This is a modern-English version of Falling in Love; With Other Essays on More Exact Branches of Science, originally written by Allen, Grant. It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

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FALLING IN LOVE

WITH OTHER ESSAYS

ON

MORE EXACT BRANCHES OF SCIENCE

BY

GRANT ALLEN

LONDON
SMITH, ELDER, & CO., 15 WATERLOO PLACE
1889

[All rights reserved]

All rights reserved


PREFACE

Some people complain that science is dry. That is, of course, a matter of taste. For my own part, I like my science and my champagne as dry as I can get them. But the public thinks otherwise. So I have ventured to sweeten accompanying samples as far as possible to suit the demand, and trust they will meet with the approbation of consumers.

Some people say that science is boring. That’s really just a matter of personal preference. Personally, I prefer my science and my champagne as dry as possible. But the general public feels differently. So, I've decided to make the samples more appealing to suit their tastes, and I hope they will be well-received by consumers.

Of the specimens here selected for exhibition, my title piece originally appeared in the Fortnightly Review: 'Honey Dew' and 'The First Potter' were contributions to Longman's Magazine: and all the rest found friendly shelter between the familiar yellow covers of the good old Cornhill. My thanks are due to the proprietors and editors of those various periodicals for kind permission to reproduce them here.

Of the pieces chosen for display here, my featured work first appeared in the Fortnightly Review: 'Honey Dew' and 'The First Potter' were published in Longman's Magazine: and all the others found a warm welcome between the well-known yellow covers of the classic Cornhill. I want to thank the owners and editors of these various publications for giving me permission to include them here.

G.A.

G.A.

THE NOOK, DORKING:
September, 1889.

THE NOOK, DORKING:
September, 1889.


CONTENTS

 PAGE
Falling in Love
Falling in Love
  1
Right and Left
Right and Left
   18
Evolution
Evolution
  31
Strictly Incog.
Strictly Incognito.
  50
Seven-Year Sleepers
Seven-Year Sleepers
  72
A Fossil Continent
A Fossilized Continent
  88
A Very Old Master
An Ancient Master
  106
British and Foreign
UK and Overseas
  123
Thunderbolts
Lightning bolts
  137
Honey-dew
Honeydew
  159
The Milk in the Coco-Nut
The Milk in the Coconut
  176
Food and Feeding
Food and Nutrition
  193
De Banana
The Banana
  216
Go to the Ant
Visit the Ant
  233
Big Animals
Large Animals
  251
Fossil Food
Fossil Fuels
  271
Ogbury Barrows
Ogbury Barrows
  287
Fish Out of Water
Out of Water Fish
  302
The First Potter
The Original Potter
  316
The Recipe for Genius
The Secret to Genius
  328
Desert Sands
Desert Dunes
  341

FALLING IN LOVE

An ancient and famous human institution is in pressing danger. Sir George Campbell has set his face against the time-honoured practice of Falling in Love. Parents innumerable, it is true, have set their faces against it already from immemorial antiquity; but then they only attacked the particular instance, without venturing to impugn the institution itself on general principles. An old Indian administrator, however, goes to work in all things on a different pattern. He would always like to regulate human life generally as a department of the India Office; and so Sir George Campbell would fain have husbands and wives selected for one another (perhaps on Dr. Johnson's principle, by the Lord Chancellor) with a view to the future development of the race, in the process which he not very felicitously or elegantly describes as 'man-breeding.' 'Probably,' he says, as reported in Nature, 'we have enough physiological knowledge to effect a vast improvement in the pairing of individuals of the same or allied races if we could only apply that knowledge to make fitting marriages, instead of giving way to foolish ideas about love and the tastes of young people, whom we can hardly trust to choose their own bonnets, much less to choose in a graver matter in which they are most likely to be influenced by frivolous prejudices.' He wants us, in other words, to discard the deep-seated inner physiological promptings of inherited instinct, and to substitute for them some calm and dispassionate but artificial selection of a fitting partner as the father or mother of future generations.

An ancient and well-known human institution is in serious danger. Sir George Campbell opposes the traditional practice of falling in love. It's true that countless parents have been against it since time immemorial; however, they typically focused on specific cases without questioning the institution itself on broader grounds. An old Indian administrator, on the other hand, approaches everything differently. He would prefer to regulate human life like a department of the India Office; and thus, Sir George Campbell wishes for husbands and wives to be chosen for each other (perhaps based on Dr. Johnson's principle, by the Lord Chancellor) with the aim of enhancing the future development of the race, in a process he clumsily refers to as 'man-breeding.' 'Probably,' he says, as reported in Nature, 'we have enough physiological knowledge to make significant improvements in the pairing of individuals from the same or related races if we could just apply that knowledge to create suitable marriages, rather than succumbing to silly notions about love and the preferences of young people, whom we can hardly trust to pick their own hats, let alone make a more serious choice likely influenced by trivial biases.' In other words, he wants us to abandon the ingrained physiological urges of inherited instincts and replace them with a calm and objective but artificial selection of a suitable partner as the father or mother of future generations.

Now this is of course a serious subject, and it ought to be treated seriously and reverently. But, it seems to me, Sir George Campbell's conclusion is exactly the opposite one from the conclusion now being forced upon men of science by a study of the biological and psychological elements in this very complex problem of heredity. So far from considering love as a 'foolish idea,' opposed to the best interests of the race, I believe most competent physiologists and psychologists, especially those of the modern evolutionary school, would regard it rather as an essentially beneficent and conservative instinct developed and maintained in us by natural causes, for the very purpose of insuring just those precise advantages and improvements which Sir George Campbell thinks he could himself effect by a conscious and deliberate process of selection. More than that, I believe, for my own part (and I feel sure most evolutionists would cordially agree with me), that this beneficent inherited instinct of Falling in Love effects the object it has in view far more admirably, subtly, and satisfactorily, on the average of instances, than any clumsy human selective substitute could possibly effect it.

Now, this is obviously a serious topic, and it should be approached with respect and thoughtfulness. However, I think Sir George Campbell's conclusion is the exact opposite of what scientists are currently discovering about the biological and psychological aspects of the complex issue of heredity. Far from viewing love as a 'foolish idea' that goes against the best interests of humanity, I believe that most qualified physiologists and psychologists, particularly those from the modern evolutionary perspective, would see it as a fundamentally beneficial and conservative instinct that has been developed and sustained in us through natural processes. This instinct serves the purpose of ensuring the very advantages and improvements that Sir George Campbell believes he could achieve through a conscious and intentional method of selection. Furthermore, I personally think (and I am sure most evolutionists would agree) that this inherited instinct of falling in love accomplishes its goals far more effectively, subtly, and successfully, on average, than any awkward human effort to select could achieve.

In short, my doctrine is simply the old-fashioned and confiding belief that marriages are made in heaven: with the further corollary that heaven manages them, one time with another, a great deal better than Sir George Campbell.

In short, my belief is just the traditional and trusting idea that marriages are made in heaven, along with the extra thought that heaven takes care of them much better over time than Sir George Campbell does.

Let us first look how Falling in Love affects the standard of human efficiency; and then let us consider what would be the probable result of any definite conscious attempt to substitute for it some more deliberate external agency.

Let’s first examine how falling in love impacts human efficiency, and then let’s think about what the likely outcome would be if we consciously tried to replace it with some more intentional external influence.

Falling in Love, as modern biology teaches us to believe, is nothing more than the latest, highest, and most involved exemplification, in the human race, of that almost universal selective process which Mr. Darwin has enabled us to recognise throughout the whole long series of the animal kingdom. The butterfly that circles and eddies in his aërial dance around his observant mate is endeavouring to charm her by the delicacy of his colouring, and to overcome her coyness by the display of his skill. The peacock that struts about in imperial pride under the eyes of his attentive hens, is really contributing to the future beauty and strength of his race by collecting to himself a harem through whom he hands down to posterity the valuable qualities which have gained the admiration of his mates in his own person. Mr. Wallace has shown that to be beautiful is to be efficient; and sexual selection is thus, as it were, a mere lateral form of natural selection—a survival of the fittest in the guise of mutual attractiveness and mutual adaptability, producing on the average a maximum of the best properties of the race in the resulting offspring. I need not dwell here upon this aspect of the case, because it is one with which, since the publication of the 'Descent of Man,' all the world has been sufficiently familiar.

Falling in Love, as modern biology suggests, is just the latest, most advanced example of a nearly universal selective process that Mr. Darwin helped us recognize throughout the entire animal kingdom. The butterfly that flutters and floats in his aerial dance around his attentive mate is trying to attract her with his delicate coloring and to win her over by showcasing his skills. The peacock strutting proudly under the watchful eyes of his interested hens is actually contributing to the future beauty and strength of his species by gathering a harem that allows him to pass down the valuable traits that have captivated his mates. Mr. Wallace has demonstrated that being beautiful means being efficient; sexual selection is, in a way, just a different form of natural selection—a survival of the fittest through mutual attraction and adaptability, typically resulting in the best traits being passed on to the next generation. I won't go into detail about this aspect, as it's something everyone has been quite familiar with since the publication of the 'Descent of Man.'

In our own species, the selective process is marked by all the features common to selection throughout the whole animal kingdom; but it is also, as might be expected, far more specialised, far more individualised, far more cognisant of personal traits and minor peculiarities. It is furthermore exerted to a far greater extent upon mental and moral as well as physical peculiarities in the individual.

In our species, the selection process includes all the characteristics typical of selection across the entire animal kingdom; however, it is also, as you'd expect, much more specialized, much more individualized, and much more aware of personal traits and minor quirks. Additionally, it applies to a much greater degree to mental and moral characteristics as well as physical traits in individuals.

We cannot fall in love with everybody alike. Some of us fall in love with one person, some with another. This instinctive and deep-seated differential feeling we may regard as the outcome of complementary features, mental, moral, or physical, in the two persons concerned; and experience shows us that, in nine cases out of ten, it is a reciprocal affection, that is to say, in other words, an affection roused in unison by varying qualities in the respective individuals.

We can't fall in love with everyone the same way. Some of us love one person, while others love someone different. This instinctive and deeply-rooted feeling can be seen as the result of complementary traits, whether mental, moral, or physical, in the two people involved; and experience shows us that, in about nine out of ten cases, it's a mutual affection, meaning, in other words, an affection sparked in harmony by differing qualities in the individuals involved.

Of its eminently conservative and even upward tendency very little doubt can be reasonably entertained. We do fall in love, taking us in the lump, with the young, the beautiful, the strong, and the healthy; we do not fall in love, taking us in the lump, with the aged, the ugly, the feeble, and the sickly. The prohibition of the Church is scarcely needed to prevent a man from marrying his grandmother. Moralists have always borne a special grudge to pretty faces; but, as Mr. Herbert Spencer admirably put it (long before the appearance of Darwin's selective theory), 'the saying that beauty is but skin-deep is itself but a skin-deep saying.' In reality, beauty is one of the very best guides we can possibly have to the desirability, so far as race-preservation is concerned, of any man or any woman as a partner in marriage. A fine form, a good figure, a beautiful bust, a round arm and neck, a fresh complexion, a lovely face, are all outward and visible signs of the physical qualities that on the whole conspire to make up a healthy and vigorous wife and mother; they imply soundness, fertility, a good circulation, a good digestion. Conversely, sallowness and paleness are roughly indicative of dyspepsia and anæmia; a flat chest is a symptom of deficient maternity; and what we call a bad figure is really, in one way or another, an unhealthy departure from the central norma and standard of the race. Good teeth mean good deglutition; a clear eye means an active liver; scrubbiness and undersizedness mean feeble virility. Nor are indications of mental and moral efficiency by any means wanting as recognised elements in personal beauty. A good-humoured face is in itself almost pretty. A pleasant smile half redeems unattractive features. Low, receding foreheads strike us unfavourably. Heavy, stolid, half-idiotic countenances can never be beautiful, however regular their lines and contours. Intelligence and goodness are almost as necessary as health and vigour in order to make up our perfect ideal of a beautiful human face and figure. The Apollo Belvedere is no fool; the murderers in the Chamber of Horrors at Madame Tussaud's are for the most part no beauties.

There’s no reasonable doubt about its fundamentally conservative and even positive inclination. We do tend to fall in love, generally speaking, with the young, the attractive, the strong, and the healthy; we do not fall in love, generally speaking, with the elderly, the unattractive, the weak, and the sickly. The Church doesn’t really need to forbid a man from marrying his grandmother. Moralists have always had a particular bias against pretty faces; but, as Mr. Herbert Spencer wisely noted (long before Darwin’s theory of natural selection), ‘the saying that beauty is only skin-deep is itself a superficial saying.’ In reality, beauty is one of the best indicators we can have regarding the desirability, particularly in terms of race-preservation, of any man or woman as a marriage partner. A nice shape, a good figure, a beautiful bust, a rounded arm and neck, a fresh complexion, and a lovely face are all visible signs of the physical qualities that typically contribute to making a healthy and vigorous wife and mother; they indicate soundness, fertility, good circulation, and effective digestion. On the other hand, yellowness and paleness often suggest issues like indigestion and anemia; a flat chest signifies reduced maternal potential; and what we refer to as a bad figure is really, in one way or another, an unhealthy deviation from the central norm and standard of the race. Good teeth indicate good swallowing; clear eyes suggest a healthy liver; scrubbiness and undersized stature imply weak virility. There are also signs of mental and moral efficiency that are recognized as important elements of personal beauty. A cheerful face is almost inherently pretty. A pleasant smile can partially redeem unattractive features. Low, receding foreheads often leave a negative impression. Heavy, dull, almost idiotic faces can never be beautiful, regardless of how regular their lines and contours may be. Intelligence and kindness are almost as essential as health and vigor in creating our ideal of a beautiful human face and figure. The Apollo Belvedere isn’t foolish; the murderers in the Chamber of Horrors at Madame Tussaud’s are mostly not considered attractive.

What we all fall in love with, then, as a race, is in most cases efficiency and ability. What we each fall in love with individually is, I believe, our moral, mental, and physical complement. Not our like, not our counterpart; quite the contrary; within healthy limits, our unlike and our opposite. That this is so has long been more or less a commonplace of ordinary conversation; that it is scientifically true, one time with another, when we take an extended range of cases, may, I think, be almost demonstrated by sure and certain warranty of human nature.

What we generally fall in love with, as a species, is mostly efficiency and skill. What each of us falls in love with personally is, I believe, our moral, mental, and physical counterpart. Not someone just like us, not a mirror image; quite the opposite, in fact; within healthy limits, we are drawn to those who are different and opposite. This idea has been a common topic of discussion for a long time; that it's scientifically true, on various occasions and when we consider a wide range of cases, can almost be proven by strong and reliable insights into human nature.

Brothers and sisters have more in common, mentally and physically, than any other members of the same race can possibly have with one another. But nobody falls in love with his sister. A profound instinct has taught even the lower races of men (for the most part) to avoid such union of the all-but-identical. In the higher races the idea never so much as occurs to us. Even cousins seldom fall in love—seldom, that is to say, in comparison with the frequent opportunities of intercourse they enjoy, relatively to the remainder of general society. When they do, and when they carry out their perilous choice effectively by marriage, natural selection soon avenges Nature upon the offspring by cutting off the idiots, the consumptives, the weaklings, and the cripples, who often result from such consanguineous marriages. In narrow communities, where breeding in-and-in becomes almost inevitable, natural selection has similarly to exert itself upon a crowd of crétins and other hapless incapables. But in wide and open champaign countries, where individual choice has free room for exercise, men and women as a rule (if not constrained by parents and moralists) marry for love, and marry on the whole their natural complements. They prefer outsiders, fresh blood, somebody who comes from beyond the community, to the people of their own immediate surroundings. In many men the dislike to marrying among the folk with whom they have been brought up amounts almost to a positive instinct; they feel it as impossible to fall in love with a fellow-townswoman as to fall in love with their own first cousins. Among exogamous tribes such an instinct (aided, of course, by other extraneous causes) has hardened into custom; and there is reason to believe (from the universal traces among the higher civilisations of marriage by capture) that all the leading races of the world are ultimately derived from exogamous ancestors, possessing this healthy and excellent sentiment.

Siblings share more common traits, both mentally and physically, than any other members of the same race could possibly share. But no one falls in love with their sister. A deep instinct has guided even the less advanced human races (for the most part) to steer clear of such unions between nearly identical individuals. In more advanced societies, the thought never even crosses our minds. Even cousins rarely fall in love—rarely, that is, when you compare it to how often they interact compared to the rest of society. When they do fall in love and go through with that risky choice by getting married, natural selection quickly takes its toll on their offspring by eliminating the idiots, the sickly, the weak, and the disabled, who often result from such close marriages. In tight-knit communities, where inbreeding becomes nearly unavoidable, natural selection similarly acts on a group of crétins and other unfortunate individuals. But in broad and open areas, where individuals have the freedom to make choices, men and women generally (if not pressured by parents and moralists) marry for love, and they usually choose their natural matches. They prefer people from outside their community, someone with fresh blood, over those from their immediate surroundings. For many men, the aversion to marrying among those they've grown up with feels almost like a natural instinct; they find it as impossible to fall in love with a local woman as they would with their own first cousins. Among exogamous tribes, such an instinct (supported, of course, by other external factors) has become customary; and there is reason to believe (based on the widespread evidence of marriage by capture in higher civilizations) that all leading races of the world ultimately descend from exogamous ancestors who shared this healthy and beneficial sentiment.

In minor matters, it is of course universally admitted that short men, as a rule, prefer tall women, while tall men admire little women. Dark pairs by preference with fair; the commonplace often runs after the original. People have long noticed that this attraction towards one's opposite tends to keep true the standard of the race; they have not, perhaps, so generally observed that it also indicates roughly the existence in either individual of a desire for its own natural complement. It is difficult here to give definite examples, but everybody knows how, in the subtle psychology of Falling in Love, there are involved innumerable minor elements, physical and mental, which strike us exactly because of their absolute adaptation to form with ourselves an adequate union. Of course we do not definitely seek out and discover such qualities; instinct works far more intuitively than that; but we find at last, by subsequent observation, how true and how trustworthy were its immediate indications. That is to say, those men do so who were wise enough or fortunate enough to follow the earliest promptings of their own hearts, and not to be ashamed of that divinest and deepest of human intuitions, love at first sight.

In minor matters, it's widely accepted that shorter men generally prefer taller women, while taller men are attracted to shorter women. Dark pairs typically go for fair; the ordinary often chases after the unique. People have long noted that this attraction to opposites tends to maintain the standard of the race; however, they may not have as widely recognized that it roughly indicates each person’s desire for their own natural match. It’s hard to provide specific examples, but we all know that in the subtle psychology of falling in love, there are countless small factors, both physical and mental, that appeal to us precisely because they perfectly fit to create a complete union with ourselves. Of course, we don’t actually seek out and identify these qualities; our instincts operate much more intuitively than that. Yet, we ultimately realize, through reflection, how accurate and reliable those early signals were. This is true for those men who were wise or lucky enough to trust their initial feelings and not shy away from that most profound and beautiful of human instincts: love at first sight.

How very subtle this intuition is, we can only guess in part by the apparent capriciousness and incomprehensibility of its occasional action. We know that some men and women fall in love easily, while others are only moved to love by some very special and singular combination of peculiarities. We know that one man is readily stirred by every pretty face he sees, while another man can only be roused by intellectual qualities or by moral beauty. We know that sometimes we meet people possessing every virtue and grace under heaven, and yet for some unknown and incomprehensible reason we could no more fall in love with them than we could fall in love with the Ten Commandments. I don't, of course, for a moment accept the silly romantic notion that men and women fall in love only once in their lives, or that each one of us has somewhere on earth his or her exact affinity, whom we must sooner or later meet or else die unsatisfied. Almost every healthy normal man or woman has probably fallen in love over and over again in the course of a lifetime (except in case of very early marriage), and could easily find dozens of persons with whom they would be capable of falling in love again if due occasion offered. We are not all created in pairs, like the Exchequer tallies, exactly intended to fit into one another's minor idiosyncrasies. Men and women as a rule very sensibly fall in love with one another in the particular places and the particular societies they happen to be cast among. A man at Ashby-de-la-Zouch does not hunt the world over to find his pre-established harmony at Paray-le-Monial or at Denver, Colorado. But among the women he actually meets, a vast number are purely indifferent to him; only one or two, here and there, strike him in the light of possible wives, and only one in the last resort (outside Salt Lake City) approves herself to his inmost nature as the actual wife of his final selection.

How subtle this intuition is, we can only partly guess from the apparent unpredictability and confusion of its occasional actions. We know that some people fall in love easily, while others are only moved to love by a very specific and unique combination of traits. We know that one guy can be charmed by every attractive face he sees, while another guy is only inspired by intellectual qualities or moral beauty. Sometimes we encounter individuals who have every virtue and grace imaginable, yet for some unknown and inexplicable reason, we can't fall in love with them any more than we could with the Ten Commandments. Of course, I don't for a second believe in the foolish romantic idea that people only fall in love once in their lives or that each of us has a soulmate somewhere in the world that we must meet, or else we’ll die unfulfilled. Almost every healthy, normal person has probably fallen in love multiple times throughout their life (unless they married very young) and could easily find dozens of people they could fall in love with again if the right circumstances arose. We’re not all paired up like matching receipts, perfectly designed to fit each other's little quirks. Generally, men and women sensibly fall in love with each other in the specific places and social circles they happen to be in. A man in Ashby-de-la-Zouch doesn’t search the world for his destined match in Paray-le-Monial or Denver, Colorado. But among the women he actually meets, a vast number are just indifferent to him; only one or two might catch his interest as potential wives, and ultimately, only one (outside Salt Lake City) truly resonates with his deepest self as the final choice for his wife.

Now this very indifference to the vast mass of our fellow-countrymen or fellow-countrywomen, this extreme pitch of selective preference in the human species, is just one mark of our extraordinary specialisation, one stamp and token of our high supremacy. The brutes do not so pick and choose, though even there, as Darwin has shown, selection plays a large part (for the very butterflies are coy, and must be wooed and won). It is only in the human race itself that selection descends into such minute, such subtle, such indefinable discriminations. Why should a universal and common impulse have in our case these special limits? Why should we be by nature so fastidious and so diversely affected? Surely for some good and sufficient purpose. No deep-seated want of our complex life would be so narrowly restricted without a law and a meaning. Sometimes we can in part explain its conditions. Here, we see that beauty plays a great rôle; there, we recognise the importance of strength, of manner, of grace, of moral qualities. Vivacity, as Mr. Galton justly remarks, is one of the most powerful among human attractions, and often accounts for what might otherwise seem unaccountable preferences. But after all is said and done, there remains a vast mass of instinctive and inexplicable elements: a power deeper and more marvellous in its inscrutable ramifications than human consciousness. 'What on earth,' we say, 'could So-and-so see in So-and-so to fall in love with?' This very inexplicability I take to be the sign and seal of a profound importance. An instinct so conditioned, so curious, so vague, so unfathomable, as we may guess by analogy with all other instincts, must be Nature's guiding voice within us, speaking for the good of the human race in all future generations.

Now, this indifference to the large group of our fellow citizens, whether men or women, this extreme level of selective preference among humans, is just one indication of our remarkable specialization, one mark of our high status. Animals don’t choose so selectively, though selection still plays a significant role there too (after all, butterflies can be shy and need to be pursued and won over). It's only within the human race that selection becomes so detailed, so subtle, and so hard to define. Why should a universal and common impulse have these specific limits in our case? Why are we naturally so picky and affected in so many ways? Surely there’s a good reason behind it. No deeply-rooted need in our complex lives would be so tightly restricted without a purpose and meaning. Sometimes we can partly explain the reasons for this. Here, we see that beauty plays a major role; there, we acknowledge the significance of strength, behavior, charm, and moral qualities. Liveliness, as Mr. Galton rightly points out, is one of the most compelling human attractions and often explains preferences that might otherwise seem difficult to understand. But ultimately, there remains a large amount of instinctive and inexplicable factors: a power deeper and more amazing in its intricate connections than human awareness. "What on earth," we might say, "could So-and-so see in So-and-so to fall in love with?" This very unexplainability I consider to be a sign of profound significance. An instinct so shaped, so intriguing, so vague and unfathomable, as we might infer by comparing it to other instincts, must be Nature’s guiding voice within us, advocating for the benefit of the human race in all future generations.

On the other hand, let us suppose for a moment (impossible supposition!) that mankind could conceivably divest itself of 'these foolish ideas about love and the tastes of young people,' and could hand over the choice of partners for life to a committee of anthropologists, presided over by Sir George Campbell. Would the committee manage things, I wonder, very much better than the Creator has managed them? Where would they obtain that intimate knowledge of individual structures and functions and differences which would enable them to join together in holy matrimony fitting and complementary idiosyncrasies? Is a living man, with all his organs, and powers, and faculties, and dispositions, so simple and easy a problem to read that anybody else can readily undertake to pick out off-hand a help meet for him? I trow not! A man is not a horse or a terrier. You cannot discern his 'points' by simple inspection. You cannot see à priori why a Hanoverian bandsman and his heavy, ignorant, uncultured wife, should conspire to produce a Sir William Herschel. If you tried to improve the breed artificially, either by choice from outside, or by the creation of an independent moral sentiment, irrespective of that instinctive preference which we call Falling in Love, I believe that so far from improving man, you would only do one of two things—either spoil his constitution, or produce a tame stereotyped pattern of amiable imbecility. You would crush out all initiative, all spontaneity, all diversity, all originality; you would get an animated moral code instead of living men and women.

On the other hand, let’s imagine for a moment (an impossible scenario!) that humanity could actually get rid of “these silly ideas about love and what young people want,” and could hand over the choice of lifelong partners to a committee of anthropologists, led by Sir George Campbell. Would this committee really do a better job than the Creator? Where would they find the deep understanding of individual traits and differences needed to pair together compatible personalities in marriage? Is a living person, with all his organs, abilities, and quirks, really that easy to figure out that anyone could just pick a perfect match for him? I don’t think so! A man isn’t like a horse or a terrier. You can’t simply tell his strengths by looking at him. You can’t see beforehand why a Hanoverian musician and his heavy, uneducated, unrefined wife would produce a Sir William Herschel. If you tried to artificially improve the human gene pool, either by choosing from outside or by creating a separate moral system that disregards the instinctive attraction we call Falling in Love, I believe you’d end up doing one of two things—either ruining humanity or creating a bland, predictable pattern of agreeable foolishness. You would stifle all initiative, spontaneity, diversity, and originality; you would get a stiff moral code instead of real people.

Look at the analogy of domestic animals. That is the analogy to which breeding reformers always point with special pride: but what does it really teach us? That you can't improve the efficiency of animals in any one point to any high degree, without upsetting the general balance of their constitution. The race-horse can run a mile on a particular day at a particular place, bar accidents, with wonderful speed: but that is about all he is good for. His health as a whole is so surprisingly feeble that he has to be treated with as much care as a delicate exotic. 'In regard to animals and plants,' says Sir George Campbell, 'we have very largely mastered the principles of heredity and culture, and the modes by which good qualities may be maximised, bad qualities minimised.' True, so far as concerns a few points prized by ourselves for our own purposes. But in doing this, we have so lowered the general constitutional vigour of the plants or animals that our vines fall an easy prey to oidium and phylloxera, our potatoes to the potato disease and the Colorado beetle; our sheep are stupid, our rabbits idiotic, our domestic breeds generally threatened with dangers to life and limb unknown to their wiry ancestors in the wild state. And when one comes to deal with the infinitely more complex individuality of man, what hope would there be of our improving the breed by deliberate selection? If we developed the intellect, we would probably stunt the physique or the moral nature; if we aimed at a general culture of all faculties alike, we would probably end by a Chinese uniformity of mediocre dead level.

Consider the example of domestic animals. This is the comparison that breeding reformers often highlight with pride: but what does it actually teach us? You can't enhance the efficiency of animals in one area to a significant degree without disrupting the overall balance of their biology. The racehorse can run a mile on a specific day at a specific location, barring any accidents, with incredible speed: but that's about it for what he's capable of. His overall health is surprisingly fragile, requiring him to be treated with as much care as a delicate exotic species. "Regarding animals and plants," says Sir George Campbell, "we have largely grasped the principles of heredity and cultivation, and the methods through which good traits can be maximized and bad traits minimized." This is true to some extent, but only for a few traits that we value for our own ends. However, in pursuing this, we've significantly reduced the overall health of these plants and animals. As a result, our vines are easily susceptible to diseases like oidium and phylloxera, our potatoes fall victim to potato blight and the Colorado beetle; our sheep lack intelligence, our rabbits are foolish, and our domestic breeds generally face risks to their life and well-being that their resilient wild ancestors did not. And when it comes to the far more complex individuality of humans, what chance would there be of us improving the species through intentional selection? If we prioritized the development of intellect, we might stifle physical or moral development; if we aimed for a balanced growth of all faculties, we could end up with a bland and uniform mediocrity, much like what we see in Chinese conformity.

The balance of organs and faculties in a race is a very delicate organic equilibrium. How delicate we now know from thousands of examples, from the correlations of seemingly unlike parts, from the wide-spread effects of small conditions, from the utter dying out of races like the Tasmanians or the Paraguay Indians under circumstances different from those with which their ancestors were familiar. What folly to interfere with a marvellous instinct which now preserves this balance intact, in favour of an untried artificial system which would probably wreck it as helplessly as the modern system of higher education for women is wrecking the maternal powers of the best class in our English community!

The balance of organs and abilities in a race is a very fragile organic equilibrium. We know just how fragile it is from countless examples, from the relationships between seemingly unrelated parts, from the widespread effects of minor conditions, and from the complete extinction of races like the Tasmanians or the Paraguay Indians when faced with circumstances different from what their ancestors knew. What foolishness it is to interfere with a remarkable instinct that currently maintains this balance, in favor of an untested artificial system that would likely destroy it as helplessly as the modern approach to higher education for women is undermining the maternal abilities of the best class in our English society!

Indeed, within the race itself, as it now exists, free choice, aided by natural selection, is actually improving every good point, and is for ever weeding out all the occasional failures and shortcomings of nature. For weakly children, feeble children, stupid children, heavy children, are undoubtedly born under this very régime of falling in love, whose average results I believe to be so highly beneficial. How is this? Well, one has to take into consideration two points in seeking for the solution of that obvious problem.

Indeed, within the race itself, as it exists today, free choice, supported by natural selection, is actually enhancing every good trait and continuously eliminating all the occasional failures and shortcomings of nature. Weak, fragile, unintelligent, and overweight children are undoubtedly born under this very system of falling in love, whose average outcomes I believe to be highly beneficial. How is this possible? Well, we need to consider two points in order to find a solution to that clear problem.

In the first place, no instinct is absolutely perfect. All of them necessarily fail at some points. If on the average they do good, they are sufficiently justified. Now the material with which you have to start in this case is not perfect. Each man marries, even in favourable circumstances, not the abstractly best adapted woman in the world to supplement or counteract his individual peculiarities, but the best woman then and there obtainable for him. The result is frequently far from perfect; all I claim is that it would be as bad or a good deal worse if somebody else made the choice for him, or if he made the choice himself on abstract biological and 'eugenic' principles. And, indeed, the very existence of better and worse in the world is a condition precedent of all upward evolution. Without an overstocked world, with individual variations, some progressive, some retrograde, there could be no natural selection, no survival of the fittest. That is the chief besetting danger of cut-and-dried doctrinaire views. Malthus was a very great man; but if his principle of prudential restraint were fully carried out, the prudent would cease to reproduce their like, and the world would be peopled in a few generations by the hereditarily reckless and dissolute and imprudent. Even so, if eugenic principles were universally adopted, the chance of exceptional and elevated natures would be largely reduced, and natural selection would be in so much interfered with or sensibly retarded.

In the first place, no instinct is completely perfect. They all have their shortcomings at some point. If they generally do good, that's enough justification. Now, the situation you're dealing with here isn't ideal. Each person marries, even under the best circumstances, not the objectively best-suited woman in the world to complement or counterbalance his unique traits, but the best woman available to him at that moment. The outcome is often far from perfect; all I’m saying is that it would be equally bad or much worse if someone else made the choice for him, or if he chose based solely on abstract biological and 'eugenic' ideas. And, in fact, the very existence of better and worse in the world is a prerequisite for all progress. Without an overpopulated world with individual differences, some advancing and some regressing, there could be no natural selection, no survival of the fittest. That’s the main danger of rigid, dogmatic views. Malthus was a very important figure; but if his idea of prudential restraint were fully implemented, the careful would stop reproducing, and in a few generations, the world would be filled with those who are inherently reckless, dissolute, and imprudent. Even then, if eugenic principles were widely accepted, the chances of exceptional and superior individuals would significantly decline, and natural selection would be noticeably hindered or slowed down.

In the second place, again, it must not be forgotten that falling in love has never yet, among civilised men at least, had a fair field and no favour. Many marriages are arranged on very different grounds—grounds of convenience, grounds of cupidity, grounds of religion, grounds of snobbishness. In many cases it is clearly demonstrable that such marriages are productive in the highest degree of evil consequences. Take the case of heiresses. An heiress is almost by necessity the one last feeble and flickering relic of a moribund stock—often of a stock reduced by the sordid pursuit of ill-gotten wealth almost to the very verge of actual insanity. But let her be ever so ugly, ever so unhealthy, ever so hysterical, ever so mad, somebody or other will be ready and eager to marry her on any terms. Considerations of this sort have helped to stock the world with many feeble and unhealthy persons. Among the middle and upper classes it may be safely said only a very small percentage of marriages is ever due to love alone; in other words, to instinctive feeling. The remainder have been influenced by various side advantages, and nature has taken her vengeance accordingly on the unhappy offspring. Parents and moralists are ever ready to drown her voice, and to counsel marriage within one's own class, among nice people, with a really religious girl, and so forth ad infinitum. By many well-meaning young people these deadly interferences with natural impulse are accepted as part of a higher and nobler law of conduct. The wretched belief that one should subordinate the promptings of one's own soul to the dictates of a miscalculating and misdirecting prudence has been instilled into the minds of girls especially, until at last many of them have almost come to look upon their natural instincts as wrong, and the immoral, race-destructive counsels of their seniors or advisers as the truest and purest earthly wisdom. Among certain small religious sects, again, such as the Quakers, the duty of 'marrying in' has been strenuously inculcated, and only the stronger-minded and more individualistic members have had courage and initiative enough to disregard precedent, and to follow the internal divine monitor, as against the externally-imposed law of their particular community. Even among wider bodies it is commonly held that Catholics must not marry Protestants; and the admirable results obtained by the mixture of Jewish with European blood have almost all been reached by male Jews having the temerity to marry 'Christian' women in the face of opposition and persecution from their co-nationalists. It is very rarely indeed that a Jewess will accept a European for a husband. In so many ways, and on so many grounds, does convention interfere with the plain and evident dictates of nature.

In the second place, it should be remembered that falling in love has never really had a level playing field, at least among civilized people. Many marriages are arranged for very different reasons—reasons of convenience, greed, religion, or snobbishness. In many cases, it’s clear that such marriages often lead to terrible consequences. Take the case of heiresses. An heiress is typically the last weak and fading remnant of a declining family—often that family has been driven down into near madness by the relentless pursuit of ill-gotten wealth. But no matter how unattractive, unhealthy, hysterical, or even insane she may be, someone will still be eager to marry her under any conditions. These kinds of motivations have contributed to a world filled with weak and unhealthy individuals. Among the middle and upper classes, it can be safely said that only a very small percentage of marriages are based purely on love; in other words, on genuine feelings. Most are influenced by various external benefits, and as a result, nature ensures these unhappy offspring suffer. Parents and moralists are always quick to silence this instinct, advising marriage within one’s social class, among respectable people, with a devout girl, and so on ad infinitum. Many well-meaning young people accept these harmful interferences with their natural urges as part of a higher and nobler moral code. The unfortunate belief that one should suppress the desires of one’s own heart in favor of misguided and misdirected caution has been drilled into the minds of girls especially, to the point where many begin to see their natural instincts as wrong, while considering the immoral, race-destroying advice of their elders as the truest and purest wisdom. In certain smaller religious groups, like the Quakers, the duty of "marrying within" has been strongly emphasized, and only the more determined and individualistic members have had the courage to disregard tradition and follow their inner guidance, rather than the external laws of their community. Even in broader groups, it is often believed that Catholics shouldn’t marry Protestants; and the impressive outcomes of Jews intermingling with European blood have mostly been achieved by male Jews daring to marry 'Christian' women despite facing opposition and persecution from their own communities. It is very rare for a Jewish woman to accept a European man as a husband. In countless ways and for many reasons, social norms interfere with the clear and evident instructions of nature.

Against all such evil parental promptings, however, a great safeguard is afforded to society by the wholesome and essentially philosophical teaching of romance and poetry. I do not approve of novels. They are for the most part a futile and unprofitable form of literature; and it may profoundly be regretted that the mere blind laws of supply and demand should have diverted such an immense number of the ablest minds in England, France, and America, from more serious subjects to the production of such very frivolous and, on the whole, ephemeral works of art. But the novel has this one great counterpoise of undoubted good to set against all the manifold disadvantages and shortcomings of romantic literature—that it always appeals to the true internal promptings of inherited instinct, and opposes the foolish and selfish suggestions of interested outsiders. It is the perpetual protest of poor banished human nature against the expelling pitchfork of calculating expediency in the matrimonial market. While parents and moralists are for ever saying, 'Don't marry for beauty; don't marry for inclination; don't marry for love: marry for money, marry for social position, marry for advancement, marry for our convenience, not for your own,' the romance-writer is for ever urging, on the other hand, 'Marry for love, and for love only.' His great theme in all ages has been the opposition between parental or other external wishes and the true promptings of the young and unsophisticated human heart. He has been the chief ally of sentiment and of nature. He has filled the heads of all our girls with what Sir George Campbell describes off-hand as 'foolish ideas about love.' He has preserved us from the hateful conventions of civilisation. He has exalted the claims of personal attraction, of the mysterious native yearning of heart for heart, of the indefinite and indescribable element of mutual selection; and, in so doing, he has unconsciously proved himself the best friend of human improvement and the deadliest enemy of all those hideous 'social lies which warp us from the living truth.' His mission is to deliver the world from Dr. Johnson and Sir George Campbell.

Against all such negative parental influences, society is greatly protected by the healthy and fundamentally philosophical teachings found in romance and poetry. I’m not a fan of novels. For the most part, they are a pointless and unproductive type of literature; it's truly unfortunate that the blind forces of supply and demand have steered so many of the brightest minds in England, France, and America away from more meaningful subjects to create such trivial and, overall, temporary works of art. However, the novel has one significant benefit to counterbalance all the various drawbacks and limitations of romantic literature — it consistently resonates with the true internal impulses of inherited instinct and challenges the foolish and selfish suggestions of external interests. It represents the ongoing resistance of poor, marginalized human nature against the harsh realities of calculating practicality in the marriage market. While parents and moralists are always saying, "Don’t marry for looks; don’t marry for personal preference; don’t marry for love: marry for money, marry for social status, marry for advancement, marry for our sake, not yours," the romance writer is constantly advocating, on the other hand, "Marry for love, and love alone." His central theme throughout the ages has been the conflict between parental or other external expectations and the genuine desires of the young and unrefined human heart. He has been the primary supporter of sentiment and nature. He has filled the minds of all our girls with what Sir George Campbell casually refers to as "foolish ideas about love." He has protected us from the oppressive conventions of civilization. He has elevated the importance of personal attraction, the mysterious innate longing for one heart to connect with another, and the vague and indescribable aspects of mutual choice; in doing so, he has unconsciously demonstrated himself to be humanity's best ally in improving its condition and the fiercest opponent of all those hideous "social lies that distort us from the living truth." His mission is to free the world from Dr. Johnson and Sir George Campbell.

For, strange to say, it is the moralists and the doctrinaires who are always in the wrong: it is the sentimentalists and the rebels who are always in the right in this matter. If the common moral maxims of society could have had their way—if we had all chosen our wives and our husbands, not for their beauty or their manliness, not for their eyes or their moustaches, not for their attractiveness or their vivacity, but for their 'sterling qualities of mind and character,' we should now doubtless be a miserable race of prigs and bookworms, of martinets and puritans, of nervous invalids and feeble idiots. It is because our young men and maidens will not hearken to these penny-wise apophthegms of shallow sophistry—because they often prefer Romeo and Juliet to the 'Whole Duty of Man,' and a beautiful face to a round balance at Coutts's—that we still preserve some vitality and some individual features, in spite of our grinding and crushing civilisation. The men who marry balances, as Mr. Galton has shown, happily die out, leaving none to represent them: the men who marry women they have been weak enough and silly enough to fall in love with, recruit the race with fine and vigorous and intelligent children, fortunately compounded of the complementary traits derived from two fairly contrasted and mutually reinforcing individualities.

Because, oddly enough, it's the moralists and the rigid thinkers who are usually wrong: it's the sentimentalists and the rebels who tend to be right in this case. If society's common moral maxims had their way—if we all chose our partners not for their looks or strength, not for their eyes or facial hair, not for their charm or energy, but for their “genuine qualities of mind and character,” we would surely become a miserable bunch of dullards and bookworms, of strict enforcers and puritans, of anxious invalids and weak fools. It’s because our young men and women refuse to listen to these penny-wise clichés of shallow reasoning—because they often prefer Romeo and Juliet to the 'Whole Duty of Man,' and a beautiful face over a fat bank account—that we manage to keep some vitality and unique characteristics, despite our oppressive civilization. The men who marry for money, as Mr. Galton pointed out, happily fade away, leaving no legacy: the men who marry women they've been foolish enough and naïve enough to fall in love with, contribute to the race with strong, vibrant, and intelligent offspring, fortunately combining the complementary traits from two fairly distinct and mutually supportive personalities.

I have spoken throughout, for argument's sake, as though the only interest to be considered in the married relation were the interests of the offspring, and so ultimately of the race at large, rather than of the persons themselves who enter into it. But I do not quite see why each generation should thus be sacrificed to the welfare of the generations that afterwards succeed it. Now it is one of the strongest points in favour of the system of falling in love that it does, by common experience in the vast majority of instances, assort together persons who subsequently prove themselves thoroughly congenial and helpful to one another. And this result I look upon as one great proof of the real value and importance of the instinct. Most men and women select for themselves partners for life at an age when they know but little of the world, when they judge but superficially of characters and motives, when they still make many mistakes in the conduct of life and in the estimation of chances. Yet most of them find in after days that they have really chosen out of all the world one of the persons best adapted by native idiosyncrasy to make their joint lives enjoyable and useful. I make every allowance for the effects of habit, for the growth of sentiment, for the gradual approximation of tastes and sympathies; but surely, even so, it is a common consciousness with every one of us who has been long married, that we could hardly conceivably have made ourselves happy with any of the partners whom others have chosen; and that we have actually made ourselves so with the partners we chose for ourselves under the guidance of an almost unerring native instinct. Yet adaptation between husband and wife, so far as their own happiness is concerned, can have had comparatively little to do with the evolution of the instinct, as compared with adaptation for the joint production of vigorous and successful offspring. Natural selection lays almost all the stress on the last point, and hardly any at all upon the first one. If, then, the instinct is found on the whole so trustworthy in the minor matter, for which it has not specially been fashioned, how far more trustworthy and valuable must it probably prove in the greater matter—greater, I mean, as regards the interests of the race—for which it has been mainly or almost solely developed!

I've discussed this as if the main concern in marriage is the wellbeing of children and, by extension, the future of humanity, rather than the individuals involved. However, I don't understand why each generation should sacrifice its happiness for the benefit of those that come after. One of the strongest arguments for falling in love is that, based on common experience, it usually brings together people who end up being truly compatible and supportive of each other. I see this as a significant indication of the genuine value and significance of this instinct. Most people choose their lifelong partners at a young age, when they don’t know much about the world, judge others superficially, and still make many life mistakes and miscalculate risks. Yet, in the long run, most discover that they have selected someone who is perfectly suited, by their natural traits, to make their shared life enjoyable and meaningful. I acknowledge the influence of habit, the development of feelings, and the gradual alignment of tastes and interests. Still, it’s a shared awareness among those of us who have been married for a long time that we could hardly have been happy with the partners chosen by others; instead, we find fulfillment with the partners we selected through a nearly infallible instinct. However, the connection between husband and wife, concerning their own happiness, has played a relatively minor role in the development of this instinct when compared to what it means for producing strong and successful offspring. Natural selection emphasizes this last aspect almost entirely, while it pays little attention to the first. Therefore, if this instinct is generally so reliable in the less significant area for which it was not specifically designed, how much more reliable and valuable must it be in the more crucial area—particularly regarding the interests of humanity—for which it has been primarily or solely developed!

I do not doubt that, as the world goes on, a deeper sense of moral responsibility in the matter of marriage will grow up among us. But it will not take the false direction of ignoring these our profoundest and holiest instincts. Marriage for money may go; marriage for rank may go; marriage for position may go; but marriage for love, I believe and trust, will last for ever. Men in the future will probably feel that a union with their cousins or near relations is positively wicked; that a union with those too like them in person or disposition is at least undesirable; that a union based upon considerations of wealth or any other consideration save considerations of immediate natural impulse, is base and disgraceful. But to the end of time they will continue to feel, in spite of doctrinaires, that the voice of nature is better far than the voice of the Lord Chancellor or the Royal Society; and that the instinctive desire for a particular helpmate is a surer guide for the ultimate happiness, both of the race and of the individual, than any amount of deliberate consultation. It is not the foolish fancies of youth that will have to be got rid of, but the foolish, wicked, and mischievous interference of parents or outsiders.

I have no doubt that, as time goes on, a stronger sense of moral responsibility regarding marriage will develop among us. However, it won't lead us to ignore our deepest and most sacred instincts. Marriages for money may fade away; marriages for social status may cease; marriages for position may also disappear; but marriages for love, I believe and trust, will endure forever. In the future, people will likely see marrying cousins or close relatives as wrong; they will find unions with those too similar in appearance or personality at the very least undesirable; and they will view marriages based on wealth or any consideration other than a genuine natural impulse as shameful and disgraceful. But throughout time, they will continue to believe, despite what theorists say, that nature's voice is far more reliable than that of the Lord Chancellor or the Royal Society; and that the instinctive desire for a specific soulmate is a better guide for the ultimate happiness of both the human race and the individual than any amount of careful planning. It's not the naive dreams of youth that need to be dismissed, but rather the foolish, harmful, and meddlesome interference of parents or outsiders.


RIGHT AND LEFT

Adult man is the only animal who, in the familiar scriptural phrase, 'knoweth the right hand from the left.' This fact in his economy goes closely together with the other facts, that he is the only animal on this sublunary planet who habitually uses a knife and fork, articulate language, the art of cookery, the common pump, and the musical glasses. His right-handedness, in short, is part cause and part effect of his universal supremacy in animated nature. He is what he is, to a great extent, 'by his own right hand;' and his own right hand, we may shrewdly suspect, would never have differed at all from his left were it not for the manifold arts and trades and activities he practises.

An adult man is the only animal who, as the saying goes, "knows his right hand from his left." This fact is closely related to the other facts that he is the only creature on this earth who regularly uses a knife and fork, speaks a language, cooks food, operates a common pump, and plays musical glasses. His right-handedness is both a reason and a result of his overall dominance in the animal kingdom. He is largely what he is "by his own right hand," and we can reasonably suspect that his right hand would never have differed from his left if it weren't for the numerous skills, trades, and activities he engages in.

It was not always so, when wild in woods the noble savage ran. Man was once, in his childhood on earth, what Charles Reade wanted him again to be in his maturer centuries, ambidextrous. And lest any lady readers of this volume—in the Cape of Good Hope, for example, or the remoter portions of the Australian bush, whither the culture of Girton and the familiar knowledge of the Latin language have not yet penetrated—should complain that I speak with unknown tongues, I will further explain for their special benefit that ambidextrous means equally-handed, using the right and the left indiscriminately. This, as Mr. Andrew Lang remarks in immortal verse, 'was the manner of Primitive Man.' He never minded twopence which hand he used, as long as he got the fruit or the scalp he wanted. How could he when twopence wasn't yet invented? His mamma never said to him in early youth, 'Why-why,' or 'Tomtom,' as the case might be, 'that's the wrong hand to hold your flint-scraper in.' He grew up to man's estate in happy ignorance of such minute and invidious distinctions between his anterior extremities. Enough for him that his hands could grasp the forest boughs or chip the stone into shapely arrows; and he never even thought in his innocent soul which particular hand he did it with.

It wasn't always like this, when the noble savage roamed freely in the woods. Man, in his early days on earth, was what Charles Reade wanted him to be again in his later years—ambidextrous. And just in case any lady readers in places like the Cape of Good Hope or the more remote parts of the Australian bush, where the education of Girton and the knowledge of Latin haven't reached yet, might find my language confusing, let me clarify that ambidextrous means equally good with both hands, using the right and left interchangeably. This, as Mr. Andrew Lang points out in his timeless poetry, 'was how Primitive Man' lived. He didn't care which hand he used as long as he could get the fruit or the scalp he desired. How could he, when money hadn't even been invented

How can I make this confident assertion, you ask, about a gentleman whom I never personally saw, and whose habits the intervention of five hundred centuries has precluded me from studying at close quarters? At first sight, you would suppose the evidence on such a point must be purely negative. The reconstructive historian must surely be inventing à priori facts, evolved, more Germanico, from his inner consciousness. Not so. See how clever modern archæology has become! I base my assertion upon solid evidence. I know that Primitive Man was ambidextrous, because he wrote and painted just as often with his left as with his right, and just as successfully.

How can I confidently say this, you ask, about a man I've never seen and whose habits have been beyond my reach for five hundred centuries? At first glance, you might think the evidence on this point must be purely lacking. Surely, the reconstructive historian is just coming up with facts from their imagination, formed, more in a German way, from their own thoughts. Not at all. Look how advanced modern archaeology has become! I back up my claim with solid evidence. I know that Primitive Man was ambidextrous because he wrote and painted just as often with his left hand as with his right, and he was equally successful at both.

This seems once more a hazardous statement to make about a remote ancestor, in the age before the great glacial epoch had furrowed the mountains of Northern Europe; but, nevertheless, it is strictly true and strictly demonstrable. Just try, as you read, to draw with the forefinger and thumb of your right hand an imaginary human profile on the page on which these words are printed. Do you observe that (unless you are an artist, and therefore sophisticated) you naturally and instinctively draw it with the face turned towards your left shoulder? Try now to draw it with the profile to the right, and you will find it requires a far greater effort of the thumb and fingers. The hand moves of its own accord from without inward, not from within outward. Then, again, draw with your left thumb and forefinger another imaginary profile, and you will find, for the same reason, that the face in this case looks rightward. Existing savages, and our own young children, whenever they draw a figure in profile, be it of man or beast, with their right hand, draw it almost always with the face or head turned to the left, in accordance with this natural human instinct. Their doing so is a test of their perfect right-handedness.

This may once again be a risky claim to make about a distant ancestor, back in the time before the great Ice Age carved the mountains of Northern Europe; however, it is still completely true and can be clearly shown. While you read, try using the thumb and forefinger of your right hand to sketch an imaginary human profile on the page where these words are printed. Do you notice that (unless you are an artist, in which case you might be different) you naturally and instinctively draw it with the face turned toward your left shoulder? Now, try to draw it with the profile facing to the right, and you will find it takes a lot more effort from your thumb and fingers. Your hand moves naturally from outside to inside, not from inside to outside. Now, use your left thumb and forefinger to draw another imaginary profile, and you'll find, for the same reason, that this face looks to the right. Today’s tribespeople and our young children, whenever they draw a figure in profile, whether it's a person or an animal, use their right hand and almost always have the face or head turned to the left, following this natural human instinct. This behavior shows their complete right-handedness.

But Primitive Man, or at any rate the most primitive men we know personally, the carvers of the figures from the French bone-caves, drew men and beasts, on bone or mammoth-tusk, turned either way indiscriminately. The inference is obvious. They must have been ambidextrous. Only ambidextrous people draw so at the present day; and indeed to scrape a figure otherwise with a sharp flint on a piece of bone or tooth or mammoth-tusk would, even for a practised hand, be comparatively difficult.

But primitive humans, or at least the most primitive people we know personally, like the carvers of the figures from the French bone caves, drew both humans and animals on bone or mammoth tusk, without any particular preference. The conclusion is clear. They must have been ambidextrous. Only ambidextrous individuals draw like that today; and in fact, scraping a figure in any other way with a sharp flint on a piece of bone or tooth or mammoth tusk would be, even for someone experienced, relatively difficult.

I have begun my consideration of rights and lefts with this one very clear historical datum, because it is interesting to be able to say with tolerable certainty that there really was a period in our life as a species when man in the lump was ambidextrous. Why and how did he become otherwise? This question is not only of importance in itself, as helping to explain the origin and source of man's supremacy in nature—his tool-using faculty—but it is also of interest from the light it casts on that fallacy of poor Charles Reade's already alluded to—that we ought all of us in this respect to hark back to the condition of savages. I think when we have seen the reasons which make civilised man now right-handed, we shall also see why it would be highly undesirable for him to return, after so many ages of practice, to the condition of his undeveloped stone-age ancestors.

I’ve started thinking about right-handedness and left-handedness based on one clear historical fact: there really was a time in human history when people, as a whole, were ambidextrous. Why and how did we change from that? This question is important not just for understanding how humans gained dominance over nature—through our ability to use tools—but also sheds light on the mistaken notion, mentioned earlier regarding poor Charles Reade, that we should all revert to the state of savages in this regard. I believe that once we understand the reasons that make modern humans predominantly right-handed, we will also understand why it would be highly undesirable for us to revert, after so many ages of practice, to the state of our primitive stone-age ancestors.

The very beginning of our modern right-handedness goes back, indeed, to the most primitive savagery. Why did one hand ever come to be different in use and function from another? The answer is, because man, in spite of all appearances to the contrary, is really one-sided. Externally, indeed, his congenital one-sidedness doesn't show: but it shows internally. We all of us know, in spite of Sganarelle's assertion to the contrary, that the apex of the heart inclines to the left side, and that the liver and other internal organs show a generous disregard for strict and formal symmetry. In this irregular distribution of those human organs which polite society agrees to ignore, we get the clue to the irregularity of right and left in the human arm, and finally even the particular direction of the printed letters now before you.

The very start of our modern right-handedness actually traces back to the most basic forms of savagery. Why did one hand end up being used differently than the other? The answer is that humans, despite appearances, are really one-sided. Externally, this natural one-sidedness isn't obvious, but it is apparent internally. We all know, even if Sganarelle insists otherwise, that the apex of the heart tilts to the left side, and that the liver and other internal organs don't strictly adhere to formal symmetry. In this uneven arrangement of human organs that polite society tends to overlook, we find the key to the imbalance between right and left in the human arm, and finally even the specific direction of the printed letters you see here.

For primitive man did not belong to polite society. His manners were strikingly deficient in that repose which stamps the caste of Vere de Vere. When primitive man felt the tender passion steal over his soul, he lay in wait in the hush for the Phyllis or Daphne whose charms had inspired his heart with young desire; and when she passed his hiding-place, in maiden meditation, fancy free, he felled her with a club, caught her tight by the hair of her head, and dragged her off in triumph to his cave or his rock-shelter. (Marriage by capture, the learned call this simple mode of primeval courtship.) When he found some Strephon or Damœtas rival him in the affections of the dusky sex, he and that rival fought the matter out like two bulls in a field; and the victor and his Phyllis supped that evening off the roasted remains of the vanquished suitor. I don't say these habits and manners were pretty; but they were the custom of the time, and there's no good denying them.

For primitive man didn't fit into polite society. His manners were noticeably lacking in the grace that defines the upper class. When primitive man felt love creeping into his heart, he would wait quietly for the Phyllis or Daphne who inspired his youthful desire. When she walked by his hiding spot, deep in thought and carefree, he would knock her out with a club, grab her by her hair, and drag her off triumphantly to his cave or rock shelter. (Scholars refer to this straightforward method of early courtship as marriage by capture.) If he found some Strephon or Damœtas competing for the affections of the lovely women, he and that rival would settle it like two bulls in a field; and the winner and his Phyllis would feast that evening on the roasted remains of the defeated suitor. I’m not saying these habits were attractive; but they were the customs of the time, and there’s no denying that.

Now, Primitive Man, being thus by nature a fighting animal, fought for the most part at first with his great canine teeth, his nails, and his fists; till in process of time he added to these early and natural weapons the further persuasions of a club or shillelagh. He also fought, as Darwin has very conclusively shown, in the main for the possession of the ladies of his kind, against other members of his own sex and species. And if you fight, you soon learn to protect the most exposed and vulnerable portion of your body; or, if you don't, natural selection manages it for you, by killing you off as an immediate consequence. To the boxer, wrestler, or hand-to-hand combatant, that most vulnerable portion is undoubtedly the heart. A hard blow, well delivered on the left breast, will easily kill, or at any rate stun, even a very strong man. Hence, from a very early period, men have used the right hand to fight with, and have employed the left arm chiefly to cover the heart and to parry a blow aimed at that specially vulnerable region. And when weapons of offence and defence supersede mere fists and teeth, it is the right hand that grasps the spear or sword, while the left holds over the heart for defence the shield or buckler.

Now, primitive humans, being naturally inclined to fight, initially relied on their strong canine teeth, nails, and fists. Over time, they added clubs or shillelaghs to their basic arsenal. As Darwin convincingly demonstrated, they primarily fought for the favor of females of their species against other males. When you engage in fighting, you quickly learn to protect the most exposed and vulnerable part of your body; if you don't, natural selection will eliminate you. For a boxer, wrestler, or anyone engaged in hand-to-hand combat, the most vulnerable area is undoubtedly the heart. A strong blow to the left side of the chest can easily kill or at least incapacitate even a robust individual. Thus, from very early on, men have typically used their right hand to fight while primarily using their left arm to protect the heart and deflect attacks aimed at that sensitive area. When offensive and defensive weapons replaced just fists and teeth, the right hand would grasp the spear or sword, while the left would hold a shield to protect the heart.

From this simple origin, then, the whole vast difference of right and left in civilised life takes its beginning. At first, no doubt, the superiority of the right hand was only felt in the matter of fighting. But that alone gave it a distinct pull, and paved the way, at last, for its supremacy elsewhere. For when weapons came into use, the habitual employment of the right hand to grasp the spear, sword, or knife made the nerves and muscles of the right side far more obedient to the control of the will than those of the left. The dexterity thus acquired by the right—see how the very word 'dexterity' implies this fact—made it more natural for the early hunter and artificer to employ the same hand preferentially in the manufacture of flint hatchets, bows and arrows, and in all the other manifold activities of savage life. It was the hand with which he grasped his weapon; it was therefore the hand with which he chipped it. To the very end, however, the right hand remains especially 'the hand in which you hold your knife;' and that is exactly how our own children to this day decide the question which is which, when they begin to know their right hand from their left for practical purposes.

From this simple origin, the entire significant distinction between right and left in civilized life begins. At first, the advantage of the right hand was mainly noticed in fighting. But that alone gave it a distinct edge and eventually led to its dominance in other areas. Once weapons became common, regularly using the right hand to hold a spear, sword, or knife made the nerves and muscles on that side much more responsive to the will than those on the left. The skill developed by the right—note how the very word 'dexterity' reflects this—made it more intuitive for early hunters and craftsmen to favor that hand when creating flint axes, bows and arrows, and in all the other various activities of primitive life. It was the hand that gripped their weapon; consequently, it was the hand that shaped it. To this day, however, the right hand remains especially known as 'the hand in which you hold your knife;' and that’s exactly how our own children today differentiate between their right and left hands for practical purposes.

A difference like this, once set up, implies thereafter innumerable other differences which naturally flow from it. Some of them are extremely remote and derivative. Take, for example, the case of writing and printing. Why do these run from left to right? At first sight such a practice seems clearly contrary to the instinctive tendency I noticed above—the tendency to draw from right to left, in accordance with the natural sweep of the hand and arm. And, indeed, it is a fact that all early writing habitually took the opposite direction from that which is now universal in western countries. Every schoolboy knows, for instance (or at least he would if he came up to the proper Macaulay standard), that Hebrew is written from right to left, and that each book begins at the wrong cover. The reason is that words, and letters, and hieroglyphics were originally carved, scratched, or incised, instead of being written with coloured ink, and the hand was thus allowed to follow its natural bent, and to proceed, as we all do in naïve drawing, with a free curve from the right leftward.

A difference like this, once established, leads to countless other differences that naturally come from it. Some of these are very far removed and secondary. For instance, consider writing and printing. Why do these go from left to right? At first glance, this practice seems to go against the instinctive tendency I mentioned earlier—the tendency to draw from right to left, following the natural motion of the hand and arm. In fact, it’s true that all early writing consistently went in the opposite direction from what is now standard in western countries. Every schoolboy knows, for example (or at least he would if he met the proper Macaulay standard), that Hebrew is written from right to left, and that each book starts at the "wrong" cover. The reason is that words, letters, and hieroglyphics were originally carved, scratched, or incised, rather than written with colored ink, allowing the hand to move as it naturally does, proceeding, as we all do in basic drawing, with a smooth curve from the right to the left.

Nevertheless, the very same fact—that we use the right hand alone in writing—made the letters run the opposite way in the end; and the change was due to the use of ink and other pigments for staining papyrus, parchment, or paper. If the hand in this case moved from right to left it would of course smear what it had already written; and to prevent such untidy smudging of the words, the order of writing was reversed from left rightward. The use of wax tablets also, no doubt, helped forward the revolution, for in this case, too, the hand would cover and rub out the words written.

Nevertheless, the same fact—that we write only with our right hand—ended up making the letters run the opposite way; this change was caused by using ink and other pigments to stain papyrus, parchment, or paper. If the hand moved from right to left, it would of course smudge what had already been written; to avoid such messy smudging of the words, the writing order was reversed to go from left to right. The use of wax tablets probably also contributed to this change, since in that case as well, the hand would cover and erase the written words.

The strict dependence of writing, indeed, upon the material employed is nowhere better shown than in the case of the Assyrian cuneiform inscriptions. The ordinary substitute for cream-laid note in the Euphrates valley in its palmy days was a clay or terra-cotta tablet, on which the words to be recorded—usually a deed of sale or something of the sort—were impressed while it was wet and then baked in, solid. And the method of impressing them was very simple; the workman merely pressed the end of his graver or wedge into the moist clay, thus giving rise to triangular marks which were arranged in the shapes of various letters. When alabaster, or any other hard material, was substituted for clay, the sculptor imitated these natural dabs or triangular imprints; and that was the origin of those mysterious and very learned-looking cuneiforms. This, I admit, is a palpable digression; but inasmuch as it throws an indirect light on the simple reasons which sometimes bring about great results, I hold it not wholly alien to the present serious philosophical inquiry.

The strong reliance of writing on the materials used is clearly illustrated in the case of Assyrian cuneiform inscriptions. During its peak, the typical alternative to cream-laid paper in the Euphrates valley was a clay or terra-cotta tablet. On these tablets, the words to be recorded—usually a sales transaction or something similar—were pressed in while the clay was still wet and then baked solid. The process of making these impressions was straightforward; the artisan would simply press the end of their tool or wedge into the moist clay, creating triangular shapes that formed different letters. When alabaster or another hard material replaced clay, the sculptor would replicate these natural dabs or triangular marks, leading to the creation of those enigmatic and scholarly-looking cuneiforms. I realize this is a noticeable digression, but since it sheds indirect light on the simple reasons that can lead to significant outcomes, I believe it is not entirely unrelated to the current serious philosophical discussion.

Printing, in turn, necessarily follows the rule of writing, so that in fact the order of letters and words on this page depends ultimately upon the remote fact that primitive man had to use his right hand to deliver a blow, and his left to parry, or to guard his heart.

Printing, in turn, has to follow the rules of writing, so the arrangement of letters and words on this page ultimately relies on the distant fact that early humans had to use their right hand to strike and their left to block or protect their heart.

Some curious and hardly noticeable results flow once more from this order of writing from left to right. You will find, if you watch yourself closely, that in examining a landscape, or the view from a hill-top, your eye naturally ranges from left to right; and that you begin your survey, as you would begin reading a page of print, from the left-hand corner. Apparently, the now almost instinctive act of reading (for Dogberry was right after all, for the civilised infant) has accustomed our eyes to this particular movement, and has made it especially natural when we are trying to 'read' or take in at a glance the meaning of any complex and varied total.

Some interesting and subtle effects come from writing from left to right. You will notice, if you pay close attention, that when looking at a landscape or the view from a hilltop, your eyes naturally move from left to right; you start your observation just like you would start reading a page, from the left corner. It seems that the almost instinctive act of reading has trained our eyes to this specific motion, making it feel especially natural when we're trying to quickly understand the meaning of a complex scene.

In the matter of pictures, I notice, the correlation has even gone a step farther. Not only do we usually take in the episodes of a painting from left to right, but the painter definitely and deliberately intends us so to take them in. For wherever two or three distinct episodes in succession are represented on a single plane in the same picture—as happens often in early art—they are invariably represented in the precise order of the words on a written or printed page, beginning at the upper left-hand corner, and ending at the lower right-hand angle. I first noticed this curious extension of the common principle in the mediæval frescoes of the Campo Santo at Pisa; and I have since verified it by observations on many other pictures elsewhere, both ancient and modern. The Campo Santo, however, forms an exceptionally good museum of such story-telling frescoes by various painters, as almost every picture consists of several successive episodes. The famous Benozzo Gozzoli, for example, of Noah's Vineyard represents on a single plane all the stages in that earliest drama of intoxication, from the first act of gathering the grapes on the top left, to the scandalised lady, the vergognosa di Pisa, who covers her face with her hands in shocked horror at the patriarch's disgrace in the lower right-hand corner.

In terms of pictures, I've noticed that the connection has gone even further. Not only do we typically view the scenes in a painting from left to right, but the artist also clearly intends us to do so. Whenever two or three different scenes are shown in succession on a single plane within the same artwork—something that frequently occurs in early art—they are always presented in the same order as words on a page, starting from the upper left and ending at the lower right. I first spotted this interesting extension of the usual principle in the medieval frescoes of the Campo Santo in Pisa; since then, I've confirmed it through observations of many other artworks, both ancient and modern. The Campo Santo, however, serves as an especially good museum for these narrative frescoes by various artists, as almost every piece features multiple successive scenes. For instance, the renowned Benozzo Gozzoli’s depiction of Noah’s Vineyard illustrates all the stages of that early tale of intoxication on a single plane, from the initial act of grape gathering in the top left to the shocked lady, the vergognosa di Pisa, who covers her face in horror at the patriarch's disgrace in the lower right corner.

Observe, too, that the very conditions of technique demand this order almost as rigorously in painting as in writing. For the painter will naturally so work as not to smudge over what he has already painted: and he will also naturally begin with the earliest episode in the story he unfolds, proceeding to the others in due succession. From which two principles it necessarily results that he will begin at the upper left, and end at the lower right-hand corner.

Observe, too, that the conditions of technique require this order almost as strictly in painting as in writing. The painter will naturally work in a way that avoids smudging what he has already painted: and he will also naturally start with the first part of the story he tells, moving to the others in the right sequence. From these two principles, it naturally follows that he will start at the upper left and finish at the lower right corner.

I have skipped lightly, I admit, over a considerable interval between primitive man and Benozzo Gozzoli. But consider further that during all that time the uses of the right and left hand were becoming by gradual degrees each day still further differentiated and specialised. Innumerable trades, occupations, and habits imply ever-widening differences in the way we use them. It is not the right hand alone that has undergone an education in this respect: the left, too, though subordinate, has still its own special functions to perform. If the savage chips his flints with a blow of the right, he holds the core, or main mass of stone from which he strikes it, firmly with his left. If one hand is specially devoted to the knife, the other grasps the fork to make up for it. In almost every act we do with both hands, each has a separate office to which it is best fitted. Take, for example, so simple a matter as buttoning one's coat, where a curious distinction between the habits of the sexes enables us to test the principle with ease and certainty. Men's clothes are always made with the buttons on the right side and the button-holes on the left. Women's, on the contrary, are always made with the buttons on the left side, and the button-holes on the right. (The occult reason for this curious distinction, which has long engaged the attention of philosophers, has never yet been discovered, but it is probably to be accounted for by the perversity of women.) Well, if a man tries to put on a woman's waterproof, or a woman to put on a man's ulster, each will find that neither hand is readily able to perform the part of the other. A man, in buttoning, grasps the button in his right hand, pushes it through with his right thumb, holds the button-hole open with his left, and pulls all straight with his right fore-finger. Reverse the sides, and both hands at once seem equally helpless.

I admit, I’ve lightly skipped over a long gap between primitive humans and Benozzo Gozzoli. But think about it: during all that time, our use of the right and left hands has gradually become more distinct and specialized. Countless trades, jobs, and habits show the increasing differences in how we use them. It’s not just the right hand that’s been trained; the left, though secondary, has its own specific tasks to handle. If a primitive person chips stones with their right hand, they hold the main stone with their left. If one hand is dedicated to the knife, the other holds the fork to complement it. In almost every action we take with both hands, each has its own role that's best suited for it. Take something as simple as buttoning a coat, where a notable distinction between men’s and women’s habits makes it easy to see this principle in action. Men’s clothing usually has buttons on the right and buttonholes on the left, while women’s clothing has buttons on the left and buttonholes on the right. (The mysterious reason behind this odd distinction has puzzled philosophers for years, but it might just relate to women’s quirks.) So, if a man tries to put on a woman’s raincoat, or a woman tries to wear a man’s overcoat, both will find that their hands struggle to switch roles. A man buttons his coat by grabbing the button with his right hand, pushing it through with his right thumb, keeping the buttonhole open with his left, and pulling it all together with his right index finger. Switch the sides, and both hands end up feeling equally awkward.

It is curious to note how many little peculiarities of dress or manufacture are equally necessitated by this prime distinction of right and left. Here are a very few of them, which the reader can indefinitely increase for himself. (I leave out of consideration obvious cases like boots and gloves: to insult that proverbially intelligent person's intelligence with those were surely unpardonable.) A scarf habitually tied in a sailor's knot acquires one long side, left, and one short one, right, from the way it is manipulated by the right hand; if it were tied by the left, the relations would be reversed. The spiral of corkscrews and of ordinary screws turned by hand goes in accordance with the natural twist of the right hand: try to drive in an imaginary corkscrew with the right hand, the opposite way, and you will see how utterly awkward and clumsy is the motion. The strap of the flap that covers the keyhole in trunks and portmanteaus always has its fixed side over to the right, and its buckle to the left; in this way only can it be conveniently buckled by a right-handed person. The hands of watches and the numbers of dial-faced barometers run from left to right: this is a peculiarity dependent upon the left to right system of writing. A servant offers you dishes from the left side: you can't so readily help yourself from the right, unless left-handed. Schopenhauer despaired of the German race, because it could never be taught like the English to keep to the right side of the pavement in walking. A sword is worn at the left hip: a handkerchief is carried in the right pocket, if at the side; in the left, if in the coat-tails: in either case for the right hand to get at it most easily. A watch-pocket is made in the left breast; a pocket for railway tickets halfway down the right side. Try to reverse any one of these simple actions, and you will see at once that they are immediately implied in the very fact of our original right-handedness.

It’s interesting to see how many little quirks in clothing or production are influenced by the basic difference between right and left. Here are just a few examples that the reader can easily expand upon. (I’m not including obvious cases like boots and gloves; it would be unforgivable to insult that notoriously intelligent person's intelligence with those.) A scarf tied in a sailor's knot ends up with one long side on the left and one short side on the right because of how the right hand manipulates it; if tied with the left hand, the sides would switch. The spiral of corkscrews and regular screws turned by hand follows the natural twist of the right hand: try to turn an imaginary corkscrew with your right hand in the opposite direction, and you’ll see how completely awkward the movement is. The strap that covers the keyhole on trunks and suitcases always has its fixed side on the right and its buckle on the left; this arrangement allows a right-handed person to buckle it easily. The hands of watches and the numbers on dial barometers move from left to right: this is a result of the left-to-right writing system. A server offers you dishes from the left side; it's much harder to help yourself from the right, unless you’re left-handed. Schopenhauer was frustrated with the German people because they could never learn, like the English, to walk on the right side of the pavement. A sword is worn on the left hip; a handkerchief is carried in the right pocket if it's on the side, and in the left pocket if it’s in the coat-tails: in either case, it’s easier for the right hand to reach. A watch pocket is made in the left breast; there’s a pocket for railway tickets halfway down the right side. Try to reverse any of these simple actions, and you’ll quickly see that they’re directly related to our inherent right-handedness.

And herein, I think, we find the true answer to Charles Reade's mistaken notion of the advantages of ambidexterity. You couldn't make both hands do everything alike without a considerable loss of time, effort, efficiency, and convenience. Each hand learns to do its own work and to do it well; if you made it do the other hand's into the bargain, it would have a great deal more to learn, and we should find it difficult even then to prevent specialisation. We should have to make things deliberately different for the two hands—to have rights and lefts in everything, as we have them now in boots and gloves—or else one hand must inevitably gain the supremacy. Sword-handles, shears, surgical instruments, and hundreds of other things have to be made right-handed, while palettes and a few like subsidiary objects are adapted to the left; in each case for a perfectly sufficient reason. You can't upset all this without causing confusion. More than that, the division of labour thus brought about is certainly a gain to those who possess it: for if it were not so, the ambidextrous races would have beaten the dextro-sinistrals in the struggle for existence; whereas we know that the exact opposite has been the case. Man's special use of the right hand is one of his points of superiority to the brutes. If ever his right hand should forget its cunning, his supremacy would indeed begin to totter. Depend upon it, Nature is wiser than even Charles Reade. What she finds most useful in the long run must certainly have many good points to recommend it.

And here, I believe we find the real answer to Charles Reade's flawed idea about the benefits of being ambidextrous. You can't make both hands do everything the same way without losing a lot of time, effort, efficiency, and ease. Each hand learns to handle its own tasks and excels at them; if you tried to make one hand do the other's tasks too, it would have to learn a lot more, and even then, it would be hard to avoid specialization. We would have to intentionally make things different for the two hands—to have rights and lefts in everything, like we do with boots and gloves—or else one hand would inevitably take over. Sword handles, scissors, surgical tools, and countless other items are designed for right-handed use, while palettes and a few similar objects are made for left-handers; there's a solid reason for this. You can't change all of that without creating confusion. Furthermore, the division of labor that results is definitely beneficial for those who have it: if it weren't, ambidextrous people would have outperformed right- and left-handed individuals in the competition for survival, yet we know that the opposite has been true. The way humans make use of their right hand is one of the factors that set them apart from animals. If the right hand ever lost its skill, human dominance would surely start to waver. You can trust that Nature knows better than even Charles Reade. What she finds most useful in the long run surely has many advantages.

And this last consideration suggests another aspect of right and left which must not be passed over without one word in this brief survey of the philosophy of the subject. The superiority of the right caused it early to be regarded as the fortunate, lucky, and trusty hand; the inferiority of the left caused it equally to be considered as ill-omened, unlucky, and, in one expressive word, sinister. Hence come innumerable phrases and superstitions. It is the right hand of friendship that we always grasp; it is with our own right hand that we vindicate our honour against sinister suspicions. On the other hand, it is 'over the left' that we believe a doubtful or incredible statement; a left-handed compliment or a left-handed marriage carry their own condemnation with them. On the right hand of the host is the seat of honour; it is to the left that the goats of ecclesiastical controversy are invariably relegated. The very notions of the right hand and ethical right have got mixed up inextricably in every language: droit and la droite display it in French as much as right and the right in English. But to be gauche is merely to be awkward and clumsy; while to be right is something far higher and more important.

And this last point brings up another aspect of right and left that shouldn't be overlooked in this quick look at the philosophy of the topic. The dominance of the right led it to be seen early on as the fortunate, lucky, and trustworthy hand; the perceived inferiority of the left made it equally seen as ill-fated, unlucky, and, in one striking term, sinister. This has given rise to countless phrases and superstitions. We always extend the right hand of friendship; it's with our own right hand that we defend our honor against sinister doubts. Conversely, it's 'over the left' that we find a questionable or unbelievable statement; a left-handed compliment or a left-handed marriage come with their own negative connotations. The right hand of the host is where the seat of honor is found; to the left are always pushed the 'goats' of ecclesiastical disputes. The concepts of the right hand and ethical right have become completely intertwined in every language: droit and la droite in French express this just as much as right and the right in English. However, to be gauche just means to be awkward and clumsy; being right is something much greater and more significant.

So unlucky, indeed, does the left hand at last become that merely to mention it is an evil omen; and so the Greeks refused to use the true old Greek word for left at all, and preferred euphemistically to describe it as euonymos, the well-named or happy-omened. Our own left seems equally to mean the hand that is left after the right has been mentioned, or, in short, the other one. Many things which are lucky if seen on the right are fateful omens if seen to leftward. On the other hand, if you spill the salt, you propitiate destiny by tossing a pinch of it over the left shoulder. A murderer's left hand is said by good authorities to be an excellent thing to do magic with; but here I cannot speak from personal experience. Nor do I know why the wedding-ring is worn on the left hand; though it is significant, at any rate, that the mark of slavery should be put by the man with his own right upon the inferior member of the weaker vessel. Strong-minded ladies may get up an agitation if they like to alter this gross injustice of the centuries.

So unlucky, indeed, does the left hand become that just mentioning it is seen as a bad omen; and the Greeks avoided using the true old Greek word for left altogether, preferring to refer to it euphemistically as euonymos, meaning well-named or happy-omened. Our own left also seems to signify the hand that's left after mentioning the right one, or simply, the other one. Many things that are lucky when seen on the right are considered bad omens when seen on the left. On the flip side, if you spill salt, you can appease fate by tossing a pinch of it over your left shoulder. It's said by credible sources that a murderer's left hand is great for doing magic; however, I can't speak from personal experience on that. I also don't know why wedding rings are worn on the left hand; though it is telling that the mark of slavery should be placed by the man with his right hand on the weaker vessel's inferior member. Strong-minded women may start a movement if they wish to change this longstanding injustice.

One curious minor application of rights and lefts is the rule of the road as it exists in England. How it arose I can't say, any more than I can say why a lady sits her side-saddle to the left. Coachmen, to be sure, are quite unanimous that the leftward route enables them to see how close they are passing to another carriage; but, as all continental authority is equally convinced the other way, I make no doubt this is a mere illusion of long-continued custom. It is curious, however, that the English usage, having once obtained in these islands, has influenced railways, not only in Britain, but over all Europe. Trains, like carriages, go to the left when they pass; and this habit, quite natural in England, was transplanted by the early engineers to the Continent, where ordinary carriages, of course, go to the right. In America, to be sure, the trains also go right like the carriages; but then, those Americans have such a curiously un-English way of being strictly consistent and logical in their doings. In Britain we should have compromised the matter by going sometimes one way and sometimes the other.

One interesting minor aspect of right and left is the driving rules in England. I can’t explain how it started, just like I can't say why women ride side-saddle on the left. Coaches, of course, agree that driving on the left lets them see how close they are to other vehicles; but since all continental experts believe the opposite, I assume this is just a long-standing tradition. It’s interesting, though, that this English practice, once established in these islands, has influenced railways not just in Britain but across all of Europe. Trains, like carriages, travel to the left when they pass each other; and this behavior, quite normal in England, was adopted by early engineers on the continent, where regular vehicles, of course, drive to the right. In America, trains also go right like the carriages; but Americans have such a uniquely non-English way of being consistently logical in their actions. In Britain, we would have found a way to compromise, going one way sometimes and the other way at other times.


EVOLUTION

Everybody nowadays talks about evolution. Like electricity, the cholera germ, woman's rights, the great mining boom, and the Eastern Question, it is 'in the air.' It pervades society everywhere with its subtle essence; it infects small-talk with its familiar catchwords and its slang phrases; it even permeates that last stronghold of rampant Philistinism, the third leader in the penny papers. Everybody believes he knows all about it, and discusses it as glibly in his everyday conversation as he discusses the points of racehorses he has never seen, the charms of peeresses he has never spoken to, and the demerits of authors he has never read. Everybody is aware, in a dim and nebulous semi-conscious fashion, that it was all invented by the late Mr. Darwin, and reduced to a system by Mr. Herbert Spencer—don't you know?—and a lot more of those scientific fellows. It is generally understood in the best-informed circles that evolutionism consists for the most part in a belief about nature at large essentially similar to that applied by Topsy to her own origin and early history. It is conceived, in short, that most things 'growed.' Especially is it known that in the opinion of the evolutionists as a body we are all of us ultimately descended from men with tails, who were the final offspring and improved edition of the common gorilla. That, very briefly put, is the popular conception of the various points in the great modern evolutionary programme.

Everyone these days talks about evolution. Like electricity, the cholera germ, women's rights, the big mining boom, and the Eastern Question, it's "in the air." It flows through society everywhere with its subtle presence; it taints small talk with its familiar buzzwords and slang phrases; it even seeps into that last refuge of rampant Philistinism, the third column in the penny papers. Everyone thinks they know all about it and discusses it just as easily in their everyday conversations as they chat about racehorses they've never seen, the allure of aristocrats they've never met, and the flaws of authors they've never read. Everyone is vaguely aware that it was all introduced by the late Mr. Darwin and systematized by Mr. Herbert Spencer—don’t you know?—and a bunch of those scientific types. It’s commonly understood in well-informed circles that evolutionism mainly consists of a belief about nature that’s basically similar to what Topsy thought about her own origins and early history. In short, it's believed that most things "grew." Especially well-known is the idea that, according to evolutionists as a whole, we are all ultimately descended from tail-bearing men, who were the last descendants and improved versions of the common gorilla. That, very briefly put, is the popular understanding of the various aspects of the great modern evolutionary program.

It is scarcely necessary to inform the intelligent reader, who of course differs fundamentally from that inferior class of human beings known to all of us in our own minds as 'other people,' that almost every point in the catalogue thus briefly enumerated is a popular fallacy of the wildest description. Mr. Darwin did not invent evolution any more than George Stephenson invented the steam-engine, or Mr. Edison the electric telegraph. We are not descended from men with tails, any more than we are descended from Indian elephants. There is no evidence that we have anything in particular more than the remotest fiftieth cousinship with our poor relation the West African gorilla. Science is not in search of a 'missing link'; few links are anywhere missing, and those are for the most part wholly unimportant ones. If we found the imaginary link in question, he would not be a monkey, nor yet in any way a tailed man. And so forth generally through the whole list of popular beliefs and current fallacies as to the real meaning of evolutionary teaching. Whatever most people think evolutionary is for the most part a pure parody of the evolutionist's opinion.

It’s hardly necessary to tell the smart reader, who clearly is very different from that lower class of people we think of as 'other people,' that almost every item in the list I’ve just mentioned is a wildly popular misconception. Mr. Darwin didn’t create evolution any more than George Stephenson created the steam engine, or Mr. Edison created the electric telegraph. We aren’t descended from humans with tails, just like we aren’t descended from Indian elephants. There’s no proof that we share anything more than the most distant cousin relationship with our distant relative, the West African gorilla. Science isn’t looking for a 'missing link'; very few links are actually missing, and those that are, are mostly unimportant. If we did find this imagined link, it wouldn’t be a monkey, nor would it be a tailed human. And this pattern continues throughout the entire list of common beliefs and misunderstandings about the true meaning of evolutionary teaching. What most people think evolutionary is generally just a complete misunderstanding of an evolutionist’s view.

But a more serious error than all these pervades what we may call the drawing-room view of the evolutionist theory. So far as Society with a big initial is concerned, evolutionism first began to be talked about, and therefore known (for Society does not read; it listens, or rather it overhears and catches fragmentary echoes) when Darwin published his 'Origin of Species.' That great book consisted simply of a theory as to the causes which led to the distinctions of kind between plants and animals. With evolution at large it had nothing to do; it took for granted the origin of sun, moon, and stars, planets and comets, the earth and all that in it is, the sea and the dry land, the mountains and the valleys, nay even life itself in the crude form, everything in fact, save the one point of the various types and species of living beings. Long before Darwin's book appeared evolution had been a recognised force in the moving world of science and philosophy. Kant and Laplace had worked out the development of suns and earths from white-hot star-clouds. Lyell had worked out the evolution of the earth's surface to its present highly complex geographical condition. Lamarck had worked out the descent of plants and animals from a common ancestor by slow modification. Herbert Spencer had worked out the growth of mind from its simplest beginnings to its highest outcome in human thought.

But a more serious mistake than all these spreads through what we can call the drawing-room perspective on the evolutionist theory. As far as Society with a big initial is concerned, evolutionism first started being discussed, and therefore known (since Society doesn't read; it listens, or rather it picks up and catches bits and pieces), when Darwin published his 'Origin of Species.' That landmark book was simply a theory about the reasons behind the differences between plants and animals. It had nothing to do with evolution in general; it assumed the origins of the sun, moon, and stars, planets and comets, the earth and everything in it, the sea and the land, the mountains and the valleys, and even life itself in its simplest form—everything, in fact, except for the one point of the various types and species of living beings. Long before Darwin's book came out, evolution had already been recognized as a force in the dynamic world of science and philosophy. Kant and Laplace had explained the development of suns and planets from hot star clouds. Lyell had mapped out the evolution of the earth's surface into its current complex geographical state. Lamarck had traced the descent of plants and animals from a common ancestor through gradual changes. Herbert Spencer had detailed the growth of the mind from its simplest beginnings to its highest expression in human thought.

But Society, like Gallio, cared nothing for all these things. The evolutionary principles had never been put into a single big book, asked for at Mudie's, and permitted to lie on the drawing-room table side by side with the last new novel and the last fat volume of scandalous court memoirs. Therefore Society ignored them and knew them not; the word evolution scarcely entered at all as yet into its polite and refined dinner-table vocabulary. It recognised only the 'Darwinian theory,' 'natural selection,' 'the missing link,' and the belief that men were merely monkeys who had lost their tails, presumably by sitting upon them. To the world at large that learned Mr. Darwin had invented and patented the entire business, including descent with modification, if such notions ever occurred at all to the world-at-large's speculative intelligence.

But society, like Gallio, didn't care about any of this. Evolutionary principles had never been compiled into a big book that you could find at Mudie’s, lying on the drawing-room table next to the latest novel and the newest thick volume of scandalous court memoirs. So, society ignored them and remained unaware; the term evolution barely even made it into its polite dinner-table conversations. It only acknowledged the 'Darwinian theory,' 'natural selection,' 'the missing link,' and the notion that humans were just monkeys who lost their tails, probably from sitting on them. To the general public, that learned Mr. Darwin seemed to have invented and patented the whole concept, including descent with modification, if such ideas ever crossed the general public's speculative minds.

Now, evolutionism is really a thing of far deeper growth and older antecedents than this easy, superficial drawing-room view would lead us to imagine. It is a very ancient and respectable theory indeed, and it has an immense variety of minor developments. I am not going to push it back, in the fashionable modern scientific manner, to the vague and indefinite hints in our old friend Lucretius. The great original Roman poet—the only original poet in the Latin language—did indeed hit out for himself a very good rough working sketch of a sort of nebulous and shapeless evolutionism. It was bold, it was consistent, for its time it was wonderful. But Lucretius's philosophy, like all the philosophies of the older world, was a mere speculative idea, a fancy picture of the development of things, not dependent upon observation of facts at all, but wholly evolved, like the German thinker's camel, out of its author's own pregnant inner consciousness. The Roman poet would no doubt have built an excellent superstructure if he had only possessed a little straw to make his bricks of. As it was, however, scientific brick-making being still in its infancy, he could only construct in a day a shadowy Aladdin's palace of pure fanciful Epicurean phantasms, an imaginary world of imaginary atoms, fortuitously concurring out of void chaos into an orderly universe, as though by miracle. It is not thus that systems arise which regenerate the thought of humanity; he who would build for all time must make sure first of a solid foundation, and then use sound bricks in place of the airy nothings of metaphysical speculation.

Now, evolutionism is actually a concept with much deeper roots and older origins than this simple, superficial view from the drawing room might suggest. It’s a very ancient and respected theory, with a wide range of smaller developments. I’m not going to trace it back, in the trendy modern scientific way, to the vague hints offered by our old friend Lucretius. The great original Roman poet—the only true original poet in the Latin language—did create a solid rough sketch of a sort of unclear and shapeless evolutionism. It was bold and consistent, and for its time, it was impressive. But Lucretius’s philosophy, like all the philosophies of the ancient world, was merely a speculative idea, a fanciful depiction of the development of things, not based on factual observation at all, but entirely created, like the German thinker’s camel, from the author’s own rich inner consciousness. The Roman poet would have undoubtedly built an excellent structure if he had only had a little straw to make his bricks. Unfortunately, since scientific brick-making was still in its early stages, he could only construct a shadowy Aladdin’s palace made of pure imaginative Epicurean fantasies, an imaginary world of imaginary atoms, randomly coming together from empty chaos into an orderly universe, as if by miracle. This isn’t how systems are created that regenerate human thought; anyone who wants to build for all time needs to ensure a solid foundation first, and then use real bricks instead of the airy nothings of metaphysical speculation.

It was in the last century that the evolutionary idea really began to take form and shape in the separate conceptions of Kant, Laplace, Lamarck, and Erasmus Darwin. These were the true founders of our modern evolutionism. Charles Darwin and Herbert Spencer were the Joshuas who led the chosen people into the land which more than one venturous Moses had already dimly descried afar off from the Pisgah top of the eighteenth century.

It was in the last century that the idea of evolution truly started to take shape through the distinct views of Kant, Laplace, Lamarck, and Erasmus Darwin. These individuals were the true pioneers of modern evolutionism. Charles Darwin and Herbert Spencer were like the leaders guiding their people into a territory that more than one daring thinker had already vaguely envisioned from the height of the eighteenth century.

Kant and Laplace came first in time, as astronomy comes first in logical order. Stars and suns, and planets and satellites, necessarily precede in development plants and animals. You can have no cabbages without a world to grow them in. The science of the stars was therefore reduced to comparative system and order, while the sciences of life, and mind, and matter were still a hopeless and inextricable muddle. It was no wonder, then, that the evolution of the heavenly bodies should have been clearly apprehended and definitely formulated while the evolution of the earth's crust was still imperfectly understood, and the evolution of living beings was only tentatively and hypothetically hinted at in a timid whisper.

Kant and Laplace came first, just like astronomy makes sense first in logical order. Stars, suns, planets, and satellites naturally come before plants and animals in development. You can't have cabbages without a world for them to grow in. The science of the stars was therefore organized into a comparative system and order, while the sciences of life, mind, and matter remained a confusing mess. It’s no surprise that we understood the evolution of celestial bodies clearly and defined it while the evolution of the Earth's crust was still not completely understood, and the evolution of living beings was only hinted at tentatively and with hesitation.

In the beginning, say the astronomical evolutionists, not only this world, but all the other worlds in the universe, existed potentially, as the poet justly remarks, in 'a haze of fluid light,' a vast nebula of enormous extent and almost inconceivable material thinness. The world arose out of a sort of primitive world-gruel. The matter of which it was composed was gas, of such an extraordinary and unimaginable gasiness that millions of cubic miles of it might easily be compressed into a common antibilious pill-box. The pill-box itself, in fact, is the net result of a prolonged secular condensation of myriads of such enormous cubes of this primæval matter. Slowly setting around common centres, however, in anticipation of Sir Isaac Newton's gravitative theories, the fluid haze gradually collected into suns and stars, whose light and heat is presumably due to the clashing together of their component atoms as they fall perpetually towards the central mass. Just as in a burning candle the impact of the oxygen atoms in the air against the carbon and hydrogen atoms in the melted and rarefied wax or tallow produces the light and heat of the flame, so in nebula or sun the impact of the various gravitating atoms one against the other produces the light and heat by whose aid we are enabled to see and know those distant bodies. The universe, according to this now fashionable nebular theory, began as a single vast ocean of matter of immense tenuity, spread all alike over all space as far as nowhere, and comparatively little different within itself when looked at side by side with its own final historical outcome. In Mr. Spencer's perspicuous phrase, evolution in this aspect is a change from the homogeneous to the heterogeneous, from the incoherent to the coherent, and from the indefinite to the definite condition. Difficult words at first to apprehend, no doubt, and therefore to many people, as to Mr. Matthew Arnold, very repellent, but full of meaning, lucidity, and suggestiveness, if only we once take the trouble fairly and squarely to understand them.

In the beginning, according to astronomers who study evolution, not just our world, but all the other worlds in the universe existed potentially, as the poet rightly points out, in 'a haze of fluid light,' a massive nebula of incredible size and almost unimaginable thinness. The world emerged from what could be described as a type of primitive world mush. The matter that made it up was gas, so incredibly gaseous that millions of cubic miles of it could easily fit into a regular pillbox. In fact, the pillbox is the end result of a long process of condensing countless massive cubes of this primordial matter. Gradually, gathering around common centers, in anticipation of Sir Isaac Newton's gravitational theories, the fluid haze slowly took shape into suns and stars, whose light and heat likely come from the collision of their atoms as they continuously fall toward the central mass. Just as the impact of oxygen atoms in the air against the carbon and hydrogen atoms in the melted wax of a burning candle produces the light and heat of the flame, similarly, in a nebula or sun, the collision of various gravitating atoms produces the light and heat that allow us to see and understand those distant bodies. The universe, according to this now popular nebular theory, began as a single vast ocean of incredibly thin matter, spread uniformly across all space as far as we can imagine, and not very different within itself when compared alongside its final historical outcome. In Mr. Spencer's clear terms, evolution in this regard is a shift from the uniform to the diverse, from the chaotic to the organized, and from the vague to the specific condition. Challenging words at first, no doubt, which for many people, including Mr. Matthew Arnold, may seem quite unappealing, but they are packed with meaning, clarity, and insight, if only we take the time to truly understand them.

Every sun and every star thus formed is for ever gathering in the hem of its outer robe upon itself, for ever radiating off its light and heat into surrounding space, and for ever growing denser and colder as it sets slowly towards its centre of gravity. Our own sun and solar system may be taken as good typical working examples of how the stars thus constantly shrink into smaller and ever smaller dimensions around their own fixed centre. Naturally, we know more about our own solar system than about any other in our own universe, and it also possesses for us a greater practical and personal interest than any outside portion of the galaxy. Nobody can pretend to be profoundly immersed in the internal affairs of Sirius or of Alpha Centauri. A fiery revolution in the belt of Orion would affect us less than a passing finger-ache in a certain single terrestrial baby of our own household. Therefore I shall not apologise in any way for leaving the remainder of the sidereal universe to its unknown fate, and concentrating my attention mainly on the affairs of that solitary little, out-of-the-way, second-rate system, whereof we form an inappreciable portion. The matter which now composes the sun and its attendant bodies (the satellites included) was once spread out, according to Laplace, to at least the furthest orbit of the outermost planet—that is to say, so far as our present knowledge goes, the planet Neptune. Of course, when it was expanded to that immense distance, it must have been very thin indeed, thinner than our clumsy human senses can even conceive of. An American would say, too thin; but I put Americans out of court at once as mere irreverent scoffers. From the orbit of Neptune, or something outside it, the faint and cloud-like mass which bore within it Cæsar and his fortunes, not to mention the remainder of the earth and the solar system, began slowly to converge and gather itself in, growing denser and denser but smaller and smaller as it gradually neared its existing dimensions. How long a time it took to do it is for our present purpose relatively unimportant: the cruel physicists will only let us have a beggarly hundred million years or so for the process, while the grasping and extravagant evolutionary geologists beg with tears for at least double or even ten times that limited period. But at any rate it has taken a good long while, and, as far as most of us are personally concerned, the difference of one or two hundred millions, if it comes to that, is not really at all an appreciable one.

Every sun and every star that forms is constantly pulling in the edges of its outer layer, endlessly radiating its light and heat into the surrounding space, and continuously becoming denser and colder as it slowly moves toward its center of gravity. Our own sun and solar system are perfect examples of how stars constantly shrink to smaller and smaller sizes around their own center. Naturally, we know more about our solar system than about any others in the universe, and it holds more practical and personal interest for us than any other part of the galaxy. No one can claim to be deeply engaged in the internal matters of Sirius or Alpha Centauri. A fiery event in the Orion belt would concern us less than a minor finger ache of a single baby in our household. Therefore, I won’t apologize for focusing on the affairs of that solitary little, distant, second-rate system, of which we are just a tiny part. According to Laplace, the matter that now makes up the sun and its surrounding bodies (including the satellites) was once spread out to at least the outermost planet’s orbit—that is, to what we currently know as Neptune. Of course, when it was spread out over that vast distance, it must have been extremely thin, thinner than our clumsy human senses can even imagine. An American might say it's too thin; however, I disregard those Americans as mere irreverent skeptics. From the orbit of Neptune, or maybe somewhere beyond it, the faint, cloud-like mass that eventually held Cæsar and his fortunes, along with the rest of Earth and the solar system, began to slowly come together, becoming denser yet smaller as it neared its current size. How long this took is relatively unimportant for our purpose: the harsh physicists will only give us a meager hundred million years or so for the process, while the greedy and extravagant evolutionary geologists plead for at least double or even ten times that time. But anyway, it has taken quite a long time, and as far as most of us are concerned, a difference of one or two hundred million years is not really significant.

As it condensed and lessened towards its central core, revolving rapidly on its great axis, the solar mist left behind at irregular intervals concentric rings or belts of cloud-like matter, cast off from its equator; which belts, once more undergoing a similar evolution on their own account, have hardened round their private centres of gravity into Jupiter or Saturn, the Earth or Venus. Round these again, minor belts or rings have sometimes formed, as in Saturn's girdle of petty satellites; or subsidiary planets, thrown out into space, have circled round their own primaries, as the moon does around this sublunary world of ours. Meanwhile, the main central mass of all, retreating ever inward as it dropped behind it these occasional little reminders of its temporary stoppages, formed at last the sun itself, the main luminary of our entire system. Now, I won't deny that this primitive Kantian and Laplacian evolutionism, this nebular theory of such exquisite concinnity, here reduced to its simplest terms and most elementary dimensions, has received many hard knocks from later astronomers, and has been a good deal bowled over, both on mathematical and astronomical grounds, by recent investigators of nebulæ and meteors. Observations on comets and on the sun's surface have lately shown that it contains in all likelihood a very considerable fanciful admixture. It isn't more than half true; and even the half now totters in places. Still, as a vehicle of popular exposition the crude nebular hypothesis in its rawest form serves a great deal better than the truth, so far as yet known, on the good old Greek principle of the half being often more than the whole. The great point which it impresses on the mind is the cardinal idea of the sun and planets, with their attendant satellites, not as turned out like manufactured articles, ready made, at measured intervals, in a vast and deliberate celestial Orrery, but as due to the slow and gradual working of natural laws, in accordance with which each has assumed by force of circumstances its existing place, weight, orbit, and motion.

As it condensed and shrank toward its central core, spinning quickly on its large axis, the solar mist left behind at irregular intervals concentric rings or belts of cloud-like matter cast off from its equator. These belts, undergoing a similar evolution independently, have hardened around their own centers of gravity into Jupiter or Saturn, the Earth or Venus. Around these, smaller belts or rings sometimes formed, like Saturn's collection of tiny moons; or additional planets were ejected into space, orbiting their own primaries, just like the moon does around our Earth. Meanwhile, the main central mass kept retreating inward as it left behind these occasional reminders of its temporary pauses, eventually forming the sun itself, the main star of our entire system. I won't deny that this basic Kantian and Laplacian evolutionism, this nebular theory simplified to its core elements, has faced many challenges from later astronomers and has been significantly questioned, both mathematically and astronomically, by recent studies on nebulae and meteors. Observations of comets and the sun's surface have recently suggested it contains a substantial imaginative mix. It's not entirely true; even the half that remains is shaky in places. Still, as a way to explain things to the public, the basic nebular hypothesis in its simplest form works much better than the current understanding, following the old Greek idea that sometimes the half is greater than the whole. The key point it emphasizes is the essential idea of the sun and planets, along with their orbiting satellites, not being produced like ready-made products at regular intervals in a grand and deliberate celestial model, but rather coming from the slow and gradual workings of natural laws, through which each has established its current place, mass, orbit, and motion due to circumstances.

The grand conception of a gradual becoming, instead of a sudden making, which Kant and Laplace thus applied to the component bodies of the universe at large, was further applied by Lyell and his school to the outer crust of this one particular petty planet of ours. While the astronomers went in for the evolution of suns, stars, and worlds, Lyell and his geological brethren went in for the evolution of the earth's surface. As theirs was stellar, so his was mundane. If the world began by being a red-hot mass of planetary matter in a high state of internal excitement, boiling and dancing with the heat of its emotions, it gradually cooled down with age and experience, for growing old is growing cold, as every one of us in time, alas, discovers. As it passed from its fiery and volcanic youth to its staider and soberer middle age, a solid crust began to form in filmy fashion upon its cooling surface. The aqueous vapour that had floated at first as steam around its heated mass condensed with time into a wide ocean over the now hardened shell. Gradually this ocean shifted its bulk into two or three main bodies that sank into hollows of the viscid crust, the precursors of Atlantic, Pacific, and the Indian Seas. Wrinklings of the crust, produced by the cooling and consequent contraction, gave rise at first to baby mountain ranges, and afterwards to the earliest rough draughts of the still very vague and sketchy continents. The world grew daily more complex and more diverse; it progressed, in accordance with the Spencerian law, from the homogeneous to the heterogeneous, and so forth, as aforesaid, with delightful regularity.

The big idea of a slow development instead of an abrupt creation, which Kant and Laplace applied to the universe's parts, was further used by Lyell and his followers to the outer layer of our little planet. While astronomers focused on the evolution of suns, stars, and planets, Lyell and his geological peers studied the evolution of the earth's surface. Where theirs was about the cosmos, his was about the world. If the planet started as a red-hot mass of planetary material in a highly energetic state, boiling and moving with intense heat, it gradually cooled down with age and experience, since growing older means growing colder, as we all eventually learn. As it moved from its fiery, volcanic youth to its more stable middle age, a solid crust began to form lightly on its cooling surface. The water vapor that initially floated around as steam around its hot core condensed over time into a vast ocean on the now hardened shell. Slowly, this ocean shifted into two or three main bodies that settled into the depressions of the thick crust, which would become the Atlantic, Pacific, and Indian Oceans. Bumps in the crust, caused by cooling and contraction, first created baby mountain ranges and later the earliest outlines of what would become the continents. The world became increasingly complex and diverse; it progressed, following the Spencerian principle, from the uniform to the varied, and so on, with lovely regularity.

At last, by long and graduated changes, seas and lands, peninsulas and islands, lakes and rivers, hills and mountains, were wrought out by internal or external energies on the crust thus generally fashioned. Evaporation from the oceans gave rise to clouds and rain and hailstorms; the water that fell upon the mountain tops cut out the valleys and river basins; rills gathered into brooks, brooks into streams, streams into primæval Niles, and Amazons, and Mississippis. Volcanic forces uplifted here an Alpine chain, or depressed there a deep-sea hollow. Sediment washed from the hills and plains, or formed from countless skeletons of marine creatures, gathered on the sinking bed of the ocean as soft ooze, or crumbling sand, or thick mud, or gravel and conglomerate. Now upheaved into an elevated table-land, now slowly carved again by rain and rill into valley and watershed, and now worn down once more into the mere degraded stump of a plateau, the crust underwent innumerable changes, but almost all of them exactly the same in kind, and mostly in degree, as those we still see at work imperceptibly in the world around us. Rain washing down the soil; weather crumbling the solid rock; waves dashing at the foot of the cliffs; rivers forming deltas at their barred mouths; shingle gathering on the low spits; floods sweeping before them the countryside; ice grinding ceaselessly at the mountain top; peat filling up the shallow lake—these are the chief factors which have gone to make the physical world as we now actually know it. Land and sea, coast and contour, hill and valley, dale and gorge, earth-sculpture generally—all are due to the ceaseless interaction of these separately small and unnoticeable causes, aided or retarded by the slow effects of elevation or depression from the earth's shrinkage towards its own centre. Geology, in short, has shown us that the world is what it is, not by virtue of a single sudden creative act, nor by virtue of successive terrible and recurrent cataclysms, but by virtue of the slow continuous action of causes still always equally operative.

At last, through long and gradual changes, seas and lands, peninsulas and islands, lakes and rivers, hills and mountains were formed by internal or external forces acting on the Earth's crust. Evaporation from the oceans led to clouds, rain, and hailstorms; the water that fell on the mountain tops carved out valleys and river basins. Small streams merged into brooks, brooks into larger streams, and those into ancient rivers like the Nile, Amazon, and Mississippi. Volcanic activity lifted up mountain ranges or created deep ocean trenches. Sediments washed down from hills and plains, or formed from countless marine creatures’ remains, settled on the ocean floor as soft ooze, crumbling sand, thick mud, or gravel and conglomerate. Sometimes these materials rose to form elevated plateaus, were gradually shaped again by rain and streams into valleys and watersheds, and were worn down into the remnants of plateaus. The crust went through countless changes, but nearly all of them were similar in nature, and mostly in degree, to processes we still see quietly at work in the world today. Rain washing down soil, weather breaking apart solid rock, waves crashing against cliffs, rivers creating deltas at their mouths, pebbles accumulating on low beaches, floods sweeping across landscapes, ice continually grinding at mountaintops, and peat filling shallow lakes—these are the key factors that shaped the physical world as we know it now. Land and sea, coastlines and forms, hills and valleys, all are the results of the constant interaction of these individually small and unnoticed causes, influenced or slowed down by the gradual effects of the Earth's shrinkage towards its core. In summary, geology has shown us that the world exists not because of a single sudden act of creation, nor because of successive catastrophic events, but because of the slow, continuous action of causes that are still at work today.

Evolution in geology leads up naturally to evolution in the science of life. If the world itself grew, why not also the animals and plants that inhabit it? Already in the eager active eighteenth century this obvious idea had struck in the germ a large number of zoologists and botanists, and in the hands of Lamarck and Erasmus Darwin it took form as a distinct and elaborate system of organic evolution. Buffon had been the first to hint at the truth; but Buffon was an eminently respectable nobleman in the dubious days of the tottering monarchy, and he did not care personally for the Bastille, viewed as a place of permanent residence. In Louis Quinze's France, indeed, as things then went, a man who offended the orthodoxy of the Sorbonne was prone to find himself shortly ensconced in free quarters, and kept there for the term of his natural existence without expense to his heirs or executors. So Buffon did not venture to say outright that he thought all animals and plants were descended one from the other with slight modifications; that would have been wicked, and the Sorbonne would have proved its wickedness to him in a most conclusive fashion by promptly getting him imprisoned or silenced. It is so easy to confute your opponent when you are a hundred strong and he is one weak unit. Buffon merely said, therefore, that if we didn't know the contrary to be the case by sure warrant, we might easily have concluded (so fallible is our reason) that animals always varied slightly, and that such variations, indefinitely accumulated, would suffice to account for almost any amount of ultimate difference. A donkey might thus have grown into a horse, and a bird might have developed from a primitive lizard. Only we know it was quite otherwise! A quiet hint from Buffon was as good as a declaration from many less knowing or suggestive people. All over Europe, the wise took Buffon's hint for what he meant it; and the unwise blandly passed it by as a mere passing little foolish vagary of that great ironical writer and thinker.

Evolution in geology naturally leads to evolution in the science of life. If the world itself changed and developed, why wouldn’t the animals and plants that live in it? During the dynamic 18th century, this obvious concept sparked interest among many zoologists and botanists, and under the guidance of Lamarck and Erasmus Darwin, it developed into a distinct and comprehensive theory of organic evolution. Buffon was the first to hint at this truth; however, Buffon was a respectable nobleman in the uncertain times of a crumbling monarchy, and he didn’t personally desire a long stay in the Bastille. In the France of Louis XV, a man who challenged the orthodoxy of the Sorbonne might soon find himself comfortably accommodated there, kept for life at no cost to his heirs or executors. So, Buffon didn’t dare to outright state that he believed all animals and plants were descended from one another with minor modifications; that would have been scandalous, and the Sorbonne would have swiftly proven its disapproval by getting him imprisoned or silenced. It’s easy to defeat an opponent when you have a hundred supporters and he’s a single, weak individual. Therefore, Buffon merely suggested that if we didn’t know for sure that the opposite was true, we might reasonably conclude (given how fallible our reasoning is) that animals always varied slightly, and that such variations, when accumulated over time, could account for almost any significant differences. A donkey might have evolved into a horse, and a bird could have emerged from a primitive lizard. But we know it was quite different! A subtle hint from Buffon was as impactful as a bold declaration from many less insightful or suggestive individuals. Across Europe, the knowledgeable understood Buffon's hint for what it was meant to convey; while the less informed casually dismissed it as nothing more than a fleeting, whimsical notion from that great ironic writer and thinker.

Erasmus Darwin, the grandfather of his grandson, was no fool; on the contrary, he was the most far-sighted man of his day in England; he saw at once what Buffon was driving at; and he worked out 'Mr. Buffon's' half-concealed hint to all its natural and legitimate conclusions. The great Count was always plain Mr. Buffon to his English contemporary. Life, said Erasmus Darwin nearly a century since, began in very minute marine forms, which gradually acquired fresh powers and larger bodies, so as imperceptibly to transform themselves into different creatures. Man, he remarked, anticipating his descendant, takes rabbits or pigeons, and alters them almost to his own fancy, by immensely changing their shapes and colours. If man can make a pouter or a fantail out of the common runt, if he can produce a piebald lop-ear from the brown wild rabbit, if he can transform Dorkings into Black Spanish, why cannot Nature, with longer time to work in, and endless lives to try with, produce all the varieties of vertebrate animals out of one single common ancestor? It was a bold idea of the Lichfield doctor—bold, at least, for the times he lived in—when Sam Johnson was held a mighty sage, and physical speculation was regarded askance as having in it a dangerous touch of the devil. But the Darwins were always a bold folk, and had the courage of their opinions more than most men. So even in Lichfield, cathedral city as it was, and in the politely somnolent eighteenth century, Erasmus Darwin ventured to point out the probability that quadrupeds, birds, reptiles, and men were all mere divergent descendants of a single similar original form, and even that 'one and the same kind of living filament is, and has been, the cause of organic life.'

Erasmus Darwin, the grandfather of his grandson, was far from foolish; in fact, he was the most forward-thinking man of his time in England. He immediately understood what Buffon was hinting at and fully developed Mr. Buffon's subtly concealed suggestion into its natural and logical conclusions. The great Count was always just Mr. Buffon to his English contemporary. Nearly a century ago, Erasmus Darwin stated that life began with tiny marine forms that gradually gained new abilities and larger bodies, slowly transforming into different creatures. He noted that humans, predicting his descendant, take rabbits or pigeons and modify them to their liking by significantly altering their shapes and colors. If humans can create a pouter or a fantail from the common runt, or produce a piebald lop-ear from a brown wild rabbit, or transform Dorkings into Black Spanish chickens, then why can't Nature, given more time and countless attempts, create all the varieties of vertebrate animals from a single common ancestor? It was a daring idea from the Lichfield doctor—bold, at least, for his era—when Sam Johnson was considered a great sage, and physical speculation was often viewed with suspicion as having a dangerous hint of the devil. But the Darwins were always a daring bunch and displayed more courage in their convictions than most. So even in Lichfield, a cathedral city, and during the politely sleepy eighteenth century, Erasmus Darwin dared to suggest the likelihood that quadrupeds, birds, reptiles, and humans were all merely different branches of a single original form, and even that "one and the same kind of living filament is, and has been, the cause of organic life."

The eighteenth century laughed, of course. It always laughed at all reformers. It said Dr. Darwin was very clever, but really a most eccentric man. His 'Temple of Nature,' now, and his 'Botanic Garden,' were vastly fine and charming poems—those sweet lines, you know, about poor Eliza!—but his zoological theories were built of course upon a most absurd and uncertain foundation. In prose, no sensible person could ever take the doctor seriously. A freak of genius—nothing more; a mere desire to seem clever and singular. But what a Nemesis the whirligig of time has brought around with it! By a strange irony of fate, those admired verses are now almost entirely forgotten; poor Eliza has survived only as our awful example of artificial pathos; and the zoological heresies, at which the eighteenth century shrugged its fat shoulders and dimpled the corners of its ample mouth, have grown to be the chief cornerstone of all accepted modern zoological science.

The eighteenth century definitely laughed. It always mocked reformers. It considered Dr. Darwin to be quite clever, but really quite eccentric. His 'Temple of Nature' and his 'Botanic Garden' were nice and enchanting poems—especially those sweet lines about poor Eliza!—but his zoological theories were based, of course, on a very absurd and shaky foundation. In written work, no sensible person could ever take the doctor seriously. Just a quirky genius—nothing more; merely an attempt to appear clever and unique. But what a twist of fate time has brought! Ironically, those once-admired verses are now mostly forgotten; poor Eliza remains only as a cautionary example of artificial sentimentality; and the zoological theories that the eighteenth century shrugged off have become the foundation of all accepted modern zoological science.

In the first year of the present century, Lamarck followed Erasmus Darwin's lead with an open avowal that in his belief all animals and plants were really descended from one or a few common ancestors. He held that organisms were just as much the result of law, not of miraculous interposition, as suns and worlds and all the natural phenomena around us generally. He saw that what naturalists call a species differs from what naturalists call a variety, merely in the way of being a little more distinctly marked, a little less like its nearest congeners elsewhere. He recognised the perfect gradation of forms by which in many cases one species after another merges into the next on either side of it. He observed the analogy between the modifications induced by man and the modifications induced by nature. In fact, he was a thorough-going and convinced evolutionist, holding every salient opinion which Society still believes to have been due to the works of Charles Darwin. In one point only, a minor point to outsiders, though a point of cardinal importance to the inner brotherhood of evolutionism, he did not anticipate his more famous successor. He thought organic evolution was wholly due to the direct action of surrounding circumstances, to the intercrossing of existing forms, and above all to the actual efforts of animals themselves. In other words, he had not discovered natural selection, the cardinal idea of Charles Darwin's epoch-making book. For him, the giraffe had acquired its long neck by constant reaching up to the boughs of trees; the monkey had acquired its opposable thumb by constant grasping at the neighbouring branches; and the serpent had acquired its sinuous shape by constant wriggling through the grass of the meadows. Charles Darwin improved upon all that by his suggestive hint of survival of the fittest, and in so far, but in so far alone, he became the real father of modern biological evolutionism.

In the first year of this century, Lamarck openly acknowledged that he believed all animals and plants actually descended from one or a few common ancestors, following Erasmus Darwin's example. He argued that organisms resulted from natural laws, not miraculous interventions, just like suns, planets, and all the natural phenomena around us. He recognized that what naturalists refer to as a species differs from what they call a variety only in being slightly more distinct and less similar to nearby types. He saw the smooth transition of forms where one species gradually merges into another. He noted the similarities between changes caused by humans and those caused by nature. Essentially, he was a committed evolutionist, embracing every major idea that society tends to associate with Charles Darwin’s work. However, there was one aspect, a minor detail to outsiders but crucial for the evolutionist community, that he did not foresee in his more famous successor. He believed that organic evolution was entirely the result of the direct effects of the environment, the mixing of existing forms, and especially the active efforts of the animals themselves. In other words, he had not figured out natural selection, the central concept in Charles Darwin's groundbreaking book. To him, the giraffe developed its long neck by constantly reaching for tree branches; the monkey gained its opposable thumb from repeatedly grasping nearby branches; and the snake obtained its flexible shape by wriggling through grass. Charles Darwin built upon these ideas with his theory of survival of the fittest, and in that respect alone did he become the true pioneer of modern biological evolution.

From the days of Lamarck, to the day when Charles Darwin himself published his wonderful 'Origin of Species,' this idea that plants and animals might really have grown, instead of having been made all of a piece, kept brewing everywhere in the minds and brains of scientific thinkers. The notions which to the outside public were startlingly new when Darwin's book took the world by storm, were old indeed to the thinkers and workers who had long been familiar with the principle of descent with modification and the speculations of the Lichfield doctor or the Paris philosopher. Long before Darwin wrote his great work, Herbert Spencer had put forth in plain language every idea which the drawing-room biologists attributed to Darwin. The supporters of the development hypothesis, he said seven years earlier—yes, he called it the 'development hypothesis' in so many words—'can show that modification has effected and is effecting great changes in all organisms, subject to modifying influences.' They can show, he goes on (if I may venture to condense so great a thinker), that any existing plant or animal, placed under new conditions, begins to undergo adaptive changes of form and structure; that in successive generations these changes continue, till the plant or animal acquires totally new habits; that in cultivated plants and domesticated animals changes of the sort habitually occur; that the differences thus caused, as for example in dogs, are often greater than those on which species in the wild state are founded, and that throughout all organic nature there is at work a modifying influence of the same sort as that which they believed to have caused the differences of species—'an influence which, to all appearance, would produce in the millions of years and under the great variety of conditions which geological records imply, any amount of change.' What is this but pure Darwinism, as the drawing-room philosopher still understands the word? And yet it was written seven years before Darwin published the 'Origin of Species.'

From the time of Lamarck to when Charles Darwin published his amazing 'Origin of Species,' the idea that plants and animals might have evolved instead of being created all at once was prevalent in the minds of scientists. The concepts that seemed shockingly new to the general public when Darwin's book became wildly popular were actually familiar to those who had been contemplating the principle of evolution through natural selection and the theories of the Lichfield doctor or the Paris philosopher. Long before Darwin wrote his influential work, Herbert Spencer had clearly articulated every idea that social circle biologists credited to Darwin. Seven years prior, he stated—yes, he literally referred to it as the 'development hypothesis'—that supporters of this idea could demonstrate that evolution has brought about significant changes in all organisms subject to environmental influences. He continued (if I may summarize this brilliant thinker), that any current plant or animal placed in new circumstances starts to experience adaptive changes in form and structure; that over successive generations these changes persist until the organism develops completely new behaviors; that among cultivated plants and domesticated animals, such changes commonly occur; that the variations produced, as seen in dogs, are often greater than those that define species in the wild, and that throughout the natural world, there is an ongoing influence causing changes similar to what they believed resulted in the differences among species—'an influence that, over millions of years and across the diverse conditions indicated by geological records, could lead to any level of change.' Is this not pure Darwinism, as understood by contemporary thinkers? And yet, this was written seven years before Darwin released the 'Origin of Species.'

The fact is, one might draw up quite a long list of Darwinians before Darwin. Here are a few of them—Buffon, Lamarck, Goethe, Oken, Bates, Wallace, Lecoq, Von Baer, Robert Chambers, Matthew, and Herbert Spencer. Depend upon it, no one man ever yet of himself discovered anything. As well say that Luther made the German Reformation, that Lionardo made the Italian Renaissance, or that Robespierre made the French Revolution, as say that Charles Darwin, and Charles Darwin alone, made the evolutionary movement, even in the restricted field of life only. A thousand predecessors worked up towards him; a thousand contemporaries helped to diffuse and to confirm his various principles.

