brook
Took the first stain of blood; before thy face
The warrior generations came and passed,
And glory was laid up for many an age to last.
Now they are gone, gone as thy setting blaze
Goes down the west, while night is pressing on,
And with them the old tale of better days,
And trophies of remembered power, are gone.
Yon field that gives the harvest, where the plough
Strikes the white bone, is all that tells their story now.
I stand upon their ashes in thy beam,
The offspring of another race, I stand,
Beside a stream they loved, this valley stream;
And where the night-fire of the quivered band
Showed the gray oak by fits, and war-song rung,
I teach the quiet shades the strains of this new tongue.
Farewell! but thou shalt come again—thy light
Must shine on other changes, and behold
The place of the thronged city still as night—
States fallen—new empires built upon the old—
But never shalt thou see these realms again
Darkened by boundless groves, and roamed by savage men.
When insect wings sparkle in the sunlight
Of the low sun, and mountain peaks shimmer,
Oh, let me stroll by the clear valley stream,
Wandering in the soft and warm light;
And while the wood-thrush sings his evening song,
Give me one quiet hour to celebrate the setting day.
Oh, sun! that now
Sets behind the western mountains in glory! Always beautiful
And blessed is your light, whether you
Color the eastern sky and cool night mist,
Until the bright day-star disappears, or high
You climb and cast your white radiance from mid-sky.
Yet, your setting smiles are the loveliest, and fair,
The most beautiful of all that earth sees, the colors
That dance among the clouds, and fill the air,
Lingering and deepening at the hour of dew.
Then the softest breezes breathe, and softly heard
Is the plaintive voice of streams, and the thoughtful note of birds.
Those who roamed here, in the past, the vast forest,
Felt, by such charm, their simple hearts won;
They believed their fallen warrior, when he died,
Went to bright islands beneath the setting sun;
Where the winds are always at peace, and skies are clear,
And purple-tinted clouds curtain the crimson air.
So, with the glories of the fading day,
Its thousand shimmering lights and changing colors,
The memory of the brave who are gone
Gently blends;—a perfect time for reflection
On such a serious topic, and sweet is the dream that casts
Brightness and beauty around the fate of the dead.
For ages, in the silent forests here,[Page 34]
Your beams shone down before the Native Americans came
To live beneath them; in their shade, the deer
Fed, unafraid of the arrow's deadly aim.
No tree was felled, in all that forest,
Except by the beaver's teeth, or the winds, or the rush of floods.
Then came the hunting tribes, and you watched,
For ages, their actions in the tough hunt,
And hard-fought wars; green grass and silver brook
Bore the first stains of blood; before your eyes
The warrior generations came and went,
And glory was stored up to last for many ages.
Now they are gone, gone like your setting blaze
Fading in the west, while night draws near,
And with them the old stories of better days,
And trophies of remembered power, are gone.
That field that yields the harvest, where the plow
Strikes the white bone, is all that remains of their story now.
I stand on their ashes in your light,
The descendant of another race, I stand,
Beside a stream they cherished, this valley stream;
And where the night fires of the armed band
Showed the gray oak occasionally, and war songs rang,
I teach the quiet woods the melodies of this new tongue.
Farewell! but you shall return—your light
Must shine on other changes, and witness
The place of the crowded city still as night—
States fallen—new empires built atop the old—
But you will never see these lands again
Shrouded by endless forests, and roamed by wild men.
HYMN TO DEATH.
Oh! could I hope the wise and pure in heart
Might hear my song without a frown, nor deem
My voice unworthy of the theme it tries,—
I would take up the hymn to Death, and say
To the grim power: The world hath slandered thee
And mocked thee. On thy dim and shadowy brow
They place an iron crown, and call thee king
Of terrors, and the spoiler of the world,
Deadly assassin, that strik'st down the fair,
The loved, the good—that breathest on the lights
Of virtue set along the vale of life,
And they go out in darkness. I am come,
Not with reproaches, not with cries and prayers,
Such as have stormed thy stern, insensible ear
from the beginning. I am come to speak
Thy praises. True it is, that I have wept
Thy conquests, and may weep them yet again:
And thou from some I love wilt take a life
Dear to me as my own. Yet while the spell
Is on my spirit, and I talk with thee
In sight of all thy trophies, face to face,
Meet is it that my voice should utter forth
Thy nobler triumphs; I will teach the world
To thank thee.—Who are thine accusers?—Who?
The living!—they who never felt thy power,
And know thee not. The curses of the wretch
Whose crimes are ripe, his sufferings when thy hand
Is on him, and the hour he dreads is come,
Are writ among thy praises. But the good—[Page 36]
Does he whom thy kind hand dismissed to peace,
Upbraid the gentle violence that took off
His fetters, and unbarred his prison cell?
Raise then the hymn to Death. Deliverer!
God hath anointed thee to free the oppressed
And crush the oppressor. When the armed chief,
The conqueror of nations, walks the world,
And it is changed beneath his feet, and all
Its kingdoms melt into one mighty realm—
Thou, while his head is loftiest and his heart
Blasphemes, imagining his own right hand
Almighty, thou dost set thy sudden grasp
Upon him, and the links of that strong chain
That bound mankind are crumbled; thou dost break
Sceptre and crown, and beat his throne to dust.
Then the earth shouts with gladness, and her tribes
Gather within their ancient bounds again.
Else had the mighty of the olden time,
Nimrod, Sesostris, or the youth who feigned
His birth from Libyan Ammon, smitten yet
The nations with a rod of iron, and driven
Their chariot o'er our necks. Thou dost avenge,
In thy good time, the wrongs of those who know
No other friend. Nor dost thou interpose
Only to lay the sufferer asleep,
Where he who made him wretched troubles not
His rest—thou dost strike down his tyrant too.
Oh, there is joy when hands that held the scourge
Drop lifeless, and the pitiless heart is cold.
Thou too dost purge from earth its horrible
And old idolatries;—from the proud fanes
Each to his grave their priests go out, till none
Is left to teach their worship; then the fires
Of sacrifice are chilled, and the green moss
O'ercreeps their altars; the fallen images
Cumber the weedy courts, and for loud hymns,[Page 37]
Chanted by kneeling multitudes, the wind
Shrieks in the solitary aisles. When he
Who gives his life to guilt, and laughs at all
The laws that God or man has made, and round
Hedges his seat with power, and shines in wealth,—
Lifts up his atheist front to scoff at Heaven,
And celebrates his shame in open day,
Thou, in the pride of all his crimes, cutt'st off
The horrible example. Touched by thine,
The extortioner's hard hand foregoes the gold
Wrung from the o'er-worn poor. The perjurer,
Whose tongue was lithe, e'en now, and voluble
Against his neighbour's life, and he who laughed
And leaped for joy to see a spotless fame
Blasted before his own foul calumnies,
Are smit with deadly silence. He, who sold
His conscience to preserve a worthless life,
Even while he hugs himself on his escape,
Trembles, as, doubly terrible, at length,
Thy steps o'ertake him, and there is no time
For parley—nor will bribes unclench thy grasp.
Oft, too, dost thou reform thy victim, long
Ere his last hour. And when the reveller,
Mad in the chase of pleasure, stretches on,
And strains each nerve, and clears the path of life
Like wind, thou point'st him to the dreadful goal,
And shak'st thy hour-glass in his reeling eye,
And check'st him in mid course. Thy skeleton hand
Shows to the faint of spirit the right path,
And he is warned, and fears to step aside.
Thou sett'st between the ruffian and his crime
Thy ghastly countenance, and his slack hand
Drops the drawn knife. But, oh, most fearfully
Dost thou show forth Heaven's justice, when thy shafts
Drink up the ebbing spirit—then the hard
Of heart and violent of hand restores
The treasure to the friendless wretch he wronged.
Then from the writhing bosom thou dost pluck[Page 38]
The guilty secret; lips, for ages sealed,
Are faithless to the dreadful trust at length,
And give it up; the felon's latest breath
Absolves the innocent man who bears his crime;
The slanderer, horror-smitten, and in tears,
Recalls the deadly obloquy he forged
To work his brother's ruin. Thou dost make
Thy penitent victim utter to the air
The dark conspiracy that strikes at life,
And aims to whelm the laws; ere yet the hour
Is come, and the dread sign of murder given.
Thus, from the first of time, hast thou been found
On virtue's side; the wicked, but for thee,
Had been too strong for the good; the great of earth
Had crushed the weak for ever. Schooled in guile
For ages, while each passing year had brought
Its baneful lesson, they had filled the world
With their abominations; while its tribes,
Trodden to earth, imbruted, and despoiled,
Had knelt to them in worship; sacrifice
Had smoked on many an altar, temple roofs
Had echoed with the blasphemous prayer and hymn:
But thou, the great reformer of the world,
Tak'st off the sons of violence and fraud
In their green pupilage, their lore half learned—
Ere guilt had quite o'errun the simple heart
God gave them at their birth, and blotted out
His image. Thou dost mark them flushed with hope,
As on the threshold of their vast designs
Doubtful and loose they stand, and strik'st them down.
°
°
°
°
°
Alas! I little thought that the stern power
Whose fearful praise I sung, would try me thus
Before the strain was ended. It must cease—
For he is in his grave who taught my youth
The art of verse, and in the bud of life[Page 39]
Offered me to the muses. Oh, cut off
Untimely! when thy reason in its strength,
Ripened by years of toil and studious search,
And watch of Nature's silent lessons, taught
Thy hand to practise best the lenient art
To which thou gavest thy laborious days,
And, last, thy life. And, therefore, when the earth
Received thee, tears were in unyielding eyes
And on hard cheeks, and they who deemed thy skill
Delayed their death-hour, shuddered and turned pale
When thou wert gone. This faltering verse, which thou
Shalt not, as wont, o'erlook, is all I have
To offer at thy grave—this—and the hope
To copy thy example, and to leave
A name of which the wretched shall not think
As of an enemy's, whom they forgive
As all forgive the dead. Rest, therefore, thou
Whose early guidance trained my infant steps—
Rest, in the bosom of God, till the brief sleep
Of death is over, and a happier life
Shall dawn to waken thine insensible dust.
Now thou art not—and yet the men whose guilt
Has wearied Heaven for vengeance—he who bears
False witness—he who takes the orphan's bread,
And robs the widow—he who spreads abroad
Polluted hands of mockery of prayer,
Are left to cumber earth. Shuddering I look
On what is written, yet I blot not out
The desultory numbers—let them stand,
The record of an idle revery.
Oh! If I could hope that the wise and pure of heart
Might hear my song without a frown, or think
My voice unworthy of the theme it attempts,—
I would take up the hymn to Death, and say
To the grim power: The world has slandered you
And mocked you. On your dim and shadowy brow,
They place an iron crown and call you king
Of terrors, and the destroyer of the world,
Deadly assassin, that strikes down the beautiful,
The loved, the good—that breathes on the lights
Of virtue set along the path of life,
And they go out in darkness. I have come,
Not with reproaches, not with cries and prayers,
Such as have pounded on your stern, unfeeling ear
from the beginning. I have come to speak
Your praises. It's true that I have wept
For your victories, and may weep them again:
And you will take from some I love a life
Dear to me as my own. Yet while the spell
Is on my spirit, and I talk with you
In the presence of all your trophies, face to face,
It is fitting that my voice should proclaim
Your nobler triumphs; I will teach the world
To thank you.—Who are your accusers?—Who?
The living!—they who have never felt your power,
And don’t know you. The curses of the wretch
Whose crimes are ripe, his suffering when your hand
Is upon him, and the hour he dreads has come,
Are written among your praises. But the good—[Page 36]
Does he whom your kind hand dismissed to peace,
Reproach the gentle force that took off
His chains, and opened his prison cell?
Raise then the hymn to Death. Deliverer!
God has anointed you to free the oppressed
And crush the oppressor. When the armed chief,
The conqueror of nations, walks the world,
And it is transformed beneath his feet, and all
Its kingdoms merge into one mighty realm—
You, while his head is held high and his heart
Blasphemes, thinking his own right hand
Almighty, suddenly grasp him,
And the links of that strong chain
That bound mankind crumble; you break
Sceptre and crown, and turn his throne to dust.
Then the earth shouts with joy, and her tribes
Gather within their ancient bounds again.
Otherwise, the great ones of ancient times,
Nimrod, Sesostris, or the youth who pretended
His birth from Libyan Ammon, would still
Strike the nations with a rod of iron, and drive
Their chariot over our necks. You take revenge,
In your own time, for the wrongs of those who know
No other friend. Nor do you intervene
Only to put the sufferer to sleep,
Where he who made him miserable leaves him untroubled—
you strike down his tyrant too.
Oh, there is joy when hands that held the whip
Drop lifeless, and the cruel heart is cold.
You also cleanse the earth of its horrible
And ancient idolatries;—from the proud temples,
Each to his grave their priests depart, until none
Is left to teach their worship; then the fires
Of sacrifice grow cold, and the green moss
Creeps over their altars; the fallen images
Clutter the weedy courts, and in place of loud hymns,[Page 37]
Sung by kneeling multitudes, the wind
Shrieks through the empty aisles. When he
Who gives his life to guilt, and laughs at all
The laws that God or man has made, and around
Surrounds his seat with power and flaunts his wealth,—
Raises his atheistic front to mock Heaven,
And celebrates his shame in broad daylight,
You, in the pride of all his crimes, cut off
The horrible example. Touched by you,
The extortioner's hard hand lets go of the gold
Wrung from the worn-out poor. The perjurer,
Whose tongue was flexible, even now, and voluble
Against his neighbor's life, and he who laughed
And jumped for joy to see a spotless reputation
Destroyed by his own foul lies,
Are struck mute. He, who sold
His conscience to keep a worthless life,
Even while he revels in his escape,
Trembles, as, more direfully, at last,
Your steps catch up with him, and there is no time
For negotiations—nor will bribes loosen your grip.
Often, too, do you reform your victim long
Before his last hour. And when the reveler,
Mad in the pursuit of pleasure, stretches on,
And strains every nerve, and clears the path of life
Like the wind, you point him to the dreadful goal,
And shake your hourglass in his bleary eyes,
And halt him in mid-course. Your skeletal hand
Shows to the faint-hearted the right path,
And he is warned and fears to stray.
You place yourself between the ruffian and his crime
Your ghastly face, and his slack hand
Drops the raised knife. But, oh, most fearfully
Do you show Heaven's justice when your arrows
Drink up the fading spirit—then the hard
Of heart and violent of hand returns
The treasure to the friendless wretch he wronged.
Then from the writhing chest, you pluck[Page 38]
The guilty secret; lips, for ages sealed,
Are unfaithful to the dreadful trust at last,
And reveal it; the felon's last breath
Absolves the innocent man who bears his crime;
The slanderer, filled with horror and in tears,
Recalls the deadly slander he forged
To bring about his brother's ruin. You make
Your penitent victim speak to the air
The dark conspiracy that strikes at life,
And aims to overwhelm the laws; before the hour
Comes, and the dreadful sign of murder is given.
Thus, from the beginning of time, you have been found
On virtue's side; the wicked, without you,
Would have been too strong for the good; the powerful of the earth
Would have crushed the weak forever. Trained in cunning
For ages, as each passing year brought
Its harmful lesson, they had filled the world
With their abominations; while its tribes,
Trodden down, brutalized, and despoiled,
Had worshipped them; sacrifice
Had smoked on many altars, temple roofs
Had echoed with the blasphemous prayer and hymn:
But you, the great reformer of the world,
Take off the sons of violence and fraud
In their early years, their knowledge half gained—
Before guilt had completely invaded the simple heart
God gave them at their birth, and blotted out
His image. You mark them, flushed with hope,
As on the brink of their vast plans
Doubtful and loose they stand, and strike them down.
°
°
°
°
°
Alas! I never thought that the stern power
Whose fearful praise I sang would test me like this
Before the strain was over. It must cease—
For he is in his grave who taught my youth
The art of verse, and in the bud of life[Page 39]
Introduced me to the muses. Oh, cut off
Too soon! when your reason was in its prime,
Ripened by years of hard work and studious search,
And observation of Nature's silent lessons, taught
Your hand to practice best the gentle art
To which you gave your laborious days,
And finally, your life. And so, when the earth
Received you, tears were in unyielding eyes
And on harsh cheeks, and those who thought your skill
Prolonged their death-hour shuddered and turned pale
When you were gone. This faltering verse, which you
Will not, as usual, overlook, is all I have
To offer at your grave—this—and the hope
To imitate your example, and to leave
A name of which the wretched will not think
As of an enemy's, whom they forgive
As all forgive the dead. Rest, therefore, you
Whose early guidance shaped my first steps—
Rest, in the embrace of God, until the brief sleep
Of death is over, and a happier life
Shall dawn to awaken your insensible dust.
Now you are not—and yet the men whose guilt
Has wearied Heaven for vengeance—he who bears
False witness—he who takes the orphan's bread,
And robs the widow—he who spreads around
Polluted hands of mockery in prayer,
Are left to clutter the earth. Shuddering I look
At what is written, yet I do not erase
The scattered lines—let them stand,
The record of an idle daydream.
THE MASSACRE AT SCIO.°
Weep not for Scio's children slain;
Their blood, by Turkish falchions shed,
Sends not its cry to Heaven in vain
For vengeance on the murderer's head.
Though high the warm red torrent ran
Between the flames that lit the sky,
Yet, for each drop, an armed man
Shall rise, to free the land, or die.
And for each corpse, that in the sea
Was thrown, to feast the scaly herds,
A hundred of the foe shall be
A banquet for the mountain birds.
Stern rites and sad, shall Greece ordain
To keep that day, along her shore,
Till the last link of slavery's chain
Is shivered, to be worn no more.
Weep not for the children of Scio who were killed;
Their blood, spilled by Turkish swords,
Doesn't cry out to Heaven in vain
For revenge on the murderer's head.
Though the warm red tide ran high
Between the flames lighting up the sky,
For every drop spilled, an armed man
Will rise to free the land or die.
And for every body thrown into the sea
To be food for the fish,
A hundred of the enemy will become
A feast for the mountain birds.
Greece will organize stern and sad rites
To commemorate that day along her coast,
Until the last link of slavery's chain
Is broken, never to be worn again.
THE INDIAN GIRL'S LAMENT.°
An Indian girl was sitting where
Her lover, slain in battle, slept;
Her maiden veil, her own black hair,
Came down o'er eyes that wept;
And wildly, in her woodland tongue,
This sad and simple lay she sung:
"I've pulled away the shrubs that grew
Too close above thy sleeping head,
And broke the forest boughs that threw
Their shadows o'er thy bed,
That, shining from the sweet south-west,
The sunbeams might rejoice thy rest.
"It was a weary, weary road
That led thee to the pleasant coast,
Where thou, in his serene abode,
Hast met thy father's ghost:
Where everlasting autumn lies
On yellow woods and sunny skies.
"Twas I the broidered mocsen made,
That shod thee for that distant land;
'Twas I thy bow and arrows laid
Beside thy still cold hand;
Thy bow in many a battle bent,
Thy arrows never vainly sent.
"With wampum belts I crossed thy breast,[Page 42]
And wrapped thee in the bison's hide,
And laid the food that pleased thee best,
In plenty, by thy side,
And decked thee bravely, as became
A warrior of illustrious name.
"Thou'rt happy now, for thou hast passed
The long dark journey of the grave,
And in the land of light, at last,
Hast joined the good and brave;
Amid the flushed and balmy air,
The bravest and the loveliest there.
"Yet, oft to thine own Indian maid
Even there thy thoughts will earthward stray,—
To her who sits where thou wert laid,
And weeps the hours away,
Yet almost can her grief forget,
To think that thou dost love her yet.
"And thou, by one of those still lakes
That in a shining cluster lie,
On which the south wind scarcely breaks
The image of the sky,
A bower for thee and me hast made
Beneath the many-coloured shade.
"And thou dost wait and watch to meet
My spirit sent to join the blessed,
And, wondering what detains my feet
From the bright land of rest,
Dost seem, in every sound, to hear
The rustling of my footsteps near."
An Indian girl was sitting where
Her lover, killed in battle, rested;
Her maiden veil, her own black hair,
Fell over eyes that cried;
And wildly, in her native tongue,
This sad and simple song she sang:
"I've cleared away the shrubs that grew
Too close above your sleeping head,
And broke the forest branches that threw
Their shadows over your bed,
So that, shining from the sweet southwest,
The sunbeams might brighten your rest.
"It was a long, grueling road
That brought you to the lovely shore,
Where you, in his peaceful home,
Have met your father's spirit:
Where eternal autumn rests
On golden woods and sunny skies.
"I was the one who made the embroidered moccasins,
That fitted you for that distant land;
I was the one who placed your bow and arrows
Beside your still cold hand;
Your bow was bent in many a battle,
Your arrows never wasted.
"With wampum belts, I crossed your chest,[Page 42]
And wrapped you in the bison's hide,
And laid the food you loved best,
In abundance by your side,
And dressed you boldly, as befits
A warrior of famous name.
"You’re happy now, for you’ve crossed
The long dark journey of the grave,
And in the land of light, at last,
Have joined the good and brave;
Among the flushed and soothing air,
The bravest and the loveliest there.
"Yet, often to your Indian maid
Even there your thoughts will drift down to earth,—
To her who sits where you were laid,
And weeps the hours away,
Yet can almost forget her sorrow,
To think that you still love her.
"And you, by one of those still lakes
That lie in a shining cluster,
Where the south wind scarcely ripples
The reflection of the sky,
A shelter for you and me you’ve made
Beneath the colorful shade.
"And you wait and watch to greet
My spirit sent to join the blessed,
And, wondering what holds my feet
From the bright land of rest,
Seem, in every sound, to hear
The rustling of my footsteps nearby."
ODE FOR AN AGRICULTURAL CELEBRATION.
Far back in the ages,
The plough with wreaths was crowned;
The hands of kings and sages
Entwined the chaplet round;
Till men of spoil disdained the toil
By which the world was nourished,
And dews of blood enriched the soil
Where green their laurels flourished:
—Now the world her fault repairs—
The guilt that stains her story;
And weeps her crimes amid the cares
That formed her earliest glory.
The proud throne shall crumble,
The diadem shall wane,
The tribes of earth shall humble
The pride of those who reign;
And War shall lay his pomp away;—
The fame that heroes cherish,
The glory earned in deadly fray
Shall fade, decay, and perish.
Honour waits, o'er all the Earth,
Through endless generations,
The art that calls her harvests forth,
And feeds the expectant nations.
Long ago,
The plow was crowned with garlands;
The hands of kings and wise men
Wove the wreath around;
Until those who sought riches scorned the effort
That nourished the world,
And the bloodshed enriched the earth
Where their green laurels thrived:
—Now the world is correcting its mistakes—
The guilt that stains its history;
And mourns its wrongs amidst the burdens
That shaped its earliest greatness.
The proud throne will fall,
The crown will fade,
The peoples of the earth will humble
The arrogance of those in power;
And War will set aside his grandeur;—
The glory that heroes cherish,
The honor won in bloody battles
Will vanish, decay, and cease.
Honor waits, over all the Earth,
Through countless generations,
The craft that brings forth her harvests,
And nurtures the hopeful nations.
RIZPAH.
And he delivered them into the hands of the Gibeonites, and they hanged them in the hill before the Lord; and they fell all seven together, and were put to death in the days of the harvest, in the first days, in the beginning of barley-harvest.
And he handed them over to the Gibeonites, and they were hanged on the hill before the Lord; all seven of them died together, during the harvest season, in the early days of barley harvest.
And Rizpah, the daughter of Aiah, took sackcloth, and spread it for her upon the rock, from the beginning of harvest until the water dropped upon them out of heaven, and suffered neither the birds of the air to rest upon them by day, nor the beasts of the field by night.
And Rizpah, the daughter of Aiah, took sackcloth and spread it out for herself on the rock, from the beginning of the harvest until the rain fell on them from heaven. She didn’t let the birds of the air rest on them during the day or the wild animals of the field at night.
2 SAMUEL, xxi. 10.
2 Samuel 21:10
Hear what the desolate Rizpah said,
As on Gibeah's rocks she watched the dead.
The sons of Michal before her lay,
And her own fair children, dearer than they:
By a death of shame they all had died,
And were stretched on the bare rock, side by side.
And Rizpah, once the loveliest of all
That bloomed and smiled in the court of Saul,
All wasted with watching and famine now,
And scorched by the sun her haggard brow,
Sat mournfully guarding their corpses there,
And murmured a strange and solemn air;
The low, heart-broken, and wailing strain
Of a mother that mourns her children slain:
"I have made the crags my home, and spread
On their desert backs my sackcloth bed;
I have eaten the bitter herb of the rocks,
And drunk the midnight dew in my locks;
I have wept till I could not weep, and the pain[Page 45]
Of my burning eyeballs went to my brain.
Seven blackened corpses before me lie,
In the blaze of the sun and the winds of the sky.
I have watched them through the burning day,
And driven the vulture and raven away;
And the cormorant wheeled in circles round,
Yet feared to alight on the guarded ground.
And when the shadows of twilight came,
I have seen the hyena's eyes of flame,
And heard at my side his stealthy tread,
But aye at my shout the savage fled:
And I threw the lighted brand to fright
The jackal and wolf that yelled in the night.
"Ye were foully murdered, my hapless sons,
By the hands of wicked and cruel ones;
Ye fell, in your fresh and blooming prime,
All innocent, for your father's crime.
He sinned—but he paid the price of his guilt
When his blood by a nameless hand was spilt;
When he strove with the heathen host in vain,
And fell with the flower of his people slain,
And the sceptre his children's hands should sway
From his injured lineage passed away.
"But I hoped that the cottage roof would be
A safe retreat for my sons and me;
And that while they ripened to manhood fast,
They should wean my thoughts from the woes of the past.
And my bosom swelled with a mother's pride,
As they stood in their beauty and strength by my side,
Tall like their sire, with the princely grace
Of his stately form, and the bloom of his face.
"Oh, what an hour for a mother's heart,
When the pitiless ruffians tore us apart!
When I clasped their knees and wept and prayed,[Page 46]
And struggled and shrieked to Heaven for aid,
And clung to my sons with desperate strength,
Till the murderers loosed my hold at length,
And bore me breathless and faint aside,
In their iron arms, while my children died.
They died—and the mother that gave them birth
Is forbid to cover their bones with earth.
"The barley-harvest was nodding white,
When my children died on the rocky height,
And the reapers were singing on hill and plain,
When I came to my task of sorrow and pain.
But now the season of rain is nigh,
The sun is dim in the thickening sky,
And the clouds in sullen darkness rest
Where he hides his light at the doors of the west.
I hear the howl of the wind that brings
The long drear storm on its heavy wings;
But the howling wind and the driving rain
Will beat on my houseless head in vain:
I shall stay, from my murdered sons to scare
The beasts of the desert, and fowls of air."
Hear what the heartbroken Rizpah said,
As she watched the dead on the rocks of Gibeah.
The sons of Michal lay before her,
And her own beautiful children, even dearer:
They all died a shameful death,
And were stretched out on the bare rock, side by side.
And Rizpah, once the loveliest of all
Who bloomed and smiled in Saul's court,
All worn out from watching and hunger now,
And scorched by the sun on her haggard brow,
Sat sadly guarding their bodies there,
And murmured a strange and solemn tune;
The low, heartbroken, wailing sound
Of a mother mourning her slain children:
"I have made the crags my home, and laid
My sackcloth bed on their barren backs;
I have eaten the bitter herb of the rocks,
And drank the midnight dew in my hair;
I have cried until I couldn’t cry anymore, and the pain[Page 45]
Of my burning eyes went to my head.
Seven blackened corpses lie before me,
In the blazing sun and the winds of the sky.
I have watched them through the scorching day,
And chased away the vulture and raven;
And the cormorant circled around,
Yet didn’t dare to land on the guarded ground.
And when twilight shadows fell,
I saw the hyena's fiery eyes,
And heard his stealthy footsteps beside me,
But at my shout, the savage fled:
And I threw the burning brand to scare
The jackal and wolf that howled in the night.
"You were brutally murdered, my unfortunate sons,
By the hands of wicked and cruel people;
You fell, in your fresh and blooming prime,
All innocent, for your father's crime.
He sinned—but he paid for his guilt
When his blood was spilt by an unknown hand;
When he struggled against the heathen host in vain,
And fell with the flower of his people slain,
And the sceptre that should have been in his children’s hands
Passed away from his wronged lineage.
"But I hoped that the cottage roof would be
A safe place for my sons and me;
And that while they quickly grew to manhood,
They would lift my thoughts from the sorrows of the past.
And my heart swelled with a mother’s pride,
As they stood in their beauty and strength by my side,
Tall like their father, with the princely grace
Of his strong form and the glow of his face.
"Oh, what an hour for a mother's heart,
When the heartless ruffians tore us apart!
When I clung to their knees and cried and prayed,[Page 46]
And struggled and screamed to Heaven for help,
And held onto my sons with desperate strength,
Until the murderers finally loosened my grip,
And carried me away, breathless and weak,
In their iron arms, while my children died.
They died—and the mother who gave them life
Is forbidden to cover their bones with earth.
"The barley harvest was nodding white,
When my children died on the rocky height,
And the reapers were singing on hill and plain,
When I came to my task of sorrow and pain.
But now the rainy season is near,
The sun is dim in the thickening sky,
And the clouds rest in sullen darkness
Where he hides his light at the western door.
I hear the howl of the wind that brings
The long dreary storm on its heavy wings;
But the howling wind and driving rain
Will beat on my houseless head in vain:
I will stay, to scare away
The beasts of the desert and birds of the air."
THE OLD MAN'S FUNERAL.
I saw an aged man upon his bier,
His hair was thin and white, and on his brow
A record of the cares of many a year;—
Cares that were ended and forgotten now.
And there was sadness round, and faces bowed,
And woman's tears fell fast, and children wailed aloud.
Then rose another hoary man and said,
In faltering accents, to that weeping train,
"Why mourn ye that our aged friend is dead?
Ye are not sad to see the gathered grain,
Nor when their mellow fruit the orchards cast,
Nor when the yellow woods shake down the ripened mast.
"Ye sigh not when the sun, his course fulfilled,
His glorious course, rejoicing earth and sky,
In the soft evening, when the winds are stilled,
Sinks where his islands of refreshment lie,
And leaves the smile of his departure, spread
O'er the warm-coloured heaven and ruddy mountain head.
"Why weep ye then for him, who, having won
The bound of man's appointed years, at last,
Life's blessings all enjoyed, life's labours done,
Serenely to his final rest has passed;
While the soft memory of his virtues, yet,
Lingers like twilight hues, when the bright sun is set?
"His youth was innocent; his riper age[Page 48]
Marked with some act of goodness every day;
And watched by eyes that loved him, calm, and sage,
Faded his late declining years away.
Cheerful he gave his being up, and went
To share the holy rest that waits a life well spent.
"That life was happy; every day he gave
Thanks for the fair existence that was his;
For a sick fancy made him not her slave,
To mock him with her phantom miseries.
No chronic tortures racked his aged limb,
For luxury and sloth had nourished none for him.
"And I am glad that he has lived thus long,
And glad that he has gone to his reward;
Nor can I deem that nature did him wrong,
Softly to disengage the vital cord.
For when his hand grew palsied, and his eye
Dark with the mists of age, it was his time to die."
I saw an old man on his deathbed,
His hair was thin and white, and on his forehead
A sign of the worries from many years;—
Worries that were over and forgotten now.
And there was sadness all around, heads bowed,
And women wept openly, and children cried out loud.
Then an older man stood up and spoke,
In shaky tones, to that grieving group,
"Why do you mourn for our elderly friend’s passing?
You don’t grieve when the harvest is gathered,
Or when the orchards drop their ripe fruit,
Or when the golden trees shed their plentiful acorns.
"You don’t sigh when the sun, having completed his journey,
His glorious journey, rejoicing earth and sky,
In the calm evening, when the winds are quiet,
Sets where his rest areas are,
And leaves behind the beauty of his goodbye,
Across the warm-colored sky and the glowing mountaintops.
"Why then do you cry for him, who, having reached
The limit of a man’s expected years, at last,
Having enjoyed life’s blessings and completed life’s work,
Peacefully moved on to his final rest;
While the gentle memory of his good deeds,
Lingers like twilight shades after the bright sun has set?
"His youth was pure; his later years[Page 48]
Filled with acts of kindness every day;
And watched by loving eyes, calm and wise,
His late declining years faded away.
He happily let go of life, and went
To share the peaceful rest that awaits a life well lived.
"That life was joyful; every day he expressed
Gratitude for the good life he had;
For a sick imagination didn’t control him,
To torment him with false miseries.
No chronic pains tormented his old body,
For luxury and laziness had found no place with him.
"And I am glad he lived this long,
And glad he has gone to his reward;
I cannot think that nature was unfair to him,
Gently loosening the bond of life.
For when his hand became weak, and his eyes
Clouded with age, it was his time to go."
THE RIVULET.
This little rill, that from the springs
Of yonder grove its current brings,
Plays on the slope a while, and then
Goes prattling into groves again,
Oft to its warbling waters drew
My little feet, when life was new,
When woods in early green were dressed,
And from the chambers of the west
The warmer breezes, travelling out,
Breathed the new scent of flowers about,
My truant steps from home would stray,
Upon its grassy side to play,
List the brown thrasher's vernal hymn,
And crop the violet on its brim,
With blooming cheek and open brow,
As young and gay, sweet rill, as thou.
And when the days of boyhood came,
And I had grown in love with fame,
Duly I sought thy banks, and tried
My first rude numbers by thy side.
Words cannot tell how bright and gay
The scenes of life before me lay.
Then glorious hopes, that now to speak
Would bring the blood into my cheek,
Passed o'er me; and I wrote, on high,
A name I deemed should never die.
id="page"
Years change thee not. Upon yon hill[Page 50]
The tall old maples, verdant still,
Yet tell, in grandeur of decay,
How swift the years have passed away,
Since first, a child, and half afraid,
I wandered in the forest shade.
Thou ever joyous rivulet,
Dost dimple, leap, and prattle yet;
And sporting with the sands that pave
The windings of thy silver wave,
And dancing to thy own wild chime,
Thou laughest at the lapse of time.
The same sweet sounds are in my ear
My early childhood loved to hear;
As pure thy limpid waters run,
As bright they sparkle to the sun;
As fresh and thick the bending ranks
Of herbs that line thy oozy banks;
The violet there, in soft May dew,
Comes up, as modest and as blue,
As green amid thy current's stress,
Floats the scarce-rooted watercress:
And the brown ground-bird, in thy glen,
Still chirps as merrily as then.
Thou changest not—but I am changed,
Since first thy pleasant banks I ranged;
And the grave stranger, come to see
The play-place of his infancy,
Has scarce a single trace of him
Who sported once upon thy brim.
The visions of my youth are past—
Too bright, too beautiful to last.
I've tried the world—it wears no more
The colouring of romance it wore.
Yet well has Nature kept the truth
She promised to my earliest youth.
The radiant beauty shed abroad[Page 51]
On all the glorious works of God,
Shows freshly, to my sobered eye,
Each charm it wore in days gone by.
A few brief years shall pass away,
And I, all trembling, weak, and gray,
Bowed to the earth, which waits to fold
My ashes in the embracing mould,
(If haply the dark will of fate
Indulge my life so long a date)
May come for the last time to look
Upon my childhood's favourite brook.
Then dimly on my eye shall gleam
The sparkle of thy dancing stream;
And faintly on my ear shall fall
Thy prattling current's merry call;
Yet shalt thou flow as glad and bright
As when thou met'st my infant sight.
And I shall sleep—and on thy side,
As ages after ages glide,
Children their early sports shall try,
And pass to hoary age and die.
But thou, unchanged from year to year,
Gayly shalt play and glitter here;
Amid young flowers and tender grass
Thy endless infancy shalt pass;
And, singing down thy narrow glen,
Shalt mock the fading race of men.
This little stream, that flows from the springs
Of that grove over there,
Plays on the slope for a while, and then
Goes bubbling back into the woods again,
Often drawing
My little feet to its water when I was young,
When the woods were dressed in early green,
And warm breezes came from the west,
Carrying the fresh scent of flowers,
My wandering steps would stray from home,
Playing by its grassy side,
Listening to the brown thrasher's spring song,
And picking violets at its edge,
With a blooming cheek and open brow,
As young and carefree, sweet stream, as you.
And when I got older,
And fell in love with fame,
I sought out your banks, and tried
My first rough verses by your side.
Words can't express how bright and cheerful
The scenes of life looked to me.
Then glorious hopes, which now to mention
Would flush my cheeks,
Passed over me; and I wrote, up high,
A name I thought would never die.
id="page"
Years don’t change you. On that hill[Page 50]
The tall old maples, still green,
Show, in their grand decay,
How quickly the years have passed,
Since I first wandered there as a child, half afraid,
In the forest shade.
You ever joyful little stream,
You still ripple, leap, and babble;
And playing with the sands that line
The twists of your silver wave,
And dancing to your own wild tune,
You laugh at the passing time.
The same sweet sounds are in my ears
That my early childhood loved to hear;
As pure as your clear waters run,
As bright as they sparkle in the sun;
As fresh and thick the bending rows
Of plants that line your muddy banks;
The violet there, in soft May dew,
Rises up, as modest and as blue,
As green among your current's flow,
Floats the barely rooted watercress:
And the brown ground-bird, in your valley,
Still chirps as happily as back then.
You don’t change—but I have changed,
Since first I roamed your pleasant banks;
And the serious stranger, back to see
The playground of his childhood,
Has hardly a trace left of him
Who once played on your edge.
The visions of my youth are gone—
Too bright, too beautiful to last.
I’ve tried the world—it no longer has
The romantic colors it once had.
Yet Nature has well kept the truth
She promised to my earliest youth.
The radiant beauty spread abroad[Page 51]
On all the glorious creations of God,
Looks fresh, to my sober eye,
Just as charming as it did back then.
A few short years will pass,
And I, all trembling, weak, and gray,
Bowed to the earth, which waits to embrace
My ashes in its loving ground,
(If perhaps fate allows
My life to last this long)
May come for the last time to see
My childhood's favorite brook.
Then dimly in my eye shall gleam
The sparkle of your dancing stream;
And faintly in my ear shall fall
Your bubbling current's cheerful call;
Yet you will flow as happily and brightly
As when you first caught my infant eye.
And I shall sleep—and on your side,
As ages after ages pass,
Children will try their early games,
And grow old and die.
But you, unchanged year after year,
Will play and shine here cheerfully;
Amid young flowers and tender grass,
Your endless youth will flow;
And, singing down your narrow valley,
You will mock the fading race of men.
MARCH.
The stormy March is come at last,
With wind, and cloud, and changing skies,
I hear the rushing of the blast,
That through the snowy valley flies.
Ah, passing few are they who speak,
Wild stormy month! in praise of thee;
Yet, though thy winds are loud and bleak,
Thou art a welcome month to me.
For thou, to northern lands, again
The glad and glorious sun dost bring,
And thou hast joined the gentle train
And wear'st the gentle name of Spring.
And, in thy reign of blast and storm,
Smiles many a long, bright, sunny day,
When the changed winds are soft and warm,
And heaven puts on the blue of May.
Then sing aloud the gushing rills
And the full springs, from frost set free,
That, brightly leaping down the hills,
Are just set out to meet the sea.
The year's departing beauty hides
Of wintry storms the sullen threat;
But in thy sternest frown abides
A look of kindly promise yet.
Thou bring'st the hope of those calm skies,
And that soft time of sunny showers,
When the wide bloom, on earth that lies,
Seems of a brighter world than ours.
The stormy March has finally arrived,
With wind, and clouds, and shifting skies,
I hear the rush of the wind,
As it sweeps through the snowy valley.
Ah, there are so few who praise,
Wild stormy month! you;
Yet, even though your winds are loud and cold,
You are a welcome month to me.
For you bring back to northern lands
The joyful and glorious sun,
And you've joined the gentle crew
And carry the gentle name of Spring.
And, during your reign of wind and storm,
Many long, bright, sunny days appear,
When the changing winds are soft and warm,
And the sky dresses in May's blue.
So sing out loud the bubbling streams
And the full springs, freed from frost,
That, brightly leaping down the hills,
Are just starting out to meet the sea.
The departing beauty of the year hides
The gloomy threat of winter storms;
But even in your harshest glare
There’s a hint of kind promise still.
You bring the hope of peaceful skies,
And that soft time of sunny showers,
When the wide bloom lying on the earth,
Seems brighter than our own world.
SONNET TO ——.
Ay, thou art for the grave; thy glances shine
Too brightly to shine long; another Spring
Shall deck her for men's eyes,—but not for thine—
Sealed in a sleep which knows no wakening.
The fields for thee have no medicinal leaf,
And the vexed ore no mineral of power;
And they who love thee wait in anxious grief
Till the slow plague shall bring the fatal hour.
Glide softly to thy rest then; Death should come
Gently, to one of gentle mould like thee,
As light winds wandering through groves of bloom
Detach the delicate blossom from the tree.
Close thy sweet eyes, calmly, and without pain;
And we will trust in God to see thee yet again.
Oh, you’re meant for the grave; your looks shine
Too brightly to last long; another Spring
Will dress up for people's eyes—but not for you—
Sealed in a sleep that knows no awakening.
The fields hold no healing leaves for you,
And the troubled ore has no mineral of power;
And those who love you wait in anxious sorrow
Until the slow plague brings the final hour.
Glide softly to your rest then; Death should come
Gently, to someone as gentle as you,
Like light winds wandering through blooming groves
That detach the delicate blossom from the tree.
Close your sweet eyes, calmly, and without pain;
And we will trust in God to see you again.
AN INDIAN STORY.
"I know where the timid fawn abides
In the depths of the shaded dell,
Where the leaves are broad and the thicket hides,
With its many stems and its tangled sides,
From the eye of the hunter well.
"I know where the young May violet grows,
In its lone and lowly nook,
On the mossy bank, where the larch-tree throws
Its broad dark boughs, in solemn repose,
Far over the silent brook.
"And that timid fawn starts not with fear
When I steal to her secret bower;
And that young May violet to me is dear,
And I visit the silent streamlet near,
To look on the lovely flower."
Thus Maquon sings as he lightly walks
To the hunting-ground on the hills;
'Tis a song of his maid of the woods and rocks,
With her bright black eyes and long black looks,
And voice like the music of rills.
He goes to the chase—but evil eyes
Are at watch in the thicker shades;
For she was lovely that smiled on his sighs,
And he bore, from a hundred lovers, his prize,
The flower of the forest maids.
The boughs in the morning wind are stirred,[Page 55]
And the woods their song renew,
With the early carol of many a bird,
And the quickened tune of the streamlet heard
Where the hazels trickle with dew.
And Maquon has promised his dark-haired maid,
Ere eve shall redden the sky,
A good red deer from the forest shade,
That bounds with the herd through grove and glade,
At her cabin-door shall lie.
The hollow woods, in the setting sun,
Ring shrill with the fire-bird's lay;
And Maquon's sylvan labours are done,
And his shafts are spent, but the spoil they won
He bears on his homeward way.
He stops near his bower—his eye perceives
Strange traces along the ground—
At once to the earth his burden he heaves,
He breaks through the veil of boughs and leaves,
And gains its door with a bound.
But the vines are torn on its walls that leant,
And all from the young shrubs there
By struggling hands have the leaves been rent,
And there hangs on the sassafras, broken and bent,
One tress of the well-known hair.
But where is she who, at this calm hour,
Ever watched his coming to see?
She is not at the door, nor yet in the bower;
He calls—but he only hears on the flower
The hum of the laden bee.
It is not a time for idle grief,[Page 56]
Nor a time for tears to flow;
The horror that freezes his limbs is brief—
He grasps his war-axe and bow, and a sheaf
Of darts made sharp for the foe.
And he looks for the print of the ruffian's feet,
Where he bore the maiden away;
And he darts on the fatal path more fleet
Than the blast that hurries the vapour and sleet
O'er the wild November day.
'Twas early summer when Maquon's bride
Was stolen away from his door;
But at length the maples in crimson are dyed,
And the grape is black on the cabin side,—
And she smiles at his hearth once more.
But far in the pine-grove, dark and cold,
Where the yellow leaf falls not,
Nor the autumn shines in scarlet and gold,
There lies a hillock of fresh dark mould,
In the deepest gloom of the spot.
And the Indian girls, that pass that way,
Point out the ravisher's grave;
"And how soon to the bower she loved," they say,
"Returned the maid that was borne away
From Maquon, the fond and the brave."
"I know where the shy fawn stays
In the depths of the shaded glen,
Where the leaves are wide and the thicket hides,
With its many branches and tangled sides,
From the hunter's eye, well concealed.
"I know where the young May violet blooms,
In its lonely and humble spot,
On the mossy bank, where the larch-tree spreads
Its broad dark branches in peaceful rest,
Far over the quiet brook.
"And that shy fawn doesn’t flinch with fear
When I sneak to her hidden home;
And that young May violet means a lot to me,
So I visit the silent stream nearby,
To see the lovely flower."
Thus Maquon sings as he strolls
To the hunting ground on the hills;
It's a song about his woodland girl,
With her bright black eyes and long black hair,
And a voice like the music of streams.
He heads to the hunt—but wicked eyes
Are watching from the denser woods;
For she was lovely, the one who smiled at his sighs,
And he has taken, from a hundred lovers, his prize,
The flower of the forest maids.
The branches stir in the morning breeze,
And the woods continue their song,
With the early chirping of many birds,
And the lively tune of the streamlet heard
Where the hazels drip with dew.
And Maquon has promised his dark-haired girl,
Before evening reddens the sky,
A fine red deer from the forest shade,
That bounds with the herd through grove and glade,
Will lie at her cabin door.
The hollow woods, in the setting sun,
Ring sharply with the bird's song;
And Maquon's woodland work is done,
And his arrows are spent, but the prize they've won
He carries on his way home.
He stops by his bower—his eye spots
Strange signs along the ground—
He lifts his burden and rushes
Through the veil of branches and leaves,
And reaches its door with a leap.
But the vines are torn on its walls,
And all from the young shrubs there
The leaves have been ripped by struggling hands,
And there hangs on the sassafras, broken and bent,
One strand of the familiar hair.
But where is she who, at this calm hour,
Always watched for his return?
She is not at the door, nor in the bower;
He calls—but all he hears on the flower
Is the hum of the busy bee.
It's not a time for idle sorrow,
Nor a time for tears to flow;
The horror that freezes his limbs is short—
He grabs his war axe and bow, and a bundle
Of darts sharpened for the enemy.
And he looks for the prints of the ruffian’s feet,
Where he took the maiden away;
And he goes down the fateful path faster
Than the wind that rushes the mist and sleet
On the wild November day.
It was early summer when Maquon's bride
Was taken from his door;
But finally, the maples are dyed in crimson,
And the grapes are dark on the cabin side—
And she smiles by his hearth once more.
But far in the pine grove, dark and cold,
Where the yellow leaves do not fall,
Nor does autumn shine in scarlet and gold,
There lies a mound of fresh dark soil,
In the deepest shade of the area.
And the Indian girls who pass that way,
Point out the grave of the ravisher;
"And how soon to the bower she loved," they say,
"Returned the maiden who was taken away
From Maquon, the loving and brave."
SUMMER WIND.
It is a sultry day; the sun has drunk
The dew that lay upon the morning grass;
There is no rustling in the lofty elm
That canopies my dwelling, and its shade
Scarce cools me. All is silent, save the faint
And interrupted murmur of the bee,
Settling on the sick flowers, and then again
Instantly on the wing. The plants around
Feel the too potent fervours: the tall maize
Rolls up its long green leaves; the clover droops
Its tender foliage, and declines its blooms.
But far in the fierce sunshine tower the hills,
With all their growth of woods, silent and stern,
As if the scorching heat and dazzling light
Were but an element they loved. Bright clouds,
Motionless pillars of the brazen heaven,—
Their bases on the mountains—their white tops
Shining in the far ether—fire the air
With a reflected radiance, and make turn
The gazer's eye away. For me, I lie
Languidly in the shade, where the thick turf,
Yet virgin from the kisses of the sun,
Retains some freshness, and I woo the wind
That still delays its coming. Why so slow,
Gentle and voluble spirit of the air?[Page 58]
Oh, come and breathe upon the fainting earth
Coolness and life. Is it that in his caves
He hears me? See, on yonder woody ridge,
The pine is bending his proud top, and now
Among the nearer groves, chestnut and oak
Are tossing their green boughs about. He comes!
Lo, where the grassy meadow runs in waves!
The deep distressful silence of the scene
Breaks up with mingling of unnumbered sounds
And universal motion. He is come,
Shaking a shower of blossoms from the shrubs,
And bearing on their fragrance; and he brings
Music of birds, and rustling of young boughs,
And sound of swaying branches, and the voice
Of distant waterfalls. All the green herbs
Are stirring in his breath; a thousand flowers,
By the road-side and the borders of the brook,
Nod gayly to each other; glossy leaves
Are twinkling in the sun, as if the dew
Were on them yet, and silver waters break
Into small waves and sparkle as he comes.
It’s a hot day; the sun has soaked up
The dew on the morning grass;
There’s no rustling in the tall elm
That shades my home, and its cover
Barely cools me. Everything is quiet, except for the faint
And sporadic hum of the bee,
Landing on the wilting flowers, then instantly
Taking off again. The plants around
Can’t handle the intense heat: the tall corn
Rolls up its long green leaves; the clover droops
Its delicate leaves and lowers its blooms.
But far in the blazing sunshine rise the hills,
With all their woods, silent and strong,
As if the blazing heat and blinding light
Were just an element they cherished. Bright clouds,
Still pillars of the bright sky,—
Their bases on the mountains—their white tops
Shining in the far sky—light up
The air with reflected glow, making
The onlooker look away. For me, I lie
Wearily in the shade, where the thick grass,
Still untouched by the sun,
Holds some freshness, and I yearn for the wind
That still delays its arrival. Why so slow,
Gentle and chatty spirit of the air?[Page 58]
Oh, come and breathe some coolness and life
Onto the weary earth. Is it that in his caves
He hears me? Look, on that wooded ridge,
The pine is bending its proud top, and now
Among the nearby groves, chestnut and oak
Are swaying their green branches about. He’s coming!
Look, where the grassy meadow ripples!
The deep, oppressive silence of the scene
Breaks with a mix of countless sounds
And universal motion. He has arrived,
Shaking a shower of blossoms from the shrubs,
Carrying their fragrance; and he brings
Music of birds, the rustling of young branches,
The sound of swaying limbs, and the voice
Of distant waterfalls. All the green herbs
Are stirring in his breath; a thousand flowers,
By the roadside and the edges of the brook,
Nod cheerfully to each other; shiny leaves
Twinkle in the sun, as if the dew
Were still on them, and silver waters break
Into small waves and sparkle as he approaches.
AN INDIAN AT THE BURIAL-PLACE OF HIS FATHERS.
It is the spot I came to seek,—
My fathers' ancient burial-place
Ere from these vales, ashamed and weak,
Withdrew our wasted race.
It is the spot—I know it well—
Of which our old traditions tell.
For here the upland bank sends out
A ridge toward the river-side;
I know the shaggy hills about,
The meadows smooth and wide,—
The plains, that, toward the southern sky,
Fenced east and west by mountains lie.
A white man, gazing on the scene,
Would say a lovely spot was here,
And praise the lawns, so fresh and green,
Between the hills so sheer.
I like it not—I would the plain
Lay in its tall old groves again.
The sheep are on the slopes around,
The cattle in the meadows feed,
And labourers turn the crumbling ground,
Or drop the yellow seed,
And prancing steeds, in trappings gay,
Whirl the bright chariot o'er the way.
Methinks it were a nobler sight[Page 60]
To see these vales in woods arrayed,
Their summits in the golden light,
Their trunks in grateful shade,
And herds of deer, that bounding go
O'er hills and prostrate trees below.
And then to mark the lord of all,
The forest hero, trained to wars,
Quivered and plumed, and lithe and tall,
And seamed with glorious scars,
Walk forth, amid his reign, to dare
The wolf, and grapple with the bear.
This bank, in which the dead were laid,
Was sacred when its soil was ours;
Hither the artless Indian maid
Brought wreaths of beads and flowers,
And the gray chief and gifted seer
Worshipped the god of thunders here.
But now the wheat is green and high
On clods that hid the warrior's breast,
And scattered in the furrows lie
The weapons of his rest;
And there, in the loose sand, is thrown
Of his large arm the mouldering bone.
Ah, little thought the strong and brave
Who bore their lifeless chieftain forth—
Or the young wife, that weeping gave
Her first-born to the earth,
That the pale race, who waste us now,
Among their bones should guide the plough.
They waste us—ay—like April snow[Page 61]
In the warm noon, we shrink away;
And fast they follow, as we go
Towards the setting day,—
Till they shall fill the land, and we
Are driven into the western sea.
But I behold a fearful sign,
To which the white men's eyes are blind;
Their race may vanish hence, like mine,
And leave no trace behind,
Save ruins o'er the region spread,
And the white stones above the dead.
Before these fields were shorn and tilled,
Full to the brim our rivers flowed;
The melody of waters filled
The fresh and boundless wood;
And torrents dashed and rivulets played,
And fountains spouted in the shade.
Those grateful sounds are heard no more,
The springs are silent in the sun;
The rivers, by the blackened shore,
With lessening current run;
The realm our tribes are crushed to get
May be a barren desert yet.
It’s the place I came to find,—
My ancestors' ancient burial ground
Before our weakened race,
Ashamed, withdrew from these valleys.
It’s the place—I know it well—
Of which our old stories tell.
