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Produced by Andrew Sly.

Produced by Andrew Sly.

The World's Classics

The Classics of the World

CLXXXIV

Goblin Market
The Prince's Progress
And other poems

Goblin Market
The Prince's Progress
And other poems

By

By

Christina Rossetti

Christina Rossetti

Humphrey Milford
Oxford University Press
London, Edinburgh, Glasgow
New York, Toronto, Melbourne & Bombay

Humphrey Milford
Oxford University Press
London, Edinburgh, Glasgow
New York, Toronto, Melbourne & Bombay

Christina Georgina Rossetti

Christina Rossetti

Born, 38 Charlotte Street, Portland Place, London, December 5, 1830
Died, 30 Torrington Square, London, December 29, 1894

Born, 38 Charlotte Street, Portland Place, London, December 5, 1830
Died, 30 Torrington Square, London, December 29, 1894

'Goblin Market and other Poems' was first published in 1862,
'The Prince's Progress and other Poems' was first published in 1866.
In 'The World's Classics' the contents of these two books, together
with other poems, were first published in one volume in 1913.

'Goblin Market and other Poems' was first published in 1862,
'The Prince's Progress and other Poems' was first published in 1866.
In 'The World's Classics,' the contents of these two books, along
with other poems, were first published in one volume in 1913.

  To
  MY MOTHER
  In all reverence and love
  I inscribe this book

To
  MY MOTHER
  With all my respect and love
  I dedicate this book

CONTENTS

GOBLIN MARKET, AND OTHER POEMS, 1862

  Goblin Market
  In the Round Tower at Jhansi, June 8, 1857
  Dream Land
  At Home
  A Triad
  Love from the North
  Winter Rain
  Cousin Kate
  Noble Sisters
  Spring
  The Lambs of Grasmere, 1860
  A Birthday
  Remember
  After Death
  An End
  My Dream
  Song ('Oh roses for the flush of youth')
  The Hour and the Ghost
  A Summer Wish
  An Apple Gathering
  Song ('Two doves upon the selfsame branch')
  Maude Clare
  Echo
  My Secret
  Another Spring
  A Peal of Bells
  Fata Morgana
  'No, Thank you, John'
  May
  A Pause of Thought
  Twilight Calm
  Wife to Husband
  Three Seasons
  Mirage
  Shut out
  Sound Sleep
  Song ('She sat and sang alway')
  Song ('When I am dead, my dearest')
  Dead before Death
  Bitter for Sweet
  Sister Maude
  Rest
  The First Spring Day
  The Convent Threshold
  Up-hill

Goblin Market
  In the Round Tower at Jhansi, June 8, 1857
  Dream Land
  At Home
  A Triad
  Love from the North
  Winter Rain
  Cousin Kate
  Noble Sisters
  Spring
  The Lambs of Grasmere, 1860
  A Birthday
  Remember
  After Death
  An End
  My Dream
  Song ('Oh roses for the flush of youth')
  The Hour and the Ghost
  A Summer Wish
  An Apple Gathering
  Song ('Two doves upon the selfsame branch')
  Maude Clare
  Echo
  My Secret
  Another Spring
  A Peal of Bells
  Fata Morgana
  'No, Thank you, John'
  May
  A Pause of Thought
  Twilight Calm
  Wife to Husband
  Three Seasons
  Mirage
  Shut out
  Sound Sleep
  Song ('She sat and sang alway')
  Song ('When I am dead, my dearest')
  Dead before Death
  Bitter for Sweet
  Sister Maude
  Rest
  The First Spring Day
  The Convent Threshold
  Up-hill

      DEVOTIONAL PIECES
  'The Love of Christ which passeth Knowledge'
  'A Bruised Reed shall He not Break'
  A Better Resurrection
  Advent
  The Three Enemies
  The One Certainty
  Christian and Jew
  Sweet Death
  Symbols
  'Consider the Lilies of the Field'
  The World
  A Testimony
  Sleep at Sea
  From House to Home
  Old and New Year Ditties: No. I
    No. II
    No. III
  Amen

DEVOTIONAL PIECES
  'The Love of Christ that Surpasses Understanding'
  'A Bruised Reed He Will Not Break'
  A Better Resurrection
  Advent
  The Three Enemies
  The One Certainty
  Christian and Jew
  Sweet Death
  Symbols
  'Consider the Lilies of the Field'
  The World
  A Testimony
  Sleep at Sea
  From House to Home
  Old and New Year Ditties: No. I
    No. II
    No. III
  Amen

THE PRINCE'S PROGRESS, AND OTHER POEMS, 1866

  The Prince's Progress
  Maiden-Song
  Jessie Cameron
  Spring Quiet
  The Poor Ghost
  A Portrait
  Dream-Love
  Twice
  Songs in a Cornfield
  A Year's Windfalls
  The Queen of Hearts
  One Day
  A Bird's-Eye View
  Light Love
  A Dream
  A Ring Posy
  Beauty is Vain
  Lady Maggie
  What would I give?
  The Bourne
  Summer
  Autumn
  The Ghost's Petition
  Memory
  A Royal Princess
  Shall I Forget?
  Vanity of Vanities
  L. E. L.
  Life and Death
  Bird or Beast?
  Eve
  Grown and Flown
  A Farm Walk
  Somewhere or Other
  A Chill
  Child's Talk in April
  Gone for Ever
  Under the Rose

The Prince's Progress
  Maiden-Song
  Jessie Cameron
  Spring Quiet
  The Poor Ghost
  A Portrait
  Dream-Love
  Twice
  Songs in a Cornfield
  A Year's Windfalls
  The Queen of Hearts
  One Day
  A Bird's-Eye View
  Light Love
  A Dream
  A Ring Posy
  Beauty is Vain
  Lady Maggie
  What would I give?
  The Bourne
  Summer
  Autumn
  The Ghost's Petition
  Memory
  A Royal Princess
  Shall I Forget?
  Vanity of Vanities
  L. E. L.
  Life and Death
  Bird or Beast?
  Eve
  Grown and Flown
  A Farm Walk
  Somewhere or Other
  A Chill
  Child's Talk in April
  Gone for Ever
  Under the Rose

    DEVOTIONAL PIECES
  Despised and Rejected
  Long Barren
  If only
  Dost thou not Care?
  Weary in Well-doing
  Martyrs' Song
  After this the Judgement
  Good Friday
  The Lowest Place

DEVOTIONAL PIECES
  Despised and Rejected
  Long Barren
  If Only
  Do You Not Care?
  Tired of Doing Good
  Martyrs' Song
  After This, the Judgment
  Good Friday
  The Lowest Place

MISCELLANEOUS POEMS, 1848-69

  Death's Chill Between
  Heart's Chill Between
  Repining
  Sit Down in the Lowest Room
  My Friend
  Last Night
  Consider
  Helen Grey
  'By the Waters of Babylon'
  Seasons
  Mother Country
  A Smile and a Sigh
  Dead Hope
  Autumn Violets
  'They Desire a Better Country'
  The Offering of the New Law
  Conference between Christ, the Saints, and the Soul
  'Come unto Me'
  'Jesus, do I Love Thee?'
  'I know you not'
  'Before the Paling of the Stars'
  Easter Even
  Paradise: in a Dream
  Within the Veil
  Paradise: in a Symbol
  Amor Mundi
  Who shall deliver Me?
  If
  Twilight Night

Death's Chill Between
  Heart's Chill Between
  Regret
  Take a Seat in the Lowest Room
  My Friend
  Last Night
  Think About It
  Helen Grey
  'By the Waters of Babylon'
  Seasons
  Mother Country
  A Smile and a Sigh
  Lost Hope
  Autumn Violets
  'They Desire a Better Country'
  The Offering of the New Law
  Discussion between Christ, the Saints, and the Soul
  'Come to Me'
  'Jesus, Do I Love You?'
  'I Don't Know You'
  'Before the Fading of the Stars'
  Easter Evening
  Paradise: in a Dream
  Beyond the Veil
  Paradise: in a Symbol
  Love of the World
  Who Will Rescue Me?
  If
  Twilight Night

GOBLIN MARKET, AND OTHER POEMS, 1862

GOBLIN MARKET

Morning and evening
Maids heard the goblins cry:
'Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpecked cherries,
Melons and raspberries,
Bloom-down-cheeked peaches,
Swart-headed mulberries, 10
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries;—
All ripe together
In summer weather,—
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine, 20
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye; 30
Come buy, come buy.'

Morning and evening
The maids heard the goblins shout:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unblemished cherries,
Melons and raspberries,
Peaches with soft cheeks,
Dark-headed mulberries,
10
Wild and free cranberries,
Crab apples, dewberries,
Pineapples, blackberries,
Apricots, strawberries;—
All ripe at once
In the summer heat,—
Mornings that pass by,
Lovely evenings that fly;
Come buy, come buy:
Our grapes fresh from the vine, 20
Pomegranates full and beautiful,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright, fiery barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to the tongue and pleasing to the eye; 30
Come buy, come buy."

  Evening by evening
Among the brookside rushes,
Laura bowed her head to hear,
Lizzie veiled her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger tips.
'Lie close,' Laura said, 40
Pricking up her golden head:
'We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed
Their hungry thirsty roots?'
'Come buy,' call the goblins
Hobbling down the glen.
'Oh,' cried Lizzie, 'Laura, Laura,
You should not peep at goblin men.'
Lizzie covered up her eyes, 50
Covered close lest they should look;
Laura reared her glossy head,
And whispered like the restless brook:
'Look, Lizzie, look, Lizzie,
Down the glen tramp little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds weight.
How fair the vine must grow 60
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes.'
'No,' said Lizzie, 'No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.'
She thrust a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man. 70
One had a cat's face,
One whisked a tail,
One tramped at a rat's pace,
One crawled like a snail,
One like a wombat prowled obtuse and furry,
One like a ratel tumbled hurry skurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather. 80

Evening after evening
By the stream's edge,
Laura lowered her head to listen,
Lizzie hid her blushes:
Crouching close together
In the cooling air,
With embracing arms and cautious lips,
With tingling cheeks and fingertips.
'Stay close,' Laura said, 40
Lifting her golden head:
'We can’t look at goblin men,
We mustn't buy their fruits:
Who knows what soil they used
To feed their hungry, thirsty roots?'
'Come buy,' call the goblins
Hobbling down the glen.
'Oh,' cried Lizzie, 'Laura, Laura,
You really shouldn't peek at goblin men.'
Lizzie covered her eyes, 50
Keeping them shut so they wouldn’t see;
Laura raised her shiny head,
And whispered like the restless stream:
'Look, Lizzie, look, Lizzie,
Down the glen come little men.
One carries a basket,
One holds a plate,
One drags a golden dish
That must weigh many pounds.
How beautiful the vine must be 60
Whose grapes are so sweet;
How warm the wind must blow
Through those fruit bushes.'
'No,' said Lizzie, 'No, no, no;
Their offers shouldn’t tempt us,
Their harmful gifts would hurt us.'
She pressed a dimpled finger
In each ear, shut her eyes, and ran:
Curious Laura chose to stay
Wondering at each merchant man. 70
One had a cat's face,
One whipped a tail,
One walked at a rat's pace,
One crawled like a snail,
One like a wombat prowled, fuzzy and low,
One like a badger scurried around in a hurry.
She heard a voice like doves' voices
Cooing all together:
They sounded sweet and full of love
In the pleasant weather. 80

  Laura stretched her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
Like a vessel at the launch
When its last restraint is gone.

Laura stretched her shining neck
Like a swan in a rush-filled pond,
Like a lily from the stream,
Like a moonlit poplar branch,
Like a boat about to launch
When it's finally free to go.

  Backwards up the mossy glen
Turned and trooped the goblin men,
With their shrill repeated cry,
'Come buy, come buy.' 90
When they reached where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One reared his plate;
One began to weave a crown
Of tendrils, leaves, and rough nuts brown 100
(Men sell not such in any town);
One heaved the golden weight
Of dish and fruit to offer her:
'Come buy, come buy,' was still their cry.
Laura stared but did not stir,
Longed but had no money:
The whisk-tailed merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-faced spoke a word 110
Of welcome, and the snail-paced even was heard;
One parrot-voiced and jolly
Cried 'Pretty Goblin' still for 'Pretty Polly;'—
One whistled like a bird.

Backwards up the mossy glen
Turned and marched the goblin men,
With their loud repeated cry,
'Come buy, come buy.' 90
When they reached where Laura was
They stood still upon the moss,
Grinning at each other,
Brother with strange brother;
Signaling each other,
Brother with sly brother.
One set his basket down,
One raised his plate;
One began to weave a crown
Of tendrils, leaves, and rough brown nuts 100
(You can’t find this stuff in any town);
One lifted the golden weight
Of dish and fruit to offer her:
'Come buy, come buy,' was still their cry.
Laura stared but didn’t move,
Wanted it but had no money:
The whisk-tailed merchant urged her to taste
In tones as sweet as honey,
The cat-faced purred,
The rat-faced spoke a word 110
Of welcome, and the slow-paced even was heard;
One parrot-voiced and jolly
Cried 'Pretty Goblin' still for 'Pretty Polly;'—
One whistled like a bird.

  But sweet-tooth Laura spoke in haste:
'Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze 120
That shakes in windy weather
Above the rusty heather.'
'You have much gold upon your head,'
They answered all together:
'Buy from us with a golden curl.'
She clipped a precious golden lock,
She dropped a tear more rare than pearl,
Then sucked their fruit globes fair or red:
Sweeter than honey from the rock,
Stronger than man-rejoicing wine, 130
Clearer than water flowed that juice;
She never tasted such before,
How should it cloy with length of use?
She sucked and sucked and sucked the more
Fruits which that unknown orchard bore;
She sucked until her lips were sore;
Then flung the emptied rinds away
But gathered up one kernel stone,
And knew not was it night or day
As she turned home alone. 140

But sweet-tooth Laura hurriedly said:
"Good people, I have no money;
To take would be stealing:
I have no coins in my purse,
I have no silver either,
And all my gold is out on the heath 120
That shakes in windy weather
Above the rusty heather."
"You have a lot of gold on your head,"
They all replied together:
"Buy from us with a golden curl."
She cut a precious golden lock,
She dropped a tear more valuable than a pearl,
Then tasted their fruit, whether it was fair or red:
Sweeter than honey from the rock,
Stronger than wine that makes men rejoice, 130
Clearer than water flowed that juice;
She had never tasted anything like it before,
How could it ever get old with time?
She kept sucking more and more
Of the fruits from that unknown orchard;
She sucked until her lips were sore;
Then threw away the empty skins
But picked up one seed,
And didn’t know if it was night or day
As she made her way home alone. 140

  Lizzie met her at the gate
Full of wise upbraidings:
'Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers 150
Plucked from bowers
Where summer ripens at all hours?
But ever in the noonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew grey;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago 160
That never blow.
You should not loiter so.'
'Nay, hush,' said Laura:
'Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still;
To-morrow night I will
Buy more:' and kissed her:
'Have done with sorrow;
I'll bring you plums to-morrow 170
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead 180
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap.'

Lizzie met her at the gate
Full of wise scolding:
"Dear, you shouldn’t stay out so late,
Twilight isn’t good for young women;
You shouldn’t hang around in the glen
Where goblin men lurk.
Don’t you remember Jeanie,
How she encountered them in the moonlight,
Took their gifts, both special and many,
Ate their fruits and wore their flowers 150
Picked from gardens
Where summer thrives at all times?
But even in the daylight
She pined and pined away;
Sought them night and day,
Couldn’t find them anymore, but wasted away and turned grey;
Then she fell with the first snow,
And to this day, no grass will grow
Where she lies buried:
I planted daisies there a year ago 160
That never bloom.
You shouldn’t linger like that."
"Nay, hush," said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth is still watering;
Tomorrow night I will
Get more:" and kissed her:
"Enough of sorrow;
I’ll bring you plums tomorrow 170
Fresh from their mother branches,
Cherries worth having;
You can't imagine what figs
I’ve tasted,
What icy-cold melons
Piled on a plate of gold
Too big for me to hold,
What peaches with a velvet skin,
Clear grapes with not one seed:
The meadow they grow in must be fragrant 180
And the water they drink pure
With lilies at the edge,
And sweet must be their juice."

  Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtained bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory 190
Tipped with gold for awful kings.
Moon and stars gazed in at them,
Wind sang to them lullaby,
Lumbering owls forbore to fly,
Not a bat flapped to and fro
Round their rest:
Cheek to cheek and breast to breast
Locked together in one nest.

Golden head by golden head,
Like two pigeons in one nest,
Wrapped in each other's wings,
They lay down in their cozy bed:
Like two flowers on one stem,
Like two flakes of freshly fallen snow,
Like two ivory wands 190
Tipped with gold for mighty kings.
Moon and stars looked in at them,
Wind sang them a lullaby,
Heavy owls held back from flying,
Not a bat flitted back and forth
Around their rest:
Cheek to cheek and chest to chest,
Locked together in one nest.

  Early in the morning
When the first cock crowed his warning, 200
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetched in honey, milked the cows,
Aired and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churned butter, whipped up cream,
Fed their poultry, sat and sewed;
Talked as modest maidens should:
Lizzie with an open heart, 210
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

Early in the morning
When the first rooster crowed his warning, 200
Busy like bees, sweet and active,
Laura got up with Lizzie:
Collected honey, milked the cows,
Tidied up the house,
Kneaded cakes from the finest flour,
Cakes for delicate mouths to enjoy,
Then churned butter, whipped up cream,
Fed their chickens, sat and sewed;
Talked like modest young women should:
Lizzie with an open heart, 210
Laura lost in her own thoughts,
One content, one partly unwell;
One singing for the simple joy of the day,
One yearning for the night.

  At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep;
Lizzie plucked purple and rich golden flags, 220
Then turning homeward said: 'The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags,
No wilful squirrel wags,
The beasts and birds are fast asleep.'
But Laura loitered still among the rushes
And said the bank was steep.

At last, the slow evening arrived:
They went to the grassy stream with pitchers;
Lizzie looked calm and serene,
While Laura was like a dancing flame.
They drew the bubbling water from its depths;
Lizzie gathered purple and golden flags,
Then turned towards home and said: 'The sunset lights up
Those far-off, towering peaks;
Come on, Laura, no other girls are waiting,
No pesky squirrel is playing around,
The animals and birds are fast asleep.'
But Laura lingered among the reeds
And said the bank was steep.

  And said the hour was early still
The dew not fall'n, the wind not chill:
Listening ever, but not catching 230
The customary cry,
'Come buy, come buy,'
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling;
Let alone the herds
That used to tramp along the glen,
In groups or single, 240
Of brisk fruit-merchant men.

And said the hour was still early
The dew hadn’t fallen, the wind wasn’t cold:
Always listening, but not catching
The usual call,
'Come buy, come buy,'
With its repeated jingle
Of sweet-talking phrases:
Despite all her watching,
Not once did she spot a goblin
Racing, darting, tumbling, limping;
Let alone the crowds
That used to walk through the glen,
In groups or alone,
Of lively fruit-sellers.

  Till Lizzie urged, 'O Laura, come;
I hear the fruit-call but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glowworm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather, 250
Put out the lights and drench us through;
Then if we lost our way what should we do?'

Till Lizzie urged, 'O Laura, come;
I hear the call of the fruit but I can't look:
You shouldn't hang around any longer at this brook:
Come with me home.
The stars are rising, the moon is bending her arc,
Each glowworm blinks its spark,
Let's get home before it gets dark:
Because clouds might gather
Even though it’s summer weather, 250
Douse the lights and soak us completely;
Then if we lost our way, what would we do?'

  Laura turned cold as stone
To find her sister heard that cry alone,
That goblin cry,
'Come buy our fruits, come buy.'
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life drooped from the root: 260
She said not one word in her heart's sore ache;
But peering thro' the dimness, nought discerning,
Trudged home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnashed her teeth for baulked desire, and wept
As if her heart would break.

Laura felt as cold as stone
When she realized her sister heard that cry alone,
That goblin cry,
'Come buy our fruits, come buy.'
Did she really have to stop buying such tasty fruit?
Would she not find such delicious food anymore,
Now deaf and blind?
Her tree of life wilted from the roots: 260
She didn’t say a word, just felt her heart ache;
But peering through the dimness, seeing nothing,
She trudged home, her pitcher dripping all the way;
She crept to bed and lay
Silent until Lizzie fell asleep;
Then she sat up in passionate longing,
Gnashed her teeth from unfulfilled desire, and wept
As if her heart would break.

  Day after day, night after night,
Laura kept watch in vain 270
In sullen silence of exceeding pain.
She never caught again the goblin cry:
'Come buy, come buy;'—
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon waxed bright
Her hair grew thin and grey;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away. 280

Day after day, night after night,
Laura watched in vain 270
In deep silence filled with pain.
She never heard the goblin call:
'Come buy, come buy;'—
She never saw the goblin men
Selling their fruits along the glen:
But when noon became bright
Her hair grew thin and gray;
She faded, like the beautiful full moon does
Into swift decay and burns
Her light away. 280

  One day remembering her kernel-stone
She set it by a wall that faced the south;
Dewed it with tears, hoped for a root,
Watched for a waxing shoot,
But there came none;
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dreamed of melons, as a traveller sees
False waves in desert drouth 290
With shade of leaf-crowned trees,
And burns the thirstier in the sandful breeze.

One day, remembering her seed,
She placed it by a south-facing wall;
Watered it with her tears, hoping it would take root,
Watched for new growth,
But nothing came;
It never saw the sun,
It never felt the trickle of moisture:
While with downcast eyes and a tired mouth,
She dreamed of melons, like a traveler sees
Illusions of waves in a desert drought
With the shade of leafy trees,
And grows thirstier in the sandy breeze.

  She no more swept the house,
Tended the fowls or cows,
Fetched honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook
And would not eat.

She no longer swept the house,
Took care of the chickens or cows,
Fetched honey, kneaded wheat cakes,
Brought water from the stream:
But sat down feeling lost in the corner by the fireplace
And wouldn’t eat.

  Tender Lizzie could not bear
To watch her sister's cankerous care 300
Yet not to share.
She night and morning
Caught the goblins' cry:
'Come buy our orchard fruits,
Come buy, come buy:'—
Beside the brook, along the glen,
She heard the tramp of goblin men,
The voice and stir
Poor Laura could not hear;
Longed to buy fruit to comfort her, 310
But feared to pay too dear.
She thought of Jeanie in her grave,
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest Winter time
With the first glazing rime,
With the first snow-fall of crisp Winter time.

Tender Lizzie couldn't stand
To see her sister's painful struggle
Yet didn’t want to not be involved.
Every night and morning
She heard the goblins' call:
'Come buy our orchard fruits,
Come buy, come buy:'—
By the brook, through the glen,
She heard the footsteps of goblin men,
The voice and movement
Poor Laura couldn’t hear;
Longed to buy fruit to cheer her up,
But was scared to pay too high a price.
She thought of Jeanie in her grave,
Who should have been a bride;
But who for the joys brides hope to find
Fell ill and died
In her vibrant youth,
In the early Winter time
With the first frost forming,
With the first snowfall of crisp Winter time.

  Till Laura dwindling 320
Seemed knocking at Death's door:
Then Lizzie weighed no more
Better and worse;
But put a silver penny in her purse,
Kissed Laura, crossed the heath with clumps of furze
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

Till Laura was fading away 320
It felt like she was at Death's door:
Then Lizzie felt just as light
As better or worse;
But she put a silver penny in her purse,
Kissed Laura, crossed the heath with patches of gorse
At twilight, stopped by the stream:
And for the first time in her life
Started to listen and look.

  Laughed every goblin
When they spied her peeping: 330
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like, 340
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes,—
Hugged her and kissed her:
Squeezed and caressed her:
Stretched up their dishes, 350
Panniers, and plates:
'Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs; 360
Pluck them and suck them,
Pomegranates, figs.'—

Laughed every goblin
When they saw her peeking: 330
Came towards her hobbled,
Flying, running, jumping,
Puffing and blowing,
Chuckling, clapping, cheering,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Making funny faces,
Shy grimaces,
Cat-like and rat-like, 340
Ratel- and wombat-like,
Slow but in a rush,
Parrot-voiced and whistler,
All over the place, in a hurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes,—
Hugged her and kissed her:
Squeezed and cuddled her:
Stretched out their dishes, 350
Baskets, and plates:
'Look at our apples
Russet and brown,
Pick at our cherries,
Bite into our peaches,
Citrons and dates,
Grapes if you want,
Pears red from soaking
In the sun,
Plums on their branches; 360
Pick them and suck them,
Pomegranates, figs.'—

  'Good folk,' said Lizzie,
Mindful of Jeanie:
'Give me much and many:'—
Held out her apron,
Tossed them her penny.
'Nay, take a seat with us,
Honour and eat with us,'
They answered grinning: 370
'Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry;
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us, 380
Be welcome guest with us,
Cheer you and rest with us.'—
'Thank you,' said Lizzie: 'But one waits
At home alone for me:
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I tossed you for a fee.'—
They began to scratch their pates, 390
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One called her proud,
Cross-grained, uncivil;
Their tones waxed loud,
Their looks were evil.
Lashing their tails
They trod and hustled her,
Elbowed and jostled her, 400
Clawed with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soiled her stocking,
Twitched her hair out by the roots,
Stamped upon her tender feet,
Held her hands and squeezed their fruits
Against her mouth to make her eat.

'Good people,' said Lizzie,
Thinking of Jeanie:
'Give me a lot:'—
Held out her apron,
Tossed them her penny.
'No, come sit with us,
Enjoy and eat with us,'
They replied, grinning: 370
'Our feast is just starting.
The night is still young,
Warm and sparkling with dew,
Awake and starry:
These fruits, no one can carry;
If you took half their bloom,
Half their dew would dry,
Half their flavor would pass by.
Sit down and feast with us, 380
Be our welcome guest,
Enjoy yourself and rest with us.'—
'Thank you,' said Lizzie: 'But someone waits
At home alone for me:
So without talking more,
If you won't sell me any
Of your fruits, no matter how many,
Please give me back my silver penny
I tossed you as payment.'—
They started scratching their heads, 390
No longer friendly, purring,
But clearly refusing,
Grunting and growling.
One called her arrogant,
Rude, unkind;
Their voices grew louder,
Their expressions were evil.
Lashing their tails,
They pushed and shoved her,
Elbowed and bumped her, 400
Clawed with their nails,
Barking, meowing, hissing, mocking,
Tore her dress and ruined her stockings,
Pulled her hair out by the roots,
Stamped on her tender feet,
Held her hands and squeezed their fruits
Against her mouth to make her eat.

  White and golden Lizzie stood,
Like a lily in a flood,—
Like a rock of blue-veined stone 410
Lashed by tides obstreperously,—
Like a beacon left alone
In a hoary roaring sea,
Sending up a golden fire,—
Like a fruit-crowned orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee,—
Like a royal virgin town
Topped with gilded dome and spire
Close beleaguered by a fleet 420
Mad to tug her standard down.

White and golden Lizzie stood,
Like a lily in a flood,—
Like a rock of blue-veined stone 410
Smashed by wild waves,—
Like a lighthouse all alone
In a gray, roaring sea,
Sending up a golden light,—
Like a fruit-laden orange tree
White with sweet-smelling blossoms
Under attack by wasps and bees,—
Like a royal maiden town
Topped with a golden dome and spire
Surrounded by a fleet 420
Desperate to pull her flag down.

  One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuffed and caught her,
Coaxed and fought her,
Bullied and besought her,
Scratched her, pinched her black as ink,
Kicked and knocked her,
Mauled and mocked her,
Lizzie uttered not a word; 430
Would not open lip from lip
Lest they should cram a mouthful in:
But laughed in heart to feel the drip
Of juice that syrupped all her face,
And lodged in dimples of her chin,
And streaked her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kicked their fruit
Along whichever road they took, 440
Not leaving root or stone or shoot;
Some writhed into the ground,
Some dived into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanished in the distance.

One can lead a horse to water,
But you can’t make it drink.
Even though the goblins grabbed her,
Tried to coax and fight her,
Bullying and begging her,
Scratched her, pinched her black as ink,
Kicked and knocked her,
Mauled and mocked her,
Lizzie didn’t say a word; 430
Wouldn’t open her lips
For fear they’d stuff her mouth full:
But she laughed inside to feel the drip
Of juice that syruped all her face,
And settled in the dimples of her chin,
And streaked her neck which shook like curd.
Finally, the evil ones,
Worn out by her resistance,
Threw back her penny, kicked their fruit
Along whichever path they took, 440
Leaving no root, stone, or shoot;
Some wriggled into the ground,
Some dove into the brook
With a ring and ripple,
Some raced on the wind without a sound,
Some disappeared into the distance.

  In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze, 450
Threaded copse and dingle,
And heard her penny jingle
Bouncing in her purse,—
Its bounce was music to her ear.
She ran and ran
As if she feared some goblin man
Dogged her with gibe or curse
Or something worse:
But not one goblin skurried after,
Nor was she pricked by fear; 460
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

In a smart, aching tingle,
Lizzie went on her way;
She didn't know if it was night or day;
She ran up the bank, tore through the bushes, 450
Threaded through the thicket,
And heard her penny jingle
Bouncing in her purse,—
Its bounce was music to her ears.
She ran and ran
As if she feared some goblin man
Was following her with mockery or curse
Or something worse:
But not one goblin scurried after,
Nor was she pricked by fear; 460
Her kind heart made her run quickly
That urged her home, quite out of breath from the hurry
And inner laughter.

  She cried 'Laura,' up the garden,
'Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, suck my juices
Squeezed from goblin fruits for you,
Goblin pulp and goblin dew. 470
Eat me, drink me, love me;
Laura, make much of me:
For your sake I have braved the glen
And had to do with goblin merchant men.'

She called out 'Laura,' from the garden,
'Did you miss me?
Come and kiss me.
Forget about my bruises,
Hug me, kiss me, taste my sweetness
Squeezed from goblin fruits for you,
Goblin pulp and goblin dew. 470
Eat me, drink me, love me;
Laura, cherish me:
For your sake, I faced the glen
And dealt with goblin merchant men.'

  Laura started from her chair,
Flung her arms up in the air,
Clutched her hair:
'Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden, 480
Your young life like mine be wasted,
Undone in mine undoing,
And ruined in my ruin,
Thirsty, cankered, goblin-ridden?'—
She clung about her sister,
Kissed and kissed and kissed her:
Tears once again
Refreshed her shrunken eyes,
Dropping like rain
After long sultry drouth; 490
Shaking with aguish fear, and pain,
She kissed and kissed her with a hungry mouth.

Laura jumped out of her chair,
Threw her arms up in the air,
Grabbed her hair:
'Lizzie, Lizzie, have you tried
The forbidden fruit for my sake?
Does your light have to be hidden like mine,
Your youthful life wasted like mine,
Lost because of my downfall,
And destroyed with my ruin,
Thirsty, tainted, plagued by goblins?'—
She held onto her sister,
Kissed and kissed and kissed her:
Tears flowed again
Refreshing her tired eyes,
Falling like rain
After a long, dry spell; 490
Shaking with deep fear and pain,
She kissed and kissed her with a desperate mouth.

  Her lips began to scorch,
That juice was wormwood to her tongue,
She loathed the feast:
Writhing as one possessed she leaped and sung,
Rent all her robe, and wrung
Her hands in lamentable haste,
And beat her breast.
Her locks streamed like the torch 500
Borne by a racer at full speed,
Or like the mane of horses in their flight,
Or like an eagle when she stems the light
Straight toward the sun,
Or like a caged thing freed,
Or like a flying flag when armies run.

Her lips started to burn,
That juice was bitter on her tongue,
She hated the feast:
Writhing like someone possessed, she jumped and sang,
Tore her robe, and wrung
Her hands in desperate haste,
And beat her chest.
Her hair flowed like a torch 500
Carried by a runner at full speed,
Or like the mane of horses as they gallop,
Or like an eagle when she flies into the light
Straight toward the sun,
Or like a trapped creature freed,
Or like a waving flag when armies advance.

  Swift fire spread through her veins, knocked at her heart,
Met the fire smouldering there
And overbore its lesser flame;
She gorged on bitterness without a name: 510
Ah! fool, to choose such part
Of soul-consuming care!
Sense failed in the mortal strife:
Like the watch-tower of a town
Which an earthquake shatters down,
Like a lightning-stricken mast,
Like a wind-uprooted tree
Spun about,
Like a foam-topped waterspout
Cast down headlong in the sea, 520
She fell at last;
Pleasure past and anguish past,
Is it death or is it life?

Swift fire rushed through her veins, knocked at her heart,
Met the smoldering fire there
And overpowered its smaller flame;
She devoured bitterness without a name: 510
Ah! What a fool, to choose such a path
Of soul-consuming care!
Her senses failed in the struggle:
Like the watchtower of a town
That an earthquake brings down,
Like a lightning-struck mast,
Like a tree torn from the ground
Spun around,
Like a foamy waterspout
Dropped headfirst into the sea, 520
She finally fell;
Pleasure gone and pain gone,
Is it death or is it life?

  Life out of death.
That night long Lizzie watched by her,
Counted her pulse's flagging stir,
Felt for her breath,
Held water to her lips, and cooled her face
With tears and fanning leaves:
But when the first birds chirped about their eaves, 530
And early reapers plodded to the place
Of golden sheaves,
And dew-wet grass
Bowed in the morning winds so brisk to pass,
And new buds with new day
Opened of cup-like lilies on the stream,
Laura awoke as from a dream,
Laughed in the innocent old way,
Hugged Lizzie but not twice or thrice;
Her gleaming locks showed not one thread of grey, 540
Her breath was sweet as May
And light danced in her eyes.

Life out of death.
That night, Lizzie kept watch over her,
Counted the weak pulses of her heartbeat,
Felt for her breath,
Held water to her lips, and cooled her face
With tears and the rustle of leaves:
But when the first birds chirped around their eaves, 530
And early harvesters trudged to the spot
Of golden bundles,
And dew-drenched grass
Bowed in the fresh morning breeze,
And new buds with the new day
Opened like cup-shaped lilies on the stream,
Laura woke as if from a dream,
Laughed in her sweet, innocent way,
Hugged Lizzie but not more than twice or thrice;
Her shining hair had no hint of grey, 540
Her breath was as sweet as May
And light danced in her eyes.

  Days, weeks, months, years
Afterwards, when both were wives
With children of their own;
Their mother-hearts beset with fears,
Their lives bound up in tender lives;
Laura would call the little ones
And tell them of her early prime,
Those pleasant days long gone 550
Of not-returning time:
Would talk about the haunted glen,
The wicked, quaint fruit-merchant men,
Their fruits like honey to the throat
But poison in the blood;
(Men sell not such in any town:)
Would tell them how her sister stood
In deadly peril to do her good,
And win the fiery antidote:
Then joining hands to little hands 560
Would bid them cling together,
'For there is no friend like a sister
In calm or stormy weather;
To cheer one on the tedious way,
To fetch one if one goes astray,
To lift one if one totters down,
To strengthen whilst one stands.'

Days, weeks, months, years
Later, when they were both wives
With kids of their own;
Their motherly hearts filled with fears,
Their lives intertwined with those they loved;
Laura would gather the little ones
And share stories from her younger days,
Those enjoyable times long gone 550
Of moments that wouldn’t return:
Would talk about the haunted glen,
The strange and tricky fruit sellers,
Their fruits sweet as honey on the throat
But toxic to the blood;
(Men don’t sell such things in any town.)
Would tell them how her sister risked everything
To help her out,
And get the fiery antidote:
Then joining hands to little hands 560
Would ask them to stick together,
'For there is no friend like a sister
In good times or bad;
To encourage you on the long path,
To find you if you go off course,
To lift you up if you stumble,
To support you while you stand.'

IN THE ROUND TOWER AT JHANSI

June 8, 1857

June 8, 1857

A hundred, a thousand to one; even so;
  Not a hope in the world remained:
The swarming howling wretches below
  Gained and gained and gained.

A hundred, a thousand to one; even so;
  Not a hope in the world remained:
The crowd of desperate people below
  Kept getting closer and closer.

Skene looked at his pale young wife:—
  'Is the time come?'—'The time is come!'—
Young, strong, and so full of life:
  The agony struck them dumb.

Skene looked at his pale young wife:—
  'Is the time here?'—'The time is here!'—
Young, strong, and bursting with life:
  The pain left them speechless.

Close his arm about her now,
  Close her cheek to his, 10
Close the pistol to her brow—
  God forgive them this!

Wrap his arm around her now,
  Press her cheek against his, 10
Put the gun to her head—
  God forgive them for this!

'Will it hurt much?'—'No, mine own:
  I wish I could bear the pang for both.'
'I wish I could bear the pang alone:
  Courage, dear, I am not loth.'

'Will it hurt a lot?'—'No, my own:
  I wish I could take the pain for both.'
'I wish I could take the pain myself:
  Stay strong, dear, I'm not unwilling.'

Kiss and kiss: 'It is not pain
  Thus to kiss and die.
One kiss more.'—'And yet one again.'—
  'Good-bye.'—'Good-bye.' 20

Kiss and kiss: 'It’s not painful
  To kiss and die.
One more kiss.'—'And one more.'—
  'Goodbye.'—'Goodbye.' 20

DREAM LAND

Where sunless rivers weep
Their waves into the deep,
She sleeps a charmèd sleep:
  Awake her not.
Led by a single star,
She came from very far
To seek where shadows are
  Her pleasant lot.

Where sunless rivers cry
Their waves into the deep,
She sleeps a magical sleep:
  Don’t wake her up.
Guided by a single star,
She traveled from far away
To find where shadows are
  Her happy place.

She left the rosy morn,
She left the fields of corn, 10
For twilight cold and lorn
  And water springs.
Through sleep, as through a veil,
She sees the sky look pale,
And hears the nightingale
  That sadly sings.

She left the pink morning,
She left the cornfields,
For the cold and lonely twilight
  And water springs.
Through sleep, like a veil,
She sees the sky look pale,
And hears the nightingale
  That sadly sings.

Rest, rest, a perfect rest
Shed over brow and breast;
Her face is toward the west,
  The purple land. 20
She cannot see the grain
Ripening on hill and plain;
She cannot feel the rain
  Upon her hand.

Rest, rest, a perfect rest
Covering her brow and chest;
Her face is turned toward the west,
  The purple land. 20
She can't see the grain
Ripening on the hills and fields;
She can't feel the rain
  On her hand.

Rest, rest, for evermore
Upon a mossy shore;
Rest, rest at the heart's core
  Till time shall cease:
Sleep that no pain shall wake;
Night that no morn shall break 30
Till joy shall overtake
  Her perfect peace.

Rest, rest, forever
On a mossy shore;
Rest, rest at the heart's center
  Until time stops:
Sleep that pain can't disturb;
Night that morning can't shatter
30
Until joy finds
  Her perfect peace.

AT HOME

When I was dead, my spirit turned
  To seek the much-frequented house:
I passed the door, and saw my friends
  Feasting beneath green orange boughs;
From hand to hand they pushed the wine,
  They sucked the pulp of plum and peach;
They sang, they jested, and they laughed,
  For each was loved of each.

When I was dead, my spirit turned
  To seek the often-visited place:
I walked by the door and saw my friends
  Partying under the green orange branches;
They passed the wine from one person to another,
  Enjoying the fruit of plum and peach;
They sang, joked, and laughed,
  For everyone was loved by one another.

I listened to their honest chat:
  Said one: 'To-morrow we shall be 10
Plod plod along the featureless sands,
  And coasting miles and miles of sea.'
Said one: 'Before the turn of tide
  We will achieve the eyrie-seat.'
Said one: 'To-morrow shall be like
  To-day, but much more sweet.'

I listened to their genuine conversation:
  One said, 'Tomorrow we’ll 10
Trudge along the endless sands,
  And sail miles and miles of sea.'
One added, 'Before the tide turns
  We’ll reach our lofty spot.'
Another said, 'Tomorrow will be like
  Today, but even sweeter.'

'To-morrow,' said they, strong with hope,
  And dwelt upon the pleasant way:
'To-morrow,' cried they, one and all,
  While no one spoke of yesterday. 20
Their life stood full at blessed noon;
  I, only I, had passed away:
'To-morrow and to-day,' they cried;
  I was of yesterday.

'Tomorrow,' they said, filled with hope,
  And focused on the bright path ahead:
'Tomorrow,' they shouted, all together,
  While no one mentioned yesterday. 20
Their lives were at a joyful peak;
  I, only I, had moved on:
'Tomorrow and today,' they called out;
  I was part of yesterday.

I shivered comfortless, but cast
  No chill across the tablecloth;
I, all-forgotten, shivered, sad
  To stay, and yet to part how loth:
I passed from the familiar room,
  I who from love had passed away, 30
Like the remembrance of a guest
  That tarrieth but a day.

I shivered uncomfortably, but didn’t let
  Any cold touch the tablecloth;
I, all-forgotten, shivered, feeling blue
  Wanting to stay, yet reluctant to leave:
I left the familiar room,
  I who had moved on from love,
Like the memory of a guest
  Who only stays for a day.

A TRIAD

Sonnet

Sonnet

Three sang of love together: one with lips
  Crimson, with cheeks and bosom in a glow,
Flushed to the yellow hair and finger-tips;
  And one there sang who soft and smooth as snow
  Bloomed like a tinted hyacinth at a show;
And one was blue with famine after love,
  Who like a harpstring snapped rang harsh and low
The burden of what those were singing of.
One shamed herself in love; one temperately
  Grew gross in soulless love, a sluggish wife;
One famished died for love. Thus two of three
  Took death for love and won him after strife;
One droned in sweetness like a fattened bee:
  All on the threshold, yet all short of life.

Three sang of love together: one with lips
  Crimson, with cheeks and chest glowing,
Flushed to her blonde hair and fingertips;
  And one sang who was soft and smooth as snow
  Bloomed like a colorful hyacinth at a show;
And one was blue from longing after love,
  Who, like a harp string snapped, sounded harsh and low
The burden of what those two were singing about.
One embarrassed herself in love; one mildly
  Grew sluggish in soulless love, a tired wife;
One starved and died for love. Thus two of the three
  Took death for love and found him after struggle;
One droned in sweetness like a well-fed bee:
  All on the threshold, yet all short of life.

LOVE FROM THE NORTH

I had a love in soft south land,
  Beloved through April far in May;
He waited on my lightest breath,
  And never dared to say me nay.

I had a love in the gentle southern land,
  Cherished from April deep into May;
He hung on my every word,
  And never dared to say no to me.

He saddened if my cheer was sad,
  But gay he grew if I was gay;
We never differed on a hair,
  My yes his yes, my nay his nay.

He got upset if my happiness was dampened,
  But he brightened up if I was cheerful;
We never disagreed on anything,
  My yes was his yes, my no was his no.

The wedding hour was come, the aisles
  Were flushed with sun and flowers that day; 10
I pacing balanced in my thoughts:
  'It's quite too late to think of nay.'—

The wedding hour had arrived, the aisles
  Were bright with sunshine and flowers that day; 10
I was walking, lost in my thoughts:
  'It's way too late to think about anything.'—

My bridegroom answered in his turn,
  Myself had almost answered 'yea:'
When through the flashing nave I heard
  A struggle and resounding 'nay.'

My groom replied in his turn,
  I almost said 'yes:'
When through the bright aisle I heard
  A fight and a loud 'no.'

Bridemaids and bridegroom shrank in fear,
  But I stood high who stood at bay:
'And if I answer yea, fair Sir,
  What man art thou to bar with nay?' 20

Bridesmaids and the groom were terrified,
  But I stood tall, ready to face it:
'And if I say yes, good Sir,
  Who are you to say no?' 20

He was a strong man from the north,
  Light-locked, with eyes of dangerous grey:
'Put yea by for another time
  In which I will not say thee nay.'

He was a strong man from the north,
  Light-haired, with eyes of dangerous gray:
'Put it off for another time
  When I won’t say no to you.'

He took me in his strong white arms,
  He bore me on his horse away
O'er crag, morass, and hairbreadth pass,
  But never asked me yea or nay.

He lifted me in his strong white arms,
  He carried me on his horse away
Over cliffs, swamps, and narrow paths,
  But never asked me yes or no.

He made me fast with book and bell,
  With links of love he makes me stay; 30
Till now I've neither heart nor power
  Nor will nor wish to say him nay.

He made me quick with book and bell,
  With ties of love he keeps me here; 30
Until now I've had neither heart nor strength
  Nor desire nor wish to say no to him.

WINTER RAIN

Every valley drinks,
  Every dell and hollow:
Where the kind rain sinks and sinks,
  Green of Spring will follow.

Every valley absorbs,
  Every dell and hollow:
Where the gentle rain soaks in,
  Green of Spring will come.

Yet a lapse of weeks
  Buds will burst their edges,
Strip their wool-coats, glue-coats, streaks,
  In the woods and hedges;

Yet a few weeks later
  Buds will burst open,
Shedding their fuzzy coats, sticky coatings, color streaks,
  In the woods and hedges;

Weave a bower of love
  For birds to meet each other, 10
Weave a canopy above
  Nest and egg and mother.

Weave a cozy shelter of love
  For birds to gather together, 10
Weave a roof above
  Nest and egg and mother.

But for fattening rain
  We should have no flowers,
Never a bud or leaf again
  But for soaking showers;

But for the nourishing rain
  We wouldn't have any flowers,
Never a bud or leaf again
  But for the soaking showers;

Never a mated bird
  In the rocking tree-tops,
Never indeed a flock or herd
  To graze upon the lea-crops. 20

Never a paired bird
  In the swaying treetops,
Never truly a flock or herd
  To feed on the meadow crops. 20

Lambs so woolly white,
  Sheep the sun-bright leas on,
They could have no grass to bite
  But for rain in season.

Lambs so fluffy white,
  Sheep in the sunny fields,
They wouldn't have any grass to munch
  If it weren't for seasonal rain.

We should find no moss
  In the shadiest places,
Find no waving meadow grass
  Pied with broad-eyed daisies:

We shouldn't find any moss
  In the shadiest spots,
Find no swaying meadow grass
  Mixed with broad-eyed daisies:

But miles of barren sand,
  With never a son or daughter, 30
Not a lily on the land,
  Or lily on the water.

But miles of empty sand,
  With never a son or daughter, 30
Not a lily on the ground,
  Or lily on the water.

COUSIN KATE

I was a cottage maiden
  Hardened by sun and air,
Contented with my cottage mates,
  Not mindful I was fair.
Why did a great lord find me out,
  And praise my flaxen hair?
Why did a great lord find me out
  To fill my heart with care?

I was a cottage girl
  Toughened by sun and wind,
Happy with my cottage friends,
  Not aware I was pretty.
Why did a wealthy lord notice me,
  And compliment my blonde hair?
Why did a wealthy lord notice me
  To fill my heart with worry?

He lured me to his palace home—
  Woe's me for joy thereof— 10
To lead a shameless shameful life,
  His plaything and his love.
He wore me like a silken knot,
  He changed me like a glove;
So now I moan, an unclean thing,
  Who might have been a dove.

He brought me to his palace—
  Oh, how joyful that was— 10
To live a life filled with disgrace,
  His toy and his love.
He treated me like a silken ribbon,
  He replaced me like a glove;
Now I lament, feeling so tainted,
  When I could have been pure as a dove.

O Lady Kate, my cousin Kate,
  You grew more fair than I:
He saw you at your father's gate,
  Chose you, and cast me by. 20
He watched your steps along the lane,
  Your work among the rye;
He lifted you from mean estate
  To sit with him on high.

O Lady Kate, my cousin Kate,
  You grew more beautiful than I:
He saw you at your dad's gate,
  Chose you, and left me behind. 20
He watched your steps down the lane,
  Your work in the rye;
He lifted you from a low status
  To sit with him up high.

Because you were so good and pure
  He bound you with his ring:
The neighbours call you good and pure,
  Call me an outcast thing.
Even so I sit and howl in dust,
  You sit in gold and sing: 30
Now which of us has tenderer heart?
  You had the stronger wing.

Because you were so good and innocent
  He bound you with his ring:
The neighbors call you good and innocent,
  Call me an outcast thing.
Even so I sit and wail in the dirt,
  You sit in gold and sing:
Now which of us has the kinder heart?
  You had the stronger wing.

O cousin Kate, my love was true,
  Your love was writ in sand:
If he had fooled not me but you,
  If you stood where I stand,
He'd not have won me with his love
  Nor bought me with his land;
I would have spit into his face
  And not have taken his hand. 40

O cousin Kate, my love was real,
  Your love was written in sand:
If he had deceived not me but you,
  If you were in my place,
He wouldn't have won me with his love
  Nor bought me with his wealth;
I would have spat in his face
  And not taken his hand. 40

Yet I've a gift you have not got,
  And seem not like to get:
For all your clothes and wedding-ring
  I've little doubt you fret.
My fair-haired son, my shame, my pride,
  Cling closer, closer yet:
Your father would give lands for one
  To wear his coronet.

Yet I have a gift you don’t have,
  And it doesn’t look like you'll ever get it:
With all your fancy clothes and wedding ring,
  I'm sure you’re feeling stressed.
My fair-haired son, my shame, my pride,
  Hold on tighter, hold on even closer:
Your father would give up land for just one
  To wear his crown.

NOBLE SISTERS

'Now did you mark a falcon,
  Sister dear, sister dear,
Flying toward my window
  In the morning cool and clear?
With jingling bells about her neck,
  But what beneath her wing?
It may have been a ribbon,
  Or it may have been a ring.'—
      'I marked a falcon swooping
        At the break of day; 10
      And for your love, my sister dove,
        I 'frayed the thief away.'—

'Did you see a falcon,
  Sister dear, sister dear,
Flying toward my window
  In the cool, clear morning?
With jingling bells around her neck,
  But what was underneath her wing?
It might have been a ribbon,
  Or it could have been a ring.'—
      'I saw a falcon swooping
        At the break of day; 10
      And for your love, my sister dove,
        I scared the thief away.'—

'Or did you spy a ruddy hound,
  Sister fair and tall,
Went snuffing round my garden bound,
  Or crouched by my bower wall?
With a silken leash about his neck;
  But in his mouth may be
A chain of gold and silver links,
  Or a letter writ to me.'— 20
      'I heard a hound, highborn sister,
        Stood baying at the moon;
      I rose and drove him from your wall
        Lest you should wake too soon.'—

'Or did you see a red hound,
  Sister, beautiful and tall,
Sniffing around my garden,
  Or crouched by my bower wall?
With a silky leash around his neck;
  But in his mouth could be
A chain of gold and silver links,
  Or a letter written to me.'— 20
      'I heard a hound, dear sister,
        Barking at the moon;
      I got up and chased him from your wall
        So you wouldn't wake up too soon.'—

'Or did you meet a pretty page
  Sat swinging on the gate;
Sat whistling whistling like a bird,
  Or may be slept too late;
With eaglets broidered on his cap,
  And eaglets on his glove? 30
If you had turned his pockets out,
  You had found some pledge of love.'—
      'I met him at this daybreak,
        Scarce the east was red:
      Lest the creaking gate should anger you,
        I packed him home to bed.'—

'Or did you meet a handsome page
  Sitting on the gate;
Singing like a bird,
  Or maybe slept in late;
With eaglets embroidered on his cap,
  And eaglets on his glove? 30
If you had turned his pockets inside out,
  You would have found some token of love.'—
      'I met him at daybreak,
        When the east was just turning red:
      To avoid the creaking gate upsetting you,
        I sent him back to bed.'—

'Oh patience, sister. Did you see
  A young man tall and strong,
Swift-footed to uphold the right
  And to uproot the wrong, 40
Come home across the desolate sea
  To woo me for his wife?
And in his heart my heart is locked,
  And in his life my life.'—
      'I met a nameless man, sister,
        Hard by your chamber door:
      I said: Her husband loves her much.
        And yet she loves him more.'—

'Oh, be patient, sister. Did you see
  A young man who's tall and strong,
Quick on his feet to defend what's right
  And to get rid of what's wrong, 40
Coming home across the empty sea
  To ask me to be his wife?
And in his heart, my heart is locked,
  And in his life, my life.'—
      'I met a nameless man, sister,
        Right by your chamber door:
      I said: Her husband loves her a lot.
        And yet she loves him even more.'—

'Fie, sister, fie, a wicked lie,
  A lie, a wicked lie, 50
I have none other love but him,
  Nor will have till I die.
And you have turned him from our door,
  And stabbed him with a lie:
I will go seek him thro' the world
  In sorrow till I die.'—
      'Go seek in sorrow, sister,
        And find in sorrow too:
      If thus you shame our father's name
        My curse go forth with you.' 60

'Sister, shame on you, what a cruel lie,
  A lie, a cruel lie, 50
I have no other love but him,
  And I won’t until I die.
You’ve chased him from our home,
  And hurt him with a lie:
I will search for him through the world
  In grief until I die.'—
      'Go search in grief, sister,
        And find grief too:
      If you bring shame to our father's name,
        Then my curse goes with you.' 60

SPRING

Frost-locked all the winter,
Seeds, and roots, and stones of fruits,
What shall make their sap ascend
That they may put forth shoots?
Tips of tender green,
Leaf, or blade, or sheath;
Telling of the hidden life
That breaks forth underneath,
Life nursed in its grave by Death.

Frost has locked everything away for winter,
Seeds, roots, and stones of fruits,
What will make their sap rise
So they can start to shoot?
Tips of soft green,
Leaf, blade, or sheath;
Hinting at the hidden life
That breaks through beneath,
Life nurtured in its grave by Death.

Blows the thaw-wind pleasantly, 10
Drips the soaking rain,
By fits looks down the waking sun:
Young grass springs on the plain;
Young leaves clothe early hedgerow trees;
Seeds, and roots, and stones of fruits,
Swollen with sap put forth their shoots;
Curled-headed ferns sprout in the lane;
Birds sing and pair again.

The thawing breeze feels nice, 10
The soaking rain drips down,
At times the waking sun peeks out:
Young grass pops up across the field;
Fresh leaves cover the young hedgerow trees;
Seeds, roots, and fruit stones,
Swollen with sap, start to sprout;
Curled ferns push through the lane;
Birds are singing and pairing up again.

There is no time like Spring,
When life's alive in everything, 20
Before new nestlings sing,
Before cleft swallows speed their journey back
Along the trackless track—
God guides their wing,
He spreads their table that they nothing lack,—
Before the daisy grows a common flower,
Before the sun has power
To scorch the world up in his noontide hour.

There’s no time like spring,
When life is buzzing everywhere, 20
Before the baby birds start to sing,
Before the swallows race back
Along their endless route—
God guides their flight,
He provides for them so they have everything they need,—
Before the daisy becomes an everyday flower,
Before the sun gains the strength
To scorch the earth in the midday heat.

There is no time like Spring,
Like Spring that passes by; 30
There is no life like Spring-life born to die,—
Piercing the sod,
Clothing the uncouth clod,
Hatched in the nest,
Fledged on the windy bough,
Strong on the wing:
There is no time like Spring that passes by,
Now newly born, and now
Hastening to die.

There’s no time like Spring,
Like Spring that moves on quickly; 30
There’s no life like the Spring-life that’s born to fade,—
Breaking through the ground,
Dressing the rough earth,
Hatched in the nest,
Ready to fly on the breezy branch,
Strong in the air:
There’s no time like Spring that passes quickly,
Now just born, and now
Rushing toward the end.

THE LAMBS OF GRASMERE, 1860

The upland flocks grew starved and thinned:
  Their shepherds scarce could feed the lambs
Whose milkless mothers butted them,
  Or who were orphaned of their dams.
The lambs athirst for mother's milk
  Filled all the place with piteous sounds:
Their mothers' bones made white for miles
  The pastureless wet pasture grounds.

The mountain flocks looked thin and underfed:
  Their shepherds could hardly feed the lambs
Whose milkless mothers nudged them,
  Or who were left without their moms.
The thirsty lambs cried out for milk
  Filled the area with heartbreaking sounds:
The bones of their mothers lay scattered for miles
  Across the barren, soggy pasture land.

Day after day, night after night,
  From lamb to lamb the shepherds went, 10
With teapots for the bleating mouths
  Instead of nature's nourishment.
The little shivering gaping things
  Soon knew the step that brought them aid,
And fondled the protecting hand,
  And rubbed it with a woolly head.

Day after day, night after night,
  From lamb to lamb the shepherds walked, 10
With teapots for the bleating mouths
  Instead of natural food.
The little shivering, gaping creatures
  Quickly recognized the footsteps that brought them help,
And nuzzled the caring hand,
  And rubbed their woolly heads against it.

Then, as the days waxed on to weeks,
  It was a pretty sight to see
These lambs with frisky heads and tails
  Skipping and leaping on the lea, 20
Bleating in tender, trustful tones,
  Resting on rocky crag or mound.
And following the beloved feet
  That once had sought for them and found.

Then, as the days turned into weeks,
  It was a lovely sight to see
These playful lambs with lively heads and tails
  Jumping and bounding in the meadow, 20
Bleating in gentle, trusting sounds,
  Resting on rocky ledges or hills.
And following the cherished feet
  That once searched for them and found.

These very shepherds of their flocks,
  These loving lambs so meek to please,
Are worthy of recording words
  And honour in their due degrees:
So I might live a hundred years,
  And roam from strand to foreign strand, 30
Yet not forget this flooded spring
  And scarce-saved lambs of Westmoreland.

These very shepherds of their flocks,
  These loving lambs so gentle to please,
Deserve to have their stories told
  And recognition in their rightful place:
So I could live a hundred years,
  And travel from shore to distant shore, 30
Yet never forget this overflowing spring
  And barely saved lambs of Westmoreland.

A BIRTHDAY

My heart is like a singing bird
  Whose nest is in a watered shoot;
My heart is like an apple-tree
  Whose boughs are bent with thickset fruit;
My heart is like a rainbow shell
  That paddles in a halcyon sea;
My heart is gladder than all these
  Because my love is come to me.

My heart is like a singing bird
  Whose nest is in a well-watered shoot;
My heart is like an apple tree
  Whose branches are weighed down with ripe fruit;
My heart is like a colorful shell
  That floats in a calm sea;
My heart is happier than all these
  Because my love has come to me.

Raise me a dais of silk and down;
  Hang it with vair and purple dyes; 10
Carve it in doves, and pomegranates,
  And peacocks with a hundred eyes;
Work it in gold and silver grapes,
  In leaves, and silver fleurs-de-lys;
Because the birthday of my life
  Is come, my love is come to me.

Raise me a platform of silk and soft feathers;
  Decorate it with fur and purple dyes;
Carve it with doves and pomegranates,
  And peacocks with a hundred eyes;
Adorn it with gold and silver grapes,
  In leaves and silver fleurs-de-lys;
Because the birthday of my life
  Has arrived, my love has come to me.