The truth is, you could create quite a lengthy list of thinkers who influenced Darwin before he came along. Here are just a few—Buffon, Lamarck, Goethe, Oken, Bates, Wallace, Lecoq, Von Baer, Robert Chambers, Matthew, and Herbert Spencer. Believe me, no single person has ever discovered anything all on their own. It's just as inaccurate to say that Luther single-handedly started the German Reformation, that Leonardo was solely responsible for the Italian Renaissance, or that Robespierre was the only architect of the French Revolution, as it is to claim that Charles Darwin single-handedly created the evolutionary movement, even just in the realm of life. Countless predecessors paved the way for him, and many contemporaries contributed to spreading and validating his various ideas.

Charles Darwin added to the primitive evolutionary idea the special notion of natural selection. That is to say, he pointed out that while plants and animals vary perpetually and vary indefinitely, all the varieties so produced are not equally adapted to the circumstances of the species. If the variation is a bad one, it tends to die out, because every point of disadvantage tells against the individual in the struggle for life. If the variation is a good one, it tends to persist, because every point of advantage similarly tells in the individual's favour in that ceaseless and viewless battle. It was this addition to the evolutionary concept, fortified by Darwin's powerful advocacy of the general principle of descent with modification, that won over the whole world to the 'Darwinian theory.' Before Darwin, many men of science were evolutionists: after Darwin, all men of science became so at once, and the rest of the world is rapidly preparing to follow their leadership.

Charles Darwin built on the basic idea of evolution by introducing the specific concept of natural selection. In other words, he pointed out that while plants and animals constantly change and can vary widely, not all of these variations are equally suited to the conditions of the species. If a variation is disadvantageous, it tends to die out because any negative trait works against the individual in the fight for survival. Conversely, if a variation is beneficial, it tends to persist, as any advantage supports the individual in that relentless and unseen struggle. It was this enhancement to the evolutionary idea, supported by Darwin's strong endorsement of the general notion of descent with modification, that gained widespread acceptance for the 'Darwinian theory.' Before Darwin, many scientists believed in evolution; after Darwin, all scientists quickly embraced it, and the rest of the world is quickly getting ready to follow their lead.

As applied to life, then, the evolutionary idea is briefly this—that plants and animals have all a natural origin from a single primitive living creature, which itself was the product of light and heat acting on the special chemical constituents of an ancient ocean. Starting from that single early form, they have gone on developing ever since, from the homogeneous to the heterogeneous, assuming ever more varied shapes, till at last they have reached their present enormous variety of tree, and shrub, and herb, and seaweed, of beast, and bird, and fish, and creeping insect. Evolution throughout has been one and continuous, from nebula to sun, from gas-cloud to planet, from early jelly-speck to man or elephant. So at least evolutionists say—and of course they ought to know most about it.

As it relates to life, the evolutionary idea is simply this: plants and animals all originated from a single primitive creature, which itself was created by light and heat interacting with the specific chemical components of an ancient ocean. From that one early form, they have been developing ever since, moving from uniformity to diversity, taking on increasingly varied shapes, until they have reached the vast assortment of trees, shrubs, herbs, and seaweeds, as well as mammals, birds, fish, and insects we see today. Evolution has been a single, continuous process, from nebula to sun, from gas cloud to planet, and from early jelly-like organism to human or elephant. That’s what evolutionists claim—and they should know best about it.

But evolution, according to the evolutionists, does not even stop here. Psychology as well as biology has also its evolutionary explanation: mind is concerned as truly as matter. If the bodies of animals are evolved, their minds must be evolved likewise. Herbert Spencer and his followers have been mainly instrumental in elucidating this aspect of the case. They have shown, or they have tried to show (for I don't want to dogmatise on the subject), how mind is gradually built up from the simplest raw elements of sense and feeling; how emotions and intellect slowly arise; how the action of the environment on the organism begets a nervous system of ever greater and greater complexity, culminating at last in the brain of a Newton, a Shakespeare, or a Mendelssohn. Step by step, nerves have built themselves up out of the soft tissues as channels of communication between part and part. Sense-organs of extreme simplicity have first been formed on the outside of the body, where it comes most into contact with external nature. Use and wont have fashioned them through long ages into organs of taste and smell and touch; pigment spots, sensitive to light or shade, have grown by infinite gradations into the human eye or into the myriad facets of bee and beetle; tremulous nerve-ends, responsive sympathetically to waves of sound, have tuned themselves at last into a perfect gamut in the developed ear of men and mammals. Meanwhile corresponding percipient centres have grown up in the brain, so that the coloured picture flashed by an external scene upon the eye is telegraphed from the sensitive mirror of the retina, through the many-stranded cable of the optic nerve, straight up to the appropriate headquarters in the thinking brain. Stage by stage the continuous process has gone on unceasingly, from the jelly-fish with its tiny black specks of eyes, through infinite steps of progression, induced by ever-widening intercourse with the outer world, to the final outcome in the senses and the emotions, the intellect and the will, of civilised man. Mind begins as a vague consciousness of touch or pressure on the part of some primitive, shapeless, soft creature: it ends as an organised and co-ordinated reflection of the entire physical and psychical universe on the part of a great cosmical philosopher.

But evolution, according to evolutionists, doesn't even stop here. Psychology as well as biology has its own evolutionary explanation: the mind is just as important as matter. If the bodies of animals evolve, their minds must evolve too. Herbert Spencer and his followers have played a key role in explaining this part of the picture. They have shown, or at least tried to show (because I don't want to be dogmatic about this), how the mind gradually develops from the simplest raw sensations and feelings; how emotions and intellect slowly emerge; how the interaction of the environment with the organism leads to an increasingly complex nervous system, culminating in the brains of a Newton, a Shakespeare, or a Mendelssohn. Step by step, nerves have formed out of soft tissues as channels of communication between different parts of the body. Sense organs of great simplicity were first developed on the outside of the body, where it comes into closest contact with the external world. Use and habituation have shaped them over long ages into organs of taste, smell, and touch; pigment spots sensitive to light or shadow have evolved through countless stages into the human eye or into the numerous facets of bees and beetles; tiny nerve endings, that respond to sound waves, have finally adjusted into a perfect range in the developed ears of humans and mammals. Meanwhile, corresponding sensory centers have developed in the brain, so that the colorful image of an external scene that appears in the eye is transmitted from the sensitive mirror of the retina, through the complex pathway of the optic nerve, directly to the right area in the thinking brain. This continuous process has been ongoing nonstop, from jellyfish with their tiny black eye spots, through countless steps of evolution driven by increasing interaction with the outer world, to the ultimate result in the senses and emotions, intellect, and will of civilized humans. The mind starts as a vague awareness of touch or pressure from some primitive, shapeless, soft being and ends as an organized and coordinated reflection of the entire physical and psychological universe by a great cosmic philosopher.

Last of all, like diners-out at dessert, the evolutionists take to politics. Having shown us entirely to their own satisfaction the growth of suns, and systems, and worlds, and continents, and oceans, and plants, and animals, and minds, they proceed to show us the exactly analogous and parallel growth of communities, and nations, and languages, and religions, and customs, and arts, and institutions, and literatures. Man, the evolving savage, as Tylor, Lubbock, and others have proved for us, slowly putting off his brute aspect derived from his early ape-like ancestors, learned by infinitesimal degrees the use of fire, the mode of manufacturing stone hatchets and flint arrowheads, the earliest beginnings of the art of pottery. With drill or flint he became the Prometheus to his own small heap of sticks and dry leaves among the tertiary forests. By his nightly camp-fire he beat out gradually his excited gesture-language and his oral speech. He tamed the dog, the horse, the cow, the camel. He taught himself to hew small clearings in the woodland, and to plant the banana, the yam, the bread-fruit, and the coco-nut. He picked and improved the seeds of his wild cereals till he made himself from grass-like grains his barley, his oats, his wheat, his Indian corn. In time, he dug out ore from mines, and learnt the use first of gold, next of silver, then of copper, tin, bronze, and iron. Side by side with these long secular changes, he evolved the family, communal or patriarchal, polygamic or monogamous. He built the hut, the house, and the palace. He clothed or adorned himself first in skins and leaves and feathers; next in woven wool and fibre; last of all in purple and fine linen, and fared sumptuously every day. He gathered into hordes, tribes, and nations; he chose himself a king, gave himself laws, and built up great empires in Egypt, Assyria, China, and Peru. He raised him altars, Stonehenges and Karnaks. His picture-writing grew into hieroglyphs and cuneiforms, and finally emerged, by imperceptible steps, into alphabetic symbols, the raw material of the art of printing. His dug-out canoe culminates in the iron-clad and the 'Great Eastern'; his boomerang and slingstone in the Woolwich infant; his boiling pipkin and his wheeled car in the locomotive engine; his picture-message in the telephone and the Atlantic cable. Here, where the course of evolution has really been most marvellous, its steps have been all more distinctly historical; so that nobody now doubts the true descent of Italian, French, and Spanish from provincial Latin, or the successive growth of the trireme, the 'Great Harry,' the 'Victory,' and the 'Minotaur' from the coracles or praus of prehistoric antiquity.

Last but not least, just like people at a restaurant enjoying dessert, the evolutionists dive into politics. After thoroughly explaining the development of suns, systems, worlds, continents, oceans, plants, animals, and minds, they now turn to demonstrate the similar growth of communities, nations, languages, religions, customs, arts, institutions, and literatures. Humanity, the evolving being, as Tylor, Lubbock, and others have shown us, gradually shed its primitive appearance rooted in early ape-like ancestors, learning incrementally how to use fire, make stone tools and flint arrowheads, and begin the craft of pottery. With a drill or flint, he became his own Prometheus, creating a small fire from sticks and dry leaves in the forests. By his nightly campfire, he developed a more complex system of gestures and oral language. He domesticated the dog, horse, cow, and camel. He learned to clear small areas in the woods and to cultivate bananas, yams, breadfruit, and coconuts. He selected and improved the seeds of wild grains until he created barley, oats, wheat, and corn from grass-like plants. Eventually, he mined ore and learned to use gold, silver, copper, tin, bronze, and iron. Alongside these extensive changes, he evolved family structures, whether communal or patriarchal, polygamous or monogamous. He built huts, houses, and palaces. He clothed or decorated himself first in skins, leaves, and feathers; then in woven wool and fiber; and finally in purple and fine linen, enjoying luxury every day. He gathered into groups, tribes, and nations; chose kings, established laws, and built vast empires in Egypt, Assyria, China, and Peru. He created altars, Stonehenges, and Karnaks. His picture-writing evolved into hieroglyphs and cuneiform, ultimately developing, through gradual changes, into alphabetic symbols—the foundation of printing. His dug-out canoe transformed into ironclads and the 'Great Eastern'; his boomerang and sling into modern weapons; his cooking pots and wheeled carts into locomotives; his picture messages into telephones and the Atlantic cable. Here, where the evolution has truly been remarkable, its stages have become more clearly historical; so nobody now doubts the true lineage of Italian, French, and Spanish from provincial Latin, or the progressive development of the trireme, the 'Great Harry,' the 'Victory,' and the 'Minotaur' from the boats of prehistoric times.

The grand conception of the uniform origin and development of all things, earthly or sidereal, thus summed up for us in the one word evolution, belongs by right neither to Charles Darwin nor to any other single thinker. It is the joint product of innumerable workers, all working up, though some of them unconsciously, towards a grand final unified philosophy of the cosmos. In astronomy, Kant, Laplace, and the Herschels; in geology, Hutton, Lyell, and the Geikies; in biology, Buffon, Lamarck, the Darwins, Huxley, and Spencer; in psychology, Spencer, Romanes, Sully, and Ribot; in sociology, Spencer, Tylor, Lubbock, and De Mortillet—these have been the chief evolutionary teachers and discoverers. But the use of the word evolution itself, and the establishment of the general evolutionary theory as a system of philosophy applicable to the entire universe, we owe to one man alone—Herbert Spencer. Many other minds—from Galileo and Copernicus, from Kepler and Newton, from Linnæus and Tournefort, from D'Alembert and Diderot, nay, even, in a sense, from Aristotle and Lucretius—had been piling together the vast collection of raw material from which that great and stately superstructure was to be finally edified. But the architect who placed each block in its proper niche, who planned and designed the whole elevation, who planted the building firmly on the rock and poised the coping-stone on the topmost pinnacle, was the author of the 'System of Synthetic Philosophy,' and none other. It is a strange proof of how little people know about their own ideas, that among the thousands who talk glibly every day of evolution, not ten per cent. are probably aware that both word and conception are alike due to the commanding intelligence and vast generalising power of Herbert Spencer.

The comprehensive idea of a shared origin and development of everything, whether earthly or celestial, summed up in the term evolution, rightfully belongs to no single person, not even Charles Darwin. It's the collective effort of countless thinkers, all contributing toward a unified philosophy of the universe, even if some did so without realizing it. In astronomy, we have Kant, Laplace, and the Herschels; in geology, Hutton, Lyell, and the Geikies; in biology, Buffon, Lamarck, the Darwins, Huxley, and Spencer; in psychology, Spencer, Romanes, Sully, and Ribot; and in sociology, Spencer, Tylor, Lubbock, and De Mortillet—these have been the key figures in evolutionary thought. However, the term evolution itself and the establishment of a general evolutionary theory as a unified philosophy for the entire universe is credited to one individual—Herbert Spencer. Many other great minds—from Galileo and Copernicus to Kepler and Newton, from Linnæus and Tournefort to D'Alembert and Diderot, and even, in a way, from Aristotle and Lucretius—had been gathering the huge amount of raw material that would eventually form the foundation of this grand structure. But the architect who positioned each piece correctly, designed the entire framework, anchored the structure securely, and placed the final stone at the top was the author of the 'System of Synthetic Philosophy,' and no one else. It's surprising how unaware people are of their own ideas; among the thousands who casually discuss evolution every day, probably less than ten percent realize that both the term and the concept stem from the remarkable intellect and broad perspective of Herbert Spencer.


STRICTLY INCOG.

Among the reefs of rock upon the Australian coast, an explorer's dredge often brings up to the surface some tangled tresses of reddish seaweed, which, when placed for a while in a bucket of water, begin slowly to uncoil themselves as if endowed with animal life, and finally to swim about with a gentle tremulous motion in a mute inquiring way from side to side of the pail that contains them. Looked at closely with an attentive eye, the complex moving mass gradually resolves itself into two parts: one a ruddy seaweed with long streaming fronds; the other, a strangely misshapen and dishevelled pipe-fish, exactly imitating the weed itself in form and colour. When removed from the water, this queer pipe-fish proves in general outline somewhat to resemble the well-known hippocampus or sea-horse of the aquariums, whose dried remains, in a mummified state, form a standing wonder in many tiny domestic museums. But the Australian species, instead of merely mimicking the knight on a chess-board, looks rather like a hippocampus in the most advanced stage of lunacy, with its tail and fins and the appendages of its spines flattened out into long thin streaming filaments, utterly indistinguishable in hue and shape from the fucus round which the creature clings for support with its prehensile tail. Only a rude and shapeless rough draught of a head, vaguely horse-like in contour, and inconspicuously provided with an unobtrusive snout and a pair of very unnoticeable eyes, at all suggests to the most microscopic observer its animal nature. Taken as a whole, nobody could at first sight distinguish it in any way from the waving weed among which it vegetates.

Among the rocky reefs along the Australian coast, an explorer's dredge often brings up tangled strands of reddish seaweed. When placed in a bucket of water for a while, it slowly uncoils as if it has a life of its own and starts to gently swim around in a quiet, curious manner from side to side of the bucket. If you look closely, this moving mass gradually separates into two parts: one is the reddish seaweed with long, flowing fronds, and the other is a strangely shaped, messy pipefish that perfectly resembles the seaweed in shape and color. When taken out of the water, this odd pipefish somewhat resembles the well-known seahorse of aquariums, whose dried remains are often a point of fascination in many small domestic collections. However, the Australian version, instead of simply mimicking a knight on a chessboard, appears more like a seahorse in a severe state of confusion, with its tail, fins, and spine appendages flattened into long, thin, flowing strands that are completely indistinguishable in color and shape from the seaweed it clings to with its grasping tail. Only a rough, shapeless draft of a head, vaguely horse-like in shape, with a subtle snout and a pair of very small eyes, gives even the most attentive observer any hint of its animal existence. At first glance, no one could distinguish it from the swaying seaweed among which it lives.

Clearly, this curious Australian cousin of the Mediterranean sea-horses has acquired so marvellous a resemblance to a bit of fucus in order to deceive the eyes of its ever-watchful enemies, and to become indistinguishable from the uneatable weed whose colour and form it so surprisingly imitates. Protective resemblances of the sort are extremely common among the pipe-fish family, and the reason why they should be so is no doubt sufficiently obvious at first sight to any reflecting mind—such, for example, as the intelligent reader's. Pipe-fish, as everybody knows, are far from giddy. They do not swim in the vortex of piscine dissipation. Being mostly small and defenceless creatures, lurking among the marine vegetation of the shoals and reefs, they are usually accustomed to cling for support by their snake-like tails to the stalks or leaves of those submerged forests. The omniscient schoolboy must often have watched in aquariums the habits and manners of the common sea-horses, twisted together by their long thin bodies into one inextricable mass of living matwork, or anchored firmly with a treble serpentine coil to some projecting branch of coralline or of quivering sea-wrack. Bad swimmers by nature, utterly unarmed, and wholly undefended by protective mail, the pipe-fish generally can neither fight nor run away: and therefore they depend entirely for their lives upon their peculiar skulking and lurking habits. Their one mode of defence is not to show themselves; discretion is the better part of their valour; they hide as much as possible among the thickest seaweed, and trust to Providence to escape observation.

Clearly, this interesting Australian relative of Mediterranean sea-horses has developed such a remarkable resemblance to a piece of seaweed to trick the eyes of its ever-watchful predators, making it almost impossible to distinguish from the inedible plants it so closely mimics. Protective similarities like this are quite common among the pipefish family, and the reason for this is likely obvious at first glance to anyone who thinks about it—like our smart reader. Pipefish, as everyone knows, aren't particularly reckless. They don't engage in the chaotic swimming seen in other fish. Since they are mostly small and vulnerable creatures, hiding among the marine plants in shallow waters and coral reefs, they typically cling with their snake-like tails to the stalks or leaves of those underwater forests for support. The all-knowing schoolboy must have often observed the behaviors of common sea-horses in aquariums, their long, slender bodies twisted together into a tangled mass or securely anchored with a coil around some protruding branch of coral or swaying seaweed. Naturally poor swimmers, completely unarmed, and lacking any protective armor, pipefish are generally unable to fight or flee: they rely solely on their unique hiding and lurking habits to survive. Their only defense is to stay hidden; discretion is the better part of their courage; they conceal themselves as much as possible in the thickest seaweed, trusting fate to keep them out of sight.

Now, with any animals thus constituted, cowards by hereditary predilection, it must necessarily happen that the more brightly coloured or obtrusive individuals will most readily be spotted and most unceremoniously devoured by their sharp-sighted foes, the predatory fishes. On the other hand, just in proportion as any particular pipe-fish happens to display any chance resemblance in colour or appearance to the special seaweed in whose folds it lurks, to that extent will it be likely to escape detection, and to hand on its peculiarities to its future descendants. A long-continued course of the simple process thus roughly described must of necessity result at last in the elimination of all the most conspicuous pipe-fish, and the survival of all those unobtrusive and retiring individuals which in any respect happen to resemble the fucus or coralline among which they dwell. Hence, in many places, various kinds of pipe-fish exhibit an extraordinary amount of imitative likeness to the sargasso or seaweed to whose tags they cling; and in the three most highly developed Australian species the likeness becomes so ridiculously close that it is with difficulty one can persuade oneself one is really and truly looking at a fish, and not at a piece of strangely animated and locomotive fucus.

Now, with any animals like this, cowards by hereditary tendency, it's bound to happen that the brightly colored or noticeable individuals will be easily spotted and quickly eaten by their sharp-eyed predators, the predatory fish. Conversely, to the extent that a particular pipefish happens to resemble the specific seaweed it hides among, it will likely avoid detection and pass on its traits to its future offspring. A long process of this simple form of natural selection will eventually lead to the elimination of all the most conspicuous pipefish and the survival of the more subtle and reserved individuals that resemble the fucus or coralline among which they live. As a result, in many areas, different kinds of pipefish show an incredible amount of mimicry to the sargasso or seaweed they cling to; and in the three most advanced Australian species, the resemblance becomes so absurdly close that it's hard to convince oneself that one is actually looking at a fish and not a strangely animated piece of seaweed.

Of course, the playful pipe-fish is by no means alone in his assumption of so neat and effective a disguise. Protective resemblances of just the same sort as that thus exhibited by this extraordinary little creature are common throughout the whole range of nature; instances are to be found in abundance, not only among beasts, birds, reptiles, and fishes, but even among caterpillars, butterflies, and spiders, of species which preserve the strictest incognito. Everywhere in the world, animals and plants are perpetually masquerading in various assumed characters; and sometimes their make-up is so exceedingly good as to take in for a while not merely the uninstructed ordinary observer, but even the scientific and systematic naturalist.

Of course, the playful pipefish isn't the only one who has such a clever and effective disguise. Protective similarities like the ones shown by this remarkable little creature are found all throughout nature; there are plenty of examples among mammals, birds, reptiles, and fish, as well as caterpillars, butterflies, and spiders, of species that maintain a strict disguise. All over the world, animals and plants are constantly pretending to be something else; and sometimes their disguises are so convincing that they manage to fool not just the average person, but even trained scientists and naturalists.

A few selected instances of such successful masquerading will perhaps best serve to introduce the general principles upon which all animal mimicry ultimately depends. Indeed, naturalists of late years have been largely employed in fishing up examples from the ends of the earth and from the depths of the sea for the elucidation of this very subject. There is a certain butterfly in the islands of the Malay Archipelago (its learned name, if anybody wishes to be formally introduced, is Kallima paralekta) which always rests among dead or dry leaves, and has itself leaf-like wings, all spotted over at intervals with wee speckles to imitate the tiny spots of fungi on the foliage it resembles. The well-known stick and leaf insects from the same rich neighbourhood in like manner exactly mimic the twigs and leaves of the forest among which they lurk: some of them look for all the world like little bits of walking bamboo, while others appear in all varieties of hue, as if opening buds and full-blown leaves and pieces of yellow foliage sprinkled with the tints and moulds of decay had of a sudden raised themselves erect upon six legs, and begun incontinently to perambulate the Malayan woodlands like vegetable Frankensteins in all their glory. The larva of one such deceptive insect, observed in Nicaragua by sharp-eyed Mr. Belt, appeared at first sight like a mere fragment of the moss on which it rested, its body being all prolonged into little thread-like green filaments, precisely imitating the foliage around it. Once more, there are common flies which secure protection for themselves by growing into the counterfeit presentment of wasps or hornets, and so obtaining immunity from the attacks of birds or animals. Many of these curiously mimetic insects are banded with yellow and black in the very image of their stinging originals, and have their tails sharpened, in terrorem, into a pretended sting, to give point and verisimilitude to the deceptive resemblance. More curious still, certain South American butterflies of a perfectly inoffensive and edible family mimic in every spot and line of colour sundry other butterflies of an utterly unrelated and fundamentally dissimilar type, but of so disagreeable a taste as never to be eaten by birds or lizards. The origin of these curious resemblances I shall endeavour to explain (after Messrs. Bates and Wallace) a little farther on: for the present it is enough to observe that the extraordinary resemblances thus produced have often deceived the very elect, and have caused experienced naturalists for a time to stick some deceptive specimen of a fly among the wasps and hornets, or some masquerading cricket into the midst of a cabinet full of saw-flies or ichneumons.

A few chosen examples of successful mimicry will probably best illustrate the general principles that all animal mimicry relies on. In recent years, naturalists have been busy gathering examples from all over the world and from the depths of the ocean to clarify this topic. There's a butterfly in the Malay Archipelago (its official name, if anyone wants a formal introduction, is Kallima paralekta) that always rests among dead or dry leaves and has wings that look like leaves, speckled with tiny dots to mimic the small spots of fungi on the foliage it resembles. The well-known stick and leaf insects from the same lush area also closely imitate the twigs and leaves of the forest where they hide: some look just like little pieces of walking bamboo, while others come in various colors, as if fresh buds and fully bloomed leaves, along with yellow foliage sprinkled with decay’s hues, suddenly stood up on six legs and started to wander through the Malayan woods like plant-based creatures. The larva of one such deceptive insect, spotted in Nicaragua by observant Mr. Belt, initially appeared to be just a piece of the moss it rested on, its body elongated into tiny thread-like green filaments that perfectly mimicked the surrounding foliage. Additionally, common flies protect themselves by evolving to look like wasps or hornets, gaining immunity from attacks by birds or animals. Many of these intriguingly mimetic insects are banded with yellow and black, just like their stinging counterparts, and have their tails pointed, in terrorem, to create a false sting, enhancing the deceptive resemblance. Even more interesting, some South American butterflies from completely harmless and edible families mimic, in every detail and color pattern, several other butterflies that are unrelated and fundamentally different but taste so bad that birds and lizards avoid eating them altogether. I will attempt to explain the origins of these fascinating resemblances (after Messrs. Bates and Wallace) a bit later; for now, it's enough to note that these remarkable similarities have often deceived even the most knowledgeable, causing experienced naturalists to mistakenly identify some mimicking fly among wasps and hornets or a disguising cricket in a collection full of saw-flies or ichneumons.

Let us look briefly at the other instances of protective coloration in nature generally which lead up to these final bizarre exemplifications of the masquerading tendency.

Let’s take a quick look at the other examples of protective coloration in nature that lead up to these final strange instances of the masquerading tendency.

Wherever all the world around is remarkably uniform in colour and appearance, all the animals, birds, and insects alike necessarily disguise themselves in its prevailing tint to escape observation. It does not matter in the least whether they are predatory or defenceless, the hunters or the hunted: if they are to escape destruction or starvation, as the case may be, they must assume the hue of all the rest of nature about them. In the arctic snows, for example, all animals, without exception, must needs be snow-white. The polar bear, if he were brown or black, would immediately be observed among the unvaried ice-fields by his expected prey, and could never get a chance of approaching his quarry unperceived at close quarters. On the other hand, the arctic hare must equally be dressed in a snow-white coat, or the arctic fox would too readily discover him and pounce down upon him off-hand; while, conversely, the fox himself, if red or brown, could never creep upon the unwary hare without previous detection, which would defeat his purpose. For this reason, the ptarmigan and the willow grouse become as white in winter as the vast snow-fields under which they burrow; the ermine changes his dusky summer coat for the expensive wintry suit beloved of British Themis; the snow-bunting acquires his milk-white plumage; and even the weasel assimilates himself more or less in hue to the unvarying garb of arctic nature. To be out of the fashion is there quite literally to be out of the world: no half-measures will suit the stern decree of polar biology; strict compliance with the law of winter change is absolutely necessary to success in the struggle for existence.

Wherever the world around is strikingly uniform in color and appearance, all animals, birds, and insects must blend into the prevailing hue to avoid being noticed. It doesn’t matter if they are predators or prey; if they want to escape destruction or starvation, they must take on the colors of their surroundings. In the Arctic snows, for instance, all animals must be snow-white. If a polar bear were brown or black, it would quickly be spotted against the endless ice fields by its prey and would never get close enough to catch it unobserved. Similarly, the Arctic hare needs to wear a snow-white coat, or the Arctic fox would easily find it and pounce. Conversely, if the fox is red or brown, it couldn’t sneak up on the unsuspecting hare without being seen first, which would ruin its hunt. For this reason, the ptarmigan and the willow grouse turn as white in winter as the vast snow fields they burrow under; the ermine swaps its dark summer coat for the expensive winter attire favored by British Themis; the snow-bunting gains its milk-white feathers; and even the weasel matches its color to the unchanging outfit of Arctic nature. To be out of style there is literally to be out of the world: no half-measures will work against the strict rules of polar biology; full compliance with the necessity of winter changes is essential for survival in the struggle for existence.

Now, how has this curious uniformity of dress in arctic animals been brought about? Why, simply by that unyielding principle of Nature which condemns the less adapted for ever to extinction, and exalts the better adapted to the high places of her hierarchy in their stead. The ptarmigan and the snow-buntings that look most like the snow have for ages been least likely to attract the unfavourable attention of arctic fox or prowling ermine; the fox or ermine that came most silently and most unperceived across the shifting drifts has been most likely to steal unawares upon the heedless flocks of ptarmigan and snow-bunting. In the one case protective colouring preserves the animal from himself being devoured; in the other case it enables him the more easily to devour others. And since 'Eat or be eaten' is the shrill sentence of Nature upon all animal life, the final result is the unbroken whiteness of the arctic fauna in all its developments of fur or feather.

Now, how has this interesting similarity in the appearance of arctic animals come about? It’s simply due to that relentless principle of nature that forces the less suitable to extinction while promoting the better adapted to higher positions in the natural order. The ptarmigan and the snow buntings that blend in best with the snow have long been the least likely to catch the unwanted attention of arctic foxes or stealthy ermines; the fox or ermine that moves most quietly and goes unnoticed across the shifting snow has the best chance of sneaking up on the oblivious flocks of ptarmigan and snow buntings. In one case, protective coloring keeps the animal from being eaten, while in the other, it makes it easier to catch prey. And since "Eat or be eaten" is nature's harsh decree for all animal life, the ultimate outcome is the consistent whiteness of arctic creatures in all their fur or feather variations.

Where the colouring of nature is absolutely uniform, as among the arctic snows or the chilly mountain tops, the colouring of the animals is uniform too. Where it is slightly diversified from point to point, as in the sands of the desert, the animals that imitate it are speckled or diversified with various soft neutral tints. All the birds, reptiles, and insects of Sahara, says Canon Tristram, copy closely the grey or isabelline colour of the boundless sands that stretch around them. Lord George Campbell, in his amusing 'Log Letters from the "Challenger,"' mentions a butterfly on the shore at Amboyna which looked exactly like a bit of the beach, until it spread its wings and fluttered away gaily to leeward. Soles and other flat-fish similarly resemble the sands or banks on which they lie, and accommodate themselves specifically to the particular colour of their special bottom. Thus the flounder imitates the muddy bars at the mouths of rivers, where he loves to half bury himself in the congenial ooze; the sole, who rather affects clean hard sand-banks, is simply sandy and speckled with grey; the plaice, who goes in by preference for a bed of mixed pebbles, has red and yellow spots scattered up and down irregularly among the brown, to look as much as possible like agates and carnelians: the brill, who hugs a still rougher ledge, has gone so far as to acquire raised lumps or tubercles on his upper surface, which make him seem like a mere bit of the shingle-strewn rock on which he reposes. In short, where the environment is most uniform the colouring follows suit: just in proportion as the environment varies from place to place, the colouring must vary in order to simulate it. There is a deep biological joy in the term 'environment'; it almost rivals the well-known consolatory properties of that sweet word 'Mesopotamia.' 'Surroundings,' perhaps, would equally well express the meaning, but then, as Mr. Wordsworth justly observes, 'the difference to me!'

Where the colors of nature are completely uniform, like in the Arctic snow or cold mountain peaks, the coloring of the animals is uniform too. Where it varies a bit from spot to spot, like in the sands of the desert, the animals that mimic it have spots or blends of soft neutral shades. All the birds, reptiles, and insects in the Sahara, according to Canon Tristram, closely match the gray or isabelline color of the endless sands surrounding them. Lord George Campbell, in his entertaining 'Log Letters from the "Challenger,"' talks about a butterfly on the shore in Amboyna that looked just like a piece of the beach until it opened its wings and fluttered away cheerfully. Soles and other flatfish similarly blend in with the sands or banks where they rest, specifically adapting to the colors of their particular bottom. For example, the flounder mimics the muddy bars at river mouths, where it likes to partially bury itself in the comfortable mud; the sole, which prefers clean, hard sandbanks, is simply sandy and speckled with gray; the plaice, which tends to prefer a bed of mixed pebbles, has red and yellow spots irregularly scattered among the brown to resemble agates and carnelians as much as possible. The brill, which favors an even rougher ledge, has developed raised lumps or tubercles on its upper surface that make it look like just another piece of the shingle-strewn rock it rests on. In short, where the environment is most uniform, the coloring matches; as the environment changes from place to place, the coloring must also change to imitate it. There’s a deep biological joy in the word 'environment'; it almost rivals the well-known comforting qualities of that sweet word 'Mesopotamia.' 'Surroundings,' perhaps, would express the meaning just as well, but as Mr. Wordsworth rightly notes, 'the difference to me!'

Between England and the West Indies, about the time when one begins to recover from the first bout of sea-sickness, we come upon a certain sluggish tract of ocean, uninvaded by either Gulf Stream or arctic current, but slowly stagnating in a sort of endless eddy of its own, and known to sailors and books of physical geography as the Sargasso Sea. The sargasso or floating seaweed from which it takes its poetical name is a pretty yellow rootless alga, swimming in vast quantities on the surface of the water, and covered with tiny bladder-like bodies which at first sight might easily be mistaken for amber berries. If you drop a bucket over the ship's side and pull up a tangled mass of this beautiful seaweed, it will seem at first to be all plant alike; but, when you come to examine its tangles closely, you will find that it simply swarms with tiny crabs, fishes, and shrimps, all coloured so precisely to shade that they look exactly like the sargasso itself. Here the colour about is less uniform than in the arctic snows, but, so far as the sargasso-haunting animals are concerned, it comes pretty much to the same thing. The floating mass of weed is their whole world, and they have had to accommodate themselves to its tawny hue under pain of death, immediate and violent.

Between England and the West Indies, around the time when you start to get over the first wave of seasickness, we encounter a sluggish section of ocean, untouched by either the Gulf Stream or arctic current, but slowly stagnating in a sort of endless swirl of its own, known to sailors and geography books as the Sargasso Sea. The sargasso or floating seaweed that gives it its poetic name is a pretty yellow, rootless algae, drifting in large quantities on the water's surface and covered with tiny, bladder-like bits that at first glance might easily be mistaken for amber berries. If you lower a bucket over the side of the ship and pull up a tangled mass of this beautiful seaweed, it may initially seem like just a plant; but when you examine its tangles closely, you'll find it's teeming with tiny crabs, fish, and shrimp, all colored so perfectly to blend in that they look just like the sargasso itself. Here, the colors around are less uniform than in the arctic snows, but for the sargasso-dwelling creatures, it amounts to the same thing. The floating mass of weed is their entire world, and they've had to adapt to its tawny hue under the threat of death, immediate and violent.

Caterpillars and butterflies often show us a further step in advance in the direction of minute imitation of ordinary surroundings. Dr. Weismann has published a very long and learned memoir, fraught with the best German erudition and prolixity, upon this highly interesting and obscure subject. As English readers, however, not unnaturally object to trudging through a stout volume on the larva of the sphinx moth, conceived in the spirit of those patriarchal ages of Hilpa and Shalum, when man lived to nine hundred and ninety-nine years, and devoted a stray century or so without stint to the work of education, I shall not refer them to Dr. Weismann's original treatise, as well translated and still further enlarged by Mr. Raphael Meldola, but will present them instead with a brief résumé, boiled down and condensed into a patent royal elixir of learning. Your caterpillar, then, runs many serious risks in early life from the annoying persistence of sundry evil-disposed birds, who insist at inconvenient times in picking him off the leaves of gooseberry bushes and other his chosen places of residence. His infant mortality, indeed, is something simply appalling, and it is only by laying the eggs that produce him in enormous quantities that his fond mother the butterfly ever succeeds in rearing on an average two of her brood to replace the imago generation just departed. Accordingly, the caterpillar has been forced by adverse circumstances to assume the most ridiculous and impossible disguises, appearing now in the shape of a leaf or stem, now as a bundle of dark-green pine needles, and now again as a bud or flower, all for the innocent purpose of concealing his whereabouts from the inquisitive gaze of the birds his enemies.

Caterpillars and butterflies often show us an advanced level of mimicking their ordinary surroundings. Dr. Weismann has published a long and scholarly paper, filled with extensive German knowledge and detail, on this fascinating and complex topic. However, since English readers often don't want to wade through a hefty book about the larva of the sphinx moth—written in a style reminiscent of ancient times when people lived for nearly a thousand years and spent centuries on education—I won't direct them to Dr. Weismann's original work, which has been well translated and further expanded by Mr. Raphael Meldola. Instead, I will provide a brief summary, distilled into an easy-to-digest form. Your caterpillar faces many serious dangers in its early life from various predatory birds, which insist on snatching it from its leafy homes at the worst times. The mortality rate among caterpillars is truly alarming, and the only way the butterfly manages to raise, on average, two of her offspring to replace the previous generation is by laying her eggs in massive numbers. Consequently, the caterpillar has had to adapt by taking on the most ridiculous and outlandish disguises, sometimes resembling a leaf or stem, other times looking like a bundle of dark-green pine needles, and even appearing as a bud or flower—all to hide from the watchful eyes of its bird enemies.

When the caterpillar lives on a plant like a grass, the ribs or veins of which run up and down longitudinally, he is usually striped or streaked with darker lines in the same direction as those on his native foliage. When, on the contrary, he lives upon broader leaves, provided with a midrib and branching veins, his stripes and streaks (not to be out of the fashion) run transversely and obliquely, at exactly the same angle as those of his wonted food-plant. Very often, if you take a green caterpillar of this sort away from his natural surroundings, you will be surprised at the conspicuousness of his pale lilac or mauve markings; surely, you will think to yourself, such very distinct variegation as that must betray him instantly to his watchful enemies. But no; if you replace him gently where you first found him, you will see that the lines exactly harmonise with the joints and shading of his native leaf: they are delicate representations of the soft shadow cast by a rib or vein, and the local colour is precisely what a painter would have had to use in order to produce the corresponding effect. The shadow of yellowish green is, of course, always purplish or lilac. It may at first sight seem surprising that a caterpillar should possess so much artistic sense and dexterity; but then the penalty for bungling or inharmonious work is so very severe as necessarily to stimulate his imitative genius. Birds are for ever hunting him down among the green leaves, and only those caterpillars which effectually deceive them by their admirable imitations can ever hope to survive and become the butterflies who hand on their larval peculiarities to after ages. Need I add that the variations are, of course, unconscious, and that accident in the first place is ultimately answerable for each fresh step in the direction of still closer simulation?

When a caterpillar feeds on a plant like grass, which has ribs or veins that run vertically, it usually has stripes or streaks that are darker and align with those on the plant. However, when it feeds on broader leaves that have a midrib and branching veins, its stripes and streaks (to keep up with the trend) run horizontally and diagonally, matching the angle of its usual food source. Often, if you take a green caterpillar away from its natural environment, you'll notice its pale lilac or mauve markings standing out. You might think this distinctive coloring would make it an easy target for predators. But if you place it back where you found it, you'll see that the colors blend perfectly with the shadows and patterns of its original leaf: they are delicate representations of the soft shadow created by a vein, and the local color is exactly what an artist would use to achieve the same effect. The yellowish-green shadow is always somewhat purplish or lilac. It might seem surprising that a caterpillar has such artistic ability, but the consequences of clumsy or mismatched coloring are so severe that they drive this animal to develop its imitative skills. Birds constantly hunt for it among the green leaves, and only those caterpillars that successfully mimic their surroundings can hope to survive and eventually transform into butterflies, passing their traits on to future generations. I should also mention that these variations happen unconsciously, and chance plays a significant role in each step toward better imitation.

The geometric moths have brown caterpillars, which generally stand erect when at rest on the branches of trees and so resemble small twigs; and, in order that the resemblance may be the more striking, they are often covered with tiny warts which look like buds or knots upon the surface. The larva of that familiar and much-dreaded insect, the death's-head hawk-moth, feeds as a rule on the foliage of the potato, and its very varied colouring, as Sir John Lubbock has pointed out, so beautifully harmonises with the brown of the earth, the yellow and green of the leaves, and the faint purplish blue of the lurid flowers, that it can only be distinguished when the eye happens accidentally to focus itself exactly upon the spot occupied by the unobtrusive caterpillar. Other larvæ which frequent pine trees have their bodies covered with tufts of green hairs that serve to imitate the peculiar pine foliage. One queer little caterpillar, which lives upon the hoary foliage of the sea-buckthorn, has a grey-green body, just like the buckthorn leaves, relieved by a very conspicuous red spot which really represents in size and colour one of the berries that grow around it. Finally the larva of the elephant hawk-moth, which grows to a very large size, has a pair of huge spots that seem like great eyes; and direct experiment establishes the fact that small birds mistake it for a young snake, and stand in terrible awe of it accordingly, though it is in reality a perfectly harmless insect, and also, as I am credibly informed (for I cannot speak upon the point from personal experience), a very tasty and well-flavoured insect, and 'quite good to eat' too, says an eminent authority. One of these big snake-like caterpillars once frightened Mr. Bates himself on the banks of the Amazon.

The geometric moths have brown caterpillars that typically stand upright when resting on tree branches, making them look like small twigs. To enhance this resemblance, they are often covered with tiny warts that appear like buds or knots on their surface. The larva of the well-known and feared death's-head hawk-moth usually feeds on potato leaves, and its diverse coloring, as Sir John Lubbock has noted, harmonizes beautifully with the brown earth, the yellow and green of the leaves, and the faint purplish-blue of the bright flowers, making it hard to spot unless your eyes happen to land exactly on the unobtrusive caterpillar. Other larvae that live on pine trees have bodies covered with tufts of green hairs that mimic the distinctive pine foliage. One unusual little caterpillar that feeds on the gray-green leaves of sea-buckthorn has a body that matches the buckthorn leaves, accented by a very noticeable red spot that resembles one of the berries around it. Lastly, the larva of the elephant hawk-moth, which grows quite large, features a pair of big spots that look like large eyes. Experiments have shown that small birds mistake it for a young snake and are understandably terrified, although it's actually a harmless insect. Moreover, I have been told (since I can't say from personal experience) that it’s quite delicious and “absolutely good to eat,” according to a respected expert. One of these big, snake-like caterpillars once scared Mr. Bates himself while he was along the Amazon River.

Now, I know that cantankerous person, the universal objector, has all along been bursting to interrupt me and declare that he himself frequently finds no end of caterpillars, and has not the slightest difficulty at all in distinguishing them with the naked eye from the leaves and plants among which they are lurking. But observe how promptly we crush and demolish this very inconvenient and disconcerting critic. The caterpillars he finds are almost all hairy ones, very conspicuous and easy to discover—'woolly bears,' and such like common and unclean creatures—and the reason they take no pains to conceal themselves from his unobservant eyes is simply this: nobody on earth wants to discover them. For either they are protectively encased in horrid hairs, which get down your throat and choke you and bother you (I speak as a bird, from the point of view of a confirmed caterpillar eater), or else they are bitter and nasty to the taste, like the larva of the spurge moth and the machaon butterfly. These are the ordinary brown and red and banded caterpillars that the critical objector finds in hundreds on his peregrinations about his own garden—commonplace things which the experienced naturalist has long since got utterly tired of. But has your rash objector ever lighted upon that rare larva which lives among the periwinkles, and exactly imitates a periwinkle petal? Has he ever discovered those deceptive creatures which pretend for all the world to be leaves of lady's-bedstraw, or dress themselves up as flowers of buttonweed? Has he ever hit upon those immoral caterpillars which wriggle through life upon the false pretence that they are only the shadows of projecting ribs on the under surface of a full-grown lime leaf? No, not he; he passes them all by without one single glance of recognition; and when the painstaking naturalist who has hunted them every one down with lens and butterfly net ventures tentatively to describe their personal appearance, he comes up smiling with his great russet woolly bear comfortably nestling upon a green cabbage leaf, and asks you in a voice of triumphant demonstration, where is the trace of concealment or disguise in that amiable but very inedible insect? Go to, Sir Critic, I will have none of you; I only use you for a metaphorical marionette to set up and knock down again, as Mr. Punch in the street show knocks down the policeman who comes to arrest him, and the grimy black personage of sulphurous antecedents who pops up with a fizz through the floor of his apartment.

Now, I know that grumpy person, the universal critic, has been itching to interrupt me and say that he often finds plenty of caterpillars and has no trouble spotting them with the naked eye among the leaves and plants where they hide. But let’s quickly take down this inconvenient and annoying critic. The caterpillars he finds are mostly hairy ones, very obvious and easy to spot—'woolly bears' and other common, messy creatures—and the reason they don’t bother to hide from his less-than-observant eyes is simple: no one on earth wants to find them. They are either covered in nasty hairs that can get stuck in your throat and choke you (I speak as a bird, from the perspective of someone who regularly eats caterpillars), or they taste bad and are unpleasant, like the larvae of the spurge moth and the machaon butterfly. These are the usual brown, red, and banded caterpillars that the critical objector sees in hordes while wandering around his own garden—ordinary things that the experienced naturalist is completely bored with. But has your reckless critic ever stumbled upon that rare larva that lives among the periwinkles and perfectly mimics a periwinkle petal? Has he ever found those clever creatures that pretend to be leaves of lady's-bedstraw or dress up as buttonweed flowers? Has he ever noticed those sneaky caterpillars that get through life by acting like just shadows of the veins on the underside of a full-grown lime leaf? No, definitely not; he walks right past them without a single glance of recognition; and when the diligent naturalist who has hunted them all down with a lens and butterfly net tries to describe how they look, he ends up grinning with his big russet woolly bear cozily resting on a green cabbage leaf, asking you triumphantly, where's the evidence of concealment or disguise in that friendly but completely inedible insect? Come on, Mr. Critic, I don’t want to hear from you; I just use you as a metaphorical puppet to set up and then knock down again, like Mr. Punch in a puppet show knocks down the policeman trying to arrest him, along with the grimy figure from a shady background who suddenly appears through the floor of his room.

Queerer still than the caterpillars which pretend to be leaves or flowers for the sake of protection are those truly diabolical and perfidious Brazilian spiders which, as Mr. Bates observed, are brilliantly coloured with crimson and purple, but 'double themselves up at the base of leaf-stalks, so as to resemble flower buds, and thus deceive the insects upon which they prey.' There is something hideously wicked and cruel in this lowest depth of imitative infamy. A flower-bud is something so innocent and childlike; and to disguise oneself as such for purposes of murder and rapine argues the final abyss of arachnoid perfidy. It reminds one of that charming and amiable young lady in Mr. Robert Louis Stevenson's 'Dynamiter,' who amused herself in moments of temporary gaiety by blowing up inhabited houses, inmates and all, out of pure lightness of heart and girlish frivolity. An Indian mantis or praying insect, a little less wicked, though no less cruel than the spiders, deceives the flies who come to his arms under the false pretence of being a quiet leaf, upon which they may light in safety for rest and refreshment. Yet another abandoned member of the same family, relying boldly upon the resources of tropical nature, gets itself up as a complete orchid, the head and fangs being moulded in the exact image of the beautiful blossom, and the arms folding treacherously around the unhappy insect which ventures to seek for honey in its deceptive jaws.

Stranger still than the caterpillars that pretend to be leaves or flowers for protection are those truly wicked and deceitful Brazilian spiders, which, as Mr. Bates noted, are brightly colored in crimson and purple, but 'curl themselves up at the base of leaf-stalks to look like flower buds, thus fooling the insects they prey on.' There’s something deeply malicious and cruel about this extreme level of mimicry. A flower bud is so innocent and childlike, and to disguise oneself as such for the sake of murder and robbery shows the lowest point of spider betrayal. It reminds one of that charming and lovely young lady in Mr. Robert Louis Stevenson’s 'Dynamiter,' who entertained herself during moments of temporary joy by blowing up inhabited houses, along with their occupants, out of pure joyfulness and girlish frivolity. An Indian mantis or praying insect, a bit less wicked but no less cruel than the spiders, tricks the flies that approach it under the false pretense of being a still leaf, where they can land safely for rest and refreshment. Yet another rogue from the same family boldly takes on the appearance of a complete orchid, with its head and fangs shaped to mimic the beautiful flower, and its arms deceitfully wrapping around the unfortunate insect that ventures to seek nectar in its misleading jaws.

Happily, however, the tyrants and murderers do not always have things all their own way. Sometimes the inoffensive prey turn the tables upon their torturers with distinguished success. For example, Mr. Wallace noticed a kind of sand-wasp, in Borneo, much given to devouring crickets; but there was one species of cricket which exactly reproduced the features of the sand-wasps, and mixed among them on equal terms without fear of detection. Mr. Belt saw a green leaf-like locust in Nicaragua, overrun by foraging ants in search of meat for dinner, but remaining perfectly motionless all the time, and evidently mistaken by the hungry foragers for a real piece of the foliage it mimicked. So thoroughly did this innocent locust understand the necessity for remaining still, and pretending to be a leaf under all advances, that even when Mr. Belt took it up in his hands it never budged an inch, but strenuously preserved its rigid leaf-like attitude. As other insects 'sham dead,' this ingenious creature shammed vegetable.

Happily, though, the tyrants and murderers don’t always get their way. Sometimes, the harmless victims turn the tables on their tormentors with remarkable success. For example, Mr. Wallace observed a type of sand-wasp in Borneo that often ate crickets; however, there was one kind of cricket that perfectly mimicked the features of the sand-wasps and blended in with them without fear of being detected. Mr. Belt noticed a green leaf-like locust in Nicaragua that was swarmed by ants searching for meat for dinner, yet it remained completely still the entire time and was clearly mistaken by the hungry foragers for an actual piece of the foliage it imitated. This innocent locust understood the importance of staying still and pretending to be a leaf so well that even when Mr. Belt picked it up, it didn’t move an inch, but stubbornly maintained its rigid leaf-like position. Just as other insects "play dead," this clever creature pretended to be a plant.

In order to understand how cases like these begin to arise, we must remember that first of all they start of necessity from very slight and indefinite resemblances, which succeed as it were by accident in occasionally eluding the vigilance of enemies. Thus, there are stick insects which only look like long round cylinders, not obviously stick-shaped, but rudely resembling a bit of wood in outline only. These imperfectly mimetic insects may often obtain a casual immunity from attack by being mistaken for a twig by birds or lizards. There are others, again, in which natural selection has gone a step further, so as to produce upon their bodies bark-like colouring and rough patches which imitate knots, wrinkles, and leaf-buds. In these cases the protection given is far more marked, and the chances of detection are proportionately lessened. But sharp-eyed birds, with senses quickened by hunger, the true mother of invention, must learn at last to pierce such flimsy disguises, and suspect a stick insect in the most innocent-looking and apparently rigid twigs. The final step, therefore, consists in the production of that extraordinary actor, the Xeroxylus laceratus, whose formidable name means no more than 'ragged dry-stick,' and which really mimics down to the minutest particular a broken twig, overgrown with mosses, liverworts, and lichens.

To understand how cases like these start to come about, we have to remember that they begin from very slight and vague similarities, which occasionally slip past the watchful eyes of predators by chance. For example, there are stick insects that look like long cylindrical shapes, not obviously resembling sticks, but roughly looking like a piece of wood from a distance. These imperfectly camouflaged insects can sometimes avoid being eaten because birds or lizards mistake them for twigs. Then there are others where natural selection has gone further, creating body patterns that mimic the color and texture of bark, with rough patches that look like knots, wrinkles, and leaf buds. In these cases, the protection they receive is much more significant, and the chances of being detected are noticeably reduced. However, sharp-eyed birds, driven by hunger—the true mother of invention—eventually learn to see through these flimsy disguises and suspect that the most innocent-looking twigs might actually be stick insects. The final step in this evolution is the emergence of the extraordinary Xeroxylus laceratus, whose intimidating name translates to 'ragged dry-stick' and truly mimics every tiny detail of a broken twig, covered in mosses, liverworts, and lichens.

Take, on the other hand, the well-known case of that predaceous mantis which exactly imitates the white ants, and, mixing with them like one of their own horde, quietly devours a stray fat termite or so, from time to time, as occasion offers. Here we must suppose that the ancestral mantis happened to be somewhat paler and smaller than most of its fellow-tribesmen, and so at times managed unobserved to mingle with the white ants, especially in the shade or under a dusky sky, much to the advantage of its own appetite. But the termites would soon begin to observe the visits of their suspicious friend, and to note their coincidence with the frequent mysterious disappearance of a fellow-townswoman, evaporated into space, like the missing young women in neat cloth jackets who periodically vanish from the London suburbs. In proportion as their reasonable suspicions increased, the termites would carefully avoid all doubtful looking mantises; but, at the same time, they would only succeed in making the mantises which survived their inquisition grow more and more closely to resemble the termite pattern in all particulars. For any mantis which happened to come a little nearer the white ants in hue or shape would thereby be enabled to make a more secure meal upon his unfortunate victims; and so the very vigilance which the ants exerted against his vile deception would itself react in time against their own kind, by leaving only the most ruthless and indistinguishable of their foes to become the parents of future generations of mantises.

Consider, for example, the well-known case of the predatory mantis that perfectly mimics white ants. By blending in with them like one of their own, it quietly snacks on an occasional stray termite when the opportunity arises. We can assume that the ancestral mantis was a bit paler and smaller than most of its relatives, allowing it to go unnoticed among the white ants, especially in the shade or under a dark sky, which was quite beneficial for its appetite. However, the termites would soon start to notice the visits from their suspicious friend, and they would connect these visits with the mysterious disappearances of some of their own, vanishing like the young women in neat jackets who occasionally go missing from the suburbs of London. As their reasonable suspicions grew, the termites would carefully avoid any mantises that looked suspect. Nevertheless, this would only lead the mantises that survived their scrutiny to more closely resemble the appearance of the termites. A mantis that happened to come slightly closer in color or shape to the white ants would be able to secure a more reliable meal from its unfortunate victims. Thus, the very vigilance exerted by the ants against this deceit would eventually backfire on them, as only the most ruthless and indistinguishable of their enemies would survive to reproduce future generations of mantises.

Once more, the beetles and flies of Central America must have learned by experience to get out of the way of the nimble Central American lizards with great agility, cunning, and alertness. But green lizards are less easy to notice beforehand than brown or red ones; and so the lizards of tropical countries are almost always bright green, with complementary shades of yellow, grey, and purple, just to fit them in with the foliage they lurk among. Everybody who has ever hunted the green tree-toads on the leaves of waterside plants on the Riviera must know how difficult it is to discriminate these brilliant leaf-coloured creatures from the almost identical background on which they rest. Now, just in proportion as the beetles and flies grow still more cautious, even the green lizards themselves fail to pick up a satisfactory livelihood; and so at last we get that most remarkable Nicaraguan form, decked all round with leaf-like expansions, and looking so like the foliage on which it rests that no beetle on earth can possibly detect it. The more cunning you get your detectives, the more cunning do the thieves become to outwit them.

Once again, the beetles and flies of Central America must have figured out, through experience, to steer clear of the quick Central American lizards with impressive agility, cleverness, and alertness. However, green lizards are harder to spot than brown or red ones; that’s why lizards in tropical regions are usually bright green, with shades of yellow, gray, and purple to blend in with the leaves they hide among. Anyone who has ever tried to catch green tree-toads on the leaves of waterside plants on the Riviera knows how tough it is to tell these vibrant, leaf-colored creatures apart from the nearly identical background where they sit. Now, as the beetles and flies become even warier, even the green lizards struggle to find enough food; and eventually, we end up with that remarkable Nicaraguan variety, adorned all around with leaf-like extensions, looking so much like the foliage it rests on that no beetle on Earth can detect it. The more clever you make your detectives, the cleverer the thieves become to outsmart them.

Look, again, at the curious life-history of the flies which dwell as unbidden guests or social parasites in the nests and hives of wild honey-bees. These burglarious flies are belted and bearded in the very selfsame pattern as the bumble-bees themselves; but their larvæ live upon the young grubs of the hive, and repay the unconscious hospitality of the busy workers by devouring the future hope of their unwilling hosts. Obviously, any fly which entered a bee-hive could only escape detection and extermination at the hands (or stings) of its outraged inhabitants, provided it so far resembled the real householders as to be mistaken at a first glance by the invaded community for one of its own numerous members. Thus any fly which showed the slightest superficial resemblance to a bee might at first be enabled to rob honey for a time with comparative impunity, and to lay its eggs among the cells of the helpless larvæ. But when once the vile attempt was fairly discovered, the burglars could only escape fatal detection from generation to generation just in proportion as they more and more closely approximated to the shape and colour of the bees themselves. For, as Mr. Belt has well pointed out, while the mimicking species would become naturally more numerous from age to age, the senses of the mimicked species would grow sharper and sharper by constant practice in detecting and punishing the unwelcome intruders.

Look again at the fascinating life cycle of the flies that live as uninvited guests or social parasites in the nests and hives of wild honeybees. These sneaky flies have stripes and bristles arranged in exactly the same way as the bumblebees themselves; however, their larvae feed on the young grubs in the hive and repay the unaware hospitality of the busy workers by consuming the future offspring of their unwilling hosts. Clearly, any fly that enters a beehive can only avoid detection and being killed by its angry inhabitants if it resembles the actual bees enough to be mistaken for one of their many community members at first glance. Therefore, any fly that bears even the slightest superficial resemblance to a bee might initially steal honey for a while with relative safety and lay its eggs among the defenseless larvae. But once the deceitful act is discovered, the intruders can only avoid fatal detection from generation to generation to the extent that they increasingly resemble the shape and color of the bees themselves. As Mr. Belt has noted, while the mimicking species would naturally become more numerous over time, the senses of the species they mimic would sharpen with consistent practice in detecting and punishing the unwelcome intruders.

It is only in external matters, however, that the appearance of such mimetic species can ever be altered. Their underlying points of structure and formative detail always show to the very end (if only one happens to observe them) their proper place in a scientific classification. For instance, these same parasitic flies which so closely resemble bees in their shape and colour have only one pair of wings apiece, like all the rest of the fly order, while the bees of course have the full complement of two pairs, an upper and an under, possessed by them in common with all other well-conducted members of the hymenopterous family. So, too, there is a certain curious American insect, belonging to the very unsavoury tribe which supplies London lodging-houses with one of their most familiar entomological specimens; and this cleverly disguised little creature is banded and striped in every part exactly like a local hornet, for whom it evidently wishes itself to be mistaken. If you were travelling in the wilder parts of Colorado you would find a close resemblance to Buffalo Bill was no mean personal protection. Hornets, in fact, are insects to which birds and other insectivorous animals prefer to give a very wide berth, and the reason why they should be imitated by a defenceless beetle must be obvious to the intelligent student. But while the vibrating wing-cases of this deceptive masquerader are made to look as thin and hornet-like as possible, in all underlying points of structure any competent naturalist would see at once that the creature must really be classed among the noisome Hemiptera. I seldom trouble the public with a Greek or Latin name, but on this occasion I trust I may be pardoned for not indulging in all the ingenuous bluntness of the vernacular.

It’s only in external traits that the appearance of such mimic species can be changed. Their fundamental structure and detailed features always reveal their rightful place in scientific classification, if you take the time to observe them. For example, these parasitic flies that look so much like bees in shape and color only have one pair of wings, like all other flies, while bees have the full set of two pairs, an upper and a lower, shared with other members of the hymenopterous family. Similarly, there’s an interesting American insect from the rather unpleasant group that fills London lodging houses with a common type of bug; this cleverly disguised little creature is banded and striped just like a local hornet, clearly wanting to be mistaken for one. If you were traveling in the remote areas of Colorado, looking a bit like Buffalo Bill could be a considerable advantage. Hornets are insects that birds and other insect-eating animals tend to avoid, and it's easy to see why a defenseless beetle would want to imitate them. While the vibrating wing cases of this clever imposter are designed to look as thin and hornet-like as possible, any expert naturalist would quickly recognize that this creature should actually be classified among the unpleasant Hemiptera. I usually don’t burden the public with Greek or Latin names, but this time I hope you’ll excuse me for not being completely straightforward.

Sometimes this effective mimicry of stinging insects seems to be even consciously performed by the tiny actors. Many creatures, which do not themselves possess stings, nevertheless endeavour to frighten their enemies by assuming the characteristic hostile attitudes of wasps or hornets. Everybody in England must be well acquainted with those common British earwig-looking insects, popularly known as the devil's coach-horses, which, when irritated or interfered with, cock up their tails behind them in the most aggressive fashion, exactly reproducing the threatening action of an angry scorpion. Now, as a matter of fact, the devil's coach-horse is quite harmless, but I have often seen, not only little boys and girls, but also chickens, small birds, and shrew-mice, evidently alarmed at his minatory attitude. So, too, the bumble-bee flies, which are inoffensive insects got up in sedulous imitation of various species of wild bee, flit about and buzz angrily in the sunlight, quite after the fashion of the insects they mimic; and when disturbed they pretend to get excited, and seem as if they wished to fly in their assailant's face and roundly sting him. This curious instinct may be put side by side with the parallel instinct of shamming dead, possessed by many beetles and other small defenceless species.

Sometimes this effective mimicry of stinging insects seems to be consciously performed by the tiny actors. Many creatures that don't have stings try to scare their enemies by adopting the characteristic aggressive postures of wasps or hornets. Everyone in England knows those common earwig-looking insects, popularly known as the devil's coach-horses, which, when irritated or disturbed, raise their tails behind them in a very aggressive way, mimicking the threatening gesture of an angry scorpion. In reality, the devil's coach-horse is completely harmless, but I’ve often noticed that not just little boys and girls, but also chickens, small birds, and shrew-mice, appear to be frightened by its menacing stance. Similarly, the bumble-bee flies, which are harmless insects that closely resemble different species of wild bees, buzz around angrily in the sunlight, just like the insects they mimic; and when disturbed, they act like they're getting agitated, as if they want to fly into their attacker’s face and sting them. This interesting instinct can be compared to the similar instinct of playing dead, which many beetles and other small defenseless species exhibit.

Certain beetles have also been modified so as exactly to imitate wasps; and in these cases the beetle waist, usually so solid, thick, and clumsy, grows as slender and graceful as if the insects had been supplied with corsets by a fashionable West End house. But the greatest refinement of all is perhaps that noticed in certain allied species which mimic bees, and which have acquired useless little tufts of hair on their hind shanks to represent the dilated and tufted pollen-gathering apparatus of the true bees.

Certain beetles have also been changed to look exactly like wasps; in these cases, the beetle waist, which is usually solid, thick, and clumsy, becomes slender and graceful as if the insects were given corsets by a trendy West End boutique. But the most impressive adaptation is probably seen in some related species that mimic bees, which have developed useless little tufts of hair on their back legs to resemble the enlarged and tufted pollen-gathering structures of real bees.

I have left to the last the most marvellous cases of mimicry of all—those noticed among South American butterflies by Mr. Bates, who found that certain edible kinds exactly resembled a handsome and conspicuous but bitter-tasted species 'in every shade and stripe of colour.' Several of these South American imitative insects long deceived the very entomologists; and it was only by a close inspection of their structural differences that the utter distinctness of the mimickers and the mimicked was satisfactorily settled. Scarcely less curious is the case of Mr. Wallace's Malayan orioles, two species of which exactly copy two pugnacious honey-suckers in every detail of plumage and coloration. As the honey-suckers are avoided by birds of prey, owing to their surprising strength and pugnacity, the orioles gain immunity from attack by their close resemblance to the protected species. When Dr. Sclater, the distinguished ornithologist, was examining Mr. Forbes's collections from Timorlaut, even his experienced eye was so taken in by another of these deceptive bird-mimicries that he classified two birds of totally distinct families as two different individuals of the same species.

I saved the most amazing examples of mimicry for last—those observed among South American butterflies by Mr. Bates, who discovered that certain edible species closely resembled a striking and noticeable but bitter-tasting species 'in every shade and stripe of color.' Several of these South American mimicking insects fooled even entomologists for a long time; it was only through a close examination of their structural differences that the complete distinctness of the mimickers and the mimicked was clearly established. Equally fascinating is the case of Mr. Wallace's Malayan orioles, with two species that perfectly imitate two aggressive honeysuckers in every detail of plumage and coloration. Since the honeysuckers are avoided by birds of prey because of their remarkable strength and aggressiveness, the orioles gain protection from attacks by closely resembling the safe species. When Dr. Sclater, the renowned ornithologist, was examining Mr. Forbes's collections from Timorlaut, even his trained eye was misled by another instance of these deceptive bird-mimicries, leading him to classify two birds from entirely different families as two different individuals of the same species.

Even among plants a few instances of true mimicry have been observed. In the stony African Karoo, where every plant is eagerly sought out for food by the scanty local fauna, there are tubers which exactly resemble the pebbles around them; and I have little doubt that our perfectly harmless English dead-nettle secures itself from the attacks of browsing animals by its close likeness to the wholly unrelated, but well-protected, stinging-nettle.

Even among plants, a few examples of true mimicry have been noticed. In the rocky African Karoo, where local wildlife eagerly eats any plant they can find, there are tubers that look just like the pebbles around them. I have little doubt that our completely harmless English dead-nettle protects itself from being eaten by animals because it closely resembles the unrelated, but well-defended, stinging-nettle.

Finally, we must not forget the device of those animals which not merely assimilate themselves in colour to the ordinary environment in a general way, but have also the power of adapting themselves at will to whatever object they may happen to lie against. Cases like that of the ptarmigan, which in summer harmonises with the brown heather and grey rock, while in winter it changes to the white of the snow-fields, lead us up gradually to such ultimate results of the masquerading tendency. There is a tiny crustacean, the chameleon shrimp, which can alter its hue to that of any material on which it happens to rest. On a sandy bottom it appears grey or sand-coloured; when lurking among seaweed it becomes green, or red, or brown, according to the nature of its momentary background. Probably the effect is quite unconscious, or at least involuntary, like blushing with ourselves—and nobody ever blushes on purpose, though they do say a distinguished poet once complained that an eminent actor did not follow his stage directions because he omitted to obey the rubrical remark, 'Here Harold purples with anger.' The change is produced by certain automatic muscles which force up particular pigment cells above the others, green coming to the top on a green surface, red on a ruddy one, and brown or grey where the circumstances demand them. Many kinds of fish similarly alter their colour to suit their background by forcing forward or backward certain special pigment-cells known as chromatophores, whose various combinations produce at will almost any required tone or shade. Almost all reptiles and amphibians possess the power of changing their hue in accordance with their environment in a very high degree; and among certain tree-toads and frogs it is difficult to say what is the normal colouring, as they vary indefinitely from buff and dove-colour to chocolate-brown, rose, and even lilac.

Finally, we must not forget about those animals that not only blend in color with their surroundings in a general sense, but also have the ability to adapt their appearance to whatever they come into contact with. Take the ptarmigan, for instance, which in summer blends in with the brown heather and gray rocks, while in winter it turns white like the snow. This brings us gradually to the most extreme examples of this disguising trait. There's a tiny crustacean called the chameleon shrimp, which can change its color based on the surface it rests on. On a sandy bottom, it looks gray or sand-colored; when hiding amongst seaweed, it shifts to green, red, or brown, depending on its immediate background. This change is likely unconscious or at least involuntary, similar to how we blush—nobody blushes on purpose, though a famous poet once complained that a well-known actor didn't follow his stage directions because he failed to obey the note, "Here Harold purples with anger." The change in color happens because of certain automatic muscles that push specific pigment cells to the surface, bringing green to the top on a green background, red on a reddish one, and brown or gray when needed. Many types of fish can also change their color to match their surroundings by adjusting special pigment cells known as chromatophores, which can create almost any required tone or shade through different combinations. Almost all reptiles and amphibians have a high ability to change their color to fit their environment, and with certain tree-toads and frogs, it's hard to determine what their normal coloring is, as they can range endlessly from buff and dove-colored to chocolate-brown, rose, and even lilac.

But of all the particoloured reptiles the chameleon is by far the best known, and on the whole the most remarkable for his inconstancy of coloration. Like a lacertine Vicar of Bray, he varies incontinently from buff to blue, and from blue back to orange again, under stress of circumstances. The mechanism of this curious change is extremely complex. Tiny corpuscles of different pigments are sometimes hidden in the depths of the chameleon's skin, and sometimes spread out on its surface in an interlacing network of brown or purple. In addition to this prime colouring matter, however, the animal also possesses a normal yellow pigment, and a bluish layer in the skin which acts like the iridium glass so largely employed by Dr. Salviati, being seen as straw-coloured with a transmitted light, but assuming a faint lilac tint against an opaque absorbent surface. While sleeping the chameleon becomes almost white in the shade, but if light falls upon him he slowly darkens by an automatic process. The movements of the corpuscles are governed by opposite nerves and muscles, which either cause them to bury themselves under the true skin, or to form an opaque ground behind the blue layer, or to spread out in a ramifying mass on the outer surface, and so produce as desired almost any necessary shade of grey, green, black, or yellow. It is an interesting fact that many chrysalids undergo precisely similar changes of colour in adaptation to the background against which they suspend themselves, being grey on a grey surface, green on a green one, and even half black and half red when hung up against pieces of particoloured paper.

But out of all the colorful reptiles, the chameleon is definitely the most well-known and is generally the most remarkable for its inconsistent colors. Like a lizard-like Vicar of Bray, it constantly shifts from buff to blue and back to orange again, depending on the situation. The mechanism behind this fascinating change is incredibly complex. Tiny particles of different pigments are sometimes hidden deep within the chameleon's skin and at other times spread out on its surface in an intricate network of brown or purple. In addition to this primary coloring material, the animal also has a standard yellow pigment and a bluish layer in its skin that works like the iridium glass often used by Dr. Salviati. It appears straw-colored when light passes through it but takes on a faint lilac hue against a solid dark background. While it sleeps, the chameleon can turn nearly white in the shade, but when light hits it, it gradually darkens through an automatic process. The movement of the particles is controlled by opposing nerves and muscles, which either pull them down beneath the true skin, create an opaque background behind the blue layer, or spread them out in a branching mass on the outer surface, allowing it to produce almost any shade of gray, green, black, or yellow as needed. It's interesting to note that many chrysalids undergo similar color changes to blend into their background, appearing gray on a gray surface, green on a green one, and even half black and half red when suspended against pieces of multicolored paper.

Nothing could more beautifully prove the noble superiority of the human intellect than the fact that while our grouse are russet-brown to suit the bracken and heather, and our caterpillars green to suit the lettuce and the cabbage leaves, our British soldier should be wisely coated in brilliant scarlet to form an effective mark for the rifles of an enemy. Red is the easiest of all colours at which to aim from a great distance; and its selection by authority for the uniform of unfortunate Tommy Atkins reminds me of nothing so much as Mr. McClelland's exquisite suggestion that the peculiar brilliancy of the Indian river carps makes them serve 'as a better mark for kingfishers, terns, and other birds which are destined to keep the number of these fishes in check.' The idea of Providence and the Horse Guards conspiring to render any creature an easier target for the attacks of enemies is worthy of the decadent school of natural history, and cannot for a moment be dispassionately considered by a judicious critic. Nowadays we all know that the carp are decked in crimson and blue to please their partners, and that soldiers are dressed in brilliant red to please the æsthetic authorities who command them from a distance.

Nothing could illustrate the superiority of human intellect better than the fact that while our grouse are russet-brown to blend in with the bracken and heather, and our caterpillars are green to match the lettuce and cabbage leaves, our British soldier is wisely dressed in bright scarlet to make him an easy target for enemy rifles. Red is the easiest color to aim at from a distance, and its choice by authorities for the uniform of unfortunate Tommy Atkins reminds me of Mr. McClelland's brilliant observation that the unique brightness of Indian river carps makes them serve 'as a better target for kingfishers, terns, and other birds that help keep the number of these fish in check.' The notion of Providence and the Horse Guards working together to make any creature an easier target for enemy attacks is worthy of the decadent school of natural history and can't be thoughtfully considered by a reasonable critic. Nowadays, we all know that the carps are adorned in crimson and blue to attract their mates, and that soldiers wear bright red to satisfy the aesthetic authorities commanding them from afar.


SEVEN-YEAR SLEEPERS

For many generations past that problematical animal, the toad-in-a-hole (literal, not culinary) has been one of the most familiar and interesting personages of contemporary folk-lore and popular natural history. From time to time he turns up afresh, with his own wonted perennial vigour, on paper at least, in company with the great sea-serpent, the big gooseberry, the shower of frogs, the two-headed calf, and all the other common objects of the country or the seaside in the silly season. No extraordinary natural phenomenon on earth was ever better vouched for—in the fashion rendered familiar to us by the Tichborne claimant—that is to say, no other could ever get a larger number of unprejudiced witnesses to swear positively and unreservedly in its favour. Unfortunately, however, swearing alone no longer settles causes offhand, as if by show of hands, 'the Ayes have it,' after the fashion prevalent in the good old days when the whole Hundred used to testify that of its certain knowledge John Nokes did not commit such and such a murder; whereupon John Nokes was forthwith acquitted accordingly. Nowadays, both justice and science have become more exacting; they insist upon the unpleasant and discourteous habit of cross-examining their witnesses (as if they doubted them, forsooth!), instead of accepting the witnesses' own simple assertion that it's all right, and there's no need for making a fuss about it. Did you yourself see the block of stone in which the toad is said to have been found, before the toad himself was actually extracted? Did you examine it all round to make quite sure there was no hole, or crack, or passage in it anywhere? Did you satisfy yourself after the toad was released from his close quarters that no such hole, or crack, or passage had been dexterously closed up, with intent to deceive, by plaster, cement, or other artificial composition? Did you ever offer the workmen who found it a nominal reward—say five shillings—for the first perfectly unanswerable specimen of a genuine unadulterated antediluvian toad? Have you got the toad now present, and can you produce him here in court (on writ of habeas corpus or otherwise), together with all the fragments of the stone or tree from which he was extracted? These are the disagreeable, prying, inquisitorial, I may even say insulting, questions with which a modern man of science is ready to assail the truthful and reputable gentlemen who venture to assert their discovery, in these degenerate days, of the ancient and unsophisticated toad-in-a-hole.

For many generations, the mysterious creature known as the toad-in-a-hole (literal, not culinary) has been one of the most familiar and intriguing figures in modern folklore and popular natural history. Every so often, it makes a reappearance, maintaining its usual enduring charm, at least in print, alongside legendary entities like the great sea serpent, the giant gooseberry, the shower of frogs, the two-headed calf, and all the other familiar sights of the countryside or seaside during silly season. No extraordinary natural phenomenon on earth has had better eyewitness accounts—much like the Tichborne claimant—meaning that no other has had as many unbiased witnesses willing to swear confidently in its favor. Sadly, swearing alone doesn’t settle cases like it used to, as if by a show of hands, when everyone used to assert that John Nokes didn’t commit a certain murder, leading to his immediate acquittal. Nowadays, both justice and science have become more critical; they demand the unpleasant and rude practice of cross-examining witnesses (as if they doubted them, of course!), rather than just accepting their straightforward claim that everything is fine and there’s no need to make a fuss about it. Did you actually see the stone where the toad is said to have been found before the toad was taken out? Did you check it all around to ensure there were no holes, cracks, or passages? Did you confirm that after the toad was freed from its confinement there wasn’t a hole, crack, or passage that had been cleverly sealed up to trick you with plaster, cement, or some other artificial material? Did you ever offer the workers who discovered it a small reward—say five shillings—for the first unmistakable specimen of a genuine untouched antediluvian toad? Do you have the toad here now, and can you bring him to court (on a writ of habeas corpus or otherwise), along with all the pieces of the stone or tree from which he was taken? These are the uncomfortable, probing, inquisitorial, and I might say insulting, questions that a modern scientist is eager to pose to the honest and reputable individuals who dare to claim they've rediscovered the ancient and straightforward toad-in-a-hole in these less sophisticated times.

Now, the worst of it is that the gentlemen in question, being unfamiliar with what is technically described as scientific methods of investigation, are very apt to lose their temper when thus cross-questioned, and to reply, after the fashion usually attributed to the female mind, with another question, whether the scientific person wishes to accuse them of downright lying. And as nothing on earth could be further from the scientific person's mind than such an imputation, he is usually fain in the end to give up the social pursuit of postprandial natural history (the subject generally crops up about the same time as the after-dinner coffee), and to let the prehistoric toad go on his own triumphant way, unheeded.

Now, the worst part is that the gentlemen involved, not being familiar with what's called scientific investigation methods, tend to lose their tempers when asked difficult questions. They often respond, in a way that people usually associate with women, by asking if the scientific person is accusing them of outright lying. And since nothing could be further from the scientific person's intention than such an accusation, they usually end up giving up the social pursuit of post-dinner natural history (which usually comes up around the same time as after-dinner coffee) and let the prehistoric toad continue on its way, unnoticed.

As a matter of fact, nobody ever makes larger allowances for other people, in the estimate of their veracity, than the scientific inquirer. Knowing himself, by painful experience, how extremely difficult a matter it is to make perfectly sure you have observed anything on earth quite correctly, and have eliminated all possible chances of error, he acquires the fixed habit of doubting about one-half of whatever his fellow-creatures tell him in ordinary conversation, without for a single moment venturing to suspect them of deliberate untruthfulness. Children and servants, if they find that anything they have been told is erroneous, immediately jump at the conclusion that the person who told them meant deliberately to deceive them; in their own simple and categorical fashion they answer plumply, 'That's a lie.' But the man of science is only too well acquainted in his own person with the exceeding difficulty of ever getting at the exact truth. He has spent hours of toil, himself, in watching and observing the behaviour of some plant, or animal, or gas, or metal; and after repeated experiments, carefully designed to exclude all possibility of mistake, so far as he can foresee it, he at last believes he has really settled some moot point, and triumphantly publishes his final conclusions in a scientific journal. Ten to one, the very next number of that same journal contains a dozen supercilious letters from a dozen learned and high-salaried professors, each pointing out a dozen distinct and separate precautions which the painstaking observer neglected to take, and any one of which would be quite sufficient to vitiate the whole body of his observations. There might have been germs in the tube in which he boiled the water (germs are very fashionable just at present); or some of the germs might have survived and rather enjoyed the boiling; or they might have adhered to the under surface of the cork; or the mixture might have been tampered with during the experimenter's temporary absence by his son, aged ten years (scientific observers have no right, apparently, to have sons of ten years old, except perhaps for purposes of psychological research); and so forth, ad infinitum. And the worst of it all is that the unhappy experimenter is bound himself to admit that every one of the objections is perfectly valid, and that he very likely never really saw what with perfect confidence he thought and said he had seen.

Actually, no one makes bigger allowances for others when judging their honesty than a scientific inquirer. From painful experience, he knows how incredibly tough it is to be completely certain that what you’ve observed on earth is accurate and that you've ruled out all potential errors. He ends up developing the habit of doubting about half of what people tell him in everyday conversations, never suspecting them of intentionally lying. Children and servants, when they discover something they were told is wrong, immediately assume the person meant to deceive them; in their straightforward way, they flatly say, "That's a lie." But a scientist is all too aware of how difficult it is to get to the exact truth. He has spent countless hours watching and observing the behavior of a plant, animal, gas, or metal; after many experiments carefully designed to eliminate any possible mistakes, he finally believes he’s figured out some debated point and proudly publishes his conclusions in a scientific journal. Chances are, the next issue of that same journal will feature a dozen condescending letters from various learned professors, each highlighting a different precaution that the diligent observer failed to take, any one of which could invalidate his entire set of observations. There might have been germs in the tube where he boiled the water (germs are very trendy right now); or some of the germs might have survived and actually thrived during the boiling; or they could have stuck to the underside of the cork; or the mix might have been messed with while he was temporarily away by his ten-year-old son (apparently, scientific observers aren't allowed to have sons aged ten, except maybe for psychological studies); and so on, ad infinitum. The worst part is that the unfortunate experimenter must admit that every one of these objections is totally valid and that he likely never actually saw what he confidently thought he had seen.

This being an unbelieving age, then, when even the book of Deuteronomy is 'critically examined,' let us see how much can really be said for and against our old friend, the toad-in-a-hole; and first let us begin with the antecedent probability, or otherwise, of any animal being able to live in a more or less torpid condition, without air or food, for any considerable period of time together.

This is an age of disbelief, where even the book of Deuteronomy is being "critically examined." Let's take a moment to consider the strengths and weaknesses of our old favorite, the toad-in-a-hole. First, we should look at the basic likelihood of any animal being able to survive in a somewhat inactive state, without air or food, for an extended period.

A certain famous historical desert snail was brought from Egypt to England as a conchological specimen in the year 1846. This particular mollusk (the only one of his race, probably, who ever attained to individual distinction), at the time of his arrival in London, was really alive and vigorous; but as the authorities of the British Museum, to whose tender care he was consigned, were ignorant of this important fact in his economy, he was gummed, mouth downward, on to a piece of cardboard, and duly labelled and dated with scientific accuracy, 'Helix desertorum, March 25, 1846.' Being a snail of a retiring and contented disposition, however, accustomed to long droughts and corresponding naps in his native sand-wastes, our mollusk thereupon simply curled himself up into the topmost recesses of his own whorls, and went placidly to sleep in perfect contentment for an unlimited period. Every conchologist takes it for granted, of course, that the shells which he receives from foreign parts have had their inhabitants properly boiled and extracted before being exported; for it is only the mere outer shell or skeleton of the animal that we preserve in our cabinets, leaving the actual flesh and muscles of the creature himself to wither unobserved upon its native shores. At the British Museum the desert snail might have snoozed away his inglorious existence unsuspected, but for a happy accident which attracted public attention to his remarkable case in a most extraordinary manner. On March 7, 1850, nearly four years later, it was casually observed that the card on which he reposed was slightly discoloured; and this discovery led to the suspicion that perhaps a living animal might be temporarily immured within that papery tomb. The Museum authorities accordingly ordered our friend a warm bath (who shall say hereafter that science is unfeeling!), upon which the grateful snail, waking up at the touch of the familiar moisture, put his head cautiously out of his shell, walked up to the top of the basin, and began to take a cursory survey of British institutions with his four eye-bearing tentacles. So strange a recovery from a long torpid condition, only equalled by that of the Seven Sleepers of Ephesus, deserved an exceptional amount of scientific recognition. The desert snail at once awoke and found himself famous. Nay, he actually sat for his portrait to an eminent zoological artist, Mr. Waterhouse; and a woodcut from the sketch thus procured, with a history of his life and adventures, may be found even unto this day in Dr. Woodward's 'Manual of the Mollusca,' to witness if I lie.

A famous historical desert snail was brought from Egypt to England as a conchological specimen in 1846. This particular mollusk, probably the only one of its kind to achieve individual fame, was alive and thriving when it arrived in London. However, the staff at the British Museum, who were responsible for its care, didn’t realize this important detail. They glued it, shell down, onto a piece of cardboard and labeled it with scientific accuracy as 'Helix desertorum, March 25, 1846.' Being a snail that was shy and content, used to long periods of drought and naps in its sandy home, our mollusk simply curled up deep inside its own shell and peacefully fell asleep for an indefinite time. Every conchologist assumes that the shells received from abroad have had their creatures properly boiled and removed before being shipped; only the outer shell or skeleton of the animal is kept in our collections, while the actual flesh and muscles are left to decay unnoticed on their native shores. At the British Museum, the desert snail could have continued its unnoticed, uneventful sleep, but a fortunate accident drew public attention to its remarkable situation in an extraordinary way. On March 7, 1850, nearly four years later, someone noticed that the card it rested on was slightly discolored; this led to the suspicion that a living animal might still be trapped inside that paper tomb. The Museum authorities wisely decided to give our friend a warm bath (who can say that science lacks compassion?), and upon feeling the familiar moisture, the grateful snail woke up, carefully poked its head out of its shell, made its way to the top of the basin, and started to survey British institutions with its four tentacles equipped with eyes. This unusual revival from a long period of dormancy, rivaled only by the story of the Seven Sleepers of Ephesus, warranted significant scientific recognition. The desert snail suddenly found itself famous. In fact, it even sat for a portrait by renowned zoologist Mr. Waterhouse; a woodcut from this sketch, along with a history of its life and adventures, can still be found today in Dr. Woodward's 'Manual of the Mollusca,' as proof of my claims.

I mention this curious instance first, because it is the best authenticated case on record (so far as my knowledge goes) of any animal existing in a state of suspended animation for any long period of time together. But there are other cases of encysted or immured animals which, though less striking as regards the length of time during which torpidity has been observed, are much more closely analogous to the real or mythical conditions of the toad-in-a-hole. That curious West African mud-fish, the Lepidosiren (familiar to all readers of evolutionary literature as one of the most singular existing links between fish and amphibians), lives among the shallow pools and broads of the Gambia, which are dried up during the greater part of the tropical summer. To provide against this annual contingency, the mud-fish retires into the soft clay at the bottom of the pools, where it forms itself a sort of nest, and there hibernates, or rather æstivates, for months together, in a torpid condition. The surrounding mud then hardens into a dry ball; and these balls are dug out of the soil of the rice-fields by the natives, with the fish inside them, by which means many specimens of lepidosiren have been sent alive to Europe, embedded in their natural covering. Here the strange fish is chiefly prized as a zoological curiosity for aquariums, because of its possessing gills and lungs together, to fit it for its double existence; but the unsophisticated West Africans grub it up on their own account as a delicacy, regardless of its claims to scientific consideration as the earliest known ancestor of all existing terrestrial animals. Now, the torpid state of the mud-fish in his hardened ball of clay closely resembles the real or supposed condition of the toad-in-a-hole; but with one important exception. The mud-fish leaves a small canal or pipe open in his cell at either end to admit the air for breathing, though he breathes (as I shall proceed to explain) in a very slight degree during his æstivation; whereas every proper toad-in-a-hole ought by all accounts to live entirely without either feeding or breathing in any way. However, this is a mere detail; and indeed, if toads-in-a-hole do really exist at all, we must in all probability ultimately admit that they breathe to some extent, though perhaps very slightly, during their long immurement.

I mention this interesting example first because it's the best-documented case I know of any animal entering a state of suspended animation for an extended period. However, there are other instances of encysted or trapped animals that, while less impressive in terms of the duration of their torpidity, are more similar to the realities or myths surrounding the toad-in-a-hole. The fascinating West African mud-fish, Lepidosiren (well-known to those familiar with evolutionary studies as one of the most unique connections between fish and amphibians), lives in the shallow pools and wetlands of the Gambia, which dry up for most of the tropical summer. To prepare for this annual situation, the mud-fish burrows into the soft clay at the bottom of these pools, creating a sort of nest, and there it hibernates, or more accurately, estivates, for months in a torpid state. The surrounding mud then hardens into a dry ball; locals dig these balls out of the rice fields, with the fish still inside, allowing many specimens of Lepidosiren to be sent alive to Europe, encased in their natural covering. This unusual fish is primarily valued in aquariums for its unique feature of having both gills and lungs, which allows it to thrive in both environments; however, the local West Africans dig it up as a delicacy, ignoring its significance as the earliest known ancestor of all current terrestrial animals. The torpid state of the mud-fish in its hardened clay ball closely resembles the actual or imagined condition of the toad-in-a-hole, but with one crucial difference. The mud-fish leaves a small channel open at both ends of its cell for air to breathe, although it only breathes (as I will explain) very minimally during its estivation; whereas a true toad-in-a-hole, by all accounts, should live entirely without feeding or breathing at all. However, this is just a minor detail; and indeed, if toads-in-a-hole do actually exist, we will probably have to accept that they breathe to some degree, even if it’s very slight, during their long confinement.

And this leads us on to consider what in reality hibernation is. Everybody knows nowadays, I suppose, that there is a very close analogy between an animal and a steam-engine. Food is the fuel that makes the animal engine go; and this food acts almost exactly as coal does in the artificial machine. But coal alone will not drive an engine; a free draught of open air is also required in order to produce combustion. Just in like manner the food we eat cannot be utilised to drive our muscles and other organs unless it is supplied with oxygen from the air to burn it slowly inside our bodies. This oxygen is taken into the system, in all higher animals, by means of lungs or gills. Now, when we are working at all hard, we require a great deal of oxygen, as most of us have familiarly discovered (especially if we are somewhat stout) in the act of climbing hills or running to catch a train. But when we are doing very little work indeed, as in our sleeping hours, during which muscular movement is suspended, and only the general organic life continues, we breathe much more slowly and at longer intervals. However, there is this important difference (generally speaking) between an animal and a steam-engine. You can let the engine run short of coals and come to a dead standstill, without impairing its future possibilities of similar motion; you have only to get fresh coals, after weeks or months of inaction, and light up a fresh fire, when your engine will immediately begin to work again, exactly the same as before. But if an animal organism once fairly runs down, either from want of food or any other cause—in short, if it dies—it very seldom comes to life again.

And this brings us to consider what hibernation really is. Nowadays, I think everyone understands that there's a strong similarity between an animal and a steam engine. Food is the fuel that powers the animal engine; this food works almost exactly like coal in the machine. However, coal alone won't run the engine; it also needs a good supply of fresh air to create combustion. Similarly, the food we eat can’t be used to fuel our muscles and organs without oxygen from the air to burn it inside our bodies. This oxygen enters the system in all higher animals through lungs or gills. When we're working hard, we need a lot of oxygen, as many of us have noticed (especially if we're a bit heavy) when climbing hills or sprinting to catch a train. But when we're hardly doing anything, like when we sleep, and muscle movement is paused while only basic life functions continue, we breathe much more slowly and less frequently. However, there’s an important difference (generally speaking) between an animal and a steam engine. You can let the engine run out of coal and stop completely without damaging its ability to run again; you just need to get new coal, relight the fire, and your engine will operate exactly like before. But if an animal's body completely shuts down, either from lack of food or some other reason—in short, if it dies—it rarely comes back to life.

I say 'very seldom' on purpose, because there are a few cases among the extreme lower animals where a water-haunting creature can be taken out of the water and can be thoroughly dried and desiccated, or even kept for an apparently unlimited period wrapped up in paper or on the slide of a microscope; and yet, the moment a drop of water is placed on top of it, it begins to move and live again exactly as before. This sort of thorough-going suspended animation is the kind we ought to expect from any well-constituted and proper-minded toad-in-a-hole. Whether anything like it ever really occurs in the higher ranks of animal life, however, is a different question; but there can be no doubt that to some slight extent a body to all intents and purposes quite dead (physically speaking) by long immersion in water—a drowned man, for example—may really be resuscitated by heat and stimulants, applied immediately, provided no part of the working organism has been seriously injured or decomposed. Such people may be said to be pro tem. functionally, though not structurally, dead. The heart has practically ceased to beat, the lungs have ceased to breathe, and physical life in the body is temporarily extinct. The fire, in short, has gone out. But if only it can be lighted again before any serious change in the system takes place, all may still go on precisely as of old.

I say "very seldom" on purpose, because there are a few cases among the lowest animals where a creature that lives in water can be taken out, dried completely, or even kept for an apparently unlimited time wrapped in paper or on the slide of a microscope; yet, the moment a drop of water is placed on it, it starts to move and come to life again just like before. This kind of complete suspended animation is what we should expect from any well-structured and reasonable toad-in-a-hole. Whether anything similar actually happens in the higher ranks of animal life, however, is another question. But there's no doubt that to some extent, a body that is essentially dead (physically speaking) from being in water for a long time—a drowned person, for instance—can really be revived by heat and stimulants, applied right away, as long as no part of the body has been seriously damaged or decomposed. Such individuals may be considered pro tem. functionally dead, even though structurally they are not. The heart has essentially stopped beating, the lungs have stopped breathing, and physical life in the body is temporarily gone. In short, the fire has gone out. But if it can be reignited before any serious changes occur in the system, everything can continue exactly as it was before.

Many animals, however, find it convenient to assume a state of less complete suspended animation during certain special periods of the year, according to the circumstances of their peculiar climate and mode of life. Among the very highest animals, the most familiar example of this sort of semi-torpidity is to be found among the bears and the dormice. The common European brown bear is a carnivore by descent, who has become a vegetarian in practice, though whether from conscientious scruples or mere practical considerations of expediency, does not appear. He feeds chiefly on roots, berries, fruits, vegetables, and honey, all of which he finds it comparatively difficult to procure during winter weather. Accordingly, as everyone knows, he eats immoderately in the summer season, till he has grown fat enough to supply bear's grease to all Christendom. Then he hunts himself out a hollow tree or rock-shelter, curls himself up quietly to sleep, and snores away the whole livelong winter. During this period of hibernation, the action of the heart is reduced to a minimum, and the bear breathes but very slowly. Still, he does breathe, and his heart does beat; and in performing those indispensable functions, all his store of accumulated fat is gradually used up, so that he wakes in spring as thin as a lath and as hungry as a hunter. The machine has been working at very low pressure all the winter: but it has been working for all that, and the continuity of its action has never once for a moment been interrupted. This is the central principle of all hibernation; it consists essentially of a very long and profound sleep, during which all muscular motion, except that of the heart and lungs, is completely suspended, while even these last are reduced to the very smallest amount compatible with the final restoration of full animal activity.

Many animals find it useful to enter a state of partial hibernation during certain times of the year, depending on their specific climate and lifestyle. Among the most advanced animals, the best-known example of this kind of semi-hibernation is seen in bears and dormice. The common European brown bear has carnivorous origins but has mostly become a vegetarian, though it's unclear whether that's due to moral reasons or just practical decisions. He primarily eats roots, berries, fruits, vegetables, and honey, which are much harder to find during winter. So, as everyone knows, he eats excessively in the summer until he’s fat enough to provide bear fat to all of Christendom. Then he finds a hollow tree or rock to settle into, curls up to sleep, and snores through the entire winter. During this hibernation period, his heart rate drops to a minimum, and he breathes very slowly. However, he does breathe, and his heart does beat; while performing these essential functions, he gradually uses up his stored fat, waking up in spring as thin as a stick and as hungry as a hunter. His body has been running at very low capacity all winter, but it has been working nonetheless, and the continuity of its function has never been interrupted. This is the key principle of all hibernation; it essentially involves a very long and deep sleep, during which all muscle movement, except that of the heart and lungs, is completely halted, while even those functions are limited to the bare minimum needed for a full return to normal activity.

Thus, even among warm-blooded animals like the bears and dormice, hibernation actually occurs to a very considerable degree; but it is far more common and more complete among cold-blooded creatures, whose bodies do not need to be kept heated to the same degree, and with whom, accordingly, hibernation becomes almost a complete torpor, the breathing and the action of the heart being still further reduced to very nearly zero. Mollusks in particular, like oysters and mussels, lead very monotonous and uneventful lives, only varied as a rule by the welcome change of being cut out of their shells and eaten alive; and their powers of living without food under adverse circumstances are really very remarkable. Freshwater snails and mussels, in cold weather, bury themselves in the mud of ponds or rivers; and land-snails hide themselves in the ground or under moss and leaves. The heart then ceases perceptibly to beat, but respiration continues in a very faint degree. The common garden snail closes the mouth of his shell when he wants to hibernate, with a slimy covering; but he leaves a very small hole in it somewhere, so as to allow a little air to get in, and keep up his breathing to a slight amount. My experience has been, however, that a great many snails go to sleep in this way, and never wake up again. Either they get frozen to death, or else the respiration falls so low that it never picks itself up properly when spring returns. In warm climates, it is during the summer that mollusks and other mud-haunting creatures go to sleep; and when they get well plastered round with clay, they almost approach in tenacity of life the mildest recorded specimens of the toad-in-a-hole.

So, even among warm-blooded animals like bears and dormice, hibernation happens quite a bit, but it's much more common and thorough among cold-blooded creatures. These animals don’t need to keep their bodies heated as much, so hibernation for them becomes almost complete inactivity, with breathing and heart action dropping to nearly zero. Mollusks, like oysters and mussels, live very dull and uneventful lives, usually only interrupted by the undesirable change of being taken out of their shells and eaten alive. Their ability to survive without food in tough conditions is truly impressive. Freshwater snails and mussels bury themselves in the mud of ponds or rivers when it gets cold, while land snails hide in the ground or under moss and leaves. Their hearts noticeably slow down, but they continue to breathe at a very low rate. The common garden snail closes the opening of its shell with a slimy layer when it wants to hibernate, but it leaves a tiny gap to let in a bit of air to maintain some breathing. However, in my experience, a lot of snails fall asleep this way and never wake up again. Either they freeze to death or their respiration drops so low that it can’t recover when spring comes back. In warmer climates, mollusks and other mud-dwelling creatures go to sleep during the summer; once they get really covered in clay, they almost match the toughest examples of the toad-in-a-hole in terms of survival ability.

For example, take the following cases, which I extract, with needful simplifications, from Dr. Woodward.

For example, consider the following cases, which I’ve taken, with necessary simplifications, from Dr. Woodward.

'In June 1850, a living pond mussel, which had been more than a year out of water, was sent to Mr. Gray, from Australia. The big pond snails of the tropics have been found alive in logs of mahogany imported from Honduras; and M. Caillaud carried some from Egypt to Paris, packed in sawdust. Indeed, it isn't easy to ascertain the limit of their endurance; for Mr. Laidlay, having placed a number in a drawer for this very purpose, found them alive after five years' torpidity, although in the warm climate of Calcutta. The pretty snails called cyclostomas, which have a lid to their shells, are well known to survive imprisonments of many months; but in the ordinary open-mouthed land-snails such cases are even more remarkable. Several of the enormous tropical snails often used to decorate cottage mantelpieces, brought by Lieutenant Greaves from Valparaiso, revived after being packed, some for thirteen, others for twenty months. In 1849, Mr. Pickering received from Mr. Wollaston a basketful of Madeira snails (of twenty or thirty different kinds), three-fourths of which proved to be alive, after several months' confinement, including a sea voyage. Mr. Wollaston has himself recorded the fact that specimens of two Madeira snails survived a fast and imprisonment in pill-boxes of two years and a half duration, and that large numbers of a small species, brought to England at the same time, were all living after being inclosed in a dry bag for a year and a half.'

In June 1850, a living pond mussel that had been out of water for over a year was sent to Mr. Gray from Australia. The large pond snails found in tropical regions have been discovered alive in mahogany logs imported from Honduras, and M. Caillaud brought some from Egypt to Paris, packed in sawdust. In fact, it’s not easy to determine how long they can survive; Mr. Laidlay put several in a drawer for this very reason and found them alive after five years' dormancy, even in the warm climate of Calcutta. The attractive snails known as cyclostomas, which have a lid on their shells, are well known for surviving several months of confinement; but instances of endurance in ordinary open-mouthed land snails are even more impressive. Many of the huge tropical snails, often used as decorations on cottage mantelpieces and brought back by Lieutenant Greaves from Valparaiso, revived after being packed away, some after thirteen months and others after twenty months. In 1849, Mr. Pickering received from Mr. Wollaston, which included a basket full of Madeira snails (around twenty or thirty different kinds); about three-fourths of them were alive after several months of confinement, including a sea journey. Mr. Wollaston has also noted that two specimens of Madeira snails survived a fast and imprisonment in pillboxes for two and a half years, and that a large number of a small species brought to England at the same time were all alive after being kept in a dry bag for a year and a half.

Whether the snails themselves liked their long deprivation of food and moisture we are not informed; their personal tastes and inclinations were very little consulted in the matter; but as they and their ancestors for many generations must have been accustomed to similar long fasts during tropical droughts, in all likelihood they did not much mind it.

Whether the snails liked being without food and moisture for so long is unclear; their personal preferences were hardly considered. However, since they and their ancestors have likely experienced similar long periods without food during tropical droughts for many generations, it's probably safe to say they didn't mind it too much.

The real question, then, about the historical toad-in-a-hole narrows itself down in the end merely to this—how long is it credible that a cold-blooded creature might sustain life in a torpid or hibernating condition, without food, and with a very small quantity of fresh air, supplied (let us say) from time to time through an almost imperceptible fissure? It is well known that reptiles and amphibians are particularly tenacious of life, and that some turtles in particular will live for months, or even for years, without tasting food. The common Greek tortoise, hawked on barrows about the streets of London and bought by a confiding British public under the mistaken impression that its chief fare consists of slugs and cockroaches (it is really far more likely to feed upon its purchaser's choicest seakale and asparagus), buries itself in the ground at the first approach of winter, and snoozes away five months of the year in a most comfortable and dignified torpidity. A snake at the Zoo has even been known to live eighteen months in a voluntary fast, refusing all the most tempting offers of birds and rabbits, merely out of pique at her forcible confinement in a strange cage. As this was a lady snake, however, it is possible that she only went on living out of feminine obstinacy, so that this case really counts for very little.

The real question about the historical toad-in-a-hole ultimately boils down to this—how long can a cold-blooded creature survive in a sluggish or hibernating state, without food and with very little fresh air, provided occasionally through a barely noticeable gap? It’s well known that reptiles and amphibians are particularly resilient, and some turtles, in particular, can go for months or even years without eating. The common Greek tortoise, sold on barrows throughout the streets of London and mistakenly bought by unsuspecting Brits who think it primarily eats slugs and cockroaches (when in fact it’s much more likely to munch on its owner’s prized seakale and asparagus), buries itself when winter approaches and hibernates comfortably for five months a year. A snake at the Zoo was even known to go eighteen months without eating, refusing all the tempting offers of birds and rabbits simply out of annoyance at being trapped in an unfamiliar cage. However, since this was a female snake, it’s possible she only continued to live out of stubbornness, so this case doesn’t really count for much.

Toads themselves are well known to possess all the qualities of mind and body which go to make up the career of a successful and enduring anchorite. At the best of times they eat seldom and sparingly, while a forty days' fast, like Dr. Tanner's, would seem to them but an ordinary incident in their everyday existence. In the winter they hibernate by burying themselves in the mud, or by getting down cracks in the ground. It is also undoubtedly true that they creep into holes wherever they can find one, and that in these holes they lie torpid for a considerable period. On the other hand, there is every reason to believe that they cannot live for more than a certain fixed and relatively short time entirely without food or air. Dr. Buckland tried a number of experiments upon toads in this manner—experiments wholly unnecessary, considering the trivial nature of the point at issue—and his conclusion was that no toad could get beyond two years without feeding or breathing. There can be very little doubt that in this conclusion he was practically correct, and that the real fine old crusted antediluvian toad-in-a-hole is really a snare and a delusion.

Toads are known to have all the traits of mind and body that make up the life of a successful and lasting hermit. Even in the best of times, they eat rarely and in small amounts, while a forty-day fast, like Dr. Tanner's, would seem just like a normal part of their everyday lives. In winter, they hibernate by burying themselves in mud or finding cracks in the ground. It's also true that they crawl into any holes they can find and stay inactive for a long time in those spaces. However, there’s good reason to believe that they can’t survive beyond a certain fixed and relatively short period without food or air. Dr. Buckland conducted several experiments on toads regarding this—experiments that were largely unnecessary, given how trivial the question was—and he concluded that no toad could last more than two years without eating or breathing. It’s safe to say that he was largely correct in this conclusion, and that the image of an ancient, crusty toad hiding in a hole is really a myth.

That, however, does not wholly settle the question about such toads, because, even though they may not be all that their admirers claim for them, they may yet possess a very respectable antiquity of their own, and may be very far from the category of mere vulgar cheats and impostors. Because a toad is not as old as Methuselah, it need not follow that he may not be as old as Old Parr; because he does not date back to the Flood, it need not follow that he cannot remember Queen Elizabeth. There are some toads-in-a-hole, indeed, which, however we may account for the origin of their legend, are on the very face of it utterly incredible. For example, there is the favourite and immensely popular toad who was extracted from a perfectly closed hole in a marble mantelpiece. The implication of the legend clearly is that the toad was coeval with the marble. But marble is limestone, altered in texture by pressure and heat, till it has assumed a crystalline structure. In other words we are asked to believe that that toad lived through an amount of fiery heat sufficient to burn him up into fine powder, and yet remains to tell the tale. Such a toad as this obviously deserves no credit. His discoverers may have believed in him themselves, but they will hardly get other people to do so.

That, however, doesn’t completely answer the question about these toads because, even though they may not be everything their fans say they are, they could still have a pretty respectable age of their own and might be far from just being ordinary frauds and impostors. Just because a toad isn’t as old as Methuselah, it doesn’t mean he can’t be as old as Old Parr; just because he doesn’t go back to the Flood, it doesn’t mean he can’t remember Queen Elizabeth. There are some tales about toads that, no matter how we explain their origin, are outright unbelievable on the surface. For instance, there’s a well-known and hugely popular toad that was taken out of a completely closed hole in a marble mantelpiece. The implication of the legend is clearly that the toad existed at the same time as the marble. But marble is limestone that has been changed in texture by heat and pressure until it develops a crystalline structure. In other words, we’re being asked to believe that this toad survived enough fiery heat to turn him into fine powder and yet still remains to tell the story. Such a toad clearly deserves no credibility. His finders may have believed in him themselves, but they won’t likely convince anyone else.

Still, there are a great many ways in which it is quite conceivable that toads might get into holes in rocks or trees so as to give rise to the common stories about them, and might even manage to live there for a considerable time with very small quantities of food or air. It must be remembered that from the very nature of the conditions the hole can never be properly examined and inspected until after it has been split open and the toad has been extracted from it. Now, if you split open a tree or a rock, and find a toad inside it, with a cavity which he exactly fills, it is extremely difficult to say whether there was or was not a fissure before you broke the thing to pieces with your hatchet or pickaxe. A very small fissure indeed would be quite sufficient to account for the whole delusion; for if the toad could get a little air to breathe slowly during his torpid period, and could find a few dead flies or worms among the water that trickled scantily into his hole, he could manage to drag out a peaceful and monotonous existence almost indefinitely. Here are a few possible cases, any one of which will quite suffice to give rise to at least as good a toad-in-the-hole as ninety-nine out of a hundred published instances.

Still, there are many ways that toads could get into holes in rocks or trees, which might explain the common stories about them. They could even live there for a long time with very little food or air. It's important to remember that, because of the conditions, the hole can only be properly examined after it has been opened up and the toad taken out. If you break open a tree or rock and find a toad inside that perfectly fits the cavity, it’s really hard to determine whether there was a crack there before you broke it apart with your hatchet or pickaxe. Even a tiny crack would be enough to explain the whole misconception. If the toad could get just enough air to breathe slowly during its dormant period and find a few dead flies or worms in the little water that trickled into its hole, it could lead a peaceful and monotonous life for a very long time. Here are a few possible scenarios, any one of which could easily create a situation just as good as ninety-nine out of a hundred published examples of toads in holes.

An adult toad buries himself in the mud by a dry pond, and gets coated with a hard solid coat of sun-baked clay. His nodule is broken open with a spade, and the toad himself is found inside, almost exactly filling the space within the cavity. He has only been there for a few months at the outside; but the clay is as hard as a stone, and to the bucolic mind looks as if it might have been there ever since the Deluge. Good blue lias clay, which dries as solid as limestone, would perform this trick to perfection; and the toad might easily be relegated accordingly to the secondary ages of geology. Observe, however, that the actual toads so found are not the geological toads we should naturally expect under such remarkable circumstances, but the common everyday toads of modern England. This shows a want of accurate scientific knowledge on the part of the toads which is truly lamentable. A toad who really wished to qualify himself for the post ought at least to avoid presenting himself before a critical eye in the foolish guise of an embodied anachronism. He reminds one of the Roman mother in a popular burlesque, who suspects her son of smoking, and vehemently declares that she smells tobacco, but, after a moment, recollects the historical proprieties, and mutters to herself, apologetically, 'No, not tobacco; that's not yet invented.' A would-be silurian or triassic toad ought, in like manner, to remember that in the ages to whose honours he aspires his own amphibian kind was not yet developed. He ought rather to come out in the character of a ceratodus or a labyrinthodon.

An adult toad buries itself in the mud by a dry pond and gets covered with a hard, solid layer of sun-baked clay. Its nodule is broken open with a spade, and the toad is found inside, almost completely filling the space within the cavity. It has only been there for a few months at most; but the clay is as hard as stone, and to the rural mind, it looks like it could have been there since the Great Flood. Good blue lias clay, which dries as solid as limestone, would do this trick perfectly; and the toad could easily be assigned to the geological ages. However, notice that the actual toads found aren't the geological ones we would naturally expect in such remarkable circumstances, but rather the common everyday toads of modern England. This shows a lack of accurate scientific knowledge on the part of the toads that is truly unfortunate. A toad that really wanted to qualify for the role should at least avoid appearing before a critical observer in the ridiculous form of an embodied anachronism. It reminds one of the Roman mother in a popular comedy who suspects her son of smoking and passionately declares that she smells tobacco, but after a moment, remembers the historical facts and mutters to herself, apologetically, "No, not tobacco; that's not invented yet." A would-be Silurian or Triassic toad should similarly remember that in the ages he aspires to be part of, his own amphibian kind wasn't yet developed. He should come out instead as a ceratodus or a labyrinthodon.

Again, another adult toad crawls into the hollow of a tree, and there hibernates. The bark partially closes over the slit by which he entered, but leaves a little crack by which air can enter freely. The grubs in the bark and other insects supply him from time to time with a frugal repast. There is no good reason why, under such circumstances, a placid and contented toad might not manage to prolong his existence for several consecutive seasons.

Again, another adult toad crawls into the hollow of a tree and hibernates there. The bark partially closes over the opening he used to enter, but leaves a small crack by for air to come in freely. The grubs in the bark and other insects occasionally provide him with a light meal. There’s no good reason why, in such circumstances, a calm and content toad can’t manage to extend his life for several consecutive seasons.

Once more, the spawn of toads is very small, as regards the size of the individual eggs, compared with the size of the full-grown animal. Nothing would be easier than for a piece of spawn or a tiny tadpole to be washed into some hole in a mine or cave, where there was sufficient water for its developement, and where the trickling drops brought down minute objects of food, enough to keep up its simple existence. A toad brought up under such peculiar circumstances might pass almost its entire life in a state of torpidity, and yet might grow and thrive in its own sleepy vegetative fashion.

Once again, the spawn of toads is very small when you consider the size of the individual eggs compared to the size of the fully grown animal. It would be very easy for a piece of spawn or a tiny tadpole to get washed into a hole in a mine or cave, where there’s enough water for it to develop, and where the trickling drops bring down tiny bits of food, enough to sustain its simple existence. A toad raised in such unusual conditions might spend nearly its entire life in a state of lethargy, yet it could still grow and thrive in its own slow, vegetative way.

In short, while it would be difficult in any given case to prove to a certainty either that the particular toad-in-a-hole had or had not access to air and food, the ordinary conditions of toad life are exactly those under which the delusive appearance of venerable antiquity would be almost certain frequently to arise. The toad is a nocturnal animal; it lives through the daytime in dark and damp places; it shows a decided liking for crannies and crevices; it is wonderfully tenacious of life; it possesses the power of hibernation; it can live on extremely small quantities of food for very long periods of time together; it buries itself in mud or clay; it passes the early part of its life as a water-haunting tadpole; and last, not least, it can swell out its body to nearly double its natural size by inflating itself, which fully accounts for the stories of toads being taken out of holes every bit as big as themselves. Considering all these things, it would be wonderful indeed if toads were not often found in places and conditions which would naturally give rise to the familiar myth. Throw in a little allowance for human credulity, human exaggeration, and human love of the marvellous, and you have all the elements of a very excellent toad-in-the-hole in the highest ideal perfection.

In short, while it would be tough to definitively prove whether a specific toad-in-a-hole had or hadn’t access to air and food, the typical conditions of toad life are exactly the type that would likely create the misleading impression of ancient age. Toads are nocturnal creatures; they spend their days in dark, damp places; they really like hiding in nooks and crannies; they are incredibly resilient; they can hibernate; they can survive on very small amounts of food for long periods; they bury themselves in mud or clay; they start life as water-dwelling tadpoles; and perhaps most notably, they can puff up their bodies to nearly double their normal size by inflating themselves, which explains the tales of toads being pulled from holes that are just as big as they are. Considering all these factors, it would be quite surprising if toads weren't frequently found in situations that would naturally lead to this well-known myth. Add in some human gullibility, a tendency to exaggerate, and a fascination with the extraordinary, and you have all the ingredients for a perfect toad-in-the-hole myth at its absolute best.

At the same time I think it quite possible that some toads, under natural circumstances, do really remain in a torpid or semi-torpid condition for a period far exceeding the twenty-four months allowed as the maximum in Dr. Buckland's unpleasant experiments. If the amount of air supplied through a crack or through the texture of the stone were exactly sufficient for keeping the animal alive in the very slightest fashion—the engine working at the lowest possible pressure, short of absolute cessation—I see no reason on earth why a toad might not remain dormant, in a moist place, with perhaps a very occasional worm or grub for breakfast, for at least as long a time as the desert snail slept comfortably in the British Museum. Altogether, while it is impossible to believe the stories about toads that have been buried in a mine for whole centuries, and still more impossible to believe in their being disentombed from marble mantelpieces or very ancient geological formations, it is quite conceivable that some toads-in-a-hole may really be far from mere vulgar impostors, and may have passed the traditional seven years of the Indian philosophers in solitary meditation on the syllable Om, or on the equally significant Ko-ax, Ko-ax of the irreverent Attic dramatist. "Certainly not a centenarian, but perhaps a good seven-year sleeper for all that," is the final verdict which the court is disposed to return, after due consideration of all the probabilities in re the toad-in-a-hole.

At the same time, I think it's entirely possible that some toads, in natural conditions, actually stay in a dormant or semi-dormant state for much longer than the twenty-four months that Dr. Buckland's unpleasant experiments claim is the maximum. If the amount of air coming through a crack or through the stone is just enough to keep the animal alive in the slightest way—the engine running at the lowest possible pressure before total shutdown—then I see no reason why a toad couldn’t remain inactive, in a moist spot, with maybe the occasional worm or grub for breakfast, for at least as long as the desert snail comfortably rested in the British Museum. Overall, while it's hard to believe the stories about toads that have been buried in a mine for entire centuries, and even harder to believe they can be dug up from marble mantelpieces or very ancient geological layers, it's quite possible that some toads-in-a-hole might really not be mere mischief-makers. They may have spent the traditional seven years of Indian philosophers in solitary meditation on the syllable Om, or on the equally relevant Ko-ax, Ko-ax of the irreverent Attic playwright. "Certainly not a centenarian, but maybe a solid seven-year sleeper after all," is the final conclusion the court seems ready to reach, after carefully considering all the possibilities in re the toad-in-a-hole.


A FOSSIL CONTINENT

If an intelligent Australian colonist were suddenly to be translated backward from Collins Street, Melbourne, into the flourishing woods of the secondary geological period—say about the precise moment of time when the English chalk downs were slowly accumulating, speck by speck, on the silent floor of some long-forgotten Mediterranean—the intelligent colonist would look around him with a sweet smile of cheerful recognition, and say to himself in some surprise, 'Why, this is just like Australia.' The animals, the trees, the plants, the insects, would all more or less vividly remind him of those he had left behind him in his happy home of the southern seas and the nineteenth century. The sun would have moved back on the dial of ages for a few million summers or so, indefinitely (in geology we refuse to be bound by dates), and would have landed him at last, to his immense astonishment, pretty much at the exact point whence he first started.

If a smart Australian settler suddenly found themselves transported from Collins Street, Melbourne, back into the lush woods of the secondary geological period—let's say around the exact moment when the English chalk downs were gradually forming, piece by piece, on the quiet floor of some long-forgotten Mediterranean—the intelligent settler would look around with a pleased smile of happy recognition and think to themselves in some surprise, 'Wow, this is just like Australia.' The animals, trees, plants, and insects would all remind him, more or less vividly, of those he had left behind in his sunny home in the southern seas during the nineteenth century. The sun would have moved back on the timeline of ages for a few million summers or so, indefinitely (in geology, we don't stick to dates), and would have brought him back, to his great astonishment, pretty much to the exact spot where he first started.

In other words, with a few needful qualifications, to be made hereafter, Australia is, so to speak, a fossil continent, a country still in its secondary age, a surviving fragment of the primitive world of the chalk period or earlier ages. Isolated from all the remainder of the earth about the beginning of the tertiary epoch, long before the mammoth and the mastodon had yet dreamt of appearing upon the stage of existence, long before the first shadowy ancestor of the horse had turned tail on nature's rough draft of the still undeveloped and unspecialised lion, long before the extinct dinotheriums and gigantic Irish elks and colossal giraffes of late tertiary times had even begun to run their race on the broad plains of Europe and America, the Australian continent found itself at an early period of its development cut off entirely from all social intercourse with the remainder of our planet, and turned upon itself, like the German philosopher, to evolve its own plants and animals out of its own inner consciousness. The natural consequence was that progress in Australia has been absurdly slow, and that the country as a whole has fallen most woefully behind the times in all matters pertaining to the existence of life upon its surface. Everybody knows that Australia as a whole is a very peculiar and original continent; its peculiarity, however, consists, at bottom, for the most part in the fact that it still remains at very nearly the same early point of development which Europe had attained a couple of million years ago or thereabouts. "Advance, Australia," says the national motto; and, indeed, it is quite time nowadays that Australia should advance; for, so far, she has been left out of the running for some four mundane ages or so at a rough computation.

In other words, with a few necessary clarifications to be made later, Australia is essentially a fossil continent, a country still in its secondary age, a remnant of the primitive world from the chalk period or even earlier. Isolated from the rest of the earth at the start of the tertiary epoch, long before the mammoth and the mastodon had even dreamed of appearing, and long before the first distant ancestor of the horse had moved away from nature's rough draft of the still undeveloped and unspecialized lion, and long before the extinct dinotheriums and giant Irish elks and massive giraffes of late tertiary times had begun to roam the wide plains of Europe and America, the Australian continent found itself cut off completely from all social interactions with the rest of our planet early in its development, turning inward, like the German philosopher, to develop its own plants and animals from its own inner consciousness. The natural result was that progress in Australia has been strikingly slow, and the country as a whole has fallen sadly behind in all aspects of life on its surface. Everyone knows that Australia is a very unique and original continent; however, its uniqueness mainly lies in the fact that it remains at a very similar early point of development that Europe reached a couple of million years ago or so. "Advance, Australia," says the national motto; and, indeed, it is about time Australia should advance; because, so far, it has been left out of the race for roughly four geological ages.

Example, says the wisdom of our ancestors, is better than precept; so perhaps, if I take a single example to start with, I shall make the principle I wish to illustrate a trifle clearer to the European comprehension. In Australia, when Cook or Van Diemen first visited it, there were no horses, cows, or sheep; no rabbits, weasels, or cats; no indigenous quadrupeds of any sort except the pouched mammals or marsupials, familiarly typified to every one of us by the mamma kangaroo in Regent's Park, who carries the baby kangaroos about with her, neatly deposited in the sac or pouch which nature has provided for them instead of a cradle. To this rough generalisation, to be sure, two special exceptions must needs be made; namely, the noble Australian black-fellow himself, and the dingo or wild dog whose ancestors no doubt came to the country in the same ship with him, as the brown rat came to England with George I. of blessed memory. But of these two solitary representatives of the later and higher Asiatic fauna 'more anon'; for the present we may regard it as approximately true that aboriginal and unsophisticated Australia in the lump was wholly given over, on its first discovery, to kangaroos, phalangers, dasyures, wombats, and other quaint marsupial animals, with names as strange and clumsy as their forms.