Here the upland bank extends
A ridge toward the riverbank;
I know the rugged hills around,
The meadows smooth and wide,—
The plains that stretch toward the southern sky,
Fenced east and west by mountains.
A white man, looking at the scene,
Would call it a beautiful spot,
And praise the lawns, so fresh and green,
Between the steep hills.
I don’t like it—I wish the plain
Lay back in its tall old trees again.
The sheep are grazing on the slopes,
The cattle feed in the meadows,
And workers turn the crumbling soil,
Or sow the yellow seed,
And prancing horses, in bright gear,
Race the shiny chariot along the path.
I think it would be a nobler sight[Page 60]
To see these valleys covered in woods,
Their peaks bathed in golden light,
Their trunks in grateful shade,
And herds of deer, bounding over
Hills and fallen trees below.
And then to see the lord of all,
The forest hero, trained for battle,
Quivering and plumed, tall and agile,
And marked with glorious scars,
Walk forth, in his realm, to confront
The wolf, and wrestle with the bear.
This bank, where the dead were laid,
Was sacred when it was our land;
Here, the innocent Indian maid
Brought wreaths of beads and flowers,
And the gray chief and wise seer
Worshipped the god of thunder here.
But now the wheat is green and tall
On clods that once hid the warrior's body,
And scattered in the furrows lie
The weapons of his rest;
And there, in the loose sand, lies
Of his strong arm the decaying bone.
Ah, the strong and brave
Who carried their lifeless chief away—
Or the young wife, who, crying, gave
Her firstborn to the earth,
Never thought that the pale race,
Who now drain us, would guide the plow among their bones.
They drain us—yes—like April snow[Page 61]
In the warm noon, we fade away;
And quickly they follow, as we go
Towards the setting sun,—
Until they fill the land, and we
Are pushed into the western sea.
But I see a fearful sign,
To which the white men are blind;
Their race might vanish like mine,
And leave no trace behind,
Save ruins spread across the land,
And the white stones above the dead.
Before these fields were harvested and farmed,
Our rivers flowed full to the brim;
The melody of waters filled
The fresh and boundless woods;
And torrents rushed and streams played,
And fountains spouted in the shade.
Those pleasant sounds are gone now,
The springs are silent in the sun;
The rivers, by the charred shore,
Run with lessening flow;
The land our tribes are crushed to obtain
May yet become a barren desert.
SONG.
Dost thou idly ask to hear
At what gentle seasons
Nymphs relent, when lovers near
Press the tenderest reasons?
Ah, they give their faith too oft
To the careless wooer;
Maidens' hearts are always soft:
Would that men's were truer!
Woo the fair one, when around
Early birds are singing;
When, o'er all the fragrant ground.
Early herbs are springing:
When the brookside, bank, and grove,
All with blossoms laden,
Shine with beauty, breathe of love,—
Woo the timid maiden.
Woo her when, with rosy blush,
Summer eve is sinking;
When, on rills that softly gush,
Stars are softly winking;
When, through boughs that knit the bower,[Page 63]
Moonlight gleams are stealing;
Woo her, till the gentle hour
Wake a gentler feeling.
Woo her, when autumnal dyes
Tinge the woody mountain;
When the dropping foliage lies
In the weedy fountain;
Let the scene, that tells how fast
Youth is passing over,
Warn her, ere her bloom is past,
To secure her lover.
Woo her, when the north winds call
At the lattice nightly;
When, within the cheerful hall,
Blaze the fagots brightly;
While the wintry tempest round
Sweeps the landscape hoary,
Sweeter in her ear shall sound
Love's delightful story.
Do you idly ask to hear
At what gentle seasons
Nymphs give in, when lovers are near
Making the tenderest pleas?
Ah, they often give their trust
To the careless suitor;
Maidens' hearts are always soft:
I wish men's were truer!
Pursue the fair one, when around
Early birds are singing;
When, across all the fragrant ground,
Early herbs are springing:
When the brookside, bank, and grove,
All heavy with blossoms,
Shine with beauty, breathe of love—
Pursue the shy maiden.
Pursue her when, with rosy blush,
Summer evening is fading;
When, on streams that softly flow,
Stars are gently winking;
When, through boughs that frame the bower,[Page 63]
Moonlight gleams are stealing;
Pursue her, till the gentle hour
Awakens a gentler feeling.
Pursue her, when autumn colors
Tinge the wooded mountains;
When the falling leaves lie
In the weedy fountain;
Let the scene, that shows how fast
Youth is slipping away,
Remind her, before her bloom is gone,
To secure her lover.
Pursue her, when the north winds blow
At the window nightly;
When, inside the cheerful hall,
The logs blaze brightly;
While the winter storm around
Sweeps the landscape gray,
Sweeter in her ear will sound
Love's delightful story.
HYMN OF THE WALDENSES.
Hear, Father, hear thy faint afflicted flock
Cry to thee, from the desert and the rock;
While those, who seek to slay thy children, hold
Blasphemous worship under roofs of gold;
And the broad goodly lands, with pleasant airs
That nurse the grape and wave the grain, are theirs.
Yet better were this mountain wilderness,
And this wild life of danger and distress—
Watchings by night and perilous flight by day,
And meetings in the depths of earth to pray,
Better, far better, than to kneel with them,
And pay the impious rite thy laws condemn.
Thou, Lord, dost hold the thunder; the firm land
Tosses in billows when it feels thy hand;
Thou dashest nation against nation, then
Stillest the angry world to peace again.
Oh, touch their stony hearts who hunt thy sons—
The murderers of our wives and little ones.
Yet, mighty God, yet shall thy frown look forth
Unveiled, and terribly shall shake the earth.
Then the foul power of priestly sin and all
Its long-upheld idolatries shall fall.
Thou shalt raise up the trampled and oppressed,
And thy delivered saints shall dwell in rest.
Listen, Father, listen to your faint, suffering flock
Crying out to you from the desert and the rocks;
While those who want to harm your children worship
In blasphemous ceremonies under roofs of gold;
And the wide, beautiful lands, with gentle breezes
That nurture the grapes and wave the grain, belong to them.
Yet this mountain wilderness is better,
And this wild life filled with danger and distress—
Staying awake at night and fleeing in danger by day,
And gathering in the depths of the earth to pray,
Is far better than kneeling with them,
And participating in the impious rituals your laws condemn.
You, Lord, control the thunder; the solid ground
Heaves in waves when it feels your hand;
You throw nations against each other, then
Calm the furious world back to peace again.
Oh, soften the hard hearts of those who persecute your sons—
The killers of our wives and children.
Yet, mighty God, your anger will still be revealed
Openly, and will shake the earth violently.
Then the vile power of sinful priests and all
Their long-cherished idolatries will collapse.
You will lift up the trampled and oppressed,
And your freed saints will live in peace.
MONUMENT MOUNTAIN.°
Thou who wouldst see the lovely and the wild
Mingled in harmony on Nature's face,
Ascend our rocky mountains. Let thy foot
Fail not with weariness, for on their tops
The beauty and the majesty of earth,
Spread wide beneath, shall make thee to forget
The steep and toilsome way. There, as thou stand'st,
The haunts of men below thee, and around
The mountain summits, thy expanding heart
Shall feel a kindred with that loftier world
To which thou art translated, and partake
The enlargement of thy vision. Thou shalt look
Upon the green and rolling forest tops,
And down into the secrets of the glens,
And streams, that with their bordering thickets strive
To hide their windings. Thou shalt gaze, at once,
Here on white villages, and tilth, and herds,
And swarming roads, and there on solitudes
That only hear the torrent, and the wind,
And eagle's shriek. There is a precipice
That seems a fragment of some mighty wall,
Built by the hand that fashioned the old world,
To separate its nations, and thrown down
When the flood drowned them. To the north, a path
Conducts you up the narrow battlement.
Steep is the western side, shaggy and wild
With mossy trees, and pinnacles of flint,
And many a hanging crag. But, to the east,
Sheer to the vale go down the bare old cliffs,—
Huge pillars, that in middle heaven upbear
Their weather-beaten capitals, here dark[Page 66]
With the thick moss of centuries, and there
Of chalky whiteness where the thunderbolt
Has splintered them. It is a fearful thing
To stand upon the beetling verge, and see
Where storm and lightning, from that huge gray wall,
Have tumbled down vast blocks, and at the base
Dashed them in fragments, and to lay thine ear
Over the dizzy depth, and hear the sound
Of winds, that struggle with the woods below,
Come up like ocean murmurs. But the scene
Is lovely round; a beautiful river there
Wanders amid the fresh and fertile meads,
The paradise he made unto himself,
Mining the soil for ages. On each side
The fields swell upward to the hills; beyond,
Above the hills, in the blue distance, rise
The mighty columns with which earth props heaven.
There is a tale about these reverend rocks,
A sad tradition of unhappy love,
And sorrows borne and ended, long ago,
When over these fair vales the savage sought
His game in the thick woods. There was a maid,
The fairest of the Indian maids, bright-eyed,
With wealth of raven tresses, a light form,
And a gay heart. About her cabin-door
The wide old woods resounded with her song
And fairy laughter all the summer day.
She loved her cousin; such a love was deemed,
By the morality of those stern tribes,
Incestuous, and she struggled hard and long
Against her love, and reasoned with her heart,
As simple Indian maiden might. In vain.
Then her eye lost its lustre, and her step
Its lightness, and the gray-haired men that passed
Her dwelling, wondered that they heard no more
The accustomed song and laugh of her, whose looks[Page 67]
Were like the cheerful smile of Spring, they said,
Upon the Winter of their age. She went
To weep where no eye saw, and was not found
When all the merry girls were met to dance,
And all the hunters of the tribe were out;
Nor when they gathered from the rustling husk
The shining ear; nor when, by the river's side,
Thay pulled the grape and startled the wild shades
With sounds of mirth. The keen-eyed Indian dames
Would whisper to each other, as they saw
Her wasting form, and say the girl will die.
One day into the bosom of a friend,
A playmate of her young and innocent years,
She poured her griefs. "Thou know'st, and thou alone,"
She said, "for I have told thee, all my love,
And guilt, and sorrow. I am sick of life.
All night I weep in darkness, and the morn
Glares on me, as upon a thing accursed,
That has no business on the earth. I hate
The pastimes and the pleasant toils that once
I loved; the cheerful voices of my friends
Have an unnatural horror in mine ear.
In dreams my mother, from the land of souls,
Calls me and chides me. All that look on me
Do seem to know my shame; I cannot bear
Their eyes; I cannot from my heart root out
The love that wrings it so, and I must die."
It was a summer morning, and they went
To this old precipice. About the cliffs
Lay garlands, ears of maize, and shaggy skins
Of wolf and bear, the offerings of the tribe
Here made to the Great Spirit, for they deemed,
Like worshippers of the elder time, that God
Doth walk on the high places and affect[Page 68]
The earth-o'erlooking mountains. She had on
The ornaments with which her father loved
To deck the beauty of his bright-eyed girl,
And bade her wear when stranger warriors came
To be his guests. Here the friends sat them down,
And sang, all day, old songs of love and death,
And decked the poor wan victim's hair with flowers,
And prayed that safe and swift might be her way
To the calm world of sunshine, where no grief
Makes the heart heavy and the eyelids red.
Beautiful lay the region of her tribe
Below her—waters resting in the embrace
Of the wide forest, and maize-planted glades
Opening amid the leafy wilderness.
She gazed upon it long, and at the sight
Of her own village peeping through the trees,
And her own dwelling, and the cabin roof
Of him she loved with an unlawful love,
And came to die for, a warm gush of tears
Ran from her eyes. But when the sun grew low
And the hill shadows long, she threw herself
From the steep rock and perished. There was scooped
Upon the mountain's southern slope, a grave;
And there they laid her, in the very garb
With which the maiden decked herself for death,
With the same withering wild flowers in her hair.
And o'er the mould that covered her, the tribe
Built up a simple monument, a cone
Of small loose stones. Thenceforward all who passed,
Hunter, and dame, and virgin, laid a stone
In silence on the pile. It stands there yet.
And Indians from the distant West, who come
To visit where their fathers' bones are laid,
Yet tell the sorrowful tale, and to this day
The mountain where the hapless maiden died
Is called the Mountain of the Monument.
You who want to see the beautiful and the wild
blended in harmony on Nature's face,
climb our rocky mountains. Don’t let your feet
grow weary, because at their peaks
the beauty and majesty of the earth,
spreading wide below, will make you forget
the steep and laborious path. There, as you stand,
with the homes of people far below you, and around
the mountain summits, your expanding heart
will feel a connection to that higher world
to which you have been lifted, and you’ll share
in the broadening of your vision. You will look
upon the green and rolling tops of the forest,
and down into the secrets of the valleys,
and streams, which, with their bordering thickets, try
to conceal their winding paths. You’ll gaze, at once,
upon white villages, fields, and herds,
and busy roads, and then onto peaceful areas
that only hear the rushing water, and the wind,
and the eagle’s cry. There is a cliff
that looks like a part of some massive wall,
created by the hand that shaped the ancient world,
to divide its nations, and thrown down
when the flood drowned them. To the north, a path
leads you up the narrow rampart.
Steep is the western side, rough and untamed
with mossy trees and points of flint,
and many hanging rocks. But to the east,
sheer to the valley go down the bare old cliffs—
huge pillars that in the middle of the sky hold
their weather-worn tops, some dark[Page 66]
with the thick moss of centuries, and others
blindingly white where lightning
has shattered them. It is a daunting thing
to stand on the jutting edge and see
where storms and lightning, from that massive gray wall,
have sent down large rocks, and at the base
broken them into pieces, and to place your ear
over the dizzy drop, and hear the sound
of winds struggling with the woods below,
coming up like ocean murmurs. But the scene
is lovely around; a beautiful river there
wanders through the fresh and fertile meadows,
the paradise it made for itself,
working the soil for ages. On each side
the fields rise up to the hills; beyond,
above the hills, in the blue distance, rise
the mighty columns that hold up heaven.
There is a story about these revered rocks,
a sad tradition of lost love,
and sorrows that were felt and ended long ago,
when over these beautiful valleys the savage hunted
his prey in the dense woods. There was a girl,
the fairest of the Indian women, bright-eyed,
with a wealth of raven hair, a light form,
and a joyful heart. Around her cabin door
the vast old woods echoed with her song
and playful laughter all summer long.
She loved her cousin; such a love was seen,
by the morality of those stern tribes,
as incestuous, and she fought hard and long
against her feelings, reasoning with her heart,
as a simple Indian girl might. In vain.
Then her eyes lost their sparkle, and her step
lost its lightness, and the gray-haired men who passed
her dwelling wondered why they heard no more
the usual song and laughter from her, whose face[Page 67]
was like the cheerful smile of Spring, they said,
amidst the Winter of their age. She went
to weep where no one could see, and was not found
when all the joyful girls gathered to dance,
and all the hunters of the tribe were out;
nor when they harvested the golden ears from the husk
or when, by the riverbank,
they picked grapes and startled the wild shadows
with their laughter. The sharp-eyed Indian women
would whisper to each other, as they saw
her fading form, and say the girl will die.
One day to the bosom of a friend,
a playmate from her innocent youth,
she poured out her sorrows. "You know, and you alone,"
she said, "for I have confided to you all my love,
and guilt, and sorrow. I am tired of life.
All night I weep in darkness, and the morning
stares at me, as if I were a cursed thing,
that has no place on this earth. I hate
the games and the happy tasks that once
I cherished; the cheerful voices of my friends
seem unnaturally horrifying to me.
In dreams my mother, from the land of spirits,
calls me and scolds me. All who look at me
seem to know my shame; I cannot stand
their gazes; I cannot root out from my heart
the love that torments it so, and I must die."
It was a summer morning, and they went
to this old cliff. Around the rocks
lay garlands, ears of corn, and shaggy skins
of wolves and bears, the offerings of the tribe
made here to the Great Spirit, for they believed,
like worshippers of ancient times, that God
walks on the high places and cares[Page 68]
for the earth-overlooking mountains. She wore
the ornaments her father loved
to adorn the beauty of his bright-eyed girl,
which he asked her to wear when strange warriors came
to be his guests. Here the friends sat down,
and sang, all day, old songs of love and death,
and adorned the pale victim’s hair with flowers,
and prayed that her journey
to the peaceful world of sunshine might be safe and swift,
where no sorrow
burdens the heart and wearies the eyelids.
Beautiful lay the land of her tribe
beneath her—waters resting in the embrace
of the wide forest, and fields of corn
opening amid the leafy wilderness.
She gazed at it for a long time, and at the sight
of her own village peeking through the trees,
and her own home, and the cabin roof
of the man she loved with an unlawful love,
and for whom she came to die, a warm flood of tears
streamed from her eyes. But when the sun grew low
and the shadows of the hills stretched long, she threw herself
from the steep rock and perished. A grave was dug
on the southern slope of the mountain;
and there they laid her, in the very clothes
with which the girl dressed herself for death,
with the same wilting wildflowers in her hair.
And over the soil that covered her, the tribe
built a simple monument, a cone
of small loose stones. From then on, all who passed,
hunter, woman, and maiden, laid a stone
in silence on the pile. It stands there still.
And Indians from the distant West, who come
to visit where their ancestors are buried,
still tell the sorrowful story, and to this day
the mountain where the unfortunate maiden died
is called the Mountain of the Monument.
AFTER A TEMPEST.
The day had been a day of wind and storm;—
The wind was laid, the storm was overpast,—
And stooping from the zenith bright and warm
Shone the great sun on the wide earth at last.
I stood upon the upland slope, and cast
My eye upon a broad and beauteous scene,
Where the vast plain lay girt by mountains vast,
And hills o'er hills lifted their heads of green,
With pleasant vales scooped out and villages between.
The rain-drops glistened on the trees around,
Whose shadows on the tall grass were not stirred,
Save when a shower of diamonds, to the ground,
Was shaken by the flight of startled bird;
For birds were warbling round, and bees were heard
About the flowers; the cheerful rivulet sung
And gossiped, as he hastened ocean-ward;
To the gray oak the squirrel, chiding, clung,
And chirping from the ground the grasshopper upsprung.
And from beneath the leaves that kept them dry
Flew many a glittering insect here and there,
And darted up and down the butterfly,
That seemed a living blossom of the air.
The flocks came scattering from the thicket, where
The violent rain had pent them; in the way
Strolled groups of damsels frolicksome and fair;
The farmer swung the scythe or turned the hay,
And 'twixt the heavy swaths his children were at play.
It was a scene of peace—and, like a spell,[Page 70]
Did that serene and golden sunlight fall
Upon the motionless wood that clothed the fell,
And precipice upspringing like a wall,
And glassy river and white waterfall,
And happy living things that trod the bright
And beauteous scene; while far beyond them all,
On many a lovely valley, out of sight,
Was poured from the blue heavens the same soft golden light.
I looked, and thought the quiet of the scene
An emblem of the peace that yet shall be,
When o'er earth's continents, and isles between,
The noise of war shall cease from sea to sea,
And married nations dwell in harmony;
When millions, crouching in the dust to one,
No more shall beg their lives on bended knee,
Nor the black stake be dressed, nor in the sun
The o'erlaboured captive toil, and wish his life were done.
Too long, at clash of arms amid her bowers
And pools of blood, the earth has stood aghast,
The fair earth, that should only blush with flowers
And ruddy fruits; but not for aye can last
The storm, and sweet the sunshine when 'tis past.
Lo, the clouds roll away—they break—they fly,
And, like the glorious light of summer, cast
O'er the wide landscape from the embracing sky,
On all the peaceful world the smile of heaven shall lie.
The day had been one of wind and storm;—
The wind settled down, and the storm had passed,—
And bending down from the bright and warm sky,
The great sun finally shone on the wide earth.
I stood on the hillside and looked
At a broad and beautiful scene,
Where the vast plain was surrounded by huge mountains,
And hills upon hills lifted their green heads,
With beautiful valleys carved out and villages nestled in between.
The raindrops sparkled on the trees around,
Whose shadows on the tall grass remained still,
Except when a shower of diamonds fell to the ground,
Shaken by the flight of a startled bird;
For birds were singing all around, and bees could be heard
Buzzing among the flowers; the cheerful stream sang
And chatted as it hurried towards the ocean;
To the gray oak, the squirrel clung, scolding,
And chirping from the ground, the grasshopper jumped up.
And from beneath the leaves that kept them dry,
Flew many sparkling insects here and there,
And darted up and down the butterfly,
Which seemed like a living blossom of the air.
The flocks came scattering from the thicket, where
The heavy rain had confined them; along the path
Strolled groups of playful and lovely young women;
The farmer swung his scythe or turned the hay,
And amidst the thick patches, his kids played.
It was a scene of peace—and like a spell,[Page 70]
That calm and golden sunlight fell
On the still woods that covered the hillside,
And the steep cliff rising like a wall,
And the glassy river and white waterfall,
And happy living things that roamed the bright
And beautiful scene; while far beyond them all,
In many lovely valleys, out of sight,
The same soft golden light streamed down from the blue sky.
I looked and thought the tranquility of the scene
Symbolized the peace that will someday be,
When over the continents and islands between,
The noise of war will cease from sea to sea,
And united nations will live in harmony;
When millions, once bowed in the dust,
Will no longer beg for their lives on bended knee,
Nor will the black stake be prepared, nor in the sun
Will the overworked captive suffer, hoping for his life to end?
For too long, amidst the clash of arms and pools of blood,
The earth has stood stunned,
The beautiful earth, which should only blush with flowers
And ripe fruits; but the storm cannot last forever,
And sweet is the sunshine once it’s past.
Look, the clouds roll away—they break—they fly,
And like the glorious summer light, cast
Over the wide landscape from the embracing sky,
The smile of heaven will be upon the peaceful world.
AUTUMN WOODS.
Ere, in the northern gale,
The summer tresses of the trees are gone,
The woods of Autumn, all around our vale,
Have put their glory on.
The mountains that infold,
In their wide sweep, the coloured landscape round,
Seem groups of giant kings, in purple and gold,
That guard the enchanted ground.
I roam the woods that crown
The upland, where the mingled splendours glow,
Where the gay company of trees look down
On the green fields below.
My steps are not alone
In these bright walks; the sweet south-west, at play,
Flies, rustling, where the painted leaves are strown
Along the winding way.
And far in heaven, the while,
The sun, that sends that gale to wander here,
Pours out on the fair earth his quiet smile,—
The sweetest of the year.
Where now the solemn shade,
Verdure and gloom where many branches meet;
So grateful, when the noon of summer made
The valleys sick with heat?
Let in through all the trees[Page 72]
Come the strange rays; the forest depths are bright?
Their sunny-coloured foliage, in the breeze,
Twinkles, like beams of light.
The rivulet, late unseen,
Where bickering through the shrubs its waters run,
Shines with the image of its golden screen,
And glimmerings of the sun.
But 'neath yon crimson tree,
Lover to listening maid might breathe his flame,
Nor mark, within its roseate canopy,
Her blush of maiden shame.
Oh, Autumn! why so soon
Depart the hues that make thy forests glad;
Thy gentle wind and thy fair sunny noon,
And leave thee wild and sad!
Ah! 'twere a lot too blessed
For ever in thy coloured shades to stray;
Amid the kisses of the soft south-west
To rove and dream for aye;
And leave the vain low strife
That makes men mad—the tug for wealth and power,
The passions and the cares that wither life,
And waste its little hour.
Before, in the northern wind,
The summer hair of the trees is gone,
The woods of Autumn, all around our valley,
Have dressed themselves in glory.
The mountains that surround,
In their wide sweep, the colorful landscape around,
Look like groups of giant kings, in purple and gold,
That protect the enchanted ground.
I wander the woods that crown
The upland, where the mixed beauty shines,
Where the cheerful company of trees looks down
On the green fields below.
My steps aren’t alone
In these bright paths; the sweet south-west, at play,
Moves, rustling, where the colorful leaves are scattered
Along the winding way.
And far in the sky, meanwhile,
The sun, that sends that breeze to wander here,
Shines down on the beautiful earth with his calm smile,—
The sweetest of the year.
Where now the solemn shade,
Greenery and gloom where many branches meet;
So refreshing, when the noon of summer made
The valleys sick with heat?
Let in through all the trees[Page 72]
Come the strange rays; the depths of the forest are bright?
Their sunny-colored leaves, in the breeze,
Sparkle, like beams of light.
The stream, recently hidden,
Where it bubbles through the shrubs, its waters running,
Shines with the reflection of its golden screen,
And glimmers of the sun.
But beneath that crimson tree,
A lover could whisper his passion to a listening maid,
And not notice, within its rosy canopy,
Her blush of innocent embarrassment.
Oh, Autumn! why so soon
Do the colors that make your forests joyful depart;
Your gentle wind and your bright sunny noon,
And leave you wild and sad?
Ah! it would be too blessed a fate
To wander forever in your colorful shades;
Amid the kisses of the soft south-west
To roam and dream always;
And leave behind the empty, petty strife
That drives men crazy—the struggle for wealth and power,
The passions and worries that wither life,
And waste its precious hour.
MUTATION.
A SONNET.
They talk of short-lived pleasure—be it so—
Pain dies as quickly: stern, hard-featured pain
Expires, and lets her weary prisoner go.
The fiercest agonies have shortest reign;
And after dreams of horror, comes again
The welcome morning with its rays of peace;
Oblivion, softly wiping out the stain,
Makes the strong secret pangs of shame to cease:
Remorse is virtue's root; its fair increase
Are fruits of innocence and blessedness:
Thus joy, o'erborne and bound, doth still release
His young limbs from the chains that round him press.
Weep not that the world changes—did it keep
A stable, changeless state, 'twere cause indeed to weep.
They talk about fleeting pleasure—fine by me—
Pain fades just as quickly: harsh, tough pain
Leaves, freeing its tired prisoner.
The most intense agonies have the shortest rule;
And after nightmares filled with terror, morning returns
With its rays of peace;
Oblivion gently erases the mark,
Bringing an end to the strong secret pangs of shame:
Regret is the root of virtue; its beautiful growth
Is the fruit of innocence and blessing:
So joy, though overwhelmed and bound, still frees
His young limbs from the chains that restrain him.
Don't cry that the world changes—if it stayed
In a stable, unchanging state, that would truly be a reason to weep.
NOVEMBER.
A SONNET.
Yet one smile more, departing, distant sun!
One mellow smile through the soft vapoury air,
Ere, o'er the frozen earth, the loud winds run,
Or snows are sifted o'er the meadows bare.
One smile on the brown hills and naked trees,
And the dark rocks whose summer wreaths are cast,
And the blue gentian flower, that, in the breeze,
Nods lonely, of her beauteous race the last.
Yet a few sunny days, in which the bee
Shall murmur by the hedge that skirts the way,
The cricket chirp upon the russet lea,
And man delight to linger in thy ray.
Yet one rich smile, and we will try to bear
The piercing winter frost, and winds, and darkened air.
Yet one more smile, departing, distant sun!
One warm smile through the soft, hazy air,
Before the loud winds run over the frozen ground,
Or snow covers the bare meadows.
One smile on the brown hills and bare trees,
And the dark rocks now stripped of their summer blooms,
And the blue gentian flower, that sways in the breeze,
Alone, the last of her beautiful kind.
Just a few sunny days, when the bee
Will buzz by the hedge that lines the path,
The cricket chirps on the russet field,
And people will enjoy lingering in your light.
One last rich smile, and we will try to endure
The biting winter frost, and winds, and darkened sky.
SONG OF THE GREEK AMAZON.
I buckle to my slender side
The pistol and the scimitar,
And in my maiden flower and pride
Am come to share the tasks of war.
And yonder stands my fiery steed,
That paws the ground and neighs to go,
My charger of the Arab breed,—
I took him from the routed foe.
My mirror is the mountain spring,
At which I dress my ruffled hair;
My dimmed and dusty arms I bring,
And wash away the blood-stain there.
Why should I guard from wind and sun
This cheek, whose virgin rose is fled?
It was for one—oh, only one—
I kept its bloom, and he is dead.
But they who slew him—unaware
Of coward murderers lurking nigh—
And left him to the fowls of air,
Are yet alive—and they must die.
They slew him—and my virgin years[Page 76]
Are vowed to Greece and vengeance now,
And many an Othman dame, in tears,
Shall rue the Grecian maiden's vow.
I touched the lute in better days,
I led in dance the joyous band;
Ah! they may move to mirthful lays
Whose hands can touch a lover's hand.
The march of hosts that haste to meet
Seems gayer than the dance to me;
The lute's sweet tones are not so sweet
As the fierce shout of victory.
I strap to my slim side
The pistol and the curved sword,
And in my youthful bloom and pride
I’ve come to take on the tasks of war.
And over there stands my fiery horse,
That paws the ground and neighs to go,
My steed of Arab lineage,—
I took him from the defeated enemy.
My mirror is the mountain spring,
Where I fix my disheveled hair;
I bring my tarnished, dusty weapons,
And wash away the bloodstains there.
Why should I protect from wind and sun
This cheek, whose youthful glow is gone?
It was for one—oh, only one—
I kept its radiance, and now he's dead.
But those who killed him—unaware
Of cowardly murderers lurking nearby—
And left him for the birds to feast,
Are still alive—and they must die.
They killed him—and my youthful years[Page 76]
Are now pledged to Greece and revenge,
And many an Ottoman woman, in tears,
Shall regret the Greek maiden's vow.
I played the lute in happier times,
I led the joyful dance;
Ah! they may sway to cheerful tunes
Whose hands can touch a lover's hand.
The march of armies rushing to battle
Feels brighter than the dance to me;
The lute's sweet sound isn't as sweet
As the fierce shout of victory.
TO A CLOUD.
Beautiful cloud! with folds so soft and fair,
Swimming in the pure quiet air!
Thy fleeces bathed in sunlight, while below
Thy shadow o'er the vale moves slow;
Where, midst their labour, pause the reaper train
As cool it comes along the grain.
Beautiful cloud! I would I were with thee
In thy calm way o'er land and sea:
To rest on thy unrolling skirts, and look
On Earth as on an open book;
On streams that tie her realms with silver bands,
And the long ways that seem her lands;
And hear her humming cities, and the sound
Of the great ocean breaking round.
Ay—I would sail upon thy air-borne car
To blooming regions distant far,
To where the sun of Andalusia shines
On his own olive-groves and vines,
Or the soft lights of Italy's bright sky
In smiles upon her ruins lie.
But I would woo the winds to let us rest
O'er Greece long fettered and oppressed,
Whose sons at length have heard the call that comes
From the old battle-fields and tombs,
And risen, and drawn the sword, and on the foe[Page 78]
Have dealt the swift and desperate blow,
And the Othman power is cloven, and the stroke
Has touched its chains, and they are broke.
Ay, we would linger till the sunset there
Should come, to purple all the air,
And thou reflect upon the sacred ground
The ruddy radiance streaming round.
Bright meteor! for the summer noontide made!
Thy peerless beauty yet shall fade.
The sun, that fills with light each glistening fold,
Shall set, and leave thee dark and cold:
The blast shall rend thy skirts, or thou mayst frown
In the dark heaven when storms come down;
And weep in rain, till man's inquiring eye
Miss thee, for ever, from the sky.
Beautiful cloud! with folds so soft and lovely,
Floating in the clear, calm air!
Your fluffy layers bathed in sunlight, while below
Your shadow slowly glides over the valley;
Where, in the midst of their labor, the reapers pause
As it cools over the grain.
Beautiful cloud! I wish I were with you
In your calm way over land and sea:
To rest on your unrolling edges, and look
At Earth as if it were an open book;
At streams that connect her lands with silver threads,
And the long roads that seem to stretch across her territories;
And hear her buzzing cities, and the sound
Of the great ocean crashing around.
Yes—I would sail on your air-bound vehicle
To blooming places far away,
To where the sun of Andalusia shines
On its own olive groves and vines,
Or where the gentle light of Italy's bright sky
Smiles down upon her ruins.
But I would ask the winds to let us rest
Over Greece long shackled and oppressed,
Whose sons have finally heard the call that comes
From the old battlefields and graves,
And risen, drawn their swords, and with swift strikes
Have dealt a fierce and desperate blow,
And the Ottoman power is cleaved, and the blow
Has touched its chains, and they are broken.
Yes, we would linger there until sunset
Comes to bathe the air in purple,
And you reflect upon the sacred ground
The warm radiance streaming all around.
Bright meteor! made for the summer noontime!
Your unmatched beauty will eventually fade.
The sun, which fills each glistening fold with light,
Shall set, leaving you dark and cold:
The wind will tear at your edges, or you may scowl
In the dark heavens when storms roll in;
And weep in rain, until man's searching eye
Misses you, forever, from the sky.
THE MURDERED TRAVELLER.°
When spring, to woods and wastes around,
Brought bloom and joy again,
The murdered traveller's bones were found,
Far down a narrow glen.
The fragrant birch, above him, hung
Her tassels in the sky;
And many a vernal blossom sprung,
And nodded careless by.
The red-bird warbled, as he wrought
His hanging nest o'erhead,
And fearless, near the fatal spot,
Her young the partridge led.
But there was weeping far away,
And gentle eyes, for him,
With watching many an anxious day,
Were sorrowful and dim.
They little knew, who loved him so,[Page 80]
The fearful death he met,
When shouting o'er the desert snow,
Unarmed, and hard beset;—
Nor how, when round the frosty pole
The northern dawn was red,
The mountain wolf and wild-cat stole
To banquet on the dead;—
Nor how, when strangers found his bones,
They dressed the hasty bier,
And marked his grave with nameless stones,
Unmoistened by a tear.
But long they looked, and feared, and wept,
Within his distant home;
And dreamed, and started as they slept,
For joy that he was come.
Long, long they looked—but never spied
His welcome step again,
Nor knew the fearful death he died
Far down that narrow glen.
When spring returned to the woods and fields,
Bringing bloom and joy once more,
The bones of the murdered traveler were found,
Deep down in a narrow glen.
The fragrant birch hung above him,
Her tassels swaying in the sky;
And many spring blossoms emerged,
Nodding carelessly by.
The redbird sang as he built
His hanging nest overhead,
And fearless, near the tragic spot,
The partridge led her young.
But there was weeping far away,
And gentle eyes for him,
With many anxious days of watching,
Were sorrowful and dim.
They knew little, those who loved him so,[Page 80]
About the fearful death he faced,
When shouting across the snowy desert,
Unarmed, and hard-pressed;—
Nor how, when around the frosty pole
The northern dawn turned red,
The mountain wolf and wildcat crept
To feast on the dead;—
Nor how, when strangers found his bones,
They quickly made a bier,
And marked his grave with nameless stones,
Without a single tear.
But they looked long, and feared, and wept,
In his distant home;
And dreamed, waking with a start as they slept,
For joy that he had come.
They searched for so long—but never saw
His welcome step again,
Nor knew the fearful death he suffered
Deep down in that narrow glen.
HYMN TO THE NORTH STAR.
The sad and solemn night
Hath yet her multitude of cheerful fires;
The glorious host of light
Walk the dark hemisphere till she retires;
All through her silent watches, gliding slow,
Her constellations come, and climb the heavens, and go.
Day, too, hath many a star
To grace his gorgeous reign, as bright as they:
Through the blue fields afar,
Unseen, they follow in his flaming way:
Many a bright lingerer, as the eve grows dim,
Tells what a radiant troop arose and set with him.
And thou dost see them rise,
Star of the Pole! and thou dost see them set.
Alone, in thy cold skies,
Thou keep'st thy old unmoving station yet,
Nor join'st the dances of that glittering train,
Nor dipp'st thy virgin orb in the blue western main.
There, at morn's rosy birth,[Page 82]
Thou lookest meekly through the kindling air,
And eve, that round the earth
Chases the day, beholds thee watching there;
There noontide finds thee, and the hour that calls
The shapes of polar flame to scale heaven's azure walls.
Alike, beneath thine eye,
The deeds of darkness and of light are done;
High towards the star-lit sky
Towns blaze—the smoke of battle blots the sun—
The night-storm on a thousand hills is loud—
And the strong wind of day doth mingle sea and cloud.
On thy unaltering blaze
The half-wrecked mariner, his compass lost,
Fixes his steady gaze,
And steers, undoubting, to the friendly coast;
And they who stray in perilous wastes, by night,
Are glad when thou dost shine to guide their footsteps right.
And, therefore, bards of old,
Sages, and hermits of the solemn wood,
Did in thy beams behold
A beauteous type of that unchanging good,
That bright eternal beacon, by whose ray
The voyager of time should shape his heedful way.
The sad and serious night
has her share of cheerful fires;
The glorious host of lights
walks the dark sky until she fades away;
All through her quiet hours, moving slowly,
her constellations rise, climb the heavens, and go.
Day also has many stars
to decorate his magnificent reign, just as bright as they:
Through the blue fields far away,
unseen, they follow in his fiery path:
Many a bright lingering star, as evening grows dim,
tells of the radiant group that rose and set with him.
And you see them rise,
Star of the Pole! and you see them set.
Alone, in your cold skies,
you hold your old unmoving position yet,
not joining the dance of that glittering train,
nor dipping your pristine orb in the blue western sea.
There, at the rosy birth of morning,[Page 82]
you look gently through the warming air,
and evening, that chases the day
around the earth, sees you watching there;
There, noon finds you, and the hour that calls
the shapes of polar flame to climb heaven's azure walls.
Similarly, beneath your gaze,
the actions of darkness and light occur;
High towards the starry sky
towns blaze—the smoke of battle blots out the sun—
The night storm rumbles over a thousand hills—
and the strong wind of day mixes sea and cloud.
On your unchanging light
the half-wrecked sailor, his compass lost,
fixes his steady gaze,
and sails confidently towards the welcoming shore;
And those who wander in treacherous places, by night,
are glad when you shine to guide their steps right.
And so, ancient poets,
sages, and hermits of the solemn woods,
saw in your beams
a beautiful symbol of that unchanging good,
that bright eternal beacon, by whose light
the traveler of time should chart his careful course.
THE LAPSE OF TIME.
Lament who will, in fruitless tears,
The speed with which our moments fly;
I sigh not over vanished years,
But watch the years that hasten by.
Look, how they come,—a mingled crowd
Of bright and dark, but rapid days;
Beneath them, like a summer cloud,
The wide world changes as I gaze.
What! grieve that time has brought so soon
The sober age of manhood on!
As idly might I weep, at noon,
To see the blush of morning gone.
Could I give up the hopes that glow
In prospect like Elysian isles;
And let the cheerful future go,
With all her promises and smiles?
The future!—cruel were the power
Whose doom would tear thee from my heart.
Thou sweetener of the present hour!
We cannot—no—we will not part.
Oh, leave me, still, the rapid flight
That makes the changing seasons gay,
The grateful speed that brings the night,
The swift and glad return of day;
The months that touch, with added grace,[Page 84]
This little prattler at my knee,
In whose arch eye and speaking face
New meaning every hour I see;
The years, that o'er each sister land
Shall lift the country of my birth,
And nurse her strength, till she shall stand
The pride and pattern of the earth:
Till younger commonwealths, for aid,
Shall cling about her ample robe,
And from her frown shall shrink afraid
The crowned oppressors of the globe.
True—time will seam and blanch my brow—
Well—I shall sit with aged men,
And my good glass will tell me how
A grizzly beard becomes me then.
And then should no dishonour lie
Upon my head, when I am gray,
Love yet shall watch my fading eye,
And smooth the path of my decay.
Then haste thee, Time—'tis kindness all
That speeds thy winged feet so fast:
Thy pleasures stay not till they pall,
And all thy pains are quickly past.
Thou fliest and bear'st away our woes,
And as thy shadowy train depart,
The memory of sorrow grows
A lighter burden on the heart.
Lament who will, in useless tears,
The pace at which our moments fly;
I don’t mourn over the years that are gone,
But watch the years that hurry by.
Look, how they come,—a mixed crowd
Of bright and dark, but fleeting days;
Beneath them, like a summer cloud,
The world changes as I gaze.
What! grieve that time has brought so soon
The serious phase of manhood on!
As idly might I weep, at noon,
To see the blush of morning gone.
Could I give up the hopes that shine
In prospect like Elysian islands;
And let the joyful future go,
With all her promises and smiles?
The future!—cruel would be the force
Whose fate would tear you from my heart.
Thou sweetener of the present hour!
We cannot—no—we will not part.
Oh, leave me, still, the rapid flight
That makes the changing seasons bright,
The grateful speed that brings the night,
The swift and joyful return of day;
The months that touch, with added grace,[Page 84]
This little one at my knee,
In whose playful eye and speaking face
New meaning every hour I see;
The years that over each sister land
Shall lift the country of my birth,
And nurture her strength, until she stands
The pride and example of the earth:
Until younger nations, for help,
Shall cling about her ample robe,
And from her frown shall shrink in fear
The crowned oppressors of the globe.
True—time will mark and whiten my brow—
Well—I shall sit with older men,
And my good mirror will tell me how
A grizzly beard suits me then.
And then, should no dishonor lie
Upon my head, when I am gray,
Love will still watch my fading eye,
And smooth the path of my decay.
Then hurry, Time—it's all kindness
That speeds your winged feet so fast:
Your pleasures don’t last until they fade,
And all your pains quickly pass.
You fly away and take our woes,
And as your shadowy train departs,
The memory of sorrow grows
A lighter burden on our hearts.
SONG OF THE STARS.
When the radiant morn of creation broke,
And the world in the smile of God awoke,
And the empty realms of darkness and death
Were moved through their depths by his mighty breath,
And orbs of beauty and spheres of flame
From the void abyss by myriads came,—
In the joy of youth as they darted away,
Through the widening wastes of space to play,
Their silver voices in chorus rang,
And this was the song the bright ones sang:
"Away, away, through the wide, wide sky,
The fair blue fields that before us lie,—
Each sun with the worlds that round him roll,
Each planet, poised on her turning pole;
With her isles of green, and her clouds of white,
And her waters that lie like fluid light.
"For the source of glory uncovers his face,
And the brightness o'erflows unbounded space;
And we drink as we go the luminous tides
In our ruddy air and our blooming sides:
Lo, yonder the living splendours play;
Away, on our joyous path, away!
"Look, look, through our glittering ranks afar,[Page 86]
In the infinite azure, star after star,
How they brighten and bloom as they swiftly pass!
How the verdure runs o'er each rolling mass!
And the path of the gentle winds is seen,
Where the small waves dance, and the young woods lean.
"And see where the brighter day-beams pour,
How the rainbows hang in the sunny shower;
And the morn and eve, with their pomp of hues,
Shift o'er the bright planets and shed their dews;
And 'twixt them both, o'er the teeming ground,
With her shadowy cone the night goes round!
"Away, away! in our blossoming bowers,
In the soft air wrapping these spheres of ours,
In the seas and fountains that shine with morn,
See, Love is brooding, and Life is born,
And breathing myriads are breaking from night,
To rejoice, like us, in motion and light.
"Glide on in your beauty, ye youthful spheres,
To weave the dance that measures the years;
Glide on, in the glory and gladness sent,
To the farthest wall of the firmament,—
The boundless visible smile of Him,
To the veil of whose brow your lamps are dim."
When the bright morning of creation began,
And the world woke up in God's smile,
And the empty realms of darkness and death
Were stirred deep down by His powerful breath,
And beautiful orbs and fiery spheres
Came from the empty abyss in droves,—
In the joy of youth as they shot away,
Through the vast stretches of space to play,
Their silver voices sang in harmony,
And this was the song the shining ones sang:
"Away, away, through the wide, wide sky,
The lovely blue fields that lie before us,—
Each sun with the worlds that circle around it,
Each planet, balanced on its turning pole;
With her green islands and white clouds,
And her waters that glisten like fluid light.
"For the source of glory reveals His face,
And the brightness fills limitless space;
And we drink in the luminous tides
In our vibrant air and our blooming sides:
Look, there the living beauties play;
Away, on our joyful path, away!
"Look, look, through our sparkling ranks up ahead,[Page 86]
In the endless blue, star after star,
How they shine and bloom as they rush by!
How the greenery spreads over each rolling mass!
And the gentle winds reveal their track,
Where small waves dance, and the young trees lean.
"And see where the brighter daylight pours,
How the rainbows hang in the sunny shower;
And the morning and evening, with their splendid colors,
Shift over the bright planets and spread their dew;
And 'twixt them both, over the crowded ground,
With her shadowy form, the night moves around!
"Away, away! in our blossoming havens,
In the gentle air surrounding our spheres,
In the seas and fountains that glow with morning,
See, Love is watching, and Life is born,
And countless beings are emerging from night,
To rejoice, like us, in motion and light.
"Glide on in your beauty, you youthful spheres,
To weave the dance that counts the years;
Glide on, in the glory and joy sent,
To the farthest edge of the cosmos,—
The endless visible smile of Him,
To whose brow your lamps are dim."
A FOREST HYMN.
The groves were God's first temples. Ere man learned
To hew the shaft, and lay the architrave,
And spread the roof above them,—ere he framed
The lofty vault, to gather and roll back
The sound of anthems; in the darkling wood,
Amidst the cool and silence, he knelt down,
And offered to the Mightiest solemn thanks
And supplication. For his simple heart
Might not resist the sacred influences
Which, from the stilly twilight of the place,
And from the gray old trunks that high in heaven
Mingled their mossy boughs, and from the sound
Of the invisible breath that swayed at once
All their green tops, stole over him, and bowed
His spirit with the thought of boundless power
And inaccessible majesty. Ah, why
Should we, in the world's riper years, neglect
God's ancient sanctuaries, and adore
Only among the crowd, and under roofs
That our frail hands have raised? Let me, at least,
Here, in the shadow of this aged wood,
Offer one hymn—thrice happy, if it find
Acceptance in His ear.
Father, thy hand[Page 88]
Hath reared these venerable columns, thou
Didst weave this verdant roof. Thou didst look down
Upon the naked earth, and, forthwith, rose
All these fair ranks of trees. They, in thy sun,
Budded, and shook their green leaves in thy breeze,
And shot towards heaven. The century-living crow,
Whose birth was in their tops, grew old and died
Among their branches, till, at last, they stood,
As now they stand, massy, and tall, and dark,
Fit shrine for humble worshipper to hold
Communion with his Maker. These dim vaults,
These winding aisles, of human pomp or pride
Report not. No fantasting carvings show
The boast of our vain race to change the form
Of thy fair works. But thou art here—thou fill'st
The solitude. Thou art in the soft winds
That run along the summit of these trees
In music;—thou art in the cooler breath
That from the inmost darkness of the place
Comes, scarcely felt; the barky trunks, the ground,
The fresh moist ground, are all instinct with thee.
Here is continual worship;—nature, here,
In the tranquillity that thou dost love,
Enjoys thy presence. Noiselessly, around,
From perch to perch, the solitary bird
Passes: and yon clear spring, that, midst its herbs,
Wells softly forth and visits the strong roots
Of half the mighty forest, tells no tale
Of all the good it does. Thou hast not left
Thyself without a witness, in these shades,
Of thy perfections. Grandeur, strength, and grace
Are here to speak of thee. This mighty oak—
By whose immovable stem I stand and seem
Almost annihilated—not a prince,
In all that proud old world beyond the deep,
Ere wore his crown as loftily as he
Wears the green coronal of leaves with which
Thy hand has graced him. Nestled at his root[Page 89]
Is beauty, such as blooms not in the glare
Of the broad sun. That delicate forest flower
With scented breath, and look so like a smile,
Seems, as it issues from the shapeless mould,
An emanation of the indwelling Life,
A visible token of the upholding Love,
That are the soul of this wide universe.
My heart is awed within me when I think
Of the great miracle that still goes on,
In silence, round me—the perpetual work
Of thy creation, finished, yet renewed
For ever. Written on thy works I read
The lesson of thy own eternity.
Lo! all grow old and die—but see again,
How on the faltering footsteps of decay
Youth presses—ever gay and beautiful youth
In all its beautiful forms. These lofty trees
Wave not less proudly that their ancestors
Moulder beneath them. Oh, there is not lost
One of earth's charms: upon her bosom yet,
After the flight of untold centuries,
The freshness of her far beginning lies
And yet shall lie. Life mocks the idle hate
Of his arch enemy Death—yea, seats himself
Upon the tyrant's throne—the sepulchre,
And of the triumphs of his ghastly foe
Makes his own nourishment. For he came forth
From thine own bosom, and shall have no end.
There have been holy men who hid themselves
Deep in the woody wilderness, and gave
Their lives to thought and prayer, till they outlived
The generation born with them, nor seemed
Less aged than the hoary trees and rocks
Around them;—and there have been holy men
Who deemed it were not well to pass life thus.[Page 90]
But let me often to these solitudes
Retire, and in thy presence reassure
My feeble virtue. Here its enemies,
The passions, at thy plainer footsteps shrink
And tremble and are still. Oh, God! when thou
Dost scare the world with tempests, set on fire
The heavens with falling thunderbolts, or fill,
With all the waters of the firmament,
The swift dark whirlwind that uproots the woods
And drowns the villages; when, at thy call,
Uprises the great deep and throws himself
Upon the continent, and overwhelms
Its cities—who forgets not, at the sight
Of these tremendous tokens of thy power,
His pride, and lays his strifes and follies by?
Oh, from these sterner aspects of thy face
Spare me and mine, nor let us need the wrath
Of the mad unchained elements to teach
Who rules them. Be it ours to meditate
In these calm shades thy milder majesty,
And to the beautiful order of thy works
Learn to conform the order of our lives.
The groves were God's first temples. Before people figured out how to craft columns, and lay beams, and cover them with roofs—before they constructed grand ceilings to echo back the sound of hymns—in the dim woods, surrounded by coolness and silence, he knelt down and gave solemn thanks and requests to the Almighty. For his simple heart couldn't resist the sacred influences that came from the quiet twilight of that place, from the ancient gray trunks that reached high into the sky and intertwined their mossy branches, and from the sound of the unseen breeze that gently swayed all their green tops, which filled him with thoughts of limitless power and majesty. Ah, why should we, as the world matures, neglect God's ancient sanctuaries, and worship only in crowds, under roofs built by our fragile hands? Let me, at least, here in the shade of this old forest, offer one hymn—how wonderful it would be if it found favor in His ears. Father, your hand has raised these ancient columns; you created this green roof. You looked down upon the bare earth, and immediately, these beautiful rows of trees sprang up. They blossomed in your sunlight, swayed their green leaves in your breeze, and shot up toward heaven. The century-old crow, born in their treetops, grew old and died among their branches until, at last, they stand, as they do now: massive, tall, and dark, a fitting sanctuary for a humble worshipper to connect with his Creator. These dim arches, these winding aisles, hold no signs of human pride or grandeur. No fancy carvings showcase the arrogance of our vain race trying to alter your beautiful creations. But you are here—you fill the solitude. You are in the soft winds that glide along the treetops in music; you are in the cool breath that wafts from the depths of the forest, barely felt; the rough trunks, the ground, the fresh, moist earth—all are filled with you. Here, worship is constant; nature, in the tranquility you love, enjoys your presence. Silently, around, a solitary bird moves from perch to perch: and that clear spring, which softly wells up among its herbs, gently reaches the strong roots of half the mighty forest, says nothing of all the good it does. You haven't left yourself without a witness in these woods, showing your perfection. Grandeur, strength, and grace are here to speak of you. This mighty oak—by whose steadfast trunk I stand, feeling almost diminished—not a prince in all that proud old world beyond the sea has ever worn his crown as nobly as he wears the leafy crown your hand has given him. Nestled at his base is beauty that doesn't bloom in the harsh light of the sun. That delicate forest flower, with its fragrant breath and smile-like appearance, seems, as it emerges from the formless earth, to be a spark of the indwelling Life, a visible sign of the sustaining Love that is the essence of this vast universe. My heart is filled with awe when I think of the great miracle that continues around me in silence—the ongoing work of your creation, complete yet forever renewed. Written on your creations, I read the lesson of your own eternity. Look! Everything ages and dies—but observe how on the unsteady path of decay, youth moves forward—ever vibrant and beautiful youth in all its lovely forms. These tall trees sway just as proudly even though their ancestors decay beneath them. Oh, none of Earth's beauty is lost: upon her surface, even after countless centuries, the freshness of her distant beginnings remains and will continue to remain. Life mocks the idle hatred of his arch-enemy Death—indeed, he takes a seat upon the tyrant’s throne—the grave—and from the triumphs of his ghastly foe takes his own sustenance. For he emerged from your very essence and will have no end. There have been holy men who secluded themselves deep in the wilderness and devoted their lives to contemplation and prayer until they outlived their generation, appearing as aged as the ancient trees and rocks around them; and there have been holy men who believed it was not right to spend their lives this way. But let me often retreat to these solitary places and, in your presence, restore my fragile virtue. Here, its enemies, the passions, shrink back at your straightforward approach, tremble, and fall silent. Oh, God! When you shake the world with storms, set fire to the sky with falling lightning, or fill the swift dark whirlwind that uproots the woods and floods the villages with all the waters of the heavens; when, at your command, the great ocean rises and crashes upon the land, overwhelming its cities—who does not forget his pride, at the sight of these enormous displays of your power, and put aside his struggles and foolishness? Oh, spare me and mine from these harsh aspects of your presence, and let us not need the fury of the unleashed elements to remind us who governs them. May we meditate in these quiet shades on your gentler majesty and learn to align the order of our lives with the beautiful order of your works.
"OH FAIREST OF THE RURAL MAIDS."
Oh fairest of the rural maids!
Thy birth was in the forest shades;
Green boughs, and glimpses of the sky,
Were all that met thy infant eye.
Thy sports, thy wanderings, when a child,
Were ever in the sylvan wild;
And all the beauty of the place
Is in thy heart and on thy face.
The twilight of the trees and rocks
Is in the light shade of thy locks;
Thy step is as the wind, that weaves
Its playful way among the leaves.