REMEMBER

Sonnet

Sonnet

Remember me when I am gone away,
  Gone far away into the silent land;
  When you can no more hold me by the hand,
Nor I half turn to go yet turning stay.
Remember me when no more day by day
  You tell me of our future that you planned:
  Only remember me; you understand
It will be late to counsel then or pray.
Yet if you should forget me for a while
  And afterwards remember, do not grieve:
  For if the darkness and corruption leave
  A vestige of the thoughts that once I had,
Better by far you should forget and smile
  Than that you should remember and be sad.

Remember me when I'm gone,
  Gone far away to the quiet place;
  When you can't hold my hand anymore,
Nor I can turn to leave but still stay.
Remember me when you no longer share
  Daily visions of our plans for the future:
  Just remember me; you know
It'll be too late to offer advice or pray.
But if you forget me for a bit
  And then remember, don’t be upset:
  For if the darkness and decay leave
  A trace of the thoughts I once had,
It’s much better to forget and smile
  Than to remember and feel sad.

AFTER DEATH

Sonnet

Sonnet

The curtains were half drawn, the floor was swept
  And strewn with rushes, rosemary and may
  Lay thick upon the bed on which I lay,
Where through the lattice ivy-shadows crept.
He leaned above me, thinking that I slept
  And could not hear him; but I heard him say:
  'Poor child, poor child:' and as he turned away
Came a deep silence, and I knew he wept.
He did not touch the shroud, or raise the fold
  That hid my face, or take my hand in his,
    Or ruffle the smooth pillows for my head:
    He did not love me living; but once dead
  He pitied me; and very sweet it is
To know he still is warm though I am cold.

The curtains were halfway drawn, the floor was cleaned
  And scattered with rushes, rosemary, and may
  Lay thick on the bed where I lay,
Where ivy shadows crept through the lattice.
He leaned over me, thinking I was asleep
  And couldn’t hear him; but I heard him say:
  'Poor child, poor child:' and as he turned away
Came a deep silence, and I knew he was crying.
He didn’t touch the shroud or lift the fold
  That covered my face, or take my hand in his,
    Or mess up the smooth pillows for my head:
    He didn’t love me when I was alive; but now that I’m dead
  He pities me; and it’s very sweet to know
He’s still warm even though I am cold.

AN END

Love, strong as Death, is dead.
Come, let us make his bed
Among the dying flowers:
A green turf at his head;
And a stone at his feet,
Whereon we may sit
In the quiet evening hours.

Love, as powerful as Death, is gone.
Come, let’s prepare his resting place
Among the fading flowers:
A green patch at his head;
And a stone at his feet,
Where we can sit
In the peaceful evening hours.

He was born in the Spring,
And died before the harvesting:
On the last warm summer day 10
He left us; he would not stay
For Autumn twilight cold and grey.
Sit we by his grave, and sing
He is gone away.

He was born in the spring,
And died before the harvest:
On the last warm summer day 10
He left us; he wouldn’t stay
For autumn's cold and gray twilight.
Let’s sit by his grave and sing
He is gone away.

To few chords and sad and low
Sing we so:
Be our eyes fixed on the grass
Shadow-veiled as the years pass
While we think of all that was
In the long ago. 20

To a few chords, soft and low
We sing like this:
Let our eyes stay on the grass
Covered in shadows as the years go by
As we remember all that was
Long ago. 20

MY DREAM

Hear now a curious dream I dreamed last night
Each word whereof is weighed and sifted truth.

Hear now a strange dream I had last night
Every word of it is carefully considered truth.

  I stood beside Euphrates while it swelled
Like overflowing Jordan in its youth:
It waxed and coloured sensibly to sight;
Till out of myriad pregnant waves there welled
Young crocodiles, a gaunt blunt-featured crew,
Fresh-hatched perhaps and daubed with birthday dew.
The rest if I should tell, I fear my friend
My closest friend would deem the facts untrue; 10
And therefore it were wisely left untold;
Yet if you will, why, hear it to the end.

I stood by the Euphrates as it flooded
Like the overflowing Jordan in its early days:
It grew and changed visibly before my eyes;
Until from countless pregnant waves emerged
Young crocodiles, a thin, harsh-looking bunch,
Maybe just hatched and covered in morning dew.
If I continue, I worry my friend
My closest friend would think the story's fake; 10
So it’s probably best left unsaid;
But if you want, well, listen to the whole thing.

  Each crocodile was girt with massive gold
And polished stones that with their wearers grew:
But one there was who waxed beyond the rest,
Wore kinglier girdle and a kingly crown,
Whilst crowns and orbs and sceptres starred his breast.
All gleamed compact and green with scale on scale,
But special burnishment adorned his mail
And special terror weighed upon his frown; 20
His punier brethren quaked before his tail,
Broad as a rafter, potent as a flail.
So he grew lord and master of his kin:
But who shall tell the tale of all their woes?
An execrable appetite arose,
He battened on them, crunched, and sucked them in.
He knew no law, he feared no binding law,
But ground them with inexorable jaw:
The luscious fat distilled upon his chin,
Exuded from his nostrils and his eyes, 30
While still like hungry death he fed his maw;
Till every minor crocodile being dead
And buried too, himself gorged to the full,
He slept with breath oppressed and unstrung claw.
Oh marvel passing strange which next I saw:
In sleep he dwindled to the common size,
And all the empire faded from his coat.
Then from far off a wingèd vessel came,
Swift as a swallow, subtle as a flame:
I know not what it bore of freight or host, 40
But white it was as an avenging ghost.
It levelled strong Euphrates in its course;
Supreme yet weightless as an idle mote
It seemed to tame the waters without force
Till not a murmur swelled or billow beat:
Lo, as the purple shadow swept the sands,
The prudent crocodile rose on his feet
And shed appropriate tears and wrung his hands.

Each crocodile was adorned with massive gold
And polished stones that matched their wearers:
But one stood out, growing larger than the rest,
Wearing a more majestic belt and a royal crown,
While crowns and orbs and scepters decorated his chest.
All shimmered green with scale upon scale,
But his armor had a special shine
And an ominous weight rested on his glare;
His smaller brothers trembled before his tail,
Broad as a beam, powerful like a flail.
So he became the lord and master of his kin:
But who will tell the tale of all their suffering?
A terrible hunger surged,
He feasted on them, crushed and devoured them whole.
He followed no laws, felt no constraints,
But ground them with a relentless jaw:
The rich fat dripped from his chin,
Seeped from his nostrils and his eyes,
While still, like a ravenous beast, he filled his mouth;
Until every smaller crocodile was dead
And buried as well, he himself stuffed to capacity,
He slept with a heavy breath and unsteady claws.
Oh, how strange the marvel I saw next:
In sleep, he shrank to a common size,
And all the grandeur faded from his skin.
Then from afar, a winged vessel appeared,
Swift as a swallow, subtle as a flame:
I don’t know what it carried on board,
But it was as white as an avenging ghost.
It leveled the mighty Euphrates in its path;
Supreme yet weightless like a drifting speck
It seemed to calm the waters without effort
Until not a murmur stirred nor wave crashed:
Look, as the purple shadow swept the sands,
The cautious crocodile rose to his feet
And shed appropriate tears, wringing his hands.

  What can it mean? you ask. I answer not
For meaning, but myself must echo, What? 50
And tell it as I saw it on the spot.

What could it mean? you ask. I don’t answer
For meaning, but I must respond, What? 50
And recount it as I witnessed it right there.

SONG

Oh roses for the flush of youth,
  And laurel for the perfect prime;
But pluck an ivy branch for me
  Grown old before my time.

Oh roses for the bloom of youth,
  And laurel for the peak of life;
But pick an ivy branch for me
  Aging too soon in this strife.

Oh violets for the grave of youth,
  And bay for those dead in their prime;
Give me the withered leaves I chose
  Before in the old time.

Oh violets for the grave of youth,
  And bay for those who died young;
Give me the dried leaves I picked
  Back in the old days.

THE HOUR AND THE GHOST

BRIDE

O love, love, hold me fast,
He draws me away from thee;
I cannot stem the blast,
Nor the cold strong sea:
Far away a light shines
Beyond the hills and pines;
It is lit for me.

O love, love, hold me tight,
He pulls me away from you;
I can't resist the force,
Or the freezing, powerful sea:
A light shines far away
Beyond the hills and pine trees;
It's lit for me.

BRIDEGROOM

I have thee close, my dear,
No terror can come near;
Only far off the northern light shines clear. 10

I have you close, my dear,
No fear can come near;
Only far away does the northern light shine bright. 10

GHOST

Come with me, fair and false,
To our home, come home.
It is my voice that calls:
Once thou wast not afraid
When I woo'd, and said,
'Come, our nest is newly made'—
Now cross the tossing foam.

Come with me, beautiful yet deceitful,
To our home, come home.
It’s my voice that’s calling:
Once you weren’t scared
When I courted you, and said,
'Come, our nest is freshly built'—
Now cross the churning waves.

BRIDE

Hold me one moment longer,
He taunts me with the past,
His clutch is waxing stronger, 20
Hold me fast, hold me fast.
He draws me from thy heart,
And I cannot withhold:
He bids my spirit depart
With him into the cold:—
Oh bitter vows of old!

Hold me just a moment longer,
He mocks me with the past,
His grip is getting stronger, 20
Hold me tight, hold me tight.
He pulls me from your heart,
And I can’t resist:
He tells my spirit to leave
With him into the cold:—
Oh bitter promises from the past!

BRIDEGROOM

Lean on me, hide thine eyes:
Only ourselves, earth and skies,
Are present here: be wise.

Lean on me, cover your eyes:
Only we’re here, the earth and skies,
So be smart about this.

GHOST

Lean on me, come away, 30
I will guide and steady:
Come, for I will not stay:
Come, for house and bed are ready.
Ah, sure bed and house,
For better and worse, for life and death:
Goal won with shortened breath:
Come, crown our vows.

Lean on me, come with me, 30
I will guide and support you:
Come, because I won’t wait:
Come, for the home and bed are prepared.
Ah, certainly a bed and home,
Through good times and bad, for life and death:
A goal achieved with heavy breaths:
Come, let’s celebrate our promises.

BRIDE

One moment, one more word,
While my heart beats still,
While my breath is stirred 40
By my fainting will.
O friend forsake me not,
Forget not as I forgot:
But keep thy heart for me,
Keep thy faith true and bright;
Through the lone cold winter night
Perhaps I may come to thee.

One moment, just one more word,
While my heart still beats,
While my breath is taken
By my weakening will.
Oh friend, don’t abandon me,
Don’t forget as I forgot:
But hold your heart for me,
Keep your faith strong and bright;
Through the lonely, cold winter night,
Maybe I'll come to you.

BRIDEGROOM

Nay peace, my darling, peace:
Let these dreams and terrors cease:
Who spoke of death or change or aught but ease? 50

No more peace, my love, peace:
Let these dreams and fears stop:
Who talked about death or change or anything but comfort? 50

GHOST

O fair frail sin,
O poor harvest gathered in!
Thou shalt visit him again
To watch his heart grow cold;
To know the gnawing pain
I knew of old;
To see one much more fair
Fill up the vacant chair,
Fill his heart, his children bear:—
While thou and I together 60
In the outcast weather
Toss and howl and spin.

O beautiful, delicate sin,
O sad harvest we’ve reaped!
You will visit him again
To see his heart grow cold;
To feel the gnawing pain
I once knew all too well;
To watch someone much more lovely
Take the empty seat,
Fill his heart and bear his children:—
While you and I together
In the harsh weather
Toss and howl and spin.

A SUMMER WISH

Live all thy sweet life thro',
  Sweet Rose, dew-sprent,
Drop down thine evening dew
To gather it anew
When day is bright:
  I fancy thou wast meant
Chiefly to give delight.

Live your sweet life fully,
  Sweet Rose, covered in dew,
Let your evening dew fall
To collect it again
When the day is bright:
  I believe you were made
Mainly to bring joy.

Sing in the silent sky,
  Glad soaring bird;
Sing out thy notes on high 10
To sunbeam straying by
Or passing cloud;
  Heedless if thou art heard
Sing thy full song aloud.

Sing in the quiet sky,
  Happy soaring bird;
Sing out your notes on high 10
To sunbeam wandering by
Or passing cloud;
  Unconcerned if you’re heard
Sing your whole song out loud.

Oh that it were with me
  As with the flower;
Blooming on its own tree
For butterfly and bee
Its summer morns:
  That I might bloom mine hour 20
A rose in spite of thorns.

Oh, if only I were like the flower;
  Blooming on my own tree
For the butterfly and bee
On summer mornings:
  That I could bloom my moment 20
A rose despite the thorns.

Oh that my work were done
  As birds' that soar
Rejoicing in the sun:
That when my time is run
And daylight too,
  I so might rest once more
Cool with refreshing dew.

Oh, if only my work were done
  Like birds that fly
Enjoying the sun:
So that when my time is up
And daylight fades,
  I could finally rest again
Cool with refreshing dew.

AN APPLE GATHERING

I plucked pink blossoms from mine apple-tree
  And wore them all that evening in my hair:
Then in due season when I went to see
    I found no apples there.

I picked pink blossoms from my apple tree
  And wore them in my hair all evening:
Then when the time came for me to check
    I found no apples there.

With dangling basket all along the grass
  As I had come I went the selfsame track:
My neighbours mocked me while they saw me pass
    So empty-handed back.

With a hanging basket all along the grass
  As I arrived, I took the same path back:
My neighbors laughed as they saw me walk
    So empty-handed on the way back.

Lilian and Lilias smiled in trudging by,
  Their heaped-up basket teased me like a jeer; 10
Sweet-voiced they sang beneath the sunset sky,
    Their mother's home was near.

Lilian and Lilias smiled as they walked by,
  Their overflowing basket mocked me like a taunt; 10
They sang sweetly beneath the sunset sky,
    Their mother’s home was close by.

Plump Gertrude passed me with her basket full,
  A stronger hand than hers helped it along;
A voice talked with her through the shadows cool
    More sweet to me than song.

Plump Gertrude walked by with her full basket,
  A stronger hand than hers assisted her;
A voice chatted with her in the cool shadows
    More pleasing to me than a song.

Ah Willie, Willie, was my love less worth
  Than apples with their green leaves piled above?
I counted rosiest apples on the earth
    Of far less worth than love. 20

Ah Willie, Willie, was my love worth less
  Than apples with green leaves stacked on top?
I counted the most beautiful apples on Earth
    As far less valuable than love. 20

So once it was with me you stooped to talk
  Laughing and listening in this very lane:
To think that by this way we used to walk
    We shall not walk again!

So once it was with me you stopped to talk
  Laughing and listening in this very lane:
To think that on this path we used to walk
    We won’t walk again!

I let my neighbours pass me, ones and twos
  And groups; the latest said the night grew chill,
And hastened: but I loitered, while the dews
    Fell fast I loitered still.

I let my neighbors walk by, one or two at a time
  And in groups; the latest said the night was getting colder,
And hurried off: but I lingered, while the drops
    Of dew fell quickly I kept lingering.

SONG

Two doves upon the selfsame branch,
  Two lilies on a single stem,
Two butterflies upon one flower:—
  Oh happy they who look on them.

Two doves on the same branch,
  Two lilies on one stem,
Two butterflies on a single flower:—
  Oh how lucky are those who see them.

Who look upon them hand in hand
  Flushed in the rosy summer light;
Who look upon them hand in hand
  And never give a thought to night.

Who looks at them hand in hand
  Blushing in the warm summer light;
Who looks at them hand in hand
  And never thinks about the night.

MAUDE CLARE

Out of the church she followed them
  With a lofty step and mien:
His bride was like a village maid,
  Maude Clare was like a queen.

Out of the church she followed them
  With a proud step and demeanor:
His bride was like a country girl,
  Maude Clare was like a queen.

'Son Thomas,' his lady mother said,
  With smiles, almost with tears:
'May Nell and you but live as true
  As we have done for years;

'Son Thomas,' his mother said,
  With smiles, almost tears:
'May you and Nell live as true
  As we have for all these years;

'Your father thirty years ago
  Had just your tale to tell; 10
But he was not so pale as you,
  Nor I so pale as Nell.'

'Your father thirty years ago
  Had just your story to share; 10
But he wasn't as pale as you,
  Nor was I as pale as Nell.'

My lord was pale with inward strife,
  And Nell was pale with pride;
My lord gazed long on pale Maude Clare
  Or ever he kissed the bride.

My lord was pale with inner conflict,
  And Nell was pale with pride;
My lord stared for a long time at pale Maude Clare
  Before he kissed the bride.

'Lo, I have brought my gift, my lord,
  Have brought my gift,' she said:
'To bless the hearth, to bless the board,
  To bless the marriage-bed. 20

'Look, I have brought my gift, my lord,
  I have brought my gift,' she said:
'To bless the home, to bless the table,
  To bless the marriage bed. 20

'Here's my half of the golden chain
  You wore about your neck,
That day we waded ankle-deep
  For lilies in the beck:

'Here's my half of the golden chain
  You wore around your neck,
That day we waded ankle-deep
  For lilies in the stream:

'Here's my half of the faded leaves
  We plucked from budding bough,
With feet amongst the lily leaves,—
  The lilies are budding now.'

'Here's my share of the faded leaves
  We picked from the budding branches,
With our feet among the lily leaves,—
  The lilies are starting to bloom now.'

He strove to match her scorn with scorn,
  He faltered in his place: 30
'Lady,' he said,—'Maude Clare,' he said,—
  'Maude Clare:'—and hid his face.

He tried to respond to her contempt with contempt,
  He hesitated in his spot: 30
'Lady,' he said,—'Maude Clare,' he said,—
  'Maude Clare:'—and covered his face.

She turn'd to Nell: 'My Lady Nell,
  I have a gift for you;
Though, were it fruit, the bloom were gone,
  Or, were it flowers, the dew.

She turned to Nell: 'My Lady Nell,
  I have a gift for you;
Though, if it were fruit, the bloom would be gone,
  Or, if it were flowers, the dew.'

'Take my share of a fickle heart,
  Mine of a paltry love:
Take it or leave it as you will,
  I wash my hands thereof.' 40

'Take my share of an unreliable heart,
  Mine of a meager love:
Take it or leave it as you wish,
  I’m done with it.' 40

'And what you leave,' said Nell, 'I'll take,
  And what you spurn, I'll wear;
For he's my lord for better and worse,
  And him I love, Maude Clare.

'And what you leave,' said Nell, 'I'll take,
  And what you reject, I'll wear;
For he's my lord for better or worse,
  And him I love, Maude Clare.

'Yea, though you're taller by the head,
  More wise, and much more fair;
I'll love him till he loves me best,
  Me best of all, Maude Clare.'

'Yes, even though you're taller by a head,
  Wiser, and way more beautiful;
I'll love him until he loves me most,
  Me more than anyone, Maude Clare.'

ECHO

Come to me in the silence of the night;
  Come in the speaking silence of a dream;
Come with soft rounded cheeks and eyes as bright
  As sunlight on a stream;
    Come back in tears,
O memory, hope, love of finished years.

Come to me in the quiet of the night;
  Come in the gentle silence of a dream;
Come with soft, rounded cheeks and eyes that shine
  Like sunlight on a stream;
    Come back in tears,
O memory, hope, love of the years gone by.

Oh dream how sweet, too sweet, too bitter sweet,
  Whose wakening should have been in Paradise,
Where souls brimfull of love abide and meet;
  Where thirsting longing eyes 10
    Watch the slow door
That opening, letting in, lets out no more.

Oh dream, how sweet, way too sweet, too bittersweet,
  Whose waking should have taken place in Paradise,
Where souls filled with love come together;
  Where longing eyes that ache 10
    Watch the slow door
That, when it opens, lets in but never lets out.

Yet come to me in dreams, that I may live
  My very life again though cold in death:
Come back to me in dreams, that I may give
  Pulse for pulse, breath for breath:
    Speak low, lean low,
As long ago, my love, how long ago!

Yet come to me in dreams, so I can live
  My true life again, even though I'm cold in death:
Come back to me in dreams, so I can give
  Pulse for pulse, breath for breath:
    Speak softly, lean close,
Just like before, my love, oh how long ago!

MY SECRET

I tell my secret? No indeed, not I:
Perhaps some day, who knows?
But not to-day; it froze, and blows, and snows,
And you're too curious: fie!
You want to hear it? well:
Only, my secret's mine, and I won't tell.

I share my secret? Not at all:
Maybe someday, who can say?
But not today; it's cold, windy, and snowy,
And you're too nosy: shame on you!
You want to know it? Alright:
But my secret is mine, and I won't share.

  Or, after all, perhaps there's none:
Suppose there is no secret after all,
But only just my fun.
To-day's a nipping day, a biting day; 10
In which one wants a shawl,
A veil, a cloak, and other wraps:
I cannot ope to every one who taps,
And let the draughts come whistling through my hall;
Come bounding and surrounding me,
Come buffeting, astounding me,
Nipping and clipping through my wraps and all.
I wear my mask for warmth: who ever shows
His nose to Russian snows
To be pecked at by every wind that blows? 20
You would not peck? I thank you for good will,
Believe, but leave that truth untested still.

Or maybe there’s nothing at all:
What if there really is no secret,
Just my own enjoyment?
Today’s a chilly day, a biting day; 10
A day when you want a shawl,
A veil, a cloak, and other layers:
I can’t open the door to everyone who knocks,
And let the cold air rush through my hall;
Come rushing and surrounding me,
Come pushing against me,
Nipping and tugging at my layers and all.
I wear my mask for warmth: who shows
Their nose to Russian snow
To get hit by every wind that blows? 20
You wouldn’t? I appreciate your good intentions,
But let’s keep that truth untested for now.

  Spring's an expansive time: yet I don't trust
March with its peck of dust,
Nor April with its rainbow-crowned brief showers,
Nor even May, whose flowers
One frost may wither through the sunless hours.

Spring is a wide-open season, but I don't trust
March with its dust,
Or April with its quick, colorful rain showers,
Or even May, whose blooms
One frost can ruin in the chilly hours.

Perhaps some languid summer day,
When drowsy birds sing less and less,
And golden fruit is ripening to excess, 30
If there's not too much sun nor too much cloud,
And the warm wind is neither still nor loud,
Perhaps my secret I may say,
Or you may guess.

Maybe on some lazy summer day,
When sleepy birds sing less and less,
And golden fruit is ripening too much,
If there's not too much sun or too many clouds,
And the warm breeze is neither calm nor loud,
Maybe I’ll share my secret,
Or you might figure it out.

ANOTHER SPRING

If I might see another Spring
  I'd not plant summer flowers and wait:
I'd have my crocuses at once,
My leafless pink mezereons,
  My chill-veined snowdrops, choicer yet
  My white or azure violet,
Leaf-nested primrose; anything
  To blow at once, not late.

If I could see another Spring
  I wouldn’t plant summer flowers and wait:
I’d want my crocuses right away,
My bare pink mezereons,
  My cold-veined snowdrops, even better
  My white or blue violets,
Leaf-nested primrose; anything
  To bloom right away, not later.

If I might see another Spring
  I'd listen to the daylight birds 10
That build their nests and pair and sing,
Nor wait for mateless nightingale;
  I'd listen to the lusty herds,
  The ewes with lambs as white as snow,
I'd find out music in the hail
  And all the winds that blow.

If I could see another Spring
  I'd listen to the morning birds 10
That build their nests, mate, and sing,
Not wait for the lonely nightingale;
  I'd hear the lively herds,
  The ewes with lambs as white as snow,
I'd discover music in the hail
  And all the winds that blow.

If I might see another Spring—
  Oh stinging comment on my past
That all my past results in 'if'—
  If I might see another Spring 20
I'd laugh to-day, to-day is brief;
I would not wait for anything:
  I'd use to-day that cannot last,
  Be glad to-day and sing.

If I could see another Spring—
  Oh, what a sharp reminder of my past
That all my history boils down to 'if'—
  If I could see another Spring 20
I'd laugh today; today is short;
I wouldn't wait for anything:
  I'd make the most of today that can't stick around,
  Be happy today and sing.

A PEAL OF BELLS

Strike the bells wantonly,
  Tinkle tinkle well;
Bring me wine, bring me flowers,
  Ring the silver bell.
All my lamps burn scented oil,
  Hung on laden orange-trees,
Whose shadowed foliage is the foil
  To golden lamps and oranges.
Heap my golden plates with fruit,
  Golden fruit, fresh-plucked and ripe; 10
  Strike the bells and breathe the pipe;
Shut out showers from summer hours—
Silence that complaining lute—
  Shut out thinking, shut out pain,
  From hours that cannot come again.

Ring the bells loudly,
  Tinkle tinkle nicely;
Bring me wine, bring me flowers,
  Ring the silver bell.
All my lamps burn fragrant oil,
  Hanging on heavy orange trees,
Whose shaded leaves are the backdrop
  To golden lamps and oranges.
Fill my golden plates with fruit,
  Golden fruit, fresh-picked and ripe; 10
  Ring the bells and play the flute;
Keep out rain from summer days—
Silence that whining lute—
  Keep out thoughts, keep out pain,
  From moments that won’t come again.

Strike the bells solemnly,
  Ding dong deep:
My friend is passing to his bed,
  Fast asleep;
There's plaited linen round his head, 20
  While foremost go his feet—
His feet that cannot carry him.
My feast's a show, my lights are dim;
  Be still, your music is not sweet,—
There is no music more for him:
  His lights are out, his feast is done;
His bowl that sparkled to the brim
Is drained, is broken, cannot hold;
My blood is chill, his blood is cold;
  His death is full, and mine begun. 30

Strike the bells softly,
  Ding dong deep:
My friend is passing to his rest,
  Fast asleep;
There's woven linen round his head, 20
  While his feet lead the way—
His feet that can no longer carry him.
My feast is for show, my lights are dim;
  Be still, your music isn’t sweet,—
There’s no more music for him:
  His lights are out, his feast is over;
His bowl that sparkled to the top
Is empty, is broken, cannot hold;
My blood runs cold, his blood is chill;
  His death is complete, and mine has started. 30

FATA MORGANA

A blue-eyed phantom far before
  Is laughing, leaping toward the sun:
Like lead I chase it evermore,
  I pant and run.

A blue-eyed ghost long ago
  Is laughing, jumping toward the sun:
Like lead, I’m always chasing it,
  I breathe hard and run.

It breaks the sunlight bound on bound:
  Goes singing as it leaps along
To sheep-bells with a dreamy sound
  A dreamy song.

It breaks the sunlight, bouncing along:
  Singing as it leaps forward
To the sound of sheep-bells, dreamy
  A dreamy tune.

I laugh, it is so brisk and gay;
  It is so far before, I weep: 10
I hope I shall lie down some day,
  Lie down and sleep.

I laugh, it's so lively and cheerful;
  It's so distant ahead, I cry: 10
I hope that one day I'll lie down,
  Lie down and rest.

'NO, THANK YOU, JOHN'

I never said I loved you, John:
  Why will you tease me day by day,
And wax a weariness to think upon
  With always 'do' and 'pray'?

I never said I loved you, John:
  Why do you keep teasing me every day,
And make me tired just thinking about
  All the 'do' and 'please'?

You know I never loved you, John;
  No fault of mine made me your toast:
Why will you haunt me with a face as wan
  As shows an hour-old ghost?

You know I never loved you, John;
  It’s not my fault that you’re heartbroken:
Why do you keep haunting me with a face as pale
  As a ghost that’s just been seen?

I dare say Meg or Moll would take
  Pity upon you, if you'd ask: 10
And pray don't remain single for my sake
  Who can't perform that task.

I bet Meg or Moll would feel bad for you if you asked. And please don’t stay single just for me, since I can’t help with that.

I have no heart?—Perhaps I have not;
  But then you're mad to take offence
That I don't give you what I have not got:
  Use your own common sense.

I have no heart?—Maybe I don’t;
  But then you’re crazy to be upset
That I can’t give you what I don’t have:
  Use your own common sense.

Let bygones be bygones:
  Don't call me false, who owed not to be true:
I'd rather answer 'No' to fifty Johns
  Than answer 'Yes' to you. 20

Let the past be the past:
  Don't accuse me of being untrue:
I'd rather say 'No' to fifty Johns
  Than say 'Yes' to you. 20

Let's mar our pleasant days no more,
  Song-birds of passage, days of youth:
Catch at to-day, forget the days before:
  I'll wink at your untruth.

Let's not ruin our happy days anymore,
  Songbirds passing through, days of youth:
Embrace today, forget the days gone by:
  I'll overlook your little lies.

Let us strike hands as hearty friends;
  No more, no less; and friendship's good:
Only don't keep in view ulterior ends,
  And points not understood

Let’s shake hands as true friends;
  No more, no less; and friendship’s great:
Just don’t have hidden agendas,
  And things that aren’t clear.

In open treaty. Rise above
  Quibbles and shuffling off and on: 30
Here's friendship for you if you like; but love,—
  No, thank you, John.

In open agreement. Rise above
  Arguments and going back and forth: 30
Here's friendship for you if you want it; but love,—
  No, thanks, John.

MAY

I cannot tell you how it was;
But this I know: it came to pass
Upon a bright and breezy day
When May was young; ah, pleasant May!
As yet the poppies were not born
Between the blades of tender corn;
The last eggs had not hatched as yet,
Nor any bird forgone its mate.

I can’t explain how it happened;
But this I know: it occurred
On a bright and breezy day
When May was just beginning; oh, lovely May!
The poppies hadn’t bloomed yet
Among the blades of soft corn;
The last eggs hadn’t hatched yet,
And no bird had left its mate.

  I cannot tell you what it was;
But this I know: it did but pass. 10
It passed away with sunny May,
With all sweet things it passed away,
And left me old, and cold, and grey.

I can’t explain what it was;
But I know this: it just went away. 10
It faded with sunny May,
Along with all the sweet things it took away,
And left me feeling old, cold, and gray.

A PAUSE OF THOUGHT

I looked for that which is not, nor can be,
  And hope deferred made my heart sick in truth:
  But years must pass before a hope of youth
    Is resigned utterly.

I searched for what doesn’t exist, and can’t exist,
  And my heart grew sick with unfulfilled hope:
  But years have to go by before the hopes of youth
    Are completely given up.

I watched and waited with a steadfast will:
  And though the object seemed to flee away
  That I so longed for, ever day by day
    I watched and waited still.

I watched and waited with determination:
  And even though the thing I longed for seemed to slip away
  Every single day
    I kept watching and waiting.

Sometimes I said: This thing shall be no more;
  My expectation wearies and shall cease; 10
  I will resign it now and be at peace:
    Yet never gave it o'er.

Sometimes I said: This thing will be no more;
  My hopes tire me and will stop; 10
  I will let it go now and find peace:
    Yet I never truly gave it up.

Sometimes I said: It is an empty name
  I long for; to a name why should I give
  The peace of all the days I have to live?—
    Yet gave it all the same.

Sometimes I said: It's just a meaningless name
  I long for; why should I give
  The peace of all the days I have left to live?—
    Yet I gave it all the same.

Alas, thou foolish one! alike unfit
  For healthy joy and salutary pain:
  Thou knowest the chase useless, and again
    Turnest to follow it. 20

Alas, you foolish one! Just as unfit
  For healthy joy and helpful pain:
  You know the chase is useless, and yet again
    You turn to follow it. 20

TWILIGHT CALM

    Oh, pleasant eventide!
    Clouds on the western side
Grow grey and greyer hiding the warm sun:
The bees and birds, their happy labours done,
    Seek their close nests and bide.

Oh, pleasant evening!
    Clouds on the west
Get darker and darker, hiding the warm sun:
The bees and birds, their joyful work finished,
    Look for their cozy nests and wait.

    Screened in the leafy wood
    The stock-doves sit and brood:
The very squirrel leaps from bough to bough
But lazily; pauses; and settles now
    Where once he stored his food. 10

Screened in the leafy woods
    The stock-doves sit and brood:
The squirrel jumps from branch to branch
But lazily; stops; and settles now
    Where he once stored his food. 10

    One by one the flowers close,
    Lily and dewy rose
Shutting their tender petals from the moon:
The grasshoppers are still; but not so soon
    Are still the noisy crows.

One by one, the flowers close,
    Lily and dewy rose,
Shutting their soft petals from the moon:
The grasshoppers are quiet; but not as soon
    Are the noisy crows silent.

    The dormouse squats and eats
    Choice little dainty bits
Beneath the spreading roots of a broad lime;
Nibbling his fill he stops from time to time
    And listens where he sits. 20

The dormouse sits and munches
    On tasty little bites
Under the wide roots of a big lime tree;
Pausing now and then to listen
    As he enjoys his meal. 20

    From far the lowings come
    Of cattle driven home:
From farther still the wind brings fitfully
The vast continual murmur of the sea,
    Now loud, now almost dumb.

From a distance, you can hear the lowing of cattle being herded home:
From even farther away, the wind occasionally carries
The endless, deep sound of the sea,
    Sometimes loud, sometimes almost silent.

    The gnats whirl in the air,
    The evening gnats; and there
The owl opes broad his eyes and wings to sail
For prey; the bat wakes; and the shell-less snail
    Comes forth, clammy and bare. 30

The gnats swirl in the air,
    The evening gnats; and there
The owl opens wide his eyes and wings to glide
For prey; the bat stirs; and the naked snail
    Emerges, damp and exposed. 30

    Hark! that's the nightingale,
    Telling the selfsame tale
Her song told when this ancient earth was young:
So echoes answered when her song was sung
    In the first wooded vale.

Listen! That’s the nightingale,
    Sharing the same story
Her song sang when this ancient world was new:
So echoes responded when her song was played
    In the first forested valley.

    We call it love and pain
    The passion of her strain;
And yet we little understand or know:
Why should it not be rather joy that so
    Throbs in each throbbing vein? 40

We call it love and pain
    The passion of her struggle;
And yet we know so little:
Why shouldn’t it be joy that
    Pulses in each pounding vein? 40

    In separate herds the deer
    Lie; here the bucks, and here
The does, and by its mother sleeps the fawn:
Through all the hours of night until the dawn
    They sleep, forgetting fear.

In separate groups the deer
    Rest; here the males, and here
The females, and next to its mother sleeps the fawn:
Through all the hours of night until dawn
    They rest, letting go of their fears.

    The hare sleeps where it lies,
    With wary half-closed eyes;
The cock has ceased to crow, the hen to cluck:
Only the fox is out, some heedless duck
    Or chicken to surprise. 50

The hare sleeps where it falls,
    With cautious half-closed eyes;
The rooster has stopped crowing, the hen stopped clucking:
Only the fox is out, some unsuspecting duck
    Or chicken to catch. 50

    Remote, each single star
    Comes out, till there they are
All shining brightly: how the dews fall damp!
While close at hand the glow-worm lights her lamp
    Or twinkles from afar.

Remote, each single star
Comes out, until they’re all there
All shining brightly: how the dew falls damp!
While nearby, the glow-worm lights her lamp
Or twinkles from afar.

    But evening now is done
    As much as if the sun
Day-giving had arisen in the East:
For night has come; and the great calm has ceased,
    The quiet sands have run. 60

But evening is over now
Just like if the sun
Giving light had come up in the East:
For night has arrived; and the deep calm has ended,
The still sands have slipped away. 60

WIFE TO HUSBAND

Pardon the faults in me,
  For the love of years ago:
    Good-bye.
I must drift across the sea,
  I must sink into the snow,
    I must die.

Forgive my flaws,
  For the love from years past:
    Goodbye.
I need to float across the ocean,
  I need to sink into the snow,
    I need to die.

You can bask in this sun,
  You can drink wine, and eat:
    Good-bye.
I must gird myself and run, 10
  Though with unready feet:
    I must die.

You can soak up this sun,
  You can sip wine and munch:
    Goodbye.
I have to prepare myself and go,
  Even with unsteady feet:
    I have to face death.

Blank sea to sail upon,
  Cold bed to sleep in:
    Good-bye.
While you clasp, I must be gone
  For all your weeping:
    I must die.

Blank sea to sail on,
  Cold bed to sleep in:
    Good-bye.
While you hold on, I have to leave
  Despite all your crying:
    I must die.

A kiss for one friend,
  And a word for two,— 20
    Good-bye:—
A lock that you must send,
  A kindness you must do:
    I must die.

A kiss for one friend,
  And a word for two,— 20
    Good-bye:—
A lock that you have to send,
  A kindness you need to do:
    I must die.

Not a word for you,
  Not a lock or kiss,
    Good-bye.
We, one, must part in two;
  Verily death is this:
    I must die. 30

Not a word for you,
  Not a lock or kiss,
    Goodbye.
We, together, must split in two;
  Truly, this is death:
    I must die. 30

THREE SEASONS

  'A cup for hope!' she said,
In springtime ere the bloom was old:
The crimson wine was poor and cold
  By her mouth's richer red.

'A cup for hope!' she said,
In springtime before the bloom faded:
The crimson wine was cheap and cold
  Compared to her lips’ richer red.

  'A cup for love!' how low,
How soft the words; and all the while
Her blush was rippling with a smile
  Like summer after snow.

'A cup for love!' how low,
How soft the words; and all the while
Her blush was rippling with a smile
  Like summer after snow.

  'A cup for memory!'
Cold cup that one must drain alone: 10
While autumn winds are up and moan
  Across the barren sea.

'A cup for memory!'
A lonely cup that one has to finish solo: 10
While autumn winds are blowing and howling
  Across the empty sea.

  Hope, memory, love:
Hope for fair morn, and love for day,
And memory for the evening grey
  And solitary dove.

Hope, memory, love:
Hope for a bright morning, and love for the day,
And memory for the evening gray
  And lonely dove.

MIRAGE

The hope I dreamed of was a dream,
  Was but a dream; and now I wake,
Exceeding comfortless, and worn, and old,
  For a dream's sake.

The hope I dreamed of was just a dream,
  Was only a dream; and now I wake,
Feeling incredibly uncomfortable, worn out, and aged,
  All for the sake of a dream.

I hang my harp upon a tree,
  A weeping willow in a lake;
I hang my silent harp there, wrung and snapt
  For a dream's sake.

I hang my harp on a tree,
  A weeping willow by a lake;
I hang my silent harp there, worn and broken
  For the sake of a dream.

Lie still, lie still, my breaking heart;
  My silent heart, lie still and break: 10
Life, and the world, and mine own self, are changed
  For a dream's sake.

Lie still, lie still, my aching heart;
  My quiet heart, lie still and break: 10
Life, the world, and my own self have changed
  For the sake of a dream.

SHUT OUT

The door was shut. I looked between
  Its iron bars; and saw it lie,
  My garden, mine, beneath the sky,
Pied with all flowers bedewed and green:

The door was closed. I looked through
  Its iron bars; and saw it there,
  My garden, mine, under the sky,
Filled with all flowers, fresh and green:

From bough to bough the song-birds crossed,
  From flower to flower the moths and bees;
  With all its nests and stately trees
It had been mine, and it was lost.

From branch to branch the songbirds flew,
  From bloom to bloom the moths and bees;
  With all its nests and majestic trees
It had been mine, and now it's gone.

A shadowless spirit kept the gate,
  Blank and unchanging like the grave. 10
  I peering through said: 'Let me have
Some buds to cheer my outcast state.'

A formless spirit stood by the gate,
  Empty and unchanging like the grave. 10
  I looked through and said: 'Please give me
Some buds to brighten my lonely state.'

He answered not. 'Or give me, then,
  But one small twig from shrub or tree;
  And bid my home remember me
Until I come to it again.'

He didn't answer. 'Then just give me,
  One small twig from a bush or tree;
  And tell my home to remember me
Until I come back to it.'

The spirit was silent; but he took
  Mortar and stone to build a wall;
  He left no loophole great or small
Through which my straining eyes might look: 20

The spirit was quiet; but he took
  Mortar and stone to build a wall;
  He left no openings, big or small
Through which my eager eyes could look: 20

So now I sit here quite alone
  Blinded with tears; nor grieve for that,
  For nought is left worth looking at
Since my delightful land is gone.

So now I sit here all alone
  Blinded by tears; and I don’t mourn for that,
  Because there's nothing left worth seeing
Since my beautiful home is gone.

A violet bed is budding near,
  Wherein a lark has made her nest:
  And good they are, but not the best;
And dear they are, but not so dear.

A violet bed is blooming nearby,
  Where a lark has built her nest:
  And they’re nice, but not the nicest;
And they’re valuable, but not the most valuable.

SOUND SLEEP

Some are laughing, some are weeping;
She is sleeping, only sleeping.
Round her rest wild flowers are creeping;
There the wind is heaping, heaping
Sweetest sweets of Summer's keeping.
By the corn-fields ripe for reaping.

Some are laughing, some are crying;
She is sleeping, just sleeping.
Around her, wildflowers are creeping;
There the wind is piling, piling
The sweetest treasures of summer's keeping.
By the cornfields ready for harvesting.

There are lilies, and there blushes
The deep rose, and there the thrushes
Sing till latest sunlight flushes
In the west; a fresh wind brushes 10
Through the leaves while evening hushes.

There are lilies, and there are blushes
The deep rose, and there are thrushes
Singing until the last rays of sunlight fade
In the west; a cool breeze sweeps 10
Through the leaves while evening settles down.

There by day the lark is singing
And the grass and weeds are springing;
There by night the bat is winging;
There for ever winds are bringing
Far-off chimes of church-bells ringing.

There by day the lark is singing
And the grass and weeds are growing;
There by night the bat is flying;
There forever winds are blowing
Far-off sounds of church bells ringing.

Night and morning, noon and even,
Their sound fills her dreams with Heaven:
The long strife at lent is striven:
Till her grave-bands shall be riven 20
Such is the good portion given
To her soul at rest and shriven.

Night and morning, noon and evening,
Their sound fills her dreams with Heaven:
The long struggle during Lent is fought:
Until her grave bands are torn apart 20
Such is the good portion given
To her soul at peace and forgiven.

SONG

She sat and sang alway
  By the green margin of a stream,
Watching the fishes leap and play
  Beneath the glad sunbeam.

She sat and sang all the time
  By the green edge of a stream,
Watching the fish jump and play
  Beneath the happy sunlight.

I sat and wept alway
  Beneath the moon's most shadowy beam,
Watching the blossoms of the May
  Weep leaves into the stream.

I sat and cried all the time
  Beneath the moon's darkest light,
Watching the May flowers
  Drop their leaves into the stream.

I wept for memory;
  She sang for hope that is so fair: 10
My tears were swallowed by the sea;
  Her songs died on the air.

I cried for memories;
  She sang for a hope that's so beautiful: 10
My tears were lost in the ocean;
  Her songs faded into the air.

SONG

When I am dead, my dearest,
  Sing no sad songs for me;
Plant thou no roses at my head,
  Nor shady cypress tree:
Be the green grass above me
  With showers and dewdrops wet;
And if thou wilt, remember,
  And if thou wilt, forget.

When I'm gone, my dearest,
  Don't sing any sad songs for me;
Don't plant any roses at my head,
  Or a shady cypress tree:
Let the green grass grow over me
  With rain and dewdrops on it;
And if you want, remember,
  And if you want, forget.

I shall not see the shadows,
  I shall not feel the rain; 10
I shall not hear the nightingale
  Sing on, as if in pain:
And dreaming through the twilight
  That doth not rise nor set,
Haply I may remember,
  And haply may forget.

I won’t see the shadows,
  I won’t feel the rain; 10
I won’t hear the nightingale
  Singing as if in pain:
And dreaming through the twilight
  That neither rises nor sets,
Maybe I’ll remember,
  And maybe I’ll forget.

DEAD BEFORE DEATH

Sonnet

Sonnet

Ah! changed and cold, how changed and very cold,
  With stiffened smiling lips and cold calm eyes:
  Changed, yet the same; much knowing, little wise;
This was the promise of the days of old!
Grown hard and stubborn in the ancient mould,
  Grown rigid in the sham of lifelong lies:
  We hoped for better things as years would rise,
But it is over as a tale once told.
All fallen the blossom that no fruitage bore,
  All lost the present and the future time,
All lost, all lost, the lapse that went before:
So lost till death shut-to the opened door,
  So lost from chime to everlasting chime,
So cold and lost for ever evermore.

Ah! changed and cold, how changed and very cold,
  With stiff smiling lips and cold calm eyes:
  Changed, yet the same; much knowing, little wise;
This was the promise of the days of old!
Grown hard and stubborn in the ancient mold,
  Grown rigid in the facade of lifelong lies:
  We hoped for better things as the years went by,
But it is over like a story long told.
All fallen the blossom that never bore fruit,
  All lost the present and the future time,
All lost, all lost, the past that went before:
So lost until death shuts the opened door,
  So lost from chime to everlasting chime,
So cold and lost forevermore.

BITTER FOR SWEET

Summer is gone with all its roses,
  Its sun and perfumes and sweet flowers,
  Its warm air and refreshing showers:
    And even Autumn closes.

Summer is gone with all its roses,
  Its sun and scents and sweet blooms,
  Its warm air and refreshing rain:
    And even Fall is coming to an end.

Yea, Autumn's chilly self is going,
  And winter comes which is yet colder;
  Each day the hoar-frost waxes bolder,
    And the last buds cease blowing.

Yeah, Autumn's chilly self is leaving,
  And winter is coming, which is even colder;
  Each day the frost gets bolder,
    And the last buds stop blooming.

SISTER MAUDE

Who told my mother of my shame,
  Who told my father of my dear?
Oh who but Maude, my sister Maude,
  Who lurked to spy and peer.

Who told my mom about my shame,
  Who told my dad about my fear?
Oh who but Maude, my sister Maude,
  Who hid to watch and leer.

Cold he lies, as cold as stone,
  With his clotted curls about his face:
The comeliest corpse in all the world
  And worthy of a queen's embrace.

He lies cold, as cold as stone,
  With tangled hair around his face:
The most handsome corpse in the world
  And deserving of a queen's embrace.

You might have spared his soul, sister,
  Have spared my soul, your own soul too: 10
Though I had not been born at all,
  He'd never have looked at you.

You could have saved his soul, sister,
  Saved my soul, and your own too: 10
Even if I had never been born at all,
  He wouldn't have looked at you.

My father may sleep in Paradise,
  My mother at Heaven-gate:
But sister Maude shall get no sleep
  Either early or late.

My dad might rest in Paradise,
  My mom at Heaven's gate:
But my sister Maude won't get any sleep
  Either early or late.

My father may wear a golden gown,
  My mother a crown may win;
If my dear and I knocked at Heaven-gate
  Perhaps they'd let us in: 20
But sister Maude, oh sister Maude,
  Bide you with death and sin.

My dad might wear a golden robe,
  My mom might win a crown;
If my love and I knocked on Heaven's gate,
  Maybe they’d let us in: 20
But sister Maude, oh sister Maude,
  Stay you with death and sin.

REST

Sonnet

Sonnet

O Earth, lie heavily upon her eyes;
  Seal her sweet eyes weary of watching, Earth;
  Lie close around her; leave no room for mirth
With its harsh laughter, nor for sound of sighs.
She hath no questions, she hath no replies,
  Hushed in and curtained with a blessèd dearth
  Of all that irked her from the hour of birth;
With stillness that is almost Paradise.
Darkness more clear than noon-day holdeth her,
  Silence more musical than any song;
Even her very heart has ceased to stir:
Until the morning of Eternity
Her rest shall not begin nor end, but be;
  And when she wakes she will not think it long.

O Earth, weigh down on her eyes;
  Close her sweet eyes that are tired from watching, Earth;
  Wrap around her; leave no space for joy
With its loud laughter, nor for the sound of sighs.
She has no questions, she has no answers,
  Quieted and surrounded by a blessed lack
  Of everything that bothered her since birth;
With stillness that feels almost like Paradise.
Darkness clearer than noon holds her,
  Silence more melodic than any song;
Even her heart has stopped moving:
Until the morning of Eternity
Her rest won't begin or end, but just be;
  And when she wakes, she won’t think it was long.

THE FIRST SPRING DAY

I wonder if the sap is stirring yet,
If wintry birds are dreaming of a mate,
If frozen snowdrops feel as yet the sun
And crocus fires are kindling one by one:
    Sing, robin, sing;
I still am sore in doubt concerning Spring.

I wonder if the sap is starting to flow yet,
If winter birds are dreaming of a partner,
If frozen snowdrops are feeling the sun yet
And crocus flowers are lighting up one by one:
    Sing, robin, sing;
I'm still hesitant about Spring.

I wonder if the springtide of this year
Will bring another Spring both lost and dear;
If heart and spirit will find out their Spring,
Or if the world alone will bud and sing: 10
    Sing, hope, to me;
Sweet notes, my hope, soft notes for memory.

I wonder if this year's spring tide
Will bring another spring that’s both lost and treasured;
If my heart and spirit will discover their own spring,
Or if only the world will bloom and sing: 10
    Sing, hope, to me;
Sweet sounds, my hope, gentle sounds for remembrance.

The sap will surely quicken soon or late,
The tardiest bird will twitter to a mate;
So Spring must dawn again with warmth and bloom,
Or in this world, or in the world to come:
    Sing, voice of Spring,
Till I too blossom and rejoice and sing.

The sap will definitely start to flow sooner or later,
The slowest bird will chirp to find a mate;
So Spring will have to arrive again with warmth and flowers,
Either in this life or in the next:
    Sing, voice of Spring,
Until I too bloom and celebrate and sing.

THE CONVENT THRESHOLD

There's blood between us, love, my love,
There's father's blood, there's brother's blood;
And blood's a bar I cannot pass:
I choose the stairs that mount above,
Stair after golden skyward stair,
To city and to sea of glass.
My lily feet are soiled with mud,
With scarlet mud which tells a tale
Of hope that was, of guilt that was,
Of love that shall not yet avail; 10
Alas, my heart, if I could bare
My heart, this selfsame stain is there:
I seek the sea of glass and fire
To wash the spot, to burn the snare;
Lo, stairs are meant to lift us higher:
Mount with me, mount the kindled stair.

There's blood between us, love, my love,
There's blood from my father, there's blood from my brother;
And blood is a barrier I can't cross:
I choose the stairs that lead above,
Step after golden skyward step,
To the city and to a sea of glass.
My delicate feet are soiled with mud,
With scarlet mud that tells a story
Of hope that once was, of guilt that once was,
Of love that isn't ready yet; 10
Alas, my heart, if I could expose
My heart, that same stain is there:
I seek the sea of glass and fire
To cleanse the mark, to burn the trap;
Look, stairs are meant to lift us higher:
Climb with me, climb the kindled stair.

  Your eyes look earthward, mine look up.
I see the far-off city grand,
Beyond the hills a watered land,
Beyond the gulf a gleaming strand 20
Of mansions where the righteous sup;
Who sleep at ease among their trees,
Or wake to sing a cadenced hymn
With Cherubim and Seraphim;
They bore the Cross, they drained the cup,
Racked, roasted, crushed, wrenched limb from limb,
They the offscouring of the world:
The heaven of starry heavens unfurled,
The sun before their face is dim.

Your eyes look down, mine look up.
I see the distant city so grand,
Beyond the hills, a lush land,
Beyond the gulf, a shining shore 20
Of mansions where the righteous eat;
Who rest easy among their trees,
Or wake to sing a rhythmic hymn
With Cherubim and Seraphim;
They bore the Cross, they drained the cup,
Suffered, burned, crushed, torn apart,
They the outcasts of the world:
The heaven of starry heavens spread out,
The sun before their face is dim.

You looking earthward what see you? 30
Milk-white wine-flushed among the vines,
Up and down leaping, to and fro,
Most glad, most full, made strong with wines,
Blooming as peaches pearled with dew,
Their golden windy hair afloat,
Love-music warbling in their throat,
Young men and women come and go.

You looking down at the ground, what do you see? 30
Milk-white wine sparkling among the vines,
Jumping up and down, side to side,
Most cheerful, most filled, strengthened by wine,
Blooming like peaches glistening with dew,
Their golden hair blowing in the breeze,
Love songs singing in their voices,
Young men and women coming and going.

  You linger, yet the time is short:
Flee for your life, gird up your strength
To flee; the shadows stretched at length 40
Show that day wanes, that night draws nigh;
Flee to the mountain, tarry not.
Is this a time for smile and sigh,
For songs among the secret trees
Where sudden blue birds nest and sport?
The time is short and yet you stay:
To-day while it is called to-day
Kneel, wrestle, knock, do violence, pray;
To-day is short, to-morrow nigh:
Why will you die? why will you die? 50

You hang around, but time is running out:
Run for your life, gather your strength
To escape; the shadows are growing long 40
Show that day is ending, that night is coming;
Run to the mountain, don’t hesitate.
Is this a time for smiles and sighs,
For songs among the hidden trees
Where sudden bluebirds nest and play?
Time is short and yet you linger:
Today, while it’s still called today,
Kneel, struggle, knock, fight, pray;
Today is brief, tomorrow is near:
Why will you perish? why will you perish? 50

  You sinned with me a pleasant sin:
Repent with me, for I repent.
Woe's me the lore I must unlearn!
Woe's me that easy way we went,
So rugged when I would return!
How long until my sleep begin,
How long shall stretch these nights and days?
Surely, clean Angels cry, she prays;
She laves her soul with tedious tears:
How long must stretch these years and years? 60

You shared a nice sin with me:
Repent with me, because I regret it.
Oh, the lessons I need to forget!
Oh, the easy path we took,
So tough when I want to go back!
How long until I can finally rest,
How long will these nights and days drag on?
Surely, pure Angels cry, she prays;
She cleanses her soul with endless tears:
How long must these years go on and on? 60

  I turn from you my cheeks and eyes,
My hair which you shall see no more—
Alas for joy that went before,
For joy that dies, for love that dies.
Only my lips still turn to you,
My livid lips that cry, Repent.
Oh weary life, oh weary Lent,
Oh weary time whose stars are few.

I turn my cheeks and eyes away from you,
My hair that you’ll see no longer—
Oh, how I miss the happiness that was,
For joy that fades, for love that fades.
Only my lips still face you,
My pale lips that cry, Repent.
Oh, tired life, oh, tired Lent,
Oh, tired time with few stars.

How should I rest in Paradise,
Or sit on steps of heaven alone? 70
If Saints and Angels spoke of love
Should I not answer from my throne:
Have pity upon me, ye my friends,
For I have heard the sound thereof:
Should I not turn with yearning eyes,
Turn earthwards with a pitiful pang?
Oh save me from a pang in heaven.
By all the gifts we took and gave,
Repent, repent, and be forgiven:
This life is long, but yet it ends; 80
Repent and purge your soul and save:
No gladder song the morning stars
Upon their birthday morning sang
Than Angels sing when one repents.

How should I relax in Paradise,
Or sit on the steps of heaven all alone? 70
If Saints and Angels talk about love,
Shouldn't I respond from my throne:
Have mercy on me, my friends,
For I've heard that sound:
Should I not look back with longing eyes,
Gaze down to earth with a heavy heart?
Oh save me from suffering in heaven.
By all the gifts we shared and received,
Repent, repent, and find forgiveness:
This life is long, but it eventually ends; 80
Repent and cleanse your soul to be saved:
No happier song the morning stars
Sang on their birthday morning
Than the songs Angels sing when someone repents.

  I tell you what I dreamed last night:
A spirit with transfigured face
Fire-footed clomb an infinite space.
I heard his hundred pinions clang,
Heaven-bells rejoicing rang and rang,
Heaven-air was thrilled with subtle scents, 90
Worlds spun upon their rushing cars:
He mounted shrieking: 'Give me light.'
Still light was poured on him, more light;
Angels, Archangels he outstripped
Exultant in exceeding might,
And trod the skirts of Cherubim.
Still 'Give me light,' he shrieked; and dipped
His thirsty face, and drank a sea,
Athirst with thirst it could not slake.
I saw him, drunk with knowledge, take 100
From aching brows the aureole crown—
His locks writhed like a cloven snake—
He left his throne to grovel down
And lick the dust of Seraphs' feet:
For what is knowledge duly weighed?
Knowledge is strong, but love is sweet;
Yea all the progress he had made
Was but to learn that all is small
Save love, for love is all in all.

I’ll tell you about my dream last night:
A spirit with a changed face
Climbed an endless space on fire-footed wings.
I heard his hundred wings clang,
Heavenly bells ringing and ringing,
The air in heaven was filled with subtle scents, 90
Worlds spun on their fast-moving paths:
He rose, crying, 'Give me light.'
Light kept pouring on him, more light;
He outpaced angels, archangels
Celebrating in incredible strength,
And walked near the Cherubim.
Still 'Give me light,' he shouted, and dipped
His thirsty face to drink a sea,
A thirst that could never be satisfied.
I saw him, drunk with knowledge, take 100
The golden crown from his aching brows—
His hair twisted like a split snake—
He left his throne to crawl down
And lick the dust off the Seraphs' feet:
For what is knowledge when it's truly considered?
Knowledge is powerful, but love is sweet;
Indeed, all the progress he made
Was just to realize that everything is small
Except for love, because love is everything.

  I tell you what I dreamed last night: 110
It was not dark, it was not light,
Cold dews had drenched my plenteous hair
Through clay; you came to seek me there.
And 'Do you dream of me?' you said.
My heart was dust that used to leap
To you; I answered half asleep:
'My pillow is damp, my sheets are red,
There's a leaden tester to my bed:
Find you a warmer playfellow,
A warmer pillow for your head, 120
A kinder love to love than mine.'
You wrung your hands; while I like lead
Crushed downwards through the sodden earth:
You smote your hands but not in mirth,
And reeled but were not drunk with wine.

I’ll share my dream from last night: 110
It wasn’t dark, it wasn’t light,
Cold dew had soaked my thick hair
As you came to find me there.
And you asked, ‘Do you dream of me?’
My heart was like dust that used to leap
For you; I replied half asleep:
‘My pillow is wet, my sheets are red,
There’s a heavy canopy over my bed:
Find yourself a warmer playmate,
A cozier pillow for your head, 120
A kinder love to care for than mine.’
You wrung your hands; while I, like lead,
Sank down through the soggy earth:
You clapped your hands but not in joy,
And staggered but weren’t drunk with wine.

  For all night long I dreamed of you:
I woke and prayed against my will,
Then slept to dream of you again.
At length I rose and knelt and prayed:
I cannot write the words I said, 130
My words were slow, my tears were few;
But through the dark my silence spoke
Like thunder. When this morning broke,
My face was pinched, my hair was grey,
And frozen blood was on the sill
Where stifling in my struggle I lay.

For the whole night, I dreamed about you:
I woke up and prayed, even though I didn't want to,
Then fell asleep to dream of you again.
Eventually, I got up and knelt to pray:
I can't express the words I said, 130
My words were slow, my tears were few;
But in the darkness, my silence spoke
Like thunder. When morning came,
My face was haggard, my hair was grey,
And blood was frozen on the windowsill
Where I struggled and stifled.

  If now you saw me you would say:
Where is the face I used to love?
And I would answer: Gone before;
It tarries veiled in paradise. 140
When once the morning star shall rise,
When earth with shadow flees away
And we stand safe within the door,
Then you shall lift the veil thereof.
Look up, rise up: for far above
Our palms are grown, our place is set;
There we shall meet as once we met
And love with old familiar love.