Example, the wisdom of our ancestors tells us, is better than advice; so maybe, if I use a single example to start with, I'll make the principle I want to illustrate a bit clearer for a European audience. In Australia, when Cook or Van Diemen first arrived, there were no horses, cows, or sheep; no rabbits, weasels, or cats; no native quadrupeds of any kind except for the pouched mammals or marsupials, famously represented by the kangaroo in Regent's Park, who carries her baby kangaroos around in the pouch that nature has provided for them instead of a cradle. To this rough generalization, of course, two special exceptions must be made: namely, the noble Australian Indigenous person themselves and the dingo or wild dog, whose ancestors probably came to the country in the same ship with them, just like the brown rat arrived in England with George I. of blessed memory. But we will discuss these two isolated representatives of the later and more advanced Asian fauna later; for now, we can generally say that aboriginal and unsophisticated Australia was entirely populated, at its first discovery, by kangaroos, phalangers, dasyures, wombats, and other unusual marsupial animals, with names as strange and awkward as their appearances.

Now, who and what are the marsupials as a family, viewed in the dry light of modern science? Well, they are simply one of the very oldest mammalian families, and therefore, I need hardly say, in the levelling and topsy-turvy view of evolutionary biology, the least entitled to consideration or respect from rational observers. For of course in the kingdom of science the last shall be first, and the first last; it is the oldest families that are accounted the worst, while the best families mean always the newest. Now, the earliest mammals to appear on earth were creatures of distinctly marsupial type. As long ago as the time when the red marl of Devonshire and the blue lias of Lyme Regis were laid down on the bed of the muddy sea that once covered the surface of Dorset and the English Channel, a little creature like the kangaroo rats of Southern Australia lived among the plains of what is now the south of England. In the ages succeeding the deposition of the red marl Europe seems to have been broken up into an archipelago of coral reefs and atolls; and the islands of this ancient oolitic ocean were tenanted by numbers of tiny ancestral marsupials, some of which approached in appearance the pouched ant-eaters of Western Australia, while others resembled rather the phalangers and wombats, or turned into excellent imitation carnivores, like our modern friend the Tasmanian devil. Up to the end of the time when the chalk deposits of Surrey, Kent, and Sussex were laid down, indeed, there is no evidence of the existence anywhere in the world of any mammals differing in type from those which now inhabit Australia. In other words, so far as regards mammalian life, the whole of the world had then already reached pretty nearly the same point of evolution that poor Australia still sticks at.

Now, who and what are marsupials as a family, seen through the lens of modern science? Well, they are simply one of the oldest mammalian families, and so I hardly need to say, in the leveling and chaotic view of evolutionary biology, the least deserving of consideration or respect from rational observers. In the realm of science, the last shall be first, and the first last; it is the oldest families that are considered the worst, while the best families are always the newest. The earliest mammals to appear on Earth were distinctly marsupial in nature. As far back as when the red marl of Devonshire and the blue lias of Lyme Regis were formed on the muddy sea bed that once covered Dorset and the English Channel, a small creature similar to the kangaroo rats of Southern Australia lived among the plains of what is now southern England. In the ages following the deposition of the red marl, Europe appears to have been broken into an archipelago of coral reefs and atolls; and the islands of this ancient oolitic ocean were inhabited by numerous tiny ancestral marsupials, some of which looked like the pouched ant-eaters of Western Australia, while others resembled phalangers and wombats, or evolved into excellent carnivore imitators, like our modern friend the Tasmanian devil. Up until the end of the time when the chalk deposits of Surrey, Kent, and Sussex were laid down, there is no evidence anywhere in the world of mammals differing in type from those that currently inhabit Australia. In other words, in terms of mammalian life, the entire world had then already reached nearly the same point of evolution that poor Australia is still stuck at.

About the beginning of the tertiary period, however, just after the chalk was all deposited, and just before the comparatively modern clays and sandstones of the London basin began to be laid down, an arm of the sea broke up the connection which once subsisted between Australia and the rest of the world, probably by a land bridge, viâ Java, Sumatra, the Malay peninsula, and Asia generally. 'But how do you know,' asks the candid inquirer, 'that such a connection ever existed at all?' Simply thus, most laudable investigator—because there are large land mammals in Australia. Now, large land mammals do not swim across a broad ocean. There are none in New Zealand, none in the Azores, none in Fiji, none in Tahiti, none in Madeira, none in Teneriffe—none, in short, in any oceanic island which never at any time formed part of a great continent. How could there be, indeed? The mammals must necessarily have got there from somewhere; and whenever we find islands like Britain, or Japan, or Newfoundland, or Sicily, possessing large and abundant indigenous quadrupeds, of the same general type as adjacent continents, we see at once that the island must formerly have been a mere peninsula, like Italy or Nova Scotia at the present day. The very fact that Australia incloses a large group of biggish quadrupeds, whose congeners once inhabited Europe and America, suffices in itself to prove beyond question that uninterrupted land communication must once have existed between Australia and those distant continents.

At the start of the tertiary period, right after all the chalk had settled and just before the relatively modern clays and sandstones of the London basin started to form, a stretch of sea cut off the connection that used to exist between Australia and the rest of the world, possibly through a land bridge via Java, Sumatra, the Malay peninsula, and generally Asia. "But how do you know," asks the curious inquirer, "that such a connection ever existed?" Simply put, dear investigator—because there are large land mammals in Australia. Large land mammals don’t swim across wide oceans. There are none in New Zealand, none in the Azores, none in Fiji, none in Tahiti, none in Madeira, none in Teneriffe—none at all in any oceanic island that has never been part of a large continent. How could there be? The mammals must have come from somewhere; and whenever we find islands like Britain, Japan, Newfoundland, or Sicily that have large and plentiful native quadrupeds of the same general type as those on nearby continents, it clearly indicates that the island must have once been a mere peninsula, like Italy or Nova Scotia today. The simple fact that Australia hosts a significant group of larger quadrupeds, whose relatives once lived in Europe and America, is enough to prove without a doubt that an unbroken land connection once existed between Australia and those distant continents.

In fact, to this day a belt of very deep sea, known as Wallace's Line, from the great naturalist who first pointed out its far-reaching zoological importance, separates what is called by science 'the Australian province' on the southwest from 'the Indo-Malayan province' to the north and east of it. This belt of deep sea divides off sharply the plants and animals of the Australian type from those of the common Indian and Burmese pattern. South of Wallace's Line we now find several islands, big and small, including New Guinea, Australia, Tasmania, the Moluccas, Celebes, Timor, Amboyna, and Banda. All these lands, whose precise geographical position on the map must of course be readily remembered, in this age of school boards and universal examination, by every pupil-teacher and every Girton girl, are now divided by minor straits of much shallower water; but they all stand on a great submarine bank, and obviously formed at one time parts of the same wide Australian continent, because animals of the Australian type are still found in every one of them. No Indian or Malayan animal, however, of the larger sort (other than birds) is to be discovered anywhere south of Wallace's Line. That narrow belt of deep sea, in short, forms an ocean barrier which has subsisted there without alteration ever since the end of the secondary period. From that time to this, as the evidence shows us, there has never been any direct land communication between Australia and any part of the outer world beyond that narrow line of division.

In fact, to this day, a deep ocean area known as Wallace's Line, named after the naturalist who highlighted its significant zoological importance, separates what is referred to in science as 'the Australian province' in the southwest from 'the Indo-Malayan province' to the north and east. This deep-sea area clearly divides the Australian-type plants and animals from those of the common Indian and Burmese pattern. South of Wallace's Line, we find several islands, large and small, including New Guinea, Australia, Tasmania, the Moluccas, Celebes, Timor, Amboyna, and Banda. All these lands, which every pupil-teacher and every Girton girl should easily remember in this age of school boards and universal exams, are now separated by narrower straits of much shallower water; however, they all sit on a large underwater bank and were clearly once part of the same vast Australian continent, as Australian-type animals can still be found on each of them. No larger Indian or Malayan animals, except for birds, can be found anywhere south of Wallace's Line. In short, that narrow band of deep sea serves as an ocean barrier that has remained unchanged since the end of the secondary period. Since then, as the evidence indicates, there has been no direct land connection between Australia and any part of the outside world beyond that narrow line of separation.

Some years ago, in fact, a clever hoax took the world by surprise for a moment, under the audacious title of 'Captain Lawson's Adventures in New Guinea.' The gallant captain, or his unknown creator in some London lodging, pretended to have explored the Papuan jungles, and there to have met with marvellous escapes from terrible beasts of the common tropical Asiatic pattern—rhinoceroses, tigers, monkeys, and leopards. Everybody believed the new Munchausen at first, except the zoologists. Those canny folks saw through the wicked hoax on the very first blush of it. If there were rhinoceroses in Papua, they must have got there by an overland route. If there had ever been a land connection between New Guinea and the Malay region, then, since Australian animals range into New Guinea, Malayan animals would have ranged into Australia, and we should find Victoria and New South Wales at the present day peopled by tapirs, orang-outangs, wild boars, deer, elephants, and squirrels, like those which now people Borneo, instead of, or side by side with, the kangaroos, wombats, and other marsupials, which, as we know, actually form the sole indigenous mammalian population of Greater Britain beneath the Southern Cross. Of course, in the end, the mysterious and tremendous Captain Lawson proved to be a myth, an airy nothing upon whom imagination had bestowed a local habitation (in New Guinea) and a name (not to be found in the Army List). Wallace's Line was saved from reproach, and the intrusive rhinoceros was banished without appeal from the soil of Papua.

A few years ago, a clever hoax surprised everyone for a moment with the bold title 'Captain Lawson's Adventures in New Guinea.' The brave captain, or his unknown creator in some London lodging, claimed to have explored the jungles of Papua and to have had incredible escapes from terrible beasts typical of tropical Asia—like rhinoceroses, tigers, monkeys, and leopards. At first, everyone believed this new Munchausen, except for the zoologists. Those sharp thinkers saw through the deceit right away. If there were rhinoceroses in Papua, they would have had to get there by land. If there had ever been a land connection between New Guinea and the Malay region, then, since Australian animals can also be found in New Guinea, Malayan animals would have also made their way into Australia. We'd currently find Victoria and New South Wales filled with tapirs, orangutans, wild boars, deer, elephants, and squirrels, similar to those in Borneo, instead of, or alongside, kangaroos, wombats, and other marsupials, which are, as we know, the only native mammals in Greater Britain beneath the Southern Cross. In the end, the mysterious Captain Lawson turned out to be a myth, a figment of imagination that had been given a local home (in New Guinea) and a name (not found in the Army List). Wallace's Line was spared from criticism, and the invasive rhinoceros was permanently removed from the land of Papua.

After the deep belt of open sea was thus established between the bigger Australian continent and the Malayan region, however, the mammals of the great mainlands continued to develop on their own account, in accordance with the strictest Darwinian principles, among the wider plains of their own habitats. The competition there was fiercer and more general; the struggle for life was bloodier and more arduous. Hence, while the old-fashioned marsupials continued to survive and to evolve slowly along their own lines in their own restricted southern world, their collateral descendants in Europe and Asia and America or elsewhere went on progressing into far higher, stronger, and better adapted forms—the great central mammalian fauna. In place of the petty phalangers and pouched ant-eaters of the oolitic period, our tertiary strata in the larger continents show us a rapid and extraordinary development of the mammalian race into monstrous creatures, some of them now quite extinct, and some still holding their own undisturbed in India, Africa, and the American prairies. The palæotherium and the deinoceras, the mastodon and the mammoth, the huge giraffes and antelopes of sunnier times, succeed to the ancestral kangaroos and wombats of the secondary strata. Slowly the horses grow more horse-like, the shadowy camel begins to camelise himself, the buffaloes acquire the rudiments of horns, the deer branch out by tentative steps into still more complicated and more complicated antlers. Side by side with this wonderful outgrowth of the mammalian type, in the first plasticity of its vigorous youth, the older marsupials die away one by one in the geological record before the faces of their more successful competitors; the new carnivores devour them wholesale, the new ruminants eat up their pastures, the new rodents outwit them in the modernised forests. At last the pouched creatures all disappear utterly from all the world, save only Australia, with the solitary exception of a single advanced marsupial family, the familiar opossum of plantation melodies. And the history of the opossum himself is so very singular that it almost deserves to receive the polite attention of a separate paragraph for its own proper elucidation.

After the wide expanse of open sea formed between the larger Australian continent and the Malayan region, the mammals of the great landmasses continued to evolve independently, following strict Darwinian principles, across the broader plains of their habitats. Competition was tougher and more widespread; the struggle for survival was more intense and difficult. As a result, while the traditional marsupials persisted and evolved slowly along their own paths in their limited southern world, their relatives in Europe, Asia, America, and elsewhere advanced into far superior, stronger, and better-adapted forms—the great central mammalian fauna. Instead of the small phalangers and pouch-bearing anteaters from the oolitic period, our tertiary layers in the larger continents reveal a rapid and remarkable evolution of mammals into gigantic beings, some now extinct, and others still thriving undisturbed in India, Africa, and the American prairies. The palæotherium and the deinoceras, the mastodon and the mammoth, along with the massive giraffes and antelopes of warmer times, replaced the ancestral kangaroos and wombats of the secondary layers. Gradually, horses became more horse-like, the elusive camel began to resemble camels, buffaloes developed early horns, and deer evolved increasingly complex antlers in gradual steps. Alongside this amazing growth of the mammalian type in the early stages of its energetic development, the older marsupials gradually vanished one by one from the geological record as they faced their more successful competitors; the new carnivores hunted them down in droves, the new ruminants overgrazed their pastures, and the new rodents outsmarted them in the modernized forests. Eventually, pouch-bearing creatures completely disappeared from everywhere except Australia, leaving behind only a single advanced marsupial family, the familiar opossum known for its charming melodies. The story of the opossum itself is so unique that it almost deserves a separate paragraph for proper explanation.

For the opossums form the only members of the marsupial class now living outside Australia; and yet, what is at least equally remarkable, none of the opossums are found per contra in Australia itself. They are, in fact, the highest and best product of the old dying marsupial stock, specially evolved in the great continents through the fierce competition of the higher mammals then being developed on every side of them. Therefore, being later in point of time than the separation, they could no more get over to Australia than the elephants and tigers and rhinoceroses could. They are the last bid for life of the marsupial race in its hopeless struggle against its more developed mammalian cousins. In Europe and Asia the opossums lived on lustily, in spite of competition, during the whole of the Eocene period, side by side with hog-like creatures not yet perfectly piggish, with nondescript animals, half horse half tapir, and with hornless forms of deer and antelopes, unprovided, so far, with the first rudiment of budding antlers. But in the succeeding age they seem to disappear from the eastern continent, though in the western, thanks to their hand-like feet, opposable thumb, and tree-haunting life, they still drag out a precarious existence in many forms from Virginia to Chili, and from Brazil to California. It is worth while to notice, too, that whereas the kangaroos and other Australian marsupials are proverbially the very stupidest of mammals, the opossums, on the contrary, are well known to those accurate observers of animal psychology, the plantation negroes, to be the very cleverest, cunningest, and slyest of American quadrupeds. In the fierce struggle for life of the crowded American lowlands, the opossum was absolutely forced to acquire a certain amount of Yankee smartness, or else to be improved off the face of the earth by the keen competition of the pouchless mammals.

Opossums are the only living members of the marsupial class outside Australia, and interestingly, none are found in Australia itself. They are, in fact, the highest and best result of the old, dying marsupial lineage, specifically evolved on the continents amid intense competition from the more advanced mammals developing all around them. Because they appeared after the continents separated, they couldn't reach Australia any more than elephants, tigers, and rhinoceroses could. They represent the last chance for the marsupial species in their futile battle against their more evolved mammalian relatives. In Europe and Asia, opossums thrived during the entire Eocene period, coexisting with primitive hog-like creatures, strange animals that were part horse and part tapir, and hornless deer and antelope that had yet to develop the beginnings of antlers. However, in the next era, they seem to vanish from the eastern continent. In contrast, in the western continent, thanks to their hand-like feet, opposable thumbs, and tree-dwelling lifestyle, they manage to survive in various forms from Virginia to Chile and from Brazil to California. It’s also important to note that while kangaroos and other Australian marsupials are known for being quite dumb, opossums are recognized by keen observers of animal behavior, like plantation workers, as the smartest, craftiest, and most cunning of American mammals. In the competitive environment of the crowded American lowlands, the opossum had no choice but to develop a degree of street smarts, or they would have been outcompeted by the more advanced, pouchless mammals.

Up to the day, then, when Captain Cook and Sir Joseph Banks, landing for the first time on the coast of New South Wales, saw an animal with short front limbs, huge hind legs, a monstrous tail, and a curious habit of hopping along the ground (called by the natives a kangaroo), the opossums of America were the only pouched mammals known to the European world in any part of the explored continents. Australia, severed from all the rest of the earth—penitus toto orbe divisa—ever since the end of the secondary period, remained as yet, so to speak, in the secondary age so far as its larger life-elements were concerned, and presented to the first comers a certain vague and indefinite picture of what 'the world before the flood' must have looked like. Only it was a very remote flood; an antediluvian age separated from our own not by thousands, but by millions, of seasons.

Up until the day when Captain Cook and Sir Joseph Banks first landed on the coast of New South Wales and saw an animal with short front limbs, huge hind legs, a massive tail, and a peculiar habit of hopping along the ground (which the locals called a kangaroo), the only pouched mammals that Europeans knew about were the opossums of America, found in parts of the explored continents. Australia, cut off from the rest of the world—penitus toto orbe divisa—since the end of the secondary period, still seemed, so to speak, to be in the secondary age in terms of its larger life forms, showing the first visitors a vague and indefinite image of what 'the world before the flood' must have looked like. Only it was a very distant flood; an ancient age separated from our own not by thousands, but by millions of seasons.

To this rough approximate statement, however, sundry needful qualifications must be made at the very outset. No statement is ever quite correct until you have contradicted in minute detail about two-thirds of it.

To this rough approximation, however, several necessary qualifications must be made right from the start. No statement is ever fully accurate until you've contradicted about two-thirds of it in detail.

In the first place there are a good many modern elements in the indigenous population of Australia; but then they are elements of the stray and casual sort one always finds even in remote oceanic islands. They are waifs wafted by accident from other places. For example, the flora is by no means exclusively an ancient flora, for a considerable number of seeds and fruits and spores of ferns always get blown by the wind, or washed by the sea, or carried on the feet or feathers of birds, from one part of the world to another. In all these various ways, no doubt, modern plants from the Asiatic region have invaded Australia at different times, and altered to some extent the character and aspect of its original native vegetation. Nevertheless, even in the matter of its plants and trees, Australia must still be considered a very old-fashioned and stick-in-the-mud continent. The strange puzzle-monkeys, the quaint-jointed casuarinas (like horsetails grown into big willows), and the park-like forests of blue gum-trees, with their smooth stems robbed of their outer bark, impart a marvellously antiquated and unfamiliar tone to the general appearance of Australian woodland. All these types belong by birth to classes long since extinct in the larger continents. The scrub shows no turfy greensward; grasses, which elsewhere carpet the ground, were almost unknown till introduced from Europe; in the wild lands, bushes, and undershrubs of ancient aspect cover the soil, remarkable for their stiff, dry, wiry foliage, their vertically instead of horizontally flattened leaves, and their general dead blue-green or glaucous colour. Altogether, the vegetation itself, though it contains a few more modern forms than the animal world, is still essentially antique in type, a strange survival from the forgotten flora of the chalk age, the oolite, and even the lias.

First of all, there are quite a few modern elements in the indigenous population of Australia; however, these are the random and occasional kinds you often find even on remote oceanic islands. They are lost bits and pieces that have arrived by chance from other locations. For instance, the plant life isn’t exclusively ancient, as a significant number of seeds, fruits, and spores of ferns are carried by the wind, washed in by the sea, or transported on the feet or feathers of birds, from one part of the world to another. In many ways, modern plants from Asia have invaded Australia at various times, altering to some extent the character and appearance of its original native vegetation. Nevertheless, even regarding its plants and trees, Australia still comes across as a very old-fashioned and out-of-date continent. The strange puzzle-monkeys, the unique casuarinas (which look like horsetails turned into large willows), and the park-like forests of blue gum trees, with their smooth trunks stripped of their outer bark, give a wonderfully antiquated and unfamiliar feel to the overall appearance of Australian woodlands. All these types belong, by nature, to groups that have long since disappeared from the larger continents. The scrub lacks lush green grass; grasses, which typically cover the ground elsewhere, were nearly unknown until introduced from Europe; in the wild areas, bushes and low shrubs of ancient appearance blanket the ground, notable for their stiff, dry, wiry leaves, their vertically flattened rather than horizontally spread leaves, and their overall dead blue-green or glaucous color. Overall, the vegetation, while it includes a few modern forms compared to the animal world, is still fundamentally ancient in type, a strange remnant from the forgotten flora of the chalk age, the oolite, and even the lias.

Again, to winged animals, such as birds and bats and flying insects, the ocean forms far less of a barrier than it does to quadrupeds, to reptiles, and to fresh-water fishes. Hence Australia has, to some extent, been invaded by later types of birds and other flying creatures, who live on there side by side with the ancient animals of the secondary pattern. Warblers, thrushes, flycatchers, shrikes, and crows must all be comparatively recent immigrants from the Asiatic mainland. Even in this respect, however, the Australian life-region still bears an antiquated and undeveloped aspect. Nowhere else in the world do we find those very oldest types of birds represented by the cassowaries, the emus, and the mooruk of New Britain. The extreme term in this exceedingly ancient set of creature is given us by the wingless bird, the apteryx or kiwi of New Zealand, whose feathers nearly resemble hair, and whose grotesque appearance makes it as much a wonder in its own class as the puzzle-monkey and the casuarina are among forest trees. No feathered creatures so closely approach the lizard-tailed birds of the oolite or the toothed birds of the cretaceous period as do these Australian and New Zealand emus and apteryxes. Again, while many characteristic Oriental families are quite absent, like the vultures, woodpeckers, pheasants and bulbuls, the Australian region has many other fairly ancient birds, found nowhere else on the surface of our modern planet. Such are the so-called brush turkeys and mound builders, the only feathered things that never sit upon their own eggs, but allow them to be hatched, after the fashion of reptiles, by the heat of the sand or of fermenting vegetable matter. The piping crows, the honeysuckers, the lyre-birds, and the more-porks are all peculiar to the Australian region. So are the wonderful and æsthetic bower-birds. Brush-tongued lories, black cockatoos, and gorgeously coloured pigeons, though somewhat less antique, perhaps, in type, give a special character to the bird-life of the country. And in New Guinea, an isolated bit of the same old continent, the birds of paradise, found nowhere else in the whole world, seem to recall some forgotten Eden of the remote past, some golden age of Saturnian splendour. Poetry apart, into which I have dropped for a moment like Mr. Silas Wegg, the birds of paradise are, in fact, gorgeously dressed crows, specially adapted to forest life in a rich fruit-bearing tropical country, where food is abundant and enemies unknown.

Once again, for flying animals like birds, bats, and flying insects, the ocean is much less of a barrier than it is for land animals like quadrupeds, reptiles, and freshwater fish. As a result, Australia has been somewhat invaded by newer types of birds and other flying creatures that coexist with the ancient animals from the secondary era. Warblers, thrushes, flycatchers, shrikes, and crows are all relatively recent arrivals from the Asian mainland. Yet, in this regard, the Australian life region still has an outdated and underdeveloped feel. Nowhere else in the world do we find the oldest types of birds, represented by cassowaries, emus, and the mooruk from New Britain. The most extreme example of this very ancient group is the flightless bird known as the kiwi or apteryx from New Zealand, with feathers that closely resemble hair and a bizarre appearance that makes it as much a curiosity in its own right as the puzzle-monkey and the casuarina are among forest trees. No feathered creatures come as close to the lizard-tailed birds of the oolite or the toothed birds of the cretaceous period as these Australian and New Zealand emus and apteryxes. Moreover, while many typical Oriental families are missing, such as vultures, woodpeckers, pheasants, and bulbuls, the Australian region is home to several other fairly ancient birds that are found nowhere else on our modern planet. These include the so-called brush turkeys and mound builders, the only feathered creatures that don’t sit on their own eggs, but let them hatch, much like reptiles, using the heat from sand or decomposing plant matter. The piping crows, honeysuckers, lyre-birds, and more-porks are all unique to the Australian region. So are the remarkable and aesthetically pleasing bower-birds. Brush-tongued lories, black cockatoos, and vividly colored pigeons, while perhaps less ancient in type, add a distinct character to the birdlife of the area. And in New Guinea, a remote fragment of the same ancient continent, the birds of paradise, found nowhere else in the world, seem to evoke a forgotten Eden from the distant past, a golden age of Saturnian splendor. Setting aside the poetic touch I've inadvertently adopted, like Mr. Silas Wegg, the birds of paradise are, in reality, brightly dressed crows, perfectly suited for life in the lush, fruit-filled tropical forests where food is plentiful and predators are scarce.

Last of all, a certain small number of modern mammals have passed over to Australia at various times by pure chance. They fall into two classes—the rats and mice, who doubtless got transported across on floating logs or balks of timber; and the human importations, including the dog, who came, perhaps on their owners' canoes, perhaps on the wreck and débris of inundations. Yet even in these cases again, Australia still maintains its proud pre-eminence as the most antiquated and unprogressive of continents. For the Australian black-fellow must have got there a very long time ago indeed; he belongs to an extremely ancient human type, and strikingly recalls in his jaws and skull the Neanderthal savage and other early prehistoric races; while the woolly-headed Tasmanian, a member of a totally distinct human family, and perhaps the very lowest sample of humanity that has survived to modern times, must have crossed over to Tasmania even earlier still, his brethren on the mainland having no doubt been exterminated later on when the stone-age Australian black-fellows first got cast ashore upon the continent inhabited by the yet more barbaric and helpless negrito race. As for the dingo, or Australian wild dog, only half domesticated by the savage natives, he represents a low ancestral dog type, half wolf and half jackal, incapable of the higher canine traits, and with a suspicious, ferocious, glaring eye that betrays at once his uncivilisable tendencies.

Last of all, a small number of modern mammals have occasionally made their way to Australia by sheer chance. They can be divided into two categories—the rats and mice, which likely floated over on logs or pieces of timber; and the human imports, including the dog, who probably arrived on their owners' canoes or as a result of floods and debris. Yet, even in these instances, Australia proudly holds its place as the most ancient and least progressive of continents. The Aboriginal Australians must have arrived there a very long time ago; they belong to an incredibly old human type and strongly resemble the Neanderthal and other early prehistoric peoples in their jaws and skulls. Meanwhile, the woolly-haired Tasmanian, a member of an entirely different human group and possibly the lowest surviving example of humanity today, must have made his way to Tasmania even earlier, with his relatives on the mainland likely being wiped out later when the stone-age Aboriginal Australians first landed on a continent already occupied by the even more primitive and helpless Negrito people. As for the dingo, or Australian wild dog, which is only semi-domesticated by the indigenous people, it represents a primitive ancestral dog type, a mix of wolf and jackal, lacking higher canine qualities and possessing a suspicious, fierce, and piercing gaze that reveals its untrainable nature.

Omitting these later importations, however—the modern plants, birds, and human beings—it may be fairly said that Australia is still in its secondary stage, while the rest of the world has reached the tertiary and quaternary periods. Here again, however, a deduction must be made, in order to attain the necessary accuracy. Even in Australia the world never stands still. Though the Australian animals are still at bottom the European and Asiatic animals of the secondary age, they are those animals with a difference. They have undergone an evolution of their own. It has not been the evolution of the great continents; but it has been evolution all the same; slower, more local, narrower, more restricted, yet evolution in the truest sense. One might compare the difference to the difference between the civilisation of Europe and the civilisation of Mexico or Peru. The Mexicans, when Cortez blotted out their indigenous culture, were still, to be sure, in their stone age; but it was a very different stone age from that of the cave-dwellers or mound builders in Britain. Even so, though Australia is still zoologically in the secondary period, it is a secondary period a good deal altered and adapted in detail to meet the wants of special situations.

Omitting these later imports—the modern plants, birds, and humans—it can be said that Australia is still in its secondary stage, while the rest of the world has moved into the tertiary and quaternary periods. However, it's important to note that even in Australia, the world is always changing. Although the Australian animals are fundamentally the same as the European and Asian animals from the secondary age, they have evolved differently. It hasn't been the evolution of the great continents, but it has still been evolution—slower, more localized, narrower, and more limited, yet evolution nonetheless. One could compare this difference to the contrast between the civilization of Europe and that of Mexico or Peru. The Mexicans, when Cortez erased their indigenous culture, were indeed still in their stone age; but it was a very different stone age compared to that of the cave dwellers or mound builders in Britain. Even so, while Australia is still zoologically in the secondary period, it is a secondary period that has been significantly altered and adapted to meet the needs of specific situations.

The oldest types of animals in Australia are the ornithorhynchus and the echidna, the 'beast with a bill,' and the 'porcupine ant-eater' of popular natural history. These curious creatures, genuine living fossils, occupy in some respects an intermediate place between the mammals on the one hand and the birds and lizards on the other. The echidna has no teeth, and a very bird-like skull and body; the ornithorhynchus has a bill like a duck's, webbed feet, and a great many quaint anatomical peculiarities which closely ally it to the birds and reptiles. Both, in fact, are early arrested stages in the development of mammals from the old common vertebrate ancestor; and they could only have struggled on to our own day in a continent free from the severe competition of the higher types which have since been evolved in Europe and Asia. Even in Australia itself the ornithorhynchus and echidna have had to put up perforce with the lower places in the hierarchy of nature. The first is a burrowing and aquatic creature, specialised in a thousand minute ways for his amphibious life and queer subterranean habits; the second is a spiny hedgehog-like nocturnal prowler, who buries himself in the earth during the day, and lives by night on insects which he licks up greedily with his long ribbon-like tongue. Apart from the specialisations brought about by their necessary adaptation to a particular niche in the economy of life, these two quaint and very ancient animals probably preserve for us in their general structure the features of an extremely early descendant of the common ancestor from whom mammals, birds, and reptiles alike are originally derived.

The oldest types of animals in Australia are the platypus and the echidna, known as the "beast with a bill" and the "porcupine ant-eater" in popular natural history. These fascinating creatures, true living fossils, hold an intermediate position between mammals on one side and birds and lizards on the other. The echidna has no teeth and has a very bird-like skull and body; the platypus has a duck-like bill, webbed feet, and many quirky anatomical features that connect it closely to birds and reptiles. Both, in fact, represent early stages in the evolution of mammals from a common vertebrate ancestor, and they have managed to survive to this day in a continent free from the intense competition of the more advanced types that have emerged in Europe and Asia. Even in Australia, the platypus and echidna have had to accept lower ranks in the hierarchy of nature. The first is a burrowing and aquatic creature, specialized in countless tiny ways for its amphibious lifestyle and unusual underground habits; the second is a spiny, hedgehog-like nocturnal forager that buries itself during the day and hunts insects at night, eagerly licking them up with its long, ribbon-like tongue. Aside from the adaptations required for their specific roles in the ecosystem, these two unique and ancient animals likely maintain the general characteristics of an extremely early descendant of the common ancestor from which mammals, birds, and reptiles all originally evolved.

The ordinary Australian pouched mammals belong to far less ancient types than ornithorhynchus and echidna, but they too are very old in structure, though they have undergone an extraordinary separate evolution to fit them for the most diverse positions in life. Almost every main form of higher mammal (except the biggest ones) has, as it were, its analogue or representative among the marsupial fauna of the Australasian region fitted to fill the same niche in nature. For instance, in the blue gum forests of New South Wales a small animal inhabits the trees, in form and aspect exactly like a flying squirrel. Nobody who was not a structural and anatomical naturalist would ever for a moment dream of doubting its close affinity to the flying squirrels of the American woodlands. It has just the same general outline, just the same bushy tail, just the same rough arrangement of colours, and just the same expanded parachute-like membrane stretching between the fore and hind limbs. Why should this be so? Clearly because both animals have independently adapted themselves to the same mode of life under the same general circumstances. Natural selection, acting upon unlike original types, but in like conditions, has produced in the end very similar results in both cases. Still, when we come to examine the more intimate underlying structure of the two animals, a profound fundamental difference at once exhibits itself. The one is distinctly a true squirrel, a rodent of the rodents, externally adapted to an arboreal existence; the other is equally a true phalanger, a marsupial of the marsupials, which has independently undergone on his own account very much the same adaptation, for very much the same reasons. Just so a dolphin looks externally very like a fish, in head and tail and form and movement; its flippers closely resemble fins; and nothing about it seems to differ very markedly from the outer aspect of a shark or a codfish. But in reality it has no gills and no swim-bladder; it lays no eggs; it does not own one truly fish-like organ. It breathes air, it possesses lungs, it has warm blood, it suckles its young; in heart and brain and nerves and organisation it is a thoroughgoing mammal, with an acquired resemblance to the fishy form, due entirely to mere similarity in place of residence.

The common Australian pouched mammals come from much less ancient types than the platypus and echidna, but they are still quite old in terms of their structure. They have undergone an extraordinary separate evolution to adapt to a wide range of environments. Almost every main type of higher mammal (except for the largest ones) has an equivalent or representative among the marsupials of the Australasian region that fills the same ecological role. For example, in the blue gum forests of New South Wales, there's a small animal that lives in the trees and looks just like a flying squirrel. Anyone who isn't a structural and anatomical naturalist would never think twice about its close connection to the flying squirrels of the American woodlands. It has the same general shape, the same bushy tail, a similar arrangement of colors, and the same stretched membrane that allows it to glide between its front and back limbs. Why is that? Clearly, it's because both animals have independently adjusted to the same lifestyle under similar circumstances. Natural selection, acting on different types but in similar conditions, has resulted in very similar outcomes for both. However, when we dive deeper into the internal structure of the two animals, we quickly see a significant fundamental difference. One is definitely a true squirrel, a rodent through and through, outwardly adapted for life in the trees; the other is a true phalanger, a marsupial that has also independently adapted in much the same way for similar reasons. Likewise, a dolphin looks very much like a fish in its head, tail, shape, and movement; its flippers closely resemble fins, and it doesn’t appear to differ strikingly from a shark or a cod. But in reality, it has no gills or swim bladder; it doesn't lay eggs; it doesn’t have a single truly fish-like feature. It breathes air, has lungs, warm blood, and nurses its young; in terms of its heart, brain, nerves, and overall organization, it is a genuine mammal, having developed a resemblance to fish due solely to living in similar environments.

Running hastily through the chief marsupial developments, one may say that the wombats are pouched animals who take the place of rabbits or marmots in Europe, and resemble them both in burrowing habits and more or less in shape, which closely approaches the familiar and ungraceful guinea-pig outline. The vulpine phalanger does duty for a fox; the fat and sleepy little dormouse phalanger takes the place of a European dormouse. Both are so ridiculously like the analogous animals of the larger continents that the colonists always call them, in perfect good faith, by the familiar names of the old-country creatures. The koala poses as a small bear; the cuscus answers to the racoons of America. The pouched badgers explain themselves at once by their very name, like the Plyants, the Pinchwifes, the Brainsicks, and the Carelesses of the Restoration comedy. The 'native rabbit' of Swan River is a rabbit-like bandicoot; the pouched ant-eater similarly takes the place of the true ant-eaters of other continents. By way of carnivores, the Tasmanian devil is a fierce and savage marsupial analogue of the American wolverine; a smaller species of the same type usurps the name and place of the marten; and the dog-headed Thylacinus is in form and figure precisely like a wolf or a jackal. The pouched weasels are very weasel-like; the kangaroo rats and kangaroo mice run the true rats and mice a close race in every particular. And it is worth notice, in this connection, that the one marsupial family which could compete with higher American life, the opossums, are really, so to speak, the monkey development of the marsupial race. They have opposable thumbs, which make their feet almost into hands; they have prehensile tails, by which they hang from branches in true monkey fashion; they lead an arboreal omnivorous existence; they feed off fruits, birds' eggs, insects, and roots; and altogether they are just active, cunning, intelligent, tree-haunting marsupial spider-monkeys.

Running quickly through the main marsupial traits, you could say that wombats are pouch-bearing animals that take the place of rabbits or marmots in Europe. They share similar burrowing habits and somewhat resemble the familiar and clumsy shape of a guinea pig. The phalanger acts like a fox, while the plump and drowsy dormouse phalanger replaces the European dormouse. They look so much like their counterparts from larger continents that the colonists genuinely call them by the familiar names of those old-country creatures. The koala is like a small bear; the cuscus corresponds to American raccoons. The pouch-bearing badgers are self-explanatory by their name, similar to the Plyants, Pinchwifes, Brainsicks, and Carelesses of Restoration comedy. The 'native rabbit' of Swan River is a rabbit-like bandicoot; the pouch-bearing anteater takes the place of true anteaters found elsewhere. Among carnivores, the Tasmanian devil is a fierce and savage marsupial equivalent to the American wolverine; a smaller related species fills the role of the marten; and the dog-headed Thylacinus looks exactly like a wolf or a jackal. The pouch weasels are very much like weasels; kangaroo rats and kangaroo mice closely resemble true rats and mice in every way. It’s noteworthy that the one marsupial family that could compete with higher American life, the opossums, are essentially the monkey branch of the marsupial family. They have opposable thumbs that make their feet almost like hands, prehensile tails that allow them to hang from branches in true monkey style, and they lead an arboreal omnivore lifestyle, eating fruits, birds' eggs, insects, and roots. Overall, they are just active, clever, intelligent, tree-dwelling marsupial spider-monkeys.

Australia has also one still more ancient denizen than any of these, a living fossil of the very oldest sort, a creature of wholly immemorial and primitive antiquity. The story of its discovery teems with the strangest romance of natural history. To those who could appreciate the facts of the case it was just as curious and just as interesting as though we were now to discover somewhere in an unknown island or an African oasis some surviving mammoth, some belated megatherium, or some gigantic and misshapen liassic saurian. Imagine the extinct animals of the Crystal Palace grounds suddenly appearing to our dazzled eyes in a tropical ramble, and you can faintly conceive the delight and astonishment of naturalists at large when the barramunda first 'swam into their ken' in the rivers of Queensland. To be sure, in size and shape this 'extinct fish,' still living and grunting quietly in our midst, is comparatively insignificant beside the 'dragons of the prime' immortalised in a famous stanza by Tennyson: but, to the true enthusiast, size is nothing; and the barramunda is just as much a marvel and a monster as the Atlantosaurus himself would have been if he had suddenly walked upon the stage of time, dragging fifty feet of lizard-like tail in a train behind him. And this is the plain story of that marvellous discovery of a 'missing link' in our own pedigree.

Australia is home to an even more ancient resident than any of these, a living fossil from the oldest times, a creature of truly ancient and primitive origin. The tale of its discovery is filled with the most fascinating stories of natural history. For those who could appreciate the situation, it was just as curious and intriguing as if we were to discover a surviving mammoth, a late megatherium, or some gigantic, strange dinosaur on an unknown island or in an African oasis. Imagine the extinct animals from the Crystal Palace grounds suddenly appearing before our amazed eyes during a tropical walk, and you can slightly grasp the joy and amazement of naturalists when the barramundi first 'swam into their sight' in the rivers of Queensland. Certainly, in terms of size and shape, this 'extinct fish,' still living and quietly grunting among us, is relatively insignificant compared to the 'dragons of the prime' famously immortalized in a stanza by Tennyson. But for true enthusiasts, size means nothing; the barramundi is just as much a wonder and a monster as the Atlantosaurus would have been if he had suddenly appeared on the stage of history, dragging fifty feet of lizard-like tail behind him. And this is the straightforward story of that remarkable discovery of a 'missing link' in our own lineage.

In the oldest secondary rocks of Britain and elsewhere there occur in abundance the teeth of a genus of ganoid fishes known as the Ceratodi. (I apologise for ganoid, though it is not a swear-word). These teeth reappear from time to time in several subsequent formations, but at last slowly die out altogether; and of course all naturalists naturally concluded that the creature to which they belonged had died out also, and was long since numbered with the dodo and the mastodon. The idea that a Ceratodus could still be living, far less that it formed an important link in the development of all the higher animals, could never for a moment have occurred to anybody. As well expect to find a palæolithic man quietly chipping flints on a Pacific atoll, or to discover the ancestor of all horses on the isolated and crag-encircled summit of Roraima, as to unearth a real live Ceratodus from a modern estuary. In 1870, however, Mr. Krefft took away the breath of scientific Europe by informing it that he had found the extinct ganoid swimming about as large as life, and six feet long, without the faintest consciousness of its own scientific importance, in a river in Queensland at the present day. The unsophisticated aborigines knew it as barramunda; the almost equally ignorant white settlers called it with irreverent and unfilial contempt the flat-head. On further examination, however, the despised barramunda proved to be a connecting link of primary rank between the oldest surviving group of fishes and the lowest air-breathing animals like the frogs and salamanders. Though a true fish, it leaves its native streams at night, and sets out on a foraging expedition after vegetable food in the neighbouring woodlands. There it browses on myrtle leaves and grasses, and otherwise behaves itself in a manner wholly unbecoming its piscine antecedents and aquatic education. To fit it for this strange amphibious life, the barramunda has both lungs and gills; it can breathe either air or water at will, or, if it chooses, the two together. Though covered with scales, and most fish-like in outline, it presents points of anatomical resemblance both to salamanders and lizards; and, as a connecting bond between the North American mud-fish on the one hand and the wonderful lepidosiren on the other, it forms a true member of the long series by which the higher animals generally trace their descent from a remote race of marine ancestors. It is very interesting, therefore, to find that this living fossil link between fish and reptiles should have survived only in the fossil continent, Australia. Everywhere else it has long since been beaten out of the field by its own more developed amphibian descendants; in Australia alone it still drags on a lonely existence as the last relic of an otherwise long-forgotten and extinct family.

In the oldest secondary rocks of Britain and elsewhere, we find plenty of teeth from a type of ganoid fish known as Ceratodi. (I apologize for using the term 'ganoid,' even though it isn't a curse word). These teeth show up now and then in various later formations, but eventually, they fade away completely; and naturally, all naturalists concluded that the creature they came from also went extinct, joining the dodo and the mastodon. The idea that a Ceratodus might still be alive, let alone that it played an important role in the evolution of all higher animals, would never have crossed anyone's mind. It would be just as unlikely to find a Paleolithic man casually chipping flints on a Pacific atoll, or to discover the ancestor of all horses on the isolated and steep summit of Roraima, as it would be to uncover a real live Ceratodus in a modern estuary. However, in 1870, Mr. Krefft shocked the scientific community by revealing that he had found the supposedly extinct ganoid swimming around, alive and well, at six feet long, completely unaware of its own scientific significance, in a river in Queensland today. The unsophisticated Aboriginal people knew it as barramunda; the almost equally uninformed white settlers, with blatant disrespect, called it the flat-head. Further examination, however, showed that the despised barramunda was a crucial link between the oldest surviving group of fish and the most basic air-breathing animals like frogs and salamanders. Although it is a true fish, it leaves its home waters at night to forage for plant food in nearby woodlands. There, it feeds on myrtle leaves and grasses, behaving in ways that are entirely uncharacteristic of its fishy origins and aquatic upbringing. To adapt to this strange amphibious lifestyle, the barramunda has both lungs and gills; it can breathe air or water whenever it wants, or even both at the same time. Though covered in scales and shaped like a fish, it also shares anatomical traits with salamanders and lizards; serving as a link between the North American mud-fish on one side and the remarkable lepidosiren on the other, it is a genuine part of the extended lineage by which higher animals trace their ancestry back to a distant line of marine ancestors. Therefore, it's fascinating that this living fossil link between fish and reptiles has survived only on the ancient continent of Australia. Everywhere else, it has long been outcompeted by its more evolved amphibian relatives; only in Australia does it continue to lead a solitary existence as the last remnant of a once widely present and now-extinct family.


A VERY OLD MASTER

The work of art which lies before me is old, unquestionably old; a good deal older, in fact, than Archbishop Ussher (who invented all out of his own archiepiscopal head the date commonly assigned for the creation of the world) would by any means have been ready to admit. It is a bas-relief by an old master, considerably more antique in origin than the most archaic gem or intaglio in the Museo Borbonico at Naples, the mildly decorous Louvre in Paris, or the eminently respectable British Museum, which is the glory of our own smoky London in the spectacled eyes of German professors, all put together. When Assyrian sculptors carved in fresh white alabaster the flowing curls of Sennacherib's hair, just like a modern coachman's wig, this work of primæval art was already hoary with the rime of ages. When Memphian artists were busy in the morning twilight of time with the towering coiffure of Ramses or Sesostris, this far more ancient relic of plastic handicraft was lying, already fossil and forgotten, beneath the concreted floor of a cave in the Dordogne. If we were to divide the period for which we possess authentic records of man's abode upon this oblate spheroid into ten epochs—an epoch being a good high-sounding word which doesn't commit one to any definite chronology in particular—then it is probable that all known art, from the Egyptian onward, would fall into the tenth of the epochs thus loosely demarcated, while my old French bas-relief would fall into the first. To put the date quite succinctly, I should say it was most likely about 244,000 years before the creation of Adam according to Ussher.

The artwork in front of me is ancient, no doubt about it; it's actually much older than Archbishop Ussher (who made up the date commonly thought to mark the creation of the world) would ever admit. It's a bas-relief by an old master, far more ancient in origin than the oldest gem or intaglio at the Museo Borbonico in Naples, the somewhat refined Louvre in Paris, or the highly esteemed British Museum, which is considered the pride of our own smoky London by German scholars, all combined. When Assyrian sculptors were carving Sennacherib’s flowing curls in fresh white alabaster—just like a modern coachman's wig—this piece of primitive art was already ancient. When Egyptian artists were working in the early dawn of history on Ramses or Sesostris's towering hairdos, this much older relic of sculpting was lying, fossilized and forgotten, beneath the solid floor of a cave in the Dordogne. If we were to split the time we've recorded human existence on this round planet into ten periods—where a period is a fancy term that doesn’t tie you down to a specific timeline—then it's likely that all known art, from the Egyptians onward, would fit into the last of those loosely defined periods, while my old French bas-relief would belong to the first. To sum up the date precisely, I would say it was probably around 244,000 years before Ussher’s creation of Adam.

The work of the old master is lightly incised on reindeer horn, and represents two horses, of a very early and heavy type, following one another, with heads stretched forward, as if sniffing the air suspiciously in search of enemies. The horses would certainly excite unfavourable comment at Newmarket. Their 'points' are undoubtedly coarse and clumsy: their heads are big, thick, stupid, and ungainly; their manes are bushy and ill-defined; their legs are distinctly feeble and spindle-shaped; their tails more closely resemble the tail of the domestic pig than that of the noble animal beloved with a love passing the love of women by the English aristocracy. Nevertheless there is little (if any) reason to doubt that my very old master did, on the whole, accurately represent the ancestral steed of his own exceedingly remote period. There were once horses even as is the horse of the prehistoric Dordonian artist. Such clumsy, big-headed brutes, dun in hue and striped down the back like modern donkeys, did actually once roam over the low plains where Paris now stands, and browse off lush grass and tall water-plants around the quays of Bordeaux and Lyons. Not only do the bones of the contemporary horses, dug up in caves, prove this, but quite recently the Russian traveller Prjevalsky (whose name is so much easier to spell than to pronounce) has discovered a similar living horse, which drags on an obscure existence somewhere in the high table-lands of Central Asia. Prjevalsky's horse (you see, as I have only to write the word, without uttering it, I don't mind how often or how intrepidly I use it) is so singularly like the clumsy brutes that sat, or rather stood, for their portraits to my old master that we can't do better than begin by describing him in propria persona.

The work of the old master is lightly carved on reindeer horn and depicts two horses of a very early and heavy type, following each other with their heads stretched forward, as if sniffing the air cautiously for any enemies. These horses would definitely get negative feedback at Newmarket. Their features are undeniably rough and clumsy: their heads are large, thick, dull, and awkward; their manes are bushy and poorly defined; their legs are notably weak and thin; their tails resemble those of domestic pigs more than those of the noble animals adored by the English aristocracy. However, there is little (if any) reason to doubt that my ancient master accurately represented the ancestral horse of his very distant time. Horses like the one depicted by the prehistoric Dordogne artist did exist. These clumsy, big-headed creatures, dun-colored and striped down the back like modern donkeys, once roamed the low plains where Paris now stands and fed on lush grass and tall water plants around the quays of Bordeaux and Lyons. Not only do the bones of contemporary horses found in caves support this, but recently, the Russian traveler Prjevalsky (whose name is much easier to spell than pronounce) discovered a similar living horse that leads an obscure existence in the high plateaus of Central Asia. Prjevalsky's horse (you see, since I just have to write the word without saying it, I don’t mind how often or boldly I use it) is remarkably similar to the clumsy creatures that posed — or rather stood — for their portraits for my old master, so we might as well start by describing him in propria persona.

The horse family of the present day is divided, like most other families, into two factions, which may be described for variety's sake as those of the true horses and the donkeys, these latter including also the zebras, quaggas, and various other unfamiliar creatures whose names, in very choice Latin, are only known to the more diligent visitors at the Sunday Zoo. Now everybody must have noticed that the chief broad distinction between these two great groups consists in the feathering of the tail. The domestic donkey, with his near congeners, the zebra and co., have smooth short-haired tails, ending in a single bunch or fly-whisk of long hairs collected together in a tufted bundle at the extreme tip. The horse, on the other hand, besides having horny patches or callosities on both fore and hind legs, while the donkeys have them on the fore legs only, has a hairy tail, in which the long hairs are almost equally distributed from top to bottom, thus giving it its peculiarly bushy and brushy appearance. But Prjevalsky's horse, as one would naturally expect from an early intermediate form, stands halfway in this respect between the two groups, and acts the thankless part of a family mediator; for it has most of its long tail-hairs collected in a final flourish, like the donkey, but several of them spring from the middle distance, as in the genuine Arab, though never from the very top, thus showing an approach to the true horsey habit without actually attaining that final pinnacle of equine glory. So far as one can make out from the somewhat rude handicraft of my prehistoric Phidias the horse of the quaternary epoch had much the same caudal peculiarity; his tail was bushy, but only in the lower half. He was still in the intermediate stage between horse and donkey, a natural mule still struggling up aspiringly toward perfect horsehood. In all other matters the two creatures—the cave man's horse and Prjevalsky's—closely agree. Both display large heads, thick necks, coarse manes, and a general disregard of 'points' which would strike disgust and dismay into the stout breasts of Messrs. Tattersall. In fact over a T.Y.C. it may be confidently asserted, in the pure Saxon of the sporting papers, that Prjevalsky's and the cave man's lot wouldn't be in it. Nevertheless a candid critic would be forced to admit that, in spite of clumsiness, they both mean staying.

The modern horse family is divided, like many other families, into two groups: the true horses and the donkeys, which also includes zebras, quaggas, and various other unfamiliar animals whose names are known only to those dedicated visitors at the Sunday Zoo. It's easy to see that the main difference between these two large groups is the tail type. Domestic donkeys, along with their close relatives, like zebras, have short, smooth tails ending in a single tuft of longer hairs collected at the tip. In contrast, horses have hairy tails where the long hairs are evenly distributed from top to bottom, giving them a bushy, brushy look. However, Prjevalsky's horse, being an early intermediate form, sits halfway between these two groups. It serves as a family mediator; it has most of its long tail hairs gathered in a final flourish like a donkey, but some come from the middle, like in a true Arab horse, though never from the very top, which shows closeness to the true horse's trait without fully achieving that peak of equine excellence. As far as we can tell from the somewhat rough crafting of my prehistoric Phidias, the horse from the quaternary era had a similar tail feature; it was bushy but only in the lower half. It was still in the transitional phase between horse and donkey, a natural mule still striving toward achieving perfect horsehood. In all other ways, the two creatures—the cave man's horse and Prjevalsky's horse—are quite similar. Both have large heads, thick necks, coarse manes, and generally overlook the features that would shock and upset the stout hearts of the Tattersall's representatives. In fact, it could be confidently stated, in the straightforward language of sporting papers, that neither Prjevalsky's horse nor the cave man's horse would stand a chance in a thoroughbred competition. Nonetheless, an honest critic would have to acknowledge that, despite their awkwardness, both are built for endurance.

So much for the two sitters; now let us turn to the artist who sketched them. Who was he, and when did he live? Well, his name, like that of many other old masters, is quite unknown to us; but what does that matter so long as his work itself lives and survives? Like the Comtists he has managed to obtain objective immortality. The work, after all, is for the most part all we ever have to go upon. 'I have my own theory about the authorship of the Iliad and Odyssey,' said Lewis Carroll (of 'Alice in Wonderland') once in Christ Church common room: 'it is that they weren't really written by Homer, but by another person of the same name.' There you have the Iliad in a nutshell as regards the authenticity of great works. All we know about the supposed Homer (if anything) is that he was the reputed author of the two unapproachable Greek epics; and all we know directly about my old master, viewed personally, is that he once carved with a rude flint flake on a fragment of reindeer horn these two clumsy prehistoric horses. Yet by putting two and two together we can make, not four, as might be naturally expected, but a fairly connected history of the old master himself and what Mr. Herbert Spencer would no doubt playfully term 'his environment.'

So much for the two sitters; now let’s focus on the artist who sketched them. Who was he, and when did he live? Well, his name, like that of many other old masters, is pretty much unknown to us; but does that really matter as long as his work continues to exist? Like the Comtists, he has achieved objective immortality. After all, the work is mostly all we have to go on. "I have my own theory about the authorship of the Iliad and Odyssey," said Lewis Carroll (of 'Alice in Wonderland') once in the Christ Church common room: "it's that they weren't really written by Homer, but by another person with the same name." That sums up the Iliad in terms of the authenticity of great works. All we know about the supposed Homer (if anything) is that he was the supposed author of the two unmatched Greek epics; and all we know directly about my old master, in a personal sense, is that he once carved, using a rough flint flake, on a piece of reindeer horn, these two awkward prehistoric horses. Yet by putting two and two together, we can create, not four as one might expect, but a fairly coherent history of the old master himself and what Mr. Herbert Spencer would probably humorously call 'his environment.'

The work of art was dug up from under the firm concreted floor of a cave in the Dordogne. That cave was once inhabited by the nameless artist himself, his wife, and family. It had been previously tenanted by various other early families, as well as by bears, who seem to have lived there in the intervals between the different human occupiers. Probably the bears ejected the men, and the men in turn ejected the bears, by the summary process of eating one another up. In any case the freehold of the cave was at last settled upon our early French artist. But the date of his occupancy is by no means recent; for since he lived there the long cold spell known as the Great Ice Age, or Glacial Epoch, has swept over the whole of Northern Europe, and swept before it the shivering descendants of my poor prehistoric old master. Now, how long ago was the Great Ice Age? As a rule, if you ask a geologist for a definite date, you will find him very chary of giving you a distinct answer. He knows that the chalk is older than the London clay, and the oolite than the chalk, and the red marl than the oolite; and he knows also that each of them took a very long time indeed to lay down, but exactly how long he has no notion. If you say to him, 'Is it a million years since the chalk was deposited?' he will answer, like the old lady of Prague, whose ideas were excessively vague, 'Perhaps.' If you suggest five millions, he will answer oracularly once more, 'Perhaps'; and if you go on to twenty millions, 'Perhaps,' with a broad smile, is still the only confession of faith that torture will wring out of him. But in the matter of the Glacial Epoch, a comparatively late and almost historical event, geologists have broken through their usual reserve on this chronological question and condescended to give us a numerical determination. And here is how Dr. Croll gets at it.

The artwork was uncovered from beneath the solid concrete floor of a cave in the Dordogne. This cave was once home to the unnamed artist, his wife, and their family. It had also been occupied by various other early families, as well as bears, which seemed to have lived there in the gaps between human inhabitants. Likely, the bears drove the humans out, and then the humans, in turn, forced the bears out by the blunt method of eating each other. Eventually, the ownership of the cave settled on our early French artist. However, his stay there wasn't recent, as since then, a long cold period known as the Great Ice Age, or Glacial Epoch, has swept across Northern Europe, carrying away the shivering descendants of my unfortunate prehistoric master. Now, how long ago was the Great Ice Age? Generally, if you ask a geologist for a specific date, they'll be quite reluctant to provide a clear answer. They know that chalk is older than London clay, that oolite is older than chalk, and that red marl is older than oolite; they also know that each layer took an extremely long time to form, but they have no precise idea of how long. If you ask them, 'Was it a million years ago that the chalk was deposited?' their response will be vague, similar to an old lady from Prague, who might say, 'Maybe.' If you suggest five million years, they'll reply cryptically, 'Maybe'; and if you propose twenty million years, they'll still just give you a broad smile and say, 'Maybe.' However, regarding the Glacial Epoch, a relatively recent and almost historical event, geologists have broken their usual silence on this timing question and have been kind enough to provide a numerical estimate. Here’s how Dr. Croll arrives at it.

Every now and again, geological evidence goes to show us, a long cold spell occurs in the northern or southern hemisphere. During these long cold spells the ice cap at the poles increases largely, till it spreads over a great part of what are now the temperate regions of the globe, and makes ice a mere drug in the market as far south as Covent Garden or the Halles at Paris. During the greatest extension of this ice sheet in the last glacial epoch, in fact, all England except a small south-western corner (about Torquay and Bournemouth) was completely covered by one enormous mass of glaciers, as is still the case with almost the whole of Greenland. The ice sheet, grinding slowly over the hills and rocks, smoothed and polished and striated their surfaces in many places till they resembled the roches moutonnées similarly ground down in our own day by the moving ice rivers of Chamouni and Grindelwald. Now, since these great glaciations have occurred at various intervals in the world's past history, they must depend upon some frequently recurring cause. Such a cause, therefore, Dr. Croll began ingeniously to hunt about for.

Every now and then, geological evidence shows us that a long cold spell takes place in either the northern or southern hemisphere. During these extended cold periods, the ice cap at the poles grows significantly, spreading over much of what are currently the temperate regions of the world, making ice very common even as far south as Covent Garden or the Halles in Paris. During the maximum expansion of this ice sheet in the last glacial epoch, nearly all of England was completely covered by one massive glacier, except for a small area in the southwest (around Torquay and Bournemouth), similar to almost all of Greenland today. The ice sheet, grinding slowly over the hills and rocks, smoothed, polished, and striated their surfaces in many places until they looked like the roches moutonnées that are similarly shaped by the moving ice rivers of Chamouni and Grindelwald in our own time. Since these major glaciations have occurred at various times throughout the Earth's history, they must be linked to some recurring cause. Therefore, Dr. Croll began to cleverly search for such a cause.

He found it at last in the eccentricity of the earth's orbit. This world of ours, though usually steady enough in its movements, is at times decidedly eccentric. Not that I mean to impute to our old and exceedingly respectable planet any occasional aberrations of intellect, or still less of morals (such as might be expected from Mars and Venus); the word is here to be accepted strictly in its scientific or Pickwickian sense as implying merely an irregularity of movement, a slight wobbling out of the established path, a deviation from exact circularity. Owing to a combination of astronomical revolutions, the precession of the equinoxes and the motion of the aphelion (I am not going to explain them here; the names alone will be quite sufficient for most people; they will take the rest on trust)—owing to the combination of these profoundly interesting causes, I say, there occur certain periods in the world's life when for a very long time together (10,500 years, to be quite precise) the northern hemisphere is warmer than the southern, or vice versa. Now, Dr. Croll has calculated that about 250,000 years ago this eccentricity of the earth's orbit was at its highest, so that a cycle of recurring cold and warm epochs in either hemisphere alternately then set in; and such cold spells it was that produced the Great Ice Age in Northern Europe. They went on till about 80,000 years ago, when they stopped short for the present, leaving the climate of Britain and the neighbouring continent with its existing inconvenient Laodicean temperature. And, as there are good reasons for believing that my old master and his contemporaries lived just before the greatest cold of the Glacial Epoch, and that his immediate descendants, with the animals on which they feasted, were driven out of Europe, or out of existence, by the slow approach of the enormous ice sheet, we may, I think, fairly conclude that his date was somewhere about B.C. 248,000. In any case we must at least admit, with Mr. Andrew Lang, the laureate of the twenty-five thousandth century, that

He finally found it in the unusual nature of the Earth's orbit. Our planet, while generally stable in its movements, can sometimes be quite erratic. I'm not suggesting that our old and very respectable planet has occasional lapses in judgment or morals (which might be expected from Mars and Venus); here, the term should be understood in its scientific or light-hearted sense, indicating merely an irregularity in movement, a slight wobble from its usual path, a departure from perfect circularity. Due to a mix of astronomical events, the precession of the equinoxes, and the movement of the aphelion (I'm not going to explain these here; just the names will be enough for most people; they can take the rest on trust)—because of these fascinating causes, there are specific periods in the planet's history when, for a very long time (10,500 years, to be precise), the northern hemisphere is warmer than the southern, or vice versa. Now, Dr. Croll calculated that about 250,000 years ago, this irregularity in the Earth's orbit was at its peak, leading to a cycle of alternating cold and warm periods in either hemisphere; it was these cold spells that triggered the Great Ice Age in Northern Europe. These conditions persisted until about 80,000 years ago when they temporarily halted, leaving Britain's climate and that of the surrounding continent with its current uncomfortable temperate range. Since there are good reasons to believe that my old mentor and his peers lived just before the peak of the Glacial Epoch, and that his immediate descendants, along with the animals they hunted, were pushed out of Europe or driven to extinction by the slow advance of the massive ice sheet, we can reasonably conclude that his time was around 248,000 B.C. In any case, we must at least acknowledge, along with Mr. Andrew Lang, the laureate of the twenty-five thousandth century, that

He lived in the long long agoes;
He lived a long, long time ago;
'Twas the manner of primitive man.
It was the way of early humans.

The old master, then, carved his bas-relief in pre-Glacial Europe, just at the moment before the temporary extinction of his race in France by the coming on of the Great Ice Age. We can infer this fact from the character of the fauna by which he was surrounded, a fauna in which species of cold and warm climates are at times quite capriciously intermingled. We get the reindeer and the mammoth side by side with the hippopotamus and the hyena; we find the chilly cave bear and the Norway lemming, the musk sheep and the Arctic fox in the same deposits with the lion and the lynx, the leopard and the rhinoceros. The fact is, as Mr. Alfred Russel Wallace has pointed out, we live to-day in a zoologically impoverished world, from which all the largest, fiercest, and most remarkable animals have lately been weeded out. And it was in all probability the coming on of the Ice Age that did the weeding. Our Zoo can boast no mammoth and no mastodon. The sabre-toothed lion has gone the way of all flesh; the deinotherium and the colossal ruminants of the Pliocene Age no longer browse beside the banks of Seine. But our old master saw the last of some at least among those gigantic quadrupeds; it was his hand or that of one among his fellows that scratched the famous mammoth etching on the ivory of La Madelaine and carved the figure of the extinct cave bear on the reindeer-horn ornaments of Laugerie Basse. Probably, therefore, he lived in the period immediately preceding the Great Ice Age, or else perhaps in one of the warm interglacial spells with which the long secular winter of the northern hemisphere was then from time to time agreeably diversified.

The old master carved his bas-relief in pre-Glacial Europe, just before his race in France temporarily disappeared due to the onset of the Great Ice Age. We can deduce this from the types of animals he was surrounded by, where species from both cold and warm climates are randomly mixed. The reindeer and the mammoth are found alongside the hippopotamus and the hyena; we see the cold-residing cave bear and the Norway lemming, the musk sheep and the Arctic fox sharing deposits with the lion, lynx, leopard, and rhinoceros. As Mr. Alfred Russel Wallace has noted, today's world is zoologically diminished, with all the largest, fiercest, and most extraordinary animals having recently disappeared. The Ice Age likely caused this loss. Our zoo has no mammoth and no mastodon. The sabre-toothed lion has vanished; the deinotherium and the giant herbivores from the Pliocene Age no longer graze by the Seine. But our old master witnessed the last of at least some of these giant mammals; it was either his hand or that of one of his peers that scratched the famous mammoth etching on the ivory from La Madelaine and carved the figure of the extinct cave bear on the reindeer-horn ornaments from Laugerie Basse. Therefore, he probably lived right before the Great Ice Age or perhaps during one of the warm interglacial periods that pleasantly interrupted the long winter of the northern hemisphere.

And what did the old master himself look like? Well, painters have always been fond of reproducing their own lineaments. Have we not the familiar young Raffael, painted by himself, and the Rembrandt, and the Titian, and the Rubens, and a hundred other self-drawn portraits, all flattering and all famous? Even so primitive man has drawn himself many times over, not indeed on this particular piece of reindeer horn, but on several other media to be seen elsewhere, in the original or in good copies. One of the best portraits is that discovered in the old cave at Laugerie Basse by M. Elie Massénat, where a very early pre-Glacial man is represented in the act of hunting an aurochs, at which he is casting a flint-tipped javelin. In this, as in all other pictures of the same epoch, I regret to say that the ancient hunter is represented in the costume of Adam before the fall. Our old master's studies, in fact, are all in the nude. Primitive man was evidently unacquainted as yet with the use of clothing, though primitive woman, while still unclad, had already learnt how to heighten her natural charms by the simple addition of a necklace and bracelets. Indeed, though dresses were still wholly unknown, rouge was even then extremely fashionable among French ladies, and lumps of the ruddle with which primitive woman made herself beautiful for ever are now to be discovered in the corner of the cave where she had her little prehistoric boudoir. To return to our hunter, however, who for aught we know to the contrary may be our old master himself in person, he is a rather crouching and semi-erect savage, with an arched back, recalling somewhat that of the gorilla, a round head, long neck, pointed beard, and weak, shambling, ill-developed legs. I fear we must admit that pre-Glacial man cut, on the whole, a very sorry and awkward figure.

And what did the old master look like? Well, artists have always liked to paint themselves. Don’t we have the well-known young Raphael, painted by himself, along with Rembrandt, Titian, Rubens, and countless other self-portraits, all flattering and famous? Even primitive humans drew themselves many times, not specifically on this reindeer horn, but on several other materials visible elsewhere, either in the original or in good copies. One of the best portraits was found in the old cave at Laugerie Basse by M. Elie Massénat, where a very early pre-Glacial man is depicted hunting an aurochs, throwing a flint-tipped javelin. In this, as in all other pictures from that time, I regret to mention that the ancient hunter is shown in the nude, like Adam before the fall. Our old master’s studies are all nude. Clearly, primitive man was not yet familiar with clothing, even though primitive woman, while still unclad, had learned to enhance her natural beauty with a simple necklace and bracelets. In fact, although dresses were still entirely unknown, rouge was already quite popular among French women, and bits of the red ochre that primitive women used to beautify themselves can now be found in the corner of the cave where she had her little prehistoric dressing area. Back to our hunter, who for all we know might even be our old master himself; he appears as a rather crouching, semi-erect savage, with a hunched back resembling that of a gorilla, a round head, long neck, pointed beard, and weak, awkward legs. I’m afraid we must acknowledge that pre-Glacial man presented a rather pitiful and clumsy appearance overall.

Was he black? That we don't certainly know, but all analogy would lead one to answer positively, Yes. White men seem, on the whole, to be a very recent and novel improvement on the original evolutionary pattern. At any rate he was distinctly hairy, like the Ainos, or aborigines of Japan, in our own day, of whom Miss Isabella Bird has drawn so startling and sensational a picture. Several of the pre-Glacial sketches show us lank and gawky savages with the body covered with long scratches, answering exactly to the scratches which represent the hanging hair of the mammoth, and suggesting that man then still retained his old original hairy covering. The few skulls and other fragments of skeletons now preserved to us also indicate that our old master and his contemporaries much resembled in shape and build the Australian black fellows, though their foreheads were lower and more receding, while their front teeth still projected in huge fangs, faintly recalling the immense canines of the male gorilla. Quite apart from any theoretical considerations as to our probable descent (or ascent) from Mr. Darwin's hypothetical 'hairy arboreal quadrumanous ancestor,' whose existence may or may not be really true, there can be no doubt that the actual historical remains set before us pre-Glacial man as evidently approaching in several important respects the higher monkeys.

Was he black? We can’t say for sure, but all indications suggest the answer is yes. White people seem, in general, to be a recent and unique development in the evolutionary timeline. At any rate, he was definitely hairy, similar to the Ainos, or the indigenous people of Japan, who Miss Isabella Bird has famously depicted in an eye-opening way. Several pre-Glacial sketches show lanky and awkward savages with bodies covered in long scratches, which match the scratches representing the hanging hair of the mammoth, suggesting that humans then still had their original hairy covering. The few skulls and other fragments of skeletons we have preserved also show that our ancient ancestors and their peers had shapes and builds similar to Australian indigenous people, though their foreheads were lower and more receding, while their front teeth still jutted out in large fangs, faintly reminiscent of the huge canines of male gorillas. Setting aside any theoretical ideas about our potential descent (or ascent) from Mr. Darwin's imagined 'hairy tree-dwelling four-handed ancestor,' whose existence may or may not be real, it’s clear that the actual historical remains reveal pre-Glacial humans as being quite similar in several important ways to higher monkeys.

It is interesting to note too that while the Men of the Time still retained (to be frankly evolutionary) many traces of the old monkey-like progenitor, the horses which our old master has so cleverly delineated for us on his scrap of horn similarly retained many traces of the earlier united horse-and-donkey ancestor. Professor Huxley has admirably reconstructed for us the pedigree of the horse, beginning with a little creature from the Eocene beds of New Mexico, with five toes to each hind foot, and ending with the modern horse, whose hoof is now practically reduced to a single and solid-nailed toe. Intermediate stages show us an Upper Eocene animal as big as a fox, with four toes on his front feet and three behind; a Miocene kind as big as a sheep, with only three toes on the front foot, the two outer of which are smaller than the big middle one; and finally a Pliocene form, as big as a donkey, with one stout middle toe, the real hoof, flanked by two smaller ones, too short by far to reach the ground. In our own horse these lateral toes have become reduced to what are known by veterinaries as splint bones, combined with the canon in a single solidly morticed piece. But in the pre-Glacial horses the splint bones still generally remained quite distinct, thus pointing back to the still earlier period when they existed as two separate and independent side toes in the ancestral quadruped. In a few cave specimens, however, the splints are found united with the canons in a single piece, while conversely horses are sometimes, though very rarely, born at the present day with three-toed feet, exactly resembling those of their half-forgotten ancestor, the Pliocene hipparion.

It’s interesting to note that while the people of the time still had many traits from their old monkey-like ancestor, the horses that our old master depicted for us on his piece of horn also showed many characteristics of their earlier horse-and-donkey ancestor. Professor Huxley has brilliantly traced the lineage of the horse, starting with a small creature from the Eocene period in New Mexico, which had five toes on each hind foot, and ending with the modern horse, whose hoof has essentially evolved into a single, solid-nailed toe. The intermediate stages reveal an Upper Eocene animal the size of a fox, with four toes on its front feet and three on the back; a Miocene variant the size of a sheep, with only three toes on the front foot, where the two outer ones are smaller than the larger middle toe; and finally a Pliocene version, about the size of a donkey, with one strong middle toe, the true hoof, flanked by two smaller ones that are too short to reach the ground. In our current horse, these side toes have been reduced to what veterinarians call splint bones, fused with the cannon bone into a single solid piece. But in the pre-Glacial horses, the splint bones generally remained distinct, indicating a much earlier time when they existed as two separate side toes in their ancestral quadruped. In a few cave specimens, however, the splints are found fused with the cannon bone into one piece, while, ironically, horses today are occasionally, though very rarely, born with three-toed feet, closely resembling those of their almost-forgotten ancestor, the Pliocene hipparion.

The reason why we know so much about the horses of the cave period is, I am bound to admit, simply and solely because the man of the period ate them. Hippophagy has always been popular in France; it was practised by pre-Glacial man in the caves of Périgord, and revived with immense enthusiasm by the gourmets of the Boulevards after the siege of Paris and the hunger of the Commune. The cave men hunted and killed the wild horse of their own times, and one of the best of their remaining works of art represents a naked hunter attacking two horses, while a huge snake winds itself unperceived behind close to his heel. In this rough prehistoric sketch one seems to catch some faint antique foreshadowing of the rude humour of the 'Petit Journal pour Rire.' Some archæologists even believe that the horse was domesticated by the cave men as a source of food, and argue that the familiarity with its form shown in the drawings could only have been acquired by people who knew the animal in its domesticated state; they declare that the cave man was obviously horsey. But all the indications seem to me to show that tame animals were quite unknown in the age of the cave men. The mammoth certainly was never domesticated; yet there is a famous sketch of the huge beast upon a piece of his own ivory, discovered in the cave of La Madelaine by Messrs. Lartet and Christy, and engraved a hundred times in works on archæology, which forms one of the finest existing relics of pre-Glacial art. In another sketch, less well known, but not unworthy of admiration, the early artist has given us with a few rapid but admirable strokes his own reminiscence of the effect produced upon him by the sudden onslaught of the hairy brute, tusks erect and mouth wide open, a perfect glimpse of elephantine fury. It forms a capital example of early impressionism, respectfully recommended to the favourable attention of Mr. J.M. Whistler.

The reason we know so much about the horses from the cave period is, I have to admit, simply because the people back then ate them. Eating horse meat has always been popular in France; it was done by pre-Glacial humans in the caves of Périgord and was brought back with great enthusiasm by the food lovers of the Boulevards after the siege of Paris and the hunger of the Commune. The cave people hunted and killed wild horses that lived in their time, and one of the best remaining pieces of their art shows a naked hunter attacking two horses while a huge snake sneaks up behind him, unnoticed. In this rough prehistoric sketch, you can almost sense a faint, ancient hint of the crude humor found in the 'Petit Journal pour Rire.' Some archaeologists even believe that cave people domesticated horses for food and argue that the detailed drawings could only have been made by people familiar with the animal as a domesticated creature; they claim that cave people were definitely into horses. However, all the signs suggest to me that tame animals were completely unknown during the age of cave people. The mammoth was certainly never domesticated; yet, there’s a famous drawing of this massive creature on a piece of its own ivory, found in the cave of La Madelaine by Messrs. Lartet and Christy, and etched countless times in works on archaeology, which is one of the finest existing relics of pre-Glacial art. In another sketch, less well known but still impressive, the early artist captured with a few quick but skillful strokes his own memory of the shock caused by the sudden attack of the hairy beast, tusks up and mouth wide open, giving a perfect glimpse of elephantine rage. It's a great example of early impressionism, respectfully recommended for the attention of Mr. J.M. Whistler.

The reindeer, however, formed the favourite food and favourite model of the pre-Glacial artists. Perhaps it was a better sitter than the mammoth; certainly it is much more frequently represented on these early prehistoric bas-reliefs. The high-water mark of palæolithic art is undoubtedly to be found in the reindeer of the cave of Thayngen, in Switzerland, a capital and spirited representation of a buck grazing, in which the perspective of the two horns is better managed than a Chinese artist would manage it at the present day. Another drawing of two reindeer fighting, scratched on a fragment of schistose rock and unearthed in one of the caves of Périgord, though far inferior to the Swiss specimen in spirit and execution, is yet not without real merit. The perspective, however, displays one marked infantile trait, for the head and legs of one deer are seen distinctly through the body of another. Cave bears, fish, musk sheep, foxes, and many other extinct or existing animals are also found among the archaic sculptures. Probably all these creatures were used as food; and it is even doubtful whether the artistic troglodytes were not also confirmed cannibals. To quote Mr. Andrew Lang once more on primitive man, 'he lived in a cave by the seas; he lived upon oysters and foes.' The oysters are quite undoubted, and the foes may be inferred with considerable certainty.

The reindeer, however, was the favorite food and inspiration for the pre-Glacial artists. It may have posed better than the mammoth; it's definitely depicted much more often in these early prehistoric bas-reliefs. The peak of Paleolithic art is undoubtedly found in the reindeer from the cave of Thayngen in Switzerland, an impressive and lively representation of a buck grazing, where the perspective of the two horns is better handled than how a contemporary Chinese artist would do it. Another drawing of two reindeer fighting, etched on a piece of schistose rock and found in one of the caves in Périgord, while far inferior to the Swiss example in liveliness and skill, still holds some genuine merit. However, the perspective shows a clear childlike quality, as the head and legs of one deer are clearly visible through the body of the other. Cave bears, fish, musk sheep, foxes, and many other extinct or existing animals are also part of the ancient sculptures. Probably all these creatures were used for food, and it's even questionable whether the artistic troglodytes were also confirmed cannibals. To quote Mr. Andrew Lang once more on primitive man, "he lived in a cave by the seas; he lived on oysters and foes." The oysters are undoubtedly true, and the foes can be inferred with a fair degree of certainty.

I have spoken of our old master more than once under this rather question-begging style and title of primitive man. In reality, however, the very facts which I have here been detailing serve themselves to show how extremely far our hero was from being truly primitive. You can't speak of a distinguished artist, who draws the portraits of extinct animals with grace and accuracy, as in any proper sense primordial. Grant that our good troglodytes were indeed light-hearted cannibals; nevertheless they could design far better than the modern Esquimaux or Polynesians, and carve far better than the civilised being who is now calmly discoursing about their personal peculiarities in his own study. Between the cave men of the pre-Glacial age and the hypothetical hairy quadrumanous ancestor aforesaid there must have intervened innumerable generations of gradually improving intermediate forms. The old master, when he first makes his bow to us, naked and not ashamed, in his Swiss or French grotto, flint scalpel in hand and necklet of bear's teeth dropping loosely on his hairy bosom, is nevertheless in all essentials a completely evolved human being, with a whole past of slowly acquired culture lying dimly and mysteriously behind him. Already he had invented the bow with its flint-tipped arrow, the neatly chipped javelin-head, the bone harpoon, the barbed fish-hook, the axe, the lance, the dagger, and the needle. Already he had learnt how to decorate his implements with artistic skill, and to carve the handles of his knives with the figures of animals. I have no doubt that he even knew how to brew and to distil; and he was probably acquainted with the noble art of cookery as applied to the persons of his human fellow creatures. Such a personage cannot reasonably be called primitive; cannibalism, as somebody has rightly remarked, is the first step on the road to civilisation.

I've talked about our old master more than once using this somewhat misleading label of primitive man. In reality, the facts I've laid out here show just how far from primitive our hero really was. You can't call a talented artist who accurately and gracefully draws pictures of extinct animals truly basic. Sure, our cheerful cavemen were cannibals; however, they could design better than modern Eskimos or Polynesians and carve better than the civilized person who's now calmly discussing their quirks in his study. Between the cave dwellers of the pre-Glacial era and the imagined hairy ancestor mentioned before, there must have been countless generations of gradually improving forms. The old master, when he first greets us—naked and unashamed—in his Swiss or French cave, flint scalpel in hand and a necklace of bear teeth hanging loosely on his hairy chest, is nonetheless, in every important way, a fully evolved human being with a rich history of slowly gained culture behind him. He had already invented the bow with its flint-tipped arrow, the neatly shaped javelin head, the bone harpoon, the barbed fishhook, the axe, the lance, the dagger, and the needle. He had also learned how to decorate his tools skillfully and carve animal figures into his knife handles. I have no doubt that he even knew how to brew and distill; plus, he was likely familiar with the fine art of cooking, especially when it came to his fellow humans. Such a person certainly can't be called primitive; cannibalism, as someone wisely pointed out, is the first step toward civilization.

No, if we want to get at genuine, unadulterated primitive man we must go much further back in time than the mere trifle of 250,000 years with which Dr. Croll and the cosmic astronomers so generously provide us for pre-Glacial humanity. We must turn away to the immeasurably earlier fire-split flints which the Abbé Bourgeois—undaunted mortal!—ventured to discover among the Miocene strata of the calcaire de Beauce. Those flints, if of human origin at all, were fashioned by some naked and still more hairy creature who might fairly claim to be considered as genuinely primitive. So rude are they that, though evidently artificial, one distinguished archæologist will not admit they can be in any way human; he will have it that they were really the handiwork of the great European anthropoid ape of that early period. This, however, is nothing more than very delicate hair-splitting; for what does it matter whether you call the animal that fashioned these exceedingly rough and fire-marked implements a man-like ape or an ape-like human being? The fact remains quite unaltered, whichever name you choose to give to it. When you have got to a monkey who can light a fire and proceed to manufacture himself a convenient implement, you may be sure that man, noble man, with all his glorious and admirable faculties—cannibal or otherwise—is lurking somewhere very close just round the corner. The more we examine the work of our old master, in fact, the more does the conviction force itself upon us that he was very far indeed from being primitive—that we must push back the early history of our race not for 250,000 winters alone, but perhaps for two or three million years into the dim past of Tertiary ages.

No, if we want to understand true, untainted primitive humans, we need to go much further back in time than the mere 250,000 years that Dr. Croll and the cosmic astronomers so generously give us for pre-Glacial humanity. We must look back to the much earlier fire-split flints that the Abbé Bourgeois—fearless man!—dared to discover among the Miocene layers of the calcaire de Beauce. Those flints, if they are of human origin at all, were made by some naked and even hairier creature that could reasonably be considered genuinely primitive. They are so crude that, despite being obviously crafted, one distinguished archaeologist won't accept them as human at all; he insists they were the work of a large European anthropoid ape from that early time. However, this is just nitpicking; what does it matter if you call the creature that made these very rough and fire-marked tools a human-like ape or an ape-like human? The fact remains unchanged, no matter what name you give it. Once you find a monkey that can light a fire and create its own useful tool, you can be sure that man, noble man, with all his wonderful and admirable traits—cannibal or not—is lurking somewhere very close by. The more we study the work of our ancient predecessor, in fact, the more we are convinced that he was far from primitive—that we need to trace our early history back not just 250,000 years, but perhaps two or three million years into the distant past of the Tertiary period.

But if pre-Glacial man is thus separated from the origin of the race by a very long interval indeed, it is none the less true that he is separated from our own time by the intervention of a vast blank space, the space occupied by the coming on and passing away of the Glacial Epoch. A great gap cuts him off from what we may consider as the relatively modern age of the mound-builders, whose grassy barrows still cap the summits of our southern chalk downs. When the great ice sheet drove away palæolithic man—the man of the caves and the unwrought flint axes—from Northern Europe, he was still nothing more than a naked savage in the hunting stage, divinely gifted for art, indeed, but armed only with roughly chipped stone implements, and wholly ignorant of taming animals or of the very rudiments of agriculture. He knew nothing of the use of metals—aurum irrepertum spernere fortior—and he had not even learnt how to grind and polish his rude stone tomahawks to a finished edge. He couldn't make himself a bowl of sun-baked pottery, and, if he had discovered the almost universal art of manufacturing an intoxicating liquor from grain or berries (for, as Byron, with too great anthropological truth, justly remarks, 'man, being reasonable, must get drunk'), he at least drank his aboriginal beer or toddy from the capacious horn of a slaughtered aurochs. That was the kind of human being who alone inhabited France and England during the later pre-Glacial period.

But even though pre-Glacial humans are separated from the origin of our species by a really long time, it's still true that they are also separated from our own time by a huge gap, the time taken up by the coming and going of the Glacial Epoch. A significant divide keeps them from what we can consider the relatively modern era of the mound-builders, whose grassy burial mounds still dot the tops of our southern chalk hills. When the massive ice sheet pushed away Paleolithic humans—the cave dwellers with their rough flint tools—from Northern Europe, they were still just naked hunters, inherently gifted in art but equipped only with crudely shaped stone tools, completely clueless about domesticating animals or even the basics of farming. They didn't know how to use metals—aurum irrepertum spernere fortior—and they hadn't even figured out how to grind and polish their crude stone tomahawks to a sharp edge. They couldn't make pottery out of sun-baked clay, and if they had stumbled upon the almost universal skill of making an alcoholic drink from grains or berries (for, as Byron wisely points out, 'man, being reasonable, must get drunk'), they at least drank their primitive beer or liquor from the large horn of a slain aurochs. That was the type of human who lived in France and England during the later pre-Glacial period.

A hundred and seventy thousand years elapse (as the play-bills put it), and then the curtain rises afresh upon neolithic Europe. Man meanwhile, loitering somewhere behind the scenes in Asia or Africa (as yet imperfectly explored from this point of view), had acquired the important arts of sharpening his tomahawks and producing hand-made pottery for his kitchen utensils. When the great ice sheet cleared away he followed the returning summer into Northern Europe, another man, physically, intellectually, and morally, with all the slow accumulations of nearly two thousand centuries (how easily one writes the words! how hard to realise them!) upon his maturer shoulders. Then comes the age of what older antiquaries used to regard as primitive antiquity—the age of the English barrows, of the Danish kitchen middens, of the Swiss lake dwellings. The men who lived in it had domesticated the dog, the cow, the sheep, the goat, and the invaluable pig; they had begun to sow small ancestral wheat and undeveloped barley; they had learnt to weave flax and wear decent clothing: in a word, they had passed from the savage hunting condition to the stage of barbaric herdsmen and agriculturists. That is a comparatively modern period, and yet I suppose we must conclude with Dr. James Geikie that it isn't to be measured by mere calculations of ten or twenty centuries, but of ten or twenty thousand years. The perspective of the past is opening up rapidly before us; what looked quite close yesterday is shown to-day to lie away off somewhere in the dim distance. Like our paleolithic artists, we fail to get the reindeer fairly behind the ox in the foreground, as we ought to do if we saw the whole scene properly foreshortened.

A hundred and seventy thousand years go by (as the playbills say), and then the curtain rises again on Neolithic Europe. Meanwhile, humans, lingering somewhere offstage in Asia or Africa (which hasn’t been fully explored from this angle yet), had learned how to sharpen their stone tools and make handmade pottery for their cooking needs. When the massive ice sheet melted, they followed the returning summer into Northern Europe, emerging as a different kind of person, both physically and mentally, carrying the slow accumulation of almost two thousand centuries (it's easy to write that, but so hard to truly grasp it!) on their more mature shoulders. Next comes the era that older historians used to consider primitive antiquity—the time of the English burial mounds, the Danish kitchen waste heaps, and the Swiss lake settlements. The people of this time had domesticated dogs, cows, sheep, goats, and the valuable pig; they had started to cultivate small ancient wheat and undeveloped barley; they had learned to weave flax and wear proper clothes: in short, they had transitioned from savage hunters to barbaric herders and farmers. This is a relatively modern period, and yet we must agree with Dr. James Geikie that it shouldn't be measured just in ten or twenty centuries, but in ten or twenty thousand years. The view of the past is rapidly unfolding before us; what seemed quite close yesterday is now revealed to be somewhere far off in the faint distance. Like our Paleolithic artists, we struggle to place the reindeer clearly behind the ox in the foreground, as we should if we could see the entire scene accurately.

On the table where I write there lie two paper-weights, preserving from the fate of the sibylline leaves the sheets of foolscap to which this essay is now being committed. One of them is a very rude flint hatchet, produced by merely chipping off flakes from its side by dexterous blows, and utterly unpolished or unground in any way. It belongs to the age of the very old master (or possibly even to a slightly earlier epoch), and it was sent me from Ightham, in Kent, by that indefatigable unearther of prehistoric memorials, Mr. Benjamin Harrison. That flint, which now serves me in the office of a paper-weight, is far ruder, simpler, and more ineffective than any weapon or implement at present in use among the lowest savages. Yet with it, I doubt not, some naked black fellow by the banks of the Thames has hunted the mammoth among unbroken forest two hundred thousand years ago and more; with it he has faced the angry cave bear and the original and only genuine British lion (for everybody knows that the existing mongrel heraldic beast is nothing better than a bastard modification of the leopard of the Plantagenets). Nay, I have very little doubt in my own mind that with it some æsthetic ancestor has brained and cut up for his use his next-door neighbour in the nearest cavern, and then carved upon his well-picked bones an interesting sketch of the entire performance. The Du Mauriers of that remote age, in fact, habitually drew their society pictures upon the personal remains of the mammoth or the man whom they wished to caricature in deathless bone-cuts. The other paper-weight is a polished neolithic tomahawk, belonging to the period of the mound-builders, who succeeded the Glacial Epoch, and it measures the distance between the two levels of civilisation with great accuracy. It is the military weapon of a trained barbaric warrior as opposed to the universal implement and utensil of a rude, solitary, savage hunter. Yet how curious it is that even in the midst of this 'so-called nineteenth century,' which perpetually proclaims itself an age of progress, men should still prefer to believe themselves inferior to their original ancestors, instead of being superior to them! The idea that man has risen is considered base, degrading, and positively wicked; the idea that he has fallen is considered to be immensely inspiring, ennobling, and beautiful. For myself, I have somehow always preferred the boast of the Homeric Glaucus that we indeed maintain ourselves to be much better men than ever were our fathers.

On the table where I write, there are two paperweights, keeping the foolscap sheets safe for this essay I'm working on. One of them is a rough flint hatchet, made just by chipping flakes off its side with skillful strikes, completely unpolished and unground. It belongs to the time of the very old master (or maybe even a bit earlier), and it was sent to me from Ightham, in Kent, by Mr. Benjamin Harrison, who tirelessly digs up prehistoric artifacts. This flint, which now serves as my paperweight, is much cruder, simpler, and less effective than any weapon or tool used today, even by the most primitive people. Yet with it, I have no doubt that some naked man near the Thames hunted the mammoth in an untouched forest two hundred thousand years ago; he faced the fierce cave bear and the original British lion (everyone knows that today's mixed-breed heraldic beast is just a bastardized version of the Plantagenets' leopard). I’m also pretty sure that with it, some artistic ancestor killed and butchered his neighbor in the nearest cave and then carved a captivating sketch of the whole event on the neatly cleaned bones. The Du Mauriers of that ancient time often illustrated their society scenes on the remains of the mammoth or the man they aimed to mock in lasting bone engravings. The other paperweight is a polished Neolithic tomahawk from the period of the mound-builders, who came after the Ice Age, and it accurately measures the gap between two levels of civilization. It's the military weapon of a trained barbaric warrior as opposed to the basic tool of a solitary, primitive hunter. Yet how strange it is that even in this 'so-called nineteenth century,' which constantly claims to be an age of progress, people still prefer to believe they are inferior to their distant ancestors instead of being superior! The notion that humanity has advanced is seen as low, degrading, and honestly wrong; the belief that we have fallen is viewed as incredibly uplifting, noble, and beautiful. Personally, I have always preferred the boast of the Homeric Glaucus that we indeed consider ourselves to be much better than our forefathers.


BRITISH AND FOREIGN

Strictly speaking, there is nothing really and truly British; everybody and everything is a naturalised alien. Viewed as Britons, we all of us, human and animal, differ from one another simply in the length of time we and our ancestors have continuously inhabited this favoured and foggy isle of Britain. Look, for example, at the men and women of us. Some of us, no doubt, are more or less remotely of Norman blood, and came over, like that noble family the Slys, with Richard Conqueror. Others of us, perhaps, are in the main Scandinavian, and date back a couple of generations earlier, to the bare-legged followers of Canute and Guthrum. Yet others, once more, are true Saxon Englishmen, descendants of Hengest, if there ever was a Hengest, or of Horsa, if a genuine Horsa ever actually existed. None of these, it is quite clear, have any just right or title to be considered in the last resort as true-born Britons; they are all of them just as much foreigners at bottom as the Spitalfields Huguenots or the Pembrokeshire Flemings, the Italian organ-boy and the Hindoo prince disguised as a crossing-sweeper. But surely the Welshman and the Highland Scot at least are undeniable Britishers, sprung from the soil and to the manner born! Not a bit of it; inexorable modern science, diving back remorselessly into the remoter past, traces the Cymry across the face of Germany, and fixes in shadowy hypothetical numbers the exact date, to a few centuries, of the first prehistoric Gaelic invasion. Even the still earlier brown Euskarians and yellow Mongolians, who held the land before the advent of the ancient Britons, were themselves immigrants; the very Autochthones in person turn out, on close inspection, to be vagabonds and wanderers and foreign colonists. In short, man as a whole is not an indigenous animal at all in the British Isles. Be he who he may, when we push his pedigree back to its prime original, we find him always arriving in the end by the Dover steamer or the Harwich packet. Five years, in fact, are quite sufficient to give him a legal title to letters of naturalisation, unless indeed he be a German grand-duke, in which case he can always become an Englishman offhand by Act of Parliament.

Strictly speaking, there’s nothing truly British; everyone and everything is a naturalized outsider. As Britons, we all—humans and animals—differ only in how long we and our ancestors have lived on this favored and foggy island of Britain. Take a look at us, the men and women. Some of us are likely of Norman descent, having arrived with that noble family the Slys during the time of Richard the Conqueror. Others might mainly trace their roots back to Scandinavia, going back a couple of generations earlier to the bare-legged followers of Canute and Guthrum. Yet others are genuine Saxon Englishmen, descendants of Hengest, if he ever existed, or of Horsa, if there was indeed a real Horsa. It’s clear that none of these groups have any rightful claim to be called true-born Britons; they are just as foreign at their core as the Spitalfields Huguenots or Pembrokeshire Flemings, the Italian street performer, and the Indian prince dressed as a crossing-sweeper. But surely, the Welshman and the Highland Scot must be true British, rooted in the land and born to it! Not at all; relentless modern science, digging back through time, traces the Cymry across Germany and estimates the date of the first prehistoric Gaelic invasion to within a few centuries. Even the earlier brown Euskarians and yellow Mongolians, who occupied the land before the ancient Britons, were immigrants themselves; the very original inhabitants turn out, upon closer inspection, to be wanderers and foreign colonists. In short, humans as a whole are not indigenous to the British Isles at all. No matter who they are, when we trace their ancestry back to its origin, we always find them arriving in the end by the Dover ferry or the Harwich boat. In fact, five years are enough for someone to gain legal naturalization, unless they’re a German grand-duke, in which case they can instantly become English through an Act of Parliament.

It is just the same with all the other animals and plants that now inhabit these isles of Britain. If there be anything at all with a claim to be considered really indigenous, it is the Scotch ptarmigan and the Alpine hare, the northern holygrass and the mountain flowers of the Highland summits. All the rest are sojourners and wayfarers, brought across as casuals, like the gipsies and the Oriental plane, at various times to the United Kingdom, some of them recently, some of them long ago, but not one of them (it seems), except the oyster, a true native. The common brown rat, for instance, as everybody knows, came over, not, it is true, with William the Conqueror, but with the Hanoverian dynasty and King George I. of blessed memory. The familiar cockroach, or 'black beetle,' of our lower regions, is an Oriental importation of the last century. The hum of the mosquito is now just beginning to be heard in the land, especially in some big London hotels. The Colorado beetle is hourly expected by Cunard steamer. The Canadian roadside erigeron is well established already in the remoter suburbs; the phylloxera battens on our hothouse vines; the American river-weed stops the navigation on our principal canals. The Ganges and the Mississippi have long since flooded the tawny Thames, as Juvenal's cynical friend declared the Syrian Orontes had flooded the Tiber. And what has thus been going on slowly within the memory of the last few generations has been going on constantly from time immemorial, and peopling Britain in all its parts with its now existing fauna and flora.

It’s the same with all the other animals and plants that now live on these British Isles. If there’s anything that can actually be called truly native, it’s the Scottish ptarmigan and the Alpine hare, the northern holy grass, and the mountain flowers of the Highland peaks. Everyone else is just passing through, brought over casually—like the gypsies and the Oriental plane trees—at various times to the UK; some recently, some ages ago, but not one of them (it seems), except the oyster, is a true native. The common brown rat, for example, as everyone knows, didn’t come over with William the Conqueror; it arrived with the Hanoverian dynasty and King George I, of blessed memory. The familiar cockroach or 'black beetle' that we see around is an Oriental import from the last century. The sound of mosquitoes is just starting to be noticed in the country, especially in some big London hotels. The Colorado beetle is expected any day now by Cunard steamer. The Canadian roadside erigeron is already well established in the more distant suburbs; the phylloxera is feeding on our hothouse vines; and the American river weed is blocking navigation on our main canals. The Ganges and the Mississippi have long since flooded the tawny Thames, just as Juvenal’s cynical friend said the Syrian Orontes had flooded the Tiber. And what has been happening slowly during the last few generations has been occurring consistently for ages, filling Britain in every part with its current wildlife and plant life.

But if all the plants and animals in our islands are thus ultimately imported, the question naturally arises, What was there in Great Britain and Ireland before any of their present inhabitants came to inherit them? The answer is, succinctly, Nothing. Or if this be a little too extreme, then let us imitate the modesty of Mr. Gilbert's hero and modify the statement into Hardly anything. In England, as in Northern Europe generally, modern history begins, not with the reign of Queen Elizabeth, but with the passing away of the Glacial Epoch. During that great age of universal ice our Britain, from end to end, was covered at various times by sea and by glaciers; it resembled on the whole the cheerful aspect of Spitzbergen or Nova Zembla at the present day. A few reindeer wandered now and then over its frozen shores; a scanty vegetation of the correlative reindeer-moss grew with difficulty under the sheets and drifts of endless snow; a stray walrus or an occasional seal basked in the chilly sunshine on the ice-bound coast. But during the greatest extension of the North-European ice-sheet it is probable that life in London was completely extinct; the metropolitan area did not even vegetate. Snow and snow and snow and snow was then the short sum-total of British scenery. Murray's Guides were rendered quite unnecessary, and penny ices were a drug in the market. England was given up to one unchanging universal winter.

But if all the plants and animals on our islands were ultimately brought in from elsewhere, it raises the question: What was in Great Britain and Ireland before the people we have now arrived? The short answer is, nothing. Or, if that sounds a bit too harsh, let’s take a page from Mr. Gilbert's character and say, hardly anything. In England, as in Northern Europe generally, modern history doesn’t start with Queen Elizabeth’s reign but with the end of the Ice Age. During that long period of widespread ice, Britain was intermittently covered by sea and glaciers; it looked a lot like the current landscapes of Spitzbergen or Nova Zembla. Occasionally, a few reindeer would wander the frozen shores; a sparse vegetation of reindeer moss struggled to grow beneath layers of constant snow; a lone walrus or an occasional seal would soak up the weak sunlight on the icy coast. However, during the peak expansion of the North European ice sheet, it’s likely that life in London was completely wiped out; the area didn’t even support plants. The only scene in Britain back then was snow, snow, and more snow. Murray's Guides were completely unnecessary, and penny ices were everywhere. England was stuck in one endless, unchanged winter.

Slowly, however, times altered, as they are much given to doing; and a new era dawned upon Britain. The thermometer rose rapidly, or at least it would have risen, with effusion, if it had yet been invented. The land emerged from the sea, and southern plants and animals began to invade the area that was afterwards to be England, across the broad belt which then connected us with the Continental system. But in those days communications were slow and land transit difficult. You had to foot it. The European fauna and flora moved but gradually and tentatively north-westward, and before any large part of it could settle in England our island was finally cut off from the mainland by the long and gradual wearing away of the cliffs at Dover and Calais. That accounts for the comparative poverty of animal and vegetable life in England, and still more for its extreme paucity and meagreness in Ireland and the Highlands. It has been erroneously asserted, for example, that St. Patrick expelled snakes and lizards, frogs and toads, from the soil of Erin. This detail, as the French newspapers politely phrase it, is inexact. St. Patrick did not expel the reptiles, because there were never any reptiles in Ireland (except dynamiters) for him to expel. The creatures never got so far on their long and toilsome north-westward march before St. George's Channel intervened to prevent their passage across to Dublin. It is really, therefore, to St. George, rather than to St. Patrick, that the absence of toads and snakes from the soil of Ireland is ultimately due. The doubtful Cappadocian prelate is well known to have been always death on dragons and serpents.

Slowly, though, times changed, as they often do; and a new era began in Britain. The temperature rose quickly, or at least it would have risen with fervor, if it had been invented yet. The land came up from the sea, and southern plants and animals began to spread into the area that would later be known as England, across the wide stretch that connected us to the continental system. But back then, communication was slow and traveling by land was tough. You had to walk. The European flora and fauna moved north-westward gradually and cautiously, and before any significant part of it could settle in England, our island was finally cut off from the mainland by the slow erosion of the cliffs at Dover and Calais. This explains the relative scarcity of animal and plant life in England, and even more so for its extreme lack in Ireland and the Highlands. It has been mistakenly claimed, for example, that St. Patrick drove out snakes and lizards, frogs and toads, from the soil of Erin. This claim, as French newspapers politely put it, is inaccurate. St. Patrick did not expel the reptiles because there were never any reptiles in Ireland (except for dynamiters) for him to drive out. The creatures never made it that far on their long and exhausting north-westward journey before St. George's Channel stopped their crossing to Dublin. So, it’s really due to St. George, rather than St. Patrick, that toads and snakes are absent from Ireland's soil. The dubious Cappadocian bishop is well known for his disdain for dragons and serpents.

As long ago as the sixteenth century, indeed, Verstegan the antiquary clearly saw that the existence of badgers and foxes in England implied the former presence of a belt of land joining the British Islands to the Continent of Europe; for, as he acutely observed, nobody (before fox-hunting, at least) would ever have taken the trouble to bring them over. Still more does the presence in our islands of the red deer, and formerly of the wild white cattle, the wolf, the bear, and the wild boar, to say nothing of the beaver, the otter, the squirrel, and the weasel, prove that England was once conterminous with France or Belgium. At the very best of times, however, before Sir Ewen Cameron of Lochiel had killed positively the last 'last wolf' in Britain (several other 'last wolves' having previously been despatched by various earlier intrepid exterminators), our English fauna was far from a rich one, especially as regards the larger quadrupeds. In bats, birds, and insects we have always done better, because to such creatures a belt of sea is not by any means an insuperable barrier; whereas in reptiles and amphibians, on the contrary, we have always been weak, seeing that most reptiles are bad swimmers, and very few can rival the late lamented Captain Webb in his feat of crossing the Channel, as Leander and Lord Byron did the Hellespont.

As early as the sixteenth century, Verstegan the antiquarian saw clearly that the presence of badgers and foxes in England suggested that there was once a strip of land connecting the British Islands to the European mainland. He insightful noted that no one (before fox hunting, at least) would have bothered to bring them over. Moreover, the existence of red deer in our islands, along with the once-present wild white cattle, wolf, bear, and wild boar, not to mention the beaver, otter, squirrel, and weasel, further indicates that England was once connected to France or Belgium. However, even at its peak, before Sir Ewen Cameron of Lochiel killed what was thought to be the very last 'last wolf' in Britain (after several previous supposed 'last wolves' had been taken out by various earlier brave exterminators), our English wildlife was not very rich, especially when it came to larger mammals. We have always had a better variety of bats, birds, and insects because for these creatures, a stretch of sea is not an impassable barrier. On the other hand, we have always been lacking in reptiles and amphibians, as most reptiles are poor swimmers, and very few can match the late Captain Webb's feat of swimming across the Channel, like Leander and Lord Byron did across the Hellespont.

Only one good-sized animal, so far as known, is now peculiar to the British Isles, and that is our familiar friend the red grouse of the Scotch moors. I doubt, however, whether even he is really indigenous in the strictest sense of the word: that is to say, whether he was evolved in and for these islands exclusively, as the moa and the apteryx were evolved for New Zealand, and the extinct dodo for Mauritius alone. It is far more probable that the red grouse is the original variety of the willow grouse of Scandinavia, which has retained throughout the year its old plumage, while its more northern cousins among the fiords and fjelds have taken, under stress of weather, to donning a complete white dress in winter, and a grey or speckled tourist suit for the summer season.

Only one sizable animal, as far as we know, is currently unique to the British Isles, and that is our well-known friend, the red grouse of the Scottish moors. However, I question whether even it is truly native in the strictest sense: that is to say, whether it evolved exclusively in and for these islands, like the moa and the kiwi did for New Zealand, or the extinct dodo for Mauritius alone. It’s much more likely that the red grouse is the original variety of the willow grouse from Scandinavia, which has kept its old plumage throughout the year, while its northern relatives in the fjords and mountains have adapted to wear a complete white outfit in winter and a grey or speckled outfit for the summer season.

Even since the insulation of Britain a great many new plants and animals have been added to our population, both by human design and in several other casual fashions. The fallow deer is said to have been introduced by the Romans, and domesticated ever since in the successive parks of Celt and Saxon, Dane and Norman. The edible snail, still scattered thinly over our southern downs, and abundant at Box Hill and a few other spots in Surrey or Sussex, was brought over, they tell us, by the same luxurious Italian epicures, and is even now confined, imaginative naturalists declare, to the immediate neighbourhood of Roman stations. The mediæval monks, in like manner, introduced the carp for their Friday dinners. One of our commonest river mussels at the present day did not exist in England at all a century ago, but was ferried hither from the Volga, clinging to the bottoms of vessels from the Black Sea, and has now spread itself through all our brooks and streams to the very heart and centre of England. Thus, from day to day, as in society at large, new introductions constantly take place, and old friends die out for ever. The brown rat replaces the old English black rat; strange weeds kill off the weeds of ancient days; fresh flies and grubs and beetles crop up, and disturb the primitive entomological balance. The bustard is gone from Salisbury Plain; the fenland butterflies have disappeared with the drainage of the fens. In their place the red-legged partridge invades Norfolk; the American black bass is making himself quite at home, with Yankee assurance, in our sluggish rivers; and the spoonbill is nesting of its own accord among the warmer corners of the Sussex downs.

Ever since Britain became isolated, a lot of new plants and animals have been added to our ecosystem, both intentionally and in various other random ways. It's said that the Romans introduced fallow deer, which have been domesticated since in the parks established by the Celts, Saxons, Danes, and Normans. The edible snail, still sparsely found on our southern hills and abundant at Box Hill and a few other places in Surrey and Sussex, was supposedly brought over by those same indulgent Italian food lovers and is now said by imaginative naturalists to only exist near former Roman settlements. Medieval monks also introduced carp for their Friday meals. One of our most common river mussels today didn’t exist in England a century ago; it was transported here from the Volga, clinging to the bottoms of ships from the Black Sea, and has now spread throughout our brooks and streams right into the heart of England. Just like in society at large, new introductions happen daily, while old familiar species disappear permanently. The brown rat has taken over from the old English black rat; strange weeds are outcompeting the ancient ones; new flies, larvae, and beetles are appearing and disrupting the original ecological balance. The bustard is no longer found on Salisbury Plain; the fenland butterflies have vanished with the draining of the fens. In their place, the red-legged partridge is invading Norfolk; the American black bass is settling in comfortably, with typical American confidence, in our sluggish rivers; and the spoonbill is nesting on its own in the warmer areas of the Sussex downs.

In the plant world, substitution often takes place far more rapidly. I doubt whether the stinging nettle, which renders picnicking a nuisance in England, is truly indigenous; certainly the two worst kinds, the smaller nettle and the Roman nettle, are quite recent denizens, never straying, even at the present day, far from the precincts of farmyards and villages. The shepherd's-purse and many other common garden weeds of cultivation are of Eastern origin, and came to us at first with the seed-corn and the peas from the Mediterranean region. Corn-cockles and corn-flowers are equally foreign and equally artificial; even the scarlet poppy, seldom found except in wheat-fields or around waste places in villages, has probably followed the course of tillage from some remote and ancient Eastern origin. There is a pretty blue veronica which was unknown in England some thirty years since, but which then began to spread in gardens, and is now one of the commonest and most troublesome weeds throughout the whole country. Other familiar wild plants have first been brought over as garden flowers. There is the wall-flower, for instance, now escaped from cultivation in every part of Britain, and mantling with its yellow bunches both old churches and houses and also the crannies of the limestone cliffs around half the shores of England. The common stock has similarly overrun the sea-front of the Isle of Wight; the monkey-plant, originally a Chilian flower, has run wild in many boggy spots in England and Wales; and a North American balsam, seldom cultivated even in cottage gardens, has managed to establish itself in profuse abundance along the banks of the Wey about Guildford and Godalming. One little garden linaria, at first employed as an ornament for hanging-baskets, has become so common on old walls and banks as to be now considered a mere weed, and exterminated accordingly by fashionable gardeners. Such are the unaccountable reverses of fortune, that one age will pay fifty guineas a bulb for a plant which the next age grubs up unanimously as a vulgar intruder. White of Selborne noticed with delight in his own kitchen that rare insect, the Oriental cockroach, lately imported; and Mr. Brewer observed with joy in his garden at Reigate the blue Buxbaum speedwell, which is now the acknowledged and hated pest of the Surrey agriculturist.

In the plant world, substitution often happens much more quickly. I doubt that the stinging nettle, which makes picnicking a hassle in England, is really native; certainly, the two worst types, the smaller nettle and the Roman nettle, are fairly recent arrivals, not straying, even today, far from farmyards and villages. The shepherd's-purse and many other common garden weeds came from the East and first arrived with the seed-corn and peas from the Mediterranean region. Corn-cockles and corn-flowers are just as foreign and contrived; even the red poppy, found only in wheat fields or around neglected areas in villages, likely followed farming from some distant ancient Eastern origin. There’s a pretty blue veronica that was unknown in England thirty years ago but then began to spread in gardens and is now one of the most common and troublesome weeds throughout the country. Other familiar wild plants were initially brought over as garden flowers. Take the wallflower, for example, which has now escaped cultivation in every part of Britain, adorning old churches and houses, as well as the cracks of limestone cliffs along half the shores of England. The common stock has similarly taken over the coastal areas of the Isle of Wight; the monkey-plant, originally from Chile, has gone wild in many boggy areas in England and Wales; and a North American balsam, rarely grown even in cottage gardens, has established itself abundantly along the banks of the Wey around Guildford and Godalming. One little garden linaria, originally used as an ornament for hanging baskets, has become so common on old walls and banks that it’s now considered just a weed and is thus eradicated by fashionable gardeners. Such are the strange twists of fate that one generation might pay fifty guineas for a bulb of a plant which the next generation collectively uproots as a common nuisance. White of Selborne noticed with pleasure in his own kitchen that rare insect, the Oriental cockroach, which was recently imported; and Mr. Brewer observed with joy in his garden at Reigate the blue Buxbaum speedwell, now considered the recognized and despised pest of Surrey farmers.

The history of some of these waifs and strays which go to make up the wider population of Britain is indeed sufficiently remarkable. Like all islands, England has a fragmentary fauna and flora, whose members have often drifted towards it in the most wonderful and varied manner. Sometimes they bear witness to ancient land connections, as in the case of the spotted Portuguese slug which Professor Allman found calmly disporting itself on the basking cliffs in the Killarney district. In former days, when Spain and Ireland joined hands in the middle of the Bay of Biscay, the ancestors of this placid Lusitanian mollusk must have ranged (good word to apply to slugs) from the groves of Cintra to the Cove of Cork. But, as time rolled on, the cruel crawling sea rolled on also, and cut away all the western world from the foot of the Asturias to Macgillicuddy's Reeks. So the spotted slug continued to survive in two distinct and divided bodies, a large one in South-western Europe, and a small isolated colony, all alone by itself, around the Kerry mountains and the Lakes of Killarney. At other times pure accident accounts for the presence of a particular species in the mainlands of Britain. For example, the Bermuda grass-lily, a common American plant, is known in a wild state nowhere in Europe save at a place called Woodford, in county Galway. Nobody ever planted it there; it has simply sprung up from some single seed, carried over, perhaps, on the feet of a bird, or cast ashore by the Gulf Stream on the hospitable coast of Western Ireland. Yet there it has flourished and thriven ever since, a naturalised British subject of undoubted origin, without ever spreading to north or south above a few miles from its adopted habitat.

The history of some of these homeless individuals that make up the broader population of Britain is truly remarkable. Like all islands, England has a diverse range of wildlife and plants, which have often arrived in the most amazing and varied ways. Sometimes, they reveal ancient land connections, like the spotted Portuguese slug that Professor Allman found relaxing on the sunny cliffs in the Killarney area. In the past, when Spain and Ireland were connected in the middle of the Bay of Biscay, the ancestors of this calm Lusitanian mollusk must have roamed (a fitting term for slugs) from the groves of Cintra to the Cove of Cork. However, as time passed, the relentless sea also pushed on and separated all of the western world from Asturias to Macgillicuddy's Reeks. Thus, the spotted slug continued to exist in two distinct regions: a large population in Southwestern Europe and a small isolated group all alone around the Kerry mountains and the Lakes of Killarney. At other times, pure chance explains why a specific species exists on the British mainland. For instance, the Bermuda grass-lily, a common American plant, is only found in the wild in Europe at a location called Woodford in County Galway. No one ever planted it there; it simply grew from a single seed, perhaps transported on the feet of a bird or washed ashore by the Gulf Stream on the welcoming coast of Western Ireland. Yet, it has thrived there ever since, a naturalized British species of clear origin, without ever spreading north or south more than a few miles from its adopted home.

There are several of these unconscious American importations in various parts of Britain, some of them, no doubt, brought over with seed-corn or among the straw of packing-cases, but others unconnected in any way with human agency, and owing their presence here to natural causes. That pretty little Yankee weed, the claytonia, now common in parts of Lancashire and Oxfordshire, first made its appearance amongst us, I believe, by its seeds being accidentally included with the sawdust in which Wenham Lake ice is packed for transport. The Canadian river-weed is known first to have escaped from the botanical gardens at Cambridge, whence it spread rapidly through the congenial dykes and sluices of the fen country, and so into the entire navigable network of the Midland counties. But there are other aliens of older settlement amongst us, aliens of American origin which nevertheless arrived in Britain, in all probability, long before Columbus ever set foot on the low basking sandbank of Cat Island. Such is the jointed pond-sedge of the Hebrides, a water-weed found abundantly in the lakes and tarns of the Isle of Skye, Mull and Coll, and the west coast of Ireland, but occurring nowhere else throughout the whole expanse of Europe or Asia. How did it get there? Clearly its seeds were either washed by the waves or carried by birds, and thus deposited on the nearest European shores to America. But if Mr. Alfred Russel Wallace had been alive in pre-Columban days (which, as Euclid remarks, is absurd), he would readily have inferred, from the frequent occurrence of such unknown plants along the western verge of Britain, that a great continent lay unexplored to the westward, and would promptly have proceeded to discover and annex it. As Mr. Wallace was not yet born, however, Columbus took a mean advantage over him, and discovered it first by mere right of primogeniture.

There are many of these unintentional American imports in different parts of Britain, some likely brought over with seed-corn or among the straw from shipping containers, but others unrelated to any human activity and due to natural factors. That pretty little American plant, the claytonia, which is now common in parts of Lancashire and Oxfordshire, first appeared here, I believe, because its seeds were accidentally mixed with the sawdust used to pack Wenham Lake ice for shipping. The Canadian river-weed is known to have first escaped from the botanical gardens at Cambridge and quickly spread through the suitable dykes and sluices of the fen country, and then throughout the entire navigable waterways of the Midlands. But there are other alien species that have been established here much longer, American plants that likely arrived in Britain long before Columbus ever landed on the low tidal bank of Cat Island. One example is the jointed pond-sedge found in the Hebrides, a water plant that thrives in the lakes and tarns of the Isle of Skye, Mull, and Coll, as well as the west coast of Ireland, but is found nowhere else in Europe or Asia. How did it get there? Obviously, its seeds were either washed ashore by the waves or brought by birds and dropped on the nearest European coasts from America. But if Mr. Alfred Russel Wallace had been alive before Columbus (which, as Euclid would say, is ridiculous), he would likely have guessed from the frequent presence of these unknown plants along the western edge of Britain that there was an undiscovered continent to the west, and would have eagerly set out to explore and claim it. Since Mr. Wallace had not yet been born, however, Columbus took a slight advantage and was the first to discover it by simple precedence.

In other cases, the circumstances under which a particular plant appears in England are often very suspicious. Take the instance of the belladonna, or deadly nightshade, an extremely rare British species, found only in the immediate neighbourhood of old castles and monastic buildings. Belladonna, of course, is a deadly poison, and was much used in the half-magical, half-criminal sorceries of the Middle Ages. Did you wish to remove a troublesome rival or an elder brother, you treated him to a dose of deadly nightshade. Yet why should it, in company with many other poisonous exotics, be found so frequently around the ruins of monasteries? Did the holy fathers—but no, the thought is too irreverent. Let us keep our illusions, and forget the friar and the apothecary in 'Romeo and Juliet.'

In other cases, the reasons behind a specific plant showing up in England can be quite questionable. Take belladonna, or deadly nightshade, for example—it's a very rare British species found only near old castles and monastery buildings. Belladonna is, of course, a lethal poison and was commonly used in the half-magical, half-criminal practices of the Middle Ages. If you wanted to get rid of a bothersome rival or an older brother, you’d serve them a dose of deadly nightshade. But why is it, along with many other poisonous plants, found so often around the ruins of monasteries? Did the monks—but no, that's too irreverent to consider. Let’s hold on to our beliefs and ignore the friar and the apothecary in 'Romeo and Juliet.'

Belladonna has never fairly taken root in English soil. It remains, like the Roman snail and the Portuguese slug, a mere casual straggler about its ancient haunts. But there are other plants which have fairly established their claim to be considered as native-born Britons, though they came to us at first as aliens and colonists from foreign parts. Such, to take a single case, is the history of the common alexanders, now a familiar weed around villages and farmyards, but only introduced into England as a pot-herb about the eighth or ninth century. It was long grown in cottage gardens for table purposes, but has for ages been superseded in that way by celery. Nevertheless, it continues to grow all about our lanes and hedges, side by side with another quaintly-named plant, bishop-weed or gout-weed, whose very titles in themselves bear curious witness to its original uses in this isle of Britain. I don't know why, but it is an historical fact that the early prelates of the English Church, saintly or otherwise, were peculiarly liable to that very episcopal disease, the gout. Whether their frequent fasting produced this effect; whether, as they themselves piously alleged, it was due to constant kneeling on the cold stones of churches; or whether, as their enemies rather insinuated, it was due in greater measure to the excellent wines presented to them by their Italian confrères, is a minute question to be decided by Mr. Freeman, not by the present humble inquirer. But the fact remains that bishops and gout got indelibly associated in the public mind; that the episcopal toes were looked upon as especially subject to that insidious disease up to the very end of the last century; and that they do say the bishops even now—but I refrain from the commission of scandalum magnatum. Anyhow, this particular weed was held to be a specific for the bishop's evil; and, being introduced and cultivated for the purpose, it came to be known indifferently to herbalists as bishop-weed and gout-weed. It has now long since ceased to be a recognised member of the British Pharmacopœia, but, having overrun our lanes and thickets in its flush period, it remains to this day a visible botanical and etymological memento of the past twinges of episcopal remorse.

Belladonna has never truly established itself in England. It remains, like the Roman snail and the Portuguese slug, just a casual visitor in its ancient habitats. However, there are other plants that have really made their mark as native Britons, even though they initially arrived as foreigners from other places. One example is common alexanders, which is now a familiar weed around villages and farms, but was only introduced to England as a pot herb around the eighth or ninth century. It was often grown in cottage gardens for cooking, but has long been replaced by celery for that purpose. Still, it continues to thrive along our lanes and hedges, alongside another oddly named plant, bishop-weed or gout-weed, whose names reflect its original uses in Britain. I’m not sure why, but it’s historically noted that early English Church leaders, whether holy or not, were particularly prone to that episcopal affliction, gout. Whether their frequent fasting caused this; whether, as they piously claimed, it was due to kneeling on the cold stones of churches; or whether, as their critics suggested, it was more because of the fine wines gifted to them by their Italian peers, is a small matter for Mr. Freeman to settle, not for me. The fact remains that bishops and gout became strongly linked in the public’s mind; episcopal toes were considered especially susceptible to that sneaky illness up until the end of the last century; and they say bishops still struggle with it—but I won't spread rumors. In any case, this particular weed was believed to be a cure for the bishop's curse; it was introduced and cultivated for that reason, and came to be casually referred to by herbalists as bishop-weed and gout-weed. It has long since ceased to be an official part of the British Pharmacopoeia, but having spread wildly through our lanes and thickets in its prime, it still stands as a visible botanical and etymological reminder of past episodes of episcopal discomfort.