Thine eyes are springs, in whose serene
And silent waters heaven is seen;
Their lashes are the herbs that look
On their young figures in the brook.
The forest depths, by foot unpressed,
Are not more sinless than thy breast;
The holy peace, that fills the air
Of those calm solitudes, is there.
Oh, fairest of the country girls!
You were born in the shade of the forest;
Green branches and glimpses of the sky
Were all that your infant eyes saw.
Your games and wanderings as a child
Were always in the wild;
And all the beauty of the place
Lives in your heart and on your face.
The twilight among the trees and rocks
Is in the soft shade of your hair;
Your steps are like the wind, weaving
Its playful way through the leaves.
Your eyes are springs, where in their calm
And silent waters heaven is reflected;
Their lashes are the plants that gaze
At their young shapes in the stream.
The untouched depths of the forest
Are not purer than your heart;
The sacred peace that fills the air
Of those quiet places is found in you.
"I BROKE THE SPELL THAT HELD ME LONG."
I broke the spell that held me long,
The dear, dear witchery of song.
I said, the poet's idle lore
Shall waste my prime of years no more,
For Poetry, though heavenly born,
Consorts with poverty and scorn.
I broke the spell—nor deemed its power
Could fetter me another hour.
Ah, thoughtless! how could I forget
Its causes were around me yet?
For wheresoe'er I looked, the while,
Was nature's everlasting smile.
Still came and lingered on my sight
Of flowers and streams the bloom and light,
And glory of the stars and sun;—
And these and poetry are one.
They, ere the world had held me long,
Recalled me to the love of song.
I broke the spell that held me for so long,
The beloved enchantment of song.
I decided that the poet's useless tales
Would no longer waste my youthful years,
For Poetry, though divinely inspired,
Is tied to poverty and shame.
I broke the spell—never thinking its power
Could trap me for another hour.
Oh, how foolish! How could I forget
That its influences were still around me?
For wherever I looked, all the while,
Was nature’s endless smile.
Still, the beauty and light of flowers and streams
Kept appearing before my eyes,
Along with the glory of the stars and sun;—
These things and poetry are one.
Before the world had held me for too long,
They pulled me back to the love of song.
JUNE.
I gazed upon the glorious sky
And the green mountains round,
And thought that when I came to lie
Within the silent ground,
'Twere pleasant, that in flowery June,
When brooks send up a cheerful tune,
And groves a joyous sound,
The sexton's hand, my grave to make,
The rich, green mountain turf should break.
A cell within the frozen mould,
A coffin borne through sleet,
And icy clods above it rolled,
While fierce the tempests beat—
Away!—I will not think of these—
Blue be the sky and soft the breeze,
Earth green beneath the feet,
And be the damp mould gently pressed
Into my narrow place of rest.
There through the long, long summer hours,
The golden light should lie,
And thick young herbs and groups of flowers
Stand in their beauty by.
The oriole should build and tell
His love-tale close beside my cell;
The idle butterfly
Should rest him there, and there be heard
The housewife bee and humming-bird.
And what if cheerful shouts at noon[Page 94]
Come, from the village sent,
Or songs of maids, beneath the moon
With fairy laughter blent?
And what if, in the evening light,
Betrothed lovers walk in sight
Of my low monument?
I would the lovely scene around
Might know no sadder sight nor sound.
I know, I know I should not see
The season's glorious show,
Nor would its brightness shine for me,
Nor its wild music flow;
But if, around my place of sleep,
The friends I love should come to weep,
They might not haste to go.
Soft airs, and song, and light, and bloom,
Should keep them lingering by my tomb.
These to their softened hearts should bear
The thought of what has been,
And speak of one who cannot share
The gladness of the scene;
Whose part, in all the pomp that fills
The circuit of the summer hills,
Is—that his grave is green;
And deeply would their hearts rejoice
To hear again his living voice.
I looked up at the beautiful sky
And the green mountains all around,
And thought that when I lie down
In the quiet ground,
It would be nice, in flowery June,
When streams are singing a happy tune,
And the groves are full of joyful sound,
For the sexton to break the rich, green turf
To make my grave.
A cell in the frozen earth,
A coffin carried through sleet,
And icy dirt piled on top,
While wild storms rage—
No!—I won’t think of these—
Let the sky be blue and the breeze soft,
Earth green beneath my feet,
And may the damp soil be gently pressed
Into my narrow resting place.
There, through the long summer days,
The golden light should shine,
And thick green plants and clusters of flowers
Stand in all their beauty.
The oriole should build and sing
His love song right beside my spot;
The lazy butterfly
Should rest there, and I’d hear
The buzzing bee and hummingbird.
And what if cheerful shouts at noon[Page 94]
Come from the village?
Or songs from girls beneath the moon
Mixed with fairy laughter?
And what if, in the evening light,
Engaged couples walk in sight
Of my low grave?
I’d wish that the lovely scene around
Might know no sadder sight or sound.
I know, I know I won’t see
The season’s beautiful show,
Nor will its brightness shine for me,
Nor its wild music play;
But if my friends come to weep
Around my resting place,
They might not rush to leave.
Soft breezes, songs, light, and blooms
Should keep them lingering by my grave.
These should bring to their gentle hearts
The thought of what has been,
And speak of one who cannot share
The joy of the scene;
Whose part, in all the beauty that fills
The summer hills,
Is—that his grave is green;
And their hearts would rejoice
To hear again his living voice.
A SONG OF PITCAIRN'S ISLAND.
Come take our boy, and we will go
Before our cabin door;
The winds shall bring us, as they blow,
The murmurs of the shore;
And we will kiss his young blue eyes,
And I will sing him, as he lies,
Songs that were made of yore:
I'll sing, in his delighted ear,
The island lays thou lov'st to hear.
And thou, while stammering I repeat,
Thy country's tongue shalt teach;
'Tis not so soft, but far more sweet
Than my own native speech:
For thou no other tongue didst know,
When, scarcely twenty moons ago,
Upon Tahete's beach,
Thou cam'st to woo me to be thine,
With many a speaking look and sign.
I knew thy meaning—thou didst praise
My eyes, my locks of jet;
Ah! well for me they won thy gaze,—
But thine were fairer yet!
I'm glad to see my infant wear
Thy soft blue eyes and sunny hair,
And when my sight is met
By his white brow and blooming cheek,
I feel a joy I cannot speak.
Come talk of Europe's maids with me,[Page 96]
Whose necks and cheeks, they tell,
Outshine the beauty of the sea,
White foam and crimson shell.
I'll shape like theirs my simple dress,
And bind like them each jetty tress,
A sight to please thee well:
And for my dusky brow will braid
A bonnet like an English maid.
Come, for the low sunlight calls,
We lose the pleasant hours;
'Tis lovelier than these cottage walls,—
That seat among the flowers.
And I will learn of thee a prayer,
To Him who gave a home so fair,
A lot so blest as ours—
The God who made, for thee and me,
This sweet lone isle amid the sea.
Come take our boy, and we will go
Right outside our cabin door;
The winds will carry to us, as they blow,
The sounds from the shore;
And we will kiss his young blue eyes,
And I will sing to him as he lies,
Songs that were made long ago:
I'll sing, in his delighted ear,
The island tunes you love to hear.
And while I stumble through the words,
You’ll teach me your country’s language;
It’s not as soft, but much sweeter
Than my own native speech:
For you didn’t know another tongue,
When, hardly twenty moons ago,
On Tahiti’s beach,
You came to woo me to be yours,
With many a meaningful look and gesture.
I understood your meaning—you praised
My eyes, my black hair;
Ah! I’m glad they caught your gaze,—
But yours were even fairer!
I’m happy to see my child has
Your soft blue eyes and sunny hair,
And when I see
His white brow and blooming cheek,
I feel a joy I can’t express.
Come talk about the maids of Europe with me,[Page 96]
Whose necks and cheeks, they say,
Are more beautiful than the sea,
White foam and crimson shell.
I’ll style my simple dress like theirs,
And tie my jet-black hair like them,
A look to please you well:
And for my dark brow, I’ll braid
A bonnet like an English maid.
Come, for the low sunlight is calling,
We’re losing the pleasant hours;
It’s lovelier than these cottage walls,—
That spot among the flowers.
And I will learn from you a prayer,
To Him who gave us such a lovely home,
A life as blessed as ours—
The God who made, for you and me,
This sweet lonely isle in the sea.
THE SKIES.
Ay! gloriously thou standest there,
Beautiful, boundles firmament!
That, swelling wide o'er earth and air,
And round the horizon bent,
With thy bright vault, and sapphire wall,
Dost overhang and circle all.
Far, far below thee, tall old trees
Arise, and piles built up of old,
And hills, whose ancient summits freeze
In the fierce light and cold.
The eagle soars his utmost height,
Yet far thou stretchest o'er his flight.
Thou hast thy frowns—with thee on high
The storm has made his airy seat,
Beyond that soft blue curtain lie
His stores of hail and sleet.
Thence the consuming lightnings break,
There the strong hurricanes awake.
Yet art thou prodigal of smiles—
Smiles, sweeter than thy frowns are stern:
Earth sends, from all her thousand isles,
A shout at thy return.
The glory that comes down from thee,
Bathes, in deep joy, the land and sea.
The sun, the gorgeous sun is thine,[Page 98]
The pomp that brings and shuts the day,
The clouds that round him change and shine,
The airs that fan his way.
Thence look the thoughtful stars, and there
The meek moon walks the silent air.
The sunny Italy may boast
The beauteous tints that flush her skies,
And lovely, round the Grecian coast,
May thy blue pillars rise.
I only know how fair they stand
Around my own beloved land.
And they are fair—a charm is theirs,
That earth, the proud green earth, has not—
With all the forms, and hues, and airs,
That haunt her sweetest spot.
We gaze upon thy calm pure sphere,
And read of Heaven's eternal year.
Oh, when, amid the throng of men,
The heart grows sick of hollow mirth,
How willingly we turn us then
Away from this cold earth,
And look into thy azure breast,
For seats of innocence and rest!
Oh! how gloriously you stand there,
Beautiful, boundless sky!
That, stretching wide over earth and air,
And curved around the horizon,
With your bright dome and sapphire walls,
You overshadow and encompass all.
Far, far below you, tall old trees
Rise up, and ancient structures stand,
And hills, whose old peaks freeze
In the harsh light and cold.
The eagle soars to his highest point,
Yet you extend far beyond his flight.
You have your moments of anger—
The storm has made its lofty throne with you,
Beyond that soft blue curtain lie
His stores of hail and sleet.
From there, the destructive lightning strikes,
And that's where the fierce hurricanes awaken.
Yet you are generous with smiles—
Smiles, sweeter than your stern frowns:
The Earth sends, from all her thousand islands,
A cheer at your return.
The glory that flows down from you,
Covers, in deep joy, the land and sea.
The sun, the brilliant sun is yours,[Page 98]
The show that brings and ends the day,
The clouds that change and shine around him,
The breezes that fan his path.
From there, the thoughtful stars gaze, and there
The gentle moon walks the quiet air.
Sunny Italy might boast
The beautiful colors that blush her skies,
And lovely, along the Grecian coast,
May your blue pillars rise.
I only know how fair they stand
Around my own beloved homeland.
And they are beautiful—there's a charm about them,
That the proud green earth does not have—
With all the shapes, hues, and airs,
That linger in her sweetest places.
We gaze upon your calm, pure sphere,
And read of Heaven's eternal year.
Oh, when, among the crowd of people,
The heart grows weary of superficial joy,
How willingly we turn away then
From this cold earth,
And look into your azure depths,
For places of innocence and rest!
"I CANNOT FORGET WITH WHAT FERVID DEVOTION."
I cannot forget with what fervid devotion
I worshipped the vision of verse and of fame.
Each gaze at the glories of earth, sky, and ocean,
To my kindled emotions, was wind over flame.
And deep were my musings in life's early blossom,
Mid the twilight of mountain groves wandering long;
How thrilled my young veins, and how throbbed my full bosom,
When o'er me descended the spirit of song.
'Mong the deep-cloven fells that for ages had listened
To the rush of the pebble-paved river between,
Where the kingfisher screamed and gray precipice glistened,
All breathless with awe have I gazed on the scene;
Till I felt the dark power o'er my reveries stealing,
From his throne in the depth of that stern solitude,
And he breathed through my lips, in that tempest of feeling,
Strains lofty or tender, though artless and rude.
Bright visions! I mixed with the world, and ye faded;
No longer your pure rural worshipper now;
In the haunts your continual presence pervaded,
Ye shrink from the signet of care on my brow.
In the old mossy groves on the breast of the mountain,
In deep lonely glens where the waters complain,
By the shade of the rock, by the gush of the fountain,
I seek your loved footsteps, but seek them in vain.
Oh, leave not, forlorn and for ever forsaken,
Your pupil and victim to life and its tears!
But sometimes return, and in mercy awaken
The glories ye showed to his earlier years.
I can't forget how passionately I worshipped the idea of poetry and fame. Every time I looked at the beauty of the earth, sky, and ocean, it stirred my emotions like wind feeding a fire. I had deep thoughts during my youthful days, wandering through twilight mountain groves for a long time. How alive I felt, and how my heart raced when the spirit of song descended upon me. Among the rugged hills that had listened for ages to the rushing pebble-strewn river below, where the kingfisher called out and the gray cliffs sparkled, I stood in awe, breathless at the scene. Until I sensed a dark force creeping into my daydreams from its throne in the depths of that harsh solitude. It flowed through my lips, in that whirlwind of emotion, producing lofty or tender melodies, even though they were simple and rough. Bright visions! I mingled with the world, and you faded away; I’m no longer your pure rural worshipper. In the places where you once felt so present, you now shrink away from the burden of care on my brow. In the old mossy groves on the mountainside, in quiet glens where the waters lament, by the shade of the rock and the rush of the fountain, I look for your beloved presence, but I search in vain. Oh, don’t leave me, abandoned and forever forsaken, your student and victim to life and its sorrows! But sometimes come back, and with mercy awaken the glories you revealed to my younger years.
TO A MUSQUITO.
Fair insect! that, with threadlike legs spread out,
And blood-extracting bill and filmy wing,
Does murmur, as thou slowly sail'st about,
In pitiless ears full many a plaintive thing,
And tell how little our large veins should bleed,
Would we but yield them to thy bitter need.
Unwillingly, I own, and, what is worse,
Full angrily men hearken to thy plaint;
Thou gettest many a brush, and many a curse,
For saying thou art gaunt, and starved, and faint:
Even the old beggar, while he asks for food,
Would kill thee, hapless stranger, if he could.
I call thee stranger, for the town, I ween,
Has not the honour of so proud a birth,—
Thou com'st from Jersey meadows, fresh and green,
The offspring of the gods, though born on earth;
For Titan was thy sire, and fair was she,
The ocean nymph that nursed thy infancy.
Beneath the rushes was thy cradle swung,[Page 101]
And when, at length, thy gauzy wings grew strong,
Abroad to gentle airs their folds were flung,
Rose in the sky and bore thee soft along;
The south wind breathed to waft thee on thy way,
And danced and shone beneath the billowy bay.
Calm rose afar the city spires, and thence
Came the deep murmur of its throng of men,
And as its grateful odours met thy sense,
They seemed the perfumes of thy native fen.
Fair lay its crowded streets, and at the sight
Thy tiny song grew shriller with delight.
At length thy pinions fluttered in Broadway—
Ah, there were fairy steps, and white necks kissed
By wanton airs, and eyes whose killing ray
Shone through the snowy veils like stars through mist;
And fresh as morn, on many a cheek and chin,
Bloomed the bright blood through the transparent skin.
Sure these were sights to touch an anchorite!
What! do I hear thy slender voice complain?
Thou wailest, when I talk of beauty's light,
As if it brought the memory of pain:
Thou art a wayward being—well—come near,
And pour thy tale of sorrow in my ear.
What sayst thou—slanderer!—rouge makes thee sick?
And China bloom at best is sorry food?
And Rowland's Kalydor, if laid on thick,
Poisons the thirsty wretch that bores for blood?
Go! 'twas a just reward that met thy crime—
But shun the sacrilege another time.
That bloom was made to look at, not to touch;[Page 102]
To worship, not approach, that radiant white;
And well might sudden vengeance light on such
As dared, like thee, most impiously to bite.
Thou shouldst have gazed at distance and admired,
Murmured thy adoration and retired.
Thou'rt welcome to the town—but why come here
To bleed a brother poet, gaunt like thee?
Alas! the little blood I have is dear,
And thin will be the banquet drawn from me.
Look round—the pale-eyed sisters in my cell,
Thy old acquaintance, Song and Famine, dwell.
Try some plump alderman, and suck the blood
Enriched by generous wine and costly meat;
On well-filled skins, sleek as thy native mud,
Fix thy light pump and press thy freckled feet:
Go to the men for whom, in ocean's hall,
The oyster breeds, and the green turtle sprawls.
There corks are drawn, and the red vintage flows
To fill the swelling veins for thee, and now
The ruddy cheek and now the ruddier nose
Shall tempt thee, as thou flittest round the brow;
And when the hour of sleep its quiet brings,
No angry hand shall rise to brush thy wings.
Fair insect! you, with your delicate legs spread out,
And blood-sucking bill and gossamer wing,
Murmur softly as you glide around,
In heartless ears, you share many a sad tale,
And explain how little our big veins should bleed,
If we would only give in to your bitter need.
I admit unwillingly, and, worse still,
Men listen to your complaints with anger;
You receive many a swat and a curse,
For claiming you’re gaunt, starving, and faint:
Even the old beggar, as he begs for food,
Would kill you, unfortunate stranger, if he could.
I call you stranger, because I think,
The town doesn't have the honor of such a proud origin—
You come from Jersey meadows, fresh and green,
The child of the gods, though born on earth;
For Titan was your father, and fair she,
The ocean nymph that nurtured your infancy.
Beneath the rushes was your cradle swung,[Page 101]
And when, at last, your delicate wings grew strong,
They unfurled to gentle breezes,
Rising in the sky and carrying you softly along;
The south wind breathed to guide you on your way,
And danced and glimmered beneath the billowing bay.
Calmly rose the city spires in the distance,
Bringing the deep murmur of its crowd of men,
And as its pleasant aromas reached your senses,
They felt like the perfumes of your native marsh.
Fair lay its busy streets, and at the sight,
Your tiny song grew sharper with delight.
Finally, your wings fluttered over Broadway—
Ah, there were fairy steps, and white necks kissed
By playful breezes, and eyes with a captivating gaze
That shone through snowy veils like stars through mist;
And fresh as morning, on many a cheek and chin,
Bloomed bright blood through the translucent skin.
Surely these were sights to stir an anchorite!
What! do I hear your delicate voice complain?
You wail when I talk about beauty's light,
As if it brought back memories of pain:
You’re a contrary creature—well—come closer,
And share your tale of sorrow in my ear.
What do you say—slanderer!—does makeup make you sick?
And China bloom is at best sorry fare?
And Rowland's Kalydor, if slathered on thick,
Poisons the thirsty fool that seeks your blood?
Go! It was a fair punishment for your crime—
But avoid such sacrilege next time.
That bloom was meant to be admired, not touched;[Page 102]
To be worshipped, not approached, that radiant white;
And well might sudden justice fall on those
Who dared, like you, so impiously to bite.
You should have gazed from a distance and admired,
Murmured your praise and then retired.
You’re welcome in the town—but why come here
To drain a fellow poet, gaunt like you?
Alas! the little blood I have is precious,
And thin will be the meal drawn from me.
Look around—the pale-eyed sisters in my cell,
Your old friends, Song and Famine, dwell.
Try some plump alderman, and drink their blood
Enriched by fine wine and expensive food;
On well-fed skin, sleek as your native mud,
Fix your light pump and press your freckled feet:
Go to the men for whom, in the ocean's hall,
The oyster breeds, and the green turtle sprawls.
There corks are popped, and the red wine flows
To fill the swollen veins for you, and now
The healthy cheek and now the ruddier nose
Shall tempt you, as you flit around the brow;
And when the hour of sleep brings its calm,
No angry hand shall rise to swat your wings.
LINES ON REVISITING THE COUNTRY.
I stand upon my native hills again,
Broad, round, and green, that in the summer sky
With garniture of waving grass and grain,
Orchards, and beechen forests, basking lie,
While deep the sunless glens are scooped between,
Where brawl o'er shallow beds the streams unseen.
A lisping voice and glancing eyes are near,
And ever restless feet of one, who, now,
Gathers the blossoms of her fourth bright year;
There plays a gladness o'er her fair young brow,
As breaks the varied scene upon her sight,
Upheaved and spread in verdure and in light.
For I have taught her, with delighted eye,
To gaze upon the mountains,—to behold,
With deep affection, the pure ample sky,
And clouds along its blue abysses rolled,—
To love the song of waters, and to hear
The melody of winds with charmed ear.
Here, I have 'scaped the city's stifling heat,[Page 104]
Its horrid sounds, and its polluted air;
And, where the season's milder fervours beat,
And gales, that sweep the forest borders, bear
The song of bird, and sound of running stream,
Am come awhile to wander and to dream.
Ay, flame thy fiercest, sun! thou canst not wake,
In this pure air, the plague that walks unseen.
The maize leaf and the maple bough but take,
From thy strong heats, a deeper, glossier green.
The mountain wind, that faints not in thy ray,
Sweeps the blue steams of pestilence away.
The mountain wind! most spiritual thing of all
The wide earth knows; when, in the sultry time,
He stoops him from his vast cerulean hall,
He seems the breath of a celestial clime!
As if from heaven's wide-open gates did flow
Health and refreshment on the world below.
I’m back on my hometown hills again,
Wide, rounded, and green, basking in the summer sky
With waving grass and grains,
Orchards, and beech forests soaking up the sun,
While deep in the sunless valleys,
Where streams rush over shallow beds, unseen.
A little voice and sparkling eyes are nearby,
And the restless feet of one who, now,
Is picking flowers on her fourth bright birthday;
Joy lights up her young face,
As the vibrant scene unfolds before her eyes,
Emerged and spread in greenery and light.
I’ve taught her, with delighted eyes,
To gaze at the mountains,—to appreciate,
With deep affection, the vast, clear sky,
And clouds rolling across its blue depths,—
To love the sound of water, and to listen
To the melody of the wind with a captivated ear.
Here, I have escaped the city’s suffocating heat,[Page 104]
Its awful noises, and its polluted air;
And, where the season’s milder warmth kicks in,
And breezes sweep the forest edges,
Carrying the song of birds and the sound of running streams,
I’ve come for a while to wander and dream.
Oh, burn your fiercest, sun! you can’t stir,
In this pure air, the unseen plague that wanders.
The corn leaf and the maple branch only gain,
From your strong rays, a deeper, shinier green.
The mountain wind, which doesn’t weaken in your light,
Sweeps away the blue mists of illness.
The mountain wind! the most spiritual thing of all
The vast earth knows; when, in the sticky weather,
He descends from his expansive blue hall,
He feels like the breath of a heavenly place!
As if health and rejuvenation flow
From heaven’s wide-open gates to the world below.
THE DEATH OF THE FLOWERS.
The melancholy days are come, the saddest of the year,
Of wailing winds, and naked woods, and meadows brown and sear.
Heaped in the hollows of the grove, the autumn leaves lie dead;
They rustle to the eddying gust, and to the rabbit's tread.
The robin and the wren are flown, and from the shrubs the jay,
And from the wood-top calls the crow through all the gloomy day.
Where are the flowers, the fair young flowers, that lately sprang and stood
In brighter light, and softer airs, a beauteous sisterhood?
Alas! they all are in their graves, the gentle race, of flowers
Are lying in their lowly beds, with the fair and good of ours.
The rain is falling where they lie, but the cold November rain
Calls not from out the gloomy earth the lovely ones again.
The wind-flower and the violet, they perished long ago,
And the brier-rose and the orchis died amid the summer glow;
But on the hill the golden-rod, and the aster in the wood,
And the yellow sun-flower by the brook in autumn beauty stood,
Till fell the frost from the clear cold heaven, as falls the plague on men,
And the brightness of their smile was gone, from upland, glade, and glen.
And now, when comes the calm mild day, as still such days will come,[Page 106]
To call the squirrel and the bee from out their winter home;
When the sound of dropping nuts is heard, though all the trees are still,
And twinkle in the smoky light the waters of the rill,
The south wind searches for the flowers whose fragrance late he bore,
And sighs to find them in the wood and by the stream no more.
And then I think of one who in her youthful beauty died,
The fair meek blossom that grew up and faded by my side:
In the cold moist earth we laid her, when the forest cast the leaf,
And we wept that one so lovely should have a life so brief:
Yet not unmeet it was that one, like that young friend of ours,
So gentle and so beautiful, should perish with the flowers.
The sad days have arrived, the hardest time of the year,
With howling winds, bare trees, and fields brown and dry.
Piled in the dips of the grove, the autumn leaves are dead;
They rustle with the swirling gusts and the footsteps of rabbits.
The robin and the wren have flown away, the jay’s gone from the bushes,
And the crow calls from the treetops throughout the gloomy day.
Where are the flowers, the lovely young flowers, that recently bloomed and thrived
In brighter light and gentler air, a beautiful sisterhood?
Alas! they all rest in their graves, the gentle flowers
Lying in their humble beds, alongside the fair and good among us.
The rain is falling where they rest, but the cold November rain
Does not bring back the lovely ones from the dark earth.
The windflower and the violet, they vanished long ago,
And the brier-rose and the orchid died in the summer light;
But on the hill, the goldenrod and the aster in the woods,
And the yellow sunflower by the brook stood in autumn's beauty,
Until frost fell from the clear, cold sky, just like a plague on people,
And their brightness disappeared from the upland, glade, and glen.
And now, when the calm, mild days come, as such days will,[Page 106]
To call the squirrel and the bee from their winter homes;
When the sound of falling nuts is heard, though all the trees are still,
And the waters of the stream sparkle in the smoky light,
The south wind searches for the flowers it carried with its fragrance,
And sighs to find them no longer in the woods and by the stream.
And then I think of someone who died in her youthful beauty,
The lovely, gentle flower that grew up and faded by my side:
In the cold, damp earth, we laid her when the forest shed its leaves,
And we cried that someone so beautiful should have such a short life:
Yet it seemed fitting that one, like our young friend,
So gentle and so lovely, should perish with the flowers.
ROMERO.
When freedom, from the land of Spain,
By Spain's degenerate sons was driven,
Who gave their willing limbs again
To wear the chain so lately riven;
Romero broke the sword he wore—
"Go, faithful brand," the warrior said,
"Go, undishonoured, never more
The blood of man shall make thee red:
I grieve for that already shed;
And I am sick at heart to know,
That faithful friend and noble foe
Have only bled to make more strong
The yoke that Spain has worn so long.
Wear it who will, in abject fear—
I wear it not who have been free;
The perjured Ferdinand shall hear
No oath of loyalty from me."
Then, hunted by the hounds of power,
Romero chose a safe retreat,
Where bleak Nevada's summits tower
Above the beauty at their feet.
There once, when on his cabin lay
The crimson light of setting day,
When even on the mountain's breast
The chainless winds were all at rest,
And he could hear the river's flow
From the calm paradise below;
Warmed with his former fires again,
He framed this rude but solemn strain:
When freedom was driven from the land of Spain,
By Spain's corrupt sons,
Who willingly returned
To bear the chains that had just been broken;
Romero broke the sword he carried—
"Go, loyal blade," the warrior said,
"Go, undishonored, never again
Shall the blood of man stain you red:
I mourn for that already spilled;
And it pains me to know,
That faithful friend and noble enemy
Have only bled to strengthen
The yoke that Spain has worn for so long.
Let anyone wear it in fear—
I will not wear it, having been free;
The perjured Ferdinand will hear
No oath of loyalty from me."
Then, pursued by the hounds of power,
Romero sought a safe retreat,
Where the stark peaks of Nevada rise
Above the beauty at their feet.
There once, when the crimson light of sunset
Lay on his cabin,
When even on the mountain's slope
The free winds were finally at rest,
And he could hear the river flow
From the peaceful paradise below;
Rekindled by his former fires,
He crafted this rough but solemn verse:
I.
"Here will I make my home—for here at least I see,
Upon this wild Sierra's side, the steps of Liberty;
Where the locust chirps unscared beneath the unpruned lime,
And the merry bee doth hide from man the spoil of the mountain thyme;
Where the pure winds come and go, and the wild vine gads at will,
An outcast from the haunts of men, she dwells with Nature still.
"Here I will make my home—because at least I see,
On this wild side of the Sierra, the steps of Freedom;
Where the locust chirps unbothered under the untended lime,
And the cheerful bee hides the bounty of the mountain thyme from humans;
Where the clean winds come and go, and the wild vine roams freely,
A wanderer from the places of people, she still lives with Nature."
II.
"I see the valleys, Spain! where thy mighty rivers run,
And the hills that lift thy harvests and vineyards to the sun,
And the flocks that drink thy brooks and sprinkle all the green,
Where lie thy plains, with sheep-walks seamed, and olive-shades between:
I see thy fig-trees bask, with the fair pomegranate near,
And the fragrance of thy lemon-groves can almost reach me here.
"I see the valleys, Spain! where your mighty rivers flow,
And the hills that raise your crops and vineyards up to the sun,
And the flocks that drink from your streams and scatter across the greenery,
Where your plains stretch out, marked by sheep paths and olive groves in between:
I see your fig trees basking, with the beautiful pomegranate nearby,
And the scent of your lemon groves almost reaches me here."
III.
"Fair—fair—but fallen Spain! 'tis with a swelling heart,
That I think on all thou mightst have been, and look at what thou art;
But the strife is over now, and all the good and brave,
That would have raised thee up, are gone, to exile or the grave.
Thy fleeces are for monks, thy grapes for the convent feast,
And the wealth of all thy harvest-fields for the pampered lord and priest.
"Beautiful—beautiful—but fallen Spain! It fills my heart with sorrow,
As I reflect on all you could have been, and see what you have become;
But the struggle is over now, and all the good and brave,
Who would have lifted you up, are gone, to exile or the grave.
Your wool is for the monks, your grapes for the convent feast,
And the riches from all your harvest fields go to the pampered lord and priest."
IV.
"But I shall see the day—it will come before I die—
I shall see it in my silver hairs, and with an age-dimmed eye;—
When the spirit of the land to liberty shall bound,
As yonder fountain leaps away from the darkness of the ground:
And to my mountain cell, the voices of the free
Shall rise, as from the beaten shore the thunders of the sea."
"But I will see the day—it will arrive before I die—
I will see it with my gray hair and with my aged eyes;—
When the spirit of the land will leap to freedom,
Like that fountain rises from the darkness of the earth:
And to my mountain home, the voices of the free
Will soar, like the thunder of the sea from the shore."
A MEDITATION ON RHODE-ISLAND COAL.
Decolor, obscuris, vilis, non ille repexam
Cesariem regum, non candida virginis ornat
Colla, nec insigni splendet per cingula morsu.
Sed nova si nigri videas miracula saxi,
Tunc superat pulchros cultus et quicquid Eois
Indus litoribus rubrâ scrutatur in algâ.
Decolor, obscuris, cheap, does not adorn the hair of kings, nor the white neck of a virgin, nor does it shine through the remarkable clasp. But if you see the wonders of that dark stone, then it surpasses beautiful adornments and whatever the Indian searches for in the red seaweed along its shores.
CLAUDIAN.
CLAUDIAN.
I sat beside the glowing grate, fresh heaped
With Newport coal, and as the flame grew bright
—The many-coloured flame—and played and leaped,
I thought of rainbows and the northern light,
Moore's Lalla Rookh, the Treasury Report,
And other brilliant matters of the sort.
And last I thought of that fair isle which sent
The mineral fuel; on a summer day
I saw it once, with heat and travel spent,
And scratched by dwarf-oaks in the hollow way;
Now dragged through sand, now jolted over stone—
A rugged road through rugged Tiverton.
And hotter grew the air, and hollower grew[Page 110]
The deep-worn path, and horror-struck, I thought,
Where will this dreary passage lead me to?
This long dull road, so narrow, deep, and hot?
I looked to see it dive in earth outright;
I looked—but saw a far more welcome sight.
Like a soft mist upon the evening shore,
At once a lovely isle before me lay,
Smooth and with tender verdure covered o'er,
As if just risen from its calm inland bay;
Sloped each way gently to the grassy edge,
And the small waves that dallied with the sedge.
The barley was just reaped—its heavy sheaves
Lay on the stubble field—the tall maize stood
Dark in its summer growth, and shook its leaves—
And bright the sunlight played on the young wood—
For fifty years ago, the old men say,
The Briton hewed their ancient groves away.
I saw where fountains freshened the green land,
And where the pleasant road, from door to door,
With rows of cherry-trees on either hand,
Went wandering all that fertile region o'er—
Rogue's Island once—but when the rogues were dead,
Rhode Island was the name it took instead.
Beautiful island! then it only seemed
A lovely stranger—it has grown a friend.
I gazed on its smooth slopes, but never dreamed
How soon that bright magnificent isle would send
The treasures of its womb across the sea,
To warm a poet's room and boil his tea.
Dark anthracite! that reddenest on my hearth,[Page 111]
Thou in those island mines didst slumber long;
But now thou art come forth to move the earth,
And put to shame the men that mean thee wrong.
Thou shalt be coals of fire to those that hate thee,
And warm the shins of all that underrate thee.
Yea, they did wrong thee foully—they who mocked
Thy honest face, and said thou wouldst not burn;
Of hewing thee to chimney-pieces talked,
And grew profane—and swore, in bitter scorn,
That men might to thy inner caves retire,
And there, unsinged, abide the day of fire.
Yet is thy greatness nigh. I pause to state,
That I too have seen greatness—even I—
Shook hands with Adams—stared at La Fayette,
When, barehead, in the hot noon of July,
He would not let the umbrella be held o'er him,
For which three cheers burst from the mob before him.
And I have seen—not many months ago—
An eastern Governor in chapeau bras
And military coat, a glorious show!
Ride forth to visit the reviews, and ah!
How oft he smiled and bowed to Jonathan!
How many hands were shook and votes were won!
'Twas a great Governor—thou too shalt be
Great in thy turn—and wide shall spread thy fame,
And swiftly; farthest Maine shall hear of thee,
And cold New Brunswick gladden at thy name,
And, faintly through its sleets, the weeping isle
That sends the Boston folks their cod shall smile.
For thou shalt forge vast railways, and shalt heat[Page 112]
The hissing rivers into steam, and drive
Huge masses from thy mines, on iron feet,
Walking their steady way, as if alive,
Northward, till everlasting ice besets thee,
And south as far as the grim Spaniard lets thee.
Thou shalt make mighty engines swim the sea,
Like its own monsters—boats that for a guinea
Will take a man to Havre—and shalt be
The moving soul of many a spinning-jenny,
And ply thy shuttles, till a bard can wear
As good a suit of broadcloth as the mayor.
Then we will laugh at winter when we hear
The grim old churl about our dwellings rave:
Thou, from that "ruler of the inverted year,"
Shalt pluck the knotty sceptre Cowper gave,
And pull him from his sledge, and drag him in,
And melt the icicles from off his chin.
I sat next to the glowing fireplace, freshly piled
With Newport coal, and as the flames brightened
—the colorful flames—danced and jumped,
I thought of rainbows and the northern lights,
Moore's Lalla Rookh, the Treasury Report,
And other brilliant things like that.
And finally, I thought of that beautiful island which sent
The mineral fuel; on a summer day
I saw it once, exhausted from heat and travel,
Scratched by dwarf oaks along the narrow way;
Now dragged through sand, now jolted over stone—
A rough road through rugged Tiverton.
And the air got hotter, and the deep-worn path grew[Page 110]
Hollower, and horrified, I wondered,
Where will this dreary passage lead me?
This long dull road, so narrow, deep, and hot?
I looked to see it dive right into the earth;
I looked—but saw a much more welcome sight.
Like a soft mist on the evening shore,
Suddenly a lovely island appeared before me,
Smooth and covered with tender greenery,
As if just risen from its calm inland bay;
Sloping gently on either side to the grassy edge,
And the small waves that played with the sedge.
The barley had just been harvested—its heavy sheaves
Laying on the stubble field—the tall corn stood
Dark in its summer growth, shaking its leaves—
And bright sunlight played on the young woods—
For fifty years ago, the old men say,
The Briton cut down their ancient groves.
I saw where fountains refreshed the green land,
And where the pleasant road, from house to house,
With rows of cherry trees on either side,
Wandered through that fertile region—
Rogue's Island once—but when the rogues were gone,
Rhode Island became its new name.
Beautiful island! then it seemed
Like a lovely stranger—it has become a friend.
I gazed at its smooth slopes, but never imagined
How soon that bright, magnificent island would send
The treasures of its depths across the sea,
To warm a poet's room and brew his tea.
Dark anthracite! that reddens on my hearth,[Page 111]
You slumbered long in those island mines;
But now you have come forth to move the earth,
And put to shame those who mean you harm.
You will be coals of fire to those who hate you,
And warm the shins of all who underestimate you.
Yes, they wronged you badly—those who mocked
Your honest face and claimed you wouldn’t burn;
Of carving you into fireplace mantels they talked,
And grew profane—and swore, in bitter scorn,
That men might retreat to your inner caves,
And there, unsinged, survive the day of fire.
Yet your greatness is near. I pause to say,
That I too have seen greatness—even I—
Shook hands with Adams—stared at La Fayette,
When, bareheaded, in the hot noon of July,
He would not allow anyone to hold an umbrella for him,
For which three cheers erupted from the crowd before him.
And I have seen—not many months ago—
An eastern Governor in a fancy hat
And military coat, such a glorious sight!
Ride out to check the military reviews, and ah!
How often he smiled and bowed to Jonathan!
How many hands were shaken and votes were secured!
He was a great Governor—you too shall be
Great in your time—and your fame will spread wide,
And swiftly; the farthest Maine shall hear of you,
And cold New Brunswick will rejoice at your name,
And, faintly through its sleets, the weeping island
That sends the Boston folks their cod shall smile.
For you will forge vast railways and heat[Page 112]
The hissing rivers into steam, and drive
Huge masses from your mines on iron feet,
Walking their steady way as if alive,
Northward, until everlasting ice surrounds you,
And south as far as the grim Spaniard allows you.
You will create mighty engines that sail the sea,
Like its own monsters—boats that for a guinea
Will take a person to Havre—and you shall be
The moving soul of many a spinning jenny,
And work your shuttles until a bard can wear
As fine a suit of broadcloth as the mayor.
Then we will laugh at winter when we hear
The grim old miser rant about our homes:
You, from that "ruler of the inverted year,"
Shall take the knotted scepter Cowper gave,
And pull him from his sled, and drag him in,
And melt the icicles from off his chin.
THE NEW MOON.
When, as the garish day is done,
Heaven burns with the descended sun,
'Tis passing sweet to mark,
Amid that flush of crimson light,
The new moon's modest bow grow bright,
As earth and sky grow dark.
Few are the hearts too cold to feel
A thrill of gladness o'er them steal,
When first the wandering eye
Sees faintly, in the evening blaze,
That glimmering curve of tender rays
Just planted in the sky.
The sight of that young crescent brings
Thoughts of all fair and youthful things
The hopes of early years;
And childhood's purity and grace,
And joys that like a rainbow chase
The passing shower of tears.
The captive yields him to the dream[Page 114]
Of freedom, when that virgin beam
Comes out upon the air:
And painfully the sick man tries
To fix his dim and burning eyes
On the soft promise there.
Most welcome to the lover's sight,
Glitters that pure, emerging light;
For prattling poets say,
That sweetest is the lovers' walk,
And tenderest is their murmured talk,
cBeneath its gentle ray.
And there do graver men behold
A type of errors, loved of old,
Forsaken and forgiven;
And thoughts and wishes not of earth,
Just opening in their early birth,
Like that new light in heaven.
When the bold day is over,
Heaven glows with the setting sun,
It's so sweet to see,
Amid that flush of red light,
The new moon's gentle curve shines bright,
As earth and sky go dark.
Few hearts are too cold to feel
A thrill of joy sweep over them,
When the wandering eye first
Sees softly, in the evening glow,
That glimmering arc of tender rays
Just placed in the sky.
The sight of that young crescent brings
Thoughts of all beautiful and youthful things,
The hopes of early years;
And childhood's purity and grace,
And joys that chase like a rainbow
The passing shower of tears.
The captive surrenders to the dream[Page 114]
Of freedom when that new light
Appears in the air:
And painfully the sick person tries
To fix their hazy, burning eyes
On the soft promise there.
Most welcome to the lover's sight,
Shines that pure, emerging light;
For chatty poets say,
That the sweetest lovers' stroll
And tenderest whispers unfold
Beneath its gentle glow.
And there, more serious men see
A symbol of past mistakes,
Left behind and forgiven;
And thoughts and desires not of this world,
Just starting in their early rise,
Like that new light in heaven.
OCTOBER.
A SONNET.
Ay, thou art welcome, heaven's delicious breath,
When woods begin to wear the crimson leaf,
And suns grow meek, and the meek suns grow brief,
And the year smiles as it draws near its death.
Wind of the sunny south! oh still delay
In the gay woods and in the golden air,
Like to a good old age released from care,
Journeying, in long serenity, away.
In such a bright, late quiet, would that I
Might wear out life like thee, mid bowers and brooks,
And, dearer yet, the sunshine of kind looks,
And music of kind voices ever nigh;
And when my last sand twinkled in the glass,
Pass silently from men, as thou dost pass.
Oh, you are welcome, heaven's sweet breath,
When the trees start to wear their red leaves,
And the suns become gentle, and the gentle suns get shorter,
And the year smiles as it approaches its end.
Wind from the sunny south! oh please stay
In the cheerful woods and in the golden air,
Like a good old age freed from worries,
Wandering away in calm peace.
In such a bright, quiet time, I wish I could
Spend my life like you, among gardens and streams,
And, even more, the warmth of friendly faces,
And the music of kind voices always nearby;
And when my last sand sparkles in the glass,
I hope to pass quietly from this world, as you do.
THE DAMSEL OF PERU.
Where olive leaves were twinkling in every wind that blew,
There sat beneath the pleasant shade a damsel of Peru.
Betwixt the slender boughs, as they opened to the air,
Came glimpses of her ivory neck and of her glossy hair;
And sweetly rang her silver voice, within that shady nook,
As from the shrubby glen is heard the sound of hidden brook.
'Tis a song of love and valour, in the noble Spanish tongue,
That once upon the sunny plains of old Castile was sung;
When, from their mountain holds, on the Moorish rout below,
Had rushed the Christians like a flood, and swept away the foe.
A while that melody is still, and then breaks forth anew
A wilder rhyme, a livelier note, of freedom and Peru.
For she has bound the sword to a youthful lover's side,
And sent him to the war the day she should have been his bride,
And bade him bear a faithful heart to battle for the right,
And held the fountains of her eyes till he was out of sight.
Since the parting kiss was given, six weary months are fled,
And yet the foe is in the land, and blood must yet be shed.
A white hand parts the branches, a lovely face looks forth,[Page 117]
And bright dark eyes gaze steadfastly and sadly toward the north
Thou look'st in vain, sweet maiden, the sharpest sight would fail.
To spy a sign of human life abroad in all the vale;
For the noon is coming on, and the sunbeams fiercely beat,
And the silent hills and forest-tops seem reeling in the heat.
That white hand is withdrawn, that fair sad face is gone,
But the music of that silver voice is flowing sweetly on,
Not as of late, in cheerful tones, but mournfully and low,—
A ballad of a tender maid heart-broken long ago,
Of him who died in battle, the youthful and the brave,
And her who died of sorrow, upon his early grave.
But see, along that mountain's slope, a fiery horseman ride;
Mark his torn plume, his tarnished belt, the sabre at his side.
His spurs are buried rowel-deep, he rides with loosened rein,
There's blood upon his charger's flank and foam upon the mane;
He speeds him toward the olive-grove, along that shaded hill:
God shield the helpless maiden there, if he should mean her ill!
And suddenly that song has ceased, and suddenly I hear
A shriek sent up amid the shade, a shriek—but not of fear.
For tender accents follow, and tenderer pauses speak
The overflow of gladness, when words are all too weak:
"I lay my good sword at thy feet, for now Peru is free,
And I am come to dwell beside the olive-grove with thee."
Where olive leaves shimmered in every breeze that blew,
A girl from Peru sat beneath the nice shade.
Between the slender branches, as they opened to the air,
Glimpses of her ivory neck and glossy hair appeared;
And her silver voice rang sweetly in that shady spot,
Like the sound of a hidden brook heard from the thicket.
It's a song of love and bravery, in the noble Spanish language,
That was once sung on the sunny plains of old Castile;
When, from their mountain strongholds, the Christians charged below,
Like a flood, sweeping away the Moorish enemy.
For a while, the melody was still, then burst forth again
With a wilder rhyme, a livelier tune, of freedom and Peru.
For she tied the sword to her youthful lover's side,
And sent him to war on the day she should have been his bride,
And told him to keep a faithful heart and fight for what's right,
And held back her tears until he was out of sight.
Since the parting kiss was given, six long months have passed,
And yet the enemy is still in the land, and blood must be shed.
A white hand parts the branches, a lovely face looks out,[Page 117]
And bright dark eyes gaze steadily and sadly toward the north.
You look in vain, sweet maiden; even the sharpest eyes would fail
To spot a sign of life in all the valley;
For noon is approaching, and the sun beats down hard,
And the quiet hills and treetops seem to sway in the heat.
That white hand is withdrawn, that fair sad face is gone,
But the music of that silver voice continues to flow sweetly,
Not like before, in cheerful tones, but mournfully and low—
A ballad of a tender maid, heartbroken long ago,
Of him who died in battle, the young and brave,
And her who died of sorrow, beside his early grave.
But look, along that mountain slope, a fiery horseman rides;
Notice his tattered plume, his worn belt, the saber at his side.
His spurs are deep in his horse, he rides with loosened reins,
There's blood on his horse's flank and foam on the mane;
He speeds towards the olive grove, up that shaded hill:
God protect the helpless maiden there, if he means her harm!
And suddenly that song stops, and suddenly I hear
A shriek rise up in the shade, a shriek—but not of fear.
For tender words follow, and even more tender pauses show
The overflow of joy when words are too weak:
"I lay my good sword at your feet, for now Peru is free,
And I have come to live beside the olive grove with you."
THE AFRICAN CHIEF.°
Chained in the market-place he stood,
A man of giant frame,
Amid the gathering multitude
That shrunk to hear his name—
All stern of look and strong of limb,
His dark eye on the ground:—
And silently they gazed on him,
As on a lion bound.
Vainly, but well, that chief had fought,
He was a captive now,
Yet pride, that fortune humbles not,
Was written on his brow.
The scars his dark broad bosom wore,
Showed warrior true and brave;
A prince among his tribe before,
He could not be a slave.
Then to his conqueror he spake—
"My brother is a king;
Undo this necklace from my neck,
And take this bracelet ring,
And send me where my brother reigns,
And I will fill thy hands
With store of ivory from the plains,
And gold-dust from the sands."
"Not for thy ivory nor thy gold
Will I unbind thy chain;
That bloody hand shall never hold
The battle-spear again.
A price thy nation never gave
Shall yet be paid for thee;
For thou shalt be the Christian's slave,
In lands beyond the sea."
Then wept the warrior chief, and bade[Page 119]
To shred his locks away;
And one by one, each heavy braid
Before the victor lay.
Thick were the platted locks, and long,
And closely hidden there
Shone many a wedge of gold among
The dark and crisped hair.
"Look, feast thy greedy eye with gold
Long kept for sorest need:
Take it—thou askest sums untold,
And say that I am freed.
Take it—my wife, the long, long day,
Weeps by the cocoa-tree,
And my young children leave their play,
And ask in vain for me."
"I take thy gold—but I have made
Thy fetters fast and strong,
And ween that by the cocoa shade
Thy wife will wait thee long."
Strong was the agony that shook
The captive's frame to hear,
And the proud meaning of his look
Was changed to mortal fear.
His heart was broken—crazed his brain:
At once his eye grew wild;
He struggled fiercely with his chain,
Whispered, and wept, and smiled;
Yet wore not long those fatal bands,
And once, at shut of day,
They drew him forth upon the sands,
The foul hyena's prey.
Chained in the marketplace, he stood,
A man of massive build,
Amid the crowd gathering around
Who flinched at hearing his name—
All stern in expression and strong in body,
His dark eyes on the ground:—
And silently they stared at him,
Like they would a bound lion.
Despite it all, that chief had fought valiantly,
Now he was a captive,
Yet pride, which fortune can't crush,
Was evident on his brow.
The scars on his strong, broad chest,
Showed he was a true and brave warrior;
A prince among his people before,
He could never be a slave.
Then he spoke to his conqueror—
"My brother is a king;
Take this necklace off my neck,
And this bracelet ring,
And send me where my brother rules,
And I’ll fill your hands
With lots of ivory from the plains,
And gold dust from the sands."
"Not for your ivory or your gold
Will I loosen your chains;
That bloody hand will never hold
The battle spear again.
A price your nation never paid
Will still be paid for you;
For you shall be the Christian's slave,
In lands across the sea."
Then the warrior chief wept and told[Page 119]
To cut off his hair;
And one by one, each heavy braid
Fell before the victor.
Thick were the braided locks, and long,
And closely hidden there
Shone many pieces of gold amongst
The dark, crisped hair.
"Look, satisfy your greedy eyes with gold
Long kept for dire need:
Take it—you ask for untold sums,
And say that I am free.
Take it—my wife, all day long,
Weeps by the cocoa tree,
And my young children leave their games,
And ask in vain for me."
"I'll take your gold—but I've made
Your shackles tight and strong,
And I suppose that by the cocoa shade
Your wife will wait for a long time."
A deep agony shook
The captive's body to hear,
And the proud look on his face
Transformed into mortal fear.
His heart was shattered—his mind was crazed:
Suddenly, his eyes grew wild;
He fought desperately against his chains,
Whispered, cried, and smiled;
Yet those fatal bonds didn't last long,
And once, at the end of the day,
They dragged him out onto the sands,
To be the foul hyena's prey.
SPRING IN TOWN.
The country ever has a lagging Spring,
Waiting for May to call its violets forth,
And June its roses—showers and sunshine bring,
Slowly, the deepening verdure o'er the earth;
To put their foliage out, the woods are slack,
And one by one the singing-birds come back.
Within the city's bounds the time of flowers
Comes earlier. Let a mild and sunny day,
Such as full often, for a few bright hours,
Breathes through the sky of March the airs of May,
Shine on our roofs and chase the wintry gloom—
And lo! our borders glow with sudden bloom.
For the wide sidewalks of Broadway are then
Gorgeous as are a rivulet's banks in June,
That overhung with blossoms, through its glen,
Slides soft away beneath the sunny noon,
And they who search the untrodden wood for flowers
Meet in its depths no lovelier ones than ours.
For here are eyes that shame the violet,
Or the dark drop that on the pansy lies,
And foreheads, white, as when in clusters set,
The anemones by forest fountains rise;
And the spring-beauty boasts no tenderer streak
Than the soft red on many a youthful cheek.
And thick about those lovely temples lie
Locks that the lucky Vignardonne has curled,
Thrice happy man! whose trade it is to buy,
And bake, and braid those love-knots of the world;
Who curls of every glossy colour keepest,
And sellest, it is said, the blackest cheapest.
And well thou mayst—for Italy's brown maids[Page 121]
Send the dark locks with which their brows are dressed,
And Gascon lasses, from their jetty braids,
Crop half, to buy a riband for the rest;
But the fresh Norman girls their tresses spare,
And the Dutch damsel keeps her flaxen hair.
Then, henceforth, let no maid nor matron grieve,
To see her locks of an unlovely hue,
Frouzy or thin, for liberal art shall give
Such piles of curls as nature never knew.
Eve, with her veil of tresses, at the sight
Had blushed, outdone, and owned herself a fright.
Soft voices and light laughter wake the street,
Like notes of woodbirds, and where'er the eye
Threads the long way, plumes wave, and twinkling feet
Fall light, as hastes that crowd of beauty by.
The ostrich, hurrying o'er the desert space,
Scarce bore those tossing plumes with fleeter pace.
No swimming Juno gait, of languor born,
Is theirs, but a light step of freest grace,
Light as Camilla's o'er the unbent corn,—
A step that speaks the spirit of the place,
Since Quiet, meek old dame, was driven away
To Sing Sing and the shores of Tappan bay.
Ye that dash by in chariots! who will care
For steeds or footmen now? ye cannot show
Fair face, and dazzling dress, and graceful air,
And last edition of the shape! Ah no,
These sights are for the earth and open sky,
And your loud wheels unheeded rattle by.
The country always has a slow Spring,
Waiting for May to bring out its violets,
And June its roses—showers and sunshine help,
Slowly, the growing greenery covers the earth;
The woods are slow to put out their leaves,
And one by one the singing birds return.
In the city, flowers arrive earlier.
When a mild, sunny day comes along,
Like those often found, for a few bright hours,
Breathing through March's sky the airs of May,
Shining on our roofs to chase away the winter gloom—
And suddenly, our surroundings burst into bloom.
For the wide sidewalks of Broadway are then
As vibrant as a stream’s banks in June,
Overhung with blossoms, flowing softly
Under the sunny noon,
And those searching the untamed woods for flowers
Meet no lovelier ones than ours within.
For here are eyes that put violets to shame,
Or the dark drop on the pansy,
And foreheads white, as if in clusters set,
The anemones rise by forest springs;
And the spring beauty boasts no softer hue
Than the gentle red on many a youthful cheek.