If you saw me now, you’d say:
Where’s the face I used to love?
And I would reply: It's gone;
It lingers hidden in paradise. 140
When the morning star rises,
When the earth's shadows fade away
And we stand safe at the door,
Then you’ll lift the veil.
Look up, rise up: for far above
Our hands have grown, our place is ready;
There we’ll meet as we once did
And love with the same familiar love.

UP-HILL

Does the road wind up-hill all the way?
  Yes, to the very end.
Will the day's journey take the whole long day?
  From morn to night, my friend.

Does the road go uphill all the way?
  Yes, to the very end.
Will the day's journey take the entire day?
  From morning to night, my friend.

But is there for the night a resting-place?
  A roof for when the slow dark hours begin.
May not the darkness hide it from my face?
  You cannot miss that inn.

But is there a place to rest for the night?
  A roof for when the slow dark hours start.
Could the darkness keep it out of my sight?
  You won’t miss that inn.

Shall I meet other wayfarers at night?
  Those who have gone before. 10
Then must I knock, or call when just in sight?
  They will not keep you standing at that door.

Shall I meet other travelers at night?
  Those who have come before. 10
Then should I knock, or call when I'm in sight?
  They won't make you wait at that door.

Shall I find comfort, travel-sore and weak?
  Of labour you shall find the sum.
Will there be beds for me and all who seek?
  Yea, beds for all who come.

Shall I find comfort, tired and weak from my travels?
  From work, you will see the answers.
Will there be beds for me and everyone who searches?
  Yes, beds for all who arrive.

DEVOTIONAL PIECES

'THE LOVE OF CHRIST WHICH PASSETH KNOWLEDGE'

I bore with thee long weary days and nights,
  Through many pangs of heart, through many tears;
I bore with thee, thy hardness, coldness, slights,
    For three and thirty years.

I put up with you for long, exhausting days and nights,
  Through many heartaches and countless tears;
I dealt with your bitterness, your indifference, your neglect,
    For thirty-three years.

Who else had dared for thee what I have dared?
  I plunged the depth most deep from bliss above;
I not My flesh, I not My spirit spared:
    Give thou Me love for love.

Who else has taken the risks for you that I have?
  I sank to the deepest depths from heights of joy;
I held nothing back—neither my body nor my spirit:
    Give me love in return for my love.

For thee I thirsted in the daily drouth,
  For thee I trembled in the nightly frost: 10
Much sweeter thou than honey to My mouth:
    Why wilt thou still be lost?

For you I thirsted in the daily heat,
  For you I trembled in the nightly cold: 10
Much sweeter you are than honey to my lips:
    Why will you still be lost?

I bore thee on My shoulders and rejoiced:
  Men only marked upon My shoulders borne
The branding cross; and shouted hungry-voiced,
    Or wagged their heads in scorn.

I carried you on My shoulders and was joyful:
  People only noticed the mark on My shoulders
The cross that branded Me; they shouted with hungry voices,
    Or shook their heads in disdain.

Thee did nails grave upon My hands, thy name
  Did thorns for frontlets stamp between Mine eyes:
I, Holy One, put on thy guilt and shame;
    I, God, Priest, Sacrifice. 20

You drove nails into My hands, your name
  Was stamped with thorns upon My forehead:
I, the Holy One, took on your guilt and shame;
    I, God, Priest, Sacrifice. 20

A thief upon My right hand and My left;
  Six hours alone, athirst, in misery:
At length in death one smote My heart and cleft
    A hiding-place for thee.

A thief on My right and My left;
  Six hours alone, thirsty and in pain:
Finally, in death, one struck My heart and made
    A hiding place for you.

Nailed to the racking cross, than bed of down
  More dear, whereon to stretch Myself and sleep:
So did I win a kingdom,—share my crown;
    A harvest,—come and reap.

Nailed to the racking cross, then to a soft bed
  More precious, where I can lie down and sleep:
That’s how I gained a kingdom—share my crown;
    A harvest—come and collect.

'A BRUISED REED SHALL HE NOT BREAK'

I will accept thy will to do and be,
  Thy hatred and intolerance of sin,
  Thy will at least to love, that burns within
    And thirsteth after Me:
So will I render fruitful, blessing still,
  The germs and small beginnings in thy heart,
  Because thy will cleaves to the better part.—
    Alas, I cannot will.

I will accept your will to do and be,
  Your hatred and intolerance of sin,
  Your will at least to love, that burns within
    And thirsts after Me:
So I will make fruitful, blessing still,
  The seeds and small beginnings in your heart,
  Because your will clings to the better part.—
    Alas, I cannot will.

Dost not thou will, poor soul? Yet I receive
  The inner unseen longings of the soul, 10
  I guide them turning towards Me; I control
    And charm hearts till they grieve:
If thou desire, it yet shall come to pass,
  Though thou but wish indeed to choose My love;
  For I have power in earth and heaven above.—
    I cannot wish, alas!

Do you not want, poor soul? Yet I receive
  The hidden, unspoken desires of the soul, 10
  I guide them to turn towards Me; I influence
    And captivate hearts until they sorrow:
If you desire, it will still happen,
  Even if you just truly want to choose My love;
  For I have power on earth and in heaven above.—
    I cannot wish, unfortunately!

What, neither choose nor wish to choose? and yet
  I still must strive to win thee and constrain:
  For thee I hung upon the cross in pain,
    How then can I forget? 20
If thou as yet dost neither love, nor hate,
  Nor choose, nor wish,—resign thyself, be still
  Till I infuse love, hatred, longing, will.—
    I do not deprecate.

What, neither choose nor want to choose? and yet
  I still have to try to win you and hold on:
  For you I suffered on the cross in pain,
    How can I then forget? 20
If you still neither love nor hate,
  Nor choose, nor want,—just let it be, be still
  Until I fill you with love, hatred, longing, will.—
    I do not dismiss.

A BETTER RESURRECTION

I have no wit, no words, no tears;
  My heart within me like a stone
Is numbed too much for hopes or fears.
  Look right, look left, I dwell alone;
I lift mine eyes, but dimmed with grief
  No everlasting hills I see;
My life is in the falling leaf:
  O Jesus, quicken me.

I have no cleverness, no words, no tears;
  My heart feels heavy like a stone
Is too dulled for hopes or fears.
  Look right, look left, I’m all alone;
I lift my eyes, but clouded with grief
  I see no eternal hills;
My life is like a falling leaf:
  O Jesus, bring me to life again.

My life is like a faded leaf,
  My harvest dwindled to a husk; 10
Truly my life is void and brief
  And tedious in the barren dusk;
My life is like a frozen thing,
  No bud nor greenness can I see:
Yet rise it shall—the sap of Spring;
  O Jesus, rise in me.

My life is like a worn-out leaf,
  My harvest reduced to nothing; 10
Honestly, my life feels empty and short
  And boring in the empty twilight;
My life is like something frozen,
  No growth or freshness in sight:
But it will rise again—the life of Spring;
  O Jesus, rise within me.

My life is like a broken bowl,
  A broken bowl that cannot hold
One drop of water for my soul
  Or cordial in the searching cold 20
Cast in the fire the perished thing,
  Melt and remould it, till it be
A royal cup for Him my King:
  O Jesus, drink of me.

My life is like a broken bowl,
  A broken bowl that can't hold
One drop of water for my soul
  Or comfort in the searching cold 20
Throw the damaged thing in the fire,
  Melt it down and reshape it, until it becomes
A royal cup for Him, my King:
  O Jesus, drink from me.

ADVENT

This Advent moon shines cold and clear,
  These Advent nights are long;
Our lamps have burned year after year
  And still their flame is strong.
'Watchman, what of the night?' we cry,
  Heart-sick with hope deferred:
'No speaking signs are in the sky,'
  Is still the watchman's word.

This Advent moon shines cold and bright,
  These Advent nights are lengthy;
Our lamps have burned year after year
  And still their flame is steady.
'Watchman, what about the night?' we ask,
  Heartbroken with hope postponed:
'No signs in the sky,'
  Is still the watchman's reply.

The Porter watches at the gate,
  The servants watch within; 10
The watch is long betimes and late,
  The prize is slow to win.
'Watchman, what of the night?' But still
  His answer sounds the same:
'No daybreak tops the utmost hill,
  Nor pale our lamps of flame.'

The doorman stands guard at the gate,
  The staff keeps an eye inside; 10
The wait goes on, both early and late,
  The reward takes time to arrive.
'Watchman, what's the news of the night?' But still
  His answer stays the same:
'No dawn breaks over the highest hill,
  Nor do our flames flicker and wane.'

One to another hear them speak
  The patient virgins wise:
'Surely He is not far to seek'—
  'All night we watch and rise.' 20
'The days are evil looking back,
  The coming days are dim;
Yet count we not His promise slack,
  But watch and wait for Him.'

One to another, hear them talk
  The patient, wise young women:
'Surely He isn’t hard to find'—
  'All night we watch and wait.' 20
'The past days are dark,
  The future days are unclear;
Yet we don’t consider His promise slow,
  But watch and wait for Him.'

One with another, soul with soul,
  They kindle fire from fire:
'Friends watch us who have touched the goal.'
  'They urge us, come up higher.'
'With them shall rest our waysore feet,
  With them is built our home, 30
With Christ.'—'They sweet, but He most sweet,
  Sweeter than honeycomb.'

One with another, soul to soul,
  They spark fire from fire:
'Friends watch us as we reach the finish line.'
  'They encourage us to rise higher.'
'With them our tired feet will rest,
  With them we build our home, 30
With Christ.'—'They are sweet, but He is the sweetest,
  Sweeter than honeycomb.'

There no more parting, no more pain,
  The distant ones brought near,
The lost so long are found again,
  Long lost but longer dear:
Eye hath not seen, ear hath not heard,
  Nor heart conceived that rest,
With them our good things long deferred,
  With Jesus Christ our Best. 40

There’s no more separation, no more suffering,
  The faraway are brought close,
The ones we lost for so long are found again,
  Long lost but even more cherished:
No eye has seen, no ear has heard,
  And no heart can imagine that peace,
With them our good things we’ve waited for,
  With Jesus Christ, our greatest. 40

We weep because the night is long,
  We laugh for day shall rise,
We sing a slow contented song
  And knock at Paradise.
Weeping we hold Him fast, Who wept
  For us, we hold Him fast;
And will not let Him go except
  He bless us first or last.

We cry because the night feels endless,
  We laugh knowing the day will come,
We sing a gentle, peaceful song
  And reach for Paradise.
While crying, we cling to Him who cried
  For us, we hold Him tight;
And won’t let Him go unless
  He blesses us, first or last.

Weeping we hold Him fast to-night;
  We will not let Him go 50
Till daybreak smite our wearied sight
  And summer smite the snow:
Then figs shall bud, and dove with dove
  Shall coo the livelong day;
Then He shall say, 'Arise, My love,
  My fair one, come away.'

We’re holding on to Him tonight;
  We won’t let Him go 50
Until daybreak blinds our tired eyes
  And summer melts the snow:
Then figs will blossom, and doves will coo
  All day long;
Then He will say, 'Get up, My love,
  My beautiful one, come away.'

THE THREE ENEMIES

THE FLESH

'Sweet, thou art pale.'
                        'More pale to see,
Christ hung upon the cruel tree
And bore His Father's wrath for me.'

'Sweet, you look pale.'
                        'More pale to see,
Christ hung on the cruel tree
And bore His Father's wrath for me.'

'Sweet, thou art sad.'
                       'Beneath a rod
More heavy, Christ for my sake trod
The winepress of the wrath of God.'

'Sweet, you're sad.'
                       'Under a burden
Heavier, for my sake Christ endured
The winepress of God's wrath.'

'Sweet, thou art weary.'
                         'Not so Christ:
Whose mighty love of me sufficed
For Strength, Salvation, Eucharist.'

'Sweet, you are tired.'
                         'Not at all, Christ:
Whose great love for me is enough
For Strength, Salvation, Eucharist.'

'Sweet, thou art footsore.'
                            'If I bleed, 10
His feet have bled; yea in my need
His Heart once bled for mine indeed.'

'Sweet, you’re sore from walking.'
                            'If I bleed, 10
His feet have bled; yes, in my need,
His Heart once bled for mine, indeed.'

THE WORLD

'Sweet, thou art young.'
                         'So He was young
Who for my sake in silence hung
Upon the Cross with Passion wrung.'

'Sweet, you are young.'
                         'So He was young
Who for my sake hung in silence
On the Cross with Passion wrung.'

'Look, thou art fair.'
                       'He was more fair
Than men, Who deigned for me to wear
A visage marred beyond compare.'

'Look, you are beautiful.'
                       'He was more beautiful
Than any man, Who chose for me to bear
A face disfigured beyond compare.'

'And thou hast riches.'
                        'Daily bread:
All else is His: Who, living, dead, 20
For me lacked where to lay His Head.'

'And you have wealth.'
                        'Daily bread:
Everything else belongs to Him: Who, living or dead, 20
For me had nowhere to lay His Head.'

'And life is sweet.'
                     'It was not so
To Him, Whose Cup did overflow
With mine unutterable woe.'

'And life is sweet.'
                     'It wasn't the same
For Him, Whose Cup was full
With my unexpressed sorrow.'

THE DEVIL

'Thou drinkest deep.'
                      'When Christ would sup
He drained the dregs from out my cup:
So how should I be lifted up?'

'You drink deeply.'
                      'When Christ would dine
He emptied the last drops from my cup:
So how can I be uplifted?'

'Thou shalt win Glory.'
                        'In the skies,
Lord Jesus, cover up mine eyes
Lest they should look on vanities.' 30

'You shall win glory.'
                        'In the skies,
Lord Jesus, cover my eyes
So they won’t see vanities.' 30

'Thou shalt have Knowledge.'
                             'Helpless dust!
In Thee, O Lord, I put my trust:
Answer Thou for me, Wise and Just.'

'You shall have Knowledge.'
                             'Helpless dust!
In You, O Lord, I put my trust:
Answer for me, Wise and Just.'

'And Might.'—
                'Get thee behind me. Lord,
Who hast redeemed and not abhorred
My soul, oh keep it by Thy Word.'

'And Might.'—
                'Get behind me. Lord,
Who has redeemed and not rejected
My soul, oh keep it by Your Word.'

THE ONE CERTAINTY

Sonnet

Poem

Vanity of vanities, the Preacher saith,
  All things are vanity. The eye and ear
  Cannot be filled with what they see and hear.
Like early dew, or like the sudden breath
Of wind, or like the grass that withereth,
  Is man, tossed to and fro by hope and fear:
  So little joy hath he, so little cheer,
Till all things end in the long dust of death.
To-day is still the same as yesterday,
  To-morrow also even as one of them;
And there is nothing new under the sun:
Until the ancient race of Time be run,
  The old thorns shall grow out of the old stem,
And morning shall be cold and twilight grey.

Vanity of vanities, the Preacher says,
  Everything is pointless. The eye and ear
  Can never be satisfied with what they see and hear.
Like the morning dew, or a sudden gust
Of wind, or the grass that withers,
  Is humanity, tossed around by hope and fear:
  So little joy do they have, so little cheer,
Until everything ends in the long dust of death.
Today is still the same as yesterday,
  Tomorrow will be just like one of them;
And there is nothing new under the sun:
Until the ancient race of Time is finished,
  The old thorns will continue to grow from the old stem,
And morning will be cold and twilight grey.

CHRISTIAN AND JEW

A DIALOGUE

'Oh happy happy land!
Angels like rushes stand
  About the wells of light.'—
  'Alas, I have not eyes for this fair sight:
Hold fast my hand.'—

'Oh, what a joyful land!
Angels stand like reeds
  Around the wells of light.'—
  'Unfortunately, I can't see this beautiful sight:
Hold my hand tightly.'—

'As in a soft wind, they
Bend all one blessed way,
  Each bowed in his own glory, star with star.'—
  'I cannot see so far,
  Here shadows are.'— 10

'Like a gentle breeze, they
All lean in the same beautiful direction,
  Each shining in their own brilliance, star beside star.'—
  'I can't see that far,
  Here there are only shadows.'— 10

'White-winged the cherubim,
Yet whiter seraphim,
  Glow white with intense fire of love.'—
'Mine eyes are dim:
  I look in vain above,
And miss their hymn.'—

'White-winged the cherubim,
Yet whiter seraphim,
  Glow white with intense fire of love.'—
'My eyes are dim:
  I look in vain above,
And miss their hymn.'—

'Angels, Archangels cry
One to other ceaselessly
  (I hear them sing)
  One "Holy, Holy, Holy" to their King.'— 20
'I do not hear them, I.'—

'Angels and Archangels call out to each other nonstop
  (I hear them sing)
  One saying "Holy, Holy, Holy" to their King.'— 20
'I don't hear them, I.'—

'At one side Paradise
  Is curtained from the rest,
Made green for wearied eyes;
  Much softer than the breast
Of mother-dove clad in a rainbow's dyes.

'On one side, Paradise
  Is separated from the rest,
Made green for tired eyes;
  Much softer than the chest
Of a mother dove dressed in a rainbow's colors.

'All precious souls are there
  Most safe, elect by grace,
  All tears are wiped for ever from their face:
Untired in prayer 30
  They wait and praise
  Hidden for a little space.

'All precious souls are there
  Most safe, chosen by grace,
  All tears are wiped away forever from their face:
Endlessly in prayer 30
  They wait and praise
  Hidden for just a little while.

'Boughs of the Living Vine
They spread in summer shine
  Green leaf with leaf:
Sap of the Royal Vine it stirs like wine
  In all both less and chief.

'Boughs of the Living Vine
They spread in summer light
  Green leaf with leaf:
Sap of the Royal Vine it stirs like wine
  In all both less and chief.

'Sing to the Lord,
  All spirits of all flesh, sing;
For He hath not abhorred 40
  Our low estate nor scorn'd our offering:
  Shout to our King.'—

'Sing to the Lord,
  All beings of all creation, sing;
For He has not rejected 40
  Our humble state nor dismissed our offering:
  Shout to our King.'—

'But Zion said:
  My Lord forgetteth me.
Lo, she hath made her bed
  In dust; forsaken weepeth she
  Where alien rivers swell the sea.

'But Zion said:
  My Lord forgets me.
Look, she has made her bed
  In dust; forsaken, she weeps
  Where foreign rivers swell the sea.

'She laid her body as the ground,
  Her tender body as the ground to those
Who passed; her harpstrings cannot sound 50
In a strange land; discrowned
  She sits, and drunk with woes.'—

'She laid her body like the ground,
  Her tender body as the ground for those
Who passed; her harp strings can't play 50
In a strange land; stripped of her crown
  She sits, lost in her sorrows.'—

'O drunken not with wine,
  Whose sins and sorrows have fulfilled the sum,—
  Be not afraid, arise, be no more dumb;
Arise, shine,
  For thy light is come.'—

'O drunken not with wine,
  Whose sins and sorrows have reached their peak,—
  Don’t be afraid, get up, speak up;
Get up, shine,
  For your light has come.'—

'Can these bones live?'—
                           'God knows:
  The prophet saw such clothed with flesh and skin;
  A wind blew on them and life entered in; 60
They shook and rose.
  Hasten the time, O Lord, blot out their sin,
  Let life begin.'

'Can these bones come back to life?'—
                           'Only God knows:
  The prophet saw them covered with flesh and skin;
  A breeze blew over them, and life filled them; 60
They trembled and stood up.
  Hurry the time, O Lord, erase their sins,
  Let life start.'

SWEET DEATH

The sweetest blossoms die.
  And so it was that, going day by day
  Unto the church to praise and pray,
And crossing the green churchyard thoughtfully,
  I saw how on the graves the flowers
  Shed their fresh leaves in showers,
And how their perfume rose up to the sky
  Before it passed away.

The sweetest flowers fade away.
  And so it was that, day by day
  I went to church to worship and pray,
And while I crossed the green graveyard with a thoughtful mind,
  I noticed how the flowers on the graves
  Dropped their fresh petals like rain,
And how their fragrance ascended to the sky
  Before it disappeared.

The youngest blossoms die.
  They die, and fall and nourish the rich earth 10
  From which they lately had their birth;
Sweet life, but sweeter death that passeth by
  And is as though it had not been:—
  All colors turn to green:
The bright hues vanish, and the odours fly,
  The grass hath lasting worth.

The youngest flowers fade away.
  They wither, drop, and enrich the fertile soil 10
  From which they just emerged;
Sweet life, but even sweeter is the death that comes and goes
  As if it never existed:—
  All colors turn to green:
The vibrant shades disappear, and the scents disperse,
  The grass holds enduring value.

And youth and beauty die.
  So be it, O my God, Thou God of truth:
  Better than beauty and than youth
Are Saints and Angels, a glad company; 20
  And Thou, O lord, our Rest and Ease,
  Are better far than these.
Why should we shrink from our full harvest? why
  Prefer to glean with Ruth?

And youth and beauty fade away.
  So be it, O my God, God of truth:
  Better than looks and youth
Are Saints and Angels, a joyful group; 20
  And You, O Lord, our Rest and Comfort,
  Are far better than these.
Why should we hold back from our full rewards? Why
  Choose to gather with Ruth?

SYMBOLS

I watched a rosebud very long
  Brought on by dew and sun and shower,
  Waiting to see the perfect flower:
Then, when I thought it should be strong,
  It opened at the matin hour
And fell at evensong.

I watched a rosebud for a long time
  Nourished by dew, sun, and rain,
  Waiting to see the perfect bloom:
Then, just when I thought it would be strong,
  It opened in the morning light
And withered by evening.

I watched a nest from day to day,
  A green nest full of pleasant shade,
  Wherein three speckled eggs were laid:
But when they should have hatched in May, 10
  The two old birds had grown afraid
Or tired, and flew away.

I observed a nest every day,
  A green nest offering nice shade,
  With three speckled eggs inside:
But when they were supposed to hatch in May,
  The two adult birds became scared
Or exhausted, and flew away.

Then in my wrath I broke the bough
  That I had tended so with care,
  Hoping its scent should fill the air;
I crushed the eggs, not heeding how
  Their ancient promise had been fair:
I would have vengeance now.

Then in my anger, I snapped the branch
  That I had nurtured so carefully,
  Hoping its fragrance would fill the air;
I smashed the eggs, ignoring how
  Their ancient promise had been beautiful:
I wanted revenge now.

But the dead branch spoke from the sod,
  And the eggs answered me again: 20
  Because we failed dost thou complain?
Is thy wrath just? And what if God,
  Who waiteth for thy fruits in vain,
Should also take the rod?

But the dead branch spoke from the ground,
  And the eggs answered me again: 20
  Are you complaining because we failed?
Is your anger justified? And what if God,
  Who waits for your fruits in vain,
Should also punish you?

'CONSIDER THE LILIES OF THE FIELD'

Flowers preach to us if we will hear:—
The rose saith in the dewy morn:
I am most fair;
Yet all my loveliness is born
Upon a thorn.
The poppy saith amid the corn:
Let but my scarlet head appear
And I am held in scorn;
Yet juice of subtle virtue lies
Within my cup of curious dyes. 10
The lilies say: Behold how we
Preach without words of purity.
The violets whisper from the shade
Which their own leaves have made:
Men scent our fragrance on the air,
Yet take no heed
Of humble lessons we would read.
But not alone the fairest flowers:
The merest grass
Along the roadside where we pass, 20
Lichen and moss and sturdy weed,
Tell of His love who sends the dew,
The rain and sunshine too,
To nourish one small seed.

Flowers speak to us if we're willing to listen:—
The rose says in the dewy morning:
I am beautiful;
Yet all my beauty comes
From a thorn.
The poppy says among the corn:
As long as my scarlet head shows up
I am looked down upon;
Yet there's a juice of subtle magic
Inside my cup of strange colors. 10
The lilies say: Look at how we
Convey messages of purity without words.
The violets whisper from the shade
That their own leaves have created:
People catch our scent in the air,
Yet pay no attention
To the humble lessons we want to share.
But not only the most beautiful flowers:
Even the simplest grass
Along the roadside where we walk, 20
Lichen and moss and tough weeds,
Speak of His love who sends the dew,
The rain and sunshine too,
To nourish just one tiny seed.

THE WORLD

Sonnet

Sonnet

By day she woos me, soft, exceeding fair:
  But all night as the moon so changeth she;
  Loathsome and foul with hideous leprosy
And subtle serpents gliding in her hair.
By day she woos me to the outer air,
  Ripe fruits, sweet flowers, and full satiety:
  But through the night, a beast she grins at me,
A very monster void of love and prayer.
By day she stands a lie: by night she stands
  In all the naked horror of the truth
With pushing horns and clawed and clutching hands.
Is this a friend indeed; that I should sell
  My soul to her, give her my life and youth,
Till my feet, cloven too, take hold on hell?

By day she charms me, gentle and incredibly beautiful:
  But all night, like the changing moon, she becomes;
  Disgusting and ugly, covered in terrible sores
And sneaky snakes sliding through her hair.
By day she invites me outside,
  With ripe fruits, sweet flowers, and complete satisfaction:
  But through the night, a beast grins at me,
A true monster devoid of love and prayer.
By day she’s a deception: by night she stands
  In all the raw horror of reality
With pushing horns and clawed, grasping hands.
Is she really a friend; that I should trade
  My soul to her, give her my life and youth,
Until my feet, too, become cloven and lead me to hell?

A TESTIMONY

I said of laughter: it is vain.
  Of mirth I said: what profits it?
  Therefore I found a book, and writ
Therein how ease and also pain,
How health and sickness, every one
Is vanity beneath the sun.

I said laughter is pointless.
  I questioned the value of joy.
  So I found a book and wrote
About how both comfort and suffering,
How wellness and illness, all of it
Is just emptiness under the sun.

Man walks in a vain shadow; he
  Disquieteth himself in vain.
  The things that were shall be again;
The rivers do not fill the sea, 10
But turn back to their secret source;
The winds too turn upon their course.

Man walks in a pointless shadow; he
  Worries himself for no reason.
  What happened before will happen again;
The rivers don’t fill the sea, 10
But return to their hidden source;
The winds also follow their path.

Our treasures moth and rust corrupt,
  Or thieves break through and steal, or they
  Make themselves wings and fly away.
One man made merry as he supped,
Nor guessed how when that night grew dim,
His soul would be required of him.

Our treasures decay and get ruined,
  Or thieves break in and steal, or they
  Spirit themselves away.
One man enjoyed himself at dinner,
Not knowing how when that night turned dark,
His life would be demanded of him.

We build our houses on the sand
  Comely withoutside and within; 20
  But when the winds and rains begin
To beat on them, they cannot stand;
They perish, quickly overthrown,
Loose from the very basement stone.

We build our homes on the sand
  Attractive inside and out; 20
  But when the winds and rains start
To pound on them, they can't hold up;
They fall apart, quickly toppled,
Loosed from the very foundation stone.

All things are vanity, I said:
  Yea vanity of vanities.
  The rich man dies; and the poor dies:
The worm feeds sweetly on the dead.
Whate'er thou lackest, keep this trust:
All in the end shall have but dust. 30

All things are pointless, I said:
  Yes, pointless of pointlessness.
  The rich man dies, and the poor man dies:
The worm enjoys feeding on the dead.
Whatever you lack, hold on to this truth:
In the end, we all return to dust. 30

The one inheritance, which best
  And worst alike shall find and share:
  The wicked cease from troubling there,
And there the weary are at rest;
There all the wisdom of the wise
Is vanity of vanities.

The one inheritance that both
  The good and the bad will find and share:
  The wicked stop their troubling there,
And the tired can finally rest;
There, all the wisdom of the wise
Is just meaningless nonsense.

Man flourishes as a green leaf,
  And as a leaf doth pass away;
  Or as a shade that cannot stay,
And leaves no track, his course is brief: 40
Yet doth man hope and fear and plan
Till he is dead:—oh foolish man!

Man thrives like a green leaf,
  And just like a leaf, he fades away;
  Or like a shadow that can't remain,
And leaves no mark, his time is short: 40
Yet man continues to hope, fear, and plan
Until he dies:—oh, foolish man!

Our eyes cannot be satisfied
  With seeing, nor our ears be filled
  With hearing: yet we plant and build
And buy and make our borders wide;
We gather wealth, we gather care,
But know not who shall be our heir.

Our eyes can never get enough
  Of seeing, nor can our ears be filled
  With hearing: still, we plant and build
And buy and expand our territories;
We accumulate wealth, we take on worries,
But we have no idea who will inherit it all.

Why should we hasten to arise
  So early, and so late take rest? 50
  Our labour is not good; our best
Hopes fade; our heart is stayed on lies:
Verily, we sow wind; and we
Shall reap the whirlwind, verily.

Why should we rush to get up
So early, and stay up late? 50
  Our work isn’t worthwhile; our best
Hopes diminish; our hearts are stuck on falsehoods:
Honestly, we’re planting the wind; and we
Will reap the whirlwind, honestly.

He who hath little shall not lack;
  He who hath plenty shall decay:
  Our fathers went; we pass away;
Our children follow on our track:
So generations fail, and so
They are renewed, and come and go. 60

He who has little won't be in need;
  He who has plenty will fade away:
  Our parents are gone; we will pass too;
Our children will follow our path:
So generations end, and so
They are replaced, and come and go. 60

The earth is fattened with our dead;
  She swallows more and doth not cease:
  Therefore her wine and oil increase
And her sheaves are not numberèd;
Therefore her plants are green, and all
Her pleasant trees lusty and tall.

The earth is filled with our dead;
  It keeps taking more and doesn't stop:
  So her wine and oil keep growing
And her harvests are countless;
So her plants are lush, and all
Her beautiful trees are strong and tall.

Therefore the maidens cease to sing,
  And the young men are very sad;
  Therefore the sowing is not glad,
And mournful is the harvesting. 70
Of high and low, of great and small,
Vanity is the lot of all.

Therefore the girls stop singing,
  And the young men are really sad;
  So the sowing isn't joyful,
And the harvesting is mournful. 70
For high and low, for great and small,
Vanity is the fate of all.

A King dwelt in Jerusalem;
  He was the wisest man on earth;
  He had all riches from his birth,
And pleasures till he tired of them;
Then, having tested all things, he
Witnessed that all are vanity.

A king lived in Jerusalem;
  He was the smartest person on the planet;
  He had all the wealth since he was born,
And enjoyed pleasures until he got bored with them;
Then, after trying everything, he
Realized that it's all meaningless.

SLEEP AT SEA

Sound the deep waters:—
  Who shall sound that deep?—
Too short the plummet,
  And the watchmen sleep.
Some dream of effort
  Up a toilsome steep;
Some dream of pasture grounds
  For harmless sheep.

Sound the deep waters:—
  Who will explore that depth?—
The measuring line is too short,
  And the guards are asleep.
Some dream of striving
  Up a difficult slope;
Some dream of pastures
  For gentle sheep.

White shapes flit to and fro
  From mast to mast; 10
They feel the distant tempest
  That nears them fast:
Great rocks are straight ahead,
  Great shoals not past;
They shout to one another
  Upon the blast.

White shapes dart back and forth
  From mast to mast; 10
They sense the distant storm
  That's coming fast:
Big rocks are straight ahead,
  Big shoals not far;
They call out to each other
  In the wind.

Oh, soft the streams drop music
  Between the hills,
And musical the birds' nests
  Beside those rills: 20
The nests are types of home
  Love-hidden from ills,
The nests are types of spirits
  Love-music fills.

Oh, softly the streams make music
  Between the hills,
And the birds' nests are melodious
  Beside those streams: 20
The nests symbolize home
  Love-protected from harm,
The nests embody spirits
  Filled with love's music.

So dream the sleepers,
  Each man in his place;
The lightning shows the smile
  Upon each face:
The ship is driving, driving,
  It drives apace: 30
And sleepers smile, and spirits
  Bewail their case.

So dream the sleepers,
  Each person in their spot;
The lightning reveals the smile
  On every face:
The ship is moving, moving,
  It goes quickly:
And sleepers smile, and spirits
  Mourn their fate.

The lightning glares and reddens
  Across the skies;
It seems but sunset
  To those sleeping eyes.
When did the sun go down
  On such a wise?
From such a sunset
  When shall day arise? 40

The lightning flashes and turns red
  Across the sky;
It looks like sunset
  To those who are asleep.
When did the sun set
  On such wisdom?
From such a sunset
  When will day break? 40

'Wake,' call the spirits:
  But to heedless ears:
They have forgotten sorrows
  And hopes and fears;
They have forgotten perils
  And smiles and tears;
Their dream has held them long,
  Long years and years.

'Wake,' call the spirits:
  But to unresponsive ears:
They have forgotten sorrows
  And hopes and fears;
They have forgotten dangers
  And smiles and tears;
Their dreams have held them for a long time,
  For many years.

'Wake,' call the spirits again:
  But it would take 50
A louder summons
  To bid them awake.
Some dream of pleasure
  For another's sake;
Some dream, forgetful
  Of a lifelong ache.

'Wake,' the spirits call again:
  But it would take 50
A louder shout
  To bring them to life.
Some dream of pleasure
  For someone else's sake;
Some dream, unaware
  Of a lifelong pain.

One by one slowly,
  Ah, how sad and slow!
Wailing and praying
  The spirits rise and go: 60
Clear stainless spirits
  White as white as snow;
Pale spirits, wailing
  For an overthrow.

One by one, slowly,
  Ah, how sad and slow!
Wailing and praying
  The spirits rise and go: 60
Clear, pure spirits
  White as white as snow;
Pale spirits, wailing
  For a downfall.

One by one flitting,
  Like a mournful bird
Whose song is tired at last
  For no mate is heard.
The loving voice is silent,
  The useless word; 70
One by one flitting
  Sick with hope deferred.

One by one drifting,
  Like a sad bird
Whose song is finally exhausted
  For no partner is found.
The affectionate voice is quiet,
  The pointless word; 70
One by one drifting
  Sick with delayed hope.

Driving and driving,
  The ship drives amain:
While swift from mast to mast
  Shapes flit again,
Flit silent as the silence
  Where men lie slain;
Their shadow cast upon the sails
  Is like a stain. 80

Driving and driving,
  The ship pushes forward fast:
While quickly from mast to mast
  Shapes dart past,
Darting silently like the silence
  Where men have fallen;
Their shadows cast upon the sails
  Are like a mark. 80

No voice to call the sleepers,
  No hand to raise:
They sleep to death in dreaming,
  Of length of days.
Vanity of vanities,
  The Preacher says:
Vanity is the end
  Of all their ways.

No voice to wake the sleepers,
  No hand to lift:
They sleep forever in their dreams,
  Of endless days.
Everything is meaningless,
  The Preacher says:
Meaninglessness is the result
  Of all their ways.

FROM HOUSE TO HOME

The first was like a dream through summer heat,
  The second like a tedious numbing swoon,
While the half-frozen pulses lagged to beat
  Beneath a winter moon.

The first felt like a dream in the summer heat,
  The second was a slow, numbing daze,
While the half-frozen pulses dragged to beat
  Beneath a winter moon.

'But,' says my friend, 'what was this thing and where?'
  It was a pleasure-place within my soul;
An earthly paradise supremely fair
  That lured me from the goal.

'But,' says my friend, 'what was this thing and where?'
  It was a place of joy inside my soul;
An earthly paradise, incredibly beautiful
  That tempted me away from my goal.

The first part was a tissue of hugged lies;
  The second was its ruin fraught with pain: 10
Why raise the fair delusion to the skies
  But to be dashed again?

The first part was a web of comforting lies;
  The second was its destruction filled with pain: 10
Why elevate the beautiful illusion to the heavens
  Only to be shattered again?

My castle stood of white transparent glass
  Glittering and frail with many a fretted spire,
But when the summer sunset came to pass
  It kindled into fire.

My castle was made of clear white glass
  Shiny and delicate with many intricate spires,
But when the summer sunset arrived
  It lit up like fire.

My pleasaunce was an undulating green,
  Stately with trees whose shadows slept below,
With glimpses of smooth garden-beds between
  Like flame or sky or snow. 20

My pleasure was a rolling green,
  Majestic with trees casting shadows below,
With peeks of tidy garden beds in between
  Like fire, the sky, or snow. 20

Swift squirrels on the pastures took their ease,
  With leaping lambs safe from the unfeared knife;
All singing-birds rejoicing in those trees
  Fulfilled their careless life.

Swift squirrels in the fields relaxed,
  With jumping lambs safe from the feared knife;
All singing birds celebrating in those trees
  Lived their carefree lives.

Woodpigeons cooed there, stockdoves nestled there;
  My trees were full of songs and flowers and fruit,
Their branches spread a city to the air
  And mice lodged in their root.

Woodpigeons cooed over there, stock doves nested here;
  My trees were full of songs, flowers, and fruit,
Their branches stretched a city into the air
  And mice made their homes in the roots.

My heath lay farther off, where lizards lived
  In strange metallic mail, just spied and gone; 30
Like darted lightnings here and there perceived
  But nowhere dwelt upon.

My health was somewhere far away, where lizards lived
  In strange shiny armor, seen for a moment and then gone; 30
Like flashes of lightning seen here and there
  But never staying in one place.

Frogs and fat toads were there to hop or plod
  And propagate in peace, an uncouth crew,
Where velvet-headed rushes rustling nod
  And spill the morning dew.

Frogs and chunky toads were there to hop or lumber
  And breed in peace, a clumsy bunch,
Where soft-headed reeds rustling sway
  And shed the morning dew.

All caterpillars throve beneath my rule,
  With snails and slugs in corners out of sight;
I never marred the curious sudden stool
  That perfects in a night. 40

All caterpillars thrived under my control,
  With snails and slugs hidden in the shadows;
I never spoiled the strange sudden stool
  That completes itself in a night. 40

Safe in his excavated gallery
  The burrowing mole groped on from year to year;
No harmless hedgehog curled because of me
  His prickly back for fear.

Safe in his dugout gallery
  The digging mole felt his way from year to year;
No harmless hedgehog curled up because of me
  His spiky back out of fear.

Oft times one like an angel walked with me,
  With spirit-discerning eyes like flames of fire,
But deep as the unfathomed endless sea,
  Fulfilling my desire:

Often, someone like an angel walked with me,
  With eyes that could see spirits like flames of fire,
But as deep as the bottomless, endless sea,
  Fulfilling my desire:

And sometimes like a snowdrift he was fair,
  And sometimes like a sunset glorious red, 50
And sometimes he had wings to scale the air
  With aureole round his head.

And sometimes he was beautiful like a snowdrift,
  And sometimes like a brilliant red sunset,
And sometimes he had wings to soar through the air
  With a halo around his head.

We sang our songs together by the way,
  Calls and recalls and echoes of delight;
So communed we together all the day,
  And so in dreams by night.

We sang our songs together along the way,
  Calls and memories and echoes of joy;
So we connected all day,
  And continued in dreams at night.

I have no words to tell what way we walked.
  What unforgotten path now closed and sealed;
I have no words to tell all things we talked,
  All things that he revealed: 60

I can't describe the path we took.
  What unforgettable path is now shut and locked;
I can't express all the things we discussed,
  All the things he shared: 60

This only can I tell: that hour by hour
  I waxed more feastful, lifted up and glad;
I felt no thorn-prick when I plucked a flower,
  Felt not my friend was sad.

This is all I can say: that hour by hour
  I became happier, uplifted and joyful;
I didn’t feel a sting when I picked a flower,
  Didn’t notice my friend was sad.

'To-morrow,' once I said to him with smiles:
  'To-night,' he answered gravely and was dumb,
But pointed out the stones that numbered miles
  And miles to come.

'Tomorrow,' I once said to him with a smile:
  'Tonight,' he replied seriously and was quiet,
But he indicated the stones that marked miles
  And miles ahead.

'Not so,' I said: 'to-morrow shall be sweet;
  To-night is not so sweet as coming days.' 70
Then first I saw that he had turned his feet,
  Had turned from me his face:

'Not at all,' I said: 'tomorrow will be sweet;
  Tonight isn't as sweet as the days to come.' 70
It was then I noticed that he had turned his feet,
  Had turned his face away from me:

Running and flying miles and miles he went,
  But once looked back to beckon with his hand
And cry: 'Come home, O love, from banishment:
  Come to the distant land.'

Running and flying for miles and miles he went,
  But once looked back to wave his hand
And shout: 'Come home, oh love, from exile:
  Come to the faraway land.'

That night destroyed me like an avalanche;
  One night turned all my summer back to snow:
Next morning not a bird upon my branch,
  Not a lamb woke below,— 80

That night crushed me like an avalanche;
  One night turned my whole summer back to snow:
The next morning, not a single bird on my branch,
  Not a lamb stirred below,— 80

No bird, no lamb, no living breathing thing;
  No squirrel scampered on my breezy lawn,
No mouse lodged by his hoard: all joys took wing
  And fled before that dawn.

No bird, no lamb, no living, breathing thing;
  No squirrel scurrying on my breezy lawn,
No mouse settled by its stash: all joys flew away
  And disappeared before that dawn.

Azure and sun were starved from heaven above,
  No dew had fallen, but biting frost lay hoar:
O love, I knew that I should meet my love,
  Should find my love no more.

The sky was a harsh blue, and the sun was drained from above,
  There was no dew, just a biting frost all around:
Oh love, I knew I would meet my love,
  But I would find my love no longer.

'My love no more,' I muttered stunned with pain:
  I shed no tear, I wrung no passionate hand, 90
Till something whispered: 'You shall meet again,
  Meet in a distant land.'

'My love is gone,' I whispered, shocked with pain:
  I didn’t shed a tear, I didn’t wring my hands, 90
Until something whispered: 'You will meet again,
  Meet in a distant place.'

Then with a cry like famine I arose,
  I lit my candle, searched from room to room,
Searched up and down; a war of winds that froze
  Swept through the blank of gloom.

Then, with a cry like starvation, I got up,
  I lit my candle and looked from room to room,
Searching high and low; a battle of freezing winds
  Swept through the empty darkness.

I searched day after day, night after night;
  Scant change there came to me of night or day:
'No more,' I wailed, 'no more:' and trimmed my light,
  And gnashed but did not pray, 100

I searched day after day, night after night;
  There was hardly any change for me, day or night:
'No more,' I cried, 'no more:' and adjusted my light,
  And gritted my teeth but didn’t pray, 100

Until my heart broke and my spirit broke:
  Upon the frost-bound floor I stumbled, fell,
And moaned: 'It is enough: withhold the stroke.
  Farewell, O love, farewell.'

Until my heart shattered and my spirit collapsed:
  On the frozen ground I tripped, fell,
And groaned: 'That's enough: spare me the blow.
  Goodbye, oh love, goodbye.'

Then life swooned from me. And I heard the song
  Of spheres and spirits rejoicing over me:
One cried: 'Our sister, she hath suffered long.'—
  One answered: 'Make her see.'—

Then life faded away from me. And I heard the song
  Of spheres and spirits celebrating over me:
One exclaimed: 'Our sister, she has endured for so long.'—
  Another responded: 'Help her understand.'—

One cried: 'Oh blessèd she who no more pain,
  Who no more disappointment shall receive.'— 110
One answered: 'Not so: she must live again;
  Strengthen thou her to live.'

One cried: 'Oh blessed is she who feels no more pain,
  Who will receive no more disappointment.'— 110
One replied: 'Not so: she has to live again;
  Grant her the strength to keep on living.'

So while I lay entranced a curtain seemed
  To shrivel with crackling from before my face;
Across mine eyes a waxing radiance beamed
  And showed a certain place.

So while I lay spellbound, a curtain appeared
  To shrink with crackling right in front of me;
A growing light shone
  And revealed a certain place.

I saw a vision of a woman, where
  Night and new morning strive for domination;
Incomparably pale, and almost fair,
  And sad beyond expression. 120

I saw a vision of a woman, where
  Night and new morning compete for control;
Incredibly pale, and nearly beautiful,
  And sad beyond words. 120

Her eyes were like some fire-enshrining gem,
  Were stately like the stars, and yet were tender;
Her figure charmed me like a windy stem
  Quivering and drooped and slender.

Her eyes were like a gem that holds fire,
  Majestic like the stars, yet so gentle;
Her figure captivated me like a swaying stem
  Unsteady, delicate, and slender.

I stood upon the outer barren ground,
  She stood on inner ground that budded flowers;
While circling in their never-slackening round
  Danced by the mystic hours.

I stood on the harsh outer ground,
  She stood on the inner ground where flowers bloomed;
While circling in their endless round
  Danced by the magical hours.

But every flower was lifted on a thorn,
  And every thorn shot upright from its sands 130
To gall her feet; hoarse laughter pealed in scorn
  With cruel clapping hands.

But every flower was raised on a thorn,
  And every thorn stood tall from its sand 130
To sting her feet; harsh laughter rang out mockingly
  With cruel, clapping hands.

She bled and wept, yet did not shrink; her strength
  Was strung up until daybreak of delight:
She measured measureless sorrow toward its length,
  And breadth, and depth, and height.

She bled and cried, but didn’t back down; her strength
  Was stretched until dawn of joy:
She measured endless sorrow in all its
  Length, width, depth, and height.

Then marked I how a chain sustained her form,
  A chain of living links not made nor riven:
It stretched sheer up through lighting, wind, and storm,
  And anchored fast in heaven. 140

Then I noticed how a chain supported her shape,
  A chain of living links, unbroken and whole:
It reached straight up through lightning, wind, and storm,
  And was anchored firmly in heaven. 140

One cried: 'How long? yet founded on the Rock
  She shall do battle, suffer, and attain.'—
One answered: 'Faith quakes in the tempest shock:
  Strengthen her soul again.'

One cried: 'How long? Yet built on the Rock
  She will fight, endure, and succeed.'—
One replied: 'Faith wavers in the storm's impact:
  Reinforce her spirit once more.'

I saw a cup sent down and come to her
  Brimfull of loathing and of bitterness:
She drank with livid lips that seemed to stir
  The depth, not make it less.

I saw a cup lowered down and handed to her
  Filled to the top with hate and resentment:
She drank with pale lips that seemed to disturb
  The darkness, not lessen it.

But as she drank I spied a hand distil
  New wine and virgin honey; making it 150
First bitter-sweet, then sweet indeed, until
  She tasted only sweet.

But as she drank, I saw a hand pouring
  New wine and fresh honey; making it 150
First bitter-sweet, then undeniably sweet, until
  She tasted only sweetness.

Her lips and cheeks waxed rosy-fresh and young;
  Drinking she sang: 'My soul shall nothing want;'
And drank anew: while soft a song was sung,
  A mystical slow chant.

Her lips and cheeks turned rosy-fresh and youthful;
  As she drank, she sang: 'My soul will lack nothing;'
And drank again: while softly a song was sung,
  A mystical slow chant.

One cried: 'The wounds are faithful of a friend:
  The wilderness shall blossom as a rose.'—
One answered: 'Rend the veil, declare the end,
  Strengthen her ere she goes.' 160

One cried: 'The wounds are a sign of a friend:
  The wilderness will bloom like a rose.'—
One replied: 'Tear the veil, announce the end,
  Strengthen her before she leaves.' 160

Then earth and heaven were rolled up like a scroll;
  Time and space, change and death, had passed away;
Weight, number, measure, each had reached its whole;
  The day had come, that day.

Then earth and heaven were rolled up like a scroll;
  Time and space, change and death, were gone;
Weight, number, measure, each had reached its total;
  The day had arrived, that day.

Multitudes—multitudes—stood up in bliss,
  Made equal to the angels, glorious, fair;
With harps, palms, wedding-garments, kiss of peace
  And crowned and haloed hair.

Multitudes—multitudes—stood up in joy,
  Made equal to the angels, radiant, beautiful;
With harps, palms, wedding clothes, kiss of peace
  And crowned and haloed hair.

They sang a song, a new song in the height,
  Harping with harps to Him Who is Strong and True: 170
They drank new wine, their eyes saw with new light,
  Lo, all things were made new.

They sang a song, a new song on high,
  Playing their harps to Him Who is Strong and True: 170
They drank new wine, their eyes saw with fresh light,
  Look, everything was made new.

Tier beyond tier they rose and rose and rose
  So high that it was dreadful, flames with flames:
No man could number them, no tongue disclose
  Their secret sacred names.

Layer upon layer, they climbed higher and higher,
So high it was terrifying, flames with flames:
No one could count them, no voice reveal
  Their secret sacred names.

As though one pulse stirred all, one rush of blood
  Fed all, one breath swept through them myriad-voiced,
They struck their harps, cast down their crowns, they stood
  And worshipped and rejoiced. 180

As if one heartbeat moved everyone, one wave of energy
  Sustained all, one breath flowed through them with many voices,
They played their harps, laid down their crowns, they stood
  And worshipped and celebrated. 180

Each face looked one way like a moon new-lit,
  Each face looked one way towards its Sun of Love;
Drank love and bathed in love and mirrored it
  And knew no end thereof.

Each face turned one way like a newly lit moon,
  Each face turned one way toward its Sun of Love;
Sipped love and soaked in love and reflected it
  And knew no end to it.

Glory touched glory on each blessèd head,
  Hands locked dear hands never to sunder more:
These were the new-begotten from the dead
  Whom the great birthday bore.

Glory touched glory on each blessed head,
  Hands locked tight, never to part again:
These were the newly reborn from the dead
  Whom the great birthday brought forth.

Heart answered heart, soul answered soul at rest,
  Double against each other, filled, sufficed: 190
All loving, loved of all; but loving best
  And best beloved of Christ.

Heart answered heart, soul answered soul at peace,
  Doubled against each other, filled, satisfied: 190
All loving, loved by all; but loving the most
  And most beloved of Christ.

I saw that one who lost her love in pain,
  Who trod on thorns, who drank the loathsome cup;
The lost in night, in day was found again;
  The fallen was lifted up.

I saw the one who lost her love in pain,
  Who walked on thorns, who drank the bitter cup;
The lost in darkness, in daylight was found again;
  The fallen was lifted up.

They stood together in the blessèd noon,
  They sang together through the length of days;
Each loving face bent Sunwards like a moon
  New-lit with love and praise. 200

They stood together in the blessed noon,
  They sang together throughout the days;
Each loving face turned towards the sun
  Newly lit with love and praise. 200

Therefore, O friend, I would not if I might
  Rebuild my house of lies, wherein I joyed
One time to dwell: my soul shall walk in white,
  Cast down but not destroyed.

Therefore, my friend, I wouldn't even if I could
  Rebuild my house of lies, where I once found joy:
My soul will walk in white,
  Humbled but not defeated.

Therefore in patience I possess my soul;
  Yea, therefore as a flint I set my face,
To pluck down, to build up again the whole—
  But in a distant place.

So I hold my soul with patience;
  And like a rock, I stand firm,
To tear down and then rebuild everything—
  But in a faraway place.

These thorns are sharp, yet I can tread on them;
  This cup is loathsome, yet He makes it sweet: 210
My face is steadfast toward Jerusalem,
  My heart remembers it.

These thorns are sharp, but I can walk on them;
  This cup is disgusting, but He makes it sweet: 210
My face is set towards Jerusalem,
  My heart remembers it.

I lift the hanging hands, the feeble knees—
  I, precious more than seven times molten gold—
Until the day when from his storehouses
  God shall bring new and old;

I lift the hanging hands and the weak knees—
  I, worth more than seven times melted gold—
Until the day when God will bring from his storehouses
  Both new and old;

Beauty for ashes, oil of joy for grief,
  Garment of praise for spirit of heaviness:
Although to-day I fade as doth a leaf,
  I languish and grow less. 220

Beauty for ashes, joy instead of grief,
  A garment of praise to replace a heavy spirit:
Although today I wither like a leaf,
  I weaken and fade away. 220

Although to-day He prunes my twigs with pain,
  Yet doth His blood nourish and warm my root:
To-morrow I shall put forth buds again
  And clothe myself with fruit.

Although today He trims my branches with pain,
  Yet His blood nourishes and warms my roots:
Tomorrow I will sprout buds again
  And cover myself with fruit.

Although to-day I walk in tedious ways,
  To-day His staff is turned into a rod,
Yet will I wait for Him the appointed days
  And stay upon my God.

Although today I walk in boring paths,
  Today His staff has become a rod,
Yet I will wait for Him through the set days
  And rely on my God.

OLD AND NEW YEAR DITTIES

1

1

New Year met me somewhat sad:
  Old Year leaves me tired,
Stripped of favourite things I had
  Baulked of much desired:
Yet farther on my road to-day
God willing, farther on my way.

New Year found me feeling a bit down:
  Old Year leaves me worn out,
Deprived of the things I loved
  And turned away from what I longed for:
But further along my path today
God willing, I'll keep moving ahead.

New Year coming on apace
  What have you to give me?
Bring you scathe, or bring you grace,
Face me with an honest face; 10
  You shall not deceive me:
Be it good or ill, be it what you will,
It needs shall help me on my road,
My rugged way to heaven, please God.

New Year is coming fast
  What do you have for me?
Bring me trouble, or bring me kindness,
Look me in the eyes honestly; 10
  You won’t fool me:
Whether it’s good or bad, whatever it is,
It will help me on my journey,
My tough path to heaven, if God wills.

2

2

Watch with me, men, women, and children dear,
You whom I love, for whom I hope and fear,
Watch with me this last vigil of the year.
Some hug their business, some their pleasure-scheme;
Some seize the vacant hour to sleep or dream;
Heart locked in heart some kneel and watch apart.

Watch with me, everyone—men, women, and kids I love,
You for whom I hope and worry,
Join me in this final watch of the year.
Some cling to their work, some to their plans for fun;
Others take this free time to sleep or daydream;
With hearts joined, some kneel and keep their watch alone.

Watch with me blessèd spirits, who delight
All through the holy night to walk in white,
Or take your ease after the long-drawn fight.
I know not if they watch with me: I know 10
They count this eve of resurrection slow,
And cry, 'How long?' with urgent utterance strong.

Watch with me, blessed spirits, who enjoy
All through the holy night walking in white,
Or take it easy after the long fight.
I don't know if they’re watching with me: I know 10
They find this night of resurrection slow,
And cry, 'How long?' with strong, urgent voices.

Watch with me Jesus, in my loneliness:
Though others say me nay, yet say Thou yes;
Though others pass me by, stop Thou to bless.
Yea, Thou dost stop with me this vigil night;
To-night of pain, to-morrow of delight:
I, Love, am Thine; Thou, Lord my God, art mine.

Watch with me, Jesus, in my loneliness:
Though others say no, still say yes;
Though others pass me by, stop to bless me.
Yes, You stay with me this vigil night;
Tonight of pain, tomorrow of delight:
I, Love, am Yours; You, Lord my God, are mine.

3

3

Passing away, saith the World, passing away:
Chances, beauty and youth sapped day by day:
Thy life never continueth in one stay.
Is the eye waxen dim, is the dark hair changing to grey
That hath won neither laurel nor bay?
I shall clothe myself in Spring and bud in May:
Thou, root-stricken, shalt not rebuild thy decay
On my bosom for aye.
Then I answered: Yea.

Passing away, says the World, passing away:
Opportunities, beauty, and youth fade day by day:
Your life never stays the same.
Has your vision grown dim, is your dark hair turning grey
That has won neither a laurel nor a bay?
I will dress myself in Spring and bloom in May:
You, rooted and wilting, will not rebuild your decay
On my chest forever.
Then I answered: Yes.

Passing away, saith my Soul, passing away: 10
With its burden of fear and hope, of labour and play;
Hearken what the past doth witness and say:
Rust in thy gold, a moth is in thine array,
A canker is in thy bud, thy leaf must decay.
At midnight, at cockcrow, at morning, one certain day
Lo, the Bridegroom shall come and shall not delay:
Watch thou and pray.
Then I answered: Yea.

Passing away, my Soul says, passing away: 10
With its weight of fear and hope, of work and play;
Listen to what the past bears witness and shares:
Rust in your gold, a moth is in your attire,
A canker is in your bud, your leaf must fade away.
At midnight, at dawn, one certain day
Look, the Bridegroom will come and won’t be late:
Stay alert and pray.
Then I answered: Yes.

Passing away, saith my God, passing away:
Winter passeth after the long delay: 20
New grapes on the vine, new figs on the tender spray,
Turtle calleth turtle in Heaven's May.
Though I tarry wait for Me, trust Me, watch and pray:
Arise, come away, night is past and lo it is day,
My love, My sister, My spouse, thou shalt hear Me say.
Then I answered: Yea.

Passing away, says my God, passing away:
Winter passes after the long wait: 20
New grapes on the vine, new figs on the young branch,
Turtle calls turtle in Heaven's May.
Though I delay, wait for Me, trust Me, watch and pray:
Get up, come away, night is over and look, it is day,
My love, My sister, My spouse, you will hear Me say.
Then I answered: Yes.

AMEN

It is over. What is over?
  Nay, now much is over truly!—
Harvest days we toiled to sow for;
  Now the sheaves are gathered newly,
  Now the wheat is garnered duly.

It’s all done. What’s done?
  No, a lot is really done now!—
The harvest days we worked hard for;
  Now the sheaves are freshly gathered,
  Now the wheat is collected properly.

It is finished. What is finished?
  Much is finished known or unknown:
Lives are finished; time diminished;
  Was the fallow field left unsown?
  Will these buds be always unblown? 10

It’s over. What’s over?
  A lot is over, whether we know it or not:
Lives are over; time is running out;
  Was the empty field never planted?
  Will these buds never bloom? 10

It suffices. What suffices?
  All suffices reckoned rightly:
Spring shall bloom where now the ice is,
  Roses make the bramble sightly,
  And the quickening sun shine brightly,
  And the latter wind blow lightly,
And my garden teem with spices.

It’s enough. What’s enough?
  Everything is enough when seen clearly:
Spring will flourish where the ice is now,
  Roses will make the thorny bushes pretty,
  And the warm sun will shine brightly,
  And the gentle breeze will blow softly,
And my garden will be full of fragrances.

THE PRINCE'S PROGRESS, AND OTHER POEMS, 1866

THE PRINCE'S PROGRESS

Till all sweet gums and juices flow,
Till the blossom of blossoms blow,
The long hours go and come and go,
  The bride she sleepeth, waketh, sleepeth,
Waiting for one whose coming is slow:—
    Hark! the bride weepeth.

Till all sweet gums and juices flow,
Till the blossom of blossoms blooms,
The long hours come and go,
  The bride sleeps, wakes, sleeps,
Waiting for someone whose arrival is slow:—
    Hark! the bride weeps.

'How long shall I wait, come heat come rime?'—
'Till the strong Prince comes, who must come in time'
(Her women say), 'there's a mountain to climb,
  A river to ford. Sleep, dream and sleep; 10
Sleep' (they say): 'we've muffled the chime,
    Better dream than weep.'

'How long must I wait, come heat, come frost?'—
'Till the strong Prince arrives, who will come in time'
(Her women say), 'there's a mountain to climb,
  A river to cross. Sleep, dream, and sleep; 10
Sleep' (they say): 'we've silenced the chime,
    Better to dream than to weep.'