Taken as a whole, one may fairly say that the total population of the British Isles consists mainly of three great elements. The first and oldest—the only one with any real claim to be considered as truly native—is the cold Northern, Alpine and Arctic element, comprising such animals as the white hare of Scotland, the ptarmigan, the pine marten, and the capercailzie—the last once extinct, and now reintroduced into the Highlands as a game bird. This very ancient fauna and flora, left behind soon after the Glacial Epoch, and perhaps in part a relic of the type which still struggled on in favoured spots during that terrible period of universal ice and snow, now survives for the most part only in the extreme north and on the highest and chilliest mountain-tops, where it has gradually been driven, like tourists in August, by the increasing warmth and sultriness of the southern lowlands. The summits of the principal Scotch hills are occupied by many Arctic plants, now slowly dying out, but lingering yet as last relics of that old native British flora. The Alpine milk vetch thus loiters among the rocks of Braemar and Clova; the Arctic brook-saxifrage flowers but sparingly near the summit of Ben Lawers, Ben Nevis, and Lochnagar; its still more northern ally, the drooping saxifrage, is now extinct in all Britain, save on a single snowy Scotch height, where it now rarely blossoms, and will soon become altogether obsolete. There are other northern plants of this first and oldest British type, like the Ural oxytrope, the cloudberry, and the white dryas, which remain as yet even in the moors of Yorkshire, or over considerable tracts in the Scotch Highlands; there are others restricted to a single spot among the Welsh hills, an isolated skerry among the outer Hebrides, or a solitary summit in the Lake District. But wherever they linger, these true-born Britons of the old rock are now but strangers and outcasts in the land; the intrusive foreigner has driven them to die on the cold mountain-tops, as the Celt drove the Mongolian to the hills, and the Saxon, in turn, has driven the Celt to the Highlands and the islands. Yet as late as the twelfth century itself, even the true reindeer, the Arctic monarch of the Glacial Epoch, was still hunted by Norwegian jarls of Orkney on the mainland of Caithness and Sutherlandshire.

Overall, it's fair to say that the total population of the British Isles mainly consists of three significant groups. The first and oldest— the only one that can be genuinely considered native— is the cold Northern, Alpine, and Arctic element, which includes animals like the white hare of Scotland, the ptarmigan, the pine marten, and the capercaillie— the latter once extinct and now reintroduced into the Highlands as a game bird. This very ancient fauna and flora, which remained after the Glacial Epoch, and might partly be a remnant of those that survived in favored spots during that harsh time of ice and snow, now mostly survives only in the far north and on the highest and coldest mountain peaks, where it has gradually been pushed, like tourists in August, by the growing warmth and humidity of the southern lowlands. The tops of the main Scottish hills are home to many Arctic plants, now slowly fading away, but still lingering as final remnants of that old native British flora. The Alpine milk vetch can still be found among the rocks of Braemar and Clova; the Arctic brook-saxifrage flowers only sparingly near the peaks of Ben Lawers, Ben Nevis, and Lochnagar; its even more northern counterpart, the drooping saxifrage, is now extinct throughout Britain, except on a single snowy Scottish peak, where it rarely blooms and will soon disappear entirely. Other northern plants of this original British type, like the Ural oxytrope, the cloudberry, and the white dryas, can still be found even in the moors of Yorkshire or across large areas in the Scottish Highlands; some are restricted to just one location among the Welsh hills, an isolated skerry in the outer Hebrides, or a solitary summit in the Lake District. But wherever they exist, these true-born Britons of the old rock are now strangers and outcasts in their own land; foreign intruders have forced them to survive on the cold mountain tops, just as the Celt drove the Mongolian to the hills, and the Saxon subsequently pushed the Celt to the Highlands and the islands. Yet, as recently as the twelfth century, even the true reindeer, the Arctic king of the Glacial Epoch, was still hunted by Norwegian jarls of Orkney on the mainland of Caithness and Sutherlandshire.

Second in age is the warm western and south-western type, the type represented by the Portuguese slug, the arbutus trees and Mediterranean heaths of the Killarney district, the flora of Cornwall and the Scilly Isles, and the peculiar wild flowers of South Wales, Devonshire, and the west country generally. This class belongs by origin to the submerged land of Lyonesse, the warm champaign country that once spread westward over the Bay of Biscay, and derived from the Gulf Stream the genial climate still preserved by its last remnants at Tresco and St. Mary's. The animals belonging to this secondary stratum of our British population are few and rare, but of its plants there are not a few, some of them extending over the whole western shores of England, Wales, Scotland, and Ireland, wherever they are washed by the Gulf Stream, and others now confined to particular spots, often with the oddest apparent capriciousness. Thus, two or three southern types of clover are peculiar to the Lizard Point, in Cornwall; a little Spanish and Italian restharrow has got stranded in the Channel Islands and on the Mull of Galloway; the spotted rock-rose of the Mediterranean grows only in Kerry, Galway, and Anglesea; while other plants of the same warm habit are confined to such spots as Torquay, Babbicombe, Dawlish, Cork, Swansea, Axminster, and the Scilly Isles. Of course, all peninsulas and islands are warmer in temperature than inland places, and so these relics of the lost Lyonesse have survived here and there in Cornwall, Carnarvonshire, Kerry, and other very projecting headlands long after they have died out altogether from the main central mass of Britain. South-western Ireland in particular is almost Portuguese in the general aspect of its fauna and flora.

Second in age is the warm western and southwestern type, represented by the Portuguese slug, the arbutus trees, and Mediterranean heaths of the Killarney area, as well as the flora of Cornwall and the Scilly Isles and the unique wildflowers of South Wales, Devon, and the west country in general. This group originally comes from the submerged land of Lyonesse, the warm lowlands that once stretched westward over the Bay of Biscay, and it has benefited from the Gulf Stream, which still provides a mild climate in its last remnants at Tresco and St. Mary's. The animals that belong to this secondary layer of our British population are few and rare, but there are quite a few plants, some of which are found all along the western shores of England, Wales, Scotland, and Ireland, wherever they are kissed by the Gulf Stream, while others are now limited to specific locations, often in the most strangely unpredictable ways. For instance, two or three southern types of clover are unique to Lizard Point in Cornwall; a small Spanish and Italian restharrow has become stranded in the Channel Islands and on the Mull of Galloway; the spotted rock-rose of the Mediterranean only grows in Kerry, Galway, and Anglesey; while other plants with the same warm preferences are confined to places like Torquay, Babbacombe, Dawlish, Cork, Swansea, Axminster, and the Scilly Isles. Naturally, all peninsulas and islands have warmer temperatures than inland areas, which is why these remnants of the lost Lyonesse have survived here and there in Cornwall, Carnarvonshire, Kerry, and other prominent headlands long after they have disappeared from the central part of Britain. Southwestern Ireland, in particular, has a distinctively Portuguese look to its fauna and flora.

Third and latest of all in time, though almost contemporary with the southern type, is the central European or Germanic element in our population. Sad as it is to confess it, the truth must nevertheless be told, that our beasts and birds, our plants and flowers, are for the most part of purely Teutonic origin. Even as the rude and hard-headed Anglo-Saxon has driven the gentle, poetical, and imaginative Celt ever westward before him into the hills and the sea, so the rude and vigorous Germanic beasts and weeds have driven the gentler and softer southern types into Wales and Cornwall, Galloway and Connemara. It is to the central European population that we owe or owed the red deer, the wild boar, the bear, the wolf, the beaver, the fox, the badger, the otter, and the squirrel. It is to the central European flora that we owe the larger part of the most familiar plants in all eastern and southeastern England. They crossed in bands over the old land belt before Britain was finally insulated, and they have gone on steadily ever since, with true Teutonic persistence, overrunning the land and pushing slowly westward, like all other German bands before or since, to the detriment and discomfort of the previous inhabitants. Let us humbly remember that we are all of us at bottom foreigners alike, but that it is the Teutonic English, the people from the old Low Dutch fatherland by the Elbe, who have finally given to this isle its name of England, and to every one of us, Celt or Teuton, their own Teutonic name of Englishmen. We are at best, as an irate Teuton once remarked, 'nozzing but segond-hand Chermans.' In the words of a distinguished modern philologist of our own blood, 'English is Dutch, spoken with a Welsh accent.'

The third and most recent group in terms of time, though almost contemporary with the southern type, is the Central European or Germanic element in our population. Sadly, it must be acknowledged that most of our animals and plants come from purely Teutonic origins. Just as the tough and stubborn Anglo-Saxon pushed the gentle, poetic, and imaginative Celt westward into the hills and the sea, the strong Germanic beasts and plants have forced the softer southern types into Wales and Cornwall, Galloway and Connemara. We owe the red deer, wild boar, bear, wolf, beaver, fox, badger, otter, and squirrel to the Central European population. The majority of the familiar plants in eastern and southeastern England also come from Central European flora. These groups moved in bands across the old land bridge before Britain was completely isolated, and they have continued to spread steadily ever since, with typical Teutonic determination, overruning the land and slowly pushing westward, like all other Germanic groups before or since, to the detriment and discomfort of the previous inhabitants. Let’s humbly remember that we are all essentially foreigners, but it is the Teutonic English, the people from the old Low Dutch region by the Elbe, who ultimately gave this island its name of England, and to each of us, Celt or Teuton, their own Teutonic name of Englishmen. At best, as an irritated Teuton once put it, “we're nothing but second-hand Germans.” In the words of a renowned modern linguist of our own heritage, “English is Dutch spoken with a Welsh accent.”


THUNDERBOLTS

The subject of thunderbolts is a very fascinating one, and all the more so because there are no such things in existence at all as thunderbolts of any sort. Like the snakes of Iceland, their whole history might, from the positive point of view at least, be summed up in the simple statement of their utter nonentity. But does that do away in the least, I should like to know, with their intrinsic interest and importance? Not a bit of it. It only adds to the mystery and charm of the whole subject. Does anyone feel as keenly interested in any real living cobra or anaconda as in the non-existent great sea-serpent? Are ghosts and vampires less attractive objects of popular study than cats and donkeys? Can the present King of Abyssinia, interviewed by our own correspondent, equal the romantic charm of Prester John, or the butcher in the next street rival the personality of Sir Roger Charles Doughty Tichborne, Baronet? No, the real fact is this: if there were thunderbolts, the question of their nature and action would be a wholly dull, scientific, and priggish one; it is their unreality alone that invests them with all the mysterious weirdness of pure fiction. Lightning, now, is a common thing that one reads about wearily in the books on electricity, a mere ordinary matter of positive and negative, density and potential, to be measured in ohms (whatever they may be), and partially imitated with Leyden jars and red sealing-wax apparatus. Why, did not Benjamin Franklin, a fat old gentleman in ill-fitting small clothes, bring it down from the clouds with a simple door-key, somewhere near Philadelphia? and does not Mr. Robert Scott (of the Meteorological Office) calmly predict its probable occurrence within the next twenty-four hours in his daily report, as published regularly in the morning papers? This is lightning, mere vulgar lightning, a simple result of electrical conditions in the upper atmosphere, inconveniently connected with algebraical formulas in x, y, z, with horrid symbols interspersed in Greek letters. But the real thunderbolts of Jove, the weapons that the angry Zeus, or Thor, or Indra hurls down upon the head of the trembling malefactor—how infinitely grander, more fearsome, and more mysterious!

The topic of thunderbolts is really intriguing, especially since there aren't any actually existing thunderbolts at all. Similar to Iceland's snakes, you could sum up their entire history, at least from a factual perspective, with the straightforward statement of their complete non-existence. But does this diminish their inherent interest and significance? Not at all. It only adds to the mystery and allure of the entire subject. Does anyone feel as intensely curious about a real living cobra or anaconda as they do about the mythical great sea-serpent? Are ghosts and vampires less captivating subjects of public interest than cats and donkeys? Can the current King of Abyssinia, interviewed by our own correspondent, match the romantic appeal of Prester John, or can the butcher down the street compete with the persona of Sir Roger Charles Doughty Tichborne, Baronet? No, the truth is this: if thunderbolts actually existed, the questions about their nature and behavior would be utterly boring, scientific, and stuffy; it's their non-existence that lends them all the mysterious weirdness of pure fiction. Lightning, on the other hand, is something mundane that we read about tiresomely in textbooks on electricity, a simple matter of positive and negative, density and potential, to be measured in ohms (whatever those are), and somewhat replicated with Leyden jars and red sealing-wax setups. After all, didn’t Benjamin Franklin, a plump old gentleman in ill-fitting clothes, bring it down from the clouds with a simple door key somewhere near Philadelphia? And doesn’t Mr. Robert Scott (from the Meteorological Office) calmly predict its likely occurrence within the next twenty-four hours in his daily report, regularly published in the morning papers? This is lightning—just ordinary, everyday lightning, a simple consequence of electrical conditions in the upper atmosphere, inconveniently tied to algebraic formulas in x, y, z, along with unpleasant symbols scattered in Greek letters. But the true thunderbolts of Jove, the weapons that the furious Zeus, or Thor, or Indra hurls down upon the head of the trembling wrongdoer—how infinitely grander, more terrifying, and more mysterious!

And yet even nowadays, I believe, there are a large number of well-informed people, who have passed the sixth standard, taken prizes at the Oxford Local, and attended the dullest lectures of the Society for University Extension, but who nevertheless in some vague and dim corner of their consciousness retain somehow a lingering faith in the existence of thunderbolts. They have not yet grasped in its entirety the simple truth that lightning is the reality of which thunderbolts are the mythical, or fanciful, or verbal representation. We all of us know now that lightning is a mere flash of electric light and heat; that it has no solid existence or core of any sort; in short, that it is dynamical rather than material, a state or movement rather than a body or thing. To be sure, local newspapers still talk with much show of learning about 'the electric fluid' which did such remarkable damage last week upon the slated steeple of Peddlington Torpida Church; but the well-crammed schoolboy of the present day has long since learned that the electric fluid is an exploded fallacy, and that the lightning which pulled the ten slates off the steeple in question was nothing more in its real nature than a very big immaterial spark. However, the word thunderbolt has survived to us from the days when people still believed that the thing which did the damage during a thunderstorm was really and truly a gigantic white-hot bolt or arrow; and, as there is a natural tendency in human nature to fit an existence to every word, people even now continue to imagine that there must be actually something or other somewhere called a thunderbolt. They don't figure this thing to themselves as being identical with the lightning; on the contrary, they seem to regard it as something infinitely rarer, more terrible, and more mystic; but they firmly hold that thunderbolts do exist in real life, and even sometimes assert that they themselves have positively seen them.

And yet even today, I believe, there are many well-informed people who have completed the sixth grade, won awards at the Oxford Local, and attended the most tedious lectures of the Society for University Extension. Still, in some vague and dim corner of their minds, they maintain a lingering belief in the existence of thunderbolts. They haven't fully understood the simple truth that lightning is the reality of which thunderbolts are just mythical, fanciful, or verbal representations. We all know now that lightning is just a flash of electric light and heat; it has no solid existence or core of any kind; in short, it is dynamic rather than material, more of a state or movement than a physical body or object. Local newspapers still discuss 'the electric fluid' with a lot of pretentiousness, referring to the remarkable damage it caused last week to the slated steeple of Peddlington Torpida Church. However, today's well-educated schoolboy has long learned that the idea of electric fluid is a debunked myth, and that the lightning that knocked the ten slates off the steeple was nothing more than a very large immaterial spark. Nevertheless, the term thunderbolt has survived from the days when people truly believed that what caused the damage during a thunderstorm was a gigantic white-hot bolt or arrow. Since there is a natural tendency in human nature to associate an existence with every word, people still imagine that there must be something out there called a thunderbolt. They don’t think of this thing as being the same as lightning; on the contrary, they seem to see it as something infinitely rarer, more terrifying, and more mysterious. Yet they firmly believe that thunderbolts exist in real life, and some even claim that they have actually seen them.

But, if seeing is believing, it is equally true, as all who have looked into the phenomena of spiritualism and 'psychical research' (modern English for ghost-hunting) know too well, that believing is seeing also. The origin of the faith in thunderbolts must be looked for (like the origin of the faith in ghosts and 'psychical phenomena') far back in the history of our race. The noble savage, at that early period when wild in woods he ran, naturally noticed the existence of thunder and lightning, because thunder and lightning are things that forcibly obtrude themselves upon the attention of the observer, however little he may by nature be scientifically inclined. Indeed, the noble savage, sleeping naked on the bare ground, in tropical countries where thunder occurs almost every night on an average, was sure to be pretty often awaked from his peaceful slumbers by the torrents of rain that habitually accompany thunderstorms in the happy realms of everlasting dog-days. Primitive man was thereupon compelled to do a little philosophising on his own account as to the cause and origin of the rumbling and flashing which he saw so constantly around him. Naturally enough, he concluded that the sound must be the voice of somebody; and that the fiery shaft, whose effects he sometimes noted upon trees, animals, and his fellow-man, must be the somebody's arrow. It is immaterial from this point of view whether, as the scientific anthropologists hold, he was led to his conception of these supernatural personages from his prior belief in ghosts and spirits, or whether, as Professor Max Müller will have it, he felt a deep yearning in his primitive savage breast toward the Infinite and the Unknowable (which he would doubtless have spelt, like the Professor, with a capital initial, had he been acquainted with the intricacies of the yet uninvented alphabet); but this much at least is pretty certain, that he looked upon the thunder and the lightning as in some sense the voice and the arrows of an aërial god.

But if seeing is believing, it’s just as true, as everyone who has explored the phenomena of spiritualism and 'psychical research' (the modern term for ghost-hunting) knows all too well, that believing is also seeing. The roots of the belief in thunderbolts must be traced back (just like the belief in ghosts and 'psychical phenomena') deep into our history as a species. The noble savage, during that early time when he ran freely in the woods, naturally took notice of thunder and lightning, because these occurrences are things that force themselves into the awareness of anyone observing, no matter how scientifically minded they might be. In fact, the noble savage, sleeping without clothes on the bare ground in tropical regions where thunder happens almost every night, was likely to be frequently stirred from his peaceful sleep by the heavy rains that usually accompany thunderstorms in those blissful, endlessly hot days. Primitive man was thus pushed to think a bit about the cause and origin of the rumbling and flashing he constantly experienced around him. It’s only natural that he concluded the sound must be the voice of someone, and that the fiery bolt, which he sometimes saw affecting trees, animals, and other people, must be someone’s arrow. From this perspective, it doesn’t matter whether, as scientific anthropologists suggest, he arrived at his idea of these supernatural figures from his earlier belief in ghosts and spirits, or whether, as Professor Max Müller argues, he felt a deep longing in his primitive savage heart for the Infinite and the Unknowable (which he would surely have spelled with a capital letter had he known the complexities of an alphabet that hadn't yet been invented); but at least it’s pretty certain that he viewed thunder and lightning as, in some way, the voice and arrows of an aerial god.

Now, this idea about the arrows is itself very significant of the mental attitude of primitive man, and of the way that mental attitude has coloured all subsequent thinking and superstition upon this very subject. Curiously enough, to the present day the conception of the thunderbolt is essentially one of a bolt—that is to say, an arrow, or at least an arrowhead. All existing thunderbolts (and there are plenty of them lying about casually in country houses and local museums) are more or less arrow-like in shape and appearance; some of them, indeed, as we shall see by-and-by, are the actual stone arrowheads of primitive man himself in person. Of course the noble savage was himself in the constant habit of shooting at animals and enemies with a bow and arrow. When, then, he tried to figure to himself the angry god, seated in the storm-clouds, who spoke with such a loud rumbling voice, and killed those who displeased him with his fiery darts, he naturally thought of him as using in his cloudy home the familiar bow and arrow of this nether planet. To us nowadays, if we were to begin forming the idea for ourselves all over again de novo, it would be far more natural to think of the thunder as the noise of a big gun, of the lightning as the flash of the powder, and of the supposed 'bolt' as a shell or bullet. There is really a ridiculous resemblance between a thunderstorm and a discharge of artillery. But the old conception derived from so many generations of primitive men has held its own against such mere modern devices as gunpowder and rifle balls; and none of the objects commonly shown as thunderbolts are ever round: they are distinguished, whatever their origin, by the common peculiarity that they more or less closely resemble a dart or arrowhead.

Now, this idea about the arrows is very significant to the mindset of primitive people and how that mindset has influenced all subsequent thinking and superstitions on this topic. Interestingly, even today, the concept of the thunderbolt is basically seen as a bolt—that is, an arrow, or at least an arrowhead. All existing thunderbolts (and there are plenty of them lying around casually in country houses and local museums) are shaped and look somewhat like arrows; some of them, as we will see later, are actually the stone arrowheads from primitive people themselves. Of course, the noble savage was constantly hunting animals and enemies with a bow and arrow. So, when he tried to imagine the angry god, sitting in the storm clouds, who spoke with such a loud rumbling voice and killed those who angered him with his fiery darts, he easily thought of him using the familiar bow and arrow from this world. Nowadays, if we were to start forming the idea from scratch de novo, it would make much more sense to think of thunder as the noise of a big gun, lightning as the flash of the powder, and the supposed 'bolt' as a shell or bullet. There’s actually a funny similarity between a thunderstorm and a gunfire. But the old idea, carried through generations of primitive people, has persisted against modern inventions like gunpowder and bullets; and none of the objects typically presented as thunderbolts are ever round: they are all marked, regardless of their origin, by the common feature that they resemble a dart or arrowhead.

Let us begin, then, by clearly disembarrassing our minds of any lingering belief in the existence of thunderbolts. There are absolutely no such things known to science. The two real phenomena that underlie the fable are simply thunder and lightning. A thunderstorm is merely a series of electrical discharges between one cloud and another, or between clouds and the earth; and these discharges manifest themselves to our senses under two forms—to the eye as lightning, to the ear as thunder. All that passes in each case is a huge spark—a commotion, not a material object. It is in principle just like the spark from an electrical machine; but while the most powerful machine of human construction will only send a spark for three feet, the enormous electrical apparatus provided for us by nature will send one for four, five, or even ten miles. Though lightning when it touches the earth always seems to us to come from the clouds to the ground, it is by no means certain that the real course may not at least occasionally be in the opposite direction. All we know is that sometimes there is an instantaneous discharge between one cloud and another, and sometimes an instantaneous discharge between a cloud and the earth.

Let’s start by clearing our minds of any lingering belief in the existence of thunderbolts. Science knows of no such things. The two real phenomena behind the myth are simply thunder and lightning. A thunderstorm is just a series of electrical discharges between clouds or between clouds and the earth. These discharges show up to us in two forms—lightning that we see and thunder that we hear. What happens in each case is just a huge spark—a commotion, not a physical object. It’s basically like the spark from an electrical machine, but while the most powerful machine humans have built can only send a spark for about three feet, the massive electrical system nature provides can send one for four, five, or even ten miles. Even though lightning seems to come from the clouds to the ground when it strikes, it’s not certain that the actual path isn’t sometimes the other way around. All we know is that sometimes there’s an instantaneous discharge between one cloud and another, and sometimes there’s an instantaneous discharge between a cloud and the earth.

But this idea of a mere passage of highly concentrated energy from one point to another was far too abstract, of course, for primitive man, and is far too abstract even now for nine out of ten of our fellow-creatures. Those who don't still believe in the bodily thunderbolt, a fearsome aërial weapon which buries itself deep in the bosom of the earth, look upon lightning as at least an embodiment of the electric fluid, a long spout or line of molten fire, which is usually conceived of as striking the ground and then proceeding to hide itself under the roots of a tree or beneath the foundations of a tottering house. Primitive man naturally took to the grosser and more material conception. He figured to himself the thunderbolt as a barbed arrowhead; and the forked zigzag character of the visible flash, as it darts rapidly from point to point, seemed almost inevitably to suggest to him the barbs, as one sees them represented on all the Greek and Roman gems, in the red right hand of the angry Jupiter.

But the idea of just a flow of concentrated energy moving from one spot to another was far too abstract for early humans, and it's still too abstract for nine out of ten people today. Those who don’t believe in the physical thunderbolt, a frightening aerial weapon that buries itself deep in the earth, see lightning at least as a representation of electric energy, like a long stream or line of molten fire, which is usually thought of as striking the ground and then going to hide under the roots of a tree or beneath the foundations of a shaky house. Early humans naturally embraced a more tangible and material understanding. They imagined the thunderbolt as a barbed arrowhead, and the jagged, zigzag shape of the visible flash, darting quickly from point to point, almost inevitably suggested to them the barbs, like those depicted on Greek and Roman gems, in the red right hand of the furious Jupiter.

The thunderbolt being thus an accepted fact, it followed naturally that whenever any dart-like object of unknown origin was dug up out of the ground, it was at once set down as being a thunderbolt; and, on the other hand, the frequent occurrence of such dart-like objects, precisely where one might expect to find them in accordance with the theory, necessarily strengthened the belief itself. So commonly are thunderbolts picked up to the present day that to disbelieve in them seems to many country people a piece of ridiculous and stubborn scepticism. Why, they've ploughed up dozens of them themselves in their time, and just about the very place where the thunderbolt struck the old elm-tree two years ago, too.

The idea of a thunderbolt being a real thing was widely accepted, so whenever any arrow-like object of unknown origin was found in the ground, it was immediately labeled as a thunderbolt. Conversely, the regular finding of these dart-like objects exactly where people expected to find them only reinforced that belief. Thunderbolts are still frequently discovered today, and for many people in rural areas, doubting their existence feels like a silly and stubborn refusal to believe. After all, they’ve unearthed dozens of them themselves over the years, often in the same spot where that thunderbolt hit the old elm tree two years ago, too.

The most favourite form of thunderbolt is the polished stone hatchet or 'celt' of the newer stone age men. I have never heard the very rude chipped and unpolished axes of the older drift men or cave men described as thunderbolts: they are too rough and shapeless ever to attract attention from any except professed archæologists. Indeed, the wicked have been known to scoff at them freely as mere accidental lumps of broken flint, and to deride the notion of their being due in any way to deliberate human handicraft. These are the sort of people who would regard a grand piano as a fortuitous concourse of atoms. But the shapely stone hatchet of the later neolithic farmer and herdsman is usually a beautifully polished wedge-shaped piece of solid greenstone; and its edge has been ground to such a delicate smoothness that it seems rather like a bit of nature's exquisite workmanship than a simple relic of prehistoric man. There is something very fascinating about the naïf belief that the neolithic axe is a genuine unadulterated thunderbolt. You dig it up in the ground exactly where you would expect a thunderbolt (if there were such things) to be. It is heavy, smooth, well shaped, and neatly pointed at one end. If it could really descend in a red-hot state from the depths of the sky, launched forth like a cannon-ball by some fierce discharge of heavenly artillery, it would certainly prove a very formidable weapon indeed; and one could easily imagine it scoring the bark of some aged oak, or tearing off the tiles from a projecting turret, exactly as the lightning is so well known to do in this prosaic workaday world of ours. In short, there is really nothing on earth against the theory of the stone axe being a true thunderbolt, except the fact that it unfortunately happens to be a neolithic hatchet.

The most popular kind of thunderbolt is the polished stone hatchet or 'celt' from the later stone age. I've never heard anyone refer to the crude, unpolished axes from the older drift men or cave men as thunderbolts: they’re too rough and formless to catch the interest of anyone other than dedicated archaeologists. In fact, people with less understanding often mock them as just random chunks of broken flint and dismiss the idea that they could be the result of any kind of deliberate human craftsmanship. These are the kind of folks who would consider a grand piano just a lucky arrangement of atoms. But the well-shaped stone hatchet of the later Neolithic farmer and herdsman is usually a beautifully polished wedge-shaped piece of solid greenstone; its edge has been ground down to such a delicate smoothness that it seems more like a piece of nature's exquisite artistry than just a simple remnant of prehistoric humanity. There’s something really captivating about the naive belief that the Neolithic axe is a genuine, pure thunderbolt. You find it buried in the ground exactly where you'd expect a thunderbolt (if they actually existed) to land. It’s heavy, smooth, well-shaped, and pointed at one end. If it could actually fall from the sky in a red-hot state, shot out like a cannonball from some fierce blast of heavenly artillery, it would be a very impressive weapon indeed; one could easily picture it scoring the bark of an ancient oak or knocking tiles off a protruding turret, just like lightning does so well in our everyday world. In short, there’s really nothing on earth against the idea of the stone axe being a true thunderbolt, except for the unfortunate fact that it’s actually a Neolithic hatchet.

But the course of reasoning by which we discover the true nature of the stone axe is not one that would in any case appeal strongly to the fancy or the intelligence of the British farmer. It is no use telling him that whenever one opens a barrow of the stone age one is pretty sure to find a neolithic axe and a few broken pieces of pottery beside the mouldering skeleton of the old nameless chief who lies there buried. The British farmer will doubtless stolidly retort that thunderbolts often strike the tops of hills, which are just the places where barrows and tumuli (tumps, he calls them) most do congregate; and that as to the skeleton, isn't it just as likely that the man was killed by the thunderbolt as that the thunderbolt was made by a man? Ay, and a sight likelier, too.

But the way we figure out the true nature of the stone axe isn't something that would really grab the imagination or intelligence of the British farmer. It's pointless to tell him that every time you dig into a barrow from the Stone Age, you’re almost guaranteed to find a Neolithic axe and a few broken pottery pieces next to the rotting skeleton of some old, nameless chief buried there. The British farmer will probably respond with his usual stubbornness that thunderbolts often hit the tops of hills, which just happen to be where barrows and tumuli (he calls them tumps) are most commonly found; and as for the skeleton, isn’t it just as likely that the man was killed by the thunderbolt as that the thunderbolt was created by a man? Yes, it’s even more likely, too.

All the world over, this simple and easy belief, that the buried stone axe is a thunderbolt, exists among Europeans and savages alike. In the West of England, the labourers will tell you that the thunder-axes they dig up fell from the sky. In Brittany, says Mr. Tylor, the old man who mends umbrellas at Carnac, beside the mysterious stone avenues of that great French Stonehenge, inquires on his rounds for pierres de tonnerre, which of course are found with suspicious frequency in the immediate neighbourhood of prehistoric remains. In the Chinese Encyclopædia we are told that the 'lightning stones' have sometimes the shape of a hatchet, sometimes that of a knife, and sometimes that of a mallet. And then, by a curious misapprehension, the sapient author of that work goes on to observe that these lightning stones are used by the wandering Mongols instead of copper and steel. It never seems to have struck his celestial intelligence that the Mongols made the lightning stones instead of digging them up out of the earth. So deeply had the idea of the thunderbolt buried itself in the recesses of his soul, that though a neighbouring people were still actually manufacturing stone axes almost under his very eyes, he reversed mentally the entire process, and supposed they dug up the thunderbolts which he saw them using, and employed them as common hatchets. This is one of the finest instances on record of the popular figure which grammarians call the hysteron proteron, and ordinary folk describe as putting the cart before the horse. Just so, while in some parts of Brazil the Indians are still laboriously polishing their stone hatchets, in other parts the planters are digging up the precisely similar stone hatchets of earlier generations, and religiously preserving them in their houses as undoubted thunderbolts. I have myself had pressed upon my attention as genuine lightning stones, in the West Indies, the exquisitely polished greenstone tomahawks of the old Carib marauders. But then, in this matter, I am pretty much in the position of that philosophic sceptic who, when he was asked by a lady whether he believed in ghosts, answered wisely, 'No, madam, I have seen by far too many of them.'

All around the world, this simple and widespread belief that a buried stone axe is a thunderbolt exists among both Europeans and indigenous peoples. In the West of England, laborers will tell you that the thunder-axes they dig up fell from the sky. In Brittany, Mr. Tylor mentions that the old man who fixes umbrellas in Carnac, near the mysterious stone avenues of that great French Stonehenge, asks during his rounds for pierres de tonnerre, which are found suspiciously often near prehistoric remains. The Chinese Encyclopædia states that 'lightning stones' can sometimes look like a hatchet, a knife, or a mallet. Then, in a curious misunderstanding, the knowledgeable author of that work goes on to say that these lightning stones are used by wandering Mongols instead of copper and steel. It never seems to have occurred to him that the Mongols made the lightning stones instead of digging them up from the earth. The concept of the thunderbolt had so deeply penetrated his mind that although nearby people were still actually making stone axes right in front of him, he mentally reversed the whole process and imagined they dug up the thunderbolts he saw them using and used them as regular hatchets. This is one of the best examples of the popular figure that grammarians call hysteron proteron, and which ordinary people describe as putting the cart before the horse. Similarly, while in some parts of Brazil, the indigenous people are still diligently polishing their stone hatchets, in other areas, the planters are digging up very similar stone hatchets from earlier generations and carefully preserving them in their homes as undeniable thunderbolts. I have personally been shown what were claimed to be genuine lightning stones in the West Indies, which turned out to be beautifully polished greenstone tomahawks from the old Carib raiders. But in this matter, I find myself quite similar to that philosophical skeptic who, when asked by a lady if he believed in ghosts, wisely replied, 'No, ma'am, I've seen far too many of them.'

One of the finest accounts ever given of the nature of thunderbolts is that mentioned by Adrianus Tollius in his edition of 'Boethius on Gems.' He gives illustrations of some neolithic axes and hammers, and then proceeds to state that in the opinion of philosophers they are generated in the sky by a fulgureous exhalation (whatever that may look like) conglobed in a cloud by a circumfixed humour, and baked hard, as it were, by intense heat. The weapon, it seems, then becomes pointed by the damp mixed with it flying from the dry part, and leaving the other end denser; while the exhalations press it so hard that it breaks out through the cloud, and makes thunder and lightning. A very lucid explanation certainly, but rendered a little difficult of apprehension by the effort necessary for realising in a mental picture the conglobation of a fulgureous exhalation by a circumfixed humour.

One of the best descriptions of thunderbolts comes from Adrianus Tollius in his edition of 'Boethius on Gems.' He shows examples of some Neolithic axes and hammers and then explains that, according to philosophers, they are formed in the sky by a lightning-like vapor that collects in a cloud and hardens due to intense heat. The weapon seems to become pointed as the moisture mixes with the dry part, making one end denser. Meanwhile, the vapors press so hard that they break through the cloud, causing thunder and lightning. It's quite a clear explanation, but it can be a bit challenging to understand, especially when trying to visualize the clustering of that lightning-like vapor by an encasing substance.

One would like to see a drawing of the process, though the sketch would probably much resemble the picture of a muchness, so admirably described by the mock turtle. The excellent Tollius himself, however, while demurring on the whole to this hypothesis of the philosophers, bases his objection mainly on the ground that, if this were so, then it is odd the thunderbolts are not round, but wedge-shaped, and that they have holes in them, and those holes not equal throughout, but widest at the ends. As a matter of fact, Tollius has here hit the right nail on the head quite accidentally; for the holes are really there, of course, to receive the haft of the axe or hammer. But if they were truly thunderbolts, and if the bolts were shafted, then the holes would have been lengthwise, as in an arrowhead, not crosswise, as in an axe or hammer. Which is a complete reductio ad absurdum of the philosophic opinion.

One would like to see a drawing of the process, although the sketch would probably look a lot like the image of a "muchness," as the Mock Turtle brilliantly described. The esteemed Tollius himself, however, while basically disagreeing with the philosophers' hypothesis, argues primarily that if this were true, it’s strange that thunderbolts aren’t round but wedge-shaped and that they have holes in them, which are not uniform throughout but widest at the ends. In fact, Tollius has hit the nail on the head here quite by chance; the holes are actually there to accommodate the handle of the axe or hammer. But if they were genuinely thunderbolts, and if the bolts had shafts, then the holes would be lengthwise, like in an arrowhead, not crosswise, like in an axe or hammer. This serves as a complete reductio ad absurdum of the philosophical opinion.

Some of the cerauniæ, says Pliny, are like hatchets. He would have been nearer the mark if he had said 'are hatchets' outright. But this aperçu, which was to Pliny merely a stray suggestion, became to the northern peoples a firm article of belief, and caused them to represent to themselves their god Thor or Thunor as armed, not with a bolt, but with an axe or hammer. Etymologically Thor, Thunor, and thunder are the self-same word; but while the southern races looked upon Zeus or Indra as wielding his forked darts in his red right hand, the northern races looked upon the Thunder-god as hurling down an angry hammer from his seat in the clouds. There can be but little doubt that the very notion of Thor's hammer itself was derived from the shape of the supposed thunderbolt, which the Scandinavians and Teutons rightly saw at once to be an axe or mallet, not an arrow-head. The 'fiery axe' of Thunor is a common metaphor in Anglo-Saxon poetry. Thus, Thor's hammer is itself merely the picture which our northern ancestors formed to themselves, by compounding the idea of thunder and lightning with the idea of the polished stone hatchets they dug up among the fields and meadows.

Some of the cerauniæ, Pliny says, are like hatchets. He would have been more accurate if he had said they are hatchets outright. However, this aperçu, which was just a passing thought for Pliny, became a strong belief among northern peoples. It led them to imagine their god Thor or Thunor as armed not with a bolt, but with an axe or hammer. Etymologically, Thor, Thunor, and thunder are all the same word; but while southern cultures viewed Zeus or Indra as wielding forked lightning in his red right hand, northern cultures pictured the Thunder-god throwing down an angry hammer from his place in the clouds. There’s little doubt that the very concept of Thor's hammer was inspired by the shape of the supposed thunderbolt, which the Scandinavians and Teutons correctly recognized as an axe or mallet, not an arrowhead. The 'fiery axe' of Thunor is a common metaphor in Anglo-Saxon poetry. Thus, Thor's hammer is essentially the image that our northern ancestors created, combining the ideas of thunder and lightning with the polished stone hatchets they found in the fields and meadows.

Flint arrowheads of the stone age are less often taken for thunderbolts, no doubt because they are so much smaller that they look quite too insignificant for the weapons of an angry god. They are more frequently described as fairy-darts or fairy-bolts. Still, I have known even arrow-heads regarded as thunderbolts, and preserved superstitiously under that belief. In Finland, stone arrows are universally so viewed; and the rainbow is looked upon as the bow of Tiermes, the thunder-god, who shoots with it the guilty sorcerers.

Flint arrowheads from the Stone Age are less often mistaken for thunderbolts, probably because they're much smaller and seem too insignificant to be weapons of an angry god. They are more commonly referred to as fairy-darts or fairy-bolts. Still, I have seen even arrowheads treated as thunderbolts and kept with that belief out of superstition. In Finland, stone arrows are generally viewed that way; and the rainbow is seen as the bow of Tiermes, the thunder-god, who uses it to shoot guilty sorcerers.

But why should thunderbolts, whether stone axes or flint arrowheads, be preserved, not merely as curiosities, but from motives of superstition? The reason is a simple one. Everybody knows that in all magical ceremonies it is necessary to have something belonging to the person you wish to conjure against, in order to make your spells effectual. A bone, be it but a joint of the little finger, is sufficient to raise the ghost to which it once belonged; cuttings of hair or clippings of nails are enough to put their owner magically in your power; and that is the reason why, if you are a prudent person, you will always burn all such off-castings of your body, lest haply an enemy should get hold of them, and cast the evil eye upon you with their potent aid. In the same way, if you can lay hands upon anything that once belonged to an elf, such as a fairy-bolt or flint arrowhead, you can get its former possessor to do anything you wish by simply rubbing it and calling upon him to appear. This is the secret of half the charms and amulets in existence, most of which are either real old arrowheads, or carnelians cut in the same shape, which has now mostly degenerated from the barb to the conventional heart, and been mistakenly associated with the idea of love. This is the secret, too, of all the rings, lamps, gems, and boxes, possession of which gives a man power over fairies, spirits, gnomes, and genii. All magic proceeds upon the prime belief that you must possess something belonging to the person you wish to control, constrain, or injure. And, failing anything else, you must at least have a wax image of him, which you call by his name, and use as his substitute in your incantations.

But why should thunderbolts, whether stone axes or flint arrowheads, be kept, not just as curiosities, but out of superstition? The answer is straightforward. Everyone knows that in magical rituals, you need to have something belonging to the person you want to curse in order to make your spells work. A bone, even just a joint from a little finger, is enough to summon the ghost it once belonged to; snippets of hair or clippings of nails are enough to grant you magical control over their owner; and that's why, if you're wise, you will always burn any such remnants of your body, so that an enemy doesn’t get them and use them to put a curse on you with their powerful assistance. Similarly, if you can get your hands on anything that once belonged to an elf, like a fairy bolt or flint arrowhead, you can compel its previous owner to do whatever you want by simply rubbing it and calling on them to appear. This is the secret behind many charms and amulets, most of which are either genuine old arrowheads or carnelian cut in the same shape, which has largely evolved from the original barb to the conventional heart, mistakenly linked with the idea of love. This is also the secret behind all the rings, lamps, gems, and boxes that grant a person power over fairies, spirits, gnomes, and genies. All magic is based on the fundamental belief that you must possess something belonging to the person you wish to control, constrain, or harm. And if you have nothing else, you should at least have a wax figure of that person, which you call by their name and use as their substitute in your spells.

On this primitive principle, possession of a thunderbolt gives you some sort of hold, as it were, over the thunder-god himself in person. If you keep a thunderbolt in your house it will never be struck by lightning. In Shetland, stone axes are religiously preserved in every cottage as a cheap and simple substitute for lightning-rods. In Cornwall, the stone hatchets and arrowheads not only guard the house from thunder, but also act as magical barometers, changing colour with the changes of the weather, as if in sympathy with the temper of the thunder-god. In Germany, the house where a thunderbolt is kept is safe from the storm; and the bolt itself begins to sweat on the approach of lightning-clouds. Nay, so potent is the protection afforded by a thunderbolt that where the lightning has once struck it never strikes again; the bolt already buried in the soil seems to preserve the surrounding place from the anger of the deity. Old and pagan in their nature as are these beliefs, they yet survive so thoroughly into Christian times that I have seen a stone hatchet built into the steeple of a church to protect it from lightning. Indeed, steeples have always of course attracted the electric discharge to a singular degree by their height and tapering form, especially before the introduction of lighting-rods; and it was a sore trial of faith to mediæval reasoners to understand why heaven should hurl its angry darts so often against the towers of its very own churches. In the Abruzzi the flint axe has actually been Christianised into St. Paul's arrows—saetti de San Paolo. Families hand down the miraculous stones from father to son as a precious legacy; and mothers hang them on their children's necks side by side with medals of saints and madonnas, which themselves are hardly so highly prized as the stones that fall from heaven.

On this basic idea, having a thunderbolt gives you some kind of control over the thunder-god himself. If you keep a thunderbolt in your house, it won't get struck by lightning. In Shetland, stone axes are carefully kept in every cottage as a cheap and simple alternative to lightning rods. In Cornwall, stone hatchets and arrowheads not only protect the house from thunder but also serve as magical barometers, changing color with the weather, as if in response to the mood of the thunder-god. In Germany, a house that keeps a thunderbolt is safe from storms; the bolt itself begins to sweat when lightning clouds come near. In fact, the protection offered by a thunderbolt is so strong that where lightning has struck once, it never strikes again; the bolt already buried in the ground seems to keep the area safe from the deity's anger. Though these beliefs are ancient and pagan, they persist into Christian times so much that I've seen a stone hatchet incorporated into the steeple of a church to shield it from lightning. Indeed, steeples have always attracted lightning due to their height and pointed shape, especially before lightning rods were invented; and it was a real challenge for medieval thinkers to understand why heaven would frequently strike the towers of its own churches. In the Abruzzi, the flint axe has even been turned into St. Paul's arrows—saetti de San Paolo. Families pass down these miraculous stones from father to son as a treasured inheritance; mothers hang them around their children's necks alongside medals of saints and madonnas, which are not held in as high regard as the stones that come from heaven.

Another and very different form of thunderbolt is the belemnite, a common English fossil often preserved in houses in the west country with the same superstitious reverence as the neolithic hatchets. The very form of the belemnite at once suggests the notion of a dart or lance-head, which has gained for it its scientific name. At the present day, when all our girls go to Girton and enter for the classical tripos, I need hardly translate the word belemnite 'for the benefit of the ladies,' as people used to do in the dark and unemancipated eighteenth century; but as our boys have left off learning Greek just as their sisters are beginning to act the 'Antigone' at private theatricals, I may perhaps be pardoned if I explain, 'for the benefit of the gentlemen,' that the word is practically equivalent to javelin-fossil. The belemnites are the internal shells of a sort of cuttle-fish which swam about in enormous numbers in the seas whose sediment forms our modern lias, oolite, and gault. A great many different species are known and have acquired charming names in very doubtful Attic at the hands of profoundly learned geological investigators, but almost all are equally good representatives of the mythical thunderbolt. The finest specimens are long, thick, cylindrical, and gradually tapering, with a hole at one end as if on purpose to receive the shaft. Sometimes they have petrified into iron pyrites or copper compounds, shining like gold, and then they make very noble thunderbolts indeed, heavy as lead, and capable of doing profound mischief if properly directed. At other times they have crystallised in transparent spar, and then they form very beautiful objects, as smooth and polished as the best lapidary could possibly make them. Belemnites are generally found in immense numbers together, especially in the marlstone quarries of the Midlands, and in the lias cliffs of Dorsetshire. Yet the quarrymen who find them never seem to have their faith shaken in the least by the enormous quantities of thunderbolts that would appear to have struck a single spot with such extraordinary frequency This little fact also tells rather hardly against the theory that the lightning never falls twice upon the same place.

Another and very different form of thunderbolt is the belemnite, a common English fossil often kept in homes in the West Country with the same superstitious respect as neolithic hatchets. The shape of the belemnite clearly suggests a dart or lance-head, which is how it got its scientific name. Nowadays, since all our girls go to Girton and take the classical tripos, I hardly need to explain the word belemnite 'for the benefit of the ladies,' as people used to do in the dark and non-liberated eighteenth century; but since our boys have stopped learning Greek just as their sisters are starting to perform 'Antigone' in private plays, I may be forgiven for clarifying, 'for the benefit of the gentlemen,' that the word is essentially the same as javelin-fossil. Belemnites are the internal shells of a type of cuttlefish that swam in huge numbers in the seas whose sediment makes up our modern lias, oolite, and gault. Many different species are known and have acquired charming names in very uncertain Attic from deeply learned geological researchers, but almost all are equally good representatives of the mythical thunderbolt. The finest specimens are long, thick, cylindrical, and gradually tapering, with a hole at one end as if designed to fit the shaft. Sometimes they have turned into iron pyrites or copper compounds, shining like gold, making for very remarkable thunderbolts indeed, heavy as lead, and capable of causing serious damage if directed properly. At other times they have crystallized into transparent spar, forming beautiful objects, as smooth and polished as the best lapidary could possibly create. Belemnites are generally found in huge quantities together, especially in the marlstone quarries of the Midlands and in the lias cliffs of Dorsetshire. Yet the quarry workers who find them never seem to lose their faith at all in the enormous amounts of thunderbolts that appear to have struck a single spot with such extraordinary frequency. This little fact also goes against the theory that lightning never strikes the same place twice.

Only the largest and heaviest belemnites are known as thunder stones; the smaller ones are more commonly described as agate pencils. In Shakespeare's country their connection with thunder is well known, so that in all probability a belemnite is the original of the beautiful lines in 'Cymbeline':—

Only the biggest and heaviest belemnites are called thunder stones; the smaller ones are usually referred to as agate pencils. In Shakespeare's area, their link to thunder is widely recognized, so it’s likely that a belemnite inspired the beautiful lines in 'Cymbeline':—

Fear no more the lightning flash,
Don't be afraid of the lightning flash anymore,
Nor the all-dreaded thunder stone,
Nor the dreaded thunder stone,

where the distinction between the lightning and the thunderbolt is particularly well indicated. In every part of Europe belemnites and stone hatchets are alike regarded as thunderbolts; so that we have the curious result that people confuse under a single name a natural fossil of immense antiquity and a human product of comparatively recent but still prehistoric date. Indeed, I have had two thunderbolts shown me at once, one of which was a large belemnite, and the other a modern Indian tomahawk. Curiously enough, English sailors still call the nearest surviving relatives of the belemnites, the squids or calamaries of the Atlantic, by the appropriate name of sea-arrows.

where the difference between lightning and a thunderbolt is clearly noted. Across Europe, belemnites and stone axes are both referred to as thunderbolts, leading to the strange situation where people mistakenly group a natural fossil of great age and a human-made object from a relatively recent but still prehistoric period under one term. In fact, I was shown two thunderbolts at the same time: one was a large belemnite, and the other was a modern Indian tomahawk. Interestingly, English sailors still call the closest surviving relatives of the belemnites, the squids or calamaries of the Atlantic, by the fitting name of sea-arrows.

Many other natural or artificial objects have added their tittle to the belief in thunderbolts. In the Himalayas, for example, where awful thunderstorms are always occurring as common objects of the country, the torrents which follow them tear out of the loose soil fossil bones and tusks and teeth, which are universally looked upon as lightning-stones. The nodules of pyrites, often picked up on beaches, with their false appearance of having been melted by intense heat, pass muster easily with children and sailor folk for the genuine thunderbolts. But the grand upholder of the belief, the one true undeniable reality which has kept alive the thunderbolt even in a wicked and sceptical age, is, beyond all question, the occasional falling of meteoric stones. Your meteor is an incontrovertible fact; there is no getting over him; in the British Museum itself you will find him duly classified and labelled and catalogued. Here, surely, we have the ultimate substratum of the thunderbolt myth. To be sure, meteors have no kind of natural connection with thunderstorms; they may fall anywhere and at any time; but to object thus is to be hypercritical. A stone that falls from heaven, no matter how or when, is quite good enough to be considered as a thunderbolt.

Many other natural or man-made objects have contributed to the belief in thunderbolts. In the Himalayas, for instance, where severe thunderstorms regularly occur, the heavy rains that follow often wash away fossil bones, tusks, and teeth from loose soil, which people commonly refer to as lightning-stones. The pyrite nodules often found on beaches, which appear to have been melted by intense heat, easily convince children and sailors that they are authentic thunderbolts. But the main reason this belief persists, even in a cynical modern age, is undoubtedly the rare occurrence of meteorites falling. Meteors are a solid fact; you can't deny them. In the British Museum, you'll find them properly classified, labeled, and cataloged. Here, we have the fundamental basis of the thunderbolt myth. Of course, meteors have no real connection to thunderstorms; they can fall anywhere at any time. But to point that out would be overly critical. A stone that falls from the sky, regardless of how or when, is perfectly valid to be called a thunderbolt.

Meteors, indeed, might very easily be confounded with lightning, especially by people who already have the full-blown conception of a thunderbolt floating about vaguely in their brains. The meteor leaps upon the earth suddenly with a rushing noise; it is usually red-hot when it falls, by friction against the air; it is mostly composed of native iron and other heavy metallic bodies; and it does its best to bury itself in the ground in the most orthodox and respectable manner. The man who sees this parlous monster come whizzing through the clouds from planetary space, making a fiery track like a great dragon as it moves rapidly across the sky, and finally ploughing its way into the earth in his own back garden, may well be excused for regarding it as a fine specimen of the true antique thunderbolt. The same virtues which belong to the buried stone are in some other places claimed for meteoric iron, small pieces of which are worn as charms, specially useful in protecting the wearer against thunder, lightning, and evil incantations. In many cases miraculous images have been hewn out of the stones that have fallen from heaven; and in others the meteorite itself is carefully preserved or worshipped as the actual representative of god or goddess, saint or madonna. The image that fell down from Jupiter may itself have been a mass of meteoric iron.

Meteors can easily be mistaken for lightning, especially by those who already have a vague idea of a thunderbolt in their minds. A meteor suddenly crashes to earth with a loud noise; it’s usually red-hot when it falls due to friction with the air; it’s mostly made of native iron and other heavy metals; and it tries hard to bury itself in the ground in the most traditional and respectable way. Anyone who sees this dangerous object speeding through the clouds from outer space, leaving a fiery trail like a great dragon as it swiftly crosses the sky, and finally crashing into their own backyard, can be forgiven for thinking it’s a perfect example of an ancient thunderbolt. The same qualities attributed to buried stones are sometimes claimed for meteoric iron, with small pieces worn as charms believed to protect the wearer from thunder, lightning, and evil spells. In many instances, miraculous images have been carved from stones that have fallen from the sky; in other cases, the meteorite itself is carefully preserved or worshipped as a physical representation of a god, goddess, saint, or madonna. The image that fell from Jupiter might have been a chunk of meteoric iron.

Both meteorites and stone hatchets, as well as all other forms of thunderbolt, are in excellent repute as amulets, not only against lightning, but against the evil eye generally. In Italy they protect the owner from thunder, epidemics, and cattle disease, the last two of which are well known to be caused by witchcraft; while Prospero in the 'Tempest' is a surviving proof how thunderstorms, too, can be magically produced. The tongues of sheep-bells ought to be made of meteoric iron or of elf-bolts, in order to insure the animals against foot-and-mouth disease or death by storm. Built into walls or placed on the threshold of stables, thunderbolts are capital preventives of fire or other damage, though not perhaps in this respect quite equal to a rusty horseshoe from a prehistoric battlefield. Thrown into a well they purify the water; and boiled in the drink of diseased sheep they render a cure positively certain. In Cornwall thunderbolts are a sovereign remedy for rheumatism; and in the popular pharmacopœia of Ireland they have been employed with success for ophthalmia, pleurisy, and many other painful diseases. If finely powdered and swallowed piecemeal, they render the person who swallows them invulnerable for the rest of his lifetime. But they cannot conscientiously be recommended for dyspepsia and other forms of indigestion.

Both meteorites and stone axes, along with all other forms of thunderbolts, are highly regarded as amulets, not just against lightning but also against the evil eye in general. In Italy, they protect the owner from thunder, epidemics, and cattle diseases, the latter two being widely recognized as caused by witchcraft; while Prospero in 'The Tempest' exemplifies how thunderstorms can also be magically created. The clappers of sheep bells should be made of meteoric iron or elf-bolts to protect the animals from foot-and-mouth disease or death by storm. Incorporated into walls or placed at the entrance of stables, thunderbolts are excellent at preventing fire or other damage, although perhaps not quite as effective as a rusty horseshoe from a prehistoric battlefield. Dropped into a well, they purify the water; and when boiled in the drink of sick sheep, they guarantee a cure. In Cornwall, thunderbolts are a well-known remedy for rheumatism, and in the popular pharmacopoeia of Ireland, they have been successfully used for ophthalmia, pleurisy, and various other painful illnesses. If finely powdered and taken in small doses, they make the person who consumes them invulnerable for the rest of their life. However, they cannot be responsibly recommended for dyspepsia and other digestive issues.

As if on purpose to confuse our already very vague ideas about thunderbolts, there is one special kind of lightning which really seems intentionally to simulate a meteorite, and that is the kind known as fireballs or (more scientifically) globular lightning. A fireball generally appears as a sphere of light, sometimes only as big as a Dutch cheese, sometimes as large as three feet in diameter. It moves along very slowly and demurely through the air, remaining visible for a whole minute or two together; and in the end it generally bursts up with great violence, as if it were a London railway station being experimented upon by Irish patriots. At Milan one day a fireball of this description walked down one of the streets so slowly that a small crowd walked after it admiringly, to see where it was going. It made straight for a church steeple, after the common but sacrilegious fashion of all lightning, struck the gilded cross on the topmost pinnacle, and then immediately vanished, like a Virgilian apparition, into thin air.

As if to complicate our already unclear understanding of thunderbolts, there’s one unique type of lightning that really seems to mimic a meteorite, and that's the kind known as fireballs or, more scientifically, globular lightning. A fireball usually looks like a sphere of light, sometimes as small as a Dutch cheese, and other times as large as three feet in diameter. It moves very slowly and gracefully through the air, remaining visible for about a minute or two; and in the end, it typically explodes violently, as if it were a London train station being hijacked by Irish patriots. One day in Milan, a fireball of this kind drifted down a street so slowly that a small crowd followed it curiously, wondering where it was headed. It headed right for a church steeple, following the usual but irreverent behavior of all lightning, struck the gilded cross at the topmost point, and then suddenly vanished, like a vision from Virgil, into thin air.

A few years ago, too, Dr. Tripe was watching a very severe thunderstorm, when he saw a fire-ball come quietly gliding up to him, apparently rising from the earth rather than falling towards it. Instead of running away, like a practical man, the intrepid doctor held his ground quietly and observed the fiery monster with scientific nonchalance. After continuing its course for some time in a peaceful and regular fashion, however, without attempting to assault him, it finally darted off at a tangent in another direction, and turned apparently into forked lightning. A fire-ball, noticed among the Glendowan Mountains in Donegal, behaved even more eccentrically, as might be expected from its Irish antecedents. It first skirted the earth in a leisurely way for several hundred yards like a cannon-ball; then it struck the ground, ricochetted, and once more bounded along for another short spell; after which it disappeared in the boggy soil, as if it were completely finished and done for. But in another moment it rose again, nothing daunted, with Celtic irrepressibility, several yards away, pursued its ghostly course across a running stream (which shows, at least, there could have been no witchcraft in it), and finally ran to earth for good in the opposite bank, leaving a round hole in the sloping peat at the spot where it buried itself. Where it first struck, it cut up the peat as if with a knife, and made a broad deep trench which remained afterwards as a witness of its eccentric conduct. If the person who observed it had been of a superstitious turn of mind we should have had here one of the finest and most terrifying ghost stories on the entire record, which would have made an exceptionally splendid show in the 'Transactions of the Society for Psychical Research.' Unfortunately, however, he was only a man of science, ungifted with the precious dower of poetical imagination; so he stupidly called it a remarkable fire-ball, measured the ground carefully like a common engineer, and sent an account of the phenomenon to that far more prosaic periodical, the 'Quarterly Journal of the Meteorological Society.' Another splendid apparition thrown away recklessly, for ever!

A few years ago, Dr. Tripe was watching a severe thunderstorm when he saw a fireball quietly gliding towards him, seemingly rising from the ground rather than falling to it. Instead of running away like most practical people would, the brave doctor stood his ground and watched the fiery phenomenon with scientific calm. After moving steadily for a while without threatening him, it suddenly shot off at an angle in a different direction and turned into forked lightning. A fireball, noticed among the Glendowan Mountains in Donegal, behaved even more strangely, as you might expect given its Irish roots. It first skimmed the earth leisurely for several hundred yards like a cannonball; then it hit the ground, bounced back up, and continued along for a short distance before disappearing into the boggy soil, as if it had completely finished its journey. But just a moment later, it popped back up, undeterred and with typical Celtic spirit, several yards away, crossing a running stream (which proves there was no witchcraft involved), and finally settled for good on the opposite bank, leaving a round hole in the sloping peat where it buried itself. Where it first hit, it sliced through the peat as if with a knife, creating a broad, deep trench that remained as evidence of its strange behavior. If the person who witnessed it had been superstitious, we would have had one of the most impressive and terrifying ghost stories ever, worthy of a prominent spot in the 'Transactions of the Society for Psychical Research.' Unfortunately, he was just a scientist without the gift of imagination, so he foolishly called it a remarkable fireball, carefully measured the ground like an ordinary engineer, and sent a report on the phenomenon to the far more mundane publication, the 'Quarterly Journal of the Meteorological Society.' Another amazing sight wasted, forever!

There is a curious form of electrical discharge, somewhat similar to the fire-ball but on a smaller scale, which may be regarded as the exact opposite of the thunderbolt, inasmuch as it is always quite harmless. This is St. Elmo's fire, a brush of lambent light, which plays around the masts of ships and the tops of trees, when clouds are low and tension great. It is, in fact, the equivalent in nature of the brush discharge from an electric machine. The Greeks and Romans looked upon this lambent display as a sign of the presence of Castor and Pollux, 'fratres Helenæ, lucida sidera,' and held that its appearance was an omen of safety, as everybody who has read the 'Lays of Ancient Rome' must surely remember. The modern name, St. Elmo's fire, is itself a curiously twisted and perversely Christianised reminiscence of the great twin brethren; for St. Elmo is merely a corruption of Helena, made masculine and canonised by the grateful sailors. It was as Helen's brothers that they best knew the Dioscuri in the good old days of the upper empire; and when the new religion forbade them any longer to worship those vain heathen deities, they managed to hand over the flames at the masthead to an imaginary St. Elmo, whose protection stood them in just as good stead as that of the original alternate immortals.

There’s an interesting type of electrical discharge, somewhat like a fireball but much smaller, which can be seen as the complete opposite of a thunderbolt since it's always harmless. This is St. Elmo's fire, a flickering light that dances around the masts of ships and the tops of trees when the clouds are low and the tension is high. It is actually similar in nature to the brush discharge from an electric machine. The Greeks and Romans viewed this glowing display as a sign of the presence of Castor and Pollux, 'fratres Helenæ, lucida sidera,' and believed that its appearance was a sign of safety, as anyone who has read the 'Lays of Ancient Rome' will surely remember. The modern name, St. Elmo's fire, is an oddly twisted and overly Christian interpretation of the great twin brothers; for St. Elmo is simply a corrupted version of Helena, made masculine and canonized by grateful sailors. They best knew the Dioscuri as Helen's brothers in the good old days of the Roman Empire; and when the new religion forbade them from worshiping those false pagan gods, they managed to transfer the flames at the masthead to an imaginary St. Elmo, whose protection was just as comforting as that of the original immortal twins.

Finally, the effects of lightning itself are sometimes such as to produce upon the mind of an impartial but unscientific beholder the firm idea that a bodily thunderbolt must necessarily have descended from heaven. In sand or rock, where lightning has struck, it often forms long hollow tubes, known to the calmly discriminating geological intelligence as fulgurites, and looking for all the world like gigantic drills such as quarrymen make for putting in a blast. They are produced, of course, by the melting of the rock under the terrific heat of the electric spark; and they grow narrower and narrower as they descend till they finally disappear. But to a casual observer, they irresistibly suggest the notion that a material weapon has struck the ground, and buried itself at the bottom of the hole. The summit of Little Ararat, that weather-beaten and many-fabled peak (where an enterprising journalist not long ago discovered the remains of Noah's Ark), has been riddled through and through by frequent lightnings, till the rock is now a mere honeycombed mass of drills and tubes, like an old target at the end of a long day's constant rifle practice. Pieces of the red trachyte from the summit, a foot long, have been brought to Europe, perforated all over with these natural bullet marks, each of them lined with black glass, due to the fusion of the rock by the passage of the spark. Specimens of such thunder-drilled rock may be seen in most geological museums. On some which Humboldt collected from a peak in Mexico, the fused slag from the wall of the tube has overflowed on to the surrounding surface, thus conclusively proving (if proof were necessary) that the holes are due to melting heat alone, and not to the passage of any solid thunderbolt.

Finally, the effects of lightning can sometimes give an impartial but unscientific observer a strong impression that a physical thunderbolt must have come down from the sky. In sand or rock where lightning has struck, it often creates long hollow tubes, known to the discerning geological mind as fulgurites, which look just like giant drills that quarry workers use to set explosives. These form due to the intense heat of the electric spark melting the rock; they taper down as they go deeper until they eventually disappear. However, to a casual observer, they strongly suggest that a solid object hit the ground and buried itself at the bottom of the hole. The summit of Little Ararat, that weathered and legendary peak (where a daring journalist recently found the remains of Noah's Ark), has been thoroughly penetrated by frequent lightning strikes, leaving the rock a Swiss cheese-like mass of tubes and holes, similar to an old target after a long day of shooting practice. Pieces of the red trachyte from the summit, about a foot long, have been brought to Europe, pockmarked with these natural bullet marks, each lined with black glass from the rock’s fusion during the spark's passage. You can see specimens of such thunder-drilled rock in most geological museums. On some that Humboldt collected from a peak in Mexico, the melted material from the tube walls has spilled onto the surrounding area, conclusively demonstrating (if proof were needed) that the holes result solely from intense heat, not from any solid thunderbolt.

But it was the introduction and general employment of lightning-rods that dealt a final deathblow to the thunderbolt theory. A lightning-conductor consists essentially of a long piece of metal, pointed at the end whose business it is, not so much (as most people imagine) to carry off the flash of lightning harmlessly, should it happen to strike the house to which the conductor is attached, but rather to prevent the occurrence of a flash at all, by gradually and gently drawing off the electricity as fast as it gathers before it has had time to collect in sufficient force for a destructive discharge. It resembles in effect an overflow pipe which drains off the surplus water of a pond as soon as it runs in, in such a manner as to prevent the possibility of an inundation, which might occur if the water were allowed to collect in force behind a dam or embankment. It is a flood-gate, not a moat: it carries away the electricity of the air quietly to the ground, without allowing it to gather in sufficient amount to produce a flash of lightning. It might thus be better called a lightning-preventer than a lightning-conductor: it conducts electricity, but it prevents lightning. At first, all lightning-rods used to be made with knobs on the top, and then the electricity used to collect at the surface until the electric force was sufficient to cause a spark. In those happy days, you had the pleasure of seeing that the lightning was actually being drawn off from your neighbourhood piecemeal. Knobs, it was held, must be the best things, because you could incontestably see the sparks striking them with your own eyes. But as time went on, electricians discovered that if you fixed a fine metal point to the conductor of an electric machine it was impossible to get up any appreciable charge because the electricity kept always leaking out by means of the point. Then it was seen that if you made your lightning-rods pointed at the end, you would be able in the same way to dissipate your electricity before it ever had time to come to a head in the shape of lightning. From that moment the thunderbolt was safely dead and buried. It was urged, indeed, that the attempt thus to rob Heaven of its thunders was wicked and impious; but the common-sense of mankind refused to believe that absolute omnipotence could be sensibly defied by twenty yards of cylindrical iron tubing. Thenceforth the thunderbolt ceased to exist, save in poetry, country houses, and the most rural circles; even the electric fluid was generally relegated to the provincial press, where it still keeps company harmoniously with caloric, the devouring element, nature's abhorrence of a vacuum, and many other like philosophical fossils: while lightning itself, shorn of its former glories, could no longer wage impious war against cathedral towers, but was compelled to restrict itself to blasting a solitary rider now and again in the open fields, or drilling more holes in the already crumbling summit of Mount Ararat. Yet it will be a thousand years more, in all probability, before the last thunderbolt ceases to be shown as a curiosity here and there to marvelling visitors, and takes its proper place in some village museum as a belemnite, a meteoric stone, or a polished axe-head of our neolithic ancestors. Even then, no doubt, the original bolt will still survive as a recognised property in the stock-in-trade of every well-equipped poet.

But the introduction and widespread use of lightning rods ultimately dealt a final blow to the thunderbolt theory. A lightning rod is essentially a long piece of metal with a pointed end, whose purpose is not so much (as most people think) to carry off a lightning strike harmlessly when it hits the building it’s attached to, but rather to prevent a lightning strike from happening at all by gradually and gently draining off the electricity as it builds up, before it can collect enough force for a destructive discharge. It works like an overflow pipe that drains excess water from a pond as soon as it flows in, preventing the risk of flooding that could occur if the water were allowed to build up behind a dam or embankment. It’s a floodgate, not a moat: it quietly directs electricity from the air to the ground, preventing it from accumulating enough to create a lightning flash. It could thus be better called a lightning-preventer rather than a lightning conductor: it conducts electricity, but it prevents lightning. Initially, all lightning rods were made with knobs on the top, which caused electricity to gather at the surface until the electrical force was strong enough to create a spark. In those days, you could see the lightning actually being drawn away from your area little by little. Knobs were believed to be the best design since you could definitively see the sparks hitting them with your own eyes. However, as time passed, electricians found that if you attached a fine metal point to the conductor of an electric machine, it was impossible to generate a significant charge because the electricity would always leak out through the point. Then it became clear that by making the ends of the lightning rods pointed, you could similarly dissipate the electricity before it had the chance to manifest as lightning. From that moment on, the thunderbolt was effectively dead and gone. Some even claimed that trying to rob Heaven of its thunder was sinful and impious; but the common sense of people refused to accept that absolute power could be successfully defied by twenty yards of cylindrical iron tubing. From then on, the thunderbolt ceased to exist, except in poetry, country homes, and very rural areas; even the term "electric fluid" was generally limited to the regional press, where it still coexists with other outdated concepts like caloric, the consuming element, nature’s aversion to a vacuum, and various other philosophical relics. Meanwhile, lightning itself, stripped of its former luster, could no longer wage a rebellious war against cathedral towers, but was limited to striking an occasional lone rider out in the fields or making more holes in the already eroding peak of Mount Ararat. Yet it will probably take a thousand more years before the last thunderbolt is no longer displayed as a curiosity for amazed visitors and finds its rightful place in some village museum alongside a belemnite, a meteoric stone, or a polished axe head from our Neolithic ancestors. Even then, undoubtedly, the original bolt will still be recognized as a staple in the toolkit of every well-equipped poet.


HONEY-DEW

Place, the garden. Time, summer. Dramatis personæ, a couple of small brown garden-ants, and a lazy clustering colony of wee green 'plant-lice,' or 'blight,' or aphides. The exact scene is usually on the young and succulent branches of a luxuriant rose-bush, into whose soft shoots the aphides have deeply buried their long trunk-like snouts, in search of the sap off which they live so contentedly through their brief lifetime. To them, enter the two small brown ants, their lawful possessors; for ants, too, though absolutely unrecognised by English law ('de minimis non curat lex,' says the legal aphorism), are nevertheless in their own commonwealth duly seised of many and various goods and chattels; and these same aphides, as everybody has heard, stand to them in pretty much the same position as cows stand to human herdsmen. Throw in for sole spectator a loitering naturalist, and you get the entire mise-en-scène of a quaint little drama that works itself out a dozen times among the wilted rose-trees beneath the latticed cottage windows every summer morning.

Place: the garden. Time: summer. Dramatis personæ: a couple of small brown garden ants and a lazy colony of tiny green plant lice, or aphids. The exact scene usually takes place on the young, tender branches of a lush rosebush, where the aphids have inserted their long, trunk-like snouts deep into the soft shoots, searching for the sap they rely on to live contentedly during their short lives. Enter the two small brown ants, their rightful owners; for ants, though completely unrecognized by English law ('de minimis non curat lex,' says the legal saying), are still part of their own community, rightfully in possession of many various goods and belongings; and these same aphids, as everyone has heard, are essentially in the same relationship to them as cows are to human herdsmen. Add a wandering naturalist as the sole spectator, and you get the complete mise-en-scène of a charming little drama that unfolds a dozen times among the wilted rosebushes beneath the lattice cottage windows every summer morning.

It is a delightful sight to watch the two little lilliputian proprietors approaching and milking these their wee green motionless cattle. First of all, the ants quickly scent their way with protruded antennæ (for they are as good as blind, poor things!) up the prickly stem of the rose-bush, guided, no doubt, by the faint perfume exhaled from the nectar above them. Smelling their road cautiously to the ends of the branches, they soon reach their own particular aphides, whose bodies they proceed gently to stroke with their outstretched feelers, and then stand by quietly for a moment in happy anticipation of the coming dinner. Presently, the obedient aphis, conscious of its lawful master's friendly presence, begins slowly to emit from two long horn-like tubes near the centre of its back a couple of limpid drops of a sticky pale yellow fluid. Honey-dew our English rustics still call it, because, when the aphides are not milked often enough by ants, they discharge it awkwardly of their own accord, and then it falls as a sweet clammy dew upon the grass beneath them. The ant, approaching the two tubes with cautious tenderness, removes the sweet drops without injuring in any way his little protégé, and then passes on to the next in order of his tiny cattle, leaving the aphis apparently as much relieved by the process as a cow with a full hanging udder is relieved by the timely attention of the human milkmaid.

It’s a charming sight to see the two tiny owners coming up and milking their little green, motionless cattle. First, the ants quickly find their way with their extended antennae (because they’re practically blind, poor things!) up the prickly stem of the rosebush, probably guided by the faint fragrance coming from the nectar above them. Carefully smelling their way to the ends of the branches, they soon reach their specific aphids, whose bodies they gently stroke with their outstretched feelers, then they wait quietly for a moment in happy anticipation of their upcoming meal. Soon, the obedient aphid, aware of its owner’s friendly presence, starts to slowly release a couple of clear drops of sticky pale yellow fluid from two long horn-like tubes near the center of its back. Honey-dew, as our English farmers still call it, because when the aphids aren’t milked often enough by ants, they awkwardly release it on their own, causing it to fall as a sweet, clammy dew on the grass below them. The ant, approaching the two tubes with careful tenderness, collects the sweet drops without harming its little protégé, and then moves on to the next one in line, leaving the aphid seemingly as relieved by the process as a cow with a full udder is relieved by the timely help of a human milkmaid.

Evidently, this is a case of mutual accommodation in the political economy of the ants and aphides: a free interchange of services between the ant as consumer and the aphis as producer. Why the aphides should have acquired the curious necessity for getting rid of this sweet, sticky, and nutritious secretion nobody knows with certainty; but it is at least quite clear that the liquid is a considerable nuisance to them in their very sedentary and monotonous existence—a waste product of which they are anxious to disembarrass themselves as easily as possible—and that while they themselves stand to the ants in the relation of purveyors of food supply, the ants in return stand to them in the relation of scavengers, or contractors for the removal of useless accumulations.

Clearly, this is a situation where both the ants and aphids benefit from each other in their political and economic interactions: a free exchange of services between the ant as a consumer and the aphid as a producer. It's uncertain why the aphids developed the need to get rid of this sweet, sticky, and nutritious secretion, but it's evident that the liquid is quite a bother for them in their very sedentary and monotonous lives—a waste product they want to get rid of as easily as possible. While the aphids provide food for the ants, the ants serve as scavengers, taking care of the removal of unwanted waste.

Everybody knows the aphides well by sight, in one of their forms at least, the familiar rose aphis; but probably few people ever look at them closely and critically enough to observe how very beautiful and wonderful is the organisation of their tiny limbs in all its exquisite detail. If you pick off one good-sized wingless insect, however, from a blighted rose-leaf, and put him on a glass slide under a low power of the microscope, you will most likely be quite surprised to find what a lovely little creature it is that you have been poisoning wholesale all your life long with diluted tobacco-juice. His body is so transparent that you can see through it by transmitted light: a dainty glass globe, you would say, of emerald green, set upon six tapering, jointed, hairy legs, and provided in front with two large black eyes of many facets, and a pair of long and very flexible antennæ, easily moved in any direction, but usually bent backward when the creature is at rest so as to reach nearly to his tail as he stands at ease upon his native rose-leaf. There are, however, two other features about him which specially attract attention, as being very characteristic of the aphides and their allies among all other insects. In the first place, his mouth is provided with a very long snout or proboscis, classically described as a rostrum, with which he pierces the outer skin of the rose-shoot where he lives, and sucks up incessantly its sweet juices. This organ is common to the aphis with all the other bugs and plant-lice. In the second place, he has half-way down his back (or a little more) a pair of very peculiar hollow organs, the honey tubes, from which exudes that singular secretion, the honey-dew. These tubes are not found in quite all species of aphides, but they are very common among the class, and they form by far the most conspicuous and interesting organs in all those aphides which do possess them.

Everyone recognizes aphids, at least in one of their forms, like the familiar rose aphis, but probably not many people take the time to examine them closely enough to appreciate the beauty and intricate design of their tiny limbs. If you take a good-sized wingless aphid from a damaged rose leaf and place it on a glass slide under a low-power microscope, you'll likely be surprised to discover what a lovely little creature it is that you've been unintentionally harming with diluted tobacco juice all your life. Its body is so transparent that you can see through it when light passes through: you might call it a delicate glass globe of emerald green, perched on six thin, jointed, hairy legs, and featuring two large black, multi-faceted eyes in front, along with a pair of long, flexible antennae that move easily in any direction but are typically bent backward when the creature is resting, reaching nearly to its tail while it stands calmly on its native rose leaf. There are, however, two other features that stand out, making the aphid and its allies distinct from other insects. First, its mouth has a long snout or proboscis, known scientifically as a rostrum, which it uses to pierce the outer skin of the rose shoot where it lives and continuously suck up its sweet juices. This organ is common to aphids, along with other bugs and plant lice. Secondly, halfway down its back (or a little more) is a pair of unique hollow organs known as honey tubes, from which the special secretion called honeydew drips. Not every species of aphid has these tubes, but they are quite common among the group and are by far the most noticeable and fascinating features in those aphids that do have them.

The life-history of the rose-aphis, small and familiar as is the insect itself, forms one of the most marvellous and extraordinary chapters in all the fairy tales of modern science. Nobody need wonder why the blight attacks his roses so persistently when once he has learnt the unusual provision for exceptional fertility in the reproduction of these insect plagues. The whole story is too long to give at full length, but here is a brief recapitulation of a year's generations of common aphides.

The life story of the rose-aphid, small and well-known as it is, is one of the most amazing and extraordinary chapters in all the fairy tales of modern science. It's no surprise that the pest targets your roses so relentlessly once you understand the unique way these insect infestations reproduce at such a high rate. The entire tale is too lengthy to cover in detail, but here’s a quick summary of a year’s worth of generations of common aphids.

In the spring, the eggs of last year's crop, which have been laid by the mothers in nooks and crannies out of reach of the frost, are quickened into life by the first return of warm weather, and hatch out their brood of insects. All this brood consists of imperfect females, without a single male among them; and they all fasten at once upon the young buds of their native bush, where they pass a sluggish and uneventful existence in sucking up the juice from the veins on the one hand, and secreting honey-dew upon the other. Four times they moult their skins, these moults being in some respects analogous to the metamorphosis of the caterpillar into chrysalis and butterfly. After the fourth moult, the young aphides attain maturity; and then they give origin, parthenogenetically, to a second brood, also of imperfect females, all produced without any fathers. This second brood brings forth in like manner a third generation, asexual, as before; and the same process is repeated without intermission as long as the warm weather lasts. In each case, the young simply bud out from the ovaries of the mothers, exactly as new crops of leaves bud out from the rose-branch on which they grow. Eleven generations have thus been observed to follow one another rapidly in a single summer; and indeed, by keeping the aphides in a warm room, one may even make them continue their reproduction in this purely vegetative fashion for as many as four years running. But as soon as the cold weather begins to set in, perfect male and female insects are produced by the last swarm of parthenogenetic mothers; and these true females, after being fertilised, lay the eggs which remain through the winter, and from which the next summer's broods have to begin afresh the wonderful cycle. Thus, only one generation of aphides, out of ten or eleven, consists of true males and females: all the rest are false females, producing young by a process of budding.

In the spring, the eggs from last year's batch, laid by the mothers in hidden spots safe from the frost, come to life with the first warm weather and hatch their brood of insects. This brood is made up entirely of imperfect females, with no males among them. They all attach themselves to the young buds of their native bush, where they lead a slow and uneventful life, sucking up the sap while also secreting honeydew. They molt their skins four times, which is somewhat similar to the transformation of a caterpillar into a chrysalis and butterfly. After the fourth molt, the young aphids reach maturity and then parthenogenetically produce a second brood, also made up entirely of imperfect females, all born without fathers. This second brood similarly gives rise to a third generation, asexual like before, and the process continues without interruption as long as the warm weather lasts. In each case, the young simply bud off from their mothers' ovaries, just as new leaves bud from the rose branch they grow on. It's been observed that eleven generations can rapidly follow one another in a single summer, and by keeping the aphids in a warm room, they can even continue reproducing this way for as long as four years straight. However, as soon as cold weather begins to set in, the last generation of parthenogenetic mothers produces perfect male and female insects. These true females, once fertilized, lay the eggs that will survive the winter and give rise to the next summer's broods, restarting the incredible cycle. Thus, only one out of ten or eleven generations of aphids consists of true males and females; the rest are false females that reproduce through budding.

Setting aside for the present certain special modifications of this strange cycle which have been lately described by M. Jules Lichtenstein, let us consider for a moment what can be the origin and meaning of such an unusual and curious mode of reproduction.

Setting aside for now some specific changes to this strange cycle that have recently been described by M. Jules Lichtenstein, let's take a moment to consider the origin and meaning of such an unusual and curious way of reproducing.

The aphides are on the whole the most purely inactive and vegetative of all insects, unless indeed we except a few very debased and degraded parasites. They fasten themselves early in life on to a particular shoot of a particular plant; they drink in its juices, digest them, grow, and undergo their incomplete metamorphoses; they produce new generations with extraordinary rapidity; and they vegetate, in fact, almost as much as the plant itself upon which they are living. Their existence is duller than that of the very dullest cathedral city. They are thus essentially degenerate creatures: they have found the conditions of life too easy for them, and they have reverted to something so low and simple that they are almost plant-like in some of their habits and peculiarities.

The aphids are generally the most inactive and plant-like of all insects, except for a few very lowly and degraded parasites. They attach themselves early in life to a specific shoot of a specific plant; they suck its juices, digest them, grow, and undergo their incomplete transformations. They produce new generations at an astonishing speed, and they live almost as much as the plant itself that they inhabit. Their existence is duller than that of the dullest cathedral city. Essentially, they are degenerate creatures: they've found their living conditions too easy, and they've reverted to something so basic and simple that they are almost plant-like in some of their behaviors and traits.

The ancestors of the aphides were free winged insects; and, in certain stages of their existence, most living species of aphides possess at least some winged members. On the rose-bush, you can generally pick off a few such larger winged forms, side by side with the wee green wingless insects. But creatures which have taken to passing most of their life upon a single spot on a single plant hardly need the luxury of wings; and so, in nine cases out of ten, natural selection has dispensed with those needless encumbrances. Even the legs are comparatively little wanted by our modern aphides, which only require them to walk away in a stately sleepy manner when rudely disturbed by man, lady-birds, or other enemies; and indeed the legs are now very weak and feeble, and incapable of walking for more than a short distance at a time under exceptional provocation. The eyes remain, it is true; but only the big ones: the little ocelli at the top of the head, found amongst so many of their allies, are quite wanting in all the aphides. In short, the plant-lice have degenerated into mere mouths and sacks for sucking and storing food from the tissues of plants, provided with large honey-tubes for getting rid of the waste sugar.

The ancestors of the aphids were free-flying insects; and at certain stages of their life, most living species of aphids have at least some winged individuals. On a rosebush, you can usually find a few of these larger winged forms alongside the tiny green wingless insects. However, creatures that spend most of their lives in one spot on a single plant hardly need the luxury of wings; so, in nine out of ten cases, natural selection has eliminated these unnecessary burdens. Even the legs are not very useful to our modern aphids, who only need them to walk away in a slow, sleepy way when disturbed by humans, ladybugs, or other threats; in fact, their legs have become quite weak and frail and can only carry them a short distance under rare circumstances. The eyes are still there, that's true; but only the larger ones: the tiny ocelli at the top of the head, which are found in many of their relatives, are completely absent in all aphids. In short, plant lice have become merely mouths and sacs for sucking and storing nutrients from plant tissues, equipped with large honey-tubes to dispose of excess sugar.

Now, the greater the amount of food any animal gets, and the less the amount of expenditure it performs in muscular action, the greater will be the surplus it has left over for the purposes of reproduction. Eggs or young, in fact, represent the amount thus left over after all the wants of the body have been provided for. But in the rose-aphis the wants of the body, when once the insect has reached its full growth, are absolutely nothing; and it therefore then begins to bud out new generations in rapid succession as fast as ever it can produce them. This is strictly analogous to what we see every day taking place in all the plants around us. New leaves are produced one after another, as fast as material can be supplied for their nutrition, and each of these new leaves is known to be a separate individual, just as much as the individual aphis. At last, however, a time comes when the reproductive power of the plant begins to fail, and then it produces flowers, that is to say stamens (male) and pistils (female), whose union results in fertilisation and the subsequent outgrowth of fruit and seeds. Thus a year's cycle of the plant-lice exactly answers to the life-history of an ordinary annual. The eggs correspond to the seeds; the various generations of aphides budding out from one another by parthenogenesis correspond to the leaves budded out by one another throughout the summer; and the final brood of perfect males and females answers to the flower with its stamen and pistils, producing the seeds, as they produce the eggs, for setting up afresh the next year's cycle.

Now, the more food any animal receives, and the less energy it expends on movement, the more it has left over for reproduction. Eggs or offspring represent what’s left after meeting all the body’s needs. However, in the rose-aphis, the body’s needs are virtually nothing once the insect reaches its full size, allowing it to quickly start producing new generations as fast as possible. This is similar to what we observe every day in the plants around us. New leaves are produced one after another as quickly as materials can supply their nourishment, and each new leaf is a separate individual, just like the individual aphis. Eventually, though, a time comes when the plant’s ability to reproduce starts to decline, and it begins to produce flowers, which include stamens (male) and pistils (female), leading to fertilization and the growth of fruit and seeds. Thus, a year in the life of the plant-lice corresponds exactly to the life cycle of a typical annual plant. The eggs correspond to the seeds; the various generations of aphids budding from one another through parthenogenesis correspond to the leaves budding from one another during the summer; and the final generation of perfect males and females corresponds to the flower with its stamens and pistils, which produce seeds just as they produce eggs, to initiate the cycle again next year.

This consideration, I fancy, suggests to us the most probable explanation of the honey-tubes and honey-dew. Creatures that eat so much and reproduce so fast as the aphides are rapidly sucking up juices all the time from the plant on which they fasten, and converting most of the nutriment so absorbed into material for fresh generations. That is how they swarm so fast over all our shrubs and flowers. But if there is any one kind of material in their food in excess of their needs, they would naturally have to secrete it by a special organ developed or enlarged for the purpose. I don't mean that the organ would or could be developed all at once, by a sudden effort, but that as the habit of fixing themselves upon plants and sucking their juices grew from generation to generation with these descendants of originally winged insects, an organ for permitting the waste product to exude must necessarily have grown side by side with it. Sugar seems to have been such a waste product, contained in the juices of the plant to an extent beyond what the aphides could assimilate or use up in the production of new broods; and this sugar is therefore secreted by special organs, the honey-tubes. One can readily imagine that it may at first have escaped in small quantities, and that two pores on their last segment but two may have been gradually specialised into regular secreting organs, perhaps under the peculiar agency of the ants, who have regularly appropriated so many kinds of aphides as miniature milch cows.

I think this idea gives us the most likely explanation for the honey-tubes and honey-dew. Creatures like aphids, which eat a lot and reproduce rapidly, are constantly sucking up juices from the plants they cling to and turning most of that nutrition into food for new generations. That’s why they can quickly invade our shrubs and flowers. If there’s a certain type of material in their food that exceeds their needs, they would naturally need to secrete it through a special organ that developed or enlarged for that purpose. I’m not suggesting that the organ developed all at once or as a sudden effort, but rather that as their habit of attaching to plants and sucking their juices evolved over generations from their winged ancestors, an organ for expelling waste must have developed alongside it. Sugar seems to be such a waste product, found in the plant juices in amounts too high for aphids to use up in producing more offspring. So, this sugar is secreted by specialized organs called honey-tubes. It’s easy to imagine that it may have first escaped in tiny amounts, with two pores on their last segment gradually evolving into regular secreting organs, possibly influenced by ants, who have often treated various aphid types as their miniature milk producers.

So completely have some species of ants come to recognise their own proprietary interest in the persons of the aphides, that they provide them with fences and cow-sheds on the most approved human pattern. Sometimes they build up covered galleries to protect their tiny cattle; and these galleries lead from the nest to the place where the aphides are fixed, and completely enclose the little creatures from all chance of harm. If intruders try to attack the farmyard, the ants drive them away by biting and lacerating them. Sir John Lubbock, who has paid great attention to the mutual relations of ants and aphides, has even shown that various kinds of ants domesticate various species of aphis. The common brown garden-ant, one of the darkest skinned among our English races, 'devotes itself principally to aphides which frequent twigs and leaves'; especially, so far as I have myself observed, the bright green aphis of the rose, and the closely allied little black aphis of the broad bean. On the other hand a nearly related reddish ant pays attention chiefly to those aphides which live on the bark of trees, while the yellow meadow-ants, a far more subterranean species, keep flocks and herds of the like-minded aphides which feed upon the roots of herbs and grasses.

Some species of ants have become so aware of their ownership of aphids that they create barriers and shelters modeled after human designs. Sometimes, they construct covered pathways to protect their tiny livestock; these passages connect their nests to the areas where the aphids are located, completely shielding the little creatures from any potential harm. If intruders attempt to invade their territory, the ants fend them off by biting and injuring them. Sir John Lubbock, who has studied the interactions between ants and aphids extensively, has even demonstrated that different types of ants domesticate various species of aphids. The common brown garden ant, one of the darkest colored among our English species, primarily tends to aphids found on twigs and leaves; in my own observations, especially the bright green aphids on roses and the closely related little black aphids on broad beans. Conversely, a related reddish ant focuses mainly on aphids that live on tree bark, while the yellow meadow ants, which are more underground, keep flocks of similar aphids that feed on the roots of herbs and grasses.

Sir John Lubbock, indeed, even suggests—and how the suggestion would have charmed 'Civilisation' Buckle!—that to this difference of food and habit the distinctive colours of the various species may very probably be due. The ground which he adduces for this ingenious idea is a capital example of the excellent use to which out-of-the-way evidence may be cleverly put by a competent evolutionary thinker. 'The Baltic amber,' he says, 'contains among the remains of many other insects a species of ant intermediate between our small brown garden-ants and the little yellow meadow-ants. This is possibly the stock from which these and other allied species are descended. One is tempted to suggest that the brown species which live so much in the open air, and climb up trees and bushes, have retained and even deepened their dark colour; while others, such as the yellow meadow-ant, which lives almost entirely below ground, have become much paler.' He might have added, as confirmatory evidence, the fact that the perfect winged males and females of the yellow species, which fly about freely during the brief honeymoon in the open air, are even darker in hue than the brown garden-ant. But how the light colour of the neuter workers gets transmitted through these dusky parents from one generation to another is part of that most insoluble crux of all evolutionary reasoning—the transmission of special qualities to neuters by parents who have never possessed them.

Sir John Lubbock even suggests—and how this would have delighted 'Civilisation' Buckle!—that the differences in food and habits might very well explain the distinct colors of various species. The evidence he presents for this clever idea is a great example of how unusual evidence can be effectively utilized by a knowledgeable evolutionary thinker. He states, 'The Baltic amber contains among the remains of many other insects a species of ant that is between our small brown garden ants and the little yellow meadow ants. This could be the ancestor of these and other related species. One might argue that the brown species, which spend so much time outdoors and climb trees and bushes, have maintained and perhaps even intensified their dark color; while others, like the yellow meadow ant, which mostly lives underground, have become much lighter.' He could have also mentioned, as supporting evidence, that the fully winged males and females of the yellow species, which fly freely during a short mating period outdoors, are even darker than the brown garden ant. However, how the light color of the neuter workers gets passed down through these darker parents from one generation to the next is part of that most difficult puzzle in evolutionary reasoning—the transmission of specific traits to neuters by parents who have never had them.

This last-mentioned yellow meadow-ant has carried the system of domestication further in all probability than any other species among its congeners. Not only do the yellow ants collect the root-feeding aphides in their own nests, and tend them as carefully as their own young, but they also gather and guard the eggs of the aphides, which, till they come to maturity, are of course quite useless. Sir John Lubbock found that his yellow ants carried the winter eggs of a species of aphis into their nest, and there took great care of them. In the spring, the eggs hatched out; and the ants actually carried the young aphides out of the nest again, and placed them on the leaves of a daisy growing in the immediate neighbourhood. They then built up a wall of earth over and round them. The aphides went on in their usual lazy fashion throughout the summer, and in October they laid another lot of eggs, precisely like those of the preceding autumn. This case, as the practised observer himself remarks, is an instance of prudence unexampled, perhaps, in the animal kingdom, outside man. 'The eggs are laid early in October on the food-plant of the insect. They are of no direct use to the ants; yet they are not left where they are laid, exposed to the severity of the weather and to innumerable dangers, but brought into their nests by the ants, and tended by them with the utmost care through the long winter months until the following March, when the young ones are brought out again and placed on the young shoots of the daisy.' Mr. White of Stonehouse has also noted an exactly similar instance of formican providence.

This last-mentioned yellow meadow ant has likely taken the system of domestication further than any other species in its family. Not only do the yellow ants collect root-feeding aphids in their own nests and care for them as if they were their own young, but they also collect and guard the aphid eggs, which are, of course, useless until they mature. Sir John Lubbock discovered that his yellow ants transported the winter eggs of a type of aphid into their nest and cared for them diligently. In the spring, the eggs hatched; and the ants actually carried the young aphids out of the nest and placed them on the leaves of a nearby daisy. They then built a wall of soil around them. The aphids went about their usual lazy way throughout the summer, and in October, they laid another batch of eggs, just like those from the previous autumn. As the experienced observer himself notes, this is an example of caution that is probably unmatched in the animal kingdom, besides humans. "The eggs are laid early in October on the food plant of the insect. They are of no direct use to the ants; yet they are not left where they are laid, exposed to harsh weather and countless dangers, but are brought into their nests by the ants and carefully tended through the long winter months until the following March, when the young ones are brought out again and placed on the new shoots of the daisy." Mr. White of Stonehouse has also noted a similar instance of ant care.

The connection between so many ants and so many species of the aphides being so close and intimate, it does not seem extravagant to suppose that the honey-tubes in their existing advanced form at least may be due to the deliberate selective action of these tiny insect-breeders. Indeed, when we consider that there are certain species of beetles which have never been found anywhere except in ants' nests, it appears highly probable that these domesticated forms have been produced by the ants themselves, exactly as the dog, the sheep, and the cow, in their existing types, have been produced by deliberate human selection. If this be so, then there is nothing very out-of-the-way in the idea that the ants have also produced the honey-tubes of aphides by their long selective action. It must be remembered that ants, in point of antiquity, date back, under one form or another, no doubt to a very remote period of geological time. Their immense variety of genera and species (over a thousand distinct kinds are known) show them to be a very ancient family, or else they would not have had time to be specially modified in such a wonderful multiformity of ways. Even as long ago as the time when the tertiary deposits of Œningen and Radoboj were laid down, Dr. Heer of Zurich has shown that at least eighty-three distinct species of ants already existed; and the number that have left no trace behind is most probably far greater. Some of the beetles and woodlice which ants domesticate in their nests have been kept underground so long that they have become quite blind—that is to say, have ceased altogether to produce eyes, which would be of no use to them in their subterranean galleries; and one such blind beetle, known as Claviger, has even lost the power of feeding itself, and has to be fed by its masters from their own mandibles. Dr. Taschenberg enumerates 300 species of true ants'-nest insects, mostly beetles, in Germany alone; and M. André gives a list of 584 kinds, habitually found in association with ants in one country or another. Compared with these singular results of formican selection, the mere production or further development of the honey-tubes appears to be a very small matter.

The relationship between so many ants and various species of aphids is so close and intimate that it doesn't seem unreasonable to think that the honey-tubes in their current advanced form may have come from the deliberate selective actions of these tiny insect-breeders. In fact, when we note that some species of beetles have only been found in ants' nests, it seems quite likely that these domesticated forms were created by the ants themselves, much like how humans have intentionally bred dogs, sheep, and cows to achieve specific types. If that’s the case, then it’s not far-fetched to believe that the ants also created the honey-tubes of aphids through their long history of selective breeding. It's important to keep in mind that ants have been around in various forms for a very long time, likely dating back to a distant geological period. Their vast diversity (over a thousand known species) indicates they’re an ancient family, as they wouldn’t have had the time to evolve into such a wide range of forms otherwise. Even during the time when the tertiary deposits of Œningen and Radoboj were being formed, Dr. Heer from Zurich found at least eighty-three distinct species of ants already existed; the number that have disappeared without a trace is likely much higher. Some of the beetles and woodlice that ants domesticate in their nests have lived underground for so long that they’ve gone completely blind—that is, they no longer produce eyes, which wouldn't be useful in their underground tunnels; one such blind beetle, called Claviger, has even lost the ability to feed itself and must be fed by the ants using their own mandibles. Dr. Taschenberg lists 300 species of true ants'-nest insects, mostly beetles, found in Germany alone, while M. André provides a list of 584 types that are commonly found in association with ants in various countries. Compared to these remarkable outcomes of ant selection, the mere creation or further development of the honey-tubes seems fairly minor.

But what good do the aphides themselves derive from the power of secreting honey-dew? For we know now that no animal or plant is ever provided with any organ or part merely for the benefit of another creature: the advantage must at least be mutual. Well, in the first place, it is likely that, in any case, the amount of sugary matter in the food of the aphides is quite in excess of their needs; they assimilate the nitrogenous material of the sap, and secrete its saccharine material as honey-dew. That, however, would hardly account for the development of special secretory ducts, like the honey-tubes, in which you can actually see the little drops of honey rolling, under the microscope. But the ants are useful allies to the aphides, in guarding them from another very dangerous type of insect. They are subject to the attacks of an ichneumon fly, which lays its eggs in them, meaning its larvæ to feed upon their living bodies; and the ants watch over the aphides with the greatest vigilance, driving off the ichneumons whenever they approach their little protégés.

But what do aphids actually gain from producing honeydew? We know that no animal or plant has any part or organ just for the benefit of another creature; the advantage has to be at least mutual. Firstly, it's likely that the sugary substances in the aphids' food are more than they need; they absorb the nitrogen-rich components of the sap and excrete the sugary bits as honeydew. However, that wouldn't completely explain the development of specialized secretory ducts, like the honey-tubes, where you can actually see the tiny drops of honey forming under a microscope. But ants are helpful partners to the aphids, protecting them from a very dangerous type of insect. They are vulnerable to attacks from an ichneumon fly, which lays its eggs inside them, allowing the larvae to eat their living bodies; the ants keep a close watch over the aphids, driving off the ichneumons whenever they come near their little protégés.

Many other insects besides ants, however, are fond of the sweet secretions of the aphides, and it is probable that the honey-dew thus acts to some extent as a preservative of the species, by diverting possible foes from the insects themselves, to the sugary liquid which they distil from their food-plants. Having more than enough and to spare for all their own needs, and the needs of their offspring, the plant-lice can afford to employ a little of their nutriment as a bribe to secure them from the attacks of possible enemies. Such compensatory bribes are common enough in the economy of nature. Thus our common English vetch secretes a little honey on the stipules or wing-like leaflets on the stem, and so distracts thieving ants from committing their depredations upon the nectaries in the flowers, which are intended for the attraction of the fertilising bees; and a South American acacia, as Mr. Belt has shown, bears hollow thorns and produces honey from a gland in each leaflet, in order to allure myriads of small ants which nest in the thorns, eat the honey, and repay the plant by driving away their leaf-cutting congeners. Indeed, as they sting violently, and issue forth in enormous swarms whenever the plant is attacked, they are even able to frighten off browsing cattle from their own peculiar acacia.

Many other insects besides ants enjoy the sweet secretions from aphids, and it's likely that the honeydew helps protect the species by drawing potential predators away from the insects themselves and toward the sugary liquid they produce from the plants they feed on. Since they have more than enough for their own needs and the needs of their offspring, plant-lice can afford to use some of their nutrients as a reward to keep potential enemies at bay. Such compensatory rewards are quite common in nature. For instance, our common English vetch secretes a bit of honey on the leaflets or stipules on the stem, distracting thieving ants from stealing from the nectar in the flowers, which is meant to attract pollinating bees. Similarly, a South American acacia, as Mr. Belt has shown, has hollow thorns and produces honey from a gland in each leaflet to lure countless small ants that nest in the thorns, consume the honey, and in return, chase away their leaf-cutting relatives. In fact, they can sting fiercely and emerge in large swarms whenever the plant is threatened, even scaring off grazing cattle from their specific acacia.

Aphides, then, are essentially degraded insects, which have become almost vegetative in their habits, and even in their mode of reproduction, but which still retain a few marks of their original descent from higher and more locomotive ancestors. Their wings, especially, are useful to the perfect forms in finding one another, and to the imperfect ones in migrating from one plant to its nearest neighbours, where they soon become the parents of fresh hordes in rapid succession. Hence various kinds of aphides are among the most dreaded plagues of agriculturists. The 'fly,' which Kentish farmers know so well on hops, is an aphis specialised for that particular bine; and, when once it appears in the gardens, it spreads with startling rapidity from one end of the long rows to the other. The phylloxera which has spoilt the French vineyards is a root-feeding form that attacks the vine, and kills or maims the plant terribly, by sucking the vital juices on their way up into the fresh-forming foliage. The 'American blight' on apple trees is yet another member of the same family, a wee creeping cottony creature that hides among the fissures of the bark, and drives its very long beak far down into the green sappy layer underlying the dead outer covering. In fact, almost all the best-known 'blights' and bladder-forming insects are aphides of one kind or another, affecting leaves, or stalks, or roots, or branches.

Aphids are basically degraded insects that have become almost plant-like in their habits and even in how they reproduce. However, they still show some traits of their original lineage from more mobile ancestors. Their wings, in particular, help the adult forms find each other and assist the immature ones in moving from one plant to nearby ones, where they quickly become the parents of new generations in rapid succession. As a result, different types of aphids are among the most feared pests for farmers. The 'fly' that Kentish farmers recognize so well on hops is a specific type of aphis for that particular bine; once it shows up in gardens, it spreads alarmingly fast from one end of the long rows to the other. The phylloxera that has devastated French vineyards is a root-feeding type that targets the vine and severely damages or kills the plant by sucking out the vital juices on their way up to the newly forming leaves. The 'American blight' affecting apple trees is yet another member of this family—a tiny, creeping cottony bug that hides in the cracks of the bark and inserts its long beak deep into the green, soft layer beneath the dead outer skin. In fact, nearly all the well-known 'blights' and bladder-forming insects are aphids of some kind, impacting leaves, stalks, roots, or branches.

It is one of the most remarkable examples of the limitation of human powers that while we can easily exterminate large animals like the wolf and the bear in England, or the puma and the wolverine in the settled States of America, we should be so comparatively weak against the Colorado beetle or the fourteen-year locust, and so absolutely powerless against the hop-fly, the turnip-fly, and the phylloxera. The smaller and the more insignificant our enemy, viewed individually, the more difficult is he to cope with in the mass. All the elephants in the world could have been hunted down and annihilated, in all probability, with far less labour than has been expended upon one single little all but microscopic parasite in France alone. The enormous rapidity of reproduction in the family of aphides is the true cause of our helplessness before them. It has been calculated that a single aphis may during its own lifetime become the progenitor of 5,904,900,000 descendants. Each imperfect female produces about ninety young ones, and lives long enough to see its children's children to the fifth generation. Now, ninety multiplied by ninety four times over gives the number above stated. Of course, this makes no allowance for casualties which must be pretty frequent: but even so, the sum-total of aphides produced within a small garden in a single summer must be something very extraordinary.

It's one of the most striking examples of how limited human abilities can be that while we can easily wipe out large animals like wolves and bears in England, or pumas and wolverines in settled areas of America, we find ourselves relatively weak against the Colorado beetle or the fourteen-year locust, and completely powerless against the hop-fly, turnip-fly, and phylloxera. The smaller and seemingly more insignificant our enemy is when looked at individually, the harder it is to deal with in large numbers. All the elephants in the world could probably have been hunted down and eliminated with much less effort than has gone into tackling just one tiny, almost microscopic parasite in France alone. The extremely fast reproduction rate of aphids is the real reason for our helplessness against them. It has been estimated that a single aphid can produce around 5,904,900,000 descendants in its lifetime. Each imperfect female gives birth to about ninety young and lives long enough to see its grandchildren up to the fifth generation. So, ninety multiplied by ninety, repeated ninety-four times, gives the number mentioned above. Of course, this doesn’t consider the losses, which must happen fairly often, but even so, the total number of aphids produced in a small garden in just one summer must be something truly extraordinary.

It is curious, too, that aphides on the whole seem to escape the notice of insect-eating birds very tolerably. I cannot, in fact, discover that birds ever eat them, their chief real enemy being the little lizard-like larva of the lady-bird, which devours them everywhere greedily in immense numbers. Indeed, aphides form almost the sole food of the entire lady-bird tribe in their earlier stages of existence; and there is no better way of getting rid of blight on roses and other garden plants than to bring in a good boxful of these active and voracious little grubs from the fields and hedges. They will pounce upon the aphides forthwith as a cat pounces upon the mice in a well-stocked barn or farmyard. The two-spotted lady-bird in particular is the determined exterminator of the destructive hop-fly, and is much beloved accordingly by Kentish farmers. No doubt, one reason why birds do not readily see the aphis of the rose and most other species is because of their prevailing green tint, and the close way in which they stick to the leaves or shoots on whose juices they are preying. But in the case of many black and violet species, this protection of imitative colour is wanting, and yet the birds do not seem to care for the very conspicuous little insects on the broad bean, for example, whose dusky hue makes them quite noticeable in large masses. Here there may very likely be some special protection of nauseous taste in the aphides themselves (I will confess that I have not ventured to try the experiment in person), as in many other instances we know that conspicuously-coloured insects advertise their nastiness, as it were, to the birds by their own integuments, and so escape being eaten in mistake for any of their less protected relatives.

It's interesting that aphids seem to mostly avoid being noticed by insect-eating birds. I can't really find any evidence that birds actually eat them. Their main enemy is the little lizard-like larvae of ladybugs, which devour them in huge numbers. In fact, aphids are almost the only food for ladybugs in their early stages. A great way to eliminate pests on roses and other garden plants is to collect a good boxful of these active and hungry little grubs from fields and hedges. They will immediately go after the aphids, just like a cat goes after mice in a well-stocked barn or farmyard. The two-spotted ladybug, in particular, is a determined predator of the damaging hop-fly and is well-liked by farmers in Kent. One reason birds might not easily spot rose aphids and most other species could be their green color and how closely they stick to the leaves or shoots they’re feeding on. However, with many black and violet species, this protective mimicry is absent, yet birds still don’t seem interested in these striking little insects on broad beans, whose dark hue makes them quite visible in large groups. There may be some special defense in the unpleasant taste of the aphids themselves (I must admit I haven’t tried this experiment myself), as we know that brightly colored insects often signal their bad taste to birds with their appearance, helping them avoid being eaten by mistake for their less protected relatives.

On the other hand, it seems pretty clear that certain plants have efficiently armed themselves against the aphides, in turn, by secreting bitter or otherwise unpleasant juices. So far as I can discover, the little plunderers seldom touch the pungent 'nasturtiums' or tropsælums of our flower-gardens, even when these grow side by side with other plants on which the aphides are swarming. Often, indeed, I find winged forms upon the leaf-stem of a nasturtium, having come there evidently in hopes of starting a new colony; but usually in a dead or dying condition—the pungent juice seems to have poisoned them. So, too, spinach and lettuce may be covered with blight, while the bitter spurges, the woolly-leaved arabis, and the strong-scented thyme close by are utterly untouched. Plants seem to have acquired all these devices, such as close networks of hair upon the leaves, strong essences, bitter or pungent juices, and poisonous principles, mainly as deterrents for insect enemies, of which caterpillars and plant-lice are by far the most destructive. It would be unpardonable, of course, to write about honey-dew without mentioning tobacco; and I may add parenthetically that aphides are determined anti-tobacconists, nicotine, in fact, being a deadly poison to them. Smoking with tobacco, or sprinkling with tobacco-water, are familiar modes of getting rid of the unwelcome intruders in gardens. Doubtless this peculiar property of the tobacco plant has been developed as a prophylactic against insect enemies: and if so, we may perhaps owe the weed itself, as a smokable leaf, to the little aphides. Granting this hypothetical connection, the name of honey-dew would indeed be a peculiarly appropriate one. I may mention in passing that tobacco is quite fatal to almost all insects, a fact which I present gratuitously to the blowers of counterblasts, who are at liberty to make whatever use they choose of it. Quassia and aloes are also well-known preventives of fly or blight in gardens.

On the other hand, it’s pretty obvious that some plants have effectively defended themselves against aphids by producing bitter or unpleasant juices. From what I’ve seen, the little thieves hardly ever bother the strong-smelling nasturtiums or tropaeolums in our flower gardens, even when they’re growing next to other plants that are swarming with aphids. Often, I spot winged versions on the leaf stem of a nasturtium, having arrived there apparently hoping to start a new colony; but usually, they’re in a dead or dying state—the strong juice seems to have poisoned them. Likewise, spinach and lettuce may be covered in blight, while the bitter spurges, the woolly-leaved arabis, and the strongly-scented thyme nearby remain completely untouched. Plants seem to have developed all these features, like dense hair networks on their leaves, strong essences, bitter or pungent juices, and poisonous compounds, primarily as defenses against insect enemies, with caterpillars and aphids being the most destructive. It would be a mistake not to mention tobacco when talking about honey-dew; I should add that aphids are definitely anti-tobacco, as nicotine is a lethal poison for them. Smoking with tobacco or spraying with tobacco water are common ways to get rid of these unwanted pests in gardens. This unique characteristic of the tobacco plant has likely evolved as a defense against insect enemies, which means we might owe the smokable leaf itself to the little aphids. If we accept this hypothetical connection, then the name honey-dew would certainly be fitting. I should note that tobacco is nearly deadly to almost all insects, a fact I share for the benefit of those who might want to challenge this information, and they can use it however they wish. Quassia and aloes are also well-known deterrents against flies or blight in gardens.

The most complete life-history yet given of any member of the aphis family is that which M. Jules Lichtenstein has worked out with so much care in the case of the phylloxera of the oak-tree. In April, the winter eggs of this species, laid in the bark of an oak, each hatch out a wingless imperfect female, which M. Lichtenstein calls the foundress. After moulting four times, the foundress produces, by parthenogenesis, a number of false eggs, which it fastens to the leaf-stalks and under side of the foliage. These false eggs hatch out a larval form, wingless, but bigger than any of the subsequent generations; and the larvæ so produced themselves once more give origin to more larvæ, which acquire wings, and fly away from the oak on which they were born to another of a different species in the same neighbourhood. There these larvæ of the second crop once more lay false eggs, from which the third larval generation is developed. This brood is again wingless, and it proceeds at once to bud out several generations more, by internal gemmation, as long as the warm weather lasts. According to M. Lichtenstein, all previous observations have been made only on aphides of this third type; and he maintains that every species in the whole family really undergoes an analogous alternation of generations. At last, when the cold weather begins to set in, a fourth larval form appears, which soon obtains wings, and flies back to the same kind of oak on which the foundresses were first hatched out, all the intervening generations having passed their lives in sucking the juices of the other oak to which the second larval form migrated. The fourth type here produce perfect male and female insects, which are wingless, and have no sucking apparatus. The females, after being impregnated, lay a single egg each, which they hide in the bark, where it remains during the winter, till in spring it once more hatches out into a foundress, and the whole cycle begins over again. Whether all the aphides do or do not pass through corresponding stages is not yet quite certain. But Kentish farmers believe that the hop-fly migrates to hop-bines from plum-trees in the neighbourhood; and M. Lichtenstein considers that such migrations from one plant to another are quite normal in the family. We know, indeed, that many great plagues of our crops are thus propagated, sometimes among closely related plants, but sometimes also among the most widely separated species. For example, turnip-fly (which is not an aphis, but a small beetle) always begins its ravages (as Miss Ormerod has abundantly shown) upon a plot of charlock, and then spreads from patches of that weed to the neighbouring turnips, which are slightly diverse members of the same genus. But, on the other hand, it has long been well known that rust in wheat is specially connected with the presence of the barberry bush; and it has recently been proved that the fungus which produces the disease passes its early stages on the barberry leaves, and only migrates in later generations to the growing wheat. This last case brings even more prominently into light than ever the essential resemblance of the aphides to plant-parasites.

The most detailed life-history so far of any member of the aphis family is the one that M. Jules Lichtenstein has carefully developed regarding the phylloxera of oak trees. In April, the winter eggs of this species, laid in the bark of an oak tree, each hatch into a wingless imperfect female, which M. Lichtenstein refers to as the foundress. After molting four times, the foundress produces, through parthenogenesis, several false eggs that she attaches to the leaf stalks and the underside of the leaves. These false eggs hatch into a larval form, wingless but larger than any of the later generations; and these larvae themselves produce more larvae, which grow wings and fly away from the oak where they were born to a different species nearby. There, these second generation larvae lay more false eggs, leading to the development of a third larval generation. This brood is also wingless and immediately starts producing several more generations through internal budding as long as the warm weather continues. According to M. Lichtenstein, previous observations have focused only on aphids of this third type; he argues that every species within the entire family goes through a similar alternation of generations. Eventually, when colder weather begins to arrive, a fourth larval form appears, which quickly grows wings and flies back to the same type of oak where the foundresses were originally hatched, after all the intervening generations have spent their lives sucking the juices of the other oak to which the second larval form migrated. The fourth type produces perfect male and female insects that are wingless and lack a sucking apparatus. The females, after mating, lay a single egg each, which they hide in the bark, where it remains during the winter until it hatches again into a foundress in spring, starting the whole cycle over. It’s still uncertain whether all the aphids go through corresponding stages. However, Kentish farmers believe that the hop-fly migrates to hop-bines from nearby plum trees, and M. Lichtenstein thinks such migrations from one plant to another are quite normal in the family. We know that many major crop plagues spread this way, sometimes among closely related plants and other times among very different species. For instance, the turnip-fly (which is actually a small beetle, not an aphis) always begins its damage on a patch of charlock, then spreads from those weeds to the neighboring turnips, which are slightly different members of the same genus. Conversely, it has long been known that rust in wheat is especially linked to the presence of the barberry bush; recent evidence has shown that the fungus causing the disease spends its early stages on the barberry leaves and only migrates to the growing wheat in later generations. This last example highlights even more the fundamental similarities between aphids and plant parasites.


THE MILK IN THE COCO-NUT

For many centuries the occult problem how to account for the milk in the coco-nut has awakened the profoundest interest alike of ingenuous infancy and of maturer scientific age. Though it cannot be truthfully affirmed of it, as of the cosmogony or creation of the world, in the 'Vicar of Wakefield,' that it 'has puzzled the philosophers of all ages' (for Sanchoniathon was certainly ignorant of the very existence of that delicious juice, and Manetho doubtless went to his grave without ever having tasted it fresh from the nut under a tropical verandah), yet it may be safely asserted that for the last three hundred years the philosopher who has not at some time or other of his life meditated upon that abstruse question is unworthy of such an exalted name. The cosmogony and the milk in the coco-nut are, however, a great deal closer together in thought than Sanchoniathon or Manetho, or the rogue who quoted them so glibly, is ever at all likely, in his wildest moments, to have imagined.

For many centuries, the puzzling question of how the milk gets inside the coconut has generated significant interest from both curious children and mature scientists. While it's not accurate to say, like in the 'Vicar of Wakefield,' that it 'has puzzled philosophers of all ages' (since Sanchoniathon likely had no idea that this delicious liquid existed, and Manetho probably never experienced it fresh from the nut under a tropical porch), it can confidently be said that for the past three hundred years, any philosopher who hasn't at some point contemplated this complex question is not deserving of that esteemed title. Nonetheless, the origins of the universe and the milk in the coconut are much more closely related in thought than Sanchoniathon, Manetho, or the trickster who quoted them so easily could ever have imagined.

The coco-nut, in fact, is a subject well deserving of the most sympathetic treatment at the gentle hands of grateful humanity. No other plant is useful to us in so many diverse and remarkable manners. It has been truly said of that friend of man, the domestic pig, that he is all good, from the end of his snout to the tip of his tail; but even the pig, though he furnishes us with so many necessaries or luxuries—from tooth-brushes to sausages, from ham to lard, from pepsine wine to pork pies—does not nearly approach, in the multiplicity and variety of his virtues, the all-sufficing and world-supplying coco-nut. A Chinese proverb says that there are as many useful properties in the coco-nut palm as there are days in the year; and a Polynesian saying tells us that the man who plants a coco-nut plants meat and drink, hearth and home, vessels and clothing, for himself and his children after him. Like the great Mr. Whiteley, the invaluable palm-tree might modestly advertise itself as a universal provider. The solid part of the nut supplies food almost alone to thousands of people daily, and the milk serves them for drink, thus acting as an efficient filter to the water absorbed by the roots in the most polluted or malarious regions. If you tap the flower stalk you get a sweet juice, which can be boiled down into the peculiar sugar called (in the charming dialect of commerce) jaggery; or it can be fermented into a very nasty spirit known as palm-wine, toddy, or arrack; or it can be mixed with bitter herbs and roots to make that delectable compound 'native beer.' If you squeeze the dry nut you get coco-nut oil, which is as good as lard for frying when fresh, and is 'an excellent substitute for butter at breakfast,' on tropical tables. Under the mysterious name of copra (which most of us have seen with awe described in the market reports as 'firm' or 'weak,' 'receding' or 'steady') it forms the main or only export of many Oceanic islands, and is largely imported into this realm of England, where the thicker portion is called stearine, and used for making sundry candles with fanciful names, while the clear oil is employed for burning in ordinary lamps. In the process of purification, it yields glycerine; and it enters largely into the manufacture of most better-class soaps. The fibre that surrounds the nut makes up the other mysterious article of commerce known as coir, which is twisted into stout ropes, or woven into coco-nut matting and ordinary door-mats. Brushes and brooms are also made of it, and it is used, not always in the most honest fashion, in place of real horse-hair in stuffing cushions. The shell, cut in half, supplies good cups, and is artistically carved by the Polynesians, Japanese, Hindoos, and other benighted heathen, who have not yet learnt the true methods of civilised machine-made shoddy manufacture. The leaves serve as excellent thatch; on the flat blades, prepared like papyrus, the most famous Buddhist manuscripts are written; the long mid-ribs or branches (strictly speaking, the leaf-stalks) answer admirably for rafters, posts, or fencing; the fibrous sheath at the base is a remarkable natural imitation of cloth, employed for strainers, wrappers, and native hats; while the trunk, or stem, passes in carpentry under the name of porcupine wood, and produces beautiful effects as a wonderfully coloured cabinet-makers' material. These are only a few selected instances out of the innumerable uses of the coconut palm.