And thick around those lovely temples lie
Locks that the lucky Vignardonne has curled,
Thrice happy man! whose job is to buy,
And bake, and braid those love knots of the world;
Who keeps curls of every glossy color,
And is said to sell the finest black for the cheapest.
And rightly so—for Italy's brown girls[Page 121]
Send the dark locks with which their brows are adorned,
And Gascon girls, from their dark braids,
Cut half, to buy a ribbon for the rest;
But the fresh Norman girls keep their hair,
And the Dutch girl keeps her blonde locks.
So, from now on, let no maiden or matron worry,
To see her hair is an unflattering shade,
Messy or sparse, since generous art will provide
Such curls as nature never imagined.
Eve, with her veil of hair, would blush at the sight,
And admit she looked quite frightful.
Soft voices and light laughter fill the street,
Like birds singing, and wherever the eye
Follows the long path, feathers sway, and twinkling feet
Fall lightly as that crowd of beauty passes by.
The ostrich, rushing across the open space,
Scarce carried those flapping feathers with faster pace.
No floating Juno walk, born from languor,
Is theirs, but a light step of perfect grace,
As light as Camilla's over the unbent wheat,—
A step that reflects the spirit of the place,
Since Quiet, meek old lady, has been banished
To Sing Sing and the shores of Tappan Bay.
You who rush by in carriages! who will care
For horses or footmen now? You cannot reveal
Fair faces, dazzling dresses, and graceful air,
And the latest trend of shape! Ah no,
These sights are for the earth and open sky,
And your loud wheels rattle by, unnoticed.
THE GLADNESS OF NATURE.
Is this a time to be cloudy and sad,
When our mother Nature laughs around;
When even the deep blue heavens look glad,
And gladness breathes from the blossoming ground?
There are notes of joy from the hang-bird and wren,
And the gossip of swallows through all the sky;
The ground-squirrel gayly chirps by his den,
And the wilding bee hums merrily by.
The clouds are at play in the azure space,
And their shadows at play on the bright green vale,
And here they stretch to the frolic chase,
And there they roll on the easy gale.
There's a dance of leaves in that aspen bower,
There's a titter of winds in that beechen tree,
There's a smile on the fruit, and a smile on the flower,
And a laugh from the brook that runs to the sea.
And look at the broad-faced sun, how he smiles
On the dewy earth that smiles in his ray,
On the leaping waters and gay young isles;
Ay, look, and he'll smile thy gloom away.
Is this really a time to feel down and sad,
When our mother Nature is laughing around;
When even the deep blue sky looks cheerful,
And joy is rising from the blooming ground?
There are sounds of happiness from the hanging bird and wren,
And the chatter of swallows across the sky;
The ground squirrel cheerfully chirps by his home,
And the wild bee buzzes merrily by.
The clouds are playing in the blue sky,
And their shadows dance on the bright green meadow,
And here they stretch in a playful chase,
And there they roll on the gentle breeze.
There's a dance of leaves in that aspen grove,
There's a rustle of winds in that beech tree,
There's a smile on the fruit, and a smile on the flower,
And a laugh from the brook that flows to the sea.
And look at the broad-faced sun, how he smiles
On the dewy earth that beams in his light,
On the sparkling waters and cheerful young isles;
Yes, look, and he'll chase your gloom away.
THE DISINTERRED WARRIOR.
Gather him to his grave again,
And solemnly and softly lay,
Beneath the verdure of the plain,
The warrior's scattered bones away.
Pay the deep reverence, taught of old,
The homage of man's heart to death;
Nor dare to trifle with the mould
Once hallowed by the Almighty's breath.
The soul hath quickened every part—
That remnant of a martial brow,
Those ribs that held the mighty heart,
That strong arm—strong no longer now.
Spare them, each mouldering relic spare,
Of God's own image; let them rest,
Till not a trace shall speak of where
The awful likeness was impressed.
For he was fresher from the hand
That formed of earth the human face,
And to the elements did stand
In nearer kindred, than our race.
In many a flood to madness tossed,[Page 124]
In many a storm has been his path;
He hid him not from heat or frost,
But met them, and defied their wrath.
Then they were kind—the forests here,
Rivers, and stiller waters, paid
A tribute to the net and spear
Of the red ruler of the shade.
Fruits on the woodland branches lay,
Roots in the shaded soil below,
The stars looked forth to teach his way,
The still earth warned him of the foe.
A noble race! but they are gone,
With their old forests wide and deep,
And we have built our homes upon
Fields where their generations sleep.
Their fountains slake our thirst at noon,
Upon their fields our harvest waves,
Our lovers woo beneath their moon—
Then let us spare, at least, their graves!
Gather him to his grave again,
And solemnly and gently lay,
Beneath the greenery of the plain,
The warrior's scattered bones away.
Pay the deep respect, taught of old,
The tribute of man's heart to death;
Nor dare to mess with the ground
Once hallowed by the Almighty's breath.
The soul has quickened every part—
That remnant of a warrior's brow,
Those ribs that held the mighty heart,
That strong arm—strong no longer now.
Spare them, each crumbling relic spare,
Of God's own image; let them rest,
Till not a trace shall speak of where
The awful likeness was impressed.
For he was fresher from the hand
That formed from earth the human face,
And to the elements did stand
In closer bond, than our race.
In many a flood to madness tossed,[Page 124]
In many a storm has been his path;
He hid from neither heat nor frost,
But faced them, and defied their wrath.
Then they were kind—the forests here,
Rivers, and calmer waters, paid
A tribute to the net and spear
Of the red ruler of the shade.
Fruits on the woodland branches lay,
Roots in the shaded soil below,
The stars looked down to teach his way,
The still earth warned him of the foe.
A noble race! but they are gone,
With their old forests wide and deep,
And we have built our homes upon
Fields where their generations sleep.
Their springs quench our thirst at noon,
Upon their fields our harvest waves,
Our lovers court beneath their moon—
Then let us spare, at least, their graves!
MIDSUMMER.
A SONNET.
A power is on the earth and in the air,
From which the vital spirit shrinks afraid,
And shelters him, in nooks of deepest shade,
From the hot steam and from the fiery glare.
Look forth upon the earth—her thousand plants
Are smitten; even the dark sun-loving maize
Faints in the field beneath the torrid blaze;
The herd beside the shaded fountain pants;
For life is driven from all the landscape brown;
The bird has sought his tree, the snake his den,
The trout floats dead in the hot stream, and men
Drop by the sun-stroke in the populous town:
As if the Day of Fire had dawned, and sent
Its deadly breath into the firmament.
A force is present on the earth and in the air,
From which the vital spirit shrinks in fear,
And seeks refuge in the darkest shade,
From the sweltering heat and the blazing glare.
Look out at the earth—her thousand plants
Are scorched; even the dark sun-loving corn
Wilts in the field under the scorching sun;
The herd by the shaded fountain pants;
For life is driven from all the brown landscape;
The bird has found his tree, the snake his den,
The trout floats lifeless in the hot stream, and people
Collapse from heatstroke in the crowded town:
As if the Day of Fire had arrived, sending
Its deadly breath into the sky.
THE GREEK PARTISAN.
Our free flag is dancing
In the free mountain air,
And burnished arms are glancing,
And warriors gathering there;
And fearless is the little train
Whose gallant bosoms shield it;
The blood that warms their hearts shall stain
That banner, ere they yield it.
—Each dark eye is fixed on earth,
And brief each solemn greeting;
There is no look nor sound of mirth,
Where those stern men are meeting.
They go to the slaughter,
To strike the sudden blow,
And pour on earth, like water,
The best blood of the foe;
To rush on them from rock and height,
And clear the narrow valley,
Or fire their camp at dead of night,
And fly before they rally.
—Chains are round our country pressed,
And cowards have betrayed her,
And we must make her bleeding breast
The grave of the invader.
Not till from her fetters[Page 127]
We raise up Greece again,
And write, in bloody letters,
That tyranny is slain,—
Oh, not till then the smile shall steal
Across those darkened faces,
Nor one of all those warriors feel
His children's dear embraces,
—Reap we not the ripened wheat,
Till yonder hosts are flying,
And all their bravest, at our feet,
Like autumn sheaves are lying.
Our flag is waving
In the fresh mountain air,
And shiny weapons are gleaming,
And warriors are gathering there;
And fearless is the small group
Whose brave hearts protect it;
The blood that fuels their hearts will stain
That banner, before they give it up.
—Each dark eye is focused on the ground,
And each serious greeting is brief;
There’s no look or sound of joy,
Where those stern men are meeting.
They go to slaughter,
To land a sudden blow,
And spill on the ground, like water,
The best blood of the enemy;
To charge them from cliffs and heights,
And clear the narrow valley,
Or set their camp on fire at night,
And escape before they regroup.
—Chains are tightening around our country,
And cowards have betrayed her,
And we must make her wounded heart
The grave of the invader.
Not until we free her from her chains[Page 127]
And raise Greece up again,
And write, in bloody letters,
That tyranny is dead,—
Oh, not until then will a smile break
Across those darkened faces,
Nor one of all those warriors feel
Their children's warm embraces,
—We won’t harvest the ripened wheat,
Until those enemy forces are retreating,
And all their bravest, at our feet,
Like autumn sheaves are lying.
THE TWO GRAVES.
'Tis a bleak wild hill,—but green and bright
In the summer warmth and the mid-day light;
There's the hum of the bee and the chirp of the wren,
And the dash of the brook from the alder glen;
There's the sound of a bell from the scattered flock,
And the shade of the beech lies cool on the rock,
And fresh from the west is the free wind's breath,—
There is nothing here that speaks of death.
Far yonder, where orchards and gardens lie,
And dwellings cluster, 'tis there men die.
They are born, they die, and are buried near,
Where the populous grave-yard lightens the bier;
For strict and close are the ties that bind
In death the children of human-kind;
Yea, stricter and closer than those of life,—
'Tis a neighbourhood that knows no strife.
They are noiselessly gathered—friend and foe—
To the still and dark assemblies below:
Without a frown or a smile they meet,
Each pale and calm in his winding-sheet;
In that sullen home of peace and gloom,
Crowded, like guests in a banquet-room.
Yet there are graves in this lonely spot,[Page 129]
Two humble graves,—but I meet them not.
I have seen them,—eighteen years are past,
Since I found their place in the brambles last,—
The place where, fifty winters ago,
An aged man in his locks of snow,
And an aged matron, withered with years,
Were solemnly laid!—but not with tears.
For none, who sat by the light of their hearth,
Beheld their coffins covered with earth;
Their kindred were far, and their children dead,
When the funeral prayer was coldly said.
Two low green hillocks, two small gray stones,
Rose over the place that held their bones;
But the grassy hillocks are levelled again,
And the keenest eye might search in vain,
'Mong briers, and ferns, and paths of sheep,
For the spot where the aged couple sleep.
Yet well might they lay, beneath the soil
Of this lonely spot, that man of toil,
And trench the strong hard mould with the spade,
Where never before a grave was made;
For he hewed the dark old woods away,
And gave the virgin fields to the day;
And the gourd and the bean, beside his door,
Bloomed where their flowers ne'er opened before;
And the maize stood up; and the bearded rye
Bent low in the breath of an unknown sky.
'Tis said that when life is ended here,
The spirit is borne to a distant sphere;
That it visits its earthly home no more,
Nor looks on the haunts it loved before.
But why should the bodiless soul be sent[Page 130]
Far off, to a long, long banishment?
Talk not of the light and the living green!
It will pine for the dear familiar scene;
It will yearn, in that strange bright world, to behold
The rock and the stream it knew of old.
'Tis a cruel creed, believe it not!
Death to the good is a milder lot.
They are here,—they are here,—that harmless pair,
In the yellow sunshine and flowing air,
In the light cloud-shadows that slowly pass,
In the sounds that rise from the murmuring grass.
They sit where their humble cottage stood,
They walk by the waving edge of the wood,
And list to the long-accustomed flow
Of the brook that wets the rocks below.
Patient, and peaceful, and passionless,
As seasons on seasons swiftly press,
They watch, and wait, and linger around,
Till the day when their bodies shall leave the ground.
It's a bleak, wild hill—but it’s green and bright
In the summer warmth and midday light;
You can hear the hum of the bee and the chirp of the wren,
And the splash of the brook from the alder glen;
You can hear the sound of a bell from the scattered flock,
And the shade of the beech lies cool on the rock,
And fresh from the west comes the free wind's breath—
There’s nothing here that speaks of death.
Far over there, where orchards and gardens lie,
And homes are clustered, that’s where people die.
They are born, they die, and are buried nearby,
Where the crowded graveyard lightens the bier;
For the ties that bind us in death are strict and close,
Stricter than those in life—
It's a neighborly place that knows no strife.
They gather quietly—friend and foe—
To the still, dark meetings below:
Without a frown or a smile, they come together,
Each pale and calm in their shroud;
In that gloomy home of peace and shadow,
Crowded like guests in a banquet room.
Yet there are graves in this lonely spot,[Page 129]
Two humble graves—but I don’t see them.
I’ve seen them—eighteen years have passed,
Since I found their place in the brambles last—
The spot where, fifty winters ago,
An old man with snow-white hair,
And an old woman, worn down by years,
Were laid to rest—but not with tears.
For none, who sat by the warmth of their hearth,
Saw their coffins covered with earth;
Their kin were far away, and their children gone,
When the funeral prayer was coldly said.
Two small green mounds, two little gray stones,
Marked the place that held their bones;
But the grassy mounds have been leveled again,
And the keenest eye might search in vain,
Among briars, ferns, and sheep trails,
For the spot where the old couple sleeps.
Yet they could rest beneath the soil
Of this lonely place, that hardworking man,
And dig the tough, dense earth with his spade,
Where no grave had been made before;
For he cleared the dark old woods away,
And brought the virgin fields to light;
And the gourd and the bean, by his door,
Bloomed where their flowers never opened before;
And the corn stood tall; and the bearded rye
Bowed low in the breath of an unknown sky.
It’s said that when life ends here,
The spirit is taken to a distant place;
That it never visits its earthly home again,
Nor looks upon the places it loved before.
But why should the bodiless soul be sent[Page 130]
Far away, to a long, long exile?
Don’t talk about the light and the living green!
It will long for the dear familiar scene;
It will yearn, in that strange bright world, to see
The rock and the stream it knew from before.
It’s a cruel belief, don’t trust it!
Death for the good is a gentler end.
They are here—they are here—that harmless pair,
In the warm sunshine and flowing air,
In the soft shadows of clouds that drift by,
In the sounds that rise from the murmuring grass.
They sit where their simple cottage stood,
They walk by the waving edge of the woods,
And listen to the long-familiar flow
Of the brook that soaks the rocks below.
Patient, peaceful, and without passion,
As seasons upon seasons swiftly pass,
They watch, wait, and linger around,
Until the day when their bodies leave the ground.
THE CONJUNCTION OF JUPITER AND VENUS.°
I would not always reason. The straight path
Wearies us with its never-varying lines,
And we grow melancholy. I would make
Reason my guide, but she should sometimes sit
Patiently by the way-side, while I traced
The mazes of the pleasant wilderness
Around me. She should be my counsellor,
But not my tyrant. For the spirit needs
Impulses from a deeper source than hers,
And there are motions, in the mind of man,
That she must look upon with awe. I bow
Reverently to her dictates, but not less
Hold to the fair illusions of old time—
Illusions that shed brightness over life,
And glory over nature. Look, even now,
Where two bright planets in the twilight meet,
Upon the saffron heaven,—the imperial star
Of Jove, and she that from her radiant urn
Pours forth the light of love. Let me believe,
Awhile, that they are met for ends of good,
Amid the evening glory, to confer
Of men and their affairs, and to shed down
Kind influence. Lo! they brighten as we gaze,
And shake out softer fires! The great earth feels
The gladness and the quiet of the time.
Meekly the mighty river, that infolds
This mighty city, smooths his front, and far
Glitters and burns even to the rocky base
Of the dark heights that bound him to the west;[Page 132]
And a deep murmur, from the many streets,
Rises like a thanksgiving. Put we hence
Dark and sad thoughts awhile—there's time for them
Hereafter—on the morrow we will meet,
With melancholy looks, to tell our griefs,
And make each other wretched; this calm hour,
This balmy, blessed evening, we will give
To cheerful hopes and dreams of happy days,
Born of the meeting of those glorious stars.
Enough of drought has parched the year, and scared
The land with dread of famine. Autumn, yet,
Shall make men glad with unexpected fruits.
The dog-star shall shine harmless: genial days
Shall softly glide away into the keen
And wholesome cold of winter; he that fears
The pestilence, shall gaze on those pure beams,
And breathe, with confidence, the quiet air.
Emblems of power and beauty! well may they
Shine brightest on our borders, and withdraw
Towards the great Pacific, marking out
The path of empire. Thus, in our own land,
Ere long, the better Genius of our race,
Having encompassed earth, and tamed its tribes,
Shall sit him down beneath the farthest west,
By the shore of that calm ocean, and look back
On realms made happy.
Light the nuptial torch,
And say the glad, yet solemn rite, that knits
The youth and maiden. Happy days to them
That wed this evening!—a long life of love,
And blooming sons and daughters! Happy they
Born at this hour,—for they shall see an age[Page 133]
Whiter and holier than the past, and go
Late to their graves. Men shall wear softer hearts,
And shudder at the butcheries of war,
As now at other murders.
Hapless Greece!
Enough of blood has wet thy rocks, and stained
Thy rivers; deep enough thy chains have worn
Their links into thy flesh; the sacrifice
Of thy pure maidens, and thy innocent babes,
And reverend priests, has expiated all
Thy crimes of old. In yonder mingling lights
There is an omen of good days for thee.
Thou shalt arise from midst the dust and sit
Again among the nations. Thine own arm
Shall yet redeem thee. Not in wars like thine
The world takes part. Be it a strife of kings,—
Despot with despot battling for a throne,—
And Europe shall be stirred throughout her realms,
Nations shall put on harness, and shall fall
Upon each other, and in all their bounds
The wailing of the childless shall not cease.
Thine is a war for liberty, and thou
Must fight it single-handed. The old world
Looks coldly on the murderers of thy race,
And leaves thee to the struggle; and the new,—
I fear me thou couldst tell a shameful tale
Of fraud and lust of gain;—thy treasury drained,
And Missolonghi fallen. Yet thy wrongs
Shall put new strength into thy heart and hand,
And God and thy good sword shall yet work out,
For thee, a terrible deliverance.
I wouldn’t always rely on logic. The straight path
Bores us with its unchanging lines,
And we become sad. I’d make
Logic my guide, but sometimes she should sit
Patiently by the side of the road while I wandered
Through the twists and turns of the lovely wilderness
Around me. She should be my advisor,
But not my master. Because the spirit needs
Inspiration from a deeper source than her,
And there are thoughts in the human mind
That she must regard with respect. I bow
Respectfully to her rules, but I also
Cling to the beautiful illusions of the past—
Illusions that brighten our lives,
And glorify nature. Look, even now,
Where two bright planets meet in the twilight,
Against the saffron sky—the majestic star
Of Jupiter, and she who from her radiant urn
Spills out the light of love. Let me believe,
For a moment, that they have gathered for good,
In the evening glow, to discuss
Human affairs, and to cast down
Kind influence. Look! they brighten as we watch,
And emit softer flames! The great earth feels
The joy and peace of this time.
Gently the mighty river, that embraces
This grand city, smooths his surface, and far
Glistens and glows even to the rocky base
Of the dark heights that border him to the west;[Page 132]
And a deep murmur, from the crowded streets,
Rises like a prayer of thanks. Let’s set aside
Dark and sad thoughts for a while—there’s time for them
Later—tomorrow we will meet,
With sorrowful faces, to share our griefs,
And make each other miserable; this peaceful hour,
This warm, blessed evening, we will dedicate
To cheerful hopes and dreams of happy days,
Born from the meeting of those glorious stars.
Enough drought has dried up the year, and frightened
The land with fear of famine. Autumn, though,
Will make people happy with unexpected fruits.
The dog star will shine harmlessly: pleasant days
Will softly glide into the crisp
And refreshing cold of winter; he who fears
The diseases will gaze upon those pure rays,
And breathe confidently in the calm air.
Symbols of power and beauty! They may well
Shine brightest on our borders, then move
Toward the great Pacific, marking out
The path of empire. Thus, in our own land,
Soon, the better spirit of our race,
Having encompassed the earth and tamed its tribes,
Will sit down beneath the farthest west,
By the shore of that calm ocean, and look back
At realms made joyful.
Light the wedding torch,
And say the happy, yet solemn rite, that binds
The youth and maiden. Happy days to those
Who marry this evening!—a long life of love,
And flourishing sons and daughters! Happy are they
Born at this moment,—for they will see an age[Page 133]
Cleaner and holier than the past, and will go
Late to their graves. People will have kinder hearts,
And shudder at the massacres of war,
As they now do at other murders.
Unfortunate Greece!
Enough blood has soaked your rocks, and stained
Your rivers; deeply enough your chains have worn
Their links into your flesh; the sacrifice
Of your pure maidens, and your innocent babies,
And revered priests, has atoned for all
Your past crimes. In those mingling lights
There is a sign of good days for you.
You shall rise from the dust and sit
Again among the nations. Your own strength
Shall yet free you. Not in wars like yours
Does the world participate. Whether it’s a battle of kings—
Despot against despot fighting for a throne—
And Europe will be stirred across her realms,
Nations will don armor, and will clash
Against each other, and throughout all their lands
The cries of the childless will not cease.
Yours is a fight for freedom, and you
Must wage it alone. The old world
Looks coldly on the murderers of your people,
And leaves you to struggle; and the new,—
I fear you could tell a shameful tale
Of fraud and greed;—your treasury drained,
And Missolonghi fallen. Yet your wrongs
Will infuse new strength into your heart and hand,
And God and your good sword will yet work out,
For you, a fierce deliverance.
A SUMMER RAMBLE.
The quiet August noon has come,
A slumberous silence fills the sky,
The fields are still, the woods are dumb,
In glassy sleep the waters lie.
And mark yon soft white clouds that rest
Above our vale, a moveless throng;
The cattle on the mountain's breast
Enjoy the grateful shadow long.
Oh, how unlike those merry hours
In early June when Earth laughs out,
When the fresh winds make love to flowers,
And woodlands sing and waters shout.
When in the grass sweet voices talk,
And strains of tiny music swell
From every moss-cup of the rock,
From every nameless blossom's bell.
But now a joy too deep for sound,
A peace no other season knows,
Hushes the heavens and wraps the ground,
The blessing of supreme repose.
Away! I will not be, to-day,
The only slave of toil and care.
Away from desk and dust! away!
I'll be as idle as the air.
Beneath the open sky abroad,
Among the plants and breathing things,
The sinless, peaceful works of God,
I'll share the calm the season brings.
Come, thou, in whose soft eyes I see[Page 135]
The gentle meanings of thy heart,
One day amid the woods with me,
From men and all their cares apart.
And where, upon the meadow's breast,
The shadow of the thicket lies,
The blue wild flowers thou gatherest
Shall glow yet deeper near thine eyes.
Come, and when mid the calm profound,
I turn, those gentle eyes to seek,
They, like the lovely landscape round,
Of innocence and peace shall speak.
Rest here, beneath the unmoving shade,
And on the silent valleys gaze,
Winding and widening, till they fade
In yon soft ring of summer haze.
The village trees their summits rear
Still as its spire, and yonder flock
At rest in those calm fields appear
As chiselled from the lifeless rock.
One tranquil mount the scene o'erlooks—
There the hushed winds their sabbath keep
While a near hum from bees and brooks
Comes faintly like the breath of sleep.
Well may the gazer deem that when,
Worn with the struggle and the strife,
And heart-sick at the wrongs of men,
The good forsakes the scene of life;
Like this deep quiet that, awhile,
Lingers the lovely landscape o'er,
Shall be the peace whose holy smile
Welcomes him to a happier shore.
The quiet August noon has arrived,
A sleepy silence fills the sky,
The fields are still, the woods are mute,
In glossy sleep the waters lie.
And look at those soft white clouds that rest
Above our valley, a motionless group;
The cattle on the mountain's slope
Enjoy the long, grateful shade.
Oh, how different from those joyful hours
In early June when Earth laughs out,
When the fresh winds flirt with flowers,
And woodlands sing and waters shout.
When sweet voices chat in the grass,
And tiny music rises
From every moss-cup of the rock,
From every nameless blossom's bell.
But now a joy too deep for sound,
A peace no other season knows,
Hushes the heavens and wraps the ground,
The blessing of supreme stillness.
Away! I won’t be, today,
The only slave to toil and worry.
Away from desk and dust! away!
I’ll be as idle as the air.
Beneath the open sky,
Among the plants and living things,
The innocent, peaceful works of God,
I’ll share the calm the season brings.
Come, you, in whose gentle eyes I see[Page 135]
The kind meanings of your heart,
One day in the woods with me,
Away from people and all their cares.
And where, on the meadow's surface,
The shadow of the thicket rests,
The blue wildflowers you pick
Will glow even brighter near your eyes.
Come, and when in the calm profound,
I turn to seek those gentle eyes,
They, like the lovely landscape around,
Will speak of innocence and peace.
Rest here, beneath the still shade,
And gaze at the silent valleys,
Winding and expanding, until they fade
In that soft ring of summer haze.
The village trees raise their tops
Still as its spire, and yonder flock
At rest in those calm fields seems
Chiselled from the lifeless rock.
One tranquil mountain overlooks the scene—
There the hushed winds take their break
While a near hum from bees and brooks
Sounds faintly like the breath of sleep.
It’s easy for the observer to think that when,
Worn from struggle and strife,
And heart-sick from the wrongs of humanity,
The good forsakes the scene of life;
Like this deep quiet that, for a while,
Lingers over the beautiful landscape,
Will be the peace whose holy smile
Welcomes him to a happier shore.
A SCENE ON THE BANKS OF THE HUDSON.
Cool shades and dews are round my way,
And silence of the early day;
Mid the dark rocks that watch his bed,
Glitters the mighty Hudson spread,
Unrippled, save by drops that fall
From shrubs that fringe his mountain wall;
And o'er the clear still water swells
The music of the Sabbath bells.
All, save this little nook of land
Circled with trees, on which I stand;
All, save that line of hills which lie
Suspended in the mimic sky—
Seems a blue void, above, below,
Through which the white clouds come and go,
And from the green world's farthest steep
I gaze into the airy deep.
Loveliest of lovely things are they,
On earth, that soonest pass away.
The rose that lives its little hour
Is prized beyond the sculptured flower.
Even love, long tried and cherished long,
Becomes more tender and more strong,
At thought of that insatiate grave
From which its yearnings cannot save.
River! in this still hour thou hast
Too much of heaven on earth to last;
Nor long may thy still waters lie,
An image of the glorious sky.
Thy fate and mine are not repose,
And ere another evening close,
Thou to thy tides shalt turn again,
And I to seek the crowd of men.
Cool shades and dew are all around me,
And the silence of the early morning;
Among the dark rocks that guard his bed,
The mighty Hudson sparkles spread,
Calm, except for drops that fall
From shrubs that line his mountain wall;
And across the clear, still water rises
The sound of the Sabbath bells.
Everything, except this little patch of land
Surrounded by trees, where I stand;
Everything, except that line of hills that lie
Hanging in the fake sky—
Seems like a blue emptiness, above and below,
Where the white clouds drift to and fro,
And from the farthest edge of the green world
I look into the airy expanse.
The most beautiful of beautiful things are they,
On earth, that fade away the fastest.
The rose that lasts its brief hour
Is valued more than the sculpted flower.
Even love, long tested and held dear,
Becomes more tender and stronger,
At the thought of that insatiable grave
From which its longings can't be saved.
River! in this quiet hour you have
Too much of heaven on earth to last;
And your calm waters won't stay for long,
A reflection of the glorious sky.
Your fate and mine are not rest,
And before another evening comes to a close,
You will return to your tides again,
And I will seek out the crowd of people.
THE HURRICANE.°
Lord of the winds! I feel thee nigh,
I know thy breath in the burning sky!
And I wait, with a thrill in every vein,
For the coming of the hurricane!
And lo! on the wing of the heavy gales,
Through the boundless arch of heaven he sails;
Silent and slow, and terribly strong,
The mighty shadow is borne along,
Like the dark eternity to come;
While the world below, dismayed and dumb,
Through the calm of the thick hot atmosphere
Looks up at its gloomy folds with fear.
They darken fast; and the golden blaze
Of the sun is quenched in the lurid haze,
And he sends through the shade a funeral ray—
A glare that is neither night nor day,
A beam that touches, with hues of death,
The clouds above and the earth beneath.
To its covert glides the silent bird,
While the hurricane's distant voice is heard,
Uplifted among the mountains round,
And the forests hear and answer the sound.
He is come! he is come! do ye not behold[Page 138]
His ample robes on the wind unrolled?
Giant of air! we bid thee hail!—
How his gray skirts toss in the whirling gale;
How his huge and writhing arms are bent,
To clasp the zone of the firmament,
And fold at length, in their dark embrace,
From mountain to mountain the visible space.
Darker—still darker! the whirlwinds bear
The dust of the plains to the middle air:
And hark to the crashing, long and loud,
Of the chariot of God in the thunder-cloud!
You may trace its path by the flashes that start
From the rapid wheels where'er they dart,
As the fire-bolts leap to the world below,
And flood the skies with a lurid glow.
What roar is that?—'tis the rain that breaks
In torrents away from the airy lakes,
Heavily poured on the shuddering ground,
And shedding a nameless horror round.
Ah! well known woods, and mountains, and skies,
With the very clouds!—ye are lost to my eyes.
I seek ye vainly, and see in your place
The shadowy tempest that sweeps through space,
A whirling ocean that fills the wall
Of the crystal heaven, and buries all.
And I, cut off from the world, remain
Alone with the terrible hurricane.
Lord of the winds! I feel you close,
I sense your breath in the scorching sky!
And I wait, with a thrill in every vein,
For the arrival of the hurricane!
And look! on the wings of the heavy gales,
Through the endless arch of heaven he sails;
Silent and slow, and incredibly strong,
The mighty shadow moves along,
Like the dark eternity that's coming;
While the world below, shocked and silent,
Through the stillness of the thick hot air
Looks up at its gloomy forms with fear.
They darken quickly; and the golden light
Of the sun is snuffed out in the hazy gloom,
And he sends a funeral ray through the shade—
A glow that is neither night nor day,
A beam that touches, with hues of death,
The clouds above and the earth beneath.
The silent bird glides to its shelter,
While the distant voice of the hurricane is heard,
Echoing among the surrounding mountains,
And the forests hear and respond to the sound.
He has come! He has come! Don’t you see[Page 138]
His ample robes unfurling in the wind?
Giant of air! we welcome you!—
Look how his gray skirts toss in the spinning gale;
How his massive, twisting arms are stretched,
To embrace the expanse of the sky,
And finally wrap, in their dark hold,
The visible space from mountain to mountain.
Darker—still darker! The whirlwinds carry
The dust of the plains into the air:
And listen to the crashing, long and loud,
Of the chariot of God in the thunder-cloud!
You can trace its path by the flashes that burst
From the rapid wheels wherever they dart,
As the firebolts leap to the earth below,
And flood the skies with a fiery glow.
What roar is that?—it's the rain breaking
In torrents from the lofty clouds,
Heavily pouring on the trembling ground,
And casting an indescribable horror around.
Ah! familiar woods, mountains, and skies,
With those very clouds!—you are lost to my sight.
I search for you in vain, and see in your place
The shadowy storm that sweeps through space,
A swirling ocean that fills the barriers
Of the crystal sky and buries everything.
And I, cut off from the world, remain
Alone with the terrible hurricane.
WILLIAM TELL.°
A SONNET.
Chains may subdue the feeble spirit, but thee,
Tell, of the iron heart! they could not tame!
For thou wert of the mountains; they proclaim
The everlasting creed of liberty.
That creed is written on the untrampled snow,
Thundered by torrents which no power can hold,
Save that of God, when he sends forth his cold,
And breathed by winds that through the free heaven blow.
Thou, while thy prison walls were dark around,
Didst meditate the lesson Nature taught,
And to thy brief captivity was brought
A vision of thy Switzerland unbound.
The bitter cup they mingled, strengthened thee
For the great work to set thy country free.
Chains may break a weak spirit, but you,
Tell me, of the iron heart! they couldn't control!
For you were born of the mountains; they shout
The lasting belief in freedom.
That belief is written on the untouched snow,
Roared by torrents that no force can restrain,
Except for God's, when he sends out his cold,
And carried by winds that blow through the open sky.
You, while your prison walls were dark around,
Contemplated the lesson Nature taught,
And during your brief captivity, you were shown
A vision of your Switzerland free.
The bitter cup they mixed only made you stronger
For the great task of freeing your country.
THE HUNTER'S SERENADE.°
Thy bower is finished, fairest!
Fit bower for hunter's bride—
Where old woods overshadow
The green savanna's side.
I've wandered long, and wandered far,
And never have I met,
In all this lovely western land,
A spot so lovely yet.
But I shall think it fairer,
When thou art come to bless,
With thy sweet smile and silver voice,
Its silent loveliness.
For thee the wild grape glistens,
On sunny knoll and tree,
The slim papaya ripens
Its yellow fruit for thee.
For thee the duck, on glassy stream,
The prairie-fowl shall die,
My rifle for thy feast shall bring
The wild swan from the sky.
The forest's leaping panther,
Fierce, beautiful, and fleet,
Shall yield his spotted hide to be
A carpet for thy feet.
I know, for thou hast told me,
Thy maiden love of flowers;
Ah, those that deck thy gardens
Are pale compared with ours.
When our wide woods and mighty lawns [Page 141]
Bloom to the April skies,
The earth has no more gorgeous sight
To show to human eyes.
In meadows red with blossoms,
All summer long, the bee
Murmurs, and loads his yellow thighs,
For thee, my love, and me.
Or wouldst thou gaze at tokens
Of ages long ago—
Our old oaks stream with mosses,
And sprout with mistletoe;
And mighty vines, like serpents, climb
The giant sycamore;
And trunks, o'erthrown for centuries,
Cumber the forest floor;
And in the great savanna,
The solitary mound,
Built by the elder world, o'erlooks
The loneliness around.
Come, thou hast not forgotten
Thy pledge and promise quite,
With many blushes murmured,
Beneath the evening light.
Come, the young violets crowd my door,
Thy earliest look to win,
And at my silent window-sill
The jessamine peeps in.
All day the red-bird warbles,
Upon the mulberry near,
And the night-sparrow trills her song,
All night, with none to hear.
Your bower is complete, my fairest!
A perfect bower for a hunter's bride—
Where ancient woods provide shade
By the side of the green savanna.
I've wandered long and traveled far,
And never have I found,
In all this beautiful western land,
A place so lovely still.
But I will think it even more beautiful,
When you come to bless,
With your sweet smile and gentle voice,
Its quiet beauty.
For you, the wild grape shines,
On sunny hills and trees,
The slim papaya ripens
Its yellow fruit for you.
For you, the duck on the calm stream,
And the prairie bird shall die,
My rifle for your feast will bring
The wild swan from the sky.
The leaping panther of the forest,
Fierce, beautiful, and swift,
Will surrender his spotted hide to be
A carpet for your feet.
I know, because you’ve told me,
Of your love for flowers;
Ah, those that fill your gardens
Are pale compared to ours.
When our vast woods and mighty lawns [Page 141]
Bloom under the April skies,
The earth has no more stunning sight
To show to human eyes.
In meadows bright with blossoms,
All summer long, the bee
Buzzes, and loads his yellow thighs,
For you, my love, and me.
Or would you like to look at signs
From ages long past—
Our old oaks are draped in moss,
And sprouting mistletoe;
And mighty vines, like serpents, climb
The huge sycamore;
And trunks, fallen for centuries,
Cover the forest floor;
And in the great savanna,
The solitary mound,
Built by an ancient world, overlooks
The isolation around.
Come, you haven't forgotten
Your promise and vow completely,
With many blushes whispered,
Beneath the evening light.
Come, the young violets gather at my door,
Eager for your first glance,
And at my quiet window-sill
The jasmine peeks in.
All day the red-bird sings,
By the mulberry nearby,
And the night-sparrow trills her song,
All night, with no one to hear.
THE GREEK BOY.
Gone are the glorious Greeks of old,
Glorious in mien and mind;
Their bones are mingled with the mould,
Their dust is on the wind;
The forms they hewed from living stone
Survive the waste of years, alone,
And, scattered with their ashes, show
What greatness perished long ago.
Yet fresh the myrtles there—the springs
Gush brightly as of yore;
Flowers blossom from the dust of kings,
As many an age before.
There nature moulds as nobly now,
As e'er of old, the human brow;
And copies still the martial form
That braved Platæa's battle storm.
Boy! thy first looks were taught to seek
Their heaven in Hellas' skies:
Her airs have tinged thy dusky cheek,
Her sunshine lit thine eyes;
Thine ears have drunk the woodland strains
Heard by old poets, and thy veins
Swell with the blood of demigods,
That slumber in thy country's sods.
Now is thy nation free—though late—
Thy elder brethren broke—
Broke, ere thy spirit felt its weight,
The intolerable yoke.
And Greece, decayed, dethroned, doth see
Her youth renewed in such as thee:
A shoot of that old vine that made
The nations silent in its shade.
Gone are the glorious Greeks from the past,
Glorious in presence and intellect;
Their bones are mixed with the soil,
Their dust is carried by the wind;
The sculptures they carved from living stone
Survive the passage of time, alone,
And, scattered with their ashes, reveal
What greatness was lost long ago.
Yet the myrtles are still fresh there—the springs
Flow brightly as before;
Flowers bloom from the dust of kings,
As they have for ages past.
Nature still shapes the human brow
As nobly now as it ever did;
And still replicates the warrior form
That faced the storm of the battle at Platæa.
Boy! your first looks were trained to seek
Their heaven in the skies of Greece:
Her air has colored your dark cheeks,
Her sunlight has brightened your eyes;
You’ve absorbed the woodland melodies
Heard by ancient poets, and your veins
Flow with the blood of demigods,
That rest in your country's soil.
Now your nation is free—though late—
Your older siblings broke—
Broke, before your spirit felt its weight,
The unbearable yoke.
And Greece, worn down, dethroned, sees
Her youth renewed in someone like you:
A sprout from that old vine that made
The nations silent in its shade.
THE PAST.
Thou unrelenting Past!
Strong are the barriers round thy dark domain,
And fetters, sure and fast,
Hold all that enter thy unbreathing reign.
Far in thy realm withdrawn
Old empires sit in sullenness and gloom,
And glorious ages gone
Lie deep within the shadow of thy womb.
Childhood, with all its mirth,
Youth, Manhood, Age, that draws us to the ground,
And last, Man's Life on earth,
Glide to thy dim dominions, and are bound.
Thou hast my better years,
Thou hast my earlier friends—the good—the kind,
Yielded to thee with tears—
The venerable form—the exalted mind.
My spirit yearns to bring
The lost ones back—yearns with desire intense,
And struggles hard to wring
Thy bolts apart, and pluck thy captives thence.
In vain—thy gates deny
All passage save to those who hence depart;
Nor to the streaming eye
Thou giv'st them back—nor to the broken heart.
In thy abysses hide
Beauty and excellence unknown—to thee
Earth's wonder and her pride
Are gathered, as the waters to the sea;
Labours of good to man,[Page 144]
Unpublished charity, unbroken faith,—
Love, that midst grief began,
And grew with years, and faltered not in death.
Full many a mighty name
Lurks in thy depths, unuttered, unrevered;
With thee are silent fame,
Forgotten arts, and wisdom disappeared.
Thine for a space are they—
Yet shalt thou yield thy treasures up at last;
Thy gates shall yet give way,
Thy bolts shall fall, inexorable Past!
All that of good and fair
Has gone into thy womb from earliest time,
Shall then come forth to wear
The glory and the beauty of its prime.
They have not perished—no!
Kind words, remembered voices once so sweet,
Smiles, radiant long ago,
And features, the great soul's apparent seat.
All shall come back, each tie
Of pure affection shall be knit again;
Alone shall Evil die,
And Sorrow dwell a prisoner in thy reign.
And then shall I behold
Him, by whose kind paternal side I sprung,
And her, who, still and cold,
Fills the next grave—the beautiful and young.
You relentless Past!
Strong are the barriers around your dark domain,
And chains, sure and tight,
Hold all who enter your lifeless reign.
Far in your hidden realm
Old empires sit in sadness and gloom,
And glorious ages past
Lie deep within the shadow of your womb.
Childhood, with all its joy,
Youth, Adulthood, Age, that draws us to the ground,
And lastly, Man's Life on earth,
Glide to your dim dominions and are bound.
You have my better years,
You have my earlier friends—the good and kind,
Given to you with tears—
The venerable form—the exalted mind.
My spirit longs to bring
The lost ones back—yearns with intense desire,
And struggles hard to pry
Your bolts apart and free your captives there.
In vain—your gates deny
All passage except to those who depart;
Nor to the streaming eye
Do you give them back—nor to the broken heart.
In your depths hide
Beauty and excellence unknown—to you
Earth's wonders and her pride
Are gathered, like the waters to the sea;
Labors of good for man,[Page 144]
Unpublished charity, unbroken faith,—
Love, that amidst grief began,
And grew with years, and faltered not in death.
Many a mighty name
Lurks in your depths, unspoken, unrevered;
With you are silent names,
Forgotten arts, and wisdom disappeared.
They belong to you for a time—
Yet you shall yield your treasures up at last;
Your gates shall eventually give way,
Your bolts shall fall, inexorable Past!
All that is good and fair
Has gone into your womb from earliest time,
Shall then come forth to wear
The glory and the beauty of its prime.
They have not perished—no!
Kind words, remembered voices once so sweet,
Smiles, radiant long ago,
And features, where the great soul’s seat once was.
All shall come back, each bond
Of pure affection shall be knit again;
Alone shall Evil die,
And Sorrow dwell a prisoner in your reign.
And then shall I behold
Him, by whose kind paternal side I came,
And her, who, still and cold,
Fills the next grave—the beautiful and young.
"UPON THE MOUNTAIN'S DISTANT HEAD."
Upon the mountain's distant head,
With trackless snows for ever white,
Where all is still, and cold, and dead,
Late shines the day's departing light.
But far below those icy rocks,
The vales, in summer bloom arrayed,
Woods full of birds, and fields of flocks,
Are dim with mist and dark with shade.
'Tis thus, from warm and kindly hearts,
And eyes where generous meanings burn,
Earliest the light of life departs,
But lingers with the cold and stern.
At the mountain's distant peak,
With endless white snow forever blank,
Where everything is quiet, cold, and lifeless,
The fading light of day shines late.
But far below those icy cliffs,
The valleys, dressed in summer bloom,
Woods filled with birds, and fields with flocks,
Are dim with mist and dark with shade.
It's like this; from warm and caring hearts,
And eyes that shine with generous thoughts,
The light of life fades first,
But stays with the cold and stern.
THE EVENING WIND.
Spirit that breathest through my lattice, thou
That cool'st the twilight of the sultry day,
Gratefully flows thy freshness round my brow:
Thou hast been out upon the deep at play,
Riding all day the wild blue waves till now,
Roughening their crests, and scattering high their spray
And swelling the white sail. I welcome thee
To the scorched land, thou wanderer of the sea!
Nor I alone—a thousand bosoms round
Inhale thee in the fulness of delight;
And languid forms rise up, and pulses bound
Livelier, at coming of the wind of night;
And, languishing to hear thy grateful sound,
Lies the vast inland stretched beyond the sight.
Go forth into the gathering shade; go forth,
God's blessing breathed upon the fainting earth!
Go, rock the little wood-bird in his nest,
Curl the still waters, bright with stars, and rouse
The wide old wood from his majestic rest,
Summoning from the innumerable boughs
The strange, deep harmonies that haunt his breast:
Pleasant shall be thy way where meekly bows
The shutting flower, and darkling waters pass,
And where the o'ershadowing branches sweep the grass.
The faint old man shall lean his silver head [Page 147]
To feel thee; thou shalt kiss the child asleep,
And dry the moistened curls that overspread
His temples, while his breathing grows more deep:
And they who stand about the sick man's bed,
Shall joy to listen to thy distant sweep,
And softly part his curtains to allow
Thy visit, grateful to his burning brow.
Go—but the circle of eternal change,
Which is the life of nature, shall restore,
With sounds and scents from all thy mighty range
Thee to thy birthplace of the deep once more;
Sweet odours in the sea-air, sweet and strange,
cShall tell the home-sick mariner of the shore;
And, listening to thy murmur, he shall deem
He hears the rustling leaf and running stream.
Spirit that breathes through my window, you
Cool the twilight of this hot day,
I gratefully feel your freshness around my brow:
You’ve been out playing on the deep,
Riding the wild blue waves all day long,
Churning their crests and scattering their spray
And filling the white sail. I welcome you
To the scorched land, you traveler of the sea!
Not just me—thousands around
Inhale you with delight;
And weary forms rise up, and pulses quicken
With the arrival of the night wind;
And, longing to hear your soothing sound,
The vast inland lies stretched out beyond sight.
Go into the growing shade; go out,
God’s blessing breathed upon the faint earth!
Go, rock the little bird in its nest,
Stir the still waters, bright with stars, and wake
The ancient woods from their majestic rest,
Calling from the countless branches
The strange, deep harmonies that resonate within:
Pleasant shall be your path where flowers bow
And dark waters flow,
And where the overshadowing branches sweep the grass.
The frail old man shall lean his silver head [Page 147]
To feel you; you shall kiss the sleeping child,
And dry the damp curls that cover
His head, while his breathing deepens:
And those who stand by the sick man’s bed,
Shall rejoice to hear your distant whisper,
And gently part his curtains to let
Your visit through, a relief to his fevered brow.
Go—but the cycle of eternal change,
Which is the life of nature, will bring you back,
With sounds and scents from your vast range
To your birthplace in the deep once more;
Sweet fragrances in the sea air, lovely and strange,
Shall remind the homesick sailor of the shore;
And, listening to your murmur, he will think
He hears the rustling leaves and flowing stream.
"WHEN THE FIRMAMENT QUIVERS
WITH DAYLIGHT'S YOUNG BEAM."
When the firmament quivers with daylight's young beam,
And the woodlands awaking burst into a hymn,
And the glow of the sky blazes back from the stream,
How the bright ones of heaven in the brightness grow dim.
Oh! 'tis sad, in that moment of glory and song,
To see, while the hill-tops are waiting the sun,
The glittering band that kept watch all night long
O'er Love and o'er Slumber, go out one by one:
Till the circle of ether, deep, ruddy, and vast,
Scarce glimmers with one of the train that were there;
And their leader the day-star, the brightest and last,
Twinkles faintly and fades in that desert of air.
Thus, Oblivion, from midst of whose shadow we came,
Steals o'er us again when life's twilight is gone;
And the crowd of bright names, in the heaven of fame,
Grow pale and are quenched as the years hasten on.
Let them fade—but we'll pray that the age, in whose flight,
Of ourselves and our friends the remembrance shall die
May rise o'er the world, with the gladness and light
Of the morning that withers the stars from the sky.
When the sky trembles with the new light of day,
And the forests awake, bursting into song,
And the sky's glow reflects brightly off the stream,
How the shining ones of heaven start to dim.
Oh, it’s sad, in that moment of glory and song,
To see, while the hilltops are waiting for the sun,
The sparkling group that kept watch all night long
Over Love and Slumber, go out one by one:
Until the vast, deep sky,
Barely glimmers with one of the crew that was there;
And their leader, the daystar, the brightest and last,
Twinkles faintly and fades in that vast expanse of air.
Thus, Oblivion, from whose shadow we emerged,
Steals over us again when life’s twilight is gone;
And the crowd of bright names, in the hall of fame,
Grow pale and fade as the years rush on.
Let them fade—but we’ll hope that the age, in its time,
When the memories of ourselves and our friends will die,
May rise over the world, with the joy and light
Of the morning that withers the stars from the sky.
"INNOCENT CHILD AND SNOW-WHITE FLOWER."
Innocent child and snow-white flower!
Well are ye paired in your opening hour.
Thus should the pure and the lovely meet,
Stainless with stainless, and sweet with sweet.
White as those leaves, just blown apart,
Are the folds of thy own young heart;
Guilty passion and cankering care
Never have left their traces there.
Artless one! though thou gazest now
O'er the white blossom with earnest brow,
Soon will it tire thy childish eye;
Fair as it is, thou wilt throw it by.
Throw it aside in thy weary hour,
Throw to the ground the fair white flower;
Yet, as thy tender years depart,
Keep that white and innocent heart.
Innocent child and pure white flower!
You make a perfect pair in your blooming moment.
This is how the pure and beautiful should come together,
Spotless with spotless, and sweet with sweet.
White like those petals, just separated,
Are the folds of your young heart;
Sinful desires and troubling worries
Have never left their marks there.
Naive one! even though you look now
At the white blossom with a serious expression,
Soon it will wear out your innocent gaze;
As beautiful as it is, you'll toss it aside.
Set it aside in your tired moments,
Drop the lovely white flower to the ground;
Yet, as you grow and your youth fades,
Hold on to that white and innocent heart.
TO THE RIVER ARVE.
SUPPOSED TO BE WRITTEN AT A HAMLET
NEAR THE FOOT OF MONT BLANC.
Not from the sands or cloven rocks,
Thou rapid Arve! thy waters flow;
Nor earth, within her bosom, locks
Thy dark unfathomed wells below.
Thy springs are in the cloud, thy stream
Begins to move and murmur first
Where ice-peaks feel the noonday beam,
Or rain-storms on the glacier burst.
Born where the thunder and the blast,
And morning's earliest light are born,
Thou rushest swoln, and loud, and fast,
By these low homes, as if in scorn:
Yet humbler springs yield purer waves;
And brighter, glassier streams than thine,
Sent up from earth's unlighted caves,
With heaven's own beam and image shine.
Yet stay; for here are flowers and trees;
Warm rays on cottage roofs are here,
And laugh of girls, and hum of bees—
Here linger till thy waves are clear.
Thou heedest not—thou hastest on;[Page 151]
From steep to steep thy torrent falls,
Till, mingling with the mighty Rhone,
It rests beneath Geneva's walls.
Rush on—but were there one with me
That loved me, I would light my hearth
Here, where with God's own majesty
Are touched the features of the earth.
By these old peaks, white, high, and vast,
Still rising as the tempests beat,
Here would I dwell, and sleep, at last,
Among the blossoms at their feet.
Not from the sands or split rocks,
You swift Arve! your waters flow;
Nor does the earth, deep in her embrace,
Hold your dark, mysterious wells below.
Your springs are in the clouds, your stream
Starts to move and murmur first
Where ice peaks catch the midday sun,
Or when rainstorms burst on the glacier.
Born where thunder and blasts,
And morning's first light emerge,
You rush swollen, loud, and fast,
Past these humble homes, as if in scorn:
Yet simpler springs yield purer waters;
And brighter, clearer streams than yours,
Rising from earth's dark caves,
Shine with heaven's own light and reflection.
But wait; for here are flowers and trees;
Warm rays shine on cottage roofs,
And laughter of girls, and buzzing of bees—
Stay awhile until your waters clear.
You pay no mind—you hurry on;[Page 151]
From steep to steep your torrent falls,
Until, mixing with the mighty Rhone,
It rests beneath Geneva's walls.
Rush on—but if there were someone with me
Who loved me, I would light my fire
Here, where with God's own majesty
The earth’s features are shaped and defined.
By these ancient peaks, white, high, and vast,
Still rising as the storms strike,
Here I would choose to dwell, and finally sleep,
Among the blossoms at their feet.
TO COLE, THE PAINTER, DEPARTING FOR EUROPE.
A SONNET.
Thine eyes shall see the light of distant skies:
Yet, COLE! thy heart shall bear to Europe's strand
A living image of thy native land,
Such as on thine own glorious canvas lies;
Lone lakes—savannas where the bison roves—
Rocks rich with summer garlands—solemn streams—
Skies, where the desert eagle wheels and screams—
Spring bloom and autumn blaze of boundless groves.
Fair scenes shall greet thee where thou goest—fair,
But different—everywhere the trace of men,
Paths, homes, graves, ruins, from the lowest glen
To where life shrinks from the fierce Alpine air,
Gaze on them, till the tears shall dim thy sight,
But keep that earlier, wilder image bright.
Your eyes will see the light of distant skies:
Yet, COLE! your heart will carry to Europe's shores
A living image of your homeland,
Just like the one on your own glorious canvas;
Lonely lakes—savannas where the bison wanders—
Rocks adorned with summer flowers—solemn streams—
Skies where the desert eagle soars and screams—
Spring blossoms and autumn fires of endless groves.
Beautiful scenes will greet you wherever you go—beautiful,
But different—everywhere the mark of humanity,
Paths, homes, graves, ruins, from the deepest valley
To where life retreats from the harsh Alpine air,
Look upon them, until tears blur your vision,
But keep that earlier, wilder image vivid.
TO THE FRINGED GENTIAN.
Thou blossom bright with autumn dew,
And coloured with the heaven's own blue,
That openest when the quiet light
Succeeds the keen and frosty night.
Thou comest not when violets lean
O'er wandering brooks and springs unseen,
Or columbines, in purple dressed,
Nod o'er the ground-bird's hidden nest.
Thou waitest late and com'st alone,
When woods are bare and birds are flown,
And frosts and shortening days portend
The aged year is near his end.
Then doth thy sweet and quiet eye
Look through its fringes to the sky,
Blue—blue—as if that sky let fall
A flower from its cerulean wall.
I would that thus, when I shall see
The hour of death draw near to me,
Hope, blossoming within my heart,
May look to heaven as I depart.