In his world-end palace the strong Prince sat,
Taking his ease on cushion and mat,
Close at hand lay his staff and his hat.
  'When wilt thou start? the bride waits, O youth.'—
'Now the moon's at full; I tarried for that,
    Now I start in truth.

In his grand palace, the strong Prince sat,
Relaxing on cushions and a mat,
His staff and his hat were close by.
  'When will you leave? The bride is waiting, young man.'—
'Now that the moon is full; I waited for that,
    Now I’m really on my way.

'But tell me first, true voice of my doom,
Of my veiled bride in her maiden bloom; 20
Keeps she watch through glare and through gloom,
  Watch for me asleep and awake?'—
'Spell-bound she watches in one white room,
    And is patient for thy sake.

'But tell me first, true voice of my doom,
Of my concealed bride in her youthful beauty; 20
Does she keep watch through light and darkness,
  Waiting for me, whether I'm awake or asleep?'—
'Enchanted, she watches in one bright room,
    And is patient for your sake.

'By her head lilies and rosebuds grow;
The lilies droop, will the rosebuds blow?
The silver slim lilies hang the head low;
  Their stream is scanty, their sunshine rare:
Let the sun blaze out, and let the stream flow,
    They will blossom and wax fair. 30

'By her head, lilies and rosebuds grow;
The lilies droop, will the rosebuds bloom?
The slender silver lilies hang their heads low;
  Their flow is limited, their sunshine rare:
Let the sun shine bright, and let the stream flow,
    They will blossom and thrive beautifully. 30

'Red and white poppies grow at her feet,
The blood-red wait for sweet summer heat,
Wrapped in bud-coats hairy and neat;
  But the white buds swell, one day they will burst,
Will open their death-cups drowsy and sweet—
    Which will open the first?'

'Red and white poppies grow at her feet,
The blood-red ones wait for the warm summer heat,
Wrapped in their fuzzy and neat buds;
  But the white buds swell, and one day they’ll burst,
Will open their sleepy and sweet death-cups—
    Which one will open first?'

Then a hundred sad voices lifted a wail,
And a hundred glad voices piped on the gale:
'Time is short, life is short,' they took up the tale:
  'Life is sweet, love is sweet, use to-day while you may; 40
Love is sweet, and to-morrow may fail;
    Love is sweet, use to-day.'

Then a hundred sad voices let out a wail,
And a hundred happy voices sang on the wind:
'Time is short, life is short,' they continued the story:
  'Life is sweet, love is sweet, make the most of today; 40
Love is sweet, and tomorrow might not come;
    Love is sweet, seize today.'

While the song swept by, beseeching and meek,
Up rose the Prince with a flush on his cheek,
Up he rose to stir and to seek,
  Going forth in the joy of his strength;
Strong of limb if of purpose weak,
    Starting at length.

While the song played softly, begging and gentle,
The Prince stood up, a flush on his cheek,
He stood up to act and to explore,
  Stepping out with the joy of his strength;
Strong in body but weak in resolve,
    Finally taking off.

Forth he set in the breezy morn,
Crossing green fields of nodding corn, 50
As goodly a Prince as ever was born;
  Carolling with the carolling lark;—
Sure his bride will be won and worn,
    Ere fall of the dark.

Forth he went in the breezy morning,
Crossing green fields of swaying corn, 50
As fine a Prince as ever was born;
  Singing along with the singing lark;—
Surely his bride will be won and worn,
    Before it gets dark.

So light his step, so merry his smile,
A milkmaid loitered beside a stile,
Set down her pail and rested awhile,
  A wave-haired milkmaid, rosy and white;
The Prince, who had journeyed at least a mile,
    Grew athirst at the sight. 60

So light was his step, so cheerful was his smile,
A milkmaid hung out by a fence,
Put down her pail and took a break,
  A wavy-haired milkmaid, rosy and fair;
The Prince, who had traveled at least a mile,
    Became thirsty at the sight. 60

'Will you give me a morning draught?'—
'You're kindly welcome,' she said, and laughed.
He lifted the pail, new milk he quaffed;
  Then wiping his curly black beard like silk:
'Whitest cow that ever was calved
    Surely gave you this milk.'

'Will you give me a morning drink?'—
'You're very welcome,' she replied, laughing.
He lifted the bucket and drank the fresh milk;
  Then wiped his curly black beard like silk:
'The whitest cow that ever calved
    Surely gave you this milk.'

Was it milk now, or was it cream?
Was she a maid, or an evil dream?
Here eyes began to glitter and gleam;
  He would have gone, but he stayed instead; 70
Green they gleamed as he looked in them:
    'Give me my fee,' she said.—

Was it milk now, or was it cream?
Was she a maid, or a bad dream?
Her eyes started to sparkle and shine;
  He would have left, but he stayed instead; 70
Green they shone as he looked into them:
    'Pay me what you owe,' she said.—

'I will give you a jewel of gold.'—
'Not so; gold is heavy and cold.'—
'I will give you a velvet fold
  Of foreign work your beauty to deck.'—
'Better I like my kerchief rolled
    Light and white round my neck.'—

'I will give you a gold jewel.'—
'No way; gold is heavy and cold.'—
'I will give you a velvet wrap
  Of exquisite craftsmanship to enhance your beauty.'—
'I prefer my light and white scarf
    Rolled around my neck.'—

'Nay,' cried he, 'but fix your own fee.'—
She laughed, 'You may give the full moon to me; 80
Or else sit under this apple-tree
  Here for one idle day by my side;
After that I'll let you go free,
    And the world is wide.'

'No,' he said, 'but decide your own payment.'—
She laughed, 'You can give me the full moon; 80
Or just sit here under this apple tree
  For one carefree day by my side;
After that, I'll set you free,
    And the world is vast.'

Loth to stay, but to leave her slack,
He half turned away, then he quite turned back:
For courtesy's sake he could not lack
  To redeem his own royal pledge;
Ahead too the windy heaven lowered black
    With a fire-cloven edge. 90

Loth to stay, but to leave her slack,
He half turned away, then he fully turned back:
For the sake of decency, he couldn't lack
  To honor his own royal promise;
Ahead, too, the windy sky darkened black
    With a fire-split edge. 90

So he stretched his length in the apple-tree shade,
Lay and laughed and talked to the maid,
Who twisted her hair in a cunning braid
  And writhed it shining in serpent-coils,
And held him a day and night fast laid
    In her subtle toils.

So he stretched out in the shade of the apple tree,
Lying there, laughing and chatting with the girl,
Who twisted her hair into a clever braid
  And curled it shining like serpent coils,
And kept him for a day and night caught
    In her clever traps.

At the death of night and the birth of day,
When the owl left off his sober play,
And the bat hung himself out of the way,
  Woke the song of mavis and merle, 100
And heaven put off its hodden grey
    For mother-o'-pearl.

At the end of the night and the start of the day,
When the owl stopped its serious antics,
And the bat hung around out of sight,
  The songs of the song thrush and the blackbird woke, 100
And heaven changed out of its dull grey
    For a mother-of-pearl glow.

Peeped up daisies here and there,
Here, there, and everywhere;
Rose a hopeful lark in the air,
  Spreading out towards the sun his breast;
While the moon set solemn and fair
    Away in the West.

Popped up daisies here and there,
Here, there, and everywhere;
A hopeful lark rose in the air,
  Spreading his chest towards the sun;
While the moon set in a solemn and beautiful way
    Away in the West.

'Up, up, up,' called the watchman lark,
In his clear réveillée: 'Hearken, oh hark! 110
Press to the high goal, fly to the mark.
  Up, O sluggard, new morn is born;
If still asleep when the night falls dark,
    Thou must wait a second morn.'

'Up, up, up,' called the watchman lark,
In his clear wake-up call: 'Listen, oh listen! 110
Aim for the high goal, soar to the target.
  Get up, O lazy one, a new morning is here;
If you're still asleep when the night comes,
    You’ll have to wait for another morning.'

'Up, up, up,' sad glad voices swelled:
'So the tree falls and lies as it's felled.
Be thy bands loosed, O sleeper, long held
  In sweet sleep whose end is not sweet.
Be the slackness girt and the softness quelled
    And the slowness fleet.' 120

'Up, up, up,' both sad and happy voices rose:
'So the tree falls and lies where it’s cut down.
Let your bonds be loosened, O sleeper, long restrained
  In sweet sleep whose end isn’t sweet.
Let the looseness tighten and the softness fade
    And the slowness disappear.' 120

Off he set. The grass grew rare,
A blight lurked in the darkening air,
The very moss grew hueless and spare,
  The last daisy stood all astunt;
Behind his back the soil lay bare,
    But barer in front.

Off he went. The grass grew sparse,
A blight hovered in the darkening air,
The moss became colorless and thin,
  The last daisy stood all alone;
Behind him, the soil lay bare,
    But it was even more barren ahead.

A land of chasm and rent, a land
Of rugged blackness on either hand:
If water trickled its track was tanned
  With an edge of rust to the chink; 130
If one stamped on stone or on sand
    It returned a clink.

A land of gaps and cracks, a land
Of rough blackness on both sides:
If water trickled, its path was stained
  With a rusty edge at the spot; 130
If someone stepped on stone or sand
    It made a clink.

A lifeless land, a loveless land,
Without lair or nest on either hand:
Only scorpions jerked in the sand,
  Black as black iron, or dusty pale;
From point to point sheer rock was manned
    By scorpions in mail.

A lifeless land, a loveless land,
Without a den or nest in sight:
Only scorpions moved in the sand,
  Black as iron, or dusty pale;
From point to point, sheer rock was filled
    By scorpions in armor.

A land of neither life nor death,
Where no man buildeth or fashioneth, 140
Where none draws living or dying breath;
  No man cometh or goeth there,
No man doeth, seeketh, saith,
    In the stagnant air.

A place of neither life nor death,
Where no one builds or creates, 140
Where no one breathes, alive or dead;
  No one comes or goes there,
No one does, seeks, or speaks,
    In the still air.

Some old volcanic upset must
Have rent the crust and blackened the crust;
Wrenched and ribbed it beneath its dust
  Above earth's molten centre at seethe,
Heaved and heaped it by huge upthrust
    Of fire beneath. 150

Some ancient volcanic disturbance must
Have torn the surface and scorched the ground;
Twisted and ridged it under its debris
  Above the earth's boiling core,
Lifted and piled it by massive eruptions
    Of fire below. 150

Untrodden before, untrodden since:
Tedious land for a social Prince;
Halting, he scanned the outs and ins,
  Endless, labyrinthine, grim,
Of the solitude that made him wince,
    Laying wait for him.

Untouched before, untouched since:
Boring land for a social Prince;
Pausing, he looked at the ins and outs,
  Endless, complicated, dark,
Of the loneliness that made him flinch,
    Lurking for him.

By bulging rock and gaping cleft,
Even of half mere daylight reft,
Rueful he peered to right and left,
  Muttering in his altered mood: 160
'The fate is hard that weaves my weft,
    Though my lot be good.'

By the bulging rock and wide crack,
Even deprived of half the daylight,
He sadly looked to the right and left,
  Muttering in his changed mood: 160
'The fate is tough that shapes my life,
    Even though my situation is good.'

Dim the changes of day to night,
Of night scarce dark to day not bright.
Still his road wound towards the right,
  Still he went, and still he went,
Till one night he espied a light,
    In his discontent.

Dim the transition from day to night,
From night just a bit dark to day not bright.
His path still turned to the right,
  He kept going, and kept going,
Until one night he spotted a light,
    In his unhappiness.

Out it flashed from a yawn-mouthed cave,
Like a red-hot eye from a grave. 170
No man stood there of whom to crave
  Rest for wayfarer plodding by:
Though the tenant were churl or knave
    The Prince might try.

Out it shot from a cave with a wide-open mouth,
Like a fiery eye from a grave. 170
No one was there to offer rest
  For the traveler trudging past:
Even if the occupant was rude or deceitful,
    The Prince could still give it a shot.

In he passed and tarried not,
Groping his way from spot to spot,
Towards where the cavern flare glowed hot:—
  An old, old mortal, cramped and double,
Was peering into a seething-pot,
    In a world of trouble. 180

In he went and didn't stay,
Feeling his way from place to place,
Toward the bright light of the cave:
  An ancient man, bent and twisted,
Was staring into a boiling pot,
    In a world of chaos. 180

The veriest atomy he looked,
With grimy fingers clutching and crooked,
Tight skin, a nose all bony and hooked,
  And a shaking, sharp, suspicious way;
His blinking eyes had scarcely brooked
    The light of day.

He looked like the tiniest creature,
With dirty fingers grabbing and bent,
Tight skin, a bony, hooked nose,
  And a jittery, sharp, wary demeanor;
His blinking eyes could hardly handle
    The light of day.

Stared the Prince, for the sight was new;
Stared, but asked without more ado:
'My a weary traveller lodge with you,
  Old father, here in your lair? 190
In your country the inns seem few,
    And scanty the fare.'

Stared the Prince, since the sight was new;
Stared, but asked without further delay:
'Can a weary traveler stay with you,
  Old man, here in your place? 190
In your country, there seem to be few inns,
    And the food is meager.'

The head turned not to hear him speak;
The old voice whistled as through a leak
(Out it came in a quavering squeak):
  'Work for wage is a bargain fit:
If there's aught of mine that you seek
    You must work for it.

The head didn't turn to listen to him talk;
The old voice whistled like it was broken,
(It came out in a shaky squeak):
  'Working for pay is a fair deal:
If there's anything of mine that you want,
    You have to earn it.

'Buried alive from light and air
This year is the hundredth year, 200
I feed my fire with a sleepless care,
  Watching my potion wane or wax:
Elixir of Life is simmering there,
    And but one thing lacks.

'Buried alive from light and air
This year marks a hundred years, 200
I keep my fire alive with sleepless worry,
  Watching my potion shrink or grow:
Elixir of Life is simmering there,
    And just one thing is missing.

'If you're fain to lodge here with me,
Take that pair of bellows you see—
Too heavy for my old hands they be—
  Take the bellows and puff and puff:
When the steam curls rosy and free
    The broth's boiled enough. 210

'If you’d like to stay here with me,
Take that pair of bellows you see—
They’re too heavy for my old hands—
  Take the bellows and puff and puff:
When the steam curls up rosy and free
    The broth is boiled enough. 210

'Then take your choice of all I have;
I will give you life if you crave.
Already I'm mildewed for the grave,
  So first myself I must drink my fill:
But all the rest may be yours, to save
    Whomever you will.'

'Then choose whatever you want from all I have;
I’ll give you life if that’s what you desire.
I’m already worn out and ready for the grave,
  So first I need to take my fill:
But everything else can be yours to save
    Whoever you want.'

'Done,' quoth the Prince, and the bargain stood,
First he piled on resinous wood,
Next plied the bellows in hopeful mood;
  Thinking, 'My love and I will live. 220
If I tarry, why life is good,
    And she may forgive.'

'Done,' said the Prince, and the deal was set,
First he stacked up some resinous wood,
Then worked the bellows with hope in his heart;
  Thinking, 'My love and I will be together.
If I take my time, life is great,
    And she might just forgive me.'

The pot began to bubble and boil;
The old man cast in essence and oil,
He stirred all up with a triple coil
  Of gold and silver and iron wire,
Dredged in a pinch of virgin soil,
    And fed the fire.

The pot started to bubble and boil;
The old man added essence and oil,
He stirred it all up with a triple coil
  Of gold, silver, and iron wire,
Dredged in a pinch of fresh soil,
    And fueled the fire.

But still the steam curled watery white;
Night turned to day and day to night; 230
One thing lacked, by his feeble sight
  Unseen, unguessed by his feeble mind:
Life might miss him, but Death the blight
    Was sure to find.

But still the steam curled up, looking watery white;
Night turned into day and day into night; 230
One thing was missing, due to his weak sight
  Unseen, unguessed by his frail mind:
Life might overlook him, but Death’s curse
    Would definitely find him.

So when the hundredth year was full
The thread was cut and finished the school.
Death snapped the old worn-out tool,
  Snapped him short while he stood and stirred
(Though stiff he stood as a stiff-necked mule)
    With never a word. 240

So when the hundredth year was up
The thread was cut and the school was done.
Death broke the old, tired tool,
  Snapped him off while he stood and moved
(Though he stood stiff like a stubborn mule)
    Without saying a word. 240

Thus at length the old crab was nipped.
The dead hand slipped, the dead finger dipped
In the broth as the dead man slipped,—
  That same instant, a rosy red
Flushed the steam, and quivered and clipped
    Round the dead old head.

Thus at last the old crab was pinched.
The lifeless hand fell, the lifeless finger dipped
In the broth as the lifeless man slid,—
  In that same moment, a rosy red
Flushed the steam, and shimmered and clung
    Around the dead old head.

The last ingredient was supplied
(Unless the dead man mistook or lied).
Up started the Prince, he cast aside
  The bellows plied through the tedious trial, 250
Made sure that his host had died,
    And filled a phial.

The last ingredient was supplied
(Unless the dead man was confused or lied).
The Prince jumped up, he tossed aside
  The bellows used during the long struggle, 250
Checked to make sure his host was dead,
    And filled a vial.

'One night's rest,' though the Prince: 'This done,
Forth I start with the rising sun:
With the morrow I rise and run,
  Come what will of wind or of weather.
This draught of Life when my Bride is won
    We'll drink together.'

'After one night's rest,' thought the Prince: 'Once that's done,
I'll set off with the rising sun:
Tomorrow I’ll get up and run,
  Whatever the wind or weather may bring.
This drink of Life, when I've won my Bride,
    We'll share together.'

Thus the dead man stayed in his grave,
Self-chosen, the dead man in his cave; 260
There he stayed, were he fool or knave,
  Or honest seeker who had not found:
While the Prince outside was prompt to crave
    Sleep on the ground.

Thus the dead man stayed in his grave,
Self-chosen, the dead man in his cave; 260
There he stayed, whether he was a fool or a crook,
  Or an honest seeker who just hadn’t found:
While the Prince outside was quick to yearn
    Sleep on the ground.

'If she watches, go bid her sleep;
Bit her sleep, for the road is steep:
He can sleep who holdeth her cheap,
  Sleep and wake and sleep again.
Let him sow, one day he shall reap,
    Let him sow the grain. 270

'If she watches, go tell her to sleep;
Tell her to sleep, for the road is steep:
He can sleep who doesn’t value her cheap,
  Sleep and wake and sleep again.
Let him plant, one day he shall reap,
    Let him plant the grain. 270

'When there blows a sweet garden rose,
Let it bloom and wither if no man knows:
But if one knows when the sweet thing blows,
  Knows, and lets it open and drop,
If but a nettle his garden grows
    He hath earned the crop.'

'When a beautiful garden rose blooms,
Let it flourish and fade if no one sees:
But if someone knows when it blooms,
  Knows, and allows it to open and fall,
If only a nettle grows in his garden,
    He has earned the reward.'

Through his sleep the summons rang,
Into his ears it sobbed and it sang.
Slow he woke with a drowsy pang,
  Shook himself without much debate, 280
Turned where he saw green branches hang,
    Started though late.

Through his sleep the call echoed,
Into his ears it cried and it chimed.
Slowly he woke with a sleepy jolt,
  Shook himself without much thought, 280
Turned where he saw green branches sway,
    Started though it was late.

For the black land was travelled o'er,
He should see the grim land no more.
A flowering country stretched before
  His face when the lovely day came back:
He hugged the phial of Life he bore,
    And resumed his track.

For the dark land was crossed,
He wouldn't see the grim land again.
A blooming country lay ahead
  Of him when the beautiful day returned:
He held tightly the vial of Life he carried,
    And continued on his way.

By willow courses he took his path,
Spied what a nest the kingfisher hath, 290
Marked the fields green to aftermath,
  Marked where the red-brown field-mouse ran,
Loitered a while for a deep-stream bath,
    Yawned for a fellow-man.

By the willow streams, he found his way,
Saw the kingfisher's nest on display, 290
Noted the fields green after the hay,
  Kept an eye on where the red-brown mouse scurried away,
Hung around for a chance to cool off in the stream,
    Yearned for some company to share the day.

Up on the hills not a soul in view,
In a vale not many nor few;
Leaves, still leaves, and nothing new.
  It's oh for a second maiden, at least,
To bear the flagon, and taste it too,
    And flavour the feast. 300

Up on the hills, not a person in sight,
In a valley, neither many nor few;
Just leaves, still leaves, and nothing new.
  Oh, to have a second girl, at least,
To carry the drink and taste it too,
    And savor the feast. 300

Lagging he moved, and apt to swerve;
Lazy of limb, but quick of nerve.
At length the water-bed took a curve,
  The deep river swept its bankside bare;
Waters streamed from the hill-reserve—
    Waters here, waters there.

Moving slowly, ready to veer;
Sluggish in body, but alert in mind.
Finally, the waterbed curved,
  The deep river cleared its banks;
Water flowed from the hill reservoir—
    Water here, water there.

High above, and deep below,
Bursting, bubbling, swelling the flow,
Like hill torrents after the snow,—
  Bubbling, gurgling, in whirling strife, 310
Swaying, sweeping, to and fro,—
    He must swim for his life.

High above and deep below,
Bursting, bubbling, swelling the flow,
Like mountain streams after the snow,—
  Bubbling, gurgling, in swirling turmoil, 310
Swaying, sweeping, back and forth,—
    He has to swim for his life.

Which way?—which way?—his eyes grew dim
With the dizzying whirl—which way to swim?
The thunderous downshoot deafened him;
  Half he choked in the lashing spray:
Life is sweet, and the grave is grim—
    Which way?—which way?

Which way?—which way?—his vision blurred
With the spinning chaos—where do I swim?
The roaring waterfall overwhelmed him;
  He barely gasped in the crashing spray:
Life is precious, and death is bleak—
    Which way?—which way?

A flash of light, a shout from the strand:
'This way—this way; here lies the land!' 320
His phial clutched in one drowning hand;
  He catches—misses—catches a rope;
His feet slip on the slipping sand:
    Is there life?—is there hope?

A flash of light, a shout from the shore:
'This way—this way; here’s the land!' 320
His bottle clenched in one sinking hand;
  He grabs—misses—grabs a rope;
His feet slide on the shifting sand:
    Is there life?—is there hope?

Just saved, without pulse or breath,—
Scarcely saved from the gulp of death;
Laid where a willow shadoweth—
  Laid where a swelling turf is smooth.
(O Bride! but the Bridegroom lingereth
    For all thy sweet youth.) 330

Just saved, without a heartbeat or breath,—
Barely saved from the grip of death;
Laid where a willow casts shade—
  Laid where the grass is soft and even.
(O Bride! but the Bridegroom takes his time
    For all your lovely youth.) 330

Kind hands do and undo,
Kind voices whisper and coo:
'I will chafe his hands'—'And I'—'And you
  Raise his head, put his hair aside.'
(If many laugh, one well may rue:
    Sleep on, thou Bride.)

Kind hands heal and soothe,
Kind voices softly speak and comfort:
'I’ll warm his hands'—'And I'—'And you
  Lift his head, brush his hair back.'
(If many laugh, one might regret:
    Sleep on, you Bride.)

So the Prince was tended with care:
One wrung foul ooze from his clustered hair;
Two chafed his hands, and did not spare;
  But one held his drooping head breast-high, 340
Till his eyes oped, and at unaware
    They met eye to eye.

So the Prince was cared for carefully:
One squeezed the nasty goo from his tangled hair;
Two rubbed his hands, and didn’t hold back;
  But one supported his drooping head, keeping it high, 340
Until his eyes opened, and unexpectedly
    They met gaze to gaze.

Oh, a moon face in a shadowy place,
And a light touch and a winsome grace,
And a thrilling tender voice that says:
  'Safe from waters that seek the sea—
Cold waters by rugged ways—
    Safe with me.'

Oh, a moonlit face in a dim spot,
And a gentle touch and a charming elegance,
And a exciting soft voice that says:
  'Safe from waters that crave the ocean—
Chilly waters along rough paths—
    Safe with me.'

While overhead bird whistles to bird,
And round about plays a gamesome herd: 350
'Safe with us'—some take up the word—
  'Safe with us, dear lord and friend:
All the sweeter if long deferred
    Is rest in the end.'

While the birds chirp overhead,
And nearby a playful group frolics: 350
'You're safe with us'—some echo the phrase—
  'Safe with us, dear lord and friend:
The longer it’s waited for,
    The sweeter the rest in the end.'

Had he stayed to weigh and to scan,
He had been more or less than a man:
He did what a young man can,
  Spoke of toil and an arduous way—
Toil to-morrow, while golden ran
    The sands of to-day. 360

Had he taken the time to think and reflect,
He would have been more or less than a man:
He did what a young man can,
  Talked about hard work and a tough journey—
Work tomorrow, while the golden hour of
    Today slips away. 360

Slip past, slip fast,
Uncounted hours from first to last,
Many hours till the last is past,
  Many hours dwindling to one—
One hour whose die is cast,
    One last hour gone.

Slip by, slip quickly,
Uncounted hours from start to finish,
Many hours until the end is near,
  Many hours shrinking to one—
One hour that's already decided,
    One final hour gone.

Come, gone—gone for ever—
Gone as an unreturning river—
Gone as to death the merriest liver—
  Gone as the year at the dying fall— 370
To-morrow, to-day, yesterday, never—
    Gone once for all.

Come, gone—gone forever—
Gone like a river that doesn't come back—
Gone like the happiest person who has died—
  Gone like the year at the end of autumn— 370
Tomorrow, today, yesterday, never—
    Gone once and for all.

Came at length the starting-day,
With last words, and last words to say,
With bodiless cries from far away—
  Chiding wailing voices that rang
Like a trumpet-call to the tug and fray;
    And thus they sang:

Came finally the day to begin,
With final words, and last things to say,
With distant cries echoing—
  Scolding, wailing voices that rang
Like a trumpet-call to the struggle and fight;
    And so they sang:

'Is there life?—the lamp burns low;
Is there hope?—the coming is slow: 380
The promise promised so long ago,
  The long promise, has not been kept.
Does she live?—does she die?—she slumbers so
    Who so oft has wept.

'Is there life?—the lamp burns low;
Is there hope?—the arrival is slow: 380
The promise made so long ago,
  The long-awaited promise, has not been kept.
Does she live?—does she die?—she sleeps so
    Who has so often wept.

'Does she live?—does she die?—she languisheth
As a lily drooping to death,
As a drought-worn bird with failing breath,
  As a lovely vine without a stay,
As a tree whereof the owner saith,
    "Hew it down to-day."' 390

'Is she alive?—is she dead?—she's fading away
Like a lily wilting to its end,
Like a thirsty bird gasping for air,
  Like a beautiful vine without support,
Like a tree of which the owner says,
    "Cut it down today."' 390

Stung by that word the Prince was fain
To start on his tedious road again.
He crossed the stream where a ford was plain,
  He clomb the opposite bank though steep,
And swore to himself to strain and attain
    Ere he tasted sleep.

Stung by that word, the Prince felt compelled
To start on his long journey again.
He crossed the stream where a crossing was clear,
  He climbed the steep bank on the other side,
And vowed to himself to push hard and achieve
    Before he got any rest.

Huge before him a mountain frowned
With foot of rock on the valley ground,
And head with snows incessant crowned,
  And a cloud mantle about its strength, 400
And a path which the wild goat hath not found
    In its breadth and length.

A massive mountain loomed in front of him
With a rocky base on the valley floor,
And a peak constantly topped with snow,
  And a cloak of clouds wrapped around its might, 400
And a path that even the wild goat hasn't discovered
    In its width and span.

But he was strong to do and dare:
If a host had withstood him there,
He had braved a host with little care
  In his lusty youth and his pride,
Tough to grapple though weak to snare.
    He comes, O Bride.

But he was strong to act and take risks:
If an army had faced him there,
He would have confronted a crowd without much worry
  In his vigorous youth and his pride,
Tough to fight though unable to trap.
    He comes, O Bride.

Up he went where the goat scarce clings,
Up where the eagle folds her wings, 410
Past the green line of living things,
  Where the sun cannot warm the cold,—
Up he went as a flame enrings
    Where there seems no hold.

Up he went where the goat hardly clings,
Up where the eagle tucks in her wings, 410
Past the green line of living things,
  Where the sun can't warm the cold,—
Up he went like a flame encircling
    Where there seems to be no grip.

Up a fissure barren and black,
Till the eagles tired upon his track,
And the clouds were left behind his back,
  Up till the utmost peak was past,
Then he gasped for breath and his strength fell slack;
    He paused at last. 420

Up a crack that was empty and dark,
Until the eagles gave up on following him,
And the clouds were left behind him,
  Up until he passed the highest point,
Then he struggled to breathe and his energy faded;
    He finally stopped. 420

Before his face a valley spread
Where fatness laughed, wine, oil, and bread,
Where all fruit-trees their sweetness shed,
  Where all birds made love to their kind,
Where jewels twinkled, and gold lay red
    And not hard to find.

Before him, a valley opened up
Where abundance thrived, with wine, oil, and bread,
Where every fruit tree shared its sweetness,
  Where all the birds paired up with their mates,
Where jewels sparkled, and gold was reddish,
    And easy to spot.

Midway down the mountain side
(On its green slope the path was wide)
Stood a house for a royal bride,
  Built all of changing opal stone, 430
The royal palace, till now descried
    In his dreams alone.

Midway down the mountainside
(On its green slope the path was wide)
Stood a house for a royal bride,
  Built all of shifting opal stone, 430
The royal palace, until now seen
    In his dreams alone.

Less bold than in days of yore,
Doubting now though never before,
Doubting he goes and lags the more:
  Is the time late? does the day grow dim?
Rose, will she open the crimson core
    Of her heart to him?

Less bold than in the past,
Doubting now though never before,
Doubting he goes and lags more:
  Is it late? Is the day getting dark?
Rose, will she open the crimson core
    Of her heart to him?

Take heart of grace! the potion of Life
May go far to woo him a wife: 440
If she frown, yet a lover's strife
  Lightly raised can be laid again:
A hasty word is never the knife
    To cut love in twain.

Take heart! The potion of Life
May help him win a wife: 440
If she frowns, a lover's struggle
  Can easily be smoothed over:
A quick word is never the knife
    To split love in two.

Far away stretched the royal land,
Fed by dew, by a spice-wind fanned:
Light labour more, and his foot would stand
  On the threshold, all labour done;
Easy pleasure laid at his hand,
    And the dear Bride won. 450

Far away lay the royal land,
Nourished by dew, with a spice breeze fanned:
Just a bit more work, and he'd be able to stand
  At the threshold, with all tasks complete;
Simple pleasures right at his hand,
    And the beloved Bride won. 450

His slackening steps pause at the gate—
Does she wake or sleep?—the time is late—
Does she sleep now, or watch and wait?
  She has watched, she has waited long,
Watching athwart the golden grate
    With a patient song.

His slowing steps stop at the gate—
Is she awake or asleep?—it’s late—
Is she sleeping now or watching and waiting?
  She has watched, she has waited for a long time,
Looking through the golden bars
    With a patient song.

Fling the golden portals wide,
The Bridegroom comes to his promised Bride;
Draw the gold-stiff curtains aside,
  Let them look on each other's face, 460
She in her meekness, he in his pride—
    Day wears apace.

Throw open the golden doors,
The Groom arrives for his promised Bride;
Pull back the stiff gold curtains,
  So they can see each other’s faces, 460
She in her humility, he in his pride—
    The day passes quickly.

Day is over, the day that wore.
What is this that comes through the door,
The face covered, the feet before?
  This that coming takes his breath;
The Bride not seen, to be seen no more
    Save of Bridegroom Death?

Day is done, the day that exhausted.
What is this that walks through the door,
The face hidden, the feet on the floor?
  This arrival steals his breath;
The Bride not seen, never to be seen again
    Except by the Bridegroom, Death?

Veiled figures carrying her
Sweep by yet make no stir; 470
There is a smell of spice and myrrh,
  A bride-chant burdened with one name;
The bride-song rises steadier
    Than the torches' flame:

Veiled figures carrying her
Glide by without a sound; 470
There’s a scent of spice and myrrh,
  A wedding song focused on one name;
The bride’s song rises more steadily
    Than the flames of the torches:

'Too late for love, too late for joy,
  Too late, too late!
You loitered on the road too long,
  You trifled at the gate:
The enchanted dove upon her branch
  Died without a mate; 480
The enchanted princess in her tower
  Slept, died, behind the grate;
Her heart was starving all this while
  You made it wait.

'Too late for love, too late for joy,
  Too late, too late!
You lingered on the road too long,
  You played around at the gate:
The enchanted dove on her branch
  Died without a mate; 480
The enchanted princess in her tower
  Slept, died, behind the bars;
Her heart was starving all this time
  You made it wait.

'Ten years ago, five years ago,
  One year ago,
Even then you had arrived in time,
  Though somewhat slow;
Then you had known her living face
  Which now you cannot know: 490
The frozen fountain would have leaped,
  The buds gone on to blow,
The warm south wind would have awaked
  To melt the snow.

'Ten years ago, five years ago,
  One year ago,
Even then you had arrived on time,
  Though a bit slow;
Back then, you had known her living face
  Which now you cannot recognize: 490
The frozen fountain would have jumped,
  The buds started to bloom,
The warm southern wind would have stirred
  To melt the snow.

'Is she fair now as she lies?
  Once she was fair;
Meet queen for any kingly king,
  With gold-dust on her hair.
Now these are poppies in her locks,
  White poppies she must wear; 500
Must wear a veil to shroud her face
  And the want graven there:
Or is the hunger fed at length,
  Cast off the care?

'Is she beautiful now as she lies?
  Once she was lovely;
A perfect queen for any great king,
  With gold dust in her hair.
Now there are poppies in her hair,
  White poppies she must wear; 500
She must wear a veil to cover her face
  And the longing etched there:
Or has the hunger finally been satisfied,
  And the worry cast off?

'We never saw her with a smile
  Or with a frown;
Her bed seemed never soft to her,
  Though tossed of down;
She little heeded what she wore,
  Kirtle, or wreath, or gown; 510
We think her white brows often ached
  Beneath her crown,
Till silvery hairs showed in her locks
  That used to be so brown.

'We never saw her smile
  Or frown;
Her bed never seemed comfortable to her,
  Even with soft pillows;
She hardly cared about what she wore,
  Dress, or flowers, or gown; 510
We think her pale brows often hurt
  Under her crown,
Until gray hairs appeared in her hair
  That used to be so brown.

'We never heard her speak in haste;
  Her tones were sweet,
And modulated just so much
  As it was meet:
Her heart sat silent through the noise
  And concourse of the street. 520
There was no hurry in her hands,
  No hurry in her feet;
There was no bliss drew nigh to her,
  That she might run to greet.

'We never heard her speak quickly;
  Her voice was gentle,
And adjusted perfectly
  As it should be:
Her heart remained calm amid the chaos
  And bustle of the street. 520
There was no rush in her hands,
  No rush in her feet;
There was no joy approaching her,
  That she could run to meet.

'You should have wept her yesterday,
  Wasting upon her bed:
But wherefore should you weep to-day
  That she is dead?
Lo, we who love weep not to-day,
  But crown her royal head. 530
Let be these poppies that we strew,
  Your roses are too red:
Let be these poppies, not for you
  Cut down and spread.'

'You should have cried for her yesterday,
  Wasting away on her bed:
But why should you cry today
  Just because she’s dead?
Look, we who love don’t cry today,
  But crown her royal head. 530
Leave these poppies that we scatter,
  Your roses are too bright:
Leave these poppies, not for you
  Cut down and spread.'

MAIDEN-SONG

Long ago and long ago,
  And long ago still,
There dwelt three merry maidens
  Upon a distant hill.
One was tall Meggan,
  And one was dainty May,
But one was fair Margaret,
  More fair than I can say,
Long ago and long ago.

Long ago and way back,
  And even further back,
There lived three happy girls
  On a faraway hill.
One was tall Meggan,
  And one was delicate May,
But one was beautiful Margaret,
  More beautiful than I can describe,
Long ago and way back.

When Meggan plucked the thorny rose, 10
  And when May pulled the brier,
Half the birds would swoop to see,
  Half the beasts draw nigher;
Half the fishes of the streams
  Would dart up to admire:
But when Margaret plucked a flag-flower,
  Or poppy hot aflame,
All the beasts and all the birds
  And all the fishes came
To her hand more soft than snow. 20

When Meggan picked the thorny rose,
  And when May grabbed the brier,
Half the birds would swoop down to see,
  Half the beasts would come closer;
Half the fish in the streams
  Would swim up to admire:
But when Margaret picked a flag-flower,
  Or a poppy burning bright,
All the beasts and all the birds
  And all the fish came
To her hand softer than snow.

Strawberry leaves and May-dew
  In brisk morning air,
Strawberry leaves and May-dew
  Make maidens fair.
'I go for strawberry leaves,'
  Meggan said one day:
'Fair Margaret can bide at home,
  But you come with me, May;
Up the hill and down the hill,
  Along the winding way 30
You and I are used to go.'

Strawberry leaves and May dew
  In the fresh morning air,
Strawberry leaves and May dew
  Make women beautiful.
'I’m off to get strawberry leaves,'
  Meggan said one day:
'Fair Margaret can stay at home,
  But you should come with me, May;
Up the hill and down the hill,
  Along the winding path 30
You and I always used to go.'

So these two fair sisters
  Went with innocent will
Up the hill and down again,
  And round the homestead hill:
While the fairest sat at home,
  Margaret like a queen,
Like a blush-rose, like the moon
  In her heavenly sheen,
Fragrant-breathed as milky cow 40
  Or field of blossoming bean,
Graceful as an ivy bough
  Born to cling and lean;
Thus she sat to sing and sew.

So these two lovely sisters
  Went with innocent intent
Up the hill and back down,
  And around the homestead hill:
While the most beautiful stayed home,
  Margaret like a queen,
Like a blush-rose, like the moon
  In her heavenly glow,
With a scent as sweet as a gentle cow
  Or a field of blooming beans,
Graceful like an ivy branch
  Made to cling and lean;
Thus she sat to sing and sew.

When she raised her lustrous eyes
  A beast peeped at the door;
When she downward cast her eyes
  A fish gasped on the floor;
When she turned away her eyes
  A bird perched on the sill, 50
Warbling out its heart of love,
  Warbling warbling still,
With pathetic pleadings low.

When she lifted her bright eyes
  A beast peeked at the door;
When she looked down
  A fish struggled on the floor;
When she looked away
  A bird sat on the sill,
Singing out its heart of love,
  Singing, singing still,
With soft, desperate pleas.

Light-foot May with Meggan
  Sought the choicest spot,
Clothed with thyme-alternate grass:
  Then, while day waxed hot,
Sat at ease to play and rest,
  A gracious rest and play;
The loveliest maidens near or far, 60
  When Margaret was away,
Who sat at home to sing and sew.

Light-footed May with Meggan
  Looked for the best spot,
Covered with thyme and grass:
  Then, as the day got hotter,
Sat back to relax and enjoy,
  A lovely time to unwind;
The most beautiful maidens near and far, 60
  When Margaret was away,
Who stayed home to sing and sew.

Sun-glow flushed their comely cheeks,
  Wind-play tossed their hair,
Creeping things among the grass
  Stroked them here and there;
Meggan piped a merry note,
  A fitful wayward lay,
While shrill as bird on topmost twig
  Piped merry May; 70
Honey-smooth the double flow.

Sunshine colored their lovely cheeks,
  The wind played with their hair,
Creepy little things in the grass
  Touched them here and there;
Meggan played a cheerful tune,
  A playful, wandering song,
While as sharp as a bird on the highest twig
  Sang joyful May; 70
Smooth as honey, the double flow.

Sped a herdsman from the vale,
  Mounting like a flame,
All on fire to hear and see,
  With floating locks he came.
Looked neither north nor south,
  Neither east nor west,
But sat him down at Meggan's feet
  As love-bird on his nest,
And wooed her with a silent awe, 80
  With trouble not expressed;
She sang the tears into his eyes,
  The heart out of his breast:
So he loved her, listening so.

A herdsman rushed from the valley,
  Moving like a flame,
All excited to hear and see,
  With wavy hair he came.
He didn’t look north or south,
  Neither east nor west,
But sat down at Meggan's feet
  Like a love-bird in its nest,
And admired her in quiet awe,
  With feelings unexpressed;
She sang the tears into his eyes,
  The heart out of his chest:
So he loved her, listening closely.

She sang the heart out of his breast,
  The words out of his tongue;
Hand and foot and pulse he paused
  Till her song was sung.
Then he spoke up from his place
  Simple words and true: 90
'Scanty goods have I to give,
  Scanty skill to woo;
But I have a will to work,
  And a heart for you:
Bid me stay or bid me go.'

She sang his heart out,
  The words off his tongue;
He stood still, hand and foot,
  Until her song was done.
Then he spoke from his spot,
  Simple words and true: 90
'I don’t have much to offer,
  Not much talent to woo;
But I have the will to work,
  And a heart for you:
Tell me to stay or tell me to go.'

Then Meggan mused within herself:
  'Better be first with him,
Than dwell where fairer Margaret sits,
  Who shines my brightness dim,
For ever second where she sits, 100
  However fair I be:
I will be lady of his love,
  And he shall worship me;
I will be lady of his herds
  And stoop to his degree,
At home where kids and fatlings grow.'

Then Meggan thought to herself:
  'It's better to be first with him,
Than to stay where prettier Margaret is,
  Who makes my light seem dull,
Always coming second to her,
  No matter how pretty I am:
I will be the lady of his love,
  And he will adore me;
I will be the lady of his livestock
  And lower myself to his level,
At home where kids and young animals thrive.'

Sped a shepherd from the height
  Headlong down to look,
(White lambs followed, lured by love
  Of their shepherd's crook): 110
He turned neither east nor west,
  Neither north nor south,
But knelt right down to May, for love
  Of her sweet-singing mouth;
Forgot his flocks, his panting flocks
  In parching hill-side drouth;
Forgot himself for weal or woe.

Sped a shepherd from the height
  Headlong down to look,
(White lambs followed, drawn by love
  Of their shepherd's crook): 110
He didn’t turn east or west,
  Neither north nor south,
But knelt right down to May, for love
  Of her sweet-singing mouth;
Forgot his flocks, his panting flocks
  In the dry, parched hills;
  Forgot himself for better or worse.

Trilled her song and swelled her song
  With maiden coy caprice
In a labyrinth of throbs, 120
  Pauses, cadences;
Clear-noted as a dropping brook,
  Soft-noted like the bees,
Wild-noted as the shivering wind
  Forlorn through forest trees:
Love-noted like the wood-pigeon
  Who hides herself for love,
Yet cannot keep her secret safe,
  But coos and coos thereof:
Thus the notes rang loud or low. 130

Trilled her song and swelled her song
  With a shy, playful spirit
In a maze of beats, 120
  Pauses, rhythms;
Clear like a falling stream,
  Soft like the buzzing bees,
Wild like the trembling wind
  Wandering through the trees:
Love-filled like the wood-pigeon
  Who hides away for love,
Yet can’t keep her secret safe,
  But coos and coos about it:
Thus the notes rang loud or soft. 130

He hung breathless on her breath;
  Speechless, who listened well;
Could not speak or think or wish
  Till silence broke the spell.
Then he spoke, and spread his hands,
  Pointing here and there:
'See my sheep and see the lambs,
  Twin lambs which they bare.
All myself I offer you,
  All my flocks and care, 140
Your sweet song hath moved me so.'

He hung breathless on her breath;
  Silent, he listened closely;
Couldn’t speak or think or wish
  Until silence broke the spell.
Then he spoke and spread his hands,
  Pointing this way and that:
'Look at my sheep and see the lambs,
  Twin lambs that they had.
I offer you everything,
  All my flocks and care, 140
Your sweet song has moved me so.'

In her fluttered heart young May
  Mused a dubious while:
'If he loves me as he says'—
  Her lips curved with a smile:
'Where Margaret shines like the sun
  I shine but like a moon;
If sister Meggan makes her choice
  I can make mine as soon;
At cockcrow we were sister-maids, 150
  We may be brides at noon.'
Said Meggan, 'Yes;' May said not 'No.'

In her excited heart, young May
  Thought for a moment:
'If he loves me like he claims'—
  Her lips curled into a smile:
'Where Margaret shines like the sun
  I only shine like the moon;
If sister Meggan makes her choice
  I can make mine soon;
At dawn we were just sisters,
  We could be brides by noon.'
Meggan said, 'Yes;' May didn’t say 'No.'

Fair Margaret stayed alone at home,
  Awhile she sang her song,
Awhile sat silent, then she thought:
  'My sisters loiter long.'
That sultry noon had waned away,
  Shadows had waxen great:
'Surely,' she thought within herself,
  'My sisters loiter late.' 160
She rose, and peered out at the door,
  With patient heart to wait,
And heard a distant nightingale
  Complaining of its mate;
Then down the garden slope she walked,
  Down to the garden gate,
Leaned on the rail and waited so.

Fair Margaret was home alone,
  Singing her song for a while,
Then she sat quietly and thought:
  'My sisters are taking their time.'
That hot afternoon had faded away,
  Shadows had grown long:
'Surely,' she thought to herself,
  'My sisters are running late.' 160
She stood up and looked out the door,
  With a patient heart waiting,
And heard a distant nightingale
  Wailing for its mate;
Then she walked down the garden slope,
  Down to the garden gate,
Leaning on the railing and waiting there.

The slope was lightened by her eyes
  Like summer lightning fair,
Like rising of the haloed moon 170
  Lightened her glimmering hair,
While her face lightened like the sun
  Whose dawn is rosy white.
Thus crowned with maiden majesty
  She peered into the night,
Looked up the hill and down the hill,
  To left hand and to right,
Flashing like fire-flies to and fro.

The slope brightened by her eyes
  Like beautiful summer lightning,
Like the rising of the haloed moon 170
  Illuminated her shining hair,
While her face glowed like the sun
  Whose dawn is rosy white.
Thus crowned with youthful beauty
  She gazed into the night,
Looked up the hill and down the hill,
  To the left and to the right,
Flashing like fireflies back and forth.

Waiting thus in weariness
  She marked the nightingale 180
Telling, if any one would heed,
  Its old complaining tale.
Then lifted she her voice and sang,
  Answering the bird:
Then lifted she her voice and sang,
  Such notes were never heard
From any bird when Spring's in blow.

Waiting in tiredness
  She listened to the nightingale 180
Singing, if anyone would pay attention,
  Its old, sad story.
Then she raised her voice and sang,
  Responding to the bird:
Then she raised her voice and sang,
  Such sounds were never heard
From any bird when Spring is here.

The king of all that country
  Coursing far, coursing near,
Curbed his amber-bitted steed, 190
  Coursed amain to hear;
All his princes in his train,
  Squire, and knight, and peer,
With his crown upon his head,
  His sceptre in his hand,
Down he fell at Margaret's knees
  Lord king of all that land,
To her highness bending low.

The king of all that land
  Riding far, riding near,
Held back his amber-bitted horse, 190
  Riding fast to hear;
All his princes following him,
  Squire, knight, and noble,
With his crown on his head,
  His scepter in his hand,
He fell down at Margaret's knees
  Lord king of all that land,
Bowing low to her highness.

Every beast and bird and fish
  Came mustering to the sound, 200
Every man and every maid
  From miles of country round:
Meggan on her herdsman's arm,
  With her shepherd May,
Flocks and herds trooped at their heels
  Along the hill-side way;
No foot too feeble for the ascent,
  Not any head too grey;
Some were swift and none were slow.

Every animal and bird and fish
  Gathered at the sound, 200
Every man and every woman
  From miles around:
Meggan on her herdsman's arm,
  With her shepherd May,
Flocks and herds followed behind
  Along the hillside path;
No one too weak for the climb,
  Not one head too gray;
Some were quick and none were slow.

So Margaret sang her sisters home 210
  In their marriage mirth;
Sang free birds out of the sky,
  Beasts along the earth,
Sang up fishes of the deep—
  All breathing things that move
Sang from far and sang from near
  To her lovely love;
Sang together friend and foe;

So Margaret sang her sisters home 210
  In their wedding joy;
Sang like free birds in the sky,
  Beasts upon the ground,
Sang up fishes from the deep—
  All living things that move
Sang from far and sang from near
  To her beautiful love;
Sang together friend and enemy;

Sang a golden-bearded king
  Straightway to her feet, 220
Sang him silent where he knelt
  In eager anguish sweet.
But when the clear voice died away,
  When longest echoes died,
He stood up like a royal man
  And claimed her for his bride.
So three maids were wooed and won
  In a brief May-tide,
Long ago and long ago.

Sang a golden-bearded king
  Immediately at her feet, 220
Sang him silent where he knelt
  In eager, sweet anguish.
But when the clear voice faded away,
  When the echoes finally ceased,
He stood up like a true royal
  And claimed her as his bride.
So three maids were courted and won
  In a brief May season,
Long ago and long ago.

JESSIE CAMERON

'Jessie, Jessie Cameron,
  Hear me but this once,' quoth he.
'Good luck go with you, neighbor's son,
  But I'm no mate for you,' quoth she.
Day was verging toward the night
  There beside the moaning sea,
Dimness overtook the light
  There where the breakers be.
'O Jessie, Jessie Cameron,
  I have loved you long and true.'— 10
'Good luck go with you, neighbor's son,
  But I'm no mate for you.'

'Jessie, Jessie Cameron,
  Just hear me this once,' he said.
'Good luck to you, neighbor's son,
  But I'm not the one for you,' she replied.
Day was turning into night
  There beside the crashing sea,
Darkness took over the light
  Where the waves meet the shore.
'O Jessie, Jessie Cameron,
  I have loved you for a long time and sincerely.'— 10
'Good luck to you, neighbor's son,
  But I'm not the one for you.'

She was a careless, fearless girl,
  And made her answer plain,
Outspoken she to earl or churl,
  Kindhearted in the main,
But somewhat heedless with her tongue,
  And apt at causing pain;
A mirthful maiden she and young,
  Most fair for bliss or bane. 20
'Oh, long ago I told you so,
  I tell you so to-day:
Go you your way, and let me go
  Just my own free way.'

She was a carefree, fearless girl,
  And made her answer clear,
Outspoken she was to noble or common,
  Kind-hearted overall,
But a bit careless with her words,
  And often causing pain;
A cheerful young woman she was,
  Most lovely for joy or sorrow. 20
'Oh, long ago I told you so,
  I’m telling you again today:
You go your way, and I’ll go
  Just my own way.'

The sea swept in with moan and foam,
  Quickening the stretch of sand;
They stood almost in sight of home;
  He strove to take her hand.
'Oh, can't you take your answer then,
  And won't you understand? 30
For me you're not the man of men,
  I've other plans are planned.
You're good for Madge, or good for Cis,
  Or good for Kate, may be:
But what's to me the good of this
  While you're not good for me?'

The sea rolled in with a groan and waves,
  Bringing life to the stretch of sand;
They were almost home;
  He tried to take her hand.
'Oh, can’t you just accept the answer,
  And can’t you get it through your head? 30
To me, you’re not the perfect guy,
  I have other plans instead.
You’re great for Madge, or good for Cis,
  Or maybe Kate, you see:
But what does it matter to me,
  If you’re not right for me?'

They stood together on the beach,
  They two alone,
And louder waxed his urgent speech,
  His patience almost gone: 40
'Oh, say but one kind word to me,
  Jessie, Jessie Cameron.'—
'I'd be too proud to beg,' quoth she,
  And pride was in her tone.
And pride was in her lifted head,
  And in her angry eye
And in her foot, which might have fled,
  But would not fly.

They stood together on the beach,
  Just the two of them,
And his urgent speech grew louder,
  His patience nearly gone: 40
'Oh, just say one kind word to me,
  Jessie, Jessie Cameron.'—
'I’d be too proud to beg,' she said,
  And pride was in her voice.
Pride was in her lifted head,
  And in her angry gaze
And in her foot, which could have run,
  But wouldn’t flee.

Some say that he had gipsy blood;
  That in his heart was guile: 50
Yet he had gone through fire and flood
  Only to win her smile.
Some say his grandam was a witch,
  A black witch from beyond the Nile,
Who kept an image in a niche
  And talked with it the while.
And by her hut far down the lane
  Some say they would not pass at night,
Lest they should hear an unked strain
  Or see an unked sight. 60

Some say he had gypsy blood;
  That he was cunning deep down: 50
Yet he faced fire and flood
  Just to earn her smile.
Some say his grandmother was a witch,
  A dark witch from across the Nile,
Who kept a statue in a niche
  And talked to it all the while.
And by her place far down the lane
  Some say they wouldn't walk at night,
Lest they hear something strange
  Or see a creepy sight. 60

Alas, for Jessie Cameron!—
  The sea crept moaning, moaning nigher:
She should have hastened to begone,—
  The sea swept higher, breaking by her:
She should have hastened to her home
  While yet the west was flushed with fire,
But now her feet are in the foam,
  The sea-foam, sweeping higher.
O mother, linger at your door,
  And light your lamp to make it plain, 70
But Jessie she comes home no more,
  No more again.

Alas, for Jessie Cameron!—
  The sea crept closer, moaning:
She should have hurried to leave,—
  The sea rose higher, crashing beside her:
She should have rushed home
  While the west was still glowing with light.
But now her feet are in the foam,
  The sea foam, rising higher.
O mother, wait by your door,
  And light your lamp to make it clear, 70
But Jessie won’t be coming home again,
  Not anymore.

They stood together on the strand,
  They only, each by each;
Home, her home, was close at hand,
  Utterly out of reach.
Her mother in the chimney nook
  Heard a startled sea-gull screech,
But never turned her head to look
  Towards the darkening beach: 80
Neighbours here and neighbours there
  Heard one scream, as if a bird
Shrilly screaming cleft the air:—
  That was all they heard.

They stood together on the shore,
  Just the two of them, side by side;
Home, her home, was close by,
  Completely out of reach.
Her mother in the fireplace nook
  Heard a startled seagull screech,
But never turned her head to look
  Towards the darkening beach: 80
Neighbors here and neighbors there
  Heard one scream, like a bird
Shrill screaming through the air:—
  That was all they heard.

Jessie she comes home no more,
  Comes home never;
Her lover's step sounds at his door
  No more forever.
And boats may search upon the sea
  And search along the river, 90
But none know where the bodies be:
  Sea-winds that shiver,
Sea-birds that breast the blast,
  Sea-waves swelling,
Keep the secret first and last
  Of their dwelling.

Jessie won't come home anymore,
  She'll never return;
Her lover's footsteps at his door
  Are gone for good.
And boats can search the sea
  And look along the river, 90
But no one knows where the bodies are:
  Sea-winds that chill,
Sea-birds that face the storm,
  Sea-waves rising,
Hold the secret from start to finish
  Of their resting place.

Whether the tide so hemmed them round
  With its pitiless flow,
That when they would have gone they found
  No way to go; 100
Whether she scorned him to the last
  With words flung to and fro,
Or clung to him when hope was past,
  None will ever know:
Whether he helped or hindered her,
  Threw up his life or lost it well,
The troubled sea, for all its stir
  Finds no voice to tell.

Whether the tide surrounded them
  With its relentless flow,
That when they tried to leave they found
  No way to go; 100
Whether she rejected him to the end
  With insults tossed around,
Or held on to him when hope was gone,
  No one will ever know:
Whether he helped or hurt her,
  Gave up his life or accepted it well,
The troubled sea, despite all its commotion
  Has no words to tell.

Only watchers by the dying
  Have thought they heard one pray 110
Wordless, urgent; and replying
  One seem to say him nay:
And watchers by the dead have heard
  A windy swell from miles away,
With sobs and screams, but not a word
  Distinct for them to say:
And watchers out at sea have caught
  Glimpse of a pale gleam here or there,
Come and gone as quick as thought,
  Which might be hand or hair. 120

Only those who watch as life fades
  Have thought they've heard a silent plea 110
Urgent, unspoken; and responding
  One seems to say no:
And those who watch the dead have sensed
  A distant sound from far away,
With cries and wails, but not a word
  Clear enough for them to say:
And watchers out at sea have glimpsed
  Flashes of a pale light here and there,
Here and gone as fast as a thought,
  Could be a hand or hair. 120

SPRING QUIET

Gone were but the Winter,
  Come were but the Spring,
I would go to a covert
  Where the birds sing;

Gone was the Winter,
  Here comes the Spring,
I would head to a hidden place
  Where the birds are singing;

Where in the whitethorn
  Singeth a thrush,
And a robin sings
  In the holly-bush.

Where in the hawthorn
  A thrush sings,
And a robin sings
  In the holly bush.

Full of fresh scents
  Are the budding boughs 10
Arching high over
  A cool green house:

Full of fresh scents
  Are the budding branches 10
Reaching high over
  A cool green space:

Full of sweet scents,
  And whispering air
Which sayeth softly:
  'We spread no snare;

Full of sweet scents,
  And whispering air
Which softly says:
  'We spread no trap;

'Here dwell in safety,
  Here dwell alone,
With a clear stream
  And a mossy stone. 20

'Here live in safety,
  Here live alone,
With a clear stream
  And a mossy stone. 20

'Here the sun shineth
  Most shadily;
Here is heard an echo
  Of the far sea,
  Though far off it be.'

Here the sun shines
  Most shadily;
Here you can hear an echo
  Of the distant sea,
  Though it’s far away.'

THE POOR GHOST

'Oh whence do you come, my dear friend, to me,
With your golden hair all fallen below your knee,
And your face as white as snowdrops on the lea,
And your voice as hollow as the hollow sea?'

'Oh where do you come from, my dear friend, to me,
With your golden hair all the way down to your knee,
And your face as white as snowdrops in the field,
And your voice as empty as the deep sea?'

'From the other world I come back to you,
My locks are uncurled with dripping drenching dew.
You know the old, whilst I know the new:
But to-morrow you shall know this too.'

'From another world, I return to you,
My hair is loose, soaked with refreshing dew.
You understand the past, while I understand the present:
But tomorrow, you'll understand this too.'

'Oh not to-morrow into the dark, I pray;
Oh not to-morrow, too soon to go away: 10
Here I feel warm and well-content and gay:
Give me another year, another day.'

'Oh not tomorrow into the dark, I beg;
Oh not tomorrow, it's too soon to leave: 10
Here I feel warm and happy and carefree:
Give me another year, another day.'

'Am I so changed in a day and a night
That mine own only love shrinks from me with fright,
Is fain to turn away to left or right
And cover up his eyes from the sight?'

'Am I so different in just a day and a night
That my one true love recoils from me in fear,
Is eager to turn away to either side
And hide his eyes from what he sees?'

'Indeed I loved you, my chosen friend,
I loved you for life, but life has an end;
Through sickness I was ready to tend:
But death mars all, which we cannot mend. 20

'Indeed, I loved you, my chosen friend,
I loved you for life, but life has an end;
Through sickness, I was ready to care:
But death ruins everything, and we can't fix that. 20

'Indeed I loved you; I love you yet,
If you will stay where your bed is set,
Where I have planted a violet,
Which the wind waves, which the dew makes wet.'