The coconut is truly deserving of kind attention from grateful humanity. No other plant is as useful to us in so many different and amazing ways. It has been said about the domestic pig—our friend—that he is good all the way from his snout to the tip of his tail; but even the pig, with all he provides us, from toothbrushes to sausages, from ham to lard, from pepsine wine to pork pies, does not come close to the multitude and variety of benefits that the all-sufficient and world-supplying coconut provides. A Chinese proverb states that the coconut palm has as many useful properties as there are days in the year, and a Polynesian saying tells us that the person who plants a coconut plants food and drink, warmth and shelter, vessels and clothing for themselves and their children. Like the great Mr. Whiteley, the invaluable palm tree could modestly market itself as a universal provider. The firm part of the coconut alone feeds thousands of people daily, and the milk serves as their drink, effectively filtering the water taken up by the roots in the most polluted or unhealthy areas. If you tap the flower stalk, you get a sweet juice that can be boiled down into a special sugar known as jaggery; or it can be fermented into a strong spirit called palm wine, toddy, or arrack; or it can be mixed with bitter herbs and roots to create the delightful 'native beer.' When you squeeze the dry coconut, you extract coconut oil, which is just as good as lard for frying when fresh, and is 'an excellent substitute for butter at breakfast' on tropical tables. Known under the mysterious name of copra (which many of us have seen discussed with awe in market reports as 'firm' or 'weak,' 'receding' or 'steady'), it is the main or only export of many Oceanic islands and is extensively imported into England, where the thicker portion is called stearine and is used for making various candles with fancy names, while the clear oil is used for burning in regular lamps. In the purification process, it yields glycerine and is extensively used in the manufacture of most high-quality soaps. The fiber surrounding the coconut makes up the other mysterious commercial product called coir, which is twisted into sturdy ropes or woven into coconut mats and regular door mats. Brushes and brooms are also made from it, and not always in the most honest way, it is used to replace real horsehair in stuffing cushions. The shell, when cut in half, makes good cups, and is artistically carved by Polynesians, Japanese, Hindus, and other cultures who have not yet learned the true methods of civilized machine-made mass production. The leaves make excellent thatch; on the flat leaves, which are prepared like papyrus, some of the most famous Buddhist manuscripts are written; the long mid-ribs or branches (or leaf-stalks) work well as rafters, posts, or fencing; the fibrous sheath at the base is a remarkable natural imitation of cloth and is used for strainers, wrappers, and native hats; while the trunk, or stem, is referred to in carpentry as porcupine wood, and produces beautiful effects as an intricately colored material for cabinet-making. These are just a few of the countless ways the coconut palm is useful.

Apart even from the manifold merits of the tree that bears it, the milk itself has many and great claims to our respect and esteem, as everybody who has ever drunk it in its native surroundings will enthusiastically admit. In England, to be sure, the white milk in the dry nuts is a very poor stuff, sickly, and strong-flavoured, and rather indigestible. But in the tropics, coco-nut milk, or, as we oftener call it there, coco-nut water, is a very different and vastly superior sort of beverage. At eleven o'clock every morning, when you are hot and tired with the day's work, your black servant, clad from head to foot in his cool clean white linen suit, brings you in a tall soda glass full of a clear, light, crystal liquid, temptingly displayed against the yellow background of a chased Benares brass-work tray. The lump of ice bobs enticingly up and down in the centre of the tumbler, or clinks musically against the edge of the glass as he carries it along. You take the cool cup thankfully and swallow it down at one long draught; fresh as a May morning, pure as an English hillside spring, delicate as—well, as coco-nut water. None but itself can be its parallel. It is certainly the most delicious, dainty, transparent, crystal drink ever invented. How did it get there, and what is it for?

Apart from the many benefits of the tree that produces it, the milk itself deserves our respect and admiration, as anyone who has tasted it in its natural environment will gladly agree. In England, the white milk found in dry coconuts is a poor quality, sickly, strong-tasting, and somewhat hard to digest. But in the tropics, coconut milk, or as we often call it there, coconut water, is a completely different and far superior drink. At eleven o'clock every morning, when you're hot and tired from the day's work, your black servant, dressed from head to toe in his cool, clean white linen suit, brings you a tall soda glass filled with a clear, light, crystal liquid, beautifully presented against the yellow backdrop of a chased Benares brass tray. A lump of ice floats enticingly up and down in the center of the glass or jingles pleasantly against the edge as he carries it. You take the cool cup gratefully and gulp it down in one long sip; it's as refreshing as a May morning, pure as a spring in the English countryside, and delicate as—well, as coconut water. Nothing else can compare to it. It is definitely the most delicious, dainty, crystal-clear drink ever created. How did it come to be, and what is its purpose?

In the early green stage at which coco-nuts are generally picked for household use in the tropics the shell hasn't yet solidified into a hard stony coat, but still remains quite soft enough to be readily cut through with a sharp table knife—just like young walnuts picked for pickling. If you cut one across while it's in this unsophisticated state, it is easy enough to see the arrangement of the interior, and the part borne by the milk in the development and growth of the mature nut. The ordinary tropical way of opening coco-nuts for table, indeed, is by cutting off the top of the shell and rind in successive slices, at the end where the three pores are situated, until you reach the level of the water, which fills up the whole interior. The nutty part around the inside of the shell is then extremely soft and jelly-like, so that it can be readily eaten with a spoon; but as a matter of fact very few people ever do eat the flesh at all. After their first few months in the tropics, they lose the taste for this comparatively indigestible part, and confine themselves entirely (like patients at a German spa) to drinking the water. A young coco-nut is thus seen to consist, first of a green outer skin, then of a fibrous coat, which afterwards becomes the hair, and next of a harder shell which finally gets quite woody; while inside all comes the actual seed or unripe nut itself. The office of the coco-nut water is the deposition of the nutty part around the side of the shell; it is, so to speak, the mother liquid, from which the harder eatable portion is afterwards derived. This state is not uncommon in embryo seeds. In a very young pea, for example, the inside is quite watery, and only the outer skin is at all solid, as we have all observed when green peas first come into season. But the special peculiarity of the coco-nut consists in the fact that this liquid condition of the interior continues even after the nut is ripe, and that is the really curious point about the milk in the coco-nut which does actually need accounting for.

In the early green stage when coconuts are usually picked for household use in the tropics, the shell hasn't hardened into a tough, stony coat yet and is still soft enough to be easily cut through with a sharp table knife—similar to young walnuts meant for pickling. If you cut one open while it's in this simple state, it's easy to see how the inside is arranged and how the milk contributes to the development and growth of the mature nut. The typical tropical method of opening coconuts for consumption involves slicing off the top of the shell and rind at the end where the three pores are located until you reach the water level, which fills the whole interior. The nutty part around the inside of the shell is then extremely soft and jelly-like, making it easy to eat with a spoon; however, very few people actually eat the flesh at all. After their first few months in the tropics, they lose the taste for this relatively indigestible part and only drink the water, similar to patients at a German spa. A young coconut is thus seen to consist of a green outer skin, then a fibrous coat that eventually becomes hair, followed by a harder shell that becomes woody; inside is where the actual seed or unripe nut is located. The role of coconut water is to help deposit the nutty part around the inside of the shell; it acts as the mother liquid from which the harder, edible portion is later formed. This condition is not uncommon in embryo seeds. For example, in a very young pea, the inside is completely watery, and only the outer skin is somewhat solid, as we all notice when green peas are in season. But the unique aspect of the coconut is that this liquid state of the inside continues even after the nut has ripened, and that’s the truly fascinating point about the coconut milk that really needs explaining.

In order to understand it one ought to examine a coco-nut in the act of budding, and to do this it is by no means necessary to visit the West Indies or the Pacific Islands; all you need to do is to ask a Covent Garden fruit salesman to get you a few 'growers.' On the voyage to England, a certain number of precocious coco-nuts, stimulated by the congenial warmth and damp of most shipholds, usually begin to sprout before their time; and these waste nuts are sold by the dealers at a low rate to East-end children and inquiring botanists. An examination of a 'grower' very soon convinces one what is the use of the milk in the coco-nut.

To understand it, you should look at a coconut while it’s budding, and you don’t need to travel to the West Indies or the Pacific Islands to do this; all you have to do is ask a fruit seller at Covent Garden to get you a few 'growers.' During the journey to England, some early-budding coconuts, encouraged by the warm and damp conditions in most ship holds, usually start to sprout sooner than expected; these unwanted nuts are sold cheaply by dealers to East End kids and curious botanists. A look at a 'grower' quickly shows you the purpose of the milk in the coconut.

It must be duly borne in mind, to begin with, that the prime end and object of the nut is not to be eaten raw by the ingenious monkey, or to be converted by lordly man into coco-nut biscuits, or coco-nut pudding, but simply and solely to reproduce the coco-nut palm in sufficient numbers to future generations. For this purpose the nut has slowly acquired by natural selection a number of protective defences against its numerous enemies, which serve to guard it admirably in the native state from almost all possible animal depredators. First of all, the actual nut or seed itself consists of a tiny embryo plant, placed just inside the softest of the three pores or pits at the end of the shell, and surrounded by a vast quantity of nutritious pulp, destined to feed and support it during its earliest unprotected days, if not otherwise diverted by man or monkey. But as whatever feeds a young plant will also feed an animal, and as many animals betray a felonious desire to appropriate to their own wicked ends the food-stuffs laid up by the palm for the use of its own seedling, the coco-nut has been compelled to inclose this particularly large and rich kernel in a very solid and defensive shell. And, once more, since the palm grows at a very great height from the ground—I have seen them up to ninety feet in favourable circumstances—this shell stands a very good chance of getting broken in tumbling to the earth, so that it has been necessary to surround it with a mass of soft and yielding fibrous material, which breaks its fall, and acts as a buffer to it when it comes in contact with the soil beneath. So many protections has the coco-nut gradually devised for itself by the continuous survival of the best adapted amid numberless and endless spontaneous variations of all its kind in past time.

It’s important to remember that the main purpose of the coconut isn’t to be eaten raw by clever monkeys or turned into coconut biscuits or pudding by humans, but simply to reproduce the coconut palm for future generations. To achieve this, the coconut has gradually developed several protective defenses against its many enemies, which help keep it safe in its natural state from almost all potential animal threats. First of all, the actual nut or seed contains a tiny embryo plant, located just inside one of the softest of the three pores or pits at the end of the shell, and is surrounded by a large amount of nutritious pulp to support it during its early unprotected days, unless it’s taken by a person or a monkey. However, since whatever nourishes a young plant will also attract animals, and many animals have a sneaky desire to steal the food stored by the palm for its seedling, the coconut has had to encase this particularly large and rich kernel in a very strong and protective shell. Additionally, since the palm grows quite tall—I've seen them reach up to ninety feet in ideal conditions—this shell faces a good chance of breaking when it falls to the ground, so it’s necessary to surround it with a layer of soft and yielding fibrous material that cushions its fall and acts as a buffer when it hits the soil below. The coconut has gradually developed these many protections through the survival of the best-adapted types amid countless variations of its kind over time.

Now, when the coco-nut has actually reached the ground at last, and proceeds to sprout in the spot where chance (perhaps in the bodily shape of a disappointed monkey) has chosen to cast it, these numerous safeguards and solid envelopes naturally begin to prove decided nuisances to the embryo within. It starts under the great disadvantage of being hermetically sealed within a solid wooden shell, so that no water can possibly get at it to aid it as most other seeds are aided in the process of germination. Fancy yourself a seed-pea, anxious to sprout, but coated all round with a hard covering of impermeable sealing-wax, and you will be in a position faintly to appreciate the unfortunate predicament of a grower coco-nut. Natural selection, however—that deus ex machina of modern science, which can perform such endless wonders, if only you give it time enough to work in and variations enough to work upon—natural selection has come to the rescue of the unhappy plant by leaving it a little hole at the top of the shell, out of which it can push its feathery green head without difficulty. Everybody knows that if you look at the sharp end of a coco-nut you will see three little brown pits or depressions on its surface. Most people also know that two of these are firmly stopped up (for a reason to which I shall presently recur), but that the third one is only closed by a slight film or very thin shell, which can be easily bored through with a pocket knife, so as to let the milk run off before cracking the shell. So much we have all learnt during our ardent pursuit of natural knowledge on half-holidays in early life. But we probably then failed to observe that just opposite this soft hole lies a small roundish knob, imbedded in the pulp or eatable portion, which knob is in fact the embryo palm or seedling, for whose ultimate benefit the whole arrangement (in brown and green) has been invented. That is very much the way with man: he notices what concerns his own appetite, and omits all the really important parts of the whole subject. We think the use of the hole is to let out the milk; but the nut knows that its real object is to let out the seedling. The knob grows out at last into the young plantlet, and it is by means of the soft hole that it makes its escape through the shell to the air and the sunshine which it seeks without. This brings us really down at last to the true raison d'être for the milk in the coco-nut. As the seed or kernel cannot easily get at much water from outside, it has a good supply of water laid up for it ready beforehand within its own encircling shell. The mother liquid from which the pulp or nutty part has been deposited remains in the centre, as the milk, till the tiny embryo begins to sprout. As soon as it does so, the little knob which was at first so very small enlarges rapidly and absorbs the water, till it grows out into a big spongy cellular mass, which at last almost fills up the entire shell. At the same time, its other end pushes its way out through the soft hole, and then gives birth to a growing bud at the top—the future stem and leaves—and to a number of long threads beneath—the future roots. Meanwhile, the spongy mass inside begins gradually to absorb all the nutty part, using up its oils and starches for the purpose of feeding the young plant above, until it is of an age to expand its leaves to the open tropical sunlight and shift for itself in the struggle for life. It seems at first sight very hard to understand how any tissue so solid as the pulp of coco-nut can be thus softened and absorbed without any visible cause; but in the subtle chemistry of living vegetation such a transformation is comparatively simple and easy to perform. Nature sometimes works much greater miracles than this in the same way: for example, what is called vegetable ivory, a substance so solid that it can be carved or turned only with great difficulty, is really the kernel of another palm-nut, allied to the coco-palm, and its very stony particles are all similarly absorbed during germination by the dissolving power of the young seedling.

Now that the coconut has finally landed on the ground and begins to sprout where fate (perhaps in the form of a disappointed monkey) tossed it, all its protective layers and tough shells naturally become significant obstacles for the developing seed inside. It starts out at a major disadvantage, sealed tightly within a solid wooden shell, so no water can reach it to help with germination like it does for most other seeds. Imagine being a pea seed, eager to sprout, but completely covered in a hard layer of impermeable wax, and you'll start to grasp the unfortunate position of a coconut seed. However, natural selection—modern science's wonderful intervention that can achieve endless feats if given enough time and variety to work with—has come to the aid of this struggling plant by leaving a small hole at the top of the shell through which it can easily push its feathery green head. Everyone knows that if you look at the pointed end of a coconut, you'll see three little brown pits or depressions on its surface. Most also know that two of these are firmly sealed (for a reason I'll explain shortly), but the third one is only covered by a thin film that can be easily pierced with a pocket knife, allowing the milk to drain out before cracking the shell. We all learned this during our enthusiastic explorations of nature as kids. However, we probably didn't notice that directly opposite this soft hole is a small rounded knob embedded in the pulp, which is actually the embryo palm or seedling that the entire arrangement (in brown and green) is designed to support. This mirrors humanity's inclination: we tend to notice things that relate to our own desires while overlooking the truly essential aspects of the matter. We think the hole is just for letting out the milk, but the nut knows its real purpose is to let out the seedling. The knob eventually grows into the young plant, and it's through this soft hole that it breaks free from the shell to seek the air and sunlight outside. This, at last, brings us to the true reason for the milk in the coconut. Since the seed or kernel can't easily access a lot of water from outside, it has a good supply stored within its own encasing shell. The mother liquid, which forms the pulp or nutty part, remains in the center as the milk until the tiny embryo begins to sprout. Once it does, the small knob rapidly enlarges and absorbs the water until it grows into a large spongy cellular mass that nearly fills the entire shell. At the same time, its other end forces its way out through the soft hole, giving rise to a growing bud at the top—the future stem and leaves—and to several long threads below—the future roots. Meanwhile, the spongy mass inside gradually absorbs all of the nutty part, consuming its oils and starches to nourish the young plant above until it’s mature enough to expand its leaves to the bright tropical sunlight and fend for itself. It may seem difficult to understand how such a solid tissue as coconut pulp can be softened and absorbed without any visible cause, but in the intricate chemistry of living plants, such a transformation is relatively straightforward. Nature often performs even greater miracles in similar ways: for instance, what's known as vegetable ivory, a substance so solid that it can only be shaped with great difficulty, is actually the kernel of another palm nut related to the coconut palm, and its very hard particles are similarly absorbed during germination by the dissolving power of the young seedling.

Why, however, has the coco-nut three pores at the top instead of one, and why are two out of the three so carefully and firmly sealed up? The explanation of this strange peculiarity is only to be found in the ancestral history of the coco-nut kind. Most nuts, indeed, start in their earlier stage as if they meant to produce two or more seeds each; but as they ripen, all the seeds except one become abortive. The almond, for example, has in the flower two seeds or kernels to each nut; but in the ripe state there is generally only one, though occasionally we find an almond with two—a philipœna, as we commonly call it—just to keep in memory the original arrangement of its earlier ancestors. The reason for this is that plants whose fruits have no special protection for their seeds are obliged to produce a great many of them at once, in order that one seed in a thousand may finally survive the onslaughts of their Argus-eyed enemies; but when they learn to protect themselves by hard coverings from birds and beasts, they can dispense with some of these supernumerary seeds, and put more nutriment into each one of those that they still retain. Compare, for example, the innumerable small round seedlets of the poppyhead with the solitary large and richly stored seed of the walnut, or the tiny black specks of mustard and cress with the single compact and well-filled seed of the filbert and the acorn. To the very end, however, most nuts begin in the flower as if they meant to produce a whole capsuleful of small unstored and unprotected seeds, like their original ancestors; it is only at the last moment that they recollect themselves, suppress all their ovules except one, and store that one with all the best and oiliest food-stuffs at their disposal. The nuts, in fact, have learned by long experience that it is better to be the only son and heir of a wealthy house, set up in life with a good capital to begin upon, than to be one of a poor family of thirteen needy and unprovided children.

Why does the coconut have three holes at the top instead of one, and why are two of them sealed tight? The answer to this odd feature lies in the family history of the coconut. Most nuts actually start out as if they plan to produce two or more seeds each, but as they mature, all but one of the seeds tend to fail. For instance, the almond has two seeds or kernels for each nut when it's flowering; however, in the ripe state, there’s usually only one, though occasionally you might find an almond with two—a phillypœna, as we often call it—just to remind us of the original setup from its ancestors. The reason for this is that plants whose fruits don't offer special protection for their seeds must produce many seeds at once, so that at least one seed in a thousand survives the attacks from their watchful enemies. But when they develop hard coverings to protect themselves from birds and animals, they can cut back on some of those extra seeds and invest more nutrients into the ones they keep. For example, think about the countless tiny seedlets in a poppy head compared to the single large and well-nourished seed of a walnut, or the tiny black seeds of mustard and cress versus the single, compact, and fully loaded seed of a filbert or an acorn. Nevertheless, most nuts start off in the flower as if they intend to produce a whole bunch of small, unprotected seeds, just like their original ancestors; it’s only at the last moment that they hold back, let go of all but one ovule, and pack that one with all the best and richest nutrients they can muster. In fact, nuts have learned through experience that it's better to be the only child and heir of a wealthy family, starting life with a good amount of resources, than to be one of thirteen children from a struggling family with no support.

Now, the coco-nuts are descended from a great tribe—the palms and lilies—which have as their main distinguishing peculiarity the arrangement of parts in their flowers and fruits by threes each. For example, in the most typical flowers of this great group, there are three green outer calyx-pieces, three bright-coloured petals, three long outer stamens, three short inner stamens, three valves to the capsule, and three seeds or three rows of seeds in each fruit. Many palms still keep pretty well to this primitive arrangement, but a few of them which have specially protected or highly developed fruits or nuts have lost in their later stages the threefold disposition in the fruit, and possess only one seed, often a very large one. There is no better and more typical nut in the whole world than a coco-nut—that is to say, from our present point of view at least, though the fear of that awful person, the botanical Smelfungus, compels me to add that this is not quite technically true. Smelfungus, indeed, would insist upon it that the coco-nut is not a nut at all, and would thrill us with the delightful information, innocently conveyed in that delicious dialect of which he is so great a master, that it is really 'a drupaceous fruit with a fibrous mesocarp.' Still, in spite of Smelfungus with his nice hair-splitting distinctions, it remains true that humanity at large will still call a nut a nut, and that the coco-nut is the highest known development of the peculiar nutty tactics. It has the largest and most richly stored seed of any known plant; and this seed is surrounded by one of the hardest and most unmanageable of any known shells. Hence the coco-nut has readily been able to dispense with the three kernels which each nut used in its earlier and less developed days to produce. But though the palm has thus taken to reducing the number of its seeds in each fruit to the lowest possible point consistent with its continued existence at all, it still goes on retaining many signs of its ancient threefold arrangement. The ancestral and most deeply ingrained habits persist in the earlier stages; it is only in the mature form that the later acquired habits begin fully to predominate. Even so our own boys pass through an essentially savage childhood of ogres and fairies, bows and arrows, sugar-plums and barbaric nursery tales, as well as a romantic boyhood of mediæval chivalry and adventure, before they steady down into that crowning glory of our race, the solid, sober, matter-of-fact, commercial British Philistine. Hence the coco-nut in its unstripped state is roughly triangular in form, its angles answering to the separate three fruits of simpler palms; and it has three pits or weak places in the shell, through which the embryos of the three original kernels used to force their way out. But as only one of them is now needed, that one alone is left soft; the other two, which would be merely a source of weakness to the plant if unprotected, are covered in the existing nut by harder shell. Doubtless they serve in part to deceive the too inquisitive monkey or other enemy, who probably concludes that if one of the pits is hard and impermeable, the other two are so likewise.

Now, coconuts come from a large family—the palms and lilies—which primarily stand out due to the arrangement of their flowers and fruits in sets of three. For instance, in the typical flowers of this family, there are three green outer calyx pieces, three brightly colored petals, three long outer stamens, three short inner stamens, three valves to the capsule, and three seeds or three rows of seeds in each fruit. Many palms still stick to this primitive setup, but a few that have specially protected or highly developed fruits or nuts have lost the three-part structure in their fruit over time and now have only one seed, which is often very large. There’s no better or more typical nut in the world than a coconut—that is, from our current perspective at least, although I must note, under the discouraging gaze of the botanical Smelfungus, that this isn’t entirely accurate. Smelfungus would insist that a coconut isn’t a nut at all and would delight us with the charming information, conveyed in his captivating dialect, that it's actually “a drupaceous fruit with a fibrous mesocarp.” Still, despite Smelfungus and his pedantic distinctions, it’s true that most people will still call a nut a nut, and a coconut is considered the highest known example of this unique nutty characteristic. It has the largest and most nutrient-rich seed of any known plant, surrounded by one of the hardest and most unmanageable shells. As a result, the coconut has been able to eliminate the three seeds that each nut once had in its earlier, less developed stages. However, while the palm has reduced the number of seeds in each fruit to the minimum necessary for survival, it still retains many signs of its ancient three-part structure. The inherited habits remain evident in earlier stages; only in the mature form do the newer habits take over completely. Similarly, our own boys go through a basically wild childhood filled with ogres and fairies, bows and arrows, candy and barbaric nursery rhymes, as well as a romantic boyhood of medieval chivalry and adventure, before settling into what we consider the pinnacle of our society: the solid, practical, no-nonsense, commercial British Philistine. Thus, a coconut in its unpeeled state is roughly triangular in shape, its angles reflecting the three distinct fruits of simpler palms; it has three weak spots in the shell, where the embryos of the three original kernels used to emerge. But since only one is needed now, that one remains soft; the other two, which would simply weaken the plant if left unprotected, are shielded by a tougher shell. They likely serve to mislead the overly curious monkey or other predators, who might assume that if one of the weak spots is hard and impenetrable, the other two are as well.

Though I have now, I hope, satisfactorily accounted for the milk in the coco-nut, and incidentally for some other matters in its economy as well, I am loth to leave the young seedling whom I have brought so far on his way to the tender mercies of the winds and storms and tropical animals, some of whom are extremely fond of his juicy and delicate shoots. Indeed, the growing point or bud of most palms is a very pleasant succulent vegetable, and one kind—the West Indian mountain cabbage—deserves a better and more justly descriptive name, for it is really much more like seakale or asparagus. I shall try to follow our young seedling on in life, therefore, so as to give, while I am about it, a fairly comprehensive and complete biography of a single flourishing coco-nut palm.

Though I hope I've now explained the milk in the coconut and touched on some other details about its life cycle, I'm reluctant to leave the young seedling I've brought this far to face the harsh realities of wind, storms, and tropical animals, some of which really enjoy its tender, juicy shoots. In fact, the growing point or bud of most palms is a tasty, succulent vegetable, and one type—the West Indian mountain cabbage—deserves a better and more accurate name because it actually resembles sea kale or asparagus much more. So, I will try to follow our young seedling as it grows, aiming to provide a fairly comprehensive and complete biography of a thriving coconut palm.

Beginning, then, with the fall of the nut from the parent-tree, the troubles of the future palm confront it at once in the shape of the nut-eating crab. This evil-disposed crustacean is common around the sea-coast of the eastern tropical islands, which is also the region mainly affected by the coco-nut palm; for coco-nuts are essentially shore-loving trees, and thrive best in the immediate neighbourhood of the sea. Among the fallen nuts, the clumsy-looking thief of a crab (his appropriate Latin name is Birgus latro) makes great and dreaded havoc. To assist him in his unlawful object he has developed a pair of front legs, with specially strong and heavy claws, supplemented by a last or tail-end pair armed only with very narrow and slender pincers. He subsists entirely upon a coco-nut diet. Setting to work upon a big fallen nut—with the husk on, coco-nuts measure in the raw state about twelve inches the long way—he tears off all the coarse fibre bit by bit, and gets down at last to the hard shell. Then he hammers away with his heavy claw on the softest eye-hole till he has pounded an opening right through it. This done he twists round his body so as to turn his back upon the coco-nut he is operating upon (crabs are never famous either for good manners or gracefulness) and proceeds awkwardly but effectually to extract all the white kernel or pulp through the breach with his narrow pair of hind pincers. Like man, too, the robber-crab knows the value of the outer husk as well as of the eatable nut itself, for he collects the fibre in surprising quantities to line his burrow, and lies upon it, the clumsy sybarite, for a luxurious couch. Alas, however, for the helplessness of crabs, and the rapacity and cunning of all-appropriating man! The spoil-sport Malay digs up the nest for the sake of the fibre it contains, which spares him the trouble of picking junk on his own account, and then he eats the industrious crab who has laid it all up, while he melts down the great lump of fat under the robber's capacious tail, and sometimes gets from it as much as a good quart of what may be practically considered as limpid coco-nut oil. Sic vos non vobis is certainly the melancholy refrain of all natural history. The coco-nut palm intends the oil for the nourishment of its own seedling; the crab feloniously appropriates it and stores it up under his capacious tail for future personal use; the Malay steals it again from the thief for his own purposes; and ten to one the Dutch or English merchant beguiles it from him with sized calico or poisoned rum, and transmits it to Europe, where it serves to lighten our nights and assist at our matutinal tub, to point a moral and adorn the present tale.

Starting with the fall of the coconut from the parent tree, the future problems of the palm hit it immediately in the form of the nut-eating crab. This troublesome crustacean is common along the coast of the eastern tropical islands, which are mainly affected by the coconut palm; coconuts are essentially coastal trees and thrive best near the sea. Among the fallen nuts, the awkward-looking crab thief (scientifically known as Birgus latro) causes significant and feared destruction. To help with his unlawful goal, he has developed a pair of front legs with strong and heavy claws, along with a last pair that has only thin and slender pincers. He survives entirely on a coconut diet. When tackling a large fallen coconut—husk included, coconuts are about twelve inches long in their raw state—he tears off all the rough fibers piece by piece until he reaches the hard shell. Then he hammers away at the softest "eye" hole with his heavy claw until he creates an opening through it. Once that's done, he awkwardly turns around to face away from the coconut (crabs have never been known for their manners or grace) and proceeds to extract all the white kernel or pulp through the opening with his thin hind pincers. Like humans, the robber crab knows the value of the outer husk as well as the edible nut itself; he collects the fibers in surprising amounts to line his burrow and lies on it, the clumsy luxury-seeker, for a comfortable resting place. However, sadly for the crabs, they are helpless against the greed and cunning of all-appropriating humans! The spoil-sport Malay digs up the nest to collect the fiber for himself—saving him the trouble of gathering it on his own—and then he eats the hardworking crab that has stored it up, while he renders down the large lump of fat from the robber's big tail, sometimes getting as much as a quart of what can be considered pure coconut oil. Sic vos non vobis is certainly the sad refrain of all natural history. The coconut palm intends the oil for nourishing its own seedling; the crab unlawfully takes it and stores it for his future use; the Malay steals it back for his own needs; and more than likely, the Dutch or English merchant tricks it from him using cheap fabric or spiked rum, sending it to Europe, where it helps brighten our nights and assist with our morning routines, serving to deliver a lesson and embellish the present tale.

If, however, our coco-nut is lucky enough to escape the robber-crabs, the pigs, and the monkeys, as well as to avoid falling into the hands of man, and being converted into the copra of commerce, or sold from a costermonger's barrow in the chilly streets of ungenial London at a penny a slice, it may very probably succeed in germinating after the fashion I have already described, and pushing up its head through the surrounding foliage to the sunlight above. As a rule, the coco-nut has been dropped by its mother tree on the sandy soil of a sea-beach; and this is the spot it best loves, and where it grows to the stateliest height. Sometimes, however, it falls into the sea itself, and then the loose husk buoys it up, so that it floats away bravely till it is cast by the waves upon some distant coral reef or desert island. It is this power of floating and surviving a long voyage that has dispersed the coco-nut so widely among oceanic islands, where so few plants are generally to be found. Indeed, on many atolls or isolated reefs (for example, on Keeling Island) it is the only tree or shrub that grows in any quantity, and on it the pigs, the poultry, the ducks, and the land crabs of the place entirely subsist. In any case, wherever it happens to strike, the young coconut sends up at first a fine rosette of big spreading leaves, not raised as afterwards on a tall stem, but springing direct from the ground in a wide circle, something like a very big and graceful fern. In this early stage nothing can be more beautiful or more essentially tropical in appearance than a plantation of young coco-nuts. Their long feathery leaves spreading out in great clumps from the buried stock, and waving with lithe motion before the strong sea-breeze of the Indies, are the very embodiment of those deceptive ideal tropics which, alas, are to be found in actual reality nowhere on earth save in the artificial palm-houses at Kew, and the Casino Gardens at too entrancing Monte Carlo.

If our coconut manages to avoid being taken by robber crabs, pigs, and monkeys, as well as not ending up in the hands of humans and turning into commercial copra or being sold by a street vendor for a penny a slice in the grimy streets of London, it might actually succeed in germinating as I’ve already described, pushing its way up through the surrounding foliage to reach the sunlight above. Usually, the coconut has fallen from its mother tree onto the sandy soil of a beach, which is its preferred spot, allowing it to grow tall and stately. Sometimes, though, it lands in the ocean itself, and the loose husk keeps it afloat, letting it drift until it’s washed up on a distant coral reef or deserted island. This ability to float and survive a long journey is what has allowed the coconut to spread so widely among oceanic islands, where few plants are typically found. In fact, on many atolls or isolated reefs (like Keeling Island), it is often the only tree or shrub that grows in any significant amount, providing sustenance for local pigs, poultry, ducks, and land crabs. Wherever it washes ashore, the young coconut initially sends up a beautiful rosette of large, spreading leaves, not raised later on a tall stem but growing directly from the ground in a wide circle, resembling a large and graceful fern. At this early stage, nothing is more stunning or more quintessentially tropical than a grove of young coconuts. Their long, feathery leaves fanning out in great clumps from the buried base, swaying gently in the strong sea breeze of the Indies, perfectly embody those enchanting ideal tropics that, sadly, can be found nowhere on earth except in the artificial palm houses at Kew and the stunning gardens at Monte Carlo.

For the first two or three years the young palms must be well watered, and the soil around them opened; after which the tall graceful stem begins to rise rapidly into the open air. In this condition it may be literally said to make the tropics—those fallacious tropics, I mean, of painters and poets, of Enoch Arden and of Locksley Hall. You may observe that whenever an artist wants to make a tropical picture, he puts a group of coco-nut palms in the foreground, as much as to say, 'You see there's no deception; these are the genuine unadulterated tropics.' But as to painting the tropics without the palms, he might just as well think of painting the desert without the camels. At eight or ten years old the tree flowers, bearing blossoms of the ordinary palm type, degraded likenesses of the lilies and yuccas, greenish and inconspicuous, but visited by insects for the sake of their pollen. The flower, however, is fertilised by the wind, which carries the pollen grains from one bunch of blossoms to another. Then the nuts gradually swell out to an enormous size, and ripen very slowly, even under the brilliant tropical sun. (I will admit that the tropics are hot, though in other respects I hold them to be arrant impostors, like that precocious American youth who announced on his tenth birthday that in his opinion life wasn't all that it was cracked up to be.) But the worst thing about the coco-nut palm, the missionaries always say, is the fatal fact that, when once fairly started, it goes on bearing fruit uninterruptedly for forty years. This is very immoral and wrong of the ill-conditioned tree, because it encourages the idyllic Polynesian to lie under the palms, all day long, cooling his limbs in the sea occasionally, sporting with Amaryllis in the shade, or with the tangles of Neæra's hair, and waiting for the nuts to drop down in due time, when he ought (according to European notions) to be killing himself with hard work under a blazing sky, raising cotton, sugar, indigo, and coffee, for the immediate benefit of the white merchant, and the ultimate advantage of the British public. It doesn't enforce habits of steady industry and perseverance, the good missionaries say; it doesn't induce the native to feel that burning desire for Manchester piece-goods and the other blessings of civilisation which ought properly to accompany the propagation of the missionary in foreign parts. You stick your nut in the sand; you sit by a few years and watch it growing; you pick up the ripe fruits as they fall from the tree; and you sell them at last for illimitable red cloth to the Manchester piece-goods merchant. Nothing could be more simple or more satisfactory. And yet it is difficult to see the precise moral distinction between the owner of a coco-nut grove in the South Sea Islands and the owner of a coal-mine or a big estate in commercial England. Each lounges decorously through life after his own fashion; only the one lounges in a Russia leather chair at a club in Pall Mall, while the other lounges in a nice soft dust-heap beside a rolling surf in Tahiti or the Hawaiian Archipelago.

For the first two or three years, young palm trees need plenty of water, and the soil around them should be loosened. After that, the tall, elegant trunk starts to rise quickly into the open air. At this stage, it can truly be said to embody the tropics—those misleading versions of the tropics, that is, depicted by artists and poets, like in Enoch Arden and Locksley Hall. You may notice that whenever an artist wants to create a tropical scene, they feature a group of coconut palms in the foreground, as if to say, "Look, there's no trickery; these are the real, unfiltered tropics." Painting the tropics without the palms would be as absurd as trying to paint the desert without camels. At around eight or ten years old, the tree flowers, producing blooms typical of palms—diminished versions of lilies and yuccas, greenish and hard to notice, but attracting insects for their pollen. However, the flowers are fertilized by the wind, which carries pollen grains from one cluster of blossoms to another. The nuts then gradually grow to a huge size and ripen very slowly, even under the bright tropical sun. (I'll admit that the tropics are hot, although in other ways I think they are complete impostors, like that overly mature American kid who declared on his tenth birthday that, in his view, life wasn't as great as everyone said it was.) But the worst thing about the coconut palm, the missionaries always say, is the unfortunate truth that, once it gets going, it produces fruit non-stop for forty years. This is very immoral and wrong of the poorly behaved tree, as it encourages the idyllic Polynesian to spend all day lying under the palms, occasionally cooling off in the sea, enjoying the company of Amaryllis in the shade, or tangled up in Neæra's hair, waiting for the nuts to fall when they’re ready, whereas he should (according to European views) be toiling away under a scorching sun, growing cotton, sugar, indigo, and coffee, for the immediate benefit of the white merchant, and the ultimate advantage of the British public. The missionaries claim it doesn’t promote habits of consistent hard work and perseverance; it doesn’t inspire the locals to have that burning desire for Manchester textiles and the other perks of civilization that should ideally accompany the missionary’s efforts abroad. You plant your nut in the sand; sit back for a few years and watch it grow; pick up the ripe fruits as they drop from the tree; and finally sell them for endless red fabric to the Manchester textiles dealer. Nothing could be simpler or more fulfilling. Yet, it's hard to draw a clear moral distinction between the owner of a coconut grove in the South Sea Islands and the owner of a coal mine or a large estate in commercial England. Each lives life leisurely in their own way; one relaxes in a leather chair at a club in Pall Mall, while the other lounges on a nice soft patch of sand beside the crashing waves in Tahiti or the Hawaiian Islands.

Curiously enough, at a little distance from the sandy levels or alluvial flats of the sea-shore, the sea-loving coco-nut will not bring its nuts to perfection. It will grow, indeed, but it will not thrive or fruit in due season. On the coast-line of Southern India, immense groves of coco-nuts fringe the shore for miles and miles together; and in some parts, as in Travancore, they form the chief agricultural staple of the whole country. 'The State has hence facetiously been called Coconutcore,' says its historian; which charmingly illustrates the true Anglo-Indian notion of what constitutes facetiousness, and ought to strike the last nail into the coffin of a competitive examination system. A good tree in full bearing should produce 120 coco-nuts in a season; so that a very small grove is quite sufficient to maintain a respectable family in decency and comfort. Ah, what a mistake the English climate made when it left off its primitive warmth of the tertiary period, and got chilled by the ice and snow of the Glacial Epoch down to its present misty and dreary wheat-growing condition! If it were not for that, those odious habits of steady industry and perseverance might never have been developed in ourselves at all, and we might be lazily picking copra off our own coco-palms, to this day, to export in return for the piece-goods of some Arctic Manchester situated somewhere about the north of Spitzbergen or the New Siberian Islands.

Curiously, a little way from the sandy shores or alluvial flats of the coastline, the sea-loving coconut does not produce its nuts properly. It will grow, but it won't thrive or bear fruit when it should. Along the coast of Southern India, vast groves of coconuts line the shore for miles; in some areas, like Travancore, they are the main agricultural product of the entire region. “The State has humorously been called Coconutcore,” says its historian, which nicely illustrates the typical Anglo-Indian idea of humor and should definitely highlight the flaws in a competitive exam system. A good coconut tree in full production can yield 120 coconuts in a season, so a relatively small grove can easily provide a decent living for a family. Ah, what a mistake the English climate made when it lost the warmth of the ancient period and became cold from the ice and snow of the Glacial Epoch, leading to its current dreary wheat-growing state! If it hadn't been for that, we might never have developed those tedious habits of hard work and persistence, and we could still be lazily harvesting copra from our own coconut palms, trading it for textiles from some far-off Arctic Manchester located somewhere near Spitzbergen or the New Siberian Islands.

Even as things stand at the present day, however, it is wonderful how much use we modern Englishmen now make in our own houses of this far Eastern nut, whose very name still bears upon its face the impress of its originally savage origin. From morning to night we never leave off being indebted to it. We wash with it as old brown Windsor or glycerine soap the moment we leave our beds. We walk across our passages on the mats made from its fibre. We sweep our rooms with its brushes, and wipe our feet on it as we enter our doors. As rope, it ties up our trunks and packages; in the hands of the housemaid it scrubs our floors; or else, woven into coarse cloth, it acts as a covering for bales and furniture sent by rail or steamboat. The confectioner undermines our digestion in early life with coco-nut candy; the cook tempts us later on with coco-nut cake; and Messrs. Huntley and Palmer cordially invite us to complete the ruin with coco-nut biscuits. We anoint our chapped hands with one of its preparations after washing; and grease the wheels of our carriages with another to make them run smoothly. Finally, we use the oil to burn in our reading lamps, and light ourselves at last to bed with stearine candles. Altogether, an amateur census of a single small English cottage results in the startling discovery that it contains twenty-seven distinct articles which owe their origin in one way or another to the coco-nut palm. And yet we affect in our black ingratitude to despise the question of the milk in the coconut.

Even today, it's amazing how much we modern English people use this far Eastern nut in our homes, even though its name still shows its originally wild roots. From morning till night, we constantly rely on it. We wash with it, just like we do with old brown Windsor or glycerine soap, the moment we get out of bed. We walk across our hallways on mats made from its fiber. We sweep our rooms using its brushes and wipe our feet on it as we come inside. As rope, it ties up our trunks and packages; in the hands of the housemaid, it cleans our floors; and woven into coarse cloth, it covers bales and furniture transported by rail or steamboat. Confectioners ruin our digestion in childhood with coconut candy; later on, the cook tempts us with coconut cake; and Messrs. Huntley and Palmer invite us to finish the damage with coconut biscuits. We soothe our chapped hands with one of its products after washing and use another to grease our carriage wheels for a smooth ride. Finally, we burn the oil in our reading lamps and end up lighting our way to bed with stearine candles. Overall, a casual count in a small English cottage reveals the surprising fact that it contains twenty-seven different items that come from the coconut palm in one way or another. Yet we strangely pretend to look down on the issue of the milk in the coconut.


FOOD AND FEEDING

When a man and a bear meet together casually in an American forest, it makes a great deal of difference, to the two parties concerned at least, whether the bear eats the man or the man eats the bear. We haven't the slightest difficulty in deciding afterwards which of the two, in each particular case, has been the eater, and which the eaten. Here, we say, is the grizzly that eat the man; or, here is the man that smoked and dined off the hams of the grizzly. Basing our opinion upon such familiar and well-known instances, we are apt to take it for granted far too readily that between eating and being eaten, between the active and the passive voice of the verb edo, there exists necessarily a profound and impassable native antithesis. To swallow an oyster is, in our own personal histories, so very different a thing from being swallowed by a shark that we can hardly realise at first the underlying fundamental identity of eating with mere coalescence. And yet, at the very outset of the art of feeding, when the nascent animal first began to indulge in this very essential animal practice, one may fairly say that no practical difference as yet existed between the creature that ate and the creature that was eaten. After the man and the bear had finished their little meal, if one may be frankly metaphorical, it was impossible to decide whether the remaining being was the man or the bear, or which of the two had swallowed the other. The dinner having been purely mutual, the resulting animal represented both the litigants equally; just as, in cannibal New Zealand, the chief who ate up his brother chief was held naturally to inherit the goods and chattels of the vanquished and absorbed rival, whom he had thus literally and physically incorporated.

When a man and a bear casually meet in an American forest, it really matters, at least to both parties, whether the bear eats the man or the man eats the bear. We have no trouble figuring out afterward which one was the eater and which one was the eaten. We say, for instance, here’s the grizzly that ate the man; or here’s the man who feasted on the grizzly's hams. Based on these familiar scenarios, we tend to assume too easily that there’s a huge and unbridgeable difference between eating and being eaten, between the active and passive forms of the verb edo. Eating an oyster is so different in our personal experiences from being eaten by a shark that we can hardly grasp the basic similarity of eating being just a form of merging. Yet, at the very start of the feeding process, when an animal first began to engage in this essential behavior, it could be argued that no real difference existed between the creature that ate and the creature that was eaten. After the man and the bear had their little meal, if we can be a bit metaphorical, it would be impossible to tell whether the survivor was the man or the bear, or which one had swallowed the other. Since the dinner was purely mutual, the resulting entity represented both equally; just like in cannibal New Zealand, where the chief who ate his brother chief was seen as naturally inheriting the possessions of the defeated and absorbed rival he had thus literally and physically taken in.

A jelly-speck, floating about at his ease in a drop of stagnant water under the field of a microscope, collides accidentally with another jelly-speck who happens to be travelling in the opposite direction across the same miniature ocean. What thereupon occurs? One jelly-speck rolls itself gradually into the other, so that, instead of two, there is now one; and the united body proceeds to float away quite unconcernedly, without waiting to trouble itself for a second with the profound metaphysical question, which half of it is the original personality, and which half the devoured and digested. In these minute and very simple animals there is absolutely no division of labour between part and part; every bit of the jelly-like mass is alike head and foot and mouth and stomach. The jelly-speck has no permanent limbs, but it keeps putting forth vague arms and legs every now and then from one side or the other; and with these temporary and ever-dissolving members it crawls along merrily through its tiny drop of stagnant water. If two of the legs or arms happen to knock up casually against one another, they coalesce at once, just like two drops of water on a window-pane, or two strings of treacle slowly spreading along the surface of a plate. When the jelly-speck meets any edible thing—a bit of dead plant, a wee creature like itself, a microscopic egg—it proceeds to fold its own substance slimily around it, making, as it were, a temporary mouth for the purpose of swallowing it, and a temporary stomach for the purpose of quietly digesting and assimilating it afterwards. Thus what at one moment is a foot may at the next moment become a mouth, and at the moment after that again a rudimentary stomach. The animal has no skin and no body, no outside and no inside, no distinction of parts or members, no individuality, no identity. Roll it up into one with another of its kind, and it couldn't tell you itself a minute afterwards which of the two it had really been a minute before. The question of personal identity is here considerably mixed.

A jelly-speck, floating easily in a drop of stagnant water under a microscope, accidentally bumps into another jelly-speck heading the opposite way across the same tiny ocean. So, what happens next? One jelly-speck gradually merges into the other, turning two into one; then the combined jelly-speck floats away nonchalantly, without pausing to ponder the deep philosophical question of which part is the original self and which part has been consumed and digested. In these tiny and very simple creatures, there’s no division of labor between parts; every bit of the jelly-like mass is both head, foot, mouth, and stomach. The jelly-speck has no permanent limbs, but it constantly extends vague arms and legs from one side or the other. With these temporary and ever-changing limbs, it moves along happily through its little drop of stagnant water. If two legs or arms happen to bump into each other, they instantly merge, similar to how two drops of water join on a window or two streams of syrup spread on a plate. When the jelly-speck encounters something edible—a piece of dead plant, a tiny creature like itself, a microscopic egg—it wraps its slimy substance around it, creating a temporary mouth for swallowing and a temporary stomach for digesting and absorbing it later. Thus, what is a foot one moment can become a mouth the next, and then a rudimentary stomach right after. The animal lacks skin and body, inside and outside, distinct parts or limbs, individuality, and identity. If you merge it with another of its kind, it couldn’t even tell you which one it had been just a minute before. The question of personal identity is pretty muddled here.

But as soon as we get to rather larger creatures of the same type, the antithesis between the eater and the eaten begins to assume a more definite character. The big jelly-bag approaches a good many smaller jelly-bags, microscopic plants, and other appropriate food-stuffs, and, surrounding them rapidly with its crawling arms, envelopes them in its own substance, which closes behind them and gradually digests them. Everybody knows, by name at least, that revolutionary and evolutionary hero, the amœba—the terror of theologians, the pet of professors, and the insufferable bore of the general reader. Well, this parlous and subversive little animal consists of a comparatively large mass of soft jelly, pushing forth slender lobes, like threads or fingers, from its own substance, and gliding about, by means of these tiny legs, over water-plants and other submerged surfaces. But though it can literally turn itself inside out, like a glove, it still has some faint beginnings of a mouth and stomach, for it generally takes in food and absorbs water through a particular part of its surface, where the slimy mass of its body is thinnest. Thus the amœba may be said really to eat and drink, though quite devoid of any special organs for eating or drinking.

But as soon as we get to larger creatures of the same kind, the contrast between the eater and the eaten starts to become clearer. The big jellyfish approaches many smaller jellyfish, microscopic plants, and other suitable food sources, quickly wrapping them up with its tentacles and engulfing them in its own body, which closes behind them and slowly digests them. Everyone knows, at least by name, that revolutionary and evolutionary hero, the amoeba—the nightmare of theologians, the favorite of professors, and the tedious topic for the average reader. This tricky and disruptive little creature consists of a relatively large mass of soft jelly, extending slender lobes, like threads or fingers, from its own body, and moving around, using these tiny appendages, over water plants and other submerged surfaces. However, even though it can literally turn itself inside out, like a glove, it still has some faint beginnings of a mouth and stomach, as it typically takes in food and absorbs water through a specific area of its surface, where the slimy mass of its body is thinnest. Therefore, the amoeba can be said to truly eat and drink, even though it doesn't have any specialized organs for eating or drinking.

The particular point to which I wish to draw attention here, however, is this: that even the very simplest and most primitive animals do discriminate somehow between what is eatable and what isn't. The amœba has no eyes, no nose, no mouth, no tongue, no nerves of taste, no special means of discrimination of any kind; and yet, so long as it meets only grains of sand or bits of shell, it makes no effort in any way to swallow them; but, the moment it comes across a bit of material fit for its food, it begins at once to spread its clammy fingers around the nutritious morsel. The fact is, every part of the amœba's body apparently possesses, in a very vague form, the first beginnings of those senses which in us are specialised and confined to a single spot. And it is because of the light which the amœba thus incidentally casts upon the nature of the specialised senses in higher animals that I have ventured once more to drag out of the private life of his native pond that already too notorious and obtrusive rhizopod.

The specific point I want to highlight here is this: even the simplest and most primitive animals can somehow tell what’s edible and what’s not. The amoeba has no eyes, nose, mouth, tongue, or taste nerves—no special way to discriminate at all; yet, it makes no effort to swallow grains of sand or bits of shell. However, the moment it encounters something it can eat, it immediately starts to wrap its slimy extensions around the nutritious morsel. In fact, every part of the amoeba's body seems to have, in a very basic way, the early beginnings of the senses that we have developed and localized to specific areas. This is why I feel compelled to once again bring to light this already well-known and prominent rhizopod from its natural habitat in the pond.

With us lordly human beings, at the extreme opposite end in the scale of being from the microscopic jelly-specks, the art of feeding and the mechanism which provides for it have both reached a very high state of advanced perfection. We have slowly evolved a tongue and palate on the one hand, and French cooks and pâté de foie gras on the other. But while everybody knows practically how things taste to us, and which things respectively we like and dislike, comparatively few people ever recognise that the sense of taste is not merely intended as a source of gratification, but serves a useful purpose in our bodily economy, in informing us what we ought to eat and what to refuse. Paradoxical as it may sound at first to most people, nice things are, in the main, things that are good for us, and nasty things are poisonous or otherwise injurious. That we often practically find the exact contrary the case (alas!) is due, not to the provisions of nature, but to the artificial surroundings in which we live, and to the cunning way in which we flavour up unwholesome food, so as to deceive and cajole the natural palate. Yet, after all, it is a pleasant gospel that what we like is really good for us, and, when we have made some small allowances for artificial conditions, it is in the main a true one also.

With us sophisticated humans, at the far opposite end of the spectrum from tiny jelly-like organisms, the art of eating and the way we prepare food have both reached a really high level of refinement. We’ve gradually developed our taste buds and sense of flavor, on one side, and French chefs and pâté de foie gras on the other. But while everyone pretty much knows how things taste to us, and what we like or dislike, relatively few people realize that the sense of taste isn't just for pleasure; it actually serves a useful role in our bodies by telling us what we should eat and what we should avoid. It may sound odd at first, but mostly, tasty things are good for us, while unpleasant things can be poisonous or harmful. The fact that we often find the exact opposite to be true (unfortunately!) is not because of nature itself, but because of the artificial conditions in which we live and the clever ways we enhance unhealthy foods to trick and entice our natural taste buds. Yet, it’s still a comforting idea that what we enjoy is actually good for us, and when we make some small adjustments for those artificial conditions, it’s largely true too.

The sense of taste, which in the lowest animals is diffused equally over the whole frame, is in ourselves and other higher creatures concentrated in a special part of the body, namely the mouth, where the food about to be swallowed is chewed and otherwise prepared beforehand for the work of digestion. Now it is, of course, quite clear that some sort of supervision must be exercised by the body over the kind of food that is going to be put into it. Common experience teaches us that prussic acid and pure opium are undesirable food-stuffs in large quantities; that raw spirits, petroleum, and red lead should be sparingly partaken of by the judicious feeder; and that even green fruit, the bitter end of cucumber, and the berries of deadly nightshade are unsatisfactory articles of diet when continuously persisted in. If, at the very outset of our digestive apparatus, we hadn't a sort of automatic premonitory adviser upon the kinds of food we ought or ought not to indulge in, we should naturally commit considerable imprudences in the way of eating and drinking—even more than we do at present. Natural selection has therefore provided us with a fairly efficient guide in this respect in the sense of taste, which is placed at the very threshold, as it were, of our digestive mechanism. It is the duty of taste to warn us against uneatable things, and to recommend to our favourable attention eatable and wholesome ones; and, on the whole, in spite of small occasional remissness, it performs this duty with creditable success.

The sense of taste, which in the simplest animals is spread evenly throughout their bodies, is concentrated in a specific part of humans and other higher creatures: the mouth. This is where food is chewed and prepared before digestion. Clearly, the body needs to monitor the type of food that goes into it. Everyday experience tells us that substances like prussic acid and pure opium are not suitable foods in large amounts; that raw alcohol, petroleum, and red lead should only be consumed sparingly; and that even green fruit, the bitter end of cucumber, and deadly nightshade berries are not good options if eaten regularly. If we didn’t have an automatic early warning system, telling us what foods are safe or unsafe to eat right at the start of our digestive process, we would likely make many more mistakes in our eating and drinking habits than we do now. Natural selection has given us a pretty effective guide in our sense of taste, which is essentially at the entrance of our digestive system. Its job is to alert us to inedible items and to suggest safe and healthy options, and overall, despite occasional lapses, it does this job quite well.

Taste, however, is not equally distributed over the whole surface of the tongue alike. There are three distinct regions or tracts, each of which has to perform its own special office and function. The tip of the tongue is concerned mainly with pungent and acrid tastes; the middle portion is sensitive chiefly to sweets and bitters; while the back or lower portion confines itself almost entirely to the flavours of roast meats, butter, oils, and other rich or fatty substances. There are very good reasons for this subdivision of faculties in the tongue, the object being, as it were, to make each piece of food undergo three separate examinations (like 'smalls,' 'mods,' and 'greats' at Oxford), which must be successively passed before it is admitted into full participation in the human economy. The first examination, as we shall shortly see, gets rid at once of substances which would be actively and immediately destructive to the very tissues of the mouth and body; the second discriminates between poisonous and chemically harmless food-stuffs; and the third merely decides the minor question whether the particular food is likely to prove then and there wholesome or indigestible to the particular person. The sense of taste proceeds, in fact, upon the principle of gradual selection and elimination; it refuses first what is positively destructive, next what is more remotely deleterious, and finally what is only undesirable or over-luscious.

Taste, however, isn't evenly spread across the entire surface of the tongue. There are three distinct areas, each with its own specific role and function. The tip of the tongue mainly detects spicy and sharp flavors; the middle section is mostly sensitive to sweet and bitter tastes; while the back or lower part focuses almost entirely on flavors from roasted meats, butter, oils, and other rich or fatty substances. There are good reasons for this division of functions on the tongue, designed to ensure that each piece of food goes through three separate assessments (like 'smalls,' 'mods,' and 'greats' at Oxford) before it is fully accepted into the human system. The first assessment, as we will soon see, eliminates substances that would be actively and immediately harmful to the tissues of the mouth and body; the second distinguishes between toxic and safe food items; and the third simply determines whether the specific food will be wholesome or hard to digest for that individual. The sense of taste operates on the principle of gradual selection and elimination; it first rejects what is clearly harmful, then what is more indirectly harmful, and finally what is just undesirable or overly rich.

When we want to assure ourselves, by means of taste, about any unknown object—say a lump of some white stuff, which may be crystal, or glass, or alum, or borax, or quartz, or rocksalt—we put the tip of the tongue against it gingerly. If it begins to burn us, we draw it away more or less rapidly with an accompaniment in language strictly dependent upon our personal habits and manners. The test we thus occasionally apply, even in the civilised adult state, to unknown bodies is one that is being applied every day and all day long by children and savages. Unsophisticated humanity is constantly putting everything it sees up to its mouth in a frank spirit of experimental inquiry as to its gustatory properties. In civilised life we find everything ready labelled and assorted for us; we comparatively seldom require to roll the contents of a suspicious bottle (in very small quantities) doubtfully upon the tongue in order to discover whether it is pale sherry or Chili vinegar, Dublin stout or mushroom ketchup. But in the savage state, from which, geologically and biologically speaking, we have only just emerged, bottles and labels do not exist. Primitive man, therefore, in his sweet simplicity, has only two modes open before him for deciding whether the things he finds are or are not strictly edible. The first thing he does is to sniff at them; and smell, being, as Mr. Herbert Spencer has well put it, an anticipatory taste, generally gives him some idea of what the thing is likely to prove. The second thing he does is to pop it into his mouth, and proceed practically to examine its further characteristics.

When we want to confirm something unknown through taste—like a piece of some white substance that could be crystal, glass, alum, borax, quartz, or rock salt—we tentatively touch it with the tip of our tongue. If it starts to burn, we quickly pull it away, reacting in a way that's shaped by our personal habits and manners. This test we occasionally use, even as grown-ups in a civilized society, is something children and primitive people do all the time. Uncomplicated human nature constantly brings everything it sees to its mouth, driven by a curious desire to explore its flavor. In civilized life, we find everything neatly labeled and categorized for us; we hardly ever need to take a suspicious bottle (in tiny amounts) and doubtfully taste its contents to figure out if it's pale sherry, chili vinegar, Dublin stout, or mushroom ketchup. But in the primitive state, from which we’ve only recently evolved, bottles and labels simply don’t exist. Hence, primitive people, in their simple way, have only two methods for determining whether the things they encounter are edible or not. The first is to sniff them; and since, as Mr. Herbert Spencer aptly noted, smell is a precursor to taste, it usually gives a clue about what the item might be. The second method is to pop it into their mouth and practically test its other characteristics.

Strictly speaking, with the tip of the tongue one can't really taste at all. If you put a small drop of honey or of oil of bitter almonds on that part of the mouth, you will find (no doubt to your great surprise) that it produces no effect of any sort; you only taste it when it begins slowly to diffuse itself, and reaches the true tasting region in the middle distance. But if you put a little cayenne or mustard on the same part, you will find that it bites you immediately—the experiment should be tried sparingly—while if you put it lower down in the mouth you will swallow it almost without noticing the pungency of the stimulant. The reason is, that the tip of the tongue is supplied only with nerves which are really nerves of touch, not nerves of taste proper; they belong to a totally different main branch, and they go to a different centre in the brain, together with the very similar threads which supply the nerves of smell for mustard and pepper. That is why the smell and taste of these pungent substances are so much alike, as everybody must have noticed, a good sniff at a mustard-pot producing almost the same irritating effects as an incautious mouthful. As a rule we don't accurately distinguish, it is true, between these different regions of taste in the mouth in ordinary life; but that is because we usually roll our food about instinctively, without paying much attention to the particular part affected by it. Indeed, when one is trying deliberate experiments in the subject, in order to test the varying sensitiveness of the different parts to different substances, it is necessary to keep the tongue quite dry, in order to isolate the thing you are experimenting with, and prevent its spreading to all parts of the mouth together. In actual practice this result is obtained in a rather ludicrous manner—by blowing upon the tongue, between each experiment, with a pair of bellows. To such undignified expedients does the pursuit of science lead the ardent modern psychologist. Those domestic rivals of Dr. Forbes Winslow, the servants, who behold the enthusiastic investigator alternately drying his tongue in this ridiculous fashion, as if he were a blacksmith's fire, and then squeezing out a single drop of essence of pepper, vinegar, or beef-tea from a glass syringe upon the dry surface, not unnaturally arrive at the conclusion that master has gone stark mad, and that, in their private opinion, it's the microscope and the skeleton as has done it.

Strictly speaking, you can't really taste anything with just the tip of your tongue. If you put a small drop of honey or bitter almond oil there, you'll find (probably to your surprise) that it doesn't have any effect; you only taste it when it starts to spread out and reaches the actual tasting area further back. But if you put some cayenne or mustard on the same spot, you'll feel it immediately—the experiment should be done cautiously—while if you place it lower in your mouth, you'll swallow it almost without noticing the spiciness. The reason is that the tip of the tongue has nerves that are actually touch nerves, not taste nerves; they belong to a completely different system and connect to a different part of the brain, alongside the similar nerves that provide the sense of smell for mustard and pepper. That's why the smell and taste of these spicy substances feel so similar, as anyone who's taken a good sniff of mustard can attest—it has almost the same irritating effect as a careless taste. Generally speaking, we don't really distinguish between the different areas of taste in our mouths during regular life; this is because we usually chew our food instinctively, without focusing on which part of the mouth is affected. In fact, when conducting careful experiments to test how sensitive different parts are to different substances, it's important to keep the tongue completely dry to isolate what you're experimenting with and prevent it from spreading throughout the mouth. In practice, this is humorously achieved by blowing on the tongue with a pair of bellows between each experiment. Such undignified methods are what the passionate modern psychologist resorts to. The household staff of Dr. Forbes Winslow, who watch the eager researcher alternately drying his tongue in this silly way, as if he's stoking a blacksmith's fire, and then squeezing out a single drop of pepper essence, vinegar, or beef broth from a glass syringe onto the dry spot, naturally conclude that their master has lost his mind, and they privately believe it's the microscope and the skeleton that have driven him to it.

Above all things, we don't want to be flayed alive. So the kinds of tastes discriminated by the tip of the tongue are the pungent, like pepper, cayenne and mustard; the astringent, like borax and alum; the alkaline, like soda and potash; the acid, like vinegar and green fruit; and the saline, like salt and ammonia. Almost all the bodies likely to give rise to such tastes (or, more correctly, sensations of touch in the tongue) are obviously unwholesome and destructive in their character, at least when taken in large quantities. Nobody wishes to drink nitric acid by the quart. The first business of this part of the tongue is, therefore, to warn us emphatically against caustic substances and corrosive acids, against vitriol and kerosene, spirits of wine and ether, capsicums and burning leaves or roots, such as those of the common English lords-and-ladies. Things of this sort are immediately destructive to the very tissues of the tongue and palate; if taken incautiously in too large doses, they burn the skin off the roof of the mouth; and when swallowed they play havoc, of course, with our internal arrangements. It is highly advisable, therefore, to have an immediate warning of these extremely dangerous substances, at the very outset of our feeding apparatus.

Above all, we definitely don’t want to be burned alive. So, the different tastes identified by the tip of the tongue are pungent, like pepper, cayenne, and mustard; astringent, like borax and alum; alkaline, like soda and potash; acid, like vinegar and green fruit; and saline, like salt and ammonia. Almost all the substances that could produce such tastes (or, more accurately, sensations of touch on the tongue) are clearly unhealthy and harmful, especially in large amounts. No one wants to drink nitric acid by the quart. The main job of this area of the tongue is to strongly warn us against caustic substances and corrosive acids, like vitriol and kerosene, alcohol and ether, hot peppers, and burning leaves or roots, like those of the common English lords-and-ladies. These types of substances can instantly damage the tissues of the tongue and palate; if taken carelessly in excessive amounts, they can burn the skin off the roof of the mouth; and when swallowed, they cause serious damage to our internal systems. It’s very important to have a quick warning about these extremely dangerous substances right at the beginning of our digestive process.

This kind of taste hardly differs from touch or burning. The sensibility of the tip of the tongue is only a very slight modification of the sensibility possessed by the skin generally, and especially by the inner folds over all delicate parts of the body. We all know that common caustic burns us wherever it touches; and it burns the tongue only in a somewhat more marked manner. Nitric or sulphuric acid attacks the fingers each after its own kind. A mustard plaster makes us tingle almost immediately; and the action of mustard on the tongue hardly differs, except in being more instantaneous and more discriminative. Cantharides work in just the same way. If you cut a red pepper in two and rub it on your neck, it will sting just as it does when put into soup (this experiment, however, is best tried upon one's younger brother; if made personally, it hardly repays the trouble and annoyance). Even vinegar and other acids, rubbed into the skin, are followed by a slight tingling; while the effect of brandy, applied, say, to the arms, is gently stimulating and pleasurable, somewhat in the same way as when normally swallowed in conjunction with the habitual seltzer. In short, most things which give rise to distinct tastes when applied to the tip of the tongue give rise to fainter sensations when applied to the skin generally. And one hardly needs to be reminded that pepper or vinegar placed (accidentally as a rule) on the inner surface of the eyelids produces a very distinct and unpleasant smart.

This type of taste is hardly different from touch or burning. The sensitivity of the tip of the tongue is just a slight variation of the sensitivity found in the skin overall, especially in the delicate inner folds of the body. We all know that common caustic burns wherever it makes contact; it just burns the tongue a bit more intensely. Nitric or sulfuric acid affects the fingers in their own unique ways. A mustard plaster makes us tingle almost immediately, and the effect of mustard on the tongue is barely different, except it's quicker and more precise. Cantharides work in the same way. If you cut a red pepper in half and rub it on your neck, it will sting just like it does when added to soup (though it’s best to try this on your younger brother, as doing it to yourself isn’t worth the trouble). Even vinegar and other acids, when rubbed on the skin, lead to a slight tingling; while the effect of brandy applied to the arms, for example, is gently stimulating and enjoyable, similar to when it’s normally consumed with seltzer. In short, most substances that create strong tastes when they touch the tip of the tongue produce milder sensations when applied to the rest of the skin. And it’s worth noting that accidentally getting pepper or vinegar on the inner surface of the eyelids creates a very distinct and unpleasant sting.

The fact is, the liability to be chemically affected by pungent or acid bodies is common to every part of the skin; but it is least felt where the tough outer skin is thickest, and most felt where that skin is thinnest, and the nerves are most plentifully distributed near the surface. A mustard plaster would probably fail to draw at all on one's heel or the palm of one's hand; while it is decidedly painful on one's neck or chest; and a mere speck of mustard inside the eyelid gives one positive torture for hours together. Now, the tip of the tongue is just a part of one's body specially set aside for this very object, provided with an extremely thin skin, and supplied with an immense number of nerves, on purpose so as to be easily affected by all such pungent, alkaline, or spirituous substances. Sir Wilfrid Lawson would probably conclude that it was deliberately designed by Providence to warn us against a wicked indulgence in the brandy and seltzer aforesaid.

The truth is, every part of the skin can be affected by strong or acidic substances, but it's felt the least where the tough outer layer is thickest, and the most where the skin is thinnest, particularly where there are many nerves close to the surface. A mustard plaster probably wouldn’t have any effect on your heel or the palm of your hand, while it can be quite painful on your neck or chest; even a tiny bit of mustard under the eyelid can cause intense discomfort for hours. The tip of the tongue is specifically designed for sensing these types of substances, featuring very thin skin and an abundance of nerves to easily react to strong, alkaline, or alcoholic substances. Sir Wilfrid Lawson might suggest that this was intentionally designed by Providence to warn us against excessive enjoyment of brandy and seltzer.

At first sight it might seem as though there were hardly enough of such pungent and fiery things in existence to make it worth while for us to be provided with a special mechanism for guarding against them. That is true enough, no doubt, as regards our modern civilised life; though, even now, it is perhaps just as well that our children should have an internal monitor (other than conscience) to dissuade them immediately from indiscriminate indulgence in photographic chemicals, the contents of stray medicine bottles, and the best dried West India chilies. But in an earlier period of progress, and especially in tropical countries (where the Darwinians have now decided the human race made its first début upon this or any other stage), things were very different indeed. Pungent and poisonous plants and fruits abounded on every side. We have all of us in our youth been taken in by some too cruelly waggish companion, who insisted upon making us eat the bright, glossy leaves of the common English arum, which without look pretty and juicy enough, but within are full of the concentrated essence of pungency and profanity. Well, there are hundreds of such plants, even in cold climates, to tempt the eyes and poison the veins of unsuspecting cattle or childish humanity. There is buttercup, so horribly acrid that cows carefully avoid it in their closest cropped pastures; and yet your cow is not usually a too dainty animal. There is aconite, the deadly poison with which Dr. Lamson removed his troublesome relatives. There is baneberry, whose very name sufficiently describes its dangerous nature. There are horse-radish, and stinging rocket, and biting wall-pepper, and still smarter water-pepper, and worm-wood, and nightshade, and spurge, and hemlock, and half a dozen other equally unpleasant weeds. All of these have acquired their pungent and poisonous properties, just as nettles have acquired their sting, and thistles their thorns, in order to prevent animals from browsing upon them and destroying them. And the animals in turn have acquired a very delicate sense of pungency on purpose to warn them beforehand of the existence of such dangerous and undesirable qualities in the plants which they might otherwise be tempted incautiously to swallow.

At first glance, it might seem like there aren't enough strong and spicy things around to justify having a special system to protect us from them. That's definitely true for our modern civilized lives; still, it's probably a good idea that our kids have an internal monitor (besides their conscience) to warn them against reckless indulgence in photographic chemicals, random medicine bottles, and really spicy West Indian chilies. But back in the day, especially in tropical regions (where scientists now believe humanity first made its appearance), things were very different. There were plenty of pungent and poisonous plants and fruits everywhere. Many of us have been tricked in our youth by some mischievous friend who insisted we eat the bright, shiny leaves of the common English arum, which look appealing and juicy but are filled with a strong and unpleasant essence. There are countless such plants, even in colder climates, enticing the eyes and poisoning the unsuspecting cattle or curious kids. There's buttercup, which is so painfully bitter that cows avoid it even in well-grazed pastures, and cows aren't usually picky eaters. Then there's aconite, the deadly poison that Dr. Lamson famously used on his bothersome relatives. Baneberry is aptly named for its dangerous nature. There's horseradish, stinging rocket, bitter wall-pepper, smarter water-pepper, wormwood, nightshade, spurge, hemlock, and many other unpleasant weeds. All of these plants have developed their pungent and toxic traits just like nettles have developed their sting and thistles their thorns, to stop animals from eating them and causing harm. In turn, animals have developed a keen sense of pungency to alert them to the existence of these dangerous and undesirable qualities in plants they might otherwise thoughtlessly consume.

In tropical woods, where our 'hairy quadrumanous ancestor' (Darwinian for the primæval monkey, from whom we are presumably descended) used playfully to disport himself, as yet unconscious of his glorious destiny as the remote progenitor of Shakespeare, Milton, and the late Mr. Peace—in tropical woods, such acrid or pungent fruits and plants are particularly common, and correspondingly annoying. The fact is, our primitive forefather and all the other monkeys are, or were, confirmed fruit-eaters. But to guard against their depredations a vast number of tropical fruits and nuts have acquired disagreeable or fiery rinds and shells, which suffice to deter the bold aggressor. It may not be nice to get your tongue burnt with a root or fruit, but it is at least a great deal better than getting poisoned; and, roughly speaking, pungency in external nature exactly answers to the rough gaudy labels which some chemists paste on bottles containing poisons. It means to say, 'This fruit or leaf, if you eat it in any quantities, will kill you.' That is the true explanation of capsicums, pimento, colocynth, croton oil, the upas tree, and the vast majority of bitter, acrid, or fiery fruits and leaves. If we had to pick up our own livelihood, as our naked ancestors had to do, from roots, seeds, and berries, we should far more readily appreciate this simple truth. We should know that a great many more plants than we now suspect are bitter or pungent, and therefore poisonous. Even in England we are familiar enough with such defences as those possessed by the outer rind of the walnut; but the tropical cashew-nut has a rind so intensely acrid that it blisters the lips and fingers instantaneously, in the same way as cantharides would do. I believe that on the whole, taking nature throughout, more fruits and nuts are poisonous, or intensely bitter, or very fiery, than are sweet, luscious, and edible.

In tropical forests, where our "hairy four-limbed ancestor" (the Darwinian name for the early monkey we presumably descended from) used to play around, unaware of his amazing future as the distant ancestor of Shakespeare, Milton, and the late Mr. Peace—in those tropical woods, sharp or strong-smelling fruits and plants are quite common and correspondingly irritating. The truth is, our primitive ancestors and all other monkeys were confirmed fruit-eaters. To protect themselves from their munching, numerous tropical fruits and nuts developed unpleasant or spicy skins and shells, which are enough to scare off any bold eater. It might not be pleasant to burn your tongue on a root or fruit, but it's definitely better than getting poisoned; generally speaking, the spiciness in nature serves the same purpose as the bright, bold labels that some chemists put on bottles that contain poisons. It says, "This fruit or leaf, if you eat it in large amounts, will kill you." That explains things like capsicums, pimento, colocynth, croton oil, the upas tree, and most bitter, sharp, or hot fruits and leaves. If we had to gather our own food like our naked ancestors did from roots, seeds, and berries, we would appreciate this simple truth much more. We would realize that many more plants than we currently think are bitter or spicy, and thus poisonous. Even in England, we are familiar enough with defenses like the hard shell of the walnut; however, the tropical cashew nut has a rind so intensely bitter that it instantly blisters the lips and fingers, similar to how cantharides would. Overall, considering nature as a whole, more fruits and nuts tend to be poisonous, intensely bitter, or very spicy than those that are sweet, juicy, and edible.

'But,' says that fidgety person, the hypothetical objector (whom one always sets up for the express purpose of promptly knocking him down again), 'if it be the business of the fore part of the tongue to warn us against pungent and acrid substances, how comes it that we purposely use such things as mustard, pepper, curry-powder, and vinegar?' Well, in themselves all these things are, strictly speaking, bad for us; but in small quantities they act as agreeable stimulants; and we take care in preparing most of them to get rid of the most objectionable properties. Moreover, we use them, not as foods, but merely as condiments. One drop of oil of capsicums is enough to kill a man, if taken undiluted; but in actual practice we buy it in such a very diluted form that comparatively little harm arises from using it. Still, very young children dislike all these violent stimulants, even in small quantities; they won't touch mustard, pepper, or vinegar, and they recoil at once from wine or spirits. It is only by slow degrees that we learn these unnatural tastes, as our nerves get blunted and our palates jaded; and we all know that the old Indian who can eat nothing but dry curries, devilled biscuits, anchovy paste, pepper-pot, mulligatawny soup, Worcestershire sauce, preserved ginger, hot pickles, fiery sherry, and neat cognac, is also a person with no digestion, a fragmentary liver, and very little chance of getting himself accepted by any safe and solvent insurance office. Throughout, the warning in itself is a useful one; it is we who foolishly and persistently disregard it. Alcohol, for example, tells us at once that it is bad for us; yet we manage so to dress it up with flavouring matters and dilute it with water that we overlook the fiery character of the spirit itself. But that alcohol is in itself a bad thing (when freely indulged in) has been so abundantly demonstrated in the history of mankind that it hardly needs any further proof.

'But,' says that fidgety person, the hypothetical objector (who we always set up just to knock down again, 'if the front part of the tongue is meant to warn us against sharp and bitter substances, how come we intentionally use things like mustard, pepper, curry powder, and vinegar?' Well, on their own, all these things are technically bad for us; but in small amounts, they act as pleasant stimulants, and we make sure to remove the worst properties when preparing most of them. Plus, we use them not as food, but just as flavor enhancers. One drop of capsicum oil can kill a person if taken straight; but in practice, we buy it in such diluted forms that it causes relatively little harm. Still, very young children don't like these strong stimulants, even in small amounts; they won't touch mustard, pepper, or vinegar, and they immediately shy away from wine or spirits. It takes time for us to develop these unnatural tastes as our nerves become dulled and our taste buds become tired; and we all know that the old Indian who can eat nothing but dry curries, devilled biscuits, anchovy paste, pepper-pot, mulligatawny soup, Worcestershire sauce, preserved ginger, hot pickles, fiery sherry, and neat cognac also has no digestion, a fragmented liver, and very little chance of passing any health checks by a reliable insurance company. Overall, the warning itself is useful; it's us who foolishly and stubbornly ignore it. Alcohol, for instance, immediately tells us that it’s bad for us; yet we manage to dress it up with flavors and dilute it with water so we overlook the harsh nature of the spirit itself. But the fact that alcohol is inherently harmful (when consumed freely) has been so thoroughly demonstrated throughout human history that it hardly needs further proof.

The middle region of the tongue is the part with which we experience sensations of taste proper—that is to say, of sweetness and bitterness. In a healthy, natural state all sweet things are pleasant to us, and all bitters (even if combined with sherry) unpleasant. The reason for this is easy enough to understand. It carries us back at once into those primæval tropical forests, where our 'hairy ancestor' used to diet himself upon the fruits of the earth in due season. Now, almost all edible fruits, roots, and tubers contain sugar; and therefore the presence of sugar is, in the wild condition, as good a rough test of whether anything is good to eat as one could easily find. In fact, the argument cuts both ways: edible fruits are sweet because they are intended for man and other animals to eat; and man and other animals have a tongue pleasurably affected by sugar because sugary things in nature are for them in the highest degree edible. Our early progenitors formed their taste upon oranges, mangoes, bananas, and grapes; upon sweet potatoes, sugar-cane, dates, and wild honey. There is scarcely anything fitted for human food in the vegetable world (and our earliest ancestors were most undoubted vegetarians) which does not contain sugar in considerable quantities. In temperate climates (where man is but a recent intruder), we have taken, it is true, to regarding wheaten bread as the staff of life; but in our native tropics enormous populations still live almost exclusively upon plantains, bananas, bread-fruit, yams, sweet potatoes, dates, cocoanuts, melons, cassava, pine-apples, and figs. Our nerves have been adapted to the circumstances of our early life as a race in tropical forests; and we still retain a marked liking for sweets of every sort. Not content with our strawberries, raspberries, gooseberries, currants, apples, pears, cherries, plums and other northern fruits, we ransack the world for dates, figs, raisins, and oranges. Indeed, in spite of our acquired meat-eating propensities, it may be fairly said that fruits and seeds (including wheat, rice, peas, beans, and other grains and pulse) still form by far the most important element in the food-stuffs of human populations generally.

The middle part of the tongue is where we taste things—specifically sweetness and bitterness. When we’re healthy, we enjoy sweet flavors and dislike bitter ones (even if they’re mixed with sherry). This is easy to grasp. It reminds us of the ancient tropical forests where our 'hairy ancestor' once ate fruits in season. Almost all edible fruits, roots, and tubers have sugar; so, in the wild, the presence of sugar is a good sign that something is safe to eat. In fact, it works both ways: fruits are sweet because they’re meant to be consumed by humans and animals, and both humans and animals are drawn to sugar because it indicates that these foods are nutritious. Our early ancestors developed their taste for oranges, mangoes, bananas, and grapes; as well as sweet potatoes, sugar cane, dates, and wild honey. Virtually everything suitable for human consumption in the plant kingdom (and our earliest ancestors were definitely vegetarians) contains sugar in significant amounts. In temperate regions (where humans are relative newcomers), we have come to see wheat bread as the staple food; but in our tropical origin points, huge populations still primarily eat plantains, bananas, breadfruit, yams, sweet potatoes, dates, coconuts, melons, cassava, pineapples, and figs. Our nerves have adapted to the conditions of our early life in tropical forests, and we still have a strong preference for sweets of all kinds. Not satisfied with strawberries, raspberries, gooseberries, currants, apples, pears, cherries, plums, and other northern fruits, we search the globe for dates, figs, raisins, and oranges. In truth, despite our newfound meat-eating habits, it can be said that fruits and seeds (including wheat, rice, peas, beans, and other grains and legumes) still make up the most significant part of what people generally eat.

But besides the natural sweets, we have also taken to producing artificial ones. Has any housewife ever realised the alarming condition of cookery in the benighted generations before the invention of sugar? It is really almost too appalling to think about. So many things that we now look upon as all but necessaries—cakes, puddings, made dishes, confectionery, preserves, sweet biscuits, jellies, cooked fruits, tarts, and so forth—were then practically quite impossible. Fancy attempting nowadays to live a single day without sugar; no tea, no coffee, no jam, no pudding, no cake, no sweets, no hot toddy before one goes to bed; the bare idea of it is too terrible. And yet that was really the abject condition of all the civilised world up to the middle of the middle ages. Horace's punch was sugarless and lemonless; the gentle Virgil never tasted the congenial cup of afternoon tea; and Socrates went from his cradle to his grave without ever knowing the flavour of peppermint bull's eyes. How the children managed to spend their Saturday as, or their weekly obolus, is a profound mystery. To be sure, people had honey; but honey is rare, dear, and scanty; it can never have filled one quarter the place that sugar fills in our modern affections. Try for a moment to realise drinking honey with one's whisky-and-water, or doing the year's preserving with a pot of best Narbonne, and you get at once a common measure of the difference between the two as practical sweeteners. Nowadays, we get sugar from cane and beet-root in abundance, while sugar-maples and palm-trees of various sorts afford a considerable supply to remoter countries. But the childhood of the little Greeks and Romans must have been absolutely unlighted by a single ray of joy from chocolate creams or Everton toffee.

But besides natural sweets, we've also started making artificial ones. Has any housewife realized how alarming cooking was in the dark times before sugar was invented? It’s honestly hard to think about. So many things we now consider almost essential—cakes, puddings, prepared dishes, candies, preserves, sweet biscuits, jellies, cooked fruits, tarts, and so on—were nearly impossible back then. Just imagine trying to spend a single day without sugar: no tea, no coffee, no jam, no pudding, no cake, no sweets, no hot toddy before bed; the mere thought is terrifying. Yet that was the miserable reality for the entire civilized world until the middle of the Middle Ages. Horace's punch was both sugarless and lemonless; the kind Virgil never got to enjoy a nice cup of afternoon tea; and Socrates lived his whole life without ever tasting peppermint candy. It's a mystery how kids spent their Saturdays or their weekly allowance. Sure, people had honey, but honey is rare, expensive, and not plentiful; it could never replace sugar in our modern lives. Imagine trying to drink honey in your whisky-and-water, or using a jar of the best Narbonne for your annual preserves, and you instantly see the difference between the two as sweeteners. Today, we get sugar abundantly from cane and beetroot, while sugar maples and various palm trees supply more to distant countries. But the childhood of little Greeks and Romans must have been completely devoid of the joy from chocolate creams or Everton toffee.

The consequence of this excessive production of sweets in modern times is, of course, that we have begun to distrust the indications afforded us by the sense of taste in this particular as to the wholesomeness of various objects. We can mix sugar with anything we like, whether it had sugar in it to begin with or otherwise; and by sweetening and flavouring we can give a false palatableness to even the worst and most indigestible rubbish, such as plaster-of-Paris, largely sold under the name of sugared almonds to the ingenuous youth of two hemispheres. But in untouched nature the test rarely or never fails. As long as fruits are unripe and unfit for human food, they are green and sour; as soon as they ripen they become soft and sweet, and usually acquire some bright colour as a sort of advertisement of their edibility. In the main, bar the accidents of civilisation, whatever is sweet is good to eat—nay more, is meant to be eaten; it is only our own perverse folly that makes us sometimes think all nice things bad for us, and all wholesome things nasty. In a state of nature, the exact opposite is really the case. One may observe, too, that children, who are literally young savages in more senses than one, stand nearer to the primitive feeling in this respect than grown-up people. They unaffectedly like sweets; adults, who have grown more accustomed to the artificial meat diet, don't, as a rule, care much for puddings, cakes, and made dishes. (May I venture parenthetically to add, any appearance to the contrary notwithstanding, that I am not a vegetarian, and that I am far from desiring to bring down upon my devoted head the imprecation pronounced against the rash person who would rob a poor man of his beer. It is quite possible to believe that vegetarianism was the starting point of the race, without wishing to consider it also as the goal; just as it is quite possible to regard clothes as purely artificial products of civilisation, without desiring personally to return to the charming simplicity of the Garden of Eden.)

The result of this excessive production of sweets today is that we've started to question the signals our taste buds give us about the quality of various foods. We can mix sugar with anything, whether it originally contained sugar or not; through sweetening and flavoring, we can make even the most awful and hard-to-digest stuff, like plaster of Paris, seem palatable, which is often sold as sugared almonds to unsuspecting kids across the globe. But in untouched nature, the test is almost always reliable. As long as fruits are unripe and unsuitable for human consumption, they remain green and sour; once they ripen, they become soft and sweet, and often take on bright colors to signal their edibility. Generally, aside from the quirks of civilization, if something is sweet, it’s good to eat—and even more, it’s meant to be eaten. It's our own misguided thinking that sometimes leads us to believe that all tasty things are bad for us, and all healthy things are unappealing. In nature, the opposite is actually true. You can also notice that children, who are like young savages in more ways than one, are more in touch with this natural instinct than adults. They genuinely enjoy sweets; adults, who have become more used to processed food, usually don't care much for desserts, cakes, or prepared dishes. (If I may add parenthetically, despite any appearances to the contrary, I am not a vegetarian, and I certainly don’t want to attract the wrath aimed at anyone who dares to take away a poor man’s beer. It’s entirely possible to think of vegetarianism as where the race began without insisting it should also be the end goal; just as it’s feasible to view clothing as entirely artificial products of civilization without wanting to personally return to the delightful simplicity of the Garden of Eden.)

Bitter things in nature at large, on the contrary, are almost invariably poisonous. Strychnia, for example, is intensely bitter, and it is well known that life cannot be supported on strychnia alone for more than a few hours. Again, colocynth and aloes are far from being wholesome food stuffs, for a continuance; and the bitter end of cucumber does not conduce to the highest standard of good living. The bitter matter in decaying apples is highly injurious when swallowed, which it isn't likely to be by anybody who ever tastes it. Wormwood and walnut-shells contain other bitter and poisonous principles; absinthe, which is made from one of them, is a favourite slow poison with the fashionable young men of Paris, who wish to escape prematurely from 'Le monde où l'on s'ennuie.' But prussic acid is the commonest component in all natural bitters, being found in bitter almonds, apple pips, the kernels of mangosteens, and many other seeds and fruits. Indeed, one may say roughly that the object of nature generally is to prevent the actual seeds of edible fruits from being eaten and digested; and for this purpose, while she stores the pulp with sweet juices, she encloses the seed itself in hard stony coverings, and makes it nasty with bitter essences. Eat an orange-pip, and you will promptly observe how effectual is this arrangement. As a rule, the outer rind of nuts is bitter, and the inner kernel of edible fruits. The tongue thus warns us immediately against bitter things, as being poisonous, and prevents us automatically from swallowing them.

Bitter substances in nature are usually toxic. For instance, strychnine is incredibly bitter, and it's well-known that you can't survive on strychnine alone for more than a few hours. Similarly, colocynth and aloes aren't good food options for extended periods, and the bitter end of a cucumber doesn't contribute to a healthy diet. The bitter compounds in rotten apples are harmful if ingested, although it's unlikely anyone would eat them after tasting. Wormwood and walnut shells contain other bitter and toxic substances; absinthe, made from one of them, is a popular slow poison among fashionable young men in Paris who want to escape the dullness of society. Prussic acid is the most common ingredient in all natural bitters, found in bitter almonds, apple seeds, mangosteen kernels, and many other seeds and fruits. Generally, nature seems to aim to prevent the seeds of edible fruits from being consumed and digested; to achieve this, while she fills the flesh with sweet juices, she surrounds the seed in hard, stony coverings and makes it unpleasant with bitter flavors. If you eat an orange seed, you'll quickly see how effective this strategy is. Typically, the outer husk of nuts is bitter, while the inner core of edible fruits is sweet. Thus, our taste buds alert us right away to avoid bitter substances as they tend to be poisonous, preventing us from swallowing them automatically.

'But how is it,' asks our objector again, 'that so many poisons are tasteless, or even, like sugar of lead, pleasant to the palate?' The answer is (you see, we knock him down again, as usual) because these poisons are themselves for the most part artificial products; they do not occur in a state of nature, at least in man's ordinary surroundings. Almost every poisonous thing that we are really liable to meet with in the wild state we are warned against at once by the sense of taste; but of course it would be absurd to suppose that natural selection could have produced a mode of warning us against poisons which have never before occurred in human experience. One might just as well expect that it should have rendered us dynamite-proof, or have given us a skin like the hide of a rhinoceros to protect us against the future contingency of the invention of rifles.

"But how is it," our objector asks again, "that so many poisons are tasteless, or even, like lead acetate, pleasant to taste?" The answer is (you see, we shut him down again, as usual) that these poisons are mostly artificial products; they don't occur in nature, at least not in the environments humans typically find themselves in. Almost every poisonous item we're likely to encounter in the wild gives us an immediate warning through our sense of taste; but of course, it would be ridiculous to think that natural selection could have developed a way to warn us against poisons that have never been part of human experience. One might as well expect it to have made us immune to dynamite, or to have given us skin as tough as a rhinoceros's hide to protect us against the future invention of rifles.

Sweets and bitters are really almost the only tastes proper, almost the only ones discriminated by this central and truly gustatory region of the tongue and palate. Most so-called flavourings will be found on strict examination to be nothing more than mixtures with these of certain smells, or else of pungent, salty, or alkaline matters, distinguished as such by the tip of the tongue. For instance, paradoxical as it sounds to say so, cinnamon has really no taste at all, but only a smell. Nobody will ever believe this on first hearing, but nothing on earth is easier than to put it to the test. Take a small piece of cinnamon, hold your nose tightly, rather high up, between the thumb and finger, and begin chewing it. You will find that it is absolutely tasteless; you are merely chewing a perfectly insipid bit of bark. Then let go your nose, and you will find immediately that it 'tastes' strongly, though in reality it is only the perfume from it that you now permit to rise into the smelling-chamber in the nose. So, again, cloves have only a pungent taste and a peculiar smell, and the same is the case more or less with almost all distinctive flavourings. When you come to find of what they are made up, they consist generally of sweets or bitters, intermixed with certain ethereal perfumes, or with pungent or acid tastes, or with both or several such together. In this way, a comparatively small number of original elements, variously combined, suffice to make up the whole enormous mass of recognisably different tastes and flavours.

Sweets and bitters are really the only true tastes, almost the only ones recognized by this central and genuinely taste-sensitive area of the tongue and palate. Most so-called flavorings, upon close examination, turn out to be just mixtures of these with certain smells, or with spicy, salty, or alkaline elements, identified as such by the tip of the tongue. For example, as strange as it may sound, cinnamon actually has no taste at all, just a smell. No one will believe this at first, but it's really easy to test. Take a small piece of cinnamon, pinch your nose tightly at the top, and start chewing it. You’ll discover that it’s completely tasteless; you’re just chewing a totally bland piece of bark. Then, let go of your nose, and you'll immediately realize that it "tastes" strong, but in reality, it’s just the scent that you're now allowing to enter your nasal passages. Similarly, cloves have only a sharp flavor and a distinct smell, and the same applies to nearly all other unique flavorings. When you figure out what they’re made of, they generally consist of sweets or bitters mixed with certain fragrant scents, or with spicy or sour tastes, or with a combination of several of these. In this way, a comparatively small number of basic elements, mixed in different ways, are enough to create the vast array of recognizable different tastes and flavors.

The third and lowest part of the tongue and throat is the seat of those peculiar tastes to which Professor Bain, the great authority upon this important philosophical subject, has given the names of relishes and disgusts. It is here, chiefly, that we taste animal food, fats, butters, oils, and the richer class of vegetables and made dishes. If we like them, we experience a sensation which may be called a relish, and which induces one to keep rolling the morsel farther down the throat, till it passes at last beyond the region of our voluntary control. If we don't like them, we get the sensation which may be called a disgust, and which is very different from the mere unpleasantness of excessively pungent or bitter things. It is far less of an intellectual and far more of a physical and emotional feeling. We say, and say rightly, of such things that we find it hard to swallow them; a something within us (of a very tangible nature) seems to rise up bodily and protest against them. As a very good example of this experience, take one's first attempt to swallow cod-liver oil. Other things may be unpleasant or unpalatable, but things of this class are in the strictest sense nasty and disgusting.

The third and lowest part of the tongue and throat is where we experience those unique tastes that Professor Bain, a leading expert on this important philosophical topic, calls relishes and disgusts. It's primarily here that we taste animal foods, fats, butters, oils, and richer vegetables and prepared dishes. If we enjoy these foods, we feel a sensation we can call a relish, which encourages us to keep pushing the morsel down our throat until it finally passes beyond our voluntary control. If we don't enjoy them, we experience a sensation we can describe as disgust, which is very different from just finding something unpleasant due to its extreme spiciness or bitterness. This feeling is much more physical and emotional rather than intellectual. We rightly say that we find it hard to swallow such things; a very tangible part of us seems to rise up and protest against them. A great example of this feeling is trying to swallow cod-liver oil for the first time. Other foods might be unpleasant or hard to eat, but those in this category are truly nasty and disgusting.

The fact is, the lower part of the tongue is supplied with nerves in close sympathy with the digestion. If the food which has been passed by the two previous examiners is found here to be simple and digestible, it is permitted to go on unchallenged; if it is found to be too rich, too bilious, or too indigestible, a protest is promptly entered against it, and if we are wise we will immediately desist from eating any more of it. It is here that the impartial tribunal of nature pronounces definitely against roast goose, mince pies, pâté de foie gras, sally lunn, muffins and crumpets, and creamy puddings. It is here, too, that the slightest taint in meat, milk, or butter is immediately detected; that rancid pastry from the pastrycook's is ruthlessly exposed; and that the wiles of the fishmonger are set at naught by the judicious palate. It is the special duty, in fact, of this last examiner to discover, not whether food is positively destructive, not whether it is poisonous or deleterious in nature, but merely whether it is then and there digestible or undesirable.

The truth is, the underside of the tongue has nerves closely linked to digestion. If the food that has already been checked by the previous two examiners is found to be simple and easy to digest, it can proceed without issue; however, if it’s too rich, too greasy, or hard to digest, a complaint is quickly made , and if we're smart, we'll stop eating it right away. This is where nature’s impartial judgment clearly rules against roast goose, mince pies, pâté de foie gras, sally lunn, muffins and crumpets, and creamy desserts. It’s also here that even the slightest spoilage in meat, milk, or butter is instantly noticed; that stale pastries from the bakery are harshly rejected; and that the tricks of the fishmonger are revealed by a discerning palate. In fact, it’s this final examiner's job to determine not whether food is outright harmful, poisonous, or harmful in nature, but simply if it’s digestible or undesirable at that moment.

As our state of health varies greatly from time to time, however, so do the warnings of this last sympathetic adviser change and flicker. Sweet things are always sweet, and bitter things always bitter; vinegar is always sour, and ginger always hot in the mouth, too, whatever our state of health or feeling. But our taste for roast loin of mutton, high game, salmon cutlets, and Gorgonzola cheese varies immensely from time to time, with the passing condition of our health and digestion. In illness, and especially in sea-sickness, one gets the distaste carried to the extreme: you may eat grapes or suck an orange in the chops of the Channel, but you do not feel warmly attached to the steward who offers you a basin of greasy ox-tail, or consoles you with promises of ham sandwiches in half a minute. Under those two painful conditions it is the very light, fresh, and stimulating things that one can most easily swallow—champagne, soda-water, strawberries, peaches; not lobster salad, sardines on toast, green Chartreuse, or hot brandy-and-water. On the other hand, in robust health, and when hungry with exercise, you can eat fat pork with relish on a Scotch hillside, or dine off fresh salmon three days running without inconvenience. Even a Spanish stew, with plenty of garlic in it, and floating in olive oil, tastes positively delicious after a day's mountaineering in the Pyrenees.

As our health changes from time to time, so do the signals from our last sympathetic advisor. Sweet things are always sweet, and bitter things always bitter; vinegar is always sour, and ginger is always spicy, no matter how we feel. However, our cravings for roast loin of mutton, game, salmon cutlets, and Gorgonzola cheese can vary a lot depending on our health and digestion. When we’re sick, especially with seasickness, our aversion becomes extreme: you might eat grapes or suck on an orange while crossing the Channel, but you won’t feel any warmth towards the steward who offers you a bowl of greasy oxtail soup or promises you ham sandwiches in a minute. During those uncomfortable times, it’s the light, fresh, and refreshing foods that are easiest to eat—like champagne, soda water, strawberries, or peaches—not lobster salad, sardines on toast, green Chartreuse, or hot brandy and water. On the flip side, when you’re healthy and hungry from exercise, you can savor fatty pork on a Scottish hillside or enjoy fresh salmon three days in a row without any issues. Even a Spanish stew with plenty of garlic and swimming in olive oil tastes amazing after a day of hiking in the Pyrenees.

The healthy popular belief, still surviving in spite of cookery, that our likes and dislikes are the best guide to what is good for us, finds its justification in this fact, that whatever is relished will prove on the average wholesome, and whatever rouses disgust will prove on the whole indigestible. Nothing can be more wrong, for example, than to make children eat fat when they don't want it. A healthy child likes fat, and eats as much of it as he can get. If a child shows signs of disgust at fat, that proves that it is of a bilious temperament, and it ought never to be forced into eating it against its will. Most of us are bilious in after-life just because we were compelled to eat rich food in childhood, which we felt instinctively was unsuitable for us. We might still be indulging with impunity in thick turtle, canvas-back ducks, devilled whitebait, meringues, and Nesselrode puddings, if we hadn't been so persistently overdosed in our earlier years with things that we didn't want and knew were indigestible.

The common belief that our likes and dislikes are the best indicators of what's good for us still holds true, even with all the cooking advice out there. The reality is that what we enjoy tends to be healthy, while what we find disgusting is usually hard to digest. For instance, forcing kids to eat fat when they don't want to is completely misguided. A healthy child enjoys fatty foods and will eat as much as they desire. If a child shows disgust for fat, it indicates that they might have a sensitive stomach, and forcing them to eat it is a mistake. Many of us struggle with digestive issues later in life because we were made to eat rich foods as kids, even when we instinctively felt they weren’t right for us. We might still be happily enjoying indulgent dishes like rich turtle soup, canvas-back ducks, devilled whitebait, meringues, and Nesselrode puddings if we hadn't been overstuffed with things we didn't want and knew would upset our stomachs when we were younger.

Of course, in our existing modern cookery, very few simple and uncompounded tastes are still left to us; everything is so mixed up together that only by an effort of deliberate experiment can one discover what are the special effects of special tastes upon the tongue and palate. Salt is mixed with almost everything we eat—sal sapit omnia—and pepper or cayenne is nearly equally common. Butter is put into the peas, which have been previously adulterated by being boiled with mint; and cucumber is unknown except in conjunction with oil and vinegar. This makes it comparatively difficult for us to realise the distinctness of the elements which go to make up most tastes as we actually experience them. Moreover, a great many eatable objects have hardly any taste of their own, properly speaking, but only a feeling of softness, or hardness, or glutinousness in the mouth, mainly observed in the act of chewing them. For example, plain boiled rice is almost wholly insipid; but even in its plainest form salt has usually been boiled with it, and in practice we generally eat it with sugar, preserves, curry, or some other strongly flavoured condiment. Again, plain boiled tapioca and sago (in water) are as nearly tasteless as anything can be; they merely yield a feeling of gumminess; but milk, in which they are oftenest cooked, gives them a relish (in the sense here restricted), and sugar, eggs, cinnamon, or nutmeg are usually added by way of flavouring. Even turbot has hardly any taste proper, except in the glutinous skin, which has a faint relish; the epicure values it rather because of its softness, its delicacy, and its light flesh. Gelatine by itself is merely very swallowable; we must mix sugar, wine, lemon-juice, and other flavourings in order to make it into good jelly. Salt, spices, essences, vanilla, vinegar, pickles, capers, ketchups, sauces, chutneys, lime-juice, curry, and all the rest, are just our civilised expedients for adding the pleasure of pungency and acidity to naturally insipid foods, by stimulating the nerves of touch in the tongue, just as sugar is our tribute to the pure gustatory sense, and oil, butter, bacon, lard, and the various fats used in frying to the sense of relish which forms the last element in our compound taste. A boiled sole is all very well when one is just convalescent, but in robust health we demand the delights of egg and bread-crumb, which are after all only the vehicle for the appetising grease. Plain boiled macaroni may pass muster in the unsophisticated nursery, but in the pampered dining-room it requires the aid of toasted parmesan. Good modern cookery is the practical result of centuries of experience in this direction; the final flower of ages of evolution, devoted to the equalisation of flavours in all human food. Think of the generations of fruitless experiment that must have passed before mankind discovered that mint sauce (itself a cunning compound of vinegar and sugar) ought to be eaten with leg of lamb, that roast goose required a corrective in the shape of apple, and that while a pre-established harmony existed between salmon and lobster, oysters were ordained beforehand by nature as the proper accompaniment of boiled cod. Whenever I reflect upon such things, I become at once a good Positivist, and offer up praise in my own private chapel to the Spirit of Humanity which has slowly perfected these profound rules of good living.

Of course, in today’s cooking, very few simple and pure tastes remain; everything is so blended that only through deliberate experimentation can we uncover the unique effects of different flavors on our tongues and palates. Salt is added to almost everything we eat—sal sapit omnia—and pepper or cayenne is almost just as common. Butter is mixed into peas, which have already been altered by cooking with mint; and cucumber is rarely found unless it's paired with oil and vinegar. This makes it relatively difficult for us to recognize the distinct elements that create most flavors as we actually experience them. Furthermore, many edible items hardly have any real taste of their own; they mainly provide a feeling of softness, hardness, or chewiness when we eat them. For instance, plain boiled rice is almost entirely bland; but even in its simplest form, salt is usually cooked in, and we typically enjoy it with sugar, preserves, curry, or some other strongly flavored condiment. Likewise, plain boiled tapioca and sago (in water) are about as tasteless as anything can be; they only offer a gumminess; but when cooked in milk, they gain a flavor (as restricted here), and sugar, eggs, cinnamon, or nutmeg are usually added for taste. Even turbot has very little flavor itself, except for the glutinous skin, which has a slight taste; food enthusiasts appreciate it mostly for its softness, delicacy, and light flesh. Gelatin by itself is merely easy to swallow; we have to mix in sugar, wine, lemon juice, and other flavorings to turn it into nice jelly. Salt, spices, essences, vanilla, vinegar, pickles, capers, ketchups, sauces, chutneys, lime juice, curry, and everything else are just our civilized methods for adding the pleasure of sharpness and acidity to inherently bland foods, by stimulating the nerve endings on our tongues, just as sugar pays homage to pure taste, and oils, butter, bacon, lard, and various fats used for frying cater to the sense of savoriness, which is the final element in our combined taste. A boiled sole is fine when one is just recovering, but when we’re in good health, we crave the pleasures of egg and breadcrumbs, which are ultimately just the medium for the enjoyable fat. Plain boiled macaroni might be acceptable in a simple nursery, but in a fancy dining room, it needs the addition of toasted parmesan. Good modern cooking is the practical result of centuries of experience in this area; the ultimate product of ages of evolution, aimed at balancing flavors in all human foods. Imagine the many generations of pointless experiments that must have occurred before people figured out that mint sauce (a clever mix of vinegar and sugar) should be served with leg of lamb, that roast goose needed to be complemented with apple, and that while salmon and lobster pair well, oysters were naturally destined to go with boiled cod. Whenever I think about these things, I instantly become a good Positivist and offer my thanks in my own private space to the Spirit of Humanity, which has slowly refined these profound rules of good living.


DE BANANA

The title which heads this paper is intended to be Latin, and is modelled on the precedent of the De Amicitia, De Senectute, De Corona, and other time-honoured plagues of our innocent boyhood. It is meant to give dignity and authority to the subject with which it deals, as well as to rouse curiosity in the ingenuous breast of the candid reader, who may perhaps mistake it, at first sight, for negro-English, or for the name of a distinguished Norman family. In anticipation of the possible objection that the word 'Banana' is not strictly classical, I would humbly urge the precept and example of my old friend Horace—enemy I once thought him—who expresses his approbation of those happy innovations whereby Latium was gradually enriched with a copious vocabulary. I maintain that if Banana, bananæ, &c., is not already a Latin noun of the first declension, why then it ought to be, and it shall be in future. Linnæus indeed thought otherwise. He too assigned the plant and fruit to the first declension, but handed it over to none other than our earliest acquaintance in the Latin language, Musa. He called the banana Musa sapientum. What connection he could possibly conceive between that woolly fruit and the daughters of the ægis-bearing Zeus, or why he should consider it a proof of wisdom to eat a particularly indigestible and nightmare-begetting food-stuff, passes my humble comprehension. The muses, so far as I have personally noticed their habits, always greatly prefer the grape to the banana, and wise men shun the one at least as sedulously as they avoid the other.

The title of this paper is meant to be in Latin and is inspired by classics like De Amicitia, De Senectute, De Corona, and other cherished works from our youthful days. It aims to lend dignity and authority to the topic at hand, while also sparking curiosity in the open-minded reader, who might initially mistake it for a form of African American Vernacular English or think it’s the name of a notable Norman family. In anticipation of the potential criticism that the word 'Banana' isn’t truly classical, I would like to point to the advice and example of my old friend Horace—who I once regarded as a rival—who praised the happy changes that enriched Latin with a vast vocabulary. I argue that if Banana, bananæ, etc., is not yet recognized as a Latin noun of the first declension, then it should be, and it will be moving forward. Linnæus, on the other hand, had a different opinion. He categorized the plant and fruit as first declension but linked it to our first familiar term in Latin, Musa. He called the banana Musa sapientum. I can't understand what connection he saw between that fuzzy fruit and the daughters of Zeus or why he thought eating a hard-to-digest and nightmarish food was a sign of wisdom. As far as I've noticed, the muses tend to favor grapes over bananas, and wise individuals avoid at least one as carefully as they do the other.

Let it not for a moment be supposed, however, that I wish to treat the useful and ornamental banana with intentional disrespect. On the contrary, I cherish for it—at a distance—feelings of the highest esteem and admiration. We are so parochial in our views, taking us as a species, that I dare say very few English people really know how immensely useful a plant is the common banana. To most of us it envisages itself merely as a curious tropical fruit, largely imported at Covent Garden, and a capital thing to stick on one of the tall dessert-dishes when you give a dinner-party, because it looks delightfully foreign, and just serves to balance the pine-apple at the opposite end of the hospitable mahogany. Perhaps such innocent readers will be surprised to learn that bananas and plantains supply the principal food-stuff of a far larger fraction of the human race than that which is supported by wheaten bread. They form the veritable staff of life to the inhabitants of both eastern and western tropics. What the potato is to the degenerate descendant of Celtic kings; what the oat is to the kilted Highlandman; what rice is to the Bengalee, and Indian corn to the American negro, that is the muse of sages (I translate literally from the immortal Swede) to African savages and Brazilian slaves. Humboldt calculated that an acre of bananas would supply a greater quantity of solid food to hungry humanity than could possibly be extracted from the same extent of cultivated ground by any other known plant. So you see the question is no small one; to sing the praise of this Linnæan muse is a task well worthy of the Pierian muses.

Let’s not assume for a second that I mean to show any disrespect to the useful and decorative banana. On the contrary, I hold it—at a distance—in the highest esteem and admiration. We are so narrow-minded as a species that I’d say very few English people truly understand how incredibly useful the common banana is. For most of us, it appears only as a quirky tropical fruit, mostly imported to Covent Garden, and a great addition to one of those tall dessert dishes at a dinner party, because it looks wonderfully exotic and balances out the pineapple at the other end of the welcoming table. Perhaps some unsuspecting readers will be shocked to learn that bananas and plantains provide the main food source for a much larger portion of humanity than those who rely on wheat bread. They truly are the staple food for people living in both the eastern and western tropics. What the potato is to the less-than-royal offspring of Celtic kings; what the oat is to the kilted Highlander; what rice is to the Bengali; and Indian corn to the African American, that is what the banana is (I translate literally from the immortal Swede) to African villagers and Brazilian slaves. Humboldt estimated that an acre of bananas could provide more solid food for hungry people than any other known plant could yield from the same amount of cultivated land. So you see, this is no small matter; praising this botanical treasure is a task truly worthy of the Muses.

Do you know the outer look and aspect of the banana plant? If not, then you have never voyaged to those delusive tropics. Tropical vegetation, as ordinarily understood by poets and painters, consists entirely of the coco-nut palm and the banana bush. Do you wish to paint a beautiful picture of a rich ambrosial tropical island, à la Tennyson—a summer isle of Eden lying in dark purple spheres of sea?—then you introduce a group of coco-nuts, whispering in odorous heights of even, in the very foreground of your pretty sketch, just to let your public understand at a glance that these are the delicious poetical tropics. Do you desire to create an ideal paradise, à la Bernardin de St. Pierre, where idyllic Virginies die of pure modesty rather than appear before the eyes of their beloved but unwedded Pauls in a lace-bedraped peignoir?—then you strike the keynote by sticking in the middle distance a hut or cottage, overshadowed by the broad and graceful foliage of the picturesque banana. ('Hut' is a poor and chilly word for these glowing descriptions, far inferior to the pretty and high-sounding original chaumière.) That is how we do the tropics when we want to work upon the emotions of the reader. But it is all a delicate theatrical illusion; a trick of art meant to deceive and impose upon the unwary who have never been there, and would like to think it all genuine. In reality, nine times out of ten, you might cast your eyes casually around you in any tropical valley, and, if there didn't happen to be a native cottage with a coco-nut grove and banana patch anywhere in the neighbourhood, you would see nothing in the way of vegetation which you mightn't see at home any day in Europe. But what painter would ever venture to paint the tropics without the palm trees? He might just as well try to paint the desert without the camels, or to represent St. Sebastian without a sheaf of arrows sticking unperceived in the calm centre of his unruffled bosom, to mark and emphasise his Sebastianic personality.

Do you know what a banana plant looks like? If not, then you've never traveled to those deceptive tropics. Tropical vegetation, as most poets and artists portray it, is made up mostly of coconut palms and banana bushes. If you want to paint a beautiful picture of a lush tropical island, à la Tennyson—a summer paradise sitting in deep purple waters—then you add a group of coconuts swaying in fragrant breezes right in the foreground of your lovely sketch, just to let your audience know right away that these are the enchanting poetic tropics. If you want to create an ideal paradise, à la Bernardin de St. Pierre, where modest young women would rather die than appear before their beloved but unmarried men in a lace-covered peignoir?—then you set the scene by placing a hut or cottage in the middle distance, shaded by the broad and elegant leaves of a picturesque banana tree. ('Hut' is a dull and cold term for these vibrant descriptions, far less charming than the original high-sounding chaumière.) That’s how we depict the tropics when we want to evoke feelings in the reader. But it’s all a delicate theatrical illusion; a trick of art meant to deceive those who have never been there and would like to believe it's all authentic. In reality, most of the time, if you casually glance around any tropical valley, and there isn’t a native cottage with a coconut grove and banana patch nearby, you wouldn’t see anything in terms of vegetation that you can't also find at home in Europe any day. But what artist would ever dare to paint the tropics without the palm trees? He might as well try to paint the desert without camels, or show St. Sebastian without a bunch of arrows sticking unnoticed in the calm center of his untroubled chest, to highlight his Sebastianic identity.

Still, I will frankly admit that the banana itself, with its practically almost identical relation, the plantain, is a real bit of tropical foliage. I confess to a settled prejudice against the tropics generally, but I allow the sunsets, the coco-nuts, and the bananas. The true stem creeps underground, and sends up each year an upright branch, thickly covered with majestic broad green leaves, somewhat like those of the canna cultivated in our gardens as 'Indian shot,' but far larger, nobler, and handsomer. They sometimes measure from six to ten feet in length, and their thick midrib and strongly marked diverging veins give them a very lordly and graceful appearance. But they are apt in practice to suffer much from the fury of the tropical storms. The wind rips the leaves up between the veins as far as the midrib in tangled tatters; so that after a good hurricane they look more like coco-nut palm leaves than like single broad masses of foliage as they ought properly to do. This, of course, is the effect of a gentle and balmy hurricane—a mere capful of wind that tears and tatters them. After a really bad storm (one of the sort when you tie ropes round your wooden house to prevent its falling bodily to pieces, I mean) the bananas are all actually blown down, and the crop for that season utterly destroyed. The apparent stem, being merely composed of the overlapping and sheathing leaf-stalks, has naturally very little stability; and the soft succulent trunk accordingly gives way forthwith at the slightest onslaught. This liability to be blown down in high winds forms the weak point of the plantain, viewed as a food-stuff crop. In the South Sea Islands, where there is little shelter, the poor Fijian, in cannibal days, often lost his one means of subsistence from this cause, and was compelled to satisfy the pangs of hunger on the plump persons of his immediate relatives. But since the introduction of Christianity, and of a dwarf stout wind-proof variety of banana, his condition in this respect, I am glad to say, has been greatly ameliorated.

Still, I’ll honestly say that the banana, along with its close relative, the plantain, is a real treasure of tropical nature. I admit I have a general bias against tropical regions, but I appreciate the sunsets, coconuts, and bananas. The true stem grows underground and sends up a sturdy branch each year, covered with impressive broad green leaves, somewhat similar to those of the canna we grow in our gardens as 'Indian shot,' but much larger, more majestic, and prettier. They can stretch from six to ten feet long, and their thick midrib and bold diverging veins give them a regal and graceful look. However, they often suffer a lot from the wrath of tropical storms. The wind tears the leaves between the veins up to the midrib in messy shreds, making them appear more like coconut palm leaves after a good hurricane than the single, broad masses of foliage they should be. This, of course, is the result of a mild and gentle hurricane—a simple breeze that rips and shreds them. After a really bad storm (the kind where you have to tie ropes around your wooden house to keep it from falling apart, you know), the bananas are often completely blown down, and the crop for that season is wiped out. The apparent stem is made up merely of overlapping and sheathing leaf stalks, providing very little stability; thus, the soft, juicy trunk collapses at the slightest blow. This tendency to be blown down in strong winds is the weak spot of the plantain as a food crop. In the South Sea Islands, where there’s little protection, the unfortunate Fijian, in cannibal times, often lost his only source of food for this reason and had to deal with hunger by resorting to the plump bodies of his relatives. However, since the arrival of Christianity and a stout dwarf variety of wind-resistant banana, I’m happy to say his situation in this regard has improved significantly.

By descent the banana bush is a developed tropical lily, not at all remotely allied to the common iris, only that its flowers and fruit are clustered together on a hanging spike, instead of growing solitary and separate as in the true irises. The blossoms, which, though pretty, are comparatively inconspicuous for the size of the plant, show the extraordinary persistence of the lily type; for almost all the vast number of species, more or less directly descended from the primitive lily, continue to the very end of the chapter to have six petals, six stamens, and three rows of seeds in their fruits or capsules. But practical man, with his eye always steadily fixed on the one important quality of edibility—the sum and substance to most people of all botanical research—has confined his attention almost entirely to the fruit of the banana. In all essentials (other than the systematically unimportant one just alluded to) the banana fruit in its original state exactly resembles the capsule of the iris—that pretty pod that divides in three when ripe, and shows the delicate orange-coated seeds lying in triple rows within—only, in the banana, the fruit does not open; in the sweet language of technical botany, it is an indehiscent capsule; and the seeds, instead of standing separate and distinct, as in the iris, are embedded in a soft and pulpy substance which forms the edible and practical part of the entire arrangement.

By origin, the banana plant is a type of tropical lily, not at all related to the common iris, except that its flowers and fruit grow in clusters on a hanging stalk, rather than growing alone and separate like true irises. The flowers, although attractive, are relatively modest compared to the size of the plant, showcasing the remarkable persistence of the lily type; nearly all the numerous species, more or less directly descended from the original lily, continue to maintain six petals, six stamens, and three rows of seeds in their fruits or pods right to the end. However, practical people, focusing solely on the crucial factor of edibility—the core of most botanical studies—have largely redirected their interest to the banana fruit. In all key aspects (except for the less significant one mentioned earlier), the banana fruit in its natural form closely resembles the capsule of the iris—that lovely pod that splits into three when ripe, revealing the delicate orange-coated seeds arranged in triple rows inside—except that, with the banana, the fruit doesn’t open; in botanical terms, it's an indehiscent capsule; and the seeds, instead of being separate and distinct as in the iris, are embedded in a soft, pulpy substance that makes up the edible and practical part of the whole structure.

This is the proper appearance of the original and natural banana, before it has been taken in hand and cultivated by tropical man. When cut across the middle, it ought to show three rows of seeds, interspersed with pulp, and faintly preserving some dim memory of the dividing wall which once separated them. In practice, however, the banana differs widely from this theoretical ideal, as practice often will differ from theory; for it has been so long cultivated and selected by man—being probably one of the very oldest, if not actually quite the oldest, of domesticated plants—that it has all but lost the original habit of producing seeds. This is a common effect of cultivation on fruits, and it is of course deliberately aimed at by horticulturists, as the seeds are generally a nuisance, regarded from the point of view of the eater, and their absence improves the fruit, as long as one can manage to get along somehow without them. In the pretty little Tangierine oranges (so ingeniously corrupted by fruiterers into mandarins) the seeds have almost been cultivated out; in the best pine-apples, and in the small grapes known in the dried state as currants, they have quite disappeared; while in some varieties of pears they survive only in the form of shrivelled, barren, and useless pips. But the banana, more than any other plant we know of, has managed for many centuries to do without seeds altogether. The cultivated sort, especially in America, is quite seedless, and the plants are propagated entirely by suckers.

This is what the original and natural banana looks like before it’s been cultivated by people in tropical regions. When you cut it in half, it should show three rows of seeds mixed with pulp, faintly preserving some memory of the wall that used to separate them. In reality, though, bananas are very different from this theoretical ideal, as practice often differs from theory. They have been cultivated and selected by humans for such a long time—probably one of the oldest domesticated plants—that they have nearly lost the ability to produce seeds. This is a common result of fruit cultivation and is something that horticulturists aim for, since seeds are usually seen as a nuisance for those eating the fruit, and their absence can improve the fruit, as long as people can manage without them. In the charming little Tangierine oranges (which have been cleverly renamed by fruit sellers as mandarins), the seeds have almost been bred out; in the best pineapples and in small grapes that we recognize as currants in their dried form, they have completely disappeared; while in some types of pears, they only exist as shriveled, barren, useless pips. But the banana, more than any other plant we know, has for centuries managed to exist without seeds entirely. The cultivated type, especially in America, is completely seedless, and the plants are reproduced solely by suckers.

Still, you can never wholly circumvent nature. Expel her with a pitchfork, tamen usque recurrit. Now nature has settled that the right way to propagate plants is by means of seedlings. Strictly speaking, indeed, it is the only way; the other modes of growth from bulbs or cuttings are not really propagation, but mere reduplication by splitting, as when you chop a worm in two, and a couple of worms wriggle off contentedly forthwith in either direction. Just so when you divide a plant by cuttings, suckers, slips, or runners; the two apparent plants thus produced are in the last resort only separate parts of the same individual—one and indivisible, like the French Republic. Seedlings are absolutely distinct individuals; they are the product of the pollen of one plant and the ovules of another, and they start afresh in life with some chance of being fairly free from the hereditary taints or personal failings of either parent. But cuttings or suckers are only the same old plant over and over again in fresh circumstances, transplanted as it were, but not truly renovated or rejuvenescent. That is the real reason why our potatoes are now all going to—well, the same place as the army has been going ever since the earliest memories of the oldest officer in the whole service. We have gone on growing potatoes over and over again from the tubers alone, and hardly ever from seed, till the whole constitution of the potato kind has become permanently enfeebled by old age and dotage. The eyes (as farmers call them) are only buds or underground branches; and to plant potatoes as we usually do is nothing more than to multiply the apparent scions by fission. Odd as it may sound to say so, all the potato vines in a whole field are often, from the strict biological point of view, parts of a single much-divided individual. It is just as though one were to go on cutting up a single worm, time after time, as soon as he grew again, till at last the one original creature had multiplied into a whole colony of apparently distinct individuals. Yet, if the first worm happened to have the gout or the rheumatism (metaphorically speaking), all the other worms into which his compound personality had been divided would doubtless suffer from the same complaints throughout the whole of their joint lifetimes.