You bloom brightly with autumn dew,
And colored with the heavens' own blue,
That opens up when the soft light
Follows the sharp and frosty night.
You don't come when violets lean
Over wandering brooks and unseen springs,
Or columbines, dressed in purple,
Nod over the ground-bird's hidden nest.
You wait late and come alone,
When woods are bare and birds have flown,
And frosts and shorter days hint
The old year is close to its end.
Then your sweet and gentle eye
Looks through its fringes to the sky,
Blue—blue—as if that sky let fall
A flower from its cerulean wall.
I wish that when I see
The hour of death drawing near to me,
Hope, blossoming in my heart,
May look to heaven as I depart.
THE TWENTY-SECOND OF DECEMBER.
Wild was the day; the wintry sea
Moaned sadly on New-England's strand,
When first the thoughtful and the free,
Our fathers, trod the desert land.
They little thought how pure a light,
With years, should gather round that day;
How love should keep their memories bright,
How wide a realm their sons should sway.
Green are their bays; but greener still
Shall round their spreading fame be wreathed,
And regions, now untrod, shall thrill
With reverence when their names are breathed.
Till where the sun, with softer fires,
Looks on the vast Pacific's sleep,
The children of the pilgrim sires
This hallowed day like us shall keep.
The day was wild; the cold sea
Sighed sadly on New England's shore,
When our thoughtful and free ancestors
First walked the empty land.
They had no idea how pure a light
Would gather around that day with time;
How love would keep their memories bright,
How vast a realm their descendants would rule.
Their shores are green; but even greener
Shall be the fame that spreads around them,
And lands now untouched will feel a thrill
With respect whenever their names are spoken.
Until where the sun, with gentler rays,
Looks over the vast Pacific's calm,
The children of those early settlers
Will celebrate this sacred day just like us.
HYMN OF THE CITY.
Not in the solitude
Alone may man commune with Heaven, or see
Only in savage wood
And sunny vale, the present Deity;
Or only hear his voice
Where the winds whisper and the waves rejoice.
Even here do I behold
Thy steps, Almighty!—here, amidst the crowd,
Through the great city rolled,
With everlasting murmur deep and loud—
Choking the ways that wind
'Mongst the proud piles, the work of human kind.
Thy golden sunshine comes
From the round heaven, and on their dwellings lies,
And lights their inner homes;
For them thou fill'st with air the unbounded skies,
And givest them the stores
Of ocean, and the harvests of its shores.
Thy Spirit is around,
Quickening the restless mass that sweeps along;
And this eternal sound—
Voices and footfalls of the numberless throng—
Like the resounding sea,
Or like the rainy tempest, speaks of thee.
And when the hours of rest
Come, like a calm upon the mid-sea brine,
Hushing its billowy breast—
The quiet of that moment too is thine,
It breathes of Him who keeps
The vast and helpless city while it sleeps.
Not in solitude
Alone can people connect with Heaven, or see
Only in wild forests
And sunny valleys, the present Deity;
Or only hear His voice
Where the winds whisper and the waves celebrate.
Even here I see
Your steps, Almighty!—here, amidst the crowd,
Through the bustling city,
With its constant deep and loud murmur—
Choking the paths that weave
Among the proud buildings, the work of humankind.
Your golden sunlight comes
From the wide sky, and shines on their homes,
And lights their inner spaces;
For them, You fill the unbounded skies with air,
And provide them the bounty
Of the ocean and the harvests from its shores.
Your Spirit is all around,
Energizing the restless crowd that moves along;
And this endless sound—
Voices and footsteps of the countless throng—
Like the roaring sea,
Or like the rainy storm, speaks of You.
And when the hours of rest
Come, like calm on the middle of the sea,
Smoothing its wave-tossed surface—
The peace of that moment is also Yours,
It carries the essence of Him who watches
The vast and helpless city while it sleeps.
THE PRAIRIES.°
These are the gardens of the Desert, these
The unshorn fields, boundless and beautiful,
For which the speech of England has no name—
The Prairies. I behold them for the first,
And my heart swells, while the dilated sight
Takes in the encircling vastness. Lo! they stretch
In airy undulations, far away,
As if the ocean, in his gentlest swell,
Stood still, with all his rounded billows fixed,
And motionless for ever.—Motionless?—
No—they are all unchained again. The clouds
Sweep over with their shadows, and, beneath,
The surface rolls and fluctuates to the eye;
Dark hollows seem to glide along and chase
The sunny ridges. Breezes of the South!
Who toss the golden and the flame-like flowers,
And pass the prairie-hawk that, poised on high,
Flaps his broad wings, yet moves not—ye have played
Among the palms of Mexico and vines
Of Texas, and have crisped the limpid brooks
That from the fountains of Sonora glide
Into the calm Pacific—have ye fanned
A nobler or a lovelier scene than this?
Man hath no part in all this glorious work:
The hand that built the firmament hath heaved
And smoothed these verdant swells, and sown their slopes
With herbage, planted them with island groves,[Page 157]
And hedged them round with forests. Fitting floor
For this magnificent temple of the sky—
With flowers whose glory and whose multitude
Rival the constellations! The great heavens
Seem to stoop down upon the scene in love,—
A nearer vault, and of a tenderer blue,
Than that which bends above the eastern hills.
As o'er the verdant waste I guide my steed,
Among the high rank grass that sweeps his sides
The hollow beating of his footstep seems
A sacrilegious sound. I think of those
Upon whose rest he tramples. Are they here—
The dead of other days?—and did the dust
Of these fair solitudes once stir with life
And burn with passion? Let the mighty mounds
That overlook the rivers, or that rise
In the dim forest crowded with old oaks,
Answer. A race, that long has passed away,
Built them;—a disciplined and populous race
Heaped, with long toil, the earth, while yet the Greek
Was hewing the Pentelicus to forms
Of symmetry, and rearing on its rock
The glittering Parthenon. These ample fields
Nourished their harvests, here their herds were fed,
When haply by their stalls the bison lowed,
And bowed his maned shoulder to the yoke.
All day this desert murmured with their toils,
Till twilight blushed, and lovers walked, and wooed
In a forgotten language, and old tunes,
From instruments of unremembered form,
Gave the soft winds a voice. The red man came—
The roaming hunter tribes, warlike and fierce,
And the mound-builders vanished from the earth.
The solitude of centuries untold
Has settled where they dwelt. The prairie-wolf
Hunts in their meadows, and his fresh-dug den[Page 158]
Yawns by my path. The gopher mines the ground
Where stood their swarming cities. All is gone—
All—save the piles of earth that hold their bones—
The platforms where they worshipped unknown gods—
The barriers which they builded from the soil
To keep the foe at bay—till o'er the walls
The wild beleaguerers broke, and, one by one,
The strongholds of the plain were forced, and heaped
With corpses. The brown vultures of the wood
Flocked to those vast uncovered sepulchres,
And sat, unscared and silent, at their feast.
Haply some solitary fugitive,
Lurking in marsh and forest, till the sense
Of desolation and of fear became
Bitterer than death, yielded himself to die.
Man's better nature triumphed then. Kind words
Welcomed and soothed him; the rude conquerors
Seated the captive with their chiefs; he chose
A bride among their maidens, and at length
Seemed to forget,—yet ne'er forgot,—the wife
Of his first love, and her sweet little ones,
Butchered, amid their shrieks, with all his race.
Thus change the forms of being. Thus arise
Races of living things, glorious in strength,
And perish, as the quickening breath of God
Fills them, or is withdrawn. The red man, too,
Has left the blooming wilds he ranged so long,
And, nearer to the Rocky Mountains, sought
A wilder hunting-ground. The beaver builds
No longer by these streams, but far away,
On waters whose blue surface ne'er gave back
The white man's face—among Missouri's springs,
And pools whose issues swell the Oregan,
He rears his little Venice. In these plains
The bison feeds no more. Twice twenty leagues
Beyond remotest smoke of hunter's camp,[Page 159]
Roams the majestic brute, in herds that shake
The earth with thundering steps—yet here I meet
His ancient footprints stamped beside the pool.
Still this great solitude is quick with life.
Myriads of insects, gaudy as the flowers
They flutter over, gentle quadrupeds,
And birds, that scarce have learned the fear of man,
Are here, and sliding reptiles of the ground,
Startlingly beautiful. The graceful deer
Bounds to the wood at my approach. The bee,
A more adventurous colonist than man,
With whom he came across the eastern deep,
Fills the savannas with his murmurings,
And hides his sweets, as in the golden age,
Within the hollow oak. I listen long
To his domestic hum, and think I hear
The sound of that advancing multitude
Which soon shall fill these deserts. From the ground
Comes up the laugh of children, the soft voice
Of maidens, and the sweet and solemn hymn
Of Sabbath worshippers. The low of herds
Blends with the rustling of the heavy grain
Over the dark-brown furrows. All at once
A fresher wind sweeps by, and breaks my dream,
And I am in the wilderness alone.
These are the gardens of the Desert, these
The unkempt fields, endless and beautiful,
That have no name in the language of England—
The Prairies. I see them for the first time,
And my heart swells as my eyes
Take in the surrounding vastness. Look! they stretch
In airy waves, far away,
As if the ocean, in its gentlest swell,
Stood still, with all its rounded waves frozen,
And motionless forever.—Motionless?—
No—they are all free again. The clouds
Sweep over with their shadows, and beneath,
The surface rolls and shifts to the eye;
Dark valleys seem to glide along and chase
The sunlit hills. Breezes from the South!
Who toss the golden and flame-like flowers,
And pass the prairie-hawk that, hovering above,
Flaps his broad wings yet doesn’t move—have you played
Among the palms of Mexico and vines
Of Texas, and have stirred the clear streams
That flow from the fountains of Sonora
Into the calm Pacific—did you fan
A nobler or lovelier scene than this?
Man has no part in all this glorious work:
The hand that created the heavens has raised
And smoothed these green hills, and sown their slopes
With grass, planted them with island groves,[Page 157]
And surrounded them with forests. A fitting floor
For this magnificent temple of the sky—
With flowers whose beauty and abundance
Rival the stars! The great heavens
Seem to lean down on the scene in love,—
A closer vault, and a softer blue,
Than that which arches over the eastern hills.
As I ride over the lush expanse,
Among the tall grass that brushes his sides,
The sound of his hoofbeats feels
Like a sacrilegious noise. I think of those
Whose rest he tramples. Are they here—
The dead from other days?—and did the dust
Of these beautiful solitudes once pulse with life
And burn with passion? Let the great mounds
That look over the rivers, or that rise
In the dim forest crowded with old oaks,
Respond. A people, long gone,
Built them;—a disciplined and populous race
Heaped, with long labor, the earth, while the Greek
Was shaping Pentelicus into forms
Of beauty, and rearing on its rock
The glittering Parthenon. These vast fields
Nourished their harvests, here their herds were grazed,
When happily by their stalls the bison lowed,
And bowed his maned shoulder to the yoke.
All day this desert echoed with their labors,
Till twilight blushed, and lovers strolled and wooed
In a forgotten language, and old tunes,
From instruments of unknown forms,
Gave the soft winds a voice. The red man came—
The wandering hunter tribes, warlike and fierce,
And the mound-builders vanished from the earth.
The solitude of untold centuries
Has settled where they lived. The prairie-wolf
Hunts in their meadows, and his freshly dug den[Page 158]
Yawns by my path. The gopher digs the ground
Where stood their bustling cities. All is gone—
All—except the mounds that hold their bones—
The platforms where they worshiped unknown gods—
The barriers which they built from the soil
To keep the enemy at bay—until, over the walls,
The wild attackers broke in, and one by one,
The strongholds of the plain fell, piled
With bodies. The brown vultures of the forest
Flocked to those vast uncovered graves,
And sat, unafraid and silent, at their feast.
Perhaps some solitary survivor,
Lurking in marsh and forest, until the sense
Of desolation and fear became
More bitter than death, gave himself up to die.
Man's better nature triumphed then. Kind words
Welcomed and comforted him; the rough conquerors
Seated the captive with their chiefs; he chose
A bride among their women, and eventually
Seemed to forget—but never actually forgot—the wife
Of his first love, and her sweet little ones,
Butchered, amid their screams, along with his people.
Thus change the forms of existence. Thus arise
Races of living things, glorious in strength,
And perish, as the life-giving breath of God
Fills them, or is withdrawn. The red man, too,
Has left the blooming wilds he roamed for so long,
And, closer to the Rocky Mountains, sought
A wilder hunting ground. The beaver builds
No longer by these rivers, but far away,
On waters whose blue surface never reflected
The white man's face—among Missouri's springs,
And pools whose outlets feed the Oregon,
He creates his own little Venice. In these plains
The bison no longer grazes. Twice twenty leagues
Beyond the farthest smoke of a hunter's camp,[Page 159]
Roams the majestic beast, in herds that shake
The ground with thundering steps—yet here I find
His ancient footprints stamped beside the pool.
Still this great solitude is alive with life.
Countless insects, vibrant as the flowers
They flutter over, gentle quadrupeds,
And birds that hardly know the fear of man,
Are here, along with sliding reptiles of the ground,
Wondrously beautiful. The graceful deer
Bounds into the woods at my approach. The bee,
A more adventurous settler than man,
With whom he crossed the eastern sea,
Fills the savannas with his buzzing,
And hides his treasures, as in the golden age,
Within the hollow oak. I listen long
To his domestic hum, and think I hear
The sound of that advancing multitude
Which soon shall fill these deserts. From the ground
Comes the laughter of children, the soft voices
Of maidens, and the sweet and solemn hymn
Of Sabbath worshippers. The lowing of herds
Blends with the rustling of the heavy grain
Over the dark-brown furrows. Suddenly
A fresher wind sweeps by, breaking my dream,
And I find myself alone in the wilderness.
SONG OF MARION'S MEN.°
Our band is few, but true and tried,
Our leader frank and bold;
The British soldier trembles
When Marion's name is told.
Our fortress is the good greenwood,
Our tent the cypress-tree;
We know the forest round us,
As seamen know the sea.
We know its walls of thorny vines,
Its glades of reedy grass,
Its safe and silent islands
Within the dark morass.
Wo to the English soldiery
That little dread us near!
On them shall light at midnight
A strange and sudden fear:
When waking to their tents on fire
They grasp their arms in vain,
And they who stand to face us
Are beat to earth again;
And they who fly in terror deem
A mighty host behind,
And hear the tramp of thousands
Upon the hollow wind.
Then sweet the hour that brings release
From danger and from toil:
We talk the battle over,
And share the battle's spoil.
The woodland rings with laugh and shout,[Page 161]
As if a hunt were up,
And woodland flowers are gathered
To crown the soldier's cup.
With merry songs we mock the wind
That in the pine-top grieves,
And slumber long and sweetly
On beds of oaken leaves.
Well knows the fair and friendly moon
The band that Marion leads—
The glitter of their rifles,
The scampering of their steeds.
'Tis life to guide the fiery barb
Across the moonlight plain;
'Tis life to feel the night-wind
That lifts his tossing mane.
A moment in the British camp—
A moment—and away
Back to the pathless forest,
Before the peep of day.
Grave men there are by broad Santee,
Grave men with hoary hairs,
Their hearts are all with Marion,
For Marion are their prayers.
And lovely ladies greet our band
With kindliest welcoming,
With smiles like those of summer,
And tears like those of spring.
For them we wear these trusty arms,
And lay them down no more
Till we have driven the Briton,
For ever, from our shore.
Our group is small but loyal,
Our leader is honest and bold;
The British soldiers shake with fear
When they hear Marion’s name.
Our stronghold is the beautiful forest,
Our tent is the cypress tree;
We know the woods around us,
Just like sailors know the sea.
We know its thorny walls,
Its meadows of grass,
Its safe and quiet islands
Within the dark swamp.
Woe to the English soldiers
Who hardly fear us nearby!
They will feel a strange and sudden fear
When their tents catch fire at midnight:
As they wake to flames and grab their weapons in vain,
Those who stand to fight us
Are knocked back to the ground again;
And those who run in panic think
A huge army is behind,
And hear the footsteps of thousands
On the hollow wind.
Then sweet is the hour that brings relief
From danger and hard work:
We talk about the battle,
And share the spoils of war.
The woods ring with laughter and shouts,[Page 161]
As if it were a hunt,
And we pick woodland flowers
To celebrate the soldier’s victory.
With cheerful songs, we tease the wind
That mourns in the treetops,
And we sleep long and soundly
On beds of oak leaves.
The fair and friendly moon
Knows the band that Marion leads—
The shine of their rifles,
The speed of their horses.
It's thrilling to guide the fiery horse
Across the moonlit field;
It's thrilling to feel the night wind
That lifts his flowing mane.
Just a moment in the British camp—
A moment—and then we’re off
Back to the untamed forest,
Before the first light of day.
There are wise men by the wide Santee,
Wise men with grey hair,
Their hearts are all with Marion,
For Marion are their hopes.
And lovely ladies greet our group
With the warmest welcomes,
With smiles like summer,
And tears like spring.
For them, we wear these trusty weapons,
And we won’t put them down
Until we have driven the British,
Forever, from our shores.
THE ARCTIC LOVER.
Gone is the long, long winter night;
Look, my beloved one!
How glorious, through his depths of light,
Rolls the majestic sun!
The willows, waked from winter's death,
Give out a fragrance like thy breath—
The summer is begun!
Ay, 'tis the long bright summer day:
Hark, to that mighty crash!
The loosened ice-ridge breaks away—
The smitten waters flash.
Seaward the glittering mountain rides,
While, down its green translucent sides,
The foamy torrents dash.
See, love, my boat is moored for thee,
By ocean's weedy floor—
The petrel does not skim the sea
More swiftly than my oar.
We'll go, where, on the rocky isles,
Her eggs the screaming sea-fowl piles
Beside the pebbly shore.
Or, bide thou where the poppy blows,[Page 163]
With wind-flowers frail and fair,
While I, upon his isle of snows,
Seek and defy the bear.
Fierce though he be, and huge of frame,
This arm his savage strength shall tame,
And drag him from his lair.
When crimson sky and flamy cloud
Bespeak the summer o'er,
And the dead valleys wear a shroud
Of snows that melt no more,
I'll build of ice thy winter home,
With glistening walls and glassy dome,
And spread with skins the floor.
The white fox by thy couch shall play;
And, from the frozen skies,
The meteors of a mimic day
Shall flash upon thine eyes.
And I—for such thy vow—meanwhile
Shall hear thy voice and see thy smile,
Till that long midnight flies.
Gone is the long, long winter night;
Look, my beloved one!
How glorious, through his depths of light,
Rolls the majestic sun!
The willows, awakened from winter's death,
Give out a fragrance like your breath—
The summer has begun!
Yes, it’s the long bright summer day:
Listen, to that mighty crash!
The loosened ice ridge breaks away—
The struck waters flash.
Seaward the glittering mountain stands,
While, down its green translucent sides,
The foamy torrents rush.
See, love, my boat is anchored for you,
By the ocean's weedy floor—
The petrel doesn’t skim the sea
More swiftly than my oar.
We'll go, where, on the rocky isles,
Her eggs the screaming sea birds pile
Beside the pebbly shore.
Or, you can stay where the poppy blows,[Page 163]
With wind-flowers delicate and fair,
While I, on his isle of snows,
Seek and challenge the bear.
Fierce though he may be, and huge of frame,
This arm will tame his savage strength,
And drag him from his lair.
When the crimson sky and fiery cloud
Announce the summer's presence,
And the dead valleys wear a shroud
Of snows that melt no more,
I'll build of ice your winter home,
With glistening walls and glassy dome,
And spread with skins the floor.
The white fox by your couch shall play;
And, from the frozen skies,
The shooting stars of a fake day
Shall flash before your eyes.
And I—for that is your vow—meanwhile
Shall hear your voice and see your smile,
Till that long midnight passes.
THE JOURNEY OF LIFE.
Beneath the waning moon I walk at night,
And muse on human life—for all around
Are dim uncertain shapes that cheat the sight,
And pitfalls lurk in shade along the ground,
And broken gleams of brightness, here and there,
Glance through, and leave unwarmed the death-like air.
The trampled earth returns a sound of fear—
A hollow sound, as if I walked on tombs!
And lights, that tell of cheerful homes, appear
Far off, and die like hope amid the glooms.
A mournful wind across the landscape flies,
And the wide atmosphere is full of sighs.
And I, with faltering footsteps, journey on,
Watching the stars that roll the hours away,
Till the faint light that guides me now is gone,
And, like another life, the glorious day
Shall open o'er me from the empyreal height,
With warmth, and certainty, and boundless light.
Under the fading moon, I walk at night,
And reflect on human life—everything around
Is made up of dim, uncertain shapes that play tricks on my eyes,
And hidden dangers lurk in the shadows on the ground,
And scattered flashes of light, here and there,
Break through, leaving the cold, lifeless air untouched.
The trampled earth gives off a sound of fear—
A hollow echo, as if I’m walking on graves!
And lights, signaling warm homes, appear
In the distance, fading away like hope in the darkness.
A sorrowful wind sweeps across the landscape,
And the vast sky is filled with sighs.
And I, with unsteady steps, continue on my way,
Watching the stars that mark the passing hours,
Until the faint light guiding me disappears,
And, like a new life, the glorious day
Will rise above me from the heavenly heights,
Bringing warmth, certainty, and endless light.
TRANSLATIONS.
TRANSLATIONS.
VERSION OF A FRAGMENT OF SIMONIDES.
The night winds howled—the billows dashed
Against the tossing chest;
And Danaë to her broken heart
Her slumbering infant pressed.
"My little child"—in tears she said—
"To wake and weep is mine,
But thou canst sleep—thou dost not know
Thy mother's lot, and thine.
"The moon is up, the moonbeams smile—
They tremble on the main;
But dark, within my floating cell,
To me they smile in vain.
"Thy folded mantle wraps thee warm,[Page 168]
Thy clustering locks are dry,
Thou dost not hear the shrieking gust,
Nor breakers booming high.
"As o'er thy sweet unconscious face
A mournful watch I keep,
I think, didst thou but know thy fate,
How thou wouldst also weep.
"Yet, dear one, sleep, and sleep, ye winds
That vex the restless brine—
When shall these eyes, my babe, be sealed
As peacefully as thine!"
The night winds howled—the waves crashed
Against the rocking chest;
And Danaë held her broken heart
Against her sleeping baby’s chest.
"My little child"—she said with tears—
"To wake and cry is my fate,
But you can sleep—you don’t know
Your mother’s pain, or your own.
"The moon is up, the moonbeams shine—
They sparkle on the sea;
But dark, inside my floating cage,
To me they shine for nothing.
"Your wrapped blanket keeps you warm,[Page 168]
Your curly hair is dry,
You don’t hear the howling wind,
Or the waves crashing high.
"As I keep a sorrowful watch
Over your sweet, unaware face,
I think, if you could know your fate,
How much you’d also cry.
"But, dear one, sleep, and sleep, you winds
That disturb the restless sea—
When will these eyes, my baby, be closed
As peacefully as yours!"
FROM THE SPANISH OF VILLEGAS.
'Tis sweet, in the green Spring,
To gaze upon the wakening fields around;
Birds in the thicket sing,
Winds whisper, waters prattle from the ground;
A thousand odours rise,
Breathed up from blossoms of a thousand dyes.
Shadowy, and close, and cool,
The pine and poplar keep their quiet nook;
For ever fresh and full,
Shines, at their feet, the thirst-inviting brook;
And the soft herbage seems
Spread for a place of banquets and of dreams.
Thou, who alone art fair,
And whom alone I love, art far away.
Unless thy smile be there,
It makes me sad to see the earth so gay;
I care not if the train
Of leaves, and flowers, and zephyrs go again.
It's sweet, in the green Spring,
To look at the awakening fields around;
Birds in the bushes sing,
Winds whisper, water babbles from the ground;
A thousand scents rise,
Breathed up from flowers of a thousand colors.
Shady, close, and cool,
The pine and poplar hold their quiet spot;
Always fresh and full,
Shines, at their feet, the thirst-quenching brook;
And the soft grass seems
Spread out for a place of feasts and dreams.
You, who are the only one beautiful,
And whom I alone love, are far away.
Unless your smile is there,
It makes me sad to see the earth so cheerful;
I don't care if the procession
Of leaves, flowers, and gentle breezes goes on again.
MARY MAGDALEN.°
FROM THE SPANISH OF BARTOLOME LEONARDO DE ARGENSOLA.
Blessed, yet sinful one, and broken-hearted!
The crowd are pointing at the thing forlorn,
In wonder and in scorn!
Thou weepest days of innocence departed;
Thou weepest, and thy tears have power to move
The Lord to pity and love.
The greatest of thy follies is forgiven,
Even for the least of all the tears that shine
On that pale cheek of thine.
Thou didst kneel down, to Him who came from heaven,
Evil and ignorant, and thou shalt rise
Holy, and pure, and wise.
It is not much that to the fragrant blossom
The ragged brier should change; the bitter fir
Distil Arabian myrrh!
Nor that, upon the wintry desert's bosom,
The harvest should rise plenteous, and the swain
Bear home the abundant grain.
But come and see the bleak and barren mountains
Thick to their tops with roses: come and see
Leaves on the dry dead tree:
The perished plant, set out by living fountains,
Grows fruitful, and its beauteous branches rise,
For ever, towards the skies.
Blessed, yet flawed and heartbroken one!
The crowd points at the sad sight,
In wonder and in disdain!
You weep for the lost days of innocence;
You weep, and your tears can move
The Lord to feel compassion and love.
The worst of your mistakes is forgiven,
Even for the smallest of the tears that glisten
On that pale cheek of yours.
You knelt down to Him who came from heaven,
Full of faults and ignorance, and you will rise
Holy, pure, and wise.
It’s not a big deal that the fragrant blossom
Should come from the thorny brier; the bitter fir
Should produce Arabian myrrh!
Nor that, in the cold desert’s embrace,
The harvest should grow plentiful, and the farmer
Brings home the abundant grain.
But come and see the stark and barren mountains
Thick with roses up to their tops: come and see
Leaves on the dry dead tree:
The dried-up plant, watered by living springs,
Grows fruitful, and its beautiful branches rise,
Forever reaching towards the skies.
THE LIFE OF THE BLESSED.
FROM THE SPANISH OF LUIS PONCE DE LEON.
Region of life and light!
Land of the good whose earthly toils are o'er!
Nor frost nor heat may blight
Thy vernal beauty, fertile shore,
Yielding thy blessed fruits for evermore!
There without crook or sling,
Walks the good shepherd; blossoms white and red
Round his meek temples cling;
And to sweet pastures led,
His own loved flock beneath his eye is fed.
He guides, and near him they
Follow delighted, for he makes them go
Where dwells eternal May,
And heavenly roses blow,
Deathless, and gathered but again to grow.
He leads them to the height
Named of the infinite and long-sought Good,
And fountains of delight;
And where his feet have stood
Springs up, along the way, their tender food.
And when, in the mid skies,[Page 172]
The climbing sun has reached his highest bound,
Reposing as he lies,
With all his flock around,
He witches the still air with numerous sound.
From his sweet lute flow forth
Immortal harmonies, of power to still
All passions born of earth,
And draw the ardent will
Its destiny of goodness to fulfil.
Might but a little part,
A wandering breath of that high melody,
Descend into my heart,
And change it till it be
Transformed and swallowed up, oh love! in thee.
Ah! then my soul should know,
Beloved! where thou liest at noon of day,
And from this place of woe
Released, should take its way
To mingle with thy flock and never stray.
Region of life and light!
Land of the good whose earthly struggles are done!
Neither frost nor heat can harm
Your springtime beauty, fertile shore,
Always yielding your blessed fruits!
There without crook or sling,
The good shepherd walks; white and red blossoms
Wrap around his gentle head;
And to sweet pastures he leads,
His beloved flock is fed under his watchful eye.
He guides them, and close by he
Delights in their following, for he shows them the way
Where eternal spring dwells,
And heavenly roses bloom,
Everlasting, gathered only to grow again.
He leads them to the heights
Known for the infinite and long-sought Good,
And fountains of delight;
And where his feet have walked
Their gentle food springs up along the way.
And when, in the mid sky,[Page 172]
The climbing sun has reached its peak,
Resting as he lies,
With all his flock around,
He enchants the still air with countless sounds.
From his sweet lute flow
Timeless melodies, able to calm
All earthly passions,
And draw the eager will
To fulfill its destiny of goodness.
If just a small part,
A fleeting breath of that high melody,
Could descend into my heart,
And change it until it is
Transformed and absorbed, oh love! in you.
Ah! then my soul would know,
Beloved! where you lie at noon,
And from this place of sorrow
Freed, it would find its way
To join your flock and never wander again.
FATIMA AND RADUAN.°
FROM THE SPANISH.
Diamante falso y fingido,
Engastado en pedernal, &c.
Diamante falso y fingido,
Engastado en pedernal, &c.
"False diamond set in flint! the caverns of the mine
Are warmer than the breast that holds that faithless heart of thine;
Thou art fickle as the sea, thou art wandering as the wind,
And the restless ever-mounting flame is not more hard to bind.
If the tears I shed were tongues, yet all too few would be
To tell of all the treachery that thou hast shown to me.
Oh! I could chide thee sharply—but every maiden knows
That she who chides her lover, forgives him ere he goes.
"Thou hast called me oft the flower of all Grenada's maids,
Thou hast said that by the side of me the first and fairest fades;
And they thought thy heart was mine, and it seemed to every one
That what thou didst to win my love, from love of me was done.
Alas! if they but knew thee, as mine it is to know,
They well might see another mark to which thine arrows go;
But thou giv'st me little heed—for I speak to one who knows
That she who chides her lover, forgives him ere he goes.
"It wearies me, mine enemy, that I must weep and bear[Page 174]
What fills thy heart with triumph, and fills my own with care.
Thou art leagued with those that hate me, and ah! thou know'st I feel
That cruel words as surely kill as sharpest blades of steel.
'Twas the doubt that thou wert false that wrung my heart with pain;
But, now I know thy perfidy, I shall be well again.
I would proclaim thee as thou art—but every maiden knows
That she who chides her lover, forgives him ere he goes."
Thus Fatima complained to the valiant Raduan,
Where underneath the myrtles Alhambra's fountains ran:
The Moor was inly moved, and blameless as he was,
He took her white hand in his own, and pleaded thus his cause.
"Oh, lady, dry those star-like eyes—their dimness does me wrong;
If my heart be made of flint, at least 'twill keep thy image long;
Thou hast uttered cruel words—but I grieve the less for those,
Since she who chides her lover, forgives him ere he goes."
"False diamond set in flint! The caverns of the mine
Are warmer than the heart that holds your unfaithful heart;
You are as fickle as the sea, as wandering as the wind,
And the restless, ever-growing flame is not harder to bind.
If the tears I shed were voices, even then, they’d be too few
To speak of all the betrayal you’ve shown to me.
Oh! I could scold you sharply—but every girl knows
That she who scolds her lover, forgives him before he leaves.
"You’ve often called me the flower of all Grenada's girls,
You said that next to me, the first and finest would fade;
And everyone thought your heart was mine, and it seemed to all
That everything you did to win my love was out of love for me.
Alas! If they only knew you, as I know you well,
They might see another target that your arrows hit;
But you give me little attention—for I'm speaking to one who knows
That she who scolds her lover, forgives him before he leaves.
"It tires me, my enemy, that I must weep and endure[Page 174]
What fills your heart with victory, and fills my own with worry.
You are allied with those who hate me, and oh! you know I feel
That cruel words can kill as surely as the sharpest blades of steel.
It was the doubt that you were false that caused me pain;
But now that I know your betrayal, I’ll be fine again.
I would reveal you as you are—but every girl knows
That she who scolds her lover, forgives him before he leaves."
Thus Fatima complained to the brave Raduan,
Where under the myrtles, Alhambra's fountains flowed:
The Moor was deeply affected, and innocent as he was,
He took her white hand in his own, and pleaded his case.
"Oh, lady, dry those star-like eyes—their dimness does me wrong;
If my heart is made of flint, at least it will keep your image long;
You’ve said hurtful things—but I care less for those,
Since she who scolds her lover, forgives him before he leaves."
LOVE AND FOLLY.°
FROM LA FONTAINE.
Love's worshippers alone can know
The thousand mysteries that are his;
His blazing torch, his twanging bow,
His blooming age are mysteries.
A charming science—but the day
Were all too short to con it o'er;
So take of me this little lay,
A sample of its boundless lore.
As once, beneath the fragrant shade
Of myrtles breathing heaven's own air,
The children, Love and Folly, played—
A quarrel rose betwixt the pair.
Love said the gods should do him right—
But Folly vowed to do it then,
And struck him, o'er the orbs of sight,
So hard he never saw again.
His lovely mother's grief was deep,
She called for vengeance on the deed;
A beauty does not vainly weep,
Nor coldly does a mother plead.
A shade came o'er the eternal bliss[Page 176]
That fills the dwellers of the skies;
Even stony-hearted Nemesis,
And Rhadamanthus, wiped their eyes.
"Behold," she said, "this lovely boy,"
While streamed afresh her graceful tears,
"Immortal, yet shut out from joy
And sunshine, all his future years.
The child can never take, you see,
A single step without a staff—
The harshest punishment would be
Too lenient for the crime by half."
All said that Love had suffered wrong,
And well that wrong should be repaid;
Then weighed the public interest long,
And long the party's interest weighed.
And thus decreed the court above—
"Since Love is blind from Folly's blow,
Let Folly be the guide of Love,
Where'er the boy may choose to go."
Love's followers are the only ones who can understand
The countless mysteries that belong to him;
His glowing torch, his twanging bow,
His youthful beauty are all mysteries.
It's a fascinating subject—but the day
Would be too short to fully explore it;
So take this little poem from me,
A glimpse of its endless knowledge.
Once, under the sweet shade
Of myrtles that smelled like paradise,
The kids, Love and Folly, were playing—
A fight broke out between the two.
Love claimed the gods should help him—
But Folly promised to take action then,
And hit him, right on the eyes,
So hard he never saw again.
His beautiful mother was deeply saddened,
She demanded justice for the act;
A beauty doesn’t cry in vain,
Nor does a mother plead coldly.
A shadow passed over the eternal bliss[Page 176]
That fills the residents of the skies;
Even the cold-hearted Nemesis,
And Rhadamanthus, shed tears.
“Look,” she said, “this lovely boy,”
As her graceful tears flowed again,
“Immortal, yet kept from joy
And sunshine, all his future years.
The child can never take, you see,
A single step without a staff—
The harshest punishment would be
Too lenient for the crime by half.”
Everyone agreed that Love had been wronged,
And that wrong should be made right;
They debated what was best for the public,
And for a long time considered the party’s interests.
And thus the higher court decreed—
“Since Love is blind from Folly's hit,
Let Folly guide Love,
Wherever the boy chooses to go.”
THE SIESTA.
FROM THE SPANISH.
Vientecico murmurador,
Que lo gozas y andas todo, &c.
Vientecillo murmurador,
Que lo disfrutas y recorres todo, &c.
Airs, that wander and murmur round,
Bearing delight where'er ye blow!
Make in the elms a lulling sound,
While my lady sleeps in the shade below.
Lighten and lengthen her noonday rest,
Till the heat of the noonday sun is o'er.
Sweet be her slumbers! though in my breast
The pain she has waked may slumber no more.
Breathing soft from the blue profound,
Bearing delight where'er ye blow,
Make in the elms a lulling sound,
While my lady sleeps in the shade below.
Airs! that over the bending boughs,
And under the shade of pendent leaves,
Murmur soft, like my timid vows
Or the secret sighs my bosom heaves,—
Gently sweeping the grassy ground,
Bearing delight where'er ye blow,
Make in the elms a lulling sound,
While my lady sleeps in the shade below.
Winds that drift and softly whisper,
Bringing joy wherever you go!
Create a soothing sound in the elms,
While my lady rests in the shade below.
Extend and lighten her midday nap,
Until the heat of the afternoon sun passes.
Sweet be her dreams! though in my heart
The pain she has stirred may never rest.
Blowing gently from the deep blue sky,
Bringing joy wherever you go,
Create a soothing sound in the elms,
While my lady rests in the shade below.
Winds! that flow over the bending branches,
And under the cover of hanging leaves,
Whisper softly, like my shy promises
Or the secret sighs my heart releases,—
Gently brushing the grassy ground,
Bringing joy wherever you go,
Create a soothing sound in the elms,
While my lady rests in the shade below.
THE ALCAYDE OF MOLINA.°
FROM THE SPANISH.
To the town of Atienza, Molina's brave Alcayde,
The courteous and the valorous, led forth his bold brigade.
The Moor came back in triumph, he came without a wound,
With many a Christian standard, and Christian captive bound.
He passed the city portals, with swelling heart and vein,
And towards his lady's dwelling he rode with slackened rein;
Two circuits on his charger he took, and at the third,
From the door of her balcony Zelinda's voice was heard.
"Now if thou wert not shameless," said the lady to the Moor,
"Thou wouldst neither pass my dwelling, nor stop before my door.
Alas for poor Zelinda, and for her wayward mood,
That one in love with peace should have loved a man of blood!
Since not that thou wert noble I chose thee for my knight,
But that thy sword was dreaded in tournay and in fight.
Ah, thoughtless and unhappy! that I should fail to see
How ill the stubborn flint and the yielding wax agree.
Boast not thy love for me, while the shrieking of the fife
Can change thy mood of mildness to fury and to strife.
Say not my voice is magic—thy pleasure is to hear
The bursting of the carbine, and shivering of the spear.
Well, follow thou thy choice—to the battle-field away,
To thy triumphs and thy trophies, since I am less than they.
Thrust thy arm into thy buckler, gird on thy crooked brand,
And call upon thy trusty squire to bring thy spears in hand.
Lead forth thy band to skirmish, by mountain and by mead,
On thy dappled Moorish barb, or thy fleeter border steed.
Go, waste the Christian hamlets, and sweep away their flocks,
From Almazan's broad meadows to Siguënza's rocks.
Leave Zelinda altogether, whom thou leavest oft and long,
And in the life thou lovest forget whom thou dost wrong.
These eyes shall not recall thee, though they meet no more thine own,
Though they weep that thou art absent, and that I am all alone."
She ceased, and turning from him her flushed and angry cheek,
Shut the door of her balcony before the Moor could speak.
To the town of Atienza, Molina's brave leader,
The polite and the courageous, led his bold team.
The Moor returned in victory, unscathed,
Carrying many Christian flags and Christian prisoners.
He passed through the city gates, heart and veins swelling with pride,
And rode towards his lady's home with loosened reins;
He circled twice on his horse, and on the third,
From her balcony, he heard Zelinda's voice.
"If you had any shame," said the lady to the Moor,
"You wouldn’t pass my house or stop at my door.
Poor Zelinda, in her troublesome state,
That one who loves peace should have fallen for a man of violence!
I didn’t choose you for your nobility,
But because your sword is feared in fights and tournaments.
Oh, how foolish and unhappy! How could I not see
How poorly stubborn flint and soft wax go together?
Don’t brag about your love for me, while the sound of the fife
Can turn your calmness into rage and conflict.
Don’t say my voice is enchanting—what you really want to hear
Is the blast of the musket and the clash of spears.
Go ahead and follow your desires—to battle you shall go,
To your victories and trophies, since I mean less than they.
Strap on your shield, grab your sword,
And call your trusted squire to bring your spears.
Lead your group to fight, through mountains and fields,
On your spotted Moorish horse or your faster border steed.
Go, ravage the Christian villages, and take their flocks,
From Almazan's broad meadows to Siguënza's cliffs.
Forget about Zelinda, whom you leave time and again,
And in the life you love, forget who you wrong.
These eyes won’t remember you, even if they never see you again,
Even if they cry for your absence, and for my loneliness."
She finished, and turning her flushed and angry cheek away,
She shut the door of her balcony before the Moor could respond.
THE DEATH OF ALIATAR.°
FROM THE SPANISH.
'Tis not with gilded sabres
That gleam in baldricks blue,
Nor nodding plumes in caps of Fez,
Of gay and gaudy hue—
But, habited in mourning weeds,
Come marching from afar,
By four and four, the valiant men
Who fought with Aliatar.
All mournfully and slowly
The afflicted warriors come,
To the deep wail of the trumpet,
And beat of muffled drum.
The banner of the Phenix,
The flag that loved the sky,
That scarce the wind dared wanton with,
It flew so proud and high—
Now leaves its place in battle-field,[Page 180]
And sweeps the ground in grief,
The bearer drags its glorious folds
Behind the fallen chief,
As mournfully and slowly
The afflicted warriors come,
To the deep wail of the trumpet,
And beat of muffled drum.
Brave Aliatar led forward
A hundred Moors to go
To where his brother held Motril
Against the leaguering foe.
On horseback went the gallant Moor,
That gallant band to lead;
And now his bier is at the gate,
From whence he pricked his steed.
While mournfully and slowly
The afflicted warriors come,
To the deep wail of the trumpet,
And beat of muffled drum.
The knights of the Grand Master
In crowded ambush lay;
They rushed upon him where the reeds
Were thick beside the way;
They smote the valiant Aliatar,
They smote the warrior dead,
And broken, but not beaten, were
The gallant ranks he led.
Now mournfully and slowly
The afflicted warriors come,
To the deep wail of the trumpet,
And beat of muffled drum.
Oh! what was Zayda's sorrow,[Page 181]
How passionate her cries!
Her lover's wounds streamed not more free
Than that poor maiden's eyes.
Say, Love—for didst thou see her tears:
Oh, no! he drew more tight
The blinding fillet o'er his lids
To spare his eyes the sight.
While mournfully and slowly
The afflicted warriors come,
To the deep wail of the trumpet,
And beat of muffled drum.
Nor Zayda weeps him only,
But all that dwell between
The great Alhambra's palace walls
And springs of Albaicin.
The ladies weep the flower of knights,
The brave the bravest here;
The people weep a champion,
The Alcaydes a noble peer.
While mournfully and slowly
The afflicted warriors come,
To the deep wail of the trumpet,
And beat of muffled drum.
It's not with gilded swords
That shine in blue sashes,
Nor feathers bobbing in Fez caps,
Of bright and flashy colors—
But dressed in mourning attire,
Come marching from afar,
By fours, the brave men
Who fought with Aliatar.
All sadly and slowly
The grieving warriors come,
To the deep sound of the trumpet,
And beat of a muffled drum.
The banner of the Phoenix,
The flag that loved the sky,
That barely the wind dared play with,
It flew so proud and high—
Now leaves its spot on the battlefield,[Page 180]
And sweeps the ground in sorrow,
The bearer drags its glorious folds
Behind the fallen chief,
As sadly and slowly
The grieving warriors come,
To the deep sound of the trumpet,
And beat of a muffled drum.
Brave Aliatar led on
A hundred Moors to go
To where his brother held Motril
Against the besieging enemy.
On horseback rode the gallant Moor,
Leading that brave band;
And now his coffin is at the gate,
From where he spurred his steed.
While sadly and slowly
The grieving warriors come,
To the deep sound of the trumpet,
And beat of a muffled drum.
The knights of the Grand Master
Lay in a crowded ambush;
They attacked him where the reeds
Were thick beside the way;
They struck the valiant Aliatar,
They struck the warrior dead,
And broken, but not beaten, were
The brave ranks he led.
Now sadly and slowly
The grieving warriors come,
To the deep sound of the trumpet,
And beat of a muffled drum.
Oh! what was Zayda's sorrow,[Page 181]
How intense her cries!
Her lover's wounds did not bleed more freely
Than that poor maiden's eyes.
Say, Love—for did you see her tears:
Oh, no! he pulled tighter
The blindfold over his eyes
To spare himself the sight.
While sadly and slowly
The grieving warriors come,
To the deep sound of the trumpet,
And beat of a muffled drum.
Nor does Zayda weep alone,
But all who reside between
The grand Alhambra's palace walls
And the springs of Albaicin.
The ladies weep the finest knights,
The brave the bravest here;
The people weep a champion,
The Alcaydes a noble peer.
While sadly and slowly
The grieving warriors come,
To the deep sound of the trumpet,
And beat of a muffled drum.
LOVE IN THE AGE OF CHIVALRY.°
FROM PEYRE VIDAL, THE TROUBADOUR.
The earth was sown with early flowers,
The heavens were blue and bright—
I met a youthful cavalier
As lovely as the light.
I knew him not—but in my heart
His graceful image lies,
And well I marked his open brow,
His sweet and tender eyes,
His ruddy lips that ever smiled,
His glittering teeth betwixt,
And flowing robe embroidered o'er,
With leaves and blossoms mixed.
He wore a chaplet of the rose;
His palfrey, white and sleek,
Was marked with many an ebon spot,
And many a purple streak;
Of jasper was his saddle-bow,
His housings sapphire stone,
And brightly in his stirrup glanced
The purple calcedon.
Fast rode the gallant cavalier,
As youthful horsemen ride;
"Peyre Vidal! know that I am Love,"
The blooming stranger cried;
"And this is Mercy by my side,
A dame of high degree;
This maid is Chastity," he said,
"This squire is Loyalty."
The earth was dotted with early flowers,
The sky was bright and blue—
I met a young knight,
As lovely as the light.
I didn’t know him, but in my heart
His graceful image stays,
And I clearly noticed his open brow,
His sweet and gentle eyes,
His rosy lips that always smiled,
His shining teeth in between,
And his flowing robe adorned,
With mixed leaves and blooms.
He wore a crown of roses;
His horse, white and sleek,
Was marked with many black spots,
And many purple streaks;
His saddle bow was made of jasper,
His adornments were sapphire stone,
And brightly in his stirrup shone
The purple chalcedony.
The gallant knight rode fast,
As young horsemen do;
"Peyre Vidal! know that I am Love,"
The blooming stranger called out;
"And this is Mercy by my side,
A lady of high status;
This maid is Chastity," he said,
"This squire is Loyalty."
THE LOVE OF GOD.°
FROM THE PROVENÇAL OF BERNARI RASCAS.
All things that are on earth shall wholly pass away,
Except the love of God, which shall live and last for aye.
The forms of men shall be as they had never been;
The blasted groves shall lose their fresh and tender green;
The birds of the thicket shall end their pleasant song,
And the nigthingale shall cease to chant the evening long.
The kine of the pasture shall feel the dart that kills,
And all the fair white flocks shall perish from the hills.
The goat and antlered stag, the wolf and the fox,
The wild boar of the wood, and the chamois of the rocks,
And the strong and fearless bear, in the trodden dust shall lie,
And the dolphin of the sea, and the mighty whale, shall die.
And realms shall be dissolved, and empires be no more,
And they shall bow to death, who ruled from shore to shore;
And the great globe itself, (so the holy writings tell,)
With the rolling firmament, where the starry armies dwell,
Shall melt with fervent heat—they shall all pass away,
Except the love of God, which shall live and last for aye.
Everything on Earth will eventually fade away,
Except for the love of God, which will endure forever.
The forms of humans will be as if they never existed;
The withered groves will lose their fresh and tender green;
The birds in the thicket will stop their joyful songs,
And the nightingale will no longer sing through the evening.
The cows in the pasture will feel the fatal blow,
And all the beautiful white flocks will vanish from the hills.
The goat and the deer, the wolf and the fox,
The wild boar in the woods, and the chamois on the cliffs,
And the strong, fearless bear will lie in the trampled dust,
And the dolphin of the sea, and the mighty whale, will die.
And kingdoms will crumble, and empires will cease to exist,
And those who ruled from one shore to another will submit to death;
And the great Earth itself, (as the holy writings say,)
Along with the vast sky where the stars reside,
Will dissolve with intense heat—they will all fade away,
Except for the love of God, which will endure forever.
FROM THE SPANISH OF PEDRO DE CASTRO Y AÑAYA.°
Stay, rivulet, nor haste to leave
The lovely vale that lies around thee.
Why wouldst thou be a sea at eve,
When but a fount the morning found thee?
Born when the skies began to glow,
Humblest of all the rock's cold daughters,
No blossom bowed its stalk to show
Where stole thy still and scanty waters.
Now on thy stream the noonbeams look,
Usurping, as thou downward driftest,
Its crystal from the clearest brook,
Its rushing current from the swiftest.
Ah! what wild haste!—and all to be
A river and expire in ocean.
Each fountain's tribute hurries thee
To that vast grave with quicker motion.
Far better 'twere to linger still
In this green vale, these flowers to cherish,
And die in peace, an aged rill,
Than thus, a youthful Danube, perish.
Stay, little stream, don’t rush to leave
The beautiful valley that surrounds you.
Why would you want to be a sea at night,
When you were just a spring this morning?
Born when the skies started to light up,
The humblest of all the cold rocks' daughters,
No flower bent its stem to reveal
Where your quiet and meager waters crept.
Now the noon sun shines on your stream,
Taking over as you flow downstream,
Your crystal from the clearest brook,
Your rushing current from the swiftest.
Ah! what a frantic rush!—and all to become
A river and fade away in the ocean.
Each spring's contribution pushes you
To that vast grave with quicker motion.
It’s far better to linger here
In this green valley, to nurture these flowers,
And peacefully die as an old stream,
Than to vanish like a youthful Danube.
SONNET.
FROM THE PORTUGUESE OF SEMEDO.
It is a fearful night; a feeble glare
Streams from the sick moon in the o'erclouded sky;
The ridgy billows, with a mighty cry,
Rush on the foamy beaches wild and bare;
No bark the madness of the waves will dare;
The sailors sleep; the winds are loud and high;
Ah, peerless Laura! for whose love I die,
Who gazes on thy smiles while I despair?
As thus, in bitterness of heart, I cried,
I turned, and saw my Laura, kind and bright,
A messenger of gladness, at my side:
To my poor bark she sprang with footstep light,
And as we furrowed Tago's heaving tide,
I never saw so beautiful a night.
It’s a scary night; a weak light
Streams from the sickly moon in the overcast sky;
The jagged waves, with a mighty roar,
Crash onto the wild and bare sandy beaches;
No boat would dare challenge the madness of the waves;
The sailors sleep; the winds are loud and fierce;
Ah, unmatched Laura! for whose love I suffer,
Who looks upon your smiles while I despair?
As I cried out in bitterness of heart,
I turned and saw my Laura, kind and bright,
A messenger of joy, at my side:
With a light step, she jumped to my small boat,
And as we carved through the swinging tide of Tago,
I had never seen such a beautiful night.
SONG.
FROM THE SPANISH OF IGLESIAS.
Alexis calls me cruel;
The rifted crags that hold
The gathered ice of winter,
He says, are not more cold.
When even the very blossoms
Around the fountain's brim,
And forest walks, can witness
The love I bear to him.
I would that I could utter
My feelings without shame;
And tell him how I love him,
Nor wrong my virgin fame.
Alas! to seize the moment
When heart inclines to heart,
And press a suit with passion,
Is not a woman's part.
If man comes not to gather
The roses where they stand,
They fade among their foliage;
They cannot seek his hand.
Alexis thinks I'm harsh;
The jagged cliffs that hold
The collected ice of winter,
He says, are no colder.
Even the flowers
Around the fountain's edge,
And the forest paths can witness
The love I have for him.
I wish I could express
My feelings without embarrassment;
And tell him how much I love him,
Without ruining my reputation.
Unfortunately, to take the chance
When one heart is drawn to another,
And to push forward with passion,
Is not something a woman should do.
If a man doesn't come to pick
The roses where they bloom,
They wither among their leaves;
They can't seek his touch.
THE COUNT OF GREIERS.
FROM THE GERMAN OF UHLAND.
At morn the Count of Greiers before his castle stands;
He sees afar the glory that lights the mountain lands;
The horned crags are shining, and in the shade between
A pleasant Alpine valley lies beautifully green.
"Oh, greenest of the valleys, how shall I come to thee!
Thy herdsmen and thy maidens, how happy must they be!
I have gazed upon thee coldly, all lovely as thou art,
But the wish to walk thy pastures now stirs my inmost heart."
He hears a sound of timbrels, and suddenly appear
A troop of ruddy damsels and herdsmen drawing near;
They reach the castle greensward, and gayly dance across;
The white sleeves flit and glimmer, the wreaths and ribands toss.
The youngest of the maidens, slim as a spray of spring,
She takes the young count's fingers, and draws him to the ring,
They fling upon his forehead a crown of mountain flowers,
'And ho, young Count of Greiers! this morning thou art ours!"
Then hand in hand departing, with dance and roundelay,
Through hamlet after hamlet, they lead the Count away.
They dance through wood and meadow, they dance across the linn,
Till the mighty Alpine summits have shut the music in.
The second morn is risen, and now the third is come;[Page 188]
Where stays the Count of Greiers? has he forgot his home?
Again the evening closes, in thick and sultry air;
There's thunder on the mountains, the storm is gathering there.
The cloud has shed its waters, the brook comes swollen down;
You see it by the lightning—a river wide and brown.
Around a struggling swimmer the eddies dash and roar,
Till, seizing on a willow, he leaps upon the shore.
"Here am I cast by tempests far from your mountain dell.
Amid our evening dances the bursting deluge fell.
Ye all, in cots and caverns, have 'scaped the water-spout,
While me alone the tempest o'erwhelmed and hurried out.
"Farewell, with thy glad dwellers, green vale among the rocks!
Farewell the swift sweet moments, in which I watched thy flocks!
Why rocked they not my cradle in that delicious spot,
That garden of the happy, where Heaven endures me not?
"Rose of the Alpine valley! I feel, in every vein,
Thy soft touch on my fingers; oh, press them not again!
Bewitch me not, ye garlands, to tread that upward track,
And thou, my cheerless mansion, receive thy master back."