'Indeed, I loved you; I still love you,
If you stay where your bed is set,
Where I’ve planted a violet,
Which the wind sways, which the dew makes wet.'

'Life is gone, then love too is gone,
It was a reed that I leant upon:
Never doubt I will leave you alone
And not wake you rattling bone with bone.

'Life is gone, so love is gone too,
It was a reed I leaned on:
Never doubt that I will leave you alone
And not wake you, clashing bone with bone.

'I go home alone to my bed,
Dug deep at the foot and deep at the head, 30
Roofed in with a load of lead,
Warm enough for the forgotten dead.

'I go home alone to my bed,
Dug deep at the foot and deep at the head,
Covered with a heavy load,
Warm enough for those who are forgotten.'

'But why did your tears soak through the clay,
And why did your sobs wake me where I lay?
I was away, far enough away:
Let me sleep now till the Judgment Day.'

'But why did your tears soak through the clay,
And why did your sobs wake me where I lay?
I was far away, far enough away:
Let me sleep now until Judgment Day.'

A PORTRAIT

I

She gave up beauty in her tender youth,
  Gave all her hope and joy and pleasant ways;
  She covered up her eyes lest they should gaze
On vanity, and chose the bitter truth.
Harsh towards herself, towards others full of ruth,
  Servant of servants, little known to praise,
  Long prayers and fasts trenched on her nights and days:
She schooled herself to sights and sounds uncouth
That with the poor and stricken she might make
  A home, until the least of all sufficed 10
Her wants; her own self learned she to forsake,
Counting all earthly gain but hurt and loss.
So with calm will she chose and bore the cross
  And hated all for love of Jesus Christ.

She gave up her beauty in her early years,
  Gave up all her hope, joy, and enjoyable times;
  She covered her eyes to avoid gazing
At vanity, and chose the harsh truth.
Harsh to herself, but compassionate to others,
  A servant among servants, rarely praised,
  Long prayers and fasting took over her nights and days:
She trained herself to endure odd sights and sounds
So that she could create a home for the poor and suffering
  Until even the smallest things met her needs; 10
She learned to let go of her own self,
Considering all worldly gain as pain and loss.
So, with steady determination, she chose to bear the cross
  And rejected everything for the love of Jesus Christ.

II

They knelt in silent anguish by her bed,
  And could not weep; but calmly there she lay.
  All pain had left her; and the sun's last ray
Shone through upon her, warming into red
The shady curtains. In her heart she said:
  'Heaven opens; I leave these and go away; 20
  The Bridegroom calls,—shall the Bride seek to stay?'
Then low upon her breast she bowed her head.
O lily flower, O gem of priceless worth,
  O dove with patient voice and patient eyes,
O fruitful vine amid a land of dearth,
  O maid replete with loving purities,
Thou bowedst down thy head with friends on earth
  To raise it with the saints in Paradise.

They knelt in silent sorrow by her bed,
  Unable to cry; but there she lay peacefully.
  All suffering had left her; and the sun's last light
Shone through, warming the dark curtains with a red glow.
In her heart, she thought:
  'Heaven is opening; I'm leaving this life behind; 20
  The Bridegroom is calling—should the Bride stay behind?'
Then she gently rested her head on her chest.
O lily flower, O gem of immeasurable value,
  O dove with a patient voice and gentle eyes,
O fruitful vine in a place of scarcity,
  O maiden filled with pure love,
You lowered your head among friends on earth
  To lift it with the saints in Paradise.

DREAM-LOVE

Young Love lies sleeping
  In May-time of the year,
Among the lilies,
  Lapped in the tender light:
White lambs come grazing,
  White doves come building there:
And round about him
  The May-bushes are white.

Young Love is sleeping
  In the Maytime of the year,
Among the lilies,
  Wrapped in soft light:
White lambs are grazing,
  White doves are building there:
And all around him
  The May bushes are white.

Soft moss the pillow
  For oh, a softer cheek; 10
Broad leaves cast shadow
  Upon the heavy eyes:
There winds and waters
  Grow lulled and scarcely speak;
There twilight lingers
  The longest in the skies.

Soft moss makes the pillow
  For oh, a softer cheek; 10
Broad leaves create shade
  On the heavy eyes:
There winds and waters
  Are calm and barely speak;
There twilight hangs around
  The longest in the skies.

Young Love lies dreaming;
  But who shall tell the dream?
A perfect sunlight
  On rustling forest tips; 20
Or perfect moonlight
  Upon a rippling stream;
Or perfect silence,
  Or song of cherished lips.

Young love is lost in dreams;
  But who will share the dream?
A brilliant sunlight
  On whispering forest leaves; 20
Or soft moonlight
  On a gently flowing stream;
Or complete silence,
  Or a melody from beloved lips.

Burn odours round him
  To fill the drowsy air;
Weave silent dances
  Around him to and fro;
For oh, in waking
  The sights are not so fair, 30
And song and silence
  Are not like these below.

Burning scents surround him
  To fill the sleepy air;
Weave quiet dances
  Around him back and forth;
For oh, in waking
  The sights aren't as beautiful, 30
And song and silence
  Are not like those below.

Young Love lies dreaming
  Till summer days are gone,—
Dreaming and drowsing
  Away to perfect sleep:
He sees the beauty
  Sun hath not looked upon,
And tastes the fountain
  Unutterably deep. 40

Young Love lies dreaming
  Until summer days are gone,—
Dreaming and dozing
  Away into perfect sleep:
He sees the beauty
  The sun has not looked upon,
And tastes the fountain
  Indescribably deep. 40

Him perfect music
  Doth hush unto his rest,
And through the pauses
  The perfect silence calms:
Oh, poor the voices
  Of earth from east to west,
And poor earth's stillness
  Between her stately palms.

Him perfect music
  Does quiet him into rest,
And through the pauses
  The perfect silence soothes:
Oh, pitiful the voices
  Of earth from east to west,
And poor earth's stillness
  Between her majestic palms.

Young Love lies drowsing
  Away to poppied death; 50
Cool shadows deepen
  Across the sleeping face:
So fails the summer
  With warm, delicious breath;
And what hath autumn
  To give us in its place?

Young Love lies sleeping
  Away to poppy dreams; 50
Cool shadows grow deeper
  Across the peaceful face:
So fades the summer
  With its warm, soothing breath;
And what does autumn
  Have to offer in return?

Draw close the curtains
  Of branched evergreen;
Change cannot touch them
  With fading fingers sere: 60
Here the first violets
  Perhaps will bud unseen,
And a dove, may be,
  Return to nestle here.

Draw close the curtains
  Of branched evergreen;
Change can't touch them
  With withering fingers: 60
Here the first violets
  Might bud unseen,
And a dove, maybe,
  Will return to nestle here.

TWICE

I took my heart in my hand
  (O my love, O my love),
I said: Let me fall or stand,
  Let me live or die,
But this once hear me speak—
  (O my love, O my love)—
Yet a woman's words are weak;
  You should speak, not I.

I took my heart in my hands
  (O my love, O my love),
I said: Let me fall or stand,
  Let me live or die,
But this once hear me out—
  (O my love, O my love)—
Yet a woman's words are weak;
  You should speak, not me.

You took my heart in your hand
  With a friendly smile, 10
With a critical eye you scanned,
  Then set it down,
And said: It is still unripe,
  Better wait awhile;
Wait while the skylarks pipe,
  Till the corn grows brown.

You took my heart in your hand
  With a friendly smile, 10
With a critical eye you looked it over,
  Then set it down,
And said: It’s still not ready,
  Better hold off for a bit;
Wait while the skylarks sing,
  Until the corn turns brown.

As you set it down it broke—
  Broke, but I did not wince;
I smiled at the speech you spoke,
  At your judgement that I heard: 20
But I have not often smiled
  Since then, nor questioned since,
Nor cared for corn-flowers wild,
  Nor sung with the singing bird.

As you put it down, it broke—
  Broke, but I didn’t flinch;
I smiled at the words you said,
  At your judgment that I heard: 20
But I haven’t smiled much
  Since then, nor questioned since,
Nor cared for wild cornflowers,
  Nor sung with the singing bird.

I take my heart in my hand,
  O my God, O my God,
My broken heart in my hand:
  Thou hast seen, judge Thou.
My hope was written on sand,
  O my God, O my God: 30
Now let thy judgement stand—
  Yea, judge me now.

I hold my heart in my hand,
  Oh my God, Oh my God,
My shattered heart in my hand:
  You’ve seen it, so judge me.
My hope was written on sand,
  Oh my God, Oh my God:
Now let your judgment be—
  Yes, judge me now.

This contemned of a man,
  This marred one heedless day,
This heart take Thou to scan
  Both within and without:
Refine with fire its gold,
  Purge thou its dross away—
Yea, hold it in Thy hold,
  Whence none can pluck it out. 40

This despised man,
  This damaged one, heedless day,
Take this heart to examine
  Both inside and out:
Refine its gold with fire,
  Remove its impurities—
Yes, keep it in Your grasp,
  Where no one can take it away. 40

I take my heart in my hand—
  I shall not die, but live—
Before Thy face I stand;
  I, for Thou callest such:
All that I have I bring,
  All that I am I give,
Smile Thou and I shall sing,
  But shall not question much.

I hold my heart in my hands—
  I will not die, but live—
Here I stand before You;
  I, for You call those like me:
Everything I have I bring,
  Everything I am I give,
If You smile, I will sing,
  But I won’t ask too much.

SONGS IN A CORNFIELD

A song in a cornfield
  Where corn begins to fall,
Where reapers are reaping,
  Reaping one, reaping all.
Sing pretty Lettice,
  Sing Rachel, sing May;
Only Marian cannot sing
  While her sweetheart's away.

A song in a cornfield
  Where corn starts to drop,
Where harvesters are working,
  Harvesting one, harvesting all.
Sing sweet Lettice,
  Sing Rachel, sing May;
Only Marian can’t sing
  While her boyfriend's away.

Where is he gone to
  And why does he stay? 10
He came across the green sea
  But for a day,
Across the deep green sea
  To help with the hay.

Where has he gone to
  And why does he stay? 10
He crossed the green sea
  Just for a day,
Across the deep green sea
  To help with the hay.

His hair was curly yellow
  And his eyes were grey,
He laughed a merry laugh
  And said a sweet say.
Where is he gone to
  That he comes not home? 20
To-day or to-morrow
  He surely will come.
Let him haste to joy
  Lest he lag for sorrow,
For one weeps to-day
  Who'll not weep to-morrow:
To-day she must weep
  For gnawing sorrow,
To-night she may sleep
  And not wake to-morrow. 30

His hair was curly yellow
  And his eyes were gray,
He laughed a cheerful laugh
  And spoke sweetly.
Where has he gone
  That he hasn’t come home? 20
Today or tomorrow
  He will surely be back.
Let him hurry to joy
  Before he falls behind in sorrow,
Because someone is crying today
  Who won't cry tomorrow:
Today she has to weep
  For deep sorrow,
Tonight she might sleep
  And not wake up tomorrow. 30

May sang with Rachel
  In the waxing warm weather,
Lettice sang with them,
  They sang all together:—

May sang with Rachel
  In the warming weather,
Lettice joined in with them,
  They all sang together:—

    'Take the wheat in your arm
      Whilst day is broad above,
    Take the wheat to your bosom,
      But not a false love.
      Out in the fields
        Summer heat gloweth, 40
      Out in the fields
        Summer wind bloweth,
      Out in the fields
        Summer friend showeth,
      Out in the fields
        Summer wheat groweth;
    But in the winter
      When summer heat is dead
    And summer wind has veered
      And summer friend has fled, 50
    Only summer wheat remaineth,
      White cakes and bread.
    Take the wheat, clasp the wheat
      That's food for maid and dove;
    Take the wheat to your bosom,
      But not a false false love.'

'Take the wheat in your arms
      While the day is bright above,
    Hold the wheat close to your heart,
      But don't trust a false love.
      Out in the fields
        The summer heat shines, 40
      Out in the fields
        The summer wind blows,
      Out in the fields
        Summer friends appear,
      Out in the fields
        Summer wheat grows;
    But in the winter
      When the summer heat is gone
    And the summer wind has changed
      And the summer friends have left, 50
    Only summer wheat remains,
      Making white cakes and bread.
    Take the wheat, hold the wheat
      That's food for the maid and dove;
    Take the wheat close to your heart,
      But don't trust a false love.'

A silence of full noontide heat
  Grew on them at their toil:
The farmer's dog woke up from sleep,
  The green snake hid her coil. 60
Where grass stood thickest, bird and beast
  Sought shadows as they could,
The reaping men and women paused
  And sat down where they stood;
They ate and drank and were refreshed,
  For rest from toil is good.

A silence filled with midday heat
  Settled over them as they worked:
The farmer's dog stirred from its nap,
  The green snake concealed its coil. 60
Where the grass was thickest, bird and beast
  Looked for whatever shade they could find,
The harvesters took a break
  And sat down where they were;
They ate and drank and felt rejuvenated,
  Because resting from labor is nice.

While the reapers took their ease,
  Their sickles lying by,
Rachel sang a second strain,
  And singing seemed to sigh:— 70

While the harvesters relaxed,
  Their sickles resting nearby,
Rachel sang another tune,
  And her singing seemed to sigh:— 70

    'There goes the swallow—
    Could we but follow!
      Hasty swallow stay,
      Point us out the way;
Look back swallow, turn back swallow, stop swallow.

'There goes the swallow—
    If only we could follow!
      Quick swallow, wait,
      Show us the way;
Look back, swallow, turn back, swallow, stop, swallow.

    'There went the swallow—
    Too late to follow:
      Lost our note of way,
      Lost our chance to-day;
Good bye swallow, sunny swallow, wise swallow. 80

'There went the swallow—
    Too late to follow:
      Lost our sense of direction,
      Missed our chance today;
Goodbye swallow, sunny swallow, wise swallow. 80

    'After the swallow
    All sweet things follow:
      All things go their way,
      Only we must stay,
Must not follow; good bye swallow, good swallow.'

'After the swallow
    All sweet things follow:
      All things go their way,
      Only we must stay,
Must not follow; goodbye swallow, good swallow.'

Then listless Marian raised her head
  Among the nodding sheaves;
Her voice was sweeter than that voice;
  She sang like one who grieves:
Her voice was sweeter than its wont 90
  Among the nodding sheaves;
All wondered while they heard her sing
  Like one who hopes and grieves:—

Then tired Marian lifted her head
  Among the bending stalks;
Her voice was softer than that voice;
  She sang like someone who mourns:
Her voice was softer than usual 90
  Among the bending stalks;
Everyone was amazed as they heard her sing
  Like someone who hopes and mourns:—

    'Deeper than the hail can smite,
    Deeper than the frost can bite,
    Deep asleep through day and night,
        Our delight.

'Deeper than the hail can hit,
    Deeper than the frost can chill,
    Fast asleep both day and night,
        Our joy.

    'Now thy sleep no pang can break,
    No to-morrow bid thee wake,
    Not our sobs who sit and ache 100
        For thy sake.

'Now your sleep can't be disturbed,
    No tomorrow will wake you,
    Not our cries as we sit and ache 100
        For you.

    'Is it dark or light below?
    Oh, but is it cold like snow?
    Dost thou feel the green things grow
        Fast or slow?

'Is it dark or light below?
    Oh, but is it cold like snow?
    Do you feel the green things grow
        Fast or slow?

    'Is it warm or cold beneath,
    Oh, but is it cold like death?
    Cold like death, without a breath,
        Cold like death?'

'Is it warm or cold beneath,
    Oh, but is it cold like death?
    Cold like death, without a breath,
        Cold like death?'

If he comes to-day 110
  He will find her weeping;
If he comes to-morrow
  He will find her sleeping;
If he comes the next day
  He'll not find her at all,
He may tear his curling hair,
  Beat his breast and call.

If he comes today 110
  He'll find her crying;
If he comes tomorrow
  He'll find her resting;
If he comes the next day
  He won't find her at all,
He might pull out his curly hair,
  Pound his chest and shout.

A YEAR'S WINDFALLS

On the wind of January
  Down flits the snow,
Travelling from the frozen North
  As cold as it can blow.
Poor robin redbreast,
  Look where he comes;
Let him in to feel your fire,
  And toss him of your crumbs.

On the January wind
  Down comes the snow,
Traveling from the frozen North
  As cold as it can blow.
Poor little robin,
  Look where he’s coming;
Let him in to feel your warmth,
  And toss him some crumbs.

On the wind in February
  Snowflakes float still, 10
Half inclined to turn to rain,
  Nipping, dripping, chill.
Then the thaws swell the streams,
  And swollen rivers swell the sea:—
If the winter ever ends
  How pleasant it will be!

On the breeze in February
  Snowflakes gently drift, 10
Half ready to turn into rain,
  Biting, dripping, cold.
Then the thaws fill the streams,
  And rising rivers fill the sea:—
If winter ever ends,
  How nice it will be!

In the wind of windy March
  The catkins drop down,
Curly, caterpillar-like,
  Curious green and brown. 20
With concourse of nest-building birds
  And leaf-buds by the way,
We begin to think of flowers
  And life and nuts some day.

In the breezy month of March
  The catkins fall,
Twisted, like caterpillars,
  A mix of green and brown. 20
With a gathering of birds making nests
  And buds appearing along the path,
We start to think about flowers
  And life and nuts eventually.

With the gusts of April
  Rich fruit-tree blossoms fall,
On the hedged-in orchard-green,
  From the southern wall.
Apple-trees and pear-trees
  Shed petals white or pink, 30
Plum-trees and peach-trees;
  While sharp showers sink and sink.

With the April breezes
  Vibrant fruit-tree blossoms drop,
In the enclosed orchard green,
  By the southern wall.
Apple trees and pear trees
  Release white or pink petals, 30
Plum trees and peach trees;
  As heavy showers fall and fall.

Little brings the May breeze
  Beside pure scent of flowers,
While all things wax and nothing wanes
  In lengthening daylight hours.
Across the hyacinth beds
  The wind lags warm and sweet,
Across the hawthorn tops,
  Across the blades of wheat. 40

Little brings the May breeze
  Along with the fresh scent of flowers,
While everything grows and nothing fades
  In the extending daylight hours.
Through the hyacinth beds
  The wind is warm and sweet,
Over the tops of hawthorn,
  Over the blades of wheat. 40

In the wind of sunny June
  Thrives the red rose crop,
Every day fresh blossoms blow
  While the first leaves drop;
White rose and yellow rose
  And moss-rose choice to find,
And the cottage cabbage-rose
  Not one whit behind.

In the breeze of sunny June
  The red roses flourish,
Every day, new blooms appear
  As the first leaves fall;
White roses and yellow roses
  And lovely moss roses to discover,
And the cottage cabbage rose
  Is just as beautiful.

On the blast of scorched July
  Drives the pelting hail, 50
From thunderous lightning-clouds, that blot
  Blue heaven grown lurid-pale.
Weedy waves are tossed ashore,
  Sea-things strange to sight
Gasp upon the barren shore
  And fade away in light.

On the scorching blast of July
Drives the stinging hail, 50
From booming lightning clouds that cover
The blue sky turned a sickly pale.
Weedy waves crash on the beach,
Sea creatures strange to see
Breathe on the empty shore
And disappear into the light.

In the parching August wind
  Corn-fields bow the head,
Sheltered in round valley depths,
  On low hills outspread. 60
Early leaves drop loitering down
  Weightless on the breeze,
First fruits of the year's decay
  From the withering trees.

In the scorching August wind
  Cornfields bow their heads,
Hiding in the depths of round valleys,
  Spread out on low hills. 60
Early leaves fall slowly down
  Weightless in the breeze,
The first signs of the year's decline
  From the withering trees.

In brisk wind of September
  The heavy-headed fruits
Shake upon their bending boughs
  And drop from the shoots;
Some glow golden in the sun,
  Some show green and streaked, 70
Some set forth a purple bloom,
  Some blush rosy-cheeked.

In the brisk September wind
  The weighty fruits
Shake on their bending branches
  And fall from the stems;
Some shimmer golden in the sun,
  Some are green and striped, 70
Some display a purple hue,
  Some blush pink-cheeked.

In strong blast of October
  At the equinox,
Stirred up in his hollow bed
  Broad ocean rocks;
Plunge the ships on his bosom,
  Leaps and plunges the foam,—
It's oh! for mothers' sons at sea,
  That they were safe at home. 80

In the strong winds of October
  During the equinox,
Stirred up in his empty bed
  The broad ocean rolls;
Plunging ships on his surface,
  The waves leap and crash,—
Oh! for the sons of mothers at sea,
  That they were safe at home. 80

In slack wind of November
  The fog forms and shifts;
All the world comes out again
  When the fog lifts.
Loosened from their sapless twigs
  Leaves drop with every gust;
Drifting, rustling, out of sight
  In the damp or dust.

In the calm winds of November
  The fog sets in and changes;
Everything comes back to life
  When the fog clears.
Released from their dry branches
  Leaves fall with each breeze;
Floating, whispering, disappearing
  In the moisture or dust.

Last of all, December,
  The year's sands nearly run, 90
Speeds on the shortest day,
  Curtails the sun;
With its bleak raw wind
  Lays the last leaves low,
Brings back the nightly frosts,
  Brings back the snow.

Last of all, December,
  The year's time is almost up, 90
Rushes in on the shortest day,
  Cuts the sun short;
With its chilly, harsh wind
  Brings the last leaves down,
Returns the nightly frosts,
  Returns the snow.

THE QUEEN OF HEARTS

How comes it, Flora, that, whenever we
Play cards together, you invariably,
    However the pack parts,
    Still hold the Queen of Hearts?

How is it, Flora, that every time we
Play cards together, you always,
    No matter how the deck is shuffled,
    Still have the Queen of Hearts?

I've scanned you with a scrutinizing gaze,
Resolved to fathom these your secret ways:
    But, sift them as I will,
    Your ways are secret still.

I've looked at you closely,
Determined to understand your hidden ways:
    But no matter how hard I try,
    Your ways remain a mystery.

I cut and shuffle; shuffle, cut, again;
But all my cutting, shuffling, proves in vain: 10
    Vain hope, vain forethought too;
    The Queen still falls to you.

I cut and shuffle; shuffle, cut, again;
But all my cutting and shuffling turns out to be pointless: 10
    Pointless hope, pointless thinking too;
    The Queen still goes to you.

I dropped her once, prepense; but, ere the deal
Was dealt, your instinct seemed her loss to feel:
    'There should be one card more,'
    You said, and searched the floor.

I dropped her once on purpose; but before the deal
Was done, you seemed to sense her absence:
    'There should be one more card,'
    You said, as you searched the floor.

I cheated once; I made a private notch
In Heart-Queen's back, and kept a lynx-eyed watch;
    Yet such another back
    Deceived me in the pack: 20

I cheated once; I made a private notch
In Heart-Queen's back, and kept a sharp watch;
    Yet such another back
    Deceived me in the group: 20

The Queen of Clubs assumed by arts unknown
An imitative dint that seemed my own;
    This notch, not of my doing,
    Misled me to my ruin.

The Queen of Clubs took on unfamiliar arts
An imitative mark that felt like my own;
    This scratch, not done by me,
    Led me to my downfall.

It baffles me to puzzle out the clue,
Which must be skill, or craft, or luck in you:
    Unless, indeed, it be
    Natural affinity.

It amazes me to figure out the clue,
Which must be talent, skill, or luck in you:
    Unless, of course, it’s
    A natural connection.

ONE DAY

I will tell you when they met:
In the limpid days of Spring;
Elder boughs were budding yet,
Oaken boughs looked wintry still,
But primrose and veined violet
In the mossful turf were set,
While meeting birds made haste to sing
And build with right good will.

I’ll tell you when they met:
In the clear days of Spring;
Older branches were just starting to bud,
Oak branches still looked like winter,
But primrose and spotted violet
Were nestled in the mossy ground,
While the birds hurried to sing
And build with plenty of enthusiasm.

I will tell you when they parted:
When plenteous Autumn sheaves were brown, 10
Then they parted heavy-hearted;
The full rejoicing sun looked down
As grand as in the days before;
Only they had lost a crown;
Only to them those days of yore
Could come back nevermore.

I will tell you when they split up:
When the plentiful autumn crops were brown, 10
They parted feeling very sad;
The bright, cheerful sun looked down
As grand as it did in the days before;
Only they had lost something special;
Only for them could those past days
Never come back again.

When shall they meet? I cannot tell,
Indeed, when they shall meet again,
Except some day in Paradise:
For this they wait, one waits in pain. 20
Beyond the sea of death love lies
For ever, yesterday, to-day;
Angels shall ask them, 'Is it well?'
And they shall answer, 'Yea.'

When will they meet? I don’t know,
Honestly, when they’ll meet again,
Maybe one day in Paradise:
For this, they wait, and one waits in pain. 20
Beyond the sea of death, love exists
Forever, yesterday, today;
Angels will ask them, 'Is everything okay?'
And they will reply, 'Yes.'

A BIRD'S-EYE VIEW

'Croak, croak, croak,'
Thus the Raven spoke,
Perched on his crooked tree
As hoarse as hoarse could be.
Shun him and fear him,
Lest the Bridegroom hear him;
Scout him and rout him
With his ominous eye about him.

'Croak, croak, croak,'
That's what the Raven said,
Sitting on his twisted tree
As hoarse as can be.
Avoid him and be scared,
Lest the Bridegroom hears him;
Seek him out and drive him off
With his threatening eye around him.

Yet, 'Croak, croak, croak,'
Still tolled from the oak; 10
From that fatal black bird,
Whether heard or unheard:
'O ship upon the high seas,
Freighted with lives and spices,
Sink, O ship,' croaked the Raven:
'Let the Bride mount to heaven.'

Yet, 'Croak, croak, croak,'
Still tolled from the oak; 10
From that fateful black bird,
Whether heard or unheard:
'O ship upon the high seas,
Carrying lives and spices,
Sink, O ship,' croaked the Raven:
'Let the Bride ascend to heaven.'

In a far foreign land,
Upon the wave-edged sand,
Some friends gaze wistfully
Across the glittering sea. 20
'If we could clasp our sister,'
Three say, 'now we have missed her!'
'If we could kiss our daughter!'
Two sigh across the water.

In a distant country,
On the sandy shore,
A few friends look longingly
Over the shining sea. 20
"If only we could hold our sister,"
Three say, "now that we’ve lost her!"
"If only we could hug our daughter!"
Two sigh across the waves.

Oh, the ship sails fast
With silken flags at the mast,
And the home-wind blows soft;
But a Raven sits aloft,
Chuckling and choking,
Croaking, croaking, croaking:— 30
Let the beacon-fire blaze higher;
Bridegroom, watch; the Bride draws nigher.

Oh, the ship sails fast
With silky flags at the mast,
And the home wind blows gently;
But a Raven sits above,
Laughing and gasping,
Cawing, cawing, cawing:— 30
Let the beacon fire burn brighter;
Groom, watch; the Bride is coming closer.

On a sloped sandy beach,
Which the spring-tide billows reach,
Stand a watchful throng
Who have hoped and waited long:
'Fie on this ship, that tarries
With the priceless freight it carries.
The time seems long and longer:
O languid wind, wax stronger;'— 40

On a sloped sandy beach,
Where the spring tides lap at the shore,
A crowd stands watchful
Who have hoped and waited for a long time:
“Curse this ship that lingers
With the priceless cargo it bears.
The wait feels longer and longer:
Oh sluggish wind, blow harder;” — 40

Whilst the Raven perched at ease
Still croaks and does not cease,
One monotonous note
Tolled from his iron throat:
'No father, no mother,
But I have a sable brother:
He sees where ocean flows to,
And he knows what he knows, too.'

While the Raven sits comfortably
Still croaking without end,
One dull note
Rang from his metal throat:
'No father, no mother,
But I have a dark brother:
He sees where the ocean flows,
And he knows what he knows, too.'

A day and a night
They kept watch worn and white; 50
A night and a day
For the swift ship on its way:
For the Bride and her maidens
—Clear chimes the bridal cadence—
For the tall ship that never
Hove in sight for ever.

A day and a night
They kept watch, tired and pale; 50
A night and a day
For the fast ship on its route:
For the Bride and her bridesmaids
—The wedding bells ring clear—
For the tall ship that never
Came into view forever.

On either shore, some
Stand in grief loud or dumb
As the dreadful dread
Grows certain though unsaid. 60
For laughter there is weeping,
And waking instead of sleeping,
And a desperate sorrow
Morrow after morrow.

On either side, some
Stand in sorrow, whether loud or quiet
As the terrible fear
Becomes obvious even if unspoken. 60
For every laugh, there's crying,
And being awake instead of sleeping,
And a deep sadness
Day after day.

Oh, who knows the truth,
How she perished in her youth,
And like a queen went down
Pale in her royal crown:
How she went up to glory
From the sea-foam chill and hoary, 70
From the sea-depth black and riven
To the calm that is in Heaven?

Oh, who knows the truth,
How she died so young,
And like a queen, she fell
Pale in her royal crown:
How she rose to glory
From the cold, grey sea-foam,
From the deep, dark, and broken sea
To the peace that is in Heaven?

They went down, all the crew,
The silks and spices too,
The great ones and the small,
One and all, one and all.
Was it through stress of weather,
Quicksands, rocks, or all together?
Only the Raven knows this,
And he will not disclose this.— 80

They all went down, every member of the crew,
The silks and spices as well,
The important ones and the less significant,
Everyone, everyone.
Was it because of bad weather,
Quicksands, rocks, or a combination of everything?
Only the Raven knows the answer,
And he won’t reveal it.— 80

After a day and year
The bridal bells chime clear;
After a year and a day
The Bridegroom is brave and gay:
Love is sound, faith is rotten;
The old Bride is forgotten:—
Two ominous Ravens only
Remember, black and lonely.

After a day and year
The wedding bells ring clear;
After a year and a day
The Groom is cheerful and gay:
Love is strong, faith is weak;
The old Bride is forgotten:—
Only two ominous Ravens
Remember, black and lonely.

LIGHT LOVE

'Oh, sad thy lot before I came,
  But sadder when I go;
My presence but a flash of flame,
  A transitory glow
  Between two barren wastes like snow.
What wilt thou do when I am gone,
  Where wilt thou rest, my dear?
For cold thy bed to rest upon,
  And cold the falling year
  Whose withered leaves are lost and sere.' 10

'Oh, how unfortunate your situation was before I arrived,
  But it's even worse when I leave;
My existence is just a brief spark,
  A fleeting light
  Between two empty stretches like snow.
What will you do when I'm gone,
  Where will you find comfort, my dear?
For your bed is cold to lie on,
  And the year is growing colder
  With its withered leaves all fallen and dry.' 10

She hushed the baby at her breast,
  She rocked it on her knee:
'And I will rest my lonely rest,
  Warmed with the thought of thee,
  Rest lulled to rest by memory.'
She hushed the baby with her kiss,
  She hushed it with her breast:
'Is death so sadder much than this—
  Sure death that builds a nest
  For those who elsewhere cannot rest?' 20

She quieted the baby at her breast,
  She rocked it on her knee:
'And I will take my lonely rest,
  Comforted by thoughts of you,
  Resting lulled by memory.'
She quieted the baby with her kiss,
  She quieted it with her breast:
'Is death really sadder than this—
  Sure, death that creates a home
  For those who cannot find peace anywhere else?' 20

'Oh, sad thy note, my mateless dove,
  With tender nestling cold;
But hast thou ne'er another love
  Left from the days of old,
  To build thy nest of silk and gold,
To warm thy paleness to a blush
  When I am far away—
To warm thy coldness to a flush,
  And turn thee back to May,
  And turn thy twilight back to day?' 30

'Oh, how sad is your song, my lonely dove,
  With your tender little one feeling cold;
But have you never had another love
  From the days gone by,
  To make your nest of silk and gold,
To bring some color to your pale cheeks
  When I’m far away—
To warm you up when you feel cold,
  And bring back sunshine to your day,
  And turn your twilight back into day?' 30

She did not answer him again,
  But leaned her face aside,
Weary with the pang of shame and pain,
  And sore with wounded pride:
  He knew his very soul had lied.
She strained his baby in her arms,
  His baby to her heart:
'Even let it go, the love that harms:
  We twain will never part;
  Mine own, his own, how dear thou art.' 40

She didn’t respond to him again,
  But turned her face away,
Tired from the ache of shame and hurt,
  And sore from bruised pride:
  He realized his soul had deceived him.
She held their baby in her arms,
  Their baby close to her heart:
'Even let it go, the love that hurts:
  We two will never part;
  Mine, yours, how precious you are.' 40

'Now never teaze me, tender-eyed,
  Sigh-voiced,' he said in scorn:
'For nigh at hand there blooms a bride,
  My bride before the morn;
  Ripe-blooming she, as thou forlorn.
Ripe-blooming she, my rose, my peach;
  She woos me day and night:
I watch her tremble in my reach;
  She reddens, my delight,
  She ripens, reddens in my sight.' 50

'Now don’t tease me, soft-eyed,
  Sighing,' he said with disdain:
'For close by blooms a bride,
  My bride before the morning;
  Fully blossomed, she, unlike you, alone.
Fully blossomed, she, my rose, my peach;
  She woos me day and night:
I watch her tremble just within my reach;
  She blushes, my delight,
  She blooms and blushes in my sight.' 50

'And is she like a sunlit rose?
  Am I like withered leaves?
Haste where thy spicèd garden blows:
  But in bare Autumn eves
  Wilt thou have store of harvest sheaves?
Thou leavest love, true love behind,
  To seek a love as true;
Go, seek in haste: but wilt thou find?
  Change new again for new;
  Pluck up, enjoy—yea, trample too. 60

'Is she like a rose in the sunlight?
  Am I like dried-up leaves?
Hurry where your fragrant garden blooms:
  But in empty autumn evenings
  Will you have plenty of harvest bundles?
You leave behind true love,
  To look for a love just as real;
Go, hurry: but will you discover?
  Trade the old for something new;
  Pick it, enjoy it—yeah, trample it too. 60

'Alas for her, poor faded rose,
  Alas for her her, like me,
Cast down and trampled in the snows.'
  'Like thee? nay, not like thee:
  She leans, but from a guarded tree.
Farewell, and dream as long ago,
  Before we ever met:
Farewell; my swift-paced horse seems slow.'
  She raised her eyes, not wet
  But hard, to Heaven: 'Does God forget?' 70

'Alas for her, poor faded rose,
  Alas for her, like me,
Cast down and trampled in the snow.'
  'Like you? No, not like you:
  She leans, but against a protected tree.
Goodbye, and dream like we used to,
  Before we ever met:
Goodbye; my fast-moving horse feels slow.'
  She raised her eyes, not wet
  But hard, to Heaven: 'Does God forget?' 70

A DREAM

Sonnet

Poem

Once in a dream (for once I dreamed of you)
  We stood together in an open field;
  Above our heads two swift-winged pigeons wheeled,
Sporting at ease and courting full in view.
When loftier still a broadening darkness flew,
  Down-swooping, and a ravenous hawk revealed;
  Too weak to fight, too fond to fly, they yield;
So farewell life and love and pleasures new.
Then as their plumes fell fluttering to the ground,
  Their snow-white plumage flecked with crimson drops,
  I wept, and thought I turned towards you to weep:
  But you were gone; while rustling hedgerow tops
Bent in a wind which bore to me a sound
    Of far-off piteous bleat of lambs and sheep.

Once in a dream (because I dreamed of you)
  We stood together in a wide-open field;
  Above us, two swift-winged pigeons flew around,
Playing casually and courting right in front of us.
Then, even higher, a dark shadow came rushing down,
  Revealing a hungry hawk;
  Too weak to fight, too in love to flee, they gave in;
So goodbye to life, love, and new pleasures.
Then as their feathers fell gently to the ground,
  Their pure white feathers spotted with crimson drops,
  I cried, thinking I turned to you to share my tears:
  But you were gone; while the rustling tops of the hedgerows
Bent in a breeze that carried to me the distant,
    Heartbreaking bleats of lambs and sheep.

A RING POSY

Jess and Jill are pretty girls,
  Plump and well to do,
In a cloud of windy curls:
  Yet I know who
Loves me more than curls or pearls.

Jess and Jill are attractive girls,
  Chubby and well-off,
With a canopy of windy curls:
  But I know who
Loves me more than curls or pearls.

I'm not pretty, not a bit—
  Thin and sallow-pale;
When I trudge along the street
  I don't need a veil:
Yet I have one fancy hit. 10

I'm not pretty at all—
  I'm thin and sickly pale;
When I walk down the street
  I don't need a veil:
But I do have one little dream. 10

Jess and Jill can trill and sing
  With a flute-like voice,
Dance as light as bird on wing,
  Laugh for careless joys:
Yet it's I who wear the ring.

Jess and Jill can sing sweetly
  With a voice like a flute,
Dance as lightly as a bird in flight,
  Laugh for carefree joys:
Yet I’m the one who wears the ring.

Jess and Jill will mate some day,
  Surely, surely:
Ripen on to June through May,
While the sun shines make their hay,
  Slacken steps demurely: 20
Yet even there I lead the way.

Jess and Jill will get together someday,
  Definitely, definitely:
They'll grow together from May to June,
While the sun shines, they'll make their move,
  Taking it easy: 20
Yet even there, I’m guiding them along.

BEAUTY IS VAIN

While roses are so red,
  While lilies are so white,
Shall a woman exalt her face
  Because it gives delight?
She's not so sweet as a rose,
  A lily's straighter than she,
And if she were as red or white
  She'd be but one of three.

While roses are so red,
  While lilies are so white,
Should a woman show off her face
  Just because it brings joy?
She's not as sweet as a rose,
  A lily's straighter than she,
And if she were as red or white
  She'd be just one of three.

Whether she flush in love's summer
  Or in its winter grow pale, 10
Whether she flaunt her beauty
  Or hide it away in a veil,
Be she red or white,
  And stand she erect or bowed,
Time will win the race he runs with her
  And hide her away in a shroud.

Whether she glows in love's summer
  Or fades in its winter, 10
Whether she shows off her beauty
  Or conceals it under a veil,
Whether she’s red or white,
  And whether she stands tall or stoops,
Time will win the race he runs with her
  And cover her up in a shroud.

LADY MAGGIE

You must not call me Maggie, you must not call me Dear,
  For I'm Lady of the Manor now stately to see;
And if there comes a babe, as there may some happy year,
  'Twill be little lord or lady at my knee.

You can't call me Maggie, you can't call me Dear,
  Because I'm the Lady of the Manor now, looking grand;
And if a baby arrives, which could happen in some happy year,
  'Twill be a little lord or lady at my side.

Oh, but what ails you, my sailor cousin Phil,
  That you shake and turn white like a cockcrow ghost?
You're as white as I turned once down by the mill,
  When one told me you and ship and crew were lost:

Oh, but what's wrong with you, my sailor cousin Phil,
  That you’re shaking and looking pale like a ghost at dawn?
You're as pale as I was once down by the mill,
  When someone told me you, your ship, and your crew were lost:

Philip my playfellow, when we were boy and girl
  (It was the Miller's Nancy told it to me), 10
Philip with the merry life in lip and curl,
  Philip my playfellow drowned in the sea!

Philip, my playmate, when we were kids
  (It was the Miller's Nancy who told me this), 10
Philip with the joyful smile and carefree hair,
  Philip, my playmate, drowned in the sea!

I thought I should have fainted, but I did not faint;
  I stood stunned at the moment, scarcely sad,
Till I raised my wail of desolate complaint
  For you, my cousin, brother, all I had.

I thought I was going to faint, but I didn’t;
  I stood there shocked, barely feeling sad,
Until I let out my cry of hopeless grief
  For you, my cousin, brother, everything I had.

They said I looked so pale—some say so fair—
  My lord stopped in passing to soothe me back to life:
I know I missed a ringlet from my hair
  Next morning; and now I am his wife. 20

They said I looked so pale—some say so fair—
  My lord stopped while passing by to bring me back to life:
I know I lost a curl from my hair
  The next morning; and now I am his wife. 20

Look at my gown, Philip, and look at my ring,
  I'm all crimson and gold from top to toe:
All day long I sit in the sun and sing,
  Where in the sun red roses blush and blow.

Check out my dress, Philip, and check out my ring,
  I'm all in crimson and gold from head to toe:
All day long I sit in the sun and sing,
  Where in the sun red roses bloom and grow.

And I'm the rose of roses says my lord;
  And to him I'm more than the sun in the sky,
While I hold him fast with the golden cord
  Of a curl, with the eyelash of an eye.

And I'm the rose of roses, says my lord;
  And to him, I'm more than the sun in the sky,
While I keep him close with the golden thread
  Of a curl, with the eyelash of an eye.

His mother said 'fie,' and his sisters cried 'shame,'
  His highborn ladies cried 'shame' from their place: 30
They said 'fie' when they only heard my name,
  But fell silent when they saw my face.

His mother said "yuck," and his sisters yelled "that's embarrassing,"
  His noblewomen echoed "how shameful" from their spot: 30
They reacted with "yuck" just hearing my name,
  But went quiet when they saw my face.

Am I so fair, Philip? Philip, did you think
  I was so fair when we played boy and girl,
Where blue forget-me-nots bloomed on the brink
  Of our stream which the mill-wheel sent a whirl?

Am I really that beautiful, Philip? Did you think
  I was so beautiful when we pretended to be a couple,
Where blue forget-me-nots grew at the edge
  Of our stream that the mill-wheel sent spinning?

If I was fair then sure I'm fairer now,
  Sitting where a score of servants stand,
With a coronet on high days for my brow
  And almost a sceptre for my hand. 40

If I was beautiful back then, I’m definitely more beautiful now,
  Sitting where a crowd of servants gather,
With a crown on special occasions for my head
  And nearly a scepter in my hand. 40

You're but a sailor, Philip, weatherbeaten brown,
  A stranger on land and at home on the sea,
Coasting as best you may from town to town:
  Coasting along do you often think of me?

You're just a sailor, Philip, sun-tanned and rugged,
  A stranger on land and at home on the water,
Moving from place to place as best you can:
  While you're traveling, do you often think of me?

I'm a great lady in a sheltered bower,
  With hands grown white through having nought to do:
Yet sometimes I think of you hour after hour
  Till I nigh wish myself a child with you.

I'm a wonderful woman in a cozy garden,
  With hands grown pale from having nothing to do:
Yet sometimes I think of you hour after hour
  Until I almost wish I were a child with you.

WHAT WOULD I GIVE?

What would I give for a heart of flesh to warm me through,
Instead of this heart of stone ice-cold whatever I do;
Hard and cold and small, of all hearts the worst of all.

What would I give for a heart of flesh to warm me up,
Instead of this heart of stone, ice-cold no matter what;
Hard and cold and tiny, the worst heart of them all.

What would I give for words, if only words would come;
But now in its misery my spirit has fallen dumb:
Oh, merry friends, go your own way, I have never a word to say.

What would I give for some words, if only words would come;
But now in this misery, my spirit has fallen silent:
Oh, cheerful friends, go on your way, I have nothing to say.

What would I give for tears, not smiles but scalding tears,
To wash the black mark clean, and to thaw the frost of years,
To wash the stain ingrain and to make me clean again.

What would I do for tears, not smiles but burning tears,
To wipe the black mark away and to melt the frost of years,
To remove the deep stain and to make me clean again.

THE BOURNE

Underneath the growing grass,
  Underneath the living flowers,
  Deeper than the sound of showers:
  There we shall not count the hours
By the shadows as they pass.

Underneath the tall grass,
  Beneath the blooming flowers,
  Deeper than the sound of rain:
  There, we won't keep track of time
As the shadows drift by.

Youth and health will be but vain,
  Beauty reckoned of no worth:
  There a very little girth
  Can hold round what once the earth
Seemed too narrow to contain.

Youth and health will be in vain,
  Beauty considered worthless:
  There a very small frame
  Can hold what once was deemed
Too small for the earth to contain.

SUMMER

Winter is cold-hearted
  Spring is yea and nay,
Autumn is a weather-cock
  Blown every way:
Summer days for me
When every leaf is on its tree;

Winter is harsh
  Spring is sometimes yes and sometimes no,
Autumn is unpredictable
  Blown in every direction:
Summer days are what I love
When every leaf is on its tree;

When Robin's not a beggar,
  And Jenny Wren's a bride,
And larks hang singing, singing, singing,
  Over the wheat-fields wide, 10
  And anchored lilies ride,
And the pendulum spider
  Swings from side to side,

When Robin's not a beggar,
  And Jenny Wren's a bride,
And larks are singing, singing, singing,
  Over the wide wheat fields, 10
  And anchored lilies float,
And the pendulum spider
  Swings back and forth,

And blue-black beetles transact business,
  And gnats fly in a host,
And furry caterpillars hasten
  That no time be lost,
And moths grow fat and thrive,
And ladybirds arrive.

And blue-black beetles do their thing,
  And gnats swarm around,
And fuzzy caterpillars hurry
  So no time is wasted,
And moths get big and flourish,
And ladybugs show up.

Before green apples blush, 20
  Before green nuts embrown,
Why, one day in the country
  Is worth a month in town;
  Is worth a day and a year
Of the dusty, musty, lag-last fashion
  That days drone elsewhere.

Before green apples turn red, 20
  Before green nuts brown,
You know, one day in the countryside
  Is worth a month in the city;
  Is worth a day and a year
Of the dusty, stale, dragging style
  That days drag on in other places.

AUTUMN

I dwell alone—I dwell alone, alone,
  Whilst full my river flows down to the sea,
Gilded with flashing boats
  That bring no friend to me:
O love-songs, gurgling from a hundred throats,
  O love-pangs, let me be.

I live by myself—I live by myself, all alone,
  While my river flows steadily down to the sea,
Adorned with gleaming boats
  That bring no friends to me:
Oh love songs, bubbling up from a hundred voices,
  Oh heartaches, just leave me be.

Fair fall the freighted boats which gold and stone
    And spices bear to sea:
Slim, gleaming maidens swell their mellow notes,
    Love-promising, entreating— 10
    Ah! sweet, but fleeting—
  Beneath the shivering, snow-white sails.
  Hush! the wind flags and fails—
Hush! they will lie becalmed in sight of strand—
  Sight of my strand, where I do dwell alone;
Their songs wake singing echoes in my land—
  They cannot hear me moan.

Fair winds to the loaded boats that carry gold, stone,
    And spices out to sea:
Slim, shiny maidens raise their sweet voices,
    Promising love, begging— 10
    Ah! sweet, but short-lived—
  Beneath the trembling, white sails.
  Hush! the wind weakens and stops—
Hush! they will be still in sight of the shore—
  The shore where I live alone;
Their songs bring back echoes in my land—
  They cannot hear my sighs.

  One latest, solitary swallow flies
    Across the sea, rough autumn-tempest tossed,
    Poor bird, shall it be lost? 20
  Dropped down into this uncongenial sea,
        With no kind eyes
        To watch it while it dies,
     Unguessed, uncared for, free:
        Set free at last,
        The short pang past,
In sleep, in death, in dreamless sleep locked fast.

One last, lonely swallow flies
    Across the sea, tossed by the rough autumn storm,
    Poor bird, will it be lost? 20
  Dropped into this unfriendly sea,
        With no kind eyes
        To watch it as it dies,
     Unnoticed, uncared for, free:
        Finally set free,
        The brief pain gone,
In sleep, in death, in dreamless sleep, locked tight.

Mine avenue is all a growth of oaks,
    Some rent by thunder strokes,
Some rustling leaves and acorns in the breeze; 30
    Fair fall my fertile trees,
That rear their goodly heads, and live at ease.

My avenue is lined with oak trees,
    Some damaged by lightning strikes,
Some rustle with leaves and acorns in the breeze; 30
    Bless my fertile trees,
That lift their strong branches and thrive comfortably.

A spider's web blocks all mine avenue;
  He catches down and foolish painted flies
    That spider wary and wise.
Each morn it hangs a rainbow strung with dew
  Betwixt boughs green with sap,
  So fair, few creatures guess it is a trap:
    I will not mar the web,
Though sad I am to see the small lives ebb. 40

A spider's web blocks my path;
  It catches foolish painted flies
    That smart and careful spider.
Every morning it hangs a rainbow strung with dew
  Between the green, sap-filled branches,
  So beautiful that few creatures realize it’s a trap:
    I won’t ruin the web,
Even though it makes me sad to see those little lives fade. 40

It shakes—my trees shake—for a wind is roused
    In cavern where it housed:
    Each white and quivering sail,
    Of boats among the water leaves
Hollows and strains in the full-throated gale:
    Each maiden sings again—
Each languid maiden, whom the calm
Had lulled to sleep with rest and spice and balm
    Miles down my river to the sea
      They float and wane, 50
    Long miles away from me.

It trembles—my trees tremble—for a wind has stirred
    In the cave where it settled:
    Each white and fluttering sail,
    Of boats drifting among the water leaves
Hollers and strains in the loud wind:
    Each girl sings again—
Each sleepy girl, whom the calm
Had lulled to rest with sweet scents and soothing care
    Miles down my river to the sea
      They drift and fade, 50
    Long miles away from me.

    Perhaps they say: 'She grieves,
      Uplifted, like a beacon, on her tower.'
      Perhaps they say: 'One hour
More, and we dance among the golden sheaves.'
      Perhaps they say: 'One hour
        More, and we stand,
        Face to face, hand in hand;
Make haste, O slack gale, to the looked-for land!'

Perhaps they say: 'She mourns,
      Lifted up, like a light, on her tower.'
      Perhaps they say: 'One more hour
And we’ll dance among the golden harvests.'
      Perhaps they say: 'One more hour
        And we’ll stand,
        Face to face, hand in hand;
Hurry, O slow wind, to the hoped-for land!'

      My trees are not in flower, 60
      I have no bower,
      And gusty creaks my tower,
And lonesome, very lonesome, is my strand.

My trees aren’t blooming, 60
      I have no shelter,
      And the strong winds shake my tower,
And it’s lonely, really lonely, on my shore.

THE GHOST'S PETITION

'There's a footstep coming: look out and see,'
  'The leaves are falling, the wind is calling;
No one cometh across the lea.'—

'There's a footstep approaching: check it out,'
  'The leaves are dropping, the wind is beckoning;
No one is coming across the meadow.'—

'There's a footstep coming; O sister, look.'—
  'The ripple flashes, the white foam dashes;
No one cometh across the brook.'—

'There's a footstep approaching; Oh sister, look.'—
  'The ripple shines, the white foam rushes;
No one is coming across the brook.'—

'But he promised that he would come:
  To-night, to-morrow, in joy or sorrow,
He must keep his word, and must come home.

'But he promised that he would come:
  Tonight, tomorrow, in joy or sorrow,
He must keep his word and come home.

'For he promised that he would come: 10
  His word was given; from earth or heaven,
He must keep his word, and must come home.

'For he promised that he would come: 10
  His word was given; from earth or heaven,
He must keep his word, and must come home.

'Go to sleep, my sweet sister Jane;
  You can slumber, who need not number
Hour after hour, in doubt and pain.

'Go to sleep, my dear sister Jane;
  You can rest, who doesn’t have to count
Hour after hour, in worry and pain.

'I shall sit here awhile, and watch;
  Listening, hoping, for one hand groping
In deep shadow to find the latch.'

'I’ll sit here for a bit and watch;
  Listening, hoping, for one hand reaching
In the deep shadow to find the latch.'

After the dark, and before the light,
  One lay sleeping; and one sat weeping, 20
Who had watched and wept the weary night.

After the darkness and before the dawn,
  One was asleep; and one was crying, 20
Who had stayed up and cried through the long night.

After the night, and before the day,
  One lay sleeping; and one sat weeping—
Watching, weeping for one away.

After the night, and before the day,
  One was sleeping; and one was crying—
Watching, crying for someone far away.

There came a footstep climbing the stair;
  Some one standing out on the landing
Shook the door like a puff of air—

There was a footstep coming up the stairs;
  Someone was standing out on the landing
Shaking the door like a gust of wind—

Shook the door, and in he passed.
  Did he enter? In the room centre
Stood her husband: the door shut fast. 30

Shook the door, and in he walked.
  Did he come in? In the middle of the room
Stood her husband: the door closed tight. 30

'O Robin, but you are cold—
  Chilled with the night-dew: so lily-white you
Look like a stray lamb from our fold.

'O Robin, but you are cold—
  Chilled by the night dew: you look so lily-white
Like a lost lamb from our flock.

'O Robin, but you are late:
  Come and sit near me—sit here and cheer me.'—
(Blue the flame burnt in the grate.)

'O Robin, you're late:
  Come and sit with me—sit here and brighten my spirits.'—
(Blue the flame burned in the grate.)

'Lay not down your head on my breast:
  I cannot hold you, kind wife, nor fold you
In the shelter that you love best.

'Don't rest your head on my chest:
  I can't hold you, dear wife, nor wrap you
In the comfort that you love most.

'Feel not after my clasping hand: 40
  I am but a shadow, come from the meadow
Where many lie, but no tree can stand.

'Don't reach for my outstretched hand: 40
  I'm just a shadow, come from the field
Where many lie, but no tree can stand.

'We are trees which have shed their leaves:
  Our heads lie low there, but no tears flow there;
Only I grieve for my wife who grieves.

'We are trees that have lost our leaves:
  Our heads hang low, but no tears fall;
Only I mourn for my wife who is mourning.

'I could rest if you would not moan
  Hour after hour; I have no power
To shut my ears where I lie alone.

'I could rest if you would stop moaning
  Hour after hour; I can't help
To block out the noise while I lie here alone.

'I could rest if you would not cry;
  But there's no sleeping while you sit weeping— 50
Watching, weeping so bitterly.'—

'I could rest if you wouldn't cry;
But there's no sleeping while you sit weeping— 50
Watching, weeping so bitterly.'—

'Woe's me! woe's me! for this I have heard.
  Oh night of sorrow!—oh black to-morrow!
Is it thus that you keep your word?

'Woe is me! woe is me! for this I have heard.
  Oh night of sorrow!—oh dark tomorrow!
Is this how you keep your promise?

'O you who used so to shelter me
  Warm from the least wind—why, now the east wind
Is warmer than you, whom I quake to see.

'O you who used to protect me
  Warm from the slightest breeze—now the east wind
Is warmer than you, and I shiver at your sight.

'O my husband of flesh and blood,
  For whom my mother I left, and brother,
And all I had, accounting it good, 60

'O my husband of flesh and blood,
  For whom I left my mother and brother,
And everything I had, considering it a good decision, 60

'What do you do there, underground,
  In the dark hollow? I'm fain to follow.
What do you do there?—what have you found?'—

'What do you do down there, underground,
  In the dark hollow? I’m eager to follow.
What do you do there?—what have you discovered?'—

'What I do there I must not tell:
  But I have plenty: kind wife, content ye:
It is well with us—it is well.

'What I do there I can't share:
  But I have enough: a loving wife, be happy:
Life is good for us—it is good.

'Tender hand hath made our nest;
  Our fear is ended, our hope is blended
With present pleasure, and we have rest.'—

'Tender hands have made our nest;
  Our fears are over, our hopes are mixed
With present joy, and we can rest.'—

'Oh, but Robin, I'm fain to come, 70
  If your present days are so pleasant;
For my days are so wearisome.

'Oh, but Robin, I really want to come, 70
  If your days are so enjoyable;
Because my days are so exhausting.

'Yet I'll dry my tears for your sake:
  Why should I tease you, who cannot please you
Any more with the pains I take?'

'Yet I'll stop crying for you:
  Why should I bother you, who I can't satisfy
Any more with the effort I put in?'

MEMORY

I

I nursed it in my bosom while it lived,
  I hid it in my heart when it was dead;
In joy I sat alone, even so I grieved
    Alone and nothing said.

I held it close to my heart while it was alive,
  I kept it in my heart once it was gone;
In happiness, I sat by myself, but still I mourned
    In solitude, and said nothing.

I shut the door to face the naked truth,
  I stood alone—I faced the truth alone,
Stripped bare of self-regard or forms or ruth
    Till first and last were shown.

I closed the door to confront the raw truth,
  I stood by myself—I confronted the truth alone,
Exposed without self-esteem or pretenses or mercy
    Until everything was revealed.

I took the perfect balances and weighed;
  No shaking of my hand disturbed the poise; 10
Weighed, found it wanting: not a word I said,
    But silent made my choice.

I took the perfect balances and weighed;
  No shaking of my hand disturbed the poise; 10
Weighed, found it lacking: not a word I said,
    But silently made my choice.

None know the choice I made; I make it still.
  None know the choice I made and broke my heart,
Breaking mine idol: I have braced my will
    Once, chosen for once my part.

None know the choice I made; I'm still making it.
  None know the choice I made that broke my heart,
Breaking my idol: I have strengthened my will
    Once, chosen for once my role.

I broke it at a blow, I laid it cold,
  Crushed in my deep heart where it used to live.
My heart dies inch by inch; the time grows old,
    Grows old in which I grieve. 20

I shattered it with one strike, I left it lifeless,
  Crushed in my heart where it once thrived.
My heart is dying little by little; time drags on,
    Dragging on in my sorrow. 20

II

I have a room whereinto no one enters
  Save I myself alone:
  There sits a blessed memory on a throne,
There my life centres.

I have a room that no one else enters
  Except for me alone:
  There sits a cherished memory on a throne,
That’s where my life revolves.

While winter comes and goes—oh tedious comer!—
  And while its nip-wind blows;
  While bloom the bloodless lily and warm rose
Of lavish summer.

While winter comes and goes—oh, what a tiresome visitor!—
  And while its biting wind blows;
  While the pale lily and warm rose bloom
Of abundant summer.

If any should force entrance he might see there
  One buried yet not dead, 30
  Before whose face I no more bow my head
Or bend my knee there;

If anyone were to force their way in, they might see there
  One buried but not dead, 30
  Before whom I no longer bow my head
Or bend my knee there;

But often in my worn life's autumn weather
  I watch there with clear eyes,
  And think how it will be in Paradise
When we're together.

But often in the late days of my life
  I look on with clear vision,
  And wonder what it will be like in Paradise
When we're together.

A ROYAL PRINCESS

I, a princess, king-descended, decked with jewels, gilded, drest,
Would rather be a peasant with her baby at her breast,
For all I shine so like the sun, and am purple like the west.

I

Two and two my guards behind, two and two before,
Two and two on either hand, they guard me evermore;
Me, poor dove, that must not coo—eagle that must not soar.

Two by two my guards are behind, two by two in front,
Two by two on each side, they always keep watch on me;
Me, poor dove, who mustn't coo—eagle who mustn't soar.

All my fountains cast up perfumes, all my gardens grow
Scented woods and foreign spices, with all flowers in blow
That are costly, out of season as the seasons go.

All my fountains release fragrances, all my gardens flourish
With fragrant woods and exotic spices, and all flowers in bloom
That are luxurious, out of season as the times change.