Still, you can never completely escape nature. Push her away with a pitchfork, tamen usque recurrit. Nature has determined that the proper way to grow plants is through seedlings. Strictly speaking, it’s really the only method; the other ways of growing from bulbs or cuttings aren’t true propagation, but simply a form of duplication by splitting, similar to chopping a worm in two and having a couple of worms wriggle off happily in both directions. Similarly, when you divide a plant through cuttings, suckers, slips, or runners, the two apparent plants produced are, in essence, just separate parts of the same individual—one and indivisible, like the French Republic. Seedlings are completely distinct individuals; they result from the pollen of one plant and the ovules of another, and they start off fresh in life with a chance of being relatively free from the hereditary flaws or traits of either parent. But cuttings or suckers are just the same old plant repeated in new settings, transplanted, but not genuinely renewed or rejuvenated. That’s the real reason our potatoes are now all heading to—well, the same place the army has been heading ever since the oldest officer in service can remember. We’ve kept growing potatoes over and over again from tubers alone, seldom from seed, until the entire structure of the potato has become weakened by age and decline. The eyes (as farmers call them) are just buds or underground branches; planting potatoes the way we usually do is merely multiplying the apparent scions through fission. Odd as it may sound, all the potato vines in an entire field are often, from a strict biological standpoint, parts of one heavily divided individual. It’s like repeatedly cutting up a single worm, over and over, as soon as it grows back, until eventually, the original creature has multiplied into a whole colony of seemingly distinct individuals. Yet, if the first worm had gout or rheumatism (figuratively speaking), all the other worms formed from its split personality would likely suffer from the same issues throughout their entire lives.

The banana, however, has very long resisted the inevitable tendency to degeneration in plants thus artificially and unhealthily propagated. Potatoes have only been in cultivation for a few hundred years; and yet the potato constitution has become so far enfeebled by the practice of growing from the tuber that the plants now fall an easy prey to potato fungus, Colorado beetles, and a thousand other persistent enemies. It is just the same with the vine—propagated too long by layers or cuttings, its health has failed entirely, and it can no longer resist the ravages of the phylloxera or the slow attacks of the vine-disease fungus. But the banana, though of very ancient and positively immemorial antiquity as a cultivated plant, seems somehow gifted with an extraordinary power of holding its own in spite of long-continued unnatural propagation. For thousands of years it has been grown in Asia in the seedless condition, and yet it springs as heartily as ever still from the underground suckers. Nevertheless, there must in the end be some natural limit to this wonderful power of reproduction, or rather of longevity; for, in the strictest sense, the banana bushes that now grow in the negro gardens of Trinidad and Demerara are part and parcel of the very same plants which grew and bore fruit a thousand years ago in the native compounds of the Malay Archipelago.

The banana, however, has long resisted the inevitable tendency for degeneration in plants that are grown artificially and unhealthily. Potatoes have only been cultivated for a few hundred years, and yet their constitution has become so weakened by the practice of growing from the tuber that the plants easily fall victim to potato fungus, Colorado beetles, and countless other persistent threats. The same goes for the vine—propagated too long through layers or cuttings, its health has completely failed, and it can no longer resist the damage caused by phylloxera or the slow attacks of vine disease fungus. But the banana, despite being an ancient and practically timeless cultivated plant, seems to possess an extraordinary ability to thrive despite prolonged unnatural propagation. For thousands of years, it has been grown in Asia in a seedless form, and yet it continues to sprout vigorously from underground suckers. Nonetheless, there must ultimately be some natural limit to this remarkable ability to reproduce, or rather to endure; because, in the strictest sense, the banana plants that now grow in the gardens of Trinidad and Demerara are part of the very same plants that produced fruit a thousand years ago in the native settlements of the Malay Archipelago.

In fact, I think there can be but little doubt that the banana is the very oldest product of human tillage. Man, we must remember, is essentially by origin a tropical animal, and wild tropical fruits must necessarily have formed his earliest food-stuffs. It was among them of course that his first experiments in primitive agriculture would be tried; the little insignificant seeds and berries of cold northern regions would only very slowly be added to his limited stock in husbandry, as circumstances pushed some few outlying colonies northward and ever northward toward the chillier unoccupied regions. Now, of all tropical fruits, the banana is certainly the one that best repays cultivation. It has been calculated that the same area which will produce thirty-three pounds of wheat or ninety-nine pounds of potatoes will produce 4,400 pounds of plantains or bananas. The cultivation of the various varieties in India, China, and the Malay Archipelago dates, says De Candolle, 'from an epoch impossible to realise.' Its diffusion, as that great but very oracular authority remarks, may go back to a period 'contemporary with or even anterior to that of the human races.' What this remarkably illogical sentence may mean I am at a loss to comprehend; perhaps M. de Candolle supposes that the banana was originally cultivated by pre-human gorillas; perhaps he merely intends to say that before men began to separate they sent special messengers on in front of them to diffuse the banana in the different countries they were about to visit. Even legend retains some trace of the extreme antiquity of the species as a cultivated fruit, for Adam and Eve are said to have reclined under the shadow of its branches, whence Linnæus gave to the sort known as the plantain the Latin name of Musa paradisiaca. If a plant was cultivated in Eden by the grand old gardener and his wife, as Lord Tennyson democratically styled them (before his elevation to the peerage), we may fairly conclude that it possesses a very respectable antiquity indeed.

In fact, I think there’s little doubt that the banana is the oldest crop cultivated by humans. We need to remember that humans originated in tropical areas, and wild tropical fruits must have been among their earliest foods. Naturally, it was with these fruits that they first experimented with agriculture; the tiny, insignificant seeds and berries from cold northern regions would only gradually be introduced into their limited farming practices as some groups moved farther north into the colder, unoccupied areas. Now, among all tropical fruits, the banana definitely offers the greatest benefits when cultivated. It has been estimated that the same area that yields thirty-three pounds of wheat or ninety-nine pounds of potatoes can produce 4,400 pounds of plantains or bananas. The cultivation of different varieties in India, China, and the Malay Archipelago goes back, as De Candolle states, "to a time that’s hard to imagine." Its spread, as that esteemed but somewhat cryptic authority mentions, may date back to a period “contemporary with or even earlier than that of human races.” What this oddly confusing sentence means is beyond my understanding; perhaps M. de Candolle implies that bananas were first cultivated by some pre-human gorillas, or maybe he simply means that before humans began to separate, they sent special envoys ahead to spread the banana in the different regions they were about to explore. Even legend holds some reminder of the great age of this crop as a cultivated fruit, since Adam and Eve are said to have rested under its branches, which is why Linnaeus named the variety known as the plantain Musa paradisiaca. If a plant was grown in Eden by the original gardener and his wife, as Lord Tennyson referred to them (before he received his title), we can reasonably conclude that it has an impressive age indeed.

The wild banana is a native of the Malay region, according to De Candolle, who has produced by far the most learned and unreadable work on the origin of domestic plants ever yet written. (Please don't give me undue credit for having heroically read it through out of pure love of science: I was one of its unfortunate reviewers.) The wild form produces seed, and grows in Cochin China, the Philippines, Ceylon, and Khasia. Like most other large tropical fruits, it no doubt owes its original development to the selective action of monkeys, hornbills, parrots and other big fruit-eaters; and it shares with all fruits of similar origin one curious tropical peculiarity. Most northern berries, like the strawberry, the raspberry, the currant, and the blackberry, developed by the selective action of small northern birds, can be popped at once into the mouth and eaten whole; they have no tough outer rind or defensive covering of any sort. But big tropical fruits, which lay themselves out for the service of large birds or monkeys, have always hard outer coats, because they could only be injured by smaller animals, who would eat the pulp without helping in the dispersion of the useful seeds, the one object really held in view by the mother plant. Often, as in the case of the orange, the rind even contains a bitter, nauseous, or pungent juice, while at times, as in the pine-apple, the prickly pear, the sweet-sop, and the cherimoyer, the entire fruit is covered with sharp projections, stinging hairs, or knobby protuberances, on purpose to warn off the unauthorised depredator. It was this line of defence that gave the banana in the first instance its thick yellow skin; and, looking at the matter from the epicure's point of view, one may say roughly that all tropical fruits have to be skinned before they can be eaten. They are all adapted for being cut up with a knife and fork, or dug out with a spoon, on a civilised dessert-plate. As for that most delicious of Indian fruits, the mango, it has been well said that the only proper way to eat it is over a tub of water, with a couple of towels hanging gracefully across the side.

The wild banana is native to the Malay region, according to De Candolle, who has produced one of the most scholarly yet unreadable works on the origins of domestic plants ever written. (Please don’t give me too much credit for reading it out of pure love for science; I was one of its unfortunate reviewers.) The wild variety produces seeds and grows in Cochin China, the Philippines, Ceylon, and Khasia. Like most other large tropical fruits, it likely owes its development to the selective actions of monkeys, hornbills, parrots, and other big fruit-eaters. It shares with all fruits of similar origins one interesting tropical trait. Most northern berries, like strawberries, raspberries, currants, and blackberries, developed through the selective actions of small northern birds, and can be popped into the mouth and eaten whole; they have no tough outer skin or protective covering. However, big tropical fruits, which cater to large birds or monkeys, always have hard outer skins because they could only be harmed by smaller animals, which would eat the fruit without helping to disperse the valuable seeds, the main goal of the mother plant. Often, as with oranges, the rind even contains a bitter, nauseating, or pungent juice, while sometimes, as in the case of pineapples, prickly pears, sweet-sops, and cherimoyas, the entire fruit is covered with sharp spines, stinging hairs, or knobby protrusions to deter unauthorized eaters. This defense mechanism is what gave the banana its thick yellow skin; and from an epicurean perspective, one could say that all tropical fruits need to be peeled before they can be eaten. They are all suited to being cut with a knife and fork, or scooped out with a spoon, on a civilized dessert plate. As for the most delicious of Indian fruits, the mango, it's been said that the only proper way to eat it is over a tub of water, with a couple of towels draped elegantly across the side.

The varieties of the banana are infinite in number, and, as in most other plants of ancient cultivation, they shade off into one another by infinitesimal gradations. Two principal sorts, however, are commonly recognised—the true banana of commerce, and the common plantain. The banana proper is eaten raw, as a fruit, and is allowed accordingly to ripen thoroughly before being picked for market; the plantain, which is the true food-stuff of all the equatorial region in both hemispheres, is gathered green and roasted as a vegetable, or, to use the more expressive West Indian negro phrase, as a bread-kind. Millions of human beings in Asia, Africa, America, and the islands of the Pacific Ocean live almost entirely on the mild and succulent but tasteless plantain. Some people like the fruit; to me personally it is more suggestive of a very flavourless over-ripe pear than of anything else in heaven or earth or the waters that are under the earth—the latter being the most probable place to look for it, as its taste and substance are decidedly watery. Baked dry in the green state 'it resembles roasted chestnuts,' or rather baked parsnip; pulped and boiled with water it makes 'a very agreeable sweet soup,' almost as nice as peasoup with brown sugar in it; and cut into slices, sweetened, and fried, it forms 'an excellent substitute for fruit pudding,' having a flavour much like that of potatoes à la maítre d'hótel served up in treacle.

The types of bananas are countless, and, like many other ancient crops, they blend into one another with tiny variations. However, two main types are commonly recognized—the true banana for sale and the common plantain. The actual banana is eaten raw as a fruit and is allowed to fully ripen before being picked for the market; the plantain, which serves as the main food source in the equatorial regions of both hemispheres, is harvested green and roasted as a vegetable, or, to use a more vivid West Indian term, as a bread-like food. Millions of people in Asia, Africa, America, and the Pacific Islands rely almost entirely on the mild and juicy but bland plantain. Some people enjoy the fruit; to me, it resembles a very bland overripe pear more than anything else in the world or beneath the earth—the latter likely being the best place to find it, as its flavor and texture are definitely watery. When baked dry in its green state, it resembles roasted chestnuts, or rather baked parsnip; when pulped and boiled with water, it creates 'a very agreeable sweet soup,' almost as enjoyable as pea soup with brown sugar; and when cut into slices, sweetened, and fried, it makes 'an excellent substitute for fruit pudding,' tasting a lot like potatoes à la maître d'hôtel served with treacle.

Altogether a fruit to be sedulously avoided, the plantain, though millions of our spiritually destitute African brethren haven't yet for a moment discovered that it isn't every bit as good as wheaten bread and fresh butter. Missionary enterprise will no doubt before long enlighten them on this subject, and create a good market in time for American flour and Manchester piece-goods.

Altogether a fruit to be carefully avoided, the plantain, even though millions of our spiritually lost African brothers haven’t yet realized that it’s not nearly as good as wheat bread and fresh butter. Missionary efforts will no doubt soon inform them about this, creating a profitable market over time for American flour and Manchester textiles.

Though by origin a Malayan plant, there can be little doubt that the banana had already reached the mainland of America and the West India Islands long before the voyage of Columbus. When Pizarro disembarked upon the coast of Peru on his desolating expedition, the mild-eyed, melancholy, doomed Peruvians flocked down to the shore and offered him bananas in a lordly dish. Beds composed of banana leaves have been discovered in the tombs of the Incas, of date anterior, of course, to the Spanish conquest. How did they get there? Well, it is clearly an absurd mistake to suppose that Columbus discovered America; as Artemus Ward pertinently remarked, the noble Red Indian had obviously discovered it long before him. There had been intercourse of old, too, between Asia and the Western Continent; the elephant-headed god of Mexico, the debased traces of Buddhism in the Aztec religion, the singular coincidences between India and Peru, all seem to show that a stream of communication, however faint, once existed between the Asiatic and American worlds. Garcilaso himself, the half-Indian historian of Peru, says that the banana was well known in his native country before the conquest, and that the Indians say 'its origin is Ethiopia.' In some strange way or other, then, long before Columbus set foot upon the low sandbank of Cat's Island, the banana had been transported from Africa or India to the Western hemisphere.

Though originally a Malayan plant, there's little doubt that the banana had already made its way to mainland America and the West Indies long before Columbus's voyage. When Pizarro landed on the coast of Peru during his disastrous expedition, the gentle-eyed, sorrowful, doomed Peruvians gathered at the shore and presented him with bananas in an elegant dish. Beds made from banana leaves have been found in Inca tombs, dating back, of course, before the Spanish conquest. How did they get there? It’s clearly absurd to think that Columbus discovered America; as Artemus Ward wisely pointed out, the noble Native American had obviously discovered it long before him. There had been exchanges between Asia and the Western continent long ago; the elephant-headed god of Mexico, the remnants of Buddhism in Aztec religion, and the striking similarities between India and Peru all suggest that a communication link, though faint, once existed between the Asian and American worlds. Garcilaso, the half-Indian historian of Peru, states that the banana was well known in his homeland before the conquest, and that the Indians claim 'its origin is Ethiopia.' In some strange way, then, long before Columbus set foot on the sandy shores of Cat's Island, the banana had been brought from Africa or India to the Western hemisphere.

If it were a plant propagated by seed, one would suppose that it was carried across by wind or waves, wafted on the feet of birds, or accidentally introduced in the crannies of drift timber. So the coco-nut made the tour of the world ages before either of the famous Cooks—the Captain or the excursion agent—had rendered the same feat easy and practicable; and so, too, a number of American plants have fixed their home in the tarns of the Hebrides or among the lonely bogs of Western Galway. But the banana must have been carried by man, because it is unknown in the wild state in the Western Continent; and, as it is practically seedless, it can only have been transported entire, in the form of a root or sucker. An exactly similar proof of ancient intercourse between the two worlds is afforded us by the sweet potato, a plant of undoubted American origin, which was nevertheless naturalised in China as early as the first centuries of the Christian era. Now that we all know how the Scandinavians of the eleventh century went to Massachusetts, which they called Vineland, and how the Mexican empire had some knowledge of Accadian astronomy, people are beginning to discover that Columbus himself was after all an egregious humbug.

If it were a plant that grew from seeds, you’d think it got spread by the wind or waves, carried on the feet of birds, or accidentally brought in the cracks of driftwood. So, the coconut traveled around the world long before either of the famous Cooks—the Captain or the tour guide—made that journey easy and doable; and, similarly, several American plants have found a home in the small lakes of the Hebrides or the isolated bogs of Western Galway. But the banana must have been brought by humans because it doesn’t grow wild in the Western Hemisphere; and since it’s practically seedless, it must have been moved entirely, either as a root or a sucker. A very similar example of ancient connection between the two worlds is shown by the sweet potato, a plant definitely from America, which nonetheless became established in China as early as the first centuries of the Christian era. Now that we all know how the Scandinavians of the eleventh century traveled to Massachusetts, which they calledVineland, and how the Mexican empire had some knowledge of ancient astronomy, people are starting to realize that Columbus himself was, after all, a major fraud.

In the old world the cultivation of the banana and the plantain goes back, no doubt, to a most immemorial antiquity. Our Aryan ancestor himself, Professor Max Müller's especial protégé, had already invented several names for it, which duly survive in very classical Sanskrit. The Greeks of Alexander's expedition saw it in India, where 'sages reposed beneath its shade and ate of its fruit, whence the botanical name, Musa sapientum.' As the sages in question were lazy Brahmans, always celebrated for their immense capacity for doing nothing, the report, as quoted by Pliny, is no doubt an accurate one. But the accepted derivation of the word Musa from an Arabic original seems to me highly uncertain; for Linnæus, who first bestowed it on the genus, called several other allied genera by such cognate names as Urania and Heliconia. If, therefore, the father of botany knew that his own word was originally Arabic, we cannot acquit him of the high crime and misdemeanour of deliberate punning. Should the Royal Society get wind of this, something serious would doubtless happen; for it is well known that the possession of a sense of humour is absolutely fatal to the pretensions of a man of science.

In the ancient world, the cultivation of bananas and plantains goes back to a very distant past. Our Aryan ancestor himself, Professor Max Müller’s special protégé, had already created several names for it, which still exist in classical Sanskrit. The Greeks from Alexander's expedition encountered it in India, where 'sages rested in its shade and ate its fruit, hence the botanical name, Musa sapientum.' Since these sages were lazy Brahmans, known for their remarkable ability to do nothing, the report, as quoted by Pliny, is probably accurate. However, the commonly accepted idea that the word Musa comes from an Arabic origin seems highly doubtful to me; Linnaeus, who first named the genus, used similar names like Urania and Heliconia for several other related genera. So, if the father of botany knew that his own word was originally Arabic, we can't let him off the hook for the serious offense of deliberate pun-making. If the Royal Society ever found out about this, something significant would likely occur, as it’s well known that having a sense of humor is completely detrimental to a scientist's credibility.

Besides its main use as an article of food, the banana serves incidentally to supply a valuable fibre, obtained from the stem, and employed for weaving into textile fabrics and making paper. Several kinds of the plantain tribe are cultivated for this purpose exclusively, the best known among them being the so-called manilla hemp, a plant largely grown in the Philippine Islands. Many of the finest Indian shawls are woven from banana stems, and much of the rope that we use in our houses comes from the same singular origin. I know nothing more strikingly illustrative of the extreme complexity of our modern civilisation than the way in which we thus every day employ articles of exotic manufacture in our ordinary life without ever for a moment suspecting or inquiring into their true nature. What lady knows when she puts on her delicate wrapper, from Liberty's or from Swan and Edgar's, that the material from which it is woven is a Malayan plantain stalk? Who ever thinks that the glycerine for our chapped hands comes from Travancore coco-nuts, and that the pure butter supplied us from the farm in the country is coloured yellow with Jamaican annatto? We break a tooth, as Mr. Herbert Spencer has pointed out, because the grape-curers of Zante are not careful enough about excluding small stones from their stock of currants; and we suffer from indigestion because the Cape wine-grower has doctored his light Burgundies with Brazilian logwood and white rum, to make them taste like Portuguese port. Take merely this very question of dessert, and how intensely complicated it really is. The West Indian bananas keep company with sweet St. Michaels from the Azores, and with Spanish cobnuts from Barcelona. Dried fruits from Metz, figs from Smyrna, and dates from Tunis lie side by side on our table with Brazil nuts and guava jelly and damson cheese and almonds and raisins. We forget where everything comes from nowadays, in our general consciousness that they all come from the Queen Victoria Street Stores, and any real knowledge of common objects is rendered every day more and more impossible by the bewildering complexity and variety, every day increasing, of the common objects themselves, their substitutes, adulterates, and spurious imitations. Why, you probably never heard of manilla hemp before, until this very minute, and yet you have been familiarly using it all your lifetime, while 400,000 hundredweights of that useful article are annually imported into this country alone. It is an interesting study to take any day a list of market quotations, and ask oneself about every material quoted, what it is and what they do with it.

Besides being primarily a food source, bananas also provide valuable fiber, harvested from the stem, which is used in weaving textile fabrics and making paper. Several types of plantains are grown exclusively for this purpose, with the most well-known being Manila hemp, a plant that is widely cultivated in the Philippine Islands. Many of the finest Indian shawls are made from banana stems, and a significant amount of the rope we use in our homes comes from this unique source. There's nothing that illustrates the complexity of modern civilization more than the way we use exotic products in our daily lives without ever pausing to consider their true origins. What woman realizes when she puts on her delicate robe from Liberty’s or Swan and Edgar’s that the fabric is made from a Malayan plantain stalk? Who thinks about the glycerin for our chapped hands coming from Travancore coconuts, or that the pure butter from the farm is colored yellow with Jamaican annatto? We chip a tooth because, as Mr. Herbert Spencer noted, the grape-curers in Zante aren't careful about removing small stones from their currants; and we have indigestion because the Cape wine-grower has altered his light Burgundies with Brazilian logwood and white rum to make them taste like Portuguese port. Just look at the dessert question and how incredibly complicated it is. West Indian bananas are served alongside sweet St. Michaels from the Azores and Spanish cobnuts from Barcelona. Dried fruits from Metz, figs from Smyrna, and dates from Tunis sit together on our table with Brazil nuts, guava jelly, damson cheese, almonds, and raisins. Nowadays, we forget where everything comes from, as we simply assume they all come from the Queen Victoria Street Stores, and genuine knowledge of common objects becomes increasingly difficult due to the confusing complexity and variety of these items, their substitutes, adulterants, and fake versions. You probably never heard of Manila hemp until just now, and yet you’ve been using it throughout your life, while 400,000 hundredweights of that useful product are imported into this country every year. It's fascinating to take any list of market quotes and ask yourself about each item listed: what it is and how it’s used.

For example, can you honestly pretend that you really understand the use and importance of that valuable object of everyday demand, fustic? I remember an ill-used telegraph clerk in a tropical colony once complaining to me that English cable operators were so disgracefully ignorant about this important staple as invariably to substitute for its name the word 'justice' in all telegrams which originally referred to it. Have you any clear and definite notions as to the prime origin and final destination of a thing called jute, in whose sole manufacture the whole great and flourishing town of Dundee lives and moves and has its being? What is turmeric? Whence do we obtain vanilla? How many commercial products are yielded by the orchids? How many totally distinct plants in different countries afford the totally distinct starches lumped together in grocers' lists under the absurd name of arrowroot? When you ask for sago do you really see that you get it? and how many entirely different objects described as sago are known to commerce? Define the uses of partridge canes and cohune oil. What objects are generally manufactured from tucum? Would it surprise you to learn that English door-handles are commonly made out of coquilla nuts? that your wife's buttons are turned from the indurated fruit of the Tagua palm? and that the knobs of umbrellas grew originally in the remote depths of Guatemalan forests? Are you aware that a plant called manioc supplies the starchy food of about one-half the population of tropical America? These are the sort of inquiries with which a new edition of 'Mangnall's Questions' would have to be filled; and as to answering them—why, even the pupil-teachers in a London Board School (who represent, I suppose, the highest attainable level of human knowledge) would often find themselves completely nonplussed. The fact is, tropical trade has opened out so rapidly and so wonderfully that nobody knows much about the chief articles of tropical growth; we go on using them in an uninquiring spirit of childlike faith, much as the Jamaica negroes go on using articles of European manufacture about whose origin they are so ridiculously ignorant that one young woman once asked me whether it was really true that cotton handkerchiefs were dug up out of the ground over in England. Some dim confusion between coal or iron and Manchester piece-goods seemed to have taken firm possession of her infantile imagination.

For example, can you honestly say that you really understand the use and importance of that valuable everyday item, fustic? I remember a mistreated telegraph clerk in a tropical region once telling me that English cable operators were so shockingly uninformed about this important resource that they always replaced its name with the word 'justice' in all telegrams that originally referred to it. Do you have any clear and specific ideas about the original source and final destination of something called jute, which is the only thing that keeps the thriving town of Dundee alive? What is turmeric? Where do we get vanilla? How many commercial products come from orchids? How many completely different plants in various countries provide the totally different starches lumped together in grocery lists under the ridiculous name arrowroot? When you ask for sago, do you really make sure that's what you get? And how many entirely different items are sold as sago in the market? Explain the uses of partridge canes and cohune oil. What items are generally made from tucum? Would it surprise you to find out that English door handles are often made from coquilla nuts? That your wife's buttons are made from the hardened fruit of the Tagua palm? And that the knobs of umbrellas originally came from the remote forests of Guatemala? Are you aware that a plant called manioc provides starchy food for about half the population of tropical America? These are the kinds of questions with which a new edition of 'Mangnall's Questions' would need to be filled; and as for answering them—well, even the pupil teachers in a London Board School (who represent, I suppose, the highest level of human knowledge) would often find themselves completely stumped. The truth is, tropical trade has expanded so quickly and remarkably that nobody really knows much about the main products of tropical agriculture; we keep using them with a naive faith, much like how Jamaican people continue using European products without knowing their origins—one young woman even asked me if it was really true that cotton handkerchiefs were dug up from the ground back in England. Some vague mix-up between coal or iron and Manchester textiles seemed to have firmly lodged in her naive imagination.

That is why I have thought that a treatise De Banana might not, perhaps, be wholly without its usefulness to the modern English reading world. After all, a food-stuff which supports hundreds of millions among our beloved tropical fellow-creatures ought to be very dear to the heart of a nation which governs (and annually kills) more black people, taken in the mass, than all the other European powers put together. We have introduced the blessings of British rule—the good and well-paid missionary, the Remington rifle, the red-cotton pocket-handkerchief, and the use of 'the liquor called rum'—into so many remote corners of the tropical world that it is high time we should begin in return to learn somewhat about fetiches and fustic, Jamaica and jaggery, bananas and Buddhism. We know too little still about our colonies and dependencies. 'Cape Breton an island!' cried King George's Minister, the Duke of Newcastle, in the well-known story, 'Cape Breton an island! Why, so it is! God bless my soul! I must go and tell the King that Cape Breton's an island.' That was a hundred years ago; but only the other day the Board of Trade placarded all our towns and villages with a flaming notice to the effect that the Colorado beetle had made its appearance at 'a town in Canada called Ontario,' and might soon be expected to arrive at Liverpool by Cunard steamer. The right honourables and other high mightinesses who put forth the notice in question were evidently unaware that Ontario is a province as big as England, including in its borders Toronto, Ottawa, Kingston, London, Hamilton, and other large and flourishing towns. Apparently, in spite of competitive examinations, the schoolmaster is still abroad in the Government offices.

That’s why I thought a treatise on bananas might actually be useful for today’s English-speaking world. After all, a food that supports hundreds of millions of our tropical neighbors should be important to a nation that governs (and annually kills) more black people overall than all the other European powers combined. We’ve brought the benefits of British rule—like well-paid missionaries, Remington rifles, red cotton handkerchiefs, and “the liquor called rum”—to so many remote places in the tropics that it’s about time we started learning about fetishes and fustic, Jamaica and jaggery, bananas and Buddhism in return. We still don’t know enough about our colonies and territories. “Cape Breton an island!” exclaimed King George’s Minister, the Duke of Newcastle, in the famous story, “Cape Breton an island! Why, it is! Goodness! I must go and tell the King that Cape Breton’s an island.” That was a hundred years ago; yet just recently, the Board of Trade plastered all our towns and villages with a bold notice saying that the Colorado beetle had been spotted in “a town in Canada called Ontario,” and might soon arrive in Liverpool by Cunard steamer. The right honorable and other important figures who issued that notice clearly didn’t realize that Ontario is a province as large as England, home to cities like Toronto, Ottawa, Kingston, London, Hamilton, and others. Apparently, despite competitive exams, the schoolmaster is still at large in government offices.


GO TO THE ANT

In the market-place at Santa Fé, in Mexico, peasant women from the neighbouring villages bring in for sale trayfuls of living ants, each about as big and round as a large white currant, and each entirely filled with honey or grape sugar, much appreciated by the ingenuous Mexican youth as an excellent substitute for Everton toffee. The method of eating them would hardly command the approbation of the Society for the Prevention of Cruelty to Animals. It is simple and primitive, but decidedly not humane. Ingenuous youth holds the ant by its head and shoulders, sucks out the honey with which the back part is absurdly distended, and throws away the empty body as a thing with which it has now no further sympathy. Maturer age buys the ants by the quart, presses out the honey through a muslin strainer, and manufactures it into a very sweet intoxicating drink, something like shandygaff, as I am credibly informed by bold persons who have ventured to experiment upon it, taken internally.

In the marketplace in Santa Fé, Mexico, peasant women from nearby villages sell trays full of live ants, each about the size and shape of a large white currant, and each packed with honey or grape sugar, which is popular among naive Mexican youths as a great substitute for Everton toffee. The way of eating them likely wouldn't be approved by animal welfare advocates. It's straightforward and basic, but definitely not kind. Naive youths hold the ant by its head and shoulders, suck out the honey from its absurdly swollen backside, and toss away the empty body as if it no longer matters. Older individuals buy the ants by the quart, strain out the honey through a muslin filter, and turn it into a very sweet, intoxicating drink, somewhat like shandygaff, as I've been reliably told by adventurous people who have dared to try it.

The curious insect which thus serves as an animated sweetmeat for the Mexican children is the honey-ant of the Garden of the Gods; and it affords a beautiful example of Mandeville's charming paradox that personal vices are public benefits—vitia privata humana commoda. The honey-ant is a greedy individual who has nevertheless nobly devoted himself for the good of the community by converting himself into a living honey-jar, from which all the other ants in his own nest may help themselves freely from time to time, as occasion demands. The tribe to which he belongs lives underground, in a dome-roofed vault, and only one particular caste among the workers, known as rotunds from their expansive girth, is told off for this special duty of storing honey within their own bodies. Clinging to the top of their nest, with their round, transparent abdomens hanging down loosely, mere globules of skin enclosing the pale amber-coloured honey, these Daniel Lamberts of the insect race look for all the world like clusters of the little American Delaware grapes, with an ant's legs and head stuck awkwardly on to the end instead of a stalk. They have, in fact, realised in everyday life the awful fate of Mr. Gilbert's discontented sugar-broker, who laid on flesh and 'adipose deposit' until he became converted at last into a perfect rolling ball of globular humanity.

The curious insect that serves as a living treat for the children in Mexico is the honey-ant from the Garden of the Gods; it perfectly illustrates Mandeville's charming paradox that personal vices can lead to public benefits—vitia privata humana commoda. The honey-ant is a greedy creature who has selflessly dedicated itself to the community by turning into a living honey-jar, from which other ants in its nest can help themselves whenever they need. The colony lives underground in a dome-shaped vault, and a specific group of worker ants, called rotunds because of their plump bodies, is designated for the special job of storing honey in their own bodies. Hanging from the top of their nest, with their round, transparent abdomens dangling loosely like globes of skin that enclose pale amber-colored honey, these Daniel Lamberts of the insect world look just like clusters of little American Delaware grapes, except they awkwardly have ant legs and heads instead of stems. They have, in fact, embodied the unfortunate fate of Mr. Gilbert's unhappy sugar-broker, who gained so much weight and 'adipose deposit' that he ultimately transformed into a perfect rolling ball of round humanity.

The manners of the honey-ant race are very simple. Most of the members of each community are active and roving in their dispositions, and show no tendency to undue distension of the nether extremities. They go out at night and collect nectar or honey-dew from the gall-insects on oak-trees; for the gall-insect, like love in the old Latin saw, is fruitful both in sweets and bitters, melle et felle. This nectar they then carry home, and give it to the rotunds or honey-bearers, who swallow it and store it in their round abdomen until they can hold no more, having stretched their skins literally to the very point of bursting. They pass their time, like the Fat Boy in 'Pickwick,' chiefly in sleeping, but they cling upside down meanwhile to the roof of their residence. When the workers in turn require a meal, they go up to the nearest honey-bearer and stroke her gently with their antennæ. The honey-bearer thereupon throws up her head and regurgitates a large drop of the amber liquid. ('Regurgitates' is a good word which I borrow from Dr. McCook, of Philadelphia, the great authority upon honey-ants; and it saves an immense deal of trouble in looking about for a respectable periphrasis.) The workers feed upon the drops thus exuded, two or three at once often standing around the living honey-jar, and lapping nectar together from the lips of their devoted comrade. This may seem at first sight rather an unpleasant practice on the part of the ants; but after all, how does it really differ from our own habit of eating honey which has been treated in very much the same unsophisticated manner by the domestic bee?

The behavior of honey ants is quite simple. Most members of their community are active and always on the move, showing no signs of excessive swelling in their lower bodies. They go out at night and collect nectar or honeydew from gall-insects on oak trees, as the gall-insect, like love in the old Latin saying, is rich in both sweetness and bitterness, melle et felle. They then bring this nectar back home and give it to the rotunds or honey-bearers, who consume it and store it in their round abdomens until they can’t hold any more, stretching their skins to the point of bursting. They spend most of their time, like the Fat Boy in 'Pickwick,' mainly sleeping, but they hang upside down from the roof of their home. When the workers need a meal, they go up to the nearest honey-bearer and gently stroke her with their antennae. The honey-bearer then lifts her head and regurgitates a large drop of the amber liquid. (‘Regurgitates’ is a great term I borrowed from Dr. McCook, a noted expert on honey ants, and it saves a lot of effort in searching for a respectable way to say it.) The workers feed on the drops that are exuded, with two or three often gathered around the living honey jar, sipping nectar together from the lips of their devoted companion. This might seem like a rather unpleasant practice for the ants at first glance, but really, how does it differ from our own habit of eating honey that has been treated in a very similar straightforward way by the domesticated bee?

Worse things than these, however, Dr. McCook records to the discredit of the Colorado honey-ant. When he was opening some nests in the Garden of the Gods, he happened accidentally to knock down some of the rotunds, which straightway burst asunder in the middle, and scattered their store of honey on the floor of the nest. At once the other ants, tempted away from their instinctive task of carrying off the cocoons and young grubs, clustered around their unfortunate companion, like street boys around a broken molasses barrel, and, instead of forming themselves forthwith into a volunteer ambulance company, proceeded immediately to lap up the honey from their dying brother. On the other hand it must be said, to the credit of the race, that (unlike the members of Arctic expeditions) they never desecrate the remains of the dead. When a honey-bearer dies at his post, a victim to his zeal for the common good, the workers carefully remove his cold corpse from the roof where it still clings, clip off the head and shoulders from the distended abdomen, and convey their deceased brother piecemeal, in two detachments, to the formican cemetery, undisturbed. If they chose, they might only bury the front half of their late relation, while they retained his remaining moiety as an available honey-bag: but from this cannibal proceeding ant-etiquette recoils in decent horror; and the amber globes are 'pulled up galleries, rolled along rooms, and bowled into the graveyard, along with the juiceless heads, legs, and other members.' Such fraternal conduct would be very creditable to the worker honey-ants, were it not for a horrid doubt insinuated by Dr. McCook that perhaps the insects don't know they could get at the honey by breaking up the body of their lamented relative. If so, their apparent disregard of utilitarian considerations may really be due not to their sentimentality but to their hopeless stupidity.

Worse things than these, however, Dr. McCook notes about the Colorado honey-ant. While he was opening some nests in the Garden of the Gods, he accidentally knocked down some of the chambers, which immediately split open and spilled their honey on the nest floor. Instantly, the other ants, drawn away from their natural task of collecting the cocoons and young grubs, gathered around their unfortunate companion, like kids around a spilled barrel of molasses, and instead of quickly forming a rescue group, they immediately started licking up the honey from their dying brother. On the bright side, unlike the members of Arctic expeditions, they never disrespect the remains of the dead. When a honey-bearer dies in service, a victim of their commitment to the greater good, the workers carefully remove his cold body from where it still hangs, cut off the head and shoulders from the swollen abdomen, and transport their deceased brother in pieces, in two groups, to the ant cemetery, without disturbance. If they wanted, they could just bury the front half of their late relative, while keeping the other half as a honey bag: but they recoil in decent horror from this cannibal act; and the amber globes are 'pulled up galleries, rolled along rooms, and bowled into the graveyard, along with the headless corpses, legs, and other parts.' Such fraternal behavior would be commendable for the worker honey-ants, if it weren't for a troubling thought brought up by Dr. McCook that perhaps the insects don't realize they could access the honey by breaking apart the body of their beloved relative. If that's the case, their apparent disregard for practical matters might really be due not to their sentimentality but to their unfortunate stupidity.

The reason why the ants have taken thus to storing honey in the living bodies of their own fellows is easy enough to understand. They want to lay up for the future like prudent insects that they are; but they can't make wax, as the bees do, and they have not yet evolved the purely human art of pottery. Consequently—happy thought—why not tell off some of our number to act as jars on behalf of the others? Some of the community work by going out and gathering honey; they also serve who only stand and wait—who receive it from the workers, and keep it stored up in their own capacious indiarubber maws till further notice. So obvious is this plan for converting ants into animated honey-jars, that several different kinds of ants in different parts of the world, belonging to the most widely distinct families, have independently hit upon the very self-same device. Besides the Mexican species, there is a totally different Australian honey-ant, and another equally separate in Borneo and Singapore. This last kind does not store the honey in the hind part of the body technically known as the abdomen, but in the middle division which naturalists call the thorax, where it forms a transparent bladder-like swelling, and makes the creature look as though it were suffering with an acute attack of dropsy. In any case, the life of a honey-bearer must be singularly uneventful, not to say dull and monotonous; but no doubt any small inconvenience in this respect must be more than compensated for by the glorious consciousness that one is sacrificing one's own personal comfort for the common good of universal anthood. Perhaps, however, the ants have not yet reached the Positivist stage, and may be totally ignorant of the enthusiasm of formicity.

The reason ants have started storing honey in the living bodies of their own kind is pretty straightforward. They want to save for the future, like smart insects; but they can't produce wax like bees do, and they haven't developed the human skill of pottery yet. So, they came up with a clever idea: why not choose some of their own to act as jars for the others? Some ants go out and collect honey; others just stand by and wait—receiving it from the workers and storing it in their stretchy mouths until it's needed. This method of turning ants into living honey jars is so obvious that different species of ants in various parts of the world, from very different families, have independently come up with the same solution. Besides the Mexican species, there is a completely different honey ant from Australia and another one in Borneo and Singapore. The latter doesn't store honey in the back part of the body known as the abdomen, but in the middle section called the thorax, where it creates a transparent, swollen bladder-like shape, making the ant look like it has a severe case of dropsy. In any case, the life of a honey-bearer must be pretty uneventful, if not dull and monotonous; but surely any minor inconvenience must be outweighed by the satisfaction of sacrificing personal comfort for the greater good of all ants. However, it's possible that ants haven't reached the stage of positive thought and might be completely unaware of the enthusiasm for working together.

Equally curious are the habits and manners of the harvesting ants, the species which Solomon seems to have had specially in view when he advised his hearers to go to the ant—a piece of advice which I have also adopted as the title of the present article, though I by no means intend thereby to insinuate that the readers of this volume ought properly to be classed as sluggards. These industrious little creatures abound in India: they are so small that it takes eight or ten of them to carry a single grain of wheat or barley; and yet they will patiently drag along their big burden for five hundred or a thousand yards to the door of their formicary. To prevent the grain from germinating, they bite off the embryo root—a piece of animal intelligence outdone by another species of ant, which actually allows the process of budding to begin, so as to produce sugar, as in malting. After the last thunderstorms of the monsoon the little proprietors bring up all the grain from their granaries to dry in the tropical sunshine. The quantity of grain stored up by the harvesting ants is often so large that the hair-splitting Jewish casuists of the Mishna have seriously discussed the question whether it belongs to the landowner or may lawfully be appropriated by the gleaners. 'They do not appear,' says Sir John Lubbock, 'to have considered the rights of the ants.' Indeed our duty towards insects is a question which seems hitherto to have escaped the notice of all moral philosophers. Even Mr. Herbert Spencer, the prophet of individualism, has never taken exception to our gross disregard of the proprietary rights of bees in their honey, or of silkworms in their cocoons. There are signs, however, that the obtuse human conscience is awakening in this respect; for when Dr. Loew suggested to bee-keepers the desirability of testing the commercial value of honey-ants, as rivals to the bee, Dr. McCook replied that 'the sentiment against the use of honey thus taken from living insects, which is worthy of all respect, would not be easily overcome.'

Equally fascinating are the ways and behaviors of harvesting ants, the type Solomon seems to have had in mind when he advised his listeners to go to the ant—a piece of advice I’ve also used as the title of this article, although I don’t mean to imply that the readers of this volume should be seen as lazy. These hardworking little creatures are abundant in India: they’re so tiny that it takes eight or ten of them to carry a single grain of wheat or barley; yet they will diligently drag their heavy load for five hundred or a thousand yards to the entrance of their nest. To stop the grain from sprouting, they bite off the tiny root—a clever behavior that’s surpassed by another species of ant, which actually lets budding start to produce sugar, like in malting. After the final thunderstorms of the monsoon, the little owners bring all their grain from storage to dry in the tropical sun. The amount of grain collected by the harvesting ants is often so large that the meticulous Jewish scholars of the Mishna have seriously debated whether it belongs to the landowner or can be rightfully taken by gleaners. "They do not seem," says Sir John Lubbock, "to have considered the rights of the ants." In fact, our responsibilities towards insects is an issue that seems to have escaped the attention of all moral philosophers until now. Even Mr. Herbert Spencer, the champion of individualism, has never criticized our blatant disregard for the property rights of bees with their honey or silkworms with their cocoons. However, there are indications that human conscience is beginning to awaken on this issue; when Dr. Loew proposed to beekeepers the idea of exploring the commercial potential of honey-ants as alternatives to bees, Dr. McCook responded that "the sentiment against taking honey from living insects, which deserves respect, would not be easily overcome."

There are no harvesting ants in Northern Europe, though they extend as far as Syria, Italy, and the Riviera, in which latter station I have often observed them busily working. What most careless observers take for grain in the nests of English ants are of course really the cocoons of the pupæ. For many years, therefore, entomologists were under the impression that Solomon had fallen into this popular error, and that when he described the ant as 'gathering her food in the harvest' and 'preparing her meat in the summer,' he was speaking rather as a poet than as a strict naturalist. Later observations, however, have vindicated the general accuracy of the much-married king by showing that true harvesting ants do actually occur in Syria, and that they lay by stores for the winter in the very way stated by that early entomologist, whose knowledge of 'creeping things' is specially enumerated in the long list of his universal accomplishments.

There are no harvesting ants in Northern Europe, but they reach as far as Syria, Italy, and the Riviera, where I've often seen them hard at work. What many casual observers mistake for grain in the nests of English ants are actually the cocoons of pupae. For many years, entomologists thought Solomon had made this common mistake, and that when he described the ant as 'gathering her food in the harvest' and 'preparing her meat in the summer,' he was being more of a poet than a strict naturalist. However, later observations have proven that the king was generally accurate, showing that true harvesting ants do exist in Syria, and they store food for winter just as that early entomologist described, whose knowledge of 'creeping things' is highlighted in the long list of his many accomplishments.

Dr. Lincecum of Texan fame has even improved upon Solomon by his discovery of those still more interesting and curious creatures, the agricultural ants of Texas. America is essentially a farming country, and the agricultural ants are born farmers. They make regular clearings around their nests, and on these clearings they allow nothing to grow except a particular kind of grain, known as ant-rice. Dr. Lincecum maintains that the tiny farmers actually sow and cultivate the ant-rice. Dr. McCook, on the other hand, is of opinion that the rice sows itself, and that the insects' part is limited to preventing any other plants or weeds from encroaching on the appropriated area. In any case, be they squatters or planters, it is certain that the rice, when ripe, is duly harvested, and that it is, to say the least, encouraged by the ants, to the exclusion of all other competitors. 'After the maturing and harvesting of the seed,' says Dr. Lincecum, 'the dry stubble is cut away and removed from the pavement, which is thus left fallow until the ensuing autumn, when the same species of grass, and in the same circle, appears again, and receives the same agricultural care as did the previous crop.' Sir John Lubbock, indeed, goes so far as to say that the three stages of human progress—the hunter, the herdsman, and the agriculturist—are all to be found among various species of existing ants.

Dr. Lincecum, famous in Texas, has even outdone Solomon with his discovery of the more fascinating and curious creatures known as the agricultural ants of Texas. America is fundamentally a farming nation, and these ants are natural-born farmers. They clear regular patches around their nests, and in these areas, they only allow a specific type of grain called ant-rice to grow. Dr. Lincecum argues that these tiny farmers actually sow and tend to the ant-rice, while Dr. McCook believes that the rice grows on its own, and the ants merely keep other plants and weeds from invading their space. Regardless of whether they are squatters or cultivators, it's clear that when the rice is ready, it's carefully harvested, and the ants make sure it thrives, shutting out all other plants. "After the seed matures and is harvested," Dr. Lincecum says, "the dry stubble is removed from the ground, which is then left fallow until the next autumn, when the same type of grass returns in the same spot, receiving the same care as the previous crop." Sir John Lubbock even suggests that the three stages of human development—the hunter, the herdsman, and the farmer—can all be found among different species of ants today.

The Saüba ants of tropical America carry their agricultural operations a step further. Dwelling in underground nests, they sally forth upon the trees, and cut out of the leaves large round pieces, about as big as a shilling. These pieces they drop upon the ground, where another detachment is in waiting to convey them to the galleries of the nest. There they store enormous quantities of these round pieces, which they allow to decay in the dark, so as to form a sort of miniature mushroom bed. On the mouldering vegetable heap they have thus piled up, they induce a fungus to grow, and with this fungus they feed their young grubs during their helpless infancy. Mr. Belt, the 'Naturalist in Nicaragua,' found that native trees suffered far less from their depredations than imported ones. The ants hardly touched the local forests, but they stripped young plantations of orange, coffee, and mango trees stark naked. He ingeniously accounts for this curious fact by supposing that an internecine struggle has long been going on in the countries inhabited by the Saübas between the ants and the forest trees. Those trees that best resisted the ants, owing either to some unpleasant taste or to hardness of foliage, have in the long run survived destruction; but those which were suited for the purpose of the ants have been reduced to nonentity, while the ants in turn were getting slowly adapted to attack other trees. In this way almost all the native trees have at last acquired some special means of protection against the ravages of the leaf-cutters; so that they immediately fall upon all imported and unprotected kinds as their natural prey. This ingenious and wholly satisfactory explanation must of course go far to console the Brazilian planters for the frequent loss of their orange and coffee crops.

The Saüba ants of tropical America take their farming to another level. Living in underground nests, they venture out into the trees and cut large, round pieces from the leaves, about the size of a coin. They drop these pieces on the ground, where another group is waiting to take them back to the nest. There, they store huge amounts of these round pieces, allowing them to rot in the dark to create a sort of mini mushroom farm. On the decomposing vegetable pile they've built up, they encourage a fungus to grow, which they feed to their young larvae during their vulnerable early stages. Mr. Belt, the "Naturalist in Nicaragua," discovered that native trees were much less affected by their activities than imported ones. The ants hardly bothered local forests, but they stripped young orange, coffee, and mango plantations bare. He cleverly explains this interesting fact by suggesting that there has been an ongoing struggle between the ants and forest trees in the regions inhabited by the Saübas. The trees that resisted the ants best—either due to an unpleasant taste or tough leaves—ended up surviving, while those that were attractive to the ants have disappeared, and the ants gradually adapted to target other trees. As a result, most native trees have developed specific defenses against the leaf-cutters, which is why they readily attack all imported and defenseless species as their natural prey. This clever and completely satisfying explanation must surely help console Brazilian planters for the frequent losses of their orange and coffee crops.

Mr. Alfred Russel Wallace, the co-discoverer of the Darwinian theory (whose honours he waived with rare generosity in favour of the older and more distinguished naturalist), tells a curious story about the predatory habits of these same Saübas. On one occasion, when he was wandering about in search of specimens on the Rio Negro, he bought a peck of rice, which was tied up, Indian fashion, in the local bandanna of the happy plantation slave. At night he left his rice incautiously on the bench of the hut where he was sleeping; and next morning the Saübas had riddled the handkerchief like a sieve, and carried away a gallon of the grain for their own felonious purposes. The underground galleries which they dig can often be traced for hundreds of yards; and Mr. Hamlet Clarke even asserts that in one case they have tunnelled under the bed of a river where it is a quarter of a mile wide. This beats Brunel on his own ground into the proverbial cocked hat, both for depth and distance.

Mr. Alfred Russel Wallace, the co-discoverer of the Darwinian theory (who generously stepped back to let the older and more distinguished naturalist take the credit), shares an interesting story about the predatory habits of the Saübas. One time, while he was exploring the Rio Negro for specimens, he bought a peck of rice, which was tied up, Indian style, in the local bandanna of a joyful plantation slave. That night, he carelessly left his rice on the bench of the hut where he was sleeping. The next morning, the Saübas had eaten through the handkerchief like a sieve and made off with a gallon of the grain for their own sneaky purposes. The underground tunnels they dig can often be traced for hundreds of yards; Mr. Hamlet Clarke even claims that in one instance they tunneled under the bed of a river that is a quarter of a mile wide. This puts Brunel to shame on his own terms, both in depth and distance.

Within doors, in the tropics, ants are apt to put themselves obtrusively forward in a manner little gratifying to any except the enthusiastically entomological mind. The winged females, after their marriage flight, have a disagreeable habit of flying in at the open doors and windows at lunch time, settling upon the table like the Harpies in the Æneid, and then quietly shuffling off their wings one at a time, by holding them down against the table-cloth with one leg, and running away vigorously with the five others. As soon as they have thus disembarrassed themselves of their superfluous members, they proceed to run about over the lunch as if the house belonged to them, and to make a series of experiments upon the edible qualities of the different dishes. One doesn't so much mind their philosophical inquiries into the nature of the bread or even the meat; but when they come to drowning themselves by dozens, in the pursuit of knowledge, in the soup and sherry, one feels bound to protest energetically against the spirit of martyrdom by which they are too profoundly animated. That is one of the slight drawbacks of the realms of perpetual summer; in the poets you see only one side of the picture—the palms, the orchids, the humming-birds, the great trailing lianas: in practical life you see the reverse side—the thermometer at 98°, the tepid drinking-water, the prickly heat, the perpetual languor, the endless shoals of aggressive insects. A lady of my acquaintance, indeed, made a valuable entomological collection in her own dining-room, by the simple process of consigning to pill-boxes all the moths and flies and beetles that settled upon the mangoes and star-apples in the course of dessert.

Within homes in the tropics, ants tend to show up in a way that's not exactly pleasing to anyone except for those who are really into bugs. The winged females, after their mating flight, have a knack for flying in through open doors and windows during lunchtime, settling on the table like the Harpies in the Æneid, and then casually removing their wings one at a time by pressing them down against the tablecloth with one leg while running away with the other five. Once they've gotten rid of their extra appendages, they scurry around the lunch as if they own the place, conducting a series of experiments on the edible qualities of the various dishes. It's not so annoying when they're examining the bread or even the meat, but when they start drowning themselves by the dozens in the soup and sherry in their quest for knowledge, one feels compelled to object strongly to the martyr-like spirit that seems to drive them. That's one of the minor downsides of living in a land of perpetual summer; in poetry, you only see one side of the picture—the palm trees, orchids, hummingbirds, and large trailing vines: in real life, you encounter the other side—the thermometer reading 98°, lukewarm drinking water, prickly heat, constant fatigue, and endless swarms of aggressive insects. A lady I know even created a valuable entomological collection in her dining room simply by putting all the moths, flies, and beetles that landed on the mangoes and star-apples during dessert into pill boxes.

Another objectionable habit of the tropical ants, viewed practically, is their total disregard of vested interests in the case of house property. Like Mr. George and his communistic friends, they disbelieve entirely in the principle of private rights in real estate. They will eat their way through the beams of your house till there is only a slender core of solid wood left to support the entire burden. I have taken down a rafter in my own house in Jamaica, originally 18 inches thick each way, with a sound circular centre of no more than 6 inches in diameter, upon which all the weight necessarily fell. With the material extracted from the wooden beams they proceed to add insult to injury by building long covered galleries right across the ceiling of your drawing-room. As may be easily imagined, these galleries do not tend to improve the appearance of the ceiling; and it becomes necessary to form a Liberty and Property Defence League for the protection of one's personal interests against the insect enemy. I have no objection to ants building galleries on their own freehold, or even to their nationalising the land in their native forests; but I do object strongly to their unwarrantable intrusion upon the domain of private life. Expostulation and active warfare, however, are equally useless. The carpenter-ant has no moral sense, and is not amenable either to kindness or blows. On one occasion, when a body of these intrusive creatures had constructed an absurdly conspicuous brown gallery straight across the ceiling of my drawing-room, I determined to declare open war against them, and, getting my black servant to bring in the steps and a mop, I proceeded to demolish the entire gallery just after breakfast. It was about 20 feet long, as well as I can remember, and perhaps an inch in diameter. At one o'clock I returned to lunch. My black servant pointed, with a broad grin on his intelligent features, to the wooden ceiling. I looked up; in those three hours the carpenter-ants had reconstructed the entire gallery, and were doubtless mocking me at their ease, with their uplifted antennæ, under that safe shelter. I retired at once from the unequal contest. It was clearly impossible to go on knocking down a fresh gallery every three hours of the day or night throughout a whole lifetime.

Another annoying habit of tropical ants, to put it simply, is their complete disregard for property rights when it comes to houses. Just like Mr. George and his communist friends, they don't believe in the idea of private ownership of real estate at all. They will gnaw their way through the beams of your house until there’s only a thin core of solid wood left to hold everything up. I’ve even taken down a rafter in my own home in Jamaica, originally 18 inches thick on each side, with a central piece no bigger than 6 inches in diameter, bearing all the weight. Once they’ve eaten through the wooden beams, they add insult to injury by building long covered tunnels right across the ceiling of your living room. As you might imagine, these tunnels don’t enhance the ceiling’s appearance; it becomes necessary to form a Liberty and Property Defense League to protect one's personal interests against these pesky insects. I have no issue with ants building tunnels on their own property or even nationalizing the land in their native forests; however, I strongly object to their unwelcome invasion of private spaces. Trying to reason with them or wage war is equally pointless. The carpenter ant has no moral compass and won’t respond to kindness or punishment. One time, when a group of these intrusive creatures had built an annoyingly visible brown tunnel straight across the ceiling of my living room, I decided to declare open war on them. I had my black servant bring in a ladder and a mop, and I went to work tearing down the entire tunnel just after breakfast. It was about 20 feet long, as far as I can recall, and maybe an inch in diameter. When I returned for lunch at one o’clock, my black servant pointed, grinning broadly, at the wooden ceiling. I looked up; in those three hours, the carpenter ants had rebuilt the entire tunnel, likely laughing at me with their antennae raised, safe under that shelter. I immediately withdrew from the unfair battle. It was clearly impossible to keep knocking down a new tunnel every three hours, day or night, for a lifetime.

Ants, says Mr. Wallace, without one touch of satire, 'force themselves upon the attention of everyone who visits the tropics.' They do, indeed, and that most pungently; if by no other method, at least by the simple and effectual one of stinging. The majority of ants in every nest are of course neuters, or workers, that is to say, strictly speaking, undeveloped females, incapable of laying eggs. But they still retain the ovipositor, which is converted into a sting, and supplied with a poisonous liquid to eject afterwards into the wound. So admirably adapted to its purpose is this beautiful provision of nature, that some tropical ants can sting with such violence as to make your leg swell and confine you for some days to your room; while cases have even been known in which the person attacked has fainted with pain, or had a serious attack of fever in consequence. It is not every kind of ant, however, that can sting; a great many can only bite with their little hard horny jaws, and then eject a drop of formic poison afterwards into the hole caused by the bite. The distinction is a delicate physiological one, not much appreciated by the victims of either mode of attack. The perfect females can also sting, but not, of course, the males, who are poor, wretched, useless creatures, only good as husbands for the community, and dying off as soon as they have performed their part in the world—another beautiful provision, which saves the workers the trouble of killing them off, as bees do with drones after the marriage flight of the queen bee.

Ants, Mr. Wallace states, without a hint of sarcasm, 'force themselves upon the attention of everyone who visits the tropics.' They really do, and in a very striking way; if by no other means, then certainly by the straightforward and effective approach of stinging. The majority of ants in any colony are, of course, neuters, or workers, essentially undeveloped females that can't lay eggs. However, they still have an ovipositor, which turns into a sting and is filled with a poisonous liquid that gets injected into the wound. This incredible adaptation of nature is so well designed that some tropical ants can sting with such intensity that it can cause your leg to swell, leaving you confined to your room for several days; there have even been instances where the person stung has fainted from the pain or experienced severe fever afterward. Not every type of ant can sting, though; many can only bite with their small, hard jaws and then inject a bit of formic acid into the wound created by the bite. The difference is a subtle physiological one, not really recognized by those on the receiving end of either type of attack. The mature females can also sting, but the males, unfortunately, are useless creatures, serving only as mates for the colony and dying shortly after fulfilling their role in life—another clever feature of nature that spares the workers the effort of getting rid of them, as bees do with drones after the queen bee’s mating flight.

The blind driver-ants of West Africa are among the very few species that render any service to man, and that, of course, only incidentally. Unlike most other members of their class, the driver-ants have no settled place of residence; they are vagabonds and wanderers upon the face of the earth, formican tramps, blind beggars, who lead a gipsy existence, and keep perpetually upon the move, smelling their way cautiously from one camping-place to another. They march by night, or on cloudy days, like wise tropical strategists, and never expose themselves to the heat of the day in broad sunshine, as though they were no better than the mere numbered British Tommy Atkins at Coomassie or in the Soudan. They move in vast armies across country, driving everything before them as they go; for they belong to the stinging division, and are very voracious in their personal habits. Not only do they eat up the insects in their line of march, but they fall even upon larger creatures and upon big snakes, which they attack first in the eyes, the most vulnerable portion. When they reach a negro village the inhabitants turn out en masse, and run away, exactly as if the visitors were English explorers or brave Marines, bent upon retaliating for the theft of a knife by nobly burning down King Tom's town or King Jumbo's capital. Then the negroes wait in the jungle till the little black army has passed on, after clearing out the huts by the way of everything eatable. When they return they find their calabashes and saucepans licked clean, but they also find every rat, mouse, lizard, cockroach, gecko, and beetle completely cleared out from the whole village. Most of them have cut and run at the first approach of the drivers; of the remainder, a few blanched and neatly-picked skeletons alone remain to tell the tale.

The blind driver ants of West Africa are among the few species that provide any benefit to humans, but only incidentally. Unlike most other ants, the driver ants don't have a permanent home; they're wanderers, living a nomadic lifestyle, constantly on the move, carefully navigating from one campsite to another. They march at night or on cloudy days, avoiding the daytime heat, much like strategic tropical soldiers who won't risk exposure under the sun. They move in huge swarms, driving everything in front of them as they march; they belong to the stinging group and are very aggressive when it comes to feeding. Not only do they consume the insects in their path, but they also attack larger creatures and even big snakes, targeting the eyes first since it’s their most vulnerable spot. When they reach a village, the inhabitants flee en masse, just as if the invaders were English explorers or brave Marines seeking revenge for a stolen knife by destroying King Tom's town or King Jumbo's capital. After the driver ants pass through, the villagers wait in the jungle until it's safe to return, only to find their food supplies completely cleaned out. When they come back, they discover their bowls and pots are licked clean, and every rat, mouse, lizard, cockroach, gecko, and beetle has vanished from the village. Most have fled at the first sight of the driver ants, and of those that stayed, only a few bleached and picked-clean skeletons remain to tell the story.

As I wish to be considered a veracious historian, I will not retail the further strange stories that still find their way into books of natural history about the manners and habits of these blind marauders. They cross rivers, the West African gossips declare, by a number of devoted individuals flinging themselves first into the water as a living bridge, like so many six-legged Marcus Curtiuses, while over their drowning bodies the heedless remainder march in safety to the other side. If the story is not true, it is at least well invented; for the ant-commonwealth everywhere carries to the extremest pitch the old Roman doctrine of the absolute subjection of the individual to the State. So exactly is this the case that in some species there are a few large, overgrown, lazy ants in each nest, which do no work themselves, but accompany the workers on their expeditions; and the sole use of these idle mouths seems to be to attract the attention of birds and other enemies, and so distract it from the useful workers, the mainstay of the entire community. It is almost as though an army, marching against a tribe of cannibals, were to place itself in the centre of a hollow square formed of all the fattest people in the country, whose fine condition and fitness for killing might immediately engross the attention of the hungry enemy. Ants, in fact, have, for the most part, already reached the goal set before us as a delightful one by most current schools of socialist philosophers, in which the individual is absolutely sacrificed in every way to the needs of the community.

As I want to be seen as a truthful historian, I won't share the other strange tales that still make their way into natural history books about the behaviors and habits of these blind raiders. According to West African gossip, they cross rivers by having a number of devoted individuals jump into the water first as a human bridge, like a group of six-legged Marcus Curtiuses, while the rest march safely over their submerged bodies to the other side. If the story isn't true, it's at least a good invention; because the ant society takes to the extreme the old Roman belief in the complete subjugation of the individual to the State. This is so true that in some species, there are a few large, overgrown, lazy ants in each nest that don’t do any work themselves but accompany the workers on their outings; their only purpose seems to be to draw the attention of birds and other predators, distracting them from the hardworking ants, the backbone of the entire community. It’s almost as if an army, advancing against a tribe of cannibals, were to position itself in the center of a hollow square made up of the fattest people in the country, whose impressive size and ability to fight might capture the immediate attention of the hungry enemy. In fact, ants have mostly already achieved the goal that many current socialist philosophers describe as a preferable one, where the individual is completely sacrificed for the community's needs.

The most absurdly human, however, among all the tricks and habits of ants are their well known cattle-farming and slave-holding instincts. Everybody has heard, of course, how they keep the common rose-blight as milch cows, and suck from them the sweet honey-dew. But everybody, probably, does not yet know the large number of insects which they herd in one form or another as domesticated animals. Man has, at most, some twenty or thirty such, including cows, sheep, horses, donkeys, camels, llamas, alpacas, reindeer, dogs, cats, canaries, pigs, fowl, ducks, geese, turkeys, and silkworms. But ants have hundreds and hundreds, some of them kept obviously for purposes of food; others apparently as pets; and yet others again, as has been plausibly suggested, by reason of superstition or as objects of worship. There is a curious blind beetle which inhabits ants' nests, and is so absolutely dependent upon its hosts for support that it has even lost the power of feeding itself. It never quits the nest, but the ants bring it in food and supply it by putting the nourishment actually into its mouth. But the beetle, in return, seems to secrete a sweet liquid (or it may even be a stimulant like beer, or a narcotic like tobacco) in a tuft of hairs near the bottom of the hard wing-cases, and the ants often lick this tuft with every appearance of satisfaction and enjoyment. In this case, and in many others, there can be no doubt that the insects are kept for the sake of food or some other advantage yielded by them.

The most absurdly human aspect of ants, however, among all their tricks and habits, is their well-known cattle-farming and slave-holding instincts. Everyone has heard how they keep the common rose-blight as milk producers and suck the sweet honey-dew from them. But probably not everyone knows the large number of insects they herd in various ways as domesticated animals. Humans have, at most, about twenty or thirty such animals, including cows, sheep, horses, donkeys, camels, llamas, alpacas, reindeer, dogs, cats, canaries, pigs, fowl, ducks, geese, turkeys, and silkworms. In contrast, ants have hundreds and hundreds, some of which are kept obviously for food, while others seem to be kept as pets, and yet others, as has been suggested, might be kept out of superstition or as objects of worship. There's a curious blind beetle that lives in ants' nests, completely reliant on its hosts for support, having even lost the ability to feed itself. It never leaves the nest; instead, the ants bring it food and actually put the nourishment into its mouth. In return, the beetle seems to secrete a sweet liquid (it could be a stimulant like beer or a narcotic like tobacco) from a tuft of hairs near the base of its hard wing-cases, and the ants often lick this tuft with apparent satisfaction and enjoyment. In this case, and many others, it’s clear that these insects are kept for food or some other benefit they provide.

But there are other instances of insects which haunt ants' nests, which it is far harder to account for on any hypothesis save that of superstitious veneration. There is a little weevil that runs about by hundreds in the galleries of English ants, in and out among the free citizens, making itself quite at home in their streets and public places, but as little noticed by the ants themselves as dogs are in our own cities. Then, again, there is a white woodlouse, something like the common little armadillo, but blind from having lived so long underground, which walks up and down the lanes and alleys of antdom, without ever holding any communication of any sort with its hosts and neighbours. In neither case has Sir John Lubbock ever seen an ant take the slightest notice of the presence of these strange fellow-lodgers. 'One might almost imagine,' he says, 'that they had the cap of invisibility.' Yet it is quite clear that the ants deliberately sanction the residence of the weevils and woodlice in their nests, for any unauthorised intruder would immediately be set upon and massacred outright.

But there are other examples of insects that hang around ant nests, which are much harder to explain with any theory other than some sort of superstitious respect. There's a small weevil that scurries around by the hundreds in the tunnels of English ants, weaving in and out among the free citizens, making itself right at home in their streets and public areas, but it goes unnoticed by the ants themselves, much like how dogs are in our own cities. Then, there's a white woodlouse, something like the common little armadillo, but blind from living underground for so long, which walks up and down the paths and alleys of the ant kingdom without ever communicating in any way with its hosts and neighbors. In neither case has Sir John Lubbock ever seen an ant acknowledge the presence of these strange co-inhabitants. 'One might almost imagine,' he says, 'that they had the cap of invisibility.' Yet, it's clear that the ants intentionally allow the weevils and woodlice to live in their nests, because any unauthorized intruder would be immediately attacked and killed on the spot.

Sir John Lubbock suggests that they may perhaps be tolerated as scavengers: or, again, it is possible that they may prey upon the eggs or larvæ of some of the parasites to whose attacks the ants are subject. In the first case, their use would be similar to that of the wild dogs in Constantinople or the common black John-crow vultures in tropical America: in the second case, they would be about equivalent to our own cats or to the hedgehog often put in farmhouse kitchens to keep down cockroaches.

Sir John Lubbock suggests that they might be accepted as scavengers, or it’s possible that they could feed on the eggs or larvae of some parasites that attack the ants. In the first scenario, their role would be similar to wild dogs in Constantinople or common black vultures in tropical America; in the second case, they would be comparable to our own cats or the hedgehogs often placed in farmhouse kitchens to control cockroaches.

The crowning glory of owning slaves, which many philosophic Americans (before the war) showed to be the highest and noblest function of the most advanced humanity, has been attained by more than one variety of anthood. Our great English horse-ant is a moderate slaveholder; but the big red ant of Southern Europe carries the domestic institution many steps further. It makes regular slave-raids upon the nests of the small brown ants, and carries off the young in their pupa condition. By-and-by the brown ants hatch out in the strange nest, and never having known any other life except that of slavery, accommodate themselves to it readily enough. The red ant, however, is still only an occasional slaveowner; if necessary, he can get along by himself, without the aid of his little brown servants. Indeed, there are free states and slave states of red ants side by side with one another, as of old in Maryland and Pennsylvania: in the first, the red ants do their work themselves, like mere vulgar Ohio farmers; in the second, they get their work done for them by their industrious little brown servants, like the aristocratic first families of Virginia before the earthquake of emancipation.

The peak achievement of owning slaves, which many thoughtful Americans (before the war) considered the highest and most noble role of the most advanced humanity, has been reached by various forms of ant society. Our English horse-ant is a moderate slaveholder; however, the large red ant from Southern Europe takes the practice of slavery much further. It conducts regular slave raids on the nests of small brown ants and takes their young in pupae form. Eventually, the brown ants hatch in the unfamiliar nest and, having known nothing but a life of servitude, adapt to it quite easily. Nevertheless, the red ant is still only an occasional slave owner; if necessary, it can manage on its own without the help of its little brown workers. In fact, there are free and slave states of red ants coexisting, much like in the past in Maryland and Pennsylvania: in free states, red ants do their own work, similar to ordinary farmers in Ohio; in slave states, they have their tasks handled by their hardworking little brown servants, akin to the elite families of Virginia before the upheaval of emancipation.

But there are other degraded ants, whose life-history may be humbly presented to the consideration of the Anti-Slavery Society, as speaking more eloquently than any other known fact for the demoralising effect of slaveowning upon the slaveholders themselves. The Swiss rufescent ant is a species so long habituated to rely entirely upon the services of slaves that it is no longer able to manage its own affairs when deprived by man of its hereditary bondsmen. It has lost entirely the art of constructing a nest; it can no longer tend its own young, whom it leaves entirely to the care of negro nurses; and its bodily structure even has changed, for the jaws have lost their teeth, and have been converted into mere nippers, useful only as weapons of war. The rufescent ant, in fact, is a purely military caste, which has devoted itself entirely to the pursuit of arms, leaving every other form of activity to its slaves and dependents. Officers of the old school will be glad to learn that this military insect is dressed, if not in scarlet, at any rate in very decent red, and that it refuses to be bothered in any way with questions of transport or commissariat. If the community changes its nest, the masters are carried on the backs of their slaves to the new position, and the black ants have to undertake the entire duty of foraging and bringing in stores of supply for their gentlemanly proprietors. Only when war is to be made upon neighbouring nests does the thin red line form itself into long file for active service. Nothing could be more perfectly aristocratic than the views of life entertained and acted upon by these distinguished slaveholders.

But there are other degraded ants whose life-history can be presented to the Anti-Slavery Society, speaking more eloquently than any other fact about the demoralizing effect of slaveholding on the slaveholders themselves. The Swiss rufescent ant is a species so used to relying entirely on the services of slaves that it can no longer handle its own affairs when deprived of its hereditary bondsmen by humans. It has completely lost the ability to build a nest; it can no longer care for its own young, leaving them entirely to the care of black nurses; and its physical structure has even changed, as its jaws have lost their teeth and are now just nippers, useful only as weapons of war. The rufescent ant is, in fact, a purely military caste that has devoted itself completely to warfare, leaving all other activities to its slaves and dependents. Officers of the old school would be pleased to know that this military insect is dressed, if not in scarlet, certainly in respectable red, and it refuses to deal with any questions of transport or supplies. If the community moves its nest, the masters are carried on the backs of their slaves to the new location, and the black ants take on the entire responsibility of foraging and bringing in supplies for their gentlemanly owners. Only when it’s time to go to war against neighboring nests does the thin red line form into a long file for active service. Nothing could be more perfectly aristocratic than the views and actions of these distinguished slaveholders.

On the other hand, the picture has its reverse side, exhibiting clearly the weak points of the slaveholding system. The rufescent ant has lost even the very power of feeding itself. So completely dependent is each upon his little black valet for daily bread, that he cannot so much as help himself to the food that is set before him. Hüber put a few slaveholders into a box with some of their own larvæ and pupæ, and a supply of honey, in order to see what they would do with them. Appalled at the novelty of the situation, the slaveholders seemed to come to the conclusion that something must be done; so they began carrying the larvæ about aimlessly in their mouths, and rushing up and down in search of the servants. After a while, however, they gave it up and came to the conclusion that life under such circumstances was clearly intolerable. They never touched the honey, but resigned themselves to their fate like officers and gentlemen. In less than two days, half of them had died of hunger, rather than taste a dinner which was not supplied to them by a properly constituted footman. Admiring their heroism or pitying their incapacity, Hüber at last gave them just one slave between them all. The plucky little negro, nothing daunted by the gravity of the situation, set to work at once, dug a small nest, gathered together the larvæ, helped several pupæ out of the cocoon, and saved the lives of the surviving slaveowners. Other naturalists have tried similar experiments, and always with the same result. The slaveowners will starve in the midst of plenty rather than feed themselves without attendance. Either they cannot or will not put the food into their own mouths with their own mandibles.

On the other hand, the picture has its flip side, clearly showing the weak points of the slaveholding system. The rufescent ant has lost even the ability to feed itself. Each ant is so dependent on its little black servant for daily sustenance that it can't even help itself to the food that's placed in front of it. Hüber placed a few slaveholders in a box with some of their own larvae and pupae, along with a supply of honey, to see what they would do. Shocked by the new situation, the slaveholders seemed to agree that something needed to be done; they began carrying the larvae around aimlessly in their mouths and hurried back and forth looking for their servants. After a while, though, they gave up and concluded that life in such conditions was clearly unbearable. They never touched the honey but accepted their fate like officers and gentlemen. In less than two days, half of them had died of hunger rather than eat a meal that wasn't served to them by a properly designated footman. Whether admiring their heroism or pitying their helplessness, Hüber eventually gave them just one slave to share. The brave little negro, undeterred by the seriousness of the situation, immediately set to work, dug a small nest, gathered the larvae, helped several pupae out of their cocoons, and saved the lives of the remaining slaveowners. Other naturalists have tried similar experiments, always with the same outcome. The slaveowners will starve in the middle of abundance rather than feed themselves without assistance. Either they can't or won't put the food into their own mouths with their own mandibles.

There are yet other ants, such as the workerless Anergates, in which the degradation of slaveholding has gone yet further. These wretched creatures are the formican representatives of those Oriental despots who are no longer even warlike, but are sunk in sloth and luxury, and pass their lives in eating bang or smoking opium. Once upon a time, Sir John Lubbock thinks, the ancestors of Anergates were marauding slaveowners, who attacked and made serfs of other ants. But gradually they lost not only their arts but even their military prowess, and were reduced to making war by stealth instead of openly carrying off their slaves in fair battle. It seems probable that they now creep into a nest of the far more powerful slave ants, poison or assassinate the queen, and establish themselves by sheer usurpation in the queenless nest. 'Gradually,' says Sir John Lubbock, 'even their bodily force dwindled away under the enervating influence to which they had subjected themselves, until they sank to their present degraded condition—weak in body and mind, few in numbers, and apparently nearly extinct, the miserable representatives of far superior ancestors maintaining a precarious existence as contemptible parasites of their former slaves.' One may observe in passing that these wretched do-nothings cannot have been the ants which Solomon commended to the favourable consideration of the sluggard; though it is curious that the text was never pressed into the service of defence for the peculiar institution by the advocates of slavery in the South, who were always most anxious to prove the righteousness of their cause by most sure and certain warranty of Holy Scripture.

There are also other ants, like the workerless Anergates, where the decline of slaveholding has gone even further. These unfortunate creatures are similar to those Eastern tyrants who are no longer even warriors, but have fallen into laziness and luxury, spending their lives eating food and smoking opium. Once, Sir John Lubbock believes, the ancestors of Anergates were marauding slaveholders, who invaded and enslaved other ants. But over time, they lost not only their skills but also their military capabilities, resorting to stealthy tactics rather than outright battles to capture their slaves. It seems likely that they now sneak into nests of much stronger slave ants, poison or assassinate the queen, and take over the queenless nest by sheer theft. "Gradually," Sir John Lubbock says, "even their physical strength diminished under the weakening influence they had imposed on themselves, until they sank to their current degraded state—weak in body and mind, few in number, and apparently nearly extinct, the miserable remnants of far superior ancestors barely surviving as pathetic parasites of their former slaves." It's worth noting that these unfortunate idlers can't possibly be the ants that Solomon praised to the lazy; yet it's interesting that this text was never used to justify the peculiar institution by Southern defenders of slavery, who were always eager to prove the righteousness of their cause with strong and certain backing from the Bible.


BIG ANIMALS

'The Atlantosaurus,' said I, pointing affectionately with a wave of my left hand to all that was immortal of that extinct reptile, 'is estimated to have had a total length of one hundred feet, and was probably the very biggest lizard that ever lived, even in Western America, where his earthly remains were first disinhumed by an enthusiastic explorer.'

'The Atlantosaurus,' I said, affectionately waving my left hand towards everything that remains of that extinct reptile, 'is estimated to have been about one hundred feet long, and was likely the largest lizard that ever existed, even in Western America, where its fossilized remains were first uncovered by an enthusiastic explorer.'

'Yes, yes,' my friend answered abstractedly. 'Of course, of course; things were all so very big in those days, you know, my dear fellow.'

'Yeah, yeah,' my friend replied absentmindedly. 'Of course, of course; everything felt so much bigger back then, you know, my dear friend.'

'Excuse me,' I replied with polite incredulity; 'I really don't know to what particular period of time the phrase "in those days" may be supposed precisely to refer.'

"Excuse me," I said with polite disbelief, "I really don't know exactly which time period the phrase 'in those days' is supposed to refer to."

My friend shuffled inside his coat a little uneasily. (I will admit that I was taking a mean advantage of him. The professorial lecture in private life, especially when followed by a strict examination, is quite undeniably a most intolerable nuisance.) 'Well,' he said, in a crusty voice, after a moment's hesitation, 'I mean, you know, in geological times ... well, there, my dear fellow, things used all to be so very big in those days, usedn't they?'

My friend shifted a bit uncomfortably in his coat. (I have to admit, I was really taking advantage of him. A professor's lecture in private can be an incredibly annoying experience, especially when it ends with a serious quiz.) 'Well,' he said in a grumpy tone after a brief pause, 'I mean, you know, in geological times... well, back then, my dear friend, everything was so really big, wasn't it?'

I took compassion upon him and let him off easily. 'You've had enough of the museum,' I said with magnanimous self-denial. 'The Atlantosaurus has broken the camel's back. Let's go and have a quiet cigarette in the park outside.'

I felt sorry for him and decided to be easy on him. 'You've seen enough of the museum,' I said generously. 'The Atlantosaurus has pushed it over the edge. Let's go have a calm cigarette in the park outside.'

But if you suppose, reader, that I am going to carry my forbearance so far as to let you, too, off the remainder of that geological disquisition, you are certainly very much mistaken. A discourse which would be quite unpardonable in social intercourse may be freely admitted in the privacy of print; because, you see, while you can't easily tell a man that his conversation bores you (though some people just avoid doing so by an infinitesimal fraction), you can shut up a book whenever you like, without the very faintest or remotest risk of hurting the author's delicate susceptibilities.

But if you think, reader, that I'm going to let you skip the rest of that geological discussion, you're definitely wrong. A conversation that would be totally unacceptable in social settings can be easily included in print; after all, while it's tough to tell someone their talk bores you (though some people manage to avoid that by a tiny margin), you can close a book anytime you want, with zero chance of offending the author's fragile feelings.

The subject of my discourse naturally divides itself, like the conventional sermon, into two heads—the precise date of 'geological times,' and the exact bigness of the animals that lived in them. And I may as well begin by announcing my general conclusion at the very outset; first, that 'those days' never existed at all; and, secondly, that the animals which now inhabit this particular planet are, on the whole, about as big, taken in the lump, as any previous contemporary fauna that ever lived at any one time together upon its changeful surface. I know that to announce this sad conclusion is to break down one more universal and cherished belief; everybody considers that 'geological animals' were ever so much bigger than their modern representatives; but the interests of truth should always be paramount, and, if the trade of an iconoclast is a somewhat cruel one, it is at least a necessary function in a world so ludicrously overstocked with popular delusions as this erring planet.

The topic of my talk naturally splits into two parts, like a traditional sermon: the exact dates of 'geological times' and the size of the animals that lived then. I might as well start by stating my main conclusion right away: first, that 'those days' never actually existed; and second, that the animals we have on this planet today are, overall, about as big, when considered together, as any previous group of animals that ever lived at the same time on its ever-changing surface. I know that sharing this disappointing conclusion shatters another widely held and beloved belief; everyone thinks that 'geological animals' were much bigger than the modern ones. However, the pursuit of truth should always come first, and while being an iconoclast can be a bit harsh, it’s a necessary role in a world so ridiculously filled with common misconceptions like this flawed planet.

What, then, is the ordinary idea of 'geological time' in the minds of people like my good friend who refused to discuss with me the exact antiquity of the Atlantosaurian? They think of it all as immediate and contemporaneous, a vast panorama of innumerable ages being all crammed for them on to a single mental sheet, in which the dodo and the moa hob-an'-nob amicably with the pterodactyl and the ammonite; in which the tertiary megatherium goes cheek by jowl with the secondary deinosaurs and the primary trilobites; in which the huge herbivores of the Paris Basin are supposed to have browsed beneath the gigantic club-mosses of the Carboniferous period, and to have been successfully hunted by the great marine lizards and flying dragons of the Jurassic Epoch. Such a picture is really just as absurd, or, to speak more correctly, a thousand times absurder, than if one were to speak of those grand old times when Homer and Virgil smoked their pipes together in the Mermaid Tavern, while Shakespeare and Molière, crowned with summer roses, sipped their Falernian at their ease beneath the whispering palmwoods of the Nevsky Prospect, and discussed the details of the play they were to produce to-morrow in the crowded Colosseum, on the occasion of Napoleon's reception at Memphis by his victorious brother emperors, Ramses and Sardanapalus. This is not, as the inexperienced reader may at first sight imagine, a literal transcript from one of the glowing descriptions that crowd the beautiful pages of Ouida; it is a faint attempt to parallel in the brief moment of historical time the glaring anachronisms perpetually committed as regards the vast lapse of geological chronology even by well-informed and intelligent people.

What, then, do people like my good friend who wouldn’t discuss the exact age of the Atlantosaurian think about ‘geological time’? They picture it as all happening at once, a huge collage of countless ages crammed onto a single mental page, where the dodo and the moa are hanging out with the pterodactyl and the ammonite; where the massive megatherium of the Tertiary period is shoulder to shoulder with the secondary dinosaurs and the primary trilobites; where the gigantic herbivores of the Paris Basin are believed to have grazed beneath the giant club-mosses of the Carboniferous period and to have been successfully hunted by the great marine lizards and flying dragons of the Jurassic period. This image is just as ridiculous—or, to be more accurate, a thousand times more ridiculous—than if we suggested that in those grand old days, Homer and Virgil were sharing a pipe together in the Mermaid Tavern while Shakespeare and Molière, crowned with summer roses, casually sipped their Falernian beneath the whispering palm trees of the Nevsky Prospect, discussing the details of the play they were going to perform the next day in the bustling Colosseum during Napoleon's reception in Memphis by his victorious fellow emperors, Ramses and Sardanapalus. This is not, as the inexperienced reader might think at first glance, a literal excerpt from one of the vivid descriptions found in Ouida's beautiful pages; rather, it's a weak attempt to draw a parallel in a brief snap of historical time to the glaring anachronisms constantly made regarding the vast span of geological history, even by educated and intelligent people.

We must remember, then, that in dealing with geological time we are dealing with a positively awe-inspiring and unimaginable series of æons, each of which occupied its own enormous and incalculable epoch, and each of which saw the dawn, the rise, the culmination, and the downfall of innumerable types of plant and animal. On the cosmic clock, by whose pendulum alone we can faintly measure the dim ages behind us, the brief lapse of historical time, from the earliest of Egyptian dynasties to the events narrated in this evening's Pall Mall, is less than a second, less than a unit, less than the smallest item by which we can possibly guide our blind calculations. To a geologist the temples of Karnak and the New Law Courts would be absolutely contemporaneous; he has no means by which he could discriminate in date between a scarabæus of Thothmes, a denarius of Antonine, and a bronze farthing of her Most Gracious Majesty Queen Victoria. Competent authorities have shown good grounds for believing that the Glacial Epoch ended about 80,000 years ago; and everything that has happened since the Glacial Epoch is, from the geological point of view, described as 'recent.' A shell embedded in a clay cliff sixty or seventy thousand years ago, while short and swarthy Mongoloids still dwelt undisturbed in Britain, ages before the irruption of the 'Ancient Britons' of our inadequate school-books, is, in the eyes of geologists generally, still regarded as purely modern.

We must remember that when we talk about geological time, we're referring to an incredibly awe-inspiring and unimaginable series of ages, each of which lasted its own vast and uncountable period, witnessing the rise, peak, and decline of countless plant and animal species. On the cosmic clock, which is the only way we can vaguely measure the distant ages behind us, the short span of historical time, from the earliest Egyptian dynasties to the events covered in this evening's Pall Mall, is less than a second, less than a single unit, less than the smallest measurement we can use to navigate our blind estimations. To a geologist, the temples of Karnak and the New Law Courts would seem to exist at the same time; they have no way to distinguish the dates between a scarab of Thothmes, a denarius of Antonine, and a bronze farthing from Her Most Gracious Majesty Queen Victoria. Qualified experts have provided substantial evidence that the Glacial Epoch ended about 80,000 years ago, and everything that's happened since then is considered 'recent' from a geological perspective. A shell that was embedded in a clay cliff sixty or seventy thousand years ago, while short and swarthy Mongoloid people still lived undisturbed in Britain, long before the arrival of the 'Ancient Britons' mentioned in our insufficient school-books, is still viewed by geologists as completely modern.

But behind that indivisible moment of recent time, that eighty thousand years which coincides in part with the fraction of a single swing of the cosmical pendulum, there lie hours, and days, and weeks, and months, and years, and centuries, and ages of an infinite, an illimitable, an inconceivable past, whose vast divisions unfold themselves slowly, one beyond the other, to our aching vision in the half-deciphered pages of the geological record. Before the Glacial Epoch there comes the Pliocene, immeasurably longer than the whole expanse of recent time; and before that again the still longer Miocene, and then the Eocene, immeasurably longer than all the others put together. These three make up in their sum the Tertiary period, which entire period can hardly have occupied more time in its passage than a single division of the Secondary, such as the Cretaceous, or the Oolite, or the Triassic; and the Secondary period, once more, though itself of positively appalling duration, seems but a patch (to use the expressive modernism) upon the unthinkable and unrealisable vastness of the endless successive Primary æons. So that in the end we can only say, like Michael Scott's mystic head, 'Time was, Time is, Time will be.' The time we know affords us no measure at all for even the nearest and briefest epochs of the time we know not; and the time we know not seems to demand still vaster and more inexpressible figures as we pry back curiously, with wondering eyes, into its dimmest and earliest recesses.

But behind that indivisible moment of recent history, that eighty thousand years which partly aligns with a fraction of a single swing of the cosmic pendulum, there are hours, days, weeks, months, years, centuries, and ages from an infinite, limitless, and inconceivable past. These vast divisions slowly unfold, one after another, to our eager eyes in the partially deciphered pages of the geological record. Before the Glacial Epoch, there's the Pliocene, which is immeasurably longer than all of recent history; and before that is the even longer Miocene, followed by the Eocene, which is far longer than all the others combined. Together, these three comprise the Tertiary period, which itself has hardly taken more time to pass than a single division of the Secondary, like the Cretaceous, Oolite, or Triassic; and the Secondary period, despite its incredibly long duration, seems like just a small patch (to use a modern expression) compared to the unthinkable and unrealizable vastness of the endless successive Primary aeons. So in the end, we can only say, like Michael Scott's mystic head, 'Time was, Time is, Time will be.' The time we know gives us no measure for even the closest and briefest epochs of the time we don't know; and the time unknown seems to demand even larger and more unimaginable figures as we curiously peer back, with wonder in our eyes, into its dimmest and earliest depths.

These efforts to realise the unrealisable make one's head swim; let us hark back once more from cosmical time to the puny bigness of our earthly animals, living or extinct.

These attempts to achieve the impossible can be overwhelming; let's take a moment to go back from cosmic time to the small scale of our earthly creatures, whether they are living or extinct.

If we look at the whole of our existing fauna, marine and terrestrial, we shall soon see that we could bring together at the present moment a very goodly collection of extant monsters, most parlous monsters, too, each about as fairly big in its own kind as almost anything that has ever preceded it. Every age has its own specialité in the way of bigness; in one epoch it is the lizards that take suddenly to developing overgrown creatures, the monarchs of creation in their little day; in another, it is the fishes that blossom out unexpectedly into Titanic proportions; in a third, it is the sloths or the proboscideans that wax fat and kick with gigantic members; in a fourth, it may be the birds or the men that are destined to evolve with future ages into veritable rocs or purely realistic Gargantuas or Brobdingnagians. The present period is most undoubtedly the period of the cetaceans; and the future geologist who goes hunting for dry bones among the ooze of the Atlantic, now known to us only by the scanty dredgings of our 'Alerts' and 'Challengers,' but then upheaved into snow-clad Alps or vine-covered Apennines, will doubtless stand aghast at the huge skeletons of our whales and our razorbacks, and will mutter to himself in awe-struck astonishment, in the exact words of my friend at South Kensington, 'Things used all to be so very big in those days, usedn't they?'

If we look at all the animals we have today, both marine and land-dwelling, it won’t take long to realize that we could gather an impressive collection of current monsters, many of which are pretty fearsome, each quite large in its own way, comparable to anything that has ever existed before. Every era has its own standout in terms of size; in one age, lizards suddenly develop into enormous creatures, the kings of their time; in another, fish unexpectedly grow to gigantic sizes; in another, sloths or large mammals become massive and strong; and in yet another, it could be birds or humans that eventually evolve into true giants reminiscent of mythical creatures. Right now, we are definitely in the age of the whales; and the future geologist who searches for preserved bones in the mud of the Atlantic, now only known to us from the sparse samples taken by our 'Alerts' and 'Challengers,' but later uplifted into snow-covered mountains or vine-covered hills, will surely be amazed by the enormous skeletons of our whales and our giant porpoises, and will likely say to themselves in awe, exactly like my friend from South Kensington, 'Everything used to be so much bigger back then, didn’t it?'

Now, the fact as to the comparative size of our own cetaceans and of 'geological' animals is just this. The Atlantosaurus of the Western American Jurassic beds, a great erect lizard, is the very largest creature ever known to have inhabited this sublunary sphere. His entire length is supposed to have reached about a hundred feet (for no complete skeleton has ever been discovered), while in stature he appears to have stood some thirty feet high, or over. In any case, he was undoubtedly a very big animal indeed, for his thigh-bone alone measures eight feet, or two feet taller than that glory of contemporary civilisation, a British Grenadier. This, of course, implies a very decent total of height and size; but our own sperm whale frequently attains a good length of seventy feet, while the rorquals often run up to eighty, ninety, and even a hundred feet. We are thus fairly entitled to say that we have at least one species of animal now living which, occasionally at any rate, equals in size the very biggest and most colossal form known inferentially to geological science. Indeed when we consider the extraordinary compactness and rotundity of the modern cetaceans, as compared with the tall limbs and straggling skeleton of the huge Jurassic deinosaurs, I am inclined to believe that the tonnage of a decent modern rorqual must positively exceed that of the gigantic Atlantosaurus, the great lizard of the west, in propria persona. I doubt, in short, whether even the solid thigh-bone of the deinosaur could ever have supported the prodigious weight of a full-grown family razor-back whale. The mental picture of these unwieldy monsters hopping casually about, like Alice's Gryphon in Tenniel's famous sketch, or like that still more parlous brute, the chortling Jabberwock, must be left to the vivid imagination of the courteous reader, who may fill in the details for himself as well as he is able.

Now, the fact about the size comparison between our own whales and ancient animals is this. The Atlantosaurus from the Western American Jurassic period, a massive standing lizard, is the largest creature ever known to have lived on this planet. Its total length is estimated to have been around a hundred feet (since no complete skeleton has ever been found), and it likely stood about thirty feet tall or more. In any case, it was definitely a huge animal, as its thigh bone alone measures eight feet, which is two feet taller than a British Grenadier, a hallmark of modern civilization. This implies a pretty impressive height and size; however, our sperm whale can often reach a length of seventy feet, while rorquals can sometimes grow to eighty, ninety, or even a hundred feet. We can fairly say that we have at least one species of animal alive today that, at times, matches the size of the largest forms known in geological history. Indeed, when we consider the compactness and roundness of modern whales compared to the long limbs and sprawling skeleton of the massive Jurassic dinosaurs, I believe that the weight of a good modern rorqual probably surpasses that of the gigantic Atlantosaurus, the great lizard of the west, in propria persona. I seriously doubt that even the solid thigh bone of the dinosaur could have supported the immense weight of a fully grown family of razorback whales. The mental image of these huge monsters moving around casually, like Alice's Gryphon in Tenniel's famous illustration, or like the even more dangerous creature, the chortling Jabberwock, must be left to the reader's imagination, who can fill in the details as best as they can.

If we turn from the particular comparison of selected specimens (always an unfair method of judging) to the general aspect of our contemporary fauna, I venture confidently to claim for our own existing human period as fine a collection of big animals as any other ever exhibited on this planet by any one single rival epoch. Of course, if you are going to lump all the extinct monsters and horrors into one imaginary unified fauna, regardless of anachronisms, I have nothing more to say to you; I will candidly admit that there were more great men in all previous generations put together, from Homer to Dickens, from Agamemnon to Wellington, than there are now existing in this last quarter of our really very respectable nineteenth century. But if you compare honestly age with age, one at a time, I fearlessly maintain that, so far from there being any falling off in the average bigness of things generally in these latter days, there are more big things now living than there ever were in any one single epoch, even of much longer duration than the 'recent' period.

If we move away from comparing specific examples (which is always an unfair way to judge) to look at the overall view of the wildlife we have today, I confidently assert that our current era boasts a collection of large animals that’s just as impressive as any other era in Earth's history. Of course, if you’re going to combine all the extinct beasts and monsters into one imaginary grouping without considering the time periods, I have nothing more to say; I’ll honestly admit there were more remarkable individuals in all past generations combined, from Homer to Dickens, from Agamemnon to Wellington, than there are today in this last quarter of our quite respectable nineteenth century. However, if you compare each era honestly, one at a time, I firmly maintain that rather than seeing a decline in the overall size of things in recent times, there are actually more large creatures alive now than there ever were in any single era, even those that lasted much longer than the 'recent' period.

I suppose we may fairly say, from the evidence before us, that there have been two Augustan Ages of big animals in the history of our earth—the Jurassic period, which was the zenith of the reptilian type, and the Pliocene, which was the zenith of the colossal terrestrial tertiary mammals. I say on purpose, 'from the evidence before us,' because, as I shall go on to explain hereafter, I do not myself believe that any one age has much surpassed another in the general size of its fauna, since the Permian Epoch at least; and where we do not get geological evidence of the existence of big animals in any particular deposit, we may take it for granted, I think, that that deposit was laid down under conditions unfavourable to the preservation of the remains of large species. For example, the sediment now being accumulated at the bottom of the Caspian cannot possibly contain the bones of any creature much larger than the Caspian seal, because there are no big species there swimming; and yet that fact does not negative the existence in other places of whales, elephants, giraffes, buffaloes, and hippopotami. Nevertheless, we can only go upon the facts before us; and if we compare our existing fauna with the fauna of Jurassic and Pliocene times, we shall at any rate be putting it to the test of the severest competition that lies within our power under the actual circumstances.

I think we can fairly say, based on the evidence we have, that there have been two significant ages of large animals in the history of our planet—the Jurassic period, which was the peak of reptiles, and the Pliocene, which was the peak of huge land mammals. I intentionally say "based on the evidence we have" because, as I'll explain later, I don't believe any one age has greatly exceeded another in the overall size of its wildlife, at least since the Permian Epoch; and where we lack geological evidence of large animals in a specific layer, we can assume that layer formed under conditions that weren't suitable for preserving the remains of large species. For instance, the sediment currently accumulating at the bottom of the Caspian Sea likely won't contain the bones of any creature much larger than the Caspian seal, because there aren't any large species swimming there; however, that doesn't mean that whales, elephants, giraffes, buffaloes, and hippos don't exist elsewhere. Still, we can only work with the facts we have; and if we compare our current wildlife with the fauna from the Jurassic and Pliocene eras, we’ll certainly be putting it to the test in the toughest competition we can manage given the current conditions.

In the Jurassic age there were undoubtedly a great many very big reptiles. 'A monstrous eft was of old the lord and master of earth: For him did his high sun flame and his river billowing ran: And he felt himself in his pride to be nature's crowning race.' There was the ichthyosaurus, a fishlike marine lizard, familiar to us all from a thousand reconstructions, with his long thin body, his strong flippers, his stumpy neck, and his huge pair of staring goggle eyes. The ichthyosaurus was certainly a most unpleasant creature to meet alone in a narrow strait on a dark night; but if it comes to actual measurement, the very biggest ichthyosaurian skeleton ever unearthed does not exceed twenty-five feet from snout to tail. Now, this is an extremely decent size for a reptile, as reptiles go; for the crocodile and alligator, the two biggest existing lizards, seldom attain an extreme length of sixteen feet. But there are other reptiles now living that easily beat the ichthyosaurus, such, for example, as the larger pythons or rock-snakes, which not infrequently reach to thirty feet, and measure round the waist as much as a London alderman of the noblest proportions. Of course, other Jurassic saurians easily beat this simple record. Our British Megalosaurus only extended twenty-five feet in length, and carried weight not exceeding three tons; but, his rival Ceteosaurus stood ten feet high, and measured fifty feet from the tip of his snout to the end of his tail; while the dimensions of Titanosaurus may be briefly described as sixty feet by thirty, and those of Atlantosaurus as one hundred by thirty-two. Viewed as reptiles, we have certainly nothing at all to come up to these; but our cetaceans, as a group, show an assemblage of species which could very favourably compete with the whole lot of Jurassic saurians at any cattle show. Indeed, if it came to tonnage, I believe a good blubbery right-whale could easily give points to any deinosaur that ever moved upon oolitic continents.

In the Jurassic period, there were undoubtedly many enormous reptiles. "A monstrous eft was once the ruler of the earth: For him did his high sun shine and his river billowed: And he felt proud to be nature's crowning species." There was the ichthyosaurus, a fish-like marine lizard familiar to us all from countless reconstructions, with its long, thin body, strong flippers, stumpy neck, and huge, staring eyes. The ichthyosaurus would certainly be a terrifying creature to encounter alone in a narrow strait on a dark night; however, in terms of size, the largest ichthyosaur skeleton ever discovered does not exceed twenty-five feet from snout to tail. This is quite a substantial size for a reptile, as reptiles go; the crocodile and alligator, the two biggest existing lizards, rarely reach lengths beyond sixteen feet. Nevertheless, other reptiles currently alive easily surpass the ichthyosaurus, such as larger pythons or rock snakes, which can often grow to thirty feet and have girths comparable to a well-built London alderman. Of course, other Jurassic dinosaurs easily beat this simple record. Our British Megalosaurus reached only twenty-five feet in length and weighed no more than three tons; however, its competitor Ceteosaurus stood ten feet tall and measured fifty feet from the tip of its snout to the end of its tail, while the dimensions of Titanosaurus can be briefly described as sixty feet by thirty, and Atlantosaurus as one hundred by thirty-two. Viewed as reptiles, we certainly have nothing that compares to these; however, our cetaceans collectively showcase a variety of species that could very well compete with all the Jurassic dinosaurs at any cattle show. In fact, if it came to weight, I believe a hefty right whale could easily outmatch any dinosaur that ever roamed the oolitic continents.

The great mammals of the Pliocene age, again, such as the deinotherium and the mastodon, were also, in their way, very big things in livestock; but they scarcely exceeded the modern elephant, and by no means came near the modern whales. A few colossal ruminants of the same period could have held their own well against our existing giraffes, elks, and buffaloes; but, taking the group as a group, I don't think there is any reason to believe that it beat in general aspect the living fauna of this present age.

The large mammals of the Pliocene era, like the deinotherium and the mastodon, were significant in their own right; however, they barely exceeded the size of today's elephants and were nowhere near the size of modern whales. A few giant herbivores from that time could compete with our current giraffes, elk, and buffaloes, but overall, I don't think there's any reason to believe they surpassed the general appearance of the living animals we have today.

For few people ever really remember how very many big animals we still possess. We have the Indian and the African elephant, the hippopotamus, the various rhinoceroses, the walrus, the giraffe, the elk, the bison, the musk ox, the dromedary, and the camel. Big marine animals are generally in all ages bigger than their biggest terrestrial rivals, and most people lump all our big existing cetaceans under the common and ridiculous title of whales, which makes this vast and varied assortment of gigantic species seem all reducible to a common form. As a matter of fact, however, there are several dozen colossal marine animals now sporting and spouting in all oceans, as distinct from one another as the camel is from the ox, or the elephant from the hippopotamus. Our New Zealand Berardius easily beats the ichthyosaurus; our sperm whale is more than a match for any Jurassic European deinosaur; our rorqual, one hundred feet long, just equals the dimensions of the gigantic American Atlantosaurus himself. Besides these exceptional monsters, our bottleheads reach to forty feet, our California whales to forty-four, our hump-backs to fifty, and our razor-backs to sixty or seventy. True fish generally fall far short of these enormous dimensions, but some of the larger sharks attain almost equal size with the biggest cetaceans. The common blue shark, with his twenty-five feet of solid rapacity, would have proved a tough antagonist, I venture to believe, for the best bred enaliosaurian that ever munched a lias ammonite. I would back our modern carcharodon, who grows to forty feet, against any plesiosaurus that ever swam the Jurassic sea. As for rhinodon, a gigantic shark of the Indian Ocean, he has been actually measured to a length of fifty feet, and is stated often to attain seventy. I will stake my reputation upon it that he would have cleared the secondary seas of their great saurians in less than a century. When we come to add to these enormous marine and terrestrial creatures such other examples as the great snakes, the gigantic cuttle-fish, the grampuses, and manatees, and sea-lions, and sunfish, I am quite prepared fearlessly to challenge any other age that ever existed to enter the lists against our own for colossal forms of animal life.

For very few people truly remember just how many large animals we still have. We have the Indian and African elephants, the hippopotamus, various rhinoceroses, the walrus, the giraffe, the elk, the bison, the musk ox, the dromedary, and the camel. Large marine animals are usually larger than their biggest land counterparts, and most people mistakenly group all our large existing cetaceans under the simple and absurd label of whales, which makes this vast and diverse selection of gigantic species seem like they all fit into one category. In reality, however, there are several dozen massive marine animals currently swimming and spouting in all oceans, as distinct from one another as the camel is from the ox, or the elephant from the hippopotamus. Our New Zealand Berardius easily outmatches the ichthyosaurus; our sperm whale can more than hold its own against any Jurassic European dinosaur; our rorqual, one hundred feet long, matches the size of the enormous American Atlantosaurus itself. Besides these exceptional giants, our bottlenose whales reach up to forty feet, our California whales to forty-four, our humpbacks to fifty, and our razorbacks to sixty or seventy. True fish usually fall far short of these enormous sizes, but some larger sharks come close to matching the biggest cetaceans. The common blue shark, with its twenty-five feet of solid ferocity, would have been a tough opponent, I believe, for the best enaliosaur that ever munched on a lias ammonite. I would put our modern carcharodon, which grows to forty feet, against any plesiosaurus that ever swam the Jurassic seas. As for the rhinodon, a gigantic shark from the Indian Ocean, it has been measured at fifty feet long and is often reported to reach seventy. I would bet my reputation that it could have cleared the secondary seas of their large saurians in less than a century. When we add to these enormous marine and land creatures other examples like great snakes, massive cuttlefish, grampuses, manatees, sea lions, and sunfish, I am fully prepared to confidently challenge any other era that ever existed to compete with our own for colossal forms of animal life.

Again, it is a point worth noting that a great many of the very big animals which people have in their minds when they talk vaguely about everything having been so very much bigger 'in those days' have become extinct within a very late period, and are often, from the geological point of view, quite recent.

Again, it's important to point out that many of the large animals that people think of when they vaguely mention how everything was so much bigger 'back then' have actually gone extinct quite recently, and from a geological standpoint, they are often considered relatively modern.

For example, there is our friend the mammoth. I suppose no animal is more frequently present to the mind of the non-geological speaker, when he talks indefinitely about the great extinct monsters, than the familiar figure of that huge-tusked, hairy northern elephant. Yet the mammoth, chronologically speaking, is but a thing of yesterday. He was hunted here in England by men whose descendants are probably still living—at least so Professor Boyd Dawkins solemnly assures us; while in Siberia his frozen body, flesh and all, is found so very fresh that the wolves devour it, without raising any unnecessary question as to its fitness for lupine food. The Glacial Epoch is the yesterday of geological time, and it was the Glacial Epoch that finally killed off the last mammoth. Then, again, there is his neighbour, the mastodon. That big tertiary proboscidean did not live quite long enough, it is true, to be hunted by the cavemen of the Pleistocene age, but he survived at any rate as long as the Pliocene—our day before yesterday—and he often fell very likely before the fire-split flint weapons of the Abbé Bourgeois' Miocene men. The period that separates him from our own day is as nothing compared with the vast and immeasurable interval that separates him from the huge marine saurians of the Jurassic world. To compare the relative lapses of time with human chronology, the mastodon stands to our own fauna as Beau Brummel stands to the modern masher, while the saurians stand to it as the Egyptian and Assyrian warriors stand to Lord Wolseley and the followers of the Mahdi.

For example, let’s talk about our friend the mammoth. I guess no animal comes to mind more often for people who aren’t geologists when they talk broadly about great extinct beasts than that familiar giant, hairy northern elephant with huge tusks. But, timeline-wise, the mammoth is really a creature of yesterday. It was hunted here in England by people whose descendants are probably still around—at least that’s what Professor Boyd Dawkins tells us; meanwhile, in Siberia, its frozen body is so well-preserved that wolves eat it without hesitating over whether it's good to eat. The Glacial Epoch is the “yesterday” of geological time, and it was this period that ultimately wiped out the last mammoths. Then there’s its neighbor, the mastodon. While this large Tertiary creature didn’t last long enough to be hunted by Pleistocene cavemen, it did make it to the Pliocene—our day before yesterday—and it likely fell victim to the fire-sharpened flint weapons of the Miocene folks like Abbé Bourgeois. The time separating the mastodon from today is nothing compared to the vast gap between him and the massive marine reptiles of the Jurassic era. To put it in human terms, the mastodon is to our current fauna what Beau Brummel is to the modern style icon, while the reptiles are to today’s fauna what ancient Egyptian and Assyrian warriors are to Lord Wolseley and the followers of the Mahdi.

Once more, take the gigantic moa of New Zealand, that enormous bird who was to the ostrich as the giraffe is to the antelope; a monstrous emu, as far surpassing the ostriches of to-day as the ostriches surpass all the other fowls of the air. Yet the moa, though now extinct, is in the strictest sense quite modern, a contemporary very likely of Queen Elizabeth or Queen Anne, exterminated by the Maoris only a very little time before the first white settlements in the great southern archipelago. It is even doubtful whether the moa did not live down to the days of the earliest colonists, for remains of Maori encampments are still discovered, with the ashes of the fireplace even now unscattered, and the close-gnawed bones of the gigantic bird lying in the very spot where the natives left them after their destructive feasts. So, too, with the big sharks. Our modern carcharodon, who runs (as I have before noted) to forty feet in length, is a very respectable monster indeed, as times go; and his huge snapping teeth, which measure nearly two inches long by one and a half broad, would disdain to make two bites of the able-bodied British seaman. But the naturalists of the 'Challenger' expedition dredged up in numbers from the ooze of the Pacific similar teeth, five inches long by four wide, so that the sharks to which they originally belonged must, by parity of reasoning, have measured nearly a hundred feet in length. This, no doubt, beats our biggest existing shark, the rhinodon, by some thirty feet. Still, the ooze of the Pacific is a quite recent or almost modern deposit, which is even now being accumulated on the sea bottom, and there would be really nothing astonishing in the discovery that some representatives of these colossal carcharodons are to this day swimming about at their lordly leisure among the coral reefs of the South Sea Islands. That very cautious naturalist, Dr. Günther, of the British Museum, contents himself indeed by merely saying: 'As we have no record of living individuals of that bulk having been observed, the gigantic species to which these teeth belonged must probably have become extinct within a comparatively recent period.'

Once again, consider the huge moa of New Zealand, that enormous bird who was to the ostrich what the giraffe is to the antelope; a massive emu, far exceeding today’s ostriches just as ostriches surpass all other birds in the air. Yet, the moa, although now extinct, is in the strictest sense quite modern, likely a contemporary of Queen Elizabeth or Queen Anne, wiped out by the Maoris shortly before the first white settlements in the vast southern islands. It's even uncertain whether the moa didn't survive to the days of the earliest colonists, as remains of Maori camps are still found, with the ashes of the fire pits still intact and the closely gnawed bones of the gigantic bird left right where the natives discarded them after their feasts. The same goes for the big sharks. Our modern carcharodon, which I mentioned before can grow up to forty feet long, is indeed a formidable creature by today’s standards; its enormous teeth, nearly two inches long and one and a half inches wide, wouldn't bother making two bites of a strong British seaman. However, the naturalists of the ‘Challenger’ expedition dredged up similar teeth from the Pacific ooze, measuring five inches long and four inches wide, implying that the sharks they came from must have reached nearly a hundred feet in length. This undoubtedly outdoes our largest existing shark, the rhinodon, by about thirty feet. Still, the Pacific ooze is a relatively recent or nearly modern deposit, which is continuously accumulating on the sea floor, so it wouldn't be surprising to discover that some of these colossal carcharodons are still swimming around leisurely among the coral reefs of the South Sea Islands. That very careful naturalist, Dr. Günther from the British Museum, is cautious to say: ‘Since we have no record of living individuals of that size having been seen, the gigantic species to which these teeth belonged must probably have become extinct within a relatively recent period.’

If these things are so, the question naturally suggests itself: Why should certain types of animals have attained their greatest size at certain different epochs, and been replaced at others by equally big animals of wholly unlike sorts? The answer, I believe, is simply this: Because there is not room and food in the world at any one time for more than a certain relatively small number of gigantic species. Each great group of animals has had successively its rise, its zenith, its decadence, and its dotage; each at the period of its highest development has produced a considerable number of colossal forms; each has been supplanted in due time by higher groups of totally different structure, which have killed off their predecessors, not indeed by actual stress of battle, but by irresistible competition for food and prey. The great saurians were thus succeeded by the great mammals, just as the great mammals are themselves in turn being ousted, from the land at least, by the human species.

If these things are true, a natural question arises: Why did certain types of animals reach their largest size in different periods, only to be replaced later by equally large animals that were completely different? I believe the answer is straightforward: Because there's only so much space and food in the world at any given time for a limited number of giant species. Each major group of animals has experienced a rise, peak, decline, and eventual downfall; each, at its peak, has produced a notable number of massive forms; and each has eventually been replaced by newer groups with entirely different structures, which have outcompeted their predecessors, not necessarily through direct conflict, but through unavoidable competition for resources and prey. The giant reptiles were succeeded by the large mammals, just as the large mammals are currently being replaced, at least on land, by humans.

Let us look briefly at the succession of big animals in the world, so far as we can follow it from the mutilated and fragmentary record of the geological remains.

Let’s take a quick look at the sequence of large animals in the world, based on the incomplete and fragmented evidence from geological remains.

The very earliest existing fossils would lead us to believe what is otherwise quite probable, that life on our planet began with very small forms—that it passed at first through a baby stage. The animals of the Cambrian period are almost all small mollusks, star-fishes, sponges, and other simple, primitive types of life. There were as yet no vertebrates of any sort, not even fishes, far less amphibians, reptiles, birds, or mammals. The veritable giants of the Cambrian world were the crustaceans, and especially the trilobites, which, nevertheless, hardly exceeded in size a good big modern lobster. The biggest trilobite is some two feet long; and though we cannot by any means say that this was really the largest form of animal life then existing, owing to the extremely broken nature of the geological record, we have at least no evidence that anything bigger as yet moved upon the face of the waters. The trilobites, which were a sort of triple-tailed crabs (to speak very popularly), began in the Cambrian Epoch, attained their culminating point in the Silurian, waned in the Devonian, and died out utterly in the Carboniferous seas.

The earliest existing fossils suggest what is likely true: that life on our planet started with very small forms and went through an early stage. The animals from the Cambrian period were mostly small mollusks, starfish, sponges, and other simple, primitive life forms. There were no vertebrates at all, not even fish, let alone amphibians, reptiles, birds, or mammals. The true giants of the Cambrian world were the crustaceans, especially the trilobites, which were still only about the size of a large modern lobster. The biggest trilobite measured around two feet long, and while we can't definitively say this was the largest animal life of that time due to the incomplete geological record, we don't have any evidence of anything bigger swimming in the waters. The trilobites, which can be described as a kind of triple-tailed crab in very simple terms, began in the Cambrian Epoch, reached their peak in the Silurian period, declined in the Devonian, and completely disappeared from the Carboniferous seas.

It is in the second great epoch, the Silurian, that the cuttle-fish tribe, still fairly represented by the nautilus, the argonaut, the squid, and the octopus, first began to make their appearance upon this or any other stage. The cuttle-fishes are among the most developed of invertebrate animals; they are rapid swimmers; they have large and powerful eyes; and they can easily enfold their prey (teste Victor Hugo) in their long and slimy sucker-clad arms. With these natural advantages to back them up, it is not surprising that the cuttle family rapidly made their mark in the world. They were by far the most advanced thinkers and actors of their own age, and they rose almost at once to be the dominant creatures of the primæval ocean in which they swam. There were as yet no saurians or whales to dispute the dominion with these rapacious cephalopods, and so the cuttle family had things for the time all their own way. Before the end of the Silurian Epoch, according to that accurate census-taker, M. Barrande, they had blossomed forth into no less than 1,622 distinct species. For a single family to develop so enormous a variety of separate forms, all presumably derived from a single common ancestor, argues, of course, an immense success in life; and it also argues a vast lapse of time during which the different species were gradually demarcated from one another.

It is in the second major period, the Silurian, that the cuttlefish family, represented today by the nautilus, the argonaut, the squid, and the octopus, first began to appear on this or any other scene. Cuttlefishes are among the most advanced invertebrates; they are fast swimmers, have large and powerful eyes, and can easily capture their prey (teste Victor Hugo) with their long, slimy, sucker-covered arms. With these natural advantages, it's not surprising that the cuttlefish family quickly made a name for themselves. They were by far the most advanced thinkers and doers of their time, and they soon became the dominant creatures of the primordial ocean in which they lived. There were no reptiles or whales around to challenge these predatory cephalopods, so the cuttlefish family had everything their way for the time being. By the end of the Silurian Epoch, according to the meticulous census-taker, M. Barrande, they had evolved into an impressive 1,622 distinct species. For a single family to develop such a vast variety of unique forms, all likely stemming from a common ancestor, clearly indicates tremendous success in survival; it also suggests a significant passage of time during which the different species gradually distinguished themselves from one another.

Some of the ammonites, which belonged to this cuttle-fish group, soon attained a very considerable size; but a shell known as the orthoceras (I wish my subject didn't compel me to use such very long words, but I am not personally answerable, thank heaven, for the vagaries of modern scientific nomenclature) grew to a bigger size than that of any other fossil mollusk, sometimes measuring as much as six feet in total length. At what date the gigantic cuttles of the present day first began to make their appearance it would be hard to say, for their shell-less bodies are so soft that they could leave hardly anything behind in a fossil state; but the largest known cuttle, measured by Mr. Gabriel, of Newfoundland, was eighty feet in length, including the long arms.

Some of the ammonites, which were part of this cuttlefish group, quickly grew to a significant size. However, a shell called the orthoceras (I wish I didn't have to use such very long words, but thankfully I'm not personally responsible for the quirks of modern scientific naming) got bigger than any other fossil mollusk, sometimes reaching up to six feet in total length. It’s difficult to determine when the giant cuttlefish we see today first appeared, as their soft, shell-less bodies leave behind very little in the fossil record. The largest known cuttlefish, measured by Mr. Gabriel from Newfoundland, was eighty feet long, including its long arms.

These cuttles are the only invertebrates at all in the running so far as colossal size is concerned, and it will be observed that here the largest modern specimen immeasurably beats the largest fossil form of the same type. I do not say that there were not fossil forms quite as big as the gigantic calamaries of our own time—on the contrary, I believe there were; but if we go by the record alone we must confess that, in the matter of invertebrates at least, the balance of size is all in favour of our own period.

These cuttles are the only invertebrates so far that come close to colossal size, and you’ll notice that the largest modern specimen far surpasses the biggest fossil version of the same type. I’m not saying there weren’t fossil forms just as big as today’s gigantic squids—on the contrary, I think there were; but if we only look at the records, we have to admit that, at least when it comes to invertebrates, our time has the advantage in terms of size.

The vertebrates first make their appearance, in the shape of fishes, towards the close of the Silurian period, the second of the great geological epochs. The earliest fish appear to have been small, elongated, eel-like creatures, closely resembling the lampreys in structure; but they rapidly developed in size and variety, and soon became the ruling race in the waters of the ocean, where they maintained their supremacy till the rise of the great secondary saurians. Even then, in spite of the severe competition thus introduced, and still later, in spite of the struggle for life against the huge modern cetaceans (the true monarchs of the recent seas), the sharks continued to hold their own as producers of gigantic forms; and at the present day their largest types probably rank second only to the whales in the whole range of animated nature. There seems no reason to doubt that modern fish, as a whole, quite equal in size the piscine fauna of any previous geological age.

The first vertebrates appeared as fish towards the end of the Silurian period, the second major geological era. The earliest fish were likely small, elongated, eel-like creatures that closely resembled lampreys in structure. However, they quickly grew in size and variety, soon becoming the dominant species in the oceans, where they remained in control until the rise of the large secondary reptiles. Even then, despite the intense competition this brought, and later the struggle for survival against the giant modern whales (the true rulers of today’s seas), sharks continued to thrive as producers of massive species. Nowadays, their largest kinds probably rank just below whales in the entire spectrum of living creatures. There’s no reason to believe that modern fish, overall, aren't as large as the fish species from any previous geological period.

It is somewhat different with the next great vertebrate group, the amphibians, represented in our own world only by the frogs, the toads, the newts, and the axolotls. Here we must certainly with shame confess that the amphibians of old greatly surpassed their degenerate descendants in our modern waters. The Japanese salamander, by far the biggest among our existing newts, never exceeds a yard in length from snout to tail; whereas some of the labyrinthodonts (forgive me once more) of the Carboniferous Epoch must have reached at least seven or eight feet from stem to stern. But the reason of this falling off is not far to seek. When the adventurous newts and frogs of that remote period first dropped their gills and hopped about inquiringly on the dry land, under the shadow of the ancient tree-ferns and club-mosses, they were the only terrestrial vertebrates then existing, and they had the field (or, rather, the forest) all to themselves. For a while, therefore, like all dominant races for the time being, they blossomed forth at their ease into relatively gigantic forms. Frogs as big as donkeys, and efts as long as crocodiles, luxuriated to their hearts' content in the marshy lowlands, and lorded it freely over the small creatures which they found in undisturbed possession of the Carboniferous isles. But as ages passed away, and new improvements were slowly invented and patented by survival of the fittest in the offices of nature, their own more advanced and developed descendants, the reptiles and mammals, got the upper hand with them, and soon lived them down in the struggle for life, so that this essentially intermediate form is now almost entirely restricted to its one adapted seat, the pools and ditches that dry up in summer.