At dawn, the Count of Greiers stands in front of his castle; He sees from afar the glory that brightens the mountain lands; The jagged peaks are shining, and in the shade below A lovely Alpine valley lies, beautifully green. "Oh, greenest of valleys, how will I come to you! Your herdsmen and your maidens, how happy they must be! I’ve looked at you coldly, as lovely as you are, But the desire to walk your pastures now stirs my deepest heart." He hears the sound of tambourines, and suddenly nearby A group of rosy maidens and herdsmen draw nigh; They reach the castle lawn and dance across with cheer; The white sleeves gleam and flicker, the wreaths and ribbons sway. The youngest of the maidens, slender as a spring sprout, Takes the young count's fingers and pulls him to the crowd, They place a crown of mountain flowers upon his head, "And look, young Count of Greiers! This morning you are ours!" Then hand in hand, they leave, with dance and merry song, Through village after village, they lead the Count along. They dance through woods and meadows, they dance across the glen, Until the towering Alpine peaks have swallowed up the sound. The second morning has risen, and now the third has come; Where is the Count of Greiers? Has he forgotten home? Once more the evening falls, in heavy, sultry air; There's thunder on the mountains, the storm is brewing there. The clouds have released their rain, the stream comes rushing down; You see it in the lightning—a river wide and brown. Around a struggling swimmer, the currents whirl and roar, Till, grabbing onto willow, he leaps upon the shore. "Here I am, cast by tempests far from your mountain vale. During our evening dances, the raging flood did hail. You all, in cozy homes and caves, have escaped the downpour, While I alone, the tempest overwhelmed and swept out. "Farewell, with your joyful dwellers, green vale among the rocks! Farewell the swift, sweet moments, when I tended to your flocks! Why didn’t they rock my cradle in that lovely spot, That garden of the happy, where Heaven does not allow me? "Rose of the Alpine valley! I feel, in every vein, Your soft touch on my fingers; oh, don’t press them again! Don’t enchant me, garlands, to walk that upward way, And you, my cheerless mansion, take your master back."
THE SERENADE.
FROM THE SPANISH.
If slumber, sweet Lisena!
Have stolen o'er thine eyes,
As night steals o'er the glory
Of spring's transparent skies;
Wake, in thy scorn and beauty,
And listen to the strain
That murmurs my devotion,
That mourns for thy disdain.
Here by thy door at midnight,
I pass the dreary hour,
With plaintive sounds profaning
The silence of thy bower;
A tale of sorrow cherished
Too fondly to depart,
Of wrong from love the flatterer,
And my own wayward heart.
Twice, o'er this vale, the seasons[Page 190]
Have brought and borne away
The January tempest,
The genial wind of May;
Yet still my plaint is uttered,
My tears and sighs are given
To earth's unconscious waters,
And wandering winds of heaven.
I saw from this fair region,
The smile of summer pass,
And myriad frost-stars glitter
Among the russet grass.
While winter seized the streamlets
That fled along the ground,
And fast in chains of crystal
The truant murmurers bound.
I saw that to the forest
The nightingales had flown,
And every sweet-voiced fountain
Had hushed its silver tone.
The maniac winds, divorcing
The turtle from his mate,
Raved through the leafy beeches,
And left them desolate.
Now May, with life and music,
The blooming valley fills,
And rears her flowery arches
For all the little rills.
The minstrel bird of evening [Page 191]
Comes back on joyous wings,
And, like the harp's soft murmur,
Is heard the gush of springs.
And deep within the forest
Are wedded turtles seen,
Their nuptial chambers seeking,
Their chambers close and green.
The rugged trees are mingling
Their flowery sprays in love;
The ivy climbs the laurel,
To clasp the boughs above.
They change—but thou, Lisena,
Art cold while I complain:
Why to thy lover only
Should spring return in vain?
If sleep, sweet Lisena!
Has taken over your eyes,
As night takes over the beauty
Of spring's clear skies;
Wake, in your scorn and beauty,
And listen to the tune
That whispers of my love,
That mourns for your disdain.
Here by your door at midnight,
I spend the lonely hour,
With sad sounds disrupting
The peace of your bower;
A tale of sorrow held
Too dearly to let go,
Of wrongs from love the flatterer,
And my own restless heart.
Twice, over this valley, the seasons[Page 190]
Have come and gone
The winter storm of January,
The warm winds of May;
Yet still my complaint is spoken,
My tears and sighs are given
To the earth's unaware waters,
And wandering winds of heaven.
I saw from this lovely place,
The smile of summer fade,
And countless frost-stars sparkle
Among the brown grass.
While winter captured the streams
That flowed across the ground,
And fast in chains of crystal
The wandering murmurers bound.
I saw that to the forest
The nightingales had flown,
And every sweet-voiced fountain
Had silenced its bright tone.
The wild winds, separating
The turtle from its mate,
Raved through the leafy beeches,
And left them desolate.
Now May, with life and music,
Fills the blooming valley,
And builds her floral arches
For all the little streams.
The minstrel bird of evening [Page 191]
Returns on joyful wings,
And, like the harp's soft murmur,
Is heard the rush of springs.
And deep within the forest
Are wedded turtles seen,
Seeking their nesting places,
Their nests close and green.
The sturdy trees are joining
Their floral branches in love;
The ivy climbs the laurel,
To clasp the boughs above.
They change—but you, Lisena,
Are cold while I complain:
Why does spring return to your lover
Only to be in vain?
A NORTHERN LEGEND.
FROM THE GERMAN OF UHLAND.
There sits a lovely maiden,
The ocean murmuring nigh;
She throws the hook, and watches;
The fishes pass it by.
A ring, with a red jewel,
Is sparkling on her hand;
Upon the hook she binds it,
And flings it from the land.
Uprises from the water
A hand like ivory fair.
What gleams upon its finger?
The golden ring is there.
Uprises from the bottom
A young and handsome knight;
In golden scales he rises,
That glitter in the light.
The maid is pale with terror—
"Nay, Knight of Ocean, nay,
It was not thee I wanted;
Let go the ring, I pray."
"Ah, maiden, not to fishes
The bait of gold is thrown;
The ring shall never leave me,
And thou must be my own."
There sits a beautiful young woman,
The ocean murmuring nearby;
She casts her line and watches;
The fish swim right on by.
A ring with a red gem,
Is sparkling on her hand;
She attaches it to the hook,
And tosses it from the land.
Rising from the water
A hand as fair as ivory.
What sparkles on its finger?
The golden ring is there.
Up from the depths emerges
A young and handsome knight;
In golden scales he surfaces,
That glimmer in the light.
The girl is pale with fright—
"No, Knight of the Ocean, no,
It wasn’t you I wanted;
Please let the ring go."
"Ah, maiden, the bait of gold
Isn’t meant for fish to find;
The ring will never leave me,
And you must be mine."
LATER POEMS.
LATER POEMS.
TO THE APENNINES.
Your peaks are beautiful, ye Apennines!
In the soft light of these serenest skies;
From the broad highland region, black with pines,
Fair as the hills of Paradise they rise,
Bathed in the tint Peruvian slaves behold
In rosy flushes on the virgin gold.
There, rooted to the aërial shelves that wear
The glory of a brighter world, might spring
Sweet flowers of heaven to scent the unbreathed air,
And heaven's fleet messengers might rest the wing,
To view the fair earth in its summer sleep,
Silent, and cradled by the glimmering deep.
Below you lie men's sepulchres, the old
Etrurian tombs, the graves of yesterday;
The herd's white bones lie mixed with human mould—
Yet up the radiant steeps that I survey
Death never climbed, nor life's soft breath, with pain,
Was yielded to the elements again.
Ages of war have filled these plains with fear;[Page 196]
How oft the hind has started at the clash
Of spears, and yell of meeting, armies here,
Or seen the lightning of the battle flash
From clouds, that rising with the thunder's sound,
Hung like an earth-born tempest o'er the ground!
Ah me! what armed nations—Asian horde,
And Libyan host—the Scythian and the Gaul,
Have swept your base and through your passes poured,
Like ocean-tides uprising at the call
Of tyrant winds—against your rocky side
The bloody billows dashed, and howled, and died.
How crashed the towers before beleaguering foes,
Sacked cities smoked and realms were rent in twain;
And commonwealths against their rivals rose,
Trode out their lives and earned the curse of Cain!
While in the noiseless air and light that flowed
Round your far brows, eternal Peace abode.
Here pealed the impious hymn, and altar flames
Rose to false gods, a dream-begotten throng,
Jove, Bacchus, Pan, and earlier, fouler names;
While, as the unheeding ages passed along,
Ye, from your station in the middle skies,
Proclaimed the essential Goodness, strong and wise.
In you the heart that sighs for freedom seeks
Her image; there the winds no barrier know,
Clouds come and rest and leave your fairy peaks;
While even the immaterial Mind, below,
And thought, her winged offspring, chained by power,
Pine silently for the redeeming hour.
Your peaks are stunning, Apennines!
In the gentle light of these calm skies;
From the wide highland area, dark with pines,
They rise as beautifully as the hills of Paradise,
Bathed in the color that Peruvian slaves see
In rosy hues on the pure gold.
There, rooted on the airy ledges that bear
The glory of a brighter world, sweet flowers of heaven
Might bloom to scent the untouched air,
And heavenly messengers might rest their wings,
To look upon the lovely earth in its summer slumber,
Silent, cradled by the shimmering deep.
Below you lie the graves of men, the old
Etruscan tombs, the graves of yesterday;
The bones of beasts lie mixed with human soil—
Yet up the radiant slopes that I see
Death never climbed, nor did life's gentle breath, with pain,
Return to the elements again.
Ages of war have filled these plains with fear;[Page 196]
How often have farmers jumped at the clash
Of spears and the cries of armies meeting here,
Or seen the flash of battle's lightning
From clouds, rising with the sound of thunder,
Hanging like an earth-born storm over the ground!
Oh! what armed nations—Asian horde,
And Libyan forces—the Scythian and the Gaul,
Have swept through your base and poured through your passes,
Like ocean tides responding to the call
Of tyrant winds—against your rocky side
The bloody waves crashed, howled, and faded away.
How the towers fell before besieging foes,
Burning cities smoked and kingdoms were torn apart;
And societies rose against their rivals,
Trampled on their lives and earned the curse of Cain!
While in the quiet air and light that flowed
Around your distant peaks, eternal Peace resided.
Here, the blasphemous hymn rang out, and altar flames
Rose to false gods, a crowd born of dreams,
Jove, Bacchus, Pan, and earlier, foul names;
And as the unmindful ages passed by,
You, from your place in the middle skies,
Proclaimed the fundamental Goodness, strong and wise.
In you, the heart that longs for freedom seeks
Her image; there, the winds know no barriers,
Clouds come, rest, and leave your enchanting peaks;
While even the immaterial Mind below,
And thought, her winged offspring, chained by power,
Silently yearn for the redeeming hour.
EARTH.
A midnight black with clouds is in the sky;
I seem to feel, upon my limbs, the weight
Of its vast brooding shadow. All in vain
Turns the tired eye in search of form; no star
Pierces the pitchy veil; no ruddy blaze,
From dwellings lighted by the cheerful hearth,
Tinges the flowering summits of the grass.
No sound of life is heard, no village hum,
Nor measured tramp of footstep in the path,
Nor rush of wing, while, on the breast of Earth,
I lie and listen to her mighty voice:
A voice of many tones—sent up from streams
That wander through the gloom, from woods unseen,
Swayed by the sweeping of the tides of air,
From rocky chasms where darkness dwells all day,
And hollows of the great invisible hills,
And sands that edge the ocean, stretching far
Into the night—a melancholy sound!
O Earth! dost thou too sorrow for the past
Like man thy offspring? Do I hear thee mourn
Thy childhood's unreturning hours, thy springs
Gone with their genial airs and melodies,
The gentle generations of thy flowers,
And thy majestic groves of olden time,
Perished with all their dwellers? Dost thou wail
For that fair age of which the poets tell,
Ere the rude winds grew keen with frost, or fire
Fell with the rains, or spouted from the hills,
To blast thy greenness, while the virgin night
Was guiltless and salubrious as the day?
Or haply dost thou grieve for those that die—
For living things that trod thy paths awhile,
The love of thee and heaven—and now they sleep[Page 198]
Mixed with the shapeless dust on which thy herds
Trample and graze? I too must grieve with thee,
O'er loved ones lost. Their graves are far away
Upon thy mountains; yet, while I recline
Alone, in darkness, on thy naked soil,
The mighty nourisher and burial-place
Of man, I feel that I embrace their dust.
Ha! how the murmur deepens! I perceive
And tremble at its dreadful import. Earth
Uplifts a general cry for guilt and wrong,
And heaven is listening. The forgotten graves
Of the heart-broken utter forth their plaint.
The dust of her who loved and was betrayed,
And him who died neglected in his age;
The sepulchres of those who for mankind
Laboured, and earned the recompense of scorn;
Ashes of martyrs for the truth, and bones
Of those who, in the strife for liberty,
Were beaten down, their corses given to dogs,
Their names to infamy, all find a voice.
The nook in which the captive, overtoiled,
Lay down to rest at last, and that which holds
Childhood's sweet blossoms, crushed by cruel hands,
Send up a plaintive sound. From battle-fields,
Where heroes madly drave and dashed their hosts
Against each other, rises up a noise,
As if the armed multitudes of dead
Stirred in their heavy slumber. Mournful tones
Come from the green abysses of the sea—
story of the crimes the guilty sought
To hide beneath its waves. The glens, the groves,
Paths in the thicket, pools of running brook,
And banks and depths of lake, and streets and lanes
Of cities, now that living sounds are hushed,
Murmur of guilty force and treachery.
Here, where I rest, the vales of Italy[Page 199]
Are round me, populous from early time,
And field of the tremendous warfare waged
'Twixt good and evil. Who, alas, shall dare
Interpret to man's ear the mingled voice
That comes from her old dungeons yawning now
To the black air, her amphitheatres,
Where the dew gathers on the mouldering stones,
And fanes of banished gods, and open tombs,
And roofless palaces, and streets and hearths
Of cities dug from their volcanic graves?
I hear a sound of many languages,
The utterance of nations now no more,
Driven out by mightier, as the days of heaven
Chase one another from the sky. The blood
Of freemen shed by freemen, till strange lords
Came in the hour of weakness, and made fast
The yoke that yet is worn, cries out to Heaven.
What then shall cleanse thy bosom, gentle Earth
From all its painful memories of guilt?
The whelming flood, or the renewing fire,
Or the slow change of time? that so, at last,
The horrid tale of perjury and strife,
Murder and spoil, which men call history,
May seem a fable, like the inventions told
By poets of the gods of Greece. O thou,
Who sittest far beyond the Atlantic deep,
Among the sources of thy glorious streams,
My native Land of Groves! a newer page
In the great record of the world is thine;
Shall it be fairer? Fear, and friendly hope,
And envy, watch the issue, while the lines,
By which thou shalt be judged, are written down.
A dark midnight sky filled with clouds wraps around me;
I can feel the weight
Of its vast, brooding shadow on my body. All in vain
My tired eyes search for some form; no star
Breaks through the dense darkness; no warm light,
From homes aglow with cheerful fires,
Colors the blooming tops of the grass.
No sounds of life are heard, no buzz of the village,
Nor steady footsteps on the path,
Nor rush of wings, while I lie on the Earth,
Listening to her mighty voice:
A voice of many tones—rising from streams
That wander through the dark, from unseen woods,
Moved by the currents of the air,
From rocky chasms where darkness reigns all day,
And hollows of the vast unseen hills,
And sands at the edge of the ocean, stretching far
Into the night—a sorrowful sound!
O Earth! Do you too mourn for the past
Like your human children? Do I hear you lament
For your childhood's lost hours, your springs
Departed with their gentle breezes and melodies,
The tender generations of your flowers,
And your grand old groves,
Lost with all their inhabitants? Do you cry
For that beautiful age the poets speak of,
Before the harsh winds turned sharp with frost, or fire
Fell with the rains, or burst from the hills,
Devastating your greenery, while the innocent night
Was pure and refreshing like the day?
Or perhaps do you grieve for those who died—
For living beings who walked your paths for a while,
Their love for you and heaven—and now they rest[Page 198]
Mixed with the formless dust beneath your herds
As they tread and graze? I too must mourn with you,
For loved ones lost. Their graves are far away
On your mountains; yet, while I recline
Alone, in darkness, on your bare soil,
The mighty nurturer and resting place
Of humanity, I feel like I embrace their dust.
Ah! how the murmur grows deeper! I realize
And shiver at its dreadful meaning. Earth
Raises a universal cry for guilt and wrong,
And heaven listens. The forgotten graves
Of the heartbroken voice their grief.
The dust of her who loved and was betrayed,
And him who died ignored in his old age;
The tombs of those who toiled for mankind
And earned only scorn;
Ashes of martyrs for the truth, and bones
Of those who, in the fight for liberty,
Were crushed, their bodies given to dogs,
Their names lost to infamy, all find a voice.
The place where the overworked captive
Finally lay down to rest, and that which holds
Childhood's sweet blooms, crushed by cruel hands,
Send up a mournful sound. From battlefields,
Where heroes fiercely clashed,
A noise rises up,
As if the armed multitudes of the dead
Stirred from their heavy slumber. Sad tones
Come from the green depths of the sea—
Tales of the crimes the guilty tried
To bury beneath its waves. The valleys, the groves,
Paths in the thickets, pools of flowing brooks,
And banks and depths of lakes, and streets and alleys
Of cities, now that living sounds have quieted,
Murmur of guilty force and betrayal.
Here, where I rest, the valleys of Italy[Page 199]
Surround me, populated since ancient times,
And the site of the tremendous battles fought
Between good and evil. Who, alas, will dare
To interpret to humanity the mixed voices
That come from her old dungeons now yawning
To the dark air, her amphitheaters,
Where dew gathers on the crumbling stones,
And temples of forgotten gods, and open tombs,
And roofless palaces, and streets and homes
Of cities dug from their volcanic graves?
I hear a sound of many languages,
Voices of nations long gone,
Driven out by stronger ones, as the days of heaven
Chase one another across the sky. The blood
Of free men shed by other free men, until strange lords
Came in times of weakness, fastened
The yoke that still is worn, cries out to Heaven.
What then will cleanse your heart, gentle Earth
From all its painful memories of guilt?
The overwhelming flood, or the renewing fire,
Or the slow change of time? So that, at last,
The horrific tale of perjury and conflict,
Murder and plunder, which people call history,
May seem like a fable, like the myths told
By poets of the gods of Greece. O you,
Who sit far beyond the Atlantic deep,
Among the sources of your glorious rivers,
My native Land of Groves! A new chapter
In the great record of the world is yours;
Will it be a fairer one? Fear, and hopeful anxiety,
And envy, watch the outcome, while the lines,
By which you shall be judged, are being recorded.
THE KNIGHT'S EPITAPH.
This is the church which Pisa, great and free,
Reared to St. Catharine. How the time-stained walls,
That earthquakes shook not from their poise, appear
To shiver in the deep and voluble tones
Rolled from the organ! Underneath my feet
There lies the lid of a sepulchral vault.
The image of an armed knight is graven
Upon it, clad in perfect panoply—
Cuishes, and greaves, and cuirass, with barred helm,
Gauntleted hand, and sword, and blazoned shield.
Around, in Gothic characters, worn dim
By feet of worshippers, are traced his name,
And birth, and death, and words of eulogy.
Why should I pore upon them? This old tomb,
This effigy, the strange disused form
Of this inscription, eloquently show
His history. Let me clothe in fitting words
The thoughts they breathe, and frame his epitaph.
"He whose forgotten dust for centuries
Has lain beneath this stone, was one in whom
Adventure, and endurance, and emprise
Exalted the mind's faculties and strung
The body's sinews. Brave he was in fight,[Page 201]
Courteous in banquet, scornful of repose,
And bountiful, and cruel, and devout,
And quick to draw the sword in private feud.
He pushed his quarrels to the death, yet prayed
The saints as fervently on bended knees
As ever shaven cenobite. He loved
As fiercely as he fought. He would have borne
The maid that pleased him from her bower by night,
To his hill-castle, as the eagle bears
His victim from the fold, and rolled the rocks
On his pursuers. He aspired to see
His native Pisa queen and arbitress
Of cities: earnestly for her he raised
His voice in council, and affronted death
In battle-field, and climbed the galley's deck,
And brought the captured flag of Genoa back,
Or piled upon the Arno's crowded quay
The glittering spoils of the tamed Saracen.
He was not born to brook the stranger's yoke,
But would have joined the exiles that withdrew
For ever, when the Florentine broke in
The gates of Pisa, and bore off the bolts
For trophies—but he died before that day.
"He lived, the impersonation of an age
That never shall return. His soul of fire
Was kindled by the breath of the rude time
He lived in. Now a gentler race succeeds,
Shuddering at blood; the effeminate cavalier,
Turning his eyes from the reproachful past,
And from the hopeless future, gives to ease,
And love, and music, his inglorious life."
This is the church that Pisa, proud and free,
Built for St. Catharine. How the weathered walls,
That earthquakes haven’t shaken from their stance, seem
To tremble with the rich, deep sounds
Rolling from the organ! Below my feet
Lies the lid of a burial vault.
The image of an armed knight is carved
On it, dressed in full armor—
Leg guards, greaves, breastplate, with a barred helmet,
Gloved hand, sword, and adorned shield.
Around it, in Gothic letters, worn and faded
From the steps of worshippers, are etched his name,
And dates of birth, death, and words of praise.
Why should I stare at them? This old tomb,
This statue, the unusual form
Of this inscription, clearly reveals
His story. Let me put into fitting words
The thoughts they express, and create his epitaph.
"He whose forgotten dust has rested for centuries
Beneath this stone was a man in whom
Adventure, resilience, and daring
Enhanced the mind's abilities and strengthened
The body's sinews. He was brave in battle,[Page 201]
Courteous at feasts, disdainful of rest,
Generous, and cruel, and devoted,
And quick to unsheathe the sword in personal conflict.
He took his disputes to the death, yet prayed
To the saints as fervently on his knees
As any devoted monk. He loved
As passionately as he fought. He would have taken
The maiden who captured his heart from her chamber by night,
To his hilltop castle, like an eagle carries
Its prey from the fold, rolling the stones
Over his pursuers. He aspired to see
His native Pisa crowned as the queen and judge
Of cities: earnestly for her he raised
His voice in council, faced death
On the battlefield, climbed the galley’s deck,
And brought back the captured flag of Genoa,
Or stacked upon the Arno's busy quay
The shining spoils of the subdued Saracen.
He wasn’t born to accept the stranger's rule,
But would have joined the exiles who fled
Forever when the Florentines broke
Into Pisa, and carried off the bolts
As trophies—but he died before that day.
"He lived, the embodiment of an era
That will never return. His fiery spirit
Was ignited by the harsh time
He lived in. Now a gentler race follows,
Shuddering at blood; the delicate knight,
Turning his gaze from the shameful past,
And from the bleak future, resigns himself to ease,
And love, and music, in his unheroic life."
THE HUNTER OF THE PRAIRIES.
Ay, this is freedom!—these pure skies
Were never stained with village smoke:
The fragrant wind, that through them flies,
Is breathed from wastes by plough unbroke.
Here, with my rifle and my steed,
And her who left the world for me,
I plant me, where the red deer feed
In the green desert—and am free.
For here the fair savannas know
No barriers in the bloomy grass;
Wherever breeze of heaven may blow,
Or beam of heaven may glance, I pass.
In pastures, measureless as air,
The bison is my noble game;
The bounding elk, whose antlers tear
The branches, falls before my aim.
Mine are the river-fowl that scream
From the long stripe of waving sedge;
The bear that marks my weapon's gleam,
Hides vainly in the forest's edge;
In vain the she-wolf stands at bay;
The brinded catamount, that lies
High in the boughs to watch his prey,
Even in the act of springing, dies.
With what free growth the elm and plane[Page 203]
Fling their huge arms across my way,
Gray, old, and cumbered with a train
Of vines, as huge, and old, and gray!
Free stray the lucid streams, and find
No taint in these fresh lawns and shades;
Free spring the flowers that scent the wind
Where never scythe has swept the glades.
Alone the Fire, when frost-winds sere
The heavy herbage of the ground,
Gathers his annual harvest here,
With roaring like the battle's sound,
And hurrying flames that sweep the plain,
And smoke-streams gushing up the sky:
I meet the flames with flames again,
And at my door they cower and die.
Here, from dim woods, the aged past
Speaks solemnly; and I behold
The boundless future in the vast
And lonely river, seaward rolled.
Who feeds its founts with rain and dew;
Who moves, I ask, its gliding mass,
And trains the bordering vines, whose blue
Bright clusters tempt me as I pass?
Broad are these streams—my steed obeys,
Plunges, and bears me through the tide.
Wide are these woods—I thread the maze
Of giant stems, nor ask a guide.
I hunt till day's last glimmer dies
O'er woody vale and grassy height;
And kind the voice and glad the eyes
That welcome my return at night.
Yes, this is freedom!—these clear skies Were never tainted by village smoke: The fragrant breeze that blows through them Comes from untouched lands. Here, with my rifle and my horse, And the one who left the world for me, I settle where the red deer graze In the lush wilderness—and I'm free. For here the beautiful savannas know No fences in the blooming grass; Wherever the heavenly breeze might blow, Or a ray of sun might shine, I go. In fields as vast as the sky, The bison is my noble quarry; The leaping elk, whose antlers snag The branches, falls before my shot. The river birds that scream From the long stretch of swaying reeds are mine; The bear that sees my weapon's shine, Hides uselessly at the forest's edge; In vain the she-wolf stands her ground; The spotted mountain lion, perched high up In the branches to watch for prey, Even while springing, meets its end. Look how freely the elm and sycamore Stretch their great arms across my path, Old, gray, and tangled with a trail Of vines—equally huge, old, and gray! Freely flow the clear streams, finding No blemish in these fresh lawns and shades; Freely bloom the flowers that scent the air Where no scythe has ever cut the glades. Only the Fire, when the frost-winds dry The heavy foliage of the ground, Collects its yearly harvest here, Roaring like the sound of battle, And rushing flames that sweep the plains, And smoke rising up into the sky: I face the flames with flames once more, And at my door they shrink and die. Here, from the dim woods, the aged past Speaks solemnly; and I see The endless future in the vast And lonely river flowing to the sea. Who feeds its sources with rain and dew; Who moves, I wonder, its gliding mass, And trains the surrounding vines, whose blue Bright clusters lure me as I pass? These streams are wide—my horse obeys, Dives in, and carries me through the current. These woods are broad—I navigate the maze Of giant trunks without needing a guide. I hunt until the last light fades Over wooded valleys and grassy heights; And kind is the voice and bright are the eyes That greet my return at night.
SEVENTY-SIX.
What heroes from the woodland sprung,
When, through the fresh awakened land,
The thrilling cry of freedom rung,
And to the work of warfare strung
The yeoman's iron hand!
Hills flung the cry to hills around,
And ocean-mart replied to mart,
And streams whose springs were yet unfound,
Pealed far away the startling sound
Into the forest's heart.
Then marched the brave from rocky steep,
From mountain river swift and cold;
The borders of the stormy deep,
The vales where gathered waters sleep,
Sent up the strong and bold,—
As if the very earth again
Grew quick with God's creating breath,
And, from the sods of grove and glen,
Rose ranks of lion-hearted men
To battle to the death.
The wife, whose babe first smiled that day,[Page 205]
The fair fond bride of yestereve,
And aged sire and matron gray,
Saw the loved warriors haste away,
And deemed it sin to grieve.
Already had the strife begun;
Already blood on Concord's plain
Along the springing grass had run,
And blood had flowed at Lexington,
Like brooks of April rain.
That death-stain on the vernal sward
Hallowed to freedom all the shore;
In fragments fell the yoke abhorred—
The footstep of a foreign lord
Profaned the soil no more.
What heroes emerged from the woods,
When, across the freshly awakened land,
The thrilling call of freedom rang out,
And to the task of battle prepared
The farmer's strong hand!
Hills echoed the cry to hills nearby,
And the ocean ports responded to each other,
And streams whose sources were still unknown,
Resounded far away the startling sound
Deep into the forest's heart.
Then marched the brave from rocky heights,
From mountain rivers swift and cold;
The edges of the stormy sea,
The valleys where quiet waters pool,
Sent forth the strong and bold,—
As if the very earth again
Came alive with God's creative breath,
And, from the soil of grove and glen,
Rose ranks of lion-hearted men
To fight to the death.
The wife, whose baby first smiled that day,[Page 205]
The beautiful young bride from yesterday,
And the aged father and gray-haired mother,
Watched the beloved warriors rush away,
And thought it wrong to grieve.
The conflict had already started;
Already blood had spilled on Concord's plain
Along the newly sprouting grass,
And blood had flowed at Lexington,
Like streams from April rain.
That bloodstain on the spring grass
Sanctified all the shore for freedom;
In pieces fell the hated yoke—
The footsteps of a foreign lord
Polluted the land no more.
THE LIVING LOST.
Matron! the children of whose love,
Each to his grave, in youth hath passed,
And now the mould is heaped above
The dearest and the last!
Bride! who dost wear the widow's veil
Before the wedding flowers are pale!
Ye deem the human heart endures
No deeper, bitterer grief than yours.
Yet there are pangs of keener wo,
Of which the sufferers never speak,
Nor to the world's cold pity show
The tears that scald the cheek,
Wrung from their eyelids by the shame
And guilt of those they shrink to name,
Whom once they loved with cheerful will,
And love, though fallen and branded, still.
Weep, ye who sorrow for the dead,
Thus breaking hearts their pain relieve;
And reverenced are the tears ye shed,
And honoured ye who grieve.
The praise of those who sleep in earth,
The pleasant memory of their worth,
The hope to meet when life is past,
Shall heal the tortured mind at last.
But ye, who for the living lost
That agony in secret bear,
Who shall with soothing words accost
The strength of your despair?
Grief for your sake is scorn for them
Whom ye lament and all condemn;
And o'er the world of spirits lies
A gloom from which ye turn your eyes.
Matron! who loved and lost, Each child long gone to their grave in youth, And now the earth is piled above The dearest and the last! Bride! who wears the widow's veil Before the wedding flowers have faded! You think the human heart can’t handle Deeper, more bitter grief than yours. Yet there are pains that cut deeper, Of which the sufferers never speak, Nor show the world’s cold pity The tears that burn their cheeks, Wrung from their eyes by the shame And guilt of those they dread to name, Whom they once loved wholeheartedly, And still love, though fallen and shamed. Weep, all of you who mourn the dead, As breaking hearts may ease their pain; And your tears are respected, And you are honored in your grief. The praise for those who lie in earth, The cherished memory of their worth, The hope to meet again when life is done, Shall finally heal the tortured mind. But you, who mourn for the living lost And bear that agony in silence, Who will offer soothing words To ease your despair? Grief from your heart is scorn for them Whom you lament and all condemn; And over the realm of spirits hangs A gloom from which you turn away.
CATTERSKILL FALLS.
Midst greens and shades the Catterskill leaps,
From cliffs where the wood-flower clings;
All summer he moistens his verdant steeps
With the sweet light spray of the mountain springs;
And he shakes the woods on the mountain side,
When they drip with the rains of autumn-tide.
But when, in the forest bare and old,
The blast of December calls,
He builds, in the starlight clear and cold,
A palace of ice where his torrent falls,
With turret, and arch, and fretwork fair,
And pillars blue as the summer air.
For whom are those glorious chambers wrought,
In the cold and cloudless night?
Is there neither spirit nor motion of thought
In forms so lovely, and hues so bright?
Hear what the gray-haired woodmen tell
Of this wild stream and its rocky dell.
'Twas hither a youth of dreamy mood,
A hundred winters ago,
Had wandered over the mighty wood,
When the panther's track was fresh on the snow,
And keen were the winds that came to stir
The long dark boughs of the hemlock fir.
Too gentle of mien he seemed and fair,[Page 208]
For a child of those rugged steeps;
His home lay low in the valley where
The kingly Hudson rolls to the deeps;
But he wore the hunter's frock that day,
And a slender gun on his shoulder lay.
And here he paused, and against the trunk
Of a tall gray linden leant,
When the broad clear orb of the sun had sunk
From his path in the frosty firmament,
And over the round dark edge of the hill
A cold green light was quivering still.
And the crescent moon, high over the green,
From a sky of crimson shone,
On that icy palace, whose towers were seen
To sparkle as if with stars of their own;
While the water fell with a hollow sound,
'Twixt the glistening pillars ranged around.
Is that a being of life, that moves
Where the crystal battlements rise?
A maiden watching the moon she loves,
At the twilight hour, with pensive eyes?
Was that a garment which seemed to gleam
Betwixt the eye and the falling stream?
'Tis only the torrent tumbling o'er,
In the midst of those glassy walls,
Gushing, and plunging, and beating the floor
Of the rocky basin in which it falls.
'Tis only the torrent—but why that start?
Why gazes the youth with a throbbing heart?
He thinks no more of his home afar,[Page 209]
Where his sire and sister wait.
He heeds no longer how star after star
Looks forth on the night as the hour grows late.
He heeds not the snow-wreaths, lifted and cast
From a thousand boughs, by the rising blast.
His thoughts are alone of those who dwell
In the halls of frost and snow,
Who pass where the crystal domes upswell
From the alabaster floors below,
Where the frost-trees shoot with leaf and spray,
And frost-gems scatter a silvery day.
"And oh that those glorious haunts were mine!"
He speaks, and throughout the glen
Thin shadows swim in the faint moonshine,
And take a ghastly likeness of men,
As if the slain by the wintry storms
Came forth to the air in their earthly forms.
There pass the chasers of seal and whale,
With their weapons quaint and grim,
And bands of warriors in glittering mail,
And herdsmen and hunters huge of limb.
There are naked arms, with bow and spear,
And furry gauntlets the carbine rear.
There are mothers—and oh how sadly their eyes
On their children's white brows rest!
There are youthful lovers—the maiden lies,
In a seeming sleep, on the chosen breast;
There are fair wan women with moonstruck air,
The snow stars flecking their long loose hair.
They eye him not as they pass along,[Page 210]
But his hair stands up with dread,
When he feels that he moves with that phantom throng,
Till those icy turrets are over his head,
And the torrent's roar as they enter seems
Like a drowsy murmur heard in dreams.
The glittering threshold is scarcely passed,
When there gathers and wraps him round
A thick white twilight, sullen and vast,
In which there is neither form nor sound;
The phantoms, the glory, vanish all,
With the dying voice of the waterfall.
Slow passes the darkness of that trance,
And the youth now faintly sees
Huge shadows and gushes of light that dance
On a rugged ceiling of unhewn trees,
And walls where the skins of beasts are hung,
And rifles glitter on antlers strung.
On a couch of shaggy skins he lies;
As he strives to raise his head,
Hard-featured woodmen, with kindly eyes,
Come round him and smooth his furry bed
And bid him rest, for the evening star
Is scarcely set and the day is far.
They had found at eve the dreaming one
By the base of that icy steep,
When over his stiffening limbs begun
The deadly slumber of frost to creep,
And they cherished the pale and breathless form,
Till the stagnant blood ran free and warm.
In the midst of greens and shadows, the Catterskill cascades,
From cliffs where wildflowers cling;
All summer long, it nourishes its lush slopes
With the gentle mist from the mountain springs;
And it shakes the woods on the mountainside,
When they're dripping with the autumn rains.
But when the chill winds of December blow,
In the clear, cold starlight,
It builds an ice palace where its waters fall,
Complete with towers, arches, and beautiful designs,
And pillars blue as the summer sky.
For whom are those magnificent rooms made,
In the cold, cloudless night?
Is there no spirit or thought,
In such lovely shapes and bright colors?
Listen to what the old woodworkers say
Of this wild stream and its rocky valley.
It was here that a dreamy young man,
A hundred winters ago,
Wandered through the vast woods,
When the panther's footprints were fresh in the snow,
And the winds stirred
The long dark branches of the hemlock fir.
He seemed too gentle and fair
[Page 208]
To be one of those rugged highlands;
His home was low in the valley
Where the majestic Hudson flows to the depths;
But he wore a hunter's coat that day,
With a slender gun resting on his shoulder.
He paused here, leaning against the trunk
Of a tall gray linden,
When the bright sun had dipped
Below the frosty sky,
And a cold green light
Still quivered over the dark edge of the hill.
And the crescent moon, high above the greenery,
Shone from a crimson sky,
On that icy palace, whose towers sparkled
As if they had stars of their own;
While the water fell with a hollow sound,
Between the glistening pillars all around.
Is there a living being, moving
Where the crystal towers rise?
A maiden watching the moon she loves,
At twilight, with thoughtful eyes?
Was that a garment shining
Between the eye and the falling stream?
It's just the torrent tumbling over,
In the midst of those glassy walls,
Gushing, plunging, and crashing against the floor
Of the rocky basin where it falls.
It's just the torrent—but why that start?
Why does the young man gaze with a racing heart?
He thinks no more of his distant home,
[Page 209]
Where his father and sister wait.
He no longer notices how one star after another
Appears in the night as it grows late.
He doesn't mind the snowflakes flying around
From a thousand branches, tossed by the rising wind.
His thoughts are only of those who dwell
In the halls of ice and snow,
Who walk where the crystal domes rise
From the alabaster floors below,
Where frost-covered trees shoot with leaves and sprays,
And frost-gems scatter a silvery day.
"And oh, that those splendid places were mine!"
He says, and throughout the glen
Thin shadows swim in the pale moonlight,
Taking on a ghastly form of men,
As if the victims of winter storms
Came forth into the air in their earthly shapes.
There pass the hunters of seal and whale,
With their strange and grim weapons,
And bands of warriors in shining armor,
And herdsmen and hunters, large and strong.
There are bare arms, with bows and spears,
And furry gauntlets supporting the rifles.
There are mothers—and oh, how sadly their eyes
Rest on their children's pale brows!
There are youthful lovers—the maiden lies,
As if asleep, on her chosen's breast;
There are fair, pale women with a dreamy look,
The snowflakes dotting their long, loose hair.
They don't notice him as they pass,
[Page 210]
But his hair stands on end with fear,
As he feels himself moving with that phantom crowd,
Until those icy towers loom overhead,
And the roar of the torrent entering sounds
Like a sleepy murmur heard in dreams.
The sparkling threshold has just been crossed,
When thick white twilight gathers and wraps around him,
A vast, sullen absence of form or sound;
The phantoms, the glory, all vanish,
With the fading voice of the waterfall.
Slowly, the darkness of that trance passes,
And the youth now faintly sees
Huge shadows and flashes of light dancing
On a rough ceiling of uncarved trees,
And walls adorned with the hides of beasts,
And rifles glistening on strung antlers.
He lies on a couch of shaggy fur;
As he tries to lift his head,
Rugged woodmen, with friendly eyes,
Surround him and smooth his furry bed
And urge him to rest, for the evening star
Has barely set and the day is far.
They found the dreaming one by evening
At the base of that icy slope,
When the deadly slumber of frost began
To creep over his stiffening limbs,
And they cared for the pale, breathless form,
Until the stagnant blood ran free and warm.
THE STRANGE LADY.
The summer morn is bright and fresh, the birds are darting by,
As if they loved to breast the breeze that sweeps the cool clear sky;
Young Albert, in the forest's edge, has heard a rustling sound,
An arrow slightly strikes his hand and falls upon the ground.
A dark-haired woman from the wood comes suddenly in sight;
Her merry eye is full and black, her cheek is brown and bright;
Her gown is of the mid-sea blue, her belt with beads is strung,
And yet she speaks in gentle tones, and in the English tongue.
"It was an idle bolt I sent, against the villain crow;
Fair sir, I fear it harmed thy hand; beshrew my erring bow!"
"Ah! would that bolt had not been spent! then, lady, might I wear
A lasting token on my hand of one so passing fair!"
"Thou art a flatterer like the rest, but wouldst thou take with me
A day of hunting in the wilds, beneath the greenwood tree,
I know where most the pheasants feed, and where the red-deer herd,
And thou shouldst chase the nobler game, and I bring down the bird."
Now Albert in her quiver lays the arrow in its place,
And wonders as he gazes on the beauty of her face:
"Those hunting-grounds are far away, and, lady, 'twere not meet
That night, amid the wilderness, should overtake thy feet."
"Heed not the night; a summer lodge amid the wild is mine,—[Page 212]
'Tis shadowed by the tulip-tree, 'tis mantled by the vine;
The wild plum sheds its yellow fruit from fragrant thickets nigh,
And flowery prairies from the door stretch till they meet the sky.
"There in the boughs that hide the roof the mock-bird sits and sings,
And there the hang-bird's brood within its little hammock swings;
A pebbly brook, where rustling winds among the hopples sweep,
Shall lull thee till the morning sun looks in upon thy sleep."
Away, into the forest depths by pleasant paths they go,
He with his rifle on his arm, the lady with her bow,
Where cornels arch their cool dark boughs o'er beds of winter-green,
And never at his father's door again was Albert seen.
That night upon the woods came down a furious hurricane,
With howl of winds and roar of streams, and beating of the rain;
The mighty thunder broke and drowned the noises in its crash;
The old trees seemed to fight like fiends beneath the lightning-flash.
Next day, within a mossy glen, 'mid mouldering trunks were found
The fragments of a human form upon the bloody ground;
White bones from which the flesh was torn, and locks of glossy hair;
They laid them in the place of graves, yet wist not whose they were.
And whether famished evening wolves had mangled Albert so,
Or that strange dame so gay and fair were some mysterious foe,
Or whether to that forest lodge, beyond the mountains blue,
He went to dwell with her, the friends who mourned him never knew.
The summer morning is bright and fresh, the birds are flying by,
As if they loved to catch the breeze that sweeps through the cool clear sky;
Young Albert, at the edge of the forest, hears a rustling sound,
An arrow lightly grazes his hand and falls to the ground.
A dark-haired woman from the woods suddenly appears;
Her sparkling black eyes are lively, her brown cheek glows with cheer;
Her dress is a deep-sea blue, her belt is adorned with beads,
And yet she speaks in soft tones, and in English, indeed.
"It was just a wayward shot I sent towards that pesky crow;
Good sir, I hope it didn't harm your hand; curse my faulty bow!”
“Ah! I wish that arrow hadn’t been released! Then, lady, I could wear
A lasting sign on my hand of one so incredibly fair!”
“You’re a flatterer like the others, but would you join me
For a day of hunting in the wilds, under the greenwood tree?
I know where the pheasants feed, and where the red deer roam,
And you could chase the noble game while I take down the birds at home.”
Now Albert puts the arrow back in her quiver’s space,
And marvels as he gazes at the beauty of her face:
"Those hunting grounds are far away, and, lady, it wouldn’t be right
For night to catch you in the wilderness in its darkening light."
“Don’t worry about the night; a summer lodge in the wild is mine,—[Page 212]
It’s shaded by the tulip tree, and covered by the vine;
The wild plum drops its yellow fruit from the nearby fragrant thicket,
And flowering prairies stretch from the door until they hit the sky’s ticket.
“There, in the branches that hide the roof, the mockingbird sings,
And there the oriole’s young ones swing in their little slings;
A stony brook, where rustling winds sweep among the reeds,
Will lull you till the morning sun looks in on your sleep’s needs.”
Off into the forest depths on pleasant paths they go,
He with his rifle slung, the lady with her bow,
Where dogwoods arch their cool dark limbs over wintergreen beds,
And never at his father’s door again was Albert seen, it said.
That night a furious hurricane swept through the woods,
With howling winds and roaring streams, and pounding rain like moods;
The mighty thunder crashed and drowned the other noises with its blast;
The ancient trees seemed to battle like demons beneath the lighting’s cast.
The next day, in a mossy glen, among decaying trunks were found
The remains of a human form lying on the bloody ground;
White bones stripped of flesh, and locks of shiny hair;
They buried them where the graves are, yet knew not whose they were.
And whether starving evening wolves had torn Albert apart,
Or that strange, cheerful lady with beauty was a mysterious counterpart,
Or whether to that forest lodge, beyond the blue mountains, too,
He went to live with her, his friends who grieved for him never knew.
LIFE.°
Oh Life! I breathe thee in the breeze,
I feel thee bounding in my veins,
I see thee in these stretching trees,
These flowers, this still rock's mossy stains.
This stream of odours flowing by
From clover-field and clumps of pine,
This music, thrilling all the sky,
From all the morning birds, are thine.
Thou fill'st with joy this little one,
That leaps and shouts beside me here,
Where Isar's clay-white rivulets run
Through the dark woods like frighted deer.
Ah! must thy mighty breath, that wakes
Insect and bird, and flower and tree,
From the low trodden dust, and makes
Their daily gladness, pass from me—
Pass, pulse by pulse, till o'er the ground
These limbs, now strong, shall creep with pain,
And this fair world of sight and sound
Seem fading into night again?
The things, oh LIFE! thou quickenest, all
Strive upwards toward the broad bright sky,
Upward and outward, and they fall
Back to earth's bosom when they die.
All that have borne the touch of death,[Page 214]
All that shall live, lie mingled there,
Beneath that veil of bloom and breath,
That living zone 'twixt earth and air.
There lies my chamber dark and still,
The atoms trampled by my feet,
There wait, to take the place I fill
In the sweet air and sunshine sweet.
Well, I have had my turn, have been
Raised from the darkness of the clod,
And for a glorious moment seen
The brightness of the skirts of God;
And knew the light within my breast,
Though wavering oftentimes and dim,
The power, the will, that never rest,
And cannot die, were all from him.
Dear child! I know that thou wilt grieve
To see me taken from thy love,
Wilt seek my grave at Sabbath eve,
And weep, and scatter flowers above.
Thy little heart will soon be healed,
And being shall be bliss, till thou
To younger forms of life must yield
The place thou fill'st with beauty now.
When we descend to dust again,
Where will the final dwelling be
Of Thought and all its memories then,
My love for thee, and thine for me?
Oh Life! I breathe you in the breeze,
I feel you rushing in my veins,
I see you in these towering trees,
These flowers, this still rock's mossy stains.
This stream of scents flowing by
From clover fields and clusters of pine,
This music thrilling all the sky,
From all the morning birds, is yours.
You fill this little one with joy,
That leaps and shouts beside me here,
Where Isar's clay-white streams run
Through the dark woods like startled deer.
Ah! must your mighty breath, that awakens
Insects and birds, and flowers and trees,
From the low-trodden dust, and creates
Their daily joy, be taken from me—
Taken, pulse by pulse, till over the ground
These limbs, now strong, shall ache with pain,
And this beautiful world of sight and sound
Seem to fade into night again?
The things, oh LIFE! you bring to life, all
Strive upwards toward the wide bright sky,
Upward and outward, and they fall
Back to earth's embrace when they die.
All who have felt the touch of death,[Page 214]
All who will live, lie mixed there,
Beneath that veil of bloom and breath,
That living zone between earth and air.
There lies my chamber dark and still,
The atoms crushed beneath my feet,
There wait, to take the place I fill
In the sweet air and sunshine sweet.
Well, I've had my turn, have been
Raised from the darkness of the ground,
And for a glorious moment seen
The brightness of God’s presence;
And knew the light within my heart,
Though wavering often and dim,
The power, the will, that never rests,
And cannot die, were all from him.
Dear child! I know you will grieve
To see me taken from your love,
You’ll seek my grave on Sunday evening,
And weep, and scatter flowers above.
Your little heart will soon be healed,
And existence will be bliss, until you
Must yield your place to younger forms of life,
The spot you fill with beauty now.
When we return to dust again,
Where will the final resting place be
Of Thought and all its memories then,
My love for you, and yours for me?
"EARTH'S CHILDREN CLEAVE TO EARTH."
Earth's children cleave to Earth—her frail
Decaying children dread decay.
Yon wreath of mist that leaves the vale,
And lessens in the morning ray:
Look, how, by mountain rivulet,
It lingers as it upward creeps,
And clings to fern and copsewood set
Along the green and dewy steeps:
Clings to the fragrant kalmia, clings
To precipices fringed with grass,
Dark maples where the wood-thrush sings,
And bowers of fragrant sassafras.
Yet all in vain—it passes still
From hold to hold, it cannot stay,
And in the very beams that fill
The world with glory, wastes away,
Till, parting from the mountain's brow,
It vanishes from human eye,
And that which sprung of earth is now
A portion of the glorious sky.
Earth's kids are attached to Earth—her fragile Deteriorating kids fear decay. That wreath of mist rising from the valley, And fading in the morning light: Look, how, by the mountain stream, It hangs on as it moves upward, And clings to ferns and brushwood set Along the green and dewy slopes: It clings to the fragrant kalmia, clings To cliffs edged with grass, Dark maples where the wood-thrush sings, And shaded spots of fragrant sassafras. Yet all in vain—it still moves on From hold to hold, it cannot stay, And in the very beams that fill The world with light, it fades away, Till, parting from the mountain's edge, It disappears from human sight, And that which came from the earth is now A part of the glorious sky.
THE HUNTER'S VISION.
Upon a rock that, high and sheer,
Rose from the mountain's breast,
A weary hunter of the deer
Had sat him down to rest,
And bared to the soft summer air
His hot red brow and sweaty hair.
All dim in haze the mountains lay,
With dimmer vales between;
And rivers glimmered on their way,
By forests faintly seen;
While ever rose a murmuring sound,
From brooks below and bees around.
He listened, till he seemed to hear
A strain, so soft and low,
That whether in the mind or ear
The listener scarce might know.
With such a tone, so sweet and mild,
The watching mother lulls her child.
"Thou weary huntsman," thus it said,
"Thou faint with toil and heat,
The pleasant land of rest is spread
Before thy very feet,
And those whom thou wouldst gladly see
Are waiting there to welcome thee."
He looked, and 'twixt the earth and sky[Page 217]
Amid the noontide haze,
A shadowy region met his eye,
And grew beneath his gaze,
As if the vapours of the air
Had gathered into shapes so fair.
Groves freshened as he looked, and flowers
Showed bright on rocky bank,
And fountains welled beneath the bowers,
Where deer and pheasant drank.
He saw the glittering streams, he heard
The rustling bough and twittering bird.
And friends—the dead—in boyhood dear,
There lived and walked again,
And there was one who many a year
Within her grave had lain,
A fair young girl, the hamlet's pride—
His heart was breaking when she died:
Bounding, as was her wont, she came
Right towards his resting-place,
And stretched her hand and called his name
With that sweet smiling face.
Forward with fixed and eager eyes,
The hunter leaned in act to rise:
Forward he leaned, and headlong down
Plunged from that craggy wall;
He saw the rocks, steep, stern, and brown,
An instant, in his fall;
A frightful instant—and no more,
The dream and life at once were o'er.
On a rock that rose high and steep,
From the mountainside,
A tired deer hunter
Sat down to rest,
And exposed to the soft summer air
His hot brow and sweaty hair.
The mountains lay dim in the haze,
With even dimmer valleys in between;
And rivers sparkled as they flowed,
Partially hidden by forests;
While a gentle sound rose endlessly,
From nearby brooks and buzzing bees.
He listened closely, almost hearing
A melody, soft and low,
So subtle that he could hardly tell
If it was in his mind or through his ear.
With such a sweet, gentle tone,
The watching mother soothes her child.
"You weary hunter," it said,
"You faint from toil and heat,
The lovely land of rest lies
Right at your feet,
And those you long to see
Are waiting there to welcome you."
He looked, and between the earth and sky[Page 217]
Amid the midday haze,
A shadowy place caught his eye,
And grew as he stared,
As if the mist in the air
Had formed into beautiful shapes.
Groves flourished as he gazed, and flowers
Appeared bright on the rocky bank,
And fountains bubbled beneath the shade,
Where deer and pheasant drank.
He noticed the sparkling streams, he heard
The rustling leaves and chirping birds.
And friends—the dead—who were dear in his youth,
Were there living and walking again,
And there was one who had lain
In her grave for many years,
A beautiful young girl, the pride of the village—
His heart broke when she died:
Bouncing, as she used to do, she came
Straight toward his resting spot,
Extended her hand and called his name
With that sweet, smiling face.
The hunter leaned forward with focused, eager eyes,
Ready to rise:
He leaned forward, and suddenly
Plummeted from that rocky edge;
He saw the steep, stern, brown rocks
For a brief moment as he fell;
A terrifying instant—and then nothing more,
The dream and his life ended at once.
THE GREEN MOUNTAIN BOYS.°
I.
Here we halt our march, and pitch our tent
On the rugged forest ground,
And light our fire with the branches rent
By winds from the beeches round.
Wild storms have torn this ancient wood,
But a wilder is at hand,
With hail of iron and rain of blood,
To sweep and waste the land.
Here we stop our journey and set up our tent
On the rough forest floor,
And start our fire with branches broken
By the winds from the beeches nearby.
Wild storms have battered this ancient woods,
But a fiercer one is coming,
With hail of iron and rain of blood,
To destroy and ravage the land.
II.
How the dark wood rings with voices shrill,
That startle the sleeping bird;
To-morrow eve must the voice be still,
And the step must fall unheard.
The Briton lies by the blue Champlain,
In Ticonderoga's towers,
And ere the sun rise twice again,
The towers and the lake are ours.
How the dark woods echo with sharp voices,
That wake the sleeping bird;
Tomorrow evening, the voices must quiet,
And footsteps will go unheard.
The Briton rests by the blue Champlain,
In Ticonderoga's towers,
And before the sun rises twice more,
The towers and the lake will be ours.
III.
Fill up the bowl from the brook that glides
Where the fireflies light the brake;
A ruddier juice the Briton hides
In his fortress by the lake.
Build high the fire, till the panther leap
From his lofty perch in flight,
And we'll strenghten our weary arms with sleep
For the deeds of to-morrow night.
Fill up the bowl from the stream that flows
Where the fireflies light up the brush;
A richer drink the Briton keeps
In his stronghold by the lake.