All my walls are lost in mirrors, whereupon I trace 10
Self to right hand, self to left hand, self in every place,
Self-same solitary figure, self-same seeking face.

All my walls are covered in mirrors, where I find myself to the right, myself to the left, myself everywhere,
The same lonely figure, the same searching face.

Then I have an ivory chair high to sit upon,
Almost like my father's chair, which is an ivory throne;
There I sit uplift and upright, there I sit alone.

Then I have a high ivory chair to sit on,
Almost like my father's chair, which is an ivory throne;
There I sit elevated and straight, there I sit alone.

Alone by day, alone by night, alone days without end;
My father and my mother give me treasures, search and spend—
O my father! O my mother! have you ne'er a friend?

Alone by day, alone by night, alone for endless days;
My dad and my mom give me treasures, search for and spend—
Oh my dad! Oh my mom! don't you have a friend?

As I am a lofty princess, so my father is
A lofty king, accomplished in all kingly subtilties, 20
Holding in his strong right hand world-kingdoms' balances.

As I am a high-ranking princess, so my father is
A powerful king, skilled in all royal matters, 20
Holding in his strong right hand the scales of world kingdoms.

He has quarrelled with his neighbours, he has scourged his foes;
Vassal counts and princes follow where his pennon goes,
Long-descended valiant lords whom the vulture knows,

He has fought with his neighbors, he has punished his enemies;
Vassal counts and princes follow wherever his banner goes,
Long-lineage brave lords whom the vulture recognizes,

On whose track the vulture swoops, when they ride in state
To break the strength of armies and topple down the great:
Each of these my courteous servant, none of these my mate.

On whose path the vulture dives, when they ride in glory
To shatter the power of armies and bring down the mighty:
Each of these my polite servant, none of these my equal.

My father counting up his strength sets down with equal pen
So many head of cattle, head of horses, head of men;
These for slaughter, these for breeding, with the how and when. 30

My dad, assessing his strength, sits down with the same pen
So many cattle, horses, and men;
These for slaughter, these for breeding, along with the how and when. 30

Some to work on roads, canals; some to man his ships;
Some to smart in mines beneath sharp overseers' whips;
Some to trap fur-beasts in lands where utmost winter nips.

Some to work on roads and canals; some to crew his ships;
Some to suffer in mines under the sharp oversight of overseers;
Some to trap fur-bearing animals in places where the cold winter bites.

Once it came into my heart, and whelmed me like a flood,
That these too are men and women, human flesh and blood;
Men with hearts and men with souls, though trodden down like mud.

Once it filled my heart and overwhelmed me like a flood,
That these too are men and women, human flesh and blood;
Men with hearts and men with souls, though trampled down like mud.

Our feasting was not glad that night, our music was not gay:
On my mother's graceful head I marked a thread of grey,
My father frowning at the fare seemed every dish to weigh.

Our feast wasn't joyful that night, our music wasn't cheerful:
On my mother's elegant head, I noticed a strand of grey,
My father frowned at the food, seeming to judge every dish.

I sat beside them sole princess in my exalted place, 40
My ladies and my gentlemen stood by me on the dais:
A mirror showed me I look old and haggard in the face;

I sat next to them, the only princess in my elevated spot, 40
My ladies and gentlemen stood by me on the platform:
A mirror reflected that I look old and worn out in the face;

It showed me that my ladies all are fair to gaze upon,
Plump, plenteous-haired, to every one love's secret lore is known,
They laugh by day, they sleep by night; ah me, what is a throne?

It showed me that all my ladies are lovely to look at,
Curvy, with plenty of hair, each one knows love's hidden truths,
They laugh during the day and sleep at night; oh, what does a throne even mean?

The singing men and women sang that night as usual,
The dancers danced in pairs and sets, but music had a fall,
A melancholy windy fall as at a funeral.

The singing men and women performed that night like always,
The dancers moved in pairs and groups, but the music had a drop,
A sad, windy drop like at a funeral.

Amid the toss of torches to my chamber back we swept;
My ladies loosed my golden chain; meantime I could have wept 50
To think of some in galling chains whether they waked or slept.

Amid the flicker of torches, we rushed back to my room;
My ladies took off my golden chain; in the meantime, I could have cried 50
To think of some being in painful chains, whether they were awake or asleep.

I took my bath of scented milk, delicately waited on,
They burned sweet things for my delight, cedar and cinnamon,
They lit my shaded silver lamp, and left me there alone.

I took my bath in scented milk, gently waited on,
They burned sweet things for my pleasure, cedar and cinnamon,
They lit my shaded silver lamp and left me there alone.

A day went by, a week went by. One day I heard it said:
'Men are clamouring, women, children, clamouring to be fed;
Men like famished dogs are howling in the streets for bread.'

A day passed, then a week. One day I heard someone say:
'Men are screaming, women and children, begging to be fed;
Men like starving dogs are howling in the streets for bread.'

So two whispered by my door, not thinking I could hear,
Vulgar naked truth, ungarnished for a royal ear;
Fit for cooping in the background, not to stalk so near. 60

So two people whispered by my door, not realizing I could hear,
Raw, unfiltered truth, unpolished for someone high-ranking;
Better suited for hiding in the background, not to come so close. 60

But I strained my utmost sense to catch this truth, and mark:
'There are families out grazing like cattle in the park.'
'A pair of peasants must be saved even if we build an ark.'

But I pushed myself to understand this truth, and notice:
'There are families out grazing like cattle in the park.'
'A pair of farmers must be saved even if we build an ark.'

A merry jest, a merry laugh, each strolled upon his way;
One was my page, a lad I reared and bore with day by day;
One was my youngest maid as sweet and white as cream in May.

A cheerful joke, a joyful laugh, each went on their way;
One was my servant, a boy I raised and cared for every day;
One was my youngest maid, as sweet and pure as cream in May.

Other footsteps followed softly with a weightier tramp;
Voices said: 'Picked soldiers have been summoned from the camp
To quell these base-born ruffians who make free to howl and stamp.'

Other footsteps followed quietly with a heavier tread;
Voices said: 'Chosen soldiers have been called from the camp
To silence these low-born thugs who are free to howl and stomp.'

'Howl and stamp?' one answered: 'They made free to hurl a stone 70
At the minister's state coach, well aimed and stoutly thrown.'
'There's work then for the soldiers, for this rank crop must be mown.'

'Howl and stomp?' one replied: 'They took it upon themselves to throw a stone 70
At the minister's state coach, perfectly aimed and thrown with force.'
'Then there's work for the soldiers, because this unruly bunch needs to be dealt with.'

'One I saw, a poor old fool with ashes on his head,
Whimpering because a girl had snatched his crust of bread:
Then he dropped; when some one raised him, it turned out he was dead.'

'One I saw, a poor old fool with ashes on his head,
Whimpering because a girl had grabbed his piece of bread:
Then he collapsed; when someone picked him up, it turned out he was dead.'

'After us the deluge,' was retorted with a laugh:
'If bread's the staff of life, they must walk without a staff.'
'While I've a loaf they're welcome to my blessing and the chaff.'

'After us the flood,' was replied with a laugh:
'If bread is the staff of life, they must walk without a support.'
'As long as I have a loaf, they're welcome to my blessing and the leftovers.'

These passed. The king: stand up. Said my father with a smile:
'Daughter mine, your mother comes to sit with you awhile, 80
She's sad to-day, and who but you her sadness can beguile?'

These passed. The king: stand up. My father said with a smile:
'Daughter mine, your mother is here to sit with you for a bit, 80
She's feeling down today, and who better than you can cheer her up?'

He too left me. Shall I touch my harp now while I wait,—
(I hear them doubling guard below before our palace gate—)
Or shall I work the last gold stitch into my veil of state;

He also left me. Should I play my harp now while I wait,—
(I hear them doubling the guard down below our palace gate—)
Or should I finish the last gold stitch in my ceremonial veil;

Or shall my woman stand and read some unimpassioned scene,
There's music of a lulling sort in words that pause between;
Or shall she merely fan me while I wait here for the queen?

Or should my lady stand and read some uninspired scene,
There’s a soothing music in words that linger in between;
Or will she just fan me while I wait here for the queen?

Again I caught my father's voice in sharp word of command:
'Charge!' a clash of steel: 'Charge again, the rebels stand.
Smite and spare not, hand to hand; smite and spare not, hand to hand.'

Again I heard my father's voice issuing a sharp command:
'Charge!' A clash of steel: 'Charge again, the rebels are holding firm.
Strike without mercy, up close; strike without mercy, up close.'

There swelled a tumult at the gate, high voices waxing higher; 91
A flash of red reflected light lit the cathedral spire;
I heard a cry for faggots, then I heard a yell for fire.

There was a commotion at the gate, loud voices getting louder; 91
A flash of red reflected light lit up the cathedral spire;
I heard a shout for firewood, then I heard a scream for fire.

'Sit and roast there with your meat, sit and bake there with your bread,
You who sat to see us starve,' one shrieking woman said:
'Sit on your throne and roast with your crown upon your head.'

'Sit and roast there with your meat, sit and bake there with your bread,
You who sat to watch us starve,' one screaming woman said:
'Sit on your throne and roast with your crown on your head.'

Nay, this thing will I do, while my mother tarrieth,
I will take my fine spun gold, but not to sew therewith,
I will take my gold and gems, and rainbow fan and wreath;

Nay, I will do this while my mother waits,
I will take my finely spun gold, but not to sew with it,
I will take my gold and gems, along with my rainbow fan and wreath;

With a ransom in my lap, a king's ransom in my hand, 100
I will go down to this people, will stand face to face, will stand
Where they curse king, queen, and princess of this cursed land.

With a fortune in my lap, a king's wealth in my hand, 100
I will go down to these people, will stand face to face, will stand
Where they curse the king, queen, and princess of this cursed land.

They shall take all to buy them bread, take all I have to give;
I, if I perish, perish; they to-day shall eat and live;
I, if I perish, perish; that's the goal I half conceive:

They will take everything to buy bread, take all I have to give;
I, if I die, die; they will eat and live today;
I, if I die, die; that’s the goal I half imagine:

Once to speak before the world, rend bare my heart and show
The lesson I have learned which is death, is life, to know.
I, if I perish, perish; in the name of God I go.

Once to speak before the world, bare my heart and show
The lesson I’ve learned—that death is life, to truly know.
If I die, I die; in the name of God, I move forward.

SHALL I FORGET?

Shall I forget on this side of the grave?
I promise nothing: you must wait and see
    Patient and brave.
(O my soul, watch with him and he with me.)

Shall I forget on this side of the grave?
I promise nothing: you must wait and see
    Patient and brave.
(O my soul, watch with him and he with me.)

Shall I forget in peace of Paradise?
I promise nothing: follow, friend, and see
    Faithful and wise.
(O my soul, lead the way he walks with me.)

Shall I forget in the peace of Paradise?
I make no promises: come along, friend, and see
    Faithful and wise.
(O my soul, guide the way he walks with me.)

VANITY OF VANITIES

Sonnet

Sonnet

Ah, woe is me for pleasure that is vain,
  Ah, woe is me for glory that is past:
  Pleasure that bringeth sorrow at the last,
Glory that at the last bringeth no gain!
So saith the sinking heart; and so again
  It shall say till the mighty angel-blast
  Is blown, making the sun and moon aghast
And showering down the stars like sudden rain.
And evermore men shall go fearfully
  Bending beneath their weight of heaviness;
And ancient men shall lie down wearily,
  And strong men shall rise up in weariness;
Yea, even the young shall answer sighingly
  Saying one to another: How vain it is!

Ah, what a pity for pleasure that is empty,
  Ah, what a pity for glory that is gone:
  Pleasure that ultimately brings sorrow,
Glory that in the end brings no benefit!
So says the breaking heart; and again,
  It will say until the great angel’s blast
  Is sounded, leaving the sun and moon in shock
And showering down the stars like sudden rain.
And forever people will walk in fear,
  Bending under their heavy burdens;
And old people will lie down tired,
  And strong people will rise up in exhaustion;
Yes, even the young will respond with sighs,
  Saying to each other: How pointless it is!

L. E. L.

'Whose heart was breaking for a little love.'

'Whose heart was aching for a little love.'

Downstairs I laugh, I sport and jest with all;
  But in my solitary room above
I turn my face in silence to the wall;
  My heart is breaking for a little love.
    Though winter frosts are done,
    And birds pair every one,
And leaves peep out, for springtide is begun.

Downstairs, I laugh, joke, and have fun with everyone;
  But in my lonely room above,
I face the wall in silence;
  My heart is aching for a bit of love.
    Though winter's chill is over,
    And every bird has found a mate,
And leaves are starting to show, because spring has arrived.

I feel no spring, while spring is wellnigh blown,
  I find no nest, while nests are in the grove:
Woe's me for mine own heart that dwells alone, 10
  My heart that breaketh for a little love.
    While golden in the sun
    Rivulets rise and run,
While lilies bud, for springtide is begun.

I feel no sign of spring, even though it's almost here,
  I can't find a nest, even though they’re in the grove:
Oh, woe is me for my own heart that is all alone, 10
  My heart that breaks for a little love.
    While golden in the sun
    Streams rise and flow,
While lilies bloom, because springtime has begun.

All love, are loved, save only I; their hearts
  Beat warm with love and joy, beat full thereof:
They cannot guess, who play the pleasant parts,
  My heart is breaking for a little love.
    While beehives wake and whirr,
    And rabbit thins his fur, 20
In living spring that sets the world astir.

All love, are loved, except for me; their hearts
  Beat warm with love and joy, filled to the brim:
They can’t imagine, those who play the happy roles,
  My heart is breaking for just a little love.
    While beehives buzz and hum,
    And rabbits shed their fur, 20
In the living spring that gets the world moving.

I deck myself with skills and jewelry,
  I plume myself like any mated dove:
They praise my rustling show, and never see
  My heart is breaking for a little love.
    While sprouts green lavender
    With rosemary and myrrh,
For in quick spring the sap is all astir.

I dress myself up with skills and jewels,
  I strut around like a lovebird:
People admire my flashy display, but never notice
  My heart is aching for a little love.
    While green lavender blooms
    With rosemary and myrrh,
Because in the quick spring, the sap is always stirring.

Perhaps some saints in glory guess the truth,
  Perhaps some angels read it as they move, 30
And cry one to another full of ruth,
  'Her heart is breaking for a little love.'
    Though other things have birth,
    And leap and sing for mirth,
When springtime wakes and clothes and feeds the earth.

Maybe some saints in heaven know the truth,
  Maybe some angels sense it as they fly, 30
And call out to each other with compassion,
  'Her heart is breaking for a little love.'
    Though other things come to life,
    And jump and sing for joy,
When spring arrives and nurtures the earth.

Yet saith a saint: 'Take patience for thy scathe;'
  Yet saith an angel: 'Wait, for thou shalt prove
True best is last, true life is born of death,
  O thou, heart-broken for a little love.
    Then love shall fill they girth, 40
    And love make fat thy dearth,
When new spring builds new heaven and clean new earth.'

Yet a saint says: 'Be patient in your suffering;
  And an angel says: 'Wait, and you'll see
The best comes last, true life comes from death,
  Oh you, heartbroken over a little love.
    Then love will fill your space, 40
    And love will enrich your emptiness,
When new spring creates a new heaven and a fresh new earth.'

LIFE AND DEATH

Life is not sweet. One day it will be sweet
  To shut our eyes and die:
Nor feel the wild flowers blow, nor birds dart by
  With flitting butterfly,
Nor grass grow long above our heads and feet,
Nor hear the happy lark that soars sky high,
Nor sigh that spring is fleet and summer fleet,
  Nor mark the waxing wheat,
Nor know who sits in our accustomed seat.

Life isn't sweet. One day it will be sweet
  To close our eyes and die:
Nor feel the wildflowers blowing, nor birds flying by
  With fluttering butterflies,
Nor grass growing long above our heads and feet,
Nor hear the joyful lark that soars high,
Nor sigh that spring goes fast and summer too,
  Nor notice the ripening wheat,
Nor know who takes our usual spot.

Life is not good. One day it will be good 10
  To die, then live again;
To sleep meanwhile: so not to feel the wane
Of shrunk leaves dropping in the wood,
Nor hear the foamy lashing of the main,
Nor mark the blackened bean-fields, nor where stood
  Rich ranks of golden grain
Only dead refuse stubble clothe the plain:
Asleep from risk, asleep from pain.

Life isn’t great. One day it will be good 10
  To die, then come back to life;
To sleep in the meantime: so you don’t feel the fading
Of withered leaves falling in the woods,
Or hear the waves crashing against the shore,
Or see the scorched bean fields, or where stood
  Rich rows of golden grain
Only dead, leftover stubble covers the land:
Asleep from danger, asleep from pain.

BIRD OR BEAST?

Did any bird come flying
  After Adam and Eve,
When the door was shut against them
  And they sat down to grieve?

Did any bird come flying
  After Adam and Eve,
When the door was closed to them
  And they sat down to mourn?

I think not Eve's peacock
  Splendid to see,
And I think not Adam's eagle;
  But a dove may be.

I don't think Eve's peacock
  Is stunning to look at,
And I don't think Adam's eagle;
  But a dove could be.

Did any beast come pushing
  Through the thorny hedge 10
Into the thorny thistly world,
  Out from Eden's edge?

Did any creature come pushing
  Through the prickly hedge 10
Into the thorny, thistly world,
  Out from Eden's edge?

I think not a lion,
  Though his strength is such;
But an innocent loving lamb
  May have done as much.

I don't think it's a lion,
  Even though he's that strong;
But an innocent, loving lamb
  Could have done just as much.

If the dove preached from her bough
  and the lamb from his sod,
The lamb and dove
  Were preachers sent from God. 20

If the dove could talk

EVE

'While I sit at the door
Sick to gaze within
Mine eye weepeth sore
For sorrow and sin:
As a tree my sin stands
To darken all lands;
Death is the fruit it bore.

'While I sit at the door
Sick to look inside
My eyes weep heavily
For sorrow and sin:
Like a tree my sin stands
To darken all lands;
Death is the fruit it bore.

'How have Eden bowers grown
Without Adam to bend them!
How have Eden flowers blown 10
Squandering their sweet breath
Without me to tend them!
The Tree of Life was ours,
Tree twelvefold-fruited,
Most lofty tree that flowers,
Most deeply rooted:
I chose the tree of death.

'How have Eden bowers grown
Without Adam to bend them!
How have Eden flowers bloomed 10
Squandering their sweet scent
Without me to tend them!
The Tree of Life was ours,
Tree with twelve types of fruit,
The tallest tree that flowers,
Most deeply rooted:
I chose the tree of death.

'Hadst thou but said me nay,
Adam, my brother,
I might have pined away; 20
I, but none other:
God might have let thee stay
Safe in our garden,
By putting me away
Beyond all pardon.

'Had you just said no to me,
Adam, my brother,
I might have wasted away; 20
I, but no one else:
God might have allowed you to stay
Safe in our garden,
By sending me away
Beyond all forgiveness.

'I, Eve, sad mother
Of all who must live,
I, not another
Plucked bitterest fruit to give
My friend, husband, lover— 30
O wanton eyes, run over;
Who but I should grieve?—
Cain hath slain his brother:
Of all who must die mother,
Miserable Eve!'

'I, Eve, sorrowful mother
Of all who must live,
I, no one else
Picked the most bitter fruit to give
To my friend, husband, lover— 30
O reckless eyes, overflow;
Who else should I mourn?—
Cain has killed his brother:
Of all who must die, mother,
Unfortunate Eve!'

Thus she sat weeping,
Thus Eve our mother,
Where one lay sleeping
Slain by his brother.
Greatest and least 40
Each piteous beast
To hear her voice
Forgot his joys
And set aside his feast.

Thus she sat weeping,
Thus Eve our mother,
Where one lay sleeping
Slain by his brother.
Greatest and least 40
Each pitiful beast
To hear her voice
Forgot his joys
And set aside his feast.

The mouse paused in his walk
And dropped his wheaten stalk;
Grave cattle wagged their heads
In rumination;
The eagle gave a cry
From his cloud station; 50
Larks on thyme beds
Forbore to mount or sing;
Bees drooped upon the wing;
The raven perched on high
Forgot his ration;
The conies in their rock,
A feeble nation,
Quaked sympathetical;
The mocking-bird left off to mock;
Huge camels knelt as if 60
In deprecation;
The kind hart's tears were falling;
Chattered the wistful stork;
Dove-voices with a dying fall
Cooed desolation
Answering grief by grief.

The mouse paused in his walk
And dropped his stalk of wheat;
Serious cattle nodded their heads
In thought;
The eagle cried out
From his cloud perch; 50
Larks in the thyme beds
Held back from flying or singing;
Bees drooped in the air;
The raven sat high
Forgot his meal;
The rabbits in their rock,
A weak bunch,
Shuddered in sympathy;
The mockingbird stopped mocking;
Huge camels knelt as if 60
In submission;
The gentle deer shed tears;
The wistful stork chatted;
Dove coos with a dying tone
Mourned a loss
Answering sorrow with sorrow.

Only the serpent in the dust
Wriggling and crawling,
Grinned an evil grin and thrust
His tongue out with its fork. 70

Only the snake in the dirt
Wriggling and crawling,
Grinned a wicked grin and stuck
Out its forked tongue. 70

GROWN AND FLOWN

I loved my love from green of Spring
  Until sere Autumn's fall;
But now that leaves are withering
  How should one love at all?
  One heart's too small
For hunger, cold, love, everything.

I loved my love from the green of Spring
  Until the dry Autumn's fall;
But now that the leaves are withering
  How can anyone love at all?
  One heart's too small
For hunger, cold, love, everything.

I loved my love on sunny days
  Until late Summer's wane;
But now that frost begins to glaze
  How should one love again? 10
  Nay, love and pain
Walk wide apart in diverse ways.

I loved my love on sunny days
  Until late Summer faded;
But now that frost starts to cover
  How should one love again? 10
  No, love and pain
Walk far apart in different ways.

I loved my love—alas to see
  That this should be, alas!
I thought that this could scarcely be,
  Yet has it come to pass:
  Sweet sweet love was,
Now bitter bitter grown to me.

I loved my love—oh, how sad to see
  That this has come to be, oh no!
I thought this could hardly happen,
  Yet here it is, reality:
  Sweet, sweet love was,
Now turned bitter, bitter for me.

A FARM WALK

The year stood at its equinox
  And bluff the North was blowing,
A bleat of lambs came from the flocks,
  Green hardy things were growing;
I met a maid with shining locks
  Where milky kine were lowing.

The year was at its equinox
  And the North wind was blowing,
I heard the bleating of lambs from the flocks,
  Green, tough plants were growing;
I encountered a girl with shiny hair
  Where the cows were mooing.

She wore a kerchief on her neck,
  Her bare arm showed its dimple,
Her apron spread without a speck,
  Her air was frank and simple. 10

She had a scarf around her neck,
  Her bare arm revealed its dimple,
Her apron was spotless,
  Her demeanor was straightforward and genuine. 10

She milked into a wooden pail
  And sang a country ditty,
An innocent fond lovers' tale,
  That was not wise nor witty,
Pathetically rustical,
  Too pointless for the city.

She poured milk into a wooden bucket
  And sang a simple country song,
A sweet, naive love story,
  That wasn’t clever or smart,
Sadly unrefined,
  Too trivial for the city.

She kept in time without a beat
  As true as church-bell ringers,
Unless she tapped time with her feet,
  Or squeezed it with her fingers; 20
Her clear unstudied notes were sweet
  As many a practised singer's.

She stayed in rhythm without missing a beat
  Just like church bell ringers,
Unless she kept time with her feet,
  Or squeezed it with her fingers; 20
Her natural, effortless notes were sweet
  Like those of many trained singers.

I stood a minute out of sight,
  Stood silent for a minute
To eye the pail, and creamy white
  The frothing milk within it;

I stood for a minute out of sight,
  Stood quietly for a minute
To look at the pail, and the creamy white
  The frothing milk inside it;

To eye the comely milking maid
  Herself so fresh and creamy:
'Good day to you,' at last I said;
  She turned her head to see me: 30
'Good day,' she said with lifted head;
  Her eyes looked soft and dreamy,

To look at the pretty milkmaid
  Who was so fresh and creamy:
'Good day to you,' I finally said;
  She turned her head to see me: 30
'Good day,' she replied, tilting her head;
  Her eyes seemed soft and dreamy,

And all the while she milked and milked
  The grave cow heavy-laden:
I've seen grand ladies plumed and silked,
  But not a sweeter maiden;

And all the while she milked and milked
  The heavy-laden cow:
I've seen elegant ladies dressed in feathers and silk,
  But not a sweeter girl;

But not a sweeter fresher maid
  Than this in homely cotton,
Whose pleasant face and silky braid
  I have not yet forgotten. 40

But there's no sweeter, fresher girl
  Than this one in casual cotton,
Whose lovely face and silky braid
  I have not yet forgotten. 40

Seven springs have passed since then, as I
  Count with a sober sorrow;
Seven springs have come and passed me by,
  And spring sets in to-morrow.

Seven springs have passed since then, as I
  Count with a sober sadness;
Seven springs have come and gone,
  And spring starts tomorrow.

I've half a mind to shake myself
  Free just for once from London,
To set my work upon the shelf
  And leave it done or undone;

I've half a mind to shake myself
  Free just for once from London,
To put my work on the shelf
  And leave it finished or unfinished;

To run down by the early train,
  Whirl down with shriek and whistle, 50
And feel the bluff North blow again,
  And mark the sprouting thistle
Set up on waste patch of the lane
  Its green and tender bristle.

To catch the early train,
  Zoom down with a screech and a whistle, 50
And feel the strong North wind blow again,
  And notice the thistle starting to grow
On a neglected spot of the road
  With its fresh green bristles.

And spy the scarce-blown violet banks,
  Crisp primrose leaves and others,
And watch the lambs leap at their pranks
  And butt their patient mothers.

And see the barely opened violet patches,
  Crisp primrose leaves and more,
And watch the lambs jump around with their antics
  And nudge their patient mothers.

Alas, one point in all my plan
  My serious thoughts demur to: 60
Seven years have passed for maid and man,
  Seven years have passed for her too;

Alas, one point in all my plan
  My serious thoughts hesitate about: 60
Seven years have gone by for both woman and man,
  Seven years have gone by for her too;

Perhaps my rose is overblown,
  Not rosy or too rosy;
Perhaps in farmhouse of her own
  Some husband keeps her cosy,
Where I should show a face unknown.
  Good-bye, my wayside posy.

Perhaps my rose is too much,
  Not bright enough or too bright;
Maybe in a farmhouse of her own
  Some husband makes her feel alright,
Where I should show a face I don’t know.
  Good-bye, my roadside flower.

SOMEWHERE OR OTHER

Somewhere or other there must surely be
  The face not seen, the voice not heard,
The heart that not yet—never yet—ah me!
    Made answer to my word.

Somewhere out there, there has to be
  The face I haven't seen, the voice I haven't heard,
The heart that hasn't—never has—oh no!
    Responded to my words.

Somewhere or other, may be near or far;
  Past land and sea, clean out of sight;
Beyond the wandering moon, beyond the star
    That tracks her night by night.

Somewhere out there, maybe close or far;
  Beyond land and sea, completely out of view;
Past the roaming moon, past the star
    That follows her every night.

Somewhere or other, may be far or near;
  With just a wall, a hedge, between; 10
With just the last leaves of the dying year
    Fallen on a turf grown green.

Somewhere out there, maybe far or close;
  With just a wall and a hedge in between; 10
With only the last leaves of the fading year
    Fallen on grass that’s turned green.

A CHILL

  What can lambkins do
  All the keen night through?
Nestle by their woolly mother
  The careful ewe.

What can little lambs do
  All through the long night?
Snuggle up to their fluffy mother
  The protective ewe.

  What can nestlings do
  In the nightly dew?
Sleep beneath their mother's wing
  Till day breaks anew.

What can baby birds do
  In the nighttime dew?
Sleep under their mom's wing
   Till morning comes anew.

  If in a field or tree
  There might only be 10
Such a warm soft sleeping-place
  Found for me!

If in a field or tree
  There might only be 10
Such a warm, soft place to sleep
  Found for me!

CHILD'S TALK IN APRIL

I wish you were a pleasant wren,
  And I your small accepted mate;
How we'd look down on toilsome men!
  We'd rise and go to bed at eight
  Or it may be not quite so late.

I wish you were a cheerful wren,
  And I your little chosen mate;
How we’d watch the hardworking men!
  We’d wake up and go to bed at eight
  Or maybe not quite so late.

Then you should see the nest I'd build,
  The wondrous nest for you and me;
The outside rough perhaps, but filled
  With wool and down; ah, you should see
  The cosy nest that it would be. 10

Then you should see the nest I’d make,
  The amazing nest for you and me;
The outside might be rough, but it's filled
  With wool and fluff; oh, you should see
  The cozy nest it would be. 10

We'd have our change of hope and fear,
  Small quarrels, reconcilements sweet:
I'd perch by you to chirp and cheer,
  Or hop about on active feet,
  And fetch you dainty bits to eat.

We'd have our ups and downs,
  Little fights, sweet make-ups:
I'd sit by you to chat and lift your spirits,
  Or bounce around on busy feet,
  And bring you tasty snacks to eat.

We'd be so happy by the day,
  So safe and happy through the night,
We both should feel, and I should say,
  It's all one season of delight,
And we'll make merry whilst we may. 20

We'd be so happy during the day,
  So safe and happy through the night,
We both should feel, and I should say,
  It's all one season of joy,
And we'll have fun while we can. 20

Perhaps some day there'd be an egg
  When spring had blossomed from the snow:
I'd stand triumphant on one leg;
  Like chanticleer I'd almost crow
  To let our little neighbours know.

Perhaps someday there'd be an egg
  When spring had emerged from the snow:
I'd stand proudly on one leg;
  Like a rooster, I'd almost crow
  To let our little neighbors know.

Next you should sit and I would sing
Through lengthening days of sunny spring;
  Till, if you wearied of the task,
I'd sit; and you should spread your wing
  From bough to bough; I'd sit and bask. 30

Next you should sit, and I would sing
Through the long, sunny days of spring;
  Until, if you got tired of it,
I'd sit; and you would spread your wings
  From branch to branch; I'd sit and soak it up. 30

Fancy the breaking of the shell,
  The chirp, the chickens wet and bare,
The untried proud paternal swell;
  And you with housewife-matron air
  Enacting choicer bills of fare.

Imagine the shell cracking,
  The chirping, the chicks damp and exposed,
The untested, proud fatherly pride;
  And you, with the demeanor of a homemaker,
  Preparing more refined meals.

Fancy the embryo coats of down,
  The gradual feathers soft and sleek;
Till clothed and strong from tail to crown,
  With virgin warblings in their beak,
  They too go forth to soar and seek. 40

Imagine the soft down covering the embryos,
  The smooth and sleek feathers emerging gradually;
Until fully clothed and strong from tail to head,
  With fresh songs in their beaks,
  They too set out to fly and explore. 40

So would it last an April through
And early summer fresh with dew:
  Then should we part and live as twain,
Love-time would bring me back to you
  And build our happy nest again.

So would it last from April through
And early summer fresh with dew:
  Then should we part and live separately,
Love would bring me back to you
  And help us build our happy nest again.

GONE FOR EVER

O happy rose-bud blooming
  Upon thy parent tree,
Nay, thou art too presuming;
For soon the earth entombing
  Thy faded charms shall be,
And the chill damp consuming.

O happy rosebud blooming
  Upon your parent tree,
No, you are too confident;
For soon the earth will bury
  Your faded beauty,
And the cold damp will take over.

O happy skylark springing
  Up to the broad blue sky,
Too fearless in thy winging,
Too gladsome in thy singing, 10
  Thou also soon shalt lie
Where no sweet notes are ringing.

O happy lark soaring
  Up to the wide blue sky,
Too bold in your flying,
Too joyful in your singing, 10
  You soon will also rest
Where no sweet songs are echoing.

And through life's shine and shower
  We shall have joy and pain;
But in the summer bower,
And at the morning hour,
  We still shall look in vain
For the same bird and flower.

And through life's ups and downs
  We will experience joy and pain;
But in the summer garden,
And at the morning hour,
  We will still search in vain
For the same bird and flower.

UNDER THE ROSE

'The iniquity of the fathers upon the children.'

'The wrongdoing of the parents affects the children.'

Oh the rose of keenest thorn!
One hidden summer morn
Under the rose I was born.

Oh, the rose with the sharpest thorn!
On a hidden summer morning
I was born beneath the rose.

I do not guess his name
Who wrought my Mother's shame,
And gave me life forlorn,
But my Mother, Mother, Mother,
I know her from all other.
My Mother pale and mild,
Fair as ever was seen, 10
She was but scarce sixteen,
Little more than a child,
When I was born
To work her scorn.
With secret bitter throes,
In a passion of secret woes,
She bore me under the rose.

I don’t know his name
Who caused my mother’s shame,
And gave me this lonely life,
But my mother, mother, mother,
I recognize her from all the others.
My mother, pale and gentle,
As beautiful as anyone ever was, 10
She was barely sixteen,
Just a bit more than a kid,
When I was born
To bring her sorrow.
With hidden, painful struggles,
In a deep state of hidden grief,
She brought me into the world secretly.

One who my Mother nursed
Took me from the first:—
'O nurse, let me look upon 20
This babe that costs so dear;
To-morrow she will be gone:
Other mothers may keep
Their babes awake and asleep,
But I must not keep her here.'—
Whether I know or guess,
I know this not the less.

One whom my mother cared for
Took me from the start:—
'O nurse, let me see 20
This baby who is so precious;
Tomorrow she will be gone:
Other mothers may hold
Their babies awake and asleep,
But I can’t keep her here.'—
Whether I understand or assume,
I still know this for sure.

So I was sent away
That none might spy the truth:
And my childhood waxed to youth 30
And I left off childish play.
I never cared to play
With the village boys and girls;
And I think they thought me proud,
I found so little to say
And kept so from the crowd:
But I had the longest curls
And I had the largest eyes
And my teeth were small like pearls;
The girls might flout and scout me, 40
But the boys would hang about me
In sheepish mooning wise.

So I was sent away
So no one could discover the truth:
And my childhood turned into youth 30
And I stopped playing childish games.
I never wanted to play
With the village boys and girls;
And I think they saw me as stuck-up,
I had so little to say
And kept my distance from the crowd:
But I had the longest curls
And the biggest eyes
And my teeth were small like pearls;
The girls might mock and tease me, 40
But the boys would linger around me
Acting shy and foolish.

Our one-street village stood
A long mile from the town,
A mile of windy down
And bleak one-sided wood,
With not a single house.
Our town itself was small,
With just the common shops,
And throve in its small way. 50
Our neighbouring gentry reared
The good old-fashioned crops,
And made old-fashioned boasts
Of what John Bull would do
If Frenchman Frog appeared,
And drank old-fashioned toasts,
And made old-fashioned bows
To my Lady at the Hall.

Our single-street village was located
A long mile from town,
A mile of windy hills
And desolate, one-sided woods,
With not a single house.
Our town itself was small,
With just the usual shops,
And thrived in its own way.
50
Our nearby gentry grew
Old-fashioned crops,
And made traditional boasts
About what John Bull would do
If Frenchman Frog showed up,
And raised standard toasts,
And made polite bows
To my Lady at the Hall.

My Lady at the Hall
Is grander than they all: 60
Hers is the oldest name
In all the neighbourhood;
But the race must die with her
Though she's a lofty dame,
For she's unmarried still.
Poor people say she's good
And has an open hand
As any in the land,
And she's the comforter
Of many sick and sad; 70
My nurse once said to me
That everything she had
Came of my Lady's bounty:
'Though she's greatest in the county
She's humble to the poor,
No beggar seeks her door
But finds help presently.
I pray both night and day
For her, and you must pray:
But she'll never feel distress 80
If needy folk can bless.'

My Lady at the Hall
Is more impressive than any of them: 60
Hers is the oldest name
In the entire neighborhood;
But her lineage will end with her
Even though she's a dignified lady,
Because she's still unmarried.
People say she's kind
And generous
As anyone around,
And she's a source of comfort
For many who are sick and sad; 70
My nurse once told me
That everything she has
Comes from my Lady's generosity:
'Even though she's the most prominent in the county,
She's humble to those in need,
No beggar goes to her door
Without getting help right away.
I pray for her constantly, both night and day,
And you should pray too:
But she'll never know hardship 80
If those in need can bless her.'

I was a little maid
When here we came to live
From somewhere by the sea.
Men spoke a foreign tongue
There where we used to be
When I was merry and young,
Too young to feel afraid;
The fisher folk would give
A kind strange word to me, 90
There by the foreign sea:
I don't know where it was,
But I remember still
Our cottage on a hill,
And fields of flowering grass
On that fair foreign shore.

I was a little maid
When we moved here to live
From somewhere by the sea.
Men spoke a different language
Where we used to be
When I was happy and young,
Too young to feel scared;
The fishermen would say
A kind, strange word to me, 90
There by the foreign sea:
I don't know where it was,
But I still remember
Our cottage on a hill,
And fields of blooming grass
On that beautiful foreign shore.

I liked my old home best,
But this was pleasant too:
So here we made our nest
And here I grew. 100
And now and then my Lady
In riding past our door
Would nod to Nurse and speak,
Or stoop and pat my cheek;
And I was always ready
To hold the field-gate wide
For my Lady to go through;
My Lady in her veil
So seldom put aside,
My Lady grave and pale. 110

I liked my old home the most,
But this one was nice too:
So here we made our home
And this is where I grew. 100
Now and then, my Lady
Would ride by our door
And nod to Nurse and chat,
Or bend down to pat my cheek;
And I was always ready
To hold the gate wide open
For my Lady to walk through;
My Lady in her veil
So rarely took it off,
My Lady serious and pale. 110

I often sat to wonder
Who might my parents be,
For I knew of something under
My simple-seeming state.
Nurse never talked to me
Of mother or of father,
But watched me early and late
With kind suspicious cares:
Or not suspicious, rather
Anxious, as if she knew 120
Some secret I might gather
And smart for unawares.
Thus I grew.

I often sat and wondered
Who my parents might be,
Because I sensed there was something beneath
My seemingly simple life.
The nurse never talked to me
About my mother or father,
But she watched me day and night
With kind, yet watchful care:
Or not watchful, more like
Worried, as if she knew
Some secret I might uncover
And be caught off guard.
So, I grew up.

But Nurse waxed old and grey,
Bent and weak with years.
There came a certain day
That she lay upon her bed
Shaking her palsied head,
With words she gasped to say
Which had to stay unsaid. 130
Then with a jerking hand
Held out so piteously
She gave a ring to me
Of gold wrought curiously,
A ring which she had worn
Since the day I was born,
She once had said to me:
I slipped it on my finger;
Her eyes were keen to linger
On my hand that slipped it on; 140
Then she sighed one rattling sigh
And stared on with sightless eye:—
The one who loved me was gone.

But Nurse grew old and gray,
Bent and weak from the years.
One day,
She lay on her bed,
Shaking her trembling head,
With words she struggled to say,
That would remain unsaid. 130
Then with a shaky hand
Held out so sadly,
She gave me a ring
Made of intricately designed gold,
A ring she had worn
Since the day I was born,
She once told me:
I slipped it onto my finger;
Her eyes lingered eagerly
On my hand as I put it on; 140
Then she sighed a rattling sigh
And stared on with unseeing eyes:—
The one who loved me was gone.

How long I stayed alone
With the corpse I never knew,
For I fainted dead as stone:
When I came to life once more
I was down upon the floor,
With neighbours making ado
To bring me back to life. 150
I heard the sexton's wife
Say: 'Up, my lad, and run
To tell it at the Hall;
She was my Lady's nurse,
And done can't be undone.
I'll watch by this poor lamb.
I guess my Lady's purse
Is always open to such:
I'd run up on my crutch
A cripple as I am,' 160
(For cramps had vexed her much)
'Rather than this dear heart
Lack one to take her part.'

How long I stayed alone
With the body I never knew,
Because I fainted like a stone:
When I came back to life again
I was lying on the floor,
With neighbors making a fuss
To bring me back to life. 150
I heard the sexton's wife
Say: 'Get up, my boy, and run
To tell it at the Hall;
She was my Lady's nurse,
And what's done can't be undone.
I'll keep watch over this poor child.
I bet my Lady's purse
Is always open for this:
I'd hop on my crutch
A cripple as I am,' 160
(For cramps had bothered her a lot)
'Rather than let this dear heart
Lack someone to stand by her.'

For days day after day
On my weary bed I lay
Wishing the time would pass;
Oh, so wishing that I was
Likely to pass away:
For the one friend whom I knew
Was dead, I knew no other, 170
Neither father nor mother;
And I, what should I do?

For days, day after day
I lay on my tired bed
Hoping time would move faster;
Oh, wishing I could
Easily fade away:
Because the only friend I had
Was gone, and I had no one else,
Neither father nor mother;
And I, what was I supposed to do?

One day the sexton's wife
Said: 'Rouse yourself, my dear:
My Lady has driven down
From the Hall into the town,
And we think she's coming here.
Cheer up, for life is life.'

One day, the sexton's wife
Said: 'Wake up, my dear:
My Lady has come down
From the Hall to the town,
And we think she's on her way here.
Stay positive, because life is life.'

But I would not look or speak,
Would not cheer up at all. 180
My tears were like to fall,
So I turned round to the wall
And hid my hollow cheek
Making as if I slept,
As silent as a stone,
And no one knew I wept.
What was my Lady to me,
The grand lady from the Hall?
She might come, or stay away,
I was sick at heart that day: 190
The whole world seemed to be
Nothing, just nothing to me,
For aught that I could see.

But I didn’t look or say a word,
I didn’t try to cheer up at all. 180
My tears were about to fall,
So I turned to face the wall
And hid my empty cheek
Pretending I was asleep,
As quiet as a stone,
And no one knew I cried.
What did my Lady mean to me,
The fancy lady from the Hall?
She could come or not come,
I felt so heartbroken that day: 190
The whole world seemed to be
Nothing, just nothing to me,
As far as I could see.

Yet I listened where I lay:
A bustle came below,
A clear voice said: 'I know;
I will see her first alone,
It may be less of a shock
If she's so weak to-day:'—
A light hand turned the lock, 200
A light step crossed the floor,
One sat beside my bed:
But never a word she said.

Yet I listened as I lay:
There was a commotion below,
A clear voice said: 'I know;
I will see her first alone,
It might be easier for her
If she's so weak today:'—
A gentle hand turned the lock, 200
A soft step crossed the floor,
One sat beside my bed:
But she didn't say a word.

For me, my shyness grew
Each moment more and more:
So I said never a word
And neither looked nor stirred;
I think she must have heard
My heart go pit-a-pat:
Thus I lay, my Lady sat, 210
More than a mortal hour—
(I counted one and two
By the house-clock while I lay):
I seemed to have no power
To think of a thing to say,
Or do what I ought to do,
Or rouse myself to a choice.

For me, my shyness kept growing
More and more with each moment:
So I didn’t say a word
And didn’t look or move;
I think she must have sensed
My heart racing:
So I lay there, while my lady sat,
For more than an hour—
(I counted one and two
By the clock while I lay):
I felt like I had no ability
To think of anything to say,
Or do what I should do,
Or push myself to make a choice.

At last she said: 'Margaret,
Won't you even look at me?'
A something in her voice 220
Forced my tears to fall at last,
Forced sobs from me thick and fast;
Something not of the past,
Yet stirring memory;
A something new, and yet
Not new, too sweet to last,
Which I never can forget.

At last, she said: 'Margaret,
Won't you even look at me?'
Something in her voice 220
Made my tears finally fall,
Made sobs come from me thick and fast;
Something not from the past,
Yet stirring memories;
Something new, and yet
Not new, too sweet to last,
That I'll never be able to forget.

I turned and stared at her:
Her cheek showed hollow-pale;
Her hair like mine was fair, 230
A wonderful fall of hair
That screened her like a veil;
But her height was statelier,
Her eyes had depth more deep;
I think they must have had
Always a something sad,
Unless they were asleep.

I turned and looked at her:
Her cheek was hollow and pale;
Her hair, like mine, was light, 230
A beautiful cascade of hair
That covered her like a veil;
But she was taller,
Her eyes had a deeper look;
I think they must have always had
Some kind of sadness,
Unless they were closed.

While I stared, my Lady took
My hand in her spare hand
Jewelled and soft and grand, 240
And looked with a long long look
Of hunger in my face;
As if she tried to trace
Features she ought to know,
And half hoped, half feared, to find.
Whatever was in her mind
She heaved a sigh at last,
And began to talk to me.

While I was watching, my Lady took
My hand in her delicate hand
Adorned and soft and elegant, 240
And gazed at me with a lingering look
Filled with longing;
As if she were trying to recognize
Details she should know,
And was both hopeful and anxious about what she might discover.
Whatever was on her mind,
She finally let out a sigh,
And started to speak to me.

'Your nurse was my dear nurse,
And her nursling's dear,' said she: 250
'I never knew that she was worse
Till her poor life was past'
(Here my Lady's tears dropped fast):
'I might have been with her,
But she had no comforter.
She might have told me much
Which now I shall never know,
Never never shall know.'
She sat by me sobbing so,
And seemed so woe-begone, 260
That I laid one hand upon
Hers with a timid touch,
Scarce thinking what I did,
Not knowing what to say:
That moment her face was hid
In the pillow close by mine,
Her arm was flung over me,
She hugged me, sobbing so
As if her heart would break,
And kissed me where I lay. 270

'Your nurse was my beloved nurse,
And her child was dear to me,' she said:
'I never realized she was worse
Until her poor life ended'
(Here my lady's tears fell quickly):
'I could have been with her,
But she had no one to comfort her.
She could have shared so much with me
That now I will never know,
Never, ever will know.'
She sat by me, crying so,
And looked so heartbroken,
That I placed one hand on
Hers softly,
Barely aware of what I was doing,
Not knowing what to say:
At that moment, her face was hidden
In the pillow next to mine,
Her arm was thrown over me,
She held me tight, sobbing
As if her heart would shatter,
And kissed me where I lay.

After this she often came
To bring me fruit or wine,
Or sometimes hothouse flowers.
And at nights I lay awake
Often and often thinking
What to do for her sake.
Wet or dry it was the same:
She would come in at all hours,
Set me eating and drinking
And say I must grow strong; 280
At last the day seemed long
And home seemed scarcely home
If she did not come.

After that, she frequently came
To bring me fruit or wine,
Or sometimes greenhouse flowers.
And at night, I lay awake
Often thinking
About what to do for her sake.
Whether it was rainy or dry, it was the same:
She would show up at all hours,
Encouraging me to eat and drink
And insisting I needed to get strong;
280
Eventually, the days felt long
And home barely felt like home
If she didn’t arrive.

Well, I grew strong again:
In time of primroses,
I went to pluck them in the lane;
In time of nestling birds,
I heard them chirping round the house;
And all the herds
Were out at grass when I grew strong, 290
And days were waxen long,
And there was work for bees
Among the May-bush boughs,
And I had shot up tall,
And life felt after all
Pleasant, and not so long
When I grew strong.

Well, I got strong again:
In the season of primroses,
I went to pick them in the lane;
In the season of baby birds,
I heard them chirping around the house;
And all the herds
Were out grazing when I got strong, 290
And the days got longer,
And there was work for bees
Among the May-bush branches,
And I had grown tall,
And life felt, after all,
Enjoyable, and not so short
When I got strong.

I was going to the Hall
To be my Lady's maid:
'Her little friend,' she said to me, 300
'Almost her child,'
She said and smiled
Sighing painfully;
Blushing, with a second flush
As if she blushed to blush.

I was heading to the hall
To be my lady's maid:
"Her little friend," she told me, 300
"Like her child,"
She said and smiled
Sighing heavily;
Blushing again,
As if she felt embarrassed to blush.

Friend, servant, child: just this
My standing at the Hall;
The other servants call me 'Miss,'
My Lady calls me 'Margaret,'
With her clear voice musical. 310
She never chides when I forget
This or that; she never chides.
Except when people come to stay,
(And that's not often) at the Hall,
I sit with her all day
And ride out when she rides.
She sings to me and makes me sing;
Sometimes I read to her,
Sometimes we merely sit and talk.
She noticed once my ring 320
And made me tell its history:
That evening in our garden walk
She said she should infer
The ring had been my father's first,
Then my mother's, given for me
To the nurse who nursed
My mother in her misery,
That so quite certainly
Some one might know me, who…
Then she was silent, and I too. 330

Friend, servant, child: just this
My position at the Hall;
The other staff call me 'Miss,'
My Lady calls me 'Margaret,'
With her clear, melodic voice. 310
She never scolds when I forget
This or that; she never scolds.
Except when guests come to stay,
(And that’s not often) at the Hall,
I spend all day with her
And ride out when she rides.
She sings to me and makes me sing;
Sometimes I read to her,
Other times we just sit and chat.
She once noticed my ring 320
And asked me to share its story:
That evening in our garden stroll,
She said she should guess
The ring was my father's first,
Then my mother's, given for me
To the nurse who cared
For my mother in her suffering,
That so quite certainly
Someone might recognize me, who…
Then she fell silent, and I did too. 330

I hate when people come:
The women speak and stare
And mean to be so civil.
This one will stroke my hair,
That one will pat my cheek
And praise my Lady's kindness,
Expecting me to speak;
I like the proud ones best
Who sit as struck with blindness,
As if I wasn't there. 340
But if any gentleman
Is staying at the Hall
(Though few come prying here),
My Lady seems to fear
Some downright dreadful evil,
And makes me keep my room
As closely as she can:
So I hate when people come,
It is so troublesome.
In spite of all her care, 350
Sometimes to keep alive
I sometimes do contrive
To get out in the grounds
For a whiff of wholesome air,
Under the rose you know:
It's charming to break bounds,
Stolen waters are sweet,
And what's the good of feet
If for days they mustn't go?
Give me a longer tether, 360
Or I may break from it.

I hate when people come:
The women talk and stare
And act all polite.
This one will play with my hair,
That one will pat my cheek
And praise my Lady's kindness,
Hoping I’ll say something;
I like the stuck-up ones best
Who sit as if they’re blind,
Like I’m not even here. 340
But if any gentleman
Is visiting the Hall
(Though few come snooping around),
My Lady seems to worry
About some awful trouble,
And makes me stay in my room
As much as she can:
So I hate when people come,
It’s really annoying.
Despite all her efforts, 350
Sometimes to stay alive
I manage to sneak out
For a breath of fresh air,
Under the rosebush, you know:
It’s lovely to break the rules,
Stolen moments are sweet,
And what’s the point of feet
If they can’t move for days?
Give me a longer leash, 360
Or I might escape it.

Now I have eyes and ears
And just some little wit:
'Almost my Lady's child;'
I recollect she smiled,
Sighed and blushed together;
Then her story of the ring
Sounds not improbable,
She told it me so well
It seemed the actual thing:— 370
Oh, keep your counsel close,
But I guess under the rose,
In long past summer weather
When the world was blossoming,
And the rose upon its thorn:
I guess not who he was
Flawed honour like a glass,
And made my life forlorn,
But my Mother, Mother, Mother,
Oh, I know her from all other. 380

Now I have eyes and ears
And just a bit of wit:
'Almost my Lady's child;'
I remember she smiled,
Sighed and blushed together;
Then her story about the ring
Doesn't sound too far-fetched,
She told it so well
It felt like the real thing:— 370
Oh, keep your secrets close,
But I can figure it out,
In long-ago summer days
When the world was blooming,
And the rose had its thorn:
I have no idea who he was
Flawed honor like glass,
And made my life miserable,
But my Mother, Mother, Mother,
Oh, I recognize her from all the rest. 380

My Lady, you might trust
Your daughter with your fame.
Trust me, I would not shame
Our honourable name,
For I have noble blood
Though I was bred in dust
And brought up in the mud.
I will not press my claim,
Just leave me where you will:
But you might trust your daughter, 390
For blood is thicker than water
And you're my mother still.

My Lady, you can trust
Your daughter with your reputation.
Believe me, I would never disgrace
Our honorable name,
Because I come from noble lineage
Even though I grew up in poverty
And was raised in rough conditions.
I won’t push my claim,
Just let me be where you want:
But you can trust your daughter, 390
Because blood is thicker than water
And you’re still my mother.

So my Lady holds her own
With condescending grace,
and fills her lofty place
With an untroubled face
As a queen may fill a throne.
While I could hint a tale—
(But then I am her child)—
Would make her quail; 400
Would set her in the dust,
Lorn with no comforter,
Her glorious hair defiled
And ashes on her cheek:
The decent world would thrust
Its finger out at her,
Not much displeased I think
To make a nine days' stir;
The decent world would sink
Its voice to speak of her. 410

So my lady maintains her poise
With a snobby sort of grace,
and occupies her high place
With a calm expression
Like a queen on her throne.
While I could suggest a story—
(But I am her child)—
That would make her shiver;
That would bring her down,
Left alone with no comfort,
Her beautiful hair messed up
And ashes on her face:
The respectable world would point
Its finger at her,
Not too unhappy, I think
To create a fuss for nine days;
The respectable world would lower
Its voice when talking about her.

Now this is what I mean
To do, no more, no less:
Never to speak, or show
Bare sign of what I know.
Let the blot pass unseen;
Yea, let her never guess
I hold the tangled clue
She huddles out of view.
Friend, servant, almost child,
So be it and nothing more 420
On this side of the grave.
Mother, in Paradise,
You'll see with clearer eyes;
Perhaps in this world even
When you are like to die
And face to face with Heaven
You'll drop for once the lie:
But you must drop the mask, not I.

Now this is what I mean
To do, nothing more, nothing less:
Never to speak or show
Any sign of what I know.
Let the stain go unnoticed;
Yeah, let her never suspect
I have the tangled clue
She hides out of sight.
Friend, servant, almost like a child,
That’s how it is and nothing more 420
On this side of the grave.
Mom, in Paradise,
You’ll see with clearer eyes;
Maybe in this world even
When you’re close to dying
And face to face with Heaven
You’ll finally drop the lie:
But you have to drop the mask, not me.

My Lady promises
Two hundred pounds with me 430
Whenever I may wed
A man she can approve:
And since besides her bounty
I'm fairest in the county
(For so I've heard it said,
Though I don't vouch for this),
Her promised pounds may move
Some honest man to see
My virtues and my beauties;
Perhaps the rising grazier, 440
Or temperance publican,
May claim my wifely duties.
Meanwhile I wait their leisure
And grace-bestowing pleasure,
I wait the happy man;
But if I hold my head
And pitch my expectations
Just higher than their level,
They must fall back on patience:
I may not mean to wed, 450
Yet I'll be civil.

My Lady promises
Two hundred pounds from me 430
Whenever I get married
To a man she approves of:
And considering her generosity
I’m the fairest in the county
(So I’ve heard it said,
Though I can't confirm it),
Her promised pounds might inspire
Some decent man to recognize
My qualities and my looks;
Maybe the up-and-coming farmer, 440
Or a moderate pub owner,
Might take on my wifely responsibilities.
In the meantime, I wait for their interest
And the pleasure that comes with it,
I wait for the lucky guy;
But if I hold my head high
And lift my expectations
Just a bit above theirs,
They'll need to be patient:
I might not plan to marry, 450
But I'll stay polite.

Now sometimes in a dream
My heart goes out of me
To build and scheme,
Till I sob after things that seem
So pleasant in a dream:
A home such as I see
My blessed neighbours live in
With father and with mother,
All proud of one another, 460
Named by one common name
From baby in the bud
To full-blown workman father;
It's little short of Heaven.
I'd give my gentle blood
To wash my special shame
And drown my private grudge;
I'd toil and moil much rather
The dingiest cottage drudge
Whose mother need not blush, 470
Than live here like a lady
And see my Mother flush
And hear her voice unsteady
Sometimes, yet never dare
Ask to share her care.

Now sometimes in a dream
My heart escapes from me
To create and plan,
Until I cry for things that seem
So nice in a dream:
A home like the one
My wonderful neighbors have
With father and mother,
All proud of each other, 460
Called by one common name
From baby to grown-up worker;
It's nothing short of Heaven.
I'd give my gentle blood
To wash away my special shame
And drown my private grudge;
I'd prefer to struggle
As the lowliest cottage worker
Whose mother doesn't need to blush, 470
Than live here like a lady
And watch my Mother flush
And hear her voice tremble
Sometimes, yet never dare
Ask to share her worries.

Of course the servants sneer
Behind my back at me;
Of course the village girls,
Who envy me my curls
And gowns and idleness, 480
Take comfort in a jeer;
Of course the ladies guess
Just so much of my history
As points the emphatic stress
With which they laud my Lady;
The gentlemen who catch
A casual glimpse of me
And turn again to see,
Their valets on the watch
To speak a word with me, 490
All know and sting me wild;
Till I am almost ready
To wish that I were dead,
No faces more to see,
No more words to be said,
My Mother safe at last
Disburdened of her child,
And the past past.

Of course the servants mock
Behind my back;
Of course the village girls,
Who envy my curls
And fancy clothes and free time, 480
Find comfort in taunting;
Of course the women assume
They know my background
Based on the exaggerated way
They praise my Lady;
The men who catch
A quick look at me
And turn to glance again,
Their personal attendants ready
To say a word to me, 490
All know and hurt me deeply;
Until I'm almost ready
To wish I were dead,
No faces left to see,
No more words to say,
My Mother finally free
Of her child,
And the past gone.

'All equal before God'—
Our Rector has it so, 500
And sundry sleepers nod:
It may be so; I know
All are not equal here,
And when the sleepers wake
They make a difference.
'All equal in the grave'—
That shows an obvious sense:
Yet something which I crave
Not death itself brings near;
Now should death half atone 510
For all my past; or make
The name I bear my own?

'All equal before God'—
Our Rector believes that, 500
And some folks are dozing off:
It might be true; I realize
Not everyone is equal here,
And when the sleepers wake up,
They create a difference.
'All equal in the grave'—
That seems pretty clear:
Yet there's something I long for
That not even death can bring near;
Should death somehow make up 510
For all my past? Or allow
The name I carry to truly be mine?

I love my dear old Nurse
Who loved me without gains;
I love my mistress even,
Friend, Mother, what you will:
But I could almost curse
My Father for his pains;
And sometimes at my prayer
Kneeling in sight of Heaven 520
I almost curse him still:
Why did he set his snare
To catch at unaware
My Mother's foolish youth;
Load me with shame that's hers,
And her with something worse,
A lifelong lie for truth?

I love my dear old Nurse
Who cared for me without wanting anything in return;
I love my mistress, too,
Friend, Mother, whatever you want to call it:
But I could almost curse
My Father for what he did;
And sometimes while I pray
Kneeling in view of Heaven 520
I almost curse him still:
Why did he set this trap
To catch my Mother's foolish youth?
Loaded with her shame,
And her with something worse,
A lifelong lie instead of the truth?