It’s a bit different when it comes to the next major group of vertebrates, the amphibians, which in our world are represented only by frogs, toads, newts, and axolotls. Here, we must sadly admit that the amphibians of the past greatly outshined their weakened descendants in today’s waters. The Japanese salamander, the largest of our current newts, never grows more than about a yard long from snout to tail; meanwhile, some of the labyrinthodonts (forgive me for bringing this up again) from the Carboniferous Epoch could reach at least seven or eight feet long. But the reason for this decline is clear. When the adventurous newts and frogs of that time first lost their gills and began exploring the dry land beneath the ancient tree-ferns and club-mosses, they were the only land vertebrates around, and they had the entire field (well, forest) to themselves. For a time, like all dominant species, they thrived and grew into relatively gigantic forms. Frogs the size of donkeys and efts as long as crocodiles flourished in the marshy lowlands and ruled over the small creatures that thrived undisturbed on the Carboniferous islands. However, as time went on and new adaptations emerged through the survival of the fittest in nature’s own workshop, their more advanced descendants—reptiles and mammals—gained the upper hand and eventually outcompeted them in the struggle for survival, leaving this transitional form nearly confined to its specific niche in the pools and ditches that dry up in summer.

The reptiles, again, are a class in which the biggest modern forms are simply nowhere beside the gigantic extinct species. First appearing on the earth at the very close of the vast primary periods—in the Permian age—they attained in secondary times the most colossal proportions, and have certainly never since been exceeded in size by any later forms of life in whatever direction. But one must remember that during the heyday of the great saurians, there were as yet no birds and no mammals. The place now filled in the ocean by the whales and grampuses, as well as the place now filled in the great continents by the elephants, the rhinoceroses, the hippopotami, and the other big quadrupeds, was then filled exclusively by huge reptiles, of the sort rendered familiar to us all by the restored effigies on the little island in the Crystal Palace grounds. Every dog has his day, and the reptiles had their day in the secondary period. The forms into which they developed were certainly every whit as large as any ever seen on the surface of this planet, but not, as I have already shown, appreciably larger than those of the biggest cetaceans known to science in our own time.

The reptiles are a class where the largest modern forms just can’t compare to the gigantic extinct species. They first appeared on Earth towards the end of the vast primary periods—in the Permian age—and reached their most massive sizes during the secondary periods, definitely outgrowing any later forms of life in any category. But it’s important to remember that during the peak of the great dinosaurs, there were no birds or mammals. The oceans, now inhabited by whales and dolphins, as well as the land, filled with elephants, rhinoceroses, hippopotamuses, and other large quadrupeds, was once exclusively occupied by huge reptiles, like those we've come to know through the life-sized models on the small island in the Crystal Palace grounds. Every dog has its day, and the reptiles had their day in the secondary period. The forms they developed into were certainly just as large as any seen on the surface of this planet, but, as I’ve already pointed out, not significantly larger than the biggest whales known to science today.

During the very period, however, when enaliosaurians and pterodactyls were playing such pranks before high heaven as might have made contemporary angels weep, if they took any notice of saurian morality, a small race of unobserved little prowlers was growing up in the dense shades of the neighbouring forests which was destined at last to oust the huge reptiles from their empire over earth, and to become in the fulness of time the exclusively dominant type of the whole planet. In the trias we get the first remains of mammalian life in the shape of tiny rat-like animals, marsupial in type, and closely related to the banded ant-eaters of New South Wales at the present day. Throughout the long lapse of the secondary ages, across the lias, the oolite, the wealden, and the chalk, we find the mammalian race slowly developing into opossums and kangaroos, such as still inhabit the isolated and antiquated continent of Australia. Gathering strength all the time for the coming contest, increasing constantly in size of brain and keenness of intelligence, the true mammals were able at last, towards the close of the secondary ages, to enter the lists boldly against the gigantic saurians. With the dawn of the tertiary period, the reign of the reptiles begins to wane, and the reign of the mammals to set in at last in real earnest. In place of the ichthyosaurs we get the huge cetaceans; in place of the deinosaurs we get the mammoth and the mastodon; in place of the dominant reptile groups we get the first precursors of man himself.

During the same time when enaliosaurians and pterodactyls were causing such chaos that it might have made contemporary angels weep—if they cared about the morality of the reptiles—a small, unnoticed group of little scavengers was developing in the thick shadows of the nearby forests. This group was destined to eventually replace the massive reptiles from their dominance on Earth and, over time, become the main type of life on the planet. In the Triassic, we find the first signs of mammalian life in the form of tiny, rat-like creatures that resemble marsupials and are closely related to today’s banded anteaters from New South Wales. Throughout the long span of the secondary period, including the Lias, the Oolite, the Wealden, and the Chalk, we see the mammalian species slowly evolving into opossums and kangaroos like those still found on the isolated and ancient continent of Australia. Continuously gaining strength for the upcoming competition and steadily increasing in brain size and intelligence, true mammals were finally able, toward the end of the secondary period, to boldly confront the giant reptiles. With the beginning of the Tertiary period, the reign of the reptiles began to decline while the reign of mammals started in earnest. In place of ichthyosaurs, we get massive cetaceans; in place of dinosaurs, we see the mammoth and the mastodon; and in place of the dominant reptile groups, we see the early ancestors of humans.

The history of the great birds has been somewhat more singular. Unlike the other main vertebrate classes, the birds (as if on purpose to contradict the proverb) seem never yet to have had their day. Unfortunately for them, or at least for their chance of producing colossal species, their evolution went on side by side, apparently, with that of the still more intelligent and more powerful mammals; so that, wherever the mammalian type had once firmly established itself, the birds were compelled to limit their aspirations to a very modest and humble standard. Terrestrial mammals, however, cannot cross the sea; so in isolated regions, such as New Zealand and Madagascar, the birds had things all their own way. In New Zealand, there are no indigenous quadrupeds at all; and there the huge moa attained to dimensions almost equalling those of the giraffe. In Madagascar, the mammalian life was small and of low grade, so the gigantic æpyornis became the very biggest of all known birds. At the same time, these big species acquired their immense size at the cost of the distinctive birdlike habit of flight. A flying moa is almost an impossible conception; even the ostriches compete practically with the zebras and antelopes rather than with the eagles, the condors, or the albatrosses. In like manner, when a pigeon found its way to Mauritius, it developed into the practically wingless dodo; while in the northern penguins, on their icy perches, the fore limbs have been gradually modified into swimming organs, exactly analogous to the flippers of the seal.

The history of the large birds has been quite different. Unlike the other main vertebrate groups, birds (as if to prove the saying wrong) don’t seem to have had their moment yet. Unfortunately for them, or at least for their chance to create gigantic species, their evolution happened alongside the even more intelligent and powerful mammals. So, wherever mammals established themselves, birds had to keep their aspirations to a very modest and humble level. However, terrestrial mammals can’t cross the ocean; so in isolated places like New Zealand and Madagascar, birds had the upper hand. In New Zealand, there are no native land mammals at all, and there the huge moa reached sizes almost matching those of the giraffe. In Madagascar, the mammalian life was small and not very advanced, allowing the giant aepyornis to become the largest known bird. At the same time, these large species grew to their massive size at the expense of being able to fly. A flying moa is nearly impossible to imagine; even ostriches behave more like zebras and antelopes than like eagles, condors, or albatrosses. Similarly, when a pigeon reached Mauritius, it evolved into the almost flightless dodo; while in the northern penguins, on their icy perches, their forelimbs have gradually turned into swimming tools, very much like the flippers of seals.

Are the great animals now passing away and leaving no representatives of their greatness to future ages? On land at least that is very probable. Man, diminutive man, who, if he walked on all fours, would be no bigger than a silly sheep, and who only partially disguises his native smallness by his acquired habit of walking erect on what ought to be his hind legs—man has upset the whole balanced economy of nature, and is everywhere expelling and exterminating before him the great herbivores, his predecessors. He needs for his corn and his bananas the fruitful plains which were once laid down in prairie or scrubwood. Hence it seems not unlikely that the elephant, the hippopotamus, the rhinoceros, and the buffalo must go. But we are still a long way off from that final consummation, even on dry land; while as for the water, it appears highly probable that there are as good fish still in the sea as ever came out of it. Whether man himself, now become the sole dominant animal of our poor old planet, will ever develop into Titanic proportions, seems far more problematical. The race is now no longer to the swift, nor the battle to the strong. Brain counts for more than muscle, and mind has gained the final victory over mere matter. Goliath of Gath has shrunk into insignificance before the Gatling gun; as in the fairy tales of old, it is cunning little Jack with his clever devices who wins the day against the heavy, clumsy, muddle-headed giants. Nowadays it is our 'Minotaurs' and 'Warriors' that are the real leviathans and behemoths of the great deep; our Krupps and Armstrongs are the fire-breathing krakens of the latter-day seas. Instead of developing individually into huge proportions, the human race tends rather to aggregate into vast empires, which compete with one another by means of huge armaments, and invent mitrailleuses and torpedos of incredible ferocity for their mutual destruction. The dragons of the prime that tare each other in their slime have yielded place to eighty-ton guns and armour-plated turret-ships. Those are the genuine lineal representatives on our modern seas of the secondary saurians. Let us hope that some coming geologist of the dim future, finding the fossil remains of the sunken 'Captain,' or the plated scales of the 'Comte de Grasse,' firmly embedded in the upheaved ooze of the existing Atlantic, may shake his head in solemn deprecation at the horrid sight, and thank heaven that such hideous carnivorous creatures no longer exist in his own day.

Are the great animals disappearing and leaving no representatives of their greatness for future generations? On land, that seems very likely. Humans, small humans, who if they walked on all fours would be no bigger than a silly sheep, partially disguise their smallness by standing upright on what should be their hind legs—humans have disrupted the entire balance of nature, driving out and exterminating the great herbivores that came before them. They need the fertile lands for their crops, which were once prairies or scrublands. So, it seems probable that the elephant, the hippopotamus, the rhinoceros, and the buffalo may vanish. However, we are still far from that final end, even on land; as for the oceans, it seems highly likely that there are just as many good fish in the sea as ever came out of it. Whether humans, now the sole dominant species on this troubled planet, will ever grow to gigantic proportions seems much more uncertain. The race is no longer won by the swift, nor the battle by the strong. Intelligence matters more than strength, and the mind has triumphed over mere physicality. Goliath of Gath has become insignificant next to the Gatling gun; like in old fairy tales, it's clever little Jack with his ingenious tricks who wins against the heavy, cumbersome giants. Nowadays, our 'Minotaurs' and 'Warriors' are the real giants of the deep; our Krupp and Armstrong artillery are the fire-breathing krakens of the modern seas. Instead of growing individually to massive sizes, humanity tends to come together into vast empires, competing with each other through enormous weapons and inventing machine guns and torpedoes of incredible destructiveness for their mutual annihilation. The dragons of the past that fought each other in the muck have been replaced by eighty-ton guns and armored warships. These are the true modern-day descendants of the ancient reptiles on our seas. Let’s hope that some future geologist, discovering the fossilized remains of the submerged 'Captain' or the plated scales of the 'Comte de Grasse,' embedded in the muddy bottom of today's Atlantic, may shake his head in solemn disapproval at the dreadful sight and thank heaven that such terrible carnivorous creatures no longer exist in his time.


FOSSIL FOOD

There is something at first sight rather ridiculous in the idea of eating a fossil. To be sure, when the frozen mammoths of Siberia were first discovered, though they had been dead for at least 80,000 years (according to Dr. Croll's minimum reckoning for the end of the great ice age), and might therefore naturally have begun to get a little musty, they had nevertheless been kept so fresh, like a sort of prehistoric Australian mutton, in their vast natural refrigerators, that the wolves and bears greedily devoured the precious relics for which the naturalists of Europe would have been ready gladly to pay the highest market price of best beefsteak. Those carnivorous vandals gnawed off the skin and flesh with the utmost appreciation, and left nothing but the tusks and bones to adorn the galleries of the new Natural History Museum at South Kensington. But then wolves and bears, especially in Siberia, are not exactly fastidious about the nature of their meat diet. Furthermore, some of the bones of extinct animals found beneath the stalagmitic floor of caves, in England and elsewhere, presumably of about the same age as the Siberian mammoths, still contain enough animal matter to produce a good strong stock for antediluvian broth, which has been scientifically described by a high authority as pre-Adamite jelly. The congress of naturalists at Tübingen a few years since had a smoking tureen of this cave-bone soup placed upon the dinner-table at their hotel one evening, and pronounced it with geological enthusiasm 'scarcely inferior to prime ox-tail.' But men of science, too, are accustomed to trying unsavoury experiments, which would go sadly against the grain with less philosophic and more squeamish palates. They think nothing of tasting a caterpillar that birds will not touch, in order to discover whether it owes its immunity from attack to some nauseous, bitter, or pungent flavouring; and they even advise you calmly to discriminate between two closely similar species of snails by trying which of them when chewed has a delicate soupçon of oniony aroma. So that naturalists in this matter, as the children say, don't count: their universal thirst for knowledge will prompt them to drink anything, down even to consommé of quaternary cave-bear.

There’s something pretty ridiculous about the idea of eating a fossil at first glance. Sure, when the frozen mammoths of Siberia were discovered, even though they had been dead for at least 80,000 years (according to Dr. Croll's minimum estimate for the end of the Ice Age), they were still so fresh—like some kind of prehistoric Australian mutton—in their huge natural refrigerators that wolves and bears eagerly devoured those precious remains. Naturalists from Europe would have happily paid a top price for the best beefsteak for them. Those carnivorous thieves gnawed off the skin and flesh with great enjoyment, leaving nothing but the tusks and bones for the new Natural History Museum at South Kensington. But then again, wolves and bears, especially in Siberia, aren't exactly picky about what meat they eat. Moreover, some bones of extinct animals found beneath the stalagmitic floor of caves in England and elsewhere, likely around the same age as the Siberian mammoths, still have enough animal matter to make a good strong stock for ancient broth, which has been scientifically referred to by a prominent expert as 'pre-Adamite jelly.' A gathering of naturalists in Tübingen a few years ago had a smoking tureen of this cave-bone soup served at their hotel one evening, and with geological enthusiasm, they declared it 'hardly below prime oxtail.' But scientists are also used to doing unappealing experiments that would be hard for less philosophical and more squeamish people to handle. They think nothing of tasting a caterpillar that birds avoid to find out if its immunity from being eaten comes from some nasty, bitter, or pungent flavor. They even calmly suggest that you distinguish between two similar species of snails by trying which one, when chewed, has a slight hint of onion aroma. So in this respect, naturalists don’t count; their universal thirst for knowledge drives them to try anything, even down to quaternary cave-bear broth.

There is one form of fossil food, however, which appears constantly upon all our tables at breakfast, lunch, and dinner, every day, and which is so perfectly familiar to every one of us that we almost forget entirely its immensely remote geological origin. The salt in our salt-cellars is a fossil product, laid down ages ago in some primæval Dead Sea or Caspian, and derived in all probability (through the medium of the grocer) from the triassic rocks of Cheshire or Worcestershire. Since that thick bed of rock-salt was first precipitated upon the dry floor of some old evaporated inland sea, the greater part of the geological history known to the world at large has slowly unrolled itself through incalculable ages. The dragons of the prime have begun and finished their long (and Lord Tennyson says slimy) race. The fish-like saurians and flying pterodactyls of the secondary period have come into existence and gone out of it gracefully again. The whole family of birds has been developed and diversified into its modern variety of eagles and titmice. The beasts of the field have passed through sundry stages of mammoth and mastodon, of sabre-toothed lion and huge rhinoceros. Man himself has progressed gradually from the humble condition of a 'hairy arboreal quadruped'—these bad words are Mr. Darwin's own—to the glorious elevation of an erect, two-handed creature, with a county suffrage question and an intelligent interest in the latest proceedings of the central divorce court. And after all those manifold changes, compared to which the entire period of English history, from the landing of Julius Cæsar to the appearance of this present volume (to take two important landmarks), is as one hour to a human lifetime, we quietly dig up the salt to-day from that dry lake bottom and proceed to eat it with the eggs laid by the hens this morning for this morning's breakfast, just as though the one food-stuff were not a whit more ancient or more dignified in nature than the other. Why, mammoth steak is really quite modern and common-place by the side of the salt in the salt-cellar that we treat so cavalierly every day of our ephemeral existence.

There’s one type of fossil food that appears regularly on our tables at breakfast, lunch, and dinner every day, and it's so familiar to all of us that we almost completely forget its extremely distant geological origins. The salt in our salt shakers is a fossil product, formed ages ago in some ancient Dead Sea or Caspian, and most likely (thanks to the grocer) coming from the Triassic rocks of Cheshire or Worcestershire. Since that thick layer of rock salt was first deposited on the dry floor of an evaporated inland sea, most of the geological history known to humanity has slowly unfolded over countless ages. The ancient reptiles began and completed their long (and according to Lord Tennyson, slimy) journey. The fish-like reptiles and flying pterodactyls of the secondary period came into being and gracefully disappeared. The entire family of birds has evolved and diversified into modern varieties like eagles and titmice. The wild animals have undergone various stages, from mammoths and mastodons to saber-toothed lions and massive rhinoceroses. Humans have steadily progressed from being a "hairy tree-dwelling quadruped"—to use Mr. Darwin's own words—to the remarkable state of an upright, two-handed individual, concerned with county election matters and intelligently following the latest updates from the central divorce court. And after all those numerous transformations, compared to which the entire span of English history, from Julius Caesar's landing to the release of this book (to highlight two significant points), is like one hour in a human lifetime, we casually dig up the salt from that dry lake bed today and go ahead and eat it with the eggs laid by the hens just this morning for breakfast, as if the one food is no more ancient or important than the other. In fact, mammoth steak is quite modern and ordinary compared to the salt in the shaker that we treat so nonchalantly every day of our fleeting existence.

The way salt got originally deposited in these great rock beds is very well illustrated for us by the way it is still being deposited in the evaporating waters of many inland seas. Every schoolboy knows of course (though some persons who are no longer schoolboys may just possibly have forgotten) that the Caspian is in reality only a little bit of the Mediterranean, which has been cut off from the main sea by the gradual elevation of the country between them. For many ages the intermediate soil has been quite literally rising in the world; but to this day a continuous chain of salt lakes and marshes runs between the Caspian and the Black Sea, and does its best to keep alive the memory of the time when they were both united in a single basin. All along this intervening tract, once sea but now dry land, banks of shells belonging to kinds still living in the Caspian and the Black Sea alike testify to the old line of water communication. One fine morning (date unknown) the intermediate belt began to rise up between them; the water was all pushed off into the Caspian, but the shells remained to tell the tale even unto this day.

The way salt originally settled in these massive rock formations is clearly shown by how it is still forming in the evaporating waters of many inland seas. Every schoolkid knows, of course (though some adults might have just forgotten), that the Caspian Sea is really just a small fragment of the Mediterranean, which has been cut off from the main body of water due to the gradual uplift of the land between them. For many ages, the land in between has literally been rising; but to this day, a continuous chain of salt lakes and marshes exists between the Caspian and the Black Sea, trying to keep alive the memory of when they were both part of the same basin. Throughout this stretch of land, once a sea but now dry land, piles of shells from species still alive in both the Caspian and the Black Sea testify to the old connection. One fine morning (date unknown), the land began to uplift between them; all the water was pushed into the Caspian, but the shells stayed behind to tell the story even to this day.

Now, when a bit of the sea gets cut off in this way from the main ocean, evaporation of its waters generally takes place rather faster than the return supply of rain by rivers and lesser tributaries. In other words, the inland sea or salt lake begins slowly to dry up. This is now just happening in the Caspian, which is in fact a big pool in course of being slowly evaporated. By-and-by a point is reached when the water can no longer hold in solution the amount of salts of various sorts that it originally contained. In the technical language of chemists and physicists it begins to get supersaturated. Then the salts are thrown down as a sediment at the bottom of the sea or lake, exactly as crust formed on the bottom of a kettle. Gypsum is the first material to be so thrown down, because it is less soluble than common salt, and therefore sooner got rid of. It forms a thick bottom layer in the bed of all evaporating inland seas; and as plaster of Paris it not only gives rise finally to artistic monstrosities hawked about the streets for the degradation of national taste, but also plays an important part in the manufacture of bonbons, the destruction of the human digestion, and the ultimate ruin of the dominant white European race. Only about a third of the water in a salt lake need be evaporated before the gypsum begins to be deposited in a solid layer over its whole bed; it is not till 93 per cent. of the water has gone, and only 7 per cent. is left, that common salt begins to be thrown down. When that point of intensity is reached, the salt, too, falls as a sediment to the bottom, and there overlies the gypsum deposit. Hence all the world over, wherever we come upon a bed of rock salt, it almost invariably lies upon a floor of solid gypsum.

Now, when a section of the sea gets cut off from the main ocean like this, the water tends to evaporate more quickly than it can be replenished by rain from rivers and smaller streams. In other words, the inland sea or salt lake starts to gradually dry up. This is currently happening in the Caspian Sea, which is essentially a large body of water that is slowly evaporating. Eventually, there comes a point where the water can no longer hold the same amount of various salts that it originally contained. In scientific terms, it starts to become supersaturated. Then the salts are deposited as sediment at the bottom of the sea or lake, just like the crust that forms at the bottom of a kettle. Gypsum is the first material to be deposited, as it is less soluble than regular salt, and thus is removed sooner. It creates a thick bottom layer in the beds of all evaporating inland seas; and as plaster of Paris, it leads not only to artistic oddities sold on the streets that lower the national taste, but also plays a crucial role in the production of candies, which harm human digestion, contributing to the ultimate decline of the dominant white European race. Only about a third of the water in a salt lake needs to evaporate before gypsum begins to settle in a solid layer across the entire bottom; it isn't until 93 percent of the water is gone, leaving just 7 percent, that regular salt starts to precipitate. Once this critical point is reached, the salt also settles at the bottom, where it lies on top of the gypsum deposit. Therefore, everywhere you find a layer of rock salt, it almost always rests on a base of solid gypsum.

The Caspian, being still a very respectable modern sea, constantly supplied with fresh water from the surrounding rivers, has not yet begun by any means to deposit salt on its bottom from its whole mass; but the shallow pools and long bays around its edge have crusts of beautiful rose-coloured salt-crystals forming upon their sides; and as these lesser basins gradually dry up, the sand, blown before the wind, slowly drifts over them, so as to form miniature rock-salt beds on a very small scale. Nevertheless, the young and vigorous Caspian only represents the first stage in the process of evaporation of an inland sea. It is still fresh enough to form the abode of fish and mollusks; and the irrepressible young lady of the present generation is perhaps even aware that it contains numbers of seals, being in fact the seat of one of the most important and valuable seal-fisheries in the whole world. It may be regarded as a typical example of a yet youthful and lively inland sea.

The Caspian Sea, still a very respectable modern body of water, constantly receives fresh water from nearby rivers and hasn't begun to accumulate salt on its bottom at all. However, the shallow pools and long bays along its edges have beautiful pink salt crystals forming on their sides, and as these smaller basins dry up gradually, wind-blown sand slowly drifts over them, creating miniature rock salt beds on a small scale. Nevertheless, the young and thriving Caspian represents only the early stage in the evaporation process of an inland sea. It’s still fresh enough to be home to fish and mollusks; and the energetic young lady of today's generation might even know that it hosts numerous seals, being one of the most important seal fisheries in the world. It can be seen as a typical example of a youthful and lively inland sea.

The Dead Sea, on the other hand, is an old and decrepit salt lake in a very advanced state of evaporation. It lies several feet below the level of the Mediterranean, just as the Caspian lies several feet below the level of the Black Sea; and as in both cases the surface must once have been continuous, it is clear that the water of either sheet must have dried up to a very considerable extent. But, while the Caspian has shrunk only to 85 feet below the Black Sea, the Dead Sea has shrunk to the enormous depth of 1,292 feet below the Mediterranean. Every now and then, some enterprising De Lesseps or other proposes to dig a canal from the Mediterranean to the Dead Sea, and so re-establish the old high level. The effect of this very revolutionary proceeding would be to flood the entire Jordan Valley, connect the Sea of Galilee with the Dead Sea, and play the dickens generally with Scripture geography, to the infinite delight of Sunday school classes. Now, when the Dead Sea first began its independent career as a separate sheet of water on its own account, it no doubt occupied the whole bed of this imaginary engineers' lake—spreading, if not from Dan to Beersheba, at any rate from Dan to Edom, or, in other words, along the whole Jordan Valley from the Sea of Galilee and even the Waters of Merom to the southern desert. (I will not insult the reader's intelligence and orthodoxy by suggesting that perhaps he may not be precisely certain as to the exact position of the Waters of Merom; but I will merely recommend him just to refresh his memory by turning to his atlas, as this is an opportunity which may not again occur.) The modern Dead Sea is the last shrunken relic of such a considerable ancient lake. Its waters are now so very concentrated and so very nasty that no fish or other self-respecting animal can consent to live in them; and so buoyant that a man can't drown himself, even if he tries, because the sea is saturated with salts of various sorts till it has become a kind of soup or porridge, in which a swimmer floats, will he nill he. Persons in the neighbourhood who wish to commit suicide are therefore obliged to go elsewhere: much as in Tasmania, the healthiest climate in the world, people who want to die are obliged to run across for a week to Sydney or Melbourne.

The Dead Sea, on the other hand, is an old and rundown salt lake that has evaporated significantly. It's several feet below sea level compared to the Mediterranean, similar to how the Caspian Sea is below the level of the Black Sea; since the surfaces must have once been connected, it's clear that the water has dried up a lot. However, while the Caspian has only dropped to 85 feet below the Black Sea, the Dead Sea has dropped to an astonishing 1,292 feet below the Mediterranean. From time to time, some ambitious engineer, like De Lesseps, suggests digging a canal from the Mediterranean to the Dead Sea, potentially restoring the old high water level. This radical move would flood the entire Jordan Valley, linking the Sea of Galilee with the Dead Sea, and create all sorts of chaos for biblical geography, much to the delight of Sunday school classes. When the Dead Sea first started its journey as an independent body of water, it likely covered the entire area of this imagined lake—spreading, if not from Dan to Beersheba, at least from Dan to Edom, essentially along the entire Jordan Valley from the Sea of Galilee and even the Waters of Merom to the southern desert. (I won't insult the reader's intelligence or beliefs by implying that they may not be completely certain about the exact location of the Waters of Merom; I'll just suggest they refresh their memory by checking their atlas, as this might not be an opportunity that comes up again.) The modern Dead Sea is the last diminished remnant of such a large ancient lake. Its water is now so concentrated and unpleasant that no fish or any self-respecting animal can live in it, and it's so buoyant that a person can't drown, even if they try, because the water is filled with various salts, turning it into a sort of soup or porridge, which causes anyone swimming to float, whether they want to or not. People in the area who wish to end their lives have to go elsewhere; similarly, in Tasmania, the healthiest place in the world, those wanting to die must travel for a week to Sydney or Melbourne.

The waters of the Dead Sea are thus in the condition of having already deposited almost all their gypsum, as well as the greater part of the salt they originally contained. They are, in fact, much like sea water which has been boiled down till it has reached the state of a thick salty liquid; and though most of the salt is now already deposited in a deep layer on the bottom, enough still remains in solution to make the Dead Sea infinitely salter than the general ocean. At the same time, there are a good many other things in solution in sea water besides gypsum and common salt; such as chloride of magnesia sulphate of potassium, and other interesting substances with pretty chemical names, well calculated to endear them at first sight to the sentimental affections of the general public. These other by-contents of the water are often still longer in getting deposited than common salt; and, owing to their intermixture in a very concentrated form with the mother liquid of the Dead Sea, the water of that evaporating lake is not only salt but also slimy and fetid to the last degree, its taste being accurately described as half brine, half rancid oil. Indeed, the salt has been so far precipitated already that there is now five times as much chloride of magnesium left in the water as there is common salt. By the way, it is a lucky thing for us that these various soluble minerals are of such constitution as to be thrown down separately at different stages of concentration in the evaporating liquid; for, if it were otherwise, they would all get deposited together, and we should find on all old salt lake beds only a mixed layer of gypsum, salt, and other chlorides and sulphates, absolutely useless for any practical human purpose. In that case, we should be entirely dependent upon marine salt pans and artificial processes for our entire salt supply. As it is, we find the materials deposited one above another in regular layers; first, the gypsum at the bottom; then the rock-salt; and last of all, on top, the more soluble mineral constituents.

The waters of the Dead Sea have almost completely deposited their gypsum and most of the salt they originally contained. They resemble seawater that has been boiled down to a thick salty liquid. Even though most of the salt has settled at the bottom, enough remains dissolved to make the Dead Sea much saltier than the ocean. At the same time, there are a lot of other substances dissolved in seawater besides gypsum and common salt, like magnesium chloride and potassium sulfate, along with other intriguing compounds that might impress the general public. These additional substances often take even longer to settle than common salt does; due to their concentrated mixture with the Dead Sea's liquid, the water there is not only salty but also slimy and extremely foul-smelling, tasting like a mix of brine and rancid oil. In fact, the salt has precipitated so much that there is now five times more magnesium chloride in the water than common salt. Fortunately, these various soluble minerals are structured in such a way that they settle separately at different concentrations in the evaporating liquid. If this wasn't the case, they would all deposit together, and we'd only find a mixed layer of gypsum, salt, and other chlorides and sulfates on old salt lake beds, making them useless for any practical purposes. In that scenario, we would have to rely entirely on marine salt pans and artificial processes for our salt supply. As it stands, we find the materials deposited in distinct layers: first, the gypsum at the bottom; then the rock salt; and finally, on top, the more soluble mineral components.

The Great Salt Lake of Utah, sacred to the memory of Brigham Young, gives us an example of a modern saline sheet of very different origin, since it is in fact not a branch of the sea at all, but a mere shrunken remnant of a very large fresh-water lake system, like that of the still-existing St. Lawrence chain. Once upon a time, American geologists say, a huge sheet of water, for which they have even invented a definite name, Lake Bonneville, occupied a far larger valley among the outliers of the Rocky Mountains, measuring 300 miles in one direction by 180 miles in the other. Beside this primitive Superior lay a second great sheet—an early Huron—(Lake Lahontan, the geologists call it) almost as big, and equally of fresh water. By-and-by—the precise dates are necessarily indefinite—some change in the rainfall, unregistered by any contemporary 'New York Herald,' made the waters of these big lakes shrink and evaporate. Lake Lahontan shrank away like Alice in Wonderland, till there was absolutely nothing left of it; Lake Bonneville shrank till it attained the diminished size of the existing Great Salt Lake. Terrace after terrace, running in long parallel lines on the sides of the Wahsatch Mountains around, mark the various levels at which it rested for awhile on its gradual downward course. It is still falling indeed; and the plain around is being gradually uncovered, forming the white salt-encrusted shore with which all visitors to the Mormon city are so familiar.

The Great Salt Lake in Utah, which holds significant meaning for Brigham Young, is a prime example of a modern saltwater body with a very different origin. It's not an extension of the sea at all but rather a reduced remnant of a much larger freshwater lake system, similar to the still-existing St. Lawrence chain. According to American geologists, there was once a massive body of water, which they've named Lake Bonneville, that filled a much larger valley among the foothills of the Rocky Mountains, stretching 300 miles in one direction and 180 miles in the other. Next to this ancient Great Lake was another significant body of water—an early Huron—called Lake Lahontan by the geologists, which was almost as large and also freshwater. Eventually—though the exact timeline is unclear—some change in rainfall, not reported by any contemporary 'New York Herald,' caused these large lakes to shrink and evaporate. Lake Lahontan dwindled away like Alice in Wonderland until nothing remained; Lake Bonneville reduced in size to become what is now the Great Salt Lake. Terraces, running in long parallel lines on the sides of the Wasatch Mountains, indicate the various levels at which it existed during its slow decline. It’s still receding, and the surrounding landscape is continually being revealed, forming the white salt-crusted shore that all visitors to the Mormon city recognize so well.

But why should the water have become briny? Why should the evaporation of an old Superior produce at last a Great Salt Lake? Well, there is a small quantity of salt in solution even in the freshest of lakes and ponds, brought down to them by the streams or rivers; and, as the water of the hypothetical Lake Bonneville slowly evaporated, the salt and other mineral constituents remained behind. Thus the solution grew constantly more and more concentrated, till at the present day it is extremely saline. Professor Geikie (to whose works the present paper is much indebted) found that he floated on the water in spite of himself; and the under sides of the steps at the bathing-places are all encrusted with short stalactites of salt, produced from the drip of the bathers as they leave the water. The mineral constituents, however, differ considerably in their proportions from those found in true salt lakes of marine origin; and the point at which the salt is thrown down is still far from having been reached. Great Salt Lake must simmer in the sun for many centuries yet before the point arrives at which (as cooks say) it begins to settle.

But why did the water turn salty? Why did the evaporation of an ancient Lake Superior eventually create a Great Salt Lake? Well, there’s a small amount of salt in solution even in the freshest lakes and ponds, brought in by the streams or rivers. As the water of the theoretical Lake Bonneville gradually evaporated, the salt and other minerals were left behind. This made the solution increasingly more concentrated until today it is extremely salty. Professor Geikie (whose works this paper heavily relies on) discovered that he floated on the water unexpectedly, and the underside of the steps at the swimming areas are all coated with short salt stalactites formed from the drips of bathers as they exit the water. The mineral composition, however, differs significantly in its ratios from those found in true salt lakes of marine origin, and the point where the salt starts to precipitate is still a long way off. Great Salt Lake will need to simmer in the sun for many more centuries before it reaches the point where (as cooks say) it begins to settle.

That is the way in which deposits of salt are being now produced on the world's surface, in preparation for that man of the future who, as we learn from a duly constituted authority, is to be hairless, toothless, web-footed, and far too respectable ever to be funny. Man of the present derives his existing salt-supply chiefly from beds of rock-salt similarly laid down against his expected appearance some hundred thousand æons or so ago. (An æon is a very convenient geological unit indeed to reckon by; as nobody has any idea how long it is, they can't carp at you for a matter of an æon or two one way or the other.) Rock-salt is found in most parts of the world, in beds of very various ages. The great Salt Range of the Punjaub is probably the earliest in date of all salt deposits; it was laid down at the bottom of some very ancient Asiatic Mediterranean, whose last shrunken remnant covered the upper basin of the Indus and its tributaries during the Silurian age. Europe had then hardly begun to be; and England was probably still covered from end to end by the primæval ocean. From this very primitive salt deposit the greater part of India and Central Asia is still supplied; and the Indian Government makes a pretty penny out of the dues in the shape of the justly detested salt-tax—a tax especially odious because it wrings the fraction of a farthing even from those unhappy agricultural labourers who have never tasted ghee with their rice.

That’s how salt deposits are currently being created on the Earth’s surface, preparing for the future human who, as we learn from a legitimate authority, will be hairless, toothless, web-footed, and far too respectable to ever be funny. Today’s humans mainly get their salt from rock-salt beds that were formed hundreds of thousands of ages ago, anticipating their eventual existence. (An age is a very handy geological unit to use; since no one knows exactly how long it is, they can’t complain about an age or two in either direction.) Rock-salt is found in many places around the world, in deposits of various ages. The great Salt Range in Punjab is probably the oldest salt deposit; it was formed at the bottom of an ancient Asian Mediterranean, whose last small remnant covered the upper basin of the Indus and its tributaries during the Silurian period. Europe had just begun to form at that time; and England was likely still entirely submerged under the primordial ocean. From this very ancient salt deposit, most of India and Central Asia still gets its supply, and the Indian Government makes quite a bit of money from the greatly disliked salt tax—a tax particularly hated because it takes even a tiny amount of money from those poor agricultural workers who have never tasted ghee with their rice.

The thickness of the beds in each salt deposit of course depends entirely upon the area of the original sea or salt-lake, and the length of time during which the evaporation went on. Sometimes we may get a mere film of salt; sometimes a solid bed six hundred feet thick. Perfectly pure rock-salt is colourless and transparent; but one doesn't often find it pure. Alas for a degenerate world! even in its original site, Nature herself has taken the trouble to adulterate it beforehand. (If she hadn't done so, one may be perfectly sure that commercial enterprise would have proved equal to the occasion in the long run.) But the adulteration hasn't spoilt the beauty of the salt; on the contrary, it serves, like rouge, to give a fine fresh colour where none existed. When iron is the chief colouring matter, rock-salt assumes a beautiful clear red tint; in other cases it is emerald green or pale blue. As a rule, salt is prepared from it for table by a regular process; but it has become a fad of late with a few people to put crystals of native rock-salt on their tables; and they decidedly look very pretty, and have a certain distinctive flavour of their own that is not unpleasant.

The thickness of the layers in each salt deposit depends entirely on the size of the original sea or salt lake, as well as the length of time that evaporation occurred. Sometimes we get just a thin layer of salt; other times, a solid bed that's six hundred feet thick. Perfectly pure rock salt is colorless and transparent, but it's rarely found in its pure form. Unfortunately, even in its original site, nature herself has taken the trouble to mix it up. (If she hadn't, we can be sure that commercial interests would have stepped in sooner or later.) But the impurities haven’t diminished the beauty of the salt; rather, they enhance it, like blush, giving it a nice fresh color where there was none. When iron is the main coloring agent, rock salt takes on a beautiful clear red tint; in other cases, it can be emerald green or pale blue. Generally, salt is processed for the table through a standard method, but lately, some people have taken to placing crystals of natural rock salt on their tables; they look really nice and have a unique flavor that isn’t unpleasant.

Our English salt supply is chiefly derived from the Cheshire and Worcestershire salt-regions, which are of triassic age. Many of the places at which the salt is mined have names ending in wich, such as Northwich, Middlewich, Nantwich, Droitwich, Netherwich, and Shirleywich. This termination wich is itself curiously significant, as Canon Isaac Taylor has shown, of the necessary connection between salt and the sea. The earliest known way of producing salt was of course in shallow pans on the sea-shore, at the bottom of a shoal bay, called in Norse and Early English a wick or wich; and the material so produced is still known in trade as bay-salt. By-and-by, when people came to discover the inland brine-pits and salt mines, they transferred to them the familiar name, a wich; and the places where the salt was manufactured came to be known as wych-houses. Droitwich, for example, was originally such a wich, where the droits or dues on salt were paid at the time when William the Conqueror's commissioners drew up their great survey for Domesday Book. But the good, easy-going mediæval people who gave these quaint names to the inland wiches had probably no idea that they were really and truly dried-up bays, and that the salt they mined from their pits was genuine ancient bay-salt, the deposit of an old inland sea, evaporated by slow degrees a countless number of ages since, exactly as the Dead Sea and the Great Salt Lake are getting evaporated in our own time.

Our supply of English salt mainly comes from the Cheshire and Worcestershire salt regions, which are from the Triassic period. Many of the places where salt is mined have names ending in wich, like Northwich, Middlewich, Nantwich, Droitwich, Netherwich, and Shirleywich. This ending wich is interestingly significant, as Canon Isaac Taylor has pointed out, relating to the essential connection between salt and the sea. The earliest known method of producing salt was in shallow pans on the seashore at the bottom of a shallow bay, called a wick or wich in Norse and Early English; the product is still traded as bay-salt. Eventually, when people discovered the inland brine pits and salt mines, they used the familiar name a wich for them; and the places where the salt was produced came to be known as wych-houses. Droitwich, for instance, was originally such a wich, where the droits or dues on salt were paid when William the Conqueror's commissioners created their great survey for the Domesday Book. However, the cheerful, easy-going medieval people who gave these quirky names to the inland witches probably had no idea they were actually dried-up bays, and that the salt they extracted from their pits was real ancient bay-salt, a deposit from an old inland sea that had evaporated slowly over countless ages, just like the Dead Sea and the Great Salt Lake are evaporating today.

Such, nevertheless, is actually the case. A good-sized Caspian used to spread across the centre of England and north of Ireland in triassic times, bounded here and there, as well as Dr. Hull can make out, by the Welsh Mountains, the Cheviots, and the Donegal Hills, and with the Peak of Derbyshire and the Isle of Man standing out as separate islands from its blue expanse. (We will beg the question that the English seas were then blue. They are certainly marked so in a very fine cerulean tint on Dr. Hull's map of Triassic Britain.) Slowly, like most other inland seas, this early British Caspian began to lose weight and to shrivel away to ever smaller dimensions. In Devonshire, where it appears to have first dried up, we get no salt, but only red marl, with here and there a cubical cast, filling a hole once occupied by rock-salt, though the percolation of the rain has long since melted out that very soluble substance, and replaced it by a mere mould in the characteristic square shape of salt crystals. But Worcestershire and Cheshire were the seat of the inland sea when it had contracted to the dimensions of a mere salt lake, and begun to throw down its dissolved saline materials. One of the Cheshire beds is sometimes a hundred feet thick of almost pure and crystalline rock-salt. The absence of fossils shows that animals must have had as bad a time of it there as in the Dead Sea of our modern Palestine. The Droitwich brine-pits have been known for many centuries, since they were worked (and taxed) even before the Norman Conquest, as were many other similar wells elsewhere. But the actual mining of rock-salt as such in England dates back only as far as the reign of King Charles II. of blessed memory, or more definitely to the very year in which the 'Pilgrim's Progress' was conceived and written by John Bunyan. During that particular summer, an enterprising person at Nantwich had sunk a shaft for coal, which he failed to find; but on his way down he came unexpectedly across the bed of rock-salt, then for the first time discovered as a native mineral. Since that fortunate accident the beds have been so energetically worked and the springs so energetically pumped that some of the towns built on top of them have got undermined, and now threaten from year to year, in the most literal sense, to cave in. In fact, one or two subsidences of considerable extent have already taken place, due in part no doubt to the dissolving action of rain water, but in part also to the mode of working. The mines are approached by a shaft; and, when you get down to the level of the old sea bottom, you find yourself in a sort of artificial gallery, whose roof, with all the world on top of it, is supported every here and there by massive pillars about fifteen feet thick. Considering that the salt lies often a hundred and fifty yards deep, and that these pillars have to bear the weight of all that depth of solid rock, it is not surprising that subsidences should sometimes occur in abandoned shafts, where the water is allowed to collect, and slowly dissolve away the supporting columns.

Such is actually the case. A large inland sea, similar to the Caspian, used to stretch across the center of England and north of Ireland during the Triassic period, bordered here and there, as Dr. Hull suggests, by the Welsh Mountains, the Cheviots, and the Donegal Hills. The Peak of Derbyshire and the Isle of Man stood out as separate islands in its blue waters. (We will assume that the English seas were blue back then; they are indeed shown in a beautiful cerulean shade on Dr. Hull's map of Triassic Britain.) Gradually, like most other inland seas, this early British Caspian started to shrink and diminish in size. In Devonshire, where it seems to have first dried up, we find no salt, just red marl, with scattered cubic casts marking where rock salt used to be. Over time, rain has dissolved that highly soluble substance, replacing it with mere impressions in the characteristic square shape of salt crystals. However, Worcestershire and Cheshire were the heart of the inland sea when it had shrunk to a small salt lake and began to deposit its dissolved salt. One of the Cheshire beds can sometimes be a hundred feet thick with nearly pure and crystalline rock salt. The lack of fossils indicates that life there must have struggled as much as it does in the modern-day Dead Sea in Palestine. The Droitwich brine pits have been known for centuries, having been worked (and taxed) even before the Norman Conquest, along with many other similar wells around the country. However, actual rock salt mining in England only goes back to the reign of King Charles II, or more specifically, to the very year when John Bunyan conceived and wrote the 'Pilgrim's Progress.' That summer, an adventurous person in Nantwich dug a shaft for coal but didn't find any. Instead, he unexpectedly encountered a bed of rock salt, which was discovered as a natural mineral for the first time. Since that lucky find, the salt deposits have been so diligently exploited and the springs pumped with such vigor that some towns built above them have become undermined and now risk caving in year after year. In fact, one or two significant collapses have already occurred, partially due to the dissolving action of rainwater, but also due to the method of extraction. The mines are accessed via a shaft; when you reach the level of the old sea bottom, you find yourself in a sort of artificial tunnel with roofs supported by massive pillars about fifteen feet thick. Considering that the salt can be as deep as one hundred fifty yards, and that these pillars must support the weight of that solid rock above, it's not surprising that collapses occasionally happen in abandoned shafts where water collects and gradually dissolves the supporting columns.

Salt is a necessary article of food for animals, but in a far less degree than is commonly supposed. Each of us eats on an average about ten times as much salt as we actually require. In this respect popular notions are as inexact as in the very similar case of the supply of phosphorus. Because phosphorus is needful for brain action, people jump forthwith to the absurd conclusion that fish and other foods rich in phosphates ought to be specially good for students preparing for examination, great thinkers, and literary men. Mark Twain indeed once advised a poetical aspirant, who sent him a few verses for his critical opinion, that fish was very feeding for the brains; he would recommend a couple of young whales to begin upon. As a matter of fact, there is more phosphorus in our daily bread than would have sufficed Shakespeare to write 'Hamlet,' or Newton to discover the law of gravitation. It isn't phosphorus that most of us need, but brains to burn it in. A man might as well light a fire in a carriage, because coal makes an engine go, as hope to mend the pace of his dull pate by eating fish for the sake of the phosphates.

Salt is an essential food for animals, but much less than most people think. On average, we each consume about ten times more salt than we actually need. In this case, popular beliefs are just as inaccurate as they are regarding the supply of phosphorus. Because phosphorus is vital for brain function, people quickly jump to the illogical conclusion that fish and other foods high in phosphates must be especially good for students studying for exams, brilliant thinkers, and writers. Mark Twain once humorously advised a poet who sought his feedback on some verses that fish is really good for the brain; he suggested starting with a couple of young whales. In reality, there’s more phosphorus in our daily bread than would have been enough for Shakespeare to write 'Hamlet' or for Newton to figure out the law of gravity. What most of us really need isn't phosphorus, but the brains to use it. It would be just as silly to hope that eating fish for the phosphates will sharpen a dull mind as it would be to light a fire in a vehicle because coal powers an engine.

The question still remains, How did the salt originally get there? After all, when we say that it was produced, as rock-salt, by evaporation of the water in inland seas, we leave unanswered the main problem, How did the brine in solution get into the sea at all in the first place? Well, one might almost as well ask, How did anything come to be upon the earth at any time, in any way? How did the sea itself get there? How did this planet swim into existence at all? In the Indian mythology the world is supported upon the back of an elephant, who is supported upon the back of a tortoise; but what the tortoise in the last resort is supported upon the Indian philosophers prudently say not. If we once begin thus pushing back our inquiries into the genesis of the cosmos, we shall find our search retreating step after step ad infinitum. The negro preacher, describing the creation of Adam, and drawing slightly upon his imagination, observed that when our prime forefather first came to consciousness he found himself 'sot up agin a fence.' One of his hearers ventured sceptically to ejaculate, 'Den whar dat fence come from, ministah?' The outraged divine scratched his grey wool reflectively for a moment, and replied, after a pause, with stern solemnity, 'Tree more ob dem questions will undermine de whole system ob teology.'

The question still remains, how did the salt originally get there? After all, when we say it was formed as rock salt from the evaporation of water in inland seas, we still haven't solved the main issue: how did the brine get into the sea in the first place? Well, one could ask just as easily, how did anything come to exist on Earth at any time, in any way? How did the sea itself come to be? How did this planet come into existence at all? In Indian mythology, the world rests on the back of an elephant, which is supported by a tortoise; but what the tortoise is ultimately resting on, Indian philosophers wisely choose not to say. If we start pushing back our inquiries into the origins of the cosmos, we’ll find ourselves retreating step by step ad infinitum. A Black preacher, describing the creation of Adam and using a bit of imagination, noted that when our first ancestor became aware, he found himself 'sitting up against a fence.' One of his listeners skeptically exclaimed, 'Then where did that fence come from, minister?' The outraged preacher scratched his gray hair reflectively for a moment and responded, after a pause, with stern seriousness, 'Three more of those questions will undermine the whole system of theology.'

However, we are not permitted humbly to imitate the prudent reticence of the Indian philosophers. In these days of evolution hypotheses, and nebular theories, and kinetic energy, and all the rest of it, the question why the sea is salt rises up irrepressible and imperatively demands to get itself answered. There was a sapient inquirer, recently deceased, who had a short way out of this difficulty. He held that the sea was only salt because of all the salt rivers that run into it. Considering that the salt rivers are themselves salted by passing through salt regions, or being fed by saline springs, all of which derive their saltness from deposits laid down long ago by evaporation from earlier seas or lake basins, this explanation savours somewhat of circularity. It amounts in effect to saying that the sea is salt because of the large amount of saline matter which it holds in solution. Cheese is also a caseous preparation of milk; the duties of an archdeacon are to perform archidiaconal functions; and opium puts one to sleep because it possesses a soporific virtue.

However, we can't just humbly copy the cautious silence of the Indian philosophers. In today's world of evolutionary theories, nebular theories, kinetic energy, and everything else, the question of why the sea is salty can't be ignored and demands an answer. There was a wise person, who recently passed away, who had a simple explanation for this issue. He believed that the sea is salty purely because of the salty rivers that flow into it. Given that these salty rivers are themselves made salty by passing through salty areas or being fed by salty springs, all of which get their salinity from deposits left behind long ago by evaporation from earlier seas or lake beds, this explanation seems a bit circular. Essentially, it's saying that the sea is salty because of the large amount of salt it has dissolved in it. Cheese is also just a dairy product made from milk; the responsibilities of an archdeacon are to carry out archidiaconal duties; and opium makes you sleepy because it has sleep-inducing properties.

Apart from such purely verbal explanations of the saltness of the sea, however, one can only give some such account of the way it came to be 'the briny' as the following:—

Apart from those purely verbal explanations of why the sea is salty, you can only describe the way it became 'the briny' like this:—

This world was once a haze of fluid light, as the poets and the men of science agree in informing us. As soon as it began to cool down a little, the heavier materials naturally sank towards the centre, while the lighter, now represented by the ocean and the atmosphere, floated in a gaseous condition on the outside. But the great envelope of vapour thus produced did not consist merely of the constituents of air and water; many other gases and vapours mingled with them, as they still do to a far less extent in our existing atmosphere. By-and-by, as the cooling and condensing process continued, the water settled down from the condition of steam into one of a liquid at a dull red heat. As it condensed, it carried down with it a great many other substances, held in solution, whose component elements had previously existed in the primitive gaseous atmosphere. Thus the early ocean which covered the whole earth was in all probability not only very salt, but also quite thick with other mineral matters close up to the point of saturation. It was full of lime, and raw flint, and sulphates, and many other miscellaneous bodies. Moreover, it was not only just as salt as at the present day, but even a great deal salter. For from that time to this evaporation has constantly been going on in certain shallow isolated areas, laying down great beds of gypsum and then of salt, which still remain in the solid condition, while the water has, of course, been correspondingly purified. The same thing has likewise happened in a slightly different way with the lime and flint, which have been separated from the water chiefly by living animals, and afterwards deposited on the bottom of the ocean in immense layers as limestone, chalk, sandstone, and clay.

This world was once a blur of bright light, as both poets and scientists tell us. When it started to cool down a bit, the heavier materials naturally sank toward the center, while the lighter ones, now represented by the ocean and the atmosphere, floated in a gaseous state on the surface. However, the thick layer of vapor produced didn’t just consist of air and water; many other gases and vapors mixed in with them, just like they still do today, but to a much lesser extent in our current atmosphere. Eventually, as the cooling and condensing process continued, the water transformed from steam into liquid at a dull red heat. As it condensed, it brought down many other substances dissolved in it, whose elements had previously existed in the early gaseous atmosphere. Thus, the primordial ocean that covered the entire Earth was probably not only very salty but also filled with various mineral matters close to saturation. It was full of lime, raw flint, sulfates, and many other assorted substances. Moreover, it was not only as salty as it is today but even saltier. Since that time, evaporation has been continuously occurring in certain shallow, isolated areas, creating large deposits of gypsum and then salt, which still remain solid while the water has been correspondingly purified. A similar process has occurred with lime and flint, which have been separated from the water mainly by living organisms and later deposited at the ocean floor in massive layers as limestone, chalk, sandstone, and clay.

Thus it turns out that in the end all our sources of salt-supply are alike ultimately derived from the briny ocean. Whether we dig it out as solid rock-salt from the open quarries of the Punjaub, or pump it up from brine-wells sunk into the triassic rocks of Cheshire, or evaporate it direct in the salt-pans of England and the shallow salines of the Mediterranean shore, it is still at bottom essentially sea-salt. However distant the connection may seem, our salt is always in the last resort obtained from the material held in solution in some ancient or modern sea. Even the saline springs of Canada and the Northern States of America, where the wapiti love to congregate, and the noble hunter lurks in the thicket to murder them unperceived, derive their saltness, as an able Canadian geologist has shown, from the thinly scattered salts still retained among the sediments of that very archaic sea whose precipitates form the earliest known life-bearing rocks. To the Homeric Greek, as to Mr. Dick Swiveller, the ocean was always the briny: to modern science, on the other hand (which neither of those worthies would probably have appreciated at its own valuation), the briny is always the oceanic. The fossil food which we find to-day on all our dinner-tables dates back its origin primarily to the first seas that ever covered the surface of our planet, and secondarily to the great rock deposits of the dried-up triassic inland sea. And yet even our men of science habitually describe that ancient mineral as common salt.

So it turns out that in the end all our sources of salt come from the salty ocean. Whether we extract it as solid rock salt from the open quarries of Punjab, or pump it from brine wells drilled into the Triassic rocks of Cheshire, or evaporate it directly in the salt pans of England and the shallow salines of the Mediterranean coast, it is still fundamentally sea salt. No matter how far the connection may seem, our salt ultimately comes from the material dissolved in some ancient or modern sea. Even the saline springs of Canada and the Northern States, where elk gather and hunters hide in the bushes to catch them off guard, get their saltiness, as an insightful Canadian geologist has shown, from the scattered salts found in the sediments of that very ancient sea whose deposits form the earliest known life-bearing rocks. For the ancient Greek, just like Mr. Dick Swiveller, the ocean was always salty; on the other hand, to modern science (which neither of those individuals would probably have appreciated at its true value), the salty is always oceanic. The fossil food we see on our dinner tables today can be traced back primarily to the first seas that ever covered our planet and secondarily to the large rock deposits of the dried-up Triassic inland sea. And yet, even our scientists commonly refer to that ancient mineral as table salt.


OGBURY BARROWS

We went to Ogbury Barrows on an archæological expedition. And as the very name of archæology, owing to a serious misconception incidental to human nature, is enough to deter most people from taking any further interest in our proceedings when once we got there, I may as well begin by explaining, for the benefit of those who have never been to one, the method and manner of an archæological outing.

We went to Ogbury Barrows on an archaeological expedition. And since the term archaeology, due to a common misunderstanding inherent to human nature, usually discourages most people from wanting to engage further in what we were doing once we arrived, I might as well start by explaining, for those who have never been on one, the process and approach of an archaeological outing.

The first thing you have to do is to catch your secretary. The genuine secretary is born, not made; and therefore you have got to catch him, not to appoint him. Appointing a secretary is pure vanity and vexation of spirit; you must find the right man made ready to your hand; and when you have found him you will soon see that he slips into the onerous duties of the secretariat as if to the manner born, by pure instinct. The perfect secretary is an urbane old gentleman of mature years and portly bearing, a dignified representative of British archæology, with plenty of money and plenty of leisure, possessing a heaven-born genius for organisation, and utterly unhampered by any foolish views of his own about archæological research or any other kindred subject. The secretary who archæologises is lost. His business is not to discourse of early English windows or of palæolithic hatchets, of buried villas or of Plantagenet pedigrees, of Roman tile-work or of dolichocephalic skulls, but to provide abundant brakes, drags, and carriages, to take care that the owners of castles and baronial residences throw them open (with lunch provided) to the ardent student of British antiquities, to see that all the old ladies have somebody to talk to, and all the young ones somebody to flirt with, and generally to superintend the morals, happiness, and personal comfort of some fifty assorted scientific enthusiasts. The secretary who diverges from these his proper and elevated functions into trivial and puerile disquisitions upon the antiquity of man (when he ought rather to be admiring the juvenility of woman), or the precise date of the Anglo-Saxon conquest (when he should by rights be concentrating the whole force of his massive intellect upon the arduous task of arranging for dinner), proves himself at once unworthy of his high position, and should forthwith be deposed from the secretariat by public acclamation.

The first thing you need to do is find your secretary. A true secretary is born, not made; so you have to discover him, not just hire him. Hiring a secretary is just vanity and frustration; you need to find the right person who’s ready to step in. Once you do, you'll quickly see that he takes on the challenging responsibilities of the secretariat as if it's second nature, completely by instinct. The ideal secretary is a sophisticated older gentleman with a sturdy presence, a dignified representative of British archaeology, who has plenty of money and free time, possesses a natural talent for organization, and is completely free from any misguided opinions about archaeological research or related topics. The secretary who gets caught up in archaeology is destined to fail. His role isn't to discuss early English windows, Paleolithic axes, buried villas, Plantagenet lineages, Roman tiles, or dolichocephalic skulls, but to arrange plenty of transportation and accommodations, ensure castle and manor owners open their doors (with lunch included) for passionate students of British antiquities, make sure that all the older ladies have someone to converse with, and all the younger ones have someone to flirt with, and generally oversee the happiness, comfort, and morals of about fifty different science enthusiasts. If the secretary strays from these important duties into trivial discussions about human antiquity (when he should be appreciating the youth of women) or the exact date of the Anglo-Saxon conquest (when he should be focusing all his considerable intellect on organizing dinner), he immediately shows he’s unfit for his prestigious role and should be removed from the position by public demand.

Having once entrapped your perfect secretary, you set him busily to work beforehand to make all the arrangements for your expected excursion, the archæologists generally cordially recognising the important principle that he pays all the expenses he incurs out of his own pocket, and drives splendid bargains on their account with hotel-keepers, coachmen, railway companies, and others to feed, lodge, supply, and convey them at fabulously low prices throughout the whole expedition. You also understand that the secretary will call upon everybody in the neighbourhood you propose to visit, induce the rectors to throw open their churches, square the housekeepers of absentee dukes, and beard the owners of Elizabethan mansions in their own dens. These little preliminaries being amicably settled, you get together your archæologists and set out upon your intended tour.

After securing your ideal secretary, you have him work diligently in advance to organize everything for your upcoming trip. The archaeologists typically appreciate the key idea that he covers all his expenses himself and negotiates great deals on their behalf with hotel owners, drivers, train companies, and others to feed, house, supply, and transport them at incredibly low rates throughout the entire adventure. You also know that the secretary will reach out to everyone in the area you plan to explore, persuade the rectors to open their churches, win over the housekeepers of absent dukes, and confront the owners of Elizabethan mansions right in their homes. Once these initial arrangements are pleasantly sorted, you gather your archaeologists and head out on your intended journey.

An archæologist, it should be further premised, has no necessary personal connection with archæology in any way. He (or she) is a human being, of assorted origin, age, and sex, known as an archæologist then and there on no other ground than the possession of a ticket (price half-a-guinea) for that particular archæological meeting. Who would not be a man (or woman) of science on such easy and unexacting terms? Most archæologists within my own private experience, indeed, are ladies of various ages, many of them elderly, but many more young and pretty, whose views about the styles of English architecture or the exact distinction between Durotriges and Damnonians are of the vaguest and most shadowy possible description. You all drive in brakes together to the various points of interest in the surrounding country. When you arrive at a point of interest, somebody or other with a bad cold in his head reads a dull paper on its origin and nature, in which there is fortunately no subsequent examination. If you are burning to learn all about it, you put your hand up to your ear, and assume an attitude of profound attention. If you are not burning with the desire for information, you stroll off casually about the grounds and gardens with the prettiest and pleasantest among the archæological sisters, whose acquaintance you have made on the way thither. Sometimes it rains, and then you obtain an admirable chance of offering your neighbour the protection afforded by your brand-new silk umbrella. By-and-by the dull paper gets finished, and somebody who lives in an adjoining house volunteers to provide you with luncheon. Then you adjourn to the parish church, where an old gentleman of feeble eyesight reads a long and tedious account of all the persons whose monuments are or are not to be found upon the walls of that poky little building. Nobody listens to him; but everybody carries away a vague impression that some one or other, temp. Henry the Second, married Adeliza, daughter and heiress of Sir Ralph de Thingumbob, and had issue thirteen stalwart sons and twenty-seven beautiful daughters, each founders of a noble family with a correspondingly varied pedigree. Finally, you take tea and ices upon somebody's lawn, by special invitation, and drive home, not without much laughter, in the cool of the evening to an excellent table d'hôte dinner at the marvellously cheap hotel, presided over by the ever-smiling and urbane secretary. That is what we mean nowadays by being a member of an archæological association.

An archaeologist, just to clarify, doesn’t have any necessary personal connection to archaeology at all. They are a person of various backgrounds, ages, and genders, recognized as an archaeologist simply because they have a ticket (costing half a guinea) for that particular archaeological meeting. Who wouldn’t want to be a scientist under such easy and laid-back conditions? From my own experience, most archaeologists are actually women of different ages; many are older, but even more are young and attractive, whose knowledge about English architecture styles or the exact differences between Durotriges and Damnonians is quite vague and unclear. You all take buses together to the various interesting spots in the surrounding area. When you arrive at a point of interest, someone with a bad cold reads a dull paper about its origin and nature, which, fortunately, doesn't get followed by any questions. If you're eager to learn more about it, you cup your ear and pretend to listen intently. If you aren’t that keen on the information, you casually wander around the grounds and gardens with the prettiest and nicest of the archaeological ladies you’ve met on the way there. Sometimes it rains, giving you a perfect opportunity to offer your neighbor the shelter of your brand-new silk umbrella. Eventually, the dull paper wraps up, and someone from a nearby house offers to treat you to lunch. Then you head to the parish church, where an elderly gentleman with poor eyesight reads a long and boring account of all the individuals whose monuments are or aren't on the walls of that cramped little building. No one pays attention to him; but everyone leaves with a hazy sense that someone or other, during the time of Henry the Second, married Adeliza, the daughter and heiress of Sir Ralph de Thingumbob, and had thirteen strong sons and twenty-seven beautiful daughters, each founding a noble family with a correspondingly mixed pedigree. Finally, you enjoy tea and ice cream on someone’s lawn, especially invited, and drive home, not without much laughter, in the cool of the evening to a fantastic dinner at the incredibly affordable hotel, run by the always-smiling and charming secretary. That’s what being a member of an archaeological association means these days.

It was on just such a pleasant excursion that we all went to Ogbury Barrows. I was overflowing, myself, with bottled-up information on the subject of those two prehistoric tumuli; for Ogbury Barrows have been the hobby of my lifetime; but I didn't read a paper upon their origin and meaning, first, because the secretary very happily forgot to ask me, and secondly, because I was much better employed in psychological research into the habits and manners of an extremely pretty pink-and-white archæologist who stood beside me. Instead, therefore, of boring her and my other companions with all my accumulated store of information about Ogbury Barrows, I locked it up securely in my own bosom, with the fell design of finally venting it all at once in one vast flood upon the present article.

It was on one of those nice outings that we all went to Ogbury Barrows. I was bursting with tons of information about those two prehistoric mounds; Ogbury Barrows have been my lifelong passion. However, I didn’t present a paper on their origin and meaning, firstly because the secretary completely forgot to invite me to do so, and secondly because I was much more focused on observing the habits and manners of a really cute pink-and-white archaeologist who was standing next to me. So, instead of boring her and the others with all my knowledge about Ogbury Barrows, I kept it all to myself, planning to unleash it in one big wave in this article.

Ogbury Barrows, I would have said (had it not been for the praiseworthy negligence of our esteemed secretary), stand upon the very verge of a great chalk-down, overlooking a broad and fertile belt of valley, whose slopes are terraced in the quaintest fashion with long parallel lines of obviously human and industrial origin. The terracing must have been done a very long time ago indeed, for it is a device for collecting enough soil on a chalky hillside to grow corn in. Now, nobody ever tried to grow corn on open chalk-downs in any civilised period of history until the present century, because the downs are so much more naturally adapted for sheep-walks that the attempt to turn them into waving cornfields would never occur to anybody on earth except a barbarian or an advanced agriculturist. But when Ogbury Downs were originally terraced, I don't doubt that the primitive system of universal tribal warfare still existed everywhere in Britain. This system is aptly summed up in the familiar modern Black Country formula, 'Yon's a stranger. 'Eave 'arf a brick at him.' Each tribe was then perpetually at war with every other tribe on either side of it: a simple plan which rendered foreign tariffs quite unnecessary, and most effectually protected home industries. The consequence was, each district had to produce for its own tribe all the necessaries of life, however ill-adapted by nature for their due production: because traffic and barter did not yet exist, and the only form ever assumed by import trade was that of raiding on your neighbours' territories, and bringing back with you whatever you could lay hands on. So the people of the chalky Ogbury valley had perforce to grow corn for themselves, whether nature would or nature wouldn't; and, in order to grow it under such very unfavourable circumstances of soil and climate, they terraced off the entire hillside, by catching the silt as it washed slowly down, and keeping it in place by artificial barriers.

Ogbury Barrows, I would have said (if it weren't for the commendable oversight of our respected secretary), are situated right at the edge of a large chalk down, overlooking a wide and fertile valley, its slopes lined in a unique way with long, straight rows of clearly human and industrial origin. The terracing must have been done a long time ago, as it was a method to gather enough soil on a chalky hillside to grow corn. Nowadays, no one has attempted to grow corn on the open chalk downs in any civilized era until this century because the downs are much better suited for sheep grazing, and turning them into waving cornfields would hardly ever occur to anyone except a primitive or an advanced farmer. However, when Ogbury Downs were first terraced, I have no doubt that the primitive practice of constant tribal warfare was widespread across Britain. This concept is perfectly captured in the well-known modern Black Country saying, "There’s a stranger. Throw half a brick at him." Each tribe was in a constant state of conflict with every other tribe nearby, a straightforward approach that made foreign tariffs unnecessary and effectively safeguarded local industries. As a result, each area had to produce all the essentials of life for its tribe, no matter how unsuitable the conditions were for proper production: because trade and barter hadn't yet been developed, and the only way imports occurred was through raiding neighboring territories and taking whatever you could grab. Therefore, the people of the chalky Ogbury valley had to grow their own corn, regardless of nature’s assistance; to grow it under such challenging soil and climate conditions, they terraced the entire hillside, trapping the silt as it washed down and keeping it in place with man-made barriers.

On the top of the down, overlooking this curious vale of prehistoric terraces, rise the twin heights of Ogbury Barrows, familiar landmarks to all the country side around for many miles. One of them is a tall, circular mound or tumulus surrounded by a deep and well-marked trench: the other, which stands a little on one side, is long and narrow, shaped exactly like a modern grave, but of comparatively gigantic and colossal proportions. Even the little children of Ogbury village have noticed its close resemblance of shape and outline to the grassy hillocks in their own churchyard, and whisper to one another when they play upon its summit that a great giant in golden armour lies buried in a stone vault underneath. But if only they knew the real truth, they would say instead that that big, ungainly, overgrown grave covers the remains of a short, squat, dwarfish chieftain, akin in shape and feature to the Lapps and Finns, and about as much unlike a giant as human nature could easily manage. It maybe regarded as a general truth of history that the greatest men don't by any means always get the biggest monument.

At the top of the hill, overlooking this unusual valley of ancient terraces, are the twin peaks of Ogbury Barrows, well-known landmarks for miles around. One of them is a tall, circular mound or tomb surrounded by a deep, clearly defined trench; the other, positioned slightly to one side, is long and narrow, shaped just like a modern grave but much larger. Even the little kids from Ogbury village have noticed how much it looks like the grassy mounds in their own churchyard, and they whisper to each other when they play on its top that a great giant in golden armor is buried in a stone vault beneath. But if only they knew the real story, they would say instead that this big, awkward, oversized grave covers the remains of a short, stocky, dwarfish chieftain, similar in shape and features to the Lapps and Finns, and as different from a giant as a person could possibly be. It can be generally said that in history, the greatest figures don’t always receive the largest monuments.

The archæologists in becoming prints who went with us to the top of Ogbury Barrows sagaciously surmised (with demonstrative parasol) that 'these mounds must have been made a very long time ago, indeed.' So in fact they were: but though they stand now so close together, and look so much like sisters and contemporaries, one is ages older than the other, and was already green and grass-grown with immemorial antiquity when the fresh earth of its neighbour tumulus was first thrown up by its side, above the buried urn of some long-forgotten Celtic warrior. Let us begin by considering the oldest first, and then pass on to its younger sister.

The archaeologists who joined us at the top of Ogbury Barrows wisely guessed (with a pointed umbrella) that "these mounds must have been made a very long time ago." And indeed, they were: although they now stand so close together and look so much like sisters and contemporaries, one is ages older than the other. It was already covered in grass and had an ancient appearance long before the fresh earth of its neighboring mound was first heaped up beside it, above the buried urn of some long-forgotten Celtic warrior. Let's start by looking at the oldest one first and then move on to its younger sister.

Ogbury Long Barrow is a very ancient monument indeed. Not, to be sure, one quarter so ancient as the days of the extremely old master who carved the mammoth on the fragments of his own tusk in the caves of the Dordogne, and concerning whom I have indited a discourse in an earlier portion of this volume: compared with that very antique personage, our long barrow on Ogbury hill-top may in fact be looked upon as almost modern. Still, when one isn't talking in geological language, ten or twenty thousand years may be fairly considered a very long time as time goes: and I have little doubt that from ten to twenty thousand years have passed since the short, squat chieftain aforesaid was first committed to his final resting-place in Ogbury Long Barrow. Two years since, we local archæologists—not in becoming prints this time—opened the barrow to see what was inside it. We found, as we expected, the 'stone vault' of the popular tradition, proving conclusively that some faint memory of the original interment had clung for all those long years around the grassy pile of that ancient tumulus. Its centre, in fact, was occupied by a sepulchral chamber built of big Sarsen stones from the surrounding hillsides; and in the midst of the house of death thus rudely constructed lay the mouldering skeleton of its original possessor—an old prehistoric Mongoloid chieftain. When I stood for the first moment within that primæval palace of the dead, never before entered by living man for a hundred centuries, I felt, I must own, something like a burglar, something like a body-snatcher, something like a resurrection man, but most of all like a happy archæologist.

Ogbury Long Barrow is an incredibly ancient monument. It's true that it's not even a fraction as old as the extremely ancient master who carved a mammoth onto fragments of his own tusk in the caves of the Dordogne, about whom I've written in an earlier portion of this volume: compared to that very old figure, our long barrow on Ogbury hilltop can be seen as almost modern. Still, when we’re not using geological terms, ten or twenty thousand years is generally considered a long time: and I’m quite sure that between ten and twenty thousand years have passed since the short, stocky chief mentioned earlier was first laid to rest in Ogbury Long Barrow. Two years ago, we local archaeologists—not in becoming prints this time—opened the barrow to see what was inside it. We found, as expected, the 'stone vault' of popular tradition, which clearly showed that some faint memory of the original burial has lingered all these years around the grassy mound of that ancient tumulus. Its center was occupied by a burial chamber made of large Sarsen stones from the nearby hills; and in the middle of this crude house of the dead lay the decaying skeleton of its original owner—an ancient prehistoric Mongoloid chief. When I first stood within that primordial palace of the dead, not entered by any living person for a hundred centuries, I felt something like a burglar, something like a body-snatcher, something like a resurrection man, but most of all, I felt like a happy archaeologist.

The big stone hut in which we found ourselves was, in fact, a buried cromlech, covered all over (until we opened it) by the earth of the barrow. Almost every cromlech, wherever found, was once, I believe, the central chamber of just such a long barrow: but in some instances wind and rain have beaten down and washed away the surrounding earth (and then we call it a 'Druidical monument'), while in others the mound still encloses its original deposit (and then we call it merely a prehistoric tumulus). As a matter of fact, even the Druids themselves are quite modern and common-place personages compared with the short, squat chieftains of the long barrows. For all the indications we found in the long barrow at Ogbury (as in many others we had opened elsewhere) led us at once to the strange conclusion that our new acquaintance, the skeleton, had once been a living cannibal king of the newer stone-age in Britain.

The big stone hut we found ourselves in was actually a buried cromlech, completely covered by the earth of the barrow until we uncovered it. Almost every cromlech, wherever it is found, was once the central chamber of a long barrow; however, in some cases, wind and rain have eroded and washed away the surrounding earth (and then we call it a 'Druidical monument'), while in others, the mound still contains its original deposit (and then we simply call it a prehistoric tumulus). In fact, even the Druids themselves are pretty modern and ordinary compared to the short, squat chieftains of the long barrows. All the evidence we found in the long barrow at Ogbury (as in many others we had excavated elsewhere) led us to the surprising conclusion that our new acquaintance, the skeleton, had once been a living cannibal king of the newer stone age in Britain.

The only weapons or implements we could discover in the barrow were two neatly chipped flint arrowheads, and a very delicate ground greenstone hatchet, or tomahawk. These were the weapons of the dead chief, laid beside him in the stone chamber where we found his skeleton, for his future use in his underground existence. A piece or two of rude hand-made pottery, no doubt containing food and drink for the ghost, had also been placed close to his side: but they had mouldered away with time and damp, till it was quite impossible to recover more than a few broken and shapeless fragments. There was no trace of metal in any way: whereas if the tribesmen of our friend the skeleton had known at all the art of smelting, we may be sure some bronze axe or spearhead would have taken the place of the flint arrows and the greenstone tomahawk: for savages always bury a man's best property together with his corpse, while civilised men take care to preserve it with pious care in their own possession, and to fight over it strenuously in the court of probate.

The only tools we found in the burial mound were two well-made flint arrowheads and a very fine ground greenstone hatchet, or tomahawk. These belonged to the deceased chief, placed beside him in the stone chamber where we discovered his skeleton, for his future use in the afterlife. A few pieces of rough handmade pottery, likely meant to hold food and drink for his spirit, were also found near him, but they had decayed over time and moisture, making it impossible to recover more than a few broken and shapeless bits. There was no sign of metal at all: had the tribesmen of our friend the skeleton known how to smelt, we can be sure that some bronze axe or spearhead would have replaced the flint arrows and the greenstone tomahawk, since primitive people always bury a man's best possessions with him, while civilized people keep them with careful devotion and fight over them vigorously in probate court.

The chief's own skeleton lay, or rather squatted, in the most undignified attitude, in the central chamber. His people when they put him there evidently considered that he was to sit at his ease, as he had been accustomed to do in his lifetime, in the ordinary savage squatting position, with his knees tucked up till they reached his chin, and his body resting entirely on the heels and haunches. The skeleton was entire: but just outside and above the stone vault we came upon a number of other bones, which told another and very different story. Some of them were the bones of the old prehistoric short-horned ox: others belonged to wild boars, red deer, and sundry similar animals, for the most part skulls and feet only, the relics of the savage funeral feast. It was clear that as soon as the builders of the barrow had erected the stone chamber of their dead chieftain, and placed within it his honoured remains, they had held a great banquet on the spot, and, after killing oxen and chasing red deer, had eaten all the eatable portions, and thrown the skulls, horns, and hoofs on top of the tomb, as offerings to the spirit of their departed master. But among these relics of the funeral baked meats there were some that specially attracted our attention—a number of broken human skulls, mingled indiscriminately with the horns of deer and the bones of oxen. It was impossible to look at them for a single moment, and not to recognise that we had here the veritable remains of a cannibal feast, a hundred centuries ago, on Ogbury hill-top.

The chief's own skeleton sat in the central chamber in an undignified position. His people, when they placed him there, clearly thought he would be comfortable, just like he was in life, in a typical savage squat with his knees pulled up to his chin and his body resting on his heels and haunches. The skeleton was intact, but just outside and above the stone vault, we found several other bones that told a different story. Some were from the prehistoric short-horned ox, while others belonged to wild boars, red deer, and various similar animals, mostly skulls and feet, which were remnants of the savage funeral feast. It was evident that as soon as the builders of the burial mound completed the stone chamber for their dead chief and placed his honored remains inside, they held a large banquet right there. After killing oxen and hunting red deer, they consumed all the edible parts and discarded the skulls, horns, and hooves on top of the tomb as offerings to their departed leader's spirit. Among these remnants of the funeral feast, some particularly caught our eye—a number of broken human skulls mixed in with the deer horns and ox bones. It was impossible to look at them for even a moment without realizing that we were staring at the actual remains of a cannibal feast that took place a hundred centuries ago on Ogbury hilltop.

Each skull was split or fractured, not clean cut, as with a sword or bullet, but hacked and hewn with some blunt implement, presumably either a club or a stone tomahawk. The skull of the great chief inside was entire and his skeleton unmutilated: but we could see at a glance that the remains we found huddled together on the top were those of slaves or prisoners of war, sacrificed beside the dead chieftain's tomb, and eaten with the other products of the chase by his surviving tribesmen. In an inner chamber behind the chieftain's own hut we came upon yet a stranger relic of primitive barbarism. Two complete human skeletons squatted there in the same curious attitude as their lord's, as if in attendance upon him in a neighbouring ante-chamber. They were the skeletons of women—so our professional bone-scanner immediately told us—and each of their skulls had been carefully cleft right down the middle by a single blow from a sharp stone hatchet. But they were not the victims intended for the pièce de résistance at the funeral banquet. They were clearly the two wives of the deceased chieftain, killed on his tomb by his son and successor, in order to accompany their lord and master in his new life underground as they had hitherto done in his rude wooden palace on the surface of the middle earth.

Each skull was split or fractured, not cleanly cut like from a sword or bullet, but hacked and chopped with some blunt tool, probably either a club or a stone tomahawk. The skull of the great chief inside was intact and his skeleton was unharmed: but we could see immediately that the remains we found huddled together on top were those of slaves or prisoners of war, sacrificed beside the dead chieftain's tomb, and consumed with the other game by his surviving tribesmen. In an inner chamber behind the chieftain's hut, we discovered an even more bizarre relic of primitive brutality. Two complete human skeletons were seated there in the same unusual position as their lord's, as if waiting on him in a nearby room. They were the skeletons of women—so our professional bone-scanner informed us—and each of their skulls had been meticulously split right down the middle by a single blow from a sharp stone hatchet. But they were not the victims meant for the pièce de résistance at the funeral banquet. They were clearly the two wives of the deceased chieftain, killed on his tomb by his son and successor, to accompany their lord and master in his new life underground as they had previously done in his crude wooden palace on the surface of the earth.

We covered up the reopened sepulchre of the old cannibal savage king (after abstracting for our local museum the arrowheads and tomahawk, as well as the skull of the very ancient Briton himself), and when our archæological society, ably led by the esteemed secretary, stood two years later on the desecrated tomb, the grass had grown again as green as ever, and not a sign remained of the sacrilegious act in which one of the party then assembled there had been a prime actor. Looking down from the summit of the long barrow on that bright summer morning, over the gay group of picnicking archæologists, it was a curious contrast to reinstate in fancy the scene at that first installation of the Ogbury monument. In my mind's eye I saw once more the howling band of naked, yellow-faced and yellow-limbed savages surge up the terraced slopes of Ogbury Down; I saw them bear aloft, with beating of breasts and loud gesticulations, the bent corpse of their dead chieftain; I saw the terrified and fainting wives haled along by thongs of raw oxhide, and the weeping prisoners driven passively like sheep to the slaughter; I saw the fearful orgy of massacre and rapine around the open tumulus, the wild priest shattering with his gleaming tomahawk the skulls of his victims, the fire of gorse and low brushwood prepared to roast them, the heads and feet flung carelessly on top of the yet uncovered stone chamber, the awful dance of blood-stained cannibals around the mangled remains of men and oxen, and finally the long task of heaping up above the stone hut of the dead king the earthen mound that was never again to be opened to the light of day till, ten thousand years later, we modern Britons invaded with our prying, sacrilegious mattock the sacred privacy of that cannibal ghost. All this passed like a vision before my mind's eye; but I didn't mention anything of it at that particular moment to my fellow-archæologists, because I saw they were all much more interested in the pigeon-pie and the funny story about an exalted personage and a distinguished actress with which the model secretary was just then duly entertaining them.

We covered up the reopened grave of the old cannibal king (after taking the arrowheads and tomahawk, as well as the skull of the very ancient Briton himself, for our local museum), and when our archaeological society, skillfully led by the esteemed secretary, stood on the disturbed tomb two years later, the grass had grown back as vibrant as ever, and there was no sign left of the sacrilegious act in which one of the people assembled there had played a major role. Looking down from the top of the long burial mound on that bright summer morning, over the cheerful group of picnicking archaeologists, it was a strange contrast to imagine the scene during the initial setup of the Ogbury monument. In my mind's eye, I saw the howling band of naked, yellow-faced and yellow-limbed savages rush up the terraced slopes of Ogbury Down; I saw them raise up the bent corpse of their dead chieftain, beating their chests and gesturing wildly; I saw the terrified, fainting wives dragged along by rawhide thongs, and the weeping prisoners herded like sheep to the slaughter; I saw the terrifying chaos of massacre and violence around the open burial mound, the wild priest smashing the skulls of his victims with his gleaming tomahawk, the fire of gorse and low brushwood ready to roast them, the heads and feet carelessly tossed on top of the yet uncovered stone chamber, the dreadful dance of blood-stained cannibals around the mangled remains of men and cattle, and finally, the long task of piling up earth over the stone hut of the dead king, crafting a mound that would not be reopened to the light of day until, ten thousand years later, we modern Britons invaded the sacred privacy of that cannibal ghost with our intrusive, sacrilegious tools. All of this flashed like a vision before my mind's eye; but I didn't mention any of it at that moment to my fellow archaeologists, because I noticed they were all much more interested in the pigeon pie and the funny story about a prominent figure and a distinguished actress with which the model secretary was entertaining them.

Five thousand years or so slowly wore away, from the date of the erection of the long barrow, and a new race had come to occupy the soil of England, and had driven away or reduced to slavery the short, squat, yellow-skinned cannibals of the earlier epoch. They were a pastoral and agricultural people, these new comers, acquainted with the use and abuse of bronze, and far more civilised in every way than their darker predecessors. No trace remains behind to tell us now by what fierce onslaught the Celtic invaders—for the bronze-age folk were presumably Celts—swept through the little Ogbury valley, and brained the men of the older race, while they made slaves of the younger women and serviceable children. Nothing now stands to tell us anything of the long years of Celtic domination, except the round barrow on the bare down, just as green and as grass-grown nowadays as its far earlier and more primitive neighbour.

About five thousand years or so passed since the long barrow was built, and a new group of people had taken over the land of England, pushing out or enslaving the short, squat, yellow-skinned cannibals from the earlier era. These newcomers were a pastoral and agricultural society, familiar with both the benefits and downsides of bronze, and they were much more civilized in every aspect than their darker predecessors. There are no remaining signs to tell us how the Celtic invaders—for the bronze-age people were likely Celts—forcefully marched through the small Ogbury valley, killing the men of the older race while enslaving the younger women and useful children. Nothing remains now to tell us about the long years of Celtic rule except the round barrow on the bare hillside, which is just as green and grass-covered today as its much earlier and more primitive neighbor.

We opened the Ogbury round barrow at the same time as the other, and found in it, as we expected, no bones or skeleton of any sort, broken or otherwise, but simply a large cinerary urn. The urn was formed of coarse hand-made earthenware, very brittle by long burial in the earth, but not by any means so old or porous as the fragments we had discovered in the long barrow. A pretty pattern ran round its edge—a pattern in the simplest and most primitive style of ornamentation; for it consisted merely of the print of the potter's thumb-nail, firmly pressed into the moist clay before baking. Beside the urn lay a second specimen of early pottery, one of those curious perforated jars which antiquaries call by the very question-begging name of incense-cups; and within it we discovered the most precious part of all our 'find,' a beautiful wedge-shaped bronze hatchet, and three thin gold beads. Having no consideration for the feelings of the ashes, we promptly appropriated both hatchet and beads, and took the urn and cup as a peace-offering to the lord of the manor for our desecration of a tomb (with his full consent) on the land of his fathers.

We opened the Ogbury round barrow at the same time as the other one and found, as we expected, no bones or skeletons of any kind, broken or otherwise, but just a large cremation urn. The urn was made of coarse hand-crafted earthenware, very fragile from being buried for so long, but it wasn't as old or porous as the fragments we had found in the long barrow. A nice pattern ran around its edge—a pattern in the simplest and most primitive style of ornamentation; it was just the impression of the potter's thumb pressed into the moist clay before it was baked. Next to the urn was a second piece of early pottery, one of those strange perforated jars that antiquaries overly call incense-cups; inside it, we found the most valuable part of our entire find: a beautiful wedge-shaped bronze hatchet and three thin gold beads. Without caring about the feelings of the ashes, we quickly took both the hatchet and the beads, and we brought the urn and cup as a gesture of goodwill to the lord of the manor for disturbing a tomb (with his full consent) on his ancestral land.

Why did these bronze-age people burn instead of burying their dead? Why did they anticipate the latest fashionable mode of disposal of corpses, and go in for cremation with such thorough conviction? They couldn't have been influenced by those rather unpleasant sanitary considerations which so profoundly agitated the mind of 'Graveyard Walker.' Sanitation was still in a very rudimentary state in the year five thousand B.C.; and the ingenious Celt, who is still given to 'waking' his neighbours, when they die of small-pox, with a sublime indifference to the chances of infection, must have had some other and more powerful reason for adopting the comparatively unnatural system of cremation in preference to that of simple burial. The change, I believe, was due to a further development of religious ideas on the part of the Celtic tribesmen above that of the primitive stone-age cannibals.

Why did these Bronze Age people choose to burn their dead instead of burying them? What made them embrace the latest trend of cremation with such strong belief? They likely weren't swayed by the rather grim sanitation concerns that deeply troubled 'Graveyard Walker.' Sanitation was still very basic in the year 5000 B.C.; and the clever Celt, who still tends to 'wake' his neighbors when they die of smallpox, showing a carefree attitude toward the risk of infection, must have had some other, more compelling reason for preferring the relatively uncommon practice of cremation over simple burial. I believe this shift was due to a further development of religious beliefs among the Celtic tribes compared to those of the primitive Stone Age cannibals.

When men began to bury their dead, they did so in the firm belief in another life, which life was regarded as the exact counterpart of this present one. The unsophisticated savage, holding that in that equal sky his faithful dog would bear him company, naturally enough had the dog in question killed and buried with him, in order that it might follow him to the happy hunting-grounds. Clearly, you can't hunt without your arrows and your tomahawk; so the flint weapons and the trusty bow accompanied their owner in his new dwelling-place. The wooden haft, the deer-sinew bow-string, the perishable articles of food and drink have long since decayed within the damp tumulus: but the harder stone and earthenware articles have survived till now, to tell the story of that crude and simple early faith. Very crude and illogical indeed it was, however, for it is quite clear that the actual body of the dead man was thought of as persisting to live a sort of underground life within the barrow. A stone hut was constructed for its use; real weapons and implements were left by its side; and slaves and wives were ruthlessly massacred, as still in Ashantee, in order that their bodies might accompany the corpse of the buried master in his subterranean dwelling. In all this we have clear evidence of a very inconsistent, savage, materialistic belief, not indeed in the immortality of the soul, but in the continued underground life of the dead body.

When people started to bury their dead, they did it with a strong belief in an afterlife that was seen as an exact replica of their current life. The simple, primitive person believed that in that equal sky, his loyal dog would keep him company. It made sense that he would have the dog killed and buried with him so it could join him in the happy hunting grounds. Obviously, you can't hunt without your arrows and your tomahawk, so the flint weapons and reliable bow were included in their new resting place. The wooden handle, the deer-sinew bowstring, and the perishable food and drink have long since rotted away within the damp burial mound, but the tougher stone and pottery items have survived to this day, revealing the story of that primitive and simple early belief. It was very crude and illogical, however, because it’s clear that they imagined the dead person continuing to live a sort of underground life within the mound. A stone hut was built for this purpose; real weapons and tools were left beside the body; and slaves and wives were brutally killed, as happens even today in Ashantee, so they could accompany the buried master in his underground home. In all of this, we find clear evidence of a very inconsistent, primitive, materialistic belief—not in the immortality of the soul, but in the ongoing underground life of the dead body.

With the progress of time, however, men's ideas upon these subjects began to grow more definite and more consistent. Instead of the corpse, we get the ghost; instead of the material underground world, we get the idealised and sublimated conception of a shadowy Hades, a world of shades, a realm of incorporeal, disembodied spirits. With the growth of the idea in this ghostly nether world, there arises naturally the habit of burning the dead in order fully to free the liberated spirit from the earthly chains that clog and bind it. It is, indeed, a very noticeable fact that wherever this belief in a world of shades is implicitly accepted, there cremation follows as a matter of course; while wherever (among savage or barbaric races) burial is practised, there a more materialistic creed of bodily survival necessarily accompanies it. To carry out this theory to its full extent, not only must the body itself be burnt, but also all its belongings with it. Ghosts are clothed in ghostly clothing; and the question has often been asked of modern spiritualists by materialistic scoffers, 'Where do the ghosts get their coats and dresses?' The true believer in cremation and the shadowy world has no difficulty at all in answering that crucial inquiry; he would say at once, 'They are the ghosts of the clothes that were burnt with the body.' In the gossiping story of Periander, as veraciously retailed for us by that dear old grandmotherly scandalmonger, Herodotus, the shade of Melissa refuses to communicate with her late husband, by medium or otherwise, on the ground that she found herself naked and shivering with cold, because the garments buried with her had not been burnt, and therefore were of no use to her in the world of shades. So Periander, to put a stop to this sad state of spiritual destitution, requisitioned all the best dresses of the Corinthian ladies, burnt them bodily in a great trench, and received an immediate answer from the gratified shade, who was thenceforth enabled to walk about in the principal promenades of Hades among the best-dressed ghosts of that populous quarter.

As time went on, people's ideas about these subjects became clearer and more consistent. Instead of a lifeless body, we have the idea of a ghost; instead of a physical underground world, we envision an idealized and elevated conception of a shadowy Hades, a world of spirits, a realm of intangible, disembodied souls. With the development of this idea of a ghostly underworld, it naturally led to the practice of cremating the dead to fully free the released spirit from the earthly constraints that bind it. It's quite noticeable that wherever the belief in a world of spirits is inherently accepted, cremation follows as a natural consequence; while in societies (whether primitive or barbaric) that practice burial, a more materialistic belief in bodily survival typically accompanies it. To fully embrace this theory, not only must the body be cremated, but also all its possessions. Ghosts are dressed in ghostly attire; and materialistic skeptics have often asked modern spiritualists, 'Where do ghosts get their coats and dresses?' A true believer in cremation and the shadowy world readily answers that critical question with, 'They are the ghosts of the clothes that were burnt with the body.' In the gossipy tale of Periander, as faithfully recounted by that dear old grandmotherly storyteller, Herodotus, the spirit of Melissa refuses to communicate with her deceased husband, through any means, because she found herself naked and shivering, as the clothes buried with her had not been burned and were therefore useless in the realm of spirits. To remedy this unfortunate situation, Periander demanded all the best dresses from the women of Corinth, had them burned in a huge trench, and received an immediate response from the satisfied spirit, who was then able to stroll around the main promenades of Hades among the best-dressed ghosts of that bustling area.

The belief which thus survived among the civilised Greeks of the age of the Despots is shared still by Fijis and Karens, and was derived by all in common from early ancestors of like faith with the founders of Ogbury round barrow. The weapons were broken and the clothes burnt, to liberate their ghosts into the world of spirits, just as now, in Fiji, knives and axes have their spiritual counterparts, which can only be released when the material shape is destroyed or purified by the action of fire. Everything, in such a state, is supposed to possess a soul of its own; and the fire is the chosen mode for setting the soul free from all clogging earthly impurities. So till yesterday, in the rite of suttee, the Hindoo widow immolated herself upon her husband's pyre, in order that her spirit might follow him unhampered to the world of ghosts whither he was bound. Thus the twin barrows on Ogbury hillside bridge over for us two vast epochs of human culture, both now so remote as to merge together mentally to the casual eyes of modern observers, but yet in reality marking in their very shape and disposition an immense, long, and slow advance of human reason. For just as the long barrow answers in form to the buried human corpse and the chambered hut that surrounds and encloses it, so does the round barrow answer in form to the urn containing the calcined ashes of the cremated barbarian. And is it not a suggestive fact that when we turn to the little graveyard by the church below we find the Christian belief in the resurrection of the body, as opposed to the pagan belief in the immortality of the soul, once more bringing us back to the small oblong mound which is after all but the dwarfed and humbler modern representative of the long barrow? So deep is the connection between that familiar shape and the practice of inhumation that the dwarf long barrow seems everywhere to have come into use again throughout all Europe, after whole centuries of continued cremation, as the natural concomitant and necessary mark of Christian burial.

The belief that persisted among the civilized Greeks during the era of the Despots is still held by the Fijians and Karens today, and it can be traced back to early ancestors who shared similar faith with the founders of the Ogbury round barrow. The weapons were broken and the clothes burned to release their spirits into the world of spirits. In Fiji today, knives and axes have spiritual counterparts that can only be freed when the physical object is destroyed or purified by fire. Everything, in this state, is thought to have its own soul; and fire is the chosen method for freeing the soul from all earthly impurities. Until recently, in the rite of suttee, a Hindu widow would immolate herself on her husband's pyre so her spirit could follow him unrestrained to the world of spirits he was headed to. The twin barrows on the Ogbury hillside connect two vast periods of human culture, both so distant that they blend in the minds of modern observers, yet they actually represent a significant, long, and gradual advancement of human reasoning. Just as the long barrow corresponds in shape to the buried human body and the chambered hut that surrounds it, the round barrow corresponds in shape to the urn that holds the cremated ashes of the barbarian. Isn't it interesting that when we look at the small graveyard by the church below, we find the Christian belief in the resurrection of the body, contrasting with the pagan belief in the immortality of the soul, which brings us back to the small rectangular mound that is, after all, just a smaller and simpler modern version of the long barrow? The connection between that familiar shape and the practice of burial is so strong that the mini long barrow seems to have come back into use throughout Europe after centuries of cremation, as the natural accompaniment and necessary mark of Christian burial.

This is what I would have said, if I had been asked, at Ogbury Barrows. But I wasn't asked; so I devoted myself instead to psychological research, and said nothing.

This is what I would have said if someone had asked me at Ogbury Barrows. But since I wasn't asked, I focused on psychological research and kept quiet.


FISH OUT OF WATER

Strolling one day in what is euphemistically termed, in equatorial latitudes, 'the cool of the evening,' along a tangled tropical American field-path, through a low region of lagoons and watercourses, my attention happened to be momentarily attracted from the monotonous pursuit of the nimble mosquito by a small animal scuttling along irregularly before me, as if in a great hurry to get out of my way before I could turn him into an excellent specimen. At first sight I took the little hopper, in the grey dusk, for one of the common, small green lizards, and wasn't much disposed to pay it any distinguished share either of personal or scientific attention. But as I walked on a little further through the dense underbrush, more and more of these shuffling and scurrying little creatures kept crossing the path, hastily, all in one direction, and all, as it were, in a formed body or marching phalanx. Looking closer, to my great surprise, I found they were actually fish out of water, going on a walking tour, for change of air, to a new residence—genuine fish, a couple of inches long each, not eel-shaped or serpentine in outline, but closely resembling a red mullet in miniature, though much more beautifully and delicately coloured, and with fins and tails of the most orthodox spiny and prickly description. They were travelling across country in a bee-line, thousands of them together, not at all like the helpless fish out of water of popular imagination, but as unconcernedly and naturally as if they had been accustomed to the overland route for their whole lifetimes, and were walking now on the king's highway without let or hindrance.

One day, while walking in what people in tropical areas call 'the cool of the evening,' along a winding path in a tropical American field, through a low area with ponds and streams, I was briefly distracted from the constant annoyance of mosquitoes by a small creature rushing ahead of me, as if it was in a hurry to get out of my way before I could catch it. At first, in the dim light, I mistook the little critter for one of the typical small green lizards, and I wasn't inclined to give it much attention, either personally or scientifically. However, as I continued through the thick underbrush, more and more of these little animals scurried across my path, all heading in the same direction, almost like a group marching together. Upon taking a closer look, I was astonished to discover that they were actually fish out of water, going for a stroll to find a new home—real fish, each about two inches long, not shaped like eels or snakes, but resembling tiny red mullets, only much more beautifully and delicately colored, with the most traditional spiny and prickly fins and tails. They were making their way cross-country in a straight line, thousands of them, not at all like the helpless fish out of water we imagine, but as casually and comfortably as if they had been using this overland route their entire lives, walking now on the main road without any obstacles.

I took one up in my hand and examined it more carefully; though the catching it wasn't by any means so easy as it sounds on paper, for these perambulatory fish are thoroughly inured to the dangers and difficulties of dry land, and can get out of your way when you try to capture them with a rapidity and dexterity which are truly surprising. The little creatures are very pretty, well-formed catfish, with bright, intelligent eyes, and a body armed all over, like the armadillo's, with a continuous coat of hard and horny mail. This coat is not formed of scales, as in most fish, but of toughened skin, as in crocodiles and alligators, arranged in two overlapping rows of imbricated shields, exactly like the round tiles so common on the roofs of Italian cottages. The fish walks, or rather shambles along ungracefully, by the shuffling movement of a pair of stiff spines placed close behind his head, aided by the steering action of his tail, and a constant snake-like wriggling motion of his entire body. Leg spines of somewhat the same sort are found in the common English gurnard, and in this age of Aquariums and Fisheries Exhibitions, most adult persons above the age of twenty-one years must have observed the gurnards themselves crawling along suspiciously by their aid at the bottom of a tank at the Crystal Palace or the polyonymous South Kensington building. But while the European gurnard only uses his substitutes for legs on the bed of the ocean, my itinerant tropical acquaintance (his name, I regret to say, is Callichthys) uses them boldly for terrestrial locomotion across the dry lowlands of his native country. And while the gurnard has no less than six of these pro-legs, the American land fish has only a single pair with which to accomplish his arduous journeys. If this be considered as a point of inferiority in the armour-plated American species, we must remember that while beetles and grasshoppers have as many as six legs apiece, man, the head and crown of things, is content to scramble through life ungracefully with no more than two.

I picked one up in my hand and examined it more closely; although catching it wasn’t nearly as easy as it sounds, since these walking fish are well adapted to the hazards of dry land and can quickly evade capture with surprising speed and skill. The little creatures are cute, well-formed catfish, with bright, intelligent eyes and a body covered all over, like an armadillo's, in a tough, hard protective layer. This armor isn’t made of scales, like most fish, but of toughened skin, similar to crocodiles and alligators, arranged in two overlapping rows of interlocking shields, just like the round tiles commonly found on Italian cottage roofs. The fish moves along, or rather shambles awkwardly, with a shuffling motion from a pair of stiff spines behind its head, aided by its tail's steering action and a constant snake-like wriggling of its whole body. Similar leg spines are found in the common English gurnard, and in today’s age of aquariums and fish exhibitions, most adults over the age of twenty-one must have seen gurnards moving cautiously along the bottom of a tank at the Crystal Palace or the various displays in South Kensington. However, while the European gurnard only uses its "legs" at the ocean floor, my wandering tropical friend (whose name, I’m sorry to say, is Callichthys) uses them boldly for walking across the dry lowlands of its home country. And while the gurnard has six of these leg-like spines, the American land fish has only one pair to make its challenging journeys. If this is seen as a disadvantage for the armored American species, we must remember that while beetles and grasshoppers have six legs each, humans, the pinnacle of creation, navigate through life awkwardly with just two.

There are a great many tropical American pond-fish which share these adventurous gipsy habits of the pretty little Callichthys. Though they belong to two distinct groups, otherwise unconnected, the circumstances of the country they inhabit have induced in both families this queer fashion of waddling out courageously on dry land, and going on voyages of exploration in search of fresh ponds and shallows new, somewhere in the neighbourhood of their late residence. One kind in particular, the Brazilian Doras, takes land journeys of such surprising length, that he often spends several nights on the way, and the Indians who meet the wandering bands during their migrations fill several baskets full of the prey thus dropped upon them, as it were, from the kindly clouds.

There are many tropical American pond fish that share the adventurous, nomadic habits of the cute little Callichthys. Although they belong to two different groups that aren't otherwise related, the environment they live in has led both families to adopt this strange behavior of waddling bravely onto dry land and going on journeys to explore new ponds and shallows nearby where they used to live. One type in particular, the Brazilian Doras, undertakes land trips of such impressive length that it often spends several nights traveling, and the Indians who encounter these migrating groups fill several baskets with the fish that have dropped onto them, as if from generous clouds.

Both Doras and Callichthys, too, are well provided with means of defence against the enemies they may chance to meet during their terrestrial excursions; for in both kinds there are the same bony shields along the sides, securing the little travellers, as far as possible, from attack on the part of hungry piscivorous animals. Doras further utilises its powers of living out of water by going ashore to fetch dry leaves, with which it builds itself a regular nest, like a bird's, at the beginning of the rainy season. In this nest the affectionate parents carefully cover up their eggs, the hope of the race, and watch over them with the utmost attention. Many other fish build nests in the water, of materials naturally found at the bottom; but Doras, I believe, is the only one that builds them on the beach, of materials sought for on the dry land.

Both Doras and Callichthys are also well-equipped with ways to defend themselves against any enemies they might encounter during their land excursions. Both types have bony shields along their sides that help protect these little travelers as much as possible from attacks by hungry fish-eating animals. Additionally, Doras takes advantage of its ability to live out of water by going ashore to gather dry leaves, which it uses to build a proper nest, much like a bird, at the start of the rainy season. In this nest, the caring parents carefully cover their eggs, the future of their species, and keep a close watch over them. Many other fish build nests in the water using materials found at the bottom, but I believe Doras is the only one that constructs nests on the beach out of materials gathered on dry land.

Such amphibious habits on the part of certain tropical fish are easy enough to explain by the fashionable clue of 'adaptation to environment.' Ponds are always very likely to dry up, and so the animals that frequent ponds are usually capable of bearing a very long deprivation of water. Indeed, our evolutionists generally hold that land animals have in every case sprung from pond animals which have gradually adapted themselves to do without water altogether. Life, according to this theory, began in the ocean, spread up the estuaries into the greater rivers, thence extended to the brooks and lakes, and finally migrated to the ponds, puddles, swamps and marshes, whence it took at last, by tentative degrees, to the solid shore, the plains, and the mountains. Certainly the tenacity of life shown by pond animals is very remarkable. Our own English carp bury themselves deeply in the mud in winter, and there remain in a dormant condition many months entirely without food. During this long hibernating period, they can be preserved alive for a considerable time out of water, especially if their gills are, from time to time, slightly moistened. They may then be sent to any address by parcels post, packed in wet moss, without serious damage to their constitution; though, according to Dr. Günther, these dissipated products of civilisation prefer to have a piece of bread steeped in brandy put into their mouths to sustain them beforehand. In Holland, where the carp are not so sophisticated, they are often kept the whole winter through, hung up in a net to keep them from freezing. At first they require to be slightly wetted from time to time, just to acclimatise them gradually to so dry an existence; but after a while they adapt themselves cheerfully to their altered circumstances, and feed on an occasional frugal meal of bread and milk with Christian resignation.

Such amphibious habits of certain tropical fish can easily be explained by the trendy idea of "adaptation to environment." Ponds often dry up, so the animals that live in ponds can usually handle long periods without water. In fact, many evolutionists believe that all land animals evolved from pond animals that gradually adapted to living without water altogether. According to this theory, life started in the ocean, spread into estuaries, then moved into larger rivers, followed by brooks and lakes, and finally made its way to ponds, puddles, swamps, and marshes, eventually making the leap to solid land, plains, and mountains. The resilience of pond animals is truly impressive. Our English carp, for instance, bury themselves deep in the mud during winter and remain dormant for many months without food. During this long hibernation, they can survive for a significant time out of water, especially if their gills are occasionally moistened. They can even be sent through the mail, packed in wet moss, without serious harm to their health; although, according to Dr. Günther, these pampered products of civilization prefer to have a piece of bread soaked in brandy put in their mouths first to sustain them. In Holland, where the carp aren’t as refined, they are often kept suspended in a net all winter to prevent freezing. At first, they need to be lightly moistened from time to time to help them gradually adjust to such a dry environment; but after a while, they cheerfully adapt to their new circumstances and manage with the occasional simple meal of bread and milk with a sense of stoic acceptance.

Of all land-frequenting fish, however, by far the most famous is the so-called climbing perch of India, which not only walks bodily out of the water, but even climbs trees by means of special spines, near the head and tail, so arranged as to stick into the bark and enable it to wriggle its way up awkwardly, something after the same fashion as the 'looping' of caterpillars. The tree-climber is a small scaly fish, seldom more than seven inches long; but it has developed a special breathing apparatus to enable it to keep up the stock of oxygen on its terrestrial excursions, which may be regarded as to some extent the exact converse of the means employed by divers to supply themselves with air under water. Just above the gills, which form of course its natural hereditary breathing apparatus, the climbing perch has invented a new and wholly original water chamber, containing within it a frilled bony organ, which enables it to extract oxygen from the stored-up water during the course of its aërial peregrinations. While on shore it picks up small insects, worms, and grubs; but it also has vegetarian tastes of its own, and does not despise fruits and berries. The Indian jugglers tame the climbing perches and carry them about with them as part of their stock in trade; their ability to live for a long time out of water makes them useful confederates in many small tricks which seem very wonderful to people accustomed to believe that fish die almost at once when taken out of their native element.

Of all fish that live on land, the most famous is the climbing perch from India. This fish not only walks out of the water but can also climb trees using special spines near its head and tail. These spines help it grip the bark and awkwardly wriggle its way up, similar to how caterpillars move by looping. The climbing perch is a small fish, usually no more than seven inches long, but it has developed a unique breathing system to maintain its oxygen levels while on land. This system is somewhat the opposite of what divers use to get air underwater. Just above its gills, which are its natural breathing tools, the climbing perch has created an original water chamber with a frilled bony structure that allows it to extract oxygen from the water it carries with it during its land adventures. On land, it eats small insects, worms, and grubs, but it also enjoys plant-based foods and doesn’t shy away from fruits and berries. Indian jugglers train climbing perches and take them along as part of their acts; their ability to survive for a long time out of water makes them valuable for various tricks that impress those who believe fish perish almost immediately when removed from their aquatic environment.

The Indian snakehead is a closely allied species, common in the shallow ponds and fresh-water tanks of India, where holy Brahmans bathe and drink and die and are buried, and most of which dry up entirely during the dry season. The snakehead, therefore, has similarly accommodated himself to this annual peculiarity in his local habitation by acquiring a special chamber for retaining water to moisten his gills throughout his long deprivation of that prime necessary. He lives composedly in semi-fluid mud, or lies torpid in the hard baked clay at the bottom of the dry tank from which all the water has utterly evaporated in the drought of summer. As long as the mud remains soft enough to allow the fish to rise slowly through it, they come to the surface every now and then to take in a good hearty gulp of air, exactly as gold fish do in England when confined with thoughtless or ignorant cruelty in a glass globe too small to provide sufficient oxygen for their respiration. But when the mud hardens entirely they hibernate or rather æstivate, in a dormant condition, until the bursting of the monsoon fills the ponds once more with the welcome water. Even in the perfectly dry state, however, they probably manage to get a little air every now and again through the numerous chinks and fissures in the sun-baked mud. Our Aryan brother then goes a-fishing playfully with a spade and bucket, and digs the snakehead in this mean fashion out of his comfortable lair, with an ultimate view to the manufacture of pillau. In Burmah, indeed, while the mud is still soft, the ingenious Burmese catch the helpless creatures by a still meaner and more unsportsmanlike device. They spread a large cloth over the slimy ooze where the snakeheads lie buried, and so cut off entirely for the moment their supply of oxygen. The poor fish, half-asphyxiated by this unkind treatment, come up gasping to the surface under the cloth in search of fresh air, and are then easily caught with the hand and tossed into baskets by the degenerate Buddhists.

The Indian snakehead is a closely related species, commonly found in the shallow ponds and freshwater tanks of India, where holy Brahmins bathe, drink, die, and are buried. Most of these water sources completely dry up during the dry season. The snakehead has adapted to this annual change in its environment by developing a special chamber to retain water, which keeps its gills moist during long periods without water. It lives comfortably in semi-fluid mud or lies still in the hard-baked clay at the bottom of the dry tank, where all the water has evaporated during the summer drought. As long as the mud remains soft enough for the fish to rise slowly through it, they occasionally come to the surface for a hearty gulp of air, much like goldfish in England that are kept in small glasses without enough oxygen. However, when the mud hardens completely, they hibernate—or rather, estivate—in a dormant state until the arrival of the monsoon fills the ponds with welcome water again. Even in a completely dry state, they likely manage to get some air through the cracks and fissures in the sun-baked mud. Our Aryan brother then playfully goes fishing with a spade and bucket, digging the snakehead out of its cozy spot with the ultimate goal of making pilau. In Burma, while the mud is still soft, the crafty Burmese catch these helpless creatures using an even meaner and less sportsmanlike method. They spread a large cloth over the slimy muck where the snakeheads are buried, completely cutting off their supply of oxygen. The poor fish, half-asphyxiated from this cruel treatment, come gasping to the surface under the cloth in search of fresh air and are then easily caught by hand and tossed into baskets by the degenerate Buddhists.

Old Anglo-Indians even say that some of these mud haunting Oriental fish will survive for many years in a state of suspended animation, and that when ponds or jhíls which are known to have been dry for several successive seasons are suddenly filled by heavy rains, they are found to be swarming at once with full-grown snakeheads released in a moment from what I may venture to call their living tomb in the hardened bottom. Whether such statements are absolutely true or not the present deponent would be loth to decide dogmatically; but, if we were implicitly to swallow everything that the old Anglo-Indian in his simplicity assures us he has seen—well, the clergy would have no further cause any longer to deplore the growing scepticism and unbelief of these latter unfaithful ages.

Old Anglo-Indians even say that some of these mud haunting Oriental fish can live for many years in a state of suspended animation, and that when ponds or jhíls, known to have been dry for several consecutive seasons, suddenly fill with heavy rain, they immediately swarm with full-grown snakeheads released from what I might call their living tomb in the hardened bottom. Whether such claims are completely accurate or not, I wouldn't want to assert definitively; however, if we were to believe everything the old Anglo-Indian straightforwardly tells us he has seen—well, the clergy would have no reason to lament the increasing skepticism and disbelief of these latter unfaithful times.

This habit of lying in the mud and there becoming torpid may be looked upon as a natural alternative to the habit of migrating across country, when your pond dries up, in search of larger and more permanent sheets of water. Some fish solve the problem how to get through the dry season in one of these two alternative fashions and some in the other. In flat countries where small ponds and tanks alone exist, the burying plan is almost universal; in plains traversed by large rivers or containing considerable scattered lakes, the migratory system finds greater favour with the piscine population.

This habit of lying in the mud and becoming sluggish can be seen as a natural alternative to migrating across land when your pond dries up, looking for bigger and more permanent sources of water. Some fish manage to survive the dry season in one of these two ways, while others choose the other. In flat areas where only small ponds and tanks exist, the burying method is almost universally used; in regions with large rivers or significant scattered lakes, the migratory approach is more preferred among the fish population.

One tropical species which adopts the tactics of hiding itself in the hard clay, the African mud-fish, is specially interesting to us human beings on two accounts—first, because, unlike almost all other kinds of fish, it possesses lungs as well as gills; and, secondly, because it forms an intermediate link between the true fish and the frogs or amphibians, and therefore stands in all probability in the direct line of human descent, being the living representative of one among our own remote and early ancestors. Scientific interest and filial piety ought alike to secure our attention for the African mud-fish. It lives its amphibious life among the rice-fields on the Nile, the Zambesi, and the Gambia, and is so greatly given to a terrestrial existence that its swim-bladder has become porous and cellular, so as to be modified into a pair of true and serviceable lungs. In fact, the lungs themselves in all the higher animals are merely the swim-bladders of fish, slightly altered so as to perform a new but closely allied office. The mud-fish is common enough in all the larger English aquariums, owing to a convenient habit in which it indulges, and which permits it to be readily conveyed to all parts of the globe on the same principle as the vans for furniture. When the dry season comes on and the rice-fields are reduced to banks of baking mud, the mud-fish retire to the bottom of their pools, where they form for themselves a sort of cocoon of hardened clay, lined with mucus, and with a hole at each end to admit the air; and in this snug retreat they remain torpid till the return of wet weather. As the fish usually reach a length of three or four feet, the cocoons are of course by no means easy to transport entire. Nevertheless the natives manage to dig them up whole, fish and all; and if the capsules are not broken, the unconscious inmates can be sent across by steamer to Europe with perfect safety. Their astonishment when they finally wake up after their long slumber, and find themselves inspecting the British public, as introduced to them by Mr. Farini, through a sheet of plate-glass, must be profound and interesting.

One tropical species that hides itself in hard clay, the African mud-fish, is especially interesting to us humans for two reasons—first, because, unlike almost all other fish, it has both lungs and gills; and second, because it acts as a bridge between true fish and frogs or amphibians, likely being on the direct line of human ancestry, serving as a living example of one of our remote and early ancestors. Scientific curiosity and a sense of connection to our past should definitely capture our attention for the African mud-fish. It lives its amphibious life in the rice fields along the Nile, Zambezi, and Gambia, and it is so adapted to land life that its swim-bladder has turned porous and cellular, evolving into a pair of actual, functional lungs. In fact, the lungs in higher animals are basically just modified swim-bladders of fish, slightly changed to take on a new but closely related function. The mud-fish is quite common in larger English aquariums, thanks to its convenient habit that makes it easy to transport globally, much like furniture vans. When the dry season hits and the rice fields turn into dried-up mud banks, the mud-fish go to the bottoms of their pools and create a kind of cocoon from hardened clay, lined with mucus, with a hole at each end for air. In this cozy retreat, they remain inactive until the rains return. Since the fish usually grow to about three or four feet long, the cocoons are not exactly easy to move whole. Nonetheless, locals manage to dig them up in one piece, fish and all; and as long as the capsules remain intact, the unaware fish can be safely transported by steamer to Europe. Their shock when they finally wake up after a long sleep and find themselves being viewed by the British public, introduced to them by Mr. Farini through a sheet of plate glass, must be both profound and fascinating.

In England itself, on the other hand, we have at least one kind of fish which exemplifies the opposite or migratory solution of the dry pond problem, and that is our familiar friend the common eel. The ways of eels are indeed mysterious, for nobody has ever yet succeeded in discovering where, when, or how they manage to spawn; nobody has ever yet seen an eel's egg, or caught a female eel in the spawning condition, or even observed a really adult male or female specimen of perfect development. All the eels ever found in fresh water are immature and undeveloped creatures. But eels do certainly spawn somewhere or other in the deep sea, and every year, in the course of the summer, flocks of young ones, known as elvers, ascend the rivers in enormous quantities, like a vast army under numberless leaders. At each tributary or affluent, be it river, brook, stream, or ditch, a proportionate detachment of the main body is given off to explore the various branches, while the central force wriggles its way up the chief channel, regardless of obstacles, with undiminished vigour. When the young elvers come to a weir, a wall, a floodgate, or a lasher, they simply squirm their way up the perpendicular barrier with indescribable wrigglings, as if they were wholly unacquainted, physically as well as mentally, with Newton's magnificent discovery of gravitation. Nothing stops them; they go wherever water is to be found; and though millions perish hopelessly in the attempt, millions more survive in the end to attain their goal in the upper reaches. They even seem to scent ponds or lakes mysteriously, at a distance, and will strike boldly straight across country, to sheets of water wholly cut off from communication with the river which forms their chief highway.

In England, we have at least one type of fish that demonstrates the opposite or migratory solution to the dry pond problem: the common eel. The behavior of eels is truly mysterious, as no one has ever figured out where, when, or how they spawn; no one has ever seen an eel's egg, caught a female eel ready to spawn, or even observed a fully developed male or female eel. All the eels found in freshwater are immature and undeveloped. However, eels definitely spawn somewhere in the deep sea, and every summer, countless young ones, known as elvers, swim up rivers in massive numbers, like a large army with countless leaders. At every tributary, whether it’s a river, brook, stream, or ditch, a portion of the main group splits off to explore different branches, while the main group moves up the main channel with relentless energy, ignoring any obstacles. When the young elvers reach a weir, wall, floodgate, or barrier, they simply wiggle their way up the vertical obstacle with incredible wriggling, as if they have no idea about gravity. Nothing stops them; they go wherever there's water, and although millions die in the process, millions more eventually succeed in reaching their destination upstream. They even seem to be able to sense ponds or lakes from afar and will boldly trek across land to reach bodies of water completely disconnected from the river that serves as their main route.

The full-grown eels are also given to journeying across country in a more sober, sedate, and dignified manner, as becomes fish which have fully arrived at years, or rather months, of discretion. When the ponds in which they live dry up in summer, they make in a bee-line for the nearest sheet of fresh water, whose direction and distance they appear to know intuitively, through some strange instinctive geographical faculty. On their way across country, they do not despise the succulent rat, whom they swallow whole when caught with great gusto. To keep their gills wet during these excursions, eels have the power of distending the skin on each side of the neck, just below the head, so as to form a big pouch or swelling. This pouch they fill with water, to carry a good supply along with them, until they reach the ponds for which they are making. It is the pouch alone that enables eels to live so long out of water under all circumstances, and so incidentally exposes them to the disagreeable experience of getting skinned alive, which it is to be feared still forms the fate of most of those that fall into the clutches of the human species.

The full-grown eels move across the land in a more serious, calm, and dignified way, like fish that have truly come of age. When the ponds they live in dry up in the summer, they head straight for the nearest body of fresh water, seemingly aware of its direction and distance through some strange instinctive sense of geography. During their journey, they don’t pass up the chance to eat a tasty rat, which they swallow whole with enthusiasm. To keep their gills moist during these trips, eels can stretch the skin on either side of their necks, just below the head, to create a large pouch or bulge. They fill this pouch with water to store a good supply until they reach the ponds they are aiming for. This pouch is what allows eels to survive for extended periods out of water, but it also puts them at risk of the unpleasant fate of being skinned alive, which unfortunately is still the reality for many that fall into the hands of humans.