Build the fire high, until the panther jumps
From his high spot in flight,
And we'll rest our tired arms with sleep
For the tasks of tomorrow night.
A PRESENTIMENT.
"Oh father, let us hence—for hark,
A fearful murmur shakes the air.
The clouds are coming swift and dark:—
What horrid shapes they wear!
A winged giant sails the sky;
Oh father, father, let us fly!"
"Hush, child; it is a grateful sound,
That beating of the summer shower;
Here, where the boughs hang close around,
We'll pass a pleasant hour,
Till the fresh wind, that brings the rain,
Has swept the broad heaven clear again."
"Nay, father, let us haste—for see,
That horrid thing with horned brow,—
His wings o'erhang this very tree,
He scowls upon us now;
His huge black arm is lifted high;
Oh father, father, let us fly!"
"Hush, child;" but, as the father spoke,
Downward the livid firebolt came,
Close to his ear the thunder broke,
And, blasted by the flame,
The child lay dead; while dark and still,
Swept the grim cloud along the hill.
"Oh dad, let’s get out of here—because listen,
A scary rumble fills the air.
The clouds are rushing in, dark and fast:—
What terrible shapes they wear!
A giant with wings sails across the sky;
Oh dad, dad, let’s fly!"
"Calm down, kid; it’s just a soothing sound,
That rhythm of the summer rain;
Here, where the branches hang closely around,
We’ll enjoy a nice hour,
Until the fresh wind that brings the rain,
Clears the broad sky again."
"No, dad, we need to hurry—look,
At that horrifying thing with horns,—
Its wings are shadowing this very tree,
It’s glaring at us now;
Its huge black arm is raised high;
Oh dad, dad, let’s fly!"
"Calm down, kid;" but as the dad spoke,
A fiery bolt came crashing down,
Thunder exploded right by his ear,
And, struck by the flame,
The child lay dead; while dark and still,
The grim cloud swept along the hill.
THE CHILD'S FUNERAL.°
Fair is thy site, Sorrento, green thy shore,
Black crags behind thee pierce the clear blue skies;
The sea, whose borderers ruled the world of yore,
As clear and bluer still before thee lies.
Vesuvius smokes in sight, whose fount of fire,
Outgushing, drowned the cities on his steeps;
And murmuring Naples, spire o'ertopping spire,
Sits on the slope beyond where Virgil sleeps.
Here doth the earth, with flowers of every hue,
Heap her green breast when April suns are bright,
Flowers of the morning-red, or ocean-blue,
Or like the mountain frost of silvery white.
Currents of fragrance, from the orange tree,
And sward of violets, breathing to and fro,
Mingle, and wandering out upon the sea,
Refresh the idle boatsman where they blow.
Yet even here, as under harsher climes,
Tears for the loved and early lost are shed;
That soft air saddens with the funeral chimes,
Those shining flowers are gathered for the dead.
Here once a child, a smiling playful one,
All the day long caressing and caressed,
Died when its little tongue had just begun
To lisp the names of those it loved the best.
The father strove his struggling grief to quell,[Page 221]
The mother wept as mothers use to weep,
Two little sisters wearied them to tell
When their dear Carlo would awake from sleep.
Within an inner room his couch they spread,
His funeral couch; with mingled grief and love,
They laid a crown of roses on his head,
And murmured, "Brighter is his crown above."
They scattered round him, on the snowy sheet,
Laburnum's strings of sunny-coloured gems,
Sad hyacinths, and violets dim and sweet,
And orange blossoms on their dark green stems.
And now the hour is come, the priest is there;
Torches are lit and bells are tolled; they go,
With solemn rites of blessing and of prayer,
To lay the little corpse in earth below.
The door is opened; hark! that quick glad cry;
Carlo has waked, has waked, and is at play;
The little sisters laugh and leap, and try
To climb the bed on which the infant lay.
And there he sits alone, and gayly shakes
In his full hands, the blossoms red and white,
And smiles with winking eyes, like one who wakes
From long deep slumbers at the morning light.
Sorrento, your location is stunning, your shores are lush,
Dark cliffs behind you reach into the bright blue sky;
The sea, once ruled by great empires,
Lies before you, clear and even bluer still.
Vesuvius smokes in the distance, its fiery source,
Once erupted and buried cities on its slopes;
And bustling Naples, with towers reaching high,
Sits on the hill nearby where Virgil rests.
Here, the earth, adorned with flowers of every color,
Presents her green curves when April brings bright sun,
Flowers of sunrise red or ocean blue,
Or like the mountain frost, shimmering white.
The sweet fragrance from the orange trees,
And beds of violets, come and go in the breeze,
Mix together, and drift out to sea,
Refreshing the lazy boaters in their wake.
Yet even here, as in harsher regions,
Tears for loved ones lost are shed;
That gentle air turns heavy with funeral bells,
Those bright flowers are picked for the dead.
Here once a child, a cheerful, playful one,
Spent all day being loved and loving back,
Passed away just as it started to speak
The names of those it cherished most.
The father struggled to hold back his grief,[Page 221]
The mother cried as mothers do,
Two little sisters begged them to explain
When their dear Carlo would wake from his dreams.
In a private room, they laid out his bed,
His funeral bed; with mixed sorrow and love,
They placed a crown of roses on his head,
And whispered, "His crown shines brighter above."
They scattered around him on the snowy cloth,
Laburnum's strands of sunny gems,
Sad hyacinths, and violets, sweet and dim,
And orange blossoms on their dark green stems.
Now the moment has arrived, the priest is here;
Torches are lit and bells toll; they proceed,
With solemn blessings and prayers,
To bury the little body in the earth below.
The door opens; listen! that quick, joyful shout;
Carlo has woken up, he’s awake and at play;
The little sisters laugh and jump, trying
To climb onto the bed where the baby lay.
And there he sits alone, joyfully shaking
In his little hands, the red and white flowers,
And smiles with blinking eyes, like one just waking
From a long, deep sleep in the morning light.
THE BATTLE-FIELD.
Once this soft turf, this rivulet's sands,
Were trampled by a hurrying crowd,
And fiery hearts and armed hands
Encountered in the battle cloud.
Ah! I never shall the land forget
How gushed the life-blood of her brave—
Gushed, warm with hope and courage yet,
Upon the soil they fought to save.
Now all is calm, and fresh, and still,
Alone the chirp of flitting bird,
And talk of children on the hill,
And bell of wandering kine are heard.
No solemn host goes trailing by
The black-mouthed gun and staggering wain;
Men start not at the battle-cry,
Oh, be it never heard again!
Soon rested those who fought; but thou
Who minglest in the harder strife
For truths which men receive not now
Thy warfare only ends with life.
A friendless warfare! lingering long[Page 223]
Through weary day and weary year.
A wild and many-weaponed throng
Hang on thy front, and flank, and rear.
Yet nerve thy spirit to the proof,
And blench not at thy chosen lot.
The timid good may stand aloof,
The sage may frown—yet faint thou not.
Nor heed the shaft too surely cast,
The foul and hissing bolt of scorn;
For with thy side shall dwell, at last,
The victory of endurance born.
Truth, crushed to earth, shall rise again;
The eternal years of God are hers;
But Error, wounded, writhes with pain,
And dies among his worshippers.
Yea, though thou lie upon the dust,
When they who helped thee flee in fear,
Die full of hope and manly trust,
Like those who fell in battle here.
Another hand thy sword shall wield,
Another hand the standard wave,
Till from the trumpet's mouth is pealed
The blast of triumph o'er thy grave.
Once this soft grass, this sandy stream,
Was trampled by a rushing crowd,
And fiery hearts and armed hands
Met in the battle’s haze.
Ah! I will never forget this land
How the blood of her brave spilled out—
Spilled, warm with hope and courage still,
On the soil they fought to protect.
Now everything is calm, fresh, and quiet,
Just the chirping of passing birds,
And the chatter of kids on the hill,
And the sound of wandering cows are heard.
No solemn march moves past
The heavy gun and swaying cart;
Men do not flinch at the battle cry,
Oh, may it never be heard again!
Soon those who fought found rest; but you
Who engage in the harder battle
For truths people don’t accept now
Your fight only ends with life.
A lonely struggle! dragging on[Page 223]
Through long days and exhausting years.
A wild crowd armed with many weapons
Surrounds you in front, on the sides, and behind.
Yet steady your spirit for the challenge,
And don’t shrink from your chosen path.
The timid good may stay away,
The wise may frown—still, don’t lose heart.
And don’t mind the arrows aimed at you,
The foul and hissing bolts of scorn;
For in the end, with you shall dwell,
The victory born of endurance.
Truth, crushed to the ground, shall rise again;
The eternal years of God belong to her;
But Error, wounded, writhes in pain,
And dies among its worshippers.
Yes, even if you lie in the dust,
When those who supported you run in fear,
Die full of hope and manly trust,
Like those who fell in battle here.
Another hand shall wield your sword,
Another hand will wave the flag,
Until from the trumpet’s mouth rings
The blast of triumph over your grave.
THE FUTURE LIFE.
How shall I know thee in the sphere which keeps
The disembodied spirits of the dead,
Wheii all of thee that time could wither sleep
And perishes among the dust we tread?
For I shall feel the sting of ceaseless pain
If there I meet thy gentle presence not;
Nor hear the voice I love, nor read again
In thy serenest eyes the tender thought.
Will not thy own meek heart demand me there?
That heart whose fondest throbs to me were given?
My name on earth was ever in thy prayer,
Shall it be banished from thy tongue in heaven?
In meadows fanned by heaven's life-breathing wind,
In the resplendence of that glorious sphere,
And larger movements of the unfettered mind,
Wilt thou forget the love that joined us here?
The love that lived through all the stormy past,[Page 225]
And meekly with my harsher nature bore,
And deeper grew, and tenderer to the last,
Shall it expire with life, and be no more?
A happier lot than mine, and larger light,
Await thee there; for thou hast bowed thy will
In cheerful homage to the rule of right,
And lovest all, and renderest good for ill.
For me, the sordid cares in which I dwell,
Shrink and consume my heart, as heat the scroll;
And wrath has left its scar—that fire of hell
Has left its frightful scar upon my soul.
Yet though thou wear'st the glory of the sky,
Wilt thou not keep the same beloved name,
The same fair thoughtful brow, and gentle eye,
Lovelier in heaven's sweet climate, yet the same?
Shalt thou not teach me, in that calmer home,
The wisdom that I learned so ill in this—
The wisdom which is love—till I become
Thy fit companion in that land of bliss?
How will I recognize you in the realm that holds
The souls of the departed,
When all of you that time could fade lies
And crumbles among the dust we walk on?
For I will feel the sting of endless pain
If I don’t encounter your gentle presence there;
I won’t hear the voice I love, nor read again
In your serene eyes the tender thoughts.
Will your own gentle heart not seek me there?
That heart that gave me its fondest beats?
My name on earth was always in your prayers,
Will it be silenced from your lips in heaven?<
In meadows blessed by heaven's life-giving breeze,
In the beauty of that glorious realm,
And in the greater freedom of the mind,
Will you forget the love that connected us here?
The love that survived through all the storms of the past,[Page 225]
And patiently endured my harsher nature,
And grew deeper, becoming more tender to the end,
Will it fade away with life, and be no more?
A happier fate than mine, and greater light,
Awaits you there; for you have submitted your will
In joyful respect to the law of good,
And love everyone, responding with good for harm.
For me, the petty worries that surround me,
Shrink and consume my heart, like fire to a scroll;
And anger has left its mark— that hellish fire
Has left a terrifying scar upon my soul.
Yet even though you wear the glory of the sky,
Will you not keep the same beloved name,
The same lovely thoughtful brow, and gentle eye,
Even more beautiful in heaven's sweet air, yet the same?
Will you not teach me, in that peaceful home,
The wisdom that I struggled to learn here—
The wisdom which is love—until I become
Your perfect companion in that land of joy?
THE DEATH OF SCHILLER.°
'Tis said, when Schiller's death drew nigh,
The wish possessed his mighty mind,
To wander forth wherever lie
The homes and haunts of human-kind.
Then strayed the poet, in his dreams,
By Rome and Egypt's ancient graves;
Went up the New World's forest streams,
Stood in the Hindoo's temple-caves;
Walked with the Pawnee, fierce and stark,
The sallow Tartar, midst his herds,
The peering Chinese, and the dark
False Malay uttering gentle words.
How could he rest? even then he trod
The threshold of the world unknown;
Already, from the seat of God,
A ray upon his garments shone;—
Shone and awoke the strong desire
For love and knowledge reached not here,
Till, freed by death, his soul of fire
Sprang to a fairer, ampler sphere.
Then—who shall tell how deep, how bright
The abyss of glory opened round?
How thought and feeling flowed like light,
Through ranks of being without bound?
They say that as Schiller's death approached,
A wish filled his powerful mind,
To roam wherever the homes and haunts
Of humanity could be found.
So the poet wandered in his dreams,
By the ancient graves of Rome and Egypt;
He traveled up the forest streams of the New World,
Stood in the temple caves of India;
He walked with the fierce and rugged Pawnee,
The pale Tartar with his herds,
The curious Chinese, and the dark
Malay speaking gentle words.
How could he rest? Even then he stood
On the edge of the unknown world;
Already, from the seat of God,
A ray of light shone on his clothes;—
It shone and ignited the strong desire
For love and knowledge that was not here,
Until, freed by death, his fiery soul
Leaped into a fairer, broader sphere.
Then—who can say how deep, how bright
The chasm of glory opened around?
How thought and feeling flowed like light,
Through endless ranks of being?
THE FOUNTAIN.°
Fountain, that springest on this grassy slope,
Thy quick cool murmur mingles pleasantly,
With the cool sound of breezes in the beach,
Above me in the noontide. Thou dost wear
No stain of thy dark birthplace; gushing up
From the red mould and slimy roots of earth,
Thou flashest in the sun. The mountain air,
In winter, is not clearer, nor the dew
That shines on mountain blossom. Thus doth God
Bring, from the dark and foul, the pure and bright.
This tangled thicket on the bank above
Thy basin, how thy waters keep it green!
For thou dost feed the roots of the wild vine
That trails all over it, and to the twigs
Ties fast her clusters. There the spice-bush lifts
Her leafy lances; the viburnum there,
Paler of foliage, to the sun holds up
Her circlet of green berries. In and out
The chipping sparrow, in her coat of brown,
Steals silently, lest I should mark her nest.
Not such thou wert of yore, ere yet the axe
Had smitten the old woods. Then hoary trunks
Of oak, and plane, and hickory, o'er thee held
A mighty canopy. When April winds
Grew soft, the maple burst into a flush
Of scarlet flowers. The tulip-tree, high up,
Opened, in airs of June, her multitude
Of golden chalices to humming-birds
And silken-winged insects of the sky.
Frail wood-plants clustered round thy edge in Spring.
The liverleaf put forth her sister blooms
Of faintest blue. Here the quick-footed wolf,[Page 228]
Passing to lap thy waters, crushed the flower
Of sanguinaria, from whose brittle stem
The red drops fell like blood. The deer, too, left
Her delicate foot-print in the soft moist mould,
And on the fallen leaves. The slow-paced bear,
In such a sultry summer noon as this,
Stopped at thy stream, and drank, and leaped across.
But thou hast histories that stir the heart
With deeper feeling; while I look on thee
They rise before me. I behold the scene
Hoary again with forests; I behold
The Indian warrior, whom a hand unseen
Has smitten with his death-wound in the woods,
Creep slowly to thy well-known rivulet,
And slake his death-thirst. Hark, that quick fierce cry
That rends the utter silence; 'tis the whoop
Of battle, and a throng of savage men
With naked arms and faces stained like blood,
Fill the green wilderness; the long bare arms
Are heaved aloft, bows twang and arrows stream;
Each makes a tree his shield, and every tree
Sends forth its arrow. Fierce the fight and short,
As is the whirlwind. Soon the conquerors
And conquered vanish, and the dead remain
Mangled by tomahawks. The mighty woods
Are still again, the frighted bird comes back
And plumes her wings; but thy sweet waters run
Crimson with blood. Then, as the sun goes down,
Amid the deepening twilight I descry
Figures of men that crouch and creep unheard,
And bear away the dead. The next day's shower
Shall wash the tokens of the fight away.
I look again—a hunter's lodge is built,
With poles and boughs, beside thy crystal well,
While the meek autumn stains the woods with gold,[Page 229]
And sheds his golden sunshine. To the door
The red man slowly drags the enormous bear
Slain in the chestnut thicket, or flings down
The deer from his strong shoulders. Shaggy fells
Of wolf and cougar hang upon the walls,
And loud the black-eyed Indian maidens laugh,
That gather, from the rustling heaps of leaves,
The hickory's white nuts, and the dark fruit
That falls from the gray butternut's long boughs.
So centuries passed by, and still the woods
Blossomed in spring, and reddened when the year
Grew chill, and glistened in the frozen rains
Of winter, till the white man swung the axe
Beside thee—signal of a mighty change.
Then all around was heard the crash of trees,
Trembling awhile and rushing to the ground,
The low of ox, and shouts of men who fired
The brushwood, or who tore the earth with ploughs.
The grain sprang thick and tall, and hid in green
The blackened hill-side; ranks of spiky maize
Rose like a host embattled; the buckwheat
Whitened broad acres, sweetening with its flowers
The August wind. White cottages were seen
With rose-trees at the windows; barns from which
Came loud and shrill the crowing of the cock;
Pastures where rolled and neighed the lordly horse,
And white flocks browsed and bleated. A rich turf
Of grasses brought from far o'ercrept thy bank,
Spotted with the white clover. Blue-eyed girls
Brought pails, and dipped them in thy crystal pool;
And children, ruddy-cheeked and flaxen-haired,
Gathered the glistening cowslip from thy edge.
Since then, what steps have trod thy border! Here
On thy green bank, the woodmann of the swamp
Has laid his axe, the reaper of the hill[Page 230]
His sickle, as they stooped to taste thy stream.
The sportsman, tired with wandering in the still
September noon, has bathed his heated brow
In thy cool current. Shouting boys, let loose
For a wild holiday, have quaintly shaped
Into a cup the folded linden leaf,
And dipped thy sliding crystal. From the wars
Returning, the plumed soldier by thy side
Has sat, and mused how pleasant 'twere to dwell
In such a spot, and be as free as thou,
And move for no man's bidding more. At eve,
When thou wert crimson with the crimson sky,
Lovers have gazed upon thee, and have thought
Their mingled lives should flow as peacefully
And brightly as thy waters. Here the sage,
Gazing into thy self-replenished depth,
Has seen eternal order circumscribe
And bind the motions of eternal change,
And from the gushing of thy simple fount
Has reasoned to the mighty universe.
Is there no other change for thee, that lurks
Among the future ages? Will not man
Seek out strange arts to wither and deform
The pleasant landscape which thou makest green?
Or shall the veins that feed thy constant stream
Be choked in middle earth, and flow no more
For ever, that the water-plants along
Thy channel perish, and the bird in vain
Alight to drink? Haply shall these green hills
Sink, with the lapse of years, into the gulf
Of ocean waters, and thy source be lost
Amidst the bitter brine? Or shall they rise,
Upheaved in broken cliffs and airy peaks,
Haunts of the eagle and the snake, and thou
Gush midway from the bare and barren steep?
Fountain, that springs on this grassy slope,
Your quick, cool murmur blends pleasantly
With the soft sound of breezes at the beach,
Above me in the noon. You wear
No mark of your dark origin; gushing up
From the red soil and slimy roots of earth,
You shine in the sun. The mountain air,
In winter, is not clearer, nor is the dew
That glistens on mountain blossoms. Thus does God
Bring, from the dark and foul, the pure and bright.
This tangled thicket on the bank above
Your basin keeps it green with your waters!
For you nourish the roots of the wild vine
That spreads all over it, tying her clusters
Firm to the twigs. There the spice-bush lifts
Her leafy spears; the viburnum there,
Paler in leaves, holds up to the sun
Her circle of green berries. In and out
The chipping sparrow, in her brown coat,
Steals quietly, so I don't notice her nest.
You weren’t always like this, before the axe
Had cut down the old woods. Back then, hoary trunks
Of oak, plane, and hickory held
A mighty canopy over you. When April winds
Became soft, the maple burst into a flush
Of scarlet flowers. The tulip tree, way up high,
Opened, in June’s breezes, her multitude
Of golden cups to hummingbirds
And silken-winged insects of the sky.
Delicate wood-plants clustered around your edge in Spring.
The liverleaf produced her sister blooms
Of faintest blue. Here the quick-footed wolf,[Page 228]
Passing to lap your waters, crushed the flower
Of sanguinaria, from whose frail stem
The red drops spilled like blood. The deer left
Her delicate footprints in the soft moist soil,
And on the fallen leaves. The slow-paced bear,
On a sultry summer noon like this,
Stopped at your stream, drank, and leaped across.
But you have histories that stir the heart
With deeper feeling; while I gaze at you,
They rise before me. I see the scene
Hoary again with forests; I see
The Indian warrior, whom an unseen hand
Has struck down with his death-wound in the woods,
Creep slowly to your familiar stream,
And quench his dying thirst. Hark, that quick fierce cry
That shatters the utter silence; it's the shout
Of battle, and a crowd of savage men
With bare arms and faces stained like blood,
Fill the green wilderness; their long arms
Are raised high, bows twang and arrows fly;
Each makes a tree his shield, and every tree
Sends forth its arrow. Fierce and brief is the fight,
Like a whirlwind. Soon the victors
And the vanquished disappear, and the dead stay
Mangled by tomahawks. The mighty woods
Become still again, the frightened bird returns
And preens her wings; but your sweet waters run
Crimson with blood. Then, as the sun sets,
Amid the deepening twilight, I see
Figures of men that crouch and creep unheard,
And bear away the dead. The next day’s rain
Shall wash away the signs of the battle.
I look again—a hunter’s lodge is built,
With poles and branches, beside your crystal well,
While the gentle autumn paints the woods gold,[Page 229]
And sheds his golden light. At the door
The Native American slowly drags the huge bear
Killed in the chestnut thicket, or drops down
The deer from his strong shoulders. Shaggy skins
Of wolf and cougar hang on the walls,
And loud the black-eyed Indian maidens laugh,
Gathering, from the rustling piles of leaves,
The hickory’s white nuts, and the dark fruit
That falls from the gray butternut’s long branches.
So centuries passed by, and still the woods
Bloomed in spring, turned red when the year
Grew cold, and shimmered in the frozen rains
Of winter, until the white man swung the axe
Beside you—signal of a great change.
Then all around was heard the crash of trees,
Trembling for a moment and rushing to the ground,
The low of oxen, and shouts of men who burned
The brush or plowed the earth. The crops sprang thick and tall,
Hiding the blackened hillside in green;
Ranks of spiky corn
Rose like a battle-ready host; the buckwheat
Whitened broad fields, sweetening with its flowers
The August breeze. White cottages appeared
With rose bushes at the windows; barns from which
Came loud and shrill the crowing of the rooster;
Pastures where the noble horse rolled and neighed,
And white flocks grazed and bleated. A rich turf
Of grasses brought from far away covered your bank,
Spotted with white clover. Blue-eyed girls
Brought pails, dipping them in your crystal pool;
And children, with rosy cheeks and flaxen hair,
Gathered the glistening cowslips from your edge.
Since then, what steps have walked your borders! Here
On your green bank, the woodman of the swamp
Has laid down his axe, the reaper of the hill[Page 230]
His sickle, as they stopped to drink from your stream.
The sportsman, tired from wandering in the still
September noon, has cooled his heated brow
In your refreshing waters. Shouting boys, let loose
For a wild holiday, have shaped
Into a cup the folded linden leaf,
And dipped into your sliding crystal. From the wars
Returning, the feathered soldier by your side
Has sat, thinking how nice it would be to live
In such a spot, to be as free as you,
And to act without anyone’s command. At dusk,
When you were red with the crimson sky,
Lovers gazed upon you, thinking
Their combined lives should flow as peacefully
And brightly as your waters. Here the sage,
Gazing into your self-replenishing depth,
Has seen eternal order shaping
And containing the motions of eternal change,
And from the gushing of your simple spring
Has reasoned about the vast universe.
Is there no other change for you, lurking
Among the ages to come? Will not man
Seek out strange ways to wither and distort
The lovely landscape you keep green?
Or will the veins that feed your constant stream
Be blocked in mid-earth, and flow no more
Forever, so that the water-plants along
Your path perish, and the bird may in vain
Alight to drink? Perhaps these green hills
Will sink, over the years, into the depths
Of ocean waters, and your source be lost
Among the bitter brine? Or will they rise,
Heaved up in broken cliffs and lofty peaks,
Home to the eagle and the snake, and you
Burst forth midway from the bare and barren height?
THE WINDS.
I.
Ye winds, ye unseen currents of the air,
Softly ye played a few brief hours ago;
Ye bore the murmuring bee; ye tossed the hair
O'er maiden cheeks, that took a fresher glow;
Ye rolled the round white cloud through depths of blue;
Ye shook from shaded flowers the lingering dew;
Before you the catalpa's blossoms flew,
Light blossoms, dropping on the grass like snow.
You winds, you unseen currents of the air,
You softly played a little while ago;
You carried the humming bee; you tossed the hair
Over the cheeks of maidens, giving them a brighter glow;
You rolled the round white cloud through the deep blue;
You shook the lingering dew from shaded flowers;
Before you, the catalpa's blossoms flew,
Light blossoms, falling on the grass like snow.
II.
How are ye changed! Ye take the cataract's sound;
Ye take the whirlpool's fury and its might;
The mountain shudders as ye sweep the ground;
The valley woods lie prone beneath your flight.
The clouds before you shoot like eagles past;
The homes of men are rocking in your blast;
Ye lift the roofs like autumn leaves, and cast,
Skyward, the whirling fragments out of sight.
How you've changed! You take the sound of the waterfall;
You take the whirlpool's rage and strength;
The mountain trembles as you sweep the ground;
The valley woods lie flat beneath your path.
The clouds before you fly by like eagles;
The homes of people are shaking in your wind;
You lift the roofs like autumn leaves and throw,
Skyward, the spinning debris out of sight.
III.
The weary fowls of heaven make wing in vain,
To escape your wrath; ye seize and dash them dead.
Against the earth ye drive the roaring rain;
The harvest-field becomes a river's bed;
And torrents tumble from the hills around,[Page 232]
Plains turn to lakes, and villages are drowned,
And wailing voices, midst the tempest's sound,
Rise, as the rushing waters swell and spread.
The tired birds in the sky try desperately to fly away,
To avoid your anger; you catch them and kill them.
You unleash the heavy rain on the ground;
The fields turn into a riverbed;
And strong downpours crash down from the surrounding hills,[Page 232]
Plains become lakes, and towns are submerged,
And cries for help, amid the storm’s noise,
Rise as the flooding waters grow and overflow.
IV.
Ye dart upon the deep, and straight is heard
A wilder roar, and men grow pale, and pray;
Ye fling its floods around you, as a bird
Flings o'er his shivering plumes the fountain's spray.
See! to the breaking mast the sailor clings;
Ye scoop the ocean to its briny springs,
And take the mountain billow on your wings,
And pile the wreck of navies round the bay.
You plunge into the deep, and immediately there's a louder roar, and men turn pale and pray; You throw its waves around you, like a bird Throws the fountain's spray over its cold feathers. Look! The sailor clings to the breaking mast; You scoop up the ocean to its salty depths, And take the massive wave on your wings, And pile the wreckage of ships all around the bay.
V.
Why rage ye thus?—no strife for liberty
Has made you mad; no tyrant, strong through fear,
Has chained your pinions till ye wrenched them free,
And rushed into the unmeasured atmosphere;
For ye were born in freedom where ye blow;
Free o'er the mighty deep to come and go;
Earth's solemn woods were yours, her wastes of snow,
Her isles where summer blossoms all the year.
Why are you so angry? No battle for freedom
has driven you insane; no tyrant, powerful through fear,
has bound your wings until you broke free
and soared into the limitless sky;
for you were born in freedom where you thrive;
free over the vast ocean to come and go;
Earth's majestic forests were yours, her snowy expanses,
her islands where summer blooms all year round.
VI.
O ye wild winds! a mightier Power than yours
In chains upon the shore of Europe lies;
The sceptred throng, whose fetters he endures,
Watch his mute throes with terror in their eyes:
And armed warriors all around him stand,
And, as he struggles, tighten every band,
And lift the heavy spear, with threatening hand,
To pierce the victim, should he strive to rise.
O you wild winds! A stronger force than you
Is chained upon the shores of Europe;
The crowned crowd, whose restraints he suffers,
Watches his silent struggles with fear in their eyes:
And armed soldiers surround him,
And as he fights, they tighten every bond,
And raise their heavy spears, with threatening hands,
To strike the victim if he tries to rise.
VII.
Yet oh, when that wronged Spirit of our race
Shall break, as soon he must, his long-worn chains,
And leap in freedom from his prison-place,
Lord of his ancient hills and fruitful plains,
Let him not rise, like these mad winds of air,
To waste the loveliness that time could spare,
To fill the earth with wo, and blot her fair
Unconscious breast with blood from human veins.
Yet oh, when that wronged spirit of our people
Breaks free, as he surely will, from his long-worn chains,
And leaps into freedom from his prison,
Ruling over his ancient hills and fertile plains,
Let him not rise, like these wild winds in the air,
To ruin the beauty that time could preserve,
To fill the earth with sorrow, and stain her fair
Unaware heart with blood from human veins.
VIII.
But may he like the spring-time come abroad,
Who crumbles winter's gyves with gentle might,
When in the genial breeze, the breath of God,
Come spouting up the unsealed springs to light;
Flowers start from their dark prisons at his feet,
The woods, long dumb, awake to hymnings sweet,
And morn and eve, whose glimmerings almost meet,
Crowd back to narrow bounds the ancient night.
But may he, like spring, come out,
Who breaks winter's chains with gentle strength,
When in the warm breeze, the breath of God,
Brings forth the open springs to light;
Flowers spring up from their dark prisons at his feet,
The woods, long silent, awaken to sweet songs,
And morning and evening, whose light almost merges,
Push back the ancient night to its narrow limits.
THE OLD MAN'S COUNSEL.°
Among our hills and valleys, I have known
Wise and grave men, who, while their diligent hands
Tended or gathered in the fruits of earth,
Were reverent learners in the solemn school
Of nature. Not in vain to them were sent
Seed-time and harvest, or the vernal shower
That darkened the brown tilth, or snow that beat
On the white winter hills. Each brought, in turn,
Some truth, some lesson on the life of man,
Or recognition of the Eternal mind
Who veils his glory with the elements.
One such I knew long since, a white-haired man,
Pithy of speech, and merry when he would;
A genial optimist, who daily drew
From what he saw his quaint moralities.
Kindly he held communion, though so old,
With me a dreaming boy, and taught me much
That books tell not, and I shall ne'er forget.
The sun of May was bright in middle heaven,
And steeped the sprouting forests, the green hills
And emerald wheat-fields, in his yellow light.
Upon the apple-tree, where rosy buds
Stood clustered, ready to burst forth in bloom,
The robin warbled forth his full clear note
For hours, and wearied not. Within the woods,
Whose young and half transparent leaves scarce cast
A shade, gay circles of anemones
Danced on their stalks; the shadbush, white with flowers,
Brightened the glens; the new-leaved butternut[Page 235]
And quivering poplar to the roving breeze
Gave a balsamic fragrance. In the fields
I saw the pulses of the gentle wind
On the young grass. My heart was touched with joy
At so much beauty, flushing every hour
Into a fuller beauty; but my friend,
The thoughtful ancient, standing at my side,
Gazed on it mildly sad. I asked him why.
"Well mayst thou join in gladness," he replied,
"With the glad earth, her springing plants and flowers,
And this soft wind, the herald of the green
Luxuriant summer. Thou art young like them,
And well mayst thou rejoice. But while the flight
Of seasons fills and knits thy spreading frame,
It withers mine, and thins my hair, and dims
These eyes, whose fading light shall soon be quenched
In utter darkness. Hearest thou that bird?"
I listened, and from midst the depth of woods
Heard the love-signal of the grouse, that wears
A sable ruff around his mottled neck;
Partridge they call him by our northern streams,
And pheasant by the Delaware. He beat
'Gainst his barred sides his speckled wings, and made
A sound like distant thunder; slow the strokes
At first, then fast and faster, till at length
They passed into a murmur and were still.
"There hast thou," said my friend, "a fitting type
Of human life. 'Tis an old truth, I know,
But images like these revive the power
Of long familiar truths. Slow pass our days
In childhood, and the hours of light are long
Betwixt the morn and eve; with swifter lapse
They glide in manhood, and in age they fly;
Till days and seasons flit before the mind
As flit the snow-flakes in a winter storm,[Page 236]
Seen rather than distinguished. Ah! I seem
As if I sat within a helpless bark
By swiftly running waters hurried on
To shoot some mighty cliff. Along the banks
Grove after grove, rock after frowning rock,
Bare sands and pleasant homes, and flowery nooks,
And isles and whirlpools in the stream, appear
Each after each, but the devoted skiff
Darts by so swiftly that their images
Dwell not upon the mind, or only dwell
In dim confusion; faster yet I sweep
By other banks, and the great gulf is near.
"Wisely, my son, while yet thy days are long,
And this fair change of seasons passes slow,
Gather and treasure up the good they yield—
All that they teach of virtue, of pure thoughts
And kind affections, reverence for thy God
And for thy brethren; so when thou shalt come
Into these barren years, thou mayst not bring
A mind unfurnished and a withered heart."
Long since that white-haired ancient slept—but still,
When the red flower-buds crowd the orchard bough,
And the ruffed grouse is drumming far within
The woods, his venerable form again
Is at my side, his voice is in my ear.
Among our hills and valleys, I've met
Wise and serious men who, while their hardworking hands
Cultivated or harvested the earth's fruits,
Were respectful learners in nature's serious school.
To them, seed-time and harvest, or the spring rain
That darkened the brown fields, or the snow that fell
On the white winter hills, were not in vain. Each brought, in turn,
Some truth, some lesson about human life,
Or acknowledgment of the Eternal mind
Who hides his glory within the elements.
One such man I knew long ago, a white-haired man,
Succinct in speech and cheerful when he chose;
A warm optimist, who daily drew
From what he observed his unique moral insights.
Kindly, he interacted, despite his age,
With me, a dreaming boy, and taught me much
That books cannot reveal, and I will never forget.
The May sun was bright in the sky,
Bathing the sprouting forests, the green hills,
And the emerald wheat fields in its golden light.
On the apple tree, where rosy buds
Clustered, ready to burst into bloom,
The robin sang his clear note
For hours without getting tired. Within the woods,
Whose young, almost transparent leaves barely
Cast a shadow, cheerful circles of anemones
Danced on their stalks; the shadbush, covered in flowers,
Brightened the glens; the new-leaved butternut[Page 235]
And swaying poplar trees gave off
A sweet fragrance to the wandering breeze. In the fields
I noticed the soft pulses of the gentle wind
Moving over the young grass. My heart swelled with joy
At so much beauty, blossoming more and more
With each passing hour; yet my friend,
The thoughtful elder beside me,
Gazed upon it with a gentle sadness. I asked him why.
"You can rightfully rejoice," he replied,
"With the happy earth, her blooming plants and flowers,
And this gentle wind, a herald of the lush
Summer to come. You are young like them,
And you should rejoice. But while the passage
Of seasons fills and strengthens your growing body,
It withers mine, thins my hair, and dims
These eyes, whose fading light will soon be snuffed
Out in complete darkness. Do you hear that bird?"
I listened, and from deep within the woods
Heard the love call of the grouse, which wears
A dark ruff around its spotted neck;
They call it partridge by our northern streams,
And pheasant by the Delaware. It beat
Against its barred sides with its spotted wings, making
A sound like distant thunder; slow at first,
Then faster and faster, until finally
The beats faded into a murmur and were silent.
"There you have," said my friend, "a fitting symbol
Of human life. It's an old truth, I know,
But images like this bring back the meaning
Of long-familiar truths. Our days pass slowly
In childhood, and the hours of light are long
Between dawn and dusk; they move more quickly
In adulthood, and in old age they rush by;
Until days and seasons slip by in our minds
Like snowflakes in a winter storm,[Page 236]
Seen rather than recognized. Ah! I feel
As if I am sitting in a helpless boat
By swiftly running waters that hurry
Toward some mighty cliff. Along the banks
Grove after grove, rock after gloomy rock,
Bare sands and cozy homes, and flowery spots,
And islands and whirlpools in the stream, come into view
One after another, but the speeding skiff
Moves by so quickly that their images
Do not stay in the mind, or only linger
In a vague confusion; faster I rush
By other banks, and the great gulf is near.
"Wisely, my son, while your days are still long,
And this lovely change of seasons passes slowly,
Gather and save the good they offer—
All that they teach about virtue, pure thoughts,
And kind feelings, respect for your God
And for your fellow humans; so when you come
Into these barren years, you won't bring
An unprepared mind and a withered heart."
Long ago that white-haired man has passed away—but still,
When the red flower buds crowd the orchard branches,
And the ruffed grouse is drumming deep within
The woods, his venerable form appears
By my side again, and his voice is in my ear.
LINES IN MEMORY OF WILLIAM LEGGETT.
The earth may ring, from shore to shore,
With echoes of a glorious name,
But he, whose loss our tears deplore,
Has left behind him more than fame.
For when the death-frost came to lie
On Leggett's warm and mighty heart,
And quenched his bold and friendly eye,
His spirit did not all depart.
The words of fire that from his pen
Were flung upon the fervent page,
Still move, still shake the hearts of men,
Amid a cold and coward age.
His love of truth, too warm, too strong
For Hope or Fear to chain or chill,
His hate of tyranny and wrong,
Burn in the breasts he kindled still.
The earth may echo, from coast to coast,
With sounds of a magnificent name,
But he, whose absence brings us grief,
Left behind more than just fame.
For when the frost of death came to rest
On Leggett's warm and mighty heart,
And dimmed his bold and friendly eye,
His spirit didn't fully depart.
The powerful words that flowed from his pen
Were launched onto the passionate page,
Still stirring, still shaking the hearts of men,
In this cold and cowardly age.
His love for truth, too warm, too strong
For Hope or Fear to bind or freeze,
His disdain for tyranny and wrong,
Burn in the hearts he sparked with ease.
AN EVENING REVERY.°
FROM AN UNFINISHED POEM.
The summer day is closed—the sun is set:
Well they have done their office, those bright hours,
The latest of whose train goes softly out
In the red West. The green blade of the ground
Has risen, and herds have cropped it; the young twig
Has spread its plaited tissues to the sun;
Flowers of the garden and the waste have blown
And withered; seeds have fallen upon the soil,
From bursting cells, and in their graves await
Their resurrection. Insects from the pools
Have filled the air awhile with humming wings,
That now are still for ever; painted moths
Have wandered the blue sky, and died again;
The mother-bird hath broken for her brood
Their prison shell, or shoved them from the nest,
Plumed for their earliest flight. In bright alcoves,
In woodland cottages with barky walls,
In noisome cells of the tumultuous town,
Mothers have clasped with joy the new-born babe.
Graves by the lonely forest, by the shore
Of rivers and of ocean, by the ways
Of the thronged city, have been hollowed out
And filled, and closed. This day hath parted friends
That ne'er before were parted; it hath knit
New friendships; it hath seen the maiden plight
Her faith, and trust her peace to him who long
Had wooed; and it hath heard, from lips which late
Were eloquent of love, the first harsh word,
That told the wedded one her peace was flown.
Farewell to the sweet sunshine! One glad day
Is added now to Childhood's merry days,
And one calm day to those of quiet Age.
Still the fleet hours run on; and as I lean,[Page 239]
Amid the thickening darkness, lamps are lit,
By those who watch the dead, and those who twine
Flowers for the bride. The mother from the eyes
Of her sick infant shades the painful light,
And sadly listens to his quick-drawn breath.
Oh thou great Movement of the Universe,
Or Change, or Flight of Time—for ye are one!
That bearest, silently, this visible scene
Into night's shadow and the streaming rays
Of starlight, whither art thou bearing me?
I feel the mighty current sweep me on,
Yet know not whither. Man foretells afar
The courses of the stars; the very hour
He knows when they shall darken or grow bright;
Yet doth the eclipse of Sorrow and of Death
Come unforewarned. Who next, of those I love,
Shall pass from life, or, sadder yet, shall fall
From virtue? Strife with foes, or bitterer strife
With friends, or shame and general scorn of men—
Which who can bear?—or the fierce rack of pain,
Lie they within my path? Or shall the years
Push me, with soft and inoffensive pace,
Into the stilly twilight of my age?
Or do the portals of another life
Even now, while I am glorying in my strength,
Impend around me? Oh! beyond that bourne,
In the vast cycle of being which begins
At that broad threshold, with what fairer forms
Shall the great law of change and progress clothe
Its workings? Gently—so have good men taught—
Gently, and without grief, the old shall glide
Into the new; the eternal flow of things,
Like a bright river of the fields of heaven,
Shall journey onward in perpetual peace.
The summer day has come to an end—the sun has set:
Those bright hours have done their job well,
The last of which quietly fades away
In the red West. The green grass has grown,
And herds have grazed on it; the young branches
Have stretched their woven leaves to the sun;
Flowers from the garden and the wild have bloomed
And withered; seeds have fallen to the ground,
From bursting pods, and in their beds await
Their rebirth. Insects from the ponds
Have filled the air for a while with buzzing wings,
But now they are silent forever; colorful moths
Have floated in the blue sky, only to fade away;
The mother bird has broken the egg for her chicks
Or pushed them from the nest,
Ready for their first flight. In bright nooks,
In forest homes with bark walls,
In the stinky cells of the busy town,
Mothers have joyfully held their newborn baby.
Graves by the lonely forest, by the shores
Of rivers and the ocean, by the busy streets
Of the bustling city, have been dug
And filled, and closed. This day has separated friends
Who have never been apart before; it has connected
New friendships; it has witnessed a young woman pledge
Her love, and trust her happiness to him who long
Had courted her; and it has heard, from lips that recently
Spoke sweetly of love, the first harsh words,
That told the married one her happiness was gone.
Goodbye to the warm sunshine! One joyful day
Is added now to Childhood's happy days,
And one peaceful day to those of quiet Age.
Still the swift hours move on; and as I lean,[Page 239]
In the thickening darkness, lamps are lit,
By those who mourn the dead, and those who weave
Flowers for the bride. The mother shields her sick baby
From the painful light,
And sadly listens to his quick breaths.
Oh you great Movement of the Universe,
Or Change, or Passage of Time—for you are one!
That carries, silently, this visible scene
Into the night's shadow and the streaming rays
Of starlight, where are you taking me?
I feel the powerful current pulling me along,
Yet know not where to. Man predicts afar
The paths of the stars; he knows the very hour
They will dim or brighten;
Yet the eclipse of Sorrow and Death
Comes without warning. Who next, of those I love,
Will leave this life, or, even sadder, will fall
From grace? Struggle with enemies, or even tougher struggle
With friends, or shame and the scorn of society—
Which can I endure?—or the intense agony,
Do they lie in my path? Or will the years
Gently, with soft and unoffensive pace,
Lead me into the quiet twilight of old age?
Or do the gates of another life
Even now, while I am relishing my strength,
Hang over me? Oh! beyond that boundary,
In the vast cycle of existence that begins
At that broad threshold, what beautiful forms
Will the great law of change and progress embody
In its workings? Kindly—so good people have taught—
Kindly, and without sorrow, the old shall smoothly
Transition into the new; the eternal flow of things,
Like a bright river from the fields of heaven,
Shall journey onward in everlasting peace.
THE PAINTED CUP.°
The fresh savannas of the Sangamon
Here rise in gentle swells, and the long grass
Is mixed with rustling hazels. Scarlet tufts
Are glowing in the green, like flakes of fire;
The wanderers of the prairie know them well,
And call that brilliant flower the Painted Cup.
Now, if thou art a poet, tell me not
That these bright chalices were tinted thus
To hold the dew for fairies, when they meet
On moonlight evenings in the hazel bowers,
And dance till they are thirsty. Call not up,
Amid this fresh and virgin solitude,
The faded fancies of an elder world;
But leave these scarlet cups to spotted moths
Of June, and glistening flies, and humming-birds,
To drink from, when on all these boundless lawns
The morning sun looks hot. Or let the wind
O'erturn in sport their ruddy brims, and pour
A sudden shower upon the strawberry plant,
To swell the reddening fruit that even now
Breathes a slight fragrance from the sunny slope.
But thou art of a gayer fancy. Well—
Let then the gentle Manitou of flowers,
Lingering amid the bloomy waste he loves,
Though all his swarthy worshippers are gone—
Slender and small, his rounded cheek all brown
And ruddy with the sunshine; let him come
On summer mornings, when the blossoms wake,
And part with little hands the spiky grass;
And touching, with his cherry lips, the edge
Of these bright beakers, drain the gathered dew.
The fresh savannas of the Sangamon
Rise gently, and the long grass
Is mixed with rustling hazels. Scarlet tufts
Glow in the green, like sparks of fire;
The wanderers of the prairie know them well,
And call that brilliant flower the Painted Cup.
Now, if you’re a poet, don’t tell me
That these bright cups were colored this way
To hold dew for fairies, when they meet
On moonlit evenings in the hazel groves,
And dance until they're thirsty. Don’t bring up,
In this fresh and untouched solitude,
The worn-out fantasies of a past world;
But let these scarlet cups belong to spotted moths
Of June, and glistening flies, and hummingbirds,
To sip from when the morning sun beats down
On all these endless lawns. Or let the wind
Knock over their bright rims for fun, and spill
A sudden shower on the strawberry plant,
To plump up the reddening fruit that even now
Releases a light fragrance from the sunny slope.
But you have a more cheerful imagination. Alright—
Let the gentle spirit of flowers,
Lingering among the blooming fields he loves,
Even though all his dark-skinned worshippers are gone—
Slender and small, his round cheek all brown
And flushed with sunshine; let him come
On summer mornings, when the flowers wake,
And with tiny hands part the prickly grass;
And touching, with his cherry lips, the edge
Of these bright cups, sip the gathered dew.
A DREAM.
I had a dream—a strange, wild dream—
Said a dear voice at early light;
And even yet its shadows seem
To linger in my waking sight.
Earth, green with spring, and fresh with dew,
And bright with morn, before me stood;
And airs just wakened softly blew
On the young blossoms of the wood.
Birds sang within the sprouting shade,
Bees hummed amid the whispering grass,
And children prattled as they played
Beside the rivulet's dimpling glass
Fast climbed the sun: the flowers were flown,
There played no children in the glen;
For some were gone, and some were grown
To blooming dames and bearded men.
'Twas noon, 'twas summer: I beheld
Woods darkening in the flush of day,
And that bright rivulet spread and swelled,
A mighty stream, with creek and bay.
And here was love, and there was strife,
And mirthful shouts, and wrathful cries,
And strong men, struggling as for life,
With knotted limbs and angry eyes.
Now stooped the sun—the shades grew thin;[Page 242]
The rustling paths were piled with leaves;
And sunburnt groups were gathering in,
From the shorn field, its fruits and sheaves.
The river heaved with sullen sounds;
The chilly wind was sad with moans;
Black hearses passed, and burial-grounds
Grew thick with monumental stones.
Still waned the day; the wind that chased
The jagged clouds blew chillier yet;
The woods were stripped, the fields were waste,
The wintry sun was near its set.
And of the young, and strong, and fair,
A lonely remnant, gray and weak,
Lingered, and shivered to the air
Of that bleak shore and water bleak.
Ah! age is drear, and death is cold!
I turned to thee, for thou wert near,
And saw thee withered, bowed, and old,
And woke all faint with sudden fear.
'Twas thus I heard the dreamer say,
And bade her clear her clouded brow;
"For thou and I, since childhood's day,
Have walked in such a dream till now.
"Watch we in calmness, as they rise,
The changes of that rapid dream,
And note its lessons, till our eyes
Shall open in the morning beam."
I had a dream—a strange, wild dream—
Said a dear voice at dawn;
And even now its shadows seem
To linger in my waking eyes.
The earth, green with spring and fresh with dew,
And bright with morning, stood before me;
And gentle breezes softly blew
On the young blossoms of the woods.
Birds sang in the budding shade,
Bees buzzed among the whispering grass,
And children chattered as they played
Beside the creek's sparkling surface.
The sun climbed higher: the flowers were gone,
There were no children in the glen;
For some had left, and some had grown
Into blooming women and bearded men.
It was noon, it was summer: I saw
The woods darkening in the heat of day,
And that bright creek spread and swelled,
A mighty stream, with brooks and bays.
And here was love, and there was conflict,
Joyful shouts, and angry cries,
And strong men, struggling for survival,
With tense muscles and fiery eyes.
Now the sun dipped low—the shadows grew thin;[Page 242]
The rustling paths were covered in leaves;
And sunburned groups were gathering in,
From the harvested field, its fruits and sheaves.
The river heaved with dull sounds;
The chilly wind was filled with sorrowful moans;
Black hearses passed, and graveyards
Became crowded with gravestones.
The day continued to fade; the wind that chased
The jagged clouds blew even colder;
The woods were bare, the fields were empty,
The wintry sun was close to setting.
And of the young, strong, and beautiful,
A lonely few, gray and weak,
Lingering, shivered in the air
Of that bleak shore and dreary water.
Ah! aging is bleak, and death is cold!
I turned to you, for you were near,
And saw you withered, bent, and old,
And woke feeling faint with sudden fear.
This is how I heard the dreamer say,
And urged her to clear her troubled brow;
"For you and I, since childhood's days,
Have walked in such a dream until now.
"Let’s watch calmly, as they rise,
The changes of that fleeting dream,
And note its lessons, until our eyes
Shall open in the morning light."
THE ANTIQUITY OF FREEDOM.
Here are old trees, tall oaks and gnarled pines,
That stream with gray-green mosses; here the ground
Was never trenched by spade, and flowers spring up
Unsown, and die ungathered. It is sweet
To linger here, among the flitting birds
And leaping squirrels, wandering brooks, and winds
That shake the leaves, and scatter, as they pass,
A fragrance from the cedars, thickly set
With pale blue berries. In these peaceful shades—
Peaceful, unpruned, immeasurably old—
My thoughts go up the long dim path of years,
Back to the earliest days of liberty.
Oh FREEDOM! thou art not, as poets dream,
A fair young girl, with light and delicate limbs,
And wavy tresses gushing from the cap
With which the Roman master crowned his slave
When he took off the gyves. A bearded man,
Armed to the teeth, art thou; one mailed hand
Grasps the broad shield, and one the sword; thy brow,
Glorious in beauty though it be, is scarred
With tokens of old wars; thy massive limbs
Are strong with struggling. Power at thee has launched
His bolts, and with his lightnings smitten thee;
They could not quench the life thou hast from heaven.[Page 244]
Merciless power has dug thy dungeon deep,
And his swart armorers, by a thousand fires,
Have forged thy chain; yet, while he deems thee bound,
The links are shivered, and the prison walls
Fall outward; terribly thou springest forth,
As springs the flame above a burning pile,
And shoutest to the nations, who return
Thy shoutings, while the pale oppressor flies.
Thy birthright was not given by human hands:
Thou wert twin-born with man. In pleasant fields,
While yet our race was few, thou sat'st with him,
To tend the quiet flock and watch the stars,
And teach the reed to utter simple airs.
Thou by his side, amid the tangled wood,
Didst war upon the panther and the wolf,
His only foes; and thou with him didst draw
The earliest furrows on the mountain side,
Soft with the deluge. Tyranny himself,
Thy enemy, although of reverend look,
Hoary with many years, and far obeyed,
Is later born than thou; and as he meets
The grave defiance of thine elder eye,
The usurper trembles in his fastnesses.
Thou shalt wax stronger with the lapse of years,
But he shall fade into a feebler age;
Feebler, yet subtler. He shall weave his snares,
And spring them on thy careless steps, and clap
His withered hands, and from their ambush call
His hordes to fall upon thee. He shall send
Quaint maskers, wearing fair and gallant forms,
To catch thy gaze, and uttering graceful words
To charm thy ear; while his sly imps, by stealth,
Twine round thee threads of steel, light thread on thread
That grow to fetters; or bind down thy arms[Page 245]
With chains concealed in chaplets. Oh! not yet
Mayst thou unbrace thy corslet, nor lay by
Thy sword; nor yet, O Freedom! close thy lids
In slumber; for thine enemy never sleeps,
And thou must watch and combat till the day
Of the new earth and heaven. But wouldst thou rest
Awhile from tumult and the frauds of men,
These old and friendly solitudes invite
Thy visit. They, while yet the forest trees
Were young upon the unviolated earth,
And yet the moss-stains on the rock were new,
Beheld thy glorious childhood, and rejoiced.
Here are old trees, tall oaks and twisted pines,
That stream with gray-green mosses; here the ground
Was never dug by a spade, and flowers spring up
Unplanted, and die unpicked. It is nice
To linger here, among the flitting birds
And leaping squirrels, wandering brooks, and winds
That shake the leaves and scatter, as they pass,
A fragrance from the cedars, thickly set
With pale blue berries. In these peaceful shades—
Peaceful, untrimmed, immeasurably old—
My thoughts go up the long dim path of years,
Back to the earliest days of freedom.