I think my mind is fixed
On one point and made up:
To accept my lot unmixed; 530
Never to drug the cup
But drink it by myself.
I'll not be wooed for pelf;
I'll not blot out my shame
With any man's good name;
But nameless as I stand,
My hand is my own hand,
And nameless as I came
I go to the dark land.

I believe my mind is set
On one thing and decided:
To accept my fate as it is; 530
Never to dull the experience
But face it on my own.
I won't be tempted for money;
I won't erase my shame
With anyone else's reputation;
But as nameless as I am,
My hand belongs to me,
And as nameless as I arrived
I go to the dark place.

'All equal in the grave'— 540
I bide my time till then:
'All equal before God'—
To-day I feel His rod,
To-morrow He may save:
          Amen.

'All equal in the grave'— 540
I wait for that moment:
'All equal before God'—
Today I feel His judgment,
Tomorrow He might save:
          Amen.

DEVOTIONAL PIECES

DESPISED AND REJECTED

My sun has set, I dwell
In darkness as a dead man out of sight;
And none remains, not one, that I should tell
To him mine evil plight
This bitter night.
I will make fast my door
That hollow friends may trouble me no more.

My sun has set, I live
In darkness like a dead man hidden away;
And there's no one left, not a single person, for me to share
My tragic situation
This painful night.
I will lock my door tight
So that empty friends can’t bother me anymore.

'Friend, open to Me.'—Who is this that calls?
Nay, I am deaf as are my walls:
Cease crying, for I will not hear 10
Thy cry of hope or fear.
Others were dear,
Others forsook me: what art thou indeed
That I should heed
Thy lamentable need?
Hungry should feed,
Or stranger lodge thee here?

'Friend, open to Me.'—Who is this calling?
No, I'm as deaf as my walls:
Stop crying, because I won't hear
Your cries of hope or fear.
Others were important,
Others left me: what are you really
That I should pay attention
To your desperate need?
Shouldn't the hungry eat,
Or should a stranger take you in here?

'Friend, My Feet bleed.
Open thy door to Me and comfort Me.'
I will not open, trouble me no more. 20
Go on thy way footsore,
I will not rise and open unto thee.

'Friend, my feet are bleeding.
Open your door to me and comfort me.'
I will not open, so please don’t bother me anymore. 20
Keep going on your tired feet,
I will not get up and open the door for you.

'Then is it nothing to thee? Open, see
Who stands to plead with thee.
Open, lest I should pass thee by, and thou
One day entreat My Face
And howl for grace,
And I be deaf as thou art now.
Open to Me.'

'Then is it nothing to you? Open up, see
Who’s standing here to plead with you.
Open up, or I might pass you by, and you
One day beg for My attention
And cry for mercy,
And I’ll be as deaf as you are now.
Open to Me.'

Then I cried out upon him: Cease, 30
Leave me in peace:
Fear not that I should crave
Aught thou mayst have.
Leave me in peace, yea trouble me no more,
Lest I arise and chase thee from my door.
What, shall I not be let
Alone, that thou dost vex me yet?

Then I shouted at him: Stop,
Leave me alone:
Don’t worry that I would ask
For anything you have.
Just leave me alone, and don’t bother me anymore,
Or I might get up and chase you away from my door.
What? Can’t I be left
Alone, so you keep bothering me?

But all night long that voice spake urgently:
'Open to Me.'
Still harping in mine ears: 40
'Rise, let Me in.'
Pleading with tears:
'Open to Me that I may come to thee.'
While the dew dropped, while the dark hours were cold:
'My Feet bleed, see My Face,
See My Hands bleed that bring thee grace,
My Heart doth bleed for thee,
Open to Me.'

But all night long that voice spoke urgently:
'Open to Me.'
Still echoing in my ears: 40
'Rise, let Me in.'
Pleading with tears:
'Open to Me so that I may come to you.'
While the dew fell, while the dark hours were cold:
'My Feet bleed, see My Face,
See My Hands bleed that bring you grace,
My Heart bleeds for you,
Open to Me.'

So till the break of day:
Then died away 50
That voice, in silence as of sorrow;
Then footsteps echoing like a sigh
Passed me by,
Lingering footsteps slow to pass.
On the morrow
I saw upon the grass
Each footprint marked in blood, and on my door
The mark of blood for evermore.

So until dawn:
Then faded away 50
That voice, silent as sadness;
Then footsteps echoing like a sigh
Passed me by,
Lingering footsteps slow to move past.
The next day
I saw on the grass
Each footprint stained in blood, and on my door
The mark of blood forevermore.

LONG BARREN

Thou who didst hang upon a barren tree,
My God, for me;
  Though I till now be barren, now at length
  Lord, give me strength
To bring forth fruit to Thee.

You who hung on a barren tree,
My God, for me;
  Though I have been barren until now, finally
  Lord, give me strength
To bear fruit for You.

Thou who didst bear for me the crown of thorn,
Spitting and scorn;
  Though I till now have put forth thorns, yet now
  Strengthen me Thou
That better fruit be borne. 10

You who took on for me the crown of thorns,
Spitting and mockery;
  Though I have produced thorns up to now, yet now
  Strengthen me,
So that better fruit can be borne. 10

Thou Rose of Sharon, Cedar of broad roots,
Vine of sweet fruits,
  Thou Lily of the vale with fadeless leaf,
  Of thousands Chief,
Feed Thou my feeble shoots.

You Rose of Sharon, Cedar with deep roots,
Vine with sweet fruits,
  You Lily of the valley with everlasting leaves,
  Of thousands the best,
Nourish my weak shoots.

IF ONLY

If I might only love my God and die!
  But now He bids me love Him and live on,
  Now when the bloom of all my life is gone,
The pleasant half of life has quite gone by.
My tree of hope is lopped that spread so high,
  And I forget how summer glowed and shone,
  While autumn grips me with its fingers wan
And frets me with its fitful windy sigh.
When autumn passes then must winter numb,
  And winter may not pass a weary while, 10
    But when it passes spring shall flower again;
  And in that spring who weepeth now shall smile,
    Yea, they shall wax who now are on the wane,
Yea, they shall sing for love when Christ shall come.

If I could just love my God and then die!
  But now He tells me to love Him and keep living,
  Now that the best part of my life is over,
The joyful half of life has completely slipped away.
My tree of hope, which used to stand tall,
  Is now cut down, and I forget how summer shone,
  While autumn wraps around me with its pale fingers
And bothers me with its restless, windy sighs.
When autumn is gone, winter will surely come,
  And winter may linger for a long, weary time, 10
    But when it leaves, spring will bloom again;
  And in that spring, those who weep now will smile,
    Yes, they will thrive who are struggling now,
Yes, they will sing for love when Christ returns.

DOST THOU NOT CARE?

I love and love not: Lord, it breaks my heart
  To love and not to love.
Thou veiled within Thy glory, gone apart
  Into Thy shrine, which is above,
Dost Thou not love me, Lord, or care
  For this mine ill?—
I love thee here or there,
  I will accept thy broken heart, lie still.

I love and don’t love: Lord, it breaks my heart
  To love and not love.
You, hidden in Your glory, set apart
  In Your shrine above,
Don’t You love me, Lord, or care
  About my pain?—
I love you here or there,
  I’ll accept your broken heart, stay still.

Lord, it was well with me in time gone by
  That cometh not again, 10
When I was fresh and cheerful, who but I?
  I fresh, I cheerful: worn with pain
Now, out of sight and out of heart;
  O Lord, how long?—
I watch thee as thou art,
  I will accept thy fainting heart, be strong.

Lord, things were good for me back then
  But that time doesn’t come back, 10
When I was happy and full of life, who else?
  I was happy, I was full of life: now I’m worn with pain
Now, out of sight and out of mind;
  O Lord, how much longer?—
I see you as you are,
  I will accept your weary heart, stay strong.

'Lie still,' 'be strong,' to-day; but, Lord, to-morrow,
  What of to-morrow, Lord?
Shall there be rest from toil, be truce from sorrow,
  Be living green upon the sward 20
Now but a barren grave to me,
  Be joy for sorrow?—
Did I not die for thee?
  Did I not live for thee? Leave Me to-morrow.

'Stay still,' 'be strong,' today; but, God, tomorrow,
  What about tomorrow, God?
Will there be a break from hard work, peace from pain,
  Will there be living green on the ground 20
Now just a desolate grave to me,
  Will there be joy for sorrow?—
Didn't I die for you?
  Didn't I live for you? Leave me tomorrow.

WEARY IN WELL-DOING

I would have gone; God bade me stay:
  I would have worked; God bade me rest.
He broke my will from day to day,
  He read my yearnings unexpressed
    And said them nay.

I would have gone; God told me to stay:
  I would have worked; God told me to rest.
He broke my will each day,
  He understood my unspoken desires
    And said no.

Now I would stay; God bids me go:
  Now I would rest; God bids me work.
He breaks my heart tossed to and fro,
  My soul is wrung with doubts that lurk
    And vex it so. 10

Now I want to stay; God tells me to leave:
  Now I want to rest; God tells me to work.
He shatters my heart, tossed around,
  My soul is filled with lurking doubts
    That trouble it so. 10

I go, Lord, where Thou sendest me;
  Day after day I plod and moil:
But, Christ my God, when will it be
  That I may let alone my toil
    And rest with Thee?

I go, Lord, wherever You send me;
  Day after day I work hard and struggle:
But, Christ my God, when will it be
  That I can stop my hard work
    And rest with You?

MARTYRS' SONG

We meet in joy, though we part in sorrow;
We part to-night, but we meet to-morrow.
Be it flood or blood the path that's trod,
All the same it leads home to God:
Be it furnace-fire voluminous,
One like God's Son will walk with us.

We come together with happiness, even though we leave with sadness;
We say goodbye tonight, but we'll see each other tomorrow.
Whether it's through turmoil or struggle, the journey we take,
Ultimately leads us back to God:
Even if it's a blazing fire,
Someone like God's Son will be with us.

What are these that glow from afar,
These that lean over the golden bar,
Strong as the lion, pure as the dove,
With open arms and hearts of love? 10
They the blessed ones gone before,
They the blessed for evermore.
Out of great tribulation they went
Home to their home of Heaven-content;
Through flood, or blood, or furnace-fire,
To the rest that fulfils desire.

What are these that shine from a distance,
These that stretch over the golden edge,
Strong like a lion, pure like a dove,
With open arms and loving hearts? 10
They are the blessed ones who came before,
They are the blessed ones forevermore.
Out of great suffering, they went
Home to their place of heavenly peace;
Through flood, blood, or fiery trials,
To the rest that satisfies desire.

What are these that fly as a cloud,
With flashing heads and faces bowed,
In their mouths a victorious psalm,
In their hands a robe and palm? 20
Welcoming angels these that shine,
Your own angel, and yours, and mine;
Who have hedged us, both day and night
On the left hand and the right,
Who have watched us both night and day
Because the devil keeps watch to slay.

What are these that fly like a cloud,
With shining heads and faces bowed,
Singing a triumphant song,
Carrying a robe and palm along? 20
These are the welcoming angels that shine,
Your angel, and yours, and mine;
They have protected us, both day and night,
On the left side and the right,
Watching over us both night and day
Because the devil lurks to take us away.

Light above light, and Bliss beyond bliss,
Whom words cannot utter, lo, Who is This?
As a King with many crowns He stands,
And our names are graven upon His hands; 30
As a Priest, with God-uplifted eyes,
He offers for us His sacrifice;
As the Lamb of God for sinners slain,
That we too may live He lives again;
As our Champion behold Him stand,
Strong to save us, at God's Right Hand.

Light above light, and happiness beyond happiness,
Whom words cannot express, who is this?
As a King with many crowns, He stands,
And our names are engraved upon His hands; 30
As a Priest, with God-focused eyes,
He offers His sacrifice for us;
As the Lamb of God who was slain for sinners,
So that we too may live, He lives again;
As our Champion, look at Him stand,
Strong to save us, at God's Right Hand.

God the Father give us grace
To walk in the light of Jesus' Face.
God the Son give us a part
In the hiding-place of Jesus' Heart: 40
God the Spirit so hold us up
That we may drink of Jesus' cup;

God the Father, grant us grace
To walk in the light of Jesus' face.
God the Son, let us share
In the shelter of Jesus' heart: 40
God the Spirit, support us,
So we can drink from Jesus' cup;

Death is short and life is long;
Satan is strong, but Christ more strong.
At His Word, Who hath led us hither.
The Red Sea must part hither and thither.
As His Word, Who goes before us too,
Jordan must cleave to let us through.

Death is brief, and life is lengthy;
Satan is powerful, but Christ is more powerful.
At His Word, Who has brought us here.
The Red Sea must split this way and that.
As His Word, Who goes ahead of us too,
Jordan must divide to let us pass through.

Yet one pang searching and sore,
And then Heaven for evermore; 50
Yet one moment awful and dark,
Then safety within the Veil and the Ark;
Yet one effort by Christ His grace,
Then Christ for ever face to face.

Yet one painful search and ache,
And then Heaven forevermore; 50
Yet one moment terrifying and dark,
Then safety within the Veil and the Ark;
Yet one effort by Christ His grace,
Then Christ forever face to face.

God the Father we will adore,
In Jesus' Name, now and evermore:
God the Son we will love and thank
In this flood and on the further bank:
God the Holy Ghost we will praise
In Jesus' Name, through endless days: 60
God Almighty, God Three in One,
God Almighty, God alone.

God the Father, we will adore,
In Jesus' Name, now and forever:
God the Son, we will love and thank
In this flood and on the other shore:
God the Holy Spirit, we will praise
In Jesus' Name, for all eternity:
God Almighty, God Three in One,
God Almighty, God alone.

AFTER THIS THE JUDGEMENT

As eager homebound traveller to the goal,
  Or steadfast seeker on an unsearched main,
Or martyr panting for an aureole,
  My fellow-pilgrims pass me, and attain
That hidden mansion of perpetual peace
  Where keen desire and hope dwell free from pain:
That gate stands open of perennial ease;
  I view the glory till I partly long,
Yet lack the fire of love which quickens these.
  O passing Angel, speed me with a song, 10
A melody of heaven to reach my heart
  And rouse me to the race and make me strong;
Till in such music I take up my part
  Swelling those Hallelujahs full of rest,
One, tenfold, hundredfold, with heavenly art,
  Fulfilling north and south and east and west,
Thousand, ten thousandfold, innumerable,
  All blent in one yet each one manifest;
Each one distinguished and beloved as well
  As if no second voice in earth or heaven 20
Were lifted up the Love of God to tell.
  Ah, Love of God, which Thine own Self hast given
To me most poor, and made me rich in love,
  Love that dost pass the tenfold seven times seven,
Draw Thou mine eyes, draw Thou my heart above,
  My treasure ad my heart store Thou in Thee,
Brood over me with yearnings of a dove;
  Be Husband, Brother, closest Friend to me;
Love me as very mother loves her son,
  Her sucking firstborn fondled on her knee: 30
Yea, more than mother loves her little one;
  For, earthly, even a mother may forget
And feel no pity for its piteous moan;
  But thou, O Love of God, remember yet,
Through the dry desert, through the waterflood
  (Life, death) until the Great White Throne is set.
If now I am sick in chewing the bitter cud
  Of sweet past sin, though solaced by Thy grace
And ofttimes strengthened by Thy Flesh and Blood,
  How shall I then stand up before Thy face 40
When from Thine eyes repentance shall be hid
  And utmost Justice stand in Mercy's place:
When every sin I thought or spoke or did
  Shall meet me at the inexorable bar,
And there be no man standing in the mid
  To plead for me; while star fallen after star
With heaven and earth are like a ripened shock,
  And all time's mighty works and wonders are
Consumed as in a moment; when no rock
  Remains to fall on me, no tree to hide, 50
But I stand all creation's gazing-stock
  Exposed and comfortless on every side,
Placed trembling in the final balances
  Whose poise this hour, this moment, must be tried?—
Ah Love of God, if greater love than this
  Hath no man, that a man die for his friend,
And if such love of love Thine Own Love is,
  Plead with Thyself, with me, before the end;
Redeem me from the irrevocable past;
  Pitch Thou Thy Presence round me to defend; 60
Yea seek with piercèd feet, yea hold me fast
  With piercèd hands whose wounds were made by love;
Not what I am, remember what Thou wast
  When darkness hid from Thee Thy heavens above,
And sin Thy Father's Face, while thou didst drink
  The bitter cup of death, didst taste thereof
For every man; while Thou wast nigh to sink
  Beneath the intense intolerable rod,
Grown sick of love; not what I am, but think
  Thy Life then ransomed mine, my God, my God. 70

As an eager traveler stuck at home, Or a determined seeker on an unexplored path, Or a martyr longing for a crown of glory, My fellow pilgrims pass me, reaching That hidden place of everlasting peace Where intense desire and hope exist free from pain: That gate stands open to eternal ease; I see the glory until I partly yearn, Yet I lack the passion of love that brings these to life. O passing Angel, lift me with a song, A melody from heaven to touch my heart And inspire me to the race and make me strong; Until in such music I join the chorus Singing those Hallelujahs full of rest, One, tenfold, hundredfold, with heavenly art, Filling north and south and east and west, A thousand, ten thousandfold, countless, All merged into one yet each one clear; Each one distinct and cherished as well As if no other voice on earth or heaven Were raised to proclaim the Love of God. Ah, Love of God, which You have given To me, so poor, and made me rich in love, Love that goes beyond the tenfold seven times seven, Draw my eyes, draw my heart above, My treasure and my heart store in You, Watch over me with the tenderness of a dove; Be Husband, Brother, closest Friend to me; Love me as a mother loves her son, Her firstborn cherished on her knee: Yes, more than a mother loves her little one; For, earthly, even a mother may forget And feel no compassion for its desperate cries; But You, O Love of God, remember still, Through the dry desert, through the flood (Life, death) until the Great White Throne is set. If now I am sick from regretting the bitter taste Of sweet past sin, though comforted by Your grace And often strengthened by Your Flesh and Blood, How will I stand before Your face When from Your eyes repentance is hidden And ultimate Justice takes the place of Mercy: When every sin I thought, spoke, or committed Shall confront me at the unyielding judgment, And there will be no one standing in between To plead for me; while star after star falls With heaven and earth like a ripe harvest, And all of time's great works and wonders are Consumed in an instant; when no rock Remains to shield me, no tree to hide, But I stand as all creation's spectacle Exposed and helpless on every side, Placed trembling in the final scales Whose weight this hour, this moment, must be tested?— Ah, Love of God, if no greater love exists Than for a man to die for his friend, And if such love is Your Own Love, Plead with Yourself, with me, before the end; Redeem me from the irreversible past; Surround me with Your Presence to protect me; Yes, seek with pierced feet, yes hold me tight With pierced hands whose wounds were made by love; Not what I am, remember what You were When darkness hid from You the heavens above, And sin obscured Your Father’s Face while You drank The bitter cup of death, tasted it For everyone; while You were close to sinking Beneath the intense unbearable burden, Sick from love; not what I am, but remember Your Life ransomed mine, my God, my God.

GOOD FRIDAY

Am I a stone and not a sheep
  That I can stand, O Christ, beneath Thy Cross,
  To number drop by drop Thy Blood's slow loss,
And yet not weep?

Am I a rock and not a sheep
  That I can stand, O Christ, beneath Your Cross,
  To count drop by drop the slow loss of Your Blood,
And still not cry?

Not so those women loved
  Who with exceeding grief lamented Thee;
  Not so fallen Peter weeping bitterly;
Not so the thief was moved;

Not like those women who mourned for You with deep sorrow;
  Not like Peter, who fell and wept hard;
Not like the thief who was touched;

Not so the Sun and Moon
  Which hid their faces in a starless sky, 10
  A horror of great darkness at broad noon—
I, only I.

Not so the Sun and Moon
  Which hid their faces in a sky without stars, 10
  A chilling darkness at high noon—
I, only I.

Yet give not o'er,
  But seek Thy sheep, true Shepherd of the flock;
  Greater than Moses, turn and look once more
And smite a rock.

Yet don't give up,
  But seek Your sheep, true Shepherd of the flock;
  Greater than Moses, turn and look again
And strike a rock.

THE LOWEST PLACE

Give me the lowest place: not that I dare
  Ask for that lowest place, but Thou hast died
That I might live and share
  Thy glory by Thy side.

Give me the lowest place: not that I dare
  Ask for that lowest place, but You have died
That I might live and share
  Your glory by Your side.

Give me the lowest place: or if for me
  That lowest place too high, make one more low
Where I may sit and see
  My God and love Thee so.

Give me the lowest spot; or if that lowest spot is still too high, make one even lower where I can sit and see my God and love You so.

MISCELLANEOUS POEMS, 1848-69

DEATH'S CHILL BETWEEN

(Athenaeum, October 14, 1848)

(Athenaeum, October 14, 1848)

Chide not; let me breathe a little,
  For I shall not mourn him long;
Though the life-cord was so brittle,
  The love-cord was very strong.
I would wake a little space
Till I find a sleeping-place.

Don't blame me; just let me take a breath,
  Because I won't grieve for him too long;
Even though life was so fragile,
  The bond of love was really strong.
I just need a little time
Until I find my peace of mind.

You can go,—I shall not weep;
  You can go unto your rest.
My heart-ache is all too deep,
  And too sore my throbbing breast. 10
Can sobs be, or angry tears,
Where are neither hopes nor fears?

You can leave—I won't cry;
  You can go and find your peace.
My heartache runs way too deep,
  And my chest hurts too much to cease. 10
Can there be sobs or angry tears,
When there are no hopes or fears?

Though with you I am alone
  And must be so everywhere,
I will make no useless moan,—
  None shall say 'She could not bear:'
While life lasts I will be strong,—
But I shall not struggle long.

Though I am alone with you
  And must be so everywhere,
I won't make any pointless noise,—
  No one will say 'She couldn't handle it:'
As long as I live, I will be strong,—
But I won’t struggle for long.

Listen, listen! Everywhere
  A low voice is calling me, 20
And a step is on the stair,
  And one comes ye do not see,
Listen, listen! Evermore
A dim hand knocks at the door.

Listen, listen! Everywhere
  A soft voice is calling me, 20
And a step is on the stairs,
  And one comes you do not see,
Listen, listen! Always
A faint hand knocks at the door.

Hear me; he is come again,—
  My own dearest is come back.
Bring him in from the cold rain;
  Bring wine, and let nothing lack.
Thou and I will rest together,
Love, until the sunny weather. 30

Hear me; he's back again,—
  My dearest has come home.
Bring him in from the cold rain;
  Pour some wine, and let's have it all.
You and I will relax together,
Love, until the sunny days. 30

I will shelter thee from harm,—
  Hide thee from all heaviness.
Come to me, and keep thee warm
  By my side in quietness.
I will lull thee to thy sleep
With sweet songs:—we will not weep.

I will protect you from harm,—
  Hide you from all sadness.
Come to me, and stay warm
  By my side in peace.
I will lull you to sleep
With sweet songs:—we won't cry.

Who hath talked of weeping?—Yet
  There is something at my heart,
Gnawing, I would fain forget,
  And an aching and a smart. 40
—Ah! my mother, 'tis in vain,
For he is not come again.

Who has talked about crying?—Yet
  There’s something in my heart,
Gnawing, I wish I could forget,
  And an ache and a hurt. 40
—Ah! my mother, it’s in vain,
For he is not coming back again.

HEART'S CHILL BETWEEN

(Athenaeum, October 21, 1848)

Athenaeum, October 21, 1848

I did not chide him, though I knew
  That he was false to me.
Chide the exhaling of the dew,
  The ebbing of the sea,
The fading of a rosy hue,—
  But not inconstancy.

I didn't scold him, even though I knew
  That he was unfaithful to me.
Scold the morning dew,
  The receding tide,
The dimming of a pinkish glow,—
  But not disloyalty.

Why strive for love when love is o'er?
  Why bind a restive heart?—
He never knew the pain I bore
  In saying: 'We must part; 10
Let us be friends and nothing more.'
  —Oh, woman's shallow art!

Why work for love when it’s gone?
  Why tie down a restless heart?—
He never understood the pain I felt
  In saying: 'We should separate; 10
Let’s just be friends and nothing else.'
  —Oh, the superficial tricks of women!

But it is over, it is done,—
  I hardly heed it now;
So many weary years have run
  Since then, I think not how
Things might have been,—but greet each one
  With an unruffled brow.

But it's over, it's done,—
  I barely think about it now;
So many exhausting years have passed
  Since then, I don't ponder how
Things could have been,—but face each one
  With a calm demeanor.

What time I am where others be,
  My heart seems very calm— 20
Stone calm; but if all go from me,
  There comes a vague alarm,
A shrinking in the memory
  From some forgotten harm.

What time I'm with others,
  My heart feels really calm— 20
Stone cold calm; but if everyone leaves me,
  There’s a faint alarm,
A shrinking in my memory
  From some past hurt.

And often through the long, long night,
  Waking when none are near,
I feel my heart beat fast with fright,
  Yet know not what I fear.
Oh how I long to see the light,
  And the sweet birds to hear! 30

And often during the long, long night,
  Waking when no one is around,
I feel my heart racing with fear,
  Yet I don’t know what I’m afraid of.
Oh how I long to see the light,
  And hear the sweet birds! 30

To have the sun upon my face,
  To look up through the trees,
To walk forth in the open space
  And listen to the breeze,—
And not to dream the burial-place
  Is clogging my weak knees.

To feel the sun on my face,
  To look up through the trees,
To walk out into the open space
  And hear the breeze,—
And not to think about the grave
  Is weighing down my weak knees.

Sometimes I can nor weep nor pray,
  But am half stupefied:
And then all those who see me say
  Mine eyes are opened wide 40
And that my wits seem gone away—
  Ah, would that I had died!

Sometimes I can neither cry nor pray,
  But I'm half in a daze:
And then everyone who sees me says
  My eyes are wide open 40
And that I've lost my mind—
  Oh, I wish I had died!

Would I could die and be at peace,
  Or living could forget!
My grief nor grows nor doth decrease,
  But ever is:—and yet
Methinks, now, that all this shall cease
  Before the sun shall set.

I wish I could die and find peace,
  Or forget while I'm still alive!
My grief neither grows nor shrinks,
  But just stays:—and yet
I think now that all of this will end
  Before the sun goes down.

REPINING

(Art and Poetry [The Germ, No. 3], March 1850)

(Art and Poetry [The Germ, No. 3], March 1850)

She sat alway thro' the long day
Spinning the weary thread away;
And ever said in undertone:
'Come, that I be no more alone.'

She sat all day long
Spinning the tiring thread away;
And always said softly:
'Please, let me not be alone anymore.'

From early dawn to set of sun
Working, her task was still undone;
And the long thread seemed to increase
Even while she spun and did not cease.
She heard the gentle turtle-dove
Tell to its mate a tale of love; 10
She saw the glancing swallows fly,
Ever a social company;
She knew each bird upon its nest
Had cheering songs to bring it rest;
None lived alone save only she;—
The wheel went round more wearily;
She wept and said in undertone:
'Come, that I be no more alone.'

From early morning to sunset
She worked, but her task was still unfinished;
And the long thread seemed to multiply
Even as she spun and didn't stop.
She heard the gentle turtle-dove
Share a love story with its mate;
She watched the swooping swallows fly,
Always in a lively group;
She knew every bird in its nest
Had cheerful songs to help it rest;
No one lived alone except her;—
The wheel turned more slowly;
She cried softly and said:
'Please, let me not be alone anymore.'

Day followed day, and still she sighed
For love, and was not satisfied; 20
Until one night, when the moonlight
Turned all the trees to silver white,
She heard, what ne'er she heard before,
A steady hand undo the door.
The nightingale since set of sun
Her throbbing music had not done,
And she had listened silently;
But now the wind had changed, and she
Heard the sweet song no more, but heard
Beside her bed a whispered word: 30
'Damsel, rise up; be not afraid;
For I am come at last,' it said.

Day followed day, and she still sighed
For love, feeling unfulfilled; 20
Until one night, when the moonlight
Turned all the trees to shimmering white,
She heard, something she had never heard before,
A steady hand opening the door.
The nightingale since the sun had set
Had not stopped its throbbing music,
And she had listened in silence;
But now the wind had shifted, and she
No longer heard the sweet song, but instead
Beside her bed a whispered word: 30
'Damsel, rise up; do not be afraid;
For I have finally arrived,' it said.

She trembled, tho' the voice was mild;
She trembled like a frightened child;—
Till she looked up, and then she saw
The unknown speaker without awe.
He seemed a fair young man, his eyes
Beaming with serious charities;
His cheek was white but hardly pale;
And a dim glory like a veil 40
Hovered about his head, and shone
Thro' the whole room till night was gone.

She shook, even though the voice was gentle;
She shook like a scared child;—
Until she looked up, and then she saw
The stranger speaking without fear.
He looked like a handsome young man, his eyes
Filled with genuine kindness;
His face was light but not completely pale;
And a faint glow like a veil 40
Surrounded his head, shining
Throughout the entire room until dawn.

So her fear fled; and then she said,
Leaning upon her quiet bed:
'Now thou art come, I prithee stay,
That I may see thee in the day,
And learn to know thy voice, and hear
It evermore calling me near.'

So her fear disappeared; and then she said,
Leaning against her calm bed:
'Now that you’re here, please stay,
So I can see you in the light of day,
And get to know your voice, and hear
It always calling me near.'

He answered: 'Rise, and follow me.'
But she looked upwards wonderingly: 50
'And whither would'st thou go, friend? stay
Until the dawning of the day.'
But he said: 'The wind ceaseth, Maid;
Of chill nor damp be thou afraid.'

He replied, "Get up and come with me."
But she looked up in wonder: 50
"And where would you go, my friend? Stay
Until the dawn of day."
But he said, "The wind has stopped, Maid;
Don't be afraid of the chill or damp."

She bound her hair up from the floor,
And passed in silence from the door.

She tied her hair up off the floor,
And quietly walked out the door.

So they went forth together, he
Helping her forward tenderly.
The hedges bowed beneath his hand;
Forth from the streams came the dry land 60
As they passed over; evermore
The pallid moonbeams shone before;
And the wind hushed, and nothing stirred;
Not even a solitary bird,
Scared by their footsteps, fluttered by
Where aspen-trees stood steadily.

So they went out together, he
Gently helping her along.
The hedges bent under his touch;
Dry land emerged from the streams 60
As they crossed; the pale moonlight
Always shone ahead;
The wind was quiet, and nothing moved;
Not even a single bird,
Startled by their steps, flew by
Where the aspen trees stood still.

As they went on, at length a sound
Came trembling on the air around;
The undistinguishable hum
Of life, voices that go and come 70
Of busy men, and the child's sweet
High laugh, and noise of trampling feet.

As they moved forward, eventually a sound
Began to softly fill the air;
The indistinct buzz
Of life, voices that ebb and flow 70
Of busy people, and the child's cheerful
Laughter, and the sound of rushing feet.

Then he said: 'Wilt thou go and see?'
And she made answer joyfully:
'The noise of life, of human life,
Of dear communion without strife,
Of converse held 'twixt friend and friend;
Is it not here our path shall end?'
He led her on a little way
Until they reached a hillock: 'Stay.' 80

Then he asked, "Will you go and see?"
And she replied happily:
"The sound of life, of human life,
Of cherished connection without conflict,
Of conversations between friends;
Isn't this where our journey ends?"
He guided her a little further
Until they got to a small hill: "Wait." 80

It was a village in a plain.
High mountains screened it from the rain
And stormy wind; and nigh at hand
A bubbling streamlet flowed, o'er sand
Pebbly and fine, and sent life up
Green succous stalk and flower-cup.

It was a village in a flat area.
Tall mountains protected it from the rain
And fierce winds; and nearby
A bubbling stream flowed over sandy
Pebbles and fine grains, bringing life to
Green, juicy stalks and blooming flowers.

Gradually, day's harbinger,
A chilly wind began to stir.
It seemed a gentle powerless breeze
That scarcely rustled thro' the trees; 90
And yet it touched the mountain's head
And the paths man might never tread.
But hearken: in the quiet weather
Do all the streams flow down together?—

Gradually, the herald of day,
A chilly wind started to blow.
It felt like a soft, weak breeze
That barely rustled through the trees; 90
And yet it reached the mountain's peak
And the paths humans may never seek.
But listen: in the calm weather
Do all the streams flow down together?—

No, 'tis a sound more terrible
Than tho' a thousand rivers fell.
The everlasting ice and snow
Were loosened then, but not to flow;—
With a loud crash like solid thunder
The avalanche came, burying under 100
The village; turning life and breath
And rest and joy and plans to death.

No, it’s a sound more terrifying
Than if a thousand rivers fell.
The eternal ice and snow
Were released then, but didn’t flow;—
With a loud crash like solid thunder
The avalanche came, burying under 100
The village; turning life and breath
And rest and joy and plans to death.

'Oh! let us fly, for pity fly;
Let us go hence, friend, thou and I.
There must be many regions yet
Where these things make not desolate.'
He looked upon her seriously;
Then said: 'Arise and follow me.'
The path that lay before them was
Nigh covered over with long grass; 110
And many slimy things and slow
Trailed on between the roots below.
The moon looked dimmer than before;
And shadowy cloudlets floating o'er
Its face sometimes quite hid its light,
And filled the skies with deeper night.

'Oh! let’s escape, for pity’s sake;
Let’s leave this place, friend, you and I.
There must be many areas still
Where these things don’t bring despair.'
He looked at her seriously;
Then said: 'Get up and follow me.'
The path ahead of them was
Almost covered with tall grass; 110
And many slimy things and slow
Crawled on between the roots below.
The moon looked dimmer than before;
And shadowy clouds drifting overhead
Sometimes completely blocked its light,
And filled the sky with deeper night.

At last, as they went on, the noise
Was heard of the sea's mighty voice;
And soon the ocean could be seen
In its long restlessness serene. 120
Upon its breast a vessel rode
That drowsily appeared to nod
As the great billows rose and fell,
And swelled to sink, and sank to swell.

At last, as they continued, the sound
Of the sea's powerful voice was heard;
And soon the ocean came into view
In its long, calm restlessness. 120
A ship rested on its surface
That lazily seemed to sway
As the huge waves rose and fell,
And swelled to sink, and sank to swell.

Meanwhile the strong wind had come forth
From the chill regions of the North,
The mighty wind invisible.
And the low waves began to swell;
And the sky darkened overhead;
And the moon once looked forth, then fled 130
Behind dark clouds; while here and there
The lightning shone out in the air;
And the approaching thunder rolled
With angry pealings manifold.
How many vows were made, and prayers
That in safe times were cold and scarce.
Still all availed not; and at length
The waves arose in all their strength,
And fought against the ship, and filled
The ship. Then were the clouds unsealed, 140
And the rain hurried forth, and beat
On every side and over it.

Meanwhile, a strong wind came from the icy North, An invisible force. The low waves started to grow; The sky darkened above; The moon peeked out once, then disappeared Behind dark clouds; flashes of lightning lit up the air; The approaching thunder rumbled With angry roars. So many promises were made, and prayers That during calm times were few and far between. But none of it mattered; eventually, The waves rose in full strength, Battling against the ship, filling it up. Then the clouds opened, And the rain rushed out, pouring From every direction onto it.

Some clung together, and some kept
A long stern silence, and some wept.
Many half-crazed looked on in wonder
As the strong timbers rent asunder;
Friends forgot friends, foes fled to foes;—
And still the water rose and rose.

Some huddled together,others stayed
Silent for a long time, while some cried.
Many, half out of their minds, watched in shock
As the sturdy beams broke apart;
Friends abandoned each other, enemies ran to their own;—
And still the water kept rising.

'Ah woe is me! Whom I have seen
Are now as tho' they had not been. 150
In the earth there is room for birth,
And there are graves enough in earth;
Why should the cold sea, tempest-torn,
Bury those whom it hath not borne?'

'Oh, what a tragedy! Those I've known
Now feel like they never existed. 150
The earth has space for new life,
And plenty of graves for the dead;
So why should the frigid, stormy sea,
Burden those it never carried?'

He answered not, and they went on.
The glory of the heavens was gone;
The moon gleamed not nor any star;
Cold winds were rustling near and far,
And from the trees the dry leaves fell
With a sad sound unspeakable. 160
The air was cold; till from the South
A gust blew hot, like sudden drouth,
Into their faces; and a light
Glowing and red, shone thro' the night.

He didn’t respond, and they kept walking.
The beauty of the sky had disappeared;
The moon didn't shine, nor did any stars;
Cold winds rustled everywhere,
And dry leaves fell from the trees
With a haunting sound that was indescribable. 160
The air was chilly; then from the South
A warm gust blew in, like a sudden drought,
Into their faces; and a light
Bright and red, shone through the night.

A mighty city full of flame
And death and sounds without a name.
Amid the black and blinding smoke,
The people, as one man, awoke.
Oh! happy they who yesterday
On the long journey went away; 170
Whose pallid lips, smiling and chill,
While the flames scorch them smile on still;
Who murmur not; who tremble not
When the bier crackles fiery hot;
Who, dying, said in love's increase:
'Lord, let thy servant part in peace.'

A powerful city filled with fire
And death and sounds without names.
In the thick, blinding smoke,
The people, united, woke up.
Oh! how lucky are those who left
On the long journey yesterday; 170
Whose pale lips, smiling yet cold,
Even as the flames burn them, still smile;
Who do not complain; who do not shake
When the casket crackles with heat;
Who, as they die, spoke with love:
'Lord, let your servant go in peace.'

Those in the town could see and hear
A shaded river flowing near;
The broad deep bed could hardly hold
Its plenteous waters calm and cold. 180
Was flame-wrapped all the city wall,
The city gates were flame-wrapped all.

Those in the town could see and hear
A shaded river flowing nearby;
The wide, deep bed could barely contain
Its abundant waters, calm and cold. 180
The entire city wall was wrapped in flame,
The city gates were wrapped in flame as well.

What was man's strength, what puissance then?
Women were mighty as strong men.
Some knelt in prayer, believing still,
Resigned unto a righteous will,
Bowing beneath the chastening rod,
Lost to the world, but found of God.
Some prayed for friend, for child, for wife;
Some prayed for faith; some prayed for life; 190
While some, proud even in death, hope gone,
Steadfast and still, stood looking on.

What was man's strength, what power then?
Women were as strong as men.
Some knelt in prayer, still believing,
Submitting to a righteous will,
Bowing under the discipline,
Lost to the world but found by God.
Some prayed for friends, for children, for wives;
Some prayed for faith; some prayed for life; 190
While some, proud even in death, hope gone,
Steadfast and still, stood watching on.

'Death—death—oh! let us fly from death;
Where'er we go it followeth;
All these are dead; and we alone
Remain to weep for what is gone.
What is this thing? thus hurriedly
To pass into eternity;
To leave the earth so full of mirth;
To lose the profit of our birth; 200
To die and be no more; to cease,
Having numbness that is not peace.
Let us go hence; and, even if thus
Death everywhere must go with us,
Let us not see the change, but see
Those who have been or still shall be.'

'Death—death—oh! let’s escape from death;
Wherever we go, it follows us;
All these are gone; and we alone
Remain to mourn for what is lost.
What is this? so swiftly
To move into eternity;
To leave the world so full of joy;
To waste the gifts of our lives;
To die and be no more; to stop,
Feeling a void that isn’t peace.
Let’s get out of here; and even if
Death must accompany us everywhere,
Let’s not focus on the change, but see
Those who have existed or still will be.'

He sighed and they went on together;
Beneath their feet did the grass wither;
Across the heaven high overhead
Dark misty clouds floated and fled; 210
And in their bosom was the thunder,
And angry lightnings flashed out under,
Forked and red and menacing;
Far off the wind was muttering;
It seemed to tell, not understood,
Strange secrets to the listening wood.

He sighed and they continued on together;
The grass withered beneath their feet;
High above them in the sky
Dark, misty clouds drifted and disappeared;
And within those clouds, there was thunder,
And angry lightning flashed beneath,
Forked and red, looking threatening;
In the distance, the wind was grumbling;
It felt like it was revealing, though not understood,
Strange secrets to the attentive forest.

Upon its wings it bore the scent
Of blood of a great armament:
Then saw they how on either side
Fields were down-trodden far and wide. 220
That morning at the break of day
Two nations had gone forth to slay.

Upon its wings it carried the smell
Of blood from a massive army:
Then they saw how on both sides
The fields were trampled far and wide. 220
That morning at dawn
Two nations set out to kill.

As a man soweth so he reaps.
The field was full of bleeding heaps;
Ghastly corpses of men and horses
That met death at a thousand sources;
Cold limbs and putrifying flesh;
Long love-locks clotted to a mesh
That stifled; stiffened mouths beneath
Staring eyes that had looked on death. 230

As a person sows, so they reap.
The field was filled with bloody piles;
Horrific corpses of men and horses
That faced death in countless ways;
Cold limbs and rotting flesh;
Long hair matted into a tangle
That suffocated; stiffened mouths below
Glaring eyes that had witnessed death. 230

But these were dead: these felt no more
The anguish of the wounds they bore.
Behold, they shall not sigh again,
Nor justly fear, nor hope in vain.
What if none wept above them?—is
The sleeper less at rest for this?
Is not the young child's slumber sweet
When no man watcheth over it?
These had deep calm; but all around
There was a deadly smothered sound, 240
The choking cry of agony
From wounded men who could not die;
Who watched the black wing of the raven
Rise like a cloud 'twixt them and heaven,
And in the distance flying fast
Beheld the eagle come at last.

But these were dead: they felt no more
The pain of their wounds.
Look, they shall not sigh again,
Nor justly fear, nor hope in vain.
What if no one weeps for them?—is
The sleeper less at peace for this?
Isn't a young child's sleep sweet
When no one is watching over it?
They had deep calm; but all around
There was a deadly muffled sound,
The choking cries of agony
From wounded men who could not die;
Who watched the black wing of the raven
Rise like a cloud between them and heaven,
And in the distance flying fast
Saw the eagle come at last.

She knelt down in her agony:
'O Lord, it is enough,' said she:
'My heart's prayer putteth me to shame;
Let me return to whence I came. 250
Thou for who love's sake didst reprove,
Forgive me for the sake of love.'

She knelt down in her pain:
'O Lord, that's enough,' she said:
'My heart's prayer makes me feel ashamed;
Let me go back to where I came from. 250
You who rebuked me for the sake of love,
Forgive me for love's sake.'

SIT DOWN IN THE LOWEST ROOM

(Macmillan's Magazine, March 1864.)

(Macmillan's Magazine, March 1864.)

Like flowers sequestered from the sun
  And wind of summer, day by day
I dwindled paler, whilst my hair
    Showed the first tinge of grey.

Like flowers hidden from the sun
  And summer breeze, day by day
I grew more pale, while my hair
    Showed the first hint of grey.

'Oh what is life, that we should live?
  Or what is death, that we must die?
A bursting bubble is our life:
    I also, what am I?'

'Oh, what is life that we should live?
  Or what is death that we must die?
Life is like a bursting bubble:
    And me, what am I?'

'What is your grief? now tell me, sweet,
  That I may grieve,' my sister said; 10
And stayed a white embroidering hand
    And raised a golden head:

'What is your sadness? Now tell me, sweet,
  So I can feel sad too,' my sister said; 10
And paused her white embroidering hand
    And lifted her golden head:

Her tresses showed a richer mass,
  Her eyes looked softer than my own,
Her figure had a statelier height,
    Her voice a tenderer tone.

Her hair was fuller,
  Her eyes seemed gentler than mine,
Her figure was taller,
    Her voice had a sweeter tone.

'Some must be second and not first;
  All cannot be the first of all:
Is not this, too, but vanity?
    I stumble like to fall. 20

'Some have to be second and not first;
  Not everyone can be the best:
Isn't this just vanity, too?
    I trip and almost fall. 20

'So yesterday I read the acts
  Of Hector and each clangorous king
With wrathful great Aeacides:—
    Old Homer leaves a sting.'

'So yesterday I read the stories
  Of Hector and each loud king
With furious great Aeacides:—
    Old Homer leaves a mark.'

The comely face looked up again,
  The deft hand lingered on the thread:
'Sweet, tell me what is Homer's sting,
    Old Homer's sting?' she said.

The beautiful face looked up again,
  The skillful hand lingered on the thread:
'Sweetheart, tell me what is Homer's sting,
    Old Homer's sting?' she asked.

'He stirs my sluggish pulse like wine,
  He melts me like the wind of spice, 30
Strong as strong Ajax' red right hand,
    And grand like Juno's eyes.

'He stirs my sluggish pulse like wine,
  He melts me like the scent of spices, 30
Strong as Ajax' powerful right hand,
    And grand like Juno's gaze.

'I cannot melt the sons of men,
  I cannot fire and tempest-toss:—
Besides, those days were golden days,
    Whilst these are days of dross.'

'I can't change the hearts of people,
  I can't be fire and waves:—
Besides, those days were golden days,
    While these are days of worthlessness.'

She laughed a feminine low laugh,
  Yet did not stay her dexterous hand:
'Now tell me of those days,' she said,
    'When time ran golden sand.' 40

She laughed a soft, feminine laugh,
  But didn’t stop her skilled hand:
'Now tell me about those days,' she said,
    'When time felt like golden sand.' 40

'Then men were men of might and right,
  Sheer might, at least, and weighty swords;
Then men in open blood and fire,
    Bore witness to their words,

'Then men were strong and just,
  Strong at least, with heavy swords;
Then men in open battles and flames,
    Confirmed their words,

'Crest-rearing kings with whistling spears;
  But if these shivered in the shock
They wrenched up hundred-rooted trees,
    Or hurled the effacing rock.

'Crest-waving kings with whistling spears;
  But if these shuddered from the impact
They pulled up hundred-rooted trees,
    Or threw the erasing rock.

'Then hand to hand, then foot to foot,
  Stern to the death-grip grappling then, 50
Who ever thought of gunpowder
    Amongst these men of men?

'Then hand to hand, then foot to foot,
  Face to face in a deadly struggle then, 50
Who ever thought of gunpowder
    Among these exceptional men?

'They knew whose hand struck home the death,
  They knew who broke but would not bend,
Could venerate an equal foe
    And scorn a laggard friend.

'They knew whose hand dealt the fatal blow,
  They knew who could break but wouldn't yield,
Could respect a worthy enemy
    And disdain a lazy friend.

'Calm in the utmost stress of doom,
  Devout toward adverse powers above,
They hated with intenser hate
    And loved with fuller love. 60

'Calm in the greatest stress of disaster,
  Faithful to the challenging forces above,
They hated with deeper hate
    And loved with greater love. 60

'Then heavenly beauty could allay
  As heavenly beauty stirred the strife:
By them a slave was worshipped more
    Than is by us a wife.'

'Then heavenly beauty could calm
  As heavenly beauty provoked the conflict:
By them, a slave was worshipped more
    Than a wife is by us.'

She laughed again, my sister laughed,
  Made answer o'er the laboured cloth:
'I would rather be one of us
    Than wife, or slave, or both.'

She laughed again, my sister laughed,
  Responded over the worked cloth:
'I would rather be one of us
    Than a wife, or a slave, or both.'

'Oh better then be slave or wife
  Than fritter now blank life away: 70
Then night had holiness of night,
    And day was sacred day.

'Oh, it's better to be a slave or a wife
  Than to waste this empty life away: 70
Then night had the holiness of night,
    And day was a sacred day.

'The princess laboured at her loom,
  Mistress and handmaiden alike;
Beneath their needles grew the field
    With warriors armed to strike.

The princess worked at her loom,
  Mistress and maidservant together;
Under their needles, the field flourished
    With warriors ready to fight.

'Or, look again, dim Dian's face
  Gleamed perfect through the attendant night;
Were such not better than those holes
    Amid that waste of white? 80

'Or, look again, dim Dian's face
  Shone perfectly through the surrounding night;
Wouldn't that be better than those holes
    In that waste of white? 80

'A shame it is, our aimless life:
  I rather from my heart would feed
From silver dish in gilded stall
    With wheat and wine the steed—

'A shame it is, our aimless life:
  I would much rather from my heart feed
From a silver dish in a gilded stall
    With wheat and wine for the steed—

'The faithful steed that bore my lord
  In safety through the hostile land,
The faithful steed that arched his neck
    To fondle with my hand.'

'The loyal horse that carried my lord
  Safely through the dangerous land,
The loyal horse that bent his neck
    To nuzzle with my hand.'

Her needle erred; a moment's pause,
  A moment's patience, all was well. 90
Then she: 'But just suppose the horse,
    Suppose the rider fell?

Her needle slipped; just a moment's pause,
  A moment's patience, everything was fine. 90
Then she said: 'But what if the horse,
    What if the rider fell?

'Then captive in an alien house,
  Hungering on exile's bitter bread,—
They happy, they who won the lot
    Of sacrifice,' she said.

'Then trapped in a foreign home,
  Starving on the bitter bread of exile,—
They are happy, those who drew the lot
    Of sacrifice,' she said.

Speaking she faltered, while her look
  Showed forth her passion like a glass:
With hand suspended, kindling eye,
    Flushed cheek, how fair she was! 100

Speaking, she hesitated, while her gaze
  Revealed her feelings like a clear glass:
With her hand raised, eager eyes,
    Flushed cheeks, how beautiful she was! 100

'Ah well, be those the days of dross;
  This, if you will, the age of gold:
Yet had those days a spark of warmth,
    While these are somewhat cold—

'Ah well, those were the days of junk;
  This, if you agree, is the age of gold:
Yet those days had a bit of warmth,
    While these are a bit cold—

'Are somewhat mean and cold and slow,
  Are stunted from heroic growth:
We gain but little when we prove
    The worthlessness of both.'

'Are a bit harsh and distant and sluggish,
  Are held back from heroic development:
We achieve very little when we show
    The uselessness of both.'

'But life is in our hands,' she said:
  'In our own hands for gain or loss: 110
Shall not the Sevenfold Sacred Fire
    Suffice to purge our dross?

'But life is in our hands,' she said:
  'In our own hands for gain or loss: 110
Can't the Sevenfold Sacred Fire
    Be enough to cleanse our impurities?

'Too short a century of dreams,
  One day of work sufficient length:
Why should not you, why should not I
    Attain heroic strength?

'Too short a century of dreams,
  One day of work is enough:
Why not you, why not me
    Achieve heroic strength?

'Our life is given us as a blank;
  Ourselves must make it blest or curst:
Who dooms me I shall only be
    The second, not the first? 120

'Our life is given to us as a blank;
  We ourselves must make it blessed or cursed:
Who decides my fate? I will only be
    The second, not the first? 120

'Learn from old Homer, if you will,
  Such wisdom as his books have said:
In one the acts of Ajax shine,
    In one of Diomed.

'Learn from old Homer, if you want,
  The wisdom his books have shared:
In one, the deeds of Ajax stand out,
    In another, those of Diomed.

'Honoured all heroes whose high deeds
  Thro' life, till death, enlarge their span:
Only Achilles in his rage
    And sloth is less than man.'

'Honoring all heroes whose great actions
  Throughout life, until death, extend their legacy:
Only Achilles in his anger
    And laziness is less than a man.'

'Achilles only less than man?
  He less than man who, half a god, 130
Discomfited all Greece with rest,
    Cowed Ilion with a nod?

'Achilles only less than man?
  He less than man who, half a god, 130
Defeated all of Greece effortlessly,
    Intimidated Troy with just a nod?

'He offered vengeance, lifelong grief
  To one dear ghost, uncounted price:
Beasts, Trojans, adverse gods, himself,
    Heaped up the sacrifice.

'He promised revenge, endless sorrow
  To one beloved spirit, at an unmeasurable cost:
Creatures, Trojans, rival gods, himself,
    He piled up the offerings.

'Self-immolated to his friend,
  Shrined in world's wonder, Homer's page,
Is this the man, the less than men,
    Of this degenerate age?' 140

'Self-immolated to his friend,
  Shrined in world's wonder, Homer's page,
Is this the man, the less than men,
    Of this degenerate age?' 140

'Gross from his acorns, tusky boar
  Does memorable acts like his;
So for her snared offended young
    Bleeds the swart lioness.'

'Disgusting from his acorns, tusked boar
  Does memorable acts like his;
So for her captured injured young
    Bleeds the dark lioness.'

But here she paused; our eyes had met,
  And I was whitening with the jeer;
She rose: 'I went too far,' she said;
    Spoke low: 'Forgive me, dear.

But here she paused; our eyes had met,
  And I was turning pale from the mockery;
She stood up: 'I went too far,' she said;
    Spoke softly: 'Forgive me, dear.

'To me our days seem pleasant days,
  Our home a haven of pure content; 150
Forgive me if I said too much,
    So much more than I meant.

'To me, our days feel like happy days,
  Our home a refuge of true happiness; 150
Sorry if I said too much,
    Way more than I intended.

'Homer, tho' greater than his gods,
  With rough-hewn virtues was sufficed
And rough-hewn men: but what are such
    To us who learn of Christ?'

'Homer, though greater than his gods,
  With rough-hewn virtues was enough
And rough-hewn men: but what are they
    To us who learn from Christ?'

The much-moved pathos of her voice,
  Her almost tearful eyes, her cheek
Grown pale, confessed the strength of love
    Which only made her speak: 160

The deeply emotional tone of her voice,
  Her eyes almost filled with tears, her cheek
Grown pale, revealed the depth of love
    That only encouraged her to speak: 160

For mild she was, of few soft words,
  Most gentle, easy to be led,
Content to listen when I spoke
    And reverence what I said;

For she was gentle, with few kind words,
  Most sweet, easily guided,
Happy to listen when I talked
    And respect what I said;

I elder sister by six years;
  Not half so glad, or wise, or good:
Her words rebuked my secret self
    And shamed me where I stood.

I have an older sister who is six years ahead of me;
  Not nearly as happy, wise, or kind:
Her words called out my hidden self
    And embarrassed me in that moment.

She never guessed her words reproved
  A silent envy nursed within, 170
A selfish, souring discontent
    Pride-born, the devil's sin.

She never realized her words were harsh
  A quiet envy grew inside, 170
A selfish, bitter unhappiness
    Fueled by pride, the devil's sin.

I smiled, half bitter, half in jest:
  'The wisest man of all the wise
Left for his summary of life
    "Vanity of vanities."

I smiled, half bitter, half joking:
  'The smartest man of all the wise
Summed up his view on life
    "Everything is meaningless."

'Beneath the sun there's nothing new:
  Men flow, men ebb, mankind flows on:
If I am wearied of my life,
    Why so was Solomon. 180

'Beneath the sun there's nothing new:
  People come and go, humanity keeps moving:
If I'm tired of my life,
    So was Solomon. 180

'Vanity of vanities he preached
  Of all he found, of all he sought:
Vanity of vanities, the gist
    Of all the words he taught.

'The emptiness of everything he preached
  Of all he discovered, of all he looked for:
The emptiness of everything, the essence
    Of all the messages he shared.

'This in the wisdom of the world,
  In Homer's page, in all, we find:
As the sea is not filled, so yearns
    Man's universal mind.

'This is the wisdom of the world,
  In Homer's writings, we find it all:
As the sea is never full, so longs
    Man's universal mind.

'This Homer felt, who gave his men
  With glory but a transient state: 190
His very Jove could not reverse
    Irrevocable fate.

'This Homer felt, who gave his men
  With glory but a fleeting state: 190
His very Jove could not change
    Unchangeable fate.

'Uncertain all their lot save this—
  Who wins must lose, who lives must die:
All trodden out into the dark
    Alike, all vanity.'

'Everyone's fate is uncertain except for this—
  Those who win will lose, those who live will die:
All are pushed out into the darkness
    Equally, all is meaningless.'

She scarcely answered when I paused,
  But rather to herself said: 'One
Is here,' low-voiced and loving, 'Yea,
    Greater than Solomon.' 200

She hardly responded when I stopped,
  But instead whispered to herself: 'One
Is here,' softly and affectionately, 'Yes,
    Greater than Solomon.' 200

So both were silent, she and I:
  She laid her work aside, and went
Into the garden-walks, like spring,
    All gracious with content,

So both of us were quiet, her and me:
  She set her work down and walked
Into the garden paths, like spring,
    All lovely with satisfaction,

A little graver than her wont,
  Because her words had fretted me;
Not warbling quite her merriest tune
    Bird-like from tree to tree.

A bit more serious than usual,
  Since her words had bothered me;
Not singing her happiest song
    Like a bird from tree to tree.

I chose a book to read and dream:
  Yet half the while with furtive eyes 210
Marked how she made her choice of flowers
    Intuitively wise,

I picked a book to read and dream:
  But half the time, with sneaky glances, 210
I noticed how she chose her flowers
    With a wise intuition,

And ranged them with instinctive taste
  Which all my books had failed to teach;
Fresh rose herself, and daintier
    Than blossom of the peach.

And arranged them with a natural flair
  Which none of my books could teach;
Freshly bloomed, and more delicate
    Than a peach blossom.

By birthright higher than myself,
  Tho' nestling of the self-same nest:
No fault of hers, no fault of mine,
    But stubborn to digest. 220

By birthright above me,
  Though raised in the same home:
It's not her fault, and it’s not mine,
    But hard to accept. 220

I watched her, till my book unmarked
  Slid noiseless to the velvet floor;
Till all the opulent summer-world
    Looked poorer than before.

I watched her until my book, untouched,
  Slipped silently to the soft floor;
Until the rich summer world
    Seemed less rich than it was before.

Just then her busy fingers ceased,
  Her fluttered colour went and came;
I knew whose step was on the walk,
    Whose voice would name her name.

Just then her busy fingers stopped,
  Her flushed complexion came and went;
I recognized whose step was on the path,
    Whose voice would call her name.

* * * * * * *

* * * * * * *

Well, twenty years have passed since then:
  My sister now, a stately wife 230
Still fair, looks back in peace and sees
    The longer half of life—

Well, twenty years have passed since then:
  My sister now, a dignified wife 230
Still beautiful, looks back content and sees
    The longer half of life—

The longer half of prosperous life,
  With little grief, or fear, or fret:
She loved, and, loving long ago,
    Is loved and loving yet.

The longer part of a successful life,
  With little sadness, or fear, or worry:
She loved, and, having loved long ago,
    Is still loved and still loving yet.

A husband honourable, brave,
  Is her main wealth in all the world:
And next to him one like herself,
    One daughter golden-curled; 240

A husband who's honorable and brave,
  Is her greatest treasure in the world:
And next to him, someone like her,
    One daughter with golden curls; 240

Fair image of her own fair youth,
  As beautiful and as serene,
With almost such another love
    As her own love has been.

Fair image of her own fair youth,
  As beautiful and as calm,
With almost another love
    Like her own love has been.

Yet, tho' of world-wide charity,
  And in her home most tender dove,
Her treasure and her heart are stored
    In the home-land of love:

Yet, though she's full of love for the world,
  And in her home, she's the sweetest dove,
Her treasure and her heart are kept
    In the homeland of love:

She thrives, God's blessed husbandry;
  She like a vine is full of fruit; 250
Her passion-flower climbs up toward heaven
    Tho' earth still binds its root.