A far more singular walking fish than any of these is the odd creature that rejoices (unfortunately) in the very classical surname of Periophthalmus, which is, being interpreted, Stare-about. (If he had a recognised English name of his own, I would gladly give it; but as he hasn't, and as it is clearly necessary to call him something, I fear we must stick to the somewhat alarming scientific nomenclature.) Periophthalmus, then, is an odd fish of the tropical Pacific shores, with a pair of very distinct forelegs (theoretically described as modified pectoral fins), and with two goggle eyes, which he can protrude at pleasure right outside the sockets, so as to look in whatever direction he chooses, without even taking the trouble to turn his head to left or right, backward or forward. At ebb tide this singular peripatetic goby literally walks straight out of the water, and promenades the bare beach erect on two legs, in search of small crabs and other stray marine animals left behind by the receding waters. If you try to catch him, he hops away briskly much like a frog, and stares back at you grimly over his left shoulder, with his squinting optics. So completely adapted is he for this amphibious long-shore existence, that his big eyes, unlike those of most other fish, are formed for seeing in the air as well as in the water. Nothing can be more ludicrous than to watch him suddenly thrusting these very movable orbs right out of their sockets like a pair of telescopes, and twisting them round in all directions so as to see in front, behind, on top, and below, in one delightful circular sweep.

A much more unusual walking fish than any of these is the strange creature that unfortunately goes by the classical name Periophthalmus, which means "Stare-about." (If he had a recognized English name of his own, I would happily share it; but since he doesn't, and it's clearly necessary to call him something, I guess we have to stick with the somewhat alarming scientific name.) Periophthalmus is an odd fish found along the tropical Pacific shores, with a pair of very distinct forelegs (technically modified pectoral fins), and two bulging eyes that he can push out of their sockets at will, allowing him to look in any direction without having to turn his head left or right, or backward or forward. At low tide, this unique walking goby can literally walk straight out of the water and stroll along the bare beach standing upright on two legs, searching for small crabs and other stray sea creatures left behind by the retreating waters. If you try to catch him, he hops away quickly like a frog and glances back at you sternly over his left shoulder with his squinting eyes. He is so well adapted to this amphibious lifestyle that his large eyes, unlike those of most other fish, are designed for seeing both in the air and in the water. Nothing is more ridiculous than watching him suddenly push these very mobile orbs right out of their sockets like a pair of telescopes, twisting them all around to see in front, behind, above, and below, in one delightful circular motion.

There is also a certain curious tropical American carp which, though it hardly deserves to be considered in the strictest sense as a fish out of water, yet manages to fall nearly half-way under that peculiar category, for it always swims with its head partly above the surface and partly below. But the funniest thing in this queer arrangement is the fact that one half of each eye is out in the air and the other half is beneath in the water. Accordingly, the eye is divided horizontally by a dark strip into two distinct and unlike portions, the upper one of which has a pupil adapted to vision in the air alone, while the lower is adapted to seeing in the water only. The fish, in fact, always swims with its eye half out of the water, and it can see as well on dry land as in its native ocean. Its name is Anableps, but in all probability it does not wish the fact to be generally known.

There’s a really interesting tropical American carp that, even though it doesn’t fully count as a fish out of water, almost fits that unique category because it always swims with its head partly above the surface and partly below. The funniest part of this odd setup is that half of each eye is out in the air while the other half is underwater. As a result, each eye is split horizontally by a dark line into two different parts: the upper half has a pupil designed for seeing in the air, while the lower half is meant for seeing underwater. This fish constantly swims with its eye half out of the water, allowing it to see just as well on land as in its ocean home. Its name is Anableps, but it probably doesn’t want that to be widely known.

The flying fish are fish out of water in a somewhat different and more transitory sense. Their aërial excursions are brief and rapid; they can only fly a very little way, and have soon to take once more for safety to their own more natural and permanent element. More than forty kinds of the family are known, in appearance very much like English herrings, but with the front fins expanded and modified into veritable wings. It is fashionable nowadays among naturalists to assert that the flying fish don't fly; that they merely jump horizontally out of the water with a powerful impulse, and fall again as soon as the force of the first impetus is entirely spent. When men endeavour to persuade you to such folly, believe them not. For my own part, I have seen the flying fish fly—deliberately fly, and flutter, and rise again, and change the direction of their flight in mid-air, exactly after the fashion of a big dragonfly. If the other people who have watched them haven't succeeded in seeing them fly, that is their own fault, or at least their own misfortune; perhaps their eyes weren't quick enough to catch the rapid, though to me perfectly recognisable, hovering and fluttering of the gauze-like wings; but I have seen them myself, and I maintain that on such a question one piece of positive evidence is a great deal better than a hundred negative. The testimony of all the witnesses who didn't see the murder committed is as nothing compared with the single testimony of the one man who really did see it. And in this case I have met with many other quick observers who fully agreed with me, against the weight of scientific opinion, that they have seen the flying fish really fly with their own eyes, and no mistake about it. The German professors, indeed, all think otherwise; but then the German professors all wear green spectacles, which are the outward and visible sign of 'blinded eyesight poring over miserable books.' The unsophisticated vision of the noble British seaman is unanimously with me on the matter of the reality of the fishes' flight.

The flying fish are literally fish out of water in a different and more temporary way. Their time in the air is short and swift; they can only glide for a short distance before they have to return to the safety of their natural and permanent environment. There are over forty known types of this family, looking very much like English herrings but with their front fins expanded and transformed into actual wings. Nowadays, it's trendy among naturalists to claim that flying fish don’t really fly; that they just jump horizontally out of the water with a strong push and fall back as soon as their initial momentum fades. When people try to convince you of this nonsense, don’t believe them. Personally, I have seen flying fish fly—actually fly, flutter, soar again, and change direction in mid-air just like a large dragonfly. If others who have watched them haven't noticed them flying, that's their own issue or perhaps just a misfortune; maybe their eyes weren't quick enough to catch the swift, but perfectly recognizable, hovering and fluttering of the delicate wings. I have seen it for myself, and I argue that one strong piece of evidence is far better than a hundred pieces of evidence saying the opposite. The testimony of every witness who didn't see the murder happen is worth nothing compared to the one person who actually did see it. In this case, I've encountered many other keen observers who agree with me, despite the heavy burden of scientific opinion, that they too have seen the flying fish truly fly with their own eyes, no mistake about it. The German professors, of course, think differently; but then, the German professors all wear green glasses, which are a clear sign of 'blinded eyesight buried in dull books.' The unaffected vision of the noble British sailor is completely on my side regarding the reality of the fishes' flight.

Another group of very interesting fish out of water are the flying gurnards, common enough in the Mediterranean and the tropical Atlantic. They are much heavier and bigger creatures than the true flying fish of the herring type, being often a foot and a half long, and their wings are much larger in proportion, though not, I think, really so powerful as those of their pretty little silvery rivals. All the flying fish fly only of necessity, not from choice. They leave the water when pursued by their enemies, or when frightened by the rapid approach of a big steamer. So swiftly do they fly, however, that they can far outstrip a ship going at the rate of ten knots an hour; and I have often watched one keep ahead of a great Pacific liner under full steam for many minutes together in quick successive flights of three or four hundred feet each. Oddly enough, they can fly further against the wind than before it—a fact acknowledged even by the spectacled Germans themselves, and very hard indeed to reconcile with the orthodox belief that they are not flying at all, but only jumping. I don't know whether the flying gurnards are good eating or not; but the silvery flying fish are caught for market (sad desecration of the poetry of nature!) in the Windward Islands, and when nicely fried in egg and bread-crumb are really quite as good for practical purposes as smelts or whiting or any other prosaic European substitute.

Another group of really fascinating fish out of water are the flying gurnards, which are quite common in the Mediterranean and the tropical Atlantic. They are much heavier and larger than true flying fish of the herring type, often reaching a length of a foot and a half, and their wings are proportionately larger, although I don’t think they’re as powerful as those of their charming little silvery rivals. All flying fish only take to the air out of necessity, not by choice. They leave the water when chased by predators or when startled by the fast approach of a large ship. However, they can fly so quickly that they can easily outpace a vessel moving at ten knots an hour; I’ve often seen one stay ahead of a large Pacific liner at full speed for many minutes in quick, successive flights of three or four hundred feet each. Interestingly, they can fly further against the wind than with it—a fact recognized even by the bespectacled Germans and very difficult to reconcile with the traditional belief that they’re not really flying but just jumping. I’m not sure if flying gurnards are tasty or not; but the silvery flying fish are caught for market (a sad desecration of the beauty of nature!) in the Windward Islands, and when nicely fried in egg and breadcrumbs, they are actually quite as good for practical purposes as smelts, whiting, or any other mundane European substitute.

On the whole, it will be clear, I think, to the impartial reader from this rapid survey that the helplessness and awkwardness of a fish out of water has been much exaggerated by the thoughtless generalisation of unscientific humanity. Granting, for argument's sake, that most fish prefer the water, as a matter of abstract predilection, to the dry land, it must be admitted per contra that many fish cut a much better figure on terra firma than most of their critics themselves would cut in mid-ocean. There are fish that wriggle across country intrepidly with the dexterity and agility of the most accomplished snakes; there are fish that walk about on open sand-banks, semi-erect on two legs, as easily as lizards; there are fish that hop and skip on tail and fins in a manner that the celebrated jumping frog himself might have observed with envy; and there are fish that fly through the air of heaven with a grace and swiftness that would put to shame innumerable species among their feathered competitors. Nay, there are even fish, like some kinds of eels and the African mud-fish, that scarcely live in the water at all, but merely frequent wet and marshy places, where they lie snugly in the soft ooze and damp earth that line the bottom. If I have only succeeded, therefore, in relieving the mind of one sensitive and retiring fish from the absurd obloquy cast upon its appearance when it ventures away for awhile from its proper element, then, in the pathetic and prophetic words borrowed from a thousand uncut prefaces, this work will not, I trust, have been written in vain.

Overall, I think it will be clear to the unbiased reader from this quick overview that the helplessness and awkwardness of a fish out of water has been greatly exaggerated by the careless generalization of uninformed humanity. Sure, for the sake of argument, we can say that most fish prefer water to dry land, but it must also be acknowledged that many fish look much more impressive on solid ground than most of their critics would in the middle of the ocean. There are fish that bravely wiggle across land with the agility and skill of the most talented snakes; there are fish that stroll around on open sandbanks, standing semi-upright on two legs, just like lizards; there are fish that hop and skip using their tails and fins in a way that would make the famous jumping frog green with envy; and there are fish that soar through the air with a grace and speed that would put countless bird species to shame. In fact, there are even fish, like some eels and the African mud-fish, that hardly live in water at all, but instead just hang out in wet and marshy areas, where they comfortably nestle in the soft mud and damp earth below. So if I’ve managed to ease the worries of even one sensitive and shy fish from the ridiculous criticism it faces when it takes a break from its usual habitat, then, in the touching and prophetic words taken from a thousand unedited prefaces, I hope this work hasn’t been written in vain.


THE FIRST POTTER

Collective humanity owes a great debt of gratitude to the first potter. Before his days the art of boiling, though in one sense very simple and primitive indeed, was in another sense very complex, cumbersome, and lengthy. The unsophisticated savage, having duly speared and killed his antelope, proceeded to light a roaring fire, with flint or drill, by the side of some convenient lake or river in his tropical jungle. Then he dug a big hole in the soft mud close to the water's edge, and let the water (rather muddy) percolate into it, or sometimes even he plastered over its bottom with puddled clay. After that, he heated some smooth round stones red hot in the fire close by, and drawing them out gingerly between two pieces of stick, dropped them one by one, spluttering and fizzing, into his improvised basin or kettle. This, of course, made the water in the hole boil; and the unsophisticated savage thereupon thrust into it his joint of antelope, repeating the process over and over again until the sodden meat was completely seethed to taste on the outside. If one application was not sufficient, he gnawed off the cooked meat from the surface with his stout teeth, innocent as yet of the dentist's art, and plunged the underdone core back again, till it exactly suited his not over-delicate or dainty fancy.

Collective humanity owes a huge debt of gratitude to the first potter. Before his time, the process of boiling, while quite simple and primitive in one way, was also very complex, cumbersome, and time-consuming in another. The unsophisticated hunter, after successfully spearing and killing his antelope, would start a roaring fire using flint or a drill beside a nearby lake or river in his tropical jungle. Next, he would dig a large hole in the soft mud near the water's edge, allowing the rather muddy water to seep into it, or sometimes he would even line the bottom with wet clay. After that, he would heat some smooth round stones until they were red hot in the fire nearby, carefully pulling them out with two sticks and dropping them one by one into his makeshift basin or kettle, causing the water in the hole to boil. Then, the unsophisticated hunter would add the joint of antelope into the boiling water, repeating this process until the meat was thoroughly cooked on the outside. If one round wasn't enough, he would gnaw off the cooked meat from the surface with his strong teeth—unfamiliar with the dentist's skills—and put the undercooked center back in until it met his not particularly delicate taste.

To be sure, the primitive savage, unversed as he was in pastes and glazes, in moulds and ornaments, did not pass his life entirely devoid of cups and platters. Coconut shell and calabash rind, horn of ox and skull of enemy, bamboo-joint and capacious rhomb-shell, all alike, no doubt, supplied him with congenial implements for drink or storage. Like Eve in the Miltonic Paradise, there lacked him not fit vessels pure; picking some luscious tropical fruit, the savoury pulp he chewed, and in the rind still as he thirsted scooped the brimming stream. This was satisfactory as far as it went, of course, but it was not pottery. He couldn't boil his joint for dinner in coconut or skull; he had to do it with stone pot-boilers, in a rude kettle of puddled clay.

To be sure, the primitive savage, unfamiliar as he was with pastes and glazes, molds and decorations, didn't spend his life completely without cups and plates. Coconut shells and calabash rinds, ox horns and enemy skulls, bamboo joints and large shell pieces all provided him with useful tools for drinking or storing. Just like Eve in Milton's Paradise, he had no shortage of suitable vessels; while picking some delicious tropical fruit, he chewed the flavorful pulp and scooped the flowing water from the rind as he thirsted. This was okay as far as it went, of course, but it wasn't pottery. He couldn't cook his meal in a coconut or skull; he had to use stone pot-boilers in a crude kettle made of packed clay.

But at last one day, that inspired barbarian, the first potter, hit by accident upon his grand discovery. He had carried some water in a big calabash—the hard shell of a tropical fruit whose pulpy centre can be easily scooped out—and a happy thought suddenly struck him: why not put the calabash to boil upon the fire with a little clay smeared outside it? The savage is conservative, but he loves to save trouble. He tried the experiment, and it succeeded admirably. The water boiled, and the calabash was not burnt or broken. Our nameless philosopher took the primitive vessel off the fire with a forked branch and looked at it critically with the delighted eyes of a first inventor. A wonderful change had suddenly come over it. He had blundered accidentally upon the art of pottery. For what is this that has happened to the clay? It went in soft, brown, and muddy; it has come out hard, red, and stone-like. The first potter ruminated and wondered. He didn't fully realise, no doubt, what he had actually done; but he knew he had invented a means by which you could put a calabash upon a fire and keep it there without burning or bursting. That, after all, was at least something.

But finally, one day, that inspired barbarian, the first potter, accidentally made his great discovery. He had carried some water in a large calabash—the hard shell of a tropical fruit whose soft inside can be easily scooped out—and suddenly had a brilliant idea: why not put the calabash to boil over the fire with some clay smeared on the outside? The savage tends to stick to what he knows, but he loves to cut down on effort. He tried the experiment, and it worked perfectly. The water boiled, and the calabash wasn’t burned or broken. Our unnamed philosopher took the primitive vessel off the fire with a forked branch and examined it closely with the delighted eyes of a first inventor. A remarkable change had occurred. He had accidentally stumbled upon the art of pottery. What had happened to the clay? It went in soft, brown, and muddy; it came out hard, red, and stone-like. The first potter thought deeply and marveled. He probably didn’t fully understand what he had done, but he knew he had invented a way to put a calabash on a fire and keep it there without burning or bursting. That was, after all, something significant.

All this, you say (which, in effect, is Dr. Tylor's view), is purely hypothetical. In one sense, yes; but not in another. We know that most savage races still use natural vessels, made of coconuts, gourds, or calabashes, for everyday purposes of carrying water; and we also know that all the simplest and earliest pottery is moulded on the shape of just such natural jars and bottles. The fact and the theory based on it are no novelties. Early in the sixteenth century, indeed, the Sieur Gonneville, skipper of Honfleur, sailing round the Cape of Good Hope, made his way right across the Southern Ocean to some vague point of South America where he found the people still just in the intermediate stage between the use of natural vessels and the invention of pottery. For these amiable savages (name and habitat unknown) had wooden pots 'plastered with a kind of clay a good finger thick, which prevents the fire from burning them.' Here we catch industrial evolution in the very act, and the potter's art in its first infancy, fossilised and crystallised, as it were, in an embryo condition, and fixed for us immovably by the unprogressive conservatism of a savage tribe. It was this curious early observation of evolving keramic art that made Goguet—an anthropologist born out of due season—first hit upon that luminous theory of the origin of pottery now all but universally accepted.

All this, you say (which is pretty much Dr. Tylor's view), is purely hypothetical. In one way, that's true; but in another way, it's not. We know that most indigenous cultures still use natural containers, made from coconuts, gourds, or calabashes, for everyday tasks like carrying water; and we also know that all the simplest and earliest pottery is shaped like these natural jars and bottles. This fact and the theory built on it aren't new ideas. Back in the early sixteenth century, the Sieur Gonneville, captain of Honfleur, sailed around the Cape of Good Hope and crossed the Southern Ocean to some vague point in South America, where he found people still in the middle stage between using natural vessels and inventing pottery. These friendly indigenous people (whose names and habitat are unknown) had wooden pots 'coated with a kind of clay about a finger thick, which stops the fire from burning them.' Here we see industrial evolution happening in real-time, and the craft of pottery in its very early stages, preserved, as it were, in a primitive condition, thanks to the unchanging traditions of a tribal community. It was this intriguing early observation of developing ceramic art that led Goguet—an anthropologist ahead of his time—to first come up with that brilliant theory about the origins of pottery that is now widely accepted.

Plenty of evidence to the same effect is now forthcoming for the modern inquirer. Among the ancient monuments of the Mississippi valley, Squier and Davis found the kilns in which the primitive pottery had been baked; and among their relics were partially burnt pots retaining in part the rinds of the gourds or calabashes on which they had been actually modelled. Along the Gulf of Mexico gourds were also used to give shape to the pot; and all over the world, even to this day, the gourd form is a very common one for pottery of all sorts, thus pointing back, dimly and curiously, to the original mode in which fictile ware generally came to be invented. In Fiji and in many parts of Africa vessels modelled upon natural forms are still universal. Of course all such pots as these are purely hand-made; the invention of the potter's wheel, now so indissolubly associated in all our minds with the production of earthenware, belongs to an infinitely later and almost modern period.

Plenty of evidence to the same effect is now available for the modern investigator. Among the ancient monuments of the Mississippi valley, Squier and Davis found the kilns where primitive pottery was baked; and among their artifacts were partially burnt pots that still had parts of the gourds or calabashes they were modeled after. Along the Gulf of Mexico, gourds were also used to shape the pots; and all over the world, even today, the gourd shape is still a common form for pottery of all kinds, hinting back, in a vague and interesting way, to the original method in which pottery generally came to be created. In Fiji and many parts of Africa, vessels modeled after natural forms are still widespread. Of course, all such pots are purely hand-made; the invention of the potter's wheel, now so closely linked in our minds with the production of earthenware, belongs to a much later and almost modern era.

And that consideration naturally suggests the fundamental question, When did the first potter live? The world (as Sir Henry Taylor has oracularly told us) knows nothing of its greatest men; and the very name of the father of all potters has been utterly forgotten in the lapse of ages. Indeed, paradoxical as it may sound to say so, one may reasonably doubt whether there was ever actually any one single man on whom one could definitely lay one's finger, and say with confidence, Here we have the first potter. Pottery, no doubt, like most other things, grew by imperceptible degrees from wholly vague and rudimentary beginnings. Just as there were steam-engines before Watt, and locomotives before Stephenson, so there were pots before the first potter. Many men must have discovered separately, by half-unconscious trials, that a coat of mud rudely plastered over the bottom of a calabash prevented it from catching fire and spilling its contents; other men slowly learned to plaster the mud higher and ever higher up the sides; and yet others gradually introduced and patented new improvements for wholly encasing the entire cup in an inch thickness of carefully kneaded clay. Bit by bit the invention grew, like all great inventions, without any inventor. Thus the question of the date of the first potter practically resolves itself into the simpler question of the date of the earliest known pottery.

And that thought naturally raises the fundamental question: When did the first potter live? The world, as Sir Henry Taylor has famously pointed out, knows nothing about its greatest figures; even the name of the original potter has been completely forgotten over the ages. It may sound strange to say this, but one can reasonably question whether there was ever a single person we could confidently identify as the first potter. Pottery, like many other things, likely developed gradually from vague and basic beginnings. Just as there were steam engines before Watt and locomotives before Stephenson, there were pots before the first potter. Many people must have independently discovered, through trial and error, that a layer of mud roughly applied to the bottom of a gourd could prevent it from catching fire and spilling its contents; others gradually learned to spread the mud higher and higher up the sides; and still others slowly introduced and patented new techniques for completely covering the cup in a layer of carefully mixed clay. The invention evolved little by little, like all great inventions, without a specific inventor. Therefore, the question of when the first potter existed essentially turns into the simpler question of when the earliest known pottery appeared.

Did palæolithic man, that antique naked crouching savage who hunted the mammoth, the reindeer, and the cave-bear among the frozen fields of interglacial Gaul and Britain—did palæolithic man himself, in his rude rock-shelters, possess a knowledge of the art of pottery? That is a question which has been much debated amongst archæologists, and which cannot even now be considered as finally settled before the tribunal of science. He must have drunk out of something or other, but whether he drank out of earthenware cups is still uncertain. It is pretty clear that the earliest drinking vessels used in Europe were neither bowls of earthenware nor shells of fruits, for the cold climate of interglacial times did not permit the growth in northern latitudes of such large natural vessels as gourds, calabashes, bamboos, or coco-nuts. In all probability the horns of the aurochs and the wild cattle, and the capacious skull of the fellow-man whose bones he had just picked at his ease for his cannibal supper, formed the aboriginal goblets and basins of the old black European savage. A curious verbal relic of the use of horns as drinking-cups survives indeed down to almost modern times in the Greek word keramic, still commonly applied to the art of pottery, and derived, of course, from keras, a horn; while as to skulls, not only were they frequently used as drinking-cups by our Scandinavian ancestors, but there still exists a very singular intermediate American vessel in which the clay has actually been moulded on a human skull as model, just as other vessels have been moulded on calabashes or other suitable vegetable shapes.

Did Paleolithic man, that ancient naked crouching savage who hunted mammoths, reindeer, and the cave bear among the frozen fields of interglacial Gaul and Britain—did Paleolithic man himself, in his rough rock shelters, have any knowledge of pottery? That’s a question that has been heavily debated among archaeologists, and it can't be considered completely settled by science just yet. He must have drunk from something, but whether it was from earthenware cups is still unclear. It's pretty evident that the earliest drinking vessels used in Europe were neither earthenware bowls nor fruit shells, because the cold climate of interglacial times didn’t allow for the growth of large natural vessels like gourds, calabashes, bamboos, or coconuts at northern latitudes. Most likely, the horns of the aurochs and wild cattle, as well as the large skull of the fellow human whose bones he had just leisurely picked at for his cannibal meal, served as the original goblets and basins for the old black European savage. A curious linguistic remnant of the use of horns as drinking cups still exists almost to modern times in the Greek word keramic, which is commonly used to refer to the art of pottery and is, of course, derived from keras, meaning horn; as for skulls, not only were they often used as drinking cups by our Scandinavian ancestors, but there’s also a very unique intermediate American vessel where the clay has actually been shaped over a human skull as a model, just as other vessels have been formed using calabashes or other suitable plant shapes.

Still, the balance of evidence certainly seems to show that a little very rude and almost shapeless hand-made pottery has really been discovered amongst the buried caves where palæolithic men made for ages their chief dwelling-places. Fragments of earthenware occurred in the Hohefels cave near Ulm, in company with the bones of reindeer, cave-bears, and mammoths, whose joints had doubtless been duly boiled, a hundred thousand years ago, by the intelligent producer of those identical sun-dried fleshpots; and M. Joly, of Toulouse, has in his possession portions of an irregularly circular, flat-bottomed vessel, from the cave of Nabrigas, on which the finger-marks of the hand that moulded the clay are still clearly distinguishable on the baked earthenware. That is the great merit of pottery, viewed as an historical document; it retains its shape and peculiarities unaltered through countless centuries, for the future edification of unborn antiquaries. Litera scripta manet, and so does baked pottery. The hand itself that formed that rude bowl has long since mouldered away, flesh and bone alike, into the soil around it; but the print of its fingers, indelibly fixed by fire into the hardened clay, remains for us still to tell the story of that early triumph of nascent keramics.

Still, the evidence clearly shows that some very rough and nearly shapeless handmade pottery has actually been found among the buried caves where Paleolithic people lived for ages. Fragments of pottery were discovered in the Hohefels cave near Ulm, alongside bones of reindeer, cave bears, and mammoths, whose joints had undoubtedly been boiled a hundred thousand years ago by the clever creator of those same sun-dried cooking pots. M. Joly from Toulouse possesses pieces of an irregularly circular, flat-bottomed pot from the cave of Nabrigas, on which the finger marks of the person who shaped the clay are still clearly visible on the fired pottery. That's the significant value of pottery as a historical document; it keeps its shape and characteristics intact through countless centuries, for the future education of historians yet to come. Litera scripta manet, and so does baked pottery. The very hand that formed that rough bowl has long since decayed, flesh and bone alike, into the soil around it; but the imprint of its fingers, permanently etched by fire into the hardened clay, remains for us to share the story of that early achievement in emerging ceramics.

The relics of palæolithic pottery are, however, so very fragmentary, and the circumstances under which they have been discovered so extremely doubtful, that many cautious and sceptical antiquarians will even now have nothing to say to the suspected impostors. Among the remains of the newer Stone Age, on the other hand, comparatively abundant keramic specimens have been unearthed, without doubt or cavil, from the long barrows—the burial-places of the early Mongoloid race, now represented by the Finns and Lapps, which occupied the whole of Western Europe before the advent of the Aryan vanguard. One of the best bits is a curious wide-mouthed, semi-globular bowl from Norton Bavant, in Wiltshire, whose singular shape suggests almost immediately the idea that it must at least have been based, if not actually modelled, upon a human skull. Its rim is rough and quite irregular, and there is no trace of ornamentation of any sort; a fact quite in accordance with all the other facts we know about the men of the newer Stone Age, who were far less artistic and æsthetic in every way than their ruder predecessors of the interglacial epoch.

The relics of Paleolithic pottery are quite fragmented, and the circumstances in which they were found are highly questionable, so many careful and skeptical historians still won't acknowledge these potentially fake artifacts. In contrast, there are more abundant and credible ceramic pieces from the Neolithic era, clearly unearthed from long barrows—the burial sites of the early Mongoloid people, now represented by the Finns and Lapps, who lived all over Western Europe before the arrival of the Aryan groups. One of the most interesting items is a strange, wide-mouthed, semi-globular bowl from Norton Bavant in Wiltshire. Its unusual shape immediately brings to mind the idea that it might have been inspired by, if not actually shaped like, a human skull. The rim is rough and irregular, and there's no decoration at all, which aligns with what we know about Neolithic people, who were much less artistic and aesthetic than their more primitive predecessors from the interglacial period.

Ornamentation, when it does begin to appear, arises at first in a strictly practical and unintentional manner. Later examples elsewhere show us by analogy how it first came into existence. The Indians of the Ohio seem to have modelled their pottery in bags or nettings made of coarse thread or twisted bark. Those of the Mississippi moulded them in baskets of willow or splints. When the moist clay thus shaped and marked by the indentations of the mould was baked in the kiln, it of course retained the pretty dappling it received from the interlaced and woven thrums, which were burnt off in the process of firing. Thus a rude sort of natural diaper ornament was set up, to which the eye soon became accustomed, and which it learned to regard as necessary for beauty. Hence, wherever newer and more improved methods of modelling came into use, there would arise an instinctive tendency on the part of the early potter to imitate the familiar marking by artificial means. Dr. Klemm long ago pointed out that the oldest German fictile vases have an ornamentation in which plaiting is imitated by incised lines. 'What was no longer wanted as a necessity,' he says, 'was kept up as an ornament alone.'

Ornamentation, when it first starts to appear, does so in a purely practical and unintentional way. Later examples from different places show us, by comparison, how it initially came about. The Native Americans of the Ohio region seemed to shape their pottery using bags or nets made from coarse thread or twisted bark. Those from the Mississippi molded their pottery in baskets made of willow or splints. When the moist clay, shaped and marked by the indentations of the mold, was baked in the kiln, it naturally retained the attractive patterns created by the woven threads, which burned away during firing. This resulted in a sort of natural textured ornament that the eye quickly got used to and learned to consider essential for beauty. Therefore, whenever newer and more advanced modeling techniques were introduced, there was an instinctive tendency for early potters to replicate these familiar markings using artificial methods. Dr. Klemm pointed out long ago that the oldest German ceramic vases feature designs that imitate plaiting through incised lines. 'What was no longer necessary,' he says, 'was retained purely for decoration.'

Another very simple form of ornamentation, reappearing everywhere all the world over on primitive bowls and vases, is the rope pattern, a line or string-course over the whole surface or near the mouth of the vessel. Many of the indented patterns on early British pottery have been produced, as Sir Daniel Wilson has pointed out, by the close impress of twisted cord on the wet clay. Sometimes these cords seem to have been originally left on the clay in the process of baking, and used as a mould; at other times they may have been employed afterwards as handles, as is still done in the case of some South African pots: and, when the rope handle wore off, the pattern made by its indentation on the plastic material before sun-baking would still remain as pure ornament. Probably the very common idea of string-course ornamentation just below the mouth or top of vases and bowls has its origin in this early and almost universal practice.

Another very simple form of decoration that appears everywhere around the world on primitive bowls and vases is the rope pattern, which is essentially a line or string course over the entire surface or near the opening of the vessel. Many of the indented designs on early British pottery were created, as Sir Daniel Wilson has noted, by pressing twisted cord into wet clay. Sometimes these cords seem to have been left on the clay during the baking process and used as a mold; at other times, they may have been used later as handles, similar to some South African pots today: and when the rope handle wore off, the pattern left from its indentation on the soft material before sun-baking would still remain as pure decoration. It's likely that the common idea of string-course decoration just below the rim or top of vases and bowls originated from this early and nearly universal technique.

When other conscious and intentional ornamentation began to supersede these rude natural and undesigned patterns, they were at first mere rough attempts on the part of the early potter to imitate, with the simple means at his disposal, the characteristic marks of the ropes or wickerwork by which the older vessels were necessarily surrounded. He had gradually learned, as Mr. Tylor well puts it, that clay alone or with some mixture of sand is capable of being used without any extraneous support for the manufacture of drinking and cooking vessels. He therefore began to model rudely thin globular bowls with his own hands, dispensing with the aid of thongs or basketwork. But he still naturally continued to imitate the original shapes—the gourd, the calabash, the plaited net, the round basket; and his eye required the familiar decoration which naturally resulted from the use of some one or other among these primitive methods. So he tried his hand at deliberate ornament in his own simple untutored fashion.

When other conscious and intentional designs started to replace these rough natural and unplanned patterns, they were initially just clumsy attempts by the early potter to copy, with the limited tools he had, the characteristic marks of the ropes or wickerwork that surrounded the older vessels. He had gradually learned, as Mr. Tylor aptly describes, that clay alone or mixed with some sand could be used without any outside support to make drinking and cooking vessels. So, he began to shape basic thin globular bowls by hand, without relying on thongs or basketry. However, he still naturally continued to mimic the original shapes—the gourd, the calabash, the woven net, the round basket; and his eye needed the familiar decoration that came from using these primitive methods. So, he experimented with intentional ornamentation in his own simple, untrained way.

It was quite literally his hand, indeed, that he tried at first; for the earliest decoration upon paleolithic pottery is made by pressing the fingers into the clay so as to produce a couple of deep parallel furrows, which is the sole attempt at ornament on M. Joly's Nabrigas specimen; while the urns and drinking-cups taken from our English long barrows are adorned with really pretty and effective patterns, produced by pressing the tip of the finger and the nail into the plastic material. It is wonderful what capital and varied results you can get with no more recondite graver than the human finger-nail, sometimes turned front downward, sometimes back downward, and sometimes used to egg up the moist clay into small jagged and relieved designs. Most of these patterns are more or less plaitlike in arrangement, evidently suggested to the mind of the potter by the primitive marks of the old basketwork. But, as time went on, the early artist learned to press into his service new implements, pieces of wood, bone scrapers, and the flint knife itself, with which he incised more regular patterns, straight or zigzag lines, rows of dots, squares and triangles, concentric circles, and even the mystic cross and swastika, the sacred symbols of yet unborn and undreamt-of religions. As yet, there was no direct imitation of plant or animal forms; once only, on a single specimen from a Swiss lake dwelling, are the stem and veins of a leaf dimly figured on the handiwork of the European prehistoric potter. Ornament in its pure form, as pattern merely, had begun to exist; imitative work as such was yet unknown, or almost unknown, to the eastern hemisphere.

It was literally his hand that he used at first; the earliest decoration on Paleolithic pottery was made by pressing fingers into the clay to create a couple of deep parallel grooves, which is the only attempt at ornamentation on M. Joly's Nabrigas specimen. Meanwhile, the urns and drinking cups found in English long barrows feature really nice and effective patterns, made by pressing the tip of the finger and the nail into the soft material. It's amazing what diverse and impressive results you can achieve with nothing more sophisticated than a human fingernail, sometimes used facing down, sometimes facing up, and sometimes to push the wet clay into small jagged and raised designs. Most of these patterns are arranged in a plait-like way, clearly inspired by the primitive markings of old basket weaving. As time passed, the early artist started to use new tools: pieces of wood, bone scrapers, and even flint knives, which allowed them to create more regular patterns, including straight and zigzag lines, rows of dots, squares, triangles, concentric circles, and even the mystical cross and swastika, the sacred symbols of religions that were yet to be born and imagined. At this point, there was no direct imitation of plant or animal forms; only once, on a single piece from a Swiss lake dwelling, are the stem and veins of a leaf faintly depicted on the work of the European prehistoric potter. Ornamentation in its pure form, as mere pattern, had started to exist; genuine imitative work was still mostly unknown in the eastern hemisphere.

In America, it was quite otherwise. The forgotten people who built the mounds of Ohio and the great tumuli of the Mississippi valley decorated their pottery not only with animal figures, such as snakes, fish, frogs, and turtles, but also with human heads and faces, many of them evidently modelled from the life, and some of them quite unmistakably genuine portraits. On one such vase, found in Arkansas, and figured by the Marquis de Nadaillac in his excellent work on Prehistoric America, the ornamentation consists (in true Red Indian taste) of skeleton hands, interspersed with crossbones; and the delicacy and anatomical correctness of the detail inevitably suggest the idea that the unknown artist must have worked with the actual hand of his slaughtered enemy lying for a model on the table before him. Much of the early American pottery is also coloured as well as figured, and that with considerable real taste; the pigments were applied, however, after the baking, and so possess little stability or permanence of character. But pots and vases of these advanced styles have got so far ahead of the first potter that we have really little or no business with them in this paper.

In America, it was quite different. The overlooked people who built the mounds of Ohio and the great burial mounds of the Mississippi River valley decorated their pottery not just with animal figures like snakes, fish, frogs, and turtles, but also with human heads and faces, many of which clearly seem to be modeled from real life, and some are unmistakably genuine portraits. On one such vase, found in Arkansas and illustrated by the Marquis de Nadaillac in his excellent work on Prehistoric America, the decoration features (in true Native American style) skeleton hands interspersed with crossbones; the delicacy and anatomical accuracy of the detail inevitably suggest that the unknown artist must have worked with the actual hand of his slain enemy lying as a model on the table in front of him. Much of the early American pottery is also colored as well as decorated, and it displays considerable real taste; however, the pigments were applied after baking, so they lack stability and permanence. But pots and vases of these advanced styles have progressed so far beyond the first potter that we really have little or no reason to include them in this paper.

Prehistoric European pottery has never a spout, but it often indulges in some simple form of ear or handle. The very ancient British bowl from Bavant Long Barrow—produced by that old squat Finnlike race which preceded the 'Ancient Britons' of our old-fashioned school-books—has two ear-shaped handles projecting just below the rim, exactly as in the modern form of vessel known as a crock, and still familiarly used for household purposes. This long survival of a common domestic shape from the most remote prehistoric antiquity to our own time is very significant and very interesting. Many of the old British pots have also a hole or two holes pierced through them, near the top, evidently for the purpose of putting in a string or rope by way of a handle. With the round barrows, which belong to the Bronze Age, and contain the remains of a later and more civilised Celtic population, we get far more advanced forms of pottery. Burial here is preceded by cremation, and the ashes are enclosed in urns, many of which are very beautiful in form and exquisitely decorated. Cremation, as Professor Rolleston used feelingly to plead, is bad for the comparative anatomist and ethnographer, but it is passing well for the collector of pottery. Where burning exists as a common practice, there urns are frequent, and pottery an art in great request. Drinking-cups and perforated incense burners accompany the dead in the round barrows; but the use of the potter's wheel is still unknown, and all the urns and vases belonging to this age are still hand-moulded.

Prehistoric European pottery never had a spout, but it often features some simple form of an ear or handle. The very ancient British bowl from Bavant Long Barrow—made by that old, squat Finn-like race that preceded the 'Ancient Britons' of our traditional schoolbooks—has two ear-shaped handles sticking out just below the rim, just like the modern vessel called a crock, which is still commonly used for household purposes. This long-lasting survival of a common domestic shape from the earliest prehistoric times to our present day is quite significant and interesting. Many of the old British pots also have one or two holes pierced through them near the top, clearly intended for threading a string or rope as a handle. With the round barrows, which belong to the Bronze Age and contain the remains of a later, more civilized Celtic population, we find much more advanced types of pottery. Burial in this context follows cremation, and the ashes are placed in urns, many of which are beautifully shaped and intricately decorated. Cremation, as Professor Rolleston used to passionately argue, is not ideal for comparative anatomists and ethnographers, but it works out well for pottery collectors. Where cremation is a common practice, urns are abundant, and pottery becomes a sought-after art form. Drinking cups and perforated incense burners accompany the deceased in the round barrows; however, the potter's wheel is still unknown, and all the urns and vases from this period are still hand-molded.

It is a curious reflection, however, that in spite of all the later improvements in the fictile art—in spite of wheels and moulds, pastes and glazes, stamps and pigments, and all the rest of it—the most primitive methods of the first potter are still in use in many countries, side by side with the most finished products of modern European skill and industry. I have in my own possession some West Indian calabashes, cut and decorated under my own eye by a Jamaican negro for his personal use, and bought from him by me for the smallest coin there current—calabashes carved round the edge through the rind with a rude string-course, exactly like the common rope pattern of prehistoric pottery. I have seen the same Jamaican negroes kneading their hand-made porous earthenware beside a tropical stream, moulding it on fruits or shaping it inside with a free sweep of the curved hand, and drying it for use in the hot sun, or baking it in a hastily-formed kiln of plastered mud into large coarse jars of prehistoric types, locally known by the quaint West African name of 'yabbas.' Many of these yabbas, if buried in the ground and exposed to damp and frost, till they almost lost the effects of the baking, would be quite indistinguishable, even by the skilled archæologist, from the actual handicraft of the palæolithic potter. The West Indian negroes brought these simple arts with them from their African home, where they have been handed down in unbroken continuity from the very earliest age of fictile industry. New and better methods have slowly grown up everywhere around them, but these simplest, earliest, and easiest plans have survived none the less for the most ordinary domestic uses, and will survive for ages yet, as long as there remain any out-of-the-way places, remote from the main streams of civilised commerce. Thus, while hundreds of thousands of years, in all probability, separate us now from the ancient days of the first potter, it is yet possible for us to see the first potter's own methods and principles exemplified under our very eyes by people who derive them in unbroken succession from the direct teaching of that long-forgotten prehistoric savage.

It’s interesting to note that despite all the advancements in pottery—thanks to wheels, molds, pastes, glazes, stamps, pigments, and more—the most basic techniques used by the first potters are still practiced in many places, existing alongside the finely crafted products of modern European artistry and industry. I personally have some West Indian calabashes that I watched a Jamaican artisan carve and decorate for his own use, which I bought from him for the smallest currency available—calabashes adorned around the edges with a simple string design, resembling the common rope patterns of prehistoric pottery. I’ve seen those same Jamaican artisans molding their handmade porous earthenware by a tropical stream, shaping it on fruits or forming it inside with a sweeping motion of their hands, and drying it in the hot sun, or firing it in a quickly-built kiln of mud into large, rough jars of prehistoric styles, locally referred to as 'yabbas.' Many of these yabbas, if buried in the soil and exposed to moisture and frost until they almost lose their baked quality, would be almost indistinguishable, even to a skilled archaeologist, from the actual work of a Paleolithic potter. The West Indian artisans brought these simple techniques with them from their African homeland, where they have been preserved unbroken since the very earliest stages of pottery-making. While new and improved methods have gradually developed all around them, these simplest and oldest practices remain in use for the most everyday needs, and they will likely continue for ages as long as there are remote areas that are far removed from the mainstream of commercial civilization. So, even though countless years now separate us from the time of the first potter, it’s still possible to observe his methods and principles being practiced right before our eyes by people who pass them down in a continuous lineage from the teachings of that long-forgotten prehistoric individual.


THE RECIPE FOR GENIUS

Let us start fair by frankly admitting that the genius, like the poet, is born and not made. If you wish to apply the recipe for producing him, it is unfortunately necessary to set out by selecting beforehand his grandfathers and grandmothers, to the third and fourth generation of those that precede him. Nevertheless, there is a recipe for the production of genius, and every actual concrete genius who ever yet adorned or disgraced this oblate spheroid of ours has been produced, I believe, in strict accordance with its unwritten rules and unknown regulations. In other words, geniuses don't crop up irregularly anywhere, 'quite promiscuous like'; they have their fixed laws and their adequate causes: they are the result and effect of certain fairly demonstrable concatenations of circumstance: they are, in short, a natural product, not a lusus naturæ. You get them only under sundry relatively definite and settled conditions; and though it isn't (unfortunately) quite true that the conditions will always infallibly bring forth the genius, it is quite true that the genius can never be brought forth at all without the conditions. Do men gather grapes of thorns, or figs of thistles? No more can you get a poet from a family of stockbrokers who have intermarried with the daughters of an eminent alderman, or make a philosopher out of a country grocer's eldest son whose amiable mother had no soul above the half-pounds of tea and sugar.

Let’s be clear from the start: genius, like poetry, is something you’re born with, not something you can create. If you want to figure out how to produce a genius, you unfortunately have to first look through their family tree, going back to their great-grandparents and beyond. Still, there actually is a way to produce genius, and every true genius who has either enriched or tarnished our world was shaped, I believe, according to some unwritten guidelines and unknown factors. In other words, geniuses don’t appear randomly or carelessly; they follow specific rules and have clear reasons behind their existence. They result from certain clearly identifiable circumstances: they are, simply put, a natural product, not some freak of nature. You only find them under specific and relatively stable conditions, and while it’s not entirely true that these conditions will always produce a genius, it is true that a genius can never come about without these conditions. Can you get grapes from thorns or figs from thistles? Just as you can’t expect to create a poet from a family of stockbrokers who mingle with the daughters of a prominent politician, or turn the eldest son of a country grocer—whose kind mother only cares about half-pounds of tea and sugar—into a philosopher.

In the first place, by way of clearing the decks for action, I am going to start even by getting rid once for all (so far as we are here concerned) of that famous but misleading old distinction between genius and talent. It is really a distinction without a difference. I suppose there is probably no subject under heaven on which so much high-flown stuff and nonsense has been talked and written as upon this well-known and much-debated hair-splitting discrimination. It is just like that other great distinction between fancy and imagination, about which poets and essayists discoursed so fluently at the beginning of the present century, until at last one fine day the world at large woke up suddenly to the unpleasant consciousness that it had been wasting its time over a non-existent difference, and that fancy and imagination were after all absolutely identical. Now, I won't dogmatically assert that talent and genius are exactly one and the same thing; but I do assert that genius is simply talent raised to a slightly higher power; it differs from it not in kind but merely in degree: it is talent at its best. There is no drawing a hard-and-fast line of demarcation between the two. You might just as well try to classify all mankind into tall men and short men, and then endeavour to prove that a real distinction existed in nature between your two artificial classes. As a matter of fact, men differ in height and in ability by infinitesimal gradations: some men are very short, others rather short, others medium-sized, others tall, and yet others again of portentous stature like Mr. Chang and Jacob Omnium. So, too, some men are idiots, some are next door to a fool, some are stupid, some are worthy people, some are intelligent, some are clever, and some geniuses. But genius is only the culminating point of ordinary cleverness, and if you were to try and draw up a list of all the real geniuses in the last hundred years, no two people could ever be found to agree among themselves as to which should be included and which excluded from the artificial catalogue. I have heard Kingsley and Charles Lamb described as geniuses, and I have heard them both absolutely denied every sort of literary merit. Carlyle thought Darwin a poor creature, and Comte regarded Hegel himself as an empty windbag.

First of all, to prepare for action, I’m going to eliminate that famous but misleading old distinction between genius and talent once and for all (as far as we’re concerned here). It’s really a distinction without a difference. I suppose there’s probably no topic in existence that has been discussed and debated with so much pretentiousness and nonsense as this well-known split. It’s just like that other well-known distinction between fancy and imagination, which poets and essayists talked about extensively at the start of this century, until one day the world suddenly realized it had been wasting its time over a non-existent difference, and that fancy and imagination are, in fact, identical. Now, I won’t insist that talent and genius are exactly the same; however, I do believe that genius is simply talent taken to a slightly higher level; it’s not a different kind but merely a question of degree: it’s talent at its peak. There’s no strict line separating the two. You might as well try to categorize all of humanity into tall and short people and then try to prove that a real distinction exists between those two made-up groups. In reality, people differ in height and ability by minuscule gradations: some are very short, others are somewhat short, others are average height, some are tall, and then there are those who are very tall, like Mr. Chang and Jacob Omnium. Similarly, some people are idiots, some are nearly foolish, some are dimwitted, some are decent individuals, some are smart, some are clever, and some are geniuses. But genius is just the peak of ordinary cleverness, and if you were to try to create a list of all the true geniuses from the last hundred years, no two people would ever agree on who should be included or excluded from that artificial list. I’ve heard Kingsley and Charles Lamb referred to as geniuses, and I’ve also heard both of them completely denied any kind of literary merit. Carlyle thought Darwin was insignificant, and Comte saw Hegel as an empty windbag.

The fact is, most of the grandiose talk about the vast gulf which separates genius from mere talent has been published and set abroad by those fortunate persons who fell, or fancied themselves to fall, under the former highly satisfactory and agreeable category. Genius, in short, real or self-suspected, has always been at great pains to glorify itself at the expense of poor, common-place, inferior talent. There is a certain type of great man in particular which is never tired of dilating upon the noble supremacy of its own greatness over the spurious imitation. It offers incense obliquely to itself in offering it generically to the class genius. It brings ghee to its own image. There are great men, for example, such as Lord Lytton, Disraeli, Victor Hugo, the Lion Comique, and Mr. Oscar Wilde, who pose perpetually as great men; they cry aloud to the poor silly public so far beneath them, 'I am a genius! Admire me! Worship me!' Against this Byronic self-elevation on an aërial pedestal, high above the heads of the blind and battling multitude, we poor common mortals, who are not unfortunately geniuses, are surely entitled to enter occasionally our humble protest. Our contention is that the genius only differs from the man of ability as the man of ability differs from the intelligent man, and the intelligent man from the worthy person of sound common sense. The sliding scale of brains has infinite gradations; and the gradations merge insensibly into one another. There is no gulf, no gap, no sudden jump of nature; here as elsewhere, throughout the whole range of her manifold productions, our common mother saltum non facit.

The truth is, a lot of the grand talk about the huge gap between genius and just talent comes from those lucky people who either were, or thought they were, part of the former appealing category. Genius, whether real or self-proclaimed, has always gone out of its way to glorify itself while putting down ordinary, lesser talent. There’s a specific kind of great person who never gets tired of boasting about their superiority over fake imitations. They indirectly praise themselves while generically offering honor to the idea of genius. They indulge in flattery directed at their own image. Great individuals, like Lord Lytton, Disraeli, Victor Hugo, the Lion Comique, and Mr. Oscar Wilde, constantly present themselves as great and shout to the oblivious public beneath them, "I’m a genius! Admire me! Worship me!" In response to this Byronic self-promotion from a lofty pedestal, high above the struggling masses, us ordinary folks, who unfortunately aren’t geniuses, certainly have the right to voice our humble disagreement every now and then. Our point is that genius is only different from skilled individuals in the same way a skilled person is different from an intelligent one, and an intelligent person from a sensible person with good common sense. The spectrum of intelligence has countless variations, and those variations merge seamlessly into each other. There is no gulf, no gap, no sudden leap of nature; here and everywhere else, in the vast array of her creations, our common mother saltum non facit.

The question before the house, then, narrows itself down finally to this; what are the conditions under which exceptional ability or high talent is likely to arise?

The question before the house now comes down to this: what are the conditions that are likely to lead to exceptional ability or high talent?

Now, I suppose everybody is ready to admit that two complete born fools are not at all likely to become the proud father and happy mother of a Shakespeare or a Newton. I suppose everybody will unhesitatingly allow that a great mathematician could hardly by any conceivable chance arise among the South African Bushmen, who cannot understand the arduous arithmetical proposition that two and two make four. No amount of education or careful training, I take it, would suffice to elevate the most profoundly artistic among the Veddahs of Ceylon, who cannot even comprehend an English drawing of a dog or horse, into a respectable president of the Royal Academy. It is equally unlikely (as it seems to me) that a Mendelssohn or a Beethoven could be raised in the bosom of a family all of whose members on either side were incapable (like a distinguished modern English poet) of discriminating any one note in an octave from any other. Such leaps as these would be little short of pure miracles. They would be equivalent to the sudden creation, without antecedent cause, of a whole vast system of nerves and nerve-centres in the prodigious brain of some infant phenomenon.

Now, I think everyone can agree that two complete fools are not likely to become the proud parents of a Shakespeare or a Newton. I assume everyone would readily accept that a great mathematician would hardly arise among the South African Bushmen, who can't even grasp the simple concept that two and two equals four. No amount of education or training, I believe, would be enough to elevate the most artistic among the Veddahs of Ceylon, who can't even understand an English drawing of a dog or horse, to a respectable president of the Royal Academy. It also seems unlikely to me that a Mendelssohn or a Beethoven could emerge from a family where all members, like a notable modern English poet, can't tell one note in an octave from another. Such leaps would be almost like miracles. They would be similar to the sudden creation, without any prior cause, of an entire complex system of nerves and nerve centers in the extraordinary brain of some gifted child.

On the other hand, much of the commonplace, shallow fashionable talk about hereditary genius—I don't mean, of course, the talk of our Darwins and Galtons, but the cheap drawing-room philosophy of easy sciolists who can't understand them—is itself fully as absurd in its own way as the idea that something can come out of nothing. For it is no explanation of the existence of genius to say that it is hereditary. You only put the difficulty one place back. Granting that young Alastor Jones is a budding poet because his father, Percy Bysshe Jones, was a poet before him, why, pray, was Jones the elder a poet at all, to start with? This kind of explanation, in fact, explains nothing; it begins by positing the existence of one original genius, absolutely unaccounted for, and then proceeds blandly to point out that the other geniuses derive their characteristics from him, by virtue of descent, just as all the sons of a peer are born honourables. The elephant supports the earth, and the tortoise supports the elephant, but who, pray, supports the tortoise? If the first chicken came out of an egg, what was the origin of the hen that laid it?

On the other hand, a lot of the usual, superficial trendy talk about inherited genius—I’m not talking about the discussions from our Darwins and Galtons, but the simplistic drawing-room philosophy of easy know-it-alls who can't really grasp their ideas—is just as ridiculous in its way as the idea that something can come from nothing. Simply saying that genius is hereditary doesn’t explain its existence. It just pushes the question back a step. If we accept that young Alastor Jones is a budding poet because his father, Percy Bysshe Jones, was a poet too, then why was the elder Jones a poet in the first place? This kind of explanation doesn’t clarify anything; it starts by assuming there’s one original genius, completely unexplained, and then casually suggests that other geniuses inherit their traits from him, just as all the sons of a peer are born as honourables. The elephant holds up the earth, and the tortoise holds up the elephant, but who, may I ask, holds up the tortoise? If the first chicken came from an egg, what laid that egg?

Besides, the allegation as it stands is not even a true one. Genius, as we actually know it, is by no means hereditary. The great man is not necessarily the son of a great man or the father of a great man: often enough, he stands quite isolated, a solitary golden link in a chain of baser metal on either side of him. Mr. John Shakespeare woolstapler, of Stratford-on-Avon, Warwickshire, was no doubt an eminently respectable person in his own trade, and he had sufficient intelligence to be mayor of his native town once upon a time: but, so far as is known, none of his literary remains are at all equal to Macbeth or Othello. Parson Newton, of the Parish of Woolsthorpe, in Lincolnshire, may have preached a great many very excellent and convincing discourses, but there is no evidence of any sort that he ever attempted to write the Principia. Per contra the Miss Miltons, good young ladies that they were (though of conflicting memory), do not appear to have differed conspicuously in ability from the other Priscillas and Patiences and Mercies amongst whom their lot was cast; while the Marlboroughs and the Wellingtons do not seem to bud out spontaneously into great commanders in the second generation. True, there are numerous cases such as that of the Herschels, father and son, or the two Scaligers, or the Caracci, or the Pitts, or the Scipios, and a dozen more, where the genius, once developed, has persisted for two or three, or even four lives: but these instances really cast no light at all upon our central problem, which is just this—How does the genius come in the first place to be developed at all from parents in whom individually no particular genius is ultimately to be seen?

Besides, the accusation as it stands isn't even accurate. Genius, as we understand it, is definitely not hereditary. A great person isn’t necessarily the child of another great person or the parent of one: often, they stand alone, a unique shining link in a chain of lesser quality on either side of them. Mr. John Shakespeare, a wool dealer from Stratford-on-Avon in Warwickshire, was surely a highly respected figure in his trade, and he was smart enough to have served as mayor of his hometown at one point. However, as far as we know, none of his writings come close to Macbeth or Othello. Parson Newton from the Parish of Woolsthorpe in Lincolnshire may have delivered many excellent and convincing sermons, but there’s no evidence he ever tried to write the Principia. On the other hand, the Miss Miltons, good young ladies that they were (despite conflicting accounts), don’t seem to have stood out in ability compared to the other Priscillas, Patiences, and Mercies among whom they lived; likewise, the Marlboroughs and Wellingtons don’t seem to emerge spontaneously as great leaders in the second generation. True, there are many cases like the Herschels, father and son, or the two Scaligers, or the Caracci, or the Pitts, or the Scipios, and many more, where talent, once recognized, has persisted for two, three, or even four generations: but these examples really don’t shed any light on our main question, which is simply this—How does genius initially develop from parents who don’t seem to show any particular brilliance themselves?

Suppose we take, to start with, a race of hunting savages in the earliest, lowest, and most undifferentiated stage, we shall get really next to no personal peculiarities or idiosyncrasies of any sort amongst them. Every one of them will be a good hunter, a good fisherman, a good scalper and a good manufacturer of bows and arrows. Division of labour, and the other troublesome technicalities of our modern political economy, are as unknown among such folk as the modern nuisance of dressing for dinner. Each man performs all the functions of a citizen on his own account, because there is nobody else to perform them for him—the medium of exchange known as hard cash has not, so far as he is concerned, yet been invented; and he performs them well, such as they are, because he inherits from all his ancestors aptitudes of brain and muscle in these directions, owing to the simple fact that those among his collateral predecessors who didn't know how to snare a bird, or were hopelessly stupid in the art of chipping flint arrowheads, died out of starvation, leaving no representatives. The beneficent institution of the poor law does not exist among savages, in order to enable the helpless and incompetent to bring up families in their own image. There, survival of the fittest still works out its own ultimately benevolent and useful end in its own directly cruel and relentless way, cutting off ruthlessly the stupid or the weak, and allowing only the strong and the cunning to become the parents of future generations.

Let’s say we start with a group of hunting savages at the earliest, most basic stage of development; we'll find that there are practically no individual traits or quirks among them. Each person is a skilled hunter, a proficient fisherman, a capable scalper, and a good maker of bows and arrows. Concepts like division of labor and the complicated aspects of modern economics are completely foreign to them, just like the modern hassle of dressing for dinner. Each person handles all the responsibilities of a citizen by themselves because there isn’t anyone else to take care of them—hard cash, as an exchange medium, hasn’t been invented yet. They manage to do these tasks fairly well, given their inherited skills from their ancestors, who survived by knowing how to catch birds or adeptly chip flint arrowheads, while those who didn’t starved and left no descendants. The helpful system of poor laws doesn’t exist among savages to support the helpless and incompetent in raising families like themselves. There, the survival of the fittest operates in its own cruel yet ultimately beneficial manner, ruthlessly eliminating the weak or unintelligent and allowing only the strong and clever to become parents for future generations.

Hence every young savage, being descended on both sides from ancestors who in their own way perfectly fulfilled the ideal of complete savagery—were good hunters, good fishers, good fighters, good craftsmen of bow or boomerang—inherits from these his successful predecessors all those qualities of eye and hand and brain and nervous system which go to make up the abstractly Admirable Crichton of a savage. The qualities in question are ensured in him by two separate means. In the first place, survival of the fittest takes care that he and all his ancestors shall have duly possessed them to some extent to start with; in the second place, constant practice from boyhood upward increases and develops the original faculty. Thus savages, as a rule, display absolutely astonishing ability and cleverness in the few lines which they have made their own. Their cunning in hunting, their patience in fishing, their skill in trapping, their infinite dodges for deceiving and cajoling the animals or enemies that they need to outwit, have moved the wonder and admiration of innumerable travellers. The savage, in fact, is not stupid: in his own way his cleverness is extraordinary. But the way is a very narrow and restricted one, and all savages of the same race walk in it exactly alike. Cunning they have, skill they have, instinct they have, to a most marvellous degree; but of spontaneity, originality, initiative, variability, not a single spark. Know one savage of a tribe and you know them all. Their cleverness is not the cleverness of the individual man: it is the inherited and garnered intelligence or instinct of the entire race.

Every young savage, descended from ancestors who each embodied the ideal of complete savagery—being skilled hunters, fishers, fighters, and craftsmen of bow or boomerang—inherits from these successful predecessors all the qualities of eye, hand, brain, and nervous system that create the ideal savage. He possesses these qualities through two main means. First, the survival of the fittest ensures that he and all his ancestors have had these traits to some extent from the beginning; second, constant practice from childhood onward refines and develops these natural abilities. As a result, savages typically show astonishing ability and cleverness in the skills they have mastered. Their cunning in hunting, patience in fishing, skill in trapping, and clever tricks for deceiving and outsmarting animals or enemies have amazed countless travelers. The savage is not stupid; in his own context, his cleverness is remarkable. However, that context is very narrow and restricted, so all savages of the same race move along it in the same way. They possess cunning, skill, and instinct to an impressive degree, but have no spontaneity, originality, initiative, or variability. If you know one savage from a tribe, you know them all. Their cleverness is not the individual intelligence of a single person; it is the collective intelligence or instinct of their entire race.

How, then, do originality, diversity, individuality, genius, begin to come in? In this way, as it seems to me, looking at the matter both à priori and by the light of actual experience.

How do originality, diversity, individuality, and genius come into play? It seems to me, looking at the situation from both a theoretical perspective and based on real-life experience.

Suppose a country inhabited in its interior by a savage race of hunters and fighters, and on its seaboard by an equally savage race of pirates and fishermen, like the Dyaks of Borneo. Each of these races, if left to itself, will develop in time its own peculiar and special type of savage cleverness. Each (in the scientific slang of the day) will adapt itself to its particular environment. The people of the interior will acquire and inherit a wonderful facility in spearing monkeys and knocking down parrots; while the people of the sea-coast will become skilful managers of canoes upon the water, and merciless plunderers of one another's villages, after the universal fashion of all pirates. These original differences of position and function will necessarily entail a thousand minor differences of intelligence and skill in a thousand different ways. For example, the sea-coast people, having of pure need to make themselves canoes and paddles, will probably learn to decorate their handicraft with ornamental patterns; and the æsthetic taste thus aroused will, no doubt, finally lead them to adorn the façades of their wooden huts with the grinning skulls of slaughtered enemies, prettily disposed at measured distances. A thoughtless world may laugh, indeed, at these naïve expressions of the nascent artistic and decorative faculties in the savage breast, but the æsthetic philosopher knows how to appreciate them at their true worth, and to see in them the earliest ingenuous precursors of our own Salisbury, Lichfield, and Westminster.

Imagine a country that has a wild group of hunters and warriors living in its interior, and an equally wild group of pirates and fishermen along its coast, similar to the Dyaks of Borneo. If each group was left alone, they would eventually develop their own unique type of savage cleverness. Each group (using today's scientific terms) would adapt to its specific environment. The people in the interior would become incredibly skilled at spearing monkeys and taking down parrots, while those on the coast would master canoeing and brutally raiding each other’s villages, just like typical pirates do. These initial differences in location and role would result in countless minor variations in intelligence and skill in many ways. For instance, the coastal people, needing to create canoes and paddles, would likely start decorating their creations with ornamental patterns. This newfound aesthetic sense would likely inspire them to adorn their wooden huts with the grinning skulls of their enemies, arranged at specific distances. An indifferent world might mock these simple displays of the emerging artistic and decorative instincts in these people, but an aesthetic philosopher would appreciate them for what they are and recognize them as the early, innocent precursors to our own Salisbury, Lichfield, and Westminster.

Now, so long as these two imaginary races of ours continue to remain distinct and separate, it is not likely that idiosyncrasies or varieties to any great extent will arise among them. But, as soon as you permit intermarriage to take place, the inherited and developed qualities of the one race will be liable to crop up in the next generation, diversely intermixed in every variety of degree with the inherited and developed qualities of the other. The children may take after either parent in any combination of qualities whatsoever. You have admitted an apparently capricious element of individuality: a power on the part of the half-breeds of differing from one another to an extent quite impossible in the two original homogeneous societies. In one word, you have made possible the future existence of diversity in character.

Now, as long as these two imagined races of ours stay distinct and separate, it's unlikely that significant differences or varieties will develop among them. But as soon as you allow intermarriage to take place, the inherited and developed traits of one race will likely appear in the next generation, mixed in various degrees with the inherited and developed traits of the other. The children could inherit qualities from either parent in any combination. You've introduced an apparently random element of individuality: the ability for the mixed offspring to differ from one another in ways that are impossible in the original uniform societies. In short, you've made future diversity in character possible.

If, now, we turn from these perfectly simple savage communities to our own very complex and heterogeneous world, what do we find? An endless variety of soldiers, sailors, tinkers, tailors, butchers, bakers, candlestick makers, and jolly undertakers, most of whom fall into a certain rough number of classes, each with its own developed and inherited traits and peculiarities. Our world is made up, like the world of ancient Egypt and of modern India, of an immense variety of separate castes—not, indeed, rigidly demarcated and strictly limited as in those extremely hierarchical societies, but still very fairly hereditary in character, and given on the average to a tolerably close system of intermarriage within the caste.

If we now shift our focus from these completely simple tribal communities to our own incredibly complex and diverse world, what do we observe? An endless variety of soldiers, sailors, craftsmen, tradespeople like butchers, bakers, candlestick makers, and cheerful undertakers, most of whom fit into a general number of categories, each with its own developed and inherited traits and quirks. Our world is made up, like ancient Egypt and modern India, of a huge variety of distinct groups—not as rigidly defined and strictly limited as in those extremely hierarchical societies, but still quite hereditary in nature, and typically having a reasonably close system of intermarriage within these groups.

For example, there is the agricultural labourer caste—the Hodge Chawbacon of urban humour, who in his military avatar also reappears as Tommy Atkins, a little transfigured, but at bottom identical—the alternative aspect of a single undivided central reality. Hodge for the most part lives and dies in his ancestral village: marries Mary, the daughter of Hodge Secundus of that parish, and begets assorted Hodges and Marys in vast quantities, all of the same pattern, to replenish the earth in the next generation. There you have a very well-marked hereditary caste, little given to intermixture with others, and from whose members, however recruited by fresh blood, the object of our quest, the Divine Genius, is very unlikely to find his point of origin. Then there is the town artisan caste, sprung originally, indeed, from the ranks of the Hodges, but naturally selected out of its most active, enterprising, and intelligent individuals, and often of many generations standing in various forms of handicraft. This is a far higher and more promising type of humanity, from the judicious intermixture of whose best elements we are apt to get our Stephensons, our Arkwrights, our Telfords, and our Edisons. In a rank of life just above the last, we find the fixed and immobile farmer caste, which only rarely blossoms out, under favourable circumstances on both sides, into a stray Cobbett or an almost miraculous miller Constable. The shopkeepers are a tribe of more varied interests and more diversified lives. An immense variety of brain elements are called into play by their diverse functions in diverse lines; and when we take them in conjunction with the upper mercantile grades, which are chiefly composed of their ablest and most successful members, we get considerable chances of those happy blendings of individual excellences in their casual marriages which go to make up talent, and, in their final outcome, genius. Last of all, in the professional and upper classes there is a freedom and play of faculty everywhere going on, which in the chances of intermarriage between lawyer-folk and doctor-folk, scientific people and artistic people, county families and bishops or law lords, and so forth ad infinitum, offers by far the best opportunities of any for the occasional development of that rare product of the highest humanity, the genuine genius.

For example, there’s the agricultural laborer caste—the Hodge Chawbacon of urban humor, who also reappears in a military form as Tommy Atkins, slightly changed but fundamentally the same—the alternative side of a single, unified central reality. Hodge mostly lives and dies in his ancestral village: he marries Mary, the daughter of Hodge Secundus from that parish, and has many children named Hodges and Marys in large numbers, all following the same pattern, to replenish the earth in the next generation. There you see a distinct hereditary caste, not inclined to mix with others, and from whose members, no matter how fresh blood is introduced, the object of our search, the Divine Genius, is very unlikely to emerge. Then there’s the town artisan caste, originally coming from the ranks of the Hodges, but naturally selected from the most active, enterprising, and intelligent individuals, often with many generations engaged in various forms of handicraft. This is a much higher and more promising type of humanity, from the smart mixing of whose best elements we often get our Stephensons, our Arkwrights, our Telfords, and our Edisons. Just above that level, we have the stable and immobile farmer caste, which only rarely produces, under favorable conditions on both sides, an occasional Cobbett or a nearly miraculous miller Constable. The shopkeepers represent a group with more varied interests and more diverse lives. A huge variety of brain elements come into play through their different functions in various areas; and when we consider them along with the higher merchant classes, which are mainly made up of their most capable and successful members, we get significant chances of those fortunate blends of individual talents in their casual marriages that lead to talent, and ultimately, genius. Finally, in the professional and upper classes, there’s a freedom and dynamic exchange of skills everywhere happening, which, in the intermarriages between lawyers and doctors, scientists and artists, county families and bishops or law lords, and so on ad infinitum, offers by far the best chances of any for the occasional emergence of that rare result of the highest humanity, genuine genius.

But in every case it is, I believe, essentially intermixture of variously acquired hereditary characteristics that makes the best and truest geniuses. Left to itself, each separate line of caste ancestry would tend to produce a certain fixed Chinese or Japanese perfection of handicraft in a certain definite, restricted direction, but not probably anything worth calling real genius. For example, a family of artists, starting with some sort of manual dexterity in imitating natural forms and colours with paint and pencil, and strictly intermarrying always with other families possessing exactly the same inherited endowments, would probably go on getting more and more woodenly accurate in its drawing; more and more conventionally correct in its grouping; more and more technically perfect in its perspective and light-and-shade, and so forth, by pure dint of accumulated hereditary experience from generation to generation. It would pass from the Egyptian to the Chinese style of art by slow degrees and with infinite gradations. But suppose, instead of thus rigorously confining itself to its own caste, this family of handicraft artists were to intermarry freely with poetical, or seafaring, or candlestick-making stocks. What would be the consequence? Why, such an infiltration of other hereditary characteristics, otherwise acquired, as might make the young painters of future generations more wide minded, more diversified, more individualistic, more vivid and lifelike. Some divine spark of poetical imagination, some tenderness of sentiment, some play of fancy, unknown perhaps, to the hard, dry, matter-of-fact limners of the ancestral school, might thus be introduced into the original line of hereditary artists. In this way one can easily see how even intermarriage with non-artistic stocks might improve the breed of a family of painters. For while each caste, left to itself, is liable to harden down into a mere technical excellence after its own kind, a wooden facility for drawing faces, or casting up columns of figures, or hacking down enemies, or building steam-engines, a healthy cross with other castes is liable to bring in all kinds of new and valuable qualities, each of which, though acquired perhaps in a totally, different line of life, is apt to bear a new application in the new complex whereof it now forms a part.

But in every case, I believe it's fundamentally a mix of different hereditary traits that creates the best and truest geniuses. Left on its own, each distinct line of ancestry would likely produce a certain fixed Chinese or Japanese level of craftsmanship in a specific, limited direction, but probably nothing that could be called real genius. For instance, a family of artists, starting with some manual skill in replicating natural forms and colors with paint and pencil, and consistently marrying only others with the same inherited talents, would likely become more and more rigidly accurate in its drawing; more and more conventionally correct in its composition; more and more technically flawless in its perspective and light and shade, and so on, simply due to the accumulated hereditary experience passed down through generations. It would gradually transition from the Egyptian to the Chinese style of art in slow steps and with infinite shades of change. But suppose this family of craftsmen chose to mix freely with poetic, seafaring, or candlestick-making lineages instead of strictly adhering to their own ancestry. What would happen? Well, that would introduce a blend of other hereditary traits, which might result in future generations of young painters being more open-minded, more diverse, more individualistic, and more vibrant and lifelike. Some divine spark of poetic imagination, some sensitivity of emotion, some whimsical creativity, perhaps unknown to the blunt, practical artists of the family tradition, might be introduced into the original line of hereditary artists. This illustrates how intermarriage with non-artistic backgrounds could enhance a family of painters. While each group, when isolated, risks becoming solely technically proficient in its own niche—like mechanically drawing faces, performing math calculations, defeating enemies, or building steam engines—crossbreeding with other groups is likely to introduce all sorts of new and valuable traits, each of which, although perhaps gained in entirely different areas of life, can be newly applied in this novel context it now becomes a part of.

In our very varied modern societies, every man and every woman, in the upper and middle ranks of life at least, has an individuality and an idiosyncrasy so compounded of endless varying stocks and races. Here is one whose father was an Irishman and his mother a Scotchwoman; here is another whose paternal line were country parsons, while his maternal ancestors were city merchants or distinguished soldiers. Take almost anybody's 'sixteen quarters'—his great-great grandfathers and great-great grandmothers, of whom he has sixteen all told—and what do you often find? A peer, a cobbler, a barrister, a common sailor, a Welsh doctor, a Dutch merchant, a Huguenot pastor, a cornet of horse, an Irish heiress, a farmer's daughter, a housemaid, an actress, a Devonshire beauty, a rich young lady of sugar-broking extraction, a Lady Carolina, a London lodging-house keeper. This is not by any means an exaggerated case; it would be easy, indeed, from one's own knowledge of family histories to supply a great many real examples far more startling than this partially imaginary one. With such a variety of racial and professional antecedents behind us, what infinite possibilities are opened before us of children with ability, folly, stupidity, genius?

In our diverse modern societies, everyone, at least those in the upper and middle classes, has a unique personality shaped by a mix of different backgrounds and races. Here’s someone whose dad was Irish and mom was Scottish; here’s another whose dad's side consisted of country preachers, while his mom's side included city merchants or notable soldiers. Look at almost anyone's "sixteen quarters"—their great-great grandfathers and great-great grandmothers, totaling sixteen—and what do you usually find? A noble, a shoemaker, a lawyer, an ordinary sailor, a Welsh doctor, a Dutch merchant, a Huguenot pastor, a cavalry officer, an Irish heiress, a farmer's daughter, a maid, an actress, a Devonshire beauty, a wealthy young woman from a sugar trade background, a Lady Carolina, a London boarding house owner. This isn't an exaggerated example; it would be quite easy, based on personal knowledge of family histories, to provide many real instances that are far more surprising than this somewhat fictional one. With such a wide range of racial and professional backgrounds behind us, what endless possibilities do we have for children with talent, silliness, ignorance, or genius?

Infinite numbers of intermixtures everywhere exist in civilised societies. Most of them are passable; many of them are execrable; a few of them are admirable; and here and there, one of them consists of that happy blending of individual characteristics which we all immediately recognise as genius—at least after somebody else has told us so.

Countless mixtures exist in civilized societies. Most of them are acceptable; many are terrible; a few are great; and occasionally, one features that perfect blend of individual traits that we all instantly recognize as genius—at least after someone else points it out.

The ultimate recipe for genius, then, would appear to be somewhat after this fashion. Take a number of good, strong, powerful stocks, mentally or physically, endowed with something more than the average amount of energy and application. Let them be as varied as possible in characteristics; and, so far as convenient, try to include among them a considerable small-change of races, dispositions, professions, and temperaments. Mix, by marriage, to the proper consistency; educate the offspring, especially by circumstances and environment, as broadly, freely, and diversely as you can; let them all intermarry again with other similarly produced, but personally unlike, idiosyncrasies; and watch the result to find your genius in the fourth or fifth generation. If the experiment has been properly performed, and all the conditions have been decently favourable, you will get among the resultant five hundred persons a considerable sprinkling of average fools, a fair proportion of modest mediocrities, a small number of able people, and (in case you are exceptionally lucky and have shuffled your cards very carefully) perhaps among them all a single genius. But most probably the genius will have died young of scarlet fever, or missed fire through some tiny defect of internal brain structure. Nature herself is trying this experiment unaided every day all around us, and, though she makes a great many misses, occasionally she makes a stray hit and then we get a Shakespeare or a Grimaldi.

The ultimate recipe for genius seems to go something like this. Start with a mix of strong, powerful traits, mentally or physically, that have more than the average amount of energy and dedication. Aim for diversity in characteristics; and, as much as possible, include a wide range of races, personalities, professions, and temperaments. Blend them through marriage to achieve the right balance; educate the offspring, especially through their circumstances and environment, as widely, freely, and diversely as possible; let them intermarry again with other similarly mixed but personally different traits; and observe the results to find your genius in the fourth or fifth generation. If the experiment is done correctly and the conditions are generally favorable, among the resulting five hundred individuals, you will find a notable mix of average individuals, a decent number of modest achievers, a few capable people, and (if you're especially fortunate and have organized things very carefully) perhaps one genius. However, it's more likely that the genius will have died young from scarlet fever or failed to thrive due to a slight flaw in brain structure. Nature herself conducts this experiment every day around us, and while she has many misses, she occasionally hits the mark and produces a Shakespeare or a Grimaldi.

'But you haven't proved all this: you have only suggested it.' Does one prove a thesis of deep-reaching importance in a ten-page essay? And if one proved it in a big book, with classified examples and detailed genealogies of all the geniuses, would anybody on earth except Mr. Francis Galton ever take the trouble to read it?

'But you haven't proved any of this: you’ve just suggested it.' Can you really prove a thesis of significant importance in a ten-page essay? And if you did prove it in a lengthy book, complete with organized examples and detailed backgrounds of all the geniuses, would anyone on earth other than Mr. Francis Galton actually bother to read it?


DESERT SANDS

If deserts have a fault (which their present biographer is far from admitting), that fault may doubtless be found in the fact that their scenery as a rule tends to be just a trifle monotonous. Though fine in themselves, they lack variety. To be sure, very few of the deserts of real life possess that absolute flatness, sandiness and sameness, which characterises the familiar desert of the poet and of the annual exhibitions—a desert all level yellow expanse, most bilious in its colouring, and relieved by but four allowable academy properties, a palm-tree, a camel, a sphinx, and a pyramid. For foreground, throw in a sheikh in appropriate drapery; for background, a sky-line and a bleaching skeleton; stir and mix, and your picture is finished. Most practical deserts one comes across in travelling, however, are a great deal less simple and theatrical than that; rock preponderates over sand in their composition, and inequalities of surface are often the rule rather than the exception. There is reason to believe, indeed, that the artistic conception of the common or Burlington House desert has been unduly influenced for evil by the accessibility and the poetic adjuncts of the Egyptian sand-waste, which, being situated in a great alluvial river valley is really flat, and, being the most familiar, has therefore distorted to its own shape the mental picture of all its kind elsewhere. But most deserts of actual nature are not all flat, nor all sandy; they present a considerable diversity and variety of surface, and their rocks are often unpleasantly obtrusive to the tender feet of the pedestrian traveller.

If deserts have a flaw (which their current biographer will hardly acknowledge), that flaw is probably in the fact that their scenery is generally a bit monotonous. While beautiful in their own right, they lack variety. It’s true that very few real deserts have the complete flatness, sandiness, and uniformity that define the well-known desert of poets and annual exhibitions—a desert that is just a vast yellow stretch, particularly sickly in its color, and only featuring four standard props: a palm tree, a camel, a sphinx, and a pyramid. For the foreground, add a sheikh in suitable clothing; for the background, a distant silhouette and a bleached skeleton; mix it up, and your picture is done. However, most practical deserts you encounter while traveling are much less simple and dramatic than that; rock dominates over sand in their makeup, and uneven terrain is often the norm rather than the exception. There’s good reason to think that the artistic idea of the typical or Burlington House desert has been unfairly shaped by the accessibility and poetic elements of the Egyptian sand wasteland, which, being located in a vast alluvial river valley, is genuinely flat and, due to its familiarity, has skewed the mental image of all similar landscapes elsewhere. But most deserts in nature are not all flat or all sandy; they show a significant diversity and variety of surfaces, and their rocks can be quite unpleasantly intrusive to the delicate feet of the wandering traveler.

A desert, in fact, is only a place where the weather is always and uniformly fine. The sand is there merely as what the logicians call, in their cheerful way, 'a separable accident'; the essential of a desert, as such, is the absence of vegetation, due to drought. The barometer in those happy, too happy, regions, always stands at Set Fair. At least, it would, if barometers commonly grew in the desert, where, however, in the present condition of science, they are rarely found. It is this dryness of the air, and this alone, that makes a desert; all the rest, like the camels, the sphinx, the skeleton, and the pyramid, is only thrown in to complete the picture.

A desert is really just a place where the weather is always nice and consistent. The sand is just, as logicians amusingly say, 'a separable accident'; the main feature of a desert is the lack of plants because of the dry conditions. The barometer in those blissful, perhaps too blissful, areas would always read Set Fair. At least, it would, if barometers typically grew in the desert, which, in today's scientific world, they rarely do. It's this dry air, and only that, that defines a desert; everything else, like the camels, the sphinx, the skeleton, and the pyramid, is just there to complete the scene.

Now the first question that occurs to the inquiring mind—which is but a graceful periphrasis for the present writer—when it comes to examine in detail the peculiarities of deserts is just this: Why are there places on the earth's surface on which rain never falls? What makes it so uncommonly dry in Sahara when it's so unpleasantly wet and so unnecessarily foggy in this realm of England? And the obvious answer is, of course, that deserts exist only in those parts of the world where the run of mountain ranges, prevalent winds, and ocean currents conspire to render the average rainfall as small as possible. But, strangely enough, there is a large irregular belt of the great eastern continent where these peculiar conditions occur in an almost unbroken line for thousands of miles together, from the west coast of Africa to the borders of China: and it is in this belt that all the best known deserts of the world are actually situated. In one place it is the Atlas and the Kong mountains (now don't pretend, as David Copperfield's aunt would have said, you don't know the Kong mountains); at another place it is the Arabian coast range, Lebanon, and the Beluchi hills; at a third, it is the Himalayas and the Chinese heights that intercept and precipitate all the moisture from the clouds. But, from whatever variety of local causes it may arise, the fact still remains the same, that all the great deserts run in this long, almost unbroken series, beginning with the greater and the smaller Sahara, continuing in the Libyan and Egyptian desert, spreading on through the larger part of Arabia, reappearing to the north as the Syrian desert, and to the east as the desert of Rajputana (the Great Indian Desert of the Anglo-Indian mind), while further east again the long line terminates in the desert of Gobi on the Chinese frontier.

Now the first question that comes to mind—which is just a fancy way of saying the writer—when examining the details of deserts is this: Why are there places on Earth where it never rains? What makes the Sahara so incredibly dry while it's uncomfortably wet and unnecessarily foggy in England? The obvious answer is that deserts only exist in areas where mountain ranges, prevailing winds, and ocean currents work together to make average rainfall as low as possible. However, strangely enough, there is a large irregular band on the eastern continent where these specific conditions occur in a nearly continuous line for thousands of miles, stretching from the west coast of Africa to the borders of China. This is where all the most well-known deserts in the world are located. In one place, it’s the Atlas and the Kong mountains (and don’t pretend, as David Copperfield's aunt would say, that you don’t know the Kong mountains); in another, it's the Arabian coast range, Lebanon, and the Beluchi hills; and in a third, it's the Himalayas and the Chinese heights that capture and release all the moisture from the clouds. But regardless of the various local factors involved, the truth is that all the major deserts form this long, nearly unbroken line, starting with the larger and smaller Sahara, moving into the Libyan and Egyptian deserts, extending through much of Arabia, reappearing to the north as the Syrian desert and to the east as the desert of Rajputana (the Great Indian Desert as imagined by the Anglo-Indians), while further east, the line ends with the Gobi desert on the Chinese border.

In other parts of the world, deserts are less frequent. The peculiar combination of circumstances which goes to produce them does not elsewhere occur over any vast area, on so large a scale. Still, there is one region in western America where the necessary conditions are found to perfection. The high snow-clad peaks of the Rocky Mountains on the one side check and condense all the moisture that comes from the Atlantic; the Sierra Nevada and the Wahsatch range on the other, running parallel with them to the west, check and condense all the moisture that comes from the Pacific coast. In between these two great lines lies the dry and almost rainless district known to the ambitious western mind as the Great American Desert, enclosing in its midst that slowly evaporating inland sea, the Great Salt Lake, a last relic of some extinct chain of mighty waters once comparable to Superior, Erie, and Ontario. In Mexico, again, where the twin ranges draw closer together, desert conditions once more supervene. But it is in central Australia that the causes which lead to the desert state are, perhaps on the whole, best exemplified. There, ranges of high mountains extend almost all round the coasts, and so completely intercept the rainfall which ought to fertilise the great central plain that the rivers are almost all short and local, and one thirsty waste spreads for miles and miles together over the whole unexplored interior of the continent.

In other parts of the world, deserts are less common. The unique combination of factors that create them doesn't occur over such a vast area anywhere else on such a large scale. However, there is one area in western America where the necessary conditions are found perfectly. The high, snow-covered peaks of the Rocky Mountains on one side capture and condense all the moisture coming from the Atlantic; the Sierra Nevada and the Wahsatch range on the other side, running parallel to them, capture and condense all the moisture coming from the Pacific coast. Between these two major ranges lies the dry and almost rainless area known to ambitious westerners as the Great American Desert, which contains the slowly evaporating inland sea, the Great Salt Lake, a remnant of a once-mighty water system comparable to Superior, Erie, and Ontario. In Mexico, again, where the two ranges draw closer together, desert conditions reappear. But it is in central Australia that the causes leading to desert conditions are perhaps best illustrated. There, high mountain ranges extend almost completely around the coasts and intercept nearly all the rainfall that should fertilize the vast central plain, resulting in rivers that are mostly short and local, while a parched wasteland stretches for miles over the entire unexplored interior of the continent.

But why are deserts rocky and sandy? Why aren't they covered, like the rest of the world, with earth, soil, mould, or dust? One can see plainly enough why there should be little or no vegetation where no rain falls, but one can't see quite so easily why there should be only sand and rock instead of arid clay-field.

But why are deserts rocky and sandy? Why aren't they covered, like the rest of the world, with dirt, soil, mold, or dust? It's pretty clear why there’s little or no vegetation where it doesn’t rain, but it’s not as obvious why there’s only sand and rock instead of dry clay.

Well, the answer is that without vegetation there is no such thing as soil on earth anywhere. The top layer of the land in all ordinary and well-behaved countries is composed entirely of vegetable mould, the decaying remains of innumerable generations of weeds and grasses. Earth to earth is the rule of nature. Soil, in fact, consists entirely of dead leaves. And where there are no leaves to die and decay, there can be no mould or soil to speak of. Darwin showed, indeed, in his last great book, that we owe the whole earthy covering of our hills and plains almost entirely to the perennial exertions of that friend of the farmers, the harmless, necessary earthworm. Year after year the silent worker is busy every night pulling down leaves through his tunnelled burrow into his underground nest, and there converting them by means of his castings into the black mould which produces, in the end, for lordly man, all his cultivable fields and pasture-lands and meadows. Where there are no leaves and no earth-worms, therefore, there can be no soil; and under those circumstances we get what we familiarly know as a desert.

Well, the answer is that without plants, there’s no such thing as soil anywhere on Earth. The top layer of land in all ordinary and well-managed countries is made entirely of plant matter, the decaying remains of countless generations of weeds and grasses. The cycle of earth to earth is the rule of nature. Soil, in fact, is made up entirely of dead leaves. And where there are no leaves to die and decay, there’s really no mold or soil to talk about. Darwin demonstrated, in his last major book, that we owe the entire earthy covering of our hills and plains almost entirely to the tireless efforts of the earthworm, which is a friend of farmers. Year after year, this silent worker is busy every night pulling down leaves through his burrow into his underground nest, where he transforms them into the black mold that ultimately produces all the farmland, pastures, and meadows for us humans. So, where there are no leaves and no earthworms, there can be no soil; and in those situations, what we end up with is what we commonly know as a desert.

The normal course of events where new land rises above the sea is something like this, as oceanic isles have sufficiently demonstrated. The rock when it first emerges from the water rises bare and rugged like a sea-cliff; no living thing, animal or vegetable, is harboured anywhere on its naked surface. In time, however, as rain falls upon its jutting peaks and barren pinnacles, disintegration sets in, or, to speak plainer English, the rock crumbles; and soon streams wash down tiny deposits of sand and mud thus produced into the valleys and hollows of the upheaved area. At the same time lichens begin to spring in yellow patches upon the bare face of the rock, and feathery ferns, whose spores have been wafted by the wind, or carried by the waves, or borne on the feet of unconscious birds, sprout here and there from the clefts and crannies. These, as they die and decay, in turn form a thin layer of vegetable mould, the first beginning of a local soil, in which the trusty earthworm (imported in the egg on driftwood or floating weeds) straightway sets to work to burrow, and which he rapidly increases by his constant labour. On the soil thus deposited, flowering plants and trees can soon root themselves, as fast as seeds, nuts or fruits are wafted to the island by various accidents from surrounding countries. The new land thrown up by the great eruption of Krakatoa has in this way already clothed itself from head to foot with a luxuriant sheet of ferns, mosses, and other vegetation.

The usual process for new land rising above the sea goes something like this, as oceanic islands have clearly shown. When the rock first comes out of the water, it appears bare and jagged like a sea cliff; there’s no living creature, whether animal or plant, on its exposed surface. Over time, though, as rain hits its sharp peaks and barren tops, the rock starts to break apart, or to put it more simply, it crumbles; and soon streams carry tiny bits of sand and mud into the valleys and dips of the uplifted area. At the same time, lichens begin to appear in yellow patches on the bare rock, and delicate ferns, whose spores have been blown by the wind, washed by the waves, or brought by unsuspecting birds, start to grow in the cracks and crevices. As these plants die and decompose, they create a thin layer of organic material, the very first stage of local soil, where the reliable earthworm (which arrived in an egg on driftwood or floating plants) immediately begins to burrow, quickly multiplying the soil through its constant work. In this newly formed soil, flowering plants and trees can soon take root as seeds, nuts, or fruits are carried to the island by various means from nearby regions. The new land created by the massive eruption of Krakatoa has already become lushly covered in ferns, mosses, and other vegetation.

First soil, then plant and animal life, are thus in the last resort wholly dependent for their existence on the amount of rainfall. But in deserts, where rain seldom or never falls (except by accident) the first term in this series is altogether wanting. There can be no rivers, brooks or streams to wash down beds of alluvial deposit from the mountains to the valleys. Denudation (the term, though rather awful, is not an improper one) must therefore take a different turn. Practically speaking, there is no water action; the work is all done by sun and wind. Under these circumstances, the rocks crumble away very slowly by mere exposure into small fragments, which the wind knocks off and blows about the surface, forming sand or dust of them in all convenient hollows. The frequent currents, produced by the heated air that lies upon the basking layer of sand, continually keep the surface agitated, and so blow about the sand and grind one piece against the other till it becomes ever finer and finer. Thus for the most part the hollows or valleys of deserts are filled by plains of bare sand, while their higher portions consist rather of barren, rocky mountains or table-land.

First, soil, and then plant and animal life, are ultimately completely reliant on the amount of rainfall. But in deserts, where rain rarely or never falls (except by chance), the first part of this process is completely absent. There are no rivers, streams, or brooks to carry alluvial deposits from the mountains to the valleys. Therefore, erosion (a rather intimidating term, but still appropriate) must take a different approach. Essentially, there is no water action; everything is done by the sun and the wind. In these conditions, the rocks slowly break down through simple exposure into small fragments, which the wind picks up and moves around the surface, creating sand or dust in any available depressions. The frequent air currents generated by the hot air sitting above the warm layer of sand continually stir up the surface, blowing the sand around and grinding pieces against each other until they become finer and finer. As a result, most of the hollows or valleys in deserts are filled with flat expanses of bare sand, while the higher areas are made up more of barren, rocky mountains or plateaus.

The effect upon whatever animal or vegetable life can manage here and there to survive under such circumstances is very peculiar. Deserts are the most exacting of all known environments, and they compel their inhabitants with profound imperiousness to knuckle under to their prejudices and preconceptions in ten thousand particulars.

The impact on any animals or plants that can manage to survive in such conditions is really interesting. Deserts are the toughest environments known, forcing their residents to conform to their harsh rules and outlooks in countless ways.

To begin with, all the smaller denizens of the desert—whether butterflies, beetles, birds, or lizards—must be quite uniformly isabelline or sand-coloured. This universal determination of the desert-haunting creatures to fall in with the fashion and to harmonise with their surroundings adds considerably to the painfully monotonous effect of desert scenery. A green plant, a blue butterfly, a red and yellow bird, a black or bronze-coloured beetle or lizard would improve the artistic aspect of the desert not a little. But no; the animals will hear nothing of such gaudy hues; with Quaker uniformity they will clothe themselves in dove-colour; they will all wear a sandy pepper-and-salt with as great unanimity as the ladies of the Court (on receipt of orders) wear Court mourning for the late lamented King of the Tongataboo Islands.

To start, all the smaller residents of the desert—whether butterflies, beetles, birds, or lizards—need to be pretty much isabelline or sand-colored. This common tendency of the desert-dwelling creatures to blend in with their environment adds significantly to the painfully monotonous feel of desert scenery. A green plant, a blue butterfly, a red and yellow bird, or a black or bronze beetle or lizard would really enhance the artistic quality of the desert. But no; the animals want nothing to do with such bright colors; with Quaker-like uniformity, they dress in dull tones; they all wear a sandy mix with the same consistency as the ladies of the Court (upon receiving instructions) wear mourning clothes for the recently deceased King of the Tongataboo Islands.

In reality, this universal sombre tint of desert animals is a beautiful example of the imperious working of our modern Deus ex machinâ, natural selection. The more uniform in hue is the environment of any particular region, the more uniform in hue must be all its inhabitants. In the arctic snows, for example, we find this principle pushed to its furthest logical conclusion. There, everything is and must be white—hares, foxes, and ptarmigans alike; and the reason is obvious—there can be no exception. Any brown or black or reddish animal who ventured north would at once render himself unpleasantly conspicuous in the midst of the uniform arctic whiteness. If he were a brown hare, for example, the foxes and bears and birds of prey of the district would spot him at once on the white fields, and pounce down upon him forthwith on his first appearance. That hare would leave no similar descendants to continue the race of brown hares in arctic regions after him. Or, suppose, on the other hand, it were a brown fox who invaded the domain of eternal snow. All the hares and ptarmigans of his new district would behold him coming from afar and keep well out of his way, while he, poor creature, would never be able to spot them at all among the white snow-fields. He would starve for want of prey, at the very time when the white fox, his neighbour, was stealing unperceived with stealthy tread upon the hares and ptarmigans. In this way, from generation to generation of arctic animals, the blacker or browner have been constantly weeded out, and the greyer and whiter have been constantly encouraged, till now all arctic animals alike are as spotlessly snowy as the snow around them.

In reality, the universal dark color of desert animals is a great example of how our modern Deus ex machina, natural selection, works. The more uniform the color of a particular region's environment, the more uniform the color of its inhabitants must be. In the arctic snow, for instance, we see this principle pushed to its extreme. There, everything has to be white—hares, foxes, and ptarmigans all blend in; and the reason is obvious—there can be no exceptions. Any brown, black, or reddish animal that dared to venture north would immediately stand out against the consistent arctic whiteness. If it were a brown hare, for instance, the local foxes, bears, and birds of prey would spot it right away on the white landscape and attack as soon as it showed up. That hare would leave no similar offspring to keep the population of brown hares going in the arctic after it. Conversely, if it were a brown fox entering the eternal snow, all the hares and ptarmigans in the area would see him coming from a distance and avoid him, while he, poor thing, wouldn’t be able to find them at all among the white snow. He would starve due to lack of food, while the white fox next door would stealthily hunt the hares and ptarmigans without being noticed. This way, over generations of arctic animals, the darker ones have been consistently eliminated, and the lighter ones have thrived, until now all arctic animals are as perfectly white as the snow around them.

In the desert much the same causes operate, in a slightly different way, in favour of a general greyness or brownness as against pronounced shades of black, white, red, green, or yellow. Desert animals, like intense South Kensington, go in only for neutral tints. In proportion as each individual approaches in hue to the sand about it will it succeed in life in avoiding its enemies or in creeping upon its prey, according to circumstances. In proportion as it presents a strikingly vivid or distinct appearance among the surrounding sand will it make itself a sure mark for its watchful foes, if it happen to be an unprotected skulker, or will it be seen beforehand and avoided by its prey, if it happen to be a predatory hunting or insect-eating beast. Hence on the sandy desert all species alike are uniformly sand-coloured. Spotty lizards bask on spotty sands, keeping a sharp look-out for spotty butterflies and spotty beetles, only to be themselves spotted and devoured in turn by equally spotty birds, or snakes, or tortoises. All nature seems to have gone into half-mourning together, or, converted by a passing Puritan missionary, to have clad itself incontinently in grey and fawn-colour.

In the desert, similar factors work in a slightly different way, leading to a general greyness or brownness instead of bold shades of black, white, red, green, or yellow. Desert animals, much like those in intense neighborhoods, only go for neutral tones. The closer an individual matches the color of the surrounding sand, the better it will do in evading predators or sneaking up on prey, depending on the situation. Conversely, the more vibrant or distinct its appearance is against the sandy backdrop, the more likely it is to become an easy target for its vigilant enemies if it’s an unprotected stealthy creature, or it will be spotted and avoided by its prey if it’s a hunting or insect-eating animal. That's why, across the sandy desert, all species are generally sand-colored. Spotted lizards sunbathe on spotted sands, keeping a lookout for spotted butterflies and spotted beetles, only to end up being spotted and eaten in return by equally spotted birds, snakes, or tortoises. It seems like all of nature has entered a state of half-mourning together or, inspired by a wandering Puritan missionary, has hastily draped itself in grey and fawn colors.

Even the larger beasts that haunt the desert take their tone not a little from their sandy surroundings. You have only to compare the desert-haunting lion with the other great cats to see at once the reason for his peculiar uniform. The tigers and other tropical jungle-cats have their coats arranged in vertical stripes of black and yellow, which, though you would hardly believe it unless you saw them in their native nullahs (good word 'nullah,' gives a convincing Indian tone to a narrative of adventure), harmonise marvellously with the lights and shades of the bamboos and cane-brakes through whose depths the tiger moves so noiselessly.

Even the bigger animals that roam the desert take on a bit of their sandy environment. Just compare the desert lion with other big cats, and you'll immediately understand why he has such a unique coat. Tigers and other jungle cats have their fur in vertical stripes of black and yellow, which, though it might sound hard to believe unless you see them in their natural habitats (great word ‘nullah,’ it adds a convincing Indian vibe to an adventure story), blend beautifully with the light and shadows of the bamboo and cane thickets through which the tiger moves so quietly.

Looking into the gloom of a tangled jungle, it is almost impossible to pick out the beast from the yellow stems and dark shadows in which it hides, save by the baleful gleam of those wicked eyes, catching the light for one second as they turn wistfully and bloodthirstily towards the approaching stranger. The jaguar, oncelot, leopard, and other tree-cats, on the other hand, are dappled or spotted—a type of coloration which exactly harmonises with the light and shade of the round sun-spots seen through the foliage of a tropical forest. They, too, are almost indistinguishable from the trees overhead as they creep along cautiously on the trunks and branches. But spots or stripes would at once betray the crouching lion among the bare rocks or desert sands; and therefore the lion is approximately sand-coloured. Seen in a cage at the Zoo, the British lion is a very conspicuous animal indeed; but spread at full length on a sandy patch or among bare yellow rocks under the Saharan sun, you may walk into his mouth before you are even aware of his august existence.

Peering into the darkness of a tangled jungle, it’s nearly impossible to spot the creature among the yellow stems and dark shadows in which it hides, except for the menacing gleam of its wicked eyes, catching the light for a moment as they gaze hungrily and longingly at the approaching stranger. The jaguar, ocelot, leopard, and other tree-dwelling cats, however, have dappled or spotted coats—a color pattern that perfectly blends with the light and shade of the round sunspots filtered through the leaves of a tropical forest. They, too, are nearly undetectable among the trees above as they quietly move along the trunks and branches. But spots or stripes would quickly give away the lurking lion among the bare rocks or desert sands; so, the lion is mostly sand-colored. Seen in a cage at the zoo, the British lion is quite a noticeable animal; but lying flat on a sandy patch or among bare yellow rocks under the Saharan sun, you might walk right into its jaws without even realizing it’s there.

The three other great desert beasts of Asia or Africa—the ostrich, the giraffe, and the camel—are less protectively coloured, for various reasons. Giraffes and ostriches go in herds; they trust for safety mainly to their swiftness of foot, and, when driven to bay, like most gregarious animals, they make common cause against the ill-advised intruder. In such cases it is often well, for the sake of stragglers, that the herd should be readily distinguished at a distance; and it is to insure this advantage, I believe, that giraffes have acquired their strongly marked spots, as zebras have acquired their distinctive stripes, and hyænas their similarly banded or dappled coats. One must always remember that disguise may be carried a trifle too far, and that recognisability in the parents often gives the young and giddy a point in their favour. For example, it seems certain that the general grey-brown tint of European rabbits serves to render them indistinguishable in a field of bracken, stubble, or dry grass. How hard it is, either for man or hawk, to pick out rabbits so long as they sit still, in an English meadow! But as soon as they begin to run towards their burrows the white patch by their tails inevitably betrays them; and this betrayal seems at first sight like a failure of adaptation. Certainly many a rabbit must be spotted and shot, or killed by birds of prey, solely on account of that tell-tale white patch as he makes for his shelter. Nevertheless, when we come to look closer, we can see, as Mr. Wallace acutely suggests, that the tell-tale patch has its function also. On the first alarm the parent rabbits take to their heels at once, and run at any untoward sight or sound toward the safety of the burrow. The white patch and the hoisted tail act as a danger-signal to the little bunnies, and direct them which way to escape the threatened misfortune. The young ones take the hint at once and follow their leader. Thus what may be sometimes a disadvantage to the individual animal becomes in the long run of incalculable benefit to the entire community.

The three other great desert animals of Asia or Africa—the ostrich, the giraffe, and the camel—are not as well-camouflaged for different reasons. Giraffes and ostriches live in groups; they mainly rely on their speed for safety, and when cornered, like most social animals, they band together against the unfortunate intruder. In such situations, it’s often helpful for stragglers that the herd is easily recognizable from a distance; and I believe that giraffes have developed their distinct spots for this reason, just as zebras have their unique stripes, and hyenas have their distinctive banded or spotted coats. One must always keep in mind that camouflage can go a bit too far, and that being recognizable in the parents often gives the young ones a better chance. For instance, it seems clear that the general grey-brown color of European rabbits helps them blend into a field of bracken, stubble, or dry grass. It’s quite tough for either a human or a hawk to spot rabbits as long as they stay still in an English meadow! But as soon as they start running for their burrows, the white patch on their tails inevitably gives them away; and at first glance, this seems like a failure of adaptation. Certainly, many rabbits must be seen and shot, or captured by birds of prey, solely because of that noticeable white patch as they sprint for cover. However, when we take a closer look, we can see, as Mr. Wallace cleverly points out, that the noticeable patch has its purpose too. At the first sign of danger, the parent rabbits immediately dash away and run toward their burrow at any unexpected sight or sound. The white patch and raised tail serve as a warning signal to the little bunnies, guiding them on how to escape the impending danger. The young ones catch on quickly and follow their leader. Thus, what may sometimes seem like a disadvantage for an individual animal ultimately becomes an invaluable benefit for the entire group.

It is interesting to note, too, how much alike in build and gait are these three thoroughbred desert roamers, the giraffe, the ostrich, and the camel or dromedary. In their long legs, their stalking march, their tall necks, and their ungainly appearance they all betoken their common adaptation to the needs and demands of a special environment. Since food is scarce and shelter rare, they have to run about much over large spaces in search of a livelihood or to escape their enemies. Then the burning nature of the sand as well as the need for speed compels them to have long legs which in turn necessitate equally long necks, if they are to reach the ground or the trees overhead for food and drink. Their feet have to be soft and padded to enable them to run over the sand with ease; and hard horny patches must protect their knees and all other portions of the body liable to touch the sweltering surface when they lie down to rest themselves. Finally, they can all endure thirst for long periods together; and the camel, the most inveterate desert-haunter of the trio, is even provided with a special stomach to take in water for several days at a stretch, besides having a peculiarly tough skin in which perspiration is reduced to a minimum. He carries his own water-supply internally, and wastes as little of it by the way as possible.

It’s also fascinating to see how similar in build and movement these three desert animals are: the giraffe, the ostrich, and the camel (or dromedary). Their long legs, unique walk, tall necks, and awkward look all show how they've adapted to the specific demands of their environment. Since food is hard to find and shelter is scarce, they need to cover large distances to find food or escape predators. The hot sand and the necessity for speed have pushed them to develop long legs, which also require long necks to reach for food and water on the ground or in trees. Their feet are soft and cushioned, allowing them to run easily over the sand, and they have tough, horny patches to protect their knees and other body parts that touch the scorching ground when they rest. Finally, they can endure thirst for long periods; the camel, being the most persistent desert dweller of the three, even has a specialized stomach that can store water for several days at a time, along with tough skin that minimizes sweating. He internally carries his own water supply and conserves as much of it as possible.

What the camel is among animals that is the cactus among plants—the most confirmed and specialised of desert-haunting organisms. It has been wholly developed in, by, and for the desert. I don't mean merely to say that cactuses resemble camels because they are clumsy, ungainly, awkward, and paradoxical; that would be a point of view almost as far beneath the dignity of science (which in spite of occasional lapses into the sin of levity I endeavour as a rule piously to uphold) as the old and fallacious reason 'because there's a B in both.' But cactuses, like camels, take in their water supply whenever they can get it, and never waste any of it on the way by needless evaporation. As they form the perfect central type of desert vegetation, and are also familiar plants to everyone, they may be taken as a good illustrative example of the effect that desert conditions inevitably produce upon vegetable evolution.

What the camel is to animals, the cactus is to plants—the most specialized and adapted of organisms that thrive in the desert. It has been completely developed in, by, and for the desert. I don’t just mean that cacti resemble camels because they are awkward and odd; that would be a viewpoint unworthy of science (which I generally strive to uphold, despite occasional lapses into lightheartedness) as the old and flawed reasoning 'because there's a B in both.' But cacti, like camels, absorb their water whenever they can get it and never waste any through unnecessary evaporation. Since they exemplify the perfect central type of desert vegetation and are also well-known plants to everyone, they can serve as a great example of how desert conditions shape plant evolution.

Quaint, shapeless, succulent, jointed, the cactuses look at first sight as if they were all leaves, and had no stem or trunk worth mentioning. Of course, therefore, the exact opposite is really the case; for, as a late lamented poet has assured us in mournful numbers, things (generally speaking) are not what they seem. The true truth about the cactuses runs just the other way; they are all stem and no leaves; what look like leaves being really joints of the trunk or branches, and the foliage being all dwarfed and stunted into the prickly hairs that dot and encumber the surface. All plants of very arid soils—for example, our common English stonecrops—tend to be thick, jointed, and succulent; the distinction between stem and leaves tends to disappear; and the whole weed, accustomed at times to long drought, acquires the habit of drinking in water greedily at its rootlets after every rain, and storing it away for future use in its thick, sponge-like, and water-tight tissues. To prevent undue evaporation, the surface also is covered with a thick, shiny skin—a sort of vegetable macintosh, which effectually checks all unnecessary transpiration. Of this desert type, then, the cactus is the furthest possible term. It has no flat leaves with expanded blades, to wither and die in the scorching desert air; but in their stead the thick and jointed stems do the same work—absorb carbon from the carbonic acid of the air, and store up water in the driest of seasons. Then, to repel the attacks of herbivores, who would gladly get at the juicy morsel if they could, the foliage has been turned into sharp defensive spines and prickles. The cactus is tenacious of life to a wonderful degree; and for reproduction it trusts not merely to its brilliant flowers, fertilised for the most part by desert moths or butterflies, and to its juicy fruit, of which the common prickly pear is a familiar instance, but it has the special property of springing afresh from any stray bit or fragment of the stem that happens to fall upon the dry ground anywhere.

Quaint, shapeless, succulent, and jointed, cacti look at first glance as if they are all leaves, with no noticeable stem or trunk. However, the exact opposite is true; as a recently departed poet has sadly reminded us in mournful verses, things are not always what they seem. The reality about cacti is the reverse; they are all stem and no leaves, with what appear to be leaves actually being joints of the trunk or branches, and the foliage reduced to prickly hairs that cover and clutter the surface. Plants in very dry environments—like our common English stonecrops—tend to be thick, jointed, and juicy; the line between stem and leaves often blurs; and the entire plant, adapted to periods of drought, develops the ability to absorb water quickly through its roots after any rain and store it in its thick, sponge-like, and waterproof tissues. To minimize evaporation, the surface is also covered with a thick, shiny skin—like a vegetable raincoat—that effectively prevents unnecessary water loss. In this desert category, the cactus represents the extreme. It has no flat leaves with broad blades that would wilt and die in the intense desert heat; instead, the thick and jointed stems perform the same function—absorbing carbon from the air's carbon dioxide and storing water during the driest months. Additionally, to fend off herbivores eager to eat the juicy flesh, the foliage has transformed into sharp defensive spines and prickles. The cactus is remarkably resilient and, for reproduction, relies not only on its vibrant flowers, mostly fertilized by desert moths or butterflies, and its juicy fruits, such as the commonly known prickly pear, but it also has the unique ability to sprout anew from any random piece or fragment of the stem that lands on the dry ground.

True cactuses (in the native state) are confined to America; but the unhappy naturalist who ventures to say so in mixed society is sure to get sat upon (without due cause) by numberless people who have seen 'the cactus' wild all the world over. For one thing, the prickly pear and a few other common American species, have been naturalised and run wild throughout North Africa, the Mediterranean shores, and a great part of India, Arabia, and Persia. But what is more interesting and more confusing still, other desert plants which are not cactuses, living in South Africa, Sind, Rajputana, and elsewhere unspecified, have been driven by the nature of their circumstances and the dryness of the soil to adopt precisely the same tactics, and therefore unconsciously to mimic or imitate the cactus tribe in the minutest details of their personal appearance. Most of these fallacious pseudo-cactuses are really spurges or euphorbias by family. They resemble the true Mexican type in externals only; that is to say, their stems are thick, jointed, and leaf-like, and they grow with clumsy and awkward angularity; but in the flower, fruit, seed, and in short in all structural peculiarities whatsoever, they differ utterly from the genuine cactus, and closely resemble all their spurge relations. Adaptive likenesses of this sort, due to mere stress of local conditions, have no more weight as indications of real relationship than the wings of the bat or the nippers of the seal, which don't make the one into a skylark, or the other into a mackerel.

True cacti (in their natural state) are found only in America; however, the unfortunate naturalist who says this in mixed company will surely be challenged (without good reason) by countless people who claim to have seen 'the cactus' growing wild all around the world. For one, the prickly pear and a few other common American species have been naturalized and gone wild throughout North Africa, the Mediterranean coast, and much of India, Arabia, and Persia. But even more interesting and confusing, other desert plants that are not cacti, found in South Africa, Sind, Rajputana, and other unspecified places, have been pushed by their environment and the dryness of the soil to adopt the same strategies and thus unconsciously mimic or imitate the cactus family in the smallest details of their appearance. Most of these misleading faux-cacti are actually spurges or euphorbias by family. They resemble the true Mexican type on the outside; that is to say, their stems are thick, jointed, and leaf-like, and they grow with clumsy and awkward angles. However, in terms of flowers, fruit, seeds, and all structural characteristics, they differ completely from real cacti and closely resemble their spurge relatives. These types of adaptive likenesses, driven by local conditions, carry no more weight as indicators of real relationships than the wings of a bat or the flippers of a seal, which don’t turn one into a skylark or the other into a mackerel.

In Sahara, on the other hand, the prevailing type of vegetation (wherever there is any) belongs to the kind playfully described by Sir Lambert Playfair as 'salsolaceous,' that is to say, in plainer English, it consists of plants like the glass-wort and the kali-weed, which are commonly burnt to make soda. These fleshy weeds resemble the cactuses in being succulent and thick-skinned but they differ from them in their curious ability to live upon very salt and soda-laden water. All through the great African desert region, in fact, most of the water is more or less brackish; 'bitter lakes' are common, and gypsum often covers the ground over immense areas. These districts occupy the beds of vast ancient lakes, now almost dry, of which the existing chotts, or very salt pools, are the last shrunken and evanescent relics.

In the Sahara, the main type of vegetation (wherever it exists) is the kind humorously referred to by Sir Lambert Playfair as 'salsolaceous.' In simpler terms, this means it includes plants like glasswort and kaliweed, which are often burned to produce soda. These fleshy plants are similar to cacti in that they're juicy and thick-skinned, but they stand out because they can survive in extremely salty and soda-rich water. Throughout the vast African desert, most of the water is somewhat salty; 'bitter lakes' are common, and gypsum frequently covers large areas of ground. These regions were once the beds of massive ancient lakes that are now mostly dry, with the current chotts, or very salty pools, being the last remnants of those once-great lakes.

And this point about the water brings me at last to a cardinal fact in the constitution of deserts which is almost always utterly misconceived in Europe. Most people at home picture the desert to themselves as wholly dead, flat, and sandy. To talk about the fauna and flora of Sahara sounds in their ears like self-contradictory nonsense. But, as a matter of fact, that uniform and lifeless desert of the popular fancy exists only in those sister arts that George II.—good, practical man—so heartily despised, 'boetry and bainting.' The desert of real life, though less impressive, is far more varied. It has its ups and downs, its hills and valleys. It has its sandy plains and its rocky ridges. It has its lakes and ponds, and even its rivers. It has its plants and animals, its oases and palm-groves. In short, like everything else on earth, it's a good deal more complex than people imagine.

And this point about the water brings me to a key fact about the nature of deserts that is almost always completely misunderstood in Europe. Most people back home imagine the desert as completely dead, flat, and sandy. Talking about the wildlife and plants of the Sahara sounds contradictory to them. However, that uniform and lifeless desert from popular imagination exists only in those artistic forms that George II.—a sensible, practical man—so strongly criticized, 'poetry and painting.' The real-life desert, while less striking, is much more diverse. It has its ups and downs, hills and valleys. It features sandy plains and rocky ridges. It contains lakes and ponds, and even rivers. It has its plants and animals, as well as its oases and palm groves. In short, like everything else on Earth, it's a lot more complex than people think.

One may take Sahara as a very good example of the actual desert of physical geography, in contradistinction to the level and lifeless desert that stretches like the sea over illimitable spaces in verse or canvas. And here, I fear, I am going to dispel another common and cherished illusion. It is my fate to be an iconoclast, and perhaps long practice has made me rather like the trade than otherwise. A popular belief exists all over Europe that the late M. Roudaire—that De Lesseps who never quite 'came off'—proposed to cut a canal from the Mediterranean into the heart of Africa, which was intended, in the stereotyped phrase of journalism, to 'flood Sahara,' and convert the desert into an inland sea. He might almost as well have talked of cutting a canal from Brighton to the Devil's Dyke and 'submerging England,' as the devil wished to do in the old legend. As a matter of fact, good, practical M. Roudaire, sound engineer that he was, never even dreamt of anything so chimerical. What he did really propose was something far milder and simpler in its way, but, as his scheme has given rise to the absurd notion that Sahara as a whole lies below sea-level, it may be worth while briefly to explain what it was he really thought of doing.

One can look at the Sahara as a great example of a real desert in physical geography, as opposed to the flat and lifeless desert that stretches endlessly like the sea in poetry or paintings. And here, I’m afraid I’m about to shatter another common and cherished illusion. It seems I'm destined to be a rebel, and maybe long practice has made me enjoy this role more than I should. There’s a widespread belief across Europe that the late M. Roudaire—that De Lesseps who never quite succeeded—wanted to dig a canal from the Mediterranean into the heart of Africa, which was supposedly meant, in the usual journalistic phrase, to 'flood the Sahara' and turn the desert into an inland sea. He might as well have proposed digging a canal from Brighton to the Devil's Dyke to 'submerge England,' just like the devil wanted to do in the old legend. In reality, the practical M. Roudaire, being a sound engineer, never even imagined such a wild idea. What he actually proposed was something much more moderate and straightforward, but since his plan has led to the ridiculous belief that Sahara as a whole is below sea level, it may be worth briefly explaining what he truly intended to do.

Some sixty miles south of Biskra, the most fashionable resort in the Algerian Sahara, there is a deep depression two hundred and fifty miles long, partly occupied by three salt lakes of the kind so common over the whole dried-up Saharan area. These three lakes, shrunken remnants of much larger sheets, lie below the level of the Mediterranean, but they are separated from it, and from one another, by upland ranges which rise considerably above the sea line. What M. Roudaire proposed to do was to cut canals through these three barriers, and flood the basins of the salt lakes. The result would have been, not as is commonly said to submerge Sahara, nor even to form anything worth seriously describing as 'an inland sea,' but to substitute three larger salt lakes for the existing three smaller ones. The area so flooded, however, would bear to the whole area of Sahara something like the same proportion that Windsor Park bears to the entire surface of England. This is the true truth about that stupendous undertaking, which is to create a new Mediterranean in the midst of the Dark Continent, and to modify the climate of Northern Europe to something like the condition of the Glacial Epoch. A new Dead Sea would be much nearer the mark, and the only way Northern Europe would feel the change, if it felt it at all, would be in a slight fall in the price of dates in the wholesale market.

About sixty miles south of Biskra, the trendiest resort in the Algerian Sahara, there's a deep depression stretching two hundred and fifty miles long, partially filled by three salt lakes typical of the entire dried-up Saharan region. These three lakes, diminished remnants of much larger bodies of water, are situated below the level of the Mediterranean but are separated from it and each other by elevated ranges that rise well above sea level. What M. Roudaire planned was to dig canals through these three barriers and flood the basins of the salt lakes. The outcome wouldn't be, as commonly thought, to submerge the Sahara, nor would it create anything genuinely describable as 'an inland sea,' but rather to replace the three smaller salt lakes with three larger ones. The flooded area would, however, have a similar proportion to the entire Sahara as Windsor Park does to the total area of England. This is the stark reality of that monumental project, which aims to create a new Mediterranean in the middle of the Dark Continent and alter the climate of Northern Europe to resemble conditions from the Glacial Epoch. A new Dead Sea would be much more accurate, and the only way Northern Europe might notice the change, if at all, would be in a slight drop in the price of dates in wholesale markets.

No, Sahara as a whole is not below sea-level; it is not the dry bed of a recent ocean; and it is not as flat as the proverbial pancake all over. Part of it, indeed, is very mountainous, and all of it is more or less varied in level. The Upper Sahara consists of a rocky plateau, rising at times into considerable peaks; the Lower, to which it descends by a steep slope, is 'a vast depression of clay and sand,' but still for the most part standing high above sea-level. No portion of the Upper Sahara is less than 1,300 feet high—a good deal higher than Dartmoor or Derbyshire. Most of the Lower reaches from two to three hundred feet—quite as elevated as Essex or Leicester. The few spots below sea-level consist of the beds of ancient lakes, now much shrunk by evaporation, owing to the present rainless condition of the country; the soil around these is deep in gypsum, and the water itself is considerably salter than the sea. That, however, is always the case with freshwater lakes in their last dotage, as American geologists have amply proved in the case of the Great Salt Lake of Utah. Moving sand undoubtedly covers a large space in both divisions of the desert, but according to Sir Lambert Playfair, our best modern authority on the subject, it occupies not more than one-third part of the entire Algerian Sahara. Elsewhere rock, clay, and muddy lake are the prevailing features, interspersed with not infrequent date-groves and villages, the product of artesian wells, or excavated spaces, or river oases. Even Sahara, in short, to give it its due, is not by any means so black as it's painted.

No, the Sahara as a whole is not below sea level; it is not the dry bed of a recent ocean; and it is not as flat as the proverbial pancake everywhere. In fact, part of it is quite mountainous, and the entire region has varying levels. The Upper Sahara is made up of a rocky plateau that sometimes rises into significant peaks; the Lower Sahara, which descends from it via a steep slope, is a "vast depression of clay and sand," but for the most part, it is still well above sea level. No part of the Upper Sahara is less than 1,300 feet high—much higher than Dartmoor or Derbyshire. Most of the Lower Sahara ranges from two to three hundred feet—just as elevated as Essex or Leicester. The few areas below sea level are the beds of ancient lakes, which have greatly shrunk due to evaporation from the current rainless conditions in the area; the soil around these spots is rich in gypsum, and the water is significantly saltier than the sea. That, however, is typical for freshwater lakes in their final stages, as American geologists have shown with the Great Salt Lake in Utah. Moving sand certainly covers a large area in both parts of the desert, but according to Sir Lambert Playfair, our leading modern expert on the topic, it occupies no more than one-third of the entire Algerian Sahara. In other places, rock, clay, and muddy lakes dominate the landscape, interspersed with occasional date groves and villages, the result of artesian wells, excavated spaces, or river oases. Ultimately, the Sahara, to give it credit, is not nearly as harsh as people often describe it.


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