Oh FREEDOM! you are not, as poets dream,
A fair young girl, with light and delicate limbs,
And wavy hair flowing from the cap
With which the Roman master crowned his slave
When he took off the shackles. A bearded man,
Armed to the teeth, you are; one armored hand
Grasps the broad shield, and one the sword; your brow,
Glorious in beauty though it is, is scarred
With marks of old wars; your massive limbs
Are strong from struggle. Power has launched
His bolts at you, and with his lightnings struck you;
They could not extinguish the life you have from heaven.[Page 244]
Merciless power has dug your dungeon deep,
And his dark armorers, by a thousand fires,
Have forged your chain; yet, while he thinks you’re bound,
The links are shattered, and the prison walls
Fall outward; terribly you spring forth,
Like a flame above a burning pile,
And shout to the nations, who echo
Your calls, while the pale oppressor flees.
Your birthright was not given by human hands:
You were born alongside man. In pleasant fields,
While our race was still small, you sat with him,
To tend the quiet flock and watch the stars,
And teach the reed to play simple tunes.
You by his side, amid the tangled woods,
Fought the panther and the wolf,
His only foes; and you with him drew
The earliest furrows on the mountainside,
Soft from the flood. Tyranny himself,
Your enemy, though with a venerable look,
White with many years, and widely obeyed,
Is younger than you; and as he faces
The grave defiance of your elder eye,
The usurper trembles in his strongholds.
You will grow stronger with the passing years,
But he will fade into a weaker age;
Weaker, yet craftier. He will weave his traps,
And spring them on your careless steps, and clap
His withered hands, and from their hiding place call
His hordes to pounce on you. He will send
Cunning masqueraders, wearing charming and gallant forms,
To catch your eye, and uttering graceful words
To enchant your ear; while his sly minions, stealthily,
Twist around you threads of steel, light thread on thread
That grow to fetters; or bind your arms[Page 245]
With chains hidden in garlands. Oh! not yet
May you unfasten your armor, nor lay down
Your sword; nor yet, O Freedom! close your eyes
In sleep; for your enemy never sleeps,
And you must watch and fight until the day
Of the new earth and heaven. But if you would rest
A while from turmoil and the deceits of men,
These old and welcoming solitudes invite
Your visit. They, while the forest trees
Were young upon the untouched earth,
And while the moss stains on the rock were fresh,
Beheld your glorious childhood and rejoiced.
THE MAIDEN'S SORROW.
Seven long years has the desert rain
Dropped on the clods that hide thy face;
Seven long years of sorrow and pain
have thought of thy burial-place.
Thought of thy fate in the distant west,
Dying with none that loved thee near;
They who flung the earth on thy breast
Turned from the spot williout a tear.
There, I think, on that lonely grave,
Violets spring in the soft May shower;
There, in the summer breezes, wave
Crimson phlox and moccasin flower.
There the turtles alight, and there
Feeds with her fawn the timid doe;
There, when the winter woods are bare,
Walks the wolf on the crackling snow.
Soon wilt thou wipe my tears away;
All my task upon earth is done;
My poor father, old and gray,
Slumbers beneath the churchyard stone.
In the dreams of my lonely bed,
Ever thy form before me seems;
All night long I talk with the dead,
All day long I think of my dreams.
This deep wound that bleeds and aches,
This long pain, a sleepless pain—
When the Father my spirit takes,
I shall feel it no more again.
Seven long years has the desert rain
Poured down on the earth that hides your face;
Seven long years of sorrow and pain
Have made me think of your burial place.
Thoughts of your fate in the distant west,
Dying with no one who loved you near;
The ones who threw dirt on your chest
Turned away from the spot without a tear.
There, I believe, on that lonely grave,
Violets bloom in the soft May rain;
There, in the summer breezes, wave
Crimson phlox and moccasin flower.
There the turtles land, and there
Feeds with her fawn the shy doe;
There, when the winter woods are bare,
Walks the wolf on the crackling snow.
Soon you will wipe my tears away;
All my tasks on earth are done;
My poor father, old and gray,
Rests beneath the churchyard stone.
In the dreams of my empty bed,
Your figure always seems to appear;
All night long I talk with the dead,
All day long I think of my dreams.
This deep wound that bleeds and aches,
This long pain, a sleepless pain—
When the Father takes my spirit away,
I won’t feel it anymore again.
THE RETURN OF YOUTH.
My friend, thou sorrowest for thy golden prime,
For thy fair youthful years too swift of flight;
Thou musest, with wet eyes, upon the time
Of cheerful hopes that filled the world with light,—
Years when thy heart was bold, thy hand was strong,
And quick the thought that moved thy tongue to speak,
And willing faith was thine, and scorn of wrong
Summoned the sudden crimson to thy cheek.
Thou lookest forward on the coming days,
Shuddering to feel their shadow o'er thee creep;
A path, thick-set with changes and decays,
Slopes downward to the place of common sleep;
And they who walked with thee in life's first stage,
Leave one by one thy side, and, waiting near,
Thou seest the sad companions of thy age—
Dull love of rest, and weariness and fear.
Yet grieve thou not, nor think thy youth is gone,
Nor deem that glorious season e'er could die.
Thy pleasant youth, a little while withdrawn,
Waits on the horizon of a brighter sky;
Waits, like the morn, that folds her wing and hides,[Page 248]
Till the slow stars bring back her dawning hour;
Waits, like the vanished spring, that slumbering bides
Her own sweet time to waken bud and flower.
There shall he welcome thee, when thou shalt stand
On his bright morning hills, with smiles more sweet
Than when at first he took thee by the hand,
Through the fair earth to lead thy tender feet.
He shall bring back, but brighter, broader still,
Life's early glory to thine eyes again,
Shall clothe thy spirit with new strength, and fill
Thy leaping heart with warmer love than then.
Hast thou not glimpses, in the twilight here,
Of mountains where immortal morn prevails?
Comes there not, through the silence, to thine ear
A gentle rustling of the morning gales;
A murmur, wafted from that glorious shore,
Of streams that water banks for ever fair,
And voices of the loved ones gone before,
More musical in that celestial air?
My friend, you mourn for your golden years,
For your beautiful youth that flew by too fast;
You reflect, with tearful eyes, on the time
Of hopeful dreams that lit up the world,—
Years when your heart was brave, your hand was strong,
And your quick thoughts flowed easily to your lips,
When you had a willing faith and a disdain for wrong
That brought quick color to your cheeks.
You look ahead to the days to come,
Dreading the shadow that creeps over you;
A path, filled with changes and declines,
Slopes downward to the place of eternal rest;
And those who walked with you in your early years,
Leave your side one by one, and waiting nearby,
You see the sad friends of your age—
A dull longing for rest, and weariness and fear.
But don’t grieve, nor think your youth is lost,
Nor believe that glorious time could ever die.
Your joyful youth, just temporarily gone,
Awaits on the horizon of a brighter sky;
It waits, like the morning, that folds its wing and hides,[Page 248]
Until the slow stars bring back its dawning hour;
It waits, like the vanished spring, that quietly bides
Its own sweet time to awaken bud and flower.
There it will welcome you, when you stand
On its bright morning hills, with smiles sweeter
Than when it first took you by the hand,
To lead your gentle feet through the beautiful earth.
It will return, but brighter and still broader,
Life’s early glory to your eyes once more,
Will clothe your spirit with new strength, and fill
Your eager heart with warmer love than before.
Have you not seen, in the twilight here,
Glimpses of mountains where eternal morning reigns?
Does a gentle rustling of the morning winds
Not reach your ears through the silence;
A murmur, carried from that glorious shore,
Of streams that flow along ever-fair banks,
And voices of loved ones who have gone ahead,
More musical in that heavenly air?
A HYMN OF THE SEA.
The sea is mighty, but a mightier sways
His restless billows. Thou, whose hands have scooped
His boundless gulfs and built his shore, thy breath,
That moved in the beginning o'er his face,
Moves o'er it evermore. The obedient waves
To its strong motion roll, and rise and fall.
Still from that realm of rain thy cloud goes up,
As at the first, to water the great earth,
And keep her valleys green. A hundred realms
Watch its broad shadow warping on the wind,
And in the dropping shower, with gladness hear
Thy promise of the harvest. I look forth
Over the boundless blue, where joyously
The bright crests of innumerable waves
Glance to the sun at once, as when the hands
Of a great multitude are upward flung
In acclamation. I behold the ships
Gliding from cape to cape, from isle to isle,
Or stemming toward far lands, or hastening home
From the old world. It is thy friendly breeze
That bears them, with the riches of the land,
And treasure of dear lives, till, in the port,
The shouting seaman climbs and furls the sail.
But who shall bide thy tempest, who shall face
The blast that wakes the fury of the sea?
Oh God! thy justice makes the world turn pale,
When on the armed fleet, that royally
Bears down the surges, carrying war, to smite
Some city, or invade some thoughtless realm,
Descends the fierce tornado. The vast hulks
Are whirled like chaff upon the waves; the sails
Fly, rent like webs of gossamer; the masts [Page 250]
Are snapped asunder; downward from the decks,
Downward are slung, into the fathomless gulf,
Their cruel engines; and their hosts, arrayed
In trappings of the battle-field, are whelmed
By whirlpools, or dashed dead upon the rocks.
Then stand the nations still with awe, and pause,
A moment, from the bloody work of war.
These restless surges eat away the shores
Of earth's old continents; the fertile plain
Welters in shallows, headlands crumble down,
And the tide drifts the sea-sand in the streets
Of the drowned city. Thou, meanwhile, afar
In the green chambers of the middle sea,
Where broadest spread the waters and the line
Sinks deepest, while no eye beholds thy work,
Creator! thou dost teach the coral worm
To lay his mighty reefs. From age to age,
He builds beneath the waters, till, at last,
His bulwarks overtop the brine, and check
The long wave rolling from the southern pole
To break upon Japan. Thou bid'st the fires,
That smoulder under ocean, heave on high
The new-made mountains, and uplift their peaks,
A place of refuge for the storm-driven bird.
The birds and wafting billows plant the rifts
With herb and tree; sweet fountains gush; sweet airs
Ripple the living lakes that, fringed with flowers,
Are gathered in the hollows. Thou dost look
On thy creation and pronounce it good.
Its valleys, glorious with their summer green,
Praise thee in silent beauty, and its woods,
Swept by the murmuring winds of ocean, join
The murmuring shores in a perpetual hymn.
The sea is powerful, but a greater force controls
Its restless waves. You, who have shaped
Its vast depths and formed its shores, your breath,
That moved over its surface in the beginning,
Continues to stir it forever. The waves
Follow its strong direction, rolling, rising, and falling.
Still from that realm of rain, your clouds rise,
Just like at first, to nourish the great earth,
And keep her valleys green. A hundred regions
Watch its broad shadow shifting with the wind,
And in the falling rain, joyfully hear
Your promise of the harvest. I gaze out
Over the endless blue, where joyfully
The bright tips of countless waves
Sparkle in the sun, like hands
Of a large crowd raised in cheers.
I see the ships
Sailing from cape to cape, from island to island,
Or heading toward distant lands, or rushing home
From the old world. It is your friendly breeze
That carries them, with the treasures of the land,
And the lives of loved ones, until, in the harbor,
The cheering sailor climbs aboard and stows the sail.
But who can endure your storm, who can face
The wind that unleashes the wrath of the sea?
Oh God! your justice makes the world shudder,
When on the armed fleet, that proudly
Crashes through the waves, carrying war, to attack
Some city, or invade an unprepared land,
Descends the fierce tornado. The massive ships
Are tossed like chaff on the waves; the sails
Tear apart like delicate threads; the masts [Page 250]
Are snapped in two; down from the decks,
Down they plunge, into the bottomless abyss,
Their deadly engines; and their crews, dressed
In battle gear, are overwhelmed
By whirlpools, or smashed against the rocks.
Then nations stand still in awe, and pause,
Briefly, from the bloody business of war.
These restless waves erode the shores
Of the world’s ancient continents; the fertile land
Sinks in shallows, cliffs crumble away,
And the tide drags the sea-sand into the streets
Of the sunken city. You, meanwhile, far away
In the green depths of the mid-sea,
Where the waters span widest and the depth
Is greatest, while no one sees your work,
Creator! you teach the coral to
Build its mighty reefs. From generation to generation,
It constructs beneath the waves, until, at last,
Its barriers rise above the ocean, holding back
The long waves rolling from the southern pole
To crash upon Japan. You command the fires,
That smolder under the ocean, to push up
The newly formed mountains and raise their peaks,
Offering refuge for storm-tossed birds.
The birds and drifting waves fill the gaps
With plants and trees; sweet springs flow; gentle breezes
Stir the living lakes that, lined with flowers,
Gather in the hollows. You look
Upon your creation and declare it good.
Its valleys, vibrant with summer green,
Praise you in silent beauty, and its forests,
Ruffled by the murmuring winds of the ocean, join
The whispering shores in a continuous song.
NOON.°
FROM AN UNFINISHED POEM.
'Tis noon. At noon the Hebrew bowed the knee
And worshipped, while the husbandmen withdrew
From the scorched field, and the wayfaring man
Grew faint, and turned aside by bubbling fount,
Or rested in the shadow of the palm.
I, too, amid the overflow of day,
Behold the power which wields and cherishes
The frame of Nature. From this brow of rock
That overlooks the Hudson's western marge,
I gaze upon the long array of groves,
The piles and gulfs of verdure drinking in
The grateful heats. They love the fiery sun;
Their broadening leaves grow glossier, and their sprays
Climb as he looks upon them. In the midst,
The swelling river, into his green gulfs,
Unshadowed save by passing sails above,
Takes the redundant glory, and enjoys
The summer in his chilly bed. Coy flowers,
That would not open in the early light,
Push back their plaited sheaths. The rivulet's pool,
That darkly quivered all the morning long
In the cool shade, now glimmers in the sun;
And o'er its surface shoots, and shoots again,
The glittering dragon-fly, and deep within
Run the brown water-beetles to and fro.
A silence, the brief sabbath of an hour,
Reigns o'er the fields; the laborer sits within
His dwelling; he has left his steers awhile,
Unyoked, to bite the herbage, and his dog
Sleeps stretched beside the door-stone in the shade.[Page 252]
Now the grey marmot, with uplifted paws,
No more sits listening by his den, but steals
Abroad, in safety, to the clover field,
And crops its juicy blossoms. All the while
A ceaseless murmur from the populous town
Swells o'er these solitudes: a mingled sound
Of jarring wheels, and iron hoofs that clash
Upon the stony ways, and hammer-clang,
And creak of engines lifting ponderous bulks,
And calls and cries, and tread of eager feet,
Innumerable, hurrying to and fro.
Noon, in that mighty mart of nations, brings
No pause to toil and care. With early day
Began the tumult, and shall only cease
When midnight, hushing one by one the sounds
Of bustle, gathers the tired brood to rest.
Thus, in this feverish time, when love of gain
And luxury possess the hearts of men,
Thus is it with the noon of human life.
We, in our fervid manhood, in our strength
Of reason, we, with hurry, noise, and care,
Plan, toil, and strife, and pause not to refresh
Our spirits with the calm and beautiful
Of God's harmonious universe, that won
Our youthful wonder; pause not to inquire
Why we are here; and what the reverence
Man owes to man, and what the mystery
That links us to the greater world, beside
Whose borders we but hover for a space.
It's noon. At noon the Hebrew kneeled
And worshipped, while the farmers stepped away
From the scorched fields, and the weary traveler
Grew faint and turned aside to a bubbling spring,
Or rested in the shade of a palm tree.
I, too, in the abundance of day,
See the force that shapes and nurtures
The natural world. From this rocky overlook
That watches over the western edge of the Hudson,
I gaze at the long lines of groves,
The dense greenery soaking up
The warm sunlight. They thrive in the blazing sun;
Their expanding leaves become shinier, and their branches
Reach higher as he gazes down at them. In the center,
The swelling river, into its green depths,
Only shaded by passing sails above,
Absorbs the overflowing glory and enjoys
The summer in its cool waters. Shy flowers,
That wouldn’t open in the morning light,
Push back their folded leaves. The little stream's pool,
That trembled darkly all morning
In the cool shade, now sparkles in the sun;
And over its surface darts, and darts again,
The sparkling dragonfly, and deep within
The brown water beetles scurry back and forth.
A silence, the brief pause of an hour,
Covers the fields; the laborer sits inside
His home; he has left his oxen for a while,
Unyoked, to graze on the grass, and his dog
Snoozes stretched out beside the doorway in the shade.[Page 252]
Now the gray groundhog, with raised paws,
No longer sits listening by his burrow but ventures
Safely out to the clover field,
And munches on its juicy blooms. All the while,
A constant murmur from the bustling town
Rises over these quiet spaces: a mixed sound
Of clattering wheels, and iron hooves that clash
On the rocky paths, and the clang of hammers,
And the creaking of machines lifting heavy loads,
And calls and shouts, and the hurried footsteps,
Countless, rushing back and forth.
Noon, in that great hub of nations, brings
No break from labor and worry. The uproar began
With the early day and will only stop
When midnight, quieting one by one the noises
Of activity, gathers the exhausted crowd to rest.
Thus, in this frenzied time, when the pursuit of wealth
And luxury consume the hearts of people,
This is how it feels at the noon of human life.
We, in our passionate youth, in our strength
Of reason, we, filled with hurry, noise, and worry,
Plan, struggle, and fight, and don’t take a moment to refresh
Our spirits with the calm and beauty
Of God’s harmonious universe, that once
Filled us with youthful wonder; we don’t pause to ask
Why we are here; and what respect
We owe to one another, and what the mystery
That connects us to the greater world, beyond
Whose borders we only hover for a brief time.
THE CROWDED STREET.
Let me move slowly through the street,
Filled with an ever-shifting train,
Amid the sound of steps that beat
The murmuring walks like autumn rain.
How fast the flitting figures come!
The mild, the fierce, the stony face;
Some bright with thoughtless smiles, and some
Where secret tears have left their trace.
They pass—to toil, to strife, to rest;
To halls in which the feast is spread;
To chambers where the funeral guest
In silence sits beside the dead.
And some to happy homes repair,
Where children, pressing cheek to cheek,
With mute caresses shall declare
The tenderness they cannot speak.
And some, who walk in calmness here,
Shall shudder as they reach the door
Where one who made their dwelling dear,
Its flower, its light, is seen no more.
Youth, with pale cheek and slender frame,[Page 254]
And dreams of greatness in thine eye!
Goest thou to build an early name,
Or early in the task to die?
Keen son of trade, with eager brow!
Who is now fluttering in thy snare?
Thy golden fortunes, tower they now,
Or melt the glittering spires in air?
Who of this crowd to-night shall tread
The dance till daylight gleam again?
Who sorrow o'er the untimely dead?
Who writhe in throes of mortal pain?
Some, famine-struck, shall think how long
The cold dark hours, how slow the light,
And some, who flaunt amid the throng,
Shall hide in dens of shame to-night.
Each, where his tasks or pleasures call,
They pass, and heed each other not.
There is who heeds, who holds them all,
In his large love and boundless thought.
These struggling tides of life that seem
In wayward, aimless course to tend,
Are eddies of the mighty stream
That rolls to its appointed end.
Let me stroll slowly down the street,
Filled with an ever-changing crowd,
Amid the sound of footsteps that echo
Along the sidewalks like autumn rain.
How quickly the fleeting figures arrive!
The gentle, the fierce, the stoic face;
Some bright with carefree smiles, and some
Where hidden tears have left their mark.
They pass—to work, to struggle, to relax;
To halls where a feast is laid out;
To rooms where the funeral guest
Sits silently beside the deceased.
And some return to joyful homes,
Where children, pressing cheek to cheek,
With quiet affection declare
The love they cannot express.
And some, who walk calmly here,
Shall shudder as they reach the door
Where one who made their home precious,
Its flower, its light, is gone.
Youth, with pale skin and slender frame,[Page 254]
And dreams of greatness in your eye!
Are you going to make a name for yourself early,
Or will you die early in the effort?
Sharp-minded tradesperson, with eager brow!
Who is now trapped in your snare?
Are your golden fortunes rising now,
Or do the glittering towers fade away?
Who in this crowd tonight will dance
Until daylight shines again?
Who will mourn for the untimely dead?
Who will writhe in the agony of pain?
Some, starving, will think about how long
The cold dark hours last, how slow the light,
And some, who strut among the crowd,
Will hide in shameful places tonight.
Each, where their tasks or pleasures call,
They pass, unaware of one another.
There is one who notices, who embraces them all,
In his immense love and limitless thought.
These struggling currents of life that seem
To wander in aimless paths,
Are whirlpools of the mighty stream
That flows toward its destined end.
THE WHITE-FOOTED DEER.°
It was a hundred years ago,
When, by the woodland ways,
The traveller saw the wild deer drink,
Or crop the birchen sprays.
Beneath a hill, whose rocky side
O'erbrowed a grassy mead,
And fenced a cottage from the wind,
A deer was wont to feed.
She only came when on the cliffs
The evening moonlight lay,
And no man knew the secret haunts
In which she walked by day.
White were her feet, her forehead showed
A spot of silvery white,
That seemed to glimmer like a star
In autumn's hazy night.
And here, when sang the whippoorwill,
She cropped the sprouting leaves,
And here her rustling steps were heard
On still October eves.
But when the broad midsummer moon[Page 256]
Rose o'er that grassy lawn,
Beside the silver-footed deer
There grazed a spotted fawn.
The cottage dame forbade her son
To aim the rifle here;
"It were a sin," she said, "to harm
Or fright that friendly deer.
"This spot has been my pleasant home
Ten peaceful years and more;
And ever, when the moonlight shines,
She feeds before our door.
"The red men say that here she walked
A thousand moons ago;
They never raise the war-whoop here,
And never twang the bow.
"I love to watch her as she feeds,
And think that all is well
While such a gentle creature haunts
The place in which we dwell."
The youth obeyed, and sought for game
In forests far away,
Where, deep in silence and in moss,
The ancient woodland lay.
But once, in autumn's golden time,
He ranged the wild in vain,
Nor roused the pheasant nor the deer,
And wandered home again.
The crescent moon and crimson eve[Page 257]
Shone with a mingling light;
The deer, upon the grassy mead,
Was feeding full in sight.
He raised the rifle to his eye,
And from the cliffs around
A sudden echo, shrill and sharp,
Gave back its deadly sound.
Away into the neighbouring wood
The startled creature flew,
And crimson drops at morning lay
Amid the glimmering dew.
Next evening shone the waxing moon
As sweetly as before;
The deer upon the grassy mead
Was seen again no more.
But ere that crescent moon was old,
By night the red men came,
And burnt the cottage to the ground,
And slew the youth and dame.
Now woods have overgrown the mead,
And hid the cliffs from sight;
There shrieks the hovering hawk at noon,
And prowls the fox at night.
It was a hundred years ago,
When, along the forest paths,
The traveler saw the wild deer drinking,
Or nibbling the birch branches.
Beneath a hill, whose rocky side
Loomed over a grassy meadow,
And sheltered a cottage from the wind,
A deer used to feed.
She only came when the evening moonlight
Layed over the cliffs,
And no one knew the secret places
Where she roamed during the day.
Her feet were white, and her forehead had
A patch of silvery white,
That sparkled like a star
In the hazy autumn night.
And here, when the whippoorwill sang,
She nibbled on sprouting leaves,
And here her rustling footsteps were heard
On quiet October evenings.
But when the bright midsummer moon[Page 256]
Rose over that grassy lawn,
Next to the silver-footed deer
A spotted fawn grazed.
The cottage woman told her son
Not to aim the rifle here;
"It would be a sin," she said, "to harm
Or scare that friendly deer.
"This place has been my happy home
For ten peaceful years and more;
And always, when the moonlight shines,
She feeds right outside our door.
"The Native Americans say that here she roamed
A thousand moons ago;
They never raised the war cry here,
And never drew the bow.
"I love to watch her as she eats,
And feel that all is well
While such a gentle creature visits
The place where we dwell."
The young man obeyed and searched for game
In forests far away,
Where, deep in silence and moss,
The ancient woods lay.
But once, in the golden autumn,
He wandered the wilds in vain,
Neither pheasant nor deer stirred,
And he came home again.
The crescent moon and crimson evening[Page 257]
Shone with a mingling light;
The deer, in the grassy meadow,
Was feeding right in sight.
He raised the rifle to his eye,
And from the surrounding cliffs
A sudden echo, sharp and shrill,
Returned its deadly sound.
Into the nearby woods
The startled creature fled,
And crimson drops lay in the morning
Amid the glimmering dew.
The next evening the waxing moon
Shone as sweetly as before;
The deer in the grassy meadow
Was never seen again.
But before that crescent moon was old,
The Native Americans came at night,
And burned the cottage to the ground,
Killing the young man and woman.
Now the woods have overgrown the meadow,
And hidden the cliffs from view;
There, the hawk shrieks at noon,
And the fox prowls at night.
THE WANING MOON.
I've watched too late; the morn is near;
One look at God's broad silent sky!
Oh, hopes and wishes vainly dear,
How in your very strength ye die!
Even while your glow is on the cheek,
And scarce the high pursuit begun,
The heart grows faint, the hand grows weak,
The task of life is left undone.
See where upon the horizon's brim,
Lies the still cloud in gloomy bars;
The waning moon, all pale and dim,
Goes up amid the eternal stars.
Late, in a flood of tender light,
She floated through the ethereal blue,
A softer sun, that shone all night
Upon the gathering beads of dew.
And still thou wanest, pallid moon!
The encroaching shadow grows apace;
Heaven's everlasting watchers soon
Shall see thee blotted from thy place.
Oh, Night's dethroned and crownless queen![Page 259]
Well may thy sad, expiring ray
Be shed on those whose eyes have seen
Hope's glorious visions fade away.
Shine thou for forms that once were bright,
For sages in the mind's eclipse,
For those whose words were spells of might,
But falter now on stammering lips!
In thy decaying beam there lies
Full many a grave on hill and plain,
Of those who closed their dying eyes
In grief that they had lived in vain.
Another night, and thou among
The spheres of heaven shalt cease to shine,
All rayless in the glittering throng
Whose lustre late was quenched in thine.
Yet soon a new and tender light
From out thy darkened orb shall beam,
And broaden till it shines all night
On glistening dew and glimmering stream.
I've watched for too long; morning is coming;
Just one look at God's vast, silent sky!
Oh, hopes and dreams that are dearly futile,
How in your very strength you fade away!
Even while your glow is on my cheek,
And hardly has the high pursuit begun,
The heart grows weak, the hand grows tired,
The task of life remains undone.
Look where on the horizon's edge,
The still cloud lies in gloomy strips;
The fading moon, so pale and dim,
Rises among the eternal stars.
Late, in a flood of gentle light,
She floated through the ethereal blue,
A softer sun, shining all night
On gathering drops of dew.
And still you fade, pale moon!
The creeping shadow grows quickly;
Heaven's eternal watchers soon
Will see you vanished from your place.
Oh, Night's dethroned and crownless queen![Page 259]
Your sad, dying ray
May shine on those whose eyes have seen
Hope's glorious visions disappear.
Shine for forms that once were bright,
For wise ones in the mind's darkness,
For those whose words were powerful spells,
But now stumble on faltering lips!
In your fading light lies
Countless graves on hill and plain,
Of those who closed their dying eyes
In sorrow that they lived in vain.
Another night, and you will no longer shine
Among the heavenly spheres,
All rayless in the glittering crowd
Whose brightness was once extinguished by you.
Yet soon a new and gentle light
From your darkened orb will shine,
And spread until it shines all night
On glistening dew and shimmering stream.
THE STREAM OF LIFE.
Oh silvery streamlet of the fields,
That flowest full and free!
For thee the rains of spring return,
The summer dews for thee;
And when thy latest blossoms die
In autumn's chilly showers,
The winter fountains gush for thee,
Till May brings back the flowers.
Oh Stream of Life! the violet springs
But once beside thy bed;
But one brief summer, on thy path,
The dews of heaven are shed.
Thy parent fountains shrink away,
And close their crystal veins,
And where thy glittering current flowed
The dust alone remains.
Oh, silvery stream of the fields,
That flows full and free!
For you, the spring rains come back,
The summer dew is for you;
And when your last blooms fade
In autumn's chilly showers,
The winter springs flow for you,
Until May brings back the flowers.
Oh Stream of Life! The violet blooms
But once by your side;
Just one brief summer, on your path,
The dews of heaven fall.
Your parent springs dry up,
And close their crystal veins,
And where your sparkling waters flowed
Only dust remains.
NOTES
NOTES.
(Click the poem's Name to return to the Poem)
(Click the poem's Name to go back to the Poem)
Page 1.
POEM OF THE AGES.
In this poem, written and first printed in the year 1821, the author has endeavoured, from a survey of the past ages of the world, and of the successive advances of mankind in knowledge, virtue, and happiness, to justify and confirm the hopes of the philanthropist for the future destinies of the human race.
In this poem, written and first published in 1821, the author has attempted, by looking back at the past ages of the world and the continued progress of humanity in knowledge, goodness, and happiness, to support and validate the philanthropist's hopes for the future of the human race.
Page 29.
THE BURIAL-PLACE.
The first half of this fragment may seem to the reader borrowed from the essay on Rural Funerals in the fourth number of the Sketch-Book. The lines were, however, written more than a year before that number appeared. The poem, unfinished as it is, would not have been admitted into this collection, had not the author been unwilling to lose what had the honour of resembling so beautiful a composition.
The first half of this fragment might seem to the reader to be taken from the essay on Rural Funerals in the fourth issue of the Sketch-Book. However, these lines were actually written more than a year before that issue came out. Although the poem is unfinished, it would not have been included in this collection if the author had not been reluctant to lose what could be compared to such a beautiful piece.
Page 40..
THE MASSACRE AT SCIO.
This poem, written about the time of the horrible butchery of the Sciotes by the Turks, in 1824, has been more fortunate than most poetical predictions. The independence of the Greek nation, which it foretold, has come to pass, and the massacre, by inspiring a deeper detestation of their oppressors, did much to promote that event.
This poem, written around the time of the terrible massacre of the Sciotes by the Turks in 1824, has been luckier than most poetic predictions. The independence of the Greek nation, which it predicted, has actually happened, and the massacre, by fueling a stronger hatred for their oppressors, played a significant role in bringing that outcome about.
Page 41.
THE INDIAN GIRL'S LAMENT.
Her maiden veil, her own black hair, &c.
Her wedding veil, her own black hair, &c.
"The unmarried females have a modest falling down of the hair over the eyes."—ELIOT.
"The single women have a slight fall of hair over their eyes."—ELIOT.
Page 65.
MONUMENT MOUNTAIN.
The mountain, called by this name, is a remarkable precipice in Great Barrington, overlooking the rich and picturesque valley of the Housatonic, in the western part of Massachusetts. At the southern extremity is, or was a few years since, a conical pile of small stones, erected, according to the tradition of the surrounding country, by the Indians, in memory of a woman of the Stockbridge tribe, who killed herself by leaping from the edge of the precipice. Until within a few years past, small parties of that tribe used to arrive from their settlement in the western part of the state of New York, on visits to Stockbridge, the place of their nativity and former residence. A young woman belonging to one of these parties related, to a friend of the author, the story on which the poem of Monument Mountain is founded. An Indian girl had formed an attachment for her cousin, which, according to the customs of the tribe, was unlawful. She was, in consequence, seized with a deep melancholy, and resolved to destroy herself. In company with a female friend, she repaired to the mountain, decked out for the occasion in all her ornaments, and, after passing the day on the summit in singing with her companion the traditional songs of her nation, she threw herself headlong from the rock, and was killed.
The mountain, known by this name, is an impressive cliff in Great Barrington, overlooking the beautiful and lush valley of the Housatonic in western Massachusetts. At the southern end, there used to be a conical pile of small stones, built, according to local tradition, by the Indians in memory of a woman from the Stockbridge tribe who took her own life by jumping off the cliff. Until a few years ago, small groups from that tribe would travel from their settlement in western New York to visit Stockbridge, their birthplace and former home. A young woman from one of these groups shared with a friend of the author the story that inspired the poem "Monument Mountain." An Indian girl had fallen in love with her cousin, which, according to the tribe's customs, was forbidden. As a result, she fell into deep sadness and decided to end her life. Accompanied by a female friend, she went to the mountain, adorned for the occasion in all her jewelry. After spending the day on the summit singing traditional songs with her friend, she jumped off the rock and died.
Page 79.
THE MURDERED TRAVELLER.
Some years since, in the month of May, the remains of a human body, partly devoured by wild animals, were found in a woody ravine, near a solitary road passing between the mountains west of the village of Stockbridge. It was supposed that the person came to his death by violence, but no traces could be discovered of his murderers. It was only recollected that one evening, in the course of the previous winter, a traveller had stopped at an inn in the village of West Stockbridge; that he had inquired the way to [Page 265] Stockbridge; and that, in paying the innkeeper for something he had ordered, it appeared that he had a considerable sum of money in his possession. Two ill-looking men were present, and went out about the same time that the traveller proceeded on his journey. During the winter, also, two men of shabby appearance, but plentifully supplied with money, had lingered for awhile about the village of Stockbridge. Several years afterward, a criminal, about to be executed for a capital offence in Canada, confessed that he had been concerned in murdering a traveller in Stockbridge for the sake of his money. Nothing was ever discovered respecting the name or residence of the person murdered.
Some years ago, in May, the remains of a human body, partly eaten by wild animals, were found in a wooded ravine near a lonely road that runs between the mountains west of the village of Stockbridge. It was believed that the person had died from violence, but no clues were found about the murderers. It was only recalled that one evening, during the previous winter, a traveler had stopped at an inn in the village of West Stockbridge; he had asked for directions to [Page 265] Stockbridge and, when paying the innkeeper for something he had ordered, it seemed he had a large amount of money with him. Two shady-looking men were nearby and left around the same time the traveler continued on his journey. That winter, two shabby men, but with plenty of cash, had also hung around the village of Stockbridge for a while. Several years later, a criminal about to be executed for a serious crime in Canada confessed that he had been involved in the murder of a traveler in Stockbridge for his money. Nothing was ever discovered about the name or home of the murdered person.
Page 118.
THE AFRICAN CHIEF.
Chained in the market place he stood, &c.
Chained in the marketplace he stood, &c.
The story of the African Chief, related in this ballad, may be found in the African Repository for April, 1825. The subject of it was a warrior of majestic stature, the brother of Yarradee, king of the Solima nation. He had been taken in battle, and was brought in chains for sale to the Rio Pongas, where he was exhibited in the market-place, his ankles still adorned with the massy rings of gold which he wore when captured. The refusal of his captor to listen to his offers of ransom drove him mad, and he died a maniac.
The story of the African Chief, described in this ballad, can be found in the African Repository from April 1825. The main character was a tall warrior, the brother of Yarradee, king of the Solima nation. He had been captured in battle and was brought in chains to the Rio Pongas, where he was displayed in the marketplace, his ankles still adorned with the heavy gold rings he wore when he was captured. His captor's refusal to consider his ransom offers drove him insane, and he died a maniac.
Page 131.
THE CONJUNCTION OF JUPITER AND VENUS.
This conjunction was said in the common calendars to have taken place on the 2d of August, 1826. This, I believe, was an error, but the apparent approach of the planets was sufficiently near for poetical purposes.
This conjunction was noted in the popular calendars to have occurred on August 2, 1826. I think this was a mistake, but the planets were close enough for poetic reasons.
Page 137.
THE HURRICANE.
This poem is nearly a translation from one by José Maria de Heredia, a native of the Island of Cuba, who published at New York, six or seven years since, a volume of poems in the Spanish language.
This poem is almost a translation of one by José Maria de Heredia, who was from Cuba and published a collection of poems in Spanish in New York about six or seven years ago.
Page 139.
SONNET—WILLIAM TELL.
Neither this, nor any of the other sonnets in the collection, with the exception of the one from the Portuguese, is framed according to the legitimate Italian model, which, in the author's opinion, possesses no peculiar beauty for an ear accustomed only to the metrical forms of our own language. The sonnets in this collection are rather poems in fourteen lines than sonnets.
Neither this nor any of the other sonnets in the collection, except for the one from the Portuguese, follows the proper Italian structure, which, in the author's view, doesn’t hold any unique beauty for someone used to the rhythmic patterns of our own language. The sonnets in this collection are more like poems made up of fourteen lines than traditional sonnets.
Page 140.
THE HUNTER'S SERENADE
The slim papaya ripens, &c.
The ripe papaya is slim.
Papaya—papaw, custard-apple. Flint, in his excellent work on the Geography and History of the Western States, thus describes this tree and its fruit:—
Papaya—papaw, custard-apple. Flint, in his great work on the Geography and History of the Western States, describes this tree and its fruit like this:—
"A papaw shrub, loaded with fruit that's so large and heavy compared to its stem, surrounded by long, lush leaves that are the same yellow as the ripe fruit, and displaying a rich African growth, is one of the most beautiful sights we've ever seen in the woods. The fruit has two to six seeds, similar to tamarind seeds but twice the size. The pulp of the fruit looks and feels like egg custard. It has a creamy texture in the mouth and combines flavors of eggs, cream, sugar, and spice. It's a natural custard, too rich for most people's taste."
Chateaubriand, in his Travels, speaks disparagingly of the fruit of the papaw; but on the authority of Mr. Flint, who must know more of the matter, I have ventured to make my western lover enumerate it among the delicacies of the wilderness.
Chateaubriand, in his Travels, speaks dismissively of the papaw fruit; however, based on Mr. Flint's insights, who surely knows better, I've decided to have my western lover list it among the wilderness delicacies.
Page 156.
THE PRAIRIES
The surface rolls and fluctuates to the eye.
The surface moves and shifts before your eyes.
The prairies of the West, with an undulating surface, rolling prairies, as they are called, present to the unaccustomed eye a singular spectacle when the shadows of the clouds are passing rapidly over them. The face of the ground seems to fluctuate and toss like the billows of the sea.
The prairies of the West, with their rolling hills, offer a unique sight to those who aren't used to them when the shadows of the clouds move quickly overhead. The ground appears to sway and undulate like the waves of the ocean.
Page 156.
The prairie-hawk that, poised on high,
Flaps his broad wings, yet moves not.
The prairie hawk that, perched up high,
Flaps its wide wings, yet doesn’t move.
I have seen the prairie-hawk balancing himself in the air for hours together, apparently over the same spot; probably watching his prey.
I have watched the prairie hawk hovering in the air for hours, seemingly over the same spot, probably keeping an eye on its prey.
Page 157.
These ample fields
Nourished their harvests.
These vast fields
Nourished their crops.
The size and extent of the mounds in the valley of the Mississippi, indicate the existence, at a remote period, of a nation at once populous and laborious, and therefore probably subsisting by agriculture.
The size and extent of the mounds in the valley of the Mississippi suggest that at some point in the past, there was a nation that was both large in number and hardworking, likely surviving through agriculture.
Page 158.
The rude conquerors
Seated the captive with their chiefs.
The harsh conquerors
Placed the captive among their leaders.
Instances are not wanting of generosity like this among the North American Indians towards a captive or survivor of a hostile tribe on which the greatest cruelties had been exercised.
Instances are not lacking of generosity like this among the North American Indians towards a captive or survivor of a hostile tribe on which extreme cruelty had been inflicted.
Page 160.
SONG OF MARION'S MEN.
The exploits of General Francis Marion, the famous partisan warrior of South Carolina, form an interesting chapter in the annals of the American revolution. The British troops were so harassed by the irregular and successful warfare which he kept up at the head of a few daring followers, that they sent an officer to remonstrate with him for not coming into the open field and fighting "like a gentleman and a Christian."
The adventures of General Francis Marion, the renowned guerrilla fighter from South Carolina, make for a fascinating chapter in the history of the American Revolution. The British troops were so troubled by the unconventional and effective tactics he employed with a small band of brave followers that they sent an officer to complain to him for not engaging them in open combat and fighting "like a gentleman and a Christian."
Page 170.
MARY MAGDALEN.
Several learned divines, with much appearance of reason, in particular Dr. Lardner, have maintained that the common notion respecting the dissolute life of Mary Magdalen is erroneous, and that she was always a person of excellent character. Charles Taylor, the editor of Calmet's Dictionary of the Bible, takes the same view of the subject.
Several knowledgeable theologians, particularly Dr. Lardner, have convincingly argued that the common belief about Mary Magdalene's scandalous life is incorrect and that she was always a person of good character. Charles Taylor, the editor of Calmet's Dictionary of the Bible, shares the same perspective on the matter.
The verses of the Spanish poet here translated refer to the[Page 268] "woman who had been a sinner," mentioned in the seventh chapter of St. Luke's Gospel, and who is commonly confounded with Mary Magdalen.
The verses of the Spanish poet translated here refer to the[Page 268] "woman who had been a sinner," mentioned in the seventh chapter of St. Luke's Gospel, and who is often confused with Mary Magdalen.
Page 173.
FATIMA AND RADUAN.
This and the following poems belong to that class of ancient Spanish ballads, by unknown authors, called Romances Moriscos—Moriscan romances or ballads. They were composed in the 14th century, some of them, probably, by the Moors, who then lived intermingled with the Christians; and they relate the loves and achievements of the knights of Grenada.
This and the following poems are part of a collection of ancient Spanish ballads, written by unknown authors, called Romances Moriscos—Moorish romances or ballads. They were created in the 14th century, likely by the Moors who lived alongside Christians at that time; they tell the stories of the loves and deeds of the knights of Granada.
Page 175.
LOVE AND FOLLY.—(FROM LA FONTAINE.)
This is rather an imitation than a translation of the poem of the graceful French fabulist.
This is more of an imitation than a translation of the poem by the elegant French fabulist.
Page 178.
(THE ALCAYDE OF MOLINA—(FROM THE SPANISH))
These eyes shall not recall thee, &c.
These eyes will not remember you, &c.
This is the very expression of the original—No te llamarán mis ojos, &c. The Spanish poets early adopted the practice of calling a lady by the name of the most expressive feature of her countenance, her eyes. The lover styled his mistress "ojos bellos," beautiful eyes; "ojos serenos," serene eyes. Green eyes seem to have been anciently thought a great beauty in Spain, and there is a very pretty ballad by an absent lover, in which he addressed his lady by the title of "green eyes;" supplicating that he may remain in her remembrance.
This is the essence of the original—No te llamarán mis ojos, &c. Spanish poets quickly started calling a woman by the most expressive feature of her face—her eyes. A lover referred to his mistress as "ojos bellos," beautiful eyes; "ojos serenos," serene eyes. Green eyes were once considered a great beauty in Spain, and there's a lovely ballad by a longing lover who addresses his lady as "green eyes," pleading that she keeps him in her thoughts.
¡Ay ojuelos verdes!
Ay los mis ojuelos!
Ay, hagan los cielos
Que de mi te acuerdes!
¡Ay ojitos verdes!
Ay mis ojitos!
Ay, que los cielos hagan
Que de mí te acuerdes!
Page 181.
(THE DEATH OF ALIATAR—(FROM THE SPANISH))
Say, Love—for thou didst see her tears, &c.
Say, Love—for you saw her tears, &c.
The stanza beginning with this line stands thus in the original:—
The stanza that starts with this line appears as follows in the original:—
[Page 269]
Dilo tu, amor, si lo viste;
¡Mas ay! que de lastimado
Diste otro nudo á la venda,
Para no ver lo que ha pasado.
[Page 269]
Say it here, my love, if you've seen it;
But alas! With so much pain
You tied another knot in the bandage,
So as not to see what has happened.
I am sorry to find so poor a conceit deforming so spirited a composition as this old ballad, but I have preserved it in the version. It is one of those extravagances which afterward became so common in Spanish poetry, when Gongora introduced the estilo culto, as it was called.
I’m sorry to see such a poor idea ruining such a lively composition as this old ballad, but I’ve kept it in this version. It’s one of those oddities that later became really common in Spanish poetry, when Gongora introduced the estilo culto, as it was called.
Page 182.
LOVE IN THE AGE OF CHIVALRY.
This personification of the passion of Love, by Peyre Vidal, has been referred to as a proof of how little the Provençal poets were indebted to the authors of Greece and Rome for the imagery of their poems.
This personification of the passion of Love, by Peyre Vidal, has been seen as evidence of how little the Provençal poets relied on the writers of Greece and Rome for the imagery in their poems.
Page 183.
THE LOVE OF GOD.—(FROM THE PROVENÇAL OF BERNARD RASCAS.)
The original of these lines is thus given by John of Nostradamus, in his lives of the Troubadours, in a barbarous Frenchified orthography:—
The original of these lines is provided by John of Nostradamus, in his lives of the Troubadours, in a clumsy French-based spelling:—
Touta kausa mortala una fes perirá,
Fors que l'amour de Dieu, que tousiours durará.
Tous nostres cors vendran essuchs, coma fa l'eska,
Lous Aubres leyssaran lour verdour tendra e fresca,
Lous Auselets del bosc perdran lour kant subtyeu,
E non s'auzira plus lou Rossignol gentyeu.
Lous Buols al Pastourgage, e las blankas fedettas
Sent'ran lous agulhons de las mortals Sagettas,
Lous crestas d'Arles fiers, Renards, e Loups espars,
Kabrols, Cervys, Chamous, Senglars de toutes pars,
Lous Ours hardys e forts, seran poudra, e Arena,
Lou Daulphin en la Mar, lou Ton, e la Balena:
Monstres impetuous, Ryaumes, e Comtas,
Lous Princes, e lous Reys, seran per mort domtas.
E nota ben eysso káscun: la Terra granda,
(Ou l'Escritura ment) lou fermament que branda,
Prendra autra figura. Enfin tout perirá,
Fors que l'Amour de Dieu, que touiours durará.
Every mortal cause will perish one day,
Except for the love of God, which will always last.
All our bodies will become dry, like ash,
The trees will shed their tender, fresh leaves,
The songbirds of the forest will lose their sweet tune,
And the gentle nightingale will no longer be heard.
The bulls in the pasture and the white sheep
Will feel the sharpness of mortal arrows,
The proud cliffs of Arles, foxes, and scattered wolves,
Goats, deer, chamois, and wild boars from all around,
The brave and strong bears will turn to dust and sand,
The dolphin in the sea, the tuna, and the whale:
Impetuous monsters, realms, and counts,
Princes, and kings, will be tamed by death.
And note well this, each one: the great Earth,
(Or so the Scripture tells us) the firmament that sways,
Will take on another shape. In the end, everything will perish,
Except for the love of God, which will always last.
Page 184.
FROM THE SPANISH OF PEDRO DE CASTRO Y AÑAYA.
Las Auroras de Diana, in which the original of these lines is contained, is, notwithstanding it was praised by Lope de Vega, one of the worst of the old Spanish Romances, being a tissue of riddles and affectations, with now and then a little poem of considerable beauty.
Las Auroras de Diana, which contains the original of these lines, is, despite being praised by Lope de Vega, one of the worst of the old Spanish Romances. It's a mix of riddles and pretentiousness, with an occasional poem of significant beauty.
Page 213.
(LIFE.)
Where Isar's clay-white rivulets run
Through the dark wood's, like frighted deer.
Where Isar's clay-white streams flow
Through the dark woods, like scared deer.
Close to the city of Munich, in Bavaria, lies the spacious and beautiful pleasure ground, called the English Garden, in which these lines were written, originally projected and laid out by our countryman, Count Rumford, under the auspices of one of the sovereigns of the country. Winding walks of great extent, pass through close thickets and groves interspersed with lawns; and streams, diverted from the river Isar, traverse the grounds swiftly in various directions, the water of which, stained with the clay of the soil it has corroded in its descent from the upper country, is frequently of a turbid white colour.
Near the city of Munich in Bavaria, you'll find the spacious and lovely park known as the English Garden, where these lines were written. It was originally designed and arranged by our fellow countryman, Count Rumford, with the support of one of the local rulers. Winding paths stretch through dense thickets and groves dotted with lawns, while streams diverted from the Isar River flow rapidly across the grounds in different directions. The water, often a murky white due to the clay it has picked up as it flows down from the higher areas, adds to the landscape.
Page 218.
THE GREEN MOUNTAIN BOYS.
This song refers to the expedition of the Vermonters, commanded by Ethan Allen, by whom the British fort of Ticonderoga, on Lake Champlain, was surprised and taken, in May, 1775.
This song talks about the journey of the Vermonters, led by Ethan Allen, who unexpectedly captured the British fort of Ticonderoga on Lake Champlain in May 1775.
Page 220.
THE CHILD'S FUNERAL.
The incident on which this poem is founded was related to the author while in Europe, in a letter from an English lady. A child died in the south of Italy, and when they went to bury it they found it revived and playing with the flowers which, after the manner of that country, had been brought to grace its funeral.
The incident that inspired this poem was shared with the author in a letter from an English lady while he was in Europe. A child passed away in southern Italy, and when they went to bury the child, they discovered it had come back to life and was playing with the flowers that had been brought in the traditional way to honor its funeral.
Page 226.
(THE DEATH OF SCHILLER.)
'Tis said, when Schiller's death drew nigh,
The wish possessed his mighty mind,
To wander forth wherever lie
The homes and haunts of human kind.
It's said that when Schiller's death was near,
A powerful desire filled his thoughts,
To explore the places where humans live
And the spots they frequent.
Shortly before the death of Schiller, he was seized with a strong desire to travel in foreign countries, as if his spirit had a presentiment of its approaching enlargement, and already longed to expatiate in a wider and more varied sphere of existence.
Shortly before Schiller's death, he developed a strong urge to travel abroad, as if his spirit sensed its imminent expansion and already craved to explore a broader and more diverse realm of existence.
Page 228.
(THE FOUNTAIN.)
The flower
Of Sanguinaria, from whose brittle stem
The red drops fell like blood.
The flower
Of Sanguinaria, from whose delicate stem
The red drops fell like blood.
The Sanguinaria Canadensis, or blood-root, as it is commonly called, bears a delicate white flower of a musky scent, the stem of which breaks easily, and distils a juice of a bright red colour.
The Sanguinaria Canadensis, commonly known as blood-root, has a delicate white flower with a musky scent. Its stem breaks easily and releases a bright red juice.
Page 234.
(THE OLD MAN'S COUNSEL.)
The shad-bush, white with flowers,
Whitened the glens.
The shad-bush, covered in white flowers,
Brightened the glens.
The small tree, named by the botanists Aronia Botyrapium, is called, in some parts of our country, the shad-bush, from the circumstance that it flowers about the time that the shad ascend the rivers in early spring. Its delicate sprays, covered with white blossoms before the trees are yet in leaf, have a singularly beautiful appearance in the woods.
The small tree, named by botanists Aronia Botyrapium, is known in some parts of our country as the shad-bush because it blooms around the same time that shad migrate up the rivers in early spring. Its delicate branches, covered with white blossoms before the trees have leaves, look uniquely beautiful in the woods.
Page 235.
"There hast thou," said my friend, "a fitting type
Of human life."
"There you have it," said my friend, "a perfect example
Of human life."
I remember hearing an aged man, in the country, compare the slow movement of time in early life and its swift flight as it approaches old age, to the drumming of a partridge or ruffed grouse in the woods—the strokes falling slow and distinct at first, and following each other more and more rapidly, till they end at last in a whirring sound.
I remember hearing an old man in the countryside compare the slow passage of time in early life to its quick pace as we near old age, like the drumming of a partridge or ruffed grouse in the woods—the beats starting out slow and clear, then gradually speeding up, until they finish in a rushing sound.
Page 238.
AN EVENING REVERY.—FROM AN UNFINISHED POEM.
This poem and that entitled the Fountain, with one or two others in blank verse, were intended by the author as portions of a larger poem, in which they may hereafter take their place.
This poem and the one called the Fountain, along with a couple of others in blank verse, were meant by the author to be part of a larger poem, where they may eventually fit in.
Page 240.
(THE PAINTED CUP.)
The fresh savannas of the Sangamon
Here rise in gentle swells, and the long grass
Is mixed with rustling hazels. Scarlet tufts
Are glowing in the green, like flakes of fire.
The lush grasslands of the Sangamon
Gently rise and fall, with tall grass
Interspersed with rustling hazel shrubs. Scarlet patches
Glow in the greenery, like sparks of fire.
The Painted Cup, Euchroma Coccinea, or Bartsia Coccinea, grows in great abundance in the hazel prairies of the western states, where its scarlet tufts make a brilliant appearance in the midst of the verdure. The Sangamon is a beautiful river, tributary to the Illinois, bordered with rich prairies.
The Painted Cup, Euchroma Coccinea, or Bartsia Coccinea, grows abundantly in the hazel prairies of the western states, where its bright red tufts stand out brilliantly against the green landscape. The Sangamon is a beautiful river that feeds into the Illinois, lined with lush prairies.
Page 251.
(NOON)
At noon the Hebrew bowed the knee
And worshipped
Evening and morning, and at noon, will I pray and cry aloud,
and he shall hear my voice.—PSALM LV. 17.
At noon, the Hebrew knelt down
And worshipped
Morning, noon, and night, I will pray and cry out,
and he will hear my voice.—PSALM LV. 17.
Page 255.
THE WHITE-FOOTED DEER.
During the stay of Long's Expedition at Engineer Cantonment, three specimens of a variety of the common deer were brought in, having all the feet white near the hoofs, and extending to those on the hind feet from a little above the spurious hoofs. This white extremity was divided, upon the sides of the foot, by the general colour of the leg, which extends down near to the hoofs, leaving a white triangle in front, of which the point was elevated rather higher than the spurious hoofs.—GODMAN'S NATURAL HISTORY, vol. ii. p 314.
During Long's Expedition at Engineer Cantonment, three specimens of a type of common deer were brought in. Each had white feet near the hooves, extending up to the hind feet from just above the false hooves. This white area was separated, on the sides of the foot, by the general color of the leg, which continues down close to the hooves, leaving a white triangle in front, with the tip positioned slightly higher than the false hooves.—GODMAN'S NATURAL HISTORY, vol. ii. p 314.
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