She flourishes, blessed by God;
  Like a vine, she's full of fruit; 250
Her passion flower climbs up toward heaven
    Even though the earth still holds its roots.

I sit and watch my sister's face:
  How little altered since the hours
When she, a kind, light-hearted girl,
    Gathered her garden flowers;

I sit and watch my sister's face:
  How little it has changed since the hours
When she, a kind, cheerful girl,
    Gathered her garden flowers;

Her song just mellowed by regret
  For having teased me with her talk;
Then all-forgetful as she heard
    One step upon the walk. 260

Her song was just softened by regret
  For having played with my emotions;
Then completely forgetful as she heard
    A single step on the path. 260

While I? I sat alone and watched
  My lot in life, to live alone,
In mine own world of interests,
    Much felt but little shown.

While I? I sat alone and watched
  My fate in life, to live solo,
In my own world of passions,
    Much felt but little shared.

Not to be first: how hard to learn
  That lifelong lesson of the past;
Line graven on line and stroke on stroke;
    But, thank God, learned at last.

Not trying to be first: how tough to learn
  That lifelong lesson from the past;
Line after line and stroke after stroke;
    But, thank God, I finally learned.

So now in patience I possess
  My soul year after tedious year, 270
Content to take the lowest place,
    The place assigned me here.

So now with patience I hold on to
  My soul year after exhausting year, 270
Happy to take the lowest spot,
    The spot given to me here.

Yet sometimes, when I feel my strength
  Most weak, and life most burdensome,
I lift mine eyes up to the hills
    From whence my help shall come:

Yet sometimes, when I feel my strength
  At its lowest, and life the heaviest,
I lift my eyes up to the hills
    From where my help will come:

Yea, sometimes still I lift my heart
  To the Archangelic trumpet-burst,
When all deep secrets shall be shown,
    And many last be first. 280

Yeah, sometimes I still raise my heart
  To the Archangel's trumpet blast,
When all hidden truths will be revealed,
    And many who are last will be first. 280

MY FRIEND

(Macmillan's Magazine, Dec. 1864.)

(Macmillan's Magazine, Dec. 1864.)

Two days ago with dancing glancing hair,
  With living lips and eyes:
  Now pale, dumb, blind, she lies;
So pale, yet still so fair.

Two days ago with dancing, sparkling hair,
  With lively lips and eyes:
  Now pale, silent, blind, she lies;
So pale, yet still so beautiful.

We have not left her yet, not yet alone;
  But soon must leave her where
  She will not miss our care,
Bone of our bone.

We haven't left her yet, not alone;
  But soon we must leave her where
  She won't miss our care,
Part of our being.

Weep not; O friends, we should not weep:
  Our friend of friends lies full of rest; 10
  No sorrow rankles in her breast,
Fallen fast asleep.

Weep not; O friends, we shouldn’t cry:
  Our dearest friend is at peace; 10
  No sadness lingers in her heart,
She’s fallen fast asleep.

She sleeps below,
  She wakes and laughs above:
  To-day, as she walked, let us walk in love;
To-morrow follow so.

She sleeps below,
  She wakes and laughs above:
  Today, as she walked, let's walk in love;
Tomorrow follow suit.

LAST NIGHT

(Macmillan's Magazine, May 1865.)

(Macmillan's Magazine, May 1865.)

Where were you last night? I watched at the gate;
I went down early, I stayed down late.
  Were you snug at home, I should like to know,
Or were you in the coppice wheedling Kate?

Where were you last night? I was waiting by the gate;
I got there early and stayed late.
  Were you cozy at home, I’d like to know,
Or were you in the woods sweet-talking Kate?

She's a fine girl, with a fine clear skin;
Easy to woo, perhaps not hard to win.
  Speak up like a man and tell me the truth:
I'm not one to grow downhearted and thin.

She's a great girl, with smooth clear skin;
Easy to charm, probably easy to win.
  Speak up like a man and tell me the truth:
I'm not someone who gets discouraged and thin.

If you love her best speak up like a man;
It's not I will stand in the light of your plan: 10
  Some girls might cry and scold you a bit,
And say they couldn't bear it; but I can.

If you really love her, be brave and say it;
I won't get in the way of your plan: 10
Some girls might cry and fuss a little,
And claim they couldn't handle it; but I can.

Love was pleasant enough, and the days went fast;
Pleasant while it lasted, but it needn't last;
  Awhile on the wax and awhile on the wane,
Now dropped away into the past.

Love was nice enough, and the days flew by;
Nice while it lasted, but it didn’t have to last;
  Sometimes up and sometimes down,
Now it's just a memory of the past.

Was it pleasant to you? To me it was;
Now clean gone as an image from glass,
  As a goodly rainbow that fades away,
As dew that steams upward from the grass, 20

Was it enjoyable for you? It was for me;
Now completely gone like a picture on glass,
  Like a beautiful rainbow that disappears,
Like dew that rises from the grass, 20

As the first spring day, or the last summer day,
As the sunset flush that leaves heaven grey,
  As a flame burnt out for lack of oil,
Which no pains relight or ever may.

As the first day of spring or the last day of summer,
As the sunset glow that leaves the sky dull,
  As a flame that goes out for lack of fuel,
Which no effort can reignite or ever will.

Good luck to Kate and good luck to you:
I guess she'll be kind when you come to woo.
  I wish her a pretty face that will last,
I wish her a husband steady and true.

Good luck to Kate and good luck to you:
I guess she'll be nice when you come to court her.
  I wish her a beautiful face that will last,
I wish her a husband reliable and faithful.

Hate you? not I, my very good friend;
All things begin and all have an end. 30
  But let broken be broken; I put no faith
In quacks who set up to patch and mend.

Hate you? Not at all, my dear friend;
Everything has a beginning and an end. 30
But let the broken remain broken; I don’t trust
Frauds who claim they can fix and repair.

Just my love and one word to Kate:
Not to let time slip if she means to mate;—
  For even such a thing has been known
As to miss the chance while we weigh and wait.

Just my love and one word to Kate:
Don't let time slip away if she wants to hook up;—
  Because even that has been known
To happen when we pause and hesitate.

CONSIDER

(Macmillan's Magazine, Jan. 1866.)

(Macmillan's Magazine, Jan. 1866.)

     Consider
The lilies of the field whose bloom is brief:—
     We are as they;
     Like them we fade away,
As doth a leaf.

Consider
The lilies of the field whose bloom is short-lived:—
     We are like them;
     Like them we wither away,
Just like a leaf.

     Consider
The sparrows of the air of small account:
     Our God doth view
Whether they fall or mount,—
     He guards us too. 10

Consider
The sparrows of the air are of little importance:
     Our God sees
Whether they fall or fly,—
     He watches over us too. 10

     Consider
The lilies that do neither spin nor toil,
     Yet are most fair:—
     What profits all this care
And all this coil?

Consider
The lilies that do neither spin nor toil,
     Yet are most beautiful:—
     What does all this effort
And all this fuss profit?

     Consider
The birds that have no barn nor harvest-weeks;
     God gives them food:—
Much more our Father seeks
     To do us good. 20

Consider
The birds that have no shelter or harvest time;
     God feeds them:—
So much more our Father wants
     To do us good. 20

HELEN GREY

(Macmillan's Magazine, March 1866.)

(Macmillan's Magazine, March 1866.)

Because one loves you, Helen Grey,
  Is that a reason you should pout,
  And like a March wind veer about,
And frown, and say your shrewish say?
Don't strain the cord until it snaps,
  Don't split the sound heart with your wedge,
  Don't cut your fingers with the edge
Of your keen wit; you may, perhaps.

Because someone loves you, Helen Grey,
  Is that a reason for you to sulk,
  And like a March wind change so quickly,
And frown, and say your harsh words?
Don't stretch the bond until it breaks,
  Don't hurt the honest heart with your words,
  Don't cut yourself with the sharpness
Of your clever wit; you might, maybe.

Because you're handsome, Helen Grey,
  Is that a reason to be proud? 10
  Your eyes are bold, your laugh is loud,
Your steps go mincing on their way;
But so you miss that modest charm
  Which is the surest charm of all:
  Take heed, you yet may trip and fall,
And no man care to stretch his arm.

Because you're attractive, Helen Grey,
  Is that a reason to feel proud? 10
  Your eyes are striking, your laugh is loud,
You walk with a confident stride;
But you might overlook that humble charm
  That’s the most appealing charm of all:
  Be careful, you might still trip and fall,
And no man will bother to lend a hand.

Stoop from your cold height, Helen Grey,
  Come down, and take a lowlier place;
  Come down, to fill it now with grace;
Come down you must perforce some day: 20
For years cannot be kept at bay,
  And fading years will make you old;
  Then in their turn will men seem cold,
When you yourself are nipped and grey.

Stoop from your cold height, Helen Grey,
  Come down, and take a lower place;
  Come down, to fill it now with grace;
You must come down one day, for sure: 20
Years can’t be kept at bay,
  And fading years will make you old;
  Then, in turn, men will seem cold,
When you yourself are aged and grey.

BY THE WATERS OF BABYLON

B.C. 570

(Macmillan's Magazine, October 1866.)

Macmillan's Magazine, October 1866.

Here where I dwell I waste to skin and bone;
  The curse is come upon me, and I waste
  In penal torment powerless to atone.
The curse is come on me, which makes no haste
  And doth not tarry, crushing both the proud
  Hard man and him the sinner double-faced.
Look not upon me, for my soul is bowed
  Within me, as my body in this mire;
  My soul crawls dumb-struck, sore-bested and cowed.
As Sodom and Gomorrah scourged by fire, 10
  As Jericho before God's trumpet-peal,
  So we the elect ones perish in His ire.
Vainly we gird on sackcloth, vainly kneel
  With famished faces toward Jerusalem:
  His heart is shut against us not to feel,
His ears against our cry He shutteth them,
  His hand He shorteneth that He will not save,
  His law is loud against us to condemn:
And we, as unclean bodies in the grave
  Inheriting corruption and the dark, 20
  Are outcast from His presence which we crave.
Our Mercy hath departed from His Ark,
  Our Glory hath departed from His rest,
  Our Shield hath left us naked as a mark
Unto all pitiless eyes made manifest.
  Our very Father hath forsaken us,
  Our God hath cast us from Him: we oppressed
Unto our foes are even marvellous,
  A hissing and a butt for pointing hands,
  Whilst God Almighty hunts and grinds us thus; 30
For He hath scattered us in alien lands,
  Our priests, our princes, our anointed king,
  And bound us hand and foot with brazen bands.
Here while I sit my painful heart takes wing
  Home to the home-land I must see no more,
  Where milk and honey flow, where waters spring
And fail not, where I dwelt in days of yore
  Under my fig-tree and my fruitful vine,
  There where my parents dwelt at ease before:
Now strangers press the olives that are mine, 40
  Reap all the corners of my harvest-field,
  And make their fat hearts wanton with my wine;
To them my trees, to them my garden yield
  Their sweets and spices and their tender green,
  O'er them in noontide heat outspread their shield.
Yet these are they whose fathers had not been
  Housed with my dogs, whom hip and thigh we smote
  And with their blood washed their pollutions clean,
Purging the land which spewed them from its throat;
  Their daughters took we for a pleasant prey, 50
  Choice tender ones on whom the fathers doat.
Now they in turn have led our own away;
  Our daughters and our sisters and our wives
  Sore weeping as they weep who curse the day,
To live, remote from help, dishonoured lives,
  Soothing their drunken masters with a song,
  Or dancing in their golden tinkling gyves:
Accurst if they remember through the long
  Estrangement of their exile, twice accursed
  If they forget and join the accursèd throng. 60
How doth my heart that is so wrung not burst
  When I remember that my way was plain,
  And that God's candle lit me at the first,
Whilst now I grope in darkness, grope in vain,
  Desiring but to find Him Who is lost,
  To find Him once again, but once again.
His wrath came on us to the uttermost,
  His covenanted and most righteous wrath:
  Yet this is He of Whom we made our boast,
Who lit the Fiery Pillar in our path, 70
  Who swept the Red Sea dry before our feet,
  Who in His jealousy smote kings, and hath
Sworn once to David: One shall fill thy seat
  Born of thy body, as the sun and moon
  'Stablished for aye in sovereignty complete.
O Lord, remember David, and that soon.
  The Glory hath departed, Ichabod!
  Yet now, before our sun grow dark at noon,
Before we come to nought beneath Thy rod,
  Before we go down quick into the pit, 80
  Remember us for good, O God, our God:—
Thy Name will I remember, praising it,
  Though Thou forget me, though Thou hide Thy face,
  And blot me from the Book which Thou hast writ;
Thy Name will I remember in my praise
  And call to mind Thy faithfulness of old,
Though as a weaver Thou cut off my days,
  And end me as a tale ends that is told.

Here where I live, I'm wasting away to skin and bone;
  The curse has come upon me, and I suffer
  In punishment, powerless to make amends.
The curse is upon me, which moves slowly
  And does not delay, crushing both the proud
  And the double-faced sinner.
Don't look at me, for my soul is bowed
  Within me, just like my body in this mud;
  My soul crawls, stunned, beaten, and cowed.
Like Sodom and Gomorrah scorched by fire, 10
  Like Jericho before God's trumpet sound,
  So we, the chosen ones, perish in His wrath.
We futilely put on sackcloth, kneeling in vain
  With famished faces toward Jerusalem:
  His heart is shut against us, indifferent,
He has closed His ears to our cries,
  His hand is shortened, refusing to save,
  His law loudly condemns us:
And we, like unclean bodies in the grave
  Inherit corruption and darkness, 20
  Outcast from His presence which we long for.
Our Mercy has left His Ark,
  Our Glory has departed from His rest,
  Our Shield has left us exposed, like a target
To all the pitiless eyes that see us.
  Our very Father has abandoned us,
  Our God has cast us away: we are oppressed
By our enemies, even becoming a marvel,
  A hissing and a ridicule for pointing fingers,
  While God Almighty chases and crushes us; 30
For He has scattered us in foreign lands,
  Our priests, our leaders, our anointed king,
  And bound us hand and foot with chains.
Here, as I sit, my aching heart takes flight
  Back to the homeland I must never see again,
  Where milk and honey flow, where waters spring
And never run dry, where I lived in the days of yore
  Under my fig tree and my fruitful vine,
  Where my parents lived comfortably before:
Now strangers harvest the olives that are mine,
  Gathering all the corners of my fields,
  And indulging in my wine;
To them, my trees, to them my garden gives
  Its sweets and spices and lush green,
  Spreading their shade over them in the noontime heat.
Yet these are the ones whose fathers had not been
  Housed with my dogs, whom we fought fiercely
  And with their blood cleansed our land,
Making it pure after expelling them;
  We took their daughters as gentle spoils, 50
  Choice, tender ones that their fathers loved.
Now they, in turn, have taken our own away;
  Our daughters and our sisters and our wives
  Cry bitterly as those who curse the day,
Living, cut off from help, dishonored lives,
  Soothing their drunken masters with a song,
  Or dancing in their golden chains:
Cursed if they remember through their long
  Estrangement of exile, doubly cursed
  If they forget and join the cursed crowd. 60
How does my heart, so wrung, not break
  When I recall that my path was clear,
  And that God's light guided me at first,
While now I grope in darkness, groping in vain,
  Longing only to find Him Who is lost,
  To find Him once again, but once again.
His wrath came upon us fully,
  His promised and just wrath:
  Yet this is the One we boasted of,
Who lit the Fiery Pillar on our path, 70
  Who dried up the Red Sea before our feet,
  Who in His jealousy struck down kings and has
Promised David: One will fill your throne
  Born of your body, established forever
  In total sovereignty.
O Lord, remember David, and do it soon.
  The Glory has departed, Ichabod!
  Yet now, before our sun dims at noon,
Before we are reduced to nothing beneath Your rod,
  Before we are quickly cast into the pit, 80
  Remember us for good, O God, our God:—
Your Name will I remember, praising it,
  Though You forget me, though You hide Your face,
  And erase me from the Book You have written;
Your Name will I remember in my praise
  And recall Your faithfulness from the past,
Though, like a weaver, You cut off my days,
  And end me as a story that has been told.

SEASONS

(Macmillan's Magazine, Dec. 1866.)

Macmillan's Magazine, Dec. 1866.

Oh the cheerful Budding-time!
  When thorn-hedges turn to green,
When new leaves of elm and lime
  Cleave and shed their winter screen;
Tender lambs are born and 'baa,'
  North wind finds no snow to bring,
Vigorous Nature laughs 'Ha, ha,'
  In the miracle of spring.

Oh the joyful springtime!
  When thorny hedges turn green,
When new leaves of elm and lime
  Break free from their winter cover;
Tender lambs are born and 'baa,'
  The north wind brings no snow,
Vigorous Nature laughs 'Ha, ha,'
  In the miracle of spring.

Oh the gorgeous Blossom-days!
  When broad flag-flowers drink and blow, 10
In and out in summer-blaze
  Dragon-flies flash to and fro;
Ashen branches hang out keys,
  Oaks put forth the rosy shoot,
Wandering herds wax sleek at ease,
  Lovely blossoms end in fruit.

Oh the beautiful Blossom days!
  When wide flag-flowers drink and bloom, 10
In and out in the summer heat
  Dragonflies zip back and forth;
Gray branches hang out their keys,
  Oaks push out the rosy buds,
Wandering herds grow sleek and relaxed,
  Lovely blossoms turn into fruit.

Oh the shouting Harvest-weeks!
  Mother earth grown fat with sheaves
Thrifty gleaner finds who seeks;
  Russet-golden pomp of leaves 20
Crowns the woods, to fall at length;
  Bracing winds are felt to stir,
Ocean gathers up her strength,
  Beasts renew their dwindled fur.

Oh, the loud Harvest weeks!
  Mother Earth full with crops
Thrifty harvesters find what they seek;
  Rusty-golden glory of leaves 20
Crowns the woods, only to fall eventually;
  Fresh winds are felt to blow,
The ocean gathers its strength,
  Animals regain their thickened fur.

Oh the starving Winter-lapse!
  Ice-bound, hunger-pinched and dim;
Dormant roots recall their saps,
  Empty nests show black and grim,
Short-lived sunshine gives no heat,
  Undue buds are nipped by frost, 30
Snow sets forth a winding-sheet,
  And all hope of life seems lost.

Oh the starving Winter pause!
  Ice-bound, hungry, and dull;
Dormant roots remember their sap,
  Empty nests look dark and gloomy,
Short-lived sunshine brings no warmth,
  Unripe buds are bitten by frost, 30
Snow lays down a shroud,
  And all hope of life seems lost.

MOTHER COUNTRY

(Macmillan's Magazine, March 1868.)

(Macmillan's Magazine, March 1868.)

Oh what is that country
  And where can it be,
Not mine own country,
  But dearer far to me?
Yet mine own country,
  If I one day may see
Its spices and cedars,
  Its gold and ivory.

Oh, what is that land
  And where can it be,
Not my own country,
  But much dearer to me?
Yet my own country,
  If I could one day see
Its spices and cedars,
  Its gold and ivory.

As I lie dreaming
  It rises, that land: 10
There rises before me
  Its green golden strand,
With its bowing cedars
  And its shining sand;
It sparkles and flashes
  Like a shaken brand.

As I lie dreaming
  That land comes up: 10
Before me appears
  Its lush, golden shore,
With its bending cedars
  And its glimmering sand;
It sparkles and shines
  Like a flickering flame.

Do angels lean nearer
  While I lie and long?
I see their soft plumage
  And catch their windy song, 20
Like the rise of a high tide
  Sweeping full and strong;
I mark the outskirts
  Of their reverend throng.

Do angels come closer
  While I lie here and yearn?
I see their gentle feathers
  And hear their breezy song, 20
Like the surge of a big wave
  Rising full and powerful;
I notice the edges
  Of their sacred crowd.

Oh what is a king here,
  Or what is a boor?
Here all starve together,
  All dwarfed and poor;
Here Death's hand knocketh
  At door after door, 30
He thins the dancers
  From the festal floor.

Oh, what is a king here,
  Or what is a commoner?
Here, everyone starves together,
  All small and poor;
Here, Death's hand knocks
  At door after door, 30
He takes away the dancers
  From the party floor.

Oh what is a handmaid,
  Or what is a queen?
All must lie down together
  Where the turf is green,
The foulest face hidden,
  The fairest not seen;
Gone as if never,
  They had breathed or been. 40

Oh, what’s a handmaid,
  Or what’s a queen?
Everyone must lie down together
  Where the grass is green,
The ugliest face hidden,
  The prettiest not seen;
Gone as if they never,
  Had breathed or existed. 40

Gone from sweet sunshine
  Underneath the sod,
Turned from warm flesh and blood
  To senseless clod,
Gone as if never
  They had toiled or trod,
Gone out of sight of all
  Except our God.

Gone from sweet sunshine
  Underneath the ground,
Turned from warm flesh and blood
  To lifeless dirt,
Gone as if they never
  Had worked or walked,
Gone from the sight of all
  Except our God.

Shut into silence
  From the accustomed song, 50
Shut into solitude
  From all earth's throng,
Run down tho' swift of foot,
  Thrust down tho' strong;
Life made an end of
  Seemed it short or long.

Shut into silence
  From the familiar song, 50
Shut into solitude
  From all of humanity,
Run down though quick on your feet,
  Thrust down though powerful;
Life came to an end
  Whether it felt short or long.

Life made an end of,
  Life but just begun,
Life finished yesterday,
  Its last sand run; 60
Life new-born with the morrow,
  Fresh as the sun:
While done is done for ever;
  Undone, undone.

Life comes to an end,
  Life has only just started,
Life wrapped up yesterday,
  Its last grain of sand; 60
Life is reborn with tomorrow,
  Fresh as the sun:
While what's done is done forever;
  Undone, undone.

And if that life is life,
  This is but a breath,
The passage of a dream
  And the shadow of death;
But a vain shadow
  If one considereth; 70
Vanity of vanities,
  As the Preacher saith.

And if that life is life,
  This is just a breath,
The fleeting moment of a dream
  And the shadow of death;
Just an empty shadow
  If one thinks about it; 70
Futility of futilities,
  As the Preacher says.

A SMILE AND A SIGH

(Macmillan's Magazine, May 1868.)

Macmillan's Magazine, May 1868.

A smile because the nights are short!
  And every morning brings such pleasure
Of sweet love-making, harmless sport:
  Love, that makes and finds its treasure;
  Love, treasure without measure.

A smile because the nights are brief!
  And every morning brings such joy
Of sweet intimacy, playful fun:
  Love, that creates and discovers its treasure;
  Love, a treasure beyond measure.

A sigh because the days are long!
  Long long these days that pass in sighing,
A burden saddens every song:
  While time lags who should be flying,
  We live who would be dying.

A sigh because the days drag on!
  So long, these days that go by with sighs,
A weight dims every song:
  While time crawls, we should be soaring,
  We live while we’d rather be gone.

DEAD HOPE

(Macmillan's Magazine, May 1868.)

(Macmillan's Magazine, May 1868.)

Hope new born one pleasant morn
  Died at even;
Hope dead lives nevermore.
  No, not in heaven.

Hope, newly born one pleasant morning
  Died in the evening;
Hope, once dead, lives never again.
  No, not even in heaven.

If his shroud were but a cloud
  To weep itself away;
Or were he buried underground
  To sprout some day!
But dead and gone is dead and gone
  Vainly wept upon. 10

If his shroud were just a cloud
  To weep itself away;
Or if he were buried in the ground
  To sprout one day!
But dead and gone is dead and gone
  Uselessly mourned upon. 10

Nought we place above his face
  To mark the spot,
But it shows a barren place
  In our lot.
Hope has birth no more on earth
  Morn or even;
Hope dead lives nevermore,
  No, not in heaven.

Nothing we put above his face
  To mark the spot,
But it shows an empty place
  In our lives.
Hope no longer exists on earth
  Morning or evening;
Hope is dead and will never live again,
  Not even in heaven.

AUTUMN VIOLETS

(Macmillan's Magazine, November 1868.)

(Macmillan's Magazine, November 1868.)

Keep love for youth, and violets for the spring:
Of if these bloom when worn-out autumn grieves,
Let them lie hid in double shade of leaves,
Their own, and others dropped down withering;
For violets suit when home birds build and sing,
Not when the outbound bird a passage cleaves;
Not with dry stubble of mown harvest sheaves,
But when the green world buds to blossoming.
Keep violets for the spring, and love for youth,
Love that should dwell with beauty, mirth, and hope:
Or if a later sadder love be born,
Let this not look for grace beyond its scope,
But give itself, nor plead for answering truth—
A grateful Ruth tho' gleaning scanty corn.

Keep love for the young, and violets for spring:
If they bloom while tired autumn mourns,
Let them stay hidden in the double shade of leaves,
Their own, and others that have fallen and withered;
Violets fit when home birds build and sing,
Not when the departing bird cuts through the air;
Not with the dry stubble of cut harvest sheaves,
But when the green world buds to bloom.
Keep violets for spring, and love for youth,
Love that belongs with beauty, joy, and hope:
Or if a later, sadder love comes along,
Let it not seek grace beyond its reach,
But give itself, without asking for reciprocal truth—
A grateful Ruth though gathering meager grain.

'THEY DESIRE A BETTER COUNTRY'

(Macmillan's Magazine, March 1869.)

(Macmillan's Magazine, March 1869.)

I

I would not if I could undo my past,
  Tho' for its sake my future is a blank;
  My past, for which I have myself to thank,
For all its faults and follies first and last.
I would not cast anew the lot once cast,
  Or launch a second ship for one that sank,
  Or drug with sweets the bitterness I drank,
Or break by feasting my perpetual fast.
I would not if I could: for much more dear
  Is one remembrance than a hundred joys, 10
    More than a thousand hopes in jubilee;
  Dearer the music of one tearful voice
    That unforgotten calls and calls to me,
'Follow me here, rise up, and follow here.'

I wouldn't if I could change my past,
  Even though it makes my future feel empty;
  My past, for which I’m grateful,
For all its mistakes and craziness from start to finish.
I wouldn’t roll the dice again,
  Or set sail on a new ship for one that sank,
  Or sweeten the bitter experiences I had,
Or break my ongoing fast with a feast.
I wouldn’t if I could: because one memory is worth
  More than a hundred joys, 10
    More than a thousand hopes in celebration;
  More precious is the sound of one tearful voice
    That still calls out to me,
'Follow me here, rise up, and follow me here.'

II

What seekest thou far in the unknown land?
  In hope I follow joy gone on before,
  In hope and fear persistent more and more,
As the dry desert lengthens out its sand.
Whilst day and night I carry in my hand
  The golden key to ope the golden door 20
  Of golden home; yet mine eye weepeth sore
For the long journey that must make no stand.
And who is this that veiled doth walk with thee?
  Lo, this is Love that walketh at my right;
    One exile holds us both, and we are bound
  To selfsame home-joys in the land of light.
Weeping thou walkest with him; weepeth he?—
    Some sobbing weep, some weep and make no sound.

What are you looking for out there in the unknown?
  With hope, I chase after the joy that came before,
  With hope and fear growing more and more,
As the dry desert stretches out its sand.
While day and night, I hold in my hand
  The golden key to open the golden door 20
  Of a golden home; yet my eyes weep heavily
For the long journey that cannot stop.
And who is this that walks veiled beside you?
  Look, this is Love walking at my side;
    One exile connects us both, and we are tied
  To the same joyful home in the land of light.
You walk with him in tears; does he weep?—
    Some sob silently, some weep without a sound.

III

A dimness of a glory glimmers here
  Thro' veils and distance from the space remote, 30
  A faintest far vibration of a note
Reaches to us and seems to bring us near,
Causing our face to glow with braver cheer,
  Making the serried mist to stand afloat,
  Subduing langour with an antidote,
And strengthening love almost to cast out fear,
Till for one moment golden city walls
  Rise looming on us, golden walls of home,
Light of our eyes until the darkness falls;
  Then thro' the outer darkness burdensome 40
I hear again the tender voice that calls,
  'Follow me hither, follow, rise, and come.'

A faint glow of glory shines here
  Through veils and distance from the far-off space, 30
  A subtle far-off vibration of a note
Reaches us and feels like it brings us closer,
Making our faces shine with bolder cheer,
  Causing the thick mist to lift up,
  Chasing away weariness with a remedy,
And boosting love almost to banish fear,
Until for a moment golden city walls
  Appear looming before us, golden walls of home,
Light of our eyes until the darkness returns;
  Then through the heavy outer darkness 40
I hear again the gentle voice that calls,
  'Follow me here, follow, rise, and come.'

THE OFFERING OF THE NEW LAW, THE ONE OBLATION ONCE OFFERED

(Lyra Eucharistica, 1863.)

Lyra Eucharistica, 1863.

Once I thought to sit so high
In the Palace of the sky;
Now, I thank God for His Grace,
If I may fill the lowest place.

Once I thought I would sit so high
In the Palace of the sky;
Now, I thank God for His grace,
If I can take the lowest place.

Once I thought to scale so soon
Heights above the changing moon;
Now, I thank God for delay—
To-day, it yet is called to-day.

Once I thought I would reach the top so quickly
High above the shifting moon;
Now, I thank God for the wait—
Today is still called today.

While I stumble, halt and blind,
Lo! He waiteth to be kind; 10
Bless me soon, or bless me slow,
Except He bless, I let not go.

While I trip, stop, and can't see,
Look! He's here, ready to be kind; 10
Bless me quickly, or bless me slowly,
If He doesn’t bless, I won't let go.

Once for earth I laid my plan,
Once I leaned on strength of man,
When my hope was swept aside,
I stayed my broken heart on pride:

Once, for the world, I made my plans,
Once I relied on the strength of people,
When my hope was crushed,
I propped my shattered heart on pride:

Broken reed hath pierced my hand;
Fell my house I built on sand;
Roofless, wounded, maimed by sin,
Fightings without and fears within: 20

Broken reed has pierced my hand;
My house built on sand has fallen;
Roofless, hurt, damaged by sin,
Battles outside and fears within: 20

Yet, a tree, He feeds my root;
Yet, a branch, He prunes for fruit;
Yet, a sheep, these eves and morns,
He seeks for me among the thorns.

Yet, a tree, He nurtures my roots;
Yet, a branch, He trims for fruit;
Yet, a sheep, these evenings and mornings,
He searches for me among the thorns.

With Thine Image stamped of old,
Find Thy coin more choice than gold;
Known to Thee by name, recall
To Thee Thy home-sick prodigal.

With Your image stamped from long ago,
Find Your coin more valuable than gold;
Known to You by name, remember
To You Your home-sick prodigal.

Sacrifice and Offering
None there is that I can bring, 30
None, save what is Thine alone:
I bring Thee, Lord, but of Thine Own—

Sacrifice and Offering
There’s nothing I can offer, 30
Nothing, except what belongs to You:
I bring to You, Lord, just what is Yours—

Broken Body, Blood Outpoured,
These I bring, my God, my Lord;
Wine of Life, and Living Bread,
With these for me Thy Board is spread.

Broken Body, Blood Poured Out,
These I bring, my God, my Lord;
Wine of Life, and Living Bread,
With these, Your Table is set for me.

CONFERENCE BETWEEN CHRIST, THE SAINTS, AND THE SOUL

(Lyra Eucharistica, 1863.)

(Lyra Eucharistica, 1863.)

I am pale with sick desire,
  For my heart is far away
From this world's fitful fire
  And this world's waning day;
In a dream it overleaps
  A world of tedious ills
To where the sunshine sleeps
  On th' everlasting hills.
  Say the Saints—There Angels ease us
    Glorified and white. 10
  They say—We rest in Jesus,
    Where is not day nor night.

I feel weak with longing,
  Because my heart is far away
From this world's flickering light
  And this world's fading day;
In a dream, it jumps over
  A world of annoying troubles
To where the sunshine rests
  On the everlasting hills.
  The Saints say—There Angels comfort us
    Glorified and pure. 10
  They say—We find peace in Jesus,
    Where there's neither day nor night.

My Soul saith—I have sought
  For a home that is not gained,
I have spent yet nothing bought,
  Have laboured but not attained;
My pride strove to rise and grow,
  And hath but dwindled down;
My love sought love, and lo!
  Hath not attained its crown. 20
  Say the Saints—Fresh Souls increase us,
    None languish nor recede.
  They say—We love our Jesus,
    And He loves us indeed.

My soul says—I’ve searched
  For a home that I can’t find,
I’ve spent everything but bought nothing,
  Have worked hard but not succeeded;
My pride tried to grow and rise,
  But it has only shrunk;
My love sought love, and look!
  Hasn’t reached its goal. 20
  The Saints say—New souls keep coming,
    No one fades or steps back.
  They say—We love our Jesus,
    And He truly loves us back.

I cannot rise above,
  I cannot rest beneath,
I cannot find out Love,
  Nor escape from Death;
Dear hopes and joys gone by
  Still mock me with a name; 30
My best belovèd die
  And I cannot die with them.
  Say the Saints—No deaths decrease us,
    Where our rest is glorious.
  They say—We live in Jesus,
    Who once dièd for us.

I can't rise up,
  I can't find peace below,
I can't discover Love,
  Nor escape from Death;
Dear hopes and joys that once were
  Still taunt me with a name; 30
My dearest love has died
  And I can't die with them.
  The Saints say—No deaths lessen us,
    Where our rest is glorious.
  They say—We live in Jesus,
    Who once died for us.

Oh, my Soul, she beats her wings
  And pants to fly away
Up to immortal Things
  In the Heavenly day: 40
Yet she flags and almost faints;
  Can such be meant for me?
Come and see—say the Saints.
  Saith Jesus—Come and see.
  Say the Saints—His Pleasures please us
    Before God and the Lamb.
  Come and taste My Sweets—saith Jesus—
    Be with Me where I am.

Oh, my Soul, she flaps her wings
  And longs to soar away
Up to eternal things
  In the light of Heaven:
Yet she weakens and almost collapses;
  Could this be meant for me?
Come and see—say the Saints.
  Jesus says—Come and see.
  The Saints say—His joys delight us
    Before God and the Lamb.
  Come and enjoy My sweetness—says Jesus—
    Be with Me where I am.

COME UNTO ME

(Lyra Eucharistica, second edition, 1864.)

(Lyra Eucharistica, 2nd edition, 1864.)

Oh, for the time gone by, when thought of Christ
  Made His Yoke easy and His Burden light;
  When my heart stirred within me at the sight
Of Altar spread for awful Eucharist;
When all my hopes His promises sufficed,
  When my Soul watched for Him by day, by night,
  When my lamp lightened and my robe was white,
And all seemed loss, except the Pearl unpriced.
Yet, since He calls me still with tender Call,
  Since He remembers Whom I half forgot,
  I even will run my race and bear my lot:
  For Faith the walls of Jericho cast down,
  And Hope to whoso runs holds forth a Crown,
And Love is Christ, and Christ is All in all.

Oh, how I miss the time gone by when thinking of Christ
  Made His Yoke easy and His Burden feel light;
  When my heart stirred within me at the sight
Of the Altar set for the sacred Eucharist;
When all my hopes were fulfilled by His promises,
  When my Soul watched for Him day and night,
  When my lamp was shining and my robe was white,
And everything seemed like a loss, except for the priceless Pearl.
Yet, since He still calls me with a gentle Call,
  Since He remembers me even though I half forgot,
  I will run my race and carry my burden:
  For Faith brought down the walls of Jericho,
  And Hope offers a Crown to everyone who runs,
And Love is Christ, and Christ is everything to me.

JESUS, DO I LOVE THEE?

(Lyra Eucharistica, second edition, 1864.)

(Lyra Eucharistica, 2nd edition, 1864.)

Jesus, do I love Thee?
Thou art far above me,
Seated out of sight
Hid in Heavenly Light
Of most highest height.
Martyred hosts implore Thee,
Seraphs fall before Thee,
Angels and Archangels,
Cherub throngs adore Thee;
Blessed She that bore Thee! 10
All the Saints approve Thee,
All the Virgins love Thee.
I show as a blot
Blood hath cleansed not,
As a barren spot
In Thy fruitful lot.
I, fig-tree fruit-unbearing;
Thou, righteous Judge unsparing:
What canst Thou do more to me
That shall not more undo me? 20
Thy Justice hath a sound—
Why cumbereth it the ground?
Thy Love with stirrings stronger
Pleads—Give it one year longer.
Thou giv'st me time: but who
Save Thou shall give me dew;
Shall feed my root with Blood,
And stir my sap for good?
Oh, by Thy Gifts that shame me,
Give more lest they condemn me: 30
Good Lord, I ask much of Thee,
But most I ask to love Thee;
Kind Lord, be mindful of me,
Love me, and make me love Thee.

Jesus, do I love You?
You are far above me,
Seated out of sight
Hidden in Heavenly Light
Of the highest height.
Martyred hosts plead with You,
Seraphs fall before You,
Angels and Archangels,
Cherub throngs adore You;
Blessed is she who bore You! 10
All the Saints approve of You,
All the Virgins love You.
I show up as a stain
Blood hasn’t cleansed me,
Like a barren spot
In Your fruitful field.
I, a fig tree without fruit;
You, a righteous Judge who doesn’t hold back:
What more can You do to me
That won’t break me even more? 20
Your Justice has a sound—
Why does it burden the ground?
Your Love, with stronger pleas,
Asks—Give it one more year.
You give me time: but who
Except You can give me rain;
Will feed my root with Blood,
And stir my sap for good?
Oh, by Your gifts that humiliate me,
Give more lest they condemn me: 30
Good Lord, I ask a lot from You,
But most of all, I ask to love You;
Kind Lord, remember me,
Love me, and make me love You.

I KNOW YOU NOT

(Lyra Messianica, 1864.)

(Lyra Messianica, 1864.)

O Christ, the Vine with living Fruit,
The twelvefold-fruited Tree of Life,
The Balm in Gilead after strife,
The valley Lily and the Rose;
Stronger than Lebanon, Thou Root;
Sweeter than clustered grapes, Thou Vine;
O Best, Thou Vineyard of red wine,
Keeping thy best wine till the close.

O Christ, the Vine with living Fruit,
The twelve-fruited Tree of Life,
The Balm in Gilead after struggle,
The valley Lily and the Rose;
Stronger than Lebanon, You Root;
Sweeter than clustered grapes, You Vine;
O Best, You Vineyard of red wine,
Saving Your best wine for the end.

Pearl of great price Thyself alone,
And ruddier than the ruby Thou; 10
Most precious lightning Jasper stone,
Head of the corner spurned before:
Fair Gate of pearl, Thyself the Door;
Clear golden Street, Thyself the Way;
By Thee we journey toward Thee now,
Through Thee shall enter Heaven one day.

Pearl of great value, it's only You,
And more vibrant than a ruby, too;
The most precious lightning, beautiful jasper stone,
You, the cornerstone that was rejected before:
Beautiful Pearl Gate, You are the Door;
Shiny golden Street, You are the Way;
Through You, we travel toward You now,
And through You, we will enter Heaven someday.

I thirst for Thee, full fount and flood;
My heart calls Thine, as deep to deep:
Dost Thou forget Thy sweat and pain,
They provocation on the Cross? 20
Heart-pierced for me, vouchsafe to keep
The purchase of Thy lavished Blood:
The gain is Thine, Lord, if I gain;
Or if I lose, Thine own the loss.

I long for You, the ultimate source of life;
My heart reaches out to Yours, like deep calling to deep:
Do You forget Your suffering and pain,
The sacrifice You made on the Cross? 20
Wounded for me, please protect
What You bought with Your precious Blood:
The victory is Yours, Lord, if I succeed;
And if I fail, the loss is Yours too.

At midnight (saith the Parable)
A cry was made, the Bridegroom came;
Those who were ready entered in:
The rest, shut out in death and shame,
Strove all too late that Feast to win,
Their die was cast, and fixed their lot; 30
A gulf divided Heaven from Hell;
The Bridegroom said—I know you not.

At midnight (says the Parable)
A shout went out, the Bridegroom arrived;
Those who were prepared went in:
The others, locked out in death and shame,
Tried too late to join the Feast,
Their fate was sealed, and it determined their destiny; 30
A chasm separated Heaven from Hell;
The Bridegroom said—I don’t know you.

But Who is this that shuts the door,
And saith—I know you not—to them?
I see the wounded hands and side,
The brow thorn-tortured long ago:
Yea; This Who grieved and bled and died,
This same is He Who must condemn;
He called, but they refused to know;
So now He hears their cry no more. 40

But who is this that closes the door,
And says—I don’t know you—to them?
I see the wounded hands and side,
The brow that was tortured by thorns long ago:
Yes; this one who suffered, bled, and died,
This same one is the one who must condemn;
He called, but they ignored Him;
So now He doesn’t hear their cries anymore. 40

'BEFORE THE PALING OF THE STARS'

(Lyra Messianica, 1864.)

(Lyra Messianica, 1864.)

Before the paling of the stars,
  Before the winter morn,
Before the earliest cockcrow
  Jesus Christ was born:
Born in a stable,
  Cradled in a manger,
In the world His hands had made
  Born a stranger.

Before the fading of the stars,
  Before the winter morning,
Before the first rooster's crow
  Jesus Christ was born:
Born in a stable,
  Cradled in a manger,
In the world His hands had made
  Born a stranger.

Priest and king lay fast asleep
  In Jerusalem, 10
Young and old lay fast asleep
  In crowded Bethlehem:
Saint and Angel, ox and ass,
  Kept a watch together,
Before the Christmas daybreak
  In the winter weather.

Priest and king were sound asleep
  In Jerusalem, 10
Young and old were sound asleep
  In busy Bethlehem:
Saint and Angel, ox and donkey,
  Watched together,
Before Christmas daybreak
  In the cold winter weather.

Jesus on His Mother's breast
  In the stable cold,
Spotless Lamb of God was He,
  Shepherd of the fold: 20
Let us kneel with Mary maid,
  With Joseph bent and hoary,
With Saint and Angel, ox and ass,
  To hail the King of Glory.

Jesus on His Mother's breast
  In the cold stable,
He was the Spotless Lamb of God,
  Shepherd of the flock: 20
Let’s kneel with Mary, the young mother,
  With Joseph, aged and wise,
With saints and angels, ox and donkey,
  To greet the King of Glory.

EASTER EVEN

(Lyra Messianica, 1864.)

(Lyra Messianica, 1864.)

There is nothing more that they can do
  For all their rage and boast;
Caiaphas with his blaspheming crew,
  Herod with his host,

There’s nothing more they can do
  For all their anger and bragging;
Caiaphas with his team of blasphemers,
  Herod with his crowd,

Pontius Pilate in his Judgement-hall
  Judging their Judge and his,
Or he who led them all and passed them all,
  Arch-Judas with his kiss.

Pontius Pilate in his judgment hall
  Judging their judge and his,
Or he who led them all and passed them all,
  Arch-Judas with his kiss.

The sepulchre made sure with ponderous Stone,
  Seal that same stone, O Priest; 10
It may be thou shalt block the holy One
  From rising in the east:

The tomb secured with heavy stone,
  Seal that stone, O Priest; 10
You might be able to stop the holy One
  From rising in the east:

Set a watch about the sepulchre
  To watch on pain of death;
They must hold fast the stone if One should stir
  And shake it from beneath.

Set a guard around the tomb
  To watch at the risk of death;
They must keep the stone in place if Someone should move
  And shift it from below.

God Almighty, He can break a seal
  And roll away a Stone,
Can grind the proud in dust who would not kneel,
  And crush the mighty one. 20

God Almighty, He can break a seal
  And roll away a stone,
Can grind the proud into dust who refuse to kneel,
  And crush the powerful one. 20

* * * * * * *

* * * * * * *

There is nothing more that they can do
  For all their passionate care,
Those who sit in dust, the blessed few,
  And weep and rend their hair:

There’s nothing more they can do
  Despite all their heartfelt concern,
Those who sit in the dust, the chosen few,
  And cry and tear their hair:

Peter, Thomas, Mary Magdalene,
  The Virgin unreproved,
Joseph, with Nicodemus, foremost men,
  And John the Well-beloved,

Peter, Thomas, Mary Magdalene,
  The Virgin without fault,
Joseph, along with Nicodemus, respected leaders,
  And John the Beloved,

Bring your finest linen and your spice,
  Swathe the sacred Dead, 30
Bind with careful hands and piteous eyes
  The napkin round His head;

Bring your best linen and your spices,
  Wrap the holy Dead, 30
Carefully bind with gentle hands and sorrowful eyes
  The cloth around His head;

Lay Him in the garden-rock to rest;
  Rest you the Sabbath length:
The Sun that went down crimson in the west
  Shall rise renewed in strength.

Lay Him in the garden rock to rest;
  Rest for the Sabbath's duration:
The Sun that set red in the west
  Shall rise again with strength.

God Almighty shall give joy for pain,
  Shall comfort him who grieves:
Lo! He with joy shall doubtless come again,
  And with Him bring His sheaves. 40

God Almighty will bring happiness for pain,
  Will comfort those who are sad:
Look! He will surely return with joy,
  And with Him, He will bring His rewards. 40

PARADISE: IN A DREAM

(Lyra Messianica, second edition, 1865.)

(Lyra Messianica, 2nd edition, 1865.)

Once in a dream I saw the flowers
  That bud and bloom in Paradise;
  More fair they are than waking eyes
Have seen in all this world of ours.
And faint the perfume-bearing rose,
  And faint the lily on its stem,
And faint the perfect violet
      Compared with them.

Once in a dream, I saw the flowers
  That bud and bloom in Paradise;
  They're more beautiful than anything waking eyes
Have seen in all our world.
And the fragrant rose seems weak,
  And the lily on its stem seems weak,
And the perfect violet
      Is nothing compared to them.

I heard the songs of Paradise:
  Each bird sat singing in his place; 10
  A tender song so full of grace
It soared like incense to the skies.
Each bird sat singing to his mate
  Soft cooing notes among the trees:
The nightingale herself were cold
      To such as these.

I heard the songs of paradise:
  Each bird sang in its spot; 10
  A gentle tune so filled with grace
Soared like incense to the skies.
Each bird sang to its mate
  Soft cooing notes among the trees:
Even the nightingale would be cold
      Compared to these.

I saw the fourfold River flow,
  And deep it was, with golden sand;
  It flowed between a mossy land
With murmured music grave and low. 20
It hath refreshment for all thirst,
  For fainting spirits strength and rest:
Earth holds not such a draught as this
      From east to west.

I saw the fourfold river flow,
  And it was deep, with golden sand;
  It flowed through a mossy land
With soft music that was calm and low. 20
It has refreshment for all who thirst,
  For tired spirits, it gives strength and rest:
The earth holds no drink like this
      From east to west.

The Tree of Life stood budding there,
  Abundant with its twelvefold fruits;
  Eternal sap sustains its roots,
Its shadowing branches fill the air.
Its leaves are healing for the world,
  Its fruit the hungry world can feed, 30
Sweeter than honey to the taste
      And balm indeed.

The Tree of Life stood blooming there,
  Full of its twelve different fruits;
  Endless sap nourishes its roots,
Its shaded branches fill the space.
Its leaves heal the world,
  Its fruit can feed the hungry world, 30
Sweeter than honey on the tongue
      And truly soothing.

I saw the gate called Beautiful;
  And looked, but scarce could look, within;
  I saw the golden streets begin,
And outskirts of the glassy pool.
Oh harps, oh crowns of plenteous stars,
  Oh green palm-branches many-leaved—
Eye hath not seen, nor ear hath heard,
      Nor heart conceived. 40

I saw the gate called Beautiful;
  And looked, but could barely see inside;
  I saw the golden streets start,
And the edges of the clear pool.
Oh harps, oh crowns of countless stars,
  Oh green palm branches, so many leaves—
No eye has seen, nor ear has heard,
      Nor heart imagined. 40

I hope to see these things again,
  But not as once in dreams by night;
  To see them with my very sight,
And touch, and handle, and attain:
To have all Heaven beneath my feet
  For narrow way that once they trod;
To have my part with all the saints,
      And with my God.

I hope to see these things again,
  But not just as I once did in dreams at night;
  To see them with my own eyes,
And touch, and hold, and achieve them:
To have all of Heaven beneath my feet
  For the narrow path that they once walked;
To share in the glory with all the saints,
      And with my God.

WITHIN THE VEIL

(Lyra Eucharistica, second edition, 1865.)

(Lyra Eucharistica, 2nd edition, 1865.)

She holds a lily in her hand,
Where long ranks of Angels stand,
A silver lily for her wand.

She holds a lily in her hand,
Where long lines of Angels stand,
A silver lily as her wand.

All her hair falls sweeping down;
Her hair that is a golden brown,
A crown beneath her golden crown.

All her hair falls down gracefully;
Her hair is a rich golden brown,
A crown beneath her golden crown.

Blooms a rose-bush at her knee,
Good to smell and good to see:
It bears a rose for her, for me;

Blooms a rosebush at her knee,
Nice to smell and nice to see:
It has a rose for her, for me;

Her rose a blossom richly grown, 10
My rose a bud not fully blown,
But sure one day to be mine own.

Her rose is a beautifully grown blossom, 10
My rose is a bud not fully opened,
But I'm sure one day it will be mine.

PARADISE: IN A SYMBOL

(Lyra Eucharistica, second edition, 1865.)

(Lyra Eucharistica, 2nd edition, 1865.)

Golden-winged, silver-winged,
  Winged with flashing flame,
Such a flight of birds I saw,
  Birds without a name:
Singing songs in their own tongue
  (Song of songs) they came.

Golden-winged, silver-winged,
  Wings flashing like flames,
That’s the flock of birds I saw,
  Birds without any names:
Singing songs in their own way
  (Song of songs) they flew in.

One to another calling,
  Each answering each,
One to another calling
  In their proper speech: 10
High above my head they wheeled,
  Far out of reach.

One calling to another,
  Each responding back,
One calling to another
  In their own way: 10
High above my head they flew,
  Too far to touch.

On wings of flame they went and came
  With a cadenced clang,
Their silver wings tinkled,
  Their golden wings rang,
The wind it whistled through their wings
  Where in Heaven they sang.

On fiery wings they flew back and forth
  With a rhythmic clang,
Their silver wings chimed,
  Their golden wings rang,
The wind whistled through their wings
  As they sang in Heaven.

They flashed and they darted
  Awhile before mine eyes, 20
Mounting, mounting, mounting still
  In haste to scale the skies—
Birds without a nest on earth,
  Birds of Paradise.

They flashed and they darted
  For a while before my eyes, 20
Rising, rising, still rising
  In a rush to reach the skies—
Birds without a nest on earth,
  Birds of Paradise.

Where the moon riseth not,
  Nor sun seeks the west,
There to sing their glory
  Which they sing at rest,
There to sing their love-song
  When they sing their best: 30

Where the moon does not rise,
  Nor does the sun set in the west,
There to sing their glory
  Which they sing while at rest,
There to sing their love song
  When they sing their best: 30

Not in any garden
  That mortal foot hath trod,
Not in any flowering tree
  That springs from earthly sod,
But in the garden where they dwell,
  The Paradise of God.

Not in any garden
  That human foot has stepped,
Not in any blooming tree
  That grows from the ground,
But in the garden where they live,
  The Paradise of God.

AMOR MUNDI

(The Shilling Magazine, 1865.)

(The Shilling Magazine, 1865.)

'Oh, where are you going with your love-locks flowing
  On the west wind blowing along this valley track?'
'The downhill path is easy, come with me an' it please ye,
  We shall escape the uphill by never turning back.'

'Oh, where are you going with your love-locks flowing
  On the west wind blowing along this valley path?'
'The downhill path is easy, come with me if you want,
  We’ll avoid the uphill by never looking back.'

So they two went together in glowing August weather,
  The honey-breathing heather lay to their left and right;
And dear she was to doat on, her swift feet seemed to float on
  The air like soft twin pigeons too sportive to alight.

So the two walked together in beautiful August weather,
  The sweet-smelling heather spread out to their left and right;
And she was so dear to him, her quick feet seemed to glide on
  The air like soft twin pigeons just playful enough not to land.

'Oh, what is that in heaven where grey cloud-flakes are seven,
  Where blackest clouds hang riven just at the rainy skirt?' 10
'Oh, that's a meteor sent us, a message dumb, portentous,—
  An undeciphered solemn signal of help or hurt.'

'Oh, what’s that in the sky where gray cloud flakes are seven,
  Where the darkest clouds are torn just at the edge of the rain?' 10
'Oh, that’s a meteor sent to us, a silent, ominous message,—
  An undeciphered, serious signal of help or harm.'

'Oh, what is that glides quickly where velvet flowers grow thickly,
  Their scent comes rich and sickly?'—'A scaled and hooded worm.'
'Oh, what's that in the hollow, so pale I quake to follow?'
  'Oh, that's a thin dead body which waits th' eternal term.'

'Oh, what is that moving swiftly where soft flowers grow densely,
  Their scent is heavy and cloying?'—'A scaled and hooded worm.'
'Oh, what's that in the hollow, so pale I dread to follow?'
  'Oh, that's a thin dead body that awaits the eternal end.'

'Turn again, O my sweetest,—turn again, false and fleetest:
  This way whereof thou weetest I fear is hell's own track.'
'Nay, too steep for hill-mounting,—nay, too late for cost-counting:
  This downhill path is easy, but there's no turning back.' 20

'Turn around, my dearest—turn again, deceitful and quick:
  This way that you know I fear leads straight to hell.'
'No, it’s too steep to climb up—no, it’s too late to count the cost:
  This downhill road is simple, but there’s no going back.' 20

WHO SHALL DELIVER ME?

(The Argosy, Feb. 1866.)

(The Argosy, Feb. 1866.)

God strengthen me to bear myself;
That heaviest weight of all to bear,
Inalienable weight of care.

God, give me strength to endure myself;
That heaviest burden of all to carry,
The unshakable weight of concern.

All others are outside myself,
I lock my door and bar them out
The turmoil, tedium, gad-about.

All others are outside of me,
I lock my door and shut them out
The chaos, boredom, wanderings.

I lock my door upon myself,
And bar them out; but who shall wall
Self from myself, most loathed of all?

I lock my door behind me,
And keep them out; but who can shut
Myself away from myself, the one I hate the most?

If I could once lay down myself, 10
And start self-purged upon the race
That all must run! Death runs apace.

If I could just lie down, 10
And start fresh on the race
That everyone has to run! Death is closing in fast.

If I could set aside myself,
And start with lightened heart upon
The road by all men overgone!

If I could put myself aside,
And begin with a lighter heart on
The path that everyone has traveled!

God harden me against myself,
This coward with pathetic voice
Who craves for ease, and rest, and joys:

God, make me strong against myself,
This coward with a weak voice
Who longs for comfort, rest, and happiness:

Myself, arch-traitor to myself;
My hollowest friend, my deadliest foe, 20
My clog whatever road I go.

Myself, the ultimate betrayer of myself;
My shallowest friend, my deadliest enemy, 20
My burden on whatever path I take.

Yet One there is can curb myself,
Can roll the strangling load from me,
Break off the yoke and set me free.

Yet there is One who can control me,
Can lift the heavy burden from me,
Break the chains and set me free.

IF

(The Argosy, March 1866.)

(The Argosy, March 1866.)

If he would come to-day, to-day, to-day,
  O, what a day to-day would be!
But now he's away, miles and miles away
  From me across the sea.

If he were to come today, today, today,
  Oh, what an incredible day today would be!
But now he's far away, so far away
  From me across the ocean.

O little bird, flying, flying, flying
  To your nest in the warm west,
Tell him as you pass that I am dying,
  As you pass home to your nest.

O little bird, flying, flying, flying
  To your nest in the warm west,
Let him know as you go by that I’m dying,
  As you head home to your nest.

I have a sister, I have a brother,
  A faithful hound, a tame white dove; 10
But I had another, once I had another,
  And I miss him, my love, my love!

I have a sister, I have a brother,
  A loyal dog, a gentle white dove; 10
But I had another, once I had another,
  And I miss him, my dear, my dear!

In this weary world it is so cold, so cold,
  While I sit here all alone;
I would not like to wait and to grow old,
  But just to be dead and gone.

In this tired world, it feels so cold, so cold,
  While I sit here all by myself;
I wouldn’t want to wait and get old,
  But just to be gone and done.

Make me fair when I lie dead on my bed,
  Fair where I am lying:
Perhaps he may come and look upon me dead—
  He for whom I am dying. 20

Make me beautiful when I’m lying dead on my bed,
  Beautiful where I’m lying:
Maybe he’ll come and look at me dead—
  He for whom I’m dying. 20

Dig my grave for two, with a stone to show it,
  And on the stone write my name;
If he never comes, I shall never know it,
  But sleep on all the same.

Dig my grave for two, with a stone to mark it,
  And on the stone write my name;
If he never arrives, I’ll never know,
  But I’ll sleep just the same.

TWILIGHT NIGHT

(The Argosy, March 1866.)

(The Argosy, March 1866.)

I

We met, hand to hand,
  We clasped hands close and fast,
As close as oak and ivy stand;
  But it is past:
  Come day, come night, day comes at last.

We met, hand in hand,
  We held our hands tight and close,
As close as oak and ivy grow;
  But it's over:
  Come day, come night, day will come at last.

We loosed hand from hand,
  We parted face from face;
Each went his way to his own land.
  At his own pace,
  Each went to fill his separate place. 10

We let go of each other's hands,
  We turned away from each other;
Each went their own way to their own home.
  At their own speed,
  Each went to take their own spot. 10

If we should meet one day,
  If both should not forget,
We shall clasp hands the accustomed way,
  As when we met
So long ago, as I remember yet.

If we happen to meet one day,
  If neither of us forgets,
We'll shake hands like we always used to,
  Just like when we met
So long ago, as I still remember.

II

Where my heart is (wherever that may be)
  Might I but follow!
If you fly thither over heath and lea,
O honey-seeking bee,
  O careless swallow, 20
Bid some for whom I watch keep watch for me.

Where my heart is (wherever that may be)
  I wish I could follow!
If you soar over the heath and the meadow,
O honey-seeking bee,
  O carefree swallow, 20
Tell someone I'm watching to keep an eye out for me.

Alas! that we must dwell, my heart and I,
  So far asunder.
Hours wax to days, and days and days creep by;
I watch with wistful eye,
I wait and wonder:
When will that day draw nigh—that hour draw nigh?

Alas! that my heart and I must stay apart,
  So far away.
Hours turn into days, and days drag on;
I watch with longing eyes,
I wait and wonder:
When will that day come—when will that hour arrive?

Not yesterday, and not, I think, to-day;
  Perhaps to-morrow.
Day after day 'to-morrow' thus I say: 30
I watched so yesterday
  In hope and sorrow,
Again to-day I watch the accustomed way.

Not yesterday, and not, I think, today;
  Maybe tomorrow.
Day after day I say "tomorrow": 30
I hoped for it yesterday
  With hope and sadness,
Again today I watch the usual way.


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